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train-clean

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  1. train clean/BOOKS.TXT +0 -0
  2. train clean/CHAPTERS.TXT +0 -0
  3. train clean/LICENSE.TXT +6 -0
  4. train clean/README.TXT +178 -0
  5. train clean/SPEAKERS.TXT +0 -0
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train clean/BOOKS.TXT ADDED
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train clean/CHAPTERS.TXT ADDED
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train clean/LICENSE.TXT ADDED
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+ LibriSpeech (c) 2014 by Vassil Panayotov
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+
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+ LibriSpeech ASR corpus is licensed under a
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+ Creative Commons Attribution 4.0 International License.
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+
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+ See <http://creativecommons.org/licenses/by/4.0/>.
train clean/README.TXT ADDED
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1
+ 1. General information
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+ ======================
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+
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+ LibriSpeech is a corpus of read speech, based on LibriVox's public domain
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+ audio books. Its purpose is to enable the training and testing of automatic
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+ speech recognition(ASR) systems.
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+
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+
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+ 2. Structure
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+ ============
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+
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+ The corpus is split into several parts to enable users to selectively download
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+ subsets of it, according to their needs. The subsets with "clean" in their name
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+ are supposedly "cleaner"(at least on average), than the rest of the audio and
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+ US English accented. That classification was obtained using very crude automated
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+ means, and should not be considered completely reliable. The subsets are
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+ disjoint, i.e. the audio of each speaker is assigned to exactly one subset.
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+
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+ The parts of the corpus are as follows:
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+
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+ * dev-clean, test-clean - development and test set containing "clean" speech.
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+ * train-clean-100 - training set, of approximately 100 hours of "clean" speech
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+ * train-clean-360 - training set, of approximately 360 hours of "clean" speech
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+ * dev-other, test-other - development and test set, with speech which was
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+ automatically selected to be more "challenging" to
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+ recognize
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+ * train-other-500 - training set of approximately 500 hours containing speech
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+ that was not classified as "clean", for some (possibly wrong)
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+ reason
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+ * intro - subset containing only the LibriVox's intro disclaimers for some of the
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+ readers.
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+ * mp3 - the original MP3-encoded audio on which the corpus is based
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+ * texts - the original Project Gutenberg texts on which the reference transcripts
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+ for the utterances in the corpus are based.
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+ * raw_metadata - SQLite databases which record various pieces of information about
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+ the source text/audio materials used, and the alignment process.
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+ (mostly for completeness - probably not very interesting or useful)
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+
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+ 2.1 Organization of the training and test subsets
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+ -------------------------------------------------
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+
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+ When extracted, each of the {dev,test,train} sets re-creates LibriSpeech's root
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+ directory, containing some metadata, and a dedicated subdirectory for the subset
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+ itself. The audio for each individual speaker is stored under a dedicated
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+ subdirectory in the subset's directory, and each audio chapter read by this
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+ speaker is stored in separate subsubdirectory. The following ASCII diagram
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+ depicts the directory structure:
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+
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+
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+ <corpus root>
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+ |
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+ .- README.TXT
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+ |
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+ .- READERS.TXT
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+ |
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+ .- CHAPTERS.TXT
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+ |
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+ .- BOOKS.TXT
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+ |
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+ .- train-clean-100/
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+ |
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+ .- 19/
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+ |
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+ .- 198/
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+ | |
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+ | .- 19-198.trans.txt
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+ | |
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+ | .- 19-198-0001.flac
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+ | |
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+ | .- 14-208-0002.flac
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+ | |
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+ | ...
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+ |
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+ .- 227/
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+ | ...
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+
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+
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+
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+ , where 19 is the ID of the reader, and 198 and 227 are the IDs of the chapters
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+ read by this speaker. The *.trans.txt files contain the transcripts for each
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+ of the utterances, derived from the respective chapter and the FLAC files contain
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+ the audio itself.
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+
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+ The main metainfo about the speech is listed in the READERS and the CHAPTERS:
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+
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+ - READERS.TXT contains information about speaker's gender and total amount of
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+ audio in the corpus.
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+
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+ - CHAPTERS.TXT has information about the per-chapter audio durations.
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+
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+ The file BOOKS.TXT makes contains the title for each book, whose text is used in
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+ the corpus, and its Project Gutenberg ID.
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+
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+ 2.2 Organization of the "intro-disclaimers" subset
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+ --------------------------------------------------
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+
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+ This part of the data contains simply the LibriVox's intro disclaimers that were
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+ successfully extracted, using a slight modification of the alignment algorithms
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+ used to derive the test training sets. The standard LibriVox disclaimer is:
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+
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+ "This is a LibriVox recording. All LibriVox recordings are in the public domain.
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+ For more information, or to volunteer, please visit: librivox DOT org"
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+
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+ As is the case for the training and test sets, there is one subdirectory for
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+ each reader, and a subsubdirectory for each of the chapters, read by this speaker
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+ for which the announcement was successfully extracted.
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+
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+
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+ 2.3 Organization of the "original-mp3" subset
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+ ---------------------------------------------
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+
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+ This part contains the original MP3-compressed recordings as downloaded from the
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+ Internet Archive. It is intended to serve as a secure reference "snapshot" for
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+ the original audio chapters, but also to preserve (most of) the information both
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+ about audio, selected for the corpus, and audio that was discarded. I decided to
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+ try make the corpus relatively balanced in terms of per-speaker durations, so
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+ part of the audio available for some of the speakers was discarded. Also for the
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+ speakers in the training sets, only up to 10 minutes of audio is used, to
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+ introduce more speaker diversity during evaluation time. There should be enough
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+ information in the "mp3" subset to enable the re-cutting of an extended
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+ "LibriSpeech+" corpus, containing around 150 extra hours of speech, if needed.
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+
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+ The directory hierarchy follows the already familiar pattern. In each
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+ speaker directory there is a file named "utterance_map" which list for each
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+ of the utterances in the corpus, the original "raw" aligned utterance.
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+ In the "header" of that file there are also 2 lines, that show if the
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+ sentence-aware segmentation was used in the LibriSpeech corpus(i.e. if the
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+ reader is assigned to a test set) and the maximum allowed duration for
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+ the set to which this speaker was assigned.
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+
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+ Then in the chapter directory, besides the original audio chapter .mp3 file,
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+ there are two sets of ".seg.txt" and ".trans.txt" files. The former contain
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+ the time range(in seconds) for each of the original(that I called "raw" above)
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+ utterances. The latter contains the respective transcriptions. There are two
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+ sets for the two possible segmentations of each chapter. The ".sents"
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+ segmentation is "sentence-aware", that is, we only split on silence intervals
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+ coinciding with (automatically obtained) sentence boundaries in the text.
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+ The other segmentation was derived by allowing splitting on every silence
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+ interval longer than 300ms, which leads to better utilization of the aligned
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+ audio.
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+
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+ 2.4 Organization of the "text" subset
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+ -------------------------------------
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+
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+ This part just contains one subdirectory, with name equal to the ID of the
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+ text in Project Gutenberg's database, for each book. The books are also
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+ separated in directories by their encoding-- could be either ASCII or UTF-8.
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+ The sole purpose of this subset is to be a permanent snapshot of the original
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+ text used for LibriSpeech's construction.
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+
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+
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+ 2.5 Organization of the "raw-metadata" part
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+ -------------------------------------------
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+
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+ Contains just few SQLite databases. Some of the more important bits of
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+ information from this tables are described in the README file within
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+ the "raw_data" subdirectory.
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+
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+
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+ Acknowledgments
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+ ===============
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+
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+ First and foremost, I would like to thank the thousands of Project Gutenberg
164
+ and LibriVox volunteers, without whose contributions the LibriSpeech corpus
165
+ would not have existed.
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+ The successful completion of this project would have been much more difficult,
167
+ and the quality of the finished corpus much worse, if it wasn't for the
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+ generous support and the many helpful advice, provided by Daniel Povey - thanks, Dan!
169
+ I would also like to express my gratitude to Tony Robinson, for the very
170
+ interesting, and useful discussions on the long audio alignment problem, that
171
+ we had some time ago.
172
+ Thanks also to Guoguo Chen and Sanjeev Khudanpur, with whom we are collaborating
173
+ on a (yet-to-be-published) paper on the corpus, and who helped to improve
174
+ the LibriSpeech's example scripts in Kaldi.
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+
176
+ ---
177
+ Vassil Panayotov,
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+ Oct. 2, 2014
train clean/SPEAKERS.TXT ADDED
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+ 19-198-0000 NORTHANGER ABBEY
2
+ 19-198-0001 THIS LITTLE WORK WAS FINISHED IN THE YEAR EIGHTEEN O THREE AND INTENDED FOR IMMEDIATE PUBLICATION IT WAS DISPOSED OF TO A BOOKSELLER IT WAS EVEN ADVERTISED
3
+ 19-198-0002 NEITHER THE AUTHOR NOR THE PUBLIC HAVE ANY OTHER CONCERN THAN AS SOME OBSERVATION IS NECESSARY UPON THOSE PARTS OF THE WORK WHICH THIRTEEN YEARS HAVE MADE COMPARATIVELY OBSOLETE
4
+ 19-198-0003 THE PUBLIC ARE ENTREATED TO BEAR IN MIND THAT THIRTEEN YEARS HAVE PASSED SINCE IT WAS FINISHED MANY MORE SINCE IT WAS BEGUN AND THAT DURING THAT PERIOD PLACES MANNERS BOOKS AND OPINIONS HAVE UNDERGONE CONSIDERABLE CHANGES
5
+ 19-198-0004 CHAPTER ONE NO ONE WHO HAD EVER SEEN CATHERINE MORLAND IN HER INFANCY WOULD HAVE SUPPOSED HER BORN TO BE AN HEROINE HER SITUATION IN LIFE
6
+ 19-198-0005 THE CHARACTER OF HER FATHER AND MOTHER HER OWN PERSON AND DISPOSITION WERE ALL EQUALLY AGAINST HER HER FATHER WAS A CLERGYMAN WITHOUT BEING NEGLECTED OR POOR AND A VERY RESPECTABLE MAN
7
+ 19-198-0006 HER MOTHER WAS A WOMAN OF USEFUL PLAIN SENSE WITH A GOOD TEMPER AND WHAT IS MORE REMARKABLE WITH A GOOD CONSTITUTION SHE HAD THREE SONS BEFORE CATHERINE WAS BORN
8
+ 19-198-0007 WHERE THERE ARE HEADS AND ARMS AND LEGS ENOUGH FOR THE NUMBER BUT THE MORLANDS HAD LITTLE OTHER RIGHT TO THE WORD FOR THEY WERE IN GENERAL VERY PLAIN AND CATHERINE FOR MANY YEARS OF HER LIFE AS PLAIN AS ANY
9
+ 19-198-0008 SHE HAD A THIN AWKWARD FIGURE
10
+ 19-198-0009 DARK LANK HAIR AND STRONG FEATURES SO MUCH FOR HER PERSON AND NOT LESS UNPROPITIOUS FOR HEROISM SEEMED HER MIND SHE WAS FOND OF ALL BOY'S PLAYS AND GREATLY PREFERRED CRICKET
11
+ 19-198-0010 NOT MERELY TO DOLLS BUT TO THE MORE HEROIC ENJOYMENTS OF INFANCY NURSING A DORMOUSE FEEDING A CANARY BIRD OR WATERING A ROSE BUSH INDEED SHE HAD NO TASTE FOR A GARDEN
12
+ 19-198-0011 AND IF SHE GATHERED FLOWERS AT ALL IT WAS CHIEFLY FOR THE PLEASURE OF MISCHIEF AT LEAST SO IT WAS CONJECTURED FROM HER ALWAYS PREFERRING THOSE WHICH SHE WAS FORBIDDEN TO TAKE SUCH WERE HER PROPENSITIES
13
+ 19-198-0012 HER ABILITIES WERE QUITE AS EXTRAORDINARY SHE NEVER COULD LEARN OR UNDERSTAND ANYTHING BEFORE SHE WAS TAUGHT AND SOMETIMES NOT EVEN THEN FOR SHE WAS OFTEN INATTENTIVE AND OCCASIONALLY STUPID
14
+ 19-198-0013 HER MOTHER WAS THREE MONTHS IN TEACHING HER ONLY TO REPEAT THE BEGGAR'S PETITION AND AFTER ALL HER NEXT SISTER SALLY COULD SAY IT BETTER THAN SHE DID NOT THAT CATHERINE WAS ALWAYS STUPID BY NO MEANS
15
+ 19-198-0014 SHE LEARNT THE FABLE OF THE HARE AND MANY FRIENDS AS QUICKLY AS ANY GIRL IN ENGLAND HER MOTHER WISHED HER TO LEARN MUSIC AND CATHERINE WAS SURE SHE SHOULD LIKE IT FOR SHE WAS VERY FOND OF TINKLING THE KEYS OF THE OLD FORLORN SPINNET
16
+ 19-198-0015 SO AT EIGHT YEARS OLD SHE BEGAN SHE LEARNT A YEAR AND COULD NOT BEAR IT AND MISSUS MORLAND WHO DID NOT INSIST ON HER DAUGHTERS BEING ACCOMPLISHED IN SPITE OF INCAPACITY OR DISTASTE ALLOWED HER TO LEAVE OFF
17
+ 19-198-0016 FRENCH BY HER MOTHER HER PROFICIENCY IN EITHER WAS NOT REMARKABLE AND SHE SHIRKED HER LESSONS IN BOTH WHENEVER SHE COULD WHAT A STRANGE UNACCOUNTABLE CHARACTER FOR WITH ALL THESE SYMPTOMS OF PROFLIGACY AT TEN YEARS OLD
18
+ 19-198-0017 HATED CONFINEMENT AND CLEANLINESS AND LOVED NOTHING SO WELL IN THE WORLD AS ROLLING DOWN THE GREEN SLOPE AT THE BACK OF THE HOUSE SUCH WAS CATHERINE MORLAND AT TEN AT FIFTEEN APPEARANCES WERE MENDING
19
+ 19-198-0018 SHE BEGAN TO CURL HER HAIR AND LONG FOR BALLS HER COMPLEXION IMPROVED HER FEATURES WERE SOFTENED BY PLUMPNESS AND COLOUR HER EYES GAINED MORE ANIMATION AND HER FIGURE MORE CONSEQUENCE
20
+ 19-198-0019 HER LOVE OF DIRT GAVE WAY TO AN INCLINATION FOR FINERY AND SHE GREW CLEAN AS SHE GREW SMART SHE HAD NOW THE PLEASURE OF SOMETIMES HEARING HER FATHER AND MOTHER REMARK ON HER PERSONAL IMPROVEMENT
21
+ 19-198-0020 CATHERINE GROWS QUITE A GOOD LOOKING GIRL SHE IS ALMOST PRETTY TODAY WERE WORDS WHICH CAUGHT HER EARS NOW AND THEN AND HOW WELCOME WERE THE SOUNDS TO LOOK ALMOST PRETTY
22
+ 19-198-0021 THAN A BEAUTY FROM HER CRADLE CAN EVER RECEIVE MISSUS MORLAND WAS A VERY GOOD WOMAN AND WISHED TO SEE HER CHILDREN EVERYTHING THEY OUGHT TO BE BUT HER TIME WAS SO MUCH OCCUPIED IN LYING IN AND TEACHING THE LITTLE ONES
23
+ 19-198-0022 THAT HER ELDER DAUGHTERS WERE INEVITABLY LEFT TO SHIFT FOR THEMSELVES AND IT WAS NOT VERY WONDERFUL THAT CATHERINE WHO HAD BY NATURE NOTHING HEROIC ABOUT HER SHOULD PREFER CRICKET BASEBALL RIDING ON HORSEBACK
24
+ 19-198-0023 AND RUNNING ABOUT THE COUNTRY AT THE AGE OF FOURTEEN TO BOOKS OR AT LEAST BOOKS OF INFORMATION FOR PROVIDED THAT NOTHING LIKE USEFUL KNOWLEDGE COULD BE GAINED FROM THEM PROVIDED THEY WERE ALL STORY AND NO REFLECTION
25
+ 19-198-0024 SHE HAD NEVER ANY OBJECTION TO BOOKS AT ALL BUT FROM FIFTEEN TO SEVENTEEN SHE WAS IN TRAINING FOR A HEROINE SHE READ ALL SUCH WORKS AS HEROINES MUST READ TO SUPPLY THEIR MEMORIES WITH THOSE QUOTATIONS WHICH ARE SO SERVICEABLE
26
+ 19-198-0025 MANY A FLOWER IS BORN TO BLUSH UNSEEN AND WASTE ITS FRAGRANCE ON THE DESERT AIR FROM THOMPSON THAT IT IS A DELIGHTFUL TASK TO TEACH THE YOUNG IDEA HOW TO SHOOT
27
+ 19-198-0026 AND FROM SHAKESPEARE SHE GAINED A GREAT STORE OF INFORMATION AMONGST THE REST THAT TRIFLES LIGHT AS AIR ARE TO THE JEALOUS CONFIRMATION STRONG AS PROOFS OF HOLY WRIT
28
+ 19-198-0027 THAT THE POOR BEETLE WHICH WE TREAD UPON IN CORPORAL SUFFERANCE FEELS A PANG AS GREAT AS WHEN A GIANT DIES AND THAT A YOUNG WOMAN IN LOVE ALWAYS LOOKS
29
+ 19-198-0028 LIKE PATIENCE ON A MONUMENT SMILING AT GRIEF SO FAR HER IMPROVEMENT WAS SUFFICIENT AND IN MANY OTHER POINTS SHE CAME ON EXCEEDINGLY WELL FOR THOUGH SHE COULD NOT WRITE SONNETS
30
+ 19-198-0029 SHE BROUGHT HERSELF TO READ THEM AND THOUGH THERE SEEMED NO CHANCE OF HER THROWING A WHOLE PARTY INTO RAPTURES BY A PRELUDE ON THE PIANOFORTE OF HER OWN COMPOSITION SHE COULD LISTEN TO OTHER PEOPLE'S PERFORMANCE WITH VERY LITTLE FATIGUE
31
+ 19-198-0030 HER GREATEST DEFICIENCY WAS IN THE PENCIL SHE HAD NO NOTION OF DRAWING NOT ENOUGH EVEN TO ATTEMPT A SKETCH OF HER LOVER'S PROFILE THAT SHE MIGHT BE DETECTED IN THE DESIGN
32
+ 19-198-0031 THERE SHE FELL MISERABLY SHORT OF THE TRUE HEROIC HEIGHT AT PRESENT SHE DID NOT KNOW HER OWN POVERTY FOR SHE HAD NO LOVER TO PORTRAY SHE HAD REACHED THE AGE OF SEVENTEEN
33
+ 19-198-0032 WITHOUT HAVING SEEN ONE AMIABLE YOUTH WHO COULD CALL FORTH HER SENSIBILITY WITHOUT HAVING INSPIRED ONE REAL PASSION AND WITHOUT HAVING EXCITED EVEN ANY ADMIRATION BUT WHAT WAS VERY MODERATE AND VERY TRANSIENT
34
+ 19-198-0033 THIS WAS STRANGE INDEED BUT STRANGE THINGS MAY BE GENERALLY ACCOUNTED FOR IF THEIR CAUSE BE FAIRLY SEARCHED OUT THERE WAS NOT ONE LORD IN THE NEIGHBOURHOOD NO NOT EVEN A BARONET
35
+ 19-198-0034 THERE WAS NOT ONE FAMILY AMONG THEIR ACQUAINTANCE WHO HAD REARED AND SUPPORTED A BOY ACCIDENTALLY FOUND AT THEIR DOOR NOT ONE YOUNG MAN WHOSE ORIGIN WAS UNKNOWN HER FATHER HAD NO WARD AND THE SQUIRE OF THE PARISH NO CHILDREN
36
+ 19-198-0035 BUT WHEN A YOUNG LADY IS TO BE A HEROINE THE PERVERSENESS OF FORTY SURROUNDING FAMILIES CANNOT PREVENT HER SOMETHING MUST AND WILL HAPPEN TO THROW A HERO IN HER WAY MISTER ALLEN
37
+ 19-198-0036 WHO OWNED THE CHIEF OF THE PROPERTY ABOUT FULLERTON THE VILLAGE IN WILTSHIRE WHERE THE MORLANDS LIVED WAS ORDERED TO BATH FOR THE BENEFIT OF A GOUTY CONSTITUTION AND HIS LADY A GOOD HUMOURED WOMAN FOND OF MISS MORLAND AND PROBABLY AWARE THAT IF
38
+ 19-198-0037 SHE MUST SEEK THEM ABROAD INVITED HER TO GO WITH THEM
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