[ { "movie": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv", "N": 10, "sample_id": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16169.jpg-chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/17034.jpg", "images": [ { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16169.jpg", "filename": "16169.jpg", "aesthetic": 7.501197814941406, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16369.jpg", "filename": "16369.jpg", "aesthetic": 6.8646039962768555, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16416.jpg", "filename": "16416.jpg", "aesthetic": 7.067844390869141, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16688.jpg", "filename": "16688.jpg", "aesthetic": 6.744755744934082, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16741.jpg", "filename": "16741.jpg", "aesthetic": 4.594319820404053, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16812.jpg", "filename": "16812.jpg", "aesthetic": 6.897102355957031, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16897.jpg", "filename": "16897.jpg", "aesthetic": 6.525518894195557, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16941.jpg", "filename": "16941.jpg", "aesthetic": 7.165383338928223, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/16984.jpg", "filename": "16984.jpg", "aesthetic": 6.067286491394043, "musiq": 0.0 }, { "tag": "", "rel_path": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/17034.jpg", "filename": "17034.jpg", "aesthetic": 6.12147855758667, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Set in a vibrant, elegant jazz club or cabaret during the 1940s-1950s, the story unfolds around a dynamic live performance and the intricate social interactions within the audience. The tone starts celebratory, then gradually introduces personal connections, observations, and subtle tensions, building towards interpersonal drama and strategic encounters.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " continues the performance, introducing and on stage. shifts to the audience, showing and observing the show from a table. moves closer to the crowd, showing interacting with and other patrons. provides an abstract detail shot of shoes, emphasizing a hidden interaction or a pause in the general revelry. returns to a group, showing embracing another man, while and others react. focuses on at the bar, suggesting observation or an alternative perspective on the events. brings , , and another woman together, continuing social interactions. shows a tense moment between and , with in the background. ends with engaging in a private conversation with an unseen person, perhaps resolving some tension or initiating something new." }, "instruction_full": "The camera should maintain the wide shot established in , capturing the stage and the band in the background. Now, two new characters, and , should be prominently featured in the foreground, dancing dynamically. The setting remains the stage from , with the band and the piano visible in the background, maintaining the performance atmosphere. This shot aims to showcase the energy of the performance, transitioning from the band leader to the main act.", "think_full": "The global_prompt.shot_outline for explicitly states \"continues the performance, introducing dancers on stage.\" The environment is clearly the same stage from , evidenced by the piano and the band setup. The camera angle and distance from are suitable for presenting the full stage act. and are new characters introduced in this performance; their poses should be dynamic to convey dancing. This shot expands on the performance established in by introducing additional performers, increasing the visual spectacle and energy.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" combined with the global_prompt.shot_outline saying \" continues the performance, introducing dancers on stage\" and the visual context of (a stage, band, performer) suggests the next logical step is to show the dancing performance. I should maintain the established stage setting from , keep the band in the background, and introduce two new characters, and , actively dancing in the foreground, reflecting the high energy of a live performance. The camera should remain wide to capture the full stage." }, { "instruction_full": "Shift the camera away from the stage performance to a medium-wide shot of the club's audience. The shot should be taken from a slightly elevated position looking down towards a table, revealing a new environment: a lively, dimly lit nightclub interior with multiple patrons seated at tables and bars, suggesting an expansive venue. In the foreground, two new characters, and , are seated at a table, partially obscured by the foreground but engaged in conversation or observing the scene, holding drinks. The stage performance, including the dancers from , should be visible in the far background as a distant focal point, connecting the two scenes. This shot aims to introduce the broader setting of the club and establish new key characters within it, shifting focus from the performance to the social atmosphere.", "think_full": "The global_prompt.shot_outline indicates \" shifts to the audience, showing and observing the show from a table.\" This requires a significant camera and scene change from . This is a brand-new environment that was not visible in or , thus no citation for space. The two characters, and , are introduced here as new, important figures in the narrative. They are observing the stage, which links back to the performance seen in and , providing visual continuity of the ongoing event. The shot establishes the broader social context of the club.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline explicitly states that \" shifts to the audience, showing and observing the show from a table.\" Given this, I need to move the camera off the stage and into the audience area. This implies a new environment (the club floor, distinct from the stage seen in and ) and new characters, and . The camera should show them seated at a table, with the stage performance visible in the distant background to maintain context. This will establish a wider view of the venue and introduce key individuals in the crowd." }, { "instruction_full": "The camera should shift to a closer, medium shot from the previous audience perspective established in , focusing on a group of patrons standing and interacting. The new environment is still the lively, dimly lit nightclub interior from , but now we are closer to the general mingling area, with foliage and arched windows visible in the background suggesting an elegant, possibly tropical-themed, setting. from is central, with his arm around (also from ), both smiling and engaged in conversation with other newly introduced background patrons, conveying a sense of jovial social interaction. This shot's purpose is to show the general socializing atmosphere of the club and highlight the interaction between the two established characters.", "think_full": "The global_prompt.shot_outline for indicates \"moves closer to the crowd, showing interacting with and other patrons.\" This means maintaining the club environment introduced in , moving the camera closer to the general patrons to show social mingling. The characters and are returning from , now in a more active social pose. The shot emphasizes their comfortable interaction within the larger crowd, moving the narrative from passive observation to active engagement. The visible foliage and arched windows in the background further establish the elegant club setting from .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"moves closer to the crowd, showing interacting with and other patrons.\" Building on , where we saw these two characters, the next shot should bring us into their social sphere. I need to maintain the nightclub setting established in , but with a closer framing that emphasizes the group dynamics. and should be shown interacting with others, reinforcing the social and lively atmosphere of the club." }, { "instruction_full": "The camera should shift dramatically from the medium shot of mingling patrons in to a very tight close-up, low-angle shot focusing exclusively on the feet of two individuals. The environment is now abstract, with only a wooden floor and vertical textured wall visible, maintaining a muted color palette consistent with the club's interior from but without specific identifiable features. The shot features the lower legs and feet of two people, both wearing stylish period shoes, one pair crossed casually, the other standing slightly apart, hinting at a moment of pause or casual interaction without revealing identities. This shot aims to create a sudden, intimate detail, hinting at a private or subtle moment amidst the larger social gathering, possibly building a sense of mystery or specific focus.", "think_full": "The global_prompt.shot_outline for states it \"provides an abstract detail shot of shoes, emphasizing a hidden interaction or a pause in the general revelry.\" This necessitates a sharp departure in camera angle and framing from . The space becomes abstract, focusing on a detail rather than the full club, but the muted color palette and texture could still be interpreted as part of the general club environment, though not explicitly linked to an . No characters are identifiable. This shot deliberately shifts the audience's perspective to a subtle, perhaps symbolic, detail, breaking the flow of general social interaction to hint at a more personal or underlying development.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies an \"abstract detail shot of shoes, emphasizing a hidden interaction or a pause in the general revelry.\" After the wide shots of performance (, ) and general socializing (, ), a detail shot of shoes would represent a sudden shift in focus, isolating a small, intimate moment. The environment should be simple, just a floor and a wall, with muted colors consistent with the club's aesthetic but without specific identifiers from . This shot should create a sense of intimacy or a break in the action." }, { "instruction_full": "The camera should pull back from the extreme close-up of feet in to a medium-tight shot, revealing the upper bodies of a small group of people in the nightclub interior. The environment is the bar area of the club, identifiable by bottles and glasses on shelves in the background, a space not explicitly shown in or , but clearly part of the same venue. In the foreground, from is embracing another male character, both smiling warmly, indicating a reunion or strong camaraderie. Surrounding them are other patrons, including (newly introduced), who looks on with a mix of surprise and interest, and other background characters from watching the interaction. This shot aims to establish a significant personal connection or reunion between two key male characters, observed by others, including a new female character, building on the social interactions of the club.", "think_full": "The global_prompt.shot_outline for indicates \"returns to a group, showing embracing another man, while and others react.\" This requires a significant camera change from the abstract . We return to the general club environment from and , now specifically at the bar area, which implies continuity within the same venue. is a returning character from and , now expressing strong emotion through an embrace. The other male character is new. is also a newly introduced character, observing the interaction. This shot provides a narrative beat focusing on an emotional connection and introduces new observers.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for directs to \"return to a group, showing embracing another man, while and others react.\" This implies a return to a broader, character-focused shot after the detail in . The environment should clearly be the nightclub, likely near a bar (as implied by other patrons and bottles). , seen in and , is central, involved in an embrace. A new male character and a new female character, , are introduced, with her reacting to the embrace. This shot serves to highlight a significant personal interaction within the social setting." }, { "instruction_full": "The camera should transition to a close-up or medium-close shot, focusing on a single individual at the bar, maintaining the warm, somewhat dim lighting of the club interior from . The environment is clearly the bar counter seen in , with shelves of bottles and rows of glasses in the background. In the foreground, (introduced in as a background figure, but now prominent) is shown leaning on the bar, holding a cigar and a drink, with a focused, perhaps slightly smug or observing expression. Other background patrons, including a bartender, are visible behind him, further establishing the busy bar atmosphere. This shot aims to introduce as a more significant character, highlighting his presence and potentially his role as an observer or schemer within the club's social scene.", "think_full": "The global_prompt.shot_outline for focuses on \" at the bar, suggesting observation or an alternative perspective.\" This shot maintains the club environment, specifically the bar area as seen in . is a returning character, first seen in the background of , but now takes center stage. His pose, with the cigar and drink, suggests contemplation or observation. The shot changes the focus from the reunion in to a potential antagonist or an interested party, shifting the narrative perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for directs to \"focuses on at the bar, suggesting observation or an alternative perspective.\" This means shifting the camera to a new, prominent character at the bar. The setting is clearly the bar from , identifiable by the bottles and glasses. , who was a background figure in , now needs to be in the foreground, perhaps with a cigar and drink, conveying a sense of watchfulness or involvement. This shot brings a new individual into focus, potentially hinting at a new plot development or a different point of view on the scene." }, { "instruction_full": "The camera should pull back from the close-up of in to a medium-close shot, focusing on a new grouping of three characters against the elegant club interior backdrop established in and , particularly the arched windows and subtle foliage. from is central, wearing a hat, flanked by from on one side, and another newly introduced female character on the other. All three are smiling and engaged in light conversation, with resting her hand on 's arm. This shot aims to re-establish 's social prowess and ease, showing him comfortably engaging with two attractive women, contrasting with the more intense observation from .", "think_full": "The global_prompt.shot_outline for states it \"brings , , and another woman together, continuing social interactions.\" This means returning to the general mingling area of the club, similar to , with elements like the arched windows visible. and are returning characters from and . The new female character adds to the social dynamic. The shot emphasizes their relaxed and jovial interaction, shifting away from the potentially watchful tone of and reinforcing the social aspect of the club setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for suggests \"brings , , and another woman together, continuing social interactions.\" After the individual focus on in , this shot needs to return to a group interaction. , previously seen interacting with in , should be central, flanked by and a new female character. The setting should be the general club interior, maintaining the elegant atmosphere, with them engaged in pleasant conversation. This reinforces the social theme of the scene." }, { "instruction_full": "The camera should maintain a medium-close shot, but pivot to capture a more tense interaction within the club. The environment is still the club interior from , with background patrons and hints of the elegant architecture and foliage. In the foreground, from confronts (also from ), whose eyes are closed as if in exasperation or discomfort, while (from ) stands behind them, looking concerned. appears to be speaking intently or aggressively to . This shot's purpose is to introduce direct conflict or tension between two central male characters, observed by a concerned female character, shifting the mood from social ease to potential confrontation.", "think_full": "The global_prompt.shot_outline for describes \"a tense moment between and , with in the background.\" This requires framing the two male characters in direct, potentially confrontational interaction. The environment is still the club, implied by the background elements visible in previous shots like . and are returning characters, now positioned for a direct confrontation. returns from , providing an emotional reaction. This shot introduces explicit tension and conflict into the social setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for explicitly details \"a tense moment between and , with in the background.\" This necessitates a close-up on the two main male characters, showing them in a direct, potentially confrontational interaction. (from ) and (from ) are the key figures. The club environment from previous shots (, ) should be subtly present in the background. (from ) should be visible behind them, reacting to the tension. This shot is crucial for escalating the narrative tension." }, { "instruction_full": "The camera should shift to a very tight close-up, focusing intensely on the face of from . The background remains the club interior, subtly blurred but still suggesting the elegant architecture and green tones seen in and . is now smiling slightly, his eyes conveying a knowing or charming expression, as he looks towards an unseen person in conversation. This shot aims to highlight 's character, showing his charm or a shift in his emotional state following the tension in , suggesting a resolution or a new turn in his interactions.", "think_full": "The global_prompt.shot_outline for indicates it \"ends with engaging in a private conversation with an unseen person, perhaps resolving some tension or initiating something new.\" This requires an intimate close-up on , a returning character from . His expression should convey charm or confidence, contrasting with his exasperation in . The background remains the club, visually consistent with and , but blurred to keep focus on the character. This shot serves as a character beat, possibly resolving or redirecting the tension from the previous shot and hinting at future developments.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for explicitly states it \"ends with engaging in a private conversation with an unseen person, perhaps resolving some tension or initiating something new.\" After the confrontation in , a close-up on is necessary to capture his reaction or subsequent action. The club environment is still the setting. His expression should convey a shift in mood, perhaps charming or confident, as he interacts with someone off-screen. This shot focuses on his emotional state and potential agency in the ongoing narrative." } ], "_src_movie_dir": "chico.and.rita.2010.2160p.x264-profound[PRiME].mkv", "_src_filename": "016169_017034.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/chico.and.rita.2010.2160p.x264-profound[PRiME].mkv/016169_017034.json", "_test_index": 3 }, { "movie": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv", "N": 10, "sample_id": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/75844.jpg-The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/77300.jpg", "images": [ { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/75844.jpg", "filename": "75844.jpg", "aesthetic": 7.079174995422363, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/75962.jpg", "filename": "75962.jpg", "aesthetic": 6.528592586517334, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/76134.jpg", "filename": "76134.jpg", "aesthetic": 6.343036651611328, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/76238.jpg", "filename": "76238.jpg", "aesthetic": 6.2452826499938965, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/76359.jpg", "filename": "76359.jpg", "aesthetic": 5.525299072265625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/76528.jpg", "filename": "76528.jpg", "aesthetic": 7.237381458282471, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/76900.jpg", "filename": "76900.jpg", "aesthetic": 6.240701198577881, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/77203.jpg", "filename": "77203.jpg", "aesthetic": 6.923528671264648, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/77281.jpg", "filename": "77281.jpg", "aesthetic": 6.431072235107422, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/77300.jpg", "filename": "77300.jpg", "aesthetic": 6.5632405281066895, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence explores a woman's journey through hardship and personal connections. It begins in a stark, somewhat clinical environment, suggesting a serious or confrontational tone. The narrative then shifts to a more intimate and emotional setting, revealing her caring side with a sick loved one, before transitioning to a new, elegant environment where she engages in a significant encounter that could be a turning point.", "characters": [ "", "", "", "" ], "shot_outline": " introduces , mirroring the framing of from to establish a connection or a response. isolates in the hallway, emphasizing her solitude and the somber environment. transitions to a new, intimate setting where attends to , showing a tender moment. provides a close-up of 's face, revealing their vulnerability and the intensity of 's care. pulls back to a wider shot of the hospital room, showing comforting within the institutional setting. shifts to a new, more elegant indoor setting, introducing and implying an upcoming interaction, with subtly in the background. focuses on , establishing his presence and demeanor in this new, art-filled environment. shows interacting with , exchanging an object, suggesting a transaction or an exchange of information. provides a medium close-up of receiving the item from , emphasizing the significance of their interaction." }, "instruction_full": "Maintain a similar medium close-up shot as . Introduce , facing forward with a slightly troubled or pensive expression. Keep the same sterile, tiled hallway background as , maintaining the subdued lighting. This is to introduce the female protagonist as a direct counterpart to and suggest a shared context or a direct response to his presence, while hinting at her emotional state.", "think_full": "We maintain the sterile, tiled hallway background established in . The subdued, slightly cool lighting from is also preserved to create a consistent, somewhat oppressive atmosphere. is introduced for the first time. Her expression should convey a sense of worry or introspection. There are no direct character continuity links to as is not present, but her presence establishes a narrative relationship with the previous shot. By mirroring the framing of and introducing with a pensive look, the shot immediately establishes a counterpoint to . This visual pairing suggests they are either connected, responding to each other, or both occupying the same tense narrative space, thereby initiating her role in the unfolding story.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'introduces , mirroring the framing of from to establish a connection or a response.' To fulfill this, the camera should maintain a similar medium close-up as . is the character to be introduced, with a pensive expression reflecting her 'concerned' tag and the serious story tone. The environment, the sterile, tiled hallway, and subdued lighting from should be reused to provide visual continuity. The intent is to introduce this new character as a counterpart or a response to , setting up her role and emotional state early in the narrative." }, { "instruction_full": "Change the camera to a medium shot, shifting slightly to the side to show in profile, looking towards an empty, darker section of the hallway. The sterile, tiled wall from continues to form the background, but the focus is now on her isolation and the oppressive nature of the fading light in the deeper part of the corridor, to emphasize her solitude and the somber atmosphere.", "think_full": "The environment remains the same sterile, tiled hallway as seen in and . The cool, subdued lighting also continues from previous shots, but the camera now frames a deeper, darker part of the corridor, enhancing the sense of desolation. reappears from . Her pose is now in profile, looking into the empty space, reinforcing her pensive or perhaps burdened emotional state previously hinted at. This shot aims to isolate further, shifting from a direct, confrontational front-on view (as implied by the and pairing) to a more internal, solitary moment. The empty, darker hallway she faces emphasizes her isolation and the weight of her concerns, aligning with the somber aspects of the story setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'isolates in the hallway, emphasizing her solitude and the somber environment.' To achieve this, a medium shot from the side, showing her in profile, would be effective, allowing more space around her than the previous close-up. is the focus, her posture reflecting solitude and the somber environment. The hallway from and should continue, but framing a more empty or darker section to highlight the 'somber environment' and her 'solitude.' The primary goal is to visually represent her isolation and the oppressive atmosphere through framing and setting, deepening the emotional tone of her character." }, { "instruction_full": "The camera shifts dramatically to a new, intimate setting: a softly lit hospital room. The shot is a medium close-up, focusing on leaning over who lies in a hospital bed. gently touches 's face, showing deep care and tenderness. This shot reveals a personal, emotional connection, a stark contrast to the sterile hallway.", "think_full": "This is a brand new environment, a hospital room, with soft, gentle lighting. There is no visual continuity with the sterile hallway of , , or . The change in setting and lighting is intentional to signify a shift in the narrative to a more personal, emotional space. reappears from , but her expression and actions are now tender and deeply caring, focused on . is introduced for the first time, lying still in a bed, appearing vulnerable. This shot marks a significant shift from the previous distant, sterile environment to a highly personal and emotional one. The close framing and tender interaction between and immediately establish a deep, caring bond, revealing a core motivation or source of her concern, as hinted at in the story setup about hardship and a sick loved one.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'transitions to a new, intimate setting where attends to , showing a tender moment.' An 'intimate setting' and 'tender moment' suggest a closer shot, like a medium close-up, to capture the emotion and interaction. and are explicitly mentioned; should be shown attending to with tenderness. It's a 'new, intimate setting,' implying a departure from the hallway. A hospital room with soft lighting would fit the description. The purpose is to reveal a deep, personal connection for , contrasting with her earlier isolated state, and to introduce the ailing character as a key part of her story." }, { "instruction_full": "The camera moves into a tight close-up, focusing directly on the face of as seen in , with a soft, out-of-focus hint of 's face or body next to them. This shot emphasizes 's vulnerability and the quiet intensity of their connection with , continuing the emotional tone from .", "think_full": "The environment remains the hospital room established in , maintaining the intimate and softly lit atmosphere. is seen again from , now in a tighter close-up, emphasizing their fragile state. is partially visible from , her presence still providing comfort and care. The interaction from continues and is intensified by the closer framing. The shift to an extreme close-up on intensifies the emotional impact established in . It highlights their vulnerability and makes the viewer feel closer to their condition, while 's blurred presence reinforces her unwavering support and the personal stakes involved, aligning with the story setup's theme of hardship.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'provides a close-up of 's face, revealing their vulnerability and the intensity of 's care.' A 'close-up of 's face' is explicitly requested, tighter than , to emphasize their vulnerability. 's presence should still be implied or partially visible from to show her 'intensity of care.' The hospital room from is the setting, maintaining its soft, intimate lighting. The intent is to deepen the emotional connection and emphasize the fragility of and the profound concern of ." }, { "instruction_full": "Pull the camera back to a wider shot, showing the full hospital room, clearly revealing standing by the bed and leaning over , who is still in the bed. The room's institutional features like the tiled walls and blinds from and 's implied setting are now fully visible, contrasting the intimate moment with the stark reality of the hospital environment.", "think_full": "We return to the hospital room environment from and , but with a wider view. This reveals more of the tiled walls and a window with blinds, which were implied in the previous intimate shots but now become more prominent, emphasizing the institutional setting. The soft lighting is maintained, now illuminating the entire room. and continue their interaction from and , with still attending to . The wider shot shows their full figures and their relative positions within the room. After the intense close-ups of and , this wider shot provides context and scale. It highlights the full extent of 's vigil within the stark reality of a hospital room, contrasting her personal tenderness with the impersonal medical environment. This emphasizes the burden and unwavering commitment of amidst challenging circumstances.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'pulls back to a wider shot of the hospital room, showing comforting within the institutional setting.' A 'wider shot' is explicitly requested, contrasting with the previous close-ups, to show the entire room. and are still present, with comforting in the bed. The hospital room from and should be shown in its entirety, revealing more details of the 'institutional setting' like tiled walls and windows. The intent is to provide a broader perspective of the scene, establishing the full context of the hospital room and underscoring the contrast between the intimate emotional moment and the clinical environment." }, { "instruction_full": "The camera transitions to an entirely new setting: a grand, elegant hallway or gallery adorned with artwork and ornate details, lit by soft, warm light. The shot is a medium-wide, framing the back of as he walks into the room, with visible slightly out of focus in the background, entering the same space. This introduces a new character and a distinct change in the story's environment and tone.", "think_full": "This is a brand new environment, an elegant hallway or gallery, with warm, inviting lighting. This setting has no visual continuity with the hospital room from , , or the sterile hallway from , , . The complete change signifies a new chapter or development in the narrative. is introduced for the first time, walking into this new space, presenting an air of refinement. reappears from , but her presence is now secondary, subtly entering the frame behind him, suggesting she is following or observing, and has transitioned out of her previous role as caretaker. This shot completely shifts the narrative's setting and introduces a new key character, , establishing a new phase in the story, as indicated in the story setup about a new encounter. The elegant setting contrasts sharply with previous environments, hinting at a change in stakes or social context. 's more peripheral placement in this shot suggests a shift in her immediate focus and situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'shifts to a new, more elegant indoor setting, introducing and implying an upcoming interaction, with subtly in the background.' A medium-wide shot would allow for both the introduction of and a glimpse of in the background, as well as showcasing the new 'elegant indoor setting.' is newly introduced, walking into the scene. is also present, but 'subtly in the background.' A 'new, more elegant indoor setting' is required, implying rich decor, possibly artwork, and different lighting than previous scenes. The intent is to pivot the narrative to a new location and introduce a new character, setting the stage for a new interaction for that will likely advance the plot, as per the story setup." }, { "instruction_full": "The camera cuts to a medium close-up, now facing directly. He stands in the elegant gallery from , looking thoughtfully or expectantly towards someone off-screen (implied to be ). The warm, rich lighting and art-filled background from continue to define the space, focusing on his composed yet intriguing demeanor.", "think_full": "The environment remains the elegant hallway/gallery established in , retaining the warm, rich lighting and artistic backdrop. This continuity reinforces the new, sophisticated setting of this narrative phase. reappears from , now in a frontal medium close-up, allowing for a clearer view of his refined appearance and thoughtful expression, as he anticipates interaction. is implied to be off-screen, maintaining the 'upcoming interaction' mentioned in the shot outline. This shot solidifies the introduction of by giving him a direct, focused shot. His expression and the fact he is looking off-screen build anticipation for his interaction with , shifting the focus to his role and potential influence in the emerging storyline.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'focuses on , establishing his presence and demeanor in this new, art-filled environment.' To 'focus' on him and establish his 'demeanor,' a medium close-up shot of would be appropriate, capturing his expression. is the sole focus of this shot, looking attentive or expectant. The 'new, art-filled environment' (the elegant gallery from ) should continue to provide the background, reinforcing the setting. The intent is to fully introduce and convey his character, creating anticipation for his interaction with ." }, { "instruction_full": "The camera changes to a medium shot, showing in the elegant gallery from , extending her hand to give a small, wrapped object to , whose hand is visible entering the frame. Her expression is calm and determined, indicating the serious nature of this exchange. The art-filled background from continues to anchor the scene.", "think_full": "The setting is consistently the elegant gallery from and , with the same warm lighting and art-filled walls, grounding the interaction in this new, refined environment. is now prominently featured, seen from , in active interaction. is partially present from , represented by his hand, which indicates the direct exchange taking place. Her calm and determined expression shows her active participation in the narrative's new direction. This shot directly depicts the interaction foreshadowed by and . The act of handing an object to signifies a key plot point, likely an exchange of information or a proposition, moving the story forward. Her focused expression implies a significant personal stake in this exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'shows interacting with , exchanging an object, suggesting a transaction or an exchange of information.' A medium shot would be appropriate to clearly show the interaction and the object being exchanged. is actively giving an object to , whose hand is visible. Her expression should reflect the significance of the exchange. The 'art-filled environment' (the gallery from and ) serves as the background, maintaining scene continuity. The intent is to visually represent the crucial interaction and exchange of an object between the two characters, marking a turning point or a significant development in the plot." }, { "instruction_full": "The camera reframes to a medium close-up, focusing on as he receives the small, wrapped object from 's hand (which is still in frame). His expression is now more readable, possibly revealing curiosity or satisfaction. The background of the elegant gallery from remains, reinforcing the sophisticated context of this transaction.", "think_full": "The elegant gallery environment from , , and continues, providing a consistent backdrop for the interaction. The warm lighting and decorative elements are still visible. (from and ) is now the main focus, his expression becoming more central as he receives the item. 's hand (from ) is still visible, completing the exchange. The object itself is a direct continuation from . This shot brings the focus back to to show his reaction to receiving the item, which was exchanged in . By zeroing in on him, the shot emphasizes the weight and implications of the transaction, and allows his expression to convey his interpretation or understanding of the exchange, driving the narrative forward after this key interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: 'provides a medium close-up of receiving the item from , emphasizing the significance of their interaction.' A 'medium close-up of ' is specified, focusing on his reaction. is clearly receiving the item. 's hand is still present to complete the action from . His expression should convey the 'significance' of the interaction, perhaps curiosity or understanding. The elegant gallery environment from previous shots (, , ) should remain as the background. The intent is to conclude this specific interaction by showing the reception of the item and allowing 's reaction to deepen the narrative, highlighting the importance of this exchange." } ], "_src_movie_dir": "The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv", "_src_filename": "075844_077300.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Danish.Girl.2015.Bluray.2160p.DTS-HD.x264-Grym.mkv/075844_077300.json", "_test_index": 4 }, { "movie": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/18866.jpg-The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19794.jpg", "images": [ { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/18866.jpg", "filename": "18866.jpg", "aesthetic": 6.755649089813232, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/18941.jpg", "filename": "18941.jpg", "aesthetic": 7.5096330642700195, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/18956.jpg", "filename": "18956.jpg", "aesthetic": 5.823423385620117, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19009.jpg", "filename": "19009.jpg", "aesthetic": 6.152035713195801, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19100.jpg", "filename": "19100.jpg", "aesthetic": 6.098559856414795, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19228.jpg", "filename": "19228.jpg", "aesthetic": 7.26536750793457, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19428.jpg", "filename": "19428.jpg", "aesthetic": 6.183917999267578, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19469.jpg", "filename": "19469.jpg", "aesthetic": 6.341559410095215, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19600.jpg", "filename": "19600.jpg", "aesthetic": 5.881355285644531, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/19794.jpg", "filename": "19794.jpg", "aesthetic": 6.121340751647949, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence explores the intricate social dynamics and underlying tensions of 1960s Southern society through the eyes of a young journalist. It delves into themes of class, race, and gender, as the protagonist navigates polite but rigid social circles, observing and documenting the lives around her. The tone is often observational, sometimes subtly critical, building towards moments of revelation and confrontation, all while maintaining a visually rich, period-appropriate aesthetic.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces smiling politely, with subtly present in the background, establishing a new character and setting the scene for social interaction. returns to 's reaction, mirroring , suggesting a direct reply or observation to 's interaction. focuses on with a direct, serious gaze, highlighting her presence and perhaps underlying disapproval or observation within the social setting. shows looking thoughtful or downcast, indicating reflection or a negative turn in the conversation or situation. is a wide shot establishing the social gathering with , , , and all present, revealing the full context of their interactions. returns to with an engaged expression, suggesting she's rejoining the conversation or making a point. focuses on looking distressed, implying a dramatic moment or consequence of the ongoing interactions, with nearby. shows with a knowing smile, suggesting she achieved her objective or is pleased with the outcome of the social drama. cuts to alone in a kitchen, talking on the phone, revealing a private moment and possibly a secret action, contrasting with her public role." }, "instruction_full": "Shift the camera to a medium close-up, introducing a new character, , in an elegant, formal room, distinct from the domestic setting of . should be smiling politely, looking slightly off-camera to her left, wearing pearls and formal attire. In the background, subtly out of focus, should be visible, establishing her presence in this social environment. This shot aims to introduce a new key character and a more formal setting, while hinting at the social strata and the domestic help present, setting the stage for interactions.", "think_full": "The story setup requires introducing other characters and social settings beyond 's initial scene in . The shot outline specifies that introduces and hints at 's presence. This necessitates a new camera angle and a completely new physical space. The elegant room and formal attire for establish the affluent social circle is observing. The subtle inclusion of in the background immediately sets up the class dynamics. The polite smile on 's face is a key character introduction, contrasting with 's more contemplative expression in . This shot serves to broaden the narrative world.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the global prompt, especially the shot outline for , I need to introduce a new character, , in a distinct, more formal setting. The shot outline also mentions being present. Therefore, the camera should shift to a new angle, likely a medium close-up on with a polite smile, in an elegant room, and have subtly visible in the background, fulfilling the narrative purpose of introducing new key players and settings for the journalist to interact with and observe." }, { "instruction_full": "Return to a medium close-up of , precisely matching the camera framing and domestic background from . should maintain a similar expression of thoughtful uncertainty as in , looking slightly off-camera, as if reacting directly to the events or conversation introduced in . This shot is intended to show 's direct, internal reaction, emphasizing her role as an observer and participant.", "think_full": "Following the introduction of and the new setting in , the narrative calls for a return to 's perspective to show her processing this new information or interaction. By exactly replicating the camera framing, the character's appearance, and the background from , we maintain strong visual continuity for 's personal space and thoughts. Her sustained thoughtful expression, similar to , indicates a continuation of her internal monologue or reaction to the social scene just introduced, reinforcing her role as an introspective observer.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates a return to 's reaction, mirroring . Therefore, the next shot should be a medium close-up of , using the same camera setup and domestic background established in . She should have a thoughtful or uncertain expression, reacting to the preceding shot, to maintain visual continuity and convey her internal state after encountering the new social scene." }, { "instruction_full": "Shift the camera to a medium close-up on , who is now facing the camera directly with a serious, observant expression. She should be wearing her uniform, standing in a room with wood-paneled walls and decorative elements consistent with the elegant home hinted at in . This shot aims to give more prominence, showing her direct gaze and suggesting her significant, watchful presence within the household dynamics.", "think_full": "Having established 's reaction in and seen in the background of , the shot outline for specifies focusing on with a direct gaze. This requires a new camera setup to bring her into the foreground. Her uniform from should be consistent. The wood-paneled walls and decorative elements should align with the 'elegant home' aesthetic introduced in , providing spatial continuity for the overall setting, even as the specific room might be different. Her serious, direct gaze elevates her from a background figure to an active, observant character whose perspective is important.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for calls for focusing on with a direct, serious gaze. Given that was briefly seen in the background of in a uniform within an elegant setting, the next shot should be a medium close-up of her, wearing her uniform, with a serious expression, and set in a room that matches the luxurious aesthetic of . This gives her a more prominent role and suggests her watchful nature." }, { "instruction_full": "Return to a medium close-up of , reusing the camera framing and domestic background from and . This time, should be looking down, with a thoughtful or slightly dejected expression, as if contemplating something difficult or feeling the weight of her observations. This shot intends to show a moment of introspection or discouragement for , highlighting the emotional impact of her experiences.", "think_full": "After the direct gaze of in , the narrative requires us to return to for her emotional processing. The shot outline for specifies looking thoughtful or downcast. By using the exact same camera setup and domestic setting as and , we maintain visual consistency for her personal space, making her emotional shift more impactful. Her looking down and thoughtful expression signals a moment of internal reflection, possibly a reaction to the stark class dynamics or other social tensions she's encountered, moving the emotional arc forward.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the shot outline for , the next shot should show looking thoughtful or downcast. This means returning to her established personal setting. So, the camera should be a medium close-up, identical to and , featuring in the same domestic background, but with a new expression: looking down, conveying thought or sadness, indicating a moment of emotional reflection." }, { "instruction_full": "Transition to a wider shot, establishing a social gathering in the elegant room previously seen in snippets in and . The camera should capture multiple women, including , , and introduce and other guests (), sitting around tables, engaged in conversation or activities like card playing. should also be visible in the background, observing the scene. The lighting should reflect an indoor social event. This shot's purpose is to fully reveal the social context, showing the scale of the gathering and the interactions between the main characters.", "think_full": "Following 's introspective moment in , the narrative needs to expand to show the larger social context. The shot outline for explicitly calls for a wide shot of a social gathering with all key characters. This requires a significant camera change to a wider angle. The setting should be the elegant room, consistent with the brief glimpses in and the background of , now shown more completely. All characters previously introduced (or the setting they inhabit) – , , – should be present, alongside the introduction of and to fill out the scene. This shot serves to fully establish the environment and the dynamics of the social event, providing context for future interactions and conflicts.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for explicitly describes a wide shot of a social gathering involving , , , , and . This requires a new, wider camera angle to show the group. The setting should be the elegant room hinted at in and , now fully revealed as a social space. This shot is crucial for establishing the full social context and the interactions between the various characters." }, { "instruction_full": "Cut back to a medium close-up of , once again using the camera framing and domestic background from , , and . should now have an engaged, possibly slightly questioning or assertive expression, looking off-camera as if participating actively in a conversation within the gathering. This shot aims to highlight her renewed engagement after her period of reflection, showing her actively participating in or reacting to the social dynamics.", "think_full": "After the wide shot establishing the social gathering in , the narrative needs to zoom back into 's personal experience within that group. The shot outline for specifies a return to with an engaged expression. By reusing the identical camera setup and domestic background from , , and , we reinforce her consistent identity and space. Her new engaged expression signifies her shift from internal contemplation to active participation or observation within the social event, showing her processing and possibly influencing the dynamics she's present in.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for calls for a return to with an engaged expression. Therefore, the next shot should be a medium close-up of , using the exact camera setup and domestic background seen in , , and . Her expression should be engaged, suggesting she is actively involved in the conversation or observing intently, marking a shift from her earlier thoughtful or dejected state." }, { "instruction_full": "Shift the camera to a medium close-up focusing on and , both looking distressed or upset. should be prominently showing distress, perhaps with a hand to her chest, while looks on with a concerned or affected expression. They should be situated within the elegant room of the social gathering seen in . This shot's purpose is to reveal a moment of dramatic tension or emotional fallout within the social event, focusing on the impact on specific characters.", "think_full": "Following 's active engagement in , the narrative requires a focus on the direct consequences or emotional climax within the social gathering. The shot outline for specifies focusing on looking distressed, with nearby. This demands a new camera angle, a medium close-up to capture their expressions. The characters are consistent with their introduction in , and the setting must remain the elegant room from , , and . The heightened emotional state of and 's concerned reaction directly advance the dramatic tension of the story.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for dictates focusing on looking distressed, with also present. This means a new medium close-up shot within the elegant social gathering room (from ). should show clear signs of distress, perhaps holding her chest, while reacts with concern, directly conveying a moment of social drama or conflict." }, { "instruction_full": "Cut back to a medium close-up of , again using the camera framing and domestic background from , , , and . should now have a knowing smile or a subtle smirk, looking off-camera as if she has achieved an objective or is pleased with the unfolding drama. This shot is intended to convey 's satisfaction or a sense of vindication regarding the social tensions she's been observing and perhaps instigating.", "think_full": "After the dramatic moment of distress shown in , the narrative calls for a return to 's reaction, as per the shot outline for , where she displays a knowing smile. By reusing the consistent camera setup and domestic background from , , , and , we link her personal perspective directly to the unfolding events. Her knowing smile suggests she has either successfully gathered the information she sought, or she finds a certain satisfaction in the consequences of the social friction, signifying a turning point in her journalistic endeavor.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for specifies a return to with a knowing smile. This requires revisiting her established personal space. Therefore, the next shot should be a medium close-up of , in the same domestic background and camera framing as , , , and , but with a distinct knowing smile or smirk, indicating her reaction to the recent dramatic events and a sense of accomplishment." }, { "instruction_full": "Introduce a brand-new setting: a vintage kitchen, distinct from any location seen previously. The camera should capture a full shot of , now alone, talking on an old-fashioned telephone. She should be standing or moving purposefully within the kitchen space, conveying a sense of privacy and perhaps urgency. This shot's purpose is to reveal a private, personal moment for , suggesting a hidden aspect of her life or a secret communication, entirely separate from her public role at the social gatherings.", "think_full": "Following 's satisfied expression in , the narrative needs a significant shift to reveal a new layer of the story, as indicated by the shot outline for , which shows alone in a kitchen talking on the phone. This necessitates a completely new camera setup, a new environment (the vintage kitchen), and places in a new context, away from her work and the socialites. There is no visual continuity with any previous shots regarding the setting. This dramatic change in scene and activity for reveals her personal life and hints at a possible secret, adding depth to her character and expanding the story beyond the social gatherings. Her alone time on the phone suggests agency and a narrative thread independent of the primary social drama.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates a significant shift: is alone in a kitchen, on the phone, revealing a private moment. This requires a completely new camera setup, a full shot, and a brand-new environment – a vintage kitchen – that has no visual ties to any previous settings. should be depicted in this private space, engaged in a secret or personal telephone conversation, to emphasize a hidden side to her character and introduce a new narrative element." } ], "_src_movie_dir": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "018866_019794.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/018866_019794.json", "_test_index": 5 }, { "movie": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "N": 10, "sample_id": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/85933.jpg-Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/87608.jpg", "images": [ { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/85933.jpg", "filename": "85933.jpg", "aesthetic": 6.22935676574707, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/86014.jpg", "filename": "86014.jpg", "aesthetic": 6.903788089752197, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/86185.jpg", "filename": "86185.jpg", "aesthetic": 5.7119855880737305, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/86350.jpg", "filename": "86350.jpg", "aesthetic": 7.218888759613037, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/86407.jpg", "filename": "86407.jpg", "aesthetic": 7.467230796813965, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/86568.jpg", "filename": "86568.jpg", "aesthetic": 6.5914435386657715, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/87096.jpg", "filename": "87096.jpg", "aesthetic": 7.270829200744629, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/87252.jpg", "filename": "87252.jpg", "aesthetic": 5.956546306610107, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/87456.jpg", "filename": "87456.jpg", "aesthetic": 6.988018035888672, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/87608.jpg", "filename": "87608.jpg", "aesthetic": 6.12993860244751, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a dimly lit, richly decorated room, a somber and tense atmosphere hangs as a man vigilantly attends to an unwell woman. The narrative explores themes of concern, quiet presence, and the passage of time during illness.", "characters": [ "", "" ], "shot_outline": " shifts the focus slightly, showing standing still, observing the room. introduces in her unwell state, lying on a bed. shows having moved to sit on the edge of the bed. provides a close-up of , emphasizing his concern. pulls back to a wider shot, showing standing near the bed and . depicts settled on the bed, reading a book. cuts to a close-up of , now appearing to be resting peacefully. returns to , continuing to read but with a subtle change in posture. offers another close-up of , reaffirming her restful state." }, "instruction_full": "Shift the camera to a slightly tighter medium shot, more at eye-level, focusing on 's upper body. He should be standing straighter and looking directly forward, appearing more composed compared to his agitated state in . The shot maintains the dimly lit, ornate room from , with dark wood paneling prominent in the background, to show 's change in demeanor, from agitated to a more somber, watchful presence, establishing his central role in this room.", "think_full": "The global prompt establishes a story of concern and vigil. From , we see in a richly decorated, dimly lit room, appearing somewhat agitated and looking down. The `shot_outline` for indicates a slight shift in focus and his demeanor. To achieve this, the camera should tighten slightly and become more eye-level than 's slightly high angle, directing attention to his composed posture. reappears from but is now standing straighter and looking forward, suggesting he has collected himself. The space is a direct continuation of the room shown in , retaining the dark wood paneling and subdued lighting. The narrative intent is to show his emotional transition and establish him as a central, watchful figure.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt.shot_outline`, should show standing still, observing the room, after his initial agitated state in . I should keep the camera on from , but adjust his pose to be more composed, perhaps looking forward. The setting remains the dimly lit, ornate room seen in . This serves to establish his presence and a shift in his emotional state, moving from agitation to watchful composure, setting the tone for his role in the unfolding narrative." }, { "instruction_full": "Cut to a medium shot introducing , lying on a richly patterned bed. She should appear unwell or distressed, perhaps with a hand to her forehead. The shot should clearly reveal the bed within the same dimly lit, ornate room established in and , with hints of the rich wallpaper/curtains in the background, to introduce and establish her current fragile condition, providing context for 's presence and likely concern.", "think_full": "The `global_prompt.shot_outline` specifies that introduces in an unwell state on a bed. This requires a cut to a new character and a new framing. The character is new, as she hasn't appeared in or . The bed, while hinted at in , is now a central element in the space. The room itself maintains the dimly lit, ornate aesthetic from and . The camera change from is a direct cut to establish this new visual focus. The dramatic intent is to immediately convey her vulnerability and the reason for the tense atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. According to the `global_prompt.shot_outline`, needs to introduce in her unwell state, lying on a bed. This means I must shift focus from (seen in and ) to this new character. The shot should reveal her on the bed, looking distressed. The setting should clearly be the same dimly lit, ornate room as in and , perhaps making the previously hinted bed more prominent. This shot's purpose is to establish her condition, which motivates 's presence." }, { "instruction_full": "Re-establish with a medium shot, but now he is seated on the edge of the bed where lies (from ). He remains in his coat and top hat, looking contemplatively off-camera or downwards. The background should continue to feature the rich, patterned walls/curtains and dim lighting established in and , affirming the same ornate room and focusing on 's direct proximity and attention to , suggesting his care or concern and a shift in his engagement with the situation.", "think_full": "The `global_prompt.shot_outline` states that shows moving to sit on the bed. This signifies a change in his interaction with the scene. reappears from and . He is now seated on the bed, directly relating to the presence of shown in . The space is clearly the same dimly lit, ornate room from , , and , emphasizing continuity of setting. The camera returns to a medium shot, similar to previous shots of him but capturing his new, seated position. The narrative purpose is to deepen the sense of his concern and commitment by showing his physical closeness to .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt.shot_outline`, should show now seated on the bed. He was last seen standing () or in close-up ( if I had seen it, but I haven't), but his initial state was agitated (). He has moved to a more intimate position relative to who is on the bed (). I should frame in a medium shot, showing him seated, still in the same ornate, dimly lit room established in . This shot serves to highlight his increasing engagement and concern for ." }, { "instruction_full": "Cut to a tight close-up of 's face. He maintains his seated posture from , with a look of deep concern or contemplation. The background should be softly out of focus, hinting at the ornate room and muted colors from , , and , reinforcing his presence by the bed, to highlight 's emotional state and empathy towards , reinforcing the gravity of her condition.", "think_full": "The `global_prompt.shot_outline` indicates is a close-up of emphasizing his concern. This requires a tighter camera framing than any previous shot of him (, , ). reappears from , where he was seated on the bed. This close-up intensifies his expression, making his concern the focal point. The background remains the same room from , , and , but rendered out of focus to draw attention to his face. The dramatic intent is to emotionally connect the viewer with his feelings regarding 's condition.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. According to the `global_prompt.shot_outline`, should be a close-up of emphasizing his concern. He was last seen seated on the bed in . I need to bring the camera in tight on his face, showing a worried or contemplative expression. The background should be blurred but consistent with the ornate, dimly lit room from earlier shots (, , ). This shot deepens the emotional impact by focusing on his internal state and his connection to the situation with ." }, { "instruction_full": "Pull back to a wider shot, similar to the general framing of , to include both and . is now standing beside the bed, looking down towards , who remains lying on the bed as seen in . The ornate, dimly lit room is fully visible again, with the bed and its surroundings prominent, and the side table with the pitcher and bowl from visible on the left, to re-establish the spatial relationship between the two characters and the overall somber atmosphere of the room, showing 's continuous presence and concern.", "think_full": "The `global_prompt.shot_outline` for specifies pulling back to a wider shot, showing standing near the bed and . This means , last seen in a close-up while seated (), has now risen and is standing. continues her presence on the bed, as established in . The camera movement is a pullback from the close-up of and a re-framing to a wider view, reminiscent of 's scope, to re-contextualize the characters within the room. The space is a clear continuation of the dimly lit, ornate room from , , , , bringing back elements like the side table from . The narrative intent is to provide an overview of their positions and reinforce the ongoing vigil.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt.shot_outline` for indicates a wider shot, showing standing near the bed with . This implies a change in 's position from sitting (last seen in , before close-up in ) to standing. will still be on the bed (from ). The camera should pull back from the close-up of to a broader view, similar in scope to , clearly showing both characters and more of the ornate, dimly lit room. This shot re-establishes the scene's overall mood and the relationship between the characters." }, { "instruction_full": "Return to a medium shot, similar to . is now seated again on the edge of the bed (as in ), but this time he is holding and reading a book. His expression should be focused on the book, but still conveying a sense of quiet presence. The dimly lit, ornate room from , , , continues, with the bed from and still central, to show a prolonged vigil or an attempt to pass time and offer comfort, suggesting a deeper commitment or wait, and a shift from active concern to quiet, supportive presence.", "think_full": "The `global_prompt.shot_outline` specifies depicts settled on the bed, reading a book. This means he has shifted his position again from standing () to sitting, similar to . is a returning character from all previous shots. The new element is the book, indicating a new activity. The camera returns to a medium shot, framing him similarly to , but capturing his new action. The space is continuously the same dimly lit, ornate room and bed from through . The narrative purpose is to convey the passage of time and his sustained, quiet presence, shifting from anxious observation to a more settled form of vigil.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt.shot_outline`, should show settled on the bed, reading a book. He was standing in , so he has moved back to a seated position, similar to . I need to frame in a medium shot, seated on the bed (from , ), now holding and reading a book. The backdrop is the familiar ornate, dimly lit room from earlier shots (, , , ). This shot conveys his ongoing vigil and a more enduring, supportive presence through his quiet activity." }, { "instruction_full": "Cut to a close-up of , similar in framing to but tighter and focused on her expression. She is still lying on the bed (established in ), but now appears more restful, with eyes closed, possibly sleeping, her hand perhaps still resting near her forehead as a lingering sign of discomfort but now settled. The soft, patterned bedding from should be visible, maintaining the continuity of the bed's luxurious but somber setting, to show a progression in 's condition, suggesting she has found some peace or rest, contrasting with her earlier distress and offering a moment of relief in the narrative.", "think_full": "The `global_prompt.shot_outline` for states it's a close-up of , now appearing to be resting peacefully. This requires a cut from () back to . is a returning character from and . Her previous portrayal was distressed (). Now, her expression changes to one of peace and rest. The camera framing should be a close-up, similar to but emphasizing her more serene state. The space continues to be the bed and its bedding from , reinforcing the continuity of her situation. The narrative purpose is to indicate an improvement in her condition, or at least a moment of calm, offering a slight narrative shift from tension to gentle relief.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. According to the `global_prompt.shot_outline`, is a close-up of , who is now resting peacefully. She was last clearly seen on the bed in , and distressed in . I need to cut from () to a close-up of , on the same bed (from , ), but showing her with a calm, restful expression, perhaps sleeping. This shot signifies a positive shift in her condition or at least a moment of quiet, providing a counterpoint to the man's vigil." }, { "instruction_full": "Return to a medium shot of , similar to . He is still seated on the bed, still reading the book from , but his posture might be slightly more relaxed or settled, reflecting the peaceful rest of from . The familiar dimly lit, ornate room from previous shots (, , , , ) continues, with the bed as his seat, to reaffirm 's vigil and the passage of time, showing his continued dedication and the quiet rhythm established by 's rest, with the subtle posture change hinting at his own relaxation.", "think_full": "The `global_prompt.shot_outline` for returns to , continuing to read but with a subtle change in posture. This means (from ) is still engaged in the same activity and position but with a slight emotional/physical shift. The camera returns to a medium shot, similar to , maintaining visual continuity. is a returning character, and his posture reflects the peaceful state of from . The space is consistently the same dimly lit, ornate room and bed seen throughout the sequence ( through ). The narrative purpose is to emphasize the extended period of his vigil and the quiet, comforting atmosphere now that is resting.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt.shot_outline` for calls for a return to , continuing to read but with a subtle change in posture. He was last seen reading in . I should frame in a similar medium shot to , seated on the bed, still reading. Given that in appeared restful, his posture could reflect a subtle relaxation or continued quiet focus. The room is the same ornate, dimly lit setting from earlier shots (, , , , ). This shot reinforces his dedicated presence and the passage of time in the quiet room." }, { "instruction_full": "Cut back to a close-up of , identical or very similar in framing to . She is still lying on the bed, eyes closed, appearing deeply asleep and at peace, reinforcing the restful state established in . The soft, patterned bedding from and is visible, continuing the visual continuity of her space, to conclude the immediate sequence with a strong affirmation of 's improved (or at least stable, restful) state, providing a sense of quiet resolution for this segment of the story.", "think_full": "The `global_prompt.shot_outline` for offers another close-up of , reaffirming her restful state. This necessitates a cut from () back to . is a returning character from , , and . The camera framing should replicate or closely match the close-up of , reinforcing her continued peaceful rest. The visible space is the same patterned bedding from and . The narrative purpose is to provide a sense of calm and resolution for this part of the story, emphasizing her stable and restful condition as a comforting conclusion to this sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt.shot_outline` for calls for another close-up of , reaffirming her restful state. She was last seen in a restful close-up in . I need to cut from () back to a close-up of , ensuring she still appears deeply asleep and peaceful, identical to or very similar to . The visible background will be her patterned bedding from and , maintaining continuity. This shot provides a final, reassuring affirmation of her quiet and stable condition within this narrative segment." } ], "_src_movie_dir": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "_src_filename": "085933_087608.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/085933_087608.json", "_test_index": 6 }, { "movie": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv", "N": 10, "sample_id": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/28738.jpg-All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29531.jpg", "images": [ { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/28738.jpg", "filename": "28738.jpg", "aesthetic": 6.361954212188721, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/28856.jpg", "filename": "28856.jpg", "aesthetic": 4.324653625488281, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/28894.jpg", "filename": "28894.jpg", "aesthetic": 4.454575538635254, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29028.jpg", "filename": "29028.jpg", "aesthetic": 3.7088632583618164, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29072.jpg", "filename": "29072.jpg", "aesthetic": 5.393887519836426, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29197.jpg", "filename": "29197.jpg", "aesthetic": 4.175353050231934, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29272.jpg", "filename": "29272.jpg", "aesthetic": 5.863010883331299, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29334.jpg", "filename": "29334.jpg", "aesthetic": 3.8183252811431885, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29447.jpg", "filename": "29447.jpg", "aesthetic": 5.144641399383545, "musiq": 0.0 }, { "tag": "", "rel_path": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/29531.jpg", "filename": "29531.jpg", "aesthetic": 4.062699794769287, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A lone sailor is navigating a challenging situation at sea. The narrative focuses on his resilience, resourcefulness, and the stark reality of survival against the elements and mechanical failure aboard his sailboat. The tone is tense, solitary, and determined.", "characters": [ "" ], "shot_outline": " will provide an extreme close-up of 's hand as he touches a damaged part of the boat, emphasizing the immediate problem. will show from behind, inspecting the interior damage and initiating repairs. will shift to a close-up of 's hands working a winch on the deck, demonstrating active seamanship. will frame 's face looking up at the sky, assessing conditions. will reveal a wide shot of the sailboat from the water level, showcasing significant hull damage and 's isolated figure. will return to 's face, looking down contemplatively, reflecting on his situation. will feature a detailed close-up of the boat's winch, indicating ongoing operational demands. will show 's face looking out, emphasizing his vigilance. will offer another wide view of the damaged sailboat from the water, reinforcing the enduring struggle." }, "instruction_full": "Capture an extreme close-up of 's right hand, prominently featuring a distinctive ring and bracelet, as it gently touches a textured, light-colored surface within the sailboat's interior. The background should be softly blurred to maintain focus on the hand and the tactile interaction. This shot is to highlight the personal connection to the vessel and the immediate, delicate confrontation with the boat's problem.", "think_full": "The shot transitions from 's general view of inside the cabin to an extreme close-up detail. The physical environment remains within the sailboat's interior as established in , but now highlights a specific surface, implying a point of concern or damage. 's hand, wearing the visible ring and bracelet, serves as a direct, personal identifier for the character introduced in . The dramatic intent is to draw the viewer's attention to the specific physical challenge and the intimate way is engaging with it, signifying a shift from observation to direct action or assessment of a problem.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to focus on 's hand touching a damaged part of the boat to emphasize the personal connection and immediate problem. I should generate an extreme close-up of 's hand, identifiable from 's implied character, against a blurry background that suggests the interior of the sailboat, consistent with . The action of touching should convey assessment or engagement with a problem area. The narrative purpose is to highlight the character's direct interaction with the vessel's plight." }, { "instruction_full": "Frame from behind, leaning forward over a workstation or table inside the boat's cabin, his right hand making contact with the textured wall surface seen in . The camera should be at a slightly high angle, revealing a broader view of the cabin interior, including the bunk and bookshelf from , and introducing a white cup and tools on the table. This shot aims to show 's active inspection of the damage and the start of repair efforts.", "think_full": "This shot maintains spatial continuity by remaining within the sailboat's cabin, directly building upon the environment established in (bunk, bookshelf) and the specific textured wall surface from . , the character established in , is now actively engaged in inspecting the damage that his hand was touching in . The introduction of a workstation with tools suggests a progression from passive observation to active problem-solving. The narrative intent is to provide a wider context for the detail seen in , showing the character's focused effort and resourcefulness in addressing the boat's internal issues.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, should show inspecting the damage from inside, confirming the extent of the breach and initiating repair. I need to show (from ) in the interior of the boat (also from ). His hand should connect to the damaged area implied by . The shot should be wide enough to show his posture of inspection and potentially some tools or a workbench, signifying the start of repair. This shot provides context for the previous close-up and establishes the next phase of his struggle." }, { "instruction_full": "Shift to a medium close-up shot focusing on 's hands as they meticulously work a rope around a metallic winch on the exterior deck of the sailboat. 's distinctive ring from should be visible. The background should be blurred, suggesting open water and sky. This shot visually transitions from internal repairs to external operational duties, emphasizing practical seamanship.", "think_full": "This shot introduces a new setting, the exterior deck of the sailboat, contrasting with the interior scenes of , , and . The character continuity is maintained through 's hands, specifically identified by the ring seen in , now performing an active task on deck. This represents a narrative shift from assessing and potentially repairing internal damage to engaging in the physical demands of sailing. The dramatic intent is to show his ongoing effort and skill in operating the boat, highlighting his multifaceted struggle.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a cut to 's hands working a winch on deck. This means moving the scene from the boat's interior (seen in , , ) to its exterior deck. 's hands, identifiable by the ring from , should be the focal point, showing engagement with the boat's mechanisms. The environment should suggest open water. The user intent is to convey effort and a shift to external boat operations." }, { "instruction_full": "Frame in a close-up, similar to his appearance in and , but now his face is looking directly upwards with a focused, perhaps slightly concerned expression. The background should be a bright, open blue sky, with a minimal hint of the boat's mast or rigging to the right, continuing the exterior setting established in . The purpose is to convey 's assessment of the weather or environmental conditions.", "think_full": "This shot continues the exterior setting introduced in , now focusing on 's face. The character is visually consistent with his appearances in and . His upward gaze indicates an assessment of the sky and weather, which is a crucial aspect of sailing. The open blue sky reinforces the vast, isolated marine environment. The narrative intent is to emphasize his vigilance and his constant need to evaluate the elements, showcasing the mental aspect of his solitary journey.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, requires 's face looking up at the sky to assess conditions. I should use 's established visual from and , focusing on his face with an upward gaze. The background should be open blue sky, consistent with the exterior setting implied by . This shot will convey his vigilance and interaction with the environment, emphasizing the vastness of the sea." }, { "instruction_full": "Generate a wide, low-angle shot from the water level, looking up at the sailboat from its starboard side. should be visible on deck, appearing small against the scale of the boat and the vast sky. The boat's hull must display prominent, visible damage or a large, irregular repair patch, clearly contrasting with the white hull. The background should feature the open blue sky from and calm ocean water with sun reflections in the foreground. This shot is designed to dramatically reveal the extent of the boat's damage and underscore 's isolation.", "think_full": "This shot significantly expands the visual scope to a full exterior view of the sailboat, building upon the exterior setting established in and . The key new visual element is the explicit display of damage on the boat's hull, providing a dramatic reveal that justifies 's earlier internal inspection in . (seen in , , ) is positioned on deck, his diminutive figure against the damaged boat and open sea emphasizing his isolation and the scale of the challenge. The clear blue sky from and water from maintain environmental continuity. The dramatic intent is to escalate the tension by showing the full extent of his precarious situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for requires a wide shot of the sailboat from water level, revealing damage and 's isolation. I need to show the entire boat, including visible damage on its hull, building on the exterior views of and . (from , , ) should be on deck, appearing small to emphasize his solitude. The environment should be the open sea and sky. This shot is crucial for demonstrating the physical challenges he faces." }, { "instruction_full": "Capture a medium close-up of 's face, similar in framing to , but now his gaze is directed downwards. His expression should be pensive or determined, reflecting on the situation. The background should again be the bright, open blue sky, with a hint of the boat's rigging or the orange tank from and to the right, consistent with the marine environment.", "think_full": "This shot returns to a closer view of 's face, a familiar visual element from , , , and . His downward gaze provides a contrast to the upward gaze in , suggesting contemplation or a focus on internal thought or immediate tasks, rather than external assessment. The open sky background is consistent with the exterior setting across , , and . The dramatic intent is to allow the audience to connect with 's emotional and mental state after the significant reveal of the boat's damage in , highlighting his resilience and continued resolve.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs a closer shot of 's face looking down, showing resilience. I should frame (from , , , ) in a medium close-up, with a pensive, downward gaze. The background should remain the open blue sky, consistent with the exterior shots like and , perhaps with subtle elements of the boat visible to maintain context. This shot will emphasize his internal processing of the challenging situation." }, { "instruction_full": "Create an extreme close-up of the metallic winch on the sailboat's deck, similar to the one seen in . The focus should be on the intricate details of the winch and the rope coiled around it, implying ongoing activity. The background should be blurred, suggesting the boat's white deck from and possibly hints of water from and . No specific person needs to be visible. This shot is intended to reinforce the theme of active seamanship and the mechanical realities of the journey.", "think_full": "This shot returns to a detail of the boat's operational components, specifically the winch seen in . While no character is explicit, the presence of the rope implies 's continuous work on deck, linking back to his physical engagement shown in and his sustained presence in the external environment. The blurred background should maintain visual consistency with the deck setting from and the open water from . The narrative intent is to provide a beat of pure technicality, showcasing the tools of his survival and creating a rhythm that underscores the physical demands of his situation, contrasting with the more introspective shot of 's face in .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, needs a detailed close-up of the winch, indicating ongoing maritime activity. I should focus tightly on the winch, which was previously shown in , emphasizing its metallic texture and the ropes. The absence of allows the focus to be entirely on the equipment, implying his continuous effort. The setting should clearly be on the boat's deck, consistent with earlier exterior shots. This shot reinforces the practical aspects of his survival." }, { "instruction_full": "Capture a medium close-up of 's face, resembling his appearance in , , , , and . This time, he is looking intently off-frame to the right, with a serious and vigilant expression. The background should be the clear blue sky, with the orange tank and a hint of rigging from , , and visible on the right, maintaining the consistent exterior marine environment. This shot aims to re-establish 's active vigilance and his constant awareness of his surroundings.", "think_full": "This shot re-centers on 's face, a prominent feature in multiple previous shots (, , , , ). His gaze to the side, rather than up or down, suggests active scanning of the horizon or specific observation, reinforcing his role as the sole navigator and observer. The consistent open blue sky background, along with subtle boat elements like the orange tank from , , and , firmly places him on the sailboat. The narrative intent is to emphasize his ongoing vigilance and his unwavering attention to the challenges and potential threats of his isolated maritime journey, following the technical focus of .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to frame 's face looking to the side, emphasizing his vigilance. I will bring (from , , , , ) into a medium close-up. His gaze should be directed to the side, conveying alertness. The background should be the open blue sky, consistent with the exterior setting seen in , , and , perhaps with the orange tank visible. This shot will highlight his constant awareness of his environment." }, { "instruction_full": "Generate a wide, low-angle shot from the water level, looking up at the sailboat from its side, similar in composition and angle to , but possibly with slightly altered lighting or sky conditions. should again be visible on the deck, appearing small, confirming his continued presence. The sailboat must still prominently display the visible damage or repair patch on its hull, as revealed in . The sky should be bright, perhaps with a slight overcast, and the ocean water should be in the foreground. This shot serves to reinforce the ongoing struggle and the boat's persistent condition at sea.", "think_full": "This shot acts as a concluding wide view, directly echoing the composition of but potentially with a subtle shift in lighting or sky to denote the passage of time or changing conditions, yet maintaining the central visual information. The spatial continuity is strong, returning to the overall view of the damaged boat on the open sea, seen previously in . The visible damage on the hull (first revealed in ) remains a crucial element, reinforcing the central conflict. (present in , , , , , ) is again visible on deck, his small figure underscoring his continued isolation. The narrative intent is to provide a final wide shot that summarizes the ongoing, challenging situation, leaving a sense of the enduring struggle against the elements and the boat's compromised state, after the various close-ups on his actions and vigilance.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs a wide shot similar to , reinforcing the ongoing struggle and the boat's condition. I should generate a low-angle shot from the water, showing the entire sailboat with the prominent hull damage (as seen in ). (from earlier shots) should be visible on deck, maintaining the sense of his solitude. The environment should be the open sea and sky, consistent with the exterior shots. This shot provides a strong visual conclusion to the sequence, reiterating the core challenge." } ], "_src_movie_dir": "All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv", "_src_filename": "028738_029531.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/All.Is.Lost.Tutto.E.Perduto.2013.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/028738_029531.json", "_test_index": 8 }, { "movie": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv", "N": 10, "sample_id": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47750.jpg-Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/48431.jpg", "images": [ { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47750.jpg", "filename": "47750.jpg", "aesthetic": 6.580218315124512, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47762.jpg", "filename": "47762.jpg", "aesthetic": 6.522151470184326, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47822.jpg", "filename": "47822.jpg", "aesthetic": 6.755082130432129, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47906.jpg", "filename": "47906.jpg", "aesthetic": 6.5830488204956055, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47934.jpg", "filename": "47934.jpg", "aesthetic": 6.451663970947266, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/47975.jpg", "filename": "47975.jpg", "aesthetic": 6.746197700500488, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/48056.jpg", "filename": "48056.jpg", "aesthetic": 6.265470027923584, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/48234.jpg", "filename": "48234.jpg", "aesthetic": 6.4934983253479, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/48306.jpg", "filename": "48306.jpg", "aesthetic": 6.475854873657227, "musiq": 0.0 }, { "tag": "", "rel_path": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/48431.jpg", "filename": "48431.jpg", "aesthetic": 6.764934539794922, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence captures a lively family meal taking place outdoors, likely in a warm climate, with a focus on intergenerational conversation and varying reactions. The tone is generally warm and engaging, highlighting the dynamics of a large gathering.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " focuses on , who appears to be speaking or reacting centrally. introduces and , showing their interaction or reaction to 's statement. returns to , perhaps a continuation of his statement or a reaction shot to the younger generation. introduces , showing her reaction to the conversation. returns to , now with a broad smile, indicating a positive turn or a joke. returns to and , showing their reaction, perhaps mirroring 's positive mood or contributing to it. returns to and , their expressions mirroring 's positive mood. introduces and , showing their reaction, perhaps more reserved or observing. returns to and , with making a gesture, indicating active participation." }, "instruction_full": "Cut from the medium shot of and in to a similar medium shot focusing on . He is positioned centrally at the outdoor dining table, looking engaged as if speaking or reacting. The background continues to feature the stone wall and natural light established in , to shift the conversational focus to a new central figure at the meal.", "think_full": "The outdoor dining setting with the distinct stone wall background and natural light is consistently maintained from , establishing the ongoing scene. is introduced as a new character, likely part of the same dining group seen in . His direct gaze and open mouth suggest he is speaking or reacting to the conversation. The shift to a new character, particularly an older one, suggests a change in the conversation's focus or a response to what was being discussed by the characters in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should focus on . To maintain visual continuity, the shot should keep the same outdoor dining environment and general medium framing as established in . He should be portrayed as an active participant, likely speaking or reacting to the ongoing discussion, thus expanding the scope of the dinner gathering." }, { "instruction_full": "Transition from the medium shot of in to another medium shot, framing and at the table. They are listening and subtly smiling, indicating engagement with the ongoing conversation. The outdoor dining setting with the stone wall backdrop and natural lighting continues, consistent with and , to expand the view of the dining group and show the reaction of other participants, specifically the younger generation.", "think_full": "The outdoor dining setting with the distinct stone wall background and natural light is consistently maintained from and , establishing the ongoing scene. and are newly introduced characters to the visual sequence, but their presence at the table with attentive, smiling expressions suggests they are part of the same family or social gathering as seen in and . This shot broadens the perspective, showing more of the dinner party and specifically introducing younger members. Their expressions provide a reaction shot to whatever might have been saying in , suggesting a lighthearted or engaging discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that should introduce and . To ensure visual continuity, the shot should maintain the medium framing and the established outdoor dining environment from and . Their expressions should convey attentive engagement with the conversation, reflecting their role as new participants in the group dynamic." }, { "instruction_full": "Return to a medium shot of , reusing a similar framing and angle as . is again framed, maintaining his talking or reacting posture from , with a neutral or slightly thoughtful expression. The shot continues in the outdoor dining setting with the stone wall background from , , and , to re-center the attention on , either continuing his discourse or capturing his response to the younger individuals shown in .", "think_full": "The consistent outdoor dining setting, characterized by the stone wall and natural lighting, carries over from , , and , reinforcing the unity of the scene. reappears, directly continuing his role from as a central figure in the conversation. His posture and expression are consistent with someone actively participating, possibly elaborating on a point or responding to the reactions of and in . The return to after showing the younger generation's reaction () suggests a conversational rhythm, potentially indicating he is continuing his story or addressing their engagement. This shot re-establishes him as a focal point.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should return to . To maintain strong visual continuity, the shot should reuse the medium framing and the outdoor dining environment from and previous shots. He should appear engaged in conversation, consistent with his role as a central speaker or reactor at the table." }, { "instruction_full": "Transition from in to a medium shot introducing at the table, framed similar to other participants. She observes the conversation with a gentle, perhaps slightly amused, smile. The outdoor dining setting remains consistent with , , , and , featuring the stone wall and natural light, to further expand the visible participants at the family meal and show another perspective, introducing a serene presence.", "think_full": "The outdoor dining environment, with its distinctive stone wall background and natural lighting, maintains full consistency with , , , and , clearly placing all characters at the same ongoing event. is introduced as a new character, positioned among the other diners seen in earlier shots. Her calm, smiling expression suggests she is actively listening and enjoying the conversation, fitting the tone of the gathering. This shot serves to broaden the audience's understanding of the group's composition, adding another key figure, likely a spouse or close family member, to the dining scene. Her gentle smile indicates a positive and relaxed atmosphere at the table.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` directs to introduce in . The shot should maintain the established medium framing and the outdoor dining setting (stone wall, natural light) from through for continuity. Her expression should indicate pleasant participation in the gathering, adding another perspective to the conversation." }, { "instruction_full": "Cut back to in a medium shot, maintaining a similar framing to and . is now shown with a broad, genuine smile and possibly a slight laugh, indicating a moment of humor or joy. The outdoor dining setting, with its stone wall background and natural light, continues from , , , , and , to capture a moment of strong positive emotion from , shifting the mood or highlighting a successful point in the conversation.", "think_full": "The outdoor dining setting, including the stone wall and ambient natural light, remains perfectly consistent across all previous shots ( through ), reinforcing the single, ongoing event. reappears from and , but his expression has notably shifted from speaking or thoughtful to a wide, joyful smile, possibly in response to the overall atmosphere or something said by another character, like in . This shot visually emphasizes a peak of positive emotion, indicating that the conversation has reached a happy or humorous point. It provides a strong emotional beat centered on .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates should show smiling. This requires returning to his previous framing (similar to and ) while maintaining the consistent outdoor dining environment from through . His expression should convey significant happiness or amusement, suggesting a positive turn in the conversation." }, { "instruction_full": "From the smiling in , cut back to and in a medium shot, similar to 's framing. is shown making a gesture with his hand, as if explaining or emphasizing a point, while listens attentively with a slight smile. The outdoor dining location, with its characteristic stone wall background and natural lighting, is retained, consistent with all previous shots, to show the reaction or participation of the initial characters, bringing the scene full circle and indicating their active role in the evolving conversation.", "think_full": "The outdoor dining setting, with its stone wall and natural light, continues seamlessly from through , maintaining the visual consistency of the gathering. and reappear from . 's gesture suggests active participation in the conversation, possibly building on the positive mood established by 's smile in . maintains her attentive presence, perhaps a more pronounced smile than in , reflecting the group's general enjoyment. This shot provides a reaction or contribution from the characters first seen in , showing how the conversation has progressed and how their engagement continues. It reinforces the idea of a lively and interactive group discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` suggests returning to and to show their reaction or participation. This means using a similar medium shot framing as and maintaining the established outdoor dining setting from through . Their expressions and gestures should indicate active engagement in the conversation, mirroring the positive atmosphere." }, { "instruction_full": "Cut from and in to and in a medium shot, similar to . smiles warmly as looks towards someone off-camera, his expression animated and engaged. The familiar outdoor dining environment with the stone wall background and natural lighting is sustained from through , to continue showcasing the reactions of different family members, reinforcing the warm and interactive atmosphere of the gathering.", "think_full": "The outdoor dining setting, consistent with the stone wall and natural lighting, persists from through , ensuring scene cohesion. and reappear from . 's smile is more pronounced, reflecting a continued positive engagement. 's animated expression and glance off-camera suggest he is actively participating or responding to someone, maintaining the lively interaction of the group. This shot serves as another reaction shot, specifically from the younger generation, confirming their sustained engagement and enjoyment of the conversation. It adds to the overall sense of a happy family gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates returning to and . This requires a medium shot framing, similar to , and preserving the outdoor dining setting and background from through . Their expressions should reflect the ongoing positive interaction at the table, emphasizing their active participation." }, { "instruction_full": "Cut from and in to a new medium shot introducing and at the table. holds a fork and looks off-camera with a thoughtful expression, alongside who sips from a wine glass, also looking off-camera and appearing reflective. The outdoor dining setting, with the stone wall and natural light, is maintained from through , to introduce additional members of the dining party, expanding the sense of a large family gathering and showing a slightly more reserved or contemplative set of reactions.", "think_full": "The outdoor dining setting, including the stone wall background and consistent natural lighting, is carried over from through , clearly placing these new characters within the same continuous scene. and are newly introduced characters to the visual sequence. Their contemplative expressions, in contrast to the more overtly joyful or animated reactions of others, suggest a different, perhaps more mature or observant, dynamic within the group. Their presence further expands the family gathering. This shot introduces more members of the extended family, deepening the sense of a significant gathering. Their more subdued or thoughtful expressions provide a slight counterpoint to the more overtly cheerful reactions seen in previous shots, adding nuance to the group's dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` outlines introducing and . This requires a medium shot, maintaining the outdoor dining setting from through . Their expressions should suggest their engagement, possibly a more reserved one, reflecting varied personalities at the gathering, thereby expanding the visual representation of the family." }, { "instruction_full": "Cut from and in back to and in a medium shot, similar to and . observes with a pleasant smile, while makes an emphatic hand gesture, clearly engaged in conversation. The outdoor dining setting, consistent with the stone wall and natural light, is maintained from through , to conclude this sequence by returning to the lively interaction of the younger generation, reinforcing the dynamic and engaging nature of the family meal.", "think_full": "The outdoor dining setting, with the identifiable stone wall and natural light, remains consistent across all preceding shots ( through ), firmly establishing the single, continuous scene. and reappear from and . 's enthusiastic hand gesture and engaged expression highlight his active participation in the conversation, possibly making a point or telling a story. 's smile indicates her continued enjoyment and attentiveness. This shot serves as a final emphasis on the active and lively nature of the family gathering, particularly highlighting the animated contribution of . It brings the sequence to a dynamic close by reinforcing the interactive atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` directs to return to and , with making a gesture. This shot should mirror the framing of and , maintaining the established outdoor dining environment from through . The young man's gesture should convey enthusiastic participation, providing a strong sense of closure to the ongoing, lively family conversation." } ], "_src_movie_dir": "Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv", "_src_filename": "047750_048431.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Before Midnight (2013) (2160p BluRay AV1 Opus) [NeoNyx343].mkv/047750_048431.json", "_test_index": 10 }, { "movie": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv", "N": 10, "sample_id": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66105.jpg-Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/67079.jpg", "images": [ { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66105.jpg", "filename": "66105.jpg", "aesthetic": 5.592650413513184, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66279.jpg", "filename": "66279.jpg", "aesthetic": 6.06851863861084, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66536.jpg", "filename": "66536.jpg", "aesthetic": 5.78913688659668, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66650.jpg", "filename": "66650.jpg", "aesthetic": 5.860407829284668, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66728.jpg", "filename": "66728.jpg", "aesthetic": 6.404152870178223, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66833.jpg", "filename": "66833.jpg", "aesthetic": 5.421806812286377, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66887.jpg", "filename": "66887.jpg", "aesthetic": 6.426198959350586, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66902.jpg", "filename": "66902.jpg", "aesthetic": 6.576545715332031, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/66995.jpg", "filename": "66995.jpg", "aesthetic": 5.547085285186768, "musiq": 0.0 }, { "tag": "", "rel_path": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/67079.jpg", "filename": "67079.jpg", "aesthetic": 6.461416721343994, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense family gathering is taking place in an opulent, dimly lit living room during what appears to be a social event. The mood is formal but undercurrents of discomfort or conflict are perceptible, suggested by the dramatic lighting and varied expressions.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " focuses on 's immediate reaction, capturing her slight unease and isolating her emotional state. introduces , showing an external perspective or a moment of observation from a new character. returns to , showing her heightened reaction and verbal expression. shifts to , highlighting her judgmental gaze or response. broadens to include and , capturing their reactions to the unfolding tension. re-frames and , showing a shared moment of surprise or exasperation. again focuses on , emphasizing her distinct stance or counter-argument. returns to and , showing their ongoing reactions with increased intensity. concludes with , reinforcing her final word or firm position within the argument." }, "instruction_full": "Move the camera from the wide group shot in to a medium close-up of . She should be seated on the couch, holding her drink, with a slightly concerned or pensive expression, looking towards the left side of the frame. The background should be softly blurred, showing the warm, ornate living room from , specifically the decorated wall and glowing string lights behind her, maintaining the established cozy yet intense atmosphere. This is to convey her individual emotional state and reaction to the group's dynamic.", "think_full": "The wide shot of introduced the family gathering. To develop the narrative, needs to delve into individual reactions, as suggested by the shot_outline for . Focusing on , who was seated prominently in the middle-left of , allows us to interpret the scene through her emotional lens. Her slightly concerned expression and gaze off-screen (left) imply a reaction to something or someone not in frame, building immediate tension. We maintain the luxurious, dimly lit living room and warm lighting established in to ensure spatial continuity while isolating the subject.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates should focus on 's immediate reaction and emotional state. Therefore, a medium close-up of (seen seated in ) is appropriate. She should be holding her drink and exhibit a look of slight apprehension or concentration, reacting to the situation in the room. The shot should be set in the same ornate living room from , with the background softly visible to maintain continuity of setting and ambiance." }, { "instruction_full": "Cut to a medium close-up, introducing who was only partially visible or in the background in (and not in ). She should be standing slightly to the left, looking directly forward with a serious, observant expression. A second character, also previously a background presence (the woman with slightly curly hair, partially visible behind in ), stands slightly behind her and to the right, also looking forward but slightly less prominent. The background should be slightly blurred but still indicate the ornate interior of the house, consistent with the warm, rich tones and lighting of and , perhaps a doorway or hallway adjacent to the main living area. This shot reveals a new, external perspective on the events unfolding.", "think_full": "After focusing on 's internal reaction in (who was one of the primary characters from ), the shot_outline for calls for introducing and an external perspective. This shifts the focus from the main group's direct interaction to an observation. was barely visible in (standing behind near the fireplace), offering a fresh viewpoint. The camera captures her direct, unreadable expression, implying she is taking in the scene. The second character, also from the background of , adds to this observational moment. The setting remains within the ornate house, maintaining the rich, warm, and somewhat dim lighting established in and , to ensure visual consistency while suggesting a different part of the immediate environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that introduces to show an external perspective. Building on which established the setting and several characters, and which focused on an internal reaction, this next shot should shift perspective to a character previously in the background (visible near the fireplace in ). It should be a medium close-up of , perhaps with another minor background character, observing the scene with a serious expression. The environment should remain the ornate interior of the house, carrying over the warm, shadowed lighting from and ." }, { "instruction_full": "Return to a medium close-up similar to , framing on the same couch, still holding her drink. This time, her expression should be more animated and open, perhaps mid-sentence or reacting with visible surprise or alarm, indicating a heightened emotional state. The background should again be the softly blurred ornate living room from and , maintaining the warm glow of the string lights and the lamp from to ensure visual continuity of her immediate environment. This shot escalates her reaction, suggesting a significant development in the ongoing conversation.", "think_full": "Following 's establishment of 's initial unease and 's external observation, (as per the shot_outline) needs to show her \"heightened reaction and verbal expression.\" Reusing the camera angle and framing from provides visual continuity for , allowing a clear comparison of her emotional state. Her more active facial expression and gesture will convey the escalation of tension in the room. The ornate living room background and warm lighting from and are maintained, grounding her reaction within the established setting. , who was next to her in and slightly visible in , remains a background presence, subtly reinforcing the established seating arrangement.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates returns to with a heightened reaction. Therefore, the shot should be a medium close-up of , similar to , in the same setting. Her expression should be more expressive, showing a clear reaction, possibly in mid-speech or exclaiming, intensifying the mood from her earlier pensive state in . The background should be the familiar ornate living room from and , preserving the consistent lighting and ambiance." }, { "instruction_full": "Cut to a medium close-up of , who was seen standing on the far left in but not in , , or . She should be standing near the decorative mirror and ornate mantelpiece that were visible in the background of . She holds a drink and has a somewhat critical or knowing expression, possibly a slight smirk, directed off-screen. The ornate mirror and various decorative items on the mantelpiece from should be clearly visible behind her, with the room's warm but shadowed lighting emphasizing her detached and perhaps judgmental demeanor. This shot provides her reaction to the ongoing events, offering a contrasting perspective to .", "think_full": "After showing 's escalating reaction in , the shot_outline for dictates a shift to 's \"judgmental gaze or response.\" This provides a contrasting emotional beat. was introduced in the wide shot as standing somewhat apart from the main group. Placing her near the mirror and mantelpiece, also seen in , reinforces her somewhat detached but observant role. Her expression should convey a sense of judgment or superiority, contrasting with the anxiety of from and . The consistent ornate living room environment and warm, dramatic lighting from provide visual continuity while focusing on a new character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline specifies shifts to with a judgmental gaze. Following the intense reaction from in , it's logical to cut to another character's response. was identified in as standing somewhat apart. A medium close-up of her, holding her drink and exhibiting a discerning or critical expression, in the same opulent living room (specifically near the mirror and fireplace from ), would serve to establish her particular reaction and character." }, { "instruction_full": "Move the camera to a wider medium shot, returning to the right side of the main seating area shown in . This shot should frame seated prominently in the foreground, looking forward with a concerned or thoughtful expression, perhaps with a slight gesture. Behind him and slightly out of focus, should be visible, also seated, observing the scene with a pensive or slightly tired look, as seen in . The coffee table with its distinctive lamp and bottles from should be visible between the camera and the characters, maintaining the warm, rich interior lighting and opulent decor of the living room established in through . This shot aims to capture the reactions of two more key family members to the escalating situation.", "think_full": "After individual reactions from in and , and in , the shot_outline for directs us to broaden the view to include and . Both were significant figures in the initial wide shot . By framing them together, we capture their joint or contrasting reactions, adding layers to the group dynamic. was seated near the fireplace in and on the far right. The unique coffee table lamp and bottles from serve as strong visual anchors to maintain spatial continuity within the ornate, warm-toned living room, as consistently depicted in through .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for requires showing and 's reactions. After several individual close-ups, a wider shot that includes these two prominent figures from makes narrative sense to show more of the group's collective response. The camera should frame (from ) in the foreground, perhaps with a thoughtful or concerned expression, and (also from ) visible behind him, reflecting on the ongoing events. The shot must remain in the ornate living room, preserving the consistent warm, low-key lighting and the distinctive coffee table with its lamp and bottles, which were visible in ." }, { "instruction_full": "Cut back to a medium shot, similar in framing and position to and , but now explicitly including in the background. should be in the foreground, still seated on the couch and holding her drink, but now with a look of surprise or a slightly open-mouthed expression of dismay, perhaps raising a hand in response to something. , seated behind her and to the left, should also show a reaction of surprise or mild shock, looking towards the right side of the frame. The background remains the softly blurred ornate living room, continuing the warm light of the string lights and lamp from and . This shot emphasizes a shared, heightened reaction between these two characters, escalating the tension.", "think_full": "After exploring individual reactions and a pair of family members in through , 's shot_outline calls for \"re-framing and \" to show a \"shared moment of surprise or exasperation.\" This suggests a new development that impacts them both. was previously featured in and with increasing levels of tension. was a background presence in and subtly in and . Bringing him into clearer focus alongside establishes a direct connection and shared reaction between them. The consistent ornate living room and warm, atmospheric lighting from , , and ensure a seamless return to their emotional space.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates a return to and for a shared moment of surprise. This suggests an escalation in the conversation affecting both of them. The shot should be a medium shot, similar to and , featuring (from , , ) with a more pronounced surprised or exasperated expression, perhaps with a hand gesture. (also from ) should be visible behind her, also reacting with surprise. The setting remains the ornate living room, maintaining the consistent warm lighting and decorations from previous shots." }, { "instruction_full": "Cut back to a medium close-up, echoing the framing and position of , focusing on . She should still be standing near the decorative mirror and mantelpiece from and , holding her drink. Her expression should be firm and declarative, perhaps with a slight point or gesture with her free hand, indicating she is making a definitive statement or standing her ground in response to the surprise shown in . The background remains the ornate mirror and mantelpiece, reflecting the continued warm but shadowed lighting of the living room, consistent with and . This shot highlights her strong opinion and perhaps her counterpoint to the group's reactions.", "think_full": "Following the shared surprise of and in , the shot_outline for calls for again focusing on , \"emphasizing her distinct stance or counter-argument.\" Returning to her perspective provides a contrasting, possibly challenging, response to the previous shot's escalation. Reusing the framing from for provides strong visual continuity and reinforces her character's consistent presence and attitude. Her firm expression and gesture underscore her assertive role. The ornate living room, particularly the mirror and mantelpiece from and , maintains the established setting and atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it should again focus on , emphasizing her distinct stance. After the surprise shown in , it's logical to cut to another character's firm response, especially one established as observant or critical. The shot should be a medium close-up of (from and ), standing in the same location (near the mirror and mantelpiece), holding her drink. Her expression should be resolute, possibly with a hand gesture, indicating she is making a point. The ornate living room background and its warm, shadowed lighting (from and ) should remain consistent." }, { "instruction_full": "Cut back to the same medium shot framing of and seen in . should be in the foreground, still seated on the couch and holding her drink, but now her expression is one of heightened dismay or exasperation, looking upwards or rolling her eyes, perhaps a sigh. , seated behind her, maintains his surprised or exasperated look, perhaps slightly slumping or shaking his head. The background remains the softly blurred ornate living room, with the string lights and lamp, maintaining the consistent warm, dramatic lighting from , , , and . This shot intensifies their shared frustration or disbelief following 's statement.", "think_full": "After 's firm statement in , the shot_outline for directs a return to and , showing their \"ongoing reactions with increased intensity.\" This creates a back-and-forth dynamic, highlighting the impact of 's words. Reusing the camera position and framing from provides continuity, allowing a clear progression of their reactions. 's expression of dismay, escalating from her earlier reactions in , , and , and 's continued exasperation, demonstrate the mounting tension. The ornate living room from and its consistent warm, atmospheric lighting ensure the scene remains cohesive.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for requires returning to and with increased intensity in their reactions. This implies a response to the previous shot's statement from . The shot should be a medium shot, identical in framing to , featuring (from , , , ) in the foreground, now showing even greater exasperation or disbelief. (from , ) should be visible behind her, his reaction also intensified. The ornate living room and its warm lighting from previous shots must remain consistent." }, { "instruction_full": "Cut back to a medium close-up of , matching the framing and position of and . She should be standing near the decorative mirror and mantelpiece from , still holding her drink. Her expression should be definitive and perhaps slightly dismissive, reinforcing a final point or closing argument. Her mouth might be slightly open as if just finishing a sentence or about to speak the last word. The background with the ornate mirror and mantelpiece from and should be clearly visible, maintaining the rich, warm, and shadowed lighting of the living room, consistent with previous shots. This shot serves as a concluding statement, emphasizing her final, unwavering stance.", "think_full": "After showing the amplified reactions of and in , the shot_outline for indicates a conclusion focusing on , \"reinforcing her final word or firm position.\" This brings the sequence back to her, offering a sense of closure or a dominant final perspective. Reusing the exact framing from and creates a strong visual bookend and emphasizes her consistency in the argument. Her definitive expression, contrasting with the exasperation seen in , underscores her unwavering character. The ornate living room, including the distinctive mirror and mantelpiece from , , and , provides continuous context and atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states the sequence concludes with , reinforcing her final position. After the emotional reaction in , it's logical to return to to deliver a concluding statement or final expression. The shot should be a medium close-up of (from , , ), standing in the same location (near the mirror), with a resolute or slightly dismissive expression, perhaps having just finished speaking. The ornate living room background and consistent warm lighting from previous appearances must be maintained." } ], "_src_movie_dir": "Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv", "_src_filename": "066105_067079.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Knives.Out.2019.2160p.BluRay.REMUX.DV.HDR.ENG.LATINO.F...rueHD.Atmos.7.1.DTS-HD.Master.7.1.H265-BEN.THE.MEN.mkv/066105_067079.json", "_test_index": 14 }, { "movie": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106250.jpg-Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106651.jpg", "images": [ { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106250.jpg", "filename": "106250.jpg", "aesthetic": 6.754400253295898, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106289.jpg", "filename": "106289.jpg", "aesthetic": 6.220268726348877, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106388.jpg", "filename": "106388.jpg", "aesthetic": 6.818362236022949, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106391.jpg", "filename": "106391.jpg", "aesthetic": 6.481097221374512, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106466.jpg", "filename": "106466.jpg", "aesthetic": 6.742565155029297, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106475.jpg", "filename": "106475.jpg", "aesthetic": 6.887683868408203, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106516.jpg", "filename": "106516.jpg", "aesthetic": 5.952578544616699, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106540.jpg", "filename": "106540.jpg", "aesthetic": 6.316784858703613, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106564.jpg", "filename": "106564.jpg", "aesthetic": 4.837275505065918, "musiq": 0.0 }, { "tag": "", "rel_path": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106651.jpg", "filename": "106651.jpg", "aesthetic": 7.277507781982422, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "An elderly man, faced with an extraordinary event, must physically contend with his beloved house as it unexpectedly takes flight. The tone is whimsical yet conveys a sense of urgency and determination against fantastical circumstances.", "characters": [ "" ], "shot_outline": " shows reacting to his house floating away in the distance, establishing the fantastical event. provides a wider view of 's house majestically floating with balloons. depicts actively chasing or moving towards the airborne house across the rugged terrain. captures 's physical struggle as he tries to secure or push his house. focuses on the intense effort and strain on 's face during his struggle. reveals inside his house, grabbing a chair with a new intent. shows exiting his house, carrying the chair with purpose. captures the chair landing on the ground from 's perspective, marking a pivotal moment in his plan. concludes the sequence with 's determined and perhaps exhausted expression after his actions." }, "instruction_full": "Shift the camera to a wider shot, looking slightly up at from a medium-low angle. should be in the right foreground, slightly out of focus, looking off-screen to the left with a surprised and concerned expression. In the far-left mid-ground, show a quaint house floating high in the sky, carried by a massive cluster of colorful balloons. The environment should maintain the rugged, reddish-brown, barren landscape seen in , stretching far into the horizon under a bright blue sky, to establish the fantastic event of the house's flight and 's initial reaction to it.", "think_full": "The camera needs to pull back and widen the view from to reveal the extraordinary event that was reacting to. By placing from in the foreground, slightly out of focus, and showing him looking towards the floating house, we maintain character continuity and direct the viewer's attention. The space continues the reddish-brown, rocky landscape established in , but now extends further to show the vastness of the environment and the height of the flying house, which is a new major element. The bright blue sky provides a contrasting backdrop for the colorful balloons. This shot's purpose is to establish the 'what' of the story – 's house is flying – and capture 's initial, slightly overwhelmed reaction, shifting from determination to concern as he witnesses the event unfold.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt's story setup about the house taking flight and the shot outline for explicitly stating 'shows reacting to his house floating away in the distance', the next shot must reveal the house airborne. shows looking upwards with a determined expression on a rocky landscape. Therefore, the camera should widen from 's close-up to show still on the ground, but now looking at his house, which is flying away in the distance, carried by balloons. The environment should continue to be the same barren, rocky terrain from . This shot serves to establish the primary conflict and 's immediate reaction to the extraordinary event." }, { "instruction_full": "Shift the camera to a wide-angle shot, positioned at a medium distance from the ground, looking up at the house. The house, from , should now be prominently in the mid-ground, lifted high by a dense cluster of colorful balloons, clearly depicting its full structure. , seen in , should now be a much smaller figure near the base of the house, illustrating his connection to it. The environment remains the consistent reddish-brown, barren landscape from and , stretching into the horizon under a clear blue sky, to provide a grand and almost awe-inspiring view of the flying house.", "think_full": "To expand on the scene established in , the camera needs to provide a broader view of the central element: the flying house. By moving to a wider shot, we can fully appreciate the scale of the house and the multitude of balloons lifting it, which were first glimpsed in . , visible in the foreground of , is now shown as a small figure near the house, confirming his presence and ownership without being the main focus. The environment continues the established barren landscape from and , grounding the fantastical event within a consistent visual setting. This shot serves to fully reveal the spectacle of the flying house, emphasizing its whimsical nature and its grand scale, providing context for 's earlier reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's story setup and the shot outline for ('provides a wider view of 's house majestically floating with balloons'), and considering showed the house flying in the distance, the next shot should present a full, wide view of the flying house. It needs to clearly show the house, first introduced in , and the balloons. , present in and , should be visible, perhaps near the house, to maintain his connection to the event. The environment will remain the rocky landscape from and . The purpose is to offer a comprehensive visual of the house's flight." }, { "instruction_full": "Maintain the outdoor, barren landscape environment from , , and . The camera should be a medium shot, tracking (who was seen near the house in ) as he moves quickly across the reddish-brown ground, appearing urgent and determined. Part of the house from should be visible on the right side of the frame, indicating his direction of movement towards it. The overall impression should be one of active pursuit.", "think_full": "Following the grand reveal of the flying house in , the narrative needs to show 's active engagement with the situation. The camera should transition from the wide, static shot of to a tracking shot that follows from as he runs. This dynamic camera movement emphasizes his urgency. The environment remains consistent with , , and (the barren, rocky landscape), providing continuous spatial context. By showing part of the house, also from , on the side of the frame, we clearly indicate his objective. This shot's user intent is to depict 's immediate physical response to the house's flight, transforming his initial reaction into determined action.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering the global prompt and the shot outline for ('depicts actively chasing or moving towards the airborne house'), and after showed the house flying and nearby, the next shot needs to show in motion. The camera should capture (from , , ) running or moving purposefully. The environment should remain the barren landscape from previous shots (, , ), and the house (from , ) should be partially visible to signify his destination. This shot's purpose is to show his active pursuit and determination." }, { "instruction_full": "Transition to a medium-close shot, positioned low to the ground, focusing on as he physically interacts with the house. , seen running in , should now be straining, pushing hard against a section of the house's exterior (from and ), clearly showing his effort. The house should appear grounded or very low to the ground. The reddish-brown, rocky terrain from , , , and should be visible under and around him, maintaining environmental continuity, to emphasize his physical struggle and determination to control the house.", "think_full": "After seeing chasing the house in , the narrative calls for a closer look at his direct interaction. The camera moves from the tracking shot of to a medium-close, low-angle shot, intensifying the focus on 's physical effort. (from , , , ) is now seen actively pushing the house (from , , ), conveying a sense of struggle. The consistent barren landscape from previous shots (, , , ) maintains the spatial context. This shot aims to visually communicate the physical challenge faces and his unwavering commitment to his house.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global prompt and the shot outline for ('captures 's physical struggle as he tries to secure or push his house'), and following where he was seen moving towards the house, the next shot should depict his physical interaction. The camera should zoom in to show (from , , , ) struggling or pushing against the house (from , , ). The environment remains the rocky landscape seen in , , , and . The purpose is to highlight his strenuous effort." }, { "instruction_full": "Tighten the camera to a close-up on 's face, seen struggling in . His expression should convey intense strain, with eyes squinted or closed, depicting the immense physical effort. The background should feature a blurred part of the house's side from , reinforcing the immediate context of his struggle. The lighting should reflect the outdoor setting established in earlier shots, to visually amplify his emotional and physical endurance.", "think_full": "To deepen the emotional impact of 's struggle, the camera needs to move even closer than in , focusing purely on his facial expression. This close-up on 's face (from , , , , ) amplifies the intensity of his physical exertion shown in . The background, though blurred, keeps the house from present, maintaining spatial continuity with the object of his struggle. The continuous outdoor lighting helps integrate this close-up with the previous shots. The user intent here is to emphasize his personal commitment and the sheer willpower involved in his arduous task.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt and the shot outline for ('focuses on the intense effort and strain on 's face'), and after showed him physically struggling, the next shot must be a close-up on 's face. The shot should capture his expression of intense strain, drawing directly from the action depicted in . A part of the house (from , , , ) should be visible, likely blurred, in the background to provide context. The environment and lighting should remain consistent with the outdoor setting. This shot aims to emphasize his physical and emotional endurance." }, { "instruction_full": "Shift the camera to a medium shot, looking into the interior of 's house, whose exterior was seen in and . , after his struggle in , should now be inside or partially inside a doorway, holding a wooden chair with a determined or frantic look. The interior space, partially visible, should suggest a domestic setting, to introduce a new action sequence inside the house and show a new dimension to his efforts.", "think_full": "After the intense close-up on 's face in depicting his outdoor struggle, the narrative requires a change of scene to show a new approach to his problem. The camera moves inside the house (the same house seen from the exterior in through ), introducing a new environment. (from through ) is now positioned within this new space, holding a chair, indicating a shift in his plan. This shot's purpose is to introduce an interior setting and a new prop, revealing 's resourcefulness and the next step in his determined actions to control the flying house.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt and the shot outline for ('reveals inside his house, grabbing a chair with a new intent'), and following the intense struggle shown in , the next shot needs to show performing a new action. The camera should be inside the house (which was last seen externally in ), showing (from through ) holding a chair. This implies a change in his strategy. The environment is now the interior of the house, new to the sequence. The intent is to show preparing for a new phase of action." }, { "instruction_full": "Reframe the camera to a medium-wide shot, capturing exiting the front door of his house, whose interior was seen in . , holding the wooden chair from , should be stepping down the porch steps with a purposeful, focused expression. The wooden chair should be in the foreground, slightly out of focus, while is in the mid-ground. The exterior of the house and the porch from (where it was seen wide) are visible, along with glimpses of the familiar rocky landscape from through , to continue his action and reveal his intention with the chair.", "think_full": "Following 's action of grabbing the chair inside in , the next logical step is to show him using it outside. The camera transitions from the interior view of to an exterior medium-wide shot, focusing on (from through ) as he exits the house (seen exterior in through , and interior in ). The chair (from ) is central to his current action. The environment returns to the exterior of the house, with the porch and hints of the rocky landscape (from through ) visible, providing spatial continuity. This shot's user intent is to show putting his plan into action, carrying the chair with clear determination.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt and the shot outline for ('shows exiting his house, carrying the chair with purpose'), and after showed him inside grabbing a chair, the next shot must depict him leaving the house with it. The camera should show (from through ) stepping out of the house (from through ) onto the porch, carrying the chair (from ). The outdoor environment, specifically the house exterior and some of the rocky ground from previous shots, should be visible. This shot aims to advance his plan with the chair." }, { "instruction_full": "Adopt a low-angle, over-the-shoulder shot from behind (who was seen on the porch in ), looking down towards the rocky ground. In the immediate foreground, part of 's arm and hand should be visible as he reaches down. In the mid-ground, the wooden chair from should be lying on the reddish-brown, rocky terrain, which is the consistent environment from through . The focus is on the chair's impact on the ground, indicating the next step in 's plan.", "think_full": "After exited the house with the chair in , the next narrative beat is the deployment of the chair. The camera shifts to an over-the-shoulder perspective from (from through ), looking down, creating a subjective feel. This shot clearly shows the chair (from and ) now on the ground, having been placed or thrown. The environment is the consistent rocky landscape from through . This shot serves to show the direct result of 's action with the chair, marking a progression in his method of securing the house.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the global prompt and the shot outline for ('captures the chair landing on the ground from 's perspective'), and after showed carrying the chair out, the next shot should focus on the chair's placement. The camera should be a close-up or medium shot from 's perspective (from through ), looking down at the ground where the chair (from , ) has landed. The environment is the familiar rocky terrain from all previous shots. The purpose is to show the immediate outcome of his action with the chair." }, { "instruction_full": "Return to a medium-close shot of 's face, from , positioned on the porch of the house (seen exterior in through and ). His expression should be a mix of exhaustion and satisfaction, or perhaps renewed determination, as he surveys the scene, having completed his immediate task from . The background should hint at the house's doorway and exterior from , providing immediate spatial context, to conclude this sequence of physical effort with his emotional state.", "think_full": "After the action of placing the chair in , the narrative requires a return to 's emotional state. The camera returns to a medium-close shot of 's face (from through ), similar to but with a different emotional register. He is still positioned on the porch of the house (from through , ), maintaining spatial continuity from . His expression reflects the culmination of his recent physical efforts. This shot serves to provide a clear emotional beat for , signaling a moment of pause or completion after the intense physical sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt and the shot outline for ('concludes the sequence with 's determined and perhaps exhausted expression'), and after showed the chair placed, the next shot should focus on 's reaction. The camera should be a close-up or medium-close shot of 's face (from through ). He should be on the house's porch (from ), reflecting his current emotional state – likely tired but resolute. The background should be the house exterior, consistent with previous shots. This shot provides an emotional conclusion to his physical efforts." } ], "_src_movie_dir": "Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "106250_106651.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Up.2009.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/106250_106651.json", "_test_index": 17 }, { "movie": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv", "N": 10, "sample_id": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45272.jpg-The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/46253.jpg", "images": [ { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45272.jpg", "filename": "45272.jpg", "aesthetic": 6.565814018249512, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45350.jpg", "filename": "45350.jpg", "aesthetic": 5.922547340393066, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45394.jpg", "filename": "45394.jpg", "aesthetic": 5.500586032867432, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45500.jpg", "filename": "45500.jpg", "aesthetic": 6.602897644042969, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45641.jpg", "filename": "45641.jpg", "aesthetic": 6.309091567993164, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45666.jpg", "filename": "45666.jpg", "aesthetic": 6.475152969360352, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45753.jpg", "filename": "45753.jpg", "aesthetic": 6.322061538696289, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/45906.jpg", "filename": "45906.jpg", "aesthetic": 6.345620155334473, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/46131.jpg", "filename": "46131.jpg", "aesthetic": 6.398799896240234, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/46253.jpg", "filename": "46253.jpg", "aesthetic": 6.895809173583984, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence unfolds within a structured, slightly austere institutional environment, likely a boarding school or orphanage. The tone is observational, focusing on the interactions and routines of the adult staff and the general atmosphere experienced by the children. There's an undercurrent of formality and daily duty mixed with moments of individual personality.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " introduces 's playful, performative nature, contrasting with 's more reserved demeanor from . continues with , refining his expression. widens the scene to show the dining hall and the three main adult figures (, , ) together. briefly shifts focus to to show the wider institutional operations. returns to a more introspective shot of . offers another collective view of the three adult men at the table. transitions to a new part of the institution, showing in a different context. provides a close-up of , emphasizing his internal state. introduces in a solitary, reflective moment, hinting at external connections or personal concerns." }, "instruction_full": "Shift the camera to a medium shot, introducing a new character. Frame from the waist up, as he performs a light-hearted, almost theatrical gesture with his hands, looking directly towards the viewer with a slight smile. The background should maintain the muted, institutional dining hall environment established in , now revealing more of the room and hints of seated at distant tables, under the same cold, overhead lighting. The goal is to introduce a more dynamic and playful personality into the scene, contrasting with the solemnity of .", "think_full": "The initial shot established in a close, somewhat somber portrait within the dining hall. To advance the story, the shot outline calls for introducing a new character with a contrasting demeanor. This shot should move to a medium framing to allow for a more expressive body language from . The specific gesture and direct gaze are chosen to convey his playful, performative nature. The space remains the same institutional dining hall from , retaining the muted colors and practical overhead lighting, but by widening the shot slightly to include other tables and in the background, we further establish the communal setting. This visually expands the world from the initial static portrait.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I must refer to the global prompt and previous shot. The `shot_outline` for explicitly states \"introduces 's playful, performative nature, contrasting with 's more reserved demeanor from \". Therefore, the next shot should introduce this new character. It needs to be a medium shot, framing with a dynamic, expressive pose that conveys playfulness. The environment should remain the institutional dining hall, building on the setting shown in , but revealing a bit more of it to establish the context of a busy dining room with ." }, { "instruction_full": "Keep a similar medium shot framing from , focusing on . He should maintain his gaze towards the viewer, but his hand gesture is now completed or transitioning, and his expression might be slightly less overtly playful, perhaps a subtle shift towards a more serious or observational mood. The background continues the institutional dining hall from and , with the distant and muted lighting, to maintain spatial continuity.", "think_full": "This shot follows directly from , building on the introduction of . By maintaining a similar medium shot framing from , we allow the viewer to continue observing this character's actions and expressions in detail. The slight shift in his hand gesture and expression is intended to imply a continuation or completion of his playful act, potentially hinting at a more complex internal state. The institutional dining hall environment from and provides a consistent backdrop, reinforcing the setting where these interactions occur. The narrative intent is to delve slightly deeper into 's character beyond his initial showmanship.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states, \"continues with , possibly showing a slight shift in his demeanor.\" Building on , the camera should remain focused on in a similar medium shot. His pose and expression should evolve from the previous shot, perhaps signaling the end of his playful gesture or a subtle change in his mood. The institutional dining hall from and must remain the background to ensure continuity." }, { "instruction_full": "Pull the camera back to a wider shot, establishing a fuller view of the institutional dining hall, similar to the setting hinted at in , , and . Frame (from , ) standing to the left, while (from ) and are seated at a central table on the right. is a new character. Both seated men should have placid or observing expressions. Many are visible in the background at various tables. The overall lighting remains muted and institutional, consistent with previous shots.", "think_full": "The preceding shots focused on individual characters ( in , in and ). The narrative progression, as per the shot outline, requires establishing the broader environment and the key adult figures together. This wider shot clearly shows the institutional dining hall, consistent with the glimpses from , , , grounding the characters within their environment. (from , ) is now seen standing, while (from ) is reintroduced, seated. is introduced as a new character, completing the trio of adult figures at a prominent table. The inclusion of many in the background reinforces the institutional context, creating a sense of scale and daily activity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates that it \"widens the scene to show the dining hall and the three main adult figures... together.\" Therefore, the camera needs to pull back significantly from and . This shot should clearly show the institutional dining hall from , , and , now including (from ), (from , ), and a new character, , all interacting within this space, with populating the background. The purpose is to establish the setting and the relationships between these key figures." }, { "instruction_full": "Shift the camera to a medium shot, focusing on a different area of the institutional building. Introduce as a new character, seen from behind as she carries a wicker basket, walking past a weathered, utilitarian wooden door or against a plain, worn wall. Some might be partially visible in the foreground or background, continuing the general presence of children in the institution. The lighting should remain consistent with the muted, ambient style of the overall setting from and .", "think_full": "To expand the sense of the institution and its daily operations, the narrative needs a brief interlude from the main adult characters. This shot introduces a brand-new environment, a service area or hallway adjacent to the dining hall, which is visually distinct from the previous dining hall shots but maintains the institutional aesthetic with worn walls and practical fixtures. is a new character whose action of carrying a basket reinforces the idea of routine and sustenance within the facility. Though the specific space is new, the overall muted color palette and hint of connect it conceptually to the established world of and . This broadens the scope beyond just the dining hall, suggesting a larger, functioning facility.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states, \"briefly shifts focus to to show the wider institutional operations.\" This requires introducing a new character and potentially a new part of the building. The shot should be a medium shot, featuring performing a duty, such as carrying a basket. The setting should be an interior of the institutional building, distinct from the dining hall shown in and , but maintaining the overall austere and functional aesthetic. This expands the world of the institution and shows another aspect of its daily life." }, { "instruction_full": "Return to a medium close-up of , similar to the framing of and . He is now looking slightly down or off-camera, with a more subdued, perhaps thoughtful or weary expression, contrasting his earlier playfulness. The background is once again the institutional dining hall, as seen in , , and , with blurred in the distance, under the same cool lighting. The shot should convey a moment of introspection or a subtle shift in his mood.", "think_full": "After the broader scene in and the contextual interlude in , the narrative aims to return to a central character, as indicated by the shot outline for which specifies an \"introspective shot of \". This shot reuses the medium close-up framing from and to provide an intimate view of . His expression now deviates from his earlier performance, suggesting a more private or reflective moment, deepening his character. The environment is clearly the institutional dining hall, consistent with , , and , with the blurred figures of offering continuity and context without distracting from his internal state.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for explicitly states a return to an \"introspective shot of \". This requires a close-up or medium close-up on (from , , ), capturing a more serious or reflective expression than his earlier playful demeanor. The setting should revert to the institutional dining hall background from , , and , with in the distance, maintaining environmental continuity. The purpose is to explore his character's inner world after his previous performance." }, { "instruction_full": "Revert to a wider shot of the dining hall table, similar to . Frame (from , , , ) standing on the left, looking towards (from , ) and (from ), who are both seated at the table on the right. Their expressions should be calm and observant. The background features other tables and , continuing the established dining hall environment from . The overall lighting remains muted and institutional.", "think_full": "This shot brings back the collective grouping of the three main adult characters from , reinforcing their presence within the institutional dining hall. By adopting a similar wide framing as , the shot emphasizes the environment and the group dynamic. (seen in , , , ), (seen in , ), and (seen in ) are all present, now seemingly in a moment of quiet observation or shared presence, concluding the dining hall segment. The visual continuity with (same setting, same characters, similar grouping) reinforces the sense of routine and the established relationships within this space, as specified by the shot outline for to be \"another collective view\" of them.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is \"another collective view of the three adult men at the table.\" This means the shot should return to a wider view of the dining hall, similar to . It must include (from , , , ), (from , ), and (from ), seated at the main table as they were established in . The background will be the dining hall and , maintaining spatial continuity from previous wide shots of the same location. The purpose is to reaffirm their collective presence in the established setting." }, { "instruction_full": "Transition to a medium shot in a completely new environment: an institutional stairwell with stone banisters and large, simple windows. Frame (from , , ) from the waist up, now dressed in a dark suit, walking down a set of stairs. He carries a serious, thoughtful expression. Other can be seen in the background, walking up the stairs, subtly connecting this new space to the institutional context. The lighting is natural but somewhat diffused, reflecting the interior stone and large windows.", "think_full": "The story requires a transition from the dining hall setting and a shift in focus to in a different context, as indicated by the shot outline for which specifies a \"new setting (stairwell) and show moving through it.\" This shot introduces a brand-new physical location within the institution—an ornate stairwell—which has no direct visual continuity with the dining hall (, , , , , ) or the service area (). (from , , ) reappears, but his change of attire to a suit and his movement suggest a change of role, time, or activity within the institution. The presence of in the background helps maintain a thematic link to the institution's primary function. This shift aims to broaden the perceived scale and activities within the facility.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states, \"introduces a new setting (stairwell) and show moving through it.\" This implies a complete change of environment and focus. The shot should show (from , , ) in a medium shot, now in a different part of the institution, specifically a stairwell. He should be dressed differently, possibly in more formal attire, to convey a shift in his duties or the time of day. The background should be this new institutional stairwell, distinctly different from the dining hall or service areas shown previously, to mark a clear transition." }, { "instruction_full": "Move to a close-up of 's face, continuing from . He retains his serious, thoughtful expression, perhaps with a hint of concern. The background is blurred, consistent with the institutional interior of the stairwell or an adjacent hallway from , but softened to keep focus on his face. The lighting remains natural and subdued.", "think_full": "Following the transition to a new location in , the narrative calls for a moment of intimate connection with 's internal state, as suggested by the `shot_outline` for requesting a \"close-up of , reflecting his thoughts.\" By moving to a close-up, we draw the viewer into his emotions. (from , , , ) remains the central figure, retaining his formal attire and thoughtful expression from . The background, although blurred, maintains visual continuity with the institutional setting introduced in , ensuring the focus is solely on his contemplative expression within this new environment. This shot deepens the character's emotional depth and importance.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is \"a close-up of , reflecting his thoughts or a moment of contemplation.\" Building on , the camera should zoom in for a close-up on 's face (from , , , ). His expression needs to convey seriousness or introspection. The background will be a blurred continuation of the institutional setting from , like the stairwell or an adjoining hallway, ensuring environmental consistency while prioritizing his emotional state." }, { "instruction_full": "Shift to a new medium shot, introducing a new character in a distinctly separate, yet still institutional, interior space. Frame as she stands pensively by a large, grid-paned window, looking out or contemplating. The setting is a sparse room or hallway, characterized by plain, worn walls and the prominent window, which allows natural, diffused light to illuminate the scene. The goal is to introduce a new, solitary figure and suggest a different emotional tone, potentially hinting at external worries or a personal moment separate from the institutional hustle seen so far.", "think_full": "The final shot needs to introduce a new character and a new emotional dimension, as outlined for which states \"introduce in a new, more solitary setting, hinting at a broader story or emotional state.\" This requires introducing a completely new character, , and placing her in a brand-new internal environment within the institution. This setting is characterized by a prominent grid-paned window, which provides a visual connection to the outside world, creating a sense of longing or detachment. This shot is spatially and character-wise disconnected from the preceding shots, explicitly shifting the focus and hinting at stories beyond the immediate staff and students. It provides a moment of quiet reflection, distinct from the more active or administrative scenes.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates it should \"introduce in a new, more solitary setting, hinting at a broader story or emotional state.\" This requires a significant change in character and location. The shot should be a medium shot of , a new character, positioned in a new institutional interior (not the dining hall or stairwell from previous shots). Her posture and location by a window should convey a sense of solitude or contemplation, separate from the main narrative threads involving the caretakers and students, introducing a new dimension to the story." } ], "_src_movie_dir": "The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv", "_src_filename": "045272_046253.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Chorus.2004.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/045272_046253.json", "_test_index": 18 }, { "movie": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv", "N": 10, "sample_id": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55406.jpg-The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55859.jpg", "images": [ { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55406.jpg", "filename": "55406.jpg", "aesthetic": 6.724825859069824, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55422.jpg", "filename": "55422.jpg", "aesthetic": 5.847117900848389, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55453.jpg", "filename": "55453.jpg", "aesthetic": 6.868487358093262, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55503.jpg", "filename": "55503.jpg", "aesthetic": 5.543210506439209, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55566.jpg", "filename": "55566.jpg", "aesthetic": 6.3729143142700195, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55584.jpg", "filename": "55584.jpg", "aesthetic": 6.707296848297119, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55622.jpg", "filename": "55622.jpg", "aesthetic": 6.823750972747803, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55734.jpg", "filename": "55734.jpg", "aesthetic": 6.661285400390625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55775.jpg", "filename": "55775.jpg", "aesthetic": 7.04435920715332, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/55859.jpg", "filename": "55859.jpg", "aesthetic": 4.427361488342285, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene is set in an old, grand study, possibly within a manor or a magical dwelling. There's a formal yet mysterious atmosphere as two young protagonists meet with a distinguished elderly professor, suggesting a significant consultation or the imparting of crucial knowledge. The tone is serious and anticipatory.", "characters": [ "", "", "" ], "shot_outline": " introduces and into the scene, showing all three characters around a cluttered desk, establishing their positions and the setting. focuses on , isolating him to emphasize his reaction or statement. returns to a similar wider shot of the three characters, potentially showing a slight shift in their interaction. closes in on , highlighting her expression or reaction. cuts back to , possibly showing a continued reaction or a new thought. returns to , reinforcing her presence and emotional state. provides another close-up of , perhaps indicating a change in his demeanor or a significant revelation. pulls back to a wider shot, showing making a gesture towards the young protagonists, indicating a direct interaction or guidance. focuses on the two young protagonists, likely showing their response to 's action, with more prominent." }, "instruction_full": "Shift from the close-up of to a wider shot, pulled back and slightly to the left, revealing more of the room and other characters. Introduce standing next to . Partially show in the foreground with his back to the camera, seated behind a cluttered desk. stands looking towards . stands slightly to his left, also looking towards , appearing attentive. The shot is in the same rich, old room seen in the background of , but now reveals more of the cluttered desk with various mystical-looking objects, a large lamp, and an ornate chair. This is to establish the full ensemble of characters and their initial setup within this detailed, mysterious study, creating a sense of a shared moment of consultation or instruction.", "think_full": "The shot maintains the continuity of the rich, old study setting established in the background of , with its stone walls and dark, ornate architecture. expands on this by revealing a large, cluttered wooden desk covered with many small, intriguing objects and a prominent table lamp, which creates a more detailed and engaging environment, consistent with a scholarly or mystical dwelling. from is present, now seen in a wider frame, maintaining his attentive posture. This shot introduces two new characters: , who stands beside him, and , partially visible in the foreground. Their presence establishes the central group for this scene. The wider shot is essential for introducing all key characters together in the same frame. By placing in the foreground with his back to the camera, it subtly emphasizes his central role without revealing his full expression yet, while the young protagonists are positioned to receive information or instruction, reinforcing the dynamic between the mentor and students. The cluttered desk adds to the sense of mystery and importance of their gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" introduces and into the scene, showing all three characters around a cluttered desk, establishing their positions and the setting.\" From the close-up of in , a wider shot is needed to introduce additional characters and the full setting. The camera should pull back and slightly shift to a three-shot. will remain from . Two new characters, and , must be introduced, positioned around a desk. The setting should remain the same ornate, old room hinted at in . needs to reveal more details of this space, specifically the \"cluttered desk\" mentioned in the outline, and establish the overall environment. The purpose is to establish the complete character group and their surroundings, setting the stage for their interaction as outlined by the global prompt. The shot should convey a sense of a formal meeting or discussion." }, { "instruction_full": "Cut to a medium close-up, focusing tightly on , who was partially obscured in the foreground of . is shown from the chest up, seated, looking down with a thoughtful or serious expression. His white, unruly hair and beard, and glasses are prominent. He is wearing the same patterned robe as seen in . The background recedes into soft focus, showing dark wooden paneling or bookshelves, consistent with the room established in . The warm lighting from the lamp in likely illuminates him. This is to emphasize 's reaction or focus, drawing the viewer's attention to his importance and current state of mind, potentially after hearing something significant or while contemplating a response.", "think_full": "This shot continues within the same study environment established in , focusing on . The dark, rich background elements seen in are now blurred to draw focus, but maintain the continuity of the setting. The warm, indoor lighting remains consistent. This shot brings into full focus, as introduced in . His appearance (white hair, beard, glasses, patterned robe) is consistent with his partial depiction in . His downcast, serious expression suggests deep thought or concern, building on his role as an authoritative figure. Following the establishment shot , a closer shot of is crucial to give weight to his character and reactions. It allows the audience to gauge his emotional state and importance within the ongoing conversation or reveal. This intimate framing hints at his significant role in the unfolding narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" focuses on , isolating him to emphasize his reaction or statement.\" After the wider shot in , a tighter shot on is needed to fulfill the outline's purpose of \"isolating him.\" This implies a medium close-up or close-up. , already introduced in , should be the sole focus. His expression should reflect \"reaction or statement,\" suggesting thoughtfulness or seriousness. The setting remains the same study from , but the background should be de-emphasized to keep the focus on the character. The shot aims to highlight 's individual significance and his current emotional or mental state during the interaction." }, { "instruction_full": "Cut back to a wider shot, similar to the framing of , but possibly with a slightly adjusted angle to capture the interaction between and the two young protagonists. All three characters are present: (from ) seated partially obscured in the foreground, (from ) standing in the middle, and (from ) standing to her right. looks toward , while looks slightly towards her or straight ahead, with a serious expression. The rich, cluttered study from is visible again, featuring the desk, lamp, and various objects. The background retains the dark, ornate features. This is to re-establish the dynamic between the three characters after the close-up on , showing their collective presence and attention during the ongoing discussion.", "think_full": "The shot returns to the wider perspective of the study, consistent with , re-showing the detailed, cluttered desk, the large lamp, and the ornate room architecture. This maintains the established setting and the atmosphere of a significant, possibly magical or scholarly, environment. returns to his foreground position from , maintaining the same attire and general posture, though his exact expression is not the focus here. and also return from , standing beside each other. Their expressions of attentiveness continue to convey their engagement with . After the focused moment on in , returning to a shot encompassing all three characters (similar to ) is necessary to show the continued group interaction. It reinforces the idea of a shared conversation and allows the audience to observe the collective dynamic and how the young protagonists are reacting to whatever has just conveyed or is about to convey.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" returns to a similar wider shot of the three characters, potentially showing a slight shift in their interaction.\" The outline specifies \"returns to a similar wider shot\" as , following the close-up of . This means pulling back to include all three characters around the desk. All three characters (, , ) should be visible, maintaining their positions from . Their expressions should suggest continued engagement. The detailed study with the cluttered desk and lamp from should be fully visible again. The purpose is to re-establish the group dynamic and the context of the conversation after a moment of focus on one character." }, { "instruction_full": "Cut to a medium close-up of , similar in framing to for or for , but focused on her. (from ) is shown from the chest up, looking slightly off-camera to her right (towards or ), with a serious or slightly concerned expression. Her dark hair and simple attire are prominent. The background is a soft blur of the ornate room, with a dark, indistinct form of the armor suit from and visible, hinting at the continued setting without distracting from her. This is to highlight 's individual reaction and emotional state, giving her a moment of focus and emphasizing her role in the ongoing narrative.", "think_full": "The background of the shot remains consistent with the ornate study seen in and , but is intentionally blurred to draw attention to . The presence of the dark form in the background subtly connects it to the general setting and props seen in wider shots. This shot directly follows the wider shot and brings into focus, a character first introduced in . Her expression now becomes central, allowing the audience to interpret her thoughts or feelings during the unfolding discussion. Her attire and appearance are consistent with previous shots. After the general group shot , focusing on gives her agency and emphasizes her individual perspective. It allows the audience to connect with her emotional journey or internal processing of the information being discussed, making her reaction a key narrative beat.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" closes in on , highlighting her expression or reaction.\" The outline explicitly calls for a \"closes in\" shot on , implying a medium close-up from the previous wider shot . (introduced in ) should be the sole subject, with an emphasis on her face and expression. The background should be the same room as in , but softly blurred to focus on the character. The purpose is to reveal her individual thoughts or feelings, giving her a moment in the spotlight to convey her perspective." }, { "instruction_full": "Cut back to a close-up of , maintaining a similar framing and perspective to . (from ) is shown in close detail, still seated, looking down. His expression is contemplative or perhaps slightly weary, but his gaze is directed downwards, suggesting deep thought or a pause in the conversation. The background remains dark and blurred, consistent with the rich, ornate study seen in earlier shots like . This is to reinforce 's gravitas and his ongoing internal processing, showing the weight of the discussion or the knowledge he possesses.", "think_full": "The background continues to be the dark, blurred elements of the study, consistent with , ensuring a stable visual environment while maintaining focus on the character. The warm, low-key lighting from the room is also maintained. This shot brings back into sharp focus, echoing his framing in . His appearance (white hair, beard, glasses, patterned robe from and ) is entirely consistent. His downcast gaze and contemplative expression convey a continuation of his serious demeanor, building on the character's established wisdom and the gravity of the situation. Following a close-up on in , cutting back to in a similar close-up (as in ) creates a rhythmic pacing in the conversation. It re-establishes his authority and allows the audience to once again ponder his thoughts, suggesting that the \"ball is in his court\" or he is deliberating.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" cuts back to , possibly showing a continued reaction or a new thought.\" After the close-up on in , the outline indicates a cut back to , implying a similar close-up framing as to show his reaction. (from , , ) should be the central figure, with an expression reflecting \"continued reaction or a new thought,\" likely contemplative. The blurred study background should be consistent with previous close-ups, maintaining focus on the character. The purpose is to convey 's ongoing thought process or reaction, maintaining his importance in the dialogue." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing from . (from ) is again shown from the chest up, maintaining a serious or concerned expression, looking slightly off-camera to her right. Her posture and gaze reinforce her attentiveness. The background is a soft blur of the ornate room, with the dark armor suit from still faintly visible, confirming the continuous setting. This is to reiterate 's emotional engagement and reaction in response to 's contemplation, creating a sense of call and response in the visual storytelling.", "think_full": "The background of this shot replicates the blurred, dark elements of the study environment seen in , including the faint silhouette of the armor. This ensures consistent visual continuity and maintains the established atmosphere of the room. reappears, identically framed as in . Her expression (serious, attentive) is a direct continuation of her emotional state. This consistent portrayal reinforces her character's presence and ensures the audience tracks her reactions throughout the scene. She was first introduced in . By cutting back to after 's close-up in , the sequence establishes a back-and-forth visual rhythm. It shows her continued involvement and reaction to the evolving conversation, ensuring her perspective remains relevant and deepening the emotional connection with her character.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" returns to , reinforcing her presence and emotional state.\" The outline suggests a return to after , implying a similar close-up framing as to reinforce her presence. (from , , ) should be the focus, with an expression showing her \"emotional state,\" likely thoughtful or concerned. The blurred study background, as seen in , should continue to maintain visual consistency. The purpose is to highlight her continued emotional investment in the conversation, creating a sense of continuity in her reaction." }, { "instruction_full": "Cut to a close-up of , similar to and , but now he is looking slightly upwards or directly towards the young protagonists, with a more direct and engaged expression, perhaps having come to a decision or about to deliver an important statement. (from ) is shown with a focused gaze, no longer looking down, indicating a shift from contemplation to direct address. His glasses and white hair are prominent. The background remains the soft, blurred dark wood of the study, consistent with previous close-ups. This is to signal a turning point in the conversation, indicating that is now ready to speak or act decisively, and to convey the weight of his imminent communication.", "think_full": "The background of the shot remains consistent with the blurred, dark interiors of the study seen in close-ups like and , ensuring a seamless transition. The soft, ambient lighting of the room continues. reappears from , maintaining his established appearance (white hair, beard, glasses, patterned robe). However, his shift in gaze from downcast to directly ahead (or slightly up) signifies a change in his state, moving from contemplation to active engagement. This change is crucial after the repeated cuts between him and . After the back-and-forth close-ups ( , , ), a close-up of looking up and engaging directly suggests a culmination of his thoughts or a significant pronouncement. This shot builds anticipation and signals a shift in the conversational dynamic, preparing the audience for his next action or statement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" provides another close-up of , perhaps indicating a change in his demeanor or a significant revelation.\" The outline specifies another close-up of , similar to and . (from , , , ) should be the focus. The key here is the \"change in his demeanor,\" meaning he should look more engaged or about to speak directly, contrasting his earlier contemplative look. The blurred study background should be consistent with previous close-ups. The purpose is to build anticipation for his next action or statement, indicating a shift in the conversation's direction." }, { "instruction_full": "Pull back to a wider shot, showing all three characters and more of the room, similar to and , but perhaps a slightly different angle or further pull back to reveal 's full gesture. (from ) is now visible in full, standing up from his chair and extending his hand towards and , who are standing attentively. looks at him, while is positioned slightly behind her. The detailed, ornate study with the cluttered desk and lamp from and is again prominent, but now more of the room to the left is visible, including the full armored figure. The general warm, dark lighting of the room remains. This is to show 's direct action or offer of guidance to the young protagonists, physically advancing the narrative and demonstrating a clear turning point in the scene.", "think_full": "The shot returns to the wider perspective of the study, consistent with and , but expands slightly to reveal more of the room on the left, including the full armor suit, reinforcing the rich, detailed environment. The desk and lamp are still central, maintaining the established setting. All three characters are present. (from ) is now shown standing and actively gesturing, a significant change from his seated, contemplative state. and (from and respectively) remain attentive, reacting to 's action. Their attire is consistent. After the close-up sequence and 's shift in demeanor in , a wider shot is essential to show his physical action of standing and gesturing towards the young protagonists. This clearly communicates a moment of direct interaction, guidance, or perhaps an initiation of an important task, making it a pivotal moment in the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" pulls back to a wider shot, showing making a gesture towards the young protagonists, indicating a direct interaction or guidance.\" The outline calls for a pull-back to a \"wider shot\" from , showing all three characters and a gesture from . This means a similar wide shot to or . All three characters (, , ) should be visible. Crucially, (from , , , , ) must be making a \"gesture\" towards the young protagonists (from , , , ). The detailed study from and should be visible again, possibly revealing a bit more of the room. The purpose is to depict a direct, physical interaction that marks a significant development in the narrative, signifying guidance or an important offer." }, { "instruction_full": "Cut to a medium shot, framing and , from their perspective looking towards where just was. is more prominent, positioned slightly closer to the camera and to the right, looking off-camera left. is slightly behind and to his left, also looking off-camera left. (from ) and (from ) are shown, responding to 's gesture. Their expressions should be thoughtful or perhaps a mix of surprise and determination. The background maintains the rich, ornate study, with elements like the dark wooden paneling and the armor suit visible, consistent with but with now out of frame to put focus on the reaction of the young protagonists. This is to capture the immediate reaction of the young protagonists to 's action or words, shifting the narrative focus to their decision or understanding.", "think_full": "The background elements, such as the dark wooden paneling and the armor suit, are directly carried over from the wider shot , maintaining strong visual continuity of the established study environment. The general warm, rich lighting continues. Both (from ) and (from ) are present, now specifically framed to highlight their reactions. is given slightly more prominence, suggesting his central role in the response. Their attire is consistent with earlier shots. is intentionally excluded from the frame, shifting focus. Following 's direct gesture in , this shot is crucial to show the immediate impact on the young protagonists. By focusing solely on them, the narrative emphasizes their internal processing, decision-making, or acceptance of the challenge presented. It also suggests that the next phase of the story will center on their actions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states: \" focuses on the two young protagonists, likely showing their response to 's action, with more prominent.\" After showing 's gesture, the outline requires a focus on the \"two young protagonists,\" suggesting a medium shot that crops out . (from , , ) and (from , , , , ) should be shown, with an emphasis on their \"response\" and being \"more prominent.\" The background should still be the established study, but with elements that were behind the young protagonists in . The purpose is to convey the young protagonists' reaction and readiness to act upon the guidance received, setting up the next phase of their journey." } ], "_src_movie_dir": "The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv", "_src_filename": "055406_055859.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Chronicles.of.Narnia.The.Lion.the.Witch.and.the.Wardrobe.2005.2160p.BluRay.DDP.5.1.H.265-EDGE2020.mkv/055406_055859.json", "_test_index": 29 }, { "movie": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv", "N": 10, "sample_id": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/119969.jpg-You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121591.jpg", "images": [ { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/119969.jpg", "filename": "119969.jpg", "aesthetic": 4.805810928344727, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/120006.jpg", "filename": "120006.jpg", "aesthetic": 6.0218305587768555, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/120325.jpg", "filename": "120325.jpg", "aesthetic": 5.593033790588379, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/120344.jpg", "filename": "120344.jpg", "aesthetic": 5.810457229614258, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/120562.jpg", "filename": "120562.jpg", "aesthetic": 4.948019981384277, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121034.jpg", "filename": "121034.jpg", "aesthetic": 6.244155406951904, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121331.jpg", "filename": "121331.jpg", "aesthetic": 5.909492492675781, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121394.jpg", "filename": "121394.jpg", "aesthetic": 5.094062805175781, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121434.jpg", "filename": "121434.jpg", "aesthetic": 5.698379039764404, "musiq": 0.0 }, { "tag": "", "rel_path": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/121591.jpg", "filename": "121591.jpg", "aesthetic": 4.887335300445557, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A man and a woman are engaged in a heartfelt conversation in a cozy, slightly dated living room. The tone is intimate and reflective, with an underlying current of emotional connection and perhaps unresolved feelings, leading to a moment of affection and subsequent continued dialogue.", "characters": [ "", "" ], "shot_outline": " focuses on to capture her immediate reaction or internal state during the conversation. returns to a wider view, maintaining the spatial dynamic between and . again provides a close-up of , emphasizing her emotions or a specific point in the discussion. shows beginning to move, changing the physical relationship. is a very close-up shot capturing an intimate moment between and . then isolates as she reacts or speaks after the intimate moment. cuts to a reaction shot of . returns to as she continues to express herself in the ongoing conversation. concludes with 's final reaction, mirroring an earlier shot to show his sustained engagement." }, "instruction_full": "Shift the camera from the wide shot of to a medium close-up of . She is seated on the sofa, looking towards with a thoughtful and slightly pensive expression. The background should be the wood-paneled wall and part of the sofa from , maintaining the warm, domestic lighting, to highlight her internal state and emotional perspective in the conversation.", "think_full": "The global prompt sets up an intimate conversation. establishes the two characters, and , in a wide shot within a living room, seated apart. The 'shot_outline' explicitly states that should 'focus on to capture her immediate reaction or internal state.' To achieve this, a shift from the wide shot of to a medium close-up of is necessary. should remain seated on the sofa, as seen in , but her expression will convey more introspection or a specific point in the conversation. The wood-paneled wall and sofa seen in will continue as the background, reinforcing the continuous setting and domestic intimacy while directing focus onto her. This framing will allow the viewer to connect with her emotional landscape.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt` and `shot_outline`, needs to focus on to convey her internal state. Starting from the wide shot of which shows both characters and the room, the most logical progression is to zoom in on one of the characters. The `shot_outline` specifically calls for a focus on . Therefore, the camera should move to a medium close-up of as she sits on the sofa, continuing the conversation from . Her expression should be thoughtful, reflecting the ongoing discussion. The background will naturally be the continuous living room environment from ." }, { "instruction_full": "Revert the camera to the wider shot established in , showing both and in their respective seated positions. is in the armchair and on the sofa. The space, including the coffee table and wood-paneled wall, should be consistent with , to re-establish the spatial relationship and the broader context of their conversation after the focus on in .", "think_full": "Following the close-up on in , the 'shot_outline' indicates that 'returns to a wider view, maintaining the distance between and .' This suggests a return to the framing and setup of . By replicating the wide shot from , we visually re-establish the physical distance and dynamic between and , showing them both still seated in the same positions within the living room. This allows the viewer to see their interaction in its broader spatial context again, after a moment of individual focus on 's internal state in . The consistent background elements from , like the coffee table and wall, ensure spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` specifies that 'returns to a wider view, maintaining the distance between and .' This implies a return to the initial establishing shot from . Therefore, the camera should pull back from 's close-up to a wide shot, showing both in his armchair and on the sofa, just as they appeared in . The setting, including the living room furniture and wood-paneled walls from , should be identical, emphasizing the ongoing nature of their conversation and their established physical separation." }, { "instruction_full": "Return to a medium close-up on , mirroring the framing and setting of . She is still seated on the sofa, looking towards with a consistent thoughtful expression. The background should continue to show the wood-paneled wall from , to again emphasize her emotional state or specific contributions to the ongoing discussion.", "think_full": "The 'shot_outline' for states to 'again provides a close-up of , emphasizing her emotions.' After the wide shot in re-establishing their distance, returning to a close-up on , mirroring , serves to deepen the focus on her perspective or reaction to the conversation. remains seated on the sofa, as seen in , , and , maintaining continuity of her physical state. The background, including the wood-paneled wall, should be consistent with to maintain spatial continuity within this closer framing, allowing for a concentrated view of her expression and engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` indicates that 'again provides a close-up of , emphasizing her emotions.' This directly suggests a repeat of the camera setup from . Therefore, the camera should once again frame in a medium close-up, seated on the sofa, as seen in , , . Her expression should remain engaged and thoughtful, deepening the focus on her individual perspective in the conversation. The background elements, such as the wood-paneled wall, should be consistent with ." }, { "instruction_full": "Transition back to a wide shot, similar to and , but now is standing up from the sofa, beginning to move towards . remains seated in his armchair, observing her. The living room setting, including the coffee table, should be visible from the same general camera position as and , but adjusted to capture 's new standing posture and the shift in dynamic, to show a change in the physical interaction between them.", "think_full": "The 'shot_outline' for states it 'shows beginning to move, changing the dynamic.' After the focused close-ups on (, ) and the wide shot (), this indicates a significant shift in their interaction. Returning to a wide shot, similar to and , allows us to clearly see 's physical action of standing up from the sofa, which was her seated position in , , , and . remains seated in his armchair, as established in and . The consistent living room environment, including the coffee table, from and grounds this new action within the familiar space, signaling a change in their spatial relationship and the progression of their conversation towards a more active phase.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for specifies it 'shows beginning to move, changing the dynamic.' This indicates a move from her previously seated position in , , , . Therefore, the camera should return to a wide shot, similar to and , to capture her action of standing up from the sofa. should still be seated in his armchair, as seen in and . The living room setting with the coffee table and other furniture, consistent with previous wide shots, will serve as the background for this shift in their physical interaction." }, { "instruction_full": "Execute a very tight close-up, focusing on the intimate moment as and kiss. The shot should frame their faces in profile, capturing the closeness of their embrace. The background will be softly blurred, implying the continuity of the living room space from but prioritizing the emotional intensity of the kiss, to highlight the peak of their affection.", "think_full": "The 'shot_outline' for describes 'a very close-up shot capturing an intimate moment between and .' This directly follows , where stands up, implying a reduction in their physical distance. A tight close-up is essential to convey the intimacy of a kiss, showing their faces in profile. The blurring of the background suggests the continuing presence of the living room environment from through but ensures that the focus is entirely on the characters' emotional connection. This shot acts as a focal point of their developing interaction after the initial conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for indicates 'a very close-up shot capturing an intimate moment between and .' This clearly means a kiss. Given that stood up in , closing the distance, a very tight close-up is appropriate to convey the intimacy. The shot should focus on their faces in profile during the kiss. The background would naturally be a blurred continuation of the living room from , with the emphasis solely on the characters and their embrace." }, { "instruction_full": "Cut to a medium close-up of , similar to the framing of and , but now she is smiling broadly or in mid-sentence, looking happy and engaged after the kiss. Her body language should show openness. The background should feature the lamp and coat rack visible in wider shots like and , but now more prominent due to the new angle and tighter framing, to capture her immediate, joyful reaction and the start of resumed dialogue.", "think_full": "The 'shot_outline' for specifies that it 'isolates as she reacts or speaks.' Following the intimate kiss in , a medium close-up on , reminiscent of and but with an evolved expression, is crucial to show her immediate emotional response. Her broad smile or open-mouthed expression signifies a positive, possibly joyful, reaction. While her posture changed in (standing up), for this shot, she is presented in a way that suggests she is now speaking or reacting post-kiss. The background, which includes the lamp and coat rack partially visible in and , now comes into clearer focus due to the camera's new angle and position relative to the characters, maintaining continuity with the living room setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for states it 'isolates as she reacts or speaks.' After the kiss in , a close-up on is the logical next step to show her immediate emotional response. This shot should be a medium close-up, similar to and , but with a more expressive face – perhaps smiling or mid-sentence. The background elements of the living room, such as the lamp and coat rack from and , should be present to maintain setting continuity, even if blurred, as she continues the conversation." }, { "instruction_full": "Cut to a medium close-up of , mirroring the framing and eye-level of in . He should be looking towards with a thoughtful or slightly concerned expression. He is wearing the same plaid shirt established in . The background should be softly blurred but suggest the continuous living room environment, possibly showing the wall with the framed picture from , to capture his reaction to 's previous statement or expression.", "think_full": "The 'shot_outline' for indicates a 'cut to a reaction shot of .' After focused on 's animated reaction, it's essential to show 's perspective. A medium close-up, mirroring 's framing but for , will create a visual rhythm for their ongoing conversation. wears the same plaid shirt seen in , ensuring character consistency. His expression should reflect a deeper thought or concern, contrasting with 's previous joy. The background, though blurred, confirms the shared living room space from , particularly showing the framed picture visible in the initial wide shot, maintaining spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for explicitly calls for 'a reaction shot of .' Following , which showed 's reaction, the camera should cut to a medium close-up of . He should be looking towards with an expression that conveys his internal thoughts or response. He will be wearing the same plaid shirt from . The background should be the blurred living room setting, possibly featuring the framed picture seen in , maintaining the visual environment while focusing on his reaction." }, { "instruction_full": "Cut back to a medium close-up of , similar to , but with her mouth slightly open, mid-sentence, and a more subdued or earnest expression as she continues to speak. She continues to wear the same jacket and floral top. The background should maintain the elements from , showing the lamp and part of the wooden doorframe or coat rack, to continue the conversational flow and focus on her sustained dialogue.", "think_full": "The 'shot_outline' for states to 'return to as she continues to express herself.' This follows 's focus on 's reaction, maintaining the back-and-forth rhythm of their dialogue. A medium close-up on , similar to , is appropriate for this continuation, but her expression might be more earnest or subdued now, deepening the conversation. She remains visibly consistent with her attire from . The background elements, such as the lamp and part of the doorframe from , reinforce the continuous living room setting, ensuring visual consistency as the conversation progresses.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for directs to 'return to as she continues to express herself.' This signifies her turn in the conversation after focused on 's reaction. Therefore, the camera should cut back to a medium close-up of , framed similarly to . Her expression should indicate continued dialogue, perhaps with a slightly more serious tone. The background from , including the lamp and doorframe, should remain consistent to maintain the setting." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing and expression from . He should be looking with a similar thoughtful or slightly concerned expression, completing his side of the conversation or showing a lingering thought. He continues to wear his plaid shirt. The background should be the blurred living room setting, including the framed picture, consistent with , to provide a parallel reaction and conclude this segment of their interaction.", "think_full": "The 'shot_outline' for states it 'concludes with 's final reaction, mirroring an earlier shot.' This indicates a final beat from in this conversational exchange, following 's focus on . Replicating the medium close-up and expression from creates a visual and emotional parallel, showing his continued processing or final thoughts on the discussion. remains consistent in his appearance with the plaid shirt from and . The blurred living room background, specifically the wall with the framed picture from , maintains spatial continuity while keeping the focus on his nuanced reaction, bringing this sequence of dialogue to a contemplative close.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The `global_prompt`'s `shot_outline` for specifies it 'concludes with 's final reaction, mirroring an earlier shot.' This means the shot should be a return to 's perspective, framed similarly to , after focused on . He should have a thoughtful or reflective expression, akin to his earlier reaction. The background will be the blurred living room from , complete with the framed picture, providing visual consistency for his concluding reaction in this conversation segment." } ], "_src_movie_dir": "You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv", "_src_filename": "119969_121591.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/You.Can.Count.on.Me.2000.2160p.AMZN.WEB-DL.DDP.5.1.H.264-ViSiON.mkv/119969_121591.json", "_test_index": 31 }, { "movie": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26215.jpg-Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26949.jpg", "images": [ { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26215.jpg", "filename": "26215.jpg", "aesthetic": 4.036494255065918, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26284.jpg", "filename": "26284.jpg", "aesthetic": 4.822493553161621, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26329.jpg", "filename": "26329.jpg", "aesthetic": 5.812650203704834, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26395.jpg", "filename": "26395.jpg", "aesthetic": 5.589500904083252, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26514.jpg", "filename": "26514.jpg", "aesthetic": 6.559763431549072, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26625.jpg", "filename": "26625.jpg", "aesthetic": 5.349133014678955, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26664.jpg", "filename": "26664.jpg", "aesthetic": 6.319906234741211, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26787.jpg", "filename": "26787.jpg", "aesthetic": 6.053745746612549, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26802.jpg", "filename": "26802.jpg", "aesthetic": 5.311126708984375, "musiq": 0.0 }, { "tag": "", "rel_path": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/26949.jpg", "filename": "26949.jpg", "aesthetic": 4.959156513214111, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The sequence depicts the arrival of a supply vessel at an offshore oil rig, establishing a sense of operational readiness and coordinated observation among the rig's crew members. The tone is vigilant and anticipatory, highlighting the crucial nature of communication and surveillance in this remote industrial setting.", "characters": [ "", "", "" ], "shot_outline": " establishes observing the approaching vessel from the deck of the oil rig. cuts to on the bridge initiating radio communication about the approaching vessel. provides a tighter profile shot of as he continues his urgent communication. returns to , revealing her face and focused attention on her walkie-talkie as she receives information. introduces from a different vantage point, using binoculars to intensely scrutinize the scene. returns to on the bridge, continuing his communication, with the presence of another crew member in the background. cuts back to , showing her heightened concern and active listening on her radio. shows on the bridge, concluding his communication, reflecting the culmination of the exchange." }, "instruction_full": "Shift the camera from the distant view of the vessel to a medium shot from behind , who stands on the deck of a larger offshore structure, looking out at the sea. She wears a cap and holds a walkie-talkie at her side. The background should show the ocean stretching out, with the vessel from visible in the distance, to establish her point of observation and introduce her as a key player in monitoring the approaching ship.", "think_full": "The initial shot introduces the incoming vessel, setting up the immediate narrative need to show who is observing it. This shot establishes a new character, , as the primary observer. By framing her from behind, we connect her gaze with the object of interest from , confirming that she is actively monitoring the situation. The setting shifts from an external view of the incoming ship to an on-deck perspective, revealing the environment from which the observation is being made. The presence of the walkie-talkie hints at communication protocols, emphasizing the operational context.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, and understanding from the global_prompt.story_setup and shot_outline that a vessel is approaching and needs to be monitored, the logical next step is to show a character observing it. The shot_outline for specifies 'establishes observing the approaching vessel'. This requires a camera change from the binocular view of to a more personal perspective. I will introduce on what appears to be an oil rig deck, positioned with her back to the camera, looking out to sea where the vessel from is still visible. This establishes human presence and the act of surveillance, linking directly to the previous shot's subject. She will hold a radio to suggest her role in communication." }, { "instruction_full": "Cut to an interior shot of a control room or bridge. The camera should capture from a medium-wide angle, seated and actively speaking into a wired radio microphone. Large windows behind him reveal the same open sea from , connecting this internal space to the external environment. The shot's purpose is to reveal the command center and establish that communication regarding the approaching vessel is underway.", "think_full": "Following the external observation by in , the narrative demands a shift to the command center to show how this information is being processed. This shot introduces a new character, , and a new interior location, the bridge, which visually commands the sea. His action of speaking into a radio directly implies an immediate response to the ongoing situation, likely related to the vessel observed in and . The windows linking to the sea maintain continuity with the external setting, reinforcing the connection between inside operations and outside events.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates 'cuts to on the bridge initiating radio communication'. After showing observing in , it's essential to move to the command structure. This requires a new environment, a bridge, and introduces . He should be speaking into a radio to clearly convey communication. The shot should maintain visual continuity with the external world by showing the sea through the bridge windows, hinting at the subject of his communication." }, { "instruction_full": "Tighten the shot on from , presenting a closer profile view of his face and upper body as he continues speaking intently into the radio microphone. Maintain the background elements of the bridge, including the windows showing the sea, to ensure continuity with . The aim is to emphasize his focus and the gravity of his ongoing communication.", "think_full": "To escalate the sense of focused communication and potentially rising tension established in , a tighter shot on is necessary. This framing choice amplifies his expression and the intensity of his action. We maintain the same character, , and the same setting, the bridge from , ensuring strong visual continuity. The profile angle adds to the sense of an urgent, one-sided conversation, deepening the narrative implication that he is relaying or receiving critical information.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states 'provides a tighter profile shot of as he continues his urgent communication'. Building on , which established communicating, the next logical step is to intensify this moment. A closer profile shot of from will achieve this, highlighting his concentration and the importance of his words. The setting of the bridge from should remain consistent, with the sea visible in the background." }, { "instruction_full": "Cut back to from , now framed in a medium close-up, facing the camera. She holds her walkie-talkie to her ear, listening intently, with a concerned and focused expression. The setting remains the deck of the offshore structure from , with the railing and parts of the structure visible, and the sea in the distant background, to show her direct involvement and reaction to the unfolding communications.", "think_full": "After focusing on 's communication in and , it's essential to return to introduced in to show her role in receiving information. This shot reveals her face and active listening, connecting her visually and narratively to the radio communications. We maintain the character and the deck setting from , reinforcing spatial continuity. Her concerned expression indicates that the communication is significant, implying a developing situation rather than a routine exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states 'returns to , revealing her face and focused attention on her walkie-talkie'. After two shots of 's communication, it's time to show the other side of the exchange. This means returning to from but now engaging her directly with the camera to reveal her expression. She should be actively using her walkie-talkie in the same deck environment from , indicating she's receiving the information from or another source." }, { "instruction_full": "Introduce a new character, , in a new interior location. Frame him in a medium profile shot, wearing a cap, intensely looking through a pair of large binoculars, positioned near a window that offers a view of the sea. This shot should broaden the scope of surveillance, indicating multiple individuals are monitoring the situation from different vantage points.", "think_full": "To expand the sense of widespread vigilance surrounding the approaching vessel, it's appropriate to introduce a new character and setting. This shot establishes , a new character not seen in through , in a different interior space (not the bridge from // nor the deck from /). His use of large binoculars emphasizes a dedicated, focused act of observation beyond standard crew duties. The window connecting to the sea maintains the narrative thread of external events being monitored, but from a fresh perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates 'introduces from a different vantage point, using binoculars'. To follow this, I need to create a new scene with a new character. This means a new interior location and a new character, , who will be actively observing. His use of binoculars is key to showing intense, specialized surveillance. This helps diversify the visual narrative and suggests a more comprehensive monitoring effort than previously shown." }, { "instruction_full": "Cut back to the bridge from and . The camera should present a medium shot of from and , still engaged in radio communication, with a coiled cord from the microphone prominently visible. In the background, another blurred crew member can be subtly seen, further establishing the active operational environment. This shot reinforces the continuous communication and the presence of a busy command center.", "think_full": "Following the introduction of another observer in , it's logical to return to the primary command center to show the ongoing coordination. This shot returns to from and in the bridge setting from those same images, reinforcing his central role in communication. The presence of the coiled cord from the microphone emphasizes the continuous nature of his dialogue. The blurred background figure adds depth to the scene, suggesting a functioning crew and a busy operational environment, building on the context established in earlier shots of the bridge.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states 'returns to on the bridge, continuing his communication'. After introducing in , the narrative needs to revert to the main communication line. This means returning to from and in the same bridge setting. He should still be actively speaking into the radio, signaling that the communication process is ongoing. The shot can be a bit wider than to show more of the bridge context." }, { "instruction_full": "Cut back to from and , framed in a medium close-up, similar to . She holds her walkie-talkie to her ear, her expression now showing heightened tension or concern. The setting remains the deck of the offshore structure from and , maintaining visual continuity with the railings and the sea in the background. This shot is to convey increasing urgency and her direct emotional response to the evolving situation.", "think_full": "To build on the escalating sense of events, returning to from and is effective. Her previous appearance in established her concern, and this shot aims to intensify that emotion. By maintaining the same character and the deck environment from and , continuity is preserved while her changed expression directly communicates the heightened stakes. Her continued use of the walkie-talkie reinforces her active role in the unfolding narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates 'cuts back to , showing her heightened concern'. After 's continued communication in , it's important to show the impact on other crew members. This requires returning to from and , possibly with a similar framing to . Her expression should now be more pronounced with concern, and she should still be engaged with her walkie-talkie in the familiar deck setting from and ." }, { "instruction_full": "Cut back to from , , and , in the bridge. Frame him in a medium shot, similar to , as he speaks into his radio, his expression reflecting a moment of focused command or the conclusion of an important exchange. The interior of the bridge from , , and and the sea through the windows should be clearly visible in the background. This shot serves to provide a sense of resolution or significant progress in the ongoing communication.", "think_full": "After showing the heightened concern of in , the narrative requires a return to to show the command's ongoing or concluding actions. This shot reuses and the bridge setting from , , and , ensuring strong visual continuity. His posture and continued communication with the radio imply that critical information is still being managed or has just reached a turning point. The return to a medium shot similar to suggests a return to a steady, authoritative state after previous close-ups of intensity, signaling a wrap-up or assessment phase.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states 'shows on the bridge, concluding his communication'. The sequence has built tension and focused on communication. The final shot of the sequence should return to from , , in his command center to provide a sense of completion or a final statement. He should still be on the radio, perhaps looking resolved. The familiar bridge setting from previous shots should be maintained to ensure continuity." }, { "instruction_full": "Cut to a wide exterior shot of the entire offshore oil rig, showcasing its massive scale. The vessel that was seen approaching in and observed throughout the sequence should now be clearly visible, either docked alongside or positioned very close to the rig, indicating its successful arrival. The shot should be taken from a distant, elevated perspective, revealing the vastness of the ocean around the structure. This serves to provide a comprehensive overview of the entire operational site and visually confirm the event that initiated the narrative.", "think_full": "The entire preceding sequence has built up to the arrival of the vessel at the rig, with characters observing and communicating about it. Now, it's time for the payoff shot. This requires a significant camera change to a very wide, exterior view, a new perspective never shown before. It also shows the entire oil rig, which was only partially seen from the deck in , , and from which interior shots were taken in , , , , . The key element is to show the vessel from , whose approach was the central focus, now in its final position relative to the rig. This provides closure to the initial narrative setup and offers a grand, establishing shot of the entire location.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for would logically imply a concluding shot that shows the outcome of the entire sequence. The consistent theme has been the observation and communication around an approaching vessel. Therefore, the next shot should be a wide, establishing view of the oil rig itself, a new visual reveal, with the vessel that was the subject of all the attention now clearly situated next to it. This provides a clear resolution to the 'approaching vessel' plot point, offering a grand overview of the operational site and the successful completion of the vessel's journey." } ], "_src_movie_dir": "Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "026215_026949.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Deepwater.Horizon.2016.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/026215_026949.json", "_test_index": 33 }, { "movie": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv", "N": 10, "sample_id": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91212.jpg-Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91612.jpg", "images": [ { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91212.jpg", "filename": "91212.jpg", "aesthetic": 6.986821174621582, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91291.jpg", "filename": "91291.jpg", "aesthetic": 6.642059326171875, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91366.jpg", "filename": "91366.jpg", "aesthetic": 5.665759563446045, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91372.jpg", "filename": "91372.jpg", "aesthetic": 6.4008073806762695, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91447.jpg", "filename": "91447.jpg", "aesthetic": 5.643146991729736, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91450.jpg", "filename": "91450.jpg", "aesthetic": 7.187333583831787, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91481.jpg", "filename": "91481.jpg", "aesthetic": 6.859216213226318, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91541.jpg", "filename": "91541.jpg", "aesthetic": 7.369261741638184, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91588.jpg", "filename": "91588.jpg", "aesthetic": 6.000189781188965, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/91612.jpg", "filename": "91612.jpg", "aesthetic": 5.382101058959961, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense public execution is about to unfold in a bustling 19th-century street, witnessed by a large and somber crowd. The atmosphere is heavy with anticipation, dread, and a sense of historical gravity, highlighted by natural, slightly muted outdoor lighting.", "characters": [ "", "", "", "", "" ], "shot_outline": " shifts focus from to , establishing her presence and grave connection to the scene. widens the view to show on the gallows, emphasizing the somber event. returns to , showing his reaction to the gallows being revealed. shows a slightly wider angle of on the gallows, indicating the event is imminent. focuses on a group of , particularly a family, showing their collective solemn reaction. returns to , capturing his intense gaze upwards, anticipating the next moment. shows another group of , similar to , highlighting the diverse public response. is a close-up on a couple of , showing their final moments of despair or resignation. ends on , her expression fixed and perhaps defiant, mirroring the gravity of the situation." }, "instruction_full": "Shift the camera from seen in to a medium close-up of . She stands within the same crowded outdoor public execution setting as , maintaining the similar warm, slightly muted lighting. She looks stoic but watchful, with other indistinct blurred in the background, similar to . The dramatic purpose is to establish 's presence and her grave observation of the unfolding event.", "think_full": "The shot needs to establish a new key character. The spatial setting, the crowded outdoor square and the consistent warm, slightly muted lighting from , is maintained to provide immediate environmental continuity. is introduced as a new character in the scene. Her stoic yet watchful expression aligns with the somber atmosphere established by 's initial gaze in , indicating her serious engagement with the unfolding public execution. The narrative intent is to introduce another central perspective on the event, creating a sense of shared observation and impending drama.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a shift to '', establishing her presence. Therefore, the camera should frame her in a medium close-up, similar to the framing of in . She should appear serious and observant, standing among in the same outdoor public square as depicted in , maintaining the existing lighting and atmosphere. This introduces another main observer and expands the emotional scope of the scene." }, { "instruction_full": "Pull back from the close-up on in to a wider, high-angle shot. This shot reveals standing on a gallows platform with ropes around their necks, surrounded by and other guards. The large crowd, seen in and , is now visible as a mass below. The gallows are the central focus, set against a wide, open sky, continuing the general outdoor, period setting of and . The user intent is to explicitly show the object of the crowd's attention and the grim reality of the public execution, escalating the tension.", "think_full": "To escalate the narrative, the camera must reveal the actual execution apparatus. The spatial context dramatically expands from the street level of and to a high-angle view of the gallows. The bright, open sky contrasts starkly with the somber event, emphasizing its public nature and the finality. are introduced as new characters, as is . The implied crowd from and is now contextualized, shown below the gallows. This shot directly establishes the central, grim reality of the scene, which the characters in and were observing, and explicitly confirms the high stakes and spectacle.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for directs to 'widen the view to show on the gallows'. This requires a significant change in camera angle and framing. The camera should move to a wide, high-angle shot, revealing the gallows with and prominently. The outdoor setting and general atmosphere established in and should remain consistent, but the focus shifts to the execution platform itself, with the crowd massed below. This shot reveals the core event that the previously seen characters are observing, building dramatic tension." }, { "instruction_full": "Cut back to a medium close-up of , similar to his framing in . is now looking upwards, his expression shifting from stoic to perhaps a slight gasp or open-mouthed awe/disbelief, directly acknowledging the sight of the gallows seen in . We return to the dense crowd setting from and , with other indistinct in the blurred background. The lighting should remain consistent with the outdoor setting of , , and . The user intent is to show 's direct, visceral reaction to the full view of the gallows and , reinforcing the emotional impact of the scene.", "think_full": "This shot provides a crucial human reaction after the wide reveal of the gallows in . The spatial setting returns to the street level, mirroring and , maintaining the consistent outdoor lighting and blurred crowd background from to ensure visual flow. reappears from ; his expression has now changed to reflect a direct, emotional reaction, specifically linked to the grim spectacle shown in . Other are in the background as in . This cut emphasizes his perspective and emotional state, inviting the audience to feel the impact of the event through his eyes.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'returns to , showing his reaction to the gallows being revealed.' This means a close-up of , similar to , but with an altered expression reflecting his response to seeing the gallows in . The setting should be the same crowded street level from and , with the blurred crowd background and consistent outdoor light. The purpose is to convey the immediate emotional impact of the execution scene on one of the main observers." }, { "instruction_full": "Cut back to a slightly wider high-angle shot of the gallows, similar to , but perhaps with a slightly tighter framing to emphasize . are still standing on the gallows, perhaps now looking more resigned or preparing for their fate. and other guards remain present. The gallows platform is still the central focus, against the open sky, continuing the setting established in . The background buildings from are still visible, maintaining environmental continuity. The user intent is to reinforce the impending execution, heighten the tension, and allow the audience to further process the gravity of the scene after seeing a character's reaction in .", "think_full": "To heighten suspense, the narrative cuts back to the source of tension. This shot returns to the gallows setting established in , maintaining the wide-open sky and period buildings in the background, along with consistent lighting. reappear from , now perhaps showing increased resignation, and also reappears from . The return to the gallows after 's reaction in serves to re-emphasize the brutal reality and impending nature of the situation, drawing the audience's attention back to the primary action and building anticipation for the execution.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates it 'shows a slightly wider angle of on the gallows, indicating the event is imminent.' This suggests a return to the gallows view from , possibly with a slightly tighter frame or emphasis on 's waiting state. The setting remains the gallows platform against the sky, as previously established in , with present. This shot reinforces the immediate threat and the solemnity of the event after showing a character's personal reaction in ." }, { "instruction_full": "Shift from the high-angle gallows shot in to a wider eye-level shot of a different group within . Focus on a specific group of , including a woman and a child, looking upwards with expressions of sorrow, concern, or quiet anticipation. Their attire is consistent with the period setting of previous shots like and . The same crowded street level environment as , , and continues, with period buildings in the background, further establishing the public nature of the event. The warm lighting persists from earlier shots. The user intent is to broaden the emotional scope of the scene by showing the collective, often sorrowful, reaction of various , emphasizing the communal impact of the public execution.", "think_full": "This shot serves to broaden the emotional impact beyond individual reactions, as described in . The spatial setting returns to the street-level crowd, consistent with , , and . The period buildings and warm, slightly muted outdoor lighting from these earlier shots are maintained for environmental continuity. This shot introduces a new cluster of , including a woman and a child, who are representative of the larger, indistinct crowd implied in , , and . Their expressions of grief or solemnity are consistent with the grim event witnessed in . This expands the narrative to show the broader societal impact of the execution.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'focuses on a group of , particularly a family, showing their collective solemn reaction.' This requires a shift from the gallows view of back to the crowd. The camera should capture a medium-wide, eye-level shot of a new group of , including a woman and a child, reflecting solemnity or distress. The setting is the crowded street, with period buildings in the background, consistent with , , and . This shot emphasizes the communal grief and observation of the execution." }, { "instruction_full": "Cut back to a close-up of , similar to the framing in and , but with his gaze intensely directed upwards. is now looking up with a deeply focused, perhaps concerned or determined, expression; his earlier surprise from has deepened into intense observation. The crowded outdoor setting from , , , and continues, with indistinct surrounding him. The lighting remains consistent with the sunny but muted outdoor atmosphere. The user intent is to emphasize 's sustained and intense observation of the gallows, linking his personal journey with the public tragedy and potentially hinting at his future actions or inner turmoil.", "think_full": "This shot reinforces 's role as a central observer. The spatial environment returns to the familiar ground-level crowd, as established in , , , and , with a blurred background of and consistent outdoor lighting. reappears from and . His expression is now more intense and less reactive than in , suggesting a shift from initial shock to deep consideration or grim resolve. He is still looking upwards, indicating his continuous focus on the gallows (, ). His intense, upward gaze after the collective reaction of in suggests a deeper personal stake or a profound internal realization related to the unfolding execution.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'returns to , capturing his intense gaze upwards, anticipating the next moment.' This calls for a close-up of , similar to and , but with an intensified upward gaze and a focused expression. The setting is the same crowded street level from earlier crowd shots, maintaining the background and lighting from , , , and . This shot underlines his personal engagement and anticipation as the execution progresses." }, { "instruction_full": "Shift from the close-up on in to another wide eye-level shot of , similar to . Feature a different segment of , showing a mix of emotions – perhaps some stoic, some anxious, some sorrowful. Include a child with an adult, similar to , reinforcing the diverse impact. The familiar crowded outdoor setting from , , , , and continues, with the period buildings visible in the background from , , and . The consistent, warm outdoor lighting should be maintained. The user intent is to further emphasize the broad impact of the execution on the public, showing that the emotional reactions are widespread and varied, reinforcing the communal nature of the tragedy.", "think_full": "After showing 's focused reaction in , this shot broadens the perspective again to the wider public, similar to . The spatial setting maintains the street-level perspective of in the public square, consistent with , , , , and . The presence of period buildings in the background, as seen in , , and , reinforces the setting, and the outdoor light quality remains uniform. This shot presents a new grouping of , similar to , to convey the sheer number and diverse emotional responses of onlookers. The presence of a child with an adult echoes the emotional framing of , symbolizing innocent witnesses. This reminds the audience of the collective witness and the varied impact on the community, setting the stage for the final moments of the execution by emphasizing the shared anticipation and dread among .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'shows another group of , similar to , highlighting the diverse public response.' This requires another medium-wide, eye-level shot of the crowd, similar in style to , but potentially with different individuals. It should show a mix of emotional reactions among , possibly including a child. The setting is the same crowded street level with background buildings, consistent with earlier crowd shots. This shot reinforces the collective emotional state of the public as the execution draws nearer." }, { "instruction_full": "Cut sharply to a tight close-up on two of on the gallows, focusing intently on their faces and upper torsos. This is a much tighter shot than or . The two are shown, their faces conveying raw emotion – fear, despair, resignation, or perhaps a final shout. Ropes are visible around their necks. The gallows platform and the clear sky from and form a stark, minimalist background, emphasizing the men's isolation and impending fate. The user intent is to bring an intense, intimate focus to the final moments of , magnifying their suffering and the harsh reality of their situation.", "think_full": "After showing several crowd reactions in , , and , this shot dramatically cuts to the direct suffering of . The spatial setting returns to the gallows environment from and , but with a much tighter framing that emphasizes the figures against the stark sky. The clear, open sky backdrop is consistent with earlier gallows shots, reinforcing the public and final nature of the event. Two of reappear from and , but now in an extreme close-up. Their expressions are heightened to convey their final, agonizing moments, bringing their humanity to the forefront. This serves as a climax, forcing the viewer to confront the brutal reality of their impending deaths up close, escalating the emotional intensity and driving home the tragedy of the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'A close-up on a couple of , showing their final moments of despair or resignation.' This demands a tight close-up on two of , significantly closer than or , emphasizing their faces and the ropes around their necks. The background should be the stark sky and the gallows platform from and . This shot aims to create an intensely personal and impactful moment, highlighting the immediate human cost of the execution after the various crowd reactions." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing to , but now her expression is more pronounced – perhaps a mixture of defiance, sorrow, and intense observation. is central, her eyes fixed on the spectacle above. Other indistinct are blurred in the background, similar to . The crowded street level from , , , , and forms the context. The slightly darker, more dramatic lighting suggests the peak of the event's intensity. The user intent is to conclude the sequence by returning to a key character's reaction, showing her profound emotional state in the face of the execution, perhaps signifying a turning point or a lasting impact on her.", "think_full": "This final shot brings the focus back to a key observer, , immediately after the intense close-up on in . The spatial environment returns to the street-level crowd, specifically focusing on , as seen in . The surrounding blurred figures of and the general outdoor setting are consistent with previous crowd shots (, , , , , ). The lighting might subtly reflect the dramatic climax of the execution, intensifying the atmosphere. reappears from ; her expression is now significantly more intense and complex, indicating the profound impact of the execution. She serves as a strong emotional anchor for the audience, providing a powerful and lasting emotional response to the climax.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'ends on , her expression fixed and perhaps defiant, mirroring the gravity of the situation.' This requires a return to a medium close-up of , similar to , but with a heightened and complex emotional expression, reflecting the climax of the execution seen in . The setting is the crowded street level from earlier shots, with the blurred crowd background and possibly a more dramatic lighting to underscore the emotional intensity. This shot offers a powerful emotional conclusion through a significant character's reaction." } ], "_src_movie_dir": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv", "_src_filename": "091212_091612.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/091212_091612.json", "_test_index": 34 }, { "movie": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "N": 10, "sample_id": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/162935.jpg-Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163891.jpg", "images": [ { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/162935.jpg", "filename": "162935.jpg", "aesthetic": 5.406380653381348, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163004.jpg", "filename": "163004.jpg", "aesthetic": 5.614414691925049, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163085.jpg", "filename": "163085.jpg", "aesthetic": 5.063534259796143, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163352.jpg", "filename": "163352.jpg", "aesthetic": 5.201434135437012, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163463.jpg", "filename": "163463.jpg", "aesthetic": 5.218878746032715, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163549.jpg", "filename": "163549.jpg", "aesthetic": 6.178186416625977, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163597.jpg", "filename": "163597.jpg", "aesthetic": 5.351009368896484, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163702.jpg", "filename": "163702.jpg", "aesthetic": 5.350136756896973, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163861.jpg", "filename": "163861.jpg", "aesthetic": 6.605897903442383, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/163891.jpg", "filename": "163891.jpg", "aesthetic": 5.256487846374512, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A group of young students are on a forbidden nocturnal adventure within a magical castle. The tone is tense and secretive, with moments of discovery and confrontation. The pacing builds from quiet observation to a direct challenge, emphasizing the danger and the students' courage.", "characters": [ "", "", "", "" ], "shot_outline": " cuts from and to show also present, listening intently, establishing his central role. then shifts to an exterior wide shot of the magical castle at night, emphasizing the mysterious and imposing setting where the adventure is taking place. brings us back inside the castle, following , , and as they move cautiously through a dimly lit corridor. tightens the shot on the trio, highlighting their united but wary expressions as they proceed. introduces a new character, , in a close-up, showing his surprise or apprehension. reveals in a wider shot within a richly decorated room, hinting at his current state or purpose. shows confronting the trio in the same opulent room, establishing a standoff. focuses on 's face as he makes his argument or decision. cuts to 's reaction, showing her surprise or realization, with partially visible." }, "instruction_full": "Shift the camera to a medium close-up, focusing on . He should be looking slightly off-camera with a thoughtful or slightly worried expression, mirroring the implied focus of and in . The space should be consistent with the interior setting seen in , maintaining the similar warm, muted lighting and architectural background, to establish his presence within the ongoing conversation or situation. This shot serves to introduce into the scene, revealing his reaction to whatever is being discussed.", "think_full": "The `global_prompt.shot_outline` indicates that should introduce . From , we see and looking off-camera, suggesting they are reacting to someone or something. Logically, the next shot should reveal who or what they are looking at, and based on the character list and subsequent shots, it's likely . Maintaining a similar medium close-up framing and warm, interior lighting environment from will ensure visual continuity and keep the focus on the characters' expressions within the same spatial context. His thoughtful expression will connect with the implied seriousness of the interaction in and set up his central role.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that will introduce to establish his central role. Given shows and looking off-camera, the most direct way to introduce is to cut to him. I will maintain a medium close-up, similar to 's framing, to keep intimacy. He should display an expression of engagement, confirming he is part of the ongoing conversation, within the same interior environment established in to ensure spatial continuity and a coherent scene flow. The purpose is to reveal his presence and initial reaction." }, { "instruction_full": "Cut dramatically to a wide, expansive exterior shot of a large, imposing castle or similar ancient structure, shrouded in dark blue nighttime hues. The camera should be positioned to emphasize the scale and mystery of the architecture against a dark, cloudy sky. There are no characters visible in this shot, as the focus is entirely on establishing the setting. This new environment contrasts sharply with the interior scenes of and , serving to broaden the scope and underscore the magical, slightly ominous backdrop of the adventure.", "think_full": "According to the `global_prompt.shot_outline`, shifts to an exterior wide shot of the magical castle at night to emphasize the mysterious and imposing setting. This requires a complete change in environment and camera perspective from the close-up interior shots of and . The shift to a dark, expansive exterior will immediately convey a sense of grandeur and potential danger, setting a new mood. No characters should be present, as the narrative purpose is purely environmental scene-setting before the characters' next move.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` explicitly states will be an exterior wide shot of a magical castle at night. This is a dramatic change from the interior close-ups of and . I need to establish a new setting that conveys the scale and atmospheric tone of the story. The shot should be wide, showing the imposing architecture of a castle under a dark, nighttime sky. The absence of characters will emphasize the environment itself and reset the scene, before the narrative continues with the characters." }, { "instruction_full": "Transition back inside the castle, into a dimly lit corridor or large hall. Frame a medium wide shot showing in the foreground, moving cautiously, followed by and slightly behind him. The environment should feature tall, dark stone walls, possibly tapestries or intricate windows similar to the architectural style implied in 's exterior, illuminated by sparse, cool blue light. The camera should track their slow, deliberate movement to convey secrecy and tension, signaling their progression further into the adventure.", "think_full": "The `global_prompt.shot_outline` specifies that brings us back inside the castle, following the trio through a dimly lit corridor. This means we are re-entering an interior setting after the exterior shot . The characters , , and are returning from and . Their cautious movement through a dark, imposing corridor will amplify the sense of adventure and potential peril, drawing a direct connection to the ominous castle established in . The cool blue lighting will enhance the mysterious nighttime atmosphere, differentiating it from the warmer light of and , while still belonging to the same overall magical castle environment.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on `global_prompt.shot_outline`, should show , , and moving through a dimly lit castle interior. This follows the establishing shot of the castle in and reintroduces the main characters from and . I need a medium wide shot to show their group movement and the imposing surroundings. The lighting should be dark and atmospheric, consistent with a nocturnal adventure within an old castle, emphasizing their secretive journey and the general mood established by ." }, { "instruction_full": "Tighten the camera into a medium close-up, still tracking the trio, with slightly left of center, centrally behind him, and to the right. All three should look alert and slightly apprehensive, their eyes scanning the surroundings. The background should remain the same dimly lit castle corridor from , with tall windows or tapestries visible, continuing the cool, mysterious lighting. This closer shot amplifies their collective apprehension and unity in the face of the unknown.", "think_full": "The `global_prompt.shot_outline` for suggests tightening the shot on the trio to highlight their wary expressions. Building on where , , and were moving cautiously, this shot will draw the viewer closer to their faces. Maintaining the same dimly lit castle corridor from ensures spatial continuity and reinforces the tense atmosphere. The closer framing will allow their united expressions of alertness and apprehension to be more prominent, deepening the narrative tension without breaking the established setting or their movement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates should be a tighter shot on the trio, emphasizing their wariness. Since showed , , and moving in a dim corridor, the natural progression is to move the camera closer. I'll use a medium close-up, keeping all three characters in frame, with alert and apprehensive expressions. The background should be consistent with the castle interior seen in , maintaining the dim, cool lighting to continue the suspense and show their united front." }, { "instruction_full": "Cut sharply to a close-up of a new character, , who appears surprised or slightly fearful, looking slightly off-camera. His expression should convey a sense of being caught off guard or encountering something unexpected. This is a new interior space, perhaps a common room or another part of the castle, distinctly different from the corridors in and , with softer, yet still dim, ambient lighting. This shot introduces a new player and immediately establishes a reactive emotional beat, interrupting the trio's journey.", "think_full": "The `global_prompt.shot_outline` states that introduces a new character, , in a close-up, showing his surprise or apprehension. This necessitates a cut to a new person and potentially a new immediate location, contrasting with the previous two shots of the advancing trio in the corridor. The close-up framing will immediately draw attention to his emotional state. Since he is a new character, his environment is also new; it should be an interior, but distinct from the corridors, perhaps suggesting a different part of the castle or a specific room where he might be waiting or hiding. The dim lighting would maintain the overall nocturnal mood established since .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on `global_prompt.shot_outline`, introduces with a close-up showing his apprehension. This means a new character and a new camera angle/framing, deviating from the trio's perspective in and . The shot needs to be a close-up to emphasize his expression of surprise or fear. Since this is a new character, his environment could also be new, contrasting with the corridors but still within the castle's dimly lit interior. The purpose is to create a new point of focus and signal a potential shift in the narrative, possibly a confrontation." }, { "instruction_full": "Pull the camera back to a medium shot of , revealing more of the new interior space he occupies. He should be standing awkwardly or nervously, still looking slightly off-camera, as if in reaction to something or someone approaching him. The room should be richly decorated with tapestries on the walls and plush, traditional furniture like armchairs, all dimly lit with cool, ambient light, consistent with the castle interior but distinct from the plain corridors of and . This shot reveals his isolation and vulnerability in this grand setting.", "think_full": "The `global_prompt.shot_outline` for is to reveal in a wider shot within a richly decorated room, hinting at his current state or purpose. This directly builds on , which showed a close-up of looking surprised. Pulling back the camera to a medium shot will establish his physical presence and relationship to his immediate surroundings, which should be the same new interior space hinted at in . The description of a richly decorated room with tapestries and furniture confirms this is a distinct location from the corridors seen earlier in and . His nervous posture will continue the emotional beat from , amplifying his isolation or apprehension within this grand room.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies will show in a wider shot within a richly decorated room, revealing more of his context. Building on the close-up of in , I need to widen the frame to a medium shot, keeping him as the central figure. The setting should be the same new interior location where he was surprised, which can now be shown as a grand, dimly lit room with ornate decorations. His nervous stance should continue to convey his apprehension, as established in . The purpose is to provide context for his presence and hint at a potential impending interaction." }, { "instruction_full": "Transition to a wider master shot within the richly decorated room from , now showing standing on the left side of the frame, facing the three main protagonists: , , and , who are grouped together on the right. The room's ornate tapestries, large windows, and plush furniture from should be clearly visible, illuminated by the same cool, ambient lighting. The camera should capture the spatial tension of their confrontation, showing the distance between and the approaching trio.", "think_full": "The `global_prompt.shot_outline` for describes confronting the trio in the same opulent room, establishing a standoff. This requires bringing together the newly introduced character, from and , with the main trio (, , and from and ). The scene must take place in the richly decorated room established in , maintaining the cool, dim lighting and background elements like tapestries and furniture. A wider master shot is necessary to show all characters and the spatial relationship of their confrontation, emphasizing the standoff by placing them on opposite sides of the frame.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that will show confronting the trio in the same room, establishing a standoff. This means bringing together the characters from , and , . The setting must be the richly decorated, dimly lit room established in . I need a wider shot to include all four characters and show their relative positions, emphasizing the confrontation. will be on one side, facing , , and on the other. The cool lighting will continue to enhance the tense atmosphere." }, { "instruction_full": "Cut to a close-up of 's face, showing a determined yet still slightly hesitant expression as he speaks or prepares to speak. The background should be a blurred continuation of the dimly lit, richly decorated room from , maintaining the cool ambient light. His hands should be raised slightly, possibly clenched or gesturing defensively. This shot emphasizes his emotional state and resolve during the confrontation established in , highlighting his individual challenge against the group.", "think_full": "The `global_prompt.shot_outline` indicates that focuses on 's face as he makes his argument or decision. Following the wider confrontation shot in , a close-up on (first seen in , then in , and ) is necessary to bring focus to his emotional state and resolve during the standoff. The background should remain consistent with the richly decorated room and dim, cool lighting from , but blurred to keep the attention on his face. His hand gesture will add to the expressiveness of his challenge against the trio, amplifying the dramatic purpose of this individual moment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that focuses on 's face as he makes his argument. This requires a close-up of (last seen in ) to highlight his expression and determination during the confrontation. The background should be the same richly decorated room from , but softened due to the close-up, and the cool, dim lighting should be consistent. The purpose is to underscore his individual courage or desperation in standing up to the trio after the standoff was established in ." }, { "instruction_full": "Cut to a medium close-up of 's face, showing a surprised or thoughtful expression, indicating she is reacting to 's words from . should be partially visible and slightly out of focus in the background to her left, maintaining the sense of the trio's presence. The background should be the same dimly lit, richly decorated room from and , with cool ambient light. This shot captures her immediate emotional response and the impact of the confrontation.", "think_full": "The `global_prompt.shot_outline` for cuts to 's reaction, showing her surprise or realization, with partially visible. After the close-up on 's argument in , it's essential to show the immediate impact on the trio. Focusing on (who was with and in ) in a medium close-up allows her reaction to be central. Including in the background reinforces that she is part of the group facing . The environment should remain the same richly decorated room from and , with consistent dim lighting, to maintain spatial continuity of the confrontation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states will be 's reaction, with visible. This follows 's close-up of 's statement and requires a reaction shot from the trio's side. I will frame a medium close-up on (last seen clearly in ), showing her surprise or contemplation. (also from ) will be partially visible to maintain context. The background will be the same richly decorated, dimly lit room from and , ensuring seamless spatial continuity. The purpose is to show the immediate emotional aftermath of 's confrontation." } ], "_src_movie_dir": "Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "_src_filename": "162935_163891.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Harry.Potter.and.the.Sorcerers.Stone.2001.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/162935_163891.json", "_test_index": 60 }, { "movie": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv", "N": 10, "sample_id": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/22569.jpg-The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23666.jpg", "images": [ { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/22569.jpg", "filename": "22569.jpg", "aesthetic": 5.887808322906494, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/22625.jpg", "filename": "22625.jpg", "aesthetic": 6.659032344818115, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/22681.jpg", "filename": "22681.jpg", "aesthetic": 5.856260299682617, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/22778.jpg", "filename": "22778.jpg", "aesthetic": 6.466914653778076, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23169.jpg", "filename": "23169.jpg", "aesthetic": 6.757497310638428, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23209.jpg", "filename": "23209.jpg", "aesthetic": 6.7636919021606445, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23319.jpg", "filename": "23319.jpg", "aesthetic": 6.83778715133667, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23412.jpg", "filename": "23412.jpg", "aesthetic": 5.814094066619873, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23516.jpg", "filename": "23516.jpg", "aesthetic": 6.211606025695801, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/23666.jpg", "filename": "23666.jpg", "aesthetic": 6.560007095336914, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A serious family discussion unfolds in a luxurious, somewhat old-fashioned private residence. The atmosphere is tense and formal, likely involving a difficult announcement or plea from to the older couple. The overall tone is dramatic and intimate.", "characters": [ "", "", "", "" ], "shot_outline": " introduces and , shifting the perspective to show their reaction and the full group involved in the discussion. returns to the framing of , focusing on and , to re-establish the primary speaker and an initial listener. mirrors , showing and , maintaining the back-and-forth perspective. focuses more tightly on , emphasizing her emotional response or engagement. returns to a similar framing as and , featuring and , while subtly including part of , implying a broader dynamic. centers on , showing her speaking or making a gesture, indicating her active participation. offers a close-up of , capturing his focused or intense expression. broadens the view to show attempting to rise from the couch, indicating discomfort or an impending action. shows looking towards a door, suggesting an imminent departure or a significant turning point in the conversation." }, "instruction_full": "Shift the camera to the left, capturing a medium-wide shot of the other side of the opulent living room, maintaining the warm, dim lighting seen in . Introduce sitting on a patterned couch with a cane in his hand, looking towards the left, and behind him, holding a quilted object and also looking left. This shot serves to broaden the scope of the family gathering, revealing the reactions of the additional household members to the ongoing conversation.", "think_full": "The scene established in features addressing in a luxurious, traditional living room with warm, slightly dim lighting and ornate decor. To advance the narrative, we need to introduce the other main characters who are part of this discussion. This shot shifts perspective to reveal and on a couch, implying they are also listening to or reacting to the speaker positioned where was in . The consistent lighting and rich interior design maintain the sense of a continuous, intimate domestic setting. Their expressions and postures indicate engagement with the discussion, expanding the emotional landscape of the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` of a serious family discussion and `global_prompt.shot_outline` for which states it 'introduces and , shifting the perspective to show their reaction and the full group involved in the discussion,' the next shot must reveal these new characters. It needs to maintain the established setting from – a rich, somewhat dim living room – but from a new camera angle. The characters should be shown reacting to the speaker who was prominent in . This broadens the context of the conversation and introduces the full set of emotional responses. Therefore, the shot should be a medium-wide view of the couch area, featuring and , looking intently." }, { "instruction_full": "Return to the exact camera angle and framing from , showing in the midground, looking towards the left, and the back of in the immediate foreground. Maintain the warm, interior lighting and ornate decor of the living room from and . The purpose is to re-emphasize the primary speaker and one of the initial listeners, re-establishing the dynamic of the conversation.", "think_full": "After introducing the other participants in , it's essential to return to the character initiating or leading the discussion. By reverting to the camera angle and framing of , featuring and , we create a clear visual rhythm and continuity. This re-establishes the focus on the primary exchange, showing 's continued engagement and 's persistent presence. The consistent elaborate living room setting and warm ambient light, seen in both and , reinforce the intimate, formal nature of this family dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates that it 'returns to the original framing of and from , maintaining the visual rhythm of the conversation.' This means the shot should replicate the camera, characters, and setting of . It serves to re-center the conversation on as the speaker, after having shown the reactions of the other family members in . The visual elements of the opulent living room, the lighting, and the positions of and should be identical to ." }, { "instruction_full": "Replicate the camera angle and framing from , again featuring on the couch, holding his cane, and behind him, holding her quilted object. They should both maintain their attentive gaze towards the left. The ornate living room from and and its warm lighting should remain consistent. This shot serves to show the continued, perhaps evolving, reactions of this part of the family to the ongoing discussion.", "think_full": "Following the return to the primary speaker in , the narrative requires a cut back to the reactions of the other family members. By reusing the exact camera angle and character placement from , featuring and , we reinforce the back-and-forth nature of the conversation. The visual consistency of the luxurious living room setting, including the patterned couch and warm lighting established in and , helps to maintain the coherence of the scene. Their sustained attention or slight shifts in expression convey their continued emotional investment in the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'mirrors , showing and , suggesting a back-and-forth exchange or parallel reactions.' This implies a direct return to the visual setup of . Therefore, the shot needs to show and in the same positions, within the same living room environment and lighting as depicted in . The intent is to show their ongoing presence and reaction to whatever is being said, reinforcing the feeling of an active discussion involving all parties." }, { "instruction_full": "Shift the camera to a tighter medium close-up on , framing her from the chest up. She should be standing in the same position relative to the room as in and , holding the quilted object, but now with a more prominent expression of concern or distress on her face. The background should retain the luxurious details of the living room, specifically parts of the patterned wall and a lamp from and , maintaining the dim, warm lighting. This shot aims to isolate her emotional state and underscore the personal impact of the conversation.", "think_full": "After establishing the broader group's reactions in and , the narrative calls for a deeper dive into the emotional impact on a specific character. A medium close-up on , who was introduced in and reaffirmed in , allows for greater emphasis on her facial expression and emotional state. Her distressed look escalates the dramatic tension. The consistent background details of the ornate living room, including parts of the patterned wallpaper and a lamp visible in and , along with the warm, dim lighting, ensure spatial continuity while focusing the viewer's attention on her. This framing highlights her individual experience within the family discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates that it 'closes in on , highlighting her emotional reaction.' This requires a closer camera shot focused solely on her. She was introduced in and seen again in , always holding a quilted object and positioned in the same living room. Therefore, the next shot should be a medium close-up of , showing her face clearly, with an expression reflecting emotional engagement or distress. The background should be recognizable as the same ornate living room, continuing the consistent lighting and aesthetic from , , , and ." }, { "instruction_full": "Return to a wide shot similar to and , featuring prominently in the midground, looking left. The back of remains in the immediate foreground. Additionally, subtly include a partial view of on the right side of the frame, slightly out of focus. The opulent living room, with its chandeliers and lamps providing warm, dim light, continues from , , , , and . This shot aims to re-establish as the central figure while hinting at the broader family presence and their ongoing engagement.", "think_full": "To maintain the narrative flow, after the intimate focus on in , the scene should return to as the main point of attention. Reverting to the camera angle and framing from and allows for visual consistency in how is presented. The inclusion of a partial, slightly blurred on the right side of the frame subtly integrates her back into the wider dynamic without distracting from . The consistent setting of the richly decorated living room and its warm, subdued lighting, evident across through , reinforces the continuous setting of the intense family discussion. This shot brings multiple characters into the same frame, even partially, to suggest the collective weight of the moment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates that it 'returns to the wider shot of and from /, but with partially in frame, suggesting her increased involvement.' This requires combining elements from previous shots. The primary framing should be that of and , with and . Additionally, a visual cue of , who was focused on in and present in and , needs to be subtly integrated. The entire shot must maintain the established ornate living room environment and its characteristic dim, warm lighting, as seen in all preceding images." }, { "instruction_full": "Take a medium close-up shot focused on , similar to but possibly slightly wider, showing her with an engaged or assertive expression, and her hand slightly raised in a gesture. She should be standing in the same general area as in , , and , holding her quilted object. The background should continue to show the luxurious green curtains and patterned wall of the living room, maintaining the warm, dim lighting from previous shots through . This shot highlights her active participation and potential interjection in the conversation.", "think_full": "After her partial inclusion in , the narrative logic suggests giving a more prominent role, especially after her emotional reaction in . This shot builds on the close-up in but frames her to show more of her gesture, emphasizing her active speaking or reacting. She continues to be presented within the ornate living room setting, with its distinctive green curtains and patterned walls from , , , and the consistent warm, dim lighting. Her raised hand and engaged expression signify a shift from passive listening to active participation, making her a more central figure in the immediate exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'focuses on , now speaking or reacting more assertively, confirming her active role in the conversation.' This means a close-up on her, similar to , but with an emphasis on her active engagement, possibly through a gesture or change in expression. She was previously established in , , , and partially in , always in the same opulent living room with consistent lighting. Therefore, the shot should be a medium close-up of , showing her making a gesture, in the same setting, to convey her active participation in the discussion." }, { "instruction_full": "Cut to a close-up of , focusing on his head and shoulders, with an intense or slightly strained expression. He should be positioned similarly to how he appeared in , , and . The background should be slightly blurred but still recognizable as parts of the opulent living room, like the patterned wallpaper and a lamp, under the continued warm, dim lighting from all previous shots through . This shot isolates his reaction, perhaps to 's interjection, showing the pressure he's under.", "think_full": "After the assertive moment from in , the logical next step is to observe the impact on , who has been the central speaker in , , and . A close-up provides an intimate view of his emotional state, allowing the audience to read his expression (intense, strained, perhaps slightly challenged). The blurring of the background maintains the continuity of the luxurious living room setting (from through ), but ensures that full attention is on his face, amplifying the dramatic weight of his reaction. The consistent warm, dim lighting reinforces the serious tone of the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'provides a close-up of , showing his focused or slightly strained expression as the conversation progresses.' This demands a tight shot on his face to capture his emotions. has been the primary speaker in , , and , always in the same ornate living room with warm lighting. Therefore, the next shot should be a close-up of 's face, displaying a focused or intense expression. The background should be the same familiar, dimly lit, opulent living room, maintaining visual continuity from through ." }, { "instruction_full": "Transition to a wider shot of the couch area, similar to and , but with actively trying to rise from the couch, pushing up with his hands, displaying effort or agitation. should be visible seated in the left foreground, looking towards him. The background continues to be the ornate living room with green curtains and patterned wallpaper, under the established warm, dim lighting from through . This shot reveals a significant physical shift, indicating escalating tension or discomfort from .", "think_full": "After the intense focus on in , the narrative needs a shift in the dynamic, suggesting a reaction or action from another character. , who was introduced in and seen again in , now attempts to rise, which is a significant physical action. This change in posture and activity indicates a heightened emotional state or a desire to intervene, escalating the scene. Including (from , , ) in the foreground connects this action back to the original scene. The consistent opulent living room setting and its warm, dim lighting (present in through ) firmly anchor the dramatic action within the familiar domestic space.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'widens the shot to include attempting to rise, indicating a shift in the dynamic or his discomfort.' This implies a broader shot of the couch area, specifically showing a physical action from , who was established in and . The setting is the opulent living room, with its specific furniture and dim lighting, as seen in through . The shot should capture in the process of standing up, conveying his distress or determination. The presence of from , , would provide further continuity." }, { "instruction_full": "Frame in a medium shot, facing away from the camera and looking towards a closed wooden door on the right side of the ornate living room. He should appear to be either about to leave or contemplating leaving. The background should clearly show the patterned wallpaper and a framed picture from the room, with the warm, dim lighting consistent with through . This shot signifies a potential conclusion to the immediate conversation or a moment of reflection and decision for .", "think_full": "Following the rising action from in , the scene calls for a decisive moment or a significant transition for , who has been at the center of the discussion. Framing him facing a door, turning away from the other characters, indicates a shift in his state or an impending action, such as leaving. This shot isolates his decision or contemplation. The ornate living room, with its patterned wallpaper and framed pictures (seen in through ), and the consistent warm, dim lighting, reinforces the domestic context of this tense moment. The shot effectively suggests a turning point in the narrative, leaving the outcome of the conversation ambiguous or hinting at a departure.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'shifts to a medium shot of looking towards a door, suggesting he is leaving or considering leaving.' This requires a shot focused on , but now with a clear indication of a door in the frame. was seen in , , , and , always in the same ornate living room with dim, warm lighting. Therefore, the shot should feature in a medium shot, looking towards a door. This action implies a resolution or a pause in the intense family discussion, consistent with the dramatic setup." } ], "_src_movie_dir": "The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv", "_src_filename": "022569_023666.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Queen.2006.2160p.BluRay.x264.DD5.1-FGT.mkv/022569_023666.json", "_test_index": 61 }, { "movie": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv", "N": 10, "sample_id": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/70662.jpg-the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/72622.jpg", "images": [ { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/70662.jpg", "filename": "70662.jpg", "aesthetic": 5.455253601074219, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/70847.jpg", "filename": "70847.jpg", "aesthetic": 5.0459675788879395, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/70850.jpg", "filename": "70850.jpg", "aesthetic": 5.346675395965576, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/70966.jpg", "filename": "70966.jpg", "aesthetic": 6.051728248596191, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/71175.jpg", "filename": "71175.jpg", "aesthetic": 5.523073673248291, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/71816.jpg", "filename": "71816.jpg", "aesthetic": 5.516425132751465, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/72191.jpg", "filename": "72191.jpg", "aesthetic": 3.3293447494506836, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/72403.jpg", "filename": "72403.jpg", "aesthetic": 4.301408290863037, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/72512.jpg", "filename": "72512.jpg", "aesthetic": 5.238070487976074, "musiq": 0.0 }, { "tag": "", "rel_path": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/72622.jpg", "filename": "72622.jpg", "aesthetic": 4.201704025268555, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence depicts a domestic drama focused on a couple, evolving through a period of emotional strain, a journey, and a significant life transition for one of the partners. The tone is initially somber and intimate, shifting to a sense of quiet resilience and new beginnings.", "characters": [ "", "", "", "", "" ], "shot_outline": " shows 's pensive reaction, completing the conversation's emotional exchange. introduces in a moment of distress, hinting at a shared or family crisis. returns to to show his active engagement in the conversation. provides a close-up of 's emotional state. marks a significant shift, showing and together, on a journey, suggesting a new phase or reconciliation. is a black screen, indicating a passage of time or a narrative break. establishes a brand new setting, a bookstore, introducing in a new role as and a new character, . provides a close-up of at work. offers a wider view of the bookstore, focusing on ." }, "instruction_full": "Shift the camera to a reverse shot from , focusing on . She should be sitting in a comfortable chair, facing away from the camera, with her head slightly bowed, hands clasped, conveying a sense of introspection or sadness. The background should be the same domestic interior from , with the window and shelves visible, maintaining the quiet, muted lighting. The purpose is to visually represent 's emotional response and vulnerability during the ongoing conversation.", "think_full": "The 'shot_outline' specifies that will show 's pensive reaction. Building on , which established in a domestic setting, a reverse shot is a natural progression to show the other participant in the conversation. was partially obscured in , so this shot reveals her fully while maintaining the same physical space. Her posture and expression are designed to convey the emotional weight of the scene, mirroring the serious tone set by . The setting is intentionally consistent with (the domestic interior, window, and bookcase) to reinforce that this is a continuous conversation within the same environment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'global_prompt' and 'shot_outline' for focusing on 's emotional state, and seeing in in a domestic setting, the most logical next shot is a reverse shot of in the same room. This would complete the visual exchange of the conversation, showing her reaction and maintaining the established intimate, serious tone. She should appear contemplative or affected by the conversation, seated in a similar style of comfortable chair as seen in ." }, { "instruction_full": "Introduce a new character, , in a medium shot. He should be seated on a sofa or a similar comfortable piece of furniture within the same domestic interior from and , perhaps in a slightly different area but with similar decor. should appear distressed, with a hand wiping his eye, suggesting he is crying or deeply emotional. The background should maintain the soft, natural light coming from a window seen in and . The intent is to broaden the emotional scope of the scene by introducing another character deeply affected by the situation.", "think_full": "The 'shot_outline' indicates that will introduce in a moment of distress, hinting at a shared or family crisis. To fulfill this, a new character is brought into the established domestic environment seen in and . His emotional state, as described, aligns with the serious tone. The continuity of the space (similar furniture, lighting, and background elements like the window) suggests that this emotional event is impacting multiple individuals within the same family or close circle, without having to invent new visual information about the setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for calls for introducing in distress, suggesting a shared crisis. Since and established a domestic setting with emotional tension, it's logical to introduce this new character in the same environment, experiencing similar emotional distress. This expands the narrative without changing the scene, implying a broader impact of the events on the family." }, { "instruction_full": "Return to with a similar camera angle and framing as , but slightly closer, showing him more actively engaged in the conversation. should be seated in the comfortable chair, gesturing with one hand as if making a point or explaining something. should be visible in the foreground, out of focus, similar to her appearance in . The setting remains the same domestic interior with the window and bookshelves from , , and , maintaining the consistent muted lighting. This shot aims to show 's continued involvement and the intensity of the discussion.", "think_full": "The 'shot_outline' states that will return to from a similar angle as but with a more active pose. This shot directly references and evolves the composition from , bringing back into focus after the introduction of in . His active gesture indicates a continuation or escalation of the conversation seen initially. is kept in the foreground, out of focus, just as in , maintaining the visual relationship between them. The consistent domestic environment from , , and anchors the scene in its emotional context.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'shot_outline' to return to from a similar angle as with an active pose, it's appropriate to frame him in the same domestic setting seen in , , and . His active posture indicates the ongoing intensity of the conversation, reinforcing the dramatic tension established earlier in the sequence." }, { "instruction_full": "Frame a close-up on 's face. She should still be seated in the comfortable chair within the same domestic interior from through . Her expression should convey deep thought or sadness, with her gaze directed downwards, allowing the audience to focus on her internal emotional state. The soft, natural light from the window, as seen in and , should gently illuminate her. The dramatic purpose is to emphasize 's emotional distress and personal contemplation.", "think_full": "The 'shot_outline' explicitly calls for a close-up of to highlight her emotional distress or contemplation. This shot follows the back-and-forth of the conversation established in previous turns, intensifying the focus on her individual experience after 's active involvement in . By keeping her in the same physical space as and , the continuity of the setting is maintained, underscoring that this emotional moment is a direct consequence of the ongoing family drama. The close-up amplifies the intimacy and allows for a deeper reading of her internal state, which was hinted at in .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' specifies a close-up of to highlight her emotional distress. Given the emotional intensity of the previous shots in the domestic setting, a close-up focusing solely on her face in the same environment is a logical next step to deepen the emotional impact and allow the audience to connect more intimately with her feelings." }, { "instruction_full": "Shift to a new location: the interior of a bus or train. Frame and in a medium shot, seated side-by-side in passenger seats. should be resting her head on 's shoulder, both looking out a window at an overcast landscape, conveying a sense of weary intimacy and shared journey. This setting is entirely new and visually distinct from the previous domestic scene. The purpose of this shot is to signify a new phase in their relationship, possibly a moment of quiet connection or a physical journey after their emotional ordeal.", "think_full": "The 'shot_outline' explicitly calls for a significant scene change to a bus, showing and together, suggesting a journey or respite. This shot intentionally breaks from the established domestic environment of through , signifying a narrative transition. While the characters are the same as seen in and , their context and interaction have profoundly shifted, moving from a tense conversation to a moment of quiet solidarity. This visual shift represents moving forward, either geographically or emotionally, from the previous conflict.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' details a significant scene change in , showing and together on a bus, suggesting a journey or respite. This indicates a clear break from the previous emotional domestic setting, moving them into a new environment that symbolizes a shift in their relationship or a new chapter in their lives after the recent emotional events." }, { "instruction_full": "Generate a shot that is completely black, signifying a stark transition. There should be no visible characters or environment. This deliberate visual absence serves as a narrative device to indicate a passage of time or a definitive end to the previous chapter of the story, preparing for a new beginning.", "think_full": "The 'shot_outline' specifies a black screen for , representing a passage of time or a significant emotional break. This complete visual blackout is a strong cinematic punctuation mark, deliberately severing continuity from . It implies that whatever follows will be a distinct new phase or timeline, allowing the story to jump forward or shift dramatically without any visual lingering from the preceding scenes.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for indicates a black screen, signifying a passage of time or a narrative break. This is a common and effective cinematic tool to create a clear division between story segments, preparing the audience for a completely new setting or phase of the narrative after the journey scene in ." }, { "instruction_full": "Establish a brand-new setting: the interior of a bustling, well-lit bookstore. Frame a medium wide shot looking into the space from a doorway or aisle. (who is in a new role) should be visible working at a counter or desk in the mid-ground, while is browsing shelves in the background, along with other patrons. The shelves should be filled with books, and the overall atmosphere should feel lively yet calm. This shot introduces a new environment and characters, hinting at a new life or profession for .", "think_full": "The 'shot_outline' for describes a new setting, a bookstore, and introduces and , suggesting a new narrative thread or a shift in focus for . This scene is a complete break from the previous domestic and travel settings (seen in through ) and follows the temporal gap implied by . While is a returning character, her role and visual context are entirely new, signifying a fresh start or a significant life change. No visual continuity is carried over from earlier frames regarding the environment or specific props.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'shot_outline', introduces a new setting (a bookstore) and new characters like and . After the black screen in signifying a passage of time, this new environment and role for (now ) logically establish a new chapter in her life, consistent with the narrative progression." }, { "instruction_full": "Move to a close-up of (who is ). She should be focused on arranging books on a shelf or engaging with a task at the counter, her expression contemplative and absorbed in her work. The background should consist of the neatly organized bookshelves from the bookstore established in , maintaining the warm, inviting lighting. The purpose is to highlight 's new identity and her connection to this new professional environment.", "think_full": "The 'shot_outline' specifically calls for a close-up of in a work context. This shot directly focuses on 's new role and identity, which was introduced in the wider shot of the bookstore in . By zooming in, the audience gets a more intimate look at her professional demeanor, contrasting with her emotional vulnerability seen in earlier shots (e.g., , ). The background of books from ensures spatial continuity within this new environment, affirming her place in it.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' specifies a close-up of in her work context. Following the establishment of the bookstore and 's new role in , a close-up on her is a natural progression to deepen the audience's understanding of her new professional life and character. It allows for a more intimate portrayal of her engagement with her work." }, { "instruction_full": "Shift to a medium wide shot within the bookstore, from a slightly different angle than . The focus should be on as he browses a shelf of books, appearing thoughtful. (who is ) should be visible in the foreground, out of focus, near a counter or another shelf, indicating her continued presence in the scene. The bustling yet calm atmosphere and extensive bookshelves of the bookstore from and remain consistent. This shot aims to further establish the environment and shift attention to , possibly setting up a future interaction.", "think_full": "The 'shot_outline' mentions a wider shot of the bookstore showing . After the close-up on in , this shot broadens the perspective again, returning to the overall ambiance of the bookstore established in . By focusing on (introduced in ) and placing in the foreground but out of focus, the shot subtly shifts the narrative attention, potentially setting up an interaction or a new development. The consistent bookstore environment from and provides a continuous backdrop for these character dynamics.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for indicates a wider shot of the bookstore, focusing on . This follows the previous shots ( and ) that established the bookstore and 's new role. By bringing into focus, the scene expands to potentially introduce a new dynamic or plot point within this new setting, adhering to the progression of the narrative." } ], "_src_movie_dir": "the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv", "_src_filename": "070662_072622.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/the.worst.person.in.the.world.2021.2160p.bluray.x264-scare.mkv/070662_072622.json", "_test_index": 75 }, { "movie": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv", "N": 10, "sample_id": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83500.jpg-The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/84369.jpg", "images": [ { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83500.jpg", "filename": "83500.jpg", "aesthetic": 6.6911468505859375, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83600.jpg", "filename": "83600.jpg", "aesthetic": 6.906421184539795, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83694.jpg", "filename": "83694.jpg", "aesthetic": 6.999968528747559, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83700.jpg", "filename": "83700.jpg", "aesthetic": 6.986460208892822, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83766.jpg", "filename": "83766.jpg", "aesthetic": 6.471631050109863, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/83816.jpg", "filename": "83816.jpg", "aesthetic": 6.1398749351501465, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/84059.jpg", "filename": "84059.jpg", "aesthetic": 6.755470275878906, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/84262.jpg", "filename": "84262.jpg", "aesthetic": 6.798214435577393, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/84272.jpg", "filename": "84272.jpg", "aesthetic": 6.755177021026611, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/84369.jpg", "filename": "84369.jpg", "aesthetic": 6.844185829162598, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A subdued, intimate conversation is unfolding between a man and his elderly father-in-law over dinner. The atmosphere is quiet, possibly tense or reflective, hinting at a difficult topic being discussed. The setting is a comfortable, dimly lit home dining area.", "characters": [ "", "" ], "shot_outline": " will introduce in a close-up, responding to shown in . will return to , showing his evolving reaction. will cut back to , maintaining the conversational rhythm. will again show 's reaction in a close-up. will widen to a two-shot, establishing both characters and their spatial relationship at the dining table. will be a close-up on 's expression. will return to a wider two-shot, showing interaction. will emphasize with another close-up. will conclude this segment with a close-up on 's final reaction." }, "instruction_full": "Shift the camera to a medium close-up, creating a reverse shot of , who is seated, looking towards the right side of the frame with a thoughtful, somewhat concerned expression. The lighting and background should maintain the dim, warm ambiance established in , featuring a similar wall texture and an indistinct light fixture in the background, to establish him as the other participant in the conversation, responding to .", "think_full": "The global prompt establishes a conversation, and introduced . To continue the dialogue, the next logical step is to introduce the other participant, , via a reverse shot. We need to maintain the visual continuity of the setting from , including the dim, warm lighting and the soft-focus background elements, implying they are in the same private domestic space. The medium close-up framing is chosen to match the intimacy and focus on expression seen in . 's thoughtful expression is to show his engagement in the ongoing serious discussion with from , setting a tone of shared contemplation or concern.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt and shot_outline indicate a conversation between two characters. Since shows , the next shot, , must introduce the second character, , as his conversational partner. To maintain narrative flow and visual continuity with , the shot should be a reverse angle, keeping the same intimate, somewhat somber lighting and domestic background, focusing on 's expression as he engages in the discussion. This establishes the other side of the conversation and the reflective tone." }, { "instruction_full": "Return the camera to a medium close-up on , maintaining the same eye-level framing and dim, domestic lighting as seen in . should have a slightly different, more knowing or subtly amused expression, looking towards the left, indicating his reaction to 's input from .", "think_full": "The shot outline for states a return to , and the minimal instruction requires continuing the narrative flow. After introducing in , cutting back to () is essential for a conversational rhythm. The camera framing and lighting from should be reused to maintain continuity in the intimate setting. A subtle change in 's expression is crucial to show his reaction to what just conveyed in , progressing the emotional beat of their dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "To follow the conversational rhythm established by and , the next shot, , should return to . Based on the global_prompt and the shot_outline, the camera should reuse the same framing and lighting from , showing reacting to 's input from . His expression needs to evolve slightly to reflect the ongoing interaction and subtle shifts in the discussion." }, { "instruction_full": "Cut back to a medium close-up of , maintaining the established framing and dim, warm lighting from . He should retain a thoughtful expression, perhaps with a slight shift in his gaze or a subtle nod, indicating his continued participation in the conversation with .", "think_full": "Following the conversational pattern, after seeing 's reaction in , it's time to cut back to to show his next beat in the dialogue. This shot should mirror the framing and intimate lighting of to maintain visual consistency and reinforce the private nature of their discussion. His expression continues to convey the serious, reflective tone of their interaction with from , as per the global_prompt and shot outline's intent for continuous conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies cutting back to . To maintain the established conversational rhythm and visual continuity, this shot should resemble in terms of framing, lighting, and setting. 's expression should reflect his continued engagement in the serious discussion with shown in , advancing the emotional arc of their talk." }, { "instruction_full": "Revert to a medium close-up of , using the same camera setup and intimate lighting established in and reiterated in . He should have a more subdued or pensive expression now, looking towards the left side of the frame, showing his thoughtful consideration of 's words from .", "think_full": "To continue the shot/reverse shot dialogue established across , , , and , the narrative requires cutting back to . Reusing the camera angle and consistent dim, domestic lighting from and maintains visual continuity and the intimate tone. 's expression needs to deepen, showing a more pensive reaction to 's contribution in , advancing the serious nature of their conversation as outlined in the global_prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to . To uphold the conversational rhythm and visual consistency, this shot should replicate the framing and lighting of and . 's expression should evolve, becoming more subdued or thoughtful in response to 's statements in , further developing the emotional landscape of their discussion." }, { "instruction_full": "Transition to a wider shot that reveals both and seated opposite each other at a dining table. The setting is the same dimly lit domestic dining area implied in and , now fully visible with dinner plates, wine glasses, and bottles on the table. Both characters should maintain their attentive, conversational postures, with on the left and on the right, to establish their physical proximity and the full context of their dinner conversation.", "think_full": "The shot outline for explicitly calls for a wider shot to establish both characters and their setting. After several close-ups, a wider shot is needed to provide spatial context and show the interaction between and in relation to each other and their environment. The dining table with dinner items, wine glasses, and bottles should be visible, reinforcing the 'dinner conversation' aspect of the global_prompt. The dim, warm lighting from and should continue, confirming this as the same intimate domestic space. This shot transitions from emphasizing individual reactions to showing the dynamic between them, fulfilling the narrative purpose of expanding the scene's scope.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the shot_outline, should reveal both characters and their setting. After a series of close-ups of (, , ) and (, ), a wider shot is necessary to contextualize their conversation. This shot should show both characters seated at a dining table, confirming the implied setting and their physical relationship, while maintaining the dim, warm ambiance established in earlier shots. This provides a broader understanding of the scene." }, { "instruction_full": "Cut to a medium close-up of , similar to and , but perhaps slightly closer to emphasize a nuanced expression of concern or contemplation. He is still seated at the dining table, visible from , and the dim, warm lighting continues.", "think_full": "The shot outline for calls for a close-up on 's expression. After establishing the wider scene in , it's narratively effective to return to a close-up to hone in on one character's emotional state or specific reaction. This shot will maintain the visual style and lighting from and but with an added focus on a more defined emotion. His presence at the dining table, now fully established by , provides the context for this focused shot, allowing emphasis on his continued thoughtful participation in the serious discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline dictates a close-up on 's expression for . Having established the full scene in , a return to a close-up allows for emotional emphasis. The framing should be similar to and , but perhaps with greater intensity, to capture his nuanced reaction within the ongoing serious conversation. The consistent dim lighting and dining table context from should be maintained." }, { "instruction_full": "Widen the shot again to include both and at the dining table, mirroring the camera angle and setup of . Both characters should appear engaged in conversation, with potentially leaning slightly forward and still attentive, reflecting the progression of their discussion.", "think_full": "The shot outline for suggests a return to a wider two-shot, showing interaction. After the emotional beat provided by 's close-up in , returning to the wider shot from is necessary to re-establish the dynamic between both characters. This allows the viewer to see their non-verbal interaction and gestures, providing context for the conversation's flow. The continuous setting and lighting from will reinforce the established domestic scene, showing how their discussion unfolds within their shared space.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for calls for another wider two-shot, showing interaction. Following the close-up of in , it's important to show the interaction between both characters again. This shot should replicate the framing and general setup of , emphasizing their continued engagement at the dining table. It confirms the context of their evolving serious conversation." }, { "instruction_full": "Cut back to a medium close-up of , maintaining the familiar framing and dim lighting from , , and . His expression should convey deep thought or a significant, perhaps difficult, point being made, directly responding to the interaction seen in .", "think_full": "The shot outline for focuses on with another close-up. Following the two-shot in , another close-up on emphasizes his specific reaction or the weight of his words at this point in the conversation. This shot reuses the consistent close-up framing and intimate lighting seen in , , and , reinforcing the emotional intensity and importance of his perspective within the serious discussion. The focus is to highlight a pivotal moment from his side of the dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for requests another close-up on to emphasize his reaction. To maintain visual continuity, the framing and lighting should be consistent with previous close-ups of him, such as , , and . His expression should reflect a significant moment in the conversation with , as seen interacting in , underscoring the depth of his thoughts or feelings in this serious discussion." }, { "instruction_full": "Cut to a medium close-up of , using the familiar camera setup and lighting from , , and . His expression should clearly show his final, contemplative, or understanding reaction to 's statement in , wrapping up this segment of their conversation.", "think_full": "The shot outline for indicates a close-up on 's final reaction for this segment. To maintain the established conversational rhythm and continuity, the camera should return to the close-up framing and intimate lighting used for in , , and . His expression is key here, providing closure or a significant emotional beat in response to 's latest input from . This completes the back-and-forth pattern and leaves the audience with his final reaction to the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline specifies a close-up of for , concluding this segment of the conversation. To maintain visual and narrative consistency, the shot should mirror the framing and lighting of his previous close-ups (, , ). His expression must clearly convey his reaction to 's input from , providing a sense of completion for this part of their intense discussion." } ], "_src_movie_dir": "The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv", "_src_filename": "083500_084369.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Father.2020.2160p.BluRay.10Bit.HEVC.AAC.mkv/083500_084369.json", "_test_index": 77 }, { "movie": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12147.jpg-Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12638.jpg", "images": [ { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12147.jpg", "filename": "12147.jpg", "aesthetic": 7.509164810180664, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12207.jpg", "filename": "12207.jpg", "aesthetic": 7.3568644523620605, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12291.jpg", "filename": "12291.jpg", "aesthetic": 4.926783561706543, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12312.jpg", "filename": "12312.jpg", "aesthetic": 7.758546352386475, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12369.jpg", "filename": "12369.jpg", "aesthetic": 6.7161641120910645, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12420.jpg", "filename": "12420.jpg", "aesthetic": 7.069963455200195, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12539.jpg", "filename": "12539.jpg", "aesthetic": 6.3884806632995605, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12584.jpg", "filename": "12584.jpg", "aesthetic": 6.590111255645752, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12617.jpg", "filename": "12617.jpg", "aesthetic": 6.721436500549316, "musiq": 0.0 }, { "tag": "", "rel_path": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12638.jpg", "filename": "12638.jpg", "aesthetic": 5.906831741333008, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two debt collectors arrive at a seemingly charming but distressed home to deliver a 'Notice of Repossession.' The narrative follows the immediate reactions and gathering of the household as they confront this dire news. The tone is somber, with an underlying sense of family unity against an external threat.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " focuses on 's worried expression and reveals the 'Notice of Repossession' on the door. zooms in on the notice to make its content legible. returns to 's face as she processes the dire situation. shifts to and , showing their concerned reaction from within the house. widens to show entering the scene from deeper in the house, reacting to the situation, with and observing. is a close-up on and , establishing their shared concern. shows looking towards the open door where and are still present, while runs down the stairs. returns to and , showing their continued discussion or reaction. shows and entering from another room, joining the family gathered in the hallway, signifying a family crisis." }, "instruction_full": "Shift the camera to a medium close-up, now from 's perspective looking towards the door. stands central with a worried expression, still holding the broom. The shot should reveal a 'Notice of Repossession' clearly posted on the dark wooden door, continuing the warm domestic lighting from , to show her immediate reaction and explain the reason for the visit.", "think_full": "The spatial continuity remains in the same entrance hall from , maintaining the soft, domestic lighting. The door continues to be a central element, but the focus shifts to a document now affixed to it. , previously seen in , is now framed more closely, allowing her expression of concern to be prominent while the debt collectors from are no longer the immediate focus. This shot shifts the narrative focus from the external confrontation to the direct, tangible consequence of the men's visit, explicitly revealing the 'Notice of Repossession' and emphasizing 's emotional burden and the critical plot information.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates that should focus on 's reaction and reveal the 'Notice of Repossession'. To achieve this, a medium close-up of with the document visible on the door in the background is necessary. from will be central, showing a worried expression, while the interior of the house from will remain the setting. This shot establishes the immediate emotional impact on and introduces the specific nature of the threat to the house." }, { "instruction_full": "Cut to a tight close-up on the 'Notice of Repossession' visible on the door from . The text on the notice should be legible, emphasizing the legal threat, while maintaining the same domestic interior lighting from . No specific characters are in primary focus, but a hint of 's shoulder or back of head from 's framing might be visible at the edge.", "think_full": "This shot continues in the same entrance hall from , specifically focusing on the door where the 'Notice of Repossession' was posted. The lighting and general environment from are maintained, ensuring spatial continuity. The shot shifts focus from 's emotional reaction in to the impersonal, impactful document itself. The narrative purpose is to explicitly clarify the dire situation for the audience. By zooming in on the document, the film explicitly presents the 'Notice of Repossession' and its implications, which was only vaguely seen in , thereby increasing the narrative tension and providing critical plot information.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies zooming in on the notice to make its content legible. Therefore, the camera needs to be in a tight close-up on the document itself. Characters are not the focus. The space is still the house's front door from . This shot's intent is to ensure the audience understands the specific legal threat, providing crucial exposition after 's initial reaction." }, { "instruction_full": "Return to the medium close-up on as seen in , capturing her face and upper body. should now have a more pronounced look of distress or determination, still holding the broom. The entrance hall of the house, with the 'Notice of Repossession' still visible on the door in the background, should maintain the same domestic setting and lighting as and , to reiterate her emotional response after the audience has understood the severity of the notice.", "think_full": "The spatial continuity returns to the interior of the house, specifically the entrance hall, as established in , , and . The 'Notice of Repossession' remains on the door in the background, reinforcing the persistent threat. , last seen in detail in , is again the central focus, allowing the audience to reconnect with her emotional state after the impersonal reveal of the legal document in . Her expression should now reflect the full gravity of the information. This shot serves as a powerful reaction shot, re-emphasizing 's personal impact and deepening the emotional connection with her plight after the objective information presented in .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for directs to return to 's face as she processes the dire situation. This requires reverting to a medium close-up similar to . (from , ) should convey her emotional processing of the news, with the domestic interior (from , , ) still providing the setting, and the notice implicitly understood. The user intent is to show her reaction and how she is grappling with the severity of the situation." }, { "instruction_full": "Cut to a medium close-up, framed from within the house looking towards the entrance area. Show two new characters, and , standing close together, looking concerned and serious. This shot should take place deeper inside the house, still in the domestic environment established from , maintaining the warm interior lighting, to introduce other residents and show their awareness and concern.", "think_full": "This shot transitions from the immediate front door area (seen in , , , ) to a slightly deeper part of the house, maintaining the warm, domestic interior environment. We infer the house's style from the previously shown elements. The lighting should remain consistent with the interior warmth. This shot introduces two new characters, and , who were not visible in previous images. Their concerned expressions indicate they are aware of the tension. The narrative purpose is to broaden the scope of affected characters. By showing the children, the narrative implies that the entire family or household is impacted by the potential repossession, increasing the emotional stakes and suggesting that bad news affects even the youngest members.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for explicitly states shifting to and to show their concerned reaction from within the house. This necessitates a medium close-up on these two newly introduced characters. The setting should be the interior of the house, further from the front door area but consistent with the domestic atmosphere. The intent is to widen the crisis's impact to the children, demonstrating their awareness and distress." }, { "instruction_full": "Pull back to a wider shot from the same general area as , capturing a broader view of the hallway. and (from ) are visible. Introduce a new character, , entering the frame from further inside the house, moving towards the front door. The shot should encompass the entrance hall and adjacent hallway, showing more of the interior architecture, including a grandfather clock, consistent with the overall domestic environment, to show another family member becoming aware and moving to investigate.", "think_full": "This shot expands on the setting seen in , showing more of the interior of the house, including the hallway and prominent elements like a grandfather clock. It reinforces the domestic environment established from onwards. The light filtering in from the front door area is still visible, connecting it to the ongoing crisis. and (introduced in ) are still present, now seen in a wider context. A new character, , is introduced, entering the scene from a deeper part of the house, indicating his increasing awareness of the situation. The wider shot reveals more of the family's reaction to the crisis. The introduction of signifies a potential shift in responsibility or a coming confrontation, as more adults become involved, showing the family unit mobilizing in response to the threat.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates a widening shot to show entering the scene, with and observing. This requires a broader camera angle than to include the new character and provide more context of the hallway. and (from ) will be present, and will be introduced, entering the domestic space. The user intent is to show another family member reacting to the situation and moving towards the source of the distress, thereby escalating the family's involvement." }, { "instruction_full": "Cut to a medium shot, slightly to the side, focusing on (from ) and (from , , ). Both characters should be looking towards the front door or just off-camera, with worried or determined expressions. should still hold the broom. This shot should remain in the same entrance hall area, continuing the warm domestic lighting and showing elements like picture frames on the wall, consistent with the house's interior, to establish a direct connection and shared concern between them.", "think_full": "This shot remains in the house's entrance hall, consistent with the environment established in through . The lighting and background elements, like framed pictures, reinforce the domestic setting. (introduced in ) and (seen in , , ) are now framed together. This visual pairing emphasizes their collective concern. still holds her broom, a recurring visual motif. The shot aims to show the adults of the household uniting in the face of the threat. Their shared gaze and expressions indicate a common understanding of the gravity of the situation, shifting the narrative from individual reactions to a joint front, building on the increased awareness shown in .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies a close-up on and , establishing their shared concern. This necessitates a medium shot capturing both characters together. (from , , ) and (from ) will be present, showing concerned expressions within the established domestic interior. The intent is to highlight the united adult front in facing the crisis, reinforcing their shared predicament and growing bond." }, { "instruction_full": "Shift to a wider shot, looking from the staircase area towards the open front door, similar to the angle in . and (from ) should be visible at the open door, indicating their continued presence. In the foreground, (from , ) is seen running down the stairs. The shot should encompass the entrance hall, including the staircase, the front door, and a coat rack/table with a suitcase, consistent with previous wider views, to show the debt collectors are still present and introduce a new, urgent action from .", "think_full": "The spatial continuity returns to the perspective of the front door area, echoing the setup in , but now from a slightly wider angle that includes a staircase. The interior details and outside light maintain consistency with previous shots like and . The overall environment of the domestic house is reinforced. and (from ) reappear at the door, reminding the audience of the external threat. (seen in and ) is now actively moving, running down the stairs, signifying a new development or an attempt to bring more people into the situation. This shot serves multiple purposes: it re-establishes the continued presence of the external threat, shows a child's active response to the crisis, and uses the staircase to suggest more of the house and perhaps other family members are involved, creating a sense of urgency and progression.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for describes showing the debt collectors still at the door while runs down the stairs. This requires a wider shot, similar to , but incorporating the staircase and the girl's movement. and (from ) will be at the door, and (from , ) will be running down the stairs within the established domestic hallway. The intent is to reinforce the ongoing threat and introduce a new, urgent action from a family member, suggesting a new phase of the crisis." }, { "instruction_full": "Return to a medium shot of (from , ) and (from , , , ), similar to , perhaps with a slight shift in angle. They should be facing each other, possibly discussing or reacting to the new developments from , with expressions of continued concern. still holds her broom. The interior of the house, maintaining the same domestic setting and warm lighting seen in , with elements like picture frames, provides the background, to focus back on the primary adults and their interaction.", "think_full": "This shot maintains the same interior environment and warm lighting as seen in , reinforcing the domestic crisis. The background elements like pictures on the wall tie it to the established house setting. (from , ) and (from , , , ) are again featured together, building on their established partnership from . Their body language and expressions should reflect ongoing communication or shared emotional burden, potentially in response to 's actions in . The shot refocuses on the adult decision-makers. After a moment of external threat (debt collectors in ) and internal urgency (girl running in ), this shot grounds the scene back in the adults' response, suggesting they are formulating a plan or further discussing the implications, continuing to emphasize their shared struggle.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for directs a return to and , showing their continued discussion or reaction. This implies a medium shot, similar to , to capture their interaction. (from , ) and (from , , , ) will be present, engaging in dialogue or shared reactions within the consistent domestic setting. The intent is to continue exploring the adults' emotional and strategic response, building on the previous interactions and the developments from ." }, { "instruction_full": "Shift to a wide shot of the main hallway area, similar in scope to , but showing more people. All previously seen family members, and (from , ), (from , , ), and (from , , , , ), should be present. Additionally, introduce two new characters, and , entering from another room in the background. The shot should clearly show the grandfather clock and other domestic details, consistent with the wider views in , to signify the entire household converging in response to the crisis.", "think_full": "This shot returns to a wider view of the domestic interior, similar to , reinforcing the familiar hallway with the grandfather clock and other furnishings. The overall warm lighting is maintained. The open front door is still present, connecting to the initial scene, but without the immediate threat visible. All previously introduced family members— and (from ), (from ), and (from )—are present. Two new characters, and , are introduced, entering from a background doorway, visually completing the household. The narrative purpose is to escalate the sense of crisis by showing the entire family unit assembled. The new arrivals, likely alerted by 's movement in or general commotion, signify that the entire household is now aware and united in facing the imminent threat of repossession, building to a climax of family solidarity or shared despair.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states that and will enter, joining the family gathered in the hallway. This requires a wide shot, similar to , to accommodate multiple characters. All previously introduced family members (, , , ) will be present, and and will be introduced, entering the established domestic hallway. The intent is to show the entire family unit converging, emphasizing the collective nature of the crisis and their shared response." } ], "_src_movie_dir": "Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "012147_012638.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Mary.Poppins.Returns.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/012147_012638.json", "_test_index": 79 }, { "movie": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv", "N": 10, "sample_id": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97037.jpg-Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97564.jpg", "images": [ { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97037.jpg", "filename": "97037.jpg", "aesthetic": 5.190171241760254, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97103.jpg", "filename": "97103.jpg", "aesthetic": 5.8955230712890625, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97136.jpg", "filename": "97136.jpg", "aesthetic": 6.4525146484375, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97199.jpg", "filename": "97199.jpg", "aesthetic": 5.204318046569824, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97229.jpg", "filename": "97229.jpg", "aesthetic": 5.623937606811523, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97313.jpg", "filename": "97313.jpg", "aesthetic": 6.762456893920898, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97427.jpg", "filename": "97427.jpg", "aesthetic": 5.9518938064575195, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97478.jpg", "filename": "97478.jpg", "aesthetic": 6.496483325958252, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97549.jpg", "filename": "97549.jpg", "aesthetic": 5.692599296569824, "musiq": 0.0 }, { "tag": "", "rel_path": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/97564.jpg", "filename": "97564.jpg", "aesthetic": 6.1571855545043945, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene unfolds in a classic American diner, bustling with activity, but underneath the surface, a serious criminal meeting is taking place between several key figures. The atmosphere is tense, with hushed conversations amidst the ordinary diner sounds. The story has a crime drama tone, focusing on power dynamics and the unfolding of a heist or illicit deal.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces and seated together in the diner, establishing their presence. cuts to and at another table, showing their connection. returns to , highlighting her awareness or observation. focuses on , emphasizing his internal state. re-frames and , continuing their intense discussion. goes back to and , showing their reaction or attentiveness. continues the interaction between and . provides a tighter, more focused view of and . offers another perspective on and 's ongoing conversation." }, "instruction_full": "Transition the camera to a medium close-up shot, introducing two new characters seated at a diner booth. This shot should frame and sitting together, with serious and focused expressions. The background should clearly establish the diner interior, consistent with the environment hinted at in , featuring subtle neon lighting and typical diner decor to immerse them in the scene, to establish the presence of these key criminal characters in a public setting.", "think_full": "The `global_prompt.story_setup` establishes a diner setting for a criminal meeting. visually introduces in this diner, setting the initial scene. The `global_prompt.shot_outline` for specifies introducing and . Therefore, the shot must transition from 's focus on to these new characters. The camera angle and framing should be a medium close-up to give prominence to these new, important figures. They are newly introduced characters, so no prior tags apply to them. The space continues to be the diner, visually consistent with the subdued lighting and background elements glimpsed in , confirming they are part of the same overall environment. Their serious expressions are crucial to convey their roles as criminal figures engaged in a tense situation, matching the tone established in the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.story_setup` details a criminal meeting in a diner, and the `global_prompt.shot_outline` indicates that should introduce and . already established the diner setting with . Therefore, the next shot should stay in the diner but shift to a new pair of characters. I will frame and in a medium close-up, seated at a booth within the diner, reflecting the same dim, neon-lit ambiance seen in . Their expressions will be serious and focused, conveying their involvement in the criminal narrative. This introduces these central figures and establishes another part of the scene." }, { "instruction_full": "Shift the camera to another medium close-up within the same diner, introducing and seated at a different booth. should appear somewhat contemplative or uneasy, while is actively talking or engaging. The background should continue to feature the diner's specific ambiance, including blinds and neon reflections, providing visual continuity from and .", "think_full": "The `global_prompt.shot_outline` for is to introduce and . We are maintaining the diner setting established in (with ) and (with and ), using consistent subdued lighting and visible diner elements like booths, blinds, and neon. The camera uses a medium close-up, similar to , to establish these two new characters, who are newly introduced and have no prior tags associated with them. The contrast between 's pensive expression and 's more active demeanor is intended to immediately highlight a potential dynamic or conflict between them, advancing the narrative and expanding the scope of the criminal meeting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is to introduce and . The overall setting is the diner, established in and continued in . I will frame this new pair in a medium close-up, similar to , to show them seated at another booth. The background will maintain the consistent diner atmosphere, with blinds and neon lights. will have a thoughtful or uneasy expression, contrasting with 's more assertive, talking pose, to quickly establish their individual roles and the dynamic between them within the larger criminal gathering." }, { "instruction_full": "Return the camera to a medium shot of , matching the framing and perspective of . She is still in the diner, positioned similarly, and her expression should convey a continued sense of observation or slight apprehension, suggesting she is subtly aware of the unusual activity around her. The background should consistently portray the general diner environment from , , and .", "think_full": "The `global_prompt.shot_outline` for calls for a return to . This shot strategically re-establishes her presence and perspective, which was first seen in . The camera framing and position are deliberately chosen to replicate to create a sense of recurring observation or the passage of time within the scene. reappears from , maintaining her role as an 'innocent' observer. The space is the same diner, with consistent background elements and lighting from , , and , reinforcing the unified setting. Her thoughtful expression, akin to , underscores the narrative intent: to show her quiet awareness of the unfolding tension between the criminal groups.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to . Given her initial appearance in in the diner, the logical next step is to revisit her perspective. I will use a medium shot, replicating the framing and general positioning of . will be shown in the consistent diner environment, with her expression suggesting continued observation or subtle unease. This re-establishes her as a silent witness to the various criminal characters introduced in and , adding to the overall tension of the scene." }, { "instruction_full": "Shift the camera to a close-up of , focusing on his face and expression. He remains seated at the diner booth. The background should feature the subtle diner elements, like the blinds and soft neon reflections, consistent with his previous appearance in . His expression should be more intensely contemplative, perhaps conveying inner conflict or deep concentration, to highlight his individual emotional state.", "think_full": "The `global_prompt.shot_outline` for emphasizes focusing on . This shot needs to zoom in from the medium close-up of to a tighter close-up, visually isolating him to convey his internal thoughts and emotions. reappears from , but with a heightened sense of introspection, building on his established 'uneasy' demeanor. The setting remains the same diner booth, with background elements like the blinds and neon from providing continuity. The close-up amplifies his emotional state, suggesting he is processing something significant, possibly related to the ongoing criminal discussions, thereby advancing his character arc.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for directs the focus to . As he was last seen in in the diner, this shot will be a close-up of him, still in his booth. The background will maintain the consistent diner details from . His expression will be intensified, showing deep thought or internal conflict, which is crucial for highlighting his character's developing journey as the 'young driver'. This shot serves to delve into his personal stake in the unfolding events." }, { "instruction_full": "Widen the camera slightly from back to a medium close-up, re-framing both and in their diner booth. should be actively talking or gesturing, perhaps with more assertiveness, while maintains his contemplative, slightly uneasy expression, now clearly reacting to his counterpart. The diner interior and lighting, including the blinds and neon elements from and , should remain visually consistent.", "think_full": "The `global_prompt.shot_outline` for is to re-frame and to continue their interaction. This shot re-establishes the two-person dynamic first seen in , but now with the added context of 's intensified thoughts from . Both and reappear from , with 's expression evolving from to reflect the impact of the conversation. The space is continuously the same diner booth, ensuring environmental consistency with and . The active posture of against 's more reserved reaction emphasizes the dialogue and the power dynamic between them, moving their subplot forward.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies continuing the interaction between and . I will broaden the shot from the close-up of to a medium close-up, similar to , to include both characters again in their diner booth. The diner setting, including blinds and neon lights, will remain consistent with previous shots like and . will be shown actively speaking, and will exhibit a thoughtful or slightly worried reaction to what is being said, indicating the progression of their discussion and the pressure on the younger character." }, { "instruction_full": "Cut back to a medium close-up of and , echoing the framing and composition of . They are still seated at their diner booth. Their expressions should be serious and attentive, possibly showing subtle reactions to the wider conversation or maintaining a watchful presence. The diner's consistent lighting and background details from should be visible.", "think_full": "The `global_prompt.shot_outline` for is to return to and . This shot requires a direct visual match to in terms of camera framing and character positioning, reinforcing their consistent presence as central figures. Both and reappear from . The space remains their diner booth, maintaining environmental continuity from with its distinct lighting and decor. Their attentive expressions convey their importance and involvement in the overarching criminal discussion, reminding the audience of their authority and role in the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is to return to and . This shot will match the medium close-up framing and composition of , showing them still seated in their diner booth. The diner's lighting and background elements from will be consistent. Their expressions will be serious and focused, reinforcing their role as the leaders or key figures in the criminal meeting, and providing a counterpoint to the conversation happening with the other pair." }, { "instruction_full": "Return to the medium close-up of and , continuing their conversation. This framing should be very similar to , with still actively talking or gesturing, perhaps with increased intensity or persuasion. should continue to appear subdued but attentive, possibly with a subtle shift in his expression towards resignation or deeper understanding. The diner environment, including the blinds and neon reflections from , remains consistent.", "think_full": "The `global_prompt.shot_outline` for indicates a continuation of the discussion between and . This shot should closely mirror the framing and dynamics of , reinforcing the back-and-forth nature of their dialogue. Both and reappear from , with their expressions and gestures evolving the conversation. The space is consistently their diner booth, maintaining the background elements seen in . The continued active role of and 's internal processing push their subplot further, showing the deepening implications of their discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests continuing the interaction between and . I will use a medium close-up that is largely consistent with , showing them in their diner booth. The diner's interior and ambient lighting will remain unchanged. will continue to lead the conversation with an expressive demeanor, while will react with a quiet, thoughtful, and perhaps increasingly burdened expression. This shot signifies the ongoing development of their specific dialogue within the larger scene." }, { "instruction_full": "Shift the camera to a tighter close-up, angled slightly differently than , focusing primarily on 's profile, with visible behind him in softer focus. They are still in their diner booth, with the environment from implied but less prominent due to the tighter framing. should exhibit a focused or decisive expression, while might show a subtle, supportive look, to convey a moment of crucial contemplation or agreement from the primary boss.", "think_full": "The `global_prompt.shot_outline` for calls for a tighter, more focused shot of and . This shot moves from the more general medium close-up of to a closer, more intense framing, emphasizing the decision-making or internal processing of . Both and reappear from . The camera angle is slightly altered to provide a fresh perspective, but the core diner environment from is still present, albeit less detailed in the tighter frame. 's focused expression highlights his leadership, and 's subtle presence reinforces their partnership, advancing the narrative through a moment of quiet intensity from the criminal leadership.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a tighter shot of and . Building on their previous appearances in and , I will frame a tighter close-up, focusing on 's profile, with subtly visible. This tight framing emphasizes a moment of significant thought or decision from him, reflecting his role as the 'criminal boss'. The diner setting remains consistent, though less detailed, providing continuity from ." }, { "instruction_full": "Return to a medium close-up of and , similar to , but with a subtle adjustment in framing or angle to indicate a slight shift in their ongoing conversation. is still actively communicating, perhaps more forcefully, while listens intently, his expression now potentially showing a deeper understanding or a more definitive reaction. The familiar diner setting, including the blinds and neon reflections from , remains consistent.", "think_full": "The `global_prompt.shot_outline` for indicates another angle of and , maintaining the back-and-forth. This shot provides a fresh perspective on their continuing discussion, building upon the dynamics established in and . Both and reappear from . The camera angle is slightly adjusted, but the core visual elements of their diner booth setting from (blinds, neon) remain consistent. 's persistent communication and 's evolving reaction continue to drive their subplot, culminating their immediate interaction and the pressure building on the 'young driver'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for a continuation of the interaction between and . I will provide a medium close-up, similar to , but with a slightly modified angle to show progression in their discussion. They are still in their diner booth, maintaining the consistent diner background and lighting from . will continue to be expressive and persuasive, and 's reaction will show a more solidified response or understanding, bringing their conversation to a narrative peak." } ], "_src_movie_dir": "Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv", "_src_filename": "097037_097564.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Baby.Driver.2017.2160p.BluRay.Hybrid.Remux.DV.HDR.HEVC.Atmos-SGF.mkv/097037_097564.json", "_test_index": 81 }, { "movie": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv", "N": 10, "sample_id": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/65868.jpg-Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66471.jpg", "images": [ { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/65868.jpg", "filename": "65868.jpg", "aesthetic": 5.61409854888916, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/65946.jpg", "filename": "65946.jpg", "aesthetic": 5.530275344848633, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/65991.jpg", "filename": "65991.jpg", "aesthetic": 5.708475112915039, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66060.jpg", "filename": "66060.jpg", "aesthetic": 5.822426795959473, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66063.jpg", "filename": "66063.jpg", "aesthetic": 6.467765808105469, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66270.jpg", "filename": "66270.jpg", "aesthetic": 6.643825531005859, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66309.jpg", "filename": "66309.jpg", "aesthetic": 6.890477657318115, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66375.jpg", "filename": "66375.jpg", "aesthetic": 6.5184326171875, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66405.jpg", "filename": "66405.jpg", "aesthetic": 5.309113502502441, "musiq": 0.0 }, { "tag": "", "rel_path": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/66471.jpg", "filename": "66471.jpg", "aesthetic": 6.727264881134033, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene unfolds in a dimly lit, traditional family home, focusing on a multi-generational family gathering. The underlying tone is one of quiet concern and familial support, centered around an ailing family matriarch, contrasted with moments of childhood innocence.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " focuses on in a moment of quiet activity, showing attentiveness. returns to , showing her pensive reaction. expands to a wide shot of the family home, revealing multiple family members gathered around a table. focuses on , highlighting innocence amidst the family. introduces and at the table, showing their watchful presence. returns to with a slightly different activity. revisits and , with a subtle background change. introduces engaged in play. returns to and , completing a cycle of observing different family members." }, "instruction_full": "Shift the camera to a close-up, focusing on . This character should be looking down, focused on an object held in their hands, suggesting a moment of quiet care or preparation. The domestic setting from continues, with soft, natural light, and a slightly blurred background hinting at traditional decor, to show their attentive presence and gentle engagement.", "think_full": "The narrative begins with in , conveying concern. To expand the scene and introduce another key character, the next shot should focus on . While only partially visible in , their presence was implied, and this shot now fully introduces them. We maintain the subdued, domestic lighting and traditional interior from , establishing a consistent atmosphere. 's focused posture and action of handling an object provides a contrasting element of quiet, purposeful activity against 's distress, emphasizing their supportive role within the unfolding family drama.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.story_setup` and the `shot_outline`'s directive for to 'focus on interacting with an object, showing care or preparation', the most logical next shot is a close-up of . established and hinted at another person; this shot introduces that person. The setting should remain the same quiet, traditional home as , maintaining visual and atmospheric continuity. The intent is to show the other individual's engagement and care, providing immediate context to the previous shot's emotional tone." }, { "instruction_full": "Return the camera to the close-up framing of from . should remain seated, similar to her pose in , but with a subtly shifted expression—now more pensive or resigned, looking thoughtfully just past the camera. The domestic room, with the patterned pillow and dim, natural light seen in and implied in , should remain consistent, to reflect her internal state after the action of .", "think_full": "After introducing 's activity in , it's narratively effective to return to from for a reaction shot. This maintains the shot-reverse-shot dynamic implicitly set up between and . The physical environment, including the patterned pillow and subtle lighting, should be identical to to ensure seamless spatial continuity. 's expression, while still conveying her fragility from , should evolve to show a more subdued, perhaps internal, reflection, indicating the passage of a moment and her processing of events. This shot serves to reinforce her central, fragile presence in the family narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` implies a continuing narrative. Since showed and showed , a natural progression is a return to . This would function as a reaction shot, completing a visual exchange or shift in focus. Therefore, the camera should revert to a similar close-up framing as , keeping in the same domestic setting, but allowing for a subtle change in her expression to reflect an internal thought process or response to ." }, { "instruction_full": "Pull the camera back to a wide shot, revealing a broader view of the domestic interior and multiple family members gathered. This shot should include a dining table, around which several adults and children are seated or standing, engaged in a communal activity like a meal, contrasting with the intimate framings of , , and . The room should be consistent with the traditional decor and muted lighting hinted at in earlier shots, featuring large windows and dark wood furniture, to establish the wider family context and setting.", "think_full": "Having established individual character dynamics in , , and , the narrative now requires a wider perspective to place these individuals within their family unit. This wider shot expands on the domestic environment hinted at in previous close-ups (e.g., the wall texture and window in ), now fully revealing a traditionally furnished room with natural light. This shot introduces multiple new 'family members', moving from individual focus to a collective scene. The dramatic purpose is to establish the communal setting and show the family as a supportive unit, providing a sense of grounding and context for the previous intimate moments, aligning with the `shot_outline`'s plan for to show a 'wider shot of the family home, showing multiple family members gathered'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies a 'wider shot of the family home, showing multiple family members gathered, implying a larger domestic scene or mealtime.' To achieve this, the camera must move from the previous close-ups of , , and to a wide perspective that reveals the entire room. This will introduce more family members, confirming the multi-generational aspect, and establish the spatial context of the home, all while maintaining the consistent traditional decor and lighting seen previously. The intent is to broaden the narrative scope and provide a sense of communal activity." }, { "instruction_full": "Shift to a medium-close up, focusing on a happy baby, seated at the family table, framed at eye-level. The baby should be engaged with a small toy or spoon, reflecting innocence and contentment. The background should subtly show parts of the family table, consistent with , with hints of other family members or table settings blurred behind, to introduce a symbol of new life and the generational span within the family gathering.", "think_full": "After the wide shot of the family gathering in , the narrative benefits from a return to more intimate character focus, specifically introducing a new character: . This serves as a strong counterpoint to 's condition seen in and , highlighting the full spectrum of life within the family. The spatial continuity is maintained by keeping the baby at the same family table, identifiable from the wider shot in , using consistent lighting. The intent is to provide a moment of lightness and innocent joy, enriching the family's portrayal and fulfilling the `shot_outline`'s goal for to 'focus on a baby, showing innocence'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'focus on a baby, showing innocence and perhaps a contrast to the matriarch's condition.' Building on the family gathering established in , the next shot should be a medium-close up of a baby. The baby should be placed within the context of the family table (from ), perhaps in a high chair. The shot's purpose is to introduce an element of pure innocence, providing a thematic contrast and expanding the visual representation of the family's different generations." }, { "instruction_full": "Shift to a medium shot, framing two adult characters, an older couple, seated prominently at the family table, at eye-level. They should be looking forward, with calm, reflective expressions, participating in the family gathering. The shot must clearly show the family table and its settings from and , including a candelabra, to maintain the established domestic ambiance and introduce another key part of the family structure.", "think_full": "Following the introduction of in , the narrative needs to expand the adult presence at the table. This shot introduces two new characters, and , who represent another important generation in the family, distinct from (from , ) and (from ). The spatial continuity is strongly reinforced by showing them at the same family table and with similar candelabras, identifiable from and implicitly from , maintaining the consistent domestic setting and lighting. Their calm, watchful presence implies stability and a deeper understanding of the family's dynamics, aligning with the `shot_outline`'s goal for to 'focus on an older couple...showing their presence and perhaps their concern.'", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'focus on an older couple at the table, perhaps the parents or grandparents, showing their presence and perhaps their concern.' This indicates that following the baby in , the next shot should introduce an older couple. The camera should frame them in a medium shot, seated at the same family table established in . Key props like a candelabra should be visible to maintain continuity. Their expressions should convey a quiet, observant presence, contributing to the family's overall portrayal as a multi-generational unit." }, { "instruction_full": "Return to a medium-close up of , similar to the framing in , but with now engaged in a slightly different activity, perhaps playing with a small spoon. The background should continue to show elements of the family table and the adjacent family member's presence, consistent with , maintaining the domestic scene and offering a brief, light interlude.", "think_full": "To provide a rhythm to the family gathering scene, it's effective to alternate focus. After introducing and in , returning to from creates a thematic contrast. The camera framing and general background elements should be consistent with , reinforcing the continuous presence of at the family table. The slight change in 's action (e.g., playing with a spoon instead of a different toy) indicates a progression within the same event, fulfilling the `shot_outline`'s aim for to 'return to the baby, perhaps a different action or expression' and offering a moment of simple innocence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies: 'Return to the baby, perhaps a different action or expression.' Following the shot of and in , this suggests revisiting . The framing should be a medium-close up, similar to , and maintain the setting of the family table. The key is to show a slightly varied action or expression from to demonstrate continued engagement and avoid a static repeat, reinforcing the theme of childhood innocence within the ongoing family gathering." }, { "instruction_full": "Return to the medium shot of and from , maintaining a similar framing and eye-level perspective. They should retain their watchful posture, but with a subtle shift in gaze or a slightly more pronounced interaction between them, and the background should subtly show more of the window or another family member (e.g., ) now visible behind them, adding depth and suggesting ongoing activity at the table.", "think_full": "The sequence continues to cycle between different family members to build out the scene. After revisiting in , it is appropriate to return to and from . The camera setup should largely replicate , ensuring spatial continuity at the family table, with the candelabra remaining a visual anchor. The subtle changes in their expressions or the new presence of another family member in the background (potentially from or another adult from ) indicates ongoing interaction and observation within the gathering, enhancing the sense of a dynamic family event and fulfilling the `shot_outline` for to 'return to the older couple, with a slight change in the background or a subtle interaction.'", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'Return to the older couple, with a slight change in the background or a subtle interaction.' This instructs a return to and after the shot of in . The framing should be consistent with . To fulfill the 'slight change,' there could be a subtle shift in their expressions, a minimal interaction between them, or a new element, like another family member, subtly entering the background to indicate ongoing activity and connections within the family gathering." }, { "instruction_full": "Transition to a medium-close up on , distinct from , seated at the table. This child should be happily engaged in an activity, such as drawing or playing with blocks, with a joyful or concentrated expression. The shot must continue to reveal the domestic family table setting, with a portion of the table and other family members' hands or arms visible nearby, grounding within the larger gathering and further diversifying the portrayal of the family unit.", "think_full": "To further explore the different generations within the family gathering, this shot introduces another new character, , who is older than seen in and . This expands the family's portrayal, showing another stage of childhood. The spatial context of the family table and general domestic interior (established in and consistently used through , , , ) is maintained through visible table elements and implied proximity to other family members. The dramatic purpose is to present another facet of youthful energy and engagement, contributing to the rich tapestry of the family and fulfilling the `shot_outline`'s goal for to 'focus on a young child, possibly drawing or playing.'", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'Focus on a young child, possibly drawing or playing, another symbol of youth in the family.' This indicates a close-up shot of a child, but specifically a 'young child' implying an age slightly older than from and . The child should be at the family table, engaged in a typical childhood activity like drawing. The setting must be consistent with the ongoing family gathering, maintaining the visual style and lighting, adding another layer to the family's generational representation." }, { "instruction_full": "Return to the medium shot of and , similar to and , but with a more direct gaze and one of them perhaps mid-sentence, suggesting active conversation. The family table and its setting from and are again visible, and the background now clearly features or another adult figure from the wider family shot () positioned behind the couple, adding visual depth, connecting character threads, and concluding the observation of the family gathering.", "think_full": "To bring this sequence of family observations to a conclusion, the narrative effectively cycles back to and , who were established as anchors in and . The camera framing and table setting should be consistent with these previous shots, reinforcing the continuous nature of the gathering. The inclusion of (first seen in ) more clearly in the background serves to visually tie together various individual character threads, showing the integrated nature of the family unit. Their more active expressions, perhaps mid-conversation, suggest a culmination of the ongoing family interactions. This shot fulfills the `shot_outline`'s goal for to 'return to the older couple, completing a cycle of observing different family members at the table,' providing a sense of summation to the family gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'Return to the older couple, completing a cycle of observing different family members at the table.' This clearly indicates a return to and , likely reusing a similar medium shot framing as and . The instruction to 'complete a cycle' suggests a final, perhaps slightly more conclusive, portrayal of this part of the family gathering. This could involve a more pronounced interaction between them or a clearer presence of another family member, like , in the background, to tie together the different family elements observed throughout the sequence." } ], "_src_movie_dir": "Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv", "_src_filename": "065868_066471.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Killers of the Flower Moon 2023 2160p UHD Blu-ray Remux HEVC DV DTS-HD MA 5.1-HDT.mkv/065868_066471.json", "_test_index": 86 }, { "movie": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154268.jpg-Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154837.jpg", "images": [ { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154268.jpg", "filename": "154268.jpg", "aesthetic": 5.823217391967773, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154361.jpg", "filename": "154361.jpg", "aesthetic": 5.76981782913208, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154382.jpg", "filename": "154382.jpg", "aesthetic": 6.077199935913086, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154391.jpg", "filename": "154391.jpg", "aesthetic": 5.857461929321289, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154501.jpg", "filename": "154501.jpg", "aesthetic": 5.865347385406494, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154516.jpg", "filename": "154516.jpg", "aesthetic": 4.48392915725708, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154543.jpg", "filename": "154543.jpg", "aesthetic": 4.848328590393066, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154570.jpg", "filename": "154570.jpg", "aesthetic": 5.820799827575684, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154594.jpg", "filename": "154594.jpg", "aesthetic": 6.185113906860352, "musiq": 0.0 }, { "tag": "", "rel_path": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154837.jpg", "filename": "154837.jpg", "aesthetic": 5.733731269836426, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense, formal confrontation takes place in an opulent private room. The atmosphere suggests high stakes and hidden motives, moving from a verbal chess match to a sudden, dramatic physical assertion of power.", "characters": [ "", "", "" ], "shot_outline": " shows 's composed reaction to 's words. returns to , reinforcing his serious demeanor. captures 's continued, thoughtful response. focuses again on as he maintains control of the conversation. introduces entering the room, one carrying a suspicious item, signaling an impending physical act. offers a slightly wider view of and their purposeful movement within the space. reveals a shocking destructive event unfolding in a close-up. cuts back to to show his calm reaction to the chaos. captures 's final expression of grim realization and resolve." }, "instruction_full": "Cut to a medium close-up reverse shot, framing from the shoulder up as he stands opposite . He holds a stoic, observant expression. The elegant interior with warm, ambient lighting, consistent with , forms the background. This shot is to capture 's initial, controlled reaction to 's address.", "think_full": "The camera cuts to a reverse shot to show the other side of the conversation, establishing the visual perspective of . By maintaining the same elegant, warm interior from , spatial continuity is established, confirming the dialogue takes place in the same location. is introduced visually here as the recipient of the dialogue, keeping a neutral but attentive expression, which provides a contrast to 's more active speaking pose in . The purpose is to reveal the second main character and begin to establish his demeanor under pressure.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'shows 's composed reaction to 's words.' This requires a shot that focuses on . Given that was a close-up of speaking, the logical next step for a dialogue scene is a reverse shot. Therefore, the next shot should be a medium close-up of reacting to from . The setting should be the same opulent interior, maintaining visual consistency with to confirm the ongoing interaction in the same space." }, { "instruction_full": "Re-frame to a medium close-up of , similar to the framing in , but with a subtle shift in his expression, now appearing more resolute. He continues to engage in the conversation. The elegant, warm interior from and remains the setting, reinforcing the ongoing dialogue in the same space. The intent is to show 's continued dominance in the exchange.", "think_full": "We return to after establishing 's reaction in . The camera maintains a similar framing to to preserve visual continuity for , allowing for a subtle change in his expression to reflect the progression of the conversation. The background from and confirms the continuous location. This shot underscores his assertive stance and reinforces his control over the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` is to 'return to , reinforcing his serious demeanor.' This indicates a cut back to after seeing in . The shot should maintain visual continuity with and in terms of location and lighting, likely a medium close-up on as he continues to speak or listen intently, emphasizing his serious presence." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing of . He maintains a calm, observant expression, perhaps hinting at deeper thought or calculation. The elegant background and warm lighting, consistent with , , and , persist. This shot serves to emphasize 's quiet resolve or processing of information in this intense discussion.", "think_full": "This shot continues the back-and-forth exchange established in previous turns, maintaining the conversational rhythm. By returning to with a framing similar to , visual rhythm is maintained. The consistent interior from , , and places both characters firmly in the same dialogue space. The shot allows for a nuanced portrayal of 's internal state without explicit emotional display, furthering the tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'captures 's continued, thoughtful response.' This calls for another shot of , continuing the established pattern of cutting between the two characters. It should likely be a medium close-up similar to , set in the same elegant interior as , , and , reflecting his ongoing internal processing." }, { "instruction_full": "Return to in a medium close-up, similar to and . His expression should convey a sense of calm authority as he either listens or prepares to speak again, subtly changing from his previous appearance in . The warm, elegant interior from , , , and continues to serve as the background. This shot reinforces his deliberate nature and sustained control over the situation.", "think_full": "The alternating pattern of shots between and continues, creating a dynamic of dialogue and reaction. By returning to with a familiar framing from and , we maintain visual consistency for his character while allowing for a subtle evolution in his demeanor. The consistent opulent background from , , , and confirms the continuous setting. This shot maintains the narrative tension and his commanding presence in the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'focuses again on as he maintains control of the conversation.' This indicates another shot of , continuing the conversational rhythm. It should be a medium close-up, consistent with and , in the same elegant interior established since , further solidifying his dominant presence." }, { "instruction_full": "Shift to a medium shot, slightly wider than previous close-ups, focusing on two new characters, , entering the elegant room. One of is carrying a dark, rectangular case. The room retains the warm lighting and opulent decor seen in through , confirming the same location but introducing new action. This shot's purpose is to introduce a new element of threat or consequence into the scene, signaling a shift from pure dialogue to impending action.", "think_full": "The scene shifts from close-up dialogue to introducing a new narrative element. The wider shot is necessary to show the entry of two new characters, , who were not present or visible in through . The focus is on one of them carrying a distinct object, which immediately implies a change in the scene's dynamic. The elegant interior and warm lighting from through are maintained to confirm the continuous location, establishing that the new threat is emerging within the same setting as the earlier conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'introduces entering the room, one carrying a suspicious item, signaling an impending physical act.' This signifies a departure from the two-person dialogue shots. The shot needs to introduce new characters, , and show their entrance into the same luxurious setting established in to . It should capture one of them carrying an object that suggests a forthcoming action, elevating the stakes of the scene." }, { "instruction_full": "Take a step back with a slightly wider medium shot, expanding the view of the elegant room from to show both moving further into the space. One of is still carrying the dark case, while the other moves in unison. The warm lighting and rich interior decor from through are clearly visible, grounding this new action within the established environment. This shot aims to establish the immediate progression of the implied threat, showcasing the deliberate actions of as they integrate into the scene.", "think_full": "To follow the introduction of in , this shot needs to be a slightly wider and longer view, allowing them to move into the space and confirm their presence and roles more clearly. The camera maintains the same opulent room and warm lighting established in through , ensuring spatial continuity while the narrative focus shifts to physical action. continue from , with one still carrying the case, emphasizing the developing threat and building anticipation for their actions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'offers a slightly wider view of and their purposeful movement within the space.' This means a shot that shows more of the room and the henchmen from continuing their actions. It should be a medium or medium-wide shot to give more context to their presence and their current movements, maintaining the same elegant interior and lighting as previous shots, indicating the escalation of the situation." }, { "instruction_full": "Cut to a close-up shot focused on the base of a dark, ornate table, reminiscent of the luxurious decor seen in earlier shots, but now actively burning. Flames and smoke emanate from wooden crates stacked beneath it. The overall warm, rich color palette of the room from through is present, but now intensified by the fire's glow. This shot provides a visceral reveal of the physical threat, escalating the tension from implied to explicit destruction.", "think_full": "This shot marks a pivotal shift, moving from the implied threat of in and to an explicit act of destruction. The camera isolates the burning object in a close-up to maximize its impact and signify the immediate danger. The ornate table and rich color scheme link this destruction to the luxurious environment established in through , making the violation of the space more potent. The burning crates beneath suggest the method of ignition, driving the plot forward with a dramatic visual.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'reveals a shocking destructive event unfolding in a close-up.' This indicates a drastic change in the scene, moving from character interaction and entrance to active destruction. The shot needs to be a close-up of a key object, like a table, engulfed in flames, to create immediate impact and escalate the tension. The setting should still be the established elegant interior, now with the added, dramatic element of fire." }, { "instruction_full": "Cut back to a medium close-up of , similar to his previous framings in , , and . His expression should be one of calm resolve, perhaps a subtle hint of satisfaction, indicating his control even amidst the new chaos. The elegant room from through forms the background, now subtly affected by the warm glow of the fire from , but still recognizable. The purpose of this shot is to show 's reaction to the unfolding destructive event, confirming his orchestration of it.", "think_full": "After the dramatic reveal of the burning table in , the narrative demands a return to a character's reaction. By cutting back to with a familiar framing from , , and , we maintain character continuity and underscore his central role. His expression should reflect his awareness and control of the escalating situation. The background, though still the same elegant room from through , should now subtly incorporate the visual effects of the fire from , hinting at the developing situation without being overwhelmed by it, linking his reaction directly to the event and his agency.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'cuts back to to show his calm reaction to the chaos.' This indicates a return to after the fire. His shot should be consistent with his previous appearances (medium close-up, similar lighting), but his expression or demeanor should reflect the new, dramatic turn of events caused by the fire in , emphasizing his control and lack of surprise. The background should still be the elegant room, potentially with a hint of the ongoing fire's dramatic lighting." }, { "instruction_full": "Finally, cut to a medium close-up of , mirroring his earlier framings in and . His expression should now show a deeper level of realization or determination, a visible response to the destruction and 's control. The elegant interior, consistent from through , remains the background, likely now with a more pronounced and dramatic interaction of shadows and the fire's warm glow from and . This shot is to capture 's understanding of the full gravity of the situation and his internal resolve.", "think_full": "This shot completes the reaction sequence, returning to after 's controlled response in . The framing should be consistent with his previous appearances in and to maintain visual rhythm. His expression should convey a strong reaction to the explicit threat of the fire from and 's implied orchestration of it from , showing a shift from wary observation to grim understanding. The background from through should now fully integrate the effects of the fire from , enhancing the dramatic atmosphere and linking the characters' reactions directly to the immediate danger.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for `` states: 'captures 's final expression of grim realization and resolve.' This implies the final reaction shot of in this sequence. It should be a medium close-up, similar to and , but his expression should be more profound given the dramatic events (fire from , 's reaction in ). The background should still be the elegant room, now with the visual impact of the fire's light and shadows, reflecting the gravity of the situation." } ], "_src_movie_dir": "Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "154268_154837.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Batman.Begins.2005.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/154268_154837.json", "_test_index": 87 }, { "movie": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv", "N": 10, "sample_id": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/8790.jpg-Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9563.jpg", "images": [ { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/8790.jpg", "filename": "8790.jpg", "aesthetic": 7.422837257385254, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/8838.jpg", "filename": "8838.jpg", "aesthetic": 7.104268550872803, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/8952.jpg", "filename": "8952.jpg", "aesthetic": 6.95682430267334, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9027.jpg", "filename": "9027.jpg", "aesthetic": 7.190093994140625, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9066.jpg", "filename": "9066.jpg", "aesthetic": 6.175478935241699, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9123.jpg", "filename": "9123.jpg", "aesthetic": 6.80836820602417, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9138.jpg", "filename": "9138.jpg", "aesthetic": 6.753246784210205, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9366.jpg", "filename": "9366.jpg", "aesthetic": 6.844374656677246, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9402.jpg", "filename": "9402.jpg", "aesthetic": 7.459710597991943, "musiq": 0.0 }, { "tag": "", "rel_path": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/9563.jpg", "filename": "9563.jpg", "aesthetic": 6.656867027282715, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A quiet, intense domestic drama unfolds in the backyard of a working-class home, exploring relationship dynamics and the presence of a third party. The tone is contemplative, with underlying tension.", "characters": [ "", "", "" ], "shot_outline": " focuses on 's expression as she speaks, highlighting her feelings and involvement. cuts to , showing his reaction or perspective, perhaps one of casual observation. returns to the wide shot of all three, suggesting a shift or continuation in the overall dynamic. focuses again on , reinforcing his presence and possible influence with a more pronounced reaction. returns to , perhaps showing a different emotion or a response. cuts to , showing his reaction or statement. focuses on 's reaction again, maintaining his status as an observer. returns to the wide shot, indicating a group interaction or a conclusion of a moment. focuses on , perhaps showing a moment of reflection or decision, possibly with a prop." }, "instruction_full": "Shift the camera to a medium close-up on , framed from the side, with 's back and shoulder partially visible in the foreground on the left, continuing the perspective established in . should have a serious, contemplative expression as if speaking or listening intently. The shot maintains the same backyard environment as seen in , with the red brick house and steps in the background, to visually emphasize her emotional state within the domestic setting.", "think_full": "The decision to move to a medium close-up on from aims to bring the viewer closer to her emotional experience, making her expressions and reactions central to this moment. By keeping 's shoulder in the frame, we maintain the sense of dialogue and interaction, connecting her emotionally and spatially to him as established in . The consistent backyard setting from grounds the scene in its established domestic environment, preventing any disorientation. This framing is crucial to emphasize 's internal state and her role in the ongoing conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, the `global_prompt`'s `shot_outline` for dictates a focus on 's expression to highlight her feelings. Therefore, the next shot should be a close-up of , showing her face and conveying emotion. I need to maintain the visual continuity of the setting and the character's positions relative to . I will frame in a medium close-up, with a partial view of in the foreground to show their continued interaction, all within the same backyard environment from . This allows the viewer to connect with her emotional state during the domestic drama." }, { "instruction_full": "Cut to a medium close-up of from , shifting the camera to frame him facing forward, capturing his face and a subtle, perhaps amused or observant, expression. The background should still clearly be the familiar backyard setting established in , with the chain-link fence and foliage visible, to contextualize his reaction to the ongoing conversation.", "think_full": "Following the close-up on in , the narrative calls for a reaction or perspective from , who was present in but with his back to the camera. By cutting to a medium close-up of , we bring his presence to the forefront, allowing his expression to convey his understanding or reaction to the conversation between and . The consistent backyard setting from ensures visual continuity and reinforces that all three characters are sharing the same space.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a cut to to show his reaction or perspective. After seeing 's emotions in , it's logical to shift focus to the third character who was in . This shot should be a medium close-up of , capturing his facial expression, implying his observation of the interaction. The setting must remain the same backyard from and to maintain spatial continuity." }, { "instruction_full": "Return to the wide shot from , encompassing , , and in the backyard setting. now appears with a more open, possibly smiling or laughing expression, while maintains a serious demeanor. is still positioned with his back to the camera, consistent with his initial appearance in , but his posture might suggest continued engagement with the scene.", "think_full": "After individual close-ups on in and in , returning to the wide shot from is necessary to re-establish the group dynamic and provide a broader context for their interaction. The change in 's expression from indicates a progression in the conversation. By maintaining the exact camera setup and spatial relationship from , we reinforce the sense of a continuous scene, allowing the viewer to compare the current dynamic with the initial setup and observe the subtle shifts in character interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `shot_outline`, should return to the wide shot of all three characters, indicating a shift or continuation in the overall dynamic. After individual reaction shots in and , re-establishing the group composition from is essential. This shot should be nearly identical in framing to , with all three characters present in the backyard, but reflecting any updated emotional states or postures after the preceding conversation beats." }, { "instruction_full": "Cut back to a close-up of , similar to , but with 's back and shoulder visible in the foreground on the left, subtly linking this shot to 's perspective or position relative to from . should display a broader smile or a more pronounced look of amusement than in , reacting to the group interaction seen in . The backyard from remains the setting.", "think_full": "Following the re-establishment of the group dynamic in , the narrative calls for another focus on 's reaction, as indicated by the `shot_outline`. Reusing a similar close-up framing from but incorporating 's shoulder in the foreground, reminiscent of the implied perspective in , strengthens the visual connection to the conversation's flow. An amplified expression on 's face compared to allows for an escalation of his perceived amusement or observation. Maintaining the backyard setting from ensures continuous environmental context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for requires another focus on , reinforcing his presence and possible influence with a more pronounced reaction. After the wide shot in , a close-up on is warranted. This shot should be similar to in framing but potentially closer or showing a more evident reaction, potentially with 's shoulder in the foreground as seen in 's implied perspective, all within the continuing backyard setting." }, { "instruction_full": "Cut to a medium close-up of , mirroring the framing from , with 's shoulder still partially in the foreground. However, 's expression should now be one of quiet reflection or mild concern, a shift from her earlier emotional state in or her smile in . The consistent backyard backdrop from ensures spatial continuity.", "think_full": "After seeing 's amplified reaction in , it's important to return to to track her evolving emotional state in response to the overall interaction. By reusing the established framing from and maintaining 's foreground presence, we create visual consistency while allowing her new, more subdued expression to convey a different layer of the ongoing drama. The continuous backyard environment from reinforces the stable setting for these shifting emotions, fulfilling the `shot_outline`'s goal of showing a different emotion or response.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a return to , showing a different emotion or a response. After a focus on in , it's time to see 's perspective again. This shot should be a medium close-up, similar to , keeping partially in the foreground, but showing a new emotional nuance in her expression. The backyard setting from must remain constant." }, { "instruction_full": "Cut to a medium close-up of , now finally facing the camera. He should have a thoughtful or perhaps slightly exasperated expression as he engages in the conversation. The backyard environment from should be visible in the background, maintaining the continuity of the scene.", "think_full": "With close-ups on in and , and in and , it's now essential to give his own focused moment, as hinted by the `shot_outline`. This shot, a medium close-up, establishes his direct involvement in the dialogue, showing his perspective and reaction which have only been implied through the others' shots or his back in and . The consistent backyard from provides the unchanging stage for this unfolding domestic interaction, giving him a prominent visual presence for the first time in a close-up.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for calls for a cut to , showing his reaction or statement. Having previously focused on and individually, it is now 's turn to be framed in a close-up. This shot should be a medium close-up of , capturing his expression and direct engagement, within the same backyard setting from ." }, { "instruction_full": "Cut back to a close-up of , repeating the framing and perspective from , with 's back and shoulder visible in the foreground. should continue to have a cheerful or slightly mischievous smile, reinforcing his role as an observer amidst the unfolding drama. The backyard setting from is consistently maintained.", "think_full": "Following 's close-up in , the narrative returns to as per the `shot_outline`, to gauge his continued reaction. By reusing the framing from , including 's shoulder in the foreground, we reiterate their spatial relationship and 's ongoing role as an amused observer. The consistent expression, similar to , reinforces his steady perspective on the unfolding events. The unchanged backyard from ensures environmental continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates another focus on 's reaction, maintaining his status as an observer. After 's moment in , returning to provides another angle on the scene's emotional resonance. This should be a close-up of , similar to and , maintaining his characteristic expression and the consistent backyard setting from ." }, { "instruction_full": "Return to the wide shot from and , showing all three characters in the backyard. now has her arm gently around 's waist or back, signifying a moment of closeness or support, while continues to stand with his back to the camera. The overall scene should convey a sense of a concluded segment of interaction, with the familiar red brick house and steps in the background from .", "think_full": "After a series of close-ups focusing on individual reactions (, , , , , ), the narrative calls for a return to the wide shot to consolidate the group dynamic, as indicated by the `shot_outline`. By reusing the camera setup from and , we bring all three characters into focus, allowing the audience to see their collective interaction. The significant visual change— physically comforting —signals a development in their relationship, evolving from the initial, more tense standing in . The consistent backyard setting from grounds this shift in the established environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for requires a return to the wide shot, indicating a group interaction or a conclusion of a moment. After the individual close-ups, revisiting the wide shot from and is crucial to show the collective state of the characters and the resolution of the immediate interaction. The shot should frame all three characters in the backyard, capturing their updated postures and relationships, especially between and ." }, { "instruction_full": "Shift the camera to a medium close-up of , similar in framing to , but now he is holding a clear glass bottle and looking upwards with a reflective or contemplative gaze. The background should still clearly be the familiar backyard setting from , with subtle hints of the house or fence, to anchor this final personal moment within the established domestic space.", "think_full": "To conclude the scene, the `shot_outline` specifies a final focus on for a moment of reflection, possibly with a prop. A medium close-up, echoing the intimacy of , allows the viewer to connect deeply with his internal state. Introducing the glass bottle serves as a new narrative element, hinting at a potential toast or a moment of solace. His upward gaze adds to the reflective quality. The consistent backyard environment from ensures that this personal moment is still firmly rooted in the established setting, providing a strong sense of closure to this segment of the story.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a final focus on , perhaps showing a moment of reflection or decision, possibly with a prop. After the group shot in , a close-up on provides a sense of individual conclusion or thought. This shot should be a medium close-up, similar to , but he should be holding a prop like a bottle and his expression should be thoughtful. The backdrop will be the continuous backyard from ." } ], "_src_movie_dir": "Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv", "_src_filename": "008790_009563.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Fences.2016.2160p.AMZN.WEB-DL.x265.10bit.HDR10plus.DTS-HD.MA.7.1-SWTYBLZ.mkv/008790_009563.json", "_test_index": 89 }, { "movie": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "N": 10, "sample_id": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61088.jpg-Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61624.jpg", "images": [ { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61088.jpg", "filename": "61088.jpg", "aesthetic": 5.543352127075195, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61157.jpg", "filename": "61157.jpg", "aesthetic": 5.583499431610107, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61211.jpg", "filename": "61211.jpg", "aesthetic": 5.316900730133057, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61220.jpg", "filename": "61220.jpg", "aesthetic": 4.578597545623779, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61259.jpg", "filename": "61259.jpg", "aesthetic": 4.909575462341309, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61280.jpg", "filename": "61280.jpg", "aesthetic": 5.432881832122803, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61439.jpg", "filename": "61439.jpg", "aesthetic": 4.744783401489258, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61490.jpg", "filename": "61490.jpg", "aesthetic": 5.238819599151611, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61564.jpg", "filename": "61564.jpg", "aesthetic": 6.067779064178467, "musiq": 0.0 }, { "tag": "", "rel_path": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/61624.jpg", "filename": "61624.jpg", "aesthetic": 6.079620361328125, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense, dramatic confrontation unfolds in a mystical, foggy forest. The atmosphere is dark and somewhat enchanted, with gnarled trees and low visibility, suggesting both danger and isolation. The narrative centers on a sudden act of aggression and its immediate, painful repercussions, followed by a shift in dynamics between the two main characters.", "characters": [ "", "" ], "shot_outline": " establishes 's immediate, painful reaction to 's attack. returns to , showing her intense expression. provides a tight close-up on 's chest wound, emphasizing his pain and vulnerability. captures 's pained and conflicted reaction to what she has done. offers another close-up of 's face, depicting his severe discomfort. pulls back to a wider shot, showing moving away, with observing from the background, indicating a shift in their interaction. focuses on 's face again, highlighting her lingering distress and concern. shifts focus to in the deeper, darker forest, now armed with an axe and cautiously surveying his surroundings, implying a new threat or purpose. reiterates the ominous atmosphere of the forest with still on alert, reinforcing the lurking dangers." }, "instruction_full": "Shift the camera to a medium shot, directly facing , capturing his immediate and pained reaction. He should be clutching his chest where he was just struck, his face contorted in agony and surprise. The misty, dark forest environment established in should remain consistent, with the gnarled tree branches visible in the soft focus background, to visually convey his sudden vulnerability following 's attack. The intent is to immediately show the physical consequence of the prior action and elicit empathy for .", "think_full": "The story setup involves a direct confrontation. established attacking . To show the immediate result and escalate the tension, the next shot, , must be a reverse shot to . His posture and facial expression, clutching his chest, will clearly communicate the pain and shock from being struck by 's knife, which was wielded in . The dark, misty forest environment with shadowy trees, seen in , must be maintained to ensure spatial continuity and reinforce the harsh, isolated setting. This shot fulfills the narrative need to quickly convey consequences and shift the emotional balance by showing 's vulnerability after his apparent dominance in the preceding moment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, global_prompt.story_setup indicates a tense confrontation in a dark forest. shows attacking with a knife. global_prompt.shot_outline for states it 'establishes 's immediate, painful reaction to 's attack'. Therefore, I need to generate a shot focusing on . The camera should reverse from 's perspective to show his face and upper body, depicting him in obvious pain and surprise, clutching his chest where the attack would have landed. The setting should remain the same misty, ominous forest from , maintaining environmental continuity. The dramatic purpose is to immediately convey the impact of 's action." }, { "instruction_full": "Return to with a medium close-up, similar to the framing of but slightly tighter, capturing her resolute but perhaps conflicted expression. Her knife should still be held forward, reflecting the stance from . The same misty, dark forest backdrop with gnarled branches from and should be visible, maintaining continuity of the tense environment. This shot aims to show 's steadfastness amidst the immediate consequence of her actions, as seen in .", "think_full": "After seeing 's pain in , the narrative requires a return to to show her reaction and resolve. The framing for should echo the medium shot of in to maintain visual consistency and reinforce her active role in the confrontation. Her expression, while still determined, might now carry a hint of the emotional toll or conflict stemming from 's injury shown in . The misty forest and gnarled trees are continuous from and , cementing the environmental context. This shot serves to keep 's perspective central after showing the immediate impact on her adversary.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction 'generate the next shot' combined with global_prompt.shot_outline, which specifies 'returns to , showing her intense expression,' dictates a shot of . Building on where she initiated the attack and which showed 's pain, this shot should maintain the same dark, misty forest setting as and . The camera should frame in a medium shot or medium close-up, similar to her presentation in , but focusing on her face to convey her reaction to the consequences of her actions. The dramatic purpose is to show her resolve or internal struggle after seeing 's pain." }, { "instruction_full": "Cut to a tight close-up on 's chest, specifically focusing on the area where 's knife would have struck, emphasizing the wound or the act of him clutching it. This shot should be tightly framed on his chest and hands, eliminating most of the background, though the faint, dark, and misty quality of the forest environment from , , and should still be implied if any background is visible. The goal is to magnify the physical pain and vulnerability of after the attack.", "think_full": "Following 's intense expression in , the narrative needs to re-emphasize the immediate consequence for . A tight close-up, as described for , will heighten the dramatic impact of his injury, which was alluded to in when he clutched his chest. This framing isolates the wound, making it the central focus and intensifying the sense of his pain and vulnerability. While the background is mostly obscured by the tight crop, the underlying misty forest environment from , , and persists, ensuring environmental continuity. This shot serves to underscore the severity of the situation and the direct, painful impact of 's actions.", "instruction_minimal": "generate the next shot", "think_minimal": "With the instruction 'generate the next shot' and global_prompt.shot_outline indicating 'provides a tight close-up on 's chest wound, emphasizing his pain and vulnerability,' the focus must shift to the physical consequence for . Building on where he was seen clutching his chest, this shot should be a very tight close-up of his chest area, likely showing the hands still clutched there, to visually amplify his pain. The dark, misty forest atmosphere from previous shots (, , ) should subtly remain, even if the background is heavily blurred. This shot's purpose is to underscore the physical impact and the severity of the injury, increasing dramatic tension." }, { "instruction_full": "Shift back to a medium close-up of , mirroring the framing from , but with a subtle change in her expression. Her face should now convey a stronger sense of regret or distress, rather than just resolute intensity, in response to the magnified pain shown in . The consistent dark, misty forest environment, as seen in , , , and implied in , continues to serve as the backdrop. This shot aims to show 's emotional reaction to the explicit wound she inflicted.", "think_full": "After the visceral close-up of 's injury in , the narrative naturally demands a reaction from . Returning to a medium close-up of for , similar to her previous framing in and , allows for character continuity. Her expression should evolve from mere intensity to one reflecting the weight of her actions, perhaps regret or dawning concern, directly influenced by the graphic display of 's pain. The gloomy forest setting is consistent with , , , and . This shot is crucial for depicting 's emotional journey and highlighting the moral complexity of her actions.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'generate the next shot' instruction, and knowing global_prompt.shot_outline for is to capture ''s pained and conflicted reaction to what she has done,' this shot must focus on . After the close-up of 's injury in , her expression should reflect a strong emotional response. The camera should return to a medium close-up of , similar to and , maintaining the consistent dark, misty forest environment from all previous shots. The dramatic purpose is to show her emotional state after the full realization of the injury she caused, adding depth to her character." }, { "instruction_full": "Cut back to a close-up on 's face, a tighter shot than , similar to the intensity of but focusing on his facial features. His expression should be a vivid portrayal of pain and struggle, perhaps gritting his teeth or wincing. The dark, misty forest background from , , , , and should remain, though possibly blurred to keep focus on his face. This shot is intended to reinforce 's suffering and the severe physical consequences he is enduring.", "think_full": "Having established 's reaction in , the narrative swings back to for to reinforce his suffering, especially after the brief respite from his direct injury. A close-up on his face, even tighter than , allows for a detailed depiction of his pain, building on the visual impact of . This shot strengthens the empathetic connection with and highlights the severity of the attack. The environment, the dark and misty forest established in and consistently present through , , , and , continues to provide the ominous backdrop, ensuring visual continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The instruction 'generate the next shot' along with global_prompt.shot_outline for stating it 'offers another close-up of 's face, depicting his severe discomfort,' means I need to focus tightly on . Building on his initial pain in and the close-up of his injury in , this shot should be a close-up of his face, emphasizing his current intense pain. The dark, misty forest from , , , , and will serve as the consistent background, though likely blurred. The dramatic purpose is to continually emphasize the painful impact of the attack and deepen the empathy for ." }, { "instruction_full": "Transition to a slightly wider, full shot, shifting perspective slightly to the left from previous close-ups, showing stepping away from his previous position, still appearing pained but attempting to move. In the deeper background, should be visible, observing his movement. The gnarled trees and misty, dark forest from , , , , , and should be more prominent here, enveloping both characters, to illustrate a subtle shift in their dynamic and the vastness of their isolated setting. This shot aims to show recovering enough to move, and 's continued observation, hinting at a new phase of their interaction.", "think_full": "After the series of close-ups depicting pain (, , ) and reactions (, ), the narrative needs to re-establish spatial relationships and a potential shift in dynamic. A wider shot for allows both and to be seen within the same frame, albeit with more central and in the background, observing. This contrasts with the tight, alternating close-ups, creating a sense of increased space and a change in 'who is doing what.' 's attempt to move, despite his pain, suggests resilience and a move beyond mere reaction. The consistent dark, misty forest environment from through is now showcased more broadly, emphasizing their isolation and the oppressive atmosphere. This shot conveys a developing interaction and a change in physical positions.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot' and global_prompt.shot_outline for which says it 'pulls back to a wider shot, showing moving away, with observing from the background,' the shot needs to encompass both characters within a broader view. After the intense close-ups on their individual reactions (, , , , ), this wider shot will re-establish their physical proximity and the continuation of their interaction. should be depicted attempting to move, showing his recovery or determination, while watches, maintaining her presence in the narrative. The dark, misty forest from and subsequent shots remains the environment, now more fully visible to convey the scale of their isolation. This shot shifts the focus from individual pain to their evolving relationship and movement within the space." }, { "instruction_full": "Cut back to a medium close-up of 's face, similar to the framing in and , but with her expression now reflecting deep concern and perhaps a touch of sympathy or sadness as she watches move, as seen in . The background should maintain the dark, atmospheric misty forest seen throughout the sequence from to . The dramatic purpose of this shot is to convey 's evolving emotional state, acknowledging 's struggle and her internal conflict.", "think_full": "Following 's pained movement in the wider shot of , the narrative calls for a return to 's perspective for to show her emotional processing of the situation. A medium close-up on her face, consistent with her previous framings in , , and , allows for a nuanced portrayal of her evolving feelings—from initial aggression to growing concern or regret. This shot highlights her internal struggle after witnessing 's vulnerability and resilience. The dark, misty forest environment from through continues to provide a consistent and atmospheric backdrop.", "instruction_minimal": "generate the next shot", "think_minimal": "Responding to 'generate the next shot' and global_prompt.shot_outline for , which specifies 'focuses on 's concern,' I need to create a shot of 's face. Building on her observing 's movement in , her expression should clearly convey concern, sympathy, or regret. The camera should frame her in a medium close-up, similar to her previous appearances in , , and , ensuring character continuity. The dark, misty forest from previous shots ( through ) will serve as the backdrop. The dramatic purpose is to show her internal emotional shift in response to the ongoing situation with ." }, { "instruction_full": "Shift to a wider shot of , now positioned deeper within the dark, gnarled misty forest, perhaps with an axe in hand or nearby, cautiously scanning his surroundings. is not visible in this shot, emphasizing 's solitary presence. The composition should highlight the dense, eerie quality of the forest, as seen in through , with prominent dark branches and low visibility, suggesting new, unseen threats or a change in focus. This shot is designed to re-establish as a capable figure and introduce a new narrative beat of environmental awareness or impending external danger.", "think_full": "After focusing on 's internal conflict in , the narrative needs to shift again, potentially introducing a new threat or re-establishing 's agency. should be a wider shot of , distinct from the close-ups and the two-person shot in . By showing him alone and actively surveying the environment, perhaps now armed, it signals a change from passive recipient of pain to an active participant, anticipating new dangers. The dark, misty, gnarled forest, consistently established from through , is now used to emphasize the broader, ominous surroundings rather than just the immediate confrontation. This shot aims to broaden the scope of the threat and re-empower within the dangerous setting.", "instruction_minimal": "generate the next shot", "think_minimal": "Following 'generate the next shot' and global_prompt.shot_outline for , which states it 'shifts focus to in the deeper, darker forest, now armed with an axe and cautiously surveying his surroundings, implying a new threat or purpose,' I need to create a wider shot of . After the focus on 's emotions in , this shot should shift back to and his environment. He should appear more active, potentially armed, and observing his surroundings, suggesting a new challenge or danger beyond their initial conflict. The dark, misty, gnarled forest from through will be a prominent element, emphasizing the ominous nature of the setting. The dramatic purpose is to broaden the narrative, hinting at external threats and 's readiness." }, { "instruction_full": "Maintain a similar wide shot and perspective as , keeping in the frame, still in the deep, dark, misty forest, cautiously looking around with his axe. The shot could be a slight pan or zoom, or a static shot that simply holds the previous image, reinforcing the sense of lingering threat and the oppressive environment. The gnarled trees and low visibility that have characterized the setting since should remain dominant. The purpose is to dwell on the ominous atmosphere and 's vigilance, concluding this segment with a feeling of unresolved tension.", "think_full": "Building on 's re-established agency and the environmental threat introduced in , needs to reinforce this feeling without introducing drastically new elements. A similar wide shot, possibly a slight variation or a held shot from , allows the audience to fully absorb the ominous atmosphere and 's continued vigilance. This repetition or slight shift of perspective emphasizes the lingering danger within the dark, misty forest, which has been the consistent setting from onwards. The gnarled trees and low light continue to define the space. This shot's dramatic purpose is to create a sense of prolonged tension and the ongoing presence of unseen threats, leaving the viewer with a sense of unresolved suspense.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot' and global_prompt.shot_outline for , which specifies it 'reiterates the ominous atmosphere of the forest with still on alert, reinforcing the lurking dangers,' the shot should be very similar to . I need to depict continuing to be vigilant in the dark, misty, gnarled forest. The camera should maintain a wide perspective, possibly a slight re-framing or holding the shot from , to emphasize the pervasive threat and the ominous environment established from through . The dramatic purpose is to reinforce the sense of lingering danger and 's defensive posture within the foreboding natural setting, providing a strong sense of unresolved tension for the end of the sequence." } ], "_src_movie_dir": "Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "_src_filename": "061088_061624.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Snow.White.and.the.Huntsman.2012.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/061088_061624.json", "_test_index": 90 }, { "movie": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv", "N": 10, "sample_id": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/26814.jpg-Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27701.jpg", "images": [ { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/26814.jpg", "filename": "26814.jpg", "aesthetic": 7.513195037841797, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/26844.jpg", "filename": "26844.jpg", "aesthetic": 8.073436737060547, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27006.jpg", "filename": "27006.jpg", "aesthetic": 6.16233491897583, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27021.jpg", "filename": "27021.jpg", "aesthetic": 7.388238906860352, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27087.jpg", "filename": "27087.jpg", "aesthetic": 5.784189224243164, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27342.jpg", "filename": "27342.jpg", "aesthetic": 7.0232696533203125, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27393.jpg", "filename": "27393.jpg", "aesthetic": 6.6606268882751465, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27548.jpg", "filename": "27548.jpg", "aesthetic": 7.005850791931152, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27584.jpg", "filename": "27584.jpg", "aesthetic": 6.921685218811035, "musiq": 0.0 }, { "tag": "", "rel_path": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/27701.jpg", "filename": "27701.jpg", "aesthetic": 7.52817964553833, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a dimly lit, cluttered attic workshop filled with intricate gears and mechanical parts, a young, curious boy engages in a conversation with an older, focused man. The atmosphere is one of intense concentration and a shared passion for the mysterious automaton they are examining. The pacing is deliberate, emphasizing discovery and emotional connection.", "characters": [ "", "", "" ], "shot_outline": " provides a counter-shot of , showing his expression and engagement in the conversation. shifts focus to itself, highlighting its current state or a specific detail they are examining. returns to , emphasizing his focused interaction. returns to , continuing the examination. returns to , capturing his evolving reaction. pulls back to an establishing wide shot of the entire workshop, revealing the full environment and the relative positions of , , and . cuts back to a close-up of for continued detailed interaction. focuses on 's expression. concludes with , showing his final thoughts or a subtle resolution." }, "instruction_full": "Shift the camera to a medium close-up, similar in framing and intimacy to , to capture the face of as he interacts with . He should be looking intently at or the object between them, with a slight, knowing smile. The warm, directed lighting from should continue, illuminating his face against the darker, cluttered background of the workshop, to establish his character and direct interaction with .", "think_full": "The global_prompt establishes a close, focused interaction between and . Since framed , the logical next shot, according to cinematic conversation principles and the shot_outline's mention of a 'counter-shot of ', is to capture 's perspective. I am reusing the close-up framing style from to maintain intimacy. is a character established in global_prompt but not fully seen in , which only showed his shoulder. This shot visually introduces him, showing his expression and engagement with whom we saw in . The space, dimly lit workshop with specific lighting, is consistent with , creating continuity of environment. The user intent is to fully introduce visually and show his active participation in the scene, complementing 's expression seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the global_prompt.story_setup and global_prompt.shot_outline, which explicitly mentions a 'counter-shot of ' for , the most logical step after seeing in is to show who he is interacting with. Therefore, the camera should reverse to capture 's face. The setting is the same dimly lit workshop as implied by . should be shown in a close-up, similar to 's framing in , to maintain the intimate tone and show his reaction, reinforcing the idea of a focused conversation or shared moment. This will help establish 's character and his relationship with , advancing the narrative of their shared activity." }, { "instruction_full": "Maintain a similar close-up framing as and , but now focus on itself, positioned on a table between and . The lighting should still be the warm, directed light seen in and , illuminating the metallic face of and a hand, possibly 's, gently touching it. This shot's purpose is to highlight the object of their attention, revealing its detail and emphasizing its importance.", "think_full": "Following the back-and-forth between (in ) and (in ), the global_prompt.shot_outline for dictates a shift in focus to ' itself'. This requires a close-up on , which is a character introduced in the global_prompt but not yet clearly seen. By maintaining the intimate close-up framing established in and , we draw attention to the object they are discussing. The warm, directed lighting from and is crucial for environmental continuity in the workshop setting. Introducing a hand gently touching it suggests continued interaction and careful examination by (from ) or even (from ), reinforcing their shared focus. The narrative intent is to elevate 's presence and detail, making it central to the scene and furthering the mystery and curiosity established in the story setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt.shot_outline specifically states that 'shifts focus to itself'. After seeing close-ups of in and in , the natural progression is to reveal the object of their attention. The shot should be a close-up of , maintaining the intimate framing and lighting established in and . It should be shown on a surface, implying it's what they are working on, and perhaps a hand interacting with it to show continued engagement. This shot introduces visually as a key character and central mystery within the shared workshop space described in the global_prompt.story_setup, fulfilling the outline's intent." }, { "instruction_full": "Return to a medium close-up of , mirroring the framing and warm, directed lighting of . His expression should now be more intense and focused, perhaps leaning slightly forward as if making a point or observing a crucial detail on . He should be looking towards the space where was positioned, in continued interaction with it or , to advance the conversation.", "think_full": "The global_prompt.shot_outline indicates that 'returns to , emphasizing his focused interaction'. After revealing in , it's logical to cut back to one of the human characters to show their reaction or next step in the interaction. I am returning to the same camera setup used for in to maintain visual consistency and rhythm, suggesting a continuous conversation or examination. 's intense and focused expression is an evolution from his slight smile in , indicating the deepening of the narrative as they delve into 's intricacies. The dimly lit workshop environment and warm lighting from , , and remains consistent. The narrative purpose is to highlight 's expertise and his deep engagement with the task, reflecting the story setup's 'intense concentration and a shared passion'.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Following the pattern of interaction established by , , and (boy, man, automaton), and guided by the global_prompt.shot_outline which states 'returns to , emphasizing his focused interaction', the camera should cut back to . The framing should be a close-up, similar to , reusing the intimate perspective and the specific lighting of the workshop seen in , , and . should be shown with an intense expression, perhaps looking down towards (as seen in ), conveying his deep concentration and moving the narrative forward in their shared discovery." }, { "instruction_full": "Cut back to a close-up of , maintaining the precise framing and lighting conditions seen in . should appear exactly as it did in , with the hand (presumably 's from ) still gently touching it or perhaps adjusted slightly. This repetition reinforces the central role of and signifies continued, careful examination.", "think_full": "The global_prompt.shot_outline for states it 'returns to , continuing the examination'. After the intense focus on in , cutting back to in a similar shot to reinforces the back-and-forth dynamic and maintains the sense of careful, ongoing work. I am reusing the exact camera setup, lighting, and even the detail of the hand from to show continuity of action and attention. as a character is visually consistent with its introduction in . The dimly lit workshop background and specific lighting continue from , , , and . The narrative purpose is to emphasize the detailed examination of , showing it as the focal point of their shared activity and building anticipation around its state.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt.shot_outline indicates that 'returns to , continuing the examination'. Given the pattern of cutting between , , and (established by , , , ), a return to is expected. The shot should be a close-up, mirroring the framing and lighting of , and depicting in a similar state of examination. The hand, which was seen interacting in and implied by 's focus in , should still be present, emphasizing the ongoing interaction. This continuity in space, character (), and action (examination) is crucial for driving the story setup's theme of 'intense concentration and shared passion'." }, { "instruction_full": "Shift the camera back to a medium close-up of , similar to the framing of , but with a slightly altered expression. He should still have his striking blue eyes, but his gaze might now be more inquisitive or slightly troubled, reflecting a reaction to the ongoing examination of shown in . The familiar warm, directed lighting and dark workshop background from should be maintained.", "think_full": "The global_prompt.shot_outline for instructs to 'returns to , capturing his evolving reaction'. After two shots focused on and ( and ), it's time to check back in with . I am reusing the camera angle and framing from for visual continuity, ensuring that 's character (with his prominent blue eyes) is immediately recognizable from . His expression should evolve from the initial curiosity in to something more reflective or questioning, showing his processing of the unfolding events with . The lighting and general ambience of the workshop environment from , , , , and remain consistent. The narrative purpose is to track 's emotional journey and understanding as the central mystery progresses, aligning with the story setup's emphasis on 'discovery and emotional connection'.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt.shot_outline for indicates 'returns to , capturing his evolving reaction'. After seeing () and (), the natural sequence is to cut back to , maintaining the established rhythm. The shot should be a close-up, similar to , re-using the camera position and the warm lighting of the workshop seen in all previous shots. should display an expression that shows his continued engagement and a possible shift in his understanding or emotional state, building on his initial look from as the story of the automaton unfolds." }, { "instruction_full": "Execute a significant camera change to a high-angle, wide shot that reveals the entire dimly lit attic workshop. , , and should all be visible, positioned near a central work table, clearly showing their relative distances and the cluttered, intricate environment filled with gears, tools, and other curious contraptions, under the existing warm, directed light from to . This shot is to provide a complete spatial context and underscore the unique world they inhabit.", "think_full": "The global_prompt.shot_outline for explicitly calls for an 'establishing wide shot of the entire workshop'. This is a dramatic departure from the close-up framing of through , which is necessary to finally reveal the full scope of the environment that has only been hinted at through backgrounds. The wide shot will show (last seen in ), (last seen in ), and (last seen in ) together within their working space, solidifying their physical relationship to each other and to their shared project. The 'dimly lit, cluttered attic workshop' described in the global_prompt.story_setup can now be fully visualized, with details like gears and tools. The warm, directed lighting quality must be maintained from previous shots to ensure environmental continuity. The narrative purpose is to provide crucial spatial context, anchor the characters within their world, and emphasize the 'intricate gears and mechanical parts' mentioned in the global_prompt.story_setup, reinforcing the unique, mysterious atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt.shot_outline clearly states that is an 'establishing wide shot of the entire workshop'. After a series of close-ups from to , this wide shot is essential to finally show the full 'dimly lit, cluttered attic workshop' environment mentioned in the global_prompt.story_setup. It should reveal (last seen in ), (last seen in ), and (last seen in ) in their respective positions around the work table, establishing their spatial relationship and the rich, mechanical nature of their surroundings under the consistent warm lighting. This fulfills the narrative need for comprehensive environmental context and underscores the unique setting of their discoveries." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing of and , but perhaps now looking intently down at or the work table. His expression should reflect deep concentration, picking up on the 'intense concentration' aspect of the global_prompt.story_setup. The warm, directed lighting and workshop background, now understood more fully from , should be maintained to ensure continuity.", "think_full": "Following the wide establishing shot in , the narrative calls for a return to the intimate focus on the characters and their interaction, as per the global_prompt.story_setup's 'intense concentration'. I am reverting to the close-up framing style of and for (last seen in as part of the wide shot) to continue the detailed examination. His expression should convey deep concentration, reflecting his expertise and involvement. The specific warm, directed lighting from through continues to define the atmosphere. The workshop environment, now spatially understood from , serves as the consistent backdrop. The narrative purpose is to re-engage with the character's internal state and the specific details of their work after the broader context was established, deepening the sense of discovery.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. After the wide establishing shot in , the most logical step, as implied by the story's ongoing 'intense concentration' (global_prompt.story_setup) and the continuous interaction between the characters and , is to return to a close-up. The global_prompt.shot_outline implies a return to detailed interaction, so a close-up of (last seen in ) is appropriate. This shot should mirror the framing and lighting of his previous close-ups (, ), showing his focused expression as he examines or interacts with . This maintains the intimate pacing after the broader reveal of the workshop in ." }, { "instruction_full": "Cut to a medium close-up of , similar to the framing of and . His gaze should be directed intently, either at or , with an expression that conveys deep thought or renewed curiosity. The familiar warm, directed lighting from through should continue, keeping him within the consistent workshop environment revealed in .", "think_full": "Continuing the intimate focus after 's close-up in , the global_prompt.shot_outline for explicitly states 'focuses on 's expression'. This maintains the conversational rhythm by cutting back to (last seen in ). I am reusing the close-up framing and character presentation from and , which helps track his evolving emotional and intellectual engagement. His expression should reflect the 'discovery and emotional connection' highlighted in the global_prompt.story_setup, as he processes the information or observes the work. The dimly lit, warm workshop environment established fully in and continued in provides spatial continuity. The narrative purpose is to show 's sustained attention and internal processing, reinforcing his role as an active participant in the discovery.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Following the close-up of in , and in line with the global_prompt.shot_outline's instruction to 'focuses on 's expression' for , a cut to a close-up of (last seen in ) is the logical next step. The shot should resemble and in framing and lighting, capturing his gaze and expression. His look should convey continued engagement or a new thought in response to the ongoing work or conversation, keeping the narrative flowing within the consistent workshop setting established in ." }, { "instruction_full": "Return to a medium close-up of , matching the framing and lighting of , , and . He should have a subtly different, perhaps satisfied or thoughtful, expression. His gaze should be directed downwards towards or across to , suggesting a moment of resolution or a new understanding. This shot serves to offer a concluding beat from his perspective, reinforcing his role in the shared discovery.", "think_full": "The global_prompt.shot_outline for instructs 'concludes with , showing his final thoughts or a subtle resolution'. After 's reaction in , returning to provides a sense of closure to this segment of their interaction. I am reusing the familiar close-up framing of from , , and for visual consistency. His expression should reflect a shift, perhaps a 'subtle resolution' as outlined, or a thoughtful satisfaction, tying back to the 'discovery and emotional connection' in the global_prompt.story_setup. The warm, directed lighting and the workshop background, thoroughly established in , continue to provide environmental continuity. The narrative purpose is to signify a concluding thought or a key moment of understanding from 's perspective, bringing the immediate interaction to a refined close.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt.shot_outline indicates that 'concludes with , showing his final thoughts or a subtle resolution'. After the back-and-forth between () and (), a return to (last seen in ) is appropriate for this concluding shot. The framing should be a close-up, similar to his previous appearances (, , ), maintaining the intimate atmosphere and the established warm lighting of the workshop from . His expression should convey a sense of satisfaction, thought, or a subtle resolution, reflecting the progress in their shared examination of and providing a narrative beat of completion." } ], "_src_movie_dir": "Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv", "_src_filename": "026814_027701.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Hugo 2011 2160p UHD BluRay REMUX DV HDR HEVC DTS-HD MA 7.1-TRiToN.mkv/026814_027701.json", "_test_index": 95 }, { "movie": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90968.jpg-Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91385.jpg", "images": [ { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90968.jpg", "filename": "90968.jpg", "aesthetic": 7.174411773681641, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90980.jpg", "filename": "90980.jpg", "aesthetic": 7.359635353088379, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91031.jpg", "filename": "91031.jpg", "aesthetic": 6.530519008636475, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91034.jpg", "filename": "91034.jpg", "aesthetic": 6.714592456817627, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91076.jpg", "filename": "91076.jpg", "aesthetic": 6.640383720397949, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91130.jpg", "filename": "91130.jpg", "aesthetic": 6.6995673179626465, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91190.jpg", "filename": "91190.jpg", "aesthetic": 5.845176696777344, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91268.jpg", "filename": "91268.jpg", "aesthetic": 5.932192325592041, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91280.jpg", "filename": "91280.jpg", "aesthetic": 6.120388984680176, "musiq": 0.0 }, { "tag": "", "rel_path": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91385.jpg", "filename": "91385.jpg", "aesthetic": 5.078219890594482, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative depicts a high-stakes trial or interrogation within a formal, imposing magical society. The tone is tense and serious, with moments of accusation, judgment, and the dire consequences of defiance. The pacing is deliberate, emphasizing the weight of the proceedings and the vulnerability of the accused.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces , a formidable figure of authority. shows along with and , highlighting their collective vulnerability. reveals , the ultimate arbiter of the trial. returns to and their companions, showing their reaction to the proceedings. cuts back to , maintaining focus on his stern authority. shifts to a contemplative shot of . depicts being led away, marking a turning point. shows in the aftermath, asserting his power. ends the sequence with in a grim, isolated prison setting." }, "instruction_full": "Shift the camera to a medium shot, introducing who stands prominently in the foreground. He should appear stern and imposing, dressed in dark, formal attire. The shot is set in the same dark, cavernous hall from , maintaining the somber atmosphere, with indistinct figures in the background to suggest a larger gathering, to introduce the primary antagonist and establish their commanding presence in the trial.", "think_full": "The story setup emphasizes a high-stakes trial. introduced with a concerned expression in a dark, formal setting. To advance the narrative and establish the conflict, the next shot needs to introduce the figure of authority or the primary antagonist. The 'shot_outline' for specifically states that it 'introduces , a formidable figure of authority.' By maintaining the dark, formal hall environment from , we ensure spatial continuity. Framing in a medium shot, looking stern, directly contrasts with 's vulnerable look in , immediately establishing a power dynamic and setting the stage for the trial.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'story_setup' of a high-stakes trial and showing looking concerned in a dark, formal hall, the next shot must advance the narrative. The 'shot_outline' states that 'introduces , a formidable figure of authority.' Therefore, I need to generate a shot introducing this authority figure. I will keep the dark, formal hall setting from for continuity. The shot should feature looking stern, likely in a medium shot, to establish his imposing presence in the trial and create a visual contrast with from ." }, { "instruction_full": "Pull back to a wider medium shot, revealing , , and standing together. They should appear restrained or hands bound behind their backs, with expressions of concern or apprehension. The setting remains the dark, formal hall seen in and , emphasizing the public nature of their accusation, to collectively show the group facing judgment and highlight their vulnerability.", "think_full": "After introducing in and in , the narrative needs to establish the full scope of the accused. The 'shot_outline' for indicates it 'shows along with and , highlighting their collective vulnerability.' To achieve this, the camera should pull back from the tighter shot of in to a wider view. We must reintroduce from and also introduce two new characters: and . Keeping them in the same dark, formal hall seen in and ensures spatial continuity, while their restrained posture and concerned expressions convey their collective predicament and vulnerability in the face of the trial.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen () and (). The 'shot_outline' for specifies showing ' along with and , highlighting their collective vulnerability.' This requires a wider shot of the group. I will maintain the dark, formal hall from and for environmental continuity. The characters, including from , should appear vulnerable and possibly restrained to convey the gravity of their situation as they face judgment." }, { "instruction_full": "Change the camera angle to a grand, slightly elevated medium-wide shot, introducing in an elaborate, regal costume. She should be positioned in a place of supreme authority, possibly on a raised platform or throne, under a prominent crest or banner. The backdrop remains the imposing, dark hall from , , and , now highlighting a more ornate section to reveal the ultimate authority figure overseeing the trial.", "think_full": "Having established and his companions in and in , the narrative requires revealing the ultimate authority in this trial. The 'shot_outline' for states it 'reveals , the ultimate arbiter of the trial.' This necessitates a new character, , portrayed with significant visual power. By utilizing a grand, elevated medium-wide shot, we emphasize her status. The setting should remain the dark, formal hall, consistent with , , and , but now focusing on the specific area of ultimate judgment, marked by ornate details and a crest to reinforce her supreme power and the formality of the proceedings.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen (), (), and the group of accused (). To escalate the sense of judgment, the 'shot_outline' for dictates 'reveals , the ultimate arbiter of the trial.' This means I need to introduce a new character of supreme authority. I will maintain the dark, grand hall setting from previous shots (, , ), but frame in an elevated and ceremonial manner, possibly on a throne with an emblematic background, to visually convey her ultimate power." }, { "instruction_full": "Return to a medium-wide shot, similar in framing to , featuring , , and . They should be standing in the same position, looking up with expressions of concern or apprehension, likely reacting to something just said by from . The dark, formal hall environment from , , , and remains consistent, to capture their collective reaction and emphasize the pressure they are under.", "think_full": "Following the introduction of in , the natural narrative progression is to show the reaction of the accused. The 'shot_outline' for states it 'returns to and their companions, showing their reaction to the proceedings.' Therefore, we should return to the group shot from . The camera framing and the characters ( from , , from ) should be consistent. Their expressions should reflect a heightened sense of concern or apprehension, directly responding to the authority figure from . The dark, formal hall, consistent with , , , and , continues to provide the oppressive backdrop.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' involves a high-stakes trial. We've introduced (), (), the group of accused (), and (). The 'shot_outline' for specifies 'returns to and their companions, showing their reaction to the proceedings.' This implies cutting back to the accused group. I will reuse the medium-wide framing from , showing (from ), , and (both from ), now reacting with heightened concern to the pronouncements from (). The dark, formal hall from previous shots will serve as the continuous backdrop." }, { "instruction_full": "Cut to a medium close-up of , similar to , but perhaps with a more intense or focused expression. He stands in the same dark, formal hall, with the imposing background details from visible behind him, to emphasize his continued authority and stern gaze in response to the proceedings and the accused's reaction.", "think_full": "After showing the collective reaction of the accused in , the narrative would benefit from a return to an authority figure, specifically , to demonstrate his continued control or reaction. The 'shot_outline' for indicates it 'cuts back to , maintaining focus on his stern authority.' Reusing the medium close-up framing from will provide visual consistency for this character. (introduced in ) should show an intense or focused expression, reinforcing his role in the trial. The dark, formal hall and background elements seen in should remain consistent, ensuring spatial continuity while focusing on his unyielding presence.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've cycled through (, , ), (), and (). The 'shot_outline' for states it 'cuts back to , maintaining focus on his stern authority.' This means returning to . I will use a medium close-up, similar to his introduction in , to maintain visual continuity and emphasize his stern and focused expression. The dark, formal hall background seen in will remain consistent, reinforcing his imposing presence." }, { "instruction_full": "Cut to a medium close-up of , framed similarly to , but perhaps with a more contemplative or resolved expression. She should be seated on her ornate throne, with the significant crest and banner from still visible behind her, in the grand, dark hall, to underscore her ultimate decision-making power and the weight of her judgment.", "think_full": "Following the intense gaze of in , the narrative needs to shift focus back to the ultimate arbiter, , to build anticipation for a decision. The 'shot_outline' for specifies 'shifts to a contemplative shot of .' This requires bringing back (introduced in ). A medium close-up, similar to her establishing shot in , will maintain visual continuity. Her expression should be contemplative or resolved, highlighting her role in delivering judgment. The grand, dark hall, along with the ornate throne and banner from , will continue to serve as the powerful backdrop, emphasizing her authority.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen the accused's reaction () and 's intensity (). The 'shot_outline' for indicates 'shifts to a contemplative shot of .' This means returning to (introduced in ). I will generate a medium close-up of , similar to , with her seated on the throne and the crest visible, to convey her authority and a sense of impending decision. The dark, grand hall continues from for spatial continuity." }, { "instruction_full": "Transition to a new medium shot, slightly tighter than previous wider shots, featuring being led away by an escort figure. should appear submissive or resigned, with hands still possibly bound. The setting is a darker, less grand corridor or hallway, separate from the main hall but still within the same building, indicating a physical consequence of the trial and his forced removal.", "think_full": "After the contemplation of in , the narrative must progress to the immediate consequence of the trial. The 'shot_outline' for states it 'depicts being led away, marking a turning point.' This requires focusing on (seen in , , ) as he is physically moved. The change in environment to a 'darker, less grand corridor or hallway' signifies a shift from the public trial to the personal aftermath, with no specific visual link to through for the corridor itself, though it maintains a dark, institutional tone. should appear resigned, emphasizing his vulnerability and the dire outcome of the trial. A new, unnamed 'escort figure' is introduced as part of this action.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen the judgment figures (, ) and the accused (). The 'shot_outline' for says it 'depicts being led away, marking a turning point.' This means showing (from , , ) in motion, facing the direct consequence of the trial. I will show him being escorted in a new, distinct, and darker corridor environment, separate from the main trial hall, to signify his journey to his fate. His expression should reflect resignation to this outcome." }, { "instruction_full": "Return to a medium-wide shot of the dark, formal hall from through , now showing walking with purpose, holding a distinctive briefcase. He should appear in control and decisive, with other indistinct figures possibly in the background. This shot serves to reinforce his authority and the finality of the trial's outcome after 's removal.", "think_full": "Following 's removal in , the narrative needs to reinforce the power dynamics and show the antagonist's perspective in the aftermath. The 'shot_outline' for states it 'shows in the aftermath, asserting his power.' This calls for (seen in , ) returning to the scene. By returning to the dark, formal hall (seen in through ), we re-establish the primary setting of authority. should be seen walking with purpose and holding a briefcase, signifying his decisive action and control over the situation, contrasting with 's vulnerability in .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen being led away (). The 'shot_outline' for states it 'shows in the aftermath, asserting his power.' This means we should cut back to (from , ) in the grand hall (from through ). I will frame him in a medium-wide shot, appearing decisive and in control, perhaps holding a briefcase, to convey his authority and the conclusion of this phase of the trial." }, { "instruction_full": "Generate a wide, establishing shot of a new, oppressive environment: a dark, cavernous prison cell block with repeating arched columns and dim, sparse overhead lighting. In the distance, framed by the bars of a cell, is seen alone, appearing isolated and defeated, to depict the grim final consequence of the trial and his imprisonment.", "think_full": "After seeing led away in and asserting his power in , the narrative requires a definitive shot of 's ultimate fate. The 'shot_outline' for indicates it 'ends the sequence with in a grim, isolated prison setting.' This necessitates a completely new environment, a 'dark, cavernous prison cell block,' which contrasts sharply with the grand hall, establishing a new, oppressive reality with no visual continuity to through in terms of the specific setting details, other than maintaining a dark, somber tone. (seen in , , , ) should be portrayed alone and isolated within a cell, emphasizing his defeat and the harsh consequences of the trial, providing a bleak conclusion to this story arc.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'story_setup' is a high-stakes trial. We've seen led away () and 's finality (). The 'shot_outline' for clearly states it 'ends the sequence with in a grim, isolated prison setting.' This requires a new, distinct, and oppressive environment to represent his imprisonment. I will generate a wide shot of a dark, cavernous prison, with (from , , , ) alone in a cell, to emphasize his isolation and the severe consequence of the trial. The new setting will be dark and imposing, with no specific visual links to earlier environments from through ." } ], "_src_movie_dir": "Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "090968_091385.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Fantastic.Beasts.and.Where.to.Find.Them.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/090968_091385.json", "_test_index": 100 }, { "movie": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "N": 10, "sample_id": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79460.jpg-Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80374.jpg", "images": [ { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79460.jpg", "filename": "79460.jpg", "aesthetic": 5.798765659332275, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79642.jpg", "filename": "79642.jpg", "aesthetic": 7.2700676918029785, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79672.jpg", "filename": "79672.jpg", "aesthetic": 5.539868354797363, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79741.jpg", "filename": "79741.jpg", "aesthetic": 7.083643913269043, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/79915.jpg", "filename": "79915.jpg", "aesthetic": 5.476447105407715, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80014.jpg", "filename": "80014.jpg", "aesthetic": 7.000641822814941, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80050.jpg", "filename": "80050.jpg", "aesthetic": 5.635059356689453, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80170.jpg", "filename": "80170.jpg", "aesthetic": 7.380634307861328, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80173.jpg", "filename": "80173.jpg", "aesthetic": 5.852334022521973, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/80374.jpg", "filename": "80374.jpg", "aesthetic": 6.906749725341797, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two men, one older and one younger, are engaged in a serious outdoor conversation by a body of water. The interaction has a significant, possibly somber or contemplative tone, suggesting an important exchange is taking place.", "characters": [ "", "" ], "shot_outline": " will switch to 's perspective, showing his reaction and continuing the conversation. will return to 's perspective, reflecting his continued thought. will again focus on , maintaining the dialogue flow. will bring us back to , perhaps with a subtly changed expression. will capture 's internal reaction or contemplation. will show 's steady gaze in response. will pull back to a wider shot, revealing their full environment, a distant building, and a significant object exchange between them. will return to a closer shot of , focusing on his reaction post-exchange. will be a final wider shot from behind , showing both characters contemplating their surroundings." }, "instruction_full": "Reverse the shot from , capturing a close-up of . He is looking attentively towards (implied off-screen), maintaining a serious yet engaged expression. The outdoor environment by the body of water, seen in , should continue, with diffused natural light, to establish the other participant in this significant conversation.", "think_full": "The spatial setting remains the outdoor location by the water from , maintaining the natural lighting and overall mood. is now introduced clearly as the individual conversing with (who was shown in ). His expression should convey a serious attentiveness, reacting to whatever was said or implied by 's somber look in . This shot establishes the other side of the dialogue, creating a visual rhythm for the interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to show 's perspective, reacting to . This means a reverse shot from , focusing on 's face. He should appear engaged and thoughtful, consistent with the serious tone. The setting will continue to be the outdoor area by the water as established in . The narrative purpose is to fully introduce the second character and initiate the back-and-forth visual rhythm of their conversation." }, { "instruction_full": "Return to the camera position and framing established in , focusing on . He should maintain a pensive expression, looking towards (implied off-screen). The same outdoor environment by the body of water from and should be consistently depicted, preserving the reflective mood.", "think_full": "The outdoor environment by the water is sustained from and . reappears, as seen in , maintaining his attire and a serious, contemplative demeanor. He is now shown in response to 's presence in , indicating a continuation of their dialogue. This shot re-establishes 's perspective in the conversation, creating a visual ping-pong effect that highlights the dialogue's intensity, as per the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, will return to 's perspective, showing his reaction. This implies a direct reuse of the camera setup and subject from . should still convey a serious and reflective mood, continuing the conversation initiated in and countered by in . The outdoor setting with the water from and will remain consistent. The narrative goal is to continue the back-and-forth of the dialogue." }, { "instruction_full": "Replicate the framing and camera position used for , focusing on . He is still facing (implied off-screen), maintaining his attentive expression from . The same muted outdoor environment by the body of water from , , and is maintained, underscoring the continuous nature of their serious exchange.", "think_full": "The outdoor setting by the water is consistently maintained from , , and . returns, as established in , maintaining his observant and engaged expression. This continues the visual exchange with from , reinforcing the active dialogue. This shot adheres to the `global_prompt.shot_outline` for , returning to 's perspective to continue the back-and-forth of the conversation, emphasizing his active participation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` dictates that will return to 's perspective. Following the established pattern, this means reusing the camera setup from . should appear focused, continuing his part of the serious conversation after 's look in . The environment by the water will remain consistent with , , and . The intent is to sustain the dialogue flow and show 's ongoing engagement." }, { "instruction_full": "Re-establish the camera position and framing of and , centered on . He is seen with a slightly different expression than in , perhaps a subtle softening or deeper contemplation, while still facing (off-screen). The established outdoor environment by the water from , , , and remains consistent.", "think_full": "The consistent outdoor setting by the water is maintained, reflecting the light and background elements established in , , , and . returns, as seen in and , now exhibiting a subtle evolution in his expression. This indicates a progression in the dialogue after showed 's engagement. This shot follows the `global_prompt.shot_outline` for , returning to 's perspective with a subtle change, indicating the dialogue is progressing and emotions might be shifting slightly.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the `global_prompt.shot_outline`, will return to 's perspective, with a subtle change in expression. This calls for reusing the framing from and . 's expression should convey a deepening of the emotional tone or a new reaction to the ongoing conversation from . The consistent outdoor setting from all prior images reinforces the continuous scene. The purpose is to show an evolving emotional state." }, { "instruction_full": "Use the same framing and camera position as and , focusing on . He is shown with a new, perhaps more internal or reflective expression, possibly with eyes downcast or closed briefly, contrasting with his previous attentive looks in and . The continuous outdoor environment by the body of water, with soft natural lighting, remains consistent with through .", "think_full": "The serene outdoor setting by the water is maintained from through , preserving the overall atmosphere. reappears, following his previous appearances in and . His expression is significantly altered, now showing a deeper emotional or contemplative state, reacting to 's subtle change in . This shot fulfills the `global_prompt.shot_outline` for by showing with a slight shift in his demeanor, signaling a significant emotional beat or a point of processing in the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to 's perspective with a shift in demeanor. This requires reusing the close-up framing from and . 's expression should convey introspection or a moment of deep thought, possibly with eyes closed or downcast, in response to the preceding part of the conversation. The outdoor environment, consistent from through , will continue to provide the backdrop. The narrative goal is to show a profound emotional beat from ." }, { "instruction_full": "Return to the established close-up framing of used in , , and . is shown with a steady, perhaps slightly more direct gaze, maintaining his somber but engaged presence, responding to 's internal moment in . The outdoor riverside location with the distinct lighting and background elements from through is consistently held.", "think_full": "The outdoor setting by the water, including its characteristic lighting and blurred background, is consistently present across all previous shots from to . returns to the frame, as established in , , and . His expression maintains seriousness but adapts to the gravity of the interaction following 's reflective pause in . This shot follows the `global_prompt.shot_outline` for , maintaining the back-and-forth rhythm to show 's continued engagement and reaction, reinforcing the weight of their conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that will return to 's perspective, maintaining the back-and-forth rhythm. This requires reusing the close-up framing of from , , and . His expression should reflect his continued seriousness, reacting to 's moment of contemplation in . The outdoor setting remains consistent with all previous images. The narrative intent is to continue the flow of the conversation and highlight 's steady presence." }, { "instruction_full": "Pull back to a wider shot that reveals both and standing in a grassy area by the body of water, facing each other. A large, ornate building is now visible in the background, clearly establishing the specific location. is extending his hand, offering a small, light-colored object to . is wearing a hat, a detail not previously seen in close-ups. This is a significant camera and spatial change from through .", "think_full": "While the immediate foreground of grass and water is consistent with through , this shot significantly expands the visible environment by revealing a large building in the background, adding new context to the location. Both (from , , , ) and (from , , ) are present, now seen together in a single frame. now wears a hat, a detail that was not contradictory to prior close-ups. is actively presenting an object, a key narrative action. This shot explicitly follows the `global_prompt.shot_outline` for , pulling back to a wider shot to reveal their full environment and interaction, and indicating a significant plot point with the object exchange. This breaks the repetitive close-up pattern and offers a new perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that will pull back to a wider shot, revealing their full environment and interaction, possibly with an object exchange. This requires a significant camera move from the previous close-ups. Both and should be visible. A new, key background element (the distant building) should be introduced to contextualize the location. The object exchange is a crucial narrative development, so should be offering an object. The younger man should be wearing a hat as he is now further revealed in the wider shot. This shot provides a broader view and advances the plot." }, { "instruction_full": "Return to a closer shot on , similar to the framing of , , , and , but perhaps slightly wider to include more of his upper body. He is visible, still wearing his hat and coat, with an expression that reflects the gravity of the exchange in , looking towards (off-screen). The background continues to be the outdoor setting by the body of water, with the distant building from still implied, consistent with the environment established.", "think_full": "The outdoor setting by the water is maintained from through , with the wider background context of the building from still implied or subtly visible. returns to a close-up, as established in , , , and . His expression should reflect the seriousness and weight of the moment after handing over the object in , conveying his feelings or reaction. This shot fulfills the `global_prompt.shot_outline` for by returning to a closer shot of , focusing on his reaction after the wider reveal and object exchange in , signifying the weight of the moment.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, will return to a closer shot of , focusing on his reaction after the wider reveal in . This implies a return to a similar close-up framing as , , , and . 's expression should convey the emotional impact or reflection following the significant object exchange. The outdoor background with the water and the implied distant building from should continue. The intent is to bring the focus back to 's internal state after the pivotal event." }, { "instruction_full": "Create a wider shot from behind , showing both and from a new perspective. They are facing away from the camera, looking towards the distant, ornate building that was revealed in . is still wearing his hat. The expansive grassy area by the body of water and the prominent building in the background from and are clearly visible, placing them firmly within this significant location.", "think_full": "The wide outdoor setting with the body of water and the prominent distant building, first fully revealed in and implied in , forms the consistent background for this shot. Both (seen throughout) and (seen in , , , ) are present. This shot shows them together after their exchange, with still wearing the hat from . Their postures suggest a shared moment of reflection or consideration of their surroundings, particularly the building in the distance. This shot follows the `global_prompt.shot_outline` for , providing a concluding wider shot that allows for contemplation of the setting and the characters' shared moment, emphasizing the significance of the location and the conversation just had.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that will be a wider shot from behind , showing both characters and their surroundings, perhaps a moment of contemplation. This requires a new camera angle that encompasses both men and the environment. They should be looking towards the significant building revealed in . The outdoor setting with the water and the building from and will provide the context. The narrative goal is to provide a final, contemplative shot, emphasizing the location's significance and the shared reflection of the characters after their interaction." } ], "_src_movie_dir": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "_src_filename": "079460_080374.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/079460_080374.json", "_test_index": 114 }, { "movie": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv", "N": 10, "sample_id": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/225644.jpg-Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227712.jpg", "images": [ { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/225644.jpg", "filename": "225644.jpg", "aesthetic": 5.577969551086426, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/225859.jpg", "filename": "225859.jpg", "aesthetic": 5.698207855224609, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/226028.jpg", "filename": "226028.jpg", "aesthetic": 4.784175872802734, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/226722.jpg", "filename": "226722.jpg", "aesthetic": 4.7739691734313965, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/226944.jpg", "filename": "226944.jpg", "aesthetic": 6.029318332672119, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227075.jpg", "filename": "227075.jpg", "aesthetic": 4.762292861938477, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227262.jpg", "filename": "227262.jpg", "aesthetic": 5.925477981567383, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227338.jpg", "filename": "227338.jpg", "aesthetic": 6.241819858551025, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227641.jpg", "filename": "227641.jpg", "aesthetic": 4.1915106773376465, "musiq": 0.0 }, { "tag": "", "rel_path": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/227712.jpg", "filename": "227712.jpg", "aesthetic": 6.081503868103027, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A somber journey by ferry at night, establishing themes of solitude and transition for a man and a young woman. The atmosphere is quiet, melancholic, and subtly observant.", "characters": [ "", "" ], "shot_outline": " introduces walking on the ferry deck at night, alone and contemplative. shows looking out at the dark ocean, emphasizing his solitude and the vastness of the journey. follows as he enters a public sleeping/locker area, showing his humble accommodations. cuts to a close-up of sleeping on the floor in the same area, revealing her vulnerable state. broadens the view of the sleeping area, showing and in the same space but separated, implying a shared yet isolated experience. offers a close-up of , now settled and sleeping or resting in the room, showing his quiet resignation. returns to a close-up of , still sleeping, reinforcing her vulnerability and the passage of time. shifts to a car interior at night, showing awake but silhouetted, marking a new stage of the journey. reveals also in the car, possibly sleeping, in daylight, suggesting the journey's continuation into a new environment." }, "instruction_full": "Transition from the high, wide shot of the ferry's stern from to a medium shot on the ferry's side deck, tracking as he walks. Introduce , dressed in dark clothing, walking slowly and contemplatively along the deck, holding a coat. The shot is on an illuminated exterior deck of a ferry at night, showing the railing and the distant lights of the shore or other vessels. The mood is cool and quiet, similar to the dark, expansive feeling established in , to introduce as a solitary figure embarking on a journey and to establish the moody, nighttime setting of the ferry.", "think_full": "We need to introduce the first character. established the ferry at night, with dark water. This shot continues that setting, moving from the open stern to the side deck, keeping the cool, dark ambiance. The distant lights hint at continuity from the faint glows seen in . This is the first introduction of \"\". He is a new character. He is shown walking alone, suggesting solitude. The change in camera from the abstract, broad view of the ferry in to a more personal medium shot on the deck for serves to introduce our protagonist, . His slow walk and somber demeanor immediately convey a sense of journey, reflection, or perhaps escape. The dark, expansive water from provides a backdrop for his introspection.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's story setup about a somber journey and the shot outline for (\"introduces walking on the ferry deck at night, alone and contemplative\"), the next shot should introduce on the ferry. A medium shot is appropriate to establish the character while retaining some sense of the environment. should be walking alone, reflecting the \"contemplative\" and \"alone\" aspects from the outline. The ferry deck at night, continuing the setting from , but now from a perspective that includes the character. The darkness and distant lights should be maintained to keep the established mood. The narrative purpose is to transition from an impersonal overview of the ferry () to the introduction of a key character, , establishing his presence and the quiet, solitary nature of his journey on the ferry." }, { "instruction_full": "Continue the intimate framing from , but shift to a rear medium shot of leaning against the railing, looking out at the dark water. The camera should maintain the same cool, low-light aesthetic as and . from is now stationary, leaning against the railing, his back partially to the camera, his posture suggesting quiet observation or deep thought. The same exterior ferry deck from is visible, focusing on the railing and the vast, dark expanse of the ocean below, disturbed only by the ferry's wake, echoing the churned water from , to visually emphasize 's solitude and the vastness of his journey, reinforcing the melancholic mood.", "think_full": "We remain on the ferry deck, explicitly continuing the environment seen in . The dark ocean, similar to , is now prominently featured as looks out, visually linking the character to the expansive, melancholic setting. reappears from , now in a more static, contemplative pose, highlighting his introspection. His appearance (dark coat, build) is consistent with . After introducing walking in , this shot provides a moment of reflection. By showing him looking out at the dark, vast ocean, the shot amplifies his solitude and the emotional weight of his journey. The echo of the disturbed water from subtly reinforces the idea of motion and passage.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for says: \"shows looking out at the dark ocean, emphasizing his solitude and the vastness of the journey.\" A medium shot from behind is effective to show him looking out while still maintaining a sense of his presence established in . from should be positioned at the railing, looking out. The dark ocean and the ferry railing, consistent with the environment established in and . The cool, dark lighting should persist. The narrative purpose is to deepen the portrayal of 's solitude and connect him visually with the expansive, mysterious journey hinted at by the dark ocean from and the ferry setting from ." }, { "instruction_full": "Cut to an interior shot, a wide-angle view looking down a communal sleeping or locker area corridor. The camera should be low, slightly wide, and centered, creating a sense of mundane utility. from is seen walking down the aisle towards the camera, holding his coat, appearing tired. This is a brand-new interior setting, a utilitarian room on the ferry with rows of lockers or bunks, a central aisle, and fluorescent lighting. The color palette shifts to a muted, institutional tone with pinkish-purple carpet and grey lockers, to reveal 's humble overnight accommodation on the ferry, suggesting a period of rest and further highlighting the practical, unglamorous nature of his journey.", "think_full": "This shot introduces a completely new interior environment on the ferry, distinct from the exterior deck seen in , , and . The bright, somewhat stark fluorescent lighting contrasts with the deep blues and blacks of the night deck. There are no visual elements from previous shots carried over into this new space. reappears from , still holding his coat, transitioning from the contemplative exterior to the functional interior. His appearance is consistent. The move from the vast, dark ocean in to this mundane interior in grounds 's journey in reality. It reveals the practicality of his travel and his need for rest. The institutional feel of the room sets a somewhat impersonal tone, emphasizing his solitude even amongst other travelers.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states: \"follows as he enters a public sleeping/locker area, showing his humble accommodations.\" A wide interior shot is needed to establish the new location and show entering it. from and should be depicted walking into this new space. A new interior setting, a communal sleeping or locker area on the ferry, is required. It should be practical and functional, contrasting with the outside deck from , , . The narrative purpose is to show settling into his overnight accommodations, highlighting the basic, functional aspects of his journey. This contrasts with the earlier, more expansive and contemplative shots of him on the deck." }, { "instruction_full": "Cut to a close-up, eye-level shot of sleeping on the floor. This is a tighter frame than anything seen so far, focusing entirely on her and her immediate surroundings. Introduce , sleeping soundly on a blanket on the floor, covered by a jacket. Her face is serene but shows signs of being on a difficult journey. The shot is set on the floor of the communal sleeping area introduced in , with the same pinkish-purple carpet and muted, functional background elements, like the bottom of a bunk or locker. The lighting should be soft but still hint at the institutional feel established in , to introduce in a vulnerable state, creating empathy and suggesting a parallel narrative to 's journey within the same environment.", "think_full": "We remain in the communal sleeping area from . The pinkish-purple carpet is visible, establishing continuity of the humble setting. This is the first visual introduction of \"\". She is new to the visual sequence. She is shown in a state of deep sleep, conveying vulnerability. While established 's practical accommodations, shifts focus entirely to introduce \"\", whose presence was hinted at in the global prompt. By showing her sleeping vulnerably on the floor, the shot immediately creates a sense of pathos and connects her to the same shared, albeit unglamorous, travel experience as . The close-up emphasizes her personhood and quiet struggle, setting up a potential future connection.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for says: \"cuts to a close-up of sleeping on the floor in the same area, revealing her vulnerable state.\" A close-up is necessary to highlight the vulnerability and introduce the new character intimately. Introduce from the global prompt's characters, sleeping, as specified. The same communal sleeping area from is the context for her, maintaining spatial consistency. The narrative purpose is to introduce a new key character, , in a vulnerable and quiet state, hinting at a shared journey or fate within the practical setting established in ." }, { "instruction_full": "Pull back to a wider shot of the communal sleeping area, showing both and within the same frame, but physically separated. The camera should be low and centered, similar to the establishing shot of the room in , to emphasize the space. from is now seen sitting against a wall on the left, looking away, perhaps resting or observing. from is visible on the right, still sleeping on the floor, covered by her jacket. The communal sleeping area, as established in and , with the pinkish-purple carpet, wooden wall panels, and utilitarian lockers or bunks. The fluorescent lighting from and continues, illuminating the entire room, to show and coexisting in the same space without interaction, highlighting their parallel but separate journeys and the isolating nature of the setting.", "think_full": "The environment is unequivocally the same communal sleeping area established in and . The distinctive pinkish-purple carpet and wooden wall paneling ensure this continuity, as does the cool, institutional lighting. Both (seen in , , ) and (introduced in ) are present. is now resting against the wall, a slight change from his walking in . continues to be sleeping on the floor, consistent with her state in . This shot strategically places both key characters, and , in the same frame, fulfilling the global prompt's shot outline purpose to show them in the same space but separated. After the individual introductions in and , this wider shot connects their presence and underscores their shared, yet isolated, journey. The separation within the frame visually reinforces their non-interaction and the inherent solitude of their travel.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states: \"broadens the view of the sleeping area, showing and in the same space but separated, implying a shared yet isolated experience.\" A wider shot is needed to encompass both characters within the same space. Both (from , , ) and (from ) should be visible, placed separately to convey isolation. The communal sleeping area from and is the consistent setting. The narrative purpose is to visually establish the presence of both protagonists, and , within the same environment, emphasizing their individual solitude even when sharing a space, as per the outline." }, { "instruction_full": "Cut to a tighter medium close-up of from , focusing on his face as he rests against the wooden wall. The camera should maintain the subdued, quiet lighting of the room. from is now framed more closely, leaning his head back or looking down, appearing to be asleep or deeply lost in thought, holding his coat or jacket in his lap. His expression is one of weariness or resignation. The wooden wall paneling and a hint of the pinkish-purple carpet from the communal sleeping area (, , ) should be visible in the background, anchoring him to the established setting, to provide an intimate look at 's state of rest or introspection, reinforcing his quiet struggle and the passage of time during the journey.", "think_full": "The wooden wall paneling and a glimpse of the carpet connect this shot to the communal sleeping area established in , , and . The subdued fluorescent light also carries over. reappears from , now in a closer frame. His posture is consistent with someone resting or sleeping. We have seen him in , , , . After the broader view in establishing both characters' presence, this close-up on brings the focus back to his individual experience. It underscores his weariness and the solitude of his journey, allowing the audience to empathize with his quiet state of rest or contemplation. This shot fulfills the global prompt's shot outline point for to show him settled and resting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for says: \"offers a close-up of , now settled and sleeping or resting in the room, showing his quiet resignation.\" A close-up is needed to show his expression and state of rest. (from , , , ) should be the focus, showing him resting. The background should hint at the communal sleeping area (wooden walls, carpet) from , , . The narrative purpose is to highlight 's personal state of rest and quiet resignation within the shared sleeping area, deepening the audience's connection to his individual journey, as outlined." }, { "instruction_full": "Return to a very close-up, eye-level shot of sleeping on the floor, matching the framing and intimacy of . from is still sleeping on the floor, covered by her jacket and a blanket. Her face is serene, emphasizing her vulnerability. The shot is set on the floor of the communal sleeping area (, , , ), showing the pinkish-purple carpet and a vague background element (like a locker base). The subtle lighting continues from previous shots, to echo and reinforce 's vulnerable state while also suggesting the passage of time or a cyclical return to her quiet presence.", "think_full": "This shot explicitly returns to the exact same setting as (and consistent with , , ), the communal sleeping area, identifiable by the pinkish-purple carpet and muted background. reappears from (and was introduced in ), continuing her state of deep sleep. Her appearance is consistent with her introduction. By returning to a close-up of after focusing on in , the shot reinforces her presence and vulnerability. It serves as a visual echo of , suggesting either continuity in time (she's still sleeping) or a deliberate visual pairing with 's quiet rest, underscoring their parallel, isolated experiences on the ferry. This fulfills the global prompt's shot outline goal for to return to her sleeping.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for says: \"returns to a close-up of , still sleeping, reinforcing her vulnerability and the passage of time.\" A close-up, mirroring , is appropriate to emphasize her vulnerability. (from , ) should be shown still sleeping. The communal sleeping area (carpet, background) from , , , should be maintained. The narrative purpose is to reinforce 's vulnerable state and signal the passage of time, creating a parallel beat to 's rest, using the established setting and character from previous shots." }, { "instruction_full": "Cut to a medium close-up inside a car, looking across the passenger seat towards the window. The shot should be very dark, focusing on the silhouette of . from is now awake and seated in a car, seen in profile, looking out the window. Her face is mostly in shadow, creating an enigmatic and slightly somber mood. This is a completely new setting: the dark interior of a car at night, possibly indicating the ferry journey has ended and they are now on land or in transit by road. No visual elements from previous shots are carried over, to mark a significant transition in the journey, indicating a new phase for and introducing a different, more confined setting.", "think_full": "This is a brand-new setting, a car interior at night. There is no visual continuity from the ferry deck (, , ) or the communal sleeping area (, , , , ). The lighting is very dim and moody, distinct from the ferry's fluorescent glow. reappears from , but she is now awake and in a new location, suggesting the passage of the night and a new leg of the journey. Her appearance is consistent from , , . This shot signifies a major transition, moving from the ferry setting to a new mode of transport. By focusing on in profile and shadow, it maintains her enigmatic quality while emphasizing the solitude and unknown nature of this next stage of the journey. This aligns with the global prompt's shot outline point for to shift to a car interior at night, marking a new stage.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states: \"shifts to a car interior at night, showing awake but silhouetted, marking a new stage of the journey.\" A medium close-up inside a car is needed to show in this new setting. (from , , ) should be awake and silhouetted. A new environment, the dark interior of a car, is required, clearly indicating a change of location from the ferry. The narrative purpose is to mark a significant transition in the story, moving to a new location (a car) and showing her awake, suggesting progression in her journey, as detailed in the outline." }, { "instruction_full": "Cut to a medium close-up inside the same car from , now focusing on in the driver's or passenger's seat. The lighting has changed drastically to soft, natural daylight filtering through the window. from is now seen resting or sleeping in the car seat. His face is illuminated by daylight, showing more detail than previous dark ferry shots, and he appears peaceful or exhausted. The interior of the car from is still visible, but now in daylight. The window reveals a snowy, wintery landscape outside, indicating a new geographical location and time of day, to reveal that and are now traveling together by car, in a new environment and time of day, suggesting a progression in their shared journey and a shift in tone from night to day.", "think_full": "We remain in the car interior, continuing the new setting introduced in . However, the lighting has dramatically shifted from night to day, and the exterior landscape through the window is now a snowy, wintery scene, a distinct change from the dark, expansive water of or the obscured night scene of . reappears (last seen resting in ), now in the car and possibly sleeping. His presence here, after was seen in the same car in , implies they are traveling together. This final shot brings into the new car setting alongside (implicitly from ), revealing they are now together, and continuing their journey. The transition from night to day, and the reveal of a snowy landscape through the window, marks a significant passage of time and a new geographical context. This shot concludes the sequence by showing a new phase of their shared, quiet journey in a contrasting environment, fulfilling the global prompt's shot outline for to reveal in the car in daylight.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states: \"reveals also in the car, possibly sleeping, in daylight, suggesting the journey's continuation into a new environment.\" A medium close-up of in the car is needed to show his presence in this new setting. (from , , , , ) should be in the car, possibly sleeping. The setting is the car interior, previously seen with in , but now in daylight with a clear view of a new, snowy exterior. This signifies a progression in their journey, revealing they are traveling together in a new environment, moving from night to day and emphasizing the continuation of their shared experience, as per the outline." } ], "_src_movie_dir": "Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv", "_src_filename": "225644_227712.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Drive.My.Car.2021.BDRip.2160p-AsiaOne-Delia.mkv/225644_227712.json", "_test_index": 117 }, { "movie": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv", "N": 10, "sample_id": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/46191.jpg-Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/49194.jpg", "images": [ { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/46191.jpg", "filename": "46191.jpg", "aesthetic": 6.723689079284668, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/46750.jpg", "filename": "46750.jpg", "aesthetic": 5.8216962814331055, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/47009.jpg", "filename": "47009.jpg", "aesthetic": 6.393010139465332, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/47297.jpg", "filename": "47297.jpg", "aesthetic": 5.679282188415527, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/47447.jpg", "filename": "47447.jpg", "aesthetic": 7.31052303314209, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/48012.jpg", "filename": "48012.jpg", "aesthetic": 5.893454551696777, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/48219.jpg", "filename": "48219.jpg", "aesthetic": 5.3627424240112305, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/48281.jpg", "filename": "48281.jpg", "aesthetic": 5.603677749633789, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/48775.jpg", "filename": "48775.jpg", "aesthetic": 6.028602123260498, "musiq": 0.0 }, { "tag": "", "rel_path": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/49194.jpg", "filename": "49194.jpg", "aesthetic": 6.934697151184082, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This narrative follows the intertwined lives within a 17th-century Dutch household, focusing on domestic life, art, and subtle social dynamics. The tone is reflective and observant, emphasizing visual storytelling and character relationships.", "characters": [ "", "", "" ], "shot_outline": " introduces in a domestic setting, performing a chore. introduces , focused and observing something. shows a wider view of the house interior, establishing the layout, with working and in the distance. shows a close-up of 's thoughtful expression. continues the close-up of , her expression more pensive. is a wide shot of an interior room, showing interacting with a camera obscura setup. reveals observing from a doorway. shows entering the room, approaching and the camera obscura. brings and together as he demonstrates or uses the camera obscura." }, "instruction_full": "Shift to a medium shot in a new domestic interior. Introduce in period attire, wearing a white bonnet, as she diligently tends to a washing basin. The space should feature a large window with leaded glass providing natural light, a table with a metal ewer and basin, and a map hanging on the wall in the background, to introduce a new, significant character and establish her environment and routine.", "think_full": "This shot introduces a brand-new interior environment, distinctly different from the darker, more intimate setting of . There is no direct visual continuity from in terms of space, props, or lighting. The shift in lighting to a brighter, naturally lit room contrasts with the subdued lighting of , suggesting a different part of the household or a shift in focus. This shot also introduces for the first time; she was not present in . The purpose is to broaden the narrative scope by introducing a new character and her daily life. The diligent posture and domestic setting establish her role and context within the household. The window and natural light suggest a more open, perhaps less formal, atmosphere than the previous shot.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, combined with global_prompt.shot_outline which states ' introduces in a domestic setting, performing a chore,' I need to create a new scene. The camera should be a medium shot to introduce the character and her immediate surroundings. The person will be , dressed in period maid attire, engaged in a domestic task. The space will be an interior room with a window, consistent with a domestic setting. The user intent is to introduce and her world, indicating a transition from the previous character's scene to hers, establishing a new perspective or storyline within the same overall setting." }, { "instruction_full": "Generate a medium close-up, focusing on a new character. Introduce , a man with long, disheveled dark hair and a serious, contemplative expression, wearing simple brown period clothing. He should appear to be observing something intently, partially obscured by a wooden easel or frame in the foreground. The background should be a plain wall or curtain, under soft, even natural illumination, to introduce another key character and establish his contemplative, artistic presence.", "think_full": "This shot presents a new interior location, distinct from both and . While the period style of the architecture and furnishings (implied by the easel/frame) maintains the overall historical setting, there's no direct visual link to the leaded window of or the dark room of . It's a different room, possibly a studio or workshop. This shot introduces for the first time; he was not seen in or . The purpose of this shot is to bring in a third central character, , establishing his persona as thoughtful and perhaps brooding. His intense gaze suggests a deep engagement with his craft or subject, setting up his role in the unfolding narrative. The partial obstruction by the wooden frame hints at his focus and the nature of his work.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' introduces , focused and observing something,' I will create a close-up or medium close-up to establish the character's facial features and expression. The person will be , a male character dressed in period clothing, with an intense or thoughtful expression. The space will be an interior setting, perhaps a studio, maintaining the historical aesthetic of the previous shots. The user intent is to introduce as a new central figure, showing his focused and contemplative nature." }, { "instruction_full": "Capture a wide, high-angle shot, providing an overhead view of a multi-level interior. Show both from and from within the frame, but from a distance. should be near the leaded window seen in , engaged in a task, while is positioned further back, possibly entering a doorway or near a wall, observing. The space should feature a prominent black and white checkered floor, the large leaded window, and a wooden staircase or railing in the foreground. The lighting is natural, emanating from the window, to establish the spatial relationship between the characters and the different areas of the house.", "think_full": "This shot expands on the environment seen in by showing the leaded window again, but from a much wider and higher perspective, and it is a different room than . The checkered floor and staircase introduce new architectural details, suggesting a central hallway or landing within the same period house. It confirms the interior setting seen in is part of a larger, elaborate home. The natural lighting from the window, as seen in , continues to dominate this space. Both , who was introduced in , and , who was introduced in , are present. They are seen in a broader context, visually connecting their individual scenes within the same dwelling. continues her domestic duties, consistent with her introduction in . 's presence is more static, observing the scene, building on his contemplative nature from . The high-angle wide shot serves to establish the geography of the household and the proximity (or distance) of the two key characters. It visually places them in relation to each other, even if they aren't directly interacting yet, creating a sense of a shared, observed space and potentially foreshadowing their future interaction. The distance and high angle make them appear small, emphasizing the grandeur or complexity of the house itself.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' shows a wider view of the house interior, establishing the layout, with working and in the distance,' I will create a wide, high-angle shot. Both (from ) and (from ) should be visible, positioned within the wider interior. should be performing a task, and perhaps standing or observing. The space will be the interior of the house, showing more architectural detail than previous close-ups. Elements from like the leaded window should be recognizable, integrated into a larger space like a hall or staircase area. The user intent is to visually connect the two introduced characters and place them within the overarching setting of the house, revealing more of the environment." }, { "instruction_full": "Generate a medium close-up, framing from and . Position the camera slightly below eye level, looking up at her. She should have a thoughtful, perhaps slightly concerned or pensive expression, wearing the same period attire and white bonnet as seen in and . Her gaze should be directed off-camera. The background should be slightly blurred but suggest the interior of the house near a window, consistent with her previous locations in and , with natural light gently highlighting her face, to focus on 's internal state and emphasize her thoughts or reactions.", "think_full": "The setting maintains continuity with and , suggesting the interior of the same period house, likely near a window. The soft, natural light that illuminated in and the wider shot of is retained, providing a consistent atmosphere. The background, while soft-focused, should hint at the rich textures and period details seen in previous shots. reappears from and , wearing the same distinctive white bonnet and period dress. This shot isolates her to emphasize her expression and internal state, which was hinted at in her quiet presence in the earlier shots. Her thoughtful gaze suggests a developing awareness or reaction. After showing the wider environment in , this shot brings the focus back to , allowing the viewer to interpret her emotions and thoughts. It gives her a moment of quiet introspection, making her a more central and empathetic figure. The off-camera gaze implies she is reacting to something unseen, building suspense or inviting the audience to consider her perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' shows a close-up of 's thoughtful expression,' I will create a close-up or medium close-up. The person will be (from and ), with a 'thoughtful expression' and her recognizable attire. The space will be the interior of the house, consistent with previous shots, perhaps near a window to utilize natural light, as seen in . The user intent is to delve into the emotional state of , making her the focal point and suggesting her internal world." }, { "instruction_full": "Create a slightly tighter medium close-up than , with the camera shifted to a profile view of from , , and . Her face should be framed looking off to the left, with more emphasis on the dark negative space to her left. She maintains her pensive or thoughtful expression from , wearing the same period attire and white bonnet. Her gaze is still directed off-camera, but now conveying a sense of looking out or listening intently. The background is dark and indistinct, creating a sense of isolation, with subtle natural light continuing to highlight her face, to heighten the sense of her contemplation or observation.", "think_full": "The background becomes much darker and less defined compared to , , and , creating a more intimate and isolated visual space for . This is a deliberate aesthetic shift to focus solely on the character, despite being within the same overall interior environment. The lighting still suggests an unseen natural light source, maintaining consistency with previous illuminations of the character. reappears from , , and , maintaining her consistent appearance (white bonnet, period dress) and pensive demeanor. The slight shift in angle from to a profile view deepens the introspection, showing her looking away and inviting the audience to wonder what she is seeing or thinking about. This shot intensifies the character's internal moment established in . By tightening the frame and moving to a profile against a dark background, the shot emphasizes her isolation and deep thought, making her feel more vulnerable or profoundly focused. It suggests she is keenly observing or reacting to something important that is not yet visible to the audience, building anticipation.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' continues the close-up of , her expression more pensive,' I will generate a continuation of the close-up, perhaps a slightly different angle or tighter crop, to emphasize the 'more pensive' expression. A profile view could achieve this. The person will be (from , , ), with a heightened sense of contemplation or pensiveness. The space will have a blurred or simplified background, consistent with the indoor setting but designed to minimize distraction and maximize focus on her, following the trend of . The user intent is to deepen the audience's understanding of 's emotional state and reaction, making her inner world more prominent." }, { "instruction_full": "Generate a wide shot, pulled back to reveal an entire, new interior room. from , , , and is visible in the middle-ground, standing near a table with a wooden box or camera obscura setup, observing it with quiet curiosity in her usual attire. The room is large and antique-filled, distinct from previous spaces, featuring a window with horizontal wooden blinds, a large wooden cabinet, a table covered with a red cloth, a lute resting on a chair, and a decorative column in the foreground on the left. The lighting is subdued, with natural light from the window, to reveal a significant new focal point and establish a new, detailed setting related to artistic endeavor.", "think_full": "This shot introduces a new, richly detailed interior space. While it shares the general period setting of the house from previous shots, the specific window (wooden blinds vs. leaded glass in , ), the grand furniture (cabinet, column), and the presence of artistic instruments (lute, camera obscura-like box) indicate it's a distinct room, likely a studio. The lighting is natural, consistent with the daytime setting of 's previous appearances but with a more subdued, perhaps contemplative, quality appropriate for a studio. There is no direct visual reuse of the explicit background elements from or beyond the general period architecture. reappears from , , , and . Her consistent appearance helps to connect this new setting to her ongoing narrative. Her posture and gaze directed towards the camera obscura suggest a continuation of her pensive, observant nature, now focused on a specific object that hints at the 'artist' part of the story outline. This shot is crucial for advancing the plot by introducing the camera obscura, which is likely central to the interaction between and . By showing in this new environment and observing the device, it signifies a shift in her focus from domestic chores to something more intriguing and potentially artistic. The wide shot emphasizes the grandeur and potential mystery of the studio, preparing for future events.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' is a wide shot of an interior room, showing interacting with a camera obscura setup,' I will create a wide shot. The person will be (from , , , ) present, positioned near a 'camera obscura setup.' 'Interacting' suggests she is looking at it or perhaps touching it. The space will be an 'interior room,' likely a studio, furnished with period items, and containing the 'camera obscura setup.' It should be distinct from the other rooms shown but maintain the overall house aesthetic. Natural light would be expected, given the period. The user intent is to unveil the camera obscura as a central object and place in its context, advancing the story towards her involvement with art." }, { "instruction_full": "Generate a medium shot, framed from inside a dimly lit space, looking out through wooden slats. from and is partially visible through the slats, looking intently towards something off-camera to the left. His expression is serious and focused, and he appears to be holding a white cloth. He is wearing his familiar brown period tunic. The shot is framed from within a dark, narrow space, possibly a closet or a partitioned area, looking out through vertically slatted wooden doors or screens. The light on is softer, coming from the direction he is looking, to reveal 's hidden presence and his observation of or the camera obscura, adding an element of suspense.", "think_full": "This is a new, confined vantage point, likely a small room or closet, which contrasts sharply with the open spaces of , , and . However, the light on suggests he is looking into the studio from , linking these two spaces narratively, even if not directly visually continuous in the frame itself. The wooden slats introduce a new texture and visual motif, hinting at secrecy or observation. There's no direct visual continuity from previous images in terms of background details, but the implication is that this hidden spot is within the larger house context. reappears from and , still wearing his distinctive brown tunic. His intense gaze and serious expression are consistent with his character portrayal in . The presence of the white cloth in his hands could be a painter's rag, subtly linking him back to his artistic profession. His position, partially hidden behind wooden slats, establishes him as an observer, which builds on his earlier contemplative shots. This shot creates suspense and reveals a power dynamic by showing secretly observing. It signifies his interest in what is happening in the studio (likely involving and the camera obscura from ). The partial view through the slats enhances the feeling of a clandestine watch, raising questions about his intentions and the nature of his interest.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' reveals observing from a doorway,' I will create a medium shot, focusing on , with the framing suggesting he's in a doorway or partial concealment. The person will be (from , ), with an observant, perhaps intense, expression, in his recognizable attire. The space will be an interior setting, perhaps a doorway or a shadowed alcove, allowing him to observe a brighter area (the studio from ). The 'doorway' suggests vertical lines or framing elements. The user intent is to introduce the element of observation by and connect his presence with the scene of and the camera obscura, creating narrative tension." }, { "instruction_full": "Generate a medium-wide shot, from a slightly higher angle, showing the interior of the studio from . Position the camera behind from , , and , looking towards . is now entering or standing in the foreground, his back mostly to the camera, wearing his brown tunic, moving towards . from , , , , and is in the mid-ground, still standing near the camera obscura, her pose suggesting a quiet, expectant awareness of his presence. The studio from is clearly visible again, with the camera obscura on the table, the lute on the chair, the draped mannequin, and the wooden cabinet and window with blinds in the background. The lighting remains subdued, emanating from the window, to show 's direct entry into the scene and his approach towards and the camera obscura.", "think_full": "This shot returns to the detailed art studio environment first established in . All the key props are present: the camera obscura, the red-draped table, the lute on the chair, the cabinet, the window with blinds, and the draped figure. This provides strong visual continuity with , confirming the setting. The subdued natural lighting from the window also remains consistent. Both (from , , ) and (from , , , , ) are present. is now actively moving into the space he was previously observing in , fulfilling the dramatic progression. His attire remains consistent. is still near the camera obscura, reinforcing her focus on the device from , and her pose suggests she is now aware of 's arrival. This shot marks the beginning of the direct interaction between and , moving beyond mere observation (from ) and isolated introspection (from , , ). By framing from behind as he approaches, it emphasizes his agency and the impending confrontation or collaboration around the camera obscura.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' shows entering the room, approaching and the camera obscura,' I will create a medium-wide shot to show the entry and approach within the room. A slightly higher angle could give a good overview of the interaction starting. The person will be (from previous shots) entering the scene, and (from previous shots) near the camera obscura (from ). The space will be the art studio from , with its characteristic props (camera obscura, lute, cabinet, window). The user intent is to depict the physical convergence of the two main characters and the start of their interaction around the central artistic device." }, { "instruction_full": "Generate a medium close-up, focusing on both from onwards and from onwards, framed together, looking towards the camera obscura. They should be positioned side-by-side or in close proximity, both intently focused on the camera obscura box. is possibly opening or manipulating the device, while observes him with a look of curiosity or mild awe. Both wear their established period attire. The immediate area around the camera obscura on the table from and is clearly visible. The background, still the studio, is slightly out of focus but shows elements like the wooden cabinet from and . The subdued natural light continues to illuminate them, to emphasize the shared moment of discovery or instruction between and .", "think_full": "This shot maintains the continuity of the art studio environment, focusing on the camera obscura setup on the table, as seen in and . The background shows consistent elements like the wooden cabinet from and . The soft, natural light, which has been a consistent feature of the studio, continues to illuminate the scene, emphasizing the calm, focused atmosphere. Both and are present, continuing from . Their close proximity and shared focus on the camera obscura signify a direct interaction and the development of their relationship. (from , , , ) is now actively engaged with the device, and (from , , , , , ) observes him, deepening her intrigue established in . Their attire remains consistent. This shot culminates the narrative arc of their initial convergence by showing them actively engaging with the camera obscura together. It visually confirms the start of their artistic collaboration or instruction, with taking the lead and as an eager observer. The medium close-up brings the audience into their intimate, shared moment of discovery, emphasizing the significance of the device and their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and global_prompt.shot_outline which states ' brings and together as he demonstrates or uses the camera obscura,' I will create a medium close-up focusing on both characters to show them 'together' and engaged with the object. The person will be and (both from previous shots) in close proximity, focused on the 'camera obscura.' should be in a posture that suggests demonstrating or using it, and observing. The space will be the art studio (from , ), specifically the area around the camera obscura on the table. The user intent is to visualize the collaborative or instructional moment between the two characters centered around the artistic device, signaling a deepening of their relationship." } ], "_src_movie_dir": "Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv", "_src_filename": "046191_049194.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Girl.with.a.Pearl.Earring.2003.GER.Bluray.2160p.DTS-HD.x264-Grym-1.mkv/046191_049194.json", "_test_index": 119 }, { "movie": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv", "N": 10, "sample_id": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/113634.jpg-Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114472.jpg", "images": [ { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/113634.jpg", "filename": "113634.jpg", "aesthetic": 7.544319152832031, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/113638.jpg", "filename": "113638.jpg", "aesthetic": 6.628008842468262, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/113978.jpg", "filename": "113978.jpg", "aesthetic": 6.67476224899292, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114025.jpg", "filename": "114025.jpg", "aesthetic": 6.371628284454346, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114162.jpg", "filename": "114162.jpg", "aesthetic": 6.059264183044434, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114222.jpg", "filename": "114222.jpg", "aesthetic": 6.940659046173096, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114338.jpg", "filename": "114338.jpg", "aesthetic": 7.3059868812561035, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114350.jpg", "filename": "114350.jpg", "aesthetic": 7.101190090179443, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114425.jpg", "filename": "114425.jpg", "aesthetic": 6.522978782653809, "musiq": 0.0 }, { "tag": "", "rel_path": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/114472.jpg", "filename": "114472.jpg", "aesthetic": 7.984450340270996, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene is set in a bustling, dimly lit 19th-century urban indoor arena or theater. An expectant, boisterous crowd gathers to witness a spectacular stage performance, which appears to have political or social undertones. The overall tone is lively, building towards potential unrest or intense engagement.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces and within the crowd, focusing on their initial reactions. reveals the stage performance, showcasing suspended in the air. provides a closer look at during his act. offers a wider view of the stage, detailing the 'angelic' figures and introducing . returns to the audience, showing a broader reaction shot from some audience members including . presents an establishing overhead view of the entire auditorium and the ongoing performance. cuts back to a closer shot of and , highlighting their engaged reaction to the unfolding events. shows the stage from the audience's perspective again, reinforcing the scale of the performance. depicts the audience in a state of commotion, actively engaging with the performance by throwing objects." }, "instruction_full": "From the wide crowd shot of , shift the camera to a medium close-up, focusing on two specific audience members. Frame and shoulder-to-shoulder, both wearing top hats and period clothing. They are seated or standing closely within the dense crowd from , intently watching the unseen performance, with having a slight, perhaps knowing, smirk, and appearing earnest and focused. The dim, warm lighting and crowded environment from continue, to draw the viewer into the personal reactions within the large gathering.", "think_full": "To transition from the broad crowd shot of , the next shot needs to establish key characters within that crowd, providing a more intimate perspective. By shifting to a medium close-up, the camera isolates and , who were implicitly part of the large group in . This establishes their presence and sets them as central figures. The setting, with its dim, warm lighting and dense crowd, carries over directly from , maintaining environmental continuity. Their expressions\b's knowing smirk and 's earnest focus\bare crucial to immediately hinting at their personalities and potential dynamic, deepening the viewer's engagement with the ongoing, unseen event. This shot serves to introduce specific individual reactions and draw the audience's attention to who these specific characters are in this setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates that should introduce and and their reaction within the crowd. Given shows a wide shot of a crowd watching something, the logical next step is to zoom in on specific individuals to establish character. Therefore, I need to frame a medium close-up on two key characters, who are part of the crowd seen in . They should be dressed in period attire consistent with the overall look of the audience in . Their expressions should suggest engagement with the unseen performance. The lighting and crowded environment must continue from . This focuses the narrative on specific individuals from the general mass, immediately giving the audience faces to connect with." }, { "instruction_full": "Cut from the intimate audience perspective of to a wide shot of the stage, revealing the performance that and were observing. Frame a performer, , suspended in the air, dressed in a dark suit and top hat, with arms outstretched against a backdrop of painted clouds. Below him on stage, several figures resembling angels stand on cloud-like platforms. The setting is a grand, dimly lit indoor arena, consistent with the audience's environment from and , with decorative lanterns hanging. This shot is to visually reveal the spectacle they are witnessing and establish the theatrical environment.", "think_full": "Following the close-up on and in , which established their reaction to an unseen event, the next logical step is to reveal that event. This shot cuts directly to the stage, moving from character reaction to the source of that reaction. This is a new physical vantage point, shifting from the audience's eye-level to a broader view of the stage. The environment, a large indoor space, is continuous with the general setting implied by the size of the crowd in and the overhead lanterns suggested by the theatrical feel. is introduced here as a new character, central to the stage action. The 'angels' are also new stage elements. The overall dramatic purpose is to finally show the spectacle and expand the world beyond just the audience's faces, fulfilling the expectation set by the previous shot.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should reveal the stage performance, showcasing . After establishing and 's reaction to something off-screen in , the narrative demands to show what they are reacting to. Therefore, the next shot needs to be of the stage. It should be a wide shot to encompass the entire spectacle. I need to show a central figure, , suspended, and other elements like painted clouds and angel-like figures on the stage. The environment should be an indoor, theatrical setting, consistent with the crowd's location in and , including lanterns or similar stage lighting. This transition reveals the focal point of the event and expands the visual scope of the story." }, { "instruction_full": "From the wide stage shot of , move the camera to a medium close-up of suspended in the air. Focus on his upper body, showing his face as he performs, mouth open as if singing or speaking with intensity, arms still outstretched. He should be wearing the same dark suit and top hat as seen in . The background should be simplified, a plain, light color (e.g., the painted clouds from in a tighter crop), to emphasize his expression and performance, maintaining the ethereal lighting from the stage in . This shot is to highlight the performer's intensity and connect the audience emotionally to his act.", "think_full": "After the wide shot of the stage in established the overall spectacle, the next step is to bring focus to the central figure, . A medium close-up of allows the audience to see his expression and the effort in his act, drawing them closer to the performance. This shot uses a tighter framing on who was visible in , maintaining continuity of his costume and position. The background is a simplified version of the stage set from , removing distractions and emphasizing the character. This serves to personalize the performance and create a more direct connection with 's emotional delivery.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates that should provide a closer look at . After showing the full stage spectacle in , the logical progression is to focus on the central figure of that spectacle. Therefore, a close-up of from is needed. He should be depicted mid-performance, with an intense expression and outstretched arms, wearing the same outfit. The background should be simplified to keep the focus on him, drawing from the stage aesthetics established in . This serves to intensify the viewing experience and connect the audience more directly with the performer's act." }, { "instruction_full": "Broaden the view from the close-up of in to a wider shot of the stage, similar to but with a slightly lower angle and closer perspective, bringing more elements of the stage performance into focus. The top portion of 's legs should be visible, still suspended. The 'angelic' figures and cloud-like platforms from should be clearly seen, with some figures interacting with another character lying on a cloud. Introduce a new character, , in a light brown coat and top hat, standing stage right, holding a whip. The ethereal lighting from and continues, enhancing the mystical ambiance. This shot aims to elaborate on the theatrical elements and introduce the manager of the act.", "think_full": "After focusing intensely on in , the narrative needs to expand again to show more of the stage's complexity. This shot returns to a wider stage view, similar to , but with a different framing to reveal new details. The suspended from is still present, now only partially visible. The 'angelic' figures and cloud props from are now more prominent and engaged in action. is introduced here as a new character, adding another layer to the performance dynamic. The lighting maintains the ethereal quality established in and , ensuring visual consistency of the stage environment. This shot's purpose is to fully detail the theatrical setup and introduce another key figure managing the performance.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should offer a wider view of the stage, detailing the 'angelic' figures and introducing . After the close-up of in , returning to a slightly wider stage view is necessary to provide more context for the performance. This shot should include (partially visible from ), the 'angelic' figures and clouds from , and prominently introduce as a new character. The lighting should remain consistent with the stage's ethereal look from and . This broadens the understanding of the stage act and its various participants." }, { "instruction_full": "Cut back to the audience, shifting the camera to a medium close-up, similar to the framing of , to capture more audience reactions. Re-introduce from , now seen with a wider, perhaps sarcastic or amused expression, looking towards the stage. Alongside him, frame other characters, some looking engaged, others possibly showing skepticism or amusement, all within the dense, dimly lit crowd from and . The dim, warm lighting of the auditorium from previous audience shots and should be maintained. This shot is to show the varying audience interpretations of the stage spectacle.", "think_full": "After expanding the view of the stage in , the narrative needs to return to the audience's perspective to show their reception of the elaborate performance. This shot echoes the framing style of , creating a visual rhythm between performance and reaction. is reintroduced from , and his changed expression suggests a deeper, possibly more cynical, engagement with the spectacle. Other characters, first established as part of the crowd in , fill the frame, providing varied reactions. The dense crowd, dim lighting, and overall environment remain consistent with and , maintaining the setting's continuity. The purpose is to demonstrate the audience's diverse responses and deepen the characterization of .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates that should return to the audience, showing a broader reaction shot from some audience members including . After a series of shots focused on the stage (, , ), it's crucial to return to the audience to assess their impact. This should be a medium close-up of audience members, similar in style to . It must feature from , showing his reaction, and other characters from the crowd in . The dimly lit, crowded environment from and should be maintained. This serves to provide the audience's viewpoint and hint at their collective sentiment towards the performance." }, { "instruction_full": "From the audience close-up of , pull the camera back to a high-angle, wide shot, similar to an establishing shot, revealing the entire auditorium from an overhead perspective. Show the circular or oval arena, with multiple tiers of balconies filled with characters, all looking towards the stage. should be visible on stage in the background, suspended, continuing his act as seen in , , . The decorative lanterns from should be spread throughout the space, providing atmospheric lighting. This shot aims to emphasize the scale of the event and the vastness of the crowd.", "think_full": "Following the intimate audience reaction in , the narrative needs to broaden the scope again to contextualize the event within its larger setting. This shot uses a dramatic overhead, wide angle, which is a significant camera change from previous shots, to reveal the full scale of the auditorium, a space only hinted at by the dense crowds in , , and the stage glimpses in , . from , , is still on stage, providing continuity for the performance. The numerous characters fill the tiers, confirming the large gathering implied in . The lanterns from are now seen throughout the entire venue. This shot provides a grand establishing view, reinforcing the magnitude of the spectacle and the audience.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should present an establishing overhead view of the entire auditorium and the ongoing performance. After focusing on individual audience reactions in , it's essential to give a sense of the entire venue and the scale of the event. Therefore, an overhead, wide shot is required. It should show the entire auditorium filled with characters, looking towards the stage where from previous stage shots (, , ) is still performing. The lanterns seen in should be visible across the whole space. This shot is meant to be a grand re-establishing shot, emphasizing the scope of the scene." }, { "instruction_full": "From the wide overhead view of , cut back down to a medium close-up of and , similar in framing and intimacy to and . They are now standing, looking towards the stage with animated expressions. from and has a broad, almost mischievous smile and is holding a small, possibly symbolic, object. from is also smiling, perhaps with anticipation or amusement. The surrounding characters from , , are also active and reacting, contributing to the energized atmosphere in the same dimly lit, crowded environment. This shot is to highlight their specific reactions as the performance escalates.", "think_full": "After the wide, detached view of , returning to the main characters provides an immediate emotional re-engagement. This shot reuses the close-up framing from and , establishing a consistent pattern for character reactions. Both and from and reappear, now standing and showing more pronounced, almost conspiratorial, reactions. The small object held by introduces a new subtle prop that hints at an upcoming action. The background remains the familiar dimly lit, crowded auditorium from , , , reinforcing the continuity of the setting. The purpose is to intensify the focus on their individual responses as the climax of the performance draws near, suggesting their active involvement.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline specifies that should cut back to a closer shot of and , highlighting their engaged reaction. After the expansive view of , narrowing the focus back to key characters is important for emotional engagement. Therefore, a medium close-up of and (both seen in and ) is needed, similar to those previous reaction shots. They should be standing and showing heightened expressions of amusement or anticipation. The crowded, dimly lit environment from , , should remain consistent. This shot emphasizes their personal involvement and suggests a shift in the mood of the audience." }, { "instruction_full": "Transition from the close-up audience reaction of to a shot from behind the audience, looking towards the stage. This view should be similar in scope and perspective to and , but taken from a slightly different, lower audience vantage point. is still suspended on stage, continuing his act as seen in , , , . The stage activity with the 'angelic' figures from is ongoing. The backs of several characters, some standing and reacting, fill the foreground, reinforcing their presence and involvement in the dimly lit auditorium environment seen in , , . This shot serves to re-establish the stage within the context of the active, engaged audience, building anticipation.", "think_full": "After the specific reactions of and in , the narrative needs to show the stage again, but this time explicitly from the audience's collective perspective. This shot returns to a stage-facing view, similar to the general views in and , but foregrounds the backs of characters from to explicitly link the audience's engagement to the performance. is still present on stage, maintaining the visual continuity of the performance from , , , . The stage activity and lighting also continue from previous stage shots. This perspective reinforces the connection between the audience's escalating energy and the ongoing show, building towards a climax.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should show the stage from the audience's perspective again, reinforcing the scale of the performance. After the close-up audience reactions in , it's time to return to the stage to show the focus of their attention. This should be a shot looking towards the stage from behind the audience, similar to the general stage views in and . (from , , , ) should still be visible on stage. The backs of some characters (from , , , ) should be in the foreground to represent the active audience. The dimly lit auditorium environment from , , must be consistent. This shot serves to connect the energized audience with the ongoing stage performance." }, { "instruction_full": "From the audience-back view of looking at the stage, cut back to a wide shot of the audience, similar to the overall crowd view in but now depicting them in active commotion. Many characters are standing, cheering loudly, and enthusiastically throwing objects, such as oranges, onto the stage (off-frame). Re-include from and , clearly visible in the crowd, smiling and participating in the throwing. The atmosphere is energetic and chaotic, with various objects flying through the air, all within the familiar dimly lit, large indoor arena from , , , . This shot is to show the audience's explosive and unruly reaction, escalating the dramatic tension.", "think_full": "After showing the stage from the audience's perspective in , the culmination of the audience's reaction needs to be shown. This shot returns to the wide crowd framing from , but now it depicts a dramatic escalation in activity. Instead of passive watching, the characters (established in , , , , ) are now actively participating in the chaos, throwing objects. from and is explicitly shown joining this unruly behavior, indicating his full immersion or perhaps instigation. The general environment of the dimly lit, crowded indoor arena from is maintained, but the mood has shifted from anticipation to full-blown unrest. The purpose of this shot is to deliver a strong climax of audience engagement and reveal the chaotic energy.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should depict the audience in a state of commotion, actively engaging with the performance by throwing objects. Following the audience-facing stage shot in and the increasing energy in , the next logical step is to show the full extent of the audience's explosive reaction. This requires a wide shot of the audience, similar to , but now with many characters standing and actively throwing objects. (from , ) should be visible, participating in the chaos. The overall environment, a large, dimly lit indoor arena, must remain consistent with previous audience shots (, , , ). This shot acts as a powerful climax, demonstrating the unruly and energetic nature of the crowd's response." } ], "_src_movie_dir": "Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv", "_src_filename": "113634_114472.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Gangs.of.New.York.2002.ITA.BDRip.2160p.ExKinoRay.mkv/113634_114472.json", "_test_index": 122 }, { "movie": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv", "N": 10, "sample_id": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195141.jpg-Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195674.jpg", "images": [ { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195141.jpg", "filename": "195141.jpg", "aesthetic": 6.283923149108887, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195261.jpg", "filename": "195261.jpg", "aesthetic": 6.2764892578125, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195297.jpg", "filename": "195297.jpg", "aesthetic": 5.5583038330078125, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195366.jpg", "filename": "195366.jpg", "aesthetic": 6.470044136047363, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195408.jpg", "filename": "195408.jpg", "aesthetic": 5.822196006774902, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195450.jpg", "filename": "195450.jpg", "aesthetic": 5.586085796356201, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195492.jpg", "filename": "195492.jpg", "aesthetic": 5.86994743347168, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195542.jpg", "filename": "195542.jpg", "aesthetic": 5.643438816070557, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195599.jpg", "filename": "195599.jpg", "aesthetic": 5.8294677734375, "musiq": 0.0 }, { "tag": "", "rel_path": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195674.jpg", "filename": "195674.jpg", "aesthetic": 5.606663703918457, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense and violent confrontation is unfolding in a dimly lit, opulent house during a hostage situation. The tone is high stakes, dramatic, and filled with suspense, with rapid cuts designed to heighten the emotional intensity and convey immediate danger.", "characters": [ "", "", "", "" ], "shot_outline": " reveals , injured and distressed, in an ornate interior, reacting to something off-screen. cuts to being held at gunpoint by , escalating the tension. returns to from a similar angle as , showing his continued distress. cuts back to from 's perspective, showing his intense focus despite his injury. returns to and , emphasizing her fear. cuts back to , maintaining the tight, intense framing. returns to and , with her expression of terror intensifying. cuts back to , holding his determined gaze. returns to and , showing her complete breakdown in fear." }, "instruction_full": "Shift the camera to a medium close-up, slightly from the left, capturing an older Black man. He should be wearing formal, old-fashioned attire, his white shirt stained with blood on the left sleeve. His expression is a mix of pain and alarm, looking off-screen to the right. The background, dimly lit with warm practical lights, should reveal an ornate room with dark wood paneling and bookshelves, establishing a refined but now chaotic interior distinct from the extreme darkness of .", "think_full": "The transition from requires a change of scene to introduce another key character and the primary setting. focused on 's internal state in extreme close-up; needs to broaden the scope. We introduce as per the global_prompt.characters, showing his vulnerability and injury with blood on his shirt, contrasting with his formal attire. His alarmed expression sets the tone for the unfolding violence. The space is newly revealed as an opulent, dimly lit interior with dark wood and books, suggesting a large, grand house, which is a new environment visually distinct from the extreme close-up background of .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline indicates that should introduce , showing him injured and distressed in an ornate interior. To achieve this, the camera should move from the extreme close-up of in to a medium close-up of this new character. He should have a distressed expression and visible blood on his formal attire to convey injury. The background will be dimly lit, revealing an ornate interior with dark wooden furniture or bookshelves, consistent with the 'opulent house' mentioned in the global_prompt.story_setup, to establish the primary location of the conflict." }, { "instruction_full": "Cut to a medium shot, framing two new characters: , a Black woman in a dark dress with white trim, looking fearful, and behind her, , a white man in a cowboy hat, holding a silver revolver to her temple. The camera should be eye-level, capturing their faces and the gun clearly. The background maintains the dimly lit, dark wood aesthetic established in , with subtle hints of glowing lamps and shadowy bookshelves, reinforcing the shared oppressive environment.", "think_full": "Following the shot_outline, needs to escalate the stakes by introducing and . This is a new composition, but it maintains the low-key, warm-toned lighting and dark, opulent interior seen in to ensure spatial continuity of the setting. The introduction of the captor and the direct threat of the gun immediately conveys high danger. The expressions of fear on and the cold determination of are crucial to communicate the narrative purpose: to reveal a direct and immediate threat.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies cutting to being held at gunpoint by to escalate tension. This requires introducing these two new characters. The camera should frame them in a medium shot, clearly showing the captor, the hostage, and the gun at her head. The setting should remain the dimly lit, ornate interior that was established in , consistent with the 'opulent house' in global_prompt.story_setup, maintaining visual continuity of the environment despite the introduction of new characters." }, { "instruction_full": "Return to the medium close-up of from , capturing him from a similar slightly low angle. He should still appear distressed, his eyes wide and mouth slightly agape, reacting to the situation, possibly looking towards where and were seen in . His blood-stained shirt from remains visible, and the background is the same dimly lit, ornate room with dark wood paneling and bookshelves as in .", "think_full": "The shot_outline dictates that should return to from a similar angle as . This is a direct match cut in terms of camera setup, character, and environment from . His continued distress, potentially reacting to the extreme threat shown in , reinforces the escalating danger. His blood-stained attire, seen in , maintains visual consistency of his injured state. The background is precisely the same ornate interior from to maintain continuous spatial awareness and emphasize the characters are in the same dangerous location.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the shot_outline, should return to from a similar angle as , emphasizing his continued distress. This requires replicating the camera angle, framing, and character's appearance from , including his blood-stained shirt and distressed expression. The background will also be the same dimly lit, ornate interior established in , visually linking his reaction directly to the threat revealed in and reinforcing the ongoing crisis in the 'opulent house' as described in global_prompt.story_setup." }, { "instruction_full": "Cut back to the extreme close-up of from , maintaining the low camera angle looking up at his face. His forehead is still bloody as seen in , and his expression is intensely focused and determined, with a slight narrowing of his eyes. The background remains dark and undefined as in , highlighting his isolated determination amidst the chaos observed in and .", "think_full": "The shot_outline specifies returning to from 's perspective. This is a direct match cut to in terms of camera framing, angle, and the character's appearance, including the blood on his forehead established in . His intense focus and determination, as seen in , are maintained, showing his internal resolve. The dark, ambiguous background from is also replicated to emphasize his isolation and internal state, contrasting with the wider shots of the ornate interior in , , and .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline indicates that should cut back to from 's perspective, showing his intense focus. This means replicating the extreme close-up, low angle, and the appearance of from , including the blood on his forehead. His expression should convey continued determination. The background will remain dark and undefined, consistent with , to focus entirely on his reaction and internal state, as he processes the unfolding events in the 'opulent house' described in global_prompt.story_setup and glimpsed in , , ." }, { "instruction_full": "Cut back to the medium shot of holding at gunpoint, mirroring the framing of . 's face remains partially obscured by his hat, maintaining his menacing presence, while 's fear should be more pronounced than in , with her eyes wider and a more desperate expression. The silver revolver is still pressed to her temple. The background is identical to , showing the dimly lit, ornate interior with hints of lamps and dark wood.", "think_full": "The shot_outline calls for a return to and , emphasizing her fear. This is a match cut to , reusing the exact camera framing, the characters, and the oppressive setting from . The goal is to intensify 's fear, building on the threat established in and reinforcing the high stakes for and who are reacting to this danger. The consistent dimly lit, ornate interior from (and , ) maintains the unity of the dangerous location.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to and , with a focus on her intensifying fear. This implies a shot similar to . The camera should maintain the medium shot of holding the gun to 's head. Her expression should show heightened terror compared to . The background will be the same dimly lit, ornate interior as established in and , reinforcing the continuous environment and escalating threat as described in global_prompt.story_setup." }, { "instruction_full": "Cut back once more to the extreme close-up of , precisely matching the framing and low angle of and . His face remains bloody as established in , and his expression is fixed with intense concentration, perhaps even a hint of grim resolve, reacting to the escalating danger seen in . The background remains the same deep, dark void, isolating his determination.", "think_full": "The shot_outline calls for another cut back to , maintaining the tight, intense framing. This is a direct match cut to and , repeating the exact camera setup, character, and indistinct dark background. The repetition emphasizes his unwavering focus and internal strength amidst the external pressures revealed in . The blood on his forehead from continues to show his injured state while his expression hints at growing resolve to confront the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies another cut back to , maintaining the tight, intense framing. This means reproducing the extreme close-up, low angle, and the determined, injured appearance of from and . His expression should continue to convey intense focus. The background will remain dark and ambiguous, consistent with and , to concentrate viewer attention on his internal struggle and imminent reaction to the escalating threat depicted in within the context of the global_prompt.story_setup." }, { "instruction_full": "Cut back to the medium shot of and , maintaining the framing of and . 's presence is unwavering, while 's face should now show profound terror, her eyes wide with tears welling, her mouth slightly open in a silent gasp of fear. The silver revolver is still menacingly pressed to her temple. The dimly lit, ornate background remains consistent with and .", "think_full": "The shot_outline dictates a return to and , with her terror intensifying. This is a match cut to and , repeating the camera setup, characters, and environment. The primary goal is to convey an even higher level of fear from , pushing the emotional stakes to their peak. Her expression needs to clearly show this extreme distress. The consistent setting from and (and , ) maintains spatial and tonal continuity, emphasizing the unchanging, dire situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for requires a return to and , showing an intensifying expression of terror from her. This means replicating the medium shot of and , with holding the gun to 's head. Her fear should be noticeably more extreme than in previous shots, visually representing her breaking point. The background will remain the dimly lit, ornate interior seen in , , , and , reinforcing the persistent threat in the global_prompt.story_setup's 'opulent house'." }, { "instruction_full": "Cut back to the extreme close-up of , matching the precise framing and low angle of , , and . The blood on his forehead from is still evident. His expression should show unwavering determination, perhaps a slight tightening of his jaw or a subtle shift in his eyes, suggesting he is about to make a move, reacting to the intense terror seen in . The background remains the profound darkness, focusing solely on his face.", "think_full": "The shot_outline calls for another cut back to , holding his determined gaze. This is a direct match cut to , , and , repeating the camera setup, character, and indistinct dark background. The repetition builds tension through this rapid cross-cutting. His unwavering determination, coupled with the extreme fear of in , suggests a turning point where is about to act. The consistent blood on his forehead from reiterates his injured but resilient state.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for requires cutting back to , holding his determined gaze. This means reproducing the extreme close-up, low angle, and the intense, injured appearance of from , , and . His expression should maintain deep resolve, potentially hinting at imminent action given the extreme duress seen in . The background will remain the dark, ambiguous space, consistent with previous shots of him, focusing entirely on his critical moment of decision in the 'tense, violent confrontation' from global_prompt.story_setup." }, { "instruction_full": "Cut back to the medium shot of and , precisely matching the framing of , , and . 's grip on the gun and his position remain firm. 's face should now express utter and complete terror, her eyes tightly shut, tears visibly streaming, and her mouth distorted in a silent scream or whimper, signifying a complete surrender to fear. The silver revolver remains pressed to her temple, and the background is the consistent dimly lit, ornate interior as seen in previous shots.", "think_full": "The shot_outline specifies a return to and , showing her complete breakdown in fear. This is a final match cut to , , and , repeating the camera setup, characters, and environment one last time in this sequence. The objective is to depict the absolute peak of 's terror, with her eyes closed in despair, reinforcing the imminent danger and heightening the tension before any potential action from (as implied by ). The consistent ornate, dimly lit background from previous shots of this scene maintains continuous spatial context for the dramatic climax.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to and , showing her complete breakdown in fear. This requires reproducing the medium shot of , , and , with holding the gun to 's head. Her expression should now be one of overwhelming and utter terror, perhaps with her eyes closed and tears visible, signifying a total emotional collapse. The background will remain the dimly lit, ornate interior as consistently depicted in previous shots, bringing the dramatic sequence to an intense emotional peak as foreshadowed by global_prompt.story_setup." } ], "_src_movie_dir": "Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv", "_src_filename": "195141_195674.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Django.Unchained.2012.2160p.HDR.AI.Enhance.ENG.GER.RUS....ITA.LATINO.DTS-HD.Master.DDP5.1.x265.MKV-BEN.THE.MEN.mkv/195141_195674.json", "_test_index": 126 }, { "movie": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv", "N": 10, "sample_id": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91216.jpg-Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/92141.jpg", "images": [ { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91216.jpg", "filename": "91216.jpg", "aesthetic": 4.94734001159668, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91275.jpg", "filename": "91275.jpg", "aesthetic": 4.992048263549805, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91394.jpg", "filename": "91394.jpg", "aesthetic": 5.427781105041504, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91631.jpg", "filename": "91631.jpg", "aesthetic": 5.42574405670166, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91822.jpg", "filename": "91822.jpg", "aesthetic": 5.169777870178223, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91841.jpg", "filename": "91841.jpg", "aesthetic": 5.042387008666992, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/91922.jpg", "filename": "91922.jpg", "aesthetic": 5.145505905151367, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/92009.jpg", "filename": "92009.jpg", "aesthetic": 5.909112453460693, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/92053.jpg", "filename": "92053.jpg", "aesthetic": 4.384388446807861, "musiq": 0.0 }, { "tag": "", "rel_path": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/92141.jpg", "filename": "92141.jpg", "aesthetic": 5.009797096252441, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A somber, intimate family gathering unfolds in a dimly lit, red-hhued home, centered around the arrival of a baby. The atmosphere is quiet and laden with unspoken emotion, suggesting a moment of difficult transition, acceptance, or ritual.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " introduces additional family members (two men, one woman) seated or standing in a different part of the same room, establishing a larger gathering. brings back and from , revealing is now holding . focuses on , her head covered, suggesting a solemn ritual, with in the background. cuts to a close-up of 's face, showing her internal sadness. provides an overhead shot of cradling , emphasizing the intimate connection and ceremonial aspect. returns to a close-up of , reiterating her continued emotional struggle. captures a close-up of , revealing her own sorrow or concern. shows a very tight close-up of and , highlighting a tender, protective bond. returns to and in a similar shot to , reflecting the aftermath and quiet acceptance." }, "instruction_full": "Shift to a wider shot, slightly to the right of , expanding the view of the dimly lit, red-hued interior. Introduce standing in the foreground, and and seated on a sofa in the mid-ground. The room should feature a floor lamp and a patterned rug, maintaining the overall somber and intimate atmosphere established in , to introduce more family members and establish the main gathering in the house, suggesting the context for the previous shot's tension.", "think_full": "The `global_prompt.shot_outline` indicates that should introduce new characters and expand the room view to show a gathering. The red walls, dim lighting, and general decor from strongly suggest we are still in the same house. This shot will expand the visual information of the setting, moving to a wider angle to reveal a sofa and other living room elements, such as a floor lamp and a patterned rug, reinforcing the continuous environment. The characters , , and are introduced here for the first time, establishing the broader family context for the scene. This visually broadens the scene from the more isolated portrayal of and in , providing immediate context for their earlier appearance and setting the stage for the narrative about to unfold.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that should introduce new characters and establish a gathering in the same room. Therefore, the camera needs to pull back or shift to reveal more of the space and new individuals. I will keep the established dimly lit, red-hued interior from . I will introduce new characters: , , and seated on a sofa. This will expand the scene, showing the larger family gathering and setting the context for the emotional events to follow." }, { "instruction_full": "Return to a medium shot, similar in framing to , focusing on now holding , who is wrapped in a patterned blanket, with a somber expression. stands behind her, looking on with concern. The scene should remain in the dimly lit, red-walled interior from and , with background elements consistent with the side table from , to reveal the central emotional element of the story – the baby – and the immediate emotional impact on these two characters.", "think_full": "The `global_prompt.shot_outline` states that brings back and and reveals holding . The setting remains consistently the dimly lit, red-walled interior, as established in and . The side table with decorative items from should be visible in the background, maintaining spatial continuity. and reappear from ; their expressions should reflect the ongoing somber mood. The key narrative development is the introduction of , which is holding, wrapped in a blanket. This shot serves to elevate the emotional stakes by centering the narrative around , connecting directly to the tension hinted at in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to show and again, with the younger woman now holding . I will frame this similarly to to re-establish their presence. The room's dim, red-hued lighting from and will continue. The purpose is to introduce the baby as a central figure, shifting the narrative focus and deepening the emotional context for the initial tension shown in ." }, { "instruction_full": "Move the camera for a close-up, framed over the shoulder of , focusing on her with her head covered by a red garment, looking towards someone off-camera. In the blurred background, is visible, seated on the sofa from . The scene maintains the red-hued, dimly lit living room from , , and , specifically showing the sofa area, to shift focus to and highlight her deeply emotional or ritualistic involvement, creating a sense of gravity around introduced in .", "think_full": "The `global_prompt.shot_outline` indicates that should focus on , now with her head covered, and keep in the background. The consistent dimly lit, red-walled interior, seen in , , and , will continue, specifically showcasing the sofa area from . from is now prominent, her covered head suggesting a solemn or ritualistic act, which deepens the emotional weight hinted at by 's introduction in . from reappears in the background, providing continuity to the family gathering. This framing draws attention to her, suggesting her direct connection or profound reaction to the situation with the baby, adding a layer of ceremonial gravity to the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for a focus on , with her head covered, in a ritualistic manner, and in the background. I will use a closer shot, perhaps over-the-shoulder, to highlight 's solemn state. The setting will remain the dim, red-toned living room from , , and , with the sofa area from visible. This shot will emphasize her role and emotional depth in the unfolding family event, particularly in relation to the baby introduced in ." }, { "instruction_full": "Cut to a tight close-up on the face of , framing her from the chest up. Her expression should be subdued, pensive, and looking downwards. The background is blurred, but the red wall and dim lighting from , , , and should still be discernible, suggesting she is still in the same somber living room, to emphasize her internal emotional state, showing her sadness or burden after the reveal of and the possible ritual.", "think_full": "The `global_prompt.shot_outline` specifies a close-up on showing her emotional state after the reveal. The blurred background maintains the consistent red-hued, dimly lit atmosphere of the living room, as established in , , , and . reappears from and . Her pensive, downward-looking expression directly continues the somber mood, highlighting her personal burden. This close-up serves to isolate and amplify her emotional response, allowing the audience to connect intimately with her internal struggle, which has been building since and intensified with the introduction of in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates should be a close-up of showing her emotional state. A tight close-up on her face is necessary to convey subtle emotions. She will have a pensive, downward gaze, reflecting sadness or contemplation. The background will be blurred but retain the red-hued, dimly lit characteristics of the room seen in , , , and . The purpose is to explore her individual emotional reaction to the events surrounding the baby." }, { "instruction_full": "Shift to a high-angle, overhead shot, looking down on as she is seated on the floor or very low, gently cradling , who is wrapped in the patterned blanket from . Her head remains covered as in . The shot should clearly show the patterned rug from and , with hints of the red-walled room from , , , , and , to visually emphasize the intimate bond between and , and to highlight the ritualistic or sacred nature of the moment.", "think_full": "The `global_prompt.shot_outline` describes as an overhead shot of holding , emphasizing intimacy and sacredness. The patterned rug, visible in and , along with the continuous red-hued, dimly lit room from through , ensures spatial continuity. from and is again featured, now explicitly cradling (introduced in ), with her head still covered. The high-angle perspective creates a sense of reverence and intimacy, accentuating the connection and solemnity of the moment between and , offering a contrast to 's internal struggle shown in .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, is an overhead shot of holding . I will set the camera high, looking down, to emphasize the intimacy and possibly a ritualistic aspect. , with her head covered from , will be gently holding (from ). The patterned rug from and will be visible, grounding the shot in the established living room from , , , , and . This shot will highlight the profound connection and ceremonial nature of the event." }, { "instruction_full": "Revert to a tight close-up on the face of , identical in framing and angle to . She should maintain her subdued, pensive, and downward-looking expression. The blurred red-walled background and dim lighting should continue from and the previous shots, reinforcing that she is in the same room, to re-emphasize her persistent emotional burden and internal reflection, showing that the previous intimate moment (in ) has not alleviated her feelings.", "think_full": "The `global_prompt.shot_outline` specifies as another close-up on , similar to , reinforcing her internal struggle. The blurred background consistently maintains the red-hued, dimly lit environment from through . By replicating the exact framing and expression of from , this shot visually emphasizes her sustained emotional state and unresolved feelings, creating a poignant counterpoint to the intimate moment between and shown in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, should be another close-up of , similar to , to reinforce her internal struggle. I will use the exact same tight close-up framing as . will retain her subdued, pensive, downward-looking expression. The background will be blurred but consistent with the dim, red-toned room from through . This shot will underscore the enduring emotional impact on her, continuing her personal narrative thread." }, { "instruction_full": "Cut to a tight close-up on the face of , mirroring the emotional intensity of and . She should display a look of deep concern, sadness, or empathy, gazing downwards slightly. The background is blurred, showing hints of the same red wall and dim lighting from previous shots ( through ), to capture and convey her emotional reaction, expanding the emotional palette of the scene and showing her sympathetic involvement in the unfolding events.", "think_full": "The `global_prompt.shot_outline` instructs to capture a close-up on , showing her reaction/emotion. The blurred background continues the dimly lit, red-hued environment seen throughout the sequence ( through ), ensuring spatial coherence while prioritizing her emotional state. reappears from and . Her expression of concern or sadness, similar in intensity to 's in and , reveals her own emotional investment and empathy in the situation, expanding the emotional dimension of the family gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for requires a close-up of to show her emotions. I will frame a tight close-up on her face, similar to and , to emphasize her emotional response. Her expression will convey concern or sadness. The background will be blurred, but will maintain the red-hued, dim lighting of the room from previous shots ( through ). This shot aims to broaden the emotional scope by revealing her personal feelings within the family drama." }, { "instruction_full": "Cut to a very tight close-up, focusing on as she interacts intimately with . , still with her head covered as in and , is seen in profile, gently leaning over who is wrapped in the patterned blanket from and . Her posture suggests comfort or a deep bond. The background is almost entirely dark and blurred, maintaining only the hint of the red-toned, dim environment from previous shots ( through ), to underscore the deep, protective bond forming between and , culminating the emotional connection established in with a moment of tender intimacy.", "think_full": "The `global_prompt.shot_outline` specifies as a tight shot of comforting or bonding with . The background remains dimly lit and red-toned, a consistent feature of the environment from through , but is now extremely blurred to maximize focus on the intimate interaction. from , , and is featured again, continuing her interaction with (introduced in , also seen in ). Her covered head and gentle, leaning posture reinforce the sense of ritual and deep, protective care, building directly on the visual storytelling of . This very tight close-up intensifies the focus on their bond, serving as a culmination of the ritualistic and emotional moments surrounding the baby.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for requests a tight shot of bonding with . I will use a very tight close-up to emphasize the intimacy of their interaction. , still with her head covered from and , will be shown intimately with (from and ), perhaps leaning over the child. The background will be almost entirely blurred and dark, maintaining only a hint of the red, dim environment from through . This shot is meant to powerfully convey a deep, tender connection, concluding the emotional arc of this relationship." }, { "instruction_full": "Return to a medium shot, nearly identical to the framing of , capturing and side-by-side. Both stand with subdued expressions, perhaps showing quiet acceptance or resignation. now has her arms crossed, and holds a folded garment. The same dimly lit, red-walled interior from is clearly visible again, including the fireplace area to the left and the side table with objects to the right, to provide a sense of narrative closure by returning to the original characters and setting, showing the aftermath of the emotional event and implying their shared experience and new reality.", "think_full": "The `global_prompt.shot_outline` states that returns to and in a similar shot to , reflecting the aftermath and quiet acceptance. This shot directly echoes the original framing and background of , featuring the fireplace and the side table with objects, which has been consistent in lighting and tone throughout through . This strong visual parallel signals a narrative cycle completed. and from , , , , and reappear together. Their postures and subdued expressions convey the emotional journey and reflect a new reality or quiet acceptance after the preceding dramatic and intimate events, providing a sense of closure to the sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should return to and in a shot similar to , showing the aftermath. I will replicate the medium shot framing from , featuring both characters side-by-side. Their expressions will be subdued, reflecting the emotional events of the previous turns, perhaps with crossing her arms and holding an item. The environment will be the same dimly lit, red-walled room from (and all previous shots), including the fireplace and side table. This shot will offer narrative closure by bringing the focus back to them in the original setting, implying their collective experience and acceptance." } ], "_src_movie_dir": "Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv", "_src_filename": "091216_092141.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Frozen.River.2008.2160p.BluRay.x264.DD5.1-FGT.mkv/091216_092141.json", "_test_index": 128 }, { "movie": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv", "N": 10, "sample_id": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/24312.jpg-Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/29125.jpg", "images": [ { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/24312.jpg", "filename": "24312.jpg", "aesthetic": 4.771655082702637, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/24572.jpg", "filename": "24572.jpg", "aesthetic": 4.897614002227783, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/25160.jpg", "filename": "25160.jpg", "aesthetic": 5.498414039611816, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/26514.jpg", "filename": "26514.jpg", "aesthetic": 5.401797771453857, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/26607.jpg", "filename": "26607.jpg", "aesthetic": 3.46382474899292, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/27198.jpg", "filename": "27198.jpg", "aesthetic": 5.392696380615234, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/27444.jpg", "filename": "27444.jpg", "aesthetic": 5.178349494934082, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/28729.jpg", "filename": "28729.jpg", "aesthetic": 4.622806549072266, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/29122.jpg", "filename": "29122.jpg", "aesthetic": 4.96090030670166, "musiq": 0.0 }, { "tag": "", "rel_path": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/29125.jpg", "filename": "29125.jpg", "aesthetic": 4.933585166931152, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence depicts the evening routine of a domestic worker in a large, well-appointed family home. The tone is observational and quiet, focusing on the diligent and often solitary nature of her duties as the household settles for the night.", "characters": [ "", "", "", "", "" ], "shot_outline": " follows as she moves from the living room, revealing more of the house's interior architecture. shifts to a different domestic space, showing and engaging in household chores. focuses on tending to in a bedroom. depicts the act of turning off the light, plunging the room into darkness. returns to on the upper floor, continuing her duties. shows descending the stairs, returning to a lower common area. provides a close-up of a hand washing dishes, emphasizing the routine. cuts to a brief moment of darkness in the sink area, suggesting a pause or transition. expands the view of the kitchen again, showing still engaged in chores, with also present." }, "instruction_full": "The camera pulls back and rises, following as she moves away from the living room scene in . We see her walking up a grand, curving staircase, holding a glass and a tray. The space should reveal more of the house's substantial interior, maintaining the dim, domestic evening lighting, to establish her journey through the home and hint at her various responsibilities.", "think_full": "Based on , we see kneeling in a living room, suggesting she has just attended to . To follow her routine, the next shot needs to show her moving on. The `shot_outline` explicitly states will follow her and reveal more of the house's architecture. Therefore, the camera should track her movement, rising to capture her ascending a prominent staircase. This introduces a new, more expansive area of the house. She is still from , carrying the glass and tray, maintaining character continuity. The dim lighting from continues to establish the time of day as evening. The grand staircase serves to emphasize the scale of her daily responsibilities within this large residence.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` of a domestic worker's routine and the `global_prompt.shot_outline` indicating should show moving from the living room and revealing more of the house, the next shot should logically follow her from her position in . A camera movement that follows her as she transitions to another part of the house, such as a staircase, would fit. (from ) would be moving, likely still carrying items. The setting will be a new part of the house, like a staircase, maintaining the domestic evening ambiance. The user intent is to establish her movement and the scale of her environment." }, { "instruction_full": "The camera shifts to a wider medium shot, revealing a new area of the house: a kitchen. (from and ) is visible near a table, facing away, while another character, , tends to a stove. The kitchen has a large window looking out into darkness and tiled walls, clearly a functional workspace, with practical, somewhat dim lighting consistent with the ongoing nighttime setting.", "think_full": "After showed moving through the house, the narrative needs to progress to another aspect of her duties. The `global_prompt.shot_outline` specifies will move to a different domestic space and introduce . This calls for a new environment—a kitchen—and the introduction of a new character. from and reappears, engaged in chores. The kitchen's functional aesthetic, with a dark window matching the evening from and , maintains spatial and temporal continuity. This shot emphasizes the communal aspect of labor and further details her routine.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the `global_prompt.story_setup` and `global_prompt.shot_outline` for (a different domestic space, and doing chores), the next shot should be a kitchen scene. (from , ) will be present, joined by a new character, . The camera should capture a medium-wide view of this new kitchen setting, showing it as a functional workspace, with evening lighting consistent with previous shots. The user intent is to expand on her duties and introduce another household member involved in labor." }, { "instruction_full": "The camera moves from the kitchen of to a medium-close shot within a child's bedroom. (seen in , , ) is leaning over a bed, with looking up from under the covers. The room should feature patterned curtains, a bedside lamp, and childlike decorations, with soft, warm lighting to convey a more intimate, caring moment appropriate for bedtime.", "think_full": "Having shown 's movement through the house (, ) and her kitchen duties (), the narrative progresses to a more personal responsibility. The `global_prompt.shot_outline` for states it will focus on tending to . This requires a new, intimate setting: a child's bedroom. While the location is new, the overall domestic and nighttime setting is consistent with , , . (from , , ) continues her role, now in a nurturing capacity, introducing . This shot deepens our understanding of her comprehensive duties, shifting from general labor to direct caregiving, using warm lighting to reflect the tender moment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.story_setup` (domestic routine) and `global_prompt.shot_outline` for ( tending to in a bedroom), the next shot needs to depict this intimate interaction. This means moving from the kitchen (from ) to a new setting, a child's bedroom. (from , , ) will be with (a new character) in a caregiving pose. The camera should frame them in a medium-close shot, and the lighting should be soft and warm, suitable for bedtime. The user intent is to showcase her nurturing responsibilities." }, { "instruction_full": "Maintaining the camera position and framing from within the child's bedroom, the scene is plunged into near darkness. (from through ) is present as a silhouette, having just turned off the light. Only faint ambient light, perhaps from outside the window or a hallway, illuminates the room, creating a somber atmosphere to signify the completion of this task.", "think_full": "Following the intimate bedtime moment in , the next logical step in the routine is for to leave to sleep. The `global_prompt.shot_outline` explicitly states will depict turning off the light and plunging the room into darkness. This shot maintains the spatial continuity of the child's bedroom from , recognizable by background elements. (from through ) is implicitly the agent of this change, her silhouette suggesting her presence. The dramatic shift to darkness mirrors the act of completing a task and transitions the scene into a quieter, more solitary mood, consistent with the narrative's observational tone.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` (domestic routine) and `global_prompt.shot_outline` for (turning off the light, plunging the room into darkness), the next shot must visually conclude the bedtime sequence from . The camera should remain in the child's bedroom (from ). (from through ) is implied to have just turned off the light. The key visual change will be the drastic reduction in light, casting the room into darkness. The user intent is to mark the end of the bedtime routine and create a sense of quiet and transition." }, { "instruction_full": "The camera moves out of the dark bedroom from and returns to an elevated view of the upstairs hallway, similar in height to , framing (seen in through ) as she walks purposefully along the landing, holding a small tray with a cup. The lighting is now subdued domestic light, indicating she has left the dark room and is continuing her duties through the house.", "think_full": "After leaving in the dark bedroom in , will continue her evening rounds. The `global_prompt.shot_outline` for indicates a return to on the upper floor. This means moving from the private bedroom of to a more communal upstairs area. The architecture should be consistent with the general style implied by the staircase in . (from through ) is the central figure, now carrying a tray and cup, indicating a continuous cycle of tasks. The subdued domestic lighting is consistent with the nighttime setting but brighter than the darkness of , signifying a new immediate environment. This shot serves as a transition, showing her methodical progression through the extensive home.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.story_setup` and `global_prompt.shot_outline` for (returns to on the upper floor, continuing her duties), after turning off the light in , needs to move to her next task. This implies exiting the bedroom and moving through the upper floor, which was partially glimpsed via the staircase in . The camera should show (from through ) walking in an upstairs hallway, still carrying items. The lighting should reflect a lit indoor space at night, distinct from the dark bedroom. The user intent is to show her continued movement and responsibilities within the house." }, { "instruction_full": "The camera tracks (from through ) as she descends the grand staircase, which was first established in . She is still carrying the tray and cup from . The shot emphasizes her movement from the upper floor to the main level, revealing more of the lower common area with large wooden bookshelves and decorative elements, maintaining the domestic nighttime ambiance.", "think_full": "In , was on the upper floor. The `global_prompt.shot_outline` for specifies she will descend the stairs, returning to a lower common area. This requires her to move down the grand staircase, a prominent architectural feature seen in . Her presence on the staircase directly links to the space established in , showing her traversing the home's geography. (from through ) continues to carry the tray, reinforcing her ongoing duties. The visibility of bookshelves and other decor on the lower level further develops the visual identity of the house, consistent with earlier shots. This shot illustrates her pervasive presence and the methodical nature of her duties as she moves between the different zones of the house.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `global_prompt.shot_outline` for (shows descending the stairs, returning to a lower common area), after being on the upper floor in , should be shown moving downstairs. The staircase from is the logical path. The camera should track her descent. (from through ) will be seen walking down, still carrying the tray from . The setting will be the lower part of the house, featuring the staircase and potentially other common area elements, with consistent nighttime lighting. The user intent is to show her transition back to the main living areas and the continuous nature of her work." }, { "instruction_full": "The camera cuts to a tight close-up shot of a kitchen sink, focusing on hands (implicitly 's) washing a small cup. The sink is full of soapy water, with a faucet running and a dish rack holding other washed items, clearly grounding the scene in household chores. This emphasizes the repetitive, manual nature of her work.", "think_full": "After showed descending to the main floor, the narrative needs to detail another one of her tasks. The `global_prompt.shot_outline` for specifies a close-up of hands washing dishes. This shot returns the setting to the kitchen, first seen in , but now in an extreme close-up to highlight the minutiae of the work. While herself is not fully visible, the hands are implicitly hers, given her consistent role from through . The running faucet, suds, and dish rack maintain the visual continuity of a functional kitchen environment, linking back to . This close-up emphasizes the physical labor and repetitive nature of her duties, contrasting with earlier shots that focused on her movement through larger spaces.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the `global_prompt.story_setup` and `global_prompt.shot_outline` for (close-up of a hand washing dishes, emphasizing routine), the next shot should be a detailed view of dishwashing. This is a logical progression of chores after 's return to the main floor in , likely in the kitchen previously seen in . The camera should be a tight close-up on a kitchen sink with hands (implicitly 's, as she is the central character from through ) washing a dish. The user intent is to highlight the repetitive, physical aspect of her domestic duties." }, { "instruction_full": "The camera remains focused on the kitchen sink area from , but the lighting dramatically darkens. The hands (implicitly 's, from ) are still present in the frame but barely visible in the low light, signifying a pause or completion of the dishwashing task, mirroring the turning off of lights after the bedtime routine in .", "think_full": "After the detailed close-up of dishwashing in , the narrative needs to indicate the conclusion of this specific task. The `global_prompt.shot_outline` for specifies a brief moment of darkness in the sink area, suggesting a pause or transition. This shot maintains the tight close-up and the spatial continuity of the kitchen sink from . The dramatic shift in lighting, plunging the scene into darkness, serves as a visual punctuation mark, similar to the light being turned off in . The hands, implicitly 's, are still present but obscured, reinforcing her engagement with the task. This transition to darkness implies a winding down of activity, contributing to the theme of her extended nighttime routine.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `global_prompt.shot_outline` for (brief darkness in the sink area, pause or transition), after the close-up of dishwashing in , the next shot should signify the end of that task. This means the camera stays on the kitchen sink (from ), but the lighting drastically reduces to darkness. The hands (implicitly 's, from ) are still there but obscured. The user intent is to mark the completion of the dishwashing and create a moment of quiet transition, similar to the bedtime routine's end in ." }, { "instruction_full": "The camera pulls back from the dark sink in to a wider shot of the kitchen, similar to the framing of . (seen or implied throughout through ) is now clearly visible, standing by a counter, engaged in another task. A new character, , is also present, near an open doorway leading to an outdoor staircase. The kitchen is now lit again, maintaining the functional, domestic feel, but with this new view to the outside.", "think_full": "Following the brief darkness and pause at the sink in , the narrative needs to re-establish 's continued activity and presence within a broader context. The `global_prompt.shot_outline` for specifies expanding the view of the kitchen again, showing still engaged in chores, with also present. This shot returns to the wider kitchen setting first established in , re-using the large window as a key visual element. The lighting is restored from the darkness of , suggesting the pause was temporary or specific to the sink area. (from through ) is once again central, highlighting the ongoing nature of her work. The introduction of adds another layer of domestic life, while the open doorway to an outdoor staircase expands the perceived boundaries of the home, subtly hinting at the larger world surrounding her work. This shot emphasizes the relentless and encompassing nature of her duties, even late into the night.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `global_prompt.shot_outline` for (expands the kitchen view, still doing chores, with ), after the dark close-up of the sink in , the next shot should return to a wider view of the kitchen, similar to . (from through ) will be prominently featured, engaged in another task. A new character, , will also be visible. The lighting will be back to a functional, domestic level. The user intent is to show her continuous work, introduce another element of the household, and re-establish the broader kitchen setting." } ], "_src_movie_dir": "Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv", "_src_filename": "024312_029125.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Roma.2018.2160p.WEBRip.X265-DEFLATE.mkv/024312_029125.json", "_test_index": 129 }, { "movie": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/90963.jpg-Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91707.jpg", "images": [ { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/90963.jpg", "filename": "90963.jpg", "aesthetic": 5.046980381011963, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91098.jpg", "filename": "91098.jpg", "aesthetic": 5.864948272705078, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91164.jpg", "filename": "91164.jpg", "aesthetic": 5.464634895324707, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91260.jpg", "filename": "91260.jpg", "aesthetic": 4.649246692657471, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91395.jpg", "filename": "91395.jpg", "aesthetic": 5.7810163497924805, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91476.jpg", "filename": "91476.jpg", "aesthetic": 5.8455095291137695, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91572.jpg", "filename": "91572.jpg", "aesthetic": 5.032444953918457, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91638.jpg", "filename": "91638.jpg", "aesthetic": 3.988525629043579, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91674.jpg", "filename": "91674.jpg", "aesthetic": 4.205568313598633, "musiq": 0.0 }, { "tag": "", "rel_path": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/91707.jpg", "filename": "91707.jpg", "aesthetic": 4.0742692947387695, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A Cold War espionage thriller unfolds, centering on the covert exchange and interception of intelligence. The atmosphere is thick with suspicion and a sense of constant monitoring, reflecting the bureaucratic and clandestine operations. The narrative maintains a tense, methodical pace, revealing layers of surveillance and intricate connections between seemingly disparate individuals and locations.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " shifts to an internal surveillance hub, showing diligently monitoring communications, establishing the theme of hidden information and interception. introduces in a vast, institutional archive, visually conveying the scale of information involved and their role in navigating it. tightens on 's face, highlighting a moment of focused discovery or concern. reveals a tense, unexpected encounter between and within the archive, suggesting internal scrutiny or threat. then cuts to making a call in a different, more personal setting, indicating parallel or coordinating efforts. observes through a grimy window in an industrial setting, engaged in a routine task that belies their true purpose. takes a tighter shot of 's surroundings, emphasizing the gritty reality of their work and environment. focuses on a pair of elegant shoes under a chair, subtly introducing a new, unseen presence or observer in an unexpected location. concludes by showing a solitary telephone in a stark, empty room, underscoring themes of missed connections, silence, or the aftermath of communication." }, "instruction_full": "Shift the camera to a medium shot of a different person, , wearing large, over-ear headphones, intently focused on a desk with surveillance equipment. The camera should capture their profile, showing them writing something down on paper. The space should be a cramped, utilitarian room, distinct from the dark, ambiguous setting of , filled with electronic machinery like a reel-to-reel tape recorder and a vintage keyboard. The lighting should be functional and slightly stark, to establish a new location and introduce a key operational character, highlighting the act of interception and meticulous record-keeping central to the story.", "think_full": "The story setup demands showing the operational side of intelligence gathering. established initiating or receiving a call. To advance the narrative and establish the theme of surveillance, the next logical step is to reveal where these communications are being monitored. This requires a new location and a new character. For the camera, moving from the close-up of in to a medium shot allows for the introduction of a new environment and equipment without losing focus on the new character, . The profile shot emphasizes their concentration and the act of listening and recording. The space must be distinct from to signal a shift in activity and location. A cramped, functional room filled with specific, era-appropriate surveillance technology (reel-to-reel, headphones, vintage keyboard) immediately communicates the nature of the work. The stark lighting reinforces the utilitarian and potentially clandestine nature of the setting, contrasting with the dim, somewhat formal tone of . Introducing here, actively engaged with the equipment, directly addresses the global prompt's theme of \"interception of intelligence\" and \"constant monitoring,\" showing rather than telling. This shot aims to establish that conversations like the one in are being actively tracked.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the \"generate the next shot\" instruction, the global prompt's \"story_setup\" about covert intelligence, \"constant monitoring,\" and the \"shot_outline\" for mentioning and \"monitoring communications,\" I need to create a scene that establishes active surveillance. This implies a new character and setting related to intercepting information, directly following the implied phone call in . The camera should move from the implied sender/receiver in to the interceptor. A medium shot would be appropriate to show the operator and their equipment. The character must be , as per the shot_outline, engaged in monitoring, likely with headphones and notes. The space needs to be a surveillance room, distinct from 's ambiguous office, with visible technology like a tape recorder. This is a brand-new physical location and a brand-new character not seen in . The user intent is to introduce the theme and mechanism of surveillance, showing how the intelligence is gathered. This aligns with establishing the \"interception of intelligence\" aspect of the story setup and setting up the first part of the shot outline." }, { "instruction_full": "Transition the camera to a wider, full-body shot of a new character, , standing amidst towering shelves filled with files and binders. The camera should frame centrally, holding a small, dark folder, gently touching the spines of the files on the shelves as if searching or navigating. The environment is a vast, dimly lit archive, extending deeply into the background, with a metallic ladder visible, emphasizing the scale and depth of information. This new setting and character are introduced to broaden the scope of the intelligence operation, shifting from active interception to the management or discovery of historical or stored data.", "think_full": "Following , which established active surveillance, the narrative needs to expand to show the breadth of information involved in this world, aligning with the global prompt's \"story_setup\" of \"covert exchange and interception of intelligence.\" The \"shot_outline\" explicitly states \"introduces in a vast, institutional archive.\" This shot requires a complete shift in location and character from both and . The camera moves from the confined, focused view of in to a wider, establishing shot. This wider framing is necessary to convey the \"vast\" nature of the archive, as described in the shot_outline. is a new character, and their presence amidst countless files immediately contextualizes their role. Their pose, gently touching files while holding a folder, suggests a methodical search or deep familiarity with the information repository. The space is a brand-new environment, an archive, contrasting sharply with the office of and the surveillance room of . The towering, dimly lit shelves of files and the presence of a ladder effectively illustrate the bureaucratic scale and potential hidden depths of the information, reinforcing the \"covert intelligence\" theme. The lighting is low, contributing to a sense of mystery and the overwhelming nature of the data. This shot moves the story from real-time interception to the processing and storage of intelligence.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot,\" the \"global_prompt\" for a Cold War espionage thriller and the \"shot_outline\" for explicitly stating \"introduces in a vast, institutional archive,\" I must create a new scene. This means a new location entirely different from (office) and (surveillance room). The camera should be wide enough to establish the \"vast\" archive, potentially a full shot of . The character is , and they should appear as if engaged in their work within this archive, perhaps searching for or handling files. This is a brand-new character. The space must be an archive, characterized by numerous shelves packed with documents and a sense of institutional scale, likely dimly lit to convey an old, hidden, or bureaucratic atmosphere. The narrative purpose is to broaden the scope of the intelligence world beyond active listening, showing the backend of information management and the importance of stored data, aligning with the story's overall theme of intelligence gathering." }, { "instruction_full": "Bring the camera in for a close-up shot of , focusing on their face and upper torso, as established in . should have an expression of concentration or slight concern, looking off to the side, perhaps having just noticed something specific among the files or heard something. Maintain the same general dim, institutional lighting and the background of file shelves from , but now blurred to keep the focus on the character. The intent is to emphasize 's internal state and the specific moment of discovery or realization within the large archive.", "think_full": "After establishing the grand scale of the archive and the presence of in , the \"shot_outline\" for indicates a need for a \"close-up on , emphasizing their concentration or discovery.\" This shift in camera angle builds intimacy and focuses on the character's internal experience. The camera moves from the wide, full-body shot in to a tighter close-up, drawing attention to 's expression. This retains the character, , visually established in . The pose should reflect \"concentration or slight concern,\" directly aligning with the narrative intent to show a moment of realization. The space remains the archive from , identifiable by the blurred background of file shelves. Maintaining this continuity confirms the location while using shallow depth of field to isolate the character. The dim, institutional lighting from should persist to maintain the atmosphere. The narrative purpose is to intensify the sense of the archivist's engagement with the material, suggesting that the search is yielding something significant or problematic, thus advancing the \"discovery\" aspect of the intelligence story.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering \"generate the next shot,\" the \"global_prompt\" and specifically the \"shot_outline\" for stating a \"close-up on , emphasizing their concentration or discovery\" is key. The camera needs to zoom in from the wider shot of to a close-up on 's face. The character is , who was introduced and seen in . Their expression should convey thought or a significant internal reaction. The space is still the archive from , but the close-up will blur the background, maintaining continuity of setting but shifting focus. The user intent is to heighten the emotional stakes or intellectual engagement of within the vast information repository, suggesting an important finding or a moment of reflection." }, { "instruction_full": "Pull the camera back slightly from the close-up of in to a medium-full shot, revealing still in the archive aisle, but now facing away from the camera, looking towards an approaching new character, . should be walking towards down the same archive aisle, looking directly at with an ambiguous or subtly scrutinizing expression. The towering file shelves from and should be clearly visible on both sides, and the institutional lighting should remain consistent, to establish a sudden, potentially confrontational encounter within the bureaucratic setting.", "think_full": "The close-up in emphasized 's internal process. To introduce narrative tension, the \"shot_outline\" for calls for a \"tense encounter between and .\" The camera must pull back from the intimacy of to a medium-full shot. This wider framing allows for the introduction of a second character and their interaction, establishing spatial dynamics. is a returning character, last seen in , now framed from the back to emphasize the new character's approach and the archivist's vulnerability or surprise. is a brand-new character, introduced here to create immediate tension. Their direct gaze and body language should convey scrutiny or a challenge. Their attire, a light jacket and tie, links them visually to the institutional environment suggested by and 's outfit in . The space remains the archive, with the file shelves and dim lighting from and serving as a consistent and oppressive backdrop. This emphasizes that the confrontation happens within the system. The narrative intent is to create a moment of unexpected confrontation or observation, implying that 's actions are being monitored or questioned, deepening the \"suspicion\" aspect of the story.", "instruction_minimal": "generate the next shot", "think_minimal": "Responding to \"generate the next shot\" and the \"global_prompt\" for espionage with \"constant monitoring,\" the \"shot_outline\" for specifically mentions a \"tense encounter between and \" in the archive. This requires a camera adjustment from 's close-up to a wider shot to accommodate two characters. The camera should show (seen in , ) and a new character, , facing each other in an aisle. will be seen from the back, showing the approach of the new character. will be a newly introduced character, whose appearance should convey a sense of watchfulness or challenge. The space is the archive, clearly identifiable by the rows of file shelves established in and , with consistent lighting. The narrative purpose is to introduce an element of external scrutiny or threat to , creating immediate tension and advancing the theme of internal monitoring within the intelligence bureaucracy." }, { "instruction_full": "Cut to a different location, adopting a medium-close profile shot of a new character, , speaking intensely on a traditional landline telephone. The shot should frame 's head and shoulders, showing them in what appears to be a more private or domestic setting, perhaps near a window with vague hints of an urban environment outside. The lighting should be natural but slightly muted, distinct from the institutional feel of the archive, to signify a shift to a separate, possibly coordinating, part of the intelligence network. This introduces a new player who is seemingly independent but connected, expanding the story's geographical and operational reach.", "think_full": "After the tense internal encounter in the archive in , the \"global_prompt\" implies a wider network of intelligence. The \"shot_outline\" for indicates a shift to \" making a call... indicating parallel or coordinating efforts.\" This necessitates a complete change of scene, moving away from the archive (seen in , , ). The camera should frame a new character, , in a medium-close profile shot to capture their focused expression during a phone call, mirroring the act of communication seen in but with a distinct character and environment. is a brand-new character, introduced to expand the network of individuals involved. Their older appearance suggests experience or a different generation of agent/contact. The space is a new, distinct location, possibly an office or private residence, implied by the less formal, natural lighting and hints of an outside environment (like a window). This contrasts with the institutional archive from , , and the surveillance room from , suggesting a different operational sphere. The specific mention of a traditional landline phone visually connects back to the theme of communication established with in , but establishes a new, perhaps more personal, line of communication. The narrative purpose is to reveal another node in the intelligence network, showing that the activities are widespread and coordinated, moving the story beyond single locations to a broader, interconnected operation.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the \"global_prompt\" focusing on \"covert exchange\" and \"interception,\" combined with the \"shot_outline\" for which calls for \" on the phone, perhaps coordinating information,\" I need to introduce a new character and setting related to communication. This means a new location and character, moving away from the archive scenes of , , . The camera should be a medium-close shot to capture the character's engagement with the phone. The character is , new to the scene, and shown making or receiving a phone call, connecting to the communication theme. The space should be distinct from previous settings, perhaps a private office or home, with different lighting to signal a change in locale and potentially operational style. This is a brand-new environment and character. The narrative purpose is to broaden the scope of the espionage network, showing independent but possibly coordinated actions, suggesting a multi-faceted operation beyond what has been directly observed so far." }, { "instruction_full": "Shift the camera to an exterior medium shot, peering through a grimy or textured window into a new, industrial-looking interior space. Inside, a new character, , is visible in profile, engaged in what appears to be a mundane, manual task at a workbench. The window frame and its dirty glass should partially obscure the view, adding a layer of visual separation and observation. The background inside should reveal tools, containers, and a generally cluttered, utilitarian environment. The lighting should be dim and practical, distinct from previous settings. This shot introduces a seemingly ordinary but crucial character and hints at covert activities observed from a distance, aligning with the surveillance theme.", "think_full": "After showing a broader communication network in , the \"shot_outline\" for specifies \"observes through a grimy window in an industrial setting, engaged in a routine task.\" This shifts the narrative to the field level, introducing a source of information. The camera moves to a completely new setting, viewed from the outside looking in, creating a sense of distance and observation. This contrasts with the direct engagement with communication in , , , and the internal bureaucracy of , , . is a new character, presented in an unassuming manner, engaged in a routine task to underscore the hidden nature of their involvement. Their profile view through the window emphasizes the act of being watched. The space is a brand-new, industrial interior, seen through a partially obscured, grimy window, suggesting a less glamorous, working-class element to the spy network. The clutter and tools on the workbench, under dim, practical lighting, define this new environment. The visual obstruction by the window frame and dirt reinforces the theme of covert observation and the difficulty of getting a clear picture in the world of intelligence. The narrative purpose is to introduce an \"informant\" into the story, showcasing the diverse sources of intelligence and the clandestine observation methods, reinforcing the \"covert exchange\" aspect of the global prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the \"global_prompt\" emphasizing \"covert exchange and interception,\" along with the \"shot_outline\" for to \"observe through a grimy window in an industrial setting,\" I need to create a scene that depicts this. This requires a new location and character. The camera should adopt a perspective of observing someone from outside, through a window. The character is , new to the sequence, seen engaged in a routine activity that belies their role. The space is an industrial-looking interior, with a workbench and tools, viewed through a window that itself adds a layer of visual distortion or secrecy. This is a brand-new environment and character. The narrative purpose is to introduce a ground-level source of intelligence and the act of distant, hidden observation, further building the multifaceted nature of the espionage world." }, { "instruction_full": "Shift the camera from the obstructed view of to a closer, more direct medium-close shot of the industrial interior, focusing on the workbench and background. should still be present, now seen from the back or partially obscured, bending over the workbench, deeply engrossed in their work. The shot should prominently feature the brick wall background, various tools, and wires hanging, emphasizing the gritty, authentic nature of this workspace. The lighting should remain dim and utilitarian, consistent with . This shot delves deeper into 's environment, highlighting the tangible, hands-on aspect of their operation and the hidden nature of their task.", "think_full": "After introducing and their setting through the window in , the \"shot_outline\" for aims to \"emphasize the gritty reality of their work and environment.\" This means getting closer to the action and revealing more details of the workspace. The camera moves from the distant, obstructed view in to a closer, internal shot. This changes the perspective from observation to immersion within the space. is the same character seen in , now more immersed in their task, seen from behind or partially obscured, reinforcing the idea of a hidden, solitary activity. Their pose, bending over the workbench, communicates their deep engagement. The space is the same industrial interior from , but now revealed in greater detail. The prominent brick wall, tools, and wires in the background provide texture and authenticity, moving beyond the mere suggestion of an industrial environment. The dim, utilitarian lighting remains consistent with , maintaining the atmosphere. The narrative purpose is to immerse the viewer further into 's world, suggesting that their \"mundane task\" (as described for ) is precise and perhaps critical to the intelligence operation, adding a layer of operational detail to the \"covert exchange\" theme.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the \"global_prompt\" focusing on \"covert exchange,\" the \"shot_outline\" for explicitly states \"focuses on the environment around , highlighting industrial or hidden work.\" This means the camera needs to move closer into the industrial interior established in . The character is , seen previously in , continuing their work, likely from a new angle to show more of their task or surroundings. The space is the industrial setting from , but now the focus is on the details of the workbench, tools, and the grittier background elements like a brick wall, enhancing the sense of a working environment. The lighting will remain consistent with the prior shot. The narrative purpose is to deepen the understanding of 's operational context, emphasizing the hands-on and possibly intricate nature of their \"hidden work,\" reinforcing their role in the intelligence network." }, { "instruction_full": "Shift the camera abruptly to a low-angle close-up shot, focusing on a pair of distinctively styled red high heels with ankle straps, positioned under a chair or desk. The background should be blurred, suggesting an interior floor, possibly tiled or concrete. The lighting should be muted and indirect, creating a sense of a hidden detail rather than a prominent reveal. This shot introduces a new, unseen presence or observer through an unexpected detail, suggesting a hidden layer of surveillance or waiting, completely shifting the focus from the active operations to an implied, passive watchfulness.", "think_full": "After two shots focused on and their industrial setting (, ), the \"global_prompt\"'s theme of \"constant monitoring\" and the \"shot_outline\" for to \"provide a detail shot of a shoe, indicating someone waiting or observing, adding another layer of surveillance or hidden presence\" calls for a sudden, unexpected shift. This requires a complete change of location and focus. The camera radically shifts from the industrial interior of to a low-angle close-up, focusing on a small, specific detail. This abrupt change creates immediate intrigue and signals a new element in the narrative. The \"person\" aspect is implied rather than directly shown; the shoes suggest a new, unrevealed character is present. This character is newly introduced through this detail. The space is a new, ambiguous interior, possibly an office, a waiting room, or another operational hub, identifiable only by the floor and the presence of a chair/desk leg. The blurred background ensures the focus remains on the shoes. The lighting is indirect and muted, emphasizing the subtlety of this hidden detail and the implication of secret observation. This is a brand-new environment. The narrative purpose is to introduce a new, unseen observer or agent into the overall surveillance network, adding a layer of mystery and suggesting that other parts of the operation, or even new parties, are at play, reinforcing the pervasive nature of monitoring.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot,\" the \"global_prompt\" emphasizing \"constant monitoring,\" and the \"shot_outline\" for specifying \"a detail shot of a shoe, indicating someone waiting or observing, adding another layer of surveillance or hidden presence,\" I need to create a scene that introduces an unseen presence. This means an abrupt shift to a completely new, ambiguous location, far removed from 's industrial setting. The camera should be a close-up, low-angle shot, focusing on the detail of shoes. The \"character\" is implied by the presence of the shoes; it introduces a new, unseen individual who is observing or waiting. The space is an interior, only partially revealed by a floor and a furniture leg, with a blurred background. The lighting should be subtle, not drawing attention to the environment itself, but to the shoes as a clue. This is a brand-new environment and implied character. The narrative purpose is to broaden the theme of surveillance beyond direct observation or interception, suggesting a more covert or patient form of monitoring, and to introduce an element of mystery about this new, unseen player." }, { "instruction_full": "Pull back the camera slightly from the close-up of the shoes in to a medium-long shot of an empty room, focusing on a vintage rotary telephone resting on a desk in the foreground. The room should be stark and sparsely furnished, with bare walls and another, larger desk or counter in the background, also empty. The background should be slightly out of focus, with a faint, blurred human figure visible behind the distant desk, suggesting someone is present but not actively engaged with the phone. The lighting is muted and cold, emphasizing the silence and emptiness. This shot, while moving slightly further from the shoes of , connects to the broader theme of communication, emphasizing a missed connection or the silent nature of intelligence operations, with an ambiguous human presence still implied from the previous shot.", "think_full": "After the mysterious detail of the shoes in hinting at an unseen observer, the \"global_prompt\" about \"covert exchange\" and the \"shot_outline\" for mentions \"a solitary telephone in a stark, empty room, underscoring themes of missed connections, silence, or the aftermath of communication.\" This requires revealing more of the environment implied by and tying back to the communication theme. The camera pulls back slightly from the extreme close-up of the shoes in , to reveal the wider context of the room, without losing the sense of observation. The change in angle and distance continues to imply a connection to the unseen observer from . The \"person\" aspect now shows a blurred, indistinct figure in the distant background, maintaining the implication of a human presence (potentially the wearer of the shoes from ) but keeping their identity vague and passive. This character is still connected to the one implied in . The space is the same general interior hinted at by , now revealed as a stark, empty room. The vintage rotary telephone, a recurring motif from and , becomes a central prop, linking back to the overall theme of communication. The empty desks and bare walls emphasize the themes of \"silence\" and \"emptiness\" from the shot outline. The muted, cold lighting reinforces the somber, detached atmosphere. While the exact location is still new relative to , it logically extends the immediate environment suggested by . The narrative purpose is to create a sense of unresolved communication or silent waiting, tying into the broader theme of intelligence exchange and surveillance. The empty phone implies a critical message either never sent, never received, or simply waiting. The distant figure maintains the mystery of who is observing or waiting.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot,\" the \"global_prompt\" on \"covert exchange,\" and the \"shot_outline\" for about \"a solitary telephone in a stark, empty room, underscoring themes of missed connections, silence, or the aftermath of communication,\" I need to visualize this. This means moving the camera from the close-up of shoes in to a wider view of the same general environment. The camera should reveal an empty room with a prominent telephone. The \"person\" is no longer directly focused on, but a vague, blurred figure in the background could imply the presence of the individual whose shoes were shown in , maintaining continuity of presence. The space is an empty, possibly institutional or waiting room, with a telephone as the key prop, visually connecting to the communication theme seen earlier (, ). This environment is new but logically expands on the setting suggested by . The starkness and cold lighting are important. The narrative purpose is to conclude the sequence with a sense of quiet tension, missed opportunities, or lingering surveillance, emphasizing the silent and often unfulfilled aspects of intelligence operations." } ], "_src_movie_dir": "Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "090963_091707.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Tinker.Tailor.Soldier.Spy.2011.2160p.US.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/090963_091707.json", "_test_index": 130 }, { "movie": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/95814.jpg-Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96441.jpg", "images": [ { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/95814.jpg", "filename": "95814.jpg", "aesthetic": 6.326116561889648, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/95850.jpg", "filename": "95850.jpg", "aesthetic": 6.285796165466309, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/95895.jpg", "filename": "95895.jpg", "aesthetic": 5.295685768127441, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96012.jpg", "filename": "96012.jpg", "aesthetic": 6.52993631362915, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96027.jpg", "filename": "96027.jpg", "aesthetic": 6.633491516113281, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96141.jpg", "filename": "96141.jpg", "aesthetic": 6.366741180419922, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96186.jpg", "filename": "96186.jpg", "aesthetic": 6.715113639831543, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96279.jpg", "filename": "96279.jpg", "aesthetic": 6.633806228637695, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96396.jpg", "filename": "96396.jpg", "aesthetic": 6.7036566734313965, "musiq": 0.0 }, { "tag": "", "rel_path": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/96441.jpg", "filename": "96441.jpg", "aesthetic": 6.87979793548584, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A scene unfolds in a cozy, somewhat dated living room, where two men are engaged in a quiet, intimate conversation. The atmosphere is warm but carries an underlying emotional weight, suggesting a moment of gifting or significant exchange within a family context. The pacing is deliberate, allowing for reactions and subtle expressions to convey much of the narrative.", "characters": [ "", "", "", "" ], "shot_outline": " shows 's initial contemplative reaction after receiving an item from . reveals the item itself in a close-up. returns to as he begins to speak. captures 's attentive listening. offers a slightly wider view of , with in the background, continuing their interaction. focuses on 's subtle, knowing expression. broadens the scope to reveal the full family setting, including and . emphasizes 's affectionate interaction with the two boys. concludes with 's thoughtful reflection on the family moment." }, "instruction_full": "Shift the camera to a medium close-up, focusing tightly on 's face and upper torso, as he sits on the sofa seen in . He should be looking down, his expression thoughtful and slightly subdued, suggesting contemplation of the object he has just received from . The background should remain consistent with the living room setting established in , with soft, warm lighting to maintain the intimate tone, to visually capture 's immediate, internal reaction to the gift.", "think_full": "The global_prompt establishes an emotional exchange, and shows receiving an item. To build on this, needs to capture his immediate, personal reaction. By moving to a medium close-up, we intensify the focus on 's face and expression, which was not clearly visible in the wider shot of . His downward gaze and thoughtful expression are key to conveying his internal processing of the gift. The spatial continuity is maintained by keeping him on the same sofa in the same living room, visible in , ensuring the environment supports the intimate moment rather than distracting from it. The lighting also continues the warm ambiance from . This shot serves to deepen the emotional moment and prepare for the reveal of the gift.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the global_prompt's story_setup and shot_outline, should show 's initial reaction to the object he received in . I need to move the camera closer to him to capture his expression. The character is from , and he should appear thoughtful. The space is still the living room from . The dramatic purpose is to convey his immediate internal response. Therefore, I will frame in a medium close-up, looking contemplative, in the same living room setting." }, { "instruction_full": "Transition to a tight close-up shot, focusing exclusively on the object itself, a decorative wristwatch, nestled in an open black gift box, held by a pair of hands. The hands should be positioned as if presenting or examining the watch. This shot should be framed from above, looking down at the object. The background should be softly blurred, hinting at the familiar textures of the living room from , but with an emphasis solely on the watch, to formally reveal the nature and detail of the gift.", "think_full": "Following 's reaction in (after receiving the object in ), the narrative naturally progresses to revealing what the gift actually is. A tight close-up on the object in is necessary to clearly show its details, fulfilling the shot_outline's purpose of 'revealing the item itself'. While the specific person holding the box isn't explicitly shown, the presence of hands implies continuation of the interaction from and . The subtle blur of the background maintains spatial continuity with the living room environment established in , indicating we are still within the same intimate setting, even if the focus is now entirely on the item. This shot clarifies the central object of the exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline indicates that should 'reveal the item itself'. After seeing 's reaction in to the object received in , it's logical to show the object itself. I need a close-up on the gift. The hands holding it would imply it's either or . The space is implicitly still the living room from . The purpose is to identify the gift. So, the shot will be a close-up of the watch in its box, held by hands, with a blurred background hinting at the living room." }, { "instruction_full": "Return to a medium close-up on , similar in framing to , as he sits on the sofa from . He should now be looking up, directly engaged, and beginning to speak, his expression showing a shift from contemplation to active communication. The warm lighting and familiar living room background from and should be maintained, to visually convey his verbal response and continued emotional processing of the gift.", "think_full": "After the reveal of the gift in and 's initial reaction in , the narrative demands a verbal response. Therefore, brings the focus back to , echoing the framing of but showing him now actively speaking. This direct address fulfills the shot_outline's plan of him 'beginning to speak'. His expression changing from contemplative to engaged indicates a progression in his emotional state. The spatial continuity with the living room from and his seated position from and is crucial for maintaining the established scene. This shot advances the dialogue, allowing him to express his feelings or thoughts about the gift.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline states should show as he 'begins to speak'. This follows naturally from the gift reveal in and his earlier contemplation in . I will reuse a similar medium close-up camera angle from to maintain visual continuity. (from , ) will be shown speaking. The space is the same living room as . The intent is to show his verbal reaction to the gift." }, { "instruction_full": "Execute a reverse shot, transitioning to a medium close-up on , positioned opposite as seen in . He should be attentively listening, his gaze fixed on , with an expression that hints at understanding and perhaps anticipation. The background should be slightly blurred but still suggest the consistent living room environment from , maintaining the intimate feel. This shot aims to capture 's engaged perspective and reaction to 's words.", "think_full": "With speaking in , the natural progression for is to show 's reaction. A reverse shot, moving to a medium close-up on (present in ), creates a visual call-and-response, emphasizing their dialogue. The shot_outline specifies 'captures 's attentive listening'. His attentive posture and expression are vital for conveying his engagement. The spatial relationship between the two characters, established in , is maintained, reinforcing that they are still in the same intimate conversation within the living room. The slightly blurred background of the living room (from ) keeps the focus on his reaction while grounding the scene. This shot builds on the conversational exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. According to the global_prompt's shot_outline, should show 's 'attentive listening'. After speaks in , it's logical to see the listener's reaction. I will use a reverse shot to focus on , who was present in . He should be listening intently. The space is the same living room from . The purpose is to capture his response and progress the dialogue." }, { "instruction_full": "Adjust the camera to a slightly wider medium shot than , keeping in the foreground, sharp and attentive. should be visible in the background, slightly out of focus, continuing to engage. This framing should clearly show both characters within the established living room setting from , allowing the viewer to see their spatial relationship more fully while still prioritizing 's perspective. The warm lighting of is maintained. This shot is intended to demonstrate the ongoing, shared nature of their conversation while subtly highlighting 's role.", "think_full": "After focusing on 's listening in , aims to broaden the visual scope slightly to show the continuity of the interaction, as per the shot_outline 'a slightly wider view of , with in the background, continuing their interaction'. By keeping in the foreground but showing in the background, we see both characters (established in ) still engaged in the conversation. This maintains the spatial setup from and the intimate living room environment, while subtly shifting the emphasis to 's processing of the conversation. The wider shot provides more context to their positions relative to each other and the room from without losing the personal focus. The warmth of the lighting from and previous shots supports the overall tone.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline for is 'a slightly wider view of , with in the background, continuing their interaction'. This suggests a need to show both men, but keep the focus on . The camera will pull back slightly from , with prominent and visible but slightly out of focus. Both characters are from , and the space is the living room from . The purpose is to show the ongoing interaction and 's sustained engagement." }, { "instruction_full": "Transition back to a tight close-up on 's face, similar in framing to how was shown in , but perhaps even tighter to emphasize subtle expressions. He should hold a knowing or contemplative gaze, suggesting an internal thought or understanding. The background remains out of focus, implying the continuous presence of the living room from . This shot serves to highlight a specific emotional beat or a significant, subtle reaction from .", "think_full": "The global_prompt's shot_outline indicates that should focus on ''s subtle, knowing expression'. After the shared interaction in , a tight close-up on allows for an intimate moment of his personal reaction or internal processing. This framing provides a contrast to the slightly wider shot of and intensifies the emotional impact, similar to how highlighted 's initial reaction. is a character established since . The implicit background continuity with the living room (from ) ensures the scene remains grounded while allowing extreme focus on his facial nuances. This shot aims to convey unspoken understanding or a significant emotional beat from his perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline for is 'focuses on 's subtle, knowing expression'. This requires a tight shot on his face to capture the nuance. I will use a close-up on (from ), showcasing a particular expression. The space is still the living room, consistent with . The user intent is to emphasize his internal state. So, a tight close-up on his face, showing a knowing or contemplative expression." }, { "instruction_full": "Pull the camera back to a wider, establishing shot of the living room, similar to but perhaps from a slightly different vantage point, possibly through a doorway or from the other side of the room. This wider view should reveal the full extent of the comfortable, lived-in space from and prominently feature and (from ) in their established positions, but now also introduce two new characters: and , seated near on the sofa. This shot aims to reveal the broader family context of the gathering and introduce the children into the scene.", "think_full": "The global_prompt's shot_outline explicitly states that 'broadens the scope to reveal the full family setting, including and '. To achieve this, a wider, almost establishing shot is necessary, pulling back from the intimate close-up of . This shot will confirm that the environment is indeed the living room seen in , but now from a new angle or distance. It effectively re-establishes and from in their conversation while simultaneously introducing two new characters, and , thus shifting the dynamic from a private conversation to a family gathering. This change in scope is crucial for the narrative, adding new layers of meaning to the previous exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline for is 'broadens the scope to reveal the full family setting, including and '. This means moving to a wider shot that shows more of the room and introduces new characters. I will use a wide shot of the living room (from ), including and (from ), and introduce and for the first time. The purpose is to reveal the family context." }, { "instruction_full": "Tighten the camera to a medium close-up, focusing primarily on as he warmly interacts with and on the sofa, as introduced in . should be partially visible in the blurred foreground, maintaining his presence but shifting the central focus to the intergenerational interaction. The lighting remains warm, consistent with and , and the background elements from the living room (like the sofa) are still identifiable. This shot is to emphasize the affectionate family bond between and the children.", "think_full": "Following the introduction of the children in , the shot_outline dictates that should 'emphasize 's affectionate interaction with the two boys'. This requires a closer framing than to capture the details of this interaction. We focus on (from onwards) and the newly introduced and (from ), showing their familial connection. (from onwards) remains in the scene, in the foreground, establishing continuity with the previous conversations while allowing the new interaction to take center stage. The familiar living room and sofa (from and ) provide a consistent backdrop. This framing serves to highlight the warmth and connection within the family, providing emotional depth to the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline for is 'emphasizes 's affectionate interaction with the two boys'. This means a closer shot on and the children introduced in . I will frame (from ) interacting with and (from ) on the couch. (from ) will be partially visible. The space is the living room from . The purpose is to show the family bond." }, { "instruction_full": "Return to a medium close-up on , similar to the framing of or , but now his gaze is directed towards where and children were last seen in . His expression should be one of thoughtful observation or emotional reflection, perhaps a subtle smile or pensive look. The blurred background should continue to suggest the comfortable living room environment from and . This shot serves to provide 's final reaction or contemplation of the family scene, bringing a sense of emotional closure to the sequence.", "think_full": "The global_prompt's shot_outline indicates that 'concludes with 's thoughtful reflection on the family moment'. After the focus on and children in , bringing the camera back to (a character present since ) allows for an important emotional beat from his perspective. By reusing a medium close-up framing similar to or , we establish visual continuity for his character while showcasing his internal reaction to the family dynamic that has just unfolded in and . His reflective gaze ties his earlier conversation with to the wider family context. The consistent, blurred living room background (from onwards) maintains the scene's established setting. This shot provides a personal and contemplative conclusion to the sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. The global_prompt's shot_outline for is 'concludes with 's thoughtful reflection on the family moment'. This means a return to (from ). I will use a medium close-up similar to earlier shots of him (, ), but now he's reflecting on the family scene from and . The space is the living room from . The purpose is to show his emotional reaction and bring closure." } ], "_src_movie_dir": "Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "095814_096441.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Rocketman.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/095814_096441.json", "_test_index": 139 }, { "movie": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv", "N": 10, "sample_id": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52612.jpg-Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53441.jpg", "images": [ { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52612.jpg", "filename": "52612.jpg", "aesthetic": 6.0703229904174805, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52638.jpg", "filename": "52638.jpg", "aesthetic": 6.715373516082764, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52688.jpg", "filename": "52688.jpg", "aesthetic": 6.589742183685303, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52709.jpg", "filename": "52709.jpg", "aesthetic": 6.8872389793396, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/52778.jpg", "filename": "52778.jpg", "aesthetic": 6.487013339996338, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53034.jpg", "filename": "53034.jpg", "aesthetic": 7.065876007080078, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53166.jpg", "filename": "53166.jpg", "aesthetic": 6.907966613769531, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53256.jpg", "filename": "53256.jpg", "aesthetic": 6.557659149169922, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53388.jpg", "filename": "53388.jpg", "aesthetic": 5.600539207458496, "musiq": 0.0 }, { "tag": "", "rel_path": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/53441.jpg", "filename": "53441.jpg", "aesthetic": 7.314846515655518, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A group of displaced individuals, possibly refugees or survivors of a conflict, are gathered in a dense, somber forest, facing an uncertain and perilous future. The atmosphere is heavy with apprehension and grief, hinting at a recent tragic event or an ongoing struggle for survival. The narrative focuses on their collective fear and the emergence of protective figures among them.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " expands the view to reveal more and introduce new key figures like and , highlighting their shared distress. shifts to a close-up on , establishing him as a central figure observing the scene with resolve. provides a wider shot of the gathered in the forest, showing their vulnerability and the presence of among them, confirming the setting and the group's size. returns to a tighter shot of , reinforcing his observant and protective role within the forest setting. introduces with a direct gaze, establishing him as another strong, vigilant figure in the group. shows embracing , emphasizing their personal connection and a moment of solace amidst the distress of . tightens the embrace between and , focusing on the emotional bond and the child's vulnerability. shifts to a more distant, establishing shot of a remote dwelling in the forest, hinting at a potential safe haven or a new objective for the group. returns to and along with another , now actively scanning their surroundings with binoculars and a weapon, indicating heightened vigilance and a shift towards strategic action." }, "instruction_full": "Shift the camera from the tight medium shot of to a slightly wider medium shot, pulling back to reveal a larger group. Continue to show , , and from on the left, but now also prominently feature with her head down, being comforted, and introduce in a hat and scarf, observing the scene intently on the right, surrounded by additional in the mid-ground and background. The space remains the same dense, somber forest environment established in , with diffused, muted light. This shot is to expand the scene and emphasize the collective sorrow and the presence of leadership or older figures within the community.", "think_full": "The previous shot introduced three young individuals with expressions of concern, establishing a somber mood and a forest setting. To follow the `shot_outline` for , the next shot needs to expand the scope and introduce more members of the group, specifically and , to portray a wider sense of shared distress and the nascent presence of different roles within the collective. The camera move from a tight medium to a slightly wider medium shot maintains continuity of the focus on individuals' emotions while broadening the context. The forest background and diffused lighting from are maintained to ensure spatial continuity and the pervasive mood. Introducing new visually enhances the idea of a displaced group, and their varied expressions (grief, stoicism) deepen the emotional landscape. The `user_intent` is to establish the collective nature of their plight and introduce pivotal new characters beyond those seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` establishes a somber scene of displaced individuals in a forest. showed a close-up of three young characters (, , ) looking upwards with apprehension. The `shot_outline` for indicates a need to 'expand the view to reveal more and introduce new key figures like and , highlighting their shared distress'. Therefore, the next shot should pull back the camera slightly from to show more of the surrounding . It needs to keep the existing characters visible to maintain continuity but shift the focus slightly to incorporate new ones, specifically a figure expressing grief and another looking stoic, implying a larger group and deeper collective emotion. The environment should remain the same dense, dimly lit forest. The dramatic purpose is to broaden the narrative scope from individual reaction to collective experience and introduce further key figures." }, { "instruction_full": "Transition from the wider medium shot of to a close-up on a new character, . He should be positioned centrally in the frame, looking directly ahead or slightly off-camera with a serious, weathered expression, his gaze conveying resolve and vigilance. The dense forest environment from and should remain as a blurred background, maintaining the continuity of the setting. This shot's purpose is to introduce as a central, strong figure within the group, whose demeanor suggests leadership and an assessment of their situation.", "think_full": "The previous shot broadened the perspective to show more of , their collective distress, and introduced figures like and . The `shot_outline` for specifically calls for a 'close-up on , establishing him as a central figure observing the scene with resolve.' This necessitates a significant camera change to a tight close-up to emphasize this character. The character is new to the visual scene, so this is his introduction. His expression is key to conveying his intended role. The forest setting is maintained as a consistent background element from and , though now more blurred due to the close-up framing. The `user_intent` is to introduce a strong, serious, and potentially leading figure who will be important for the group's survival, conveying his focused and determined nature through his direct gaze and close framing.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` and `shot_outline` for indicate a focus shift to a key protective figure. and established the group's vulnerable state in the forest. The `shot_outline` states: ' shifts to a close-up on , establishing him as a central figure observing the scene with resolve.' This requires a new character, , to be introduced via a close-up shot. He should have a determined expression, signifying his role in the grim situation. The background must retain the deep forest characteristic seen in and , but blurred to keep the attention on the character. The intent is to establish a strong, watchful presence, hinting at a protector or leader among the distressed group." }, { "instruction_full": "Pull the camera back significantly from the close-up of to a wide shot, showing a larger expanse of the forest floor and the gathered . should be visible among them, perhaps slightly to the left, observing. The shot should encompass many of the figures previously seen in , including and , along with , , and from . The dense, somber forest from , , and is now more fully revealed as the group's isolated location, with trees and undergrowth dominating the background and foreground. The purpose of this shot is to clearly establish the size and vulnerability of the entire community gathered in this harsh environment.", "think_full": "Following the introduction of in a close-up in , the `shot_outline` for calls for a 'wider shot of the gathered in the forest, showing their vulnerability and the presence of among them, confirming the setting and the group's size.' This necessitates a significant camera move to a wide shot to encompass the entire group and their environment. The characters seen in (, , ) and (, , and other ) should be visibly present, reinforcing the idea of a cohesive, albeit distressed, group. from should also be integrated into this wider shot, demonstrating his place within the community. The forest environment, consistently established since , is now shown in its broader context, emphasizing their isolation. The `user_intent` is to provide a sense of scale for their situation and the precariousness of their gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and the `shot_outline`, needs to show the full scope of the community in the forest. showed a few young individuals, expanded to more , and introduced . The `shot_outline` for explicitly requests a 'wider shot of the gathered in the forest, showing their vulnerability and the presence of among them, confirming the setting and the group's size.' This requires a camera pull-back to a wider frame, integrating all previously seen characters and many more into a single scene. The dense, dark forest from , , and must be prominent, highlighting their isolated and exposed situation. The goal is to convey the magnitude of their displacement and their shared predicament." }, { "instruction_full": "Cut from the wide shot of back to a medium close-up, similar in framing and intensity to . Focus again on , capturing his face in profile or a slight three-quarter view, looking intently towards the right of the frame, his expression remaining vigilant and serious. The background should be the same blurred, verdant forest, maintaining visual continuity with and the overarching setting established in , , and . The purpose of this shot is to re-emphasize 's role as an observer and guardian, suggesting ongoing watchfulness for threats or opportunities.", "think_full": "After the wide, establishing shot of that showed the entire group in the forest, the `shot_outline` for states: 'returns to a tighter shot of , reinforcing his observant and protective role within the forest setting.' This means returning to a similar camera framing and focus as , but perhaps with a slightly different angle to show continuous vigilance. was introduced in , so his appearance here directly builds on that character establishment. The blurred forest background is consistent with the established visual style of the environment from , , , and . The `user_intent` is to reiterate his critical role and ongoing mental engagement with their perilous situation, suggesting a quiet strength and constant assessment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` highlights a tense situation for a displaced group in a forest. , , showed the group and its setting, while introduced in a close-up. The `shot_outline` for specifically says it 'returns to a tighter shot of , reinforcing his observant and protective role within the forest setting.' This implies a camera move back to a medium close-up of , much like , to highlight his ongoing vigilance. His expression should reflect seriousness and focus, consistent with his character from . The forest background from earlier shots (, , , ) must remain consistent. The purpose is to reinforce his importance and constant watchfulness for the group." }, { "instruction_full": "Maintain a medium close-up perspective similar to , but introduce a new character: . He should be positioned centrally, looking directly into the camera with a firm, resolute expression. His appearance should suggest a physical strength and capability matching . The background should remain the same blurred, green forest, ensuring visual continuity with , , , , and . The narrative purpose of this shot is to introduce a second key protective figure, hinting at a shared burden of leadership or defense within the group.", "think_full": "Following the re-establishment of 's vigilance in , the `shot_outline` for indicates that it 'introduces with a direct gaze, establishing him as another strong, vigilant figure in the group.' This requires a new character to be introduced in a similar medium close-up framing to visually pair him with 's strong presence. Since this is a new character, no citation for the character is needed. The resolute expression is crucial to convey his role. The continuous forest background, blurred to maintain focus on the character, ensures the consistent visual environment established across , , , , and . The `user_intent` is to expand the protective element of the group, showing there's more than one strong individual watching over .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` describes a community in peril. through have established the forest setting and introduced as a vigilant figure. The `shot_outline` for explicitly states: 'introduces with a direct gaze, establishing him as another strong, vigilant figure in the group.' This means the camera should maintain a similar close-up framing as previous shots focusing on individuals (, ), but now feature a new, strong character, , looking directly at the viewer with a resolute expression. The blurred forest background from earlier shots must be consistent. The dramatic purpose is to signify another pillar of strength and protection for the group, perhaps a partner or a second-in-command to ." }, { "instruction_full": "From the close-up of in , shift to a medium shot centered on as he embraces from . should be holding close, offering comfort, while 's face is partially obscured as he is nestled against 's chest. Other , including potentially and , should be visible in the mid-to-far background, slightly out of focus, subtly observing the embrace. The forest setting from earlier shots ( through ) remains the backdrop, slightly blurred. This shot serves to highlight a tender, human moment of connection and protection amidst the group's hardship.", "think_full": "After introducing both and as vigilant figures in and , the `shot_outline` for calls for a shot that 'shows embracing , emphasizing their personal connection and a moment of solace amidst the distress of .' This requires a camera shift to a medium shot to capture the embrace. has been seen in and , and was seen in and . Their reunion and embrace here fulfill the narrative need for a moment of human warmth. Other , seen in and , should be in the background to provide context without distracting from the central embrace. The forest background from all previous shots ( through ) ensures environmental continuity. The `user_intent` is to emotionally anchor the story, showing the personal stakes and the protective bond between characters.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` speaks of a distressed community and emerging protectors. Previous shots ( to ) have established the setting and introduced key characters like and . The `shot_outline` for states: 'shows embracing , emphasizing their personal connection and a moment of solace amidst the distress of .' This requires a medium shot focusing on comforting (who first appeared in ). The embrace should convey tenderness and protection. Other , previously seen in and , should be visible in the background, out of focus, to indicate their presence without overshadowing the main interaction. The forest setting, consistent from through , serves as the natural backdrop. The purpose is to inject a moment of emotional depth and human connection into the tense narrative." }, { "instruction_full": "Tighten the camera framing from the medium shot of to an intimate close-up, focusing entirely on the embrace between and . The shot should capture their upper bodies, with 's arms wrapped around 's shoulders and head, and 's arms around 's body. Their faces, though partially obscured, should convey raw emotion—comfort, relief, and perhaps a touch of fear. The forest background from becomes an even more abstract, blurred wash of green and dark tones, drawing all attention to the physical and emotional connection. This shot aims to amplify the emotional intensity and vulnerability of the embrace, making it a focal point.", "think_full": "Building on the emotional moment established in , the `shot_outline` for indicates a need to 'tighten the embrace between and , focusing on the emotional bond and the child's vulnerability.' This necessitates a very tight close-up, isolating the two characters and their physical interaction. and were seen embracing in , and their individual appearances were established in earlier shots ( in , , ; in , , ). The extreme close-up enhances the intimacy and emotional weight. The forest background, present since and increasingly blurred in , now becomes almost entirely abstract, directing the viewer's focus exclusively to the characters' interaction. The `user_intent` is to maximize the emotional impact of the protective act and the child's raw vulnerability.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` sets a tone of hardship and survival. through have shown the group in the forest, with depicting embracing . The `shot_outline` for specifies: 'tightens the embrace between and , focusing on the emotional bond and the child's vulnerability.' This requires an even tighter close-up than , emphasizing the physical contact and facial expressions of comfort and emotion between and . The blurred forest background from previous shots ( to ) should be almost entirely indistinct, making the embrace the absolute focal point. The dramatic purpose is to heighten the emotional resonance of this protective gesture and the deep personal connection." }, { "instruction_full": "Cut sharply from the intimate close-up of to a wide, establishing long shot of a completely new environment. This shot should feature a rustic, possibly abandoned, house with a thatched roof, surrounded by a simple wooden fence. In the foreground, there should be tilled earth or a field. The house is nestled at the edge of a dense forest, similar in type to what was seen in previous shots but now appearing more distant and less oppressive. The lighting should be natural and possibly sunnier than the previous scenes, suggesting a change in time of day or a lighter mood, despite the overall rustic and remote feel. There are no prominent characters; any figures near the house should be small and indistinct. This shot introduces a potential new destination or safe haven, shifting the narrative geographically and hinting at new possibilities or challenges.", "think_full": "After a series of emotionally intense close-ups and group shots in the forest ( through ), the `shot_outline` for dictates a significant change: 'shifts to a more distant, establishing shot of a remote dwelling in the forest, hinting at a potential safe haven or a new objective for the group.' This requires a complete break in the immediate visual continuity of characters and close emotional interaction. The environment is entirely new—a house and open fields—which has not been seen in any prior shot. Therefore, no citation for the space or prominent characters is applicable. The wide shot and brighter lighting differentiate it from the somber, tight forest scenes. The absence of clearly identifiable characters further emphasizes the focus on the new location. The `user_intent` is to introduce a new narrative element, a place that could be a refuge or a future challenge, thereby broadening the story's horizon beyond the immediate distress in the deep forest.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` implies a journey or a search for safety. to have consistently placed the characters in a dense, somber forest. The `shot_outline` for explicitly states: 'shifts to a more distant, establishing shot of a remote dwelling in the forest, hinting at a potential safe haven or a new objective for the group.' This requires a complete visual change. The shot must be a wide, establishing shot, showing a rustic house or dwelling. This new environment should contrast with the deep forest previously seen, perhaps with more light or open space. No previously seen characters should be prominent, if visible at all, as the focus is on the new location. The purpose is to introduce a new narrative possibility or destination for the group, a potential place of refuge or a new challenge." }, { "instruction_full": "Cut from the distant house in back to a medium shot of , , and another (not previously singled out) positioned vigilantly in a dense forest. should be in the foreground, using binoculars to scan the unseen distance, his expression focused and serious. stands beside him, alert and watchful, carrying a weapon (a rifle). The third stands slightly behind them, also armed or observant. The forest environment is dense and green, similar in feel to the initial forest scenes in , , and , suggesting a return to active scouting or defense. This shot signifies a shift from the contemplation of a new location to active reconnaissance and readiness for potential threats.", "think_full": "After the establishing shot of a potential new location in , the `shot_outline` for indicates a return to active vigilance: 'returns to and along with another , now actively scanning their surroundings with binoculars and a weapon, indicating heightened vigilance and a shift towards strategic action.' This requires a return to a medium shot focusing on key protective characters. has been seen in , , , and in . Their presence here in an active, defensive posture is consistent with their established roles. The forest environment, reminiscent of the earlier scenes from , , , , , , , but now portraying active movement rather than passive gathering, suggests they are either scouting towards the new location introduced in or defending against a threat. The introduction of a third armed reinforces the readiness. The `user_intent` is to show the group's transition from emotional distress or contemplation of refuge to active measures for survival and protection, hinting at impending action or danger.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` describes a struggle for survival and emerging protectors. After establishing a potential safe haven in , the `shot_outline` for states: 'returns to and along with another , now actively scanning their surroundings with binoculars and a weapon, indicating heightened vigilance and a shift towards strategic action.' This means the camera should show (seen in , , , ) using binoculars and (seen in ) holding a weapon, demonstrating active scouting or defense. Another should join them, reinforcing the idea of a protective unit. The setting should be a dense forest, similar to the initial scenes ( to ), implying they are back in an active, perhaps dangerous, environment. The purpose is to convey a shift from passive observation or emotional moments to active, strategic engagement with their surroundings, possibly moving towards or defending the location shown in ." } ], "_src_movie_dir": "Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv", "_src_filename": "052612_053441.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Defiance.2008.2160p.BluRay.Remux.TrueHD.5.1.mkv/052612_053441.json", "_test_index": 141 }, { "movie": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126240.jpg-The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127145.jpg", "images": [ { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126240.jpg", "filename": "126240.jpg", "aesthetic": 6.791250228881836, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126273.jpg", "filename": "126273.jpg", "aesthetic": 5.880720138549805, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126342.jpg", "filename": "126342.jpg", "aesthetic": 6.210792541503906, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126581.jpg", "filename": "126581.jpg", "aesthetic": 6.796050071716309, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126776.jpg", "filename": "126776.jpg", "aesthetic": 6.426459312438965, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126788.jpg", "filename": "126788.jpg", "aesthetic": 6.842319488525391, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126935.jpg", "filename": "126935.jpg", "aesthetic": 6.75163459777832, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126989.jpg", "filename": "126989.jpg", "aesthetic": 7.042497634887695, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127082.jpg", "filename": "127082.jpg", "aesthetic": 6.10067081451416, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127145.jpg", "filename": "127145.jpg", "aesthetic": 5.639751434326172, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The story is set in a grand, medieval-fantasy hall, likely a great hall or a large common room, characterized by warm firelight and ornate wooden pillars. There's an underlying tone of gathering and shared purpose, possibly before or after a significant event, with an atmosphere that hints at both camaraderie and weighty matters.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " widens the scene from to show a group of companions seated at a table, including , , and , maintaining the warm, dimly lit hall. returns to a close-up of , reflecting her continuing internal thought or observation from . shifts to a new location within the hall, showing speaking to who is seated on a throne, establishing a different, more formal conversation. closes in on from , emphasizing his gaze towards . returns to the wider shot of and from , now focusing on 's stoic demeanor. is another close-up of from a similar angle as , reinforcing his serious expression. cuts back to in the common hall from , suggesting his thoughtful reflection or observation. isolates in a medium shot, capturing a moment of intense focus or decision, with a hint of the background from . pulls back slightly on from , showing a wider view of his seated position, potentially indicating a shift in his interaction." }, "instruction_full": "Move the camera to a wider, medium shot from a similar eye-level perspective as , but now to the left of the previous framing. Introduce , , and . is seated at a wooden table, holding a cup and looking thoughtful. stands attentively beside the table, arms crossed, looking in the same general direction as the warrior. is seated opposite , back mostly to the camera, actively eating. The shot remains within the same dimly lit, ornate medieval-fantasy hall established in , featuring the warm glow of braziers and intricately carved wooden pillars in the background, specifically showing the large wooden table, to broaden the scene to reveal other key characters gathered in the same setting, establishing a sense of shared presence and hinting at their camaraderie or joint purpose.", "think_full": "The shot needs to maintain the environment seen in , specifically the dark, warm, large hall with the distinct carved pillars and glowing fire braziers. This ensures visual continuity of the location. The large wooden table is introduced as a central gathering point. was the focus in . For this shot, we introduce three new characters: , , and , as indicated in the global prompt's `shot_outline`. Their poses and actions (seated thoughtfully, standing attentively, eating heartily) are designed to give them initial characterization without dialogue. The purpose is to expand the world and introduce other key figures who are part of the story, showing them in a moment of quiet gathering. This shot confirms they are all in the same general location, following on from 's moment of reflection in , implying a shared context or ongoing event. The wider shot creates a sense of an ensemble.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction implies I need to continue the story based on the global prompt and what has been established. According to `global_prompt.shot_outline`, should widen the scene from to show a group of companions in the same hall. I will frame a medium shot, keeping the medieval hall and firelight from . I'll introduce , , and seated at a table, consistent with the outline's character introduction. The intent is to broaden the narrative scope and introduce more characters within the established setting, maintaining the warm, dim atmosphere." }, { "instruction_full": "Return to a medium close-up, similar in framing and angle to . Feature from again, with a slight shift in her expression, perhaps more contemplative or observing, but still composed. The setting remains the dimly lit, ornate medieval-fantasy hall, with the warm glow of the brazier and carved pillar visible in the background, consistent with and , to cut back to , re-establishing her presence and possibly implying her reaction or continued thought about the gathering of companions seen in .", "think_full": "The shot explicitly reuses the setting from and , specifically focusing on the background elements like the brazier and ornate pillar seen in . This provides strong visual continuity for the location. returns, having been introduced in . Her expression evolves slightly to show a continued internal state, possibly reacting to or processing the wider scene shown in . This cut back to serves to highlight her perspective within the broader scene, allowing the audience to infer her thoughts or feelings about the group introduced in . It creates a call-and-response dynamic with .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should return to a close-up of , reflecting her continued internal thought or observation from . Therefore, I will frame a medium close-up similar to , featuring from with a contemplative expression. The background will maintain the established ornate hall from and with warm firelight. The narrative intent is to re-focus on her, suggesting her reaction to the wider scene presented in ." }, { "instruction_full": "Shift to a new medium shot, positioned at eye-level, framing two new characters in a more formal, seated setting within the same grand hall. Introduce and . is seated to the left, gesturing with his hand as if speaking or explaining. is seated on a grand, ornate throne to the right, looking stern and somewhat burdened. The setting is still the ornate medieval-fantasy hall, but a different, more formal area than shown in , , or . A large banner with an equestrian symbol is visible behind them, suggesting a regal context. The lighting remains warm but possibly a bit brighter in this specific area, highlighting the throne, to introduce two new, important characters and shift the focus to a more official or weighty discussion within a different, more formal section of the same overall location, hinting at a different aspect of the ongoing narrative.", "think_full": "While it's a new section of the hall, the overall aesthetic (ornate, medieval-fantasy, warm lighting) is consistent with the established setting in , , and . The introduction of a throne and banner marks this as a more formal, perhaps royal, area within the same grand structure, providing an environmental expansion rather than a complete break. This shot introduces two entirely new characters to the visual narrative: and , as outlined in the `global_prompt.characters` and `shot_outline`. Their positioning and actions (wizard speaking, king listening sternly) immediately convey their roles and the gravity of their interaction. This shot is crucial for expanding the story's scope, revealing a new group of characters and a more formal, possibly political or strategic, conversation occurring concurrently or in close succession to the scenes with and her companions. It creates a sense of multiple plot threads.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, should shift to a new location within the hall, introducing speaking to on a throne. I will create a medium shot showing these two new characters in a more formal section of the hall, distinct from the previous shots but visually consistent with the grand, medieval setting. will be gesturing while sits on a throne, conveying a serious discussion. This advances the story by introducing new central figures and a more regal context." }, { "instruction_full": "Move into a closer medium shot, focusing on 's face from a slightly lower angle than , with partially out of focus in the foreground to the right. Feature from , with a thoughtful and intense expression, gazing intently at . from is visible but blurred, serving as the subject of the wizard's attention. The formal setting from continues, with elements like the ornate throne or the banner subtly visible in the blurred background, maintaining the sense of a regal chamber. A brazier, similar to those seen in and , is now visible in the background, adding to the warm, medieval atmosphere, to emphasize the intensity and wisdom of 's focus and to draw attention to his interaction with , without fully revealing the king's reaction yet.", "think_full": "The shot maintains the formal setting introduced in , with the regal background elements subtly present. The brazier now clearly visible in the background links this formal section more directly to the warmer, fire-lit hall established in and , suggesting overall environmental consistency. and both return from . The framing now highlights 's expression and his direct gaze towards , establishing the dynamic between them. The king is kept in partial focus to indicate his continued presence as the subject of the wizard's attention. This closer framing on enhances the intensity of his speech or observation from , giving weight to his words or thoughts. It builds anticipation for 's response by showing the wizard's focused engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should close in on from , emphasizing his gaze towards . I will create a closer medium shot of from , showing an intense expression, with from visible but out of focus to signify the wizard's focus. The formal hall background from will remain visible, subtly connecting the setting. This shot aims to heighten the tension of their interaction." }, { "instruction_full": "Pull back slightly from to a medium shot, similar to , but with a slight adjustment to re-center . Re-feature both and from and . is still seated to the left, his hand resting, looking towards the king. is seated on his throne to the right, looking forward with a serious, unreadable expression, his posture regal but perhaps weary. The formal hall setting is sustained, with the ornate throne and the banner from prominently in the background, reinforcing the regal environment, to return to the wider dynamic between the two characters, allowing the audience to observe 's full posture and expression in response to 's words, underscoring the king's burdened regality.", "think_full": "The shot returns to a similar framing and background as , reinforcing the formal hall and the king's throne. This continuity helps to anchor the ongoing conversation between the two characters in this specific, significant location. Both and return from and . The focus shifts slightly to 's expression, allowing his reaction to 's intense gaze (seen in ) to be more fully observed. The king's posture and expression are central to conveying his character's state. This shot provides the counterpoint to , allowing the audience to witness 's reaction or stoic contemplation after 's direct address. It highlights the weight of the situation on the king.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that returns to the wider shot of and from , focusing on 's stoic demeanor. I will pull back from to a medium shot, similar to , framing both and again. The king from and will be centered on his throne, displaying a serious expression. The formal hall from will continue to serve as the background. The intent is to show the king's response and highlight his burdened nature." }, { "instruction_full": "Move back into a close-up on , very similar to , but perhaps even tighter or with a slightly different angle to show more detail of his expression. Focus on from , , and . His expression is serious, perhaps a mix of concern and determination, maintaining eye contact or focusing on something just out of frame to the right (implying ). The formal hall background from and is still visible, blurred, maintaining the connection to the regal setting and the warm lighting. A brazier, similar to the one in , is softly visible in the background, to emphasize 's continuing resolve or the gravity of the situation, by bringing the audience into an intimate view of his thoughts.", "think_full": "This shot reuses the close-up framing style and background elements from , reinforcing the formal hall setting and the warm, fire-lit atmosphere. The subtly visible brazier continues to link this scene to the overall environment. is again the central focus, directly following his interaction with in . This shot delves deeper into his internal state after the king's reaction, showing his enduring seriousness or concern. The wizard's face is familiar from , , and . By returning to a close-up of , the sequence implies that the ball is back in his court, or that his perspective is crucial. It underscores the weight of his advice or concern, reinforcing the narrative significance of his character and the ongoing serious discussion with .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that is another close-up of from a similar angle as , reinforcing his serious expression. I will create a close-up of from , , and , similar to , emphasizing his serious and determined expression. The blurred formal hall background from and will be present, maintaining setting continuity. This shot aims to intensify his internal state and commitment to the ongoing discussion with ." }, { "instruction_full": "Cut back to a medium close-up, similar to the framing of in or , now focusing on . Feature from , seated at the table, perhaps holding his cup again or a pipe, looking thoughtful or observant. His expression should convey a quiet resolve or contemplation. The setting returns to the dimly lit, communal hall with the wooden table, warm braziers, and ornate pillars visible in the background, consistent with . A candle on the table adds to the warm, intimate lighting, to shift the narrative back to the companions' perspective, allowing 's thoughtful expression to connect with the ongoing significant discussions in the hall, perhaps implying a shared awareness or looming challenges.", "think_full": "This shot explicitly returns to the communal hall setting established in , distinct from the formal throne room seen in through . The visible table, braziers, and warm lighting from establish this clear environmental continuity. reappears, having been introduced in . His pose and expression of thoughtfulness reinforce his character, and his return to the screen serves to link the two distinct narrative threads (the royal conversation and the companions' gathering) through a sense of shared time and location, even if not direct interaction. The cut away from the intense discussion between and back to suggests a broader scope to the narrative. It might imply that the events or decisions in the throne room will impact these companions, or that is pondering similar grave matters. It keeps the ensemble present in the audience's mind.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that cuts back to in the common hall from , suggesting his thoughtful reflection or observation. I will create a medium close-up of from , seated at the wooden table, with a contemplative expression. The communal hall setting, with its braziers and pillars, from will be the background. This shot serves to broaden the narrative again, showing the impact or contemplation of the events on the companions." }, { "instruction_full": "Cut back to a medium close-up on , a slightly different angle from and , possibly capturing more of the background from the throne room. Feature from , , , and . His expression is intense and focused, perhaps looking slightly off-camera, as if listening or considering deeply. The background clearly shows the formal setting with the red and green banners from and , reaffirming the location as the regal chamber of . The dark, ornate wood paneling is also visible, to return to the primary point of tension, re-emphasizing 's role and his serious demeanor within the formal setting of the king's chamber, signaling a continuation of that critical conversation or internal struggle.", "think_full": "This shot clearly re-establishes the formal throne room environment from and , with the distinct banners in the background. This ensures the audience immediately understands the shift back to the king's chamber after the brief cut to in . is once again the focus, connecting directly to his previous appearances in , , , and . His intense, focused expression underscores the seriousness of the discussion or his internal thoughts regarding . The quick cut back to after functions to maintain the narrative's tension in the throne room, bringing the audience back to the critical dialogue or silent contemplation between the wizard and the king. It emphasizes that this formal conversation is still central.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that isolates in a medium shot, capturing a moment of intense focus or decision, with a hint of the background from . I will create a medium close-up of from , , , and , emphasizing his intense and focused expression. The formal throne room background, with the banners from and , will be visible to re-establish the setting. This shot aims to bring the focus back to the critical discussions in the king's chamber, highlighting the wizard's role." }, { "instruction_full": "Slightly pull back from the medium close-up of to a medium shot, similar to but potentially a bit wider, showing more of 's seated posture. Feature from , still seated, with a thoughtful or slightly weary expression. His posture is visible, emphasizing his presence in the throne room. The background prominently features the green and red banners from and , confirming the formal regal chamber setting. Part of the ornate throne is also visible to the right, hinting at 's continued presence, to provide a slightly wider context for 's presence in the throne room, perhaps signaling a pause in the intense conversation or a moment of reflection before a new development.", "think_full": "This shot expands slightly from , but remains firmly within the formal throne room environment established in . The visible banners and a hint of the throne directly link it to previous shots involving and . is the sole character in focus, his expression and posture a continuation of his presence in the throne room from . The slight pull-back allows for a better appreciation of his physical presence within the regal setting. By widening the shot on from , the shot suggests a slight shift in pace or the conclusion of a thought process. It provides a visual beat, allowing the audience to take in the full context of his position within the formal chamber, potentially signaling a transition or a moment of deep consideration after the intense discussion with .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that pulls back slightly on from , showing a wider view of his seated position, potentially indicating a shift in his interaction. I will create a medium shot, pulling back slightly from , featuring from , seated, with a thoughtful expression. The formal throne room background, with the banners from and and a hint of the throne, will be clearly visible. This shot aims to provide a slightly broader context for the wizard in the regal setting, suggesting a moment of pause or reflection." } ], "_src_movie_dir": "The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "126240_127145.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Lord.of.the.Rings.2002.EXTENDED.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126240_127145.json", "_test_index": 142 }, { "movie": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv", "N": 10, "sample_id": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37547.jpg-About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/38231.jpg", "images": [ { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37547.jpg", "filename": "37547.jpg", "aesthetic": 5.894984245300293, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37612.jpg", "filename": "37612.jpg", "aesthetic": 5.80985164642334, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37766.jpg", "filename": "37766.jpg", "aesthetic": 5.528469085693359, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37891.jpg", "filename": "37891.jpg", "aesthetic": 5.561280250549316, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37956.jpg", "filename": "37956.jpg", "aesthetic": 5.659560203552246, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/37966.jpg", "filename": "37966.jpg", "aesthetic": 6.019937515258789, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/38038.jpg", "filename": "38038.jpg", "aesthetic": 5.82165002822876, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/38100.jpg", "filename": "38100.jpg", "aesthetic": 6.039487838745117, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/38122.jpg", "filename": "38122.jpg", "aesthetic": 6.071043491363525, "musiq": 0.0 }, { "tag": "", "rel_path": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/38231.jpg", "filename": "38231.jpg", "aesthetic": 5.696369647979736, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A family is anxiously waiting in a hospital or clinic. The overall tone is one of concern and quiet tension, focusing on the individual emotional states within the family unit as they await news. The pacing is reflective, building anticipation.", "characters": [ "", "", "", "", "" ], "shot_outline": " focuses on , establishing his pensive or concerned expression in the hospital waiting room. cuts to , showing his quiet demeanor or discomfort. returns to , reinforcing his emotional state and the prolonged wait. cuts back to , deepening the sense of his emotional response. again focuses on , building anticipation for a potential development. pulls back to reveal the entire family, including , in the broader hospital waiting room setting. highlights the interaction between and , focusing on their individual expressions. shows the family engaging with for the first time. provides a close-up on as she delivers critical information." }, "instruction_full": "Shift the camera from 's tight shot of to a medium close-up of , showing him looking pensive or concerned. He is seated in a hospital waiting room, implied by the soft, institutional background blur, similar to what was hinted at in . This shot is to establish another key character's emotional state in this shared, anxious environment.", "think_full": "The global prompt sets up a story of a family in a hospital, and introduces in what appears to be a public, institutional setting with its blurred background. To expand the narrative, needs to introduce another family member, , as indicated in the shot_outline. His expression should reflect the underlying anxiety or contemplation hinted at by the overall scenario. The camera will move from 's tight focus on to a similar intimate framing for , maintaining the soft, institutional background consistency with to suggest the same location, thereby building on the implied hospital waiting room setting. The purpose is to deepen the emotional landscape and introduce another perspective to the family's waiting experience.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, the next shot should introduce and focus on his concerned expression. Following which shows in what appears to be a public, institutional setting, the camera should shift to a medium close-up of . He should be seated, conveying a pensive or worried emotion. The background should remain consistent with a hospital waiting room environment, possibly maintaining a similar blurry depth of field as seen in , to establish continuity of location without explicit detail. The narrative purpose is to begin exploring the emotional states of other family members." }, { "instruction_full": "Cut from 's medium close-up of to a close-up of . should be looking down, perhaps in quiet contemplation or discomfort, in the same hospital waiting room environment, maintaining the slightly blurry background as seen in . This shot aims to introduce another family member and show his individual reaction to the waiting situation.", "think_full": "The narrative has so far introduced in and in , both in what appears to be a hospital waiting room. The `shot_outline` for directs the introduction of . This shot will maintain the close-up framing style established in for intimate character study. The spatial environment should continue to be the hospital waiting room, implicitly linked to by similar background blur and institutional feel. 's posture and expression should resonate with the pensive mood established by in , adding another layer to the family's collective emotional state.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` and `shot_outline` indicate that should introduce and show his demeanor. After seeing in and in , the next logical step in building the family unit is to bring in . The setting should remain the implied hospital waiting room, consistent with . The camera should cut to a close-up of , similar in framing to , to show his individual emotional state, likely quiet or subdued, as part of the anxious waiting experience." }, { "instruction_full": "Return the camera to a medium close-up of , mirroring the framing from . should still appear pensive, perhaps looking slightly off-camera, in the same hospital waiting room setting, continuing the visual style and background from . The purpose is to emphasize the ongoing wait and 's sustained concern.", "think_full": "Having established (), (), and (), the `shot_outline` for calls for a return to . This creates a rhythm of alternating focus among family members. We will maintain the hospital waiting room environment, with consistent background and lighting as seen in and , reinforcing the continuity of the setting and the prolonged nature of their wait. 's return from with a similar, yet potentially evolved, pensive expression helps to build the narrative tension and highlight his central role in the unfolding situation.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should return focus to . After seeing (), (), and (), the pattern suggests alternating viewpoints. The shot should be a medium close-up of , consistent with 's framing, in the same hospital waiting room environment implied by the previous shots. His expression should reflect continued concern or observation, reinforcing the prolonged and tense waiting period." }, { "instruction_full": "Cut back to a close-up of , re-using the framing from . should now show a more explicit expression of discomfort or a slight frown, indicating growing impatience or anxiety, within the same hospital waiting room environment consistent with . This shot highlights the increasing emotional impact of the wait on him.", "think_full": "The `shot_outline` dictates that should return to . Following the established pattern of alternating focus between (, ) and (), this shot continues to build the emotional arc. The hospital waiting room setting, consistent from , , and , remains unchanged. reappears from , and his expression should now be more pronounced, showing a clear shift from quiet contemplation to potential frustration or discomfort, thereby escalating the emotional tension of the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` and `shot_outline` indicate that should return to . Given the alternating sequence between and in through , the next shot should focus on again. It should be a close-up, similar to , in the same implied hospital waiting room. His expression should convey a slightly more agitated or frustrated state, reflecting the ongoing wait and its impact on him, following the growing tension established by in ." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing from and . should display an expression of deep thought or concern, possibly with a subtle shift in his gaze as if observing something or someone beyond the frame. The setting remains the hospital waiting room, using the background and lighting from and . This aims to heighten his contemplation and hint at an upcoming development.", "think_full": "The `shot_outline` for returns the focus to , continuing the rhythmic alternation between him and . The hospital waiting room environment is consistently maintained from , , , and , reinforcing the stable setting of their ordeal. reappears from and . His expression in this shot should convey a deepening of his internal state, suggesting profound thought or a subtle shift in awareness, which can build anticipation for the next phase of the narrative, perhaps a wider reveal or interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should return to . Continuing the established pattern of cutting between and , after focused on , it's logical to revisit . The shot should be a medium close-up of , consistent with and , within the same hospital waiting room. His expression should be one of continued or perhaps intensified concern, leading towards a broader establishment of the scene and family unit as outlined for subsequent shots." }, { "instruction_full": "Transition to a wider shot, pulling back from 's close-up, to reveal , , and together. Introduce as a new character, possibly interacting with or attending to . Clearly establish the hospital waiting room as a busy, institutional space with multiple waiting chairs and other people, consistent with the backgrounds implied in through . The intent is to provide broader context, showing the full family and their complete environment.", "think_full": "After a series of close-ups on individual family members ( in , in , , , in , ), the `shot_outline` for calls for a wider shot to establish the full family unit and the waiting room setting. This shot expands upon the implied hospital environment from previous shots by revealing more of the institutional details, such as waiting chairs and other background figures, consistent with the vague backgrounds of , , . , , and are returning characters, now seen together. is a new character introduced here, completing the visual representation of the family. The dramatic purpose is to shift from intimate character study to a broader contextual understanding of their collective situation.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should reveal the full family and the complete hospital waiting room setting. After a series of close-ups on individual family members ( through ), the `shot_outline` specifically directs a wider shot that encompasses the entire family and their environment. This involves pulling the camera back to show , , and , and introducing , all seated in the hospital waiting room environment that was hinted at in earlier shots. The shot should convey the atmosphere of a busy, public waiting area, providing crucial spatial and relational context." }, { "instruction_full": "Return to a medium close-up, focusing on and (introduced in ). should be drinking from a cup, while stands or leans beside him, looking upwards or beyond the frame with a concerned expression. Remain in the hospital waiting room, using visual cues from for background elements and lighting, but cropping in to emphasize their interaction and individual reactions.", "think_full": "The `shot_outline` for suggests a focus on and . After the wide shot in established the entire family and the busy waiting room, this shot brings the camera closer to highlight a specific interaction and emotional state. The hospital waiting room environment, clearly defined in , continues, with background details blurred to maintain focus. (from , , ) and (from ) are now seen in more detail, allowing for a deeper exploration of their individual emotional responses and relationship within the stressful waiting context.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should focus on and . After the establishing wide shot in that showed the whole family, the narrative should narrow its focus again. The shot should be a medium close-up, bringing the camera closer to (from , , ) and (from ), showing their interaction or shared moment within the hospital waiting room. Their expressions should convey continued concern, with possibly distracted by an action like drinking." }, { "instruction_full": "Pull back slightly from the close-up of to show , , and together in a wider shot, and introduce a new character, . should be standing and interacting directly with , who is facing away from the camera. Re-establish the hospital waiting room with visible background activity and the family grouped, similar to . The purpose is to show the family finally engaging with a medical authority.", "think_full": "The `shot_outline` for dictates the family engaging with . After the close-up on and in , this shot expands the view again to include (from , , , ) and bring all three family members (, , ) together. The hospital waiting room, consistently established from and , remains the setting. is a new character introduced here. Her interaction with signals a significant development in the narrative, moving from passive waiting to active communication, building anticipation for the news they are about to receive.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should show the family interacting with . Following the focus on and in , and the earlier wide shot of the family in , the narrative progresses to their engagement with a staff member. The shot should be a medium-wide shot, encompassing , , and in the hospital waiting room, with a newly introduced engaged in conversation with . This signals a turning point in their waiting experience." }, { "instruction_full": "Cut to a close-up on (introduced in ), similar in framing to the close-ups of and from earlier turns. should be speaking directly, with a clear, serious expression, wearing a medical uniform. The background should be consistent with the hospital environment from , potentially showing more specific details of the facility behind her, but kept slightly out of focus. This shot highlights the critical information being delivered.", "think_full": "The `shot_outline` for specifies a close-up on delivering news. After the interaction was set up in , this shot provides a direct, intimate view of the news-bearer. The hospital setting, consistent from and , forms the background. reappears from , and her close-up now allows for full focus on her expression and the gravity of her message, which is implied by the preceding anxiety. The framing shifts the narrative focus from the family's reaction to the source of the critical information.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and `shot_outline`, should be a close-up of delivering information. After seeing the family interact with in , the next logical step is to zoom in on the professional. The shot should be a close-up on from , focusing on her face and serious expression as she speaks to the off-camera family. The background should be consistent with the hospital environment, subtly reinforcing the setting while emphasizing the importance of her communication." } ], "_src_movie_dir": "About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv", "_src_filename": "037547_038231.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/About.a.Boy.2002.2160p.BluRay.x265-RARBG.mkv/037547_038231.json", "_test_index": 145 }, { "movie": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv", "N": 10, "sample_id": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/12975.jpg-Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14278.jpg", "images": [ { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/12975.jpg", "filename": "12975.jpg", "aesthetic": 6.524253845214844, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/13591.jpg", "filename": "13591.jpg", "aesthetic": 6.67475700378418, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/13806.jpg", "filename": "13806.jpg", "aesthetic": 5.715633392333984, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/13997.jpg", "filename": "13997.jpg", "aesthetic": 5.932178497314453, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14122.jpg", "filename": "14122.jpg", "aesthetic": 5.9966816902160645, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14144.jpg", "filename": "14144.jpg", "aesthetic": 6.1489057540893555, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14181.jpg", "filename": "14181.jpg", "aesthetic": 5.926451206207275, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14212.jpg", "filename": "14212.jpg", "aesthetic": 6.346749782562256, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14225.jpg", "filename": "14225.jpg", "aesthetic": 6.128283977508545, "musiq": 0.0 }, { "tag": "", "rel_path": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/14278.jpg", "filename": "14278.jpg", "aesthetic": 5.738402366638184, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence establishes as a dedicated, detail-oriented individual working on complex cases within a high-stakes corporate environment. The initial shots emphasize his focused, solitary work, gradually expanding to reveal his professional and social world. The tone shifts from intense concentration to warm camaraderie as he interacts with colleagues, highlighting his established relationships and the positive atmosphere of a professional gathering.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " continues to show engrossed in his work, but in a brighter, more active office setting. widens the view to reveal 's expansive office with a city view, emphasizing his position and the scale of his work. introduces entering a meeting room, joining for a discussion, shifting focus to group interaction. , , , , and present a series of warm, close-up embraces between and various colleagues (, , , , ), illustrating deep connections and a celebratory atmosphere. concludes this sequence of greetings with sharing a heartfelt embrace with , adding a final touch of warmth." }, "instruction_full": "Shift to a medium shot of at his desk, now in a well-lit, organized office environment. He is still intensely focused on paperwork, possibly eating a casual meal at his desk, with stacks of documents surrounding him but arranged neatly in cubicle shelves in the background. The lighting is bright and even, indicating daytime, to show the continuation of his diligent work routine.", "think_full": "The 'global_prompt' establishes as dedicated. shows him in a dark, late-night setting, surrounded by paper. To establish his routine and the breadth of his work, should show him continuing his work, but in a contrasting, brighter environment. This provides a sense of temporal progression (daytime after a late night or simply another workday) and reveals more of his typical workspace. The camera should move from the tight, low-angle shot of to a more conventional medium shot, allowing us to see his face more clearly and the immediate surroundings. The space in was dimly lit, suggesting late hours; needs to convey a professional, active office. The character, , remains consistent from in his focus on documents. This shot serves to solidify his work ethic and the constant demand for his attention, fulfilling the 'shot_outline' for which notes he 'continues to show engrossed in his work, but in a brighter, more active office setting'.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'global_prompt' and the initial shot showing working late, the next logical step according to the 'shot_outline' for is to 'continue to show engrossed in his work, but in a brighter, more active office setting'. This implies a shift in time or location to show his routine, still focused. The camera should open up slightly from the tight shot in to reveal more of the office environment around him, establishing the context of his work. He should still be from , perhaps now eating a meal at his desk to signify his continuous dedication. The space needs to transition from the dark, intimate feel of to a more standard, well-lit office during working hours, indicating the ongoing nature of his responsibilities. The user intent is to reinforce his diligent work ethic and the demanding nature of his profession across different times." }, { "instruction_full": "From the medium shot in , pull the camera back and widen the frame significantly to an establishing shot of 's office. He is still present, standing or leaning over his desk, still surrounded by numerous stacks of papers and files, continuing his work from and . The wide shot should reveal large windows overlooking a sprawling cityscape, emphasizing the height and scale of his office building. The space is still the same cluttered office from , but now the scope of his environment is vast and impressive, bathed in natural light.", "think_full": "The 'global_prompt' outlines showing the executive's 'high-stakes corporate environment'. Building on and , which established 's dedication and cluttered workspace, needs to expand the visual context. The 'shot_outline' for is to 'widen the view to reveal 's expansive office with a city view, emphasizing his position and the scale of his work'. Therefore, a significant camera pull-back from the medium shot of is necessary. reappears from and , still engaged with his work, reinforcing his character. The spatial continuity from the office in is maintained, but now the view expands dramatically through large windows to show a cityscape, linking his intense individual work to a larger corporate world. This shift in perspective visually communicates the importance and scale of his role, and the environment maintains the 'high-stakes corporate' feel from the story setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' emphasizes the 'high-stakes corporate environment' and the 'shot_outline' explicitly states should 'widen the view to reveal 's expansive office with a city view, emphasizing his position and the scale of his work'. After showing working intensely in and , the next shot needs to establish the grandeur and context of his workplace. The camera should pull back from the desk view of to a wide shot, showing still at his desk, surrounded by papers, but now revealing large windows with a city panorama. This will connect his individual efforts to the broader world he operates in. The space is the same office from , but now its full scope is revealed. The user intent is to showcase the scale of his responsibilities and the setting of his corporate life." }, { "instruction_full": "Transition the camera to a wide shot showing walking into a modern glass-walled meeting room, observed from outside the room. is wearing the same blue patterned shirt and khaki pants as seen in and . Inside the room, , comprising several individuals, some of whom were likely hinted at in the blurred background of , are already gathered around a large table, engaged in discussion. The space is a clear, open meeting room with large windows overlooking the city, maintaining the high-rise corporate setting established in . The narrative intent is to transition from his solitary work to his active participation in group discussions, revealing his social and collaborative professional sphere.", "think_full": "The 'global_prompt' indicates a shift from individual work to social interaction. The 'shot_outline' for states it 'introduces entering a meeting room, joining for a discussion, shifting focus to group interaction'. Following the wide office shot of , this shot should move into a different area within the same corporate building, specifically a meeting room. The wide shot from established the expansive corporate environment, which supports the idea of a meeting room with similar large windows. appears consistently from , , and , maintaining his attire and presence. We introduce new characters, , who are visually distinct but part of the general corporate setting. The glass walls and city view visually link this new space to the previous office setting in , maintaining environmental continuity. The purpose is to move the narrative from his personal work to his communal professional interactions.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' transitions from 'intense concentration to warm camaraderie' and the 'shot_outline' for specifies to 'introduce entering a meeting room, joining '. After showing in his office in , , and , the next logical step is to show his interaction with others. The camera should capture entering a meeting room, where other people are already present. The setting should maintain the corporate, high-rise feel established in with large windows. should be identifiable from previous shots. This shot serves to expand his professional world, showing him as part of a team or group, and fulfilling the shift towards social interaction. The user intent is to reveal his engagement in collaborative work." }, { "instruction_full": "Shift to a tight, over-the-shoulder close-up shot of from behind, as he is warmly embracing . , a man with graying hair, faces the camera with a genuine, friendly smile, his hands clasped around . The background is blurred, but the lighting suggests the same general office environment as seen in , reinforcing the professional gathering context. This shot aims to establish a moment of personal connection and warmth, highlighting the camaraderie among colleagues.", "think_full": "The 'global_prompt' indicates a shift towards 'warm camaraderie' and 'established relationships'. The 'shot_outline' for begins a 'series of warm, close-up embraces' to illustrate 'deep connections and a celebratory atmosphere'. Following the group interaction in , the narrative moves to individual, heartfelt greetings. A tight, over-the-shoulder close-up allows for intimacy and emphasizes the emotional exchange. is consistently portrayed from , , , and . We now introduce , who was part of from or a new arrival. The blurred background maintains continuity with the corporate setting from without distracting from the personal interaction. The user intent is to immediately convey a sense of genuine welcome and positive relationship.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' emphasizes a shift to 'warm camaraderie' and the 'shot_outline' specifically calls for a 'series of warm, close-up embraces' starting with . After seeing in a group meeting in , the next natural progression is to show individual, heartfelt interactions. The camera should move into a close-up, focusing on an embrace between (visible from behind) and a colleague facing the camera, smiling warmly. The background should be slightly blurred to keep the focus on the embrace while subtly suggesting the same office environment. This shot's purpose is to convey immediate warmth and personal connection within his professional circle." }, { "instruction_full": "Maintain the close-up, over-the-shoulder perspective from , capturing as he embraces a different individual, . , a man with curly light brown hair, faces the camera with a joyful expression, reciprocating the embrace. The background remains consistently blurred, suggesting the ongoing gathering in the corporate environment from and . This shot continues the sequence of warm greetings, showcasing the executive's broad connections.", "think_full": "The 'global_prompt' theme of 'warm camaraderie' is being developed, and the 'shot_outline' explicitly calls for a 'series of warm, close-up embraces' in . To maintain the established rhythm and intimacy from , the camera angle and framing should be replicated. is a constant presence from , , , , and . A new character, , is introduced, appearing to be one of seen in . The blurred office background from is reused to ensure spatial continuity of the gathering. This shot's purpose is to reinforce the theme of strong, positive relationships among colleagues, building on the feeling established by .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' emphasizes 'warm camaraderie' and the 'shot_outline' for indicates a continuation of the 'series of warm, close-up embraces'. Building on the first embrace in , the next shot should follow the same pattern: a close-up of (from behind) embracing another distinct colleague, who is smiling warmly. The camera perspective (over-the-shoulder) and the blurred office background should be consistent with to maintain visual continuity within this greeting sequence. The intent is to show the depth and breadth of his connections, illustrating multiple positive interactions." }, { "instruction_full": "Keep the identical close-up framing and over-the-shoulder view from and , featuring embracing yet another colleague, . This colleague is an older man with white hair and glasses, also smiling broadly as he reciprocates the hug. The background remains consistently blurred, affirming the ongoing celebratory gathering within the corporate setting established in , , and . This shot further extends the narrative of strong, positive interpersonal connections among the executive and his colleagues.", "think_full": "To fulfill the 'global_prompt's theme of 'warm camaraderie' and the 'shot_outline's instruction for a 'series of warm, close-up embraces', should mirror the camera work of and . This reinforces the repetitive nature of the greetings and their consistent emotional tone. remains the central figure, present from through . We introduce as a new character, likely part of from , ensuring diversity in the interactions. The blurred office background from and is reused to maintain the consistent setting for this ongoing social event. The narrative purpose is to continue building a sense of community and the executive's positive relationships.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'global_prompt's theme of 'warm camaraderie' and the 'shot_outline' for which continues the 'series of warm, close-up embraces', the shot should maintain the established visual pattern from and . This means an identical close-up, over-the-shoulder shot of (from behind) embracing a new, distinct colleague, who is smiling and reciprocating the hug. The blurred background should remain consistent with the office setting of the previous embrace shots. The intent is to emphasize the executive's wide network and the continuous positive atmosphere of the gathering by showing another genuine interaction." }, { "instruction_full": "Replicate the close-up, over-the-shoulder framing from , , and , showing in a heartfelt embrace with . This colleague is a younger man with dark hair, also smiling warmly and looking directly at as he hugs him. The background remains consistently out of focus, implying the same office party or gathering atmosphere established in through . This shot continues to build the impression of a supportive and friendly professional network.", "think_full": "The 'global_prompt' continues to highlight 'established relationships' and 'warm camaraderie'. The 'shot_outline' for explicitly extends the 'series of warm, close-up embraces'. To maintain the stylistic and emotional continuity of this sequence, the camera shot should be a direct continuation of the framing, angle, and intimacy seen in , , and . is visually consistent across all prior shots. is a new character, adding another face to the diverse group of colleagues. The blurred office background from , , and is used to seamlessly tie this embrace into the ongoing event. The purpose of this shot is to further underscore the strong bonds and positive reception for .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt's emphasis on 'warm camaraderie' and the 'shot_outline' for which continues the 'series of warm, close-up embraces', the next shot should be another close-up, over-the-shoulder shot of embracing a different colleague. The framing and blurred office background should be identical to , , and to maintain visual rhythm. The embraced colleague should be distinct from previous ones, smiling and reciprocating the hug. The user intent is to further illustrate the executive's widespread positive connections and the joyful nature of the event by adding another embrace to the sequence." }, { "instruction_full": "Maintain the consistent close-up, over-the-shoulder framing from , , , and , capturing in a final embrace within this series with . This colleague is a large, jovial man with long hair, smiling enthusiastically as he hugs . The background remains softly blurred, connecting this interaction to the ongoing office gathering from to . This shot is intended to be the culmination of the initial greeting sequence, reinforcing the executive's popularity and the festive atmosphere.", "think_full": "The 'global_prompt' details a shift to 'warm camaraderie' and 'established relationships'. The 'shot_outline' indicates that concludes the 'series of warm, close-up embraces'. To bring this sequence of greetings to a close effectively, the camera should reuse the established close-up, over-the-shoulder perspective from , , , and . is consistently visible from all preceding images. is introduced as a new character, likely part of from , with a very enthusiastic expression to provide a strong visual impact for the end of this sub-sequence. The blurred office background from the previous embrace shots ( through ) is retained, ensuring smooth spatial continuity. The narrative purpose is to round off the initial round of greetings, emphasizing the executive's broad and positive connections.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the 'global_prompt's theme of 'warm camaraderie' and the 'shot_outline' for which signals the nearing end of the 'series of warm, close-up embraces', this shot should be another close-up embrace. It must maintain the consistent over-the-shoulder framing and blurred office background from , , , and . will be seen embracing a new, distinct colleague, who should express strong positive emotion to mark a climactic moment in this sequence of greetings. The user intent is to deliver another heartfelt connection, completing a set of such interactions." }, { "instruction_full": "Continue the close-up, over-the-shoulder perspective from through , but now featuring embracing . She is a woman with blonde hair, closing her eyes in a tender, content expression as she hugs him, suggesting a deeper or more personal connection. The background remains blurred, maintaining continuity with the ongoing corporate gathering location implied since . This shot aims to provide a final, intimate, and emotionally resonant embrace to conclude the greeting sequence.", "think_full": "The 'global_prompt' aims to show 'established relationships' and 'warm camaraderie', and the 'shot_outline' for indicates this is the 'final, warm interaction, possibly from a female colleague'. To achieve a cohesive ending to the embrace sequence, the camera should maintain the familiar close-up, over-the-shoulder framing established from through . remains the consistent character from all previous shots. is introduced as a new character, possibly seen among in , and her expression indicates a particularly warm or significant connection. The blurred office background, consistent with through , provides unbroken spatial continuity. The narrative purpose is to end the sequence of greetings on a strong emotional note, emphasizing a significant personal bond.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' transitions to 'warm camaraderie' and the 'shot_outline' for explicitly states a 'final, warm interaction, possibly from a female colleague' to conclude the greeting sequence. Therefore, the shot must continue the established close-up, over-the-shoulder framing from through . will be seen embracing a female colleague, who should have an expressive and tender look to convey a special connection. The background should remain blurred, consistent with the office gathering environment. The user intent is to provide a final, emotionally significant embrace, concluding the series of warm greetings." } ], "_src_movie_dir": "Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv", "_src_filename": "012975_014278.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Paradiso amaro-The Descendants (2011) MultiAudio Ac3 5.1 BDRip 2160p H264 [ArMor].mkv/012975_014278.json", "_test_index": 152 }, { "movie": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv", "N": 10, "sample_id": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/99480.jpg-one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/101320.jpg", "images": [ { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/99480.jpg", "filename": "99480.jpg", "aesthetic": 6.209874629974365, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/99512.jpg", "filename": "99512.jpg", "aesthetic": 6.765366554260254, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/99695.jpg", "filename": "99695.jpg", "aesthetic": 5.389296531677246, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/99806.jpg", "filename": "99806.jpg", "aesthetic": 6.196613788604736, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/100034.jpg", "filename": "100034.jpg", "aesthetic": 6.49760103225708, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/100250.jpg", "filename": "100250.jpg", "aesthetic": 5.688416957855225, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/100409.jpg", "filename": "100409.jpg", "aesthetic": 5.9017014503479, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/100615.jpg", "filename": "100615.jpg", "aesthetic": 5.893795967102051, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/100903.jpg", "filename": "100903.jpg", "aesthetic": 6.096078872680664, "musiq": 0.0 }, { "tag": "", "rel_path": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/101320.jpg", "filename": "101320.jpg", "aesthetic": 6.175729274749756, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense and serious discussion or confrontation is unfolding among a group of men in a dimly lit, possibly private apartment or hotel room. The atmosphere suggests high stakes, observation, and internal struggle, possibly leading to an emotional outburst.", "characters": [ "", "", "", "" ], "shot_outline": " introduces , focusing on his thoughtful expression, hinting at his role as an observer or key participant. returns to a wider view of the room, showing the group dynamics, especially an interaction between and . widens the shot further, showing the full room setup and the entrance of into the main interaction space. provides a close-up on 's face, showing his reaction or contemplation. returns to and , capturing 's expressive movement. captures the group from behind , emphasizing his presence in the room and the others' interaction. is another close-up of , focusing on his posture and intent. captures in a more agitated state, interacting with and . returns to , observing the situation." }, "instruction_full": "Shift to a medium close-up of a new character. Frame , wearing glasses and a suit, with a serious and observant expression. The shot should maintain the dimly lit, interior room environment, showing the patterned curtains from in the blurred background, to introduce this new character and establish their thoughtful presence.", "think_full": "The 'shot_outline' indicates that should introduce a new character. A medium close-up is ideal for this, allowing focus on the character's face and expression. This new character, designated as \"\", should appear thoughtful and observant to align with the overarching 'story_setup' of a serious discussion. The setting must maintain continuity with , so the dim lighting and patterned curtains from should be visible in the background, subtly confirming the shared environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' states that should introduce a new character and focus on their expression. To achieve this, a medium close-up is necessary. The character should be serious and contemplative, consistent with the 'story_setup'. The room's dim lighting and patterned curtains, as seen in , must be kept to establish spatial continuity." }, { "instruction_full": "Revert to a medium wide shot, similar to , but now capturing the dynamic between and . should be present, leaning against the counter as seen in . is seated, looking up, while is standing, actively gesturing towards him. The dimly lit room, with patterned curtains from and , remains the setting, to show the ongoing conversation and interaction dynamics.", "think_full": "The 'shot_outline' specifies that returns to a wider view showing group dynamics, particularly between and . Therefore, a medium wide shot, akin to , is appropriate to capture multiple characters. from should be visible, maintaining his established position. from is central, and from is now actively engaging, likely gesturing. The room's dim lighting and patterned curtains, established in and seen in , provide essential spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' indicates should show group dynamics, especially between and , in a wider view. This requires a medium-wide shot similar to , featuring in his established position, seated, and actively gesturing. The dimly lit room with patterned curtains, consistent with and , serves as the continuous setting." }, { "instruction_full": "Execute a wider shot, pulling back from the scene in , framed through a doorway or partition, to reveal a connecting room. In the foreground, stands with his back partially to the camera. is visible, seated in the background. (from ) is now standing deeper within the newly revealed connecting space, observing the others. The dimly lit environment from , , and continues, now showcasing additional wooden partitions and another room, to expand the visual scope and mark 's more active presence.", "think_full": "The 'shot_outline' dictates that should widen the shot further, showing the 'full room setup' and 's 'entrance into the main interaction space'. This necessitates a pulled-back, wider shot that reveals more of the environment. The wooden partitions and connecting room are new visual elements consistent with an apartment interior and expand on the established setting from , , . and from and remain, grounding the scene. from reappears, now in a more central, observing position within the expanded space, fulfilling the 'entrance' aspect.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' calls for to widen the shot, reveal the 'full room setup', and show 's 'entrance'. This means a more expansive view of the established dim room, including new architectural elements like partitions. and should be visible, continuing the established scene from , while from should be positioned as newly present within the main area, observing." }, { "instruction_full": "Cut to a medium close-up of , similar to . His expression should convey thought or concern, his gaze slightly downcast or focused internally. The background remains blurred, but the warm, dimly lit interior ambiance from should be maintained, to emphasize his personal reaction and contemplation after observing the wider interaction.", "think_full": "The 'shot_outline' specifies a 'close-up on 's face, showing his reaction or contemplation' for . A medium close-up, echoing the framing of , is effective for this. from and is the sole focus, allowing his expression to convey his internal state. The blurred background maintains the general dimly lit, warm-toned interior established in , , , while keeping the focus entirely on the character's face. This shot serves as a moment of reflection following his observation in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt.shot_outline', needs a close-up of to show his reaction. This means isolating him in a medium close-up, similar to , with an expression of contemplation. The background should be the consistent dimly lit interior, blurred to keep focus on him. He was last seen observing in , so this shot reflects his processing of those observations." }, { "instruction_full": "Return to a medium shot, framing and similar to , but now with in a more dynamic pose, perhaps adjusting his clothing or gesturing more expressively. is seated, observing . The background should clearly show the kitchen counter from and the patterned curtains from and earlier shots, reinforcing the continuous location and highlighting 's increased expressiveness.", "think_full": "The 'shot_outline' indicates should 'return to and , capturing 's expressive movement'. This requires a medium shot focusing on these two characters, similar to their initial appearance in . from (also seen in ) should be more active, showing a shift in his emotional state. from , , is present and observing him. The kitchen counter from and patterned curtains from , , , , are key background elements, ensuring spatial continuity within the dimly lit room.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for requires a return to and , focusing on 's 'expressive movement'. This means a medium shot, picking up from where these characters were last clearly seen interacting in (and originally in ). should be dynamically posed, and should be observing. The setting must continue from , showing the kitchen counter and patterned curtains." }, { "instruction_full": "Frame a medium wide shot from behind , with his shoulders and the back of his head in the foreground (out of focus), looking into the room. In the midground, (from , , ) is actively talking or gesturing, while (from , , , ) is seated, and (from , , ) stands nearby. The background features the patterned curtains and wooden walls from , emphasizing 's role as an observer and the ongoing group interaction.", "think_full": "The 'shot_outline' for specifies 'captures the group from behind , emphasizing his presence... and the others' interaction'. This demands a medium wide shot with from , , positioned in the foreground, seen from behind. This perspective aligns the viewer with his observation. The other three characters – from , , ; from , , , ; and from , , – are visible in the midground, continuing their discussion. The background, including patterned curtains and wooden walls from , maintains spatial continuity of the dimly lit room.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for requires a shot from 'behind ', showing 'the others' interaction'. This implies a medium wide shot with (from , , ) in the foreground (back of head). The other three characters – (from , , ), (from , , , ), and (from , , ) – should be visible and interacting in the midground, continuing the scene from . The background should reflect the established room from ." }, { "instruction_full": "Cut to a medium shot of , similar to and , but now clearly showing his hands on his hips. He maintains a serious, contemplative expression, looking down or slightly to the side. The patterned curtains from and subsequent shots continue as the background, to provide another intimate glimpse into 's state, emphasizing his authoritative or assertive posture.", "think_full": "The 'shot_outline' states that is 'another close-up of , focusing on his posture and intent'. This necessitates a medium shot, showcasing more of his body language than previous close-ups. from , , , is the central figure. His posture, specifically hands on hips, adds a layer of implied authority or deliberation to his character, building on his established observant nature. The patterned curtains from , , , , , , in the background ensure consistent spatial context within the dimly lit room.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for calls for 'another close-up of , focusing on his posture and intent'. This means a medium shot of (from , , , ) that highlights his body language, such as hands on hips, to convey his intent. His expression should remain serious. The patterned curtains from previous shots ( through ) must be the background, maintaining the continuity of the dimly lit room." }, { "instruction_full": "Return to a medium wide shot, similar to and , but closer to . He is in the foreground, actively gesturing and speaking with a more agitated or expressive demeanor. (from , , , , ) is seated and listening, while (from , , , ) is partially visible, listening or reacting. The kitchen counter from and patterned curtains from earlier shots remain in the dimly lit background, to escalate the emotional tension by highlighting 's heightened state.", "think_full": "The 'shot_outline' indicates that should capture ' in a more agitated state, interacting with and '. This requires a medium wide shot, similar to and , but with from , , , taking a more prominent and agitated role. from , , , , is present and listening, along with from , , , . The kitchen counter from and patterned curtains from , , , , , , , provide continuous spatial context in the dimly lit room, reinforcing the emotional intensity.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for calls for to be in 'a more agitated state, interacting with and '. This necessitates a medium wide shot, similar to or , with (from , , , ) in an expressive, agitated pose. (from , , , , ) and (from , , , ) should be present and reacting. The dimly lit room, with the kitchen counter and patterned curtains from and earlier shots, provides the continuous setting." }, { "instruction_full": "Return to a medium shot of , similar to , maintaining his contemplative and serious demeanor, hands on his hips. He should be looking directly or slightly off-camera, his expression conveying deep thought or judgment. The background continues to feature the patterned curtains from and throughout the sequence, reinforcing the consistent, tense environment and closing the sequence on his analytical observation.", "think_full": "The 'shot_outline' for indicates a 'return to , observing the situation'. This requires a medium shot, echoing the framing and posture of . from , , , , should maintain his characteristic serious expression and hands-on-hips posture. The patterned curtains from and all previous shots serve as the continuous background, placing him firmly in the familiar, tense environment. This shot serves to conclude the sequence by focusing on his final, analytical perspective after the emotional escalation seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for specifies a 'return to , observing the situation'. This requires a medium shot of (from , , , , ) maintaining his contemplative and observant demeanor, perhaps with his hands on his hips as seen in . The background should clearly show the patterned curtains, maintaining the established dimly lit room from and all preceding shots." } ], "_src_movie_dir": "one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv", "_src_filename": "099480_101320.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/one.night.in.miami.2020.hdr.2160p.web.h265-naisu.mkv/099480_101320.json", "_test_index": 153 }, { "movie": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "N": 10, "sample_id": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90219.jpg-Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/91025.jpg", "images": [ { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90219.jpg", "filename": "90219.jpg", "aesthetic": 5.5867390632629395, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90264.jpg", "filename": "90264.jpg", "aesthetic": 5.1003193855285645, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90291.jpg", "filename": "90291.jpg", "aesthetic": 5.654781818389893, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90483.jpg", "filename": "90483.jpg", "aesthetic": 5.717405796051025, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90578.jpg", "filename": "90578.jpg", "aesthetic": 5.332197666168213, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90653.jpg", "filename": "90653.jpg", "aesthetic": 4.08132266998291, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90686.jpg", "filename": "90686.jpg", "aesthetic": 6.2092180252075195, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90785.jpg", "filename": "90785.jpg", "aesthetic": 5.6122331619262695, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/90968.jpg", "filename": "90968.jpg", "aesthetic": 5.391611576080322, "musiq": 0.0 }, { "tag": "", "rel_path": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/91025.jpg", "filename": "91025.jpg", "aesthetic": 5.259639739990234, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense confrontation unfolds within a dimly lit, metallic animal research facility. A scientist, deeply concerned, is interacting with an intelligent ape confined in a cage, while a cruel handler oversees the situation with indifference. The tone is somber, with an underlying sense of desperation and injustice, highlighting the emotional and intellectual capacity of the ape against its captivity.", "characters": [ "", "", "", "" ], "shot_outline": " focuses on 's perspective, showing its sentience and distress. returns to , still behind bars, but hinting at the presence of another character. introduces , who seems amused by the situation. shows 's desperation as he presses against the cage. shifts focus to 's back, watched by . is a wider shot of interacting with the cage. brings us back to 's intense gaze through the cage. returns to , looking directly at the camera with defiance or understanding, with blurred in the background. reveals another ape, a large , observing from an adjacent cage, implying a larger context of captivity." }, "instruction_full": "Shift the camera's focus to capture a close-up of 's face, maintaining the same cage bars in the immediate foreground as seen in . should be looking directly towards the camera with an intense, sentient expression. The lighting and dark, caged environment remain consistent with , to establish as a central, sentient character, mirroring 's earlier gaze.", "think_full": "The global prompt sets up a story of confrontation and sentience. To establish as a key, intelligent character as outlined in shot_outline for , the camera should mirror the close-up on from . This creates a visual parallel and emphasizes the ape's intellectual depth. We reuse the dark, metallic, caged environment from to maintain continuity and the sense of confinement. Introducing with a direct, intense gaze directly fulfills the narrative goal of immediately showcasing its sentience and mirroring the human's emotional state, rather than simply portraying it as an animal.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot', and referencing the global_prompt's `shot_outline` which states ' focuses on 's perspective, showing its sentience and distress', I need to create an image of . The visual style from , showing through cage bars in a close-up, suggests a similar approach for the ape. Therefore, the next shot should be a close-up of behind cage bars, conveying its sentience and distress, maintaining the dimly lit, metallic environment from ." }, { "instruction_full": "Return to a close-up on , framing him similarly to through the cage bars, but with a slight adjustment to reveal a blurred, indistinct human figure in the background behind him. should maintain an expression of concern or mild desperation, subtly reacting to the implied presence, within the same dark, caged environment as established in and , to continue his emotional journey and hint at a new character's arrival.", "think_full": "The `shot_outline` for explicitly states it 'returns to , still behind bars, but hinting at the presence of another character'. This requires re-establishing 's perspective, as seen in , maintaining his emotional state. The close-up framing from is effective for conveying emotion and visually connecting with the viewer. By subtly widening or shifting the frame to include a blurred figure, we can foreshadow 's introduction without revealing him fully, building anticipation. The caged, industrial environment from and is maintained for spatial continuity and to reinforce the oppressive atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction 'generate the next shot' combined with the global_prompt's `shot_outline` indicates that should 'return to , still behind bars, but hinting at the presence of another character'. This means reverting to the visual style of with as the subject and the cage bars prominent. To hint at another character, I need to compose the shot so that a blurred, unidentified person is visible in the background, behind , while keeping the dark, industrial setting from and ." }, { "instruction_full": "Shift the camera to a close-up, slightly off-center, focusing on 's face from a low angle. He should have a cynical, perhaps amused or indifferent expression, looking towards where would be off-screen. The cage bars should no longer be prominently in the foreground, allowing more of the dark, industrial facility background to be visible, establishing and his detached attitude, contrasting with the preceding emotional close-ups.", "think_full": "The `shot_outline` for is to 'introduce , who seems amused by the situation.' This requires a new shot focusing on this character. By moving from the cage-obstructed views of , , and to a shot free of immediate bars, we visually separate 's position and perspective from the confined characters. His expression is key to establishing his 'cruel' nature as defined in the global_prompt's characters. The background still implies the same dark, industrial facility, as seen blurred in prior shots, ensuring environmental consistency while shifting focus. This framing introduces him clearly as a new, unsympathetic human element in the story.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the minimal instruction and the global_prompt's `shot_outline` for , which states it 'introduces , who seems amused by the situation', I need to generate an image of . Since hinted at his presence, this shot should fully reveal him. Given the dramatic tension, a close-up focusing on his expression to convey amusement or indifference is appropriate. The setting should remain the dark, industrial facility as seen in , , and , but the perspective shifts to show him outside the immediate cage obstruction, indicating his authority or separation from the prisoners." }, { "instruction_full": "Return to a close-up of , similar to and , but now explicitly include his hand pressing against the cage bars in the foreground. should exhibit a look of heightened desperation or distress, his face framed by the familiar metal grid, within the same dark, caged environment, to visually emphasize his confinement and desperate attempt to connect or resist.", "think_full": "The `shot_outline` for states it 'shows 's desperation as he presses against the cage.' To convey this, we should revert to the familiar close-up framing of from and , which effectively highlights his emotional state. Adding his hand pressing against the cage bars physically demonstrates his frustration and desire to break through the barrier, escalating the sense of his desperation. The consistent dark, caged environment from , , , and maintains the oppressive atmosphere. This visual reinforces his confinement and active struggle.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot' and the global_prompt's `shot_outline` for , which states it 'shows 's desperation as he presses against the cage', I should return to . The previous close-ups of him in and through bars are a good starting point. To convey desperation and the act of pressing against the cage, the shot must include his hand on the bars. The dark, industrial setting with prominent cage bars from , , , and should be maintained to ensure visual continuity and reinforce the theme of confinement." }, { "instruction_full": "Shift to a medium shot, looking over 's blurred shoulder (in the foreground) towards inside its cage. should be seen from its back, appearing withdrawn or contemplating, still behind the prominent cage bars. The dark, industrial facility background from through remains consistent, to show 's perspective on 's potential distress or contemplation, emphasizing the physical and emotional distance between them.", "think_full": "The `shot_outline` for indicates a shift to focus on ''s back, watched by '. This requires a change in camera angle and framing from the preceding close-ups. An over-the-shoulder shot from 's perspective (blurred in the foreground, established in , , ) looking into the cage provides this. Presenting (seen in ) from the back conveys introspection or withdrawal, subtly shifting the emotional focus from direct confrontation to observation. The cage structure and the dimly lit, industrial facility from through are kept consistent, maintaining the established environment. This shot visually portrays 's observation and the ape's internal state without direct interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "For 'generate the next shot', and referencing the global_prompt's `shot_outline` for which specifies it 'shifts focus to 's back, watched by ', I need to create a shot showing from behind, with somehow in the frame as an observer. An over-the-shoulder shot of looking into the cage at 's back seems appropriate. The environment must remain the dark, caged, industrial setting from to , with the cage bars still a key visual element, to keep the narrative context clear." }, { "instruction_full": "Pull back to a medium-wide shot, revealing more of the industrial facility. The main focus should be on (seen in ), who is now standing by one of the cages, actively interacting with it, perhaps leaning or peering in. (seen in , , , ) should be partially visible in the blurred foreground, continuing his observational role. The broader view of multiple cages and harsh overhead lighting reinforces the scale of the dark, metallic environment from through , to reveal in his operational context and expand the oppressive setting.", "think_full": "The `shot_outline` for calls for 'a wider shot of interacting with the cage.' This necessitates pulling back from the medium shot of to reveal more of the overall facility. (introduced in ) is now shown actively engaged with the cages, confirming his role within the facility. (from , , , ) is included in the foreground to maintain continuity of his presence, now as an observer. The wider shot allows for the consistent dark, industrial facility and multiple cages (seen in glimpses in through ) to be more fully depicted, emphasizing the scale of the confinement and 's control. This shot expands the environment and reinforces the oppressive atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot' and the global_prompt's `shot_outline` for , which describes 'a wider shot of interacting with the cage', I need to show (introduced in ) in a broader context. This requires a wider camera angle than previous shots, revealing more of the animal facility with its many cages and metallic structure, consistent with the dark environment seen in through . (seen in , , , ) should be present in the shot, perhaps in the foreground, to maintain his connection to the scene." }, { "instruction_full": "Cut back to a close-up of , strongly resembling the framing and pose from , with his face through the cage bars and his hand pressed against them. He should convey an intense look of renewed concern or determined resolve, echoing his emotional state after observing . The dark, caged environment, with the metal bars prominent, continues to be consistent with , , and , to re-emphasize 's emotional intensity and his physical connection to the barrier.", "think_full": "The `shot_outline` for states it 'brings us back to 's intense gaze through the cage.' This strongly suggests reusing the emotional close-up framing of from , which effectively showed his desperation with his hand on the bars. By returning to this specific visual, we emphasize his persistent emotional state, potentially intensified by the events involving in . (present in , , , , ) maintains his expression of concern. The consistent dark, caged environment with prominent bars (from , , , , ) reinforces the continuous oppressive setting. This shot serves to heighten the emotional stakes, preparing for a return to .", "instruction_minimal": "generate the next shot", "think_minimal": "For 'generate the next shot', and the global_prompt's `shot_outline` for which states it 'brings us back to 's intense gaze through the cage', I should return the focus to . Given the previous close-ups like , where he presses against the bars with an intense look, this seems like the appropriate visual to revisit. The shot must feature (seen in , , , , ) through the cage bars in the dark, industrial environment, conveying his deep concern or resolve, consistent with the overall tone." }, { "instruction_full": "Shift to a low-angle close-up focusing directly on 's face, looking out with an alert, intelligent, and perhaps defiant expression. (seen in , , , , ) should be visible but significantly blurred in the background, behind the cage bars, hinting at his presence without detracting from the ape's focus. The dark, caged interior from and remains consistent, to re-establish 's sentience and direct gaze, asserting its presence while observes.", "think_full": "The `shot_outline` for explicitly states 'returns to , looking directly at the camera with defiance or understanding, with blurred in the background'. This necessitates a close-up of (seen in and ), similar to but with a more intense or defiant expression. The presence of (from , , , , ) in the blurred background subtly maintains the human element while foregrounding the ape's agency, reversing the focus of . The prominent cage bars and dark, industrial interior from previous shots ( through ) reinforce the consistent setting. This shot serves to powerfully re-emphasize the ape's intelligence and emotional depth, making its gaze direct and impactful.", "instruction_minimal": "generate the next shot", "think_minimal": "For 'generate the next shot', and the global_prompt's `shot_outline` for which states 'returns to , looking directly at the camera with defiance or understanding, with blurred in the background', I need to create a shot of . This should be a powerful close-up, similar to , showing its sentience. To include (seen in , , , , ) in the background but out of focus, I will use a shallow depth of field. The setting must be the dark, caged environment, maintaining continuity from to ." }, { "instruction_full": "Introduce a new character by cutting to a close-up shot through the bars of an adjacent cage, focusing on a different ape, specifically . should have a watchful or somber expression, with the cage bars prominently in the foreground and a shallow depth of field blurring the background. The dark, industrial facility environment continues to be consistent with through , to broaden the narrative scope and hint at a larger context of captivity and different species within the facility.", "think_full": "The `shot_outline` for explicitly states it 'reveals another ape, a large , observing from an adjacent cage, implying a larger context of captivity.' This requires introducing a brand-new character, , and a new angle within the facility. While the character is new, the visual motif of looking through cage bars in a dark, industrial setting (consistent with through ) is maintained to establish continuity of the environment. A close-up on helps to convey its individual presence and emotional state. This shot serves to expand the world of the story, showing that the captivity extends beyond just , thus heightening the thematic elements of confinement and diverse lives affected.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the minimal instruction 'generate the next shot' and the global_prompt's `shot_outline` for , which states it 'reveals another ape, a large , observing from an adjacent cage, implying a larger context of captivity', I need to introduce a new ape character, specifically . This shot should be through the bars of an adjacent cage, maintaining the consistent dark, industrial facility aesthetic seen in to . A close-up on this new ape's face would effectively introduce it and convey its observant nature within the shared confined environment." } ], "_src_movie_dir": "Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "_src_filename": "090219_091025.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Rise.of.the.Planet.of.the.Apes.2011.Eng.Fre.Ger.Ita.Spa.Jpn.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/090219_091025.json", "_test_index": 154 }, { "movie": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv", "N": 10, "sample_id": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147483.jpg-Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148741.jpg", "images": [ { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147483.jpg", "filename": "147483.jpg", "aesthetic": 6.774526119232178, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147608.jpg", "filename": "147608.jpg", "aesthetic": 6.7381815910339355, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147770.jpg", "filename": "147770.jpg", "aesthetic": 6.740655899047852, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147968.jpg", "filename": "147968.jpg", "aesthetic": 6.5349860191345215, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148037.jpg", "filename": "148037.jpg", "aesthetic": 6.484437942504883, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148388.jpg", "filename": "148388.jpg", "aesthetic": 6.27889347076416, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148537.jpg", "filename": "148537.jpg", "aesthetic": 6.235831260681152, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148591.jpg", "filename": "148591.jpg", "aesthetic": 4.28190279006958, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148657.jpg", "filename": "148657.jpg", "aesthetic": 5.519679069519043, "musiq": 0.0 }, { "tag": "", "rel_path": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/148741.jpg", "filename": "148741.jpg", "aesthetic": 4.73267936706543, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense, high-stakes briefing or interrogation is underway in a secure, modern facility. The atmosphere is formal, serious, and focused on critical intelligence. The pacing is deliberate, building pressure and revealing information incrementally.", "characters": [ "", "", "", "" ], "shot_outline": " introduces as the focus of attention, likely reacting to . returns to 's perspective, showing his reaction or continuation of questioning. cuts back to , emphasizing his response. widens the view to include and two other attendees, and , showing the broader context of the meeting. focuses on again, now actively presenting or explaining, showing the shift in dynamic. returns to , showing his focused attention or scrutiny. is a detail shot on a classified document, indicating the serious nature of the discussion. shows , , and reviewing documents, reinforcing the detailed nature of the briefing. is a wide shot of the entire meeting room, establishing the full group and setting the scene." }, "instruction_full": "Shift the camera to a medium close-up, focusing on a new character. Introduce , a man in a light blue collared shirt and loosened tie, looking directly at the camera with a serious, slightly concerned expression. This shot maintains the same dimly lit, formal meeting room environment seen in , with subtle hints of a dark background and table, to establish the second key character in the conversation and initiate a direct back-and-forth dynamic.", "think_full": "The story setup implies a conversation. features one character, , so the next shot, , must introduce the other side of the dialogue, , as indicated in the `shot_outline`. To maintain continuity, the setting should remain the dimly lit, formal meeting room from . The framing should be similar to to establish a clear visual pairing for an over-the-shoulder conversation. 's expression should convey seriousness, reacting to the gravity implied by 's presence in . This shot visually establishes the central conflict or interaction between these two characters.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `shot_outline` (which states \" introduces as the focus of attention, likely reacting to \"), the next shot should introduce the second main character. This requires a medium close-up on , maintaining the formal, dimly lit meeting room environment from , to establish a clear conversational exchange and build the initial tension between the two characters." }, { "instruction_full": "Cut back to the previous medium close-up framing of from . should maintain a serious, focused expression, looking intently as if continuing to assess or question . The shot should remain in the same dimly lit, formal meeting room established in and , keeping the consistent background tones to show his continued control of the situation.", "think_full": "To reinforce the conversational flow after introducing in , it's logical to cut back to (last seen in ) to show his reaction or continuation of the discussion, as indicated by the `shot_outline` for . The camera setup should be consistent with for visual rhythm. The environment, the dimly lit formal meeting room, remains consistent from and , reinforcing the ongoing serious nature of the discussion. This turn re-establishes 's role in driving the narrative forward.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies \" returns to 's perspective, showing his reaction or continuation of questioning.\" Therefore, I need to generate a shot that brings back (from ), likely using a similar medium close-up as . This will maintain the back-and-forth conversation established with in , within the same formal meeting room." }, { "instruction_full": "Cut back to the medium close-up framing of from . should have a continued serious expression, possibly a deepened look of concern or resolve, directly responding to 's statements from . The scene remains within the consistent dimly lit, formal meeting room background seen in , , and , to continue the direct dialogue and build the emotional intensity.", "think_full": "Following 's turn in , the `shot_outline` states that \" cuts back to , emphasizing his response.\" This necessitates returning to the visual perspective of (who was last seen in ), using a similar framing to maintain the conversational rhythm. His expression should evolve based on the preceding interaction. The consistent dimly lit, formal meeting room from , , and ensures environmental continuity and supports the serious tone.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates that \" cuts back to , emphasizing his response.\" This means re-framing (from ), similar to how he appeared there, after 's appearance in . The aim is to continue the established dialogue flow and highlight 's reaction within the unchanging formal meeting room environment." }, { "instruction_full": "Widen the camera angle to a medium shot, positioned slightly to the right, looking across a long table. This shot now includes from and , visible in profile, along with two newly introduced characters: (on the far left, in profile) and (further down the table, also in profile). All three men are in suits, maintaining serious, attentive postures, facing towards the left where would be. The shot reveals more of the formal meeting room, showing the length of the dark wooden table from , and a subtle glimpse of a screen on the far wall, indicating the broader context of the meeting and increasing the number of participants.", "think_full": "The `shot_outline` for indicates a shift to a wider view to include additional attendees, specifically mentioning and two others, to show the broader context. This requires a significant camera change from the tight close-ups of - to a medium shot, revealing more of the meeting room and the long table, which has been implied but not fully seen. (last seen in ) reappears, now in profile, along with two new characters, and , expanding the scope of the interaction beyond just two people. The formal, dimly lit setting from through is consistently maintained, now with greater detail like the dark wooden table, to emphasize the group's engagement in the serious briefing.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` clearly states \" widens the view to include and two other attendees, showing the broader context of the meeting.\" This requires a change from the close-up, two-person interaction to a wider shot. The camera should frame (from , ) along with two new characters, and , all seated at the formal meeting table, which has been implied by the previous shots and is still in the same dimly lit room. The purpose is to reveal the full scale of the audience and enhance the scene's gravitas." }, { "instruction_full": "Shift to a medium shot, taken from slightly over the shoulder of one of the advisors, looking across the table at . from and is now actively presenting or explaining, holding a pen and gesturing, with a serious and engaged expression. The background clearly shows a large projection screen on the wall (subtly hinted at in ), displaying complex aerial map imagery, reinforcing the nature of the classified discussion. The foreground includes the backs of the heads and shoulders of two other characters (presumably and from ), framing . The shot remains in the same formal meeting room, maintaining the dark wooden table and overall dim, focused lighting, to emphasize 's shift to an active role and reveal the critical subject matter.", "think_full": "The `shot_outline` for indicates that \" focuses on again, now actively presenting or explaining, showing the shift in dynamic.\" This requires a new camera angle, likely an over-the-shoulder shot, to frame (last seen in ) in a more active role. The fact that he's 'presenting' suggests the need to show what he's presenting, which is logically tied to the context of a high-stakes briefing. Therefore, revealing a large projection screen with aerial imagery in the background, consistent with the formal meeting room seen in through , is appropriate. The backs of the heads of other characters (from ) in the foreground provide context that others are listening. This shift highlights 's importance and the detailed nature of the intelligence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states \" focuses on again, now actively presenting or explaining, showing the shift in dynamic.\" This prompts a camera position that frames (from , ) more dynamically, likely from an over-the-shoulder perspective of the other attendees introduced in . To show him 'presenting', the shot should reveal a projection screen in the background of the same formal meeting room (from -), displaying relevant content, thereby elevating the stakes and clarifying the meeting's purpose." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing in and , but now with a slightly downward gaze and an expression of deep contemplation or scrutiny. He appears to be processing the information actively presented by in . The background remains the consistent dimly lit, formal meeting room, preserving the serious tone and focus of the discussion, to emphasize his critical evaluation of the intelligence.", "think_full": "After 's presentation in , the `shot_outline` directs \" returns to , showing his focused attention or scrutiny.\" This means cutting back to (last seen in , previously in close-up in and ). His expression should reflect his deep engagement with the new information, contrasting with his earlier questioning stance. The environment, the consistent dimly lit, formal meeting room from through , reinforces the high stakes. This shot focuses on the critical evaluation of the presented data.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies \" returns to , showing his focused attention or scrutiny.\" This requires generating a close-up shot of (from , , ), similar to his earlier framings, to depict his intense reaction to 's presentation (from ). The shot will maintain the consistent formal, dimly lit meeting room environment." }, { "instruction_full": "Shift the camera to a tight close-up on a dark green folder with a gold embossed seal, resting on the dark wooden table. This shot is from a slightly overhead perspective, highlighting the official 'National Security Agency' seal. No characters are visible, allowing the focus to be entirely on the object. The context is still the formal meeting room, utilizing the same dark, polished table surface visible in and . The lighting emphasizes the texture and officiality of the document, to symbolically reveal the highly classified nature of the discussion.", "think_full": "Following 's serious contemplation in and the aerial imagery shown in , the `shot_outline` states \" is a detail shot on a classified document, indicating the serious nature of the discussion.\" This requires a close-up on a prop that symbolizes high-stakes intelligence. A folder with an official seal, placed on the meeting table (seen in , ), effectively conveys this. The absence of characters in the frame for this shot directs full attention to the object's significance, reinforcing the gravity of the meeting in the consistent formal environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates \" is a detail shot on a classified document, indicating the serious nature of the discussion.\" This means I need to generate a close-up of a classified document or folder. It should be placed on the dark meeting table (seen in , ) within the established formal meeting room, to visually underline the high stakes and official nature of the information being discussed, following 's intense reaction in ." }, { "instruction_full": "Return to a medium shot, similar in angle to , looking across the table. This shot features (from ), actively pointing at an open binder, engaging (from , , , ), who is looking at the documents. (from ) is also present, reaching for documents. The shot is set in the same formal meeting room. The long dark wooden table is now scattered with open binders and documents, and the twin projection screens (from ) in the background display similar aerial imagery, further emphasizing the detailed and data-intensive nature of the briefing following the reveal of the classified folder in .", "think_full": "After the symbolic close-up on the classified document in , the `shot_outline` specifies \" shows the advisors reviewing documents, reinforcing the detailed nature of the briefing.\" This necessitates a return to a wider shot, similar to , showing the group of advisors actively engaging with information. , , and (all from ) are seen reviewing physical documents, which provides a concrete follow-up to the classified folder in . The consistent formal meeting room, the long table, and the visible projection screens (from ) displaying aerial imagery, anchor this shot in the established environment and narrative, demonstrating the hands-on analysis of the presented intelligence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states \" shows the advisors reviewing documents, reinforcing the detailed nature of the briefing.\" This calls for a medium shot, bringing back , , and (all from ) in the same formal meeting room. Following the classified document reveal in , they should be shown actively examining documents or binders on the table, with the projection screens (from ) visible in the background, to illustrate the detailed analytical phase of the meeting." }, { "instruction_full": "Shift to a wide, establishing shot, positioned further back and to the side, encompassing the entire meeting room. All four primary characters are clearly visible: , , and (from and ) on one side of the table, and (from , , ) at the head of the table. The shot fully reveals the long polished wooden table, multiple executive chairs, and the twin projection screens (from and ) on the wall, prominently displaying the aerial imagery. A digital clock is also visible on the wall. The ambient, serious lighting fills the entire space, to provide a comprehensive overview of the meeting, establishing the full group dynamic and the complete environmental context, signifying the conclusion or a major phase of the briefing.", "think_full": "The `shot_outline` specifies \" is a wide shot of the entire meeting room, establishing the full group and setting the scene.\" This requires a broad camera angle, significantly wider than any previous shot, to show all characters and the complete environment. All previously introduced characters—, , (from , ) and (from , , )—must be visible. The shot should explicitly show the long table (from , , ) and the twin projection screens with aerial imagery (from , ), consolidating all established visual elements into a single, comprehensive view of the consistent formal meeting room. This provides a narrative 'bookend' or a sense of conclusion to this segment of the briefing.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` clearly states \" is a wide shot of the entire meeting room, establishing the full group and setting the scene.\" This demands a significant camera pull-back to show the complete meeting room. It must include all the characters: , , (from , ) and (from , , ), seated around the long table (seen in , , ), with the twin projection screens (from , ) prominently displayed in the background. This shot serves to provide a conclusive and comprehensive view of the high-stakes briefing environment and all its participants." } ], "_src_movie_dir": "Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv", "_src_filename": "147483_148741.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Zero.Dark.Thirty.2012.REPACK.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.HYBRID.REMUX-FraMeSToR.mkv/147483_148741.json", "_test_index": 155 }, { "movie": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "N": 10, "sample_id": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/93348.jpg-Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/98257.jpg", "images": [ { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/93348.jpg", "filename": "93348.jpg", "aesthetic": 6.540508270263672, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/93887.jpg", "filename": "93887.jpg", "aesthetic": 5.88640022277832, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/94948.jpg", "filename": "94948.jpg", "aesthetic": 6.061626434326172, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/95188.jpg", "filename": "95188.jpg", "aesthetic": 5.727065086364746, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/95517.jpg", "filename": "95517.jpg", "aesthetic": 7.089474678039551, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/96369.jpg", "filename": "96369.jpg", "aesthetic": 7.649555206298828, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/97331.jpg", "filename": "97331.jpg", "aesthetic": 7.2668657302856445, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/97738.jpg", "filename": "97738.jpg", "aesthetic": 7.207269668579102, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/97807.jpg", "filename": "97807.jpg", "aesthetic": 7.424586296081543, "musiq": 0.0 }, { "tag": "", "rel_path": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/98257.jpg", "filename": "98257.jpg", "aesthetic": 7.190835475921631, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence begins with an intimate, somewhat tense moment between two characters indoors. The narrative then shifts to a journey by a solitary figure, leading to their arrival at a bustling town and an inn, where another character is already present, hinting at a convergence of storylines. The tone is historical, with a focus on human interaction and the impact of travel.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces as a silhouette, emphasizing their journey and isolation against a vast sky. expands on this isolation, showing overlooking a dramatic seascape from a clifftop, feeling small against nature. continues with at dusk on the cliff, highlighting their solitary vigil as the day ends. transitions to arriving at a bustling market or port town, indicating a journey's end or a new chapter. frames a direct interaction, showing meeting at a doorway, suggesting a welcome or arrival at lodging. takes us inside, showing attending to in a cozy, domestic interior, establishing a new scene and perhaps a connection to the first character. focuses on , showing her warm expression, reinforcing her welcoming nature. captures in a close-up, revealing his guarded or slightly perturbed expression. returns to , showing her gesturing assertively, suggesting a command or direction." }, "instruction_full": "Establish a wide shot, low angle, silhouetting a new character, , against a dramatic sky. is seen in profile, walking slowly across a ridge, holding an umbrella or walking stick. This is a brand-new physical location, a vast, open outdoor landscape under a bright, low sun, creating a strong backlight. There are minimal foreground details apart from the ridge they walk on, contrasting sharply with the intimate interior of . The purpose is to introduce a sense of journey, isolation, and a significant shift in setting from the previous intimate scene.", "think_full": "This shot establishes a completely new environment, moving from the intimate, detailed interior of (a room with bookshelves) to a vast, stark outdoor landscape. There is no visual link or continuity in the setting. The bright, backlit sky creates a sense of openness and journey, a stark contrast to the enclosed, somewhat somber feel of . A new character, , is introduced. This character was not present in . They are presented as a silhouette to emphasize mystery and their journey rather than individual features. The two characters from (, ) are not present here. The shift in setting and the introduction of a lone, silhouetted figure serves to broaden the narrative scope, suggesting a new thread or journey. The isolation of the figure against the expansive sky and the stark light creates a contemplative and perhaps melancholic mood, signaling a change in focus from the previous intimate moment.", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, is meant to 'introduce as a silhouette, emphasizing their journey and isolation against a vast sky.' The shift from the intense, close-up interior of to an exterior shot of a lone figure would signify a major narrative transition. The minimal instruction implies the next logical step in the story outlined, which is to show this new character on a journey. To achieve the 'journey and isolation' aspect, a wide shot, low angle, silhouetting against a bright sky, ideally at sunrise or sunset, would be effective. The character should be walking, holding an umbrella or staff, suggesting travel. This is a brand new environment and character, therefore no visual elements from are carried over for spatial or character continuity." }, { "instruction_full": "Pull back significantly from to an extreme wide shot, high angle, looking down upon the landscape and the solitary figure. The camera maintains a similar lighting quality with a low sun, now reflecting off the water. is seen from behind, sitting on the edge of a grassy cliff overlooking a vast ocean. Their silhouette is still prominent, emphasizing their smallness within the grand environment. They are still wearing the coat and hat seen in . The scene is a dramatic coastal landscape, featuring green grassy cliffs that drop sharply to a rocky beach and a shimmering ocean. This is a continuation of the open, natural environment established in . The purpose is to visually emphasize the immense scale of the journey and the profound isolation of , showing them contemplative against a powerful natural backdrop.", "think_full": "This shot expands on the natural outdoor setting introduced in . While showed a ridge against the sky, reveals the dramatic coastal environment, including cliffs and the sea. The lighting maintains the backlit, low-sun characteristic from , suggesting a continuous passage of time within the journey. reappears from , still in silhouette and wearing the characteristic hat and coat, reinforcing their identity. Their posture (sitting, contemplating) further emphasizes their isolated journey established in . The characters from are not present. The extreme wide shot and high angle serve to visually dwarf against the vastness of the ocean and cliffs, intensifying the theme of isolation and the scale of their journey first hinted at in . It provides a moment of contemplation for the character and for the viewer, emphasizing the emotional weight of their travel.", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, is intended to 'expand on this isolation, showing overlooking a dramatic seascape from a clifftop, feeling small against nature.' Building on which introduced against a wide sky, the next logical step to show isolation and scale would be to place them in an even grander natural setting, like a clifftop overlooking the sea. A high-angle, extreme wide shot would make appear small, reinforcing the idea of 'feeling small against nature.' The character should still be recognizable from by their silhouette and attire. This continues the journey theme and reinforces the new character's story thread." }, { "instruction_full": "Shift to a medium-wide shot, eye-level, from behind , slightly to their side. This frames against a sunset sky, keeping the ocean visible. This is a new angle, but maintains the same general outdoor location from . stands on the cliff's edge, facing the ocean, still in their distinctive coat and hat, and carrying the umbrella/stick from and . They are still a silhouette, but the vibrant sunset behind them allows for a subtle outline. The dramatic coastal landscape from continues, now bathed in the warm, fading light of a sunset, creating a gradient of pinks, oranges, and purples across the sky and sea. The grassy cliff and distant horizon are still visible. The purpose is to capture a moment of lingering solitude for as day turns to night, underscoring their persistent journey and quiet contemplation.", "think_full": "The setting remains the expansive coastal landscape from , specifically the cliff edge. The time of day has progressed from the earlier bright, low sun of and to a dramatic sunset, signaling the passage of time during 's journey. The sea and the cliff are visually continuous from . continues their presence from and , maintaining their distinctive silhouette, hat, and coat. Their contemplative pose, facing the horizon, deepens the narrative around their solitary journey. By framing against a beautiful, fading sunset, the shot enhances the melancholic and enduring quality of their journey. The shift from sitting in to standing in suggests a renewed resolve or a moment of reflection before moving on, reinforcing the character's isolation and the long path ahead.", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, continues 'with at dusk on the cliff, highlighting their solitary vigil as the day ends.' After showing 's journey in and their smallness against nature in , a shot at dusk would naturally follow to show the passage of time and reinforce their persistent solitude. Keeping on the same cliff from , but now standing and silhouetted against a colorful sunset, would achieve the 'solitary vigil' at dusk. This maintains consistency of character and location while advancing the time of day." }, { "instruction_full": "Transition to a medium-wide shot, slightly high angle, depicting a bustling outdoor market scene. This is a completely new camera setup and environment from the previous shots of . is now seen from behind, to the right of the frame, no longer silhouetted, allowing their features to be seen more clearly as they observe the market. They still wear the dark coat and hat and carry the umbrella from , , and . Other new background characters, and various townspeople, fill the mid-ground and background, engaged in market activities. The scene is a vibrant, sunny outdoor market, likely a port town, with stalls displaying goods (like fish), crates, and wooden structures. Buildings line the background. This is a brand-new physical location, suggesting the end of 's wilderness journey. The purpose is to signal the arrival of in a populated area, contrasting their previous isolation with a return to society, and to introduce a new setting for the story.", "think_full": "This shot introduces a completely new environment, a bustling market town, shifting from the isolated natural landscapes of , , and . The bright, direct daylight also contrasts with the backlit or sunset scenes prior. There is no direct visual continuity in the setting with the previous shots. reappears, now seen more clearly in profile, allowing their attire (dark coat, top hat, umbrella, a backpack or satchel) to be fully appreciated. This is the same character established in , , and . The market is populated with new, unnamed background characters, including , to establish the new setting's vibrancy. This shot marks a significant turning point in 's journey, transitioning from the lonely road to a populated, active environment. The contrast highlights the conclusion of their solitary travel and the beginning of their engagement with society, fulfilling the `shot_outline`'s idea of a 'journey's end or a new chapter' for .", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, 'transitions to arriving at a bustling market or port town, indicating a journey's end or a new chapter.' Following the shots of 's isolated journey (, , ), the next logical step is to show their arrival at a destination. A bustling market scene would effectively represent a populated town and mark the end of the wilderness journey. should be visible within this new environment, perhaps observing it, still with their distinctive attire to link them to previous shots. The lighting should reflect a new time and place, likely daytime and less dramatic than the previous sunsets/silhouettes." }, { "instruction_full": "Shift to a medium close-up, eye-level, framing two characters in a doorway. This is a new camera setup, focusing on a more intimate interaction than the wide market shot of . is seen from behind, with their back to the camera, still wearing the distinctive coat and hat from , , , and . They are facing a new character, , who stands in a doorway, smiling warmly at . is a middle-aged woman in a bonnet and period dress. The setting is the doorway of a building, likely an inn or house, in a town. The background inside the doorway is shadowed, suggesting an interior, while the light outside hints at the daytime setting of . This space is an extension of the town environment implied in , now focusing on a specific interaction point. The purpose is to establish a direct personal interaction for after their long journey, introducing a welcoming figure and a potential new domestic base.", "think_full": "The setting is a new, more specific location within the town environment established in , moving from the general market bustle to a distinct doorway. The general daylight conditions are consistent with . continues their journey, identifiable by their back, coat, and hat, clearly the same character from through . A new character, , is introduced, presented as welcoming and amiable. This marks a new social interaction for after their isolation. The characters from are not present. This shot signifies 's direct engagement with local inhabitants, moving beyond mere observation in . The warm expression of suggests a welcome or a successful arrival at their destination, providing a sense of relief or anticipation after the journey, aligning with the `shot_outline`'s mention of 'meeting at a doorway, suggesting a welcome or arrival at lodging.'", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, frames 'a direct interaction, showing meeting at a doorway, suggesting a welcome or arrival at lodging.' Following the arrival in town in , a direct interaction with a local character is the next logical step to advance the story and integrate . A medium close-up of 's back and the face of a welcoming innkeeper at a doorway would fulfill this. The innkeeper would be a new character, while would maintain their recognizable attire from ." }, { "instruction_full": "Transition to a medium-wide shot, slightly high angle, establishing a cozy interior setting. This is a new camera setup within a new interior space, contrasting with the exterior scenes of through . , seen earlier in , stands attentively to the left, wearing her bonnet and period dress. To the right, seated at a small table, is , who was previously seen in . He is in period attire, looking off-frame with a slightly pensive expression. The scene is a warm, inviting interior room, likely a parlor or dining room in the inn. Visible elements include patterned wallpaper, wooden furniture, a small table with tea/coffee items, and a hutch or cabinet with decorative plates. The lighting is soft and domestic. This is a brand new interior setting, distinct from the library in and the outdoor/doorway settings of through . The purpose is to reveal a connection between and , and to reintroduce in a new, more settled context after his appearance in , linking the two narrative threads.", "think_full": "This shot introduces a new interior environment. While showed an interior with bookshelves, this room is distinctly different, with patterned wallpaper, different furniture, and a homelier feel. The previous shots ( through ) were all exterior or a doorway, so this marks a return to an indoor setting, but a new one. This shot serves to connect two character threads: , who was introduced in , and , who was last seen in the close-up of . 's appearance here, in a domestic setting, contrasts with the intimate moment of and shows him in a more public but still personal context. His attire and general appearance are consistent with the historical period. is not present. The primary purpose is to reintroduce and show a domestic interaction with , thereby linking the narrative threads that began with the intimate and 's journey (which ended with in ). This implies that has arrived at this inn, and is already there, setting up a future encounter or revelation, as implied by the `shot_outline`'s mention of ' attending to in a cozy, domestic interior'.", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, shows ' attending to in a cozy, domestic interior, establishing a new scene and perhaps a connection to the first character.' After met in , the logical progression is to show the interior of the lodging and perhaps reveal who else is there. Reintroducing from in this new domestic setting with would establish a crucial connection between the previously disparate storylines. The interior should reflect a period setting and be cozy, contrasting with the outdoor journey." }, { "instruction_full": "Move to a medium close-up on , slightly low angle, positioned at the edge of a doorway, looking towards the camera. This framing is similar to in terms of character focus, but within the interior setting of . , from and , is seen with a warm, slightly knowing smile, wearing her bonnet and period dress. Her gaze is directed towards someone off-camera, possibly who would have just entered. The background reveals parts of the cozy interior from , specifically a hutch with decorative plates. The doorway itself suggests a transition space, consistent with the inn setting. The lighting is still soft and domestic. The purpose is to capture the welcoming and observant nature of , and to suggest she is reacting to someone entering the room, likely , thereby building anticipation for their meeting with .", "think_full": "The setting remains the cozy interior established in , specifically the hutch and the general domestic atmosphere. The doorway framing implies a continuation of the inn's internal space. reappears from and , maintaining her warm and welcoming demeanor. Her direct gaze towards an unseen party builds anticipation. Her attire is consistent. is not in this frame, but the setting is continuous with his presence in . This close-up on serves to emphasize her personality and her role as a central figure in this domestic setting. Her gaze off-camera strongly implies the arrival of another character, most logically (given the previous setup in ), setting the stage for a potential interaction or discovery within the inn, as per `shot_outline`'s purpose of 'reinforcing her welcoming nature' and implicitly setting up a meeting.", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, 'focuses on , showing her warm expression, reinforcing her welcoming nature.' After showing with in , a closer shot of her would highlight her character. A medium close-up of smiling, possibly looking at someone entering, would reinforce her welcoming nature. The background should maintain continuity with the interior of ." }, { "instruction_full": "Cut to a medium close-up of , maintaining an eye-level perspective. This is a new angle focusing on , but within the same interior setting as and . , previously seen in and , is seated, looking off-frame with a distinct expression of concern, slight irritation, or guardedness. He is still in his period attire. The background continues to show elements of the cozy interior from and , including the patterned wallpaper and a fireplace mantelpiece with ornaments. The lighting is consistent with the domestic interior. The purpose is to reveal the immediate reaction of to the implied arrival or presence of someone new, creating a sense of tension or apprehension.", "think_full": "The shot continues within the same cozy interior as and , specifically showing more of the patterned wallpaper and a fireplace area that would be consistent with a parlor in this setting. reappears, maintaining his historical attire. His expression is now more clearly visible and carries a sense of guardedness or concern, contrasting with his pensive look in and the intimacy of . This reaction shot suggests he is responding to the arrival implied by 's gaze in . This shot serves as a reaction from to the off-screen event implied by 's look in . It builds tension and raises questions about his relationship with the newly arrived , or his general state of mind, aligning with the `shot_outline`'s purpose of 'capturing in a close-up, revealing his guarded or slightly perturbed expression.'", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, 'captures in a close-up, revealing his guarded or slightly perturbed expression.' After 's welcoming gaze in implied an arrival, the logical next shot is to show the reaction of , who was last seen more passively in . A close-up on in the same interior from /, showing a distinct expression of unease or guardedness, would effectively convey his reaction to the new presence, building suspense." }, { "instruction_full": "Return to a medium close-up on , similar to , but now with her gesturing. The angle remains consistent with her position at the doorway. , last seen in , is again framed in the doorway, still wearing her bonnet and period dress. This time, her expression is more assertive, and she is actively gesturing with an outstretched arm and pointing finger, directing someone off-camera. The background again features the decorative hutch and patterned wallpaper of the interior from , , and . The doorway frames her, indicating a continued interaction within the inn. The purpose is to show taking charge and giving a clear direction, likely to , pushing the narrative forward towards an explicit encounter or next action.", "think_full": "The shot maintains the cozy interior setting of the inn, specifically featuring the hutch from and and the patterned wallpaper consistent with . The doorway framing positions as she directs activity within the inn. reappears from , , and . Her demeanor shifts from welcoming (in and ) to more assertive, indicating a new development or instruction. Her attire remains consistent. Her gesture is a direct response to the situation established by 's reaction in . This shot signifies a proactive move by , providing direction or instruction, likely to who has implicitly arrived. It resolves some of the unspoken tension built by 's reaction in and pushes the characters towards an explicit interaction or the next stage of the story, as outlined in the `shot_outline`'s purpose of ' gesturing assertively, suggesting a command or direction.'", "instruction_minimal": "generate the next shot", "think_minimal": "From `global_prompt.shot_outline`, 'returns to , showing her gesturing assertively, suggesting a command or direction.' After 's guarded reaction in , the story needs to advance. taking an active role by gesturing would be a logical follow-up, implying she is directing (whose arrival was hinted at in ) or addressing the tension. The setting should remain the inn interior from , , and , and should maintain her established look." } ], "_src_movie_dir": "Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "_src_filename": "093348_098257.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Mr.Turner.2014.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/093348_098257.json", "_test_index": 157 }, { "movie": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "N": 10, "sample_id": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/51959.jpg-Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52469.jpg", "images": [ { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/51959.jpg", "filename": "51959.jpg", "aesthetic": 3.939974308013916, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/51977.jpg", "filename": "51977.jpg", "aesthetic": 5.814152717590332, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52076.jpg", "filename": "52076.jpg", "aesthetic": 5.540452003479004, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52127.jpg", "filename": "52127.jpg", "aesthetic": 5.730696678161621, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52178.jpg", "filename": "52178.jpg", "aesthetic": 6.278854846954346, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52187.jpg", "filename": "52187.jpg", "aesthetic": 5.443256855010986, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52238.jpg", "filename": "52238.jpg", "aesthetic": 5.646784782409668, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52331.jpg", "filename": "52331.jpg", "aesthetic": 4.879317283630371, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52454.jpg", "filename": "52454.jpg", "aesthetic": 3.3421754837036133, "musiq": 0.0 }, { "tag": "", "rel_path": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/52469.jpg", "filename": "52469.jpg", "aesthetic": 6.132509708404541, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a dimly lit, ancient-looking potions classroom, students are engaged in a complex magical assignment. The tone is mysterious and focused, with an undercurrent of potential challenge and discovery. The pacing follows the meticulous steps of potion-making.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " establishes the magical potions classroom and introduces secondary characters, and , diligently working. focuses on as he meticulously prepares his potion, setting him apart as a central figure. shows and side-by-side, indicating their shared experience or potential for comparison in their tasks. shifts focus to and group, showcasing a different approach or potentially contrasting them with the main group. returns to and , reinforcing their methodical work and showing continuity of the general class activity. is a close-up on , capturing his focused expression and slight concern amidst the complex task. zooms in on the potion instructions, highlighting a critical step for the audience. provides a detailed shot of performing the precise action described in the instructions. culminates with carefully adding the prepared ingredient to his cauldron, showing the direct result of his efforts." }, "instruction_full": "Pull back the camera from the close-up in to establish a wide shot of a dimly lit, high-ceilinged magical potions classroom. Frame and working at their individual stations in the foreground, engrossed in their potion-making. Other students should be visible further back, contributing to the busy atmosphere. The room should feature arched ceilings, towering shelves filled with countless bottles, and cauldrons bubbling over blue flames on individual desks, all maintaining the low, mysterious lighting to establish the primary setting and introduce key secondary characters engaging in the class activity.", "think_full": "The initial shot, , was an extreme close-up of on a dark surface, hinting at a laboratory or potion-making environment. To establish the full context, the camera needs to widen significantly. This shot, , will reveal the full magical potions classroom, expanding on the dark, chemical-filled background implied by . The characters, and , are newly introduced here, serving to populate the scene and show the general activity. Their diligent work provides a baseline for the class environment. The narrative intent is to set the overall scene and introduce some key secondary characters before focusing on the protagonist.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt.story_setup`, we are in a potions class. `global_prompt.shot_outline` for states: 'establishes the magical potions classroom and introduces secondary characters, and , diligently working.' Given was an extreme close-up of hands, the logical next step is to pull back to a wide shot to reveal the full environment and introduce these characters. The camera should move from the close-up of to a wider view. The shot should include and working, and the space should clearly be a potions classroom with shelves, cauldrons, and dim lighting. The user intent is to establish the setting and characters for the story." }, { "instruction_full": "Slightly adjust the camera from the wide view of , moving to a medium shot that centers on at his own potion station. should be shown focused on his work, perhaps meticulously handling ingredients or a recipe. While (some visible in ) can be in the blurred background, the primary focus is on him. Continue in the same magical potions classroom established in , ensuring his station features a cauldron, burner, and various bottles and ingredients consistent with the general setup seen in , to introduce and establish his diligent involvement in the potion class.", "think_full": "Following the wide establishment shot of that introduced and , the narrative needs to introduce the central figure. This shot, , will focus on . The camera will zoom slightly from to isolate him, drawing attention to his individual effort. is a new character here. The setting remains the same potions classroom, maintaining spatial continuity with the shelves of bottles and potion equipment seen in . The narrative intent is to highlight 's presence and his engagement in the class, setting the stage for his particular potion-making journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'focuses on as he meticulously prepares his potion, setting him apart as a central figure.' Building on the wide shot of , which introduced the general class, the next logical step is to bring the main character into focus. The camera should move to a medium shot of at his workstation. He should be shown concentrating, and the setting should be the same potions classroom from . The user intent is to introduce and highlight the main character within the established setting." }, { "instruction_full": "Pull back slightly from the medium shot of in to a medium-wide shot, revealing working at an adjacent station. , seen in , continues to work intently, while , first seen in , is now in closer proximity, also focused on his potion. This shot remains within the same magical potions classroom, specifically around their adjacent workstations, maintaining the dark, alchemical atmosphere from and , to show the interaction or close proximity between and , implying collaboration, comparison, or shared experience.", "think_full": "After focusing solely on in , this shot, , aims to bring back a familiar secondary character, from , and place him in proximity to the protagonist. The camera pulls back slightly from to encompass both. Both characters are shown actively working, reinforcing the continuous nature of the class. The spatial continuity is maintained by keeping them in the same potions classroom seen in and , with the consistent dark ambiance. The narrative intent is to show the relationship between these two characters, suggesting either parallel work, friendly competition, or shared effort, aligning with the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'shows and side-by-side, indicating their shared experience or potential for comparison in their tasks.' This requires widening the shot from (which focused on ) to include (seen in ). Both should be actively working within the potions classroom, which continues from and . The user intent is to show the interaction and shared context between these two characters." }, { "instruction_full": "Shift the camera to another part of the classroom, cutting to a new medium-wide shot that focuses on and with his associates. should be actively supervising, while and his group work diligently at their stations. This shot is still in the grand, dimly lit potions classroom, with shelves of bottles and cauldrons, similar in style to through , but featuring a different cluster of workstations and background architecture, to broaden the view of the classroom activity, introduce new key characters (antagonists or foils), and potentially contrast their approach or success with the main protagonists.", "think_full": "Following the shots focusing on and his ally, , this shot, , introduces contrasting characters and widens the scope of the class environment. The camera cuts to a new section of the same potions classroom, maintaining the established dark, mystical ambiance, shelves of bottles, and potion setups from . and are newly introduced characters here, representing authority and a potential rival group. The narrative intent is to introduce these new characters and their dynamic, offering a counterpoint to the protagonist's group and fulfilling the `shot_outline` for by showcasing a different part of the class.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'shifts focus to and group, showcasing a different approach or potentially contrasting them with the main group.' This means the camera needs to move to a new section of the potions classroom to introduce these new characters. The shot should be medium-wide, showing and working. The environment is the same potions classroom as , , and . The user intent is to expand the world of the class and introduce antagonistic or authority figures." }, { "instruction_full": "Return to a medium-wide shot of and working at their station, similar to the framing of , but perhaps slightly tighter to emphasize their individual concentration. Both and , previously seen in , are again shown working intently on their potions. The shot is back in the section of the magical potions classroom where these two characters are located, maintaining the dark, bottle-filled environment previously established in through , to re-establish these secondary characters, reinforce their diligent work, and provide a visual anchor to the protagonist's sphere after a diversion to the rival group.", "think_full": "After the diversion to and 's group in , this shot, , brings the focus back to the protagonist's allies. The camera returns to a similar position and framing as , visually connecting back to their initial introduction. and reappear from , reinforcing their continuous presence in the class. The spatial continuity is maintained by showing their specific workstation within the familiar potions classroom environment from through . The narrative intent is to remind the audience of the protagonist's allies and their diligent work, providing a sense of ongoing activity and a reference point, as indicated by the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'returns to and , reinforcing their methodical work and showing continuity of the general class activity.' This implies returning to a similar framing and location as . The camera should show and (from ) continuing their work. The setting is the potions classroom, specifically their station, seen in and implied in subsequent shots. The user intent is to reaffirm the presence and ongoing activity of these secondary characters." }, { "instruction_full": "Push in the camera from the medium shot of in to a closer medium-close up, focusing on his face and upper torso at his workstation. , seen in and , is now shown in tighter focus, displaying a concentrated, perhaps slightly uncertain, expression. The background should be slightly out of focus, revealing the familiar shelves of bottles and dark ambiance of the potions classroom from through . His cauldron and workstation elements should still be discernible, to emphasize 's internal state and the difficulty or complexity of his task, building tension before a critical action.", "think_full": "After re-establishing the general class activity in , the narrative needs to return to and deepen the focus on his personal experience. This shot, , achieves this by pushing in from the previous medium shots of him (, ) to a medium-close up, emphasizing his expression. is a returning character, and this tighter framing allows for greater insight into his concentration or slight apprehension. The spatial continuity is maintained with the blurred background hinting at the potions classroom setting from through . The narrative intent is to build anticipation and highlight 's inner state as he approaches a critical stage of his potion, aligning with the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'is a close-up on , capturing his focused expression and slight concern amidst the complex task.' Building on the previous appearances of in and , a close-up is necessary to convey his internal state. The camera should zoom in on him. He should be shown with a concentrated or concerned expression, with the potions classroom as a background. The user intent is to emphasize the protagonist's emotional and mental state regarding his task." }, { "instruction_full": "Cut the camera from the medium-close up of in to an extreme close-up, focusing entirely on a section of a parchment page from a potion textbook. No characters are visible; the shot is purely textual and object-focused. The close-up should feature detailed handwritten script, possibly with some magical symbols, against a beige or aged parchment background. This prop is implicitly within the potions classroom, connected to the activities shown in previous shots, to reveal a critical piece of information (a specific instruction or detail in the recipe) that might be reading, driving the immediate plot action.", "think_full": "Following the close-up on 's thoughtful expression in , the next logical narrative step is to reveal what he is contemplating or consulting. This shot, , achieves this by cutting to an extreme close-up of a potion recipe. While no characters are present, the textbook is a natural prop within the potions classroom, connecting implicitly to the ongoing activity and 's task. The visual detail of the script on parchment establishes the magical context. The narrative intent is to provide crucial plot information to the audience, detailing a specific step that is about to undertake, as indicated by the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'zooms in on the potion instructions, highlighting a critical step for the audience.' After showing 's focused expression in , it's logical to show what he's looking at. The camera should zoom to an extreme close-up on a recipe book page. No characters are in frame; it's a detail shot of the text. The setting is implicitly the classroom, focusing on a specific prop. The user intent is to convey key information about the potion-making process." }, { "instruction_full": "Cut back to a tight close-up of performing a precise action on an ingredient, following the instruction revealed in . The shot should mirror the framing and dark lighting of , but now clearly show the action of crushing or preparing a specific ingredient on a small workstation surface. The immediate surface of a workstation, with dark background elements and subtle lighting, consistent with the potion classroom's ambiance (as seen in and implied in through ), to show the careful execution of a precise step in the potion-making process, directly linking to the instruction shown in and reflecting the attention to detail implied by 's earlier focus in .", "think_full": "After revealing the critical instruction in , this shot, , provides the visual execution of that instruction. The camera returns to a tight close-up of hands working, strongly echoing the framing and dark atmosphere of , which established this kind of detailed preparation shot. While the hands are generically 'the student's hands,' they are now contextually understood to be those of , acting on the information from and his previous concentration in . The spatial continuity of the workstation within the potions classroom is maintained. The narrative intent is to demonstrate the meticulous physical action required by the recipe, creating a direct visual consequence of the revealed instruction and fulfilling the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'provides a detailed shot of performing the precise action described in the instructions.' Given the instructions were just shown in , the next logical step is to show them being followed. The camera should return to a close-up of hands, similar to , demonstrating the specific action like crushing an ingredient. The setting is the workstation within the potions classroom. The user intent is to show the physical execution of the potion recipe." }, { "instruction_full": "Cut back to in a medium-close up, consistent with the framing of , as he carefully adds the prepared ingredient to his cauldron. , seen in , , and , is now performing the act of adding the ingredient, showing concentration. His expression should convey a sense of careful precision and perhaps slight relief or accomplishment. The shot is centered on at his potion workstation, with his cauldron prominently featured. The background retains the familiar dark, bottle-filled ambiance of the potions classroom, connecting to through , to show the culmination of the preparation process, highlighting 's agency and success in following the instructions.", "think_full": "Having shown the detailed preparation by in (following the instruction from ), this shot, , brings the narrative back to to show the culmination of his efforts. The camera returns to a medium-close up, similar to the framing of , re-establishing his presence and focus. is a returning character, and this action completes a mini-arc of his potion-making. The spatial continuity is maintained at his workstation within the established potions classroom environment. The narrative intent is to show 's successful execution of the recipe, reinforcing his agency and marking a significant step in the potion-making process, as indicated by the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states: 'culminates with carefully adding the prepared ingredient to his cauldron, showing the direct result of his efforts.' After the close-up of hands in , it's logical to show (seen in , , ) completing the action. The camera should return to a medium-close up, similar to , focusing on him adding the ingredient to his cauldron. The setting is his workstation in the potions classroom. The user intent is to show the successful completion of a key step by the protagonist." } ], "_src_movie_dir": "Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "_src_filename": "051959_052469.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Harry.Potter.and.the.Half-Blood.Prince.2009.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/051959_052469.json", "_test_index": 159 }, { "movie": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49438.jpg-A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50781.jpg", "images": [ { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49438.jpg", "filename": "49438.jpg", "aesthetic": 6.665334701538086, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49478.jpg", "filename": "49478.jpg", "aesthetic": 7.360142707824707, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49741.jpg", "filename": "49741.jpg", "aesthetic": 6.005654811859131, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49972.jpg", "filename": "49972.jpg", "aesthetic": 6.889254570007324, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50012.jpg", "filename": "50012.jpg", "aesthetic": 6.183413982391357, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50119.jpg", "filename": "50119.jpg", "aesthetic": 7.346474647521973, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50200.jpg", "filename": "50200.jpg", "aesthetic": 6.376645088195801, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50322.jpg", "filename": "50322.jpg", "aesthetic": 7.149367809295654, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50478.jpg", "filename": "50478.jpg", "aesthetic": 6.245903968811035, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50781.jpg", "filename": "50781.jpg", "aesthetic": 6.558224678039551, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A clandestine meeting unfolds at night in a dark, urban setting, imbued with a sense of mystery and understated tension. The tone is serious, the pacing deliberate, and the stakes involve the exchange of crucial, potentially dangerous, information.", "characters": [ "", "" ], "shot_outline": " introduces in a close-up, setting up the other party in this secret meeting. widens to show both and walking together, establishing their interaction and the broader environment. focuses back on as he conveys information. cuts to 's nuanced reaction. returns to for a continued exchange. captures 's response. shows 's final words or challenge. concludes with 's contemplative reaction. pulls back to reveal the full, imposing exterior of the building, providing context and scale to their encounter." }, "instruction_full": "Cut to a close-up of a new character, , a man in a dark hat and suit, with a serious, knowing expression. He is lit by a soft, warm light from the side, possibly from a distant street lamp, standing in the same dark outdoor environment partially seen in , to directly introduce the second participant of this clandestine meeting.", "think_full": "The narrative requires introducing the second key character, , who is meeting with from . A close-up is essential here to establish his presence and give him weight, similar in intensity to how was introduced in , but now focused on the newcomer. We maintain the dark, nighttime outdoor setting from , utilizing similar ambient lighting to ensure continuity of environment, but shift the focal point to this new individual. The serious expression will hint at the gravity of their upcoming interaction, consistent with the story's tense setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that will introduce in a close-up. Following the solitary shot of in , it's logical to introduce his counterpart. This shot should be a close-up of a new character, , in the same dark, nighttime outdoor environment, to visually establish his presence and role in the unfolding story. His expression should reflect the serious nature of the meeting." }, { "instruction_full": "Pull back to a wider, medium shot to show both (from ) and (from ) walking side-by-side on a paved path. The shot should reveal more of the dark institutional building and prominent street lamps in the background, extending the outdoor night environment established in and , to illustrate their joint movement and the specific location.", "think_full": "Having introduced both in and in separately, needs to bring them together to begin their interaction. A wider, medium shot allows us to see both characters from and in the frame, establishing their physical proximity and the fact they are moving together. The shot also expands the spatial context by showing more of the dark, institutional building and street lamps that were hinted at or partially seen in the backgrounds of and , grounding their clandestine meeting in a specific, somewhat imposing location. This shot directly aligns with the `global_prompt.shot_outline` for to show them walking and establish the environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should show both characters walking and establish their interaction and environment. After the close-ups of () and (), the next logical step is to frame them together. A medium-wide shot is necessary to achieve this, showing both characters engaged in a conversation while revealing more of the dark, outdoor institutional setting that frames their meeting." }, { "instruction_full": "Cut back to a tighter, mid-shot of (from and ), now seen from a slightly different angle, with an earnest or intense expression as if speaking. The dark institutional building and soft street lamp glow from remain in the blurred background, maintaining spatial continuity while focusing on his dialogue.", "think_full": "Following the establishing shot of both characters walking in , the narrative now requires a focus on the dialogue exchange. To achieve this, we cut back to a closer shot of one of the speakers, (who was introduced in and seen with in ). This shot echoes the close-up style of but with a new angle and expression to convey active dialogue. The dark, outdoor environment with the institutional building and street lights from continues, but is now softly blurred in the background to emphasize 's face and expression as he delivers information, aligning with the `global_prompt.shot_outline` for to focus on his dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states focuses on conveying information. After the two characters were shown together in , the natural progression for a dialogue scene is to cut to a closer shot of the speaker. This shot should be a mid-shot of , similar in framing to , but indicating active speech, keeping the same dark, outdoor environment from in the background." }, { "instruction_full": "Cut to an over-the-shoulder shot of (from and ), seen from behind 's right shoulder (from , , ), capturing 's thoughtful and slightly concerned expression. The same dark, institutional background from and is visible, maintaining the continuous outdoor setting and the conversational dynamic.", "think_full": "After delivered information in , the narrative demands a visual response from (from and ). This calls for a reverse shot, specifically an over-the-shoulder perspective from 's side, to show 's reaction. This framing emphasizes the interaction between the two characters. The dark, outdoor institutional setting, consistent with and , remains the backdrop, reinforcing the tense atmosphere. 's expression will convey the impact of the information. This fulfills the `global_prompt.shot_outline` for to show 's reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is to capture 's reaction. Having focused on 's dialogue in , the next logical step in this conversation sequence is to cut to the other participant. This will be an over-the-shoulder shot of (from , ), showing his reaction in the same dark outdoor environment established in and , with 's shoulder in the foreground, maintaining the sense of direct conversation." }, { "instruction_full": "Cut back to a mid-shot of (from , , ), echoing the framing of but with a potentially more intense or urgent expression. The dark, indistinct institutional background from previous shots (, , ) continues to provide context while keeping the focus on the speaker, signifying a continuation of his crucial delivery.", "think_full": "To maintain the rhythm of the conversation and underscore the importance of the information, we return the focus to (from , , ). This shot mirrors the framing and setting of , establishing a visual pattern for their dialogue exchange, and follows directly from 's reaction in . The consistent dark outdoor environment, with the institutional building and street light glow from , , , is maintained, with the background softly blurred to keep emphasis on the speaker's intense expression. This aligns with the `global_prompt.shot_outline` mentioning a continued exchange for .", "instruction_minimal": "generate the next shot", "think_minimal": "Following 's reaction in , the narrative requires a return to (from , , ) to continue the dialogue, as implied by the conversational flow. This shot should be a mid-shot, similar to , focusing on his expression as he speaks, within the consistent dark outdoor environment. This fulfills the `global_prompt.shot_outline`'s intent for to show a continued exchange." }, { "instruction_full": "Cut to an over-the-shoulder shot of (from , , ), seen from behind 's shoulder (from , , , ), showing a subtle shift in his expression, perhaps a knowing glance or a faint smile. The familiar dark, institutional building and ambient street lighting from , , , remain in the background, reinforcing the continuous setting for their conversation.", "think_full": "To complete the next cycle of the conversation, we cut back to (from , , ) to show his reaction to 's words from . This shot directly parallels in its over-the-shoulder framing, maintaining visual continuity and the conversational dynamic. The subtle shift in 's expression indicates a deeper understanding or a turn in the dialogue. The dark outdoor institutional setting, consistently maintained from , , , , provides the persistent backdrop. This aligns with the `global_prompt.shot_outline` for capturing 's response.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is to capture 's response. After 's continued dialogue in , it's 's turn to react again. This necessitates an over-the-shoulder shot of (from , , ), echoing the framing of , in the same dark outdoor environment established in previous shots (, , , )." }, { "instruction_full": "Cut back to a mid-shot of (from , , , ), similar to prior close-ups, but now with an expression that suggests a conclusive statement or a challenge. The background remains the dark, indistinct institutional elements from , , , , , emphasizing his final contribution to the exchange.", "think_full": "Following 's response in , the `global_prompt.shot_outline` suggests a final statement from . This requires another cut back to (from , , , ), reusing the familiar mid-shot framing of and . His expression should convey a sense of finality or a direct challenge, bringing his part of the immediate dialogue to a strong close. The dark outdoor institutional setting, consistently established in , , , , , continues to provide the subtle environmental context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies shows 's final words or challenge. After 's response in , the narrative calls for (from , , , ) to deliver a concluding thought. This will be another mid-shot, echoing and , emphasizing his expression and words within the consistent dark outdoor environment previously established." }, { "instruction_full": "Cut to an over-the-shoulder shot of (from , , , ), echoing the framing of and , capturing his contemplative and possibly resolved expression after the exchange. The dark institutional backdrop from , , , , , remains consistent, finalizing the intimate conversational space.", "think_full": "As indicated by the `global_prompt.shot_outline` for , this shot should capture 's final contemplative reaction, bringing the direct dialogue to an end. We return to (from , , , ) with the familiar over-the-shoulder framing from and , reinforcing the conclusion of the intense back-and-forth initiated by 's final words in . His expression should reflect the weight of the information received and perhaps a decision made. The dark outdoor institutional environment from , , , , , continues, maintaining the established mood and setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that captures 's contemplative reaction, marking the end of the direct dialogue. Following 's final words in , the narrative demands a concluding shot of (from , , , ). This will be an over-the-shoulder shot, consistent with and , in the familiar dark outdoor environment, showing his thoughtful response." }, { "instruction_full": "Transition to a very wide shot, pulling far back from the characters, to fully reveal the imposing, multi-story institutional building, prominently lit by internal lights from many windows, against the dark night sky. (from , , , , ) and (from , , , , ) are seen as small figures, walking away or standing near the base of the building, dwarfed by its scale. This expands the outdoor night environment established in and subsequent shots, providing a sense of both the location's significance and the characters' isolation within it.", "think_full": "The `global_prompt.shot_outline` for indicates a final, wider shot to show the full context of the meeting location. After the series of close-up and medium-shot dialogue exchanges in through , a very wide shot is crucial to shift perspective and provide a sense of scale and finality. This shot will fully reveal the institutional building that was partially visible in , showing its imposing nature against the dark night, while (from , , , , ) and (from , , , , ) become small, almost insignificant figures. This visual choice emphasizes the gravity of their conversation within a larger, perhaps foreboding, world, and concludes the scene with a powerful environmental statement, reinforcing the initial story setup of a mysterious, tense encounter.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies pulls back to reveal the full context of their meeting location. After the close-up conversation between (from , , , , ) and (from , , , , ), a wide shot is needed to re-establish the environment and provide closure to the scene. This shot should showcase the entire institutional building, previously only partially seen in , against the dark night, with the two characters appearing small within the vast setting." } ], "_src_movie_dir": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "049438_050781.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/049438_050781.json", "_test_index": 162 }, { "movie": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/128898.jpg-The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/130289.jpg", "images": [ { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/128898.jpg", "filename": "128898.jpg", "aesthetic": 6.476565837860107, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/128949.jpg", "filename": "128949.jpg", "aesthetic": 6.616481781005859, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129102.jpg", "filename": "129102.jpg", "aesthetic": 6.217266082763672, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129225.jpg", "filename": "129225.jpg", "aesthetic": 6.489572525024414, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129614.jpg", "filename": "129614.jpg", "aesthetic": 6.539407730102539, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129779.jpg", "filename": "129779.jpg", "aesthetic": 6.522238254547119, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129800.jpg", "filename": "129800.jpg", "aesthetic": 6.157854080200195, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/129938.jpg", "filename": "129938.jpg", "aesthetic": 6.73379373550415, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/130013.jpg", "filename": "130013.jpg", "aesthetic": 6.321785926818848, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/130289.jpg", "filename": "130289.jpg", "aesthetic": 6.176523685455322, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A couple on a serene beach at sunset are engaged in a deeply emotional conversation. The mood is reflective and somber, slowly progressing towards understanding and reconciliation, culminating in a tender moment of connection. The pacing is slow, focusing on subtle emotional shifts.", "characters": [ "", "" ], "shot_outline": " frames 's pensive reaction. returns to 's contemplative expression. shows 's gaze with developing understanding. focuses on 's vulnerability. captures 's subtle shift to softening. reveals 's relief or hope. highlights 's acceptance. captures the couple embracing. shows them sharing a kiss, concluding their emotional arc." }, "instruction_full": "Shift the camera to frame as the primary subject, in an over-the-shoulder shot from behind , similar to the framing of but reversed. is in the foreground, facing right, looking towards (who is out of focus in the background, mostly his back/shoulder visible on the right). Her expression is serious, perhaps a bit pensive or sad. We remain on the beach at sunset, with the muted orange-pink sky and distant ocean visible in the background, mirroring the setting established in . The soft, natural light continues, to show 's perspective and reaction to 's words or presence, deepening the emotional connection and revealing her internal state.", "think_full": "The scene continues from on a beach at sunset, retaining the soft, natural light and the distant ocean. This maintains visual consistency for the emotional conversation. appears, now as the primary focus, building on her presence in where she was seen from behind. Her expression should reflect the emotional intensity of the moment. is partially visible from , maintaining his presence in the scene. This shot reverses the perspective from to give agency and allows the viewer to interpret her emotional response, balancing the previous focus on . It creates a dialogue through reaction shots, as hinted by the `global_prompt.shot_outline` for which states it 'frames 's pensive reaction'.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `global_prompt.shot_outline` for ('frames 's pensive reaction'), and considering showed speaking or reacting, the natural progression is to show 's response. The camera should reverse the shot from to an over-the-shoulder of looking at , making her the subject. will be looking serious or reflective, engaging with who will be out of focus in the foreground right. The beach sunset setting from must be maintained, ensuring continuity of environment and lighting. The user intent is to capture 's emotional state and provide her perspective in the conversation." }, { "instruction_full": "Return to the camera framing and angle of , focusing on in a medium close-up, with 's back of head blurred in the foreground left. faces right, looking slightly down or lost in thought, his expression conveying continued sadness or contemplation, similar to his pensive look in but perhaps deeper. The same beach sunset environment from and is maintained, with the soft, warm light of dusk on the horizon, to show 's sustained emotional state after seeing 's reaction, reinforcing the weight of the conversation and his internal processing.", "think_full": "We are firmly in the same beach sunset setting established in and continued in . The consistent lighting and background reinforce the ongoing nature of their conversation. returns as the main subject, seen from , maintaining his physical presence. His expression evolves from 's troubled look, potentially deepening after hearing or sensing 's response in . is present as a blurred foreground element, linking to her presence in and indicating their proximity. By returning to 's perspective, we emphasize his internal struggle or reflection following 's reaction from , as per the `global_prompt.shot_outline` for which suggests 'returns to 's contemplative expression'. It creates a back-and-forth dynamic, showing the emotional exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'returns to 's contemplative expression'. The natural storytelling rhythm, after showing 's reaction in , is to return to 's perspective to show his response. The camera should revert to the camera position of , framing over 's shoulder. will display a pensive or slightly more composed expression, still troubled, but perhaps internalizing. will be a blurred presence in the foreground left, as in . Keep the beach sunset, consistent with and . The user intent is to further reveal 's internal state and reaction to the unfolding conversation." }, { "instruction_full": "Replicate the over-the-shoulder framing of , focusing on in a medium close-up, with 's blurred shoulder in the foreground right. maintains her gaze, her expression now perhaps less sad and more contemplative or resigned, subtly shifting from her look in . The setting remains the same beach at sunset from , , and , with the ocean and sky forming a natural, atmospheric backdrop, to show 's continued processing of the conversation, her expression evolving as she considers 's words or state.", "think_full": "The consistent beach sunset setting from , , and is maintained, reinforcing the intimacy and isolation of their conversation. returns as the central figure, as seen in . Her expression develops from the serious contemplation of , reflecting the ongoing emotional exchange and building on the emotional weight conveyed by in . is present as a blurred foreground element, linking to his presence in and implying their continued interaction. This shot creates another beat in their emotional dialogue by returning to 's perspective, aligning with the `global_prompt.shot_outline` for which specifies 'shows 's gaze with developing understanding'. It aims to show her processing the emotional weight conveyed by in , potentially leading to a shift in her feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'shows 's gaze with developing understanding'. Following the back-and-forth pattern, after 's shot in , it's logical to return to . The camera should use the same setup as , an over-the-shoulder shot of focusing on . will be looking at , her expression showing depth and perhaps a slight shift towards understanding or continued sadness. will be blurred in the foreground right. The beach at sunset, maintaining the visual elements from , , , must continue. The user intent is to continue building the emotional tension and reveal more of 's internal thoughts." }, { "instruction_full": "Replicate the camera framing and angle of and , focusing on in a medium close-up, with 's blurred back of head in the foreground left. maintains his pensive expression, similar to , but perhaps now showing a slight hint of vulnerability or a deeper sense of regret. The environment is consistently the beach at sunset, with the sky showing a soft blend of orange and blue, as seen in previous shots like , , , and , to emphasize 's internal state and vulnerability, allowing the audience to empathize with his emotional journey.", "think_full": "The continued use of the beach at sunset background, with its soft, evocative lighting, connects this shot seamlessly to , , , and , sustaining the intimate and contemplative atmosphere. is again the main subject, consistent with his appearances in and . His expression continues to evolve, showing a deeper emotional layer in response to the ongoing conversation and 's reactions in and . is present as a blurred foreground element, maintaining their physical proximity established throughout the sequence. This shot maintains the back-and-forth dynamic, returning focus to after 's reaction in . It aligns with the `global_prompt.shot_outline` for ('focuses on 's vulnerability') and aims to deepen his emotional portrayal, emphasizing his contemplation and perhaps growing sense of regret or vulnerability, moving the narrative towards a potential resolution.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'focuses on 's vulnerability'. The established pattern of alternating shots between the characters calls for a return to after 's shot in . The camera should use the camera setup of and , an over-the-shoulder of focusing on . will be looking forward with an expression of vulnerability or regret, perhaps slightly more intense than in . will be blurred in the foreground left. The same beach at sunset from , , , continues. The user intent is to highlight 's emotional depth and draw the viewer further into his perspective." }, { "instruction_full": "Replicate the over-the-shoulder framing of and , focusing on in a medium close-up, with 's blurred shoulder in the foreground right. faces left, looking towards , her expression showing a subtle but noticeable shift towards softening, perhaps a hint of understanding or forgiveness, evolving from her contemplative look in . The beach at sunset continues as the backdrop, reflecting the consistent, moody lighting from , , , , and , to signify a turning point in 's emotions, suggesting a softening or a moment of acceptance after 's vulnerability shown in .", "think_full": "The consistent beach sunset location and lighting from , , , , and maintains the intimate atmosphere for their emotional exchange. is again the focus, building on her previous appearances in and . Her expression here should show a clear progression, moving from contemplation to a more empathetic or understanding state, reacting to 's vulnerability conveyed in . is still present as a blurred foreground element, ensuring their continuous interaction. This shot is crucial for the emotional arc, aligning with the `global_prompt.shot_outline` for ('captures 's subtle shift to softening'). By showing 's softening expression, it signals a potential shift towards reconciliation after the period of tension and reflection. This builds on the vulnerability displayed in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'captures 's subtle shift to softening'. Following the established pattern of alternating shots, it's 's turn after 's shot in . The narrative implies a potential turning point. The camera should revert to the camera setup of and , an over-the-shoulder of focusing on . will look towards , her expression softening and showing a hint of empathy or acceptance. will be blurred in the foreground right. The beach at sunset, continuing the consistent backdrop from through , is necessary. The user intent is to show a positive shift in 's emotional state, indicating progress in their interaction." }, { "instruction_full": "Replicate the camera framing and angle of , , and , focusing on in a medium close-up, with 's blurred back of head in the foreground left. now exhibits a subtle but significant change in expression, a slight upward turn of the lips hinting at relief or a glimmer of hope, contrasting his earlier somber looks in , , and , and reacting to 's softened demeanor in . The beach at sunset remains the constant environment, with the sky's colors still present, albeit perhaps a touch darker as dusk progresses, consistent with the previous shots, to show 's positive reaction to 's softening, confirming a mutual shift in their emotional dynamic and moving towards reconciliation.", "think_full": "The beach at sunset continues as the setting, tying this shot back to through and maintaining the reflective, intimate mood. is once again the main subject, seen consistently in , , and . His expression marks a key emotional shift; it should now reflect hope or relief, directly in response to 's softening expression in . remains a blurred presence in the foreground left, signifying her continued presence and connection to . This shot is vital as it completes the emotional feedback loop, aligning with the `global_prompt.shot_outline` for ('reveals 's relief or hope'). After 's softening in , 's reaction here confirms that their mutual emotional journey is moving towards a positive resolution, transitioning from tension to a sense of hope or understanding.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'reveals 's relief or hope'. Following the alternating pattern and the narrative progression (especially after 's softening in ), it's time for to react positively. The camera should use the familiar camera setup of , , , an over-the-shoulder of focusing on . will show a slight smile or a hopeful, relieved expression. will be blurred in the foreground left. The beach at sunset continues to serve as the backdrop, consistent with all prior images. The user intent is to confirm that their emotional state is improving and reconciliation is near." }, { "instruction_full": "Replicate the over-the-shoulder framing of , , and , focusing on in a medium close-up, with 's blurred shoulder in the foreground right. looks towards , her expression now clearly showing understanding, acceptance, or a hint of a gentle smile, signaling a clear resolution from her earlier pensive looks in , , and , responding to 's relief in . The beach at sunset persists as the background, with the diminishing light adding a sense of peaceful closure, consistent with through , to clearly establish 's acceptance and the mutual understanding between the couple, preparing for their physical reconciliation.", "think_full": "The beach at sunset setting continues, providing a consistent and emotionally resonant backdrop that has been present since . The light might be slightly dimmer, subtly indicating the passage of time and the deepening emotional resolution. is the central focus, as seen in , , and . Her expression now should convey a definitive sense of peace, understanding, and acceptance, directly building on 's hopeful look in . is maintained as a blurred foreground element, showing their continuous interaction leading to this moment. This shot serves as the final emotional beat before physical interaction, aligning with the `global_prompt.shot_outline` for ('highlights 's acceptance'). It shows 's full acceptance and readiness to reconcile, confirming the success of their conversation and paving the way for the embrace and kiss outlined in the `global_prompt.shot_outline`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'highlights 's acceptance'. After 's hopeful reaction in , the narrative calls for 's conclusive expression of acceptance. The camera should revert to the camera setup of , , , an over-the-shoulder of focusing on . will show a clear expression of acceptance, understanding, or a gentle smile, looking at . will be blurred in the foreground right. The beach at sunset, as consistently depicted from through , must continue. The user intent is to finalize the emotional agreement between the two characters before they physically reconnect." }, { "instruction_full": "Shift to a medium close-up, focusing primarily on 's face and the top of 's head, capturing their embrace from a slightly wider angle than the alternating shots. is seen embracing , his face showing deep emotion, perhaps relief and tenderness, consistent with his developing emotions in . 's head is nestled against his chest or shoulder, indicating mutual comfort and reconciliation, following her acceptance in . The beach at sunset remains the consistent background, with the ocean and sky still visible, now serving as a serene backdrop to their embrace, continuing from through , to visually represent the physical reconciliation and emotional release between the couple, a culmination of their intense conversation.", "think_full": "The beach at sunset background continues from through , now acting as a peaceful setting for their physical reunion. Both and are present, moving from their individual reaction shots (like in and in ) to a unified physical interaction. 's expression reflects the culmination of his emotional journey, and 's posture conveys her comfort and acceptance. This shot builds on the emotional readiness established in for and for . This is the dramatic climax of their reconciliation, showing them physically coming together after their intense emotional dialogue, aligning with the `global_prompt.shot_outline` for ('captures the couple embracing'). The embrace provides a visual release of the accumulated tension and signifies their renewed connection. This is the direct next step after 's acceptance in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'captures the couple embracing'. After the clear emotional acceptance from both sides in and , the next logical step in their arc is a physical expression of that reconciliation. The camera should be a medium close-up shot that captures both characters embracing, moving slightly wider than the previous alternating close-ups to show both. and will be hugging. 's face will show relief and tenderness, and 's head will be against his shoulder, showing comfort. The beach at sunset, consistent with all previous shots, forms the background. The user intent is to visually confirm their reconciliation through a physical embrace." }, { "instruction_full": "Zoom in for a tight close-up of and in profile as they kiss, showing their faces intimately intertwined. This is a tighter frame than , focusing specifically on their lips and expressions. and are shown kissing passionately, their faces close, eyes possibly closed, conveying deep affection and renewed connection, a direct progression from their embrace in . The beach at sunset continues as the backdrop, now softened and blurred, serving only as an atmospheric suggestion of the original setting from through , to provide a definitive and intimate conclusion to their emotional journey, signifying their complete reconciliation and renewed bond.", "think_full": "The beach at sunset background is maintained, but now further blurred and pushed out of focus to emphasize the intimacy of the kiss. This subtle environmental continuity connects it to the entire sequence from through . Both and are present, culminating their reconciliation. The kiss is the ultimate physical expression of the renewed bond that began to form with 's acceptance in and their embrace in . Their poses and expressions convey deep affection, building directly from the tenderness shown in . This shot provides the final, most intimate resolution to the story, aligning with the `global_prompt.shot_outline` for ('shows them sharing a kiss'). After the intense conversation and the embrace in , the kiss seals their reconciliation and confirms their rekindled relationship, delivering a satisfying emotional conclusion to the sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests 'shows them sharing a kiss, concluding the emotional arc'. After the embrace in , a kiss is the natural and powerful next step to signify a complete and intimate reconciliation. The camera should be a very tight close-up on their faces as they kiss, more intimate than the embrace shot in . and will be kissing. Their expressions will be tender and loving, eyes possibly closed. The beach at sunset, highly blurred, still connects to the previous environment from through . The user intent is to provide a strong emotional conclusion to the story, showing deep love and reconciliation." } ], "_src_movie_dir": "The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "128898_130289.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Greatest.Showman.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/128898_130289.json", "_test_index": 170 }, { "movie": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/75468.jpg-West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76789.jpg", "images": [ { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/75468.jpg", "filename": "75468.jpg", "aesthetic": 5.816401481628418, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/75527.jpg", "filename": "75527.jpg", "aesthetic": 5.842715263366699, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/75746.jpg", "filename": "75746.jpg", "aesthetic": 6.019153594970703, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/75950.jpg", "filename": "75950.jpg", "aesthetic": 4.4523539543151855, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76031.jpg", "filename": "76031.jpg", "aesthetic": 5.517499923706055, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76082.jpg", "filename": "76082.jpg", "aesthetic": 5.916254043579102, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76118.jpg", "filename": "76118.jpg", "aesthetic": 5.587233066558838, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76250.jpg", "filename": "76250.jpg", "aesthetic": 5.655299186706543, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76358.jpg", "filename": "76358.jpg", "aesthetic": 5.817263126373291, "musiq": 0.0 }, { "tag": "", "rel_path": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/76789.jpg", "filename": "76789.jpg", "aesthetic": 5.9891886711120605, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A clandestine, romantic encounter unfolds at night in a gritty, urban environment, focusing on the yearning and connection between two young lovers on fire escapes and balconies. The tone is intimate and dramatic, with a classic romantic feel.", "characters": [ "", "" ], "shot_outline": " changes perspective to show reaching up to , emphasizing their yearning. focuses on 's emotional reaction as she looks down. brings them physically closer, with their hands almost touching through the railing, highlighting their connection. provides an intimate close-up of 's face through the railing, emphasizing her emotion. mirrors this with a close-up of 's face through the railing, showing his reciprocal emotion. intensifies 's emotion with an even closer shot, suggesting dialogue or a significant moment. captures 's earnest response in a close-up. shows having ascended to her level, reducing the physical barrier but maintaining the railing between them. concludes the sequence with them both standing on the same balcony, their proximity signifying a deeper connection." }, "instruction_full": "The camera moves to a low-angle shot, looking up from below , who is reaching upwards towards . remains on the higher fire escape balcony from , looking down at him with anticipation. The setting remains the same dark, urban tenement building with brick walls and fire escapes visible from , maintaining the dim, nighttime lighting. The shot should emphasize 's effort and desire to bridge the physical gap between them, to visually heighten the romantic yearning.", "think_full": "The spatial continuity maintains the dark urban environment with brick walls and fire escapes established in . The characters, and , reappear from . In , they were observed from a high angle, distant but looking at each other. For , the camera shifts to a low angle, looking up from a position near . This change in perspective dramatically emphasizes 's upward reach and effort, conveying his yearning to connect with . is shown looking down from her higher position, continuing the implied communication from . This framing creates a visual dynamic that expresses romantic desire and the challenge of their physical separation, advancing the narrative of their meeting.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the \"generate the next shot\" instruction and the global_prompt, especially the shot_outline which states \" changes perspective to show reaching up to , emphasizing their yearning\", I need to create a shot that follows this direction. From , I know the setting is a dark urban environment with fire escapes and two characters, on a lower level and on a higher one. The next shot should logically close the distance or change the perspective to heighten the emotion. To emphasize 's yearning and his attempt to reach , a low-angle shot looking up at him as he extends his hand towards her on the higher balcony would be most effective. This continues the established dark, intimate nighttime setting and the characters' positions relative to each other from , but with a new dramatic emphasis on connection." }, { "instruction_full": "Cut to a medium close-up of on the fire escape balcony, seen from a slightly lower angle than her. She should be looking down, her face filled with emotion, perhaps a mix of hope and slight apprehension, in reaction to 's gesture from . The brick wall and railing of the fire escape from and serve as her immediate background, maintaining the dark, nocturnal atmosphere. This shot is intended to isolate her reaction and deepen the emotional connection, highlighting her internal state.", "think_full": "The spatial environment, the dark brick walls and fire escape railings, continues consistently from and . is a returning character, seen in both and , but here she is framed more intimately. After the broad view of their positions in and 's reaching gesture in , the narrative demands a close-up on 's face to reveal her emotional response. This shot isolates her expression, intensifying the emotional stakes of their clandestine meeting. The camera moves closer to capture her facial nuances, still implying her elevated position but focusing solely on her. This draws the viewer into her perspective and reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline indicates \" focuses on 's emotional reaction as she looks down.\" Building on and , where was reaching up to on a higher balcony, the next logical step is to see 's personal response. A close-up shot of looking down from her balcony, capturing her face and emotional expression, would fulfill this narrative beat. The environment will continue the dark, urban fire escape setting established in and ." }, { "instruction_full": "Shift the camera to an overhead, slightly Dutch-tilted close-up, looking directly down through the metal grating of the fire escape balcony. is reaching her hand down through the grating, meeting 's hand reaching up from below. Their hands are the central focus, symbolizing their yearning to connect, with their faces partially visible through the grid. The metallic grating and brickwork from , , and are prominent, emphasizing the physical barrier and the urban setting. This shot is designed to create a powerful visual metaphor for their connection despite separation.", "think_full": "The urban setting with dark brick walls and metal fire escape structures remains consistent from , , and . Both and are returning characters, last fully seen in and respectively. The shot_outline for states it \"brings them physically closer, with their hands almost touching through the railing, highlighting their connection.\" After seeing reaching up in and 's emotional reaction in , the natural progression is to show their physical attempt at connection. An overhead close-up, looking through the grating, emphasizes both the barrier (the grating) and their overcoming it by touching hands. This angle also enhances the sense of intimacy and vulnerability, focusing on their hands as the point of contact.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt's shot_outline, \" brings them physically closer, with their hands almost touching through the railing, highlighting their connection.\" Having established reaching in and 's reaction in , the next logical step is to show their hands attempting to meet. A close-up shot focusing on their hands reaching through the fire escape railing, viewed from an overhead perspective, would effectively convey this intimate physical connection while still showing the barrier. The urban, nighttime fire escape setting from , , and will continue." }, { "instruction_full": "Move the camera to an extreme close-up of 's face, seen through the metal grating of the fire escape, with her eyes conveying deep emotion. The harsh lines of the grating should fall across her face, emphasizing her confined situation and the barrier between them. The dark brickwork from previous shots like and should remain as a blurred background, maintaining the grim, urban atmosphere. This shot serves to magnify her emotional intensity and the physical obstacle.", "think_full": "The setting, the dark urban fire escape with its metal grating and brick walls, continues from , , , and . is a returning character, seen prominently in and . Following the intimate hand connection in , the narrative calls for a deeper dive into the characters' individual emotions. The shot_outline notes \" provides an intimate close-up of 's face through the railing, emphasizing her emotion.\" An extreme close-up of 's face through the grating allows for intense emotional portrayal, with the grating physically illustrating the separation and yearning, despite the momentary touch. This shot deepens the emotional impact by focusing solely on her expressive face.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline specifies \" provides an intimate close-up of 's face through the railing, emphasizing her emotion.\" After the hands-meeting shot in , focusing on the individual emotions is key. A very tight close-up of 's face, framed by the fire escape railing from , , , and , would fulfill this. Her expression should convey intense feeling, underscoring the passion and the barrier they face. The dark urban environment will continue as the background." }, { "instruction_full": "Replicate the extreme close-up framing from , but now on 's face, looking upwards and through the same fire escape grating, mirroring 's intense emotion. The grating lines should fall across his face as well, reflecting his position relative to the barrier. The dark, textured brick wall and faint nighttime lighting from and continue as the background. This shot serves to establish the reciprocal nature of their feelings and the shared experience of the physical separation.", "think_full": "The urban setting, with its distinctive metal fire escape grating and dark brickwork, is maintained consistently from , , , , and . is a returning character, last seen clearly in . The shot_outline states \" mirrors this with a close-up of 's face through the railing, showing his reciprocal emotion.\" Following the intense close-up of in , it's essential to show 's equally strong and reciprocal emotion. A matching close-up, with the grating affecting his face in a similar way, emphasizes their shared experience of longing and the physical obstacle. This symmetrical framing visually communicates the depth of their mutual feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline explicitly states \" mirrors this with a close-up of 's face through the railing, showing his reciprocal emotion.\" After the close-up of in , a parallel shot of is required to demonstrate their shared emotional intensity. This means another extreme close-up of his face, viewed through the fire escape railing, maintaining the dark urban environment of to . His expression should convey a similar depth of feeling as 's, reinforcing their connection despite the physical barrier." }, { "instruction_full": "Tighten the framing even further for an extreme close-up on 's face, focusing intently on her eyes and lips. Her lips are slightly parted, suggesting she is about to speak or has just spoken, with a profound emotional intensity. The lines of the fire escape grating from and are still visible but perhaps less dominant, allowing her expression to take center stage. The deep blue and dark tones of the urban night from continue to set the mood in the background. This shot is meant to capture a pivotal moment of communication or realization.", "think_full": "The urban setting, marked by the dark tones and subtle presence of the fire escape grating, continues from all preceding images, particularly reinforcing the immediate context of and . is a returning character, seen in close-up in . The shot_outline mentions \" intensifies 's emotion with an even closer shot, suggesting dialogue or a significant moment.\" Building on the emotional close-ups in and , an even tighter close-up on 's face is necessary to escalate the emotional intensity further. This extreme intimacy, focusing on her mouth and eyes, implies a moment of profound communication or a dramatic shift in her internal state. It highlights the intimacy of their exchange despite the physical barrier.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline states \" intensifies 's emotion with an even closer shot, suggesting dialogue or a significant moment.\" Following the close-ups of both characters in and , an even more intimate shot of is the logical next step to heighten the emotional drama. An extreme close-up on her face, with emphasis on her expression and possibly her mouth as if speaking, against the dark urban fire escape backdrop established in through , would fulfill this requirement. This pushes the emotional intensity further." }, { "instruction_full": "Transition to a close-up of 's face, similar in intensity and proximity to 's in . He is looking upwards, his expression earnest and reactive, as if listening intently or responding directly to her. The background remains dark and indistinct, suggesting the depth of the urban night seen in earlier shots like and , without the prominent grating, implying a slightly shifted perspective or focus purely on his emotion. This shot aims to capture his direct engagement and the emotional crescendo of their interaction.", "think_full": "The dark, nocturnal urban environment and its implied grittiness continue, as seen throughout to . is a returning character, last seen in close-up in . The shot_outline guides us: \" captures 's earnest response in a close-up.\" After the intensified close-up of in and the implication of dialogue, it is crucial to show 's reciprocal and intense reaction. A close-up on his face, mirroring the emotional depth of but from his perspective looking up, conveys his earnest engagement and deepens the emotional exchange. The absence of the grating might indicate a slight change in camera position, focusing purely on his emotional response.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline indicates \" captures 's earnest response in a close-up.\" Following the intense close-up of in , the narrative calls for a corresponding emotional reaction from . A close-up on his face, looking up with an earnest and reactive expression, against the continuous dark urban night backdrop of through , would be the appropriate shot. This completes the emotional exchange and builds towards their physical reconciliation." }, { "instruction_full": "Pull back to a medium shot, similar to the framing of but with a key difference: has now ascended and is on the same level as , both standing on the fire escape balcony. They are still separated by the ornate metal railing, but they lean towards each other, their faces close, looking into each other's eyes. The dark brick building and the fire escape structure from and are visible, providing context to their elevated position. This shot visually signifies the overcoming of physical distance while still acknowledging an emotional barrier.", "think_full": "The dark urban environment with its brick walls and intricate fire escape railings is consistent with through . Both and are returning characters, whose increasing proximity has been tracked through the entire sequence, culminating in where they were on the same level but separated by a railing. The shot_outline specifies \" shows having ascended to her level, reducing the physical barrier but maintaining the railing between them.\" After the emotional crescendo in and , the narrative demands a progression in their physical interaction. This shot re-establishes their physical relationship, showing having successfully climbed to her level on the same balcony, thereby reducing the vertical separation seen in and . The railing still separates them, creating a symbolic tension, but their leaning poses convey intimacy.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline describes \" shows having ascended to her level, reducing the physical barrier but maintaining the railing between them.\" After a series of close-ups culminating in intense emotional exchange ( to ), the story needs to advance their physical proximity. This shot should depict having climbed up to the same fire escape balcony as , both leaning towards each other through the railing. The urban night environment and fire escape details from through will continue as the backdrop for this significant step in their relationship." }, { "instruction_full": "Pull back to a wider shot, reminiscent of the initial high-angle establishing shot , but now framing both and standing side-by-side on the same fire escape balcony. They are closer to each other than ever before, leaning against the railing, their bodies facing the audience, perhaps looking out or at each other with contentment. The dark brick building, fire escape complex, and hanging laundry from are clearly visible, grounding them in their urban setting. This final shot emphasizes their achieved intimacy and the conclusion of their physical separation, reflecting a resolved romantic connection.", "think_full": "The urban setting, with its brick walls, fire escapes, and even the detail of hanging laundry, provides strong continuity from . and are both returning characters, whose increasing proximity has been tracked through the entire sequence, culminating in where they were on the same level but separated by a railing. The shot_outline states \" concludes the sequence with them both standing on the same balcony, their proximity signifying a deeper connection.\" This final wide shot serves as a resolution to the visual journey, showing them finally united on the same plane, without the previous barriers emphasized. The wider angle echoes the opening shot , providing a sense of closure and showing the full context of their newfound intimacy within their environment. Their close physical proximity here signifies the successful progression of their romantic encounter.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline concludes with \" concludes the sequence with them both standing on the same balcony, their proximity signifying a deeper connection.\" Building on where had joined on the same balcony, this final shot needs to visually confirm their achieved closeness and resolve the romantic tension. A wider shot, similar in scope to , but now showing both and standing close together on the higher balcony, leaning against the railing, would clearly represent their deeper connection. The continuous dark urban environment and fire escape setting from through will frame this concluding moment." } ], "_src_movie_dir": "West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "075468_076789.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/West.Side.Story.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/075468_076789.json", "_test_index": 171 }, { "movie": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv", "N": 10, "sample_id": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/130878.jpg-Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/132728.jpg", "images": [ { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/130878.jpg", "filename": "130878.jpg", "aesthetic": 7.206658363342285, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/131028.jpg", "filename": "131028.jpg", "aesthetic": 6.580307483673096, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/131053.jpg", "filename": "131053.jpg", "aesthetic": 7.113211631774902, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/131241.jpg", "filename": "131241.jpg", "aesthetic": 6.087072372436523, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/131462.jpg", "filename": "131462.jpg", "aesthetic": 6.413701057434082, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/131594.jpg", "filename": "131594.jpg", "aesthetic": 6.197775363922119, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/132025.jpg", "filename": "132025.jpg", "aesthetic": 6.193592071533203, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/132059.jpg", "filename": "132059.jpg", "aesthetic": 5.102514743804932, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/132303.jpg", "filename": "132303.jpg", "aesthetic": 5.602128505706787, "musiq": 0.0 }, { "tag": "", "rel_path": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/132728.jpg", "filename": "132728.jpg", "aesthetic": 5.621926784515381, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two men are engaged in a conversation in a softly lit, somewhat formal interior setting. There's an underlying tension or negotiation suggested by their expressions and the framing, perhaps involving a younger man facing an older, authoritative figure. The tone is likely dramatic and conversational, with moments of subtle power play.", "characters": [ "", "", "", "" ], "shot_outline": " will be a reverse shot, focusing on and his reaction to . will return to to maintain the conversational flow and show his reaction. will be a wide, low-angle shot of , emphasizing his dominance and perhaps a shift in his mood. will show in a wider shot, reacting to 's presence, possibly feeling overwhelmed. will be another low-angle shot of , highlighting a strong, possibly aggressive, reaction. will be an extreme close-up of 's face, revealing his subtle emotional response to the interaction. will shift abruptly to an establishing shot of a plane in flight, signaling a major transition in location and plot. will show in a different setting, on the plane, interacting with . will be a slightly different angle on and , emphasizing the enclosed space and their dynamic." }, "instruction_full": "Reverse the camera angle from to capture in a medium close-up, keeping him on the left of the frame. , seen in profile or three-quarter profile from 's perspective, should have a warm, perhaps slightly amused or ingratiating expression. His eyes should be directed towards where would be. The shot should maintain the same soft, warm interior lighting and general setting as , with subtle background elements like a lamp or curtains visible behind , consistent with the environment established in . This is to establish 's perspective in the conversation and show his reaction, balancing the focus on from .", "think_full": "The setting should remain consistent with , a warm, softly lit interior. The background elements like the blurred sofa and the general light quality seen behind in imply a comfortable but somewhat private space, which should continue here. The new shot will show more of the room's details behind , like a lamp, which would fit the established ambiance. is present in the conversation with from , though only his back is seen there. This shot properly introduces his face and expression. His expression should complement 's contemplative look in , suggesting an active, perhaps persuasive, role in the conversation. This reverse shot establishes a classic shot-reverse-shot conversation pattern. It allows the audience to see the speaker's face and reaction, creating a dynamic exchange and providing with a presence equal to after his partial reveal in . The framing puts him on the left, looking right, mirroring 's position in where he was looking left. This is a standard way to show two people interacting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that will be a \"reverse shot, focusing on and his reaction to .\" Based on which shows looking at someone (implied to be ), the logical next shot in a conversation is a reverse shot of the other participant. A reverse medium close-up from is needed to show 's face. must be visible, actively listening or speaking to , with an expression that reflects the tone of the conversation. His presence was implied in . The same warm interior from should be maintained. This is to continue the conversation visually by showing the other participant's face and reaction, providing a full perspective on the interaction and fulfilling the shot outline's explicit directive for a reverse shot." }, { "instruction_full": "Revert to the camera angle and framing of , focusing on in a medium close-up. should be present, maintaining a similar pose and expression as seen in , suggesting he is still engaged in the ongoing conversation with . The setting remains the same soft, warm interior environment established in and continued in , with consistent lighting and the same background elements visible behind . This is to continue the conversational flow using a shot-reverse-shot pattern, returning the focus to 's reaction after seeing in .", "think_full": "We maintain the interior setting from and . The consistent soft lighting and background elements (like the indistinct wall and sofa from ) are crucial for creating a seamless conversational sequence. returns from his framing in . His expression and posture should remain consistent with the serious, slightly contemplative mood established earlier, reacting to whatever expressed in . 's presence is implied off-screen. This shot is a direct follow-up to , forming another part of the shot-reverse-shot sequence. It brings the focus back to , allowing the audience to observe his processing of 's words and expressions, thereby building the dramatic tension of their exchange. This fulfills the `shot_outline`'s plan to return to to show his reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies will \"return to to maintain the conversational flow and show his reaction.\" Since introduced and showed , returning to means reusing the camera setup from . Revert to the previous camera position focusing on (as in ). should be on screen, looking at (implied off-screen), continuing the conversation. The same warm interior from and should be maintained. This is to continue the conversation's visual rhythm and show 's ongoing engagement and reaction, as per the `shot_outline`." }, { "instruction_full": "Shift to a wide, low-angle shot, looking up at . The framing should include a significant portion of the ceiling, featuring a prominent, ornate chandelier hanging above him. should be visible, looking down into the frame (at , implied). His expression should be more assertive or dramatically pleased than in , perhaps with a wide, confident smile or a laugh. He should still be wearing the shirt and suspenders seen in . The setting is still the same interior from , , and , but this new, wider angle reveals more of the room's upper architecture and a prominent chandelier, indicating a more opulent or formal aspect of the space. The lighting should reflect the existing warm tone but also highlight the chandelier. This is to emphasize 's dominance and a shift in his emotional state, possibly triumph or overwhelming cheerfulness, making him appear more powerful and imposing.", "think_full": "While the characters and general warm interior (established in , , ) remain, this shot deliberately expands the visible space. The prominent chandelier and higher ceiling reveal a new dimension of the room, suggesting a more formal or grand setting than previously implied. This adds to the sense of 's authority, as he inhabits a more impressive space. is featured, continuing his presence from (and implied in , ). His clothing (shirt, suspenders, bow tie) should be consistent with . The shift in expression to a more overt display of emotion (like a wide smile or laugh) indicates a turning point in the conversation, as hinted by the `shot_outline` for this image. This shot fulfills the `shot_outline`'s directive for to emphasize 's dominance. The low-angle perspective makes him physically imposing, and the chandelier overhead adds to the sense of grandeur and authority. His changed expression, from the perhaps ingratiating smile in to a more open, confident one here, suggests he has achieved a desired outcome or is asserting control.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states will be a \"wide, low-angle shot of , emphasizing his dominance and perhaps a shift in his mood.\" This implies a significant camera change and a focus on 's power. A low-angle, wider shot is required to convey dominance and show more of the environment. must be on screen, looking down, and displaying a strong emotion that indicates a shift in mood, such as triumph or amusement, consistent with \"dominance.\" He should still be dressed as he was in . The room from , , needs to be expanded visually, potentially revealing new elements like a chandelier overhead, to reinforce the sense of grandeur and 's position. This is to visually convey 's increased confidence or control in the situation, as hinted by his shift in mood and the dominant low-angle framing, fulfilling the `shot_outline`." }, { "instruction_full": "Shift to a medium wide shot of , pulling back from the close-up framings of and . He should be seated on the same type of sofa seen in and , with the window and curtains from clearly visible behind him, but now showing more of his surroundings. should be seen seated, perhaps appearing slightly smaller or more constrained in the frame, reacting to 's presence (implied off-screen). His expression should convey a sense of being observed or put on the spot, perhaps with a slight awkwardness or weariness. He is still wearing the light-colored suit from . The shot maintains the warm interior lighting and setting from previous shots (, , , ), but the wider framing explicitly shows more of the sofa, confirming his seated position, and fully reveals the window with its sheer curtains that was a soft blur in . This provides more context for the room. This is to show 's reaction to 's assertion of dominance from , placing him in a slightly more vulnerable or exposed position within the broader setting.", "think_full": "The setting remains the same room. The wider shot confirms 's seated position on the sofa (partially seen in and ). The window and curtains that provided the soft backlight in are now fully revealed, grounding the scene further in the established environment. This continuity helps contrast 's position with 's more imposing shot in . returns to the focus, following his appearances in and . He is still wearing the same suit. His posture and expression should reflect the shift in dynamic introduced by 's powerful demeanor in , perhaps appearing a bit more reserved or thoughtful in this wider, less intimate framing. This shot directly responds to the dramatic shift in where asserted dominance. The `shot_outline` indicates will show reacting to 's presence, possibly feeling overwhelmed. By framing in a wider shot, he appears smaller relative to the environment and potentially to 's perceived authority, highlighting his reaction and the power imbalance.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` describes as showing \" in a wider shot, reacting to 's presence, possibly feeling overwhelmed.\" This implies a change from the close-ups of to a wider view, placing him more within the environment. A medium-wide shot of is needed, showing more of his body and the surroundings than in or . should be visible, still seated on the sofa (as implied in and ), and his expression should reflect the feeling of being overwhelmed or scrutinized, reacting to the preceding shot of 's dominance (). He maintains his light suit. The established warm interior, with the window and curtains (from ), should be more visibly integrated into the background to provide context for his seated position. This is to illustrate 's reaction to the assertive stance of shown in , visually contrasting his position with the more dominant figure and emphasizing any feeling of being overwhelmed, as per the `shot_outline`." }, { "instruction_full": "Return to the exact same wide, low-angle shot and framing of , looking up at with the chandelier above him. should be in the same position as in , but his expression should be even more pronounced in its cheerfulness or triumphant laughter, amplifying the emotional state previously hinted at. He should be dressed consistently with and . The setting is identical to , showcasing the ornate chandelier and the upper part of the room, maintaining the established warm lighting. This is to reiterate and intensify 's emotional state and dominance, reinforcing his control over the situation after observing 's reaction in .", "think_full": "This shot precisely matches the environmental setup of , including the chandelier and the overall warm, slightly theatrical lighting. This repetition emphasizes the persistence of 's powerful presence and the grandeur of his surroundings. reappears, consistent in appearance and position with . His expression is an amplification of the previous shot of him, showing an even more jubilant or triumphant laugh. This follows the natural progression of emotional beats in a conversation, especially after a reaction shot from in . The `shot_outline` for indicates \"another low-angle shot of , highlighting a strong, possibly aggressive, reaction.\" By repeating the dominant framing from and intensifying 's reaction, the shot reinforces his assertive position and highlights his emotional response (triumph or mocking laughter), directly contrasting with 's more subdued reaction in and escalating the power dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies will be \"another low-angle shot of , highlighting a strong, possibly aggressive, reaction.\" This indicates a return to the powerful framing of but with an intensified emotional display from . The low-angle, wide shot of should be reused. should be on screen, in the same pose as , but with a more pronounced and perhaps triumphant laugh or smile, signifying an aggressive or powerful reaction. He should still be dressed as established. The environment should be identical to , featuring the chandelier. This is to further emphasize 's dominance and his strong emotional state, providing an impactful visual that reinforces the power dynamic established in and amplified after 's reaction in , in line with the `shot_outline`." }, { "instruction_full": "Shift to an extreme close-up of 's face, framed very tightly on his right eye and cheek, with part of a wooden door or panel in the foreground on the left. should be present, his face filling most of the frame. His expression should be subtle but reflective, perhaps a quiet smile or a knowing look, contrasting with 's boisterous reaction in . His eye color and skin tone should be consistent with his previous appearances (e.g., , , ). While the general interior setting from to is implied, this extreme close-up provides very little environmental context beyond a blurred, warm background and the foreground element of a wooden panel, which suggests a slightly different angle or movement within the same home setting. The lighting remains soft, with highlights on his face. This is to reveal 's true, perhaps hidden, reaction or internal thought, and to create a sense of intimacy and a potential twist or hidden plan, contrasting with the overt emotions of .", "think_full": "This shot dramatically cuts away from the established conversational setup (from -) and focuses intensely on . The background is heavily blurred, providing minimal context beyond the soft, warm light that has characterized the interior of this conversation. The wooden panel on the left side of the frame could imply a door or furniture within the same house, but it's largely symbolic of a shift in focus rather than a new location. is the focus again, but in a much more intimate framing than , , or . His presence is consistent with previous shots, maintaining his physical appearance. His expression here is key: a subtle, almost sly smile or a knowing look that counters 's overt laughter in , hinting at a deeper understanding or a hidden agenda on his part. This fulfills the `shot_outline`'s promise of an extreme close-up revealing his subtle emotional response. This extreme close-up serves to pivot the narrative. After 's triumphant display in , this shot puts the audience directly into 's internal world. The subtle expression, combined with the extreme intimacy of the close-up, suggests that is not as defeated or overwhelmed as he might have appeared in , implying a deeper plan or confidence, creating dramatic intrigue and fulfilling the `shot_outline`'s intent.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies as \"an extreme close-up of 's face, revealing his subtle emotional response to the interaction.\" This calls for a very tight shot of with a nuanced expression. An extreme close-up of 's face is required to highlight subtle emotions. needs to be the sole focus, showing a subtle, perhaps knowing or sly, expression that hints at his internal state, contrasting with 's overt emotion in . The environment will be largely out of focus due to the tight framing, but the lighting should remain consistent with the interior scene from -. A minimal background or foreground element might hint at the general setting without drawing focus. This is to shift the audience's perception of , hinting at his true feelings or intentions, and to create intrigue following the previous dramatic beats, as outlined in the `shot_outline`." }, { "instruction_full": "Establish a new, wide exterior shot of an airplane (a commercial jet, perhaps 1960s style) flying through a clear sky with scattered white clouds below it. The plane should be seen from a side-angle, clearly displaying its livery and distinguishing features. No characters should be visible in this shot, focusing solely on the airplane. This is a brand-new setting, high in the sky, completely disconnected from the interior room previously shown from to . The environment is bright and expansive, dominated by blue sky and white clouds. This is to signify a major scene transition, a change in location, and a passage of time, preparing the audience for a new chapter or development in the story.", "think_full": "This shot represents a complete break in spatial continuity from the intimate interior setting of through . It is a brand-new environment, an airplane in flight, high above the clouds. There is no visual link to the previous setting. This drastic change is necessary for a clear narrative shift. No characters from previous shots are present, as this is an establishing shot for a new location. The `shot_outline` for explicitly calls for \"an establishing shot of a plane in flight, signaling a major transition in location and plot.\" This shot immediately tells the audience that the story is moving to a new setting and possibly a new phase, following the subtle intrigue left by 's expression in . It acts as a bridge, preparing for the introduction of new characters or a new phase for existing ones.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states will \"shift abruptly to an establishing shot of a plane in flight, signaling a major transition in location and plot.\" This strongly indicates a new environment and subject. An exterior, wide shot of an airplane in flight is required for an establishing shot. No characters are expected in an establishing shot of a vehicle in motion, as per the purpose of such a shot. A completely new environment of an airplane flying through clouds in the sky is needed, visually distinct from the previous interior scene. There are no references for space here as it's a new setting. This is to clearly mark a significant transition in the story's setting and time, moving away from the previous intense conversation and preparing for new developments or characters, as per the `shot_outline`." }, { "instruction_full": "Transition inside the airplane from , showing a medium shot of two characters seated next to each other in economy class seats, looking forward and slightly towards each other. The camera should be positioned somewhat behind them or to their side, allowing a view of other passengers in the background. Introduce two new characters: \"\" (long-haired, wearing a shirt and tie, holding a stethoscope) and \"\" (wearing glasses, a dark suit, and tie, looking serious). They are seated side-by-side, seemingly engaged in a conversation or moment of quiet contemplation. Other background passengers are also visible. The setting is the interior of a commercial airplane, consistent with the exterior shot from . The seats, overhead compartments, and other passengers should clearly convey an airplane cabin environment. The lighting should be typical cabin lighting, suggesting an interior space during a flight. This is to introduce new characters and begin a new narrative thread within the context of the journey established in , suggesting a new dynamic or investigation.", "think_full": "This shot follows the establishing shot of the airplane in by moving inside the aircraft. This maintains a strong narrative flow, showing where the story is now taking place after the major transition. The cabin interior is a brand-new visual environment, unrelated to the previous house setting. This shot introduces entirely new characters, \"\" and \"\". They are not related visually to or from the previous scene ( to ). Their presence on the plane is the next logical step after the establishing shot of the plane itself. This shot fulfills the `shot_outline`'s directive to show \"now in a different setting, on the plane, interacting with a new character.\" It transitions the story from the previous, possibly resolved or paused, conflict to a new one, introducing characters who are clearly on a journey and likely involved in a new plot point. The presence of other passengers emphasizes the public yet enclosed nature of the setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states will show \" in a different setting, on the plane, interacting with .\" This implies an interior shot of the plane with new people. An interior shot of the plane showing passengers is needed. A medium shot of two characters seated is a good way to introduce an interaction. Two new characters should be introduced, seated on the plane, possibly talking or observing. Based on the common trope for such scenes, one might be more authoritative or observant, the other younger or more casual. The interior of a commercial airplane, consistent with the exterior in , featuring rows of seats, windows, and overhead compartments. This is to transition the narrative into the airplane setting and introduce a new set of characters to propel a new storyline forward, as indicated by the `shot_outline` for that mentions new characters." }, { "instruction_full": "Shift to a medium-close shot from a slightly different angle than , focusing more on \"\" and \"\" from their right side. This angle should prominently feature the airplane window next to \"\". \"\" and \"\" are still present, seated in the same positions as in . \"\" should have a more focused or concerned expression, looking forward or slightly towards the window. \"\" should be partially obscured by the framing but still implied to be there, perhaps looking at \"\". The interior of the airplane cabin from continues as the setting. The prominent window next to \"\" emphasizes the confined space and the bright exterior light, contrasting with the cabin's interior. Details like a small tray table with items on it should be visible. This is to create a sense of introspection or contemplation for \"\" and to highlight the enclosed environment of the airplane, further developing the mood of this new scene.", "think_full": "The setting remains inside the airplane cabin, directly continuing from . The shift in angle provides a new perspective within the same space, emphasizing the window as a key visual element which connects back to the exterior shot of the plane in . The small table with items like a drink and foils from should also be visible, adding to the cabin detail. Both \"\" and \"\" continue from . The focus shifts slightly towards \"\", allowing his expression to convey a developing internal state (e.g., concern, contemplation) related to the new narrative thread. \"\" remains a presence, subtly observing or listening. The `shot_outline` for mentions \"emphasizing the enclosed space and their dynamic.\" This new angle, emphasizing the window and \"'s\" gaze, serves to highlight the confined nature of the aircraft and potentially his feelings about being on this journey or interacting with \"\". It deepens the engagement with these new characters and their immediate situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it will be \"a slightly different angle on and , emphasizing the enclosed space and their dynamic.\" This requires a shift in camera within the existing airplane cabin to highlight the interaction and environment. A slightly different angle (e.g., more to the side, or slightly tighter) from is needed to change the perspective on the two characters, specifically framing the window and items on the tray table. \"\" and \"\" from should continue to be present. The focus should allow for a more nuanced expression from \".\" The airplane interior from is maintained, with more emphasis on the window and possibly the tray table to highlight the enclosed space. This is to further explore the dynamic between the two new characters in their confined airplane setting, focusing on their individual reactions and the atmosphere of the journey, as guided by the `shot_outline`." } ], "_src_movie_dir": "Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv", "_src_filename": "130878_132728.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Catch Me If You Can 2002 BluRay REMUX 2160p AVC DTS-HD MA5.1 4Audio-DreamHD.mkv/130878_132728.json", "_test_index": 190 }, { "movie": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38296.jpg-Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/39069.jpg", "images": [ { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38296.jpg", "filename": "38296.jpg", "aesthetic": 6.233043670654297, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38392.jpg", "filename": "38392.jpg", "aesthetic": 5.8350934982299805, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38482.jpg", "filename": "38482.jpg", "aesthetic": 5.988561630249023, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38613.jpg", "filename": "38613.jpg", "aesthetic": 6.827523708343506, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38766.jpg", "filename": "38766.jpg", "aesthetic": 6.520741939544678, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38784.jpg", "filename": "38784.jpg", "aesthetic": 6.498286247253418, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38850.jpg", "filename": "38850.jpg", "aesthetic": 6.253506183624268, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38967.jpg", "filename": "38967.jpg", "aesthetic": 6.460346698760986, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38997.jpg", "filename": "38997.jpg", "aesthetic": 4.877910614013672, "musiq": 0.0 }, { "tag": "", "rel_path": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/39069.jpg", "filename": "39069.jpg", "aesthetic": 5.9397454261779785, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A disheveled man, clearly on a transformative journey, arrives at a mysterious, ancient place seeking answers or healing. The tone is mystical and contemplative, with an underlying sense of awe and skepticism.", "characters": [ "", "", "" ], "shot_outline": " introduces and in their serene environment, setting the stage for 's new path. returns to , showing his continued contemplation or reaction to these new figures. re-frames on , engaging directly with in conversation. is a reverse shot on , maintaining the dialogue and showing his processing of the interaction. shows performing a ritualistic action, perhaps drinking from a cup. captures 's intense, internal reaction to this action. reveals presenting an ancient text to . provides a close-up on the intricate details within the text itself. brings and back into a two-shot, concluding this particular segment of their interaction." }, "instruction_full": "Shift the camera from the medium close-up of in to a wider medium shot, revealing more of the room and introducing two new characters. Introduce , a serene, bald figure, seated centrally, and , a dark-skinned man, standing subtly in the background behind . should have a slight, enigmatic smile. Maintain the same dimly lit, ornate interior with lattice-patterned windows from , but now show more of the room's layout around the seated figure, to introduce the primary spiritual guides in this new environment and establish their presence and authority.", "think_full": "The environment in continues the same mystical, dimly lit interior with patterned windows established in , suggesting that is still in the same new, unfamiliar space. The lighting remains soft and atmospheric. only showed . introduces two new characters: , a figure with a bald head and serene expression, and , standing subtly in the background. These characters are central to the unfolding narrative and have not been seen before. This shot broadens the scene, shifting the focus from 's internal state in to the new authority figures he has encountered. The enigmatic smile of hints at profound knowledge and an impending interaction, setting the stage for the next phase of 's journey.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.story_setup, is in a new, mystical setting. The global_prompt.shot_outline indicates should introduce and to establish them as key figures. To introduce new key characters effectively, a wider shot than 's medium close-up of is necessary to show them in their environment. Introduce as the primary new figure, seated, and another character, , standing behind. Their demeanor should reflect their role as guides or mentors, possibly serene or observant. The shot should continue the environment from , showing more of the interior's detail while maintaining the established mystical atmosphere, to reinforce that is still in the same location. The user intent is to reveal the beings has sought, creating anticipation for their interaction and establishing their presence." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing to , but slightly wider to show his body language more clearly. , seen in , now appears more focused and possibly slightly surprised or reactive, looking towards where and were introduced in . His expression should convey a new understanding or a question forming. Continue the same ornate, dimly lit room with lattice windows as seen in and , keeping the background consistent to indicate no change in location, to show 's internal reaction and processing of the introduction of and , highlighting his continued journey of discovery.", "think_full": "The shot maintains the consistent environment of the mystical interior with patterned windows, established in and continued in . This ensures visual continuity and grounds in the same setting. reappears from (where he was seen in a contemplative state) and (where he was implicitly present but off-screen). His expression now shifts from contemplation to a more active reaction, directed towards the newly introduced from . After the introduction of and in , the narrative demands a return to 's perspective to gauge his immediate emotional and intellectual response. This shot allows the audience to connect with his internal experience as he processes the new presences and potentially profound implications.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on global_prompt.shot_outline, should return to and show his reaction. A return to a medium close-up, similar to , is effective for showing a character's internal state and reaction without revealing too much of the other characters yet. (introduced in ) should be the sole focus, his expression reflecting contemplation or response to the events of . The environment must remain consistent with and to maintain spatial continuity. The user intent is to emphasize 's reaction to the newly introduced characters from , reflecting his ongoing emotional and intellectual journey." }, { "instruction_full": "Transition to a medium close-up of , positioning them centrally, making it a reverse shot to from . The camera should be slightly lower than eye level to subtly convey authority. , introduced in with a serene smile, should now have a calm, knowing expression, possibly speaking or listening intently, facing towards where would be. from should be subtly visible in the background, out of focus. The same mystical interior with patterned windows from , , and continues, with soft, diffused light highlighting 's face, to establish a direct conversational dynamic between and , emphasizing 's wisdom and central role.", "think_full": "The shot continues to use the same mystical interior with patterned windows and soft lighting that was established in and consistently maintained through and . This ensures the audience remains grounded in the narrative space. , first introduced in as a serene, bald figure, is now brought to the foreground, directly engaging in the scene. from remains in the background, maintaining his watchful presence. This shot visually connects directly to , whose reaction was shown in . Following 's reaction in , this shot establishes as a direct interlocutor, initiating or responding in a conversation. The framing emphasizes 's presence and authority, setting up a mentor-student dynamic essential for the story's progression, as outlined in global_prompt.shot_outline.", "instruction_minimal": "generate the next shot", "think_minimal": "According to global_prompt.shot_outline, should re-frame on , engaging directly with . After showing 's reaction in , a cut to a medium close-up on (introduced in ) is a natural progression for a conversation, creating a sense of dialogue and interaction. This would be a reverse shot to . should be the focus, with an expression that conveys wisdom or engagement, facing towards the off-screen . from can be subtly present in the background. The environment should be consistent with , , and to maintain the sense of a continuous scene. The user intent is to visually establish the beginning of a direct exchange between and , deepening their interaction." }, { "instruction_full": "Return to a medium close-up of , mirroring the framing of and serving as a reverse shot to from . The camera should maintain a similar angle and position to previous shots of . (seen in and ) should now be looking intently at (who would be off-screen), his expression a mix of curiosity, skepticism, and perhaps dawning realization. Part of 's bald head should be visible in the foreground, out of focus, creating a subjective feel. The mystical interior from , , , and should continue as the backdrop, maintaining its subdued lighting and patterned windows, to show 's direct engagement in the conversation and his internal struggle or processing of 's words, building dramatic tension.", "think_full": "The same mystical interior, characterized by its ornate lattice windows and atmospheric, subdued lighting, is consistently depicted, linking with , , , and . reappears from and , his expression evolving to show direct engagement with (whose presence is implied and partially visible in the foreground, having been seen fully in and ). This shot emphasizes his participation in the ongoing dialogue. After 's contribution in , this shot is crucial to show 's immediate and focused reaction, maintaining the conversational flow. The partial view of helps immerse the viewer into 's perspective, highlighting his internal processing of new information or profound concepts. This continues the arc of confrontation and revelation.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline states is a reverse shot on , maintaining the conversation. To continue the conversation established in with , a reverse shot back to (seen in and ) is logical, likely a medium close-up again. should be focused, his expression reflecting his active participation in the dialogue, looking towards (introduced in and prominent in ). A subtle visual cue like a blurred shoulder or head in the foreground can reinforce the other person's presence. The setting must remain consistent with previous shots (, , , ). The user intent is to continue the two-shot dialogue pattern, showing 's perspective and reaction during the conversation with ." }, { "instruction_full": "Cut to a tighter medium close-up, focusing on 's upper body and hands. The angle should be consistent with previous shots of from and . (seen in and ) is now performing an action, specifically raising a small, ornate cup to their lips and drinking. Their expression should remain serene and composed. Part of 's shoulder or head (seen in , , ) should be visible in the right foreground, out of focus. The mystical interior from , , , , and remains the setting, with the patterned windows softly lit in the background. The small cup acts as a significant prop, to highlight 's specific action, suggesting a moment of pause, ritual, or perhaps an unspoken gesture of profound meaning during their interaction.", "think_full": "The environment continues to be the same mystical interior with distinct lattice windows and soft lighting, consistent with , , , , and . The focus on 's action introduces a new prop – an ornate cup – which adds to the scene's ritualistic atmosphere. , a key figure introduced in and featured in , is central in this shot. Their action of drinking from a cup suggests a moment of significance, reinforcing their calm and authoritative presence. (present in , , ) is partially visible, indicating the ongoing interaction without making him the focus. This shot shifts the focus from dialogue to a specific, deliberate action by , hinting at a moment of ritual or a demonstration of power/wisdom. The act of drinking could signify a pause, a communion, or a symbolic offering, deepening the mystical tone of the scene and leaving (and the audience) to interpret its meaning.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline mentions shows performing an action. After the back-and-forth conversation shots (, ), a tighter shot on (seen in and ) performing an action would be a natural progression to punctuate the interaction or reveal something new. should be the main subject, performing a deliberate action, like drinking from a cup, while maintaining their composed demeanor. (from , , ) should be implied by a foreground element to show he is still present. The mystical interior from through must continue, potentially with a closer view of some background elements around . The user intent is to emphasize a specific action by , possibly signaling a turning point or a mystical aspect of their interaction, adding depth beyond mere conversation." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing and angle to , , and , maintaining the established eye-line. (seen in , , ) is now shown with his eyes closed or looking down, appearing to be in a moment of deep thought, contemplation, or perhaps experiencing an internal shift after 's action in . The same dimly lit, mystical interior with lattice windows from through continues to provide the consistent backdrop, to capture 's internal processing and emotional response to the significant action performed by in , indicating a profound impact.", "think_full": "The shot consistently uses the mystical interior with patterned windows and soft, subdued lighting, established in and seen throughout , , , , and , maintaining the continuity of the setting. reappears from , , and . His change in expression and posture – now with eyes closed or lowered – signifies a deep internal moment, directly reacting to 's action in . This visual cue communicates the profound effect of the previous moment. Following 's potent action in , this shot is critical to convey the impact on . It signals a pause in external dialogue and focuses on his internal experience, suggesting he is undergoing a significant realization or transformation, furthering his journey of discovery as per the global_prompt.story_setup.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline indicates captures 's reaction. A return to a medium close-up on (seen in , , ) is appropriate to focus on his emotional and intellectual processing after the event of . should be shown in a reflective state, perhaps with eyes closed or cast down, reacting to what just transpired with (who performed an action in ). The setting should remain the same mystical interior from through to keep the scene grounded. The user intent is to depict 's internal response and the profound effect of 's actions, showing his progression or struggle." }, { "instruction_full": "Shift to a slightly wider medium shot, showcasing both and in a clear two-shot, but with positioned more prominently on the left. This provides a broader view than previous medium close-ups. (seen in , , ) is now standing and holding an open, ancient-looking book, presenting it towards . (seen in , , , ) is also standing, looking at the book or with a curious or reverent expression. The mystical interior, with its ornate patterns and subdued lighting from through , remains the setting. The open book becomes a new, significant prop, to visually establish a moment of instruction or revelation, where imparts knowledge to through a sacred text, marking a new phase in their interaction.", "think_full": "The scene continues within the same mystical interior, identifiable by the distinctive lattice windows and atmospheric lighting, consistently shown from to . This shot reveals a slightly wider perspective of the room around the characters. (featured in , , ) and (from , , , ) are both present and standing, engaging directly. 's posture changes from seated to standing, and they now hold a new prop: an ancient book, which they present to . shows a more engaged, less internally focused expression than in . After 's internal reflection in , this shot transitions to a more active phase where visibly guides him. The presentation of the book signifies the beginning of formal instruction or a key revelation, moving the narrative forward from abstract interaction to concrete knowledge sharing, as per global_prompt.shot_outline.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline mentions reveals presenting an ancient text. After 's internal moment in , a wider two-shot showing both (seen in , , ) and (seen in , , , ) would be effective to show their interaction and the introduction of a new significant object. should be presenting something, specifically a book, to . Both should be standing, engaged in this exchange. The mystical interior from through serves as the constant backdrop. The book is a new important prop. The user intent is to show a clear moment of knowledge transfer or initiation, where offers tangible wisdom to , deepening his understanding and progressing his journey." }, { "instruction_full": "Cut to a tight close-up on the open book that was holding in . The camera should be positioned to clearly show the intricate details and illustrations within the book. The shot focuses primarily on the book itself, with only the hands of (holding the book, seen in ) visible at the bottom of the frame, providing context without distracting from the text. The background is intentionally blurred but implies the same mystical interior from previous shots ( through ), maintaining environmental continuity. The book itself, with its detailed illustrations and ancient script, is the primary \"space\" element, to reveal the specific content of the ancient text, emphasizing its mystical or profound nature and providing a visual insight into the knowledge being imparted.", "think_full": "The shot implicitly continues in the mystical interior from through , but the focus is entirely on the new prop introduced in , the open book. The details of the book's pages and illustrations become the primary visual information. While the characters themselves are not the focus, 's hands (from , , , ) are visible, providing a physical link to the previous shot where they were holding the book. This establishes that the book is indeed the one being presented. Following the presentation of the book in , a close-up on its contents is essential to show what is being revealed. This shot allows the audience to examine the arcane imagery and text, highlighting the depth of the mystical knowledge is now exposed to, fulfilling the global_prompt.shot_outline's intention to show the book's content.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline indicates provides a close-up on the text itself. After presents the book in , a close-up on the book's contents is the logical next step to show the details of the \"ancient text\". The focus should be on the book, with only 's hands (who held the book in ) visible to anchor it in the scene. The background should be consistent with the mystical interior from through , though out of focus to emphasize the book. The detailed pages of the book are the primary \"space\" of interest. The user intent is to fully reveal the mystical content of the book from , giving visual weight to the knowledge being shared and advancing the narrative of 's education." }, { "instruction_full": "Cut back to a two-shot of and , framed similarly to but perhaps a bit tighter, with both characters facing each other. This creates a sense of concluding the exchange. (seen in , , , ) is now actively looking at (seen in , , , ) with an expression that suggests curiosity, understanding, or a lingering question after seeing the book's contents in . is looking back, perhaps with a knowing gaze. The book might still be held by or resting on a surface nearby. The mystical interior from through continues to be the setting, providing a familiar backdrop for their interaction, to conclude this specific interaction by showing the dynamic between and after the revelation of the book's contents, signifying a moment of shared understanding or a new challenge.", "think_full": "The shot continues within the consistent mystical interior, maintaining the atmospheric lighting and patterned windows that have been present from through . Both (from , , , ) and (from , , , ) are present in the frame, re-establishing their direct interaction after the close-up on the book in . Their expressions reflect the gravity of the knowledge just shared. The book itself, shown in detail in , might be subtly present or implied. After the detailed reveal of the book's content in , this shot brings the focus back to the characters and their relationship. It serves to show 's updated reaction to the profound information and to confirm the ongoing mentor-student dynamic, concluding this segment of their interaction as outlined in global_prompt.shot_outline.", "instruction_minimal": "generate the next shot", "think_minimal": "global_prompt.shot_outline states brings the two main characters back into a two-shot, concluding the interaction. After the close-up on the book in , a return to a two-shot of (seen in , , , ) and (seen in , , , ) is necessary to show their concluding interaction. Both and should be present, facing each other, with expressions that reflect the profound discussion or revelation that just occurred (referencing the book shown in ). The mystical interior must remain consistent with all previous shots. The user intent is to provide a sense of conclusion to this specific exchange, showing the characters' understanding or continued engagement after the revelation of the ancient text." } ], "_src_movie_dir": "Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "038296_039069.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Doctor.Strange.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/038296_039069.json", "_test_index": 204 }, { "movie": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42024.jpg-Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/43217.jpg", "images": [ { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42024.jpg", "filename": "42024.jpg", "aesthetic": 5.45731258392334, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42309.jpg", "filename": "42309.jpg", "aesthetic": 5.614975929260254, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42680.jpg", "filename": "42680.jpg", "aesthetic": 5.213374137878418, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42695.jpg", "filename": "42695.jpg", "aesthetic": 6.478655815124512, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42770.jpg", "filename": "42770.jpg", "aesthetic": 5.297518730163574, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/42935.jpg", "filename": "42935.jpg", "aesthetic": 6.402471542358398, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/43022.jpg", "filename": "43022.jpg", "aesthetic": 5.19867467880249, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/43055.jpg", "filename": "43055.jpg", "aesthetic": 6.224332332611084, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/43187.jpg", "filename": "43187.jpg", "aesthetic": 5.19160795211792, "musiq": 0.0 }, { "tag": "", "rel_path": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/43217.jpg", "filename": "43217.jpg", "aesthetic": 6.113774299621582, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative begins with a character in a moment of transition or introspection, set against a natural, slightly unkempt backdrop. The tone suggests a grounded, possibly dramatic, journey of a man who has recently undergone a significant change, now entering a new phase of his life that involves interaction with a small, established community or group.", "characters": [ "", "", "" ], "shot_outline": " establishes a new indoor setting, introducing and interacting with around a table with a computer. isolates to show his reaction or internal state. focuses on performing a task related to , indicating preparation. returns to to capture his continued attention. shifts focus to alone, showing his pensive state. returns to , highlighting his sustained presence. captures making an emphatic point or giving instructions. shows reacting or responding to the interaction. concludes the sequence with , possibly offering a final thought or observation." }, "instruction_full": "Shift the scene to an indoor medium-wide shot, establishing a new functional room. Frame seated at a round wooden table with , while stands behind the table, engaged with a computer monitor. The background should feature a window, a bulletin board with papers, and various office-like elements, consistent with a study or workshop setting. The intent is to introduce a new environment and key supporting characters, placing in a context of discussion or instruction.", "think_full": "The story transitions from the outdoor, contemplative mood of to an active indoor scene. We introduce a new environment, a rustic yet functional office or study, which provides a fresh backdrop for the narrative without direct visual continuity to . from reappears, now seated and integrated into a group. We introduce two new characters, and , who are central to this new setting. The camera takes a wider shot than to encompass the new space and all three characters, establishing their initial interaction. This framing sets up the next phase of the story, signifying a new beginning or a new task for by placing him within a structured social context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states that it 'introduces a new indoor setting and two new characters interacting with around a table with a computer.' This requires a shift from the outdoor setting of . The camera needs to be wide enough to establish the new space and the three characters. (from ) should be present, along with two new characters, and . They will be in an indoor environment, likely an office, with a table and a computer as a focal point. The intent is to initiate the next phase of the story by placing in a new social and physical context, suggesting a meeting or instruction session." }, { "instruction_full": "Shift the camera to a medium close-up of , maintaining his seated position from . Frame him looking towards the right side of the screen, with a thoughtful or attentive expression. The background should be consistent with the indoor room from , showing elements like stacked boxes or shelves, slightly out of focus. The purpose is to highlight 's individual reaction or internal state within the group discussion.", "think_full": "We maintain the indoor office/study environment established in . The background elements visible, such as stacked boxes and shelves, are consistent with the deeper parts of the room shown in . (from , ) is now the sole focus, maintaining his seated position. This closer framing isolates him from the other characters shown in , emphasizing his personal perspective and emotional state during the ongoing interaction. It allows the audience to connect more directly with his thoughts or feelings in response to the new situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies that it 'isolates to show his reaction or internal state.' This means the camera should move in closer on (seen in , ) from the wider shot of . He should be seated, with an expression of focus or introspection. The setting should remain the same indoor room established in , with background elements visible but perhaps less distinct. The intent is to draw attention to 's individual experience within the new setting." }, { "instruction_full": "Change the camera angle to a medium shot focusing on and from , showing leaning over who is seated. should appear to be attaching a small device, possibly a microphone, to 's shirt. The background should clearly show the desk area, a window, and the bulletin board from , confirming we are still in the same room. The intent is to clarify the specific task or preparation involving these two characters.", "think_full": "The physical space remains the same indoor office/study from and , with the desk, window, and bulletin board visible as they were in . This shot brings and (introduced in ) into focus, detailing their interaction after 's reaction in . The action of attaching a device to provides a concrete detail about the activity happening in the room, suggesting preparation for recording or communication, thus advancing the narrative by showing a procedural element of their work.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'focuses on performing a task related to , indicating preparation.' This implies a shift in camera from in to the other two characters from . and (introduced in ) should be the focus, with actively doing something to , like preparing him. The environment is still the indoor room from . The purpose is to reveal a specific action or detail of their collective activity." }, { "instruction_full": "Return to the medium close-up framing of as seen in , maintaining his seated position. His expression should be similar to , or slightly more engaged, still looking towards the right. The background elements (stacked boxes, shelves) should be consistent with those in . The aim is to recenter on 's perspective and show his continued attention after the specific interaction in .", "think_full": "The scene continues in the same indoor office/study environment established in , with the background details (stacked boxes, shelves) directly replicating those seen in . (from , , ) returns to the center of attention. This shot re-establishes his presence and observational role, acting as a reaction shot to the activity shown in and reaffirming his central role in the unfolding narrative. The repetition of the framing from creates a visual rhythm, highlighting the flow of information or events around him.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'returns to to capture his continued attention.' This means the camera should go back to a shot of (from , , ) similar to . He is still seated and attentive, maintaining his presence in the ongoing scene. The setting remains the indoor room from , with background details from . The intent is to emphasize 's role as an observer and his sustained engagement." }, { "instruction_full": "Shift the focus to a medium shot of , seated at the table where the computer was in , now looking pensive or weary, with one hand resting near his face. The background should feature the desk, the window, and parts of the bulletin board from and . The purpose is to highlight 's individual state and emotional weight within the unfolding situation.", "think_full": "We remain in the same indoor office/study environment established in , with the desk and window prominently visible, similar to their appearance in and . (introduced in and seen interacting in ) becomes the central figure here, his pensive posture contrasting with the activity around him. This shot provides an individual moment for , allowing the audience to glimpse his emotional state or the burden of his role, which was implied by the preparation in . It gives him more individual narrative weight after the repeated focus on .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'shifts focus to alone, showing his pensive state.' This requires a camera move from in to (from , ). He should be seated at the desk within the indoor room from , with a thoughtful expression. The intent is to give individual attention, revealing his mood or a moment of reflection in the ongoing scene." }, { "instruction_full": "Return to the medium close-up framing of as seen in and , maintaining his seated position and attentive expression. The background elements (stacked boxes, shelves) should be consistent with his previous close-up shots. This shot aims to re-establish 's continuous observation and presence after the moment of reflection from .", "think_full": "The environment remains the indoor office/study from , with the consistent background from and . (from , , , ) reappears, his seated posture and expression maintaining visual continuity with his earlier appearances. This shot reiterates 's central perspective after the shift to in . It ensures the audience remains connected to his processing of the events, serving as a visual anchor and emphasizing his sustained engagement in the unfolding drama.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'returns to , highlighting his sustained presence.' This implies another return to the medium close-up of (from , , , ), echoing the framing of and . He should be seated and attentive within the indoor room from , with consistent background details. The purpose is to reinforce 's continuous role as an observer in the scene." }, { "instruction_full": "Shift the camera back to a medium shot of , similar to , but now he should be actively gesturing with both hands, making an emphatic point while seated at the desk. His expression should be more animated, suggesting he is speaking with conviction. The background should clearly show the desk, window, and bulletin board from , , and . The intent is to show delivering important information or instruction with authority.", "think_full": "The physical environment is continuously the indoor office/study from , with the desk and window background matching . (from , , ) is again the focus, but his posture and expression have evolved from the pensive state in to one of active communication. This shift from reaction (in ) to direct action indicates a pivotal moment where is imparting crucial information or making a significant statement, thereby advancing the core discussion of the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'captures making an emphatic point or giving instructions.' This calls for a return to (from , , ), similar to but with more active gestures, indicating he is speaking. He remains seated at the desk in the indoor room from . The purpose is to highlight a key moment of communication or direction from ." }, { "instruction_full": "Return to the medium close-up framing of as seen in , , and , maintaining his seated position. This time, he should have a responsive expression, possibly with his hands clasped or lightly gesturing, indicating he is speaking or actively reacting to 's statements. The familiar background elements (stacked boxes, shelves) from his previous close-ups should remain consistent. The aim is to show 's direct engagement and active participation in the conversation.", "think_full": "The indoor office/study environment and the specific background from , , and are consistently reused. (from , , , , ) is once again the focus, but his pose and expression now reflect active speech or a direct response, evolving from his previous observational state. This shot confirms a direct exchange with 's emphatic statement in , deepening the dialogue and illustrating 's growing involvement in the unfolding events.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'shows reacting or responding to the interaction.' This requires a return to (from , , , , ) in a close-up, similar to his previous reaction shots but now indicating an active response or speech. He is still seated in the indoor room from , with consistent background. The intent is to show his active participation in the conversation with ." }, { "instruction_full": "Return to the medium shot of , similar to and , seated at the desk. His expression should reflect consideration, perhaps a final statement or a reaction to 's response. The background should continue to feature the desk, window, and bulletin board from , , , and . This shot serves to conclude this segment of dialogue or interaction, potentially showing 's final decision or absorption of 's input.", "think_full": "The indoor office/study environment and the desk/window background are consistently maintained from , , , and . (from , , , ) is once more the focus, concluding the back-and-forth initiated by 's response in . This final shot of in this sequence provides a sense of closure to the discussion, perhaps signifying a concluding thought, a decision made, or his reaction to 's latest input, thus advancing the narrative to a new understanding or task.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it 'concludes the sequence with , possibly offering a final thought or observation.' This calls for a return to (from , , , ) in a medium shot, similar to and . He is seated at the desk in the indoor room from , his expression suggesting he is concluding a statement or internalizing information. The purpose is to provide a sense of finality to this conversation segment, seen through 's perspective." } ], "_src_movie_dir": "Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "042024_043217.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Sound.of.Metal.2019.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.5.1-FGT.mkv/042024_043217.json", "_test_index": 205 }, { "movie": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv", "N": 10, "sample_id": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/47969.jpg-The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/49022.jpg", "images": [ { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/47969.jpg", "filename": "47969.jpg", "aesthetic": 5.9629058837890625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48006.jpg", "filename": "48006.jpg", "aesthetic": 6.181431770324707, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48459.jpg", "filename": "48459.jpg", "aesthetic": 5.9319305419921875, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48478.jpg", "filename": "48478.jpg", "aesthetic": 6.223918914794922, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48719.jpg", "filename": "48719.jpg", "aesthetic": 5.460261344909668, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48784.jpg", "filename": "48784.jpg", "aesthetic": 5.143954753875732, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48875.jpg", "filename": "48875.jpg", "aesthetic": 5.730800628662109, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48894.jpg", "filename": "48894.jpg", "aesthetic": 6.098501205444336, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/48925.jpg", "filename": "48925.jpg", "aesthetic": 4.603141784667969, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/49022.jpg", "filename": "49022.jpg", "aesthetic": 5.591931343078613, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A young woman navigates the emotional and practical challenges of caring for an elderly relative in a hospital setting. The tone is subdued, focusing on their tender bond amidst the sterile, functional environment of a medical facility.", "characters": [ "", "", "" ], "shot_outline": " introduces alone in a hospital room, establishing his context. shows entering the room and approaching , marking their reunion. is a close, tender moment between and , highlighting their emotional connection. returns to a wider view of and in the room, showing their ongoing interaction. focuses on 's expression as is partially visible. shows pushing in a wheelchair down a hospital corridor, indicating a transition. introduces at a reception desk, interacting with about paperwork. is a close-up of a form being filled out, likely by . is a wider shot of and at the reception desk with , concluding the administrative step." }, "instruction_full": "The initial shot shows walking away down a hospital corridor. For , the camera should cut to a medium close-up of , seated and looking somewhat disoriented or pensive. The setting is a hospital room, distinct from the corridor in , but maintaining the clinical, institutional feel with light blue walls and functional furniture visible in the background. The purpose is to introduce and establish his current state and immediate environment.", "think_full": "Spatial continuity: The new shot shifts from the hospital corridor shown in to a hospital room. While a new specific location, it maintains the overall hospital environment. The clinical aesthetic with light blue walls and institutional furniture is consistent with the general impression of a hospital. Character continuity: from is not present. This shot introduces as a new character. He is seen wearing a hat and light clothing, seated, suggesting he's in a bed or chair. Narrative intent: The 'shot_outline' indicates is to introduce alone. The pensive expression and sterile room emphasize his vulnerable state and the hospital context, setting up the reason for 's visit.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` explicitly states \" introduces alone.\" Based on being a hospital corridor and the implied narrative of a visit, the next logical step is to show who is being visited. The camera should cut to a medium close-up of in a hospital room, establishing his presence and the environment where the main action will take place. He should appear a bit unwell or quiet, consistent with being a patient." }, { "instruction_full": "From the medium close-up of in , the camera should widen to a medium shot, revealing (first seen in ) entering the hospital room and approaching . The room and its elements like the hospital beds and blinds remain consistent with , but the framing now includes the doorway as she steps in, emphasizing her arrival. Her posture should convey purpose and care as she moves towards him. This shot's purpose is to show the reunion and establish their interaction within the room.", "think_full": "Spatial continuity: The hospital room remains the same as in , with the same beds, window blinds, and general clinical aesthetic. The camera has pulled back from the framing of to show more of the room and the entrance. Character continuity: reappears from , still seated on the bed. from is now present in the room, actively moving towards , establishing their connection. Narrative intent: The 'shot_outline' suggests that should show approaching . This shot visually confirms 's arrival at her destination, making the connection between the two characters explicit and setting the stage for their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` mentions \" shows entering the room and approaching .\" Following which introduced in his room, the next logical step is for (seen walking in ) to arrive. The shot should therefore widen from to include approaching within the same hospital room, confirming her arrival and the start of their interaction." }, { "instruction_full": "Building on the interaction established in , the camera should cut to a close-up, focusing tightly on and . is shown leaning in, her hand gently touching 's shoulder, who is looking down. Her expression should be tender and concerned. This shot should emphasize the intimate, emotional connection between them within the hospital room, consistent with the environment established in and , but now in a much tighter frame. The purpose is to highlight their emotional bond and the tenderness of the moment.", "think_full": "Spatial continuity: The hospital room environment from and continues, though the tight framing makes specific background elements less prominent. The soft, somewhat muted lighting of the room is maintained. Character continuity: Both and reappear from . is now leaning closer and touching , showing physical intimacy. looks down, showing vulnerability or acceptance of comfort. Narrative intent: The 'shot_outline' suggests \" shows a close, tender moment.\" This close-up directly fulfills that by emphasizing the emotional depth of their relationship through physical contact and expressions. It heightens the personal stakes and connection after their initial reunion in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states \" a close, tender moment between and .\" After showed approaching, the narrative logically moves to their immediate interaction. A close-up is necessary to convey intimacy and emotion. The shot should frame them closely, showing comforting in the hospital room setting seen in and ." }, { "instruction_full": "Returning to a wider medium shot, similar to the framing of , we see and in the hospital room. stands beside the bed, engaged in conversation or attentive presence, while is seated on the bed, looking at her. The room, with its two hospital beds and blinds, is clearly identifiable as the same space from , , and . The purpose is to show the continuation of their interaction, providing a broader context of their visit after the intimate close-up.", "think_full": "Spatial continuity: The hospital room from , , and is again shown, now with a wider frame that includes more of the two beds and the window blinds. This returns to a more observational distance after the intimacy of . Character continuity: and both reappear from previous shots. Their poses suggest ongoing interaction within the room, with standing and seated, consistent with their established positions. Narrative intent: The 'shot_outline' for this section indicates a wider shot of their interaction. This shot re-establishes the broader scene after the close-up, allowing for a more sustained observation of their interaction without the intense focus of . It provides narrative breathing room.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the intimate close-up in , the `global_prompt.shot_outline` implies a return to a broader view of their interaction. The camera should pull back to a medium shot, similar to , showing and still together in the hospital room from , continuing their visit. This allows for a wider perspective of their presence together in the room." }, { "instruction_full": "From the wider shot in , the camera should cut to a medium close-up, similar to , but now focusing primarily on 's face in profile. 's presence is implied by a partial view of her arm or body on the right edge of the frame, indicating she is still beside him. is looking forward or slightly away, his expression perhaps thoughtful or resigned. The hospital room environment from through is still evident in the background, subtly out of focus, maintaining visual continuity of the setting. The purpose is to shift focus to 's internal state or reaction during the visit.", "think_full": "Spatial continuity: The hospital room remains the setting, with background elements consistent with through , though softer in focus due to the tighter framing. Character continuity: is prominently featured, picking up on his presence from all previous room shots (, , , ). is partially visible, indicating her continued presence, derived from , , . Narrative intent: The 'shot_outline' implies focusing on . After the full interaction in , isolating in a medium close-up allows the audience to gauge his emotional state or reaction to the visit, providing a moment of reflection or quiet contemplation. This contrasts with the explicit interaction shown earlier.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` suggests focusing on next. After the general interaction in , a logical narrative progression is to zoom in on 's perspective or internal state. This shot should be a medium close-up of , similar to but perhaps from a different angle or with a slight change in expression, with implied to still be nearby in the hospital room from , , , ." }, { "instruction_full": "The camera should return to the long hospital corridor seen in , adopting a similar long shot with deep perspective. This time, is seen pushing (now in a wheelchair and without his hat from ) away from the camera and down the corridor. The institutional lighting and muted colors of the corridor from are consistent. The shot's purpose is to show their departure from the room and the continuation of their journey within the hospital, signaling a transition.", "think_full": "Spatial continuity: The shot returns to the hospital corridor from , maintaining its distinctive lighting, long perspective, and wall colors. This creates a strong sense of cyclical movement within the hospital environment. Character continuity: from , , , , is now actively pushing (from , , , , ), who is now in a wheelchair and appears to have removed his cap. This shows their continued relationship and a change in his mobility. Narrative intent: The 'shot_outline' states \" shows pushing in a wheelchair down the hospital corridor.\" This shot marks a clear transition, indicating that their visit in the room has concluded and they are now moving to another part of the hospital, likely for discharge or another appointment. The long shot emphasizes their movement together.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies \" shows pushing in a wheelchair down the hospital corridor.\" This indicates a change of scene from the hospital room. It's logical to return to the corridor seen in , but now with both characters, and in a wheelchair, signifying movement within the hospital after their visit. The shot should replicate the long, deep perspective of ." }, { "instruction_full": "The camera should cut to a new, distinct area of the hospital: a reception or administrative desk. The framing is a medium shot of , who is introduced here for the first time, behind the counter, reaching out with paperwork. 's shoulder and back of her head are visible in the foreground, suggesting she is interacting with the staff member. The background shows hospital filing systems and office equipment, distinct from the corridor in and and the patient room in -. The shot's purpose is to introduce an administrative hurdle or a new point of interaction for the characters.", "think_full": "Spatial continuity: This shot introduces a new hospital environment, a reception area, which is visually distinct from the corridor (, ) and the patient room (-). It maintains the overall hospital aesthetic but adds a different functional space. Character continuity: from previous shots is present, her back to the camera, indicating she is interacting with someone. A new character, , is introduced, actively engaged in an administrative task. is not visible, but his presence might be implied nearby. Narrative intent: The 'shot_outline' mentions introducing and an interaction at a desk. This shot fulfills that by presenting an administrative interaction, which is a common part of hospital visits or discharge. It creates a new potential plot point or procedural step.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates \" introduces at a desk, interacting with .\" After moving down the corridor in , a logical next step in a hospital narrative, especially for discharge or processing, is an interaction at a reception desk. The shot should focus on as a new character, with in the foreground, in a new hospital setting like a reception area." }, { "instruction_full": "From the medium shot of the interaction in , the camera should cut to a close-up, focusing on a hand (likely 's) writing on a hospital form on the counter. The form itself has hospital branding or typical medical information. The counter surface and implied lighting are consistent with the reception area introduced in . This shot serves to highlight the specific action of paperwork, emphasizing the administrative process.", "think_full": "Spatial continuity: The setting remains the reception area introduced in , but the camera has moved in for a very tight close-up on the counter surface and the form. Character continuity: The shot focuses on an action rather than a face, but the hand performing the writing is implicitly 's, as she was last seen interacting with the staff member in . No new characters are introduced; rather, the focus is on a task related to the previous interaction. Narrative intent: The 'shot_outline' mentions a close-up of a form being filled out. This shot intensifies the focus on the administrative process hinted at in , emphasizing the details of paperwork often associated with hospital procedures. It builds on the interaction from by showing the specific action required.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies \" a close-up of a form being filled out, likely by .\" After the introduction of the reception area and the staff member in , the narrative naturally progresses to the required paperwork. A close-up on the form being filled by (who was interacting in ) is the most effective way to convey this administrative step. The setting should remain the reception counter from ." }, { "instruction_full": "The camera should pull back to a medium shot, similar to , to show (now looking directly at the camera with a neutral or slightly concerned expression) and (seated in his wheelchair next to her, looking somewhat tired) at the reception desk. from is partially visible in the foreground, reinforcing the continuation of their interaction. The hospital reception area, consistent with and , forms the background. The purpose is to provide a broader view of the group at the desk, showing the conclusion or continuation of the administrative process, and bringing back into the frame.", "think_full": "Spatial continuity: The hospital reception area from and is the continuing setting, now shown from a medium distance again. Character continuity: from previous shots (and who was presumably writing in ) is now looking forward. (from -) is explicitly seen again, seated in his wheelchair next to , confirming his presence at the desk. from is still present, albeit partially framed, continuing the interaction. Narrative intent: The 'shot_outline' mentions a wider shot of the group at the reception. This shot re-establishes the full context of the scene after the close-up on paperwork in . It shows the two main characters together at the administrative point, potentially concluding their visit or processing, and provides a clear view of their expressions and the environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states \" is a wider shot of and at the reception desk with .\" After the close-up on paperwork in , the narrative requires a return to the full scene. The shot should widen from to include both and (in his wheelchair, last seen in ) at the reception desk from , interacting with . This provides a complete picture of the administrative part of their journey." } ], "_src_movie_dir": "The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv", "_src_filename": "047969_049022.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Savages.2007.2160p.WEBRip.DD5.1.x264-monkee.mkv/047969_049022.json", "_test_index": 218 }, { "movie": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/146892.jpg-Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/148172.jpg", "images": [ { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/146892.jpg", "filename": "146892.jpg", "aesthetic": 6.610990047454834, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147096.jpg", "filename": "147096.jpg", "aesthetic": 6.532752990722656, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147108.jpg", "filename": "147108.jpg", "aesthetic": 6.485264301300049, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147429.jpg", "filename": "147429.jpg", "aesthetic": 7.316145896911621, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147563.jpg", "filename": "147563.jpg", "aesthetic": 7.008917808532715, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147623.jpg", "filename": "147623.jpg", "aesthetic": 6.786985874176025, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147746.jpg", "filename": "147746.jpg", "aesthetic": 7.574051380157471, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147824.jpg", "filename": "147824.jpg", "aesthetic": 7.195713043212891, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/147866.jpg", "filename": "147866.jpg", "aesthetic": 7.422839164733887, "musiq": 0.0 }, { "tag": "", "rel_path": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/148172.jpg", "filename": "148172.jpg", "aesthetic": 7.011261940002441, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A narrative that shifts between a tense, formal indoor meeting involving high-ranking officials and a more relaxed, yet observant, outdoor social gathering. The underlying theme involves power dynamics, surveillance, and potentially a veiled connection between these two worlds. The pacing is deliberate, allowing for character study and environmental contrast.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces from behind in the same formal setting, hinting at a second figure of authority. returns to in the formal setting, reinforcing his presence. fully reveals at his desk, establishing his stern demeanor and position. shifts dramatically to an outdoor restaurant terrace, introducing and in a moment of quiet observation. brings into the outdoor scene, suggesting his pervasive influence or presence in both environments, with a subtle, knowing expression. focuses on 's contemplative reaction. shows 's gentle reaction, perhaps to something said or observed. expands 's presence in the outdoor setting by introducing at his side. concludes with a close-up of addressing someone directly, asserting his authority once more." }, "instruction_full": "Shift the camera slightly to a medium close-up from behind a new character, , showing his back and shoulders. He is wearing a distinctive military uniform, looking down or away. We remain in the same formal, wood-paneled room established in , maintaining the subdued, slightly warm lighting. This shot aims to introduce a second figure of authority in the scene, suggesting a dialogue or an impending interaction with .", "think_full": "To build on the scene established in , we need to introduce another character to signify an interaction or a meeting. Placing the camera behind (a new character not seen in ) allows for a sense of intrigue and also creates a visual counterpoint to the profile shot of in . We maintain the consistent indoor environment with the dark wood paneling seen in to ensure spatial continuity for the formal setting. The subdued lighting from is also preserved to keep the serious tone. The narrative intent is to hint at the presence of a second powerful individual, suggesting a pending conversation or shared space without fully revealing them yet.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the \"generate the next shot\" instruction, the `global_prompt`'s `shot_outline` for states: \"introduces from behind in the same formal setting, hinting at a second figure of authority.\" Based on , which shows in a formal wood-paneled room, the next logical step is to reveal another participant in this environment. The camera should maintain a similar framing style (medium close-up) but shift perspective to this new character. will be shown from behind, wearing a military uniform, indicating his role, and the setting will be the same wood-paneled room from , preserving environmental continuity. The dramatic purpose is to expand the scene by introducing another key character and raising questions about their interaction with ." }, { "instruction_full": "Return to a medium close-up of from , positioning him to face slightly more forward than in . He maintains a serious, composed expression. The shot remains in the same formal, wood-paneled room seen in and , with consistent lighting. This framing re-establishes 's presence and focus, perhaps in response to the newly introduced .", "think_full": "After introducing in , it's important to cut back to from to maintain his central role in this formal setting and to show his reaction or continued presence. The camera framing should be similar to (medium close-up) to draw a direct visual parallel, but a slight change in his facing angle (more forward) can suggest a shift in the conversation or his attentiveness. The setting remains the same wood-paneled room, consistent with and , reinforcing the continuous formal environment. The subdued lighting from and is also kept to maintain the serious tone. The narrative intent is to visually connect the two characters in the room and keep as a key focus.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\", the `shot_outline` for is: \"returns to in the formal setting, reinforcing his presence.\" Based on showing and introducing , it is now time to cut back to . The camera should resume a medium close-up, similar to , to maintain continuity and focus on his reaction or continued thought. The setting must be the same wood-paneled room from and . The purpose is to build tension between the two characters and keep as a central, contemplative figure in this formal environment." }, { "instruction_full": "Cut to a medium shot, centered on from , now facing the camera directly. He is seated at a large, prominent desk with a green blotter, a glass, and papers in his hands. A red banner or flag is partially visible to his left. He wears the same military uniform from with visible medals and maintains a stern, authoritative expression, looking straight ahead. The scene remains in the formal, wood-paneled room of , , and , but now reveals more of its official decor and props. This shot aims to fully establish 's power and his direct, confrontational demeanor.", "think_full": "After seeing in and and from behind in , the narrative demands a full reveal of to establish his character and role. A medium shot, centered and facing the camera, portrays him in a position of authority, likely at his desk. The introduction of specific props like the desk with a green blotter, a glass, and papers, along with a red banner, adds to the official and formal atmosphere, consistent with the wood-paneled room seen in , , and . His stern expression and military uniform (as seen on his back in ) with added medals, clearly define his character as powerful and possibly intimidating. This shot aims to escalate the tension hinted at in the previous shots by clearly showing the second powerful figure.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on \"generate the next shot\" and the `shot_outline` for : \"fully reveals at his desk, establishing his stern demeanor and position.\" We've seen in and , and a glimpse of from behind in . Now is the time to fully reveal . The shot should be a medium shot, framing him directly, seated at a substantial desk to emphasize his authority. The setting is the same formal room from , , and , now showing more of its official decor. He should be wearing his military uniform, seen in , and holding papers, conveying importance and a serious, direct demeanor. This shot provides a clearer understanding of the power dynamic within this formal meeting." }, { "instruction_full": "Cut to a brand-new outdoor setting: a twilight scene on a restaurant terrace, overlooking a vast, hazy landscape. The camera takes a slightly high-angle medium shot, focusing on and seated at a table in the foreground. They are looking off-frame to the right, attentive but composed, with glasses of red wine on the table. Other indistinct figures are visible at other tables in the softly lit background. The lighting is soft, ambient, with cool blue and green tones. This shot serves to dramatically shift the scene, introduce new characters, and establish a new, contemplative mood.", "think_full": "The previous three shots (, , , ) have established a tense, formal indoor environment with figures of authority. To provide a narrative contrast and expand the story, a dramatic shift in setting is required. This new setting introduces and (new characters not seen in previous images) in a completely different context: an outdoor restaurant terrace. The slightly high angle and medium shot allow us to take in both the characters and the new, expansive landscape, immediately altering the visual and emotional tone. The soft, ambient twilight lighting with cool blue/green tones creates a contemplative and slightly romantic, yet possibly watchful, atmosphere, completely new compared to the more formal and controlled lighting of the earlier indoor shots. There is no visual continuity of space or character from , , , or to this shot. The narrative intent is to introduce a new storyline or perspective, hinting that these new characters might be connected to the broader narrative in unexpected ways.", "instruction_minimal": "generate the next shot", "think_minimal": "The \"generate the next shot\" instruction, combined with the `shot_outline` for : \"shifts dramatically to an outdoor restaurant terrace, introducing and in a moment of quiet observation,\" indicates a major scene change. After the intense formal indoor meeting (`IMG_0`, `IMG_1`, `IMG_2`, `IMG_3`), the story needs a new setting and new characters to broaden the scope. This shot should be an establishing shot for this new environment, focusing on the newly introduced and . The camera should capture them seated at a table in an outdoor terrace, suggesting a social gathering. The lighting should reflect a natural outdoor setting, distinct from the indoor artificial light, to underscore the change in atmosphere. The dramatic purpose is to introduce a new, potentially parallel, storyline and new central figures." }, { "instruction_full": "Cut to a close-up of from , , now placed in the same outdoor setting as . He is looking directly at the camera, with a slight, knowing smile or smirk. The soft, ambient blue and green twilight lighting from continues to illuminate his face, suggesting his presence in this new environment. This shot aims to unexpectedly link the two disparate settings and characters, revealing 's pervasive involvement.", "think_full": "Following the introduction of and in the new outdoor setting in , the narrative needs to create a connection back to the earlier established storyline. Bringing (seen in and in the formal indoor setting) into this new environment does exactly that. A close-up framing of looking directly at the camera creates a strong, personal connection with the viewer and emphasizes his knowing expression. The continuity of the soft, ambient blue and green twilight lighting from ensures that he is clearly placed within this new outdoor context. This serves to reveal his unexpected presence in this seemingly unrelated social gathering, suggesting he is an observer or participant in both worlds and hinting at a deeper plot.", "instruction_minimal": "generate the next shot", "think_minimal": "For \"generate the next shot\", the `shot_outline` for states: \"brings into the outdoor scene, suggesting his pervasive influence or presence in both environments, with a subtle, knowing expression.\" We've seen in `IMG_0` and `IMG_2` in a formal indoor setting, and then introduced the outdoor setting with and in `IMG_4`. The next logical step, as per the outline, is to reveal 's presence in this new outdoor environment. A close-up shot of him, looking knowingly, would create an impactful link between the two narrative threads. The outdoor lighting and hazy background from must be maintained to confirm he is in the same location. The dramatic purpose is to establish a surprising connection and deepen the mystery around 's activities." }, { "instruction_full": "Cut to a close-up of from , now looking directly at the camera. He wears a neutral but thoughtful expression. The camera maintains the soft, ambient blue and green twilight lighting from and , with the hazy landscape in the background, confirming his continued presence in the outdoor restaurant setting. This shot aims to capture his reaction to something, perhaps the presence of or an unfolding situation.", "think_full": "After revealing 's presence in the outdoor scene in , it's important to capture the reaction of the newly introduced characters, and from . Focusing on with a close-up allows the viewer to interpret his thoughts and feelings, especially given the sudden connection to the earlier narrative thread. His thoughtful expression suggests he is processing what he observes or has heard. The consistent soft, ambient blue and green twilight lighting and the hazy background from and firmly place him in the same outdoor environment. This shot aims to explore the emotional impact of the revealed presence on the younger characters.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the `shot_outline` for : \"focuses on 's contemplative reaction.\" We've introduced in and then brought into the same outdoor scene in . The next logical step is to show 's reaction to this evolving situation. A close-up on his face is necessary to convey his internal state. The shot should maintain the outdoor restaurant terrace setting and the soft, blue/green twilight lighting established in and . The dramatic purpose is to show the effect of the events on the younger protagonist, implying he is aware of the situation." }, { "instruction_full": "Cut to a close-up profile shot of from , looking off to the right of the frame. She has a faint, subtle smile, and small flowers are visible in her hair. The soft, ambient blue and green twilight lighting and the hazy outdoor background from , , and confirm her location in the outdoor restaurant setting. This shot captures her nuanced reaction, perhaps contrasting with or complementing 's contemplation.", "think_full": "After showing 's reaction in , it's essential to complete the portrayal of the younger couple's response by focusing on from . A close-up profile shot allows for a nuanced reading of her expression, which is subtly different from 's. Her faint smile and the detail of the flowers in her hair add to her characterization within this particular setting. The consistent soft, ambient blue and green twilight lighting and hazy outdoor background, continuing from , , and , firmly place her in the same environment. The dramatic purpose is to provide another perspective on the unfolding situation through her reaction, suggesting her emotional state or understanding.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the `shot_outline` for : \"shows 's gentle reaction, perhaps to something said or observed.\" We've seen in and now need to focus on her reaction, similar to how we focused on in . A close-up, perhaps in profile, would emphasize her expression and any details like the flowers mentioned in the global prompt. The setting must continue to be the outdoor restaurant terrace with the same soft, blue/green twilight lighting and hazy background from , , and . The purpose is to build on the emotional responses of the younger characters and add depth to their roles." }, { "instruction_full": "Return to a medium shot of from , , , now seated alongside a new character, , also at a table in the outdoor restaurant setting from , , , and . looks off-frame to the right, as if speaking or observing something, while looks calmly at the camera with a slight smile. She wears a green jacket. The soft, ambient blue and green twilight lighting and hazy landscape from previous outdoor shots are maintained. This shot expands 's social context and introduces another figure connected to him in this environment.", "think_full": "After focusing on the reactions of the younger couple in and , it's important to return to from , , and and further develop his presence in the outdoor scene. Introducing a new character, , alongside him adds complexity to his social situation and reinforces his connection to this setting. A medium shot allows for both characters to be seen, establishing their relationship. looking off-frame creates a sense of engagement with unseen elements, while looking at the camera can draw the viewer in. The consistent soft, ambient blue and green twilight lighting and hazy landscape from , , , and ensure environmental continuity. This shot deepens the narrative around by showing him in a different social dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the `shot_outline` for : \"expands 's presence in the outdoor setting by introducing at his side.\" We've seen in the outdoor scene in , and the younger couple's reactions in and . Now, the outline suggests we need to bring back, but with a new element: . This implies a wider shot than a close-up to include both characters, likely a medium shot. They should be seated at a table in the same outdoor restaurant setting from , , , and , maintaining the soft, blue/green twilight lighting and hazy background. This shot serves to broaden the scope of 's activities in this social setting." }, { "instruction_full": "Cut back to a close-up of from , , , , looking directly at the camera with a serious, intent expression, as if addressing someone or making a definitive statement. The soft, ambient blue and green twilight lighting and the blurred outdoor background from , , , , and remain consistent, placing him firmly in the outdoor setting. This final shot re-emphasizes his authority and control, concluding his presence in this social context with a strong, direct address.", "think_full": "After showing with in , the narrative needs a strong final statement from him to conclude his arc in this specific outdoor setting. A close-up shot of (seen in , , , and ) looking directly at the camera provides a powerful sense of direct communication or assertion. His serious, intent expression underscores his authority and perhaps the culmination of a conversation or observation. The consistent soft, ambient blue and green twilight lighting and the blurred outdoor background from , , , , and ensure full environmental continuity. This shot aims to leave the viewer with a lasting impression of 's control and direct involvement in the events unfolding.", "instruction_minimal": "generate the next shot", "think_minimal": "Given \"generate the next shot\" and the `shot_outline` for : \"concludes with a close-up of addressing someone directly, asserting his authority once more.\" We've seen interacting in the outdoor scene in `IMG_5` and `IMG_8`. To conclude this segment, a powerful shot of him is needed. A close-up, similar to `IMG_5`, but with a more direct and assertive expression, would fulfill the outline's requirement. He should be looking straight into the camera or off-frame, as if making a definitive point. The outdoor restaurant setting and the soft, blue/green twilight lighting from through must be maintained. The dramatic purpose is to emphasize his commanding presence and wrap up his involvement in this particular scene." } ], "_src_movie_dir": "Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "146892_148172.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Never.Look.Away.2018.GERMAN.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/146892_148172.json", "_test_index": 220 }, { "movie": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv", "N": 10, "sample_id": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78028.jpg-The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78638.jpg", "images": [ { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78028.jpg", "filename": "78028.jpg", "aesthetic": 5.695606708526611, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78109.jpg", "filename": "78109.jpg", "aesthetic": 6.330954551696777, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78200.jpg", "filename": "78200.jpg", "aesthetic": 5.688982009887695, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78219.jpg", "filename": "78219.jpg", "aesthetic": 5.518229961395264, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78278.jpg", "filename": "78278.jpg", "aesthetic": 5.65352725982666, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78388.jpg", "filename": "78388.jpg", "aesthetic": 6.769904613494873, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78494.jpg", "filename": "78494.jpg", "aesthetic": 5.51517915725708, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78538.jpg", "filename": "78538.jpg", "aesthetic": 5.790625095367432, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78631.jpg", "filename": "78631.jpg", "aesthetic": 6.1101908683776855, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/78638.jpg", "filename": "78638.jpg", "aesthetic": 6.690560340881348, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a grand, dimly lit, opulent 19th-century setting, a tense and intimate chess game unfolds between two individuals. The atmosphere is charged with unspoken emotions, intrigue, and potential secrets. There are moments of quiet reflection and strategic calculation, hinting at deeper personal stakes beyond the game itself.", "characters": [ "", "", "" ], "shot_outline": " focuses on , revealing her emotional state or a moment of private reflection. returns to , re-establishing his presence and his interaction in the game. introduces in the chess game context, showing her engagement and the setting. re-establishes 's perspective in the game, mirroring earlier shots. offers a wider shot of , revealing more of the room and emphasizing his solitude or thoughtful posture. cuts back to 's direct reaction to 's action. focuses on as she makes a crucial move in the game. introduces , hinting at a new dynamic or interruption. concludes with in a state of reflection, perhaps back in her private space." }, "instruction_full": "Cut to a new, intimate setting with a tight overhead close-up shot of . She is lying in a bed, looking calm and serene, with soft, directional light gently illuminating her face against the dark shadows around her. Her eyes are open and gaze directly up, suggesting introspection or a moment of peace, to establish her presence and provide a stark contrast to the dramatic tension building in .", "think_full": "The global prompt sets up a story of intimacy and intrigue. While shows in a candlelit, opulent room, looking at an off-screen character, the shot outline for specifically calls for a focus on and her emotional state. To achieve this, a complete change of setting is warranted, moving from the semi-public, formal ambiance of to a private, personal space. This allows for a deep emotional dive into , who is a newly introduced character in this sequence. The overhead close-up framing isolates her, emphasizing her inner world, and the calm expression with open eyes serves as a moment of quiet before the narrative potentially ramps up. This new environment allows her introduction without linking visually to the space of , creating an intentional narrative break.", "instruction_minimal": "generate the next shot", "think_minimal": "The user's minimal instruction requires inferring the next shot. Based on the `global_prompt` and `shot_outline`, the next shot should introduce and reveal her emotional state. Since features looking off-screen, a cut to the subject of his gaze is a natural progression, though the `shot_outline` suggests focusing on her internal state. To achieve this effectively, a new, intimate setting is best, creating a visual contrast with the implied setting of . Therefore, a close-up of in a private, possibly reflective state, like lying in bed, would fulfill the narrative purpose to establish her character and emotional depth, without needing direct spatial continuity from ." }, { "instruction_full": "Return to the opulent, candlelit room, utilizing a camera angle and framing nearly identical to . Frame in a medium close-up from his right side, his gaze directed off-screen towards . He maintains a focused, perhaps slightly assessing expression, re-establishing his active participation in the scene and linking back directly to the narrative thread initiated in .", "think_full": "The `shot_outline` states that should 'return to , re-establishing his presence and interaction.' This clearly indicates a return to the scene established in , featuring . To maximize continuity and re-establish the narrative thread after the introspective cut to , reusing the camera angle and framing from is the most effective choice. , previously seen in , reappears in the same opulent, candlelit environment, maintaining a similar pose and expression. This visual repetition grounds the viewer back in the primary setting and reinforces his role, setting up a direct interaction with the now-introduced .", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires generating the next shot based on the `global_prompt`, `shot_outline`, and previous images. The `shot_outline` for is to 'return to , re-establishing his presence and interaction.' This strongly implies reverting to the scene and character established in . Therefore, the most logical choice is to bring the camera back to using a similar framing and the same opulent, candlelit room as seen in . This creates a visual anchor after the cut to and prepares for his interaction with ." }, { "instruction_full": "Cut to a reverse shot, framing from from a medium distance, facing (off-screen). She is seated at a dark, polished table, now revealing a chess game in progress between them. She is dressed in a period gown and looks intently at the chessboard, with the same opulent, candlelit room from and forming the background, to fully introduce her into the active scene and reveal the nature of their interaction.", "think_full": "The `shot_outline` for specifies to 'introduce in the chess game context, showing her engagement.' was established in in an intimate, private moment. Now, she needs to be placed within the scene with , which was re-established in (and originally in ) in the opulent, candlelit room. Therefore, the spatial continuity from and must be maintained. A reverse shot from focusing on allows her to be shown in the same continuous environment, directly interacting with the chess game. The chessboard itself is a crucial new prop that defines the 'nature of their interaction,' as per the `story_setup` of an 'intimate chess game.' Her intent gaze further emphasizes her engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, the `global_prompt`'s `shot_outline` for guides the generation: 'introduces in the chess game context, showing her engagement.' We have seen in and and in . To fulfill the outline, we must now show in the same setting as , explicitly engaged in a chess game. This means a reverse shot of (first seen in ) in the opulent, candlelit room (first seen in ), with a chessboard between her and the off-screen . This will establish the central activity and their interaction." }, { "instruction_full": "Maintain the setting of the opulent, candlelit room from , , and . Frame from and in a medium close-up, nearly identical to the previous shots of him (, ). His gaze remains fixed, perhaps with a subtle shift in expression, directed off-screen towards and the chessboard, to emphasize his reaction or strategic thinking in response to her move.", "think_full": "The `shot_outline` for is to 're-establish 's perspective in the game, mirroring earlier shots.' This calls for a return to , who we last saw prominently in . The most effective way to re-establish his perspective and create a sense of direct engagement with (seen in ) is to use a very similar, if not identical, framing to his previous appearances in and . This repetitive framing in the continuous opulent, candlelit room (established in , , ) creates a visual rhythm, highlighting the back-and-forth nature of the chess game and emphasizing his focus and reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "To generate the next shot with minimal instruction, I refer to the `global_prompt` and `shot_outline`. is planned to 're-establish 's perspective in the game, mirroring earlier shots.' This means returning to , who was introduced in and seen again in . The environment is the opulent, candlelit room seen in , , and . Therefore, a medium close-up of , similar to and , in the same setting, looking towards and the chess game, would fulfill this requirement by repeating a familiar angle to emphasize his engagement." }, { "instruction_full": "Shift the camera to a wider medium shot, still within the opulent, candlelit room established in , , , and . from , , and is now shown standing, framed centrally but with more of the room visible around him, including ornate furniture, a painting, and candelabras. He maintains a contemplative or slightly detached posture, to convey a moment of isolation or deeper thought, and to further reveal the richness and grandeur of their setting.", "think_full": "The `shot_outline` for is to 'offer a wider shot of , revealing more of the room and emphasizing his solitude or thoughtful posture.' This necessitates a change in camera framing from the closer shots of in , , and . By pulling back the camera, we can show (first seen in ) within a larger context of the opulent, candlelit room (established in ). His new posture of standing, combined with the wider view that shows more of the decorative background elements from (like the painting and candelabras), visually underscores his 'solitude or thoughtful posture' as he deliberates during the game or considers the unfolding situation.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the minimal instruction, the `shot_outline` indicates should be 'a wider shot of , revealing more of the room and emphasizing his solitude or thoughtful posture.' This means moving from the previous close-ups of (seen in , , ) to a broader view. will still be in the opulent, candlelit room (seen in all previous shots involving him), but now standing, allowing more of the luxurious background elements to be visible. This change in framing will visually convey a moment of internal reflection or a sense of his place within the grand setting." }, { "instruction_full": "Return to a medium close-up of (from , , , ), similar to the framing of , , and , in the continuous opulent, candlelit room. His eyes are now slightly wider, showing a subtle reaction or surprise as he looks towards 's hand, which is visible in the foreground, making a move on the chessboard, to build dramatic tension and show his immediate response.", "think_full": "The `shot_outline` for is to 'cut back to 's direct reaction to 's action.' After the wider, reflective shot in , returning to a closer, more immediate perspective of (first seen in ) is necessary to capture his reaction. The camera framing should be similar to his previous close-ups in , , and to maintain a consistent visual language for his point of view. The continuous opulent, candlelit room environment (established in ) further grounds the scene. The subtle change in his expression and the visual inclusion of 's hand making a chess move (linking to the game revealed in ) directly addresses the requirement for his 'direct reaction to 's action,' intensifying the moment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, the `shot_outline` for is to 'cut back to 's direct reaction to 's action.' This implies a return to (who has appeared in , , , ) in the opulent, candlelit room (established in ). To show a 'direct reaction,' a medium close-up, similar to earlier shots of him, would be appropriate. His expression should convey a response, and possibly include a visual cue of 's action, such as her hand on the chess board (established in ), to make the interaction clear." }, { "instruction_full": "Cut to a reverse shot, framing (from , ) in a medium close-up, similar to , as she completes her move on the chessboard. She maintains a focused and determined expression, with 's arm and shoulder visible in the foreground. The opulent, candlelit room from through continues as the background, to highlight her agency and the critical moment of her strategic decision in the chess game.", "think_full": "The `shot_outline` for is to 'focus on as she makes a crucial move in the game.' Having just seen 's reaction in , it's narratively essential to now show (first seen in and at the chessboard in ) performing the action he reacted to. A reverse shot from allows us to frame her in a similar manner to , emphasizing the chess board (revealed in ). Her focused expression and the act of moving a piece directly fulfill the instruction. The setting, the opulent, candlelit room (consistent since ), remains continuous, ensuring a seamless flow in their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction points to the `shot_outline` for : 'focus on as she makes a crucial move in the game.' This means returning to (seen in , ) at the chessboard (revealed in ), in the opulent, candlelit room (present since ). A medium close-up, likely a reverse shot from showing , would allow us to capture her focused expression and the action of her hand on a chess piece, emphasizing her role in the game." }, { "instruction_full": "Introduce a new character, , in a medium close-up shot, similar in framing to the shots of (e.g., , ). He stands near the chess table in the opulent, candlelit room (continuous from through ), smiling and looking towards . His presence signals a shift in the scene's dynamic, possibly an interruption or a new participant in the intimate interaction.", "think_full": "The `shot_outline` for is to 'introduce , hinting at a new dynamic or interruption.' This requires bringing a brand new character, designated as , into the established scene. By using a similar medium close-up framing to how (first seen in ) has been shown, it subtly places this new character as potentially significant, creating a visual parallel. The setting is explicitly the continuous opulent, candlelit room (seen in , , , , , , ), maintaining environmental consistency. His smile and direction of gaze towards immediately establish his connection to the ongoing scene, fulfilling the narrative intent of introducing a new dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction directs me to the `shot_outline` for : 'introduces , hinting at a new dynamic or interruption.' This means a new character, , must be brought into the scene. The opulent, candlelit room has been established since and is the current setting. A medium close-up is appropriate for introducing a new character's facial expression and presence. He should be positioned as if he is joining or observing the chess game, to create the intended 'new dynamic' in the ongoing interaction between and ." }, { "instruction_full": "Cut back to the intimate setting, almost identical to , with an overhead close-up of (from , , ) lying in bed. Her eyes are now closed, and her expression is one of calm rest or deep contemplation. The soft, directional lighting from is maintained, providing a reflective conclusion to the sequence, suggesting she is processing the events or returning to a private, inner world after the interaction and the introduction of .", "think_full": "The `shot_outline` for is to 'conclude with in a state of reflection, perhaps back in her private space.' After the introduction of in , which likely caused a shift in the scene's dynamic, returning to (first seen in ) in her private setting is a strong narrative choice for reflection. To emphasize this, the camera framing and setting should be nearly identical to , creating a bookend effect. Her closed eyes, in contrast to the open eyes in , suggest a deeper, more internal processing of recent events or simply a return to sleep, providing a sense of closure to her arc in this sequence. This leverages the established character and distinct environment from .", "instruction_minimal": "generate the next shot", "think_minimal": "For the minimal instruction, the `shot_outline` for states: 'concludes with in a state of reflection, perhaps back in her private space.' This points directly back to (seen in , , ) and specifically the intimate, private setting from . Therefore, the final shot should be a return to the close-up overhead of in bed, mirroring . Her expression, perhaps with closed eyes, would convey the 'state of reflection' and conclude the narrative sequence with a focus on her internal world after the preceding interactions and the new character introduction." } ], "_src_movie_dir": "The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv", "_src_filename": "078028_078638.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Young.Victoria.2009.2160p.BluRay.x264-METiS.mkv/078028_078638.json", "_test_index": 242 }, { "movie": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv", "N": 10, "sample_id": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170673.jpg-Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171968.jpg", "images": [ { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170673.jpg", "filename": "170673.jpg", "aesthetic": 6.346436500549316, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170676.jpg", "filename": "170676.jpg", "aesthetic": 6.579948425292969, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170808.jpg", "filename": "170808.jpg", "aesthetic": 6.2056427001953125, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170970.jpg", "filename": "170970.jpg", "aesthetic": 6.630528450012207, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171345.jpg", "filename": "171345.jpg", "aesthetic": 4.130088806152344, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171483.jpg", "filename": "171483.jpg", "aesthetic": 5.492264747619629, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171659.jpg", "filename": "171659.jpg", "aesthetic": 3.9843873977661133, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171806.jpg", "filename": "171806.jpg", "aesthetic": 5.906939506530762, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171935.jpg", "filename": "171935.jpg", "aesthetic": 5.430636882781982, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/171968.jpg", "filename": "171968.jpg", "aesthetic": 6.369001865386963, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense, high-stakes Cold War exchange or negotiation is unfolding at a heavily fortified border crossing. The atmosphere is grim, cold, and under constant surveillance, with political implications looming over every interaction. The pacing is slow, emphasizing the gravity and formality of the situation.", "characters": [ "", "", "", "", "" ], "shot_outline": " shifts focus to 's perspective, emphasizing the close interaction and tension from the American side. returns to a wider view of the two negotiators against the bridge, highlighting their shared presence in the hostile environment. reveals the surrounding context of the border, showing more military presence and vehicles, emphasizing the official and controlled nature of the exchange. cuts to a high vantage point from a guard tower, showing maintaining strict surveillance. is a wide shot of the border crossing from a distance, reinforcing its heavily fortified and controlled nature. is a closer shot of in the guard tower, emphasizing their focused watchfulness. returns to and at the crossing point, waiting or observing, with an in the background. is a wide shot of the border similar to , but now with cars arriving, signaling a development in the exchange. returns to and , introducing documenting the event, emphasizing the public/propaganda aspect of the exchange." }, "instruction_full": "Shift the camera to an over-the-shoulder shot from the perspective of 's interlocutor, maintaining a similar framing to but reversing the angle. Feature in the foreground, facing the camera, with a neutral but serious expression, wearing glasses, a hat, and a brown coat. The back of 's head should be visible in the foreground, maintaining the over-the-shoulder perspective from . Other figures, possibly and other people in civilian clothes, are in the mid-ground/background, some near dark vehicles. The scene continues in the cold, outdoor border setting established in , with dark vehicles and possibly snow or ice on the ground, but with less emphasis on the bridge structure and more on the immediate vicinity. The lighting remains stark and cold. The narrative purpose is to establish the perspective of the other key figure in the exchange, creating a sense of dialogue and shared tension.", "think_full": "The scene clearly remains in the same cold, outdoor border crossing from . The dark, cold atmosphere, and the presence of vehicles and other figures in the background maintain the continuity of the setting. The focus shifts from the abstract bridge of to more immediate ground-level details and other people, implying a wider activity around the main characters. appears from , now seen from behind, maintaining visual continuity. The character who was seen from behind in is now revealed as , establishing his face and attire (glasses, hat, brown coat). Other figures (implied as or other officials) are newly introduced in the background, adding to the density of the scene. By showing the reverse shot, the sequence establishes a conversation and mutual focus between the two main characters. Revealing the face of humanizes the interaction and sets up a symmetrical exchange, emphasizing the bilateral nature of the tense situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction 'generate the next shot' requires inferring the next step. Based on the global_prompt.story_setup of a tense exchange and global_prompt.shot_outline for ('shifts focus to 's perspective, emphasizing the close interaction and tension from the American side'), a counter-shot from the perspective of the other main participant in the exchange is logical. To achieve this, the camera should reverse the over-the-shoulder shot from , maintaining a similar framing but now showing the face of the other negotiator. This would reveal who was obscured in , while keeping visible from behind, maintaining the conversational dynamic. Other people in the background would further emphasize the public nature of the interaction. The setting remains the same cold, outdoor border crossing from , with dark vehicles and official presence, reinforcing the tense environment. This shot deepens the sense of interaction and confirms the presence of another key figure, fulfilling the outline's goal to focus on the associate and build pressure." }, { "instruction_full": "Transition back to a medium shot of both characters, similar to the general framing of in , but now showing both and in the frame, slightly wider than to include both. The camera remains at eye level. Feature both (from and ) and (from ) standing side-by-side, looking forward or slightly off-camera with serious expressions. Maintain the cold, outdoor border setting from and , with the bridge structure and a uniformed visible in the misty background, emphasizing the stark environment and official presence. The narrative purpose is to show the two American negotiators as a united front in this hostile environment, highlighting their shared ordeal and the imposing nature of their surroundings.", "think_full": "The scene continues in the same cold, misty outdoor border area previously established in and . The bridge structure from and the suggestion of military presence are now more clearly visible behind the characters, reinforcing the hostile and official nature of the location. Both from and from are now centrally featured together, confirming their partnership and shared involvement in the situation. Their serious expressions maintain the tense mood established in previous shots. A uniformed is also visible in the background, echoing the presence of similar figures in . This shot broadens the perspective slightly from the intimate two-shot in to show both key negotiators together, reinforcing their joint mission. Placing them against the imposing bridge and military backdrop (from ) visually emphasizes the pressure they are under and the scale of the environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline indicates should 'return to a wider view of the two negotiators against the bridge, highlighting their shared presence'. To achieve this, a medium shot that includes both characters is needed, perhaps returning to a view similar to but wider. Both and should be present, looking purposeful in their shared environment. The background should again show the imposing bridge and possibly from , reinforcing the cold, official border setting. This shot solidifies the image of the two men as a team, facing the challenging environment together, and reminds the viewer of the grandeur and coldness of the border crossing." }, { "instruction_full": "Pull back to a wider shot, from a slightly elevated angle, to encompass more of the surrounding environment and additional figures. This shot moves away from the direct interaction of the previous shots , , and . Show (from , , ) and (from , ) in the mid-ground, surrounded by several other uniformed and civilian figures, including more . They appear to be moving or standing amidst a larger gathering. Reveal more of the outdoor border area, including parked dark vehicles (like a military jeep) and a building structure, possibly with snow on the ground. The lighting remains dim and cold, consistent with the atmosphere established in , , and . The narrative purpose is to expand the scope of the scene, showing the full scale of the border crossing and the presence of numerous officials and military personnel, emphasizing the formality and security of the event.", "think_full": "This shot significantly expands the visible environment, moving beyond the immediate vicinity of the bridge from and , but maintaining the overall cold, official, and outdoor border setting consistent with all prior shots. New elements like the 'US ARMY' jeep and a building are introduced, providing more context to the fortified nature of the location. The dim, cold lighting remains consistent. Both (from , , ) and (from , ) are visible, though smaller in the frame, maintaining their presence in the scene. A larger number of new uniformed and civilian figures, identified as additional and other officials, are introduced, underscoring the formal and public nature of the gathering. By widening the shot, the scene shifts from the personal interaction to the broader context of the exchange. It emphasizes the sheer number of people involved and the significant military and official presence, heightening the stakes and formality of the event. It sets the stage for a major official exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it should 'reveal the surrounding context of the border, showing more military presence and vehicles'. A wider, possibly slightly elevated shot is necessary to show more of the environment and people. The two negotiators should still be visible, but surrounded by more people, especially military personnel. The shot needs to show more of the actual border crossing, including vehicles and structures, to give a sense of scale and officialdom, building on the cold outdoor setting from previous images. This shot serves to establish the grandeur and high security of the exchange, showing that it's a major official event with many witnesses and security measures." }, { "instruction_full": "Cut to a low-angle, wide shot looking up at a guard tower at night. This is a significant shift in perspective, moving away from the ground-level activity seen in , , , and . Two are visible inside the guard tower, armed and vigilant, overseeing the area below. Their faces are partially obscured by shadow or distance. A distinct, tall guard tower, lit by a single streetlamp or floodlight on the left. The surroundings are dark and barren, suggesting a desolate and heavily secured border zone. This introduces a new architectural element to the setting, distinct from the bridge and immediate crossing area previously shown. The narrative purpose is to establish the constant surveillance and high security of the border, emphasizing the watchful and potentially dangerous environment from the perspective of those guarding it.", "think_full": "This shot introduces a new distinct architectural element—a guard tower—and shifts the perspective dramatically to a low-angle view against a dark night sky. While the general atmosphere of cold and darkness is consistent with , , , and , the specific location (up in a tower) and structure are new. This new element reinforces the idea of a heavily fortified border established by the military presence in . Two new are introduced in this shot, specifically positioned as guards in a tower. They are not directly linked to the specific military figures seen in , , or , but represent the broader category of 'military personnel' involved in securing the area. This shot provides a crucial perspective of surveillance, reinforcing the high-stakes, controlled nature of the border crossing. It visually reminds the viewer of the constant watch, the potential for danger, and the lack of privacy in this environment, broadening the understanding of the 'hostile environment' mentioned in the global prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'cuts to a high vantage point from a guard tower, showing maintaining strict surveillance.' A cut to a new, higher vantage point is required, specifically a low-angle shot looking up at a guard tower. should be seen in the tower, armed and alert. The guard tower itself becomes the central element, surrounded by darkness, and perhaps a streetlamp, signifying the nighttime watch. This expands on the official border environment by showing its fortified aspects. This shot conveys the strict surveillance and security at the border, adding to the tension and feeling of being watched." }, { "instruction_full": "Transition to a very wide, establishing shot of the entire border crossing area from a slightly low angle, showing the guard tower from in the distance. This shot dramatically pulls back from the close-up and medium shots of characters, and even from the specific guard tower perspective, to give a comprehensive view. Any visible figures, including , will be small and indistinct due to the wide framing, emphasizing the scale of the fortified landscape over individual presence. Display the full breadth of the heavily fortified border crossing. This includes numerous 'Czech hedgehog' anti-tank obstacles in the foreground, guard booths, streetlights, and the guard tower (seen in ) in the mid-ground. The overall lighting is dim and bluish-grey, with bright artificial lights from the streetlamps creating an eerie, desolate atmosphere, consistent with the cold, dark setting from previous shots like and , but revealing its full extent. The narrative purpose is to underscore the immense scale, desolation, and extreme fortification of the border, highlighting the barrier's imposing and intimidating nature.", "think_full": "This shot provides a grand establishing view of the complete border crossing. It integrates elements seen piecemeal before: the guard tower from is now a distant detail, and the general cold, official atmosphere from , , , and is expanded into a vast, desolate, and heavily fortified landscape. The 'Czech hedgehog' obstacles are newly introduced foreground elements that strongly emphasize the impenetrability of the border. The bluish, dim lighting reinforces the cold, artificial nature of the crossing. There are no prominently visible characters, which shifts the focus from individual actors (like and ) to the oppressive environment itself. Any are mere specks within the scene, further emphasizing the impersonal nature of the border. This wide shot serves as a powerful visual statement of the border's formidable nature, its political significance, and the sheer challenge it represents. It places the individual struggles of the negotiators (seen in , , ) within a much larger, more intimidating, and inhuman context. It fulfills the outline's purpose of reinforcing the heavily fortified nature.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates 'A wide shot of the border crossing from a distance, reinforcing the heavily fortified and controlled nature of the area.' A very wide, possibly slightly low-angle, establishing shot is needed to show the entire border area. Individuals will be tiny, if visible, emphasizing the environment over people. This shot should clearly depict the full extent of the border's fortifications, including barriers like the Czech hedgehogs, guard booths, and the guard tower from , under the same dim, cold lighting as previous shots. To powerfully convey the intimidating scale and extreme security of the border crossing, emphasizing its role as a significant, formidable barrier." }, { "instruction_full": "Cut back to a medium close-up shot of two inside the guard tower, at an eye-level angle, similar to the perspective of but much tighter. Two armed (reintroducing figures similar to those in ) are shown inside the tower, looking out with focused, stern expressions, holding rifles. One is slightly more prominent in the foreground. The interior of the guard tower, which was seen from a distance in and , is now the immediate background. The dim, dark conditions within the tower are visible, highlighting the enclosed and watchful nature of their post. The background outside the tower is dark, suggesting the night from and . The narrative purpose is to re-emphasize the vigilant and constant surveillance at the border, bringing the human element of the guards back into focus after the wide environmental shot.", "think_full": "This shot returns directly to the guard tower environment, which was initially introduced in and seen from a distance in . The interior of the tower and the dark, outside night are consistent with the previous depiction. It narrows the focus from the wide expanse of back to a specific, threatening element. The two are reintroduced, now in a tighter framing, recalling the figures seen in . Their armed and watchful posture maintains the sense of constant vigilance established earlier. This provides a human face (albeit a stern, shadowed one) to the formidable border depicted in . After the impersonal, vast landscape of , this shot re-personalizes the threat and surveillance. It reminds the viewer that despite the large-scale fortifications, there are human eyes constantly watching, increasing the sense of immediate threat and scrutiny for the characters involved in the exchange. It fulfills the outline's goal to show closer watchfulness.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it is 'A closer shot of in the guard tower, emphasizing their focused watchfulness.' A medium close-up is needed to show the guards' faces and expressions, tighter than . The two from should be featured, armed and looking vigilant. The interior of the guard tower forms the immediate background, and the dark night outside, linking to the guard tower environment established in and . To reinforce the idea of constant, human surveillance at the border, bringing the threat of the watchful guards into closer, more personal focus after the wide shot of the border." }, { "instruction_full": "Cut back to a medium shot of and from a side profile, similar to the general framing of both characters in (though from a slightly different angle), to re-center the narrative on them. Feature (from , , , ) and (from , , ) standing together, looking forward with expressions of anticipation or cautious observation. A new character, , in a uniform coat and hat, is visible in the background, entering a building or booth, signifying their arrival or presence. The setting returns to a more immediate area of the border crossing, possibly inside or at the entrance of a building or official booth, distinct from the open-air bridge of or the wide border view of . Bright overhead lights illuminate the immediate area, providing a contrast to the general darkness of the previous shots and suggesting an interior or covered area. The overall cold atmosphere remains, consistent with the previous outdoor shots. The narrative purpose is to shift the focus back to the protagonists after showing the extensive security, and to introduce the direct presence of the opposing party, signaling a new phase or development in the exchange.", "think_full": "This shot introduces a new immediate location within the border complex—a more sheltered or built-up area with bright overhead lighting, suggesting an official checkpoint building or booth. This differs from the open bridge of and , and the expansive outdoor area of and , but is still clearly part of the overall border setting. The cold atmosphere remains. (from , , , ) and (from , , ) reappear, bringing the focus back to the central figures after the surveillance-focused shots. A new character, identified as , is introduced in the background, signifying the presence of the other side in the exchange, creating a direct visual link to the opposing party. After the impersonal wide shots and surveillance focus (from , , ), this shot brings the narrative back to the key players. The introduction of directly engages the opposing side, signifying that the actual exchange or interaction is imminent or underway, increasing the tension and moving the story forward.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'Returns to and at the crossing point, possibly waiting or observing, with an in the background.' A medium shot showing both negotiators is needed, perhaps a side profile, to re-establish their presence. and should be together, and a new character, , should be visible in the background. The setting should be an official part of the border crossing, possibly near a building or booth, with artificial lighting, different from the open bridge or wide outdoor area but still conveying the cold, official atmosphere. To bring the focus back to the protagonists, show them awaiting developments, and introduce the direct presence of the other side in the exchange, advancing the narrative." }, { "instruction_full": "Return to the wide, establishing shot of the entire border crossing from a slightly low angle, similar to , but with a subtle zoom or progression of vehicles. Similar to , figures are indistinct due to the wide framing, but now several dark cars are visibly approaching the checkpoint from the distance, carrying important individuals (not specifically characters from the prompt, but implying new arrivals). Revisit the heavily fortified border crossing, including the 'Czech hedgehog' anti-tank obstacles, guard booths, streetlights, and the guard tower from and in the distance. The dim, bluish-grey lighting and eerie atmosphere from are maintained, but the presence of moving vehicles adds a dynamic element to the static landscape. The narrative purpose is to signal a significant arrival or movement at the border, indicating that the core event (e.g., prisoner exchange) is now actively unfolding, escalating the tension established in .", "think_full": "This shot is a direct return to the wide, establishing view of the heavily fortified border crossing initially shown in . It re-establishes the 'Czech hedgehog' obstacles, guard booths, streetlights, and the guard tower (from and ), maintaining the cold, bluish-grey, and desolate atmosphere. The key difference is the introduction of cars moving into the scene, activating the previously static landscape. Similar to , individual characters are not foregrounded, as the focus is on the environment and the new activity. The approaching cars imply the arrival of other participants or elements crucial to the exchange, building on the anticipation from where was introduced. After focusing on the human elements and their anticipation in , this shot uses the wide, imposing landscape from to dramatically signal the beginning of the actual exchange or a crucial phase. The approaching vehicles create a sense of impending action and increase the overall tension, fulfilling the outline's goal of signaling a development.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates 'A wide shot of the border similar to , but now with cars arriving, signaling a development in the exchange.' Replicate the wide, establishing shot from , perhaps with a slight dynamic element to emphasize movement. Figures will be indistinct. The key is the arrival of cars, implying important new presences. The familiar heavily fortified border crossing, with 'Czech hedgehogs', guard booths, and the guard tower from , under the same dim, bluish light. To visually mark a significant turning point in the unfolding event, with the arrival of vehicles signifying the actual start of the exchange or a critical stage, thereby escalating the narrative." }, { "instruction_full": "Cut back to a medium shot of and from a side profile, very similar to the framing of , but now slightly wider to accommodate an additional person. Feature (from , , , , ) and (from , , , ) observing the scene. Now, an additional new character, , is positioned behind them, actively filming or photographing the events with a large camera, emphasizing the public and documented nature of the exchange. (from ) might still be vaguely visible in the background. The setting remains the immediate area of the official border crossing, likely near the building or booth seen in , with similar bright overhead lighting and the underlying cold atmosphere. The background from is largely maintained, but with the added context of the events signaled by the approaching cars in . The narrative purpose is to highlight the public and politically sensitive nature of the exchange by showing it being documented, and to reinforce the key observers' roles in witnessing the unfolding events.", "think_full": "The shot returns to the more immediate official checkpoint area from , maintaining the bright overhead lights and cold atmosphere. This creates a sense of spatial continuity and a clear link back to the protagonists' immediate observation point after the wide shot of the approaching cars in . (from , , , , ) and (from , , , ) are central again, continuing their role as observers. The key new element is the introduction of , signifying that the event is being officially recorded. from may remain a background presence. Following the dynamic development in with the arriving cars, this shot shifts the focus to the act of recording the event. The presence of underscores the political implications and propaganda value of the exchange, adding another layer of complexity and public scrutiny to the tense situation. It fulfills the outline's goal of emphasizing the public aspect.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'Returns to and , introducing documenting the event, emphasizing the public/propaganda aspect.' A medium shot similar to is appropriate, but slightly wider to include the new character. Both and should be present, and crucially, with a camera should be visible, documenting the scene. The setting should be the same official border area from , with similar lighting, indicating they are still at their observation point. To clearly establish that the exchange is a public event, under scrutiny, and being recorded for wider dissemination, adding a layer of political significance and pressure." } ], "_src_movie_dir": "Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv", "_src_filename": "170673_171968.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Bridge.of.Spies.2015.2160p.BluRay.Remux.AVC.DTS-HD.MA.5.1.UKR.ENG.mkv/170673_171968.json", "_test_index": 245 }, { "movie": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv", "N": 10, "sample_id": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130169.jpg-The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/131155.jpg", "images": [ { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130169.jpg", "filename": "130169.jpg", "aesthetic": 5.82600736618042, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130262.jpg", "filename": "130262.jpg", "aesthetic": 5.818861484527588, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130427.jpg", "filename": "130427.jpg", "aesthetic": 6.742394924163818, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130466.jpg", "filename": "130466.jpg", "aesthetic": 6.208851337432861, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130579.jpg", "filename": "130579.jpg", "aesthetic": 6.887537002563477, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130714.jpg", "filename": "130714.jpg", "aesthetic": 6.284418106079102, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130879.jpg", "filename": "130879.jpg", "aesthetic": 5.898130893707275, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130918.jpg", "filename": "130918.jpg", "aesthetic": 6.338210582733154, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/131125.jpg", "filename": "131125.jpg", "aesthetic": 6.682822227478027, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/131155.jpg", "filename": "131155.jpg", "aesthetic": 6.721555233001709, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Three men on a luxurious yacht are engaged in a serious business discussion under the bright sun. One is a relaxed, powerful figure, another is a formal associate presenting documents, and a third is a quiet observer. The narrative unfolds as a negotiation or presentation, with shifts in focus between the key players, emphasizing their reactions and the flow of information. The tone is initially formal and tense, gradually easing into a more settled, positive resolution.", "characters": [ "", "", "" ], "shot_outline": " focuses on as he presents, showing his earnestness. reverses the shot to capture 's initial reaction and attentive stance. returns to , continuing the presentation with a subtle shift in expression. shows making an assertive point with a gesture. captures 's reaction to the executive's assertion. pulls back to a wider two-shot, showing both and in discussion, re-establishing their spatial dynamic. tightens on again, highlighting his continued explanation or response. focuses on , showing a positive and confident reaction. concludes the sequence with 's mirroring positive reaction, indicating a successful resolution." }, "instruction_full": "Cut to a medium close-up on . The camera frames him looking intently towards the right side of the frame, directly engaging with who is partially visible and out of focus in the left foreground. maintains a serious expression as he holds the papers from . The shot remains on the deck of the luxury yacht from , with the water and a distant cityscape visible in the background, now featuring an American flag, to establish the direct interaction and the seriousness of the presentation.", "think_full": "The initial shot established the general scene with all three characters. To advance the narrative, needs to isolate the direct interaction between and . By moving to a medium close-up on , we capture his earnestness and focus on the papers he's presenting. The partial inclusion of in the foreground maintains the dynamic connection without revealing his full reaction yet. The luxurious yacht setting from is retained, reinforced by the distant water and city, and the addition of the American flag adds a specific detail to the environment. This framing serves to immediately draw the viewer into the core of the business discussion, highlighting the gravity of what is conveying.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, and guided by the global_prompt.shot_outline for ('Focus on 's reaction or direct address to , creating a two-shot that emphasizes their immediate interaction.'), the most logical next step is to zoom in on the primary interaction. I should establish a medium close-up on (seen in ), who is actively presenting documents to (also seen in ). should be present, perhaps blurred in the foreground, to indicate the direction of the associate's attention. The setting will remain the yacht deck from , maintaining environmental continuity. This shot will emphasize the seriousness of the presentation and draw attention to 's role." }, { "instruction_full": "Reverse the camera angle from , cutting to a medium close-up on . He should be looking intently towards the left of the frame, directly engaging with who is now implied off-screen or as a blurred presence on the right. maintains his relaxed yet attentive posture from , listening without the papers. The scene remains on the luxury yacht from and , with the marina and docked boats from visible in the blurred background, to show his direct reception of the information.", "think_full": "After focused on 's presentation, needs to show 's perspective and reaction. This employs a classic shot-reverse-shot technique, crucial for building conversational rhythm and showing both sides of an interaction. We shift the camera to a similar medium close-up, but now on (established in and partially seen in ). His expression of attention and the implied presence of (central in ) in the foreground or off-screen reinforces the direct exchange. The luxurious yacht environment from and continues, with the marina background elements from grounding the scene. This shot's purpose is to reveal the executive's initial response and engagement, balancing the focus between the two main characters.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'generate the next shot' instruction and the global_prompt.shot_outline for ('Reverse shot on , showing his perspective and reaction to '), the next logical image is a reverse angle from . This means focusing on (seen in , partially in ) in a medium close-up, looking towards where (central in ) would be. The setting remains the yacht deck from and , with the marina background consistent with . This shot is vital for establishing 's reaction and maintaining the conversational flow." }, { "instruction_full": "Cut back to the medium close-up on , replicating the camera angle and framing from . He is the central figure, looking intently towards (implied off-screen or blurred foreground). His expression remains serious, perhaps with a subtle shift as the conversation progresses. The luxury yacht deck setting is continued from , , and , with the American flag visible in the background as seen in , to maintain the conversational rhythm and focus on his continued presentation.", "think_full": "Having established 's reaction in , the narrative requires us to return to to continue the presentation or dialogue. Replicating the framing from on (established in , seen in ) maintains visual continuity and strengthens the shot-reverse-shot pattern. His serious expression continues, reflecting the gravity of the discussion, but a subtle change could indicate the progression of his argument. The consistent yacht setting from , , , including the American flag from , keeps the environment stable. This shot () helps to sustain the back-and-forth dynamic and allows the audience to follow the flow of information.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'generate the next shot' instruction and the global_prompt.shot_outline for ('Return to , perhaps showing a change in expression or stance, continuing the back-and-forth.'), the natural progression after seeing 's reaction in is to cut back to . I should use the same medium close-up framing as for consistency. (seen in , ) would be looking towards , maintaining his earnest demeanor. The yacht setting from , , is continuous, with the American flag from visible. This shot furthers the conversation, showing the associate's continued input." }, { "instruction_full": "Cut back to the medium close-up on , reversing the angle again, similar to . He is the central subject, now actively making a gesture with his hands, perhaps to emphasize a point or pose a question, while looking directly towards . His expression remains confident and engaged. The shot continues on the luxury yacht deck, consistent with , , , and , with the marina background similar to , to show his active participation and potential assertion of control.", "think_full": "Following 's continued presentation in , it is now 's turn to respond, and his response should show increased engagement. Replicating the medium close-up framing from on (established in , seen in ) makes sense. The addition of a hand gesture signifies a shift from passive listening to active assertion or questioning, increasing the dynamic tension of the conversation. The yacht environment from , , , , including the marina background from , remains constant. This shot () serves to advance the negotiation, highlighting the executive's power and direct involvement in the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the global_prompt.shot_outline for ('Return to , possibly showing him asserting control or making a point with a gesture.'), the shot after should focus on 's response. I'll use a medium close-up from 's angle on (seen in , ). He should be making a distinct hand gesture, signaling active participation. The setting is the continuous yacht deck from through , with the marina background consistent with . This emphasizes his command or a critical point he is making." }, { "instruction_full": "Cut back to the medium close-up on , matching the framing from and . He is the central figure, looking intently towards (implied off-screen or blurred foreground), with an attentive expression, perhaps reacting to 's assertion from . His own hands are now visible in the lower part of the frame, in a slight gesture of listening or responding. The luxury yacht deck setting is maintained from through , with the American flag visible in the background, consistent with and , to show his continued engagement and reaction.", "think_full": "After 's assertive gesture in , the narrative requires a reaction from . By returning to the medium close-up on (seen in , , ) with a frame similar to and , we maintain the established conversational flow. His attentive expression and the visible subtle hand gesture indicate he is actively processing and potentially preparing to respond to the executive's point, reflecting the dynamic progression of the discussion. The yacht environment from through , including the American flag from and , remains constant, ensuring visual continuity. This shot () emphasizes the associate's continued involvement and the impact of the executive's assertion.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'generate the next shot' instruction and the global_prompt.shot_outline for ('Focus again on , showing his continued reaction to 's assertions.'), the next shot should return to . I'll use the consistent medium close-up from and on (seen in , , ), capturing his reaction to 's (seen in , , ) gesture in . His hands might be visible to show further engagement. The yacht setting from through , with the American flag from and , will be maintained. This shot reinforces the back-and-forth nature of the dialogue." }, { "instruction_full": "Pull back the camera to a slightly wider two-shot, framing both and seated in their chairs, opposite each other. appears relaxed, holding a glass of wine or drink, while is making a broader, more open hand gesture as if explaining something. This wider shot re-establishes the broader context of the luxurious yacht deck and the surrounding marina from , offering a more complete view of their interaction and environment after the series of close-ups.", "think_full": "After a series of alternating close-ups ( through ) that emphasized the intense conversational exchange, a wider two-shot for is necessary to re-establish the broader context and the spatial relationship between and . This shot brings back the perspective seen in , showcasing both characters (seen in through ) in their chairs, allowing for observation of their full body language. The inclusion of a drink for subtly suggests a shift in the tone or duration of the discussion, possibly indicating a more relaxed phase. The prominent display of the luxurious yacht deck and the marina from reinforces the opulent setting. This framing serves to provide a fresh visual perspective and allows for an assessment of the overall power dynamics in a broader context.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the global_prompt.shot_outline for ('A wider shot of both and , showing their interaction and the context of the yacht, potentially with a shift in power dynamics.'), after several close-ups, a wider shot is needed. I will frame both and (both seen in through ) seated on the yacht, similar to the initial establishing shot , but perhaps focusing on their conversation. might be gesturing, and should appear relaxed. The luxurious yacht setting from through , with the marina, will be clearly visible. This shot provides a broader view of their interaction and location." }, { "instruction_full": "Cut back to a medium close-up on , similar in framing to , , and . He is the central figure, actively speaking and gesturing with his right hand, looking intently towards (implied off-screen or blurred foreground). His expression is earnest, as if making a key point or providing further explanation. The luxury yacht deck setting is continued from through , with the American flag visible behind him as seen in , , , to emphasize his specific input in the discussion.", "think_full": "After the wider shot in re-established the overall scene, it's beneficial to return to a tighter focus on one character to convey specific details or arguments. Replicating the medium close-up framing from , , and on (seen in , , , , ) is logical. His active speaking and gesturing with his right hand, seen in the wider shot , reinforces his continued role in explaining or presenting. The consistent yacht setting from through , including the American flag, maintains environmental continuity. This shot () helps to highlight a specific point or phase of his presentation, inviting a direct response from the executive.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'generate the next shot' instruction and the global_prompt.shot_outline for ('A tighter shot on , showing his continued explanation or response.'), after the wider shot , a tighter focus on is needed. I will return to a medium close-up similar to , , and on (seen in , , , , ). He should be actively speaking and gesturing towards . The yacht setting from through , with the American flag from earlier close-ups, will provide continuity. This shot aims to emphasize his specific arguments or explanations." }, { "instruction_full": "Cut to a medium close-up on , reversing the angle from , similar to and . He is the central subject, now looking towards (implied off-screen or blurred foreground) with a clear, confident smile, indicating approval, amusement, or a sense of successful outcome. His posture remains relaxed. The shot continues on the luxury yacht deck, consistent with through , with the marina and docked boats visible in the background, similar to and , to show his positive reaction to the ongoing discussion.", "think_full": "Following 's continued explanation in , the narrative demands a reaction from . Replicating the medium close-up framing from and on (seen in , , , ) is appropriate. His confident smile is a significant emotional beat, marking a shift from earlier serious or assertive expressions. This smile is a direct response to what (seen in , , , , , ) has presented, suggesting a positive turn or resolution in the discussion. The consistent yacht environment from through , including the marina background from and , maintains visual stability. This shot () provides a clear emotional response, signalling a potential conclusion to the contentious part of the negotiation.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the global_prompt.shot_outline for ('A reaction shot of , possibly smiling or showing confidence.'), the next shot must be a reaction from . I will use a medium close-up, mirroring the angles from and , on (seen in , , , ). He should be smiling confidently at . The yacht setting from through , with the marina background, will provide environmental continuity. This shot conveys a positive shift and satisfaction from the executive." }, { "instruction_full": "Cut back to a medium close-up on , matching the framing from , , , and . He is the central figure, now smiling broadly as he looks towards (implied off-screen or blurred foreground). His expression mirrors the positive sentiment established by in , suggesting agreement or shared success. The luxury yacht deck setting is maintained from through , with the American flag visible behind him as seen in , , , and , to provide a symmetrical positive reaction and conclude the immediate interaction.", "think_full": "Following 's positive smile in , the narrative needs to show a corresponding positive reaction from to signify a mutual positive outcome or agreement. Replicating the medium close-up framing from , , , and on (seen in , , , , , ) is consistent. His broad smile directly mirrors the executive's, closing the conversational arc with a sense of shared success and unity. The yacht environment from through , including the American flag from earlier shots, remains constant. This final shot () of the direct interaction provides a strong visual conclusion to the discussion, leaving a positive impression.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'generate the next shot' instruction and the global_prompt.shot_outline for ('A reaction shot of , perhaps mirroring 's positive sentiment.'), the sequence needs to conclude with 's reaction. I will use a medium close-up on (seen in , , , , , ), consistent with previous shots of him. He should be smiling, mirroring 's (seen in , , , , ) positive expression from . The yacht setting from through , with the American flag, will be maintained. This final shot of the conversation signals a successful and agreed-upon outcome." } ], "_src_movie_dir": "The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv", "_src_filename": "130169_131155.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Wolf.of.Wall.Street.2013.V3.UHD.BluRay.REMUX.2160p.HEVC.DoVi.DTS-HD.MA5.1.2Audio-DreamHD.mkv/130169_131155.json", "_test_index": 250 }, { "movie": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126848.jpg-Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127606.jpg", "images": [ { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126848.jpg", "filename": "126848.jpg", "aesthetic": 7.31113338470459, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126971.jpg", "filename": "126971.jpg", "aesthetic": 6.270571708679199, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127001.jpg", "filename": "127001.jpg", "aesthetic": 6.609055519104004, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127031.jpg", "filename": "127031.jpg", "aesthetic": 4.834503650665283, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127076.jpg", "filename": "127076.jpg", "aesthetic": 6.41296911239624, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127085.jpg", "filename": "127085.jpg", "aesthetic": 6.477058410644531, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127208.jpg", "filename": "127208.jpg", "aesthetic": 6.089519500732422, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127226.jpg", "filename": "127226.jpg", "aesthetic": 6.803117752075195, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127543.jpg", "filename": "127543.jpg", "aesthetic": 6.0746941566467285, "musiq": 0.0 }, { "tag": "", "rel_path": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/127606.jpg", "filename": "127606.jpg", "aesthetic": 6.517000198364258, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense but domestic encounter where unexpected guests arrive, leading to a sequence of surprised reactions and quiet introspection among the characters. The atmosphere is initially one of mild shock, evolving into shared contemplation.", "characters": [ "", "", "", "" ], "shot_outline": " introduces with a surprised expression, creating a sense of revelation. cuts back to to capture his immediate reaction to . then introduces , showing her concerned reaction. brings in , capturing his own surprised or bemused reaction. returns to , showing a more composed or understanding expression as he processes events. revisits , reflecting a shift in her emotional state. shows with his eyes closed, suggesting deep thought. mirrors this by showing also with eyes closed in contemplation. concludes by showing looking back up, having reached a decision or understanding." }, "instruction_full": "Shift the camera to a medium close-up reverse shot, facing , who is a newly introduced character wearing a distinct superhero suit. He stands in a different part of the same domestic living area, looking surprised and slightly wide-eyed. Maintain the soft, warm ambient lighting established in to keep the domestic setting consistent. This shot is to dramatically introduce and capture his initial reaction to whatever has just transpired or been said.", "think_full": "Based on the `global_prompt.shot_outline`, needs to introduce ``. This requires a camera change from to a reverse angle to reveal this new character. The medium close-up framing allows for clear visibility of his surprised expression. The character is entirely new, so no citation for him. The space continues the domestic environment established in , with consistent warm lighting, suggesting they are in the same house but perhaps a slightly different room or angle, linking the scenes spatially without needing a specific for the background beyond the general setting. The user_intent is to build suspense and introduce a key narrative element through the new character's arrival and reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that introduces `` with a surprised expression. This necessitates a new character appearing on screen. Given that features `` in a domestic setting, the next shot should be a counter-shot to reveal the source of interaction or surprise. I will maintain the overall warm, domestic lighting and environment seen in . The camera will frame this new character in a medium close-up, similar to the initial shot of ``, to emphasize his reaction. This shot's narrative purpose is to introduce a significant character and build narrative tension." }, { "instruction_full": "Return the camera to a medium close-up of , similar to the framing of . should now display a more intensely surprised or slightly taken aback expression, reacting directly to the appearance of in . The shot should maintain the same warm, ambient domestic lighting and background elements, including the lamp and window, as seen in .", "think_full": "The `global_prompt.shot_outline` for explicitly states to 'return to to capture his reaction to '. This requires reusing the camera framing and position from that introduced ``. We need to show `` (from ) reacting to the revelation of `` in , hence the intensified surprised expression. The domestic space from is maintained to ensure visual continuity and ground the reactions within the same setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to `` to show his reaction to ``. This implies reusing the camera setup and background from where `` was initially shown. His expression should reflect surprise, in direct response to the new character introduced in . The environment remains the same domestic interior as . The purpose is to show the direct impact of `'s` presence on ``." }, { "instruction_full": "Shift the camera to introduce a new character, , in a medium close-up. She is located within the same domestic environment, perhaps slightly to the side of where stood in , but with the same warm lighting. Her expression should be one of concern or apprehension, reflecting the unfolding situation. The background should be consistent with the general house interior from and .", "think_full": "The `global_prompt.shot_outline` for specifies introducing `` and showing her concerned reaction. This means a new character needs to be visually presented. The camera will use a medium close-up, following the established framing pattern for character reactions seen in , , and . The domestic environment from and must be maintained for spatial continuity, keeping the consistent lighting and interior elements. The new character's expression adds another layer of reaction to the narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, needs to introduce `` and her concerned reaction. This requires presenting a new character within the existing domestic setting. The camera should frame her in a medium close-up, consistent with how other characters have been introduced or shown reacting in , , and . The lighting and general environment should continue the warm, interior feel of the previous shots. The narrative purpose is to broaden the scope of reactions to the situation." }, { "instruction_full": "Introduce yet another new character, , in a medium close-up, similar to the framing of in . He is positioned within the same domestic space, maintaining the warm, ambient lighting. His expression should convey surprise or perhaps mild bewilderment, indicating his reaction to the scene. The background should continue to reflect the residential interior seen in , , , and .", "think_full": "The `global_prompt.shot_outline` for calls for introducing `` and his surprised or bemused reaction. This means another new character must be brought into the visual narrative. The camera framing will be a medium close-up, consistent with the reaction shots of other characters in , , , and . The domestic setting, with its specific lighting and interior elements from , , , and , is maintained to ensure the spatial continuity of the unfolding event. His reaction completes the set of initial responses from the present group.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies introducing `` and his reaction. This means another new character needs to appear on screen, likely in a medium close-up shot similar to `` in to maintain visual consistency for reaction shots. The domestic environment from continues. The purpose is to show one more character's perspective on the surprising situation." }, { "instruction_full": "Return to the medium close-up of (as seen in and ), maintaining the same camera angle and background elements including the lamp and window. now displays a more composed, understanding, or resigned expression, indicating he is processing the events that have unfolded since . The warm domestic lighting remains consistent.", "think_full": "The `global_prompt.shot_outline` for indicates a return to `` to show a 'more composed or understanding expression'. This requires reusing the established camera setup for `` from and , including the consistent background elements and lighting. His expression is updated to reflect the narrative progression, moving from initial surprise (in ) to a more contemplative state after the introduction of `` (in ), `` (in ), and `` (in ).", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states a return to `` to show him looking more 'composed or understanding'. This implies reusing the framing and setting established for him in and . His expression needs to evolve, demonstrating a shift from initial shock to a more thoughtful state, integrating the introductions of `` from , `` from , and `` from . The environment from will remain consistent." }, { "instruction_full": "Return to the medium close-up of (as seen in ), maintaining the same camera angle and background elements. Her expression should now reflect a subtle shift in understanding or a deepened emotional response, evolving from her initial concern. The warm domestic lighting remains consistent, reinforcing the continuous setting.", "think_full": "The `global_prompt.shot_outline` for specifies a return to ``, reflecting a 'shift in her understanding or emotion'. This requires bringing back the camera setup and framing used for her in . Her expression must be updated to show how she is processing the events, building on her initial concerned reaction from after seeing `` (in ), and `` (in ). The domestic environment from remains consistent.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for mandates a return to ``, showing a 'shift in her understanding or emotion'. This means reusing the camera setup and background from where she was first introduced. Her expression should evolve from her initial concern after seeing `` in and the reactions of others in , . The domestic setting established in continues to frame the scene. The purpose is to show the developing emotional landscape of the characters." }, { "instruction_full": "Return to the medium close-up of , consistent with his previous shots (, , ). He should now have his eyes closed, conveying a moment of deep thought, introspection, or perhaps resignation. The background and warm domestic lighting from his earlier shots remain unchanged.", "think_full": "The `global_prompt.shot_outline` for explicitly states 'shows with his eyes closed, suggesting deep thought or a moment of resignation'. This necessitates a return to the established camera setup for `` from , , and , including the background and lighting. His action of closing his eyes signifies a profound internal moment, further progressing his processing of the situation after the group's reactions in through . This provides a strong visual cue for a shift in mood.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates 'shows with his eyes closed, suggesting deep thought or a moment of resignation'. This calls for a return to his consistent framing from , , and . His closed eyes signify a significant emotional or contemplative beat in response to the preceding events involving `` (from ), `` (from ), and `` (from ). The domestic environment from will be maintained. This shot deepens the introspection." }, { "instruction_full": "Return to the medium close-up of , consistent with his previous shot in . Mirroring 's action from , also has his eyes closed, implying a shared moment of deep contemplation or processing. The background from and the warm domestic lighting should remain consistent.", "think_full": "The `global_prompt.shot_outline` for explicitly states 'shows mirroring this moment of thought, with eyes closed'. This requires returning to the established camera setup for `` from , including the background and lighting. His action of closing his eyes directly parallels `'s` action in , creating a sense of shared experience or mutual understanding between them, reinforcing their connection or the gravity of the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states 'shows mirroring this moment of thought, with eyes closed'. This means returning to the camera setup for `` from . His closed eyes directly echo `'s` action in , emphasizing a shared emotional state or deep reflection between the two. The domestic environment from will remain consistent. This shot underscores the unity in their contemplative states." }, { "instruction_full": "Return to the medium close-up of , consistent with his previous shots (, , , ). His eyes are now open, looking up with a more resolved, understanding, or determined expression, signifying a conclusion to his introspection from . The background and warm domestic lighting from his earlier shots remain unchanged.", "think_full": "The `global_prompt.shot_outline` for states 'concludes by showing looking back up, perhaps having reached a decision or understanding'. This necessitates a final return to the established camera setup for `` from , , , and , maintaining consistency in the background and lighting. His open eyes and changed expression signal the end of his internal process (initiated in and mirrored by `` in ), suggesting a resolution or new resolve after processing the events since . This brings a sense of closure to the sequence of reactions and reflections.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for concludes by showing `` 'looking back up, perhaps having reached a decision or understanding'. This requires a final return to his consistent framing from , , , and . His eyes opening, contrasting with his closed eyes in , signifies the culmination of his thought process, influenced by the introductions of `` (from ), `` (from ), and `` (from ), and the shared contemplation with `` (in ). The domestic environment from is maintained. This shot provides a narrative resolution to his internal journey." } ], "_src_movie_dir": "Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "126848_127606.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Spider-Man.No.Way.Home.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/126848_127606.json", "_test_index": 251 }, { "movie": "Cold.War-2160p.mkv", "N": 10, "sample_id": "Cold.War-2160p.mkv/34631.jpg-Cold.War-2160p.mkv/35253.jpg", "images": [ { "tag": "", "rel_path": "Cold.War-2160p.mkv/34631.jpg", "filename": "34631.jpg", "aesthetic": 5.713095664978027, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/34816.jpg", "filename": "34816.jpg", "aesthetic": 5.58206844329834, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/34850.jpg", "filename": "34850.jpg", "aesthetic": 5.90036678314209, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/34853.jpg", "filename": "34853.jpg", "aesthetic": 5.4969892501831055, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35050.jpg", "filename": "35050.jpg", "aesthetic": 5.395129680633545, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35109.jpg", "filename": "35109.jpg", "aesthetic": 4.943081855773926, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35122.jpg", "filename": "35122.jpg", "aesthetic": 4.983611106872559, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35159.jpg", "filename": "35159.jpg", "aesthetic": 4.06571626663208, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35225.jpg", "filename": "35225.jpg", "aesthetic": 5.259997367858887, "musiq": 0.0 }, { "tag": "", "rel_path": "Cold.War-2160p.mkv/35253.jpg", "filename": "35253.jpg", "aesthetic": 4.609436511993408, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A high-stakes corporate meeting where a group of executives are reviewing critical documents. The atmosphere is serious, focused, and potentially tense, suggesting important decisions or scrutiny.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " introduces the broader group in the meeting, showing taking notes, overseeing, and in the background, implying collective scrutiny. focuses tighter on and , highlighting their reaction and involvement. re-establishes and looking at documents, emphasizing their collaborative focus. cuts to a new perspective of reacting or considering something, widening the scope of the meeting participants. provides a close-up of financial figures being written, indicating the critical nature of the documents being discussed. introduces two new executives, and , further expanding the participant group and their focused attention. shows more detailed writing on the document, similar to , reinforcing the detailed financial scrutiny. returns to in a wider shot, showing his engagement with documents, and including a glimpse of a foreground figure. returns to and , showing them intently reviewing documents, bringing the focus back to key figures." }, "instruction_full": "Shift the camera from the medium close-up of to a wider medium shot, allowing more people to be visible. Introduce in the center, intently writing on a document. To his right, stands, looking down with a serious expression. To the left, stands slightly behind, also looking down at the documents. Part of is visible in the foreground. Maintain the modern, corporate office environment established in , with subtle, cool lighting. Background elements like framed documents and a monitor displaying \"INTERNET\" are visible, hinting at the context of the meeting, to broaden the scene and introduce other key participants, establishing a collaborative yet intense atmosphere as they review documents, indicating a high-stakes discussion.", "think_full": "The spatial/environmental continuity is maintained from ; the scene continues in the same modern office environment, keeping the cool, professional lighting. The presence of office furniture and walls in the background from is consistent. The background elements like framed certificates and a monitor visible in this shot reinforce the corporate setting. For character continuity, from is not directly visible, signaling a shift in focus to new participants. This shot introduces , , , and , all dressed in formal business attire, consistent with the corporate setting. The narrative/dramatic intent is to broaden the scope from a single individual to a group, indicating a collective task or meeting. taking notes implies detailed work, while the overseeing presence of and suggests a serious, high-pressure review, aligning with the 'high-stakes corporate meeting' setup.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' introduces the broader group in the meeting...implying collective scrutiny'), the next shot needs to expand the view to show more participants and the general setting of the meeting. The camera should pull back from 's tight shot of to a medium shot. I need to introduce characters like a diligent young executive taking notes, a stern senior executive overseeing, and an observant executive in the background to establish the group dynamic. The space should continue to be the modern corporate office from , maintaining consistent cool lighting and showing background elements like office walls or framed documents to reinforce the setting. The user_intent is to establish a sense of collective work and serious deliberation, reinforcing the 'high-stakes' nature of the meeting by showing multiple individuals engaged." }, { "instruction_full": "Keep the camera framing similar to , maintaining a medium shot, but slightly adjust the angle to prioritize a closer view of . Feature prominently, looking down with a focused and perhaps slightly disapproving or scrutinizing expression. To his left, is partially visible, also looking down, maintaining a serious demeanor as seen in . The foreground hints at other participants, continuing the group dynamic from . The same modern office environment from is maintained, with subtle, cool lighting. The framed documents and parts of the background from are still visible, reinforcing the corporate setting, to emphasize 's authority and scrutiny over the proceedings, while keeping other participants present, suggesting an ongoing review of documents.", "think_full": "The spatial/environmental continuity remains the same modern office space as established in and continued in . The cool lighting and corporate background elements like framed documents (seen in ) persist, maintaining visual consistency and reinforcing the professional, perhaps tense, atmosphere. For character continuity, and reappear from , maintaining their serious expressions and focused posture as they look down, presumably at documents. The partial view of other figures in the foreground from indicates a continued group presence, reinforcing the meeting context. The narrative/dramatic intent is for this shot to narrow the focus slightly from the wider group in to highlight the authority and intense scrutiny of . This aligns with the 'high-stakes corporate meeting' story_setup and shot_outline's intent to highlight reactions and involvement, emphasizing the gravity of the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes meeting) and global_prompt.shot_outline (' focuses tighter on and , highlighting their reaction and involvement'), the next shot should emphasize the reactions and involvement of these key figures. The camera should maintain the overall scene from but adjust the framing to bring into a more prominent, perhaps medium close-up, position to capture his expression. should be central, looking focused and stern, continuing his role of oversight from . should also be visible, mirroring the focused attention. Other figures might be partially visible to maintain the group context from . The same corporate office setting from must continue, with similar lighting and background elements (like the framed documents). The user_intent is to deepen the sense of scrutiny and seriousness by focusing on the expressions and focused attention of the senior figures, showing their detailed involvement in the meeting." }, { "instruction_full": "Revert the camera to a similar medium shot framing as , bringing back into a central position alongside . Re-feature in the center, looking down thoughtfully, hand near his chin, appearing to be deep in thought or careful review, a slight shift from his active writing in . To his right, also looks down at documents, maintaining his serious, scrutinizing posture from . is visible on the left, also engaged. A part of is again visible in the foreground. The shot remains in the same corporate office from , with the consistent cool lighting and background details like the framed documents and the monitor from , to re-establish the focus on the collaborative review process, highlighting the individual concentration of and the continued oversight of , emphasizing shared engagement with the critical documents.", "think_full": "The spatial/environmental continuity is maintained; the corporate office environment, cool lighting, and background details such as framed documents and the \"INTERNET\" monitor are consistently carried over from and , reinforcing the unified setting of the meeting. For character continuity, , , and reappear from and . now shows a more thoughtful posture (hand to chin) compared to the active writing in , suggesting deep consideration. continues his serious, overseeing role from . The presence of in the foreground ties back to the broader group introduced in . The narrative/dramatic intent of this shot is to return to a broader view of the working group from but adds nuance. The thoughtful pose of emphasizes the intellectual engagement required, while the continued presence and focus of reinforce the high-stakes nature of the review, aligning with the 'high-stakes corporate meeting' story_setup and shot_outline to show their collaborative focus.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes meeting) and global_prompt.shot_outline (' re-establishes and looking at documents, emphasizing their collaborative focus'), the next shot should bring these key figures back together, focused on the task. The camera should use a medium shot similar to to show both and in context. should be shown in deep thought, possibly with a hand to his chin, indicating his analytical engagement. should be observing or reviewing, continuing his serious demeanor. Other participants can be partially visible as in and . The corporate office setting, lighting, and background elements from and must be maintained for continuity. The user_intent is to highlight the intellectual focus and collaborative effort within the meeting, showing key figures engaged in reviewing critical documents under serious consideration." }, { "instruction_full": "Shift the camera to a medium close-up, focusing on from . The camera position slightly changes from , allowing a view of the external environment through a large window. Show with a thoughtful or slightly concerned expression, looking slightly off-camera, as if considering something or reacting to new information. He is wearing a suit and tie, consistent with his attire in and . The shot remains in the corporate office environment from , but now a large window is visible in the background, revealing a bright, slightly overcast exterior. A plant and a desk chair from the office are also partially visible. This introduces an outside world perspective, subtly broadening the scope, to capture 's individual reaction or thought process, indicating a moment of internal consideration during the meeting, and to subtly introduce a connection to the external world through the window.", "think_full": "The spatial/environmental continuity is maintained; the shot remains within the corporate office setting, consistent with through . The addition of a large window revealing an exterior view, along with a plant and office chair, expands the visual information of the same space, suggesting it's a higher floor in a modern building. For character continuity, reappears from and , maintaining his formal attire. His expression shifts to one of contemplation or concern, offering a more individualized perspective on the meeting's progression. The narrative/dramatic intent is for this shot to isolate to give insight into his individual reaction, possibly signaling a moment of realization or deeper thought away from the direct interaction with documents. The inclusion of the outside view subtly connects the intense internal meeting to the broader world, aligning with the shot_outline to widen the scope of participants and their thoughts.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' cuts to a new perspective of reacting or considering something, widening the scope of the meeting participants'), the next shot should shift focus to an individual's reaction and hint at a broader context. The camera should go for a medium close-up on to capture his expression. should be shown with a thoughtful or concerned expression. The setting remains the corporate office, but I should try to include a window in the background to subtly suggest the larger context of the world outside the meeting, as implied by \"widening the scope\". Office elements like a chair or a plant can also be visible. The user_intent is to provide a moment of individual reflection or reaction within the ongoing meeting, revealing the emotional or intellectual impact on one of the participants, and suggesting the external implications of their discussion." }, { "instruction_full": "Transition the camera to a tight close-up shot, focusing directly on a hand writing on a document. Show a hand, likely belonging to one of the executives from the meeting, holding a pen and writing financial figures and terms like \"Equipment\", \"En Van\", and \"Insurance\" on a white document. No faces are visible. The immediate background is the white document itself, suggesting it is placed on a clean desk or table within the same corporate meeting room from . The lighting is bright and clear, emphasizing the details on the paper, consistent with the bright office environment, to highlight the specific details of the documents being reviewed, underscoring the financial and logistical nature of the high-stakes discussion, and providing a visual break from character faces.", "think_full": "The spatial/environmental continuity is maintained; this shot is a tight close-up within the general environment of the corporate meeting room, consistent with through . The bright, clear lighting is suitable for an office setting and emphasizes the document's details. While no broader view of the room is shown, the nature of the document (financials) is consistent with the corporate meeting context. For character continuity, no specific character's face is shown, but the hand writing on the document implies one of the participants (e.g., from or also from ) is actively engaged in recording or calculating. This maintains the presence of the characters through their actions. The narrative/dramatic intent for this close-up is to dramatically shift focus from facial expressions and group dynamics to the tangible data being discussed. By showing specific financial terms like \"Equipment\" and \"Insurance\" alongside numerical values, it explicitly grounds the 'high-stakes' nature of the meeting in concrete details, fulfilling the shot_outline's purpose of indicating the critical nature of documents.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' provides a close-up of financial figures being written, indicating the critical nature of the documents being discussed'), the next shot clearly needs to be a close-up on documents. The camera should capture a tight close-up on a document being written on. A hand holding a pen should be shown writing; no faces. This allows the focus to shift to the content. The document should be on a clean surface, implying the meeting table in the corporate office. Bright, clear lighting should be used to make the writing legible. The user_intent is to visually emphasize the specific, critical details being reviewed in the meeting, reinforcing the financial gravity and the meticulous work involved." }, { "instruction_full": "Pull back the camera from the close-up of to a medium shot, introducing two new characters. Introduce and . is in the foreground, looking down intently at a document that is mostly out of frame. stands slightly behind him, also looking down with a serious expression. Their formal attire (suit and tie for him, white shirt for her) is consistent with the corporate setting. The shot is set in the same corporate office from , with similar cool, slightly diffused lighting. The background shows a continuation of the modern office aesthetic, possibly including elements like glass walls or distant office structures, consistent with earlier shots like or , to expand the cast of participants, demonstrating the breadth of involvement in the meeting, and to show more individuals are deeply engaged and focused on the documents.", "think_full": "The spatial/environmental continuity is maintained; the environment remains the same corporate office, keeping the cool, professional lighting seen in and implicitly present in the bright lighting of . The modern office background is consistent with earlier shots. For character continuity, this shot introduces two new characters: and . They are dressed in formal business attire, which is consistent with all previous characters (e.g., from , from ). Their focused expressions on documents indicate their involvement in the ongoing high-stakes discussion. The narrative/dramatic intent, according to shot_outline, is to introduce new executives, expanding the visual representation of the meeting's participants. This reinforces the idea that many individuals are involved in this 'high-stakes corporate meeting' (story_setup), and their collective focus on documents (seen from onward) underscores the gravity of the subject matter.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' introduces two new executives, and , further expanding the participant group and their focused attention'), the next shot clearly needs to bring in more characters. The camera should use a medium shot to introduce these new characters, allowing their expressions and their engagement with documents to be visible. should be shown looking intently at documents, with beside him, also focused. They should both be dressed professionally. The corporate office setting from previous shots should be maintained, with consistent lighting and background elements (e.g., glass walls). The user_intent is to broaden the scope of the meeting by revealing more participants, underscoring the collective attention and seriousness of the group towards the ongoing discussion." }, { "instruction_full": "Return the camera to a tight close-up shot, similar to , focusing again on a hand writing on the same document. Show a hand holding a pen, making additional marks or calculations on the document that includes the previously seen terms \"Equipment\", \"En Van\", and \"Insurance\" from . The action suggests a continuation of the detailed review or calculation process. The immediate background is the white document itself, consistent with , implying it's still on the meeting table within the corporate office. The bright, clear lighting from is maintained to ensure legibility of the writing, to re-emphasize the meticulous financial scrutiny and the importance of the numerical details, linking back to the previous close-up in and reinforcing the \"high-stakes\" nature of the meeting.", "think_full": "The spatial/environmental continuity is maintained; this shot is a direct continuation of the close-up on the document from , keeping the same bright, clear lighting and the visual context of the document on a clean surface in the meeting room. This consistency reinforces the ongoing detailed review. For character continuity, similar to , no faces are visible, but the hand writing implies the continued active engagement of one of the executives, possibly , , or even from . This maintains the human element focused on the details. The narrative/dramatic intent is that the shot_outline specifies 'more detailed writing on the document, similar to , reinforcing the detailed financial scrutiny.' This shot serves to drive home the precise and critical nature of the financial review, showing the tangible work being done in the 'high-stakes corporate meeting' (story_setup), directly following the introduction of new participants in who are also engaged in this process.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' shows more detailed writing on the document, similar to , reinforcing the detailed financial scrutiny'), the next shot indicates a return to the close-up of the documents. The camera should capture a tight close-up on the document, similar to . A hand writing on the document should be shown, continuing the process of detailed review. The immediate background should be the white document on a desk, within the corporate office, with bright lighting to see the details clearly. This maintains continuity with . The user_intent is to intensify the focus on the specific financial data and the meticulous review required, emphasizing the concrete stakes of the meeting after showing a broader group of focused participants in ." }, { "instruction_full": "Pull back the camera from the tight close-up of to a wider medium shot, returning to . Feature from , now shown actively engaged with documents, possibly holding them. He maintains a focused expression. A partial view of another person in the foreground suggests continued group interaction. His attire is consistent with previous appearances. The setting is the corporate office from (implicitly) and . The background includes office shelving with binders and perhaps a distant window, similar to elements seen in , reinforcing the professional environment. The lighting is consistent with the bright, cool tones of the office, to show 's continued, active participation and engagement with the documents, re-integrating him into the broader meeting dynamic, and further emphasizing the collective focus on the review process.", "think_full": "The spatial/environmental continuity is maintained; the scene returns to the corporate office environment established across previous shots, notably echoing the background elements (desk, binders, subtle hint of a window) and bright lighting from . This reinforces the consistent setting for the high-stakes meeting. For character continuity, reappears from , now shown actively holding and looking at documents, directly engaging with the material that was the focus of and . The partial figure in the foreground also suggests other participants are present, maintaining the group context seen in earlier wider shots (e.g., , ). The narrative/dramatic intent is for this shot to follow the detailed document focus of by showing one of the executives actively reviewing materials, connecting the abstract details back to human action. It serves to show continuous engagement of participants like from , reinforcing the 'high-stakes corporate meeting' story_setup and the shared scrutiny, as outlined in the general goal of involving various participants.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' returns to in a wider shot, showing his engagement with documents, and including a glimpse of a foreground figure'), the next shot indicates a return to this character in a broader context. The camera should be a medium shot on to show him interacting with documents. should be shown holding or reviewing papers, looking focused. A foreground element representing another person should be included to convey the group setting. The corporate office, with background details like shelving or a window, maintaining the consistent visual environment. Bright, clear lighting. The user_intent is to re-engage a specific character, , in the active document review process after the close-up on details, demonstrating the collective effort and individual commitment to the meeting's critical subject matter." }, { "instruction_full": "Revert the camera to a medium close-up, similar to the framing around in , but now including (from ) in the frame. Feature prominently in the foreground, bending over to intently review a document, his face serious and focused, consistent with his demeanor in , , and . To his right, is visible, also looking down at the documents with a concentrated expression, tying back to his initial presence in . A female executive is partially visible on the left, hinting at the larger group. The scene remains in the corporate office, retaining the cool, ambient lighting and corporate background elements like office walls and possibly a framed item from and , to bring together two key figures, and , showcasing their combined and intense scrutiny of the documents, reinforcing the seriousness and collaborative nature of the high-stakes meeting.", "think_full": "The spatial/environmental continuity is maintained; the shot keeps the consistent corporate office environment and cool, professional lighting seen throughout the sequence, echoing the backgrounds of , , and . For character continuity, this shot brings back from , , and , maintaining his serious and focused expression as he leans into the documents. Crucially, it reintroduces from , also showing him deeply engrossed in the documents, linking back to the very first shot and suggesting his central role. A partial view of a female executive further reinforces the group setting from earlier shots (e.g., , , ). The narrative/dramatic intent is that the shot_outline specifies 'returns to and , showing them intently reviewing documents, bringing the focus back to key figures.' This shot serves to underscore the combined authority and intellectual rigor applied to the 'high-stakes corporate meeting' (story_setup). By featuring these two prominent figures together, it emphasizes their shared responsibility and the intense scrutiny of the documents, creating a strong sense of closure for the review process within this sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.story_setup (high-stakes corporate meeting) and global_prompt.shot_outline (' returns to and , showing them intently reviewing documents, bringing the focus back to key figures'), the next shot directs me to focus on these two specific individuals. The camera should capture a medium close-up, similar to how individual executives were framed in earlier shots (e.g., or ), but now including both and . should be bending over, intently focused on documents, and should be beside him, also deeply engaged. Their expressions should convey serious concentration. The corporate office setting, with consistent lighting and subtle background elements from previous wider shots (e.g., , ), should be maintained. The user_intent is to conclude the sequence by highlighting the intense, collaborative focus of the most prominent figures in the meeting on the critical documents, reinforcing the importance and seriousness of their task." } ], "_src_movie_dir": "Cold.War-2160p.mkv", "_src_filename": "034631_035253.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Cold.War-2160p.mkv/034631_035253.json", "_test_index": 254 }, { "movie": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv", "N": 10, "sample_id": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13178.jpg-Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14447.jpg", "images": [ { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13178.jpg", "filename": "13178.jpg", "aesthetic": 7.360799312591553, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13219.jpg", "filename": "13219.jpg", "aesthetic": 7.28193473815918, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13372.jpg", "filename": "13372.jpg", "aesthetic": 5.841121196746826, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13775.jpg", "filename": "13775.jpg", "aesthetic": 6.323305130004883, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/13856.jpg", "filename": "13856.jpg", "aesthetic": 6.657661437988281, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14106.jpg", "filename": "14106.jpg", "aesthetic": 5.858112812042236, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14175.jpg", "filename": "14175.jpg", "aesthetic": 6.493914604187012, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14206.jpg", "filename": "14206.jpg", "aesthetic": 6.312471389770508, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14347.jpg", "filename": "14347.jpg", "aesthetic": 6.906965255737305, "musiq": 0.0 }, { "tag": "", "rel_path": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/14447.jpg", "filename": "14447.jpg", "aesthetic": 5.632657527923584, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The story depicts a series of domestic scenes, likely set in a suburban American home during the mid-20th century. The tone is initially idyllic and routine, focusing on a homemaker's daily life, which then expands to include her family and the arrival of guests, suggesting a special occasion or an intrusion of external elements into her private world. The pacing is gentle and observational, with an underlying dramatic tension suggested by the presence of a photographer. The stakes involve maintaining appearances and navigating social expectations within this seemingly perfect domestic sphere.", "characters": [ "", "", "", "", "" ], "shot_outline": " shows 's point of view as she looks down the tree-lined driveway, revealing a school bus and parked car. shifts indoors to a medium shot of and introduces as he arrives home. is a closer shot of and in a tender embrace. introduces new characters, , , and , as they enter the house near a staircase. provides a wider shot of the entrance hall, showing and greeting , , and . focuses on and in the entrance hall, looking towards and . returns to a medium shot of and sharing another kiss, now observed by the guests. captures a moment of interaction between , , , and in the hall. concludes the sequence with smiling warmly in the company of and ." }, "instruction_full": "Shift the camera's perspective to an over-the-shoulder shot from behind , looking out from the porch. Show the same suburban house environment from , but now focused on the tree-lined driveway, revealing a bright yellow school bus and a red car parked down the road. should be seen from behind, facing away from the camera. The shot should convey what has captured her attention, establishing the routine of her daily life in this suburban setting.", "think_full": "The 'global_prompt.story_setup' indicates a focus on domestic routine and a suburban setting. establishes on her porch, looking outward. To follow this gaze and build on the initial shot, the camera needs to change position from to show her perspective. This means an over-the-shoulder shot from behind (who appeared in ) is appropriate, maintaining her presence while shifting the focus to what she observes. The space remains the same exterior of the house from , but now extends to reveal the driveway and road. The bright yellow school bus and red car are key elements that fulfill the 'shot_outline' for , indicating what has arrived or is passing by. The user intent is to reveal the immediate event that has her attention, reinforcing the everyday, almost idyllic, nature of her life.", "instruction_minimal": "generate the next shot", "think_minimal": "The user provided a minimal instruction, so I must infer the next shot from the global context and previous images. 'global_prompt.story_setup' emphasizes domestic routine in a suburban setting. 'global_prompt.shot_outline' for explicitly states 'shows 's point of view as she looks down the tree-lined driveway, revealing a school bus and parked car.' Given shows on the porch looking outward, the next logical shot is to show what she is looking at. This requires a camera change to an over-the-shoulder perspective from behind (seen in ), focusing on the area beyond the porch. The space would naturally be the continuation of the outdoor environment established in , now extending to the driveway and street. The user intent is to show the object of her attention and further establish the suburban environment." }, { "instruction_full": "Transition indoors, setting the scene in a mid-century modern living room with bookshelves, warm lighting, and a sofa. Frame (from , ) standing further back in the room, still wearing her blue dress and apron, as (a new character, dressed in a trench coat) enters from the left, slightly out of focus. The shot should capture a moment of transition and introduction, showing the return of a family member.", "think_full": "The 'global_prompt.shot_outline' for indicates a shift 'indoors, showing the homemaker and husband.' This requires a complete change in setting from the exterior shots of and . A mid-century modern living room provides a fitting domestic interior for the period suggested by the global prompt. , identifiable from and by her attire, now appears inside the house. is a new character being introduced for the first time. His attire, a trench coat, suggests he is just arriving home, building on the domestic routine theme. The warm lighting and detailed decor of the living room enhance the sense of home. The user intent is to advance the narrative by bringing the action inside and introducing another key family member.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states it 'shifts indoors to a medium shot of and introduces as he arrives home.' Given and established the exterior of the house and 's routine, the logical progression is to move inside the house. This means a new interior setting, likely a living room, contrasting with the outdoor scenes. (from , ) would be present, and is a new character to be introduced, presumably returning home. The camera should frame them to show their presence in this new space. The user intent is to move the narrative to an interior domestic setting and introduce as a key character." }, { "instruction_full": "From the same interior living room setting established in , use a tighter, medium close-up shot of (from , , ) and (from ). They should be facing each other, sharing a tender kiss, with 's arm around . The background should subtly show familiar elements of the living room from , but be less prominent due to the tighter framing. This shot should emphasize their affection and the intimacy of their domestic life.", "think_full": "The 'global_prompt.shot_outline' for specifies 'a closer shot of and in a tender embrace.' Following , which introduced and set them indoors, the natural progression is to highlight their relationship. This requires a camera change to a closer framing, shifting from the medium shot of to a medium close-up to emphasize their interaction. and (both seen in ) are the central figures. The space remains the same living room interior established in , ensuring continuity of location. The user intent is to reinforce the idyllic and affectionate aspect of their domestic life, as outlined in the 'global_prompt.story_setup'.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states it's 'a closer shot of and in a tender embrace.' Having introduced and together indoors in , the next logical step to convey their relationship, as suggested by the 'global_prompt.story_setup' (idyllic domestic scenes), is to show a moment of intimacy. This calls for a closer camera angle on the couple ( from , , ; from ), with them embracing. The setting would remain the interior of the house from . The user intent is to highlight their affection and strong bond." }, { "instruction_full": "Shift the camera to a medium shot from a slightly different area of the house's interior, possibly an entrance hall near a staircase, showing a new group of characters. Introduce (wearing a hat), (wearing a yellow top and apron), and (a man holding a large camera). They are ascending or standing near the bottom of a wooden staircase. This shot should indicate a new arrival and a change in the scene's dynamic.", "think_full": "The 'global_prompt.shot_outline' for explicitly states: 'introduces new characters, , , and , as they enter the house near a staircase.' After the intimate moment of , the narrative calls for a shift and expansion of the domestic scene. This necessitates a new camera position and a new area of the house – an entrance hall with a staircase, creating a sense of arrival. All three characters – , , and – are being introduced for the first time; they have not appeared in , , , or . Their presence, especially , hints at the 'underlying dramatic tension' mentioned in the 'global_prompt.story_setup'. The user intent is to broaden the scope of the story by introducing new figures and suggesting a social event.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states it 'introduces new characters, , , and , as they enter the house near a staircase.' Following the intimate moment between and in , the story needs to progress by introducing new elements. This implies a change of scene within the house, specifically an entrance area to depict arrival, and the introduction of new characters (who have not appeared in , , , or ). A camera angle capturing them near a staircase would establish their entry and a new spatial element of the house. The user intent is to introduce external figures and shift the narrative focus from simple domestic intimacy to a broader social context." }, { "instruction_full": "Widen the shot from to a medium full shot of the entrance hall, encompassing more of the decor including a large ornate mirror and a floral arrangement. (from , , , ) and (from , ) are now in the frame, greeting , , and (all from ). The scene should show the full group dynamic, suggesting a formal welcome. holds a small bouquet.", "think_full": "The 'global_prompt.shot_outline' for describes a 'wider shot of the new characters interacting with the homemaker and husband.' Building upon the introduction of , , and in , the next step is to show their interaction with and . This requires a camera change to a wider framing than , encompassing all characters and revealing more of the entrance hall. The space is the same entrance area from , now shown in more detail with the mirror and flowers. (visible in , , , ) and (visible in , ) are now actively engaging with , , and (all from ). The user intent is to capture the initial social exchange, showing the full context of the guests' arrival as a social event.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states it provides 'a wider shot of the new characters interacting with the homemaker and husband.' After introducing the new characters (, , in ), the natural progression is to show their interaction with the main couple ( from , , , ; from , ). This necessitates a wider camera angle than to include everyone, still set within the entrance hall of the house (from ). The user intent is to show the formal greeting and establish the full group dynamic within the scene." }, { "instruction_full": "Maintain the interior setting of the entrance hall from and . Use a medium shot, focusing on (from , ) and (from , ), who are positioned near the staircase. (from , ) should also be visible, partially framed on the right, still holding his camera. The background should hint at the living room from and beyond the hall. This shot should emphasize their presence and observe their reactions or interactions.", "think_full": "The 'global_prompt.shot_outline' for specifies to 'focus on and , showing their presence.' Following the wider group shot in , a closer focus on specific new characters is a logical progression. This requires a camera change from the wider shot of to a medium shot, singling out and (both introduced in and seen in ). (also from , ) remains in the frame, indicating his continued role. The space remains the entrance hall from and , subtly showing elements like the staircase and a glimpse of the living room (from , ) in the background to maintain spatial continuity. The user intent is to highlight these characters and their role in the unfolding domestic event.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states it will 'focus on and , showing their presence.' After the wider shot in showing the entire greeting, it's appropriate to narrow the focus to specific new characters. This would mean a camera change to a medium shot, centering and (from , ) and showing (from , ) nearby. The setting would remain the entrance hall (from , ), maintaining continuity of location. The user intent is to give more prominence to these particular characters and their reactions within the ongoing event." }, { "instruction_full": "Return to a medium shot in the entrance hall, similar to the framing of , featuring (from , , , , ) and (from , , ). They should be sharing another tender kiss, reminiscent of , but this time with , , and (all from , , ) visibly present in the background, perhaps reflected in the ornate mirror from . This shot should reiterate their bond amidst the social gathering, possibly as a posed moment for the photographer.", "think_full": "The 'global_prompt.shot_outline' for suggests 'another embrace between homemaker and husband, with others present.' Following the focus on the guests in , the narrative shifts back to the primary couple. This requires a camera change to a medium shot, echoing the framing of and the intimacy of , but now with the added context of the gathered characters. and (both present in , , ) repeat their affectionate gesture. , , and (all introduced in and present in , ) are now visible bystanders, reflected in the mirror from to convey their presence without making them central. The space remains the entrance hall from , , . The user intent is to emphasize their enduring affection, potentially for a photo opportunity, and the social context of their home life.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states: 'Another embrace between homemaker and husband, with others present.' After focusing on the guests in , returning to and (from , , , , ) in an intimate moment (like in ) would reinforce their bond. However, this time, the camera should also include , , and (from , , ) in the background, making it a public display of affection. The setting would remain the entrance hall from , , . The user intent is to show the couple's relationship within the new social context of their guests, possibly for the photographer." }, { "instruction_full": "Frame a medium shot in the entrance hall, similar to , focusing on an interaction between (from , , , , , ), (from , , , ), and (from , , , ), with (from , , , ) also visible in the background. The angle should emphasize a moment of conversation or attention among these specific characters near the staircase, maintaining the overall warm lighting of the interior.", "think_full": "The 'global_prompt.shot_outline' for specifies a 'wider shot of the group, focusing on interaction between homemaker, older woman, and photographer.' Following the intimate moment in , the narrative requires a broader view of the group's general interaction. This entails a camera change to a medium shot, similar in type to , but focusing on a different grouping of characters. (from multiple prior shots), , , and (all introduced in and appearing in subsequent shots) are prominently featured, engaged in conversation or a shared moment. The space remains the entrance hall/staircase area from , , , , ensuring spatial continuity. The user intent is to highlight the dynamic between these particular characters, possibly revolving around the purpose of the photographer's visit, as suggested by the 'global_prompt.story_setup'.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states: 'Wider shot of the group, focusing on interaction between homemaker, older woman, and photographer.' After the couple's embrace in , the narrative shifts back to the group's social interaction. This calls for a camera angle that captures (from previous shots), (from , , , ), and (from , , , ) together, possibly with (from , , , ) also present. The setting would remain the entrance hall/staircase area (from to ). The user intent is to show the broader social interaction and the engagement of these specific characters." }, { "instruction_full": "Capture a medium shot in the same entrance hall from , , , , , with the ornate mirror (from , ) prominently in the background. Feature (from , , , , , , ) smiling warmly and looking towards the camera or to the side. (from , , , , ) and (from , , , , ) should be visible in the frame, subtly suggesting their continued presence. This shot should convey a pleasant, concluding sentiment for the scene.", "think_full": "The 'global_prompt.shot_outline' for specifies ' smiling, a sense of resolved pleasantness.' As a concluding shot for this sequence, the camera should focus on (who has appeared in almost all prior shots) to capture her emotional state. This requires a camera change to a medium shot, similar to or , allowing her expression to be central. The space remains the entrance hall from through , with the mirror (seen in , ) serving as a consistent visual anchor. and (both from onwards) are included to maintain the context of the social event without detracting from 's moment. The user intent is to provide a positive, satisfying resolution to the scene, reflecting the initial 'idyllic' aspect of the 'global_prompt.story_setup'.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot. 'global_prompt.shot_outline' for states: ' smiling, a sense of resolved pleasantness.' After the various interactions, a final shot focusing on 's (from onwards) positive demeanor would serve as a satisfying conclusion to this segment of the story. This requires a camera angle that frames her prominently, capturing her smile. The setting would remain the entrance hall (from to ), and other characters like and (from onwards) might be present in the background to maintain continuity, but the central focus is on . The user intent is to end the scene on a pleasant and resolved note." } ], "_src_movie_dir": "Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv", "_src_filename": "013178_014447.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Far.From.Heaven.2002.SLOSubs.2160p.XviD-Nile.mkv/013178_014447.json", "_test_index": 258 }, { "movie": "blow-spotlight.2015.2160p.bluray.x264.mkv", "N": 10, "sample_id": "blow-spotlight.2015.2160p.bluray.x264.mkv/17218.jpg-blow-spotlight.2015.2160p.bluray.x264.mkv/18521.jpg", "images": [ { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17218.jpg", "filename": "17218.jpg", "aesthetic": 6.426270484924316, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17374.jpg", "filename": "17374.jpg", "aesthetic": 5.270142555236816, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17440.jpg", "filename": "17440.jpg", "aesthetic": 6.057701587677002, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17523.jpg", "filename": "17523.jpg", "aesthetic": 5.0806684494018555, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17553.jpg", "filename": "17553.jpg", "aesthetic": 6.233190536499023, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/17913.jpg", "filename": "17913.jpg", "aesthetic": 5.580386638641357, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/18051.jpg", "filename": "18051.jpg", "aesthetic": 5.918298244476318, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/18141.jpg", "filename": "18141.jpg", "aesthetic": 5.780646324157715, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/18147.jpg", "filename": "18147.jpg", "aesthetic": 6.101231098175049, "musiq": 0.0 }, { "tag": "", "rel_path": "blow-spotlight.2015.2160p.bluray.x264.mkv/18521.jpg", "filename": "18521.jpg", "aesthetic": 5.561756610870361, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence follows a group of journalists and legal professionals as they investigate a sensitive case. The tone is serious and investigative, with moments of intense discussion and individual reflection. The pacing is deliberate, building tension through exchanges of information and strategic reveals. The stakes involve uncovering truth and confronting powerful entities.", "characters": [ "", "", "", "" ], "shot_outline": " introduces in his busy office, on the phone, establishing his role and a separate line of inquiry. returns to in his office, now joined by , showing their collaborative dynamic. cuts back to , now off the phone and reflective, processing information. returns to , isolating him again to emphasize individual thought or waiting. establishes a new setting: a formal meeting room, bringing , , and a new character, , together for a direct discussion. focuses on during this meeting, highlighting his contribution. shifts to 's reaction during the discussion, showing his focused attention. returns to , continuing the back-and-forth of the conversation. finishes the sequence with a final reaction shot of , emphasizing his sustained engagement." }, "instruction_full": "Shift the camera to a medium shot, introducing a new character, , who is seated at a desk, looking focused as he speaks on a landline phone. The setting is a new office environment, distinct from , featuring large windows in the background showing an overcast sky, and a somewhat cluttered desk with papers, a lamp, and monitors. This shot's purpose is to introduce a new character and setting, suggesting parallel activity or a different part of the overall investigation.", "think_full": "The story setup implies multiple characters and locations for an investigation. established in an open office waiting area. To expand the narrative, needs to introduce in a new, distinct environment. This new office setting, with its large windows and a working desk, contrasts with the more generic waiting area of , visually signaling a different branch of the investigation or a new character's domain. is introduced as a new character, seen busy on the phone to establish his active role in gathering or processing information, as hinted in the global_prompt's shot_outline for which states it 'introduces , establishing his environment and a moment of work.'", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction and the global_prompt, the shot_outline for indicates a need to introduce and his working environment. This requires a new setting distinct from . The camera should frame in a medium shot at his desk, engaged in an activity like a phone call, to establish his character and role. This expands the narrative scope beyond seen in ." }, { "instruction_full": "Return the camera to the open office waiting area from , but widen the medium shot slightly to include two characters. Show from still seated on the black couch in a similar relaxed posture, and introduce standing next to the door, looking contemplative or observant. The glass partition and other office workers are visible in the background, maintaining the setting from . The user intent is to re-establish the primary setting and show the two investigators together, implying a discussion or shared space.", "think_full": "The narrative rhythm established by the cut to in suggests a return to the initial location and characters. We return to the office setting from , maintaining the visual consistency of the glass partitions and ambient office activity. reappears from , retaining his initial relaxed but attentive pose. is introduced as a new character, standing next to , establishing a visual relationship and suggesting they are working together or discussing something. This aligns with the global_prompt's shot_outline for to 'show their collaborative dynamic'.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for states it 'returns to but introduces , showing their dynamic'. This means returning to the setting of , featuring again, and introducing a new character, . A slightly wider shot than is needed to include both characters, and they should be positioned to suggest interaction or shared presence, maintaining the established office environment." }, { "instruction_full": "Cut back to the office environment from , maintaining the same medium shot framing and angle. Show from again, now off the phone, with his hands clasped on the desk and a thoughtful, perhaps serious, expression. The cluttered desk and the windows with the overcast sky from remain visible in the background. The purpose is to continue tracking 's activities, suggesting a moment of reflection after the phone call, possibly processing new information.", "think_full": "After seeing the two investigators in , the narrative should cycle back to to maintain a sense of parallel progression. We return to the office environment established in , maintaining the same perspective on the desk and background. reappears from , but his pose has shifted from active communication to contemplation, with clasped hands and a serious expression. This visual change suggests that the phone call from has concluded, and he is now processing information or reacting to something, aligning with the global_prompt's shot_outline for that he is 'now off the phone and reflective'.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to , now 'off the phone and reflective'. This implies reusing the setting and character from . The camera should maintain a similar medium shot, but 's posture and expression should reflect a more pensive state, consistent with having just concluded a call and now thinking about its implications." }, { "instruction_full": "Return the camera to the exact medium shot of as seen in , effectively isolating him once more. Show from and in a similar relaxed but observant pose on the black couch. The setting is the same office waiting area from and , with the glass partition and office beyond clearly visible in the background. This shot is intended to isolate again, focusing solely on his perspective or thought process.", "think_full": "Following the cut back to in , the narrative returns to to maintain balance. We revert to the specific framing and setting of , highlighting alone on the couch. This move is intentional after seeing him with in , now suggesting a moment of individual thought or waiting. The visual cues of the office environment from and are consistently reused. The global_prompt's shot_outline for states it 'returns to , isolating him again to emphasize individual thought or waiting'.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies a return to , 'isolating him again'. This means we should replicate the solo shot of from , using the same medium framing and office setting, effectively removing seen in to focus solely on his individual contemplation or waiting." }, { "instruction_full": "Establish a new, wider shot in a different office environment. This is a large, formal meeting room with a substantial wooden desk at the center, surrounded by wooden shelves and large windows looking out onto a landscape. Show three characters: from and seated at the desk on the left, from , , and seated next to him, and introduce a new character, , seated opposite , holding documents and actively engaged in discussion. All three characters appear serious and focused. This shot is to introduce a formal meeting, bringing key characters together to advance the central conflict.", "think_full": "After individual shots of and , the narrative calls for a significant convergence. This demands a brand-new setting, a formal meeting room, distinct from the previous office spaces (the open office of // and 's individual office in /). The spaciousness, large desk, and shelves in the background signal a more official or high-stakes encounter. from and from are brought together. is introduced as a new character, actively holding documents, which immediately establishes his role in the discussion. This scene setup directly aligns with the global_prompt's shot_outline for to 'establish a new setting: a formal meeting room, bringing , , and a new character, , together for a direct discussion.'", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for mandates establishing a formal meeting with , , and a new character, . This requires a new environment, a meeting room, distinct from previous settings, and a wider shot to include all three characters around a desk. Their expressions should convey seriousness, indicating the importance of the discussion." }, { "instruction_full": "Move the camera for a medium shot, focusing on from , framed from a slight side angle as he sits at the desk. Show engaged in discussion, holding a pen and appearing focused, perhaps delivering an argument. The setting remains the formal meeting room from , with the wooden desk and shelves visible in the background, maintaining continuity of the ongoing meeting. The purpose is to highlight 's role and intensity in the conversation, drawing attention to his perspective.", "think_full": "After establishing the group dynamic in the wide shot of , the narrative needs to focus on individual contributions. We remain in the same formal meeting room from , maintaining the visual context of the ongoing discussion. from now becomes the central figure of the shot, allowing a closer look at his demeanor and actions. His focused expression and the pen in hand emphasize his active participation and potentially combative stance in the conversation, aligning with the global_prompt's shot_outline for to 'focuses on during this meeting, highlighting his contribution'.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the wide shot of the meeting in , the shot_outline for specifies focusing on . A medium shot of seated at the desk within the same meeting room, showing his active engagement (perhaps with a pen), would effectively highlight his contribution to the ongoing discussion." }, { "instruction_full": "Cut to a medium close-up, focusing on from (and , ), framed from a slight low angle, looking intently. Show with a serious, slightly guarded expression, his hands resting on the table. The setting is still the meeting room from and , with the back of a person (presumably or ) partially visible in the foreground, and hints of the glass partition from earlier office settings in the background. This shot is to capture 's reaction or a moment of direct engagement during the meeting, making his expression central to the narrative.", "think_full": "After focusing on 's active contribution in , the narrative needs to show the reaction of another key participant. We stay within the same meeting room environment from and . from (and earlier from , ) is now brought into a closer focus. His serious and slightly guarded expression, coupled with his direct gaze, indicates deep engagement and internal processing of the conversation. The foreground presence of another character's back visually links this shot to the ongoing dialogue. The background showing a glass partition subtly connects this new meeting space to the wider world of the investigation established in . This aligns with the global_prompt's shot_outline for to 'shifts to 's reaction during the discussion'.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for requires shifting focus to 's reaction during the meeting. This calls for a medium close-up of , similar to a reverse shot from . He should appear serious and attentive, with another character's back in the foreground to convey the ongoing conversation within the meeting room established in ." }, { "instruction_full": "Cut back to a medium shot of from (and ), framed similarly, but with a slightly wider view that includes the back of 's head and shoulder in the foreground. Show maintaining his composed but focused demeanor, continuing his argument or explanation. The setting remains the meeting room from , , and , with the same desk and office background elements visible. The user intent is to re-emphasize 's active role, showing his continued argument and the back-and-forth nature of the meeting.", "think_full": "Following 's reaction in , the narrative cycles back to to continue the conversational exchange. We remain in the consistent meeting room environment from , , and . from (and ) is again the primary focus, maintaining his composed and professional persona. The inclusion of 's back and shoulder in the foreground provides a clear visual link from and emphasizes the direct dialogue between the two characters. This serves to build the rhythm of the discussion, aligning with the global_prompt's shot_outline for that he is 'continuing the back-and-forth of the conversation'.", "instruction_minimal": "generate the next shot", "think_minimal": "After focused on 's reaction, the shot_outline for dictates returning to , emphasizing the 'back-and-forth' of the conversation. This means a medium shot of , similar to , but now including 's back in the foreground, to visually represent the continuous dialogue within the established meeting room from ." }, { "instruction_full": "Cut back to a medium close-up of from , replicating its exact framing and angle. Show from (and earlier shots), maintaining his serious expression and direct gaze, with his hands on the table. The setting remains the meeting room from , , , and , with the back of another person (likely ) partially visible in the foreground. This shot aims to show 's final reaction or sustained contemplation after 's last statement, concluding this segment of the conversation with his perspective.", "think_full": "To conclude this segment of the meeting and emphasize the impact of 's statements, the narrative returns to . We precisely replicate the camera angle and framing from , which creates a strong sense of rhetorical mirroring and underscores the lasting impression of the discussion on . The meeting room environment from and earlier shots remains consistent, with the foreground presence of another character's back reinforcing the conversational context. 's sustained serious expression from signifies his continued deep engagement and processing of the information. This shot fulfills the global_prompt's shot_outline for by showing 'a final reaction shot of , emphasizing his sustained engagement.'", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a 'final reaction shot of '. To achieve this, replicating the medium close-up of from , with his serious expression and the other character's back in the foreground, provides a strong visual conclusion to the dialogue exchange within the meeting room established in ." } ], "_src_movie_dir": "blow-spotlight.2015.2160p.bluray.x264.mkv", "_src_filename": "017218_018521.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/blow-spotlight.2015.2160p.bluray.x264.mkv/017218_018521.json", "_test_index": 265 }, { "movie": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv", "N": 10, "sample_id": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118384.jpg-Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118772.jpg", "images": [ { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118384.jpg", "filename": "118384.jpg", "aesthetic": 7.063711166381836, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118409.jpg", "filename": "118409.jpg", "aesthetic": 6.41059684753418, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118466.jpg", "filename": "118466.jpg", "aesthetic": 7.241308212280273, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118481.jpg", "filename": "118481.jpg", "aesthetic": 5.918730735778809, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118553.jpg", "filename": "118553.jpg", "aesthetic": 6.225116729736328, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118606.jpg", "filename": "118606.jpg", "aesthetic": 6.460357666015625, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118675.jpg", "filename": "118675.jpg", "aesthetic": 5.796019554138184, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118703.jpg", "filename": "118703.jpg", "aesthetic": 6.972917556762695, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118744.jpg", "filename": "118744.jpg", "aesthetic": 6.301150321960449, "musiq": 0.0 }, { "tag": "", "rel_path": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118772.jpg", "filename": "118772.jpg", "aesthetic": 5.7612104415893555, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense family dinner where unspoken anxieties and judgments are exchanged, leading to discomfort and unease among the participants. The atmosphere is restrained but charged with underlying emotional currents.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces in a close-up, reacting to 's silence from , establishing her observant and potentially judgmental presence. returns to , showing his continued discomfort and maintaining the quiet tension. introduces , capturing her concerned expression, suggesting her anxiety over the situation. returns to , showing her continued observation and perhaps a hint of a knowing smile. returns to maintaining his pensive posture, emphasizing his internal struggle amidst the dinner. returns to , showing her growing unease and quiet concern. shows with a subtle, possibly amused or knowing expression, further deepening the mystery of her thoughts. introduces , showing his quiet discomfort or frustration, adding another layer of family tension. introduces , capturing her wide-eyed, perhaps shocked or confused expression, broadening the scope of reactions at the dinner." }, "instruction_full": "Shift to a close-up on a new character, an older woman, capturing her subtle, slightly smiling expression while she holds a spoon, seated at a dining table. The background should maintain the warm, somewhat dim restaurant setting with blurred elements, consistent with . This shot serves to introduce and establish her as an observer, contrasting with the internal focus of shown in , and implying a layer of unspoken judgment or awareness at the dinner.", "think_full": "The scene continues in the same warm, slightly dim restaurant ambiance with blurred background elements like plants and other diners, maintaining the dining setting established in . This shot introduces a new character, , an older woman. Her subtle, slightly smiling expression, while holding a spoon, positions her as an observer, perhaps subtly judgmental or amused, reacting to the pensive state of seen in . The close-up framing emphasizes her presence and importance in the narrative, setting up an unspoken tension and a contrasting reaction to the youth's internal struggle. This cut implies a shift in perspective to a character who is actively processing the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, should introduce in a close-up, reacting to 's silence from , establishing her observant and potentially judgmental presence. Therefore, the camera should shift to a close-up to clearly show her expression. The person will be a new character, , an older woman, with a subtle, possibly knowing or judging smile. The space will remain the same warm, dimly lit restaurant, consistent with , with blurred background details. The user_intent is to broaden the narrative's focus from 's internal state to introduce an external, observant character, immediately raising questions about her role and feelings in the ongoing dinner tension." }, { "instruction_full": "Return to the medium close-up camera setup from , reframing . He should maintain the same pensive posture as in , with hands clasped on the table and head bowed slightly. The background should remain the same blurred restaurant setting with other diners, as established in and . This shot aims to re-emphasize 's unchanging internal state and the quiet tension at the table, suggesting that 's presence has not altered his discomfort.", "think_full": "The scene maintains the consistent restaurant setting, with the same warm, slightly dim lighting and the blurred background figures from , reinforcing that the scene is still unfolding in the same location and moment. reappears, visually consistent with his portrayal in , hands clasped and head bowed. This reiterates his pensive or uncomfortable state, suggesting that the dynamic introduced by in has not altered his internal focus. By immediately returning to after introducing in , the narrative implies a connection between their states, and his unchanged posture from suggests that his internal struggle is ongoing, perhaps even intensified by the unspoken judgment or observation from others, maintaining the quiet, uneasy tension at the dinner table.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that returns to , showing his continued discomfort and maintaining the quiet tension. To achieve this, the camera should revert to the medium close-up framing of from . should be depicted in the same pensive posture, hands clasped and head bowed, as in , indicating his sustained internal state. The space will continue to be the same restaurant background, with its warm lighting and blurred figures, as seen in and . The user_intent is to reinforce 's internal discomfort and the palpable, unspoken tension at the dinner table, especially after the brief cut to in ." }, { "instruction_full": "Shift to a medium close-up on a new character, a middle-aged woman, seated at the dinner table, with a concerned, slightly tense expression, looking directly ahead. This framing should be similar in style to in and , but from a different position. The background should continue to show the warm, dimly lit restaurant setting with subtle wooden elements and blurred background figures, consistent with and . This shot is to introduce , conveying her anxiety and expanding the emotional landscape of the scene.", "think_full": "The scene continues in the same restaurant environment, indicated by the consistent lighting, wooden chairs, and general ambiance established in , , and . The blurred background figures from and reappear, indicating the same general dining area. This shot introduces a new character, . Her worried expression provides a new emotional perspective on the unfolding dinner, adding another layer to the established tension from 's introspection (, ) and 's subtle observation (). Following the back-and-forth between and , introducing with a distinct emotion like concern adds depth to the family dynamic. It shows that the tension is not just between two individuals but affects others present, further emphasizing the discomfort and unspoken drama at the dinner table. Her worried look might be directed at , implying a parental concern.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that introduces , capturing her concerned expression, suggesting her anxiety over the situation. A medium close-up, similar to the framing of in and , would be appropriate to focus on her expression and make her an equally important character in this moment. The character should be , a new face, with an expression of worry or concern. She should appear to be observing the scene, perhaps looking towards where is seated. The restaurant setting with its characteristic warm, somewhat dim lighting and background elements (like the patterned wall or blurred diners from and ) should be maintained to ensure continuity. The user_intent is to expand the emotional impact of the dinner by showing another character's internal state – specifically, worry – which intensifies the overall sense of unease and hints at the underlying problem affecting the family." }, { "instruction_full": "Return to the close-up camera setup used for in . should be shown with a subtle, possibly knowing smile or an expression of continued observation, seated at the table. The shot should maintain the warm, dimly lit restaurant setting from and , with blurred elements in the background suggesting other diners and the restaurant decor. This is to reinforce 's role as an observer or a figure with hidden knowledge, contrasting her subtle reaction with 's overt concern in .", "think_full": "The consistent restaurant environment from , , , and is maintained, characterized by warm, dim lighting and blurred background elements that imply other diners and the general decor. This shot directly reuses the visual background from . reappears, visually consistent with her appearance in . Her expression continues to be one of subtle observation, perhaps evolving slightly to a 'knowing' smile as she takes in the reactions of () and () in the preceding shots. Following the introduction of in , cutting back to emphasizes her seemingly detached or superior understanding of the situation. Her 'knowing smile' deepens the mystery and implies she might be aware of the underlying cause of the tension, making her a potentially pivotal character in the unfolding drama. This reinforces the interplay of gazes and unspoken thoughts at the dinner.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline specifies that returns to , showing her continued observation and perhaps a hint of a knowing smile. Re-using the close-up framing from for is essential to emphasize her expression and her importance in the scene. should be depicted with her characteristic subtly knowing or observant expression, similar to , to maintain continuity of her character's role. The restaurant setting, with its consistent lighting and blurred background from and , must be maintained. The user_intent is to build on 's character, reinforcing her role as an enigmatic observer. Her subtle reaction after seeing the worry of (from ) heightens the dramatic tension, suggesting she holds some key information or insight into the situation." }, { "instruction_full": "Return to the medium close-up camera setup from and , directly re-framing . He should continue to maintain the same pensive posture, hands clasped on the table, head bowed slightly, mirroring his appearance in and . The shot remains in the consistent restaurant setting from , , and , with the blurred background figures (as seen in and ) indicating other diners and the restaurant's general ambiance. This shot is to underscore that despite the reactions of and , 's internal struggle remains central and unresolved, intensifying the sense of quiet, lingering tension at the dinner.", "think_full": "The consistent restaurant setting, with its warm, slightly dim lighting and the blurred background figures from and , is maintained, reinforcing the continuous nature of the dinner scene. This shot directly reuses the visual background from and . reappears, maintaining his identical pensive pose from and . This repetition emphasizes his sustained internal state and indicates that the observations of (, ) and the concern of () have not yet elicited a visible change in him. By returning to for the third time, consistently showing his unchanging pensive state, the narrative highlights the deep-seated nature of his internal struggle. It suggests that the reactions of his family members are circulating around him, but he remains withdrawn, intensifying the unspoken pressure and emotional weight of the dinner. This reinforces him as the focal point of the scene's tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline explicitly states that returns to maintaining his pensive posture, emphasizing his internal struggle amidst the dinner. Re-using the medium close-up framing from and is crucial to show his continued focus and internal state. should appear exactly as in and , hands clasped, head bowed, signaling his unchanging internal preoccupation. The restaurant setting, with its warm lighting and blurred background elements from and , must remain consistent. The user_intent is to underscore the persistence of 's internal conflict. The repetition of his pensive state, juxtaposed against the varied reactions of and , emphasizes the depth of the tension and his isolation within the family gathering." }, { "instruction_full": "Return to the medium close-up camera setup used for in . should reappear, but with a subtly intensified expression of unease or growing concern compared to , still looking ahead, absorbed in the moment. The background should remain in the same restaurant setting, maintaining the warm, somewhat dim lighting and background elements from . This shot aims to escalate the emotional stakes by showing 's increasing discomfort, providing a contrasting emotional reaction to 's more composed observation, and highlighting the impact of the dinner's unspoken tension on her.", "think_full": "The consistent restaurant setting from previous shots, specifically reusing the background and lighting from , reinforces that the scene is continuous. The blurred figures in the background maintain the ambiance of a public dining space. reappears, consistent with her introduction in . Her expression should be subtly more pronounced in its concern or unease, indicating an emotional progression from her initial worried look in . This shows the prolonged silent tension is taking a toll. After repeated cuts to 's unchanging pensive state (, , ) and 's constant observation (, ), returning to with *increased* unease provides an emotional counterpoint. It shows the growing emotional pressure on at least one character, creating a sense of impending breakthrough or breakdown in the tense silence. It highlights her vulnerability and perhaps her role as the emotional barometer of the family.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that returns to , showing her growing unease and quiet concern. Re-using the medium close-up framing from for is necessary to show her face and evolving expression. should be shown again, her expression shifting from simply 'concerned' in to 'growing unease,' suggesting the discomfort of the situation is building. The familiar restaurant background and lighting from should be maintained to ensure visual continuity. The user_intent is to demonstrate the escalation of emotional tension in the scene. By showing 's discomfort increasing, it signifies that the unspoken conflict is intensifying and affecting those around more profoundly." }, { "instruction_full": "Return to the close-up camera setup from and , specifically framing . should be shown with a subtle, perhaps even more pronounced knowing or slightly amused expression than in , her hands now clasped or gesturing subtly, suggesting her internal reaction to the rising tension. The shot maintains the warm, dimly lit restaurant setting from and , with blurred background elements suggesting other diners and the restaurant decor. This shot aims to re-emphasize 's enigmatic role, showing her response to the growing unease (from ) with a composed, knowing, or even amused expression, which complicates the emotional landscape and suggests she is orchestrating or understanding the situation more than others.", "think_full": "The consistent restaurant environment from previous shots, reusing the background and lighting from and , reinforces the continuity of the dinner scene. reappears, consistent with her previous appearances in and . Her expression now carries a more pronounced 'amused' or 'knowing' quality, subtly shifting from mere observation. This evolution suggests her reaction to the escalating concern of in and the continued pensive state of (). Her hands are now clasped, mirroring 's posture but with a very different emotional connotation. Cutting back to after 's increasing unease () serves to deepen the mystery around 's character. Her composed, possibly amused reaction suggests a level of control or understanding that none of the other characters possess, making her presence more foreboding or intriguing. This contrasts sharply with the visible discomfort of others, intensifying the overall tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline directs that shows with a subtle, possibly amused or knowing expression, further deepening the mystery of her thoughts. Re-use the close-up framing from and to focus on 's nuanced expression. should be shown, with her expression evolving from observation (, ) to a more distinctly knowing or amused look, reflecting the increased tension observed in in . Her hands might be clasped, a subtle visual echo of . The background and lighting from and must be maintained for continuity within the restaurant setting. The user_intent is to emphasize 's enigmatic role and her likely awareness of the underlying conflict. Her composed and perhaps amused reaction, amidst growing unease from others, deepens her mysterious persona and hints at her significant role in the scene's emotional dynamics." }, { "instruction_full": "Shift to a medium close-up on a new character, an older man, seated at the table, with a look of quiet discomfort or suppressed frustration, perhaps rubbing his forehead. This framing should be similar in style to in , , or in , , but from a new angle. The shot remains in the same restaurant setting as all previous images, maintaining the warm, somewhat dim lighting. Blurred figures in the background should be visible, similar to or , indicating the ongoing dinner. This shot aims to further expand the emotional palette of the scene by introducing another family member's reaction, one of suppressed frustration or discomfort, showing that the tension affects various members in different ways and adding another layer to the family drama.", "think_full": "The restaurant environment, with its consistent warm, dim lighting and blurred background elements suggesting other diners and decor (as seen throughout to ), is maintained. This ensures the scene is visually cohesive. This shot introduces as a new character. His expression of quiet discomfort or frustration, perhaps through a gesture like rubbing his forehead, adds a distinct emotional response to the dinner table dynamics, differing from 's pensive state, 's overt concern, and 's knowing gaze. This indicates another facet of the family's collective tension. Introducing at this point, after the repeated cuts emphasizing the youth's internal struggle and the varying reactions of the women, shows the pervasive nature of the tension. His silent discomfort or frustration adds to the tableau of unease, suggesting that even seemingly stoic members of the family are affected by the situation, further intensifying the unspoken drama. His gesture of rubbing his forehead conveys a sense of burden or headache from the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline specifies that introduces , showing his quiet discomfort or frustration, adding another layer of family tension. A medium close-up, similar to earlier character introductions, would be suitable to focus on his expression and convey his emotional state. The character should be , an older man with an expression of discomfort or suppressed frustration, perhaps with a characteristic gesture like rubbing his forehead. The consistent restaurant background and lighting from previous shots should be maintained to keep the scene coherent. Blurred background figures are appropriate. The user_intent is to broaden the emotional landscape of the dinner further. By showing 's quiet discomfort, the scene emphasizes that the tension is widespread and affects different family members in distinct ways, contributing to the overall sense of unspoken conflict and unease." }, { "instruction_full": "Shift to a medium close-up on a new character, a young woman, seated at the dinner table, with a wide-eyed, possibly shocked or confused expression, looking directly ahead. This framing should be similar in style to other individual character shots like or , but from a new angle across the table. The shot remains in the same restaurant setting as all previous images, maintaining the warm, somewhat dim lighting. Blurred background elements, including other diners, should be visible, similar to how they appeared in or , reinforcing the continuous environment. This shot aims to present yet another distinct emotional reaction to the dinner, expanding the narrative to include a younger, perhaps more openly reactive, family member, thus completing the emotional spectrum of the table and escalating the sense that something significant is unfolding.", "think_full": "The consistent restaurant setting, with its warm, dim lighting and blurred background elements implying other diners (as seen throughout to ), is maintained, ensuring visual continuity for the ongoing dinner scene. This shot introduces as the final new character at the table. Her wide-eyed, possibly shocked or confused expression offers a contrasting and perhaps more visceral reaction compared to the subtle observations of (, , ), the contained worry of (, ), and the suppressed frustration of (). Her presence completes the familial ensemble and shows the impact of the tension on the youngest generation present. Introducing with an overtly shocked or confused expression serves to heighten the drama significantly. While others' reactions have been subtle or contained, her open display of bewilderment implies that the unspoken conflict has become more apparent or has just reached a tipping point, increasing the suspense and signaling that the scene is moving towards a climax or a reveal. Her youthful, less guarded reaction broadens the emotional scope of the family's collective experience of the tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline explicitly states that introduces , capturing her wide-eyed, perhaps shocked or confused expression, broadening the scope of reactions at the dinner. A medium close-up is appropriate to capture her expression vividly, similar to how other individual characters have been framed. The character should be , a new, younger woman, whose expression is one of shock or confusion, signaling a strong reaction to the unfolding dinner. The familiar restaurant environment, with its warm lighting and blurred background, should be consistent with previous shots. The user_intent is to bring in a new, perhaps more openly emotional, perspective to the silent tension. Her wide-eyed, possibly shocked reaction suggests that the unspoken events are becoming more impactful, building suspense and indicating a significant moment in the narrative where the tension is almost unbearable or a revelation is imminent." } ], "_src_movie_dir": "Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv", "_src_filename": "118384_118772.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Transamerica.2005.2160p.BluRay.X264-AMIABLE.mkv/118384_118772.json", "_test_index": 266 }, { "movie": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv", "N": 10, "sample_id": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/142948.jpg-Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/145600.jpg", "images": [ { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/142948.jpg", "filename": "142948.jpg", "aesthetic": 6.581886291503906, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/142975.jpg", "filename": "142975.jpg", "aesthetic": 6.408895492553711, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/143808.jpg", "filename": "143808.jpg", "aesthetic": 6.215184211730957, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/143814.jpg", "filename": "143814.jpg", "aesthetic": 6.272027015686035, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/144171.jpg", "filename": "144171.jpg", "aesthetic": 5.717696189880371, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/144641.jpg", "filename": "144641.jpg", "aesthetic": 5.738742828369141, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/145115.jpg", "filename": "145115.jpg", "aesthetic": 5.5732574462890625, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/145439.jpg", "filename": "145439.jpg", "aesthetic": 6.217656135559082, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/145594.jpg", "filename": "145594.jpg", "aesthetic": 6.118138313293457, "musiq": 0.0 }, { "tag": "", "rel_path": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/145600.jpg", "filename": "145600.jpg", "aesthetic": 6.127871513366699, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A somber, dramatic period piece, likely dealing with grief or loss, set in a grand, dimly lit estate. The mood is tense and sorrowful, hinting at unresolved conflict or profound sorrow.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces with an intense close-up, reacting to the scene. places within a grand, ornate setting, emphasizing his isolation. shows in a thoughtful, slightly distant profile, maintaining the dramatic tension. shifts to a new, brightly painted room, showing (now veiled) and introducing . provides a close-up of 's veiled face, highlighting her contained grief. brings into the ornate room, observing from a distance. returns to a tighter close-up on , intensifying her silent sorrow. concludes with a focused shot of , revealing his presence and emotional state in the room." }, "instruction_full": "Shift from a medium close-up of in to a tight close-up of a new character. Introduce , facing the camera directly, with a serious, perhaps conflicted or concerned expression. Maintain the dark, formal, dimly lit indoor setting established in , with the background remaining indistinct to focus attention solely on 's face. This is to introduce a new, significant character who is observing or reacting to the previous scene, establishing a somber and intense tone.", "think_full": "The dark, interior setting with minimal background detail from is maintained to keep the focus on the character's emotional state. The dim lighting from also contributes to the somber mood. This shot introduces as a new character, contrasting with and seen in . His direct gaze implies a connection to the unfolding drama, potentially as an observer or a participant. The tight close-up on 's face immediately establishes his presence and gravitas, suggesting his importance to the story. His serious expression serves to deepen the somber atmosphere set by , indicating a moment of quiet judgment or profound reflection following the grief witnessed.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` in `global_prompt` indicates that \" introduces with an intense close-up, reacting to the scene.\" From , we see holding in a dark, formal setting. The next shot, , should logically introduce a character who is reacting to or part of this somber situation. Therefore, the next shot should be a close-up of , maintaining the dark and formal ambiance established in , to convey his reaction and introduce his presence as per the `shot_outline`. His expression should be serious, reflecting the gravity of the situation." }, { "instruction_full": "Pull back from the tight close-up of in to a wider shot, showing him from behind. from should be standing straight, his back to the camera. Reveal more of the grand, ornate room, which is the same interior setting as suggested by the dark background in and . Elements like ornate walls, columns, or elaborate furniture should be visible in the distance, emphasizing the scale of the room and 's solitary figure within it. This is to reveal the larger, formal setting and emphasize 's solitary presence within it, suggesting a moment of contemplation or a somber public appearance.", "think_full": "This shot expands on the dimly lit, formal interior hinted at in and . By pulling back the camera, we now see more of the grand, ornate architecture, confirming the opulent yet somber setting from and . The general dark tone and historical feel are maintained. from is present, but now seen from behind, emphasizing his isolation and the grandeur of his surroundings. His posture remains rigid, consistent with the serious demeanor established in . Moving from the intense close-up of to this wider shot in allows the audience to contextualize within his environment. His small figure against the vast, ornate backdrop underscores his solitude or the weight of the situation he faces, as foreshadowed by the grief in . The back shot also adds a layer of mystery, keeping his full reaction private.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it \"places within a grand, ornate setting, emphasizing his isolation.\" Building on , which introduced in a close-up against a dark background, should pull back to reveal more of his surroundings. The previous shots (, ) suggested a formal, dimly lit interior. Therefore, this shot needs to show in a grand, ornate room, emphasizing his solitary presence, consistent with the `shot_outline`. He should be seen from behind or in a way that highlights his isolation within the large space." }, { "instruction_full": "From the wide shot in , move to a medium close-up of in profile, from the right side. from and , still wearing his distinctive glasses and suit, should now be looking intently off-camera to the left, with his expression remaining serious and contemplative. Continue to show the ornate background from , slightly out of focus, maintaining the dim, formal atmosphere. The perspective should imply he is still in the same grand room. This is to offer a different perspective on 's internal state and his engagement with the unseen surroundings, maintaining a sense of dramatic tension and observation.", "think_full": "The ornate interior environment established in continues to be the setting, maintaining the consistent dark and formal mood. The out-of-focus background still provides the sense of grandeur. from and is again the focal point. His consistent attire (suit, glasses) and somber expression reinforce his character. The profile shot allows for a nuanced portrayal of his thoughts, different from the direct gaze in or the distant back shot in . This shot builds on the character introduction by offering a more intimate view of than , but still maintaining a degree of detachment compared to 's direct address. His gaze off-screen hints at something specific within the grand room that holds his attention, deepening the mystery and the unfolding drama that began with in . It fulfills the `shot_outline`'s promise to maintain dramatic tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it \"shows in a thoughtful, slightly distant profile, maintaining the dramatic tension.\" Following the wide shot of which revealed the grand room, a closer shot of is appropriate to focus on his internal state. He should remain in the same ornate, dimly lit room as seen in . His profile view and serious expression, consistent with his portrayal in and , will convey thoughtfulness and the ongoing dramatic tension suggested by the `shot_outline`." }, { "instruction_full": "Cut to a new, wider shot in a different, more brightly lit interior space. The camera should frame a full body shot of and introduce . (first seen in ) should be standing, possibly wearing a veil or hat, facing away from the camera, dressed in dark formal attire. Introduce , standing opposite her, dressed in a lighter, simpler uniform, holding a white cloth. The space should be a brand-new, ornate, and brightly painted room with fresco-like murals on the walls. The overall lighting should be brighter than previous shots, with a clear light source from the left. Ornate furniture, like a large bed and a gilded chair, should be visible, establishing a domestic yet grand setting. This is to establish a new setting, signify a passage of time or a shift in focus, and reveal in a new context, alongside an assisting character.", "think_full": "This shot explicitly introduces a brand-new environment, a richly decorated and brightly lit room, explicitly departing from the dark, somber settings of , , , and . There is no visual link to previous spaces. The frescoed walls and opulent furniture create a sense of historical grandeur but with a different atmosphere. from reappears, but her pose and attire (now perhaps veiled and standing) show a change in her state or situation, suggesting time has passed. Her distressed expression from is implied by her posture. This shot also introduces as a new character, highlighting domestic support or assistance in this new scene. The sudden shift to a new, brighter, and more personal setting (likely a bedroom or private parlor) signifies a transition in the narrative, moving away from the immediate scene of grief in and 's silent observation in -. This shot reframes 's situation, showing her in a moment of private preparation or mourning, facilitated by the newly introduced . The `shot_outline` mentioned shifts to a new room and shows veiled, which is fulfilled here.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for explicitly states it \"shifts to a new, brightly painted room, showing (now veiled) and introducing .\" Therefore, this shot must present a completely new environment, distinct from the dark, formal spaces of to . It should feature , likely veiled, and a newly introduced character, . The setting should be bright and ornate as described in the `shot_outline`, establishing a significant change in scene and atmosphere." }, { "instruction_full": "Move from the wider shot of to a medium close-up of , focusing on her face behind the veil. The camera should frame her from the right side, showing part of the ornate chair. from and should now be seated, with her face partially obscured by a dark veil, her expression still conveying sorrow and weariness. Continue in the same brightly painted, ornate room seen in . The gilded chair, which she was near in , should now be a prominent background element, confirming continuity of location. The lighting remains warm, coming from the left. This is to offer an intimate view of 's veiled grief, emphasizing her emotional state while maintaining a sense of privacy and formality within the opulent setting.", "think_full": "The opulent, brightly frescoed room from remains the setting. The gilded chair, visible as a prop in , now serves as the immediate background, confirming the location and allowing the camera to move closer to . The warm, directional lighting established in is maintained. from and is central, her veiled face and weary expression clearly conveying her ongoing distress. This shot provides a more direct emotional connection to her than the distant view in , while the veil adds a layer of formal mourning. This shot deepens the portrayal of 's personal sorrow, following the contextual introduction in . The close-up emphasizes her contained grief, highlighted by the veil, and directly fulfills the `shot_outline` for which states it \"provides a close-up of 's veiled face, highlighting her contained grief.\" The golden tones of the chair behind her subtly contrast with her dark attire and somber mood.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies: \"provides a close-up of 's veiled face, highlighting her contained grief.\" Building on , which showed and in a new ornate room, the next logical step is to focus on herself. The shot should be a close-up of , revealing her veiled face and reflecting her grief, while confirming she is in the same opulent room as ." }, { "instruction_full": "Return to a wider shot, similar to the general framing of , but now from a slightly different angle to reveal a new character. from should be in the foreground, out of focus, on the right, maintaining her veiled appearance. Introduce , standing further back in the room, looking towards , dressed in formal attire. Remain in the same brightly lit, frescoed room from and . The ornate bed and painted walls are visible in the background, creating depth. A side table with a lamp should be placed between and . This is to introduce a new character, , observing , creating a dynamic between them while emphasizing the shared space and maintaining the opulent yet somber atmosphere.", "think_full": "The brightly lit, frescoed room from and is the consistent setting. Elements like the ornate bed and painted walls are visible in the background, anchoring the scene to the established location. The side table and lamp serve as a new prop, adding to the room's detail. from , , and is present, now in the foreground, partially obscured and out of focus, but her veiled presence from is maintained. This shot introduces as a new character, contrasting with seen earlier. His posture and gaze indicate an interaction or observation related to . Following the intimate moment with in , this shot expands the scene by introducing , establishing a new dynamic. Placing out of focus in the foreground draws the viewer's eye to the newly introduced character while still acknowledging her central role. It fulfills the `shot_outline` for by bringing into the room and showing him observing .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it \"brings into the ornate room, observing from a distance.\" From , we had a close-up of in the ornate room. The next logical step is to introduce into this scene. The camera should pull back to show both (perhaps out of focus or partially obscured) and in the same ornate, brightly lit room established in and . should be observing , creating a new relational dynamic." }, { "instruction_full": "From the wider shot of , cut back to a tighter close-up on , similar to the framing of but potentially slightly closer or from a slightly different angle. (from , , , ), still veiled and seated, should have an expression deepening in sorrow, perhaps looking slightly off-camera to her right, implying she is acknowledging 's presence. Maintain the ornate room and the gilded chair from , , and as the background, keeping the consistent warm lighting. This is to heighten the emotional focus on 's reaction to 's presence, intensifying her silent sorrow and the dramatic tension.", "think_full": "The ornate room and the gilded chair from , , and are consistently maintained as the setting, reinforcing the established environment. The warm lighting contributes to the continued somber atmosphere. from previous shots (e.g., , , ) is brought back into tight focus. Her veiled appearance and sorrowful expression are consistent but intensified, highlighting her emotional response, possibly to the introduction of in . After introducing and their spatial relationship in , returning to a close-up of in allows the audience to delve deeper into her internal reaction. This move intensifies her emotional state, as promised by the `shot_outline` which states \"returns to a tighter close-up on , intensifying her silent sorrow.\" It creates an emotional beat, contrasting with the introduction of a new character.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it \"returns to a tighter close-up on , intensifying her silent sorrow.\" Following the introduction of in , the narrative calls for a focused emotional beat on . Therefore, the next shot should be a close-up of , similar to , maintaining her veiled appearance and deepening her expression of sorrow within the same ornate room setting." }, { "instruction_full": "Cut from the close-up of in to a medium close-up of , roughly from the waist up. (introduced in ) should now be looking directly or slightly off-camera, his expression serious and engaged. His formal attire from is maintained. Continue to show the ornate room from , , , and in the background, slightly out of focus, with the frescoed walls visible. The lighting remains consistent. This is to give a moment of focus, showcasing his presence and potential emotional involvement after his introduction and 's reaction, signaling his importance in the unfolding scene.", "think_full": "The ornate, frescoed room from through is consistently maintained as the setting, reinforcing the established environment. The ambient lighting remains warm and consistent. from is now the focus, following his introduction and 's reaction in . His formal attire and serious expression are consistent with his character's demeanor. This shot allows for a more direct engagement with his character than his distant appearance in . After the emotional close-up on in , this shot shifts the focus to , giving him a significant presence in the scene. It fulfills the `shot_outline` for which states it \"concludes with a focused shot of , revealing his presence and emotional state in the room.\" This allows the audience to consider his role and potential impact on the unfolding drama, connecting him to the grief initially seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it \"concludes with a focused shot of , revealing his presence and emotional state in the room.\" Following the intense close-up of in , the narrative requires a corresponding focus on , who was introduced in . The shot should be a medium close-up of , showing his expression and presence within the same ornate room setting established from onwards, consistent with his introduction in ." }, { "instruction_full": "Move from the medium close-up of in to a tighter close-up on , similar to the framing in and . from previous shots should be seated, with her face veiled, and an expression of continued profound sorrow or distress. The gilded chair from and should be clearly visible in the background, confirming her position in the ornate room. The warm, dim lighting of the room from through should persist. This is to provide a final, intense emotional beat on 's enduring grief, leaving the audience with her poignant suffering.", "think_full": "The ornate room, particularly the gilded chair from , , , , and , consistently frames . The established warm and dim lighting from these preceding shots maintains the melancholic mood. from , , , , and is the returning central figure. Her veiled presence and sorrowful expression are consistent and serve to emphasize the depth of her grief. This shot brings the emotional focus back to after the introduction and focus on in and . It intensifies her silent suffering, creating a strong emotional resonance to conclude the sequence, ensuring her grief is the lasting impression.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the sequence's emotional arc, which began with 's distress in and continued through her veiled grief in and , the `shot_outline` (if it were still available to guide further turns) would likely bring the focus back to her. After focusing on in , a logical narrative progression would be to return to to underscore her emotional state. Therefore, the next shot should be a tight close-up of , maintaining her veiled, sorrowful expression in the same ornate room, to provide a concluding emotional emphasis on her enduring grief, drawing on the visual cues from and ." } ], "_src_movie_dir": "Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv", "_src_filename": "142948_145600.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Anna.Karenina.2012.Bluray.2160p.DTS-4K.x264-Grym.mkv/142948_145600.json", "_test_index": 267 }, { "movie": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv", "N": 10, "sample_id": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114334.jpg-The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114900.jpg", "images": [ { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114334.jpg", "filename": "114334.jpg", "aesthetic": 6.74639892578125, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114347.jpg", "filename": "114347.jpg", "aesthetic": 6.8520097732543945, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114475.jpg", "filename": "114475.jpg", "aesthetic": 7.039209365844727, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114562.jpg", "filename": "114562.jpg", "aesthetic": 6.00242805480957, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114578.jpg", "filename": "114578.jpg", "aesthetic": 5.830756187438965, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114625.jpg", "filename": "114625.jpg", "aesthetic": 5.8480305671691895, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114659.jpg", "filename": "114659.jpg", "aesthetic": 6.059196472167969, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114691.jpg", "filename": "114691.jpg", "aesthetic": 6.215507507324219, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114850.jpg", "filename": "114850.jpg", "aesthetic": 5.950564384460449, "musiq": 0.0 }, { "tag": "", "rel_path": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114900.jpg", "filename": "114900.jpg", "aesthetic": 4.927105903625488, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A man arrives home to his family, in a domestic setting bathed in warm, reddish light. There's an underlying tension, suggesting his world outside is complex and perhaps dangerous, contrasting with the warmth of his home life. The narrative explores his reunion with his wife and son, hinting at the emotional weight of his return and the meaning of a small gift.", "characters": [ "", "", "" ], "shot_outline": " introduces 's reaction to 's arrival. returns to , emphasizing his stoicism. introduces , highlighting his connection to and his guarded curiosity. provides a wider view of the family in the entryway, emphasizing 's distance. focuses on and , reiterating her protective stance. shows and together, maintaining her facade of normalcy. shows offering something to , bringing him closer to the family. focuses on receiving the item. reveals the small gift in a close-up." }, "instruction_full": "Shift the camera to an opposing medium shot, slightly wider than , to introduce the other side of the reunion. Introduce , framed from the waist up, smiling warmly but with a subtle hint of reservation in her expression, facing the implied position of . Maintain the warm, reddish interior lighting and domestic setting from , but now show framed pictures on the wall and a table lamp as background elements on the right. This shot aims to establish 's presence and her initial reaction to 's arrival.", "think_full": "The shot needs to introduce the second main character, , directly contrasting her with seen in . By maintaining the warm, reddish lighting and domestic architectural style from , spatial continuity is established, confirming they are in the same home. The new background elements like the framed pictures and lamp further define the interior. 's smile, while welcoming, should carry a nuanced expression to hint at the complex emotions implied by 's serious demeanor in , setting up the dynamic of their reunion.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' states introduces the wife's reaction. Given showed looking directly at the camera, implying he's looking at someone, the next logical shot is a reverse angle or a shot of who he sees. This shot should introduce , facing him, in the same warm domestic setting established in . The camera should be a medium shot, perhaps slightly wider than , to give a sense of her presence and the space around her. Her expression should be welcoming but hint at the story's underlying tension." }, { "instruction_full": "Return to the exact same medium shot camera framing and position as . Show in the identical pose, wearing the same dark coat and glasses, maintaining his serious, unsmiling expression. The background from should be precisely replicated: the light-colored door behind him, flanked by dark drapes, under the consistent warm, reddish hallway lighting. The purpose is to re-emphasize 's stoicism and unchanging presence, creating a stark visual contrast to 's smile in .", "think_full": "This shot consciously reuses the exact camera setup, character pose, and background from . This spatial and character continuity is crucial to reinforce 's unchanging, guarded demeanor. After seeing 's welcoming yet subtle expression in , cutting back to the husband's stoic face (identical to ) highlights the emotional gap or the weight he carries that prevents him from fully engaging with the domestic warmth. It re-establishes his consistent characterization before further interaction unfolds.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for indicates a return to the husband, emphasizing his unchanging demeanor. After showed 's reaction, it's narratively effective to cut back to to show his consistent emotional state. Replicating the exact medium shot from , with the same serious expression, dark coat, and warm, reddish hallway background, would visually underscore his stoicism and create a stark contrast with his wife's smile from ." }, { "instruction_full": "Maintain a medium close-up framing, similar to , but shift slightly to the left to introduce a new character. Frame (as seen in ) from the chest down, prominently showing her patterned dress and cardigan. Standing closely beside her, introduce , looking towards the camera with a slightly apprehensive or curious expression. Her hand should be near or gently resting on him, implying a protective bond. The warm, reddish lighting and domestic interior from continue, with the framed pictures and table lamp from still visible on the right.", "think_full": "Introducing in this shot, positioned protectively next to (seen similarly dressed as in ), immediately raises the emotional stakes of the reunion. The continuity of the warm, reddish interior lighting and background elements like the framed pictures and table lamp from ensures the scene remains in the same domestic space. The son's apprehensive expression, coupled with his mother's close proximity, underscores the fragile nature of their home life and his vulnerability, adding a new dimension to the emotional landscape established by 's stoicism in and and 's welcome in .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the 'shot_outline', introduces and his connection to . Following the alternating shots of the husband and wife (, , ), it's time to bring the child into the reunion. The shot should be a medium close-up, similar to , but now including next to , maintaining the warm interior lighting and domestic background. 's expression should convey slight apprehension or curiosity, strengthening the visual of the family unit." }, { "instruction_full": "Pull back to a wider, over-the-shoulder shot, positioned roughly at 's height, to reveal the entire entryway. (from , ) stands on the left, seen from behind, looking towards . (from ) stands beside her, also looking in the same direction. In the mid-ground, (from , ) stands further back in the doorway, still in his dark coat, observing them. The door from is visible in the background, with the coat rack from to its right, and a prominent staircase banister appears on the right side of the frame, fully revealing the depth of the house interior. Maintain the consistent warm, reddish lighting. This shot aims to visually emphasize the physical distance and implied emotional gulf between and his family.", "think_full": "This shot dramatically shifts to a wider perspective, revealing the full spatial relationship between the characters within the established domestic entryway (from , , , ). By framing from behind and (both seen previously in and ), the audience is placed with them, observing (seen in and ) from their vantage point. The husband's physical distance in the doorway, along with the consistent warm, reddish lighting, underscores his guarded nature and the 'gap' between his world and his family's, as mentioned in the 'story_setup'. The staircase banister, a new visible element, further grounds the scene in a home environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for calls for a wider shot to show the family dynamic and 's distance. After seeing the individual close-ups (, , , ), a wider shot is needed to establish the spatial context of the reunion. The camera should pull back to show all three characters in the hallway/entryway, maintaining the warm domestic lighting. and should be grouped together, looking towards , who remains somewhat separated, reinforcing his initial detachment." }, { "instruction_full": "Return to a medium close-up, similar to , but slightly tighter on . Focus on (from , ) standing, facing right (away from the camera), looking towards the implied position of . (from , , ) is primarily seen from the waist down next to him, her arm potentially resting gently or nearby, reaffirming her protective presence. The warm, reddish interior lighting from previous shots should continue, and key background elements like the table lamp and the corner of a desk with an old-fashioned telephone from should reappear, slightly reframed. This shot aims to highlight 's continued apprehension and his mother's close presence, drawing attention to their reactions.", "think_full": "Following the wider shot that established the family's spatial relationship, this shot returns to a tighter focus on and , similar to . The consistent warm, reddish interior lighting and the reappearance of background elements like the table lamp and telephone from maintain strong spatial continuity within the domestic setting. The re-emphasis on 's (from , ) cautious demeanor and 's (from , , ) protective posture serves to underscore their emotional vulnerability and bond as (implied off-screen after ) continues to engage or approach. This framing ensures the audience remains connected to their perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' indicates focuses on and , implying the mother's protective stance. After the wider shot revealed their positions, it's appropriate to return to a closer view to observe their reactions more intimately. The camera should frame and in a medium close-up, similar to , but perhaps a bit tighter on the son. The warm domestic lighting and familiar background elements from should be visible, reinforcing the son's apprehension and his mother's watchful presence." }, { "instruction_full": "Revert to a medium shot of and , similar in framing to , but now including the son. (as seen in , , , ) stands, smiling, looking towards the area where would be. (as seen in , , ) stands beside her, looking up at her or slightly off-camera. The camera should be slightly wider than and positioned to reveal a glass-paned door or window on the far left, hinting at the outside, perhaps with a red bicycle visible. The warm, reddish interior lighting continues, as do the framed pictures on the right wall from and . This shot aims to show 's persistent attempt to maintain a cheerful facade for her son and the family unit, grounding them firmly in their domestic space.", "think_full": "This shot expands the framing from to show more of (from , , , ) and (from , , ) together, similar to but now inclusive of the child. The consistent warm, reddish interior lighting and the familiar framed pictures from and maintain strong continuity. The introduction of the glass-paned door/window on the left, with a glimpse of the outside and a bicycle, further establishes the domestic setting, reinforcing the contrast between this home life and 's (implied) external world. 's continued smile emphasizes her role in maintaining normalcy, as suggested by the 'story_setup'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for indicates showing the wife and son together, with her still smiling, trying to maintain normalcy. After the tight focus on their reactions in , a slightly wider shot of them together is appropriate. The camera should frame (from , , , ) and (from , , ) in a medium shot, similar to , but now including the son. Her smile should be prominent, and the warm interior lighting and domestic background elements (like the framed pictures from , ) should be visible, possibly adding a glimpse of the outside to enhance the setting." }, { "instruction_full": "Replicate the wide, over-the-shoulder shot from , showing the same perspective from behind and , looking towards in the entryway. (from , , , , ) stands on the left, seen from behind. (from , , , ) is positioned in front of her. (from , , ) is now closer to them, still in his dark coat and glasses, and is in the act of offering something to . The hallway/entryway is fully visible, identical to , with the door from in the background, the coat rack to the right of the door, and the staircase banister from prominent on the right foreground. The warm, reddish lighting persists. This shot aims to show finally engaging directly with his son, signifying a shift in his guarded demeanor and bringing him physically closer to the family.", "think_full": "This shot consciously re-establishes the wider spatial setting and camera angle from , which previously emphasized 's distance. The continuity of the environment—door, coat rack, staircase banister (all seen in ), and consistent warm, reddish lighting—confirms we are in the same domestic entryway. However, the crucial change is the re-positioning of (from , , ) closer to and (both seen from onwards). His action of offering an item to (from onwards) marks a significant narrative development: he is actively engaging, breaking his stoic distance. The over-the-shoulder perspective from keeps the audience's emotional alignment with the wife and son, observing his gesture.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for states that offers something to , bringing him closer. After the previous shots focused on the wife and son (, ), it's time for the husband to initiate closer interaction. The camera should return to a wider shot, similar to , showing the entire family in the entryway. However, should now be closer to and in the act of handing him an object. The warm interior lighting and familiar hallway elements (door, staircase from ) should be consistent. This shot signifies a turning point in his engagement with the family." }, { "instruction_full": "Shift to a medium close-up, very similar to , but now slightly tighter on 's hands and face as he receives the item. Focus on (from , , , , ), whose hands are clasped or receiving a small object. Part of 's dark coat and leg (from , , , ) is visible on the right, towering over the son. A glimpse of 's dress (from , , , , ) can be seen in the background on the left. The warm, reddish interior lighting from all previous shots is consistent. The lower part of the staircase banister (from , ) is visible in the background, along with a table lamp (from , , , ). This shot aims to isolate 's intimate moment of receiving a gift from his father, emphasizing his smallness and the significance of the object.", "think_full": "This shot is a tighter reframing after the wider interaction shown in , focusing specifically on 's (from onwards) reception of the item. It is similar in framing to , allowing for visual continuity while intensifying the focus. The consistent warm, reddish interior lighting and the subtle inclusion of background elements like the staircase banister (from , ) and table lamp (from , , , ) maintain the established domestic setting. By showing just parts of (from onwards) and (from onwards), the shot keeps the focus on and the mysterious object, building anticipation for its reveal and emphasizing the intimacy and perhaps vulnerability of the moment for the child.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for states to focus on taking the item, isolating him. After offers the gift in , the next logical step is to show receiving it. The camera should move to a medium close-up, similar to , but tighter on 's hands and the object. Parts of the parents ( from onwards and from onwards) should be visible as context, but the emphasis is on the child and the gift. The warm domestic lighting and familiar background elements (staircase, lamp from previous shots) should be present." }, { "instruction_full": "Execute an extreme close-up, shifting entirely to focus on the object in 's hands. Only the fingers or part of 's hand (as seen in ) should be visible, holding the small, round object. The background should be indistinct and dark, emphasizing the object. The warm, reddish glow from the domestic interior (consistent throughout through ) should subtly illuminate the object, making it stand out. This shot aims to reveal the specific details of the mysterious object, giving it symbolic weight and potentially hinting at 's world or a hidden meaning within the family.", "think_full": "This extreme close-up is a critical reveal, making the object itself the focal point after its introduction in . The shift to a very tight framing isolates the object, enhancing its significance and mystery, as suggested by the 'story_setup'. The consistent warm, reddish lighting from the domestic interior (present from through ) softly illuminates the item, creating a sense of intimacy and importance, even as the background becomes indistinct to eliminate distractions. By only showing 's (from onwards) hands, the shot maintains character continuity while directing all attention to the symbolic nature of the gift, which likely connects to 's (from onwards) complex life.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for specifies a close-up of the gift, revealing its symbolic importance. After showed receiving the item, the natural conclusion to this sequence is to reveal what the item is. The camera should move to an extreme close-up, focusing entirely on the small, round object in 's hands (from ). The background should be blurred or dark, while the warm domestic lighting (consistent from onwards) softly highlights the object, drawing the viewer's full attention to its details and potential meaning." } ], "_src_movie_dir": "The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv", "_src_filename": "114334_114900.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The Good Shepherd (2006) (2160p BluRay x265 Panda).mkv/114334_114900.json", "_test_index": 270 }, { "movie": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv", "N": 10, "sample_id": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/115894.jpg-Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/117159.jpg", "images": [ { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/115894.jpg", "filename": "115894.jpg", "aesthetic": 5.993926525115967, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/115950.jpg", "filename": "115950.jpg", "aesthetic": 5.991240978240967, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116100.jpg", "filename": "116100.jpg", "aesthetic": 6.461859703063965, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116384.jpg", "filename": "116384.jpg", "aesthetic": 6.205628395080566, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116816.jpg", "filename": "116816.jpg", "aesthetic": 4.801426887512207, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116903.jpg", "filename": "116903.jpg", "aesthetic": 6.583580493927002, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116922.jpg", "filename": "116922.jpg", "aesthetic": 5.831171035766602, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/116984.jpg", "filename": "116984.jpg", "aesthetic": 6.752580165863037, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/117053.jpg", "filename": "117053.jpg", "aesthetic": 5.790363311767578, "musiq": 0.0 }, { "tag": "", "rel_path": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/117159.jpg", "filename": "117159.jpg", "aesthetic": 6.615961074829102, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This is a somber and emotionally charged narrative about an elderly couple facing a difficult situation, possibly related to illness or end-of-life care. The tone is reflective and melancholic, focusing on their bond and unspoken grief. The pacing is slow, allowing moments for emotional impact and quiet contemplation. The stakes are deeply personal, centering on the emotional journey of the couple.", "characters": [ "", "" ], "shot_outline": " introduces in her private space, setting a calm but possibly isolated mood. shows having entered the room, establishing his presence. brings both and into a shared frame, highlighting their proximity and the overall environment. focuses on their hands, symbolizing their connection and mutual support. provides an emotional close-up of 's face, revealing her distress. cuts to 's face, showing his empathetic reaction. returns to 's pained expression, emphasizing the cyclical nature of grief. reiterates 's somber response. offers a final, lingering close-up of 's tears, concluding the emotional beat on her perspective." }, "instruction_full": "Shift the camera to a medium-wide shot inside a private room, revealing a new character, , seated on a cozy, slightly worn couch. She should appear frail but composed, dressed in comfortable loungewear. The space should feel lived-in, with soft lighting from a window and a small side table holding a meal tray and a lamp, to establish her personal, quiet environment.", "think_full": "Based on showing at a doorway, the next logical step is to reveal who he is visiting and where. This shot introduces , a new character, in her personal space, which is clearly different from the institutional hallway seen in . The camera moves inside and widens to capture her and the immediate surroundings. The couch and side table from this new environment help to establish a sense of a home or a long-term care room, providing visual contrast to the impersonal hallway of . Her composed but frail posture, along with the intimate setting, hints at the sensitive nature of the visit, setting the stage for emotional developments.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt indicates a narrative focused on an elderly couple and their emotional journey. shows about to enter a room. Therefore, the next shot, , must logically introduce the person he is visiting and her immediate environment, which the shot_outline confirms by stating ' introduces in her private space'. The camera should move from the hallway perspective of into this new private room, framing on a couch with some personal effects, to establish her presence and the new setting. She should look aged and perhaps a little weary, but dressed in home attire to suggest a comfortable, if possibly confined, existence. The light should be soft, perhaps from a window, creating an intimate atmosphere that contrasts with the more sterile feel implied by the hallway in . This shot serves to immediately establish the core subject of the visit and her vulnerability." }, { "instruction_full": "Return to a medium shot similar to , framing from the waist up, but now he is slightly further into the room, looking towards the space where was introduced in . His expression should be one of quiet concern or contemplation, having just entered or preparing to move further into the room. The background should subtly show the continued environment of the room, distinct from the hallway.", "think_full": "After introducing in , the narrative needs to show 's entrance into her space. This shot reuses a similar framing and perspective to , maintaining visual continuity for , but subtly shifts his position to indicate progression into the room. The purple wall and the framed picture visible in should still be present, but the door is now slightly more open or his body language suggests he has stepped through, connecting the threshold of to the environment of . His gaze should be directed towards the area where would be, establishing the immediate destination of his visit and his emotional state upon seeing her. This transition emphasizes the movement from the outside world into her private domain, as indicated by the shot_outline for stating it 'shows having entered the room'.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's story of an elderly couple and the sequence of shots, should follow by showing 's perspective as he joins . The shot_outline specifies that ' shows having entered the room'. The most logical camera move is to return to a framing of similar to , but now indicating he has moved past the doorway and is fully present in the new room. His expression should reflect the somber tone of the story, showing concern as he looks towards . The background should maintain visual elements from like the purple wall and the framed picture, while also subtly integrating cues from the room introduced in to confirm he's now inside that space, linking the two environments." }, { "instruction_full": "Pull back the camera to a medium-wide shot, encompassing both and as they sit together on the couch first seen in . , reappearing from , should be seated beside , who is still in her loungewear from . Their body language should convey a quiet, somber intimacy, reflecting the emotional stakes of their interaction, with the side table and meal tray from still visible.", "think_full": "Now that both characters have been introduced individually in and , the narrative demands bringing them together. The shot_outline confirms this, stating ' brings both and into a shared frame'. The camera pulls back to reveal both , still in his attire from and , sitting with , who maintains her appearance from , on the same couch from . This establishes their shared physical space and the beginning of their emotional exchange. The wider framing, including the side table from , grounds them in the previously established environment, emphasizing their connection within this intimate setting and visually advancing the emotional core of the story.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt sets up an emotional story about an elderly couple. After introducing in and showing 's entrance in , the next logical step according to the shot_outline (' brings both and into a shared frame') is to show them together. The camera should adopt a wider view than or to capture both and seated side-by-side on the couch from . This shot needs to clearly convey their shared presence in the room established in and suggest their emotional connection through their proximity and somber expressions, solidifying their relationship and the intimate nature of the scene." }, { "instruction_full": "Move the camera to a close-up shot, focusing specifically on the intertwined or gently resting hands of and as they sit on the couch from . The hands should appear aged, showing texture and detail, possibly with one wearing a wedding ring, resting on the soft, textured blanket also seen in and , to emphasize connection and shared history.", "think_full": "With both characters now established together in , the narrative calls for a moment of quiet emotional connection. The shot_outline for explicitly states it 'focuses on their hands, symbolizing their connection and mutual support'. A close-up on their hands, resting on the blanket from and , provides an intimate visual metaphor for their bond and history, transcending dialogue. The texture of their aged skin and the presence of a ring further underscore the depth of their relationship and the somber tone of the story, allowing the viewer to infer a long-standing, supportive connection without explicit verbal or facial expressions.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt highlights the emotional bond of an elderly couple. Having established them sitting together in , the shot_outline indicates that ' focuses on their hands, symbolizing their connection and mutual support'. This suggests an intimate close-up to convey unspoken emotions and a deep connection. The camera should move in for a tight shot on the hands of (who was last seen in and ) and (last seen in and ), resting on the fabric of the couch or the blanket visible in . This close-up will emphasize their aged appearance and the subtle gesture of their hands, conveying tenderness, comfort, or shared burdens, which aligns with the overall melancholic tone of the story." }, { "instruction_full": "Execute a tight close-up on 's face, seen previously in and , capturing her expression of profound sadness, with tears welling in her eyes or gently streaming down her cheeks. Her hair, clothing, and the background should remain consistent with her appearance and setting established in and , maintaining the intimate, soft lighting.", "think_full": "Following the symbolic connection of hands in , the narrative needs to shift to explicit emotional expression. The shot_outline states ' provides an emotional close-up of 's face, revealing her distress'. This necessitates a tight close-up on 's face, returning to her character first seen in and in , to convey raw emotion. Her tears directly manifest the story's melancholic tone. The consistent soft lighting from and ensures environmental continuity, while her distressed expression dramatically advances the emotional stakes, revealing the depth of her struggle which was only hinted at by the quiet intimacy of and .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt sets a deeply emotional and melancholic tone for the story. After the quiet intimacy of the hands in , the shot_outline for specifies an 'emotional close-up of 's face, revealing her distress'. This requires the camera to zoom in tightly on 's face (from and ) to capture and emphasize her sadness, likely with tears. The lighting and overall feel should remain consistent with the intimate room setting from previous shots. This direct portrayal of her grief is a critical emotional beat, highlighting her vulnerability and the unspoken pain central to the narrative." }, { "instruction_full": "Cut to a tight close-up on 's face, last seen in , capturing his empathetic and somber reaction to 's distress, his eyes conveying deep concern or shared pain. His beard and the texture of his jacket from , , and should be clearly visible. The lighting should be soft, perhaps with subtle shadows, reflecting the emotional gravity of the scene.", "think_full": "After the raw emotion of in , the narrative requires showing the reciprocal reaction from . The shot_outline states ' cuts to 's face, showing his empathetic reaction'. This calls for a close-up on , who was last shown in and initially introduced in and . His expression should convey a deep, empathetic sadness, mirroring 's distress from . The consistent visual details of his attire from , , and reinforce continuity. The intimate framing and somber lighting, consistent with the overall scene, heighten the emotional weight and establish his connection to her suffering, creating a powerful back-and-forth emotional exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt dictates an emotional and melancholic story. Following the close-up of 's tears in , the shot_outline for indicates a cut to ''s face, showing his empathetic reaction'. This means the camera should capture a tight close-up of (last fully seen in , first introduced in ), focusing on his eyes and expression to convey his concern, sorrow, or empathy in response to 's distress. The lighting should remain soft and intimate, consistent with the room's atmosphere established in earlier shots, to emphasize the gravity of the moment and their shared emotional experience." }, { "instruction_full": "Return to a tight close-up on 's face, maintaining the same framing and emotional intensity as . Her eyes should still be filled with tears, and her expression should continue to convey profound sadness, reinforcing the enduring nature of her grief. The familiar soft lighting and parts of her blue loungewear from , , and should be visible, ensuring visual consistency.", "think_full": "To deepen the emotional beat and emphasize the lingering nature of 's sadness, the scene requires a return to her perspective. The shot_outline specifies ' returns to 's pained expression, emphasizing the cyclical nature of grief'. This calls for a shot that closely mirrors in framing, lighting, and emotional content. By returning to her tear-filled face, which was established in , , and deeply explored in , the narrative underscores the intensity and persistence of her emotional state, creating a powerful emotional rhythm in conjunction with 's reaction in . This direct visual echo enhances the melancholic tone set by the global prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt outlines a deeply emotional story, and the shot_outline indicates a back-and-forth emotional exchange. After 's reaction in , the shot_outline for explicitly states it 'returns to 's pained expression'. This necessitates a direct cut back to a tight close-up of 's face, identical or very similar to . She should still be crying, her expression reflecting sustained sadness. The consistent lighting and parts of her attire (from and ) will maintain continuity within her established environment. This shot reinforces the intensity of her grief and forms part of an emotional call-and-response with ." }, { "instruction_full": "Cut back to a tight close-up on 's face, replicating the framing and pensive expression from . His eyes should still convey concern and a shared burden, reflecting the continuing emotional exchange with from . Visual details of his brown jacket and beard, consistent with , , , and , should be prominent.", "think_full": "Following the return to 's grief in , the narrative demands another look at 's response to maintain the emotional dialogue. The shot_outline specifies ' reiterates 's somber response'. This means returning to the exact or very similar close-up framing of from , preserving his empathetic and somber expression. The consistent visual elements of his appearance from , , , and ensure character continuity. This repetitive cutting between their close-ups emphasizes the intensity of their unspoken communication and the shared emotional weight, deepening the melancholic tone established in the global prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt dictates a melancholic and emotional narrative, further supported by the back-and-forth close-ups. After showing 's continued distress in , the shot_outline for explicitly states it 'reiterates 's somber response'. Therefore, the camera must cut back to a tight close-up of 's face, mirroring the shot from . He should retain his expression of concern and shared sorrow, reflecting the ongoing emotional exchange. The lighting and visual details from his previous appearances (, , ) should remain consistent, ensuring smooth visual flow and highlighting his continuous emotional support within the intimate setting." }, { "instruction_full": "Conclude the sequence with a final tight close-up on 's face, matching the framing and tearful intensity from and . Her expression should remain profoundly sad, perhaps with a sense of resignation, leaving her emotional state as the lasting image. The soft, gentle lighting from , , , and should persist.", "think_full": "To bring this emotional exchange to a powerful close, the narrative requires a final emphasis on 's perspective. The shot_outline states ' offers a final, lingering close-up of 's tears, concluding the emotional beat on her perspective'. This necessitates a final return to the tight close-up of 's tear-filled face, precisely replicating the framing and emotional intensity seen in and . By ending on her face, which was first introduced in and then emotionally developed in , , and , the story reinforces the core of her personal struggle and the melancholic tone set by the global prompt, leaving a lasting impression of her grief and vulnerability as the final emotional beat.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt and shot_outline describe a deeply emotional and melancholic sequence, culminating in the lingering grief of . After the back-and-forth close-ups of in and in , the shot_outline for specifies a 'final, lingering close-up of 's tears, concluding the emotional beat on her perspective'. This requires the camera to return one last time to a tight close-up of 's face, mirroring and . She should continue to display profound sadness and tears. This final shot emphasizes her emotional journey and leaves her vulnerability as the concluding image, aligning perfectly with the story's overall tone and focus on her inner experience within the intimate setting established in ." } ], "_src_movie_dir": "Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv", "_src_filename": "115894_117159.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Away.from.Her.2006.2160p.WEBRip.DD5.1.x264-NTb.mkv/115894_117159.json", "_test_index": 289 }, { "movie": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv", "N": 10, "sample_id": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56554.jpg-Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57615.jpg", "images": [ { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56554.jpg", "filename": "56554.jpg", "aesthetic": 6.987831115722656, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56632.jpg", "filename": "56632.jpg", "aesthetic": 7.763275623321533, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56760.jpg", "filename": "56760.jpg", "aesthetic": 7.126968860626221, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56940.jpg", "filename": "56940.jpg", "aesthetic": 6.713997840881348, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/56962.jpg", "filename": "56962.jpg", "aesthetic": 6.027389049530029, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57112.jpg", "filename": "57112.jpg", "aesthetic": 6.987658977508545, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57248.jpg", "filename": "57248.jpg", "aesthetic": 6.717916488647461, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57439.jpg", "filename": "57439.jpg", "aesthetic": 7.275808334350586, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57532.jpg", "filename": "57532.jpg", "aesthetic": 7.620062351226807, "musiq": 0.0 }, { "tag": "", "rel_path": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/57615.jpg", "filename": "57615.jpg", "aesthetic": 7.032958030700684, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A clandestine meeting unfolds in what appears to be a European cafe or a semi-private room within a public establishment. The tone is mysterious and slightly tense, suggesting an important conversation with underlying stakes. The pacing is deliberate, allowing reactions and expressions to carry narrative weight.", "characters": [ "", "" ], "shot_outline": " introduces , establishing his presence and creating a sense of tension or authority against 's earlier shot. returns to , showing her reaction and maintaining the sense of observation. shifts to an over-the-shoulder shot, showing from 's perspective, suggesting a conversation. pulls back to a wide shot, establishing the cafe environment and the two characters interacting. provides a close-up of , emphasizing his expression and dialogue. shows both and seated at a table, continuing their conversation. gives a medium close-up of , possibly reacting or continuing a statement. returns to a medium close-up of , capturing her expression in response. finishes with a medium close-up of , concluding a thought or making a final statement." }, "instruction_full": "Shift to a medium close-up shot, slightly Dutch-angled, focusing on a new character. Introduce , a middle-aged man with a beard and wearing a fedora and suit, looking directly towards the viewer with a serious, unsmiling expression. The background should be a wooden interior, suggesting the same establishment as , but perhaps a different angle or section. This is to introduce a new, potentially imposing character who contrasts with from , establishing a dynamic of power or scrutiny.", "think_full": "While the precise background elements change from the window in to a wooden door/wall, the overall tone and indoor setting suggest continuity within the same type of establishment (a cafe or meeting room). The lighting remains warm, indicating an indoor setting similar to . This shot introduces , a new character to contrast with from . His stern expression and dark attire hint at authority or a serious demeanor, setting a different tone. After the gentle introduction of in , introducing with a direct, unsmiling gaze immediately shifts the mood, suggesting a formal or tense encounter. The medium close-up allows his expression to be central to establishing his character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'introduces , establishing his presence and creating a sense of tension or authority against 's earlier shot.' Based on this, I need to frame a new character, likely contrasting with from . Given the serious tone, a medium close-up on a stern-looking man in similar period attire, maintaining the indoor setting's general warmth, would fulfill this purpose and establish the narrative counterpoint." }, { "instruction_full": "Return to a medium close-up on , similar to the framing in but with a slightly wider view to include more of her surroundings. Show (as seen in ), now seated, looking off-camera with a slight, knowing smile, her expression conveying a sense of being observed or engaged in thought. The background should show green-framed glass panels or windows, reflecting 's silhouette, indicating she is still in an indoor public space, consistent with the atmosphere implied by and . This is to show 's reaction to the presence of introduced in , suggesting her awareness and a subtle confidence despite the implied tension.", "think_full": "The green-framed glass panels in the background suggest a slightly different angle or area of the same establishment implied by (window) and (wooden interior). The reflected silhouette hints at further depth and observation within this public space. The lighting maintains a similar soft, natural, indoor feel from . from reappears. Her expression is now more composed and subtly knowing, a direct reaction shot following the introduction of in . This develops her character beyond the initial gentle smile. After the imposing presence of in , returning to in shows her response. Her slight smile and gaze off-camera indicate she is aware of the situation and perhaps not intimidated, establishing an intriguing dynamic between the two characters.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'returns to , showing her reaction and maintaining the sense of observation.' Given the introduction of in , the next shot should be of (established in ) reacting to his presence. A medium close-up of her, with a subtle expression, in a similar indoor setting but with new background elements (like reflective glass) to add visual interest, would serve this purpose, emphasizing her perspective and the ongoing observation." }, { "instruction_full": "Employ an over-the-shoulder shot from behind , looking towards . This creates a sense of engagement and perspective. Feature (from ) in a medium shot, seated, facing away from the camera, with his right hand slightly raised as if in mid-sentence. His expression should be focused, engaged in conversation. The back of 's head and hat (from and ) should be visible in the foreground, out of focus. The background shows a large window with horizontal panes, suggesting the same cafe environment as implied by , , and , with bright, diffused light coming through. The dark booths or seating from are also visible. This is to establish the two characters are now actively conversing, shifting from individual character introductions and reactions to a direct interaction, and allowing the audience to implicitly take 's point of view.", "think_full": "The background window with horizontal panes, along with the dark seating, confirms we are in the same public indoor space, likely a cafe or restaurant, as suggested by , , and . The light source from the window maintains the natural, slightly warm but clear ambiance. from is now actively speaking, his gesture indicating engagement. from and is partially visible, indicating her direct presence in the conversation. This shot transitions from individual character establishment to direct interaction. After establishing both characters individually and their initial dynamic, this over-the-shoulder shot formally begins their direct dialogue. By placing us behind , the shot subtly aligns the audience with her perspective, making 's words more impactful. The framing emphasizes the conversation and the interaction between them.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for says it 'shifts to an over-the-shoulder shot, showing from 's perspective, suggesting a conversation.' This directly implies a shot of (from ), seen over the shoulder of (from , ), within the same implied cafe setting, to show them engaged in dialogue. The background should be consistent with the windows hinted at earlier, and should appear to be speaking." }, { "instruction_full": "Pull back to a wide shot, showing the entire cafe interior where and are seated. This is a new, broader establishing shot of the location. Both (from , , ) and (from , ) are visible, seated opposite each other at a table, continuing their conversation. They appear as smaller figures in the wider frame. The shot reveals a dimly lit, somewhat rustic cafe or brasserie interior with large windows and a green, panelled wall, consistent with hints from and . There are other empty tables and chairs around, emphasizing their isolation despite being in a public space. This is to establish the full context of their meeting, showing the location and their relative positions within it, emphasizing their public yet intimate encounter.", "think_full": "This shot fully establishes the cafe environment, confirming the hints of windows and green panelling seen in and . The overall dim lighting and rustic interior are now fully revealed, providing a consistent, albeit expanded, view of the setting. The natural light from the windows remains a key element. Both and are present, as established in previous shots (, for the woman; , for the man). Their seating arrangement and continued interaction reinforce the narrative of their meeting. After close-ups and an over-the-shoulder shot, a wide establishing shot is crucial to provide spatial context. It shows the characters' isolation within a public space, highlighting the private nature of their meeting despite the open environment. This shot gives the audience a clear understanding of 'where' the conversation is taking place.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'pulls back to a wide shot, establishing the cafe environment and the two characters interacting.' This necessitates a wider view of the setting, bringing into frame the cafe hinted at in previous shots (, ), and showing both and (established in / and / respectively) seated and conversing within it. The lighting should remain consistent with previous indoor shots." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing in but with less of an aggressive Dutch angle, emphasizing his expression. Feature (from , , ), his face serious and focused, mouth slightly open as if speaking or about to speak, conveying a sense of gravity or explanation. The background should be the same window and interior wall from the cafe established in , with diffused natural light coming through the window, providing continuity of the setting. This is to re-emphasize 's perspective or a significant statement he is making, focusing on his gravitas and the importance of his words in the conversation.", "think_full": "The window background directly links to the cafe environment fully established in , and previously hinted at in and . The natural light quality from the window is consistent with these earlier shots. from , , and reappears in a close-up. His serious expression reinforces his established demeanor and suggests the seriousness of the ongoing conversation. His slightly open mouth implies he is actively communicating. After the wide shot of establishing the scene, returning to a close-up of in puts the focus back on his individual contribution to the dialogue. This shot emphasizes the importance of his words or his reaction, creating dramatic weight.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies it 'provides a close-up of , emphasizing his expression and dialogue.' Following the establishing wide shot in , a close-up of (from , ) is appropriate to focus on his specific contribution to the conversation. The background should be consistent with the cafe environment, specifically the windows seen in , and his expression should convey seriousness, aligning with his character." }, { "instruction_full": "Use a medium shot, slightly wider than a close-up, showing both characters at the cafe table, providing a balanced view of their interaction. Feature both (from , , , ) and (from , , , ) seated opposite each other at the table. looks towards with a focused, perhaps thoughtful, expression, while holds a drink and looks towards her. The shot clearly shows the table between them, with drinks, against the backdrop of the cafe's dark green booths and windows from and , maintaining spatial continuity. This is to show the ongoing, sustained interaction between the two characters, emphasizing the back-and-forth of their conversation and their individual engagement.", "think_full": "The cafe setting, with its dark booths and window details, is consistently presented as established in and seen in the backgrounds of , , . The table with drinks further grounds the scene in the cafe. Both (seen in , , , ) and (seen in , , , ) are present, seated as in . Their poses and gaze indicate active engagement in conversation, building on the dialogue implied since . This shot provides a broader view of their interaction, showing their individual responses and the distance/connection between them across the table. It contrasts with the alternating close-ups, offering a more holistic view of their current dynamic, confirming a sustained, back-and-forth dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'shows both and seated at a table, continuing their conversation.' After the close-up of in , a shot showing both characters (from / and /) engaged at the table (established in ) would advance the scene. This shot should include elements like drinks on the table and the cafe's interior, maintaining consistency and emphasizing their interaction." }, { "instruction_full": "Cut back to a medium close-up of , similar to , maintaining focus on his face. Feature (from , , , , ), looking directly forward, his expression earnest and slightly concerned or contemplative. The background should be the same cafe window from , , and , with the consistent soft, diffused natural light. This is to emphasize 's reaction or a specific point he is making with a more thoughtful or serious tone, deepening the emotional impact of the conversation.", "think_full": "The background featuring the cafe window from , , and ensures continuity within the established setting. The lighting remains consistent with the natural light pouring through the windows. from previous shots (, , , , ) returns. His expression here is more contemplative or slightly concerned than the sternness in or the speaking pose in , adding nuance to his character as the conversation progresses. Following the shot of both characters in , returning to a close-up of in allows for a deeper exploration of his emotional state or a pivotal moment in his dialogue. His earnest expression suggests a significant statement or a serious reaction to 's input.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'gives a medium close-up of , possibly reacting or continuing a statement.' After the dual shot in , it's logical to return to a close-up of one of the speakers. Therefore, a medium close-up of (from , , ) in the same cafe setting (from , ), with an expression that conveys reaction or serious thought, would be appropriate." }, { "instruction_full": "Return to a medium close-up of , similar to , but perhaps with a slightly different tilt, capturing her expression intently. Feature (from , , , , ), looking towards , her expression now more serious and engaged, a slight frown or thoughtful look replacing her earlier subtle smile. The background should be the same green-framed glass panels or windows as seen in , further solidifying the cafe interior and her reflected silhouette, ensuring continuity. This is to show 's thoughtful and engaged reaction to 's serious points, indicating her deep processing of the information or a growing concern.", "think_full": "The background clearly repeats the green-framed glass panels from , which are part of the cafe interior established in . This consistency reinforces the setting. from , , , , returns. Her expression here is more serious and engaged, responding directly to the gravity conveyed by in . This shows a progression in her emotional state during the conversation. Following 's serious demeanor in , cutting to 's reaction in emphasizes her processing of his words. Her focused and slightly concerned expression conveys the deepening stakes or complexity of their discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'returns to a medium close-up of , capturing her expression in response.' After 's close-up in , it's logical to cut to 's (from , , , ) reaction. Her expression should reflect the serious tone of the conversation. The background should be consistent with her previous close-up, perhaps the green-framed panels from , to emphasize the back-and-forth dynamic within the cafe setting." }, { "instruction_full": "Cut back to a medium close-up of , similar to and , maintaining a tight focus on his facial expression. Feature (from , , , , , ), looking directly forward, with a resolute or slightly weary expression, as if delivering a final, weighty thought or statement. The background should again be the cafe window from , , , , maintaining the consistent ambient light. This is to provide a concluding shot of , emphasizing the finality or significance of his part in the conversation, leaving the audience with his final impression.", "think_full": "The background of the cafe window, consistent with , , , and , reinforces that the conversation is concluding in the same setting. from all previous appearances (, , , , , ) is shown again. His expression should convey a sense of conclusion, perhaps a mix of weariness, determination, or gravity, reflecting the culmination of the dialogue. This final close-up on serves as a concluding beat for his character in this sequence. It emphasizes his final words or the impact of the discussion on him, leaving the audience with his concluding thought or decision, mirroring the earlier back-and-forth close-ups to create a sense of symmetry in the conversation's end.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'finishes with a medium close-up of , concluding a thought or making a final statement.' After 's reaction in , a final close-up on (from , , , ) is appropriate to provide a sense of closure to their conversation. His expression should be conclusive, serious, and within the consistent cafe setting from , , , ." } ], "_src_movie_dir": "Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv", "_src_filename": "056554_057615.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Paris.36.2008.LIMITED.2160p.DVDRip.XviD-VH-PROD.mkv/056554_057615.json", "_test_index": 300 }, { "movie": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv", "N": 10, "sample_id": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145384.jpg-Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/146169.jpg", "images": [ { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145384.jpg", "filename": "145384.jpg", "aesthetic": 5.72349214553833, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145538.jpg", "filename": "145538.jpg", "aesthetic": 6.352764129638672, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145638.jpg", "filename": "145638.jpg", "aesthetic": 6.091778755187988, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145672.jpg", "filename": "145672.jpg", "aesthetic": 6.114055633544922, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145709.jpg", "filename": "145709.jpg", "aesthetic": 7.111534595489502, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145766.jpg", "filename": "145766.jpg", "aesthetic": 6.684304237365723, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145775.jpg", "filename": "145775.jpg", "aesthetic": 6.21043062210083, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145869.jpg", "filename": "145869.jpg", "aesthetic": 6.449590682983398, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/146006.jpg", "filename": "146006.jpg", "aesthetic": 7.19022274017334, "musiq": 0.0 }, { "tag": "", "rel_path": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/146169.jpg", "filename": "146169.jpg", "aesthetic": 5.720745086669922, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A young woman observes a wedding ceremony in a grand, traditional church, her internal emotional state contrasting with the celebratory atmosphere. The tone is somber and reflective, focusing on her unspoken feelings of longing or sadness.", "characters": [ "", "", "", "" ], "shot_outline": " focuses on 's emotional state during the wedding ceremony. shifts to show the wedding couple from a guest's perspective, introducing them. returns to 's pensive mood. presents and walking down the aisle more clearly. captures 's reaction as the couple passes or as she fully registers the event. offers a closer look at 's expression. shows and exiting the church, with watching them leave. highlights 's final, poignant reaction. emphasizes 's solitude in the now empty church, reflecting on the event." }, "instruction_full": "Cut to a tight close-up of , who was introduced in standing alone. She should be looking down with a somber and pensive expression. The background should be dark and indistinct, isolating her within the church setting from , to establish her internal emotional state and detachment from the surrounding event.", "think_full": "We move from the wide shot of the church in to a close-up, implying we are still within the same space, but the background fades to black to emphasize the character. is the central figure introduced in with the red cloak and white uniform. Her posture in suggests a quiet contemplation, which is now magnified in this close-up to show a somber, downcast expression. This shot is crucial to establish empathy and curiosity about 's feelings, immediately contrasting her solitary presence in with a deeper emotional introspection.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline` for , which states it 'focuses on 's emotional state', a close-up of is required. From , is a young woman in a red cloak and white uniform, standing apart. To show her emotional state, a close-up on her face would be most effective. Given she is alone and observing, her expression should be reflective, perhaps melancholic, as she stands in the contrasting light. The background from would be blurred or dark to focus on her." }, { "instruction_full": "Shift the camera to an eye-level medium shot, looking past the heads of towards the front of the church. Focus on the backs of and , standing near the altar area, their faces partially obscured. are in the blurry foreground. We are still in the church setting from , maintaining the solemn atmosphere, to formally introduce and and confirm the wedding setting, contrasting with 's isolated emotional state from .", "think_full": "We return to the general space of the church established in , specifically the area near the altar where the ceremony would take place. The light and general ambiance from should be consistent. This shot introduces and for the first time. from are used to frame the shot from their perspective. from is not present in this frame as the focus shifts entirely to the main event. After isolating in , this shot provides context by showing what she is observing – the wedding. It contrasts her emotional world with the formal event, raising questions about her connection to it.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for instructs to 'shift to show the wedding couple from a guest's perspective, introducing them.' This means moving away from from and focusing on the core event hinted at in - a wedding. We need to see and from a perspective within the church, behind some from , to maintain an observational feel. The framing should be a medium shot, looking towards the altar, within the church setting from ." }, { "instruction_full": "Cut back to a tight close-up of , replicating the camera framing and lighting style from . should still be looking down, maintaining the somber and pensive expression seen in . The background remains dark and indistinct, consistent with , suggesting her inner world rather than the external environment, to re-emphasize 's emotional detachment and reaction to the wedding ceremony after seeing and in .", "think_full": "We reuse the dark, isolating background from , maintaining the focus on 's internal state. This creates a rhythmic cut between the external event and her internal reaction. returns, precisely as she appeared in , suggesting her emotional state has not changed or has deepened after the visual of and in . We cite for her appearance and pose. This shot serves as a direct emotional reaction shot to . By returning to her isolated close-up, we underline her feelings and the implied personal significance of the wedding to her. The repetition of the shot from emphasizes her sustained emotional state.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for instructs to 'return to 's pensive mood.' After seeing and in , the natural progression is to see 's reaction again. Since already established her 'pensive mood' with a specific close-up, it makes sense to repeat that shot or a very similar one. Therefore, a close-up of from (wearing red cloak), with a somber expression, against a dark, indistinct background, echoing ." }, { "instruction_full": "Transition to a medium-wide shot, slightly higher than eye-level, capturing and walking down the aisle. , in her white gown and veil, holds 's arm. in his suit looks forward. They are the central figures, moving away from the altar. from and are seated on either side, watching them. The shot is set within the church from and , clearly showing the rows of chairs and the decorated altar in the background, with bright light coming from the windows or entrance, to show the traditional procession and to place them definitively within the church setting, allowing for a clearer view of them.", "think_full": "We are still in the same church from and , now showing more of the aisle and the front of the church, including the altar area. The bright lighting and solemn atmosphere are consistent with previous wider shots. and from are now seen more clearly and in motion, completing their procession. from and fill the pews, observing the couple. is intentionally excluded to keep the focus on the couple. This shot advances the wedding ceremony, showing the couple's progression. It provides a full, uninhibited view of them, further establishing their presence before cutting back to 's reactions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'presents and walking down the aisle more clearly.' Following the previous shots where was pensive () and the couple was hinted at (), it's logical to now see the couple in full action. This requires a medium-wide shot in the church (from ) showing and walking. They should be central, with (also from ) on the sides." }, { "instruction_full": "Cut to a close-up of 's face, similar framing to and , but now she looks directly forward, eyes open, with a pensive and slightly saddened expression. , wearing her red cloak and white uniform, is the sole focus. Her gaze is intense, implying she is watching and as they pass. The background remains dark and slightly out of focus, similar to and , but with a hint of a brighter, ambiguous shape (perhaps a window) in the far background, subtly linking her to the church environment from , to show 's direct, intense, and emotionally conflicted reaction as she witnesses the main wedding procession, making her personal investment clearer.", "think_full": "We return to the isolated close-up space of established in and . The background is kept dark and out of focus to maintain her isolation, but a subtle hint of the church environment (a blurry window shape) connects her back to . from , , and is shown again, but her expression and gaze have shifted from looking down to looking forward. This indicates a direct, present reaction to and 's procession from . We cite and for her appearance and general close-up framing. This shot is the emotional payoff to . After seeing the couple clearly, we now see 's immediate, and visibly conflicted, reaction. Her direct gaze and sad expression deepen the mystery around her connection to the event.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'captures 's reaction as the couple passes or as she fully registers the event.' After seeing and clearly walking (), it's time to see 's direct reaction. This calls for another close-up of from , similar to and , but now her eyes should be open and looking forward, registering the event with a subtle emotional response. The background would remain indistinct to keep focus on her face." }, { "instruction_full": "Cut to a medium-close shot, focusing on 's face and upper body, with slightly behind and to his left. looks forward with a somewhat serious or determined expression. , in her white veil from , is visible beside him, looking down or away. The background continues to show the church interior from , with the altar area still visible, maintaining the context of the ceremony, to provide a closer look at 's expression and his interaction (or lack thereof) with , adding another layer to the dynamics of the wedding.", "think_full": "We remain in the church from , , and , specifically focusing on the area where the couple is processing, retaining the decor and light from . and from are the focus again, but now in a closer shot. 's expression becomes more central. is not in this frame as the focus is on the couple's perspective. Following 's intense reaction in , this shot provides a counterpoint by shifting back to one of the subjects of her gaze, . It allows for a more detailed observation of his demeanor, potentially revealing more about his state of mind or the nature of the relationship, further building tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'offers a closer look at 's expression.' After seeing 's reaction (), we should return to the wedding itself, specifically focusing on from . A medium-close shot of is required to show his expression, with (also from ) still beside him. The background is the church interior from ." }, { "instruction_full": "Transition to a medium-wide shot, positioned within the church, looking towards the main entrance, similar to the general perspective in but closer to the front. and , seen from behind and bathed in bright light, walk out through the church entrance. is visible in profile on the right side of the frame, looking towards the departing couple, her red cloak from still prominent. The shot shows the church interior, specifically the entrance area, with light streaming through the open doors, a continuation of the setting from and . Decorative floral arrangements are visible near the door, to show the conclusion of the ceremony with and 's exit, and to capture 's final, poignant gaze as they depart, connecting her visually to the event's end.", "think_full": "This shot returns to a wider view of the church, similar to , but now focused on the exit. The light from the entrance, reminiscent of , becomes a central element. The decorative elements from the church in are still present. and from and are seen leaving, marking a turning point. Critically, from , , , and reappears in the same frame as the couple, observing their departure. Her posture and gaze are directed towards them. This shot signifies the departure of the couple and the end of the public ceremony, bringing back into the same frame to show her direct observation of their exit. Her presence emphasizes her role as an emotional spectator and heightens the sense of unresolved feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'shows and exiting the church, with watching them leave.' This requires a wider shot inside the church (from ) at the entrance, showing and (from , ) walking out. Crucially, (from , , , ) must be in the frame, watching them. She should be in profile, maintaining her distance but clearly observing, consistent with her red cloak and attire." }, { "instruction_full": "Cut back to a tight close-up of , similar to , , and , but now her eyes are looking directly at the camera, with a deeply somber, almost resigned expression. , still wearing her red cloak and white uniform, fills the frame. Her direct gaze conveys a profound emotional weight. The background is dark and indistinct, consistent with previous close-ups of from , , and , further emphasizing her isolation and internal state after the couple's departure, to capture 's final, impactful emotional response, now that the wedding is over and the couple has left, creating a sense of resignation or sorrow.", "think_full": "We reuse the dark, isolating background and tight close-up framing from , , and , creating a consistent visual language for 's internal moments. from , , , , and reappears. Her expression now shifts to a direct, profound gaze at the viewer, conveying the culmination of her emotional journey through the wedding. This is a direct emotional reaction to and 's exit in . This shot serves as a powerful emotional beat, allowing the audience to fully register 's feelings after the event. Her direct gaze breaks the fourth wall, inviting empathy and understanding of her personal plight.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'highlights 's final, poignant reaction.' After seeing the couple leave and watching (), the next logical step is to see her final emotional response. A close-up of (from , , , , ) is necessary. Given it's a 'final, poignant reaction,' her expression should be somber, perhaps looking directly at the camera to connect with the audience, against a dark, isolating background." }, { "instruction_full": "Return to the original high-angle wide shot from , surveying the church interior. , in her red cloak and white dress from , is once again standing alone on the right side of the frame, bathed in a similar ray of light, but now the church is almost entirely empty of . The shot shows the same church interior from , with its distinctive checkered floor and empty pews on the left, emphasizing the absence of the crowds and the end of the event. The ray of light from the entrance is still prominent, to visually conclude the narrative by returning to the initial wide shot, emphasizing 's isolation and the finality of the wedding, reinforcing her solitary journey.", "think_full": "This shot is a direct return to the opening camera angle and setting from . The checkered floor, pews, and the striking ray of light are all re-established, but the key difference is the absence of , highlighting the transition from a crowded event to an empty space. from , , , , , and is the sole remaining central figure in the wide shot, standing in the same spot as she was initially in . This provides a strong bookend to her journey. This shot provides closure by returning to the original framing, but with a significant change in the environment (empty church). This visual echo powerfully conveys 's enduring isolation and the completion of the wedding event, allowing for reflection on her unspoken feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: 'emphasizes 's solitude in the now empty church, reflecting on the event.' To emphasize solitude and reflect on the event, a return to the wide shot of the church from would be impactful, but now with the church empty. (from , , , , , ) should still be present, in her usual spot in the light, symbolizing her continued presence and reflection amidst the absence of others. The details like the checkered floor and light from should be consistent." } ], "_src_movie_dir": "Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv", "_src_filename": "145384_146169.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Atonement.2007.Bluray.2160p.AV1.OPUS.5.1-UHD.mkv/145384_146169.json", "_test_index": 311 }, { "movie": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv", "N": 10, "sample_id": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172004.jpg-Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/173311.jpg", "images": [ { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172004.jpg", "filename": "172004.jpg", "aesthetic": 5.957507133483887, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172334.jpg", "filename": "172334.jpg", "aesthetic": 5.957780361175537, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172430.jpg", "filename": "172430.jpg", "aesthetic": 6.046771049499512, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172555.jpg", "filename": "172555.jpg", "aesthetic": 5.998039245605469, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172669.jpg", "filename": "172669.jpg", "aesthetic": 4.955453872680664, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172762.jpg", "filename": "172762.jpg", "aesthetic": 6.929300785064697, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/173089.jpg", "filename": "173089.jpg", "aesthetic": 6.222545623779297, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/173203.jpg", "filename": "173203.jpg", "aesthetic": 6.072659492492676, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/173218.jpg", "filename": "173218.jpg", "aesthetic": 6.45619535446167, "musiq": 0.0 }, { "tag": "", "rel_path": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/173311.jpg", "filename": "173311.jpg", "aesthetic": 6.125411510467529, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence follows as she transitions from an initial, somewhat ambiguous meeting to a journey through a desolate landscape, culminating in a warm reunion at a rural home. The tone shifts from initial uncertainty to hopeful arrival and emotional connection. The pacing is reflective during travel and becomes more engaging upon arrival.", "characters": [ "", "", "" ], "shot_outline": " shows in profile, looking out of a car, signifying the start of her journey. introduces in the same car, establishing his presence. returns to , reinforcing the journey. provides an establishing shot of the remote, desert-like destination through a fence. introduces at her home, grounding the arrival. shows welcoming, preparing for interaction. captures and arriving by car at the remote location. focuses on 's joyful reaction to their arrival. culminates in the heartfelt embrace between and , with observing." }, "instruction_full": "Shift the camera to a medium profile shot from behind, inside a moving vehicle. should be visible, wearing large sunglasses, looking contemplatively out a window towards a bright, sun-drenched, blurred landscape. This shot establishes her departure from the previous setting and the beginning of a significant journey.", "think_full": "The initial shot shows in an indoor, formal setting, engaged in an interaction. To advance the story, we need to show a change of scene and her transition. Moving to an interior car shot signifies travel, directly contrasting the static indoor environment of . Her profile and the sunglasses suggest a period of reflection or a shift in focus from the previous interaction. The bright, blurred background visually represents motion and the new, unknown territory she's entering, aligning with the story's narrative of a journey.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction and the `shot_outline`'s mention of ' shows in profile, looking out of a car, signifying the start of her journey', the next shot must depict in transit. Therefore, a shot inside a car, focusing on her as she looks out, would best convey the beginning of a journey and a change of scenery from . Her expression and posture should suggest contemplation or observation, appropriate for a journey's outset." }, { "instruction_full": "Maintain the camera's position and framing inside the moving vehicle from , but shift focus to capture a medium profile shot of . He should be wearing dark sunglasses, looking straight ahead, hands implicitly on the wheel, focused on driving. This shot introduces her companion and establishes his role in the journey.", "think_full": "Following , which established 's journey, it is narratively important to introduce who she is traveling with. The `shot_outline` explicitly mentions ' introduces in the same car'. By maintaining the same camera perspective and setting from (the car interior), we reinforce the continuity of their journey. Focusing on looking forward emphasizes his role as the driver and his presence as her companion, while his sunglasses maintain an air of mystery or focus.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states ' introduces in the same car'. Building on which showed in the car, the next logical step is to reveal her companion. This would involve a similar framing inside the car, but focusing on this new character, showing his role as the driver to maintain consistency with the idea of a 'journey' established in ." }, { "instruction_full": "Return the camera's focus and framing to , mirroring the medium profile shot from . She should still be looking out the car window, wearing her large sunglasses, with the bright, blurred desert landscape from and visible. This shot re-establishes her perspective and reinforces the continuity of the long journey.", "think_full": "After introducing in , returning to (seen in ) helps maintain her as the central figure of the narrative while emphasizing the ongoing nature of their travel. The `shot_outline` notes ' returns to , reinforcing the journey.' Reusing the camera angle and the visual elements of the bright, blurred desert from and ensures strong visual continuity for the car sequence, highlighting the passage of time and distance.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates ' returns to , reinforcing the journey.' Having shown in and then in , the natural progression is to return the focus to in the same car setting to emphasize the ongoing travel, using visual cues from like her pose and the blurred background." }, { "instruction_full": "Shift to a wide, static exterior shot of a vast, desolate desert landscape under a bright, hazy sky. The foreground should feature a chain-link fence, partially obscuring a dirt road leading into the arid expanse. In the far distance, a red pick-up truck should be visible, hinting at the travelers' arrival or passage. This shot establishes the remote, isolated nature of their destination.", "think_full": "The previous shots , , and established the journey inside the car. Now, to transition to the destination, we need an exterior shot that defines the environment they are entering. The `shot_outline` states ' provides an establishing shot of the remote, desert-like destination through a fence.' This new environment is completely distinct from the initial indoor setting of and the car interior, requiring a new spatial introduction. The wide shot and the fence add a sense of remoteness and perhaps slight obstruction or observation, while the distant truck connects back to the theme of travel and arrival without revealing the characters directly.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` explicitly plans for ' provides an establishing shot of the remote, desert-like destination through a fence.' This means moving from the confined car interior of , , to an external, wider view that sets the scene for the arrival. The shot should convey remoteness and the type of landscape they have entered, potentially with a visual element like a fence to add texture and depth to the new environment." }, { "instruction_full": "Introduce a new character, , in a medium close-up shot at ground level. She should be wearing a large straw hat and light-colored, rustic clothing, kneeling amidst garden plants, looking directly at the camera with a slight, warm expression. The background should show elements of a simple, sunlit garden and a wooden fence, suggesting a peaceful, domestic rural setting. This shot introduces the character awaiting the travelers.", "think_full": "Having established the remote destination in , the next step is to introduce the person who resides there, as hinted by the `shot_outline` ' introduces at her home, grounding the arrival.' This is a completely new character and a new setting not seen in through . The low-angle, medium close-up shot connects her to the earth and her garden, emphasizing her rooted, rural lifestyle. Her direct gaze and warm expression invite the viewer, setting up the impending reunion and contrasting with the previous shots' focus on travel and a desolate landscape.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` clearly states ' introduces at her home, grounding the arrival.' After establishing the vast desert in , the narrative requires a focus on the specific destination – a home and its inhabitant. Therefore, a shot introducing a new character, , in a domestic, rural setting like a garden, is necessary to fulfill this narrative beat." }, { "instruction_full": "Pull back the camera to a wider shot of from , now standing in her yard with a wide, welcoming smile. She should be positioned near an open chain-link gate, which frames her and reveals more of her humble home in the background. The sunlight should be warm and inviting, consistent with the outdoor setting of . This shot shows her ready to receive the incoming visitors.", "think_full": "Following the introduction of in , the `shot_outline` specifies ' shows welcoming, preparing for interaction.' To convey her readiness for visitors, a wider shot is needed, showing her standing and revealing more of her home and yard, expanding on the space seen in . The open gate is a clear visual cue of invitation and welcome. Her cheerful expression reinforces the anticipation of a positive encounter, building on her warm demeanor from . This shot serves to fully establish her as the awaiting host.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `shot_outline`, ' shows welcoming, preparing for interaction.' After introducing in , the next shot should convey her anticipation and readiness for visitors. A wider shot of her standing in her yard, perhaps near an open gate, would effectively communicate this welcoming stance and expand on the setting established in ." }, { "instruction_full": "Shift to a medium wide shot, positioned outside, capturing and as they stand next to the red pick-up truck previously seen in the distance in . should be stretching or adjusting herself, while is either exiting the driver's side or standing nearby, doors ajar. The dusty, remote desert environment from should be clearly visible, indicating their arrival at the specific location. This shot signifies the culmination of their journey and their physical arrival.", "think_full": "After establishing 's anticipation in , the narrative requires showing the travelers' arrival. The `shot_outline` dictates ' captures and arriving by car at the remote location.' This shot brings back (last seen in ) and (last seen in ) into the new environment first hinted at in . The red truck, glimpsed in , now clearly identifies their mode of transport and confirms their arrival at the destination, bridging the journey with the pending reunion. Their actions of getting out of the car or stretching indicate the end of their long drive.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` explicitly plans for ' captures and arriving by car at the remote location.' Having shown the destination's resident in , it's time to bring the travelers into that space. This would involve showing and outside their vehicle, likely the red truck seen in , in the desert landscape, marking the end of their travel." }, { "instruction_full": "Return to a close-up shot of from , focusing on her face. Her expression should be one of immense joy and warmth, a wide, genuine smile, as if reacting to the sight of her arriving visitors. The background should remain consistent with the sunny outdoor setting of her home, subtly linking to and . This shot emphasizes her emotional reaction to the arrival of and .", "think_full": "With and 's arrival confirmed in , the narrative needs to show the emotional impact on . The `shot_outline` specifies ' focuses on 's joyful reaction to their arrival.' By returning to a close-up of (last seen in ), we heighten the emotional resonance of the moment. Her wide, genuine smile directly conveys her happiness and welcome, contrasting the more pensive expressions seen earlier in the journey. This shot directly follows the arrival, serving as the emotional counterpoint.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states ' focuses on 's joyful reaction to their arrival.' After showed the travelers arriving, the next logical step is to show the emotional response of . A close-up of her face, displaying a warm, joyful expression, would effectively convey her reaction to seeing her visitors, building on her welcoming stance from ." }, { "instruction_full": "Capture a medium wide shot of and embracing warmly, with their faces partially obscured by the closeness of their hug, conveying deep affection and reunion. In the mid-ground, slightly out of focus, should be standing, observing their embrace with a subtle, content expression. The setting should be the dusty, sunny outdoor area near the rural home, combining elements from and . This shot provides the emotional climax of the sequence, celebrating their reunion.", "think_full": "The previous shots have built towards this moment: 's journey, 's accompaniment, and 's anticipation and joy. The `shot_outline` indicates ' culminates in the heartfelt embrace between and , with observing.' This shot brings all three characters together. The embrace between (from ) and (from ) is the emotional payoff, visually confirming the purpose of the journey. (from ) in the background acts as a silent witness, completing the scene. The outdoor rural setting seen in and grounds this reunion in its specific location.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` clearly states ' culminates in the heartfelt embrace between and , with observing.' After showed 's joy and showed the travelers' arrival, the natural and emotional conclusion is to show the physical reunion. This would involve and embracing, with present as an observer, set in the established outdoor environment." } ], "_src_movie_dir": "Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv", "_src_filename": "172004_173311.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Erin.Brockovich.2000.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/172004_173311.json", "_test_index": 314 }, { "movie": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv", "N": 10, "sample_id": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70298.jpg-American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/71365.jpg", "images": [ { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70298.jpg", "filename": "70298.jpg", "aesthetic": 5.510025978088379, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70358.jpg", "filename": "70358.jpg", "aesthetic": 5.835396766662598, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70397.jpg", "filename": "70397.jpg", "aesthetic": 6.306698799133301, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70525.jpg", "filename": "70525.jpg", "aesthetic": 6.307042121887207, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70594.jpg", "filename": "70594.jpg", "aesthetic": 6.2066168785095215, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70717.jpg", "filename": "70717.jpg", "aesthetic": 6.3516130447387695, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/70834.jpg", "filename": "70834.jpg", "aesthetic": 6.4306511878967285, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/71023.jpg", "filename": "71023.jpg", "aesthetic": 5.732263565063477, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/71137.jpg", "filename": "71137.jpg", "aesthetic": 6.409519195556641, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/71365.jpg", "filename": "71365.jpg", "aesthetic": 6.555675983428955, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The story alternates between two distinct conversations unfolding in different settings. One is a sleek, modern corporate office, suggesting high stakes and professional formality. The other is a more informal, lived-in office, implying a more personal or perhaps less conventional discussion. The overall tone is serious and intense, hinting at a complex negotiation or critical exchange of information between the parties in these separate locations.", "characters": [ "", "", "" ], "shot_outline": " is a medium close-up of in her modern office, establishing her engagement in a conversation. introduces in a distinct, more informal office setting, actively participating in a discussion with someone off-screen. returns to , capturing her focused attention or subtle reaction. cuts back to , showing him more animated as he makes a point. reveals , the person is speaking with, reacting to the conversation in the informal office. switches back to , who appears pensive or concerned. focuses again on , continuing his forceful discussion. captures making a decisive statement or showing a strong reaction. concludes the sequence with 's final, somewhat uncomfortable reaction." }, "instruction_full": "Shift the camera from the distant wide shot of to a medium close-up, focusing on . She is seated at her desk in the same modern, glass-walled office, looking directly towards the viewer's left, engaged in a serious conversation. Her expression is attentive and professional, with a slight furrow in her brow. The background should retain the modern office aesthetic with the large window and a plant visible, echoing the environment from , to visually establish her active participation and the high-stakes corporate setting.", "think_full": "The primary goal for is to draw the viewer closer to and establish her as an active participant in a conversation, building directly from the visual cue of her being present in the office in . By moving from the establishing wide shot in to a medium close-up, we reveal her expression and engagement. Her attentive, professional, and slightly concerned look helps to immediately convey the serious nature of the discussion, aligning with the 'high stakes' aspect of the story setup. The spatial continuity from is crucial: we remain in the same modern, glass-walled office, with the window and potted plant visible in the background, reinforcing the corporate environment and her position within it. This shot sets the tone for her side of the unfolding narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot', and referencing the global_prompt's story_setup and shot_outline, the next logical step from is to get closer to . showed her distantly in her office, so should bring the camera in to establish her character and her involvement in the story. I need to maintain the same corporate office environment and capture her in an engaged pose to signify the beginning of her interaction, as outlined for in the shot_outline. She should appear attentive, continuing the serious tone established by the distant shot in ." }, { "instruction_full": "Transition to a completely different location and introduce a new character. Frame in a medium shot, seated in a more informal office. He is holding a drink and looking towards the viewer's left, actively speaking with a relaxed but engaged expression. The background should feature exposed brick walls, shelves, and a desk, creating a contrasting, lived-in feel compared to the modern office seen in and , to establish the parallel narrative thread.", "think_full": "This shot marks a significant shift in scene and character. As per the global_prompt.shot_outline, needs to introduce and a contrasting environment. There is no visual continuity of space or character from or . Therefore, a new setting with exposed brick walls, shelves, and a more personal office feel is established to immediately differentiate this narrative thread from 's corporate world. is introduced here as a new character, engaged in conversation, holding a drink to suggest a more informal or perhaps confrontational atmosphere. His relaxed but engaged expression hints at his role in this parallel discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the global_prompt.shot_outline, is intended to introduce a new character and setting to establish a parallel narrative. Therefore, I must generate an image featuring in a distinct, informal office. His pose should indicate he is speaking and engaged in a discussion, as his introduction is meant to imply a new conversation unfolding simultaneously with 's. The environment should contrast sharply with the sleek corporate office of and ." }, { "instruction_full": "Return to in her modern office, maintaining a similar medium close-up framing to . She is still seated at her desk, looking intently towards the viewer's left. Her expression should now be one of subtle concern or contemplation, slightly more subdued than her initial attentiveness in . The corporate background and window view from and remain consistent, reinforcing the continuity of her situation.", "think_full": "The shot returns to to advance her side of the story, creating a back-and-forth dynamic with 's scene. We maintain the camera framing from to ensure visual consistency and to keep the focus intimate. is the same character seen in and , and her expression shifts from attentive to subtly concerned, indicating a progression in her reaction to the ongoing conversation. The setting remains her modern office, carrying over the sleek, corporate atmosphere and background elements (window, plant) from and , grounding her narrative in that established space.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to . Therefore, I should switch back to her office, maintaining a similar framing and atmosphere as (and indirectly ). Her expression should reflect a continuation of the serious discussion, perhaps with a nuanced shift in emotion like concern or deep thought, advancing her personal narrative within the corporate setting." }, { "instruction_full": "Cut back to in his informal office, maintaining a similar medium shot framing as . He is still seated, but now appears more animated, gesturing slightly with his free hand while still holding his drink. His expression is more emphatic, indicating a stronger point being made in his ongoing discussion. The background with the brick wall and shelves from should remain consistent, emphasizing the continuity of his scene.", "think_full": "To continue the alternating narrative structure, we cut back to . The camera framing from is reused for visual continuity of his scene. , introduced in , is now shown to be more animated and emphatic, signaling an escalation or a more assertive moment in his conversation, aligning with the global_prompt's idea of an intense discussion. The informal office environment, including the brick wall and shelves, is maintained from to ensure spatial consistency for his storyline.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies a return to . I will bring the camera back to his informal office, using a framing consistent with . His body language and expression should show increased engagement and animation, reflecting the progress of his intense conversation, as implied by the dual narrative of the global_prompt." }, { "instruction_full": "Introduce a new character, , in a medium shot, seated opposite in the same informal office from and . should be partially visible in the foreground, out of focus. is looking towards , reacting with a somewhat wry or resigned expression. The cluttered desk, the table lamp, and the bookshelf background from and should be clearly visible behind , further establishing the shared space.", "think_full": "This shot is crucial for fully establishing the second conversation, as it introduces , who has been an unseen participant in 's discussion in and . By showing (seen in and ) partially in the foreground, we emphasize that this is the other side of *that* conversation, linking the characters spatially. is a new character, and his expression should suggest his reaction to what has been saying. The environment, with the brick wall, bookshelves, and desk, is explicitly maintained from and to solidify the continuity of this specific informal office setting.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt.shot_outline, introduces in the same office as . This means showing the person was talking to in and . I must frame clearly, with perhaps partially visible, to confirm their interaction within the established informal office. 's expression should convey a reaction to the ongoing discussion." }, { "instruction_full": "Return to in her modern office, keeping a similar medium close-up framing as and . She is again looking towards the viewer's left, but her expression is now distinctly pensive and concerned, perhaps a slight frown. The sleek office environment, including the distant city view and plant from , , and , should remain visible, enhancing the serious atmosphere.", "think_full": "We cut back to to continue her narrative thread and show her evolving emotional state. The consistent camera framing from and reinforces the intimacy and directness of her individual struggle or engagement. , previously seen in , , and , now displays a more pronounced expression of pensiveness and concern, signaling an internal shift or reaction to the conversation. The continuation of her modern office setting from prior shots (e.g., , , ) ensures unbroken spatial continuity and reinforces the high-stakes corporate backdrop.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a return to . I will revert to her corporate office, maintaining the established medium close-up (from , ). Her expression needs to deepen into a more pensive or concerned look, reflecting a significant moment in her side of the story, as indicated by the unfolding serious narrative." }, { "instruction_full": "Cut back to in the informal office, reusing the medium shot framing from and . He is still seated, maintaining his engaged posture and perhaps a slightly more intense expression, continuing to dominate the conversation with . The background, including the brick wall, shelves, and part of the cluttered desk, is consistent with , , and , maintaining the visual integrity of their setting.", "think_full": "To continue the alternation, we return to 's perspective. The camera framing established in and reused in is maintained for consistency, focusing on 's active role in the conversation. , seen in , , and partially in , continues to project intensity, suggesting the gravity of his discussion with . The informal office environment, consistently shown in , , and , remains unchanged, providing a stable backdrop for their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for calls for a return to . I will return to his informal office, maintaining the established medium shot from and . He should continue to appear highly engaged and perhaps more assertive, advancing the intensity of his conversation within this setting." }, { "instruction_full": "Return to in her modern office, maintaining the established medium close-up framing from , , and . She is now shown with a more emphatic expression, possibly a look of surprise or a firm conviction, as if making a crucial point or reacting strongly. The corporate environment from , , , and , with the window and plant, remains in the background, anchoring her scene.", "think_full": "This shot brings us back to at a moment of heightened emotion or decision. The camera framing, consistent with , , and , keeps the focus on her reaction and contribution. , a central character from , , , and , now expresses a stronger emotion, such as surprise or conviction, indicating a turning point or a critical statement in her conversation, fulfilling the narrative progression. The continued use of her modern office setting from all previous shots (, , , ) reinforces the enduring context of her corporate challenge.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the shot_outline for , I need to return to . The framing should be a consistent medium close-up, similar to previous shots of her (, , ). Her expression must show a significant shift, such as surprise or strong conviction, to highlight a pivotal moment in her narrative thread, in keeping with the intense and serious story setup." }, { "instruction_full": "Cut back to in the informal office, reusing the medium shot framing from , with still partially visible and out of focus in the foreground. 's expression should now be a clear grimace or look of discomfort, reacting directly to a statement or development in the conversation. The background elements of the brick wall, bookshelves, and desk, established in , , , and , should be consistently present.", "think_full": "This final shot focuses on 's reaction, providing a concluding emotional beat for the informal office narrative. Reusing the framing from maintains visual consistency and keeps (seen in , , , ) as a subtle presence, reinforcing the ongoing dialogue between them. , introduced in , now displays a distinct grimace, directly reflecting the impact of the conversation and bringing his emotional arc to a clear point. The continued presence of the informal office environment (from , , , ) ensures a cohesive visual setting for this side of the story.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies a return to with a reaction. I will bring the camera back to him in the informal office, maintaining the established framing from . His expression should clearly show discomfort or a grimace, providing a conclusive emotional response to the dialogue, as the sequence progresses towards a resolution of some kind in the intense conversation." } ], "_src_movie_dir": "American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv", "_src_filename": "070298_071365.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/American.Fiction.2023.x265.WEB-DL.2160p.HDR-DV.mkv/070298_071365.json", "_test_index": 315 }, { "movie": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv", "N": 10, "sample_id": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46672.jpg-The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47422.jpg", "images": [ { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46672.jpg", "filename": "46672.jpg", "aesthetic": 6.444272041320801, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46684.jpg", "filename": "46684.jpg", "aesthetic": 6.118617057800293, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46847.jpg", "filename": "46847.jpg", "aesthetic": 6.189976215362549, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46916.jpg", "filename": "46916.jpg", "aesthetic": 5.815654277801514, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/46966.jpg", "filename": "46966.jpg", "aesthetic": 6.475181579589844, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47044.jpg", "filename": "47044.jpg", "aesthetic": 6.41055965423584, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47062.jpg", "filename": "47062.jpg", "aesthetic": 6.429564476013184, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47272.jpg", "filename": "47272.jpg", "aesthetic": 6.725539207458496, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47362.jpg", "filename": "47362.jpg", "aesthetic": 6.589901447296143, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/47422.jpg", "filename": "47422.jpg", "aesthetic": 6.197205543518066, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A group of friends or family are enjoying a casual outdoor meal or gathering on a sunny day. The atmosphere is warm, friendly, and relaxed, with conversation flowing easily. The tone is convivial and lighthearted, focusing on shared moments.", "characters": [ "", "", "", "" ], "shot_outline": " will tightly frame to capture her specific reaction. will introduce into the conversation, showing his interaction with . will provide a close-up reaction shot of . will return to continuing his thought. will show and interacting. will show again. will feature a two-shot of and in conversation. will once more focus on . will end with a close, shared moment between and ." }, "instruction_full": "Shift the camera to a close-up on as she smiles or laughs warmly, reacting to something said off-screen. Her expression should be open and genuinely amused. The shot should maintain the bright, natural outdoor lighting and blurred green background of the casual gathering seen in , focusing on her face and upper torso, to highlight her individual emotional response within the friendly conversation.", "think_full": "Spatial continuity: The shot maintains the outdoor, daylight setting and table environment established in , with soft natural light and green foliage in the background. Character continuity: , first seen in engaged in conversation, is now isolated in a close-up, allowing her specific reaction to be emphasized. Narrative/dramatic intent: This close-up isolates one of the characters from the group shot in to draw attention to her individual engagement and positive emotional response, making the audience connect more directly with her reaction before revealing more of the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt and shot_outline indicate a relaxed, conversational scene. shows two women and a partially visible third person at an outdoor table. The shot_outline for specifies tightly framing to capture her reaction. Therefore, the next shot should be a close-up on from , keeping the same outdoor, friendly ambiance, to highlight her expression." }, { "instruction_full": "Introduce a new perspective by framing from a medium-close shot, sitting at the same outdoor table. He should be smiling or looking pleasantly engaged, appearing to be in conversation with , whose back or shoulder is partially visible in the foreground, similar to the person partially seen on the right in . Maintain the natural outdoor lighting and the relaxed, inviting atmosphere of the setting established in and , to expand the scope of the conversation to a new participant.", "think_full": "Spatial continuity: The outdoor table setting, natural lighting, and pleasant background greenery are consistent with and . Character continuity: This shot introduces as a new character at the table, expanding the visible group. His interaction with (who was seen in ) is implied by her presence in the foreground. Narrative/dramatic intent: To broaden the conversational dynamic beyond just the two women, introducing another key participant and showing the general flow of friendly discussion among the group, as indicated by the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt and shot_outline clearly indicate that should introduce interacting with . Building on the previous shots, this new character should be at the same outdoor table, maintaining the established friendly atmosphere. The camera will shift to his perspective, possibly over the shoulder of ." }, { "instruction_full": "Cut to a close-up of , mirroring the intimacy of . She should be laughing or smiling broadly, her expression vibrant and joyful, as if responding directly to something said by in . The background should remain blurred outdoor greenery and the lighting bright and natural, consistent with the scene's established relaxed mood from to , emphasizing her positive reaction.", "think_full": "Spatial continuity: The outdoor setting and natural lighting from , , and are maintained, with the background remaining consistent. Character continuity: , who was visible in and implicitly interacting with in , is now given a dedicated close-up, allowing her strong, positive reaction to be fully seen. Narrative/dramatic intent: This shot provides the direct reaction of to the conversation, specifically following 's appearance in , reinforcing the shared amusement and easy flow of the discussion. This aligns with the shot_outline for to capture her reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the shot_outline, should capture 's reaction. Given the friendly tone and the previous introduction of in , her reaction should be positive, likely a smile or laugh. A close-up, similar to for , would emphasize her emotion in the continued outdoor setting." }, { "instruction_full": "Return to the medium-close shot of , maintaining the camera perspective from . He should still be engaged in conversation, with a pleasant, perhaps slightly amused or thoughtful expression, indicating a continuation of his earlier statement or a response to 's reaction in . The outdoor setting and relaxed ambiance are to be preserved, consistent with through , to maintain the conversational rhythm.", "think_full": "Spatial continuity: The outdoor setting and implied table environment are consistent with , , , and . The camera re-establishes the framing and angle used in . Character continuity: , introduced in , reappears here, maintaining his role in the conversation and providing a sense of continuity after 's reaction in . Narrative/dramatic intent: This shot reinforces the back-and-forth nature of the dialogue, showing 's sustained engagement and contributing to the pleasant, flowing conversation. This fulfills the shot_outline for to show him continuing to speak.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates that will continue speaking or interacting. It is logical to return to the established shot of him from , maintaining the same pleasant outdoor atmosphere, to follow up on the conversation implied by 's reaction in ." }, { "instruction_full": "Transition to a two-shot of and , framed similarly to but perhaps a bit closer, highlighting their shared attention or amusement. Both women should be smiling or engaged in a pleasant exchange, their faces conveying warmth and connection. The outdoor environment, with natural light and soft background, should remain consistent with through , signifying their collective involvement in the ongoing discussion.", "think_full": "Spatial continuity: The outdoor table setting and natural, warm lighting are consistent with all previous shots, through . The framing revisits the two-shot concept from . Character continuity: Both (seen in and ) and (seen in and ) are together again, emphasizing their relationship and joint participation in the social gathering. Narrative/dramatic intent: This shot re-establishes the connection between the two women and their shared experience within the larger conversation, providing a collective view after individual reaction shots. This aligns with the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies showing and interacting. A two-shot, similar to the initial but perhaps tighter to focus on their expressions, would be appropriate, maintaining the established outdoor, friendly scene." }, { "instruction_full": "Re-establish the medium-close shot of , adopting the identical camera position and framing used in and . He should have a friendly and engaged expression, possibly acknowledging or responding to the interaction between the two women seen in . The bright, outdoor setting and relaxed ambiance are consistently maintained from through , continuing the natural flow of the conversation.", "think_full": "Spatial continuity: The outdoor environment, lighting, and general table setup are consistent with and all subsequent shots. The camera explicitly reuses the framing from and . Character continuity: , first introduced in and previously seen in , reappears, indicating his continued presence and contribution to the group discussion, following the two-shot of the women in . Narrative/dramatic intent: This shot maintains the conversational rhythm by returning to , showing his sustained engagement and allowing for a direct response or continuation from his perspective. This fits the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates another shot of . To maintain visual continuity and conversational rhythm, the most logical choice is to reuse the established camera angle and framing from his previous appearances in and , within the consistent outdoor setting." }, { "instruction_full": "Frame and in a two-shot that emphasizes their warm interaction, similar to and , but potentially with a slightly different angle or focus on their faces. Both women should be smiling or reacting positively, reinforcing their connection. The setting remains the pleasant outdoor table from , with consistent natural lighting and blurred green background, signifying the ongoing genial atmosphere.", "think_full": "Spatial continuity: The outdoor setting and table elements, including the natural light and background greenery, are consistent with all previous shots from . The framing re-establishes the interaction between the two women, building on the compositions seen in and . Character continuity: (seen in , , ) and (seen in , , ) are together again, their expressions reinforcing their shared enjoyment and bond. Narrative/dramatic intent: This shot returns focus to the central relationship between the two women, showcasing their continued positive engagement and shared moments within the group conversation. This aligns with the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies a two-shot of and in conversation. This suggests revisiting a similar framing to or , to continue highlighting their interaction within the established friendly outdoor setting." }, { "instruction_full": "Present again in the medium-close shot, maintaining the exact camera setup as in , , and . His expression should reflect continued pleasant engagement in the conversation, possibly a smile or a thoughtful gaze, as he listens or contributes. The outdoor table environment and natural light are consistent with all prior shots, from to , ensuring visual continuity for his role in the group dynamics.", "think_full": "Spatial continuity: The outdoor setting, natural lighting, and table elements remain consistent with all preceding shots, from . The camera directly reuses the framing established for in , , and . Character continuity: , who has been an integral part of the conversation since , reappears. His consistent framing and pleasant expression reinforce his sustained presence and contribution to the genial group interaction, following the two-shot of the women in . Narrative/dramatic intent: This shot maintains the established conversational rhythm, showing 's reactions and contributions, and ensuring that all main participants are kept in the flow of the scene. This fits the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for suggests another shot of . It's consistent with the established pattern to return to his recurring camera angle from , , and , maintaining the outdoor, friendly environment, to show his continued presence in the conversation." }, { "instruction_full": "Conclude the sequence with a tighter, more intimate close-up two-shot of and , even closer than previous two-shots (, , ). Both women should be sharing a moment of clear, joyful laughter or a deeply shared smile, their faces filling the frame. The background remains blurred, indicating the outdoor setting but entirely focusing on their expressions and emotional connection, providing a strong, warm emotional beat to the scene.", "think_full": "Spatial continuity: The implied outdoor setting from is maintained, but the camera moves in for a very tight close-up, blurring the background to focus solely on the characters. Character continuity: (seen in , , , ) and (seen in , , , ) are together again. This shot provides an amplified view of their shared joy and connection. Narrative/dramatic intent: This final shot aims to emphasize the intimate bond and shared happiness between the two women by using an even tighter framing, culminating the conversational sequence with a strong emotional focus. This directly aligns with the shot_outline for .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies a close, shared moment between and . To convey this, a very tight close-up two-shot, even more intimate than previous two-shots, is necessary to focus intensely on their expressions of shared joy or laughter. The outdoor setting will remain implied but visually less prominent." } ], "_src_movie_dir": "The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv", "_src_filename": "046672_047422.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Kids.Are.All.Right.2011.2160p.Bluray.x264-CBGB.mkv/046672_047422.json", "_test_index": 319 }, { "movie": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv", "N": 10, "sample_id": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/92972.jpg-Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93888.jpg", "images": [ { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/92972.jpg", "filename": "92972.jpg", "aesthetic": 5.473763465881348, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93072.jpg", "filename": "93072.jpg", "aesthetic": 6.180804252624512, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93131.jpg", "filename": "93131.jpg", "aesthetic": 5.816972732543945, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93309.jpg", "filename": "93309.jpg", "aesthetic": 6.187508583068848, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93372.jpg", "filename": "93372.jpg", "aesthetic": 6.0250701904296875, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93519.jpg", "filename": "93519.jpg", "aesthetic": 5.620992660522461, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93684.jpg", "filename": "93684.jpg", "aesthetic": 4.7087297439575195, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93828.jpg", "filename": "93828.jpg", "aesthetic": 4.248727798461914, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93862.jpg", "filename": "93862.jpg", "aesthetic": 5.392573356628418, "musiq": 0.0 }, { "tag": "", "rel_path": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/93888.jpg", "filename": "93888.jpg", "aesthetic": 5.199427604675293, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A journey is underway, marked by a sense of movement and an impending arrival. The tone is reflective, potentially leading to a significant encounter or revelation.", "characters": [ "", "", "" ], "shot_outline": " focuses on 's initial reaction and presence in the car. cuts to 's reaction, establishing a conversation or shared moment. returns to to deepen her emotional response. shows 's continued engagement. widens to show both and in the car, revealing their dynamic and the full environment. transitions to an exterior shot of their car arriving on a rural driveway, indicating their destination. expands the view to reveal the house they are arriving at, with the car pulling up. shifts to an interior perspective, looking out from the house to see approaching, creating anticipation. introduces reacting to the arrival, opening the door." }, "instruction_full": "Shift the camera from the blurred, exterior view of to a medium close-up inside a moving vehicle, framing from the chest up. She is looking forward, wearing a dark coat, with a thoughtful or slightly concerned expression. The background through the car window is blurred green landscape, maintaining the sense of travel established in , to introduce the main character and establish her immediate presence within the journey.", "think_full": "The initial shot established movement through a blurred natural landscape. The next logical step, as per the shot outline, is to introduce a character within this moving context. Therefore, the camera should transition from outside to inside a vehicle, maintaining the suggestion of motion through a blurred background. We introduce in a medium close-up, focusing on her face to allow for early character establishment and emotional connection. Her expression sets the initial mood, linking directly to the 'reflective' tone in the story setup. The car interior implicitly connects to the 'journey' aspect. This shot fulfills the outline's requirement to show 's initial presence.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, and the global prompt's story setup of a 'journey' and 'impending arrival', the next shot should move from the abstract blur of to show who is undertaking this journey. The `shot_outline` specifically states will focus on in the car. Therefore, the camera should transition inside a vehicle, likely a car given the nature of a journey. A medium close-up on would allow her expression to convey early narrative clues, maintaining a blurred background to signify continued movement, consistent with the visual cues from and the 'journey' setup." }, { "instruction_full": "Shift the camera slightly to the right, maintaining a medium close-up shot inside the vehicle, to frame . He is behind the wheel, looking forward with a serious or pensive expression. The background through his window also shows the blurred green landscape from and , to establish the second key character and his shared involvement in the journey and potential conversation.", "think_full": "Following the introduction of in , the narrative naturally progresses to introducing the other person likely present in the vehicle, which the `shot_outline` indicates as for . By shifting the camera to him, we establish his presence and potential relationship with through the implicit 'conversation or shared moment' mentioned in the outline. The camera angle and framing should remain consistent with , suggesting a shared space and a continuation of the immediate scene. The blurred exterior background from and maintains the sense of an ongoing journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that will cut to 's reaction to establish a shared moment. Since introduced inside a car with a blurred moving background (referencing ), the logical progression is to show the other primary occupant. The camera should maintain a similar framing and interior setting to create a sense of direct interaction or shared experience within the car, while the background continues to suggest the ongoing journey." }, { "instruction_full": "Cut back to in a similar medium close-up as seen in . She is still seated in the passenger seat of the car, looking forward, maintaining her thoughtful or slightly concerned expression, potentially reacting to something might have said or to the journey's thoughts. The blurred green landscape from , and continues outside her window, to deepen her emotional response and continue the implied dialogue.", "think_full": "After introducing in , returning to directly continues the implied conversation or shared internal moment. The `shot_outline` for explicitly states a return to to 'deepen her emotional response'. Reusing the camera setup from ensures visual continuity and reinforces the back-and-forth dynamic. Her sustained expression builds upon the initial one seen in , intensifying the emotional tone of the scene. The consistent blurred background from , and confirms they are still on their journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states that returns to to deepen her emotional response. Following the back-and-forth established by and , cutting back to her perspective is the next natural step in developing the conversation or internal thoughts. We should maintain the consistent interior car setting and similar medium close-up framing from , with the blurred moving background still visible, to convey continuity and focus on her evolving reaction." }, { "instruction_full": "Cut back to in a similar medium close-up as seen in . He is still behind the wheel, looking forward, maintaining a serious or pensive expression, as if continuing the conversation or reflecting on the situation. The blurred green landscape from , , and remains visible through his window, to show his continued engagement in the ongoing exchange.", "think_full": "To continue the implied dialogue and emotional exchange between the characters, cutting back to after 's focus on is a logical progression, as specified by the `shot_outline` for ('shows 's continued engagement'). This maintains the rhythmic back-and-forth established since . Reusing the camera setup and car interior from provides visual consistency and keeps the focus on their interaction within the continuing journey (indicated by the blurred background from , , and ).", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for calls for showing 's continued engagement, after returning to in . This suggests a continuation of the visual rhythm established in , , . Therefore, the next shot should be a return to in a similar medium close-up as seen in , keeping him in the car interior with the blurred moving background to show he is still part of the ongoing conversation and journey." }, { "instruction_full": "Widen the camera angle to a two-shot, showing both and seated side-by-side in the front of the car, from a slightly elevated and forward position looking into the car. They are both looking forward, and their expressions suggest continued thought or quiet conversation. The interior of the car is now more fully visible, along with the blurred exterior landscape from through through the windshield and side windows, to reveal their full dynamic and relationship within the complete environment of the moving vehicle.", "think_full": "Having established individual close-ups of both and and their implied exchange in through , the `shot_outline` for indicates a need to 'widen to show both... revealing their dynamic and the full environment'. This wider shot allows the audience to see their physical proximity and the full context of their journey together. The camera shifts from individual close-ups to encompass both characters, providing a more complete spatial understanding of the car interior, while still referencing the ongoing movement with the blurred background seen in all previous shots from onwards. This shot provides a broader sense of their shared experience.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a shift to a wider shot to show both and in the car, revealing their dynamic and the full environment. After several alternating close-ups ( through ), a wider shot is necessary to break the pattern and provide context of their shared space and relationship. This shot should encompass both characters and a more complete view of the car interior, maintaining the sense of movement from through via the background." }, { "instruction_full": "Transition from the interior car shot of to an exterior, wider shot showing the silver SUV from now parked on a gravel driveway, partially obscured by trees. The car is static, indicating arrival. The environment is rural, with sparse trees under an overcast sky, establishing a new setting away from the open road of through , to mark the end of the journey and the beginning of the next phase of the narrative.", "think_full": "The 'journey' aspect established from through needs to transition to 'arrival' as suggested by the overall story arc. The `shot_outline` for explicitly mentions the car arriving on a rural driveway. This requires a significant camera shift from inside the moving car to an exterior shot of a stationary car. This is a brand new environment visually, differing from the continuously moving backgrounds in through . The scene changes from motion to stillness, signifying a new stage in the narrative. The specific type of car (silver SUV) is carried over from the visual information in .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, should transition to an exterior shot of the car arriving on a rural driveway, indicating their destination. This means moving from the car interior () to an outside view, and showing the car as having stopped. The environment should be rural, contrasting with the blurred open road from through , to clearly signal the end of the travel portion and the beginning of their arrival." }, { "instruction_full": "Expand the exterior shot from to a wider view, showing the silver SUV from continuing down the gravel driveway and now positioned closer to a modest, two-story house. The house is the clear focal point, framed by more trees. The rural setting with the overcast sky from is maintained, to clearly establish the specific destination of the journey.", "think_full": "Building upon the arrival established in , the `shot_outline` for states we 'expand the view to reveal the house they are arriving at'. This shot continues the new exterior environment introduced in , but widens the frame to fully reveal the specific destination – the house. The car, previously shown parked in , is now positioned in relation to the house, reinforcing the narrative progression towards the destination. The visual elements of the gravel driveway, trees, and overcast sky from are carried over to maintain environmental consistency.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should expand the view to reveal the house the characters are arriving at, with the car pulling up. Since showed the car on a rural driveway, the logical next step is to reveal the specific structure that is their destination. The shot should maintain the exterior setting and the car from , but widen to prominently feature the house, cementing the 'arrival' theme." }, { "instruction_full": "Shift the camera to an interior perspective, looking out through a doorway from inside the house established in . is visible outside, having exited the silver SUV (seen in ), standing on the grass and looking towards the house with an expectant or slightly hesitant expression. The rural environment and overcast lighting from and are visible in the background, to create anticipation from a new viewpoint and highlight her direct approach to the destination.", "think_full": "After establishing the destination (the house in ), the next logical step is to show the characters engaging with it. The `shot_outline` for specifies shifting to an 'interior perspective, looking out from the house to see approaching'. This introduces a new camera viewpoint, implying someone is inside the house. is tracked from her previous presence in the car () and her implied arrival in and , now seen outside the vehicle and approaching the house. The silver SUV from and is still visible in the background, anchoring the scene. The consistent rural setting and lighting from and maintain environmental continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for describes shifting to an interior perspective, looking out from the house to see approaching. Having shown the house and car in , the next step is to show interaction with the house. This requires a new camera angle from inside, and featuring , who was last seen in before the exterior shots. Her approach signifies the climax of the 'arrival' part of the story." }, { "instruction_full": "Cut to a medium close-up shot from behind 's shoulder (whose back is partially visible in the foreground), facing as she opens the door of the house from and . has a look of surprise or apprehension on her face as she reacts to the presence of and . The interior of the house, though somewhat dark, is now partially visible behind her, to introduce a new character and capture her immediate emotional response to the arrival.", "think_full": "Following where is approaching the house from an exterior-looking-in perspective, the natural narrative progression, as outlined in the `shot_outline` for , is to introduce 'the house resident reacting to the arrival, opening the door'. This requires introducing a brand-new character. The camera shifts again to focus on this new character's reaction, implying an interaction with (whose back is partially seen in the foreground) who has likely also arrived at the door, and implicitly who was just seen approaching in . The house setting from and is now accessed from an interior perspective, with details of the doorway consistent with the previous shots.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates that we introduce reacting to the arrival, opening the door. With approaching the house in (and the car having arrived in and ), the next logical step is to show who is at the house and how they react. This involves a new character and a focus on the doorway. A medium close-up is appropriate to capture the new character's surprise or apprehension, completing the arrival sequence with an initial confrontation or meeting." } ], "_src_movie_dir": "Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv", "_src_filename": "092972_093888.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Philomena 2013 FRA BluRay Remux AVC 2160p DTS-HDMA5.1-NukeHD.mkv/092972_093888.json", "_test_index": 322 }, { "movie": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv", "N": 10, "sample_id": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47634.jpg-Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48393.jpg", "images": [ { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47634.jpg", "filename": "47634.jpg", "aesthetic": 7.551253318786621, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47652.jpg", "filename": "47652.jpg", "aesthetic": 6.722836494445801, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47745.jpg", "filename": "47745.jpg", "aesthetic": 4.846251487731934, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47793.jpg", "filename": "47793.jpg", "aesthetic": 6.645788192749023, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/47856.jpg", "filename": "47856.jpg", "aesthetic": 6.4530134201049805, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48048.jpg", "filename": "48048.jpg", "aesthetic": 6.980291843414307, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48207.jpg", "filename": "48207.jpg", "aesthetic": 6.706937313079834, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48282.jpg", "filename": "48282.jpg", "aesthetic": 6.555425643920898, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48321.jpg", "filename": "48321.jpg", "aesthetic": 6.810153961181641, "musiq": 0.0 }, { "tag": "", "rel_path": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/48393.jpg", "filename": "48393.jpg", "aesthetic": 6.638635635375977, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "On a small civilian boat amid a large-scale evacuation or rescue operation at sea, a distressed young survivor is being transported. The tone is tense, somber, and perilous, with an underlying sense of hope or duty. The pacing alternates between intense character focus and broader environmental context.", "characters": [ "", "" ], "shot_outline": " establishes the interior of the boat and introduces interacting with . offers an environmental shot from inside the boat, revealing smoke on the horizon, hinting at the ongoing conflict. returns to a close-up of , continuing the interaction from a new angle. shows 's reaction in a similar framing. focuses again on , likely continuing a tense exchange. mirrors this with a shot of . continues the back-and-forth on . shifts back to 's perspective. concludes the sequence with a final reaction from ." }, "instruction_full": "Pull back the camera to a wider shot, positioned from inside the boat looking out onto the deck. Introduce , a composed older man, standing on the deck and facing , who is visible from behind or the side, still wrapped in his blanket. The ocean and sky from are still prominent through windows, with the boat's flag from also visible, to establish the full setting of the rescue and the initial interaction between the two main characters.", "think_full": "The story setup involves a rescue at sea. established in a distressed state on the boat deck. To advance the narrative, needs to broaden the scene, as per the `shot_outline`, introducing the rescuer and the interior context of the vessel. We shift the camera from the close-up of to a wider view from inside the boat, establishing that there is an interior space (cabin) and positioning it to look out onto the deck. from is still present, maintaining continuity. The introduction of is essential for the interpersonal dynamic. The ocean and sky, fundamental to the setting in , remain visible through windows, ensuring spatial continuity, along with the national flag seen partially in . This shot sets up the physical relationship and the beginning of their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.story_setup` of a rescue at sea and the `global_prompt.shot_outline` for which states it \"establishes the interior of the boat and introduces interacting with ,\" and having only seen in a medium close-up on the deck in , the next shot must expand the scene. This means pulling the camera back and inside the boat, showing the interior space looking out. should still be present, and must be introduced, interacting with him on the deck. The ocean and boat environment from should be visible through the boat's windows, grounding the scene in its established setting." }, { "instruction_full": "Maintain the interior boat setting from , but shift the camera to a more static, slightly wider shot of the boat's helm or control area. No characters should be visible. Focus on the view out the windows, showing the open ocean and sky from , but now clearly revealing a plume of dark smoke on the distant horizon, to subtly introduce the looming external threat.", "think_full": "Following the introduction of and in , this shot, as per `global_prompt.shot_outline` for (\"offers an environmental shot from inside the boat, revealing smoke on the horizon, hinting at the ongoing conflict\"), needs to broaden the narrative scope beyond the immediate interaction. We stay within the boat's interior, consistent with , but move the camera to emphasize the operational aspect of the vessel (steering wheel, controls) and, more importantly, the external environment. The ocean and sky, consistently seen in and , form the backdrop. The key new element is the distant smoke, which visually introduces the dangerous context hinted at in the `global_prompt.story_setup`, creating a sense of impending dread or ongoing conflict without needing character reactions yet.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` (tense situation, wartime at sea) and the `global_prompt.shot_outline` for (\"offers an environmental shot from inside the boat, revealing smoke on the horizon, hinting at the ongoing conflict\"), and having established the boat's interior and characters in , the next shot needs to shift focus to the broader external threat. This requires a wider, environmental shot from inside the boat, looking out at the sea. It should prominently feature the ocean and sky, and crucially, introduce an element like distant smoke to signify the danger. Characters should be absent to emphasize the scale of the external situation." }, { "instruction_full": "Cut back to a medium close-up, similar in framing to , but now angled slightly over the shoulder of an unseen person (implied to be ). Focus on , who is still wrapped in his blanket from and . His face should show continued distress, reacting to the distant threat seen in or the ongoing dialogue. The boat's deck and the open ocean from , are visible behind him, maintaining environmental continuity.", "think_full": "After the objective reveal of the distant smoke in , the `global_prompt.shot_outline` for dictates a return to \"a close-up of , continuing the interaction from a new angle.\" This shifts the focus back to the character's subjective experience. We return to the medium close-up framing style seen in , but from a new angle, suggesting an over-the-shoulder perspective from 's side, implying an ongoing conversation. from and is once again the central figure, retaining his distressed appearance and blanket. The boat deck and ocean from and continue as the consistent background, grounding him in the same location. This shot aims to emphasize his personal reaction and emotional state within the overarching peril.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.shot_outline` for stating \"returns to a close-up of , continuing the interaction from a new angle,\" and following the ominous smoke in , the next shot must bring the focus back to . It should be a medium close-up, similar to , showing his continued distress on the boat's deck with the ocean background. The 'new angle' implies a slight shift in perspective, perhaps over the shoulder of , to suggest an ongoing dialogue." }, { "instruction_full": "Cut to a medium close-up of , mirroring the framing and implied angle from . should be facing the camera (or 's implied position), with a serious, perhaps concerned or understanding expression. He wears the same attire established in . The background should be the open sea and sky, with a hint of the boat's flag (Union Jack) as seen in and , to maintain the external boat deck setting.", "think_full": "The `global_prompt.shot_outline` for indicates it \"shows 's reaction in a similar framing.\" This shot establishes the counter-point in the conversation, following the focus on in . The camera mirrors the framing and angle of , creating an implied over-the-shoulder reverse shot. , introduced in , is now featured in a similar close-up style. His expression should respond to 's distress seen in . The consistent background of the open ocean, sky, and the boat's flag, observed in and , maintains the spatial continuity and anchors the interaction on the moving vessel.", "instruction_minimal": "generate the next shot", "think_minimal": "Following 's focus on , the `global_prompt.shot_outline` for directs to \"show 's reaction in a similar framing.\" This calls for a reverse shot. It should be a medium close-up of , mirroring the angle and framing of , showing his reaction to . He should be on the boat's deck, with the sea and sky, and possibly the flag from and , in the background, to maintain continuity of setting." }, { "instruction_full": "Cut back to a medium close-up of , reusing the exact angle and framing established in . should maintain his distressed state, perhaps showing more agitation or an attempt to speak more forcefully, still wrapped in his blanket from and . The boat's deck and the ocean background from should be visible, maintaining continuity of the environment.", "think_full": "The `global_prompt.shot_outline` for states, \"focuses again on , likely continuing a tense exchange.\" This shot continues the rhythmic back-and-forth between the two characters, building on the interaction from and . The camera reuses the framing and angle from , emphasizing the directness of their exchange. from and is the focus again, his expression reflecting a continuation or escalation of his emotional state from , reacting to 's demeanor in . The consistent boat deck and ocean background from maintain the environmental context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies \"focuses again on , likely continuing a tense exchange.\" After showed 's reaction, this requires cutting back to . The shot should be a medium close-up, matching the framing and angle of , showing his continued distress or a heightened emotional state on the boat's deck, with the ocean visible behind him, to further the conversation." }, { "instruction_full": "Cut back to a medium close-up of , exactly reusing the framing and angle from . is shown with a steady, possibly deepening expression of concern or resolve, responding to 's agitation in . He maintains his attire from and . The background remains the open sea and sky, with the Union Jack flag partially visible from , maintaining the consistent on-deck setting.", "think_full": "The `global_prompt.shot_outline` for is to \"mirrors this with a shot of .\" This continues the pattern of alternating close-ups, reinforcing the dialogue. By reusing the framing of , it maintains the visual consistency of their direct exchange. , seen in and , returns to the frame, and his expression should react directly to 's heightened state in . The consistent boat deck environment with the ocean, sky, and flag from maintains spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.shot_outline` for is to \"mirrors this with a shot of ,\" following 's focus on , the next shot must return to . It should be a medium close-up, precisely matching the framing and angle of , showing his response to the conversation. He should be on the boat's deck, with the sea and flag in the background, maintaining the established setting." }, { "instruction_full": "Cut back to a medium close-up of , again reusing the established angle and framing from and . is seen, his expression possibly shifting to a moment of quiet reflection, renewed plea, or a subtle change in his distress, continuing the interaction. He is still wrapped in his blanket from , , , and . The familiar boat deck and open ocean backdrop from and should be visible, ensuring consistent spatial context.", "think_full": "The `global_prompt.shot_outline` for states it \"continues the back-and-forth on .\" This shot further deepens the ongoing emotional exchange. By reusing the framing and angle from and , the scene maintains visual rhythm and intimacy. from , , , and is again the focal point, his expression now responding to 's steady gaze in . The consistent setting of the boat deck and ocean from and reinforces their contained interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies \"continues the back-and-forth on .\" After focused on , this means cutting back to . The shot should be a medium close-up, identical to and , showing his ongoing emotional state or a slight shift in expression on the boat's deck, with the sea behind him, pushing the conversation forward." }, { "instruction_full": "Cut back to a medium close-up of , maintaining the precise framing and angle established in and . is present, his expression perhaps showing a subtle shift, a deeper understanding, or continued resolve, in response to 's state in . He wears his consistent attire from , , and . The background should once again be the open sea and sky, with the boat's flag (Union Jack) visible as in and , reinforcing the continuity of their maritime setting.", "think_full": "The `global_prompt.shot_outline` for is \"shifts back to 's perspective.\" This shot continues the established rhythmic exchange, providing 's counter-point to 's emotional state in . The camera reuses the consistent framing and angle from and , emphasizing the directness of their interaction. from , , and reappears, and his expression should continue to respond to the dialogue or emotional communication from in . The consistent backdrop of the ocean, sky, and flag from and maintains spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.shot_outline` for states \"shifts back to 's perspective,\" following 's focus on , the next shot must return to . It should be a medium close-up, identical to and , showing his reaction or expression on the boat's deck, with the sea and flag as background, continuing the visual dialogue." }, { "instruction_full": "Cut back to a medium close-up of , reusing the established framing and angle from , , and . is shown, his expression possibly reaching a moment of quiet understanding, resignation, or a slight change in his distress, indicating the conversation has concluded or shifted. He is still wrapped in his blanket from , , , , and . The boat deck and the open ocean background from previous close-ups of (, , ) should be present, ensuring visual consistency for the final shot.", "think_full": "The `global_prompt.shot_outline` for is to \"concludes the sequence with a final reaction from .\" As the final shot in this series of alternating close-ups, it provides a sense of closure to the emotional exchange. The camera reuses the familiar framing and angle from , , and , returning the focus to from , , , , and . His expression should reflect a culmination or shift in his emotional state, providing a final impression after 's response in . The consistent setting of the boat deck and ocean from , , and ensures continuous environmental context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states \"concludes the sequence with a final reaction from .\" As the final shot after the back-and-forth, it should return to . The shot should be a medium close-up, matching , , and , showing his final expression or emotional state on the boat's deck against the sea, bringing a sense of finality to this particular interaction." } ], "_src_movie_dir": "Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv", "_src_filename": "047634_048393.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Dunkirk.2017.2160p.BluRay.Hybrid.Remux.IMAX.DV.HDR.HEVC.DTS-HD.MA-SGF.mkv/047634_048393.json", "_test_index": 325 }, { "movie": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv", "N": 10, "sample_id": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33300.jpg-Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33972.jpg", "images": [ { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33300.jpg", "filename": "33300.jpg", "aesthetic": 7.7892537117004395, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33303.jpg", "filename": "33303.jpg", "aesthetic": 7.999976634979248, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33405.jpg", "filename": "33405.jpg", "aesthetic": 7.854276657104492, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33450.jpg", "filename": "33450.jpg", "aesthetic": 7.559366703033447, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33489.jpg", "filename": "33489.jpg", "aesthetic": 8.233190536499023, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33618.jpg", "filename": "33618.jpg", "aesthetic": 8.145613670349121, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33813.jpg", "filename": "33813.jpg", "aesthetic": 7.697786808013916, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33825.jpg", "filename": "33825.jpg", "aesthetic": 6.671229362487793, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33924.jpg", "filename": "33924.jpg", "aesthetic": 7.81414794921875, "musiq": 0.0 }, { "tag": "", "rel_path": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/33972.jpg", "filename": "33972.jpg", "aesthetic": 7.916417598724365, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The story centers on a public confrontation on a bustling city street in the 1920s-30s. The tone is tense and defiant, as a prominent, assertive woman challenges local norms or authority, drawing a crowd and escalating the situation.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " shows an escalation of the public confrontation, introducing into the interaction between and . cuts to a close-up of , capturing her reaction. returns to a wider shot of the main confrontation, emphasizing the continued tension. focuses on as he makes his case. then returns the focus to , showing her strong response. shifts to speaking directly with , seeking intervention. shows and observing the scene from behind, anticipating the outcome. provides a close-up of and , capturing their determined expressions. concludes by focusing on taking a decisive action or making a declaration." }, "instruction_full": "Shift the camera from the medium shot of to a slightly wider medium shot, positioned to encompass , , and introduce . should maintain her assertive posture, while should appear confrontational, gesturing defensively or angrily. is positioned between them, or observing closely. The scene remains in the bustling street environment from , with the vintage car and brick buildings visible, to show an escalation of the public confrontation with authority now involved.", "think_full": "The shot needs to immediately convey an escalation from the initial gathering in . By moving to a slightly wider medium shot, we can introduce who was not prominently visible in , thus signaling the involvement of authority. and , both visible in , continue their central roles, but are now in a more direct, tense interaction. The setting remains the same public street from , with its brick buildings and vintage car, to maintain continuity and reinforce the public nature of the dispute. The dramatic intent is to visually intensify the conflict by adding a new power dynamic through the police presence.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` and `global_prompt.shot_outline` for , the next shot needs to show an escalation of the public confrontation. This implies introducing a new element or intensifying the interaction between existing characters. I will move the camera to a medium shot to frame and from in a more direct confrontation, while also introducing into the scene to signify the involvement of authority. The setting will remain the public street from , maintaining visual continuity. The purpose is to immediately raise the stakes of the public dispute." }, { "instruction_full": "Cut from the wider medium shot of to a tighter medium close-up, focusing on . She should be prominently framed, displaying a concerned or thoughtful expression. should be visible, slightly out of focus, in the background. The shot continues in the same bustling street environment, with the blurred commercial signs and brick buildings from and providing context, to capture her reaction to the escalating confrontation shown in .", "think_full": "After the escalation in involving , it's narratively effective to show the impact on those connected to . , present in , is an ideal character for this. A medium close-up isolates her, allowing her expression to convey concern or apprehension. The street setting from and is maintained through blurred background elements, emphasizing she is still within the same public, tense event. This shot serves to provide an emotional beat, revealing a personal reaction to the public dispute.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a close-up of showing her reaction. Following the escalating confrontation in , a shot focusing on the emotional impact on a supporting character makes sense. I will use a medium close-up on from , emphasizing her expression of concern or thought. The background will be the same street environment as and , blurred to keep focus on her, reinforcing that she is part of the unfolding public event. The intent is to capture an emotional response to the rising tension." }, { "instruction_full": "Pull back from the close-up on in to a wider medium shot, similar to , to re-center on the main confrontation. Feature and together, with engaged in confrontation nearby. should appear defiant or commanding, while continues his argumentative stance. The crowd remains in the background. The scene continues in the same public street setting as seen in , , and , with brick buildings and the vintage car visible, to re-establish the dynamic of the ongoing dispute.", "think_full": "After the emotional reaction shot of in , the narrative demands a return to the main confrontation. This shot brings back and from and , showing the continued tension. from and is now positioned alongside , visually reinforcing their alliance. The street environment from , , and is maintained, including the vintage car, to ensure strong spatial continuity. The purpose is to remind the viewer of the central conflict and the unified front of the protagonists.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that should show the main confrontation continuing with , , and . After provided a character reaction, returning to the core conflict is necessary. I will frame a medium shot, similar to , featuring and together, facing . All characters will show continued defiance or agitation. The setting will remain the bustling street environment from , , and , including the crowd and vintage car. The goal is to maintain the narrative tension and show the ongoing nature of the public dispute." }, { "instruction_full": "Cut from the wider shot of to a medium close-up, focusing tightly on . He should be framed prominently, mid-sentence, with an open mouth and expressive gestures, conveying his frustration or anger. should be blurred in the background. The shot continues in the same public street environment from , , , and , with brick buildings and commercial signs, to highlight his perspective and the intensity of his argument.", "think_full": "Following the re-establishment of the overall confrontation in , it's important to give a specific voice and emotional weight to the antagonist. A medium close-up on , who was a key figure in , , and , allows his specific arguments or frustrations to be emphasized. His expressive gestures and open mouth highlight the intensity of the verbal exchange. The street setting, consistent since , provides the public backdrop for his outburst, and the blurred background reinforces the focus on his emotion. This shot balances the perspective after the focus on and in previous shots.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, focuses on . After the wider confrontation in , a close-up on his reaction or argument is a logical step to deepen the conflict. I will frame a medium close-up on from , , and , showing him speaking animatedly, conveying anger or frustration. The background will be the same street environment as previous shots, with blurred, to emphasize his individual emotional state within the public dispute. The purpose is to give his perspective weight and show his engagement in the argument." }, { "instruction_full": "Return to a medium shot, similar to or , but slightly tighter on . She should be framed centrally, facing the viewer directly with a strong, determined, or possibly exasperated expression, perhaps with hands open in a gesture of assertion. and should be visible in the mid-ground, reacting to her. The crowd remains in the background. The scene continues in the same outdoor street setting, with the brick buildings and the vintage car from , , and visible, to re-establish her as the central figure and show her unwavering resolve or direct reaction to 's arguments from .", "think_full": "After highlighted 's perspective, the narrative needs to return to to show her response and continued leadership. This medium shot, reminiscent of and in its framing, centers from , , and , capturing her strong demeanor. (from , , ) and (from , , , ) are present in the background, reinforcing the ongoing confrontation. The consistent street backdrop with the vintage car from maintains spatial continuity. The dramatic intent is to emphasize her resilience and central role in the face of opposition.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to . Following 's focus on , it is logical to cut back to her for her counter-response. I will compose a medium shot, similar to , centered on (from , , ), showing her with a strong, defiant expression. and will be visible in the background. The setting will be the same street from , , and , with the crowd and buildings, to demonstrate her continued assertion in the public dispute. The purpose is to highlight her central role and convey her unwavering resolve." }, { "instruction_full": "Shift to a medium-long shot, from a slightly different angle than previous shots, potentially looking across the street or from a slightly elevated position. This shot should prominently feature actively speaking to . Both should be centered, engaged in a discussion or argument. should be visible in the background, observing. The scene continues in the same street environment, with brick buildings and shop fronts (like those hinted in ) now more clearly visible in the background, and a vintage car, perhaps the one from , , and , in the foreground, to show attempting to leverage authority.", "think_full": "After showed 's defiance, the narrative needs to progress by showing the antagonist's next move. This shot shifts the focus to (from , , , , ) and (from ), establishing their direct interaction. A medium-long shot from a fresh angle provides a new perspective on the scene and allows for broader context of the street and buildings, consistent since . The vintage car from earlier shots helps maintain spatial anchors. The dramatic purpose is to raise the stakes by showing seeking formal intervention, potentially increasing the legal pressure on .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a shift to speaking with . This is a logical progression from the back-and-forth confrontation, suggesting a move to formalize the dispute. I will frame a medium-long shot, possibly from a new angle, showing (from , , , , ) engaging in conversation with (from ). The setting remains the same street environment from , with the vintage car and buildings providing context. The intent is to show trying to use legal authority to his advantage, escalating the conflict." }, { "instruction_full": "Return to a medium shot, framed from behind and , looking out at and the general scene. and are seen from behind, providing a sense of their shared perspective as they observe the aftermath of the interaction between and from . might be partially visible nearby. The crowd fills the space in front of them. The scene is the same public street environment, with the familiar brick buildings and commercial signs from through , and the vintage car, maintaining the continuity of the location, to convey a moment of collective observation and anticipation.", "think_full": "After the direct interaction between and in , the narrative requires a moment of reflection and anticipation from the protagonists' perspective. This shot re-establishes and (both seen in ) as central observers, now seen from behind, inviting the viewer to share their viewpoint. (from , , , ) is implicitly with them. The consistent street environment from through , including the vintage car, grounds the scene. The dramatic purpose is to build suspense as they await the outcome of the authority's involvement, shifting focus back to their emotional state and expectations.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests a shot from behind and , looking at the crowd. This is a natural progression after , allowing the audience to share the protagonists' perspective as they await the results of the police interaction. I will frame a medium shot from behind and (both from ), who are observing the scene. will fill the foreground, with the familiar street buildings and vintage car from through in the background. The intent is to show a moment of collective anticipation and to shift the narrative perspective to the protagonists' point of view." }, { "instruction_full": "Cut from the over-the-shoulder shot of to a medium close-up, focusing directly on and . The camera should be slightly lower than eye-level, looking up at them, to emphasize their commanding presence or the weight of the moment. should appear resolute, and supportive or observant, with serious expressions. might be partially visible behind them. The background is the same public street backdrop, with the buildings from and subsequent shots visible but blurred, keeping the focus on the characters' faces, to capture their immediate emotional response and determination.", "think_full": "Following the observational shot in , the narrative requires a direct engagement with the protagonists' emotional state. A medium close-up on and (both visible since ) allows their expressions to convey resolve or concern, amplifying the dramatic weight. (from , , , ) is a subtle background presence, reinforcing their group. The consistent, albeit blurred, street background from through ensures spatial continuity while emphasizing the characters. This shot provides a powerful character beat, showcasing their unity and resilience before the final outcome.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests a close-up on and to show their expressions. This is a natural follow-up to the observation in , delving into their emotional state at a critical juncture. I will frame a medium close-up on and (from and ), showing them with serious, determined expressions. The background will be the same street environment from previous shots, blurred to keep focus on their faces. The purpose is to reveal their internal resolve and emphasize their shared stance as they face the unfolding events." }, { "instruction_full": "Cut to a medium close-up on , potentially from a slightly lower angle to enhance his authoritative presence, similar to how was framed. He should be framed prominently, with an open mouth, gesturing hands, clearly speaking or issuing an order. His expression should convey authority or frustration. or other background figures should be blurred in the background. The scene remains in the same public street environment as seen in , , , , , , , and , with shop fronts and buildings, and the vintage car from , , , , and might be partially visible near him, to show delivering a judgment or taking decisive action, creating a climax for the confrontation.", "think_full": "After the emotional focus on and in , the narrative requires a decisive action from the authority figure. This medium close-up on (introduced in and featured in ) shifts the climax to his decision. His open mouth and gesturing hands convey an active command or declaration. The consistent street environment from through , including the vintage car, maintains spatial continuity. This shot serves to deliver the immediate outcome of the public confrontation, providing a resolution to the escalating tension and defining the immediate consequences for the protagonists.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that will focus on taking a decisive action or making a declaration. This is the logical climax following the build-up of the public confrontation and the protagonists' anticipation. I will frame a medium close-up on (from and ), showing him actively speaking or gesturing, conveying authority as he delivers a judgment or order. The background will be the same street environment from previous shots, with the vintage car and buildings, emphasizing the public nature of this final action. The purpose is to resolve the immediate conflict and show the consequences of the confrontation." } ], "_src_movie_dir": "Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv", "_src_filename": "033300_033972.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Ma.Raineys.Black.Bottom.2020.2160p.NF.WEB-DL.DDP5.1.Atmos.DV.HDR10.H.265-COPiUM.mkv/033300_033972.json", "_test_index": 330 }, { "movie": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv", "N": 10, "sample_id": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/155952.jpg-Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/157549.jpg", "images": [ { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/155952.jpg", "filename": "155952.jpg", "aesthetic": 6.182313919067383, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/156114.jpg", "filename": "156114.jpg", "aesthetic": 7.019150733947754, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/156327.jpg", "filename": "156327.jpg", "aesthetic": 6.525295257568359, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/156432.jpg", "filename": "156432.jpg", "aesthetic": 6.4041852951049805, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/156527.jpg", "filename": "156527.jpg", "aesthetic": 6.331652641296387, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/156593.jpg", "filename": "156593.jpg", "aesthetic": 5.9814453125, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/157037.jpg", "filename": "157037.jpg", "aesthetic": 5.392175674438477, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/157139.jpg", "filename": "157139.jpg", "aesthetic": 6.457047462463379, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/157493.jpg", "filename": "157493.jpg", "aesthetic": 5.911255836486816, "musiq": 0.0 }, { "tag": "", "rel_path": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/157549.jpg", "filename": "157549.jpg", "aesthetic": 6.67219352722168, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This is a story about interactions and observations within an office environment, and subsequently, a significant conversation outside. The tone starts as observational and transitions to more intimate character focus and narrative development.", "characters": [ "", "", "", "" ], "shot_outline": " introduces in her office environment, at her desk, looking intently. returns to in the office, now looking towards the camera, suggesting observation or awareness. refocuses on , providing a closer view of her expression and engagement in the office setting. returns to , holding documents, maintaining eye contact, possibly in response to something. shows inside an office looking out a window, hinting at an external world or a shift in her attention. reveals outside, having a conversation with near a phone booth, indicating a new setting and interaction. captures a close-up of 's thoughtful expression during her outdoor conversation. provides a close-up of in conversation, matching the intimate framing of . returns to a slightly wider shot of in the same outdoor conversation, with partially visible, emphasizing her continued engagement." }, "instruction_full": "Shift the camera to a medium-wide shot of a different part of the office. Introduce , sitting at a desk, looking intently off-screen to her right, as if observing something or someone. The office environment should retain the yellow wall background and a generally warm, functional aesthetic similar to , but now revealing more of the workspace with papers, a telephone, and other office paraphernalia on her desk, under soft ambient lighting.", "think_full": "We need to introduce a new key character and her immediate environment to expand the story's world. By cutting to at a distinct desk setup, we establish her presence within the same general office setting suggested by the yellow wall in . The intent look on her face suggests a connection or observation related to the world that (from ) inhabits, creating a sense of parallel action or potential interaction. The desk elements define her workspace and role. We are using the established office aesthetic from for spatial continuity, but framing a new area and introducing a new character, .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states that it 'introduces in her office environment, at her desk, looking intently.' Building on the office setting established in , the next shot should be a medium-wide shot to properly introduce at her workspace. She should be actively engaged, perhaps looking off-screen. The background should be consistent with the office from , perhaps with the yellow wall visible. This shot's user intent is to establish a new main character and her part of the shared office space." }, { "instruction_full": "Return to with a medium shot, similar to the framing of , but now he is looking directly towards the camera or slightly off-screen to his left, with a more aware or inquisitive expression. Maintain the same office environment as , with the yellow wall in the background and a blurred suggestion of other people or office activity.", "think_full": "After introducing in , the narrative calls for a return to from to establish a potential visual dialogue or a sense of his awareness of his surroundings or 's presence. Reusing a similar camera angle to for creates visual continuity for his character within the consistent office environment (yellow wall, blurred background figures). His altered gaze from his profile in to a more direct look in this shot (implied by the instruction) suggests a reaction or engagement. The user intent is to show his continued presence and create a back-and-forth dynamic between him and .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'returns to in the office, now looking towards the camera, suggesting observation or awareness.' Based on , we know what looks like and his initial setting. The logical progression is to cut back to him after the introduction of in , using a similar camera setup as to maintain visual familiarity for his character. His new gaze will convey awareness. The space is the same office, identifiable by the yellow wall. The user intent is to show 's presence and implied reaction or observation." }, { "instruction_full": "Cut to a medium close-up of , tighter than her shot in , capturing her expression more closely. She maintains a focused or slightly intense gaze off-screen to her right, continuing her implied observation. The background should remain the blurred yellow wall of the office, consistent with , suggesting she is still at her desk.", "think_full": "Following the cut back to in , the narrative demands a return to to build on her introduction and initial focused expression from . A closer shot allows for greater emphasis on her emotional state or specific point of focus, deepening her character's engagement with the scene. We maintain the visual continuity of the office environment, especially the yellow wall, from and the other office shots. herself is directly carried over from , with her intense gaze. The user intent is to intensify the focus on 's state and activity within the office after the brief interlude with .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states that it 'refocuses on , providing a closer view of her expression and engagement in the office setting.' Having seen in and then in , the natural progression is to return to , but with a tighter framing to emphasize her expression and focus. The office setting from should be maintained for spatial continuity. Her intense look should be clearly visible. The user intent is to reveal more of 's immediate emotional state or what holds her attention." }, { "instruction_full": "Shift back to with a medium shot, similar in framing to , but now he is holding a stack of papers or documents in his hand. He maintains his direct gaze towards the camera or slightly off-screen, conveying continued engagement. The background remains the familiar blurred yellow wall of the office from and , with the hint of office activity.", "think_full": "This shot continues the visual rhythm of cutting between and , building on their implied interaction. reappears from , and his direct gaze is maintained, reinforcing his awareness. The addition of documents introduces a new element to his activity, suggesting work or information he's processing, further developing his role in the office setting. The consistent office environment, marked by the yellow wall and blurred background elements from and , ensures spatial continuity. The user intent is to show 's continued presence, his active role, and to potentially connect his actions with 's observations.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states 'returns to , holding documents, maintaining eye contact, possibly in response to something.' After the close-up of in , the narrative calls for a return to from . A medium shot, similar to , would keep the visual consistency. He should be holding documents to signify his activity, and his direct gaze from should persist. The office background from and ensures setting continuity. The user intent is to show his continued involvement in the office activities and his potential reaction to the unfolding situation." }, { "instruction_full": "Frame in a medium shot, now from her left side, as she looks intently out a window. Her expression is thoughtful or expectant. The background behind her is a blurry window pane with indistinct shapes and light from the outside. While still suggesting an interior office, this shot introduces a prominent window as a new visual element, shifting her focus from the internal office space seen in and to the external world.", "think_full": "After the back-and-forth between and within the office, this shot serves as a visual transition. from is again the focus, but her attention has shifted from internal office matters to something outside, indicated by the prominent window. This introduces a new spatial element and suggests a narrative shift towards an external environment, contrasting with the interior focus of previous shots. The thoughtful expression on her face hints at anticipation or reflection. The user intent is to show her attention being drawn to the outside world, subtly setting up a change of scene or a new plot development.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for describes how it 'shows inside an office looking out a window, hinting at an external world or a shift in her attention.' Having focused on her and within the office, this shot must signal a change. It should feature from previous shots (like ), but now positioned at a window, looking out. This introduces a new visual element (the window) while keeping the interior office context. The camera should be a medium shot to capture her and the window. The user intent is to transition the narrative focus from the internal office to the external environment, preparing for a potential change in setting." }, { "instruction_full": "Execute a dramatic scene change to a completely new, outdoor environment. Frame from outside, on a sunny street or sidewalk, engaged in an earnest conversation with a newly introduced character, . He has long, light brown hair and wears glasses. They are standing close to a public telephone booth, which is visible in the background, adding to the urban setting. The overall lighting should be bright and natural, indicating daylight.", "think_full": "This shot marks a significant narrative development by physically moving to a brand-new, external location, completely distinct from the office setting of through . There is no spatial continuity with the previous scenes; this is a new setting. The shot also introduces a new primary character, , who was not visible in any prior images. is the continuous character from , but her environment and interaction have changed. The presence of the telephone booth and the sunny street establishes a fresh, more public setting. The user intent is to dramatically broaden the story's scope, introduce a crucial new character, and signify a shift in the plot from the workplace to external events or relationships.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'reveals outside, having a conversation with near a phone booth, indicating a new setting and interaction.' Following , which showed looking out a window, this shot needs to be entirely outdoors, a new physical space with no visual connection to the previous office. It must introduce (from previous shots) interacting with a new character, . A medium-wide shot will establish the new urban setting (e.g., street, phone booth) and the two characters. The user intent is to mark a major scene transition and introduce a new, important character." }, { "instruction_full": "Transition to a close-up of 's face, maintaining her thoughtful or slightly concerned expression from . She is looking upwards and slightly off-screen to her right, implying she is looking at (who is now out of frame). The background remains the blurred outdoor setting from , with soft, natural light emphasizing her features.", "think_full": "Following the establishment of the outdoor conversation in , this shot deepens the emotional engagement by focusing intimately on 's facial expression. from is the subject, and her gaze upwards is consistent with speaking to someone taller, like from , who is now out of frame to emphasize her perspective. The background retains the bright, blurry outdoor quality from , confirming we are still in the same location. The user intent is to convey 's internal state and reaction during the important conversation with , making her emotions central to this moment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it 'captures a close-up of 's thoughtful expression during her outdoor conversation.' After the establishing shot of the conversation in , a close-up is necessary to highlight 's emotional state. It should focus solely on her face, showing her expression and her gaze towards (now implied off-screen). The outdoor background from should remain blurred. The user intent is to make her reaction and feelings during the conversation more prominent to the viewer." }, { "instruction_full": "Cut to a close-up of 's face, matching the intimacy and framing of . He is looking downwards and slightly off-screen to his left, implying he is looking at (who is now out of frame). His expression is serious or engaged, continuing the conversation. The background remains the blurred outdoor setting from and , bathed in natural light.", "think_full": "This shot serves as the counterpoint to , completing the intimate visual exchange of the conversation. from is brought into a close-up, mirroring the framing of in . His downward gaze is consistent with speaking to a shorter person, like , who is now out of frame to emphasize his perspective. The outdoor setting from and is maintained in the blurred background. The user intent is to give equal emotional weight in the conversation, allowing the audience to read his expression and understand his side of the interaction more intimately.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it 'provides a close-up of in conversation, matching the intimate framing of .' After seeing 's close-up in , the narrative naturally dictates a reverse close-up of from to show his reaction. The camera should capture his face and expression, with his gaze directed towards where would be. The outdoor setting from and should continue in the blurred background. The user intent is to show his emotional state and reaction during the conversation, balancing 's close-up." }, { "instruction_full": "Return to a slightly wider medium shot of , similar to but perhaps a bit tighter. She is still engaged in the conversation, now with from partially visible in the foreground, out of focus, or just at the edge of the frame. Her expression remains thoughtful as she reacts to the ongoing discussion. The outdoor street environment from , , and continues to be the setting, with the bright, natural daylight.", "think_full": "This shot concludes the sequence of intimate close-ups and provides a final perspective on the conversation. We return to from as the central focus, allowing for her conclusive reaction. The partial inclusion of from ensures that the conversational context is maintained without needing another full close-up of him, subtly shifting the narrative emphasis back to 's experience. The consistent outdoor setting from , , and grounds the scene in its established location. The user intent is to provide a final visual statement on this significant outdoor conversation, highlighting 's reaction as it wraps up.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates it 'returns to a slightly wider shot of in the same outdoor conversation, with partially visible, emphasizing her continued engagement.' After the close-ups of and , a return to a medium shot focusing on makes sense to conclude the conversation. from should be partially visible to maintain context. The outdoor street setting from previous shots should be maintained. The user intent is to provide a final reaction from and wrap up this segment of the interaction." } ], "_src_movie_dir": "Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv", "_src_filename": "155952_157549.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Licorice.Pizza.2021.HDR.WEB-DL.2160p.DDP5.1.H265-EVO.mkv/155952_157549.json", "_test_index": 347 }, { "movie": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv", "N": 10, "sample_id": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14178.jpg-The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/15069.jpg", "images": [ { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14178.jpg", "filename": "14178.jpg", "aesthetic": 6.409983158111572, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14275.jpg", "filename": "14275.jpg", "aesthetic": 5.532510757446289, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14300.jpg", "filename": "14300.jpg", "aesthetic": 6.000066757202148, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14369.jpg", "filename": "14369.jpg", "aesthetic": 5.970441818237305, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14541.jpg", "filename": "14541.jpg", "aesthetic": 6.185091972351074, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14659.jpg", "filename": "14659.jpg", "aesthetic": 4.811621189117432, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14703.jpg", "filename": "14703.jpg", "aesthetic": 5.792058944702148, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/14872.jpg", "filename": "14872.jpg", "aesthetic": 5.846084117889404, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/15003.jpg", "filename": "15003.jpg", "aesthetic": 6.760102272033691, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/15069.jpg", "filename": "15069.jpg", "aesthetic": 5.952729225158691, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a grand, dimly lit, ornate chamber, a distinguished scientist unveils a mysterious, visually stunning discovery to a formal assembly. Simultaneously, a curious child secretly observes the event, lending an innocent, yet intense, counterpoint to the formal proceedings. The tone shifts between scientific wonder, suspense, and fantastical revelation.", "characters": [ "", "", "", "" ], "shot_outline": " introduces peering through a door, observing something intriguing. cuts to a wide shot of gathered in a dark, opulent room, watching a presentation. returns to , framing him similar to , intensely engaged with his scientific instrument and the projection. is a medium close-up of , showing his focused and perhaps slightly concerned expression. presents a striking visual of with a dog in a snowy, desolate landscape, surrounded by ethereal, glowing energy, representing the projection's content. is a wider shot of from a different angle, highlighting their collective rapt attention. is a close-up of 's face, showing a subtle smile or wonder as they continue to observe. focuses on one specific member of , capturing their deep concentration or awe. is a tight close-up of 's face, revealing a mix of determination and apprehension as he concludes or makes a point." }, "instruction_full": "Shift the camera to a new, tighter framing, introducing a hidden observer. Feature , a young person, peeking through an ornate glass panel in a wooden door, with a curious or slightly concerned expression. This new space is dark, contrasting with the grand room in , suggesting secrecy. The dramatic purpose is to reveal a hidden observer and introduce a new, innocent perspective to the ongoing event from , hinting at mystery.", "think_full": "This shot establishes a new, distinctly different environment from the ornate presentation room of . It's a dark interior, likely a hallway, with a detailed wooden door and a decorative glass insert. This completely new setting suggests a shift in narrative focus. is introduced for the first time; they were not visible in . Their pose and expression convey curiosity and perhaps a hint of apprehension, watching something unseen. The purpose is to build suspense by revealing a hidden observer. It changes the dynamic from a simple presentation (as seen in ) to an event that is being secretly watched, adding intrigue and suggesting a different, possibly younger, perspective on the unfolding narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates introduces observing. This requires a new, tighter shot, focusing on the child's perspective or their act of observation. must be visible, peeking or observing. The outline implies a shift in focus from and his presentation in , so a new, distinct environment is needed to establish the child's separate presence. A dark, enclosed space with a viewing element (like a door) would work. The user intent is to introduce a new character who is separate from the primary scene in , adding a layer of mystery and another perspective to the story." }, { "instruction_full": "Shift the camera back to the grand, ornate room from . The camera should be wide, capturing a large group. Introduce , a collection of several formally dressed older men, all looking in the same direction with focused expressions. Return to the same opulent, dark, wood-paneled room established in , maintaining the subdued, serious lighting. The space should accommodate many people seated or standing. The narrative purpose is to establish the context of the presentation from by showing the formal gathering of people who are observing it, creating a sense of importance and audience.", "think_full": "We are returning to the ornate room from , characterized by its dark wood paneling and subdued lighting. This establishes that the presentation was giving in has an audience. No connection to which was a new space. This shot introduces , a group of men who were not explicitly shown in (only implied by 's presentation stance) nor in . Their formal attire suggests a significant event. from is not the focus, and from is in a different location. This shot broadens the scope of the story by revealing the formal setting and the primary audience for 's presentation from . It highlights the importance of the event by showing the number and demeanor of the attendees.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates cuts to . This requires a wider shot to establish the group. We need to see as described in the global prompt. The most logical place for this audience, given 's presentation in , is the same ornate room. The user intent is to establish the context of the presentation, showing who is watching from and emphasizing the formality and significance of the event." }, { "instruction_full": "Return the camera to a similar framing as , focusing on and his instrument. The angle should be slightly low, looking up at him. Feature from , now with an intensely focused expression, hands on his glowing scientific device. We are back in the ornate, dark room seen in and , with the glowing celestial projection visible in the background on the right. Maintain the dramatic, low-key lighting. The narrative purpose is to re-establish as the central figure of the presentation and emphasize his deep concentration and the significance of his work or discovery.", "think_full": "The shot returns to the primary setting from and , the dark, ornate room with the distinctive glowing projection and scientific apparatus. This maintains continuity of the main event. returns, last seen in . His posture and interaction with the device are consistent, reinforcing his role as the presenter. His expression is one of deep concentration. from and from are not present in this frame. The purpose is to bring the focus back to after briefly showing the observer () and the audience (). This shot emphasizes his central role, his engagement with the mysterious instrument, and the importance of his actions within the narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates returns to , similar to . This implies a re-use of camera angle and framing. must be shown, likely interacting with his device, as he was in . The scene must continue in the ornate room with the projection, as seen in and . The user intent is to refocus on and his central role in the presentation, reinforcing the mysterious nature of his work." }, { "instruction_full": "Take a medium close-up shot of , tighter than or , focusing on his face and upper torso. The camera remains in the same general area, looking slightly up. Show from and , now with a clearer, focused expression, perhaps a hint of concern or seriousness. The background should still subtly hint at the ornate room and the glowing projection from and , but it should be largely out of focus, emphasizing . The dark, dramatic lighting continues from previous shots. The dramatic purpose is to highlight 's emotional state or intellectual engagement during his presentation, allowing the viewer to read his expression more clearly.", "think_full": "The ornate room and the glowing background element from , , and remain, though now more blurred due to the tighter focus on . The dark, moody lighting also persists, creating a consistent atmosphere. from and is again the sole character, seen closer. His expression is now more visible, conveying focus and a potential underlying emotion (concern/seriousness), which wasn't as clear in the wider shots. This shot's purpose is to draw the audience into 's perspective by showing his reaction and the intensity of his engagement, moving beyond just the mechanics of his presentation to his internal state.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` suggests is a closer shot of 's face. This requires a medium close-up, moving closer than or . Focus solely on from and . The background should still connect to the presentation room from but be less prominent, blurring into the background as the focus is on the character. The user intent is to reveal more about 's emotional state or concentration, deepening the viewer's understanding of his role and the stakes of his presentation." }, { "instruction_full": "Generate a wide, atmospheric shot, entirely different from the previous indoor scenes. Introduce a new character, , a person dressed in warm, heavy clothing (perhaps an arctic explorer), standing in a desolate, snowy landscape with a dog. This person is interacting with swirling, ethereal golden light. The space is a vast, barren, snow-covered landscape under a dark, possibly twilight or night sky, with no connection to the ornate room or the door from previous shots. The glowing light is reminiscent of the projection in . The narrative purpose is to dramatically visualize the content of 's projection, showing a fantastical, otherworldly event occurring in a remote setting, establishing the real-world (or fantastical-world) implications of his work.", "think_full": "This shot introduces a completely new environment, a vast, snowy, desolate landscape, which contrasts sharply with the enclosed, ornate room from , , , and the dark hallway from . This is a new setting with no visual link to previous frames. The glowing elements, however, visually echo the projection from and , suggesting this is a visualization of what is being presented. This shot introduces a new character, , and a dog. Neither has been seen before. Their attire suggests a harsh, cold environment. The `shot_outline` for describes a \"striking visual of a person and a dog in a snowy, desolate landscape, surrounded by ethereal, glowing energy, representing the projection's content.\" This shot serves as a powerful visual representation of the subject of 's presentation, shifting the scene from the confined presentation room to the expansive, fantastical reality of his work.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` describes as a \"striking visual of a person and a dog in a snowy, desolate landscape, surrounded by ethereal, glowing energy, representing the projection's content.\" This requires a wide, expansive shot to capture the landscape and the fantastical elements. Introduce and a dog, as specified in the `shot_outline` for this particular visual. A snowy, desolate landscape, a new environment, contrasting with previous indoor settings. The glowing energy connects to the projection from . The user intent is to vividly illustrate the subject of 's presentation (seen in and ), revealing the fantastical or extraordinary nature of what he is discussing and adding a sense of scale and wonder." }, { "instruction_full": "Generate a wider shot of the audience, similar to but from a slightly different angle, showcasing more of the ornate room. Show from , still formally dressed, but now their expressions might be more varied or intense, reflecting their reaction to the projection just shown in . Return to the ornate, dark, wood-paneled room from , , , . The low-key, dramatic lighting persists, emphasizing the serious atmosphere. The narrative purpose is to show the audience's collective reaction after the stunning visual in , reinforcing the impact and importance of the presentation.", "think_full": "We return to the familiar ornate room from , , , , identifiable by its dark wood paneling and specific architectural details. This maintains continuity with the primary setting of the presentation. It contrasts with the completely new environment of . from reappears. Their expressions, while still attentive, are now informed by the powerful visual they just witnessed in , suggesting heightened engagement or reaction. Neither nor are the focus here. The `shot_outline` for specifies \"A wider shot of from a different angle, highlighting their collective rapt attention.\" This shot is designed to demonstrate the effect of the previous, visually impactful on the audience, reinforcing the gravitas and wonder of the presentation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates is another shot of , suggesting a return to the room seen in , possibly with a slightly different angle to show more of the group. Focus on as introduced in . The ornate room from and must be the setting. The user intent is to show the audience's continued and possibly heightened reaction to the presentation after the impactful visual revealed in ." }, { "instruction_full": "Generate a close-up shot of , similar to but now focused more tightly on her face. Feature from , now with a clear expression of wonder, a subtle smile, or delight, suggesting a positive reaction to what she is seeing. The dark, unlit background and the subtle hint of the ornate door frame from should be visible, maintaining the sense of her secret observation point. The focus is on her face. The dramatic purpose is to capture the child's emotional response, contrasting with the formal audience, and emphasizing her unique, perhaps innocent, perspective on the extraordinary events.", "think_full": "We return to the dark, intimate setting of the hallway and the ornate glass door from . The darkness around her face and the hints of the door structure connect this shot spatially to her previous appearance. from reappears. Her expression has evolved from mere curiosity to one of genuine wonder or a subtle smile, indicating a strong positive reaction to the unfolding events, likely spurred by the captivating visual in . The `shot_outline` for calls for \"A close-up of 's face, showing a subtle smile or wonder.\" This shot aims to emphasize the child's personal, emotional connection to the presentation, offering a counterpoint to the more formal reactions of in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` suggests is a close-up of 's face. This is a tighter shot than . Focus on from . The setting should be consistent with where she was last seen in , maintaining her hidden observation point. The user intent is to reveal the child's emotional reaction, specifically wonder or delight, at what she is witnessing, adding an innocent and positive dimension to the mystery." }, { "instruction_full": "Generate a medium close-up shot, focusing on an individual member of , similar to how focused on . Feature one of members from and , dressed in formal attire. Their expression should convey deep attention, perhaps awe or thoughtful consideration, looking slightly upwards towards the presentation. The background should be consistent with the dark, ornate room from , , , , , but softly out of focus to keep the emphasis on the character. The narrative purpose is to show the individual impact of the presentation on one of the formal attendees, highlighting their intellectual or emotional engagement.", "think_full": "This shot returns to the ornate room of the presentation, as seen in , , , , . The dark, rich aesthetic and subtle background details establish continuity, though the background is soft-focused to emphasize the character. An individual member of (first seen as a group in , then ) is now singled out. Their expression is one of rapt attention, demonstrating a profound reaction to the events presented, likely influenced by the visual in . The `shot_outline` for specifies \"Focuses on one specific member of , capturing their deep concentration or awe.\" This shot serves to show the individual, rather than collective, impact of the presentation, conveying the gravity and intellectual depth of the audience's engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates focuses on one specific member of . This requires a close-up or medium close-up, similar to how focused on . Show an individual from (introduced in and seen in ). The setting should be the ornate presentation room, consistent with previous shots of the audience. The user intent is to emphasize the profound impact of the presentation on an individual audience member, conveying their serious and thoughtful engagement." }, { "instruction_full": "Generate a tight close-up shot of 's face, even tighter than , capturing his eyes and immediate expression. Feature from , , , now with an intense, perhaps slightly worried or determined expression, directly engaging with the viewer or looking intently at something unseen. The background should be very softly blurred, hinting at the ornate room from and the device from and , but entirely focusing on 's face. The dark, dramatic lighting remains consistent. The dramatic purpose is to provide a final, impactful look at , leaving the viewer with a sense of his resolve, concern, or the mystery surrounding his work.", "think_full": "The background hints at the ornate room and the scientific device from , , and , but it is heavily de-emphasized to draw full attention to 's face. The dramatic lighting is consistent with the overall mood of the presentation. from , , and is brought back into focus. His expression in this tight close-up is paramount, conveying a heightened state of emotion – perhaps concern, determination, or a hint of trouble, bringing a more intense conclusion to his sequence of shots. The `shot_outline` for specifies \"A tight close-up of 's face, revealing a mix of determination and apprehension as he concludes or makes a point.\" This final shot of intends to encapsulate the emotional core of his role, leaving the audience with his profound reaction to the presentation's outcome or implications.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates is a tight close-up of 's face. This is the closest shot of him yet, emphasizing his expression. Focus exclusively on from , , . The background should be the ornate room from , but extremely blurred to make his face the sole point of interest. The user intent is to give a powerful, final impression of 's emotional state, underscoring the gravity or potential consequences of his discovery or presentation." } ], "_src_movie_dir": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv", "_src_filename": "014178_015069.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/014178_015069.json", "_test_index": 349 }, { "movie": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93062.jpg-The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93806.jpg", "images": [ { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93062.jpg", "filename": "93062.jpg", "aesthetic": 5.949344158172607, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93169.jpg", "filename": "93169.jpg", "aesthetic": 4.9126667976379395, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93262.jpg", "filename": "93262.jpg", "aesthetic": 5.270949840545654, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93347.jpg", "filename": "93347.jpg", "aesthetic": 5.148352146148682, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93412.jpg", "filename": "93412.jpg", "aesthetic": 6.35178804397583, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93419.jpg", "filename": "93419.jpg", "aesthetic": 6.802600860595703, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93534.jpg", "filename": "93534.jpg", "aesthetic": 5.387528896331787, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93616.jpg", "filename": "93616.jpg", "aesthetic": 4.8365278244018555, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93672.jpg", "filename": "93672.jpg", "aesthetic": 5.732039928436279, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/93806.jpg", "filename": "93806.jpg", "aesthetic": 5.357476711273193, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A family is on a tense road trip through a vast, rural landscape. The mood is anxious, suggesting they are either fleeing from something or facing a significant, looming challenge. The sequence focuses on the individual and collective expressions of stress and concern among the family members.", "characters": [ "", "", "", "" ], "shot_outline": " focuses on 's anxious reaction from the back seat. widens to show driving with reacting behind him, implying an interaction. isolates 's worried expression in the front passenger seat. returns to 's concern, now looking intently towards the passenger side. introduces , quietly observing from his car seat. returns to , focused but with a subtle tension. shifts back to , maintaining her distressed state. shows again, weary and potentially interacting with ." }, "instruction_full": "Shift the camera to a medium close-up, focusing on in the back seat directly behind , showing her with a worried and slightly distressed expression. The shot should maintain the same car interior and the bright, sunny rural background visible through the windows, as established in , to convey her anxiety within the ongoing journey.", "think_full": "The narrative requires introducing another family member and immediately conveying her emotional state. We maintain the visual continuity of the car interior and the rural landscape from to reinforce the shared experience and ongoing journey. is a newly introduced character, whose distressed expression, with slightly parted lips and wide eyes, immediately establishes her as affected by the situation that already weighs on and in . This shot serves to expand the emotional scope of the family's stress.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt, the story setup is a tense family road trip. showed and looking concerned. The shot outline for is to focus on 's anxious reaction. Therefore, the next shot should be a medium close-up of in the car, showing her worried expression, maintaining the car interior and rural background from . This introduces her distress as part of the unfolding tension." }, { "instruction_full": "Transition the camera to a medium shot from the rear seat, looking forward, showcasing in the driver's seat in profile and in the seat directly behind him, with her mouth open in a surprised or alarmed expression. The vehicle interior and the bright rural landscape, consistent with and , should frame their implied interaction within the continuing journey.", "think_full": "The narrative needs to establish a dynamic between the primary characters. By including both (seen in ) and (seen in ) in the frame, we can imply interaction or shared reaction to an external event or internal dialogue. The car interior and exterior environment from and are kept consistent, grounding the shot in the continuous scene. is positioned as the active driver, while 's visibly alarmed expression (a progression from her worry in ) suggests a heightened moment of tension, furthering the story's anxious tone.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt indicates a tense family journey, and the shot outline for is to show driving with reacting in the background, implying interaction. Having previously seen in and in , the next logical step is to combine them. The shot should be a medium shot inside the car, showing driving and reacting behind him, maintaining the car environment from and to emphasize their connection and the shared, tense situation." }, { "instruction_full": "Change the camera to a medium close-up, focusing on in the front passenger seat, showing her distressed expression with a hand to her forehead. The camera should be positioned to show a sliver of 's hair on the right, maintaining the car interior and the rural background from (and all prior shots).", "think_full": "To ensure all key characters' emotional states are highlighted, we now focus on . Her distressed expression, with her hand pressing against her forehead, clearly communicates worry, echoing the general tension established in and the anxiety shown by in and . The car interior and exterior from , , and are consistently maintained to keep the sense of an ongoing journey. The subtle inclusion of 's hair creates a soft link back to the previous shot and suggests proximity within the confined space.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt outlines a tense family journey, and 's purpose is to isolate 's worried expression. Following the focus on and in , , and , it is essential to show 's individual emotional state. The shot should be a close-up of in the car, similar to previous character close-ups, maintaining the established car setting from , , and ." }, { "instruction_full": "Return to a medium close-up of , framed similarly to , but with her now looking intently towards the passenger side with a worried expression. The car interior and the sunny rural landscape from (and all prior shots) should be maintained to ensure continuity of the journey and environment.", "think_full": "After focusing on in , returning to (last seen prominently in ) provides continuity and reinforces the pervasive nature of the family's concern. Her worried expression is consistent with and , but her gaze shifted towards the passenger side suggests she might be reacting to 's distress seen in or another element off-screen in that direction. The car interior and exterior environment from through are consistently maintained, emphasizing the continuous and inescapable nature of their situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for is to re-establish 's concern, looking toward the passenger side. After highlighting 's distress in , revisiting reinforces the shared anxiety and potentially her reaction to . The shot should be a close-up, similar to , of in the car, with her face turned towards the passenger side, consistent with the car interior and exterior from through ." }, { "instruction_full": "Introduce a new character, , in a tight close-up, showing him quietly observing from his car seat with a finger near his lips, implying innocence or silent contemplation amidst the tension. The camera should be positioned in the back seat, maintaining the car interior lighting from and previous shots.", "think_full": "The narrative calls for the introduction of to complete the family unit and show the impact of the tension on the youngest member. is a newly introduced character, and his gesture of a finger to his lips suggests a child's quiet observation of the palpable adult stress around him, without fully comprehending it. The shot remains within the car interior, maintaining the consistent natural lighting observed from through , reinforcing the continuous environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for is to introduce , observing quietly. Given the established tension among , , and in through , introducing the youngest family member highlights the widespread impact of their situation. The shot should be a tight close-up of in his car seat, maintaining the car environment from previous shots." }, { "instruction_full": "Shift back to a medium close-up of driving, similar in framing to but with the camera slightly more to the passenger side, showcasing his face in a determined yet tense profile as he looks forward. The car interior and the sunny rural landscape from (and all previous shots) should be consistently maintained.", "think_full": "After the brief focus on in , the narrative requires re-establishing 's central role and his continued engagement with the stressful journey. returns from and , maintaining his focused and serious expression as the driver. The shot reuses the car interior and rural landscape from through , grounding the scene in the ongoing journey. This framing emphasizes his responsibility and the unwavering tension he carries.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for is to return to , focused but tense. After the introduction of in , it's important to bring the focus back to as the one navigating the situation. The shot should be a medium close-up of driving the car, similar to but with a slightly different angle, maintaining the established car interior and rural exterior from through ." }, { "instruction_full": "Return to a medium close-up of , framed similarly to , with her looking off-screen to the right and displaying a worried expression. The car interior and rural background from (and all prior shots) should be consistently depicted, maintaining the intense blue sky and bright sunlight.", "think_full": "The narrative dictates maintaining the sense of pervasive tension and showing the sustained emotional impact on individual family members. reappears (last seen in ), her worried expression and gaze to the right consistently reflecting her anxiety. The car interior and the bright rural exterior, consistent from through , reinforce the unbroken nature of their journey and the persistent source of their distress. This shot serves to reiterate her emotional state in the continuing anxious atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for is to return to , maintaining her distressed state. Following the re-focus on in , it's important to show the ongoing impact on , underscoring the continuous nature of the family's stress. The shot should be a close-up of in the car, similar to , preserving the established car environment from through ." }, { "instruction_full": "Frame in a medium close-up from the rear seat, showing her with her hand on her head, looking downwards, appearing weary or resigned. The shot should include a part of 's shoulder in the foreground on the right, connecting her visually to him. The car interior and rural landscape from (and previous shots) are sustained.", "think_full": "This shot is designed to deepen the portrayal of 's emotional state and to subtly reinforce the connection between the parents. returns (last seen in ), her hand-to-head gesture consistent with prior worry but now coupled with a downward gaze, indicating deepened weariness or resignation. The inclusion of 's shoulder, last seen clearly in , establishes their proximity and shared experience in the front of the car. The car interior and the sunny rural landscape from through remain consistent, emphasizing the continuous, confined journey and the sustained emotional toll.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for is to show in a similar distressed pose, possibly interacting with . After cycling through various family members, returning to to show her continued distress, with a subtle visual link to (seen in , , ), helps emphasize the collective nature of their predicament. The shot should be a close-up of in the car, similar to , with a portion of visible, consistent with the car environment established from through ." }, { "instruction_full": "Shift the camera to a wide shot of in the driver's seat and in the back seat, now with her mouth open in a distressed yell or exclamation, while maintains his forward focus. The car interior and the rural landscape from (and all previous shots) should be consistent.", "think_full": "This shot aims to escalate the tension, showing a direct, urgent reaction from to an implied event or conversation, while juxtaposing it with 's continued, grim focus. We return to the dynamic of (from ) and (from ). 's expression is now one of intense alarm, a heightened version of her reaction in . The car interior and rural setting remain consistent from through , emphasizing the continuous journey and the confined space where this escalating drama unfolds. This wide shot allows us to see their physical relationship and separate reactions simultaneously, building a climax of sorts.", "instruction_minimal": "generate the next shot", "think_minimal": "The story outline implies a progression of tension. The final image needs to reflect a peak of drama or interaction. Given the previous turns focused on individual family members' distress ( to ), a shot combining and in a moment of heightened reaction would logically fit. The shot should be a medium shot inside the car, showing driving and in the background with a strong emotional reaction, maintaining the car environment from through . This emphasizes their connection and the climax of the tense situation." } ], "_src_movie_dir": "The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "093062_093806.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Messengers.2007.2160p.BluRay.x264.DTS-FGT.mkv/093062_093806.json", "_test_index": 362 }, { "movie": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv", "N": 10, "sample_id": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/199678.jpg-Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200984.jpg", "images": [ { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/199678.jpg", "filename": "199678.jpg", "aesthetic": 7.2643890380859375, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/199872.jpg", "filename": "199872.jpg", "aesthetic": 5.191662788391113, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/199988.jpg", "filename": "199988.jpg", "aesthetic": 7.628568172454834, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200178.jpg", "filename": "200178.jpg", "aesthetic": 5.82558536529541, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200188.jpg", "filename": "200188.jpg", "aesthetic": 5.619795799255371, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200503.jpg", "filename": "200503.jpg", "aesthetic": 7.587812423706055, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200550.jpg", "filename": "200550.jpg", "aesthetic": 7.696994304656982, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200606.jpg", "filename": "200606.jpg", "aesthetic": 6.265773296356201, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200803.jpg", "filename": "200803.jpg", "aesthetic": 7.11155891418457, "musiq": 0.0 }, { "tag": "", "rel_path": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/200984.jpg", "filename": "200984.jpg", "aesthetic": 7.68135404586792, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A narrative centered around a significant public event where a formal address is given and a key individual navigates the attention. The tone suggests gravity, anticipation, and eventual emotional release.", "characters": [ "", "", "", "", "" ], "shot_outline": " shows walking through the grand hallway to establish his presence and the environment. introduces giving a public address, shifting the scene to a formal event. cuts back to and a new character, , waiting by a door, showing their poised anticipation. provides a wide shot of the formal event space, showing the full audience and media, establishing the context. depicts making an entrance, walking through the audience who are applauding. is a close-up on , capturing his resolute expression as he processes the attention. reveals in the audience, offering a reassuring smile and applause. shows on stage, shaking hands with another official, signifying a formal exchange or acceptance. ends with a close-up of 's emotional reaction, reflecting the culmination of the event." }, "instruction_full": "Pull back from the close-up of to a wider shot, framing from the waist up as he walks through the grand, pillared hallway. He maintains a serious, contemplative expression. This shot continues the formal setting seen in , establishing his movement within the space, with the user intent to establish his presence and the scale of his environment.", "think_full": "The camera pulls back from the medium close-up of to capture more of 's figure and the environment, as indicated by the global_prompt.shot_outline for . , identified from , remains the focal point, continuing his serious demeanor. The grand, pillared hallway with ambient lighting from is maintained, showing continuity of the formal setting. The narrative intent is to transition from his internal contemplation to his physical movement within this significant architectural space, setting the stage for the unfolding events.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, should show \" walking through the grand hallway to establish his presence and the environment.\" Therefore, a wider shot than is needed. is seen walking, still in his formal attire from . The setting, the grand hallway with pillars and arched doorways, is clearly carried over from . The user intent is to expand on 's role and location within the narrative." }, { "instruction_full": "Cut to a new, medium shot, introducing standing at a podium. is a distinguished-looking man in a suit, speaking into multiple microphones, indicating a public address. This takes place in a formal auditorium or hall, distinct from the hallway of and , suggesting a shift to the event itself. The user intent is to introduce the central event and the figure leading it.", "think_full": "This shot introduces a completely new environment and a new character, \"\", as dictated by the global_prompt.shot_outline for : \"introduces giving a public address, shifting the scene to a formal event.\" The formal auditorium setting with a podium and microphones is new, visually disconnected from the grand hallway seen in and . The character, , is also newly introduced. The narrative purpose is to shift focus to the public event, raising the stakes and providing context for 's journey. No visual elements from or are carried over for this scene's environment or character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: \"introduces giving a public address, shifting the scene to a formal event.\" This requires a new setting, likely an auditorium or conference hall, with a podium and microphones to signify a public speech. It also introduces a new character, , actively addressing an audience. This shot provides a narrative shift from 's internal state and journey in and to the external event he is presumably attending or involved with." }, { "instruction_full": "Return to the formal environment of and , capturing and a newly introduced character, , in a medium shot. They stand together in a corridor near a heavy wooden door, both looking composed and serious. retains his formal attire from and . The user intent is to show poised for entry, perhaps observing the events hinted at in , with an added layer of security or support.", "think_full": "This shot brings the focus back to from and , fulfilling the global_prompt.shot_outline for : \"cuts back to and a new character, , waiting by a door, showing their poised anticipation.\" We return to an architectural style consistent with the grand hallway of and , featuring formal wooden paneling and doors, maintaining a sense of a prestigious institution. is visually consistent with his prior appearances. A new character, \"\", is introduced, standing alert beside him. The narrative intent is to show 's readiness to engage with the public event, now with a visible support or protective presence.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for dictates: \"cuts back to and a new character, , waiting by a door, showing their poised anticipation.\" This means we revert to showing (from , ) and introduce a new character, . The setting should be a formal interior, consistent with the institutional feel of and , likely a corridor or waiting area with prominent wooden elements and doors. The shot's purpose is to show them waiting, building anticipation for their next move in relation to the event shown in ." }, { "instruction_full": "Shift to a wide shot of a formal, wood-paneled room, showing a large audience seated, observing an event. The room includes architectural details like bookshelves and pillars, similar in gravitas to the settings in , , and . Various members of the media with cameras are visible. The user intent is to establish the full scope and context of the public event, showing the large attendance and media scrutiny.", "think_full": "This shot directly follows the global_prompt.shot_outline for : \"provides a wide shot of the formal event space, showing the full audience and media, establishing the context.\" The environment expands to show the full scale of the formal room, characterized by wood paneling and bookshelves, which aligns with the institutional aesthetic seen in , , and . While the specific room is new compared to 's direct focus on the speaker, it fits within the broader architectural style. The shot introduces a diverse group of audience members and media personnel as new, background characters, without directly re-introducing , , or in the foreground. The narrative purpose is to provide an overview of the event's scale and public nature.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies: \"provides a wide shot of the formal event space, showing the full audience and media, establishing the context.\" This necessitates a broad view of a large, formal room, filled with people, and equipment associated with media coverage. The setting should be grand and official, consistent with the earlier shots in , , , suggesting a continuity of location type (e.g., government building, library hall). The shot's purpose is to give the audience a full sense of the scale and importance of the public event." }, { "instruction_full": "Maintain a wide shot within the same wood-paneled event room as , but now focus on (from , , ) as he walks confidently through the seated audience. The audience members, some of whom were seen in , are actively applauding, their faces showing respect or anticipation. The user intent is to show 's entrance and the positive reception he receives.", "think_full": "This shot continues in the same environment, the formal wood-paneled event room from , capturing the audience who were also seen in . The global_prompt.shot_outline for states: \"depicts making an entrance, walking through the audience who are applauding.\" , previously seen in , , and , now becomes the central figure in this wider shot, actively moving through the space. The clapping audience visually reinforces his positive reception. The narrative purpose is to highlight his formal entrance into the event and the immediate positive public reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt.shot_outline for , it should depict \" making an entrance, walking through the audience who are applauding.\" This means taking the setting from (the formal room with audience) and re-introducing (from , , ) as he walks through it. The audience should be shown actively applauding. This shot signifies a key moment of arrival and public acknowledgment for ." }, { "instruction_full": "Cut to a medium close-up of (from , , , ), maintaining his serious, resolute expression. He is positioned against a background of the same formal wood paneling seen throughout the institutional settings (e.g., , , ). The user intent is to emphasize his determined state and allow the audience to connect with his internal resolve amidst the public attention.", "think_full": "This shot focuses tightly on , who has been a recurring character since and was just seen making his entrance in . The global_prompt.shot_outline for states: \"is a close-up on , capturing his resolute expression as he processes the attention.\" The camera returns to a closer framing reminiscent of , emphasizing his expression. The background features the consistent wood paneling of the formal event space (seen in , , ), maintaining spatial continuity of the setting. The narrative purpose is to allow for an intimate look at his emotional state—resolute yet perhaps burdened by the attention—following his entrance.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates: \"is a close-up on , capturing his resolute expression as he processes the attention.\" This requires a tight shot of (from , , , ), similar to , to highlight his face and expression. The background should be consistent with the formal, wood-paneled interior of the event (as seen in , , ). The shot serves to provide an emotional beat, showing his internal reaction to the public event he has just entered." }, { "instruction_full": "Transition to a medium shot focusing on , a newly introduced character, seated in the audience. She is applauding with a gentle, encouraging smile. The shot is over 's shoulder, who is seen in soft focus in the foreground, creating a visual link back to him (from ). The background features other audience members also applauding, continuing the scene from . The user intent is to show a moment of positive support and personal connection for amidst the crowd.", "think_full": "This shot introduces a new character, \"\", as specified in the global_prompt.shot_outline for : \"reveals in the audience, offering a reassuring smile and applause.\" While the specific individual is new, she is part of the larger audience first established in and seen applauding in . The shot is framed from over 's shoulder, using his back (from , perhaps implying his position in the room) as a foreground element, creating a subjective perspective or a direct link to his recent presence. This emphasizes the personal nature of her support. The background continues the scene of the formal event from and with other audience members. The narrative purpose is to provide a brief, warm counterpoint to 's more stoic expression in , highlighting emotional connection and support.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: \"reveals in the audience, offering a reassuring smile and applause.\" This means introducing a new character, , within the context of the audience (seen in , ). She should be shown clapping and smiling. A good way to link this to (from ) would be to frame it as an over-the-shoulder shot from his perspective or showing his back in the foreground. This provides a moment of positive emotional feedback within the large event setting." }, { "instruction_full": "Shift to a medium-wide shot of (from , , , , ) shaking hands with , a newly introduced character, near the podium first seen in . The background still shows the audience (from , , ) in the formal wood-paneled room. Microphones are visible on the podium (from ), signifying the formal nature of the interaction. The user intent is to show the formal culmination of 's participation in the event.", "think_full": "This shot directly addresses the global_prompt.shot_outline for : \"shows on stage, shaking hands with another official, signifying a formal exchange or acceptance.\" (from , , , , ) is now actively engaged with a new character, \"\". The setting is the front of the event room, near the podium (initially introduced in ), with the audience (from , , ) still visible in the background. The act of shaking hands formalizes his role or acceptance within the event. This shot advances the narrative to a point of achievement or formal acknowledgment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies: \"shows on stage, shaking hands with another official, signifying a formal exchange or acceptance.\" This requires (from , , , , ) to be near the podium (from ) and interacting with a new character, , via a handshake. The audience (from , , ) should still be present in the background. This marks a significant moment of formal acknowledgment or agreement within the event." }, { "instruction_full": "Return to a tight close-up of (from , , , , , ), capturing a raw, emotional expression, perhaps tears in his eyes or a trembling lip, suggesting deep emotion or relief. The background remains the blurry, formal setting of the event hall (seen in , , , ), possibly with blurred figures of the balcony audience from 's background. The user intent is to provide a powerful emotional conclusion to his journey through the event.", "think_full": "This final shot follows the global_prompt.shot_outline for : \"ends with a close-up of 's emotional reaction, reflecting the culmination of the event.\" It is a tight close-up of (who has been central since , last seen in ), returning to a framing similar to but with a heightened emotional state. The background is the blurry, formal setting of the event hall, consistent with the various interior shots (, , , ), potentially drawing from the balcony structure seen in 's background. The narrative purpose is to deliver an impactful emotional conclusion to the character's arc throughout the public event.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for explicitly states: \"ends with a close-up of 's emotional reaction, reflecting the culmination of the event.\" This requires a very tight close-up on (from , , , , , ), focusing on his face to convey strong emotion, marking the story's climax or resolution. The background should be the blurred, formal interior of the event, consistent with previous shots like , , , , emphasizing that this is the final emotional beat within that significant setting." } ], "_src_movie_dir": "Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv", "_src_filename": "199678_200984.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Blood.Diamond.2006.2160p.NF.WEB-DL.DDP5.1.H.264-TURG.mkv/199678_200984.json", "_test_index": 364 }, { "movie": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv", "N": 10, "sample_id": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/63887.jpg-American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/65281.jpg", "images": [ { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/63887.jpg", "filename": "63887.jpg", "aesthetic": 6.136443138122559, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/63989.jpg", "filename": "63989.jpg", "aesthetic": 6.5486345291137695, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/64055.jpg", "filename": "64055.jpg", "aesthetic": 5.912980079650879, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/64253.jpg", "filename": "64253.jpg", "aesthetic": 5.747709274291992, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/64322.jpg", "filename": "64322.jpg", "aesthetic": 6.506115913391113, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/64618.jpg", "filename": "64618.jpg", "aesthetic": 6.016392707824707, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/64873.jpg", "filename": "64873.jpg", "aesthetic": 6.963382720947266, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/65137.jpg", "filename": "65137.jpg", "aesthetic": 6.1975531578063965, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/65260.jpg", "filename": "65260.jpg", "aesthetic": 6.029288291931152, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/65281.jpg", "filename": "65281.jpg", "aesthetic": 6.035942554473877, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A high-stakes, potentially illicit, business discussion or negotiation is unfolding between three individuals with distinct roles. The setting is a stylish, sun-drenched apartment, suggesting a casual yet tense environment for serious deals. The tone is sharp, with underlying tension and power dynamics.", "characters": [ "", "", "" ], "shot_outline": " introduces in a slightly off-kilter close-up, setting a tone of confident eccentricity. introduces , revealing her calm yet commanding presence. establishes the full dynamic between all three characters within the apartment, showing their initial positions. returns to a close-up of during a key moment of the discussion, emphasizing his reaction. cuts to 's direct gaze, showing his focused attention. captures making a forceful point with a direct gesture. shows 's reaction, possibly a moment of consideration or slight surprise. focuses again on , perhaps reflecting on the outcome of his statement. concludes the sequence with 's response, suggesting his acceptance or next move." }, "instruction_full": "Shift to a medium close-up, a slight reverse shot from . Introduce a new character, , wearing a striped shirt, vest, and tie, with a beard and sunglasses, looking directly at the camera with a slightly questioning or confident expression. The setting is a bright, warm interior, possibly the same apartment as but from a different angle, revealing more of the living space with light walls and subtle decor. The user intent is to introduce a key new player in the negotiation and establish his distinct, somewhat eccentric, and confident personality.", "think_full": "We move to a different part of the same bright, well-lit apartment established by . The warm lighting and clean aesthetic suggest a consistent environment. This shot introduces a new character, , who has not appeared in . He is clearly a distinct individual from seen in . The purpose is to immediately bring a second central figure into the scene, showing his presence and strong personality. By using a medium close-up, it mirrors the framing of to maintain visual parity between the key players initially.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt indicates we are introducing new characters and developing a business negotiation. showed in a mid-shot within an apartment setting. The shot_outline for specifies introducing . To advance the story and introduce this new character, the next shot should present to the audience. A medium close-up, similar to the framing of , would provide a good introduction, maintaining focus on character. He should be in the same general environment (the apartment) to suggest continuity of setting. This shot would serve to establish his look, expression, and personality, setting up the dynamic between him and for future shots." }, { "instruction_full": "Shift the camera to another medium close-up, continuing the pattern of introducing key players. Introduce a new character, , positioned in a stylish, light-filled kitchen or bar area within the same apartment setting from and . She is wearing a chic outfit with a noticeable gold necklace, looking towards the camera with a slightly open mouth as if speaking or reacting. The background should feature tasteful and slightly retro kitchen/bar elements, suggesting a curated lifestyle. The user intent is to bring the third central character into the visual narrative, highlighting her sophistication and active participation in the unfolding discussion.", "think_full": "We continue in the same apartment environment established in and . The bright, warm lighting and modern-retro interior design elements (like the window in and the wall texture in ) are maintained, but we reveal a new section of the space, possibly a kitchen or bar area, adding to the sense of a luxurious and lived-in setting for these clandestine discussions. This shot introduces the third and final key character, , who has not appeared in or . She is dressed to convey sophistication and confidence, distinguishing her from the previous two characters. The purpose is to complete the introduction of the primary cast before the full scene is revealed. By giving her a similar medium close-up framing to and , it establishes her as an equally important participant. Her expression suggests she is actively involved in the conversation, ready to contribute or react, as outlined in the shot_outline.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt mentions three main characters and a high-stakes discussion. introduced and introduced . The shot_outline for specifically calls for the introduction of . To logically progress the story and establish all key players before a wider shot, the next image should introduce her in a similar close-up style. She should be placed within the same implied apartment setting, maintaining the established bright and modern-retro aesthetic. This shot would visually complete the roster of active participants, preparing for the full group dynamic." }, { "instruction_full": "Pull back to a wide shot, shifting the camera to reveal the entire apartment setting from , , and , now showing all three characters interacting. from is seated at a modern dining table on the left, looking across. from is seated further down the same table, looking towards who stands on the right, gesturing with an open hand. The large window from provides a bright background, and a white sofa is visible on the far right. The user intent is to establish the full spatial relationship and power dynamics between the three characters within their shared, stylish environment, showing the ongoing discussion.", "think_full": "This shot directly expands upon the environment suggested in , , and . The large window with horizontal blinds seen in now forms the background for much of the scene, clearly identifying this as the same apartment. The bright, warm, and clean interior style is consistent, now revealing more of the layout, including a dining table and a white sofa, which aligns with the upscale apartment vibe. All three primary characters, (from ), (from ), and (from ), are now present together. is shown seated as she was hinted to be in , and maintains his composed demeanor from . is active and gesturing, reflecting the confidence introduced in . As per the shot_outline, the primary goal is to shift from character introductions to establishing the full scene and the interactions. This wide shot clearly defines their positions relative to each other, highlighting who is seated, who is standing, and who is facing whom, immediately conveying power dynamics and the interactive nature of their meeting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes a high-stakes discussion between three characters. , , and have introduced these three characters individually. The shot_outline for indicates that it should \"establish the full dynamic between all three characters within the apartment\". Therefore, the logical next step is to move to a wider shot that encompasses all three characters within the apartment setting, showing their physical arrangement and implying their interaction. This shot needs to visually confirm they are in the same overall space, bringing together the individual close-ups into a coherent scene." }, { "instruction_full": "Return to a medium close-up, focusing tightly on (last seen in , previously in ). The camera reuses a similar framing and perspective to . He is still wearing his striped shirt, vest, and sunglasses, looking intently forward with a slightly open mouth, as if making a direct statement or reacting strongly. The background remains the bright, warm apartment interior from , with hints of the wall textures from . The user intent is to emphasize his specific reaction or a crucial point he is making during the discussion, highlighting his active role and confident demeanor.", "think_full": "We are maintaining continuity within the same bright apartment environment established in . The background elements, although blurred, are consistent with the walls and ambient lighting seen in and the broader view of the apartment in . returns, clearly identifiable from and by his distinct attire and sunglasses. His expression and slightly open mouth suggest he is engaged in speech or reacting to something important, continuing his confident and active role in the negotiation as established in and . According to the shot_outline, this shot emphasizes his reaction during a key moment. After the establishing wide shot of , returning to a close-up of intensifies the focus on his words or emotional state, signaling his central role in driving the conversation. Reusing the close-up framing from provides visual rhythm and familiarity.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt sets up a high-stakes discussion. established the full scene with all three characters. The shot_outline for indicates a return to a close-up of to emphasize his reaction during a key moment. Therefore, the next shot should be a tighter framing on , similar to how he was introduced in , to highlight his expression and contribution to the ongoing conversation established in . This brings the focus back to an individual after the group shot, signaling an important beat in the dialogue. The apartment setting should remain consistent." }, { "instruction_full": "Cut to a medium close-up on (last seen in , previously in ), using a similar framing to . He is wearing his light blue shirt and tie, looking directly forward with a focused and serious expression, reacting to the words of from . The background is blurred but shows the bright, warm interior of the apartment, consistent with and . Part of a dark-haired figure, possibly from and , is visible in the extreme foreground on the left, suggesting her continued presence. The user intent is to show his active listening and serious consideration of the conversation, maintaining the visual back-and-forth of the discussion.", "think_full": "The shot remains within the consistent bright, warm apartment setting seen across all previous images, particularly similar to the background ambiance of and . The blurred foreground element suggests continuity with the seating arrangement established in , where was seated adjacent to . reappears, easily identifiable from and by his attire. His focused gaze and serious expression directly reflect his role as an attentive participant, as established in . The implied presence of in the foreground further links this shot to the group dynamic shown in and her introduction in . Following 's statement in , this shot cuts to to show his direct reaction and engagement. This fulfills the shot_outline's goal of showing his \"focused attention,\" creating a visual dialogue through alternating close-ups, intensifying the negotiation's moment-to-moment impact. The framing echoes , returning to his initial portrayal.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt outlines a high-stakes discussion. showed making a point. The shot_outline for specifically calls for a cut to 's direct gaze, showing his focused attention. To maintain the visual rhythm of a conversation and show the other party's reaction, the next shot should be a close-up on , mirroring the framing used for him in . This establishes a direct visual response to the previous shot, keeping the negotiation central. The setting should remain the apartment, consistent with previous frames." }, { "instruction_full": "Cut back to a medium close-up of (seen in , , ), re-using a similar angle and proximity to . He is still wearing his distinct vest and sunglasses, but now he is leaning slightly forward and pointing directly, making a forceful, animated statement. The background features the same warm-toned apartment interior, consistent with and , with blurred details suggesting hallways or another room. The user intent is to highlight a powerful and assertive moment from , escalating the intensity of his argument or proposal.", "think_full": "The scene remains in the warm, modern-retro apartment. The background, though blurred, aligns with the visual style and decor elements glimpsed in previous shots of , such as and , confirming we are still in the same setting. is clearly recognizable from , , and . His animated posture and pointing gesture are an escalation of his confident persona, following his focused look in and reacting to 's attention in . He is actively driving the conversation. The shot_outline dictates this moment as making a \"forceful point with a direct gesture.\" This shot fulfills that by showcasing his assertive body language and direct address, intensifying the negotiation after 's moment of reflection in . It brings the focus back to him with increased energy.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes a high-stakes discussion. showed listening intently. The shot_outline for calls for capturing making a forceful point with a direct gesture. To maintain the back-and-forth of the conversation and show the escalation of his argument, the next shot should return to a close-up of , similar to and , but with more pronounced and dynamic body language (like a pointing gesture) to convey forcefulness. The setting remains the apartment." }, { "instruction_full": "Cut back to a medium close-up of (seen in , , ), maintaining a similar framing to and . He is looking slightly upwards and to the side, his expression one of slight concern, consideration, or perhaps a subtle realization, in direct response to 's forceful gesture in . The background reveals the bright apartment interior with the large window and blinds, consistent with , , and . The user intent is to capture his immediate, nuanced reaction to the assertive statement, deepening the emotional tension of the negotiation.", "think_full": "The shot continues within the bright apartment environment, specifically showing the window and blinds previously visible in , , and , reinforcing the consistent setting. returns, recognizable from , , and . His expression, a blend of concern and thought, is a direct emotional response to the assertive gesture of in , building upon his focused attention from . His gaze slightly off-camera suggests he is processing the information. As per the shot_outline, this shot is meant to show 's reaction. After the aggressive point made in , it is crucial to show the impact on the recipient. His nuanced expression adds to the dramatic tension, showing he's actively processing the implications of the forceful statement, rather than simply accepting it. Reusing the framing from and maintains visual consistency for his character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes an intense discussion. showed making a forceful point. The shot_outline for explicitly requires showing 's reaction, possibly a moment of consideration or slight surprise. Therefore, the next shot must cut back to a close-up of , similar to and , to capture his immediate response to the previous statement. This creates a visual Ping-Pong of action and reaction, deepening the narrative. The setting remains the apartment." }, { "instruction_full": "Cut back to a medium close-up of (seen in , , , ), maintaining a similar framing to and . He is still in his signature attire, but his expression has shifted from forceful to a more contemplative or assessing look, with his head slightly tilted and his gaze off-camera as if considering the impact of his last statement on . The background remains the warm-toned apartment interior from previous shots like and , featuring blurred wall textures and soft lighting. The user intent is to show a moment of pause or assessment from , emphasizing his strategic thinking after making a strong point.", "think_full": "The shot continues within the consistent apartment setting. The background elements are consistent with those seen behind in , , and , maintaining the visual coherence of the environment. is clearly identifiable from previous appearances. His expression here is a direct follow-up to his forceful gesture in and the reaction of in . The shift to a more contemplative look shows his strategic mindset and involvement in the unfolding negotiation. The shot_outline suggests this shot allows to \"reflect on the outcome of his statement.\" This moment of pause, after the aggressive assertion in and the reaction in , is crucial for showing his calculated nature and how he gauges the response of the other parties. It adds a layer of depth to his character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes a complex negotiation. showed 's reaction to a forceful statement. The shot_outline for specifies focusing \"again on , perhaps reflecting on the outcome of his statement.\" To advance the story and show the strategic depth of the character, the next shot should return to a close-up of , similar to , , and , but with an expression that conveys thought or assessment, rather than direct speech or action. This maintains the back-and-forth while adding a beat of internal reflection. The setting remains the apartment." }, { "instruction_full": "Cut back to a tighter medium close-up of (seen in , , , ), maintaining a similar framing to and , but possibly slightly closer. He is looking directly forward again, his expression now more resolved, perhaps a slight, knowing smile or determined look, indicating his final decision or acceptance following the reflective moment of in . The background continues to show the bright apartment interior with the large window and blinds, consistent with , , , and . The user intent is to provide a sense of resolution or a decisive turn in the negotiation, concluding the visual exchange on his action or agreement.", "think_full": "The shot consistently stays within the apartment setting, prominently featuring the window and blinds in the background as seen in all previous shots of , specifically , , , and . reappears, recognizable by his attire and overall look from his previous appearances. His expression in this shot is a direct evolution from his consideration in , and a response to the contemplative moment of in . His resolved or slightly smiling look suggests a conclusion or a new phase in the negotiation, fulfilling the shot_outline's goal of showing his \"response, suggesting his acceptance or next move.\" This shot serves as a visual culmination of the exchange between the two characters. By showing 's final expression of acceptance or decision, it provides a sense of narrative closure for this particular sequence of dialogue, reflecting his agency in the deal. The slightly tighter close-up, while retaining previous framing, subtly intensifies his final moment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes the resolution of a high-stakes discussion. showed in a contemplative state. The shot_outline for indicates that it \"concludes the sequence with 's response, suggesting his acceptance or next move.\" Therefore, the final shot in this sequence should return to a close-up of , similar to his previous shots like , , and , to show his final reaction or decision after the exchange. This brings closure to the visual back-and-forth and provides a sense of progression in the narrative. The apartment setting remains consistent." } ], "_src_movie_dir": "American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv", "_src_filename": "063887_065281.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/American.Hustle.2013.UHD.BluRay.2160p.TrueHD.Atmos.7.1.DV.HEVC.REMUX-FraMeSToR.mkv/063887_065281.json", "_test_index": 365 }, { "movie": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11538.jpg-Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12408.jpg", "images": [ { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11538.jpg", "filename": "11538.jpg", "aesthetic": 5.666995048522949, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11640.jpg", "filename": "11640.jpg", "aesthetic": 6.30319881439209, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11730.jpg", "filename": "11730.jpg", "aesthetic": 5.857741355895996, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11916.jpg", "filename": "11916.jpg", "aesthetic": 4.35150146484375, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/11934.jpg", "filename": "11934.jpg", "aesthetic": 5.092086315155029, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12132.jpg", "filename": "12132.jpg", "aesthetic": 5.609683513641357, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12165.jpg", "filename": "12165.jpg", "aesthetic": 5.733275413513184, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12168.jpg", "filename": "12168.jpg", "aesthetic": 4.876313209533691, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12246.jpg", "filename": "12246.jpg", "aesthetic": 5.902159214019775, "musiq": 0.0 }, { "tag": "", "rel_path": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/12408.jpg", "filename": "12408.jpg", "aesthetic": 5.519691467285156, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence follows a tense, long-distance phone conversation between a man in a car and a woman at home, gradually revealing external pressures impacting the man. The tone is serious and anxious, highlighting the emotional distance and the public scrutiny surrounding one of the callers.", "characters": [ "", "", "", "", "" ], "shot_outline": " cuts to and her family at home, establishing the other end of the call and a contrasting domestic setting. returns to , showing his continued concern during the conversation. introduces external chaos by showing a camera focused on the car, hinting at . provides a wider view, revealing 's arrival at a hotel surrounded by . cuts back to at home, now looking towards the window, suggesting a growing awareness or unease. returns to as he navigates the situation while still on the call. mirrors , with still observing outside, perhaps with heightened apprehension. focuses on 's final moments of the call, emphasizing his decision or emotional state. concludes the conversation from 's perspective, showing her reaction after hanging up." }, "instruction_full": "Cut to a new interior setting, a brightly lit home kitchen/dining area, with a medium shot of standing in the foreground, holding a phone to her ear with a concerned expression. In the background, two other characters, and , are visible at a dining table, engaged in separate activities, to establish the domestic environment and the contrast with 's solitary setting.", "think_full": "The narrative requires showing the other side of the phone conversation, establishing that two individuals in different environments are communicating. established in a dark, confined space. For , a new, well-lit, and domestic setting is needed to provide a visual contrast and show the other participant, . Introducing and in the background helps to immediately convey a family context for , amplifying the separation between her stable home life and 's unknown, dark journey. Her concerned expression will maintain the tense mood established by 's expression in . This shot serves to broaden the world of the story and introduce new characters who are part of the woman's life.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction and the global prompt, the next logical step is to reveal the other party on the phone. showed on the phone in a dark, isolated environment. The 'shot_outline' for specifies showing ' and her family at home, establishing the other end of the call and a contrasting domestic setting.' Therefore, the next shot should be a new environment, a home interior, featuring engaged in the call, likely with family members in the background to emphasize the domestic contrast. Her expression should mirror the tension suggested in , maintaining narrative continuity. This introduces new characters and a new space, essential for the story's dual perspective, and establishes the home setting mentioned in the shot outline." }, { "instruction_full": "Return to the interior of the car, matching the tight framing and dark ambient lighting seen in . Focus on as he continues his phone conversation, maintaining a serious and contemplative expression, further emphasizing his isolation and the ongoing intensity of the call.", "think_full": "To maintain the back-and-forth rhythm of a phone conversation and to continue developing 's emotional state, it's necessary to cut back to him. We should reuse the camera framing and dark, intimate car interior established in to reinforce the sense of his solitary journey and the gravity of the call. His expression should remain concerned, evolving slightly to show deeper thought or reaction to the ongoing conversation. This shot directly follows the narrative thread of the call, as indicated by the 'shot_outline' for which states 'returns to , showing his continued concern during the conversation'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' explicitly states that 'returns to , showing his continued concern during the conversation.' Having established in , returning to from is the natural next step in following the phone call. The setting should be the same dark car interior from , maintaining visual continuity for and his current emotional state, which is one of concern and deep thought, reflecting the ongoing intense conversation." }, { "instruction_full": "Shift to an exterior shot, focusing tightly on a camera lens and the hands of holding it, aimed towards a dark car, partially visible in the blurry background. The setting is nighttime, hinting at an urban environment, to introduce an element of external scrutiny and pressure that will affect .", "think_full": "The 'shot_outline' for indicates that it 'introduces external chaos by showing a camera focused on the car, hinting at .' This means we need to break away from the interior phone call shots of , , and to introduce a new element of conflict. This shot will establish the presence of an external force, in this case, , observing the scene without revealing 's precise location yet. The focus on the camera and hands of newly introduced characters, , immediately conveys the idea of surveillance and public attention, escalating the tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for explicitly states 'introduces external chaos by showing a camera focused on the car, hinting at .' This means moving outside the car and introducing new characters and an element of surveillance. The camera itself should be a central visual, along with hands holding it, framed at night, consistent with the exterior lighting implied by and . This shot is a complete shift in setting and focus, introducing the external pressure building around ." }, { "instruction_full": "Pull back to a wider exterior shot of a black sedan, similar to the one was in during and , parked outside a hotel entrance at night. A crowd of with cameras, some using flash, surrounds the vehicle, while a prominent hotel sign (e.g., 'MARRIOTT') is visible in the background, to fully reveal the public scrutiny facing upon his arrival.", "think_full": "Following the introduction of in , the 'shot_outline' for states it 'provides a wider view, revealing 's arrival at a hotel surrounded by .' This shot needs to expand on the scene set in , providing context to the surveillance. By showing a car similar to the one was in during and , we imply his connection. The wider shot outside a specific hotel with a recognizable sign firmly establishes the new setting and the scale of the public attention. The crowd of , now fully visible, reinforces the external pressure and chaos, justifying the tense atmosphere of the ongoing phone call.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for indicates 'a wider view, revealing 's arrival at a hotel surrounded by .' Building on 's hint of paparazzi, this shot needs to confirm the scale of the event. It should show a car, likely the one was in (as suggested by and ), surrounded by a crowd of at an identifiable location like a hotel. This provides crucial context for the mounting external pressure that is experiencing, linking the earlier phone calls to these public events." }, { "instruction_full": "Cut back to the home interior from , maintaining the bright, domestic setting. Frame from a slightly wider, similar perspective as , but now she is standing near a window, looking out with a thoughtful or concerned expression, still holding the phone to her ear. This shift in her focus suggests she is reacting to or processing information, potentially connecting to the events unfolding with .", "think_full": "To keep the narrative balanced and show the impact of the unfolding events on , we need to cut back to her in her home environment, established in . The 'shot_outline' for explicitly says 'cuts back to at home, now looking towards the window, suggesting a growing awareness or unease.' Her change in posture and gaze towards the outside, while still on the phone, indicates she is internalizing or reacting to something, possibly the events involving shown in and . This reuses the established space and character from but evolves her action and emotional state.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for states 'cuts back to at home, now looking towards the window, suggesting a growing awareness or unease.' This implies returning to the setting and character established in . should be in her home, on the phone, but her posture and gaze should reflect a new awareness or concern, likely directed towards the outside, contrasting with her initial pose in . This continues the dual narrative and builds tension from her perspective, reacting to the implications of the wider events now known from and ." }, { "instruction_full": "Return to the interior of the car, matching the tight framing and dark ambient lighting seen in and . Focus on again, still on his phone call, with a slightly more strained or resolute expression, to reflect the increasing pressure he is under, now clearly established by and .", "think_full": "Following the cut to in , it's time to return to to continue his side of the conversation and show his response to the public attention revealed in and . The 'shot_outline' for says 'returns to as he navigates the situation while still on the call.' We should reuse the familiar, tight framing and dark car interior from and to emphasize his confinement and the pressure he's feeling. His expression should reflect the strain of managing the situation and the ongoing call, showing a slight escalation of his emotional state from .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for dictates 'returns to as he navigates the situation while still on the call.' This requires a return to the car setting and established in and . His expression should convey the added pressure and tension from the events shown in and , indicating he is actively dealing with the situation while continuing his phone conversation. The dark, confined space of the car interior remains consistent, reinforcing his isolated struggle." }, { "instruction_full": "Cut back to the home interior from and , maintaining the bright, domestic setting. Frame from the same perspective as , near the window, still looking out with an intensified expression of concern or apprehension, to underscore her anxiety and the lingering impact of the conversation.", "think_full": "To parallel the mounting tension and reinforce the 'shot_outline' for which states 'mirrors , showing still observing outside, perhaps with heightened apprehension', we cut back to in her home. Reusing the camera position and setting from creates a sense of continuity and emphasizes her sustained focus and worry. Her expression should intensify from , reflecting a deeper level of concern, possibly due to what she's heard on the call or what she's observing, without explicitly showing the external trigger. This shot serves to build the emotional stakes from her perspective, reusing the established character and space from and .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for is to 'mirror , showing still observing outside, perhaps with heightened apprehension.' This means returning to in her home from and , in a similar position near the window. Her expression should now be more pronounced in its concern or apprehension, showing an escalation of her internal state as the phone call and external events unfold. This maintains the narrative ping-pong and enhances the emotional tension from her side of the story." }, { "instruction_full": "Return to the interior of the car, with a slightly closer, more intense framing of compared to , , and . His expression should convey a moment of decision or profound emotional weight as he prepares to conclude the call, reflecting the culmination of the surrounding pressures.", "think_full": "The 'shot_outline' for focuses on ''s final moments of the call, emphasizing his decision or emotional state.' This requires returning to him in the car, a setting consistently used in , , and . A slightly closer camera shot than previous views of him in the car will heighten the intensity of this moment, focusing solely on his expression and internal struggle. His face should clearly show the emotional toll or a significant decision being made, reflecting the climax of his phone conversation and the ongoing external pressures revealed in and . This shot brings his part of the dialogue to a visual peak.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for is to 'focuses on 's final moments of the call, emphasizing his decision or emotional state.' This necessitates a return to in his car, as seen in , , and . The framing should be more intimate or intense to highlight his expression, which needs to convey a significant emotional or decision-making point as the conversation nears its end. This shot acts as a concluding beat for his side of the call, drawing on the accumulated tension from earlier shots." }, { "instruction_full": "Cut back to in her home from , , and . Frame her in a medium shot, no longer holding the phone to her ear, but now holding it down and looking thoughtful, sad, or resigned, directly facing the camera. This shot captures her immediate reaction and the emotional aftermath of the phone call.", "think_full": "The 'shot_outline' for states 'concludes the conversation from 's perspective, showing her reaction after hanging up.' This requires a final return to in her home environment, established in , , and . Her action of lowering the phone clearly indicates the end of the call, creating a sense of closure to the main narrative arc. Her expression should be one of thoughtful reflection, sadness, or resignation, directly showcasing the emotional impact of the conversation on her. This shot provides a final emotional beat from her perspective, reusing her character and setting from previous turns while advancing her state to a post-conversation reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'shot_outline' for is to 'concludes the conversation from 's perspective, showing her reaction after hanging up.' This implies a final shot of in her home, the location established in , , and . She should no longer be on the phone, but rather reacting to the just-ended call, with an expression that conveys the emotional impact of the conversation. This provides a narrative resolution for her character and concludes the multi-location phone call story arc." } ], "_src_movie_dir": "Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "011538_012408.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Sully.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/011538_012408.json", "_test_index": 370 }, { "movie": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49288.jpg-Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/51875.jpg", "images": [ { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49288.jpg", "filename": "49288.jpg", "aesthetic": 5.585422515869141, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49750.jpg", "filename": "49750.jpg", "aesthetic": 5.9576334953308105, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/49919.jpg", "filename": "49919.jpg", "aesthetic": 5.461845397949219, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50091.jpg", "filename": "50091.jpg", "aesthetic": 6.278790473937988, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50341.jpg", "filename": "50341.jpg", "aesthetic": 5.421896934509277, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/50556.jpg", "filename": "50556.jpg", "aesthetic": 5.821139335632324, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/51019.jpg", "filename": "51019.jpg", "aesthetic": 5.691368103027344, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/51147.jpg", "filename": "51147.jpg", "aesthetic": 5.783652305603027, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/51622.jpg", "filename": "51622.jpg", "aesthetic": 5.656991958618164, "musiq": 0.0 }, { "tag": "", "rel_path": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/51875.jpg", "filename": "51875.jpg", "aesthetic": 6.506446838378906, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative centers on a grieving widow grappling with immense personal loss while navigating public duties and the care of her young children. The tone is somber and reflective, highlighting her resilience amidst profound sadness and responsibility.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " introduces engaging in a serious conversation with . captures 's reaction during this discussion. returns to 's perspective. focuses again on , highlighting her continued emotional state. widens the scene, showing both and in a grand, busy room, revealing more of her world. re-centers on and introduces as a supportive presence. shifts to a new domestic setting, introducing , , and in a playroom, with and observing. provides a closer look at and in the playroom. concludes with a close-up of , reflecting on her circumstances, especially after seeing her children." }, "instruction_full": "Cut to a medium close-up of a new character, , a middle-aged man in a suit and glasses, with a serious and slightly concerned expression as he looks towards the camera, implying he's addressing . The setting remains the same subdued, formal indoor environment suggested by , but now highlights framed artworks and a partially open door in the background, maintaining a muted color palette, to introduce a new character who is interacting with and to emphasize the gravity of their implied serious conversation.", "think_full": "The shot transitions from the internal reflection of in to an external interaction. The spatial continuity is maintained by keeping the formal, subtly lit indoor environment established in , with the background elements (framed artworks, door) expanding on the setting's characteristics. A new character, , is introduced to signal the beginning of a conversation, contrasting with 's introspective state in . His serious expression fits the somber mood. This introduces an active element to the narrative, shifting from observation to interaction and implying an important discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to introduce speaking to . Therefore, the next shot should be a medium close-up of this new character, a formally dressed man, showing a serious, concerned expression as he addresses someone off-camera (implicitly ). The environment should be consistent with the formal interior from , continuing the subdued lighting and formal decor. The user intent is to initiate an important conversation and reveal the seriousness of the situation through this new character's demeanor." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing to but now with her face fully visible, looking intently towards where was positioned in . (as seen in ) should have a somber but attentive expression. Re-establish the interior from , specifically the area with the cabinet, vase, and framed photograph, maintaining the soft, subdued lighting from and , to capture her reaction to 's words, showing her engagement and emotional state during their serious conversation.", "think_full": "This shot creates a classic shot/reverse shot dynamic with , establishing a dialogue. Spatially, we return to the specific part of the room shown in to re-anchor the audience with 's personal context, featuring the cabinet, vase, and framed photograph. The muted lighting from and continues, reinforcing the serious tone. from reappears, now directly showing her reaction to the conversation initiated by in . Her expression should convey the gravity of the discussion and her deep engagement. The narrative intent is to advance the conversation by revealing her emotional response.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the `global_prompt.shot_outline` for states it captures 's reaction during the discussion, and showed speaking, the next shot should logically be of . A medium close-up of from is needed, showing her face and a somber, attentive expression. The setting should revert to the formal interior seen with her in , maintaining visual continuity. The intent is to show her emotional response to the conversation, furthering the emotional narrative." }, { "instruction_full": "Return to the exact same camera setup as , a medium close-up of (as seen in ), maintaining his serious, concerned expression as he actively continues the discussion with off-screen. Replicate the background from with the framed artworks and partially open door, sustaining the subdued lighting and formal interior from , , and , to continue the back-and-forth of the conversation, reiterating 's perspective or argument, emphasizing his role in the serious discussion.", "think_full": "This shot continues the shot/reverse shot pattern, deepening the dialogue between (last seen in ) and (last seen in ). Spatially, we return to the consistent background and lighting from , featuring the framed artworks and partially open door, reinforcing that the conversation is ongoing in the same formal, subdued interior. from reappears, maintaining his consistent serious demeanor. The narrative intent is to advance the conversation by showing his continued input, possibly in response to 's reaction from , driving the plot through verbal exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to 's perspective. After showing 's reaction in , it is narratively appropriate to cut back to to continue the dialogue. Therefore, the shot should reuse the camera setup from , focusing on (from ) with his serious expression. The background should be the same as in , maintaining the formal interior. The purpose is to continue the conversation and emphasize his role in it, furthering the established serious tone." }, { "instruction_full": "Return to a profile medium close-up of , closely matching the framing and angle of , showing her looking off-screen. (as seen in and ) should have a reflective and somber expression, possibly looking down or away slightly, conveying continued internal thought and sadness. Re-establish the specific part of the room from (and ), featuring the cabinet, the silver vase with flowers, and the framed photograph of the young girl. Maintain the soft, subdued lighting from previous shots, to emphasize her enduring emotional state and internal processing of the difficult conversation, drawing a parallel to her initial reflective state in .", "think_full": "This shot concludes the immediate back-and-forth and shifts focus back to 's internal state. Spatially, it explicitly returns to the visual setup of and , featuring the wooden cabinet, vase, and framed photograph. This reiterates the personal context of 's situation and emphasizes her internal world amidst the external conversation from and . The subdued lighting remains consistent. from and reappears, her expression reflecting the ongoing somber mood. By mirroring , it reinforces her deep-seated grief and the personal impact of the situation, making her the emotional anchor.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it focuses on 's continued emotional state. After 's last statement in , the narrative calls for a return to . A medium close-up, specifically her profile as in , is suitable to convey her ongoing introspection and sadness. She (from , ) should maintain a somber, reflective expression. The setting should consistently be the formal interior with specific elements from , reinforcing her personal space and grief. The user intent is to underscore her emotional burden and internal processing of the events." }, { "instruction_full": "Transition to a wider, full shot, moving the camera back to reveal a larger portion of the interior space hinted at from through . Show both (as seen in , , ) and (as seen in , ) standing, facing away from the camera or walking, side-by-side or moving through the room. is dressed in a dark dress, and in his suit. Both appear solemn. Reveal a more expansive, richly decorated, and somewhat disheveled formal room, featuring a fireplace mantel adorned with many framed pictures and busts, large windows with drapes on the right, and various documents and artworks spread on furniture and the floor, suggesting ongoing activity or disruption. The muted, formal lighting should continue from previous shots, to establish the broader context of their surroundings, showing the scale of the environment and suggesting the nature of 's current work or preoccupations amidst her grief.", "think_full": "This shot provides a crucial contextual reveal, breaking from the tight close-ups of the conversation in through . Spatially, it expands the view of the formal interior, which was subtly suggested in earlier shots, now revealing it as a grand room filled with historical artifacts, documents, and artworks. This indicates a significant setting and the nature of 's> responsibilities. The subdued lighting is maintained for atmospheric consistency. Both and are seen together, confirming their interaction and expanding their narrative relationship. The narrative intent is to transition from intense dialogue to a broader view of 's world, hinting at her public duties or personal work amidst her grief.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for describes showing and in a larger room, suggesting a need to broaden the perspective after the close-up conversational shots. A wider, full shot is necessary to reveal the extensive formal interior and the presence of both characters (from , , , , ) within it. The room should be grand and possibly filled with items related to her role, implying her activities. The user intent is to provide environmental context and reveal the scale of her life and responsibilities beyond the immediate conversation." }, { "instruction_full": "Cut to a medium close-up, focusing on (as seen in , , , ) from the front, with a slightly wider angle than previous close-ups. Behind her, introduce a new character, , a woman of similar age, dressed in a dark, formal top, standing slightly out of focus with a watchful or supportive gaze. The background continues to be the formal interior of the grand room seen in , with subtle hints of decorative elements like a chandelier, maintaining the muted lighting, to re-center on 's emotional state while subtly introducing a new supportive presence, , hinting at her personal network.", "think_full": "This shot brings the focus back to after the wide establishing shot of . Spatially, we continue in the grand formal room established in , drawing on its details like the chandelier and ornate wall elements, maintaining the muted and elegant atmosphere. This shot re-establishes 's presence within this significant environment. (from , , , ) is re-centered, allowing a clearer view of her emotional state. A new character, , is introduced behind her, suggesting a supportive or attendant role in 's personal life, thereby expanding the cast and her immediate social context. The narrative intent is to shift from formal interactions to a more intimate focus, introducing a new relationship dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for mentions introducing behind . After the wider shot in showing the formal room, a more personal shot focusing on (from , , , ) with a new character makes sense to advance the human element of the story. A medium close-up of from the front, with (new character) subtly in the background, achieves this. The setting remains the grand formal room from . The user intent is to introduce a new character who is part of 's intimate sphere, emphasizing her support system." }, { "instruction_full": "Transition to a wide shot, shifting to a brand-new, distinct setting: a warm, softly lit children's playroom, contrasting with the formal rooms seen previously. Feature (as seen in , , , , ) and (as seen in ) standing together in the background, observing. In the foreground, introduce two new characters, and , seated at a small table, playing or coloring. Also introduce , a third new character, standing near the children, attending to them. All characters should have serious or attentive expressions. The room should feature child-friendly furniture, toys (like a dollhouse), and pastel colors, to reveal a domestic aspect of 's life, and highlighting her role as a mother amidst her public duties and private grief.", "think_full": "This shot marks a significant narrative and spatial shift. Spatially, a completely new environment—a children's playroom—is introduced, deliberately contrasting with the formal interiors of through . This new setting, with warmer tones and child-centric elements, signifies a shift to 's personal, domestic sphere. There is no visual continuity from previous rooms, as this is a new, distinct setting. (from through ) and (from ) reappear, now observing the scene. Crucially, two new characters, and , are introduced (implicitly linked to the framed photo in ), along with , expanding the character set and revealing a key aspect of 's family life. The narrative intent is to highlight 's maternal role and the personal stakes involved, contrasting her public persona with her private life.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for explicitly mentions establishing a scene with children and , indicating a transition to a domestic setting. This also directly follows the hint of a child from the framed photograph in . A wide shot is necessary to establish this brand-new playroom environment and introduce all the new characters: , , and . (from previous shots) and (from ) should be present, observing. The setting should be distinctively a children's room with soft lighting. The user intent is to reveal the personal, family dimension of 's life." }, { "instruction_full": "Cut to a closer medium close-up, focusing on (introduced in ), positioned prominently in the foreground, seen in profile or three-quarter profile, with a thoughtful or slightly serious expression. (also from ) is visible, slightly out of focus, in the background, continuing to play. The background remains the children's playroom from , showing toys and furniture, maintaining the soft, warm lighting and pastel colors, to highlight the innocence and vulnerability of the children, specifically , and to draw a connection to the framed photograph of the young girl from , emphasizing her as a source of 's grief and motivation.", "think_full": "This shot provides an intimate focus on the children after their wider introduction in . Spatially, we remain in the children's playroom established in , retaining its soft lighting, pastel colors, and child-friendly environment. from is brought into sharper relief, allowing her subtle expression to be seen, while from is visible in the background. The shot implicitly connects to the framed photograph of a young girl from , visually linking the past and present elements of 's life and grief. The narrative intent is to underscore the profound personal impact of the central tragedy on the family, focusing on the vulnerability and innocence of the children, and to reinforce 's motivations.", "instruction_minimal": "generate the next shot", "think_minimal": "After the wide introduction of the playroom and children in , a closer shot on the children is the logical next step. A medium close-up, focusing on (from ) with (from ) in the background, is needed to emphasize their presence and innocence. The setting should remain the children's playroom from to maintain spatial continuity. This shot helps to highlight the emotional impact of the situation on the children and their significance to , connecting to the subtle hint in with the framed photo." }, { "instruction_full": "Cut to a tight close-up on (as seen in , , , , , ), capturing her face directly. 's expression should be solemn and weary, possibly with a hint of sadness or determination, looking slightly downward or inward. The background should softly blur, subtly suggesting the children's playroom from and (perhaps a hint of the dollhouse or colorful elements), maintaining the soft, warm lighting from those shots, to provide a poignant conclusion to this sequence, bringing the emotional focus back to and showing the weight of her responsibilities and grief, especially after witnessing her children.", "think_full": "This shot serves as an emotional culmination, returning the primary focus to (from all previous shots where she appeared). Spatially, the background softly blurs to suggest the children's playroom from and , maintaining the soft, warm lighting. This contextualizes her emotional state within the domestic setting, implying her thoughts are with her children. Her expression, after the interlude with her children, is critical: it should reflect the depth of her grief and the burden of her responsibilities as a mother. The narrative intent is to provide a powerful and poignant conclusion to the sequence, emphasizing her enduring resilience and the personal toll of her circumstances after seeing her children.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a conclusion focusing on 's reflection. After seeing the children in and , it is narratively appropriate to return to (from previous shots) to show her emotional response. A tight close-up is ideal to convey deep emotion. Her expression should be solemn, reflecting grief and responsibility. The background should subtly hint at the playroom from and , maintaining the warm, domestic atmosphere, to show the emotional weight she carries, especially concerning her children. This provides a strong emotional closing to the sequence." } ], "_src_movie_dir": "Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "049288_051875.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Jackie.2016.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/049288_051875.json", "_test_index": 385 }, { "movie": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv", "N": 10, "sample_id": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97088.jpg-Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/98175.jpg", "images": [ { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97088.jpg", "filename": "97088.jpg", "aesthetic": 6.819718360900879, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97359.jpg", "filename": "97359.jpg", "aesthetic": 6.755036354064941, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97419.jpg", "filename": "97419.jpg", "aesthetic": 6.277985572814941, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97609.jpg", "filename": "97609.jpg", "aesthetic": 7.211941242218018, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97697.jpg", "filename": "97697.jpg", "aesthetic": 6.663884162902832, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97706.jpg", "filename": "97706.jpg", "aesthetic": 6.047903060913086, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97788.jpg", "filename": "97788.jpg", "aesthetic": 7.070151329040527, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/97953.jpg", "filename": "97953.jpg", "aesthetic": 7.15679931640625, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/98031.jpg", "filename": "98031.jpg", "aesthetic": 7.151573657989502, "musiq": 0.0 }, { "tag": "", "rel_path": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/98175.jpg", "filename": "98175.jpg", "aesthetic": 5.890272617340088, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene is set in a solemn, grand legislative chamber during the 19th century, where a critical political debate or decision is unfolding. The atmosphere is tense and formal, suggesting high stakes and significant implications for the nation. The narrative focuses on the impassioned delivery of a speaker and the varied reactions of the assembly members.", "characters": [ "", "", "", "" ], "shot_outline": " will be a close-up on , capturing his initial address. will provide a wide shot of the assembly, setting the scene for their reactions. will return to with increased intensity. will show a section of reacting to the speech. will focus on an individual with a specific reaction. will highlight , revealing a dissenting or critical viewpoint. will return to to show his response or continued argument. will feature , conveying thoughtful engagement. will offer a medium shot of another part of , emphasizing collective observation." }, "instruction_full": "Shift the camera from the wide, establishing shot of to a medium close-up, positioning it in front of the central podium or desk. Frame from the waist up, capturing his earnest expression and early gestures as he begins to address the assembly. The background should maintain the serious, wood-paneled, historic legislative chamber setting seen in , with diffused light from the large windows beyond. This shot is to introduce and establish his presence and initial argument.", "think_full": "The narrative begins with presenting his case. Moving from the wide shot of , a medium close-up is necessary to shift focus from the entire chamber to the individual delivering the speech. By framing prominently, we can establish his character and initial demeanor. The setting, the grand legislative chamber from , remains consistent, maintaining the formal and weighty atmosphere. Capturing his earnest expression and early gestures is crucial to convey his initial passion and intent as he begins his address to introduce his argument to the audience.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the \"generate the next shot\" instruction and the global prompt's `shot_outline` stating \" will be a close-up on , capturing his initial address,\" I need to create a shot that focuses on this character. Based on , which shows a wide view of a legislative chamber with a speaker at a central podium, the logical next step is to zoom in on that speaker. The camera should move to a closer perspective, perhaps a medium close-up, to highlight 's face and upper body as he begins his speech. The setting should remain the same legislative chamber established in , ensuring visual continuity. This shot's purpose is to introduce more intimately and begin the narrative arc of his address." }, { "instruction_full": "Return the camera to the wide, high-angle establishing shot used in , capturing the full expanse of the legislative chamber. should be visible at the central podium from behind, as in , with the various tiered rows of filling the space. The solemn, historic atmosphere and diffused lighting from the windows remain consistent. This shot is to re-establish the context of the entire assembly and show the immediate impact or setting for 's words.", "think_full": "After introducing in close-up in , the narrative requires a broader view to show the context of his speech within the assembly. Reverting to the wide, high-angle shot from effectively achieves this, allowing the audience to perceive the scale of the debate and the many present. This also provides a moment to visually reset before potentially delving into more intense reactions or details. The environment of the legislative chamber, including its wood-paneled walls and diffused lighting, continues from and , maintaining the established tone. The shot re-emphasizes the collective audience for 's address.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies \" will provide a wide shot of the assembly, setting the scene for their reactions.\" Following , which was a close-up of , it's narratively appropriate to pull back and show the wider context. This means returning to a similar camera angle and framing as , capturing the entire legislative chamber and the numerous . would be visible at the podium, maintaining continuity of his presence. This allows the audience to understand the scope of the event and the implied audience for 's words, preparing for future reaction shots. The environment remains the same as established in and ." }, { "instruction_full": "From the wide shot of , cut back to a medium close-up of , similar to the framing of , but perhaps slightly tighter or more dynamic. Capture mid-sentence, with an even more intense and urgent expression, his mouth open as if passionately arguing a point. The background should again be the blurred but recognizable legislative chamber from and , with consistent serious lighting. This shot aims to escalate the intensity of 's address and emphasize the urgency of his message.", "think_full": "The `shot_outline` indicates \" will return to with increased intensity.\" Following the wide establishing shot of , a return to is necessary to continue his narrative arc and show the progression of his speech. A medium close-up, evolving from the framing in , allows for a deeper dive into his emotional state. His heightened intensity, with an open mouth and urgent expression, visually signals a critical point in his argument. The consistent legislative chamber environment from , , and grounds the scene, while the tighter focus amplifies the speaker's emotional delivery.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states that \" will return to with increased intensity.\" After the wide shot of , it's logical to re-focus on to continue his speech, especially if the outline implies \"increased intensity.\" This suggests a tighter shot than , or at least one that emphasizes his expression and passion more. A medium close-up, similar to but perhaps with a more pronounced expression, would be appropriate. The setting will remain the same legislative chamber established in , keeping the background consistent but perhaps slightly blurred to keep focus on . This shot advances the narrative by showing the evolving emotional state and critical arguments of ." }, { "instruction_full": "From the intense close-up of in , transition to a medium shot focusing on a section of in the tiered seating, specifically those in the middle-ground to foreground. Show them actively reacting to 's impassioned speech, some clapping, others leaning forward in agreement or contemplation. The camera angle should be slightly low, looking up at them, similar to the general perspective from the floor in , but closer. The wood paneling and diffused light of the legislative chamber from remain the consistent environment. This shot aims to show the immediate positive reception or strong engagement from a segment of the audience, providing a counterpoint to 's delivery.", "think_full": "The `shot_outline` specifies \" will show a section of reacting to the speech.\" After focusing on 's intense delivery in , the narrative naturally calls for a shift to the audience's response. A medium shot of a group of allows for a collective reaction, showing agreement or engagement. The camera angle, moving slightly lower to look up at them, creates a sense of the speaker's perspective or the importance of their reception. The environment, the legislative chamber with its characteristic wood and lighting, is visually continuous from , , , and , reinforcing the setting. This shot serves to show the initial impact of the speech.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` says \" will show a section of reacting to the speech.\" After two close-ups on (, ) and a wide shot of the chamber (), it's time to see how the audience is receiving the message. A medium shot of a group of would effectively show their collective reaction – perhaps nodding, murmuring, or even beginning to applaud, indicating approval or engagement. The setting is still the legislative chamber from , maintaining continuity. This shot provides context for the impact of 's words." }, { "instruction_full": "Transition from the group reaction in to a close-up on an individual within the chamber, perhaps one slightly to the side or front-row, who has not been prominently featured before. Capture a subtle, thoughtful or perhaps slightly amused expression on his face, indicating a complex or considered reaction rather than a direct, overt one like applause. The camera should maintain a similar slightly low-angle perspective as , looking up. The legislative chamber's interior, including the dark wood and solemn atmosphere, should be the background, consistent with through , though blurred to emphasize the character. This shot is to introduce a nuanced individual reaction amidst the broader assembly, hinting at diverse opinions.", "think_full": "The `shot_outline` specifies \" will focus on an individual with a specific reaction.\" After showing a collective reaction in , it's narratively effective to zoom in on a single face to provide a more specific and potentially nuanced emotional response. This helps to break up the sequence of group shots and adds depth to the assembly's overall reaction. Introducing a new individual, ``, allows for a fresh perspective without needing to track an already established reaction. The camera angle continues from 's general approach of looking slightly up, maintaining a consistent visual grammar for audience shots. The legislative chamber environment remains visually linked to and subsequent shots, providing a familiar backdrop that grounds the scene while allowing the character's expression to be the focal point.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates that \" will focus on an individual with a specific reaction.\" Following the group reaction in , this is a logical progression to show a more detailed, personal response. A close-up on one of , who has not been a focal point before, would serve this purpose. The shot should capture a particular emotion or thought, such as thoughtfulness or subtle skepticism, rather than a broad, overt reaction. The background will remain the legislative chamber, consistent with , , , , and , but blurred to keep the focus on the individual's face. This shot diversifies the portrayal of the assembly's response." }, { "instruction_full": "Shift the camera to a close-up on , who is seated prominently in the assembly, distinct from the members shown in and . Capture his face in a stern or disapproving expression, possibly with his arms folded or a hand to his chin, indicating a critical or oppositional stance. The lighting should be slightly more dramatic, perhaps highlighting his features in a way that emphasizes his resolve. The background should be the blurred, dark wood interior of the legislative chamber, consistent with previous shots like , , , , , and , keeping the focus tightly on his reaction. This shot aims to introduce a clear dissenting voice or strong opposition within the chamber.", "think_full": "The `shot_outline` states \" will highlight , revealing a dissenting or critical viewpoint.\" After showing positive or nuanced reactions from other in and , it's crucial to introduce a contrasting, oppositional element to escalate the dramatic tension. A close-up on a newly introduced character, ``, allows for this clear expression of dissent. His stern or disapproving posture directly communicates his opposition. The dramatic lighting helps to visually underscore his importance as a figure of opposition. The setting remains the legislative chamber from through , providing continuity while the tight framing isolates this crucial reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies \" will highlight , revealing a dissenting or critical viewpoint.\" This indicates a need to introduce an opposing perspective after seeing 's intensity () and some positive/neutral reactions (, ). A close-up of a new character, ``, would be appropriate, capturing a stern or disapproving expression. The visual continuity of the legislative chamber from and subsequent shots should be maintained in the background, but blurred to keep the focus on this new character's reaction. This shot serves to introduce conflict and opposing viewpoints into the narrative." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing and intensity to , but with his expression now reflecting a determined or slightly exasperated response to the perceived opposition. He should be mid-speech, perhaps gesturing more forcefully. The camera angle should be consistent with previous close-ups of him. The background is the familiar legislative chamber, slightly blurred, maintaining the established environment from through . This shot aims to show 's resilience or increased resolve in the face of dissent.", "think_full": "The `shot_outline` suggests \" will return to to show his response or continued argument.\" Following the introduction of opposition with in , the narrative naturally returns to to show how he reacts or counters. A medium close-up, similar to his previous appearances in and , allows for the continuity of his character while subtly evolving his expression to reflect the new dramatic context (determination or exasperation). His more forceful gesturing would underscore this. The legislative chamber environment from through continues as the backdrop, grounding his performance in the established scene. This shot directly advances the dramatic exchange by showing 's counter-response.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` says \" will return to to show his response or continued argument.\" After establishing a dissenting view with in , it's essential to show how reacts or continues his argument. A return to a medium close-up of , similar to and , would maintain narrative focus. His expression should convey a sense of renewed determination or possibly frustration, reflecting the pushback. The legislative chamber from and previous shots would serve as the background, blurred to keep the focus on . This shot contributes to the back-and-forth dynamic of the debate." }, { "instruction_full": "From the close-up of in , cut to a close-up of , who is distinct from previous audience members (e.g., in , , ). This member should be attentively listening, perhaps with a thoughtful or slightly concerned expression, indicating deep engagement with the debate's complexities. The camera should maintain a similar slightly low-angle perspective as seen with other audience members. The background will be the blurred interior of the legislative chamber, consistent with through . This shot serves to illustrate the deep impact of the debate on individual members and to introduce another facet of audience engagement.", "think_full": "The `shot_outline` specifies \" will feature , conveying thoughtful engagement.\" After showing both the speaker's continued argument in and the overt opposition in , it's important to demonstrate the deeper, more internal processing happening among other . A close-up on a newly designated character, ``, allows for the portrayal of a nuanced, thoughtful engagement distinct from applause or overt dissent. The attentive and thoughtful expression effectively communicates this. The camera angle, maintaining a slightly low perspective as in earlier audience shots like and , provides continuity in how the audience is viewed. The legislative chamber from through is the consistent, though blurred, backdrop, ensuring visual coherence. This shot enriches the portrayal of the assembly's reactions by showing silent, internal deliberation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` mentions \" will feature , conveying thoughtful engagement.\" After observing 's response in and previous audience reactions, it's appropriate to introduce another individual reaction, focusing on a different aspect: deep listening and thoughtfulness. A close-up on a new character, ``, portraying a contemplative or concerned expression, would fulfill this. The setting remains the legislative chamber, consistent with and all preceding shots, with the background blurred to highlight the character's facial expression. This shot adds another layer to the assembly's engagement with the ongoing debate." }, { "instruction_full": "From the close-up of in , pull back to a medium shot, framing a different section of than seen in , perhaps slightly higher or from a different side of the chamber, looking across the rows. They should be attentively observing the proceedings, with a mix of expressions indicating continued engagement or anticipation. The lighting and grand interior of the legislative chamber from through should remain consistent, emphasizing the historical gravity of the moment. This final shot aims to provide a broader sense of the assembly's sustained attention as the debate continues or concludes, emphasizing the collective weight of their presence.", "think_full": "The `shot_outline` states \" will offer a medium shot of another part of , emphasizing collective observation.\" After a series of close-ups on the speaker and individual reactions (, , , , , ), a wider shot of a group of is needed to re-establish the collective presence of the chamber. This shot, distinct from the group in , provides a fresh perspective on the overall audience. By showing sustained attentive observation, it reinforces the ongoing gravity of the debate. The consistent grand interior and lighting of the legislative chamber from and all preceding shots ground the scene, concluding the sequence by reminding the viewer of the significant setting and collective witness.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies \" will offer a medium shot of another part of , emphasizing collective observation.\" After several close-ups, including one on in , ending the sequence with a medium shot of a different group of would be a good way to conclude, bringing the focus back to the collective rather than individuals. This shot would show them still engaged, maintaining the serious atmosphere. The environment remains the legislative chamber from and all prior shots, reinforcing the overall setting. This shot summarizes the collective engagement of the chamber as the debate unfolds." } ], "_src_movie_dir": "Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv", "_src_filename": "097088_098175.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Lincoln.2012.Bluray.2160p.DTS-HD-7.1.x264-Grym.mkv/097088_098175.json", "_test_index": 392 }, { "movie": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv", "N": 10, "sample_id": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119050.jpg-Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119634.jpg", "images": [ { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119050.jpg", "filename": "119050.jpg", "aesthetic": 4.852193355560303, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119194.jpg", "filename": "119194.jpg", "aesthetic": 6.600424289703369, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119294.jpg", "filename": "119294.jpg", "aesthetic": 7.14214563369751, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119309.jpg", "filename": "119309.jpg", "aesthetic": 6.533446311950684, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119353.jpg", "filename": "119353.jpg", "aesthetic": 6.828908920288086, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119375.jpg", "filename": "119375.jpg", "aesthetic": 6.4981689453125, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119453.jpg", "filename": "119453.jpg", "aesthetic": 7.70662784576416, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119581.jpg", "filename": "119581.jpg", "aesthetic": 6.258174896240234, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119603.jpg", "filename": "119603.jpg", "aesthetic": 6.974508285522461, "musiq": 0.0 }, { "tag": "", "rel_path": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119634.jpg", "filename": "119634.jpg", "aesthetic": 6.36231803894043, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence transitions from an ancient, mythical prophecy to the immediate, fantastical reality. The tone is whimsical yet earnest, setting up a grand adventure for a young protagonist in a world populated by quirky, regal, and iconic characters. The pacing will be dynamic, alternating between wide establishing shots and intense character close-ups to build emotional connection and narrative stakes.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " introduces examining a scroll, grounding the mythical prophecy of in the present. formally introduces in her regal setting. then introduces , showing her initial reaction to this new world. broadens the scope to reveal a gathering of fantastical allies, including and . returns focus to , hinting at an impending event. establishes the full, grand ceremonial setting, showing and together, with the addition of . and provide emotional close-ups, first on and then , capturing their reactions. concludes the sequence with a final, lingering close-up on 's emotional state." }, "instruction_full": "Shift from the abstract drawing to a live-action, low-angle medium shot. Introduce two identical, portly, bald men in striped shirts and suspenders, labeled as \"\", one of whom holds a small sword. They are looking down intently at a long, unrolled scroll on the floor. The setting is a grand, ornate indoor hall, with many other richly dressed, blurred figures standing formally in the background, to transition the narrative from an ancient prophecy to the immediate, fantastical present and introduce a physical manifestation of the prophecy.", "think_full": "The initial shot depicts a mythical struggle. For , the narrative needs to shift to the present reality of the story. This requires a completely new environment and new characters. The low-angle medium shot of \"\" looking at the scroll serves to immediately ground the fantastical elements in a tangible scene. These are new characters, not seen in , and the grand indoor setting is also new, suggesting a ceremonial or important event is unfolding. The scroll acts as a direct link to the prophecy in , making it relevant to the current characters.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.story_setup` of a fantastical adventure and the `global_prompt.shot_outline` which states introduces new characters and hints at a prophecy with a scroll, the next shot needs to transition from the ancient drawing to a current, live-action scene. The camera should adopt a medium-low angle to introduce quirky characters, \"\", focused on a significant object. The environment will be a new, grand interior, suggesting an important gathering. This will ground the abstract prophecy from into the immediate narrative with specific characters and a physical item." }, { "instruction_full": "Transition to a medium close-up, slightly high angle, on a regal woman, to be identified as \"\". She has long wavy blonde hair, pale skin, dark red lips, and a serene yet slightly unsettling expression, wearing a grand white gown. Her hands are elegantly posed in front of her. The background features a grand, ornate white palace structure with intricate gates, establishing her royal domain and ethereal presence.", "think_full": "Following the introduction of the quirky \"\" and the prophecy scroll in , the narrative requires a more central, powerful figure. This shot introduces \"\" in a brand new, grand outdoor palace environment, distinct from the indoor scene of . The medium close-up focuses on her face and elegant posture, emphasizing her regal status and mysterious aura. The ornate palace background reinforces her importance and the formal nature of this fantastical world.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates the introduction of \"\" and her regal setting. To achieve this, the next shot should be a medium close-up on a new, majestic female character. She will be adorned in white, with a serene yet powerful expression. The setting will be a grand outdoor palace, distinct from the previous indoor scene of . This aims to establish a key figure of authority and her environment, building upon the fantastical elements introduced." }, { "instruction_full": "Maintain a medium close-up, but slightly lower angle than , focusing on a new young woman, \"\". She has wavy brown hair and displays a worried or contemplative expression, looking slightly downwards. The background remains the same grand, ornate white palace structure, specifically the gates and architectural details seen in , implying she is in the same royal location, to introduce the human protagonist and establish her emotional state.", "think_full": "After introducing the powerful \"\" in , it's important to introduce the central human perspective. This shot introduces \"\" for the first time, in the same grand outdoor palace setting established in , reinforcing the shared environment. Her worried and contemplative expression immediately establishes her as potentially overwhelmed or uncertain, creating a relatable entry point into the fantastical world for the audience and building immediate empathy.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline` for , the next shot should introduce \"\" and her reaction. This requires a medium close-up on a new, young female character, distinct from the queen in . Her expression should convey worry or contemplation. The background should be consistent with the palace exterior from , to show she is present in the same significant location. The purpose is to establish the human element of the story and her initial emotional state." }, { "instruction_full": "Execute a wider, medium shot, pulling back to reveal a larger group of diverse fantastical characters. Prominently feature \"\" in the foreground center, with his signature tall hat, and \"\" partially visible to his right. This assembly surrounds other characters, implying they are allies. The background is an ornate, pastel-colored garden or courtyard, with blooming trees and architectural elements, subtly hinting at the broader palace grounds first seen in and , to introduce a vibrant cast of supporting characters and further immerse the viewer in the fantasy world.", "think_full": "Following the individual introductions of \"\" in and \"\" in , the narrative needs to expand the world and introduce the supporting ensemble. This shot, a wider medium shot, brings in several new, fantastical characters, including \"\" and \"\". The pastel-colored, ornate garden background, while new in its specifics, maintains thematic and stylistic continuity with the grand palace architecture of and , suggesting an expansion of the royal domain. This establishes a collective presence and the whimsical nature of this world, hinting at potential allies for \"\".", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for introducing a group of supporting characters, potentially allies of \"\". The camera should widen to a medium shot to encompass multiple new, fantastical individuals, specifically including recognizable figures like \"\" and \"\". The space should be an ornate, fantastical garden, expanding on the royal setting established in and . The intent is to immerse the audience further into the whimsical world and present a broader cast." }, { "instruction_full": "Return to a medium close-up of \"\", similar to , but now with a slightly lower angle and a more direct gaze, and her hands raised in a more active posture, possibly indicating a shift in her demeanor or focus. She is still wearing her grand white gown. The background is the same grand, ornate white palace structure seen in and , with hints of blooming purple flowers, maintaining continuity of the formal royal setting, to bring the focus back to \"\" and re-establish her importance.", "think_full": "After expanding the scene with multiple characters in , the narrative needs to refocus on a key individual to drive the plot. This shot returns to \"\", similar to her introduction in , but with a slightly more active pose and direct gaze, suggesting a shift from passive presence to imminent action or pronouncement. The background, identical to and , reinforces that she is in her established domain, and the hints of purple flowers link subtly to the garden setting of .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to \"\" to show her continued presence or reaction. The camera should revert to a medium close-up, similar to , but perhaps with a more dynamic pose or expression. \"\" will be the sole focus, against the familiar grand palace exterior from and . This shot aims to reassert her central role in the narrative after the introduction of other characters." }, { "instruction_full": "Pull back to a wider, full shot, revealing \"\" standing regally on a raised platform or balcony. \"\" is positioned nearby, looking on. Introduce \"\" kneeling at the base of the platform, trumpeting, with armored statues standing guard on either side of the stage. The setting is the grand palace exterior, specifically the ornate gates and architecture seen in , , and , to establish the formal context for a significant event, showing these key characters together.", "think_full": "Following the individual character introductions and the refocus on \"\" in , this wider, full shot brings all key elements together. It explicitly reveals the grand palace exterior and ornate gates from , , and as a formal stage, providing context for the previous close-ups. \"\" from and is now seen with \"\" from , showing their interaction in this grand setting. \"\" is introduced for the first time, taking a ceremonial role, further emphasizing the importance and formality of the unfolding event. The armored statues add to the sense of grandeur and protection.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on `global_prompt.shot_outline` for , the next shot needs to establish a wider scene with interaction between \"\", \"\", and \"\". The camera should pull back to a full shot to encompass these characters and the grand royal setting. \"\" and \"\" will be present, and a new character, \"\", will be introduced, possibly in a ceremonial role. The palace exterior from , , will be shown in full, indicating a major gathering or event." }, { "instruction_full": "Return to a tight close-up on \"\"'s face, similar to and , but now with a more intense, concerned, or determined expression, her gaze directed slightly off-camera. Her hands are visible, slightly tensed. The background is now softened, out-of-focus purple flowering plants and hints of the palace architecture, echoing the colors and elements from and , to highlight her emotional state amidst the grand formal setting.", "think_full": "After the grand establishing shot of , the narrative shifts back to an emotional beat. This shot returns to \"\", who was previously seen in , , and . The tight close-up allows for a nuanced expression of concern or determination, providing insight into her internal state following the events established in . The blurred background of purple flora, while different from the sharp architecture of , maintains continuity with the fantastical garden elements seen earlier in and , ensuring the focus remains squarely on her emotional intensity.", "instruction_minimal": "generate the next shot", "think_minimal": "As per `global_prompt.shot_outline` for , the next shot should be a close-up on \"\" to convey her emotional state. The camera will execute a tight close-up on her face, similar to previous close-ups in and , but focusing on a more intense or concerned expression. The background will be blurred, hinting at the fantastical garden elements seen in and , to emphasize her internal experience. This aims to deepen her character by revealing her reaction to the unfolding events." }, { "instruction_full": "Execute a tight close-up on \"\"'s face, mirroring the intensity of but from her perspective. She displays an expression of intense focus, determination, or slight apprehension, looking directly forward. The background is slightly blurred but still shows hints of the ornate palace architecture and guard statues seen in , , and , confirming she is still in the same grand setting, possibly as a direct reaction to \"\"'s moment in , to convey her emotional response or resolve.", "think_full": "Following the emotional close-up on \"\" in , it's crucial to show \"\"'s reaction or parallel emotional state. This shot returns to \"\" from and , but with a much tighter close-up, emphasizing her intense focus or determination. The blurred background, hinting at the palace architecture and guard statues, maintains spatial continuity with the formal setting established in , , and , while ensuring her expression is the central focus. This visual pairing with creates an emotional dialogue between the two central figures and highlights \"\"'s agency.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for dictates a close-up on \"\" to show her emotional state or reaction. Mirroring the previous shot of \"\" in , the camera will provide a tight close-up on \"\"'s face, focusing on an expression of resolve or deep thought. The background should be subtly blurred but consistent with the palace setting from and . This shot aims to establish her emotional involvement and reaction within the unfolding narrative." }, { "instruction_full": "Return to a medium close-up of \"\", similar to , maintaining the intimate focus on her but with a slightly softer or more composed expression. She maintains a thoughtful or slightly somber expression, perhaps with a subtle shift in her hand gestures compared to . The background remains the blurred purple flowering plants and hints of palace elements, identical to , suggesting a sustained moment of emotional depth or contemplation in the same location, to provide a final emotional beat from \"\".", "think_full": "After the emotional exchange or reaction sequence between \"\" in and \"\" in , this shot returns to \"\". It serves as a visual bookend to the emotional beat initiated in , showing her with a perhaps more settled or lingering emotional expression. The background is identical to (blurred purple flowering plants), reinforcing the continuation of her internal moment. This provides a sense of completion for the emotional arc, allowing the audience to linger on her final thoughts or feelings in this sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the `global_prompt.shot_outline` for , the final shot should be a lingering close-up on \"'s\" emotion. The camera will return to a medium close-up of \"\", similar to , displaying a sustained or slightly evolved emotional state. The blurred floral background from will be maintained to ensure consistency and focus. This aims to conclude the emotional sequence, leaving a lasting impression of her character's internal experience." } ], "_src_movie_dir": "Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv", "_src_filename": "119050_119634.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Alice.in.Wonderland.2010.2160p.Bluray.x264-CBGB.mkv/119050_119634.json", "_test_index": 393 }, { "movie": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv", "N": 10, "sample_id": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20029.jpg-My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20766.jpg", "images": [ { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20029.jpg", "filename": "20029.jpg", "aesthetic": 6.8516058921813965, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20095.jpg", "filename": "20095.jpg", "aesthetic": 5.679391384124756, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20110.jpg", "filename": "20110.jpg", "aesthetic": 6.124842643737793, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20245.jpg", "filename": "20245.jpg", "aesthetic": 5.852105140686035, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20260.jpg", "filename": "20260.jpg", "aesthetic": 5.902839660644531, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20356.jpg", "filename": "20356.jpg", "aesthetic": 5.761508941650391, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20392.jpg", "filename": "20392.jpg", "aesthetic": 5.887176990509033, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20667.jpg", "filename": "20667.jpg", "aesthetic": 4.60560417175293, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20763.jpg", "filename": "20763.jpg", "aesthetic": 5.5980544090271, "musiq": 0.0 }, { "tag": "", "rel_path": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/20766.jpg", "filename": "20766.jpg", "aesthetic": 5.298396110534668, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A diverse group of individuals embarks on an adventurous road trip through a scenic foreign country, experiencing both the cramped intimacy of their travel vehicle and the expansive beauty of their surroundings. The tone is light-hearted and exploratory, focusing on the camaraderie of the group and the wonder of the journey.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " establishes the first major landmark on their journey, a historical site, indicating their destination. introduces of the vehicle, showing her cheerful demeanor. presents another impressive landmark, reinforcing the travelogue aspect. shows interacting with in the cab, highlighting companionship. returns to the main group in the truck bed, capturing their lively interaction. features an exterior shot of the truck on a scenic road, emphasizing the journey itself. focuses on looking out the truck, reflecting the ongoing travel. provides a scenic view of a bay, showing the beauty of their route. returns to the group in the truck bed, showing their overall happy and engaged state." }, "instruction_full": "Shift the camera to an exterior wide shot, focusing on a majestic ancient Greek temple, likely the Parthenon, perched atop a rocky hill under a clear sky. There are no people visible in this shot, focusing purely on the architectural grandeur and the landscape. The purpose is to visually establish the current location of the journey, contrasting the cramped interior of the truck from with the vast, historical exterior, setting a grand adventurous tone.", "think_full": "The story setup describes an adventurous road trip. After seeing the characters crowded in the truck in , the next logical step is to establish where they are. The shot outline explicitly states establishes a major landmark. A wide exterior shot of a prominent historical site like the Parthenon serves this purpose perfectly. It creates a strong visual contrast with the confined space of , opening up the narrative scope and signaling their arrival at a significant destination without showing any specific characters, thus keeping the focus on the setting itself. This transition effectively moves the narrative from the 'how' (traveling together) to the 'where' (Greece).", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt describes an adventurous road trip and the shot outline for states 'establishes the first major landmark on their journey', the most appropriate next shot would be an exterior wide view of a prominent, scenic landmark. This provides context for their travel, contrasting the previous interior shot of the crowded truck from . No characters are necessary, as the focus is on establishing the location. The scene should be bright and clear to convey the exploratory tone." }, { "instruction_full": "Transition the camera back to an interior shot, now focusing on in the cab of the truck. She should be smiling broadly, looking forward or slightly to the side with a joyous expression, emphasizing her role as the cheerful guide. The space should feature the same rustic truck interior, potentially with some decorative elements visible like those seen in (my future reference image), to reinforce the adventurous, local feel of the vehicle that transported the group in . The user intent is to introduce this key character and highlight the positive, warm energy of the journey.", "think_full": "Following the establishment of the general location in , the narrative needs to return to the active journey. The shot outline states introduces ' of the vehicle, showing her cheerful demeanor.' This necessitates a close-up on a new character. We can infer she is driving the same type of rustic truck seen in . Placing her in the driver's seat, smiling, directly conveys the cheerful and adventurous tone of the trip. The interior of the truck cab will maintain visual continuity with the vehicle, even though it's a different part of it than shown in .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt sets up a road trip with a light-hearted tone. The shot outline for indicates 'introduces of the vehicle, showing her cheerful demeanor.' Therefore, the next shot should be a close-up of a new character, the driver, in the front of the truck (the same truck implicitly used by the group in ). Her expression should be happy to match the cheerful tone, reinforcing the positive spirit of the journey after the landmark establishing shot in ." }, { "instruction_full": "Execute another wide exterior shot, similar in scale and purpose to , depicting a different but equally grand historical landmark. This time, frame a large, ancient stadium, like the Panathenaic Stadium, with its vast seating tiers under a bright sky. The shot should be clear and expansive, without any specific characters, focusing on the architectural and historical significance of the site. The user intent is to continue the travelogue aspect, showing more of the diverse and impressive sights on their journey, maintaining a sense of scale and exploration.", "think_full": "After introducing in and re-establishing the intimate vehicle setting, the narrative benefits from another wide shot of a landmark to punctuate the travel aspect and highlight the grandeur of their destination. The shot outline explicitly states 'presents another impressive landmark, reinforcing the travelogue theme.' This shot acts as a visual 'chapter break,' similar to , confirming that the journey involves sightseeing and appreciation of historical sites. By showing another monumental structure, we build on the sense of scale and adventure established by , again without characters to keep the focus on the environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt emphasizes an adventurous road trip and sightseeing. The shot outline for states 'presents another impressive landmark, reinforcing the travelogue theme.' This suggests another exterior, wide shot of a significant historical site, much like , to continue showcasing the places they visit. No characters should be visible, maintaining the focus on the grand scale of the environment and the ongoing exploration." }, { "instruction_full": "Return the camera to the interior of the truck cab, similar to . This time, widen the frame slightly to include both (from ) and a new character, , seated beside her. Both should be smiling and looking off-screen, conveying shared enjoyment and conversation. The interior of the truck cab should be consistent with , featuring the same decorations, reinforcing the continuous nature of their journey. The user intent is to show the growing camaraderie among the travelers and introduce another facet of the group's dynamic.", "think_full": "After two exterior landmark shots (, ), it's important to return to the characters and their immediate journey. The shot outline for indicates 'shows and in the cab, enjoying the journey.' This requires bringing back from and introducing a new character, . Positioning them together in the truck cab, with smiles, reinforces the light-hearted and communal aspect of the road trip, building on the mood established in and the general story setup. The truck interior provides strong visual continuity with .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's focus on group camaraderie and the shot outline for ('shows and an in the cab, enjoying the journey.'), the next shot should return to the truck's interior, specifically the cab. It needs to include (seen in ) and a new character, . Their expressions should be positive, conveying shared enjoyment, furthering the lighthearted tone of the road trip after the external landmark shots." }, { "instruction_full": "Shift the camera back to the rear cargo area of the truck, taking a shot similar in framing to , but perhaps slightly tighter. Feature , , and (all seen in ). They should be smiling and actively engaged in conversation or laughing, highlighting their joyful interaction. The backdrop remains the rustic truck interior, reinforcing the continuous journey from . The user intent is to bring focus back to the main group's lively dynamic and shared experience within their unique mode of transport.", "think_full": "Having shown the driver and another passenger in the cab in , the narrative naturally returns to the main group in the back. The shot outline for states it 'returns to the main group in the truck bed, capturing their lively interaction.' This necessitates bringing back characters seen in , specifically , , and . Their expressions should be cheerful, building on the overall positive tone of the journey. The setting of the truck bed provides clear visual continuity with , emphasizing their shared, slightly cramped, adventurous travel conditions.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt emphasizes the camaraderie of the group. The shot outline for explicitly states 'returns to the main group in the truck bed, capturing their lively interaction.' This means the camera should move back to the cargo area of the truck, focusing on several of the original passengers from . They should be shown interacting positively, perhaps laughing or talking, to convey the light-hearted and enjoyable aspect of their shared journey, using the same interior setting as ." }, { "instruction_full": "Transition to a wide exterior shot, following the truck from behind as it drives down a scenic road that includes a natural tunnel carved into a rocky cliff face, with a glimpse of the sea in the background. The truck should be clearly visible but individual characters are indistinguishable inside. The lighting should be bright, suggesting daytime travel. The user intent is to highlight the progression of their journey through varied and adventurous landscapes, emphasizing the road trip itself as a significant part of the experience.", "think_full": "After focusing on the characters and their interactions inside the truck (, , , ), it's important to provide a sense of their ongoing movement through the landscape. The shot outline for clearly states 'features an exterior shot of the truck on a scenic road, highlighting the journey itself.' This requires a new exterior view, showing the truck actively traveling. The inclusion of a tunnel and rocky terrain adds an element of adventure, consistent with the story setup's 'adventurous road trip.' The sunny, clear conditions reinforce the positive tone of the journey. This shot contrasts with the static landmark shots (, ) by showing motion.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt is about an adventurous road trip. The shot outline for indicates 'features an exterior shot of the truck on a scenic road, highlighting the journey itself.' This means the next shot should be an outside view of the truck (the same one seen internally in , , , ) in motion, traversing a picturesque environment. This shot serves to advance the sense of travel and showcase the diverse landscapes they are passing through, following the internal shots of the group." }, { "instruction_full": "Return to a medium close-up shot of (from and implicitly present in ) inside the truck bed. He is now looking out through the mesh side, perhaps with sunglasses on, observing the passing scenery with a thoughtful or relaxed expression. The interior of the truck bed and its mesh side should be consistent with and , with the outside world blurred slightly in the background. The user intent is to offer a moment of individual reflection for a character, showing their personal engagement with the journey's environment after the dynamic exterior shot of the truck in .", "think_full": "After the expansive exterior shot of the truck on the road in , returning to a character provides a more intimate perspective. The shot outline for focuses on ' looking out the truck, reflecting the ongoing travel.' This brings back one of the original characters from (who was also implicitly part of the group in ), allowing for a moment of quiet observation. His relaxed or thoughtful expression connects to the idea of experiencing the journey. The truck's interior and mesh screen provide visual continuity with and , grounding the individual moment within the collective journey, and directly linking to the passing scenery from .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt highlights individual experiences within the group journey. The shot outline for indicates 'focuses on looking out the truck, reflecting the ongoing travel.' This requires a medium close-up of (a character from and ) inside the truck, looking out. The setting should clearly be the truck's interior as seen in and , connecting his individual perspective to the outside world they are traveling through (as shown in )." }, { "instruction_full": "Present another wide exterior shot, similar to and but more directly showcasing the natural landscape of their route. Frame a picturesque bay with clear turquoise water and several boats, bordered by rocky, tree-covered hills. The shot should be taken from an elevated perspective, as if from the road the truck is on, conveying the stunning views available during their travel. No human characters are present, focusing solely on the beauty of the natural environment. The user intent is to showcase the breathtaking natural beauty of the region, enhancing the sense of discovery and the adventurous spirit of the road trip.", "think_full": "Following 's contemplative gaze out the window in , it's natural to show what he (and the audience) is seeing. The shot outline for specifies 'provides a scenic view of a bay, showing the beauty of their route.' This calls for another establishing exterior shot, but one that emphasizes the immediate, picturesque landscape rather than distant landmarks like and . It reinforces the 'adventurous road trip' theme by showcasing the natural wonders. No characters are needed, as the focus is on the breathtaking scenery, serving as a direct visual answer to the perspective hinted at in .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt emphasizes experiencing the expansive beauty of their surroundings. The shot outline for indicates 'provides a scenic view of a bay, showing the beauty of their route.' Therefore, the next shot should be a wide, exterior view of a beautiful natural landscape, specifically a bay. This continues the travelogue aspect, showing more of the varied scenery, and acts as a scenic punctuation after the character-focused shot in , further cementing the 'adventurous' theme." }, { "instruction_full": "Return the camera to a wide interior shot of the truck bed, echoing the composition of . Include all the main characters seen in – , , , , , and . They should all appear animated, engaged with each other, and generally happy or excited, reflecting the culmination of their shared experiences. The familiar rustic truck interior is consistent with and . The user intent is to provide a sense of joyful resolution or continuation for the group, reinforcing their collective bond and the success of their adventure.", "think_full": "After the individual reflection in and the grand scenic view in , the narrative needs to return to the heart of the story: the group's dynamic. The shot outline for states 'returns to the group in the truck bed, showing their overall happy and engaged state.' This calls for a return to the truck bed, directly referencing the setting and ensemble from and . All the primary passengers from should be present, now shown with heightened energy and positive interaction, signifying the journey's impact and the strength of their camaraderie. This brings the sequence full circle, emphasizing the shared experience that was introduced in .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt highlights the camaraderie of the group and the shot outline for indicates 'returns to the group in the truck bed, showing their overall happy and engaged state.' This means the camera should return to a wide shot of the truck's cargo area, similar to , featuring all the original passengers from . They should be visibly happy, lively, and interacting, reinforcing the positive and cohesive outcome of their journey after the various external and individual shots throughout the sequence." } ], "_src_movie_dir": "My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv", "_src_filename": "020029_020766.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/My Big Fat Greek Wedding 3 (2023) MA WEB-DL 2160p HDR DV Ukr_Eng [Hurtom].mkv/020029_020766.json", "_test_index": 401 }, { "movie": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv", "N": 10, "sample_id": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/44806.jpg-House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45728.jpg", "images": [ { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/44806.jpg", "filename": "44806.jpg", "aesthetic": 5.919302940368652, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45041.jpg", "filename": "45041.jpg", "aesthetic": 4.858432769775391, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45106.jpg", "filename": "45106.jpg", "aesthetic": 6.354705810546875, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45178.jpg", "filename": "45178.jpg", "aesthetic": 5.809083938598633, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45378.jpg", "filename": "45378.jpg", "aesthetic": 6.013184547424316, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45519.jpg", "filename": "45519.jpg", "aesthetic": 4.896335124969482, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45550.jpg", "filename": "45550.jpg", "aesthetic": 5.655404567718506, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45631.jpg", "filename": "45631.jpg", "aesthetic": 5.174610137939453, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45675.jpg", "filename": "45675.jpg", "aesthetic": 5.331583023071289, "musiq": 0.0 }, { "tag": "", "rel_path": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/45728.jpg", "filename": "45728.jpg", "aesthetic": 4.912371635437012, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A group of men is gathered outside a property, appearing to be observing a house with a focused intensity, suggesting an underlying purpose or surveillance. The tone is observational and subtly tense.", "characters": [ "", "", "", "", "" ], "shot_outline": " shifts perspective to show 's point of view, revealing inside the house. cuts back to a close-up of with in the background, showing their reaction to what they saw. focuses on and , who seem to be observing something else or reacting in their own way. returns to a similar close-up of and , emphasizing a sustained observation or reaction. reiterates 's view of , reinforcing the focus on her. is another close-up of with behind him, potentially showing a slight shift in expression or continued vigilance. introduces a new detail: a close-up on 's hands stirring a drink, suggesting a pause or moment of reflection. widens to show on the porch, holding his drink, consolidating his presence and current state. reveals a broader outdoor scene with working on a truck and a car in the background, hinting at activity related to the property." }, "instruction_full": "Shift the camera to an over-the-shoulder shot from behind , looking towards the house. Frame inside the house, looking out. The house exterior should be visible, maintaining the daytime outdoor light from . This shot is to reveal what and the others are observing.", "think_full": "The `global_prompt` establishes a scene of observation. shows four men, including , looking up. To follow this, the next logical shot is a point-of-view from to reveal the object of their gaze. The camera changes from a wide high-angle of the group in to an over-the-shoulder perspective. The setting remains the same outdoor environment, with the house now becoming a focal point. The new character, , is introduced as the subject of their attention. This advances the narrative by showing what has captured the men's interest, specifically 's.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.story_setup` indicates men observing a house. `global_prompt.shot_outline` states that will \"shift perspective to show 's point of view, revealing inside the house.\" Based on , which shows and others looking upwards towards an unseen object, the next shot should be a point-of-view shot. The camera should move from the high-angle group shot of to an over-the-shoulder view from behind . The character is introduced as the focal point, inside a window of the house, maintaining the outdoor, daytime setting established in . This serves to establish the target of the observation." }, { "instruction_full": "Cut back to a medium close-up shot of , framed against the natural green background seen in . should be slightly out of focus in the background, holding his broom as he was in . should have a serious, contemplative expression. This is to capture 's reaction after seeing in .", "think_full": "Following the reveal of in , the narrative requires a shot showing the reaction of . This shot returns to a closer framing of similar to how he was seen in , emphasizing his expression. The camera moves from the over-the-shoulder perspective of back to a tighter, more focused shot on . from and reappears, now with a pensive look, reflecting the impact of what he just observed. from remains in the background, maintaining spatial continuity with the initial scene and the implied group observation. The natural, verdant background seen in is also maintained, grounding the scene in the same outdoor location. This shot underscores the gravity of the observation for .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that \"cuts back to a close-up of with in the background, showing their reaction to what they saw.\" After showed , it's logical to return to to show his response. The camera should be a medium close-up on , who appeared in and was the point-of-view character in . , also seen in , should be in the background. The background should be the same leafy green environment from . This shot emphasizes 's reaction to the observation." }, { "instruction_full": "Shift the camera to a medium shot focusing on from in the foreground, with from in the mid-ground, slightly out of focus, smoking. Both should be looking upwards or subtly off-camera. The setting remains the same outdoor, leafy environment seen in and . This shot is to show the other men's continued presence and their individual reactions or focus.", "think_full": "After focusing on in , the `global_prompt.shot_outline` suggests that should focus on \" and , who seem to be observing something else or reacting in their own way.\" This indicates a shift in focus to the other members of the group seen in . The camera moves to frame these two characters. and are returning characters from , maintaining their postures of looking upwards or being observant. The outdoor, leafy environment from and continues, reinforcing the consistent setting. This shot broadens the perspective to include the other men's involvement and reactions to the ongoing situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"focuses on and , who seem to be observing something else or reacting in their own way.\" Following which focused on , it's appropriate to show the other members of the group. The camera should frame and from , both looking generally upwards or off-camera, as they were initially depicted. was holding a bottle in , so he could be smoking or drinking. The environment should continue to be the same outdoor, leafy setting from and . This shot highlights the involvement of the other men in the observation." }, { "instruction_full": "Re-establish the medium close-up shot of from , with visible and slightly out of focus in the background, still holding the broom. 's expression should remain serious and watchful, perhaps with a subtle hardening. The green, natural background from and is maintained. This shot is to emphasize the continued, unblinking focus of on the situation.", "think_full": "The `global_prompt.shot_outline` for indicates a return to \"a similar close-up of and , emphasizing a sustained observation or reaction.\" After showing the other men in , the narrative brings the focus back to . The camera reuses the framing and composition established in . and are returning characters from and , their poses and expressions maintaining continuity. The outdoor leafy environment seen in , , and is also consistently maintained. This repetition reinforces the persistent nature of 's vigilance and potentially the unresolved tension of the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that \"returns to a similar close-up of and , emphasizing a sustained observation or reaction.\" After showed other characters, it's appropriate to return to the main observer, . This shot should replicate the framing of , with in a medium close-up, and from in the background. The green, natural environment from , , and should continue. This shot underscores 's sustained attention." }, { "instruction_full": "Return to the over-the-shoulder perspective from , looking past 's head towards the house. Frame from again, inside the same window. Her expression should remain somewhat neutral or observant. The house exterior and outdoor daytime lighting from are maintained. This shot is to re-emphasize the focus on and show that the observation continues.", "think_full": "The `global_prompt.shot_outline` for specifies that it \"reiterates 's view of , reinforcing the focus on her.\" Following the repeated focus on 's reaction in , it's essential to show the object of his gaze again. The camera reuses the specific over-the-shoulder perspective from . is implicitly present as the camera's viewpoint, and reappears from , positioned within the same window frame. The setting, the house exterior and the outdoor lighting, are also consistent with . This shot emphasizes the continued surveillance and reinforces the significance of in the narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` says \"reiterates 's view of , reinforcing the focus on her.\" After the repeated reaction shots of , it makes sense to show what he is seeing again. This shot should be a repeat of the over-the-shoulder perspective from , featuring 's back and the house with . The environment, including the house exterior and daytime lighting, should be consistent with . This shot reinforces the target of their observation." }, { "instruction_full": "Cut back to a medium close-up of , similar to and , with in the slightly blurred background, holding his broom. 's expression should be unwavering, perhaps with a slight furrow in his brow, indicating deep thought or increased intensity. The outdoor leafy background from and subsequent shots is maintained. This shot aims to show 's sustained concentration and the weight of the observation.", "think_full": "The `global_prompt.shot_outline` for describes \"another close-up of with behind him, potentially showing a slight shift in expression or continued vigilance.\" After reiterating the object of observation in , the narrative returns to 's perspective to track his internal state. The camera again reuses the framing and composition established in and . and are returning characters from , , , maintaining their established roles and positions relative to each other. The consistent outdoor, leafy background from , , , is preserved. This repeated close-up reinforces 's sustained focus and the building tension, suggesting a critical moment of decision or realization.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for describes \"another close-up of with behind him, potentially showing a slight shift in expression or continued vigilance.\" Following the repeated view of in , it's logical to return to to show his updated reaction. The shot should be a medium close-up of , similar to and , with from in the background. The outdoor, leafy environment from previous shots should continue. This shot emphasizes 's persistent and evolving reaction." }, { "instruction_full": "Shift to a tight close-up on 's hands as he stirs a drink in an elegant glass cup. The background should be a blurred continuation of the outdoor environment seen in , with muted earthy tones. This shot is to introduce a moment of pause or contemplation, diverting from direct observation.", "think_full": "The `global_prompt.shot_outline` states that \"introduces a new detail: a close-up on 's hands stirring a drink, suggesting a pause or moment of reflection.\" After a series of shots focusing on observation and reaction, this shot introduces a subtle change in activity for from , , , , , . The camera drastically tightens from the previous medium close-up to focus on a specific action. This highlights a momentary break from direct vigilance, possibly indicating a shift in his internal state or a decision being made. While the focus is tight, the blurred background subtly maintains continuity with the overall outdoor setting established since .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that \"introduces a new detail: a close-up on 's hands stirring a drink, suggesting a pause or moment of reflection.\" This indicates a shift from direct observation to a more personal, contemplative moment for from . The camera should move to a close-up, focusing specifically on his hands and a drink. The background should be out of focus but still suggest the same outdoor environment from and subsequent shots. This shot provides a brief respite from the direct observation and introduces a new action for ." }, { "instruction_full": "Pull back to a medium shot of from , , , , , , , standing by the side of the house, perhaps near a door or railing, still holding the elegant glass cup from . He looks contemplative, gazing slightly upwards or into the distance. The house exterior, consistent with and , should be visible behind him, and the outdoor lighting is maintained. This shot consolidates his presence, showing him settled and reflective within the immediate environment of the house.", "think_full": "The `global_prompt.shot_outline` for says it \"widens to show on the porch, holding his drink, consolidating his presence and current state.\" Following the close-up on his hands in , this shot expands the frame to show 's full posture and his surroundings. The camera pulls back from the tight close-up of . is a returning character from many previous shots, now shown with the drink he was stirring in . The house exterior, which appeared in and , now serves as his immediate background, visually placing him in direct proximity to the observed location. The consistent outdoor lighting also connects this to the broader scene. This shot provides a more complete view of in his current state, physically near the house and in a moment of reflection.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates it \"widens to show on the porch, holding his drink, consolidating his presence and current state.\" After the close-up on his hands in , it's logical to show from in a wider shot, still holding the drink. He should be positioned near the house, likely on a porch or entrance, connecting him visually to the structure seen in and . The outdoor, daytime environment should continue. This shot establishes his relaxed presence in the setting." }, { "instruction_full": "Shift to a wider shot of the outdoor environment, showing from and working at the back of a green pickup truck, which was partially visible in . In the background, a sedan-style car should be parked, and perhaps some playground equipment. This shot is to reveal more of the property's extent and show activity from another character, suggesting work related to the property.", "think_full": "The `global_prompt.shot_outline` for says it \"reveals a broader outdoor scene with working on a truck and a car in the background, hinting at activity related to the property.\" After focusing intensely on and the house, this shot broadens the scope significantly, moving away from the direct observation point. The camera shifts to a much wider, more active scene, changing entirely from the previous shot of on the porch in . is a returning character from and . The green pickup truck was partially seen in , and now it is fully revealed, indicating ongoing work or preparation. The addition of a parked car and playground equipment expands the understanding of the environment, showing a more lived-in or functional aspect of the property beyond just the house. This shot provides context and hints at the other men's activities around the property.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates it \"reveals a broader outdoor scene with working on a truck and a car in the background, hinting at activity related to the property.\" This implies a change of scene and a wider view of the property. The shot should move away from and the house, showing from and engaged in some activity, possibly with a truck (which was partially visible in ). The environment should be the broader outdoor area of the property, potentially including other elements like a car or playground equipment as suggested in the outline. This shot expands the context and shows other characters engaged in related tasks." } ], "_src_movie_dir": "House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv", "_src_filename": "044806_045728.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/House.of.Sand.and.Fog.2003.BluRay.2160p.REMUX.AVC.DD5.1-DreamHD.mkv/044806_045728.json", "_test_index": 421 }, { "movie": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv", "N": 10, "sample_id": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/86169.jpg-Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/89325.jpg", "images": [ { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/86169.jpg", "filename": "86169.jpg", "aesthetic": 5.34036922454834, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88025.jpg", "filename": "88025.jpg", "aesthetic": 4.711153984069824, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88131.jpg", "filename": "88131.jpg", "aesthetic": 5.06289005279541, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88406.jpg", "filename": "88406.jpg", "aesthetic": 5.873595237731934, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88456.jpg", "filename": "88456.jpg", "aesthetic": 4.9331560134887695, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88534.jpg", "filename": "88534.jpg", "aesthetic": 5.705336570739746, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/88662.jpg", "filename": "88662.jpg", "aesthetic": 4.497856616973877, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/89009.jpg", "filename": "89009.jpg", "aesthetic": 6.08638334274292, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/89269.jpg", "filename": "89269.jpg", "aesthetic": 5.294796466827393, "musiq": 0.0 }, { "tag": "", "rel_path": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/89325.jpg", "filename": "89325.jpg", "aesthetic": 5.048650741577148, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A renowned but weary actor is in a foreign city, grappling with feelings of displacement and a dissolving marriage. The narrative explores his unexpected connection with a young, intelligent woman, finding solace and understanding amidst their shared feelings of alienation in an unfamiliar urban landscape. The tone is melancholic, gently observational, and subtly hopeful.", "characters": [ "", "", "" ], "shot_outline": " establishes and at a sushi bar counter, with working behind, marking a new environment and their initial public interaction after 's isolation. closes in on , observing with curiosity. then focuses on , capturing her thoughtful expression in response. returns to , showing his contemplative reaction. emphasizes as she speaks, indicating a deepening conversation. pulls back to a wider shot, re-establishing the trio and the ongoing interaction. again focuses on 's nuanced expression. captures 's engaged gaze. concludes the sequence with a shot of , a neutral observer of their emerging connection." }, "instruction_full": "Shift the scene entirely from the dark bedroom of to a warm, inviting, but bustling sushi restaurant in a foreign city. The camera frames a medium shot of and sitting side-by-side at a long sushi counter, looking towards who stands behind the counter, preparing food. is dressed in a dark jacket, and in a dark top. This shot establishes their new environment and the beginning of their interaction.", "think_full": "The story transitions from the isolated, melancholic setting of (a dark bedroom) to a new, public space to introduce interaction. visually established in a moment of quiet introspection. To advance the narrative towards an unexpected connection, must introduce a new environment and at least one new character, as outlined in the global_prompt's shot_outline. The sushi bar setting provides a visually rich, culturally specific backdrop. By framing and together, with as a background presence, the shot immediately establishes a shared space and potential for connection. The medium shot allows for both character presence and environmental context, setting the stage for their burgeoning relationship. The lighting should be ambient and slightly warm, contrasting with the cool, dim light of , to signal a shift in mood and circumstance.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot' and the global_prompt, I need to create . The story setup describes forming an unexpected connection with in a foreign city. The shot_outline explicitly states that establishes and at a sushi bar with . Therefore, the shot must depict this new location and introduce these new characters, moving away from the solitary scene of . The camera should be a medium shot to show both characters and their environment, setting the initial scene for their interaction." }, { "instruction_full": "Maintain the warm, ambient lighting and the sushi bar setting established in . The camera moves in for a medium close-up, focusing primarily on as he looks towards (who is partially visible, seen from behind), holding chopsticks. His expression is contemplative, perhaps tinged with curiosity or weariness, reflecting his character's established state from global_prompt.", "think_full": "Following the establishment shot in , this shot () aims to deepen the focus on , as outlined in the shot_outline. By zooming in from the wider shot of to a medium close-up, the camera allows the viewer to observe his subtle expressions and reactions, which were not fully visible in . He maintains his position at the sushi bar from , and the warm, ambient lighting also continues from , reinforcing the continuous setting. His contemplative expression links back to the 'disoriented' nature of his character as established in the global_prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline indicates will be a closer shot on observing . Therefore, after the establishing shot , the next logical step is to tighten the frame on . The camera should capture his expression, maintaining the sushi bar setting and his interaction with from . The previous image provided visual context for his attire and location." }, { "instruction_full": "Cut to a medium close-up from the opposite angle, focusing on as she looks towards (partially visible, seen from behind or off-screen). She is seated at the sushi bar counter, as seen in and implied in . Her expression is thoughtful and gentle, perhaps a slight smile, suggesting an openness to connection. The warm, ambient lighting of the sushi bar from and remains consistent.", "think_full": "After focusing on 's perspective in , this shot () shifts to 's perspective, as outlined in the shot_outline, to establish a visual dialogue and reveal her character. The camera reverses the angle from but maintains a similar medium close-up framing, allowing for intimate observation of her expression. She continues to be at the sushi bar counter as established in , and the warm lighting from and ensures visual continuity of the environment. Her thoughtful and gentle expression aligns with the 'unexpected connection' theme and provides a contrast to 's weariness.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies focusing on , capturing her thoughtful and gentle expression, hinting at a connection. Following which focused on , a logical progression is to cut to a close-up of to show her reaction and perspective. This shot will maintain the sushi bar setting and the implied interaction with established in and ." }, { "instruction_full": "Return to a medium close-up of , similar to the framing in . He is seated at the sushi bar from , looking towards (whose back or side is partially visible). His expression now shows a slight easing, a subtle warmth or engagement, in response to her previous demeanor in . The warm, ambient lighting of the sushi bar continues from , , and .", "think_full": "This shot () returns to 's perspective, mirroring the framing of , to show his evolving reaction to after her thoughtful expression in . The shot_outline for specifically mentions a return to observing , showing a growing ease. By revisiting a similar angle and distance as , the sequence establishes a comfortable back-and-forth between the characters. The consistent sushi bar setting from , , and reinforces their shared space, and his slightly eased expression shows the beginning of their 'unexpected connection' from the global_prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline states returns to , showing a growing ease. This means a similar framing to is appropriate, showing his reaction to 's expression in . The setting of the sushi bar and the presence of (even if off-screen) remain consistent with , , and ." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing in . She is speaking, her mouth slightly open, and her hand is resting on her cheek, indicating active engagement in conversation. She is still at the sushi bar counter from , , , and , with implied off-screen. The warm, ambient lighting of the sushi bar from previous shots continues.", "think_full": "To continue the visual conversation and advance the narrative of their 'deepening conversation' as per the shot_outline for , the camera cuts back to . Reusing a similar medium close-up framing from reinforces visual consistency and allows for focus on her expression and gesture as she speaks. The sushi bar setting remains constant, as seen in , , , and , grounding their interaction. Her active pose and open mouth clearly indicate that she is speaking, deepening the engagement after 's eased expression in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for indicates a closer shot of speaking, furthering their conversation. This suggests a return to a similar close-up framing of as seen in , but with an active speaking pose. The sushi bar environment and the presence of (even if off-screen) remain consistent with all previous shots from onwards." }, { "instruction_full": "Pull back to a wider shot, similar to , re-establishing the sushi bar counter. and are both visible, sitting next to each other, still engaged in conversation. is visible in the background behind the counter, perhaps glancing towards them. The warm, ambient lighting of the sushi bar continues, and the scene implies a passage of time with their continued presence.", "think_full": "After a series of close-ups focusing on individual reactions and dialogue (, , , ), the shot_outline for calls for re-establishing the wider scene with all three characters. This wider shot, similar to , provides a sense of the ongoing environment and the passage of time since their initial encounter. It reminds the viewer of the setting established in and the presence of from , creating visual rhythm. It reinforces that their interaction is sustained and not just a fleeting moment, emphasizing the 'continued presence' aspect of the shot_outline.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for specifies a wider shot re-establishing the sushi bar setting with , , and , showing passage of time and their continued presence. This suggests a return to the initial wide framing of , confirming that the conversation is ongoing and placing the characters back into their environmental context." }, { "instruction_full": "Cut back to a medium close-up of , similar to and . She is listening intently, a subtle, thoughtful expression on her face, possibly looking downwards or just past , reflecting the 'deepening connection' from the shot_outline. She is still at the sushi bar from through . The warm, ambient lighting persists.", "think_full": "Following the re-establishment shot in , this shot () returns to a close-up on to capture her nuanced emotional state, as suggested by the shot_outline for to indicate a 'deepening connection.' By reusing the medium close-up framing from and , the camera maintains intimacy and visual continuity while allowing for the subtle change in her expression. The sushi bar environment from through remains consistent, grounding her in the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for focuses on 's expression, indicating a deepening connection. After the wider shot in , it's logical to return to an intimate close-up on one of the main characters. This suggests a similar framing to her previous close-ups in and , maintaining the sushi bar setting from onwards and showing her engagement." }, { "instruction_full": "Cut to a medium close-up of , similar to and . He is looking at (partially visible or just off-screen), his gaze engaged and reflective, showing his 'engagement and subtle emotional shift' as per the shot_outline. He is still seated at the sushi bar counter from through . The warm, ambient lighting of the sushi bar continues.", "think_full": "After the close-up on in , this shot () cuts back to to show his reciprocal 'engagement and subtle emotional shift,' directly following the narrative beat from the shot_outline. Reusing the medium close-up framing from and maintains visual consistency and allows the audience to observe his reaction intimately. The continuous sushi bar setting from through reinforces their shared space and ongoing interaction, highlighting the 'unexpected connection' of the global_prompt.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for focuses on 's reaction, showing his engagement and subtle emotional shift. This calls for a return to his close-up framing seen in and , following 's focus on . The sushi bar setting from through will be maintained, continuing the established scene and dialogue." }, { "instruction_full": "Shift focus to a medium close-up of behind the counter, who was visible in the wider shots of and . He looks directly towards the area where and are seated, his expression neutral or subtly knowing, acting as an external observer. The setting remains the well-lit sushi bar, with the warm, ambient lighting of previous shots.", "think_full": "After alternating close-ups between () and (), the shot_outline for indicates a 'focused shot on , observing the pair.' This shot introduces an external perspective on their developing connection. was previously established in the background of and , so this shot focuses on an existing character but with a new, more prominent framing. This change in focus provides a moment of reflection on the scene, utilizing the consistent sushi bar environment from through .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for calls for a focused shot on , observing the pair. This means moving from the close-ups of and to provide an external viewpoint. was present in the wider shots (, ), so this involves a new, tighter framing of an established background character, maintaining the sushi bar setting from through ." } ], "_src_movie_dir": "Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv", "_src_filename": "086169_089325.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Lost.In.Translation.2003.2160p.BluRay.REMUX.ENG.LATINO.ITA.HINDI.RUS.DTS-HD.Master.DDP5.1.VC-1.H264-BEN.THE.MEN.mkv/086169_089325.json", "_test_index": 422 }, { "movie": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/63500.jpg-Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64406.jpg", "images": [ { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/63500.jpg", "filename": "63500.jpg", "aesthetic": 6.128353595733643, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/63521.jpg", "filename": "63521.jpg", "aesthetic": 6.814920425415039, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64064.jpg", "filename": "64064.jpg", "aesthetic": 6.479698181152344, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64082.jpg", "filename": "64082.jpg", "aesthetic": 6.262765884399414, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64118.jpg", "filename": "64118.jpg", "aesthetic": 5.755946159362793, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64127.jpg", "filename": "64127.jpg", "aesthetic": 6.497096538543701, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64262.jpg", "filename": "64262.jpg", "aesthetic": 5.456813812255859, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64313.jpg", "filename": "64313.jpg", "aesthetic": 6.574440002441406, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64349.jpg", "filename": "64349.jpg", "aesthetic": 5.565214157104492, "musiq": 0.0 }, { "tag": "", "rel_path": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/64406.jpg", "filename": "64406.jpg", "aesthetic": 6.60576057434082, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense confrontation begins in a dark, industrial garage space, suggesting a meeting with high stakes. The scene then transitions to a more casual, yet still focused, nighttime conversation between the two main characters at an outdoor market stall, with festive lighting. The tone shifts from initial tension to a more relaxed, but still deeply engaged, dialogue.", "characters": [ "", "", "" ], "shot_outline": " focuses on to establish his presence and reaction to from . transitions to a new, brighter, outdoor nighttime setting with both and interacting with , indicating a change in their dynamic or context. is a close-up on within the new setting, continuing the conversation from , focusing on his expression. is a close-up on in the same setting, responding to , emphasizing her reaction. returns to a close-up of , maintaining the conversational rhythm, with bokeh background. returns to a close-up of , showing a surprised or intense reaction. is another close-up on , continuing the intense dialogue, showing his focused expression. is a final close-up on , concluding the intense exchange with a focused gaze. pulls back to a wider shot of all three characters, similar to , to conclude the interaction at the cart." }, "instruction_full": "The camera should shift to a medium close-up of , who was previously out of focus with his back to the camera in . He should be looking forward, possibly speaking, with a serious or questioning expression. The setting remains the same industrial/garage space from , maintaining the slightly dark and cluttered background with a glimpse of the pink vehicle, but now emphasizing his presence in this environment. The purpose is to reveal the second character fully and establish his role in the tense exchange begun in .", "think_full": "Based on , we see looking directly at an unseen person whose back is to the camera. To advance the scene, must reveal this unseen person. We need to cut to a medium close-up on to properly introduce him, showing his face and expression to match the implied conversation from . The environment, characterized by the dark industrial space and the distinctive pink vehicle, should remain consistent with to maintain spatial continuity and the initial tense mood. This shot serves to fully bring into the visual narrative, establishing him as the counterpart to .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should \"focus on to establish his presence and reaction to from .\" To achieve this, the camera should reverse shot from , focusing on the character who was previously obscured. This means a medium close-up on , showing him engaging in the conversation. The background should be consistent with the industrial garage from , possibly slightly blurred to keep focus on him. This shot introduces the character and his perspective in the ongoing scene." }, { "instruction_full": "Transition to a completely new, wider shot set outdoors at night, featuring both and from and respectively. They are standing near an illuminated street vendor's cart, possibly ordering something. A third character, , is actively serving them. The background should show city lights reflecting on water, creating a more relaxed, yet still active, nighttime atmosphere, signaling a shift in location and potentially the narrative pace.", "think_full": "The story needs to move beyond the initial tense encounter. The `global_prompt.shot_outline` for mentions transitioning to a new setting and showing both and interacting with . Therefore, a new outdoor nighttime environment is required, completely different from the industrial garage seen in and . This shot needs to be wide enough to establish the new location, the presence of both main characters (returning from and ), and introduce a new character, , engaged in an everyday activity. The presence of the vendor and the public setting helps to lighten the mood after the previous tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states it \"transitions to a new, brighter, outdoor nighttime setting with both and interacting with , indicating a change in their dynamic or context.\" Based on this, I need to create a shot that clearly establishes a new location. This requires an outdoor night scene, potentially with city lights. Both (seen in and ) and (seen in ) should be present, now together, and a new character, , should be introduced. A medium-wide shot showing them around a brightly lit vendor's cart would achieve the desired shift in setting and interaction." }, { "instruction_full": "From the wider shot of , the camera should move to a medium close-up on . He is positioned to the left of the frame, looking towards (who is out of frame to the right). He should appear engaged in conversation, possibly with a slightly amused or contemplative expression. The festive string lights from the background of should now be a soft, out-of-focus bokeh, maintaining the atmosphere of the new outdoor setting while drawing focus to his face.", "think_full": "Following the establishment of the new location and interaction in , needs to bring the focus back to the characters' individual expressions and dialogue. The `global_prompt.shot_outline` suggests a close-up on continuing the conversation. We zoom in from to capture (returning from and ) more intimately. The background bokeh of the string lights, which were part of the wider scene in , maintains continuity of the festive outdoor setting while providing a pleasing, soft backdrop for his expression. This shot isolates his reaction to whatever is saying.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies as a \"close-up on within the new setting, continuing the conversation from , focusing on his expression.\" This requires a tighter shot on (present in , , ). The background should retain elements of the outdoor night setting established in , specifically the ambient lights, but now softened into bokeh to highlight his face. His expression should reflect ongoing dialogue, consistent with the narrative purpose of focusing on his reaction." }, { "instruction_full": "The camera should now switch to a medium close-up on , mirroring the framing of . She is positioned to the right of the frame, looking towards (out of frame to the left). Her expression should be attentive, possibly serious or questioning, in direct response to the conversation from . The soft bokeh of the festive lights from should continue in the background, maintaining the visual and atmospheric continuity of their discussion in the outdoor setting.", "think_full": "To continue the conversational rhythm established by 's focus on , needs to show 's reaction. The `global_prompt.shot_outline` confirms this by stating is a \"close-up on in the same setting, responding to , emphasizing her reaction.\" Therefore, we need a reverse shot from , focusing on (who was seen in and ). The outdoor night ambiance with the bokeh lights from should be maintained to ensure seamless continuity of the shared space. Her expression is key to showing her engagement in the dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies as a \"close-up on in the same setting, responding to , emphasizing her reaction.\" This implies a reverse shot to . Therefore, the camera should focus on (seen in and ), capturing her expression as she reacts to . The background should maintain the bokeh of the festive lights seen in to ensure spatial continuity in the outdoor night setting." }, { "instruction_full": "Return to a medium close-up of , similar in framing to , with him looking towards (out of frame to the right). He maintains an engaged, perhaps slightly surprised or thoughtful expression, continuing the dialogue. The soft, out-of-focus festive lights should remain in the background, consistently providing the ambient lighting of the outdoor setting from and .", "think_full": "The conversational exchange between and needs to continue. The `global_prompt.shot_outline` for indicates a return to a close-up of , maintaining the conversational rhythm. This requires a re-establishment of the framing from on (seen in , , , ). The bokeh background from and must be kept consistent to reinforce that the conversation is ongoing in the same outdoor setting. His expression will drive the next beat of the dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states, \"Returns to a close-up of , maintaining the conversational rhythm, with bokeh background.\" To achieve this, the shot should revert to the framing of (seen in , , , ) as depicted in , showing him reacting. The background must continue the soft, out-of-focus festive lights established in and to maintain environmental consistency during their dialogue." }, { "instruction_full": "Shift back to a medium close-up of , mirroring the framing of . She is positioned to the right of the frame, looking towards (out of frame to the left). Her expression should be more intense or surprised, showing a heightened reaction to the ongoing conversation. The bokeh of the festive lights from should persist in the background, maintaining the continuity of the night scene.", "think_full": "To follow the escalating dialogue suggested by 's expression in , needs to capture 's reaction with increased intensity. The `global_prompt.shot_outline` for specifies a \"close-up of , showing a surprised or intense reaction.\" We should return to the framing of (seen in , , ) from . The outdoor night setting with the bokeh lights from must remain consistent to link this shot seamlessly to the ongoing discussion. Her heightened expression is critical for dramatic impact.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is \"Returns to a close-up of , showing a surprised or intense reaction.\" This calls for a reverse shot of , focusing on (seen in , , ) similar to . Her expression should convey heightened emotion. The consistent bokeh background of festive lights from will maintain the established ambiance of their conversation in the outdoor night setting." }, { "instruction_full": "Return to a medium close-up of , mirroring the framing of . He is looking towards (out of frame to the right) with a focused or concerned expression, continuing the intense exchange. The soft bokeh of the festive lights from should remain in the background, maintaining the atmospheric continuity of the outdoor night setting.", "think_full": "To continue the intense back-and-forth, we need to return to 's perspective. The `global_prompt.shot_outline` for suggests \"another close-up on , continuing the intense dialogue, showing his focused expression.\" This requires returning to the framing of (seen in , , , , ) as seen in . The consistent bokeh background of festive lights from is essential to maintain the visual continuity of their conversation in the same outdoor location. His focused expression indicates the gravity of the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is \"another close-up on , continuing the intense dialogue, showing his focused expression.\" This dictates returning to a close-up shot of (seen in , , , , ), similar to . His expression should convey serious engagement. The background must maintain the soft, out-of-focus festive lights from to ensure the scene's environmental consistency." }, { "instruction_full": "Shift back to a medium close-up of , mirroring the framing of . She is positioned to the right of the frame, looking towards (out of frame to the left). Her expression should be thoughtful, perhaps resolute, as if processing or concluding the intense conversation. The bokeh of the festive lights from should continue in the background, maintaining the continuity of the night scene.", "think_full": "To conclude the rapid-fire exchange of close-ups, should provide 's final reaction in this segment. The `global_prompt.shot_outline` for specifies \"a final close-up on , concluding the intense exchange with a focused gaze.\" This requires returning to the framing of (seen in , , , ) from . The consistent bokeh background of festive lights from reinforces the ongoing scene. Her focused gaze brings a sense of resolution or contemplation to the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for is \"A final close-up on , concluding the intense exchange with a focused gaze.\" This requires a reverse shot of , focusing on (seen in , , , ), similar to . Her expression should reflect a sense of finality or deep thought. The background must maintain the soft, out-of-focus festive lights from to ensure environmental consistency." }, { "instruction_full": "The camera should pull back to a wider shot, similar to , showing both and (from and ), along with , still interacting around the illuminated cart. The background should reveal the full outdoor night environment with city lights and reflections on the water, exactly as established in . The purpose is to return to the broader scene and show the conclusion of their interaction with .", "think_full": "After a series of close-ups, needs to widen the perspective again to show the broader context of their interaction. The `global_prompt.shot_outline` for states, \"Pulls back to a wider shot of all three characters, similar to , to conclude the interaction at the cart.\" This means returning to the camera framing and overall composition seen in , including all three characters: (seen in , , , , , ), (seen in , , , , ), and (seen in ). The outdoor night setting, the illuminated cart, and the city lights in the background from should all be consistently re-established to provide a sense of conclusion to this particular segment of their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates, \"Pulls back to a wider shot of all three characters, similar to , to conclude the interaction at the cart.\" This clearly implies a return to the wide shot composition established in . All three characters – (seen throughout the sequence), (also seen throughout), and (last seen in ) – should be visible, interacting around the illuminated cart. The outdoor night setting, including the city lights and reflections, as shown in , must be fully present to ground the scene spatially and visually conclude this segment." } ], "_src_movie_dir": "Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "063500_064406.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Free.Guy.2021.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/063500_064406.json", "_test_index": 434 }, { "movie": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81255.jpg-The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/82370.jpg", "images": [ { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81255.jpg", "filename": "81255.jpg", "aesthetic": 6.710512161254883, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81339.jpg", "filename": "81339.jpg", "aesthetic": 5.691435813903809, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81551.jpg", "filename": "81551.jpg", "aesthetic": 6.651226997375488, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81671.jpg", "filename": "81671.jpg", "aesthetic": 6.0671820640563965, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81713.jpg", "filename": "81713.jpg", "aesthetic": 6.458136558532715, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81824.jpg", "filename": "81824.jpg", "aesthetic": 6.015966415405273, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81908.jpg", "filename": "81908.jpg", "aesthetic": 6.331519603729248, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/81914.jpg", "filename": "81914.jpg", "aesthetic": 6.335638999938965, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/82340.jpg", "filename": "82340.jpg", "aesthetic": 5.727227210998535, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/82370.jpg", "filename": "82370.jpg", "aesthetic": 5.880827903747559, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two British military officers, one senior and one junior, are engaged in a tense, formal meeting within a grand, historically appointed room. The tone is serious and formal, possibly a briefing or an interrogation, with subtle power dynamics at play. The light is natural from large windows, creating a dramatic, somewhat stark atmosphere.", "characters": [ "", "" ], "shot_outline": " establishes the full, grand setting of the room and positions both and , highlighting their relative positions and the power dynamic. isolates in a medium close-up, focusing on his expression and subtle reactions. cuts to a medium close-up of , showing his assertive demeanor. returns to for another reaction, subtly shifting his expression. returns to for a continued display of authority. focuses again on 's evolving reaction. shows 's sustained gaze. captures a final, more settled reaction from . shows 's concluding expression, perhaps a satisfied or thoughtful look." }, "instruction_full": "The camera pulls back from the tight over-the-shoulder shot of to a wide, establishing shot. It captures both (seen in ) and introduces , standing opposite each other in a grand, high-ceilinged room. Large windows on the far wall let in bright, natural daylight, contrasting with the darker, ornate walls and heavy furniture, including a large desk between them. stands attentively on the right, while stands to the left, leaning slightly over documents on the desk. This shot is to establish the formal, imposing setting and the physical distance and power dynamic between the two men.", "think_full": "The initial shot gave us a close-up of , smiling subtly, with another character partially obscured in the foreground. To build the scene, the next logical step is to reveal the full context. This involves moving the camera to a wide shot to establish the grand setting, which looks like a historical official's office with its high ceilings, large windows, and period furniture, as suggested by the dark, ornate background visible in . By introducing (the obscured figure from ) and showing both men in their environment, we clarify their relative positions and the formal nature of their interaction, setting up the power dynamic before diving into close-ups of their reactions. The daylight from the windows, which was hinted at by the subtle light on 's face in , is now fully revealed, giving the room a dramatic, somewhat stark lighting quality.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions two officers in a tense, formal meeting in a grand room. shows and partially obscures the other. The `shot_outline` for states it should \"establish the full, grand setting of the room and positions both and , highlighting their relative positions and the power dynamic.\" Therefore, the camera should pull back from the tight shot of to a wider view, revealing the full room and both characters, clearly showing and introducing in this established environment. The room will be grand and formal, consistent with the brief glimpse of the background in and the characters' attire. The intent is to set the scene and context for their interaction." }, { "instruction_full": "Return to a medium close-up, similar to the framing of in , focusing specifically on as he stands attentively. The lighting remains dramatic from the large windows established in , but the background is now largely obscured in shadow, emphasizing his face and the subtle change in his expression from the smile seen in to a more serious, contemplative look. This shot serves to isolate his immediate reaction to the unfolding discussion.", "think_full": "Having established the scene and the relative positions of and in the wide shot of , the narrative now calls for a focus on individual reactions. A medium close-up on directly follows from the implied close focus on him in , and the wider context of the room from confirms the dramatic window lighting. By keeping the background dark and indistinct, as was also somewhat the case in (though more pronounced here), the shot emphasizes his current contemplative and slightly strained expression, which has shifted from the subtle smile in . This shift in expression from highlights the impact of the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` states that should \"isolate in a medium close-up, focusing on his expression and subtle reactions.\" Given that already featured a close-up of and established the overall scene, the logical next step is to return to for a detailed reaction shot. The camera should adopt a medium close-up similar to to maintain continuity of focus on this character, utilizing the dramatic lighting established in to emphasize his face." }, { "instruction_full": "The camera cuts to a medium close-up on , mirroring the framing and eye-level perspective of but from the opposite side of the conversation. He is shown with a serious, commanding expression, looking towards . The background continues to feature the large windows with natural light from , now slightly off-center behind him, reinforcing the grand setting. This shot is to convey 's authoritative presence and the impact of his words or stance.", "think_full": "Following the reaction shot of in , it is essential to show the other participant, , to complete the dialogue exchange and convey his role in the dynamic. This shot naturally frames (introduced in ) from a similar medium close-up distance as , creating a visual rhythm. The large windows and natural light established in are visible in the background, anchoring this shot within the same formal environment. His serious and commanding expression is consistent with his presumed senior role in the power dynamic established in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it should \"cut to a medium close-up of , showing his assertive demeanor.\" After focused on , a natural progression for a dialogue or confrontation is to cut to the other speaker. introduced and the setting. Therefore, the camera should move to a medium close-up on , using the same grand room background and dramatic natural light established in , to show his active participation and commanding presence." }, { "instruction_full": "The camera returns to a medium close-up of , replicating the framing and dark background emphasis seen in . His expression is now slightly more focused and perhaps a hint of subtle concern or determination has replaced the earlier contemplation. This shot continues to track his internal processing of the conversation, building on his previous reaction in .", "think_full": "To maintain the rhythm of the conversation and track the evolving reactions, the camera cuts back to . This shot reuses the medium close-up framing from for continuity and familiarity, reinforcing the focus on his individual experience. The character was established in and fully visible in and . The background largely in shadow, as in , helps to isolate his face and highlight the subtle changes in his expression, indicating a deeper engagement or shifting emotion in response to 's demeanor seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates that should \"return to for another reaction, subtly shifting his expression.\" Following the shot of in , it's logical to observe 's response. The camera should return to a medium close-up on , similar to , within the same implicitly dark background from and , to show his evolving reaction." }, { "instruction_full": "Cut back to in a medium close-up, maintaining the framing similar to . He now shows a more direct, perhaps slightly challenging or insistent expression, looking steadily towards . The grand room's window light, as seen in and , remains a soft background element, keeping the focus on his face and commanding presence. This shot emphasizes his continued assertion of authority in the exchange.", "think_full": "Following 's reaction in , the focus shifts back to to show his response or continuation of the discussion. This shot maintains the established medium close-up framing from for (who was introduced in ), providing a consistent visual flow. The background with the large windows and natural light, originating from and present in , continues to place him within the formal, imposing setting. His expression is subtly intensified from , conveying increased resolve or a more pointed message.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates that should \"return to for a continued display of authority.\" After showing 's reaction in , the sequence requires a return to . The camera should cut back to a medium close-up on , maintaining a similar framing to , with the grand room background visible from and , to show his sustained or intensified demeanor." }, { "instruction_full": "Revert to a medium close-up on , closely mirroring the framing of and . His expression now carries a weightier, perhaps slightly troubled or resolved look, indicating the gravity of the situation. The background remains largely indistinct shadow, drawing full attention to the subtle shifts in his facial expression, intensifying the dramatic tension.", "think_full": "To continue the back-and-forth and demonstrate the escalating tension or weight of the conversation, the camera returns to . This shot reuses the consistent medium close-up framing from and for (established in ), which effectively isolates his emotional state. The dark background, used consistently for his close-ups in and , helps to emphasize the nuanced changes in his expression, showing he is deeply affected by 's words from .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies to \"focus again on 's evolving reaction.\" Following 's assertive display in , it's crucial to see 's continued emotional response. The camera should return to a medium close-up on , maintaining the framing and dark background similar to and , to capture the latest subtle shift in his expression." }, { "instruction_full": "Cut back to a medium close-up of , maintaining the established framing from and . His gaze is now more piercing, suggesting a moment of critical observation or a final, impactful statement. The natural window light from , also present in and , provides a subtle backdrop to his intense focus. This shot is to convey his unwavering resolve or a decisive moment in the dialogue.", "think_full": "Following 's troubled or resolved look in , the camera shifts back to to show his reaction or the next phase of his communication. This shot uses the consistent medium close-up framing seen in and for (introduced in ), maintaining visual continuity. The background elements, including the window light from , , and , continue to reinforce the formal setting. His expression has intensified further, reflecting the narrative progression and the increasing gravity of the exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says to show \"'s sustained gaze.\" After tracking 's reaction in , the narrative calls for a return to 's perspective. The camera should capture a medium close-up of , in a similar framing to and , with the grand room's ambient light from in the background, to show his firm and sustained attention." }, { "instruction_full": "Return to a medium close-up of , mirroring the consistent framing from , , and . His expression now seems to convey a sense of acceptance, a quiet understanding, or perhaps a difficult decision made. The dark, indistinct background emphasizes this final, internal moment, reflecting the climax of his emotional journey in this exchange.", "think_full": "The sequence concludes the emotional arc of by returning to his perspective. This shot reuses the consistent medium close-up framing from , , and for (established in ), which has been used to chart his reactions throughout the conversation. The dark background, consistently used for his close-ups, allows for maximum focus on the subtle, yet significant, shift in his expression to one of quiet resignation or understanding, completing his character's immediate arc in this particular exchange after 's intense gaze in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for suggests capturing \"a final, more settled reaction from .\" To complete 's emotional arc within this dialogue, the camera should return to him. It should be a medium close-up, consistent with previous shots like , , and , featuring him against a dark background, to highlight his conclusive expression in response to the preceding interaction." }, { "instruction_full": "The final cut returns to in a medium close-up, maintaining the framing from , , and . His expression is now more settled, perhaps a subtle hint of satisfaction, resolve, or a thoughtful pause, reflecting the conclusion of the discussion. The natural window light from continues to illuminate the background, subtly underscoring the finality of the exchange. This shot provides a sense of closure to the power dynamic and the conversation.", "think_full": "To provide a sense of conclusion for the entire exchange and the power dynamic, the camera returns to . This shot maintains the consistent medium close-up framing used for in , , and (who was introduced in ), ensuring visual coherence. The background with the window light, present since , remains consistent. His expression, now subtly changed from the intensity of , suggests the completion of his objective or a thoughtful wrap-up to the serious conversation with from .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates showing \"'s concluding expression, perhaps a satisfied or thoughtful look.\" To bring the conversation to a close, the final shot should return to . The camera should capture a medium close-up, consistent with previous shots like , , and , against the grand room background visible from , to convey his final demeanor after the exchange." } ], "_src_movie_dir": "The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "081255_082370.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Patriot.2000.THEATRICAL.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/081255_082370.json", "_test_index": 436 }, { "movie": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40807.jpg-Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41122.jpg", "images": [ { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40807.jpg", "filename": "40807.jpg", "aesthetic": 5.346318244934082, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40900.jpg", "filename": "40900.jpg", "aesthetic": 5.232908725738525, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40936.jpg", "filename": "40936.jpg", "aesthetic": 7.098581790924072, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40975.jpg", "filename": "40975.jpg", "aesthetic": 6.7131547927856445, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41035.jpg", "filename": "41035.jpg", "aesthetic": 5.280571937561035, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41059.jpg", "filename": "41059.jpg", "aesthetic": 6.580969333648682, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41074.jpg", "filename": "41074.jpg", "aesthetic": 4.563960075378418, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41095.jpg", "filename": "41095.jpg", "aesthetic": 6.5883965492248535, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41119.jpg", "filename": "41119.jpg", "aesthetic": 5.54925012588501, "musiq": 0.0 }, { "tag": "", "rel_path": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41122.jpg", "filename": "41122.jpg", "aesthetic": 6.96599006652832, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative follows a group of military recruits in a barracks environment, exploring themes of adaptation, hierarchy, and camaraderie. The tone is observational, focusing on the subtle social dynamics and individual experiences within a structured, often challenging setting.", "characters": [ "", "", "", "" ], "shot_outline": " focuses on an initial, direct interaction involving and another character, establishing immediate social dynamics. shifts to another recruit engaged in a personal routine, broadening the view of barracks life. expands the scene to show more recruits in a relaxed moment, highlighting daily activities. returns to a close-up of , showing a subtle reaction or introspection. introduces a powerful or assertive display by another recruit. offers a detail shot, grounding the scene in the physical environment. provides a wider view of the barracks, showing multiple characters in various states of activity, building a sense of collective presence. captures a significant reaction from . concludes the sequence with a broader shot of the recruits, suggesting continued interaction or a moment of group cohesion." }, "instruction_full": "Shift the camera to a medium shot, framing and in profile, facing each other. , present from , should have a slightly downcast or contemplative expression, while appears to be addressing him directly, with a firm gaze. We remain in the same barracks setting as , maintaining the functional aesthetic with the shelves and windows in the background, to focus on the interpersonal dynamic.", "think_full": "The objective is to establish a direct social interaction following the more general introduction of in . By moving to a medium shot, we bring the viewer closer to the characters, allowing for more detailed observation of their expressions and body language. is carried over from , maintaining his slightly reserved or observed demeanor, now engaging directly with . is introduced here as a more assertive presence, possibly the partially seen figure from now fully revealed. The consistent barracks environment, identified from with its shelves and windows, provides a continuous backdrop, emphasizing that this interaction is an intrinsic part of their new reality and hierarchy.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, combined with the global story setup of military barracks life and the shot outline's mention of an initial interaction in , the most logical step is to zoom in on an interaction. established looking somewhat wary, so the next shot should detail how he engages with another character. A medium shot focusing on and a newly defined or in the existing barracks environment from will serve to immediately develop the social dynamics. will likely retain a somewhat subdued expression from , while the other character will be more active in the interaction." }, { "instruction_full": "Change the camera to a medium close-up on , now shirtless and flexing or stretching, focusing on his upper body. He should be positioned to the right of the frame, near the windows seen in and . The shelves from are visible in the background, reinforcing the continuous barracks setting, but the focus is entirely on this new physical display and the character's confidence.", "think_full": "The shot outline for suggests broadening the view of barracks life with a recruit engaged in a personal routine. Following the direct interaction in involving and , this shot shifts focus to alone, emphasizing a different aspect of his character – his physicality and self-assuredness. By showing him shirtless and flexing, we highlight the physical demands and culture of the military environment. The continuity of the barracks background, drawing elements like the windows from and the shelves from , grounds this new action within the established setting, preventing a jarring scene change.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction 'generate the next shot' and the shot outline for indicating a shift to 'another recruit engaged in a personal routine' prompts a change in focus. After the interpersonal tension in , it's logical to show a different activity or character to expand on barracks life. A medium close-up on one of the previously seen recruits, or a new one, engaging in a routine like changing or exercising, would fit. Since was just seen in , focusing on his physical presence in the same barracks setting from would be a natural progression to showcase another aspect of his personality or the environment's demands." }, { "instruction_full": "Widen the camera to a medium-full shot, revealing two new characters, and , sitting on bunk beds in their olive green uniforms. is actively speaking or gesturing, while is observing quietly, perhaps reading. The setting is clearly still the barracks, with the familiar wooden floors and window light from , , and , but now showcasing the sleeping quarters.", "think_full": "According to the shot outline, should expand the scene to show more recruits in a relaxed moment, highlighting daily activities. This shot serves to broaden the scope of barracks life beyond the initial interactions and individual routines seen in and . By introducing and sitting on bunk beds, it establishes a more communal and less intense atmosphere. The consistent visual elements like the wooden floors, lighting, and general ambiance, directly traceable to , , and , ensure spatial continuity despite shifting to a different part of the barracks.", "instruction_minimal": "generate the next shot", "think_minimal": "With the instruction 'generate the next shot' and the shot outline's indication for to show 'more recruits in a relaxed moment', the logical choice is to widen the view and introduce more characters. Following the direct interaction in and the individual focus in , a shot depicting a group in a more casual, everyday barracks activity would provide a necessary contrast and build out the communal environment. This means showing more of the barracks space, like bunk beds, and new characters such as and from the global character list, continuing the visual style established in ." }, { "instruction_full": "Return the camera to a medium close-up, focusing on . He is wearing his olive green uniform, with a subtle, slight smile on his face, looking downwards or slightly off-camera. The background should maintain the familiar barracks environment, with elements like the simple wall and perhaps a hint of a window or shelf from and , indicating a moment of personal reflection within the established setting.", "think_full": "The shot outline for explicitly calls for a return to a close-up of to show 'a subtle reaction or introspection'. After experiencing both the direct interaction in , the physical presence of in , and the communal relaxation in , this shot brings the narrative back to the protagonist's internal state. His subtle smile suggests he is processing these observations. The continuity of the barracks background, using general elements observed in through , reinforces that this personal moment is still very much situated within his new environment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the shot outline's guidance for to return to 'a close-up of , showing a subtle reaction or introspection', the focus needs to shift back to our protagonist. After the varied social dynamics presented in , , and , a moment for to internalize these experiences is logical. The camera will zoom in to capture his expression, likely a subtle one that indicates thought or mild amusement. The barracks environment from will remain the backdrop, connecting his internal state to his current reality." }, { "instruction_full": "Capture a medium shot of , now wearing a simple green t-shirt, actively brandishing a knife with a confident, almost challenging smile directed towards the camera. The background maintains the barracks' functional interior, reminiscent of the general environment seen in and , potentially with a darker corner or slightly muted lighting to emphasize the display, fulfilling the 'powerful or assertive display' outline.", "think_full": "The shot outline for specifies 'a powerful or assertive display by another recruit'. Following 's introspective moment in , this shot serves as an external force re-asserting the raw, physical reality of the military environment. Reintroducing , previously seen in and (where his physicality was already hinted at), performing an assertive action like brandishing a knife, creates a dynamic shift. The continuity of the barracks setting from through grounds this action, while slightly adjusting the lighting or framing within that consistent space can enhance the dramatic impact of this display.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering the 'generate the next shot' instruction and the shot outline's plan for as 'a powerful or assertive display by another recruit', the scene needs a moment of heightened energy or assertion. After 's quiet reflection in , a dynamic shot featuring one of the more dominant characters, like (whose physicality was noted in ), engaging in a confident or skilled action such as showing a weapon or a physical feat, would be appropriate. The environment will remain the barracks, consistent with , to keep the narrative grounded." }, { "instruction_full": "Execute a low-angle close-up shot focusing on a pair of military-style boots or shoes, likely worn by one of the recruits, standing on the wooden floor of the barracks. The texture of the wood and the subtle shadows from the uniform pants, similar to the general aesthetic of the barracks environment from and , should be prominent. This shot isolates a tactile detail of military life.", "think_full": "The shot outline for calls for 'a detail shot, grounding the scene in the physical environment'. After the powerful action of , a shift to an observational detail shot offers a momentary visual pause and reinforces the tangible reality of the barracks. Focusing on the boots and the wooden floor, consistent with the environment established in and particularly visible in , provides a concrete, textural link to the setting without needing to show characters' faces. This grounds the audience in the daily existence of the recruits and the uniform elements of their lives.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the shot outline's explicit mention of as 'a detail shot, grounding the scene in the physical environment', the next step is to focus on a specific, non-character-centric element of the barracks. Following the assertive action in , a shot of the uniform details, like boots on the barracks' wooden floor (as hinted at in and visible in ), would fulfill this. It visually emphasizes the material reality of their environment and the uniformity of their lives without revealing new plot points." }, { "instruction_full": "Return to a wide, medium-full shot, similar in scope to but showing more of the barracks interior. Feature several recruits in their olive green uniforms: standing, talking to another, and seated. is also present, perhaps observing the general activity from a distance. The natural light from the windows and the functional shelving system, consistent with , , , and , define the background, creating a sense of a bustling communal space.", "think_full": "The shot outline for aims to provide 'a wider view of the barracks, showing multiple characters in various states of activity, building a sense of collective presence'. Following the detailed, individual focuses of and , this shot broadens the perspective again to re-establish the communal setting. It brings back several defined characters – , , , and (all previously introduced in , , , , , ) – engaging in varied, natural activities to convey the ongoing life within the barracks. The consistent barracks environment, with elements like the windows and shelving observed in through , ensures spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, combined with the shot outline for which specifies 'a wider view of the barracks, showing multiple characters in various states of activity, building a sense of collective presence', indicates a return to a broader, establishing shot. After the intense individual action in and the detail in , it's essential to re-contextualize the characters within the larger group. This means a medium-full shot, pulling back the camera from to include several recruits (like , , , and who have appeared in to ) in the barracks setting established from , performing routine activities, reinforcing the communal atmosphere." }, { "instruction_full": "Execute a medium close-up, focusing tightly on 's face, showing a determined or knowing smirk, looking slightly off-camera. His olive green uniform from and is visible. The background is a soft blur of the barracks interior, retaining the diffused window light and muted tones observed throughout the sequence from to , but keeping attention solely on his developing expression.", "think_full": "The shot outline for specifically calls for 'a significant reaction from '. This shot, a close-up on (who appeared prominently in , , , and was visible in ), builds upon his earlier subtle smile in . After observing the collective dynamics in and the more aggressive display in , his smirk here suggests a development in his character – perhaps a newfound confidence, understanding, or quiet defiance. The blurred barracks background from through maintains spatial continuity while allowing his internal state to take center stage.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the shot outline's plan for to capture 'a significant reaction from ', the focus must narrow onto his emotional state. After the broader scene in , a close-up on (who has been a central observational character since ) is logical to convey his inner thoughts or a shift in attitude. His expression should be more pronounced than the subtle smile in , indicating a deeper level of engagement or resolution. The barracks environment, subtly present since , will provide the context without distracting from his face." }, { "instruction_full": "Transition to a wide, medium-full shot, capturing a similar perspective to but from a slightly different angle, showcasing multiple recruits in various activities within the barracks. , , and are visible, engaged in their routines, with situated within the group, perhaps observing them with a more integrated posture. The consistent natural light from the large windows and the functional barracks architecture, established since and seen throughout to , provide a cohesive backdrop to their ongoing daily life.", "think_full": "The shot outline for indicates 'a broader shot of the recruits, suggesting continued interaction or a moment of group cohesion'. After the personal moment of reflection for in , this final shot broadens the view once more, returning to the collective. It brings back all key characters ( from , , , , ; from , , , ; and from , ), placing them together within the ongoing life of the barracks. This spatial re-establishment, consistent with elements like windows and shelving visible from to , suggests that life continues and has found his place, or at least his understanding, within this environment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the shot outline's final point for to show 'a broader shot of the recruits, suggesting continued interaction or a moment of group cohesion', the sequence should end with an encompassing view of the barracks. Following 's individual reaction in , a wider shot (similar to ) that includes all previously introduced characters (, , , from to ) in the established barracks environment from makes sense. This provides a sense of the ongoing communal life and a conclusion to the observational narrative." } ], "_src_movie_dir": "Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "040807_041122.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Hacksaw.Ridge.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/040807_041122.json", "_test_index": 437 }, { "movie": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv", "N": 10, "sample_id": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/53803.jpg-The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54178.jpg", "images": [ { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/53803.jpg", "filename": "53803.jpg", "aesthetic": 5.164984226226807, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/53853.jpg", "filename": "53853.jpg", "aesthetic": 6.90907096862793, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/53953.jpg", "filename": "53953.jpg", "aesthetic": 7.4368133544921875, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/53966.jpg", "filename": "53966.jpg", "aesthetic": 6.772069931030273, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54006.jpg", "filename": "54006.jpg", "aesthetic": 6.538503646850586, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54088.jpg", "filename": "54088.jpg", "aesthetic": 6.395528793334961, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54103.jpg", "filename": "54103.jpg", "aesthetic": 6.214505195617676, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54141.jpg", "filename": "54141.jpg", "aesthetic": 7.380492210388184, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54169.jpg", "filename": "54169.jpg", "aesthetic": 6.906194686889648, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/54178.jpg", "filename": "54178.jpg", "aesthetic": 7.410886764526367, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A lavish, somewhat mysterious dinner party unfolds in a grand setting. The tone is sophisticated but carries an undercurrent of tension and intrigue. The pacing allows for detailed observation of character reactions and social dynamics.", "characters": [ "", "", "" ], "shot_outline": " introduces 's initial, slightly skeptical or observing reaction to the dinner. cuts to , establishing her presence and connection. provides a wider shot of the table, showing the social dynamic and introducing in conversation. returns to a close-up of , capturing a more pronounced emotional reaction. focuses tightly on , highlighting his intensity and charm. offers another perspective of , perhaps emphasizing a key detail or action. shows reacting positively, indicating engagement. features in a moment of amusement, further showcasing his engaging personality. concludes the sequence on with a settled, pleasant expression." }, "instruction_full": "Pull the camera back from the close-up of the food in to frame in a medium close-up, looking slightly off-camera with a thoughtful or mildly skeptical expression. The background should be softly blurred to suggest the presence of a busy, upscale dinner party, maintaining the elegant, muted lighting and rich atmosphere established in . This shot is to establish 's presence and his initial, perhaps wary, assessment of the situation.", "think_full": "The narrative requires establishing 's perspective after showing the unusual meal in . By moving from the detailed food shot of to a character focus, we shift the story's attention. is introduced as a new character here, so no prior image tags are needed for him. The space continues the elegant, somewhat muted atmosphere of a dinner party from , using a shallow depth of field to keep the focus on the character while hinting at the broader environment. His expression should convey a sense of observation or slight uncertainty, setting up his role as an outsider or newcomer trying to understand the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I must infer the next shot from the `global_prompt` and the preceding shot. The `global_prompt.story_setup` indicates a sophisticated, intriguing dinner party, and the `shot_outline` explicitly states that introduces 's initial reaction. showed a strange meal on a plate at a formal dinner. Therefore, the logical next step is to reveal who is sitting at this table. The camera should pull back from the food in to frame as the first character, maintaining the elegant dinner party setting. He should have an observing or thoughtful expression, consistent with the 'intrigued' part of his character tag. This establishes his presence and initial connection to the unusual meal." }, { "instruction_full": "Shift the camera to an over-the-shoulder shot, looking across the table at as she gazes back, a subtle, knowing smile on her face. The lighting should remain consistent with the sophisticated, somewhat dim dinner party ambiance seen in and . Her elegant attire and composure should be evident, complementing the upscale environment. This shot aims to introduce a key female character and hint at her connection or awareness within the social dynamic.", "think_full": "Following the introduction of in , the story needs to introduce another important character to build the social scene. The environment continues the elegant dinner party setting established in and maintained in , focusing on the same table, so continuity of lighting and ambiance is crucial. is a new character here. Her expression, a knowing smile, should hint at her role as an insider or someone with understanding, creating an immediate dynamic with who was shown to be more observant in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` dictates that introduces and her gaze. After establishing in , it's natural to show who he might be interacting with or observing. The camera should therefore shift to a counter-shot, framing across the table. The setting remains the same elegant dinner party from and . Her expression should be calm and possibly knowing, setting her character's tone and connection to the scene." }, { "instruction_full": "Widen the shot to a medium-long frame, revealing more of the dinner table setup from , including on the left, on the right, and now introducing in the center. He should be actively speaking, gesturing with his hands, exuding charm and confidence, with a lit candle and other table settings from visible between them. The background remains the lively, blurred dinner party. This shot reveals the group dynamic and positions as a central, active figure in the conversation.", "think_full": "After introducing individual characters in and , the narrative requires a broader view to establish the group dynamic and introduce the third main character. The physical space is clearly the same dinner party table seen in , with the distinctive plate, candle, and other elements returning, providing strong spatial continuity. (from ) and (from ) are visible again, now in relation to each other and the new character. is introduced here as a new character, so no prior image reference is needed for him. His active pose and gesturing establish his charismatic and engaging personality, fulfilling the narrative purpose of revealing the group's interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, should be a wider shot showing the group and introducing . Having seen in and in , the logical next step is to unite them and introduce the third key character. The camera should pull back further, maintaining the elegant dinner party environment from , , and , showing more of the table and all three characters in conversation. should be central and expressive, as implied by his 'charismatic' tag." }, { "instruction_full": "Return to a medium close-up of , similar to the framing in , but now his expression has shifted to a closed-mouth, slightly strained or amused smile, looking down or away slightly. The background remains the blurred, ambient activity of the dinner party, consistent with , , and . This shot emphasizes 's internal reaction to the ongoing conversation or situation at the table.", "think_full": "Following the establishment of the group dynamic and 's engagement in , the narrative needs to return to 's perspective. This shot reuses the camera framing and subject from to show a direct evolution of his reaction. reappears from and , now with a more complex, perhaps uncomfortable or feigned, smile. The elegant dinner party environment from , , , and remains consistent in the background, reinforcing the setting without distracting from the character's internal state. The shot's purpose is to highlight his specific emotional response, possibly to something said in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates returns to 's emotional reaction. After the introduction of and the group dynamic in , it's important to track how is processing the interaction. Therefore, the camera should return to a close-up on , similar to , to capture his evolving expression. The setting is still the elegant dinner party from , , , and . His new expression should convey his internal state, likely a reaction to the ongoing conversation." }, { "instruction_full": "Cut to a medium close-up of , similar in framing to in but with a more intense, engaging gaze directed slightly off-camera, towards . A lit lamp or candle and other dinner table elements from and should be visible in the foreground, blurring softly into the sophisticated dinner party background. He holds a lit cigarette, adding to his composed yet commanding presence. This shot focuses on his persona and intense engagement.", "think_full": "After showing 's reaction in , the focus shifts back to to deepen his character portrayal. He reappears from , now framed more tightly to emphasize his expression and actions. The background and table elements (like the distinctive plate in and the candle in ) continue the established elegant dinner party environment. The shot's intent is to underscore his magnetic personality, perhaps hinting at a manipulative charm, and the cigarette introduces a new visual detail that reinforces his sophisticated yet potentially dangerous aura.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies focuses on , highlighting his intensity and charm. Following 's reaction in , it's logical to see who is provoking that reaction. The camera should move to a close-up of , similar to the individual shots of the other characters, to emphasize his expression and presence. The elegant dinner party environment from through remains consistent, providing context for his charism." }, { "instruction_full": "Maintain a medium close-up on , as seen in , but now he is smiling broadly, with a cigarette actively smoking in his hand. His gaze remains engaging, directed slightly off-camera. The rich background of the elegant dinner party from and continues, softly blurred. This shot reinforces his confident and convivial nature, showing him fully at ease.", "think_full": "This shot continues the focus on , building on the intensity established in . The camera framing and character remain consistent from , but his expression changes to a broad smile, indicating a moment of levity or success in his interaction. The actively smoking cigarette from is more prominent, emphasizing a detail of his persona. The elegant dinner party environment seen in , , , , , and provides the stable backdrop. The narrative purpose is to further solidify his image as charming and self-assured, possibly as he delivers a punchline or makes a successful point.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` mentions will offer another perspective of , emphasizing a key detail or action. Given the previous shot showed him with a cigarette, a slight variation where he is more actively smoking or smiling broadly would fit this description. The camera should remain a close-up on , building on the previous shot , within the same elegant dinner party environment from through ." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing of and . He is now smiling genuinely, looking directly or slightly off-camera. The blurred, busy backdrop of the elegant dinner party from , , , , , , and persists. This shot signals 's positive engagement and perhaps a moment of shared amusement.", "think_full": "Following 's display of charm in , the narrative shifts back to to show his reaction. This shot reuses the consistent framing from and for , highlighting the evolution of his emotion. reappears from , , and , now with a clear, genuine smile, indicating his successful integration into the social dynamic or amusement by . The elegant dinner party environment from all previous shots remains constant, grounding the interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates shows reacting positively, indicating engagement. After seeing 's engaging demeanor in , it's logical to show 's reciprocal reaction. The camera should return to a close-up on , using a similar framing as and , to capture his smiling expression. The environment remains the elegant dinner party setting from through ." }, { "instruction_full": "Shift back to a medium close-up of , similar to and . He is captured in mid-laughter, looking jovial and confident, with a lit cigarette in his hand. The rich, blurred backdrop of the elegant dinner party, consistent with and , continues to provide context. This shot emphasizes his control of the social situation and infectious energy.", "think_full": "After showing 's positive reaction in , the narrative cycles back to to reinforce his captivating presence. This shot maintains the framing seen in and for . He reappears from , , and , now in a moment of full, jovial laughter, emphasizing his charm and perhaps his role as the life of the party. The active cigarette from and is still present. The elegant dinner party environment from through continues as the backdrop, confirming the setting and the ongoing social interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates features in a moment of amusement. Following 's genuine smile in , it's natural to show the source of that amusement or the continuation of the charming interaction. The camera should return to a close-up on , consistent with the framing in and , capturing him laughing or in a moment of high spirits. The dinner party environment from through provides the visual continuity." }, { "instruction_full": "Return to a medium close-up of , using the same consistent framing as , , and . He is still smiling, perhaps with a slightly more relaxed or settled expression, showing his full immersion in the social event. The background remains the blurred, ambient activity of the elegant dinner party from all previous shots. This shot provides a sense of resolution to this particular interaction, leaving seemingly comfortable and engaged.", "think_full": "This final shot of the sequence provides a sense of closure to the interaction by returning to 's perspective after 's laughter in . The camera reuses the familiar framing for from , , and , creating visual rhythm and emphasizing his consistent presence. reappears again, his smile now perhaps more relaxed or settled, indicating a successful integration or acceptance of the situation. The elegant dinner party environment from through remains consistent, reinforcing the continuity of the scene. The narrative purpose is to show the character's comfort and engagement, concluding this segment of the social dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` concludes with showing with a settled, pleasant expression. After observing 's strong presence in , the logical conclusion to this exchange is to return to 's face, reflecting the overall tone of the interaction. The camera should once again frame in a close-up, similar to , , and , showing a calm, pleasant smile. The elegant dinner party setting from through provides the consistent background." } ], "_src_movie_dir": "The.Aviator.2004.2160p.BluRay.x264-FHD.mkv", "_src_filename": "053803_054178.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Aviator.2004.2160p.BluRay.x264-FHD.mkv/053803_054178.json", "_test_index": 440 }, { "movie": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv", "N": 10, "sample_id": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/80762.jpg-In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81972.jpg", "images": [ { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/80762.jpg", "filename": "80762.jpg", "aesthetic": 5.612488746643066, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/80797.jpg", "filename": "80797.jpg", "aesthetic": 6.571220397949219, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/80838.jpg", "filename": "80838.jpg", "aesthetic": 6.508142471313477, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/80997.jpg", "filename": "80997.jpg", "aesthetic": 5.297735214233398, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81056.jpg", "filename": "81056.jpg", "aesthetic": 5.8049468994140625, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81275.jpg", "filename": "81275.jpg", "aesthetic": 6.393327713012695, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81484.jpg", "filename": "81484.jpg", "aesthetic": 6.015384674072266, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81616.jpg", "filename": "81616.jpg", "aesthetic": 5.508172988891602, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81825.jpg", "filename": "81825.jpg", "aesthetic": 6.183714389801025, "musiq": 0.0 }, { "tag": "", "rel_path": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/81972.jpg", "filename": "81972.jpg", "aesthetic": 6.893242359161377, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense and formal meeting is underway in a traditional wood-paneled office, likely discussing a serious business or legal matter. The tone is somber, with characters engaged in intense discussion and reflection.", "characters": [ "", "", "" ], "shot_outline": " will isolate at the desk, showing his intent focus. will cut to as she begins to process the conversation. will return to , showing a slight shift in his demeanor. will reveal the full context of the room, showing all three participants at a desk. will be an insert shot of a detail on the desk, symbolizing the nature of the discussion. will show in a more reflective pose with in the background. will show re-engaging strongly. will show absorbing the weight of the discussion. will show finally breaking his silence or offering a strong reaction." }, "instruction_full": "Shift the camera to a medium close-up, similar in framing to , to focus on . He should appear serious and focused, listening intently to the ongoing discussion. The shot remains in the same wood-paneled office setting as , featuring a desk and possibly some decorative items in the background, maintaining the warm, slightly diffused lighting. The purpose is to establish the presence and initial reaction of another participant in the discussion.", "think_full": "The 'shot_outline' for states it should 'isolate at the desk, showing his intent focus.' To achieve this, a medium close-up similar to is appropriate, maintaining visual consistency in framing. The wood-paneled office background and warm, diffused lighting from are crucial for spatial continuity. While is a new character for this shot, his serious, focused expression directly fulfills the narrative intent of showing his presence and reaction to 's statement from , starting to build the dynamic of the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'global_prompt.story_setup' of a tense meeting and the 'global_prompt.shot_outline' indicating shows ' reacting', the most logical next step after (which showed speaking) is to show who he is speaking to. I need to maintain the same formal office environment established in , including the wood paneling and natural light. The camera should adopt a similar medium close-up to keep the focus on individual expressions. should be depicted as attentive, fulfilling the narrative purpose of showing another participant's initial engagement in the serious discussion." }, { "instruction_full": "Cut to a medium close-up, consistent with the framing of and , focusing on . She should appear engaged, perhaps just having heard something significant, with an expression conveying thought or concern. We remain in the same wood-paneled office, with ambient light similar to and . Elements of the room's decor, like a warm wooden background, should be visible. The intent is to introduce the third key participant and her emotional stake in the discussion, adding another dimension to the ongoing dialogue.", "think_full": "The 'shot_outline' for specifies cutting to '' as she begins to engage. After establishing in and in , it's narratively essential to introduce the third key participant. The consistent office setting, including wood paneling and natural light from and , must be maintained for strong spatial continuity. is a new character for this shot, and her concerned or thoughtful expression establishes her emotional involvement. The camera framing should continue the medium close-up style from and to maintain a cohesive visual rhythm.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for directs me to cut to '' as she starts to engage. After introducing two male participants in and , a logical progression is to introduce the third character mentioned in the 'global_prompt.characters'. I should maintain the established formal office setting from and , including the wood paneling and lighting. The camera should remain a medium close-up to focus on her expression, which should convey her processing the ongoing serious discussion. This shot's purpose is to complete the introduction of the main participants and show her initial reaction." }, { "instruction_full": "Revert to a medium close-up of , precisely mirroring the framing and angle of . He should be shown with a slightly altered expression compared to , perhaps indicating a continuation or shift in his argument, or a reaction to the other participants' presence. The wood-paneled office background with the patterned curtains and framed pictures from should be clearly visible, reinforcing the setting. This shot aims to return focus to , suggesting a response or a new point being made in the conversation.", "think_full": "The 'shot_outline' for states it will 'return to , showing a slight shift in his demeanor.' After introducing in and in , it is narratively logical to return to (last seen in ) to show his continued engagement or reaction. Reusing the exact background elements and framing from ensures strong spatial and visual continuity. is a returning character from , and his slightly altered expression will convey the progression of the tense discussion. This shot reframes him as the central driver of the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for instructs me to return to '', showing a slight shift in his demeanor. Having introduced () and (), it makes sense to cycle back to the initial speaker, , to maintain the conversational flow. I should adopt the same medium close-up framing and wood-paneled office background seen in to ensure visual continuity. His expression should reflect the ongoing serious discussion, perhaps reacting to the other participants, thereby advancing the narrative by bringing focus back to him." }, { "instruction_full": "Generate a wider shot, revealing all three characters seated around a large desk, offering a full overview of the meeting setup. The camera should be positioned behind and , looking towards who is seated opposite them. (from , ) should be seated at the head of the desk, facing the camera, still engaged. The backs of (from ) and (from ) should be visible in the foreground. The entire formal wood-paneled office environment from , , , , including the desk with various papers and objects (like a small cannon visible in ), and the window with curtains from and , should be clearly depicted. This shot aims to provide context and establish the spatial relationship between all three characters, emphasizing the formality and shared environment of the meeting.", "think_full": "The 'shot_outline' for dictates revealing 'the full context of the room, showing all three participants at a desk.' After individual close-ups in , , , and , a wider shot is essential to establish the full scene and the spatial relationships. The wood paneling, curtains, window, and overall office atmosphere from earlier shots (, , ) must be consistent. The items on the desk, such as the small cannon first seen in , should also be visible. All three established characters – (from , ), (from ), and (from ) – are now seen together, solidifying their shared presence in the meeting. This shot grounds the conversation spatially, fulfilling the narrative intent of contextualizing their interactions.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states it will 'reveal the full context of the room, showing all three participants at a desk.' After a series of individual close-ups (, , , ), a wider establishing shot is necessary to show the complete meeting environment and the interaction dynamics. The camera should be positioned to show facing and at the desk, confirming they are all in the same wood-paneled office from previous shots. This fulfills the narrative purpose of grounding the ongoing serious discussion within its physical context and showing the participants' relative positions." }, { "instruction_full": "Generate an extreme close-up, functioning as an insert shot, focused on a specific, symbolic object located on the desk that was partially visible in . No characters should be visible, emphasizing the object. The shot should prominently feature a small, distinctive wooden figure, possibly resembling a 'judge' or holding a gavel, situated on the desk within the same formal office setting established in . The wooden desk surface should be visible beneath it. The purpose of this shot is to introduce a symbolic visual element that comments on the nature of the meeting—possibly judgment, authority, or conflict—without explicit dialogue.", "think_full": "The 'shot_outline' for describes 'an insert shot of a detail on the desk, perhaps symbolizing the nature of the discussion.' After a wider shot of the full meeting in , an insert shot is effective for drawing attention to a subtextual detail. The chosen object, a 'judge' figure, logically sits on the desk shown in , maintaining spatial continuity without needing characters present. This shot serves a narrative intent by adding a layer of symbolic meaning to the tense discussion, highlighting themes of authority or judgment that might be at play.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for explicitly calls for 'an insert shot of a detail on the desk, perhaps symbolizing the nature of the discussion.' Following the wider shot in that established the meeting room, an insert shot focusing on an object can add symbolic depth. I will generate an extreme close-up of a small, significant object that would naturally be on a formal office desk, like a decorative figure, to underscore themes relevant to a serious discussion. No characters will be present. This serves the narrative purpose of injecting a visual metaphor without words." }, { "instruction_full": "Generate a medium close-up shot, framed from behind , showing him looking down or away in a contemplative manner. In the soft focus background, (from , ) should be visible, still seated, observing or listening. (from , ) should be in the foreground, his expression serious and thoughtful. The wood-paneled office environment from continues, with general office elements and the window subtly blurred in the background, maintaining continuity of location. This shot aims to show the internal processing of and the quiet observation of , deepening their individual roles and reactions to the ongoing discussion.", "think_full": "The 'shot_outline' for specifies showing ' in a more reflective pose with in the background.' After the symbolic insert shot in , it's narratively important to return to character reactions. The wood-paneled office and general lighting from must be maintained for strong spatial continuity. (from , ) is shown in a more internal, thoughtful state, advancing his character's arc. (from , ) is a returning character, her presence in the background reinforcing the shared context. This framing highlights the individual impact of the discussion, fulfilling the narrative intent of showing their internal states.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states it will show ' in a more reflective pose with in the background.' Following the symbolic insert shot (), returning to character reactions is logical to advance the emotional narrative of the tense meeting. I should frame a medium close-up that highlights 's thoughtful expression, while also including from and in the background. The wood-paneled office setting from must be maintained. This serves to emphasize the individual processing of the discussion's gravity by these two characters." }, { "instruction_full": "Return to a medium close-up of , matching the framing and angle of and . (from , , ) should be shown speaking or emphasizing a point, with a firm, re-engaged expression. The familiar wood-paneled office with the patterned curtains and framed pictures from and should be in the background, reinforcing the continuous setting. This shot aims to shift the focus back to as he reasserts control or makes a crucial point in the discussion, indicating an escalation of the conversation.", "think_full": "The 'shot_outline' for directs me to show ' re-engaging strongly.' After focusing on the internal reactions of and in , it's narratively appropriate to return to the central speaker to drive the conversation forward. Reusing the exact background and framing from and (wood paneling, curtains, framed pictures) ensures strong spatial and visual continuity. (from , , ) is a returning character, and his re-engaged expression clearly conveys the escalation of the discussion, fulfilling the narrative intent.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates that will be 're-engaging strongly.' After focusing on the reactions of the other two characters in , it's logical to bring the focus back to the main speaker, (from , , ). I should revert to the familiar medium close-up framing from and and the wood-paneled office background to maintain visual and spatial continuity. His expression should be assertive, reflecting his renewed engagement in the serious discussion, thereby advancing the narrative by showing a new phase in the conversation." }, { "instruction_full": "Generate a medium close-up of , similar to , but with an expression showing the accumulated weight or impact of the discussion. (from , , ) should be in the foreground, her expression now more overtly concerned or burdened, directly reacting to 's re-engagement in . The wood-paneled office background, with elements from (like the hint of a lamp) visible, should ensure the continued sense of the same meeting room. The purpose of this shot is to visually communicate the impact of the ongoing serious conversation on , highlighting her emotional investment and the gravity of the situation.", "think_full": "The 'shot_outline' for specifies showing ' absorbing the weight of the discussion.' After 's strong re-engagement in , it's critical to show the impact on another key participant. Reusing the background elements and general framing from (wood paneling, diffused lighting, implied desk area) maintains strong spatial and visual continuity. (from , , ) is a returning character, and her expression must show a clear progression in emotional impact, fulfilling the narrative intent of emphasizing the increasing gravity of the situation and her emotional investment.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for instructs me to show ' absorbing the weight of the discussion.' Following 's re-engagement in , it's narratively crucial to show the direct impact on one of the other characters. I will use a medium close-up, similar to , focusing on (from , , ) with an expression that conveys concern or burden. The wood-paneled office background from and must be maintained. This shot serves the narrative purpose of deepening the emotional stakes and showing the gravity of the ongoing, serious discussion." }, { "instruction_full": "Generate a medium close-up of , mirroring the framing of , but with a more assertive or decisive expression. (from , , ) should be shown with a firm expression, perhaps about to speak or having just made a definitive statement, indicating a break from his previous silence. The wood-paneled office background with the desk and subtle props (like the small cannon from and ) should be visible, confirming the continuous meeting environment. This shot aims to show a conclusive reaction or a decisive moment from , finally breaking his silence or showing a strong, final stance in the discussion, as foreshadowed by the 'shot_outline'.", "think_full": "The 'shot_outline' for specifies showing ' finally breaking his silence or offering a strong reaction.' After the re-engagement of in and the emotional impact on in , a decisive moment from provides a strong narrative beat. Reusing the framing from and the background elements (wood paneling, desk, small cannon) from and is crucial for spatial and visual continuity. (from , , ) is a returning character, and his expression should clearly convey a shift from passive observation to decisive action or statement, fulfilling the narrative intent of a strong, concluding reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates that will be 'finally breaking his silence or offering a strong reaction.' Following the emotional progression of the previous shots with () and (), a strong and conclusive reaction from (from , , ) is the logical narrative next step. I should revert to the medium close-up framing from and maintain the wood-paneled office background with desk items. His expression should be firm and decisive, indicating a pivotal moment in the serious discussion, thus fulfilling the narrative purpose of his strong reaction." } ], "_src_movie_dir": "In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv", "_src_filename": "080762_081972.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/In.the.Bedroom.2001.2160p.WEBRip.DD5.1.x264-NTb.mkv/080762_081972.json", "_test_index": 442 }, { "movie": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv", "N": 10, "sample_id": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/27781.jpg-American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/29453.jpg", "images": [ { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/27781.jpg", "filename": "27781.jpg", "aesthetic": 4.8559980392456055, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/27875.jpg", "filename": "27875.jpg", "aesthetic": 5.325549125671387, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/27928.jpg", "filename": "27928.jpg", "aesthetic": 6.231550216674805, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/28450.jpg", "filename": "28450.jpg", "aesthetic": 5.647526264190674, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/28628.jpg", "filename": "28628.jpg", "aesthetic": 6.644227981567383, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/28741.jpg", "filename": "28741.jpg", "aesthetic": 6.106170654296875, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/28784.jpg", "filename": "28784.jpg", "aesthetic": 6.450438499450684, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/29006.jpg", "filename": "29006.jpg", "aesthetic": 5.471163749694824, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/29128.jpg", "filename": "29128.jpg", "aesthetic": 5.8173065185546875, "musiq": 0.0 }, { "tag": "", "rel_path": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/29453.jpg", "filename": "29453.jpg", "aesthetic": 6.515748977661133, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This story depicts two friends who connect remotely and then meet up for a joyful winter outdoor activity with other friends. The tone is warm and friendly, emphasizing connection and shared experiences.", "characters": [ "", "", "" ], "shot_outline": " shows and together in an indoor setting, establishing their reunion. focuses on their joyful interaction. transitions to them walking outdoors in a snowy environment. reveals them approaching a sledding hill where are present. captures one friend's excitement for the activity. shows the other friend preparing. creates a moment of anticipation. frames them seated on a sled, ready to descend. depicts them actively sledding down the hill." }, "instruction_full": "Shift the camera from the close-up on the phone in to a wider, medium shot, revealing and together, smiling and looking at the phone they are holding. They are in a warm, inviting indoor setting, possibly a living room, with a soft background suggesting comfort, to visually establish their successful meet-up and shared happiness.", "think_full": "The initial shot only showed a hand holding a phone, with the face of '' on screen. For , the narrative calls for them to be together. Therefore, the camera should pull back to reveal '' fully, now physically present with '' (who was only on the screen in ). The environment from implied an indoor setting, so continuing this with a cozy room provides continuity for the spatial context. Their smiling expressions, as indicated by their on-screen appearance in , should reinforce the warm, friendly tone, emphasizing their joyful reunion.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I must infer the next shot from the global prompt and . The `story_setup` indicates a meet-up after a remote connection. The `shot_outline` for explicitly states: 'shows and together in an indoor setting, establishing their reunion.' From , we see one hand holding a phone, with a person on video call. The natural progression is to show these two characters together, physically. I will frame a medium shot of both '' and '' in a comfortable indoor space, mirroring the implied setting of , with smiling expressions, to convey their successful and happy reunion." }, { "instruction_full": "Maintain the warm indoor setting from , but shift the camera to a closer shot on the faces of and . They are still smiling and looking engaged with the phone, to highlight their intimate connection and shared moment.", "think_full": "We are continuing the indoor setting and positive interaction established in . To deepen the sense of connection between '' and '', a closer shot on their faces is appropriate. This allows us to capture their expressions more intimately, reinforcing the joy and bond already evident in , before the story transitions to an outdoor setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies: 'focuses on their joyful interaction.' Building on where '' and '' are seen together and happy, a close-up shot is the most effective way to emphasize their expressions and the intimacy of their interaction. The scene should remain in the same cozy indoor environment as , maintaining continuity of space and mood." }, { "instruction_full": "Introduce a new, distinct outdoor environment. Frame and in a medium shot, walking side-by-side in a snowy landscape. Both are bundled up in winter clothing and wearing masks, indicating a clear transition to a colder, outdoor activity.", "think_full": "This shot marks a significant transition in the narrative, moving from the warm indoor setting of and to an outdoor winter activity, as per the `shot_outline`. Therefore, a brand-new environment, a snowy outdoor scene, is introduced without direct visual continuity from previous shots. Both '' and '' (seen in and ) reappear, now dressed for cold weather and wearing masks, signifying this change of scene and preparing for the next part of their shared experience.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states: 'transitions to them walking outdoors in a snowy environment.' This requires a shift from the indoor setting of and . I need to show '' and '' from previous shots in a new, cold, outdoor environment. They should be dressed warmly for winter and walking, suggesting movement towards an activity. The shot should convey this change in location and purpose." }, { "instruction_full": "Widen the camera view from to a full shot, showing from behind, walking up a large, snow-covered hill. In the distance, are visible, some already seated on the snow, to establish the sledding location and the presence of a larger group.", "think_full": "The previous shot, , established that '' and '' were walking in a snowy environment. The `shot_outline` for indicates 'reveals them approaching a sledding hill where are present.' This requires a wider shot of the snowy landscape, expanding on the environment seen in , to show the sledding hill and introduce '' as additional characters. '' is positioned to lead the viewer into the scene, reinforcing the sense of arrival at the activity location.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the walk in the snow in , the `shot_outline` for specifies 'reveals them approaching a sledding hill where are present.' I need to show a wide shot of a snowy hill. '' should be visible, moving towards the distant figures of '', to signify arrival at the designated activity area. The scene should continue the outdoor winter environment from ." }, { "instruction_full": "Transition to a medium close-up shot of (last seen walking in and implied in ), now clearly visible, bundled in winter gear and a mask, standing on the snowy hill. They are giving a clear thumbs-up gesture, indicating readiness and enthusiasm for the activity.", "think_full": "After establishing the sledding location and group in , the narrative needs to show engagement with the activity. The `shot_outline` for indicates 'captures one friend's excitement.' Focusing on '', who was walking in and present in the general scene of , allows for a direct expression of enthusiasm. They maintain the same winter attire and mask as seen in . The thumbs-up gesture directly conveys excitement, moving the story towards the action.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states: 'captures one friend's excitement for the activity.' Building on the arrival at the snowy hill in , a close-up on one of the main characters, like '' from , would effectively convey this. They should be dressed in winter gear, and their expression or gesture should indicate positive anticipation. The setting remains the snowy outdoor environment from ." }, { "instruction_full": "Shift to a medium close-up of (seen walking in ), who is now bending down on the snowy hill. They are still in winter attire and a mask, actively preparing, possibly adjusting a sled, with blurred figures of in the background to maintain the group context.", "think_full": "With '' showing excitement in , the `shot_outline` for calls for 'the other friend preparing.' This shot focuses on '' (last seen walking in ), completing the readiness of the primary characters. They are still in the same snowy environment, and their active posture emphasizes participation. The presence of blurred '' in the background, as seen in , maintains the social aspect of the gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `shot_outline` for , it 'shows the other friend actively participating or preparing for sledding.' After '' showed excitement in , it's logical to show '' (from ) also getting ready. A medium close-up, showing them engaged in preparation (e.g., with a sled), in the same snowy environment, would advance the narrative towards the main activity." }, { "instruction_full": "Frame a tight close-up on (last seen giving a thumbs-up in ), who is now standing upright on the snowy hill, looking down with a focused or contemplative expression. They are still bundled in their dark winter coat and mask, with the bright, snowy background slightly blurred, to build anticipation for the imminent action.", "think_full": "After the active preparations by both friends in and , the narrative can benefit from a moment of focused anticipation. The `shot_outline` for implies a pause before the action. Bringing the camera back to '' (who was prominently featured in ) in a tighter shot allows for emphasis on their expression and builds a sense of quiet intensity before the sledding begins. The character's winter attire and the snowy environment remain consistent with and .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for suggests 'creates a moment of anticipation.' After both friends have been shown preparing (IMG_5, IMG_6), a brief pause to focus on one of them, like '' from , can heighten the dramatic tension before the action. A close-up, perhaps showing a focused expression, in the familiar snowy setting, would achieve this." }, { "instruction_full": "Capture a dynamic medium shot, from a slightly low angle, of (from ) and (from ) seated together on a bright green sled, poised at the top of the snowy hill. They are both looking forward, still in their winter gear and masks, showing their immediate readiness to embark on the sledding descent.", "think_full": "Following the individual preparations and anticipation in and , the `shot_outline` for explicitly states 'frames them seated on a sled, ready to descend.' This shot brings both primary characters, '' (from ) and '' (from ), together onto the sled, fully prepared for the action. Their consistent winter attire and masks confirm continuity. The snowy hill environment from through remains the backdrop, reinforcing the location and building towards the culmination of the activity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for clearly states: 'frames them seated on a sled, ready to descend.' This is the immediate precursor to the main action. Both '' (from ) and '' (from ) should be shown together on a sled, at the top of the snowy hill established since . Their body language should convey readiness and excitement, consistent with the story's overall tone." }, { "instruction_full": "Switch to a wider, slightly elevated shot, looking down the snowy hill from behind and as they speed down on their sled. The expansive snowy landscape is visible around them, emphasizing the motion and joy of the sledding activity.", "think_full": "After seeing '' and '' poised on the sled in , the `shot_outline` for indicates 'depicts them actively sledding down the hill.' This requires a dynamic, wide shot that captures their movement and the full extent of the snowy hill environment, established since . Seeing them from behind emphasizes their shared experience and the momentum of the descent, providing a satisfying conclusion to the sledding sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies: 'depicts them actively sledding down the hill.' Having established '' and '' on the sled in , the next logical step is to show them in motion. A wide shot from behind, capturing the sled speeding down the snowy hill, would effectively convey the action and the feeling of the shared activity within the previously established outdoor environment." } ], "_src_movie_dir": "American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv", "_src_filename": "027781_029453.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/American.Symphony.2023.2160p.NF.WEB-DL.DDP.5.1.H.264-DreamHD.mkv/027781_029453.json", "_test_index": 452 }, { "movie": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41209.jpg-A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/43379.jpg", "images": [ { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41209.jpg", "filename": "41209.jpg", "aesthetic": 6.8529815673828125, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/41601.jpg", "filename": "41601.jpg", "aesthetic": 5.94428825378418, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/42216.jpg", "filename": "42216.jpg", "aesthetic": 6.081502914428711, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/42372.jpg", "filename": "42372.jpg", "aesthetic": 5.3381500244140625, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/42545.jpg", "filename": "42545.jpg", "aesthetic": 6.038280487060547, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/42551.jpg", "filename": "42551.jpg", "aesthetic": 6.065463066101074, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/42830.jpg", "filename": "42830.jpg", "aesthetic": 7.10316276550293, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/43004.jpg", "filename": "43004.jpg", "aesthetic": 5.29681921005249, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/43199.jpg", "filename": "43199.jpg", "aesthetic": 5.7361297607421875, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/43379.jpg", "filename": "43379.jpg", "aesthetic": 5.284160614013672, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A poignant and intimate family drama set in a secluded, post-apocalyptic world where silence is crucial for survival. The narrative explores themes of love, protection, and the challenges of raising children in extreme conditions. The tone is often tense and quiet, punctuated by moments of tender connection.", "characters": [ "", "", "", "" ], "shot_outline": " captures a close-up, intimate moment between and , focusing on a gesture of communication. transitions to a new, safe interior setting, showing and engaged in quiet education. zooms in on 's focused activity, highlighting his earnestness. returns to , observing her tender watchfulness over . establishes the bond between and from a slightly wider perspective within their makeshift classroom. offers a close-up of 's gentle expression as she interacts with . reveals entering the interior space, observing his family. focuses on 's reaction, showing his awareness of 's presence. concludes the scene with 's reassuring interaction, reinforcing the quiet communication." }, "instruction_full": "Move to a tight close-up shot, focusing on the right profile of from and the left hand of from . should be in the foreground, slightly out of focus, with his gaze directed towards 's hand. 's hand should be centered, performing a specific gesture. The background should remain the natural, soft green of the outdoor setting from , but rendered as a shallow depth of field. This shot aims to establish their unique method of silent communication and the profound intimacy of their connection.", "think_full": "The transition from to needs to heighten the intimacy and focus on the unique communication method established by the story setup. By pulling in for a close-up, we emphasize the non-verbal exchange. We retain and from , keeping in a similar lowered posture relative to 's hand, which is now the focal point. The outdoor setting from is maintained but blurred to keep the focus on the interaction, emphasizing that their world revolves around these intimate moments. The narrative intent is to show their deep bond and reliance on silent cues, which is critical for survival in their world.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the \"generate the next shot\" instruction, the `global_prompt`'s `shot_outline` for states \"captures a close-up, intimate moment between and , focusing on a gesture of communication.\" Building on where is kneeling before in a natural outdoor setting, the next shot should tightly frame this intimate exchange. The camera should move in for a close-up, highlighting 's profile and 's hands, which are central to their communication. The background should remain the soft, natural outdoor environment seen in , but heavily blurred to emphasize their connection. This framing will convey their unique non-verbal bond and the depth of their relationship." }, { "instruction_full": "Transition to a new interior setting: a rustic barn or attic space, dimly lit, suggesting a safe, hidden haven. Frame from and a newly introduced character, , sitting on the floor amidst bales of hay and wooden beams. They are both leaning over a low surface, engaged in quiet study with a whiteboard visible in the background. The lighting should be soft and directional, creating a sense of intimacy and concentration. The purpose of this shot is to establish another aspect of their survival: quiet education and nurturing within a secure, makeshift home.", "think_full": "Following the intimate moment between and in , the `shot_outline` indicates that should \"transitions to a new, safe interior setting, showing and engaged in quiet education.\" This necessitates a complete change of location from the outdoor scene in and . The new environment, a barn interior with hay and wooden structures, immediately conveys a secluded and rustic dwelling, fitting the post-apocalyptic theme. returns from but is now in a different, more domestic context, nurturing , who is introduced as a new character. The dim, focused lighting reinforces the quietude and the importance of their educational endeavor, subtly hinting at the need for silence in their world.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies a transition to \"a new, safe interior setting, showing and engaged in quiet education.\" Therefore, I need to depict a domestic, sheltered environment, likely a barn or attic, characterized by dim lighting and natural materials like hay and wood. from will be present, but in a new role, teaching (a newly introduced character). They should be focused on learning, perhaps with a whiteboard or books, to establish the theme of education and quiet survival within their unique world. The overall impression should be one of quiet diligence and safety." }, { "instruction_full": "From , cut to a tighter close-up of , focusing on his face and hands as he writes in a notebook with a pencil. His earnest concentration should be evident in his expression. The shot should maintain the dim, directional lighting and the rustic, warm background textures of the barn interior from , keeping the focus on his quiet activity. This shot aims to highlight 's diligence and the importance of quiet learning in their daily lives.", "think_full": "Building on , the `shot_outline` for is to \"zoom in on 's focused activity, highlighting his earnestness.\" To achieve this, the camera should move closer to seen in , making his work the central element. We maintain the character of and the established barn interior, including the dim, atmospheric lighting and visible textures. The tighter framing isolates him, drawing attention to his focused expression and the act of writing, reinforcing the idea of quiet, disciplined learning in a world where sound is a danger.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states to \"zoom in on 's focused activity, highlighting his earnestness.\" Building on , where and are studying, I should move the camera in for a close-up on , showing him intently engaged in writing. The setting should remain the dimly lit barn interior from , preserving the atmosphere of quiet concentration. This shot will emphasize his dedication to learning within their silent survival strategy." }, { "instruction_full": "Shift the focus from in back to from , framing her in a medium close-up. She is looking down, her chin resting on her hand, with a tender and perhaps slightly worried expression, observing whose head is visible in the foreground. The background should clearly show the whiteboard and hay bales from the barn interior established in . Maintain the soft, focused lighting from . This shot reveals 's deep care and quiet observation of her child.", "think_full": "Following the focus on in , the `shot_outline` for states to \"returns to , observing her tender watchfulness over .\" Therefore, the camera should return to from , while still acknowledging from in the foreground to show the interaction. We maintain the barn setting, with elements like the whiteboard and hay bales visible, and the consistent warm, dim lighting from and . This framing allows us to see 's emotional state – her tenderness and attentiveness – as she oversees 's learning, emphasizing her role as a protector and educator.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates to \"returns to , observing her tender watchfulness over .\" Building on the previous shots in the barn (, ), I should frame from in a medium close-up. She should be looking at (who can be partially visible in the foreground), with an expression of care. The background will remain the dimly lit barn interior with the whiteboard, consistent with . This shot will emphasize her emotional connection and role in his quiet education." }, { "instruction_full": "From , shift to an over-the-shoulder shot from behind , looking towards . 's back and the top of her head are prominent in the foreground. from is now looking up at her, directly engaging. The setting remains the barn interior from , revealing more of the rustic wooden beams and shadows, with a small lamp visible on the left providing focused light. This shot emphasizes their interaction and the secluded, intimate nature of their learning space.", "think_full": "The `shot_outline` for is to \"establish the bond between and from a slightly wider perspective within their makeshift classroom.\" To achieve this and show their interaction more directly, an over-the-shoulder perspective from 's side towards is effective. We keep both (from ) and (from ) in the frame, maintaining the barn setting from and its characteristic dim, warm lighting, enhanced by a new visible prop: a small lamp. This wider angle, while still focused, allows us to see more of their shared environment, reinforcing their bond within their survivalist learning space.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for aims to \"establish the bond between and from a slightly wider perspective within their makeshift classroom.\" Building on the previous shots in the barn (, , ), I should frame and in a way that shows their interaction and shared space. An over-the-shoulder shot from behind , looking at who is looking up at her, would be effective. The dimly lit barn interior from should still be visible, perhaps revealing more of the wooden structure and introducing a small working lamp to define their intimate learning area." }, { "instruction_full": "From the over-the-shoulder shot of , move to a close-up of , maintaining the perspective as if looking over 's shoulder. 's face should fill much of the frame, showcasing a gentle, understanding, almost knowing expression. Her hands are clasped under her chin. 's blurry head and shoulder can be seen in the extreme foreground, connecting her gaze to him. The dim, warm lighting from should illuminate her face. This shot underscores 's quiet strength and her deep, empathetic connection with .", "think_full": "The `shot_outline` for states to \"offer a close-up of 's gentle expression as she interacts with .\" To achieve this after the interaction shot in , a tight close-up on (from ) is necessary. The camera maintains the implied reverse shot angle from , with 's (from ) shoulder in the foreground, indicating their continued interaction. The consistent dim, warm barn lighting (from through ) emphasizes the intimacy. This close-up allows the audience to fully grasp her subtle emotions, highlighting her role as a comforting and strong figure in their silent world.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"offer a close-up of 's gentle expression as she interacts with .\" Given 's over-the-shoulder shot, the logical progression is to cut to a close-up of from . Her expression should be gentle and empathetic, reflecting her role in nurturing . The blurry foreground element of 's shoulder or head from can still be included to maintain the sense of their interaction within the familiar dimly lit barn interior." }, { "instruction_full": "Shift to a wider shot, looking down slightly into the barn interior from . Reintroduce from , now standing and looking towards the area where and are, perhaps having just entered. He carries a backpack. The shot should reveal more of the surrounding space, including a new area with chairs, jars, and other domestic items, indicating a wider living arrangement within the barn. The lighting remains consistent with the dim, rustic ambiance established in . This shot establishes 's return or presence in their safe haven, silently observing his family.", "think_full": "After the intimate close-up of in , the `shot_outline` for states to \"reveal entering the interior space, observing his family.\" This requires a wider shot of the barn interior (from ), showing more of the environment and reintroducing (from and ) into this setting. His presence with a backpack suggests a journey or a return, contrasting with the quiet domesticity of and . The camera angle looks slightly down to give a broader view of the living space within the barn, which maintains the dim, warm light from previous shots ( to ). This shot changes the dynamic by bringing the family unit together, but from a distance, emphasizing the theme of silent observation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates that it \"reveals entering the interior space, observing his family.\" To achieve this, I need to shift to a wider shot of the barn interior (established in ) to allow for the entry of (last seen in ). He should be standing, perhaps with a backpack, looking towards the area where and are, connecting this new element to the ongoing scene. The lighting and rustic details of the barn from should be consistent, showing more of their dwelling arrangement. This will show his silent return and observation of his family." }, { "instruction_full": "Cut to a close-up of from , who is now looking up, his expression showing a subtle reaction, perhaps of recognition or thoughtfulness, in response to 's presence (from ). The shot maintains the warm, dim lighting of the barn interior from , focusing on his face and upper body, including his patterned sweater. This shot captures 's quiet acknowledgment of 's arrival, emphasizing their non-verbal communication and family connection.", "think_full": "Following 's entry in , the `shot_outline` for states to \"focuses on 's reaction, showing his awareness of 's presence.\" A close-up on (who we've seen in and ) is crucial here to capture his subtle, silent reaction. We continue in the barn interior with its characteristic dim lighting (from through ), ensuring visual consistency. This shot acts as a reaction shot, reinforcing the familial bond and the importance of unspoken communication within their world.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"focuses on 's reaction, showing his awareness of 's presence.\" Given 's entry in , the next logical shot is a close-up of (seen previously in , ). His expression should convey a quiet reaction or acknowledgment. The setting remains the dimly lit barn interior from , maintaining the established atmosphere. This shot will highlight the subtle, non-verbal communication within the family unit." }, { "instruction_full": "Return to a close-up of from , mirroring the angle with 's blurry head in the foreground. This time, is actively speaking or making a deliberate gesture with her hand raised near her mouth, her expression focused and reassuring, likely in response to 's reaction in or to acknowledge 's presence. The whiteboard from is visible in the background. Maintain the warm, intimate lighting of the barn interior from . This shot emphasizes 's role in quiet communication and reassurance within the family.", "think_full": "Following 's reaction in , the `shot_outline` for states to \"concludes the scene with 's reassuring interaction, reinforcing the quiet communication.\" This calls for a return to (last seen in close-up in ). The shot should be a close-up, picking up the interaction dynamic with 's (from ) blurry head in the foreground. Her expression and active hand gesture should convey reassurance or a specific message, linking back to their non-verbal communication methods established in . The barn interior and consistent warm, dim lighting from through provides the familiar backdrop, concluding this quiet family scene with emphasis on their silent bonds.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates that it \"concludes the scene with 's reassuring interaction, reinforcing the quiet communication.\" Following 's reaction in and 's presence in , the scene should conclude with 's (seen in ) response. I should frame a close-up of her, with 's (from ) head still in the foreground, showing her actively communicating or reassuring him, reinforcing the theme of silent understanding. The background remains the dimly lit barn interior from ." } ], "_src_movie_dir": "A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "041209_043379.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/A.Quiet.Place.2018.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/041209_043379.json", "_test_index": 456 }, { "movie": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204372.jpg-The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205478.jpg", "images": [ { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204372.jpg", "filename": "204372.jpg", "aesthetic": 7.20695686340332, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204728.jpg", "filename": "204728.jpg", "aesthetic": 7.38440465927124, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204778.jpg", "filename": "204778.jpg", "aesthetic": 5.539263725280762, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204884.jpg", "filename": "204884.jpg", "aesthetic": 6.741077899932861, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204897.jpg", "filename": "204897.jpg", "aesthetic": 7.33004093170166, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205072.jpg", "filename": "205072.jpg", "aesthetic": 5.874739646911621, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205153.jpg", "filename": "205153.jpg", "aesthetic": 6.1170806884765625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205209.jpg", "filename": "205209.jpg", "aesthetic": 5.153265476226807, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205256.jpg", "filename": "205256.jpg", "aesthetic": 5.552469730377197, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/205478.jpg", "filename": "205478.jpg", "aesthetic": 6.884720802307129, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence depicts a poignant and tense domestic drama surrounding the departure of a beloved housekeeper from a wealthy household. The tone is emotional, focusing on the difficult goodbyes and the reactions of those involved. There's a sense of forced separation and underlying social dynamics at play.", "characters": [ "", "", "", "" ], "shot_outline": " shows a final, emotional embrace between and . reveals observing the scene with a pensive expression. captures standing alone, watching depart. frames a tense conversation between and . focuses on 's reaction during this difficult exchange. shows looking distressed and preparing to leave the house. introduces witnessing the charged atmosphere in the living room. captures exiting the house, emphasizing her departure from the interior space. presents walking away from the house outside, signifying her complete separation." }, "instruction_full": "Maintain the intimate, slightly low-angle close-up framing established in , shifting slightly to capture and in a tender, emotional embrace. should have her eyes closed, displaying deep sadness, while 's back is to the camera, nestled into her arms. The background remains the soft, domestic interior seen in , out of focus. This shot is to visually convey the profound emotional bond between them and the pain of their separation.", "think_full": "The global prompt sets up a story of emotional separation. establishes a close, caring interaction between and . To continue this narrative emotionally, the next shot, , should escalate the intimacy and sadness. By maintaining the close-up from and depicting an embrace, we visually demonstrate their strong bond. 's closed eyes and pained expression directly reflect the 'pain of separation' mentioned in the narrative intent. The domestic background from is kept soft and out of focus to keep the emotional interaction central. This shot serves to solidify the emotional stakes of the upcoming departure.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt describes an emotional domestic drama and the shot outline mentions an 'emotional embrace' for , the most logical next step is to continue the interaction between and from . The close-up framing should be maintained to convey intimacy. The shift from looking at each other to an embrace will heighten the emotional intensity, showing their deep connection and the difficulty of the impending separation. The domestic interior from will remain the setting, blurring to focus on the characters' emotions, to visually emphasize their bond and the sadness of saying goodbye." }, { "instruction_full": "Transition to a medium-close shot, introducing as a new character. She should be standing slightly back, observing the scene, with a pensive or slightly troubled expression. The domestic interior from and should be visible in the background, subtly suggesting she is in a different part of the same room or an adjacent space, maintaining visual continuity of the home setting. This shot is to introduce a new perspective and hint at the broader context or implications of the emotional goodbye.", "think_full": "The global prompt outlines a sequence involving other family members reacting to the housekeeper's departure. After the emotional embrace in , it's narratively effective to introduce another character's reaction. is a logical choice to introduce next as she would be directly involved in or overseeing the situation. This shot creates a new visual perspective from and by pulling back and shifting focus to a new character, but still within the established domestic environment from . Her pensive expression, as per the shot outline for , serves to introduce an element of observation or potential underlying tension, broadening the narrative scope beyond just the housekeeper and child.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates that will be observing the scene. Therefore, the next shot should introduce this new character, likely from a medium-close distance to capture her expression. The setting should remain the same domestic interior established in and , maintaining continuity while shifting the focus. This serves to introduce a new character and her perspective, adding a layer of observation or subtle judgment to the emotional farewell that just occurred between and ." }, { "instruction_full": "Shift to a wider, slightly lower-angle shot, focusing on who stands alone, looking towards an implied exit. should be positioned centrally, appearing small and isolated in the domestic interior seen in , , and , which now appears more expansive. A partial view of walking away, possibly in the foreground or side of the frame, can indicate her departure. This shot is to emphasize 's vulnerability and sadness as leaves.", "think_full": "Following the emotional embrace in and the mother's observation in , the narrative naturally progresses to the direct impact of the departure. The shot outline for specifies showing watching depart. By using a wider, lower-angle shot, (seen in and ) is visually isolated and made to appear more vulnerable within the familiar domestic setting from . The partial view of (from and ) exiting provides the context for 's reaction, fulfilling the dramatic intent to show the child's sadness and the finality of the goodbye.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for states that is watching depart. Therefore, the next shot should visually capture this moment. It needs to show (from and ) in a state of emotional vulnerability, likely alone, in the same domestic interior from prior shots. A wider shot will help emphasize her isolation. The presence of (from and ) in the process of leaving is crucial to explain the child's reaction, thus fulfilling the dramatic intent of showing the impact of separation on the child." }, { "instruction_full": "Cut to a medium two-shot, directly framing and as they face each other, engaged in a tense conversation. The camera should capture both their facial expressions clearly. The background should be a different area of the same domestic interior seen in previous shots, perhaps with more distinct architectural elements or furniture, maintaining the established environment but indicating a slight change of scene within the house. This shot is to highlight the direct confrontation and underlying tension between the two adults.", "think_full": "The global prompt's shot outline for indicates a 'tense conversation' between and . After witnessing the child's sadness in and having introduced in and in and , it's time for their direct interaction. A medium two-shot is ideal for capturing their expressions and the dynamic between them. While the specific area within the domestic interior (first seen in ) may shift slightly to indicate movement or a more formal discussion space, the general environment remains consistent, ensuring spatial continuity. This shot fulfills the narrative need to show the core conflict or discussion surrounding the departure.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global prompt's shot outline, depicts a 'tense conversation' between and . Having introduced both characters previously ( in , in ), the next shot must bring them together for this interaction. A medium two-shot is suitable to capture their facial expressions and body language, conveying the tension. The domestic setting from prior shots (, ) will continue, perhaps in a slightly different part of the house, to serve as the backdrop for this critical exchange." }, { "instruction_full": "Reframe to a medium-close shot, focusing solely on 's face. Her expression should convey a complex mix of emotions – perhaps regret, defensiveness, or a struggle with her decision. The background should remain consistent with the domestic interior seen in , emphasizing the context of their conversation. This shot aims to delve deeper into 's emotional state during the tense exchange.", "think_full": "Following the two-shot conversation in , the shot outline for specifically calls for a focus on 's reaction. By isolating (introduced in and seen in ) in a medium-close shot, the audience can better read her individual emotional response to the discussion. This provides a more intimate look at her internal conflict or stance. The continuity of the domestic interior from places her reaction directly within the ongoing conversation, fulfilling the narrative intent to explore her emotional state.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for is to 'focus on 's reaction during this difficult exchange.' Therefore, the next shot should be a tighter framing on (introduced in , seen in ) to emphasize her emotional response to the conversation that started in . The domestic interior (from , , ) will continue as the backdrop, ensuring visual continuity while shifting the emotional focus to her." }, { "instruction_full": "Cut to a medium shot of near an interior doorway, reflecting her distress and readiness to depart. Her eyes may be watering, conveying deep sadness, and she should be holding her personal bag. The background should show a transitional area of the domestic interior, such as a hallway or foyer, subtly implying her movement towards the exit but still within the house. This shot emphasizes her emotional pain and the physical act of her departure from the immediate interaction.", "think_full": "The shot outline for calls for showing looking distressed and preparing to leave. After the emotional core of the farewell in and the confrontation with in and , it's time to show the direct impact on (seen in , , , ). A medium shot allows for capturing her expression and the detail of her holding her bag, signaling departure. Placing her near an interior doorway, still within the same domestic environment from previous shots (, , ), visually bridges her from the conversation to her final exit, fulfilling the narrative of her painful departure.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's shot outline, should show looking distressed and preparing to leave. After the confrontation in and , the focus shifts to her reaction and the act of her departure. A medium shot of (from , , , ) near an exit or hallway within the familiar domestic interior (from , , ) would effectively convey her sadness and the imminent physical act of leaving, advancing the story towards her final exit." }, { "instruction_full": "Transition to a wider shot, establishing more of the domestic living room, and introducing a new character, . She should be standing or seated slightly in the background, observing the scene with a subtle expression of discomfort or curiosity. The camera provides a broader view of the house's interior, consistent with the style seen in earlier shots like and , with tasteful mid-century modern furnishings. This shot serves to broaden the narrative context by showing an additional witness to the tense situation, suggesting a public or social dimension to the private drama.", "think_full": "The global prompt's shot outline for explicitly introduces witnessing the charged atmosphere. After focusing on the direct interactions and emotional states of and in previous shots (, , ), it's important to expand the social context. By using a wider shot, we not only reveal more of the established domestic interior (from , , ) but also bring in a new character. This adds another layer of observation, implying that the private drama has social implications or is not entirely private. Her expression of discomfort or curiosity, as per the narrative intent, adds to the tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates that is introduced, witnessing the scene. Therefore, the next shot should be a wider view of the domestic interior (from , , , ), to accommodate this new character and provide more context. will be positioned in the background, observing, adding a layer of social commentary or awareness to the emotional departure of (last seen in )." }, { "instruction_full": "Revert to a medium shot, closely following as she physically exits the house through a doorway. Her profile should be visible as she steps out, bag still in hand. The framing should focus on her movement through the threshold, clearly showing the interior of the house from and on one side and implying the exterior on the other. This shot signifies the definitive physical departure of from the domestic space.", "think_full": "The shot outline for specifies that is 'exiting the house'. Following the broad social context introduced in and 's emotional state in , the narrative requires a clear visual of her leaving. A medium shot focusing on (seen in , , , , ) at the doorway effectively captures this transition. The interior environment, which has been consistent throughout, is now seen as the space she is definitively leaving behind, fulfilling the dramatic purpose of showing her physical separation from the household.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states that is 'exiting the house'. Building on her previous appearance near an exit in , the next shot must show her actually passing through the doorway. A medium shot will be appropriate to capture her action and expression as she leaves the familiar domestic interior (from through ). This shot marks the crucial moment of her physical departure from the household." }, { "instruction_full": "Transition to a wide shot, establishing a completely new exterior setting. should be seen walking away from the house, which is now visible in the background, along with a front yard and driveway. The camera should capture her isolated figure in the broader outdoor environment. This shot signifies her complete physical removal from the previous setting and emphasizes her solitude after the emotional departure.", "think_full": "The shot outline for indicates that is walking away from the house outside, signifying her complete separation. After her physical exit from the interior in , the narrative logically moves to showing her fully outside the premises. This requires a brand-new environment – the exterior of the house, yard, and driveway – which has not been seen in any previous shots ( through ). A wide shot emphasizes 's (last seen in ) isolation and the finality of her departure, providing a sense of closure to this chapter of her story by placing her in a new, more solitary context.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates 'walking away from the house outside, signifying her complete separation'. After she exits the interior in , the next logical step is to show her outside. This means introducing a new exterior environment. A wide shot would best capture (from through ) alone, walking away from the house, visually representing her final departure and isolation from the domestic setting." } ], "_src_movie_dir": "The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "204372_205478.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Help.2011.2160p.BluRay.x264.DTS-FGT.mkv/204372_205478.json", "_test_index": 458 }, { "movie": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv", "N": 10, "sample_id": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120608.jpg-Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121516.jpg", "images": [ { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120608.jpg", "filename": "120608.jpg", "aesthetic": 6.242733955383301, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120650.jpg", "filename": "120650.jpg", "aesthetic": 6.8446574211120605, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120854.jpg", "filename": "120854.jpg", "aesthetic": 7.787787914276123, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120968.jpg", "filename": "120968.jpg", "aesthetic": 6.556394577026367, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121013.jpg", "filename": "121013.jpg", "aesthetic": 7.063068866729736, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121088.jpg", "filename": "121088.jpg", "aesthetic": 6.778264999389648, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121145.jpg", "filename": "121145.jpg", "aesthetic": 7.133273124694824, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121253.jpg", "filename": "121253.jpg", "aesthetic": 7.071312427520752, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121451.jpg", "filename": "121451.jpg", "aesthetic": 7.111006736755371, "musiq": 0.0 }, { "tag": "", "rel_path": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/121516.jpg", "filename": "121516.jpg", "aesthetic": 7.023526668548584, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence depicts a tender and somewhat tense interaction between a young man and a young boy in a cozy, somewhat dated domestic setting, likely a dining or living room. The tone is intimate, focusing on their expressions and gestures as the young man tries to connect with or persuade the boy.", "characters": [ "", "" ], "shot_outline": " introduces , sitting at a table, showing his initial reserved reaction. cuts back to , establishing his gaze towards . pulls back to a wider shot, showing both and in the same frame, initiating their direct interaction. shows leaning closer to , indicating an attempt to connect. returns to 's close-up, capturing his continued pensive or resistant reaction. shows presenting something to , suggesting a proposal or offering. captures 's reaction to the offer, possibly with a hint of acceptance or interest. cuts back to , looking at , perhaps with a hopeful or reassuring expression. pulls back to a wider shot, showing both characters, suggesting a resolution or continued discussion." }, "instruction_full": "Cut to a medium close-up, introducing seated at a wooden table. He has his arms crossed and looks directly forward with a neutral or slightly wary expression. The background features the consistent flowered wallpaper from and a sewing machine, establishing the cozy domestic setting. This shot is to introduce as the recipient of 's attention and establish his initial guarded demeanor.", "think_full": "The environment should maintain continuity with , featuring the same flowered wallpaper and general domestic feel. The wooden chair is sitting on is similar to the one partially visible in , implying they are in the same room. is a new character for this shot, introduced to establish the second party in the interaction. His crossed arms and wary expression are chosen to set an initial tone of mild resistance or apprehension, aligning with the `shot_outline` to show his 'initial reserved reaction' and creating a challenge for .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, should introduce , sitting at a table, showing his reaction. Since features in a domestic setting, should remain in this setting. The camera should frame in a medium close-up to focus on his expression and posture. His expression should reflect the initial state mentioned in the outline, likely pensive or guarded, and he should be at a table, consistent with the setup from ." }, { "instruction_full": "Cut back to a medium shot of , similar to the framing of , with his hands on his hips. He maintains a contemplative or slightly concerned expression, looking towards the off-screen (introduced in ). The familiar flowered wallpaper from and and a wooden door are visible in the background, with a chair from the table partially in the foreground. This shot is to re-establish 's presence and his focus on , creating a visual connection and showing his perspective in the interaction.", "think_full": "The environment from and is maintained, using the flowered wallpaper and wooden door for continuity. The presence of the ornate wooden chair in the foreground helps link this shot directly to the table area where was seen in . reappears from , retaining his casual attire and thoughtful expression. His gaze is directed off-screen, establishing an implied eye-line with from . This shot performs a shot-reverse-shot to establish the interaction, fulfilling the `shot_outline` for to 'cut back to , establishing eye-line or his perspective towards '.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that cuts back to , establishing his eye-line towards . was introduced in and in . The setting should remain the same domestic interior. Therefore, the shot should be a medium shot of , resembling , but adjusted so he appears to be looking at off-screen, maintaining the environment's continuity." }, { "instruction_full": "Transition to a wider, medium shot that frames both and in the same domestic space. (from ) is seated at the table, holding a pencil and looking up at . (from , ) stands beside the table, leaning slightly over a chair, with a focused expression as he looks at . The shot reveals more of the domestic room from , , and , including a window with curtains and various household objects, reinforcing the cozy feel. This shot is to establish the full spatial relationship between the two characters and visually initiate their direct interaction.", "think_full": "The shot widens from , , and , revealing more of the consistent domestic setting with the flowered wallpaper, wooden furniture, and a window. The table where was seen in is now fully visible. Both (from , ) and (from ) are now in the frame together. adopts a more engaged posture, leaning over a chair, while is seated and attentive. Their eye-lines connect, fulfilling the purpose of the `shot_outline` for to 'pull back to a wider shot, showing both and in the same frame, establishing their spatial relationship and the beginning of their interaction'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for a wider shot showing both and to establish their interaction. We have seen in and , and in , all in the same domestic setting. To fulfill the outline, the camera needs to pull back and frame both characters, showing them looking at each other. The environment should be consistent with previous shots, expanding to reveal more details of the room." }, { "instruction_full": "Return to a medium close-up, focusing primarily on but with the back of 's head visible in the foreground. (from , , ) is leaning further forward over the table, his body positioned closer to . His expression is earnest and focused as he looks down at , with his hands placed on an object on the table, indicating direct engagement. The domestic room from previous shots (, , , ) continues as the setting, with familiar flowered wallpaper. This shot is to emphasize 's attempt to connect with and the intensity of his focus.", "think_full": "The environment remains consistent with , , , and , recognizable by the flowered wallpaper. (reappearing from , , ) is central to this frame. His posture has shifted to a much more forward, engaged lean over the table, intensifying his approach compared to . The back of 's head (from , ) in the foreground provides contextual continuity, indicating is addressing him directly. This shot fulfills the `shot_outline` for to show ' leaning closer to , indicating an attempt to connect or explain'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states that should lean closer to to indicate connection. We last saw both characters in a wider shot in . To emphasize the leaning, the camera should return to a medium close-up, similar to earlier shots of , but with him positioned closer to the table and . The domestic environment from , , , must be maintained." }, { "instruction_full": "Cut back to a medium close-up of , similar in framing and angle to . (from , ) is seated at the table, still with his arms crossed and looking directly forward, maintaining his slightly guarded or pensive expression while listening to (off-screen, who was leaning in ). The shot continues to be set in the domestic room, identifiable by the wooden chair and the sewing machine in the background, consistent with . This shot is to show 's continued internal processing and his reaction to 's attempt to connect, reinforcing his cautious demeanor.", "think_full": "This shot intentionally mirrors the spatial setup of , showing the same part of the domestic room with the distinctive wooden chair and the sewing machine in the background. (from , ) is the sole character in focus, his pose of crossed arms and pensive expression is consistent with his initial introduction in and his demeanor in . This continuity emphasizes his character's unchanging emotional state in response to 's efforts in . This aligns with the `shot_outline` for to 'return to 's close-up, capturing his continued pensive or resistant reaction'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a return to 's close-up, showing his continued pensive reaction. We last saw with a similar expression and posture in and , and was leaning towards him in . To show his 'continued pensive or resistant reaction' after 's approach, the shot should replicate the framing and emotional state of from , maintaining the domestic environment." }, { "instruction_full": "Cut back to a medium close-up on , mirroring the framing from , with the back of 's head visible in the foreground. (from , , , ) is still leaning forward over the table, now holding a small, light blue folded object in his right hand, extending it slightly towards the off-screen . His expression is engaging and persuasive as he presents the object. The background maintains the consistent domestic setting with the familiar flowered wallpaper and wooden elements, as seen in . This shot is to show actively presenting something to , introducing a new element to their interaction.", "think_full": "The shot maintains the continuity of the domestic room from previous shots, particularly mirroring the angle and background elements (flowered wallpaper) from . (seen in , , , ) is again the primary subject, maintaining his leaning posture from , indicating continued effort. The inclusion of the back of 's head (from , , , ) anchors 's action as being directed at him. The new element is the small object is holding, which signifies a new development in the interaction. This directly addresses the `shot_outline` for , which states to show ' presenting something to , suggesting a proposal or offering'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies that presents something to . We last saw leaning towards in and still pensive in . To fulfill the outline, should be in a similar medium close-up as , maintaining his leaning posture, but now holding and offering an object. The domestic environment from prior shots must be consistent." }, { "instruction_full": "Cut back to a medium close-up of , similar to and , but now with a more open and responsive expression. (from , , ) is seated at the table, now with his arms uncrossed, leaning slightly forward, and a visible reaction on his face—mouth slightly open, eyes wide, suggesting surprise or newfound interest in response to the object presented by (in ). He is holding a pencil. The domestic room continues as the setting, with the familiar wooden chair and the sewing machine in the background, consistent with and . This shot is to show 's positive, engaged reaction to the object offered by , indicating a breakthrough in their interaction.", "think_full": "The shot maintains the established domestic environment and the specific framing of from and , reinforcing continuity. (seen in , , ) is again the focus. His posture has changed from crossed arms in and to uncrossed, more open arms, and his expression is now one of interest or surprise, a direct contrast to his previous guardedness. This change is a direct response to 's offering in . This shot directly addresses the `shot_outline` for , which is to 'capture 's reaction to the offer, possibly with a hint of acceptance or interest', signaling a shift in their dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for requires capturing 's reaction to the offer, hinting at acceptance or interest. Given 's offering in and 's previous guardedness in , his reaction should show a positive shift. The camera should return to a close-up on , similar to and , to highlight this emotional change. The domestic setting from prior shots will be maintained." }, { "instruction_full": "Cut back to a medium close-up on , similar to the framing of and , with the back of 's head in the foreground. (from , , , , ) is still leaning forward, looking down at (seen from behind). His expression is now softer, perhaps relieved or reassuring, reflecting 's positive reaction from . He is no longer holding the object, implying it has been passed over. The background retains the familiar flowered wallpaper and wooden elements of the domestic room, consistent with and . This shot is to show 's reaction to 's acceptance, conveying a sense of relief or continued reassurance.", "think_full": "The setting remains the domestic room, consistent with previous shots like and , identifiable by the flowered wallpaper and wooden background features. (reappearing from , , , , ) maintains his leaning posture, but his expression has evolved; it is now softer, reflecting his response to 's positive reaction in . The back of 's head (from , , , , , ) remains in the foreground, solidifying the continuous interaction. This shot aligns with the `shot_outline` for to 'cut back to , looking at , perhaps with a hopeful or reassuring expression'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for cutting back to , looking at with a hopeful or reassuring expression. Given 's positive reaction in after 's offering in , 's expression should reflect this success. The framing should be similar to previous close-ups of (e.g., , ), maintaining the domestic setting. The implication is that the object has been accepted." }, { "instruction_full": "Pull back to a wider, medium shot, similar to , framing both and together in the domestic space. (from , , , ) is seated at the table, still engaged, looking at . (from , , , , , ) is standing near the table, leaning slightly towards , their postures suggesting a continued, positive interaction. The shot encompasses the wider domestic room from , including the window with curtains and the general layout of the area, confirming the continued setting. This shot is to provide a concluding wider view of their interaction, showing both characters in a more harmonious engagement after the earlier tension, suggesting a resolution or continuation of their newfound understanding.", "think_full": "This shot intentionally mirrors the wide framing of , returning to show the full context of the domestic room with the flowered wallpaper, window, and general furniture arrangement. Both (from , , , , , ) and (from , , , ) are shown together. maintains a leaning posture towards , less intense than before, and is still attentive. Their postures convey a settled interaction, reflecting the positive shift established in and . This directly aligns with the `shot_outline` for , which states to 'pull back to a wider shot, showing both characters, with still leaning over the table, suggesting a resolution or continued discussion'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies pulling back to a wider shot showing both characters, suggesting resolution or continued discussion. We have observed the interaction's positive shift in and . To convey resolution and their relationship, a wider shot similar to is appropriate. Both and should be present in the domestic setting, reflecting a settled interaction with still engaged with at the table." } ], "_src_movie_dir": "Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv", "_src_filename": "120608_121516.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Brooklyn.2015.1080p.BluRay.x264.DTS-WiKi.mkv/120608_121516.json", "_test_index": 463 }, { "movie": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv", "N": 10, "sample_id": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/108797.jpg-The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109466.jpg", "images": [ { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/108797.jpg", "filename": "108797.jpg", "aesthetic": 6.378445625305176, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/108884.jpg", "filename": "108884.jpg", "aesthetic": 5.054617404937744, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/108944.jpg", "filename": "108944.jpg", "aesthetic": 6.628437042236328, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109006.jpg", "filename": "109006.jpg", "aesthetic": 7.323287010192871, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109122.jpg", "filename": "109122.jpg", "aesthetic": 7.023745536804199, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109150.jpg", "filename": "109150.jpg", "aesthetic": 7.564486026763916, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109275.jpg", "filename": "109275.jpg", "aesthetic": 6.407519340515137, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109359.jpg", "filename": "109359.jpg", "aesthetic": 6.297195911407471, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109378.jpg", "filename": "109378.jpg", "aesthetic": 7.341381072998047, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/109466.jpg", "filename": "109466.jpg", "aesthetic": 6.697402477264404, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A social gathering, likely in a pub or community hall, where individuals are interacting in various small groups. The atmosphere seems to be one of casual conversation, perhaps with underlying romantic or social tensions.", "characters": [ "", "", "", "" ], "shot_outline": " shifts focus to , showing her smiling at someone out of frame, suggesting an active social interaction. introduces , looking contemplative or unsure, creating a sense of quiet observation within the social setting. introduces , observing someone or something with a slight, perhaps knowing, smile, with dancing couples in the background, hinting at a lively atmosphere. returns to , maintaining her interaction with an unseen person, but her expression is now more serious or engaged in a deeper conversation. returns to , who continues his thoughtful or amused observation, with the background activity emphasizing the ongoing social event. focuses on , showing a close-up of her hand interacting with another unseen hand, indicating a moment of physical connection or gesture. provides a wider view, showing and seated together, observing the wider social scene, providing a sense of their shared quiet reflection amidst the activity. changes to a bar scene, showing and together, receiving drinks, highlighting their interaction and engagement in the party. closes with a close-up of , now looking directly forward with a serious, almost isolated expression, contrasting with the earlier social interaction and implying introspection or a moment of realization." }, "instruction_full": "Change the camera's focus to , framing her in a medium close-up, smiling towards someone off-camera to her right. The setting remains the same dimly lit, warm-toned social space as seen in , with blurry figures and wooden elements in the background, maintaining the continuity of the environment. This shot is to show her engaging happily with an unseen conversational partner, contrasting with the more introspective mood of .", "think_full": "The global_prompt.shot_outline for specifies \"shifts focus to , showing her smiling at someone out of frame, suggesting an active social interaction.\" From , we see partially in the left foreground, suggesting she is part of the same gathering. By shifting the camera to her in a medium close-up, we bring her into clear view and establish her emotional state. The setting, characterized by warm lighting, wooden tables, and blurry background patrons, remains consistent with , indicating the scene is still unfolding in the same social venue. Her smile conveys engagement and a more outwardly social demeanor compared to in , advancing the narrative by showing different reactions within the group.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies \"shifts focus to , showing her smiling at someone out of frame, suggesting an active social interaction.\" shows partially in frame, making it a natural progression to focus on her. The camera should therefore move or cut to a medium close-up of her. She should be smiling and looking towards an unseen person, implying an engaging conversation. The background should maintain the warm, slightly blurry pub atmosphere established in , with hints of other patrons and wooden decor. This framing allows us to introduce her expression and active participation in the social event." }, { "instruction_full": "Cut to a medium close-up of , seated or standing amidst the social gathering, looking slightly to the side with a contemplative or distant expression. The lighting and warm, dark interior ambiance seen in and should continue, with blurred figures and dark wooden elements forming the background, indicating we are still in the same bustling environment. This shot aims to introduce a new character with a more serious, thoughtful demeanor into the scene.", "think_full": "The global_prompt.shot_outline for specifically mentions introducing looking contemplative. This requires a cut to a new character, so the camera shifts to frame him. His expression should be serious or thoughtful to align with the outline. The visual continuity of the setting (warm, slightly dim interior with blurred background patrons and wooden decor) must be maintained from and to clearly indicate that he is part of the same social event, even if he seems somewhat isolated in thought.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies \"introduces , looking contemplative or unsure, creating a sense of quiet observation within the social setting.\" To achieve this, a new shot is needed, focusing on this new character. The camera should frame him in a medium shot, highlighting his contemplative expression. The setting should remain consistent with the pub environment established in and , with warm, dim lighting and blurred background activity to place him within the same social context." }, { "instruction_full": "Shift the camera to a medium close-up of , positioned in a similar dimly lit, warm-toned interior as established in , , and . He should have a slight, observing smile, looking off-camera. In the blurry background, glimpses of couples dancing should be visible, adding to the lively social atmosphere. This shot introduces another new character and broadens our understanding of the ongoing activity in the space.", "think_full": "The global_prompt.shot_outline for introduces with a \"slight, perhaps knowing, smile\" and \"dancing couples in the background.\" This necessitates another camera cut to a new character, framed in a medium close-up to show his expression. The pub setting continues, consistent with , , and in terms of lighting and general ambiance. The addition of blurred dancing figures in the background expands on the setting, showing more of the social activities within the venue and enriching the scene's dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for describes introducing , observing with a slight smile, and mentions \"dancing couples in the background.\" To fulfill this, the next shot should be a medium close-up of this new character. His expression should convey observation and subtle amusement. The background, while still maintaining the general pub aesthetic from , , , should distinctly feature blurred dancing couples to emphasize the vibrant nature of the social event." }, { "instruction_full": "Re-establish from , framing her in a similar medium close-up as in , but this time with a more serious or intently engaged expression, still looking at someone off-camera to her right. The dark, warm interior setting and background elements seen in should be maintained, suggesting a continuation of her previous conversation. This shot aims to show a deepening of her engagement or a shift in the tone of her interaction.", "think_full": "The global_prompt.shot_outline for indicates a return to , with a \"more serious or engaged\" expression. This shot directly follows up on her previous appearance in . By maintaining a similar medium close-up and the same general warm, dark pub setting from , we reinforce continuity. Her changed expression, from smiling to serious, suggests an evolution in her conversation, adding narrative progression without explicitly revealing the other party or the dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for calls for a return to , with an \"expression is now more serious or engaged in a deeper conversation.\" This means the camera should cut back to her, using a similar framing to for visual continuity. Her expression needs to reflect a more serious or focused mood. The background should be consistent with the dark, warm pub interior seen in , reinforcing that she is still in the same place and potentially continuing the same interaction." }, { "instruction_full": "Return to from , maintaining a similar medium close-up, with his thoughtful or slightly amused observing expression. The background should again feature blurred figures, including dancing couples, in the same warm, dimly lit interior setting as established in . This shot reinforces his continued observation of the social event, possibly reacting to the atmosphere or a particular interaction.", "think_full": "The global_prompt.shot_outline for indicates a return to , maintaining his \"thoughtful or amused observation.\" This creates a parallel with , showing his sustained presence and perspective. By reusing the medium close-up and the specific background detail of dancing couples from , we maintain strong visual continuity and reinforce the ongoing lively nature of the gathering. His consistent expression suggests he is taking in the scene without immediate direct engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies \"returns to , who continues his thoughtful or amused observation, with the background activity emphasizing the ongoing social event.\" The camera should cut back to him, maintaining a similar medium close-up and the general warm, dimly lit pub environment from . Crucially, the blurred dancing couples in the background, as seen in , should reappear to emphasize the vibrant atmosphere he is observing. His expression should convey continued, quiet observation." }, { "instruction_full": "Zoom in for a tight close-up on the hands of (seen in , ) as she makes a gesture or interacts physically with an unseen person's hand. Her face, partially visible, should show a faint smile or a gentle expression. The background should remain consistent with the dark, warm interior of the social venue. This shot emphasizes a moment of intimacy or connection between her and another character.", "think_full": "The global_prompt.shot_outline for describes a focus on 's hand interacting with another. This requires a much tighter framing than previous shots of her (e.g., , ) to highlight the physical gesture. Her partial face in the frame provides context to her expression during this interaction. The consistent dark, warm interior, seen across all previous shots ( through ), keeps the scene unified. This shot serves to show a personal, non-verbal exchange, deepening her current interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for calls for focusing on and \"her hand interacting with someone else's.\" This implies a close-up shot of her hand and another person's hand, with her face possibly visible in the upper part of the frame, showing a gentle expression. The background should maintain the dark, warm tones of the pub setting established in previous shots ( through ), keeping the environment consistent while focusing on this intimate gesture." }, { "instruction_full": "Pull back to a wider shot, showing both (seen in ) and (seen in ) seated together at a table. They are observing the bustling social environment around them. The shot should capture more of the lively pub setting, with other patrons, tables, and the overall warm, dim lighting from and . The narrative intent is to show these two characters together, providing a broader view of the gathering and their shared, perhaps more reserved, presence within it.", "think_full": "The global_prompt.shot_outline for specifies a wider shot showing and seated together, observing the activity. This requires a significant camera change to a wider angle than we've seen in any of the individual close-ups (e.g., for her, for him). Placing them together physically establishes a relationship or shared observation. The setting remains the consistent warm, dimly lit pub from through , and this wider view helps to confirm it as a public, lively event, reinforcing the environment's details seen in , , , .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: \"provides a wider shot, showing and seated together, observing the activity around them.\" This requires a camera move to a wider master shot, placing these two established characters (from and respectively) side-by-side. The setting should clearly be the same lively, warm-toned pub interior from previous shots ( through ), now showing more background elements and other patrons to convey the scale of the social event. Their posture should reflect observation rather than direct engagement." }, { "instruction_full": "Cut to a new angle or area within the same social venue, focusing on (from , , ) and (from , ) standing together at a bar or counter. They are receiving drinks from a bar staff. The lighting remains warm and atmospheric, consistent with the overall pub environment seen in through , but the focus shifts to a new section of the space. This shot highlights a direct social interaction between these two characters.", "think_full": "The global_prompt.shot_outline for indicates a shift to a bar area, showing and receiving drinks. This means a change in camera position to a different part of the overall venue, but the environment's general characteristics (warm, dim lighting, lively atmosphere) should be consistent with the previously established pub setting ( through ). Placing these two characters (seen separately in // and / respectively) together at the bar creates a new dynamic and signifies a more direct interaction between them within the ongoing social event.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for specifies \"shifts to a bar area, showing and together, receiving drinks.\" This requires a new camera setup within the same general pub environment from previous shots ( through ), but specifically at a bar counter. Both (from , , ) and (from , ) should be present, suggesting a joint activity or conversation. The background should show typical bar elements and possibly other patrons, maintaining the consistent atmospheric lighting." }, { "instruction_full": "Cut back to a tight close-up of (previously seen in , ), looking directly forward with a serious, almost intense expression. The background should be slightly blurred but recognizable as the same dark, warm-toned interior of the social gathering, perhaps with hints of festive decorations visible earlier (e.g., ). This shot aims to isolate him emotionally, emphasizing a moment of introspection or a profound realization amidst the revelry.", "think_full": "The global_prompt.shot_outline for describes a close-up of looking serious and isolated, contrasting with the wider social interactions. This requires a cut back to him (seen in and ), but now in a tighter close-up than even to emphasize his internal state. His direct gaze and serious expression convey a shift in his mood, possibly from the earlier contemplative state in . The continuous warm, dim lighting and blurred background from the pub (evident in through ) maintain the setting's continuity while his framing provides emotional isolation, fulfilling the narrative intent.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states: \"returns to a close-up of , now looking directly at the camera or forward, with a serious expression, isolated from the wider revelry.\" This necessitates a direct cut to a close-up of (previously seen in and ). His expression must be distinctly serious and direct. The background should still be the warm, dimly lit pub environment, perhaps showing some of the festive decorations hinted at in , but blurred enough to keep the focus on his isolated expression, reinforcing the contrast between his internal state and the lively surroundings." } ], "_src_movie_dir": "The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv", "_src_filename": "108797_109466.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Imitation.Game.2014.2160p.ROKU.WEB-DL.AAC.2.0.H.264-PiRaTeS.mkv/108797_109466.json", "_test_index": 484 }, { "movie": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv", "N": 10, "sample_id": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/56979.jpg-empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57791.jpg", "images": [ { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/56979.jpg", "filename": "56979.jpg", "aesthetic": 7.386192321777344, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57063.jpg", "filename": "57063.jpg", "aesthetic": 4.810550689697266, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57126.jpg", "filename": "57126.jpg", "aesthetic": 6.862597465515137, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57198.jpg", "filename": "57198.jpg", "aesthetic": 5.537439346313477, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57321.jpg", "filename": "57321.jpg", "aesthetic": 7.46839714050293, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57372.jpg", "filename": "57372.jpg", "aesthetic": 7.042121887207031, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57414.jpg", "filename": "57414.jpg", "aesthetic": 7.1702561378479, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57492.jpg", "filename": "57492.jpg", "aesthetic": 6.2932233810424805, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57602.jpg", "filename": "57602.jpg", "aesthetic": 6.582273960113525, "musiq": 0.0 }, { "tag": "", "rel_path": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/57791.jpg", "filename": "57791.jpg", "aesthetic": 5.985233783721924, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A series of interactions unfold in the grand, slightly dated lobby of a cinema or hotel, focusing on an older gentleman's conversations with the staff. The tone is observational, capturing the subtle dynamics and atmosphere of the place.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " shows a wider view of the lobby, focusing on at the counter and highlighting the expansive space. is a close-up of 's reaction. returns to a wider shot, showing from behind, facing and the observing group. focuses on looking around contemplatively. returns to a close-up of 's slightly altered reaction. is another over-the-shoulder shot of speaking. captures a tighter close-up of 's intense reaction. expands to show joining the conversation with the group. provides a final wide shot of the entire group in the grand lobby, near the staircase." }, "instruction_full": "Shift the camera to a wider, slightly lower angle, positioned from the right side of the main interaction, to reveal more of the grand lobby. This shot should primarily feature standing behind a central counter, looking slightly to the left, as patrons (including and ) walk past or enter through the large glass doors in the background, which open out to an expansive outdoor view. The overall space should maintain the warm, slightly aged grandeur established in , with the patterned carpet and ornate details, to establish the full environment and introduce this new character.", "think_full": "The shot needs to broaden the visual scope from the close interaction in . By moving to a wider angle and a different vantage point, we can showcase the environment of the grand lobby, including the distinctive patterned carpet and the view outside through the large windows, which were only hinted at in . This also allows for the introduction of at her workstation, defining her role and location within the lobby. The presence of and walking through the large doors suggests the lively, public nature of the space. The warm lighting and architectural style continue the aesthetic from .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` indicates a story set in a grand lobby, and the `shot_outline` for states it should 'show a wider view of the lobby, focusing on at the counter and highlighting the expansive space.' Based on , which showed a close-up of in a lobby, the next logical step is to reveal more of this environment and introduce other key figures. Therefore, I will generate a wider shot from a new angle, showing a central counter with and the large windows looking outside. The overall aesthetic and warm lighting of the lobby must be consistent with , and the patterned carpet should be visible. New characters like should be introduced clearly, and other patrons like and can be seen in the background, further populating the scene. This shot's user intent is to establish the broader setting and introduce a new character." }, { "instruction_full": "Shift the camera to a medium close-up shot of 's face, framed from the perspective of someone he is speaking to. He should have an attentive, serious expression. The background should subtly hint at the grand lobby environment, possibly showing a glimpse of the red carpeted staircase or ornate wall paneling from or , to maintain spatial continuity.", "think_full": "Following the broader environmental shot of and the initial interaction hint in , this shot needs to bring the focus back to the character who was addressed in : . A close-up, mirroring the implied perspective from (where the camera was positioned as if looking from 's perspective towards ), allows for a detailed view of his reaction. His uniform, glimpsed from the back in , is now clearly visible. The background, such as the red carpeted staircase, needs to subtly confirm that we are still in the same grand lobby, as established in and . The intent is to highlight his attentiveness and professional demeanor in the ongoing conversation, building on his implied role from .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'a close-up of 's reaction.' Given showed talking to (seen from behind), and showed the wider lobby, it's appropriate to now focus on 's perspective. I will generate a medium close-up of with an attentive or serious expression. The background should be consistent with the grand lobby setting established in and , possibly featuring elements like the staircase. This shot's user intent is to show his emotional engagement and professional composure." }, { "instruction_full": "Return to an over-the-shoulder shot from behind , similar to the framing of , but wider to encompass more characters. should be central, continuing his conversation, while and are now clearly visible standing behind him, observing. should be seen at the counter on the left side of the frame, observing the interaction, consistent with her placement in . The background should clearly show the large glass windows and the outdoor view, as seen in , reinforcing the continuous setting.", "think_full": "To advance the narrative and show the growing audience, this shot needs to return to the conversational dynamic from , but with an expanded view. The over-the-shoulder perspective from 's viewpoint (as in ) keeps his perspective central while allowing us to see the group he is interacting with. is still the primary speaker, consistent with . and , who were seen arriving in and partially obscured in , are now fully in frame, signaling their active presence as observers. , introduced at the counter in , is also visible in her area, subtly connecting the scenes. The grand lobby, with its prominent windows and outdoor view from , remains the consistent setting. This framing captures the escalating social context of the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a return to a wider shot, showing from behind, facing and the observing group. Building on (OTS to ), (wide lobby with and other patrons), and (close-up ), the next logical step is to combine these elements. I will generate an over-the-shoulder shot from behind , wider than , to show talking, with and clearly visible behind him. should also be seen at the counter from , subtly part of the scene. The background should feature the large windows from . This shot's user intent is to re-establish the main conversation and show the gathering of multiple characters, emphasizing the increasing scrutiny or public nature of the interaction." }, { "instruction_full": "Shift to a medium shot focusing on , similar to his framing in but slightly wider. He should be holding his paper bag and cup, but instead of talking directly, he should be looking off to the left, observing the surroundings with a contemplative or curious expression. The background should reveal a different section of the grand lobby's wall, perhaps with intricate wooden paneling and gold trim, and possibly another employee (like ) blurred in the deep background, to expand our view of the consistent setting.", "think_full": "After the multi-character shot of , it's important to return focus to , who initiated the conversation in . This shot provides a moment of pause in the direct interaction, allowing for character development by showing his reflective side. He retains his characteristic props (paper bag, cup) from and , reinforcing continuity. The background needs to maintain the grand lobby aesthetic, showcasing a different architectural detail, such as wooden paneling, which is consistent with the ornate nature seen in , , and , without introducing a new location. The blurred presence of in the background further populates the consistent lobby environment. This shot aims to show his observation of the environment or his internal thought process, shifting the immediate narrative focus from dialogue to reflection.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states 'focuses on looking around contemplatively.' Given that and featured actively talking, a shot dedicated to his observation or thought would be a logical progression. I will generate a medium shot of , still holding his paper bag and cup (as seen in and ), but now looking off to the side with a thoughtful expression. The background should be a consistent part of the grand lobby seen in , , , and , but perhaps a new angle of the wall, possibly with decorative paneling. might be visible in the blurry background. This shot's user intent is to reveal 's internal state or his broader engagement with the environment." }, { "instruction_full": "Return to a medium close-up of , identical in framing and angle to . He should maintain an attentive expression, possibly with a subtle hint of weariness or sustained patience, reacting to the ongoing situation. The background must again show the red carpeted staircase and railings, as seen in , to ensure complete spatial and visual consistency with that prior shot.", "think_full": "Following 's contemplative moment in , it's narratively effective to return to 's reaction, reinforcing his role as the primary listener. By directly mirroring the framing and background of , this shot establishes strong visual continuity and allows the audience to track the subtle evolution of 's expression and emotional state. He remains in his uniform, consistent with all prior appearances. The red carpeted staircase, a key background element in , firmly places the scene in the established lobby. This shot aims to show his continued engagement and potentially a deepening emotional response to the unfolding conversation or the pause that just occurred.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for describes 'a return to a close-up of 's slightly altered reaction.' This directly follows from (where was contemplative) and echoes (a previous close-up of ). I will generate a medium close-up of , framed identically to , with the red carpeted staircase and railings from in the background. His expression should be attentive, perhaps with a slight nuance suggesting the conversation is progressing or taking a toll. This shot's user intent is to keep 's perspective prominent and show his ongoing emotional response." }, { "instruction_full": "Shift back to an over-the-shoulder shot from behind , looking towards , echoing the framing of and . should be central, still holding his cup and newspaper, and now appears to be actively speaking towards . In the background, and should be visible observing, similar to their placement in . The large glass windows showing the outdoor view, consistent with and , should again form the backdrop.", "think_full": "To continue the core conversation and maintain the established visual rhythm, this shot returns to the over-the-shoulder perspective from 's viewpoint, which was used in and . This allows us to see (from , , ) actively speaking again, maintaining the narrative flow after the brief focus on 's reaction in . still has his characteristic props (cup, newspaper), linking back to , , and . The background characters, and (from , , ), are present as observers, as in . The grand lobby, with its distinctive patterned carpet and the view outside through the large windows from , , and , remains the consistent and identifiable setting. This shot's intent is to re-emphasize 's active role in the conversation and the continued presence of the onlookers.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for describes 'a similar framing to , showing talking to , with the background characters visible.' This indicates a return to the main interaction after the previous close-ups and contemplative moment. I will generate an over-the-shoulder shot from behind , looking at , who should be speaking and holding his characteristic cup and newspaper (as seen in , , ). The background should be the grand lobby, prominently featuring the large windows from , , and , and showing and as observers, similar to . This shot's user intent is to re-engage with the central dialogue and the context of other characters." }, { "instruction_full": "Generate a slightly tighter close-up of 's face, intensifying his expression from to show a more focused, perhaps concerned or affected reaction. The background must retain the red carpeted staircase and railings, maintaining the consistent spatial setting established in and .", "think_full": "After 's speaking turn in , it's crucial to show the impact on . This shot, by being a slightly tighter close-up than and and showing a more intense expression, emphasizes the weight of the conversation and his deeper engagement. He is still in his uniform, consistent with all prior appearances. The background of the red carpeted staircase and railings, clearly seen in and , maintains strong spatial continuity within the grand lobby. This shot aims to convey the increasing gravity of the situation through 's heightened emotional response.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for suggests 'a slightly tighter shot of 's face, showing a more intense or focused reaction.' This directly follows the return to 's speaking in and builds on the previous close-ups of in and . I will generate a tighter close-up of 's face, showing a more pronounced reaction, such as concern or deep thought. The background should be the red carpeted staircase and railings, consistent with and . This shot's user intent is to highlight 's internal processing and emotional impact of the ongoing discussion." }, { "instruction_full": "Shift back to a wider over-the-shoulder shot from behind , similar to and , but now has moved from behind the counter (as seen in and ) and is actively standing with , , and , engaging in the conversation. She should be smiling. The counter, from and , should still be visible on the left, and the large windows from and should form the background, showcasing the continuous lobby setting.", "think_full": "To signal a significant shift in the interaction and its growing importance, this shot expands the group dynamic. By returning to the over-the-shoulder perspective from and , we maintain 's viewpoint while clearly showing that (introduced in and seen at the counter in ) has now joined the central conversation. Her move signifies an escalation or a collective response. (from , , , ), , and (from , , , ) are all present, forming a unified cluster. The counter (from , ) and the large windows (from , , ) provide strong spatial anchors to the consistent grand lobby environment. The user intent is to show the conversation becoming a more communal event, potentially indicating a resolution or further complication.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states 'expands to show joining the conversation with the group.' Following 's intense close-up of and the prior shots of the group, this indicates a significant change in the social dynamic. I will generate an over-the-shoulder shot from behind , wider than , to show still central, but now with (from and ) actively standing beside him and engaging in conversation, smiling. and should still be present behind . The background will be the consistent grand lobby, featuring the counter and large windows, as seen in and . This shot's user intent is to mark a turning point where the conversation broadens to include more key figures." }, { "instruction_full": "Generate a wider shot, pulling back and tracking slightly left from , to show the entire group from a slight distance. , , and should be clearly visible in conversation, with and still present. Additionally, should be more clearly visible in the deeper background near the staircase. This shot should prominently feature the grand red carpeted staircase (as seen in , , and ) and the patterned carpet, revealing the full scale of the lobby's architecture and the spatial context of the interaction, providing a sense of conclusion to the scene.", "think_full": "As a concluding shot for this sequence, it's effective to pull back and show the full scope of the scene and all the participants. This wider shot, tracking left from , provides a more comprehensive view of the grand lobby, fully integrating the red carpeted staircase (from , , ) and the patterned carpet (consistent throughout all shots), which have been background elements, into the main composition. All characters—, (from , , ), (from , , , , ), and (from , , , , )—are now clearly visible in their interaction. The inclusion of (glimpsed in ) more distinctly in the background further enhances the sense of a busy, established environment. This shot aims to provide a final, expansive view of the scene, emphasizing the communal aspect of the interaction and the impressive setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates 'a final wide shot of the entire group in the grand lobby, near the staircase.' This suggests a concluding shot that encompasses all characters and the full environment. Building on , which showed the full group, the next logical step is to pull back further. I will generate a wide shot, slightly tracking left, showing , (from , , ), (from , , , , ), , and (from , , , , ) all together in conversation. The grand red carpeted staircase (from , , ) should be a prominent background feature, along with the patterned carpet, showcasing the full lobby. (seen in ) should also be visible in the deeper background. This shot's user intent is to provide a final establishing shot of the scene and its context, giving a sense of conclusion." } ], "_src_movie_dir": "empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv", "_src_filename": "056979_057791.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/empire.of.light.2022.hdr.2160p.web.h265-naisu.mkv/056979_057791.json", "_test_index": 485 }, { "movie": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/140988.jpg-Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142725.jpg", "images": [ { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/140988.jpg", "filename": "140988.jpg", "aesthetic": 6.870140075683594, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/141334.jpg", "filename": "141334.jpg", "aesthetic": 6.107443809509277, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/141400.jpg", "filename": "141400.jpg", "aesthetic": 6.702622413635254, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/141666.jpg", "filename": "141666.jpg", "aesthetic": 6.608420372009277, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/141784.jpg", "filename": "141784.jpg", "aesthetic": 6.816906452178955, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142128.jpg", "filename": "142128.jpg", "aesthetic": 6.804532527923584, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142294.jpg", "filename": "142294.jpg", "aesthetic": 4.088850498199463, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142412.jpg", "filename": "142412.jpg", "aesthetic": 7.063303470611572, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142547.jpg", "filename": "142547.jpg", "aesthetic": 7.127523422241211, "musiq": 0.0 }, { "tag": "", "rel_path": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/142725.jpg", "filename": "142725.jpg", "aesthetic": 7.061410427093506, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The images depict a formal social gathering, likely a dinner or meal, in an opulent, traditional setting. The atmosphere seems somewhat formal, possibly tense, with characters appearing to be part of an upper-class family or social circle. There's a hint of intrigue or unfolding drama as new characters arrive and interactions shift. The pacing is deliberate, observing subtle social dynamics.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " shifts to show more of the seated guests and standing, observing. focuses on a pair of guests at the table, including and , highlighting their interaction or individual presence. returns to a wider view of the table, again featuring standing prominently. provides a close-up of at the table, emphasizing her expression. pulls back to a wider shot of the room, showing new characters, including , and the general ambiance. presents a new character, , observing from a doorway, indicating external interest or a new arrival. focuses on at the table, capturing her attention. shows standing prominently within the dining room, addressing the room, with other guests visible. returns to at the table, observing the scene." }, "instruction_full": "Shift the camera slightly to the left from the perspective of , maintaining a similar eye-level angle but widening the view to include more of the long dining table and the individuals seated or standing around it. Feature standing formally in a black suit, observing the scene. Include and seated at the table, partially visible, engaging in the meal. Maintain the opulent dining room setting established in , with the large painting on the wall and the decorative side table with silverware visible in the background. The lighting remains soft and ambient. The user intent is to introduce more key figures at the gathering and establish the presence of staff overseeing the event, building on the formal atmosphere.", "think_full": "The opulent dining room from continues, characterized by its grand decor, large paintings, and formal dining setup. The shift in camera angle will reveal more of the same environment, reinforcing the setting. We see new characters here. is introduced standing, indicating his role. and are introduced seated, expanding the cast of diners. The blurred figures in the foreground of are replaced with more defined characters here, hinting at a wider cast. The previous shot established the general setting and the presence of . This shot expands the view to include other important guests and the commanding presence of , suggesting a formal occasion where social dynamics are at play and establishing more of the main cast. The standing posture of gives him a supervisory presence.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' shifts to show more of the seated guests and standing, observing.' This implies a wider shot or a different angle showing more people at the table and introducing . I should maintain the grand dining room from , keeping the formal setting and ambient lighting. The camera needs to pan or adjust to reveal more of the guests mentioned in the outline, specifically including a standing to fulfill his described role. This shot should broaden the scope of characters introduced after the initial focus on in ." }, { "instruction_full": "Shift the camera to a medium shot, focusing on a pair of seated individuals at the table, specifically framing and . This involves a slight pan to the right and a closer crop compared to . should be seated to the left, looking forward, perhaps about to eat. is seated to his right, delicately cutting something on her plate. Both appear composed. Continue within the same opulent dining room as seen in and . The ornate wall details, the window with the outdoor view, and a side table from should be visible in the background, but slightly altered due to the camera's new angle. The table setting with plates and cutlery should be prominent in the foreground. The user intent is to give individual attention to these two characters, contrasting their actions at the table and highlighting their presence in the formal setting.", "think_full": "The shot continues within the same grand dining room established in and , evident by the consistent architectural style, wall decorations, and the window view. The camera moves closer to a specific section of the table, emphasizing the immediate dining area. is seen again, now in a clearer medium shot, having been introduced in . reappears from , now seated and focused on her meal, rather than serving, maintaining her poised demeanor. This gives individual focus to these previously introduced characters. After showing the wider scene and in , this shot narrows the focus to individual diners. By showing and together, it subtly suggests a connection or an observation of their individual roles within the gathering. It allows for a more intimate look at their demeanor during the formal meal.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' focuses on a pair of guests at the table, including and , highlighting their interaction or individual presence.' This requires a closer shot than , focusing on two specific characters. I should reuse the dining room setting from and . The characters specified, and , need to be positioned at the dining table, engaged in the meal, potentially showing their individual expressions or actions. The camera would adjust to isolate them from the larger group." }, { "instruction_full": "Revert to a wider shot similar in scope to , showing a broader view of the dining table and the room beyond, but with a slight adjustment to feature more centrally. The camera maintains a similar eye-level perspective as . is central, standing formally and observing the room, his posture unchanged from . is seated at the table, perhaps looking at something in his hands. and are also visible at the table, though possibly less prominent than in . The grand dining room, consistent with , , and , featuring the ornate walls, paintings, and the formal dining table set with silverware and flowers. The ambient lighting remains consistent. The user intent is to re-establish the broader scene and the watchful presence of after the close-up on individual diners, reinforcing the formal and supervised atmosphere.", "think_full": "The setting is consistently the grand dining room seen in , , and , maintaining the lavish decor and formal ambiance. The camera returns to a wider view, similar to , to encompass more of the room and guests, affirming the environment's continuity. reappears from , maintaining his formal, standing posture, reinforcing his supervisory role. also reappears from , now potentially engaged with an object. and , who were the focus of , are now part of the wider scene again, confirming their continued presence. After focusing on a close-up in , returning to a wider shot with prominently featured, as in , re-establishes the formal setting and his watchful presence. This shift in perspective helps to re-contextualize the individual interactions within the larger social event, suggesting that all actions are observed.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' returns to a wider view of the table, again featuring standing prominently.' This implies moving back from the close-up of to a broader shot. should be visible and standing, similar to his appearance in . The dining room setting from , , must be maintained. Other guests previously seen should also be visible, adding to the sense of a populated formal gathering." }, { "instruction_full": "Transition to a tighter medium close-up shot of , similar in framing and intimacy to the shot of her in , but now perhaps with a slightly different angle or expression that emphasizes her reaction to the broader scene. The camera focuses solely on her, cropping out other immediate diners. is seated at the dining table, her expression thoughtful or observant, still holding cutlery from her meal, consistent with her demeanor in . The backdrop remains the opulent dining room, specifically the wall with a large painting, visible in and , and the formal setting of the table and chair, as seen in . The ambient lighting from previous shots is maintained, illuminating her face. The user intent is to highlight 's individual presence and possibly her reaction or reflection amidst the unfolding event, providing a moment of character focus.", "think_full": "The opulent dining room established since continues as the backdrop, identifiable by the ornate wall and formal furniture. The camera maintains a similar eye-level as previous shots but tightens the focus. The table and chair are consistent with the details seen around in , , and . is the central figure, reappearing from , , and . This close-up isolates her, similar to the individual attention given in , allowing her expression to convey her internal state or reaction to the activity around her, particularly after 's prominence in . After the broader view of which re-established the general scene and the watchful staff, this shot returns to a key character, . It aims to draw the viewer's attention to her, suggesting her significance and perhaps her internal processing of the situation or other characters' actions, offering a moment of quiet observation before further developments.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' provides a close-up of at the table, emphasizing her expression.' This explicitly calls for a close-up on . I need to place her at the dining table, consistent with her presence in , , and . The background should reflect the formal dining room environment established in prior shots. The focus is on her expression, implying a need to capture subtle emotions or observations." }, { "instruction_full": "Pull back to a wider shot of the room, similar to the expansive feel of and , but shifting the focus away from the center of the dining table to reveal a different section of the grand room and new characters. The camera should maintain a similar eye-level. Introduce standing, perhaps looking around or speaking to , who stands nearby, still in his formal attire from and . is also visible seated in the foreground, engrossed in reading something, as he was potentially doing in . Another background figure is blurred. The grand dining hall or an adjoining receiving area within the same opulent estate is revealed, featuring ornate gold framed paintings, a large decorative sideboard with silverware from and , and rich wall textures. The lighting retains the elegant, ambient quality of the previous shots. The user intent is to broaden the narrative scope by revealing new characters and a more expansive view of the elegant interior, indicating new arrivals or shifting attention within the event.", "think_full": "The opulent setting established since is maintained, but the camera pulls back and slightly shifts perspective to reveal more of the architectural grandeur and a different section of the room. The decorative elements like the paintings and the sideboard (seen in and ) confirm this is the same grand estate, just a wider or slightly different angle. reappears from and , maintaining his formal appearance and standing posture, now seemingly interacting with a new arrival. is also visible from and , maintaining his focus on an object. is introduced as a new character, adding to the expanding cast of the event. After focusing on the dining table and established characters for several shots ( through ), this shot serves to expand the scope. By revealing new characters and a broader view of the room, it suggests new developments or arrivals, shifting the narrative attention and introducing potential new dynamics into the formal gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' pulls back to a wider shot of the room, showing new characters, including , and the general ambiance.' This means a wider shot than the previous close-up in , showing more of the environment and new people. The established opulent interior from through should be consistently used. It must prominently feature and potentially other new characters or re-introduce existing ones like in this wider context. The overall ambiance of a grand event should be conveyed." }, { "instruction_full": "Execute a sharp cut to a new, unexpected camera angle, framing a doorway from which a new character is peeking into the room. This is a tighter, more intimate shot than , focusing on the entrance rather than the room's interior. Introduce , peeking from behind a large, plain wooden door. He is wearing a trench coat and a hat, holding a pipe, and has a discerning or observing expression. He is a brand new character. The focus is on a solid, light-colored wooden door and the ornate door frame, consistent with the rich interior design of the estate seen in through . A hint of the grand interior can be seen behind him, but the emphasis is on the doorway as a point of entry or observation. The user intent is to introduce a new, potentially mysterious or external character, implying an outside observer or a significant new arrival, thereby injecting an element of suspense or intrigue into the narrative.", "think_full": "While focusing on a new specific element (a doorway), the ornate frame visible around the door and the hint of the interior beyond confirm this is still within the same grand estate, consistent with the architectural style seen in through . This is not a new location, but a new vantage point. is an entirely new character, never seen before in through . His attire (trench coat, pipe) suggests an external, perhaps more rugged or investigative, presence contrasting with the formal diners. After a series of shots establishing the formal gathering ( to ), introducing peeking from a doorway dramatically shifts the tone. It suggests an outside observer or an unexpected arrival, adding a layer of mystery and potentially foreshadowing conflict or an investigation that disrupts the tranquil social event. This shot broadens the narrative beyond the immediate gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' presents a new character, , observing from a doorway, indicating external interest or a new arrival.' This clearly specifies introducing a new character, , at a doorway, and his action of observing. The shot should be tighter to focus on this action and new character. The background should suggest the grand estate interior, but the foreground emphasis is on the doorway. This represents a significant shift in perspective and introduces an external element to the ongoing social event." }, { "instruction_full": "Return to a medium close-up shot at the dining table, similar in framing to and , but now focusing on a different set of guests. The shot should be eye-level. Introduce as the primary focus, seated at the table, looking intently off-frame to the right, her expression serious and composed, with bold red lipstick. is blurred in the background, seated next to her, also at the table. The opulent dining room environment from through is clearly visible, with the table setting, flowers, and hints of the ornate wall decorations and paintings in the blurred background. The elegant, ambient lighting is maintained. The user intent is to introduce another key character among the guests and capture her focused attention, implying she is observing or reacting to something important that has just occurred or is about to.", "think_full": "The setting is definitively the grand dining room, maintaining visual consistency with through , especially the table setting and background details visible behind the seated characters in and . The return to the dining table anchors the narrative back to the main event after the interlude with in . is introduced as a new character, adding to the ensemble of guests. Her expression suggests she is attuned to the events. is also a new, albeit blurred, character, filling out the scene. This shot brings us back to the immediate participants of the dinner. After the intriguing introduction of an external observer in , this shot brings the focus back inside the dining room, but on new characters. By showing 's focused expression, it heightens the sense that something significant is unfolding or has just happened, potentially related to the new arrival or a general shift in the gathering's mood. It prepares for a reaction or a central announcement.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' focuses on at the table, capturing her attention.' This requires a medium close-up of a new character, , at the dining table. Her attention being captured suggests a specific expression or gaze towards something off-screen. The dining room setting from previous shots ( to ) should be the background. This shot is likely a reaction or observation from within the main gathering, potentially after the introduction of in ." }, { "instruction_full": "Shift to a slightly wider, eye-level shot that positions centrally in the room, standing, with some seated guests in the foreground and background. This shot is more expansive than but more focused than the widest shots like or . is now fully within the dining room, standing prominently in the middle distance, perhaps addressing the room or making an announcement, his pipe still in hand, his expression serious. is visible in the foreground, seated at the table, looking towards him, having been introduced in . Other blurred figures, including possibly or from earlier shots, are also seated around the table. The grand dining room is fully on display, featuring the ornate fireplace, mantelpiece with a clock, and large paintings on the walls, consistent with the lavish decor established throughout the sequence ( to and hinted in ). The lighting remains ambient, highlighting the grandeur. The user intent is to bring into the main gathering, establishing him as a central figure, and to show the assembled guests' reaction to his presence or statement.", "think_full": "The grand dining room is consistently maintained, now revealing more of its ornate details, such as the fireplace and mantelpiece, which were partially obscured or not central in previous shots like , , , . The ambient lighting and formal atmosphere continue. is now fully present within the room, moving from his observing position in to a more central, active role. from is visible in the foreground, confirming her continued presence and showing her reaction to the new speaker. Other blurred figures at the table reinforce the ongoing gathering with previously introduced characters like and implicitly present. Following his secretive observation in and the attentive reaction of in , this shot brings into the forefront of the narrative. His central standing position and serious demeanor suggest he is about to make a significant statement or has just interrupted the formal gathering, elevating the dramatic tension and revealing his purpose within the story.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' shows standing prominently within the dining room, addressing the room, with other guests visible.' This requires to be inside the room, not just at the doorway, and to be a central focus, addressing the group. The dining room setting from previous shots ( to ) must be consistent. Other guests, like from , should be visible, reacting to or observing him. This shot marks a pivotal moment where the external character directly engages with the main gathering." }, { "instruction_full": "Return to a medium close-up shot of at the dining table, very similar in framing and angle to and . This shot offers her perspective or reaction to the events unfolding, particularly after 's address in . is seated at the dining table, composed but with an facial expression suggesting keen observation or thoughtful processing of the situation, consistent with her appearance in , , and . She is still engaged with her meal with cutlery in hand. The opulent dining room background remains, with hints of the ornate wall and a side table from and visible in the blurred background. The table setting and flowers are in the foreground, similar to and . The ambient lighting maintains the consistent atmosphere. The user intent is to underscore 's importance by showing her reaction and judgment to the major development introduced by , emphasizing her role as an observer or decision-maker.", "think_full": "The grand dining room remains the consistent setting, recognizable by the ornate details in the background, table, and chairs, as seen in , , , , , , , and . Returning to a familiar framing around grounds the shot within the established environment. is a recurring key character from , , , and . This shot revisits her after a significant event, highlighting her reaction. Her composed yet observant expression continues her established persona. After the dramatic entry and address of in , this shot immediately cuts to . This emphasizes her centrality to the narrative and suggests that her reaction or decision will be crucial. It allows the viewer to interpret the weight of the new information through her expression, bringing the focus back to an established figure who likely holds power or influence within the family/group.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, ' returns to at the table, observing the scene.' This clearly dictates a shot of at the table, focused on her observation. I should use a medium close-up, similar to how she was framed in and . The dining room setting from all previous shots ( to ) must be maintained, with the table and flowers in the foreground. Her expression should convey observation or reaction to the major events that have just transpired with in ." } ], "_src_movie_dir": "Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv", "_src_filename": "140988_142725.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Gosford.Park.2001.REMASTERED.2160p.BluRay.REMUX.AVC.DTS-UHD.MA.5.1-FGT.mkv/140988_142725.json", "_test_index": 513 }, { "movie": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "N": 10, "sample_id": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/173647.jpg-Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/175688.jpg", "images": [ { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/173647.jpg", "filename": "173647.jpg", "aesthetic": 5.901140213012695, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/173734.jpg", "filename": "173734.jpg", "aesthetic": 5.163335800170898, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/173919.jpg", "filename": "173919.jpg", "aesthetic": 5.816241264343262, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/174194.jpg", "filename": "174194.jpg", "aesthetic": 5.165798187255859, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/174516.jpg", "filename": "174516.jpg", "aesthetic": 5.960011959075928, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/174897.jpg", "filename": "174897.jpg", "aesthetic": 5.365373611450195, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/175072.jpg", "filename": "175072.jpg", "aesthetic": 5.338866233825684, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/175309.jpg", "filename": "175309.jpg", "aesthetic": 6.343741416931152, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/175484.jpg", "filename": "175484.jpg", "aesthetic": 5.696570873260498, "musiq": 0.0 }, { "tag": "", "rel_path": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/175688.jpg", "filename": "175688.jpg", "aesthetic": 6.0453996658325195, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A series of shots capturing a man's contemplative mood, alternating between the vastness of a city rooftop at dusk and the intimate interior of a room overlooking the same cityscape. The tone is reflective and slightly melancholic, building towards a subtle connection with another person.", "characters": [ "", "" ], "shot_outline": " offers an intimate, close-up interior perspective of 's contemplative state. returns to the rooftop, showing looking out at the city from a slightly wider angle than . again brings us inside for another close-up, reiterating his introspection. presents a wide, full-body shot of on the rooftop, emphasizing his isolation against the grand city. cycles back to an interior close-up, reinforcing his internal world. returns to the rooftop with a medium close-up, re-establishing his connection to the expansive view. introduces on the rooftop in a wider shot, showing starting to move towards them. focuses on 's expression on the rooftop as he considers . concludes with a close-up of , revealing their presence and potential connection with ." }, "instruction_full": "Shift the camera to an intimate medium close-up from an interior vantage point, looking out. Frame from the chest up, his gaze soft and reflective, almost looking down or slightly away, suggesting a moment of quiet thought. The space is dimly lit, with the blurred city lights seen through a window in the background, creating a soft bokeh effect and contrasting with the wide open rooftop setting of .", "think_full": "The narrative requires a shift from the expansive outdoor contemplation of to a more intimate, internal moment for . Moving the camera inside allows for this change in mood, contrasting the vastness of the city (still visible as blurred background lights) with his personal space. retains the contemplative expression established in . The close-up framing intensifies the focus on his inner state. The dim interior lighting, distinct from the dusk light of , helps delineate this new environment while maintaining the melancholic aesthetic. We are moving from external observation to internal reflection.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'global_prompt' and 'shot_outline', should provide an intimate view of . The 'shot_outline' specifies that 'offers an intimate, close-up interior perspective'. Therefore, the camera should be close on , from an interior. He should retain the reflective demeanor seen in . The space must be inside, with city lights subtly visible to connect to the previous shot's setting. The narrative purpose is to explore his internal world after the external observation in ." }, { "instruction_full": "Return the camera to the rooftop, framing in a medium shot, similar to but slightly wider to show more of the city skyline. should be looking out at the city, with the blurred lights of the cityscape behind him, maintaining the reflective and slightly melancholic expression seen in and . The lighting should be consistent with the dusk atmosphere of .", "think_full": "The 'shot_outline' indicates that 'returns to the rooftop, showing looking out at the city from a slightly wider angle than '. This implies a direct continuity of setting and character from . By returning to the rooftop, we re-establish the expansive environment, allowing to be visually connected to the city once more after the intimate interior shot of . His expression continues the contemplative mood. The camera position is similar to , maintaining visual consistency of his presence on the rooftop.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt' and 'shot_outline', should revisit the rooftop scene from . The 'shot_outline' states it 'returns to the rooftop, showing looking out at the city from a slightly wider angle than '. This means () should be on the rooftop again, looking at the city lights. The camera should be a medium shot, wider than , reinforcing the vastness of his surroundings. His expression should remain consistent with his pensive mood across and . The lighting should be the same dusk city light from ." }, { "instruction_full": "Cut back to the interior setting, using a medium close-up similar to the framing and dim lighting of . is again framed from the chest up, with his expression maintaining the thoughtful, slightly downcast look. The background should show the blurred city lights through a window, mirroring the visual style established in .", "think_full": "The 'shot_outline' specifies that 'again brings us inside for another close-up, reiterating his introspection'. This implies a direct visual echo of 's camera, space, and character's state. By cutting back inside after , we continue the rhythmic alternation between external vastness and internal reflection. 's persistent pensive mood is highlighted by this repeated interior framing. The dim lighting and blurred city lights of are reused to maintain visual and emotional continuity for this internal moment.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'global_prompt' and 'shot_outline', should be an interior shot, similar to . The 'shot_outline' says it 'again brings us inside for another close-up, reiterating his introspection.' This suggests a return to the close-up, interior framing of . (, , ) should be the sole character, his expression still contemplative. The background should be the blurred city lights seen from indoors, just like in , reinforcing his inner world after the outdoor view of ." }, { "instruction_full": "Transition to a wide shot on the rooftop, framing as a smaller figure against the expansive cityscape, emphasizing the vastness of his surroundings. He is standing upright, looking out over the city as he did in and , but now his entire body is visible. The dusk lighting remains consistent with the outdoor scenes from and , showcasing the glittering city lights stretching into the distance.", "think_full": "The 'shot_outline' states that 'presents a wide, full-body shot of on the rooftop, emphasizing his isolation against the grand city'. This demands a significant change in camera distance from the previous close-ups (, ) and even the medium shots (, ). The wide shot reinforces the theme of isolation by dwarfing against the vast backdrop, a progression from simply being 'on the rooftop'. He maintains his established contemplative stance, visually consistent with his appearances in and . The environmental elements from and (dusk light, city lights, rooftop architecture) are continued to ensure spatial coherence.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the 'global_prompt' and 'shot_outline', should be a wide shot on the rooftop. The 'shot_outline' specifies 'a wide, full-body shot of on the rooftop, emphasizing his isolation against the grand city'. This means (, , , ) should be seen full-body, on the rooftop from and , looking out. The camera should pull back significantly to highlight the scale of the city and his solitary figure. The dusk lighting from previous outdoor shots should persist." }, { "instruction_full": "Shift back inside to a medium close-up of , mirroring the framing, dim lighting, and blurred city background of and . His expression should continue to convey quiet introspection, a subtle nod or a soft, contemplative gaze. This shot once again highlights his internal experience.", "think_full": "The 'shot_outline' mentions that 'cycles back to an interior close-up, reinforcing his internal world'. This explicitly calls for a return to the visual language established in and , reinforcing the alternating pattern between exterior and interior, and external and internal states. The camera framing, dim interior lighting, and blurred city lights through the window are all carried over from and to maintain this strong thematic and visual rhythm. continues his introspective mood, visually consistent with his previous close-ups.", "instruction_minimal": "generate the next shot", "think_minimal": "In line with the 'global_prompt' and 'shot_outline', should return to an interior close-up. The 'shot_outline' states it 'cycles back to an interior close-up, reinforcing his internal world'. This implies a shot highly similar to and . Therefore, ( through ) should be framed in a medium close-up, indoors, with blurred city lights in the background as seen in and . His expression should remain pensive, reflecting his inner thoughts after the wide, isolating shot of ." }, { "instruction_full": "Return to the rooftop setting, framing in a medium close-up, slightly tighter than but still showing some of the city lights in the background. He should be looking slightly downwards or to the side, maintaining a pensive expression, similar to his demeanor in and . The dusk city lighting continues from , , and .", "think_full": "The 'shot_outline' for says it 'returns to the rooftop with a medium close-up, re-establishing his connection to the expansive view'. This indicates a return to the outdoor setting and a camera distance similar to the earlier rooftop close-ups, such as and . The medium close-up on ( through ) on the rooftop reinforces his contemplative presence within the larger environment, acting as a bridge before the introduction of another character. The lighting and background elements (city lights) remain consistent with all previous outdoor shots, solidifying the visual continuity of the setting.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering the 'global_prompt' and 'shot_outline', should bring us back to the rooftop. The 'shot_outline' specifies 'returns to the rooftop with a medium close-up, re-establishing his connection to the expansive view'. This means we should see ( through ) on the rooftop, similar to and , but perhaps a bit closer than . His pensive expression should continue, with the blurred city lights of dusk in the background, consistent with the previous outdoor shots." }, { "instruction_full": "Shift to a wider shot on the rooftop, similar in scope to , but now framing as he begins to walk across the rooftop. Crucially, in the background or mid-ground, introduce seated quietly, perhaps on a ledge or bench, observing the cityscape. is moving towards , his back partially to the camera. The setting is the same expansive rooftop from with the city lights at dusk, signifying the same time and place.", "think_full": "The 'shot_outline' for states it 'introduces on the rooftop in a wider shot, showing starting to move towards them'. This is a pivotal moment in the narrative, introducing a new character and shifting from solitary reflection to potential interaction. The wide shot, similar to , effectively establishes both the environment and the spatial relationship between ( through ) and the newly introduced . is still on the rooftop from previous outdoor shots, and his movement implies a narrative progression towards connection. The dusk lighting and city backdrop from , , , are consistently maintained.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt' and 'shot_outline', should mark a significant development: the introduction of . The 'shot_outline' specifies it 'introduces on the rooftop in a wider shot, showing starting to move towards them'. This means we need a wider shot, probably similar in scale to , showing ( through ) on the rooftop from previous outdoor shots. The new character, , should be visible in the background or mid-ground. should be depicted in motion, hinting at an approaching interaction. The setting remains the expansive city rooftop at dusk, consistent with , , , ." }, { "instruction_full": "Execute a medium close-up shot of on the rooftop, from his perspective looking towards where was seated in . His expression should be one of gentle curiosity or dawning realization, a shift from his earlier deep introspection. The background remains the blurred city lights, consistent with the rooftop environment from and the right side of the frame from .", "think_full": "The 'shot_outline' suggests that 'focuses on 's expression on the rooftop as he considers '. This requires a closer shot of ( through ) than the wide shot of , allowing his evolving emotional state to be visible. The shot should be set on the same rooftop from , , , , and , with the city lights in the background. His gaze is directed towards where was, signifying his attention has shifted from the vast city to the human presence. This shot builds anticipation for the interaction with revealed in .", "instruction_minimal": "generate the next shot", "think_minimal": "According to the 'global_prompt' and 'shot_outline', should focus on on the rooftop. The 'shot_outline' says it 'focuses on 's expression on the rooftop as he considers '. This implies a medium close-up of ( through ), similar to , but with his gaze now directed towards the area where was seen in . His expression should reflect this shift of focus. The background should continue to be the blurred city lights of the rooftop setting." }, { "instruction_full": "Create a medium close-up on on the rooftop, mirroring the camera distance and background bokeh of city lights seen in and previous rooftop close-ups. should be looking subtly towards , with a gentle, perhaps slightly inquisitive expression. A hint of 's shoulder or back can be visible in the foreground, suggesting their proximity and interaction. The dusk light of the rooftop, consistent with and , illuminates the scene.", "think_full": "The 'shot_outline' specifies that 'concludes with a close-up of , revealing their presence and potential connection with '. This demands a direct focus on who was introduced in . The close-up framing allows for the expression of to be seen, establishing their emotional state and response. By placing a part of in the frame, we confirm the burgeoning connection and dialogue between them. The rooftop setting, with its consistent dusk lighting and blurred city lights from and , provides a unified backdrop for this interaction, bringing the sequence to a resolution where the previous individual reflection now leads to shared experience.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt' and 'shot_outline', should conclude the sequence by focusing on . The 'shot_outline' says it 'concludes with a close-up of , revealing their presence and potential connection with '. This requires a close-up of (introduced in ), showing their face and expression. The shot should imply interaction with ( through ), perhaps by showing a part of him in the foreground. The scene is still on the rooftop at dusk, consistent with and ." } ], "_src_movie_dir": "Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv", "_src_filename": "173647_175688.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Her.2013.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-RARBG.mkv/173647_175688.json", "_test_index": 525 }, { "movie": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118475.jpg-Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118975.jpg", "images": [ { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118475.jpg", "filename": "118475.jpg", "aesthetic": 5.49796724319458, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118516.jpg", "filename": "118516.jpg", "aesthetic": 4.711567401885986, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118660.jpg", "filename": "118660.jpg", "aesthetic": 5.556515216827393, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118783.jpg", "filename": "118783.jpg", "aesthetic": 6.187658309936523, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118846.jpg", "filename": "118846.jpg", "aesthetic": 5.680000305175781, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118888.jpg", "filename": "118888.jpg", "aesthetic": 6.768766403198242, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118918.jpg", "filename": "118918.jpg", "aesthetic": 6.6139984130859375, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118927.jpg", "filename": "118927.jpg", "aesthetic": 5.189939022064209, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118969.jpg", "filename": "118969.jpg", "aesthetic": 6.642226219177246, "musiq": 0.0 }, { "tag": "", "rel_path": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118975.jpg", "filename": "118975.jpg", "aesthetic": 6.815317153930664, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This is a story about a heroic female warrior in an ancient, epic setting. The narrative follows her journey from intense individual action to a formal, high-stakes encounter within an imperial palace, emphasizing her courage, leadership, and the grandeur of the world.", "characters": [ "", "", "", "", "" ], "shot_outline": " focuses on 's raw intensity during action. establishes the grand imperial city as the destination for and her cavalry. reveals the immense, disciplined formation of within the city's courtyard. introduces observing from a high balcony above . shows and s making a formal entrance through a grand gate. cuts to observing the arrival from his elevated position. illustrates 's group walking through the assembled . provides a closer look at 's scrutinizing expression. captures sharing a moment with after their entrance." }, "instruction_full": "Zoom the camera in significantly from , creating a tighter close-up on 's face. She is captured mid-action, with her mouth slightly open as if shouting or exerting, and her hair is wildly flying, emphasizing the dynamism. The background remains blurred, continuing the sense of rapid movement established in , to intensify her fierce determination.", "think_full": "The objective is to heighten the sense of urgency and direct action by magnifying 's expression. By zooming in from , we isolate more, focusing entirely on her effort and emotion. Her open mouth and flying hair are an exaggeration of the dynamic pose seen in , conveying peak exertion. The blurred background maintains spatial continuity with the action-oriented setting of , indicating she is still in motion, while visually trapping the viewer's attention on her intense state.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction and the global prompt's shot outline for to 'focuses on 's raw intensity during action', I need to create a shot that escalates the energy from . shows in a medium close-up, running. To enhance intensity, the next logical step is a tighter close-up. The camera should zoom in on 's face from , capturing a more exaggerated expression of effort, like shouting, with her hair in motion. The background will remain blurred, suggesting continued high-speed movement and maintaining the dynamic environment established in . This serves to emphasize her resolve and individual strength in the moment." }, { "instruction_full": "Transition to a wide, high-angle aerial shot, looking down a long, broad, paved road that leads to monumental city gates. A group of cavalry, including and other soldiers from , are seen from behind, riding in formation away from the camera, approaching the imperial city gates. This is a brand-new environment, showcasing an ancient imperial city.", "think_full": "This shot marks a significant transition in scale and setting. It introduces a new environment, a vast imperial city, moving away from the immediate action scenes of and . The wide aerial view provides an epic sense of journey, aligning with the narrative's progression towards a major destination. and the soldiers from are now part of a larger cavalry unit, indicating a shift from individual combat to a collective, formal approach. The grand city gates and paved road establish the imperial context suggested by the story setup. This helps to establish the next major location and shift the narrative focus from micro-action to macro-journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'establishes the grand imperial city as the destination for and her cavalry'. This necessitates a drastic change in camera, people, and space from the close-up action of and . The camera must pull back to a wide, high-angle, aerial perspective to show the scale. The space will be a large, fortified city entrance with a long road. The people will be and other soldiers, now on horseback, approaching these gates. This serves to transition the story from intense battle to a grand, strategic arrival at a new, important location, expanding the scope of the narrative." }, { "instruction_full": "Execute a high-angle wide shot, tilting slightly down into a vast, open, paved courtyard within the imperial city walls, building upon the scale suggested by . Numerous are arranged in meticulously precise, ordered ranks, forming a formidable and expansive presence. The courtyard is adorned with ornate lanterns, emphasizing the formal and militaristic setting inside the imperial complex.", "think_full": "This shot continues the narrative's focus on the imperial city, elaborating on the grandeur hinted at in . By showing the vast courtyard and the meticulous formation of , we establish the scale and discipline of the empire's military power. The high-angle view helps convey this immensity. The ornate lanterns further define the space as a significant, formal part of the imperial palace. This creates a sense of awe and anticipation for the encounter between the arriving cavalry (from ) and these forces, fulfilling the 'vast formation of in a courtyard' part of the shot outline.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for instructs to 'show a vast formation of in a courtyard.' Following the arrival at the city gates in , the logical next step is to reveal what lies within. This requires a high-angle, wide shot to encompass the immense scale of the military formation. The characters will be many in neat, imposing rows. The space will be a large, paved courtyard within the imperial complex, reflecting the grandeur seen in . The user intent is to showcase the immense power and organization of the imperial forces, building anticipation for the protagonist's interaction with them." }, { "instruction_full": "Frame a low-angle shot, positioning the viewer behind from , looking upwards past their helmets and spears, towards a high, ornate balcony atop a stone wall. On this balcony, a solitary figure, , is clearly visible against the sky, overseeing the assembled forces and the courtyard from .", "think_full": "This shot builds directly on by establishing a clear hierarchy within the imperial setting. By adopting a low-angle perspective from behind , we connect directly to the scale of the formation seen previously. The introduction of as a solitary figure on a high balcony immediately conveys his supreme authority and watchful presence over the forces below. The ornate balcony and stone wall further integrate this into the imperial architecture established in . This shot fulfills the 'emperor observing from a high balcony above the imperial guard' part of the shot outline, setting up the ultimate authority figure.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'a shot from behind showing on a balcony above them'. Building on where the vast guard formation was shown, the next logical reveal is the figure of authority. The camera should be positioned low, looking up from the perspective of the guards. The foreground will include the backs of some from , leading the eye up to a figure, , standing on a high balcony. The background will be the imperial palace structure from and the sky. This aims to introduce the supreme ruler and emphasize his elevated status and power." }, { "instruction_full": "Set a medium wide shot, looking directly through a grand, open gate. from and is centrally featured, confidently striding forward from a shadowy interior into bright light, flanked by several s (similar to the one glimpsed in ). The massive open doors of the gate, linking to the entry implied in , frame their powerful entrance into the courtyard seen in and .", "think_full": "This shot brings back to the forefront of the narrative, marking her formal entrance into the imperial compound. Having established the grand exterior city in , the vast guard formation in , and 's watchful presence in , this shot shows the protagonist's response. (from , ) is now leading a small retinue of s, one of whom was briefly seen in , emphasizing her leadership role. The transition from shadow to light through the grand gate visually underscores the significance and bravery of her arrival, fulfilling the 'female warrior and supporting soldier entering through a grand gate' part of the shot outline.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates 'the female warrior and entering through a grand gate, facing forward'. After establishing the imperial setting in , , and , it's time to bring the protagonist to this new environment. The camera should be positioned to look directly through an open, impressive gate. and a few s will be walking confidently towards the camera, emerging from a darker interior into a brightly lit courtyard. This re-establishes her presence and marks a pivotal moment of arrival." }, { "instruction_full": "Return to a medium shot of on the balcony, maintaining a similar low-angle perspective as in , but now with a clearer view of his regal attire and observant expression. He stands prominently against the clear sky, with the ornate balcony railing from in the foreground, asserting his continued watchful presence over the scene below.", "think_full": "Following 's impactful entrance in , it's narratively essential to cut back to to show his reaction or continued observation. This shot explicitly reuses the location and character from , bringing (who was just seen from a greater distance) into sharper focus from of the shot outline. The camera maintains the low-angle to emphasize his elevated status. His stern or thoughtful expression underscores his power and the significance of the arriving party, connecting directly to the entrance just shown.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'a close-up of on the balcony, looking down'. After 's entrance in , a logical progression is to show the emperor's reaction. This requires returning to the emperor's location on the balcony, first seen in . The camera should be a closer shot of from , focusing on his face and regal attire. He will be looking down, implying he is watching the events unfold. The background will be the sky, consistent with his elevated position." }, { "instruction_full": "Shift to an overhead shot, similar in angle and scope to , now depicting and her small group (from ) walking deliberately through the vast, orderly formation of (from ) in the paved imperial courtyard. The guards stand rigidly, forming an imposing aisle for them, flanked by ornate lanterns from .", "think_full": "This shot returns to the imperial courtyard from , but now integrates the action of 's group from . The overhead perspective allows for a powerful visual representation of their courage as they pass through the immense, disciplined ranks of (from ). The orderly arrangement of the guards creates a dramatic pathway, emphasizing the formality and tension of the reception. This shot directly fulfills the 'female warrior and her retinue walking through the formation of ' part of the shot outline, illustrating the direct interaction between the protagonist's group and the imperial forces.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for describes 'an overhead shot showing and her retinue walking through the formation of '. Following the emperor's gaze in , the next logical step is to show the protagonists actively moving through the assembled forces. The camera should be a high-angle overhead shot, similar to . and her s (from ) will be seen walking along a path created by the ranks of (from ) in the imperial courtyard. This aims to emphasize the scale of the guards and the bravery of the protagonist's procession." }, { "instruction_full": "Obtain a tighter close-up on 's face, seen from , magnifying his thoughtful or assessing expression as he observes the scene below (implied from ). The camera retains the low-angle perspective, with the clear sky still providing the background, focusing entirely on his intricate facial details and distinct headwear.", "think_full": "This shot is an intensification of , using a tighter close-up on 's face to reveal his deeper reaction to 's procession in . By focusing exclusively on his expression, we heighten the suspense and signal his internal processing or judgment. The consistent low-angle and sky background maintain continuity with his elevated position from and . This shot fulfills the 'tighter close-up on 's face' part of the shot outline, allowing for a more intimate reading of his emotions and intentions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for dictates 'a tighter close-up on 's face'. This is a direct follow-up to the procession in , requiring a more detailed reaction shot from . The camera should be a very tight close-up on 's face (from ), showing a serious, contemplative, or scrutinizing expression. The background will be the consistent blue sky, indicating his elevated position. This aims to emphasize the emperor's judgment or deep consideration of the events unfolding below him." }, { "instruction_full": "Capture a medium shot, slightly wider than , from a slightly different angle, showing (from ) turning her head to look back at a distinct figure, (a new character, more senior than a general ), as they stand amidst other soldiers (from and ). The grand open gate from is visible in the background, implying they have just passed through it into the courtyard from .", "think_full": "This shot brings the focus back to (from , , , ) and introduces a new key character, , establishing a moment of interaction after their formal entrance and the emperor's scrutiny. Her turning to look back suggests a query, confirmation, or shared moment with her superior. The presence of other s reinforces the sense of her retinue. The background showing the grand gate from and the implied courtyard from provides spatial continuity, placing them within the imperial compound after their journey. This shot fulfills the 'female warrior looking back at while surrounded by soldiers, after entering the courtyard' part of the shot outline, providing a more personal moment after the grand public display.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies ' looking back at while surrounded by soldiers, after entering the courtyard'. After the dramatic procession in and 's intense gaze in , the narrative shifts to a more personal interaction within the protagonist's group. The camera should frame (from ) and another prominent soldier, who will be designated . She will be looking back at him, implying a moment of shared understanding or command. Other soldiers (from and ) will fill the background, which should include elements of the grand gate from to signify their position within the imperial complex. This serves to show a personal moment of leadership or doubt after their arrival." } ], "_src_movie_dir": "Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "118475_118975.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Mulan.2020.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/118475_118975.json", "_test_index": 539 }, { "movie": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv", "N": 10, "sample_id": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/76753.jpg-Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/78120.jpg", "images": [ { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/76753.jpg", "filename": "76753.jpg", "aesthetic": 7.958119869232178, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/76795.jpg", "filename": "76795.jpg", "aesthetic": 6.713374137878418, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/76984.jpg", "filename": "76984.jpg", "aesthetic": 7.513959884643555, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/77038.jpg", "filename": "77038.jpg", "aesthetic": 7.8336687088012695, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/77293.jpg", "filename": "77293.jpg", "aesthetic": 7.139883995056152, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/77425.jpg", "filename": "77425.jpg", "aesthetic": 6.232305526733398, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/77505.jpg", "filename": "77505.jpg", "aesthetic": 6.451817512512207, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/77829.jpg", "filename": "77829.jpg", "aesthetic": 6.427238464355469, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/78099.jpg", "filename": "78099.jpg", "aesthetic": 7.107918739318848, "musiq": 0.0 }, { "tag": "", "rel_path": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/78120.jpg", "filename": "78120.jpg", "aesthetic": 6.0012311935424805, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a dimly lit, underground war room, critical decisions are being made under immense pressure during wartime. The atmosphere is heavy with tension and grave responsibility, and the shots will convey the weight of leadership and the reactions of those involved.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " introduces , showing a solemn and focused expression. widens slightly to include and , depicting their shared gravity. returns to a close-up of , capturing a moment of profound thought or speech. pulls back to a medium shot of the main table, showing addressing the full gathering of cabinet members and military advisors. shifts the perspective to another part of the table, focusing on different attendees including and , maintaining the serious mood. offers a wide shot of the entire bunker room, emphasizing the scale and somber activity of the meeting. moves into a hallway, showing the participants, including , dispersing and continuing discussions in smaller groups. returns to at the table, now alone or seemingly isolated in reflection. focuses on , alone and contemplative after the meeting, in a side office." }, "instruction_full": "Shift the camera from the close-up of in to frame a new character, , with a similar medium close-up. He should maintain a serious, contemplative expression, looking straight ahead, in the same dimly lit bunker room environment established in . The intent is to introduce another key player and convey the shared gravity of the situation.", "think_full": "The narrative requires introducing other key figures involved in the critical discussions. By shifting to a medium close-up of , similar to the framing of in , we maintain the intimacy and seriousness of the conversation. The character's solemn expression reinforces the grave atmosphere. We retain the dimly lit bunker room from , including the muted background details like maps or brickwork, to ensure spatial continuity and emphasize the clandestine nature of the meeting. This shot serves to broaden the perspective of the meeting without losing the intensity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should introduce with a solemn expression. Following the close-up of in , a similar close-up or medium close-up on another character maintains visual rhythm and focuses on individual reactions. The setting, a dimly lit bunker, is consistent with and the overall `story_setup`. The goal is to show another key participant reacting with gravity, expanding the cast of characters involved in the tense meeting." }, { "instruction_full": "From the medium close-up of in , widen the camera slightly to a medium shot. Include and sitting together at the same table, next to each other, both looking serious and engaged. The dimly lit bunker room and background details, like the map on the wall from and , should remain consistent. This shot aims to establish more of the meeting's participants and their unified, grave attention.", "think_full": "To further establish the scope of the important meeting, this shot broadens the view from the individual focus on in . By widening the frame to a medium shot, we can introduce and seated at the same table, continuing the visual continuity of the group discussion. Their serious expressions align with the intense mood set by in and in . The dimly lit bunker room and the map on the wall, visible in and , provide consistent spatial context, reinforcing the clandestine and serious nature of the setting. The narrative intent is to show collective gravity and the presence of multiple key advisors.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should 'widen slightly to include and , depicting their shared gravity'. Building on which showed , the next logical step is to reveal more participants at the table. A slight widening of the shot keeps the focus tight but adds more characters, maintaining the serious atmosphere and the dimly lit bunker environment consistent with and . The user intent is to expand the view of the meeting and show more serious attendees." }, { "instruction_full": "Return to a close-up of , similar to the framing in , but with a slightly more animated expression, perhaps mid-sentence or deep in thought. He should be in the same dimly lit bunker room with the faint map details and desk lamp visible in the background, consistent with , , and . This shot is to emphasize his central role and the intensity of his involvement in the ongoing discussion.", "think_full": "After showing a wider view of the participants in , it's narratively effective to return to to underscore his leadership and direct involvement. Reusing the close-up framing from creates a strong visual callback and reinforces his central position. His slightly altered expression, compared to the initial stoicism in , suggests the progression of the conversation. The consistent dimly lit bunker room, with the map and desk lamp from , , and , maintains spatial and atmospheric continuity for this critical meeting. The shot's purpose is to highlight his active engagement and the weight of his thoughts.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that 'returns to a close-up of , capturing a moment of profound thought or speech.' After shots introducing other participants (, ), returning to () re-centers the narrative on his perspective. A close-up provides intimacy and allows for subtle expression changes. The dark, bunker setting from previous shots remains consistent. The user intent is to refocus on the leader and show his active participation or internal process." }, { "instruction_full": "Pull back the camera significantly to a wide, establishing shot of the entire meeting room, encompassing at the head of the long table and all the other characters introduced (e.g., , , ), along with additional attendees like and . The shot should clearly show the full table with papers and water glasses, all within the dimly lit, brick-walled bunker environment, with the large map still visible on the back wall as established in , , , and . The intent is to fully contextualize the meeting, showing the collective body making decisions.", "think_full": "After individual close-ups and smaller group shots ( through ), a wide establishing shot is crucial to provide full context and reveal the entire ensemble. This shot reveals the scale of the meeting in the dimly lit bunker room, showcasing the long table, documents, and the full complement of characters, including (from , ), (from ), and (from ), and other new or partially seen figures. The consistent environment, including the map on the wall and the overall dark, enclosed feeling from , , , and , reinforces the narrative of a clandestine, high-stakes gathering. The dramatic purpose is to show the weight of the collective decision-making and the formal setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that 'pulls back to a medium shot of the main table, showing addressing the full gathering of cabinet members and military advisors.' After several close-ups and medium shots ( through ), a wider shot is needed to establish the full scope of the meeting and its participants. This reveals the entire dimly lit bunker room and the long table, consistent with the environment shown previously, reinforcing the high-stakes wartime context. The user intent is to provide a complete overview of the critical meeting." }, { "instruction_full": "From the wide shot of the room in , shift the camera angle to frame a different section of the long meeting table from a medium to wide shot, emphasizing a new group of attendees, including and , who were visible in the broader shot of . , , , and are visible in the background, out of focus. Maintain the same dimly lit bunker atmosphere with the map on the wall, as seen in , , , , and . This shot aims to show the breadth of participation and how decisions affect various departments/roles.", "think_full": "Following the full establishing shot in , varying the perspective by focusing on another part of the table highlights the numerous individuals involved in these critical decisions. By framing new characters like and , who were part of the wider scene in , the shot broadens the narrative scope and shows the different ranks and roles present. Keeping (from , , ), (from , ), and (from , ) in the background connects this view to the central authority, while the consistent dimly lit bunker room and map from , , , , and reinforce the continuous setting. This deepens the sense of collective engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` suggests 'shifts the perspective to another part of the table, focusing on different attendees including and , maintaining the serious mood.' After the wide shot in , a slightly tighter but still wide shot from a different angle provides a fresh perspective while keeping the continuity of the meeting. It introduces or highlights other key personnel, using the established dimly lit bunker environment from through . The user intent is to show more individuals involved in the critical discussions." }, { "instruction_full": "From the focused wide shot of , pull the camera back further to an even wider, slightly elevated long shot of the entire meeting room, showing all participants, including , , , , , and , arranged around the extended table. Emphasize the long table, the surrounding brick walls, and the array of functional pendant lights hanging above, creating a somber, almost industrial atmosphere within the dimly lit bunker, consistent with the environment established in , , , , , and . The purpose is to convey the solemnity, scale, and claustrophobic nature of the high-stakes wartime discussions.", "think_full": "To reinforce the scale and gravity of the meeting, an even wider, slightly elevated long shot following will capture the entire scene, emphasizing the bunker's confined space and the number of individuals participating. This shot allows for a comprehensive view of all characters, including (from , , , ), (from , , ), and (from , , ), and (from ), and others. The consistent dimly lit bunker environment with its brick walls and functional pendant lighting, seen in through , enhances the dramatic tension and highlights the setting as a crucial, isolated command center. This panoramic view underscores the collective burden and the historical weight of the moment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that 'offers a wide shot of the entire bunker room, emphasizing the scale and somber activity of the meeting.' Building on the previous wide views (, ), an even wider, perhaps slightly elevated, shot provides a complete overview of the room and all participants. This reinforces the serious atmosphere and the confined, important setting of the dimly lit bunker, consistent with through . The user intent is to clearly show the full scope and gravity of the high-level meeting." }, { "instruction_full": "Transition the scene from the meeting room in to a dimly lit, narrow hallway within the bunker complex. Show several characters, including and (who were seen in , , , and ), conversing in small groups as they disperse from the meeting. The hallway should feature industrial-style lighting and possibly a dark staircase, maintaining the overall austere and functional aesthetic of the bunker established throughout through . This shot signifies the immediate aftermath of the meeting, with discussions continuing outside the main room.", "think_full": "The `global_prompt.shot_outline` indicates 'moves into a hallway, showing the participants, including , dispersing and continuing discussions in smaller groups.' After the intense meeting depicted in through , it's logical to show the participants dispersing. This introduces a new, but connected, part of the bunker environment – a dimly lit hallway with industrial lighting and a staircase – maintaining the overarching aesthetic. The reappearance of characters like and (seen in , , , and ) provides character continuity. The dramatic purpose is to show the immediate continuation of discussions and the lingering tension after the main session.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies 'moves into a hallway, showing the participants, including , dispersing and continuing discussions in smaller groups.' This signifies a transition from the main meeting room. The environment should be consistent with the bunker's utilitarian, dimly lit style, just a different area. Characters from the meeting, like and (who appeared in and subsequent wider shots), would naturally be seen here. The user intent is to show the immediate post-meeting activity, with private discussions continuing." }, { "instruction_full": "Return to the main meeting room, framing (seen in , , , , and ) alone at the head of the long table, much like the setup of but from a slightly wider, more full-body perspective. He should be standing or just seated, perhaps reaching for papers on the table, appearing contemplative. The dimly lit bunker room with the large map on the wall and the desk lamp from , , , , , , and should be visible, reinforcing the isolation of his position after everyone else has left, as indicated by the dispersal in . The purpose is to highlight the personal burden of leadership.", "think_full": "The `global_prompt.shot_outline` suggests 'returns to at the table, now alone or seemingly isolated in reflection.' After the dispersal of the group in the hallway in , returning to (who was central in , , and seen in wider shots , , ) alone in the meeting room emphasizes his solitary burden. The camera returns to the familiar meeting room from through , with its specific lighting and background elements like the map and desk lamp, establishing a strong sense of place. A slightly wider shot than allows us to see his posture at the table, reinforcing the quiet aftermath. This shot conveys his personal reflection on the heavy decisions made.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states 'returns to at the table, now alone or seemingly isolated in reflection.' Following the group's dispersal in , it's narratively powerful to show (, etc.) left alone in the meeting room. Reusing the familiar bunker setting with the long table and map (from through ) highlights his isolation and the weight of his responsibilities. The user intent is to depict the personal burden of leadership after the demanding meeting." }, { "instruction_full": "Transition from 's solitude in the main meeting room in to a medium close-up of (who was visible in wider shots like , , and ) in a smaller, dimly lit side office within the bunker complex. He should appear contemplative, perhaps seated at a desk with papers or a telephone visible, maintaining the austere, functional aesthetic of the bunker environment, distinct from the main meeting room but consistent in tone. This shot is meant to show the impact of the meeting on a younger, less central character and the quiet processing of grave events.", "think_full": "The `global_prompt.shot_outline` specifies 'focuses on , alone and contemplative after the meeting, in a side office.' After focusing on 's post-meeting solitude in , shifting to a different character, (who was present in wider shots like , , ), provides another perspective on the aftermath. This introduces a new, smaller, functional space within the bunker, a side office, consistent in its dimly lit, austere aesthetic with the overall environment seen from through , but distinct from the main meeting room. The shot emphasizes the personal impact of the wartime decisions on various individuals, even those in less prominent roles.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states 'focuses on , alone and contemplative after the meeting, in a side office.' After the focus on 's reflection in , a final shot on (who was seen in wider shots like , , ) allows for a concluding moment of individual processing. This requires showing a new, smaller, office-like space within the bunker, maintaining the consistent dimly lit, functional ambiance from all previous shots ( through ). The user intent is to show the personal aftermath of the critical meeting on a different character." } ], "_src_movie_dir": "Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv", "_src_filename": "076753_078120.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Darkest Hour 2017.MULTi.UHD.Blu-ray.2160p.HDR.Atmos.7.1.HEVC-DDR.mkv/076753_078120.json", "_test_index": 543 }, { "movie": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv", "N": 10, "sample_id": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146556.jpg-I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147357.jpg", "images": [ { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146556.jpg", "filename": "146556.jpg", "aesthetic": 6.371788024902344, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146586.jpg", "filename": "146586.jpg", "aesthetic": 6.80362606048584, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146688.jpg", "filename": "146688.jpg", "aesthetic": 5.998278617858887, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146718.jpg", "filename": "146718.jpg", "aesthetic": 5.603272438049316, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146808.jpg", "filename": "146808.jpg", "aesthetic": 5.976649284362793, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147057.jpg", "filename": "147057.jpg", "aesthetic": 5.718396186828613, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147120.jpg", "filename": "147120.jpg", "aesthetic": 6.005128383636475, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147162.jpg", "filename": "147162.jpg", "aesthetic": 5.989647388458252, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147222.jpg", "filename": "147222.jpg", "aesthetic": 6.050949573516846, "musiq": 0.0 }, { "tag": "", "rel_path": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/147357.jpg", "filename": "147357.jpg", "aesthetic": 5.988038063049316, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a high-tech, futuristic skyscraper setting overlooking a sprawling city, a human female scientist, a human male detective, and an advanced humanoid robot find themselves in a tense situation. The narrative involves uncovering secrets and confronting the implications of artificial intelligence in a world teetering on the edge of unforeseen events. The tone is suspenseful and investigative.", "characters": [ "", "", "" ], "shot_outline": " introduces and , establishing their presence within the futuristic high-rise. provides a focused close-up of , showing its initial observation. cuts to , revealing his pensive and perhaps wounded state. returns to , this time with a more direct gaze, possibly indicating processing or recognition. widens the shot to encompass , , and together, highlighting their dynamic within the expansive city backdrop. features another close-up of , emphasizing a reaction to an unfolding event. focuses on , capturing her determined or concerned expression. isolates again, signaling a moment of critical analysis or decision. concludes the sequence by focusing on 's final reaction, encapsulating his emotional response to the unfolding events." }, "instruction_full": "Shift the camera to a medium close-up, now focusing on positioned on the right side of the frame, with in the background on the left, looking out a large window. should appear bruised and contemplative. The setting remains the same futuristic high-rise from , with the city skyline visible through the window, to introduce the new characters into the established environment and broaden the scene's scope.", "think_full": "The initial shot established and the high-tech, high-rise environment. For , the aim is to introduce the other primary characters, and , as outlined in the global_prompt's `shot_outline`. We maintain the existing environment, specifically the large, angular windows overlooking a cityscape visible in 's background, to ensure spatial continuity. is shown with visible marks, suggesting the ongoing tension or conflict mentioned in the `story_setup`, and is placed to visually contrast with the sleek, emotionless form of in the background. This framing broadens the scene from a sole individual's perspective to a new, shared space, setting up future interactions.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I must infer the next shot from the `global_prompt` and . The `story_setup` describes a scenario with a detective, a scientist, and a robot. showed in a futuristic high-rise. The `shot_outline` for explicitly states it should introduce and and establish their presence. Therefore, the camera should shift from 's close-up of to reveal these new characters within the same high-rise setting, maintaining the futuristic city background seen in . should look somewhat roughened, hinting at the high stakes of the story, while should appear as a neutral, advanced entity. This introduces the key players into the scene for further development, as per the narrative progression implied by the `global_prompt`." }, { "instruction_full": "From , smoothly cut to a medium close-up of , positioned off-center to the right, looking out the large window. The robot's face should be in profile, maintaining its sleek, emotionless appearance, with the futuristic city visible in the background from the same high-rise environment as and . The purpose is to give focused attention to the robot's presence and its observation of the outside world.", "think_full": "Following which introduced and , the `shot_outline` for calls for a close-up of the robot observing. This shot isolates from the human presence of , emphasizing its unique, non-human perspective. We retain the established high-rise environment and the city backdrop seen in and to ensure spatial continuity. The profile view emphasizes its focus on the external view rather than internal emotion, aligning with its role as an advanced, analytical entity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` introduces as a key character. After showed it alongside , the `shot_outline` for indicates a focused close-up of observing. This means the camera should zoom in on the robot, keeping the futuristic high-rise setting from and visible in the background through the windows. The robot should maintain its characteristic impassive expression, highlighting its nature as an observing entity in this tense situation, as per the `story_setup`." }, { "instruction_full": "From , cut to a medium close-up of , framed in profile, looking out the same window towards the city skyline. His expression should be serious and contemplative, with the visible bruising and cuts on his face and neck from still evident, set against the consistent backdrop of the futuristic high-rise from , , and . This shot is to convey his pensive state and the toll of the unfolding events.", "think_full": "After focusing on in , the `shot_outline` for directs attention to . This provides a human counterpart to the robot's observation. We maintain the visual continuity of the futuristic high-rise setting, including the distinctive angular windows and city view seen in , , and . , who was introduced in with visible injuries, reappears with those same details emphasized, underscoring the physical and emotional stakes of the `story_setup`. His profile view mirrors the robot's from , suggesting a shared point of focus, but his human expression conveys deep thought or concern.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the focus on in , and knowing from `global_prompt` that is also a central character, the `shot_outline` for specifies a shot of showing his pensive state. The camera should frame him in a medium close-up, looking out the same high-rise window established in , , and . His injuries from should be visible, reinforcing the intense narrative from the `story_setup`. This shot provides his perspective and emotional depth in contrast to the robot." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing in , but now with its head turned slightly more towards the camera, showing a more direct gaze rather than a full profile. Its eyes should be subtly illuminated, conveying a sense of active processing or recognition. The environment remains the same futuristic high-rise and city backdrop seen in through . The intent is to show the robot's direct attention or a shift in its analytical state.", "think_full": "After the human reflection of , the `shot_outline` for calls for a return to , specifically with a direct gaze. This re-establishes the robot's importance and suggests a response to or processing of recent events or observations. We reuse the consistent high-rise environment and city view from , , , and . , seen in and , now appears more directly engaged, potentially indicating a transition from passive observation to active assessment, fitting the suspenseful `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt` and previous shots, especially which showed in profile, the `shot_outline` for indicates a return to the robot with a direct gaze. The camera should frame in a medium close-up within the same futuristic high-rise setting from through . This shift from profile to a more direct view suggests the robot is actively processing information or reacting to the preceding moments involving , intensifying the narrative as per the `story_setup`." }, { "instruction_full": "From , pull back the camera to a wider, full shot, revealing (seen in ) now standing more centrally between (on the left, seen in , , ) and (on the right, seen in , ). All three characters are positioned facing the expansive city skyline through the large, angular windows of the futuristic high-rise, which has been consistently visible since . This shot serves to show the full group's dynamic and their shared context within the vast, imposing environment.", "think_full": "Following the focused shots on individual characters, the `shot_outline` for explicitly states a wider shot to include all three key characters: , , and . This broadens the perspective, showing their collective presence and interaction in the futuristic high-rise setting. , initially seen in , now reappears, joining (from , ) and (from , , ). The wide shot also emphasizes the expansive city backdrop and the angular architecture, which have been visually consistent elements since , reinforcing the grand scale and the environment's role in the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions three main characters, and through have introduced them individually or in pairs within the high-rise setting. The `shot_outline` for explicitly calls for a wider shot to show , , and together, highlighting their group dynamic and the environment. This necessitates pulling the camera back from 's close-up to encompass all three, positioning them against the prominent city skyline and angular windows, which have been a consistent background since . This shot establishes their collective presence, setting the stage for direct interaction or a major plot point in the `story_setup`." }, { "instruction_full": "Cut from the wide shot of to a close-up of , similar in framing to , but with a slightly more pronounced, almost questioning expression in its eyes, as if processing a new piece of information. The same futuristic high-rise interior and city view, established from onwards, should remain visible in the background. The purpose of this shot is to convey the robot's acute reaction or internal deliberation at a critical moment.", "think_full": "After the establishing group shot in , the `shot_outline` for calls for another close-up of , signifying a focused reaction. This returns the audience's attention to the robot's unique perspective. We maintain the consistent futuristic high-rise environment and city backdrop visible since , and the appearance of (seen in , , , ) should reflect a heightened state of analysis. The shift to a close-up after the wide shot implies an immediate, significant development or realization from the robot, essential to the `story_setup`'s suspense.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the group shot in , the `global_prompt`'s `shot_outline` for specifies a close-up of reacting to an event. This requires cutting back to a tight frame on the robot, similar to previous close-ups like , within the same high-rise environment visible since . The robot, a key character from `global_prompt.characters`, should subtly convey a state of processing or reaction, indicating a narrative beat where its capabilities or understanding come into play in the tense `story_setup`." }, { "instruction_full": "From the close-up of , cut to a medium close-up of , mirroring the general framing of , but now her expression should show clear concern or determination, rather than the initial contemplative look. She is still positioned within the same futuristic high-rise, with the vast city skyline, consistently seen from through , serving as the backdrop. This shot aims to capture her emotional response to the unfolding situation.", "think_full": "After the robot's focused reaction in , the `shot_outline` for directs attention to , capturing her expression. This brings a human emotional element to the scene, contrasting with the robot's analytical nature. We return to (seen in and ), and her expression should now reflect the heightened stakes of the `story_setup`. The familiar high-rise environment and city backdrop from through provide continuous spatial context, anchoring her emotional state within the larger, critical scenario.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` established as a key character. After the robot's reaction in , the `shot_outline` for calls for a shot of revealing her concern or understanding. The camera should frame her in a medium close-up, similar to where she was first seen, within the same futuristic high-rise environment consistently present since . Her expression should be more pronounced, reflecting the dramatic tension of the `story_setup` as she processes events, providing a human emotional counterpoint." }, { "instruction_full": "Cut back to a close-up of , similar in framing to , but with an even more intense and unwavering gaze, possibly with a subtle shift in the hue of its 'eyes' to imply a definitive internal process or decision. The familiar futuristic high-rise setting, with the city in the background as seen in through , is maintained. This shot is designed to emphasize a critical moment of realization or an impending action from the robot.", "think_full": "Following 's reaction in , the `shot_outline` for focuses intensely on for a critical decision or realization. This shot escalates the tension, signaling a turning point involving the robot. We consistently use the futuristic high-rise setting from through . , a recurrent character (seen in , , , , ), is now portrayed with maximum focus, its 'expression' conveying the gravity of its internal state or purpose as per the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` highlights 's central role. After focused on , the `shot_outline` for explicitly indicates a final, intense look at the robot, signaling a critical analysis or decision. The camera should deliver a close-up of , similar to , within the consistent high-rise environment seen since . The robot's gaze should be direct and impactful, conveying a profound moment of processing or resolution in line with the high-stakes `story_setup`." }, { "instruction_full": "From , transition to a close-up of , framing his face from the chest up, similar to his profile shot in but now with a direct, focused gaze towards the camera. His facial injuries from should still be visible, and his expression should convey a mixture of grim determination and understanding, reflecting the consequences of the robot's actions. The backdrop remains the consistent futuristic high-rise with the city vista from through . This shot is to conclude the sequence by capturing his resolute reaction to the unfolding climax.", "think_full": "As the final shot in this sequence according to the `shot_outline`, needs to provide a concluding human perspective. After 's critical moment in , the focus shifts to , a central human character introduced in and featured in and . His visible injuries from provide continuity of his struggle, and his direct gaze should convey a strong reaction or resolve to the events that have transpired. The familiar high-rise environment and city backdrop, present since , provide a stable and recognizable setting for this concluding emotional beat, wrapping up the immediate narrative arc as intended by the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt`, the `story_setup` indicates a suspenseful narrative involving . Having seen 's critical moment in , the `shot_outline` for indicates a concluding close-up of , reflecting the outcome. The camera should frame him in a close-up, potentially similar to his earlier appearance in , but with a more direct and resolved expression. His previously established injuries from should remain visible. The background should continue the futuristic high-rise and city view consistently present since . This shot provides a human emotional anchor for the climax of this segment, bringing his journey into focus as per the `global_prompt`'s narrative." } ], "_src_movie_dir": "I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv", "_src_filename": "146556_147357.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/I.Robot.2004.MULTi.2160p.HDR.WEBRip.DTS.5.1.HEVC-DDR.mkv/146556_147357.json", "_test_index": 549 }, { "movie": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv", "N": 10, "sample_id": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22103.jpg-Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/24024.jpg", "images": [ { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22103.jpg", "filename": "22103.jpg", "aesthetic": 7.264840126037598, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22406.jpg", "filename": "22406.jpg", "aesthetic": 6.79401159286499, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22501.jpg", "filename": "22501.jpg", "aesthetic": 7.327116012573242, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22711.jpg", "filename": "22711.jpg", "aesthetic": 6.869874954223633, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/22747.jpg", "filename": "22747.jpg", "aesthetic": 7.244904518127441, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/23368.jpg", "filename": "23368.jpg", "aesthetic": 6.631967544555664, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/23577.jpg", "filename": "23577.jpg", "aesthetic": 6.826727867126465, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/23595.jpg", "filename": "23595.jpg", "aesthetic": 6.592679977416992, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/23826.jpg", "filename": "23826.jpg", "aesthetic": 5.869352340698242, "musiq": 0.0 }, { "tag": "", "rel_path": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/24024.jpg", "filename": "24024.jpg", "aesthetic": 6.875328540802002, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A poignant and tense conversation unfolds between a grieving mother and a local police chief in the humble, natural setting of her backyard. The tone is somber, reflecting the gravity of their discussion and the emotional toll it takes on both characters. The sequence aims to capture their individual perspectives and the dynamic of their interaction.", "characters": [ "", "" ], "shot_outline": " introduces in a medium close-up, maintaining the same setting but shifting focus. returns to for a reaction shot, slightly wider than . establishes a wider two-shot, showing both and on the swing set, emphasizing their interaction and the environment. returns to a close-up of , capturing her emotional reaction as she speaks. cuts to a medium close-up of from a new angle, showing his direct engagement with . offers another reaction shot of , showing her contemplative or resigned state. continues the conversation with a medium close-up of , maintaining his proximity to . returns to , capturing her ongoing emotional response in a similar framing to . ends the sequence with a close-up of , showing his gaze directed at , leaving the interaction's conclusion open." }, "instruction_full": "Shift the camera to a medium close-up of , looking towards where was positioned in . He is wearing a police uniform, appearing serious and attentive. We stay in the same outdoor, verdant background from , with the swing chain visible in the foreground on the left, to show spatial continuity of their conversation. The intent is to introduce and establish his presence in the interaction.", "think_full": "The `global_prompt` indicates a conversation between \"\" and \"\". showed \"\" looking off-screen to her right, implying another character there. To maintain narrative continuity and introduce the second character, the next shot, , should frame \"\" in that implied space. The medium close-up framing is chosen to mirror the emotional intensity of . The setting, specifically the green background and the swing chain (seen on the left of ), must continue to create a cohesive scene. This shot serves to formally introduce \"\" into the visual narrative, as outlined in the `shot_outline` for .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt`'s `story_setup` of a conversation between \"\" and \"\", and showing \"\" looking off-screen, must introduce the other party. The `shot_outline` for explicitly states \"introduces \". Therefore, the camera should cut to a medium close-up of \"\", facing the direction of \"\". The background should be consistent with the outdoor, natural setting seen in , including the visible swing chains, to establish that they are in the same location having a dialogue. This introduces the second character and maintains the conversational rhythm." }, { "instruction_full": "Return the camera to a medium close-up of , similar to the framing of , but slightly wider to show a bit more of her posture and the environment. She maintains her stoic expression and is seated on the swing, with the swing chain prominently on the left. The green, natural background from and remains, reinforcing the consistent setting. This shot is intended to capture her reaction to 's presence, building the conversational rhythm.", "think_full": "To create a conversational exchange, after introducing \"\" in , the camera should return to \"\" to show her reaction. The framing should be similar to her initial introduction in for visual continuity of her character, her pose, and her original positioning on the swing, which places the swing chain on the left. The `shot_outline` for states it \"returns to for a reaction shot, slightly wider than ,\" which supports this choice to show her continued presence and emotional state in the ongoing dialogue. The outdoor green background from and must persist to confirm they are still in the same backyard setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` describes a conversation. Following the introduction of \"\" in , a return to \"\" is narratively essential to show her perspective and reaction. The `shot_outline` for explicitly plans for to be a \"reaction shot\" of \"\", slightly wider than . The camera should maintain the same outdoor setting and elements like the swing chain established in and , focusing on \"\" with a similar but slightly wider medium close-up, keeping her seated on the swing and facing off-screen to engage in the dialogue with \"\"." }, { "instruction_full": "Dolly out and reframe to a wider two-shot, capturing both and seated on the swing set, with their backs mostly to the camera, looking out over the verdant landscape seen in the background of and . is on the left, and is on the right, maintaining the spatial relationship implied by previous shots. The swing chains are visible between them, and the background reveals more of the distant trees and hills, establishing the full scope of their outdoor setting. This shot aims to emphasize their shared space and the gravity of their conversation, while also showing the environment.", "think_full": "After alternating close-ups in , , and , a wider shot is needed to establish the spatial relationship between \"\" and \"\" and to provide a broader view of their setting, as suggested by the `shot_outline` for : \"establishes a wider two-shot, showing both and on the swing set, emphasizing their interaction and the environment.\" Showing them from behind, looking out, adds a sense of shared contemplation or a moment of quiet before further conversation. The natural green background, featuring trees and hills (partially visible in the blur of and ), is consistent with the established setting and now becomes a more prominent feature, showcasing the open, rural environment. The swing chains, consistently present in , , and , continue to anchor the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` implies a significant conversation. The `shot_outline` specifically calls for to \"establish a wider two-shot, showing both and on the swing set.\" This shot should move from the individual close-ups of , , and to a framing that includes both characters, showing their physical proximity in the same outdoor location (consistent with the green, natural backgrounds of , , ). The camera should pull back to reveal them side-by-side on the swings, with the swing chains present, facing away from the camera and looking out at the landscape to convey the shared moment and the setting." }, { "instruction_full": "Cut back to a medium close-up of , similar to and , but now capturing her in mid-sentence, with her mouth slightly open, indicating she is speaking. Her expression should convey a mix of frustration and raw emotion. The swing chain from and is visible on the left, and the natural green background continues, maintaining the outdoor setting. This shot is to visually emphasize her active participation and emotional intensity in the conversation.", "think_full": "Following the establishing two-shot in , the narrative requires a return to individual close-ups to heighten the emotional impact of the dialogue. The `shot_outline` for states it \"returns to a close-up of , capturing her emotional reaction as she speaks.\" This necessitates a framing similar to and , focusing on her face and expression. The subtle change to show her speaking indicates an escalation of her engagement. The consistent outdoor setting, with the green background and the swing chain from and , maintains spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` highlights a serious conversation. After the wider shot in , returning to an individual character focuses the emotional weight. The `shot_outline` for explicitly states \"returns to a close-up of , capturing her emotional reaction as she speaks.\" This means the camera should frame \"\" in a medium close-up, similar to and , to highlight her expression. She should be shown actively speaking, suggesting a moment of heightened emotional delivery. The background should remain the familiar green, natural setting, with the swing chain visible, consistent with the previous shots." }, { "instruction_full": "Shift to a medium close-up of , framed over the shoulder of , who is visible in the foreground on the right, slightly out of focus. is looking intently at , his expression serious and empathetic as he listens or responds. The camera has moved to place centrally, maintaining the outdoor setting, with the background now featuring a glimpse of a house and trees, evolving from the purely green background of earlier shots like and . This shot emphasizes his direct engagement and the close, personal nature of their exchange.", "think_full": "After focusing on \"\" in , the conversational flow requires a shot of \"\". The `shot_outline` for describes it as cutting \"to a medium close-up of from a new angle, showing his direct engagement with .\" This suggests a more intimate framing. An over-the-shoulder shot, with \"\" visible in the foreground, effectively conveys their direct interaction and proximity. The camera position is new compared to . While the setting remains outdoors, the background detail now includes a house and more defined trees, implying a slightly different vantage point within the same general backyard environment, adding visual depth beyond the generic green from to . The swing structure itself (a pole) is now prominent, linking back to the idea of the swing set.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` details a conversation. Following \"'s\" emotional delivery in , it's time to show \"'s\" response. The `shot_outline` for specifies \"cuts to a medium close-up of from a new angle, showing his direct engagement with .\" This means positioning the camera to show his face, possibly with a hint of \"\" in the foreground to convey their direct interaction. The background should still be the outdoor setting, potentially revealing new elements of the backyard, like a house or more distinct trees, while still maintaining the overall mood. The presence of the swing structure would naturally continue." }, { "instruction_full": "Cut back to a medium close-up of , framed over the shoulder of , whose blurred back and shoulder are visible on the left. looks reflective or concerned, maintaining the serious tone of the conversation. The familiar green, natural background from and is again prominent behind her. The swing chains from are still visible on her side, slightly in the foreground to the right. This shot serves as a counter-shot to , showing her perspective and continued emotional state.", "think_full": "To continue the back-and-forth of the conversation, a reverse shot from is logical, focusing on \".\" The `shot_outline` for plans for \"another reaction shot of , showing her contemplative or resigned state.\" This suggests a medium close-up, mirroring the framing of by placing \"'s\" shoulder in the foreground. \"\" (from , , and ) is still seated on the swing, with her characteristic teal shirt and natural hair. The background reverts to a less detailed, green natural landscape (similar to and ), suggesting the camera has moved slightly to emphasize her rather than the specific house seen in . The swing chains, a consistent visual motif from to , remain visible.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` highlights an ongoing conversation. After showing \"\" in , the narrative flow demands a return to \"'s\" perspective. The `shot_outline` for describes \"another reaction shot of , showing her contemplative or resigned state.\" This suggests a medium close-up of her, likely framed over \"'s\" shoulder, creating a classic shot/reverse-shot pattern. Her expression should reflect her current emotional state, and the background should continue the outdoor, natural setting, with swing elements still present, consistent with previous shots like and ." }, { "instruction_full": "Recapture in a medium close-up, again from an angle similar to , framed over the shoulder of (whose hair is now more visible on the right). leans in slightly, his expression earnest and concerned, maintaining the direct engagement seen in . The background elements of the house and trees seen in are once again visible, grounding the scene in the same specific area of the backyard. This shot intensifies his attempt to connect or explain something to .", "think_full": "Continuing the dialogue, the camera should return to \"\" after . The `shot_outline` for indicates it \"continues the conversation with a medium close-up of , maintaining his proximity to .\" This confirms a similar framing to , an over-the-shoulder shot of \"\", ensuring the visual continuity of their close interaction. \"\" (from , , ) maintains his serious demeanor. The background should also be consistent with , showing the house and trees, as this specific vantage point establishes a localized part of the backyard setting. The swing structure, a continuous element from to , continues to be present, now partially obscured by \"'s\" head.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` establishes a continuing conversation. After \"'s\" reaction in , the focus shifts back to \".\" The `shot_outline` for instructs to \"continue the conversation with a medium close-up of , maintaining his proximity to .\" This implies a shot similar in angle and framing to , showing him over the shoulder of \"\", engaged in direct dialogue. His expression should reflect his role in the serious conversation. The background will revert to the specific view of the house and trees seen in , maintaining spatial continuity within the scene." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing from , with the blurred shoulder of visible on the left. Her expression is thoughtful, perhaps tinged with sadness or resignation. The swing chain on her side is visible on the right, as in , and the green, natural background (as seen in , , , ) continues behind her. This shot completes the conversational exchange, showing her processing the ongoing discussion.", "think_full": "To maintain the conversational rhythm and show the full exchange, a cut back to \"\" is required after . The `shot_outline` for specifies returning \"to , capturing her ongoing emotional response in a similar framing to .\" This indicates a medium close-up, framed over the shoulder of \"\", creating a direct reverse shot to . \"\" (from , , , ) is still seated on the swing, with the swing chain visible, reaffirming her position. The background should be the familiar general green landscape, as seen in , , , , reinforcing the consistent outdoor setting for her shots.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` describes a continuous conversation. Following the shot of \"\" in , it is necessary to show \"'s\" reaction or continuation of her part. The `shot_outline` for explicitly states to \"return to , capturing her ongoing emotional response in a similar framing to .\" This calls for a medium close-up of \"\", likely framed over \"'s\" shoulder, in the same outdoor environment with the swing chain present, matching the visual style of her previous shots. Her expression should reflect her current emotional state in the conversation." }, { "instruction_full": "Transition to a medium close-up of , similar to , but with him now turning his gaze slightly towards (who is out of frame on the right). His expression is thoughtful, suggesting a moment of reflection or a concluding statement. The background includes the house and trees from and , indicating they are still in the same backyard location. The swing structure is visible in the foreground, continuing the visual motif. This shot provides a final look at , implying the end of this particular segment of their conversation.", "think_full": "The `global_prompt` implies a dialogue that eventually has a conclusion. The `shot_outline` for indicates it \"ends the sequence with a close-up of , showing his gaze directed at , leaving the interaction's conclusion open.\" This calls for a return to \"\", similar to and , but perhaps subtly altered to convey a sense of finality or contemplation. The framing, still an over-the-shoulder shot, would maintain his proximity to \"\" and the intimate nature of the discussion. \"\" (from , , , ) retains his uniform. The background, including the house and trees seen in and , provides a consistent environment. The swing structure, a persistent element throughout the sequence (from to ), continues to frame the shot on the left.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` depicts a conversation. As this is the final shot outlined in the `global_prompt`, needs to provide a sense of closure or a strong final impression. The `shot_outline` for specifies \"ends the sequence with a close-up of , showing his gaze directed at , leaving the interaction's conclusion open.\" This means returning to a medium close-up of \"\", similar to and , but focusing on his expression and gaze to convey the gravity or the lingering thought of the conversation. The familiar outdoor backyard setting, including the house and trees, and the swing structure, should remain consistent with prior shots like and ." } ], "_src_movie_dir": "Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv", "_src_filename": "022103_024024.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Три билборда на границе Эббинга Миссури.2017.UHD.Blu-Ray.Remux.2160p.mkv/022103_024024.json", "_test_index": 564 }, { "movie": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv", "N": 10, "sample_id": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70503.jpg-The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71338.jpg", "images": [ { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70503.jpg", "filename": "70503.jpg", "aesthetic": 7.113626480102539, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70534.jpg", "filename": "70534.jpg", "aesthetic": 7.519351005554199, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70662.jpg", "filename": "70662.jpg", "aesthetic": 6.78702449798584, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70775.jpg", "filename": "70775.jpg", "aesthetic": 7.385913372039795, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/70878.jpg", "filename": "70878.jpg", "aesthetic": 4.457140922546387, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71016.jpg", "filename": "71016.jpg", "aesthetic": 6.995779514312744, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71178.jpg", "filename": "71178.jpg", "aesthetic": 3.984780788421631, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71225.jpg", "filename": "71225.jpg", "aesthetic": 7.317729473114014, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71272.jpg", "filename": "71272.jpg", "aesthetic": 6.584183692932129, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/71338.jpg", "filename": "71338.jpg", "aesthetic": 4.364611625671387, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A young girl arrives at a grand, old, and somewhat foreboding house, seemingly a new and unfamiliar home. The narrative explores her initial reactions and the presence of the adult figures who inhabit the dwelling, creating a sense of transition, apprehension, and observation.", "characters": [ "", "", "", "" ], "shot_outline": " introduces and outside the house, capturing their initial expressions as they arrive. establishes inside the grand house, emphasizing its atmosphere. revisits and outside, highlighting 's growing apprehension. provides a detailed shot of the house's grand, dark interior, focusing on an artistic detail. shows just inside the doorway, overwhelmed by the house's scale. introduces in a separate part of the house, indicating his solitary presence. returns to at the doorway, showing her concern. features observing from the stairs. presents an overhead view of in the entrance hall, emphasizing her smallness and isolation under observation." }, "instruction_full": "Transition from the wide overhead view of to a medium close-up shot, framing and a newly introduced character, , positioned just outside the grand house's entrance. is holding a small, light-colored bundle, her expression a mix of curiosity and slight apprehension. stands slightly behind her, holding a ball, looking a bit wary. The focus is on their faces, revealing their initial reactions to this new environment, contrasting with the dark interior seen in .", "think_full": "The previous shot established the grand, somewhat imposing interior of the house and showed entering. To develop the narrative, the next shot needs to introduce the protagonist and another key character more intimately. Shifting the camera to a medium close-up allows us to see 's expression, which was obscured in the high-angle shot of , revealing her feelings about arriving at this new place. The inclusion of as a new character adds to the immediate situation, suggesting companionship or a new dynamic. The space outside the house provides a visual contrast to the dark interior of , hinting at the transition.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt established a story of a young girl arriving at a house with a somber tone. The shot outline for suggests introducing and outside the house. showed entering a grand, dark house from an overhead perspective. To follow the narrative progression and introduce characters, the next shot should move from the wide, objective overhead view of to a closer, more personal shot. It should feature from and introduce , focusing on their initial expressions upon arrival, still outside the building to mark their entrance. The setting would naturally be the exterior of the house, right by the entrance seen in ." }, { "instruction_full": "Cut back inside the grand, dark house established in , focusing on a new character, , as she walks deeper into the foyer. The camera follows from behind, showing her moving towards the staircase visible in . The environment maintains the somber, heavy wooden aesthetic and the grand scale of the interior seen in , with dark paneling and a large, ornate staircase. The purpose is to establish the presence of a key adult figure within the house and reinforce the formal, possibly unwelcoming atmosphere.", "think_full": " established the interior of the house, and focused on the children outside. To continue the narrative and introduce the main adult presence inside the house, it's necessary to return to the interior, specifically featuring a new character, . The camera position in shifts to follow from behind, utilizing the same grand, dark wooden aesthetic and staircase already seen in . This reinforces the established atmosphere of the house and introduces an important figure who will likely interact with the children. The shot aims to show her purposeful movement within this grand space.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt mentions a housekeeper and the shot outline for indicates showing inside the grand house. provided an initial view of the grand, dark interior with a prominent staircase. focused on the children outside. To introduce the adult presence and transition from the children's arrival, the next shot should return to the interior of the house, featuring . The shot should emphasize the house's grand, somewhat foreboding atmosphere, consistent with , and show moving through it, probably towards the stairs." }, { "instruction_full": "Revert to the medium close-up camera angle and outdoor setting from , again framing and near the house entrance. still holds her bundle, but her expression is now more overtly apprehensive and slightly confused, looking off-camera. remains in the background, his cautious stance unchanged from . The purpose is to deepen the sense of uncertainty for as she confronts her new situation, contrasting her emotional state with the grand, unyielding interior presence of in .", "think_full": "After introducing inside the house in , the narrative demands a return to the children to observe their reaction to the ongoing situation. Reusing the camera framing and outdoor setting from provides visual continuity and allows for a direct comparison of 's emotional state. Her changed expression, from curiosity to apprehension, signals a shift in her understanding or feeling about the house and her new life. 's continued cautious presence from underscores the general atmosphere. The shot juxtaposes the children's vulnerability with the imposing adult world inside.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for suggests returning to and outside, focusing on 's apprehension. We've seen them outside in and inside in . To build on 's emotional journey, it makes sense to cut back to her from 's perspective, showing a change in her expression now that she has perhaps fully registered her arrival or the implication of 's presence. The setting would remain the exterior of the house, similar to ." }, { "instruction_full": "Shift the camera inside the grand house, specifically to a medium shot that sweeps across the large, dark mural on the wall, partially visible in , near the top of the staircase. This shot should emphasize the scale and the somewhat gloomy artistry of the house's interior, devoid of any characters. The lighting remains subdued, enhancing the moody atmosphere consistent with the interior shots from and . The narrative purpose is to highlight the oppressive grandeur of the house itself, establishing it as a formidable presence.", "think_full": "The emotional tension for has been set in . To amplify the feeling of the environment's impact on her, the next shot should focus solely on the house itself, without characters. offered a glimpse of the vast interior and a mural. This shot () serves to fully showcase that detail, specifically the large wall mural, and the dark, heavy aesthetic established in and . The absence of characters allows the architecture and decor to speak for themselves, symbolizing the weight of her new surroundings and creating a sense of being dwarfed by the environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates a wide shot of the dark interior, emphasizing the house's imposing nature, particularly a painted mural. We've seen the general interior in and , and a mural was partially visible in . After focusing on 's apprehension in , it's narratively effective to visually reinforce the source of that apprehension: the house itself. A shot focusing on the grand, somewhat gloomy details of the interior, like the mural, will achieve this, using the same dark and old-fashioned aesthetic established in earlier interior shots." }, { "instruction_full": "Transition back to a medium shot of at the house's entrance, similar to the framing from and , but now she is clearly inside the doorway, looking upwards with wide, curious, and slightly overwhelmed eyes. The decorative metal grate from and is now more prominently on her left, framing her. The background shows the bright, natural light from outside. This shot aims to capture 's reaction to the house's immense scale and solemnity, particularly after the intimidating reveal of the mural in .", "think_full": "After showcasing the imposing interior in , the narrative naturally returns to from and to show her direct reaction to entering this space. The camera framing for is a slight adjustment of the previous medium shots of (from , ), now placing her explicitly inside the threshold. Her upward gaze and wide eyes directly convey her being overwhelmed by the grand scale, linking her emotional state to the house's imposing presence. The metal grate seen in and serves as a visual anchor, placing her precisely at the transition point.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for states that stands inside the doorway, looking up, overwhelmed. We've seen outside in and and the grand interior in , , and . Now that she's presumably crossed the threshold, it's vital to capture her immediate reaction. The shot should focus on her, showing her expression as she takes in the vastness of the interior, using a similar framing to her previous close-ups but now placing her inside." }, { "instruction_full": "Cut to an entirely new, distinct interior space within the grand house, revealing a new character, . The camera captures sitting at a desk or table, engrossed in an activity, with his back mostly to the viewer. The room is distinct from the foyer seen in and , featuring more intimate, rich wood paneling and a warm, focused light source over his desk. A decorative lamp or object from the main foyer is partially visible in the foreground, providing a subtle link to the main hall while emphasizing this new, separate area. The purpose is to introduce another adult presence in the house, hinting at his solitary nature and providing a contrast to the young girl's current experience.", "think_full": "So far, we've focused on 's arrival (, , , ) and the imposing interior/housekeeper (, , ). The global prompt mentioned . To broaden the scope of the house's inhabitants and introduce another aspect of this new environment, it's time to show him. This shot introduces an entirely new physical setting (a private room) distinct from the foyer seen in and , showing the interior complexity of the house. The inclusion of a foreground element, like a decorative lamp, subtly grounds this new space within the overall architecture, while the focused lighting contrasts with the general dimness of the foyer. His absorbed posture suggests isolation and perhaps a lack of immediate engagement with the new arrivals.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates showing engaged in an activity, hinting at his presence and disconnection. We've introduced and , and the house itself. It's time to introduce the third adult character mentioned in the global prompt. This should be a distinct new interior setting to suggest more private areas of the house, contrasting with the grand foyer, but still maintaining the house's overall architectural style. The focus should be on and his activity, reinforcing a sense of separate lives within the house." }, { "instruction_full": "Return to from at the entrance, using the same medium shot camera setup. She still stands just inside the doorway, but her expression has shifted from simple awe to a more complex look of quiet concern or questioning, perhaps reacting to an unseen sound or the lingering feeling of the house. The metal grate and bright outdoor light remain visible, connecting directly back to . The aim is to show her internal processing of her new environment and the adult figures, deepening her emotional experience after the introduction of in .", "think_full": "Following the introduction of in , the narrative needs to return to to see how she is integrating or reacting to her new surroundings and the people within it. Reusing the camera position and setting from provides strong visual continuity for 's emotional journey. Her updated expression of concern or questioning signifies a deeper internal state than the earlier awe, indicating she is actively processing the environment and its inhabitants. The consistent framing with the metal grate and outdoor light from reinforces her continued presence at the threshold.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for suggests at the doorway, with a concerned or questioning expression. We've just introduced in and previously saw looking up with awe in . To show her evolving emotional state and reaction to her new surroundings, a cut back to in the same spot as is effective. Her expression should reflect a deeper, more thoughtful or worried state than before, indicating she is absorbing the situation." }, { "instruction_full": "Shift the camera to a low-angle medium shot, looking up at from as she stands on the grand wooden staircase, which was prominently featured in and . She is looking downwards, observing the scene below with a stern or contemplative expression, partially obscured by the large chandelier from in the foreground. This shot emphasizes her dominant position and her watchful presence within the house, creating a sense of being observed.", "think_full": " left with a questioning expression. To heighten the sense of surveillance and the children's subordinate position, the next shot should return to from , but from a new, more imposing angle. A low-angle shot looking up at her on the staircase (seen in and ) makes her appear powerful and watchful. The partial obstruction by the chandelier (a key feature from ) adds a layer of visual complexity and emphasizes the house's grand, somewhat intimidating structure. Her downward gaze directly connects her observation to 's situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for indicates looking down from the stairs, observing. We've seen walk into the foyer in and the grand staircase in and . After seeing 's concern in , it's narratively strong to show an adult observing her, reinforcing the power dynamic. This shot should frame from a low angle on the prominent staircase, making her appear commanding and watchful, linking her visually to the earlier shots of the house's interior and her presence." }, { "instruction_full": "Return to the overhead perspective established in , but now focused on standing alone in the center of the grand foyer, below the large chandelier prominently featured in . A blurred, out-of-focus figure, implied to be from , is visible in the extreme foreground, looking down. appears small and isolated in the vast space. The shot visually reiterates the emotional isolation of from , now explicitly placing her under observation by from , within the grand, dark environment introduced in .", "think_full": "The shot outline for suggests an overhead shot from 's perspective, looking down at , emphasizing her smallness and isolation. This shot provides a powerful culmination of the sequence's themes. By returning to the original overhead camera angle from , the shot creates a strong sense of bookending the arrival. It re-contextualizes 's presence in the grand foyer, now seen through the implied eyes of (whose presence in was defined by looking down). 's isolated figure beneath the prominent chandelier (from ) dramatically emphasizes her smallness and vulnerability within the overwhelming, observed environment, fulfilling the narrative intent of her initial apprehension from . The blurred figure in the foreground provides a direct link to from .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot outline for specifically calls for an overhead shot from 's perspective, looking down at in the entrance hall, emphasizing isolation. We started with an overhead shot of the foyer in and just saw looking down from the stairs in . To conclude this sequence by reinforcing 's vulnerability and the sense of being observed, a return to the high-angle perspective of is ideal. It should frame as small and alone in the grand space, explicitly linking to 's vantage point from (possibly through a blurred foreground element) and the imposing chandelier from ." } ], "_src_movie_dir": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv", "_src_filename": "070503_071338.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/070503_071338.json", "_test_index": 596 }, { "movie": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "N": 10, "sample_id": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115609.jpg-The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/116023.jpg", "images": [ { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115609.jpg", "filename": "115609.jpg", "aesthetic": 5.004907608032227, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115699.jpg", "filename": "115699.jpg", "aesthetic": 3.806786298751831, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115741.jpg", "filename": "115741.jpg", "aesthetic": 4.689397811889648, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115759.jpg", "filename": "115759.jpg", "aesthetic": 4.55196475982666, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115834.jpg", "filename": "115834.jpg", "aesthetic": 4.213082313537598, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115873.jpg", "filename": "115873.jpg", "aesthetic": 4.36201286315918, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115927.jpg", "filename": "115927.jpg", "aesthetic": 5.002079010009766, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115942.jpg", "filename": "115942.jpg", "aesthetic": 4.77052116394043, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115987.jpg", "filename": "115987.jpg", "aesthetic": 5.0823516845703125, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/116023.jpg", "filename": "116023.jpg", "aesthetic": 5.124655246734619, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative unfolds in a high-stakes, technology-driven environment, likely centered around intelligence, surveillance, or critical operations. The tone is serious and intense, with a focus on quick decision-making and unfolding events. The pacing is likely rapid, cutting between different locations and character perspectives to build suspense and convey the breadth of the situation.", "characters": [ "", "", "", "", "", "", "" ], "shot_outline": " acts as a brief visual interlude, emphasizing the isolated environment. returns to the control room, shifting perspective to show addressing other . tightens the focus on 's expression as he speaks, maintaining the control room environment. introduces a new character, , in a different, more polished corporate setting, hinting at a parallel narrative. expands on this new corporate environment, showing moving through a busy office lobby, further establishing a new context. cuts back to in the control room, capturing his reaction or a moment of intense concentration. then focuses on 's expression in the control room, reflecting a moment of tension or decision. provides a wide, overhead view of a city street, showing pedestrians, including possibly , suggesting observation or a larger world. introduces a new, central character, , in a distinct indoor location, setting up a new line of action or perspective." }, "instruction_full": "Cut to a detail shot within the same general building environment as , focusing on a dark, plain wall adjacent to a window with closed venetian blinds on the right side of the frame. No characters should be visible, and the lighting should maintain the cool, muted, slightly underexposed aesthetic established in , with subtle ambient light reflecting off the wall. The purpose is to provide a momentary visual break and emphasize the enclosed, operational setting.", "think_full": "The shot serves as a visual interlude following the busy group scene in . By featuring no characters and focusing on an architectural detail like a dark wall and a window with blinds, it emphasizes the sterile, confined nature of the operational environment. The cool, muted lighting is consistent with the established atmosphere in , reinforcing the sense of a high-tech, possibly isolated setting. This change of pace allows for a brief moment of reflection on the environment itself, creating a pause before returning to character-driven action.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should be a 'brief visual interlude, emphasizing the isolated environment'. Given is an intense group shot in a control room, a logical follow-up for an interlude would be an environmental detail shot within the same building. This shot should be devoid of characters to provide a break from the people-focused , and it should maintain the cool, dim lighting and architectural style, such as a wall or a window, to keep the visual continuity of the 'isolated environment' while providing a change of pace." }, { "instruction_full": "Cut back into the high-tech control room environment established in and hinted at in , adopting a medium-wide shot looking across a different section of the room. from is now standing, facing left, actively addressing a group of seated who are at their workstations. The room should be filled with computer monitors displaying data, and the cool, blue-green lighting from and should continue. The window with blinds from may be subtly visible in the background to the right, to reinforce the continuity of the setting. The intent is to re-establish the primary setting and show taking a more active, authoritative role.", "think_full": "Following the environmental interlude of , this shot returns to the core operational setting seen in . The cool, blue-green lighting and the presence of multiple monitors and workstations explicitly continue the high-tech, urgent atmosphere established in . The subtle inclusion of the window/blinds on the right connects visually to , confirming the shared location. , first seen in partially obscured, is now central and standing, actively addressing other (also visible in 's background). This shift in his posture and prominence highlights his leadership role, aligning with the `shot_outline` for which aims to show him 'addressing other ' and re-engaging with the central narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that should 'return to the control room, shifting perspective to show addressing other '. After the environmental shot , the narrative demands a return to the human element. This means re-entering the control room environment from , bringing back and placing him in an active, leadership role by having him address staff. The cool, technological aesthetic of must be maintained. This advances the plot by showing a directive being given or information being shared among the operational team." }, { "instruction_full": "Tighten the focus from to a medium close-up of , who remains in the control room. He is actively speaking, maintaining a serious and focused expression. A blurred is partially visible in the left background, obscured by computer monitors and continuing the environment from and . The background should be filled with the glow of computer screens and the cool, muted lighting characteristic of the control room. The shot's purpose is to emphasize 's command and allow the viewer to gauge the gravity of his words through his expression.", "think_full": "The setting explicitly continues from the control room seen in and , with the cool, blue-green lighting and operational backdrop of monitors reinforcing the ongoing tension. , central in (and partially seen in ), is now framed in a closer shot. This emphasizes his expression and the weight of his words, building on his active role established in . The blurred in the background maintains the context of a working group without distracting from the supervisor. This framing fulfills the `shot_outline` for to 'tighten the focus on 's expression', enhancing the dramatic impact and allowing a deeper insight into his resolve or concern.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that should 'tighten the focus on 's expression as he speaks, maintaining the control room environment.' Having established addressing the group in , the logical next step is to draw closer to him to capture his precise expression and the impact of his words. The shot should maintain the cool, high-tech environment of the control room from and . This close-up will intensify the emotional stakes surrounding his communication." }, { "instruction_full": "Cut to a completely new scene and introduce a new character: , shown in a close-up profile shot, looking intently towards the right side of the frame with a serious, contemplative expression. This is a new, different corporate environment, visually distinct from the control room of , , , and . The blurred background should suggest a modern office corridor or lobby with a subtle, textured wall and softer, warmer overhead lighting, indicating a departure from the previous setting. The user intent is to introduce a new character and setting, suggesting a parallel storyline or a different perspective.", "think_full": "This shot is a deliberate break from the preceding sequence. It introduces a brand-new environment, explicitly distinct from the control room seen in , , , and . The background features blurred modern corporate architecture with softer, warmer lighting, contrasting sharply with the cool, intense atmosphere of the control room. A new character, , is introduced; she has not appeared in any prior shots. Her close-up profile and contemplative expression immediately establish her as a significant new element. This aligns with the `shot_outline` for which aims to 'introduce a new character, , in a different, more polished corporate setting', signaling a narrative shift and potentially a parallel story thread.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that 'introduces a new character, , in a different, more polished corporate setting, hinting at a parallel narrative.' Therefore, the next shot must be a complete departure from the control room. It needs to feature a new character, , in a distinct, polished corporate environment. A close-up framing is ideal to immediately establish her presence and expression, creating intrigue for this new character and her potential role. The visual style should diverge from the preceding dark, tech-heavy scenes to clearly mark the shift in location and storyline." }, { "instruction_full": "Expand the view from the close-up of to a wider, medium shot within the same new corporate environment. , previously introduced in , is now seen walking through a busy corporate lobby, moving towards the right. Several other indistinct or civilians are also moving around the lobby, adding to the sense of a populated, active space. The setting continues to be the modern, polished corporate building interior introduced in , featuring marble or stone walls and visible elevator doors. The lighting remains bright and even, consistent with the new setting. The user intent is to further establish the new setting and 's presence within it, showing her integration into this different world.", "think_full": "This shot explicitly expands upon the new corporate setting introduced in . The polished walls, modern architecture, and brighter, softer lighting are consistent with , but now reveal a wider view of a lobby with elevator doors, confirming it as a bustling corporate building. This environment is still distinct from the control room of , , , and . , introduced in , is central to this shot, now shown in motion within her environment. Other moving figures (undifferentiated ) add to the realism of a busy public space. This fulfills the `shot_outline` for , which specifies to 'expand on this new corporate environment, showing moving through a busy office lobby, further establishing a new context.' It solidifies her world and suggests her purposeful involvement within it.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that 'expands on this new corporate environment, showing moving through a busy office lobby, further establishing a new context.' After the close-up introduction of in , the narrative naturally progresses by contextualizing her within her environment. This requires a wider shot of the new corporate setting from , emphasizing its scale and activity. The shot should include walking, along with other people, to convey a sense of a working, populated space. The bright, modern aesthetic established in must be maintained." }, { "instruction_full": "Cut back abruptly to a close-up shot of in the original control room environment. He is looking off-camera with an intense, perhaps slightly concerned or reactive expression, mid-conversation or deep in thought. The background should be blurred but suggest computer screens and technical equipment, clearly maintaining the cool, dimly lit aesthetic consistent with , , , and . The purpose is to show a reaction or moment of intense focus from , returning the narrative to the core operational team.", "think_full": "This shot makes an abrupt return to the dark, cool-toned, high-tech control room environment that was central in , , , and , contrasting sharply with the bright corporate setting of and . The blurred background with hints of monitors and equipment maintains this continuity. , who was prominently featured in , returns here. This close-up highlights his expression, conveying a specific emotional or intellectual state, suggesting a reaction or active engagement with the ongoing situation in the control room. This fulfills the `shot_outline` for to 'cut back to in the control room, capturing his reaction or a moment of intense concentration,' re-centering the focus on the operational team after the narrative detour.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that 'cuts back to in the control room, capturing his reaction or a moment of intense concentration.' After the narrative shifted to a new character and setting in and , the outline dictates a return to the control room. This requires bringing back a character from that setting, specifically seen in . A close-up shot is appropriate to convey reaction or concentration. The environment must be the consistent dark, tech-filled control room. This maintains narrative momentum by toggling between different story threads." }, { "instruction_full": "Maintain the close-up framing style from , but shift the focus to within the same control room. He is looking off-camera with a thoughtful, possibly concerned or determined expression. The setting remains the cool, dimly lit control room from , , , , and , with a blurred background subtly showing the technical environment. The user intent is to show 's personal reaction or decision-making process, highlighting the mental burden or intensity of the situation through his expression.", "think_full": "This shot explicitly stays within the control room, maintaining the consistent cool, muted lighting and the suggestion of a high-tech operational environment through the blurred background, reinforcing the urgency established in , , , , and . , a key character from , , and , is now seen in a close-up, mirroring the framing of but focusing on a different key individual. His expression conveys a serious internal state, building on his leadership role. This fulfills the `shot_outline` for to 'focus on 's expression in the control room, reflecting a moment of tension or decision.' It allows the audience to delve into his state of mind after potentially receiving new information or making a crucial decision.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that 'then focuses on 's expression in the control room, reflecting a moment of tension or decision.' After seeing 's reaction in , it is a logical progression to cut to another central character, (seen in , , ), to show his response. A close-up within the consistent control room environment, mirroring the style of , would effectively convey his emotional state and the gravity of the situation. This continues to build internal tension within the control room storyline." }, { "instruction_full": "Cut to a wide, high-angle aerial or rooftop view looking directly down on a busy city street. Numerous indistinct pedestrians, including possibly from and , are visible walking on a sidewalk, appearing as small figures in a vast urban landscape. This is a completely new external setting: an urban street with tall buildings, sidewalks, and perhaps hints of urban infrastructure, viewed from a high vantage point. It is distinct from both the control room and corporate lobby settings. The user intent is to provide a broader perspective on the urban environment, suggesting surveillance or a wider operational context.", "think_full": "This shot is a radical departure, introducing a brand-new, external urban environment. It is explicitly disconnected from the internal settings of the control room (, , , , , ) and the corporate lobby (, ). The high-angle view provides a sense of scale and anonymity, offering a stark contrast to the enclosed, intense interiors. The shot features multiple generic pedestrians, with the possibility of (introduced in and seen in ) being one of them, though not explicitly identifiable due to the high angle. This keeps her storyline active without breaking the anonymity of the wide shot. This fulfills the `shot_outline` for which states it 'provides a wide, overhead view of a city street, showing pedestrians, including possibly , suggesting observation or a larger world,' expanding the narrative's geographical scope and hinting at surveillance or larger forces at play.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that 'provides a wide, overhead view of a city street, showing pedestrians, including possibly , suggesting observation or a larger world.' To fulfill this, the next shot needs a drastic change of setting to an outdoor, high-angle urban scene. It should include pedestrians to give a sense of scale and life. This shift expands the story's world from the specific indoor locations seen so far, creating a sense of external forces or a broader context for the events unfolding, possibly connecting back to 's arc from and ." }, { "instruction_full": "Cut to a medium close-up of a new protagonist, , inside a different, more personal interior space. He is looking down with a serious, contemplative expression, wearing casual, dark clothing. This is a new interior setting, clearly not the control room nor the corporate lobby. It appears to be an apartment or hotel room, with a window in the background showing blurred city buildings, similar to the general urban context from but seen from an indoor perspective. The lighting is neutral, perhaps daylight from the window. The user intent is to introduce the main protagonist of the broader story in a more personal, reflective moment, indicating a new focal point for the narrative.", "think_full": "This shot introduces a completely new character, , who has not been seen in any previous images ( through ). His contemplative expression and casual attire suggest a different role or lifestyle compared to the corporate or operational figures. The setting is also a new interior, distinct from the control room (, , , , , ) and the corporate lobby (, ). However, the background, though blurred, shows city buildings through a window, providing a visual connection to the external urban environment seen in , but from a more intimate viewpoint. This creates a bridge between the vastness of and a more personal space. This fulfills the `shot_outline` for to 'introduce a new, central character, , in a distinct indoor location, setting up a new line of action or perspective,' marking a significant narrative pivot and introducing a potential new lead.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` clearly states that 'introduces a new, central character, , in a distinct indoor location, setting up a new line of action or perspective.' To fulfill this, the shot must feature a new, previously unseen character who will likely become central. This character, , should be framed in a medium close-up to establish his look and initial demeanor. The setting should be a new indoor location, visually distinct from earlier interior scenes, but it can subtly connect to the recent outdoor urban shot by showing a city view through a window. This establishes a new narrative thread and focus." } ], "_src_movie_dir": "The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv", "_src_filename": "115609_116023.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Bourne.Ultimatum.2007.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT.mkv/115609_116023.json", "_test_index": 0 }, { "movie": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv", "N": 10, "sample_id": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/44531.jpg-Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/46322.jpg", "images": [ { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/44531.jpg", "filename": "44531.jpg", "aesthetic": 5.85589599609375, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/44756.jpg", "filename": "44756.jpg", "aesthetic": 4.7611236572265625, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/44922.jpg", "filename": "44922.jpg", "aesthetic": 5.178590774536133, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/44941.jpg", "filename": "44941.jpg", "aesthetic": 4.627682685852051, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/45225.jpg", "filename": "45225.jpg", "aesthetic": 6.704782962799072, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/45406.jpg", "filename": "45406.jpg", "aesthetic": 6.818602085113525, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/45519.jpg", "filename": "45519.jpg", "aesthetic": 5.905466079711914, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/45659.jpg", "filename": "45659.jpg", "aesthetic": 6.347357273101807, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/46309.jpg", "filename": "46309.jpg", "aesthetic": 6.465060710906982, "musiq": 0.0 }, { "tag": "", "rel_path": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/46322.jpg", "filename": "46322.jpg", "aesthetic": 7.028138160705566, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A quiet, possibly tense, narrative unfolds in an industrial setting, centered around the movements and interactions of a young woman and a man, culminating in an encounter with a police officer. The tone is observational, with a subtle build-up of suspense.", "characters": [ "", "", "", "" ], "shot_outline": " introduces in profile, moving through a similar industrial environment. widens to show and together, revealing the broader industrial backdrop. shifts to cycling away from a large truck, indicating movement and potential danger. returns to , now in a more exposed part of the industrial area, looking contemplative. introduces in a patrol car, stopping on her bicycle. offers a slightly wider view of the police car and , emphasizing the environment. shows exiting the vehicle, with still by her bicycle, preparing for interaction. focuses on in a medium shot, revealing more details of his presence and the setting." }, "instruction_full": "Cut to a medium close-up, focusing on a new character's profile. Introduce , shown in profile, moving from right to left across the frame with a serious expression. The setting remains an industrial environment, similar to , with muted colors and subtle details of machinery or structures in the background, suggesting continuous movement within the same location. This is to introduce a new key character who appears to be an active participant in this environment, possibly connected to 's presence.", "think_full": "We maintain the industrial environment established in , using the muted color palette and hint of large structures in the background to suggest this is either the same warehouse or an adjacent part of the complex. The soft, diffused lighting from carries over. This shot introduces , a new character to the scene. He is presented in motion, suggesting purpose and activity. His appearance in this shared environment connects him to the narrative thread started by in . The purpose is to broaden the narrative by introducing as another central figure. His profile and movement suggest he is actively involved in the situation, mirroring or contrasting 's initial static, observant pose in . The close-up ensures he is registered as important.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt.shot_outline, is meant to introduce moving through a similar industrial environment. A medium close-up of is appropriate to establish him, showing him in profile and in motion, suggesting he is part of the ongoing activity in the industrial setting. The environment should maintain the industrial look of , with warehouse-like elements and consistent lighting, showing a contiguous setting. The user intent is to bring in the second main character and establish his connection to the setting." }, { "instruction_full": "Widen the shot from the medium close-up of to a medium full shot, showing more completely within his surroundings and introducing additional characters. Feature from walking towards the viewer, accompanied by two who are also walking behind him. should appear focused or serious. The setting remains the industrial area, showing more of the large warehouse structures and open concrete ground from and . The overall lighting maintains the subdued, overcast feel. This is to establish as part of a group and to show more of the large-scale, somewhat desolate industrial environment.", "think_full": "The shot expands on the industrial environment hinted at in and . The muted colors and open, semi-deserted feel are maintained, with large, simple building structures in the background reinforcing the industrial context. This wider shot confirms the environment is a broad outdoor area within the complex. from is now shown in a more central position, walking towards the camera, allowing for a better view of his face and posture. Two are introduced, walking behind him, visually associating him with a group and potentially indicating his role within it. The shared industrial attire (jackets) links them together. This shot serves to broaden the scope by showing is not alone, suggesting a possible group activity or a collective presence. The wider framing also emphasizes the scale of the industrial location, making the characters seem small within it and perhaps hinting at the unyielding nature of their surroundings.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline specifies should 'widen to show and together, revealing the broader industrial backdrop.' A wider shot than is necessary to show multiple characters and more of the environment, so a medium full shot would work. from will be present, and 'other men' need to be introduced. They should be walking together to convey the group dynamic. The industrial setting established in and needs to be more visible, showing the large buildings and open areas of the complex. The user intent is to show as part of a group and reveal more of the industrial landscape, suggesting collective action or presence." }, { "instruction_full": "Cut to a medium tracking shot, following from as she cycles from right to left across the frame, with a large vehicle in the background. Reintroduce from , now actively cycling a bicycle, seen from behind or the side as she moves. Her posture should convey motion and perhaps a hurried pace. The setting shifts to an outdoor industrial road, featuring a massive truck moving in the background, parallel to her or passing by. This is still within the broader industrial area suggested by , , and , but now focuses on a road component. The lighting remains soft and overcast. This is to show in active movement, possibly trying to escape or navigate the industrial environment, and to introduce a sense of potential danger or urgency with the large truck.", "think_full": "While shifting to a road, the environment still resonates with the industrial setting seen in , , and . The presence of large vehicles like the truck reinforces this industrial zone. The overall muted, overcast lighting established in previous shots is maintained, providing visual consistency. This shot extends the perceived space from an indoor warehouse and an open industrial yard to the connecting roads. This shot reintroduces from , shifting the focus back to her perspective and actions. Unlike her static, observing pose in , she is now in active motion, riding a bicycle, which changes her dynamic in the story. She retains her distinctive brown jacket and glasses from . The purpose of this shot is to show actively navigating her environment, introducing a sense of dynamism and potentially a new challenge or threat in the form of the large truck. Her movement implies a goal or an attempt to leave, contrasting with the more static or purposeful walking of the men in previous shots, and hints at escalating stakes as she interacts with the larger, more dangerous elements of the industrial world.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states that should show ' cycling away from a large truck, indicating movement and potential danger.' A tracking shot following her movement would be appropriate. from needs to be shown on a bicycle, moving. An industrial road with a large truck is required, maintaining the overall industrial atmosphere of , , and . The user intent is to re-center on and introduce an element of movement and potential threat." }, { "instruction_full": "Cut back to a medium shot, similar in framing to , focusing on but now with a more exposed, industrial background rather than the interior/dense exterior of previous shots. Show from and , now facing the camera directly, standing still, with a serious or concerned expression. He retains his dark jacket. The environment is still the industrial complex, but now with a large, light-colored corrugated metal wall or garage door behind him, suggesting a more isolated or exposed part of the facility. The muted, overcast lighting persists from , , , and . This is to bring the focus back to , showing his contemplation or reaction to events, potentially contrasting with the active movement of in .", "think_full": "The setting continues to be the industrial area, consistent with , , , and . The large corrugated metal wall provides a stark, industrial backdrop, reinforcing the desolate atmosphere. The soft, overcast lighting maintains the visual continuity and mood. This area appears more open and less cluttered than some previous views. reappears from and . He is now framed more centrally and facing forward, allowing the audience to observe his expression directly, which was partially obscured in and blurred in . He wears the same distinctive dark jacket with the fur collar. His static pose contrasts with the active movement of in . The shot's purpose is to return focus to , allowing for a moment of quiet observation of his emotional state or his reaction to whatever is unfolding. His isolated stance against the vast industrial wall emphasizes his solitary position or a moment of reflection, perhaps connecting his thoughts to the actions of or the events implied by .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'returns to , now in a more exposed part of the industrial area, looking contemplative.' A medium shot, similar to how he was first introduced in , but facing the camera, would work to show his expression. from previous shots, specifically and , should be central and stationary. The industrial setting (from to ) needs to be continued, but with a background that suggests an exposed, open part of the complex. The user intent is to focus on and convey his internal state, possibly in reaction to earlier events or in anticipation of future ones." }, { "instruction_full": "Cut to a medium side-profile shot, framing a new character in a police car interacting with on her bicycle. The police car should be prominent. Introduce inside a distinctively marked police car, looking towards . from and should be visible in the right foreground, still on her bicycle, facing the police car. The scene is set on the industrial road, a continuation of the environment from , with sparse trees or bushes in the background beyond a low wall, suggesting the edge of the industrial area. The police car is a key prop, signaling authority and intervention. The overall lighting remains consistent with the subdued, overcast conditions established across through . This is to escalate the conflict or narrative by introducing a law enforcement presence and showing an direct encounter with , raising the stakes significantly.", "think_full": "The shot maintains the outdoor, somewhat desolate industrial-edge environment, continuing from and implicitly connected to the broader industrial complex seen in all prior shots ( through ). The background, with sparse vegetation, suggests an area bordering the main industrial structures. The consistent overcast lighting helps to maintain a cohesive visual mood. from and reappears, still with her bicycle, indicating the continuation of her journey or a pause in it. This shot introduces , a new character who instantly changes the dynamic of the scene through his presence in a marked police vehicle. This is a crucial turning point, as outlined in the global_prompt.shot_outline for . The introduction of law enforcement via directly confronting significantly raises the dramatic stakes. The framing emphasizes the police car as a symbol of authority, while on her bicycle appears vulnerable in comparison, creating immediate tension and signifying a shift in the narrative from observation and movement to direct confrontation.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'introduces in a patrol car, stopping on her bicycle.' A medium shot showing both the police car (with the officer) and on her bicycle would best convey the interaction. (from , ) with her bicycle, and a new character, , in a police car. The industrial road (from ), with the police car as a new, significant prop. The background should be consistent with the industrial-edge setting. The user intent is to introduce the police presence and show the direct confrontation, escalating the story." }, { "instruction_full": "Slightly widen the shot from to a medium-long shot, shifting the camera back slightly to show more of the police car and within the broader industrial road environment. Continue to feature from standing beside her bicycle, with still visible inside the police car from . They should appear to be in a static moment of interaction. The environment remains the industrial road established in and , with the distinct police car from positioned alongside a fence and some trees. This wider view reinforces the scale of the area. The lighting maintains the consistent overcast look. This is to provide a slightly broader context of the confrontation, showing the immediate surroundings and emphasizing the distance or formal nature of the interaction.", "think_full": "This shot subtly pulls back from , continuing to show the industrial road setting with the light-colored fence and green trees in the background, reinforcing the edge of the industrial area. The police car from remains central, grounding the scene in the established location and maintaining visual consistency in the interaction's setting. The overcast lighting is consistent with all previous shots, from through . and (still inside his vehicle) from are maintained as the central characters. The slightly wider shot allows us to see their positioning relative to each other and the police car more clearly, emphasizing the formal barrier presented by the vehicle. retains her attire and bicycle from , , and . The purpose is to offer a slightly wider perspective on the confrontation introduced in . This broader view helps to contextualize the scene, showing the surrounding emptiness or structures, and reinforces the impression of being stopped and scrutinized in an exposed environment. It sets the stage for potential further interaction by showing their relative positions.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'offers a slightly wider view of the police car and , emphasizing the environment.' A slightly wider shot than is needed to fulfill the outline. A medium-long shot would work. (from , , ) with her bicycle, and (from ) still inside the police car. The industrial road (from , ), the police car (from ), and more of the background elements like the fence and trees should be visible, maintaining continuity. The user intent is to show more of the environment during the police stop, emphasizing the context." }, { "instruction_full": "Maintain a similar medium-long shot framing as , but subtly shift to emphasize getting out of the car. from and should be depicted exiting the police car, with his back partially to the camera, walking towards the right. from and her bicycle should remain visible in the background, observing or waiting. The setting continues on the industrial road with the police car from and in the foreground. The background elements (fence, trees) from are still present, maintaining the visual continuity of the scene. The overcast lighting persists. This is to escalate the interaction by showing taking a more active, confrontational role, leaving his vehicle and approaching .", "think_full": "The shot maintains the same industrial road environment and background elements (fence, trees) seen in and previously in and . The police car from and remains prominently placed, signifying the fixed location of the confrontation. The consistent muted, overcast lighting reinforces the stable visual mood. from and is now shown in active motion, exiting his vehicle, signifying a transition from observation to direct engagement. This reveals more of his uniform and posture. from , , , and remains in the background, her presence confirming the continuity of the interaction. She is still with her bicycle, maintaining her visual identity. This shot fulfills the global_prompt.shot_outline for by showing ' exiting the vehicle, with and her bicycle in the background, preparing for interaction.' It dramatically heightens the tension, as the formal barrier of the police car is removed, and a direct, face-to-face interaction or interrogation between authority and becomes imminent.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it 'shows exiting the vehicle, with and her bicycle in the background, preparing for interaction.' A medium-long shot, similar to , would be suitable, but now focusing on the officer's action of exiting the car. (from , ) is seen getting out of the police car. (from , , , ) remains visible with her bicycle in the background. The industrial road and police car (from , , ) are still present, along with the consistent background elements. The user intent is to show the police officer taking a more direct role in the confrontation, increasing the tension." }, { "instruction_full": "Cut to a medium close-up of , isolating him against the industrial background. The camera should be slightly lower than eye level, making him appear imposing. Focus on from , , and , now facing the camera or slightly turned, with a calm but authoritative expression. His uniform should be clearly visible. The background should be the light-colored corrugated metal wall or gate from , indicating a different part of the industrial complex, or at least a different vantage point, suggesting the officer has moved or the scene has cut to his perspective against a stark backdrop. The red light of the police car from , , is visible in the extreme foreground, hinting at its proximity. The consistent overcast lighting remains. This is to emphasize the authority and presence of and create a direct, confronting image, isolating him as a key figure in this moment.", "think_full": "This shot brings us closer to a distinct industrial structure, similar to the corrugated metal walls seen in , but now framing the officer against it. The environment is consistent with the overall industrial setting of through , with the same muted color palette and overcast lighting. The red light of the police car, visible in the foreground, provides a direct visual link back to the vehicle from , , and , confirming the location. from , , and is now the sole focus, providing a clear view of his face and uniform. This close-up allows the audience to fully register his presence and expression after his active movement in . He embodies the authority introduced in . This shot's purpose, as per the global_prompt.shot_outline for , is to 'focus on in a medium shot, revealing more details of his presence and the setting.' It isolates , making him a central point of focus, and his authoritative demeanor against the stark industrial background amplifies the tension of the confrontation. It signifies that the direct interaction has begun, and the focus is now squarely on the person in authority.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it 'focuses on in a medium shot, revealing more details of his presence and the setting.' A medium close-up is needed to focus on . (from , , ) should be prominently featured, perhaps facing the camera. The industrial setting (from all previous shots) should provide a backdrop, possibly showing details of the industrial buildings or infrastructure, and critically, a hint of the police car's presence to maintain continuity from the stop. The user intent is to give a clear, focused view of the police officer now that he is directly engaged in the scene." }, { "instruction_full": "Cut to a medium close-up, similar to the framing of and , but now with a different background, refocusing on . Show from , , and , again in a contemplative or slightly concerned expression. He retains his brown jacket. The setting is now clearly outside the immediate confrontation area, perhaps in a more open space with trees and distant buildings in the background, a new perspective on the broader industrial complex. This breaks away from the immediate police car and officer focus of , , , . The lighting remains soft and overcast, consistent with the overall film aesthetic. This is to shift focus back to , showing his independent presence and potential reaction to the unfolding events, perhaps implying he is observing from a distance or is aware of the situation.", "think_full": "This shot shifts the specific background from the immediate industrial structures of , , , , and the police stop area of , , , . The presence of trees and more distant buildings suggests a slightly different, perhaps more natural or less direct industrial part of the setting, yet still within the overall implied vicinity. The consistent overcast lighting helps to maintain the film's visual continuity despite the change in specific backdrop. from , , and is brought back into focus. His presence after the police interaction with in through suggests a connection or an awareness of those events. He maintains his characteristic attire from previous appearances. This shot is intended to reintroduce and show his perspective, or perhaps his reaction, to the situation involving and . By cutting back to him, the narrative implies his continued involvement or concern, suggesting a broader plot at play beyond the immediate police stop. His thoughtful expression suggests internal processing of events.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline has been fulfilled for through . Since the sequence ends at , and it's not explicitly in the outline, I must infer the narrative progression. The natural progression would be to return to one of the main characters, and has been established as a parallel figure. A medium close-up, similar to his previous solo shots (, ), would emphasize his reaction or state. (from , , ) should be the subject. The background should be the industrial setting, but perhaps a slightly different vantage point than the immediate police stop, allowing for a shift in focus. It maintains the overall environmental feel from prior shots. The user intent is to provide a concluding look at , suggesting his continued relevance or reaction to the events that unfolded." } ], "_src_movie_dir": "Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv", "_src_filename": "044531_046322.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Dancer.in.the.Dark.2000.2160p.BluRay.X264-AMIABLE.mkv/044531_046322.json", "_test_index": 3 }, { "movie": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv", "N": 10, "sample_id": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/87994.jpg-Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89625.jpg", "images": [ { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/87994.jpg", "filename": "87994.jpg", "aesthetic": 6.089151859283447, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/88266.jpg", "filename": "88266.jpg", "aesthetic": 5.4256415367126465, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/88581.jpg", "filename": "88581.jpg", "aesthetic": 5.908158302307129, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/88922.jpg", "filename": "88922.jpg", "aesthetic": 5.95944881439209, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89109.jpg", "filename": "89109.jpg", "aesthetic": 5.764112949371338, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89169.jpg", "filename": "89169.jpg", "aesthetic": 5.989470958709717, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89431.jpg", "filename": "89431.jpg", "aesthetic": 6.307517051696777, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89456.jpg", "filename": "89456.jpg", "aesthetic": 5.663661956787109, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89575.jpg", "filename": "89575.jpg", "aesthetic": 5.820969104766846, "musiq": 0.0 }, { "tag": "", "rel_path": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/89625.jpg", "filename": "89625.jpg", "aesthetic": 5.673547267913818, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This animated sequence follows a group of surfing penguins on a tropical island. The tone is adventurous and fun, depicting their daily lives from surfing to evening relaxation. The pacing is gentle, establishing the world and characters.", "characters": [ "", "", "", "", "" ], "shot_outline": " transitions from the individual penguins to a wide shot of the beautiful ocean environment at sunset, establishing the broader setting. shifts to a new scene, introducing with new companions, and , around a campfire at night. tightens the focus on the interaction between and while plays music. provides a slightly wider view of the campfire activities, including cooking. offers a dynamic over-the-shoulder shot, highlighting the interaction and 's performance. returns to a two-shot of and in conversation. brings all three campfire companions into the frame, showing a shared moment. focuses on a close, personal exchange between and . concludes the campfire segment with a dedicated close-up of 's performance." }, "instruction_full": "Transition the camera from the close-up of the penguins in the water to a breathtaking wide shot of the ocean at sunset. The shot should prominently feature a large wave breaking in the middle ground, with the sun low on the horizon casting warm orange and purple hues across the sky and water. In the far distance, subtly include a few small, silhouetted figures of penguins on surfboards, suggesting the continuation of their activity without individual focus. The overall effect should establish the expansive, beautiful environment.", "think_full": "Based on , which shows individual penguins in the water, the natural progression for is to widen the scope and establish the broader environment. The initial shot featured a sunset glow, so continuing with a full sunset shot maintains continuity of time and atmosphere. The wave breaking adds dynamic interest to the ocean, which was the setting of . By showing distant, silhouetted surfing penguins, we connect to the characters from but shift the narrative focus from them as individuals to the grandeur of their world, fulfilling the 'establish the broader setting' goal from the shot outline.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction and the global prompt's story setup and shot outline, I need to create a shot that transitions from the initial scene in . showed penguins on surfboards in the water, with a hint of sunset. The shot outline for states it 'transitions from the individual penguins to a wide shot of the beautiful ocean environment at sunset, establishing the broader setting.' Therefore, the next shot should be a wide view of the ocean, highlighting the sunset and waves, perhaps with some distant figures to imply the continuation of surfing activity from , but shifting focus to the environment itself." }, { "instruction_full": "Shift the scene entirely to a new setting: a night beach illuminated by a warm, crackling campfire. The camera should be at a medium distance, framing three penguins gathered around the fire. should be seated at a small, makeshift table on the left. To their right, should be sitting closer to the fire, and further to the right, should be standing, holding a ukulele. The background should be dark, tropical foliage, hinting at a jungle island setting. The light should primarily come from the campfire, casting warm glows and deep shadows, establishing a cozy, relaxed atmosphere.", "think_full": "Following 's environmental transition, the global prompt's shot outline for indicates a shift to a 'new scene, introducing with new companions, and , around a campfire at night.' This necessitates a complete change in time (from sunset to night) and specific location (from open ocean to a beach campfire). Therefore, this is a brand-new environment with no direct visual link to or other than being on the same island. continues from , visually identifiable by their yellow crest and pendant. and are new characters being introduced in this shot. The campfire provides a clear central focal point and dictates the warm, low lighting.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to generate the next shot. Based on the global prompt's shot outline, 'shifts to a new scene, introducing with new companions, and , around a campfire at night.' This implies a change of setting from the ocean and sunset of and to a night scene on a beach. I need to show (identified from ), and introduce two new characters, and , all gathered around a campfire. The lighting should be low and warm from the fire, against a dark background." }, { "instruction_full": "From the established campfire scene in , bring the camera closer for a medium close-up, focusing on and at the left of the frame. should be observing, slightly elevated. should be crouched low to the ground, holding a stick, facing the fire. In the right background, slightly out of focus, should be visible, actively playing the ukulele. The warm glow of the campfire (from ) should continue to be the primary light source, highlighting their expressions and the texture of their feathers.", "think_full": "To fulfill the shot outline's goal for to 'tighten the focus on the interaction between and while plays music,' a medium close-up is appropriate. We maintain the night beach and campfire environment established in , ensuring spatial continuity. All three characters from are present: and are foregrounded to emphasize their interaction, and is still visibly performing in the background, reinforcing the relaxed atmosphere. The camera move aims to increase intimacy and highlight specific actions.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I refer to the global prompt's shot outline for , which says it 'tightens the focus on the interaction between and while plays music.' This means I should zoom in from 's wider shot. The setting is still the night beach campfire from . I need to show and more prominently, with still in the background playing music. The warm campfire light from should continue to illuminate the scene." }, { "instruction_full": "Adjust the camera from to a medium shot, slightly wider than the previous close-up, offering a clearer view of the campfire and the activity around it. should be standing behind the makeshift table (seen in ), with a small shell bowl on it. should be crouched by the fire, directly engaging with the viewer, perhaps with a slight smirk. Over the fire, skewers of roasting food should be visible, adding to the cozy ambiance. from should be partially visible on the far right, still playing the instrument. The warm campfire light (from ) continues to dominate the lighting.", "think_full": "The shot outline for indicates providing 'a slightly wider view of the campfire activities, including cooking.' This necessitates a subtle camera adjustment from the closer shot of to reveal more of the scene. We maintain the night beach and campfire setting from and . The table and fire structure seen in are now more centrally featured. and (both seen in ) are still primary, with 's direct gaze adding a new dimension of engagement. from remains a background element. The roasting food is a new visual detail enhancing the 'activities' aspect.", "instruction_minimal": "generate the next shot", "think_minimal": "For this minimal instruction, I refer to the global prompt's shot outline for : 'provides a slightly wider view of the campfire activities, including cooking.' This means I should pull back slightly from the close-up in to reveal more of the environment and what they are doing. The campfire setting from and remains. I should show and (both from ) in this wider context, making sure to include the fire and cooking food, and potentially (also from ) somewhere in the frame." }, { "instruction_full": "Shift the camera to an over-the-shoulder medium close-up, positioning the camera behind (partially visible in the left foreground) looking towards the other two characters. should be in the mid-ground, observing. should be the main focus of this perspective, actively playing the ukulele and singing with an open, energetic mouth, clearly performing. The background remains the dark, tropical foliage of the night beach (from ), dimly lit by the distant campfire glow.", "think_full": "The shot outline for suggests 'a dynamic over-the-shoulder shot, highlighting the interaction and 's performance.' This requires a new camera angle that frames from behind, creating a sense of their perspective, interacting with the scene that includes (both from ). (also present in but less focused) now takes center stage visually, emphasizing their performance. The setting is still the night beach campfire from , ensuring spatial continuity while offering a fresh viewpoint.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the minimal instruction and the shot outline for , which says it 'offers a dynamic over-the-shoulder shot, highlighting the interaction and 's performance,' I need to change the camera angle significantly from . I should place the camera behind (seen in ), looking towards (from ) and especially focusing on (from ) as they perform. The setting is the same night beach campfire from ." }, { "instruction_full": "Revert to a medium shot, similar to , focusing on and from a slightly different angle. should be standing at the makeshift table, looking towards . should be crouched near the fire, gazing back at , creating a clear line of sight and implied conversation. The cooking food on skewers should be visible over the fire, and the dark jungle background (from ) remains, softly illuminated by the campfire (from ).", "think_full": "The shot outline for 'returns to a two-shot of and in conversation.' This suggests a re-framing from the wider group shot of to a more intimate interaction. We utilize the established campfire setting from and the setup seen in (table, fire, cooking food) to provide continuity. was implied in the foreground of , and was visible; now their direct interaction is central. from is excluded to focus solely on these two, enhancing the sense of a personal exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, the shot outline for states it 'returns to a two-shot of and in conversation.' This means I need to re-frame to focus on these two characters. The setting is still the night beach campfire from and . I should show (implied in 's foreground) and (seen in ) in a medium shot, engaging with each other, perhaps with the fire and cooking food (from ) visible in the foreground to tie back to the scene." }, { "instruction_full": "Slightly widen the camera from to include all three characters again. should be in the foreground, looking towards . should be in the mid-ground, looking up with a soft, warm expression. In the deeper background, should be visible, slightly out of focus, observing the interaction. The campfire (from ) provides the main lighting, and the dark tropical foliage (from ) forms the background.", "think_full": "The shot outline for states it 'brings all three campfire companions into the frame, showing a shared moment.' This requires pulling back slightly from the two-shot of to re-incorporate . The established night beach and campfire setting from and remains consistent. and continue their interaction from , with 's expression indicating warmth. (last seen prominently in , and implicitly present in the scene even when not in frame in ) is now clearly visible in the background, making it a group shot again and reinforcing the shared social experience.", "instruction_minimal": "generate the next shot", "think_minimal": "With the minimal instruction, I consult the global prompt's shot outline for : 'brings all three campfire companions into the frame, showing a shared moment.' This means I need to adjust the framing from the two-shot of to include once more. The setting is the same night beach campfire from . and (both from ) will be prominent, with (last explicitly seen in ) visible in the background, creating a sense of group presence and shared experience." }, { "instruction_full": "Tighten the camera from to a close-up, focusing intensely on and . They should be facing each other, engaged in a direct conversation. should have an attentive expression, while is smiling warmly, in the middle of speaking. The background, still the dimly lit beach foliage from , should be softly blurred to emphasize the intimacy and focus on their expressions and dialogue. The warm campfire glow (from ) illuminates their faces.", "think_full": "The shot outline for specifies 'focuses on a close, personal exchange between and .' This requires an even tighter framing than , moving into a close-up to magnify their expressions and the personal nature of their interaction. The night beach and campfire setting from is still implied but pushed out of focus to foreground the characters. Both and are central, continuing their interaction from , now with heightened emotional clarity. This shot aims to draw the viewer into their private moment, contrasting with the wider group shots.", "instruction_minimal": "generate the next shot", "think_minimal": "For the minimal instruction, I look at the global prompt's shot outline for , which says it 'focuses on a close, personal exchange between and .' This means I need to zoom in significantly from to a close-up. The setting is still the night beach campfire from , but the background should be blurred to emphasize the two characters: and (both from ), showing their facial expressions and intimate conversation." }, { "instruction_full": "Shift the camera from the two-shot of to a dedicated close-up of . They should be singing or performing with an energetic, open-mouthed expression. The warm light from the distant campfire (from ) should still highlight their front, while the dark, out-of-focus tropical foliage (from ) forms the background, maintaining the continuity of the night beach setting. This shot isolates their performance, giving them a moment in the spotlight.", "think_full": "The shot outline for indicates it 'concludes the campfire segment with a dedicated close-up of 's performance.' This requires a shift from the intimate two-shot of to isolate , who was previously seen performing in and observing in . The night beach setting and campfire lighting, established in and consistent through and , are maintained, but the background is blurred to emphasize the character. This shot provides a final beat to the campfire scene by focusing on the music and performer, ensuring each character gets a moment of prominence.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I refer to the global prompt's shot outline for : 'concludes the campfire segment with a dedicated close-up of 's performance.' This means I need to move from the close-up of the two talking penguins in to a close-up of (last prominently seen performing in , and in the background of ). The setting is still the night beach campfire from , with warm light and dark foliage as a blurred background, to highlight the performer." } ], "_src_movie_dir": "Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv", "_src_filename": "087994_089625.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Surfs.Up.2007.BluRay.2160p.AC3-CMCT.mkv/087994_089625.json", "_test_index": 5 }, { "movie": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv", "N": 10, "sample_id": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99141.jpg-Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99689.jpg", "images": [ { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99141.jpg", "filename": "99141.jpg", "aesthetic": 6.225209712982178, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99198.jpg", "filename": "99198.jpg", "aesthetic": 6.932231903076172, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99204.jpg", "filename": "99204.jpg", "aesthetic": 7.035867691040039, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99234.jpg", "filename": "99234.jpg", "aesthetic": 6.072851181030273, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99243.jpg", "filename": "99243.jpg", "aesthetic": 5.856873512268066, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99360.jpg", "filename": "99360.jpg", "aesthetic": 6.034675121307373, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99384.jpg", "filename": "99384.jpg", "aesthetic": 6.305006504058838, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99495.jpg", "filename": "99495.jpg", "aesthetic": 6.784663200378418, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99542.jpg", "filename": "99542.jpg", "aesthetic": 7.390643119812012, "musiq": 0.0 }, { "tag": "", "rel_path": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/99689.jpg", "filename": "99689.jpg", "aesthetic": 6.428337574005127, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene is set in a chaotic courtroom where an assembly of mouse-like creatures is embroiled in a heated, disorderly dispute, creating a loud and unruly atmosphere. The tone is frenetic and rebellious, indicating a breakdown of order.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " will tightly frame attempting to restore order, showing their struggle. will introduce in the defendant's stand, revealing their presence in the chaotic trial. will return to , reiterating their frustration and the ongoing disorder. will widen back to , showing the escalation of the chaos. will then focus on at their stand, setting up a more formal legal segment. will establish the full courtroom, showing all key players and introducing making their entrance. will feature a close-up of reacting to the new development. will capture making an impassioned gesture or plea. will show 's reaction to the protagonist's actions, still confined." }, "instruction_full": "Shift the camera to a medium close-up, focusing on from a slightly lower angle than . should be positioned behind a large, formal wooden bench, looking agitated and distressed, possibly shouting or trying to bang a gavel, attempting to quell the ongoing uproar. The background should reveal the top part of the court's wooden wall and a glowing oil lamp, maintaining the rustic, muted aesthetic from but narrowing the focus to emphasize the judge's plight, to show the authority figure struggling with the widespread chaos.", "think_full": "The initial shot established a wide view of a riotous court gallery. For , the narrative purpose from the `shot_outline` is to show struggling to maintain order. This requires a tighter camera focus, moving from the general chaos of to the specific figure of authority. We maintain the overall court aesthetic (wooden structures, muted tones) seen in , but isolate behind their bench. is implied to be present but not explicitly visible in amidst the gallery; here, they are foregrounded with a distressed expression to convey their immediate struggle and the breakdown of control.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, I must consult the `global_prompt`. The `shot_outline` for states: 'isolates at the far end of the table to show pressure'. This means shifting the camera from the wide, chaotic gallery shot of to a closer framing of . The shot should feature looking overwhelmed or stern, trying to assert control, which would imply a gavel or an exasperated pose. The setting should remain the court, retaining the wooden architecture and muted lighting from , but focusing on the judge's specific area behind a bench, to convey the dramatic purpose of showing an authority figure struggling against disorder." }, { "instruction_full": "Transition the camera to a medium shot, depicting from a slightly wider perspective. , wearing striped pajamas, should be seated or lounging in a specific defendant's area, observing the proceedings with a look of weariness or defiance. Positioned next to should be a small, mouse-like figure, possibly , looking up at the defendant or speaking. The space continues the muted, wooden interior of the courtroom seen in and , specifically showing the defendant's distinct section, to introduce the central figure of the trial and their context within the ongoing chaos.", "think_full": "Following the focus on 's struggle in , the next logical step in the narrative, as indicated by the `shot_outline` for , is to introduce . This requires a new camera setup that frames this specific character, distinct from the judge's bench or the general gallery shown in . The court setting's general aesthetic, including the wooden walls and muted lighting from and , should be maintained to ensure spatial continuity. is a newly introduced character in terms of direct visual focus, therefore their appearance (e.g., pajamas) and demeanor (weary/defiant) need to be established here, placing them in their designated spot within the trial.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the minimal instruction and the `global_prompt`, the `shot_outline` for specifies introducing ''. This means moving the camera to frame this new character, who is likely the focus of the trial. The shot should be a medium framing to establish their presence and general demeanor. The location must still be the courtroom, consistent with and , but specifically the defendant's area. This new perspective advances the story by showing who is on trial after the initial chaos and the judge's attempt to control it." }, { "instruction_full": "Return to a medium close-up of , similar to the framing and angle established in . should still be behind the wooden bench, now perhaps holding a gavel and looking more stern, though still visibly frustrated by the lack of order. The background elements, including the wooden wall and the lamp, should also be consistent with , to reinforce the judge's ongoing efforts to control the unruly court proceedings.", "think_full": "After introducing in , the `shot_outline` for indicates a return to , specifically 'reiterating their frustration'. To achieve this, we should reuse the camera setup from which closely framed at their bench. This creates a visual rhythm, cutting back to the authority figure. continues their struggle from , possibly escalating their attempts with a gavel. The spatial continuity with the judge's bench and background elements from is crucial to convey the ongoing situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for calls for returning to '', implying a continuation of their struggle for order after introduced the defendant. This means adopting a similar camera framing to , which established 's position and initial reaction. should continue to appear frustrated, perhaps now with a gavel, behind the familiar wooden bench from . This repeated shot reinforces the narrative of persistent chaos despite attempts at control." }, { "instruction_full": "Widen the camera back to a similar perspective as , showing the full scope of the court gallery. should be depicted in an even greater state of uproar than in , with papers flying, fists raised, and general pandemonium. The wooden structure of the gallery, with its tiered seating, should be clearly visible and consistent with , to visually confirm the escalating disorder and the failure of any attempts to restore calm.", "think_full": "Having shown 's continued struggle in after the initial introduction of the defendant in , the `shot_outline` for necessitates a return to the chaotic gallery, explicitly to show 'the escalation of the chaos'. To effectively convey this escalation, we must revert to the wide, high-angle framing established in , which captured the full extent of the gallery. , previously seen in , are now shown with intensified actions, such as throwing papers, signifying that the situation has worsened. The environment, specifically the wooden gallery structure, remains consistent with to demonstrate that the chaos is persistent in the same space.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates 'escalation of the chaos' among ''. This points to a return to the wide view of the gallery first seen in . The camera should mimic the general framing of but depict the gallery mice in an even more intense state of disorder, perhaps with elements like flying papers to visibly demonstrate the escalation. The wooden court setting from must be maintained, as well as the depiction of the many mice in their tiered seating." }, { "instruction_full": "Change the camera to a medium shot, slightly low angle, focusing on at a formal stand. should be standing upright, dressed in a formal robe, holding documents and looking serious, perhaps addressing the court. The space introduces a new area of the courtroom – the prosecutor's stand – which is a distinct, ornate wooden podium. The background should be a plain wall, possibly hinting at the broader courtroom structure from , , , , and , but specifically focusing on the new stand to establish this character's role and bring a moment of formal gravity amidst the chaos.", "think_full": "After establishing the escalating chaos in , the `shot_outline` for shifts focus to ' at their stand, setting up a more formal legal segment'. This necessitates introducing a new character and a new specific location within the courtroom, different from the judge's bench (, ), the defendant's area (), or the general gallery (, ). is a newly introduced character and should be depicted in a manner that conveys authority and seriousness. While the specific stand is new, the overarching court environment's muted tones and wooden elements implicitly connect it to the overall setting established in previous shots.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies focusing on ' at their stand'. This means introducing a new character and a new key location within the courtroom. The shot should be a medium frame to show in their formal attire, holding documents, perhaps making a statement. This introduces a more procedural element after the sustained chaos, providing a counterpoint to the disorder seen in . The setting should be distinct but visually consistent with the court established in prior images." }, { "instruction_full": "Execute a wide, high-angle establishing shot of the entire courtroom, revealing its full scale and all key positions. should be visible at the stand established in . should be in their defendant's area, as seen in . should be behind the main bench, similar to figures partially seen in . Crucially, introduce as a single, small figure walking across the large, open floor area in the center of the courtroom. The room should continue the established wooden architecture and muted lighting from all previous shots ( through ), to provide a comprehensive spatial overview and introduce the new central character.", "think_full": "With introducing , the `shot_outline` for calls for 'establishing the full courtroom, showing all key players and introducing '. This requires a significant camera change to a wide, high-angle shot to provide a comprehensive view of the entire space. We must include characters previously introduced and their established locations: at the stand (), in the defendant's area (), and hint at behind the judge's bench, whose presence was implied in the formal setting of . The environment of the court, with its wooden elements and general aesthetic, is consistent with all previous shots, linking through . The key narrative function is to introduce , a new character, walking into the center of this now fully revealed, imposing space, highlighting their smallness and vulnerability.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is very clear: 'establish the full courtroom' and 'introduce '. This demands a wide, possibly high-angle shot, to encompass the entire court. It must show the various areas and characters established in through : the prosecutor's stand, the defendant's area, the judge's bench, and the general architecture. The most important new element is entering this grand space, likely in the center of the frame, to emphasize their arrival and impending significance. The court's wooden, muted aesthetic must be maintained from all prior shots." }, { "instruction_full": "Execute a close-up on , similar to the character's appearance in but from a slightly tighter angle. should be looking intently off-frame, perhaps with a surprised or concerned expression, reacting to the entrance of as established in . The background should be simplified, focusing solely on and a hint of the courtroom's wall or door from , to emphasize their emotional response to the new development.", "think_full": "Following the establishing shot of the entire courtroom and the introduction of in , the `shot_outline` for indicates 'a close-up of reacting to the new development'. This requires a camera transition to a tighter shot, similar in character framing to , to capture the prosecutor's specific emotional reaction. was previously seen in and , and this shot revisits them to show their direct response. The environment remains the court, as revealed in , but the focus is on the character's expression, making the background secondary.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'close-up of reacting'. Given that just introduced walking into the court, it's highly probable is reacting to this entrance. Therefore, the camera should frame similarly to , but closer, to emphasize their expression of surprise or concern. The court setting established in implicitly continues, but the focus shifts to character reaction rather than overall space." }, { "instruction_full": "Shift the camera to a medium close-up, focusing on from a slightly low angle, positioned centrally. , now clearly visible as the focal point, should be standing in the open area of the courtroom (as established in ), making a bold, outstretched gesture with one arm, as if making a powerful statement or plea. The background should show the judge's bench and some from , indicating the direction of their address, to highlight the protagonist's vulnerability yet courage in their direct intervention.", "think_full": "After showing 's reaction in , the `shot_outline` for leads to ' making an impassioned gesture or plea'. This means the camera must now focus on , who was introduced as a new character in walking into the central space. A medium close-up from a slightly low angle would emphasize their stature and courage. The environment is the open court space from , with the judge's bench and in the background to provide context for where the plea is directed. This shot is narratively critical to showcase the protagonist's direct involvement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for focuses on ' making an impassioned gesture or plea'. This requires a direct, closer shot of , who was just introduced in . A medium close-up, perhaps from a slightly lower angle to convey their conviction, would be appropriate. The protagonist should be positioned in the center of the court, making a dramatic gesture. The background should implicitly be the court from , possibly showing the judge's bench behind them, to place their action within the legal setting." }, { "instruction_full": "Return to a medium wide shot focusing on , similar to the framing of . should be reacting to the intense moment created by 's plea, perhaps looking surprised, agitated, or even hopeful. There should be additional mouse-like figures, not , interacting directly with (e.g., pulling on their pajamas or holding them), reinforcing the defendant's predicament. The space remains the defendant's area within the courtroom, consistent with and , to show the immediate impact of the protagonist's intervention on the primary defendant.", "think_full": "Following 's impassioned plea in , the `shot_outline` for indicates showing ''s reaction to the protagonist's actions'. This means cutting back to , who was previously featured in and was seen in . The camera framing should be similar to to provide visual continuity for this character and their confined position. should display an emotional reaction to the unfolding drama. Other small mouse figures are introduced here as specific agents interacting with the bear, further emphasizing the defendant's controlled state. The environment remains the defendant's specific area within the courtroom, maintaining spatial consistency with and .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates ''s reaction to the protagonist's actions'. This means returning the camera's focus to , who was previously seen in and . A medium wide shot, similar to , would effectively capture their reaction and continuing predicament. should show a visible response to the emotional intensity of . The setting remains the defendant's area of the court, consistently depicted in earlier shots." } ], "_src_movie_dir": "Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv", "_src_filename": "099141_099689.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Ernest.And.Celestine.2012.FRENCH.2160p.BluRay.x264.DTS-NOGRP.mkv/099141_099689.json", "_test_index": 6 }, { "movie": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv", "N": 10, "sample_id": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57188.jpg-The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/58303.jpg", "images": [ { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57188.jpg", "filename": "57188.jpg", "aesthetic": 6.348745346069336, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57328.jpg", "filename": "57328.jpg", "aesthetic": 6.188272953033447, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57372.jpg", "filename": "57372.jpg", "aesthetic": 5.296031951904297, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57706.jpg", "filename": "57706.jpg", "aesthetic": 5.348995208740234, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57778.jpg", "filename": "57778.jpg", "aesthetic": 6.138943195343018, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57781.jpg", "filename": "57781.jpg", "aesthetic": 6.1365814208984375, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/57994.jpg", "filename": "57994.jpg", "aesthetic": 4.904658317565918, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/58038.jpg", "filename": "58038.jpg", "aesthetic": 6.005908012390137, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/58247.jpg", "filename": "58247.jpg", "aesthetic": 6.570707321166992, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/58303.jpg", "filename": "58303.jpg", "aesthetic": 6.192734718322754, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A narrative unfolding in a hospital, initially showing a family's joyous moment, then abruptly shifting to an external, more mysterious storyline involving surveillance. The tone moves from heartwarming to subtly tense and observant.", "characters": [ "", "", "", "", "", "", "", "", "", "" ], "shot_outline": " introduces two hospital staff members, showing the more mundane and functional aspect of the hospital environment. returns to the family from , gathered around in a hospital room, celebrating a recovery or new arrival. dramatically shifts to an outdoor urban setting, introducing as a new, observant character. shows in a slightly different outdoor spot, near a fence or gate, maintaining his watchful stance. tightens into a close-up of near a car, conveying his focused attention. offers a wider view of standing next to his car, outside a building. moves inside the car, showing in the driver's seat, looking intently out the window. introduces with a similar close-up, revealing another observer. returns to in the driver's seat, looking thoughtful or concerned, concluding the surveillance sequence." }, "instruction_full": "Cut to a medium-wide shot of a hospital corridor, distinct from the cheerful setting of . Two new characters, and , are seen interacting with medical equipment or preparing items on a counter, facing away from the camera in the foreground. The lighting should be functional and slightly muted, emphasizing the sterile, everyday reality of the hospital, to shift the focus from the family's joyous arrival to the operational side of the facility.", "think_full": "The `global_prompt.story_setup` indicates a multi-faceted narrative, and `global_prompt.shot_outline` explicitly states that will introduce hospital staff. This shot represents a deliberate contrast to the immediate family joy depicted in . Spatially, we remain within a hospital environment, but it's a new, more functional area (a corridor, potentially a service area), emphasizing the institutional rather than celebratory aspect. The beige walls of are replaced by a more industrial, slightly worn aesthetic here, though the institutional feel remains consistent. Characters are entirely new; and are introduced to show a different facet of the hospital population. This shift in characters and setting serves to broaden the world of the story, moving away from the family's personal moment to the broader, often mundane, reality of the hospital.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, I must infer the next shot from the `global_prompt`. The `story_setup` mentions a hospital setting, and the `shot_outline` specifically states that 'introduces two hospital staff members, showing the more mundane and functional aspect of the hospital environment.' Therefore, the next shot should transition from the initial family scene in to a more utilitarian part of the hospital, featuring new characters. I should depict two new characters, and , in a hospital corridor, perhaps engaging in routine tasks, with functional lighting, to visually underscore the operational side of the hospital and move the narrative forward as outlined." }, { "instruction_full": "Transition to a wider shot inside a hospital room, establishing a new, distinct space from and . Frame a larger group of characters, including , , , and from , alongside new characters: in a hospital bed, giving a thumbs-up, and several members. The room should be filled with celebratory items like bottles and snacks on a small table next to the bed, under slightly warmer lighting than , to reinforce the joyous gathering.", "think_full": "The `global_prompt.shot_outline` for states, 'returns to the family from , gathered around in a hospital room, celebrating a recovery or new arrival.' This shot necessitates a return to the main family introduced in and the introduction of whom they are visiting. Spatially, this is a new hospital room, different from the corridor in and the initial entry area in , but still identifiable as part of the same institution. The presence of a bed, medical equipment, and visitors fills the room. Character continuity is key: , , , and reappear from , now integrated into a larger celebratory scene. New characters, and additional , are introduced. The narrative intent is to provide the 'reason' for the initial joy seen in , showing a full family gathering around , emphasizing a moment of happiness and connection within the hospital context.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` clearly specifies that 'returns to the family from , gathered around in a hospital room, celebrating a recovery or new arrival.' Therefore, the next shot must bring back the family from and place them in a hospital room. The setting should be a bustling hospital room with in bed, surrounded by , , , , and other members. There should be signs of celebration, like gifts or food, to convey the joyful atmosphere as implied by the initial scenes." }, { "instruction_full": "Cut to a new, entirely different outdoor location: an urban parking lot on an overcast day. Frame a new character, , in a medium shot, standing by a dark car, looking purposefully off-camera. The background should feature muted tones of other parked cars and a distant, institutional-looking building. The overall lighting should be cold and desaturated, creating a stark contrast to the warmer hospital scenes and introducing an element of mystery and observation.", "think_full": "The `global_prompt.shot_outline` clearly dictates a dramatic shift for : 'jumps outside to a parked car, revealing a new watcher observing them.' This signals a complete break in both setting and characters from the hospital scenes in , , and . Spatially, this is a brand-new environment—an outdoor parking lot with buildings and other cars, entirely disconnected visually from the hospital. There is no spatial continuity with any previous . Character-wise, a new character, , is introduced as a 'watcher,' with no connection to the previous characters. His posture and the new, colder environment establish a completely different narrative thread focused on observation and potential tension, contrasting sharply with the family's celebration.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates a significant shift for : 'jumps outside to a parked car, revealing a new watcher observing them.' This means a completely new setting, distinct from the hospital environments of , , and . The shot should be outdoors, depicting a parking lot or urban exterior. A new character, , should be introduced, standing near a car, conveying a sense of observation or surveillance. The visual tone should be cooler and more detached than the previous shots to mark this narrative departure." }, { "instruction_full": "Maintain the outdoor urban setting from , but adjust the camera to a medium-wide shot showing from standing beside a tall, black metal gate. His posture remains watchful and somewhat solitary, positioned near sparse, leafless bushes and a red hydrant in the foreground, with distant buildings under the same overcast sky. This shot should reinforce his presence in this specific, slightly desolate location.", "think_full": "The `global_prompt.shot_outline` for states, 'shows in a different outdoor spot, near a gate.' This implies direct continuity of both the character and the general environment from . Spatially, the outdoor urban, slightly bleak setting is maintained from , reinforcing the sense of an observed area. The presence of the gate and bushes adds to this specific location. Character continuity is strong, as from returns, continuing his role as an observer. His expression and posture convey sustained watchfulness. The narrative purpose is to solidify his enigmatic presence in this outdoor setting, suggesting a prolonged stakeout or focused attention on this particular spot.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, 'shows in a different outdoor spot, near a gate.' This implies continuity with for both the character and the general outdoor setting. Therefore, I need to show again, in a similar external urban environment, but with a different background element, specifically a gate. He should maintain his observant stance, furthering the sense of a prolonged watch or specific target." }, { "instruction_full": "Shift to a medium close-up of from and , now positioned near a car, looking intently off-camera with a serious, focused expression. The background should be slightly blurred but still recognizable as the outdoor parking lot from and , with other vehicles visible. The cool, desaturated lighting should persist, intensifying the mood of surveillance.", "think_full": "The `global_prompt.shot_outline` for indicates 'close-up of near a car, looking concerned or watchful.' This shot builds directly on the previous appearances of in and . Spatially, the scene remains in the outdoor parking lot established in and , with the car now more prominent, suggesting imminent movement or active surveillance. Character continuity is maintained, as from and is featured again, but now in a tighter frame that emphasizes his focused, almost concerned expression. This closer view is intended to heighten the sense of intrigue and the importance of whatever he is observing, drawing the audience into his point of view and his serious demeanor.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, requires a 'close-up of near a car, looking concerned or watchful.' This means a tighter shot on the same character from and , emphasizing his expression. The setting should still be the outdoor parking lot, with a car nearby, connecting visually to where he was also next to a car. The close-up should convey his intense focus and the gravity of his observation." }, { "instruction_full": "Widen the shot slightly to a medium-wide angle, framing from , , and standing next to a dark sedan (presumably the one from ). He maintains a composed, watchful posture. The background should feature the same large, institutional building from the far distance of and , with metal fencing in the midground, keeping the overall cool, muted aesthetic. This provides a fuller context of his vehicle and surroundings.", "think_full": "The `global_prompt.shot_outline` for mentions ' stands next to a car, looking observant.' This indicates a continuation of the surveillance theme and the character from , , and . Spatially, the outdoor urban setting from , , and is clearly maintained, featuring the same type of building and fencing. The car from is now shown in a wider context. Character continuity is strong, as (from , , ) remains the central figure, still embodying a watchful presence. The purpose of this shot is to re-establish the man with his vehicle and location, offering a slightly broader perspective after the tighter close-up in , reinforcing his sustained observation in this environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states, ' stands next to a car, looking observant.' This implies a continuation of the setting and character from , , and . I need to show once again, this time standing next to the dark car, providing a more complete view of him and his vehicle in the established outdoor urban environment. He should continue to appear watchful, consolidating his role in this sequence." }, { "instruction_full": "Shift to an interior close-up, now placing from , , , and in the driver's seat of the car from . Frame his face from the passenger side, looking out intently through the side window. The car interior should reflect natural, muted lighting, consistent with the overcast exterior, creating an enclosed and focused atmosphere. His expression should be deeply concentrated, almost worried, to convey heightened tension.", "think_full": "The `global_prompt.shot_outline` for specifies 'Interior shot of a car, focusing on as the driver, looking intently.' This marks a significant shift to an internal perspective while maintaining character continuity. Spatially, the scene transitions from the exterior of the car in to its interior, with the exterior light filtering through the window, consistent with the overcast atmosphere established in , , , and . Character continuity is maintained, as (from , , , ) is now positioned as the driver, his intense gaze drawing the viewer into his perspective. The narrative intent is to intensify the sense of surveillance and internal thought, providing an intimate look at his focused state from within his operational base (the car).", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states, 'Interior shot of a car, focusing on as the driver, looking intently.' This requires moving the camera inside the car seen in and focusing on from previous shots, now in the driver's seat. He should be looking out the window with a concentrated expression, conveying his ongoing surveillance and internal state within the enclosed car environment." }, { "instruction_full": "Execute a close-up shot from inside the car, matching the tight framing and muted lighting of , but now focusing on a new character: . He should be looking forward or slightly off-camera, with a serious and observant expression. The interior details of the car from should be subtly visible, maintaining spatial continuity.", "think_full": "The `global_prompt.shot_outline` for explicitly states, 'close-up of , revealing a new watcher.' This indicates the introduction of a new character within the car setting established in . Spatially, the scene remains within the car interior from , maintaining the consistent internal lighting and visible elements like the car seat and window frame. Character-wise, a brand-new character, , is introduced, implying a collaborative aspect to the surveillance initiated by in earlier shots. This shot's narrative purpose is to broaden the scope of the observational plotline, suggesting that there's more than one person involved in the monitoring, thereby increasing the sense of organization and potential threat.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies 'close-up of , revealing a new watcher.' This means I need to introduce a new character within the car setting established in . The shot should be a close-up of , maintaining the internal car environment and muted lighting. His expression should reflect observation, similar to , indicating a shared purpose in the surveillance." }, { "instruction_full": "Return to a close-up of from , in the driver's seat of the car from and . Frame him similarly to , but with his expression now appearing thoughtful, perhaps slightly concerned or contemplative. The car interior should remain consistent with the prior two shots, underscoring the sustained focus within this confined space.", "think_full": "The `global_prompt.shot_outline` for indicates 'close-up of (driver) in the car, looking thoughtful/concerned.' This necessitates a return to the primary observer after the introduction of his associate in . Spatially, the shot maintains the consistent car interior from and , reinforcing the enclosed, focused environment. Character continuity is paramount; (from , , , , ) is again the focus, his expression evolving from intense observation to a more contemplative or concerned state. This final shot in the surveillance sequence aims to underscore his central role, reflecting on the situation or processing the observations, and leaving the audience with a sense of his deeper engagement or worry.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates 'close-up of (driver) in the car, looking thoughtful/concerned.' After introducing in , the narrative needs to return to from to conclude this sequence. The shot should be a close-up of his face in the driver's seat, within the same car interior, conveying a thoughtful or concerned expression to emphasize his internal processing of the surveillance activities." } ], "_src_movie_dir": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv", "_src_filename": "057188_058303.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/057188_058303.json", "_test_index": 7 }, { "movie": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv", "N": 10, "sample_id": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/32883.jpg-Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/34082.jpg", "images": [ { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/32883.jpg", "filename": "32883.jpg", "aesthetic": 6.401066780090332, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33051.jpg", "filename": "33051.jpg", "aesthetic": 5.716240406036377, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33315.jpg", "filename": "33315.jpg", "aesthetic": 5.757284641265869, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33387.jpg", "filename": "33387.jpg", "aesthetic": 5.435535430908203, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33653.jpg", "filename": "33653.jpg", "aesthetic": 6.619719982147217, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33701.jpg", "filename": "33701.jpg", "aesthetic": 6.429366111755371, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33779.jpg", "filename": "33779.jpg", "aesthetic": 5.848315715789795, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/33872.jpg", "filename": "33872.jpg", "aesthetic": 4.3626909255981445, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/34034.jpg", "filename": "34034.jpg", "aesthetic": 6.341025352478027, "musiq": 0.0 }, { "tag": "", "rel_path": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/34082.jpg", "filename": "34082.jpg", "aesthetic": 6.058917045593262, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A high-stakes financial crisis unfolds in a dimly lit, modern trading office late at night. The atmosphere is tense and urgent, with characters scrambling to understand and react to rapidly changing market conditions. The pacing is quick, reflecting the critical nature of the events.", "characters": [ "", "", "" ], "shot_outline": " shows and at their workstations, highlighting their focus amidst the unfolding crisis. cuts back to a close-up of on the phone, revealing his intense concentration and the weight of his decisions. returns to a slightly wider view of and , emphasizing the data on their screens and their collaborative but stressed state. shows addressing someone off-screen, maintaining a tense expression. shifts focus to and reacting to the conversation with , showing their concern and involvement. returns to still addressing the unseen person, reinforcing his central role in the discussion. zooms in on a detail: a hand writing notes, signifying the urgency of documentation or analysis in the crisis. brings and back into a tighter shot, reacting to further information, intensifying their shared stress. focuses again on , showing him making a decisive action or gesture, concluding the sequence with his lead." }, "instruction_full": "Shift to a medium shot, framing two younger characters at their workstations. should be on the left, looking up from his monitors with a slightly concerned or overwhelmed expression. on the right should be standing, focused on his screens or an unseen person, appearing more engaged. The shot should maintain the dark, neon-lit office environment from , with multiple glowing computer monitors displaying financial data, to emphasize the setting of intense financial activity. The user intent is to introduce these key support characters and establish their immediate involvement in the crisis.", "think_full": "The visual continuity from dictates we remain in the same modern, dimly lit office space with glowing monitors, establishing a consistent setting for the unfolding crisis. introduced moving with urgency, so needs to introduce other key players actively engaged. By framing and at their desks, we highlight their immersion in the data and the immediate impact of the events. 's slightly overwhelmed expression contrasts with 's more focused stance, showing different reactions to the high-pressure situation. This shot transitions from 's initial urgency to the operational level of the crisis.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt and shot outline indicate that should introduce other characters involved in the crisis. The shot outline explicitly mentions \"\" and \"\". Given established the dark office with glowing screens, it's logical to continue this environment. Therefore, the next shot should be a medium shot of and at their workstations, surrounded by financial monitors, to establish their presence and involvement in the tense, late-night financial setting from . Their expressions should convey focus and the pressure of the situation. This fulfills the shot outline's purpose for to show them at their workstations, highlighting their focus." }, { "instruction_full": "Return to with a tight close-up shot, capturing him from the chest up. He should be holding a phone to his ear, his expression serious and concentrated, showing the weight of a critical conversation. The background should be dark and indistinct, focusing all attention on his face and the phone call, in the same overall dim, blue-tinged office environment established in and . The user intent is to emphasize his individual responsibility and the intensity of his communication amidst the crisis.", "think_full": "After introducing the analysts in , it's important to cut back to (introduced in ) to show his leadership and the critical decisions he's making. A close-up provides intimacy and intensity, focusing on his stressed expression during a phone call, which implies high-stakes communication. The dark, indistinct background maintains the consistent office environment from and but blurs it to highlight his personal burden. This shot fulfills the \"close-up of \" part of the shot outline.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a \"cold close-up of asserting control.\" Having introduced and in , the narrative naturally returns to (seen in ). A close-up on him taking a phone call would convey control and the gravity of the situation, maintaining the dark office aesthetic established in previous shots. This shot emphasizes his central role in the unfolding crisis." }, { "instruction_full": "Widen the shot again to return to and at their workstations, similar to the setup in , but perhaps from a slightly different angle or distance that shows more of the glowing monitors. should be seated, looking at his screens, while stands beside him, both immersed in their data. The dark office environment with city lights visible outside the windows and abundant computer screens from and should be prominent. The user intent is to re-establish the scene of collective data analysis and emphasize the overwhelming nature of the financial information.", "think_full": "Following the intense focus on in , it's narratively effective to return to the analysts (last seen in ) to show the broader impact and ongoing work. A slightly wider shot than that reveals more of the data on their screens enhances the sense of information overload and the complexity of the situation. This shot maintains the established dark, monitor-filled office environment from and , reinforcing the setting of the financial crisis. This directly aligns with the shot outline's purpose for to return to them and emphasize data.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it \"returns to a slightly wider view of and , emphasizing the data on their screens\". After the close-up on in , going back to the analysts (seen in ) provides a sense of the ongoing, collective work. A wider shot will allow more of the glowing screens and the expansive, dark office environment (seen in and ) to be visible, stressing the volume of information they are processing. This shot effectively shows them working amidst the crisis." }, { "instruction_full": "Cut back to , shown in a medium close-up, facing slightly off-camera as if speaking to someone. His expression should be serious and engaged in a discussion, perhaps with a slight upward gaze suggesting a moment of critical thought or explanation. The background should be dark and subtly lit by ambient blue light, continuing the tense, late-night office mood established in and seen consistently through , , and . The user intent is to show 's direct engagement in a critical dialogue, leading the response to the crisis.", "think_full": "After showing the analysts absorbed in data in , the narrative shifts back to (last seen in ) to demonstrate his active role in directing the crisis response. A medium close-up allows us to see his focused expression and implied interaction with another unseen character, suggesting important communication is taking place. The consistent dark, blue-tinged office environment from , , , and reinforces the high-stakes, late-night setting. This aligns with the shot outline for to show him addressing someone off-screen.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates \" addressing someone off-screen, maintaining a tense expression.\" Given he was previously seen on the phone in and then the analysts in , it's logical to return to him now in a direct conversation. A medium close-up allows for clear focus on his expression, conveying the tension. The setting remains the dark, monitor-lit office as established from through . This shot moves the narrative forward by showing his direct involvement in the crisis discussions." }, { "instruction_full": "Transition to a medium close-up shot that focuses on and as they react to 's (off-screen) dialogue. should be prominent in the foreground, looking intently towards the left, conveying serious concern. stands slightly behind and to the right of , also looking in the same direction, showing a more subtle but equally attentive reaction. The background maintains the dark, monitor-filled office environment from , , with ambient blue light, indicating the continuity of the intense situation. The user intent is to show the immediate impact of 's words on the team and their shared concern.", "think_full": "Following 's address in , it's crucial to show the reaction of the team, specifically and (both seen in and ). A medium close-up on them allows us to capture their expressions of concern and attentiveness as they listen to the off-screen conversation. This establishes a clear cause-and-effect relationship in the scene. The consistent dark office with glowing screens from previous shots (, , ) maintains the established atmosphere of a late-night financial crisis. This directly fulfills the `shot_outline` for , showing them reacting to the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for describes \"shifts focus to and reacting to the conversation with \". Since was addressing someone off-screen in , it's natural to show the reaction of the other characters, and (who were last seen working in ). A medium close-up on them, looking towards the space where would be, would effectively capture their concerned reactions. The dark, tech-filled office environment (consistent since ) would continue to provide the backdrop for this tense interaction." }, { "instruction_full": "Cut back to in a medium close-up, maintaining a similar framing and serious expression as seen in , as he continues to address the unseen person. His tie remains slightly loose, adding to the sense of urgency. The dark, blue-lit office background, consistent with , , and , should remain, emphasizing the late hour and high stakes. The user intent is to reinforce 's commanding presence and the critical nature of his communication, driving the central conflict.", "think_full": "After showing the analysts' reactions in , the scene requires a return to (last seen in ) to maintain the rhythm of the conversation and underscore his leadership. Keeping a similar medium close-up and his serious expression reinforces his central role and the continued intensity of the dialogue. The disheveled tie, first noted in and present in and , subtly indicates the prolonged and intense nature of the crisis. The consistent dark office environment with ambient blue light from and subsequent shots (, ) maintains the tense atmosphere. This directly supports the shot outline for which highlights his continued address.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it \"returns to still addressing the unseen person, reinforcing his central role\". After showing the analysts' reactions in , it is natural to cut back to (last seen in ) to continue the flow of the conversation. A medium close-up, similar to , focusing on his expression while speaking, would emphasize his central role and the ongoing tense discussion. The setting remains the dark office, maintaining visual consistency with all previous shots, particularly , , ." }, { "instruction_full": "Shift to a tight close-up on a hand, presumably 's, holding a pen and writing notes on a document or pad. A desk phone should be partially visible in the foreground or background, suggesting the ongoing communication. The lighting should be low-key, with a strong highlight on the hand and the paper, emanating from a desk lamp, contrasting with the general ambient blue light of the office seen in through . The user intent is to convey the meticulous and urgent nature of documentation or decision-making during the crisis, adding a moment of focused detail.", "think_full": "Following the intense verbal exchange with in , a cut to a close-up of a hand writing notes introduces a moment of detail and the urgency of recording information or making calculations. This shot provides a slight change of pace and focal point, implying the tangible work being done amidst the high-level discussions. While the overall office ambiance from remains (dim light), a focused, brighter light on the desk for writing creates a localized sense of intense activity. This aligns with the shot outline for to zoom in on a detail and signify urgency.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates \"zooms in on a detail: a hand writing notes, signifying the urgency of documentation\". After the back-and-forth dialogue shots, a cut to a close-up on a hand performing a specific action, like writing, provides a momentary visual shift while reinforcing the high stakes. This would imply urgent calculations or documentation within the continuous dark, high-pressure office environment that has been consistent since . The focus on a desk area with a phone implies the continuity of the communication and decision-making process." }, { "instruction_full": "Return to a medium close-up of and , similar to , but perhaps even tighter to show their worried expressions more clearly as they react to new information. should be in the foreground, looking directly ahead with an expression of intense concern or surprise, while stands slightly behind, also looking ahead with a similar, perhaps more subdued, anxious look. The dark office environment with blurred monitors and ambient blue light, consistent from through , should be in the background. The user intent is to escalate the sense of crisis by showing the analysts' heightened emotional response to recent developments.", "think_full": "After the detail shot of writing in , it's important to return to the core characters to show the ongoing impact of the crisis. Reintroducing and (last seen together in ) in a tight medium close-up allows for a direct capture of their intensified emotional state, indicating new information or a worsening situation. Their expressions of concern or surprise escalate the narrative tension. The background remains the consistent dark, monitor-lit office from through , maintaining the urgent atmosphere. This aligns with the `shot_outline` for to bring them back into a tighter shot, reacting to further information.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it \"brings and back into a tighter shot, reacting to further information, intensifying their shared stress\". After the close-up on the writing in , returning to the analysts (last seen together in ) to show their heightened reaction is a logical narrative progression. A tighter medium close-up than before would emphasize their increased worry or stress. The dark, glowing-screen office environment (consistent since ) provides the continuous backdrop for this intensified emotional moment." }, { "instruction_full": "Cut back to a medium close-up of , similar to his previous framings in and , but now he should be making a decisive gesture, perhaps reaching into his jacket or making a final, impactful statement, indicating a critical decision or action. His expression should be resolute, yet still conveying the immense pressure. The dark, ambient blue-lit office background, with blurred computer monitors, consistent throughout the sequence from , provides the familiar high-stakes environment. The user intent is to provide a sense of conclusion or a pivotal turning point to the sequence, led by 's action.", "think_full": "After showing the heightened stress of the analysts in , the narrative must return to (last seen in ) for a strong concluding action or statement for this sequence. A medium close-up, consistent with his earlier shots (, ), provides continuity while allowing his decisive gesture and resolute expression to be clearly seen. This frames him as the central figure making a critical move. The dark, tech-filled office environment from and all subsequent shots maintains the consistent backdrop of the financial crisis. This effectively fulfills the `shot_outline` for to focus on him making a decisive action, concluding the sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates \"focuses again on , showing him making a decisive action or gesture, concluding the sequence\". After the analysts' worried reactions in , the narrative tension needs to resolve or reach a turning point, and (last prominently seen in ) is the natural character to drive this. A medium close-up, similar to his earlier shots, would capture a decisive action or expression from him, bringing a sense of culmination. The dark office setting with computer monitors, consistent since , continues to reinforce the high-stakes environment." } ], "_src_movie_dir": "Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv", "_src_filename": "032883_034082.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Margin.Call.2011.BluRay.1080p.DTS.x264-CHD-1.mkv/032883_034082.json", "_test_index": 8 }, { "movie": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90471.jpg-Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91328.jpg", "images": [ { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90471.jpg", "filename": "90471.jpg", "aesthetic": 5.444240570068359, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90515.jpg", "filename": "90515.jpg", "aesthetic": 5.751763343811035, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90566.jpg", "filename": "90566.jpg", "aesthetic": 5.174359321594238, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90734.jpg", "filename": "90734.jpg", "aesthetic": 5.426166534423828, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90809.jpg", "filename": "90809.jpg", "aesthetic": 4.8889570236206055, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90929.jpg", "filename": "90929.jpg", "aesthetic": 5.191903591156006, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/90992.jpg", "filename": "90992.jpg", "aesthetic": 5.292635440826416, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91091.jpg", "filename": "91091.jpg", "aesthetic": 5.352663040161133, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91109.jpg", "filename": "91109.jpg", "aesthetic": 5.097105026245117, "musiq": 0.0 }, { "tag": "", "rel_path": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/91328.jpg", "filename": "91328.jpg", "aesthetic": 6.551870346069336, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense but humorous interaction unfolds between an unlikely trio, confined by a grid-like barrier. One character is tasked with retrieving something from inside the enclosure, while the others observe and direct from the outside. The tone is adventurous, with elements of mischief and teamwork.", "characters": [ "", "", "" ], "shot_outline": " continues the interaction through the grid, showing a more direct view of and . focuses closely on engaged in its task. captures a reaction shot of . gives an overhead view of handling an unexpected item. returns to a wider shot of and observing the situation. provides a close-up on 's expression. reveals the specific object has retrieved. shows all three characters re-engaging around the retrieved object. concludes with a focused interaction between and , with having completed its role." }, "instruction_full": "Shift the camera to a medium shot, slightly pulling back and lowering the angle compared to , to directly face the cage. Frame prominently on the left, looking into the cage, while is partially visible on the right. In the foreground, inside the cage, is now more clearly visible, standing upright, holding a white blanket or cloth, to emphasize its active role in the situation.", "think_full": "From , we see and observing through a metallic grid. The previous shot () was a medium shot from a slightly high angle, looking down. For , the camera should lower to be more at eye level with and pull back slightly, offering a clearer view of the interaction. and (both seen in ) are still present, positioned outside the cage. is now more central, showing his engagement. , also seen in , is now in the foreground, standing and holding an item, indicating it's actively performing a task. This shift in perspective and framing, compared to , aims to bring the audience closer to the dynamics of the situation and highlight 's actions, as outlined in the global prompt's story setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. Based on the `global_prompt.story_setup`, an interaction through a grid is central, with one character doing a task. `global_prompt.shot_outline` indicates will continue this interaction with a direct view of and . Visually, established and outside a cage, observing inside. Therefore, for , the camera should maintain the same environment but adjust framing to bring and into more direct focus, probably at a slightly lower and wider angle than . should be shown more actively, perhaps holding the blanket it was seen with in , to visually advance its task. This shot will establish the full scope of the ongoing interaction." }, { "instruction_full": "Cut to a tighter medium close-up, now from inside the cage, focused solely on . The camera should be positioned low, looking up slightly at as it stands centrally, holding the white cloth from draped around a small, red figure. The metallic grated floor, visible in , should serve as the background, emphasizing its confinement. This shot is to highlight 's focused effort and the object it's working with.", "think_full": "Following the broader interaction shot of which showed and observing , the next logical step is to isolate and focus on the character performing the task. `global_prompt.shot_outline` states will focus closely on engaged in its task. The camera should move inside the cage from the perspective of and to create a close-up on itself. , seen in and holding a white cloth, should now be central, revealing more detail about what it's doing with the cloth, specifically with a smaller red figure. The metallic grated floor from and remains the environment, reinforcing the confined setting. This tight framing serves to emphasize its concentrated effort and the specific item it's handling, building curiosity about the task.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for specifies a close-up on and its task. and established inside a cage on a grated floor. showed it holding a white cloth. Therefore, for , the camera should move for a tight shot on from inside the cage, maintaining the grated floor as the setting. It should clearly show actively engaged with the white cloth, possibly manipulating something hidden beneath it, to highlight its focused task. This will create visual interest in its progress." }, { "instruction_full": "Return to a medium close-up from outside the cage, similar in framing to how was partially seen in or in . This shot should focus on 's face, seen through the diamond-patterned grid from and , to capture his expression. He should appear attentive, perhaps with a hint of concern or anticipation, reacting to the actions of from .", "think_full": "After focusing on 's task in , the narrative requires a reaction from the observers. `global_prompt.shot_outline` for indicates a reaction shot of . The camera should pull back from the interior perspective of to outside the cage, similar to the general setup in and . A close-up on 's face, visually connected by the diamond-patterned grid from and , will allow us to see his immediate response to what was doing in . This emphasizes the tension and the importance of 's actions to him, reflecting his stake in the outcome as established in the story setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for specifies a reaction shot of . just showed in action. Therefore, for , the camera should shift back to the outside of the cage, established in and , and frame in a close-up through the cage bars. His expression should reflect his engagement and reaction to 's task, building on the story's suspense and character interactions." }, { "instruction_full": "Shift to an overhead medium shot, looking directly down into the cage, from a higher angle than . This shot reveals on the metallic grated floor from and , now seemingly 'riding' or interacting with a pink, fleshy, alien-like creature, which is partly exposed from beneath the white cloth seen in and . The creature appears to be somewhat restrained or secured. The intent is to reveal the full scope of 's task and the unexpected item it's handling.", "think_full": "Following the reaction of in , the audience needs to understand what exactly is doing. `global_prompt.shot_outline` for indicates an overhead view of with an object. This requires a significant camera change: moving from the eye-level or slightly elevated views of previous shots (, , ) to a direct overhead perspective inside the cage, similar to the environment of and the floor of . , seen in , , and , should be the central figure, now clearly interacting with a new, alien creature that was hinted at by the white cloth in . The metallic grated floor from and continues as the setting. This new angle and visual reveal are crucial to advance the plot, explaining the context of 's mission and revealing the 'unexpected item' it's handling.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for describes an overhead view of with an object. We've seen inside the cage on a grated floor in and , and it was handling a white cloth in and . For , the camera must adopt an overhead view, looking down into the cage, showing with whatever was under the cloth. This needs to be a clear reveal of the creature or object it's working on, directly advancing the understanding of its task in the confined space." }, { "instruction_full": "Return to a medium wide shot from outside the cage, re-establishing the view of and from and . They are looking down intently through the diamond grid from , , and towards and the creature below. is on the left, and is on the right, both observing. The bottom of the frame should hint at the creature and 's activity from , without full clarity. The purpose is to show the adults' continued, focused observation of 's work.", "think_full": "After the reveal of the creature in , the narrative naturally calls for a return to the reactions of and . `global_prompt.shot_outline` for describes and observing the situation. This shot should revert to the external perspective established in , , and , maintaining the same cage structure. and (both characters introduced in and seen subsequently) should be visible through the grid, looking downwards, directly referencing the action seen in . This framing re-establishes their supervisory role and reinforces the ongoing nature of the task, creating a sense of shared anticipation.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for indicates a return to and observing the situation. just showed with the creature. Therefore, for , the camera should go back to the outside of the cage, similar to and , and frame both and looking down through the bars, reacting to the new information from . This shot will reinforce their role as observers and the progress of 's task." }, { "instruction_full": "Cut to a tight close-up on 's face, viewed through the diamond-patterned cage grid, similar in style to the close-up of in . should have a serious, perhaps slightly tense or calculating expression, reflecting its thoughts on 's progress and the revealed creature from . The environment remains the dark, industrial space outside the cage seen in , , , and .", "think_full": "Following the general observation shot of , the narrative requires a more individual reaction, specifically from . `global_prompt.shot_outline` for calls for a close-up on . Drawing on the close-up style from (focused on ), this shot will isolate (who was present in , , ) to capture its specific emotional or intellectual response to the situation, particularly in light of the creature revealed in . The diamond grid from earlier shots continues to frame the subject, maintaining spatial continuity within the established environment from , , , and . This intensifies the character's internal state for the viewer.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for specifies a close-up on . We've seen observing in , , and . Therefore, for , the camera should capture a tight close-up of 's face through the cage bars, similar to 's framing of . Its expression should convey its reaction or thoughts about the ongoing task, adding an individual perspective to the sequence." }, { "instruction_full": "Shift back to an overhead close-up shot, similar in angle and perspective to but tighter, focused on inside the cage. should be standing, holding up a distinct mechanical object, specifically an eye, in its tiny hands. The metallic grated floor from , , and is visible as the background. This shot is meant to clearly reveal the 'retrieved item' that was the core objective of 's task.", "think_full": "After individual reactions from the observers in and , it's time to show the completion of 's task. `global_prompt.shot_outline` for indicates showing a specific object. The camera should return to an overhead perspective, similar to , but closer to clearly present the retrieved object. , a consistent presence in earlier shots (, , , ), now proudly displays a specific item, the mechanical eye. The metallic grated floor, seen in , , and , continues to be the setting. This shot is the payoff for the preceding build-up, clearly revealing the objective the characters have been working towards, advancing the main plot point of the current sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for says shows a specific object. We've seen performing its task inside the cage on a grated floor (, , ). Therefore, for , the camera should be an overhead close-up on , similar to , but specifically showing it holding up the completed or retrieved item – the 'eye'. This is the critical reveal of the objective and demonstrates the success of its mission." }, { "instruction_full": "Revert to a medium wide shot from outside the cage, similar to and , showing all three characters interacting. is on the left, smiling or looking satisfied, and is on the right, also reacting positively, both seen through the diamond grid from . , in the foreground inside the cage, is presenting the mechanical eye from to them. The intent is to show the successful completion of the task and the characters' collective relief or approval.", "think_full": "With the object revealed in , the scene needs to show the combined reaction and culmination of the task. `global_prompt.shot_outline` for describes all three characters interacting around the object. The camera should return to the medium wide shot from outside the cage, similar to the established framing in , , and , where both and (present throughout) are visible through the grid. (also a continuous character) is now clearly presenting the mechanical eye from to them. The environment, including the cage and the dark industrial background, remains consistent with previous external shots. This shot serves to bring all characters together in a moment of shared accomplishment, validating 's effort and advancing the overall narrative of the team's objective.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for indicates all three characters interacting around the object. just showed holding the eye. Therefore, for , the camera should return to a wider shot, similar to and , showing and outside the cage, reacting to inside, which is now presenting the retrieved eye. This shot will consolidate the success of the mission and the collective response." }, { "instruction_full": "Shift the camera to a medium shot from inside the cage, looking outwards, framing and . should be in the left foreground, looking towards on the right. is visible deeper in the background inside the cage, now less central. The metallic grated floor from , , , and is still present, emphasizing the interior. This shot highlights the direct interaction between and now that the task is complete, potentially implying a transaction or final discussion.", "think_full": "Following the successful presentation of the item and the collective reaction in , the narrative implies a shift to the next phase, likely negotiation or discussion between the primary adult characters. `global_prompt.shot_outline` for indicates a focused interaction between and . The camera must change significantly, moving from outside the cage to inside, adopting the perspective of (who has been inside throughout , , , , , , ). This new vantage point puts (seen in , , , , ) and (seen in , , , , ) in direct conversation, possibly about the retrieved eye. remains in the background, signaling its task is completed. The metallic grated floor, a consistent element inside the cage from , , , , and , grounds the shot. This shift in perspective visually emphasizes the direct engagement between the two key characters and the conclusion of the immediate objective, setting up further plot development.", "instruction_minimal": "generate the next shot", "think_minimal": "The user wants the next shot. `global_prompt.shot_outline` for states a focused interaction between and , with completing its role. We've seen the task completed and reactions in . Therefore, for , the camera should transition to an inside-the-cage perspective, looking out, focusing on and now interacting more directly. will be visible but less prominent in the background, confirming its part is done. This change in perspective will emphasize the new phase of the narrative, focusing on the main characters' next steps with the retrieved item." } ], "_src_movie_dir": "Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "090471_091328.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Guardians.Of.The.Galaxy.Vol.2.2017.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/090471_091328.json", "_test_index": 9 }, { "movie": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/45830.jpg-Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46214.jpg", "images": [ { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/45830.jpg", "filename": "45830.jpg", "aesthetic": 5.550361633300781, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/45989.jpg", "filename": "45989.jpg", "aesthetic": 6.3086838722229, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46019.jpg", "filename": "46019.jpg", "aesthetic": 4.581262588500977, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46034.jpg", "filename": "46034.jpg", "aesthetic": 4.886115074157715, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46070.jpg", "filename": "46070.jpg", "aesthetic": 4.139623641967773, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46100.jpg", "filename": "46100.jpg", "aesthetic": 5.026566505432129, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46109.jpg", "filename": "46109.jpg", "aesthetic": 4.1684651374816895, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46136.jpg", "filename": "46136.jpg", "aesthetic": 4.25761079788208, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46193.jpg", "filename": "46193.jpg", "aesthetic": 5.086921215057373, "musiq": 0.0 }, { "tag": "", "rel_path": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/46214.jpg", "filename": "46214.jpg", "aesthetic": 4.911017894744873, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A suspenseful, urgent narrative about a woman who seems to be on the run or under surveillance in an urban environment. The tone is tense, implying pursuit and observation. The pacing is dynamic, capturing moments of movement and static observation.", "characters": [ "", "", "" ], "shot_outline": " focuses on 's face, emphasizing her urgency and the continuation of her movement. introduces an external observer, , on the street, hinting at surveillance. reveals , another key observer, from inside his vehicle, connecting him to the unfolding events. returns to running, framed distantly through a car window, reinforcing the surveillance. maintains the perspective of , showing his continued, focused observation. establishes the black SUV as a significant element, parked on the street, suggesting its role in the surveillance. once again shows in motion, viewed from inside a vehicle, reiterating the pursuit and her vulnerability. provides a tight close-up of , highlighting his intense focus or a crucial moment of realization. captures still running, with a wider view of the urban setting and surrounding traffic, building the suspense of her flight." }, "instruction_full": "Shift the camera from the dynamic medium shot on the escalator from to a closer, more stable medium-close shot. Frame centrally, now walking on level ground, her expression showing determination and urgency as she looks directly ahead. The shot should continue to depict the muted, urban exterior environment seen in , with the large, structured building in the background, to convey her continued movement through the same, somewhat indifferent city landscape, aiming to reveal her emotional state more clearly as she navigates the city.", "think_full": "The narrative requires a closer look at after her initial burst of movement on the escalator in . By moving to a medium-close shot and stabilizing the framing, we can focus on her face and upper body, revealing her determined expression and slight breathlessness, which was less discernible in the more active . The character, , reappears from in the same attire (beanie, coat, backpack). The setting remains the same generic urban exterior established in , maintaining continuity of place. This transition emphasizes her individual struggle and the immediate physical toll of her flight, contrasting with the environmental emphasis of .", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, combined with the global_prompt's story setup of an urgent chase and the shot_outline's intent for to 'focuses on 's face, emphasizing her urgency and the continuation of her movement', the most logical next shot would be a closer view of . shows her moving quickly up an escalator. Therefore, should maintain the same character, , and the general urban environment, but frame her more closely to convey her emotional state and physical exertion as she continues her urgent journey. The camera should likely be more stable, allowing a clearer view of her face. The environment should be the continuation of the public, somewhat grey urban setting seen in ." }, { "instruction_full": "From the previous shot of in , cut to a medium-long shot that introduces a new character, , walking deliberately from right to left in the foreground. He should be dressed in a dark trench coat, hands in pockets, appearing watchful but not overtly aggressive. In the midground, a dark SUV, similar in style to a Chevrolet Suburban, is parked on the street, subtly hinting at its connection to the unfolding events. The setting is still the same general urban exterior, but slightly shifted to show a broader street view with buildings and bare trees in the background, consistent with the environment established in and . This shot aims to introduce an element of surveillance and an ominous presence without direct confrontation.", "think_full": "The narrative requires the introduction of external elements indicating surveillance, as per the global_prompt's story setup and shot_outline for : 'introduces an external observer, , on the street, hinting at surveillance.' This shot moves the focus away from () to establish an antagonistic presence. The character, , is newly introduced. The environment remains the same urban setting seen in and , with similar dull lighting and bare trees, creating a continuous, somewhat bleak atmosphere. The inclusion of the dark SUV in the background is a subtle foreshadowing of its role, linking it to potential pursuit, and providing a visual counterpoint to 's movement.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt suggests a suspenseful chase/surveillance. and show in urgent motion. The shot_outline for explicitly states: 'introduces an external observer, , on the street, hinting at surveillance.' This indicates a shift in perspective. Therefore, the next shot should introduce a new character who appears to be an observer, possibly a pursuer, maintaining the urban outdoor setting. A medium-long shot would be appropriate to show this new character in his environment, perhaps walking, with a dark vehicle in the background to hint at the mechanics of the surveillance. This breaks the pattern of focusing solely on and establishes the 'other side' of the chase." }, { "instruction_full": "Transition from the street-level observation of to an interior perspective, placing the camera inside a vehicle, looking out. Frame a new character, , in a medium-close shot, seated in the passenger seat, looking intently out the window towards the right. He should be formally dressed in a suit and tie, conveying a sense of authority or professionalism. The background visible through the car window should be the same urban street environment seen in , featuring other vehicles and buildings, reinforcing the immediate proximity to the ongoing events. This shot aims to introduce another layer of the surveillance, showing an observer who is part of the operation, giving a hint of who is orchestrating the pursuit.", "think_full": "The narrative needs to further develop the surveillance aspect hinted at in . The global_prompt's shot_outline for indicates: 'reveals , another key observer, from inside his vehicle, connecting him to the unfolding events.' Introducing a new character, , inside a car immediately implies a more organized, vehicular form of pursuit. This new character is clearly observing. The environment outside the car window should be consistent with the urban landscape from , , and , to maintain spatial continuity. The formal attire suggests a different level of involvement compared to from . This shift in perspective intensifies the feeling of being watched, as the source of observation becomes more defined and potentially more organized.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, in conjunction with the global_prompt's chase theme and the shot_outline for ('reveals , another key observer, from inside his vehicle, connecting him to the unfolding events'), necessitates a change in perspective. After showing (, ) and an on-foot observer (), the next logical step is to introduce another observer from a different vantage point, specifically inside a vehicle. This character, , should appear focused and professional, looking out at the same urban setting established in previous shots, implying his involvement in the surveillance." }, { "instruction_full": "From the interior car perspective of , cut to a wider shot, still framed from inside a vehicle, looking out across a street. is now visible in the mid-distance, running across a street or plaza area from left to right. The camera should capture her movement as she crosses a wide expanse, with buildings in the background that align with the urban architecture seen in and . The foreground should be partially obscured by an interior car element (like the side of a headrest or a doorframe), maintaining the 'observed from a vehicle' perspective established in . The shot aims to show 's continued desperate flight from a distant, surveillant viewpoint, reinforcing the inescapable nature of the pursuit.", "think_full": "After establishing as an observer in , the narrative requires a return to 's action, but now explicitly from the perspective of her pursuers, as outlined in the global_prompt for : 'Show running from a wider perspective, seen through a car window, reinforcing the surveillance.' This shot reintroduces from and into the visual field, emphasizing her ongoing flight. The car's interior element partially obscuring the view creates the impression of an 'inside the car' perspective, linking it visually to without being directly from 's POV. The urban environment seen in , , and remains consistent, creating a coherent sense of place. The wider shot and distant framing highlight her vulnerability and the vastness of the city she's trying to escape through.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, the global_prompt's story of pursuit, and the shot_outline for which states: 'Show running from a wider perspective, seen through a car window, reinforcing the surveillance,' the next shot should return to but seen from an observing vehicle. just established an observer in a car. Therefore, this shot should show (from , ) running in the familiar urban setting (, , ), with the camera framing her from inside a car (linking to ). This distant view emphasizes the surveillance aspect." }, { "instruction_full": "Cut back to the interior of the vehicle, reusing the camera setup from . Frame in a medium-close shot, his expression still intently focused, looking out the window. His gaze should follow the direction was running in . The background seen through the window should be the same urban street environment, reinforcing the continuity of his observation. This shot aims to emphasize 's role as the primary, calm, and methodical observer, confirming he is tracking 's movements.", "think_full": "After showing 's continued flight from the perspective of a vehicle in , the narrative needs to return to the observer to show his reaction and continuous involvement. The global_prompt's shot_outline for specifies: 'maintains the perspective of , showing his continued, focused observation.' This shot reuses the character from and his established focused demeanor. The camera setup from is also reused, providing a visual rhythm to the surveillance. The urban environment outside the car window remains consistent with previous shots (, , , , ), reinforcing the unified setting. This return to his perspective confirms his active role in the pursuit and builds tension.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, combined with the global_prompt's story of surveillance and the shot_outline for ('maintains the perspective of , showing his continued, focused observation'), points to returning to . Since showed running from a car's perspective, it's logical to cut back to the observer, , established in . The shot should maintain his focused expression and the interior car setting, with the same urban backdrop visible through the window, indicating his continuous tracking of 's movements." }, { "instruction_full": "Shift the camera dramatically from the interior car shot of to an exterior, low-angle medium-wide shot of the black SUV. The vehicle should be parked on the side of a street, facing slightly to the right, prominently displaying its presence. The surroundings should be the familiar, somewhat drab urban landscape with other parked cars and buildings in the background, consistent with the environment established in . This shot aims to concretely establish the SUV as a significant, perhaps official or intimidating, element of the surveillance operation, giving it a physical presence in the urban setting.", "think_full": "After repeatedly hinting at the vehicle's presence in and implying an in-car perspective in , , and , the narrative requires a clear visual establishment of this key asset. The global_prompt's shot_outline for specifies: 'establishes the black SUV as a significant element, parked on the street, suggesting its role in the surveillance.' This shot isolates the black SUV that was partially visible in as a static, powerful presence. The environment remains the consistent urban street from previous shots ( through ), solidifying the sense of place where the events are unfolding. The low angle gives the SUV a slightly imposing or important feel, signaling its direct involvement in the pursuit.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, the global_prompt's story of surveillance, and the shot_outline for ('establishes the black SUV as a significant element, parked on the street, suggesting its role in the surveillance') indicate a need to visually cement the black SUV's role. It was hinted at in and implicitly part of , , and . Therefore, the next shot should be an exterior, clearer view of this black SUV, parked on the street, in the same urban setting seen throughout the sequence. This shot confirms its physical presence and importance to the pursuit." }, { "instruction_full": "Cut back to an interior car perspective, similar to , but perhaps from the driver's seat this time, looking out through the windshield. Frame in the mid-distance, running across a different part of the urban street or public area, moving from right to left. The foreground should again be partially obstructed by car elements like a steering wheel or dashboard, reinforcing the 'observed from a vehicle' motif. The background should feature the same distinct architectural buildings and trees characteristic of the urban environment seen consistently since , under the same muted light. This shot aims to emphasize 's relentless, but observed, flight through the city.", "think_full": "After establishing the SUV in , the narrative needs to return to the active pursuit of . The global_prompt's shot_outline for is: 'once again shows in motion, viewed from inside a vehicle, reiterating the pursuit and her vulnerability.' This shot brings (from , , ) back into the frame, seen from a car, which directly links to the surveillance themes established by in and , and the SUV in . The car interior elements in the foreground consistently remind the viewer of the observation. The urban setting from through is maintained, providing a continuous backdrop for her flight. This shot reinforces the idea that she is constantly being tracked.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, coupled with the global_prompt's story of pursuit and the shot_outline for ('once again shows in motion, viewed from inside a vehicle, reiterating the pursuit and her vulnerability'), necessitates another view of from an observing vehicle. We've established is on the run (, , ) and there's vehicular surveillance (, , ). Therefore, the shot should show running in the familiar urban environment, framed from inside a car, with car interior elements visible, similar to to maintain the feeling of continuous surveillance." }, { "instruction_full": "Cut abruptly back to an intense close-up of , reusing the interior car setting and his position from and . His face should be bathed in a distinct, cold blue light, possibly from a screen or passing emergency lights, intensifying his expression of deep thought or concern. His hand should be partially visible near his mouth, indicating contemplation or stress. The background outside the car window should be blurred, with streaks of light, suggesting movement and reinforcing his focused internal state. This shot aims to dramatically highlight 's emotional or intellectual engagement, suggesting a critical turning point or a complex decision being made.", "think_full": "After seeing again under surveillance in , the narrative demands a return to to convey his intensified involvement or reaction. The global_prompt's shot_outline for is: 'provides a tight close-up of , highlighting his intense focus or a crucial moment of realization.' This shot reuses the character, , from and , but significantly amplifies the focus on his internal state. The camera is much tighter, emphasizing his expression and a subtle gesture with his hand. The introduction of the distinct blue lighting dramatically changes the mood within the car from the more neutral lighting of and , suggesting a new development or heightened stakes. While the environment outside is blurred to emphasize his internal focus, it maintains the impression of vehicular movement through the urban setting from earlier shots (, , , ).", "instruction_minimal": "generate the next shot", "think_minimal": "With the 'generate the next shot' instruction and the global_prompt's shot_outline for ('provides a tight close-up of , highlighting his intense focus or a crucial moment of realization'), the logical progression is to return to (from , ). After repeated views of running (, , , ) and the surveillance setup (, , , , ), the focus should now shift to the observer's internal state. A close-up shot, perhaps with a dramatic lighting change, would effectively convey his heightened intensity or a critical moment of decision, all while maintaining the interior car setting." }, { "instruction_full": "From the intense close-up of in , cut back to a dynamic medium shot of running, similar in framing and urgency to , but now across a busy street or intersection. She should be moving from right to left, her arms pumping, maintaining her determined stride. The background features more distinct urban buildings and visible street traffic, perhaps even a parked dark SUV, reinforcing the constant urban environment and the omnipresent threat. This shot aims to escalate the sense of chase and vulnerability as she navigates a more complex and exposed part of the city, bringing the focus back to her desperate flight.", "think_full": "After the internal, tense moment with in , the narrative needs to return to to re-establish her physical struggle and the ongoing pursuit. The global_prompt's shot_outline for indicates: 'captures still running, with a wider view of the urban setting and surrounding traffic, building the suspense of her flight.' This shot brings (from , , , ) back into focus, showing her continued exertion. The urban environment with buildings, traffic, and potentially a dark SUV in the background, consistently established throughout the sequence ( through ), reinforces the scale and public nature of her flight. The dynamic medium shot similar to but with more background detail provides a sense of relentless movement in a complex, active setting, heightening the stakes after the intimate moment with the observer.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'generate the next shot' instruction, the global_prompt's story of an urgent chase, and the shot_outline for ('captures still running, with a wider view of the urban setting and surrounding traffic, building the suspense of her flight') demand a return to . After the intense close-up of in , the focus should shift back to her physical action. The shot should depict (from , , , ) running in the familiar urban setting, but perhaps with more background detail like traffic, to amplify the sense of urgency and exposure as she continues her escape." } ], "_src_movie_dir": "Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "045830_046214.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Salt.2010.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/045830_046214.json", "_test_index": 10 }, { "movie": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50284.jpg-Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50872.jpg", "images": [ { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50284.jpg", "filename": "50284.jpg", "aesthetic": 4.364902973175049, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50338.jpg", "filename": "50338.jpg", "aesthetic": 5.7618608474731445, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50375.jpg", "filename": "50375.jpg", "aesthetic": 5.807743072509766, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50403.jpg", "filename": "50403.jpg", "aesthetic": 5.753444194793701, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50478.jpg", "filename": "50478.jpg", "aesthetic": 5.507495403289795, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50522.jpg", "filename": "50522.jpg", "aesthetic": 6.08740758895874, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50572.jpg", "filename": "50572.jpg", "aesthetic": 5.3618059158325195, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50675.jpg", "filename": "50675.jpg", "aesthetic": 5.700674533843994, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50825.jpg", "filename": "50825.jpg", "aesthetic": 5.937750339508057, "musiq": 0.0 }, { "tag": "", "rel_path": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/50872.jpg", "filename": "50872.jpg", "aesthetic": 5.406210422515869, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A family is on a long, sometimes arduous, road trip in a vintage yellow van. The narrative explores the individual moods and interconnected dynamics of the family members as they travel, shifting between moments of tension, playful interaction, and quiet introspection, all within the confines of their moving vehicle and the vast landscape outside.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " will introduce interacting with , showing a playful moment. will focus on 's reaction, emphasizing her youthful perspective while subtly introducing . will return to and , continuing their warm interaction. will shift to and , showing their subdued presence in the van. will re-center on 's expressive face, continuing the interaction with . will show 's introspective state, contrasting with the playful interaction. will be an exterior shot of the van on the highway, setting the scene geographically with an overhead road sign. will be another exterior shot, further establishing the van's journey on the open road. will focus on , showing her deep in thought back inside the van." }, "instruction_full": "Shift the camera to a mid-shot, slightly from behind and to the left of a new character, , looking towards another new character, , who is expressive and engaging with her. Introduce , a bald man with a beard and a black vest over a white t-shirt, sticking his tongue out playfully. Also introduce , a young girl with a red headband and glasses, seen from behind as she looks at him. Continue inside the same moving van from , maintaining the bright, road-trip lighting. This is to introduce new family members and shift the tone to something more playful and engaging, showing internal dynamics within the vehicle.", "think_full": "We remain inside the van, as established in , to maintain continuity of the road trip setting. The light quality from outside the windows also indicates this ongoing journey. showed and looking weary; this shot introduces two new characters, and . The grandfather's playful expression creates a contrast to the previous shot's mood, suggesting different dynamics within the family. is seen from behind to focus on her interaction with . The sudden playful interaction breaks the previous somber mood, suggesting that despite any underlying tension or fatigue (from ), there are moments of lightheartedness and connection within the family on this journey. It expands the visual scope of the van's occupants.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates an introduction of and in a playful interaction. Therefore, the camera should frame these two new characters inside the van. should be shown engaging playfully with , who is positioned to receive his attention. The setting must remain the interior of the van, consistent with the story setup of a road trip. The narrative purpose is to introduce these new characters and inject a contrasting, lighter mood into the family dynamics after the more somber tone of ." }, { "instruction_full": "Cut to a medium close-up, now focusing on from , positioned slightly off-center and looking forward, with visible in the background driving the van. Focus on , wearing her red headband and glasses, with a slightly open mouth, as if in mid-sentence or reacting. Introduce , a new character, from behind in the driver's seat. We remain inside the moving van, as seen in and , with other traffic visible through the front windshield, suggesting ongoing travel. This is to show 's perspective and reaction to the ongoing conversation or situation, while subtly introducing another key family member, , in the driving role.", "think_full": "The setting remains the interior of the van, consistent with and , reinforcing the road trip narrative. The background showing traffic through the front windshield implies motion and continues the journey. This shot re-centers on from , showing her full face and expressions, which was previously seen from behind. This allows us to connect with her emotions. We also subtly introduce as a new character in the driver's seat, establishing her presence in the vehicle. After the playful interaction in , this shot shifts focus to to capture her reaction and childlike wonder or involvement in the family dynamics. Introducing provides a sense of the family unit's full composition and their current activity (driving).", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates a focus on 's reaction, emphasizing her youthful perspective. To achieve this, a medium close-up of from is necessary, capturing her expression. The setting must continue to be inside the moving van, as established in and . It also makes sense to introduce , who would logically be driving the van in the background. The user intent is to show 's direct emotional response and to expand the visible family members within the vehicle." }, { "instruction_full": "Revert to the camera position from , showing from interacting with from , who is seen mostly from behind. Show from smiling warmly, looking at from . is visible from behind her head and shoulder, looking towards him. Maintain the interior of the moving van from , , and , with the bright light from outside indicating the ongoing road trip. This is to reinforce the warm, continuous interaction between and , building on the playful dynamic established earlier.", "think_full": "We remain inside the van, consistent across , , and , solidifying the sense of a continuous journey. The bright natural light through the windows reinforces the daytime travel. This shot returns to from and from . Instead of the playful stick-out tongue from , now offers a warm smile, demonstrating a softer, enduring connection between them. is shown from behind as in , maintaining her position in the conversation. By returning to this pair, the shot emphasizes their relationship and the ongoing moment of connection, showing a different facet of 's character (warmth rather than just playfulness) and deepening the familial dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for states that it will return to and , continuing their interaction. Therefore, the camera should be set up similarly to , focusing on these two characters. from should be shown interacting with from , perhaps with a different expression to show the progression of their interaction. The space remains the interior of the van, consistent with previous shots. The intent is to build on their established playful dynamic with a more tender or warm exchange." }, { "instruction_full": "Pan or cut to a medium close-up, facing forward, capturing from the side in the foreground, with from in the background, both looking out the side windows. Introduce , a man with short brown hair and a patterned shirt, looking out the window. Show from , also looking out, slightly behind him. Both appear subdued. Maintain the interior of the moving van, consistent with previous shots, with passing scenery visible through the windows, indicating the journey continues. This is to introduce another character, , and to bring back , showing a quieter, more reflective dynamic within the van, contrasting with the playful energy of and .", "think_full": "The shot maintains the interior of the moving van, consistent with , , , and . The blurred scenery outside the window indicates the continuous motion and journey. This shot introduces a new character, . It also brings back , who was briefly seen driving in . Both characters are shown in a more contemplative or subdued mood, looking out the window, which contrasts with the active interaction seen between and in previous shots (, ) and the distress of in . The introduction of and the re-framing of highlight other members of the family unit, showing a different emotional state. Their outward gaze suggests introspection or a quiet detachment, adding another layer to the family's overall mood during the journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates a shift to and , showing their subdued presence. This means a new shot focusing on these characters is needed. A medium close-up from their side in the van would be appropriate. must be introduced as a new character, while from reappears. Both should be depicted looking out, conveying a quiet or reflective mood. The setting remains the interior of the van, consistent with the ongoing road trip. The intent is to broaden the family portrait and introduce a contrasting, more introspective mood." }, { "instruction_full": "Return to the camera angle and framing from and , focusing on from as he continues to interact with , who is seen from behind. Center on from , now with a more animated and talkative expression, engaging with from , who is still seen from behind. Remain within the interior of the moving van, consistent with all previous shots through , with the external light indicating continued travel. This is to re-emphasize the lively interaction of and , highlighting 's energetic personality and creating a dynamic counterpoint to the more subdued mood shown in .", "think_full": "The setting remains the interior of the van, consistent with the entire sequence from through , reinforcing the continuous road trip. The lighting through the windows continues to suggest daytime travel. This shot specifically revisits from and from , bringing back their interaction. is shown in a more expressive, speaking pose than his previous smile, suggesting an ongoing conversation or storytelling, deepening his lively character established in . 's presence is indicated from behind as before, showing her continued engagement. After the quieter moment with and in , this return to and provides a dynamic shift, reminding the viewer of the different emotional states coexisting within the family during their journey. It highlights 's role as a source of energy and engagement for .", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates re-centering on 's expressive face, continuing the interaction with . This requires returning to a similar camera angle and framing as and , focusing on from . He should be depicted with an animated, talking expression, still engaging with from , who is visible from behind. The setting is consistently the interior of the van. The user intent is to re-emphasize their dynamic and 's personality, contrasting with the subdued mood of ." }, { "instruction_full": "Cut to a medium close-up of from , seen from the passenger side, looking down or lost in thought, with another character's shoulder partly visible in the extreme foreground, implying proximity. Focus on from , maintaining his dark hair and quiet demeanor. He is looking downwards, appearing introspective. A blurry shoulder of another occupant of the van is in the foreground, on the right. The interior of the moving van from previous shots through , with blurred outdoor scenery visible through the windows, indicating the ongoing journey. This is to return to the more subdued, internal mood of (initially seen in ), providing a contrast to the lively interaction of and in , and highlighting the diverse emotional states within the van.", "think_full": "The setting remains the interior of the van, consistent with all prior shots through . The blurred background visible through the window reiterates the movement of the vehicle and the continuous journey. This shot brings back from . His posture and downward gaze reinforce the introspective or perhaps melancholic mood he exhibited in , contrasting sharply with the energetic in . The partial foreground element suggests other family members are still present but not the focus. By returning to and his quiet state, the sequence emphasizes the varying experiences and emotional landscapes within the seemingly unified family road trip. It serves as a counterpoint to the joyful and expressive moments, adding depth and complexity to the family dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for specifies showing 's introspective state, contrasting with the playful interaction. This requires a medium close-up of from , depicting him in a quiet, thoughtful manner, looking downwards. The shot must remain inside the van, consistent with the earlier internal shots. The inclusion of a blurred foreground element subtly reminds the viewer of other occupants without distracting from . The intent is to revisit his character and mood, providing emotional contrast to the recent lively interactions." }, { "instruction_full": "Cut to a wide exterior shot, positioned above and behind the van, looking forward at the highway. The camera is static, capturing the scale of the landscape and an overhead road sign. The family is inside their distinctive yellow vintage van, which is now seen from the outside, driving away from the camera. Other cars are on the highway. This is a brand-new setting: a wide-open highway surrounded by pine trees under a clear sky, with a large green road sign overhead. This is the exterior world the van is traveling through, establishing their location on a specific highway (I-40, I-17) heading towards cities like Los Angeles and Phoenix. This is to provide a wider geographical context for the road trip, establishing the specific highway and the environment, and to give a sense of the journey continuing through a new vantage point.", "think_full": "This shot explicitly shifts from the intimate interior of the van (seen in through ) to a grander, exterior highway setting. It's a brand-new environment that gives geographical context to the journey. We are now outside, looking at the van itself, establishing its place in the wider world. The characters are now unseen inside the van, which is the primary subject of the shot. The focus is on the vehicle's journey through the landscape. The previous shots focused on internal family dynamics. This shot serves as a crucial narrative pivot, grounding the family's journey in a specific time and place (American Southwest highway). It provides a sense of the vastness of their journey and the world outside their enclosed family unit, acting as a transition shot.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for explicitly calls for an exterior shot of the van on the highway, setting the scene geographically. This means moving the camera outside the van to capture it from a distance, revealing the highway and surrounding landscape. The van itself, carrying the family, becomes the central 'character' of the shot. It's a brand-new physical location compared to the previous interior shots. The intent is to broaden the narrative scope, showing the physical journey and the environment in which it takes place, providing a sense of scale and location." }, { "instruction_full": "Cut to another wide exterior shot, this time from a lower angle and further back, emphasizing the winding road and the van's movement through the landscape. The camera is tracking the van as it drives. The yellow vintage van from is visible, continuing its journey on the highway. Other vehicles are also on the road, visible in the distance. Continue in the same highway environment established in , surrounded by pine trees and distant hills, with clear skies, showing the van on a curving, multi-lane road. This is to further emphasize the journey and the van's place within the vast landscape, reinforcing the road trip theme and the sense of movement.", "think_full": "This shot continues the external view of the highway environment introduced in . We maintain the pine trees and open road, but shift the perspective to a slightly lower and wider view, highlighting the curvature of the road and the van's ongoing travel through the landscape. The yellow vintage van from remains the central visual element, acting as a symbol for the family's journey. The family members are still implicitly inside, unseen. Following 's establishment of the location, this shot deepens the sense of continuous journey and the van's progress on the open road. It visually underscores the vastness of the trip and the isolation or self-containment of the family within their vehicle against the backdrop of the expansive environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for requests another exterior shot, further establishing the van's journey on the open road. Building on , the camera should remain outside but adopt a slightly different wide angle to showcase the van's movement along the highway. The van from continues to be the main subject, traversing the same pine-covered highway landscape from . The purpose is to reinforce the theme of the journey, emphasizing the sense of distance and the van's steady progress through the world." }, { "instruction_full": "Cut back inside the van to a medium close-up, focusing on from in the passenger seat, with from out of focus in the background. The camera is slightly from the side, looking forward. Center on from , now looking forward with a pensive or thoughtful expression. In the blurry background, from is visible, but out of focus, suggesting he is still interacting but not the focus. Return to the interior of the moving van, consistent with through , with hints of the outside world seen through the window. This is to bring the narrative back inside the van and focus on 's internal state, contrasting with the previous exterior shots and implying a moment of reflection amidst the journey.", "think_full": "This shot marks a return to the interior of the van, consistent with the earlier internal shots ( through ), after the exterior views of and . This re-establishes the enclosed setting of the family's immediate environment. The shot re-centers on , who was last seen more passively in and briefly in driving. Here, she is given a moment of individual focus, showing a thoughtful expression. from is visible in the background, subtly reminding the viewer of his ongoing presence and interaction without making him the main subject. After the grand external shots of the journey, returning to a close-up of brings the focus back to the individual emotional experiences within the family. Her pensive expression invites the audience to consider her thoughts, adding emotional depth and hinting at the internal journeys alongside the physical one.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot outline for indicates a focus on , showing her deep in thought. This requires a cut back inside the van after the external shots (, ). A medium close-up of from is needed, depicting her with a pensive expression. from can be subtly included in the blurred background to maintain a sense of ongoing activity within the van. The space is the familiar interior of the moving van. The intent is to shift focus back to the emotional interiority of a character, providing a reflective conclusion to the sequence." } ], "_src_movie_dir": "Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "050284_050872.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Little.Miss.Sunshine.2006.2160p.BluRay.x264.DTS-FGT.mkv/050284_050872.json", "_test_index": 12 }, { "movie": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv", "N": 10, "sample_id": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13148.jpg-Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13579.jpg", "images": [ { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13148.jpg", "filename": "13148.jpg", "aesthetic": 7.337702751159668, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13193.jpg", "filename": "13193.jpg", "aesthetic": 7.10628604888916, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13244.jpg", "filename": "13244.jpg", "aesthetic": 7.260313987731934, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13283.jpg", "filename": "13283.jpg", "aesthetic": 7.275041580200195, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13337.jpg", "filename": "13337.jpg", "aesthetic": 6.691954135894775, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13388.jpg", "filename": "13388.jpg", "aesthetic": 6.217244625091553, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13442.jpg", "filename": "13442.jpg", "aesthetic": 6.9919867515563965, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13496.jpg", "filename": "13496.jpg", "aesthetic": 6.332172393798828, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13516.jpg", "filename": "13516.jpg", "aesthetic": 7.001309394836426, "musiq": 0.0 }, { "tag": "", "rel_path": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/13579.jpg", "filename": "13579.jpg", "aesthetic": 6.939914703369141, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a vibrant, plastic-fantastic world of pink beaches and blue skies, the dolls inhabiting this idyllic setting are about to face an unexpected event that disrupts their perfect day. The tone is surreal and playful, with a hint of underlying bewilderment and eventual crisis.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " introduces enthusiastically running across the pink beach with his surfboard, establishing a sense of carefree activity in this unique world. cuts back to a close-up of , showing his continued look of confusion or mild alarm. broadens the view to include reacting with similar surprise. shows and on lounge chairs, expressing shock. dramatically shows in mid-air, having been thrown upward by an unseen force, highlighting the unexpected event. focuses on 's wide-eyed reaction to this astonishing sight. reveals lying prone on the pink sand, having crashed back down, with approaching him. provides a wider view of the beach as a massive wave looms, showing the collective chaos and reaction of . tightens in on and attending to the injured , emphasizing the immediate aftermath and concern." }, "instruction_full": "Shift the camera to a low angle, tracking a new character, , as he runs from right to left across the pink sandy beach from . He carries a white surfboard under his arm and is mid-stride, looking forward with a cheerful or determined expression. The background should feature the same surreal pink landscape and blue sky seen in , but now revealing more of the beach and introducing a tall, pink and white striped lighthouse and a gentle turquoise wave approaching the shore. The purpose is to establish as an active participant in this world and expand the idyllic beach setting.", "think_full": "The story setup describes a world of dolls facing unexpected events. The `shot_outline` for states that it introduces running with a surfboard. To achieve this, a dynamic, low-angle tracking shot is ideal, emphasizing his movement and energy. The environment should continue from , maintaining the iconic pink sand and blue sky to preserve visual continuity of the 'plastic-fantastic' world. Introducing the lighthouse and a wave expands the specific location within this world, hinting at the coastal nature. is a new character, so his appearance should be active and characteristic of his role as outlined (surfer). His expression should be consistent with the carefree initial state before the 'unexpected event' mentioned in the story setup. The low angle will make him seem more dynamic against the background. We are directly building on the environment established in , especially the pink sand and blue sky, and setting the stage for subsequent events.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction 'generate the next shot' combined with the `global_prompt` dictates the next visual. The `shot_outline` clearly states that introduces running with his surfboard. To make this shot visually interesting and fulfill the outline's purpose of establishing him as an active participant, I should create a dynamic shot. The camera should track him at a low angle as he moves across the existing pink beach environment established in . This shot needs to introduce as a new character, showing him in motion with a surfboard. The background should extend the setting from , showing more of the pink beach, blue sky, and possibly introduce elements like a lighthouse to define the location further. This establishes the character and expands the environment, setting up for future developments as mentioned in the `story_setup`." }, { "instruction_full": "Return to a medium close-up shot of , similar to the framing of . He retains his same bewildered, slightly open-mouthed expression, looking slightly off-camera. The background should also largely match , showing the pink landscape and parts of the pink beach umbrellas, maintaining the immediate environment and light quality. This shot aims to show 's ongoing reaction to the events unfolding around him, emphasizing his consistent state of mild shock or confusion after seeing .", "think_full": "The `shot_outline` for indicates a cut back to , showing his reaction. To establish visual consistency and emphasize his ongoing state, it's logical to reuse the camera framing and position from , which already captured his bewildered expression effectively. appeared in with a specific look, and continuing this expression reinforces his character's immediate response. The environment should remain the same pink, surreal beach setting, including the pink umbrellas from , to maintain spatial continuity and imply that the events are happening in the same location. This shot serves to show the impact of the newly introduced 's actions (from ) on , underscoring the 'unexpected event' described in the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt`'s `shot_outline` specifies that cuts back to to show his confusion. To achieve this, I should revert to a camera setup similar to , focusing on who was established there. He should maintain the same expression of bewilderment. The background should also echo the setting of , with the pink landscape and beach umbrellas, ensuring spatial continuity. This shot's purpose is to re-establish 's reaction to the unfolding situation, tying back to the initial surprise hinted in and the actions of shown in ." }, { "instruction_full": "Transition to a medium full shot of a new character, , a male doll with dark hair and a yellow Hawaiian shirt, standing on the pink beach. He holds a pink surfboard and looks towards the right with a surprised, open-mouthed expression, mirroring the reaction of in . The background should broaden to show more of the pink beach environment from and , including distant pink buildings and palm trees, further establishing the stylized setting. This shot expands the reactions to the unfolding events by introducing another companion and showing a wider view of the populated beach.", "think_full": "The `shot_outline` for indicates broadening the view to include reacting. This requires introducing a new character, distinct from from and from . A medium full shot is suitable to show this new character and his immediate surroundings. His surprised expression should visually align with 's reaction from , creating a consistent emotional tone among the characters regarding the 'unexpected event' from the `story_setup`. The environment should continue the pink beach theme seen in and , but by showing more distant buildings and palm trees, it expands our understanding of the scale and specific location of this world. The surfboard also hints at the beach activity previously seen with in . This broadens the perspective of the collective reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt`'s `shot_outline`, should expand the reaction to the developing situation by showing . This means introducing a new character on the pink beach environment that has been established in , , and . He should have a surprised expression, reflecting the general bewilderment. The camera should capture a wider view of the beach than in , showing more of the background elements like buildings and palm trees to further define this stylized world. This establishes another character's reaction and provides more context to the environment where the 'unexpected event' is occurring." }, { "instruction_full": "Shift the camera to a medium shot, focusing on two new characters: , a woman and a man, both lounging in pink beach chairs on the pink sand. The female doll has dark hair and wears a green top, looking left with a wide-eyed, surprised expression. The male doll next to her is also surprised. The background should continue the pink landscape and beach umbrella aesthetic from , , and , reinforcing the surreal beach setting. This shot captures the reaction of more characters to the ongoing disturbance, emphasizing a shared sense of astonishment.", "think_full": "The `shot_outline` for states that it shows reacting with surprise. This necessitates introducing new characters, specifically two dolls (one female, one male) who are part of the broader group of ''. A medium shot allows us to see their expressions and their lounging posture, contrasting with the active movement of in and the standing posture of in and in . Their wide-eyed expressions should consistently convey the surprise that all characters are experiencing due to the 'unexpected event' from the `story_setup`. The environment must continue the established pink beach with umbrellas and pink landscape, seen in , , and , to maintain visual and spatial continuity, placing these reactions firmly within the same world.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the `global_prompt`'s `shot_outline`, needs to show reacting with surprise. This means introducing new characters in the established pink beach setting from , , , and . They should be visibly surprised. A medium shot would be appropriate to capture their expressions and show them in their typical beach activities (lounging). The background should seamlessly continue the surreal pink beach landscape with umbrellas. This shot further builds on the collective reaction of the dolls to the unfolding 'unexpected event' from the `story_setup`." }, { "instruction_full": "Cut to a wide shot, centered on floating horizontally in mid-air against a vast, clear blue sky and ocean horizon, with no land visible. He is wearing light colored shorts, arms and legs slightly splayed, appearing to be suspended or thrown upwards, looking bewildered. The blue sky and ocean reflect the existing color palette but are now devoid of the pink landscape from , , , , and , emphasizing his isolation and the dramatic nature of his ascent. This shot is meant to be a dramatic reveal of the event that caused the earlier reactions, showing 's extraordinary, gravity-defying predicament.", "think_full": "The `shot_outline` for indicates a dramatic shot of in mid-air, highlighting the unexpected event. To achieve this dramatic reveal, a wide shot is essential, isolating him against the vastness of the sky and ocean. This emphasizes the extraordinary nature of what's happening to him. While the blue sky and ocean color palette are consistent with the world established in through , deliberately omitting the pink land features creates a stark visual contrast, enhancing the sense of disorientation and emphasizing that he has been launched away from the familiar beach. was first introduced in , and this shot shows the culmination of the unseen force hinted at by the reactions of in , in , and in . His bewildered expression should reflect his own surprise at his situation. This is a critical moment in the `story_setup`'s 'unexpected event'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt`'s `shot_outline` specifically states dramatically shows in mid-air, emphasizing an unexpected event. To convey this, the shot should be a wide shot, framing who was introduced in , suspended in the air. The background should be purely blue sky and ocean, consistent with the existing color scheme but intentionally excluding the pink landscape from previous shots ( through ) to emphasize his isolation and the dramatic nature of his situation. His expression should show confusion or surprise. This is the central dramatic reveal of the 'unexpected event' that the `story_setup` described and the previous shots have been building up to." }, { "instruction_full": "Return to a close-up shot of , who was briefly visible in the background of and lounging in . She is now standing, looking slightly upwards with a wide-eyed, open-mouthed expression of shock and concern. The background should return to the pink beach landscape with distant pink umbrellas, similar to the setting of , , , and , grounding her reaction within the ongoing beach scene. This shot focuses on her strong emotional response to witnessing 's extraordinary flight in , amplifying the drama.", "think_full": "The `shot_outline` for calls for focusing on 's reaction. A close-up shot is ideal to capture her intense shock and concern. was glimpsed in the background of and more clearly in , but this is her first prominent focus shot. Her wide-eyed, open-mouthed expression directly correlates to the dramatic event of 's flight in , linking cause and effect emotionally. The return to the familiar pink beach background with umbrellas, seen in , , , and , re-establishes the environment after the abstract sky shot of , placing her reaction firmly within the world. This moment amplifies the dramatic impact of the 'unexpected event' from the `story_setup` by showing a key character's profound emotional response.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt`'s `shot_outline` indicates that should focus on 's wide-eyed reaction. To achieve this, a close-up shot of her is necessary. She was seen previously in the background of and lounging in , and now her expression should clearly convey shock in response to the dramatic event of 's ascent in . The background should revert to the established pink beach landscape with umbrellas, similar to and other previous shots, to maintain continuity of the setting. This shot emphasizes a critical character's emotional response to the 'unexpected event' from the `story_setup`." }, { "instruction_full": "Widen the camera to a medium-long shot, showing lying prone on his back on the pink sand in the foreground, looking dazed or unconscious, after his fall. In the mid-ground, (from ) is approaching him with a concerned expression, having rushed over. The background should reveal the full expanse of the pink beach, with distant pink buildings, palm trees, and the lighthouse (first seen in ), further contextualizing the aftermath of the event. This shot depicts the immediate consequence of 's flight from and the concern of .", "think_full": "The `shot_outline` for describes fallen on the beach with approaching. A medium-long shot is suitable to show both characters and their interaction in the aftermath. , last seen mid-air in , is now on the ground, emphasizing the impact of his fall. , whose reaction was highlighted in , is now actively moving towards him, showing her concern. The environment is a continuation of the pink beach, including elements like the lighthouse from and the distant buildings/palm trees seen in , to firmly place this dramatic scene within the established world. This shot serves to show the immediate aftermath of the 'unexpected event' mentioned in the `story_setup`, escalating the narrative by showing direct injury and aid.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt`'s `shot_outline`, reveals fallen on the beach with approaching. This requires a shot showing (last seen in ) lying injured on the pink sand. (from ) should be shown approaching him, conveying concern. A medium-long shot will allow both characters and the pink beach environment from , , , , to be visible. Key background elements like the lighthouse (from ) should also be present. This shot graphically displays the consequence of the 'unexpected event' from the `story_setup` and shows the immediate response from a key character." }, { "instruction_full": "Shift to a wide panoramic shot of the entire pink beach scene, encompassing numerous who are now looking alarmed and scattered, some pointing towards a large, ominous wave forming in the turquoise ocean (first seen as a gentle wave in ). (from ) is still lying on the sand, and (from ) is near him. The shot should prominently feature the pink umbrellas, lounge chairs, pink hills, and the lighthouse from earlier shots (, ), showing a chaotic yet still distinctly surreal environment. This shot aims to show the broader impact of the crisis and introduce a new, larger threat from the ocean, escalating the 'unexpected event' into a full-blown emergency.", "think_full": "The `shot_outline` for calls for a wider shot showing a large wave and collective chaos among . A wide panoramic shot is necessary to capture the breadth of the beach, the numerous background characters (from , , , ), and the newly introduced large wave. This expands the 'unexpected event' from the `story_setup` to a collective crisis. The presence of and from ties this wide shot back to the immediate aftermath. The environment must be consistent with the vibrant pink beach and blue ocean established in through , featuring the pink umbrellas, lounge chairs, hills, and lighthouse (from ). The large, ominous wave introduces a new, escalating threat that affects everyone, intensifying the drama and validating the initial reactions of confusion and shock seen in earlier shots like , , , and .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt`'s `shot_outline` indicates that should provide a wider view of the beach, showing a large wave and the collective chaos among . This requires a wide panoramic shot. The shot should feature many of the previously seen dolls (like in , in , in ), now reacting to a looming large wave in the ocean (a small wave was first seen in ). The pink beach setting, including umbrellas, lounge chairs, and the lighthouse (from ), should be clearly visible. This shot escalates the 'unexpected event' from the `story_setup` into a wider disaster, showing its impact on the entire community." }, { "instruction_full": "Cut to a medium close-up, focusing on (from and ) and one of (from and ) kneeling over (from and ), who is still lying on the pink sand. is gently fanning him with a pink fan, while is pressing on his chest, indicating immediate aid. The background should show more of from in a state of commotion, along with the consistent pink beach environment, including a distant pink umbrella, tying back to the overall scene from and beyond. This shot highlights the dolls' urgent response and care for in the face of the emerging crisis.", "think_full": "The `shot_outline` for indicates a closer shot of and attending to . A medium close-up is appropriate to convey the urgency and care in their actions. (from and ) is still injured, and the focus shifts to the immediate medical attention he is receiving. (from and ) and one of (from and ) are actively trying to help him, showing their concern and reinforcing the developing crisis. The background should retain the general chaos and the familiar pink beach environment from , including distant umbrellas (seen in ), to maintain spatial continuity. This shot brings the narrative back to the personal impact of the 'unexpected event' from the `story_setup`, emphasizing aid and concern amidst the broader emergency.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt`'s `shot_outline`, tightens in on and attending to . This requires a medium close-up shot focused on these three characters. (last seen in , ) is still lying on the pink sand. (from , ) and one of (from , ) should be shown actively providing aid. The background should hint at the continued commotion among from and the pink beach setting (from onwards). This shot concludes the sequence by focusing on the immediate aftermath and the characters' response to the 'unexpected event' from the `story_setup`." } ], "_src_movie_dir": "Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv", "_src_filename": "013148_013579.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Barbie.2023.2160p.UHD.BluRay.HDR.DoVi.TrueHD 7.1.x265-SPHD.mkv/013148_013579.json", "_test_index": 13 }, { "movie": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/85500.jpg-A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86697.jpg", "images": [ { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/85500.jpg", "filename": "85500.jpg", "aesthetic": 4.904969215393066, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/85512.jpg", "filename": "85512.jpg", "aesthetic": 5.0669450759887695, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/85616.jpg", "filename": "85616.jpg", "aesthetic": 5.006993770599365, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/85750.jpg", "filename": "85750.jpg", "aesthetic": 5.825639724731445, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86197.jpg", "filename": "86197.jpg", "aesthetic": 6.348750114440918, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86272.jpg", "filename": "86272.jpg", "aesthetic": 6.538232803344727, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86322.jpg", "filename": "86322.jpg", "aesthetic": 6.657723903656006, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86372.jpg", "filename": "86372.jpg", "aesthetic": 5.700502395629883, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86412.jpg", "filename": "86412.jpg", "aesthetic": 6.822218894958496, "musiq": 0.0 }, { "tag": "", "rel_path": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/86697.jpg", "filename": "86697.jpg", "aesthetic": 5.8815436363220215, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A clandestine, late-night arrival sequence transitions to a tense, unspoken reunion in a warm domestic setting. The tone moves from mysterious and slightly ominous to quietly dramatic and reflective, focusing on the emotional subtext between characters.", "characters": [ "", "", "" ], "shot_outline": " establishes the vehicle waiting for in a dark, industrial port. shows waiting by the water, looking out. reveals 's face, disoriented, having just disembarked. shows entering a warm, domestic interior. introduces in her creative space, reacting. re-establishes in the home. returns to , observing. shows in a moment of introspection. brings into a closer, concerned interaction with ." }, "instruction_full": "Shift the camera to a medium shot, low angle, focusing on a dark, classic car parked on a paved surface, its headlights brightly illuminating the immediate foreground. The background should be dark and suggest large industrial structures, continuing the cold, late-night setting from , to establish the mode of transport and the industrial environment on land.", "think_full": "The narrative requires establishing 's pickup by car after his boat arrival in . By moving from the water in to a paved, industrial ground, we maintain environmental continuity (dark, industrial, night) while shifting the focus. The car's headlights in the foreground imply an arrival or waiting presence, consistent with the clandestine nature suggested by the boat. This shot sets the stage for 's next mode of travel, hinting at the next step in his journey. The camera is slightly low and medium to give the car a substantial, almost imposing presence.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for indicates we need to introduce the vehicle for . Given 's dark, industrial waterfront setting, the next logical step is to show a car in a similar environment. Therefore, I should generate a shot of a dark car with its headlights on, positioned in an industrial area at night, connecting the water arrival to land transport, and creating an expectant mood." }, { "instruction_full": "Cut to a medium shot from behind , who is dressed in a suit and hat, standing at the edge of the water. He is looking out towards the dark water, mirroring the environment of , with a large ship visible in the distant background. The foreground should subtly suggest the presence of the car from nearby, maintaining the clandestine, late-night dockside atmosphere.", "think_full": "The shot_outline for indicates showing by the water. To advance the plot, we need to introduce the character waiting for . Positioning from behind, looking out over the water, directly connects to the boat's implied arrival in . The dark, industrial dockside setting is consistent with both and . The large ship in the background reinforces the port environment. The implied presence of the car from nearby creates a subtle link between the two previous elements.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt's shot_outline for , the next shot should reveal waiting by the water. Combining this with the dark, industrial dockside setting established in (boat) and (car), I will show a suited from behind, looking out over the water, with a large vessel in the background, reinforcing the clandestine pickup at a port." }, { "instruction_full": "Zoom in to a close-up of 's face, his expression suggesting disorientation or slight surprise, perhaps emerging from the car seen in . He wears a dark jacket over a light shirt. The background remains dark and shadowy, with hints of the industrial environment from and , to highlight his arrival and immediate emotional state.", "think_full": "The shot_outline for specifies capturing 's expression after getting out of the car. This close-up is crucial for introducing to the audience after his mysterious arrival by boat in and subsequent pickup by and car (, ). His expression conveys the emotional impact of the situation. The dark, industrial background from and is maintained, reinforcing the cold, late-night setting he has just emerged from.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for requires revealing 's expression after exiting the car. Given the dark, industrial setting of , , and , a close-up of 's face, with a background that suggests this environment, is necessary to show his initial reaction to the arrival." }, { "instruction_full": "Transition to a new, distinctly domestic interior. Frame from in a medium shot, walking through a doorway or standing in a warmly lit room. The room should feature patterned wallpaper, a red sofa, and a table lamp, contrasting sharply with the cold exterior of previous shots. His attire remains the dark jacket over a light shirt from , to emphasize his journey from one world to another.", "think_full": "The shot_outline for calls for transitioning into a domestic setting. This is a complete environmental shift from the dark, industrial dockside shown in through . is the same character from , carrying his previous experience into this new, warmer space. The warm lighting, patterned wallpaper, and comfortable furniture (like the red sofa and table lamp) are intentionally chosen to establish a contrasting, inviting home atmosphere after the clandestine outdoor sequence, signaling a significant change in the narrative's immediate environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for indicates a transition for to a domestic setting. Following his appearance in the dark industrial exterior in , a distinct shift to a warm, inviting home interior is needed. This shot should show (from ) in this new, contrasting environment, emphasizing the change of scene." }, { "instruction_full": "From a wide shot, framed through a doorway, introduce standing between two rooms. She should have an expectant or slightly tense expression. The foreground room is an artist's studio with an easel, canvas, and art supplies, while the living room from is visible through the doorway. Maintain the warm, domestic lighting from , to establish her character and the lived-in quality of their home.", "think_full": "The shot_outline for indicates introducing in her creative space and showing her reaction. This shot serves to reveal another key character and her environment. Framing her within a doorway connecting her studio to the living room (seen in ) visually links her to 's newly established domestic presence. Her posture and expression suggest she is aware of 's arrival. The presence of art supplies and a typewriter adds depth to her character, establishing her as a creative individual. The warm, domestic lighting is consistent with , reinforcing the home's atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt's shot_outline for , the next shot needs to introduce in her creative space, reacting. Given 's entry into the domestic setting in , showing in an artistic home environment, framed through a doorway and looking towards the other room, will establish her presence and create a sense of impending interaction." }, { "instruction_full": "Return to a medium shot of from and , now standing centrally in the domestic living room seen in . He faces the camera, his expression neutral yet possibly reflective. The background should clearly show the patterned wallpaper, table lamp, and red sofa from , maintaining the consistent warm, home lighting, to re-center on him within this contrasting environment.", "think_full": "The shot_outline for specifies showing in the domestic setting. After introducing in , cutting back to creates a visual rhythm and allows the audience to register his presence within the home. He is the same character from and , now fully immersed in this new environment. The clear re-establishment of the living room elements from (wallpaper, sofa, lamp) reinforces the spatial continuity of the domestic setting, contrasting with his earlier, darker surroundings.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for calls for showing standing in the domestic setting. Following 's introduction in , it is logical to return to (from ) within the established home environment, placing him centrally to emphasize his presence and allow for a moment of quiet observation." }, { "instruction_full": "Mirror the framing of with a wide shot through the doorway, showing from still standing in the same position. Her expression should now be more subtly observant or pensive, rather than expectant. The artist's studio from is in the foreground, with the living room from visible through the doorway. The warm domestic lighting from and should be consistent, to continue her quiet observation and build unspoken tension.", "think_full": "The shot_outline for focuses on in her space, with a tense expression. By returning to the identical camera setup as , we emphasize her continued presence and perspective. is the same character seen in , now with an evolving expression that deepens the subtle tension between her and (last seen in in the adjacent room). The visible studio space from and the living room from through the doorway reinforce spatial continuity and the sense of their shared but currently separated presence in the home.", "instruction_minimal": "generate the next shot", "think_minimal": "Referring to the global_prompt's shot_outline for (showing in her space, expression suggesting tension), and her previous appearance in , the next shot should be a re-frame of in her studio, maintaining the domestic atmosphere and deepening her observational, possibly tense, state, following 's re-establishment in ." }, { "instruction_full": "Shift to a medium shot of from , now with a more introspective or subdued expression, perhaps looking slightly down or lost in thought. He is still in the domestic living room from , with the patterned wallpaper and lamp visible in the background. The warm, soft lighting should continue from and , to convey his internal processing after the silent interaction with .", "think_full": "The shot_outline for focuses on looking down or deep in thought. After 's observational shot in , cutting back to builds on the unspoken dynamic. He is the same character from , but his changed expression indicates internal reflection or emotional weight. The setting is a direct continuation of the living room from and , grounding him in this domestic space. This shot highlights his inner state in contrast to 's outer observation.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for calls for looking down or deep in thought. Following 's observant shot in , returning to (from ) in the familiar living room, now with a more introspective expression, logically advances the emotional beat and silent communication between them." }, { "instruction_full": "Move to a medium close-up, over 's shoulder, focusing on 's face. from is now closer to , looking at him with a direct, concerned, or questioning expression. Part of 's back and shoulder (from ) should be visible in the immediate foreground, blurring. The artist's studio from remains visible behind , maintaining the warm domestic lighting, to finally bring them into a direct, emotional interaction.", "think_full": "The shot_outline for indicates bringing into a closer interaction with , revealing her concern. After the sequence of individual shots (, , ) where tension built, this shot finally unites (from ) and (from ) in the same frame, signifying a direct emotional engagement. The over-the-shoulder framing emphasizes 's expression and her initiating gaze. Her face is now clearer, allowing her concern to be paramount. The background still subtly references her studio from , maintaining spatial continuity within the home.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt's shot_outline for (bringing into a closer interaction, revealing her concern), and after the alternating individual shots of and (, , ), the logical progression is to show them together. An over-the-shoulder shot from 's perspective, focusing on 's concerned face, will achieve this, using their established appearances and the domestic setting." } ], "_src_movie_dir": "A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "085500_086697.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/A.Beautiful.Mind.2001.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/085500_086697.json", "_test_index": 14 }, { "movie": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv", "N": 10, "sample_id": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40759.jpg-Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41356.jpg", "images": [ { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40759.jpg", "filename": "40759.jpg", "aesthetic": 6.865809917449951, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40828.jpg", "filename": "40828.jpg", "aesthetic": 5.737037658691406, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40882.jpg", "filename": "40882.jpg", "aesthetic": 5.76251220703125, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40921.jpg", "filename": "40921.jpg", "aesthetic": 5.601537227630615, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/40993.jpg", "filename": "40993.jpg", "aesthetic": 6.6201066970825195, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41047.jpg", "filename": "41047.jpg", "aesthetic": 5.413120269775391, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41089.jpg", "filename": "41089.jpg", "aesthetic": 6.818933486938477, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41200.jpg", "filename": "41200.jpg", "aesthetic": 6.952221393585205, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41335.jpg", "filename": "41335.jpg", "aesthetic": 6.710487365722656, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/41356.jpg", "filename": "41356.jpg", "aesthetic": 6.004180908203125, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A late-night roadside interaction unfolds between a police officer and a distraught woman. The situation is tense and emotionally charged, suggesting a serious incident has occurred. The tone is somber, with a focus on individual emotional responses and the isolated setting.", "characters": [ "", "" ], "shot_outline": " introduces in a medium shot, mirroring the framing of from , to establish her presence and immediate emotional state. shifts to a wider shot, showing both and from behind 's perspective, revealing their relative positions and the roadside setting more clearly as begins taking notes. returns to a close-up of , intensifying her distress. cuts back to a medium shot of , showing his continued serious and attentive demeanor. reprises the medium shot of , showing her continued emotional state. returns to in a medium shot, perhaps showing a slight shift in his attention. intensifies the emotional expression of with a closer shot, highlighting her growing desperation or plea. returns to , showing his reaction to 's plea. provides a wider view from behind , showing from a distance and emphasizing the emotional gap and the isolation of the moment." }, "instruction_full": "Shift the camera to a medium shot, matching the framing and eye-level perspective established for in . Show facing the camera, her expression suggesting deep concern or sadness, possibly on the verge of tears. Maintain the same dark, isolated roadside environment from , with the blue and red lights of a police vehicle subtly visible in the soft-focused background, indicating continued presence at the scene, to introduce and immediately establish her distressed emotional state, creating a direct counterpoint to shown in .", "think_full": "We stay in the same dark, isolated roadside setting that was established in . The police vehicle's flashing lights, visible in the background of , should still be present, though perhaps slightly more obscured or softer, to reinforce that this is the same ongoing incident. This shot introduces as a new character. Her expression of deep concern or sadness will immediately convey her emotional involvement in the unfolding situation. We've seen in , and now we introduce the other key character. The purpose is to establish 's perspective and emotional vulnerability. By mirroring the medium shot of from , we create a sense of direct address and parallel importance between the two characters, setting up an interaction. Her distressed state immediately signals the gravity of the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that \" introduces in a medium shot, mirroring the framing of from , to establish her presence and immediate emotional state.\" Based on , the camera should be a medium shot, roughly eye-level, focused on a single character. This shot should be symmetrical to 's framing but show the other character. should appear visibly upset or concerned, reflecting the 'distraught' tag. The `story_setup` describes a \"late-night roadside interaction,\" and shows a dark, rural road with police lights. This environment should continue, placing in the same context. The user intent is to present for the first time, establish her emotional state as a contrast or response to 's stoic presence in , and set the scene for their interaction." }, { "instruction_full": "Pull the camera back to a wider shot, showing both and from a slightly elevated perspective, looking towards 's back and 's back. Maintain the dark roadside setting and the police vehicle's lights from and , now showing standing by his vehicle, seemingly writing something, while stands a short distance away, facing him. The wider shot is to establish the physical distance and interaction between them within the overall scene.", "think_full": "The environment remains the same dark, isolated roadside from and , with the police vehicle still present, its lights providing context. This shot brings both and into the frame, having previously seen in and in . Their current poses, appearing to take notes and standing opposite him, reflect the ongoing official interaction. The narrative purpose of this wider shot is to show their spatial relationship and the formality of the situation, contrasting with the intense close-ups, and to establish the physical setting more comprehensively after the individual character introductions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that \" shifts to a wider shot, showing both and from behind 's perspective, revealing their relative positions and the roadside setting more clearly as begins taking notes.\" This means we need to pull back from the individual medium shots of and to a wider view that includes both characters and their surroundings. The setting should continue to be the dark roadside with police lights, as established in and . should be shown in an active role, like writing, as implied by the outline, and should be present, positioned opposite him. The intent is to show their interaction within the larger scene, giving a sense of their physical dynamic." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing of but perhaps slightly tighter, showing her face as she appears to be speaking or reacting with heightened emotional distress. Maintain the blurred dark roadside background and muted police lights from previous shots, to emphasize her increasing emotional vulnerability and the intensity of her feelings.", "think_full": "We return to the perspective of , who was first introduced in . Her expression should now convey even more intense distress than in , suggesting a pivotal emotional moment. The setting remains the same dark roadside as seen in , , and , with the police vehicle's lights still contributing to the atmosphere in the background. The purpose is to underscore her emotional state, making her vulnerability and the gravity of her situation more palpable to the viewer after seeing the broader interaction in . This re-establishes a direct, intimate connection with her feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies that \" returns to a close-up of , intensifying her distress.\" This implies a return to a similar framing as but with an emphasis on escalated emotion. The camera should focus on 's face, showing her reacting strongly. The dark roadside environment and police lights, consistent through , , and , should remain in the background. The shot's purpose is to amplify the emotional tension of , drawing the viewer closer to her experience after the more objective wider shot of ." }, { "instruction_full": "Return to a medium shot of , mirroring the framing from , showing his face with a serious, attentive, yet potentially weary expression. The police vehicle lights and dark roadside environment from , , , and should remain in the background, subtly indicating the ongoing late-night scene. This shot aims to show 's reaction to 's distress, maintaining his professional yet observant demeanor.", "think_full": "We shift back to , first seen in and then in the wider shot of . His expression should reflect a continuation of his professional, serious demeanor, perhaps with a hint of concern or weariness given the emotional intensity coming from in . The setting is consistently the same dark roadside, with the police vehicle lights still visible, linking directly to , , , and . The dramatic intent is to show his perspective and reaction to the unfolding emotional situation, providing a counterpoint to 's heightened distress.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` dictates that \" cuts back to a medium shot of , showing his continued serious and attentive demeanor.\" This calls for a return to the framing style of . 's expression should convey seriousness and attentiveness, acknowledging the emotional situation that was clearly shown in . The dark roadside and police vehicle lights, established in through , will continue as the backdrop. The purpose is to show his consistent professionalism and reaction, creating a sense of a back-and-forth emotional exchange with ." }, { "instruction_full": "Cut back to in a medium shot, similar to and , but her expression might show a moment of quiet resignation or continued sadness, rather than extreme distress. The same dark roadside environment and faint police vehicle lights from earlier shots ( through ) should still be present, maintaining the visual continuity of the scene. This shot aims to reflect a slight shift or continuation in her emotional state following her intense moment in and 's stoic reaction in .", "think_full": "We return to , whose emotional journey has been central in and . Her expression in this shot should reflect a nuanced continuation of her distress, perhaps moving from an outburst to a more subdued sadness or resignation, reacting to the unyielding reality represented by 's consistent demeanor in . The setting remains the consistent dark roadside from through , with the police lights in the background. The narrative purpose is to continue tracking her emotional arc, showing the ongoing impact of the situation on her, and further building the emotional tension.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, \" reprises the medium shot of , showing her continued emotional state.\" This indicates a return to a similar framing as and . 's expression should reflect ongoing sadness or distress, perhaps a more settled version after the more intense moment in . The dark roadside and police lights from through should serve as the backdrop. The intent is to continue observing her emotional state, showing its progression in response to the interaction with ." }, { "instruction_full": "Cut back to in a medium shot, maintaining the framing from and . His expression should continue to be serious and attentive, perhaps with a slight shift in gaze or a subtle gesture that indicates he is processing 's continued emotional state. The dark roadside environment with police vehicle lights in the background from all previous shots ( through ) should remain consistent. This shot is to show his sustained attention and possibly a subtle change in his internal state or approach.", "think_full": "This shot brings us back to , consistent with his appearances in and . His expression should continue to be grave and focused, reacting to 's subdued sadness shown in . The dark roadside setting, including the police lights, remains visually consistent, linking back to , , , , , and . The narrative purpose is to maintain a balanced perspective between the two characters, showing 's ongoing engagement and the weight of the situation on him, even if his outward demeanor remains composed.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that \" returns to in a medium shot, perhaps showing a slight shift in his attention.\" This suggests a shot similar to and , focusing on . His expression should remain serious, but there might be a subtle nuance in his gaze or posture, acknowledging 's emotional state from . The setting will continue to be the consistent dark roadside with police vehicle lights, established across all preceding shots through . The intent is to show his continued presence and reaction, hinting at the progression of their interaction." }, { "instruction_full": "Shift to a slightly tighter medium close-up of , similar to but possibly closer than , as her emotional state escalates once more, perhaps now with hands clasped in a gesture of pleading or desperation. The blurred dark roadside background and muted police lights should still be visible, reflecting the continuous scene from through . This shot aims to capture a peak in her emotional appeal or desperation.", "think_full": "We return to , who has been a focal point in , , and . Her emotional state is designed to intensify again, perhaps moving from subdued sadness to a more active plea, a reaction to 's continued stoic presence in . The slight tightening of the shot emphasizes her vulnerability and emotional climax. The dark roadside setting, complete with the police vehicle's lights, consistently roots the scene in the established location from through . The narrative purpose is to convey a moment of heightened desperation or a final, impassioned plea from her.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that \" intensifies the emotional expression of with a closer shot, highlighting her growing desperation or plea.\" This calls for a closer framing on than seen in previous shots like , , or . Her expression and body language, possibly including a gesture like clasped hands, should clearly convey heightened desperation or a plea. The background will remain the dark roadside with police lights, consistent with through . The intent is to show her emotional climax and her attempt to influence ." }, { "instruction_full": "Cut back to a medium shot of , consistent with the framing of , , and . His expression should show his direct reaction to 's intensified plea from , perhaps revealing a subtle shift in his professional composure or a deeper consideration of her words. The dark roadside environment with the police vehicle lights from through must be maintained. This shot is to convey the impact of her emotional appeal on him.", "think_full": "We return to , who has been shown with a consistent demeanor in , , and . Now, following 's desperate plea in , his expression should reflect the emotional weight of her words, possibly showing a crack in his professional facade or a moment of empathy. The dark roadside, with the police lights, provides continuous visual context, linking to through . The narrative purpose is to show the effect of 's emotional outburst on , suggesting a turning point or a deeper engagement on his part.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` states that \" returns to , showing his reaction to 's plea.\" This necessitates a shot similar in framing to , , and , focusing on 's face. His expression should clearly convey a reaction to the intense emotion displayed by in , indicating either a change in his stance or a moment of internal processing. The dark roadside environment with police vehicle lights, consistent from to , will serve as the backdrop. The intent is to show the consequence of 's emotional appeal, impacting 's stoic demeanor." }, { "instruction_full": "Widen the shot from behind , similar to the perspective of but potentially from a slightly different angle, to show standing alone in the distance, her figure smaller and emphasizing her isolation. should be partially visible in the foreground, his back to the camera, while the dark roadside and police vehicle lights continue to define the environment from through . This shot aims to emphasize the emotional distance and the isolated nature of 's situation after the intense interaction.", "think_full": "This shot revisits the wider framing that established the spatial relationship between the characters in , but now from a perspective that highlights 's isolation. is present, as seen in , , , , and , but his partial back to the camera emphasizes the focus on 's vulnerability. , seen in , , , and , is now visually diminished by the distance, accentuating her loneliness after the emotional climax. The consistent dark roadside setting with police lights from through reinforces the somber atmosphere. The narrative purpose is to conclude this segment by visually encapsulating the emotional and physical distance between the characters, emphasizing the stark reality of 's situation and the lingering isolation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` describes \" provides a wider view from behind , showing from a distance and emphasizing the emotional gap and the isolation of the moment.\" This means the camera should pull back from the individual close-ups and return to a broader scene, similar to but with a clear narrative emphasis on 's isolation. should be in the foreground, his back to the camera, with visible in the background, appearing small and alone. The dark roadside environment with police lights, consistent through to , will continue. The intent is to provide a final, reflective shot that underscores the emotional and physical solitude of following the intense interaction with ." } ], "_src_movie_dir": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv", "_src_filename": "040759_041356.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/040759_041356.json", "_test_index": 15 }, { "movie": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/37912.jpg-La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40430.jpg", "images": [ { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/37912.jpg", "filename": "37912.jpg", "aesthetic": 5.449797630310059, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38149.jpg", "filename": "38149.jpg", "aesthetic": 5.421209812164307, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/38296.jpg", "filename": "38296.jpg", "aesthetic": 6.9412641525268555, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/39695.jpg", "filename": "39695.jpg", "aesthetic": 6.130064964294434, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/39785.jpg", "filename": "39785.jpg", "aesthetic": 6.351953029632568, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/39956.jpg", "filename": "39956.jpg", "aesthetic": 7.711909770965576, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40073.jpg", "filename": "40073.jpg", "aesthetic": 6.72796106338501, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40160.jpg", "filename": "40160.jpg", "aesthetic": 6.82037878036499, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40403.jpg", "filename": "40403.jpg", "aesthetic": 7.155854225158691, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/40430.jpg", "filename": "40430.jpg", "aesthetic": 7.400576591491699, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The sequence follows a young woman's journey, starting with a formal audition and then transitioning to a lively, social pool party. The narrative aims to contrast her professional aspirations and potential struggles with moments of social interaction and introspection.", "characters": [ "", "", "", "", "", "", "", "", "" ], "shot_outline": " isolates during her audition against a green screen. establishes a new, vibrant pool party setting, introducing . shows observing the party, including . focuses on smiling and interacting at the party. highlights the energetic performance of , specifically , , and . brings the focus back to , capturing a moment of thoughtful observation. shows a close-up of , suggesting a moment of concentration or reflection. returns to a dynamic shot of actively playing. concludes with standing contemplatively amidst ." }, "instruction_full": "Focus on in a medium close-up, centered, against the same vibrant green screen backdrop seen in . She should be holding a script or document, looking directly at the camera with a neutral but serious expression, suggesting she is in the midst of an audition. The camera should move from the wider shot of the panelists in to frame just her. This is to establish her as the focal point of the audition and convey her direct engagement.", "think_full": "The `global_prompt.story_setup` implies an audition beginning, and shows two panelists and a cameraperson in front of a green screen, setting the stage. To advance the narrative, the next logical step is to feature the person being auditioned, which is as indicated in the `global_prompt.shot_outline` for . Maintaining the bright green screen background from creates continuity of space, directly linking her to the audition setting. A medium close-up frames her head and upper torso, allowing her expression and the document in her hands to be clearly visible, emphasizing her role as the performer. Her direct gaze at the camera reflects the audition scenario where she'd be addressing the unseen panel or camera, fulfilling the user intent to establish her as the focal point and convey her direct engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.story_setup` implies an audition beginning, and the `global_prompt.shot_outline` for states it should isolate during the audition. establishes an audition setting with a green screen. Therefore, the next shot should logically be of (the main character) against this green screen, framed in a way that highlights her presence and participation in the audition, moving from the wider shot of the panelists in . This will establish her character and her direct engagement in the audition process." }, { "instruction_full": "Cut to a wide establishing shot of a vibrant, sunny pool party scene at a modern house, showing numerous enjoying themselves around a swimming pool. The overall mood should be lively and social, contrasting sharply with the formal setting of and . This shot serves to introduce a completely new environment and a large group of people, marking a significant shift in the story's setting and tone.", "think_full": "The `global_prompt.shot_outline` indicates a significant change in scene after the audition, moving to a pool party for . This means a completely new environment and new characters, , must be introduced. To achieve this, a wide establishing shot is necessary to capture the breadth of the new setting – a sunny outdoor pool area. This setting is distinct from the green screen room in and , so there is no visual continuity of space or characters from the previous shots to reference with tags. The narrative intent, as implied by the `story_setup` and `shot_outline`, is to introduce a lively, contrasting social environment, pulling away from the previous tense, formal audition.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for explicitly calls for an establishing shot of a pool party with , indicating a stark contrast to the preceding audition. This means moving to a completely new physical space and introducing a large group of new characters. The camera should capture a wide view of this new, vibrant outdoor setting, showing people by a pool and a modern house. This dramatically shifts the story's tone and environment from the formal audition of and to a lively social gathering, as per the `story_setup`." }, { "instruction_full": "The camera is positioned behind at the pool party from , capturing her viewpoint as she looks out at the lively scene. She is wearing a yellow top. In the background, continue to mill about, and (including , , and ) is visible on a small stage setup. This shot helps to place her within the new environment and offers a subjective perspective of the party.", "think_full": "The `global_prompt.shot_outline` for places at the party, observing. To achieve this, the shot should be taken from slightly behind her, creating a sense of her presence without fully revealing her expression, much like an over-the-shoulder shot but from further back. This shot maintains the pool party environment established in , with visible and now introduces as part of the background. is a returning character from , but her setting and attire are new. The intent is to integrate her into the new social setting and to hint at her internal state as she takes in the scene, fulfilling the narrative purpose of offering a subjective perspective.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states that it shows at the party, observing. Building on the establishing shot of the pool party in , the next logical step is to introduce (seen previously in ) into this new environment. The shot should position the camera behind her, looking out at the scene, which should include and , to convey her presence and perspective as she takes in the vibrant new setting. This connects her character to the new, contrasting environment." }, { "instruction_full": "Shift the camera to a medium close-up of (seen previously in and ), now facing towards the camera and smiling gently, engaging with someone off-screen from . She continues to wear the yellow top seen in . The background remains the sunny, lively pool party environment from and , with other visible but out of focus, suggesting her relaxed integration into the social scene.", "think_full": "The `global_prompt.shot_outline` for describes a close-up of smiling and interacting, showing her integration into the party. Having established her presence in from behind, the next logical step is to show her face and expression, bringing the audience closer to her emotional state. We see again (from and ), continuing to wear the yellow top first seen in . The spatial continuity is maintained with the pool party environment from and , with visible in the background, reinforcing the social setting. The medium close-up allows her smile to convey a sense of enjoyment or casual interaction, fulfilling the narrative of her being part of the social scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a close-up of smiling and interacting, showing her positive engagement at the party. Following her observation from behind in , the camera should now move in front of her for a medium close-up, revealing her expression. She should still be at the same pool party location from and , and dressed in the same yellow top as in . This shot brings her emotional state to the forefront, showing her enjoying the social event, a contrast to her earlier audition as implied by the `story_setup`." }, { "instruction_full": "Return to a medium-wide shot of (introduced in ) on their outdoor stage at the pool party (established in ). Frame prominently in the center, flanked by and . All members of should be actively playing their instruments and performing, with energetic expressions. The sunny, outdoor lighting from , , and should continue to illuminate the scene, emphasizing the lively atmosphere of the party. This shot is to highlight the band's performance and their role in creating the party's atmosphere.", "think_full": "The `global_prompt.shot_outline` for specifically calls for a shot of playing, focusing on key members like , , and . The band was initially glimpsed in in the background. Now, the focus shifts entirely to them. The setting remains the outdoor pool party from , , and , maintaining spatial continuity. The camera moves away from to give prominence to the band, emphasizing their energetic performance. This serves to build the ambiance of the party and potentially set up future interactions or observations related to the band, as part of the overall lively atmosphere described in the `story_setup`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for directs the focus to . Having established the overall party in and , and 's presence in and , the narrative naturally shifts to the entertainment. The band was first seen in . This shot should be a medium-wide framing of , including , , and , actively playing on their stage, within the same sunny pool party environment seen in previous shots (, , ). This highlights their performance and contributes to the party's vibrant atmosphere." }, { "instruction_full": "Revisit (seen in , , ) in a medium shot at the pool party (from , , , ). She is still wearing the yellow top from and . Her expression should be more contemplative or slightly concerned, looking off into the crowd of (also seen in previous party shots). This shot implies a shift in her internal state, contrasting with her earlier smile in .", "think_full": "The `global_prompt.shot_outline` for brings the focus back to , with an expression suggesting reflection. After showing the band's energy in , it's time to check back on the protagonist. We return to from , , and , still in the yellow top from and . The setting remains the pool party (from , , , ), with in the background, maintaining spatial and character continuity. The camera framing should be a medium shot to capture her upper body and expression, which should convey a more thoughtful or possibly wistful mood, creating a moment of subtle introspection amidst the lively party, contrasting with her earlier positive engagement.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates a medium shot of showing a moment of reflection or observation amidst the party. Having focused on the band in , the next logical step is to return to the protagonist. (from , , ) should be framed in a medium shot, still at the same pool party location (from , , , ) and in her yellow top (from , ). Her expression should convey a more pensive mood compared to her smile in , suggesting she is processing something or observing the scene more deeply, aligning with the implied introspection in the `story_setup`." }, { "instruction_full": "Cut to a close-up profile shot of (who was part of seen in and ). He is looking down, his face partially illuminated by the sunny outdoor light from the pool party (from , , , , ), suggesting concentration or a momentary introspection during or between songs. The background remains the subtle, sunny outdoor environment of the party. This shot is to highlight an individual member of the band and possibly hint at his inner thoughts or a brief pause in his performance.", "think_full": "The `global_prompt.shot_outline` for focuses on a close-up of looking down. After establishing the band's performance in and a reflective moment for in , the narrative can zoom in on another key character to deepen the scene. was seen as part of in and . This close-up isolates him, drawing attention to his individual presence. The environment remains the sunny pool party from , , , , and , maintaining continuity. His downward gaze suggests a moment of focus or perhaps contemplation, contrasting with the high energy of the band's general performance, adding a layer of individual character to the overall party atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests a close-up of looking down. Following the medium shot of in , the focus can shift to another character to add depth. , previously seen in in and , should be captured in a close-up, profile shot. He should be looking down, perhaps in thought or concentrating on his instrument, within the same sunny pool party setting from previous shots ( through ). This focuses on an individual band member, adding depth to the scene beyond just the general performance." }, { "instruction_full": "Return to a medium-wide shot of (seen in , , with specifically in ) on their stage at the pool party (from , , , , , ). All members, including , , and , should be performing energetically, with now looking up and engaged. The vibrant, sunny outdoor lighting established across all party shots continues. This shot shows the full band performance again, potentially with renewed energy or a continuation of their set.", "think_full": "The `global_prompt.shot_outline` for indicates a wider shot of playing again. After the individual focus on in , it's natural to return to the full band performance to re-establish the collective energy of the party. The shot should resemble in framing, featuring including , , and on their stage. (from , , ) should now be actively engaged and looking up, signifying a return to or continuation of the performance, contrasting his previous contemplative state. The setting is consistently the sunny pool party from , , , , , and . This reiterates the lively atmosphere and the band's contribution to it.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests a wider shot of playing. After the close-up of in , it's logical to pull back and show the full band performance once more, similar to . This shot should frame , including , (now looking up and performing, contrasting with his previous shot in ), and , on their stage at the same sunny pool party from previous shots ( through ). This reinforces the energetic party atmosphere and the band's role in it, as highlighted in the `story_setup`." }, { "instruction_full": "Frame (seen in , , , ) in a medium full shot, standing amongst (seen in all party shots from onwards) at the pool party (from , , , , , , ). She is still wearing the yellow top from , , . Her expression should be more pensive or wistful, as if she's observing the scene and reflecting. The background shows the continuing lively atmosphere of the party. This shot emphasizes her solitary presence amidst the crowd, suggesting a deeper emotional state.", "think_full": "The `global_prompt.shot_outline` for indicates a full body shot of standing amidst , with a more somber or contemplative expression. Following the renewed focus on the band in , it's appropriate to return to the protagonist for a final shot in this sequence, deepening her character's emotional arc. We see again (from , , , ), continuing to wear her yellow top (from , , ). The setting is consistently the pool party, with from , , , , , , and still surrounding her. A medium full shot allows her entire posture and updated expression to convey a sense of introspection or detachment despite being physically present at the festive event, aligning with the narrative's exploration of her inner life.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for describes a full body shot of standing amidst the with a contemplative expression. As the sequence nears its end, the focus shifts back to the protagonist. (from , , , ) should be framed in a medium full shot, still in her yellow top (from , , ), at the same pool party setting from all previous party shots ( through ). Her expression should be pensive, reinforcing a sense of personal reflection or perhaps a feeling of being an outsider, despite being in the middle of a lively crowd, fulfilling the `story_setup`'s implied contrast." } ], "_src_movie_dir": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "037912_040430.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/037912_040430.json", "_test_index": 32 }, { "movie": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv", "N": 10, "sample_id": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/148600.jpg-The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149903.jpg", "images": [ { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/148600.jpg", "filename": "148600.jpg", "aesthetic": 5.789820671081543, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/148703.jpg", "filename": "148703.jpg", "aesthetic": 6.8189697265625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/148781.jpg", "filename": "148781.jpg", "aesthetic": 5.615130424499512, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149009.jpg", "filename": "149009.jpg", "aesthetic": 5.133004188537598, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149159.jpg", "filename": "149159.jpg", "aesthetic": 5.74454927444458, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149588.jpg", "filename": "149588.jpg", "aesthetic": 4.590446949005127, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149634.jpg", "filename": "149634.jpg", "aesthetic": 4.790463447570801, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149822.jpg", "filename": "149822.jpg", "aesthetic": 5.285292625427246, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149853.jpg", "filename": "149853.jpg", "aesthetic": 6.202329158782959, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/149903.jpg", "filename": "149903.jpg", "aesthetic": 5.6186604499816895, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative begins in a cold, wintry, possibly fantastical landscape, setting a mysterious and adventurous tone. We are introduced to key characters who appear to be embarking on or involved in a significant journey. The visual style is characterized by cool, muted blues and subtle lighting, emphasizing the harsh yet beautiful environment and the contemplative mood of the characters.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " introduces as a counterpoint or partner to , highlighting the setting with background elements. returns to for an emotional beat. then shifts to an unexpected new character, , introducing a fantastical element and a new mode of transport. abruptly changes location to an institutional, controlled environment, introducing and , suggesting conflict or pursuit. returns to the airship, establishing its movement above clouds and showing the journey of and . provides a closer look at and on the airship, allowing for character interaction. focuses on 's expression. captures a moment of intensity for . concludes the sequence with 's direct gaze, reinforcing her role." }, "instruction_full": "Shift the camera to a medium close-up, similar in framing to , but now center on . He should stand in the same cold, snowy, dark blue-lit outdoor environment established in , with subtle background elements hinting at a larger group or camp in the distance, partially obscured by the muted light. should have a serious, watchful expression, to introduce him as another key character in this harsh environment and to suggest a shared, perhaps uncertain, journey.", "think_full": "The 'global_prompt' establishes a cold, mysterious, adventurous tone and a focus on characters within a journey. The 'shot_outline' for specifically calls for introducing and showing the setting. To achieve this, the camera will maintain a medium close-up, mirroring the shot of in , to create a sense of visual continuity between the two young characters and emphasize their importance. The environment will be a direct continuation of the cold, snowy, dark blue-lit landscape from , reinforcing the established setting. Introducing with a serious, watchful expression contrasts with 's smile in , hinting at the challenges ahead. The background details in will suggest the presence of other people or a camp, expanding on the solitary feel of while remaining consistent with the overall cold, muted aesthetic.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' indicates a story about a journey in a cold, mysterious setting with specific characters. The 'shot_outline' for explicitly states it should introduce and show background elements related to the setting. Based on , which features in a medium close-up in a cold, snowy, blue-lit environment, the next shot should logically introduce another young character from the story, , maintaining a similar camera distance and the established atmospheric setting. His expression should reflect the serious tone of the overall narrative, potentially contrasting with 's initial expression in . The background should subtly expand on the world, showing other figures or structures consistent with the environment established in , to fulfill the 'background elements' requirement." }, { "instruction_full": "Return the camera to a medium close-up of , similar to but with a slightly different angle, focusing on her more pensive expression. She should still be in the same cold, snowy, dark blue-lit outdoor environment established in and continued in . Her expression should be thoughtful or slightly concerned, to indicate a shift in mood or a deeper understanding of their situation after the introduction of .", "think_full": "The 'global_prompt' outlines a mysterious and adventurous journey. The 'shot_outline' for specifies a return to for an emotional beat. To achieve this, we will reuse the medium close-up framing and the cold, snowy, dark blue-lit outdoor environment from and , reinforcing the continuous setting and the two young characters' shared experience. By changing her expression from the smile in to a pensive or concerned look, we convey a narrative development—perhaps a reflection on their situation or a response to 's seriousness in . This visual shift helps to build the emotional depth of the character and the unfolding story.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' and 'shot_outline' indicate a continuous narrative focusing on characters within a cold, adventurous setting. is planned to return to for an 'emotional beat'. Given that showed smiling and showed looking serious in the same environment, it's logical to bring the focus back to . To convey an 'emotional beat' and suggest character development, her expression should evolve from her initial appearance in . The camera framing (medium close-up) and the environment (cold, snowy, dark blue-lit outdoors) should remain consistent with and to maintain visual continuity while allowing for the subtle emotional change." }, { "instruction_full": "Transition to a new, wider shot of standing on a fantastical flying contraption, high above the ground. This introduces a new character and a new, elevated setting, dramatically shifting the environment from the snowy plains of , , and . The background should consist of dark, cloudy skies, maintaining the cool, blue lighting aesthetic but now emphasizing height and vastness. should appear weathered but commanding, conveying an air of authority and experience.", "think_full": "The 'global_prompt' hints at an adventurous journey, and the 'shot_outline' for explicitly calls for introducing and a 'fantastical element' (the airship), drastically changing the location from the snowy ground of , , and . This requires a brand-new environment with no visual link to previous shots. The switch to a wider shot helps establish the scale of the new flying contraption and the vastness of the sky. While the setting is new, maintaining the cool, blue lighting from earlier shots provides a subtle tonal consistency with the overall story mood. Introducing as weathered and commanding immediately establishes his role in this fantastical new aspect of the journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' sets an adventurous tone. The 'shot_outline' for indicates a complete shift: introducing and a 'fantastical element' (the airship). This means moving away from the ground-level snowy environment seen in , , and . The next shot should therefore be in a new location, showcasing this fantastical element, likely an airship or similar flying vehicle. should be the central figure, and the background should reflect the high altitude, such as clouds and sky, while retaining the overall cold, blue color palette established in the earlier images to maintain a consistent mood. The camera angle should be wide enough to establish the new setting and the character's presence within it." }, { "instruction_full": "Cut to an entirely new interior setting, a dark, institutional hallway with guarded gates or doors, distinct from the outdoor snowy landscape of , , , and the airship setting of . Frame from behind, walking towards a gate, with two standing guard to the left. The lighting should be cold and industrial, establishing a sense of control and potential menace, dramatically contrasting with the open, natural, or aerial environments seen so far. This shot introduces new characters and a new location, suggesting a separate, possibly opposing, narrative thread.", "think_full": "The 'global_prompt' hints at elements of conflict and authority, and the 'shot_outline' for specifically calls for a dramatic shift to an institutional, controlled environment, introducing and . This is a brand-new physical location and new characters, completely disconnected visually from the snowy outdoors of , , , and the airship of . The cold, industrial lighting and the presence of guards immediately establish a stark, authoritarian atmosphere, signaling a different facet of the story or a new challenge. Framing from behind adds to her mysterious and imposing presence, while the visible guards reinforce the controlled nature of this new environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' implies diverse narrative threads. The 'shot_outline' for dictates an abrupt change to an 'institutional, controlled environment' and the introduction of and , completely shifting from the previous outdoor and aerial settings ( to ). Therefore, the next shot must be in a distinct new indoor location, likely a sterile or imposing space, populated by new characters like guards and an authoritative figure. The visual style should convey a sense of order, perhaps coldness or threat, contrasting with the adventurous or natural themes seen before. The lighting should reflect this shift to an interior, controlled space, likely artificial and stark, moving away from the natural blue light." }, { "instruction_full": "Return to a wide shot of the fantastical flying contraption from , now seen from a distance, traveling high above a sea of clouds. Two figures, and , are visible on its deck, emphasizing their journey and the vastness of the world below. The environment continues the dark, cloudy sky and blue lighting established in , reinforcing the ongoing aerial journey and contrasting with the restrictive interior of . This shot reiterates the adventure and provides a sense of scale.", "think_full": "The 'global_prompt' sets an adventurous tone, and the 'shot_outline' for indicates a return to the airship, establishing its movement above clouds and showing the journey of and . After the abrupt shift to the institutional interior in , returning to the airship (first seen in ) re-establishes the sense of freedom and ongoing journey. The wide shot maintains the perspective of height and vastness from . While was introduced in , this shot also introduces as a companion on the airship journey. The consistent dark, cloudy, blue-lit atmosphere from maintains visual continuity for this storyline, making the contrast with even more pronounced.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' indicates an adventurous journey. The 'shot_outline' for specifies a return to the airship, showing its movement and the journey of and . Following the stark, interior shot of , the narrative needs to switch back to the main adventure thread. This means revisiting the airship environment introduced in . The shot should be wide to convey the vastness and scale of their journey above the clouds, continuing the dark, cloudy, blue-lit aesthetic from . It needs to visibly include (introduced in ) and introduce as a new character traveling with him, establishing their presence on the airship's deck." }, { "instruction_full": "Move the camera to a medium shot on the deck of the fantastical flying contraption from and , now focusing more closely on and . They should be standing side-by-side, looking out over the cloudy expanse. The cool, blue lighting and dark, cloudy background from and are maintained. is recognizable by his hat and attire from and , while is now seen more clearly, wearing a dark, flowing garment, establishing her presence and interaction with .", "think_full": "The 'global_prompt' emphasizes the adventurous journey, and the 'shot_outline' for calls for a closer look at and on the airship, allowing for interaction. After establishing the airship and their general presence in , this shot zooms in to a medium distance to enable a clearer view of the characters and their relationship. The environment (airship deck, cloudy sky, cool blue lighting) is a direct continuation from and . is a returning character from and , and is now seen in more detail, having been introduced as a distant figure in . This closer framing facilitates future character-focused shots and dialogue, building on the dynamic between them.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' focuses on an adventurous journey with characters. The 'shot_outline' for specifies a closer look at and on the airship to allow for interaction. Having established the airship's journey and their presence on it in (and the airship captain in ), the next logical step is to bring the camera in closer. This medium shot should clearly show both and on the deck of the airship, maintaining the dark, cloudy, blue-lit environment from and . This closer framing is necessary to enable character focus and potential emotional beats in subsequent shots, fulfilling the 'interaction' goal." }, { "instruction_full": "Transition to a close-up of from , seen from an angle where part of 's hat (from ) is visible in the foreground. She should have a pensive or slightly troubled expression, creating an emotional beat. The background maintains the dark, cloudy, blue-lit atmosphere of the aerial journey from , , and , keeping the focus on her emotional state amidst the ongoing adventure.", "think_full": "The 'global_prompt' emphasizes character emotions within the adventure, and the 'shot_outline' for calls for focusing on 's expression. Following the medium shot of both characters in , a close-up on allows for a deeper exploration of her emotions, as her expression in was still somewhat distant. Including part of 's hat in the foreground provides continuity from , reinforcing their shared space and implying an ongoing conversation or shared moment. The consistent dark, cloudy, blue-lit environment from , , and maintains the established setting for this emotional beat.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' suggests an adventurous journey with character development. The 'shot_outline' for specifically asks to focus on 's expression. After showed her alongside , a close-up on her face is the natural progression to reveal her emotional state. The background should continue the dark, cloudy, blue-lit aerial environment from , , and . To maintain continuity and context from , a subtle visual cue like part of 's hat in the foreground would be appropriate, indicating their proximity and interaction. This shot needs to clearly capture her facial expression to convey the 'emotional beat' specified in the outline." }, { "instruction_full": "Cut to a close-up of from and , seen from a low angle, emphasizing his rugged features and intense, serious expression. This provides a direct counterpoint to 's emotional beat in . The background remains the dark, cloudy, blue-lit sky from , , , and , reinforcing the environment and the intensity of his gaze.", "think_full": "The 'global_prompt' focuses on character interplay during the adventure. The 'shot_outline' for specifies capturing a moment of intensity for . After the close-up on 's pensive expression in , it is narratively effective to cut to for his reaction or an intense thought, creating a sense of dialogue or shared gravity. is a returning character from , , , and . A close-up, possibly from a slightly lower angle, can amplify his presence and the seriousness of his expression. The consistent dark, cloudy, blue-lit background from previous airship shots (, , , ) firmly places this emotional moment within the ongoing aerial journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' and 'shot_outline' indicate a focus on character emotions and development within the adventure. is planned to capture a moment of intensity for . Following , which focused on 's pensive expression, it's logical to cut to (a returning character from , , , ) to show his reaction or perspective. A close-up shot will best convey his intensity. The background should consistently be the dark, cloudy, blue-lit sky, continuing the environment from , , , and , placing this intense moment within their ongoing journey." }, { "instruction_full": "Return to a close-up of from and , with a more direct and determined expression than in . The camera angle might be slightly different to reflect a shift in her resolve or a direct response to 's intensity in . The background should maintain the dark, cloudy, blue-lit atmosphere of the aerial journey from , , , , and , keeping the focus on her resolute emotional state.", "think_full": "The 'global_prompt' suggests character development and interaction throughout the journey. The 'shot_outline' for indicates a conclusion for the sequence with 's direct gaze, reinforcing her role. After the intense close-up of in , returning to (a returning character from , , and ) for a close-up provides a strong character-focused ending to this segment. Her expression, now more direct and determined compared to her pensive look in , shows a clear progression in her character's resolve or her response to the previous interaction. The consistent dark, cloudy, blue-lit background from the airship journey (, , , , ) maintains visual continuity and enhances the dramatic impact of her gaze.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt' and 'shot_outline' hint at a culmination of emotional beats, with concluding the sequence with 's direct gaze. Following the intense close-up of in , the narrative logic dictates returning the focus to (a returning character from , , ). This final close-up should demonstrate a shift in her expression, perhaps from pensive (as in ) to determined or resolved, in response to the preceding interactions. The camera should maintain a close-up, and the background must continue the consistent dark, cloudy, blue-lit aerial environment from , , , , and , to provide a strong, character-centric closure to this part of the story." } ], "_src_movie_dir": "The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv", "_src_filename": "148600_149903.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Golden.Compass.2007.2160p.BluRay.DDP7.1.x264-MOMOHD.mkv/148600_149903.json", "_test_index": 37 }, { "movie": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv", "N": 10, "sample_id": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71482.jpg-Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/73484.jpg", "images": [ { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71482.jpg", "filename": "71482.jpg", "aesthetic": 5.7258453369140625, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71658.jpg", "filename": "71658.jpg", "aesthetic": 5.926934242248535, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71766.jpg", "filename": "71766.jpg", "aesthetic": 5.911013603210449, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71820.jpg", "filename": "71820.jpg", "aesthetic": 5.712278842926025, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/71934.jpg", "filename": "71934.jpg", "aesthetic": 5.954135894775391, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/72192.jpg", "filename": "72192.jpg", "aesthetic": 6.315836429595947, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/73127.jpg", "filename": "73127.jpg", "aesthetic": 6.334090232849121, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/73256.jpg", "filename": "73256.jpg", "aesthetic": 6.12586784362793, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/73289.jpg", "filename": "73289.jpg", "aesthetic": 6.212000846862793, "musiq": 0.0 }, { "tag": "", "rel_path": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/73484.jpg", "filename": "73484.jpg", "aesthetic": 6.239594459533691, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence captures a quiet, intimate evening unfolding between a husband and wife in their cozy, lived-in home. The tone is warm and domestic, focusing on shared moments and subtle emotional exchanges as they prepare for a relaxing time together, centered around opening wine.", "characters": [ "", "" ], "shot_outline": " introduces happily presenting a bottle of wine, contrasting with 's initial contemplative mood. returns to , showing his softened reaction. focuses on displaying another wine bottle, engaging directly with . shows smiling, indicating his full positive response. establishes both and together in the kitchen, beginning to prepare. focuses on listening or reacting in the kitchen. cuts to holding wine glasses, furthering their shared activity. returns to for his reaction. concludes the conversation with speaking." }, "instruction_full": "Shift the camera to a medium shot, introducing a new character, , happily holding up a bottle of wine, smiling warmly. The setting should continue to be the cozy home from , now revealing a wine rack or a similar display in the background, maintaining the warm, soft lighting, to show her enthusiasm and to draw further into the evening's activity.", "think_full": "The story setup calls for the introduction of to establish the domestic scene. From , we see in a doorway, looking inward. This shot naturally follows by cutting to what he is looking at. The camera shifts from 's mid-shot of to introduce in a medium shot, providing a fresh perspective while keeping the warm, inviting atmosphere consistent with the background elements (lamp, cozy decor) seen in . 's happy expression and the wine bottle serve to contrast with 's more subdued look in , initiating a positive interaction and setting the scene for a relaxed evening. The wine rack in the background visually reinforces the theme of the evening and connects to the bottle is holding.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, combined with the global prompt's story setup and shot outline for , the logical next step is to introduce the other main character, . The shot outline for explicitly states it should 'introduce happily presenting a bottle of wine, contrasting with 's initial contemplative mood.' Building on which shows looking into a warm, domestic interior, the next shot should reveal what he's observing. Therefore, I need to show in a medium shot, in the same cozy home environment from , expressing joy and holding a bottle of wine, fulfilling the narrative purpose of introducing her enthusiasm and the evening's theme." }, { "instruction_full": "Return the camera to the previous framing and position from , featuring still in the doorway, but now with a slightly softened, perhaps amused or receptive expression. The same warm, domestic lighting and doorway setting from should be maintained, to show 's reaction to 's enthusiastic wine presentation in .", "think_full": "To follow the established interaction between and , a cut back to is necessary after 's introduction in . Reusing the camera angle and framing from provides visual continuity for 's perspective, making the shift natural. His expression needs to evolve from his initial contemplative state in to reflect his response to 's cheerful presentation in , suggesting his mood is lifting. The doorway setting and warm domestic lighting from are maintained to ensure spatial consistency and reinforce the cozy atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction, coupled with the global prompt and previous shots, indicates a natural progression in the conversation. After showed presenting wine, in the shot outline specifies 'returns to , showing a slightly different expression, still in the doorway.' This means returning to 's visual presence from , maintaining the doorway setting and ambient lighting. His expression should subtly change to reflect his reaction to 's actions in , implying engagement and a shift in mood." }, { "instruction_full": "Cut back to a close-up shot of , similar to but slightly tighter, as she holds up a different bottle of wine, now looking directly at the camera (representing 's viewpoint) with an inquisitive or explanatory expression. The background should continue to show the wine rack and cozy domestic decor established in , maintaining the intimate, warm lighting, to emphasize her active role in the wine selection and her engagement with .", "think_full": "After seeing 's reaction in , the narrative demands a return to to continue the interaction, particularly regarding the wine. The camera maintains an 'over the shoulder' viewpoint from 's perspective (established by the consistent framing of in the doorway in and ), focusing on . The framing tightens from to emphasize the new bottle and her expression. Her holding a different bottle and her direct gaze reinforces her engagement and decision-making role. The wine rack from and the warm lighting remain consistent to ensure environmental continuity and thematic cohesion.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the minimal instruction and referencing the shot outline for , which states, 'focuses on showing a different bottle of wine, talking directly to ,' I need to show again. Given was a reaction shot of , the logical next step is to cut back to . The shot should be a close-up, similar to , showing her with another bottle of wine and an expressive look, implying she's speaking or explaining something to . The background should maintain the domestic setting and wine storage area seen in ." }, { "instruction_full": "Revert the camera to the same framing and position used for in and . should be in the doorway, now displaying a clear, warm smile, indicating his approval and pleasure. The familiar doorway setting and soft, warm lighting from and are retained, to visually confirm his positive response to 's wine selection and to signify a shift to a lighter, more agreeable mood.", "think_full": "With 's presentation of a second wine option in , the narrative expects a decisive reaction from . Returning to the established framing of in the doorway from and provides clear visual continuity for his character's arc. His shift from thoughtful (in ), to receptive (in ), to now smiling (in this shot) marks a progression in their interaction. This positive expression solidifies his agreement and moves the story forward into a shared activity. The consistency of the doorway setting and lighting from and grounds the scene in their home.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction prompts a continuation of the conversation. The shot outline for indicates 'shows smiling, indicating a positive response to .' This implies returning to 's shot, reusing the camera setup from and . His expression should now be clearly happy, acknowledging 's choice from . The consistent doorway and domestic background from previous shots of should remain." }, { "instruction_full": "Transition to a wider, mid-shot, establishing a new part of the house: the kitchen. Both and are now present together. is actively engaged in opening a container or bottle on a counter, while stands nearby, looking on with a gentle, attentive expression. The kitchen should be casually lived-in, with shelves and various items visible, differing from the previous hallway but maintaining the overall warm, domestic lighting. This shot aims to establish their joint activity and shared presence in a new, functional space.", "think_full": "Having established 's positive response in , the logical next step is for them to move from the entryway discussion to a shared activity. The shot outline for explicitly states, 'Establishes both and in the kitchen, engaged in a joint activity.' This necessitates a new camera setup to reveal a new part of their home, the kitchen, which visually progresses their evening plans. The wider framing shows both and together, visually confirming their shared presence and the start of a joint task, unlike the previous back-and-forth cutting between them in separate spaces ( to ). While the specific background elements change to reflect a kitchen environment, the overall warm, domestic lighting style is carried over from through to maintain a consistent mood for their home.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction, the shot outline for guides the creation: 'Establishes both and in the kitchen, engaged in a joint activity.' This implies a change of setting from the doorway/wine rack area seen in - to a kitchen. Both (seen in , , ) and (seen in , ) should be present, indicating a progression in their evening. The shot needs to be wider to encompass both characters and the new kitchen environment, showing them involved in a preparation task, maintaining the warm, cozy home atmosphere." }, { "instruction_full": "Cut to a close-up of , similar in framing to or but now clearly within the kitchen setting established in . He should be looking thoughtfully or listening, perhaps with a slight, subtle smile. The background should subtly show elements of the kitchen from , maintaining the warm, inviting light, to capture his internal processing of the shared moment and highlight his engagement in the activity with .", "think_full": "After establishing both characters together in the kitchen in , the narrative can now return to individual reactions. The shot outline for specifies 'Close-up of reacting or listening in the kitchen.' This suggests a return to a familiar close-up framing of (reminiscent of or where he was also featured individually), but critically, placing him within the new kitchen environment seen in . His expression should convey engagement and thought, continuing the gentle, positive mood. The kitchen background from ensures spatial continuity in this new location, and the warm lighting maintains the domestic tone.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction, combined with the shot outline for which states 'Close-up of reacting or listening in the kitchen,' directs the next shot. After established both and in the kitchen, a close-up on is needed to show his individual reaction or engagement. The camera should frame him similarly to his previous individual shots (, , ), but with the kitchen background from clearly visible, and his expression should be attentive or thoughtful to reflect the ongoing interaction." }, { "instruction_full": "Cut to a close-up of , mirroring the framing style of , as she holds up two empty wine glasses, looking directly at the camera with an animated expression, possibly speaking or making a gesture. The kitchen background from and should remain visible, consistently lit with the warm, domestic glow, to highlight her active participation and her role in orchestrating the next stage of their shared evening.", "think_full": "Following 's thoughtful close-up in , the narrative moves back to to show her continued activity and engagement. The shot outline for says 'Close-up of holding wine glasses, possibly explaining something or inviting.' A close-up framing similar to creates a visual rhythm and maintains intimacy. is now holding wine glasses, indicating the next step in their wine-themed evening, and her animated expression reflects her active role. The kitchen background and warm lighting from and are preserved to ensure continuous setting and mood.", "instruction_minimal": "generate the next shot", "think_minimal": "With the minimal instruction, I refer to the global prompt's shot outline for : 'Close-up of holding wine glasses, possibly explaining something or inviting.' This means cutting back to from . She should be in a close-up, similar to how was framed, in the same kitchen environment seen in and . She should be holding wine glasses, indicating preparation, and have an expressive face suggesting she is talking or inviting to join in the next step." }, { "instruction_full": "Return to a close-up of , matching the framing from , as he looks with a gentle, appreciative, or contemplative expression, maintaining eye-line with 's shot from . The kitchen setting from , , and should continue to provide the background, lit with the consistent warm light, to show his ongoing engagement and soft reaction to 's actions.", "think_full": "After presented the wine glasses in , the narrative naturally requires a return to to show his reaction. The shot outline for specifies 'Returns to with a thoughtful expression.' Reusing the close-up framing from on maintains visual continuity and intimacy. His expression should reflect a continued positive engagement, perhaps thoughtful or appreciative, in response to 's readiness. The kitchen background from , , and solidifies the shared domestic space and activity, reinforced by the warm lighting.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction, along with the shot outline for ('Returns to with a thoughtful expression'), indicates a cut back to . This shot should be a close-up, echoing the framing of , and set within the kitchen established in and consistently shown in and . His expression should convey a thoughtful or appreciative response to 's actions from , maintaining the flow of their interaction." }, { "instruction_full": "Cut back to a close-up of , maintaining the framing style from . She should be looking directly at the camera (from 's viewpoint) with an engaged and warm expression, possibly in the middle of speaking. The kitchen background, consistent with , , , and , with its soft, warm lighting, should remain visible, to conclude the sequence by focusing on her continued conversation and the shared intimacy.", "think_full": "The final shot in this sequence, as per the shot outline for , is to 'conclude the conversation with speaking.' After 's reaction in , cutting back to provides a sense of a completed conversational loop or the next step in their discussion. Reusing the close-up framing from on maintains the established visual rhythm and intimacy. Her engaged expression suggests she is actively speaking or concluding a thought. The consistent kitchen background and warm lighting from through reinforce the domestic, intimate setting, bringing the sequence to a gentle close.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the minimal instruction and the shot outline for ('concludes the conversation with speaking'), the final shot should be a close-up of . This shot should visually match the framing of , showing her engaged in conversation, perhaps with a warm expression. The kitchen background from , , , and should remain consistent, providing a unified sense of place for their shared activity." } ], "_src_movie_dir": "Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv", "_src_filename": "071482_073484.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Sideways.2004.2160p.4K.WEB.x265.10bit.AAC5.1-[YTS.MX].mkv/071482_073484.json", "_test_index": 38 }, { "movie": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv", "N": 10, "sample_id": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/30950.jpg-20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/32225.jpg", "images": [ { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/30950.jpg", "filename": "30950.jpg", "aesthetic": 6.264080047607422, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31012.jpg", "filename": "31012.jpg", "aesthetic": 7.325700283050537, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31088.jpg", "filename": "31088.jpg", "aesthetic": 6.068958282470703, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31153.jpg", "filename": "31153.jpg", "aesthetic": 6.12953519821167, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31200.jpg", "filename": "31200.jpg", "aesthetic": 7.103794574737549, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31400.jpg", "filename": "31400.jpg", "aesthetic": 6.733870029449463, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31403.jpg", "filename": "31403.jpg", "aesthetic": 6.752501487731934, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31575.jpg", "filename": "31575.jpg", "aesthetic": 6.2185211181640625, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/31750.jpg", "filename": "31750.jpg", "aesthetic": 7.0819830894470215, "musiq": 0.0 }, { "tag": "", "rel_path": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/32225.jpg", "filename": "32225.jpg", "aesthetic": 6.018035888671875, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Three women are in a brightly colored, somewhat dated kitchen, engaged in a conversation. The atmosphere is domestic and conversational, with an underlying current of focused discussion or disagreement.", "characters": [ "", "", "" ], "shot_outline": " isolates to show her pensive reaction. cuts to as she prepares to speak or react. focuses on listening intently. returns to , showing her making an emphatic point. captures 's focused and perhaps subtly conflicted reaction. highlights 's continued passionate explanation. again shows processing the information with a serious expression. focuses on as she concludes her statement or asks a pointed question. returns to the wide shot of all three, showing the group dynamic after the intense exchange." }, "instruction_full": "The camera should move from the medium-wide shot of to a tighter medium shot, focusing on from a slightly higher angle, capturing her expression. She should be seated at the same wooden table from , wearing her distinctive patterned shirt, looking upwards and to the right with a pensive or slightly annoyed expression. The vibrant kitchen environment, including the green stove and yellow elements seen in , should remain visible in the background, to establish continuity within the same domestic space, to highlight her current emotional state in response to the conversation.", "think_full": "To generate , the focus shifts from the overall group dynamic in to a more intimate look at . The camera moves in to a medium shot, framing her from the side as seen in , allowing her subtle facial expression to convey her reaction to what was saying. She remains seated at the same wooden table and in the same patterned shirt as established in . The background should maintain the visual continuity of the kitchen from , with its characteristic yellow cabinets and green stove, confirming they are in the same setting. Her pensive gaze upwards and slightly to the right suggests she is processing information or considering a response, aligning with the narrative intent to show her reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires inferring the next shot's content. Based on the global_prompt.shot_outline, should focus on reacting. established sitting at the table, facing away from the camera. Therefore, the camera should move to a closer shot of , likely from a side angle, to reveal her expression. She should remain in the same kitchen environment and wear the same attire as seen in , maintaining visual continuity. Her expression should convey thought or a subtle emotional response to the ongoing conversation, setting up her role in the dialogue." }, { "instruction_full": "Shift the camera from the tighter shot on in to a medium-close up on , who was previously standing in the background in . She should be standing at the yellow kitchen counter, looking slightly off-camera with a thoughtful or slightly troubled expression, perhaps adjusting her hair. The bright kitchen environment, particularly the yellow cabinets and the window letting in natural light from , should remain as her backdrop to emphasize the continuity of the setting, to show her processing the conversation or preparing to speak again.", "think_full": "Following the reaction shot of in , the narrative shifts back to to continue the conversation or show her reaction to what was just said. The camera moves from in to frame in a medium-close up, similar to how she was positioned in standing at the counter, emphasizing her current emotional state or next contribution. She still has her distinctive red hair and red shirt as seen in . The vibrant yellow kitchen, visible in and , with its distinctive cabinets and window light, provides a continuous backdrop, ensuring the audience knows they are in the same domestic setting. Her thoughtful expression and hand gesture suggest a moment of reflection or preparation before speaking.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction combined with the global_prompt.shot_outline indicates that should focus on a reaction or continuation of speech from . Since she was prominently speaking in , it makes sense to cut to her for her response. The shot should be a medium-close up to capture her expression. She should be standing in the same kitchen setting as established in and , specifically near the yellow cabinets and window. Her posture and expression should convey either her internal thoughts or the start of her next statement, advancing the conversational flow." }, { "instruction_full": "Transition the camera from the medium-close up on in to a similar medium-close up on , who was seated silently at the table in . She should be framed at the same wooden table as seen in and , looking off-camera with a contemplative or slightly concerned expression. The background should continue the bright yellow kitchen counter and white tiled wall from , with natural light from a window, to maintain environmental continuity while highlighting her role as an observer in the discussion.", "think_full": "After shots focused on in and in , serves to bring into focus, as per the global_prompt.shot_outline. The camera moves to capture her reaction, maintaining a similar medium-close up framing to the previous shots for consistency in intimacy. She remains seated at the same wooden table as established in and , and her light-colored, striped shirt is consistent with . The distinctive yellow cabinets and tiled wall of the kitchen, visible in , , and , continue to serve as the backdrop, firmly rooting the scene in the same location. Her contemplative expression indicates she is absorbing the ongoing conversation, acting as a quiet but important participant.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction and the global_prompt.shot_outline for , the next logical step is to feature and her reaction. Since showed her seated at the table, a medium-close up of her at that table, revealing her expression, would be appropriate. The environment should clearly be the same yellow kitchen as seen in , , and , to ensure continuity. Her expression should indicate listening and internal processing of the discussion." }, { "instruction_full": "Return to a medium shot on , similar to the framing in , maintaining her position at the wooden table. However, now she should be actively gesturing with both hands, looking towards an off-camera interlocutor, conveying emphasis or persuasion. The familiar kitchen interior from , with the turquoise stove visible in the background as in , should provide a consistent environment, to show her taking a more assertive stance in the discussion.", "think_full": "The global_prompt.shot_outline directs to return to making a point. This requires re-framing her in a similar medium shot as in , where she was shown reacting. She continues to wear the same patterned shirt and is seated at the same wooden table as established in and . Her body language, specifically the use of both hands for gesturing, indicates increased engagement and assertiveness in the conversation, contrasting with her more pensive look in . The background remains the distinct kitchen from , with the turquoise stove on the left as seen in , ensuring spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline suggests that should feature making a point. This implies a return to her perspective after the focus on the others. She was last seen in in a medium shot. The camera should return to her, likely with a similar framing, but her pose should be more active, indicating she is speaking with conviction. The kitchen environment from , , , and must be maintained for continuity. Her gestures will convey her emphasis." }, { "instruction_full": "Cut back to a medium-close up on , mirroring the framing and position from . She should be seated at the same wooden table, looking off-camera intently, but now with a hand slightly raised or posed, indicating a subtle shift in her engagement or perhaps a nascent disagreement with what was saying in . The yellow kitchen counters and white tiled background from and should remain visible, providing a consistent setting to emphasize her focused attention on the ongoing discussion.", "think_full": "To follow the assertive statement by in , needs to show 's reaction, as guided by the global_prompt.shot_outline. The framing should return to a medium-close up on her, consistent with , reinforcing her quiet but engaged role. She continues to wear the same striped shirt and is seated at the same wooden table as established in and . Her attentive gaze and subtle hand gesture suggest she is processing or perhaps reacting internally to the points made by in . The familiar yellow kitchen environment from , , and other preceding shots maintains spatial continuity.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the global_prompt.shot_outline, needs to show 's attentive reaction to the preceding statement. She was previously shown in a medium-close up in . The camera should return to this framing, emphasizing her expression and perhaps a subtle gesture. She must be in the same kitchen environment as established in through , seated at the table. Her expression should convey deep thought or a nuanced response to the ongoing argument." }, { "instruction_full": "Shift back to in a medium shot, continuing the visual rhythm established in and . She should be seated at the table, now with an even more intense expression and animated hand gestures, directly addressing the off-camera interlocutor. The kitchen environment, including the prominent turquoise stove from and , should remain clearly visible in the background, serving as a consistent setting for the escalating conversation and emphasizing her continued argumentation.", "think_full": "As per the global_prompt.shot_outline, should depict continuing her argument or explanation. This necessitates a return to her perspective, using a medium shot similar to and . She maintains her attire and position at the wooden table from , , and . Her gestures appear more pronounced than in , indicating heightened passion or urgency in her speech. The kitchen setting, with the turquoise stove and yellow details from , , and , provides the constant backdrop, signaling an ongoing, possibly escalating, family discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline dictates that should show continuing her argument. This requires a return to her. Given the previous shots on her (, ), a medium shot from a similar angle would be appropriate. Her pose should indicate active speaking, perhaps with more intense gesturing than before to convey escalation. The background must be the familiar kitchen, maintaining visual continuity with through ." }, { "instruction_full": "Cut back to a medium-close up on , matching the framing and perspective of and . She should be seated at the same table, intently focused off-camera, with a serious and contemplative expression, perhaps subtly shifting her body language or posture in response to 's passionate words in . The yellow kitchen counters and white tiled wall from , , and should remain as the background, reinforcing the continuous environment and emphasizing her deep engagement in the discussion.", "think_full": "After 's intense statement in , must show processing this information, as per the global_prompt.shot_outline. The camera returns to her, using the established medium-close up framing from and to maintain intimacy and focus on her reaction. She remains at the wooden table, wearing the same shirt as seen in , , and . Her expression is serious and thoughtful, reflecting the weight of the ongoing conversation, particularly following the forceful argument from in . The consistent kitchen backdrop from through ensures environmental stability.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the global_prompt.shot_outline, should focus on processing information. This means returning to her point of view. She was last seen in a medium-close up in . The camera should return to a similar framing, highlighting her contemplative expression and subtle body language in response to the preceding argument. The familiar kitchen environment from to must be maintained for continuity." }, { "instruction_full": "Cut back to a medium shot of , similar to , , and . She should be seated at the table, perhaps holding a pen or pointer, with a focused and resolved expression, making a final point or posing a question to the off-camera interlocutor. The kitchen with its turquoise stove, visible in previous shots like and , should continue to serve as the background, maintaining spatial consistency and concluding her segment of the conversation.", "think_full": "As directed by the global_prompt.shot_outline, needs to return to to show her concluding her statement or asking a final question. This requires a re-framing of her in a medium shot, consistent with her previous appearances in , , and . She is still in the same patterned shirt and at the wooden table from . Her expression here should convey a sense of finality or expectation after her intense arguments in and . The addition of a pen in her hand suggests emphasis or a definitive action. The kitchen environment from through , including the turquoise stove, remains the consistent backdrop.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates a return to to conclude her part of the discussion. This suggests another medium shot of her, similar to , , and . Her expression and posture should reflect the end of her turn in the conversation, possibly with a concluding gesture or a challenging look. The setting must continue to be the yellow kitchen, maintaining continuity from to ." }, { "instruction_full": "Return to the wider shot of the three characters in the kitchen, similar to the initial framing of . All three characters should be visible: seated at the table with her back to the camera, standing by the counter, and seated at the table. Their expressions and postures should reflect the conclusion of the focused discussion, with a slight shift in dynamic after the individual reactions and arguments shown in through . The entire vibrant yellow kitchen, with its specific elements like the old telephone and window from , should be fully visible, to provide a sense of the complete scene after the individual moments of intense conversation.", "think_full": "According to the global_prompt.shot_outline, is meant to provide a wider shot, showing the dynamics of all three characters after the close-up sequence. This implies a return to a framing similar to , capturing the group as a whole. All three characters – , , and – should be in their established positions from , seated at the table and standing by the counter, respectively, wearing their original clothing. Their collective postures and expressions, though subtle in a wider shot, should reflect the emotional resonance of the preceding conversation. The distinct yellow kitchen environment, with all its props and lighting as seen in , should be fully present to establish a sense of closure or transition after the intense individual moments, bringing the narrative back to the group dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates a return to the wider shot, showing the dynamics between all three characters. This means reverting to a shot similar to , encompassing all three participants in the discussion. All three characters should be present in their respective positions in the kitchen, as established in . Their post-discussion expressions should be captured, providing a sense of the group's current state. The entire kitchen environment, as consistently shown in all previous shots ( to ), must be fully visible to maintain strong spatial continuity and contextualize the interaction." } ], "_src_movie_dir": "20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv", "_src_filename": "030950_032225.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/20th.Century.Women.2016.2160p.BluRay.x265-RARBG.mkv/030950_032225.json", "_test_index": 41 }, { "movie": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv", "N": 10, "sample_id": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11598.jpg-Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/12051.jpg", "images": [ { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11598.jpg", "filename": "11598.jpg", "aesthetic": 6.910082817077637, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11658.jpg", "filename": "11658.jpg", "aesthetic": 5.432330131530762, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11667.jpg", "filename": "11667.jpg", "aesthetic": 5.935494422912598, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11679.jpg", "filename": "11679.jpg", "aesthetic": 6.500699043273926, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11724.jpg", "filename": "11724.jpg", "aesthetic": 6.83196496963501, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11748.jpg", "filename": "11748.jpg", "aesthetic": 6.919673919677734, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11775.jpg", "filename": "11775.jpg", "aesthetic": 5.8018341064453125, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/11883.jpg", "filename": "11883.jpg", "aesthetic": 6.642721176147461, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/12033.jpg", "filename": "12033.jpg", "aesthetic": 6.670119762420654, "musiq": 0.0 }, { "tag": "", "rel_path": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/12051.jpg", "filename": "12051.jpg", "aesthetic": 6.232474327087402, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence features three individuals meeting outdoors in what appears to be a cold, coastal harbor environment, possibly discussing a musical event. The tone is relatively lighthearted, moving from initial contemplation to shared enthusiasm.", "characters": [ "", "", "" ], "shot_outline": " reveals a crumpled flyer, the object of 's attention. introduces observing the situation. introduces , offering comfort with coffee. shows actively engaged in conversation. returns to , now in thought. highlights 's enthusiastic participation. presents a wider shot of all three characters interacting within the harbor setting. captures 's triumphant reaction. concludes with 's playful, happy response." }, "instruction_full": "The camera pushes in for a close-up of a crumpled hand-drawn flyer, held by the same person as in , against the blurry backdrop of a light-colored car. This shot's purpose is to reveal the object that was looking at in and introduce the central topic of discussion.", "think_full": "The spatial continuity suggests we remain in the outdoor, cold environment hinted at in . The crumpled object was looking at in is revealed to be a flyer. The blurry light-colored car in the background is consistent with an outdoor, possibly parking lot setting near a harbor. We use the hand of from holding the flyer to establish character continuity and action. The narrative intent is to shift the focus from 's contemplative expression to the actual object of his attention, setting up the 'Fire Saga' event as a key plot point.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that will isolate a flyer, central to the interaction. Building on where is looking down, the next logical shot is a close-up of the object he holds. This reveals the content he's focused on. The shot should maintain the outdoor setting, showing his hand holding the flyer, with a car hinted at in the background from 's general environment. The user intent is to introduce the 'Fire Saga' event through this object." }, { "instruction_full": "The camera shifts to a medium close-up of a new character, , wearing a black beanie and a heavy black jacket, looking off-screen to the right with a somewhat neutral or observant expression. The background maintains the outdoor harbor setting established in and , with blurry boats and buildings visible. This introduces a new key character into the developing scene.", "think_full": "The background of blurry boats and harbor buildings ensures spatial continuity with the outdoor, cold setting hinted at in and generally implied by the light quality in . This shot introduces , a new character who has not appeared visually in or . His attire is appropriate for the established cold environment. His off-screen gaze implies he is part of the same interaction or observing . The narrative purpose, as outlined in `global_prompt.shot_outline` for , is to bring this second character into the unfolding discussion about the 'Fire Saga' flyer.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on `global_prompt.shot_outline`, is meant to introduce . After seeing and the flyer, it's natural to cut to another person involved. The camera should frame him in a medium close-up, dressed for the cold as seen in the general environment of and . He should be looking off-screen, acknowledging the presence of the other character or the flyer. This shot's intent is to expand the scene by introducing another participant in the event discussion." }, { "instruction_full": "The camera transitions to a medium close-up of another new character, , with long curly hair and wearing a furry vest, smiling softly and holding two coffee cups. Her gaze is directed off-screen to the left, likely towards or . The background, though out of focus, continues to suggest the outdoor harbor environment seen in , , and . This shot introduces her friendly presence and her offering of drinks.", "think_full": "The blurry background with hints of structures maintains the cold, outdoor harbor setting from , , and . The bright sunlight is also consistent. This shot introduces , a new character to the scene. Her holding coffee cups suggests an act of support or comfort, fitting the cold environment. Her friendly smile and directed gaze imply interaction with the previously introduced characters, establishing her role in the group. The narrative intent, as per `global_prompt.shot_outline` for , is to expand the group, bringing in a new dynamic, possibly of warmth and conviviality, through the offering of coffee and her friendly demeanor.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates that introduces holding coffees, looking friendly. Having introduced the first two characters, the scene needs a third. The shot should be a medium close-up of her, maintaining the established outdoor harbor background and sunny light. Her pose should reflect friendliness, and the coffee cups add a narrative element of comfort or hospitality. The intent is to complete the core group and add a softer, more inviting element to the scene." }, { "instruction_full": "The camera cuts back to , seen in a medium close-up similar to , now with an animated expression, as if speaking or reacting to the other characters. He retains his orange parka with a fur hood and dark scarf. The background shows hints of the harbor, including faint outlines of boats and possibly part of a car, consistent with the setting established in and . This shot shows him actively engaged in the conversation.", "think_full": "The blurry background with hints of boats and a car maintains the outdoor harbor setting from and , reinforcing the established environment. The bright, clear daylight is consistent across all prior shots. This shot returns to , whose attire is consistent with . His expression is now more animated, indicating he is actively participating in a conversation that now involves and . The narrative intent, as per `global_prompt.shot_outline` for , is to show his active involvement, likely discussing the 'Fire Saga' flyer with the other two, and to shift focus back to him to continue the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "According to `global_prompt.shot_outline`, re-establishes , perhaps in conversation. After introducing all three characters, it's time to show active dialogue. The shot should be a medium close-up, similar to his first appearance in , but with an expressive, speaking face. His attire should be consistent. The background should continue to be the harbor setting seen in , , and . The intent is to show his active role in the unfolding discussion." }, { "instruction_full": "The camera cuts back to a medium close-up of , maintaining a similar framing and his attire from . He now looks off-screen with a more thoughtful or distant expression, possibly contemplating the implications of the conversation. The background continues to show the blurry outdoor harbor environment with buildings and hints of boats, seen previously in and suggested in other shots. This shot emphasizes his reflective state.", "think_full": "The outdoor harbor setting, with buildings in the background, ensures spatial continuity with and the general environment consistently used across , , , and . The light quality remains bright and cool. This shot re-establishes from and , with the same attire. His expression has shifted from neutral observation to a more thoughtful or contemplative look, indicating his processing of the conversation, fitting his role in the dynamic. The narrative intent, as per `global_prompt.shot_outline` for , is to highlight his internal thought process or reaction to what is being discussed, adding a layer of depth or strategy to the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies for to look on, perhaps contemplating or observing. After 's active speaking, the scene requires a reaction from another character. The shot should be a medium close-up, consistent with his introduction in , showing him with a thoughtful or pensive expression. The background should be the same harbor environment. The intent is to show his engagement and reflection on the conversation's content." }, { "instruction_full": "The camera cuts back to a medium close-up of , maintaining a similar framing and her attire from . She now has an open-mouthed expression, actively speaking or singing, while still holding the coffee cups. Her gaze is directed off-screen to the left, towards or . The background continues to show a blurry, outdoor harbor environment with structures, consistent with . This shot emphasizes her active participation and potentially enthusiastic nature in the discussion.", "think_full": "The blurry background with structures maintains the outdoor harbor setting and sunny daylight established in and consistently used throughout the sequence. This shot re-establishes from and , maintaining her appearance and the coffee cups. Her expression is now much more animated and open-mouthed, indicating she is actively and perhaps enthusiastically engaged in the conversation. The narrative intent, as per `global_prompt.shot_outline` for , is to show her active and potentially vocal involvement, adding to the dynamic interplay between the characters regarding the 'Fire Saga' event.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies for to be engaged in conversation. After individual reactions from the other two, it's her turn to speak or react actively. The camera should capture her in a medium close-up, similar to , with an animated, speaking expression. She should still be holding the coffee cups, and the background should remain the consistent harbor setting. The intent is to show her active and potentially lively participation in the discussion." }, { "instruction_full": "The camera pulls back to a wider shot, revealing all three characters: , , and , standing together in a harbor setting amidst parked cars and boats. is holding a small bag or case, possibly still containing the flyer, while the others observe him. This wider shot establishes the full group dynamic and their complete physical environment, showing the broader harbor context.", "think_full": "This shot explicitly reveals the full outdoor harbor environment, confirming the consistent blurry backgrounds from , , , , , , and . We now clearly see cars, boats, and distant buildings, tying together all previous spatial hints. The bright, cool daylight also continues. All three established characters— (from ), (from ), and (from )—are present, maintaining their attire. is holding a bag, which is a new prop/action, but consistent with him being central to the flyer's introduction. The narrative intent, as per `global_prompt.shot_outline` for , is to consolidate the group, show their physical relationship to each other and their surroundings, and give a broader context to their intense conversation. It visually anchors them within the larger harbor scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` explicitly states that should be a wider shot showing all three characters interacting around cars in the harbor. After a series of close-ups, this provides a broader perspective, establishing the full group dynamic and their location. All three characters should be visible, dressed as established. The setting should clearly show the harbor, cars, and boats, as hinted in earlier shots. The intent is to ground the group within their environment and show their collective interaction." }, { "instruction_full": "The camera cuts back to a medium close-up of , similar to and , still wearing his black beanie and jacket. He now displays a powerful, triumphant smile and pumps his fist, clearly indicating excitement and success. The background maintains the blurry harbor environment with boats, consistent with . This shot delivers a strong emotional beat, showing his emphatic approval or joy.", "think_full": "The blurry harbor background with boats is consistent with the general environment shown in and previous individual close-ups like and . This shot returns to from (and earlier close-ups , ), maintaining his attire. His expression has dramatically changed to one of triumph and excitement, marked by a fist pump, a clear escalation from his previous contemplative or neutral states. The narrative intent, as per `global_prompt.shot_outline` for , is to punctuate the scene with a moment of clear success or agreement, likely following a resolution or decision regarding the 'Fire Saga' plan, building on the group dynamic established in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies as a close-up of with a strong, positive reaction. Following the wider group shot, returning to a close-up for an emotional beat is effective. The shot should be a medium close-up, similar to his earlier appearances, showing him with a triumphant smile and a fist pump. His attire should be consistent with . The background should maintain the harbor setting from . The intent is to highlight a moment of strong positive emotion, signaling a successful outcome or agreement." }, { "instruction_full": "The camera cuts back to a medium close-up of , framed similarly to and , still holding her coffee cups and wearing her furry vest. She now displays a playful or happy wink and a broad smile, mirroring the positive energy from 's previous shot. The background, though out of focus, continues to suggest the outdoor harbor environment with structures, as seen in and . This shot concludes the sequence with her joyful affirmation.", "think_full": "The blurry outdoor harbor background with structures is consistent with her previous appearances in and , and the general setting established in . This shot returns to from (and earlier close-ups , ), maintaining her attire and the coffee cups. Her expression has evolved from polite friendliness to active conversation, and now to a playful, joyful wink and smile, directly reflecting the positive outcome indicated by 's triumphant reaction in . The narrative intent, as per `global_prompt.shot_outline` for , is to provide a joyful, concluding reaction from her, reinforcing the positive mood of the scene and offering a satisfying resolution to the immediate interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` specifies as a close-up of with a playful or happy expression. After 's strong positive reaction, it's fitting to show her corresponding joyful response. The shot should be a medium close-up, consistent with her earlier shots in and . She should be winking and smiling broadly, still holding her coffee cups, maintaining her established attire. The background should be the same outdoor harbor setting. The intent is to round off the scene with a lighthearted and positive emotional beat from her." } ], "_src_movie_dir": "Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv", "_src_filename": "011598_012051.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Eurovision.Song.Contest.The.Story.of.Fire.Saga.2020.2160p.NF.WEBRip.DD+5.1.x265-AJP69.mkv/011598_012051.json", "_test_index": 42 }, { "movie": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv", "N": 10, "sample_id": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/168935.jpg-Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169501.jpg", "images": [ { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/168935.jpg", "filename": "168935.jpg", "aesthetic": 7.462783336639404, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/168983.jpg", "filename": "168983.jpg", "aesthetic": 5.416834831237793, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169130.jpg", "filename": "169130.jpg", "aesthetic": 6.133612155914307, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169145.jpg", "filename": "169145.jpg", "aesthetic": 6.1602253913879395, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169184.jpg", "filename": "169184.jpg", "aesthetic": 5.815723419189453, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169235.jpg", "filename": "169235.jpg", "aesthetic": 6.537288188934326, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169283.jpg", "filename": "169283.jpg", "aesthetic": 6.6068830490112305, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169351.jpg", "filename": "169351.jpg", "aesthetic": 6.062721252441406, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169459.jpg", "filename": "169459.jpg", "aesthetic": 6.656933784484863, "musiq": 0.0 }, { "tag": "", "rel_path": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/169501.jpg", "filename": "169501.jpg", "aesthetic": 5.571868419647217, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence gradually reveals the various figures involved in a period drama, moving from an intimate indoor portrait to expansive outdoor settings and then to a more conversational porch setting. The tone shifts from subtle observation to a more direct, perhaps tense, dialogue.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces a new character, , in a new, open-air setting, likely at a horse track, establishing a separate storyline or a flashback. returns to the horse track setting, showing observing the action with and another unnamed man, connecting her to this world. is a close-up of interacting with someone off-screen, likely , shifting to a more intimate conversation. broadens the view, showing conversing with and on a porch, setting up a group dynamic. is a close-up of speaking, emphasizing his role in the conversation. returns to , now holding a drink, engaging in the conversation. focuses on , showing his reaction or turn in the conversation. provides another close-up of , continuing his dialogue. concludes the sequence with 's reaction or statement, escalating the tension." }, "instruction_full": "Shift the camera completely to an outdoor, wide shot that tracks motion, introducing a new environment and character. Frame , dressed in a cap and jacket, actively riding a horse within a sunny, expansive horse training paddock, surrounded by white fences and distant green hills. This shot's purpose is to establish a new narrative thread and setting, contrasting sharply with the indoor intimacy of .", "think_full": "This is a deliberate and abrupt shift from the previous shot. The intimate, warm, indoor setting of featuring is completely abandoned. We are introducing a brand-new environment – a vast, sunny outdoor horse paddock with distinct white fences and rolling green hills in the background. Similarly, is an entirely new character, previously unseen. The camera change to a wide, tracking shot emphasizes the action and the open space, clearly signaling a new scene and potentially a new storyline. The contrast in setting and character aims to broaden the narrative scope.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction requires me to infer the next shot based on the global prompt and the previous image. The `shot_outline` for states that it 'introduces a new character, , in a new, open-air setting, likely at a horse track, establishing a separate storyline or a flashback.' This means I need to create a shot that is visually distinct from . Therefore, the camera should move to an outdoor setting, likely a horse track, and feature riding a horse. The space will be new, with elements like fences and hills, and the character will also be new. The intent is to establish this new element in the story, diverging from the initial setup with from ." }, { "instruction_full": "Transition the camera to a medium-wide shot, capturing a broader view of the horse training paddock established in . Frame , now wearing a striped jacket and sunglasses, observing the track from behind a white fence, leaning casually. To her left stand and another man, both observing the scene with a serious demeanor. The green hills from are visible in the background, reinforcing the setting, to connect to this new world.", "think_full": "The spatial setting continues directly from , reusing the outdoor horse training paddock with its distinctive white fences and green hills. This provides strong visual continuity for the environment. , who was last seen in in a formal indoor setting, is now reintroduced in this outdoor environment, showing a change in her context and attire (striped jacket, sunglasses). is a new character introduced in this shot, while the unnamed man next to him also appears for the first time. The camera's medium-wide perspective allows for the introduction of multiple characters while clearly placing them within the established horse track setting from . The narrative intent is to show 's presence at the track, thereby connecting her to the world that inhabits, hinting at a broader connection between the storylines.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies that it 'returns to the horse track setting, showing observing the action with and another unnamed man, connecting her to this world.' This requires me to bring back the outdoor horse track environment established in . will be present, wearing new, outdoor-appropriate attire, and she will be joined by and another character. The camera should capture them observing the track, emphasizing their presence in this environment. The goal is to integrate into this previously separate world, as hinted by the presence of the characters and the return to the horse track from ." }, { "instruction_full": "Shift the camera to a close-up shot of , retaining the warm, natural lighting. She is seated, smiling subtly and engaging with someone off-screen to her left. Her striped jacket from is still visible, maintaining costume continuity. The background should feature a rustic, wooden porch post and a dark window frame, suggesting a shift to a different, more intimate, outdoor-adjacent setting than the open track of .", "think_full": "The camera shifts from the wide outdoor view of to a much tighter close-up, focusing solely on . Her striped jacket from provides direct costume continuity, confirming she is the same character. The setting changes subtly from the open horse track of to what appears to be a covered porch area, indicated by the wooden post and window frame, suggesting a more personal conversation rather than a public observation point. This environment is new in its specific details but still feels connected to an outdoor, perhaps rural, property. This close-up aims to draw the viewer into her expression and her engagement with an unseen speaker, indicating a more direct and intimate interaction than her passive observation in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `shot_outline`, 'is a close-up of interacting with someone off-screen, likely , shifting to a more intimate conversation.' This necessitates a tighter shot on , diverging from the broader scene in . Her attire, the striped jacket, should carry over from to maintain continuity. The background needs to suggest a different, more enclosed but still potentially outdoor, setting suitable for a private conversation, moving away from the open track. The camera should capture her expression and hint at a dialogue to convey this intimate interaction." }, { "instruction_full": "Widen the camera to a medium-long shot, revealing , , and seated in wicker chairs on a porch. The porch, with its white wooden railing and pillars, offers a view of green trees and distant hills, connecting it to the natural landscape implied in and . is still wearing her striped jacket from and , holding a cup. and are new characters, dressed in period-appropriate attire. This shot reveals the group dynamic and the full setting of their conversation.", "think_full": "The camera pulls back significantly from the close-up of in to a wider view, revealing the full extent of the porch setting previously hinted at. 's costume (striped jacket) provides strong continuity from both and . The porch environment, while now fully revealed, visually connects to the outdoor and somewhat rustic aesthetic established in the earlier shots, with elements like the white railing echoing the fences in and , and the distant green landscape. This shot formally introduces two new characters: and . The narrative intent is to establish the complete group of conversationalists and their setting, allowing for an understanding of their interactions and the hierarchy within the group.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` indicates that 'broadens the view, showing conversing with and on a porch, setting up a group dynamic.' This requires a wider shot than to show multiple characters. will be present, wearing the same striped jacket seen in and . We need to introduce and , and place them on a porch that is clearly connected to the exterior landscape, similar to what was subtly hinted at in and present in the wider scenes of and . The shot should establish the spatial relationship between these characters and their environment, setting the stage for their discussion." }, { "instruction_full": "Return to a close-up on , mirroring the framing intensity of . He is seen from the chest up, looking directly towards the viewer or just past the camera, speaking intently. He is wearing the same dark sweater from . The background remains slightly blurred, showing elements of the porch setting from , such as the railing and distant foliage, to maintain spatial continuity. This shot emphasizes his words and expression during the conversation.", "think_full": "This shot is a tighter close-up, focusing on who was introduced in . His dark sweater provides costume continuity from . The background elements, though blurred, clearly belong to the porch setting established in , maintaining environmental continuity. The camera's close framing and his direct gaze aim to highlight his importance in the conversation and give weight to his words, similar to how focused on 's engagement. The narrative intent is to give him a prominent moment in the ongoing discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'is a close-up of speaking, emphasizing his role in the conversation.' This means the camera should zoom in from the group shot of to focus specifically on . His attire from should be consistent. The background should remain the porch setting from , even if blurred, to maintain environmental continuity. The purpose is to give prominence to his dialogue or reaction, indicating a key moment in the conversation." }, { "instruction_full": "Shift the camera to a medium close-up on , picking up from her perspective in the conversation. She is looking slightly off-camera to her right, holding a glass with a drink, and speaking with a soft smile. Her striped jacket from and is clearly visible. The background shows blurred elements of the porch setting and a window, consistent with the environment established in . This shot captures her continued engagement in the dialogue and her reaction to the ongoing discussion.", "think_full": "The shot returns to , who was last seen in a wider context in and in a close-up in . Her striped jacket maintains strong costume continuity from , , and . The background, though blurred, is consistent with the porch setting of , reinforcing environmental continuity. The introduction of the glass in her hand adds a new prop detail. This medium close-up allows the viewer to see her expression and her active participation in the conversation, responding to whomever was addressing in . The narrative intent is to show her reaction and contribution to the discussion, perhaps softening the tone after 's intense focus in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it 'returns to , now holding a drink, engaging in the conversation.' This means the camera should cut back to from the close-up of in . She should be in the same porch setting established in , wearing her consistent striped jacket from and . A new detail is that she is holding a drink. The shot should convey her active participation in the ongoing discussion, likely responding to the previous speaker." }, { "instruction_full": "Cut to a medium close-up of , shot from a low angle looking slightly upwards, capturing his stern expression. He is seated in the same wicker chair and wearing the same suit from . The porch's wooden structures and a hint of the outdoors from form the background, maintaining spatial continuity. This shot highlights his reaction and perhaps his disapproval or skepticism towards the current turn of conversation.", "think_full": "The camera now focuses on , who was introduced in the wider shot of . His costume (suit) and seating (wicker chair) are consistent with , establishing character continuity. The background remains the porch setting from , maintaining environmental continuity. The low angle chosen for this medium close-up gives him a slightly imposing presence, and his stern expression suggests a strong reaction, possibly to what or has just said. The narrative intent is to show his perspective and potential opposition or critical assessment within the group dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it 'focuses on , showing his reaction or turn in the conversation.' This requires a cut from in to , who was last seen in . He should be in the same porch setting from , wearing the same suit. The camera should frame him in a medium close-up to emphasize his expression and reaction, indicating his point of view in the discussion." }, { "instruction_full": "Return to a close-up shot of , matching the framing and intensity of . He is still wearing the same dark sweater, looking towards the viewer or just past the camera, resuming his dialogue with a thoughtful expression. The blurred background continues to show elements of the porch and distant landscape from , reinforcing the established setting. This shot signifies his continued explanation or response, emphasizing his central role in the discussion.", "think_full": "This shot is a direct return to the framing and character of , featuring . His dark sweater is consistent with and . The blurred porch background from and maintains environmental continuity. By repeating a close-up on him after reactions from in and in , the narrative emphasizes his prominent role in the conversation, suggesting he is either continuing his previous point or responding to a challenge. This recurring framing reinforces his authority or central position in the discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'provides another close-up of , continuing his dialogue.' This indicates a direct cut back to , mirroring the previous close-up in . He should be in the same porch environment from and , wearing the same dark sweater. The shot's purpose is to continue his speaking role, suggesting a return to his perspective or a deeper explanation following the reactions from and ." }, { "instruction_full": "Cut back to a medium close-up of , mirroring the framing from , but with a more intense or agitated expression, possibly speaking forcefully. He is still in the same wicker chair, wearing the same suit from and . The porch's wooden structures and hint of the outdoors from and remain in the background, maintaining spatial continuity. This shot indicates a final, strong reaction or statement from him, potentially escalating the tension in the conversation.", "think_full": "This shot returns to , directly mirroring the framing established in . His costume (suit) and seating (wicker chair) are consistent with and . The porch setting, with its wooden elements, continues from and . By returning to this character, especially after 's speech in , the narrative suggests a decisive counter-argument or a strong final reaction from him, building on the skepticism shown in . The repetition of the framing emphasizes his consistent viewpoint or role in challenging the discussion. This is intended to conclude the sequence with a strong, perhaps tense, emotional beat.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says it 'concludes the sequence with 's reaction or statement, escalating the tension.' This requires cutting back to from in . He should be in the same porch setting from and , wearing the same suit. The camera should frame him in a medium close-up, similar to , but his expression should convey a heightened emotion or a strong, concluding statement, aiming to escalate the narrative tension and provide a strong ending to this conversation sequence." } ], "_src_movie_dir": "Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv", "_src_filename": "168935_169501.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Seabiscuit.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/168935_169501.json", "_test_index": 44 }, { "movie": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "N": 10, "sample_id": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76597.jpg-Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/77110.jpg", "images": [ { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76597.jpg", "filename": "76597.jpg", "aesthetic": 7.129039287567139, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76678.jpg", "filename": "76678.jpg", "aesthetic": 7.08505392074585, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76783.jpg", "filename": "76783.jpg", "aesthetic": 6.79140567779541, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76792.jpg", "filename": "76792.jpg", "aesthetic": 7.0378923416137695, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76846.jpg", "filename": "76846.jpg", "aesthetic": 6.41104793548584, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76876.jpg", "filename": "76876.jpg", "aesthetic": 7.176008224487305, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76900.jpg", "filename": "76900.jpg", "aesthetic": 5.64920711517334, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/76999.jpg", "filename": "76999.jpg", "aesthetic": 5.6873250007629395, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/77008.jpg", "filename": "77008.jpg", "aesthetic": 6.129117965698242, "musiq": 0.0 }, { "tag": "", "rel_path": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/77110.jpg", "filename": "77110.jpg", "aesthetic": 5.628082752227783, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A group of brilliant scientists and academics are gathered in a focused, almost intense, discussion or lecture session in a retro-futuristic laboratory or classroom setting. The atmosphere is intellectual and charged with the gravity of their work, possibly on a groundbreaking or sensitive project. The tone is serious and contemplative.", "characters": [ "", "", "", "", "", "", "", "" ], "shot_outline": " introduces in a direct medium close-up, setting them up as a central figure, shifting focus from the group. returns to a close-up of a couple of the participants, highlighting their reactions or engagement. brings back in a similar framing to but with a more intense expression, indicating a developing point. focuses on two participants, and , showing a more personal interaction or side discussion. again shows , continuing the flow of the lecture/discussion. reveals a wider shot of the group, with present, showing the collective attention. captures two new participants standing in the room, hinting at movement or a break in the seated discussion. returns to , now in profile, perhaps looking away in thought or toward a screen. concludes with a tight shot of interacting with other participants, emphasizing their continued focus." }, "instruction_full": "The camera shifts to a medium close-up shot, directly facing who is now standing in a different area of what appears to be a classroom. has a neutral, contemplative expression, looking directly forward. The background shows a blackboard with equations on the right and a white screen on the left, indicating an academic setting. The lighting is slightly cooler than , providing a more formal atmosphere for this central figure. The purpose is to introduce the main speaker or lead figure of this discussion, establishing their importance and direct presence.", "think_full": "The 'global_prompt.shot_outline' specifies that should introduce \" as a central figure.\" To achieve this, the camera needs to shift dramatically from the group shot in . A medium close-up directly on will achieve this focus. This character is newly introduced as they were not visible or clearly identifiable in . The space appears to be a different part of the overall facility shown in , shifting from the more workshop-like area to a classroom area, evidenced by the blackboard and screen, which were not clearly visible in 's background. The cooler lighting aims to differentiate this presentation space from the more informal discussion space in , while maintaining a consistent overall serious tone.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' indicates that should introduce \" as a central figure.\" This implies a change in focus from the group discussion in . To do this, the camera must move to a new person, who is likely leading the discussion. The setting should remain within the academic/lab complex established by 'global_prompt.story_setup' and the background elements in , but a different part of it to introduce a 'lecture' or 'presentation' feel. A medium close-up on this new character, facing forward, would best establish them as the central figure, as specified by the shot outline for . I infer the background should be a classroom setting with a blackboard and screen, suitable for a lecturer, which wasn't visible in but is consistent with the general environment." }, { "instruction_full": "The camera cuts back to a medium close-up of two seated participants, and , continuing the perspective from the group in . is on the left, looking forward, while is on the right, looking down thoughtfully. Both maintain attentive postures. The setting is the same general room as , with tools and equipment in the background, though the exact angle is slightly shifted to focus on these two, contrasting with the classroom area shown in . The lighting remains consistent with the warmer tones of . This shot serves to show the audience's engagement and reaction to 's presentation.", "think_full": "The 'global_prompt.shot_outline' for states it \"returns to a close-up of a couple of the participants, highlighting their reactions or engagement.\" This requires shifting focus from in back to the group of listeners seen in . Specifically, and were visible in , establishing their presence in this discussion. By reframing on them, we track their engagement. The environment remains the same workshop/meeting room area established in , providing spatial continuity after the cut to the separate classroom setting in . The slightly shifted angle allows for a tighter focus on their expressions and postures.", "instruction_minimal": "generate the next shot", "think_minimal": "Following the 'global_prompt.shot_outline' for , the focus should shift back to \"a couple of the participants, highlighting their reactions or engagement\" after the introduction of in . This means returning to the group of listeners from . The visual cues from show and as attentive, so focusing on them in a medium close-up would be logical. The setting should revert to the less formal discussion space seen in , with the warm lighting, to maintain narrative flow and show a reaction shot from the audience to the presentation initiated in ." }, { "instruction_full": "The camera returns to a medium close-up of , similar to the framing in , but their expression is now more intense and serious. They are still standing in the classroom area, with the blackboard visible on the right and the white screen on the left, maintaining the setting established in . The lighting remains consistent with the cooler tones of . This shot emphasizes a critical point being made by , showing their deepening engagement with the subject.", "think_full": "The 'global_prompt.shot_outline' for indicates that it \"brings back in a similar framing to but with a more intense expression.\" This directly informs the camera angle and character focus. We reuse the medium close-up from to maintain visual consistency for 's segments. The classroom background from and its cooler lighting are also maintained to reinforce the presentation context. The change in expression for signifies an escalation or a more profound statement being delivered, moving the narrative forward after observing the participants' reactions in .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' states \"brings back in a similar framing to but with a more intense expression.\" This means the camera should return to the same character and camera setup as . The setting will therefore be the classroom area with the blackboard and screen as seen in . The change needed is 's expression, which should convey increased intensity or seriousness to suggest a crucial point is being made, following the audience's reaction in ." }, { "instruction_full": "The camera shifts to a tighter medium close-up on and who are seated together. is on the left, looking down intently at something in their lap, while is on the right, leaning in and speaking to them with a serious expression. They are in the same general discussion area as and , with the warm lighting and subtle background details of tools and equipment visible, but the framing is closer to emphasize their interaction. This shot highlights a focused, perhaps concerned, side conversation or individual study within the larger group.", "think_full": "The 'global_prompt.shot_outline' for states it \"focuses on two participants, and , showing a more personal interaction or side discussion.\" This necessitates a tighter shot on these two characters. Both and were present in , establishing their attire and the overall group dynamic. was also seen actively engaged in holding papers. Returning to the general discussion room from and maintains spatial consistency, using its warm lighting and background elements. The closer framing and their postures (one looking down, the other leaning in) serve to emphasize a private moment of engagement, contrasting with the direct address of in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt.shot_outline', should \"focus on two participants, and , showing a more personal interaction or side discussion.\" This means shifting away from in and back to the group. and were both visible in , so their appearance is consistent. A tighter medium close-up on them in the discussion area from and would allow for a more intimate portrayal of their interaction, perhaps a whispered conversation or joint examination of materials, aligning with the \"personal interaction\" goal." }, { "instruction_full": "The camera returns to a medium close-up of , identical in framing and setting to and . maintains a serious but slightly more relaxed expression than in , continuing to address the group. The classroom background with the blackboard and white screen remains visible, as does the cooler lighting from and . This shot serves to re-establish 's position and to continue the flow of their presentation after the interlude of the participants' interaction.", "think_full": "The natural progression after showing a side interaction in is to return to the main speaker. The 'global_prompt.shot_outline' suggests a continuous lecture flow for . Thus, we revert to the established framing and environment for from and , reinforcing their central role. The slight change in expression to \"serious but slightly more relaxed\" compared to indicates a continuation of their discourse rather than another dramatic emphasis. This provides visual rhythm and narrative continuity, cutting back to the source of the information after showing the listeners.", "instruction_minimal": "generate the next shot", "think_minimal": "The flow of the narrative, according to the 'global_prompt.shot_outline', suggests a return to after showing the interaction of other participants in . Therefore, the camera should return to the framing of and , focusing on in the classroom setting. The expression should reflect continued lecturing, perhaps a slight shift from the intensity of , to maintain the narrative of a continuous presentation." }, { "instruction_full": "The camera pulls back to a wider shot, similar to the general perspective of , to show a broader view of the group in the discussion area. is still present, slightly out of focus in the immediate foreground, observing the gathered participants. Visible clearly are standing and holding papers, addressing who is seated and looking up. is also visible standing nearby, looking attentive. The warm, slightly dim lighting and the background elements of the workshop/lab setting from are clearly maintained, showing a cohesive environment. This shot aims to show a more active engagement within the group, possibly a question or a new point being brought forward by one of the participants.", "think_full": "The 'global_prompt.shot_outline' for indicates it \"reveals a wider shot of the group, with present, showing the collective attention.\" This requires a camera movement away from the close-up of in and back to the group in the discussion room. The framing should be wider than to capture more of the collective action. was established in , and their presence here reinforces their role. , , and were all introduced in and their interactions or postures were seen in and . Their new postures (standing, addressing) show a shift in dynamic. The consistent environment and lighting from are crucial for maintaining spatial continuity. This wider shot shows more dynamic interaction after a series of tighter frames.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for calls for \"a wider shot of the group, with present, showing the collective attention.\" This means moving the camera back from in to the main discussion group seen in and . The shot needs to be wide enough to show several participants and confirm the presence of from . Participants like , , and should be visible and engaged, perhaps some standing to indicate a more active phase of the discussion, maintaining the warm lighting and workshop setting from ." }, { "instruction_full": "The camera shifts to a medium-wide shot, focusing on a new cluster of standing participants in the same general room. stands prominently in the center-left, looking away thoughtfully, while stands behind them, looking forward. Several other participants are partially visible in the background, creating a sense of a busy gathering. The blackboard from , , is now partially visible on the right, connecting the two distinct spaces. The lighting shifts slightly, incorporating the cooler tones from the classroom area with the warmer light from the main room. This shot introduces additional characters and suggests a transition or break in the formal lecture, with people beginning to move and interact more freely.", "think_full": "The 'global_prompt.shot_outline' for states it \"captures two new participants standing in the room, hinting at movement or a break in the seated discussion.\" This requires introducing new characters and a change in their posture (standing). Since the 'shot_outline' suggests a \"break,\" it's logical to show new individuals and a slightly different area of the overall facility. The image needs to connect to previously established spaces. While the immediate foreground is new, the background partially reveals the blackboard from , , and , creating a link between the discussion area (seen in , , , ) and the lecturing area. The mix of lighting tones supports this merging of spaces. The new characters are not seen in through .", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates it \"captures two new participants standing in the room, hinting at movement or a break in the seated discussion.\" This means introducing characters not yet explicitly seen and showing them standing, implying a less formal moment. The shot should be medium-wide to capture this interaction and sense of movement. To maintain spatial coherence, the background should show elements from both previously established spaces, possibly linking the discussion area (from ) and the classroom area (from ), for instance, by showing the blackboard from the latter. This visually suggests a gathering, with people dispersing or shifting focus." }, { "instruction_full": "The camera returns to a medium close-up of , similar to , , and , but now they are shown in profile, looking intently to the left of the frame with a pensive expression. The classroom setting from previous shots of (e.g., ) is maintained, with the white screen visible in the blurred background on the left and a wall on the right. The cool lighting associated with this area also continues. This shot focuses on 's contemplative state, perhaps reacting to a question or considering a complex point during the discussion or break.", "think_full": "The 'global_prompt.shot_outline' for specifies a return to \", now in profile, perhaps looking away in thought or toward a screen.\" This requires using again from , , , but with a different camera angle (profile) to convey a change in their internal state or focus. The classroom setting and cool lighting from those previous shots of should be consistently maintained to link this moment back to their segments. The pensive expression and profile view effectively convey deep thought or reaction to something off-screen, a shift from their direct address in previous shots.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for directs to return to \", now in profile, perhaps looking away in thought or toward a screen.\" This means reusing from previous turns (, , ) but changing the camera angle to a profile shot. The established classroom environment from those shots should remain consistent. The pensive expression is key to fulfilling the \"in thought\" aspect, suggesting contemplation after the dynamic group activity in and ." }, { "instruction_full": "The camera shifts to a close-up, angled slightly downwards, focusing on who is looking down at something in their hands or on a surface, with a serious and concentrated expression. They are flanked by two partially visible figures (two other participants), one on each side, suggesting a continued, perhaps intense, discussion. The environment is the same discussion area from , , , and , with its warm, slightly dim lighting and hints of the workshop background, but framed much tighter to emphasize the central figure's focus. This shot brings the sequence to a focused conclusion on the detailed work or concentrated attention of a key participant.", "think_full": "The 'global_prompt.shot_outline' for \"concludes with a tight shot of interacting with other participants, emphasizing their continued focus.\" This means returning to , who was visible in reading papers, and in talking with , and being addressed by . A tight, downward-angled close-up emphasizes intense focus and detail, aligning with the \"continued focus\" instruction. The presence of other, partially visible participants maintains the group context established in earlier shots like and . The discussion room's setting and warm lighting from , , , provide spatial continuity for this final group interaction shot. This tight shot brings the focus back to the immediate work being done by the participants.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for dictates \"a tight shot of interacting with other participants, emphasizing their continued focus.\" This requires a close-up on , who has been a consistent figure in the discussion group (seen in , , ). The tight framing, perhaps looking down at something, would convey intense concentration. Surrounding them with other partially visible participants maintains the group dynamic. The setting should be the consistent discussion area from and subsequent group shots, using the same warm lighting, to conclude the sequence with a focused look at the ongoing work." } ], "_src_movie_dir": "Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv", "_src_filename": "076597_077110.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Oppenheimer.2023.Eng.Fre.Ger.Ita.Spa.Cze.Pol.2160p.BluRay.Remux.HDR.HEVC.DTS-HD.MA-SGF.mkv/076597_077110.json", "_test_index": 46 }, { "movie": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73622.jpg-The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73934.jpg", "images": [ { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73622.jpg", "filename": "73622.jpg", "aesthetic": 5.362534046173096, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73644.jpg", "filename": "73644.jpg", "aesthetic": 6.19508171081543, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73712.jpg", "filename": "73712.jpg", "aesthetic": 6.257271766662598, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73716.jpg", "filename": "73716.jpg", "aesthetic": 4.633834362030029, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73741.jpg", "filename": "73741.jpg", "aesthetic": 3.7273471355438232, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73775.jpg", "filename": "73775.jpg", "aesthetic": 5.265292167663574, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73791.jpg", "filename": "73791.jpg", "aesthetic": 3.9778943061828613, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73853.jpg", "filename": "73853.jpg", "aesthetic": 5.487060070037842, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73903.jpg", "filename": "73903.jpg", "aesthetic": 5.9155120849609375, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/73934.jpg", "filename": "73934.jpg", "aesthetic": 5.755656719207764, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative oscillates between a vibrant, fantastical, and somewhat chaotic theatrical world and a grittier, more mundane urban reality. The tone is adventurous and dramatic, suggesting a blend of magic and real-world peril. There's an underlying sense of urgency and conflict across both settings.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " abruptly introduces a new, grounded urban setting, showing a kidnapping in progress involving and , creating immediate tension. cuts back to the fantastical stage, revealing an intense, chaotic struggle involving , , and . focuses closely on , emphasizing a moment of impact or intense concentration related to the struggle. continues the chaotic action within the stage setting, suggesting a violent upheaval without clear focus. captures 's reaction of shock or distress amidst the chaos. cuts to , also in the stage setting, reacting with fear and reaching out, as if witnessing something terrible. shows cradling , indicating he has been harmed and highlighting her grief or concern. returns to the urban setting, showing attempting to escape , escalating the conflict there. cuts back to still cradling , her expression shifting to one of determined resolve or renewed concern." }, "instruction_full": "The camera cuts to a new, grittier urban interior setting, moving from the vibrant, theatrical exterior of . It should be a medium close-up shot, framing in the foreground, looking distressed and slightly to the left, as stands behind her, holding her firmly, partially obscured but clearly menacing with his plague doctor-style mask. The background is dimly lit, with blurred windows revealing a dark night outside and other indistinct figures, creating a sense of a public space turned ominous. The user intent is to abruptly shift the narrative to a dangerous, real-world conflict involving a new set of characters, establishing a sense of peril and an immediate problem.", "think_full": "This shot introduces a brand-new environment, a dimly lit urban interior, contrasting sharply with the bright, fantastical outdoor stage from . The visual style shifts from theatrical to grittier realism, emphasizing the abrupt change in narrative focus. This shot also introduces two new main characters: and , neither of whom appeared in . Their dynamic establishes an immediate conflict. The abrupt cut to a new setting and characters, engaged in a clear act of abduction, serves to introduce a parallel or contrasting narrative thread. It establishes immediate tension and peril, shifting from the celebratory performance in to a more dangerous, urgent situation. The close framing on the distressed woman and the menacing abductor heightens the drama.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the global prompt's shot_outline mentions introduces a new, more grounded setting and shows a kidnapping in progress, creating immediate tension and a shift from the fantastical opening, I need to create a shot that fulfills this. The camera needs to abruptly shift from the wide, theatrical shot of to a medium close-up to convey tension. I must introduce and , with appearing distressed and actively restraining her, as outlined. The space should be a new, dimly lit urban interior, contrasting with . The user intent is to create immediate tension and shift the narrative, establishing peril and a new plot thread." }, { "instruction_full": "The camera dramatically cuts back to the fantastical, theatrical stage setting seen in , but now from a slightly wider, lower angle looking up at the performers. We see from standing to the left, looking distressed or shocked, while is violently thrown or falls through the air in the center. To the right, sits calmly or perhaps sagely observing, with the torn, painted fabric and dark, artificial forest background from still visible. The lighting is dark and moody, emphasizing the stage's dramatic effect. The user intent is to return to the fantastical setting to show a violent, chaotic event among the performers, contrasting the sudden reality of with the ongoing drama here.", "think_full": "The shot returns to the theatrical stage environment established in , maintaining the dark, painted backdrops and overall dramatic, run-down carnival aesthetic. The setting from is explicitly reused. reappears from , her expression now one of distress, indicating she is reacting to the unfolding chaos. is introduced in a moment of dynamic action, being thrown. is also introduced, seated calmly, contrasting with the action. This shot serves to show the \"kick-off\" of a major chaotic event or conflict within the fantastical world. By cutting back from the real-world abduction in , it creates parallel narrative tension. The dynamic action of being thrown immediately conveys a violent altercation or magical impact.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global prompt's shot_outline, returns to the fantastical stage, showing an intense, chaotic struggle involving several performers, perhaps a magical attack or defense. To achieve this, the camera should return to the setting of with a wider, dynamic angle to show multiple performers. I need to bring back from and introduce and as characters. should be in mid-action, like being thrown, to depict the 'chaotic struggle.' The background should clearly be the theatrical stage from . The user intent is to depict an intense, chaotic struggle in the fantastical world, establishing ongoing conflict and a sense of magical or powerful disruption." }, { "instruction_full": "The camera performs a sharp, close-up cut to from , focusing tightly on his face and upper body. The shot is slightly low angle, emphasizing his presence. He is holding a prominent, glowing white lotus flower, which is in clear focus in the foreground, while a blurred, dark object (likely part of or another element of the ongoing struggle from ) sweeps past in the extreme foreground, almost hitting the camera. His expression is stoic or deeply concentrated, surrounded by the same dark, stylized theatrical background as . The user intent is to emphasize 's role in the chaos, hinting at his power or connection to the unfolding events, and to convey the intense speed and danger of the action.", "think_full": "The shot remains within the theatrical stage environment, maintaining visual continuity with (and ) in terms of dark, stylized background elements. reappears from , now in a tight close-up, allowing his expression and a symbolic prop (the lotus) to be central. The blurred object hints at the continuation of the chaotic \"struggle\" introduced in . The close-up isolates , suggesting his importance or his reaction to the intense events. The blurred, fast-moving object in the foreground intensifies the chaos and danger, immersing the viewer in the action and highlighting the immediate threat, possibly directed at or defended by . The lotus suggests a deeper, possibly magical, aspect to his role.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: focuses closely on , emphasizing a moment of impact or intense concentration related to the struggle. To fulfill this, a close-up on is necessary, pulling in from the wider shot of to emphasize his role. He should be shown with 'intense concentration,' possibly holding a symbolic object. The background should still be the fantastical stage setting from . The user intent is to highlight 's role or reaction in the 'struggle,' conveying either a defensive posture, a moment of power, or intense focus during the conflict, with the blurring effect signifying the ongoing chaos." }, { "instruction_full": "The camera moves dynamically, now showing a blurred, wide shot from a low angle, capturing the chaotic movement and impact from the struggle on the theatrical stage established in and . The immediate foreground is dominated by a fast-moving, blurred light-colored garment, possibly belonging to or , indicating violent motion. In the midground, parts of the painted backdrop from are visible, specifically the dark, stylized foliage. The shot conveys intense, disorienting motion and emphasizes the physical impact and destructive nature of the unfolding event. The user intent is to fully immerse the viewer in the physical chaos of the struggle, showing its destructive force without clear focus on specific individuals, creating a sense of being overwhelmed.", "think_full": "This shot remains within the fantastical stage environment, consistent with , , and . The visible painted backdrop confirms the location. The blurred garment in the foreground suggests the violent movement of one of the performers, possibly or (from and ), implying their continued involvement in the struggle. The blur makes specific identification difficult, emphasizing the general chaos. The extreme blur and dynamic camera angle serve to heighten the sense of chaos and violence from the \"struggle\" mentioned in the shot_outline for . It shows the physical consequences of the unseen force or attack, suggesting a powerful impact and destruction on the stage without revealing who is affected, building suspense and focusing on the raw energy of the event.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: continues the chaotic action within the stage setting, suggesting a violent upheaval. Building on the chaos from and , the camera should capture more of the 'violent upheaval.' A wide, dynamic shot with significant motion blur would effectively convey this. Individual characters might be obscured or implied through their movement to emphasize the 'chaotic action.' The environment must remain the theatrical stage setting from , , and . The user intent is to emphasize the physical scale and intensity of the 'violent upheaval' on the stage, creating a sense of disarray and destruction without necessarily showing specific individuals clearly." }, { "instruction_full": "The camera cuts to a medium close-up of from and , now from a slightly higher angle, capturing her reaction to the ongoing chaos. She is framed against the dark, torn fabric and decorative elements of the theatrical stage set from , , , and . Her mouth is open in a scream or gasp of shock, and her eyes are wide, reflecting intense fear or distress as she reaches out with one hand, as if recoiling or attempting to grasp something. The user intent is to register the emotional impact of the chaos through a focused shot on her vivid reaction, emphasizing the danger and distress of the situation.", "think_full": "The shot maintains the theatrical stage environment, specifically the torn, decorative elements and dark atmosphere consistent with , , , and . reappears from and , her face now explicitly showing strong emotion (shock/distress), directly reacting to the chaotic \"struggle\" witnessed in , , and . Her reaching hand suggests an attempt to intervene or recoil. This shot provides a crucial emotional beat, allowing the viewer to connect with the fear and immediate danger felt by one of the key characters in the fantastical setting. After the chaotic, impersonal shots of and , this reaction shot re-centers the human element of the conflict and escalates the sense of crisis.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: focuses on , capturing a reaction of shock or distress amidst the chaos. A medium close-up on is needed to capture her 'reaction' clearly, bringing focus back to a character after the chaotic motion of . She should be shown with an expression of 'shock or distress' and a pose conveying her strong reaction. The background should remain the theatrical stage setting from earlier shots, consistent with the ongoing chaos. The user intent is to show the emotional impact of the preceding chaos through a clear character reaction, highlighting the gravity of the situation and the character's fear." }, { "instruction_full": "The camera cuts to a medium close-up of from , framed from a slightly low angle. She is shown in the theatrical stage setting, surrounded by dark, ornate, possibly metallic, decorative elements, similar to the background structures seen in earlier stage shots like . Her face is filled with a scream or cry of horror, and her arms are thrown forward in a desperate, pleading, or recoiling gesture, as if reacting to something unseen directly in front of her or falling away. The user intent is to show another key character's intense emotional reaction to the escalating catastrophe on stage, emphasizing the terror and urgency of the situation.", "think_full": "The shot continues within the theatrical stage environment, specifically focusing on the ornate, metallic-like architectural elements consistent with the background features partially seen in and other stage shots. reappears from , her expression drastically changed from her initial energetic pose to one of absolute horror and alarm. Her gesture indicates a strong, visceral reaction to the unfolding disaster on stage, which has been escalating since . This shot serves to broaden the emotional impact of the catastrophe, showing the horror from the perspective of another central character from the opening. Her desperate reaction amplifies the sense of danger and urgency, implying that something truly terrible has just occurred or is occurring. It deepens the emotional stakes of the fantastical plotline.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: cuts back to , now in the stage setting, reacting with fear and reaching out, as if witnessing something terrible. To achieve this, I need to cut back to . A medium close-up is appropriate for capturing her 'fear' and 'reaching out' gesture. She should be shown with an expression of intense fear, reacting to the calamity. The shot must maintain the theatrical stage setting, connecting to the ongoing disaster. The user intent is to show the primary protagonist's (or a key performer's) intense reaction to the ongoing crisis on stage, underscoring the severity of the event and their personal distress." }, { "instruction_full": "The camera cuts to a medium close-up, now from a slightly high angle, of from , , and . She is cradling the head of from and , who lies prone in her lap or on the ground, his eyes closed, suggesting injury or unconsciousness. She looks down at him with an expression of profound sadness and concern. The background remains the dark, chaotic elements of the theatrical stage from previous shots like , but now it recedes slightly, focusing attention on the intimate, somber moment between the two characters. The user intent is to reveal the tragic consequence of the struggle and to highlight the emotional bond or care between these characters amidst the chaos.", "think_full": "The shot stays within the theatrical stage environment, with the dark, ornate backdrop from , , , , , and visible in the background, reinforcing the setting of the ongoing catastrophe. reappears from , , and , her previous distress now deepening into grief or profound concern as she cradles from and . is shown incapacitated, confirming the impact of the earlier chaotic struggle. This shot reveals a significant consequence of the violent upheaval shown in , , and : the apparent harm to . It shifts the emotional tone to one of somber grief or deep concern, emphasizing the cost of the conflict and creating an emotional beat around a fallen character.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: shows cradling , indicating he has been harmed and highlighting her grief or concern. A medium close-up is needed to show the intimate moment of cradling . from , , and should show 'grief or concern.' from and must be shown 'harmed,' likely prone and in her arms. The background should still be the theatrical stage, but perhaps less chaotic, to emphasize the intimate moment. The user intent is to establish a tragic outcome of the struggle, showing that has been hurt, and to convey 's emotional reaction of grief or concern, deepening the emotional stakes." }, { "instruction_full": "The camera cuts abruptly back to the gritty urban interior setting from , now slightly wider to show more of the blurred background figures. from is in the foreground, looking over her shoulder with an expression of desperation and fear, her mouth open in a scream or shout, while from is visible behind and to her right, in blurred motion, raising his hand, as if in an attempt to strike or restrain her again. The background continues to be dimly lit with indistinct figures, reinforcing the public but dangerous setting. The user intent is to reignite the tension in the urban abduction storyline, showing 's attempt to escape and the renewed aggression of , escalating the parallel conflict.", "think_full": "This shot returns to the urban interior environment established in , reusing the dimly lit, somewhat blurred background with indistinct figures and general atmosphere. Both and reappear from , continuing their conflict. 's expression is now one of active struggle and fear, contrasting with her initial distress, while shows renewed aggression. The abrupt cut back to this storyline, following the emotional beat in , serves to remind the audience of the parallel threat and re-escalate the tension in the urban setting. It shows fighting back, injecting new urgency and danger into her predicament, and reinforcing the idea that the threat is ongoing.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: returns to the urban setting, showing attempting to escape , escalating the conflict there. To fulfill this, I need to return to the urban setting established in . A slightly wider shot might be needed to show the 'attempting to escape' action more clearly. and from should be brought back, with actively attempting to escape, showing dynamic movement and fear, and reacting aggressively. The environment from should be reconfirmed. The user intent is to pick up the urban abduction storyline from , showing an escalation of the conflict with 's escape attempt and 's response, creating renewed tension." }, { "instruction_full": "The camera cuts back to a medium close-up, similar in framing to , of from , , , and . She is still cradling from , , and in the theatrical stage setting. Her gaze is now directed slightly upwards and to the side, her expression shifting from grief to one of determination, renewed concern, or perhaps a realization, while still showing traces of sadness. The dark, ornate elements of the stage background from are visible, creating continuity with the fantastical setting. The user intent is to shift the emotional focus from pure grief to a more active resolve or deeper understanding from , perhaps foreshadowing a response to the tragedy.", "think_full": "The shot maintains the theatrical stage environment and the immediate surroundings from , indicating the continuation of this scene. The dark, ornate elements from are consistent. and continue their poses from . 's expression evolves from pure grief in to a more complex emotion, suggesting determination or a new resolve. This provides an emotional arc for her character within this immediate crisis. This shot provides a reflective emotional beat after the renewed tension in . By showing 's shifting expression, it suggests she is moving past initial shock/grief towards a potential plan or a deeper understanding of the situation. It hints at a future course of action or a new revelation regarding the fate of and the ongoing conflict in the fantastical world.", "instruction_minimal": "generate the next shot", "think_minimal": "The global prompt's shot_outline for states: cuts back to still cradling , her expression shifting to one of determined resolve or renewed concern. To achieve this, I need to cut back to the scene from , likely a similar medium close-up. and should be re-featured in the same cradling position as . Her expression, however, needs to convey a 'shift to one of determined resolve or renewed concern,' evolving from the grief seen in . The theatrical stage setting from must be maintained. The user intent is to show a character's emotional shift from passive grief to active resolve or deeper concern, suggesting a turning point or a decision in response to the tragic events on stage." } ], "_src_movie_dir": "The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "073622_073934.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Imaginarium.Of.Doctor.Parnassus.2009.2160p.BluRay.x264.DTS-FGT.mkv/073622_073934.json", "_test_index": 48 }, { "movie": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv", "N": 10, "sample_id": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130088.jpg-Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130702.jpg", "images": [ { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130088.jpg", "filename": "130088.jpg", "aesthetic": 6.033565521240234, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130202.jpg", "filename": "130202.jpg", "aesthetic": 5.955791473388672, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130271.jpg", "filename": "130271.jpg", "aesthetic": 6.818394184112549, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130289.jpg", "filename": "130289.jpg", "aesthetic": 5.779135704040527, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130409.jpg", "filename": "130409.jpg", "aesthetic": 6.825380325317383, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130415.jpg", "filename": "130415.jpg", "aesthetic": 6.891339302062988, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130582.jpg", "filename": "130582.jpg", "aesthetic": 6.385550498962402, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130594.jpg", "filename": "130594.jpg", "aesthetic": 7.089653015136719, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130660.jpg", "filename": "130660.jpg", "aesthetic": 6.293404579162598, "musiq": 0.0 }, { "tag": "", "rel_path": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130702.jpg", "filename": "130702.jpg", "aesthetic": 7.071372985839844, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A woman has been involved in a car accident on a rural road and is now interacting with a police officer. The tone is a mix of frustration, minor inconvenience, and bureaucratic processing. A tow truck has arrived to handle her damaged car.", "characters": [ "", "", "" ], "shot_outline": " shows a close-up of 's distressed reaction as she speaks, with the newly arrived tow truck visible behind her. cuts to from an over-the-shoulder perspective of , showing his patrol car in the background, as he continues to explain the situation. returns to a close-up of , reflecting on what she's heard, with the tow truck still behind her. pulls back to a medium shot of both and again, showing the tow truck in the background, to establish their spatial relationship and the full scene. provides a closer over-the-shoulder shot of 's face, focusing on his serious demeanor. returns to in a close-up, showing her somber reaction to the conversation. cuts back to in a close over-the-shoulder, continuing his explanation. shows in a close-up, her expression still somber, processing the situation. concludes the conversation with a final close over-the-shoulder shot of , maintaining his professional stance." }, "instruction_full": "The camera should move into a close-up of , capturing her face with a distressed and slightly exasperated expression as she speaks or reacts. In the background, the same rural road and fields from are visible, but now a white tow truck should be partially visible behind her, signifying the further progression of the incident, to emphasize her mounting frustration.", "think_full": "The narrative requires showing 's emotional state more intimately following the initial discussion in . A close-up allows us to focus on her expression and reaction, heightening the emotional intensity by shifting from the medium shot of . The background remains the rural road and fields established in , maintaining spatial continuity. The introduction of the tow truck visually progresses the story from , indicating that the vehicle recovery process is underway, adding to her stress. We use \"\" as established in the global prompt, shown in .", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the global_prompt's story setup where 's car is damaged and the shot_outline's description for that states, \" shows a close-up of 's distressed reaction as she speaks, with the newly arrived tow truck visible behind her,\" the next shot should be a close-up of . This framing will capture her emotional state. The background must include the rural road from and introduce the tow truck to advance the narrative, transitioning from the two-shot in to a more focused view of and the scene's progression." }, { "instruction_full": "The camera should cut to an over-the-shoulder medium shot of as seen from behind , showing gesturing and talking. His patrol car should be parked in the background further down the rural road established in and continued in , to show his official presence and reinforce the setting.", "think_full": "To maintain the rhythm of the conversation and provide the counter-shot to , we need to cut to . An over-the-shoulder framing from 's perspective, consistent with her implied presence in , provides a natural viewpoint. This allows us to see 's expression and gestures while subtly acknowledging 's presence through the foreground. The rural road from and continues. The addition of his patrol car signifies the full deployment of the official response, furthering the narrative by adding another element to the scene. was last seen interacting in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline explicitly states, \" cuts to from an over-the-shoulder perspective of , showing his patrol car in the background, as he continues to explain the situation.\" This indicates a shot of from 's viewpoint, framing him to capture his active explanation. The setting remains the rural road from and . The patrol car is a new visual element that belongs with and further grounds the scene in the context of an official incident." }, { "instruction_full": "The camera should cut back to a close-up of , similar in framing to , as she listens or processes information, her expression now slightly more resigned or contemplative. The tow truck remains visible in the background, continuing the visual context established in .", "think_full": "This turn requires a return to 's perspective after 's explanation in . By repeating the close-up framing from , we establish a visual pattern for the conversation, allowing the audience to focus on her evolving emotional state. Her expression should shift slightly from the more active distress in to a more internal processing. The tow truck and rural road background from continue to underscore the reality of her situation. was introduced in and featured prominently in .", "instruction_minimal": "generate the next shot", "think_minimal": "Following the shot_outline for , which says, \" returns to a close-up of , reflecting on what she's heard, with the tow truck still behind her,\" the next shot should be a close-up of . This maintains the shot-reverse-shot pattern established between and . Her expression needs to convey a reaction to what said in . The background should maintain the presence of the tow truck seen in , reinforcing the ongoing situation in the familiar rural setting from ." }, { "instruction_full": "The camera should pull back to a medium shot, similar to , showing both and facing each other. The damaged car and the tow truck should be prominently visible in the background, along the rural road, to re-establish the full scene and their spatial relationship. should appear a bit straighter, and should be looking at her intently, with his notepad now lowered, to suggest a shift in the conversation's dynamic.", "think_full": "After the sequence of close-ups (, , ) focusing on individual reactions, a wider shot is needed to re-establish the overall scene and the physical interaction between and , similar to the initial framing in . This shot serves to reset the visual context and show the ongoing interaction in its entirety. The rural road and fields from , with the damaged car, remain. The tow truck, introduced in , is now a fixed part of the background, along with the implied presence of the patrol car (not explicitly visible here but established in ). The slight shift in their stances from or their previous close-ups indicates the conversation is progressing. Both and were established in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for states: \" pulls back to a medium shot of both and again, showing the tow truck in the background, to establish their spatial relationship and the full scene.\" This indicates a return to a wider shot, similar to , showing both characters. The tow truck, which became visible in and , should now be integrated into this wider shot to show its presence in the overall scene. This shot provides a visual break from the close-up exchanges and re-establishes their positioning on the rural road from ." }, { "instruction_full": "The camera should cut to a closer over-the-shoulder shot of , from behind 's blurred shoulder, similar to but tighter on his face. He should have a serious, perhaps slightly sympathetic, expression as he speaks. His patrol car should still be visible down the rural road in the background, consistent with .", "think_full": "Following the wider shot in , the narrative likely returns to the dialogue exchange. A closer over-the-shoulder shot of , mirroring the style of but with increased intimacy, allows us to focus on his specific expressions and words. This tightens the focus on his part of the conversation. was last fully seen in and his over-the-shoulder perspective was established in . The rural road and his patrol car, first seen in , continue to ground the scene environmentally.", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for specifies: \" provides a closer over-the-shoulder shot of 's face, focusing on his serious demeanor.\" This indicates another over-the-shoulder shot of , similar to , but with a tighter framing to emphasize his expression. The rural road background from , , , , remains, and his patrol car from should be visible in the distance. This shot continues the back-and-forth conversation, now with a heightened focus on 's gravity." }, { "instruction_full": "The camera should cut back to a close-up of 's face, similar to and , showing her with a somber, perhaps resigned or disappointed expression as she listens. The tow truck should remain visible in the background, reinforcing the ongoing situation established in and .", "think_full": "To continue the conversation's rhythm, we need to return to 's reaction following 's input in . The repeated close-up framing from and maintains consistency and allows for a clear focus on her internal state. Her expression should reflect the emotional weight of the information she's receiving. The background of the rural road and the tow truck from , , and provides environmental continuity. was featured in , , , and .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for states: \" returns to in a close-up, showing her somber reaction to the conversation.\" This implies another close-up shot of , echoing the framing of and . Her expression should convey a serious or disappointed reaction to what was communicated in . The tow truck from , , and should be in the background, and the rural setting from continues." }, { "instruction_full": "The camera should cut back to a closer over-the-shoulder shot of , mirroring the framing of , with his face clearly visible. He should maintain a firm and professional expression as he continues to speak. His patrol car should still be visible in the distance on the rural road, maintaining the established background from and .", "think_full": "This shot serves as the counter-point to , returning the focus to 's side of the conversation. Reusing the tight over-the-shoulder framing from reinforces the visual pattern and allows for continued focus on his expression and delivery. His expression should reflect his professional and authoritative role in the situation. The rural road and his patrol car, visible in and , continue to provide environmental context. was last seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for says: \" cuts back to in a close over-the-shoulder, continuing his explanation.\" This indicates a return to the over-the-shoulder perspective of , specifically a close one, similar to . He should be actively speaking. The rural road background, including his patrol car, from and should be visible. This continues the back-and-forth dynamic of the conversation." }, { "instruction_full": "The camera should cut back to a close-up of 's face, consistent with the framing in , , and . Her expression should remain somber, perhaps showing a moment of quiet reflection or resignation. The tow truck should still be visible in the background, a constant reminder of her predicament, consistent with previous close-ups.", "think_full": "To complete the visual exchange with , the shot returns to . The consistent close-up framing from , , and allows for a clear read of her emotional state as she processes 's final statements. Her somber expression underscores the narrative impact of the conversation. The tow truck and rural road background, present in , , , and , continue to provide spatial continuity. was last seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for says: \" shows in a close-up, her expression still somber, processing the situation.\" This indicates another close-up of , continuing the pattern from , , and . Her expression should convey a continued serious reaction to the conversation from . The tow truck from , , , and should be visible in the background, and the rural setting from continues." }, { "instruction_full": "The camera should cut back to a closer over-the-shoulder shot of , maintaining the framing of and . He should maintain his serious, professional demeanor, perhaps concluding his interaction. His patrol car remains in the background on the rural road, visible as in , , and .", "think_full": "This shot provides a final look at to conclude this segment of the conversation. The repeated over-the-shoulder close-up framing from and reinforces the established visual language for his character. His continued professional and serious demeanor shows the finality of his instructions or statement. The rural road and his patrol car, visible throughout the over-the-shoulder shots (, , ), provide consistent environmental context. was last seen in .", "instruction_minimal": "generate the next shot", "think_minimal": "The shot_outline for states: \" concludes the conversation with a final close over-the-shoulder shot of , maintaining his professional stance.\" This implies a final over-the-shoulder shot of , similar to and . His expression should convey a sense of conclusion to his part of the interaction. The rural road background and his patrol car, consistently shown in his over-the-shoulder shots like , , and , should remain. This completes the conversational exchange." } ], "_src_movie_dir": "Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv", "_src_filename": "130088_130702.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Bridesmaids.2011.THEATRICAL.2160p.WEB-DL.x265.8bit.SDR.DTS-HD.MA.5.1-SWTYBLZ.mkv/130088_130702.json", "_test_index": 51 }, { "movie": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv", "N": 10, "sample_id": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/159551.jpg-The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160933.jpg", "images": [ { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/159551.jpg", "filename": "159551.jpg", "aesthetic": 6.428570747375488, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/159737.jpg", "filename": "159737.jpg", "aesthetic": 6.26436185836792, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/159824.jpg", "filename": "159824.jpg", "aesthetic": 7.3830718994140625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160019.jpg", "filename": "160019.jpg", "aesthetic": 5.20416259765625, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160046.jpg", "filename": "160046.jpg", "aesthetic": 4.764717102050781, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160130.jpg", "filename": "160130.jpg", "aesthetic": 5.666052341461182, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160358.jpg", "filename": "160358.jpg", "aesthetic": 5.916646957397461, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160549.jpg", "filename": "160549.jpg", "aesthetic": 6.596004486083984, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160702.jpg", "filename": "160702.jpg", "aesthetic": 6.451770305633545, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/160933.jpg", "filename": "160933.jpg", "aesthetic": 5.826104164123535, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The narrative focuses on the meticulous process of designing and building an aircraft. The tone is one of dedication, innovation, and shared passion for engineering, set in a bustling but focused workshop environment. The pacing is thoughtful, emphasizing observation and contemplation.", "characters": [ "", "", "" ], "shot_outline": " provides a closer look at inspecting the aircraft, highlighting their direct involvement. offers a central, wider view of the aircraft, showing its complexity under observation. focuses on 's detailed examination of the plane's surface. isolates the tactile connection between 's hand and the aircraft's surface. introduces alongside , showing shared observation. returns to a wider view of the aircraft's tail, with both engineers present. shifts to a personal conversation between and within the hangar. transitions to them leaving the hangar at night, indicating the passage of time. provides a final close-up of the two engineers, reflecting on their work." }, "instruction_full": "Shift the camera to a medium shot, looking slightly up from the ground, focusing on as he observes the fuselage of the plane from . He stands tall, with a contemplative posture, overseeing the work while a few continue their tasks in the background. The shot maintains the warm, industrial lighting of the hangar from , allowing the large aircraft to dominate the frame behind him, to emphasize his central role and the scale of the project.", "think_full": "The initial shot established the overall hangar environment and the collective work on the aircraft. For , the goal is to bring into sharper focus, establishing him as a key figure. By moving the camera closer and slightly lower, similar to the perspective of someone looking up at an important figure, we emphasize his presence. He reappears from , where he was seen walking, now stopping to observe. The space is still the hangar from , preserving the consistent industrial setting and warm lighting, which grounds the scene in its established reality. The narrative intent is to highlight 's leadership and deep engagement with the project, transitioning from a general overview to a more personal connection with the central figure.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` indicates a story about aircraft design and a 'thoughtful' pace, with 'dedication' and 'innovation'. The `shot_outline` for states it 'provides a closer look at inspecting the aircraft, highlighting their direct involvement'. Based on , we see a hangar with a plane and several , including a distinguished-looking man who will be . To achieve a 'closer look' and highlight 'direct involvement' as per the `shot_outline`, the next shot should move the camera in, focusing on near the plane. He should be observing, perhaps standing with a focused expression. The environment will remain the hangar from with its industrial lighting. This shift in framing serves to introduce the protagonist and his connection to the machine, setting the stage for his journey within the project." }, { "instruction_full": "Return to a slightly wider, eye-level camera angle, similar in perspective to , but centered on the aircraft's propeller and front section. from should be positioned slightly to the left of the frame, looking towards the plane's front, while continue working on various parts of the aircraft as seen in . The hangar interior from remains the setting, with its distinctive overhead lighting and wooden structures, to showcase the grand scale of the plane and 's overall vision.", "think_full": "Following the close-up on in , the narrative calls for a shot that re-establishes the aircraft's full presence, but now with integrated into the view. This wider shot, reminiscent of but more central, allows the plane to be viewed as a whole. from continues to observe, indicating his sustained focus. The space is consistently the hangar from and , maintaining visual continuity with its specific lighting and wooden structures. This framing highlights the entirety of the aircraft project under 's contemplative gaze, fulfilling the `shot_outline`'s goal to show the aircraft's 'complexity under observation'.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` emphasizes 'dedication' and 'shared passion for engineering', and the `shot_outline` for specifies a 'central, wider view of the aircraft, showing its complexity under observation'. Having zoomed in on in , the natural progression is to pull back to appreciate the object of his attention: the full aircraft. This shot should be an eye-level, medium-wide view of the plane's front, showcasing the propeller and engine assembly, with from positioned to one side, looking at it. from and would still be visible, working around the plane. The hangar environment from and remains constant. This shot serves to broaden the scope again, connecting 's individual focus to the grander engineering feat." }, { "instruction_full": "Tighten the camera to a medium close-up, angled slightly up, focusing on 's face and upper torso from as he closely examines the plane's metal fuselage. His head is tilted, eyes keen, one hand gently placed near the aircraft's surface, reflecting intense scrutiny. The background is a blurred portion of the aircraft's body, maintaining the detailed texture seen in , set within the consistent hangar environment and lighting from , to convey his meticulous attention to detail.", "think_full": "After the broader view of the aircraft in , the next step is to highlight the meticulous nature of 's work. The `shot_outline` for calls for a focus on his 'detailed examination'. This medium close-up directly frames from , showing his focused expression and an implied tactile interaction with the plane. The aircraft's detailed surface from serves as the immediate background, keeping the viewer's attention on the precision of the work. The ambient lighting and structural elements of the hangar from provide continuous environmental context. This shot underscores the depth of his engagement and his personal connection to the design.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions 'meticulous process' and 'dedication'. The `shot_outline` for indicates a focus on ''s detailed examination of the plane's surface'. After showing the full plane and his general observation in , it's logical to zoom in further to emphasize this 'detailed examination'. The next shot should be a medium close-up of from , showing his face and upper body as he scrutinizes the plane's fuselage. His expression should be serious and concentrated, possibly with a hand near the surface. The background will be the plane itself, within the hangar from , maintaining the visual continuity established. This shot deepens the portrayal of his expertise and personal investment." }, { "instruction_full": "Shift to an extreme close-up, focusing entirely on 's hand from as it gently rests on the riveted metal surface of the aircraft. The texture of the plane's fuselage, with its small rivets and slightly worn finish as seen in , should fill the frame, with no other characters or identifiable background elements. The soft, even lighting from the hangar in subtly illuminates the surface, to emphasize the tactile connection and the intricate craftsmanship of the plane.", "think_full": "Building on the 'meticulous examination' shown in , the `shot_outline` for explicitly calls to 'isolate the tactile connection between 's hand and the aircraft's surface'. An extreme close-up of the hand from on the plane's surface further intensifies this focus, transforming an observation into a personal, almost intimate interaction. The detailed, riveted surface of the plane, already visible in , now becomes the entire visual field. The consistent hangar lighting from ensures environmental continuity without distracting from the central gesture. This shot serves to heighten the emotional and physical bond between the designer and his creation, emphasizing the care and precision involved.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` speaks to 'dedication' and 'innovation', and the `shot_outline` for is to 'isolate the tactile connection between 's hand and the aircraft's surface'. Following the close-up on 's face and implied interaction in , the most impactful way to convey 'tactile connection' is an extreme close-up of his hand touching the plane. The shot should solely feature 's hand from resting on the metallic, riveted surface of the aircraft from . The background will be just the plane's surface, within the general lighting of the hangar established in . This provides a powerful, sensory moment, underscoring the craftsmanship and personal touch involved in the design." }, { "instruction_full": "Pull the camera back slightly from to a medium shot, framing two characters from a slightly low angle, looking at the aircraft's fuselage. (seen in and ) is present, and a new character, , is now introduced, also observing the plane. They stand side-by-side, absorbed in contemplation. The aircraft's detailed, riveted surface from forms the immediate foreground, and the background hints at the hangar interior from , maintaining the sense of ongoing work and shared focus.", "think_full": "After the very intimate close-up on 's hand in , the `shot_outline` for indicates that it 'introduces alongside , showing shared observation'. This necessitates pulling back the camera to include a second character. from previous shots (e.g., ) is present, and is introduced here as a new character in the scene. They are both looking at the plane's surface, continuing the theme of meticulous inspection. The aircraft's surface from remains prominent, and the background subtly confirms the hangar environment from . This shot expands the human element of the story, introducing a protégé or colleague to share the journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions 'shared passion for engineering', and the `shot_outline` for explicitly states it 'introduces alongside , showing shared observation'. After the intimate moment with 's hand in , the next logical step is to broaden the human interaction. This shot should be a medium shot, showing (from ) and a newly introduced character, , standing together and looking at the aircraft. Their expressions should convey shared interest or contemplation. The plane's fuselage (from ) will still be a prominent element, and the hangar environment from will remain the setting. This introduces a dynamic of mentorship or partnership, aligning with the story's theme of shared dedication." }, { "instruction_full": "Pull the camera back to a wider shot, from behind and (both seen in ), as they stand observing the tail section of the aircraft. The red and white tail fin of the plane, which was partially visible in , is now clearly framed, contrasting with the muted hangar interior. The environment remains the well-lit hangar from , emphasizing the full scope of the plane's design and their comprehensive observation.", "think_full": "Building on the shared observation in , the `shot_outline` for calls for a 'wider view of the aircraft's tail, with both engineers present'. This requires pulling the camera further back to reveal a different, significant part of the plane – the tail, which was generally visible in the initial wide shot . and from are still present, positioned with their backs to the camera, directing the viewer's gaze towards the tail. The hangar setting from is consistently maintained. This shot serves to show the full scale and specific features of the aircraft while maintaining the focus on the engineers' contemplative study.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` highlights the 'designing and building an aircraft' and 'shared passion'. The `shot_outline` for is to 'return to a wider view of the aircraft's tail, with both engineers present'. After showing the two engineers focused on the fuselage in , it's appropriate to shift to another key part of the plane to demonstrate their comprehensive involvement. The next shot should be a wider perspective showing the full tail section of the aircraft from , with and (from ) standing in the foreground, backs to the viewer, observing it. The hangar setting from provides the continuous backdrop. This reinforces their shared focus on the entire project and showcases another aspect of the aircraft's design." }, { "instruction_full": "Shift the camera to a medium close-up, now focusing on and (both seen in ) as they stand in a different, slightly darker corner of the hangar, engaged in conversation. They face each other, with serious expressions, suggesting an important discussion about the project. The background shows hints of tools and shelves from the hangar's interior from , but the aircraft itself is not visible, to emphasize the human interaction and intellectual exchange away from the direct physical work.", "think_full": "Following the broader shot of the aircraft in with both engineers, the `shot_outline` for suggests a shift to 'a personal conversation between and within the hangar'. This requires isolating the two characters in a medium close-up, moving them away from the immediate vicinity of the plane to highlight their dialogue. and from are now the central focus, interacting verbally. While still set within the hangar (continuing from ), the specific background elements shift to a less central area, emphasizing the personal interaction over the physical aircraft. This shot advances the narrative by developing the relationship and shared thought process between the two characters.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions 'shared passion for engineering' and the `shot_outline` for explicitly states it 'shifts to a personal conversation between and within the hangar'. After several shots focusing on the plane and their observation of it, it's logical to move to a scene showing their direct interaction and discussion. The next shot should be a medium close-up of and (both from ), facing each other and talking. They would be in a slightly less prominent part of the hangar from , perhaps with tools or other workshop elements in the blurred background, to signify a moment of focused discussion. This shot builds on their relationship and the intellectual aspect of their work." }, { "instruction_full": "Execute a wider shot, looking out from inside the hangar (established in ) towards the exterior at night. and (both seen conversing in ) are positioned in the doorway, their silhouettes casting long shadows onto the ground outside due to the interior hangar lights and external moonlight. The environment outside the hangar is dark, contrasting with the warm, internal glow from , to signify the end of the working day and a transition to a reflective moment.", "think_full": "After the focused conversation in , the `shot_outline` for calls for a transition as they are 'leaving the hangar at night, indicating the passage of time'. This requires a broader shot from inside the hangar looking out, to capture the act of departure and establish a new time of day. and from are now shown in the act of leaving, representing the conclusion of their day's work. The hangar architecture from serves as the constant spatial anchor, while the introduction of external darkness dramatically shifts the mood and temporal setting. This shot marks a narrative turning point, moving from the intensity of work to the contemplation of its aftermath.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` suggests a thoughtful pacing, and the `shot_outline` for specifies a transition 'to them leaving the hangar at night, indicating the passage of time'. Following their conversation in during what appeared to be daytime, the logical next step is to show the end of the workday. This shot should be a wide view, depicting and (from ) walking out of the hangar (the building from ) into the darkness of night. The hangar interior lights from would illuminate them from behind, casting strong shadows forward, creating a visually dramatic exit. This shift in setting and time symbolizes the culmination of their efforts for the day and introduces a moment of reflection." }, { "instruction_full": "Transition to a close-up, side profile shot of and (both seen exiting in ) walking side-by-side. Their faces are serious and contemplative, looking forward. The background is dark and indistinct, suggesting they are still outside the hangar at night from , focusing entirely on their expressions and the shared journey ahead, concluding their day with a sense of quiet determination.", "think_full": "Following the wider shot of their departure in , the `shot_outline` for indicates 'a final close-up of the two engineers, reflecting on their work'. This requires a tighter frame on and from as they continue their walk. Their expressions are key here, conveying thoughtfulness and a shared sense of purpose. The environment remains the dark exterior established in , but now blurred to keep the focus squarely on the characters' faces. This final shot brings the sequence to a close by emphasizing the personal impact of their shared dedication and vision, leaving the audience with a sense of their ongoing commitment.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` emphasizes 'dedication' and 'shared passion for engineering', and the `shot_outline` for indicates 'a final close-up of the two engineers, reflecting on their work'. After showing their exit from the hangar into the night in , the logical conclusion is to provide a more intimate view of their state of mind. This shot should be a close-up of and (from ), walking side-by-side, seen in profile. Their expressions should be thoughtful and determined, reflecting the day's work and future challenges. The background will be dark and out of focus, maintaining the nighttime setting from but prioritizing their faces. This shot provides a reflective and forward-looking conclusion to the sequence." } ], "_src_movie_dir": "The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv", "_src_filename": "159551_160933.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Wind.Rises.2013.2160p.BluRay.AVC.DTS-HD.MA.1.0-RARBG.mkv/159551_160933.json", "_test_index": 52 }, { "movie": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv", "N": 10, "sample_id": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177437.jpg-Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178963.jpg", "images": [ { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177437.jpg", "filename": "177437.jpg", "aesthetic": 6.14301872253418, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177500.jpg", "filename": "177500.jpg", "aesthetic": 6.285665512084961, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177878.jpg", "filename": "177878.jpg", "aesthetic": 5.025287628173828, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177995.jpg", "filename": "177995.jpg", "aesthetic": 6.269502639770508, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178262.jpg", "filename": "178262.jpg", "aesthetic": 6.184744834899902, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178438.jpg", "filename": "178438.jpg", "aesthetic": 6.070899963378906, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178459.jpg", "filename": "178459.jpg", "aesthetic": 6.260304927825928, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178714.jpg", "filename": "178714.jpg", "aesthetic": 6.030856609344482, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178795.jpg", "filename": "178795.jpg", "aesthetic": 5.962100028991699, "musiq": 0.0 }, { "tag": "", "rel_path": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/178963.jpg", "filename": "178963.jpg", "aesthetic": 5.217162132263184, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two men, one seemingly a professional and the other more rugged, engage in a tense conversation on a residential street. The atmosphere is serious and contemplative, hinting at a deep and possibly difficult discussion.", "characters": [ "", "" ], "shot_outline": " will be a close-up on , focusing on his reaction to 's words. will pull back to show both characters walking away together, revealing more of their urban surroundings. will return to a medium shot, continuing their conversation from a different angle on the street. will refine the medium shot, emphasizing their interaction against the street background. will be a wide shot of the residential street, providing an environmental context for their movement. will feature both characters standing prominently in the street, facing the camera, presenting a moment of resolve. will focus on 's reaction during their ongoing discussion. will capture 's intense response. will show placing a hand on 's shoulder, indicating a moment of connection or reassurance." }, "instruction_full": "Shift the camera to a close-up on , framing him intently. He should have an intense, perhaps wary, expression, looking slightly off-camera right, possibly reacting to something has just said. The background should remain the same outdoor residential setting established in , with the blurred details of a house and fence still visible, to capture his focused demeanor.", "think_full": "The initial shot established an intense conversation between and . To deepen the narrative, the next shot should isolate to highlight his individual reaction and internal state. By maintaining the same outdoor residential setting from , we ensure spatial continuity. The close-up magnifies his expression, making his response to the interaction in the central dramatic element. This aligns with the 'shot_outline' for which states it will be 'a close-up on , focusing on his reaction'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' states that will be a close-up on , focusing on his reaction. Given the tense interaction in , it's logical to follow up with a shot emphasizing the emotional impact on one of the characters. We should keep the same outdoor residential setting from to maintain continuity. The camera should zoom in to a close-up on , showing a serious or contemplative expression, furthering the narrative of their intense discussion." }, { "instruction_full": "Pull the camera back to a wider, medium-long shot from behind, showing both and from and as they walk away from the camera. The setting should clearly be the same residential street, now revealing more of the houses, cars, and overall neighborhood environment that was hinted at in and , to establish their physical movement and the broader location.", "think_full": "After the intense close-ups of the characters in and , it's important to provide a sense of their movement and the environment. This wider shot shows both and (both established in ), now walking, which progresses the scene. The residential street environment is consistent with the background elements seen in and , but this shot broadens the scope, fulfilling the 'shot_outline' for to 'pull back to show both characters walking away, revealing their surroundings'. This establishes their presence within the urban landscape.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' states that will 'pull back to show both characters walking away, revealing their surroundings'. Following the close-ups in and , a wider shot is needed to show their physical progression and establish the broader setting. We should show both and , who were central in and , from behind as they walk down the residential street, expanding on the environment glimpsed previously." }, { "instruction_full": "Reframe to a medium shot, now facing and from , , and , as they continue their conversation while walking along the residential street seen in . The background should clearly show the facades of the houses from , grounding them within the established neighborhood, to provide a fresh perspective on their ongoing interaction.", "think_full": "Building on the wide shot of them walking in , this shot should re-establish their conversation, which was the focus in and . By shifting the camera to face them, we offer a new perspective on their interaction, maintaining the energy. Both and are returning characters from all previous shots. The residential street setting from remains consistent, ensuring spatial continuity. This fulfills the 'shot_outline' for which indicates a 'medium shot of both characters from a different angle, continuing their conversation'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates 'a medium shot of both characters from a different angle, continuing their conversation'. After showing them walking away in , it's logical to return to their interaction from a new angle. This involves a medium shot of both and , still in the residential street environment established in , allowing the viewer to re-engage with their discussion from a different visual perspective." }, { "instruction_full": "Maintain a medium shot of and from , , , and , as they continue their intense discussion. The camera should be positioned slightly behind , looking towards , capturing his expression as he speaks. The residential street and parked cars from should be visible in the background, reinforcing the setting and the ongoing nature of their talk.", "think_full": "This shot continues the dynamic established in , focusing on the ongoing conversation between and (both seen since ). By shifting the camera slightly to look over 's shoulder, we subtly alter the perspective from to keep the visual fresh while emphasizing 's speaking role. The residential street environment with parked cars is maintained from , ensuring strong spatial continuity. This aligns with the 'shot_outline' for which states it 'will continue the conversation from a slightly different perspective, showing the street background'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates it 'will continue the conversation from a slightly different perspective, showing the street background'. Following the medium shot in , a slight refinement in framing, perhaps focusing on one character's turn to speak while the other is partially in frame, makes sense. The residential street from should remain the backdrop. This shot should feature both and , still engaged in their conversation." }, { "instruction_full": "Transition to a wide, low-angle shot focusing solely on the residential street scene. No prominent characters should be in the foreground. Feature a vintage black car parked on the left, and another black car further down the street. The background should show more of the older houses and street architecture, consistent with the environment established in , , and , to offer a broader view of their surroundings.", "think_full": "After a series of close and medium shots of the characters ( through ), it's time to provide a broader environmental context. This wide shot of the residential street serves to establish the location more fully, showcasing the older houses and parked cars that are characteristic of the setting seen in the background of , , and . By removing the characters from the immediate foreground, the focus shifts to the general atmosphere and allows for a moment of visual breathing room. This aligns with the 'shot_outline' for which calls for 'a wide shot of a residential street, establishing the setting and suggesting movement'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states it 'will be a wide shot of a residential street, establishing the setting and suggesting movement'. After several shots focused on the characters' interaction in through , it's a logical progression to pull back and establish the broader environment they are in. This means a wide shot of the residential street, with houses and parked cars, consistent with the locale glimpsed in previous shots, but without the characters as the central focus." }, { "instruction_full": "Bring the camera back to eye-level for a wide shot, centered on and from , , , , , who are now standing side-by-side in the middle of the residential street. They should be looking directly towards the camera, conveying a sense of presence or resolve. The background should clearly show the street and buildings, consistent with the wider view presented in , to highlight their central position within the environment.", "think_full": "Following the purely environmental wide shot in , this shot re-centers the narrative on the two protagonists. Both and are returning characters from and subsequent interaction shots. Placing them standing together in the middle of the residential street (which was fully established in and hinted at in , , ) creates a strong visual statement. Their stance, looking towards the camera, provides a moment of direct engagement with the audience. This fulfills the 'shot_outline' for which describes showing 'both characters standing in the middle of the street, looking towards the camera, conveying their presence'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states it 'will show both characters standing in the middle of the street, looking towards the camera, conveying their presence'. After the environmental shot of , it's a natural return to the characters. They should be positioned prominently in the street, now standing still, and the wide shot from sets the stage for their placement. Both and from previous shots should be present, facing the viewer with a sense of purpose." }, { "instruction_full": "Cut to a medium close-up, focusing on from , , , and . He should appear tense or concerned, looking slightly off-camera. The back of from , , , , and should be visible in the foreground, indicating their continued proximity and interaction. The residential house exterior seen in the background of should remain consistent, emphasizing the immediate context of their conversation.", "think_full": "After the broader, more static shot of both men in , the narrative requires a return to the specifics of their emotional exchange. This medium close-up isolates (seen previously in , , , ), allowing the audience to interpret his reaction directly. The presence of (also seen in those shots) in the foreground maintains the continuity of their interaction. The residential street and house background are consistent with (and earlier shots like , , , ), ensuring spatial coherence. This aligns with the 'shot_outline' for which describes 'a close-up on , capturing his reaction'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates 'a close-up on , capturing his reaction'. After the formal shot of both men in , a tighter shot on one of the characters to capture their emotional state makes sense. We should focus on (from and ), with (also from and ) partially in frame, maintaining the intense conversation within the residential street setting seen in ." }, { "instruction_full": "Shift the camera to a medium close-up on from , , , , , and , mirroring the framing of . He should be looking intently at (whose back or side profile is visible in the foreground), with an expression that responds to 's reaction. The background should continue to show the residential street and houses from , maintaining the seamless flow of their exchange.", "think_full": "To continue the emotional dialogue established in , the next shot must provide the counter-reaction from (prominently seen in , and present in all prior character shots since ). By mirroring the framing of , a visual back-and-forth is created, intensifying the exchange. The residential street and house background elements seen in (and previously in , , , , ) are maintained, ensuring consistent spatial context. This directly fulfills the 'shot_outline' for which indicates 'a close-up on , showing his response'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states 'a close-up on , showing his response'. After the close-up on 's reaction in , the next logical step in their conversation is to show the response of . This requires a similar close-up on (who appeared in , , and among others), maintaining the same residential street background from to show the continuity of their intense discussion." }, { "instruction_full": "Transition to a medium close-up shot of both from and from . should be placing a hand on 's shoulder, indicating a moment of connection or shared understanding. Their expressions should reflect a conclusion or shift in the intensity of their conversation. The residential street and house exteriors from and should remain visible in the background, anchoring them in the established location.", "think_full": "This shot aims to bring a resolution or a new dynamic to the intense exchange shown in and . By showing both (from ) and (from ) together in a medium close-up, it emphasizes their relationship. The action of placing a hand on 's shoulder provides a physical manifestation of their connection or the outcome of their discussion. The residential street and house background are consistent with and (and earlier shots like through ), ensuring visual continuity. This fulfills the 'shot_outline' for which states it 'will show placing a hand on 's shoulder, indicating a moment of connection or reassurance'.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for states 'will show placing a hand on 's shoulder, indicating a moment of connection or reassurance'. After the intense back-and-forth close-ups in and , a shot showing a physical interaction between (from ) and (from ) is a logical narrative progression to convey a shift or conclusion to their discussion. The shot should maintain the established residential street background and feature both characters in a medium close-up to clearly show the gesture." } ], "_src_movie_dir": "Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv", "_src_filename": "177437_178963.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Mystic.River.2003.2160p.BluRay.Remux.DTS-UHD.5.1.mkv/177437_178963.json", "_test_index": 55 }, { "movie": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "N": 10, "sample_id": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136424.jpg-La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/138177.jpg", "images": [ { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136424.jpg", "filename": "136424.jpg", "aesthetic": 6.065572261810303, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136564.jpg", "filename": "136564.jpg", "aesthetic": 6.491579532623291, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136765.jpg", "filename": "136765.jpg", "aesthetic": 5.231858253479004, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136831.jpg", "filename": "136831.jpg", "aesthetic": 5.288727760314941, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/137134.jpg", "filename": "137134.jpg", "aesthetic": 5.641108512878418, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/137302.jpg", "filename": "137302.jpg", "aesthetic": 5.260188102722168, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/137491.jpg", "filename": "137491.jpg", "aesthetic": 6.173191547393799, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/137661.jpg", "filename": "137661.jpg", "aesthetic": 5.728679180145264, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/137715.jpg", "filename": "137715.jpg", "aesthetic": 6.223217487335205, "musiq": 0.0 }, { "tag": "", "rel_path": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/138177.jpg", "filename": "138177.jpg", "aesthetic": 5.271702766418457, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two individuals are having an intense, intimate conversation at night, likely after a social event. The mood is emotionally charged, with moments of connection and unspoken tension. The narrative then shifts to the aftermath, showing their individual reflections and movements into a new day.", "characters": [ "", "" ], "shot_outline": " will present a reverse shot of , continuing the intimate and intense conversation from . will return to , showing a more subdued emotional reaction. will cut to in his car, expressing frustration or deep thought alone at night. will show alone, looking contemplative. will establish a serene suburban street in the morning, marking a clear passage of time. will show driving his car purposefully in the daytime. will provide a close-up of 's wristwatch, emphasizing time or focus. will return to driving, reiterating his journey. will conclude with another wide shot of the residential street, reinforcing the new setting and the narrative's forward progression." }, "instruction_full": "Reverse the camera angle from to capture a medium close-up of , continuing the intimate, dark night environment. He should be looking back towards (off-screen left), engaged in the same intense conversation. The background remains dark but might subtly reveal distant light sources. This shot is to show his perspective and maintain the conversational flow.", "think_full": "The camera needs to execute a reverse shot from to introduce into the visual narrative and capture his half of the conversation. The intimate medium close-up framing and the dark, ambient night lighting established in must be maintained for visual continuity and to preserve the intense, personal mood. is introduced here as an active participant, responding to who was the focus of . The dramatic purpose is to establish both characters in the ongoing dialogue and continue the emotional tension of their exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt establishes an intense conversation between two characters. shows looking off-screen right at night, implying is there. The shot_outline specifically states will be a reverse shot of , continuing the conversation. Therefore, the next shot should frame from a similar distance and angle as , but from the opposite side, maintaining the dark night environment to continue the scene. He should be looking off-screen left, directly engaging with ." }, { "instruction_full": "Return to a medium close-up of , mirroring the framing from , and maintaining the dark night environment. Her expression should now be more subdued, reflective, or slightly pained, indicating a shift in the emotional tone of the ongoing conversation.", "think_full": "To continue the established shot-reverse-shot pattern and further the emotional arc of the conversation, the camera should return to , who was last seen in . The framing and dark night setting from should be reused to ensure visual consistency. Her expression needs to evolve from her initial look in to reflect the impact of 's words (seen in ), showing her processing new information or reacting with deeper emotion. This shot aims to emphasize her internal state after the back-and-forth.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt and previous shots and establish an intense conversation. The shot_outline for indicates returning to with a subdued expression. Following the conversational rhythm, the next logical step is to return to (first seen in ). The camera should match the previous framing and the dark, intimate night setting from . Her expression should convey a specific emotional reaction, such as introspection or sadness, reflecting the conversation's progression." }, { "instruction_full": "Shift abruptly to a new setting. Frame in a medium shot inside a car, viewed from a slightly high angle looking down at him. He should be alone, with his hands raised in a gesture of exasperation or frustration, clearly reacting to the emotional impact of the prior conversation from . The environment is still dark, suggesting it's late night or very early morning.", "think_full": "This shot marks a significant shift, breaking away from the two-shot conversation of , , and to focus on 's individual reaction and emotional state. , who was last seen speaking in , is now in a new, confined space—a car—and is alone. The dark environment maintains the general mood of the previous night scenes, but the enclosed space and his gesture of frustration or despair amplify the personal toll of the preceding interaction. The high angle can emphasize his vulnerability or a feeling of being overwhelmed.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt describes a narrative progression beyond the initial conversation. The shot_outline for indicates a cut to in his car, expressing frustration. This requires a new environment—an interior car shot—and a focus on 's (seen in ) emotional aftermath from the conversation with (seen in ). He should be alone, still in the dark night setting, and his body language should clearly convey distress or a strong negative emotion." }, { "instruction_full": "Return to , similar to the medium shot in , but now she is slightly turned away from the camera, looking off into the dark night. She appears solitary and contemplative, mirroring 's isolation in and continuing the introspective mood hinted at in . The dark night environment established in and persists.", "think_full": "To parallel 's isolated frustration shown in , the narrative calls for a return to in a similar state of solitary reflection. , last prominently seen in , is shown again using her character and the dark night setting from and . Her pose, with her back slightly turned and her gaze directed into the empty night, visually amplifies her solitude and internal thought processes, providing a counterpart to 's emotional state and building upon her subdued expression from .", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt implies individual reactions after the intense conversation. The shot_outline for states is alone, looking contemplative. After seeing 's reaction in , it is narratively appropriate to return to (from and ) to show her individual emotional state. The shot should maintain the dark night environment from previous scenes, and her posture should convey thought or sadness, reflecting the emotional aftermath." }, { "instruction_full": "Establish a brand-new setting with a wide, panoramic shot of a quiet, tree-lined suburban residential street, bathed in the soft, warm, golden light of early morning or late afternoon. The street should be empty of characters and cars, focusing entirely on the environment to signal a significant passage of time and a change of location.", "think_full": "This shot functions as a crucial temporal and spatial transition, moving the narrative away from the dark, intimate night scenes of through . The global_prompt's implied passage of time necessitates a new visual setting. Introducing a bright, calm suburban street scene, completely devoid of characters, effectively signals a new day and a change of atmosphere, contrasting sharply with the previous intense, dark environments and marking a clear narrative chapter shift. This is a brand-new environment with no visual link to previous images.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's story setup and the shot_outline for indicate a transition to a new setting and time – a residential street in the morning. This requires a complete visual break from the dark night scenes of through . The shot should be wide and panoramic to establish the new location, with warm, soft lighting characteristic of morning or late afternoon. It should be empty of characters to emphasize the environmental shift and the passage of time." }, { "instruction_full": "Cut to a side profile medium shot of driving a vintage convertible car on a street, similar to the setting established in . He should appear focused and serious, clearly in the bright, warm daylight. The background should show elements of the suburban street environment from , visibly connecting him to this new daytime setting.", "think_full": "Following the establishment of the new morning setting in , the narrative needs to reintroduce a character to this changed environment. , last seen frustrated in his car at night in , is now seen driving in the daytime. This re-establishes his presence within the new temporal and spatial context. The side profile medium shot focuses on his serious and purposeful demeanor, suggesting he is on a journey or deep in thought, contrasting his previous frustration. The background must maintain visual continuity with to firmly place him in this new suburban street environment and warm daytime lighting.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt and shot_outline for state that will be seen driving in the daytime. After establishing the new morning street setting in , it's logical to reintroduce (last seen in ) into this environment. He should be in a car, reflective of his previous scene, but now during the day, in the suburban setting from . His expression should convey seriousness or determination, showing a continuation of his journey or internal state." }, { "instruction_full": "A tight close-up on 's wrist, specifically highlighting a classic wristwatch. The shot should maintain the warm, golden early morning or late afternoon light and the overall color palette established in and . The watch face, hands, and band should be clearly visible.", "think_full": "To add emphasis on time, a sense of urgency, or a momentary pause for reflection for (who was just seen driving in ), a close-up on his wrist and watch is a narratively significant detail. This new visual detail is consistent with 's character and fully integrated into the established warm, daytime lighting and color scheme from and . The focus on the watch can subtly convey themes of punctuality, waiting, or the passage of important moments in his journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for explicitly calls for a close-up on 's wrist showing his watch, emphasizing time. Following where is driving, this shot serves to draw attention to a specific detail. The lighting and warm daytime tones from and should be maintained to ensure visual continuity within the current temporal setting." }, { "instruction_full": "Return to a side profile medium shot of driving his convertible car, mirroring the composition and angle from . He should maintain his focused and determined expression, with his hands firmly on the steering wheel. The background should clearly show elements of the suburban street from and , and the warm morning light must be consistent.", "think_full": "After the specific detail shown in the close-up of (the watch), the narrative needs to re-establish 's ongoing journey. Reverting to the camera framing and setting from provides strong visual continuity for his character and the scene. His expression and posture should reiterate the determination or seriousness established earlier, reinforcing his purpose and the progression of his drive after the implied moment of reflection with the watch. The environment and consistent warm morning light from , , and are maintained.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for confirms driving, emphasizing his journey and determination. After the close-up on the watch in , the most logical narrative step is to return to (from ) continuing his drive. The shot should be similar to , maintaining the daytime setting from and his focused demeanor to show consistent progress in his narrative arc." }, { "instruction_full": "Return to the wide, panoramic shot of the suburban residential street from , maintaining the soft, warm, golden light of early morning or late afternoon. The street should be empty of characters and cars, serving as a final establishing shot that provides a sense of quiet conclusion or a lingering shot of the environment.", "think_full": "To provide a sense of conclusion for this sequence and to bookend the daytime journey initiated by (seen driving in and ), the camera should return to the wide shot of the suburban street first established in . This shot, like , remains devoid of characters, emphasizing the environment and the general setting rather than individual action. It signals a pause, a moment after the journey, or an end to 's immediate travel without explicitly showing his arrival, leaving a subtle, contemplative feeling. The consistent warm morning light from , , , and helps maintain the aesthetic unity of this daytime segment.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt's shot_outline for indicates returning to the established residential street, providing a sense of conclusion. After 's journey in and , a final environmental shot is appropriate. The shot should be a wide, panoramic view of the suburban street, identical to , maintaining the soft daytime lighting and being empty of characters to offer a peaceful resolution or a lingering view of the setting after the events." } ], "_src_movie_dir": "La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv", "_src_filename": "136424_138177.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/La.La.Land.2016.PROPER.2160p.BluRay.REMUX.HEVC.DTS-HD.MA.TrueHD.7.1.Atmos-FGT.mkv/136424_138177.json", "_test_index": 59 }, { "movie": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv", "N": 10, "sample_id": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67528.jpg-The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/68341.jpg", "images": [ { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67528.jpg", "filename": "67528.jpg", "aesthetic": 6.793066501617432, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67638.jpg", "filename": "67638.jpg", "aesthetic": 6.377840042114258, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67709.jpg", "filename": "67709.jpg", "aesthetic": 7.055981159210205, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67738.jpg", "filename": "67738.jpg", "aesthetic": 6.60197639465332, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67819.jpg", "filename": "67819.jpg", "aesthetic": 6.403024196624756, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67897.jpg", "filename": "67897.jpg", "aesthetic": 5.894172668457031, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/67997.jpg", "filename": "67997.jpg", "aesthetic": 6.362582683563232, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/68056.jpg", "filename": "68056.jpg", "aesthetic": 5.921326637268066, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/68150.jpg", "filename": "68150.jpg", "aesthetic": 6.90882682800293, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/68341.jpg", "filename": "68341.jpg", "aesthetic": 5.3412251472473145, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two individuals are engaged in a private, intense conversation within a dimly lit cafe, suggesting a confessional or a serious discussion. The overall tone is muted and contemplative, focusing on emotional intimacy.", "characters": [ "", "" ], "shot_outline": " will frame from across the table, showing their focused attention. will return to , capturing a moment of their dialogue, possibly more direct than . will revert to , maintaining the shot-reverse-shot pattern, showing their reaction. will move into a tighter close-up on 's face, focusing on their expression as they speak or listen. will cut to a tighter close-up on 's face, mirroring 's intensity. will return to in a similar close-up as , reflecting continued contemplation. will return to in a close-up, similar to , reinforcing the intimate nature of the conversation. will provide a slightly wider close-up of drinking, showing a slight shift or pause in the conversation. will transition to a new setting, showing both characters in a car, indicating the conclusion of their cafe meeting and a continuation of their journey or interaction." }, "instruction_full": "Shift the camera to an over-the-shoulder shot from behind , focusing on . Frame , who was previously seen only from the back in , seated at the table, attentive, with hands clasped or resting on the table. Maintain the same cafe setting as , with the wooden table and ambient lighting. The background through the window should show a blurred street scene at dusk or night, similar to the general lighting established in , to reveal 's face and expression, establishing their role in the conversation and providing a counterpoint to shown in .", "think_full": "We are continuing in the same dimly lit cafe from , with the same wooden table and muted background. The window showing a blurred exterior hints at the time of day (dusk/night), consistent with the interior lighting of . is seen from the front for the first time, having been introduced from behind in . is now seen from behind, having been the focus in . This establishes a classic shot-reverse-shot pattern. The purpose of this shot is to establish the second character, , and begin to show their engagement in the discussion. By revealing their face, the audience can start to interpret their reaction to 's revelations or statements.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for indicates it \"will frame from across the table, showing their focused attention.\" This implies a shot-reverse-shot from . The characters and were established in global_prompt.characters and their initial positions in . Therefore, the camera should be positioned over 's shoulder, looking at . will be seated at the table, engaged in the conversation, showing an attentive expression. The space remains the same cafe from , maintaining the continuity of the setting. This shot serves to introduce 's perspective and expression, deepening the understanding of the conversation's dynamics." }, { "instruction_full": "Return to the over-the-shoulder shot from behind , framing similar to , but perhaps slightly tighter or with a subtly different angle to reflect the ongoing conversation. Frame again, seated at the table, with an engaged expression, possibly actively speaking or responding, maintaining the serious tone. Continue within the same cafe setting, with the wooden table and the distant blurred background patrons as seen in . The ambient, muted lighting from and should persist, to continue the shot-reverse-shot pattern, showing 's perspective and allowing their dialogue or internal state to be emphasized.", "think_full": "We remain in the same cafe from and , with the consistent wooden table and the slightly out-of-focus background diners. The subdued lighting established in is maintained, reinforcing the intimate and somewhat private atmosphere. This shot brings back into focus, similar to their appearance in , but now with the added context of 's presence from . Their pose and expression should reflect active participation in the dialogue, contrasting with the more contemplative state in where they were just eating cake. The shot-reverse-shot structure established between (implicitly) and is continued. This shot directly follows to show 's response or continuation of their story, creating a sense of dynamic conversation and allowing the audience to interpret their emotional state during the exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline states \"will return to , capturing a moment of their dialogue, possibly more direct than .\" This indicates a return to the perspective on after showed . The camera will resume an over-the-shoulder position from behind , focusing on at the cafe table, consistent with the setup in but now showing them actively engaged. will be seated, perhaps looking up or speaking directly to . The setting remains the cafe from and . This shot aims to continue the conversation flow, providing the audience with 's side of the current interaction." }, { "instruction_full": "Cut back to the over-the-shoulder shot from behind , framing , replicating the camera angle and framing from . should be framed, seated at the table, listening intently. Their expression should convey continued engagement or a thoughtful reaction to what might have just said. The shot will maintain the cafe environment from , , and , featuring the wooden table and the soft, ambient lighting. The background through the window should still show the blurred street scene at night as seen in , to maintain the conversational rhythm and show 's reaction, reinforcing their active role as a recipient of information.", "think_full": "The environment remains the same cafe, with the wooden table and ambient lighting, consistent with , , and . The exterior visible through the window, as established in , confirms the ongoing night setting. returns to the frame, positioned as seen in , directly facing (who is now out of frame, behind the camera). Their posture and expression will convey continued attentiveness, building upon their introduction in . This shot continues the established shot-reverse-shot pattern, creating a natural flow for a two-person conversation. It specifically serves to capture 's reaction to 's preceding statements (from ), allowing the audience to gauge the impact of the dialogue.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will revert to , maintaining the shot-reverse-shot pattern, showing their reaction.\" This indicates we are returning to the framing of . The camera should be positioned over 's shoulder, looking at across the table, mirroring 's perspective. will be seated, their face visible, reflecting a reaction to the ongoing conversation. The setting is still the same cafe from , , and . This shot will continue the back-and-forth of the conversation, showing the reciprocal nature of their interaction and 's emotional processing." }, { "instruction_full": "Move the camera closer to , creating a tight close-up shot of their face. This will be an evolution of the framing of and , bringing more intimacy and focus. Capture 's face in detail. Their expression should be nuanced, perhaps showing a moment of introspection, vulnerability, or deep thought, eyes possibly cast down or thoughtful. The background should be softly blurred, indicating the continued cafe setting from , , , and , but emphasizing the isolation of the subject's emotions. Hints of the ambient lighting should remain, to deepen the audience's understanding of 's internal state by focusing intensely on their facial expression, suggesting a significant moment in their dialogue or reflection.", "think_full": "The cafe environment is still present, albeit heavily blurred in the background, consistent with the general atmosphere established in , , , and . The soft ambient lighting continues to shape the mood. This shot features (first seen in ), now in a much tighter frame. Their expression, rather than directly engaging , might turn inward, suggesting a personal reflection on what is being discussed or revealed. This brings a new emotional layer to their character beyond the earlier wider shots. The shift to a tight close-up breaks the pattern of wider shot-reverse-shots (from , , , ) to heighten the emotional intensity. It forces the audience to confront 's inner world, making their feelings or thoughts the central focus and possibly signaling a turning point or a significant confession.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will move into a tighter close-up on 's face, focusing on their expression as they speak or listen.\" This indicates a significant camera change to emphasize emotion. The camera will move in for a close-up on 's face, showing their nuanced expression. will be the sole focus, their facial features conveying depth of feeling, perhaps a slight smile or a look of profound thought. The background will be the blurred cafe setting from previous shots ( through ), maintaining environmental continuity while reducing its prominence. This shot serves to isolate and amplify 's emotional state, adding dramatic weight to the ongoing conversation." }, { "instruction_full": "Cut directly to a close-up of 's face, mirroring the tight framing and intimacy of . This establishes a new, closer shot-reverse-shot pattern. Capture 's face in a close-up. Their expression should reflect their reaction to 's current emotional state or statement (from ), showing understanding, concern, or empathy. The background should be similarly blurred as in , maintaining the low light and atmospheric feel of the cafe from , , , , and , keeping the focus entirely on the character's expression, to show 's immediate and profound reaction to the intimacy or vulnerability expressed by in , continuing the emotional escalation.", "think_full": "The cafe setting continues with a blurred background, consistent with all previous shots, especially the close-up treatment in . The low, ambient lighting is also maintained. (introduced in ) is now presented in a close-up, mirroring the emotional focus placed on in . This allows the audience to directly observe their processing of the intense moment, reflecting a deeper level of engagement than in earlier wider shots like or . This shot builds on the emotional crescendo initiated by . By creating a close-up shot-reverse-shot between and , the sequence emphasizes the deep emotional connection and reciprocal understanding (or lack thereof) between the two characters in this critical part of their conversation. It allows the audience to gauge 's internal response to 's vulnerability.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will cut to a tighter close-up on 's face, mirroring 's intensity.\" This directly indicates a close-up on after focused on . The camera will cut to a close-up of 's face, similar in framing intensity to . will be shown with an expression that reacts to the previous emotional beat, perhaps one of understanding or concern. The background will be the blurred cafe setting from previous shots ( through ), maintaining environmental consistency. This shot serves to show 's reaction in a heightened emotional manner, continuing the intimate, focused exchange." }, { "instruction_full": "Cut back to a close-up of 's face, similar in framing to . This continues the intimate shot-reverse-shot pattern established between and . is shown in close-up. Their expression might deepen the sense of introspection or resolve, potentially having processed 's reaction from . The background remains the softly blurred cafe environment from through , ensuring visual continuity while keeping the focus on the character's face and emotions, to further explore 's emotional journey during the conversation, showing a continuation of their thoughts or perhaps a moment of internal decision.", "think_full": "The cafe setting continues to be represented by a blurred background, consistent with all previous shots and specifically the close-up style of and . The low ambient light persists, maintaining the mood. This shot returns to (seen in , , ), maintaining the tight close-up established in . Their expression in this shot can now build upon the interaction and 's reaction from , perhaps showing a more settled or determined look. By continuing the tight shot-reverse-shot between and (as seen in and ), the sequence emphasizes the profound nature of their current exchange. This shot specifically allows for a prolonged focus on 's emotional state, showing a sustained moment of vulnerability or earnestness.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will return to in a similar close-up as , reflecting continued contemplation.\" This dictates another close-up on . The camera will return to a close-up of 's face, matching the framing of . will be shown with an expression of continued introspection or contemplation, possibly showing the impact of the conversation. The background will remain the blurred cafe setting, consistent with through . This shot reinforces the emotional depth of the conversation, focusing solely on 's internal experience." }, { "instruction_full": "Cut back to a close-up of 's face, matching the framing and intimacy of . This reinforces the established close-up shot-reverse-shot pattern. is framed in close-up. Their expression should convey continued understanding and attentiveness, perhaps a subtle nod or a look of encouragement, responding to 's latest thoughts from . The background remains the softly blurred cafe environment from through , maintaining consistent atmosphere and focus on the characters' expressions, to confirm 's sustained empathy and engagement in the intense conversation, providing a visual affirmation of the bond or understanding between the two characters.", "think_full": "The cafe environment, represented by a blurred background and consistent low lighting, continues from all previous shots, particularly echoing the tight framing of and . This shot brings (seen in , , ) back into a close-up, mirroring 's perspective. Their expression should reflect ongoing emotional support or deep listening, responding to 's state observed in . This reiterates their role as a steadfast confidant. By continuing the close-up shot-reverse-shot, the sequence sustains the emotional intensity. This shot specifically emphasizes 's role as a supportive presence, showing their continuous engagement and reaction to 's narrative, reinforcing the intimacy and importance of their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will return to in a close-up, similar to , reinforcing the intimate nature of the conversation.\" This indicates another close-up on . The camera will cut to a close-up of 's face, matching the framing of . will be shown with an expression that conveys their continued emotional engagement and understanding. The background will remain the blurred cafe setting from previous shots ( through ). This shot continues to highlight the intimate and reciprocal nature of the conversation, showing 's reaction in detail." }, { "instruction_full": "Adjust the camera slightly from the previous close-up on (e.g., or ) to include their hands and a glass they are holding, creating a slightly wider close-up. Frame from the chest up, with a glass of milk (as established in ) in hand, taking a sip. Their expression should be contemplative, perhaps signaling a pause or a moment of relief after a significant discussion. Maintain the cafe setting, with the wooden table and a blurred background of other patrons, reminiscent of the slightly wider framing in . The ambient, subdued lighting is consistent with all previous shots ( through ), to show a natural pause or transition in the conversation, possibly indicating a moment of emotional processing or a slight shift in the intensity, by focusing on a small, ordinary action.", "think_full": "The cafe setting is still maintained, but the slightly wider close-up allows for more of the table and background (like other patrons as seen in ) to be visible compared to the very tight close-ups of to . The glass of milk, a prop established in , reaffirms continuity. The subdued lighting remains consistent. (seen in , , , ) is central again, but the framing is now slightly wider, moving from the intense facial close-ups. The action of drinking from the milk glass, first seen on the table in , provides a natural human gesture, indicating a break or a shift in the conversation's flow. Their expression should still reflect the weight of the discussion. This shot serves as a visual beat or transition. After the series of intense close-ups, an action like drinking can symbolize a moment of reflection, a slight decompression, or a natural break in the dialogue, signaling that the most intense part of the conversation might be subsiding or moving to a different phase. It provides a brief respite for the audience and characters.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will provide a slightly wider close-up of drinking, showing a slight shift or pause in the conversation.\" This calls for a broader close-up that includes an action. The camera will pull back slightly to a wider close-up of , capturing their upper torso and hands. will be shown drinking from the glass of milk that was visible in , indicating a natural pause or shift in the conversation. The setting remains the cafe, with the table and blurred background patrons, consistent with prior shots ( through ). This shot introduces a moment of action and a slight change in pace, suggesting a natural lull or a transition in the intense discussion." }, { "instruction_full": "Transition to a new location with a wider shot, outside the cafe, framing the interior of a car. The camera should be positioned to look through the windshield at both characters inside. Show both and seated in the front seats of a car. is in the passenger seat, and is in the driver's seat. Their expressions should be calm but perhaps still thoughtful, reflecting the recent conversation. This is a brand-new setting: the interior of a car at night, viewed from outside. The background beyond the car windows should be a dark, blurred street or urban environment, emphasizing movement after the static cafe scene, to mark a significant shift in location and time, indicating that the cafe conversation has concluded and the characters are continuing their journey or interaction in a new context, possibly on their way somewhere.", "think_full": "This shot introduces an entirely new environment – the interior of a car at night – with no direct visual link to the cafe setting of through . The shift emphasizes a clear narrative progression to a new scene. Both (seen in , , , , ) and (seen in , , , ) are present, transitioning from the cafe to the car. This visually confirms their continued association and the next phase of their shared story. Their expressions should reflect the aftermath of their intense conversation. The purpose of this shot is a clear scene transition. It signals that the conversation in the cafe is over, but the interaction between the characters continues. Placing them in a car suggests movement, a journey, and potentially a continuation of their discussion or a new phase of their relationship. The wide shot through the windshield allows us to see both, reaffirming their connection as they move forward.", "instruction_minimal": "generate the next shot", "think_minimal": "The global_prompt.shot_outline for states it \"will transition to a new setting, showing both characters in a car, indicating the conclusion of their cafe meeting and a continuation of their journey or interaction.\" This clearly indicates a new location and both characters. The camera will frame the interior of a car from the outside, through the windshield. Both and will be seated in the front seats of the car, continuing their journey together. This is a brand-new setting, shifting from the cafe environment of through to a moving vehicle at night. There is no visual link to previous environments. This shot signifies a narrative progression, closing the cafe scene and opening a new chapter for the characters, showing them moving together, perhaps after the significant conversation." } ], "_src_movie_dir": "The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv", "_src_filename": "067528_068341.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Barbarian.Invasions.2003.2160p.BluRay.x264.DTS-HDChina.mkv/067528_068341.json", "_test_index": 77 }, { "movie": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv", "N": 10, "sample_id": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107353.jpg-Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/108300.jpg", "images": [ { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107353.jpg", "filename": "107353.jpg", "aesthetic": 7.083351135253906, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107434.jpg", "filename": "107434.jpg", "aesthetic": 5.464310646057129, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107481.jpg", "filename": "107481.jpg", "aesthetic": 5.859050750732422, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107741.jpg", "filename": "107741.jpg", "aesthetic": 6.704367637634277, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107781.jpg", "filename": "107781.jpg", "aesthetic": 3.835780620574951, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107916.jpg", "filename": "107916.jpg", "aesthetic": 6.270907402038574, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107950.jpg", "filename": "107950.jpg", "aesthetic": 6.535589218139648, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107978.jpg", "filename": "107978.jpg", "aesthetic": 5.495053291320801, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/108156.jpg", "filename": "108156.jpg", "aesthetic": 5.440362453460693, "musiq": 0.0 }, { "tag": "", "rel_path": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/108300.jpg", "filename": "108300.jpg", "aesthetic": 5.690620422363281, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense situation unfolds in a brightly lit veterinary clinic. Pet owners are visibly anxious as their injured dog receives urgent medical attention from a dedicated veterinary team. The tone is concerned, empathetic, and urgent, focusing on the well-being of the animal and the emotional state of its owners.", "characters": [ "", "", "", "", "" ], "shot_outline": " widens the view from to show , , , and gathered around on the examination table, establishing the full scene and the collective concern. focuses on 's anxious expression, highlighting her distress. shifts to 's worried reaction, providing his perspective. shows a close-up of 's ear being treated, emphasizing the injury and the delicate nature of the procedure. returns to , showing his continued and deepening concern. brings the focus back to 's concentrated and empathetic expression while actively treating . once again highlights 's distress, reacting to the ongoing situation. provides a wider shot of the entire group in the examination room, showing the ongoing treatment and stepping away to make a call. concludes with another close-up on 's worried face, observing the final moments of the immediate treatment." }, "instruction_full": "Pull back the camera from the close-up of to reveal a wider shot of the same veterinary examination room. Frame continuing her work on on the examination table, now joined by who is also assisting. To the left, introduce two new characters: and , standing close to the table, observing with worried expressions. The room maintains its teal-green and white aesthetic with medical equipment visible, to establish the full scene and the collective concern.", "think_full": "The global_prompt's shot_outline for dictates establishing the full scene after the close-up of in . Therefore, the camera needs to pull back significantly from the tight framing of to show more of the environment and introduce the other key characters. We maintain the same medical environment from , characterized by the teal-green wall and medical equipment, ensuring spatial continuity. from continues her action of examining the dog, maintaining character consistency. We are introducing , , and for the first time on screen, who are integral to the story. Their worried expressions and proximity to the dog emphasize the urgency and their emotional investment, fulfilling the user intent to establish the situation and the collective concern.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction means I need to infer the next shot from the global prompt and . The `shot_outline` for explicitly states: 'widens the view from to show , , , and gathered around on the examination table, establishing the scene.' This requires pulling the camera back from the close-up of in to a wider view. should still be present and acting, carrying over from . I need to introduce the other characters mentioned: , , and , and of course, . The setting should remain the veterinary clinic shown in . The user intent is to establish the full scene and the context of the dog's examination, showing the emotional involvement of all characters." }, { "instruction_full": "Cut to a medium close-up shot that focuses on 's face. She should have a very anxious and worried expression. The background should maintain the teal-green wall and hints of the medical environment from , subtly blurred, to highlight her emotional state without distracting from her distress.", "think_full": "The `shot_outline` for is 'focuses on 's anxious expression, highlighting her distress.' To achieve this, a medium close-up on her face is necessary. was introduced in as present and worried. This shot deepens the portrayal of her emotional state, making her anxiety central. The background, which continues the teal-green wall and clinic aesthetic from , remains consistent to ensure spatial continuity while keeping the focus tightly on her expression, reinforcing the user intent to highlight her distress.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the minimal instruction and the `shot_outline`, needs to focus on 's anxiety. This means a close-up on her face. She was introduced in as worried, so this shot should amplify that. The background should still be the vet clinic environment established in , but it should be secondary to her expression. The user intent is to show her specific distress in more detail after the establishing shot." }, { "instruction_full": "Shift the camera to a medium shot, looking past 's shoulder to focus on . He should appear concerned, looking towards (which is off-screen or minimally visible). should be partially visible in the background, continuing to assist. The teal-green wall and clinic setting from should remain consistent in the background, to provide his worried perspective on the situation.", "think_full": "The `shot_outline` for states 'shifts to 's worried reaction, providing his perspective.' This requires a camera angle that centers on , using a shot looking past (who was the focus of and present in ). was introduced in as worried, and this shot expands on his emotional response. also from should remain in the background for continuity of action. The clinic environment from provides consistent spatial context. The user intent is to give his perspective and show his concern, balancing the focus between the owners.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a focus on 's worried reaction. This suggests a medium shot, likely from a different angle than , perhaps looking over 's shoulder. and were present in . The background should maintain the vet clinic setting from . The purpose is to provide his perspective and show his individual concern within the ongoing situation." }, { "instruction_full": "Cut to a very tight close-up shot focused on 's ear, which shows signs of injury. The hands of (wearing gloves as seen in and ) and (as seen in ) should be gently positioned around the ear, indicating treatment. The background should be completely blurred or out of focus, maintaining the clinical teal-green color palette from but making the injury the absolute center of attention, to emphasize the severity of the situation and the delicate medical intervention.", "think_full": "The `shot_outline` for calls for 'a close-up of 's ear being treated, emphasizing the injury.' This necessitates an extreme close-up on the dog's ear. was first fully seen in on the examination table. The gloved hands of are consistent with her appearance in and , and 's hands are consistent with her presence in . The background keeps the color palette of the clinic from , providing spatial continuity. The user intent is to heighten the drama and urgency by visually emphasizing the injury and the delicate nature of the medical care being provided.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` specifies 'a close-up of 's ear being treated, emphasizing the injury.' This means a very tight shot focusing only on the dog's injured ear. The dog was on the table in . 's gloved hands were seen in and , and 's hands were near the dog in , so their hands should be present. The environment is still the vet clinic from . The user intent is to highlight the severity of the injury and the ongoing treatment." }, { "instruction_full": "Return to a medium shot, similar in framing to , focusing on . He should still look deeply concerned, perhaps with a slight shift in his gaze or posture, showing sustained worry. remains partially visible in the foreground, out of focus. should also be visible in the background, near the examination table. The teal-green clinic environment from continues to provide the setting, to underscore his ongoing concern as the treatment progresses.", "think_full": "The `shot_outline` for indicates 'returns to , showing his continued concern.' This requires a shot focused on , consistent with his portrayal in and his presence in . The framing should be similar to to maintain a sense of visual rhythm, showing him from a similar angle, perhaps with minor adjustments to reflect a slight passage of time or deepening of his worry. and should be visible in the frame, maintaining character continuity from and . The clinic environment from provides the consistent spatial background. The user intent is to reinforce his emotional state and the shared anxiety of the owners.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to 'return to , showing his continued concern.' This means a shot centered on him, reinforcing his worry. He was previously seen clearly in and present in . The framing should echo , keeping the same general setting of the vet clinic from . and were also in and respectively, so they could remain in the background for continuity. The intent is to show his sustained emotional reaction as the treatment continues." }, { "instruction_full": "Cut to a medium close-up shot of 's face. She should have a focused, empathetic, and slightly tired expression, reflecting the intensity of the treatment. Her medical uniform and gloved hands (as seen in and ) should be visible, and the familiar teal-green clinic environment from should be subtly blurred in the background, to convey her dedication and the seriousness of her task.", "think_full": "The `shot_outline` for is 'brings focus back to 's concentrated and empathetic expression while treating .' This demands a close-up on 's face. Her character and role were established in and , where she was shown wearing a medical uniform and gloves. This shot emphasizes her expertise and the emotional toll of her work. The background maintains the consistent clinical setting from . The user intent is to highlight her professional dedication and the empathetic care she provides, shifting focus from the owners' reactions back to the medical process itself.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies a return to 'focus on 's concentrated and empathetic expression.' This requires a close-up on her face. was first seen in and continued her work in . She should be wearing her medical uniform and gloves consistent with and . The background is the familiar vet clinic from . The user intent is to show her dedication and skill during the ongoing treatment." }, { "instruction_full": "Cut back to a medium close-up shot of , with a similar framing to . Her expression should again be one of deep worry and sadness, perhaps intensified slightly, suggesting her reaction to information or the ongoing procedure. The blurred teal-green clinic background from should remain, emphasizing her emotional state against the clinical setting, to show her continued and possibly heightened distress.", "think_full": "The `shot_outline` for is 'once again highlights 's distress, reacting to the ongoing situation.' This requires returning to a close-up on 's face, echoing the framing of . She was introduced as anxious in and her distress was already focused on in . This repetition reinforces her emotional journey. The environment is the consistent clinic setting from . The user intent is to show the enduring and perhaps escalating emotional impact of the situation on her, building on her previous expressions in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for says 'once again highlights 's distress.' This points to a return to a close-up on her face, similar to . She was introduced as concerned in and shown distressed in . The background should be the blurred vet clinic setting from . The purpose is to track her sustained emotional reaction and show how she is absorbing the situation." }, { "instruction_full": "Pull the camera back to a wider shot of the veterinary examination room, similar in scope to but from a slightly different angle. and are still actively treating on the table. stands near the table, observing with continued worry. is now seen further back in the room, making a phone call, subtly indicating a development or a need for external communication. The overall teal-green and white medical environment from is clearly visible, to show the complete scene and evolving dynamics.", "think_full": "The `shot_outline` for is 'provides a wider shot of the entire group in the examination room, with on the phone.' This requires a wider shot, recalling the comprehensive view of but with updated character actions. All four characters (, , , ) were established in as being in this room. from is still being treated. The clinic environment from provides a consistent spatial setting. The new action of on the phone introduces a subtle narrative development. The user intent is to give a broader sense of the situation, showing the ongoing treatment and a new, related action.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for requests 'a wider shot of the entire group in the examination room, with on the phone.' This means a return to a wider shot, similar to , showing all characters: , , , and , all present in and . The setting is the vet clinic from . The new element is making a phone call, which suggests a shift in the situation. The user intent is to provide an updated overview of the scene and a new action from one of the characters." }, { "instruction_full": "Cut to a close-up shot of 's face, similar in framing to and , but perhaps looking slightly down or to the side, maintaining her worried expression as she observes the ongoing treatment. The background should be out of focus but still reveal hints of 's presence and the teal-green clinic environment from , to conclude her arc of concern in this sequence.", "think_full": "The `shot_outline` for is 'concludes with a close-up on 's worried face, observing the treatment.' This final shot demands a close-up on , drawing on her established presence in and her emotional intensity shown in and . The framing echoes these earlier close-ups to create a sense of completion for her emotional journey within this sequence. The blurred background maintains spatial continuity with the clinic from and the presence of from . The user intent is to end the sequence by focusing on her sustained emotional state, implying the continuation of her worry as the treatment progresses or concludes.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for explicitly states 'concludes with a close-up on 's worried face, observing the treatment.' This means another close-up on , who has been a central emotional focus, notably in and . She was introduced in . Her expression should be worried. The background should be the blurred vet clinic, with possibly a hint of from . The user intent is to end on her emotional state, reflecting the overall tension of the scene." } ], "_src_movie_dir": "Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv", "_src_filename": "107353_108300.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Tell.It.Like.A.Woman.2022.2160p.WEBRip.x265-LAMA.mkv/107353_108300.json", "_test_index": 88 }, { "movie": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv", "N": 10, "sample_id": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/149884.jpg-Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150766.jpg", "images": [ { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/149884.jpg", "filename": "149884.jpg", "aesthetic": 6.565492153167725, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/149950.jpg", "filename": "149950.jpg", "aesthetic": 6.53095006942749, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/149978.jpg", "filename": "149978.jpg", "aesthetic": 7.213151454925537, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150166.jpg", "filename": "150166.jpg", "aesthetic": 6.764999866485596, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150197.jpg", "filename": "150197.jpg", "aesthetic": 6.07089900970459, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150438.jpg", "filename": "150438.jpg", "aesthetic": 7.422116279602051, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150494.jpg", "filename": "150494.jpg", "aesthetic": 6.868335247039795, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150697.jpg", "filename": "150697.jpg", "aesthetic": 7.549116134643555, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150712.jpg", "filename": "150712.jpg", "aesthetic": 5.903276443481445, "musiq": 0.0 }, { "tag": "", "rel_path": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/150766.jpg", "filename": "150766.jpg", "aesthetic": 5.1850175857543945, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a grand, dimly lit, opulent theatre or club, two women engage in a private, tense, and emotionally charged conversation. The atmosphere is hushed, with the emptiness of the venue amplifying their isolated interaction. The tone is dramatic and intimate, hinting at deep-seated issues between them.", "characters": [ "", "" ], "shot_outline": " introduces in the same setting, likely reacting to . returns to a closer shot of , showing her response or continued presence. shifts back to , showing a more intense or accusatory expression in an over-the-shoulder shot of . provides a wider shot revealing both women in the empty venue, emphasizing the space and their positions relative to each other, possibly showing turning away or moving. focuses on a close-up of , her expression suggesting internal conflict or a guarded response. shows a medium shot of , her expression indicating frustration or a challenge, with slightly out of focus in the foreground. cuts back to a close-up of , responding to the challenge. returns to a close-up of , her reaction to 's response, potentially showing exasperation. presents a wider shot showing reaching out to , perhaps in an attempt to comfort or stop her, indicating a resolution or a physical escalation of their interaction." }, "instruction_full": "Cut to a medium shot of , standing and facing slightly towards the camera. Her expression should be serious and engaged. The setting is the same opulent, dimly lit indoor space from , maintaining the theatrical aesthetic with ornate decorative elements visible in the background.", "think_full": "The instruction for aims to introduce the second main character, , into the scene. Spatially, the shot maintains continuity with by keeping the same opulent, dimly lit indoor setting, reinforced by the visible ornate details, ensuring visual coherence. Character-wise, is new to the scene, contrasting with who was introduced in . Her serious expression immediately establishes a tone of tension or concern, setting the stage for interaction. The user intent is to formally bring the second character into the established dramatic environment to begin their direct interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for explicitly states to \"introduce in the same setting, likely reacting to .\" Based on , which showed in a medium close-up within a grand, dim interior, the logical next step is to introduce the second character. Therefore, the shot should be a medium shot of in the identical opulent, dimly lit indoor environment, maintaining visual continuity. Her expression should convey seriousness, implying a reaction to the unseen conversation or presence of . The overall user intent is to establish the second character's presence and prepare for their confrontation." }, { "instruction_full": "Return to a medium close-up of , similar to the framing of . Her gaze should be slightly off-camera, with a more nuanced, perhaps subtly calculating or responding expression, indicating her active participation in the unfolding conversation. The dimly lit, opulent indoor setting from and continues, with similar background elements like ornate balustrades or dark drapes.", "think_full": "This shot aims to re-establish 's perspective after 's introduction. Spatially, the instruction explicitly refers to the consistent opulent, dimly lit interior seen in and , with specific background elements like ornate balustrades continuing to ground the scene visually. Character continuity is maintained as returns, previously seen with an intense gaze in . Her expression is now intended to be more active and responsive, reflecting an engagement with 's implied presence from . The narrative intent is to continue the back-and-forth between the characters, deepening the emotional exchange by showing 's reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies to \"return to a closer shot of , showing her response or continued presence.\" After introducing in , it's narratively essential to cut back to to portray her reaction or contribution to the conversation. The camera should adopt a medium close-up, similar to , focusing on . Her expression should signify listening or preparing to respond, continuing the implied tension. The opulent, dimly lit interior, consistent with and , will remain as the backdrop. The user intent is to advance the dramatic interaction by showing 's engagement." }, { "instruction_full": "Cut to a medium close-up of , framed slightly over the shoulder of , who is partially visible in the blurred foreground. should have a more confrontational or exasperated expression, directly addressing (implied off-camera). The opulent, dimly lit indoor environment from , , and continues, with similar background details to maintain continuity.", "think_full": "This shot aims to intensify the confrontation between the two characters. Spatially, the instruction reinforces the continuity of the opulent, dimly lit interior, consistent across , , and , maintaining the scene's established atmosphere. Character continuity involves returning, having been introduced in and reacting to 's implied words from . Her expression is intended to escalate to confrontational, reflecting the growing tension. The partial inclusion of in the foreground visually links her presence from and to this direct confrontation. The narrative intent is to visually emphasize the directness and increased intensity of 's challenge.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"shifts back to , showing a more intense or accusatory expression in an over-the-shoulder shot of .\" Following the exchange in and , it is natural to return to 's reaction, making the confrontation more direct. The camera should frame in a medium close-up, with 's back or shoulder blurred in the foreground, maintaining the intimate conversational dynamic. 's expression should be heightened to convey confrontation or exasperation. The opulent, dim interior from previous shots will continue. The user intent is to escalate the tension and make the interaction more direct and emotionally charged." }, { "instruction_full": "Pull back to a wider, full shot, revealing both and within the full context of the empty theatre or club. should be seen from the back or side, moving away or turning, while stands her ground, possibly still facing where was. Clearly depict the opulent and dimly lit theatre/club interior from , , , and , emphasizing its emptiness with scattered chairs and tables, and the stage area.", "think_full": "This shot aims to provide a broader spatial context for the ongoing tension. Spatially, the instruction expands upon the opulent, dimly lit theatre/club environment consistently shown in through . By pulling back, it reveals more of the empty space, including scattered chairs and tables, which were only hinted at before. This emphasizes the isolated nature of their dramatic interaction. Character continuity features both (seen in , , and partially in ) and (seen in and ) now within the same frame. 's movement away physically manifests a potential withdrawal or growing emotional distance. The narrative intent is to visually contextualize their intense dialogue, showing the broader, empty setting and how their physical proximity or distance reflects the escalating emotional state.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A wider shot revealing both women in the empty venue, emphasizing the space and their positions relative to each other, possibly showing turning away or moving.\" After the close-up confrontation in , a wider shot is needed to provide spatial context and show their physical relationship within the grand, empty setting. The camera should pull back to a full shot, displaying both and in the opulent, dimly lit theatre/club interior, complete with scattered furniture, consistent with the overall atmosphere established from . should be turning or moving away, while maintains her position. The user intent is to showcase the environment and the physical manifestation of their emotional dynamic." }, { "instruction_full": "Cut back to a medium close-up of , similar to the framing in and . Her gaze should be slightly off-camera, her expression thoughtful and composed, possibly with a subtle hint of defiance or regret, reflecting an internal moment. The dimly lit, opulent interior environment from through is maintained, with soft, warm light source lamps visible in the blurred background, creating a slightly reflective atmosphere.", "think_full": "This shot aims to delve into 's internal state after the confrontational wide shot. Spatially, the instruction maintains the opulent, dimly lit interior, consistently present from onwards. The inclusion of soft, warm background lights introduces a subtle atmospheric shift to reflection, while remaining within the established setting. Character continuity brings back to focus, last seen from the back in , possibly turning away. Her thoughtful and composed expression is a direct emotional response to the preceding dramatic beats, indicating internal processing or a strategic pause. The narrative intent is to provide a moment for the audience to connect with 's inner thoughts and emotional complexity, moving from external confrontation to internal reflection.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A close-up of , her expression suggesting internal conflict or a guarded response.\" Following the wide shot in which showed potentially turning away, the narrative calls for a return to her perspective to explore her emotional aftermath. The camera should be a medium close-up on , echoing and . Her expression should be thoughtful or guarded, reflecting an internal response to the preceding conflict. The opulent, dim interior environment from previous shots will continue, perhaps with warmer light sources to enhance the reflective mood. The user intent is to provide a moment of emotional depth for ." }, { "instruction_full": "Cut to a medium shot of , facing the camera, with the blurred shoulder or back of in the foreground, continuing the over-the-shoulder dynamic. should have an intense, exasperated, or frustrated expression, directly looking at (implied off-camera). The consistent opulent, dimly lit interior seen in through is maintained, with dark drapes and subtle lighting fixtures visible in the background.", "think_full": "This shot aims to re-ignite the active tension by focusing on 's persistent reaction. Spatially, the instruction ensures continuity with the opulent, dimly lit interior established from onwards, with background elements like drapes and lighting fixtures reaffirming the setting. Character continuity involves reappearing, last seen in in the wider shot. Her intense, exasperated expression directly responds to 's implied words or demeanor from . The explicit inclusion of 's blurred back in the foreground physically links their interaction, building on earlier over-the-shoulder shots like . The narrative intent is to showcase 's sustained frustration, emphasizing the ongoing conflict and pressing the dramatic exchange forward.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A medium shot of , her expression indicating frustration or a challenge, with slightly out of focus in the foreground.\" After 's reflective moment in , it's time to shift back to to show her continued emotional state and push the confrontation. The camera should frame in a medium shot, with 's back or shoulder blurred in the foreground, creating a similar dynamic to . 's expression should be intense, conveying frustration or a direct challenge. The opulent, dim interior from prior shots will serve as the backdrop. The user intent is to highlight 's unwavering stance and escalate the conflict." }, { "instruction_full": "Cut back to a medium close-up of , similar to , , and . Her expression should now show a clearer, possibly concerned or surprised reaction to 's challenge from . is seen from the chest up, her gaze directed towards (implied off-camera), with her mouth slightly open as if about to speak or having just spoken. The opulent, dimly lit interior setting, consistent with through , provides the atmospheric background.", "think_full": "This shot aims to depict a clear emotional shift in 's reaction to the renewed challenge. Spatially, the instruction maintains the opulent, dimly lit interior environment, consistently seen across all previous shots ( through ), reinforcing the established dramatic atmosphere. Character continuity involves returning, last seen as a blurred foreground element in and in a thoughtful close-up in . Here, her expression is a direct, more open and possibly surprised reaction to 's intensity from , signifying a progression in her emotional state. The narrative intent is to show 's immediate and palpable response, increasing the emotional stakes and driving the conversation towards a critical point.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A close-up of , responding to the challenge.\" After 's intense frustration in , the narrative demands a clear reaction from . A medium close-up will allow for the nuances of her emotional response to be seen. The camera should return to a medium close-up of , similar to , , and . Her expression should clearly convey her reaction to the challenge, perhaps surprise or concern, with her mouth slightly open. The opulent, dim interior from previous shots will be maintained. The user intent is to show her reaction and further advance the emotional arc of their conversation." }, { "instruction_full": "Cut back to a medium close-up of , similar to , framed slightly over the shoulder of (blurred foreground). should have an intensified, perhaps exasperated or disbelieving expression, her gaze fixed on (implied off-camera). The dimly lit, opulent indoor setting established in through remains consistent, with hints of the decorative background visible.", "think_full": "This shot aims to visually amplify 's continued emotional state, bringing the conflict to a near breaking point. Spatially, the instruction maintains the opulent, dimly lit interior environment, consistent with through . Background details, though softly blurred, reiterate the established dramatic setting. Character continuity features reappearing, seen in close-up in and . Her expression here deepens the sense of exasperation or disbelief, serving as a direct counter to 's reaction from . The blurred presence of in the foreground physically connects the two, reinforcing their ongoing, intense interaction. The narrative intent is to escalate the emotional tension further by presenting 's heightened, possibly ultimate, reaction to the exchange, pushing the narrative towards a resolution.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A close-up of , her reaction to 's response, potentially showing exasperation.\" After 's reaction in , it's crucial to show 's counter-response to complete this cycle of the conversation. The outline specifically calls for a close-up revealing exasperation. The camera should frame in a medium close-up, potentially over the shoulder of (as in and ). Her expression should be intense, conveying strong exasperation or disbelief. The opulent, dim interior from previous shots will be maintained. The user intent is to convey her strong, possibly final, emotional stance in the argument." }, { "instruction_full": "Pull back to a medium-wide shot, revealing both and in the larger context of the dim, opulent interior. should be reaching out to or gently grasping the arm of , who is positioned slightly away. Their expressions should convey a mixture of urgency, appeal, and perhaps resistance or weariness. The opulent and dimly lit theatre/club interior from through is again emphasized, with decorative elements, tables, and chairs visible to provide context and depth to their interaction.", "think_full": "This shot aims to depict a pivotal physical interaction, moving beyond the verbal confrontation. Spatially, the instruction calls for a return to a more expansive view of the opulent, dimly lit interior, consistent with all prior shots and echoing the wider context shown in . Background details like tables, chairs, and decorative lighting reinforce the established theatrical environment. Character continuity features both (seen throughout, most recently in ) and (seen throughout, most recently in ). This shot brings their argument to a physical climax or resolution point, as initiates physical contact, a significant development from their prior intense verbal exchange. The narrative intent is to introduce a new dimension to their relationship, signifying an attempt at connection, comfort, or a plea, thus shifting the emotional intensity and potentially moving towards a resolution or a deeper conflict.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A wider shot showing reaching out to , perhaps in an attempt to comfort or stop her, indicating a resolution or a physical escalation of their interaction.\" After the series of intense close-ups and reactions ( and ), the narrative requires a physical interaction to escalate or resolve the conflict. The camera should pull back to a medium-wide shot, revealing both and within the opulent, dimly lit interior, similar to but focusing on their direct physical engagement. should be initiating physical contact, reaching out to , whose expression might show resistance or a complex reaction. The user intent is to portray a significant physical gesture that marks a turning point in their interaction." } ], "_src_movie_dir": "Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv", "_src_filename": "149884_150766.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Chicago.2002.iTA.ENG.AC3.SUB.iTA.ENG.BluRay.2160p.x264.jeddak-MIRCrew.mkv/149884_150766.json", "_test_index": 102 }, { "movie": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv", "N": 10, "sample_id": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/21341.jpg-Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/23403.jpg", "images": [ { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/21341.jpg", "filename": "21341.jpg", "aesthetic": 5.394205570220947, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/21688.jpg", "filename": "21688.jpg", "aesthetic": 5.709867477416992, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/21831.jpg", "filename": "21831.jpg", "aesthetic": 3.5425260066986084, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/21991.jpg", "filename": "21991.jpg", "aesthetic": 5.3751115798950195, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/22169.jpg", "filename": "22169.jpg", "aesthetic": 4.719011306762695, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/22231.jpg", "filename": "22231.jpg", "aesthetic": 5.3303632736206055, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/22716.jpg", "filename": "22716.jpg", "aesthetic": 6.515275955200195, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/23022.jpg", "filename": "23022.jpg", "aesthetic": 5.886305809020996, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/23272.jpg", "filename": "23272.jpg", "aesthetic": 6.300088882446289, "musiq": 0.0 }, { "tag": "", "rel_path": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/23403.jpg", "filename": "23403.jpg", "aesthetic": 6.029239654541016, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a hospital room, a somber patient receives a visit from a close friend or family member. The tone is intimate and empathetic, exploring themes of support, shared burden, and the impact of external authority on personal situations.", "characters": [ "", "", "" ], "shot_outline": " introduces interacting with in the hospital room, showing their close bond. focuses on an important detail or object being exchanged or revealed between them. re-establishes the interaction between and , continuing the conversation. shows another close-up of the significant object or information. returns to the two women, intensifying their discussion about the information. introduces into the scene, shifting the dynamic. shows and reacting to the administrator. cuts to a close-up of , emphasizing her authority or message. provides a final shot of the two women, possibly revealing their unified front or continued struggle." }, "instruction_full": "Pull back from the close-up of to a wider medium shot, revealing more of the hospital room and introducing a second person. Show now looking up, making eye contact with , who is sitting beside her and leaning slightly in, holding a small red notebook and a pen. Maintain the sterile, green-walled hospital room from , but now include a bedside table with flowers, an apple, and medical equipment to further establish the hospital setting and provide a more personal touch, all to reveal the presence of a supportive friend or family member for , establishing their relationship and the setting more fully.", "think_full": "Spatial continuity: We are keeping the hospital room setting established in , maintaining the green wall as a consistent background element. The wider shot will allow us to see more of the environment, including a bedside table, flowers, and medical equipment, which further cements the hospital context and adds a touch of warmth. Character continuity: from reappears, her posture and gaze now shifted to acknowledge . is a new character introduced in this shot, positioned beside to signify closeness and support. Her action of holding a notebook and pen suggests an active role, perhaps recording information or offering comfort. Narrative intent: The move to a wider shot and the introduction of changes the dynamic from isolated somberness to shared companionship. This shot establishes the emotional support system for and hints at an ongoing interaction or conversation, setting the stage for future narrative developments.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. Based on the global_prompt.story_setup about a woman in a hospital being visited and global_prompt.shot_outline stating introduces interacting with , the next shot should expand on . Camera: To introduce a second character and show interaction, the camera needs to pull back from the close-up of in to a wider shot. This allows both characters to be framed together, enabling a view of their interaction. Person: The primary character, from , should now be seen interacting with , who is being introduced as per the shot_outline. should appear engaged, possibly with props like a notebook, to suggest their purpose. Space: The setting remains the hospital room established in , retaining the green wall. Additional elements like a bedside table with flowers and medical equipment would enhance the hospital environment and provide more visual context, aligning with the \"visited\" aspect of the story. User intent: The shot's purpose is to establish the presence of a support system for and to initiate the core relationship dynamic of the sequence." }, { "instruction_full": "Cut to a close-up shot of hands holding a small, folded piece of white paper, on which some handwritten text is visible. These hands are implied to be 's, as she was holding a notebook and pen in . The background is blurred and indistinct, suggesting the same hospital room environment seen in and , with consistent muted, indoor hospital lighting, all to highlight a crucial piece of information being passed or revealed, creating a sense of mystery or importance around the written details.", "think_full": "Spatial continuity: The background is intentionally blurred to keep the focus on the paper, but the muted, indoor lighting suggests we are still within the hospital setting established in and . This blurring maintains continuity of environment while shifting focus. Character continuity: The hands holding the paper are implied to belong to , who was seen holding a notebook and pen in , suggesting she is actively involved in recording or managing information. This shot provides a visual consequence of her actions in without explicitly showing her face, building on her role as an active participant. Narrative intent: This shot serves as a narrative beat, focusing on a specific piece of information that is important to the unfolding story. By making it a tight close-up on the written details, it builds anticipation and signifies that this information is significant for the characters, perhaps related to the patient's condition or a larger plan.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. From global_prompt.shot_outline, focuses on an important detail or object being exchanged or revealed between them. Camera: A close-up on an object is necessary to fulfill the \"important detail\" aspect. This would be a significant change from the wider shots in and . Person: While no specific character is fully visible, the hands interacting with the object imply one of the characters from . Given was holding a pen and notebook in , it's logical that she is interacting with the paper. Space: The setting is implied to be the hospital room seen in and , but the tight focus should blur the background, making the environment secondary to the object. User intent: The purpose is to introduce a specific piece of information, likely textual, that will drive the narrative forward or reveal something crucial." }, { "instruction_full": "Return to a medium shot, similar to the framing of , showing both and in conversation. Show looking at , who is now writing in her red notebook. Both characters' expressions should convey a serious or contemplative mood, building on the revelation from . Maintain the hospital room environment from (and ), with the green wall and the bedside table with flowers and medical equipment clearly visible in the background, with consistent lighting, all to re-establish the interaction between the two women after the informational reveal, allowing the audience to observe their reactions and continued discussion.", "think_full": "Spatial continuity: We return to the hospital room from and , keeping the consistent green wall background and the bedside table setup from , complete with flowers and medical equipment. This maintains the established environment for the conversation. Character continuity: Both and reappear from . is again seen with her red notebook, reinforcing her active role in the information exchange initiated in . is now fully engaged in looking at , suggesting her attention is on the new information or discussion. This directly follows up on the important detail revealed in . Narrative intent: After the close-up of the mysterious note in , this shot pulls back to show the human reaction and continuation of the conversation. It allows the audience to see the women processing or discussing the information, advancing the narrative and deepening their shared experience.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. global_prompt.shot_outline indicates that re-establishes the interaction between and , continuing the conversation. Camera: To re-establish the interaction, a medium shot similar to is appropriate, allowing both characters to be seen together. Person: Both characters from , and , should be present, engaging in conversation. should logically still have the notebook as established in and relevant to . Space: The hospital room, consistent with and , provides the backdrop for this continued interaction. The green wall and bedside elements from would be visible. User intent: To continue the narrative thread after the detail in , showing the characters' reactions and further discussion regarding the revealed information." }, { "instruction_full": "Cut to another close-up, mirroring the framing of , but now showing the piece of paper from being tucked into or placed on the red notebook from and . Focus on the hands of , similar to , as they carefully handle the piece of paper. The background should remain blurred and indistinct, consistent with the tight focus of , implying the same hospital room environment while emphasizing the action with the paper and notebook, all to visually confirm the securement of the important information, indicating that it has been acknowledged and is now being kept safe or acted upon.", "think_full": "Spatial continuity: The blurred background echoes the treatment of space in , keeping the focus entirely on the objects while subtly suggesting the continued hospital setting established in , , and . Character continuity: The hands are again implied to be 's, further reinforcing her role in managing the crucial information revealed in . The red notebook from and is a key prop, now actively used to store the paper from . This shot is a direct continuation and conclusion of the action implied after and the conversation in . Narrative intent: This shot provides a visual confirmation of the information from being carefully handled and secured. It signifies that the information is important enough to be protected, suggesting it will be used later or has a deeper implication for the story. It resolves the immediate action concerning the note and transitions from the conversation back to the object.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. The global_prompt.shot_outline mentions shows another close-up of the significant object or information. Camera: A close-up, similar to , is needed to emphasize the \"significant object.\" Person: The interaction with the object would logically involve the hands of , who was seen with the notebook and the paper previously in , , and . Space: The background should be blurred to draw attention to the object, maintaining consistency with 's visual style while still implying the hospital room context from , , and . User intent: To reinforce the importance of the note from and show an action related to its safekeeping, building on the implied conversation from ." }, { "instruction_full": "Return to the medium shot from and , showing both women. The camera should maintain a similar angle and framing. should be looking at , gesturing with her free hand, indicating an active explanation or discussion. should be attentive, looking at . Re-establish the hospital room from , , and , with the green wall and the bedside table with flowers and medical equipment. The lighting should remain consistent, all to show the continued and possibly intensified conversation between the two women after the information has been secured, demonstrating their shared understanding or strategy.", "think_full": "Spatial continuity: The shot returns to the familiar hospital room setting seen in , , and , complete with the green wall and the bedside table with flowers and medical equipment. This consistent environment grounds the ongoing interaction. Character continuity: Both and reappear from , . now actively gestures, suggesting she is explaining or conveying important information, building directly on the securing of the note in . 's attentive gaze reinforces her engagement with the conversation. This shot transitions from the action of securing the note back to the dialogue and shared decision-making. Narrative intent: After the crucial information was secured in , this shot returns to the two women, indicating that their discussion about it is ongoing or has escalated. The gesturing suggests a more animated conversation, possibly outlining a plan or discussing the implications of the information from and , signifying a deepening of their shared purpose.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. The global_prompt.shot_outline indicates returns to the two women, intensifying their discussion about the information. Camera: To show an intensified discussion between the two, returning to the medium shot from and is appropriate. Person: and should both be present, engaged in a more active conversation, possibly with gestures, as implied by \"intensifying their discussion.\" would still hold the notebook, as it's been a consistent prop for her. Space: The hospital room from earlier shots (, , ) provides the established backdrop for their interaction. User intent: To show the progression of their discussion after the information from and has been processed, conveying a sense of urgency or shared purpose." }, { "instruction_full": "Pan slightly to the right or widen the shot from to reveal , a new character, standing and facing (whose back is partially visible). should be formally dressed in a patterned blouse and dark trousers, with a welcoming or authoritative expression. Continue the hospital room environment from , , , and , with the green wall as a prominent background element, and include a blue chair or other room furniture, with consistent lighting, all to introduce a new authority figure, , who will disrupt the intimate conversation between the two women and introduce a new element of the narrative.", "think_full": "Spatial continuity: The shot continues in the hospital room, utilizing the green wall that has been a consistent background element since , , , and . The inclusion of a blue chair or other furniture helps to slightly re-orient the space and emphasize the arrival of a new presence. Character continuity: is a new character, introduced here to alter the dynamic. is seen from the back, indicating that the new character is interacting directly with her, breaking the intimate conversation from . is not fully visible, suggesting the focus has shifted to this new interaction. This aligns with the global_prompt.shot_outline to introduce . Narrative intent: This shot serves as a turning point, bringing in an external authority figure. The introduction of interrupts the private discussion of and , suggesting a shift in power dynamics or the arrival of a new challenge or formal interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. The global_prompt.shot_outline states that introduces into the scene, shifting the dynamic. Camera: To introduce a new character, a shot that frames them clearly, possibly from a medium-wide distance, is needed. The shot could be a slight pan or wider view from . Person: The new character, , should be clearly visible. Her demeanor should be either authoritative or formal, consistent with her role. One of the previous characters, likely , should be partially visible to show the interaction. Space: The hospital room from , , , and remains the setting, with the green wall still prominent. User intent: The primary purpose is to introduce the new character and immediately show her impact on the existing scene and characters, thus changing the narrative dynamic." }, { "instruction_full": "Cut to a medium close-up, similar to the initial framing of in , but now including . Show and side-by-side, both looking forward (off-camera) towards (who is not visible in this shot). should have a serious, slightly concerned expression, while should also appear attentive or slightly wary. The background should now be a yellow-green wall, indicating a subtle shift in the immediate environment within the hospital, or a change in lighting/color cast. The hospital bed remains consistent, linking it to 's previous presence, all to show the reaction of the two women to the presence and words of (implied off-screen), highlighting their vulnerability or united front against this new presence.", "think_full": "Spatial continuity: This shot presents a slight change in the hospital room's color scheme, showing a yellow-green wall instead of the pure green seen previously in , , , , and . This might suggest a different section of the hospital or a lighting change, but the hospital bed confirms the continued overall setting for . This subtle shift creates visual interest while remaining within the established location. Character continuity: Both (from , , , ) and (from , , , ) reappear. Their unified gaze off-camera towards where was introduced in clearly establishes their reaction to her presence. 's somber expression is consistent with her initial state in , amplified by the new situation. Narrative intent: The purpose of this shot is to capture the immediate reaction of and to the arrival and interaction with from . Their expressions and shared gaze communicate a sense of concern or apprehension, emphasizing the impact of the administrator's presence on their dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. The global_prompt.shot_outline mentions shows and reacting to the administrator. Camera: A medium close-up framing both characters would be effective to capture their reactions. This is a common shot to show emotional responses. Person: Both (from , , , ) and (from , , , ) should be present, looking towards where (introduced in ) would be, showing their reaction. Space: The general hospital room setting remains, possibly with a slight variation in wall color (yellow-green) to add visual texture while still indicating the same overall environment for . The bed is a key element for . User intent: To visually convey the immediate emotional response of the two women to the new, authoritative presence from , emphasizing their vulnerability or shared concern." }, { "instruction_full": "Cut to a close-up on , similar in framing to how was initially shown in , but now focusing on the administrator's face as she speaks directly, with a firm or assertive expression, emphasizing her message. Maintain the green-walled hospital background from (and consistent with , , etc.), perhaps with a glimpse of the blue chair she was near in , all to emphasize the authority and directness of 's message, making her words feel significant and potentially impactful on the two women.", "think_full": "Spatial continuity: The green wall background and a hint of the blue chair from are maintained, explicitly placing back in the environment where she was introduced. This consistency grounds her authority within the familiar hospital setting (originally seen in , , , ). Character continuity: (introduced in ) is now given a close-up, directly following the shot of the two women reacting to her in . Her speaking expression emphasizes her role as an authority figure, actively conveying a message. This shot highlights her importance in the unfolding scene. Narrative intent: This close-up on directly follows the reaction shot of the two women in , creating a sense of cause and effect. It magnifies her presence and message, underscoring her authority and the weight of her words, which are likely a response to or a directive regarding the situation.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. global_prompt.shot_outline states cuts to a cold close-up of , emphasizing her authority or message. Camera: A close-up is essential to emphasize her message and authority, as specified in the shot outline. Person: (introduced in ) should be the sole focus, showing her speaking or delivering a message, which would explain the reactions of the other two in . Space: The background should retain elements of the hospital room she was introduced in, specifically the green wall and possibly the blue chair from , reinforcing her presence in that same context. User intent: To powerfully deliver a message or statement from the authority figure, making her words and presence impactful after the preceding reaction shot of the two women." }, { "instruction_full": "Return to a medium close-up of and , similar to , but with a slightly wider angle to show more of their shared space and potentially their unified stance after 's words. Both should maintain a serious, perhaps resolute, expression, while should also appear serious, possibly showing subtle defiance or shared understanding with . They are looking forward, as if still processing or responding to 's statement (from ). The background is the yellow-green wall, consistent with , and the hospital bed is visible. This reiterates their current environment and predicament, all to conclude this segment by showing the combined reaction and enduring bond of the two women in the face of authority, suggesting their shared resilience or continued struggle.", "think_full": "Spatial continuity: The shot returns to the section of the hospital room with the yellow-green wall from , maintaining visual consistency for the two women's space. The hospital bed continues to identify 's immediate environment. Character continuity: Both (from , , , , ) and (from , , , ) reappear. Their expressions are serious and unified, providing a direct reaction to the message delivered by in . This shot re-establishes their bond and their shared emotional state in the face of the challenge. Narrative intent: This final shot rounds off the interaction with the administrator. By returning to the two women, it re-centers their perspective and emotional state, indicating how they have absorbed or are processing the administrator's words from . Their unified, serious expressions underscore their continued resolve or the gravity of their situation, leaving the audience with a sense of their shared journey.", "instruction_minimal": "generate the next shot", "think_minimal": "The minimal instruction \"generate the next shot\" requires inferring the next logical step. global_prompt.shot_outline indicates provides a final shot of the two women, possibly revealing their unified front or continued struggle. Camera: A medium close-up, similar to , would be suitable to show their expressions and a sense of shared space. Person: Both (from earlier turns) and (from earlier turns) should be present, likely looking off-camera, showing their collective response to the events, particularly the administrator's words from . Their expressions should reflect a unified front or a sense of continued struggle. Space: The hospital room, specifically the area with the yellow-green wall from , provides the continuous backdrop for their interaction. User intent: To give a concluding visual statement on the two women's emotional state and their relationship after the confrontation with , highlighting their unity or the enduring nature of their challenges." } ], "_src_movie_dir": "Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv", "_src_filename": "021341_023403.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Parallel Mothers 2021 BluRay REMUX 2160p AVC DTS-4K MA5.1-DreamHD.mkv/021341_023403.json", "_test_index": 111 }, { "movie": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv", "N": 10, "sample_id": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/147753.jpg-The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/149010.jpg", "images": [ { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/147753.jpg", "filename": "147753.jpg", "aesthetic": 6.079585075378418, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/147756.jpg", "filename": "147756.jpg", "aesthetic": 6.060152053833008, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/147825.jpg", "filename": "147825.jpg", "aesthetic": 6.858055114746094, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148161.jpg", "filename": "148161.jpg", "aesthetic": 7.354160308837891, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148200.jpg", "filename": "148200.jpg", "aesthetic": 7.080405235290527, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148488.jpg", "filename": "148488.jpg", "aesthetic": 7.035032272338867, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148527.jpg", "filename": "148527.jpg", "aesthetic": 6.948575019836426, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148629.jpg", "filename": "148629.jpg", "aesthetic": 6.865757465362549, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/148695.jpg", "filename": "148695.jpg", "aesthetic": 6.424988746643066, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/149010.jpg", "filename": "149010.jpg", "aesthetic": 6.741844654083252, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a dimly lit, bustling upscale club or restaurant from the 1970s, two influential figures, and , are engaged in a tense discussion. Their conversation is soon interrupted or escalated by the arrival of and his associate , suggesting a power play or negotiation with high stakes in a semi-public setting.", "characters": [ "", "", "", "", "" ], "shot_outline": " continues the close-up, shifting to to establish him as the other party in the initial conversation with . widens slightly to introduce joining the conversation, creating a new dynamic with and showing 's reaction. pulls back further to a medium shot, revealing and in direct conversation, with standing behind , establishing the full group and their positions around a table. focuses on in a tight over-the-shoulder shot from behind , capturing his intense expression and implying a confrontation. provides the reverse over-the-shoulder shot, focusing on , showing his calm response to 's intensity. re-establishes 's intense gaze in a similar framing to , reinforcing the tension in their exchange. repeats the reverse shot of from , maintaining his composed demeanor. again shows 's unwavering intensity in a shot similar to , emphasizing the stalemate or continued pressure. provides a wider establishing shot of the overall club scene, showing and seated at a table, suggesting a resolution or a pause in the tension, with other patrons like in the background." }, "instruction_full": "Shift the camera to a close-up profile shot of , facing roughly opposite to from . Keep the same dimly lit, warm club environment seen in , with soft, out-of-focus background lights and blurry figures, including a slightly more visible . should have a neutral but attentive expression, engaged in conversation, to establish him as the primary interlocutor with .", "think_full": "To follow the narrative of a tense discussion setup, needs to introduce the other main participant in the initial conversation. established looking off-screen. By positioning facing the opposite direction in a similar close-up, we imply a direct interaction between them. The visual style, including the dimly lit club atmosphere, soft background lights, and blurry background figures like , should be consistent with to maintain spatial continuity. 's expression should convey engagement without immediately revealing his stance, setting up the impending power dynamics mentioned in the story_setup.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions a tense discussion between and . showed in a close-up. To continue this scene and establish the other participant, the next shot, , should be a complementary close-up of . The `shot_outline` explicitly states that 'isolates to establish him as the other party'. The environment should remain the same dimly lit club from with warm ambient lighting. His expression should be engaged, reflecting the 'tense discussion' of the `story_setup`." }, { "instruction_full": "Pull back the camera slightly from the close-up of in to a medium-close shot. Frame prominently in profile, engaged in conversation with who is now seen from a slightly wider angle. In the foreground, include the back of 's head from , turned towards the new conversation. Maintain the same dark, warm club environment with blurred background patrons and ambient lights from and . should appear confident and engaged, while listens intently, and subtly observes, signifying the introduction of a new player and a shift in the group dynamic.", "think_full": "According to the `shot_outline`, needs to 'introduce joining the conversation, creating a new dynamic with and showing 's reaction.' To achieve this, the camera should pull back from to reveal engaging with . Including in the foreground, turning his head, establishes his continued presence and observational role, linking back to his character established in . The visual continuity of the dimly lit, warm club environment with background patrons from and is essential to show these events are happening in the same location and continuous moment. 's confident posture signals his entry into the power dynamic.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'introduces joining the conversation, creating a new dynamic with and showing 's reaction.' Building on and which established the initial two figures, needs to widen the shot to bring in a new character, . The camera should capture and the newly introduced in conversation, while subtly showing as an observer, likely in the foreground. The setting must be consistent with the dimly lit club atmosphere of and , maintaining the same warm lighting and blurred background." }, { "instruction_full": "Widen the shot even further from to a medium framing, showing and conversing more clearly, now with gesturing with his hands. Behind , prominently feature standing as an imposing, watchful presence. Include in the far right foreground, slightly out of focus, maintaining his observing position. The shot should reveal more of the table they are gathered around, with drinks and small lamps, continuing the dimly lit, 1970s club setting established in , , and . The intent is to fully establish the group dynamic and the presence of 's associate.", "think_full": "The `shot_outline` for indicates a pull-back to a medium shot to 'reveal and in direct conversation, with standing behind , establishing the full group and their positions around a table.' This requires a wider angle than . By showing gesturing and clearly placing as an imposing figure behind , the power dynamic and potential intimidation are amplified. remains a background observer, linking to his consistent role across , , and . The details of the table with drinks and lamps further ground the scene in the specific club environment already established.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'pulls back further to a medium shot, revealing and in direct conversation, with standing behind , establishing the full group and their positions around a table.' This requires a wider framing than to show more characters and the context of their meeting. and should be central, with acting as an imposing presence behind . The club environment, including the table and its accoutrements, must be consistent with , , and ." }, { "instruction_full": "From the setup in , transition to a tight, over-the-shoulder shot from behind . The focus should be on 's face, capturing a stern, intense, or slightly aggressive expression. should be visible directly behind , slightly out of focus, reinforcing his presence. The background remains the dimly lit, warm club setting, consistent with , , , and , with blurred lights and patrons. This shot aims to emphasize 's intimidating demeanor and his focused engagement in the confrontation.", "think_full": "The `shot_outline` for indicates it 'focuses on in a tight over-the-shoulder shot from behind , capturing his intense expression and implying a confrontation.' This framing directly conveys tension by isolating 's expression and perspective. Using an over-the-shoulder shot from behind connects to the previous framing in by maintaining the spatial relationship between the characters. The continued presence of from behind reinforces the power dynamic. The club environment from , , , and provides consistent atmosphere for this tense exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'focuses on in a tight over-the-shoulder shot from behind , capturing his intense expression and implying a confrontation.' This means a close-up on 's face, viewed from 's perspective. should be present behind , as established in , to maintain the visual of his backing. The setting remains the familiar dimly lit club from previous shots (, , , )." }, { "instruction_full": "Execute a direct reverse shot of , now positioned over the shoulder of , focusing tightly on 's face. should display a calm, composed, yet serious expression in response to the intensity shown in . The background should maintain the consistent dimly lit, warm club atmosphere from , , , , and , with blurred ambient lights. This shot highlights 's demeanor and offers his perspective in the confrontation.", "think_full": "The `shot_outline` for specifies 'provides the reverse over-the-shoulder shot, focusing on , showing his calm response to 's intensity.' This reverse shot is crucial for demonstrating the opposing reactions and maintaining the conversational rhythm of the scene. By mirroring the framing from , the continuity of the dialogue and the physical space between the two characters is strongly implied. 's calm expression contrasts with 's intensity from , creating dramatic tension. The consistent club environment from through reinforces the setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for calls for 'the reverse over-the-shoulder shot, focusing on , showing his calm response to 's intensity.' This directly follows the intense close-up of in . Therefore, the camera should be positioned over 's shoulder, capturing 's reaction. His expression should reflect composure amidst the tension. The setting remains the same dimly lit club established in through ." }, { "instruction_full": "Repeat the tight, over-the-shoulder shot from behind as seen in . The focus should once again be on 's face, maintaining his stern, intense expression. should again be visible directly behind , slightly out of focus. The background continues to be the dimly lit, warm club setting with blurred lights and patrons, consistent with all previous shots, from to . This repetition reinforces the continued intensity and pressure from during the standoff.", "think_full": "The `shot_outline` for is to 're-establish 's intense gaze in a similar framing to , reinforcing the tension in their exchange.' This signifies a return to 's perspective after showing 's reaction in . The repetition of the shot from emphasizes the unwavering intensity of and the continued pressure he exerts. The presence of from and again underscores his support. The consistent club environment across to maintains the scene's established atmosphere.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for explicitly says to 're-establish 's intense gaze in a similar framing to , reinforcing the tension in their exchange.' This means returning to the tight over-the-shoulder shot from behind , focusing on 's intense expression, mirroring . should be visible behind , as established in and . The setting remains the dimly lit club from through ." }, { "instruction_full": "Return to the direct reverse shot, positioned over the shoulder of , focusing tightly on 's face, similar to . should continue to display a calm, composed, yet serious expression, reflecting his sustained stance against the pressure. The background maintains the consistent dimly lit, warm club atmosphere from through , with blurred ambient lights. This shot reiterates 's unflappable demeanor in the face of ongoing confrontation.", "think_full": "The `shot_outline` for states it 'repeats the reverse shot of from , maintaining his composed demeanor.' This is a direct counter-shot to , showing 's continued calm response, reinforcing the back-and-forth tension. By re-using the framing from , the continuity of the intense dialogue is maintained, and 's consistent demeanor is highlighted. The club environment established in through remains unchanged, providing a stable backdrop for this escalating interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for states it 'repeats the reverse shot of from , maintaining his composed demeanor.' This means providing the direct counter-shot to , focusing on 's calm, serious expression, viewed over 's shoulder. The visual consistency of the dimly lit club from through must be preserved." }, { "instruction_full": "Repeat the tight, over-the-shoulder shot from behind , identical to and . The focus remains on 's face, portraying his unwavering stern and intense expression. should again be visible directly behind , slightly out of focus. The background continues the dimly lit, warm club setting, consistent with all prior shots from to , with blurred lights and patrons. This shot serves to emphasize the persistent and possibly escalating pressure from , underscoring a stalemate or final push in the confrontation.", "think_full": "The `shot_outline` for explicitly states it 'again shows 's unwavering intensity in a shot similar to , emphasizing the stalemate or continued pressure.' This repetition, following , reinforces the cyclical nature of their intense exchange and the unyielding nature of . Re-using the exact framing from and effectively communicates a lack of resolution or a hardening of positions. 's consistent presence from , , and further solidifies the threat. The environmental continuity from through grounds the scene in its established setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for instructs to 'again shows 's unwavering intensity in a shot similar to , emphasizing the stalemate or continued pressure.' This means yet another repetition of the tight over-the-shoulder shot from behind , focusing on 's intense expression, mirroring and . should be visible behind , as consistently established. The dimly lit club atmosphere from through must be maintained." }, { "instruction_full": "Pull the camera back significantly from the close-up exchange in to a wide, establishing shot of the club, showing and seated side-by-side at a table in the mid-ground, facing away from the camera. They appear to be settled, with drinks and small lamps on the table between them, consistent with the props from . In the mid-distance, clearly feature sitting at another table, smoking and looking towards them, as seen blurred in and . The background should reveal more of the bustling, warmly lit 1970s club interior, with other patrons and ambient lights, reinforcing the public and observed nature of the setting from all previous shots ( to ). This shot functions as a broader re-establishment of the scene, suggesting a pause, conclusion, or shift in the intense interaction.", "think_full": "The `shot_outline` for indicates a 'wider establishing shot of the overall club scene, showing and seated at a table, suggesting a resolution or a pause in the tension, with other patrons like in the background.' This requires a significant camera pull-back from the intense close-ups of through . By placing and together at a table, facing away, it implies a certain finality or shift in the specific confrontational dynamic just witnessed. Re-introducing more clearly, after her background presence in and , subtly suggests she's been observing. The expanded view of the bustling club confirms the public nature of their meeting, consistent with the background elements in all prior shots.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for specifies 'a wider establishing shot of the overall club scene, showing and seated at a table, suggesting a resolution or a pause in the tension, with other patrons like in the background.' This means a substantial camera pull-back from the tight conversational shots ( to ) to reveal the broader environment. and should be prominently placed at a table, consistent with the setting hints from . , who was a background blur in and , should now be more clearly visible, adding depth to the scene. The overall dimly lit, warm club ambiance, present throughout through , needs to be fully conveyed with more background detail." } ], "_src_movie_dir": "The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv", "_src_filename": "147753_149010.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Irishman.2019.2160p.NF.WEBRip.DDP5.1.x264-NTb.mkv/147753_149010.json", "_test_index": 112 }, { "movie": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv", "N": 10, "sample_id": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/97934.jpg-The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98397.jpg", "images": [ { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/97934.jpg", "filename": "97934.jpg", "aesthetic": 6.363958835601807, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/97969.jpg", "filename": "97969.jpg", "aesthetic": 6.436806678771973, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98009.jpg", "filename": "98009.jpg", "aesthetic": 5.888002395629883, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98116.jpg", "filename": "98116.jpg", "aesthetic": 6.449254035949707, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98169.jpg", "filename": "98169.jpg", "aesthetic": 6.034476280212402, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98200.jpg", "filename": "98200.jpg", "aesthetic": 5.689406871795654, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98250.jpg", "filename": "98250.jpg", "aesthetic": 6.424222946166992, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98275.jpg", "filename": "98275.jpg", "aesthetic": 6.091018199920654, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98366.jpg", "filename": "98366.jpg", "aesthetic": 6.630409240722656, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/98397.jpg", "filename": "98397.jpg", "aesthetic": 5.99070930480957, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This sequence depicts a domestic scene, possibly a family dynamic or an unexpected event unfolding over the phone, involving a woman and two male characters. The recurring shots imply a conversation or reaction to information, with varying levels of engagement and emotional shifts from each character.", "characters": [ "", "", "" ], "shot_outline": " introduces and seated at a table, reacting. cuts back to from , showing her continued reaction. tightens on and at the table, focusing on their expressions. returns to maintaining a similar framing, showing her evolving reaction. isolates in a close-up, deepening his contemplative expression. focuses on in a close-up, showing his casual action amidst the tension. shows with a more determined or explaining gesture. captures 's engaged reaction, perhaps a small smile. ends with looking thoughtful or slightly amused, providing a final reaction." }, "instruction_full": "From , we see indoors. For the next shot, the camera shifts to a new location within the same house, presenting a medium-wide shot of a dining table. Seated at this table are two new characters, and , looking forward with neutral to slightly expectant expressions. The table is prominently filled with various bottles and jars of sauces. The user intent is to introduce these two new characters and their activity, establishing a counterpoint to 's phone call.", "think_full": " established in a home environment. To develop the narrative, the next shot, , needs to introduce other characters who are presumably involved or reacting to the situation, as indicated by the `shot_outline`. This shot brings in and , seated at a table, which visually suggests a domestic setting continuing from 's hint of a home. The array of sauces provides a specific, slightly unusual context for their presence, making their introduction distinct. Their neutral expressions contrast with 's concern in , setting up a dynamic. The camera is new, shifting from a medium shot of one person to a wider shot of two people in a different room.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` sets up a story involving from and hints at other characters. The `shot_outline` specifically mentions will introduce and . Therefore, the next shot should introduce these characters. It's logical to assume they are in the same overall location (a home) but in a different setting like a dining room, indicated by a table. They should be shown interacting or present, perhaps reacting to the unfolding story. A medium-wide shot would be appropriate to introduce both of them along with their immediate environment (like a table with items)." }, { "instruction_full": "Cut back to from . The camera reuses the medium shot framing and angle from , showing her standing in the same spot with the staircase in the background. She maintains a similar posture but her expression shifts slightly to one of more focused concentration or mild exasperation, still holding the flip phone. The user intent is to show her continued reaction to the conversation or situation, reflecting the back-and-forth nature of the unfolding events.", "think_full": "Following the introduction of and in , the narrative requires returning to to show her side of the interaction. Reusing the camera framing and setting from provides strong visual continuity and reinforces that she is still on the phone in the same domestic space. from is still central to the immediate plot point, and her slightly altered expression from reflects the progression of the conversation. The `shot_outline` mentions cutting back to for to show her continued reaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` established in and then introduced and . The `shot_outline` specifies cuts back to from . Therefore, the next shot should return to in the environment seen in . To maintain visual continuity, the camera angle and framing should be similar to , showing her continuing to react to whatever is happening, likely via the phone. Her expression should subtly change to reflect the ongoing dialogue." }, { "instruction_full": "The camera now returns to and seen in , but it tightens slightly from the wider shot of into a medium shot, focusing more on their upper bodies and expressions. They are still seated at the same table from with the bottles of sauces. looks directly forward with a placid expression, while glances to his right with a curious or attentive look. The user intent is to further develop their individual reactions to the ongoing situation or conversation, providing more insight into their thoughts.", "think_full": "After observing 's reaction in (which mirrored ), the scene needs to return to and from to show their continued involvement. The `shot_outline` for indicates tightening on them, focusing on expressions. By slightly tightening the shot compared to , we gain more detail on their individual expressions and nuances, showing a deeper engagement with the situation. The continuity of the table and sauces from grounds them in the same activity and setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` includes and introduced in . The `shot_outline` for indicates a tightening shot on them. After seeing 's reaction in , it makes narrative sense to cut back to these characters to see their response. The camera should move in closer than to emphasize their expressions and reactions, while maintaining the same setting and props from ." }, { "instruction_full": "The camera cuts back to , reusing the identical medium shot framing from and . She stands in the same spot with the staircase in the background, still holding her flip phone. Her expression is now more focused and slightly determined, perhaps ready to make a point or having processed new information. The user intent is to continue the back-and-forth of the conversation, showing her evolving resolve or reaction to what she's just heard from the other end of the line, as implied by the reactions of and in .", "think_full": "Following the reactions of and in , the narrative naturally returns to from and . The `shot_outline` for indicates returning to her with similar framing. Maintaining the consistent camera angle and setting from and reinforces the continuity of her situation and the ongoing phone call. Her subtle shift in expression from to a more determined one in this shot reflects the dynamic nature of the conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` features who was established in and seen again in . The `shot_outline` mentions returning to her for . After showing the reactions of and in , it is appropriate to cut back to to show her next reaction in the phone conversation. The shot should maintain visual continuity with and in terms of setting and camera, with a slight update to her expression." }, { "instruction_full": "The camera executes a tighter close-up shot on , who was last seen in . He remains seated at the same table, with the bottles of sauces from and now blurring slightly in the foreground. His expression is contemplative, looking slightly off-camera. The user intent is to isolate and emphasize his individual internal reaction or thought process, giving him a moment of focused reflection during the unfolding conversation.", "think_full": "After 's updated reaction in , the narrative needs to further explore the reactions of the other characters. The `shot_outline` for specifies isolating in a close-up. This shift to a tighter close-up on (who was last seen in ) allows for a more intimate view of his expression, highlighting his individual thoughts or feelings. The continuity of the table and sauces from and maintains the environmental context, while the tighter framing creates visual emphasis on him alone.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` lists , who appeared in and . The `shot_outline` for indicates isolating in a close-up. Following the back-and-forth, it's a natural progression to focus on one of the secondary characters for a more detailed reaction. A close-up will enhance the emotional depth of his character. The setting of the table and sauces from and should remain consistent, albeit potentially more blurred due to the tighter focus." }, { "instruction_full": "The camera now focuses solely on , who was previously seen with in and . It's a close-up shot of his face and upper body, similar in tightness to but of a different character. He is still seated at the same table, with some of the sauce bottles from and visible in the background. His expression shows him casually licking his lips or tasting something, a moment of childish unawareness or simple enjoyment amidst the implied tension. The user intent is to contrast the adult intensity with a moment of innocent or self-absorbed action from , adding a layer of realism to the domestic scene.", "think_full": "After the contemplative close-up of in , it makes narrative sense to cut to (last seen in ) to show his reaction or activity. The `shot_outline` for focuses on and his casual action. This close-up on allows for a different kind of character insight, contrasting his simpler action (licking his lips) with the more intense expressions of the adults. The continuity of the table and sauces from and grounds the shot in the same environment. The camera framing is a close-up, similar to but on a different character, maintaining a consistent focus on individual reactions.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt` mentions , who was last seen in . The `shot_outline` for specifically focuses on and his action. After focusing on in , it's logical to shift to the other character present at the table. A close-up shot will provide a detailed view of his expression or action, distinguishing his role or reaction from . The setting, including the table and sauces from and , should remain consistent." }, { "instruction_full": "The camera cuts back to , once again reusing the consistent medium shot framing from , , and . She stands in the same spot with the staircase in the background. She is no longer holding the phone to her ear, but her hands are clasped in front of her, and her expression is one of explanation or determination. The user intent is to show a more active phase of her conversation, where she is asserting a point or explaining something, perhaps having moved beyond the initial surprise.", "think_full": "Following the individual character moments of in and in , the narrative returns to (last seen in ). The `shot_outline` for suggests she's making a more determined gesture. Reusing the camera angle and setting from , , and maintains visual continuity for her side of the conversation. Her changed hand gesture (clasped hands) and more determined expression indicate a shift in the tone or content of her discussion from previous shots, suggesting she is actively explaining or persuading.", "instruction_minimal": "generate the next shot", "think_minimal": ", seen in , , and , is due for a return. The `shot_outline` for describes her with a more determined gesture. After moments with the other two characters in and , it's time to cut back to her to continue the implied conversation. The shot should be consistent with her previous appearances in terms of setting and camera framing, but her posture and expression should evolve to show a more active or resolute phase of her dialogue." }, { "instruction_full": "The camera returns to a close-up of , similar in framing and focus to , though his expression has changed. He is still seated at the dining table, with the background showing the large painting and some of the sauce bottles from and . His face now holds a slight smile and an attentive gaze, suggesting he is engaged and perhaps amused or understanding. The user intent is to show his specific reaction to what (from ) has just said or proposed, indicating his acceptance or amusement.", "think_full": "After 's assertive moment in , the narrative requires a reaction from the other side. The `shot_outline` for focuses on 's engaged reaction, specifically a smile. Returning to (last seen in ) in a close-up allows for a clear read of his emotional state. The framing is consistent with his previous close-up from , maintaining visual coherence. His slight smile and attentive gaze respond to the ongoing dialogue, advancing his character's involvement. The background of the dining table and painting from and anchors him in the established setting.", "instruction_minimal": "generate the next shot", "think_minimal": " was last seen in in a close-up. The `shot_outline` for specifies capturing 's engaged reaction, perhaps a small smile. After 's decisive pose in , it's narratively fitting to see a reaction from one of the listeners. A close-up of will effectively convey his response, such as a smile or attentive look. The setting should remain consistent with his previous appearances at the table from and ." }, { "instruction_full": "The camera shifts to a close-up on , mirroring the tightness and style of his previous close-up in . He is still seated at the same dining table with the bottles of sauces from and in the blurred foreground. His gaze is directed slightly upwards and to the right, with a thoughtful or slightly amused expression, as if listening intently or pondering the situation. The user intent is to provide a final reaction shot from , showing his nuanced understanding or contemplation of the current state of affairs, perhaps a silent acceptance of what has been discussed.", "think_full": "Following 's reaction in , the `shot_outline` for indicates looking thoughtful or slightly amused for a final reaction. This shot concludes the intercutting sequence by returning to (last seen in ) in a close-up, allowing his expression to convey the closing sentiment. Reusing the close-up framing from creates visual rhythm. His expression of thought or slight amusement provides a comprehensive reaction to the conversation that has unfolded across the preceding shots, connecting back to the initial concern of in . The setting of the table and sauces from and reinforces environmental continuity.", "instruction_minimal": "generate the next shot", "think_minimal": " last appeared in a close-up in . The `shot_outline` for states that will look thoughtful or slightly amused, providing a final reaction. As this is the last shot in the sequence, it's appropriate to provide a concluding reaction from one of the key characters. A close-up of will convey this final emotional beat. The setting of the dining table from and should remain consistent." } ], "_src_movie_dir": "The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv", "_src_filename": "097934_098397.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Blind.Side.2009.2160p.BluRay.ENG.LATINO.CHINESE.DTS.5.1.H264-BEN.THE.MEN.mkv/097934_098397.json", "_test_index": 120 }, { "movie": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/147862.jpg-The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/149422.jpg", "images": [ { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/147862.jpg", "filename": "147862.jpg", "aesthetic": 5.185719966888428, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/148181.jpg", "filename": "148181.jpg", "aesthetic": 6.536769866943359, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/148412.jpg", "filename": "148412.jpg", "aesthetic": 6.435007095336914, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/148509.jpg", "filename": "148509.jpg", "aesthetic": 5.867930889129639, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/148675.jpg", "filename": "148675.jpg", "aesthetic": 5.931713104248047, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/148788.jpg", "filename": "148788.jpg", "aesthetic": 6.218801498413086, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/149000.jpg", "filename": "149000.jpg", "aesthetic": 6.179103851318359, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/149106.jpg", "filename": "149106.jpg", "aesthetic": 5.563328742980957, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/149253.jpg", "filename": "149253.jpg", "aesthetic": 6.20008659362793, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/149422.jpg", "filename": "149422.jpg", "aesthetic": 5.744746208190918, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "The scene unfolds within an opulent 18th-century European manor, marked by grandeur, formal social gatherings, and a subtle undercurrent of observation and expectation. The narrative style is observational, focusing on character presence and interaction within this rich historical setting.", "characters": [ "", "", "", "" ], "shot_outline": " shifts from the previous character's exit to focus on the contemplative expression of , introducing her as a key figure. establishes and entering a larger hall filled with , showing the beginning of a social gathering. broadens the view to encompass the entire lively social gathering with many , providing context for the event. zooms in on engaging with other , showing her interaction within the crowd. introduces in the crowd, suggesting an external perspective or observation of the events. returns to , showing her in conversation, appearing slightly more engaged or perhaps watched. offers an over-the-shoulder view of interacting with one of , emphasizing the interaction. isolates as she takes a drink, momentarily breaking from direct conversation but still aware of her surroundings. focuses on a group of , specifically , observing the scene, reinforcing the sense of being watched or judged." }, "instruction_full": "Transition from the wider shot of a figure departing in to a tight close-up on the face of , showing a thoughtful or slightly melancholic expression. The background should be softly blurred, hinting at the same opulent interior glimpsed in , but indistinct enough to keep focus on her. The user's intent is to introduce the primary female protagonist with an intimate, contemplative moment, creating immediate empathy and intrigue after the initial scene of departure.", "think_full": "We are transitioning from the expansive view of a retreating character in to introduce a new central figure. The opulent, 18th-century interior from should be subtly suggested in the background, maintaining spatial continuity without diverting attention. This is the first appearance of , and a close-up is essential to establish her presence and inner state before she is seen in a social context. The narrative intent is to create a personal connection with her, building intrigue through her contemplative expression as a contrast to the grandeur and potential formality of the setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a focus on \"... introducing her as a key figure.\" This suggests a close-up is needed to establish intimacy. The shot should center on 's face, conveying a contemplative expression. The setting should remain the opulent 18th-century interior from , but blurred to keep the emphasis on her. The intent is to introduce this new central character and evoke empathy and curiosity, contrasting with the departure scene in ." }, { "instruction_full": "Pull back from the intimate close-up of to a wider medium shot, framing (from ) now accompanied by (from ), both in elaborate 18th-century attire. They are standing together, seemingly entering a room. The shot should be set in a large, well-lit hall, visually connected to the opulent interior of and the implied background of , but now revealing a larger gathering space. Ornate candelabras and grand architectural details should be prominent, indicating a formal event, with other visible in the background, beginning to fill the space. The user's intent is to establish the main characters together within the social setting, indicating the start of a formal gathering and their presence within it, while showing the shift from private thought to public appearance.", "think_full": "The spatial continuity evolves from the intimate interior suggested in and the grand, though narrow, hallway of . We are moving into a larger, more public area of the manor, revealing the grand hall where a formal event is beginning. The opulent decor, specifically ornate candelabras, should reinforce the 18th-century setting consistently seen in . from reappears, transitioning from her solitary contemplation to a public presentation. from also reappears, now seen in fuller detail alongside her. Other are introduced to populate the space, creating a sense of a burgeoning social gathering. The narrative purpose is to bring the two initial characters together into a shared social context, moving the story from individual moments to a communal event.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"establish and entering a larger hall filled with , showing the beginning of a social gathering.\" This requires a wider shot than , bringing `` (from ) and `` (from ) together. They should be framed as if entering or being present in a grand hall, which expands upon the opulent interior seen in . Many other `` should be visible, establishing the context of a formal event. The intent is to transition from individual focus to their collective presence at a social gathering." }, { "instruction_full": "Broaden the view significantly from 's medium shot to a wide, high-angle shot, looking down slightly on the entire ballroom. Capture a large crowd of filling the expansive hall, including (from , ) and (from , ) somewhere within the gathering, though not necessarily as central figures. Show them interacting, dancing, or conversing in their period attire. The grand hall from should now be shown in its full scale, emphasizing its ornate decorations, chandeliers, and the sheer number of attendees. The lighting should continue to convey the candlelit ambiance of a formal 18th-century ball. The user's intent is to fully immerse the viewer in the lively atmosphere of the social event, establish the scale and grandeur of the gathering, and show the central characters as part of a larger, bustling world.", "think_full": "To expand upon the partial view of the grand hall in , this shot should reveal the full scale of the environment. The opulent decor and candlelit ambiance established in and must be consistently maintained. from and , along with from and , now appear submerged within the larger crowd of that were briefly introduced in . The narrative intent is to shift from individual focus to the collective energy of the event, showcasing the grandeur of the setting and the social context in which the characters operate, making them part of a larger, bustling world.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates a need to \"broaden the view to encompass the entire lively social gathering with many , providing context for the event.\" This necessitates a wide, possibly high-angle shot, dramatically expanding on the hall seen in . The grand hall (from ) should be teeming with numerous (from ), with (from , ) and (from , ) visible somewhere within the crowd. The intent is to fully establish the scale and vibrant atmosphere of the social event." }, { "instruction_full": "Shift from the wide, encompassing view of to a closer medium shot, focusing on a specific interaction within the crowd. The camera should be at eye-level with the conversing characters. Center (from , , ) as she engages in conversation with one or two other from the social gathering. Her expression should be polite but perhaps still carry a hint of the earlier contemplation from . The background should be the same opulent hall from and , but blurred to keep the focus on the foreground interaction. Glimpses of other and candelabras should still be visible, maintaining the party ambiance. The user's intent is to bring the focus back to and her social interactions within the grand event, showing her navigation of the crowded space and hinting at her role in the gathering.", "think_full": "The spatial setting remains the grand hall, continuing from and . The blurred background, showing other and candelabras, maintains this environmental continuity. reappears from , , and , now actively engaged in conversation, contrasting with her initial contemplative state in . The narrative intent is to transition from the expansive overview of back to individual character focus. This shot highlights 's social engagement within the bustling environment, allowing for more nuanced character portrayal and the advancement of interpersonal dynamics.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"zoom in on engaging with other , showing her interaction within the crowd.\" This requires moving from the wide shot of to a medium shot. The primary focus should be on (from , , ) as she converses with other (from , ). The grand hall (from , ) will remain the setting, but the background should be softer to emphasize the interaction. The intent is to show her navigating the social scene and to bring the focus back to her specific role." }, { "instruction_full": "Maintain a medium shot, similar in framing to , but shift the perspective to a new group of characters, indicating observation. Introduce , a small group of men, possibly two or three, dressed in period attire, looking intently towards something off-camera. Their expressions should be serious or calculating. The background should clearly be the same grand hall from , , and , with other blurred and ornate candelabras visible, maintaining the party atmosphere. is not explicitly in this frame. The user's intent is to introduce a new narrative element of observation or scrutiny, creating a sense of being watched or judged within the social event.", "think_full": "The spatial continuity of the grand hall, with its ornate decor and other , is maintained from , , and . This shot introduces a new, distinct set of characters, , who are visually separated from seen in , , , . They are present within the same social environment but serve a different narrative function. The dramatic intent is to introduce an element of external scrutiny or judgment, shifting the focus from active participation to being potentially observed, thereby adding a layer of tension or intrigue to the social gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates that it \"introduces in the crowd, suggesting an external perspective or observation of the events.\" This requires a medium shot, similar in framing to but focusing on a new group of characters. This group will be , distinct from the general seen in , , . They should be situated within the same grand hall (from , , ) and convey a sense of observation through their expressions. The intent is to introduce the theme of being watched or judged." }, { "instruction_full": "Return to a medium shot of (from , , , ), similar in framing to , but perhaps slightly tighter, emphasizing her expression and interaction. She should be conversing with someone (possibly one of or another prominent ). Her expression should now be more engaged, perhaps a polite smile or a slightly knowing look, suggesting awareness or confidence despite being observed. The grand hall from previous shots (, , , ) remains the background, with the other blurred maintaining the atmosphere. The lighting continues to be warm and candlelit. The user's intent is to demonstrate 's composure and engagement within the social environment, possibly in response to the implied observation from , reinforcing her central role and resilience.", "think_full": "The spatial setting is consistently the grand hall, drawing visual continuity from , , , and . The background elements and warm, candlelit ambiance confirm this. reappears from , , , and . Her updated expression, showing engagement and perhaps a subtle awareness, serves to acknowledge the previous shot of in . The narrative intent is to bring the focus back to her, showing her active participation in the social sphere while subtly hinting at her response or resilience in the face of scrutiny introduced in .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"return[] to , showing her in conversation, appearing slightly more engaged or perhaps watched.\" This requires a medium shot, similar to , focusing again on (from , , , ). She should be conversing with someone (likely one of from , , , ). The grand hall (from , , , ) remains the background. Her expression should convey engagement, potentially with an underlying awareness of being observed, building on the tension from . The intent is to show her active presence under potential scrutiny." }, { "instruction_full": "Adopt an over-the-shoulder shot, looking from behind a foreground character towards (from , , , , ) and one of (from ) or another prominent male . This provides a more intimate perspective on the interaction. Frame the back of a character (possibly one of or another prominent male ) in the foreground, with and her conversation partner visible beyond them, slightly out of focus or partially obscured. Their engagement should be clear. The setting is still the grand hall, discernible through background details that match , , , , and , with other blurred and candelabras. The user's intent is to create a sense of close proximity to the conversation, emphasizing the specific interaction between and a male counterpart, and potentially highlighting the perspective of someone observing or participating.", "think_full": "The spatial setting remains the grand hall, consistent with the environment established in through . The blurred background and ambient lighting ensure continuity. from previous shots (, , , , ) is now shown in a direct, framed interaction with a male character, potentially one of from or another significant . The foreground character, seen from the back, creates an intimate, almost voyeuristic perspective, enhancing the sense of observation. The narrative intent is to deepen the portrayal of her social interactions, making a specific conversation feel more immediate and possibly underscoring the weight of the observation established earlier.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates it \"offers an over-the-shoulder view of interacting with one of , emphasizing the interaction.\" This requires an over-the-shoulder shot. A foreground character (one of from , or another from , , , , ) should be positioned with their back to the camera, looking towards (from , , , , ) and her conversation partner. The grand hall (from , , , , ) should continue as the backdrop. The intent is to highlight a specific, potentially significant interaction and emphasize the aspect of observation." }, { "instruction_full": "Shift from the over-the-shoulder perspective of to a direct medium-close up on (from , , , , , ), similar in intimacy to but now showing her in active social engagement. Focus on her as she takes a sip from a drink. Her expression should be composed, perhaps a slight smile or a look of slight amusement, contrasting with the earlier contemplation in , indicating her comfort or strategy within the social setting. The background continues to be the grand hall, with blurred figures of other and candelabras, consistent with through , reinforcing that she is still at the party. The user's intent is to highlight a momentary pause in her direct social interaction, allowing her to process, observe, or simply take a breath, while still being very much part of the environment and potentially under observation.", "think_full": "The spatial environment remains the grand hall, maintaining consistent visual cues from through . is once again the central focus, returning from previous shots (, , , , , ). Her act of taking a drink provides a natural moment of pause, allowing for a subtle shift in her expression from the direct engagement of to a more inward, yet composed, demeanor. This shot echoes the intimacy of but now places her in the midst of the social event, suggesting a moment of reflection or strategic observation while still being observed by others, notably from .", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for is to \"isolate as she takes a drink, momentarily breaking from direct conversation but still aware of her surroundings.\" This calls for a medium-close up on (from , , , , , ) as she sips a drink. The grand hall (from through ) remains the background. Her expression should be composed, hinting at a brief internal moment while remaining present at the social event. This offers a momentary break in direct interaction, allowing her to subtly observe or process her situation amidst the party." }, { "instruction_full": "Shift the focus away from to a group of , specifically re-introducing and focusing on (from ) and other general . The framing should be a medium shot, capturing their collective attention. Show a small cluster of , including at least two of , looking towards something off-camera, possibly back towards . Their expressions should convey curiosity, judgment, or quiet observation, reinforcing the theme of being watched. The setting is still the grand hall, with discernible architectural details and blurred background figures consistent with through . The user's intent is to re-emphasize the theme of observation and external judgment, showing the perspective of those who are watching, thus heightening the social tension around and ending the sequence with a sense of lingering scrutiny.", "think_full": "The spatial setting remains the grand hall, consistent with the visual environment established from through . This shot intentionally shifts focus away from seen in , bringing back from into prominence. Other generic from , , , , , complete the crowd. The narrative purpose is to reinforce the theme of external observation and judgment, ending the sequence by highlighting the watchers. Their collective gaze and expressions heighten the social tension, suggesting that 's actions are under continuous scrutiny and leaving a lingering question about the implications of this observation.", "instruction_minimal": "generate the next shot", "think_minimal": "The `shot_outline` for indicates it \"focuses on a group of , specifically , observing the scene, reinforcing the sense of being watched or judged.\" This requires a medium shot, featuring a cluster of , prominently including (from ). They should be situated within the grand hall (from through ) and looking intently off-camera, implying they are watching something (or someone, like ). The intent is to conclude the sequence by re-emphasizing the theme of observation and judgment, creating a sense of lingering scrutiny." } ], "_src_movie_dir": "The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "147862_149422.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Duchess.2008.2160p.BluRay.x264.DTS-FGT.mkv/147862_149422.json", "_test_index": 125 }, { "movie": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv", "N": 10, "sample_id": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68216.jpg-Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68753.jpg", "images": [ { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68216.jpg", "filename": "68216.jpg", "aesthetic": 6.3566365242004395, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68238.jpg", "filename": "68238.jpg", "aesthetic": 7.335995674133301, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68341.jpg", "filename": "68341.jpg", "aesthetic": 7.4734649658203125, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68356.jpg", "filename": "68356.jpg", "aesthetic": 6.9426069259643555, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68403.jpg", "filename": "68403.jpg", "aesthetic": 7.303323745727539, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68416.jpg", "filename": "68416.jpg", "aesthetic": 7.941379547119141, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68547.jpg", "filename": "68547.jpg", "aesthetic": 6.556402206420898, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68562.jpg", "filename": "68562.jpg", "aesthetic": 7.2053303718566895, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68597.jpg", "filename": "68597.jpg", "aesthetic": 6.651328086853027, "musiq": 0.0 }, { "tag": "", "rel_path": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/68753.jpg", "filename": "68753.jpg", "aesthetic": 6.499528408050537, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A community gathering unfolds in a sunny, early to mid-20th century setting, possibly rural or small-town. The initial relaxed mood will give way to specific, intense conversations and observations, expanding from intimate interactions to broader community views.", "characters": [ "", "", "", "", "" ], "shot_outline": " will introduce interacting warmly with , shifting focus from the general scene to a specific conversation. will show 's reaction in a close-up, highlighting his guarded expression. will return to , showing his continued interaction with , emphasizing his role as an interlocutor. will introduce observing the scene, positioned near a vintage car, expanding the scope to external observers. will return to the conversation between and , reinforcing the emotional intensity of their exchange. will show a broader street view with a group of people, including and , and a baby carriage, adding more environmental context and people to the scene. will provide a wide shot of the community gathering, seen from the perspective of and , establishing the full scope of the event. will focus on and in a close-up, showing her expressive reaction and his attentive presence. will feature and in a reverse shot, continuing their conversation and revealing more of the street background." }, "instruction_full": "Shift the camera from the waist-up view of from to a medium close-up, framing as he smiles warmly while engaging in conversation with . is seen from the back or partially obscured. The setting remains the sunny outdoor community gathering from , with other blurred attendees in the background, to establish a friendly but significant interaction.", "think_full": "The previous shot, , established the setting of a community gathering and introduced from the waist down, hinting at his presence and the general atmosphere. To advance the story, we need to introduce a key interlocutor and reveal the face of the first character. This shot frames frontally, showing a warm, engaging expression, while allowing to be partially seen, maintaining a sense of their interaction established by the prior framing. The sunny outdoor environment from continues, grounding the scene in the same community event and allowing the blurred background figures to maintain the sense of a populated gathering. The intent is to introduce a new character, create a sense of direct interaction, and begin to focus on specific individuals within the crowd.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, is meant to introduce interacting warmly with . showed a partial view of and a blurred background of a sunny outdoor gathering. Therefore, the next shot should transition from the general scene to a specific conversation. I need to move the camera to a medium close-up, focusing on who should be smiling and actively engaged in conversation. should be visible but less central, confirming the interaction. The setting should remain the same outdoor community gathering from , maintaining continuity of place and atmosphere. The user intent is to begin a key conversation by introducing one of the central figures." }, { "instruction_full": "From the medium close-up of and in , cut to a medium close-up of , showing his face clearly for the first time as he responds to . His expression should be serious or thoughtful. should be visible in the foreground, out of focus, implying a direct continuation of their conversation from . The outdoor setting and blurred background of other attendees from should remain consistent, focusing the viewer on 's reaction.", "think_full": "The previous shot, , introduced in a warm interaction with . To deepen the narrative and reveal 's character, the next shot needs to focus directly on his face. This serves as a reverse shot to , continuing the conversation by showing his reaction. We maintain the medium close-up framing but shift perspective, making the subject. is the character whose partial presence was established in and who was interacting with in . Now we see his expression, which should be serious, to contrast with 's smile and suggest a deeper topic. from is kept in the foreground, out of focus, to indicate the continuity of their discussion. The sunny outdoor community gathering environment from and is preserved, reinforcing the social context while bringing the emotional core of the conversation to the forefront.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, is intended to show 's reaction in a close-up, highlighting his guarded expression. established a conversation between and in a medium close-up focusing on . To follow this, I need to generate a shot that reverses the perspective to , revealing his face and expression. It should be a medium close-up, with still visible but out of focus in the foreground, maintaining the sense of continuous dialogue. The environment should remain the sunny outdoor gathering from and . The narrative intent is to reveal 's initial response and deepen the emotional context of their conversation." }, { "instruction_full": "Return to the medium close-up camera angle and framing from , showing as he continues his conversation with . 's expression should still be engaged and perhaps more earnest now. 's back should be visible in the foreground, out of focus, indicating their ongoing dialogue. The outdoor community gathering setting, with blurred figures in the background, should be consistent with and , reinforcing the continuity of the interaction within the established social event.", "think_full": "After revealing 's serious reaction in , this shot needs to return to to show his continued response, completing the conversational rhythm. We are reusing the camera angle and framing from to create a classic over-the-shoulder shot, reinforcing the back-and-forth nature of the dialogue. , who was introduced in , continues to be actively engaged, perhaps with a more earnest expression now, reflecting the gravity of the discussion hinted at by 's look in . , whose back was seen partially in and whose face was revealed in , is now visible from behind in the foreground, keeping him present in the scene. The sunny outdoor community gathering environment from , , and remains unchanged, providing a consistent backdrop for their interaction. The purpose is to show the ongoing dialogue and 's sustained role in it, maintaining the emotional intensity.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` indicates will return to , showing his continued interaction with , emphasizing his role as an interlocutor. Having seen 's reaction in , the logical next step is to cut back to to show his follow-up. This means reusing the camera setup and framing from . should be front and center, actively speaking, with 's back or shoulder visible in the foreground to imply their direct conversation. The setting should remain the sunny outdoor gathering established in , , and . The user intent is to continue the dialogue flow and highlight 's role in the conversation." }, { "instruction_full": "Cut to a new medium close-up shot that introduces , positioned outdoors in a sunlit street, looking directly towards the camera with a subtle expression. In the background, vintage cars are parked, and other men are standing around, indicating a broader community or street scene separate from the immediate gathering shown in , , , and . The lighting should remain bright and natural.", "think_full": "The previous shots ( through ) have focused on the conversation between and within a specific part of the community gathering. To expand the narrative scope, the `global_prompt.shot_outline` for indicates introducing observing the scene, positioned near a vintage car. This requires a new camera setup and a shift in location, though still within the general outdoor, period setting. This is a brand-new environment that is visually distinct from the grassy gathering area, even if part of the same town. is a newly introduced character. Her direct gaze towards the camera suggests she is an observer or someone about to become significant. The vintage cars and other men in the background establish a wider context of the era and potentially a different facet of the community's activities (e.g., a street outside the main event). The user intent is to broaden the story's perspective, introduce a new character, and hint at external observation or a shift in focus.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for explicitly states introducing observing the scene, positioned near a vintage car, expanding the scope to external observers. The previous shots ( to ) focused on a conversation in a specific part of an outdoor gathering. To fulfill the outline, I need to create a new shot in a new but related location (a street) and introduce a new character. The shot should be a medium close-up of , facing the camera, with a serious or observant expression. In the background, there should be vintage cars and other people, establishing a street scene. This is a new environment and new character, not directly visually linked to the previous conversation's immediate surroundings but maintaining the overall period and outdoor setting. The user intent is to introduce a new character and broaden the spatial context, possibly hinting at an external perspective on the ongoing events." }, { "instruction_full": "Cut back to the same medium close-up camera angle and framing of as seen in , continuing his conversation with . should maintain a thoughtful or slightly troubled expression. is visible in the foreground, out of focus, from his back as in , maintaining the over-the-shoulder perspective. The background should be consistent with the community gathering from , with blurred figures and the sunny outdoor lighting, to re-emphasize the intensity of their dialogue.", "think_full": "After the interlude in introducing and a new street location, the `global_prompt.shot_outline` for dictates a return to the conversation between and , reinforcing the emotional intensity. This requires cutting back to the familiar setup from , where (who was seen in , , and ) was featured in a medium close-up. He should retain a similar thoughtful or troubled expression to maintain continuity of his emotional state. (introduced in ) is again seen from the back, out of focus in the foreground, as in , signifying the ongoing two-way exchange. The outdoor community gathering environment, consistent with , , , and , is reused to visually link back to their earlier discussion. The user intent is to pick up the thread of their important conversation and intensify the emotional weight after the brief cutaway.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline`, needs to return to the conversation between and to reinforce emotional intensity. The logical way to do this after the cutaway in is to return to the shot setup of from . Therefore, the shot should be a medium close-up of , showing his face and a thoughtful or concerned expression. should be visible in the foreground, out of focus, as in , indicating he is still actively speaking or listening. The background should match the sunny outdoor community gathering from , , , and . The user intent is to re-engage with the central dialogue and emphasize its emotional significance." }, { "instruction_full": "Transition to a wider, eye-level street shot, depicting (now wearing a jacket) walking towards a group of people including . Other figures, including men standing near vintage cars, and a baby carriage on the sidewalk, populate the scene. This shot takes place on the sunny street, visually connecting to the setting of while also showing characters from earlier scenes in a new configuration, conveying movement and a broader gathering.", "think_full": "The previous shot, , continued the intimate conversation between and . To follow the `global_prompt.shot_outline`, should show a broader street view with a group of people, including and , and a baby carriage. This requires a shift in camera distance and location from the close-up conversation to a wider street scene. The environment is the sunny street, visually akin to with vintage cars, providing continuity of the urban landscape. , previously seen conversing with in , , , , and , is now shown in a different context, walking and wearing a jacket, suggesting a slight passage of time or a different part of the event. is a new character introduced here, part of the group is approaching. The presence of the baby carriage adds a domestic or familial element to the public scene. The user intent is to show moving through the community and to introduce more characters and elements of the setting, expanding the story's scope beyond the immediate conversation.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, should show a broader street view with a group of people, including and , and a baby carriage, adding more environmental context and people to the scene. This implies a transition from the close-up conversation of to a wider shot that encompasses more of the community. The camera should be at eye-level, framing (now with a jacket) walking towards a group of people on a sunny street, featuring vintage cars like those seen in . should be identifiable within this group. The inclusion of a baby carriage adds a specific detail to the scene. This shot serves to broaden the narrative context, show movement, and introduce new relationships or observations, using the consistent period setting." }, { "instruction_full": "Pull back to a wide shot, looking over the shoulders of and , to reveal a bustling community gathering in front of a brick building. This wide shot should encompass the full scale of the event, showing numerous attendees, food tables, and decorations, connecting the grassy area from through and with the street setting of and . Smoke or steam should be visible in the air, adding to the atmosphere. The lighting remains bright and sunny.", "think_full": "The previous shot, , showed walking on a street among groups of people. To deliver on the `global_prompt.shot_outline` for , which is to provide a wide shot of the community gathering from the perspective of and , establishing the full scope of the event, a significant camera pull-back is necessary. This shot introduces as a new character, alongside who was just introduced in . Their over-the-shoulder perspective provides a specific viewpoint for the wide scene. The environment combines elements seen previously: the grassy gathering area (from , , , , ) and the general outdoor setting (from , ), but now showing the full scale with a prominent brick building (possibly a church or community hall), food tables, and many people, suggesting a large, festive event. The smoke adds a dynamic element to the lively scene. The user intent is to establish the full environmental context of the entire gathering and place the newly introduced characters as observers.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for calls for a wide shot of the community gathering, seen from the perspective of and , establishing the full scope of the event. To achieve this, the camera needs to pull back significantly from the street-level view of . This shot should be an over-the-shoulder view, introducing as a new character alongside (from ). It must show a large outdoor gathering with many people, food, and decorations, in front of a brick building. This wide shot serves to fully establish the setting where all previous interactions have been taking place, unifying the separate glimpses of the gathering and the street into one comprehensive scene. The sunny, bustling atmosphere should be maintained. The user intent is to give a broad contextual view of the event and introduce new observers." }, { "instruction_full": "Cut to a medium close-up, focusing on from , showing her with an expressive or surprised look, gesturing with her hand. from should be partially visible next to her, looking at her, suggesting their continued interaction. The background should be a blurred, dark green foliage, distinct from the bustling crowd of , to create a more intimate focus on their conversation while still being outdoors.", "think_full": "Following the wide establishment shot in , the `global_prompt.shot_outline` for focuses on and in a close-up, showing her expressive reaction and his attentive presence. This necessitates a cut from the wide shot to a tighter, medium close-up, focusing on the newly introduced characters from . (introduced in and seen in ) is now central, displaying an expressive gesture and look, indicating a reaction to something or someone. (introduced in ) is positioned next to her, looking at her, maintaining their paired interaction. The background shifts from the busy gathering of to blurred dark green foliage, creating a more intimate and less distracting setting for their immediate dialogue, while still reinforcing the outdoor nature of the overall event. The user intent is to highlight a specific emotional beat or reaction from and deepen the interaction between these two characters.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline`, should focus on and in a close-up, showing her expressive reaction and his attentive presence. After the wide shot of the gathering in , the narrative demands a more personal focus on the observers. Therefore, I need to generate a medium close-up featuring (from and ), showing her with a clear expression and a hand gesture. (from ) should be partially visible beside her, looking at her. The background should be blurred green foliage, creating a more intimate setting for their interaction, distinct from the large crowd but still outdoor. The user intent is to capture a specific emotional moment or reaction from and deepen the connection between these two characters." }, { "instruction_full": "Execute a reverse shot from , now focusing on as he speaks, with the back of 's head and hat visible in the foreground. The background should reveal a street scene with houses and greenery, consistent with the broader outdoor environment seen in and , and distinct from the intimate foliage background of , to show their continued conversation in the larger community context.", "think_full": "The previous shot, , showed reacting expressively while interacting with . To continue their conversation and maintain narrative flow, the `global_prompt.shot_outline` requires to feature and in a reverse shot. This means reversing the perspective from , now placing (from and ) as the primary subject, likely speaking. The back of 's head (from , , ) is placed in the foreground, out of focus, maintaining the over-the-shoulder framing and indicating her continued presence in the conversation. The background subtly shifts from the immediate foliage of to a more open street scene with houses and greenery, similar to the general street environments seen in and . This widens the context slightly, showing they are still within the community but perhaps away from the densest part of the gathering, providing a sense of place. The user intent is to complete the dialogue exchange between these two characters and ground them more firmly in the broader community setting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates that it will feature and in a reverse shot, continuing their conversation and revealing more of the street background. Having seen 's reaction in , the next logical step is to show 's response. Therefore, I need to generate a reverse medium close-up of , likely speaking. The back of 's head should be in the foreground, consistent with an over-the-shoulder shot. The background should show a street with houses and greenery, echoing the outdoor community setting established in previous street shots like and , but distinct from the immediate foliage of . The user intent is to conclude this particular interaction while providing a broader sense of their location within the community." } ], "_src_movie_dir": "Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv", "_src_filename": "068216_068753.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Cinderella.Man.2005.2160p.BluRay.Remux.DTS-HD.5.1.mkv/068216_068753.json", "_test_index": 137 }, { "movie": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv", "N": 10, "sample_id": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199497.jpg-War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200834.jpg", "images": [ { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199497.jpg", "filename": "199497.jpg", "aesthetic": 6.995630264282227, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199616.jpg", "filename": "199616.jpg", "aesthetic": 7.458737850189209, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199872.jpg", "filename": "199872.jpg", "aesthetic": 7.162013053894043, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199922.jpg", "filename": "199922.jpg", "aesthetic": 7.230460166931152, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200253.jpg", "filename": "200253.jpg", "aesthetic": 7.0561628341674805, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200306.jpg", "filename": "200306.jpg", "aesthetic": 7.201930046081543, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200350.jpg", "filename": "200350.jpg", "aesthetic": 6.959765434265137, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200634.jpg", "filename": "200634.jpg", "aesthetic": 7.044262886047363, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200694.jpg", "filename": "200694.jpg", "aesthetic": 6.585361480712891, "musiq": 0.0 }, { "tag": "", "rel_path": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/200834.jpg", "filename": "200834.jpg", "aesthetic": 8.033769607543945, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a rural English village during World War I, a young man, likely a farmer's son, is leaving to join the military, selling his beloved horse in the process. The tone is somber and poignant, reflecting the sacrifices of the time.", "characters": [ "", "", "", "", "" ], "shot_outline": " shows interacting intimately with , emphasizing their bond before separation. returns to 's somber face, processing the departure. continues the interaction between and , possibly with a new character. widens to show the exchange of between and , with other military personnel present. focuses on 's expression during the hand-off. shifts back to 's perspective, showing his difficult farewell. captures standing firm, perhaps awaiting final orders, with in the background. provides a close, emotional view of . concludes with a close-up on 's resolute expression." }, "instruction_full": "Shift the camera to a new angle, focusing on in his uniform, gently interacting with . They are positioned near a wooden fence and a brick building, similar in style to the buildings seen in , but with distinct teal window shutters. The lighting is crisp, cold winter daylight. This shot aims to establish the deep emotional bond between and before their impending separation.", "think_full": "The narrative requires establishing the emotional core of the story immediately. While introduced in a snowy, brick-walled rural setting, the next shot, , needs to introduce and highlight his connection with before the handover. The camera should move to frame this new interaction, showing in a close, tender moment with . The background, though a different part of the village, maintains the brick building and snowy, wintery feel, consistent with the environment established in , suggesting the same general location but a new specific point of interest. The teal window shutters provide a distinct, yet still rural, architectural detail. This framing directly addresses the 'bond before separation' aspect of the story setup and the specific purpose of in the shot outline.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'generate the next shot' instruction, I must refer to the global prompt and prior visual information. The global prompt's story setup indicates a young man and his horse facing separation, and the shot outline for specifically calls for showing interacting with to emphasize their bond. established a snowy, rural, brick building environment. Therefore, the next shot should introduce and within a similar environment, likely a different part of the village, focusing on their emotional connection. The camera will need to change position and framing from to capture this new pair, while maintaining the overall winter village aesthetic. The user intent is to convey the poignancy of their relationship before the inevitable parting, setting up the emotional stakes." }, { "instruction_full": "Return the camera to , capturing a medium close-up shot similar in framing and setting to . should retain his somber, worried expression, looking towards the area where and are, though they are not explicitly in frame. The snowy, brick-walled environment and dark wooden door from are visible in the background, reinforcing the setting. This shot aims to show 's emotional burden and his watchful, concerned presence during this difficult time.", "think_full": "After establishing the bond between and in , the narrative needs to cut back to to show his reaction and emotional state. By returning to a similar camera angle and framing as , we re-establish his perspective and the continuity of his concern. reappears from with his established appearance, and his expression should continue to convey the gravity of the situation. The space is a direct continuation of the setting from , specifically the brick wall and snowy ground, which maintains environmental consistency and grounds his emotional state in the scene. This shot directly follows the `shot_outline` for , which states it 'returns to 's somber face, processing the departure'.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering 'generate the next shot', the `global_prompt` and `shot_outline` for guide me. is intended to 'return to 's somber face, processing the departure.' showed looking concerned in a snowy, brick environment. then introduced and . To show 's reaction to the events implied by , the camera should revert to him, likely using a similar framing to to re-establish his presence and emotional state within the same continuous setting." }, { "instruction_full": "Shift the camera to focus again on and , framing them in a medium shot, similar to but slightly wider. is still interacting with 's bridle, his expression a mix of tenderness and perhaps a hint of sadness. Another in uniform is now visible in the background, subtly indicating the growing military presence. The brick building and teal shutters from remain in the background. The user intent is to show the progress of the preparations and subtly introduce the military context that will soon take the horse away.", "think_full": "Following 's somber reflection in , the narrative needs to return to the active element of the departure. This shot, , revisits and from , continuing their interaction. The camera maintains a similar perspective to to show continuity of action, but a slightly wider frame allows for the introduction of in the background. This subtly builds tension and reinforces the reality of the military presence and the impending departure hinted at by the overall 'story_setup'. The space is a direct continuation of the setting from , maintaining the brick building and teal shutters, ensuring environmental consistency while progressing the scene. This aligns with the `shot_outline` for , which states it 'continues the interaction between and , possibly with a new character', referring to the background soldier.", "instruction_minimal": "generate the next shot", "think_minimal": "The instruction 'generate the next shot' and the `shot_outline` for (continue interaction, new character) lead me to return to and from . showed 's reaction, so now the focus needs to be back on the action of preparing the horse. I should reuse the setting and characters from but add a new element as hinted by the outline, likely another military figure in the background to emphasize the context. The camera would retain a similar medium shot, perhaps slightly wider to accommodate the new character, and continue to highlight 's emotional state." }, { "instruction_full": "Widen the camera significantly to an establishing shot, capturing a full view of , , and in the process of a formal handover. is on the right, handing the bridle to on the left, with positioned between them, partially obscuring . The environment expands to reveal more of the snowy village setting, including a large military vehicle or cart to the right, behind , and other and in the background, observing. The brick buildings from and are visible, grounding the location. This shot's purpose is to visually mark the moment of transfer and emphasize the presence of the military and the larger community witnessing the event.", "think_full": "After building the emotional tension with close-ups of in and with in and , the narrative requires a wider shot to show the actual act of separation and the full context. This wide shot in formally depicts the handover, bringing both main characters and into a single frame. The camera pulls back to encompass more of the rural village setting, incorporating elements seen in previous shots like the brick buildings, but also expanding to reveal more of the background activity, including and , and a prominent military vehicle not seen before. This aligns with the `shot_outline` for , which describes it as showing 'the exchange of between and , with other military personnel present,' effectively showing the community impact and the official nature of the event.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot', I look to the `global_prompt` and `shot_outline` for , which states it 'widens to show the exchange of between and , with other military personnel present.' This clearly indicates a wider shot is needed, bringing the primary characters and the horse into the same frame as they complete the handover. The setting should remain the snowy village, incorporating elements from and , but expanding to include the military presence (other soldiers, a vehicle) and perhaps other villagers, making the event public and significant. The camera will move from the tighter shots of , , to a broader, more encompassing view." }, { "instruction_full": "Move the camera to a medium close-up, focusing on 's upper body and face. He stands beside , looking forward or slightly towards (who is partially visible, out of focus, over 's shoulder), his expression showing a mix of solemnity and perhaps a hidden sadness. The background, including the brick building from and , should be slightly out of focus, keeping attention on 's emotional state. The user intent is to delve into 's personal feelings during this pivotal moment of handover, showing his resolve despite the pain.", "think_full": "Following the wide shot of the handover in , the narrative needs to return to the emotional impact on the main characters. This shot, , specifically focuses on , drawing attention to his internal experience. The camera moves in from the wider shot of to a medium close-up, similar to the closeness of but now emphasizing his direct emotional response during the transaction. reappears from , , and , maintaining his uniform. from , , and is partially visible, showing his continued presence. The background reuses the brick building details from and , ensuring environmental continuity. This directly addresses the `shot_outline` for : 'focuses on 's expression during the hand-off,' allowing for a deeper exploration of his feelings.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot', and the `shot_outline` for ('focuses on 's expression during the hand-off'), the camera should move in from the wider shot of to a closer framing of . This is a key emotional beat, so his face and posture should convey his feelings during this difficult moment. and are central to the composition, with elements of the brick building background from and visible, but softened, to maintain focus on him. This tightens the narrative focus after the broader view." }, { "instruction_full": "Re-frame the shot to a medium close-up on , capturing his full face. He looks towards , his expression burdened with sorrow and resignation. 's back or side is partially visible in the left foreground, just out of focus, linking their presence. The brick wall and snowy ground from and are prominent in the background, providing a familiar anchor for 's emotional state. The user intent is to capture the profound sadness and sacrifice visible in 's face as he says his silent farewell.", "think_full": "After focusing on 's internal state in , the narrative necessitates a parallel emotional beat for . This shot, , brings the camera back to (as seen in , , and ), offering a close-up of his face to convey his deep sorrow and the weight of the moment. The presence of (last seen in ) in the foreground, out of focus, maintains the spatial relationship and implies their ongoing interaction. The background directly references the brick wall and snowy environment from and , ensuring strong spatial continuity for 's setting. This shot perfectly fulfills the `shot_outline` for , 'shifts back to 's perspective, showing his difficult farewell,' by highlighting his emotional burden.", "instruction_minimal": "generate the next shot", "think_minimal": "The instruction 'generate the next shot' and the `shot_outline` for ('shifts back to 's perspective, showing his difficult farewell') direct me to focus on again. Given the emotional intensity of the scene, a medium close-up, similar to or but potentially tighter, is appropriate to capture his sorrow. should still be implied nearby from . The snowy, brick-walled environment from provides a consistent backdrop for 's emotional state. This shot balances the emotional focus between the two main characters after ." }, { "instruction_full": "Shift the camera to a wider shot, framing prominently in the mid-ground, facing towards the right side of the frame, perhaps looking towards where is being taken. is now visible in the background, out of focus, on the left side, watching . The background features the familiar brick buildings and snowy ground, with a distinct teal door from and visible behind . Other and are present in the deeper background. This shot visually separates from while still showing 's lingering presence, emphasizing the soldier's new path.", "think_full": "After the emotional close-ups in and , the narrative needs to show the immediate aftermath of the handover and the beginning of the separation. This shot, , pulls back the camera again to show (last seen in and partially in ) taking his place or preparing to move on, with (last fully seen in ) relegated to the background, still watching. This creates a visual representation of their parting. The environment remains the same snowy village, strongly referencing the brick buildings and the distinct teal door from and , reinforcing the continuous location. The presence of and in the background from maintains the broader context. This fulfills the `shot_outline` for , which aims to 'capture standing firm, perhaps awaiting final orders, with in the background,' showing the shift in their roles and imminent physical separation.", "instruction_minimal": "generate the next shot", "think_minimal": "Responding to 'generate the next shot' and the `shot_outline` for ('captures standing firm, perhaps awaiting final orders, with in the background'), I need a shot that frames more centrally but still includes in a less prominent role. This implies a wider shot than the preceding close-ups, showing their spatial separation. The environment should be the consistent snowy, brick-walled village from previous shots like , , and . The camera should establish 's readiness and 's lingering observation, emphasizing the new phase of the story." }, { "instruction_full": "Bring the camera in for an emotional close-up on 's face, from his right side, similar to the intensity of but perhaps even tighter. His eyes convey a profound sense of loss and resignation. A part of 's head and bridle, last prominently seen in , should be visible in the extreme left foreground, slightly out of focus, subtly linking to the reason for his sorrow. The brick wall backdrop from and fills the rest of the frame, maintaining the rustic, cold setting. The user intent is to deliver a final, powerful emotional beat from 's perspective, cementing the depth of his sacrifice.", "think_full": "After the wider shot in showed the beginning of physical separation, the narrative calls for a return to the core emotional impact on . This shot, , provides a very tight close-up, maximizing the emotional intensity of 's expression, building upon the somber look seen in , , , and . The camera zooms in from the prior shot to isolate his face. The partial inclusion of 's head in the foreground, which was central to the handover in , serves as a potent visual reminder of the cause of his grief. The brick wall environment from and continues to provide a consistent and somber backdrop. This shot precisely matches the `shot_outline` for : 'provides a close, emotional view of ,' delivering a powerful, intimate moment of his sorrow.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot' and the `shot_outline` for ('provides a close, emotional view of '), the camera must move very close to 's face. This is an explicit instruction for an emotional beat. I need to ensure his expression conveys profound sadness. To subtly tie back to the source of his sorrow, a part of should be visible in the foreground, slightly out of focus, as was prominent in , , , and . The background will be the familiar brick wall from , , , making the shot feel grounded yet intensely focused on his emotion." }, { "instruction_full": "Shift the camera to an equally tight close-up on 's face, mirroring the emotional intensity of . He looks directly forward or slightly off-camera, his expression serious and determined, perhaps with a hint of underlying emotion. The background should be the brick building with the teal door from and , slightly out of focus, maintaining the established environment. The user intent is to give a final, strong emotional beat, showcasing his resolve and readiness to face the future, mirroring 's sorrow with his own internal strength.", "think_full": "To conclude this sequence of emotional farewells and preparations, the narrative requires a parallel emotional beat for . After the intense close-up of in , this shot, , moves the camera to an equally intimate close-up of 's face. was last seen prominently in and , and this tight framing allows for a powerful display of his internal state – perhaps a blend of determination and quiet sadness. The background, though out of focus, explicitly references the brick building and teal door from and , providing a consistent setting while prioritizing his expression. This shot directly fulfills the `shot_outline` for : 'concludes with a close-up on 's resolute expression,' providing a symmetrical emotional closure to the sequence and emphasizing his readiness for the challenges ahead.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot' and the `shot_outline` for ('concludes with a close-up on 's resolute expression'), the logical next step after 's focus on 's grief is to provide a symmetrical emotional close-up on . The camera should tightly frame his face to capture his expression of resolve, perhaps with a touch of underlying sadness. The background will be blurred, but will include elements of the rural village like the brick building and teal door seen in , , and , maintaining continuity of place while focusing on his character's internal state. This provides a sense of closure for his immediate journey." } ], "_src_movie_dir": "War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv", "_src_filename": "199497_200834.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/War.Horse.2011.2160p.BluRay.REMUX.AVC.DTS-HD.MA.7.1-LEGi0N.mkv/199497_200834.json", "_test_index": 149 }, { "movie": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv", "N": 10, "sample_id": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/61762.jpg-Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62484.jpg", "images": [ { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/61762.jpg", "filename": "61762.jpg", "aesthetic": 6.161324977874756, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/61825.jpg", "filename": "61825.jpg", "aesthetic": 6.294008255004883, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/61900.jpg", "filename": "61900.jpg", "aesthetic": 6.550556659698486, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/61969.jpg", "filename": "61969.jpg", "aesthetic": 6.700928211212158, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62131.jpg", "filename": "62131.jpg", "aesthetic": 6.530930519104004, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62191.jpg", "filename": "62191.jpg", "aesthetic": 6.1462907791137695, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62233.jpg", "filename": "62233.jpg", "aesthetic": 6.51698112487793, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62398.jpg", "filename": "62398.jpg", "aesthetic": 6.291970252990723, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62410.jpg", "filename": "62410.jpg", "aesthetic": 6.43254280090332, "musiq": 0.0 }, { "tag": "", "rel_path": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/62484.jpg", "filename": "62484.jpg", "aesthetic": 6.561123847961426, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two young individuals are having an earnest and possibly significant conversation in a casual, sunlit outdoor setting, likely a parking lot. The mood is intimate and focused on their interaction, with a tone that suggests a moment of decision or important exchange.", "characters": [ "", "" ], "shot_outline": " widens the view to show and with a car, establishing more of their immediate surroundings. then zooms in on a specific interaction involving an object between them. subtly shifts the angle of this interaction, offering a new perspective. returns to a close-up conversational framing, focusing on 's reaction. widens again, showing seated on the car. cuts back to a close-up of their conversation. shows another medium shot of them by the car. returns to an intense close-up of their dialogue. provides a final wider shot, concluding this specific interaction." }, "instruction_full": "Pull the camera back from the close-up of to a medium shot, framing both and from the waist up. is now seated casually on the trunk of a car, holding a notebook, while stands facing him, engaged in conversation. The shot continues in the same sunny outdoor parking lot from , with trees and distant buildings in the background, to establish their proximity to a vehicle and provide more context to their conversation.", "think_full": "The 'global_prompt.shot_outline' indicates that should widen the view to establish their surroundings, particularly with a car. features and in a close-up, and a medium shot is a natural progression to reveal more context. The spatial continuity from is maintained by keeping them in the same sunny outdoor parking lot with similar background elements. Introducing a car helps to ground their interaction in this specific location. Both and reappear from , continuing their conversation. 's pose of sitting on the car shifts the dynamic from the direct standing conversation in . This shot serves to broaden the scene, making their interaction feel more anchored in a specific, lived-in environment.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the 'global_prompt.shot_outline' that will widen the view to show and with a car, and observing which is a close-up of them in a parking lot, the next shot should pull back. I would frame them in a medium shot, showing and in the same parking lot setting, with a car introduced into the scene, possibly with sitting on it, to reveal more of their physical context. This broadens the perspective from the intimate close-up of and sets the stage for further interaction." }, { "instruction_full": "Zoom in closer again, returning to a close-up frame that emphasizes the interaction between and , similar in closeness to . is still leaning slightly towards , who is now holding a pen and a small item, seemingly signing or marking it. They remain in the same bright outdoor parking lot from , under the same natural light, to highlight a specific, intimate exchange or transaction occurring between them.", "think_full": "The 'global_prompt.shot_outline' specifies that will zoom in on a specific interaction involving an object. Following the wider shot in that established the car and their general position, a closer shot is needed to focus on details. The setting remains the sunny outdoor parking lot, consistent with and . Both and from and are present, with still leaning towards from his position near the car (established in ). is now engaged in a focused action, holding a pen and interacting with a small object, which was not clearly visible in or . This close-up intensifies the moment, drawing attention to the specific exchange or task they are performing.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the 'global_prompt.shot_outline' that will zoom in on a specific interaction with an object, and having established their proximity to a car in after the conversation in , a close-up shot focusing on their hands and faces during an activity makes sense. I would frame and in a close-up, similar to , still in the parking lot setting. The focus would be on holding a pen and interacting with a small item, while observes, emphasizing a detailed moment of their exchange." }, { "instruction_full": "Shift the camera slightly to a different angle, maintaining a close-up on and similar to , but now showing more of 's face and 's back. looks intently at , who is still focused on the small item and pen. The scene remains in the bright, outdoor parking lot, with the car subtly in the background as established in , to emphasize the emotional dynamic between them during this focused task.", "think_full": "The 'global_prompt.shot_outline' suggests will subtly shift the angle of their interaction. After the direct close-up on the object in , a slight change in camera angle can reveal more of their expressions and relational dynamic. The consistent sunny outdoor parking lot setting is maintained from , , and . The car, introduced in , is now more visible in the background, reinforcing the location. Both and are present, continuing the activity from . 's expression, now more clearly visible, shows his engagement and focus on , who continues to concentrate on the item. This new angle adds a layer of intimacy and allows for a better understanding of their emotional connection during the task.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates a subtle shift in angle, continuing the interaction. After the detailed close-up of the object in , changing the camera angle slightly would offer a fresh perspective on the characters' expressions and their continued task. I would frame and in a close-up, similar to , but from a slightly altered angle, still in the parking lot and near the car. This would show observing as she continues to interact with the object, giving more insight into their individual reactions." }, { "instruction_full": "Return the camera to the close-up framing and angle almost identical to , capturing 's direct gaze and 's profile. looks directly ahead with a slightly serious or thoughtful expression, while is seen in profile, looking intently at her. Reestablish the same bright, open parking lot background from , maintaining the consistent visual environment, to reflect on the preceding interaction and perhaps indicate a moment of pause or an unspoken thought.", "think_full": "The 'global_prompt.shot_outline' suggests returns to a close-up conversational framing, focusing on 's reaction. By reverting to the exact framing of , the shot creates a narrative parallel, signaling a return to a more direct, intimate conversational beat after the specific task shown in and . The spatial continuity is strongly re-established with the background elements identical to (and consistent with , , ). Both and are present, having been in all previous shots. 's expression, now in a familiar close-up, allows the viewer to interpret her feelings directly after the interaction, while remains focused on her. This framing highlights a shift from action to emotional or verbal processing.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates a return to the initial framing, focusing on 's reaction. After the focused interaction with the object in and , and the slight angle shift, it's logical to return to a direct conversational shot. Reusing the close-up framing from would effectively convey a return to their primary dialogue or a moment of contemplation. I would depict and in a close-up, identical to , in the parking lot, with looking directly at the camera or towards , emphasizing her reaction or a new phase of their conversation." }, { "instruction_full": "Shift the camera back to a wider, medium shot, similar to , but from a slightly altered perspective showing more of the car. is visible, seated on the car's trunk, looking thoughtfully towards (whose back is mostly to the camera). His expression is pensive, and he still holds the notebook. Reaffirm the sunny outdoor parking lot and the car from and as the primary setting, to reveal 's contemplative state and establish a broader view of their static presence by the car.", "think_full": "The 'global_prompt.shot_outline' indicates returns to a wider shot, showing seated on the car. After the intense close-up in , a wider shot provides a change of pace and re-establishes their physical relationship to the environment. The sunny parking lot and the car are consistent elements from , , and implied in other shots. is again seated on the car's trunk, a position first established in , and still holds the notebook he had in . is present, though mostly from behind, which shifts the emphasis to 's contemplative state after the direct exchange in . This shot serves as a visual breather, showing a moment of reflection.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for suggests another wider shot, showing seated on the car. After the close-up conversation in , a return to a medium shot, similar to , would re-contextualize their interaction and show more of their environment. I would frame sitting on the car with the notebook he had in , looking towards (partially seen), still in the parking lot, to offer a broader view of their continued presence and perhaps 's internal state." }, { "instruction_full": "Cut back to the close-up framing and angle used in , , and , focusing on 's face and 's profile. looks towards with a serious or questioning expression, while 's profile is visible, listening or responding. Maintain the bright outdoor parking lot background, consistent with all previous shots, to re-engage the viewer in the immediate dialogue and capture a specific reaction or statement from .", "think_full": "The 'global_prompt.shot_outline' indicates cuts back to a close-up of their conversation. Following the broader view and 's pensive moment in , returning to the intimate close-up framing from and heightens the focus on their dialogue. The spatial setting of the sunny outdoor parking lot is consistently maintained across all previous shots. Both and are continuously present, and their expressions indicate an ongoing, direct conversational exchange. 's expression suggests she is speaking or reacting strongly, drawing the viewer into the immediate emotional exchange.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for suggests another close-up conversational shot. After the wider, reflective shot of , a return to the intense close-up framing, like in and , would bring the viewer back into the heart of their direct dialogue. I would depict and in a close-up, mirroring the angle and focus of and , still in the parking lot, to emphasize the continuation of their intimate discussion and their immediate reactions." }, { "instruction_full": "Transition to a medium shot, similar to , showing sitting on the car and in profile. is seated on the car, looking thoughtfully towards (whose back/side is to the camera). His expression is calm. Reconfirm the sunny outdoor parking lot and the car as the setting, maintaining consistency with , , and , to show a moment of reflection or consideration for and to offer a more encompassing view of their continued presence by the car.", "think_full": "The 'global_prompt.shot_outline' suggests shows another medium shot of them by the car. After the close-up conversation in , a medium shot provides a broader perspective and allows for a moment of visual emphasis on 's reaction. The setting in the sunny outdoor parking lot, including the car, is consistently established from , , and . maintains his seated position on the car, as seen in , . Both and are present, continuing their interaction. 's thoughtful expression after the intense dialogue in indicates a moment of processing or response. This shot again balances the intimate conversation with a wider view of their environment.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for indicates a medium shot, sustaining the conversation near the car. After the close-up dialogue in , a wider shot similar to , , or would provide a change in perspective and show more of their interaction with the car. I would frame sitting on the car, looking towards (who is partially visible), still in the parking lot. This shot allows for a slightly more removed observation of their continued conversation, highlighting any shifts in body language or mood." }, { "instruction_full": "Return to the close-up framing and angle from , , and , capturing 's direct gaze and 's profile. looks directly ahead, her expression thoughtful or slightly distant, while is seen in profile, looking at her intently. Reestablish the same bright, open parking lot background from previous close-ups, maintaining the consistent visual environment, to focus intensely on 's emotional state or response after the prolonged interaction, using a familiar framing to highlight the gravity of the moment.", "think_full": "The 'global_prompt.shot_outline' specifies that returns to an intense close-up of their dialogue. After the slightly wider, more reflective shot in , a return to the tight close-up framing from , , and re-intensifies the emotional focus of their conversation. The sunny outdoor parking lot background is consistently maintained, reinforcing the continuous scene. Both and are present, continuing their interaction. 's expression and direct gaze now appear more resolved or significant, indicating a crucial moment in their exchange. remains keenly attentive to her. This repeated close-up emphasizes the emotional weight of their current interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for suggests another intense close-up of their dialogue. After the medium shot in , a return to the very close framing of , , and would be ideal to heighten the emotional intensity as their conversation reaches a peak. I would frame and in a close-up, identical to , , and , in the parking lot. This will focus on their expressions and reactions during a critical point in their ongoing exchange." }, { "instruction_full": "Transition to a wider, medium shot, similar to , , and , showing both characters and the car in the background. is seated on the car, holding the notebook, and looking towards , who is standing and looking back at him. They appear to be concluding their discussion or sharing a final moment. Reaffirm the sunny outdoor parking lot and the car as the setting, consistent with previous wider shots, to provide a concluding, establishing shot of their interaction, suggesting a resolution or a pause in their story.", "think_full": "The 'global_prompt.shot_outline' indicates that provides a final wider shot, concluding the interaction. After the intense close-up in , a wider shot provides a sense of resolution or a natural end to this specific interaction. The setting of the sunny outdoor parking lot, with the car as a consistent element, is maintained from earlier wider shots like , , and . Both and are present; is seated on the car, as established repeatedly (e.g., ), and still holds the notebook first seen in . Their body language suggests the conversation has wound down. This shot provides a final, broader view of the characters in their environment, offering closure to this particular scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The 'global_prompt.shot_outline' for specifies a final wider shot, concluding this specific interaction. Following the intense close-up in , a medium to wide shot would provide a sense of resolution or a natural end to the scene. I would frame sitting on the car with the notebook (as seen in , , ) and standing beside him, both facing each other, in the parking lot. This shot offers a concluding overview, showing their positions after their long conversation." } ], "_src_movie_dir": "Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv", "_src_filename": "061762_062484.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Lady.Bird.2017.2160p.AMZN.WEBRip.DDP5.1.x264-SiGMA.mkv/061762_062484.json", "_test_index": 150 }, { "movie": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "N": 10, "sample_id": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/119997.jpg-Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120941.jpg", "images": [ { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/119997.jpg", "filename": "119997.jpg", "aesthetic": 6.992072105407715, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120102.jpg", "filename": "120102.jpg", "aesthetic": 7.627665042877197, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120150.jpg", "filename": "120150.jpg", "aesthetic": 6.267577171325684, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120204.jpg", "filename": "120204.jpg", "aesthetic": 7.8361592292785645, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120246.jpg", "filename": "120246.jpg", "aesthetic": 7.088796615600586, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120327.jpg", "filename": "120327.jpg", "aesthetic": 7.634716987609863, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120369.jpg", "filename": "120369.jpg", "aesthetic": 7.710816860198975, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120483.jpg", "filename": "120483.jpg", "aesthetic": 7.66473913192749, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120824.jpg", "filename": "120824.jpg", "aesthetic": 7.660451412200928, "musiq": 0.0 }, { "tag": "", "rel_path": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/120941.jpg", "filename": "120941.jpg", "aesthetic": 7.537311553955078, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A tense courtroom drama unfolds during a trial, focusing on the legal arguments and character reactions. The tone is serious and confrontational, building tension through alternating perspectives between the judge, the defense attorneys, the prosecution, and a key spectator.", "characters": [ "", "", "", "", "" ], "shot_outline": " introduces and in the courtroom, reacting to the judge's directive, establishing their presence and immediate challenge. focuses on , showing his earnestness and role in the proceedings. returns to reacting, with in the background, subtly highlighting the conflict. cuts back to , showing his sustained authority but with a slight shift in posture. again frames mid-speech, emphasizing his vocal argument against an unseen challenge, with again in the background. introduces a close-up of , revealing her presence and reaction to the courtroom proceedings. returns to , still arguing, emphasizing the intensity of the verbal exchange. cuts back to , showing her continued observation and emotional response. provides a final close-up of , maintaining the focus on his determined stance in the argument." }, "instruction_full": "The camera shifts from 's tight focus on to a medium wide shot, positioning us behind the court benches, looking towards the front of the courtroom. In the foreground, slightly to the left, stands , a robust man with glasses, dressed in a suit, looking towards the judge with a determined expression, perhaps mid-sentence. Behind him, slightly to the right and further back, stands , a serious-looking man also in a suit, observing the scene intently. The courtroom environment from continues, with wooden paneling and judicial flags still present, but now revealing more of the open court area, including jury benches and spectators in the background, to establish the wider context of the trial and introduce the defense team.", "think_full": "The shot maintains the courtroom setting established in , indicated by the wooden paneling and general architectural style. However, it pulls back to a wider perspective, revealing the main court floor and spectator area, which was not visible in 's close-up of . This shift in perspective broadens the scope of the scene while retaining the established location. was introduced in as the authority figure. This shot introduces two new characters, and , who are now central to the frame. They are new to the visual sequence. The shift in framing to introduce the defense team immediately after the judge's intense gesture in establishes a clear confrontation or response. It visually places the attorneys in the 'hot seat,' ready to respond to the court's authority, setting up the opposing forces in the trial.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates \"introduces and in the courtroom, reacting to the judge's directive, establishing their presence and immediate challenge.\" Given showed in a state of stern address, the next logical step is to show who he is addressing. Therefore, the camera should pull back from 's tight shot on to reveal the courtroom floor and introduce the attorneys. and should be prominently featured, dressed appropriately for court, positioned as if responding to the judge, to convey their role and the immediate tension. The background should clearly be the same courtroom from , just from a different angle to show more of the space and other occupants (spectators)." }, { "instruction_full": "From the previous medium-wide shot in , the camera now tightens on , moving into a medium close-up. He looks slightly to the left, with a serious and perhaps concerned expression, as if listening intently or preparing to speak. His posture is attentive. The background, still part of the courtroom environment seen in , is now slightly blurred, keeping focus on his reaction, but still showing hints of the wooden paneling and courtroom structure, as well as an indistinct figure in the background. This shot serves to highlight his individual presence and reaction amidst the legal proceedings.", "think_full": "The environment remains the courtroom from and , with the consistent wooden paneling and general warm lighting. The background details become softer compared to due to the closer framing, but the setting is clearly continuous. was introduced in as standing behind . This shot now gives him individual focus, showing his specific expression and role. He appears more earnest or contemplative than in . Following the introduction of the defense team in , this closer shot on serves to differentiate him and give him agency. It allows the audience to gauge his reaction and potentially foreshadow his involvement or a developing subplot around his character, as outlined in the `global_prompt.shot_outline` for which suggests focusing on his earnestness.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies focusing on \", showing his earnestness and role.\" To achieve this, the camera should zoom in from the wider shot of to a medium close-up of . He should have an earnest or serious expression. The background should be the same courtroom environment from , slightly out of focus to keep attention on him." }, { "instruction_full": "The camera pulls back from the close-up of in to return to a medium-wide shot, similar to , again framing prominently in the foreground, facing towards the judge (off-screen right). He maintains a determined, perhaps slightly exasperated, expression, his mouth closed. In the mid-ground, slightly to the right and further back, is now visible, standing and raising a hand, presumably making an objection or a point of order. Spectators are still visible in the background, as established in . This shot aims to re-establish 's central role and introduce the direct opposition in the courtroom.", "think_full": "The shot returns to the general courtroom layout seen in , maintaining the wooden paneling, overall lighting, and background spectators. It reuses the spatial understanding established in to show the wider scene of the court. reappears from , maintaining his determined demeanor. from is no longer the central focus but may be part of the background. Crucially, is introduced, a new character whose action (raising a hand) directly confronts the defense. The `global_prompt.shot_outline` for states it \"returns to reacting, with in the background, subtly highlighting the conflict.\" By returning to and simultaneously introducing mid-action, the shot immediately highlights the conflict and the adversarial nature of the trial, creating a clear visual dynamic of opposition following the brief focus on the co-attorney.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on the `global_prompt.shot_outline` for , which says \"returns to reacting, with in the background, subtly highlighting the conflict,\" the camera should return to a shot similar to , featuring . However, this time, we need to introduce . The shot should be wide enough to show in the foreground and in the mid-ground, perhaps gesturing, to establish their interaction and the conflict in the courtroom, which remains the same environment as and ." }, { "instruction_full": "The camera cuts back to a medium shot of , similar in framing and angle to , but now his expression is slightly more composed, though still serious, as if he is listening or pondering. He is seated behind his bench, with the same wooden paneling and flags visible behind him as in . His hand is now resting on the desk, not pointing. This shot emphasizes the judge's continued presence and authority, showing his reaction to the ongoing arguments.", "think_full": "This shot returns directly to the setup seen in , maintaining the exact same background of wooden paneling, the American flag on the left, and the other flag on the right. The perspective and lighting are consistent with . reappears from . His attire (robe, glasses, beard) is identical to . His expression has shifted from an active, stern pointing gesture in to a more contemplative or observing demeanor, aligning with the `global_prompt.shot_outline`'s idea of \"sustained authority but with a slight shift in posture.\" The `global_prompt.shot_outline` for states it \"cuts back to , showing his sustained authority but with a slight shift in posture.\" This return to the judge after the introduction of opposing attorneys and their conflict in , , and re-centers the judicial authority in the narrative, reminding the audience that he holds ultimate control over the proceedings. His altered, more reflective expression suggests he is weighing the arguments presented.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies \"cuts back to , showing his sustained authority but with a slight shift in posture.\" This means returning to the camera setup from . should be in the same position, wearing the same robe, with the same background (wooden paneling, flags). His expression, however, needs to be different from the intense pointing in , showing a more contemplative or listening stance to reflect the ongoing legal arguments from ." }, { "instruction_full": "The camera swiftly cuts back to a medium-wide shot of , similar to and , but now he is caught mid-speech, his mouth open and a forceful expression on his face, emphasizing his ongoing argument. He is positioned in the foreground, looking directly ahead, presumably addressing the court or judge (off-screen). In the mid-ground to the right, is visible again, standing and observing, reinforcing their presence in the conflict. The background remains the bustling courtroom from and , with spectators and the general court environment visible, maintaining the sense of an active trial. This shot aims to intensify the verbal confrontation and highlight 's advocacy.", "think_full": "The shot reuses the established courtroom environment and camera angle from and , showing the court floor with spectators in the background. This provides a consistent visual context for the ongoing legal battle. reappears from and , now in an active speaking pose, mouth open, conveying a more forceful and engaged argument. also reappears from , maintaining his observational role, visually confirming the continued opposition. The `global_prompt.shot_outline` for mentions \"again frames mid-speech, emphasizing his vocal argument against an unseen challenge, with again in the background.\" This shot directly follows the judge's contemplative moment in , indicating that the arguments are continuing intensely. By catching mid-speech and showing observing, it highlights the ongoing verbal sparring and the active nature of the trial.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states \"again frames mid-speech, emphasizing his vocal argument against an unseen challenge, with again in the background.\" This requires returning to a similar framing as or . should be shown actively speaking, with his mouth open and a determined expression. , seen in , should also be visible in the background, observing. The setting is the familiar courtroom environment from previous shots." }, { "instruction_full": "The camera cuts to a new medium close-up shot, shifting away from the immediate legal confrontation to focus on . She is a woman in a distinctive hat and dark suit, seated on one of the wooden benches in the courtroom, looking intently towards the front (off-screen left). The background behind her consists of the familiar wooden paneling of the courtroom, similar in style but from a different angle than what was seen directly behind in or , or what was blurred behind in . The lighting is slightly dimmer here, giving a more somber feel. This shot aims to introduce an external perspective on the trial, revealing a new character's observation.", "think_full": "While still within the courtroom, this shot moves to a different section, focusing on the spectator benches. The wooden paneling in the background, though consistent with the courtroom's aesthetic seen in , , , , , and , is presented from a new angle and in slightly dimmer light, indicating a different part of the room. This signifies a shift in focus without leaving the overall setting. All previously featured characters (, , , ) are now off-screen. This shot introduces a brand-new character, , who has not been previously seen or highlighted. The `global_prompt.shot_outline` for is \"introduces a close-up of , revealing her presence and reaction to the courtroom proceedings.\" By shifting focus from the active participants to a spectator, the narrative temporarily broadens, allowing the audience to perceive the emotional impact or public reception of the trial through a new character's eyes. This provides a moment of reflection or a hint at external stakes.", "instruction_minimal": "generate the next shot", "think_minimal": "According to the `global_prompt.shot_outline` for , the next shot should \"introduces a close-up of , revealing her presence and reaction to the courtroom proceedings.\" This means introducing a new character, a woman, seated in the courtroom but not actively participating in the legal arguments. The camera should frame her in a medium close-up, showing her expression as she observes. The background should subtly reflect the courtroom environment (wooden paneling, etc.) but from a new vantage point to establish her as an observer." }, { "instruction_full": "The camera cuts back to a medium-wide shot of , strongly resembling the framing and positioning of , , and . He is once again prominently in the foreground, his mouth open, still arguing forcefully with a determined and focused expression. The background of the bustling courtroom, with indistinct figures and the general architecture, is maintained from , , and , emphasizing the ongoing nature of the trial. This shot serves to immediately return the focus to the intense legal battle after the brief interlude with .", "think_full": "The shot returns to the consistent courtroom setting and general camera angle used for in , , and . The background elements, including spectators and courtroom architecture, remain the same, reinforcing the continuous environment of the trial. reappears from , maintaining his role as an active participant in the argument, with a similar dynamic expression. Other previously seen characters like (from , ) or (from ) might be visible in the background, maintaining the sense of an active court. from is now off-screen. This shot immediately follows the introduction of in . The `global_prompt.shot_outline` for suggests \"returns to , still arguing, emphasizing the intensity of the verbal exchange.\" By cutting back to mid-argument, the pacing picks up, bringing the audience back to the core conflict and highlighting the unwavering determination of the attorney in the face of ongoing pressure.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates \"returns to , still arguing, emphasizing the intensity of the verbal exchange.\" This means the camera should once again frame as he argues, similar to , with his mouth open and a strong expression. The background should be the general courtroom setting as established in , , and , showing the continuity of the trial's environment." }, { "instruction_full": "The camera cuts back to a medium close-up of , resembling the framing and mood of . She is still seated on the wooden bench, dressed in her distinctive hat and suit, looking ahead with a pensive or perhaps slightly worried expression. The background, consistent with , shows the darker wooden paneling of the courtroom from the spectator's area. This shot aims to show her continued reaction to the ongoing, intense legal arguments, suggesting the emotional weight of the trial.", "think_full": "This shot returns to the spectator section of the courtroom, maintaining the consistent wooden paneling and slightly darker lighting established in . The camera angle and framing are very similar to , providing a direct match. reappears from , maintaining her distinct attire and position. Her expression, while still pensive, might show a subtle shift reflecting the intensified arguments from , aligning with the `global_prompt.shot_outline` for which states \"shows her continued observation and emotional response.\" The `global_prompt.shot_outline` for focuses on \"cuts back to , showing her continued observation and emotional response.\" Following 's intense argument from , this return to allows the audience to register the impact of the arguments, implying that the stakes are personal or emotionally significant, and that the tension is building.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for instructs to \"cuts back to , showing her continued observation and emotional response.\" This requires returning to the shot of . should be in the same position and attire, but her expression should subtly convey her continued emotional engagement with the trial. The background should remain the consistent courtroom spectator area as seen in ." }, { "instruction_full": "The camera cuts back to a close-up of , similar to the framing of his head and shoulders as seen in , , , and , but now tighter, focusing more intently on his face. His mouth is open, mid-sentence, with an even more determined and impassioned expression, suggesting the climax of his argument. The background is slightly blurred but still hints at the general courtroom environment, maintaining consistency with previous shots featuring him. This final shot aims to emphasize his strong resolve and the culmination of his defense.", "think_full": "The shot maintains the courtroom setting, using the familiar background elements (blurred spectators, court architecture) seen in previous shots featuring (, , , ). The camera has tightened further, intensifying the focus on him. reappears from , continuing his argument. His expression is now even more intense and focused, reflecting the dramatic progression of the legal exchange. All other characters are off-screen. The `global_prompt.shot_outline` for indicates \"provides a final close-up of , maintaining the focus on his determined stance in the argument.\" Following the audience's emotional connection through in , this final shot on brings the focus back to the primary legal battle, underscoring his resilience and the intensity of his final arguments, aiming for a powerful concluding image for this sequence.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies \"provides a final close-up of , maintaining the focus on his determined stance in the argument.\" This implies a return to from , but with an even closer, more impactful framing. He should be shown mid-argument, with a determined and intense expression. The background should be the same courtroom environment, slightly blurred to keep the emphasis on his face." } ], "_src_movie_dir": "Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv", "_src_filename": "119997_120941.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/Marshall.2017.2160p.BluRay.REMUX.AVC.DTS-HD.MA.5.1-FGT.mkv/119997_120941.json", "_test_index": 154 }, { "movie": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv", "N": 10, "sample_id": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/72866.jpg-American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/75134.jpg", "images": [ { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/72866.jpg", "filename": "72866.jpg", "aesthetic": 5.831982612609863, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/73000.jpg", "filename": "73000.jpg", "aesthetic": 5.620626926422119, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/73772.jpg", "filename": "73772.jpg", "aesthetic": 5.7317914962768555, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/73981.jpg", "filename": "73981.jpg", "aesthetic": 4.731114864349365, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/74081.jpg", "filename": "74081.jpg", "aesthetic": 4.620047092437744, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/74262.jpg", "filename": "74262.jpg", "aesthetic": 5.57004976272583, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/74347.jpg", "filename": "74347.jpg", "aesthetic": 5.990882873535156, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/74512.jpg", "filename": "74512.jpg", "aesthetic": 5.6265153884887695, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/75016.jpg", "filename": "75016.jpg", "aesthetic": 5.36151123046875, "musiq": 0.0 }, { "tag": "", "rel_path": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/75134.jpg", "filename": "75134.jpg", "aesthetic": 5.492274284362793, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "This narrative follows an initially awkward yet intimate relationship, which then expands to include an external, possibly confrontational, subplot. The tone shifts from domestic unease to external intrigue.", "characters": [ "", "", "" ], "shot_outline": " continues the conversation from , slightly widening the shot to show more of their environment and interaction. abruptly shifts to a domestic, intimate setting, showing and in bed, hinting at their relationship. introduces a new, external setting, a medical center, suggesting a broader plot point or a shift in focus. is a close-up of fast food, likely in a car, linking back to the external setting and introducing a new character's habits or presence. reveals a new character, , inside a car, observing something or someone, reinforcing the external plot element. shows from outside the medical center, looking cautious or concerned, linking him to the new setting. brings into interaction with in the car, revealing a confrontation or information exchange. shifts the camera to a different angle, maintaining the interaction between and in the car, emphasizing the dynamic. offers a slightly wider shot of the car interaction, allowing a more complete view of the characters' positions." }, "instruction_full": "The camera pulls back slightly from the close-up in , widening the shot to a medium-close up. is seen from behind, holding some small boxes. faces him, looking engaged in conversation. We are still in the same indoor hallway/doorway setting as . A light green towel hangs on a rack to the left, indicating a bathroom or small utility area adjacent to the doorway. The background shows more of the room they are in, with warm, muted lighting, to show the ongoing, slightly awkward conversation between and and reveal more of their immediate domestic environment.", "think_full": "We maintain the indoor setting from , a modest domestic space. The lighting remains warm and muted, suggesting an evening or interior home ambiance. The addition of the towel rack and pink tiles on the left side of the frame in expands on the confined space shown in , which only showed the doorframe and the immediate background. from is present, now seen more fully from behind, holding small packages. His posture and the way he holds the packages indicate he's offering them or has just received them. from remains in conversation, maintaining her earnest expression and presence in the doorway, continuing the interaction established in the previous shot. The slight widening of the shot allows for a bit more context about their interaction, showing the small items is holding, which might be a gift or something he's just brought. It confirms the ongoing conversation and the close, personal nature of their interaction, setting a foundational domestic scene.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.story_setup and , I know this is an initial character interaction in a domestic setting. global_prompt.shot_outline indicates should continue the conversation, slightly widening the shot. I should maintain the same eye-level perspective but pull back slightly from the tight close-up on in . This creates a medium-close up that includes both characters more fully. Both and should be in the frame, continuing their interaction. will be slightly more visible from behind, and will be facing him. The setting should remain the same doorway/hallway from , perhaps revealing a bit more of the immediate surroundings, like a bathroom wall or towel rack to imply a domestic space. The lighting should remain consistent. The purpose is to continue the scene and reveal more of the physical context of their conversation, suggesting an intimate or shared space." }, { "instruction_full": "The camera radically changes from the doorway interaction in and , shifting to a close-up, low-angle shot within a bedroom. and are seen lying in bed, covered by sheets. is shirtless and looking upwards, while is partially obscured by and a pillow, looking towards the camera with a somewhat disoriented or uncomfortable expression. This is a brand-new setting, an intimate, dimly lit bedroom with a dark wooden headboard visible behind them. The lighting is soft and subdued, in stark contrast to the brighter, more conventional lighting of the hallway/doorway from and , to abruptly establish an intimate, post-coital context for the relationship between and , creating a sudden shift in tone and revealing a deeper connection than previously implied.", "think_full": "This shot introduces a completely new environment, a dimly lit bedroom, with no visual continuity to the hallway/doorway seen in and . The abrupt change in setting signifies a shift in time or a jump to a more private moment. The dark wooden headboard and subdued lighting establish an intimate, perhaps even melancholic, atmosphere. and from and are present, but their attire and context are vastly different, indicating a progression of their relationship or a different moment in time. is shirtless, looking contemplative, while is nestled against him, her expression hinting at a complex emotional state. This appearance establishes their physical intimacy, which was only implied by their close proximity in the previous shots. The global_prompt.shot_outline mentions should 'abruptly shift to a domestic, intimate setting, showing and in bed, hinting at their relationship.' The radical shift in setting and intimacy level serves to reveal the nature of their relationship. The framing with partially obscured and looking out, while gazes up, creates a sense of imbalance or contemplation, moving beyond simple conversation to a deeper, more vulnerable, and perhaps uncertain stage of their interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.story_setup, the story involves personal relationship dynamics. global_prompt.shot_outline states should 'abruptly shift to a domestic, intimate setting, showing and in bed, hinting at their relationship.' I need an intimate, close-up shot of the two characters. A low angle could emphasize the intimacy or vulnerability. Both and should be in the shot, explicitly in bed, showing their physical closeness. Their expressions should convey something about their emotional state after an intimate moment. A bedroom, dimly lit, establishing a private, domestic, and intimate atmosphere. This is a new environment distinct from the hallway/doorway of and . The purpose is to reveal the intimate nature of their relationship, adding depth and potentially new emotional layers to the story." }, { "instruction_full": "The camera moves outdoors to a wide shot, establishing a new location completely different from the interior scenes of , , and . Several indistinct figures are visible walking on pathways, but no main characters are identifiable. This is a brand-new, sprawling external setting: a large institutional building complex, identified by a sign as a 'Department of Veterans Affairs Medical Center.' The weather is overcast, contributing to a muted, somewhat somber atmosphere. There are bare trees in the foreground and a few parked cars, including a brown station wagon, to introduce a completely new, public and potentially serious setting, shifting the narrative away from the intimate domestic sphere and hinting at a broader, perhaps more formal or problematic context for the story.", "think_full": "This shot introduces a completely new, external environment—a large medical center—that has no visual or physical continuity with the domestic interiors of , , or the bedroom of . The institutional architecture, bare trees, and overcast sky create a stark contrast to the warmth or intimacy of the previous scenes. The sign clearly identifies the location, providing specific narrative information. No recognizable characters from , , or are explicitly visible or identifiable. The focus is entirely on establishing the new environment, suggesting a narrative shift. The global_prompt.shot_outline mentions 'introduces a new, external setting, a medical center, suggesting a broader plot point or a shift in focus.' This shot serves to broaden the scope of the story, moving beyond the personal relationship and hinting at external issues or events that might involve one or both of the main characters. The medical center implies themes of health, care, or perhaps past service.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.story_setup, I know the story has personal elements, but global_prompt.shot_outline explicitly states 'introduces a new, external setting, a medical center, suggesting a broader plot point or a shift in focus.' A wide, establishing shot is needed to convey the scale and nature of this new location. Focus is on the environment, not specific characters. General figures might be present to populate the scene. A large, institutional building identified as a medical center. The weather should be consistent with a public, functional setting, possibly overcast to convey a neutral or slightly somber tone. This is a completely new location, unrelated to , , . The purpose is to signal a significant narrative shift from the private life of the characters to an external, more public or formal setting, setting the stage for new plot developments." }, { "instruction_full": "The camera cuts to a close-up inside a vehicle, focusing on an object rather than a character. No characters are visible, maintaining a sense of mystery about who is in the vehicle. The shot is a close-up of a container of French fries from 'White Castle' fast food, resting on a car's dashboard or console. Blurred out fast-food wrappers are visible in the background, suggesting a messy car interior. The ambient lighting suggests daylight, possibly overcast, consistent with the exterior of , to hint at a new character's presence or habits, tying into the external setting established in by suggesting someone is waiting or has recently arrived, potentially associated with the medical center.", "think_full": "This is a new interior space – the inside of a car – with no direct visual link to , , , or the exterior of . However, it connects narratively to as a vehicle parked outside an institution. The specific branding ('White Castle') and the presence of fast-food wrappers establish a casual, perhaps unkempt, personal space within the car. The lighting is consistent with exterior daylight. No characters from previous shots, specifically or , are visible. This introduces a new element without revealing a new character directly, building suspense. The global_prompt.shot_outline indicates 'is a close-up of fast food, likely in a car, linking back to the external setting and introducing a new character's habits or presence.' This shot serves to introduce an unseen presence, possibly a new character, and their immediate habits. The fast food suggests someone is waiting or has been in the car for a while, perhaps observing the medical center from . It adds a touch of mundane reality to the new external plotline.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'is a close-up of fast food, likely in a car, linking back to the external setting and introducing a new character's habits or presence.' A close-up shot, focusing on an object rather than a person, inside a car, is needed. No characters are explicitly shown, keeping the focus on the implied presence. The interior of a car, specifically showing fast food items. The environment links to the exterior medical center scene in by implying someone is waiting nearby. This is a new environment. The purpose is to imply the presence of a new, unseen character through their personal items and habits, connecting this new character to the location established in ." }, { "instruction_full": "The camera cuts to a medium-close up from a side angle, revealing the new character inside the car. This shot maintains the interior car setting established in . A new character, , is revealed. They are a bespectacled man with slicked-back dark hair, wearing a shirt and patterned vest. His expression is neutral or contemplative, looking off-screen to the right, as if watching something. He is distinct from seen in , , . The interior of a car, consistent with the setting implied in . The car's window is visible in the background, showing blurred hints of the outside environment, possibly consistent with the medical center from . The lighting is consistent with a car interior during daylight, to explicitly reveal the new character who was implied in , confirming their presence and establishing them as an observer, linking back to the medical center setting from .", "think_full": "This shot continues the interior car setting implied in . The visible car window and interior details maintain continuity with the previous shot's suggestion of a parked vehicle. The external blur outside the window could hint at the institutional buildings from , suggesting this car is parked nearby. This shot introduces a new character, , who was only implied by the fast food in . This character is distinctly different from from , , . Their appearance (glasses, slicked hair, formal-casual attire) and pensive expression establish them as a distinct individual with a specific role, fulfilling the shot outline's hint of a 'new watcher.' The global_prompt.shot_outline states 'reveals a new character, , inside a car, observing something or someone, reinforcing the external plot element.' The purpose here is to confirm the presence of this new character, establishing their appearance and role as someone observing. His gaze off-screen suggests he is engaged in watching an unseen event or person, linking back to the external location of and creating a sense of unfolding plot outside the domestic sphere.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'reveals a new character, , inside a car, observing something or someone, reinforcing the external plot element.' The previous shot established the car interior and implied a person. A medium-close up inside a car, focusing on a character, is needed. A new, distinct character, referred to as , should be shown, looking observant. They should be different in appearance from . The interior of a car, maintaining the environment from . The background should show the outside world, consistent with being parked near the medical center from . The purpose is to concretely introduce the new observer character and establish their current activity as watching something, reinforcing the external storyline." }, { "instruction_full": "The camera moves back outside, taking a medium shot of from , positioned near a building entrance, partially obscured by foliage. reappears, now dressed in a green jacket over a lighter shirt, with a somewhat concerned or cautious expression. He is visually consistent with the character established in , , and . The exterior of a building, similar in style to the medical center from , with glass block windows to the right. Cars are parked in the background, consistent with a parking lot setting. The lighting is overcast, matching and implying continuity of setting. Green bushes are in the foreground, partially obscuring the view, to reintroduce into the external, more public setting (the medical center surroundings) and show his cautious demeanor, suggesting he is approaching or observing something specific.", "think_full": "We return to an exterior setting, consistent with the medical center introduced in . The architectural style and presence of parked cars align with that location. The glass block windows on the right suggest an entrance or a section of the building. The overcast lighting matches the mood of . This links to the broader narrative context established earlier. This is not the exact same angle as , but it's part of the same complex. from , , is reintroduced into the narrative. His clothing (jacket) is new, indicating a change in context from the domestic scenes. His expression is one of caution or concern, suggesting he is aware of his surroundings or has a specific purpose for being there. This fulfills global_prompt.shot_outline's mention of showing outside the medical center. The purpose of this shot is to bring into the same external narrative space as the medical center () and 's car (, ). His cautious demeanor implies he is either looking for someone, avoiding someone, or about to engage in a significant interaction. The partial obstruction by foliage adds to a sense of observation or stealth.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'shows from outside the medical center, looking cautious or concerned, linking him to the new setting.' A medium shot showing in an outdoor setting is needed. (from , , ) should be the focus, dressed for an outdoor, possibly cool, environment. His expression should convey caution or concern. The exterior of a building, consistent with the medical center setting from . There should be elements like cars or foliage to reinforce the outdoor, institutional environment. This continues the shift to external plot elements. The purpose is to visually connect to the external storyline and establish his presence and emotional state in this new context." }, { "instruction_full": "The camera takes a medium-wide shot, positioned slightly above and to the side, to capture the interaction between and . The shot is framed from outside the car, looking in, but also includes 's upper body. This changes the angle from which was inside the car. from is now leaning into the window of the brown station wagon, looking at . from is seated in the car, looking back at , maintaining his somewhat neutral/pensive expression. The fast food box from is visible on the dashboard. The scene is outside the brown station wagon, parked near the building, consistent with the environments of and . The car itself, previously only seen from the inside or partially, is now clearly identifiable as the same brown station wagon seen in and containing the items from and . The building in the background (medical center) and outside lighting from remain consistent, to reveal the direct interaction between and , establishing their connection and initiating a confrontation or conversation in this public but confined space.", "think_full": "The scene continues outdoors, featuring the brown station wagon first seen in and associated with in and . The background with the building structure maintains continuity with and . The fast food box from is a key prop, explicitly linking this specific car to the prior shots. from is now directly engaging with from . 's posture, leaning into the car, suggests initiation of contact. 's presence in the car, with his consistent appearance, reinforces his established role. This fulfills global_prompt.shot_outline's mention of bringing into interaction with . This shot is crucial as it finally brings the two main characters (or at least one of the primary characters and the mysterious observer) into direct contact, initiating the conflict or information exchange that has been building since . The framing emphasizes the slightly awkward or confrontational nature of leaning in while remains seated, maintaining a barrier.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'brings into interaction with in the car, revealing a confrontation or information exchange.' We've established 's presence at the medical center () and 's presence in the car there (). A medium-wide shot to encompass both characters and their interaction, showing outside the car and inside, is needed. (from , , , ) should be leaning into the car. (from ) should be inside, looking at . The brown station wagon (from , , ) as the central element, with the medical center building (from , ) in the background. The fast food from should still be visible in the car. The purpose is to show the long-anticipated meeting between these two characters, establishing the beginning of a key interaction for the external storyline." }, { "instruction_full": "The camera shifts to a slightly lower angle and closer framing from the front-side of the car, looking towards and . This is a slight re-angle from , but maintaining the overall perspective of outside the car window talking to inside. is still leaning into the car, his head and upper body visible, engaged in conversation. remains seated in the car, looking towards . Their positions reinforce the ongoing interaction from . The interior of the brown station wagon and its immediate exterior are visible, consistent with . The background through the car windows continues to show elements of the institutional building from and , further confirming their location. The car's side mirror is prominent in the foreground, indicating a slightly new perspective, to maintain the focus on the interaction, providing a slightly different visual emphasis on the dynamic between and , perhaps highlighting the barrier of the car window or the intensity of their exchange.", "think_full": "The setting remains the brown station wagon parked outside the medical center, as established in , , , , and . The interior of the car and the exterior background through the windows maintain consistent details from the previous shot, including the institutional buildings. The car mirror appearing in the foreground grounds the camera's new position relative to the vehicle. and continue their interaction from . Their positions relative to each other (leaning in vs. seated) are maintained, emphasizing the continuity of their conversation. Their expressions are still focused on each other, showing continued engagement. This fulfills global_prompt.shot_outline's mention of shifting the camera angle to emphasize the dynamic. The slight change in camera angle from allows for a renewed look at the ongoing interaction, perhaps intensifying the sense of a conversation happening across a divide (the car window). It keeps the audience engaged in this crucial meeting, providing a fresh perspective on the same core event.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'shifts the camera to a different angle, maintaining the interaction between and ' in the car, emphasizing the dynamic.' The previous shot established their direct interaction. A slightly different angle from , closer or lower, still showing both and in their respective positions (outside/inside the car), is needed. and should continue their conversation, holding their established positions. The brown station wagon and the background of the medical center remain consistent with . The shot should offer a new visual detail, like the car mirror, to indicate the new camera position. The purpose is to prolong and visually re-emphasize the interaction between the two characters, allowing for a sustained focus on their conversation and the established power dynamic." }, { "instruction_full": "The camera pulls back slightly to a wider medium shot, from a similar angle to , providing a more encompassing view of leaning into the car with inside. This offers a bit more context of their surroundings compared to the closer framing of . is still leaning into the car, his gaze directed at . remains seated, looking forward or towards . Their body language continues the established interaction from and . The brown station wagon and the surrounding outdoor environment (institutional building in background, perhaps a hint of other parked cars or greenery) remain consistent with and . The interior of the car is still visible through the window, to give a slightly broader view of the ongoing discussion, emphasizing the overall scene and the positioning of the two characters within the environment, perhaps signaling the conclusion or a pause in their exchange.", "think_full": "The setting is maintained from and : the brown station wagon parked outside the medical center. The broader shot allows more of the car's side and the immediate outdoor background (from , ) to be visible, reinforcing the location and context. The lighting remains consistent with an overcast daytime. and continue their interaction, holding their respective positions from and . is still leaning into the window, and is still seated in the car. This reiterates the established dynamic and the sustained nature of their conversation. This fulfills global_prompt.shot_outline's mention of offering a slightly wider shot. The slight widening of the shot provides a concluding or summarizing view of this important interaction. It allows the viewer to take in the full context of their positions and the car, reinforcing the intensity of the moment or hinting at its resolution as the conversation progresses or concludes.", "instruction_minimal": "generate the next shot", "think_minimal": "From global_prompt.shot_outline, 'offers a slightly wider shot of the car interaction, allowing a more complete view of the characters' positions.' We are continuing the conversation from and . A slightly wider medium shot compared to , encompassing both characters and more of the car, is needed. (from , , , ) leaning into the car, and (from ) inside, maintaining their interaction. The brown station wagon (from , , , , ) and the background (medical center from , ) should be clearly visible, reinforcing the overall setting. The purpose is to provide a final, slightly broader perspective on the interaction between the two characters, giving a sense of completion or further emphasis on their dynamic in this external setting." } ], "_src_movie_dir": "American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv", "_src_filename": "072866_075134.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/American Splendor 2003 PROPER 2160p WEBRip x265-RARBG.mkv/072866_075134.json", "_test_index": 187 }, { "movie": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv", "N": 10, "sample_id": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52167.jpg-The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/53763.jpg", "images": [ { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52167.jpg", "filename": "52167.jpg", "aesthetic": 5.858336925506592, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52230.jpg", "filename": "52230.jpg", "aesthetic": 4.948359966278076, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52302.jpg", "filename": "52302.jpg", "aesthetic": 6.429841041564941, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52314.jpg", "filename": "52314.jpg", "aesthetic": 5.55314302444458, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52377.jpg", "filename": "52377.jpg", "aesthetic": 5.713679313659668, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52653.jpg", "filename": "52653.jpg", "aesthetic": 5.92021369934082, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/52929.jpg", "filename": "52929.jpg", "aesthetic": 6.107904434204102, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/53016.jpg", "filename": "53016.jpg", "aesthetic": 6.076707363128662, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/53559.jpg", "filename": "53559.jpg", "aesthetic": 7.161346435546875, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/53763.jpg", "filename": "53763.jpg", "aesthetic": 6.595005035400391, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "Two elderly church figures, one presumably a Pope or high-ranking cardinal, and another priest, are having a private conversation in a richly decorated, somewhat dimly lit room. The atmosphere seems reflective and a bit somber, hinting at weighty matters being discussed.", "characters": [ "", "" ], "shot_outline": " introduces an empty, adjacent room or hallway, maintaining the subdued lighting, to suggest the confined, private nature of their discussion. is a close-up on , showing his thoughtful expression, emphasizing his internal state. cuts to a portrait on the wall, showing an historical church figure, possibly reflecting on tradition or legacy. is a tighter crop or another portrait, continuing the theme of history and legacy, perhaps highlighting a contrast or continuity. returns to a wider shot of both and , showing their interaction in the same room, indicating a passage of time or a new phase of their discussion. is a close-up on , reacting to 's words, showing his engagement. is a slightly wider shot of both men from a similar angle as , with making a gesture, signifying a point in their conversation. is a close-up of again, showing a change in his posture and expression, perhaps indicating contemplation or weariness. is a very close shot of 's face, featuring a subtle, knowing smile, suggesting a resolution or a shared understanding." }, "instruction_full": "The camera transitions to a slightly different angle from , peering through an open doorway into an adjacent, dimly lit room or hallway. The space should be mostly empty, featuring similar ornate classical decor as seen in , with light-colored curtains visible through a window at the far end of the hallway, to indicate a continuation of the same architectural style and subdued interior setting. The user intent is to establish the larger, private setting of their conversation, implying a secluded environment.", "think_full": "The instruction aims to establish the environment more fully beyond the immediate conversation shown in . By showing an adjacent space, we expand the sense of the grand, old building without introducing new characters. The dim, warm lighting and classical decor visible in are maintained to ensure visual continuity. The empty chairs and hallway emphasize the private nature of the meeting. We are shifting the camera to reveal more of the surrounding space, consistent with setting the scene.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for suggests introducing an \"empty, adjacent room or hallway, maintaining the subdued lighting, to suggest the confined, private nature of their discussion.\" Based on this and the initial shot , the next shot should pull back or move to an adjoining space within the same grand, classical setting. It should be dimly lit, echoing the mood of , and devoid of the characters to underscore the privacy and potential isolation of their meeting." }, { "instruction_full": "From the previous shot's general environment (), the camera should cut to a medium close-up of , who was visible in . He is seated, looking thoughtfully off-camera, with a serious and reflective expression. The background should maintain the dark, ornate interior seen in , with deep blue drapery partially visible, to continue the intimate and slightly somber mood. The user intent is to highlight 's internal state and focus on his personal reaction.", "think_full": "After establishing the broader setting in , the narrative calls for a return to the principal character, , who was introduced in . A medium close-up allows us to focus on his facial expression and convey his emotional state, which in seemed contemplative. The dark, ornate background with blue drapes from helps maintain visual continuity and the subdued, serious tone of the conversation. This framing brings the audience closer to his perspective, aligning with the \"emphasizing his internal state\" goal for in the `shot_outline`.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A close-up on , showing his thoughtful expression, emphasizing his internal state.\" Given shows in a reflective pose, the next shot should zoom in on his face. The setting should remain the same richly decorated room from , possibly showing elements of the blue drapery or ornate wall patterns as a background, to link back to the scene where the conversation is taking place. This focuses on 's personal thoughts and feelings." }, { "instruction_full": "The camera now cuts to a close-up of a large, classical portrait hanging on the wall within the same ornate setting. The portrait depicts an elderly church figure in traditional red and white vestments, looking directly forward. The lighting should continue to be dim and atmospheric, consistent with the room's ambiance established in and . The user intent is to introduce a thematic element of history or legacy, linking the present conversation to the past.", "think_full": "The `shot_outline` for explicitly mentions cutting to a portrait to reflect on \"tradition or legacy.\" This shot serves as a visual interlude, shifting focus from the character's internal state in to a broader thematic idea. While the specific portrait wasn't visible in , the ornate nature of the room in and implies such artwork. The dark, rich tones and dim lighting from and are maintained for aesthetic and environmental consistency. This helps to underscore the historical weight of the discussion the characters are having.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for indicates: \"Cut to a portrait on the wall, showing an historical church figure, possibly reflecting on tradition or legacy.\" Therefore, the next shot should be a close-up of such a portrait. The style and lighting should be consistent with the grand, old-world interior seen in and , suggesting it's part of the same room or an adjacent, similarly decorated space. This introduces a visual metaphor for the weight of history or the institution itself." }, { "instruction_full": "Following the previous shot , the camera performs a slightly tighter crop on a different, or perhaps the same, classical portrait. This new framing focuses on the face of another or the same church figure, again in traditional vestments. The background remains dark, emphasizing the subject of the painting, and the dim, atmospheric lighting from is sustained. The user intent is to further emphasize the presence of history and tradition, creating a contemplative pause in the narrative.", "think_full": "The `shot_outline` for calls for \"A tighter crop or another portrait, continuing the theme of history and legacy.\" This suggests a continuation of the thematic pause introduced by . By staying on portraits, we extend the idea of historical context. Maintaining the dim lighting and dark background connects this shot visually to and the overall ambiance of the room established in . The focus on another or a different part of a portrait deepens the historical immersion before returning to the characters.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A tighter crop or another portrait, continuing the theme of history and legacy, perhaps highlighting a contrast or continuity.\" This means the next shot should either be a tighter framing of the portrait from or a different, similar portrait. The goal is to reinforce the theme of tradition and history, maintaining the dim, ornate interior ambiance. It continues the visual pause on symbolic imagery before returning to the characters." }, { "instruction_full": "The camera pulls back to a wide shot, similar in framing and angle to , showing both and seated at the small round table. They are in the same ornate, dimly lit room from , with the blue drapes and classical decor visible in the background. Their postures might have subtly shifted from , suggesting continuation of their conversation or a slight change in its dynamic. The user intent is to re-establish the two characters in their shared space, signifying a return to their discussion after the thematic interlude.", "think_full": "The `shot_outline` for indicates a \"Return to the wider shot of both and , showing their interaction in the same room, indicating a passage of time or a new phase of their discussion.\" This shot directly re-establishes the scene from , bringing both characters back into the frame after the individual close-up on in and the portrait interludes in and . The camera returns to a similar wide framing as , using the identical ornate room with blue drapes and the small round table, to ensure strong visual continuity of the setting. This signals a continuation of their private meeting.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for says: \"Return to the wider shot of both and , showing their interaction in the same room, indicating a passage of time or a new phase of their discussion.\" This means we should return to a shot similar to , encompassing both and seated at the table in the ornate room. The lighting and general atmosphere should be consistent with , signaling a continuation of their conversation within the established private setting." }, { "instruction_full": "The camera cuts to a medium close-up of , who was seen in and . He is positioned to the right of the frame, looking towards (off-camera left) with an engaged and attentive expression. The background maintains the dimly lit, classical interior, with hints of the blue drapery or ornate wall details from , to keep the focus on his reaction within the established setting. The user intent is to highlight 's listening and reaction, showing his involvement in the conversation.", "think_full": "After re-establishing both characters in , the narrative logic dictates focusing on 's perspective and reaction. This close-up on , previously seen in and , allows for a detailed view of his expression, showing his active participation in the discussion. The camera positioning and background elements (dim lighting, hints of blue drapes) are consistent with the previous shots of the room (, ), ensuring visual continuity. This shot fulfills the `shot_outline` for to show \"reacting to 's words, showing his engagement.\"", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies: \"A close-up on , reacting to 's words, showing his engagement.\" This implies a shot that focuses on 's face and upper body, similar to how focused on . The environment should remain the same ornate, dimly lit room from and , ensuring visual continuity and emphasizing his active participation in the ongoing discussion." }, { "instruction_full": "The camera pulls back slightly from to a wider two-shot, similar to but perhaps with a slightly different emphasis on the characters or table. Both and are visible at the round table in the same ornate room with blue drapes from , , and . is making a gesture with his hand, as if emphasizing a point, while listens. The dim, warm lighting continues. The user intent is to show a specific moment of interaction or a significant point in their dialogue, visually breaking the conversational flow with 's gesture.", "think_full": "Following the focus on 's reaction in , returning to a two-shot like allows us to see the dynamic between both characters again. The `shot_outline` for suggests \"A slightly wider shot of both men from a similar angle as , with making a gesture, signifying a point in their conversation.\" This shot re-establishes their proximity and shows a specific action from , visually reinforcing a crucial moment. The room, lighting, and characters ( from , , ; from , , ) are consistent with previous shots, maintaining the established environment and mood.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for outlines: \"A slightly wider shot of both men from a similar angle as , with making a gesture, signifying a point in their conversation.\" This means we should see both and again, similar to or , but with a clear action from . The setting remains the same ornate room. This shot shows a key moment in their dialogue, where might be making a significant statement or observation." }, { "instruction_full": "The camera cuts to a medium close-up of , similar in framing to but with a different posture and expression. He is seated at the table, perhaps leaning on his hand or looking more contemplative than before, reflecting a shift in his internal state. The ornate background and dim lighting from , , , and are visible, ensuring continuity of the private, reflective setting. The user intent is to show 's deeper contemplation or perhaps a moment of weariness or burden after the previous interaction.", "think_full": "After 's assertive gesture in , the narrative calls for a return to his internal state, as outlined for : \"A close-up of again, showing a change in his posture and expression, perhaps indicating contemplation or weariness.\" This medium close-up, similar to , allows for an intimate portrayal of his expression and body language. His presence and the room's elements (ornate decor, dim lighting, table, cross) are consistently drawn from , , , and , reinforcing the setting and his established character. This shot serves to deepen the emotional connection with .", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for specifies: \"A close-up of again, showing a change in his posture and expression, perhaps indicating contemplation or weariness.\" Therefore, the next shot should be a close-up of , similar to , but with a new expression or posture that reflects a deeper, perhaps more somber, internal state. The background will remain the same ornate room from and previous shots, highlighting the continuity of the conversation and environment." }, { "instruction_full": "The camera moves in for a very tight close-up on 's face, from a slightly lower angle than , focusing on his eyes and a subtle, knowing smile. A blurred portion of 's shoulder or head might be barely visible in the foreground on the right, maintaining the context of their conversation. The background behind remains blurred and dark, hinting at the ornate room. The dim, warm lighting continues to give an intimate feel. The user intent is to conclude this sequence with a deeply personal moment from , suggesting a shared understanding, acceptance, or a wry perspective.", "think_full": "The `shot_outline` for indicates \"A very close shot of 's face, featuring a subtle, knowing smile, suggesting a resolution or a shared understanding.\" This extremely tight close-up directly follows the contemplative mood of , providing a culminating emotional beat. It builds on previous close-ups of (, ) by intensifying the focus on his expression, highlighting a nuanced emotional shift. The blurred presence of and the dark, ornate background maintain the established context from and subsequent shots, ensuring the intimacy of the moment is still within their private discussion.", "instruction_minimal": "generate the next shot", "think_minimal": "The `global_prompt.shot_outline` for states: \"A very close shot of 's face, featuring a subtle, knowing smile, suggesting a resolution or a shared understanding.\" This calls for an extreme close-up on , focusing on a specific, subtle facial expression. The background will be indistinct but consistent with the dim, ornate room where the conversation is held, as seen in and other shots, to maintain continuity. This shot aims to provide an emotional conclusion to this segment of their interaction." } ], "_src_movie_dir": "The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv", "_src_filename": "052167_053763.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Two.Popes.2019.2160p.NF.WEB-DL.x265.10bit.HDR.DDP5.1.Atmos-SWTYBLZ.mkv/052167_053763.json", "_test_index": 189 }, { "movie": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv", "N": 10, "sample_id": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85203.jpg-The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85878.jpg", "images": [ { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85203.jpg", "filename": "85203.jpg", "aesthetic": 5.744956970214844, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85325.jpg", "filename": "85325.jpg", "aesthetic": 5.754216194152832, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85372.jpg", "filename": "85372.jpg", "aesthetic": 5.935564994812012, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85422.jpg", "filename": "85422.jpg", "aesthetic": 6.237861156463623, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85459.jpg", "filename": "85459.jpg", "aesthetic": 6.011791229248047, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85538.jpg", "filename": "85538.jpg", "aesthetic": 6.830747604370117, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85612.jpg", "filename": "85612.jpg", "aesthetic": 5.902419567108154, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85741.jpg", "filename": "85741.jpg", "aesthetic": 5.949714660644531, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85759.jpg", "filename": "85759.jpg", "aesthetic": 6.721202850341797, "musiq": 0.0 }, { "tag": "", "rel_path": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/85878.jpg", "filename": "85878.jpg", "aesthetic": 5.905740737915039, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "A formal, high-stakes dinner is taking place in an opulent, traditional dining room, likely within a wealthy family's estate. The atmosphere is poised and somewhat tense, with participants carefully observing each other. The narrative aims to explore the interpersonal dynamics and unspoken tensions among the characters at the table.", "characters": [ "", "", "", "", "", "" ], "shot_outline": " expands the view from to reveal at the head of the table, on the left, and on the right, actively engaged. is visible in the background. will focus on 's thoughtful expression. will return to and , re-establishing their dynamic. will isolate as he speaks. will introduce observing. will show and again. will return to 's expression. will feature 's reaction. will conclude with in a close-up." }, "instruction_full": "Widen the camera angle from , shifting to a medium shot that reveals more of the formal dining table and the ornate room. Frame at the head of the table, centered, with on the left and on the right. should be actively speaking or gesturing, while listens intently. should be visible, standing formally in the background. Maintain the warm, rich, candlelit ambiance and the opulent decor seen in , including the elaborate candelabras and the table setting, to establish the full scene and introduce key new figures involved in the dinner conversation.", "think_full": "The 'shot_outline' for indicates a widening of the scene and the introduction of new characters. To achieve this, the camera angle needs to pull back from the tighter framing of , which only showed and . By widening the shot, we can introduce , , and , fulfilling the narrative purpose of expanding the scope of the dinner gathering. from will now be shown in a more active role, as the 'shot_outline' suggests engagement. The opulent setting, warm lighting, and detailed table decor from must be maintained to ensure visual continuity and reinforce the established atmosphere of a formal, high-class event. The specific placement of characters (older man centered, woman in red left, young man right) creates a balanced, yet dynamic composition for this new wider view, setting up future individual reactions.", "instruction_minimal": "generate the next shot", "think_minimal": "Given the minimal instruction 'generate the next shot', I must refer to the 'global_prompt' and the preceding image . The 'shot_outline' for mentions 'expands the view from to reveal at the head of the table, on the left, and on the right, actively engaged. is visible in the background.' This indicates a need to broaden the shot from 's tight focus on and . I should keep the existing characters from () and introduce the new ones (, , ). The opulent dining room, rich lighting, and detailed table setting from must be preserved to maintain environmental continuity. The dramatic purpose is to establish the full scope of the dinner and introduce additional key players and their initial interactions." }, { "instruction_full": "Move the camera to a tight close-up on , who was introduced in . Frame her from the chest up, focusing on her face to capture a thoughtful and perhaps slightly serious expression. The background should maintain the warm, candlelit ambiance and ornate decor from , specifically showing the candelabras and glimpses of the luxurious dining room. Her hands should be visible, perhaps resting gently on her chest, as she processes the ongoing conversation. The intent is to emphasize her individual reaction and inner state amidst the group dynamic.", "think_full": "The 'shot_outline' for specifies a focus on ''s thoughtful expression.' To achieve this, a tight close-up is necessary, isolating her from the broader group shot of . was introduced in , so her appearance here maintains character continuity. Her expression and subtle gesture (hands on chest) will convey the 'thoughtful' aspect. The background must continue the visual established in (and ), retaining the opulent dining room, candelabras, and warm lighting to ensure environmental consistency and emphasize that this is a reaction within the same tense dinner setting. This shot serves to highlight an individual's internal processing during a significant group interaction.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot', I consult the 'global_prompt' and prior images , . The 'shot_outline' for is 'focuses on 's thoughtful expression'. This requires a close-up on , who was visible in . I need to ensure her expression conveys thoughtfulness. The environment, specifically the opulent dining room and warm, candlelit ambiance, must be consistent with and . The shot's purpose is to draw attention to her individual reaction, isolating her emotional state from the group conversation established in ." }, { "instruction_full": "Return to a medium shot, similar in framing and character placement to , showing and at the formal dining table. should be looking up, perhaps with a slight smile, engaging with . should be looking at him, still holding her papers, and mirroring his pleasant expression. Maintain the warm, intimate lighting and the visible elements of the ornate candelabra and table setting from to reinforce their established, more private dynamic within the larger event.", "think_full": "The 'shot_outline' for indicates a return to ' and , re-establishing their dynamic.' This necessitates a camera setup similar to , which initially established their interaction. and were both present in . Their expressions (slight smile, pleasant look) and interaction (engaging with each other) show a continuation or re-emphasis of their specific relationship. The rich, candlelit dining room, candelabras, and table settings are direct visual continuations from (and , ), reinforcing the consistent environment. This shot serves to re-anchor the audience on this particular pair, perhaps contrasting with the broader group dynamic shown in and .", "instruction_minimal": "generate the next shot", "think_minimal": "From 'generate the next shot', I look to the 'global_prompt' and images , , . The 'shot_outline' for states 'returns to the initial pairing of and (in striped top), re-establishing their dynamic.' This means I need to frame them as they appeared in . The camera angle, approximate distance, and their relative positions should resemble . and were introduced in . The setting, including the elegant dining room, candelabras, and table items, must be consistent with , , and . The intent is to shift focus back to their particular relationship after the broader group and individual reactions were shown." }, { "instruction_full": "Cut to a close-up on , similar in framing to how was framed in , but from a slightly different angle to reflect his position at the head of the table (as seen in ). Frame him from the chest up, capturing his authoritative yet perhaps slightly amused expression as he speaks. His hands should be clasped in front of him, conveying a sense of control. The background should be blurred but clearly show the consistent opulent dining room, candelabras, and warm lighting from previous shots like and . The purpose is to highlight his command and central role in the conversation.", "think_full": "The 'shot_outline' for specifies 'Isolates as he speaks, asserting his presence.' A close-up, similar to how was isolated in , will achieve this. was introduced in , where he was shown at the head of the table. His expression and posture (clasped hands) should convey authority and control. The background must maintain continuity with the luxurious dining room, candelabras, and warm lighting seen in , , , and , reinforcing the consistent setting for this important conversation. This close-up emphasizes his dominance and the weight of his words.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on 'generate the next shot' and the 'global_prompt', especially the 'shot_outline' for : 'Isolates as he speaks, asserting his presence.' This requires a close-up on , who was introduced in . His expression should convey authority, consistent with asserting his presence. The setting must be the same opulent dining room with its warm, candlelit ambiance, carried through from , , , and . The camera should emphasize his central role and the impact of his words within the scene." }, { "instruction_full": "Introduce a new character, , in a medium shot. Frame her seated at the table, perhaps a bit further down from (as implied by the general seating arrangements from ). She should be looking down at her plate, with a focused or slightly melancholic expression, holding her cutlery. Her elegant dress and jewelry should be visible. The shot should clearly show the consistent opulent dining room, the table setting, and the warm, intimate lighting established in all previous shots ( through ), to integrate her into the existing environment.", "think_full": "The 'shot_outline' for explicitly states: 'Introduces at the table, capturing her focused and somewhat solemn demeanor.' This means a new character, , needs to be shown. Since she is new, no can be cited for her character's visual establishment. She should be presented in a way that conveys a 'focused or slightly melancholic expression' as per the outline. The setting must be the same opulent dining room, with the consistent table decor and warm lighting, as established in , , , , and . This continuity is crucial to embed her within the ongoing dinner scene. Her placement at the table should feel natural within the established seating arrangement seen in wider shots like . This shot introduces a new dynamic and potential emotional layer to the dinner.", "instruction_minimal": "generate the next shot", "think_minimal": "Given 'generate the next shot', I refer to the 'global_prompt' and preceding images through . The 'shot_outline' for is 'Introduces at the table, capturing her focused and somewhat solemn demeanor.' This means I need to bring a new character, , into the scene. She should be seated at the table, maintaining the established opulent dining room setting, with its rich, warm lighting and detailed table from , , , , and . Her expression and posture should convey focus or solemnity as per the outline. The purpose is to broaden the cast and potentially introduce a new perspective or emotional undercurrent to the dinner." }, { "instruction_full": "Return to a medium shot, again echoing the framing of and , depicting and at the dining table. should be engaged, perhaps looking towards or just beyond her, with a relaxed posture. should be smiling subtly, still holding her papers, and observing . The warm, candlelit ambiance, ornate candelabras, and lavish table setting from , , and other previous shots must be prominently featured to reaffirm the familiar, intimate setting of their interaction.", "think_full": "The 'shot_outline' for is 'Reaffirms the interaction between and (in striped top), suggesting a return to their conversation.' This requires a return to the established framing of and , featuring these two characters who were introduced in . Their poses and expressions (relaxed, subtle smile) should reflect a continued or resumed interaction. The environment, including the opulent dining room, candelabras, and table settings, is a direct continuation from , , , , , and , ensuring a consistent visual backdrop for their dynamic. This shot reinforces their specific relationship within the larger gathering.", "instruction_minimal": "generate the next shot", "think_minimal": "Referring to 'generate the next shot', the 'global_prompt', and images through . The 'shot_outline' for instructs to 'Reaffirms the interaction between and (in striped top), suggesting a return to their conversation.' This means the camera should revert to a similar shot of and as seen in and . Both characters were established in . The continuous setting of the opulent dining room with warm lighting and detailed table from through must be maintained. The purpose is to highlight their ongoing, perhaps private, connection during the dinner." }, { "instruction_full": "Cut back to a close-up on , mirroring the framing and intensity of . She should have a slightly different nuance in her expression, perhaps more direct or intense, still reflecting contemplation or a strong reaction to the ongoing conversation. Her hands should remain visible. The background should maintain the consistent warm, candlelit ambiance and the ornate details of the dining room from and other preceding shots to keep her firmly situated in the scene.", "think_full": "The 'shot_outline' for states 'Returns to , perhaps showing a different nuance in her expression or reaction.' This necessitates a close-up on , similar to , where she was first isolated. was introduced in . Her updated expression will convey the 'different nuance.' The background must maintain continuity with the opulent dining room, candelabras, and warm lighting, as established in , , , , , , and , reinforcing the consistent setting. This shot serves to show her evolving engagement or internal state as the dinner progresses.", "instruction_minimal": "generate the next shot", "think_minimal": "Considering 'generate the next shot', the 'global_prompt', and previous images through . The 'shot_outline' for dictates 'Returns to , perhaps showing a different nuance in her expression or reaction.' This calls for a close-up of , similar to , where she was previously highlighted. was introduced in . Her expression needs to reflect a new facet of her reaction. The luxurious dining room, warm lighting, and candelabras must remain consistent with through . The purpose is to track her evolving individual response to the dinner's unfolding events." }, { "instruction_full": "Shift the camera to a close-up on , matching the tight framing and reflective mood of . Her expression should be slightly altered from , perhaps more openly concerned or weary, as she looks down or slightly away from the table. She should still be holding her cutlery. The background should continue to feature the consistent opulent dining room, hints of the table setting, and the warm, dim lighting seen in and all preceding shots, grounding her reaction within the ongoing event.", "think_full": "The 'shot_outline' for specifies 'Shifts focus back to , observing her reaction or state.' This requires a return to a close-up on , similar to her introduction in . was introduced in . Her 'slightly altered' expression (concerned or weary) will convey her updated 'reaction or state.' The environment, including the opulent dining room, table details, and warm lighting, is a direct visual continuation from through , ensuring a consistent backdrop. This shot emphasizes her personal emotional response to the evolving dinner dynamics, contrasting with other characters' reactions.", "instruction_minimal": "generate the next shot", "think_minimal": "Referring to 'generate the next shot', the 'global_prompt', and images through . The 'shot_outline' for says 'Shifts focus back to , observing her reaction or state.' This necessitates a close-up on , similar to her initial appearance in . was introduced in . Her expression should show a development in her emotional state. The opulent dining room with its consistent lighting and table setting from through must be maintained. The shot's purpose is to continue exploring the individual reactions of those present at the formal dinner." }, { "instruction_full": "Conclude the sequence with a close-up on , similar to the framing in , but with a refined expression, perhaps a subtle hint of satisfaction or finality, as he finishes speaking or observing. His hands should remain clasped or in a similar composed posture. The background should maintain the slightly blurred but recognizable opulent dining room, candelabras, and warm, dim lighting from and all prior shots, solidifying his presence at the conclusion of this series of reactions.", "think_full": "The 'shot_outline' for indicates 'Concludes with , possibly showing his final thought or statement.' This requires a close-up on , echoing the authoritative framing of . was introduced in . His expression (satisfaction or finality) and composed posture (clasped hands) will convey the intended 'final thought or statement.' The background must be consistent with the opulent dining room and warm lighting established throughout the sequence, from through . This final shot on provides a strong sense of conclusion or dominance, wrapping up this segment of the dinner's unfolding narrative.", "instruction_minimal": "generate the next shot", "think_minimal": "Based on 'generate the next shot', the 'global_prompt', and prior images through . The 'shot_outline' for is 'Concludes with , possibly showing his final thought or statement.' This demands a close-up of , similar to where he was previously emphasized. was introduced in . His expression should convey a sense of conclusion or impact. The environment, the opulent dining room with its consistent lighting and decorative elements from through , must be preserved. The intent is to provide a sense of finality to this observation sequence, likely emphasizing his role as a central figure." } ], "_src_movie_dir": "The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv", "_src_filename": "085203_085878.json", "_src_path": "/mnt/petrelfs/liuhongbo/多镜头标注/annotations_out/The.Black.Dahlia.2006.2160p.BluRay.x264.DTS-FGT.mkv/085203_085878.json", "_test_index": 245 }, { "movie": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv", "N": 10, "sample_id": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/119984.jpg-The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120634.jpg", "images": [ { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/119984.jpg", "filename": "119984.jpg", "aesthetic": 6.162590980529785, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120034.jpg", "filename": "120034.jpg", "aesthetic": 5.296982765197754, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120100.jpg", "filename": "120100.jpg", "aesthetic": 6.474462032318115, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120166.jpg", "filename": "120166.jpg", "aesthetic": 4.863732814788818, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120278.jpg", "filename": "120278.jpg", "aesthetic": 7.143403053283691, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120291.jpg", "filename": "120291.jpg", "aesthetic": 6.804655075073242, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120434.jpg", "filename": "120434.jpg", "aesthetic": 5.365283966064453, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120488.jpg", "filename": "120488.jpg", "aesthetic": 7.087756633758545, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120553.jpg", "filename": "120553.jpg", "aesthetic": 6.717911720275879, "musiq": 0.0 }, { "tag": "", "rel_path": "The Book Thief 2013 2160p Blu-ray Remux AVC DTS-HD MA 5.1 - KRaLiMaRKo.mkv/120634.jpg", "filename": "120634.jpg", "aesthetic": 6.99373197555542, "musiq": 0.0 } ], "annotations": [ { "global_prompt": { "story_setup": "In a rustic, humble home, a concerned woman and a young girl observe something unsettling outside their window. Their quiet life is about to be disrupted by an unwelcome visitor, forcing them into a tense situation where deception and hiding are crucial for survival. The atmosphere is tense and suspenseful, hinting at a historical setting of danger.", "characters": [ "", "", "", "