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Launch: imaged-only release, 17.4M works

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@@ -21,9 +21,15 @@ configs:
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  # Artable
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- Artwork records digitally published by museums and cultural institutions in the
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- **UK, EU, Japan and Hong Kong**, harvested from each institution's own API or open-data
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- endpoint and normalised into one schema.
 
 
 
 
 
 
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  ## Configs
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@@ -33,39 +39,58 @@ search API.
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  | config | rows | one row is |
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  |---|---|---|
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- | `artwork` (default) | 10,055,304 | an artwork |
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- | `artist` | 5,232 | an artist, with a biography |
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  Join on `artwork.artist` = `artist.name`.
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  ## artwork
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- `id`, `title`, `title_lang`, `title_zh`, `artist`, `artist_zh`, `year_start`, `year_end`,
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- `date_display`, `medium`, `category`, `institution`, `institution_zh`, `city`, `country`,
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- `region`, `accession`, `image_url`, `thumb_url`, `iiif`, `license`, `source_url`,
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- `description`, `story`, `story_zh`.
 
 
 
 
 
 
 
 
 
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  ## Honest limits
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  Stated plainly, because a catalogue that overstates itself is worse than a smaller one.
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  - **Unknown is `null`.** No accession number, licence, language tag or date is ever inferred.
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- - **Traditional Chinese titles exist for ~17,700 works only** essentially M+ Hong Kong, the
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- one source that publishes them. The 4.3M zh-Hant labels cover *artist* and *institution*
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- names, not work titles. Nothing here is machine-translated.
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- - **~61% of rows carry an image reference.** The rest are records their museum has not
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- digitised. Measured against each institution's own published counts, this is close to the
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- real ceiling rather than a harvesting shortfall.
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- - **Artist biographies reach ~845,000 works (8.4%).** Only 42,304 objects carry their own
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- Wikidata id, so work-level stories are inherently sparser than artist-level ones.
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- - **Coverage is uneven by design of the sources, not the harvest.** Several institutions cap
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- paging while reporting success; where a page could not be retrieved it is recorded as a gap
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- rather than silently dropped.
 
 
 
 
 
 
 
 
 
 
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  ## Images
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  **Not included, and must not be mirrored.** Rows carry `image_url` / `iiif` pointing at the
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- holding institution, which is both the licensing position and why this dataset is ~520 MB
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  rather than terabytes.
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  ## Attribution
 
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  # Artable
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+ Artwork records digitally published by museums and cultural institutions across the
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+ **UK, Europe, the Americas and Asia**, harvested from each institution's own API or
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+ open-data endpoint and normalised into one schema.
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+
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+ ## Scope of this release
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+
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+ **Every row in this release has a picture.** The working catalogue holds 23,010,062 records;
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+ the 5,604,792 with no image reference are held back for a later release rather than shipped
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+ as rows a reader cannot look at. Nothing was deleted — they return when they have pictures.
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  ## Configs
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  | config | rows | one row is |
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  |---|---|---|
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+ | `artwork` (default) | 17,405,270 | an artwork, with an image reference |
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+ | `artist` | 56,989 | an artist, with a biography |
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  Join on `artwork.artist` = `artist.name`.
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  ## artwork
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+ `id`, `title`, `title_lang`, `title_zh`, `title_alt`, `artist`, `artist_zh`, `year_start`,
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+ `year_end`, `date_display`, `medium`, `category`, `institution`, `institution_zh`, `city`,
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+ `country`, `region`, `accession`, `image_url`, `thumb_url`, `iiif`, `image_commons`,
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+ `image_commons_credit`, `license`, `source_url`, `description`, `description_zh`, `history`,
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+ `story`, `story_zh`.
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+
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+ ## artist
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+
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+ `name`, `name_zh`, `story`, `story_zh`, `story_lang`, `story_url`, `born`, `died`, `works`.
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+
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+ `story_lang` matters: 11,952 biographies exist only in French, German, Italian or Japanese.
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+ The column says which language the text is actually in, so a French article is never
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+ presented as though it were written or translated for this dataset.
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  ## Honest limits
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  Stated plainly, because a catalogue that overstates itself is worse than a smaller one.
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  - **Unknown is `null`.** No accession number, licence, language tag or date is ever inferred.
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+ - **Chinese titles are marked by provenance.** A title in `title_zh` is one the museum itself
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+ published. Machine-translated titles are held in a separate column and labelled in the app;
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+ they are never merged into `title_zh`.
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+ - **40.2% of works carry a Traditional Chinese title**, almost all machine-translated through
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+ a judged pipeline (each batch is graded by an independent reader and written only on a
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+ pass). The remainder are untranslated, not silently left in their source language under a
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+ Chinese label.
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+ - **"Story" is three different things.** 7,812,526 works carry the museum's own description or
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+ curator's comment, 2,398,011 more reach a biography of their artist but only **4,256**
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+ have a narrative about that specific object. Do not read the aggregate as the last number.
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+ - **1,301,017 rows had an artist value that named nobody** — "Okänd", "Ingen uppgift",
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+ "Onbekend / Unknown (Fotograaf)", "vermeld op object" — in 22 languages. These are now
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+ `null` so that "unknown" is not presented as a person's name. Values carrying a real
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+ attribution ("Anonymous British", "Unbekannt (Stecher)" where a nationality or role adds
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+ information) were kept.
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+ - **192,623 rows carry a raw URI in the `artist` column** instead of a name
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+ (`http://www.wikidata.org/entity/Q…`). These are unresolved identifiers, a known defect,
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+ not names. Do not treat them as artist labels.
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+ - **Coverage is uneven by source, not by harvest.** Several institutions cap paging while
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+ reporting success; where a page could not be retrieved it is recorded as a gap rather than
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+ silently dropped.
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  ## Images
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  **Not included, and must not be mirrored.** Rows carry `image_url` / `iiif` pointing at the
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+ holding institution, which is both the licensing position and why this dataset is ~1.1 GB
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  rather than terabytes.
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  ## Attribution