Add files using upload-large-folder tool
Browse files- videos/Apt.Pupil.1998.1080p.BluRay.x264.DTS-FGT/Apt Pupil (1998) [1080p] [BluRay] [YTS.MX]/YTSYifyUP... (TOR).txt +18 -0
- videos/As.Good.as.It.Gets.1997.REMASTERED.1080p.BluRay.x264.TrueHD.7.1.Atmos-NOGRP/As Good As It Gets (1997) [2160p] [4K] [WEB] [5.1] [YTS.MX]/YTSProxies.com.txt +18 -0
- videos/Commando.1985.Directors.Cut.1080p.BluRay.x264-CREEPSHOW/Commando.1985.Directors.Cut.1080p.BluRay.x264-CREEPSHOW.nfo +90 -0
- videos/Demolition.2015.1080p.BluRay.x264-GECKOS[rarbg]/RARBG.com.txt +1 -0
- videos/Demolition.2015.1080p.BluRay.x264-GECKOS[rarbg]/demolition.2015.1080p.bluray.x264-geckos.nfo +62 -0
- videos/Morgan.2016.1080p.BluRay.x264-GECKOS[rarbg]/Subs/Morgan.2016.1080p.BluRay.x264-GECKOS.idx +0 -0
- videos/Sans.Soleil.1983.1080p.BluRay.x264-CiNEFiLE/Sans Soleil (1983) [1080p] [BluRay] [YTS.MX]/Sans.Soleil.1983.1080p.BluRay.x264.AAC-[YTS.MX].srt +4871 -0
- videos/Scarface.1983.REMASTERED.1080p.BluRay.x264.DTS-X.7.1-SWTYBLZ/Scarface (1983) [2160p] [4K] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt +16 -0
- videos/Spring.Summer.Fall.Winter.and.Spring.2003.1080p.BluRay.x264-PHOBOS[rarbg]/Subs/Spring.Summer.Fall.Winter.and.Spring.2003.1080p.BluRay.x264-PHOBOS.idx +162 -0
- videos/Star.Trek.II.The.Wrath.of.Khan.1982.REMASTERED.DC.1080p.BluRay.x264.DTS-HD.MA.7.1-FGT/Star Trek II The Wrath Of Khan (1982) [DC] [2160p] [4K] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt +16 -0
- videos/Star.Trek.Nemesis.2002.INTERNAL.1080p.BluRay.x264-NCC1701D/Star Trek Nemesis (2002) [1080p] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt +16 -0
- videos/Still.Alice.2014.1080p.BluRay.x264-SPARKS[rarbg]/Subs/still.alice.2014.1080p.bluray.x264-sparks.idx +0 -0
- videos/Supercondriaque.2014.FRENCH.1080p.BluRay.x264.DD5.1-HANDJOB/Supercondriaque (2014) [1080p] [BluRay] [5.1] [YTS.MX]/Supercondriaque.2014.1080p.BluRay.x264.AAC5.1-[YTS.MX].srt +6033 -0
- videos/The.Band.Wagon.1953.1080p.BluRay.X264-AMIABLE[rarbg]/Subs/The.Band.Wagon.1953.1080p.BluRay.X264-AMIABLE.idx +0 -0
- videos/The.Duel.2000.CHINESE.1080p.BluRay.x264.DD5.1-EDPH/The Duel (2000) [1080p] [BluRay] [5.1] [YTS.MX]/The.Duel.2000.1080p.BluRay.x264.AAC5.1-[YTS.MX].srt +0 -0
- videos/The.Mighty.1998.1080p.AMZN.WEBRip.DDP5.1.x264-NTb/As Good As It Gets (1997) [2160p] [4K] [WEB] [5.1] [YTS.MX]/YTSProxies.com.txt +18 -0
- videos/The.Pacifier.2005.1080p.BluRay.x264-REGRET[rarbg]/Subs/the.pacifier.2005.1080p.bluray.x264-regret.idx +0 -0
- videos/They.Live.1988.REMASTERED.1080p.BluRay.X264-AMIABLE[rarbg]/Subs/They.Live.1988.REMASTERED.1080p.BluRay.X264-AMIABLE.idx +2158 -0
- videos/Who.Killed.Cock.Robin.2017.CHINESE.1080p.BluRay.x264.DTS-WiKi/Who Killed Cock Robin (2017) [BluRay] [1080p] [YTS.LT]/Subs/English Forced.eng.srt +723 -0
- videos/Who.Killed.Cock.Robin.2017.CHINESE.1080p.BluRay.x264.DTS-WiKi/Who Killed Cock Robin (2017) [BluRay] [1080p] [YTS.LT]/Who.Killed.Cock.Robin..2017.1080p.BluRay.x264-[YTS.LT].srt +17 -0
videos/Apt.Pupil.1998.1080p.BluRay.x264.DTS-FGT/Apt Pupil (1998) [1080p] [BluRay] [YTS.MX]/YTSYifyUP... (TOR).txt
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YTS / YIFY Torrents Site
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| 2 |
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-------------------------
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| 3 |
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--> Visit us at https://YTS.MX
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| 5 |
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- If you have trouble accessing the domain above,
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| 7 |
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please always check:
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| 8 |
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--> ytsyifyupcmxftncrnqd4bmwxvhlibhdat74w6xnmn33njxts4eeaiqd.onion
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| 10 |
+
(accessible only using TOR Browser)
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| 11 |
+
--> https://YTSProxies.com
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| 12 |
+
--> https://YIFYStatus.com
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| 13 |
+
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| 14 |
+
for the updated list of official proxies and
|
| 15 |
+
domains of YTS / YIFY site.
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| 16 |
+
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| 17 |
+
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| 18 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
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videos/As.Good.as.It.Gets.1997.REMASTERED.1080p.BluRay.x264.TrueHD.7.1.Atmos-NOGRP/As Good As It Gets (1997) [2160p] [4K] [WEB] [5.1] [YTS.MX]/YTSProxies.com.txt
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| 1 |
+
YTS / YIFY Torrents Site
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| 2 |
+
-------------------------
|
| 3 |
+
|
| 4 |
+
--> Visit us at https://YTS.MX
|
| 5 |
+
|
| 6 |
+
- If you have trouble accessing the domain above,
|
| 7 |
+
please always check:
|
| 8 |
+
|
| 9 |
+
--> https://YTSProxies.com
|
| 10 |
+
--> https://YIFYStatus.com
|
| 11 |
+
--> ytsyifyupcmxftncrnqd4bmwxvhlibhdat74w6xnmn33njxts4eeaiqd.onion
|
| 12 |
+
(accessible only using TOR Browser)
|
| 13 |
+
|
| 14 |
+
for the updated list of official proxies and
|
| 15 |
+
domains of YTS / YIFY site.
|
| 16 |
+
|
| 17 |
+
|
| 18 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
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videos/Commando.1985.Directors.Cut.1080p.BluRay.x264-CREEPSHOW/Commando.1985.Directors.Cut.1080p.BluRay.x264-CREEPSHOW.nfo
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| 1 |
+
[URL=http://imagecurl.com/viewer.php?file=18917632115276712521.png][IMG]http://imagecurl.com/images/18917632115276712521_thumb.png[/IMG][/URL]
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| 2 |
+
[URL=http://imagecurl.com/viewer.php?file=29604590486182804384.png][IMG]http://imagecurl.com/images/29604590486182804384_thumb.png[/IMG][/URL]
|
| 3 |
+
[URL=http://imagecurl.com/viewer.php?file=41060819290683388660.png][IMG]http://imagecurl.com/images/41060819290683388660_thumb.png[/IMG][/URL]
|
| 4 |
+
[URL=http://imagecurl.com/viewer.php?file=11684974266266459115.png][IMG]http://imagecurl.com/images/11684974266266459115_thumb.png[/IMG][/URL]
|
| 5 |
+
[URL=http://imagecurl.com/viewer.php?file=61728088085038723077.png][IMG]http://imagecurl.com/images/61728088085038723077_thumb.png[/IMG][/URL]
|
| 6 |
+
[URL=http://imagecurl.com/viewer.php?file=99350374946489321099.png][IMG]http://imagecurl.com/images/99350374946489321099_thumb.png[/IMG][/URL]
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| 7 |
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| 8 |
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| 9 |
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[mediainfo]
|
| 11 |
+
Video
|
| 12 |
+
ID : 1
|
| 13 |
+
Format : AVC
|
| 14 |
+
Format/Info : Advanced Video Codec
|
| 15 |
+
Format profile : High@L4.1
|
| 16 |
+
Format settings, CABAC : Yes
|
| 17 |
+
Format settings, ReFrames : 4 frames
|
| 18 |
+
Codec ID : V_MPEG4/ISO/AVC
|
| 19 |
+
Duration : 1h 31mn
|
| 20 |
+
Bit rate : 13.8 Mbps
|
| 21 |
+
Width : 1 920 pixels
|
| 22 |
+
Height : 1 040 pixels
|
| 23 |
+
Display aspect ratio : 1.85:1
|
| 24 |
+
Frame rate mode : Constant
|
| 25 |
+
Frame rate : 23.976 (24000/1001) fps
|
| 26 |
+
Color space : YUV
|
| 27 |
+
Chroma subsampling : 4:2:0
|
| 28 |
+
Bit depth : 8 bits
|
| 29 |
+
Scan type : Progressive
|
| 30 |
+
Bits/(Pixel*Frame) : 0.289
|
| 31 |
+
Stream size : 8.86 GiB (90%)
|
| 32 |
+
Writing library : x264 core 146 r2538 121396c
|
| 33 |
+
Encoding settings : cabac=1 / ref=4 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=0 / chroma_qp_offset=-2 / threads=6 / lookahead_threads=1 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=1 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=23 / scenecut=40 / intra_refresh=0 / rc_lookahead=40 / rc=2pass / mbtree=1 / bitrate=13819 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / aq=1:1.00
|
| 34 |
+
Default : Yes
|
| 35 |
+
Forced : No
|
| 36 |
+
|
| 37 |
+
Audio
|
| 38 |
+
ID : 2
|
| 39 |
+
Format : DTS
|
| 40 |
+
Format/Info : Digital Theater Systems
|
| 41 |
+
Mode : 16
|
| 42 |
+
Format settings, Endianness : Big
|
| 43 |
+
Codec ID : A_DTS
|
| 44 |
+
Duration : 1h 31mn
|
| 45 |
+
Bit rate mode : Constant
|
| 46 |
+
Bit rate : 1 509 Kbps
|
| 47 |
+
Channel(s) : 6 channels
|
| 48 |
+
Channel positions : Front: L C R, Side: L R, LFE
|
| 49 |
+
Sampling rate : 48.0 KHz
|
| 50 |
+
Frame rate : 93.750 fps (512 spf)
|
| 51 |
+
Bit depth : 24 bits
|
| 52 |
+
Compression mode : Lossy
|
| 53 |
+
Stream size : 991 MiB (10%)
|
| 54 |
+
Language : English
|
| 55 |
+
Default : Yes
|
| 56 |
+
Forced : No
|
| 57 |
+
|
| 58 |
+
Menu
|
| 59 |
+
00:00:00.000 : en:00:00:00.000
|
| 60 |
+
00:02:13.967 : en:00:02:13.967
|
| 61 |
+
00:03:15.445 : en:00:03:15.445
|
| 62 |
+
00:05:32.791 : en:00:05:32.791
|
| 63 |
+
00:08:15.078 : en:00:08:15.078
|
| 64 |
+
00:11:25.351 : en:00:11:25.351
|
| 65 |
+
00:13:22.093 : en:00:13:22.093
|
| 66 |
+
00:16:34.702 : en:00:16:34.702
|
| 67 |
+
00:19:15.780 : en:00:19:15.780
|
| 68 |
+
00:21:53.562 : en:00:21:53.562
|
| 69 |
+
00:26:56.490 : en:00:26:56.490
|
| 70 |
+
00:29:01.406 : en:00:29:01.406
|
| 71 |
+
00:32:46.131 : en:00:32:46.131
|
| 72 |
+
00:35:50.982 : en:00:35:50.982
|
| 73 |
+
00:38:11.164 : en:00:38:11.164
|
| 74 |
+
00:45:26.307 : en:00:45:26.307
|
| 75 |
+
00:50:42.081 : en:00:50:42.081
|
| 76 |
+
00:55:12.976 : en:00:55:12.976
|
| 77 |
+
00:57:59.434 : en:00:57:59.434
|
| 78 |
+
01:00:41.596 : en:01:00:41.596
|
| 79 |
+
01:06:12.468 : en:01:06:12.468
|
| 80 |
+
01:08:25.643 : en:01:08:25.643
|
| 81 |
+
01:11:49.055 : en:01:11:49.055
|
| 82 |
+
01:14:26.128 : en:01:14:26.128
|
| 83 |
+
01:19:23.425 : en:01:19:23.425
|
| 84 |
+
01:21:23.378 : en:01:21:23.378
|
| 85 |
+
01:26:12.584 : en:01:26:12.584
|
| 86 |
+
01:28:47.072 : en:01:28:47.072
|
| 87 |
+
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
[/mediainfo]
|
videos/Demolition.2015.1080p.BluRay.x264-GECKOS[rarbg]/RARBG.com.txt
ADDED
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@@ -0,0 +1 @@
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| 1 |
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Torrent downloaded from RARBG.COM
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videos/Demolition.2015.1080p.BluRay.x264-GECKOS[rarbg]/demolition.2015.1080p.bluray.x264-geckos.nfo
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| 1 |
+
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| 2 |
+
�����
|
| 3 |
+
�����ᚚ�� �UY U ���������� ���
|
| 4 |
+
�� UU�� UUUU� �� ��UU�� �� ���� ��� � ��
|
| 5 |
+
��� �UU�� �U��_U� �UU���UU�_UUY �� �������� �UUUUY U
|
| 6 |
+
��� ��UU�� _UUY UU�� _UUY U��_UUY _U� �U����� �U� �� U
|
| 7 |
+
U �UU��� ������U�� � UUY UU� ��� _U� _U� �U������ ��
|
| 8 |
+
U UUUY _UU��UY �U��_U� �UU�����_U� UY���� ��UU�� U
|
| 9 |
+
U �UU�� �UUUY_UUY _UUYUUY _U�_UY _UYUUY U_UUY _UU� U
|
| 10 |
+
������ ���UUUU� UUU����UUU�_U�� �UUYUUY U�_U� �UYUU�� �UU�� �������
|
| 11 |
+
� ��UUUUUUUU U_UUU� � ��UUUUU�ᚚ��UUU��_UYUUU_UU����� UUUU���� � �UUUUU�� �
|
| 12 |
+
UU� U �� UUUY � �� ���� ��� U �UU
|
| 13 |
+
UU� _Y _Y �� _Y _Y �UU
|
| 14 |
+
_U� � �� ���������� � � �UY
|
| 15 |
+
_UU��� ����� ����UUU�� � ���UUY
|
| 16 |
+
�� �� ����UUUUUUUUUU� U ��
|
| 17 |
+
������ �� �UUU� UUUUUUUUUUY U
|
| 18 |
+
UU�� � _����UUUUUUUUUU� U Demolition.2015.1080p.BluRay.x264-GECKOS
|
| 19 |
+
UU�� UUUUUUUUUU����U� U Date : 07.07.2016
|
| 20 |
+
��� � _UUUUUUUU��UU�� �� URL : http://www.imdb.com/title/tt1172049
|
| 21 |
+
���UU� UUUUUUUUU���U�� U X264 bitrate : 9349Kbps
|
| 22 |
+
Y �UUUUUUUUUUU�� �� Resolution : 1920x824
|
| 23 |
+
� ���UUUUUUUUUUU��� ᚚ��� Size : 7837MB (8217910509 Bytes)
|
| 24 |
+
UUUUUUUUUUUUU�� �� ��� U Audio : DTS 1509Kbps 6ch
|
| 25 |
+
UUUUUUUUUUUUU� UU� UU�� � Language : English
|
| 26 |
+
UUUUUUUUUUUUU� ����U�� �� � Subtitles : English
|
| 27 |
+
UUUUUUUUUUUUU� UUUUUUUUUU� U Runtime : 1h 40mn
|
| 28 |
+
UUUUUUUUUUUU����UUUUUUU�� �� ��
|
| 29 |
+
UUUUUU� UUUUUUUUU�� � UU� �� ��������������������������������������� � �UU
|
| 30 |
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videos/Morgan.2016.1080p.BluRay.x264-GECKOS[rarbg]/Subs/Morgan.2016.1080p.BluRay.x264-GECKOS.idx
ADDED
|
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videos/Sans.Soleil.1983.1080p.BluRay.x264-CiNEFiLE/Sans Soleil (1983) [1080p] [BluRay] [YTS.MX]/Sans.Soleil.1983.1080p.BluRay.x264.AAC-[YTS.MX].srt
ADDED
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|
| 1 |
+
1
|
| 2 |
+
00:00:02,000 --> 00:00:07,000
|
| 3 |
+
Downloaded from
|
| 4 |
+
YTS.MX
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:08,000 --> 00:00:13,000
|
| 8 |
+
Official YIFY movies site:
|
| 9 |
+
YTS.MX
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:40,833 --> 00:00:42,959
|
| 13 |
+
The first image he told me about
|
| 14 |
+
|
| 15 |
+
4
|
| 16 |
+
00:00:43,085 --> 00:00:46,879
|
| 17 |
+
was of three children
|
| 18 |
+
on a road in Iceland in 1965.
|
| 19 |
+
|
| 20 |
+
5
|
| 21 |
+
00:00:54,304 --> 00:00:56,514
|
| 22 |
+
He said for him
|
| 23 |
+
it was the image of happiness,
|
| 24 |
+
|
| 25 |
+
6
|
| 26 |
+
00:00:56,682 --> 00:00:59,767
|
| 27 |
+
and that he'd often tried
|
| 28 |
+
to link it to other images,
|
| 29 |
+
|
| 30 |
+
7
|
| 31 |
+
00:00:59,893 --> 00:01:02,478
|
| 32 |
+
but it had never worked.
|
| 33 |
+
|
| 34 |
+
8
|
| 35 |
+
00:01:02,646 --> 00:01:06,566
|
| 36 |
+
He wrote me, "I'll have to put it
|
| 37 |
+
all alone at the beginning of a film,
|
| 38 |
+
|
| 39 |
+
9
|
| 40 |
+
00:01:06,734 --> 00:01:08,985
|
| 41 |
+
with a long piece of black leader.
|
| 42 |
+
|
| 43 |
+
10
|
| 44 |
+
00:01:09,153 --> 00:01:13,030
|
| 45 |
+
If they don't see happiness in the
|
| 46 |
+
picture, at least they'll see the black."
|
| 47 |
+
|
| 48 |
+
11
|
| 49 |
+
00:01:47,065 --> 00:01:50,610
|
| 50 |
+
He wrote, "I'm just back
|
| 51 |
+
from Ηokkaido, the northern island.
|
| 52 |
+
|
| 53 |
+
12
|
| 54 |
+
00:01:51,028 --> 00:01:55,198
|
| 55 |
+
Rich and hurried Japanese take the plane.
|
| 56 |
+
Others take the ferry.
|
| 57 |
+
|
| 58 |
+
13
|
| 59 |
+
00:01:55,908 --> 00:01:58,618
|
| 60 |
+
Waiting, immobility,
|
| 61 |
+
snatches of sleep -
|
| 62 |
+
|
| 63 |
+
14
|
| 64 |
+
00:01:58,786 --> 00:02:01,329
|
| 65 |
+
curiously it all makes me think
|
| 66 |
+
of some past or future war:
|
| 67 |
+
|
| 68 |
+
15
|
| 69 |
+
00:02:01,455 --> 00:02:04,040
|
| 70 |
+
night trains, air raids,
|
| 71 |
+
fall-out shelters.
|
| 72 |
+
|
| 73 |
+
16
|
| 74 |
+
00:02:04,208 --> 00:02:08,044
|
| 75 |
+
Small fragments of war
|
| 76 |
+
enshrined in everyday life."
|
| 77 |
+
|
| 78 |
+
17
|
| 79 |
+
00:02:28,398 --> 00:02:31,442
|
| 80 |
+
He liked the fragility
|
| 81 |
+
of those moments suspended in time,
|
| 82 |
+
|
| 83 |
+
18
|
| 84 |
+
00:02:31,568 --> 00:02:35,696
|
| 85 |
+
memories whose only function
|
| 86 |
+
was to leave behind memories.
|
| 87 |
+
|
| 88 |
+
19
|
| 89 |
+
00:02:35,864 --> 00:02:40,076
|
| 90 |
+
He wrote, "After circling the globe,
|
| 91 |
+
only banality still interests me.
|
| 92 |
+
|
| 93 |
+
20
|
| 94 |
+
00:02:40,202 --> 00:02:43,329
|
| 95 |
+
On this trip I've tracked it relentlessly,
|
| 96 |
+
like a bounty hunter.
|
| 97 |
+
|
| 98 |
+
21
|
| 99 |
+
00:02:46,166 --> 00:02:48,167
|
| 100 |
+
At dawn, we'll be in Tokyo."
|
| 101 |
+
|
| 102 |
+
22
|
| 103 |
+
00:03:13,694 --> 00:03:15,695
|
| 104 |
+
He used to write me from Africa.
|
| 105 |
+
|
| 106 |
+
23
|
| 107 |
+
00:03:15,863 --> 00:03:20,032
|
| 108 |
+
He contrasted African time
|
| 109 |
+
with European and Asian time.
|
| 110 |
+
|
| 111 |
+
24
|
| 112 |
+
00:03:20,200 --> 00:03:23,828
|
| 113 |
+
He said that in the 1 9th century,
|
| 114 |
+
mankind had come to terms with space,
|
| 115 |
+
|
| 116 |
+
25
|
| 117 |
+
00:03:23,996 --> 00:03:27,373
|
| 118 |
+
and that the great question of the 20th
|
| 119 |
+
would be different concepts of time.
|
| 120 |
+
|
| 121 |
+
26
|
| 122 |
+
00:03:27,541 --> 00:03:29,000
|
| 123 |
+
"By the way,
|
| 124 |
+
|
| 125 |
+
27
|
| 126 |
+
00:03:29,126 --> 00:03:32,587
|
| 127 |
+
did you know that
|
| 128 |
+
there are emus in the lle de France?"
|
| 129 |
+
|
| 130 |
+
28
|
| 131 |
+
00:03:41,847 --> 00:03:43,848
|
| 132 |
+
Ηe wrote that in the Bijago Islands,
|
| 133 |
+
|
| 134 |
+
29
|
| 135 |
+
00:03:44,016 --> 00:03:47,184
|
| 136 |
+
it's the young girls
|
| 137 |
+
who choose their fiancés.
|
| 138 |
+
|
| 139 |
+
30
|
| 140 |
+
00:03:47,561 --> 00:03:52,231
|
| 141 |
+
He wrote that in the suburbs of Tokyo,
|
| 142 |
+
there's a temple consecrated to cats.
|
| 143 |
+
|
| 144 |
+
31
|
| 145 |
+
00:04:12,586 --> 00:04:16,172
|
| 146 |
+
"I wish I could convey the simplicity,
|
| 147 |
+
the lack of affectation of this couple
|
| 148 |
+
|
| 149 |
+
32
|
| 150 |
+
00:04:16,298 --> 00:04:22,011
|
| 151 |
+
who'd come to place an inscribed
|
| 152 |
+
wooden slat in the cat cemetery
|
| 153 |
+
|
| 154 |
+
33
|
| 155 |
+
00:04:22,638 --> 00:04:25,640
|
| 156 |
+
so that their cat Tora
|
| 157 |
+
would be protected.
|
| 158 |
+
|
| 159 |
+
34
|
| 160 |
+
00:04:25,807 --> 00:04:28,768
|
| 161 |
+
No, she wasn't dead.
|
| 162 |
+
She'd just run away.
|
| 163 |
+
|
| 164 |
+
35
|
| 165 |
+
00:04:28,936 --> 00:04:32,396
|
| 166 |
+
But on the day of her death,
|
| 167 |
+
no one would know how to pray for her,
|
| 168 |
+
|
| 169 |
+
36
|
| 170 |
+
00:04:32,564 --> 00:04:36,692
|
| 171 |
+
how to intercede with death so that
|
| 172 |
+
he would call her by her right name.
|
| 173 |
+
|
| 174 |
+
37
|
| 175 |
+
00:04:37,486 --> 00:04:40,321
|
| 176 |
+
So they had to come in the rain
|
| 177 |
+
|
| 178 |
+
38
|
| 179 |
+
00:04:40,447 --> 00:04:45,952
|
| 180 |
+
to perform the rite that would repair
|
| 181 |
+
the web of time where it had been broken."
|
| 182 |
+
|
| 183 |
+
39
|
| 184 |
+
00:04:57,798 --> 00:04:59,799
|
| 185 |
+
He wrote...
|
| 186 |
+
|
| 187 |
+
40
|
| 188 |
+
00:04:59,967 --> 00:05:03,302
|
| 189 |
+
"I'll have spent my life trying to
|
| 190 |
+
understand the function of remembering,
|
| 191 |
+
|
| 192 |
+
41
|
| 193 |
+
00:05:03,470 --> 00:05:06,889
|
| 194 |
+
which is not the opposite of forgetting,
|
| 195 |
+
but rather its inner lining.
|
| 196 |
+
|
| 197 |
+
42
|
| 198 |
+
00:05:07,015 --> 00:05:10,977
|
| 199 |
+
We don't remember. We rewrite memory
|
| 200 |
+
much as history is rewritten.
|
| 201 |
+
|
| 202 |
+
43
|
| 203 |
+
00:05:12,270 --> 00:05:15,147
|
| 204 |
+
How can one remember thirst?"
|
| 205 |
+
|
| 206 |
+
44
|
| 207 |
+
00:05:30,831 --> 00:05:33,708
|
| 208 |
+
He didn't like
|
| 209 |
+
to dwell on poverty,
|
| 210 |
+
|
| 211 |
+
45
|
| 212 |
+
00:05:33,875 --> 00:05:35,960
|
| 213 |
+
but in everything
|
| 214 |
+
that he wanted to show,
|
| 215 |
+
|
| 216 |
+
46
|
| 217 |
+
00:05:36,086 --> 00:05:39,005
|
| 218 |
+
there were also
|
| 219 |
+
the failures of the Japanese model.
|
| 220 |
+
|
| 221 |
+
47
|
| 222 |
+
00:05:39,172 --> 00:05:43,634
|
| 223 |
+
"A world full of bums, of lumpens,
|
| 224 |
+
of outcasts, of Koreans.
|
| 225 |
+
|
| 226 |
+
48
|
| 227 |
+
00:05:44,678 --> 00:05:49,306
|
| 228 |
+
Too broke to afford drugs,
|
| 229 |
+
they get drunk on beer or fermented milk.
|
| 230 |
+
|
| 231 |
+
49
|
| 232 |
+
00:05:49,933 --> 00:05:53,477
|
| 233 |
+
This morning in Namidabashi,
|
| 234 |
+
20 minutes from the glories of downtown,
|
| 235 |
+
|
| 236 |
+
50
|
| 237 |
+
00:05:53,603 --> 00:05:58,274
|
| 238 |
+
a character took his revenge on society
|
| 239 |
+
by directing traffic at this intersection.
|
| 240 |
+
|
| 241 |
+
51
|
| 242 |
+
00:05:58,525 --> 00:06:01,110
|
| 243 |
+
Luxury for them would be
|
| 244 |
+
a large bottle of sake
|
| 245 |
+
|
| 246 |
+
52
|
| 247 |
+
00:06:01,278 --> 00:06:04,947
|
| 248 |
+
of the type poured over tombs
|
| 249 |
+
on the day of the dead.
|
| 250 |
+
|
| 251 |
+
53
|
| 252 |
+
00:06:33,518 --> 00:06:36,562
|
| 253 |
+
I bought a round
|
| 254 |
+
in a bar in Namidabashi,
|
| 255 |
+
|
| 256 |
+
54
|
| 257 |
+
00:06:36,730 --> 00:06:39,440
|
| 258 |
+
a place where people stare
|
| 259 |
+
at each other with equality.
|
| 260 |
+
|
| 261 |
+
55
|
| 262 |
+
00:06:39,858 --> 00:06:44,570
|
| 263 |
+
The threshold below which every man
|
| 264 |
+
is as good as any other, and knows it."
|
| 265 |
+
|
| 266 |
+
56
|
| 267 |
+
00:06:58,293 --> 00:07:02,171
|
| 268 |
+
Ηe told me about the jetty on Fogo
|
| 269 |
+
in the Cape Verde Islands.
|
| 270 |
+
|
| 271 |
+
57
|
| 272 |
+
00:07:03,340 --> 00:07:06,884
|
| 273 |
+
"How long have they been there
|
| 274 |
+
waiting for the boat?
|
| 275 |
+
|
| 276 |
+
58
|
| 277 |
+
00:07:07,052 --> 00:07:09,428
|
| 278 |
+
Patient as pebbles,
|
| 279 |
+
but ready to pounce.
|
| 280 |
+
|
| 281 |
+
59
|
| 282 |
+
00:07:10,138 --> 00:07:13,432
|
| 283 |
+
They're a people of wanderers,
|
| 284 |
+
of navigators, of world travelers.
|
| 285 |
+
|
| 286 |
+
60
|
| 287 |
+
00:07:14,726 --> 00:07:18,229
|
| 288 |
+
They arose from crossbreeding
|
| 289 |
+
on these rocks that the Portuguese used
|
| 290 |
+
|
| 291 |
+
61
|
| 292 |
+
00:07:18,355 --> 00:07:20,564
|
| 293 |
+
as a marshaling yard
|
| 294 |
+
for their colonies.
|
| 295 |
+
|
| 296 |
+
62
|
| 297 |
+
00:07:20,690 --> 00:07:24,026
|
| 298 |
+
A people of nothing, a people
|
| 299 |
+
of emptiness, a vertical people.
|
| 300 |
+
|
| 301 |
+
63
|
| 302 |
+
00:07:24,945 --> 00:07:26,654
|
| 303 |
+
Frankly,
|
| 304 |
+
|
| 305 |
+
64
|
| 306 |
+
00:07:26,780 --> 00:07:28,572
|
| 307 |
+
isn't it stupid to tell people,
|
| 308 |
+
|
| 309 |
+
65
|
| 310 |
+
00:07:28,698 --> 00:07:32,451
|
| 311 |
+
like they teach in film school,
|
| 312 |
+
not to look at the camera?"
|
| 313 |
+
|
| 314 |
+
66
|
| 315 |
+
00:07:45,549 --> 00:07:47,424
|
| 316 |
+
He wrote...
|
| 317 |
+
|
| 318 |
+
67
|
| 319 |
+
00:07:48,468 --> 00:07:51,637
|
| 320 |
+
"The Sahel is not only
|
| 321 |
+
what is shown of it when it is too late.
|
| 322 |
+
|
| 323 |
+
68
|
| 324 |
+
00:07:51,805 --> 00:07:56,100
|
| 325 |
+
Drought seeps into this land
|
| 326 |
+
like water into a leaking boat.
|
| 327 |
+
|
| 328 |
+
69
|
| 329 |
+
00:07:56,434 --> 00:07:59,061
|
| 330 |
+
The animals resurrected
|
| 331 |
+
for carnival in Bissau
|
| 332 |
+
|
| 333 |
+
70
|
| 334 |
+
00:07:59,187 --> 00:08:01,021
|
| 335 |
+
will be petrified again
|
| 336 |
+
|
| 337 |
+
71
|
| 338 |
+
00:08:01,148 --> 00:08:04,275
|
| 339 |
+
as soon as a new attack has
|
| 340 |
+
changed the savannah into a desert.
|
| 341 |
+
|
| 342 |
+
72
|
| 343 |
+
00:08:04,442 --> 00:08:08,612
|
| 344 |
+
It's a state of survival that rich countries
|
| 345 |
+
have forgotten, with one exception.
|
| 346 |
+
|
| 347 |
+
73
|
| 348 |
+
00:08:08,780 --> 00:08:11,031
|
| 349 |
+
You guessed it: Japan.
|
| 350 |
+
|
| 351 |
+
74
|
| 352 |
+
00:08:13,076 --> 00:08:15,995
|
| 353 |
+
My constant comings and goings
|
| 354 |
+
are not a search for contrasts.
|
| 355 |
+
|
| 356 |
+
75
|
| 357 |
+
00:08:16,163 --> 00:08:18,664
|
| 358 |
+
They're a journey
|
| 359 |
+
to the extreme poles of survival."
|
| 360 |
+
|
| 361 |
+
76
|
| 362 |
+
00:09:47,921 --> 00:09:50,047
|
| 363 |
+
He spoke to me of Sei Shonagon,
|
| 364 |
+
|
| 365 |
+
77
|
| 366 |
+
00:09:50,215 --> 00:09:53,717
|
| 367 |
+
a lady-in-waiting to Princess Sadako
|
| 368 |
+
in the 11th century,
|
| 369 |
+
|
| 370 |
+
78
|
| 371 |
+
00:09:53,843 --> 00:09:56,011
|
| 372 |
+
during the Ηeian period.
|
| 373 |
+
|
| 374 |
+
79
|
| 375 |
+
00:09:58,390 --> 00:10:00,599
|
| 376 |
+
"Do we ever know
|
| 377 |
+
where history is really made?
|
| 378 |
+
|
| 379 |
+
80
|
| 380 |
+
00:10:00,725 --> 00:10:04,436
|
| 381 |
+
Rulers used complicated
|
| 382 |
+
strategies to fight one another,
|
| 383 |
+
|
| 384 |
+
81
|
| 385 |
+
00:10:04,562 --> 00:10:07,940
|
| 386 |
+
while real power lay
|
| 387 |
+
with a family of hereditary regents.
|
| 388 |
+
|
| 389 |
+
82
|
| 390 |
+
00:10:08,066 --> 00:10:12,111
|
| 391 |
+
The emperor's court was but a place
|
| 392 |
+
of intrigues and intellectual games.
|
| 393 |
+
|
| 394 |
+
83
|
| 395 |
+
00:10:12,237 --> 00:10:16,490
|
| 396 |
+
But by learning to draw
|
| 397 |
+
a sort of melancholy comfort
|
| 398 |
+
|
| 399 |
+
84
|
| 400 |
+
00:10:16,616 --> 00:10:20,286
|
| 401 |
+
from the contemplation
|
| 402 |
+
of the tiniest things,
|
| 403 |
+
|
| 404 |
+
85
|
| 405 |
+
00:10:20,453 --> 00:10:24,206
|
| 406 |
+
this small group of idlers
|
| 407 |
+
left a mark on Japanese sensibility
|
| 408 |
+
|
| 409 |
+
86
|
| 410 |
+
00:10:24,332 --> 00:10:27,876
|
| 411 |
+
much deeper than the mediocre
|
| 412 |
+
thundering of the politicians.
|
| 413 |
+
|
| 414 |
+
87
|
| 415 |
+
00:10:28,003 --> 00:10:30,546
|
| 416 |
+
Shonagon had a passion for lists:
|
| 417 |
+
|
| 418 |
+
88
|
| 419 |
+
00:10:30,714 --> 00:10:33,090
|
| 420 |
+
a list of 'elegant things,'
|
| 421 |
+
|
| 422 |
+
89
|
| 423 |
+
00:10:33,216 --> 00:10:35,217
|
| 424 |
+
of 'distressing things,'
|
| 425 |
+
|
| 426 |
+
90
|
| 427 |
+
00:10:35,385 --> 00:10:38,637
|
| 428 |
+
or even of
|
| 429 |
+
'things not worth doing.'
|
| 430 |
+
|
| 431 |
+
91
|
| 432 |
+
00:10:38,805 --> 00:10:42,391
|
| 433 |
+
One day she drew up a list
|
| 434 |
+
of 'things that quicken the heart.'
|
| 435 |
+
|
| 436 |
+
92
|
| 437 |
+
00:10:42,517 --> 00:10:45,019
|
| 438 |
+
Not a bad criterion,
|
| 439 |
+
I realize when I'm filming.
|
| 440 |
+
|
| 441 |
+
93
|
| 442 |
+
00:10:45,145 --> 00:10:46,812
|
| 443 |
+
I bow to the economic miracle,
|
| 444 |
+
|
| 445 |
+
94
|
| 446 |
+
00:10:46,980 --> 00:10:49,481
|
| 447 |
+
but I really want to show
|
| 448 |
+
the neighborhood celebrations."
|
| 449 |
+
|
| 450 |
+
95
|
| 451 |
+
00:14:26,157 --> 00:14:28,408
|
| 452 |
+
He wrote...
|
| 453 |
+
|
| 454 |
+
96
|
| 455 |
+
00:14:28,535 --> 00:14:30,369
|
| 456 |
+
"Coming back
|
| 457 |
+
along the Chiba coast,
|
| 458 |
+
|
| 459 |
+
97
|
| 460 |
+
00:14:30,495 --> 00:14:35,290
|
| 461 |
+
I thought of Shonagon's list of signs
|
| 462 |
+
one need only name to quicken the heart.
|
| 463 |
+
|
| 464 |
+
98
|
| 465 |
+
00:14:35,458 --> 00:14:37,125
|
| 466 |
+
Only name.
|
| 467 |
+
|
| 468 |
+
99
|
| 469 |
+
00:14:37,293 --> 00:14:40,337
|
| 470 |
+
To us, a sun is not quite a sun
|
| 471 |
+
unless it is 'radiant,'
|
| 472 |
+
|
| 473 |
+
100
|
| 474 |
+
00:14:40,505 --> 00:14:42,422
|
| 475 |
+
a spring not quite a spring
|
| 476 |
+
unless it's 'crystal-clear.'
|
| 477 |
+
|
| 478 |
+
101
|
| 479 |
+
00:14:42,549 --> 00:14:44,550
|
| 480 |
+
Ηere, interjecting adjectives
|
| 481 |
+
|
| 482 |
+
102
|
| 483 |
+
00:14:44,717 --> 00:14:47,844
|
| 484 |
+
would be as rude
|
| 485 |
+
as leaving price tags on purchases.
|
| 486 |
+
|
| 487 |
+
103
|
| 488 |
+
00:14:49,055 --> 00:14:51,598
|
| 489 |
+
Japanese poetry never modifies.
|
| 490 |
+
|
| 491 |
+
104
|
| 492 |
+
00:14:51,724 --> 00:14:53,934
|
| 493 |
+
There is a way
|
| 494 |
+
of saying boat, rock, mist,
|
| 495 |
+
|
| 496 |
+
105
|
| 497 |
+
00:14:54,102 --> 00:14:56,228
|
| 498 |
+
frog, crow, hail,
|
| 499 |
+
|
| 500 |
+
106
|
| 501 |
+
00:14:56,354 --> 00:15:00,065
|
| 502 |
+
heron, chrysanthemum
|
| 503 |
+
that includes them all.
|
| 504 |
+
|
| 505 |
+
107
|
| 506 |
+
00:15:00,233 --> 00:15:03,235
|
| 507 |
+
Newspapers recently chronicled
|
| 508 |
+
the story of a man from Nagoya.
|
| 509 |
+
|
| 510 |
+
108
|
| 511 |
+
00:15:03,861 --> 00:15:05,904
|
| 512 |
+
The woman he loved died last year,
|
| 513 |
+
|
| 514 |
+
109
|
| 515 |
+
00:15:06,072 --> 00:15:09,241
|
| 516 |
+
and he'd drowned himself in work,
|
| 517 |
+
Japanese-style, like a madman.
|
| 518 |
+
|
| 519 |
+
110
|
| 520 |
+
00:15:09,367 --> 00:15:13,328
|
| 521 |
+
It seems he even made
|
| 522 |
+
an important discovery in electronics.
|
| 523 |
+
|
| 524 |
+
111
|
| 525 |
+
00:15:13,496 --> 00:15:17,165
|
| 526 |
+
And then, in the month of May,
|
| 527 |
+
he killed himself.
|
| 528 |
+
|
| 529 |
+
112
|
| 530 |
+
00:15:17,292 --> 00:15:20,961
|
| 531 |
+
They say he couldn't bear
|
| 532 |
+
to hear the word 'spring."'
|
| 533 |
+
|
| 534 |
+
113
|
| 535 |
+
00:15:58,124 --> 00:16:00,959
|
| 536 |
+
He described his reunion with Tokyo.
|
| 537 |
+
|
| 538 |
+
114
|
| 539 |
+
00:16:02,045 --> 00:16:04,338
|
| 540 |
+
"Like a cat home from vacation
|
| 541 |
+
|
| 542 |
+
115
|
| 543 |
+
00:16:04,464 --> 00:16:06,965
|
| 544 |
+
who immediately starts
|
| 545 |
+
to inspect familiar places."
|
| 546 |
+
|
| 547 |
+
116
|
| 548 |
+
00:16:07,467 --> 00:16:09,760
|
| 549 |
+
He ran to see
|
| 550 |
+
if all was where it should be:
|
| 551 |
+
|
| 552 |
+
117
|
| 553 |
+
00:16:09,927 --> 00:16:13,096
|
| 554 |
+
the Ginza owl,
|
| 555 |
+
the Shimbashi locomotive,
|
| 556 |
+
|
| 557 |
+
118
|
| 558 |
+
00:16:13,222 --> 00:16:15,932
|
| 559 |
+
the Temple of the Fox
|
| 560 |
+
above the Mitsukoshi department store,
|
| 561 |
+
|
| 562 |
+
119
|
| 563 |
+
00:16:16,100 --> 00:16:18,935
|
| 564 |
+
which he found invaded
|
| 565 |
+
by little girls and rock singers.
|
| 566 |
+
|
| 567 |
+
120
|
| 568 |
+
00:16:19,103 --> 00:16:22,648
|
| 569 |
+
He learned it was now
|
| 570 |
+
little girls who made and unmade stars,
|
| 571 |
+
|
| 572 |
+
121
|
| 573 |
+
00:16:22,774 --> 00:16:25,359
|
| 574 |
+
and that producers
|
| 575 |
+
trembled before them.
|
| 576 |
+
|
| 577 |
+
122
|
| 578 |
+
00:16:25,485 --> 00:16:29,112
|
| 579 |
+
He was told that a disfigured woman
|
| 580 |
+
took off her mask in front of passers-by
|
| 581 |
+
|
| 582 |
+
123
|
| 583 |
+
00:16:29,238 --> 00:16:32,282
|
| 584 |
+
and scratched them
|
| 585 |
+
if they didn't find her beautiful.
|
| 586 |
+
|
| 587 |
+
124
|
| 588 |
+
00:16:32,408 --> 00:16:34,034
|
| 589 |
+
Everything interested him.
|
| 590 |
+
|
| 591 |
+
125
|
| 592 |
+
00:16:34,160 --> 00:16:38,246
|
| 593 |
+
He who didn't give a damn
|
| 594 |
+
about soccer stars or racetrack winners
|
| 595 |
+
|
| 596 |
+
126
|
| 597 |
+
00:16:38,373 --> 00:16:43,043
|
| 598 |
+
asked feverishly about Chiyonofuji's
|
| 599 |
+
ranking in the last sumo tournament.
|
| 600 |
+
|
| 601 |
+
127
|
| 602 |
+
00:16:43,169 --> 00:16:46,505
|
| 603 |
+
He asked for news
|
| 604 |
+
of the imperial family, the crown prince,
|
| 605 |
+
|
| 606 |
+
128
|
| 607 |
+
00:16:46,673 --> 00:16:50,342
|
| 608 |
+
or Tokyo's oldest mobster,
|
| 609 |
+
who appears regularly on television
|
| 610 |
+
|
| 611 |
+
129
|
| 612 |
+
00:16:50,468 --> 00:16:52,511
|
| 613 |
+
to teach goodness to children.
|
| 614 |
+
|
| 615 |
+
130
|
| 616 |
+
00:16:52,637 --> 00:16:54,888
|
| 617 |
+
The simple joys he'd never known -
|
| 618 |
+
|
| 619 |
+
131
|
| 620 |
+
00:16:55,056 --> 00:16:58,183
|
| 621 |
+
returning to one's native land
|
| 622 |
+
and family home -
|
| 623 |
+
|
| 624 |
+
132
|
| 625 |
+
00:16:58,309 --> 00:17:01,728
|
| 626 |
+
he found among the city's
|
| 627 |
+
12 million anonymous residents.
|
| 628 |
+
|
| 629 |
+
133
|
| 630 |
+
00:18:10,757 --> 00:18:12,674
|
| 631 |
+
He wrote...
|
| 632 |
+
|
| 633 |
+
134
|
| 634 |
+
00:18:12,800 --> 00:18:16,094
|
| 635 |
+
"Tokyo is crisscrossed by trains,
|
| 636 |
+
knit together by electric wires.
|
| 637 |
+
|
| 638 |
+
135
|
| 639 |
+
00:18:16,262 --> 00:18:18,430
|
| 640 |
+
She shows her veins.
|
| 641 |
+
|
| 642 |
+
136
|
| 643 |
+
00:18:18,556 --> 00:18:21,099
|
| 644 |
+
They say TV is making
|
| 645 |
+
her people illiterate,
|
| 646 |
+
|
| 647 |
+
137
|
| 648 |
+
00:18:21,225 --> 00:18:24,060
|
| 649 |
+
but I've never seen
|
| 650 |
+
so many people reading in the streets.
|
| 651 |
+
|
| 652 |
+
138
|
| 653 |
+
00:18:24,187 --> 00:18:25,979
|
| 654 |
+
Perhaps they only read
|
| 655 |
+
in the street,
|
| 656 |
+
|
| 657 |
+
139
|
| 658 |
+
00:18:26,105 --> 00:18:29,316
|
| 659 |
+
or perhaps they're just pretending
|
| 660 |
+
to read, these yellow men.
|
| 661 |
+
|
| 662 |
+
140
|
| 663 |
+
00:18:29,442 --> 00:18:33,320
|
| 664 |
+
I make my appointments at Kinokuniya,
|
| 665 |
+
the big bookshop in Shinjuku.
|
| 666 |
+
|
| 667 |
+
141
|
| 668 |
+
00:18:33,446 --> 00:18:35,781
|
| 669 |
+
The graphic genius
|
| 670 |
+
that allowed the Japanese
|
| 671 |
+
|
| 672 |
+
142
|
| 673 |
+
00:18:35,948 --> 00:18:38,074
|
| 674 |
+
to invent CinemaScope
|
| 675 |
+
ten centuries before the movies
|
| 676 |
+
|
| 677 |
+
143
|
| 678 |
+
00:18:38,201 --> 00:18:41,036
|
| 679 |
+
compensates a bit for the sad fate
|
| 680 |
+
of the comic-strip heroines,
|
| 681 |
+
|
| 682 |
+
144
|
| 683 |
+
00:18:41,204 --> 00:18:44,706
|
| 684 |
+
victims of heartless writers
|
| 685 |
+
and a castrating censorship.
|
| 686 |
+
|
| 687 |
+
145
|
| 688 |
+
00:18:44,874 --> 00:18:47,918
|
| 689 |
+
Sometimes they escape,
|
| 690 |
+
and you find them again on the walls.
|
| 691 |
+
|
| 692 |
+
146
|
| 693 |
+
00:18:48,044 --> 00:18:50,670
|
| 694 |
+
The entire city is a comic strip.
|
| 695 |
+
|
| 696 |
+
147
|
| 697 |
+
00:18:59,806 --> 00:19:02,140
|
| 698 |
+
It's planet Mongo.
|
| 699 |
+
|
| 700 |
+
148
|
| 701 |
+
00:19:02,809 --> 00:19:05,018
|
| 702 |
+
One can't miss the statuary,
|
| 703 |
+
|
| 704 |
+
149
|
| 705 |
+
00:19:05,144 --> 00:19:07,437
|
| 706 |
+
from plasticized baroque
|
| 707 |
+
to Stalin-sensual,
|
| 708 |
+
|
| 709 |
+
150
|
| 710 |
+
00:19:07,563 --> 00:19:11,149
|
| 711 |
+
and the giant faces
|
| 712 |
+
with their imposing stares.
|
| 713 |
+
|
| 714 |
+
151
|
| 715 |
+
00:19:11,275 --> 00:19:15,779
|
| 716 |
+
Pictures bigger than people,
|
| 717 |
+
voyeurizing the voyeurs.
|
| 718 |
+
|
| 719 |
+
152
|
| 720 |
+
00:19:24,455 --> 00:19:28,500
|
| 721 |
+
At nightfall, the megalopolis
|
| 722 |
+
breaks down into villages.
|
| 723 |
+
|
| 724 |
+
153
|
| 725 |
+
00:19:28,626 --> 00:19:32,796
|
| 726 |
+
With its country cemeteries in the shadow
|
| 727 |
+
of banks, its stations and temples,
|
| 728 |
+
|
| 729 |
+
154
|
| 730 |
+
00:19:32,922 --> 00:19:36,716
|
| 731 |
+
each district of Tokyo once again
|
| 732 |
+
becomes a tidy, ingenuous little town,
|
| 733 |
+
|
| 734 |
+
155
|
| 735 |
+
00:19:36,843 --> 00:19:39,803
|
| 736 |
+
nestled among the skyscrapers."
|
| 737 |
+
|
| 738 |
+
156
|
| 739 |
+
00:19:52,358 --> 00:19:55,193
|
| 740 |
+
The small bar in Shinjuku
|
| 741 |
+
reminded him of that lndian flute
|
| 742 |
+
|
| 743 |
+
157
|
| 744 |
+
00:19:55,319 --> 00:19:58,113
|
| 745 |
+
whose sound can only be heard
|
| 746 |
+
by the person playing it.
|
| 747 |
+
|
| 748 |
+
158
|
| 749 |
+
00:19:58,239 --> 00:20:01,533
|
| 750 |
+
Ηe might have cried out - as in
|
| 751 |
+
a Godard film or a Shakespeare play -
|
| 752 |
+
|
| 753 |
+
159
|
| 754 |
+
00:20:01,659 --> 00:20:04,369
|
| 755 |
+
"Where is that music coming from?"
|
| 756 |
+
|
| 757 |
+
160
|
| 758 |
+
00:20:05,538 --> 00:20:09,416
|
| 759 |
+
Later he told me he'd eaten
|
| 760 |
+
at the restaurant in Nishi Nippori
|
| 761 |
+
|
| 762 |
+
161
|
| 763 |
+
00:20:09,542 --> 00:20:13,169
|
| 764 |
+
where Mr. Yamada practices
|
| 765 |
+
the difficult art of "action cooking."
|
| 766 |
+
|
| 767 |
+
162
|
| 768 |
+
00:20:19,051 --> 00:20:21,720
|
| 769 |
+
He said that by carefully watching
|
| 770 |
+
Mr. Yamada's gestures
|
| 771 |
+
|
| 772 |
+
163
|
| 773 |
+
00:20:21,888 --> 00:20:24,097
|
| 774 |
+
and his way
|
| 775 |
+
of mixing the ingredients,
|
| 776 |
+
|
| 777 |
+
164
|
| 778 |
+
00:20:24,265 --> 00:20:26,933
|
| 779 |
+
one could meditate profitably
|
| 780 |
+
on fundamental concepts
|
| 781 |
+
|
| 782 |
+
165
|
| 783 |
+
00:20:27,101 --> 00:20:29,477
|
| 784 |
+
common to painting,
|
| 785 |
+
philosophy and martial arts.
|
| 786 |
+
|
| 787 |
+
166
|
| 788 |
+
00:20:30,104 --> 00:20:32,230
|
| 789 |
+
He claimed
|
| 790 |
+
that Mr. Yamada possessed,
|
| 791 |
+
|
| 792 |
+
167
|
| 793 |
+
00:20:32,398 --> 00:20:36,192
|
| 794 |
+
in his impressively humble way,
|
| 795 |
+
the essence of style...
|
| 796 |
+
|
| 797 |
+
168
|
| 798 |
+
00:20:37,361 --> 00:20:39,613
|
| 799 |
+
and that it therefore fell to him
|
| 800 |
+
|
| 801 |
+
169
|
| 802 |
+
00:20:39,739 --> 00:20:41,740
|
| 803 |
+
to use his invisible brush
|
| 804 |
+
|
| 805 |
+
170
|
| 806 |
+
00:20:41,866 --> 00:20:45,410
|
| 807 |
+
to write upon this first day in Tokyo
|
| 808 |
+
the words "The End."
|
| 809 |
+
|
| 810 |
+
171
|
| 811 |
+
00:20:51,500 --> 00:20:54,502
|
| 812 |
+
"I spent the day in front of my TV,
|
| 813 |
+
that box of memories.
|
| 814 |
+
|
| 815 |
+
172
|
| 816 |
+
00:20:54,629 --> 00:20:57,130
|
| 817 |
+
I was in Nara
|
| 818 |
+
with the sacred deer.
|
| 819 |
+
|
| 820 |
+
173
|
| 821 |
+
00:20:57,548 --> 00:20:59,090
|
| 822 |
+
I was taking a picture,
|
| 823 |
+
|
| 824 |
+
174
|
| 825 |
+
00:20:59,258 --> 00:21:01,092
|
| 826 |
+
unaware that in the 1 5th century
|
| 827 |
+
Basho had written...
|
| 828 |
+
|
| 829 |
+
175
|
| 830 |
+
00:21:02,428 --> 00:21:06,556
|
| 831 |
+
'The willow sees
|
| 832 |
+
the heron's image upside down.'
|
| 833 |
+
|
| 834 |
+
176
|
| 835 |
+
00:21:16,859 --> 00:21:19,444
|
| 836 |
+
Commercials
|
| 837 |
+
become a kind of haiku
|
| 838 |
+
|
| 839 |
+
177
|
| 840 |
+
00:21:19,570 --> 00:21:21,947
|
| 841 |
+
to the eye used
|
| 842 |
+
to Western atrocities in the genre.
|
| 843 |
+
|
| 844 |
+
178
|
| 845 |
+
00:21:22,448 --> 00:21:25,283
|
| 846 |
+
Not understanding obviously
|
| 847 |
+
adds to the pleasure.
|
| 848 |
+
|
| 849 |
+
179
|
| 850 |
+
00:21:25,451 --> 00:21:27,619
|
| 851 |
+
For one slightly
|
| 852 |
+
hallucinatory moment,
|
| 853 |
+
|
| 854 |
+
180
|
| 855 |
+
00:21:27,745 --> 00:21:30,622
|
| 856 |
+
I had the impression
|
| 857 |
+
that I understood Japanese...
|
| 858 |
+
|
| 859 |
+
181
|
| 860 |
+
00:21:31,374 --> 00:21:34,793
|
| 861 |
+
but it was a cultural program
|
| 862 |
+
about Gérard de Nerval."
|
| 863 |
+
|
| 864 |
+
182
|
| 865 |
+
00:21:34,919 --> 00:21:38,380
|
| 866 |
+
Memories of a visit to the tomb
|
| 867 |
+
of Jean-Jacques Rousseau,
|
| 868 |
+
|
| 869 |
+
183
|
| 870 |
+
00:21:38,506 --> 00:21:40,882
|
| 871 |
+
a simple and moving
|
| 872 |
+
monument in stone
|
| 873 |
+
|
| 874 |
+
184
|
| 875 |
+
00:21:41,008 --> 00:21:43,635
|
| 876 |
+
guarded by tall trees.
|
| 877 |
+
|
| 878 |
+
185
|
| 879 |
+
00:22:03,990 --> 00:22:06,157
|
| 880 |
+
"8:40. Cambodia.
|
| 881 |
+
|
| 882 |
+
186
|
| 883 |
+
00:22:06,325 --> 00:22:07,784
|
| 884 |
+
From Rousseau
|
| 885 |
+
to the Khmer Rouge -
|
| 886 |
+
|
| 887 |
+
187
|
| 888 |
+
00:22:07,952 --> 00:22:10,286
|
| 889 |
+
coincidence, or a sense of history?
|
| 890 |
+
|
| 891 |
+
188
|
| 892 |
+
00:22:10,663 --> 00:22:12,414
|
| 893 |
+
In Apocalypse Now,
|
| 894 |
+
|
| 895 |
+
189
|
| 896 |
+
00:22:12,581 --> 00:22:14,958
|
| 897 |
+
Brando uttered a few definitive -
|
| 898 |
+
and incommunicable -
|
| 899 |
+
|
| 900 |
+
190
|
| 901 |
+
00:22:15,126 --> 00:22:17,544
|
| 902 |
+
sentences on the subject:
|
| 903 |
+
|
| 904 |
+
191
|
| 905 |
+
00:22:17,670 --> 00:22:19,963
|
| 906 |
+
'Horror has a face and a name.
|
| 907 |
+
|
| 908 |
+
192
|
| 909 |
+
00:22:20,089 --> 00:22:22,215
|
| 910 |
+
You must make a friend of horror.'
|
| 911 |
+
|
| 912 |
+
193
|
| 913 |
+
00:22:29,265 --> 00:22:31,516
|
| 914 |
+
To cast out the horror
|
| 915 |
+
that has a name and a face,
|
| 916 |
+
|
| 917 |
+
194
|
| 918 |
+
00:22:31,684 --> 00:22:34,310
|
| 919 |
+
you must give it another name
|
| 920 |
+
and another face.
|
| 921 |
+
|
| 922 |
+
195
|
| 923 |
+
00:22:34,478 --> 00:22:38,398
|
| 924 |
+
Japanese horror movies have
|
| 925 |
+
the sly beauty of certain corpses.
|
| 926 |
+
|
| 927 |
+
196
|
| 928 |
+
00:22:38,524 --> 00:22:41,234
|
| 929 |
+
One is sometimes stunned
|
| 930 |
+
by so much cruelty.
|
| 931 |
+
|
| 932 |
+
197
|
| 933 |
+
00:22:41,360 --> 00:22:45,530
|
| 934 |
+
One seeks its source in Asian people's
|
| 935 |
+
long familiarity with suffering
|
| 936 |
+
|
| 937 |
+
198
|
| 938 |
+
00:22:45,656 --> 00:22:47,949
|
| 939 |
+
that requires
|
| 940 |
+
that even pain be ornate.
|
| 941 |
+
|
| 942 |
+
199
|
| 943 |
+
00:22:48,075 --> 00:22:50,118
|
| 944 |
+
And then comes the reward:
|
| 945 |
+
|
| 946 |
+
200
|
| 947 |
+
00:22:50,286 --> 00:22:53,997
|
| 948 |
+
The monsters are vanquished
|
| 949 |
+
and Natsume Masako arises.
|
| 950 |
+
|
| 951 |
+
201
|
| 952 |
+
00:22:54,123 --> 00:22:57,000
|
| 953 |
+
Absolute beauty too
|
| 954 |
+
has a name and a face.
|
| 955 |
+
|
| 956 |
+
202
|
| 957 |
+
00:23:08,971 --> 00:23:11,389
|
| 958 |
+
But the more you watch
|
| 959 |
+
Japanese television,
|
| 960 |
+
|
| 961 |
+
203
|
| 962 |
+
00:23:11,515 --> 00:23:14,142
|
| 963 |
+
the more you feel it's watching you.
|
| 964 |
+
|
| 965 |
+
204
|
| 966 |
+
00:24:02,233 --> 00:24:05,151
|
| 967 |
+
Even television newscasts
|
| 968 |
+
bear witness to the fact
|
| 969 |
+
|
| 970 |
+
205
|
| 971 |
+
00:24:05,277 --> 00:24:07,779
|
| 972 |
+
that the eye's magical function
|
| 973 |
+
is at the center of all things.
|
| 974 |
+
|
| 975 |
+
206
|
| 976 |
+
00:24:07,947 --> 00:24:09,656
|
| 977 |
+
It's election time.
|
| 978 |
+
|
| 979 |
+
207
|
| 980 |
+
00:24:09,824 --> 00:24:11,950
|
| 981 |
+
Winning candidates black out
|
| 982 |
+
|
| 983 |
+
208
|
| 984 |
+
00:24:12,076 --> 00:24:15,745
|
| 985 |
+
the empty eye of Daruma,
|
| 986 |
+
the spirit of luck,
|
| 987 |
+
|
| 988 |
+
209
|
| 989 |
+
00:24:15,871 --> 00:24:19,624
|
| 990 |
+
while losing candidates, sad but dignified,
|
| 991 |
+
carry off their one-eyed Daruma.
|
| 992 |
+
|
| 993 |
+
210
|
| 994 |
+
00:24:22,711 --> 00:24:25,421
|
| 995 |
+
The most indecipherable images
|
| 996 |
+
are those of Europe.
|
| 997 |
+
|
| 998 |
+
211
|
| 999 |
+
00:24:25,548 --> 00:24:29,968
|
| 1000 |
+
I watch the images of a film
|
| 1001 |
+
whose soundtrack will be added later.
|
| 1002 |
+
|
| 1003 |
+
212
|
| 1004 |
+
00:24:30,136 --> 00:24:32,804
|
| 1005 |
+
It took me six months for Poland.
|
| 1006 |
+
|
| 1007 |
+
213
|
| 1008 |
+
00:24:36,809 --> 00:24:39,644
|
| 1009 |
+
But I have no difficulty
|
| 1010 |
+
with the local earthquakes,
|
| 1011 |
+
|
| 1012 |
+
214
|
| 1013 |
+
00:24:39,812 --> 00:24:43,857
|
| 1014 |
+
though I must admit last night's quake
|
| 1015 |
+
helped me greatly to grasp the problem.
|
| 1016 |
+
|
| 1017 |
+
215
|
| 1018 |
+
00:24:44,733 --> 00:24:46,985
|
| 1019 |
+
Poetry is born of insecurity:
|
| 1020 |
+
|
| 1021 |
+
216
|
| 1022 |
+
00:24:47,736 --> 00:24:49,154
|
| 1023 |
+
wandering Jews,
|
| 1024 |
+
|
| 1025 |
+
217
|
| 1026 |
+
00:24:49,280 --> 00:24:51,197
|
| 1027 |
+
quaking Japanese.
|
| 1028 |
+
|
| 1029 |
+
218
|
| 1030 |
+
00:24:52,950 --> 00:24:56,953
|
| 1031 |
+
Living on a rug that jesting nature is
|
| 1032 |
+
ever ready to pull out from under them,
|
| 1033 |
+
|
| 1034 |
+
219
|
| 1035 |
+
00:24:57,079 --> 00:24:59,497
|
| 1036 |
+
they've learned to inhabit
|
| 1037 |
+
a world of appearances,
|
| 1038 |
+
|
| 1039 |
+
220
|
| 1040 |
+
00:24:59,623 --> 00:25:01,958
|
| 1041 |
+
fragile, fleeting, revocable,
|
| 1042 |
+
|
| 1043 |
+
221
|
| 1044 |
+
00:25:02,084 --> 00:25:04,002
|
| 1045 |
+
of trains that fly
|
| 1046 |
+
from planet to planet,
|
| 1047 |
+
|
| 1048 |
+
222
|
| 1049 |
+
00:25:04,128 --> 00:25:07,463
|
| 1050 |
+
of samurai fighting
|
| 1051 |
+
in an ever-shifting past.
|
| 1052 |
+
|
| 1053 |
+
223
|
| 1054 |
+
00:25:07,590 --> 00:25:10,341
|
| 1055 |
+
It's called
|
| 1056 |
+
the impermanence of things.
|
| 1057 |
+
|
| 1058 |
+
224
|
| 1059 |
+
00:25:39,496 --> 00:25:42,373
|
| 1060 |
+
I watched it all,
|
| 1061 |
+
even the evening shows,
|
| 1062 |
+
|
| 1063 |
+
225
|
| 1064 |
+
00:25:42,499 --> 00:25:43,917
|
| 1065 |
+
the so-called adult shows.
|
| 1066 |
+
|
| 1067 |
+
226
|
| 1068 |
+
00:25:44,084 --> 00:25:47,754
|
| 1069 |
+
The same hypocrisy as in the comic
|
| 1070 |
+
strips, but this is a coded hypocrisy.
|
| 1071 |
+
|
| 1072 |
+
227
|
| 1073 |
+
00:25:47,880 --> 00:25:51,758
|
| 1074 |
+
Censorship is not the mutilation
|
| 1075 |
+
of the show. It is the show.
|
| 1076 |
+
|
| 1077 |
+
228
|
| 1078 |
+
00:25:51,884 --> 00:25:53,468
|
| 1079 |
+
The code is the message.
|
| 1080 |
+
|
| 1081 |
+
229
|
| 1082 |
+
00:25:53,594 --> 00:25:58,389
|
| 1083 |
+
It points to the absolute by hiding it,
|
| 1084 |
+
like religions have always done."
|
| 1085 |
+
|
| 1086 |
+
230
|
| 1087 |
+
00:26:12,071 --> 00:26:14,113
|
| 1088 |
+
That year, a new face appeared
|
| 1089 |
+
|
| 1090 |
+
231
|
| 1091 |
+
00:26:14,240 --> 00:26:17,951
|
| 1092 |
+
among the great faces adorning
|
| 1093 |
+
the streets of Tokyo: the face of the pope.
|
| 1094 |
+
|
| 1095 |
+
232
|
| 1096 |
+
00:26:18,118 --> 00:26:20,119
|
| 1097 |
+
Treasures that had never
|
| 1098 |
+
left the Vatican
|
| 1099 |
+
|
| 1100 |
+
233
|
| 1101 |
+
00:26:20,287 --> 00:26:23,414
|
| 1102 |
+
were displayed on the seventh floor
|
| 1103 |
+
of the Sogo department store.
|
| 1104 |
+
|
| 1105 |
+
234
|
| 1106 |
+
00:26:24,124 --> 00:26:25,833
|
| 1107 |
+
He wrote...
|
| 1108 |
+
|
| 1109 |
+
235
|
| 1110 |
+
00:26:26,126 --> 00:26:30,088
|
| 1111 |
+
"It's curiosity, of course, but also
|
| 1112 |
+
a hint of industrial espionage.
|
| 1113 |
+
|
| 1114 |
+
236
|
| 1115 |
+
00:26:30,923 --> 00:26:32,924
|
| 1116 |
+
I imagine them bringing out
|
| 1117 |
+
in two years
|
| 1118 |
+
|
| 1119 |
+
237
|
| 1120 |
+
00:26:33,092 --> 00:26:36,177
|
| 1121 |
+
a more efficient and less expensive
|
| 1122 |
+
version of Catholicism.
|
| 1123 |
+
|
| 1124 |
+
238
|
| 1125 |
+
00:26:37,304 --> 00:26:39,889
|
| 1126 |
+
But there's also the fascination
|
| 1127 |
+
associated with the sacred,
|
| 1128 |
+
|
| 1129 |
+
239
|
| 1130 |
+
00:26:40,015 --> 00:26:41,975
|
| 1131 |
+
even when it's someone else's.
|
| 1132 |
+
|
| 1133 |
+
240
|
| 1134 |
+
00:27:23,475 --> 00:27:28,521
|
| 1135 |
+
So when will French department stores
|
| 1136 |
+
exhibit relics sacred to the Japanese
|
| 1137 |
+
|
| 1138 |
+
241
|
| 1139 |
+
00:27:28,689 --> 00:27:31,858
|
| 1140 |
+
such as can be seen at Jozankei,
|
| 1141 |
+
on the island of Hokkaido?
|
| 1142 |
+
|
| 1143 |
+
242
|
| 1144 |
+
00:27:32,359 --> 00:27:36,321
|
| 1145 |
+
At first, one smiles at this combination
|
| 1146 |
+
museum, chapel and sex shop.
|
| 1147 |
+
|
| 1148 |
+
243
|
| 1149 |
+
00:27:36,822 --> 00:27:40,450
|
| 1150 |
+
As always in Japan, one admires
|
| 1151 |
+
how the walls between realms are so thin
|
| 1152 |
+
|
| 1153 |
+
244
|
| 1154 |
+
00:27:40,576 --> 00:27:43,161
|
| 1155 |
+
that one can in the same breath
|
| 1156 |
+
contemplate a statue,
|
| 1157 |
+
|
| 1158 |
+
245
|
| 1159 |
+
00:27:43,329 --> 00:27:45,079
|
| 1160 |
+
buy an inflatable doll
|
| 1161 |
+
|
| 1162 |
+
246
|
| 1163 |
+
00:27:45,247 --> 00:27:47,749
|
| 1164 |
+
and give the goddess of fertility
|
| 1165 |
+
the small offering
|
| 1166 |
+
|
| 1167 |
+
247
|
| 1168 |
+
00:27:47,875 --> 00:27:50,251
|
| 1169 |
+
that always accompanies
|
| 1170 |
+
her displays,
|
| 1171 |
+
|
| 1172 |
+
248
|
| 1173 |
+
00:27:50,377 --> 00:27:54,047
|
| 1174 |
+
displays whose frankness would render
|
| 1175 |
+
television's stratagems incomprehensible
|
| 1176 |
+
|
| 1177 |
+
249
|
| 1178 |
+
00:27:54,465 --> 00:27:59,719
|
| 1179 |
+
but for the fact that sex organs may
|
| 1180 |
+
only be shown severed from the body.
|
| 1181 |
+
|
| 1182 |
+
250
|
| 1183 |
+
00:28:12,191 --> 00:28:14,275
|
| 1184 |
+
One would like to
|
| 1185 |
+
believe in a world before the fall,
|
| 1186 |
+
|
| 1187 |
+
251
|
| 1188 |
+
00:28:14,443 --> 00:28:16,527
|
| 1189 |
+
inaccessible to the complications
|
| 1190 |
+
of a puritanism
|
| 1191 |
+
|
| 1192 |
+
252
|
| 1193 |
+
00:28:16,695 --> 00:28:20,365
|
| 1194 |
+
whose phony shadow was imposed
|
| 1195 |
+
on it by American occupation,
|
| 1196 |
+
|
| 1197 |
+
253
|
| 1198 |
+
00:28:20,657 --> 00:28:23,326
|
| 1199 |
+
where people who gather laughing
|
| 1200 |
+
around the votive fountain,
|
| 1201 |
+
|
| 1202 |
+
254
|
| 1203 |
+
00:28:23,452 --> 00:28:25,453
|
| 1204 |
+
the woman who touches it
|
| 1205 |
+
with a friendly gesture,
|
| 1206 |
+
|
| 1207 |
+
255
|
| 1208 |
+
00:28:25,621 --> 00:28:28,581
|
| 1209 |
+
share in the same cosmic innocence.
|
| 1210 |
+
|
| 1211 |
+
256
|
| 1212 |
+
00:28:29,291 --> 00:28:31,876
|
| 1213 |
+
The second part of the museum,
|
| 1214 |
+
with its pairs of coupling animals,
|
| 1215 |
+
|
| 1216 |
+
257
|
| 1217 |
+
00:28:32,044 --> 00:28:34,879
|
| 1218 |
+
would then be the earthly paradise
|
| 1219 |
+
as we've always dreamed of it.
|
| 1220 |
+
|
| 1221 |
+
258
|
| 1222 |
+
00:28:35,047 --> 00:28:36,381
|
| 1223 |
+
Not so sure.
|
| 1224 |
+
|
| 1225 |
+
259
|
| 1226 |
+
00:28:36,548 --> 00:28:39,926
|
| 1227 |
+
Animal innocence may be a trick
|
| 1228 |
+
for getting around censorship,
|
| 1229 |
+
|
| 1230 |
+
260
|
| 1231 |
+
00:28:40,386 --> 00:28:43,596
|
| 1232 |
+
but perhaps also the mirror
|
| 1233 |
+
of an impossible reconciliation,
|
| 1234 |
+
|
| 1235 |
+
261
|
| 1236 |
+
00:28:43,722 --> 00:28:48,601
|
| 1237 |
+
and even without original sin, this
|
| 1238 |
+
earthly paradise may be a paradise lost.
|
| 1239 |
+
|
| 1240 |
+
262
|
| 1241 |
+
00:28:51,188 --> 00:28:53,689
|
| 1242 |
+
In the glossy splendor
|
| 1243 |
+
of the gentle animals of Jozankei,
|
| 1244 |
+
|
| 1245 |
+
263
|
| 1246 |
+
00:28:53,816 --> 00:28:56,859
|
| 1247 |
+
I read the fundamental rift
|
| 1248 |
+
of Japanese society,
|
| 1249 |
+
|
| 1250 |
+
264
|
| 1251 |
+
00:28:56,985 --> 00:28:59,612
|
| 1252 |
+
the rift that separates
|
| 1253 |
+
men from women.
|
| 1254 |
+
|
| 1255 |
+
265
|
| 1256 |
+
00:28:59,780 --> 00:29:02,573
|
| 1257 |
+
In life it seems to manifest
|
| 1258 |
+
in just two ways:
|
| 1259 |
+
|
| 1260 |
+
266
|
| 1261 |
+
00:29:02,741 --> 00:29:04,450
|
| 1262 |
+
violent slaughter,
|
| 1263 |
+
|
| 1264 |
+
267
|
| 1265 |
+
00:29:04,576 --> 00:29:07,495
|
| 1266 |
+
or a discreet melancholy
|
| 1267 |
+
resembling Shonagon's,
|
| 1268 |
+
|
| 1269 |
+
268
|
| 1270 |
+
00:29:07,621 --> 00:29:11,833
|
| 1271 |
+
which the Japanese express
|
| 1272 |
+
in a single - and untranslatable - word.
|
| 1273 |
+
|
| 1274 |
+
269
|
| 1275 |
+
00:29:12,000 --> 00:29:13,918
|
| 1276 |
+
Bringing man down
|
| 1277 |
+
to the level of the beasts
|
| 1278 |
+
|
| 1279 |
+
270
|
| 1280 |
+
00:29:14,086 --> 00:29:16,129
|
| 1281 |
+
against which
|
| 1282 |
+
the church fathers inveighed
|
| 1283 |
+
|
| 1284 |
+
271
|
| 1285 |
+
00:29:16,296 --> 00:29:19,715
|
| 1286 |
+
becomes here the challenge of the beasts
|
| 1287 |
+
to the 'poignancy of things,'
|
| 1288 |
+
|
| 1289 |
+
272
|
| 1290 |
+
00:29:19,883 --> 00:29:22,218
|
| 1291 |
+
to a melancholy whose tone
|
| 1292 |
+
I can convey
|
| 1293 |
+
|
| 1294 |
+
273
|
| 1295 |
+
00:29:22,386 --> 00:29:25,388
|
| 1296 |
+
by copying a few lines
|
| 1297 |
+
from Samura Koichi:
|
| 1298 |
+
|
| 1299 |
+
274
|
| 1300 |
+
00:29:27,224 --> 00:29:30,268
|
| 1301 |
+
'Who said that time
|
| 1302 |
+
heals all wounds?
|
| 1303 |
+
|
| 1304 |
+
275
|
| 1305 |
+
00:29:31,270 --> 00:29:35,273
|
| 1306 |
+
Better to say that time heals
|
| 1307 |
+
everything except wounds.
|
| 1308 |
+
|
| 1309 |
+
276
|
| 1310 |
+
00:29:35,524 --> 00:29:39,235
|
| 1311 |
+
With time, the hurt of separation
|
| 1312 |
+
loses its real limits.
|
| 1313 |
+
|
| 1314 |
+
277
|
| 1315 |
+
00:29:39,361 --> 00:29:42,780
|
| 1316 |
+
With time, the desired body
|
| 1317 |
+
will soon disappear,
|
| 1318 |
+
|
| 1319 |
+
278
|
| 1320 |
+
00:29:42,948 --> 00:29:45,992
|
| 1321 |
+
and if the desiring body has already
|
| 1322 |
+
ceased to exist for the other,
|
| 1323 |
+
|
| 1324 |
+
279
|
| 1325 |
+
00:29:46,118 --> 00:29:49,954
|
| 1326 |
+
then what remains
|
| 1327 |
+
is a disembodied wound."'
|
| 1328 |
+
|
| 1329 |
+
280
|
| 1330 |
+
00:29:57,671 --> 00:29:59,797
|
| 1331 |
+
He wrote
|
| 1332 |
+
that the Japanese secret -
|
| 1333 |
+
|
| 1334 |
+
281
|
| 1335 |
+
00:29:59,965 --> 00:30:03,092
|
| 1336 |
+
what Levi-Strauss called
|
| 1337 |
+
the poignancy of things -
|
| 1338 |
+
|
| 1339 |
+
282
|
| 1340 |
+
00:30:03,260 --> 00:30:05,803
|
| 1341 |
+
implied the faculty
|
| 1342 |
+
of communing with things,
|
| 1343 |
+
|
| 1344 |
+
283
|
| 1345 |
+
00:30:05,971 --> 00:30:09,557
|
| 1346 |
+
of entering into them,
|
| 1347 |
+
of being them for a moment.
|
| 1348 |
+
|
| 1349 |
+
284
|
| 1350 |
+
00:30:09,683 --> 00:30:12,310
|
| 1351 |
+
It's only natural that, in their turn,
|
| 1352 |
+
they should be like us -
|
| 1353 |
+
|
| 1354 |
+
285
|
| 1355 |
+
00:30:12,436 --> 00:30:14,312
|
| 1356 |
+
perishable and immortal.
|
| 1357 |
+
|
| 1358 |
+
286
|
| 1359 |
+
00:30:21,570 --> 00:30:24,780
|
| 1360 |
+
He wrote, "Animism is
|
| 1361 |
+
a familiar notion in Africa.
|
| 1362 |
+
|
| 1363 |
+
287
|
| 1364 |
+
00:30:24,948 --> 00:30:26,991
|
| 1365 |
+
It's less often applied to Japan.
|
| 1366 |
+
|
| 1367 |
+
288
|
| 1368 |
+
00:30:27,159 --> 00:30:29,118
|
| 1369 |
+
What then shall we call
|
| 1370 |
+
this diffuse belief
|
| 1371 |
+
|
| 1372 |
+
289
|
| 1373 |
+
00:30:29,286 --> 00:30:33,331
|
| 1374 |
+
according to which every fragment
|
| 1375 |
+
of creation has its invisible counterpart?
|
| 1376 |
+
|
| 1377 |
+
290
|
| 1378 |
+
00:30:33,790 --> 00:30:36,334
|
| 1379 |
+
Building a factory or skyscraper
|
| 1380 |
+
|
| 1381 |
+
291
|
| 1382 |
+
00:30:36,460 --> 00:30:39,670
|
| 1383 |
+
begins with a ceremony to appease
|
| 1384 |
+
the god who owns the land.
|
| 1385 |
+
|
| 1386 |
+
292
|
| 1387 |
+
00:30:39,838 --> 00:30:43,841
|
| 1388 |
+
There's a ceremony for brushes,
|
| 1389 |
+
abacuses, even rusty needles.
|
| 1390 |
+
|
| 1391 |
+
293
|
| 1392 |
+
00:30:44,009 --> 00:30:48,721
|
| 1393 |
+
There's one on September 25th for
|
| 1394 |
+
the repose of the soul of broken dolls.
|
| 1395 |
+
|
| 1396 |
+
294
|
| 1397 |
+
00:30:48,847 --> 00:30:51,849
|
| 1398 |
+
The dolls are piled up
|
| 1399 |
+
in the Temple of Kiyomizu -
|
| 1400 |
+
|
| 1401 |
+
295
|
| 1402 |
+
00:30:51,975 --> 00:30:56,771
|
| 1403 |
+
which is consecrated to Kannon,
|
| 1404 |
+
the goddess of compassion -
|
| 1405 |
+
|
| 1406 |
+
296
|
| 1407 |
+
00:30:56,897 --> 00:30:59,023
|
| 1408 |
+
and then burned in public.
|
| 1409 |
+
|
| 1410 |
+
297
|
| 1411 |
+
00:31:34,851 --> 00:31:36,727
|
| 1412 |
+
I watched the participants.
|
| 1413 |
+
|
| 1414 |
+
298
|
| 1415 |
+
00:31:37,062 --> 00:31:39,230
|
| 1416 |
+
I think the people who saw off
|
| 1417 |
+
the kamikaze pilots
|
| 1418 |
+
|
| 1419 |
+
299
|
| 1420 |
+
00:31:39,648 --> 00:31:42,066
|
| 1421 |
+
had the same look on their faces."
|
| 1422 |
+
|
| 1423 |
+
300
|
| 1424 |
+
00:32:14,850 --> 00:32:16,934
|
| 1425 |
+
He wrote that the pictures
|
| 1426 |
+
of Guinea-Bissau
|
| 1427 |
+
|
| 1428 |
+
301
|
| 1429 |
+
00:32:17,102 --> 00:32:19,562
|
| 1430 |
+
ought to be accompanied
|
| 1431 |
+
by music from the Cape Verde Islands.
|
| 1432 |
+
|
| 1433 |
+
302
|
| 1434 |
+
00:32:19,730 --> 00:32:22,773
|
| 1435 |
+
That would be our contribution
|
| 1436 |
+
to the unity dreamed of by Amílcar Cabral.
|
| 1437 |
+
|
| 1438 |
+
303
|
| 1439 |
+
00:32:27,779 --> 00:32:31,949
|
| 1440 |
+
"Why should a country so small
|
| 1441 |
+
and so poor interest the world?
|
| 1442 |
+
|
| 1443 |
+
304
|
| 1444 |
+
00:32:32,075 --> 00:32:34,076
|
| 1445 |
+
They did what they could.
|
| 1446 |
+
|
| 1447 |
+
305
|
| 1448 |
+
00:32:34,202 --> 00:32:37,622
|
| 1449 |
+
They chased Portugal out,
|
| 1450 |
+
so traumatizing its army
|
| 1451 |
+
|
| 1452 |
+
306
|
| 1453 |
+
00:32:37,789 --> 00:32:40,249
|
| 1454 |
+
that it moved to overthrow
|
| 1455 |
+
its own dictatorship
|
| 1456 |
+
|
| 1457 |
+
307
|
| 1458 |
+
00:32:40,417 --> 00:32:43,002
|
| 1459 |
+
and led one briefly to believe
|
| 1460 |
+
in a new revolution in Europe.
|
| 1461 |
+
|
| 1462 |
+
308
|
| 1463 |
+
00:32:43,170 --> 00:32:44,879
|
| 1464 |
+
Who remembers all that?
|
| 1465 |
+
|
| 1466 |
+
309
|
| 1467 |
+
00:32:45,047 --> 00:32:47,965
|
| 1468 |
+
History throws its empty bottles
|
| 1469 |
+
out the window.
|
| 1470 |
+
|
| 1471 |
+
310
|
| 1472 |
+
00:32:52,012 --> 00:32:54,388
|
| 1473 |
+
This morning I was
|
| 1474 |
+
on the dock at Pidjiguiti,
|
| 1475 |
+
|
| 1476 |
+
311
|
| 1477 |
+
00:32:54,514 --> 00:32:56,515
|
| 1478 |
+
where everything began in 1959,
|
| 1479 |
+
|
| 1480 |
+
312
|
| 1481 |
+
00:32:56,642 --> 00:32:59,143
|
| 1482 |
+
when the first victims
|
| 1483 |
+
of the struggle were killed.
|
| 1484 |
+
|
| 1485 |
+
313
|
| 1486 |
+
00:32:59,269 --> 00:33:02,438
|
| 1487 |
+
It may be as difficult
|
| 1488 |
+
to recognize Africa in this leaden fog
|
| 1489 |
+
|
| 1490 |
+
314
|
| 1491 |
+
00:33:02,564 --> 00:33:04,607
|
| 1492 |
+
as it is to recognize the struggle
|
| 1493 |
+
|
| 1494 |
+
315
|
| 1495 |
+
00:33:04,775 --> 00:33:07,068
|
| 1496 |
+
in the rather dull activity
|
| 1497 |
+
of tropical longshoremen.
|
| 1498 |
+
|
| 1499 |
+
316
|
| 1500 |
+
00:33:07,319 --> 00:33:09,278
|
| 1501 |
+
Rumor has it
|
| 1502 |
+
that every third-world leader
|
| 1503 |
+
|
| 1504 |
+
317
|
| 1505 |
+
00:33:09,446 --> 00:33:11,822
|
| 1506 |
+
coined the same phrase
|
| 1507 |
+
the morning after independence:
|
| 1508 |
+
|
| 1509 |
+
318
|
| 1510 |
+
00:33:11,948 --> 00:33:14,659
|
| 1511 |
+
'Now the real problems begin.'
|
| 1512 |
+
|
| 1513 |
+
319
|
| 1514 |
+
00:33:14,826 --> 00:33:18,037
|
| 1515 |
+
Cabral never got a chance to say it.
|
| 1516 |
+
He was assassinated first.
|
| 1517 |
+
|
| 1518 |
+
320
|
| 1519 |
+
00:33:18,163 --> 00:33:21,666
|
| 1520 |
+
But the problems began,
|
| 1521 |
+
and went on, and are still going on.
|
| 1522 |
+
|
| 1523 |
+
321
|
| 1524 |
+
00:33:21,833 --> 00:33:24,543
|
| 1525 |
+
Rather unexciting problems
|
| 1526 |
+
for revolutionary romanticism:
|
| 1527 |
+
|
| 1528 |
+
322
|
| 1529 |
+
00:33:24,711 --> 00:33:27,213
|
| 1530 |
+
to work, to produce, to distribute,
|
| 1531 |
+
|
| 1532 |
+
323
|
| 1533 |
+
00:33:27,381 --> 00:33:29,674
|
| 1534 |
+
to overcome postwar exhaustion
|
| 1535 |
+
|
| 1536 |
+
324
|
| 1537 |
+
00:33:29,841 --> 00:33:32,510
|
| 1538 |
+
and the temptations
|
| 1539 |
+
of power and privilege.
|
| 1540 |
+
|
| 1541 |
+
325
|
| 1542 |
+
00:33:32,678 --> 00:33:36,847
|
| 1543 |
+
But after all, history's only bitter
|
| 1544 |
+
to those who expect a sugar coating.
|
| 1545 |
+
|
| 1546 |
+
326
|
| 1547 |
+
00:33:54,366 --> 00:33:57,827
|
| 1548 |
+
My personal problem
|
| 1549 |
+
was more specific:
|
| 1550 |
+
|
| 1551 |
+
327
|
| 1552 |
+
00:33:57,953 --> 00:34:00,037
|
| 1553 |
+
How to film the ladies of Bissau?
|
| 1554 |
+
|
| 1555 |
+
328
|
| 1556 |
+
00:34:00,205 --> 00:34:03,207
|
| 1557 |
+
Apparently, the eye's magical function
|
| 1558 |
+
was working against me there.
|
| 1559 |
+
|
| 1560 |
+
329
|
| 1561 |
+
00:34:03,834 --> 00:34:05,960
|
| 1562 |
+
In the marketplaces
|
| 1563 |
+
of Bissau and Cape Verde,
|
| 1564 |
+
|
| 1565 |
+
330
|
| 1566 |
+
00:34:06,086 --> 00:34:08,087
|
| 1567 |
+
I again encountered
|
| 1568 |
+
those egalitarian stares
|
| 1569 |
+
|
| 1570 |
+
331
|
| 1571 |
+
00:34:08,213 --> 00:34:12,133
|
| 1572 |
+
and this sequence of glances
|
| 1573 |
+
that bordered on seduction.
|
| 1574 |
+
|
| 1575 |
+
332
|
| 1576 |
+
00:34:12,968 --> 00:34:14,760
|
| 1577 |
+
I see her.
|
| 1578 |
+
|
| 1579 |
+
333
|
| 1580 |
+
00:34:15,595 --> 00:34:17,430
|
| 1581 |
+
She sees me.
|
| 1582 |
+
|
| 1583 |
+
334
|
| 1584 |
+
00:34:17,889 --> 00:34:19,890
|
| 1585 |
+
She knows I see her.
|
| 1586 |
+
|
| 1587 |
+
335
|
| 1588 |
+
00:34:22,561 --> 00:34:24,270
|
| 1589 |
+
She glances my way,
|
| 1590 |
+
|
| 1591 |
+
336
|
| 1592 |
+
00:34:24,396 --> 00:34:27,857
|
| 1593 |
+
but furtively, as if I'm not
|
| 1594 |
+
really the object of her gaze.
|
| 1595 |
+
|
| 1596 |
+
337
|
| 1597 |
+
00:34:27,983 --> 00:34:30,401
|
| 1598 |
+
Finally, the direct gaze
|
| 1599 |
+
|
| 1600 |
+
338
|
| 1601 |
+
00:34:31,570 --> 00:34:35,239
|
| 1602 |
+
lasting 1 /24th of a second,
|
| 1603 |
+
the length of a film frame.
|
| 1604 |
+
|
| 1605 |
+
339
|
| 1606 |
+
00:34:41,079 --> 00:34:44,832
|
| 1607 |
+
All women have a built-in
|
| 1608 |
+
kernel of indestructibility,
|
| 1609 |
+
|
| 1610 |
+
340
|
| 1611 |
+
00:34:45,041 --> 00:34:48,127
|
| 1612 |
+
and men's task has always been
|
| 1613 |
+
to keep them from realizing it
|
| 1614 |
+
|
| 1615 |
+
341
|
| 1616 |
+
00:34:48,295 --> 00:34:50,087
|
| 1617 |
+
for as long as possible.
|
| 1618 |
+
|
| 1619 |
+
342
|
| 1620 |
+
00:34:50,213 --> 00:34:54,550
|
| 1621 |
+
African men are just as good
|
| 1622 |
+
at this task as others,
|
| 1623 |
+
|
| 1624 |
+
343
|
| 1625 |
+
00:34:54,676 --> 00:34:59,180
|
| 1626 |
+
but after a close look at African women,
|
| 1627 |
+
I wouldn't necessarily bet on the men."
|
| 1628 |
+
|
| 1629 |
+
344
|
| 1630 |
+
00:36:50,750 --> 00:36:53,419
|
| 1631 |
+
He told me the story
|
| 1632 |
+
of Hachiko the dog.
|
| 1633 |
+
|
| 1634 |
+
345
|
| 1635 |
+
00:36:53,545 --> 00:36:56,213
|
| 1636 |
+
"A dog waited for his master
|
| 1637 |
+
every day at the station.
|
| 1638 |
+
|
| 1639 |
+
346
|
| 1640 |
+
00:36:56,339 --> 00:36:59,216
|
| 1641 |
+
The master died,
|
| 1642 |
+
but the dog didn't know it,
|
| 1643 |
+
|
| 1644 |
+
347
|
| 1645 |
+
00:36:59,384 --> 00:37:02,052
|
| 1646 |
+
and he continued to wait,
|
| 1647 |
+
all his life.
|
| 1648 |
+
|
| 1649 |
+
348
|
| 1650 |
+
00:37:02,220 --> 00:37:04,930
|
| 1651 |
+
People were moved
|
| 1652 |
+
and brought him food.
|
| 1653 |
+
|
| 1654 |
+
349
|
| 1655 |
+
00:37:05,098 --> 00:37:09,560
|
| 1656 |
+
They still place sushi and rice cakes
|
| 1657 |
+
before the statue erected in his honor
|
| 1658 |
+
|
| 1659 |
+
350
|
| 1660 |
+
00:37:09,728 --> 00:37:13,147
|
| 1661 |
+
so that the faithful soul of Hachiko
|
| 1662 |
+
will never go hungry.
|
| 1663 |
+
|
| 1664 |
+
351
|
| 1665 |
+
00:37:18,612 --> 00:37:22,531
|
| 1666 |
+
Tokyo is full of these small legends
|
| 1667 |
+
and animal intercessors.
|
| 1668 |
+
|
| 1669 |
+
352
|
| 1670 |
+
00:37:22,949 --> 00:37:26,911
|
| 1671 |
+
The Mitsukoshi lion stands guard over
|
| 1672 |
+
what was once the empire of Mr. Okada,
|
| 1673 |
+
|
| 1674 |
+
353
|
| 1675 |
+
00:37:27,078 --> 00:37:29,121
|
| 1676 |
+
a great collector of French paintings,
|
| 1677 |
+
|
| 1678 |
+
354
|
| 1679 |
+
00:37:29,289 --> 00:37:31,206
|
| 1680 |
+
the man who rented
|
| 1681 |
+
the Château of Versailles
|
| 1682 |
+
|
| 1683 |
+
355
|
| 1684 |
+
00:37:31,374 --> 00:37:33,876
|
| 1685 |
+
to celebrate the 1 00th anniversary
|
| 1686 |
+
of his department stores.
|
| 1687 |
+
|
| 1688 |
+
356
|
| 1689 |
+
00:37:34,002 --> 00:37:36,253
|
| 1690 |
+
In the computer section
|
| 1691 |
+
of one such store,
|
| 1692 |
+
|
| 1693 |
+
357
|
| 1694 |
+
00:37:36,421 --> 00:37:38,505
|
| 1695 |
+
I've seen young Japanese
|
| 1696 |
+
exercising their brain muscles
|
| 1697 |
+
|
| 1698 |
+
358
|
| 1699 |
+
00:37:38,673 --> 00:37:41,216
|
| 1700 |
+
like young Athenians at the palestra.
|
| 1701 |
+
|
| 1702 |
+
359
|
| 1703 |
+
00:37:42,427 --> 00:37:44,428
|
| 1704 |
+
They have a war to win.
|
| 1705 |
+
|
| 1706 |
+
360
|
| 1707 |
+
00:37:44,596 --> 00:37:47,806
|
| 1708 |
+
History books of the future will perhaps
|
| 1709 |
+
rank the battle of the integrated circuit
|
| 1710 |
+
|
| 1711 |
+
361
|
| 1712 |
+
00:37:47,974 --> 00:37:50,184
|
| 1713 |
+
with the battles
|
| 1714 |
+
of Salamis or Agincourt.
|
| 1715 |
+
|
| 1716 |
+
362
|
| 1717 |
+
00:37:54,105 --> 00:37:58,025
|
| 1718 |
+
But they honor the unfortunate
|
| 1719 |
+
adversary by leaving other fields to him:
|
| 1720 |
+
|
| 1721 |
+
363
|
| 1722 |
+
00:37:58,151 --> 00:38:01,779
|
| 1723 |
+
men's fashions this season are placed
|
| 1724 |
+
under the sign of John Kennedy."
|
| 1725 |
+
|
| 1726 |
+
364
|
| 1727 |
+
00:38:40,902 --> 00:38:43,529
|
| 1728 |
+
Like an old votive turtle
|
| 1729 |
+
stationed in the corner of a field,
|
| 1730 |
+
|
| 1731 |
+
365
|
| 1732 |
+
00:38:43,697 --> 00:38:47,950
|
| 1733 |
+
Mr. Akao, president
|
| 1734 |
+
of the Japanese Patriotic Party,
|
| 1735 |
+
|
| 1736 |
+
366
|
| 1737 |
+
00:38:48,118 --> 00:38:52,413
|
| 1738 |
+
rails from his rolling balcony
|
| 1739 |
+
against the international communist plot.
|
| 1740 |
+
|
| 1741 |
+
367
|
| 1742 |
+
00:38:53,665 --> 00:38:55,165
|
| 1743 |
+
He wrote...
|
| 1744 |
+
|
| 1745 |
+
368
|
| 1746 |
+
00:38:56,710 --> 00:38:59,378
|
| 1747 |
+
"The extreme right's vans,
|
| 1748 |
+
with their flags and megaphones,
|
| 1749 |
+
|
| 1750 |
+
369
|
| 1751 |
+
00:38:59,546 --> 00:39:01,338
|
| 1752 |
+
are part of the Tokyo landscape.
|
| 1753 |
+
|
| 1754 |
+
370
|
| 1755 |
+
00:39:01,840 --> 00:39:04,216
|
| 1756 |
+
Mr. Akao is their focal point.
|
| 1757 |
+
|
| 1758 |
+
371
|
| 1759 |
+
00:39:04,342 --> 00:39:07,011
|
| 1760 |
+
I think he'll have his own statue,
|
| 1761 |
+
like Ηachiko the dog,
|
| 1762 |
+
|
| 1763 |
+
372
|
| 1764 |
+
00:39:07,178 --> 00:39:11,890
|
| 1765 |
+
at this intersection that he leaves
|
| 1766 |
+
only to go prophesy on the battlefields.
|
| 1767 |
+
|
| 1768 |
+
373
|
| 1769 |
+
00:39:17,605 --> 00:39:21,316
|
| 1770 |
+
He was at Narita in the '60s:
|
| 1771 |
+
|
| 1772 |
+
374
|
| 1773 |
+
00:39:21,443 --> 00:39:24,528
|
| 1774 |
+
Peasants fought an airport
|
| 1775 |
+
to be built on their land,
|
| 1776 |
+
|
| 1777 |
+
375
|
| 1778 |
+
00:39:24,654 --> 00:39:28,615
|
| 1779 |
+
with Mr. Akao denouncing Moscow's
|
| 1780 |
+
hand in everything that moved.
|
| 1781 |
+
|
| 1782 |
+
376
|
| 1783 |
+
00:39:30,201 --> 00:39:33,078
|
| 1784 |
+
Yurakucho is
|
| 1785 |
+
Tokyo's political arena.
|
| 1786 |
+
|
| 1787 |
+
377
|
| 1788 |
+
00:39:33,204 --> 00:39:36,040
|
| 1789 |
+
I once saw a monk there
|
| 1790 |
+
pray for peace in Vietnam.
|
| 1791 |
+
|
| 1792 |
+
378
|
| 1793 |
+
00:39:37,542 --> 00:39:39,626
|
| 1794 |
+
Today, young right-wing activists
|
| 1795 |
+
|
| 1796 |
+
379
|
| 1797 |
+
00:39:39,753 --> 00:39:43,672
|
| 1798 |
+
protest the annexation
|
| 1799 |
+
of the northern islands by the Russians.
|
| 1800 |
+
|
| 1801 |
+
380
|
| 1802 |
+
00:39:43,798 --> 00:39:46,341
|
| 1803 |
+
Sometimes they're told that
|
| 1804 |
+
Japan's commercial relations
|
| 1805 |
+
|
| 1806 |
+
381
|
| 1807 |
+
00:39:46,509 --> 00:39:48,469
|
| 1808 |
+
with the abominable occupier
|
| 1809 |
+
to the north
|
| 1810 |
+
|
| 1811 |
+
382
|
| 1812 |
+
00:39:48,636 --> 00:39:50,804
|
| 1813 |
+
are a thousand times better
|
| 1814 |
+
than with the American ally,
|
| 1815 |
+
|
| 1816 |
+
383
|
| 1817 |
+
00:39:50,972 --> 00:39:53,724
|
| 1818 |
+
who's always whining
|
| 1819 |
+
about economic aggression.
|
| 1820 |
+
|
| 1821 |
+
384
|
| 1822 |
+
00:39:53,892 --> 00:39:55,934
|
| 1823 |
+
Nothing is simple.
|
| 1824 |
+
|
| 1825 |
+
385
|
| 1826 |
+
00:40:01,357 --> 00:40:04,234
|
| 1827 |
+
On the other sidewalk,
|
| 1828 |
+
the left has the floor.
|
| 1829 |
+
|
| 1830 |
+
386
|
| 1831 |
+
00:40:04,861 --> 00:40:07,529
|
| 1832 |
+
Korean Catholic opposition
|
| 1833 |
+
leader Kim Dae Jung,
|
| 1834 |
+
|
| 1835 |
+
387
|
| 1836 |
+
00:40:07,697 --> 00:40:10,699
|
| 1837 |
+
kidnapped in Tokyo in '73
|
| 1838 |
+
by the South Korean Gestapo,
|
| 1839 |
+
|
| 1840 |
+
388
|
| 1841 |
+
00:40:11,034 --> 00:40:13,535
|
| 1842 |
+
is threatened
|
| 1843 |
+
with a death sentence.
|
| 1844 |
+
|
| 1845 |
+
389
|
| 1846 |
+
00:40:13,870 --> 00:40:15,871
|
| 1847 |
+
A group has begun a hunger strike.
|
| 1848 |
+
|
| 1849 |
+
390
|
| 1850 |
+
00:40:16,039 --> 00:40:19,249
|
| 1851 |
+
Some very young activists
|
| 1852 |
+
gather signatures in his support.
|
| 1853 |
+
|
| 1854 |
+
391
|
| 1855 |
+
00:41:02,544 --> 00:41:05,629
|
| 1856 |
+
I returned to Narita for the birthday
|
| 1857 |
+
of one of the victims of the struggle.
|
| 1858 |
+
|
| 1859 |
+
392
|
| 1860 |
+
00:41:07,632 --> 00:41:09,508
|
| 1861 |
+
The demonstration was unreal.
|
| 1862 |
+
|
| 1863 |
+
393
|
| 1864 |
+
00:41:09,676 --> 00:41:11,885
|
| 1865 |
+
I felt like I was in Brigadoon,
|
| 1866 |
+
|
| 1867 |
+
394
|
| 1868 |
+
00:41:12,053 --> 00:41:14,972
|
| 1869 |
+
like I'd woken up ten years later
|
| 1870 |
+
amid the same actors,
|
| 1871 |
+
|
| 1872 |
+
395
|
| 1873 |
+
00:41:15,140 --> 00:41:18,976
|
| 1874 |
+
the same blue-suited police
|
| 1875 |
+
and helmeted adolescents,
|
| 1876 |
+
|
| 1877 |
+
396
|
| 1878 |
+
00:41:19,144 --> 00:41:21,478
|
| 1879 |
+
the same slogan,
|
| 1880 |
+
the same banners...
|
| 1881 |
+
|
| 1882 |
+
397
|
| 1883 |
+
00:41:22,480 --> 00:41:25,649
|
| 1884 |
+
and the same goal:
|
| 1885 |
+
to fight the airport.
|
| 1886 |
+
|
| 1887 |
+
398
|
| 1888 |
+
00:41:25,942 --> 00:41:29,653
|
| 1889 |
+
Just one thing has been added:
|
| 1890 |
+
the airport itself.
|
| 1891 |
+
|
| 1892 |
+
399
|
| 1893 |
+
00:41:29,821 --> 00:41:32,114
|
| 1894 |
+
But its single runway
|
| 1895 |
+
hemmed in by barbed wire
|
| 1896 |
+
|
| 1897 |
+
400
|
| 1898 |
+
00:41:32,282 --> 00:41:34,825
|
| 1899 |
+
looks more besieged than victorious.
|
| 1900 |
+
|
| 1901 |
+
401
|
| 1902 |
+
00:41:51,593 --> 00:41:56,180
|
| 1903 |
+
My pal Hayao Yamaneko
|
| 1904 |
+
has found a solution:
|
| 1905 |
+
|
| 1906 |
+
402
|
| 1907 |
+
00:41:56,306 --> 00:42:00,017
|
| 1908 |
+
If the images of the present don't change,
|
| 1909 |
+
change the images of the past.
|
| 1910 |
+
|
| 1911 |
+
403
|
| 1912 |
+
00:42:00,518 --> 00:42:04,104
|
| 1913 |
+
He showed me clashes of the '60s
|
| 1914 |
+
run through his synthesizer.
|
| 1915 |
+
|
| 1916 |
+
404
|
| 1917 |
+
00:42:04,856 --> 00:42:07,900
|
| 1918 |
+
'Less deceptive pictures,' he says,
|
| 1919 |
+
with the conviction of a fanatic,
|
| 1920 |
+
|
| 1921 |
+
405
|
| 1922 |
+
00:42:08,067 --> 00:42:10,194
|
| 1923 |
+
than those you see on television.'
|
| 1924 |
+
|
| 1925 |
+
406
|
| 1926 |
+
00:42:10,361 --> 00:42:13,572
|
| 1927 |
+
At least they proclaim themselves
|
| 1928 |
+
to be what they are: images -
|
| 1929 |
+
|
| 1930 |
+
407
|
| 1931 |
+
00:42:13,698 --> 00:42:18,202
|
| 1932 |
+
not the portable and compact form
|
| 1933 |
+
of an already inaccessible reality.
|
| 1934 |
+
|
| 1935 |
+
408
|
| 1936 |
+
00:42:20,455 --> 00:42:23,457
|
| 1937 |
+
Hayao calls
|
| 1938 |
+
his machine's world 'the Zone,'
|
| 1939 |
+
|
| 1940 |
+
409
|
| 1941 |
+
00:42:23,583 --> 00:42:25,709
|
| 1942 |
+
in an homage to Tarkovsky.
|
| 1943 |
+
|
| 1944 |
+
410
|
| 1945 |
+
00:43:15,134 --> 00:43:19,137
|
| 1946 |
+
What Narita brought back to me
|
| 1947 |
+
like a shattered hologram
|
| 1948 |
+
|
| 1949 |
+
411
|
| 1950 |
+
00:43:19,305 --> 00:43:21,556
|
| 1951 |
+
was a fragment
|
| 1952 |
+
of the '60s generation.
|
| 1953 |
+
|
| 1954 |
+
412
|
| 1955 |
+
00:43:23,851 --> 00:43:27,312
|
| 1956 |
+
If to love without illusions is still
|
| 1957 |
+
to love, I can say that I loved it.
|
| 1958 |
+
|
| 1959 |
+
413
|
| 1960 |
+
00:43:27,772 --> 00:43:29,606
|
| 1961 |
+
It was a generation
|
| 1962 |
+
that often exasperated me,
|
| 1963 |
+
|
| 1964 |
+
414
|
| 1965 |
+
00:43:29,774 --> 00:43:32,609
|
| 1966 |
+
for I didn't share its utopian goal
|
| 1967 |
+
of uniting in a common struggle
|
| 1968 |
+
|
| 1969 |
+
415
|
| 1970 |
+
00:43:32,777 --> 00:43:36,655
|
| 1971 |
+
those who revolt against poverty
|
| 1972 |
+
and those who revolt against wealth,
|
| 1973 |
+
|
| 1974 |
+
416
|
| 1975 |
+
00:43:36,823 --> 00:43:41,785
|
| 1976 |
+
but it let out a primordial scream that
|
| 1977 |
+
better-adjusted voices no longer could.
|
| 1978 |
+
|
| 1979 |
+
417
|
| 1980 |
+
00:43:49,460 --> 00:43:52,504
|
| 1981 |
+
I met peasants there who'd come
|
| 1982 |
+
to know themselves through the struggle.
|
| 1983 |
+
|
| 1984 |
+
418
|
| 1985 |
+
00:43:52,672 --> 00:43:54,673
|
| 1986 |
+
In concrete terms, it had failed.
|
| 1987 |
+
|
| 1988 |
+
419
|
| 1989 |
+
00:43:54,841 --> 00:43:57,592
|
| 1990 |
+
Yet all they had won
|
| 1991 |
+
in their understanding of the world
|
| 1992 |
+
|
| 1993 |
+
420
|
| 1994 |
+
00:43:57,719 --> 00:43:59,511
|
| 1995 |
+
and of themselves
|
| 1996 |
+
|
| 1997 |
+
421
|
| 1998 |
+
00:43:59,637 --> 00:44:02,764
|
| 1999 |
+
could only have been won
|
| 2000 |
+
through the struggle.
|
| 2001 |
+
|
| 2002 |
+
422
|
| 2003 |
+
00:44:03,474 --> 00:44:07,185
|
| 2004 |
+
As for the students, some massacred
|
| 2005 |
+
each other in the mountains
|
| 2006 |
+
|
| 2007 |
+
423
|
| 2008 |
+
00:44:07,312 --> 00:44:09,271
|
| 2009 |
+
in the name
|
| 2010 |
+
of revolutionary purity,
|
| 2011 |
+
|
| 2012 |
+
424
|
| 2013 |
+
00:44:09,439 --> 00:44:12,316
|
| 2014 |
+
while others had studied capitalism
|
| 2015 |
+
so thoroughly to fight it
|
| 2016 |
+
|
| 2017 |
+
425
|
| 2018 |
+
00:44:12,483 --> 00:44:15,235
|
| 2019 |
+
that they now provide it
|
| 2020 |
+
with its best executives.
|
| 2021 |
+
|
| 2022 |
+
426
|
| 2023 |
+
00:44:15,403 --> 00:44:18,530
|
| 2024 |
+
Like everywhere else, the movement
|
| 2025 |
+
had its posturers and its careerists -
|
| 2026 |
+
|
| 2027 |
+
427
|
| 2028 |
+
00:44:18,698 --> 00:44:21,992
|
| 2029 |
+
including those who made
|
| 2030 |
+
a career of martyrdom -
|
| 2031 |
+
|
| 2032 |
+
428
|
| 2033 |
+
00:44:22,160 --> 00:44:24,828
|
| 2034 |
+
but it carried with it all those
|
| 2035 |
+
who said, like Che Guevara,
|
| 2036 |
+
|
| 2037 |
+
429
|
| 2038 |
+
00:44:24,996 --> 00:44:28,999
|
| 2039 |
+
that they 'trembled with indignation
|
| 2040 |
+
at every injustice committed in the world.'
|
| 2041 |
+
|
| 2042 |
+
430
|
| 2043 |
+
00:44:29,834 --> 00:44:32,627
|
| 2044 |
+
They wanted to give
|
| 2045 |
+
a political meaning to their generosity,
|
| 2046 |
+
|
| 2047 |
+
431
|
| 2048 |
+
00:44:32,795 --> 00:44:36,131
|
| 2049 |
+
and their generosity
|
| 2050 |
+
has outlasted their politics.
|
| 2051 |
+
|
| 2052 |
+
432
|
| 2053 |
+
00:44:36,257 --> 00:44:41,762
|
| 2054 |
+
That's why I will never allow it to be
|
| 2055 |
+
said that youth is wasted on the young."
|
| 2056 |
+
|
| 2057 |
+
433
|
| 2058 |
+
00:44:59,322 --> 00:45:01,907
|
| 2059 |
+
"The youth who gather
|
| 2060 |
+
every weekend at Shinjuku
|
| 2061 |
+
|
| 2062 |
+
434
|
| 2063 |
+
00:45:02,033 --> 00:45:05,202
|
| 2064 |
+
obviously know they're not
|
| 2065 |
+
on a launching pad toward real life,
|
| 2066 |
+
|
| 2067 |
+
435
|
| 2068 |
+
00:45:05,328 --> 00:45:08,038
|
| 2069 |
+
that they are life, to be eaten
|
| 2070 |
+
on the spot, like fresh donuts.
|
| 2071 |
+
|
| 2072 |
+
436
|
| 2073 |
+
00:45:10,041 --> 00:45:11,583
|
| 2074 |
+
It's a very simple secret.
|
| 2075 |
+
|
| 2076 |
+
437
|
| 2077 |
+
00:45:11,709 --> 00:45:15,170
|
| 2078 |
+
The old try to hide it,
|
| 2079 |
+
and not all the young know it.
|
| 2080 |
+
|
| 2081 |
+
438
|
| 2082 |
+
00:45:15,296 --> 00:45:17,672
|
| 2083 |
+
The 10-year-old girl
|
| 2084 |
+
who tied her friend's hands
|
| 2085 |
+
|
| 2086 |
+
439
|
| 2087 |
+
00:45:17,840 --> 00:45:20,050
|
| 2088 |
+
and threw her from the 13th floor
|
| 2089 |
+
|
| 2090 |
+
440
|
| 2091 |
+
00:45:20,218 --> 00:45:23,678
|
| 2092 |
+
for speaking badly of their class team
|
| 2093 |
+
hadn't discovered it yet.
|
| 2094 |
+
|
| 2095 |
+
441
|
| 2096 |
+
00:45:23,805 --> 00:45:26,598
|
| 2097 |
+
Parents who demand
|
| 2098 |
+
more special telephone lines
|
| 2099 |
+
|
| 2100 |
+
442
|
| 2101 |
+
00:45:26,766 --> 00:45:28,558
|
| 2102 |
+
to prevent children's suicides
|
| 2103 |
+
|
| 2104 |
+
443
|
| 2105 |
+
00:45:28,726 --> 00:45:32,562
|
| 2106 |
+
find out a little late
|
| 2107 |
+
that they kept the secret too well.
|
| 2108 |
+
|
| 2109 |
+
444
|
| 2110 |
+
00:45:33,856 --> 00:45:37,317
|
| 2111 |
+
Rock is an international language
|
| 2112 |
+
for spreading the secret.
|
| 2113 |
+
|
| 2114 |
+
445
|
| 2115 |
+
00:45:37,902 --> 00:45:40,695
|
| 2116 |
+
Another is peculiar to Tokyo.
|
| 2117 |
+
|
| 2118 |
+
446
|
| 2119 |
+
00:45:48,871 --> 00:45:52,124
|
| 2120 |
+
For the Takenoko,
|
| 2121 |
+
20 is retiring age.
|
| 2122 |
+
|
| 2123 |
+
447
|
| 2124 |
+
00:45:52,250 --> 00:45:54,084
|
| 2125 |
+
They are baby Martians.
|
| 2126 |
+
|
| 2127 |
+
448
|
| 2128 |
+
00:45:54,210 --> 00:45:57,546
|
| 2129 |
+
I go see them dance
|
| 2130 |
+
every Sunday in Yoyogi Park.
|
| 2131 |
+
|
| 2132 |
+
449
|
| 2133 |
+
00:45:57,964 --> 00:46:02,134
|
| 2134 |
+
They want people to look at them
|
| 2135 |
+
but seem not to notice when they do.
|
| 2136 |
+
|
| 2137 |
+
450
|
| 2138 |
+
00:46:02,301 --> 00:46:03,927
|
| 2139 |
+
They live
|
| 2140 |
+
in a parallel time stream.
|
| 2141 |
+
|
| 2142 |
+
451
|
| 2143 |
+
00:46:04,095 --> 00:46:07,389
|
| 2144 |
+
An invisible aquarium wall
|
| 2145 |
+
separates them from their audience,
|
| 2146 |
+
|
| 2147 |
+
452
|
| 2148 |
+
00:46:07,515 --> 00:46:09,766
|
| 2149 |
+
and I can spend a whole afternoon
|
| 2150 |
+
|
| 2151 |
+
453
|
| 2152 |
+
00:46:09,934 --> 00:46:14,104
|
| 2153 |
+
watching a little Takenoko girl
|
| 2154 |
+
learn the customs of her planet.
|
| 2155 |
+
|
| 2156 |
+
454
|
| 2157 |
+
00:46:28,035 --> 00:46:30,287
|
| 2158 |
+
Beyond that, they wear dog tags,
|
| 2159 |
+
|
| 2160 |
+
455
|
| 2161 |
+
00:46:30,413 --> 00:46:33,165
|
| 2162 |
+
they obey a whistle,
|
| 2163 |
+
the Mafia extorts money from them,
|
| 2164 |
+
|
| 2165 |
+
456
|
| 2166 |
+
00:46:33,332 --> 00:46:35,709
|
| 2167 |
+
and with the exception
|
| 2168 |
+
of a single all-girl group,
|
| 2169 |
+
|
| 2170 |
+
457
|
| 2171 |
+
00:46:35,835 --> 00:46:38,295
|
| 2172 |
+
a boy is always in charge."
|
| 2173 |
+
|
| 2174 |
+
458
|
| 2175 |
+
00:47:36,604 --> 00:47:38,522
|
| 2176 |
+
One day he writes to me,
|
| 2177 |
+
|
| 2178 |
+
459
|
| 2179 |
+
00:47:38,689 --> 00:47:40,440
|
| 2180 |
+
"Description of a dream:
|
| 2181 |
+
|
| 2182 |
+
460
|
| 2183 |
+
00:47:40,608 --> 00:47:42,692
|
| 2184 |
+
More and more,
|
| 2185 |
+
my dreams are set
|
| 2186 |
+
|
| 2187 |
+
461
|
| 2188 |
+
00:47:42,860 --> 00:47:44,653
|
| 2189 |
+
in the department stores of Tokyo,
|
| 2190 |
+
|
| 2191 |
+
462
|
| 2192 |
+
00:47:44,820 --> 00:47:47,280
|
| 2193 |
+
the subterranean passages
|
| 2194 |
+
that parallel the city above.
|
| 2195 |
+
|
| 2196 |
+
463
|
| 2197 |
+
00:47:49,242 --> 00:47:52,869
|
| 2198 |
+
A face appears, then disappears.
|
| 2199 |
+
A trace is found, then lost.
|
| 2200 |
+
|
| 2201 |
+
464
|
| 2202 |
+
00:47:53,037 --> 00:47:56,206
|
| 2203 |
+
The folklore of dreams is so much intact
|
| 2204 |
+
that the next day, when I'm awake,
|
| 2205 |
+
|
| 2206 |
+
465
|
| 2207 |
+
00:47:56,332 --> 00:47:59,543
|
| 2208 |
+
I realize that I continue to seek
|
| 2209 |
+
in this basement labyrinth
|
| 2210 |
+
|
| 2211 |
+
466
|
| 2212 |
+
00:47:59,669 --> 00:48:02,712
|
| 2213 |
+
the presence concealed
|
| 2214 |
+
the night before.
|
| 2215 |
+
|
| 2216 |
+
467
|
| 2217 |
+
00:48:03,172 --> 00:48:05,715
|
| 2218 |
+
I begin to wonder
|
| 2219 |
+
if those dreams are really mine,
|
| 2220 |
+
|
| 2221 |
+
468
|
| 2222 |
+
00:48:05,841 --> 00:48:09,761
|
| 2223 |
+
or if they're part of a totality,
|
| 2224 |
+
a gigantic collective dream,
|
| 2225 |
+
|
| 2226 |
+
469
|
| 2227 |
+
00:48:09,929 --> 00:48:13,098
|
| 2228 |
+
of which the entire city
|
| 2229 |
+
may be the projection.
|
| 2230 |
+
|
| 2231 |
+
470
|
| 2232 |
+
00:48:13,558 --> 00:48:16,393
|
| 2233 |
+
It might suffice to pick up
|
| 2234 |
+
any of the telephones lying around
|
| 2235 |
+
|
| 2236 |
+
471
|
| 2237 |
+
00:48:16,561 --> 00:48:18,311
|
| 2238 |
+
to hear a familiar voice
|
| 2239 |
+
|
| 2240 |
+
472
|
| 2241 |
+
00:48:19,063 --> 00:48:21,940
|
| 2242 |
+
or the beating of a heart -
|
| 2243 |
+
|
| 2244 |
+
473
|
| 2245 |
+
00:48:22,400 --> 00:48:25,068
|
| 2246 |
+
Sei Shonagon's, for example.
|
| 2247 |
+
|
| 2248 |
+
474
|
| 2249 |
+
00:48:25,945 --> 00:48:27,612
|
| 2250 |
+
All the underground passages
|
| 2251 |
+
lead to train stations.
|
| 2252 |
+
|
| 2253 |
+
475
|
| 2254 |
+
00:48:27,780 --> 00:48:30,949
|
| 2255 |
+
The same companies own the stores
|
| 2256 |
+
and the railroads that bear their name -
|
| 2257 |
+
|
| 2258 |
+
476
|
| 2259 |
+
00:48:31,117 --> 00:48:34,411
|
| 2260 |
+
Keio, Odakyu,
|
| 2261 |
+
all those names of ports.
|
| 2262 |
+
|
| 2263 |
+
477
|
| 2264 |
+
00:48:34,537 --> 00:48:37,789
|
| 2265 |
+
The train inhabited by sleeping people
|
| 2266 |
+
assembles all the fragments of dreams
|
| 2267 |
+
|
| 2268 |
+
478
|
| 2269 |
+
00:48:37,915 --> 00:48:41,167
|
| 2270 |
+
and makes a single film of them,
|
| 2271 |
+
the ultimate film.
|
| 2272 |
+
|
| 2273 |
+
479
|
| 2274 |
+
00:48:41,294 --> 00:48:44,546
|
| 2275 |
+
The tickets from the automatic dispenser
|
| 2276 |
+
grant admission to the show."
|
| 2277 |
+
|
| 2278 |
+
480
|
| 2279 |
+
00:53:50,269 --> 00:53:53,855
|
| 2280 |
+
He told me of the January light
|
| 2281 |
+
on the stations' stairways.
|
| 2282 |
+
|
| 2283 |
+
481
|
| 2284 |
+
00:53:54,398 --> 00:53:57,734
|
| 2285 |
+
Ηe said the city ought to be
|
| 2286 |
+
deciphered like a musical score.
|
| 2287 |
+
|
| 2288 |
+
482
|
| 2289 |
+
00:53:59,820 --> 00:54:03,573
|
| 2290 |
+
One could get lost in the great orchestral
|
| 2291 |
+
masses and the accumulation of details,
|
| 2292 |
+
|
| 2293 |
+
483
|
| 2294 |
+
00:54:03,741 --> 00:54:05,950
|
| 2295 |
+
but that yielded
|
| 2296 |
+
the cheapest image of Tokyo:
|
| 2297 |
+
|
| 2298 |
+
484
|
| 2299 |
+
00:54:06,118 --> 00:54:08,828
|
| 2300 |
+
overcrowded,
|
| 2301 |
+
megalomaniac, inhuman.
|
| 2302 |
+
|
| 2303 |
+
485
|
| 2304 |
+
00:54:08,996 --> 00:54:11,456
|
| 2305 |
+
Ηe thought he saw
|
| 2306 |
+
more subtle cycles there:
|
| 2307 |
+
|
| 2308 |
+
486
|
| 2309 |
+
00:54:11,624 --> 00:54:14,375
|
| 2310 |
+
rhythms, clusters of faces
|
| 2311 |
+
glimpsed in passing,
|
| 2312 |
+
|
| 2313 |
+
487
|
| 2314 |
+
00:54:14,501 --> 00:54:18,212
|
| 2315 |
+
as different and precise
|
| 2316 |
+
as groups of instruments.
|
| 2317 |
+
|
| 2318 |
+
488
|
| 2319 |
+
00:54:18,589 --> 00:54:21,633
|
| 2320 |
+
Sometimes the musical comparison
|
| 2321 |
+
coincided with plain reality:
|
| 2322 |
+
|
| 2323 |
+
489
|
| 2324 |
+
00:54:22,217 --> 00:54:25,845
|
| 2325 |
+
The Sony stairway in the Ginza
|
| 2326 |
+
was itself a musical instrument,
|
| 2327 |
+
|
| 2328 |
+
490
|
| 2329 |
+
00:54:25,971 --> 00:54:28,097
|
| 2330 |
+
each step a note.
|
| 2331 |
+
|
| 2332 |
+
491
|
| 2333 |
+
00:54:28,265 --> 00:54:31,267
|
| 2334 |
+
It all fit together like voices
|
| 2335 |
+
in a complicated fugue,
|
| 2336 |
+
|
| 2337 |
+
492
|
| 2338 |
+
00:54:31,393 --> 00:54:34,395
|
| 2339 |
+
but it was enough to seize one
|
| 2340 |
+
and hang on to it:
|
| 2341 |
+
|
| 2342 |
+
493
|
| 2343 |
+
00:54:34,521 --> 00:54:36,940
|
| 2344 |
+
the television screens,
|
| 2345 |
+
for example.
|
| 2346 |
+
|
| 2347 |
+
494
|
| 2348 |
+
00:54:37,107 --> 00:54:39,192
|
| 2349 |
+
All by themselves
|
| 2350 |
+
they created an itinerary
|
| 2351 |
+
|
| 2352 |
+
495
|
| 2353 |
+
00:54:39,318 --> 00:54:42,111
|
| 2354 |
+
that sometimes
|
| 2355 |
+
took unexpected turns.
|
| 2356 |
+
|
| 2357 |
+
496
|
| 2358 |
+
00:54:42,237 --> 00:54:43,863
|
| 2359 |
+
It was sumo season,
|
| 2360 |
+
|
| 2361 |
+
497
|
| 2362 |
+
00:54:43,989 --> 00:54:47,283
|
| 2363 |
+
and the fans watching the fights
|
| 2364 |
+
in the very chic Ginza showrooms
|
| 2365 |
+
|
| 2366 |
+
498
|
| 2367 |
+
00:54:47,451 --> 00:54:50,203
|
| 2368 |
+
were the poorest of the Tokyo poor,
|
| 2369 |
+
|
| 2370 |
+
499
|
| 2371 |
+
00:54:50,329 --> 00:54:52,872
|
| 2372 |
+
so poor they didn't have even a TV set.
|
| 2373 |
+
|
| 2374 |
+
500
|
| 2375 |
+
00:54:53,040 --> 00:54:56,125
|
| 2376 |
+
Ηe saw them come,
|
| 2377 |
+
these lost souls of Namidabashi
|
| 2378 |
+
|
| 2379 |
+
501
|
| 2380 |
+
00:54:56,293 --> 00:54:59,671
|
| 2381 |
+
with whom he'd drunk sake
|
| 2382 |
+
one sunny dawn.
|
| 2383 |
+
|
| 2384 |
+
502
|
| 2385 |
+
00:54:59,797 --> 00:55:02,465
|
| 2386 |
+
How many seasons ago was that now?
|
| 2387 |
+
|
| 2388 |
+
503
|
| 2389 |
+
00:56:33,015 --> 00:56:34,891
|
| 2390 |
+
He wrote me...
|
| 2391 |
+
|
| 2392 |
+
504
|
| 2393 |
+
00:56:36,101 --> 00:56:38,436
|
| 2394 |
+
"Even in the stalls
|
| 2395 |
+
selling spare electronic parts
|
| 2396 |
+
|
| 2397 |
+
505
|
| 2398 |
+
00:56:38,604 --> 00:56:41,355
|
| 2399 |
+
that some hipsters use for jewelry,
|
| 2400 |
+
|
| 2401 |
+
506
|
| 2402 |
+
00:56:41,523 --> 00:56:44,692
|
| 2403 |
+
there is, in Tokyo's musical score,
|
| 2404 |
+
a particular staff
|
| 2405 |
+
|
| 2406 |
+
507
|
| 2407 |
+
00:56:44,860 --> 00:56:48,362
|
| 2408 |
+
whose rarity in Europe condemns me
|
| 2409 |
+
to a real acoustic exile:
|
| 2410 |
+
|
| 2411 |
+
508
|
| 2412 |
+
00:56:48,530 --> 00:56:51,157
|
| 2413 |
+
the music of video games.
|
| 2414 |
+
|
| 2415 |
+
509
|
| 2416 |
+
00:56:51,742 --> 00:56:53,743
|
| 2417 |
+
They're built into tables.
|
| 2418 |
+
|
| 2419 |
+
510
|
| 2420 |
+
00:56:53,911 --> 00:56:56,829
|
| 2421 |
+
You can drink and have lunch
|
| 2422 |
+
and go on playing.
|
| 2423 |
+
|
| 2424 |
+
511
|
| 2425 |
+
00:56:57,081 --> 00:56:58,998
|
| 2426 |
+
The arcades open onto the street,
|
| 2427 |
+
|
| 2428 |
+
512
|
| 2429 |
+
00:56:59,166 --> 00:57:01,793
|
| 2430 |
+
where you can listen
|
| 2431 |
+
and play from memory.
|
| 2432 |
+
|
| 2433 |
+
513
|
| 2434 |
+
00:57:30,697 --> 00:57:33,032
|
| 2435 |
+
I witnessed the birth
|
| 2436 |
+
of these games in Japan.
|
| 2437 |
+
|
| 2438 |
+
514
|
| 2439 |
+
00:57:33,200 --> 00:57:37,120
|
| 2440 |
+
I met them again later all over the world,
|
| 2441 |
+
but one detail was different.
|
| 2442 |
+
|
| 2443 |
+
515
|
| 2444 |
+
00:57:37,246 --> 00:57:38,996
|
| 2445 |
+
At first it was the familiar game,
|
| 2446 |
+
|
| 2447 |
+
516
|
| 2448 |
+
00:57:39,164 --> 00:57:42,708
|
| 2449 |
+
a politically incorrect battering
|
| 2450 |
+
aimed at killing off creatures
|
| 2451 |
+
|
| 2452 |
+
517
|
| 2453 |
+
00:57:42,876 --> 00:57:47,630
|
| 2454 |
+
that were either prairie dogs
|
| 2455 |
+
or baby seals - I can't be sure which.
|
| 2456 |
+
|
| 2457 |
+
518
|
| 2458 |
+
00:57:48,632 --> 00:57:51,467
|
| 2459 |
+
Here's the new Japanese variation:
|
| 2460 |
+
|
| 2461 |
+
519
|
| 2462 |
+
00:57:51,635 --> 00:57:55,763
|
| 2463 |
+
lnstead of the critters, there are
|
| 2464 |
+
vaguely human heads identified by labels.
|
| 2465 |
+
|
| 2466 |
+
520
|
| 2467 |
+
00:57:55,889 --> 00:57:58,641
|
| 2468 |
+
At the top, the chairman of the board.
|
| 2469 |
+
|
| 2470 |
+
521
|
| 2471 |
+
00:57:58,892 --> 00:58:02,603
|
| 2472 |
+
In front of him,
|
| 2473 |
+
the vice president and directors.
|
| 2474 |
+
|
| 2475 |
+
522
|
| 2476 |
+
00:58:02,729 --> 00:58:05,982
|
| 2477 |
+
In the front row, department heads
|
| 2478 |
+
and personnel manager.
|
| 2479 |
+
|
| 2480 |
+
523
|
| 2481 |
+
00:58:06,400 --> 00:58:08,442
|
| 2482 |
+
The guy I filmed,
|
| 2483 |
+
|
| 2484 |
+
524
|
| 2485 |
+
00:58:08,569 --> 00:58:11,279
|
| 2486 |
+
who was smashing up
|
| 2487 |
+
the hierarchy with enviable energy,
|
| 2488 |
+
|
| 2489 |
+
525
|
| 2490 |
+
00:58:11,405 --> 00:58:13,948
|
| 2491 |
+
confided that it was
|
| 2492 |
+
not at all allegorical for him,
|
| 2493 |
+
|
| 2494 |
+
526
|
| 2495 |
+
00:58:14,116 --> 00:58:16,701
|
| 2496 |
+
that he was thinking
|
| 2497 |
+
very specifically of his superiors.
|
| 2498 |
+
|
| 2499 |
+
527
|
| 2500 |
+
00:58:16,869 --> 00:58:19,162
|
| 2501 |
+
That's no doubt why
|
| 2502 |
+
the 'personnel manager'
|
| 2503 |
+
|
| 2504 |
+
528
|
| 2505 |
+
00:58:19,288 --> 00:58:23,541
|
| 2506 |
+
has been clubbed so often and so hard
|
| 2507 |
+
that it was taken out of commission
|
| 2508 |
+
|
| 2509 |
+
529
|
| 2510 |
+
00:58:23,709 --> 00:58:27,378
|
| 2511 |
+
and a baby seal
|
| 2512 |
+
reinserted in its place.
|
| 2513 |
+
|
| 2514 |
+
530
|
| 2515 |
+
00:58:32,217 --> 00:58:34,677
|
| 2516 |
+
Hayao Yamaneko invents
|
| 2517 |
+
video games with his machine.
|
| 2518 |
+
|
| 2519 |
+
531
|
| 2520 |
+
00:58:36,096 --> 00:58:39,515
|
| 2521 |
+
To please me, he puts in
|
| 2522 |
+
my most beloved animals,
|
| 2523 |
+
|
| 2524 |
+
532
|
| 2525 |
+
00:58:39,683 --> 00:58:41,684
|
| 2526 |
+
the cat and the owl.
|
| 2527 |
+
|
| 2528 |
+
533
|
| 2529 |
+
00:58:48,233 --> 00:58:50,359
|
| 2530 |
+
He claims that only electronics
|
| 2531 |
+
|
| 2532 |
+
534
|
| 2533 |
+
00:58:50,485 --> 00:58:55,031
|
| 2534 |
+
can deal with feeling,
|
| 2535 |
+
memory and imagination.
|
| 2536 |
+
|
| 2537 |
+
535
|
| 2538 |
+
00:58:56,325 --> 00:58:58,659
|
| 2539 |
+
Mizoguchi's Arsène Lupin,
|
| 2540 |
+
for example,
|
| 2541 |
+
|
| 2542 |
+
536
|
| 2543 |
+
00:58:58,827 --> 00:59:01,746
|
| 2544 |
+
or the no-less-imaginary
|
| 2545 |
+
Burakumin.
|
| 2546 |
+
|
| 2547 |
+
537
|
| 2548 |
+
00:59:02,414 --> 00:59:06,959
|
| 2549 |
+
Ηow to show a category
|
| 2550 |
+
of Japanese that doesn't exist?
|
| 2551 |
+
|
| 2552 |
+
538
|
| 2553 |
+
00:59:07,377 --> 00:59:11,672
|
| 2554 |
+
Yes, I saw them in Osaka, for hire
|
| 2555 |
+
by the day, sleeping on the ground.
|
| 2556 |
+
|
| 2557 |
+
539
|
| 2558 |
+
00:59:11,798 --> 00:59:14,926
|
| 2559 |
+
Since the Middle Ages they've been
|
| 2560 |
+
doomed to grubby and thankless jobs,
|
| 2561 |
+
|
| 2562 |
+
540
|
| 2563 |
+
00:59:15,052 --> 00:59:18,429
|
| 2564 |
+
but since the Meiji era,
|
| 2565 |
+
officially nothing sets them apart,
|
| 2566 |
+
|
| 2567 |
+
541
|
| 2568 |
+
00:59:18,555 --> 00:59:23,059
|
| 2569 |
+
and their real name - the eta -
|
| 2570 |
+
is a taboo word, not to be pronounced.
|
| 2571 |
+
|
| 2572 |
+
542
|
| 2573 |
+
00:59:24,269 --> 00:59:26,020
|
| 2574 |
+
They are non-persons.
|
| 2575 |
+
|
| 2576 |
+
543
|
| 2577 |
+
00:59:26,146 --> 00:59:28,981
|
| 2578 |
+
How can they be shown,
|
| 2579 |
+
except as non-images?
|
| 2580 |
+
|
| 2581 |
+
544
|
| 2582 |
+
00:59:38,200 --> 00:59:42,578
|
| 2583 |
+
Video games are the first stage in a plan
|
| 2584 |
+
for machines to help the human race,
|
| 2585 |
+
|
| 2586 |
+
545
|
| 2587 |
+
00:59:42,746 --> 00:59:45,373
|
| 2588 |
+
the only plan that offers
|
| 2589 |
+
a future for intelligence.
|
| 2590 |
+
|
| 2591 |
+
546
|
| 2592 |
+
00:59:46,792 --> 00:59:49,877
|
| 2593 |
+
For the moment, the unsurpassable
|
| 2594 |
+
philosophy of our time
|
| 2595 |
+
|
| 2596 |
+
547
|
| 2597 |
+
00:59:50,003 --> 00:59:52,004
|
| 2598 |
+
is found in Pac-Man.
|
| 2599 |
+
|
| 2600 |
+
548
|
| 2601 |
+
00:59:52,923 --> 00:59:55,591
|
| 2602 |
+
I didn't know, while sacrificing
|
| 2603 |
+
my 100-yen coins to him,
|
| 2604 |
+
|
| 2605 |
+
549
|
| 2606 |
+
00:59:55,759 --> 00:59:57,969
|
| 2607 |
+
that he was to conquer the world.
|
| 2608 |
+
|
| 2609 |
+
550
|
| 2610 |
+
00:59:58,136 --> 01:00:01,889
|
| 2611 |
+
Perhaps because he's the most perfect
|
| 2612 |
+
graphic metaphor of the human condition.
|
| 2613 |
+
|
| 2614 |
+
551
|
| 2615 |
+
01:00:02,057 --> 01:00:03,975
|
| 2616 |
+
He puts into true perspective
|
| 2617 |
+
|
| 2618 |
+
552
|
| 2619 |
+
01:00:04,142 --> 01:00:06,435
|
| 2620 |
+
the balance of power between
|
| 2621 |
+
the individual and the environment,
|
| 2622 |
+
|
| 2623 |
+
553
|
| 2624 |
+
01:00:06,603 --> 01:00:08,813
|
| 2625 |
+
and he tells us soberly
|
| 2626 |
+
that though there's honor
|
| 2627 |
+
|
| 2628 |
+
554
|
| 2629 |
+
01:00:08,939 --> 01:00:11,274
|
| 2630 |
+
in carrying out the greatest number
|
| 2631 |
+
of victorious attacks,
|
| 2632 |
+
|
| 2633 |
+
555
|
| 2634 |
+
01:00:11,400 --> 01:00:14,443
|
| 2635 |
+
it never amounts
|
| 2636 |
+
to anything in the end."
|
| 2637 |
+
|
| 2638 |
+
556
|
| 2639 |
+
01:00:57,321 --> 01:00:59,613
|
| 2640 |
+
He was pleased to see
|
| 2641 |
+
the same chrysanthemums
|
| 2642 |
+
|
| 2643 |
+
557
|
| 2644 |
+
01:00:59,781 --> 01:01:02,658
|
| 2645 |
+
at funerals
|
| 2646 |
+
for both men and animals.
|
| 2647 |
+
|
| 2648 |
+
558
|
| 2649 |
+
01:01:02,784 --> 01:01:05,786
|
| 2650 |
+
He described the ceremony
|
| 2651 |
+
held at the zoo in Ueno,
|
| 2652 |
+
|
| 2653 |
+
559
|
| 2654 |
+
01:01:05,912 --> 01:01:08,122
|
| 2655 |
+
in memory of animals
|
| 2656 |
+
that had died during the year.
|
| 2657 |
+
|
| 2658 |
+
560
|
| 2659 |
+
01:01:08,749 --> 01:01:10,249
|
| 2660 |
+
"For two years now,
|
| 2661 |
+
|
| 2662 |
+
561
|
| 2663 |
+
01:01:10,417 --> 01:01:13,711
|
| 2664 |
+
a certain panda's death has rendered
|
| 2665 |
+
this day even more sorrowful,
|
| 2666 |
+
|
| 2667 |
+
562
|
| 2668 |
+
01:01:13,837 --> 01:01:15,796
|
| 2669 |
+
a loss more irreparable,
|
| 2670 |
+
say the newspapers,
|
| 2671 |
+
|
| 2672 |
+
563
|
| 2673 |
+
01:01:15,964 --> 01:01:17,757
|
| 2674 |
+
than the recent death
|
| 2675 |
+
of the prime minister.
|
| 2676 |
+
|
| 2677 |
+
564
|
| 2678 |
+
01:01:17,924 --> 01:01:19,800
|
| 2679 |
+
Last year people really cried.
|
| 2680 |
+
|
| 2681 |
+
565
|
| 2682 |
+
01:01:19,926 --> 01:01:21,719
|
| 2683 |
+
Now they seem to be
|
| 2684 |
+
getting used to it,
|
| 2685 |
+
|
| 2686 |
+
566
|
| 2687 |
+
01:01:21,887 --> 01:01:24,013
|
| 2688 |
+
accepting that each year
|
| 2689 |
+
death takes a panda
|
| 2690 |
+
|
| 2691 |
+
567
|
| 2692 |
+
01:01:24,181 --> 01:01:27,016
|
| 2693 |
+
as dragons carry off
|
| 2694 |
+
young girls in fairy tales.
|
| 2695 |
+
|
| 2696 |
+
568
|
| 2697 |
+
01:01:29,311 --> 01:01:31,479
|
| 2698 |
+
I've heard this sentence:
|
| 2699 |
+
|
| 2700 |
+
569
|
| 2701 |
+
01:01:33,023 --> 01:01:35,024
|
| 2702 |
+
'The partition separating
|
| 2703 |
+
life from death
|
| 2704 |
+
|
| 2705 |
+
570
|
| 2706 |
+
01:01:35,192 --> 01:01:38,736
|
| 2707 |
+
doesn't seem as thick to us
|
| 2708 |
+
as it does to a Westerner.'
|
| 2709 |
+
|
| 2710 |
+
571
|
| 2711 |
+
01:01:41,114 --> 01:01:44,950
|
| 2712 |
+
What I've read most often in the eyes
|
| 2713 |
+
of people about to die is surprise.
|
| 2714 |
+
|
| 2715 |
+
572
|
| 2716 |
+
01:01:45,660 --> 01:01:49,955
|
| 2717 |
+
What I read right now in the eyes
|
| 2718 |
+
of Japanese children is curiosity,
|
| 2719 |
+
|
| 2720 |
+
573
|
| 2721 |
+
01:01:50,082 --> 01:01:53,834
|
| 2722 |
+
as if they were trying
|
| 2723 |
+
to see through the partition
|
| 2724 |
+
|
| 2725 |
+
574
|
| 2726 |
+
01:01:54,002 --> 01:01:56,045
|
| 2727 |
+
to understand an animal's death."
|
| 2728 |
+
|
| 2729 |
+
575
|
| 2730 |
+
01:03:19,296 --> 01:03:21,130
|
| 2731 |
+
"I've returned from a country
|
| 2732 |
+
|
| 2733 |
+
576
|
| 2734 |
+
01:03:21,298 --> 01:03:25,134
|
| 2735 |
+
where death is not a partition
|
| 2736 |
+
to cross but a road to follow.
|
| 2737 |
+
|
| 2738 |
+
577
|
| 2739 |
+
01:03:25,844 --> 01:03:28,262
|
| 2740 |
+
The Great Ancestor
|
| 2741 |
+
of the Bijago archipelago
|
| 2742 |
+
|
| 2743 |
+
578
|
| 2744 |
+
01:03:28,430 --> 01:03:30,556
|
| 2745 |
+
has described for us
|
| 2746 |
+
the itinerary of the dead,
|
| 2747 |
+
|
| 2748 |
+
579
|
| 2749 |
+
01:03:30,682 --> 01:03:34,727
|
| 2750 |
+
and how they move from island to island
|
| 2751 |
+
according to a rigorous protocol,
|
| 2752 |
+
|
| 2753 |
+
580
|
| 2754 |
+
01:03:34,895 --> 01:03:36,896
|
| 2755 |
+
until they come to the last beach,
|
| 2756 |
+
|
| 2757 |
+
581
|
| 2758 |
+
01:03:37,022 --> 01:03:39,815
|
| 2759 |
+
where they wait
|
| 2760 |
+
for the ship to the other world.
|
| 2761 |
+
|
| 2762 |
+
582
|
| 2763 |
+
01:03:41,860 --> 01:03:45,446
|
| 2764 |
+
If by accident one should meet them,
|
| 2765 |
+
it is imperative not to recognize them.
|
| 2766 |
+
|
| 2767 |
+
583
|
| 2768 |
+
01:03:48,950 --> 01:03:51,660
|
| 2769 |
+
The Bijagos
|
| 2770 |
+
are part of Guinea-Bissau.
|
| 2771 |
+
|
| 2772 |
+
584
|
| 2773 |
+
01:03:51,828 --> 01:03:55,789
|
| 2774 |
+
In an old film clip, Amílcar Cabral
|
| 2775 |
+
waves good-bye to the shore.
|
| 2776 |
+
|
| 2777 |
+
585
|
| 2778 |
+
01:03:55,957 --> 01:03:59,126
|
| 2779 |
+
He's right.
|
| 2780 |
+
Ηe'll never see it again.
|
| 2781 |
+
|
| 2782 |
+
586
|
| 2783 |
+
01:03:59,461 --> 01:04:01,921
|
| 2784 |
+
Luís Cabral made
|
| 2785 |
+
the same gesture 1 5 years later,
|
| 2786 |
+
|
| 2787 |
+
587
|
| 2788 |
+
01:04:02,088 --> 01:04:04,673
|
| 2789 |
+
on the canoe
|
| 2790 |
+
that was bringing us back.
|
| 2791 |
+
|
| 2792 |
+
588
|
| 2793 |
+
01:04:04,841 --> 01:04:09,345
|
| 2794 |
+
Guinea had by that time become a nation,
|
| 2795 |
+
and Luís was its president.
|
| 2796 |
+
|
| 2797 |
+
589
|
| 2798 |
+
01:04:09,846 --> 01:04:12,806
|
| 2799 |
+
All those who remember the war
|
| 2800 |
+
remember him.
|
| 2801 |
+
|
| 2802 |
+
590
|
| 2803 |
+
01:04:13,183 --> 01:04:17,686
|
| 2804 |
+
Like his half brother Amílcar, he was of mixed
|
| 2805 |
+
Guinean and Cape Verdian blood,
|
| 2806 |
+
|
| 2807 |
+
591
|
| 2808 |
+
01:04:17,854 --> 01:04:22,233
|
| 2809 |
+
and, like Amílcar, a founding member
|
| 2810 |
+
of an unusual party, the PAIGC,
|
| 2811 |
+
|
| 2812 |
+
592
|
| 2813 |
+
01:04:22,400 --> 01:04:25,361
|
| 2814 |
+
which, by uniting the two colonized
|
| 2815 |
+
countries in a single struggle,
|
| 2816 |
+
|
| 2817 |
+
593
|
| 2818 |
+
01:04:25,529 --> 01:04:28,822
|
| 2819 |
+
sought to herald
|
| 2820 |
+
a federation of the two states.
|
| 2821 |
+
|
| 2822 |
+
594
|
| 2823 |
+
01:04:29,741 --> 01:04:32,117
|
| 2824 |
+
I've heard the stories
|
| 2825 |
+
of former guerrilla fighters,
|
| 2826 |
+
|
| 2827 |
+
595
|
| 2828 |
+
01:04:32,285 --> 01:04:36,205
|
| 2829 |
+
who'd fought in conditions so inhuman
|
| 2830 |
+
that they pitied the Portuguese soldiers
|
| 2831 |
+
|
| 2832 |
+
596
|
| 2833 |
+
01:04:36,373 --> 01:04:38,582
|
| 2834 |
+
for having to bear what
|
| 2835 |
+
they themselves suffered.
|
| 2836 |
+
|
| 2837 |
+
597
|
| 2838 |
+
01:04:38,750 --> 01:04:41,293
|
| 2839 |
+
I heard that
|
| 2840 |
+
and many more things
|
| 2841 |
+
|
| 2842 |
+
598
|
| 2843 |
+
01:04:41,461 --> 01:04:45,297
|
| 2844 |
+
that make one ashamed for having used
|
| 2845 |
+
lightly, even if inadvertently,
|
| 2846 |
+
|
| 2847 |
+
599
|
| 2848 |
+
01:04:45,465 --> 01:04:48,926
|
| 2849 |
+
the word "guerrilla" to describe
|
| 2850 |
+
a certain kind of filmmaking,
|
| 2851 |
+
|
| 2852 |
+
600
|
| 2853 |
+
01:04:49,094 --> 01:04:51,512
|
| 2854 |
+
a word linked at the time
|
| 2855 |
+
to many theoretical debates
|
| 2856 |
+
|
| 2857 |
+
601
|
| 2858 |
+
01:04:51,680 --> 01:04:54,265
|
| 2859 |
+
as well as bloody defeats
|
| 2860 |
+
on the ground.
|
| 2861 |
+
|
| 2862 |
+
602
|
| 2863 |
+
01:04:54,432 --> 01:04:57,393
|
| 2864 |
+
Amílcar Cabral was the only one
|
| 2865 |
+
to lead a victorious guerrilla war,
|
| 2866 |
+
|
| 2867 |
+
603
|
| 2868 |
+
01:04:57,561 --> 01:04:59,979
|
| 2869 |
+
and not only in terms
|
| 2870 |
+
of military conquests.
|
| 2871 |
+
|
| 2872 |
+
604
|
| 2873 |
+
01:05:00,146 --> 01:05:02,565
|
| 2874 |
+
He knew his people.
|
| 2875 |
+
Ηe'd studied them at length.
|
| 2876 |
+
|
| 2877 |
+
605
|
| 2878 |
+
01:05:02,732 --> 01:05:06,318
|
| 2879 |
+
Ηe wanted every liberated region
|
| 2880 |
+
to herald a different kind of society.
|
| 2881 |
+
|
| 2882 |
+
606
|
| 2883 |
+
01:05:06,486 --> 01:05:09,113
|
| 2884 |
+
The socialist countries send
|
| 2885 |
+
weapons to arm the fighters.
|
| 2886 |
+
|
| 2887 |
+
607
|
| 2888 |
+
01:05:09,281 --> 01:05:12,449
|
| 2889 |
+
The social democracies
|
| 2890 |
+
fill the people's stores.
|
| 2891 |
+
|
| 2892 |
+
608
|
| 2893 |
+
01:05:12,617 --> 01:05:15,077
|
| 2894 |
+
May the extreme Left
|
| 2895 |
+
forgive history,
|
| 2896 |
+
|
| 2897 |
+
609
|
| 2898 |
+
01:05:15,245 --> 01:05:20,082
|
| 2899 |
+
but if the guerrillas are like fish
|
| 2900 |
+
in water, it's a bit thanks to Sweden.
|
| 2901 |
+
|
| 2902 |
+
610
|
| 2903 |
+
01:05:20,250 --> 01:05:23,794
|
| 2904 |
+
Amílcar was not afraid of ambiguities.
|
| 2905 |
+
He knew the traps.
|
| 2906 |
+
|
| 2907 |
+
611
|
| 2908 |
+
01:05:23,962 --> 01:05:25,879
|
| 2909 |
+
He wrote...
|
| 2910 |
+
|
| 2911 |
+
612
|
| 2912 |
+
01:05:26,006 --> 01:05:29,592
|
| 2913 |
+
"It's as though
|
| 2914 |
+
we're facing a raging river,
|
| 2915 |
+
|
| 2916 |
+
613
|
| 2917 |
+
01:05:29,759 --> 01:05:31,635
|
| 2918 |
+
and those trying
|
| 2919 |
+
to cross are drowning.
|
| 2920 |
+
|
| 2921 |
+
614
|
| 2922 |
+
01:05:31,803 --> 01:05:34,555
|
| 2923 |
+
But there's no choice.
|
| 2924 |
+
They must get to the other side."
|
| 2925 |
+
|
| 2926 |
+
615
|
| 2927 |
+
01:05:53,742 --> 01:05:57,536
|
| 2928 |
+
Now the scene moves to Cassaca,
|
| 2929 |
+
February 17th, 1980,
|
| 2930 |
+
|
| 2931 |
+
616
|
| 2932 |
+
01:05:57,704 --> 01:06:00,956
|
| 2933 |
+
but to grasp it properly,
|
| 2934 |
+
one must move forward in time:
|
| 2935 |
+
|
| 2936 |
+
617
|
| 2937 |
+
01:06:01,124 --> 01:06:04,501
|
| 2938 |
+
In a year, Luís Cabral,
|
| 2939 |
+
the president, will be in prison,
|
| 2940 |
+
|
| 2941 |
+
618
|
| 2942 |
+
01:06:04,628 --> 01:06:07,921
|
| 2943 |
+
and the weeping man
|
| 2944 |
+
he has just decorated, Major Nino,
|
| 2945 |
+
|
| 2946 |
+
619
|
| 2947 |
+
01:06:08,089 --> 01:06:10,007
|
| 2948 |
+
will have taken power.
|
| 2949 |
+
|
| 2950 |
+
620
|
| 2951 |
+
01:06:10,133 --> 01:06:12,092
|
| 2952 |
+
The party will have split.
|
| 2953 |
+
|
| 2954 |
+
621
|
| 2955 |
+
01:06:12,218 --> 01:06:15,804
|
| 2956 |
+
Guineans and Capeverdians
|
| 2957 |
+
will be fighting over Amílcar's legacy.
|
| 2958 |
+
|
| 2959 |
+
622
|
| 2960 |
+
01:06:15,972 --> 01:06:18,682
|
| 2961 |
+
We'll see that beneath
|
| 2962 |
+
this ceremony of promotions,
|
| 2963 |
+
|
| 2964 |
+
623
|
| 2965 |
+
01:06:18,808 --> 01:06:21,852
|
| 2966 |
+
seemingly perpetuating
|
| 2967 |
+
the brotherhood of the struggle,
|
| 2968 |
+
|
| 2969 |
+
624
|
| 2970 |
+
01:06:22,020 --> 01:06:24,938
|
| 2971 |
+
there lay a pit
|
| 2972 |
+
of post-victory bitterness,
|
| 2973 |
+
|
| 2974 |
+
625
|
| 2975 |
+
01:06:25,106 --> 01:06:28,275
|
| 2976 |
+
and that Nino's tears expressed
|
| 2977 |
+
not an ex-warrior's emotion
|
| 2978 |
+
|
| 2979 |
+
626
|
| 2980 |
+
01:06:28,443 --> 01:06:30,319
|
| 2981 |
+
but the wounded pride of a hero
|
| 2982 |
+
|
| 2983 |
+
627
|
| 2984 |
+
01:06:30,487 --> 01:06:33,447
|
| 2985 |
+
slighted at not being raised
|
| 2986 |
+
high enough above the rest.
|
| 2987 |
+
|
| 2988 |
+
628
|
| 2989 |
+
01:06:35,659 --> 01:06:38,619
|
| 2990 |
+
Beneath each of these faces
|
| 2991 |
+
lies a memory,
|
| 2992 |
+
|
| 2993 |
+
629
|
| 2994 |
+
01:06:38,787 --> 01:06:41,955
|
| 2995 |
+
and where there was to be
|
| 2996 |
+
one collective memory,
|
| 2997 |
+
|
| 2998 |
+
630
|
| 2999 |
+
01:06:42,207 --> 01:06:45,834
|
| 3000 |
+
there are a thousand memories of men
|
| 3001 |
+
who parade their personal wounds
|
| 3002 |
+
|
| 3003 |
+
631
|
| 3004 |
+
01:06:46,002 --> 01:06:47,836
|
| 3005 |
+
in the great wound of history.
|
| 3006 |
+
|
| 3007 |
+
632
|
| 3008 |
+
01:06:49,130 --> 01:06:53,342
|
| 3009 |
+
In Portugal, swept up in turn
|
| 3010 |
+
by the breaking wave of Bissau,
|
| 3011 |
+
|
| 3012 |
+
633
|
| 3013 |
+
01:06:53,468 --> 01:06:57,304
|
| 3014 |
+
Miguel Torga, who'd struggled all his
|
| 3015 |
+
life against the dictatorship, wrote,
|
| 3016 |
+
|
| 3017 |
+
634
|
| 3018 |
+
01:06:57,430 --> 01:07:00,891
|
| 3019 |
+
'Every bit player
|
| 3020 |
+
represents only himself.
|
| 3021 |
+
|
| 3022 |
+
635
|
| 3023 |
+
01:07:01,267 --> 01:07:03,519
|
| 3024 |
+
lnstead of seeking social change,
|
| 3025 |
+
|
| 3026 |
+
636
|
| 3027 |
+
01:07:03,687 --> 01:07:06,522
|
| 3028 |
+
he seeks simply,
|
| 3029 |
+
in the revolutionary act,
|
| 3030 |
+
|
| 3031 |
+
637
|
| 3032 |
+
01:07:06,690 --> 01:07:09,525
|
| 3033 |
+
to boost his own image.'
|
| 3034 |
+
|
| 3035 |
+
638
|
| 3036 |
+
01:07:11,486 --> 01:07:14,238
|
| 3037 |
+
That's the way
|
| 3038 |
+
the breakers recede,
|
| 3039 |
+
|
| 3040 |
+
639
|
| 3041 |
+
01:07:14,406 --> 01:07:18,575
|
| 3042 |
+
and so predictably that one must believe
|
| 3043 |
+
in an 'amnesia of the future'
|
| 3044 |
+
|
| 3045 |
+
640
|
| 3046 |
+
01:07:18,743 --> 01:07:21,954
|
| 3047 |
+
that history bestows,
|
| 3048 |
+
out of mercy or self-interest,
|
| 3049 |
+
|
| 3050 |
+
641
|
| 3051 |
+
01:07:22,122 --> 01:07:24,456
|
| 3052 |
+
on those it recruits.
|
| 3053 |
+
|
| 3054 |
+
642
|
| 3055 |
+
01:07:24,582 --> 01:07:28,127
|
| 3056 |
+
Amílcar murdered
|
| 3057 |
+
by members of his own party,
|
| 3058 |
+
|
| 3059 |
+
643
|
| 3060 |
+
01:07:28,294 --> 01:07:31,714
|
| 3061 |
+
the liberated areas
|
| 3062 |
+
fallen to bloody petty tyrants,
|
| 3063 |
+
|
| 3064 |
+
644
|
| 3065 |
+
01:07:31,881 --> 01:07:33,966
|
| 3066 |
+
liquidated in their turn
|
| 3067 |
+
by a central power
|
| 3068 |
+
|
| 3069 |
+
645
|
| 3070 |
+
01:07:34,134 --> 01:07:37,720
|
| 3071 |
+
to whose stability everyone
|
| 3072 |
+
paid homage until the military coup -
|
| 3073 |
+
|
| 3074 |
+
646
|
| 3075 |
+
01:07:37,887 --> 01:07:40,305
|
| 3076 |
+
that's how history advances,
|
| 3077 |
+
|
| 3078 |
+
647
|
| 3079 |
+
01:07:40,432 --> 01:07:43,559
|
| 3080 |
+
plugging its memory
|
| 3081 |
+
like one plugs one's ears.
|
| 3082 |
+
|
| 3083 |
+
648
|
| 3084 |
+
01:07:43,727 --> 01:07:45,519
|
| 3085 |
+
Luís, exiled to Cuba,
|
| 3086 |
+
|
| 3087 |
+
649
|
| 3088 |
+
01:07:45,687 --> 01:07:48,397
|
| 3089 |
+
and Nino,
|
| 3090 |
+
himself a target of later plots,
|
| 3091 |
+
|
| 3092 |
+
650
|
| 3093 |
+
01:07:48,565 --> 01:07:52,401
|
| 3094 |
+
can summon each other endlessly
|
| 3095 |
+
before history's court -
|
| 3096 |
+
|
| 3097 |
+
651
|
| 3098 |
+
01:07:52,569 --> 01:07:54,653
|
| 3099 |
+
but history doesn't care.
|
| 3100 |
+
|
| 3101 |
+
652
|
| 3102 |
+
01:07:54,779 --> 01:07:58,073
|
| 3103 |
+
It has only one friend,
|
| 3104 |
+
the one Brando spoke of in Apocalypse:
|
| 3105 |
+
|
| 3106 |
+
653
|
| 3107 |
+
01:07:58,533 --> 01:08:01,410
|
| 3108 |
+
the horror that has
|
| 3109 |
+
a name and a face.
|
| 3110 |
+
|
| 3111 |
+
654
|
| 3112 |
+
01:08:03,788 --> 01:08:06,039
|
| 3113 |
+
I'm writing you all this
|
| 3114 |
+
from another world,
|
| 3115 |
+
|
| 3116 |
+
655
|
| 3117 |
+
01:08:06,166 --> 01:08:08,333
|
| 3118 |
+
a world of appearances.
|
| 3119 |
+
|
| 3120 |
+
656
|
| 3121 |
+
01:08:08,460 --> 01:08:11,670
|
| 3122 |
+
In a way, the two worlds
|
| 3123 |
+
communicate with each other.
|
| 3124 |
+
|
| 3125 |
+
657
|
| 3126 |
+
01:08:11,796 --> 01:08:14,548
|
| 3127 |
+
Memory is to one
|
| 3128 |
+
what history is to the other:
|
| 3129 |
+
|
| 3130 |
+
658
|
| 3131 |
+
01:08:14,716 --> 01:08:16,717
|
| 3132 |
+
an impossibility.
|
| 3133 |
+
|
| 3134 |
+
659
|
| 3135 |
+
01:08:17,260 --> 01:08:20,429
|
| 3136 |
+
Legends are born of the need
|
| 3137 |
+
to decipher the indecipherable.
|
| 3138 |
+
|
| 3139 |
+
660
|
| 3140 |
+
01:08:20,555 --> 01:08:23,265
|
| 3141 |
+
Memories must make do
|
| 3142 |
+
with their delirium, with their drift.
|
| 3143 |
+
|
| 3144 |
+
661
|
| 3145 |
+
01:08:26,019 --> 01:08:27,936
|
| 3146 |
+
A moment stopped would burn
|
| 3147 |
+
|
| 3148 |
+
662
|
| 3149 |
+
01:08:28,104 --> 01:08:31,482
|
| 3150 |
+
like a frame of film caught
|
| 3151 |
+
in the furnace of the projector.
|
| 3152 |
+
|
| 3153 |
+
663
|
| 3154 |
+
01:08:31,608 --> 01:08:34,443
|
| 3155 |
+
Madness protects, as fever does.
|
| 3156 |
+
|
| 3157 |
+
664
|
| 3158 |
+
01:08:36,279 --> 01:08:38,739
|
| 3159 |
+
I envy Hayao and his Zone.
|
| 3160 |
+
|
| 3161 |
+
665
|
| 3162 |
+
01:08:38,907 --> 01:08:41,283
|
| 3163 |
+
He plays
|
| 3164 |
+
with the signs of his memory.
|
| 3165 |
+
|
| 3166 |
+
666
|
| 3167 |
+
01:08:41,451 --> 01:08:43,660
|
| 3168 |
+
He pins them down
|
| 3169 |
+
and decorates them like insects
|
| 3170 |
+
|
| 3171 |
+
667
|
| 3172 |
+
01:08:43,828 --> 01:08:45,621
|
| 3173 |
+
that have flown beyond time
|
| 3174 |
+
|
| 3175 |
+
668
|
| 3176 |
+
01:08:45,789 --> 01:08:49,666
|
| 3177 |
+
and that he can contemplate
|
| 3178 |
+
from a point outside of time -
|
| 3179 |
+
|
| 3180 |
+
669
|
| 3181 |
+
01:08:49,793 --> 01:08:52,252
|
| 3182 |
+
the only eternity we have left.
|
| 3183 |
+
|
| 3184 |
+
670
|
| 3185 |
+
01:08:53,213 --> 01:08:55,214
|
| 3186 |
+
I look at his machines.
|
| 3187 |
+
|
| 3188 |
+
671
|
| 3189 |
+
01:08:55,381 --> 01:08:59,593
|
| 3190 |
+
I think of a world where each memory
|
| 3191 |
+
could create its own legend."
|
| 3192 |
+
|
| 3193 |
+
672
|
| 3194 |
+
01:10:03,700 --> 01:10:06,034
|
| 3195 |
+
He wrote that only one film
|
| 3196 |
+
had been capable
|
| 3197 |
+
|
| 3198 |
+
673
|
| 3199 |
+
01:10:06,160 --> 01:10:08,287
|
| 3200 |
+
of portraying impossible memory,
|
| 3201 |
+
insane memory:
|
| 3202 |
+
|
| 3203 |
+
674
|
| 3204 |
+
01:10:08,454 --> 01:10:11,373
|
| 3205 |
+
Alfred Hitchcock's Vertigo.
|
| 3206 |
+
|
| 3207 |
+
675
|
| 3208 |
+
01:10:13,251 --> 01:10:15,127
|
| 3209 |
+
In the spiral of the opening titles,
|
| 3210 |
+
|
| 3211 |
+
676
|
| 3212 |
+
01:10:15,253 --> 01:10:19,006
|
| 3213 |
+
he saw time covering a field
|
| 3214 |
+
growing ever wider as it moved away,
|
| 3215 |
+
|
| 3216 |
+
677
|
| 3217 |
+
01:10:19,132 --> 01:10:23,594
|
| 3218 |
+
a cyclone whose present moment
|
| 3219 |
+
contains the motionless eye.
|
| 3220 |
+
|
| 3221 |
+
678
|
| 3222 |
+
01:10:24,888 --> 01:10:28,932
|
| 3223 |
+
In San Francisco he'd gone
|
| 3224 |
+
on a pilgrimage to all the film's locations.
|
| 3225 |
+
|
| 3226 |
+
679
|
| 3227 |
+
01:10:29,475 --> 01:10:31,560
|
| 3228 |
+
The florist Podesta Baldocchi,
|
| 3229 |
+
|
| 3230 |
+
680
|
| 3231 |
+
01:10:31,728 --> 01:10:34,813
|
| 3232 |
+
where James Stewart
|
| 3233 |
+
spies on Kim Novak,
|
| 3234 |
+
|
| 3235 |
+
681
|
| 3236 |
+
01:10:34,939 --> 01:10:36,940
|
| 3237 |
+
he the hunter and she the prey -
|
| 3238 |
+
|
| 3239 |
+
682
|
| 3240 |
+
01:10:37,108 --> 01:10:39,443
|
| 3241 |
+
or was it the other way around?
|
| 3242 |
+
|
| 3243 |
+
683
|
| 3244 |
+
01:10:39,819 --> 01:10:42,738
|
| 3245 |
+
The tile floor hadn't changed.
|
| 3246 |
+
|
| 3247 |
+
684
|
| 3248 |
+
01:10:43,072 --> 01:10:45,782
|
| 3249 |
+
He'd driven up and down
|
| 3250 |
+
the hills of San Francisco,
|
| 3251 |
+
|
| 3252 |
+
685
|
| 3253 |
+
01:10:45,909 --> 01:10:49,620
|
| 3254 |
+
where Jimmy Stewart - Scottie -
|
| 3255 |
+
follows Kim Novak - Madeleine.
|
| 3256 |
+
|
| 3257 |
+
686
|
| 3258 |
+
01:10:52,790 --> 01:10:55,751
|
| 3259 |
+
It seems to be about pursuit,
|
| 3260 |
+
mystery and murder,
|
| 3261 |
+
|
| 3262 |
+
687
|
| 3263 |
+
01:10:55,919 --> 01:10:58,295
|
| 3264 |
+
but in truth
|
| 3265 |
+
it's about power and freedom,
|
| 3266 |
+
|
| 3267 |
+
688
|
| 3268 |
+
01:10:58,463 --> 01:11:00,797
|
| 3269 |
+
melancholy and dazzlement,
|
| 3270 |
+
|
| 3271 |
+
689
|
| 3272 |
+
01:11:00,965 --> 01:11:05,093
|
| 3273 |
+
so carefully coded within the spiral
|
| 3274 |
+
that you could miss it
|
| 3275 |
+
|
| 3276 |
+
690
|
| 3277 |
+
01:11:05,261 --> 01:11:07,679
|
| 3278 |
+
and not immediately notice
|
| 3279 |
+
that this vertigo of space
|
| 3280 |
+
|
| 3281 |
+
691
|
| 3282 |
+
01:11:07,847 --> 01:11:10,849
|
| 3283 |
+
in reality stands
|
| 3284 |
+
for the vertigo of time.
|
| 3285 |
+
|
| 3286 |
+
692
|
| 3287 |
+
01:11:12,560 --> 01:11:14,519
|
| 3288 |
+
He'd followed every trail,
|
| 3289 |
+
|
| 3290 |
+
693
|
| 3291 |
+
01:11:14,646 --> 01:11:16,730
|
| 3292 |
+
even to the cemetery
|
| 3293 |
+
at Mission Dolores,
|
| 3294 |
+
|
| 3295 |
+
694
|
| 3296 |
+
01:11:16,856 --> 01:11:20,275
|
| 3297 |
+
where Madeleine prayed
|
| 3298 |
+
at the grave of a woman long dead
|
| 3299 |
+
|
| 3300 |
+
695
|
| 3301 |
+
01:11:20,443 --> 01:11:22,945
|
| 3302 |
+
whom she should not have known.
|
| 3303 |
+
|
| 3304 |
+
696
|
| 3305 |
+
01:11:23,279 --> 01:11:25,781
|
| 3306 |
+
He'd followed Madeleine -
|
| 3307 |
+
as Scottie had done -
|
| 3308 |
+
|
| 3309 |
+
697
|
| 3310 |
+
01:11:25,949 --> 01:11:27,824
|
| 3311 |
+
to the Museum
|
| 3312 |
+
of the Legion of Honor,
|
| 3313 |
+
|
| 3314 |
+
698
|
| 3315 |
+
01:11:27,951 --> 01:11:31,078
|
| 3316 |
+
before the portrait of a dead woman
|
| 3317 |
+
she shouldn't have known.
|
| 3318 |
+
|
| 3319 |
+
699
|
| 3320 |
+
01:11:31,245 --> 01:11:33,872
|
| 3321 |
+
And on the portrait,
|
| 3322 |
+
as in Madeleine's hair,
|
| 3323 |
+
|
| 3324 |
+
700
|
| 3325 |
+
01:11:33,998 --> 01:11:36,041
|
| 3326 |
+
the spiral of time.
|
| 3327 |
+
|
| 3328 |
+
701
|
| 3329 |
+
01:11:44,008 --> 01:11:48,303
|
| 3330 |
+
The Victorian hotel where Madeleine
|
| 3331 |
+
disappeared had itself disappeared.
|
| 3332 |
+
|
| 3333 |
+
702
|
| 3334 |
+
01:11:48,471 --> 01:11:52,265
|
| 3335 |
+
Concrete had replaced it
|
| 3336 |
+
at the corner of Eddie and Gough.
|
| 3337 |
+
|
| 3338 |
+
703
|
| 3339 |
+
01:11:52,392 --> 01:11:56,979
|
| 3340 |
+
But the cross-section of redwood trunk
|
| 3341 |
+
was still in Muir Woods.
|
| 3342 |
+
|
| 3343 |
+
704
|
| 3344 |
+
01:11:57,188 --> 01:11:59,231
|
| 3345 |
+
On it, Madeleine traced
|
| 3346 |
+
the short distance
|
| 3347 |
+
|
| 3348 |
+
705
|
| 3349 |
+
01:11:59,357 --> 01:12:03,652
|
| 3350 |
+
between two of those concentric lines
|
| 3351 |
+
that measure the age of the tree and said,
|
| 3352 |
+
|
| 3353 |
+
706
|
| 3354 |
+
01:12:03,820 --> 01:12:06,571
|
| 3355 |
+
"Ηere I was born,
|
| 3356 |
+
and there I died."
|
| 3357 |
+
|
| 3358 |
+
707
|
| 3359 |
+
01:12:07,699 --> 01:12:10,659
|
| 3360 |
+
He remembered another film
|
| 3361 |
+
in which this passage was quoted:
|
| 3362 |
+
|
| 3363 |
+
708
|
| 3364 |
+
01:12:11,160 --> 01:12:14,079
|
| 3365 |
+
the redwood was
|
| 3366 |
+
in the Jardin des Plantes in Paris,
|
| 3367 |
+
|
| 3368 |
+
709
|
| 3369 |
+
01:12:14,247 --> 01:12:17,457
|
| 3370 |
+
and the hand pointed
|
| 3371 |
+
to a place beyond the tree -
|
| 3372 |
+
|
| 3373 |
+
710
|
| 3374 |
+
01:12:17,583 --> 01:12:19,835
|
| 3375 |
+
outside of time.
|
| 3376 |
+
|
| 3377 |
+
711
|
| 3378 |
+
01:12:22,505 --> 01:12:25,048
|
| 3379 |
+
This painted horse
|
| 3380 |
+
at San Juan Bautista,
|
| 3381 |
+
|
| 3382 |
+
712
|
| 3383 |
+
01:12:25,174 --> 01:12:27,759
|
| 3384 |
+
with an eye
|
| 3385 |
+
that looked like Madeleine's -
|
| 3386 |
+
|
| 3387 |
+
713
|
| 3388 |
+
01:12:27,885 --> 01:12:30,721
|
| 3389 |
+
Ηitchcock had invented nothing.
|
| 3390 |
+
It was all there.
|
| 3391 |
+
|
| 3392 |
+
714
|
| 3393 |
+
01:12:31,723 --> 01:12:33,724
|
| 3394 |
+
He'd run under the arches
|
| 3395 |
+
in the mission
|
| 3396 |
+
|
| 3397 |
+
715
|
| 3398 |
+
01:12:33,850 --> 01:12:35,976
|
| 3399 |
+
as Madeleine had run
|
| 3400 |
+
towards her death -
|
| 3401 |
+
|
| 3402 |
+
716
|
| 3403 |
+
01:12:36,102 --> 01:12:38,687
|
| 3404 |
+
but was it really hers?
|
| 3405 |
+
|
| 3406 |
+
717
|
| 3407 |
+
01:12:41,024 --> 01:12:44,026
|
| 3408 |
+
From this fake tower -
|
| 3409 |
+
the only thing Ηitchcock added -
|
| 3410 |
+
|
| 3411 |
+
718
|
| 3412 |
+
01:12:44,152 --> 01:12:47,029
|
| 3413 |
+
he imagined Scottie
|
| 3414 |
+
as "Time's Fool of Love,"
|
| 3415 |
+
|
| 3416 |
+
719
|
| 3417 |
+
01:12:47,655 --> 01:12:51,950
|
| 3418 |
+
unable to live with memory
|
| 3419 |
+
without falsifying it,
|
| 3420 |
+
|
| 3421 |
+
720
|
| 3422 |
+
01:12:52,076 --> 01:12:55,162
|
| 3423 |
+
inventing a double for Madeleine
|
| 3424 |
+
in another dimension of time,
|
| 3425 |
+
|
| 3426 |
+
721
|
| 3427 |
+
01:12:55,329 --> 01:12:58,206
|
| 3428 |
+
a Zone that would belong
|
| 3429 |
+
only to him,
|
| 3430 |
+
|
| 3431 |
+
722
|
| 3432 |
+
01:12:58,332 --> 01:13:01,043
|
| 3433 |
+
from which he could decipher
|
| 3434 |
+
the undecipherable story
|
| 3435 |
+
|
| 3436 |
+
723
|
| 3437 |
+
01:13:01,169 --> 01:13:04,796
|
| 3438 |
+
begun under the Golden Gate when he
|
| 3439 |
+
pulled Madeleine out of San Francisco Bay,
|
| 3440 |
+
|
| 3441 |
+
724
|
| 3442 |
+
01:13:04,964 --> 01:13:08,091
|
| 3443 |
+
when he'd saved her from death
|
| 3444 |
+
before casting her back to death -
|
| 3445 |
+
|
| 3446 |
+
725
|
| 3447 |
+
01:13:08,217 --> 01:13:10,886
|
| 3448 |
+
or was it the other way around?
|
| 3449 |
+
|
| 3450 |
+
726
|
| 3451 |
+
01:13:26,903 --> 01:13:30,947
|
| 3452 |
+
"In San Francisco I made the pilgrimage
|
| 3453 |
+
of a film I'd seen 19 times.
|
| 3454 |
+
|
| 3455 |
+
727
|
| 3456 |
+
01:13:31,616 --> 01:13:35,202
|
| 3457 |
+
In Iceland, I laid the first stone
|
| 3458 |
+
of an imaginary film.
|
| 3459 |
+
|
| 3460 |
+
728
|
| 3461 |
+
01:13:35,328 --> 01:13:37,996
|
| 3462 |
+
That summer,
|
| 3463 |
+
I'd met three children on a road,
|
| 3464 |
+
|
| 3465 |
+
729
|
| 3466 |
+
01:13:38,164 --> 01:13:40,499
|
| 3467 |
+
and a volcano had risen up
|
| 3468 |
+
out of the sea -
|
| 3469 |
+
|
| 3470 |
+
730
|
| 3471 |
+
01:13:40,625 --> 01:13:43,043
|
| 3472 |
+
the Set Designer at work once again.
|
| 3473 |
+
|
| 3474 |
+
731
|
| 3475 |
+
01:13:44,337 --> 01:13:48,757
|
| 3476 |
+
American astronauts trained in this lunar
|
| 3477 |
+
landscape before flying to the moon.
|
| 3478 |
+
|
| 3479 |
+
732
|
| 3480 |
+
01:13:48,925 --> 01:13:50,926
|
| 3481 |
+
I immediately saw it as a setting
|
| 3482 |
+
for science fiction,
|
| 3483 |
+
|
| 3484 |
+
733
|
| 3485 |
+
01:13:51,094 --> 01:13:52,803
|
| 3486 |
+
the landscape of another planet -
|
| 3487 |
+
|
| 3488 |
+
734
|
| 3489 |
+
01:13:52,970 --> 01:13:57,641
|
| 3490 |
+
No, let it be our own for someone
|
| 3491 |
+
who comes from very far away.
|
| 3492 |
+
|
| 3493 |
+
735
|
| 3494 |
+
01:13:58,643 --> 01:14:01,812
|
| 3495 |
+
I imagine him lumbering about
|
| 3496 |
+
like a deep-sea diver
|
| 3497 |
+
|
| 3498 |
+
736
|
| 3499 |
+
01:14:01,938 --> 01:14:04,314
|
| 3500 |
+
in this volcanic soil
|
| 3501 |
+
that sticks to the soles.
|
| 3502 |
+
|
| 3503 |
+
737
|
| 3504 |
+
01:14:04,440 --> 01:14:08,193
|
| 3505 |
+
All of a sudden he stumbles,
|
| 3506 |
+
and with the next step it's a year later.
|
| 3507 |
+
|
| 3508 |
+
738
|
| 3509 |
+
01:14:08,361 --> 01:14:11,363
|
| 3510 |
+
Ηe's walking on a small path
|
| 3511 |
+
near the Dutch border,
|
| 3512 |
+
|
| 3513 |
+
739
|
| 3514 |
+
01:14:11,531 --> 01:14:14,282
|
| 3515 |
+
along a seabird sanctuary.
|
| 3516 |
+
|
| 3517 |
+
740
|
| 3518 |
+
01:14:15,618 --> 01:14:17,786
|
| 3519 |
+
That's for a start.
|
| 3520 |
+
|
| 3521 |
+
741
|
| 3522 |
+
01:14:17,954 --> 01:14:20,914
|
| 3523 |
+
Why this cut in time,
|
| 3524 |
+
this connection of memories?
|
| 3525 |
+
|
| 3526 |
+
742
|
| 3527 |
+
01:14:21,082 --> 01:14:23,667
|
| 3528 |
+
That's just it.
|
| 3529 |
+
He can't understand.
|
| 3530 |
+
|
| 3531 |
+
743
|
| 3532 |
+
01:14:23,793 --> 01:14:27,462
|
| 3533 |
+
He comes not from another planet
|
| 3534 |
+
but from our future.
|
| 3535 |
+
|
| 3536 |
+
744
|
| 3537 |
+
01:14:27,630 --> 01:14:32,008
|
| 3538 |
+
4001, when the human brain
|
| 3539 |
+
has reached the era of full employment.
|
| 3540 |
+
|
| 3541 |
+
745
|
| 3542 |
+
01:14:32,176 --> 01:14:34,177
|
| 3543 |
+
Everything works to perfection -
|
| 3544 |
+
|
| 3545 |
+
746
|
| 3546 |
+
01:14:34,345 --> 01:14:36,972
|
| 3547 |
+
all that we now allow to slumber,
|
| 3548 |
+
including memory.
|
| 3549 |
+
|
| 3550 |
+
747
|
| 3551 |
+
01:14:37,807 --> 01:14:42,477
|
| 3552 |
+
The logical result:
|
| 3553 |
+
Total recall is memory anesthetized.
|
| 3554 |
+
|
| 3555 |
+
748
|
| 3556 |
+
01:14:42,603 --> 01:14:45,522
|
| 3557 |
+
After so many stories of men
|
| 3558 |
+
who forgot how to remember,
|
| 3559 |
+
|
| 3560 |
+
749
|
| 3561 |
+
01:14:45,690 --> 01:14:48,483
|
| 3562 |
+
here's the story of one
|
| 3563 |
+
who forgot how to forget...
|
| 3564 |
+
|
| 3565 |
+
750
|
| 3566 |
+
01:14:49,819 --> 01:14:52,070
|
| 3567 |
+
and who, through some
|
| 3568 |
+
peculiarity of his nature,
|
| 3569 |
+
|
| 3570 |
+
751
|
| 3571 |
+
01:14:52,238 --> 01:14:56,241
|
| 3572 |
+
instead of being proud and scorning
|
| 3573 |
+
mankind of the past and its shadows,
|
| 3574 |
+
|
| 3575 |
+
752
|
| 3576 |
+
01:14:56,409 --> 01:15:00,996
|
| 3577 |
+
turned to it first with curiosity
|
| 3578 |
+
and then with compassion.
|
| 3579 |
+
|
| 3580 |
+
753
|
| 3581 |
+
01:15:01,164 --> 01:15:03,456
|
| 3582 |
+
In the world he comes from,
|
| 3583 |
+
to call forth a vision,
|
| 3584 |
+
|
| 3585 |
+
754
|
| 3586 |
+
01:15:03,583 --> 01:15:06,418
|
| 3587 |
+
to be moved by a portrait,
|
| 3588 |
+
to tremble at the sound of music
|
| 3589 |
+
|
| 3590 |
+
755
|
| 3591 |
+
01:15:06,586 --> 01:15:10,338
|
| 3592 |
+
can only be signs
|
| 3593 |
+
of a long and painful prehistory.
|
| 3594 |
+
|
| 3595 |
+
756
|
| 3596 |
+
01:15:10,840 --> 01:15:12,799
|
| 3597 |
+
He wants to understand.
|
| 3598 |
+
|
| 3599 |
+
757
|
| 3600 |
+
01:15:12,967 --> 01:15:16,803
|
| 3601 |
+
He feels these infirmities of time
|
| 3602 |
+
like an injustice,
|
| 3603 |
+
|
| 3604 |
+
758
|
| 3605 |
+
01:15:16,929 --> 01:15:21,016
|
| 3606 |
+
and he reacts to it like Che Guevara
|
| 3607 |
+
or youth of the '60s - with indignation.
|
| 3608 |
+
|
| 3609 |
+
759
|
| 3610 |
+
01:15:22,560 --> 01:15:24,686
|
| 3611 |
+
He's a third worlder of time.
|
| 3612 |
+
|
| 3613 |
+
760
|
| 3614 |
+
01:15:24,854 --> 01:15:27,856
|
| 3615 |
+
The idea that unhappiness
|
| 3616 |
+
had existed in his planet's past
|
| 3617 |
+
|
| 3618 |
+
761
|
| 3619 |
+
01:15:28,024 --> 01:15:32,277
|
| 3620 |
+
is as unbearable to him as the existence
|
| 3621 |
+
of poverty in their present moment.
|
| 3622 |
+
|
| 3623 |
+
762
|
| 3624 |
+
01:15:36,199 --> 01:15:38,241
|
| 3625 |
+
Naturally, he will fail.
|
| 3626 |
+
|
| 3627 |
+
763
|
| 3628 |
+
01:15:38,409 --> 01:15:40,702
|
| 3629 |
+
The unhappiness he discovers
|
| 3630 |
+
is as inaccessible to him
|
| 3631 |
+
|
| 3632 |
+
764
|
| 3633 |
+
01:15:40,870 --> 01:15:45,457
|
| 3634 |
+
as the poverty of a poor country
|
| 3635 |
+
is to the children of a rich one.
|
| 3636 |
+
|
| 3637 |
+
765
|
| 3638 |
+
01:15:45,625 --> 01:15:48,501
|
| 3639 |
+
He's chosen
|
| 3640 |
+
to give up his privileges,
|
| 3641 |
+
|
| 3642 |
+
766
|
| 3643 |
+
01:15:48,628 --> 01:15:52,547
|
| 3644 |
+
but he can do nothing about the privilege
|
| 3645 |
+
that has allowed him to choose.
|
| 3646 |
+
|
| 3647 |
+
767
|
| 3648 |
+
01:15:53,799 --> 01:15:56,927
|
| 3649 |
+
His only comfort is precisely
|
| 3650 |
+
what threw him into this absurd quest:
|
| 3651 |
+
|
| 3652 |
+
768
|
| 3653 |
+
01:15:57,094 --> 01:16:00,180
|
| 3654 |
+
a song cycle by Mussorgsky.
|
| 3655 |
+
|
| 3656 |
+
769
|
| 3657 |
+
01:16:00,306 --> 01:16:02,724
|
| 3658 |
+
It's still sung in the 40th century.
|
| 3659 |
+
|
| 3660 |
+
770
|
| 3661 |
+
01:16:03,142 --> 01:16:06,394
|
| 3662 |
+
Its meaning has been lost,
|
| 3663 |
+
but for the first time, he glimpsed
|
| 3664 |
+
|
| 3665 |
+
771
|
| 3666 |
+
01:16:06,562 --> 01:16:08,813
|
| 3667 |
+
the presence of that thing
|
| 3668 |
+
he didn't understand,
|
| 3669 |
+
|
| 3670 |
+
772
|
| 3671 |
+
01:16:08,981 --> 01:16:11,358
|
| 3672 |
+
which had to do
|
| 3673 |
+
with unhappiness and memory,
|
| 3674 |
+
|
| 3675 |
+
773
|
| 3676 |
+
01:16:11,484 --> 01:16:13,693
|
| 3677 |
+
which he must grasp at all cost,
|
| 3678 |
+
|
| 3679 |
+
774
|
| 3680 |
+
01:16:13,861 --> 01:16:18,156
|
| 3681 |
+
and toward which, slowly,
|
| 3682 |
+
heavily, he began to walk.
|
| 3683 |
+
|
| 3684 |
+
775
|
| 3685 |
+
01:16:21,118 --> 01:16:23,912
|
| 3686 |
+
Of course,
|
| 3687 |
+
I'll never make that film.
|
| 3688 |
+
|
| 3689 |
+
776
|
| 3690 |
+
01:16:26,332 --> 01:16:29,542
|
| 3691 |
+
Nonetheless, I'm collecting sets,
|
| 3692 |
+
devising plot twists,
|
| 3693 |
+
|
| 3694 |
+
777
|
| 3695 |
+
01:16:29,669 --> 01:16:32,003
|
| 3696 |
+
putting in my favorite creatures.
|
| 3697 |
+
|
| 3698 |
+
778
|
| 3699 |
+
01:16:32,171 --> 01:16:34,506
|
| 3700 |
+
I've even given it a title,
|
| 3701 |
+
|
| 3702 |
+
779
|
| 3703 |
+
01:16:35,091 --> 01:16:37,592
|
| 3704 |
+
indeed, the title
|
| 3705 |
+
of those Mussorgsky songs:
|
| 3706 |
+
|
| 3707 |
+
780
|
| 3708 |
+
01:16:37,927 --> 01:16:39,928
|
| 3709 |
+
Sunless."
|
| 3710 |
+
|
| 3711 |
+
781
|
| 3712 |
+
01:17:00,408 --> 01:17:03,285
|
| 3713 |
+
"On May 15th, 1945, at 7:00 a.m.,
|
| 3714 |
+
|
| 3715 |
+
782
|
| 3716 |
+
01:17:03,452 --> 01:17:06,288
|
| 3717 |
+
the 382nd US Infantry Regiment
|
| 3718 |
+
|
| 3719 |
+
783
|
| 3720 |
+
01:17:06,455 --> 01:17:10,292
|
| 3721 |
+
attacked a hill in Okinawa
|
| 3722 |
+
they had renamed Dick Hill.
|
| 3723 |
+
|
| 3724 |
+
784
|
| 3725 |
+
01:17:10,459 --> 01:17:13,962
|
| 3726 |
+
I suppose they believed
|
| 3727 |
+
they were conquering Japanese soil
|
| 3728 |
+
|
| 3729 |
+
785
|
| 3730 |
+
01:17:14,130 --> 01:17:16,881
|
| 3731 |
+
and knew nothing
|
| 3732 |
+
about Ryukyu civilization.
|
| 3733 |
+
|
| 3734 |
+
786
|
| 3735 |
+
01:17:17,049 --> 01:17:18,717
|
| 3736 |
+
Neither did I,
|
| 3737 |
+
|
| 3738 |
+
787
|
| 3739 |
+
01:17:18,884 --> 01:17:21,177
|
| 3740 |
+
except that the faces
|
| 3741 |
+
of the market ladies at Itoman
|
| 3742 |
+
|
| 3743 |
+
788
|
| 3744 |
+
01:17:21,304 --> 01:17:24,806
|
| 3745 |
+
spoke to me more of Gauguin
|
| 3746 |
+
than of Utamaro.
|
| 3747 |
+
|
| 3748 |
+
789
|
| 3749 |
+
01:17:24,974 --> 01:17:29,144
|
| 3750 |
+
Through centuries of dreamy vassalage,
|
| 3751 |
+
time had not stirred in the archipelago.
|
| 3752 |
+
|
| 3753 |
+
790
|
| 3754 |
+
01:17:29,312 --> 01:17:31,271
|
| 3755 |
+
Then came the rupture.
|
| 3756 |
+
|
| 3757 |
+
791
|
| 3758 |
+
01:17:31,814 --> 01:17:36,234
|
| 3759 |
+
Is it a property of islands to make women
|
| 3760 |
+
the guardians of their memory?
|
| 3761 |
+
|
| 3762 |
+
792
|
| 3763 |
+
01:17:36,402 --> 01:17:40,655
|
| 3764 |
+
I learned that, as in the Bijagos, magic
|
| 3765 |
+
knowledge is passed on through women.
|
| 3766 |
+
|
| 3767 |
+
793
|
| 3768 |
+
01:17:40,823 --> 01:17:43,575
|
| 3769 |
+
Each community
|
| 3770 |
+
has its priestess, the noro,
|
| 3771 |
+
|
| 3772 |
+
794
|
| 3773 |
+
01:17:43,743 --> 01:17:47,162
|
| 3774 |
+
who presides over all ceremonies,
|
| 3775 |
+
with the exception of funerals.
|
| 3776 |
+
|
| 3777 |
+
795
|
| 3778 |
+
01:17:47,788 --> 01:17:49,914
|
| 3779 |
+
The Japanese defended
|
| 3780 |
+
their position inch by inch.
|
| 3781 |
+
|
| 3782 |
+
796
|
| 3783 |
+
01:17:50,082 --> 01:17:53,668
|
| 3784 |
+
At the end of the day,
|
| 3785 |
+
the remnants of L Company
|
| 3786 |
+
|
| 3787 |
+
797
|
| 3788 |
+
01:17:53,794 --> 01:17:56,379
|
| 3789 |
+
had gotten only halfway up the hill -
|
| 3790 |
+
|
| 3791 |
+
798
|
| 3792 |
+
01:17:56,630 --> 01:17:59,132
|
| 3793 |
+
a hill like the one
|
| 3794 |
+
where I followed some villagers
|
| 3795 |
+
|
| 3796 |
+
799
|
| 3797 |
+
01:17:59,675 --> 01:18:02,594
|
| 3798 |
+
on their way
|
| 3799 |
+
to a purification ceremony.
|
| 3800 |
+
|
| 3801 |
+
800
|
| 3802 |
+
01:18:02,762 --> 01:18:05,221
|
| 3803 |
+
The noro communicates
|
| 3804 |
+
with the gods of the sea,
|
| 3805 |
+
|
| 3806 |
+
801
|
| 3807 |
+
01:18:05,348 --> 01:18:07,307
|
| 3808 |
+
of rain, of earth, of fire.
|
| 3809 |
+
|
| 3810 |
+
802
|
| 3811 |
+
01:18:07,475 --> 01:18:11,644
|
| 3812 |
+
She speaks of them as of
|
| 3813 |
+
family members who've made good.
|
| 3814 |
+
|
| 3815 |
+
803
|
| 3816 |
+
01:18:11,812 --> 01:18:15,774
|
| 3817 |
+
All bow down before the Sister Deity,
|
| 3818 |
+
a reflection, in the absolute,
|
| 3819 |
+
|
| 3820 |
+
804
|
| 3821 |
+
01:18:15,900 --> 01:18:18,943
|
| 3822 |
+
of a privileged relationship
|
| 3823 |
+
between brother and sister.
|
| 3824 |
+
|
| 3825 |
+
805
|
| 3826 |
+
01:18:19,111 --> 01:18:22,906
|
| 3827 |
+
Even after her death, the sister
|
| 3828 |
+
maintains her spiritual predominance.
|
| 3829 |
+
|
| 3830 |
+
806
|
| 3831 |
+
01:18:23,032 --> 01:18:25,033
|
| 3832 |
+
At dawn the Americans withdrew.
|
| 3833 |
+
|
| 3834 |
+
807
|
| 3835 |
+
01:18:25,201 --> 01:18:28,036
|
| 3836 |
+
Fighting went on for a month
|
| 3837 |
+
before the island surrendered -
|
| 3838 |
+
|
| 3839 |
+
808
|
| 3840 |
+
01:18:28,204 --> 01:18:30,705
|
| 3841 |
+
and toppled into the modern world.
|
| 3842 |
+
|
| 3843 |
+
809
|
| 3844 |
+
01:18:30,873 --> 01:18:32,624
|
| 3845 |
+
Twenty-seven years
|
| 3846 |
+
of American occupation,
|
| 3847 |
+
|
| 3848 |
+
810
|
| 3849 |
+
01:18:32,792 --> 01:18:35,043
|
| 3850 |
+
Japan's disputed sovereignty restored.
|
| 3851 |
+
|
| 3852 |
+
811
|
| 3853 |
+
01:18:35,211 --> 01:18:37,379
|
| 3854 |
+
Two miles from bowling alleys
|
| 3855 |
+
and gas stations,
|
| 3856 |
+
|
| 3857 |
+
812
|
| 3858 |
+
01:18:37,546 --> 01:18:40,840
|
| 3859 |
+
the noro continues
|
| 3860 |
+
her dialogue with the gods.
|
| 3861 |
+
|
| 3862 |
+
813
|
| 3863 |
+
01:18:41,008 --> 01:18:44,094
|
| 3864 |
+
When she's gone,
|
| 3865 |
+
the dialogue will end.
|
| 3866 |
+
|
| 3867 |
+
814
|
| 3868 |
+
01:18:44,261 --> 01:18:48,264
|
| 3869 |
+
Brothers will no longer know that
|
| 3870 |
+
their dead sister is watching over them.
|
| 3871 |
+
|
| 3872 |
+
815
|
| 3873 |
+
01:19:57,501 --> 01:20:01,588
|
| 3874 |
+
When filming this ceremony, I knew
|
| 3875 |
+
I was present at the end of something.
|
| 3876 |
+
|
| 3877 |
+
816
|
| 3878 |
+
01:20:02,214 --> 01:20:05,675
|
| 3879 |
+
Magical cultures that disappear
|
| 3880 |
+
leave traces for those who follow.
|
| 3881 |
+
|
| 3882 |
+
817
|
| 3883 |
+
01:20:05,843 --> 01:20:08,178
|
| 3884 |
+
This one will leave none.
|
| 3885 |
+
|
| 3886 |
+
818
|
| 3887 |
+
01:20:08,304 --> 01:20:10,638
|
| 3888 |
+
The rupture in history
|
| 3889 |
+
has been too violent.
|
| 3890 |
+
|
| 3891 |
+
819
|
| 3892 |
+
01:20:10,806 --> 01:20:13,391
|
| 3893 |
+
I touched that rupture
|
| 3894 |
+
at the top of the hill,
|
| 3895 |
+
|
| 3896 |
+
820
|
| 3897 |
+
01:20:13,559 --> 01:20:15,560
|
| 3898 |
+
as I had at the edge of the ditch
|
| 3899 |
+
|
| 3900 |
+
821
|
| 3901 |
+
01:20:15,728 --> 01:20:18,730
|
| 3902 |
+
where 200 girls used grenades
|
| 3903 |
+
in 1945 to commit suicide
|
| 3904 |
+
|
| 3905 |
+
822
|
| 3906 |
+
01:20:18,898 --> 01:20:22,609
|
| 3907 |
+
rather than fall into American hands.
|
| 3908 |
+
|
| 3909 |
+
823
|
| 3910 |
+
01:20:22,735 --> 01:20:25,320
|
| 3911 |
+
People have
|
| 3912 |
+
their pictures taken here.
|
| 3913 |
+
|
| 3914 |
+
824
|
| 3915 |
+
01:20:25,446 --> 01:20:29,324
|
| 3916 |
+
Grenade-shaped cigarette lighters
|
| 3917 |
+
are sold nearby as souvenirs.
|
| 3918 |
+
|
| 3919 |
+
825
|
| 3920 |
+
01:20:34,205 --> 01:20:35,747
|
| 3921 |
+
On Hayao's machine,
|
| 3922 |
+
|
| 3923 |
+
826
|
| 3924 |
+
01:20:35,873 --> 01:20:41,252
|
| 3925 |
+
war resembles letters being burned,
|
| 3926 |
+
shredded in a fiery frame.
|
| 3927 |
+
|
| 3928 |
+
827
|
| 3929 |
+
01:20:41,504 --> 01:20:45,173
|
| 3930 |
+
The code name for Pearl Harbor
|
| 3931 |
+
was "Tora, tora, tora,"
|
| 3932 |
+
|
| 3933 |
+
828
|
| 3934 |
+
01:20:45,341 --> 01:20:49,093
|
| 3935 |
+
the name of the cat the couple
|
| 3936 |
+
in Gotokuji was praying for.
|
| 3937 |
+
|
| 3938 |
+
829
|
| 3939 |
+
01:20:49,261 --> 01:20:54,182
|
| 3940 |
+
So all of this will have begun with
|
| 3941 |
+
the name of a cat pronounced three times.
|
| 3942 |
+
|
| 3943 |
+
830
|
| 3944 |
+
01:21:01,774 --> 01:21:06,402
|
| 3945 |
+
Off Okinawa, kamikazes
|
| 3946 |
+
dived on the American fleet.
|
| 3947 |
+
|
| 3948 |
+
831
|
| 3949 |
+
01:21:06,529 --> 01:21:10,365
|
| 3950 |
+
They would become a legend, and were
|
| 3951 |
+
likelier material for it, obviously,
|
| 3952 |
+
|
| 3953 |
+
832
|
| 3954 |
+
01:21:10,533 --> 01:21:13,576
|
| 3955 |
+
than the special units who exposed
|
| 3956 |
+
their prisoners to the bitter frost of Manchuria
|
| 3957 |
+
|
| 3958 |
+
833
|
| 3959 |
+
01:21:13,744 --> 01:21:18,706
|
| 3960 |
+
and then to hot water to see
|
| 3961 |
+
how fast flesh separates from bone.
|
| 3962 |
+
|
| 3963 |
+
834
|
| 3964 |
+
01:21:19,542 --> 01:21:23,795
|
| 3965 |
+
Only their last letters would reveal
|
| 3966 |
+
that the kamikaze weren't all volunteers,
|
| 3967 |
+
|
| 3968 |
+
835
|
| 3969 |
+
01:21:23,921 --> 01:21:26,756
|
| 3970 |
+
nor were they all
|
| 3971 |
+
swashbuckling samurai.
|
| 3972 |
+
|
| 3973 |
+
836
|
| 3974 |
+
01:21:26,924 --> 01:21:29,842
|
| 3975 |
+
Before drinking his last cup of sake,
|
| 3976 |
+
|
| 3977 |
+
837
|
| 3978 |
+
01:21:29,969 --> 01:21:32,262
|
| 3979 |
+
Ryoji Uebara had written,
|
| 3980 |
+
|
| 3981 |
+
838
|
| 3982 |
+
01:21:32,388 --> 01:21:36,474
|
| 3983 |
+
'I've always thought that Japan
|
| 3984 |
+
must live free to live eternally.
|
| 3985 |
+
|
| 3986 |
+
839
|
| 3987 |
+
01:21:36,600 --> 01:21:40,812
|
| 3988 |
+
It may seem idiotic to say that today,
|
| 3989 |
+
under a totalitarian regime.
|
| 3990 |
+
|
| 3991 |
+
840
|
| 3992 |
+
01:21:41,355 --> 01:21:46,484
|
| 3993 |
+
We kamikaze pilots are machines.
|
| 3994 |
+
We have nothing to say
|
| 3995 |
+
|
| 3996 |
+
841
|
| 3997 |
+
01:21:46,652 --> 01:21:50,488
|
| 3998 |
+
except to beg our compatriots to make
|
| 3999 |
+
Japan the great country of our dreams.
|
| 4000 |
+
|
| 4001 |
+
842
|
| 4002 |
+
01:21:50,656 --> 01:21:52,490
|
| 4003 |
+
In the plane I'm a machine,
|
| 4004 |
+
|
| 4005 |
+
843
|
| 4006 |
+
01:21:52,658 --> 01:21:55,577
|
| 4007 |
+
a bit of magnetized metal that will
|
| 4008 |
+
plaster itself to an aircraft carrier,
|
| 4009 |
+
|
| 4010 |
+
844
|
| 4011 |
+
01:21:55,744 --> 01:22:00,748
|
| 4012 |
+
but on the ground, I'm a human being,
|
| 4013 |
+
with feelings and passions.
|
| 4014 |
+
|
| 4015 |
+
845
|
| 4016 |
+
01:22:00,874 --> 01:22:03,167
|
| 4017 |
+
Please excuse
|
| 4018 |
+
these disorganized thoughts.
|
| 4019 |
+
|
| 4020 |
+
846
|
| 4021 |
+
01:22:03,294 --> 01:22:05,253
|
| 4022 |
+
I'm leaving you
|
| 4023 |
+
with a rather melancholy picture,
|
| 4024 |
+
|
| 4025 |
+
847
|
| 4026 |
+
01:22:05,421 --> 01:22:07,922
|
| 4027 |
+
but in the depths of my heart,
|
| 4028 |
+
I'm happy.
|
| 4029 |
+
|
| 4030 |
+
848
|
| 4031 |
+
01:22:08,090 --> 01:22:11,301
|
| 4032 |
+
I've spoken frankly.
|
| 4033 |
+
Forgive me."'
|
| 4034 |
+
|
| 4035 |
+
849
|
| 4036 |
+
01:23:36,053 --> 01:23:39,347
|
| 4037 |
+
Every time he came back from Africa,
|
| 4038 |
+
he stopped at the lsland of Sal,
|
| 4039 |
+
|
| 4040 |
+
850
|
| 4041 |
+
01:23:39,515 --> 01:23:41,683
|
| 4042 |
+
a salt rock
|
| 4043 |
+
in the middle of the Atlantic.
|
| 4044 |
+
|
| 4045 |
+
851
|
| 4046 |
+
01:23:43,018 --> 01:23:44,852
|
| 4047 |
+
At the end of the island,
|
| 4048 |
+
|
| 4049 |
+
852
|
| 4050 |
+
01:23:44,978 --> 01:23:47,855
|
| 4051 |
+
beyond the village of Santa María
|
| 4052 |
+
and its cemetery of painted tombs,
|
| 4053 |
+
|
| 4054 |
+
853
|
| 4055 |
+
01:23:48,023 --> 01:23:50,650
|
| 4056 |
+
one need only walk
|
| 4057 |
+
straight ahead to meet the desert.
|
| 4058 |
+
|
| 4059 |
+
854
|
| 4060 |
+
01:24:05,666 --> 01:24:07,625
|
| 4061 |
+
He wrote...
|
| 4062 |
+
|
| 4063 |
+
855
|
| 4064 |
+
01:24:07,751 --> 01:24:09,627
|
| 4065 |
+
"I've understood the visions.
|
| 4066 |
+
|
| 4067 |
+
856
|
| 4068 |
+
01:24:09,753 --> 01:24:12,338
|
| 4069 |
+
Suddenly you're in the desert
|
| 4070 |
+
the way you are in the night.
|
| 4071 |
+
|
| 4072 |
+
857
|
| 4073 |
+
01:24:12,464 --> 01:24:14,507
|
| 4074 |
+
Whatever is not desert
|
| 4075 |
+
no longer exists.
|
| 4076 |
+
|
| 4077 |
+
858
|
| 4078 |
+
01:24:14,633 --> 01:24:16,634
|
| 4079 |
+
You don't want to believe
|
| 4080 |
+
the images that crop up.
|
| 4081 |
+
|
| 4082 |
+
859
|
| 4083 |
+
01:25:13,650 --> 01:25:17,278
|
| 4084 |
+
Did I write that there are emus
|
| 4085 |
+
in the lle de France?
|
| 4086 |
+
|
| 4087 |
+
860
|
| 4088 |
+
01:25:18,655 --> 01:25:22,617
|
| 4089 |
+
'Island of France' sounds strange
|
| 4090 |
+
on the lsland of Sal.
|
| 4091 |
+
|
| 4092 |
+
861
|
| 4093 |
+
01:25:22,785 --> 01:25:25,077
|
| 4094 |
+
My memory superimposes
|
| 4095 |
+
two towers,
|
| 4096 |
+
|
| 4097 |
+
862
|
| 4098 |
+
01:25:25,204 --> 01:25:28,623
|
| 4099 |
+
the one in the castle ruins of Montepilloy
|
| 4100 |
+
that Joan of Arc used as a camp,
|
| 4101 |
+
|
| 4102 |
+
863
|
| 4103 |
+
01:25:29,208 --> 01:25:31,667
|
| 4104 |
+
and the lighthouse tower
|
| 4105 |
+
at the southern tip of Sal,
|
| 4106 |
+
|
| 4107 |
+
864
|
| 4108 |
+
01:25:31,835 --> 01:25:35,129
|
| 4109 |
+
probably one of the last
|
| 4110 |
+
lighthouses to use oil.
|
| 4111 |
+
|
| 4112 |
+
865
|
| 4113 |
+
01:25:59,446 --> 01:26:02,323
|
| 4114 |
+
A lighthouse in the Sahel
|
| 4115 |
+
looks pasted on
|
| 4116 |
+
|
| 4117 |
+
866
|
| 4118 |
+
01:26:02,491 --> 01:26:06,536
|
| 4119 |
+
until you see the ocean
|
| 4120 |
+
at the edge of the sand and salt.
|
| 4121 |
+
|
| 4122 |
+
867
|
| 4123 |
+
01:26:07,037 --> 01:26:10,498
|
| 4124 |
+
Crews of transcontinental planes
|
| 4125 |
+
are rotated on Sal.
|
| 4126 |
+
|
| 4127 |
+
868
|
| 4128 |
+
01:26:10,666 --> 01:26:12,750
|
| 4129 |
+
Their club brings
|
| 4130 |
+
to this empty frontier
|
| 4131 |
+
|
| 4132 |
+
869
|
| 4133 |
+
01:26:12,876 --> 01:26:16,671
|
| 4134 |
+
a small touch of the seaside resort
|
| 4135 |
+
that makes the rest even more unreal.
|
| 4136 |
+
|
| 4137 |
+
870
|
| 4138 |
+
01:26:16,797 --> 01:26:20,174
|
| 4139 |
+
They feed the stray dogs
|
| 4140 |
+
that live on the beach.
|
| 4141 |
+
|
| 4142 |
+
871
|
| 4143 |
+
01:26:33,689 --> 01:26:36,440
|
| 4144 |
+
My dogs seemed
|
| 4145 |
+
pretty nervous that evening.
|
| 4146 |
+
|
| 4147 |
+
872
|
| 4148 |
+
01:26:36,567 --> 01:26:40,361
|
| 4149 |
+
They played with the sea
|
| 4150 |
+
as I'd never seen them before.
|
| 4151 |
+
|
| 4152 |
+
873
|
| 4153 |
+
01:26:40,529 --> 01:26:43,322
|
| 4154 |
+
Listening to Radio Ηong Kong
|
| 4155 |
+
later on, I understood.
|
| 4156 |
+
|
| 4157 |
+
874
|
| 4158 |
+
01:26:43,448 --> 01:26:46,701
|
| 4159 |
+
That was the first day
|
| 4160 |
+
of the lunar new year,
|
| 4161 |
+
|
| 4162 |
+
875
|
| 4163 |
+
01:26:46,869 --> 01:26:49,036
|
| 4164 |
+
and for the first time in 60 years,
|
| 4165 |
+
|
| 4166 |
+
876
|
| 4167 |
+
01:26:49,204 --> 01:26:51,706
|
| 4168 |
+
the sign of the Dog
|
| 4169 |
+
met the sign of Water."
|
| 4170 |
+
|
| 4171 |
+
877
|
| 4172 |
+
01:27:34,625 --> 01:27:37,043
|
| 4173 |
+
"Out there, 11,000 miles away,
|
| 4174 |
+
|
| 4175 |
+
878
|
| 4176 |
+
01:27:37,169 --> 01:27:40,338
|
| 4177 |
+
a single shadow remains immobile
|
| 4178 |
+
among the long moving shadows
|
| 4179 |
+
|
| 4180 |
+
879
|
| 4181 |
+
01:27:40,505 --> 01:27:43,090
|
| 4182 |
+
that the January light
|
| 4183 |
+
casts on the ground in Tokyo:
|
| 4184 |
+
|
| 4185 |
+
880
|
| 4186 |
+
01:27:43,216 --> 01:27:45,760
|
| 4187 |
+
the shadow of the Asakusa monk.
|
| 4188 |
+
|
| 4189 |
+
881
|
| 4190 |
+
01:28:35,310 --> 01:28:38,312
|
| 4191 |
+
For in Japan too
|
| 4192 |
+
the Year of the Dog is beginning.
|
| 4193 |
+
|
| 4194 |
+
882
|
| 4195 |
+
01:28:38,480 --> 01:28:41,565
|
| 4196 |
+
Temples are filled with visitors
|
| 4197 |
+
who toss their coins
|
| 4198 |
+
|
| 4199 |
+
883
|
| 4200 |
+
01:28:41,733 --> 01:28:43,651
|
| 4201 |
+
and pray, Japanese-style -
|
| 4202 |
+
|
| 4203 |
+
884
|
| 4204 |
+
01:28:43,777 --> 01:28:46,988
|
| 4205 |
+
a prayer slipped quietly into life
|
| 4206 |
+
without interrupting it.
|
| 4207 |
+
|
| 4208 |
+
885
|
| 4209 |
+
01:29:18,687 --> 01:29:21,689
|
| 4210 |
+
Stranded at the end of the world,
|
| 4211 |
+
on my lsland of Sal,
|
| 4212 |
+
|
| 4213 |
+
886
|
| 4214 |
+
01:29:21,857 --> 01:29:24,400
|
| 4215 |
+
in the company
|
| 4216 |
+
of my prancing dogs,
|
| 4217 |
+
|
| 4218 |
+
887
|
| 4219 |
+
01:29:24,526 --> 01:29:26,235
|
| 4220 |
+
I remember that January in Tokyo,
|
| 4221 |
+
|
| 4222 |
+
888
|
| 4223 |
+
01:29:26,403 --> 01:29:30,364
|
| 4224 |
+
or rather I remember the images
|
| 4225 |
+
I filmed that January in Tokyo.
|
| 4226 |
+
|
| 4227 |
+
889
|
| 4228 |
+
01:29:30,532 --> 01:29:32,700
|
| 4229 |
+
They've replaced my memory.
|
| 4230 |
+
|
| 4231 |
+
890
|
| 4232 |
+
01:29:32,868 --> 01:29:34,785
|
| 4233 |
+
They are my memory.
|
| 4234 |
+
|
| 4235 |
+
891
|
| 4236 |
+
01:29:35,037 --> 01:29:37,538
|
| 4237 |
+
I wonder how people remember things
|
| 4238 |
+
|
| 4239 |
+
892
|
| 4240 |
+
01:29:37,664 --> 01:29:40,374
|
| 4241 |
+
who don't film or photograph or tape them.
|
| 4242 |
+
|
| 4243 |
+
893
|
| 4244 |
+
01:29:40,542 --> 01:29:42,543
|
| 4245 |
+
How has mankind
|
| 4246 |
+
managed to remember?
|
| 4247 |
+
|
| 4248 |
+
894
|
| 4249 |
+
01:29:43,170 --> 01:29:45,212
|
| 4250 |
+
I know. It wrote the Bible.
|
| 4251 |
+
|
| 4252 |
+
895
|
| 4253 |
+
01:29:46,673 --> 01:29:49,884
|
| 4254 |
+
The new bible will be
|
| 4255 |
+
an eternal magnetic tape
|
| 4256 |
+
|
| 4257 |
+
896
|
| 4258 |
+
01:29:50,010 --> 01:29:54,138
|
| 4259 |
+
of a time that will have to reread itself
|
| 4260 |
+
constantly, just to know it existed.
|
| 4261 |
+
|
| 4262 |
+
897
|
| 4263 |
+
01:29:54,890 --> 01:29:57,892
|
| 4264 |
+
As we await the year 4001
|
| 4265 |
+
and its total recall,
|
| 4266 |
+
|
| 4267 |
+
898
|
| 4268 |
+
01:29:58,018 --> 01:30:00,478
|
| 4269 |
+
that's what the New Year oracles
|
| 4270 |
+
|
| 4271 |
+
899
|
| 4272 |
+
01:30:00,645 --> 01:30:03,981
|
| 4273 |
+
that we take out of
|
| 4274 |
+
their long hexagonal boxes offer us:
|
| 4275 |
+
|
| 4276 |
+
900
|
| 4277 |
+
01:30:04,107 --> 01:30:06,442
|
| 4278 |
+
a little more power
|
| 4279 |
+
over that memory
|
| 4280 |
+
|
| 4281 |
+
901
|
| 4282 |
+
01:30:06,610 --> 01:30:09,070
|
| 4283 |
+
that runs from camp to camp,
|
| 4284 |
+
like Joan of Arc,
|
| 4285 |
+
|
| 4286 |
+
902
|
| 4287 |
+
01:30:09,196 --> 01:30:11,614
|
| 4288 |
+
that a shortwave announcement
|
| 4289 |
+
from Hong Kong Radio
|
| 4290 |
+
|
| 4291 |
+
903
|
| 4292 |
+
01:30:11,782 --> 01:30:14,742
|
| 4293 |
+
picked up on a Cape Verde lsland
|
| 4294 |
+
projects to Tokyo,
|
| 4295 |
+
|
| 4296 |
+
904
|
| 4297 |
+
01:30:14,910 --> 01:30:17,495
|
| 4298 |
+
and that the memory of a precise color
|
| 4299 |
+
in the street bounces back
|
| 4300 |
+
|
| 4301 |
+
905
|
| 4302 |
+
01:30:17,662 --> 01:30:19,955
|
| 4303 |
+
on another country,
|
| 4304 |
+
another distance,
|
| 4305 |
+
|
| 4306 |
+
906
|
| 4307 |
+
01:30:20,082 --> 01:30:22,249
|
| 4308 |
+
another music, endlessly.
|
| 4309 |
+
|
| 4310 |
+
907
|
| 4311 |
+
01:30:31,718 --> 01:30:33,761
|
| 4312 |
+
At the end of memory's path,
|
| 4313 |
+
|
| 4314 |
+
908
|
| 4315 |
+
01:30:34,137 --> 01:30:37,223
|
| 4316 |
+
the ideograms of the lsland of France
|
| 4317 |
+
are no less enigmatic
|
| 4318 |
+
|
| 4319 |
+
909
|
| 4320 |
+
01:30:37,349 --> 01:30:39,141
|
| 4321 |
+
than the kanji of Tokyo
|
| 4322 |
+
|
| 4323 |
+
910
|
| 4324 |
+
01:30:39,267 --> 01:30:42,186
|
| 4325 |
+
in the miraculous light
|
| 4326 |
+
of the New Year.
|
| 4327 |
+
|
| 4328 |
+
911
|
| 4329 |
+
01:30:42,312 --> 01:30:44,105
|
| 4330 |
+
It's Indian winter.
|
| 4331 |
+
|
| 4332 |
+
912
|
| 4333 |
+
01:30:44,231 --> 01:30:46,107
|
| 4334 |
+
It's as if the air
|
| 4335 |
+
were the first element
|
| 4336 |
+
|
| 4337 |
+
913
|
| 4338 |
+
01:30:46,274 --> 01:30:49,819
|
| 4339 |
+
to emerge purified from the countless
|
| 4340 |
+
ceremonies the Japanese use
|
| 4341 |
+
|
| 4342 |
+
914
|
| 4343 |
+
01:30:49,945 --> 01:30:52,446
|
| 4344 |
+
to wash off one year
|
| 4345 |
+
before entering the next.
|
| 4346 |
+
|
| 4347 |
+
915
|
| 4348 |
+
01:30:52,572 --> 01:30:54,615
|
| 4349 |
+
A full month is just enough
|
| 4350 |
+
|
| 4351 |
+
916
|
| 4352 |
+
01:30:54,783 --> 01:30:59,120
|
| 4353 |
+
to fulfill all the duties
|
| 4354 |
+
that courtesy owes to time,
|
| 4355 |
+
|
| 4356 |
+
917
|
| 4357 |
+
01:30:59,246 --> 01:31:01,288
|
| 4358 |
+
the most interesting
|
| 4359 |
+
being the acquisition,
|
| 4360 |
+
|
| 4361 |
+
918
|
| 4362 |
+
01:31:01,414 --> 01:31:03,624
|
| 4363 |
+
at the temple of Tenjin,
|
| 4364 |
+
of the Uso bird,
|
| 4365 |
+
|
| 4366 |
+
919
|
| 4367 |
+
01:31:03,792 --> 01:31:07,086
|
| 4368 |
+
that, according to one tradition,
|
| 4369 |
+
eats all your lies of the year to come,
|
| 4370 |
+
|
| 4371 |
+
920
|
| 4372 |
+
01:31:07,254 --> 01:31:10,798
|
| 4373 |
+
and according to another,
|
| 4374 |
+
turns them into truths.
|
| 4375 |
+
|
| 4376 |
+
921
|
| 4377 |
+
01:31:10,924 --> 01:31:14,260
|
| 4378 |
+
But what gives the street
|
| 4379 |
+
its color in January,
|
| 4380 |
+
|
| 4381 |
+
922
|
| 4382 |
+
01:31:14,386 --> 01:31:16,595
|
| 4383 |
+
what makes it suddenly different,
|
| 4384 |
+
|
| 4385 |
+
923
|
| 4386 |
+
01:31:16,721 --> 01:31:19,306
|
| 4387 |
+
is the appearance of the kimonos.
|
| 4388 |
+
|
| 4389 |
+
924
|
| 4390 |
+
01:31:19,474 --> 01:31:21,475
|
| 4391 |
+
In the street, in stores, in offices,
|
| 4392 |
+
|
| 4393 |
+
925
|
| 4394 |
+
01:31:21,643 --> 01:31:23,853
|
| 4395 |
+
even at the stock exchange
|
| 4396 |
+
on opening day,
|
| 4397 |
+
|
| 4398 |
+
926
|
| 4399 |
+
01:31:24,020 --> 01:31:27,773
|
| 4400 |
+
girls bring out
|
| 4401 |
+
their fur-collared winter kimonos.
|
| 4402 |
+
|
| 4403 |
+
927
|
| 4404 |
+
01:31:27,899 --> 01:31:29,567
|
| 4405 |
+
At that time of year,
|
| 4406 |
+
|
| 4407 |
+
928
|
| 4408 |
+
01:31:29,734 --> 01:31:33,445
|
| 4409 |
+
others may invent extra-flat TV sets,
|
| 4410 |
+
commit suicide with chain saws,
|
| 4411 |
+
|
| 4412 |
+
929
|
| 4413 |
+
01:31:33,572 --> 01:31:36,532
|
| 4414 |
+
or capture two-thirds of the world market
|
| 4415 |
+
for semiconductors - good for them!
|
| 4416 |
+
|
| 4417 |
+
930
|
| 4418 |
+
01:31:36,700 --> 01:31:39,201
|
| 4419 |
+
All you see are the girls.
|
| 4420 |
+
|
| 4421 |
+
931
|
| 4422 |
+
01:31:49,963 --> 01:31:52,339
|
| 4423 |
+
January 15th
|
| 4424 |
+
is Coming-of-Age day,
|
| 4425 |
+
|
| 4426 |
+
932
|
| 4427 |
+
01:31:52,507 --> 01:31:55,676
|
| 4428 |
+
an obligatory celebration
|
| 4429 |
+
in the life of a young Japanese woman.
|
| 4430 |
+
|
| 4431 |
+
933
|
| 4432 |
+
01:31:55,844 --> 01:31:59,847
|
| 4433 |
+
City governments distribute bags
|
| 4434 |
+
filled with gifts, date books, advice:
|
| 4435 |
+
|
| 4436 |
+
934
|
| 4437 |
+
01:32:00,515 --> 01:32:03,767
|
| 4438 |
+
how to be a good citizen,
|
| 4439 |
+
mother, and wife.
|
| 4440 |
+
|
| 4441 |
+
935
|
| 4442 |
+
01:32:04,728 --> 01:32:08,606
|
| 4443 |
+
On that day, every 20-year-old girl
|
| 4444 |
+
can phone her family for free,
|
| 4445 |
+
|
| 4446 |
+
936
|
| 4447 |
+
01:32:08,773 --> 01:32:11,775
|
| 4448 |
+
no matter where in Japan.
|
| 4449 |
+
|
| 4450 |
+
937
|
| 4451 |
+
01:32:12,485 --> 01:32:16,697
|
| 4452 |
+
Work, home and country -
|
| 4453 |
+
this is the anteroom of adulthood.
|
| 4454 |
+
|
| 4455 |
+
938
|
| 4456 |
+
01:32:16,907 --> 01:32:20,910
|
| 4457 |
+
The world of the Takenoko and of
|
| 4458 |
+
rock singers speeds away like a rocket.
|
| 4459 |
+
|
| 4460 |
+
939
|
| 4461 |
+
01:32:21,369 --> 01:32:24,955
|
| 4462 |
+
Speakers explain
|
| 4463 |
+
what society expects of them.
|
| 4464 |
+
|
| 4465 |
+
940
|
| 4466 |
+
01:32:25,916 --> 01:32:29,251
|
| 4467 |
+
Ηow long will they take
|
| 4468 |
+
to forget the secret?
|
| 4469 |
+
|
| 4470 |
+
941
|
| 4471 |
+
01:33:27,894 --> 01:33:30,020
|
| 4472 |
+
And when
|
| 4473 |
+
all the celebrations are over,
|
| 4474 |
+
|
| 4475 |
+
942
|
| 4476 |
+
01:33:30,146 --> 01:33:33,857
|
| 4477 |
+
all that remains is to collect
|
| 4478 |
+
the ornaments and accessories
|
| 4479 |
+
|
| 4480 |
+
943
|
| 4481 |
+
01:33:33,984 --> 01:33:36,777
|
| 4482 |
+
and burn them
|
| 4483 |
+
in one more celebration.
|
| 4484 |
+
|
| 4485 |
+
944
|
| 4486 |
+
01:34:21,698 --> 01:34:23,615
|
| 4487 |
+
This is dondoyaki,
|
| 4488 |
+
|
| 4489 |
+
945
|
| 4490 |
+
01:34:23,742 --> 01:34:27,828
|
| 4491 |
+
a Shinto blessing of the debris
|
| 4492 |
+
that has a right to immortality,
|
| 4493 |
+
|
| 4494 |
+
946
|
| 4495 |
+
01:34:27,954 --> 01:34:29,747
|
| 4496 |
+
like the dolls at Ueno.
|
| 4497 |
+
|
| 4498 |
+
947
|
| 4499 |
+
01:34:29,914 --> 01:34:33,500
|
| 4500 |
+
The last stage in the poignancy
|
| 4501 |
+
of things before they disappear.
|
| 4502 |
+
|
| 4503 |
+
948
|
| 4504 |
+
01:34:34,294 --> 01:34:38,339
|
| 4505 |
+
Daruma, the one-eyed spirit,
|
| 4506 |
+
reigns supreme atop the bonfire.
|
| 4507 |
+
|
| 4508 |
+
949
|
| 4509 |
+
01:34:39,257 --> 01:34:42,009
|
| 4510 |
+
Abandonment must be a feast,
|
| 4511 |
+
laceration must be a feast,
|
| 4512 |
+
|
| 4513 |
+
950
|
| 4514 |
+
01:34:42,135 --> 01:34:44,595
|
| 4515 |
+
and the farewell to all
|
| 4516 |
+
that one has lost, broken, used,
|
| 4517 |
+
|
| 4518 |
+
951
|
| 4519 |
+
01:34:44,763 --> 01:34:46,847
|
| 4520 |
+
must be ennobled by a ceremony.
|
| 4521 |
+
|
| 4522 |
+
952
|
| 4523 |
+
01:34:47,015 --> 01:34:49,767
|
| 4524 |
+
It's Japan that could fulfill
|
| 4525 |
+
the wish of that French writer
|
| 4526 |
+
|
| 4527 |
+
953
|
| 4528 |
+
01:34:49,934 --> 01:34:52,353
|
| 4529 |
+
who wanted divorce
|
| 4530 |
+
to be made a sacrament.
|
| 4531 |
+
|
| 4532 |
+
954
|
| 4533 |
+
01:34:52,520 --> 01:34:54,480
|
| 4534 |
+
The only baffling part of this ritual
|
| 4535 |
+
|
| 4536 |
+
955
|
| 4537 |
+
01:34:54,606 --> 01:34:58,400
|
| 4538 |
+
was the children striking
|
| 4539 |
+
the ground with long poles.
|
| 4540 |
+
|
| 4541 |
+
956
|
| 4542 |
+
01:34:58,526 --> 01:35:01,403
|
| 4543 |
+
I only got one explanation,
|
| 4544 |
+
a rather peculiar one.
|
| 4545 |
+
|
| 4546 |
+
957
|
| 4547 |
+
01:35:01,529 --> 01:35:04,448
|
| 4548 |
+
I thought it might be
|
| 4549 |
+
a small, intimate ritual,
|
| 4550 |
+
|
| 4551 |
+
958
|
| 4552 |
+
01:35:04,574 --> 01:35:07,159
|
| 4553 |
+
but it was to chase away moles.
|
| 4554 |
+
|
| 4555 |
+
959
|
| 4556 |
+
01:35:49,327 --> 01:35:52,454
|
| 4557 |
+
And that's where
|
| 4558 |
+
my three children from Iceland
|
| 4559 |
+
|
| 4560 |
+
960
|
| 4561 |
+
01:35:52,580 --> 01:35:54,581
|
| 4562 |
+
came and grafted themselves in.
|
| 4563 |
+
|
| 4564 |
+
961
|
| 4565 |
+
01:35:55,458 --> 01:35:57,876
|
| 4566 |
+
I picked up the whole shot again,
|
| 4567 |
+
|
| 4568 |
+
962
|
| 4569 |
+
01:35:58,002 --> 01:35:59,920
|
| 4570 |
+
adding the somewhat
|
| 4571 |
+
hazy ending,
|
| 4572 |
+
|
| 4573 |
+
963
|
| 4574 |
+
01:36:00,088 --> 01:36:03,465
|
| 4575 |
+
the frame trembling
|
| 4576 |
+
under the force of the wind.
|
| 4577 |
+
|
| 4578 |
+
964
|
| 4579 |
+
01:36:03,591 --> 01:36:05,676
|
| 4580 |
+
Everything I had cut
|
| 4581 |
+
in order to "tidy up"
|
| 4582 |
+
|
| 4583 |
+
965
|
| 4584 |
+
01:36:05,844 --> 01:36:08,887
|
| 4585 |
+
and that said better than all the rest
|
| 4586 |
+
what I saw in that moment,
|
| 4587 |
+
|
| 4588 |
+
966
|
| 4589 |
+
01:36:09,055 --> 01:36:11,557
|
| 4590 |
+
why I held it at arm's length,
|
| 4591 |
+
at zoom's length,
|
| 4592 |
+
|
| 4593 |
+
967
|
| 4594 |
+
01:36:11,724 --> 01:36:14,768
|
| 4595 |
+
until its last 24th of a second.
|
| 4596 |
+
|
| 4597 |
+
968
|
| 4598 |
+
01:36:16,438 --> 01:36:19,022
|
| 4599 |
+
The city of Heimaey
|
| 4600 |
+
spread out below us,
|
| 4601 |
+
|
| 4602 |
+
969
|
| 4603 |
+
01:36:19,149 --> 01:36:21,275
|
| 4604 |
+
and when, five years later,
|
| 4605 |
+
my friend Haroun Tazieff
|
| 4606 |
+
|
| 4607 |
+
970
|
| 4608 |
+
01:36:21,443 --> 01:36:23,694
|
| 4609 |
+
sent me the film
|
| 4610 |
+
he'd just shot in the same place,
|
| 4611 |
+
|
| 4612 |
+
971
|
| 4613 |
+
01:36:23,862 --> 01:36:28,782
|
| 4614 |
+
I lacked only the name to know
|
| 4615 |
+
that nature performs its own dondoyaki.
|
| 4616 |
+
|
| 4617 |
+
972
|
| 4618 |
+
01:36:29,826 --> 01:36:32,453
|
| 4619 |
+
The island's volcano had reawakened.
|
| 4620 |
+
|
| 4621 |
+
973
|
| 4622 |
+
01:36:32,787 --> 01:36:34,746
|
| 4623 |
+
I looked at those pictures,
|
| 4624 |
+
|
| 4625 |
+
974
|
| 4626 |
+
01:36:34,914 --> 01:36:38,959
|
| 4627 |
+
and it was as if all of 1965
|
| 4628 |
+
had just been covered in ash.
|
| 4629 |
+
|
| 4630 |
+
975
|
| 4631 |
+
01:36:56,060 --> 01:36:58,061
|
| 4632 |
+
So all one had to do was wait,
|
| 4633 |
+
|
| 4634 |
+
976
|
| 4635 |
+
01:36:58,229 --> 01:37:01,899
|
| 4636 |
+
and the planet itself
|
| 4637 |
+
would stage the working of time.
|
| 4638 |
+
|
| 4639 |
+
977
|
| 4640 |
+
01:37:02,650 --> 01:37:05,694
|
| 4641 |
+
I saw again
|
| 4642 |
+
what had been my window.
|
| 4643 |
+
|
| 4644 |
+
978
|
| 4645 |
+
01:37:05,820 --> 01:37:08,655
|
| 4646 |
+
I saw familiar roofs
|
| 4647 |
+
and balconies emerge,
|
| 4648 |
+
|
| 4649 |
+
979
|
| 4650 |
+
01:37:08,823 --> 01:37:11,742
|
| 4651 |
+
the landmarks of the walks
|
| 4652 |
+
I took through town every day,
|
| 4653 |
+
|
| 4654 |
+
980
|
| 4655 |
+
01:37:11,910 --> 01:37:14,828
|
| 4656 |
+
down to the cliff
|
| 4657 |
+
where I'd met the children.
|
| 4658 |
+
|
| 4659 |
+
981
|
| 4660 |
+
01:37:16,039 --> 01:37:20,042
|
| 4661 |
+
The cat with white socks
|
| 4662 |
+
that Haroun had kindly filmed for me
|
| 4663 |
+
|
| 4664 |
+
982
|
| 4665 |
+
01:37:20,168 --> 01:37:22,711
|
| 4666 |
+
naturally found its place,
|
| 4667 |
+
|
| 4668 |
+
983
|
| 4669 |
+
01:37:22,837 --> 01:37:26,465
|
| 4670 |
+
and I thought that of all the prayers
|
| 4671 |
+
to time that I'd studied this trip,
|
| 4672 |
+
|
| 4673 |
+
984
|
| 4674 |
+
01:37:26,633 --> 01:37:29,343
|
| 4675 |
+
the kindest was the one spoken
|
| 4676 |
+
by the woman of Gotokuji,
|
| 4677 |
+
|
| 4678 |
+
985
|
| 4679 |
+
01:37:29,511 --> 01:37:31,845
|
| 4680 |
+
who said simply to her cat Tora,
|
| 4681 |
+
|
| 4682 |
+
986
|
| 4683 |
+
01:37:31,971 --> 01:37:36,266
|
| 4684 |
+
"Beloved cat, wherever you are,
|
| 4685 |
+
may your soul rest in peace."
|
| 4686 |
+
|
| 4687 |
+
987
|
| 4688 |
+
01:37:58,831 --> 01:38:01,208
|
| 4689 |
+
And then, in its turn,
|
| 4690 |
+
the journey entered the Zone.
|
| 4691 |
+
|
| 4692 |
+
988
|
| 4693 |
+
01:38:02,627 --> 01:38:06,547
|
| 4694 |
+
Hayao showed me my images
|
| 4695 |
+
already touched by the moss of time,
|
| 4696 |
+
|
| 4697 |
+
989
|
| 4698 |
+
01:38:06,714 --> 01:38:09,675
|
| 4699 |
+
freed of the lie that had prolonged
|
| 4700 |
+
the existence of those moments
|
| 4701 |
+
|
| 4702 |
+
990
|
| 4703 |
+
01:38:09,801 --> 01:38:11,510
|
| 4704 |
+
swallowed by the spiral.
|
| 4705 |
+
|
| 4706 |
+
991
|
| 4707 |
+
01:38:27,944 --> 01:38:30,153
|
| 4708 |
+
When spring came
|
| 4709 |
+
|
| 4710 |
+
992
|
| 4711 |
+
01:38:30,280 --> 01:38:34,199
|
| 4712 |
+
and every crow announced its arrival
|
| 4713 |
+
by raising his cry half a tone...
|
| 4714 |
+
|
| 4715 |
+
993
|
| 4716 |
+
01:38:34,909 --> 01:38:39,788
|
| 4717 |
+
I took the green train of the Yamanote
|
| 4718 |
+
line and got off at Tokyo station,
|
| 4719 |
+
|
| 4720 |
+
994
|
| 4721 |
+
01:38:39,914 --> 01:38:42,791
|
| 4722 |
+
near the central post office.
|
| 4723 |
+
|
| 4724 |
+
995
|
| 4725 |
+
01:38:42,917 --> 01:38:45,168
|
| 4726 |
+
Though the street was empty,
|
| 4727 |
+
|
| 4728 |
+
996
|
| 4729 |
+
01:38:45,295 --> 01:38:48,046
|
| 4730 |
+
I waited at the red light,
|
| 4731 |
+
Japanese-style,
|
| 4732 |
+
|
| 4733 |
+
997
|
| 4734 |
+
01:38:48,172 --> 01:38:51,341
|
| 4735 |
+
to leave space
|
| 4736 |
+
for the spirits of broken cars.
|
| 4737 |
+
|
| 4738 |
+
998
|
| 4739 |
+
01:38:51,467 --> 01:38:53,594
|
| 4740 |
+
Though I was expecting no letter,
|
| 4741 |
+
|
| 4742 |
+
999
|
| 4743 |
+
01:38:53,720 --> 01:38:56,471
|
| 4744 |
+
I stopped
|
| 4745 |
+
at the general delivery window,
|
| 4746 |
+
|
| 4747 |
+
1000
|
| 4748 |
+
01:38:56,598 --> 01:38:59,391
|
| 4749 |
+
for one must honor
|
| 4750 |
+
the spirits of torn-up letters,
|
| 4751 |
+
|
| 4752 |
+
1001
|
| 4753 |
+
01:38:59,517 --> 01:39:04,104
|
| 4754 |
+
and at the airmail counter,
|
| 4755 |
+
to hail the spirits of unmailed letters.
|
| 4756 |
+
|
| 4757 |
+
1002
|
| 4758 |
+
01:39:05,148 --> 01:39:07,482
|
| 4759 |
+
I took the measure
|
| 4760 |
+
of the unbearable vanity of the West
|
| 4761 |
+
|
| 4762 |
+
1003
|
| 4763 |
+
01:39:07,609 --> 01:39:09,693
|
| 4764 |
+
that has always favored
|
| 4765 |
+
being over non-being,
|
| 4766 |
+
|
| 4767 |
+
1004
|
| 4768 |
+
01:39:09,819 --> 01:39:11,653
|
| 4769 |
+
what is spoken
|
| 4770 |
+
over what's left unsaid.
|
| 4771 |
+
|
| 4772 |
+
1005
|
| 4773 |
+
01:39:11,779 --> 01:39:15,741
|
| 4774 |
+
I walked along the little stalls
|
| 4775 |
+
of clothing dealers.
|
| 4776 |
+
|
| 4777 |
+
1006
|
| 4778 |
+
01:39:15,867 --> 01:39:19,244
|
| 4779 |
+
In the distance I heard Mr. Akao's voice
|
| 4780 |
+
reverberating from the loudspeakers,
|
| 4781 |
+
|
| 4782 |
+
1007
|
| 4783 |
+
01:39:19,370 --> 01:39:21,622
|
| 4784 |
+
now a half tone higher.
|
| 4785 |
+
|
| 4786 |
+
1008
|
| 4787 |
+
01:39:21,789 --> 01:39:24,291
|
| 4788 |
+
Then I went down to the basement
|
| 4789 |
+
|
| 4790 |
+
1009
|
| 4791 |
+
01:39:24,459 --> 01:39:27,502
|
| 4792 |
+
where my maniac friend busies
|
| 4793 |
+
himself with his electronic graffiti.
|
| 4794 |
+
|
| 4795 |
+
1010
|
| 4796 |
+
01:39:27,629 --> 01:39:29,630
|
| 4797 |
+
In the end
|
| 4798 |
+
his language touches me,
|
| 4799 |
+
|
| 4800 |
+
1011
|
| 4801 |
+
01:39:29,756 --> 01:39:34,301
|
| 4802 |
+
for he talks to that part of us that insists
|
| 4803 |
+
on drawing profiles on prison walls.
|
| 4804 |
+
|
| 4805 |
+
1012
|
| 4806 |
+
01:39:34,427 --> 01:39:36,345
|
| 4807 |
+
A piece of chalk
|
| 4808 |
+
to follow the contours
|
| 4809 |
+
|
| 4810 |
+
1013
|
| 4811 |
+
01:39:36,471 --> 01:39:40,140
|
| 4812 |
+
of what is not,
|
| 4813 |
+
or is no longer, or is not yet.
|
| 4814 |
+
|
| 4815 |
+
1014
|
| 4816 |
+
01:39:40,391 --> 01:39:43,226
|
| 4817 |
+
The handwriting each of us
|
| 4818 |
+
will use to draw up
|
| 4819 |
+
|
| 4820 |
+
1015
|
| 4821 |
+
01:39:43,353 --> 01:39:46,146
|
| 4822 |
+
his own list of things
|
| 4823 |
+
that quicken the heart -
|
| 4824 |
+
|
| 4825 |
+
1016
|
| 4826 |
+
01:39:46,272 --> 01:39:49,191
|
| 4827 |
+
to offer up or to erase.
|
| 4828 |
+
|
| 4829 |
+
1017
|
| 4830 |
+
01:39:49,400 --> 01:39:51,902
|
| 4831 |
+
In that moment,
|
| 4832 |
+
poetry will be made by everyone,
|
| 4833 |
+
|
| 4834 |
+
1018
|
| 4835 |
+
01:39:52,028 --> 01:39:54,821
|
| 4836 |
+
and there will be emus in the Zone."
|
| 4837 |
+
|
| 4838 |
+
1019
|
| 4839 |
+
01:40:14,634 --> 01:40:16,802
|
| 4840 |
+
He writes to me from Japan.
|
| 4841 |
+
|
| 4842 |
+
1020
|
| 4843 |
+
01:40:16,928 --> 01:40:18,762
|
| 4844 |
+
He writes to me from Africa.
|
| 4845 |
+
|
| 4846 |
+
1021
|
| 4847 |
+
01:40:18,888 --> 01:40:22,933
|
| 4848 |
+
He says he can now summon up the look
|
| 4849 |
+
on the market lady's face in Praia
|
| 4850 |
+
|
| 4851 |
+
1022
|
| 4852 |
+
01:40:23,059 --> 01:40:25,352
|
| 4853 |
+
that had lasted
|
| 4854 |
+
only the length of a film frame.
|
| 4855 |
+
|
| 4856 |
+
1023
|
| 4857 |
+
01:40:26,854 --> 01:40:29,690
|
| 4858 |
+
Will there be
|
| 4859 |
+
a last letter someday?
|
| 4860 |
+
|
| 4861 |
+
1024
|
| 4862 |
+
01:40:33,861 --> 01:40:37,489
|
| 4863 |
+
IN THE FRENCH AUDIO VERSION,
|
| 4864 |
+
|
| 4865 |
+
1025
|
| 4866 |
+
01:40:37,657 --> 01:40:43,537
|
| 4867 |
+
THE LETTERS OF SANDOR KRASNA
|
| 4868 |
+
WERE READ BY FLORENCE DELAY
|
| 4869 |
+
|
| 4870 |
+
|
| 4871 |
+
|
videos/Scarface.1983.REMASTERED.1080p.BluRay.x264.DTS-X.7.1-SWTYBLZ/Scarface (1983) [2160p] [4K] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt
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| 1 |
+
YTS / YIFY Torrents Site
|
| 2 |
+
-------------------------
|
| 3 |
+
|
| 4 |
+
--> Visit us at https://YTS.MX
|
| 5 |
+
|
| 6 |
+
- If you have trouble accessing the domain above,
|
| 7 |
+
please always check:
|
| 8 |
+
|
| 9 |
+
--> https://YTSProxies.com
|
| 10 |
+
--> https://YIFYStatus.com
|
| 11 |
+
|
| 12 |
+
for the updated list of official proxies and
|
| 13 |
+
domains of YTS / YIFY site.
|
| 14 |
+
|
| 15 |
+
|
| 16 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
|
videos/Spring.Summer.Fall.Winter.and.Spring.2003.1080p.BluRay.x264-PHOBOS[rarbg]/Subs/Spring.Summer.Fall.Winter.and.Spring.2003.1080p.BluRay.x264-PHOBOS.idx
ADDED
|
@@ -0,0 +1,162 @@
|
|
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|
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|
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|
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|
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|
|
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|
| 1 |
+
# VobSub index file, v7 (do not modify this line!)
|
| 2 |
+
# Created by BDSup2Sub++ 1.0.2
|
| 3 |
+
|
| 4 |
+
# Frame size
|
| 5 |
+
size: 1920x1080
|
| 6 |
+
|
| 7 |
+
# Origin - upper-left corner
|
| 8 |
+
org: 0, 0
|
| 9 |
+
|
| 10 |
+
# Scaling
|
| 11 |
+
scale: 100%, 100%
|
| 12 |
+
|
| 13 |
+
# Alpha blending
|
| 14 |
+
alpha: 100%
|
| 15 |
+
|
| 16 |
+
# Smoothing
|
| 17 |
+
smooth: OFF
|
| 18 |
+
|
| 19 |
+
# Fade in/out in milliseconds
|
| 20 |
+
fadein/out: 0, 0
|
| 21 |
+
|
| 22 |
+
# Force subtitle placement relative to (org.x, org.y)
|
| 23 |
+
align: OFF at LEFT TOP
|
| 24 |
+
|
| 25 |
+
# For correcting non-progressive desync. (in millisecs or hh:mm:ss:ms)
|
| 26 |
+
time offset: 0
|
| 27 |
+
|
| 28 |
+
# ON: displays only forced subtitles, OFF: shows everything
|
| 29 |
+
forced subs: OFF
|
| 30 |
+
|
| 31 |
+
# The palette of the generated file
|
| 32 |
+
palette: 000000, f0f0f0, cccccc, 999999, 3333fa, 1111bb, fa3333, bb1111, 33fa33, 11bb11, fafa33, bbbb11, fa33fa, bb11bb, 33fafa, 11bbbb
|
| 33 |
+
|
| 34 |
+
# Custom colors (transp idxs and the four colors)
|
| 35 |
+
custom colors: OFF, tridx: 1000, colors: 000000, 444444, 888888, cccccc
|
| 36 |
+
|
| 37 |
+
# Language index in use
|
| 38 |
+
langidx: 0
|
| 39 |
+
|
| 40 |
+
# Korean
|
| 41 |
+
id: ko, index: 0
|
| 42 |
+
# Decomment next line to activate alternative name in DirectVobSub / Windows Media Player 6.x
|
| 43 |
+
# alt: Korean
|
| 44 |
+
# Vob/Cell ID: 1, 1 (PTS: 0)
|
| 45 |
+
timestamp: 00:02:26:146, filepos: 000000000
|
| 46 |
+
timestamp: 00:04:23:847, filepos: 000000800
|
| 47 |
+
timestamp: 00:04:28:894, filepos: 000001800
|
| 48 |
+
timestamp: 00:04:31:354, filepos: 000002800
|
| 49 |
+
timestamp: 00:04:33:273, filepos: 000003800
|
| 50 |
+
timestamp: 00:05:33:834, filepos: 000004800
|
| 51 |
+
timestamp: 00:05:35:836, filepos: 000005800
|
| 52 |
+
timestamp: 00:07:43:838, filepos: 000006800
|
| 53 |
+
timestamp: 00:07:59:187, filepos: 000007800
|
| 54 |
+
timestamp: 00:08:01:439, filepos: 000008800
|
| 55 |
+
timestamp: 00:08:06:361, filepos: 000009800
|
| 56 |
+
timestamp: 00:08:28:967, filepos: 00000a000
|
| 57 |
+
timestamp: 00:08:32:012, filepos: 00000b000
|
| 58 |
+
timestamp: 00:08:34:389, filepos: 00000c000
|
| 59 |
+
timestamp: 00:08:39:686, filepos: 00000e000
|
| 60 |
+
timestamp: 00:08:42:439, filepos: 00000f000
|
| 61 |
+
timestamp: 00:08:45:775, filepos: 000010800
|
| 62 |
+
timestamp: 00:08:51:531, filepos: 000013000
|
| 63 |
+
timestamp: 00:08:55:160, filepos: 000014000
|
| 64 |
+
timestamp: 00:09:01:958, filepos: 000015800
|
| 65 |
+
timestamp: 00:15:02:318, filepos: 000017800
|
| 66 |
+
timestamp: 00:15:07:949, filepos: 000019800
|
| 67 |
+
timestamp: 00:15:11:828, filepos: 00001a800
|
| 68 |
+
timestamp: 00:15:14:914, filepos: 00001c000
|
| 69 |
+
timestamp: 00:15:16:958, filepos: 00001c800
|
| 70 |
+
timestamp: 00:15:19:460, filepos: 00001e000
|
| 71 |
+
timestamp: 00:15:23:047, filepos: 00001e800
|
| 72 |
+
timestamp: 00:15:25:716, filepos: 000020000
|
| 73 |
+
timestamp: 00:15:28:344, filepos: 000020800
|
| 74 |
+
timestamp: 00:15:36:978, filepos: 000021800
|
| 75 |
+
timestamp: 00:15:43:192, filepos: 000022000
|
| 76 |
+
timestamp: 00:15:46:362, filepos: 000023800
|
| 77 |
+
timestamp: 00:15:52:368, filepos: 000025800
|
| 78 |
+
timestamp: 00:15:55:246, filepos: 000026800
|
| 79 |
+
timestamp: 00:15:59:500, filepos: 000028000
|
| 80 |
+
timestamp: 00:16:02:211, filepos: 000029000
|
| 81 |
+
timestamp: 00:16:08:885, filepos: 00002b000
|
| 82 |
+
timestamp: 00:24:19:959, filepos: 00002d000
|
| 83 |
+
timestamp: 00:24:32:054, filepos: 00002e800
|
| 84 |
+
timestamp: 00:24:37:351, filepos: 000030000
|
| 85 |
+
timestamp: 00:25:14:013, filepos: 000031800
|
| 86 |
+
timestamp: 00:25:17:599, filepos: 000032800
|
| 87 |
+
timestamp: 00:27:14:842, filepos: 000033800
|
| 88 |
+
timestamp: 00:27:18:137, filepos: 000034800
|
| 89 |
+
timestamp: 00:27:22:349, filepos: 000036800
|
| 90 |
+
timestamp: 00:27:29:106, filepos: 000038800
|
| 91 |
+
timestamp: 00:29:11:124, filepos: 000039800
|
| 92 |
+
timestamp: 00:29:14:378, filepos: 00003a000
|
| 93 |
+
timestamp: 00:29:16:755, filepos: 00003b800
|
| 94 |
+
timestamp: 00:31:44:277, filepos: 00003c800
|
| 95 |
+
timestamp: 00:32:20:939, filepos: 00003e000
|
| 96 |
+
timestamp: 00:36:15:215, filepos: 00003f000
|
| 97 |
+
timestamp: 00:36:37:737, filepos: 000040800
|
| 98 |
+
timestamp: 00:36:39:989, filepos: 000041000
|
| 99 |
+
timestamp: 00:41:28:277, filepos: 000042000
|
| 100 |
+
timestamp: 00:43:33:277, filepos: 000043000
|
| 101 |
+
timestamp: 00:44:01:556, filepos: 000043800
|
| 102 |
+
timestamp: 00:44:03:432, filepos: 000044800
|
| 103 |
+
timestamp: 00:44:06:310, filepos: 000045800
|
| 104 |
+
timestamp: 00:44:08:563, filepos: 000046000
|
| 105 |
+
timestamp: 00:44:11:566, filepos: 000047000
|
| 106 |
+
timestamp: 00:46:58:441, filepos: 000047800
|
| 107 |
+
timestamp: 00:47:01:736, filepos: 000048800
|
| 108 |
+
timestamp: 00:47:10:703, filepos: 000049800
|
| 109 |
+
timestamp: 00:47:13:372, filepos: 00004a800
|
| 110 |
+
timestamp: 00:47:18:753, filepos: 00004c000
|
| 111 |
+
timestamp: 00:47:22:506, filepos: 00004d000
|
| 112 |
+
timestamp: 00:47:25:885, filepos: 00004d800
|
| 113 |
+
timestamp: 00:47:31:891, filepos: 00004e800
|
| 114 |
+
timestamp: 00:47:35:394, filepos: 000050000
|
| 115 |
+
timestamp: 00:47:38:773, filepos: 000051000
|
| 116 |
+
timestamp: 00:47:46:155, filepos: 000053000
|
| 117 |
+
timestamp: 00:52:50:042, filepos: 000054000
|
| 118 |
+
timestamp: 00:55:51:974, filepos: 000055000
|
| 119 |
+
timestamp: 00:55:55:602, filepos: 000056000
|
| 120 |
+
timestamp: 00:56:53:452, filepos: 000056800
|
| 121 |
+
timestamp: 00:56:58:707, filepos: 000058000
|
| 122 |
+
timestamp: 00:57:04:713, filepos: 000059800
|
| 123 |
+
timestamp: 00:57:08:216, filepos: 00005b000
|
| 124 |
+
timestamp: 00:57:11:678, filepos: 00005d000
|
| 125 |
+
timestamp: 00:57:14:097, filepos: 00005e000
|
| 126 |
+
timestamp: 00:57:16:475, filepos: 00005f800
|
| 127 |
+
timestamp: 00:57:19:102, filepos: 000061000
|
| 128 |
+
timestamp: 00:57:21:104, filepos: 000061800
|
| 129 |
+
timestamp: 00:57:23:815, filepos: 000063000
|
| 130 |
+
timestamp: 00:57:25:484, filepos: 000063800
|
| 131 |
+
timestamp: 00:57:28:862, filepos: 000065800
|
| 132 |
+
timestamp: 00:57:32:324, filepos: 000067800
|
| 133 |
+
timestamp: 00:57:35:327, filepos: 000068800
|
| 134 |
+
timestamp: 00:57:38:622, filepos: 00006a000
|
| 135 |
+
timestamp: 00:57:41:875, filepos: 00006b800
|
| 136 |
+
timestamp: 00:57:44:086, filepos: 00006c800
|
| 137 |
+
timestamp: 00:57:48:006, filepos: 00006e000
|
| 138 |
+
timestamp: 01:00:35:173, filepos: 00006f800
|
| 139 |
+
timestamp: 01:00:39:761, filepos: 000070000
|
| 140 |
+
timestamp: 01:02:09:476, filepos: 000070800
|
| 141 |
+
timestamp: 01:02:11:895, filepos: 000071000
|
| 142 |
+
timestamp: 01:04:50:261, filepos: 000072000
|
| 143 |
+
timestamp: 01:04:56:184, filepos: 000074800
|
| 144 |
+
timestamp: 01:05:00:563, filepos: 000076000
|
| 145 |
+
timestamp: 01:06:11:885, filepos: 000078000
|
| 146 |
+
timestamp: 01:06:16:514, filepos: 000078800
|
| 147 |
+
timestamp: 01:06:42:749, filepos: 000079000
|
| 148 |
+
timestamp: 01:07:15:198, filepos: 00007a800
|
| 149 |
+
timestamp: 01:07:21:079, filepos: 00007c000
|
| 150 |
+
timestamp: 01:07:33:424, filepos: 00007d800
|
| 151 |
+
timestamp: 01:07:36:970, filepos: 00007f000
|
| 152 |
+
timestamp: 01:07:39:097, filepos: 000080800
|
| 153 |
+
timestamp: 01:07:41:349, filepos: 000081800
|
| 154 |
+
timestamp: 01:08:03:830, filepos: 000083000
|
| 155 |
+
timestamp: 01:08:06:124, filepos: 000084000
|
| 156 |
+
timestamp: 01:08:30:106, filepos: 000085000
|
| 157 |
+
timestamp: 01:12:18:042, filepos: 000085800
|
| 158 |
+
timestamp: 01:13:30:156, filepos: 000087000
|
| 159 |
+
timestamp: 01:13:32:658, filepos: 000088000
|
| 160 |
+
timestamp: 01:14:49:193, filepos: 000089000
|
| 161 |
+
timestamp: 01:15:26:272, filepos: 00008a000
|
| 162 |
+
timestamp: 01:15:35:614, filepos: 00008b800
|
videos/Star.Trek.II.The.Wrath.of.Khan.1982.REMASTERED.DC.1080p.BluRay.x264.DTS-HD.MA.7.1-FGT/Star Trek II The Wrath Of Khan (1982) [DC] [2160p] [4K] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt
ADDED
|
@@ -0,0 +1,16 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
YTS / YIFY Torrents Site
|
| 2 |
+
-------------------------
|
| 3 |
+
|
| 4 |
+
--> Visit us at https://YTS.MX
|
| 5 |
+
|
| 6 |
+
- If you have trouble accessing the domain above,
|
| 7 |
+
please always check:
|
| 8 |
+
|
| 9 |
+
--> https://YTSProxies.com
|
| 10 |
+
--> https://YIFYStatus.com
|
| 11 |
+
|
| 12 |
+
for the updated list of official proxies and
|
| 13 |
+
domains of YTS / YIFY site.
|
| 14 |
+
|
| 15 |
+
|
| 16 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
|
videos/Star.Trek.Nemesis.2002.INTERNAL.1080p.BluRay.x264-NCC1701D/Star Trek Nemesis (2002) [1080p] [BluRay] [5.1] [YTS.MX]/YIFYStatus.com.txt
ADDED
|
@@ -0,0 +1,16 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
YTS / YIFY Torrents Site
|
| 2 |
+
-------------------------
|
| 3 |
+
|
| 4 |
+
--> Visit us at https://YTS.MX
|
| 5 |
+
|
| 6 |
+
- If you have trouble accessing the domain above,
|
| 7 |
+
please always check:
|
| 8 |
+
|
| 9 |
+
--> https://YTSProxies.com
|
| 10 |
+
--> https://YIFYStatus.com
|
| 11 |
+
|
| 12 |
+
for the updated list of official proxies and
|
| 13 |
+
domains of YTS / YIFY site.
|
| 14 |
+
|
| 15 |
+
|
| 16 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
|
videos/Still.Alice.2014.1080p.BluRay.x264-SPARKS[rarbg]/Subs/still.alice.2014.1080p.bluray.x264-sparks.idx
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
videos/Supercondriaque.2014.FRENCH.1080p.BluRay.x264.DD5.1-HANDJOB/Supercondriaque (2014) [1080p] [BluRay] [5.1] [YTS.MX]/Supercondriaque.2014.1080p.BluRay.x264.AAC5.1-[YTS.MX].srt
ADDED
|
@@ -0,0 +1,6033 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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| 1 |
+
1
|
| 2 |
+
00:00:02,000 --> 00:00:07,000
|
| 3 |
+
Downloaded from
|
| 4 |
+
YTS.MX
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:08,000 --> 00:00:13,000
|
| 8 |
+
Official YIFY movies site:
|
| 9 |
+
YTS.MX
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:42,376 --> 00:00:43,584
|
| 13 |
+
Nagging pain.
|
| 14 |
+
|
| 15 |
+
4
|
| 16 |
+
00:00:44,542 --> 00:00:46,626
|
| 17 |
+
Strange unbearable pain.
|
| 18 |
+
|
| 19 |
+
5
|
| 20 |
+
00:00:48,376 --> 00:00:49,626
|
| 21 |
+
Fever.
|
| 22 |
+
|
| 23 |
+
6
|
| 24 |
+
00:00:50,792 --> 00:00:52,459
|
| 25 |
+
Pollution symptoms.
|
| 26 |
+
|
| 27 |
+
7
|
| 28 |
+
00:00:53,542 --> 00:00:54,792
|
| 29 |
+
Stomach ache.
|
| 30 |
+
|
| 31 |
+
8
|
| 32 |
+
00:00:55,001 --> 00:00:57,334
|
| 33 |
+
Stomach ache, cause?
|
| 34 |
+
|
| 35 |
+
9
|
| 36 |
+
00:00:58,042 --> 00:00:59,501
|
| 37 |
+
and cure.
|
| 38 |
+
|
| 39 |
+
10
|
| 40 |
+
00:01:44,251 --> 00:01:47,459
|
| 41 |
+
SUPERCHONDRIAC
|
| 42 |
+
|
| 43 |
+
11
|
| 44 |
+
00:01:56,084 --> 00:01:57,417
|
| 45 |
+
Happy New Year!
|
| 46 |
+
|
| 47 |
+
12
|
| 48 |
+
00:01:59,667 --> 00:02:00,709
|
| 49 |
+
Can you hear me?
|
| 50 |
+
|
| 51 |
+
13
|
| 52 |
+
00:02:00,876 --> 00:02:02,751
|
| 53 |
+
If you can, squeeze my hand.
|
| 54 |
+
|
| 55 |
+
14
|
| 56 |
+
00:02:26,626 --> 00:02:27,709
|
| 57 |
+
Stay with me, sir.
|
| 58 |
+
|
| 59 |
+
15
|
| 60 |
+
00:02:29,834 --> 00:02:32,084
|
| 61 |
+
Boulevard des Italiens, ETA 5 mins.
|
| 62 |
+
|
| 63 |
+
16
|
| 64 |
+
00:02:46,667 --> 00:02:47,667
|
| 65 |
+
Go, go!
|
| 66 |
+
|
| 67 |
+
17
|
| 68 |
+
00:02:52,376 --> 00:02:53,459
|
| 69 |
+
Easy!
|
| 70 |
+
|
| 71 |
+
18
|
| 72 |
+
00:02:53,584 --> 00:02:55,084
|
| 73 |
+
- Secure him.
|
| 74 |
+
- Move it!
|
| 75 |
+
|
| 76 |
+
19
|
| 77 |
+
00:02:55,251 --> 00:02:58,042
|
| 78 |
+
Romain Faubert, 39.
|
| 79 |
+
Intense pain, chest and left arm.
|
| 80 |
+
|
| 81 |
+
20
|
| 82 |
+
00:02:58,209 --> 00:03:00,084
|
| 83 |
+
Tachycardia, hyperventilated.
|
| 84 |
+
|
| 85 |
+
21
|
| 86 |
+
00:03:00,251 --> 00:03:01,251
|
| 87 |
+
Now stable.
|
| 88 |
+
|
| 89 |
+
22
|
| 90 |
+
00:03:01,292 --> 00:03:02,417
|
| 91 |
+
- How long?
|
| 92 |
+
- 45 mins.
|
| 93 |
+
|
| 94 |
+
23
|
| 95 |
+
00:03:02,542 --> 00:03:04,626
|
| 96 |
+
Let's get blood work,
|
| 97 |
+
an EKG and MRI.
|
| 98 |
+
|
| 99 |
+
24
|
| 100 |
+
00:03:04,834 --> 00:03:06,834
|
| 101 |
+
Potassium and sodium as needed.
|
| 102 |
+
|
| 103 |
+
25
|
| 104 |
+
00:03:16,584 --> 00:03:18,709
|
| 105 |
+
- I can't see anything.
|
| 106 |
+
- Me neither.
|
| 107 |
+
|
| 108 |
+
26
|
| 109 |
+
00:03:19,084 --> 00:03:21,626
|
| 110 |
+
Nothing abnormal.
|
| 111 |
+
Who brought him in?
|
| 112 |
+
|
| 113 |
+
27
|
| 114 |
+
00:03:21,792 --> 00:03:23,042
|
| 115 |
+
15th District EMT's.
|
| 116 |
+
|
| 117 |
+
28
|
| 118 |
+
00:03:23,209 --> 00:03:25,209
|
| 119 |
+
Let me see their medical sheet.
|
| 120 |
+
|
| 121 |
+
29
|
| 122 |
+
00:03:26,917 --> 00:03:27,917
|
| 123 |
+
Nothing.
|
| 124 |
+
|
| 125 |
+
30
|
| 126 |
+
00:03:28,876 --> 00:03:31,209
|
| 127 |
+
No alcohol in his blood.
|
| 128 |
+
I don't get it.
|
| 129 |
+
|
| 130 |
+
31
|
| 131 |
+
00:03:31,376 --> 00:03:33,042
|
| 132 |
+
There's a spot there, look.
|
| 133 |
+
|
| 134 |
+
32
|
| 135 |
+
00:03:33,209 --> 00:03:34,209
|
| 136 |
+
- Where?
|
| 137 |
+
- There!
|
| 138 |
+
|
| 139 |
+
33
|
| 140 |
+
00:03:34,376 --> 00:03:36,417
|
| 141 |
+
Lower left lung. Very worrisome.
|
| 142 |
+
|
| 143 |
+
34
|
| 144 |
+
00:03:36,542 --> 00:03:39,626
|
| 145 |
+
That's no spot.
|
| 146 |
+
It's the lower part of the diaphragm.
|
| 147 |
+
|
| 148 |
+
35
|
| 149 |
+
00:03:39,876 --> 00:03:41,001
|
| 150 |
+
You need glasses.
|
| 151 |
+
|
| 152 |
+
36
|
| 153 |
+
00:03:41,167 --> 00:03:42,417
|
| 154 |
+
Hey, watch it!
|
| 155 |
+
|
| 156 |
+
37
|
| 157 |
+
00:03:42,542 --> 00:03:44,251
|
| 158 |
+
What's your name, Doctor?
|
| 159 |
+
|
| 160 |
+
38
|
| 161 |
+
00:03:45,459 --> 00:03:47,209
|
| 162 |
+
No, I'm not a doctor.
|
| 163 |
+
|
| 164 |
+
39
|
| 165 |
+
00:03:47,376 --> 00:03:48,042
|
| 166 |
+
A patient!
|
| 167 |
+
|
| 168 |
+
40
|
| 169 |
+
00:03:48,292 --> 00:03:50,167
|
| 170 |
+
Of course. What's he doing here?
|
| 171 |
+
|
| 172 |
+
41
|
| 173 |
+
00:03:50,334 --> 00:03:51,751
|
| 174 |
+
That's me in the picture.
|
| 175 |
+
|
| 176 |
+
42
|
| 177 |
+
00:03:51,917 --> 00:03:54,417
|
| 178 |
+
I heard you talking about me,
|
| 179 |
+
I came in.
|
| 180 |
+
|
| 181 |
+
43
|
| 182 |
+
00:03:54,542 --> 00:03:57,126
|
| 183 |
+
This isn't his 1st time.
|
| 184 |
+
He's a sick individual.
|
| 185 |
+
|
| 186 |
+
44
|
| 187 |
+
00:03:57,459 --> 00:03:59,501
|
| 188 |
+
That's why I'm here. I'm very sick.
|
| 189 |
+
|
| 190 |
+
45
|
| 191 |
+
00:04:01,417 --> 00:04:02,417
|
| 192 |
+
Beat it.
|
| 193 |
+
|
| 194 |
+
46
|
| 195 |
+
00:04:02,584 --> 00:04:04,542
|
| 196 |
+
Out! Kick him the hell out!
|
| 197 |
+
|
| 198 |
+
47
|
| 199 |
+
00:04:05,292 --> 00:04:07,834
|
| 200 |
+
Don't touch me.
|
| 201 |
+
No nosocomial infections!
|
| 202 |
+
|
| 203 |
+
48
|
| 204 |
+
00:04:08,042 --> 00:04:09,042
|
| 205 |
+
Don't touch me.
|
| 206 |
+
|
| 207 |
+
49
|
| 208 |
+
00:04:09,167 --> 00:04:10,251
|
| 209 |
+
Get him out.
|
| 210 |
+
|
| 211 |
+
50
|
| 212 |
+
00:04:11,709 --> 00:04:13,042
|
| 213 |
+
Put some gloves on!
|
| 214 |
+
|
| 215 |
+
51
|
| 216 |
+
00:04:20,376 --> 00:04:22,334
|
| 217 |
+
You gave them my cell number?
|
| 218 |
+
|
| 219 |
+
52
|
| 220 |
+
00:04:22,626 --> 00:04:25,917
|
| 221 |
+
First one I thought of.
|
| 222 |
+
I mean, you're my friend.
|
| 223 |
+
|
| 224 |
+
53
|
| 225 |
+
00:04:26,126 --> 00:04:29,001
|
| 226 |
+
When the nurse asked
|
| 227 |
+
if they should call my family,
|
| 228 |
+
|
| 229 |
+
54
|
| 230 |
+
00:04:29,167 --> 00:04:31,376
|
| 231 |
+
I saw you,
|
| 232 |
+
bathed in a glowing halo.
|
| 233 |
+
|
| 234 |
+
55
|
| 235 |
+
00:04:31,501 --> 00:04:33,501
|
| 236 |
+
Look at me. No glowing halo.
|
| 237 |
+
|
| 238 |
+
56
|
| 239 |
+
00:04:33,626 --> 00:04:36,126
|
| 240 |
+
I'm not family
|
| 241 |
+
and we're done as friends.
|
| 242 |
+
|
| 243 |
+
57
|
| 244 |
+
00:04:37,251 --> 00:04:38,417
|
| 245 |
+
It's been 18 years.
|
| 246 |
+
|
| 247 |
+
58
|
| 248 |
+
00:04:38,542 --> 00:04:41,459
|
| 249 |
+
18 too many!
|
| 250 |
+
We tried, it doesn't work. Period.
|
| 251 |
+
|
| 252 |
+
59
|
| 253 |
+
00:04:41,626 --> 00:04:43,542
|
| 254 |
+
I'm done as your doctor, too.
|
| 255 |
+
|
| 256 |
+
60
|
| 257 |
+
00:04:44,001 --> 00:04:45,376
|
| 258 |
+
You don't mean that.
|
| 259 |
+
|
| 260 |
+
61
|
| 261 |
+
00:04:46,501 --> 00:04:47,501
|
| 262 |
+
No, Dimitri!
|
| 263 |
+
|
| 264 |
+
62
|
| 265 |
+
00:04:48,042 --> 00:04:49,834
|
| 266 |
+
Wait, you can't just drop me!
|
| 267 |
+
|
| 268 |
+
63
|
| 269 |
+
00:04:50,042 --> 00:04:51,876
|
| 270 |
+
Is my heart condition my fault?
|
| 271 |
+
|
| 272 |
+
64
|
| 273 |
+
00:04:52,084 --> 00:04:53,792
|
| 274 |
+
Are you putting me on?
|
| 275 |
+
|
| 276 |
+
65
|
| 277 |
+
00:04:54,001 --> 00:04:55,917
|
| 278 |
+
Want a good reason
|
| 279 |
+
to be in an ER?
|
| 280 |
+
|
| 281 |
+
66
|
| 282 |
+
00:04:56,126 --> 00:04:58,042
|
| 283 |
+
- They tried to kiss me.
|
| 284 |
+
- For New Year's!
|
| 285 |
+
|
| 286 |
+
67
|
| 287 |
+
00:04:58,209 --> 00:05:00,334
|
| 288 |
+
- It's disgusting!
|
| 289 |
+
- It's the custom!
|
| 290 |
+
|
| 291 |
+
68
|
| 292 |
+
00:05:00,501 --> 00:05:03,542
|
| 293 |
+
The custom is disgusting.
|
| 294 |
+
Kissing can't spread disease?
|
| 295 |
+
|
| 296 |
+
69
|
| 297 |
+
00:05:03,709 --> 00:05:06,334
|
| 298 |
+
It can be a factor
|
| 299 |
+
in germ transmission, sure.
|
| 300 |
+
|
| 301 |
+
70
|
| 302 |
+
00:05:06,501 --> 00:05:08,542
|
| 303 |
+
In the midst of a flu epidemic!
|
| 304 |
+
|
| 305 |
+
71
|
| 306 |
+
00:05:08,709 --> 00:05:11,292
|
| 307 |
+
There are germs everywhere.
|
| 308 |
+
You must stop...
|
| 309 |
+
|
| 310 |
+
72
|
| 311 |
+
00:05:12,542 --> 00:05:13,792
|
| 312 |
+
What's that fur coat?
|
| 313 |
+
|
| 314 |
+
73
|
| 315 |
+
00:05:14,542 --> 00:05:15,834
|
| 316 |
+
It's not mine.
|
| 317 |
+
|
| 318 |
+
74
|
| 319 |
+
00:05:16,042 --> 00:05:18,501
|
| 320 |
+
I just remember
|
| 321 |
+
being at your place...
|
| 322 |
+
|
| 323 |
+
75
|
| 324 |
+
00:05:19,792 --> 00:05:20,792
|
| 325 |
+
Cheers.
|
| 326 |
+
|
| 327 |
+
76
|
| 328 |
+
00:05:24,792 --> 00:05:26,501
|
| 329 |
+
- Nice party.
|
| 330 |
+
- You're funny.
|
| 331 |
+
|
| 332 |
+
77
|
| 333 |
+
00:05:26,667 --> 00:05:28,459
|
| 334 |
+
- Why?
|
| 335 |
+
- You're pretend-relaxed.
|
| 336 |
+
|
| 337 |
+
78
|
| 338 |
+
00:05:28,584 --> 00:05:30,584
|
| 339 |
+
I'm not much
|
| 340 |
+
on New Year's parties.
|
| 341 |
+
|
| 342 |
+
79
|
| 343 |
+
00:05:30,751 --> 00:05:32,417
|
| 344 |
+
- So why come?
|
| 345 |
+
- I was invited.
|
| 346 |
+
|
| 347 |
+
80
|
| 348 |
+
00:05:34,709 --> 00:05:36,542
|
| 349 |
+
You keep checking your watch?
|
| 350 |
+
|
| 351 |
+
81
|
| 352 |
+
00:05:36,709 --> 00:05:39,501
|
| 353 |
+
It's not you.
|
| 354 |
+
I just need to leave before 12.
|
| 355 |
+
|
| 356 |
+
82
|
| 357 |
+
00:05:40,001 --> 00:05:42,167
|
| 358 |
+
You get gray hair at midnight?
|
| 359 |
+
|
| 360 |
+
83
|
| 361 |
+
00:05:43,042 --> 00:05:45,084
|
| 362 |
+
I don't want to kiss or be kissed.
|
| 363 |
+
|
| 364 |
+
84
|
| 365 |
+
00:05:45,251 --> 00:05:48,751
|
| 366 |
+
All the bacteria you pass along
|
| 367 |
+
in kissing... Horrible.
|
| 368 |
+
|
| 369 |
+
85
|
| 370 |
+
00:05:49,084 --> 00:05:52,417
|
| 371 |
+
- Never thought of that.
|
| 372 |
+
- Think about it. I should know.
|
| 373 |
+
|
| 374 |
+
86
|
| 375 |
+
00:05:52,542 --> 00:05:55,292
|
| 376 |
+
I'm an online
|
| 377 |
+
medical dictionary photographer.
|
| 378 |
+
|
| 379 |
+
87
|
| 380 |
+
00:05:55,459 --> 00:05:57,292
|
| 381 |
+
- Doctoweb. Heard of it?
|
| 382 |
+
- No.
|
| 383 |
+
|
| 384 |
+
88
|
| 385 |
+
00:05:58,501 --> 00:06:01,459
|
| 386 |
+
Well, I... I'm going.
|
| 387 |
+
I need more champagne.
|
| 388 |
+
|
| 389 |
+
89
|
| 390 |
+
00:06:01,584 --> 00:06:02,876
|
| 391 |
+
I need a drink
|
| 392 |
+
|
| 393 |
+
90
|
| 394 |
+
00:06:03,084 --> 00:06:04,751
|
| 395 |
+
to forget this conversation.
|
| 396 |
+
|
| 397 |
+
91
|
| 398 |
+
00:06:08,376 --> 00:06:09,417
|
| 399 |
+
- Cute, right?
|
| 400 |
+
- Very.
|
| 401 |
+
|
| 402 |
+
92
|
| 403 |
+
00:06:09,542 --> 00:06:11,209
|
| 404 |
+
Don't leave her alone. Go!
|
| 405 |
+
|
| 406 |
+
93
|
| 407 |
+
00:06:11,376 --> 00:06:12,917
|
| 408 |
+
- Ready!
|
| 409 |
+
- Ready for what?
|
| 410 |
+
|
| 411 |
+
94
|
| 412 |
+
00:06:13,417 --> 00:06:15,126
|
| 413 |
+
- Almost midnight.
|
| 414 |
+
- No!
|
| 415 |
+
|
| 416 |
+
95
|
| 417 |
+
00:06:17,334 --> 00:06:18,334
|
| 418 |
+
Calm down, Romain.
|
| 419 |
+
|
| 420 |
+
96
|
| 421 |
+
00:06:47,751 --> 00:06:49,917
|
| 422 |
+
No! Stand clear! Don't kiss him!
|
| 423 |
+
|
| 424 |
+
97
|
| 425 |
+
00:06:54,209 --> 00:06:56,167
|
| 426 |
+
- Stand clear!
|
| 427 |
+
- Call emergency.
|
| 428 |
+
|
| 429 |
+
98
|
| 430 |
+
00:06:57,667 --> 00:06:59,542
|
| 431 |
+
Dimitri, forgive me.
|
| 432 |
+
|
| 433 |
+
99
|
| 434 |
+
00:06:59,709 --> 00:07:02,334
|
| 435 |
+
Next time I'll be good.
|
| 436 |
+
You'll be proud of me.
|
| 437 |
+
|
| 438 |
+
100
|
| 439 |
+
00:07:02,501 --> 00:07:04,126
|
| 440 |
+
There is no next time. Bye.
|
| 441 |
+
|
| 442 |
+
101
|
| 443 |
+
00:07:04,292 --> 00:07:06,542
|
| 444 |
+
- Drop me off?
|
| 445 |
+
- I'm a doctor, not a driver.
|
| 446 |
+
|
| 447 |
+
102
|
| 448 |
+
00:07:06,709 --> 00:07:10,084
|
| 449 |
+
You can't leave a friend
|
| 450 |
+
alone in the cold on New Year's.
|
| 451 |
+
|
| 452 |
+
103
|
| 453 |
+
00:07:10,251 --> 00:07:11,376
|
| 454 |
+
Our friendship's over.
|
| 455 |
+
|
| 456 |
+
104
|
| 457 |
+
00:07:11,501 --> 00:07:13,626
|
| 458 |
+
Find a woman,
|
| 459 |
+
maybe she'll drive you.
|
| 460 |
+
|
| 461 |
+
105
|
| 462 |
+
00:07:14,251 --> 00:07:16,042
|
| 463 |
+
That's a stupid thing to say.
|
| 464 |
+
|
| 465 |
+
106
|
| 466 |
+
00:07:17,834 --> 00:07:19,501
|
| 467 |
+
Unlock the door.
|
| 468 |
+
|
| 469 |
+
107
|
| 470 |
+
00:07:19,709 --> 00:07:21,042
|
| 471 |
+
Dimitri! Open the door!
|
| 472 |
+
|
| 473 |
+
108
|
| 474 |
+
00:07:21,251 --> 00:07:23,792
|
| 475 |
+
I beg you, Dimitri.
|
| 476 |
+
For the love of God.
|
| 477 |
+
|
| 478 |
+
109
|
| 479 |
+
00:07:24,001 --> 00:07:25,001
|
| 480 |
+
No! Wait!
|
| 481 |
+
|
| 482 |
+
110
|
| 483 |
+
00:07:55,626 --> 00:07:58,126
|
| 484 |
+
A bottle of hand sanitizer, please.
|
| 485 |
+
|
| 486 |
+
111
|
| 487 |
+
00:07:58,292 --> 00:07:59,501
|
| 488 |
+
Quickly.
|
| 489 |
+
|
| 490 |
+
112
|
| 491 |
+
00:08:02,209 --> 00:08:03,834
|
| 492 |
+
Three euros fifty.
|
| 493 |
+
|
| 494 |
+
113
|
| 495 |
+
00:08:04,501 --> 00:08:08,334
|
| 496 |
+
Could you pour some on my hands?
|
| 497 |
+
Drenched in bacteria. Horrible.
|
| 498 |
+
|
| 499 |
+
114
|
| 500 |
+
00:08:08,501 --> 00:08:09,126
|
| 501 |
+
You do it.
|
| 502 |
+
|
| 503 |
+
115
|
| 504 |
+
00:08:09,334 --> 00:08:12,459
|
| 505 |
+
If I touch it, I'll contaminate it.
|
| 506 |
+
It'll be useless
|
| 507 |
+
|
| 508 |
+
116
|
| 509 |
+
00:08:12,584 --> 00:08:15,334
|
| 510 |
+
because the bottle
|
| 511 |
+
will be crawling with germs.
|
| 512 |
+
|
| 513 |
+
117
|
| 514 |
+
00:08:17,792 --> 00:08:19,542
|
| 515 |
+
Thanks. Go ahead, go.
|
| 516 |
+
|
| 517 |
+
118
|
| 518 |
+
00:08:27,876 --> 00:08:29,876
|
| 519 |
+
Very attractive pharmacy.
|
| 520 |
+
|
| 521 |
+
119
|
| 522 |
+
00:08:30,584 --> 00:08:33,626
|
| 523 |
+
Any hot new medicines
|
| 524 |
+
I can get pre-approval for?
|
| 525 |
+
|
| 526 |
+
120
|
| 527 |
+
00:08:33,792 --> 00:08:35,251
|
| 528 |
+
To treat what condition?
|
| 529 |
+
|
| 530 |
+
121
|
| 531 |
+
00:08:35,417 --> 00:08:37,292
|
| 532 |
+
Oh, a little of everything.
|
| 533 |
+
|
| 534 |
+
122
|
| 535 |
+
00:08:38,876 --> 00:08:41,417
|
| 536 |
+
I can't stand
|
| 537 |
+
these New Year's maniacs.
|
| 538 |
+
|
| 539 |
+
123
|
| 540 |
+
00:08:41,917 --> 00:08:43,084
|
| 541 |
+
I heard that.
|
| 542 |
+
|
| 543 |
+
124
|
| 544 |
+
00:08:43,251 --> 00:08:44,834
|
| 545 |
+
I'm not a maniac.
|
| 546 |
+
|
| 547 |
+
125
|
| 548 |
+
00:08:45,042 --> 00:08:46,626
|
| 549 |
+
Right, I noticed.
|
| 550 |
+
|
| 551 |
+
126
|
| 552 |
+
00:08:51,751 --> 00:08:53,917
|
| 553 |
+
Jacques, Eva. Stay for a nightcap?
|
| 554 |
+
|
| 555 |
+
127
|
| 556 |
+
00:08:54,126 --> 00:08:56,667
|
| 557 |
+
- Who was that madman?
|
| 558 |
+
- A patient. Complicated.
|
| 559 |
+
|
| 560 |
+
128
|
| 561 |
+
00:08:56,834 --> 00:08:59,292
|
| 562 |
+
- Sorry about your eye.
|
| 563 |
+
- Not as sorry as I am.
|
| 564 |
+
|
| 565 |
+
129
|
| 566 |
+
00:09:00,292 --> 00:09:02,334
|
| 567 |
+
Doctor, get home safe.
|
| 568 |
+
|
| 569 |
+
130
|
| 570 |
+
00:09:03,167 --> 00:09:05,001
|
| 571 |
+
Dimitri, I can't find my fur.
|
| 572 |
+
|
| 573 |
+
131
|
| 574 |
+
00:09:05,167 --> 00:09:07,542
|
| 575 |
+
A white fur coat,
|
| 576 |
+
with two brooches?
|
| 577 |
+
|
| 578 |
+
132
|
| 579 |
+
00:09:07,709 --> 00:09:09,667
|
| 580 |
+
Right! It was in the bedroom.
|
| 581 |
+
|
| 582 |
+
133
|
| 583 |
+
00:09:09,834 --> 00:09:11,501
|
| 584 |
+
It's mink! Worth a fortune!
|
| 585 |
+
|
| 586 |
+
134
|
| 587 |
+
00:09:11,876 --> 00:09:13,584
|
| 588 |
+
Haven't seen it. Sorry.
|
| 589 |
+
|
| 590 |
+
135
|
| 591 |
+
00:09:15,501 --> 00:09:16,876
|
| 592 |
+
What a night!
|
| 593 |
+
|
| 594 |
+
136
|
| 595 |
+
00:09:17,084 --> 00:09:20,917
|
| 596 |
+
- Why invite that psycho?
|
| 597 |
+
- He was alone for New Year's.
|
| 598 |
+
|
| 599 |
+
137
|
| 600 |
+
00:09:21,126 --> 00:09:23,917
|
| 601 |
+
I took pity on him.
|
| 602 |
+
Not a psycho. Hypochondriac.
|
| 603 |
+
|
| 604 |
+
138
|
| 605 |
+
00:09:24,167 --> 00:09:25,917
|
| 606 |
+
- Defending him?
|
| 607 |
+
- I made a mistake.
|
| 608 |
+
|
| 609 |
+
139
|
| 610 |
+
00:09:26,126 --> 00:09:28,292
|
| 611 |
+
That's clear to everyone,
|
| 612 |
+
except you.
|
| 613 |
+
|
| 614 |
+
140
|
| 615 |
+
00:09:28,459 --> 00:09:32,584
|
| 616 |
+
I want him to meet someone.
|
| 617 |
+
Then he'll finally leave me in peace.
|
| 618 |
+
|
| 619 |
+
141
|
| 620 |
+
00:09:32,751 --> 00:09:34,292
|
| 621 |
+
Thanks! Glad to hear it.
|
| 622 |
+
|
| 623 |
+
142
|
| 624 |
+
00:09:34,459 --> 00:09:36,042
|
| 625 |
+
Sorry, didn't see you there.
|
| 626 |
+
|
| 627 |
+
143
|
| 628 |
+
00:09:37,501 --> 00:09:39,209
|
| 629 |
+
I didn't see her there.
|
| 630 |
+
|
| 631 |
+
144
|
| 632 |
+
00:09:39,376 --> 00:09:41,376
|
| 633 |
+
Nice idea. Worked out great.
|
| 634 |
+
|
| 635 |
+
145
|
| 636 |
+
00:09:41,501 --> 00:09:44,876
|
| 637 |
+
I'm not seeing him again.
|
| 638 |
+
It's my New Year's resolution.
|
| 639 |
+
|
| 640 |
+
146
|
| 641 |
+
00:09:49,917 --> 00:09:52,167
|
| 642 |
+
- What is that?
|
| 643 |
+
- Guess.
|
| 644 |
+
|
| 645 |
+
147
|
| 646 |
+
00:09:52,417 --> 00:09:54,876
|
| 647 |
+
Who would stash illegals here
|
| 648 |
+
at 2 AM?
|
| 649 |
+
|
| 650 |
+
148
|
| 651 |
+
00:09:55,751 --> 00:09:56,751
|
| 652 |
+
Anna.
|
| 653 |
+
|
| 654 |
+
149
|
| 655 |
+
00:10:05,834 --> 00:10:07,209
|
| 656 |
+
Anna, no.
|
| 657 |
+
|
| 658 |
+
150
|
| 659 |
+
00:10:07,501 --> 00:10:08,834
|
| 660 |
+
It's all good. Fine.
|
| 661 |
+
|
| 662 |
+
151
|
| 663 |
+
00:10:09,084 --> 00:10:12,501
|
| 664 |
+
Nina's back from skiing in 2 days.
|
| 665 |
+
The answer is no.
|
| 666 |
+
|
| 667 |
+
152
|
| 668 |
+
00:10:18,376 --> 00:10:19,459
|
| 669 |
+
Likewise. Goodbye.
|
| 670 |
+
|
| 671 |
+
153
|
| 672 |
+
00:10:19,584 --> 00:10:23,001
|
| 673 |
+
No, he's thanking you
|
| 674 |
+
for letting them stay.
|
| 675 |
+
|
| 676 |
+
154
|
| 677 |
+
00:10:24,834 --> 00:10:26,084
|
| 678 |
+
Why not your place?
|
| 679 |
+
|
| 680 |
+
155
|
| 681 |
+
00:10:26,417 --> 00:10:28,001
|
| 682 |
+
Guillaume and I had a fight.
|
| 683 |
+
|
| 684 |
+
156
|
| 685 |
+
00:10:28,167 --> 00:10:30,542
|
| 686 |
+
- Deal with it.
|
| 687 |
+
- But don't bother you?
|
| 688 |
+
|
| 689 |
+
157
|
| 690 |
+
00:10:30,709 --> 00:10:32,584
|
| 691 |
+
- Anna!
|
| 692 |
+
- Right, don't bother me!
|
| 693 |
+
|
| 694 |
+
158
|
| 695 |
+
00:10:33,126 --> 00:10:35,334
|
| 696 |
+
You're both hopelessly middle-class!
|
| 697 |
+
|
| 698 |
+
159
|
| 699 |
+
00:10:35,501 --> 00:10:39,167
|
| 700 |
+
Your architect husband,
|
| 701 |
+
your big suburban house
|
| 702 |
+
|
| 703 |
+
160
|
| 704 |
+
00:10:39,334 --> 00:10:40,167
|
| 705 |
+
Nora, come on.
|
| 706 |
+
|
| 707 |
+
161
|
| 708 |
+
00:10:40,334 --> 00:10:43,917
|
| 709 |
+
When those homeless wetbacks get you
|
| 710 |
+
into trouble, don't complain!
|
| 711 |
+
|
| 712 |
+
162
|
| 713 |
+
00:10:44,126 --> 00:10:46,334
|
| 714 |
+
They're not homeless.
|
| 715 |
+
They're cousins.
|
| 716 |
+
|
| 717 |
+
163
|
| 718 |
+
00:10:46,834 --> 00:10:49,084
|
| 719 |
+
Political refugees of Cherkistan.
|
| 720 |
+
|
| 721 |
+
164
|
| 722 |
+
00:10:49,251 --> 00:10:51,126
|
| 723 |
+
Not all Cherkistanis are cousins.
|
| 724 |
+
|
| 725 |
+
165
|
| 726 |
+
00:10:51,292 --> 00:10:54,542
|
| 727 |
+
The least you could do is ask
|
| 728 |
+
before coming here.
|
| 729 |
+
|
| 730 |
+
166
|
| 731 |
+
00:10:54,709 --> 00:10:58,209
|
| 732 |
+
I was going to. Then I saw
|
| 733 |
+
the bombing on Google alert.
|
| 734 |
+
|
| 735 |
+
167
|
| 736 |
+
00:10:58,376 --> 00:10:59,876
|
| 737 |
+
- I was swamped!
|
| 738 |
+
- Bombing?
|
| 739 |
+
|
| 740 |
+
168
|
| 741 |
+
00:11:00,084 --> 00:11:01,709
|
| 742 |
+
You haven't even heard.
|
| 743 |
+
|
| 744 |
+
169
|
| 745 |
+
00:11:01,876 --> 00:11:03,876
|
| 746 |
+
A raid in the southern mountains.
|
| 747 |
+
|
| 748 |
+
170
|
| 749 |
+
00:11:04,084 --> 00:11:06,376
|
| 750 |
+
The state located
|
| 751 |
+
the main rebel camp.
|
| 752 |
+
|
| 753 |
+
171
|
| 754 |
+
00:11:06,626 --> 00:11:07,626
|
| 755 |
+
My God!
|
| 756 |
+
|
| 757 |
+
172
|
| 758 |
+
00:11:07,667 --> 00:11:10,209
|
| 759 |
+
Sarcasm!
|
| 760 |
+
When Anton Miroslav may be dead!
|
| 761 |
+
|
| 762 |
+
173
|
| 763 |
+
00:11:31,334 --> 00:11:32,834
|
| 764 |
+
Why would you say that?
|
| 765 |
+
|
| 766 |
+
174
|
| 767 |
+
00:11:33,084 --> 00:11:35,042
|
| 768 |
+
Because we're tired!
|
| 769 |
+
|
| 770 |
+
175
|
| 771 |
+
00:11:37,084 --> 00:11:39,626
|
| 772 |
+
I want them to shut up.
|
| 773 |
+
I want them to go.
|
| 774 |
+
|
| 775 |
+
176
|
| 776 |
+
00:11:40,292 --> 00:11:43,251
|
| 777 |
+
Dimitri,
|
| 778 |
+
you have no political conscience.
|
| 779 |
+
|
| 780 |
+
177
|
| 781 |
+
00:11:43,417 --> 00:11:45,917
|
| 782 |
+
And you're in denial
|
| 783 |
+
about your roots.
|
| 784 |
+
|
| 785 |
+
178
|
| 786 |
+
00:11:46,126 --> 00:11:47,126
|
| 787 |
+
You're hopeless.
|
| 788 |
+
|
| 789 |
+
179
|
| 790 |
+
00:11:47,209 --> 00:11:49,292
|
| 791 |
+
We've been French for 3 generations.
|
| 792 |
+
|
| 793 |
+
180
|
| 794 |
+
00:11:49,459 --> 00:11:50,917
|
| 795 |
+
So Grandpa was a Zvenka.
|
| 796 |
+
|
| 797 |
+
181
|
| 798 |
+
00:11:51,126 --> 00:11:53,251
|
| 799 |
+
Doesn't make us
|
| 800 |
+
part of the revolution!
|
| 801 |
+
|
| 802 |
+
182
|
| 803 |
+
00:11:53,417 --> 00:11:55,501
|
| 804 |
+
You call yourself a humanitarian.
|
| 805 |
+
|
| 806 |
+
183
|
| 807 |
+
00:11:56,542 --> 00:11:58,501
|
| 808 |
+
I'm a non-practicing altruist.
|
| 809 |
+
|
| 810 |
+
184
|
| 811 |
+
00:11:58,667 --> 00:11:59,667
|
| 812 |
+
Very funny.
|
| 813 |
+
|
| 814 |
+
185
|
| 815 |
+
00:12:05,334 --> 00:12:08,501
|
| 816 |
+
- Happy New Year, fascists!
|
| 817 |
+
- Same to you, working class hero!
|
| 818 |
+
|
| 819 |
+
186
|
| 820 |
+
00:12:36,126 --> 00:12:37,251
|
| 821 |
+
Woman of my dreams?
|
| 822 |
+
|
| 823 |
+
187
|
| 824 |
+
00:13:41,167 --> 00:13:42,167
|
| 825 |
+
Not busking.
|
| 826 |
+
|
| 827 |
+
188
|
| 828 |
+
00:13:42,376 --> 00:13:44,667
|
| 829 |
+
- Incredible!
|
| 830 |
+
- I'm not performing!
|
| 831 |
+
|
| 832 |
+
189
|
| 833 |
+
00:13:45,209 --> 00:13:47,709
|
| 834 |
+
How was New Year's
|
| 835 |
+
at your doctor's?
|
| 836 |
+
|
| 837 |
+
190
|
| 838 |
+
00:13:47,876 --> 00:13:49,376
|
| 839 |
+
Let's not talk about it.
|
| 840 |
+
|
| 841 |
+
191
|
| 842 |
+
00:13:49,501 --> 00:13:52,459
|
| 843 |
+
- And your party?
|
| 844 |
+
- A blast. Should've come.
|
| 845 |
+
|
| 846 |
+
192
|
| 847 |
+
00:13:52,709 --> 00:13:56,501
|
| 848 |
+
Hello, excuse me.
|
| 849 |
+
I'm scheduled for an MRI.
|
| 850 |
+
|
| 851 |
+
193
|
| 852 |
+
00:13:56,667 --> 00:13:59,126
|
| 853 |
+
Fourth floor left.
|
| 854 |
+
Elevator's right there.
|
| 855 |
+
|
| 856 |
+
194
|
| 857 |
+
00:13:59,667 --> 00:14:00,667
|
| 858 |
+
Thank you.
|
| 859 |
+
|
| 860 |
+
195
|
| 861 |
+
00:14:01,292 --> 00:14:02,334
|
| 862 |
+
Don't mention it.
|
| 863 |
+
|
| 864 |
+
196
|
| 865 |
+
00:14:03,001 --> 00:14:04,501
|
| 866 |
+
Can't wish him a happy new year.
|
| 867 |
+
|
| 868 |
+
197
|
| 869 |
+
00:14:05,876 --> 00:14:07,501
|
| 870 |
+
- Happy New Year.
|
| 871 |
+
- How are you?
|
| 872 |
+
|
| 873 |
+
198
|
| 874 |
+
00:14:07,667 --> 00:14:09,376
|
| 875 |
+
A little cold, but I'm OK.
|
| 876 |
+
|
| 877 |
+
199
|
| 878 |
+
00:14:09,501 --> 00:14:10,501
|
| 879 |
+
Really?
|
| 880 |
+
|
| 881 |
+
200
|
| 882 |
+
00:14:10,542 --> 00:14:12,792
|
| 883 |
+
And you get prettier all the time!
|
| 884 |
+
|
| 885 |
+
201
|
| 886 |
+
00:14:13,001 --> 00:14:14,001
|
| 887 |
+
Nice of you.
|
| 888 |
+
|
| 889 |
+
202
|
| 890 |
+
00:14:14,209 --> 00:14:16,042
|
| 891 |
+
- See you later?
|
| 892 |
+
- All right.
|
| 893 |
+
|
| 894 |
+
203
|
| 895 |
+
00:14:18,876 --> 00:14:19,876
|
| 896 |
+
Stings, huh?
|
| 897 |
+
|
| 898 |
+
204
|
| 899 |
+
00:14:20,001 --> 00:14:21,251
|
| 900 |
+
A little, yeah.
|
| 901 |
+
|
| 902 |
+
205
|
| 903 |
+
00:14:21,417 --> 00:14:23,667
|
| 904 |
+
You got to chill
|
| 905 |
+
with the germ thing.
|
| 906 |
+
|
| 907 |
+
206
|
| 908 |
+
00:14:23,834 --> 00:14:24,834
|
| 909 |
+
I will.
|
| 910 |
+
|
| 911 |
+
207
|
| 912 |
+
00:15:14,042 --> 00:15:15,542
|
| 913 |
+
Hi Véronique, happy New Year.
|
| 914 |
+
|
| 915 |
+
208
|
| 916 |
+
00:15:16,292 --> 00:15:18,751
|
| 917 |
+
Romain Faubert! How are you?
|
| 918 |
+
|
| 919 |
+
209
|
| 920 |
+
00:15:19,167 --> 00:15:20,709
|
| 921 |
+
Not great, I'm here.
|
| 922 |
+
|
| 923 |
+
210
|
| 924 |
+
00:15:21,084 --> 00:15:22,084
|
| 925 |
+
Here again.
|
| 926 |
+
|
| 927 |
+
211
|
| 928 |
+
00:15:27,334 --> 00:15:30,501
|
| 929 |
+
- The waiting room's so crowded.
|
| 930 |
+
- Always, after the holiday.
|
| 931 |
+
|
| 932 |
+
212
|
| 933 |
+
00:15:30,667 --> 00:15:31,876
|
| 934 |
+
Mind if I wait here?
|
| 935 |
+
|
| 936 |
+
213
|
| 937 |
+
00:15:32,084 --> 00:15:33,584
|
| 938 |
+
Yes, I mind.
|
| 939 |
+
|
| 940 |
+
214
|
| 941 |
+
00:15:35,667 --> 00:15:36,667
|
| 942 |
+
Bitch.
|
| 943 |
+
|
| 944 |
+
215
|
| 945 |
+
00:15:38,584 --> 00:15:39,709
|
| 946 |
+
Constant stress.
|
| 947 |
+
|
| 948 |
+
216
|
| 949 |
+
00:15:39,876 --> 00:15:41,251
|
| 950 |
+
Dimitri, I'm very ill.
|
| 951 |
+
|
| 952 |
+
217
|
| 953 |
+
00:15:41,417 --> 00:15:43,376
|
| 954 |
+
Get out. I have a waiting room.
|
| 955 |
+
Véronique!
|
| 956 |
+
|
| 957 |
+
218
|
| 958 |
+
00:15:43,501 --> 00:15:45,042
|
| 959 |
+
An emergency.
|
| 960 |
+
|
| 961 |
+
219
|
| 962 |
+
00:15:45,209 --> 00:15:48,459
|
| 963 |
+
Go through my damn secretary!
|
| 964 |
+
Out of my office!
|
| 965 |
+
|
| 966 |
+
220
|
| 967 |
+
00:15:52,334 --> 00:15:53,584
|
| 968 |
+
Excuse me.
|
| 969 |
+
|
| 970 |
+
221
|
| 971 |
+
00:15:54,167 --> 00:15:57,042
|
| 972 |
+
You said you were feeling
|
| 973 |
+
very stressed out?
|
| 974 |
+
|
| 975 |
+
222
|
| 976 |
+
00:15:57,626 --> 00:15:58,751
|
| 977 |
+
There!
|
| 978 |
+
|
| 979 |
+
223
|
| 980 |
+
00:16:04,834 --> 00:16:08,001
|
| 981 |
+
Excuse me, you shouldn't touch
|
| 982 |
+
those 90's magazines.
|
| 983 |
+
|
| 984 |
+
224
|
| 985 |
+
00:16:08,167 --> 00:16:10,376
|
| 986 |
+
Crawling with germs and skin rashes.
|
| 987 |
+
|
| 988 |
+
225
|
| 989 |
+
00:16:10,501 --> 00:16:13,834
|
| 990 |
+
Think of all the sick people
|
| 991 |
+
turning pages, doing this.
|
| 992 |
+
|
| 993 |
+
226
|
| 994 |
+
00:16:17,917 --> 00:16:18,917
|
| 995 |
+
Here.
|
| 996 |
+
|
| 997 |
+
227
|
| 998 |
+
00:16:23,292 --> 00:16:26,459
|
| 999 |
+
Waiting rooms are a doctor's way
|
| 1000 |
+
of increasing clientele.
|
| 1001 |
+
|
| 1002 |
+
228
|
| 1003 |
+
00:16:26,584 --> 00:16:28,584
|
| 1004 |
+
The doctor is the one waiting
|
| 1005 |
+
|
| 1006 |
+
229
|
| 1007 |
+
00:16:28,751 --> 00:16:31,542
|
| 1008 |
+
for all our germs
|
| 1009 |
+
to spread to all his patients.
|
| 1010 |
+
|
| 1011 |
+
230
|
| 1012 |
+
00:16:36,042 --> 00:16:39,126
|
| 1013 |
+
I said I wouldn't see you again.
|
| 1014 |
+
What is it? Hurry up.
|
| 1015 |
+
|
| 1016 |
+
231
|
| 1017 |
+
00:16:39,792 --> 00:16:42,876
|
| 1018 |
+
Could you order a tiny ultra-sound
|
| 1019 |
+
for over here?
|
| 1020 |
+
|
| 1021 |
+
232
|
| 1022 |
+
00:16:43,084 --> 00:16:44,751
|
| 1023 |
+
Go work out, stop bothering me!
|
| 1024 |
+
|
| 1025 |
+
233
|
| 1026 |
+
00:16:45,167 --> 00:16:48,626
|
| 1027 |
+
You're being unkind.
|
| 1028 |
+
I'm your most loyal patient.
|
| 1029 |
+
|
| 1030 |
+
234
|
| 1031 |
+
00:16:48,792 --> 00:16:49,584
|
| 1032 |
+
And the healthiest!
|
| 1033 |
+
|
| 1034 |
+
235
|
| 1035 |
+
00:16:49,751 --> 00:16:52,417
|
| 1036 |
+
Sure! I'm careful,
|
| 1037 |
+
and I have a good doctor.
|
| 1038 |
+
|
| 1039 |
+
236
|
| 1040 |
+
00:16:55,126 --> 00:16:56,459
|
| 1041 |
+
Listen, Romain.
|
| 1042 |
+
|
| 1043 |
+
237
|
| 1044 |
+
00:16:56,584 --> 00:17:00,084
|
| 1045 |
+
I do volunteer work.
|
| 1046 |
+
I see suffering, real suffering.
|
| 1047 |
+
|
| 1048 |
+
238
|
| 1049 |
+
00:17:00,251 --> 00:17:03,417
|
| 1050 |
+
If I took you on a mission once,
|
| 1051 |
+
you'd stop complaining.
|
| 1052 |
+
|
| 1053 |
+
239
|
| 1054 |
+
00:17:04,001 --> 00:17:05,001
|
| 1055 |
+
I'll stop.
|
| 1056 |
+
|
| 1057 |
+
240
|
| 1058 |
+
00:17:05,376 --> 00:17:07,917
|
| 1059 |
+
That would be a miracle.
|
| 1060 |
+
Come on, get out.
|
| 1061 |
+
|
| 1062 |
+
241
|
| 1063 |
+
00:17:08,376 --> 00:17:11,501
|
| 1064 |
+
I got you a present,
|
| 1065 |
+
to apologize for the party.
|
| 1066 |
+
|
| 1067 |
+
242
|
| 1068 |
+
00:17:11,626 --> 00:17:13,084
|
| 1069 |
+
You shouldn't have.
|
| 1070 |
+
|
| 1071 |
+
243
|
| 1072 |
+
00:17:14,001 --> 00:17:15,876
|
| 1073 |
+
You were so nice to invite me.
|
| 1074 |
+
|
| 1075 |
+
244
|
| 1076 |
+
00:17:17,417 --> 00:17:19,251
|
| 1077 |
+
For my friend Dimitri Thank you.
|
| 1078 |
+
|
| 1079 |
+
245
|
| 1080 |
+
00:17:21,001 --> 00:17:23,376
|
| 1081 |
+
- You don't like it?
|
| 1082 |
+
- That's not it.
|
| 1083 |
+
|
| 1084 |
+
246
|
| 1085 |
+
00:17:24,751 --> 00:17:26,876
|
| 1086 |
+
Such a fine gift wasn't necessary.
|
| 1087 |
+
|
| 1088 |
+
247
|
| 1089 |
+
00:17:29,084 --> 00:17:30,459
|
| 1090 |
+
It's nice of you.
|
| 1091 |
+
|
| 1092 |
+
248
|
| 1093 |
+
00:17:32,001 --> 00:17:33,626
|
| 1094 |
+
I'll take your blood pressure.
|
| 1095 |
+
|
| 1096 |
+
249
|
| 1097 |
+
00:17:37,084 --> 00:17:38,292
|
| 1098 |
+
I'll go, you're busy.
|
| 1099 |
+
|
| 1100 |
+
250
|
| 1101 |
+
00:17:42,709 --> 00:17:44,209
|
| 1102 |
+
It was nice of him.
|
| 1103 |
+
|
| 1104 |
+
251
|
| 1105 |
+
00:17:44,751 --> 00:17:45,792
|
| 1106 |
+
After you.
|
| 1107 |
+
|
| 1108 |
+
252
|
| 1109 |
+
00:17:52,584 --> 00:17:54,167
|
| 1110 |
+
He's not contagious.
|
| 1111 |
+
|
| 1112 |
+
253
|
| 1113 |
+
00:17:58,542 --> 00:18:01,167
|
| 1114 |
+
Stand here in the middle,
|
| 1115 |
+
face forward.
|
| 1116 |
+
|
| 1117 |
+
254
|
| 1118 |
+
00:18:01,667 --> 00:18:03,792
|
| 1119 |
+
Where do you have the most blotches?
|
| 1120 |
+
|
| 1121 |
+
255
|
| 1122 |
+
00:18:04,001 --> 00:18:05,501
|
| 1123 |
+
Chest and neck.
|
| 1124 |
+
|
| 1125 |
+
256
|
| 1126 |
+
00:18:05,626 --> 00:18:08,542
|
| 1127 |
+
Could you open your shirt, please?
|
| 1128 |
+
|
| 1129 |
+
257
|
| 1130 |
+
00:18:08,709 --> 00:18:10,501
|
| 1131 |
+
And head nice and high.
|
| 1132 |
+
|
| 1133 |
+
258
|
| 1134 |
+
00:18:11,542 --> 00:18:12,542
|
| 1135 |
+
Like this?
|
| 1136 |
+
|
| 1137 |
+
259
|
| 1138 |
+
00:18:17,751 --> 00:18:20,417
|
| 1139 |
+
How do you catch
|
| 1140 |
+
pityriasis versicolor?
|
| 1141 |
+
|
| 1142 |
+
260
|
| 1143 |
+
00:18:20,542 --> 00:18:21,876
|
| 1144 |
+
Hot, humid places.
|
| 1145 |
+
|
| 1146 |
+
261
|
| 1147 |
+
00:18:22,084 --> 00:18:22,792
|
| 1148 |
+
Africa?
|
| 1149 |
+
|
| 1150 |
+
262
|
| 1151 |
+
00:18:23,001 --> 00:18:25,542
|
| 1152 |
+
Much closer.
|
| 1153 |
+
Public swimming pools.
|
| 1154 |
+
|
| 1155 |
+
263
|
| 1156 |
+
00:18:25,709 --> 00:18:27,459
|
| 1157 |
+
A fungus. That's all I got.
|
| 1158 |
+
|
| 1159 |
+
264
|
| 1160 |
+
00:18:27,584 --> 00:18:29,709
|
| 1161 |
+
- From the foot bath?
|
| 1162 |
+
- I don't know.
|
| 1163 |
+
|
| 1164 |
+
265
|
| 1165 |
+
00:18:29,876 --> 00:18:30,876
|
| 1166 |
+
Profile, please.
|
| 1167 |
+
|
| 1168 |
+
266
|
| 1169 |
+
00:18:31,167 --> 00:18:33,292
|
| 1170 |
+
The foot bath
|
| 1171 |
+
is a revolting invention.
|
| 1172 |
+
|
| 1173 |
+
267
|
| 1174 |
+
00:18:33,459 --> 00:18:34,584
|
| 1175 |
+
- The what?
|
| 1176 |
+
- Foot bath.
|
| 1177 |
+
|
| 1178 |
+
268
|
| 1179 |
+
00:18:34,751 --> 00:18:36,751
|
| 1180 |
+
Those disinfectant pools for feet.
|
| 1181 |
+
|
| 1182 |
+
269
|
| 1183 |
+
00:18:36,917 --> 00:18:38,751
|
| 1184 |
+
They force you to walk in it,
|
| 1185 |
+
|
| 1186 |
+
270
|
| 1187 |
+
00:18:38,917 --> 00:18:41,334
|
| 1188 |
+
to be sure you'll get
|
| 1189 |
+
every last germ.
|
| 1190 |
+
|
| 1191 |
+
271
|
| 1192 |
+
00:18:41,542 --> 00:18:43,334
|
| 1193 |
+
Your other profile, please.
|
| 1194 |
+
|
| 1195 |
+
272
|
| 1196 |
+
00:18:44,417 --> 00:18:45,417
|
| 1197 |
+
Here.
|
| 1198 |
+
|
| 1199 |
+
273
|
| 1200 |
+
00:18:46,417 --> 00:18:47,126
|
| 1201 |
+
Why?
|
| 1202 |
+
|
| 1203 |
+
274
|
| 1204 |
+
00:18:47,292 --> 00:18:49,251
|
| 1205 |
+
Your headache.
|
| 1206 |
+
You keep doing this.
|
| 1207 |
+
|
| 1208 |
+
275
|
| 1209 |
+
00:18:55,167 --> 00:18:56,292
|
| 1210 |
+
Here man, thanks.
|
| 1211 |
+
|
| 1212 |
+
276
|
| 1213 |
+
00:19:00,001 --> 00:19:03,501
|
| 1214 |
+
That's the secret of happiness.
|
| 1215 |
+
Live for the moment. OK?
|
| 1216 |
+
|
| 1217 |
+
277
|
| 1218 |
+
00:19:03,626 --> 00:19:04,667
|
| 1219 |
+
Fantastic, Marc!
|
| 1220 |
+
|
| 1221 |
+
278
|
| 1222 |
+
00:19:04,834 --> 00:19:06,876
|
| 1223 |
+
I can't believe
|
| 1224 |
+
I didn't go out before!
|
| 1225 |
+
|
| 1226 |
+
279
|
| 1227 |
+
00:19:07,084 --> 00:19:09,292
|
| 1228 |
+
I'm making up for lost time!
|
| 1229 |
+
|
| 1230 |
+
280
|
| 1231 |
+
00:19:09,459 --> 00:19:11,001
|
| 1232 |
+
I love it! Thanks, dude!
|
| 1233 |
+
|
| 1234 |
+
281
|
| 1235 |
+
00:19:11,167 --> 00:19:12,501
|
| 1236 |
+
No problem, man!
|
| 1237 |
+
|
| 1238 |
+
282
|
| 1239 |
+
00:19:12,834 --> 00:19:15,834
|
| 1240 |
+
Who rules here? We do!
|
| 1241 |
+
|
| 1242 |
+
283
|
| 1243 |
+
00:19:17,751 --> 00:19:20,376
|
| 1244 |
+
Go. I got the blood test ready.
|
| 1245 |
+
Don't worry.
|
| 1246 |
+
|
| 1247 |
+
284
|
| 1248 |
+
00:19:24,167 --> 00:19:26,126
|
| 1249 |
+
- Romain!
|
| 1250 |
+
- Manon!
|
| 1251 |
+
|
| 1252 |
+
285
|
| 1253 |
+
00:19:26,542 --> 00:19:28,584
|
| 1254 |
+
- You come here often?
|
| 1255 |
+
- My first time.
|
| 1256 |
+
|
| 1257 |
+
286
|
| 1258 |
+
00:19:28,751 --> 00:19:31,667
|
| 1259 |
+
That's funny. Me, too!
|
| 1260 |
+
Let me recite a poem.
|
| 1261 |
+
|
| 1262 |
+
287
|
| 1263 |
+
00:19:31,834 --> 00:19:33,626
|
| 1264 |
+
- No, no poem!
|
| 1265 |
+
- Yeah, a poem.
|
| 1266 |
+
|
| 1267 |
+
288
|
| 1268 |
+
00:19:33,876 --> 00:19:35,792
|
| 1269 |
+
- A what?
|
| 1270 |
+
- A poem!
|
| 1271 |
+
|
| 1272 |
+
289
|
| 1273 |
+
00:19:39,417 --> 00:19:41,126
|
| 1274 |
+
He wants to recite a poem.
|
| 1275 |
+
|
| 1276 |
+
290
|
| 1277 |
+
00:19:42,376 --> 00:19:44,584
|
| 1278 |
+
Wow, that was so masterful.
|
| 1279 |
+
|
| 1280 |
+
291
|
| 1281 |
+
00:19:44,751 --> 00:19:47,417
|
| 1282 |
+
So masterful. You're my hero.
|
| 1283 |
+
|
| 1284 |
+
292
|
| 1285 |
+
00:19:53,334 --> 00:19:54,334
|
| 1286 |
+
Marc?
|
| 1287 |
+
|
| 1288 |
+
293
|
| 1289 |
+
00:19:56,751 --> 00:19:59,792
|
| 1290 |
+
What is it, the cocktail?
|
| 1291 |
+
I drank the same one!
|
| 1292 |
+
|
| 1293 |
+
294
|
| 1294 |
+
00:20:00,001 --> 00:20:01,876
|
| 1295 |
+
Step aside. We have no time!
|
| 1296 |
+
|
| 1297 |
+
295
|
| 1298 |
+
00:20:02,084 --> 00:20:04,626
|
| 1299 |
+
But I drank the same cocktail!
|
| 1300 |
+
The same one!
|
| 1301 |
+
|
| 1302 |
+
296
|
| 1303 |
+
00:20:04,792 --> 00:20:06,167
|
| 1304 |
+
Help me!
|
| 1305 |
+
|
| 1306 |
+
297
|
| 1307 |
+
00:20:20,917 --> 00:20:23,001
|
| 1308 |
+
Sorry, I gave your number again.
|
| 1309 |
+
|
| 1310 |
+
298
|
| 1311 |
+
00:20:23,167 --> 00:20:24,501
|
| 1312 |
+
That's all right.
|
| 1313 |
+
|
| 1314 |
+
299
|
| 1315 |
+
00:20:25,667 --> 00:20:28,001
|
| 1316 |
+
I know that doctor.
|
| 1317 |
+
Careful, he sucks.
|
| 1318 |
+
|
| 1319 |
+
300
|
| 1320 |
+
00:20:29,459 --> 00:20:32,126
|
| 1321 |
+
- Romain, it's not good news.
|
| 1322 |
+
- Marc?
|
| 1323 |
+
|
| 1324 |
+
301
|
| 1325 |
+
00:20:32,376 --> 00:20:35,126
|
| 1326 |
+
Sorry, it's over for your friend.
|
| 1327 |
+
|
| 1328 |
+
302
|
| 1329 |
+
00:20:35,292 --> 00:20:36,626
|
| 1330 |
+
No way.
|
| 1331 |
+
|
| 1332 |
+
303
|
| 1333 |
+
00:20:36,792 --> 00:20:38,334
|
| 1334 |
+
It's over. Marc is dead.
|
| 1335 |
+
|
| 1336 |
+
304
|
| 1337 |
+
00:20:42,251 --> 00:20:45,126
|
| 1338 |
+
You killed him!
|
| 1339 |
+
Public hospitals! What did you do?
|
| 1340 |
+
|
| 1341 |
+
305
|
| 1342 |
+
00:20:45,501 --> 00:20:47,709
|
| 1343 |
+
He was gone
|
| 1344 |
+
when he got to the ER.
|
| 1345 |
+
|
| 1346 |
+
306
|
| 1347 |
+
00:20:47,876 --> 00:20:49,459
|
| 1348 |
+
It was an aneurism.
|
| 1349 |
+
|
| 1350 |
+
307
|
| 1351 |
+
00:20:49,792 --> 00:20:51,876
|
| 1352 |
+
A massive cerebral hemorrhage.
|
| 1353 |
+
|
| 1354 |
+
308
|
| 1355 |
+
00:20:52,084 --> 00:20:55,751
|
| 1356 |
+
He had lots of aspirin in his blood,
|
| 1357 |
+
which sped up the process.
|
| 1358 |
+
|
| 1359 |
+
309
|
| 1360 |
+
00:20:56,876 --> 00:20:58,251
|
| 1361 |
+
Holy shit!
|
| 1362 |
+
|
| 1363 |
+
310
|
| 1364 |
+
00:20:59,084 --> 00:21:00,209
|
| 1365 |
+
What is it?
|
| 1366 |
+
|
| 1367 |
+
311
|
| 1368 |
+
00:21:22,751 --> 00:21:23,834
|
| 1369 |
+
Hello.
|
| 1370 |
+
|
| 1371 |
+
312
|
| 1372 |
+
00:21:26,542 --> 00:21:27,584
|
| 1373 |
+
You all right?
|
| 1374 |
+
|
| 1375 |
+
313
|
| 1376 |
+
00:21:30,167 --> 00:21:32,209
|
| 1377 |
+
Easy, easy. It'll be all right.
|
| 1378 |
+
|
| 1379 |
+
314
|
| 1380 |
+
00:21:33,126 --> 00:21:34,209
|
| 1381 |
+
It'll be all right.
|
| 1382 |
+
|
| 1383 |
+
315
|
| 1384 |
+
00:21:34,376 --> 00:21:36,126
|
| 1385 |
+
Come on, it's all right.
|
| 1386 |
+
|
| 1387 |
+
316
|
| 1388 |
+
00:21:45,834 --> 00:21:46,834
|
| 1389 |
+
What's that?
|
| 1390 |
+
|
| 1391 |
+
317
|
| 1392 |
+
00:21:46,917 --> 00:21:50,542
|
| 1393 |
+
Eastern European disinfectant.
|
| 1394 |
+
Genuine Cherkistan, it picks you up.
|
| 1395 |
+
|
| 1396 |
+
318
|
| 1397 |
+
00:21:50,709 --> 00:21:51,876
|
| 1398 |
+
When in mourning,
|
| 1399 |
+
|
| 1400 |
+
319
|
| 1401 |
+
00:21:52,084 --> 00:21:54,042
|
| 1402 |
+
drink and laugh.
|
| 1403 |
+
|
| 1404 |
+
320
|
| 1405 |
+
00:21:54,209 --> 00:21:55,584
|
| 1406 |
+
To let it go. Come on.
|
| 1407 |
+
|
| 1408 |
+
321
|
| 1409 |
+
00:21:55,751 --> 00:21:57,292
|
| 1410 |
+
As Grandpa would say, kvanya!
|
| 1411 |
+
|
| 1412 |
+
322
|
| 1413 |
+
00:21:58,792 --> 00:22:00,542
|
| 1414 |
+
I murdered my best friend.
|
| 1415 |
+
|
| 1416 |
+
323
|
| 1417 |
+
00:22:00,709 --> 00:22:02,792
|
| 1418 |
+
Stop that, you didn't murder him.
|
| 1419 |
+
|
| 1420 |
+
324
|
| 1421 |
+
00:22:03,001 --> 00:22:04,459
|
| 1422 |
+
But stop self-medicating!
|
| 1423 |
+
|
| 1424 |
+
325
|
| 1425 |
+
00:22:05,001 --> 00:22:08,126
|
| 1426 |
+
This proves it's dangerous.
|
| 1427 |
+
But it's not your fault.
|
| 1428 |
+
|
| 1429 |
+
326
|
| 1430 |
+
00:22:08,376 --> 00:22:11,834
|
| 1431 |
+
I gave him aspirin.
|
| 1432 |
+
He hemorrhaged and died.
|
| 1433 |
+
|
| 1434 |
+
327
|
| 1435 |
+
00:22:12,209 --> 00:22:13,209
|
| 1436 |
+
Easy! Romain!
|
| 1437 |
+
|
| 1438 |
+
328
|
| 1439 |
+
00:22:13,917 --> 00:22:16,292
|
| 1440 |
+
It was circumstance,
|
| 1441 |
+
you couldn't know.
|
| 1442 |
+
|
| 1443 |
+
329
|
| 1444 |
+
00:22:16,667 --> 00:22:19,917
|
| 1445 |
+
Headaches, stiff necks.
|
| 1446 |
+
I should've thought it through.
|
| 1447 |
+
|
| 1448 |
+
330
|
| 1449 |
+
00:22:20,126 --> 00:22:22,376
|
| 1450 |
+
Subconsciously,
|
| 1451 |
+
I wanted him to die!
|
| 1452 |
+
|
| 1453 |
+
331
|
| 1454 |
+
00:22:22,501 --> 00:22:25,501
|
| 1455 |
+
Besides, I'm relieved he died
|
| 1456 |
+
and not me!
|
| 1457 |
+
|
| 1458 |
+
332
|
| 1459 |
+
00:22:26,834 --> 00:22:28,001
|
| 1460 |
+
It's horrible.
|
| 1461 |
+
|
| 1462 |
+
333
|
| 1463 |
+
00:22:28,501 --> 00:22:30,542
|
| 1464 |
+
It's human.
|
| 1465 |
+
This was an accident.
|
| 1466 |
+
|
| 1467 |
+
334
|
| 1468 |
+
00:22:30,709 --> 00:22:32,667
|
| 1469 |
+
He should've known,
|
| 1470 |
+
he was a nurse.
|
| 1471 |
+
|
| 1472 |
+
335
|
| 1473 |
+
00:22:32,834 --> 00:22:34,292
|
| 1474 |
+
His aneurism was unavoidable.
|
| 1475 |
+
|
| 1476 |
+
336
|
| 1477 |
+
00:22:34,626 --> 00:22:36,584
|
| 1478 |
+
My aspirin finished him off.
|
| 1479 |
+
|
| 1480 |
+
337
|
| 1481 |
+
00:22:36,876 --> 00:22:40,542
|
| 1482 |
+
It sped it up, it didn't kill him.
|
| 1483 |
+
Maybe he even suffered less.
|
| 1484 |
+
|
| 1485 |
+
338
|
| 1486 |
+
00:22:41,501 --> 00:22:42,292
|
| 1487 |
+
Think so?
|
| 1488 |
+
|
| 1489 |
+
339
|
| 1490 |
+
00:22:42,459 --> 00:22:45,042
|
| 1491 |
+
You relieved him,
|
| 1492 |
+
helped him leave gently.
|
| 1493 |
+
|
| 1494 |
+
340
|
| 1495 |
+
00:22:45,417 --> 00:22:46,417
|
| 1496 |
+
Painlessly.
|
| 1497 |
+
|
| 1498 |
+
341
|
| 1499 |
+
00:22:49,751 --> 00:22:51,751
|
| 1500 |
+
I lost my only friend.
|
| 1501 |
+
|
| 1502 |
+
342
|
| 1503 |
+
00:22:52,001 --> 00:22:53,834
|
| 1504 |
+
He wasn't your only friend.
|
| 1505 |
+
|
| 1506 |
+
343
|
| 1507 |
+
00:22:59,001 --> 00:23:00,042
|
| 1508 |
+
You have me, too.
|
| 1509 |
+
|
| 1510 |
+
344
|
| 1511 |
+
00:23:00,292 --> 00:23:02,167
|
| 1512 |
+
Really?
|
| 1513 |
+
You want to be my friend?
|
| 1514 |
+
|
| 1515 |
+
345
|
| 1516 |
+
00:23:07,917 --> 00:23:11,084
|
| 1517 |
+
Let's say...
|
| 1518 |
+
you're my favorite patient.
|
| 1519 |
+
|
| 1520 |
+
346
|
| 1521 |
+
00:23:11,751 --> 00:23:12,792
|
| 1522 |
+
Thanks, Dimitri!
|
| 1523 |
+
|
| 1524 |
+
347
|
| 1525 |
+
00:23:13,709 --> 00:23:15,001
|
| 1526 |
+
Thank you!
|
| 1527 |
+
|
| 1528 |
+
348
|
| 1529 |
+
00:23:15,584 --> 00:23:17,126
|
| 1530 |
+
Can I sleep over tonight?
|
| 1531 |
+
|
| 1532 |
+
349
|
| 1533 |
+
00:23:18,626 --> 00:23:19,626
|
| 1534 |
+
Just one night.
|
| 1535 |
+
|
| 1536 |
+
350
|
| 1537 |
+
00:23:19,792 --> 00:23:20,792
|
| 1538 |
+
Please.
|
| 1539 |
+
|
| 1540 |
+
351
|
| 1541 |
+
00:23:29,251 --> 00:23:30,792
|
| 1542 |
+
Sorry, I'm not very hungry.
|
| 1543 |
+
|
| 1544 |
+
352
|
| 1545 |
+
00:23:31,084 --> 00:23:33,292
|
| 1546 |
+
It looks delicious, Mrs. Zvenka.
|
| 1547 |
+
|
| 1548 |
+
353
|
| 1549 |
+
00:23:34,334 --> 00:23:36,251
|
| 1550 |
+
- Can I call you Nora?
|
| 1551 |
+
- No.
|
| 1552 |
+
|
| 1553 |
+
354
|
| 1554 |
+
00:23:37,042 --> 00:23:39,084
|
| 1555 |
+
Romain just lost his best friend.
|
| 1556 |
+
|
| 1557 |
+
355
|
| 1558 |
+
00:23:39,251 --> 00:23:40,667
|
| 1559 |
+
Poor guy.
|
| 1560 |
+
|
| 1561 |
+
356
|
| 1562 |
+
00:23:41,334 --> 00:23:43,376
|
| 1563 |
+
Now what if you lose your wife?
|
| 1564 |
+
|
| 1565 |
+
357
|
| 1566 |
+
00:23:45,751 --> 00:23:47,792
|
| 1567 |
+
- That's funny.
|
| 1568 |
+
- Romain!
|
| 1569 |
+
|
| 1570 |
+
358
|
| 1571 |
+
00:23:48,459 --> 00:23:51,251
|
| 1572 |
+
You said when in mourning,
|
| 1573 |
+
you have to laugh.
|
| 1574 |
+
|
| 1575 |
+
359
|
| 1576 |
+
00:23:51,417 --> 00:23:52,251
|
| 1577 |
+
Not about that!
|
| 1578 |
+
|
| 1579 |
+
360
|
| 1580 |
+
00:23:52,417 --> 00:23:54,584
|
| 1581 |
+
Inviting a patient
|
| 1582 |
+
to sleep in my office!
|
| 1583 |
+
|
| 1584 |
+
361
|
| 1585 |
+
00:23:56,334 --> 00:23:57,667
|
| 1586 |
+
Just like your sister.
|
| 1587 |
+
|
| 1588 |
+
362
|
| 1589 |
+
00:23:57,834 --> 00:23:59,209
|
| 1590 |
+
I'm not any patient.
|
| 1591 |
+
|
| 1592 |
+
363
|
| 1593 |
+
00:23:59,417 --> 00:24:00,709
|
| 1594 |
+
One minute.
|
| 1595 |
+
|
| 1596 |
+
364
|
| 1597 |
+
00:24:00,876 --> 00:24:03,501
|
| 1598 |
+
I'm his favorite patient.
|
| 1599 |
+
He said so.
|
| 1600 |
+
|
| 1601 |
+
365
|
| 1602 |
+
00:24:05,376 --> 00:24:07,042
|
| 1603 |
+
You said he was your favorite?
|
| 1604 |
+
|
| 1605 |
+
366
|
| 1606 |
+
00:24:10,626 --> 00:24:11,501
|
| 1607 |
+
Yes, but...
|
| 1608 |
+
|
| 1609 |
+
367
|
| 1610 |
+
00:24:11,626 --> 00:24:15,251
|
| 1611 |
+
Maybe I'll sleep on the couch,
|
| 1612 |
+
and leave you two the bed?
|
| 1613 |
+
|
| 1614 |
+
368
|
| 1615 |
+
00:24:25,417 --> 00:24:26,417
|
| 1616 |
+
Enough!
|
| 1617 |
+
|
| 1618 |
+
369
|
| 1619 |
+
00:24:27,084 --> 00:24:29,001
|
| 1620 |
+
But I'm in mourning.
|
| 1621 |
+
|
| 1622 |
+
370
|
| 1623 |
+
00:24:30,751 --> 00:24:32,626
|
| 1624 |
+
Look out! The dog got in!
|
| 1625 |
+
|
| 1626 |
+
371
|
| 1627 |
+
00:24:33,167 --> 00:24:35,334
|
| 1628 |
+
- Nina, lock Boogie in your room.
|
| 1629 |
+
- But he's gentle.
|
| 1630 |
+
|
| 1631 |
+
372
|
| 1632 |
+
00:24:35,501 --> 00:24:37,501
|
| 1633 |
+
- It's scary, disgusting.
|
| 1634 |
+
- He's scared.
|
| 1635 |
+
|
| 1636 |
+
373
|
| 1637 |
+
00:24:37,626 --> 00:24:38,917
|
| 1638 |
+
Our dog isn't dirty.
|
| 1639 |
+
|
| 1640 |
+
374
|
| 1641 |
+
00:24:39,292 --> 00:24:41,667
|
| 1642 |
+
He doesn't sniff other dogs' asses?
|
| 1643 |
+
|
| 1644 |
+
375
|
| 1645 |
+
00:24:41,834 --> 00:24:43,126
|
| 1646 |
+
That's irrelevant.
|
| 1647 |
+
|
| 1648 |
+
376
|
| 1649 |
+
00:24:43,917 --> 00:24:45,626
|
| 1650 |
+
All right. Come on, Nina.
|
| 1651 |
+
|
| 1652 |
+
377
|
| 1653 |
+
00:24:46,167 --> 00:24:47,792
|
| 1654 |
+
- He's not well.
|
| 1655 |
+
- I'm fine.
|
| 1656 |
+
|
| 1657 |
+
378
|
| 1658 |
+
00:24:48,209 --> 00:24:51,084
|
| 1659 |
+
I'm in mourning.
|
| 1660 |
+
And I don't sniff any asses.
|
| 1661 |
+
|
| 1662 |
+
379
|
| 1663 |
+
00:24:51,251 --> 00:24:52,876
|
| 1664 |
+
Maybe you should!
|
| 1665 |
+
|
| 1666 |
+
380
|
| 1667 |
+
00:24:56,417 --> 00:24:57,792
|
| 1668 |
+
Romain, please.
|
| 1669 |
+
|
| 1670 |
+
381
|
| 1671 |
+
00:25:38,167 --> 00:25:39,376
|
| 1672 |
+
Dimitri.
|
| 1673 |
+
|
| 1674 |
+
382
|
| 1675 |
+
00:25:41,292 --> 00:25:42,292
|
| 1676 |
+
What?
|
| 1677 |
+
|
| 1678 |
+
383
|
| 1679 |
+
00:25:43,251 --> 00:25:44,626
|
| 1680 |
+
What's going on?
|
| 1681 |
+
|
| 1682 |
+
384
|
| 1683 |
+
00:25:44,792 --> 00:25:46,209
|
| 1684 |
+
Headache, stiff neck.
|
| 1685 |
+
|
| 1686 |
+
385
|
| 1687 |
+
00:25:46,626 --> 00:25:49,042
|
| 1688 |
+
- You'll wake my wife.
|
| 1689 |
+
- He did.
|
| 1690 |
+
|
| 1691 |
+
386
|
| 1692 |
+
00:25:49,626 --> 00:25:50,667
|
| 1693 |
+
Sorry, darling.
|
| 1694 |
+
|
| 1695 |
+
387
|
| 1696 |
+
00:25:50,834 --> 00:25:53,167
|
| 1697 |
+
Sorry, but I'm having an aneurism.
|
| 1698 |
+
|
| 1699 |
+
388
|
| 1700 |
+
00:25:53,334 --> 00:25:56,042
|
| 1701 |
+
That would require
|
| 1702 |
+
actually having a brain!
|
| 1703 |
+
|
| 1704 |
+
389
|
| 1705 |
+
00:25:56,209 --> 00:25:58,792
|
| 1706 |
+
Nora.
|
| 1707 |
+
Stop with the aneurism! Back to bed!
|
| 1708 |
+
|
| 1709 |
+
390
|
| 1710 |
+
00:25:59,001 --> 00:26:00,292
|
| 1711 |
+
Same symptoms.
|
| 1712 |
+
|
| 1713 |
+
391
|
| 1714 |
+
00:26:00,459 --> 00:26:02,501
|
| 1715 |
+
It burst on this side,
|
| 1716 |
+
behind my eye.
|
| 1717 |
+
|
| 1718 |
+
392
|
| 1719 |
+
00:26:02,751 --> 00:26:05,084
|
| 1720 |
+
Warm liquid behind one eye, a leak!
|
| 1721 |
+
|
| 1722 |
+
393
|
| 1723 |
+
00:26:05,251 --> 00:26:06,251
|
| 1724 |
+
- Stay.
|
| 1725 |
+
- OK.
|
| 1726 |
+
|
| 1727 |
+
394
|
| 1728 |
+
00:26:06,376 --> 00:26:08,292
|
| 1729 |
+
- Not you!
|
| 1730 |
+
- I'll bunk with Nina.
|
| 1731 |
+
|
| 1732 |
+
395
|
| 1733 |
+
00:26:08,459 --> 00:26:09,501
|
| 1734 |
+
No, honey. Stay.
|
| 1735 |
+
|
| 1736 |
+
396
|
| 1737 |
+
00:26:09,667 --> 00:26:10,667
|
| 1738 |
+
You get out!
|
| 1739 |
+
|
| 1740 |
+
397
|
| 1741 |
+
00:26:19,542 --> 00:26:21,376
|
| 1742 |
+
Got it? Your profile is done?
|
| 1743 |
+
|
| 1744 |
+
398
|
| 1745 |
+
00:26:21,667 --> 00:26:24,042
|
| 1746 |
+
It's OK to put my Visa number in?
|
| 1747 |
+
|
| 1748 |
+
399
|
| 1749 |
+
00:26:24,209 --> 00:26:27,292
|
| 1750 |
+
The situation is dire.
|
| 1751 |
+
This is how couples meet now.
|
| 1752 |
+
|
| 1753 |
+
400
|
| 1754 |
+
00:26:28,126 --> 00:26:31,417
|
| 1755 |
+
Medical dictionary photographer?
|
| 1756 |
+
No. Just "photographer".
|
| 1757 |
+
|
| 1758 |
+
401
|
| 1759 |
+
00:26:32,334 --> 00:26:33,709
|
| 1760 |
+
Put 6' 4".
|
| 1761 |
+
|
| 1762 |
+
402
|
| 1763 |
+
00:26:33,876 --> 00:26:35,042
|
| 1764 |
+
<i>I'm 5 " 10",</i>
|
| 1765 |
+
|
| 1766 |
+
403
|
| 1767 |
+
00:26:35,209 --> 00:26:38,751
|
| 1768 |
+
She won't measure you.
|
| 1769 |
+
Actually, put 6' 6".
|
| 1770 |
+
|
| 1771 |
+
404
|
| 1772 |
+
00:26:41,209 --> 00:26:42,376
|
| 1773 |
+
Not 39, put 29.
|
| 1774 |
+
|
| 1775 |
+
405
|
| 1776 |
+
00:26:42,917 --> 00:26:45,542
|
| 1777 |
+
- I'm 39.
|
| 1778 |
+
- It's better to put 29.
|
| 1779 |
+
|
| 1780 |
+
406
|
| 1781 |
+
00:26:45,709 --> 00:26:47,376
|
| 1782 |
+
I don't look 29.
|
| 1783 |
+
|
| 1784 |
+
407
|
| 1785 |
+
00:26:47,501 --> 00:26:50,084
|
| 1786 |
+
Use an old picture or from afar.
|
| 1787 |
+
|
| 1788 |
+
408
|
| 1789 |
+
00:26:50,251 --> 00:26:52,501
|
| 1790 |
+
If you put 39,
|
| 1791 |
+
put divorced or widowed.
|
| 1792 |
+
|
| 1793 |
+
409
|
| 1794 |
+
00:26:52,626 --> 00:26:54,876
|
| 1795 |
+
Because 39, no kids,
|
| 1796 |
+
never married...
|
| 1797 |
+
|
| 1798 |
+
410
|
| 1799 |
+
00:26:55,084 --> 00:26:56,876
|
| 1800 |
+
Sounds suspicious. Or shady.
|
| 1801 |
+
|
| 1802 |
+
411
|
| 1803 |
+
00:26:57,126 --> 00:26:59,626
|
| 1804 |
+
Check athletic. Very athletic.
|
| 1805 |
+
|
| 1806 |
+
412
|
| 1807 |
+
00:26:59,792 --> 00:27:01,584
|
| 1808 |
+
Check triathlon. That's good.
|
| 1809 |
+
|
| 1810 |
+
413
|
| 1811 |
+
00:27:01,751 --> 00:27:03,751
|
| 1812 |
+
Three sports in one. A go-getter.
|
| 1813 |
+
|
| 1814 |
+
414
|
| 1815 |
+
00:27:03,917 --> 00:27:05,459
|
| 1816 |
+
But I can't swim.
|
| 1817 |
+
|
| 1818 |
+
415
|
| 1819 |
+
00:27:05,584 --> 00:27:08,417
|
| 1820 |
+
After a block on a bike
|
| 1821 |
+
I get cramps.
|
| 1822 |
+
|
| 1823 |
+
416
|
| 1824 |
+
00:27:08,542 --> 00:27:10,751
|
| 1825 |
+
- Can you run?
|
| 1826 |
+
- Like anyone else.
|
| 1827 |
+
|
| 1828 |
+
417
|
| 1829 |
+
00:27:10,917 --> 00:27:14,042
|
| 1830 |
+
See? There is no mono-athlon.
|
| 1831 |
+
So check triathlon!
|
| 1832 |
+
|
| 1833 |
+
418
|
| 1834 |
+
00:27:14,709 --> 00:27:16,417
|
| 1835 |
+
Why do you want me
|
| 1836 |
+
to lie to women?
|
| 1837 |
+
|
| 1838 |
+
419
|
| 1839 |
+
00:27:16,542 --> 00:27:19,834
|
| 1840 |
+
It's dressing up the ordinary.
|
| 1841 |
+
You need a lot of dressing up.
|
| 1842 |
+
|
| 1843 |
+
420
|
| 1844 |
+
00:27:20,042 --> 00:27:21,042
|
| 1845 |
+
Hit "send".
|
| 1846 |
+
|
| 1847 |
+
421
|
| 1848 |
+
00:27:21,501 --> 00:27:22,542
|
| 1849 |
+
Bedtime!
|
| 1850 |
+
|
| 1851 |
+
422
|
| 1852 |
+
00:27:24,626 --> 00:27:26,042
|
| 1853 |
+
Thanks for everything.
|
| 1854 |
+
|
| 1855 |
+
423
|
| 1856 |
+
00:27:27,001 --> 00:27:28,042
|
| 1857 |
+
Don't thank me.
|
| 1858 |
+
|
| 1859 |
+
424
|
| 1860 |
+
00:27:28,209 --> 00:27:31,792
|
| 1861 |
+
I just want to get rid of you
|
| 1862 |
+
once and for all.
|
| 1863 |
+
|
| 1864 |
+
425
|
| 1865 |
+
00:27:48,584 --> 00:27:50,084
|
| 1866 |
+
- Romain?
|
| 1867 |
+
- No, Eric.
|
| 1868 |
+
|
| 1869 |
+
426
|
| 1870 |
+
00:27:50,251 --> 00:27:53,001
|
| 1871 |
+
- Pleasure. What's your name?
|
| 1872 |
+
- Sorry, my mistake.
|
| 1873 |
+
|
| 1874 |
+
427
|
| 1875 |
+
00:27:53,876 --> 00:27:56,292
|
| 1876 |
+
Daphne, I'm over here.
|
| 1877 |
+
|
| 1878 |
+
428
|
| 1879 |
+
00:27:56,459 --> 00:27:57,751
|
| 1880 |
+
I'm Romain.
|
| 1881 |
+
|
| 1882 |
+
429
|
| 1883 |
+
00:27:58,751 --> 00:27:59,876
|
| 1884 |
+
Romain!
|
| 1885 |
+
|
| 1886 |
+
430
|
| 1887 |
+
00:28:00,084 --> 00:28:02,792
|
| 1888 |
+
Oh, forgive me. I'm so sorry.
|
| 1889 |
+
|
| 1890 |
+
431
|
| 1891 |
+
00:28:03,001 --> 00:28:05,084
|
| 1892 |
+
Your internet description was off,
|
| 1893 |
+
|
| 1894 |
+
432
|
| 1895 |
+
00:28:05,251 --> 00:28:06,792
|
| 1896 |
+
and your picture's so small...
|
| 1897 |
+
|
| 1898 |
+
433
|
| 1899 |
+
00:28:07,167 --> 00:28:09,126
|
| 1900 |
+
It's an outdated description.
|
| 1901 |
+
|
| 1902 |
+
434
|
| 1903 |
+
00:28:10,292 --> 00:28:11,751
|
| 1904 |
+
Have a seat.
|
| 1905 |
+
|
| 1906 |
+
435
|
| 1907 |
+
00:28:16,001 --> 00:28:17,876
|
| 1908 |
+
So you're a triathlon champion?
|
| 1909 |
+
|
| 1910 |
+
436
|
| 1911 |
+
00:28:20,167 --> 00:28:21,167
|
| 1912 |
+
Mono-athlon.
|
| 1913 |
+
|
| 1914 |
+
437
|
| 1915 |
+
00:28:21,292 --> 00:28:24,459
|
| 1916 |
+
No time to work out lately,
|
| 1917 |
+
I've lost some muscle mass.
|
| 1918 |
+
|
| 1919 |
+
438
|
| 1920 |
+
00:28:25,376 --> 00:28:28,292
|
| 1921 |
+
We top athletes,
|
| 1922 |
+
that's the first thing we lose.
|
| 1923 |
+
|
| 1924 |
+
439
|
| 1925 |
+
00:28:28,459 --> 00:28:30,459
|
| 1926 |
+
Muscle turns to fat.
|
| 1927 |
+
|
| 1928 |
+
440
|
| 1929 |
+
00:28:30,834 --> 00:28:33,376
|
| 1930 |
+
But I'm getting back to it,
|
| 1931 |
+
this spring.
|
| 1932 |
+
|
| 1933 |
+
441
|
| 1934 |
+
00:28:35,626 --> 00:28:37,792
|
| 1935 |
+
Sorry, but you're not 29.
|
| 1936 |
+
|
| 1937 |
+
442
|
| 1938 |
+
00:28:38,084 --> 00:28:39,167
|
| 1939 |
+
No, I'm 34 or 35.
|
| 1940 |
+
|
| 1941 |
+
443
|
| 1942 |
+
00:28:39,501 --> 00:28:40,542
|
| 1943 |
+
34 or 35?
|
| 1944 |
+
|
| 1945 |
+
444
|
| 1946 |
+
00:28:40,709 --> 00:28:41,709
|
| 1947 |
+
39.
|
| 1948 |
+
|
| 1949 |
+
445
|
| 1950 |
+
00:28:42,459 --> 00:28:45,584
|
| 1951 |
+
9 years ago
|
| 1952 |
+
I signed up for that dating site.
|
| 1953 |
+
|
| 1954 |
+
446
|
| 1955 |
+
00:28:45,876 --> 00:28:48,251
|
| 1956 |
+
You're my first date, though.
|
| 1957 |
+
|
| 1958 |
+
447
|
| 1959 |
+
00:28:48,417 --> 00:28:49,501
|
| 1960 |
+
Time just flies.
|
| 1961 |
+
|
| 1962 |
+
448
|
| 1963 |
+
00:28:49,792 --> 00:28:51,001
|
| 1964 |
+
I'm leaving.
|
| 1965 |
+
|
| 1966 |
+
449
|
| 1967 |
+
00:28:52,334 --> 00:28:53,376
|
| 1968 |
+
- Sorry.
|
| 1969 |
+
- I get it.
|
| 1970 |
+
|
| 1971 |
+
450
|
| 1972 |
+
00:29:00,834 --> 00:29:01,834
|
| 1973 |
+
What?
|
| 1974 |
+
|
| 1975 |
+
451
|
| 1976 |
+
00:29:02,042 --> 00:29:03,209
|
| 1977 |
+
Nothing.
|
| 1978 |
+
|
| 1979 |
+
452
|
| 1980 |
+
00:29:07,792 --> 00:29:09,334
|
| 1981 |
+
Leave athletic.
|
| 1982 |
+
|
| 1983 |
+
453
|
| 1984 |
+
00:29:09,501 --> 00:29:11,792
|
| 1985 |
+
I can't go through that again.
|
| 1986 |
+
|
| 1987 |
+
454
|
| 1988 |
+
00:29:12,292 --> 00:29:13,667
|
| 1989 |
+
Add hypochondriac.
|
| 1990 |
+
|
| 1991 |
+
455
|
| 1992 |
+
00:29:13,834 --> 00:29:15,584
|
| 1993 |
+
No, I'm done with that.
|
| 1994 |
+
|
| 1995 |
+
456
|
| 1996 |
+
00:29:15,751 --> 00:29:19,292
|
| 1997 |
+
That humiliation hit me hard.
|
| 1998 |
+
I've changed.
|
| 1999 |
+
|
| 2000 |
+
457
|
| 2001 |
+
00:29:20,167 --> 00:29:21,501
|
| 2002 |
+
That's wonderful.
|
| 2003 |
+
|
| 2004 |
+
458
|
| 2005 |
+
00:29:35,792 --> 00:29:37,626
|
| 2006 |
+
She's so hot. Isabelle.
|
| 2007 |
+
|
| 2008 |
+
459
|
| 2009 |
+
00:29:37,792 --> 00:29:40,001
|
| 2010 |
+
She liked my true bio,
|
| 2011 |
+
wants a date.
|
| 2012 |
+
|
| 2013 |
+
460
|
| 2014 |
+
00:29:41,751 --> 00:29:44,667
|
| 2015 |
+
Don't fuck up this time.
|
| 2016 |
+
Act like a man, OK?
|
| 2017 |
+
|
| 2018 |
+
461
|
| 2019 |
+
00:29:45,334 --> 00:29:46,834
|
| 2020 |
+
Testosterone galore.
|
| 2021 |
+
|
| 2022 |
+
462
|
| 2023 |
+
00:29:48,459 --> 00:29:50,042
|
| 2024 |
+
A real man. Tough.
|
| 2025 |
+
|
| 2026 |
+
463
|
| 2027 |
+
00:29:53,501 --> 00:29:54,584
|
| 2028 |
+
Afraid of nothing.
|
| 2029 |
+
|
| 2030 |
+
464
|
| 2031 |
+
00:29:54,751 --> 00:29:56,251
|
| 2032 |
+
- She'll like you.
|
| 2033 |
+
- They all do!
|
| 2034 |
+
|
| 2035 |
+
465
|
| 2036 |
+
00:29:56,417 --> 00:29:58,167
|
| 2037 |
+
Give me a mean look.
|
| 2038 |
+
|
| 2039 |
+
466
|
| 2040 |
+
00:29:58,792 --> 00:30:00,751
|
| 2041 |
+
Tell me you want me! Tell me!
|
| 2042 |
+
|
| 2043 |
+
467
|
| 2044 |
+
00:30:01,501 --> 00:30:03,209
|
| 2045 |
+
- I want you.
|
| 2046 |
+
- Louder!
|
| 2047 |
+
|
| 2048 |
+
468
|
| 2049 |
+
00:30:04,417 --> 00:30:05,417
|
| 2050 |
+
I want you!
|
| 2051 |
+
|
| 2052 |
+
469
|
| 2053 |
+
00:30:06,751 --> 00:30:07,751
|
| 2054 |
+
Like a man!
|
| 2055 |
+
|
| 2056 |
+
470
|
| 2057 |
+
00:30:08,459 --> 00:30:10,542
|
| 2058 |
+
Like a man, come on! Louder!
|
| 2059 |
+
|
| 2060 |
+
471
|
| 2061 |
+
00:30:11,584 --> 00:30:12,584
|
| 2062 |
+
You, you, you!
|
| 2063 |
+
|
| 2064 |
+
472
|
| 2065 |
+
00:30:12,709 --> 00:30:13,709
|
| 2066 |
+
I'm impressed!
|
| 2067 |
+
|
| 2068 |
+
473
|
| 2069 |
+
00:30:14,459 --> 00:30:15,876
|
| 2070 |
+
Yeah! Like that!
|
| 2071 |
+
|
| 2072 |
+
474
|
| 2073 |
+
00:30:16,084 --> 00:30:18,417
|
| 2074 |
+
I gained muscle mass
|
| 2075 |
+
by power walking!
|
| 2076 |
+
|
| 2077 |
+
475
|
| 2078 |
+
00:30:33,542 --> 00:30:35,001
|
| 2079 |
+
Dinner's ready.
|
| 2080 |
+
|
| 2081 |
+
476
|
| 2082 |
+
00:30:35,167 --> 00:30:36,292
|
| 2083 |
+
Coming.
|
| 2084 |
+
|
| 2085 |
+
477
|
| 2086 |
+
00:30:37,417 --> 00:30:39,751
|
| 2087 |
+
We're done with...
|
| 2088 |
+
his treatment.
|
| 2089 |
+
|
| 2090 |
+
478
|
| 2091 |
+
00:30:40,084 --> 00:30:41,292
|
| 2092 |
+
Take your time.
|
| 2093 |
+
|
| 2094 |
+
479
|
| 2095 |
+
00:30:42,126 --> 00:30:44,751
|
| 2096 |
+
Try not to let
|
| 2097 |
+
our 13-year-old see that.
|
| 2098 |
+
|
| 2099 |
+
480
|
| 2100 |
+
00:30:45,042 --> 00:30:46,042
|
| 2101 |
+
Nora.
|
| 2102 |
+
|
| 2103 |
+
481
|
| 2104 |
+
00:31:00,417 --> 00:31:03,209
|
| 2105 |
+
Want to talk about
|
| 2106 |
+
your repressed homosexuality?
|
| 2107 |
+
|
| 2108 |
+
482
|
| 2109 |
+
00:31:03,376 --> 00:31:05,751
|
| 2110 |
+
What repressed homosexuality?
|
| 2111 |
+
|
| 2112 |
+
483
|
| 2113 |
+
00:31:07,042 --> 00:31:09,376
|
| 2114 |
+
I don't know, you tell me.
|
| 2115 |
+
|
| 2116 |
+
484
|
| 2117 |
+
00:31:09,917 --> 00:31:12,501
|
| 2118 |
+
Do you remember
|
| 2119 |
+
a reverse Oedipus complex?
|
| 2120 |
+
|
| 2121 |
+
485
|
| 2122 |
+
00:31:13,501 --> 00:31:15,792
|
| 2123 |
+
Me, in love with my father?
|
| 2124 |
+
No way!
|
| 2125 |
+
|
| 2126 |
+
486
|
| 2127 |
+
00:31:16,001 --> 00:31:18,667
|
| 2128 |
+
- Why get upset?
|
| 2129 |
+
- I'm not upset.
|
| 2130 |
+
|
| 2131 |
+
487
|
| 2132 |
+
00:31:19,042 --> 00:31:21,459
|
| 2133 |
+
I thought you couldn't
|
| 2134 |
+
analyze your family?
|
| 2135 |
+
|
| 2136 |
+
488
|
| 2137 |
+
00:31:21,584 --> 00:31:25,584
|
| 2138 |
+
What is this "impatient" patient
|
| 2139 |
+
doing near our marriage?
|
| 2140 |
+
|
| 2141 |
+
489
|
| 2142 |
+
00:31:25,751 --> 00:31:28,251
|
| 2143 |
+
He's ill.
|
| 2144 |
+
I'm his doctor, I'm treating him.
|
| 2145 |
+
|
| 2146 |
+
490
|
| 2147 |
+
00:31:29,626 --> 00:31:31,292
|
| 2148 |
+
Why him and not the others?
|
| 2149 |
+
|
| 2150 |
+
491
|
| 2151 |
+
00:31:31,584 --> 00:31:34,084
|
| 2152 |
+
I started with him.
|
| 2153 |
+
He's my oldest patient.
|
| 2154 |
+
|
| 2155 |
+
492
|
| 2156 |
+
00:31:34,417 --> 00:31:37,626
|
| 2157 |
+
I once paid my bills
|
| 2158 |
+
thanks to his hypochondria.
|
| 2159 |
+
|
| 2160 |
+
493
|
| 2161 |
+
00:31:37,792 --> 00:31:40,042
|
| 2162 |
+
A hypochondriac needs a shrink,
|
| 2163 |
+
not a doctor.
|
| 2164 |
+
|
| 2165 |
+
494
|
| 2166 |
+
00:31:40,292 --> 00:31:42,042
|
| 2167 |
+
What could you cure him of?
|
| 2168 |
+
|
| 2169 |
+
495
|
| 2170 |
+
00:31:42,542 --> 00:31:45,209
|
| 2171 |
+
This century's worst ailment.
|
| 2172 |
+
Solitude.
|
| 2173 |
+
|
| 2174 |
+
496
|
| 2175 |
+
00:31:45,834 --> 00:31:46,667
|
| 2176 |
+
Come on.
|
| 2177 |
+
|
| 2178 |
+
497
|
| 2179 |
+
00:31:46,834 --> 00:31:48,209
|
| 2180 |
+
It's true.
|
| 2181 |
+
|
| 2182 |
+
498
|
| 2183 |
+
00:31:49,001 --> 00:31:51,001
|
| 2184 |
+
With a woman, he'll be fine.
|
| 2185 |
+
|
| 2186 |
+
499
|
| 2187 |
+
00:31:51,667 --> 00:31:52,667
|
| 2188 |
+
And us?
|
| 2189 |
+
|
| 2190 |
+
500
|
| 2191 |
+
00:31:52,792 --> 00:31:55,126
|
| 2192 |
+
You won't hear of him again.
|
| 2193 |
+
|
| 2194 |
+
501
|
| 2195 |
+
00:31:55,626 --> 00:31:57,459
|
| 2196 |
+
Be patient, my love.
|
| 2197 |
+
|
| 2198 |
+
502
|
| 2199 |
+
00:31:57,584 --> 00:32:00,626
|
| 2200 |
+
Your patient is now your friend,
|
| 2201 |
+
and I must be "patient"?
|
| 2202 |
+
|
| 2203 |
+
503
|
| 2204 |
+
00:32:03,876 --> 00:32:07,501
|
| 2205 |
+
I always wondered why my mom
|
| 2206 |
+
said not to marry a shrink.
|
| 2207 |
+
|
| 2208 |
+
504
|
| 2209 |
+
00:32:09,334 --> 00:32:11,834
|
| 2210 |
+
I'll show you if I'm a homosexual.
|
| 2211 |
+
|
| 2212 |
+
505
|
| 2213 |
+
00:32:19,501 --> 00:32:20,751
|
| 2214 |
+
- Isabelle.
|
| 2215 |
+
- Romain!
|
| 2216 |
+
|
| 2217 |
+
506
|
| 2218 |
+
00:32:21,001 --> 00:32:22,042
|
| 2219 |
+
Sit the hell down.
|
| 2220 |
+
|
| 2221 |
+
507
|
| 2222 |
+
00:32:26,542 --> 00:32:27,542
|
| 2223 |
+
So you're...
|
| 2224 |
+
|
| 2225 |
+
508
|
| 2226 |
+
00:32:27,792 --> 00:32:29,751
|
| 2227 |
+
Skip the fucking small talk, OK?
|
| 2228 |
+
|
| 2229 |
+
509
|
| 2230 |
+
00:32:32,084 --> 00:32:33,084
|
| 2231 |
+
If you say so.
|
| 2232 |
+
|
| 2233 |
+
510
|
| 2234 |
+
00:32:33,126 --> 00:32:34,126
|
| 2235 |
+
- Thirsty?
|
| 2236 |
+
- Yeah.
|
| 2237 |
+
|
| 2238 |
+
511
|
| 2239 |
+
00:32:38,501 --> 00:32:40,667
|
| 2240 |
+
- Can I help you?
|
| 2241 |
+
- She's thirsty.
|
| 2242 |
+
|
| 2243 |
+
512
|
| 2244 |
+
00:32:44,126 --> 00:32:45,501
|
| 2245 |
+
Same thing as him.
|
| 2246 |
+
|
| 2247 |
+
513
|
| 2248 |
+
00:32:47,792 --> 00:32:49,792
|
| 2249 |
+
Great! Movie starts in 20 mins.
|
| 2250 |
+
|
| 2251 |
+
514
|
| 2252 |
+
00:32:50,001 --> 00:32:52,667
|
| 2253 |
+
Hey, you don't mind
|
| 2254 |
+
a movie on the first date?
|
| 2255 |
+
|
| 2256 |
+
515
|
| 2257 |
+
00:32:52,834 --> 00:32:56,042
|
| 2258 |
+
No, it's fine.
|
| 2259 |
+
Stay the hell there. I'm buying.
|
| 2260 |
+
|
| 2261 |
+
516
|
| 2262 |
+
00:32:56,292 --> 00:32:58,667
|
| 2263 |
+
Two for Les Mis, please.
|
| 2264 |
+
|
| 2265 |
+
517
|
| 2266 |
+
00:32:58,834 --> 00:33:00,501
|
| 2267 |
+
The six o'clock show.
|
| 2268 |
+
|
| 2269 |
+
518
|
| 2270 |
+
00:33:00,667 --> 00:33:04,001
|
| 2271 |
+
Two for Les Mis. Theater six.
|
| 2272 |
+
|
| 2273 |
+
519
|
| 2274 |
+
00:33:04,167 --> 00:33:06,501
|
| 2275 |
+
Is there carpeting in theater six?
|
| 2276 |
+
|
| 2277 |
+
520
|
| 2278 |
+
00:33:07,459 --> 00:33:08,626
|
| 2279 |
+
What the hell?
|
| 2280 |
+
|
| 2281 |
+
521
|
| 2282 |
+
00:33:08,792 --> 00:33:10,917
|
| 2283 |
+
What are you from Home Depot?
|
| 2284 |
+
|
| 2285 |
+
522
|
| 2286 |
+
00:33:11,126 --> 00:33:13,292
|
| 2287 |
+
No, it's about the dust mites.
|
| 2288 |
+
|
| 2289 |
+
523
|
| 2290 |
+
00:33:13,459 --> 00:33:17,001
|
| 2291 |
+
Causes allergies,
|
| 2292 |
+
and fatal asthma fits.
|
| 2293 |
+
|
| 2294 |
+
524
|
| 2295 |
+
00:33:17,292 --> 00:33:19,501
|
| 2296 |
+
We have carpeting, floor and walls.
|
| 2297 |
+
|
| 2298 |
+
525
|
| 2299 |
+
00:33:19,834 --> 00:33:21,584
|
| 2300 |
+
Any movies without carpet?
|
| 2301 |
+
|
| 2302 |
+
526
|
| 2303 |
+
00:33:21,751 --> 00:33:23,501
|
| 2304 |
+
The only uncarpeted rooms
|
| 2305 |
+
|
| 2306 |
+
527
|
| 2307 |
+
00:33:23,626 --> 00:33:24,834
|
| 2308 |
+
are the bathrooms.
|
| 2309 |
+
|
| 2310 |
+
528
|
| 2311 |
+
00:33:27,542 --> 00:33:28,834
|
| 2312 |
+
Too bad, sorry.
|
| 2313 |
+
|
| 2314 |
+
529
|
| 2315 |
+
00:33:32,209 --> 00:33:33,292
|
| 2316 |
+
Got it?
|
| 2317 |
+
|
| 2318 |
+
530
|
| 2319 |
+
00:33:33,459 --> 00:33:35,251
|
| 2320 |
+
Let's get dinner. I'm starved.
|
| 2321 |
+
|
| 2322 |
+
531
|
| 2323 |
+
00:33:35,417 --> 00:33:38,167
|
| 2324 |
+
And we could talk,
|
| 2325 |
+
get to know each other.
|
| 2326 |
+
|
| 2327 |
+
532
|
| 2328 |
+
00:33:38,334 --> 00:33:40,167
|
| 2329 |
+
OK, great. If you want.
|
| 2330 |
+
|
| 2331 |
+
533
|
| 2332 |
+
00:33:45,251 --> 00:33:47,917
|
| 2333 |
+
- Wash your hands first?
|
| 2334 |
+
- No, I'm OK. Thanks.
|
| 2335 |
+
|
| 2336 |
+
534
|
| 2337 |
+
00:33:52,501 --> 00:33:54,709
|
| 2338 |
+
Sure.
|
| 2339 |
+
Everyone washes their hands.
|
| 2340 |
+
|
| 2341 |
+
535
|
| 2342 |
+
00:33:56,126 --> 00:33:58,084
|
| 2343 |
+
Eating with dirty hands is ugly.
|
| 2344 |
+
|
| 2345 |
+
536
|
| 2346 |
+
00:33:59,709 --> 00:34:02,292
|
| 2347 |
+
You can wash before
|
| 2348 |
+
or after the operation.
|
| 2349 |
+
|
| 2350 |
+
537
|
| 2351 |
+
00:34:03,792 --> 00:34:06,167
|
| 2352 |
+
Give the nurse a chance.
|
| 2353 |
+
She sounds great.
|
| 2354 |
+
|
| 2355 |
+
538
|
| 2356 |
+
00:34:07,167 --> 00:34:08,501
|
| 2357 |
+
Got to go, I'm eating.
|
| 2358 |
+
|
| 2359 |
+
539
|
| 2360 |
+
00:34:14,251 --> 00:34:15,251
|
| 2361 |
+
Who was that?
|
| 2362 |
+
|
| 2363 |
+
540
|
| 2364 |
+
00:34:17,417 --> 00:34:19,001
|
| 2365 |
+
- Who what?
|
| 2366 |
+
- On the phone.
|
| 2367 |
+
|
| 2368 |
+
541
|
| 2369 |
+
00:34:19,376 --> 00:34:21,792
|
| 2370 |
+
Oh, who was it. Yeah.
|
| 2371 |
+
|
| 2372 |
+
542
|
| 2373 |
+
00:34:22,001 --> 00:34:23,084
|
| 2374 |
+
A surgeon friend.
|
| 2375 |
+
|
| 2376 |
+
543
|
| 2377 |
+
00:34:23,251 --> 00:34:26,084
|
| 2378 |
+
Dr. Jacquard. Remember?
|
| 2379 |
+
The seminar in Djerba.
|
| 2380 |
+
|
| 2381 |
+
544
|
| 2382 |
+
00:34:26,251 --> 00:34:27,542
|
| 2383 |
+
He just...
|
| 2384 |
+
|
| 2385 |
+
545
|
| 2386 |
+
00:34:30,376 --> 00:34:32,376
|
| 2387 |
+
OK, it was him. Sorry.
|
| 2388 |
+
|
| 2389 |
+
546
|
| 2390 |
+
00:34:32,709 --> 00:34:34,501
|
| 2391 |
+
He's on a date, it's working.
|
| 2392 |
+
|
| 2393 |
+
547
|
| 2394 |
+
00:34:58,334 --> 00:34:59,334
|
| 2395 |
+
Chicken?
|
| 2396 |
+
|
| 2397 |
+
548
|
| 2398 |
+
00:34:59,626 --> 00:35:00,626
|
| 2399 |
+
No, thank you.
|
| 2400 |
+
|
| 2401 |
+
549
|
| 2402 |
+
00:35:11,542 --> 00:35:13,501
|
| 2403 |
+
I live right down there.
|
| 2404 |
+
|
| 2405 |
+
550
|
| 2406 |
+
00:35:19,167 --> 00:35:21,251
|
| 2407 |
+
Well, I have to go. Good night.
|
| 2408 |
+
|
| 2409 |
+
551
|
| 2410 |
+
00:35:21,542 --> 00:35:23,209
|
| 2411 |
+
Thanks for a nice evening.
|
| 2412 |
+
|
| 2413 |
+
552
|
| 2414 |
+
00:35:23,376 --> 00:35:24,667
|
| 2415 |
+
No nightcap?
|
| 2416 |
+
|
| 2417 |
+
553
|
| 2418 |
+
00:35:24,834 --> 00:35:26,626
|
| 2419 |
+
No, I get up early.
|
| 2420 |
+
|
| 2421 |
+
554
|
| 2422 |
+
00:35:30,501 --> 00:35:31,292
|
| 2423 |
+
Why laugh?
|
| 2424 |
+
|
| 2425 |
+
555
|
| 2426 |
+
00:35:31,459 --> 00:35:34,001
|
| 2427 |
+
First time I ever struck out. Wow.
|
| 2428 |
+
|
| 2429 |
+
556
|
| 2430 |
+
00:35:34,167 --> 00:35:35,584
|
| 2431 |
+
I love it.
|
| 2432 |
+
|
| 2433 |
+
557
|
| 2434 |
+
00:35:35,792 --> 00:35:39,001
|
| 2435 |
+
Not only do I wind up asking,
|
| 2436 |
+
but then you say no!
|
| 2437 |
+
|
| 2438 |
+
558
|
| 2439 |
+
00:35:39,417 --> 00:35:40,501
|
| 2440 |
+
Don't think I...
|
| 2441 |
+
|
| 2442 |
+
559
|
| 2443 |
+
00:35:50,334 --> 00:35:51,376
|
| 2444 |
+
No, wait!
|
| 2445 |
+
|
| 2446 |
+
560
|
| 2447 |
+
00:35:51,501 --> 00:35:53,917
|
| 2448 |
+
How about an erotic game
|
| 2449 |
+
to spice it up?
|
| 2450 |
+
|
| 2451 |
+
561
|
| 2452 |
+
00:35:54,126 --> 00:35:55,792
|
| 2453 |
+
What? You want to tie me up?
|
| 2454 |
+
|
| 2455 |
+
562
|
| 2456 |
+
00:36:18,126 --> 00:36:20,167
|
| 2457 |
+
What the hell? What are you doing?
|
| 2458 |
+
|
| 2459 |
+
563
|
| 2460 |
+
00:36:20,376 --> 00:36:21,501
|
| 2461 |
+
That's my fantasy.
|
| 2462 |
+
|
| 2463 |
+
564
|
| 2464 |
+
00:36:22,459 --> 00:36:24,876
|
| 2465 |
+
Washing my armpits? A fantasy?
|
| 2466 |
+
|
| 2467 |
+
565
|
| 2468 |
+
00:36:36,417 --> 00:36:38,292
|
| 2469 |
+
Don't worry, there are others.
|
| 2470 |
+
|
| 2471 |
+
566
|
| 2472 |
+
00:36:39,459 --> 00:36:42,584
|
| 2473 |
+
I'll stop bothering you,
|
| 2474 |
+
and your family.
|
| 2475 |
+
|
| 2476 |
+
567
|
| 2477 |
+
00:36:43,167 --> 00:36:46,376
|
| 2478 |
+
- You won't see me again.
|
| 2479 |
+
- Really? Why?
|
| 2480 |
+
|
| 2481 |
+
568
|
| 2482 |
+
00:36:46,501 --> 00:36:48,501
|
| 2483 |
+
I can't do it, Dimitri.
|
| 2484 |
+
|
| 2485 |
+
569
|
| 2486 |
+
00:36:48,792 --> 00:36:51,501
|
| 2487 |
+
It's all over,
|
| 2488 |
+
I'll be 40 in 5 months.
|
| 2489 |
+
|
| 2490 |
+
570
|
| 2491 |
+
00:36:51,917 --> 00:36:52,917
|
| 2492 |
+
I'm alone.
|
| 2493 |
+
|
| 2494 |
+
571
|
| 2495 |
+
00:36:53,126 --> 00:36:56,501
|
| 2496 |
+
I'm a sick hypochondriac.
|
| 2497 |
+
It can only get worse with age.
|
| 2498 |
+
|
| 2499 |
+
572
|
| 2500 |
+
00:37:00,209 --> 00:37:03,917
|
| 2501 |
+
You're lucky to have her.
|
| 2502 |
+
And you have a beautiful daughter.
|
| 2503 |
+
|
| 2504 |
+
573
|
| 2505 |
+
00:37:04,251 --> 00:37:05,667
|
| 2506 |
+
Hear that, my love?
|
| 2507 |
+
|
| 2508 |
+
574
|
| 2509 |
+
00:37:06,376 --> 00:37:08,042
|
| 2510 |
+
But we have a son, too.
|
| 2511 |
+
|
| 2512 |
+
575
|
| 2513 |
+
00:37:08,292 --> 00:37:10,209
|
| 2514 |
+
Really? I never saw your son.
|
| 2515 |
+
|
| 2516 |
+
576
|
| 2517 |
+
00:37:10,834 --> 00:37:12,126
|
| 2518 |
+
Sure you have.
|
| 2519 |
+
|
| 2520 |
+
577
|
| 2521 |
+
00:37:12,542 --> 00:37:14,667
|
| 2522 |
+
He's always here when you are.
|
| 2523 |
+
|
| 2524 |
+
578
|
| 2525 |
+
00:37:20,334 --> 00:37:21,584
|
| 2526 |
+
Look, Romain,
|
| 2527 |
+
|
| 2528 |
+
579
|
| 2529 |
+
00:37:21,834 --> 00:37:23,376
|
| 2530 |
+
true love
|
| 2531 |
+
|
| 2532 |
+
580
|
| 2533 |
+
00:37:23,501 --> 00:37:26,459
|
| 2534 |
+
is loving someone for who he is,
|
| 2535 |
+
not what he's done
|
| 2536 |
+
|
| 2537 |
+
581
|
| 2538 |
+
00:37:26,584 --> 00:37:28,251
|
| 2539 |
+
or hasn't done.
|
| 2540 |
+
|
| 2541 |
+
582
|
| 2542 |
+
00:37:28,626 --> 00:37:32,667
|
| 2543 |
+
Somewhere there's a woman
|
| 2544 |
+
who'll love you for yourself.
|
| 2545 |
+
|
| 2546 |
+
583
|
| 2547 |
+
00:37:32,834 --> 00:37:34,709
|
| 2548 |
+
For your sensitivity,
|
| 2549 |
+
|
| 2550 |
+
584
|
| 2551 |
+
00:37:34,876 --> 00:37:36,459
|
| 2552 |
+
your traits and flaws.
|
| 2553 |
+
|
| 2554 |
+
585
|
| 2555 |
+
00:37:36,584 --> 00:37:37,584
|
| 2556 |
+
Too late.
|
| 2557 |
+
|
| 2558 |
+
586
|
| 2559 |
+
00:37:39,459 --> 00:37:41,792
|
| 2560 |
+
I'll wind up with no wife, no kids,
|
| 2561 |
+
|
| 2562 |
+
587
|
| 2563 |
+
00:37:42,001 --> 00:37:45,376
|
| 2564 |
+
old, ugly, stupid, lonely and sick.
|
| 2565 |
+
|
| 2566 |
+
588
|
| 2567 |
+
00:37:45,584 --> 00:37:47,042
|
| 2568 |
+
Sick, no.
|
| 2569 |
+
|
| 2570 |
+
589
|
| 2571 |
+
00:37:47,209 --> 00:37:48,667
|
| 2572 |
+
The rest, yeah.
|
| 2573 |
+
|
| 2574 |
+
590
|
| 2575 |
+
00:37:50,501 --> 00:37:53,751
|
| 2576 |
+
OK, desperate times
|
| 2577 |
+
call for desperate measures.
|
| 2578 |
+
|
| 2579 |
+
591
|
| 2580 |
+
00:38:05,126 --> 00:38:06,209
|
| 2581 |
+
Why are we here?
|
| 2582 |
+
|
| 2583 |
+
592
|
| 2584 |
+
00:38:06,376 --> 00:38:08,501
|
| 2585 |
+
For your first humanitarian mission.
|
| 2586 |
+
|
| 2587 |
+
593
|
| 2588 |
+
00:38:09,167 --> 00:38:10,667
|
| 2589 |
+
Give me your ID.
|
| 2590 |
+
|
| 2591 |
+
594
|
| 2592 |
+
00:38:11,209 --> 00:38:13,001
|
| 2593 |
+
See those illegal immigrants?
|
| 2594 |
+
|
| 2595 |
+
595
|
| 2596 |
+
00:38:13,167 --> 00:38:15,834
|
| 2597 |
+
They're from Cherkistan.
|
| 2598 |
+
Know where that is?
|
| 2599 |
+
|
| 2600 |
+
596
|
| 2601 |
+
00:38:16,042 --> 00:38:17,501
|
| 2602 |
+
Your family's from there.
|
| 2603 |
+
|
| 2604 |
+
597
|
| 2605 |
+
00:38:17,626 --> 00:38:21,667
|
| 2606 |
+
A small, war-torn eastern nation,
|
| 2607 |
+
with no national health plan.
|
| 2608 |
+
|
| 2609 |
+
598
|
| 2610 |
+
00:38:21,876 --> 00:38:23,251
|
| 2611 |
+
That's about right.
|
| 2612 |
+
|
| 2613 |
+
599
|
| 2614 |
+
00:38:23,417 --> 00:38:25,376
|
| 2615 |
+
The lucky ones
|
| 2616 |
+
get refugee status.
|
| 2617 |
+
|
| 2618 |
+
600
|
| 2619 |
+
00:38:25,501 --> 00:38:28,709
|
| 2620 |
+
The others get a temporary visa,
|
| 2621 |
+
then they're deported.
|
| 2622 |
+
|
| 2623 |
+
601
|
| 2624 |
+
00:38:29,334 --> 00:38:30,459
|
| 2625 |
+
Such a cruel world.
|
| 2626 |
+
|
| 2627 |
+
602
|
| 2628 |
+
00:38:32,542 --> 00:38:34,792
|
| 2629 |
+
- Hello, Doctor.
|
| 2630 |
+
- How are you?
|
| 2631 |
+
|
| 2632 |
+
603
|
| 2633 |
+
00:38:54,501 --> 00:38:56,126
|
| 2634 |
+
- Come with me.
|
| 2635 |
+
- What?!
|
| 2636 |
+
|
| 2637 |
+
604
|
| 2638 |
+
00:38:56,292 --> 00:38:59,084
|
| 2639 |
+
You help them from the boat
|
| 2640 |
+
to the medical tents.
|
| 2641 |
+
|
| 2642 |
+
605
|
| 2643 |
+
00:38:59,251 --> 00:39:01,751
|
| 2644 |
+
- I can't.
|
| 2645 |
+
- Be brave. We need everyone.
|
| 2646 |
+
|
| 2647 |
+
606
|
| 2648 |
+
00:39:03,876 --> 00:39:07,001
|
| 2649 |
+
- I can't get on that boat.
|
| 2650 |
+
- Make an effort for once!
|
| 2651 |
+
|
| 2652 |
+
607
|
| 2653 |
+
00:39:07,501 --> 00:39:11,292
|
| 2654 |
+
I'd love to help them,
|
| 2655 |
+
but I'd catch some horrible virus.
|
| 2656 |
+
|
| 2657 |
+
608
|
| 2658 |
+
00:39:11,459 --> 00:39:12,542
|
| 2659 |
+
Go wait in the car!
|
| 2660 |
+
|
| 2661 |
+
609
|
| 2662 |
+
00:39:12,917 --> 00:39:15,251
|
| 2663 |
+
You're a lowlife! You're pitiful!
|
| 2664 |
+
|
| 2665 |
+
610
|
| 2666 |
+
00:39:18,376 --> 00:39:19,542
|
| 2667 |
+
Hi, Anna.
|
| 2668 |
+
|
| 2669 |
+
611
|
| 2670 |
+
00:39:19,709 --> 00:39:21,876
|
| 2671 |
+
About time! We're overloaded!
|
| 2672 |
+
|
| 2673 |
+
612
|
| 2674 |
+
00:39:22,084 --> 00:39:23,417
|
| 2675 |
+
Enough. I'm here.
|
| 2676 |
+
|
| 2677 |
+
613
|
| 2678 |
+
00:39:23,542 --> 00:39:26,042
|
| 2679 |
+
Only 3 doctors for all these people.
|
| 2680 |
+
|
| 2681 |
+
614
|
| 2682 |
+
00:39:54,292 --> 00:39:56,167
|
| 2683 |
+
- Dank ya.
|
| 2684 |
+
- It's nothing!
|
| 2685 |
+
|
| 2686 |
+
615
|
| 2687 |
+
00:39:56,709 --> 00:39:58,042
|
| 2688 |
+
No, please!
|
| 2689 |
+
|
| 2690 |
+
616
|
| 2691 |
+
00:39:58,209 --> 00:39:59,542
|
| 2692 |
+
No, thank you. Please...
|
| 2693 |
+
|
| 2694 |
+
617
|
| 2695 |
+
00:39:59,709 --> 00:40:01,417
|
| 2696 |
+
- Dank ya.
|
| 2697 |
+
- You're welcome.
|
| 2698 |
+
|
| 2699 |
+
618
|
| 2700 |
+
00:40:05,584 --> 00:40:06,751
|
| 2701 |
+
Who's he?
|
| 2702 |
+
|
| 2703 |
+
619
|
| 2704 |
+
00:40:07,709 --> 00:40:09,042
|
| 2705 |
+
A friend who's healing.
|
| 2706 |
+
|
| 2707 |
+
620
|
| 2708 |
+
00:41:01,084 --> 00:41:02,084
|
| 2709 |
+
Dank ya.
|
| 2710 |
+
|
| 2711 |
+
621
|
| 2712 |
+
00:41:02,376 --> 00:41:03,709
|
| 2713 |
+
- Dank ya.
|
| 2714 |
+
- That's OK.
|
| 2715 |
+
|
| 2716 |
+
622
|
| 2717 |
+
00:41:14,417 --> 00:41:15,417
|
| 2718 |
+
Over here!
|
| 2719 |
+
|
| 2720 |
+
623
|
| 2721 |
+
00:41:21,126 --> 00:41:22,126
|
| 2722 |
+
Sir!
|
| 2723 |
+
|
| 2724 |
+
624
|
| 2725 |
+
00:41:22,251 --> 00:41:23,917
|
| 2726 |
+
Sir, can you hear me?
|
| 2727 |
+
|
| 2728 |
+
625
|
| 2729 |
+
00:41:47,751 --> 00:41:49,334
|
| 2730 |
+
All right now, calm down!
|
| 2731 |
+
|
| 2732 |
+
626
|
| 2733 |
+
00:41:49,501 --> 00:41:50,792
|
| 2734 |
+
Don't touch me!
|
| 2735 |
+
|
| 2736 |
+
627
|
| 2737 |
+
00:41:51,501 --> 00:41:53,126
|
| 2738 |
+
Let me do my job.
|
| 2739 |
+
|
| 2740 |
+
628
|
| 2741 |
+
00:42:30,167 --> 00:42:32,501
|
| 2742 |
+
I must have a horrible accent.
|
| 2743 |
+
|
| 2744 |
+
629
|
| 2745 |
+
00:42:42,751 --> 00:42:44,917
|
| 2746 |
+
Anton Miroslav,
|
| 2747 |
+
|
| 2748 |
+
630
|
| 2749 |
+
00:42:45,459 --> 00:42:48,126
|
| 2750 |
+
leader
|
| 2751 |
+
of the Cherkistani revolution.
|
| 2752 |
+
|
| 2753 |
+
631
|
| 2754 |
+
00:42:48,292 --> 00:42:52,042
|
| 2755 |
+
I follow news of your nation,
|
| 2756 |
+
which is sort of mine as well.
|
| 2757 |
+
|
| 2758 |
+
632
|
| 2759 |
+
00:42:52,209 --> 00:42:54,042
|
| 2760 |
+
My family is from Drassjna,
|
| 2761 |
+
like you.
|
| 2762 |
+
|
| 2763 |
+
633
|
| 2764 |
+
00:42:54,209 --> 00:42:55,501
|
| 2765 |
+
My name is Anna.
|
| 2766 |
+
|
| 2767 |
+
634
|
| 2768 |
+
00:42:56,001 --> 00:42:58,542
|
| 2769 |
+
Anna Lempereur,
|
| 2770 |
+
maiden name Zvenka.
|
| 2771 |
+
|
| 2772 |
+
635
|
| 2773 |
+
00:42:59,584 --> 00:43:00,792
|
| 2774 |
+
Zvenkal.
|
| 2775 |
+
|
| 2776 |
+
636
|
| 2777 |
+
00:43:01,334 --> 00:43:02,667
|
| 2778 |
+
Rest.
|
| 2779 |
+
|
| 2780 |
+
637
|
| 2781 |
+
00:43:03,001 --> 00:43:04,709
|
| 2782 |
+
You need it after that ordeal.
|
| 2783 |
+
|
| 2784 |
+
638
|
| 2785 |
+
00:43:05,709 --> 00:43:07,834
|
| 2786 |
+
You were thought dead
|
| 2787 |
+
after that attack.
|
| 2788 |
+
|
| 2789 |
+
639
|
| 2790 |
+
00:43:08,792 --> 00:43:10,834
|
| 2791 |
+
I'm so moved to see you, alive!
|
| 2792 |
+
|
| 2793 |
+
640
|
| 2794 |
+
00:43:11,876 --> 00:43:13,501
|
| 2795 |
+
Sorry, I must seem so...
|
| 2796 |
+
|
| 2797 |
+
641
|
| 2798 |
+
00:43:15,209 --> 00:43:16,501
|
| 2799 |
+
Do you even understand me?
|
| 2800 |
+
|
| 2801 |
+
642
|
| 2802 |
+
00:43:21,542 --> 00:43:23,126
|
| 2803 |
+
Dank ya.
|
| 2804 |
+
|
| 2805 |
+
643
|
| 2806 |
+
00:43:25,792 --> 00:43:28,584
|
| 2807 |
+
Anton Miroslav thanking me!
|
| 2808 |
+
The world is backwards.
|
| 2809 |
+
|
| 2810 |
+
644
|
| 2811 |
+
00:43:30,876 --> 00:43:32,792
|
| 2812 |
+
Enough talk. Time is short.
|
| 2813 |
+
|
| 2814 |
+
645
|
| 2815 |
+
00:43:33,001 --> 00:43:35,209
|
| 2816 |
+
I'll take your things
|
| 2817 |
+
through security,
|
| 2818 |
+
|
| 2819 |
+
646
|
| 2820 |
+
00:43:35,376 --> 00:43:37,751
|
| 2821 |
+
put them in my car,
|
| 2822 |
+
and I'll be back for you.
|
| 2823 |
+
|
| 2824 |
+
647
|
| 2825 |
+
00:43:37,917 --> 00:43:38,917
|
| 2826 |
+
Don't move.
|
| 2827 |
+
|
| 2828 |
+
648
|
| 2829 |
+
00:43:41,792 --> 00:43:44,917
|
| 2830 |
+
I understand a little.
|
| 2831 |
+
French a little.
|
| 2832 |
+
|
| 2833 |
+
649
|
| 2834 |
+
00:43:45,209 --> 00:43:47,251
|
| 2835 |
+
Great. Where did you learn?
|
| 2836 |
+
|
| 2837 |
+
650
|
| 2838 |
+
00:43:48,876 --> 00:43:52,126
|
| 2839 |
+
Verlaine, Rimbaud, Balzac.
|
| 2840 |
+
|
| 2841 |
+
651
|
| 2842 |
+
00:43:52,459 --> 00:43:54,876
|
| 2843 |
+
Much need poetry in civil war.
|
| 2844 |
+
|
| 2845 |
+
652
|
| 2846 |
+
00:44:02,501 --> 00:44:04,209
|
| 2847 |
+
It's for a fake passport.
|
| 2848 |
+
|
| 2849 |
+
653
|
| 2850 |
+
00:44:16,876 --> 00:44:18,042
|
| 2851 |
+
Romain!
|
| 2852 |
+
|
| 2853 |
+
654
|
| 2854 |
+
00:44:30,001 --> 00:44:31,542
|
| 2855 |
+
I can't believe it! Romain!
|
| 2856 |
+
|
| 2857 |
+
655
|
| 2858 |
+
00:44:31,709 --> 00:44:32,459
|
| 2859 |
+
No way!
|
| 2860 |
+
|
| 2861 |
+
656
|
| 2862 |
+
00:44:32,584 --> 00:44:33,584
|
| 2863 |
+
I'll get up.
|
| 2864 |
+
|
| 2865 |
+
657
|
| 2866 |
+
00:44:33,626 --> 00:44:35,584
|
| 2867 |
+
You're beyond hope! Shit!
|
| 2868 |
+
|
| 2869 |
+
658
|
| 2870 |
+
00:44:35,751 --> 00:44:38,126
|
| 2871 |
+
On a glucose drip? Shame on you!
|
| 2872 |
+
|
| 2873 |
+
659
|
| 2874 |
+
00:44:38,292 --> 00:44:40,334
|
| 2875 |
+
A moment of weakness,
|
| 2876 |
+
I feel better.
|
| 2877 |
+
|
| 2878 |
+
660
|
| 2879 |
+
00:44:40,501 --> 00:44:42,334
|
| 2880 |
+
I'll help the real patients now.
|
| 2881 |
+
|
| 2882 |
+
661
|
| 2883 |
+
00:44:42,501 --> 00:44:44,751
|
| 2884 |
+
Hurry up! Take that IV out.
|
| 2885 |
+
|
| 2886 |
+
662
|
| 2887 |
+
00:44:44,917 --> 00:44:46,292
|
| 2888 |
+
Shouldn't I finish?
|
| 2889 |
+
|
| 2890 |
+
663
|
| 2891 |
+
00:44:47,917 --> 00:44:48,917
|
| 2892 |
+
You're crazy!
|
| 2893 |
+
|
| 2894 |
+
664
|
| 2895 |
+
00:44:49,251 --> 00:44:51,292
|
| 2896 |
+
- Dimitri, please!
|
| 2897 |
+
- Coming.
|
| 2898 |
+
|
| 2899 |
+
665
|
| 2900 |
+
00:44:51,542 --> 00:44:54,042
|
| 2901 |
+
Go help
|
| 2902 |
+
instead of clogging up a bed!
|
| 2903 |
+
|
| 2904 |
+
666
|
| 2905 |
+
00:44:54,792 --> 00:44:57,751
|
| 2906 |
+
I'll make the bed,
|
| 2907 |
+
and I'll be right there. Coming.
|
| 2908 |
+
|
| 2909 |
+
667
|
| 2910 |
+
00:44:59,376 --> 00:45:02,501
|
| 2911 |
+
Miroslav! Anton Miroslav!
|
| 2912 |
+
|
| 2913 |
+
668
|
| 2914 |
+
00:45:10,876 --> 00:45:12,626
|
| 2915 |
+
You want to get spotted!?
|
| 2916 |
+
|
| 2917 |
+
669
|
| 2918 |
+
00:45:16,542 --> 00:45:18,334
|
| 2919 |
+
Of course. You're delirious.
|
| 2920 |
+
|
| 2921 |
+
670
|
| 2922 |
+
00:45:20,584 --> 00:45:22,251
|
| 2923 |
+
I need to take care of you.
|
| 2924 |
+
|
| 2925 |
+
671
|
| 2926 |
+
00:45:23,334 --> 00:45:26,792
|
| 2927 |
+
Here. Your fake passport.
|
| 2928 |
+
Just like a real one.
|
| 2929 |
+
|
| 2930 |
+
672
|
| 2931 |
+
00:45:27,001 --> 00:45:28,001
|
| 2932 |
+
Remember...
|
| 2933 |
+
|
| 2934 |
+
673
|
| 2935 |
+
00:45:40,292 --> 00:45:42,584
|
| 2936 |
+
Try to look as French as possible.
|
| 2937 |
+
|
| 2938 |
+
674
|
| 2939 |
+
00:45:42,751 --> 00:45:43,751
|
| 2940 |
+
And relax!
|
| 2941 |
+
|
| 2942 |
+
675
|
| 2943 |
+
00:45:52,334 --> 00:45:53,334
|
| 2944 |
+
Jean Val jean?
|
| 2945 |
+
|
| 2946 |
+
676
|
| 2947 |
+
00:45:56,542 --> 00:45:59,251
|
| 2948 |
+
Victor Hugo stole our name.
|
| 2949 |
+
|
| 2950 |
+
677
|
| 2951 |
+
00:45:59,417 --> 00:46:01,667
|
| 2952 |
+
Who knew Les Mis
|
| 2953 |
+
would be such a hit?
|
| 2954 |
+
|
| 2955 |
+
678
|
| 2956 |
+
00:46:05,917 --> 00:46:06,917
|
| 2957 |
+
Go ahead.
|
| 2958 |
+
|
| 2959 |
+
679
|
| 2960 |
+
00:46:22,626 --> 00:46:23,792
|
| 2961 |
+
Dank ya.
|
| 2962 |
+
|
| 2963 |
+
680
|
| 2964 |
+
00:46:25,542 --> 00:46:26,792
|
| 2965 |
+
You're welcome.
|
| 2966 |
+
|
| 2967 |
+
681
|
| 2968 |
+
00:46:41,501 --> 00:46:42,501
|
| 2969 |
+
Oh my Lord!
|
| 2970 |
+
|
| 2971 |
+
682
|
| 2972 |
+
00:47:07,626 --> 00:47:09,167
|
| 2973 |
+
Anna? Is that you?
|
| 2974 |
+
|
| 2975 |
+
683
|
| 2976 |
+
00:47:09,626 --> 00:47:11,751
|
| 2977 |
+
Guillaume! You're not in Brussels?
|
| 2978 |
+
|
| 2979 |
+
684
|
| 2980 |
+
00:47:11,917 --> 00:47:14,542
|
| 2981 |
+
Meeting got pushed back.
|
| 2982 |
+
I got a later train.
|
| 2983 |
+
|
| 2984 |
+
685
|
| 2985 |
+
00:47:14,917 --> 00:47:15,626
|
| 2986 |
+
Who's he?
|
| 2987 |
+
|
| 2988 |
+
686
|
| 2989 |
+
00:47:15,834 --> 00:47:18,001
|
| 2990 |
+
I didn't have time to warn you.
|
| 2991 |
+
|
| 2992 |
+
687
|
| 2993 |
+
00:47:18,167 --> 00:47:21,751
|
| 2994 |
+
This is Anton Miroslav,
|
| 2995 |
+
who'll be staying with us a while.
|
| 2996 |
+
|
| 2997 |
+
688
|
| 2998 |
+
00:47:25,209 --> 00:47:26,501
|
| 2999 |
+
Can we talk for a sec?
|
| 3000 |
+
|
| 3001 |
+
689
|
| 3002 |
+
00:47:28,417 --> 00:47:30,917
|
| 3003 |
+
Stop bringing illegals
|
| 3004 |
+
to this house!
|
| 3005 |
+
|
| 3006 |
+
690
|
| 3007 |
+
00:47:31,126 --> 00:47:34,626
|
| 3008 |
+
He's not just any illegal.
|
| 3009 |
+
He's Anton Miroslav.
|
| 3010 |
+
|
| 3011 |
+
691
|
| 3012 |
+
00:47:34,792 --> 00:47:36,334
|
| 3013 |
+
Hero of the revolution!
|
| 3014 |
+
|
| 3015 |
+
692
|
| 3016 |
+
00:47:36,501 --> 00:47:37,501
|
| 3017 |
+
So what?
|
| 3018 |
+
|
| 3019 |
+
693
|
| 3020 |
+
00:47:37,667 --> 00:47:40,084
|
| 3021 |
+
Are you done?
|
| 3022 |
+
He has a fever, he's hungry.
|
| 3023 |
+
|
| 3024 |
+
694
|
| 3025 |
+
00:47:40,251 --> 00:47:42,751
|
| 3026 |
+
Anna, why not collect
|
| 3027 |
+
stray cats or dogs,
|
| 3028 |
+
|
| 3029 |
+
695
|
| 3030 |
+
00:47:42,917 --> 00:47:45,376
|
| 3031 |
+
like your housewife friends
|
| 3032 |
+
around here?
|
| 3033 |
+
|
| 3034 |
+
696
|
| 3035 |
+
00:47:45,501 --> 00:47:46,834
|
| 3036 |
+
That's so stupid.
|
| 3037 |
+
|
| 3038 |
+
697
|
| 3039 |
+
00:47:47,042 --> 00:47:49,251
|
| 3040 |
+
Besides, I don't like his face.
|
| 3041 |
+
|
| 3042 |
+
698
|
| 3043 |
+
00:47:49,417 --> 00:47:51,542
|
| 3044 |
+
You don't know him.
|
| 3045 |
+
Maybe he's dangerous.
|
| 3046 |
+
|
| 3047 |
+
699
|
| 3048 |
+
00:47:51,751 --> 00:47:54,167
|
| 3049 |
+
- Have the vet put him down!
|
| 3050 |
+
- Stop, I'm serious.
|
| 3051 |
+
|
| 3052 |
+
700
|
| 3053 |
+
00:47:54,334 --> 00:47:56,251
|
| 3054 |
+
So am I. He's not a stray,
|
| 3055 |
+
|
| 3056 |
+
701
|
| 3057 |
+
00:47:56,417 --> 00:47:59,126
|
| 3058 |
+
he's a hero,
|
| 3059 |
+
who's saving my nation from tyranny.
|
| 3060 |
+
|
| 3061 |
+
702
|
| 3062 |
+
00:47:59,584 --> 00:48:02,251
|
| 3063 |
+
Saving your nation from tyranny!
|
| 3064 |
+
Let me laugh.
|
| 3065 |
+
|
| 3066 |
+
703
|
| 3067 |
+
00:48:02,417 --> 00:48:03,876
|
| 3068 |
+
I don't see what's funny.
|
| 3069 |
+
|
| 3070 |
+
704
|
| 3071 |
+
00:48:04,084 --> 00:48:05,376
|
| 3072 |
+
You're Anna Lempereur.
|
| 3073 |
+
|
| 3074 |
+
705
|
| 3075 |
+
00:48:05,584 --> 00:48:08,001
|
| 3076 |
+
You wouldn't last a day
|
| 3077 |
+
in Cherkistan.
|
| 3078 |
+
|
| 3079 |
+
706
|
| 3080 |
+
00:48:12,751 --> 00:48:15,334
|
| 3081 |
+
You always put me down,
|
| 3082 |
+
slight me in public.
|
| 3083 |
+
|
| 3084 |
+
707
|
| 3085 |
+
00:48:15,501 --> 00:48:18,042
|
| 3086 |
+
He can't understand!
|
| 3087 |
+
I'm just saying the truth!
|
| 3088 |
+
|
| 3089 |
+
708
|
| 3090 |
+
00:48:18,209 --> 00:48:21,042
|
| 3091 |
+
The truth is I found some meaning
|
| 3092 |
+
and you hate it.
|
| 3093 |
+
|
| 3094 |
+
709
|
| 3095 |
+
00:48:23,584 --> 00:48:25,876
|
| 3096 |
+
Stupid enough to quit my job.
|
| 3097 |
+
|
| 3098 |
+
710
|
| 3099 |
+
00:48:26,376 --> 00:48:29,834
|
| 3100 |
+
Don't start that again.
|
| 3101 |
+
He can't stay more than a week.
|
| 3102 |
+
|
| 3103 |
+
711
|
| 3104 |
+
00:48:30,084 --> 00:48:31,126
|
| 3105 |
+
I want him gone.
|
| 3106 |
+
|
| 3107 |
+
712
|
| 3108 |
+
00:48:31,292 --> 00:48:33,459
|
| 3109 |
+
He stays as long as he wants!
|
| 3110 |
+
|
| 3111 |
+
713
|
| 3112 |
+
00:48:33,584 --> 00:48:35,376
|
| 3113 |
+
In 8 days, I call immigration.
|
| 3114 |
+
|
| 3115 |
+
714
|
| 3116 |
+
00:48:35,542 --> 00:48:39,042
|
| 3117 |
+
I'll tell your clients you get
|
| 3118 |
+
kickbacks from subcontractors.
|
| 3119 |
+
|
| 3120 |
+
715
|
| 3121 |
+
00:48:40,584 --> 00:48:42,167
|
| 3122 |
+
You're a real bitch.
|
| 3123 |
+
|
| 3124 |
+
716
|
| 3125 |
+
00:48:42,334 --> 00:48:43,751
|
| 3126 |
+
That makes two of us.
|
| 3127 |
+
|
| 3128 |
+
717
|
| 3129 |
+
00:48:49,001 --> 00:48:50,501
|
| 3130 |
+
Welcome to France, Anton.
|
| 3131 |
+
|
| 3132 |
+
718
|
| 3133 |
+
00:49:02,167 --> 00:49:03,417
|
| 3134 |
+
Faubert.
|
| 3135 |
+
|
| 3136 |
+
719
|
| 3137 |
+
00:49:40,376 --> 00:49:41,584
|
| 3138 |
+
Romain, are you home?
|
| 3139 |
+
|
| 3140 |
+
720
|
| 3141 |
+
00:49:45,792 --> 00:49:47,876
|
| 3142 |
+
Where did that moron go?
|
| 3143 |
+
|
| 3144 |
+
721
|
| 3145 |
+
00:50:06,917 --> 00:50:09,167
|
| 3146 |
+
As early as the Balkan war,
|
| 3147 |
+
|
| 3148 |
+
722
|
| 3149 |
+
00:50:09,334 --> 00:50:11,667
|
| 3150 |
+
he emerged victorious
|
| 3151 |
+
from bloody battles.
|
| 3152 |
+
|
| 3153 |
+
723
|
| 3154 |
+
00:50:11,834 --> 00:50:13,292
|
| 3155 |
+
Oh, I see.
|
| 3156 |
+
|
| 3157 |
+
724
|
| 3158 |
+
00:50:13,459 --> 00:50:15,876
|
| 3159 |
+
Since the aborted coup in 2011,
|
| 3160 |
+
Miroslav
|
| 3161 |
+
|
| 3162 |
+
725
|
| 3163 |
+
00:50:16,084 --> 00:50:18,126
|
| 3164 |
+
escaped
|
| 3165 |
+
several assassination attempts.
|
| 3166 |
+
|
| 3167 |
+
726
|
| 3168 |
+
00:50:18,292 --> 00:50:20,376
|
| 3169 |
+
Oh shit, I see.
|
| 3170 |
+
|
| 3171 |
+
727
|
| 3172 |
+
00:50:21,626 --> 00:50:25,376
|
| 3173 |
+
Hero for some, terrorist for others,
|
| 3174 |
+
he is hidden in the mountains
|
| 3175 |
+
|
| 3176 |
+
728
|
| 3177 |
+
00:50:25,501 --> 00:50:29,209
|
| 3178 |
+
ruling the Cherkistani revolt
|
| 3179 |
+
with an iron fist.
|
| 3180 |
+
|
| 3181 |
+
729
|
| 3182 |
+
00:50:29,376 --> 00:50:31,209
|
| 3183 |
+
Oh, I see.
|
| 3184 |
+
|
| 3185 |
+
730
|
| 3186 |
+
00:50:34,584 --> 00:50:36,834
|
| 3187 |
+
Anton Miroslav.
|
| 3188 |
+
|
| 3189 |
+
731
|
| 3190 |
+
00:50:37,417 --> 00:50:38,751
|
| 3191 |
+
That's me.
|
| 3192 |
+
|
| 3193 |
+
732
|
| 3194 |
+
00:50:41,292 --> 00:50:42,292
|
| 3195 |
+
Shit.
|
| 3196 |
+
|
| 3197 |
+
733
|
| 3198 |
+
00:50:50,042 --> 00:50:52,126
|
| 3199 |
+
Oh shit, I see!
|
| 3200 |
+
|
| 3201 |
+
734
|
| 3202 |
+
00:50:58,376 --> 00:50:59,459
|
| 3203 |
+
Voice mail.
|
| 3204 |
+
|
| 3205 |
+
735
|
| 3206 |
+
00:50:59,584 --> 00:51:03,126
|
| 3207 |
+
Usually he answers for me.
|
| 3208 |
+
I'm sure something happened.
|
| 3209 |
+
|
| 3210 |
+
736
|
| 3211 |
+
00:51:03,292 --> 00:51:05,209
|
| 3212 |
+
I don't want to alarm you.
|
| 3213 |
+
|
| 3214 |
+
737
|
| 3215 |
+
00:51:05,376 --> 00:51:09,459
|
| 3216 |
+
Maybe some Cherkistani jumped him
|
| 3217 |
+
for his cell phone,
|
| 3218 |
+
|
| 3219 |
+
738
|
| 3220 |
+
00:51:09,584 --> 00:51:11,501
|
| 3221 |
+
a Visa card, a little cash.
|
| 3222 |
+
|
| 3223 |
+
739
|
| 3224 |
+
00:51:11,876 --> 00:51:14,542
|
| 3225 |
+
It's my fault. Put out an APB.
|
| 3226 |
+
|
| 3227 |
+
740
|
| 3228 |
+
00:51:14,709 --> 00:51:17,167
|
| 3229 |
+
In 48 hours,
|
| 3230 |
+
he'll be considered missing.
|
| 3231 |
+
|
| 3232 |
+
741
|
| 3233 |
+
00:51:17,334 --> 00:51:19,376
|
| 3234 |
+
That's the law.
|
| 3235 |
+
I need a recent photo.
|
| 3236 |
+
|
| 3237 |
+
742
|
| 3238 |
+
00:51:19,709 --> 00:51:21,376
|
| 3239 |
+
I have x-rays, no photos.
|
| 3240 |
+
|
| 3241 |
+
743
|
| 3242 |
+
00:51:22,334 --> 00:51:24,084
|
| 3243 |
+
- That him?
|
| 3244 |
+
- No, my sister.
|
| 3245 |
+
|
| 3246 |
+
744
|
| 3247 |
+
00:51:24,251 --> 00:51:26,459
|
| 3248 |
+
She was with me.
|
| 3249 |
+
Maybe she saw him.
|
| 3250 |
+
|
| 3251 |
+
745
|
| 3252 |
+
00:51:27,792 --> 00:51:29,126
|
| 3253 |
+
Dim, come over.
|
| 3254 |
+
|
| 3255 |
+
746
|
| 3256 |
+
00:51:29,292 --> 00:51:30,751
|
| 3257 |
+
I need you to see someone.
|
| 3258 |
+
|
| 3259 |
+
747
|
| 3260 |
+
00:51:30,917 --> 00:51:32,542
|
| 3261 |
+
I'm at the police station.
|
| 3262 |
+
|
| 3263 |
+
748
|
| 3264 |
+
00:51:32,709 --> 00:51:34,542
|
| 3265 |
+
At Calais, my friend went missing.
|
| 3266 |
+
|
| 3267 |
+
749
|
| 3268 |
+
00:51:34,709 --> 00:51:36,417
|
| 3269 |
+
Sorry I can't help you.
|
| 3270 |
+
What do I do?
|
| 3271 |
+
|
| 3272 |
+
750
|
| 3273 |
+
00:51:36,834 --> 00:51:38,042
|
| 3274 |
+
Call another doctor.
|
| 3275 |
+
|
| 3276 |
+
751
|
| 3277 |
+
00:51:38,209 --> 00:51:39,667
|
| 3278 |
+
I need you. I'll explain.
|
| 3279 |
+
|
| 3280 |
+
752
|
| 3281 |
+
00:51:40,376 --> 00:51:41,667
|
| 3282 |
+
I'll stop by tomorrow.
|
| 3283 |
+
|
| 3284 |
+
753
|
| 3285 |
+
00:51:42,167 --> 00:51:44,417
|
| 3286 |
+
You're a peach, I love you. Kiss!
|
| 3287 |
+
|
| 3288 |
+
754
|
| 3289 |
+
00:52:22,542 --> 00:52:23,834
|
| 3290 |
+
You look better.
|
| 3291 |
+
|
| 3292 |
+
755
|
| 3293 |
+
00:52:28,501 --> 00:52:31,084
|
| 3294 |
+
I made some dinner. Sit down.
|
| 3295 |
+
|
| 3296 |
+
756
|
| 3297 |
+
00:52:32,542 --> 00:52:34,459
|
| 3298 |
+
Not small salad maybe?
|
| 3299 |
+
|
| 3300 |
+
757
|
| 3301 |
+
00:52:34,584 --> 00:52:35,751
|
| 3302 |
+
I'm on a diet.
|
| 3303 |
+
|
| 3304 |
+
758
|
| 3305 |
+
00:52:35,917 --> 00:52:38,709
|
| 3306 |
+
A diet? After 3 months
|
| 3307 |
+
starving on a ship?
|
| 3308 |
+
|
| 3309 |
+
759
|
| 3310 |
+
00:52:40,584 --> 00:52:42,584
|
| 3311 |
+
All right, but chew slowly.
|
| 3312 |
+
|
| 3313 |
+
760
|
| 3314 |
+
00:52:43,167 --> 00:52:45,376
|
| 3315 |
+
Too long no meat. Iron poor.
|
| 3316 |
+
|
| 3317 |
+
761
|
| 3318 |
+
00:52:47,542 --> 00:52:48,542
|
| 3319 |
+
French beef?
|
| 3320 |
+
|
| 3321 |
+
762
|
| 3322 |
+
00:52:49,667 --> 00:52:52,084
|
| 3323 |
+
Yes, of course. Thirst too.
|
| 3324 |
+
|
| 3325 |
+
763
|
| 3326 |
+
00:52:52,584 --> 00:52:54,542
|
| 3327 |
+
- What will you drink?
|
| 3328 |
+
- Soy milk.
|
| 3329 |
+
|
| 3330 |
+
764
|
| 3331 |
+
00:52:57,251 --> 00:52:58,251
|
| 3332 |
+
Beer!
|
| 3333 |
+
|
| 3334 |
+
765
|
| 3335 |
+
00:53:26,292 --> 00:53:27,584
|
| 3336 |
+
Good meat.
|
| 3337 |
+
|
| 3338 |
+
766
|
| 3339 |
+
00:53:28,501 --> 00:53:29,501
|
| 3340 |
+
I'll get a napkin.
|
| 3341 |
+
|
| 3342 |
+
767
|
| 3343 |
+
00:53:34,417 --> 00:53:35,417
|
| 3344 |
+
Are you OK?
|
| 3345 |
+
|
| 3346 |
+
768
|
| 3347 |
+
00:53:35,459 --> 00:53:38,751
|
| 3348 |
+
Oh my God!
|
| 3349 |
+
You're still very weak.
|
| 3350 |
+
|
| 3351 |
+
769
|
| 3352 |
+
00:53:38,917 --> 00:53:40,334
|
| 3353 |
+
Better lie down.
|
| 3354 |
+
|
| 3355 |
+
770
|
| 3356 |
+
00:53:47,209 --> 00:53:48,709
|
| 3357 |
+
Anton, can I come in?
|
| 3358 |
+
|
| 3359 |
+
771
|
| 3360 |
+
00:53:57,917 --> 00:53:59,126
|
| 3361 |
+
No more fever.
|
| 3362 |
+
|
| 3363 |
+
772
|
| 3364 |
+
00:54:00,501 --> 00:54:02,209
|
| 3365 |
+
I made you some herb tea.
|
| 3366 |
+
|
| 3367 |
+
773
|
| 3368 |
+
00:54:05,542 --> 00:54:07,626
|
| 3369 |
+
I shall not speak or think
|
| 3370 |
+
|
| 3371 |
+
774
|
| 3372 |
+
00:54:09,084 --> 00:54:12,292
|
| 3373 |
+
but infinite love
|
| 3374 |
+
will swell in my soul
|
| 3375 |
+
|
| 3376 |
+
775
|
| 3377 |
+
00:54:12,459 --> 00:54:15,501
|
| 3378 |
+
and I shall travel far, very far,
|
| 3379 |
+
like a Bohemian
|
| 3380 |
+
|
| 3381 |
+
776
|
| 3382 |
+
00:54:15,667 --> 00:54:20,001
|
| 3383 |
+
by nature,
|
| 3384 |
+
happy as with a woman.
|
| 3385 |
+
|
| 3386 |
+
777
|
| 3387 |
+
00:54:22,667 --> 00:54:24,417
|
| 3388 |
+
Arthur Rimbaud.
|
| 3389 |
+
|
| 3390 |
+
778
|
| 3391 |
+
00:54:25,751 --> 00:54:27,042
|
| 3392 |
+
How beautiful, Anton.
|
| 3393 |
+
|
| 3394 |
+
779
|
| 3395 |
+
00:54:28,001 --> 00:54:29,001
|
| 3396 |
+
You know?
|
| 3397 |
+
|
| 3398 |
+
780
|
| 3399 |
+
00:54:29,667 --> 00:54:32,709
|
| 3400 |
+
Of course.
|
| 3401 |
+
It's a love poem to Verlaine.
|
| 3402 |
+
|
| 3403 |
+
781
|
| 3404 |
+
00:54:34,292 --> 00:54:36,501
|
| 3405 |
+
You study Rimbaud in Cherkistan?
|
| 3406 |
+
|
| 3407 |
+
782
|
| 3408 |
+
00:54:36,626 --> 00:54:40,042
|
| 3409 |
+
That's how I loved
|
| 3410 |
+
the French language.
|
| 3411 |
+
|
| 3412 |
+
783
|
| 3413 |
+
00:54:40,209 --> 00:54:42,376
|
| 3414 |
+
With romantic author.
|
| 3415 |
+
|
| 3416 |
+
784
|
| 3417 |
+
00:55:03,667 --> 00:55:05,751
|
| 3418 |
+
Sometimes life isn't fair.
|
| 3419 |
+
|
| 3420 |
+
785
|
| 3421 |
+
00:55:20,542 --> 00:55:22,876
|
| 3422 |
+
Lovely to see you again.
|
| 3423 |
+
|
| 3424 |
+
786
|
| 3425 |
+
00:55:24,126 --> 00:55:25,126
|
| 3426 |
+
Piotr,
|
| 3427 |
+
|
| 3428 |
+
787
|
| 3429 |
+
00:55:25,917 --> 00:55:27,126
|
| 3430 |
+
Anton Miroslav.
|
| 3431 |
+
|
| 3432 |
+
788
|
| 3433 |
+
00:55:47,459 --> 00:55:49,626
|
| 3434 |
+
Maybe speak French. More discreet.
|
| 3435 |
+
|
| 3436 |
+
789
|
| 3437 |
+
00:55:53,459 --> 00:55:55,459
|
| 3438 |
+
What pride for me!
|
| 3439 |
+
|
| 3440 |
+
790
|
| 3441 |
+
00:55:55,584 --> 00:55:58,001
|
| 3442 |
+
Too bad can't make photo.
|
| 3443 |
+
|
| 3444 |
+
791
|
| 3445 |
+
00:55:59,167 --> 00:56:00,626
|
| 3446 |
+
You must eat.
|
| 3447 |
+
|
| 3448 |
+
792
|
| 3449 |
+
00:56:00,792 --> 00:56:03,459
|
| 3450 |
+
You too, Anna.
|
| 3451 |
+
You are my guests.
|
| 3452 |
+
|
| 3453 |
+
793
|
| 3454 |
+
00:56:03,584 --> 00:56:07,334
|
| 3455 |
+
No, thank you.
|
| 3456 |
+
Much meat yesterday.
|
| 3457 |
+
|
| 3458 |
+
794
|
| 3459 |
+
00:56:24,334 --> 00:56:25,334
|
| 3460 |
+
Enjoy.
|
| 3461 |
+
|
| 3462 |
+
795
|
| 3463 |
+
00:56:56,167 --> 00:56:57,626
|
| 3464 |
+
Are you all right?
|
| 3465 |
+
|
| 3466 |
+
796
|
| 3467 |
+
00:56:59,626 --> 00:57:02,209
|
| 3468 |
+
It tastes like home.
|
| 3469 |
+
|
| 3470 |
+
797
|
| 3471 |
+
00:57:02,376 --> 00:57:03,542
|
| 3472 |
+
It's so, so good.
|
| 3473 |
+
|
| 3474 |
+
798
|
| 3475 |
+
00:57:21,001 --> 00:57:22,001
|
| 3476 |
+
It's a cliché.
|
| 3477 |
+
|
| 3478 |
+
799
|
| 3479 |
+
00:57:22,167 --> 00:57:24,501
|
| 3480 |
+
But your first time in Paris,
|
| 3481 |
+
you must.
|
| 3482 |
+
|
| 3483 |
+
800
|
| 3484 |
+
00:57:59,584 --> 00:58:01,292
|
| 3485 |
+
Are you sure, Anton?
|
| 3486 |
+
|
| 3487 |
+
801
|
| 3488 |
+
00:58:01,459 --> 00:58:03,126
|
| 3489 |
+
I have to go alone.
|
| 3490 |
+
|
| 3491 |
+
802
|
| 3492 |
+
00:58:03,292 --> 00:58:05,042
|
| 3493 |
+
It's too dangerous for you.
|
| 3494 |
+
|
| 3495 |
+
803
|
| 3496 |
+
00:58:05,209 --> 00:58:07,876
|
| 3497 |
+
It's better, Anna,
|
| 3498 |
+
not know too much.
|
| 3499 |
+
|
| 3500 |
+
804
|
| 3501 |
+
00:58:08,084 --> 00:58:09,501
|
| 3502 |
+
Be very careful.
|
| 3503 |
+
|
| 3504 |
+
805
|
| 3505 |
+
00:58:09,667 --> 00:58:11,126
|
| 3506 |
+
Come right back.
|
| 3507 |
+
|
| 3508 |
+
806
|
| 3509 |
+
00:58:11,292 --> 00:58:13,417
|
| 3510 |
+
Rumor has it that you're dead.
|
| 3511 |
+
|
| 3512 |
+
807
|
| 3513 |
+
00:58:13,542 --> 00:58:16,042
|
| 3514 |
+
Rumor is harder to
|
| 3515 |
+
defeat than dictatorship.
|
| 3516 |
+
|
| 3517 |
+
808
|
| 3518 |
+
00:58:16,209 --> 00:58:17,834
|
| 3519 |
+
We need you here.
|
| 3520 |
+
|
| 3521 |
+
809
|
| 3522 |
+
00:58:18,042 --> 00:58:21,251
|
| 3523 |
+
I'm in no shape to travel.
|
| 3524 |
+
|
| 3525 |
+
810
|
| 3526 |
+
00:58:21,876 --> 00:58:24,626
|
| 3527 |
+
And I need forged papers.
|
| 3528 |
+
|
| 3529 |
+
811
|
| 3530 |
+
00:58:25,834 --> 00:58:27,334
|
| 3531 |
+
Contact Grigory.
|
| 3532 |
+
|
| 3533 |
+
812
|
| 3534 |
+
00:59:12,126 --> 00:59:13,126
|
| 3535 |
+
Wounded?
|
| 3536 |
+
|
| 3537 |
+
813
|
| 3538 |
+
00:59:18,001 --> 00:59:19,667
|
| 3539 |
+
For fever. Acetaminophen.
|
| 3540 |
+
|
| 3541 |
+
814
|
| 3542 |
+
00:59:19,834 --> 00:59:21,751
|
| 3543 |
+
Four times daily, at most.
|
| 3544 |
+
|
| 3545 |
+
815
|
| 3546 |
+
00:59:22,001 --> 00:59:24,084
|
| 3547 |
+
For infection, antibiotics.
|
| 3548 |
+
|
| 3549 |
+
816
|
| 3550 |
+
00:59:27,334 --> 00:59:29,834
|
| 3551 |
+
You have to eat at the same time.
|
| 3552 |
+
During meals.
|
| 3553 |
+
|
| 3554 |
+
817
|
| 3555 |
+
00:59:30,042 --> 00:59:31,209
|
| 3556 |
+
Intestinal flora...
|
| 3557 |
+
|
| 3558 |
+
818
|
| 3559 |
+
00:59:32,876 --> 00:59:33,876
|
| 3560 |
+
No, nothing.
|
| 3561 |
+
|
| 3562 |
+
819
|
| 3563 |
+
00:59:36,626 --> 00:59:38,251
|
| 3564 |
+
Until it heals up.
|
| 3565 |
+
|
| 3566 |
+
820
|
| 3567 |
+
00:59:39,042 --> 00:59:40,501
|
| 3568 |
+
This is your apartment.
|
| 3569 |
+
|
| 3570 |
+
821
|
| 3571 |
+
01:00:09,459 --> 01:00:10,501
|
| 3572 |
+
Drassjna.
|
| 3573 |
+
|
| 3574 |
+
822
|
| 3575 |
+
01:00:13,167 --> 01:00:15,251
|
| 3576 |
+
Must have changed a lot since then.
|
| 3577 |
+
|
| 3578 |
+
823
|
| 3579 |
+
01:00:19,459 --> 01:00:22,834
|
| 3580 |
+
I wish you could have
|
| 3581 |
+
met my grandfather.
|
| 3582 |
+
|
| 3583 |
+
824
|
| 3584 |
+
01:00:23,459 --> 01:00:27,167
|
| 3585 |
+
Igor Zvenka.
|
| 3586 |
+
He would've been proud to know you.
|
| 3587 |
+
|
| 3588 |
+
825
|
| 3589 |
+
01:00:28,209 --> 01:00:29,417
|
| 3590 |
+
Anna Zvenka,
|
| 3591 |
+
|
| 3592 |
+
826
|
| 3593 |
+
01:00:29,542 --> 01:00:32,876
|
| 3594 |
+
need to have
|
| 3595 |
+
honest talk with you.
|
| 3596 |
+
|
| 3597 |
+
827
|
| 3598 |
+
01:00:33,751 --> 01:00:36,251
|
| 3599 |
+
No! Don't say a word.
|
| 3600 |
+
|
| 3601 |
+
828
|
| 3602 |
+
01:00:36,417 --> 01:00:39,001
|
| 3603 |
+
I feel the same way
|
| 3604 |
+
about you, but
|
| 3605 |
+
|
| 3606 |
+
829
|
| 3607 |
+
01:00:39,167 --> 01:00:42,792
|
| 3608 |
+
we mustn't. It's too trivial.
|
| 3609 |
+
It would ruin everything.
|
| 3610 |
+
|
| 3611 |
+
830
|
| 3612 |
+
01:00:44,709 --> 01:00:47,251
|
| 3613 |
+
I bought this long ago,
|
| 3614 |
+
at a flea market.
|
| 3615 |
+
|
| 3616 |
+
831
|
| 3617 |
+
01:00:47,417 --> 01:00:49,542
|
| 3618 |
+
I started alone, but...
|
| 3619 |
+
|
| 3620 |
+
832
|
| 3621 |
+
01:00:53,251 --> 01:00:55,251
|
| 3622 |
+
Let's speak only Cherkistani, OK?
|
| 3623 |
+
|
| 3624 |
+
833
|
| 3625 |
+
01:00:57,459 --> 01:01:00,834
|
| 3626 |
+
I've always wanted to learn.
|
| 3627 |
+
This is my chance.
|
| 3628 |
+
|
| 3629 |
+
834
|
| 3630 |
+
01:01:15,584 --> 01:01:16,626
|
| 3631 |
+
I said it wrong?
|
| 3632 |
+
|
| 3633 |
+
835
|
| 3634 |
+
01:01:19,459 --> 01:01:20,834
|
| 3635 |
+
My accent isn't great?
|
| 3636 |
+
|
| 3637 |
+
836
|
| 3638 |
+
01:01:25,626 --> 01:01:27,042
|
| 3639 |
+
Guarazd = OK
|
| 3640 |
+
|
| 3641 |
+
837
|
| 3642 |
+
01:01:27,209 --> 01:01:28,709
|
| 3643 |
+
I need practice.
|
| 3644 |
+
|
| 3645 |
+
838
|
| 3646 |
+
01:01:34,001 --> 01:01:35,542
|
| 3647 |
+
Small spelling mistake.
|
| 3648 |
+
|
| 3649 |
+
839
|
| 3650 |
+
01:01:45,251 --> 01:01:48,459
|
| 3651 |
+
Maybe better, me first learn French.
|
| 3652 |
+
|
| 3653 |
+
840
|
| 3654 |
+
01:01:48,584 --> 01:01:49,834
|
| 3655 |
+
Then you Cherkistani.
|
| 3656 |
+
|
| 3657 |
+
841
|
| 3658 |
+
01:01:51,876 --> 01:01:53,876
|
| 3659 |
+
But you have a talent for French.
|
| 3660 |
+
|
| 3661 |
+
842
|
| 3662 |
+
01:01:54,917 --> 01:01:57,334
|
| 3663 |
+
You understand most of what I say.
|
| 3664 |
+
|
| 3665 |
+
843
|
| 3666 |
+
01:01:58,251 --> 01:01:59,501
|
| 3667 |
+
More than yesterday.
|
| 3668 |
+
|
| 3669 |
+
844
|
| 3670 |
+
01:02:00,542 --> 01:02:01,417
|
| 3671 |
+
So-so.
|
| 3672 |
+
|
| 3673 |
+
845
|
| 3674 |
+
01:02:01,542 --> 01:02:03,042
|
| 3675 |
+
Teach me a little.
|
| 3676 |
+
|
| 3677 |
+
846
|
| 3678 |
+
01:02:03,501 --> 01:02:04,501
|
| 3679 |
+
For example,
|
| 3680 |
+
|
| 3681 |
+
847
|
| 3682 |
+
01:02:04,626 --> 01:02:06,626
|
| 3683 |
+
how do you say, "I love you"?
|
| 3684 |
+
|
| 3685 |
+
848
|
| 3686 |
+
01:02:09,417 --> 01:02:11,542
|
| 3687 |
+
Guarazd means "OK".
|
| 3688 |
+
|
| 3689 |
+
849
|
| 3690 |
+
01:02:11,876 --> 01:02:13,542
|
| 3691 |
+
I know that, but
|
| 3692 |
+
|
| 3693 |
+
850
|
| 3694 |
+
01:02:13,709 --> 01:02:15,334
|
| 3695 |
+
"I love you"...
|
| 3696 |
+
|
| 3697 |
+
851
|
| 3698 |
+
01:02:22,376 --> 01:02:24,334
|
| 3699 |
+
Tsyboulya - porey = leeks.
|
| 3700 |
+
|
| 3701 |
+
852
|
| 3702 |
+
01:02:26,376 --> 01:02:27,459
|
| 3703 |
+
Tsyboulya - porey.
|
| 3704 |
+
|
| 3705 |
+
853
|
| 3706 |
+
01:02:29,376 --> 01:02:30,459
|
| 3707 |
+
That's "leeks".
|
| 3708 |
+
|
| 3709 |
+
854
|
| 3710 |
+
01:02:34,042 --> 01:02:35,667
|
| 3711 |
+
Sparja is asparagus.
|
| 3712 |
+
|
| 3713 |
+
855
|
| 3714 |
+
01:02:38,459 --> 01:02:39,501
|
| 3715 |
+
Harbouz.
|
| 3716 |
+
|
| 3717 |
+
856
|
| 3718 |
+
01:02:43,751 --> 01:02:45,292
|
| 3719 |
+
- That's pumpkin.
|
| 3720 |
+
- Pumpkin.
|
| 3721 |
+
|
| 3722 |
+
857
|
| 3723 |
+
01:02:46,751 --> 01:02:49,167
|
| 3724 |
+
Actually...
|
| 3725 |
+
There's a misunderstanding.
|
| 3726 |
+
|
| 3727 |
+
858
|
| 3728 |
+
01:02:50,209 --> 01:02:51,501
|
| 3729 |
+
In English
|
| 3730 |
+
|
| 3731 |
+
859
|
| 3732 |
+
01:02:54,709 --> 01:02:56,209
|
| 3733 |
+
Italian, Ti amo.
|
| 3734 |
+
|
| 3735 |
+
860
|
| 3736 |
+
01:02:57,209 --> 01:03:00,376
|
| 3737 |
+
Te quiero in Spanish.
|
| 3738 |
+
And in Cherkistani...?
|
| 3739 |
+
|
| 3740 |
+
861
|
| 3741 |
+
01:03:02,792 --> 01:03:05,126
|
| 3742 |
+
Many different ways to say.
|
| 3743 |
+
|
| 3744 |
+
862
|
| 3745 |
+
01:03:05,292 --> 01:03:07,626
|
| 3746 |
+
Fine, but the most common way.
|
| 3747 |
+
|
| 3748 |
+
863
|
| 3749 |
+
01:03:22,751 --> 01:03:23,751
|
| 3750 |
+
Lovya.
|
| 3751 |
+
|
| 3752 |
+
864
|
| 3753 |
+
01:03:26,792 --> 01:03:28,376
|
| 3754 |
+
Lovya, mint ya.
|
| 3755 |
+
|
| 3756 |
+
865
|
| 3757 |
+
01:03:34,626 --> 01:03:35,376
|
| 3758 |
+
Relax!
|
| 3759 |
+
|
| 3760 |
+
866
|
| 3761 |
+
01:03:35,501 --> 01:03:36,709
|
| 3762 |
+
Just my friends
|
| 3763 |
+
|
| 3764 |
+
867
|
| 3765 |
+
01:03:36,876 --> 01:03:39,084
|
| 3766 |
+
for a "shop my closet" party.
|
| 3767 |
+
|
| 3768 |
+
868
|
| 3769 |
+
01:03:39,459 --> 01:03:41,751
|
| 3770 |
+
I forgot to cancel.
|
| 3771 |
+
I'll send them away.
|
| 3772 |
+
|
| 3773 |
+
869
|
| 3774 |
+
01:03:46,001 --> 01:03:49,542
|
| 3775 |
+
Anna Lempereur-Zvenka here.
|
| 3776 |
+
Leave a message at the tone.
|
| 3777 |
+
|
| 3778 |
+
870
|
| 3779 |
+
01:03:51,876 --> 01:03:52,876
|
| 3780 |
+
Excuse me.
|
| 3781 |
+
|
| 3782 |
+
871
|
| 3783 |
+
01:03:53,292 --> 01:03:55,001
|
| 3784 |
+
- Where was I?
|
| 3785 |
+
- The plans.
|
| 3786 |
+
|
| 3787 |
+
872
|
| 3788 |
+
01:03:57,917 --> 01:04:00,417
|
| 3789 |
+
Now, here...
|
| 3790 |
+
|
| 3791 |
+
873
|
| 3792 |
+
01:04:02,834 --> 01:04:04,376
|
| 3793 |
+
Well, you take it...
|
| 3794 |
+
|
| 3795 |
+
874
|
| 3796 |
+
01:04:11,917 --> 01:04:13,084
|
| 3797 |
+
Sorry, Anton.
|
| 3798 |
+
|
| 3799 |
+
875
|
| 3800 |
+
01:04:13,751 --> 01:04:16,792
|
| 3801 |
+
And then, I bryeak loose!
|
| 3802 |
+
|
| 3803 |
+
876
|
| 3804 |
+
01:04:19,001 --> 01:04:21,417
|
| 3805 |
+
And I approach behind guard.
|
| 3806 |
+
|
| 3807 |
+
877
|
| 3808 |
+
01:04:22,209 --> 01:04:23,459
|
| 3809 |
+
And him I strangle!
|
| 3810 |
+
|
| 3811 |
+
878
|
| 3812 |
+
01:04:25,751 --> 01:04:26,876
|
| 3813 |
+
Up against bars.
|
| 3814 |
+
|
| 3815 |
+
879
|
| 3816 |
+
01:04:31,001 --> 01:04:33,667
|
| 3817 |
+
I steal key
|
| 3818 |
+
and I jump out of window.
|
| 3819 |
+
|
| 3820 |
+
880
|
| 3821 |
+
01:04:35,167 --> 01:04:36,501
|
| 3822 |
+
Three stories!
|
| 3823 |
+
|
| 3824 |
+
881
|
| 3825 |
+
01:04:40,376 --> 01:04:41,459
|
| 3826 |
+
Sprain ankle.
|
| 3827 |
+
|
| 3828 |
+
882
|
| 3829 |
+
01:04:42,709 --> 01:04:44,042
|
| 3830 |
+
No problem.
|
| 3831 |
+
|
| 3832 |
+
883
|
| 3833 |
+
01:04:45,917 --> 01:04:47,001
|
| 3834 |
+
No problem!
|
| 3835 |
+
|
| 3836 |
+
884
|
| 3837 |
+
01:04:49,334 --> 01:04:51,584
|
| 3838 |
+
I turn. Eight soldiers.
|
| 3839 |
+
|
| 3840 |
+
885
|
| 3841 |
+
01:04:52,417 --> 01:04:54,001
|
| 3842 |
+
Attacking me.
|
| 3843 |
+
|
| 3844 |
+
886
|
| 3845 |
+
01:04:54,334 --> 01:04:55,334
|
| 3846 |
+
Kalashnikovs!
|
| 3847 |
+
|
| 3848 |
+
887
|
| 3849 |
+
01:04:58,167 --> 01:05:00,417
|
| 3850 |
+
I run, run.
|
| 3851 |
+
Zigzag through bullets.
|
| 3852 |
+
|
| 3853 |
+
888
|
| 3854 |
+
01:05:02,001 --> 01:05:03,626
|
| 3855 |
+
Ow, ankle! Zigzag!
|
| 3856 |
+
|
| 3857 |
+
889
|
| 3858 |
+
01:05:04,417 --> 01:05:05,667
|
| 3859 |
+
I jump in river.
|
| 3860 |
+
|
| 3861 |
+
890
|
| 3862 |
+
01:05:09,001 --> 01:05:10,501
|
| 3863 |
+
Iceshski.
|
| 3864 |
+
|
| 3865 |
+
891
|
| 3866 |
+
01:05:12,042 --> 01:05:13,292
|
| 3867 |
+
Not move.
|
| 3868 |
+
|
| 3869 |
+
892
|
| 3870 |
+
01:05:13,459 --> 01:05:16,126
|
| 3871 |
+
Not breathe in water.
|
| 3872 |
+
Make bubbles.
|
| 3873 |
+
|
| 3874 |
+
893
|
| 3875 |
+
01:05:16,584 --> 01:05:19,501
|
| 3876 |
+
Right, or they shoot at the bubbles.
|
| 3877 |
+
|
| 3878 |
+
894
|
| 3879 |
+
01:05:19,667 --> 01:05:20,667
|
| 3880 |
+
Of course.
|
| 3881 |
+
|
| 3882 |
+
895
|
| 3883 |
+
01:05:21,251 --> 01:05:23,417
|
| 3884 |
+
Swimming underwater.
|
| 3885 |
+
|
| 3886 |
+
896
|
| 3887 |
+
01:05:23,542 --> 01:05:25,417
|
| 3888 |
+
Dark and swim.
|
| 3889 |
+
|
| 3890 |
+
897
|
| 3891 |
+
01:05:26,751 --> 01:05:28,417
|
| 3892 |
+
Two bubbles, no more.
|
| 3893 |
+
|
| 3894 |
+
898
|
| 3895 |
+
01:05:29,251 --> 01:05:30,251
|
| 3896 |
+
I touch boatsky.
|
| 3897 |
+
|
| 3898 |
+
899
|
| 3899 |
+
01:05:30,751 --> 01:05:31,751
|
| 3900 |
+
Ship!
|
| 3901 |
+
|
| 3902 |
+
900
|
| 3903 |
+
01:05:32,334 --> 01:05:34,001
|
| 3904 |
+
I climb up.
|
| 3905 |
+
|
| 3906 |
+
901
|
| 3907 |
+
01:05:35,251 --> 01:05:36,334
|
| 3908 |
+
Big screws.
|
| 3909 |
+
|
| 3910 |
+
902
|
| 3911 |
+
01:05:39,876 --> 01:05:42,751
|
| 3912 |
+
There, a Russian vessel. Relief.
|
| 3913 |
+
|
| 3914 |
+
903
|
| 3915 |
+
01:05:43,001 --> 01:05:45,417
|
| 3916 |
+
I go in France,
|
| 3917 |
+
hiding bottom of ship.
|
| 3918 |
+
|
| 3919 |
+
904
|
| 3920 |
+
01:05:46,292 --> 01:05:47,501
|
| 3921 |
+
And here I am.
|
| 3922 |
+
|
| 3923 |
+
905
|
| 3924 |
+
01:05:50,501 --> 01:05:51,376
|
| 3925 |
+
What a story!
|
| 3926 |
+
|
| 3927 |
+
906
|
| 3928 |
+
01:05:51,501 --> 01:05:52,626
|
| 3929 |
+
What a life!
|
| 3930 |
+
|
| 3931 |
+
907
|
| 3932 |
+
01:05:52,792 --> 01:05:56,042
|
| 3933 |
+
More exciting
|
| 3934 |
+
than a "shop my closet" party!
|
| 3935 |
+
|
| 3936 |
+
908
|
| 3937 |
+
01:05:56,459 --> 01:05:58,501
|
| 3938 |
+
Thank you to Anna Zvenka,
|
| 3939 |
+
|
| 3940 |
+
909
|
| 3941 |
+
01:05:58,626 --> 01:06:01,167
|
| 3942 |
+
who saved me from French police.
|
| 3943 |
+
|
| 3944 |
+
910
|
| 3945 |
+
01:06:01,334 --> 01:06:02,584
|
| 3946 |
+
Great courage.
|
| 3947 |
+
|
| 3948 |
+
911
|
| 3949 |
+
01:06:03,084 --> 01:06:04,334
|
| 3950 |
+
Bravo, Anna.
|
| 3951 |
+
|
| 3952 |
+
912
|
| 3953 |
+
01:06:05,042 --> 01:06:06,167
|
| 3954 |
+
Don't applaud me.
|
| 3955 |
+
|
| 3956 |
+
913
|
| 3957 |
+
01:06:06,376 --> 01:06:08,542
|
| 3958 |
+
It was my duty as a humanist.
|
| 3959 |
+
|
| 3960 |
+
914
|
| 3961 |
+
01:06:08,792 --> 01:06:10,626
|
| 3962 |
+
Great men like Anton
|
| 3963 |
+
|
| 3964 |
+
915
|
| 3965 |
+
01:06:10,792 --> 01:06:13,167
|
| 3966 |
+
are writing history
|
| 3967 |
+
with a capital H.
|
| 3968 |
+
|
| 3969 |
+
916
|
| 3970 |
+
01:06:13,709 --> 01:06:15,459
|
| 3971 |
+
Working for a just world.
|
| 3972 |
+
|
| 3973 |
+
917
|
| 3974 |
+
01:06:15,751 --> 01:06:18,584
|
| 3975 |
+
I propose a toast,
|
| 3976 |
+
to the hero of the Balkans!
|
| 3977 |
+
|
| 3978 |
+
918
|
| 3979 |
+
01:06:20,917 --> 01:06:22,167
|
| 3980 |
+
Kvanya!
|
| 3981 |
+
|
| 3982 |
+
919
|
| 3983 |
+
01:06:26,376 --> 01:06:27,792
|
| 3984 |
+
It's all right, all right.
|
| 3985 |
+
|
| 3986 |
+
920
|
| 3987 |
+
01:06:29,167 --> 01:06:31,709
|
| 3988 |
+
It's just Constance.
|
| 3989 |
+
She's always late.
|
| 3990 |
+
|
| 3991 |
+
921
|
| 3992 |
+
01:06:35,792 --> 01:06:37,709
|
| 3993 |
+
Raspberry! Come here!
|
| 3994 |
+
|
| 3995 |
+
922
|
| 3996 |
+
01:06:56,042 --> 01:06:59,501
|
| 3997 |
+
Constance, this is embarrassing.
|
| 3998 |
+
Could you get your dog?
|
| 3999 |
+
|
| 4000 |
+
923
|
| 4001 |
+
01:07:01,501 --> 01:07:02,501
|
| 4002 |
+
Raspberry, heel!
|
| 4003 |
+
|
| 4004 |
+
924
|
| 4005 |
+
01:07:06,209 --> 01:07:10,751
|
| 4006 |
+
Maybe they tortured him
|
| 4007 |
+
using rabid Chihuahuas?
|
| 4008 |
+
|
| 4009 |
+
925
|
| 4010 |
+
01:07:11,042 --> 01:07:12,209
|
| 4011 |
+
Yeah, maybe.
|
| 4012 |
+
|
| 4013 |
+
926
|
| 4014 |
+
01:07:12,376 --> 01:07:15,167
|
| 4015 |
+
That's the first time
|
| 4016 |
+
Raspberry scared someone.
|
| 4017 |
+
|
| 4018 |
+
927
|
| 4019 |
+
01:07:16,251 --> 01:07:18,334
|
| 4020 |
+
He does seem very sensitive.
|
| 4021 |
+
|
| 4022 |
+
928
|
| 4023 |
+
01:07:18,501 --> 01:07:20,626
|
| 4024 |
+
Good night, girls.
|
| 4025 |
+
Mum's the word!
|
| 4026 |
+
|
| 4027 |
+
929
|
| 4028 |
+
01:07:21,042 --> 01:07:22,292
|
| 4029 |
+
Don't worry!
|
| 4030 |
+
|
| 4031 |
+
930
|
| 4032 |
+
01:07:36,834 --> 01:07:38,834
|
| 4033 |
+
People have phobias, Anton.
|
| 4034 |
+
|
| 4035 |
+
931
|
| 4036 |
+
01:07:39,667 --> 01:07:41,501
|
| 4037 |
+
Even the bravest people.
|
| 4038 |
+
|
| 4039 |
+
932
|
| 4040 |
+
01:07:42,542 --> 01:07:44,334
|
| 4041 |
+
Nothing to be ashamed of.
|
| 4042 |
+
|
| 4043 |
+
933
|
| 4044 |
+
01:07:45,292 --> 01:07:48,501
|
| 4045 |
+
You're phobic about little dogs.
|
| 4046 |
+
That's all.
|
| 4047 |
+
|
| 4048 |
+
934
|
| 4049 |
+
01:07:49,042 --> 01:07:52,542
|
| 4050 |
+
Sure, in your case it's very...
|
| 4051 |
+
unexpected.
|
| 4052 |
+
|
| 4053 |
+
935
|
| 4054 |
+
01:07:55,001 --> 01:07:56,709
|
| 4055 |
+
You were very scared of Raspberry.
|
| 4056 |
+
|
| 4057 |
+
936
|
| 4058 |
+
01:07:58,251 --> 01:07:59,251
|
| 4059 |
+
Raspberry...
|
| 4060 |
+
|
| 4061 |
+
937
|
| 4062 |
+
01:08:38,792 --> 01:08:39,792
|
| 4063 |
+
Wait, stop!
|
| 4064 |
+
|
| 4065 |
+
938
|
| 4066 |
+
01:09:35,709 --> 01:09:37,376
|
| 4067 |
+
I had a wonderful night.
|
| 4068 |
+
|
| 4069 |
+
939
|
| 4070 |
+
01:09:37,626 --> 01:09:39,001
|
| 4071 |
+
My best ever.
|
| 4072 |
+
|
| 4073 |
+
940
|
| 4074 |
+
01:09:39,459 --> 01:09:41,251
|
| 4075 |
+
I don't feel guilty at all.
|
| 4076 |
+
|
| 4077 |
+
941
|
| 4078 |
+
01:09:42,751 --> 01:09:43,751
|
| 4079 |
+
I'm even happy.
|
| 4080 |
+
|
| 4081 |
+
942
|
| 4082 |
+
01:09:44,542 --> 01:09:45,542
|
| 4083 |
+
Thanks to you.
|
| 4084 |
+
|
| 4085 |
+
943
|
| 4086 |
+
01:09:48,584 --> 01:09:51,084
|
| 4087 |
+
I know.
|
| 4088 |
+
You're devoted to your cause.
|
| 4089 |
+
|
| 4090 |
+
944
|
| 4091 |
+
01:09:51,667 --> 01:09:54,084
|
| 4092 |
+
No woman should stand in your way.
|
| 4093 |
+
|
| 4094 |
+
945
|
| 4095 |
+
01:09:54,917 --> 01:09:56,376
|
| 4096 |
+
Hush.
|
| 4097 |
+
|
| 4098 |
+
946
|
| 4099 |
+
01:09:56,542 --> 01:09:59,292
|
| 4100 |
+
You must go back to the civil war.
|
| 4101 |
+
|
| 4102 |
+
947
|
| 4103 |
+
01:09:59,459 --> 01:10:01,626
|
| 4104 |
+
It fills me with sorrow, but
|
| 4105 |
+
|
| 4106 |
+
948
|
| 4107 |
+
01:10:01,792 --> 01:10:05,042
|
| 4108 |
+
I'm already so lucky
|
| 4109 |
+
to have these moments, just for us.
|
| 4110 |
+
|
| 4111 |
+
949
|
| 4112 |
+
01:10:06,376 --> 01:10:07,542
|
| 4113 |
+
And forever.
|
| 4114 |
+
|
| 4115 |
+
950
|
| 4116 |
+
01:10:11,167 --> 01:10:13,792
|
| 4117 |
+
Whatever happens after,
|
| 4118 |
+
|
| 4119 |
+
951
|
| 4120 |
+
01:10:14,542 --> 01:10:17,417
|
| 4121 |
+
your love has changed me.
|
| 4122 |
+
Forever.
|
| 4123 |
+
|
| 4124 |
+
952
|
| 4125 |
+
01:10:21,042 --> 01:10:22,251
|
| 4126 |
+
It's Dimitri.
|
| 4127 |
+
|
| 4128 |
+
953
|
| 4129 |
+
01:10:23,376 --> 01:10:26,876
|
| 4130 |
+
He's my brother, a doctor.
|
| 4131 |
+
I asked him to look at you.
|
| 4132 |
+
|
| 4133 |
+
954
|
| 4134 |
+
01:10:34,251 --> 01:10:36,626
|
| 4135 |
+
He's not my husband,
|
| 4136 |
+
he's my brother.
|
| 4137 |
+
|
| 4138 |
+
955
|
| 4139 |
+
01:10:38,042 --> 01:10:39,459
|
| 4140 |
+
He came here for you.
|
| 4141 |
+
|
| 4142 |
+
956
|
| 4143 |
+
01:10:47,709 --> 01:10:48,709
|
| 4144 |
+
Bring your dog?
|
| 4145 |
+
|
| 4146 |
+
957
|
| 4147 |
+
01:10:48,751 --> 01:10:51,501
|
| 4148 |
+
Let me speak to the naked guy
|
| 4149 |
+
in your guest room.
|
| 4150 |
+
|
| 4151 |
+
958
|
| 4152 |
+
01:10:51,667 --> 01:10:53,376
|
| 4153 |
+
That's Anton Miroslav,
|
| 4154 |
+
|
| 4155 |
+
959
|
| 4156 |
+
01:10:53,501 --> 01:10:55,751
|
| 4157 |
+
Cherkistani rebel leader,
|
| 4158 |
+
in my home.
|
| 4159 |
+
|
| 4160 |
+
960
|
| 4161 |
+
01:10:58,667 --> 01:10:59,876
|
| 4162 |
+
Come out.
|
| 4163 |
+
|
| 4164 |
+
961
|
| 4165 |
+
01:11:00,459 --> 01:11:01,459
|
| 4166 |
+
Out!
|
| 4167 |
+
|
| 4168 |
+
962
|
| 4169 |
+
01:11:07,459 --> 01:11:09,792
|
| 4170 |
+
It's fine, Anton.
|
| 4171 |
+
There is no risk.
|
| 4172 |
+
|
| 4173 |
+
963
|
| 4174 |
+
01:11:10,251 --> 01:11:11,251
|
| 4175 |
+
He's my brother.
|
| 4176 |
+
|
| 4177 |
+
964
|
| 4178 |
+
01:11:13,584 --> 01:11:14,584
|
| 4179 |
+
A kind doctor.
|
| 4180 |
+
|
| 4181 |
+
965
|
| 4182 |
+
01:11:15,084 --> 01:11:16,709
|
| 4183 |
+
Not need doctor.
|
| 4184 |
+
|
| 4185 |
+
966
|
| 4186 |
+
01:11:17,042 --> 01:11:18,167
|
| 4187 |
+
Not need.
|
| 4188 |
+
|
| 4189 |
+
967
|
| 4190 |
+
01:11:20,626 --> 01:11:23,626
|
| 4191 |
+
I feel something
|
| 4192 |
+
powerful between you two.
|
| 4193 |
+
|
| 4194 |
+
968
|
| 4195 |
+
01:11:23,876 --> 01:11:27,876
|
| 4196 |
+
See, Dimitri?
|
| 4197 |
+
Can't deny your roots forever.
|
| 4198 |
+
|
| 4199 |
+
969
|
| 4200 |
+
01:11:28,584 --> 01:11:31,459
|
| 4201 |
+
So you're the famous
|
| 4202 |
+
Cherkistani rebel leader?
|
| 4203 |
+
|
| 4204 |
+
970
|
| 4205 |
+
01:11:34,376 --> 01:11:37,584
|
| 4206 |
+
Anton's teaching me Cherkistani,
|
| 4207 |
+
I'm teaching him French.
|
| 4208 |
+
|
| 4209 |
+
971
|
| 4210 |
+
01:11:37,751 --> 01:11:39,876
|
| 4211 |
+
And he is... very gifted.
|
| 4212 |
+
|
| 4213 |
+
972
|
| 4214 |
+
01:11:40,834 --> 01:11:41,834
|
| 4215 |
+
Dank ya.
|
| 4216 |
+
|
| 4217 |
+
973
|
| 4218 |
+
01:11:43,459 --> 01:11:44,459
|
| 4219 |
+
Oh yeah.
|
| 4220 |
+
|
| 4221 |
+
974
|
| 4222 |
+
01:11:44,751 --> 01:11:46,084
|
| 4223 |
+
He speaks very well.
|
| 4224 |
+
|
| 4225 |
+
975
|
| 4226 |
+
01:11:46,251 --> 01:11:47,542
|
| 4227 |
+
Why hide under the bed?
|
| 4228 |
+
|
| 4229 |
+
976
|
| 4230 |
+
01:11:48,917 --> 01:11:51,417
|
| 4231 |
+
I thought there was police.
|
| 4232 |
+
|
| 4233 |
+
977
|
| 4234 |
+
01:11:51,542 --> 01:11:53,167
|
| 4235 |
+
No, was not police.
|
| 4236 |
+
|
| 4237 |
+
978
|
| 4238 |
+
01:11:53,334 --> 01:11:54,459
|
| 4239 |
+
Was doctor.
|
| 4240 |
+
|
| 4241 |
+
979
|
| 4242 |
+
01:11:55,667 --> 01:11:57,501
|
| 4243 |
+
- Want to examine him?
|
| 4244 |
+
- Oh yes!
|
| 4245 |
+
|
| 4246 |
+
980
|
| 4247 |
+
01:11:57,917 --> 01:12:00,876
|
| 4248 |
+
A thorough examination.
|
| 4249 |
+
He could really use one.
|
| 4250 |
+
|
| 4251 |
+
981
|
| 4252 |
+
01:12:01,417 --> 01:12:04,459
|
| 4253 |
+
I'll take him to the hospital.
|
| 4254 |
+
He needs a brain scan.
|
| 4255 |
+
|
| 4256 |
+
982
|
| 4257 |
+
01:12:04,626 --> 01:12:05,292
|
| 4258 |
+
Think so?
|
| 4259 |
+
|
| 4260 |
+
983
|
| 4261 |
+
01:12:05,459 --> 01:12:07,584
|
| 4262 |
+
Yes. He's much sicker
|
| 4263 |
+
than he looks.
|
| 4264 |
+
|
| 4265 |
+
984
|
| 4266 |
+
01:12:08,292 --> 01:12:11,334
|
| 4267 |
+
Don't worry. My brother
|
| 4268 |
+
will take good care of you.
|
| 4269 |
+
|
| 4270 |
+
985
|
| 4271 |
+
01:12:11,501 --> 01:12:12,501
|
| 4272 |
+
I sure will.
|
| 4273 |
+
|
| 4274 |
+
986
|
| 4275 |
+
01:12:19,834 --> 01:12:21,876
|
| 4276 |
+
Cognac, please. Nothing for him.
|
| 4277 |
+
|
| 4278 |
+
987
|
| 4279 |
+
01:12:22,501 --> 01:12:25,667
|
| 4280 |
+
I was worried!
|
| 4281 |
+
I reported you missing to the cops!
|
| 4282 |
+
|
| 4283 |
+
988
|
| 4284 |
+
01:12:26,042 --> 01:12:28,209
|
| 4285 |
+
I feared the worst, where were you?
|
| 4286 |
+
|
| 4287 |
+
989
|
| 4288 |
+
01:12:28,376 --> 01:12:30,251
|
| 4289 |
+
At my sister's, playing rebel!
|
| 4290 |
+
|
| 4291 |
+
990
|
| 4292 |
+
01:12:30,917 --> 01:12:33,167
|
| 4293 |
+
She's the woman of my dreams.
|
| 4294 |
+
|
| 4295 |
+
991
|
| 4296 |
+
01:12:34,792 --> 01:12:38,251
|
| 4297 |
+
No, she's my brother-in-law's woman.
|
| 4298 |
+
And she'll stay that way!
|
| 4299 |
+
|
| 4300 |
+
992
|
| 4301 |
+
01:12:38,417 --> 01:12:39,876
|
| 4302 |
+
No, she's crazy about me.
|
| 4303 |
+
|
| 4304 |
+
993
|
| 4305 |
+
01:12:40,209 --> 01:12:42,626
|
| 4306 |
+
Not you, moron!
|
| 4307 |
+
She's crazy about Miroslav!
|
| 4308 |
+
|
| 4309 |
+
994
|
| 4310 |
+
01:12:42,792 --> 01:12:45,292
|
| 4311 |
+
Maybe, but with my looks
|
| 4312 |
+
and my sensitivity.
|
| 4313 |
+
|
| 4314 |
+
995
|
| 4315 |
+
01:12:45,459 --> 01:12:46,792
|
| 4316 |
+
I borrowed his story,
|
| 4317 |
+
|
| 4318 |
+
996
|
| 4319 |
+
01:12:47,001 --> 01:12:49,584
|
| 4320 |
+
but love is about who you are,
|
| 4321 |
+
not what you do.
|
| 4322 |
+
|
| 4323 |
+
997
|
| 4324 |
+
01:12:49,751 --> 01:12:51,501
|
| 4325 |
+
- You told me that.
|
| 4326 |
+
- Never.
|
| 4327 |
+
|
| 4328 |
+
998
|
| 4329 |
+
01:12:51,626 --> 01:12:53,709
|
| 4330 |
+
You told me
|
| 4331 |
+
to dress up the ordinary.
|
| 4332 |
+
|
| 4333 |
+
999
|
| 4334 |
+
01:12:53,876 --> 01:12:55,251
|
| 4335 |
+
Not with my goddamn sister!
|
| 4336 |
+
|
| 4337 |
+
1000
|
| 4338 |
+
01:12:57,667 --> 01:12:59,584
|
| 4339 |
+
She mistook me for him.
|
| 4340 |
+
|
| 4341 |
+
1001
|
| 4342 |
+
01:13:00,584 --> 01:13:02,667
|
| 4343 |
+
If you had seen her eyes.
|
| 4344 |
+
|
| 4345 |
+
1002
|
| 4346 |
+
01:13:02,834 --> 01:13:05,084
|
| 4347 |
+
No woman ever
|
| 4348 |
+
looked at me like that.
|
| 4349 |
+
|
| 4350 |
+
1003
|
| 4351 |
+
01:13:05,334 --> 01:13:08,417
|
| 4352 |
+
The most beautiful night of love
|
| 4353 |
+
I've ever known.
|
| 4354 |
+
|
| 4355 |
+
1004
|
| 4356 |
+
01:13:10,001 --> 01:13:12,501
|
| 4357 |
+
No...
|
| 4358 |
+
You didn't sleep with my sister.
|
| 4359 |
+
|
| 4360 |
+
1005
|
| 4361 |
+
01:13:12,667 --> 01:13:14,709
|
| 4362 |
+
And without a condom.
|
| 4363 |
+
|
| 4364 |
+
1006
|
| 4365 |
+
01:13:15,209 --> 01:13:17,626
|
| 4366 |
+
Imagine me, without a condom!
|
| 4367 |
+
I'm cured.
|
| 4368 |
+
|
| 4369 |
+
1007
|
| 4370 |
+
01:13:25,417 --> 01:13:28,167
|
| 4371 |
+
Romain, after all I did for you.
|
| 4372 |
+
|
| 4373 |
+
1008
|
| 4374 |
+
01:13:28,792 --> 01:13:29,792
|
| 4375 |
+
I'm sorry.
|
| 4376 |
+
|
| 4377 |
+
1009
|
| 4378 |
+
01:13:30,209 --> 01:13:32,001
|
| 4379 |
+
I'll go confess and apologize.
|
| 4380 |
+
|
| 4381 |
+
1010
|
| 4382 |
+
01:13:32,167 --> 01:13:34,459
|
| 4383 |
+
No way. She can't know
|
| 4384 |
+
you're my patient.
|
| 4385 |
+
|
| 4386 |
+
1011
|
| 4387 |
+
01:13:35,584 --> 01:13:37,709
|
| 4388 |
+
Go say farewell
|
| 4389 |
+
with your stupid accent
|
| 4390 |
+
|
| 4391 |
+
1012
|
| 4392 |
+
01:13:37,876 --> 01:13:39,417
|
| 4393 |
+
and call it quits.
|
| 4394 |
+
|
| 4395 |
+
1013
|
| 4396 |
+
01:13:39,751 --> 01:13:42,001
|
| 4397 |
+
She did so much.
|
| 4398 |
+
I owe her the truth.
|
| 4399 |
+
|
| 4400 |
+
1014
|
| 4401 |
+
01:13:42,209 --> 01:13:44,167
|
| 4402 |
+
I can't lie to her anymore.
|
| 4403 |
+
|
| 4404 |
+
1015
|
| 4405 |
+
01:13:46,501 --> 01:13:47,876
|
| 4406 |
+
I'm going to hit you.
|
| 4407 |
+
|
| 4408 |
+
1016
|
| 4409 |
+
01:13:49,209 --> 01:13:50,542
|
| 4410 |
+
I'm going to hit you.
|
| 4411 |
+
|
| 4412 |
+
1017
|
| 4413 |
+
01:13:51,001 --> 01:13:53,667
|
| 4414 |
+
No, you're my doctor.
|
| 4415 |
+
The Hippocratic oath!
|
| 4416 |
+
|
| 4417 |
+
1018
|
| 4418 |
+
01:13:54,501 --> 01:13:55,501
|
| 4419 |
+
Right.
|
| 4420 |
+
|
| 4421 |
+
1019
|
| 4422 |
+
01:13:56,042 --> 01:13:58,292
|
| 4423 |
+
Some ice in a dish towel, please.
|
| 4424 |
+
|
| 4425 |
+
1020
|
| 4426 |
+
01:14:00,917 --> 01:14:03,126
|
| 4427 |
+
Don't worry, it's all right!
|
| 4428 |
+
I'm a doctor.
|
| 4429 |
+
|
| 4430 |
+
1021
|
| 4431 |
+
01:14:05,626 --> 01:14:07,376
|
| 4432 |
+
He's my patient. I got it.
|
| 4433 |
+
|
| 4434 |
+
1022
|
| 4435 |
+
01:14:07,834 --> 01:14:08,834
|
| 4436 |
+
How much?
|
| 4437 |
+
|
| 4438 |
+
1023
|
| 4439 |
+
01:14:21,084 --> 01:14:22,376
|
| 4440 |
+
That's him! Go get him!
|
| 4441 |
+
|
| 4442 |
+
1024
|
| 4443 |
+
01:14:22,501 --> 01:14:25,584
|
| 4444 |
+
Calm down, Mr. Lempereur.
|
| 4445 |
+
You'll give us away.
|
| 4446 |
+
|
| 4447 |
+
1025
|
| 4448 |
+
01:14:25,751 --> 01:14:29,084
|
| 4449 |
+
- He's a highly trained soldier.
|
| 4450 |
+
- Visual on the target.
|
| 4451 |
+
|
| 4452 |
+
1026
|
| 4453 |
+
01:14:29,834 --> 01:14:31,542
|
| 4454 |
+
Doesn't seem highly trained.
|
| 4455 |
+
|
| 4456 |
+
1027
|
| 4457 |
+
01:14:33,667 --> 01:14:35,376
|
| 4458 |
+
Maybe he already made us.
|
| 4459 |
+
|
| 4460 |
+
1028
|
| 4461 |
+
01:14:35,501 --> 01:14:38,501
|
| 4462 |
+
Arrest him already.
|
| 4463 |
+
He might hurt my wife.
|
| 4464 |
+
|
| 4465 |
+
1029
|
| 4466 |
+
01:14:41,084 --> 01:14:43,209
|
| 4467 |
+
My God! He's raping her!
|
| 4468 |
+
|
| 4469 |
+
1030
|
| 4470 |
+
01:14:43,542 --> 01:14:44,626
|
| 4471 |
+
Go! This is rape!
|
| 4472 |
+
|
| 4473 |
+
1031
|
| 4474 |
+
01:14:46,667 --> 01:14:48,626
|
| 4475 |
+
Your wife's not resisting much.
|
| 4476 |
+
|
| 4477 |
+
1032
|
| 4478 |
+
01:14:48,876 --> 01:14:50,626
|
| 4479 |
+
Sure she's being held captive?
|
| 4480 |
+
|
| 4481 |
+
1033
|
| 4482 |
+
01:14:51,001 --> 01:14:52,667
|
| 4483 |
+
Stockholm syndrome.
|
| 4484 |
+
|
| 4485 |
+
1034
|
| 4486 |
+
01:14:52,834 --> 01:14:54,292
|
| 4487 |
+
Big ♪, Stockholm syndrome?
|
| 4488 |
+
|
| 4489 |
+
1035
|
| 4490 |
+
01:14:54,501 --> 01:14:55,709
|
| 4491 |
+
In 48 hrs? Negative.
|
| 4492 |
+
|
| 4493 |
+
1036
|
| 4494 |
+
01:14:56,376 --> 01:14:57,917
|
| 4495 |
+
Adultery syndrome.
|
| 4496 |
+
|
| 4497 |
+
1037
|
| 4498 |
+
01:15:01,876 --> 01:15:03,292
|
| 4499 |
+
What happened? Tell me.
|
| 4500 |
+
|
| 4501 |
+
1038
|
| 4502 |
+
01:15:03,501 --> 01:15:05,709
|
| 4503 |
+
Why did Dimitri leave you?
|
| 4504 |
+
You're wounded.
|
| 4505 |
+
|
| 4506 |
+
1039
|
| 4507 |
+
01:15:06,001 --> 01:15:08,751
|
| 4508 |
+
I must speak you. Say farewell.
|
| 4509 |
+
|
| 4510 |
+
1040
|
| 4511 |
+
01:15:08,917 --> 01:15:11,042
|
| 4512 |
+
Too risky now. I leave forever.
|
| 4513 |
+
|
| 4514 |
+
1041
|
| 4515 |
+
01:15:11,501 --> 01:15:12,917
|
| 4516 |
+
I'll miss you so much.
|
| 4517 |
+
|
| 4518 |
+
1042
|
| 4519 |
+
01:15:14,501 --> 01:15:16,501
|
| 4520 |
+
- Farewell.
|
| 4521 |
+
- Love me one last time.
|
| 4522 |
+
|
| 4523 |
+
1043
|
| 4524 |
+
01:15:17,834 --> 01:15:19,084
|
| 4525 |
+
All right.
|
| 4526 |
+
|
| 4527 |
+
1044
|
| 4528 |
+
01:15:19,459 --> 01:15:20,459
|
| 4529 |
+
Police!
|
| 4530 |
+
|
| 4531 |
+
1045
|
| 4532 |
+
01:15:21,709 --> 01:15:23,501
|
| 4533 |
+
Hands! Show me your hands!
|
| 4534 |
+
|
| 4535 |
+
1046
|
| 4536 |
+
01:15:23,626 --> 01:15:24,459
|
| 4537 |
+
Don't shoot.
|
| 4538 |
+
|
| 4539 |
+
1047
|
| 4540 |
+
01:15:24,626 --> 01:15:26,251
|
| 4541 |
+
Run, Anton!
|
| 4542 |
+
|
| 4543 |
+
1048
|
| 4544 |
+
01:15:29,584 --> 01:15:30,667
|
| 4545 |
+
Not on the carpet!
|
| 4546 |
+
|
| 4547 |
+
1049
|
| 4548 |
+
01:15:32,501 --> 01:15:34,501
|
| 4549 |
+
Let him go! He's a hero!
|
| 4550 |
+
Let me go!
|
| 4551 |
+
|
| 4552 |
+
1050
|
| 4553 |
+
01:15:34,709 --> 01:15:35,709
|
| 4554 |
+
Go! Now!
|
| 4555 |
+
|
| 4556 |
+
1051
|
| 4557 |
+
01:15:36,917 --> 01:15:38,376
|
| 4558 |
+
Anton, I love you!
|
| 4559 |
+
|
| 4560 |
+
1052
|
| 4561 |
+
01:15:38,501 --> 01:15:40,001
|
| 4562 |
+
I love you, Anna!
|
| 4563 |
+
|
| 4564 |
+
1053
|
| 4565 |
+
01:15:41,917 --> 01:15:44,542
|
| 4566 |
+
- I'll get you out.
|
| 4567 |
+
- Don't bother, my love.
|
| 4568 |
+
|
| 4569 |
+
1054
|
| 4570 |
+
01:15:44,751 --> 01:15:47,876
|
| 4571 |
+
You can't be extradited.
|
| 4572 |
+
You face death in Cherkistan.
|
| 4573 |
+
|
| 4574 |
+
1055
|
| 4575 |
+
01:15:56,042 --> 01:15:58,292
|
| 4576 |
+
Administrative Detention Center.
|
| 4577 |
+
|
| 4578 |
+
1056
|
| 4579 |
+
01:16:00,542 --> 01:16:03,667
|
| 4580 |
+
You're not the first foreigner
|
| 4581 |
+
who's fluent in French.
|
| 4582 |
+
|
| 4583 |
+
1057
|
| 4584 |
+
01:16:05,584 --> 01:16:08,376
|
| 4585 |
+
Do I look like a revolutionary?
|
| 4586 |
+
Jesus!
|
| 4587 |
+
|
| 4588 |
+
1058
|
| 4589 |
+
01:16:08,501 --> 01:16:11,709
|
| 4590 |
+
I'm not Anton Miroslav.
|
| 4591 |
+
I'm Romain Faubert.
|
| 4592 |
+
|
| 4593 |
+
1059
|
| 4594 |
+
01:16:15,417 --> 01:16:17,876
|
| 4595 |
+
Romain Faubert, Anton Miroslav,
|
| 4596 |
+
|
| 4597 |
+
1060
|
| 4598 |
+
01:16:18,167 --> 01:16:20,459
|
| 4599 |
+
or Jean Val jean? Pick one!
|
| 4600 |
+
|
| 4601 |
+
1061
|
| 4602 |
+
01:16:20,584 --> 01:16:21,917
|
| 4603 |
+
That's nonsense.
|
| 4604 |
+
|
| 4605 |
+
1062
|
| 4606 |
+
01:16:23,126 --> 01:16:26,459
|
| 4607 |
+
I swear, I was born July 17, 1973
|
| 4608 |
+
in the Paris suburbs.
|
| 4609 |
+
|
| 4610 |
+
1063
|
| 4611 |
+
01:16:26,584 --> 01:16:27,626
|
| 4612 |
+
I was born French.
|
| 4613 |
+
|
| 4614 |
+
1064
|
| 4615 |
+
01:16:27,792 --> 01:16:29,834
|
| 4616 |
+
- Prove it!
|
| 4617 |
+
- I lost my ID.
|
| 4618 |
+
|
| 4619 |
+
1065
|
| 4620 |
+
01:16:30,417 --> 01:16:31,709
|
| 4621 |
+
- Sure.
|
| 4622 |
+
- I didn't lose it.
|
| 4623 |
+
|
| 4624 |
+
1066
|
| 4625 |
+
01:16:32,084 --> 01:16:34,709
|
| 4626 |
+
The real Anton Miroslav
|
| 4627 |
+
took my ID.
|
| 4628 |
+
|
| 4629 |
+
1067
|
| 4630 |
+
01:16:35,126 --> 01:16:36,626
|
| 4631 |
+
And Jean Val jean?
|
| 4632 |
+
|
| 4633 |
+
1068
|
| 4634 |
+
01:16:37,584 --> 01:16:38,584
|
| 4635 |
+
Where is he?
|
| 4636 |
+
|
| 4637 |
+
1069
|
| 4638 |
+
01:16:40,126 --> 01:16:41,876
|
| 4639 |
+
Jean Val jean is no one.
|
| 4640 |
+
|
| 4641 |
+
1070
|
| 4642 |
+
01:16:42,084 --> 01:16:43,417
|
| 4643 |
+
He's Victor Hugo.
|
| 4644 |
+
|
| 4645 |
+
1071
|
| 4646 |
+
01:16:43,792 --> 01:16:45,376
|
| 4647 |
+
How many of you are there?
|
| 4648 |
+
|
| 4649 |
+
1072
|
| 4650 |
+
01:16:47,834 --> 01:16:49,376
|
| 4651 |
+
Who is this Victor Hugo?
|
| 4652 |
+
|
| 4653 |
+
1073
|
| 4654 |
+
01:16:51,751 --> 01:16:53,084
|
| 4655 |
+
He's the author.
|
| 4656 |
+
|
| 4657 |
+
1074
|
| 4658 |
+
01:16:53,251 --> 01:16:54,459
|
| 4659 |
+
Of the forged ID's.
|
| 4660 |
+
|
| 4661 |
+
1075
|
| 4662 |
+
01:16:58,001 --> 01:16:59,001
|
| 4663 |
+
It's simple.
|
| 4664 |
+
|
| 4665 |
+
1076
|
| 4666 |
+
01:16:59,209 --> 01:17:01,209
|
| 4667 |
+
I posed as Miroslav,
|
| 4668 |
+
|
| 4669 |
+
1077
|
| 4670 |
+
01:17:01,376 --> 01:17:04,251
|
| 4671 |
+
he posed as me.
|
| 4672 |
+
You arrested me instead of him.
|
| 4673 |
+
|
| 4674 |
+
1078
|
| 4675 |
+
01:17:04,417 --> 01:17:06,584
|
| 4676 |
+
He posed as me to enter France.
|
| 4677 |
+
|
| 4678 |
+
1079
|
| 4679 |
+
01:17:06,751 --> 01:17:09,334
|
| 4680 |
+
I for him,
|
| 4681 |
+
and Jean Val jean by Victor Hugo,
|
| 4682 |
+
|
| 4683 |
+
1080
|
| 4684 |
+
01:17:09,501 --> 01:17:11,667
|
| 4685 |
+
for Anna Zvenka,
|
| 4686 |
+
who's crazy about him.
|
| 4687 |
+
|
| 4688 |
+
1081
|
| 4689 |
+
01:17:11,834 --> 01:17:14,001
|
| 4690 |
+
Meaning me, because to her I'm him.
|
| 4691 |
+
|
| 4692 |
+
1082
|
| 4693 |
+
01:17:14,167 --> 01:17:18,167
|
| 4694 |
+
He doesn't care about her or me.
|
| 4695 |
+
I care about her, not him. Anyway.
|
| 4696 |
+
|
| 4697 |
+
1083
|
| 4698 |
+
01:17:18,334 --> 01:17:20,501
|
| 4699 |
+
It's her brother's fault,
|
| 4700 |
+
he took me to Calais.
|
| 4701 |
+
|
| 4702 |
+
1084
|
| 4703 |
+
01:17:20,667 --> 01:17:23,042
|
| 4704 |
+
He'll tell you
|
| 4705 |
+
I'm me and not him
|
| 4706 |
+
|
| 4707 |
+
1085
|
| 4708 |
+
01:17:23,209 --> 01:17:26,334
|
| 4709 |
+
because he's not just her brother
|
| 4710 |
+
but also my doctor.
|
| 4711 |
+
|
| 4712 |
+
1086
|
| 4713 |
+
01:17:30,167 --> 01:17:33,292
|
| 4714 |
+
You seem confused.
|
| 4715 |
+
I feel like I lost you.
|
| 4716 |
+
|
| 4717 |
+
1087
|
| 4718 |
+
01:17:33,834 --> 01:17:35,042
|
| 4719 |
+
It worries me.
|
| 4720 |
+
|
| 4721 |
+
1088
|
| 4722 |
+
01:17:40,334 --> 01:17:43,167
|
| 4723 |
+
Hello, yeah.
|
| 4724 |
+
Got her statement? Show her in.
|
| 4725 |
+
|
| 4726 |
+
1089
|
| 4727 |
+
01:17:43,667 --> 01:17:45,084
|
| 4728 |
+
- Who?
|
| 4729 |
+
- Your accomplice.
|
| 4730 |
+
|
| 4731 |
+
1090
|
| 4732 |
+
01:17:48,542 --> 01:17:51,667
|
| 4733 |
+
This is wrong. He's a hero,
|
| 4734 |
+
who's saving my homeland.
|
| 4735 |
+
|
| 4736 |
+
1091
|
| 4737 |
+
01:17:51,834 --> 01:17:53,376
|
| 4738 |
+
Free Cherkistan!
|
| 4739 |
+
|
| 4740 |
+
1092
|
| 4741 |
+
01:17:54,001 --> 01:17:55,501
|
| 4742 |
+
Forgive me, it's my fault.
|
| 4743 |
+
|
| 4744 |
+
1093
|
| 4745 |
+
01:17:55,751 --> 01:17:57,042
|
| 4746 |
+
No, it's mine.
|
| 4747 |
+
|
| 4748 |
+
1094
|
| 4749 |
+
01:17:57,334 --> 01:17:58,459
|
| 4750 |
+
Anna,
|
| 4751 |
+
|
| 4752 |
+
1095
|
| 4753 |
+
01:17:58,584 --> 01:17:59,334
|
| 4754 |
+
forgive me.
|
| 4755 |
+
|
| 4756 |
+
1096
|
| 4757 |
+
01:17:59,501 --> 01:18:01,167
|
| 4758 |
+
Can you forgive me one day?
|
| 4759 |
+
|
| 4760 |
+
1097
|
| 4761 |
+
01:18:01,917 --> 01:18:03,417
|
| 4762 |
+
Your French is so good.
|
| 4763 |
+
|
| 4764 |
+
1098
|
| 4765 |
+
01:18:04,459 --> 01:18:06,167
|
| 4766 |
+
Yes, I'm not Anton Miroslav.
|
| 4767 |
+
|
| 4768 |
+
1099
|
| 4769 |
+
01:18:06,542 --> 01:18:07,792
|
| 4770 |
+
He's at my home.
|
| 4771 |
+
|
| 4772 |
+
1100
|
| 4773 |
+
01:18:08,001 --> 01:18:10,751
|
| 4774 |
+
I'm your brother's patient,
|
| 4775 |
+
and his friend.
|
| 4776 |
+
|
| 4777 |
+
1101
|
| 4778 |
+
01:18:10,917 --> 01:18:12,626
|
| 4779 |
+
My name is Romain Faubert.
|
| 4780 |
+
|
| 4781 |
+
1102
|
| 4782 |
+
01:18:12,792 --> 01:18:15,876
|
| 4783 |
+
I'm a photographer,
|
| 4784 |
+
for an online medical dictionary.
|
| 4785 |
+
|
| 4786 |
+
1103
|
| 4787 |
+
01:18:16,084 --> 01:18:17,751
|
| 4788 |
+
Doctoweb. Heard of it?
|
| 4789 |
+
|
| 4790 |
+
1104
|
| 4791 |
+
01:18:18,709 --> 01:18:20,376
|
| 4792 |
+
I couldn't tell you.
|
| 4793 |
+
|
| 4794 |
+
1105
|
| 4795 |
+
01:18:20,501 --> 01:18:23,917
|
| 4796 |
+
I loved you at first sight.
|
| 4797 |
+
I was speechless.
|
| 4798 |
+
|
| 4799 |
+
1106
|
| 4800 |
+
01:18:24,542 --> 01:18:27,042
|
| 4801 |
+
I was so afraid
|
| 4802 |
+
you wouldn't love me.
|
| 4803 |
+
|
| 4804 |
+
1107
|
| 4805 |
+
01:18:28,501 --> 01:18:29,876
|
| 4806 |
+
But you did love me.
|
| 4807 |
+
|
| 4808 |
+
1108
|
| 4809 |
+
01:18:30,292 --> 01:18:32,917
|
| 4810 |
+
For what I am.
|
| 4811 |
+
Right, Anna? Just me.
|
| 4812 |
+
|
| 4813 |
+
1109
|
| 4814 |
+
01:18:34,084 --> 01:18:35,542
|
| 4815 |
+
Oh, don't cry.
|
| 4816 |
+
|
| 4817 |
+
1110
|
| 4818 |
+
01:18:36,167 --> 01:18:38,459
|
| 4819 |
+
I feel so stupid for lying.
|
| 4820 |
+
|
| 4821 |
+
1111
|
| 4822 |
+
01:18:38,584 --> 01:18:39,876
|
| 4823 |
+
I hate myself for it.
|
| 4824 |
+
|
| 4825 |
+
1112
|
| 4826 |
+
01:18:40,542 --> 01:18:41,626
|
| 4827 |
+
Anna, you know,
|
| 4828 |
+
|
| 4829 |
+
1113
|
| 4830 |
+
01:18:41,792 --> 01:18:44,792
|
| 4831 |
+
even great balloons are burst
|
| 4832 |
+
with one little prick.
|
| 4833 |
+
|
| 4834 |
+
1114
|
| 4835 |
+
01:18:45,001 --> 01:18:46,251
|
| 4836 |
+
Ma'am.
|
| 4837 |
+
|
| 4838 |
+
1115
|
| 4839 |
+
01:18:47,459 --> 01:18:49,459
|
| 4840 |
+
Ma'am, who is this man?
|
| 4841 |
+
|
| 4842 |
+
1116
|
| 4843 |
+
01:18:49,834 --> 01:18:52,667
|
| 4844 |
+
Miroslav, Faubert,
|
| 4845 |
+
Victor Val jean or Jean Hugo?
|
| 4846 |
+
|
| 4847 |
+
1117
|
| 4848 |
+
01:18:54,334 --> 01:18:55,334
|
| 4849 |
+
Anton Miroslav.
|
| 4850 |
+
|
| 4851 |
+
1118
|
| 4852 |
+
01:18:55,792 --> 01:18:57,751
|
| 4853 |
+
There. Put him on ice.
|
| 4854 |
+
|
| 4855 |
+
1119
|
| 4856 |
+
01:18:57,917 --> 01:19:00,459
|
| 4857 |
+
Maximum security
|
| 4858 |
+
until he's deported.
|
| 4859 |
+
|
| 4860 |
+
1120
|
| 4861 |
+
01:19:01,459 --> 01:19:02,459
|
| 4862 |
+
No, wait!
|
| 4863 |
+
|
| 4864 |
+
1121
|
| 4865 |
+
01:19:02,584 --> 01:19:04,751
|
| 4866 |
+
Let me go!
|
| 4867 |
+
I'm not Anton Miroslav!
|
| 4868 |
+
|
| 4869 |
+
1122
|
| 4870 |
+
01:19:07,667 --> 01:19:10,126
|
| 4871 |
+
You're free, but don't leave France
|
| 4872 |
+
|
| 4873 |
+
1123
|
| 4874 |
+
01:19:10,292 --> 01:19:12,167
|
| 4875 |
+
pending investigation
|
| 4876 |
+
|
| 4877 |
+
1124
|
| 4878 |
+
01:19:12,334 --> 01:19:16,001
|
| 4879 |
+
of aiding an illegal immigrant
|
| 4880 |
+
to enter the country.
|
| 4881 |
+
|
| 4882 |
+
1125
|
| 4883 |
+
01:19:47,209 --> 01:19:48,334
|
| 4884 |
+
Anton?
|
| 4885 |
+
|
| 4886 |
+
1126
|
| 4887 |
+
01:19:57,167 --> 01:20:00,251
|
| 4888 |
+
Great. The scar is healing.
|
| 4889 |
+
Perfect.
|
| 4890 |
+
|
| 4891 |
+
1127
|
| 4892 |
+
01:20:00,667 --> 01:20:02,584
|
| 4893 |
+
Keep taking the antibiotics.
|
| 4894 |
+
|
| 4895 |
+
1128
|
| 4896 |
+
01:20:12,667 --> 01:20:15,001
|
| 4897 |
+
Seeing the real one,
|
| 4898 |
+
I feel so stupid.
|
| 4899 |
+
|
| 4900 |
+
1129
|
| 4901 |
+
01:20:15,167 --> 01:20:17,251
|
| 4902 |
+
How could I have been so naive?
|
| 4903 |
+
|
| 4904 |
+
1130
|
| 4905 |
+
01:20:17,542 --> 01:20:19,667
|
| 4906 |
+
- Where's Guillaume?
|
| 4907 |
+
- His mother's.
|
| 4908 |
+
|
| 4909 |
+
1131
|
| 4910 |
+
01:20:19,834 --> 01:20:20,667
|
| 4911 |
+
Sorry.
|
| 4912 |
+
|
| 4913 |
+
1132
|
| 4914 |
+
01:20:20,834 --> 01:20:24,626
|
| 4915 |
+
For what? All we did was argue.
|
| 4916 |
+
Now things are clear.
|
| 4917 |
+
|
| 4918 |
+
1133
|
| 4919 |
+
01:20:25,084 --> 01:20:27,584
|
| 4920 |
+
The false Miroslav was your patient?
|
| 4921 |
+
|
| 4922 |
+
1134
|
| 4923 |
+
01:20:27,751 --> 01:20:29,376
|
| 4924 |
+
Why didn't you tell me?
|
| 4925 |
+
|
| 4926 |
+
1135
|
| 4927 |
+
01:20:30,626 --> 01:20:33,126
|
| 4928 |
+
Under the bed,
|
| 4929 |
+
I didn't recognize him.
|
| 4930 |
+
|
| 4931 |
+
1136
|
| 4932 |
+
01:20:33,292 --> 01:20:34,584
|
| 4933 |
+
Your own patient?
|
| 4934 |
+
|
| 4935 |
+
1137
|
| 4936 |
+
01:20:34,751 --> 01:20:38,251
|
| 4937 |
+
So many hypochondriacs!
|
| 4938 |
+
I can't distinguish them all!
|
| 4939 |
+
|
| 4940 |
+
1138
|
| 4941 |
+
01:20:38,417 --> 01:20:39,417
|
| 4942 |
+
Hypochondriac?
|
| 4943 |
+
|
| 4944 |
+
1139
|
| 4945 |
+
01:20:39,501 --> 01:20:41,042
|
| 4946 |
+
Like you didn't notice?
|
| 4947 |
+
|
| 4948 |
+
1140
|
| 4949 |
+
01:20:41,209 --> 01:20:43,459
|
| 4950 |
+
Liar, impostor, crook,
|
| 4951 |
+
|
| 4952 |
+
1141
|
| 4953 |
+
01:20:43,584 --> 01:20:46,251
|
| 4954 |
+
freeloader, sure.
|
| 4955 |
+
Not hypochondriac.
|
| 4956 |
+
|
| 4957 |
+
1142
|
| 4958 |
+
01:20:46,542 --> 01:20:47,626
|
| 4959 |
+
He did make me...
|
| 4960 |
+
|
| 4961 |
+
1143
|
| 4962 |
+
01:20:47,792 --> 01:20:50,626
|
| 4963 |
+
No! No details.
|
| 4964 |
+
Please, I don't want to know.
|
| 4965 |
+
|
| 4966 |
+
1144
|
| 4967 |
+
01:20:51,542 --> 01:20:52,626
|
| 4968 |
+
No images!
|
| 4969 |
+
|
| 4970 |
+
1145
|
| 4971 |
+
01:20:53,501 --> 01:20:54,501
|
| 4972 |
+
No images!
|
| 4973 |
+
|
| 4974 |
+
1146
|
| 4975 |
+
01:20:55,751 --> 01:20:59,459
|
| 4976 |
+
I'll call and have him released.
|
| 4977 |
+
Then he'll be gone forever.
|
| 4978 |
+
|
| 4979 |
+
1147
|
| 4980 |
+
01:20:59,584 --> 01:21:02,292
|
| 4981 |
+
Wait a while.
|
| 4982 |
+
They won't look for the real one.
|
| 4983 |
+
|
| 4984 |
+
1148
|
| 4985 |
+
01:21:02,459 --> 01:21:05,126
|
| 4986 |
+
I'm glad he's locked up
|
| 4987 |
+
after what he put me through.
|
| 4988 |
+
|
| 4989 |
+
1149
|
| 4990 |
+
01:21:05,292 --> 01:21:06,459
|
| 4991 |
+
- Romain Faubert!
|
| 4992 |
+
- Me, too.
|
| 4993 |
+
|
| 4994 |
+
1150
|
| 4995 |
+
01:21:06,584 --> 01:21:08,417
|
| 4996 |
+
Romain Faubert?
|
| 4997 |
+
|
| 4998 |
+
1151
|
| 4999 |
+
01:21:12,709 --> 01:21:14,417
|
| 5000 |
+
Miroslav, visitor.
|
| 5001 |
+
|
| 5002 |
+
1152
|
| 5003 |
+
01:21:17,167 --> 01:21:18,626
|
| 5004 |
+
No, I'm Romain Faubert.
|
| 5005 |
+
|
| 5006 |
+
1153
|
| 5007 |
+
01:21:18,792 --> 01:21:20,459
|
| 5008 |
+
Get over here!
|
| 5009 |
+
|
| 5010 |
+
1154
|
| 5011 |
+
01:21:21,459 --> 01:21:23,751
|
| 5012 |
+
This cell is very unsanitary.
|
| 5013 |
+
|
| 5014 |
+
1155
|
| 5015 |
+
01:21:23,917 --> 01:21:24,917
|
| 5016 |
+
Have it cleaned.
|
| 5017 |
+
|
| 5018 |
+
1156
|
| 5019 |
+
01:21:25,042 --> 01:21:26,417
|
| 5020 |
+
Then I'll shine your shoes!
|
| 5021 |
+
|
| 5022 |
+
1157
|
| 5023 |
+
01:21:26,542 --> 01:21:28,417
|
| 5024 |
+
No, thanks. Just the cell.
|
| 5025 |
+
|
| 5026 |
+
1158
|
| 5027 |
+
01:21:39,001 --> 01:21:40,417
|
| 5028 |
+
I'm your lawyer.
|
| 5029 |
+
|
| 5030 |
+
1159
|
| 5031 |
+
01:21:41,542 --> 01:21:43,459
|
| 5032 |
+
Any hand sanitizer, counselor?
|
| 5033 |
+
|
| 5034 |
+
1160
|
| 5035 |
+
01:21:43,834 --> 01:21:45,042
|
| 5036 |
+
I think I...
|
| 5037 |
+
|
| 5038 |
+
1161
|
| 5039 |
+
01:21:51,751 --> 01:21:53,126
|
| 5040 |
+
That how you say it?
|
| 5041 |
+
|
| 5042 |
+
1162
|
| 5043 |
+
01:21:53,709 --> 01:21:54,917
|
| 5044 |
+
I'm not Cherkistani.
|
| 5045 |
+
|
| 5046 |
+
1163
|
| 5047 |
+
01:21:55,126 --> 01:21:56,834
|
| 5048 |
+
- I know.
|
| 5049 |
+
- Who told you?
|
| 5050 |
+
|
| 5051 |
+
1164
|
| 5052 |
+
01:21:57,167 --> 01:21:58,251
|
| 5053 |
+
You all say it.
|
| 5054 |
+
|
| 5055 |
+
1165
|
| 5056 |
+
01:21:58,417 --> 01:22:01,501
|
| 5057 |
+
You all lost your ID,
|
| 5058 |
+
you ate your passport.
|
| 5059 |
+
|
| 5060 |
+
1166
|
| 5061 |
+
01:22:01,667 --> 01:22:03,084
|
| 5062 |
+
You forgot your homeland.
|
| 5063 |
+
|
| 5064 |
+
1167
|
| 5065 |
+
01:22:03,417 --> 01:22:07,209
|
| 5066 |
+
No, I didn't. I was born here.
|
| 5067 |
+
In Issy-les-Moulineaux.
|
| 5068 |
+
|
| 5069 |
+
1168
|
| 5070 |
+
01:22:09,501 --> 01:22:11,209
|
| 5071 |
+
- Where?
|
| 5072 |
+
- Issy-les-Moulineaux.
|
| 5073 |
+
|
| 5074 |
+
1169
|
| 5075 |
+
01:22:11,501 --> 01:22:13,542
|
| 5076 |
+
Yeah, that's original.
|
| 5077 |
+
|
| 5078 |
+
1170
|
| 5079 |
+
01:22:13,709 --> 01:22:16,626
|
| 5080 |
+
France won't extradite you
|
| 5081 |
+
to the Paris suburbs.
|
| 5082 |
+
|
| 5083 |
+
1171
|
| 5084 |
+
01:22:17,667 --> 01:22:18,667
|
| 5085 |
+
Too close.
|
| 5086 |
+
|
| 5087 |
+
1172
|
| 5088 |
+
01:22:20,292 --> 01:22:22,042
|
| 5089 |
+
The suburbs are too close.
|
| 5090 |
+
|
| 5091 |
+
1173
|
| 5092 |
+
01:22:22,501 --> 01:22:23,292
|
| 5093 |
+
Never mind.
|
| 5094 |
+
|
| 5095 |
+
1174
|
| 5096 |
+
01:22:23,459 --> 01:22:26,334
|
| 5097 |
+
This is an enormous mistake.
|
| 5098 |
+
Get me out of here.
|
| 5099 |
+
|
| 5100 |
+
1175
|
| 5101 |
+
01:22:26,501 --> 01:22:27,834
|
| 5102 |
+
You're leaving.
|
| 5103 |
+
|
| 5104 |
+
1176
|
| 5105 |
+
01:22:28,459 --> 01:22:29,042
|
| 5106 |
+
I'm free?
|
| 5107 |
+
|
| 5108 |
+
1177
|
| 5109 |
+
01:22:29,459 --> 01:22:33,334
|
| 5110 |
+
No, but your death sentence
|
| 5111 |
+
has been commuted to life in prison.
|
| 5112 |
+
|
| 5113 |
+
1178
|
| 5114 |
+
01:22:33,501 --> 01:22:35,667
|
| 5115 |
+
- You won't be hanged.
|
| 5116 |
+
- I'm being deported?
|
| 5117 |
+
|
| 5118 |
+
1179
|
| 5119 |
+
01:22:36,876 --> 01:22:38,209
|
| 5120 |
+
It's happening today.
|
| 5121 |
+
|
| 5122 |
+
1180
|
| 5123 |
+
01:22:38,501 --> 01:22:41,667
|
| 5124 |
+
We can argue that once you get there
|
| 5125 |
+
you'll be tortured.
|
| 5126 |
+
|
| 5127 |
+
1181
|
| 5128 |
+
01:22:41,834 --> 01:22:43,209
|
| 5129 |
+
And stop the deportation?
|
| 5130 |
+
|
| 5131 |
+
1182
|
| 5132 |
+
01:22:43,542 --> 01:22:46,209
|
| 5133 |
+
No, but we'll show we didn't agree.
|
| 5134 |
+
|
| 5135 |
+
1183
|
| 5136 |
+
01:22:49,459 --> 01:22:52,292
|
| 5137 |
+
- Any kids in France?
|
| 5138 |
+
- No, no kids.
|
| 5139 |
+
|
| 5140 |
+
1184
|
| 5141 |
+
01:22:52,459 --> 01:22:54,042
|
| 5142 |
+
I made love with no condom.
|
| 5143 |
+
|
| 5144 |
+
1185
|
| 5145 |
+
01:22:54,251 --> 01:22:56,667
|
| 5146 |
+
No. That's not enough, Mr. Miroslav.
|
| 5147 |
+
|
| 5148 |
+
1186
|
| 5149 |
+
01:22:56,876 --> 01:23:00,209
|
| 5150 |
+
Faubert. Listen,
|
| 5151 |
+
contact Dimitri Zvenka.
|
| 5152 |
+
|
| 5153 |
+
1187
|
| 5154 |
+
01:23:00,376 --> 01:23:01,584
|
| 5155 |
+
- Your coyote?
|
| 5156 |
+
- My doctor.
|
| 5157 |
+
|
| 5158 |
+
1188
|
| 5159 |
+
01:23:02,167 --> 01:23:03,501
|
| 5160 |
+
He's known me forever.
|
| 5161 |
+
|
| 5162 |
+
1189
|
| 5163 |
+
01:23:03,751 --> 01:23:06,251
|
| 5164 |
+
He'll testify, they'll let me go.
|
| 5165 |
+
|
| 5166 |
+
1190
|
| 5167 |
+
01:23:06,459 --> 01:23:09,417
|
| 5168 |
+
In detention,
|
| 5169 |
+
you can have no outside contact.
|
| 5170 |
+
|
| 5171 |
+
1191
|
| 5172 |
+
01:23:09,584 --> 01:23:11,667
|
| 5173 |
+
- Even with police?
|
| 5174 |
+
- Why the police?
|
| 5175 |
+
|
| 5176 |
+
1192
|
| 5177 |
+
01:23:11,834 --> 01:23:13,584
|
| 5178 |
+
My doctor reported me missing.
|
| 5179 |
+
|
| 5180 |
+
1193
|
| 5181 |
+
01:23:14,084 --> 01:23:16,542
|
| 5182 |
+
Find the cops
|
| 5183 |
+
with the missing persons file.
|
| 5184 |
+
|
| 5185 |
+
1194
|
| 5186 |
+
01:23:20,501 --> 01:23:23,542
|
| 5187 |
+
Sorry. We must find the cops
|
| 5188 |
+
who are looking for you.
|
| 5189 |
+
|
| 5190 |
+
1195
|
| 5191 |
+
01:23:23,709 --> 01:23:26,709
|
| 5192 |
+
Yeah, look for them
|
| 5193 |
+
so they can find me.
|
| 5194 |
+
|
| 5195 |
+
1196
|
| 5196 |
+
01:23:28,417 --> 01:23:31,459
|
| 5197 |
+
I'm happy to see you.
|
| 5198 |
+
You can't know how happy!
|
| 5199 |
+
|
| 5200 |
+
1197
|
| 5201 |
+
01:23:35,792 --> 01:23:38,834
|
| 5202 |
+
Now, you say you know
|
| 5203 |
+
where Romain Faubert is?
|
| 5204 |
+
|
| 5205 |
+
1198
|
| 5206 |
+
01:23:39,042 --> 01:23:41,459
|
| 5207 |
+
Sure, right here. That's me.
|
| 5208 |
+
|
| 5209 |
+
1199
|
| 5210 |
+
01:23:44,001 --> 01:23:45,834
|
| 5211 |
+
I'm not here to get screwed with.
|
| 5212 |
+
|
| 5213 |
+
1200
|
| 5214 |
+
01:23:46,042 --> 01:23:48,792
|
| 5215 |
+
I'm not screwing with you.
|
| 5216 |
+
I'm Romain Faubert!
|
| 5217 |
+
|
| 5218 |
+
1201
|
| 5219 |
+
01:23:50,209 --> 01:23:50,917
|
| 5220 |
+
Easy!
|
| 5221 |
+
|
| 5222 |
+
1202
|
| 5223 |
+
01:23:51,126 --> 01:23:53,667
|
| 5224 |
+
This guy's used to
|
| 5225 |
+
Eastern European tactics.
|
| 5226 |
+
|
| 5227 |
+
1203
|
| 5228 |
+
01:23:53,834 --> 01:23:55,876
|
| 5229 |
+
What did you do with Faubert?
|
| 5230 |
+
|
| 5231 |
+
1204
|
| 5232 |
+
01:23:58,626 --> 01:24:00,417
|
| 5233 |
+
That's enough, lighten up.
|
| 5234 |
+
|
| 5235 |
+
1205
|
| 5236 |
+
01:24:00,542 --> 01:24:03,667
|
| 5237 |
+
- A man's life is in danger.
|
| 5238 |
+
- My life is in danger.
|
| 5239 |
+
|
| 5240 |
+
1206
|
| 5241 |
+
01:24:03,834 --> 01:24:05,792
|
| 5242 |
+
I don't want to be deported.
|
| 5243 |
+
|
| 5244 |
+
1207
|
| 5245 |
+
01:24:06,001 --> 01:24:08,167
|
| 5246 |
+
Give us Faubert, we'll suspend it.
|
| 5247 |
+
|
| 5248 |
+
1208
|
| 5249 |
+
01:24:08,334 --> 01:24:09,334
|
| 5250 |
+
Where is he?
|
| 5251 |
+
|
| 5252 |
+
1209
|
| 5253 |
+
01:24:10,042 --> 01:24:12,459
|
| 5254 |
+
He's right there, look!
|
| 5255 |
+
The reflection.
|
| 5256 |
+
|
| 5257 |
+
1210
|
| 5258 |
+
01:24:12,584 --> 01:24:13,584
|
| 5259 |
+
That's him!
|
| 5260 |
+
|
| 5261 |
+
1211
|
| 5262 |
+
01:24:13,751 --> 01:24:17,251
|
| 5263 |
+
Romain Faubert, come here!
|
| 5264 |
+
We're all looking for you!
|
| 5265 |
+
|
| 5266 |
+
1212
|
| 5267 |
+
01:24:19,501 --> 01:24:21,792
|
| 5268 |
+
He's a tough one. Very tough.
|
| 5269 |
+
|
| 5270 |
+
1213
|
| 5271 |
+
01:24:22,292 --> 01:24:24,584
|
| 5272 |
+
They're deporting Anton Miroslav
|
| 5273 |
+
|
| 5274 |
+
1214
|
| 5275 |
+
01:24:24,751 --> 01:24:27,042
|
| 5276 |
+
a Cherkistani
|
| 5277 |
+
from the Paris suburbs.
|
| 5278 |
+
|
| 5279 |
+
1215
|
| 5280 |
+
01:24:27,209 --> 01:24:30,709
|
| 5281 |
+
Is it necessary to deport
|
| 5282 |
+
a dangerous criminal?
|
| 5283 |
+
|
| 5284 |
+
1216
|
| 5285 |
+
01:24:30,876 --> 01:24:32,751
|
| 5286 |
+
A terrorist, who loves France
|
| 5287 |
+
|
| 5288 |
+
1217
|
| 5289 |
+
01:24:32,917 --> 01:24:34,542
|
| 5290 |
+
who was assimilating nicely.
|
| 5291 |
+
|
| 5292 |
+
1218
|
| 5293 |
+
01:24:35,417 --> 01:24:36,542
|
| 5294 |
+
Dimitri!
|
| 5295 |
+
|
| 5296 |
+
1219
|
| 5297 |
+
01:24:40,251 --> 01:24:41,459
|
| 5298 |
+
Be right back.
|
| 5299 |
+
|
| 5300 |
+
1220
|
| 5301 |
+
01:24:42,667 --> 01:24:43,751
|
| 5302 |
+
What did you do?!
|
| 5303 |
+
|
| 5304 |
+
1221
|
| 5305 |
+
01:24:43,917 --> 01:24:46,417
|
| 5306 |
+
I called,
|
| 5307 |
+
but he'd already been deported.
|
| 5308 |
+
|
| 5309 |
+
1222
|
| 5310 |
+
01:24:47,167 --> 01:24:49,542
|
| 5311 |
+
Let's just call
|
| 5312 |
+
the French Embassy there.
|
| 5313 |
+
|
| 5314 |
+
1223
|
| 5315 |
+
01:24:50,417 --> 01:24:53,126
|
| 5316 |
+
The Embassy in Drassjna
|
| 5317 |
+
closed in 2003.
|
| 5318 |
+
|
| 5319 |
+
1224
|
| 5320 |
+
01:24:53,292 --> 01:24:56,376
|
| 5321 |
+
France has no ties
|
| 5322 |
+
with the Cherkistani dictatorship.
|
| 5323 |
+
|
| 5324 |
+
1225
|
| 5325 |
+
01:24:56,792 --> 01:24:58,334
|
| 5326 |
+
Shit. What do we do?
|
| 5327 |
+
|
| 5328 |
+
1226
|
| 5329 |
+
01:25:00,126 --> 01:25:01,209
|
| 5330 |
+
- Miroslav.
|
| 5331 |
+
- What?
|
| 5332 |
+
|
| 5333 |
+
1227
|
| 5334 |
+
01:25:02,167 --> 01:25:03,292
|
| 5335 |
+
Faubert
|
| 5336 |
+
|
| 5337 |
+
1228
|
| 5338 |
+
01:25:04,251 --> 01:25:05,334
|
| 5339 |
+
problem.
|
| 5340 |
+
|
| 5341 |
+
1229
|
| 5342 |
+
01:25:06,751 --> 01:25:08,376
|
| 5343 |
+
Oh yes, problem.
|
| 5344 |
+
|
| 5345 |
+
1230
|
| 5346 |
+
01:25:44,209 --> 01:25:45,542
|
| 5347 |
+
Miroslav! Miroslav!
|
| 5348 |
+
|
| 5349 |
+
1231
|
| 5350 |
+
01:26:19,334 --> 01:26:21,042
|
| 5351 |
+
Finally, a smart person.
|
| 5352 |
+
|
| 5353 |
+
1232
|
| 5354 |
+
01:26:27,792 --> 01:26:29,792
|
| 5355 |
+
Brother?
|
| 5356 |
+
No, I'm not his brother!
|
| 5357 |
+
|
| 5358 |
+
1233
|
| 5359 |
+
01:26:34,917 --> 01:26:36,376
|
| 5360 |
+
Romain Faubert.
|
| 5361 |
+
|
| 5362 |
+
1234
|
| 5363 |
+
01:26:37,501 --> 01:26:38,917
|
| 5364 |
+
I'm not Sergei!
|
| 5365 |
+
|
| 5366 |
+
1235
|
| 5367 |
+
01:26:39,126 --> 01:26:42,709
|
| 5368 |
+
Romain Faubert, not Sergei!
|
| 5369 |
+
I don't know him.
|
| 5370 |
+
|
| 5371 |
+
1236
|
| 5372 |
+
01:26:48,042 --> 01:26:49,584
|
| 5373 |
+
Let me go.
|
| 5374 |
+
|
| 5375 |
+
1237
|
| 5376 |
+
01:26:50,292 --> 01:26:52,126
|
| 5377 |
+
I'm a French hypochondriac.
|
| 5378 |
+
|
| 5379 |
+
1238
|
| 5380 |
+
01:26:52,292 --> 01:26:54,001
|
| 5381 |
+
I'm too fragile to be here!
|
| 5382 |
+
|
| 5383 |
+
1239
|
| 5384 |
+
01:26:54,167 --> 01:26:56,459
|
| 5385 |
+
Please! Send me back to Paris.
|
| 5386 |
+
|
| 5387 |
+
1240
|
| 5388 |
+
01:27:01,501 --> 01:27:03,917
|
| 5389 |
+
Lord, God. I understand now.
|
| 5390 |
+
|
| 5391 |
+
1241
|
| 5392 |
+
01:27:04,126 --> 01:27:06,834
|
| 5393 |
+
Stop this nightmare,
|
| 5394 |
+
I'll never lie again.
|
| 5395 |
+
|
| 5396 |
+
1242
|
| 5397 |
+
01:27:59,042 --> 01:28:00,584
|
| 5398 |
+
I'm running a fever.
|
| 5399 |
+
|
| 5400 |
+
1243
|
| 5401 |
+
01:28:02,084 --> 01:28:04,209
|
| 5402 |
+
I'm sick and I have no Google.
|
| 5403 |
+
|
| 5404 |
+
1244
|
| 5405 |
+
01:28:09,251 --> 01:28:10,709
|
| 5406 |
+
There's no wifi?
|
| 5407 |
+
|
| 5408 |
+
1245
|
| 5409 |
+
01:28:18,626 --> 01:28:22,584
|
| 5410 |
+
I have to take my picture
|
| 5411 |
+
for the "Eastern Europe Virus" page.
|
| 5412 |
+
|
| 5413 |
+
1246
|
| 5414 |
+
01:29:00,834 --> 01:29:02,501
|
| 5415 |
+
There's no water!
|
| 5416 |
+
|
| 5417 |
+
1247
|
| 5418 |
+
01:29:21,501 --> 01:29:24,501
|
| 5419 |
+
They'll catch us.
|
| 5420 |
+
They're going to catch us.
|
| 5421 |
+
|
| 5422 |
+
1248
|
| 5423 |
+
01:29:27,626 --> 01:29:28,792
|
| 5424 |
+
You'll give us away.
|
| 5425 |
+
|
| 5426 |
+
1249
|
| 5427 |
+
01:29:29,459 --> 01:29:31,126
|
| 5428 |
+
Why do you get so excited?
|
| 5429 |
+
|
| 5430 |
+
1250
|
| 5431 |
+
01:29:31,292 --> 01:29:34,917
|
| 5432 |
+
You're forbidden to travel.
|
| 5433 |
+
He's their most wanted rebel.
|
| 5434 |
+
|
| 5435 |
+
1251
|
| 5436 |
+
01:29:35,126 --> 01:29:36,376
|
| 5437 |
+
Why?!
|
| 5438 |
+
|
| 5439 |
+
1252
|
| 5440 |
+
01:29:41,292 --> 01:29:43,001
|
| 5441 |
+
What kind of name is that?!
|
| 5442 |
+
|
| 5443 |
+
1253
|
| 5444 |
+
01:29:43,209 --> 01:29:46,001
|
| 5445 |
+
What? It's a very French name.
|
| 5446 |
+
|
| 5447 |
+
1254
|
| 5448 |
+
01:29:54,334 --> 01:29:56,209
|
| 5449 |
+
Cyrano Da Bergerac?
|
| 5450 |
+
|
| 5451 |
+
1255
|
| 5452 |
+
01:30:39,376 --> 01:30:40,376
|
| 5453 |
+
Leave me some.
|
| 5454 |
+
|
| 5455 |
+
1256
|
| 5456 |
+
01:30:58,084 --> 01:31:00,292
|
| 5457 |
+
I can't believe this. I'm a doctor.
|
| 5458 |
+
|
| 5459 |
+
1257
|
| 5460 |
+
01:31:00,459 --> 01:31:01,792
|
| 5461 |
+
With Cherkistani roots!
|
| 5462 |
+
|
| 5463 |
+
1258
|
| 5464 |
+
01:31:02,001 --> 01:31:05,251
|
| 5465 |
+
Not every Cherkistani doctor
|
| 5466 |
+
breaks patients out of jail!
|
| 5467 |
+
|
| 5468 |
+
1259
|
| 5469 |
+
01:31:05,417 --> 01:31:06,792
|
| 5470 |
+
Too late to back out!
|
| 5471 |
+
|
| 5472 |
+
1260
|
| 5473 |
+
01:31:12,501 --> 01:31:14,417
|
| 5474 |
+
Why go? There are 5 of them!
|
| 5475 |
+
|
| 5476 |
+
1261
|
| 5477 |
+
01:31:14,542 --> 01:31:16,376
|
| 5478 |
+
It's our fault he's here!
|
| 5479 |
+
|
| 5480 |
+
1262
|
| 5481 |
+
01:31:16,501 --> 01:31:18,626
|
| 5482 |
+
You mean that's the only reason?
|
| 5483 |
+
|
| 5484 |
+
1263
|
| 5485 |
+
01:31:54,251 --> 01:31:56,251
|
| 5486 |
+
I missed you so much.
|
| 5487 |
+
|
| 5488 |
+
1264
|
| 5489 |
+
01:31:57,501 --> 01:31:58,501
|
| 5490 |
+
He's feverish.
|
| 5491 |
+
|
| 5492 |
+
1265
|
| 5493 |
+
01:31:58,542 --> 01:32:00,209
|
| 5494 |
+
Who cares?
|
| 5495 |
+
|
| 5496 |
+
1266
|
| 5497 |
+
01:32:00,376 --> 01:32:02,876
|
| 5498 |
+
I caught everything,
|
| 5499 |
+
I have no more fear.
|
| 5500 |
+
|
| 5501 |
+
1267
|
| 5502 |
+
01:32:03,084 --> 01:32:04,459
|
| 5503 |
+
Germs are my friends.
|
| 5504 |
+
|
| 5505 |
+
1268
|
| 5506 |
+
01:32:04,792 --> 01:32:06,126
|
| 5507 |
+
He's not well.
|
| 5508 |
+
|
| 5509 |
+
1269
|
| 5510 |
+
01:32:06,292 --> 01:32:08,292
|
| 5511 |
+
Anna, you're here? Big hug!
|
| 5512 |
+
|
| 5513 |
+
1270
|
| 5514 |
+
01:32:09,459 --> 01:32:11,459
|
| 5515 |
+
- Who's he again?
|
| 5516 |
+
- Anton Miroslav.
|
| 5517 |
+
|
| 5518 |
+
1271
|
| 5519 |
+
01:32:11,584 --> 01:32:14,709
|
| 5520 |
+
The real one.
|
| 5521 |
+
He came to replace me. How nice.
|
| 5522 |
+
|
| 5523 |
+
1272
|
| 5524 |
+
01:32:14,876 --> 01:32:16,167
|
| 5525 |
+
Let's go.
|
| 5526 |
+
|
| 5527 |
+
1273
|
| 5528 |
+
01:32:56,084 --> 01:32:57,251
|
| 5529 |
+
Dimitri, run!
|
| 5530 |
+
|
| 5531 |
+
1274
|
| 5532 |
+
01:33:10,209 --> 01:33:11,584
|
| 5533 |
+
Anna, stay there!
|
| 5534 |
+
|
| 5535 |
+
1275
|
| 5536 |
+
01:33:12,251 --> 01:33:13,251
|
| 5537 |
+
Faubert! No!
|
| 5538 |
+
|
| 5539 |
+
1276
|
| 5540 |
+
01:33:38,834 --> 01:33:40,459
|
| 5541 |
+
Dimitri, are you all right?
|
| 5542 |
+
|
| 5543 |
+
1277
|
| 5544 |
+
01:33:53,292 --> 01:33:55,376
|
| 5545 |
+
- They shot me in the back!
|
| 5546 |
+
- It's OK!
|
| 5547 |
+
|
| 5548 |
+
1278
|
| 5549 |
+
01:33:55,501 --> 01:33:57,501
|
| 5550 |
+
- I'll die in Cherkistan!
|
| 5551 |
+
- No!
|
| 5552 |
+
|
| 5553 |
+
1279
|
| 5554 |
+
01:33:57,709 --> 01:33:59,834
|
| 5555 |
+
Dimitri, do something!
|
| 5556 |
+
He saved you!
|
| 5557 |
+
|
| 5558 |
+
1280
|
| 5559 |
+
01:34:00,042 --> 01:34:01,876
|
| 5560 |
+
I'm wounded, too! I can't move.
|
| 5561 |
+
|
| 5562 |
+
1281
|
| 5563 |
+
01:34:06,126 --> 01:34:09,126
|
| 5564 |
+
I'm cold, Anna.
|
| 5565 |
+
I can't feel my legs.
|
| 5566 |
+
|
| 5567 |
+
1282
|
| 5568 |
+
01:34:09,292 --> 01:34:12,126
|
| 5569 |
+
It'll be all right.
|
| 5570 |
+
We'll get you home, and well.
|
| 5571 |
+
|
| 5572 |
+
1283
|
| 5573 |
+
01:34:12,292 --> 01:34:13,292
|
| 5574 |
+
Don't move me!
|
| 5575 |
+
|
| 5576 |
+
1284
|
| 5577 |
+
01:34:37,709 --> 01:34:38,709
|
| 5578 |
+
Listen to me.
|
| 5579 |
+
|
| 5580 |
+
1285
|
| 5581 |
+
01:34:39,292 --> 01:34:42,542
|
| 5582 |
+
I don't want to see my boring life
|
| 5583 |
+
flash before my eyes.
|
| 5584 |
+
|
| 5585 |
+
1286
|
| 5586 |
+
01:34:42,709 --> 01:34:46,667
|
| 5587 |
+
It's your face. I want to see
|
| 5588 |
+
your face one last time.
|
| 5589 |
+
|
| 5590 |
+
1287
|
| 5591 |
+
01:34:49,042 --> 01:34:50,834
|
| 5592 |
+
Smile. Stop crying.
|
| 5593 |
+
|
| 5594 |
+
1288
|
| 5595 |
+
01:34:51,042 --> 01:34:53,792
|
| 5596 |
+
Smile for me, I beg you.
|
| 5597 |
+
That's it.
|
| 5598 |
+
|
| 5599 |
+
1289
|
| 5600 |
+
01:34:54,417 --> 01:34:57,792
|
| 5601 |
+
You're stunning right now.
|
| 5602 |
+
You move me.
|
| 5603 |
+
|
| 5604 |
+
1290
|
| 5605 |
+
01:34:58,251 --> 01:35:01,001
|
| 5606 |
+
The woman of my dreams.
|
| 5607 |
+
Even if it's all over now.
|
| 5608 |
+
|
| 5609 |
+
1291
|
| 5610 |
+
01:35:01,209 --> 01:35:04,001
|
| 5611 |
+
Don't say that.
|
| 5612 |
+
You're going to live, my love.
|
| 5613 |
+
|
| 5614 |
+
1292
|
| 5615 |
+
01:35:04,167 --> 01:35:05,626
|
| 5616 |
+
It's too late.
|
| 5617 |
+
|
| 5618 |
+
1293
|
| 5619 |
+
01:35:05,792 --> 01:35:07,126
|
| 5620 |
+
You called me love?
|
| 5621 |
+
|
| 5622 |
+
1294
|
| 5623 |
+
01:35:08,792 --> 01:35:11,042
|
| 5624 |
+
- I love you, Anna.
|
| 5625 |
+
- I love you, too.
|
| 5626 |
+
|
| 5627 |
+
1295
|
| 5628 |
+
01:35:11,292 --> 01:35:13,584
|
| 5629 |
+
Kiss me one last time.
|
| 5630 |
+
|
| 5631 |
+
1296
|
| 5632 |
+
01:35:22,709 --> 01:35:24,001
|
| 5633 |
+
One more time.
|
| 5634 |
+
|
| 5635 |
+
1297
|
| 5636 |
+
01:35:28,459 --> 01:35:29,792
|
| 5637 |
+
Anna
|
| 5638 |
+
|
| 5639 |
+
1298
|
| 5640 |
+
01:35:30,459 --> 01:35:32,001
|
| 5641 |
+
the final kiss.
|
| 5642 |
+
|
| 5643 |
+
1299
|
| 5644 |
+
01:35:40,417 --> 01:35:41,417
|
| 5645 |
+
What?
|
| 5646 |
+
|
| 5647 |
+
1300
|
| 5648 |
+
01:35:42,542 --> 01:35:45,001
|
| 5649 |
+
- What is it?
|
| 5650 |
+
- You're not hurt!
|
| 5651 |
+
|
| 5652 |
+
1301
|
| 5653 |
+
01:35:45,709 --> 01:35:49,126
|
| 5654 |
+
Don't hit me, wait.
|
| 5655 |
+
I swear I felt I was slipping away.
|
| 5656 |
+
|
| 5657 |
+
1302
|
| 5658 |
+
01:35:49,292 --> 01:35:50,126
|
| 5659 |
+
Nothing!
|
| 5660 |
+
|
| 5661 |
+
1303
|
| 5662 |
+
01:35:50,292 --> 01:35:52,126
|
| 5663 |
+
I do have a fever!
|
| 5664 |
+
|
| 5665 |
+
1304
|
| 5666 |
+
01:35:52,792 --> 01:35:54,542
|
| 5667 |
+
I saved your brother, Jeez!
|
| 5668 |
+
|
| 5669 |
+
1305
|
| 5670 |
+
01:36:33,584 --> 01:36:34,709
|
| 5671 |
+
What now?
|
| 5672 |
+
|
| 5673 |
+
1306
|
| 5674 |
+
01:36:34,876 --> 01:36:37,501
|
| 5675 |
+
No, nothing. We're all set.
|
| 5676 |
+
|
| 5677 |
+
1307
|
| 5678 |
+
01:36:37,792 --> 01:36:40,501
|
| 5679 |
+
- You OK to travel?
|
| 5680 |
+
- Yes, fine.
|
| 5681 |
+
|
| 5682 |
+
1308
|
| 5683 |
+
01:36:44,334 --> 01:36:45,334
|
| 5684 |
+
What now?!
|
| 5685 |
+
|
| 5686 |
+
1309
|
| 5687 |
+
01:36:47,417 --> 01:36:49,876
|
| 5688 |
+
You came to Cherkistan for me.
|
| 5689 |
+
|
| 5690 |
+
1310
|
| 5691 |
+
01:36:50,084 --> 01:36:53,542
|
| 5692 |
+
I didn't deserve it.
|
| 5693 |
+
After all I put you two through.
|
| 5694 |
+
|
| 5695 |
+
1311
|
| 5696 |
+
01:36:54,251 --> 01:36:56,459
|
| 5697 |
+
No one ever risked his life for me.
|
| 5698 |
+
|
| 5699 |
+
1312
|
| 5700 |
+
01:36:56,834 --> 01:37:00,251
|
| 5701 |
+
And I was too afraid to risk mine.
|
| 5702 |
+
I feel so stupid.
|
| 5703 |
+
|
| 5704 |
+
1313
|
| 5705 |
+
01:37:00,667 --> 01:37:02,209
|
| 5706 |
+
And so grateful.
|
| 5707 |
+
|
| 5708 |
+
1314
|
| 5709 |
+
01:37:02,376 --> 01:37:03,542
|
| 5710 |
+
That's all.
|
| 5711 |
+
|
| 5712 |
+
1315
|
| 5713 |
+
01:37:14,376 --> 01:37:17,417
|
| 5714 |
+
Don't tell me
|
| 5715 |
+
you're in love with that maniac?
|
| 5716 |
+
|
| 5717 |
+
1316
|
| 5718 |
+
01:37:18,417 --> 01:37:19,459
|
| 5719 |
+
My worst patient!
|
| 5720 |
+
|
| 5721 |
+
1317
|
| 5722 |
+
01:37:19,584 --> 01:37:22,209
|
| 5723 |
+
I'll introduce you to others,
|
| 5724 |
+
not as sick.
|
| 5725 |
+
|
| 5726 |
+
1318
|
| 5727 |
+
01:37:22,376 --> 01:37:23,501
|
| 5728 |
+
Not that one.
|
| 5729 |
+
|
| 5730 |
+
1319
|
| 5731 |
+
01:37:23,667 --> 01:37:26,084
|
| 5732 |
+
I've been his doctor 18 years.
|
| 5733 |
+
|
| 5734 |
+
1320
|
| 5735 |
+
01:37:26,251 --> 01:37:28,542
|
| 5736 |
+
And for 18 years,
|
| 5737 |
+
he's made me sick.
|
| 5738 |
+
|
| 5739 |
+
1321
|
| 5740 |
+
01:37:35,042 --> 01:37:36,709
|
| 5741 |
+
Dank ya, Anton.
|
| 5742 |
+
|
| 5743 |
+
1322
|
| 5744 |
+
01:37:38,209 --> 01:37:40,334
|
| 5745 |
+
Dank ya, Romain.
|
| 5746 |
+
|
| 5747 |
+
1323
|
| 5748 |
+
01:37:40,751 --> 01:37:44,167
|
| 5749 |
+
Great men are the ones who have heart.
|
| 5750 |
+
|
| 5751 |
+
1324
|
| 5752 |
+
01:37:48,792 --> 01:37:49,917
|
| 5753 |
+
Look.
|
| 5754 |
+
|
| 5755 |
+
1325
|
| 5756 |
+
01:37:51,001 --> 01:37:54,001
|
| 5757 |
+
The real Miroslav is so handsome!
|
| 5758 |
+
That's a real man.
|
| 5759 |
+
|
| 5760 |
+
1326
|
| 5761 |
+
01:37:54,542 --> 01:37:55,542
|
| 5762 |
+
Look at him.
|
| 5763 |
+
|
| 5764 |
+
1327
|
| 5765 |
+
01:37:55,751 --> 01:37:58,001
|
| 5766 |
+
You can see the difference. Look!
|
| 5767 |
+
|
| 5768 |
+
1328
|
| 5769 |
+
01:37:58,167 --> 01:37:59,792
|
| 5770 |
+
Not even close, right?
|
| 5771 |
+
|
| 5772 |
+
1329
|
| 5773 |
+
01:38:00,084 --> 01:38:03,251
|
| 5774 |
+
He's Cherkistani, like Grandpa.
|
| 5775 |
+
And besides...
|
| 5776 |
+
|
| 5777 |
+
1330
|
| 5778 |
+
01:38:13,584 --> 01:38:14,917
|
| 5779 |
+
Oh shit.
|
| 5780 |
+
|
| 5781 |
+
1331
|
| 5782 |
+
01:38:15,626 --> 01:38:17,751
|
| 5783 |
+
That's how I met
|
| 5784 |
+
the woman of my dreams.
|
| 5785 |
+
|
| 5786 |
+
1332
|
| 5787 |
+
01:38:17,917 --> 01:38:19,126
|
| 5788 |
+
Crazy story, right?
|
| 5789 |
+
|
| 5790 |
+
1333
|
| 5791 |
+
01:38:21,376 --> 01:38:24,209
|
| 5792 |
+
Even crazier
|
| 5793 |
+
was explaining to the judge
|
| 5794 |
+
|
| 5795 |
+
1334
|
| 5796 |
+
01:38:24,376 --> 01:38:28,751
|
| 5797 |
+
that I was arrested as Jean Val jean
|
| 5798 |
+
and deported as Anton Miroslav,
|
| 5799 |
+
|
| 5800 |
+
1335
|
| 5801 |
+
01:38:28,917 --> 01:38:31,584
|
| 5802 |
+
who returned to Cherkistan
|
| 5803 |
+
as Cyrano de Bergerac.
|
| 5804 |
+
|
| 5805 |
+
1336
|
| 5806 |
+
01:38:31,751 --> 01:38:33,084
|
| 5807 |
+
Not very legal.
|
| 5808 |
+
|
| 5809 |
+
1337
|
| 5810 |
+
01:38:33,251 --> 01:38:35,251
|
| 5811 |
+
But the French police wasn't proud
|
| 5812 |
+
|
| 5813 |
+
1338
|
| 5814 |
+
01:38:35,417 --> 01:38:38,501
|
| 5815 |
+
of issuing an arrest warrant
|
| 5816 |
+
in the name of Victor Hugo,
|
| 5817 |
+
|
| 5818 |
+
1339
|
| 5819 |
+
01:38:38,667 --> 01:38:40,834
|
| 5820 |
+
so we finally reached a settlement.
|
| 5821 |
+
|
| 5822 |
+
1340
|
| 5823 |
+
01:38:41,042 --> 01:38:42,459
|
| 5824 |
+
I did nothing wrong!
|
| 5825 |
+
|
| 5826 |
+
1341
|
| 5827 |
+
01:39:02,709 --> 01:39:07,501
|
| 5828 |
+
At my wedding I thought of Marc,
|
| 5829 |
+
who would've been so proud of me.
|
| 5830 |
+
|
| 5831 |
+
1342
|
| 5832 |
+
01:39:07,626 --> 01:39:10,667
|
| 5833 |
+
Married at 40, man. Fantastic.
|
| 5834 |
+
|
| 5835 |
+
1343
|
| 5836 |
+
01:39:10,834 --> 01:39:13,751
|
| 5837 |
+
Especially that mandatory
|
| 5838 |
+
pre-nuptial blood test.
|
| 5839 |
+
|
| 5840 |
+
1344
|
| 5841 |
+
01:39:14,709 --> 01:39:18,251
|
| 5842 |
+
The only problem I didn't foresee
|
| 5843 |
+
about getting married
|
| 5844 |
+
|
| 5845 |
+
1345
|
| 5846 |
+
01:39:18,417 --> 01:39:22,459
|
| 5847 |
+
is you must kiss everyone
|
| 5848 |
+
and everyone wants to Kiss you.
|
| 5849 |
+
|
| 5850 |
+
1346
|
| 5851 |
+
01:39:23,542 --> 01:39:25,751
|
| 5852 |
+
But there it is, I was cured.
|
| 5853 |
+
|
| 5854 |
+
1347
|
| 5855 |
+
01:39:26,334 --> 01:39:29,501
|
| 5856 |
+
Divorced from my medicines
|
| 5857 |
+
and married for real.
|
| 5858 |
+
|
| 5859 |
+
1348
|
| 5860 |
+
01:39:30,584 --> 01:39:31,584
|
| 5861 |
+
Dimitri!
|
| 5862 |
+
|
| 5863 |
+
1349
|
| 5864 |
+
01:39:33,126 --> 01:39:35,001
|
| 5865 |
+
You're right,
|
| 5866 |
+
we're no longer friends!
|
| 5867 |
+
|
| 5868 |
+
1350
|
| 5869 |
+
01:39:35,167 --> 01:39:37,417
|
| 5870 |
+
- Oh?
|
| 5871 |
+
- We're brothers-in-law!
|
| 5872 |
+
|
| 5873 |
+
1351
|
| 5874 |
+
01:39:37,542 --> 01:39:39,626
|
| 5875 |
+
My doctor is now
|
| 5876 |
+
my brother-in-law!
|
| 5877 |
+
|
| 5878 |
+
1352
|
| 5879 |
+
01:39:42,501 --> 01:39:43,542
|
| 5880 |
+
My sister-in-law!
|
| 5881 |
+
|
| 5882 |
+
1353
|
| 5883 |
+
01:39:43,834 --> 01:39:45,667
|
| 5884 |
+
- I'll call you Nora now?
|
| 5885 |
+
- Sure.
|
| 5886 |
+
|
| 5887 |
+
1354
|
| 5888 |
+
01:39:48,501 --> 01:39:49,542
|
| 5889 |
+
Come, my love.
|
| 5890 |
+
|
| 5891 |
+
1355
|
| 5892 |
+
01:39:53,917 --> 01:39:56,876
|
| 5893 |
+
So... we won't hear from him again?
|
| 5894 |
+
|
| 5895 |
+
1356
|
| 5896 |
+
01:39:57,084 --> 01:39:58,459
|
| 5897 |
+
We won't see him often.
|
| 5898 |
+
|
| 5899 |
+
1357
|
| 5900 |
+
01:39:59,834 --> 01:40:01,334
|
| 5901 |
+
- Pretty clear.
|
| 5902 |
+
- What?
|
| 5903 |
+
|
| 5904 |
+
1358
|
| 5905 |
+
01:40:01,501 --> 01:40:05,292
|
| 5906 |
+
You couldn't sleep with him,
|
| 5907 |
+
so you foisted him on your sister.
|
| 5908 |
+
|
| 5909 |
+
1359
|
| 5910 |
+
01:40:10,334 --> 01:40:12,292
|
| 5911 |
+
Told you not to marry a shrink!
|
| 5912 |
+
|
| 5913 |
+
1360
|
| 5914 |
+
01:40:13,292 --> 01:40:14,501
|
| 5915 |
+
You never listen to Mom!
|
| 5916 |
+
|
| 5917 |
+
1361
|
| 5918 |
+
01:40:17,334 --> 01:40:18,334
|
| 5919 |
+
Come on, Mom.
|
| 5920 |
+
|
| 5921 |
+
1362
|
| 5922 |
+
01:40:24,709 --> 01:40:26,084
|
| 5923 |
+
The end
|
| 5924 |
+
|
| 5925 |
+
1363
|
| 5926 |
+
01:40:28,126 --> 01:40:29,501
|
| 5927 |
+
of the pregnancy.
|
| 5928 |
+
|
| 5929 |
+
1364
|
| 5930 |
+
01:40:31,209 --> 01:40:33,751
|
| 5931 |
+
Pregnancy Giving birth.
|
| 5932 |
+
|
| 5933 |
+
1365
|
| 5934 |
+
01:40:35,334 --> 01:40:36,542
|
| 5935 |
+
Push, push.
|
| 5936 |
+
|
| 5937 |
+
1366
|
| 5938 |
+
01:40:38,042 --> 01:40:40,209
|
| 5939 |
+
You can see the head!
|
| 5940 |
+
|
| 5941 |
+
1367
|
| 5942 |
+
01:40:42,626 --> 01:40:44,001
|
| 5943 |
+
Just one more push.
|
| 5944 |
+
|
| 5945 |
+
1368
|
| 5946 |
+
01:40:46,792 --> 01:40:48,417
|
| 5947 |
+
Diaper Rash.
|
| 5948 |
+
|
| 5949 |
+
1369
|
| 5950 |
+
01:40:59,334 --> 01:41:00,667
|
| 5951 |
+
Sandbox Hygiene.
|
| 5952 |
+
|
| 5953 |
+
1370
|
| 5954 |
+
01:41:06,167 --> 01:41:08,376
|
| 5955 |
+
Spring Allergies.
|
| 5956 |
+
|
| 5957 |
+
1371
|
| 5958 |
+
01:41:15,167 --> 01:41:17,584
|
| 5959 |
+
Foot bath
|
| 5960 |
+
Staying Clean in the Pool.
|
| 5961 |
+
|
| 5962 |
+
1372
|
| 5963 |
+
01:41:22,209 --> 01:41:25,751
|
| 5964 |
+
Don't worry. We back up
|
| 5965 |
+
and jump it on 3, OK?
|
| 5966 |
+
|
| 5967 |
+
1373
|
| 5968 |
+
01:41:27,459 --> 01:41:28,917
|
| 5969 |
+
One, two...
|
| 5970 |
+
|
| 5971 |
+
1374
|
| 5972 |
+
01:41:29,459 --> 01:41:30,459
|
| 5973 |
+
Three!
|
| 5974 |
+
|
| 5975 |
+
1375
|
| 5976 |
+
01:41:32,626 --> 01:41:33,626
|
| 5977 |
+
Save my child!
|
| 5978 |
+
|
| 5979 |
+
1376
|
| 5980 |
+
01:41:33,751 --> 01:41:35,459
|
| 5981 |
+
How long was he underwater?
|
| 5982 |
+
|
| 5983 |
+
1377
|
| 5984 |
+
01:41:35,584 --> 01:41:37,042
|
| 5985 |
+
He wasn't underwater.
|
| 5986 |
+
|
| 5987 |
+
1378
|
| 5988 |
+
01:41:37,542 --> 01:41:39,792
|
| 5989 |
+
- Didn't drown?
|
| 5990 |
+
- Slipped in the foot bath!
|
| 5991 |
+
|
| 5992 |
+
1379
|
| 5993 |
+
01:41:40,001 --> 01:41:42,251
|
| 5994 |
+
He drank a sip of foot bath juice!
|
| 5995 |
+
|
| 5996 |
+
1380
|
| 5997 |
+
01:41:42,417 --> 01:41:45,501
|
| 5998 |
+
- A sip of water is all?
|
| 5999 |
+
- All?! Foot bath juice!
|
| 6000 |
+
|
| 6001 |
+
1381
|
| 6002 |
+
01:41:45,876 --> 01:41:48,001
|
| 6003 |
+
Where people stick disgusting feet!
|
| 6004 |
+
|
| 6005 |
+
1382
|
| 6006 |
+
01:41:48,167 --> 01:41:50,501
|
| 6007 |
+
What kind of retarded paramedics
|
| 6008 |
+
are you?
|
| 6009 |
+
|
| 6010 |
+
1383
|
| 6011 |
+
01:41:55,501 --> 01:41:58,001
|
| 6012 |
+
Paramedics
|
| 6013 |
+
aren't what they used to be.
|
| 6014 |
+
|
| 6015 |
+
1384
|
| 6016 |
+
01:41:58,167 --> 01:42:01,334
|
| 6017 |
+
- Know where Dad's taking you?
|
| 6018 |
+
- To Uncle Dimitri's!
|
| 6019 |
+
|
| 6020 |
+
1385
|
| 6021 |
+
01:42:01,501 --> 01:42:02,834
|
| 6022 |
+
You're so bright, hon.
|
| 6023 |
+
|
| 6024 |
+
1386
|
| 6025 |
+
01:47:23,501 --> 01:47:25,376
|
| 6026 |
+
Subtitles by Michael Katims.
|
| 6027 |
+
|
| 6028 |
+
1387
|
| 6029 |
+
01:47:25,501 --> 01:47:27,292
|
| 6030 |
+
Subtitling: C.M.C.
|
| 6031 |
+
|
| 6032 |
+
|
| 6033 |
+
|
videos/The.Band.Wagon.1953.1080p.BluRay.X264-AMIABLE[rarbg]/Subs/The.Band.Wagon.1953.1080p.BluRay.X264-AMIABLE.idx
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
videos/The.Duel.2000.CHINESE.1080p.BluRay.x264.DD5.1-EDPH/The Duel (2000) [1080p] [BluRay] [5.1] [YTS.MX]/The.Duel.2000.1080p.BluRay.x264.AAC5.1-[YTS.MX].srt
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
videos/The.Mighty.1998.1080p.AMZN.WEBRip.DDP5.1.x264-NTb/As Good As It Gets (1997) [2160p] [4K] [WEB] [5.1] [YTS.MX]/YTSProxies.com.txt
ADDED
|
@@ -0,0 +1,18 @@
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
YTS / YIFY Torrents Site
|
| 2 |
+
-------------------------
|
| 3 |
+
|
| 4 |
+
--> Visit us at https://YTS.MX
|
| 5 |
+
|
| 6 |
+
- If you have trouble accessing the domain above,
|
| 7 |
+
please always check:
|
| 8 |
+
|
| 9 |
+
--> https://YTSProxies.com
|
| 10 |
+
--> https://YIFYStatus.com
|
| 11 |
+
--> ytsyifyupcmxftncrnqd4bmwxvhlibhdat74w6xnmn33njxts4eeaiqd.onion
|
| 12 |
+
(accessible only using TOR Browser)
|
| 13 |
+
|
| 14 |
+
for the updated list of official proxies and
|
| 15 |
+
domains of YTS / YIFY site.
|
| 16 |
+
|
| 17 |
+
|
| 18 |
+
Current official domains: YTS.MX, YTS.LT, YTS.AM, YTS.AG
|
videos/The.Pacifier.2005.1080p.BluRay.x264-REGRET[rarbg]/Subs/the.pacifier.2005.1080p.bluray.x264-regret.idx
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
videos/They.Live.1988.REMASTERED.1080p.BluRay.X264-AMIABLE[rarbg]/Subs/They.Live.1988.REMASTERED.1080p.BluRay.X264-AMIABLE.idx
ADDED
|
@@ -0,0 +1,2158 @@
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# FRENCH
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id: fr, index: 1
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# Decomment next line to activate alternative name in DirectVobSub / Windows Media Player 6.x
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# alt: French
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# GERMAN
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id: de, index: 2
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# Decomment next line to activate alternative name in DirectVobSub / Windows Media Player 6.x
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# alt: German
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# Vob/Cell ID: 1, 1 (PTS: 0)
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timestamp: 01:26:28:625, filepos: 000b72800
|
| 2128 |
+
timestamp: 01:27:11:667, filepos: 000b73800
|
| 2129 |
+
timestamp: 01:27:13:625, filepos: 000b74800
|
| 2130 |
+
timestamp: 01:27:39:708, filepos: 000b76000
|
| 2131 |
+
timestamp: 01:28:00:083, filepos: 000b76800
|
| 2132 |
+
timestamp: 01:28:02:500, filepos: 000b77800
|
| 2133 |
+
timestamp: 01:28:05:500, filepos: 000b7a000
|
| 2134 |
+
timestamp: 01:28:41:042, filepos: 000b7b000
|
| 2135 |
+
timestamp: 01:28:45:000, filepos: 000b7c800
|
| 2136 |
+
timestamp: 01:28:52:708, filepos: 000b7d800
|
| 2137 |
+
timestamp: 01:29:00:500, filepos: 000b7e000
|
| 2138 |
+
timestamp: 01:29:13:250, filepos: 000b80000
|
| 2139 |
+
timestamp: 01:29:17:542, filepos: 000b81000
|
| 2140 |
+
timestamp: 01:29:22:125, filepos: 000b83000
|
| 2141 |
+
timestamp: 01:29:24:000, filepos: 000b84000
|
| 2142 |
+
timestamp: 01:29:26:583, filepos: 000b85000
|
| 2143 |
+
timestamp: 01:29:28:875, filepos: 000b85800
|
| 2144 |
+
timestamp: 01:29:31:083, filepos: 000b86000
|
| 2145 |
+
timestamp: 01:29:33:250, filepos: 000b86800
|
| 2146 |
+
timestamp: 01:30:18:042, filepos: 000b87000
|
| 2147 |
+
timestamp: 01:30:22:250, filepos: 000b89000
|
| 2148 |
+
timestamp: 01:30:26:375, filepos: 000b8b000
|
| 2149 |
+
timestamp: 01:30:28:125, filepos: 000b8b800
|
| 2150 |
+
timestamp: 01:30:33:000, filepos: 000b8e000
|
| 2151 |
+
timestamp: 01:30:34:500, filepos: 000b8f000
|
| 2152 |
+
timestamp: 01:30:37:333, filepos: 000b91000
|
| 2153 |
+
timestamp: 01:30:40:458, filepos: 000b92000
|
| 2154 |
+
timestamp: 01:30:42:167, filepos: 000b93800
|
| 2155 |
+
timestamp: 01:30:46:750, filepos: 000b96000
|
| 2156 |
+
timestamp: 01:30:49:292, filepos: 000b97800
|
| 2157 |
+
timestamp: 01:30:51:875, filepos: 000b99000
|
| 2158 |
+
timestamp: 01:30:53:917, filepos: 000b9a000
|
videos/Who.Killed.Cock.Robin.2017.CHINESE.1080p.BluRay.x264.DTS-WiKi/Who Killed Cock Robin (2017) [BluRay] [1080p] [YTS.LT]/Subs/English Forced.eng.srt
ADDED
|
@@ -0,0 +1,723 @@
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| 1 |
+
1
|
| 2 |
+
00:04:16,417 --> 00:04:17,126
|
| 3 |
+
Shit.
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:04:17,126 --> 00:04:18,417
|
| 7 |
+
What the hell?
|
| 8 |
+
|
| 9 |
+
3
|
| 10 |
+
00:04:25,501 --> 00:04:27,001
|
| 11 |
+
We received a report
|
| 12 |
+
|
| 13 |
+
4
|
| 14 |
+
00:04:27,001 --> 00:04:30,542
|
| 15 |
+
Car accident 2 km north of junction
|
| 16 |
+
|
| 17 |
+
5
|
| 18 |
+
00:04:31,001 --> 00:04:32,584
|
| 19 |
+
between NH and 65 Expressway.
|
| 20 |
+
|
| 21 |
+
6
|
| 22 |
+
00:04:32,584 --> 00:04:35,001
|
| 23 |
+
New Taipei Unit, please join the rescue.
|
| 24 |
+
|
| 25 |
+
7
|
| 26 |
+
00:04:35,001 --> 00:04:36,501
|
| 27 |
+
Confirm when received.
|
| 28 |
+
|
| 29 |
+
8
|
| 30 |
+
00:04:37,917 --> 00:04:38,751
|
| 31 |
+
Confirmed.
|
| 32 |
+
|
| 33 |
+
9
|
| 34 |
+
00:04:38,751 --> 00:04:39,626
|
| 35 |
+
Confirming the crash site.
|
| 36 |
+
|
| 37 |
+
10
|
| 38 |
+
00:04:39,626 --> 00:04:41,751
|
| 39 |
+
2 km north of junction
|
| 40 |
+
between M1 and 65 Expressway.
|
| 41 |
+
|
| 42 |
+
11
|
| 43 |
+
00:05:17,792 --> 00:05:18,542
|
| 44 |
+
Are you...
|
| 45 |
+
|
| 46 |
+
12
|
| 47 |
+
00:05:19,209 --> 00:05:20,459
|
| 48 |
+
Senator Chang?
|
| 49 |
+
|
| 50 |
+
13
|
| 51 |
+
00:05:21,334 --> 00:05:22,084
|
| 52 |
+
Sir?
|
| 53 |
+
|
| 54 |
+
14
|
| 55 |
+
00:05:26,042 --> 00:05:26,917
|
| 56 |
+
Miss?
|
| 57 |
+
|
| 58 |
+
15
|
| 59 |
+
00:05:27,334 --> 00:05:28,126
|
| 60 |
+
Are you okay?
|
| 61 |
+
|
| 62 |
+
16
|
| 63 |
+
00:05:37,876 --> 00:05:40,501
|
| 64 |
+
"Luxurious sports car crashed in car accident"
|
| 65 |
+
|
| 66 |
+
17
|
| 67 |
+
00:05:44,626 --> 00:05:48,584
|
| 68 |
+
"Married legislator's affair exposed"
|
| 69 |
+
|
| 70 |
+
18
|
| 71 |
+
00:05:57,251 --> 00:05:58,834
|
| 72 |
+
"Goddess Maggie"
|
| 73 |
+
|
| 74 |
+
19
|
| 75 |
+
00:06:19,251 --> 00:06:21,751
|
| 76 |
+
"Send"
|
| 77 |
+
|
| 78 |
+
20
|
| 79 |
+
00:06:26,209 --> 00:06:26,917
|
| 80 |
+
Hey Maggie.
|
| 81 |
+
|
| 82 |
+
21
|
| 83 |
+
00:06:27,251 --> 00:06:27,959
|
| 84 |
+
Hello,
|
| 85 |
+
|
| 86 |
+
22
|
| 87 |
+
00:06:28,459 --> 00:06:29,209
|
| 88 |
+
I got it.
|
| 89 |
+
|
| 90 |
+
23
|
| 91 |
+
00:06:29,334 --> 00:06:30,209
|
| 92 |
+
Any problems?
|
| 93 |
+
|
| 94 |
+
24
|
| 95 |
+
00:06:30,876 --> 00:06:31,626
|
| 96 |
+
All good.
|
| 97 |
+
|
| 98 |
+
25
|
| 99 |
+
00:06:32,001 --> 00:06:33,542
|
| 100 |
+
The woman next to him, her name is...
|
| 101 |
+
|
| 102 |
+
26
|
| 103 |
+
00:06:33,751 --> 00:06:34,751
|
| 104 |
+
Rebecca!
|
| 105 |
+
|
| 106 |
+
27
|
| 107 |
+
00:06:35,001 --> 00:06:36,292
|
| 108 |
+
- For real.
|
| 109 |
+
- Layout.
|
| 110 |
+
|
| 111 |
+
28
|
| 112 |
+
00:06:36,584 --> 00:06:38,251
|
| 113 |
+
You can check with the entertainment desk.
|
| 114 |
+
|
| 115 |
+
29
|
| 116 |
+
00:06:38,501 --> 00:06:40,209
|
| 117 |
+
Rebecca, the E-cup model.
|
| 118 |
+
|
| 119 |
+
30
|
| 120 |
+
00:06:42,709 --> 00:06:43,834
|
| 121 |
+
I'll double check.
|
| 122 |
+
|
| 123 |
+
31
|
| 124 |
+
00:06:44,334 --> 00:06:45,251
|
| 125 |
+
I'm coming back to the office.
|
| 126 |
+
|
| 127 |
+
32
|
| 128 |
+
00:06:45,417 --> 00:06:46,209
|
| 129 |
+
Let's go for a late night snack.
|
| 130 |
+
|
| 131 |
+
33
|
| 132 |
+
00:06:46,751 --> 00:06:47,626
|
| 133 |
+
I'm meeting someone after work.
|
| 134 |
+
|
| 135 |
+
34
|
| 136 |
+
00:06:47,626 --> 00:06:48,292
|
| 137 |
+
Gotta go.
|
| 138 |
+
|
| 139 |
+
35
|
| 140 |
+
00:06:48,459 --> 00:06:49,417
|
| 141 |
+
Wait a second.
|
| 142 |
+
|
| 143 |
+
36
|
| 144 |
+
00:07:00,334 --> 00:07:03,334
|
| 145 |
+
God, Chi, look at your car!
|
| 146 |
+
|
| 147 |
+
37
|
| 148 |
+
00:07:04,292 --> 00:07:05,292
|
| 149 |
+
How much is it gonna cost me?
|
| 150 |
+
|
| 151 |
+
38
|
| 152 |
+
00:07:06,376 --> 00:07:07,792
|
| 153 |
+
Take my advice,
|
| 154 |
+
|
| 155 |
+
39
|
| 156 |
+
00:07:07,792 --> 00:07:08,667
|
| 157 |
+
don't waste your money.
|
| 158 |
+
|
| 159 |
+
40
|
| 160 |
+
00:07:08,667 --> 00:07:09,542
|
| 161 |
+
Buy a new one.
|
| 162 |
+
|
| 163 |
+
41
|
| 164 |
+
00:07:09,542 --> 00:07:12,334
|
| 165 |
+
I bought this thing less than a month ago!
|
| 166 |
+
|
| 167 |
+
42
|
| 168 |
+
00:07:13,001 --> 00:07:13,876
|
| 169 |
+
You serious?
|
| 170 |
+
|
| 171 |
+
43
|
| 172 |
+
00:07:13,876 --> 00:07:14,917
|
| 173 |
+
I'm serious. Take a look!
|
| 174 |
+
|
| 175 |
+
44
|
| 176 |
+
00:07:17,417 --> 00:07:19,376
|
| 177 |
+
Damn, you were screwed over.
|
| 178 |
+
|
| 179 |
+
45
|
| 180 |
+
00:07:20,042 --> 00:07:22,751
|
| 181 |
+
Listen, used-car dealers can't be trusted.
|
| 182 |
+
|
| 183 |
+
46
|
| 184 |
+
00:07:23,292 --> 00:07:25,542
|
| 185 |
+
They trick you into buying the car.
|
| 186 |
+
Once it's sold,
|
| 187 |
+
|
| 188 |
+
47
|
| 189 |
+
00:07:25,542 --> 00:07:26,584
|
| 190 |
+
the dealer denies any responsibility
|
| 191 |
+
|
| 192 |
+
48
|
| 193 |
+
00:07:26,584 --> 00:07:28,292
|
| 194 |
+
and you're on your own.
|
| 195 |
+
|
| 196 |
+
49
|
| 197 |
+
00:07:28,709 --> 00:07:29,751
|
| 198 |
+
Here, see for yourself.
|
| 199 |
+
|
| 200 |
+
50
|
| 201 |
+
00:07:30,292 --> 00:07:33,251
|
| 202 |
+
The links on the door frames don't match.
|
| 203 |
+
|
| 204 |
+
51
|
| 205 |
+
00:07:33,584 --> 00:07:34,876
|
| 206 |
+
Definitely not originals.
|
| 207 |
+
|
| 208 |
+
52
|
| 209 |
+
00:07:35,834 --> 00:07:36,542
|
| 210 |
+
And here.
|
| 211 |
+
|
| 212 |
+
53
|
| 213 |
+
00:07:37,626 --> 00:07:39,459
|
| 214 |
+
Same with the engine.
|
| 215 |
+
|
| 216 |
+
54
|
| 217 |
+
00:07:39,459 --> 00:07:40,834
|
| 218 |
+
But they did a good job.
|
| 219 |
+
|
| 220 |
+
55
|
| 221 |
+
00:07:41,042 --> 00:07:42,084
|
| 222 |
+
Most people couldn't tell the difference.
|
| 223 |
+
|
| 224 |
+
56
|
| 225 |
+
00:07:42,542 --> 00:07:44,042
|
| 226 |
+
But they can't fool ol' Ji.
|
| 227 |
+
|
| 228 |
+
57
|
| 229 |
+
00:07:46,292 --> 00:07:47,626
|
| 230 |
+
Look, the rubber here is soft.
|
| 231 |
+
|
| 232 |
+
58
|
| 233 |
+
00:07:48,334 --> 00:07:50,417
|
| 234 |
+
Definitely a reassembly.
|
| 235 |
+
|
| 236 |
+
59
|
| 237 |
+
00:07:52,084 --> 00:07:54,376
|
| 238 |
+
Every step leaves a footprint.
|
| 239 |
+
|
| 240 |
+
60
|
| 241 |
+
00:07:56,709 --> 00:07:57,417
|
| 242 |
+
Fuck!
|
| 243 |
+
|
| 244 |
+
61
|
| 245 |
+
00:08:02,584 --> 00:08:03,376
|
| 246 |
+
Hao!
|
| 247 |
+
|
| 248 |
+
62
|
| 249 |
+
00:08:04,459 --> 00:08:05,292
|
| 250 |
+
Are you on duty?
|
| 251 |
+
|
| 252 |
+
63
|
| 253 |
+
00:08:05,292 --> 00:08:06,042
|
| 254 |
+
Yep.
|
| 255 |
+
|
| 256 |
+
64
|
| 257 |
+
00:08:13,584 --> 00:08:14,584
|
| 258 |
+
Sir, can I help you?
|
| 259 |
+
|
| 260 |
+
65
|
| 261 |
+
00:08:16,917 --> 00:08:17,667
|
| 262 |
+
Chi!
|
| 263 |
+
|
| 264 |
+
66
|
| 265 |
+
00:08:18,542 --> 00:08:19,251
|
| 266 |
+
Sergeant Wang!
|
| 267 |
+
|
| 268 |
+
67
|
| 269 |
+
00:08:19,292 --> 00:08:20,042
|
| 270 |
+
What brings you here?
|
| 271 |
+
|
| 272 |
+
68
|
| 273 |
+
00:08:20,459 --> 00:08:21,292
|
| 274 |
+
Sir, this is...
|
| 275 |
+
|
| 276 |
+
69
|
| 277 |
+
00:08:21,376 --> 00:08:22,167
|
| 278 |
+
Sorry about him.
|
| 279 |
+
|
| 280 |
+
70
|
| 281 |
+
00:08:22,251 --> 00:08:23,084
|
| 282 |
+
He's new here.
|
| 283 |
+
|
| 284 |
+
71
|
| 285 |
+
00:08:23,084 --> 00:08:24,001
|
| 286 |
+
Doesn't know who you are.
|
| 287 |
+
|
| 288 |
+
72
|
| 289 |
+
00:08:25,792 --> 00:08:26,542
|
| 290 |
+
Hello!
|
| 291 |
+
|
| 292 |
+
73
|
| 293 |
+
00:08:26,626 --> 00:08:27,959
|
| 294 |
+
Nice to meet you.
|
| 295 |
+
|
| 296 |
+
74
|
| 297 |
+
00:08:28,667 --> 00:08:29,876
|
| 298 |
+
Be careful around him.
|
| 299 |
+
|
| 300 |
+
75
|
| 301 |
+
00:08:29,876 --> 00:08:30,917
|
| 302 |
+
He's a reporter.
|
| 303 |
+
|
| 304 |
+
76
|
| 305 |
+
00:08:31,917 --> 00:08:33,376
|
| 306 |
+
Used to be a crime reporter.
|
| 307 |
+
|
| 308 |
+
77
|
| 309 |
+
00:08:33,376 --> 00:08:34,709
|
| 310 |
+
Then he got promoted!
|
| 311 |
+
|
| 312 |
+
78
|
| 313 |
+
00:08:34,959 --> 00:08:36,459
|
| 314 |
+
Well, sir, not quite
|
| 315 |
+
|
| 316 |
+
79
|
| 317 |
+
00:08:37,876 --> 00:08:38,667
|
| 318 |
+
Please, De.
|
| 319 |
+
|
| 320 |
+
80
|
| 321 |
+
00:08:39,417 --> 00:08:40,584
|
| 322 |
+
If you hear anything,
|
| 323 |
+
|
| 324 |
+
81
|
| 325 |
+
00:08:41,084 --> 00:08:41,834
|
| 326 |
+
please call me.
|
| 327 |
+
|
| 328 |
+
82
|
| 329 |
+
00:08:42,417 --> 00:08:43,417
|
| 330 |
+
OK.
|
| 331 |
+
|
| 332 |
+
83
|
| 333 |
+
00:08:43,667 --> 00:08:46,042
|
| 334 |
+
You make it sound like we're working for you.
|
| 335 |
+
|
| 336 |
+
84
|
| 337 |
+
00:08:46,542 --> 00:08:48,709
|
| 338 |
+
We've got a lot on our plate.
|
| 339 |
+
|
| 340 |
+
85
|
| 341 |
+
00:08:48,917 --> 00:08:50,334
|
| 342 |
+
Come on!
|
| 343 |
+
|
| 344 |
+
86
|
| 345 |
+
00:08:50,376 --> 00:08:53,376
|
| 346 |
+
I'm a model citizen, and you're a model cop.
|
| 347 |
+
|
| 348 |
+
87
|
| 349 |
+
00:08:54,001 --> 00:08:55,334
|
| 350 |
+
We can help each other out!
|
| 351 |
+
|
| 352 |
+
88
|
| 353 |
+
00:08:56,334 --> 00:08:57,334
|
| 354 |
+
So what happened this time?
|
| 355 |
+
|
| 356 |
+
89
|
| 357 |
+
00:08:58,126 --> 00:08:58,626
|
| 358 |
+
My car...
|
| 359 |
+
|
| 360 |
+
90
|
| 361 |
+
00:08:59,417 --> 00:09:00,667
|
| 362 |
+
What a beauty!
|
| 363 |
+
|
| 364 |
+
91
|
| 365 |
+
00:09:00,792 --> 00:09:01,376
|
| 366 |
+
Beauty?
|
| 367 |
+
|
| 368 |
+
92
|
| 369 |
+
00:09:01,376 --> 00:09:02,417
|
| 370 |
+
Not anymore.
|
| 371 |
+
|
| 372 |
+
93
|
| 373 |
+
00:09:03,334 --> 00:09:04,501
|
| 374 |
+
You had an accident?
|
| 375 |
+
|
| 376 |
+
94
|
| 377 |
+
00:09:05,626 --> 00:09:06,501
|
| 378 |
+
Please.
|
| 379 |
+
|
| 380 |
+
95
|
| 381 |
+
00:09:06,917 --> 00:09:08,876
|
| 382 |
+
I was wondering if you could help me trace the car.
|
| 383 |
+
|
| 384 |
+
96
|
| 385 |
+
00:09:09,167 --> 00:09:10,542
|
| 386 |
+
See if it was involved in any previous accidents.
|
| 387 |
+
|
| 388 |
+
97
|
| 389 |
+
00:09:10,542 --> 00:09:11,459
|
| 390 |
+
- Or if there is any...
|
| 391 |
+
- Records?
|
| 392 |
+
|
| 393 |
+
98
|
| 394 |
+
00:09:11,459 --> 00:09:12,292
|
| 395 |
+
Yes.
|
| 396 |
+
|
| 397 |
+
99
|
| 398 |
+
00:09:12,459 --> 00:09:13,917
|
| 399 |
+
Should be pretty easy.
|
| 400 |
+
|
| 401 |
+
100
|
| 402 |
+
00:09:14,459 --> 00:09:15,126
|
| 403 |
+
Keep it on the down low though.
|
| 404 |
+
|
| 405 |
+
101
|
| 406 |
+
00:09:15,126 --> 00:09:16,626
|
| 407 |
+
My bosses have been pretty strict lately.
|
| 408 |
+
|
| 409 |
+
102
|
| 410 |
+
00:09:16,626 --> 00:09:17,667
|
| 411 |
+
They've been keeping everything confidential.
|
| 412 |
+
|
| 413 |
+
103
|
| 414 |
+
00:09:17,667 --> 00:09:18,917
|
| 415 |
+
Checking records every month.
|
| 416 |
+
|
| 417 |
+
104
|
| 418 |
+
00:09:19,167 --> 00:09:20,084
|
| 419 |
+
That being said...
|
| 420 |
+
|
| 421 |
+
105
|
| 422 |
+
00:09:21,042 --> 00:09:22,792
|
| 423 |
+
When was the last time you took me out?
|
| 424 |
+
|
| 425 |
+
106
|
| 426 |
+
00:09:24,167 --> 00:09:26,417
|
| 427 |
+
I paid off our last bill just recently!
|
| 428 |
+
|
| 429 |
+
107
|
| 430 |
+
00:09:27,417 --> 00:09:28,626
|
| 431 |
+
Till next time.
|
| 432 |
+
|
| 433 |
+
108
|
| 434 |
+
00:09:29,042 --> 00:09:30,126
|
| 435 |
+
I'll take you to "relax"...
|
| 436 |
+
|
| 437 |
+
109
|
| 438 |
+
00:09:30,417 --> 00:09:31,376
|
| 439 |
+
Have a little "fun".
|
| 440 |
+
|
| 441 |
+
110
|
| 442 |
+
00:09:32,667 --> 00:09:33,751
|
| 443 |
+
Yeah, I know.
|
| 444 |
+
|
| 445 |
+
111
|
| 446 |
+
00:09:33,876 --> 00:09:34,584
|
| 447 |
+
Don't worry.
|
| 448 |
+
|
| 449 |
+
112
|
| 450 |
+
00:09:34,751 --> 00:09:36,084
|
| 451 |
+
We've worked together so many times.
|
| 452 |
+
|
| 453 |
+
113
|
| 454 |
+
00:09:36,084 --> 00:09:37,084
|
| 455 |
+
I always keep it quiet.
|
| 456 |
+
|
| 457 |
+
114
|
| 458 |
+
00:09:38,042 --> 00:09:38,959
|
| 459 |
+
Don't worry.
|
| 460 |
+
|
| 461 |
+
115
|
| 462 |
+
00:09:39,834 --> 00:09:40,667
|
| 463 |
+
Got it.
|
| 464 |
+
|
| 465 |
+
116
|
| 466 |
+
00:09:40,959 --> 00:09:42,042
|
| 467 |
+
Always making trouble for me...
|
| 468 |
+
|
| 469 |
+
117
|
| 470 |
+
00:09:42,459 --> 00:09:44,709
|
| 471 |
+
Well, how did I know this would happen?
|
| 472 |
+
|
| 473 |
+
118
|
| 474 |
+
00:09:44,709 --> 00:09:46,459
|
| 475 |
+
But only a man of your talents
|
| 476 |
+
|
| 477 |
+
119
|
| 478 |
+
00:09:46,459 --> 00:09:47,126
|
| 479 |
+
could help me crack this case.
|
| 480 |
+
|
| 481 |
+
120
|
| 482 |
+
00:09:47,251 --> 00:09:48,001
|
| 483 |
+
Alright, fine.
|
| 484 |
+
|
| 485 |
+
121
|
| 486 |
+
00:09:48,001 --> 00:09:50,459
|
| 487 |
+
- Thanks. I have to go meet De.
|
| 488 |
+
- Leave it to me.
|
| 489 |
+
|
| 490 |
+
122
|
| 491 |
+
00:09:53,209 --> 00:09:53,876
|
| 492 |
+
Wei.
|
| 493 |
+
|
| 494 |
+
123
|
| 495 |
+
00:09:54,792 --> 00:09:56,084
|
| 496 |
+
- Sir.
|
| 497 |
+
- Sit.
|
| 498 |
+
|
| 499 |
+
124
|
| 500 |
+
00:09:56,876 --> 00:09:57,751
|
| 501 |
+
Do me a favor.
|
| 502 |
+
|
| 503 |
+
125
|
| 504 |
+
00:09:58,459 --> 00:09:59,917
|
| 505 |
+
Check this car for me, okay?
|
| 506 |
+
|
| 507 |
+
126
|
| 508 |
+
00:10:00,459 --> 00:10:01,542
|
| 509 |
+
All the info is inside.
|
| 510 |
+
|
| 511 |
+
127
|
| 512 |
+
00:10:02,542 --> 00:10:05,542
|
| 513 |
+
"National Police Agency Database,
|
| 514 |
+
Ministry of Interior"
|
| 515 |
+
|
| 516 |
+
128
|
| 517 |
+
00:10:17,001 --> 00:10:17,709
|
| 518 |
+
Okay.
|
| 519 |
+
|
| 520 |
+
129
|
| 521 |
+
00:10:17,876 --> 00:10:18,501
|
| 522 |
+
Let's start.
|
| 523 |
+
|
| 524 |
+
130
|
| 525 |
+
00:10:18,917 --> 00:10:19,626
|
| 526 |
+
Politics desk.
|
| 527 |
+
|
| 528 |
+
131
|
| 529 |
+
00:10:20,167 --> 00:10:22,084
|
| 530 |
+
"A Cabinet Reshuffled"
|
| 531 |
+
|
| 532 |
+
132
|
| 533 |
+
00:10:27,959 --> 00:10:28,792
|
| 534 |
+
Sir,
|
| 535 |
+
|
| 536 |
+
133
|
| 537 |
+
00:10:28,959 --> 00:10:29,876
|
| 538 |
+
Chung-wen,
|
| 539 |
+
|
| 540 |
+
134
|
| 541 |
+
00:10:30,126 --> 00:10:31,126
|
| 542 |
+
what do you think?
|
| 543 |
+
|
| 544 |
+
135
|
| 545 |
+
00:10:31,501 --> 00:10:33,459
|
| 546 |
+
Chang's affair
|
| 547 |
+
|
| 548 |
+
136
|
| 549 |
+
00:10:34,126 --> 00:10:35,209
|
| 550 |
+
with the model...
|
| 551 |
+
|
| 552 |
+
137
|
| 553 |
+
00:10:35,209 --> 00:10:36,292
|
| 554 |
+
Shouldn't we check its validity first?
|
| 555 |
+
|
| 556 |
+
138
|
| 557 |
+
00:10:37,042 --> 00:10:38,501
|
| 558 |
+
Isn't it common sense?
|
| 559 |
+
|
| 560 |
+
139
|
| 561 |
+
00:10:38,917 --> 00:10:40,084
|
| 562 |
+
She's a G-cup model!
|
| 563 |
+
|
| 564 |
+
140
|
| 565 |
+
00:10:40,084 --> 00:10:41,209
|
| 566 |
+
All the young people know about her.
|
| 567 |
+
|
| 568 |
+
141
|
| 569 |
+
00:10:41,209 --> 00:10:41,834
|
| 570 |
+
She's famous.
|
| 571 |
+
|
| 572 |
+
142
|
| 573 |
+
00:10:45,292 --> 00:10:46,542
|
| 574 |
+
Chi.
|
| 575 |
+
|
| 576 |
+
143
|
| 577 |
+
00:10:46,542 --> 00:10:47,459
|
| 578 |
+
We'd still better check it.
|
| 579 |
+
|
| 580 |
+
144
|
| 581 |
+
00:10:58,209 --> 00:10:59,001
|
| 582 |
+
Thanks everyone.
|
| 583 |
+
|
| 584 |
+
145
|
| 585 |
+
00:11:00,459 --> 00:11:01,876
|
| 586 |
+
Today, we are joined
|
| 587 |
+
|
| 588 |
+
146
|
| 589 |
+
00:11:01,876 --> 00:11:03,876
|
| 590 |
+
by my friends in business and politics.
|
| 591 |
+
|
| 592 |
+
147
|
| 593 |
+
00:11:04,959 --> 00:11:06,417
|
| 594 |
+
Actually, I have to thank my wife
|
| 595 |
+
|
| 596 |
+
148
|
| 597 |
+
00:11:07,042 --> 00:11:08,417
|
| 598 |
+
who has spent the past few years
|
| 599 |
+
|
| 600 |
+
149
|
| 601 |
+
00:11:09,209 --> 00:11:10,834
|
| 602 |
+
helping me build these relationships.
|
| 603 |
+
|
| 604 |
+
150
|
| 605 |
+
00:11:11,917 --> 00:11:13,959
|
| 606 |
+
If it weren't for my little helper,
|
| 607 |
+
and my father-in-law,
|
| 608 |
+
|
| 609 |
+
151
|
| 610 |
+
00:11:14,667 --> 00:11:15,792
|
| 611 |
+
given my temper
|
| 612 |
+
|
| 613 |
+
152
|
| 614 |
+
00:11:15,917 --> 00:11:16,834
|
| 615 |
+
I wouldn't be where I am today.
|
| 616 |
+
|
| 617 |
+
153
|
| 618 |
+
00:11:16,834 --> 00:11:17,542
|
| 619 |
+
So thanks to them both.
|
| 620 |
+
|
| 621 |
+
154
|
| 622 |
+
00:11:18,459 --> 00:11:19,751
|
| 623 |
+
Let's drink a toast to Ching-kai.
|
| 624 |
+
|
| 625 |
+
155
|
| 626 |
+
00:11:20,584 --> 00:11:22,584
|
| 627 |
+
- Cheers!
|
| 628 |
+
- Congratulations!
|
| 629 |
+
|
| 630 |
+
156
|
| 631 |
+
00:11:25,792 --> 00:11:27,084
|
| 632 |
+
Senator Shen, Counsellor Chen, cheers!
|
| 633 |
+
|
| 634 |
+
157
|
| 635 |
+
00:11:27,084 --> 00:11:29,584
|
| 636 |
+
- Bottoms up!
|
| 637 |
+
- Together...
|
| 638 |
+
|
| 639 |
+
158
|
| 640 |
+
00:11:29,667 --> 00:11:30,292
|
| 641 |
+
Come!
|
| 642 |
+
|
| 643 |
+
159
|
| 644 |
+
00:11:30,751 --> 00:11:31,792
|
| 645 |
+
Everyone, let me make a little introduction.
|
| 646 |
+
|
| 647 |
+
160
|
| 648 |
+
00:11:32,167 --> 00:11:35,167
|
| 649 |
+
This is Chi, our new head of Society desk.
|
| 650 |
+
|
| 651 |
+
161
|
| 652 |
+
00:11:36,042 --> 00:11:36,751
|
| 653 |
+
- Wow!
|
| 654 |
+
- Thank you Mr. Chiu.
|
| 655 |
+
|
| 656 |
+
162
|
| 657 |
+
00:11:37,459 --> 00:11:39,542
|
| 658 |
+
Pretty young to be head of desk.
|
| 659 |
+
|
| 660 |
+
163
|
| 661 |
+
00:11:39,751 --> 00:11:41,459
|
| 662 |
+
It hasn't been an easy road for him.
|
| 663 |
+
|
| 664 |
+
164
|
| 665 |
+
00:11:41,917 --> 00:11:42,709
|
| 666 |
+
Parents are farmers,
|
| 667 |
+
|
| 668 |
+
165
|
| 669 |
+
00:11:43,084 --> 00:11:44,417
|
| 670 |
+
very humble background.
|
| 671 |
+
|
| 672 |
+
166
|
| 673 |
+
00:11:44,542 --> 00:11:45,959
|
| 674 |
+
Came to Taipei for a better future
|
| 675 |
+
|
| 676 |
+
167
|
| 677 |
+
00:11:46,167 --> 00:11:47,459
|
| 678 |
+
and in just a few years becomes head of desk.
|
| 679 |
+
|
| 680 |
+
168
|
| 681 |
+
00:11:47,584 --> 00:11:48,126
|
| 682 |
+
Cheers!
|
| 683 |
+
|
| 684 |
+
169
|
| 685 |
+
00:11:48,292 --> 00:11:49,751
|
| 686 |
+
You watch the news lately?
|
| 687 |
+
|
| 688 |
+
170
|
| 689 |
+
00:11:49,751 --> 00:11:50,709
|
| 690 |
+
The Senator
|
| 691 |
+
|
| 692 |
+
171
|
| 693 |
+
00:11:50,709 --> 00:11:51,751
|
| 694 |
+
and his sports car?
|
| 695 |
+
|
| 696 |
+
172
|
| 697 |
+
00:11:52,167 --> 00:11:52,959
|
| 698 |
+
That was his report.
|
| 699 |
+
|
| 700 |
+
173
|
| 701 |
+
00:11:53,209 --> 00:11:54,209
|
| 702 |
+
First one on the scene.
|
| 703 |
+
|
| 704 |
+
174
|
| 705 |
+
00:11:55,626 --> 00:11:57,167
|
| 706 |
+
You're a hero!
|
| 707 |
+
|
| 708 |
+
175
|
| 709 |
+
00:11:57,167 --> 00:11:57,876
|
| 710 |
+
Good...
|
| 711 |
+
|
| 712 |
+
176
|
| 713 |
+
00:11:58,876 --> 00:12:00,709
|
| 714 |
+
How's her body look up close?
|
| 715 |
+
|
| 716 |
+
177
|
| 717 |
+
00:12:01,876 --> 00:12:02,834
|
| 718 |
+
Pretty good.
|
| 719 |
+
|
| 720 |
+
178
|
| 721 |
+
00:12:04,792 --> 00:12:05,917
|
| 722 |
+
Sorry.
|
| 723 |
+
|
videos/Who.Killed.Cock.Robin.2017.CHINESE.1080p.BluRay.x264.DTS-WiKi/Who Killed Cock Robin (2017) [BluRay] [1080p] [YTS.LT]/Who.Killed.Cock.Robin..2017.1080p.BluRay.x264-[YTS.LT].srt
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|
| 1 |
+
1
|
| 2 |
+
00:00:30,000 --> 00:00:36,000
|
| 3 |
+
Provided by YTS.LT
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:00:36,500 --> 00:00:42,000
|
| 7 |
+
Find the official YIFY movies site at
|
| 8 |
+
https://YTS.LT
|
| 9 |
+
|
| 10 |
+
3
|
| 11 |
+
00:30:30,000 --> 00:30:36,000
|
| 12 |
+
Downloaded from YTS.LT
|
| 13 |
+
|
| 14 |
+
4
|
| 15 |
+
01:00:30,000 --> 01:00:36,000
|
| 16 |
+
Download more movies for free
|
| 17 |
+
from YTS.LT
|