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| Produced by Nick Hodson of London, England | |
| Blind Policy, by George Manville Fenn. | |
| ________________________________________________________________________ | |
| ________________________________________________________________________ | |
| BLIND POLICY, BY GEORGE MANVILLE FENN. | |
| CHAPTER ONE. | |
| IN RAYBECK SQUARE. | |
| "Oh, you wicked old woman! Ah, you dare to cry, and I'll send you to | |
| bed." | |
| "No, no, auntie, don't, please. What will dear Isabel think? You're | |
| not going to spoil a delightful evening?" | |
| "Of course she is not. Here, old lady; have another glass of claret-- | |
| medicinally." | |
| Dr Chester jumped up, gave his sister and the visitor a merry look, | |
| took the claret to the head of the table and refilled his own glass. | |
| But the lady shook her grey sausage curls slowly, and elaborately began | |
| to unfold a large bordered pocket-handkerchief, puckered up her plump | |
| countenance, gazed piteously at the sweet face on her right, bent her | |
| head over to her charming niece on the left, and then proceeded to up a | |
| few tears. | |
| "No, no, no, Fred; not a drop more. It only makes me worse; I can't | |
| help it, my love." | |
| "Yes, you can, old lady. Come, try and stop it. You'll make Bel cry | |
| too." | |
| "I wish she would, Fred, and repent before it's too late." | |
| "What!" cried the doctor. | |
| "Don't shout at me, my dear. I want to see her repent. It's very nice | |
| to see the carriages come trooping, and to know what a famous doctor you | |
| are; but you don't understand my complaint, Fred." | |
| "Oh yes, I do, old lady. Grumps, eh, Laury?" | |
| "No, no, my dear. It's heart. I've suffered too much, and the sight of | |
| Isabel Lee, here, coming and playing recklessly on the very brink of | |
| such a precipice, is too much for me." | |
| The tears now began to fall fast, and the two girls rose from their | |
| seats simultaneously to try and comfort the sufferer. | |
| "Playing? Precipice?" cried the young doctor. "Step back, Bel dear; | |
| you shouldn't. Auntie, what do you mean?" | |
| "Marriage, my dear, marriage," wailed the old lady. | |
| "Fudge?" cried the doctor. "Here, take your medicine. No; I'll pour | |
| you out a fresh glass. You've poisoned that one with salt water." | |
| "I haven't, Fred." | |
| "You have, madam. I saw two great drops fall in--plop. Come, swallow | |
| your physic. Bel, give her one of those grapes to take after it." | |
| "No, no, no!" cried the old lady, protesting. "Don't, Laury;" but her | |
| niece held the glass to her lips till she gulped the claret down, and it | |
| made her cough, while the visitor exchange glances with the doctor. | |
| "I--I didn't want it, Fred; and it's not fudge. Oh, my dear Isabel, be | |
| warned before it is too late. Marriage is a delusion and a snare." | |
| "Yes, and Bel's caught fast, auntie. Just going to pop her finger into | |
| the golden wire." | |
| "Don't, my dear; be warned in time," cried the old lady, piteously. "I | |
| was once as young and beautiful as you are, and I said yes, and was | |
| married, only to be forsaken at the end of ten years, to become a weary, | |
| unhappy woman, with only three thousand four hundred and twenty-two | |
| pounds left; and it's all melting slowly away, while when it's all gone | |
| Heaven only knows what's to become of me." | |
| "Poor old auntie!" said Laura Chester soothingly, taking the old lady's | |
| head on her shoulder; but it would shake all the same. | |
| "I had a house of my own, and now I have come down to keeping my | |
| nephew's. Don't you marry, my poor child: take warning by me. Men are | |
| so deceitful." | |
| "Wrong, auntie. Men were deceivers ever." | |
| "I'm not wrong, Fred. You've been a very good boy to me, but you're a | |
| grown man now, and though I love you I couldn't trust you a bit." | |
| "Thank you, aunt dear." | |
| "I can't, my love, knowing what I do. Human nature is human nature." | |
| "Aunt dear, for shame!" cried Laura. | |
| "No, my dear, it's no shame, but the simple truth, and I always told | |
| your poor father it was a sin and a crime to expose a young man to such | |
| temptation." | |
| "Ha, ha, ha!" laughed the doctor, boisterously. "Here, Bel dear, don't | |
| you trust me." | |
| The young people's eyes met, full of confidence, and the old lady shook | |
| her head again. | |
| "I know what the world is and what men are," she continued, "and nothing | |
| shall make me believe that some of these fashionable patients have | |
| anything the matter with them." | |
| "Oh, you wicked old woman!" cried the doctor. | |
| "I'm not, Fred," she cried angrily. | |
| "Oh yes, you are, old lady. You say I don't understand your complaint; | |
| it's conscience." | |
| "It is not, sir. I've nothing on my conscience at all." | |
| "I don't believe you, auntie," he cried banteringly. "You must have | |
| been a wicked old flirt." | |
| "It is false, sir; and I don't hold with doctors being young and | |
| handsome." | |
| "No; I twig. Repentance. You used to go and see one when you were | |
| young, and give him guineas to feel your pulse." | |
| "How can you say such wicked things, Fred?" cried the old lady, turning | |
| scarlet. "But I will say it now. I'm sure it's not right for you to be | |
| seeing all these fine fashionable ladies, scores of them, every day." | |
| "Do take her upstairs, Laury," said the doctor, merrily. "Help her, Bel | |
| dear. You hear; I'm a horribly wicked man, and so fascinating that the | |
| ladies of Society flock to see me. Now, I appeal to you, dear. Did you | |
| ever hear such a wicked, suspicious old woman?" | |
| "Don't, don't, don't, Fred," sobbed the lady in question. "I only spoke | |
| for your good. But it can't last long now; and when I'm dead and gone | |
| you'll be sorry for all you've said." | |
| "Poor old darling!" said the doctor, affectionately; "she sha'n't have | |
| her feelings hurt. Now then, toddle up to the drawing-room. Lie down a | |
| bit; and have an early cup of tea, Laury." | |
| "No, no, no," sobbed the old lady. "I'm only a poor, worn-out, useless | |
| creature, and the sooner the grave closes over me the better." | |
| She was out at the foot of the stairs, leaning upon her niece's arm, | |
| before she had finished her sentence, and Isabel Lee, half troubled, | |
| half amused, was following through the door, which the doctor kept open, | |
| but he let it go and held out his hands, as the girl looked tenderly up | |
| a him. Then the door swung to, and the next moment she was clasped in | |
| his arms. | |
| "My darling!" he whispered; and then in the silence which followed they | |
| could hear faintly the voice of the old lady on the stairs. | |
| "I'm so sorry, Bel dear," said the doctor tenderly. "She has one of her | |
| fits on to-day. Poor old soul, she has had a great deal of trouble." | |
| "I know, Fred dear. I don't mind." | |
| "But it's rather hard on our visitor, whom we want to entertain--queer | |
| entertainment." | |
| "Don't talk about it, Fred. Let me go now." | |
| "Without any balm for the suffering, deceitful wretch? Just one." | |
| "Well, only one. Come up soon." | |
| It was, as the doctor said, a very tiny one, and then the girl had | |
| struggled free and hurried up to the drawing-room, while the giver went | |
| back to his seat. | |
| "Bless her! I honestly believe she's the most amiable girl in the | |
| world," said the doctor; as he sat sipping his claret. "Only a | |
| fortnight now, and then no more going away. I do love her with all my | |
| heart, and I say devoutly, thank God for giving me the chance of | |
| possessing so good a partner for life." | |
| He sat sipping thoughtfully. | |
| "Bother the old woman!" he cried suddenly. "To break out like that. | |
| Suspicious as ever; but Bel took it the right way. I didn't know I was | |
| such a Lothario. How absurd! Now about to-morrow's engagements. Let's | |
| see." | |
| He took out a memorandum book, wrinkled up his forehead, and the next | |
| minute was deep in thought over first one and then another of the | |
| serious cases in which he had to do battle with the grim Shade, ending | |
| by getting up and pacing the room, forgetful of all social ties and the | |
| presence of his betrothed overhead. | |
| "Oh, Fred!" brought him back to the present. | |
| "Eh? What's the matter, dear?" | |
| "Matter? Well, if ever I have a lover I hope he'll be different to you. | |
| There's auntie fast asleep, and poor Isabel sitting watching the door | |
| with the tears in her eyes." | |
| "Tut-tut-tut!" ejaculated the brother. "Yes; too bad, but I have a very | |
| serious case on hand, dear, and I am obliged to give it a great deal of | |
| careful consideration." | |
| "You're always like that now, Fred," said his sister, pettishly. "I | |
| hope you don't mean to see patients on your wedding-day." | |
| "Oh, hang it! no, Laury. Here, I'll come up and have some music; but | |
| you needn't be so sharp, little one. Gentlemen are allowed to sit over | |
| their wine, and you haven't been gone five minutes." | |
| "Monster!" cried Laura. "It's over half an hour!" | |
| "Oh!" ejaculated the doctor, "get out of the way." | |
| He dashed by his sister, and went up the stair three at a time to enter | |
| the back drawing-room where he was saluted by a snore from the sofa, and | |
| then passed through the folding-doors, his steps inaudible upon the soft | |
| carpet. He stood gazing tenderly at the picture he saw in a great | |
| mirror of a sweet, sad face resting upon its owner's hand; and his | |
| conscience smote him as he saw that the eyes were indeed full of tears. | |
| The next moment there was a faint cry of joy, and the face lit up, for | |
| he had stolen behind, sunk upon one knee, passed his arm round the | |
| slight waist, and was in the act of pressing his lips to those of his | |
| betrothed, when there was a gentle cough, and they started apart, to | |
| turn and see Laura's head between the nearly closed folding-doors, with | |
| a mischievous look in her eyes. | |
| "Oh, Bel! For shame!" she whispered merrily. "You don't seem to take | |
| poor Aunt Grace's words a bit to heart." | |
| "You come in and behave yourself," said the doctor. "Don't you begin | |
| making mischief." | |
| "I'm not coming in, Fred," said the girl, saucily. "I don't like to see | |
| such goings-on. Is that the way people make love?" | |
| The doctor sprang up threateningly and made for the doors, but the head | |
| disappeared. | |
| "She'll never grow into a woman, Bel dear," said the doctor, turning to | |
| her. | |
| "Oh yes, I shall," came from the door, as the head was thrust in again. | |
| "Now I'm going to sit with auntie till she wakes. Go on with your | |
| love-making, Daphnis and Chloe. Oh, I shall be so glad when you've both | |
| come to your senses again." | |
| This time the door closed with a click, and the doctor sank on his knee | |
| again by Isabel, and drew her to him fondly. | |
| "Been thinking of what poor old aunt said, Bel?" he whispered, as her | |
| head sank upon his shoulder. | |
| "No, not at all I only wanted you to come." | |
| "And you trust me fully?" | |
| "Of course, Fred. You know I do." | |
| "And always will?" | |
| "How can you ask me?" | |
| "It is so pleasant to be told that you have the fullest confidence in | |
| your husband to be. Tell me you trust me." | |
| "It is insulting you, Fred," said the girl gently as she gazed in his | |
| eyes. "How could I accept you if I did not know you to be the truest, | |
| bravest--Oh, Fred!" | |
| "I was obliged to stop those flattering lips," he said. "I'm vain | |
| enough of having won my darling, and--Oh, hang it!" | |
| "I beg pardon, sir; I did knock," said the servant. "Urgent, sir. A | |
| lady in your consulting-room." | |
| "All right; down directly," said the doctor, who had started up. "I | |
| say, Bel darling, I must be more professional. You mustn't lock me in | |
| your dear arms like this without you turn the key. I sha'n't be long." | |
| Isabel Lee uttered a low sigh as her betrothed made for the door, and as | |
| he passed out there was the sound of voices in the back drawing-room, | |
| Aunt Grace having finished her nap. | |
| "Who is it, Laury?" | |
| "I don't know, aunt dear; something urgent. Smith said a lady." | |
| "Another lady? and at this time of night?" | |
| "People fall ill at all times, aunt dear," said the girl, coldly. | |
| "Hush! don't say any more please; Isabel will hear you." | |
| "But I can't help it, my dear," said the lady in a peevish whisper, | |
| every word of which reached the visitor's ears. "Oh dear me, I wish | |
| Fred was not so good-looking. Well, it's only another fortnight. I | |
| begin to think he ought to be married at once." | |
| CHAPTER TWO. | |
| A STRANGE CASE. | |
| Two gloveless hands caught Dr Chester's as he entered his | |
| consulting-room, and a strange thrill ran through him as a beautiful | |
| face, wild-eyed and agitated, was thrust close to his. | |
| "Dr Chester? Oh, at last! Come--quickly! before it is too late." | |
| "Pray be calm," he said, motioning his visitor to a seat, but she threw | |
| back her head. | |
| "Come!" she cried imperiously. "The brougham is at the door. Quick! | |
| He is dying." | |
| "Pray explain yourself, madam," said the doctor. | |
| "Oh, how can you be so cold-blooded? Man, I tell you that Robert is | |
| dying. He must not--he shall not die. Come--come!" | |
| "But, my dear madam!" | |
| "I'll explain everything as we go," cried the visitor, passionately, as | |
| she drew him towards the door. "A terrible accident. Come and save his | |
| life." | |
| At another time Fred Chester might have hesitated, but there was a | |
| strange magnetism in the eyes of his beautiful visitor--an appeal in the | |
| quivering lip. Every feature was drawn by the agitation from which she | |
| suffered. It was his profession to help in emergencies--evidently some | |
| terrible crisis had arisen, and he felt it impossible to resist. | |
| He threw open the door, there was a faint gasp of satisfaction as he | |
| caught up his hat, and the next moment, with his visitor holding still | |
| tightly by his hand, he was descending the broad steps, perfectly | |
| ignorant of the fact that Aunt Grace was standing at the top of the | |
| first flight of stairs, watching intently. | |
| By the light of the gas lamps Chester saw a handsomely-appointed | |
| brougham drawn up at the kerb. His companion said the one word "Home," | |
| then stepped quickly into the carriage, the doctor followed, and they | |
| were driven off at a rapid pace. | |
| The night was dark, and it was by flashes of the lamps they passed that | |
| he had glimpses of the beautiful, quivering face leaning earnestly | |
| toward his. He was conscious of the delicate scent emanating from the | |
| dress; the warm perfumed breath reached his face, and there was, as it | |
| were, a magic in the contact with her rustling robe, as they sped along | |
| the streets. A wild intoxication seemed to have seized upon him in | |
| those moments, before he could master himself sufficiently to say-- | |
| "Will you explain the accident?" | |
| "Yes, yes, as soon as I can speak," was panted out. "I--I--ah--h--ah!" | |
| The speaker lurched toward him, and he caught her, fainting, in his | |
| arms. But her strong will mastered the weakness, and she struggled | |
| free. | |
| "Better now," she panted. "Doctor, we had heard of you, I came myself. | |
| He is dying. Oh, faster--faster!" she cried, and leaning forward she | |
| beat upon the front window, there was a quick movement on the part of | |
| the driver, and the horses seemed to fly. | |
| "It was like this. We were at dessert. Robert was examining a pistol. | |
| It went off, and he is horribly wounded. Dr Chester, oh, for Heaven's | |
| sake, save my poor boy's life!" | |
| "With Heaven's help, madam, I will," said the doctor, earnestly, "if we | |
| are not too late." | |
| "Too late--too late? Oh no, no, no, we cannot be too late! Quicker! | |
| Quicker! These horses seem to crawl. Oh, it is too horrible--too | |
| horrible! I cannot bear it!" | |
| By a quick, impulsive movement the speaker threw herself forward, to | |
| sink upon her knees in the bottom of the brougham, pressing her hands to | |
| her mouth, and resting her face upon them against the padded cushion by | |
| the front window; while, feeling strangely moved, Chester leaned | |
| slightly over her with his hands half raised, in the desire he dared not | |
| gratify, to raise her to her seat and whisper gentle words of comfort. | |
| At that time it did not occur to him that it seemed strange for a | |
| gentleman--he must be a gentleman; everything suggested it--to be | |
| handling a pistol at dessert. All he could think of was the terrible | |
| suffering of his companion, and his attention was centred upon her as he | |
| saw the agony she suffered, while as yet he could do nothing. | |
| She sprang up as suddenly as she had thrown herself down, and her voice | |
| and look thrilled him again as she said sharply-- | |
| "I can't pray: it is too horrible. Don't notice me; don't speak to me, | |
| please, doctor. I am half mad." | |
| She flung herself back in the corner and covered her face with her | |
| hands, while, totally oblivious of the direction taken by the driver, | |
| Chester sat back in his own place, gazing at his companion, and weaving | |
| a romance. | |
| It was some story of love, he told himself--love and jealousy--for the | |
| woman at his side was beautiful enough to tempt a saint. That was it, | |
| he was sure, and the distracted husband had attempted to or had | |
| committed suicide. | |
| "What is it to me?" he said to himself, fiercely, and he wondered now | |
| that he should have been so strangely moved. His professional instincts | |
| had the mastery again, and for the first time he looked out through the | |
| drawn-up glass to try and see what street they were in. But at that | |
| moment his companion started again. | |
| "Shall we never be there?" she cried in her agony. "Ah! at last!" | |
| For the horses were pulled up suddenly, there was a flash of light from | |
| an open hall, and a gentleman ran down and tore open the brougham door. | |
| "Brought him?" | |
| "Yes, yes!" cried the lady, springing out and turning to snatch at the | |
| doctor's wrist and hurry him up the steps. | |
| Once more the strange thrill ran through Fred Chester's nerves and his | |
| heart throbbed heavily. Then they were inside a handsome entry, and he | |
| saw statuary, pictures, a cluster of electric lights, in rapid sequence, | |
| as he hurried over soft carpets to the back of the house, and into a | |
| handsome dining-room in which some eight or nine ladies and gentlemen in | |
| evening dress were clustered about a couch drawn up near a table covered | |
| with glass and plate, flowers, fruit, and the signs of the interrupted | |
| dessert, seen by a bouquet of soft incandescent lights. | |
| The sight of the figure on the couch was enough, and Chester was fully | |
| himself as his companion ran to the sufferer, threw herself on her | |
| knees, and kissed the white face there. | |
| "Be my own brave boy," she whispered hoarsely. "The doctor is here." | |
| "Be kind enough to leave the room, all but two of you gentlemen," said | |
| Chester, sternly. | |
| "No; I shall stay," cried the lady, firmly, as she threw off the thick | |
| mantilla and fur-lined cloak, to stand there bare-armed and palpitating. | |
| "I will not leave you, Rob," she cooed over the wounded man. "Doctor, | |
| I will be nurse." | |
| The doctor bowed his head, and as all left the room but two of the | |
| gentlemen, he hurriedly made his examination, and probed in vain for the | |
| bullet, which had passed in under the left shoulder-blade, inflicting a | |
| dangerous wound, against which, at intervals, the lady pressed her | |
| handkerchief. | |
| The patient bore all with remarkable fortitude, and in the moments of | |
| his greatest agony set his teeth and held on by his nurse's hand, while | |
| she bent down from time to time from watching every movement of the | |
| doctor, and pressed her trembling lips to the sufferer's hand. | |
| At last the examination was over, and the wounded man lay very white and | |
| still; while Chester made use of a finger-glass and napkin to remove the | |
| ugly marks from the white hands. | |
| "Drink this, doctor," whispered one of the gentlemen who had waited upon | |
| him, no servant having been seen. | |
| Chester, who had had eyes only for his patient, turned sharply, and took | |
| a tumbler of Burgundy from the well-bred man who offered it, drank a few | |
| mouthfuls, and set the glass down close by the weapon which had caused | |
| the wound, and which lay near a dish containing a large pine. | |
| Chester raised his brows a little as he now saw the richness of the | |
| table appointments, and at the same time grasped the fact that he was in | |
| some wealthy home. Then this was endorsed as he turned and his eyes lit | |
| upon the lady kneeling on the other side of the couch, pale and | |
| beautiful, for he noted that she had magnificent diamonds in her hair, | |
| about her neck, and clasped upon her soft white wrists. | |
| "Say something, doctor," she whispered pleadingly. | |
| "I cannot, madam, yet." | |
| "But he will live?" she wailed. | |
| "Please God, madam. Gentlemen, the case is serious," he said, turning | |
| to those who were watching him. "I should like someone else called in | |
| for consultation." | |
| "No," said one of the gentlemen, decisively. "If you cannot save him, | |
| no one can." | |
| "Jem," said the other, hoarsely, "it's murder not to--" | |
| "Silence!" said the first speaker, sternly. "Dr Chester will save him | |
| if he is to be saved." | |
| "Oh, Jem, Jem!" moaned the lady. | |
| "Be quiet, Marion. He is in the right hands. No, doctor, we will have | |
| no one else called in." | |
| A low moan from the wounded man took Chester's attention, and he knelt | |
| down again to bathe his face and lips with brandy, while the two | |
| gentlemen went to a door at the other end, passed out, and a low, | |
| hurried dispute arose, all in whispers. | |
| Chester heard a word or two--angry words--and grasped the fact that | |
| there must have been some desperate quarrel, ending in the unfortunate | |
| man before him being shot down. A chair was overturned, and glasses and | |
| decanters upset, as if from a struggle. But the patient was apparently | |
| slipping away, and for hour after hour through that night Chester fought | |
| the grim Spectre, striving to tear the victim from his hands, seeing | |
| nothing, nothing, nothing, forgetting everything--home, Isabel, the | |
| anxious woman at his side. His every nerve was strung to the fight, and | |
| at last he felt that he had won. | |
| His face showed it as he rose, uttering a sigh of relief, and his | |
| fellow-watcher at the other side of the couch sprang from her knees, | |
| caught his hands in hers, and kissed them passionately, while the rest | |
| of the company came slowly back into the room. | |
| "Then he'll live, doctor?" whispered the gentleman the others had | |
| addressed as Jem. | |
| "I hope so. He is sleeping easily now. I will come back about nine. | |
| There is not likely to be any change. If there is, of course I must be | |
| fetched." | |
| "Have some refreshment, doctor," said the gentleman he addressed. "You | |
| must not leave him." | |
| Wearied out as he was, this was enough to irritate Chester. | |
| "I am the best judge of that, sir," he said coldly. "Of course the | |
| patient must not be left." | |
| "That is what we all feel, doctor. Ask what fee you please, but you | |
| must stay." | |
| "Yes, yes; pray, pray stay, doctor," cried the lady in a pleading voice | |
| which went to his heart. | |
| "It is impossible, madam. I have others to think of as well as your-- | |
| friend." | |
| He could not for the life of him say husband. | |
| "I will be back about nine." | |
| "Sir, we beg of you to stay," said the gentleman who took the lead, | |
| earnestly. | |
| "I have told you, sir, that I cannot. I must leave you now." | |
| "No, no, doctor!" whispered the lady. | |
| "Madam, it is not necessary for me to stay now. Silence, I beg. The | |
| patient must be kept quiet." | |
| "Yes--quiet," said the chief speaker. "Doctor, we have asked you not to | |
| leave us; now we must insist." | |
| "What! Why?" | |
| "Because we decline to let you go till your patient is quite out of | |
| danger." | |
| "What!" cried Chester, sharply, over-excited by what he had gone | |
| through. "Am I to be kept a prisoner?" | |
| "If you like to call it so. Everything you desire you can have, but you | |
| cannot leave here yet." | |
| "Absurd!" said Chester, angrily, and as he spoke he saw that two of the | |
| gentlemen present moved to the door by which he had entered. "I insist | |
| upon going at once." | |
| "You cannot, sir." | |
| "Stand aside, sir, and let me pass!" cried Chester, sternly, as his | |
| opponent moved between him and the door. | |
| "Jem, for pity's sake"--whispered the lady. "Doctor, I beg, I pray you | |
| to stay." | |
| "It is impossible, madam, now. Let me pass, sir." There was a fierce | |
| motion made towards the patient, but Chester did not heed it. He saw | |
| that the other occupants of the room were closing him in, in answer to a | |
| gesture made by the gentleman in front. | |
| The spirit within him was roused now, and in his resentment he stepped | |
| fiercely forward with extended hand, when his opponent thrust his hand | |
| into his breast with a menacing gesture. | |
| Quick as thought, Chester stepped back and caught up the revolver he had | |
| seen lying upon the table. | |
| There was a faint cry, and two white hands were laid upon his breast. | |
| "Stand aside, Marion!" and there was a click from the lock of another | |
| pistol. | |
| "Doctor! for his sake!--pray!" | |
| Chester turned from her sharply, as if to avoid her eyes. Then flashed | |
| his own upon the man who barred his way. | |
| "Is this the rehearsal of some drama, sir?" he said scoffingly. "I | |
| refuse all part in it. Now have the goodness to let me pass, for pass I | |
| will." | |
| He threw the pistol he held upon the carpet, and once more advanced | |
| toward the door, braving the weapon pointed at his head. | |
| "Bah!" he cried; "do you think to frighten me with that theatrical | |
| nonsense?" | |
| "Keep back, sir, or I fire." | |
| At that moment a white hand pressed the electric button by the side of | |
| the heavy mantelpiece, the room was suddenly darkened, and a sharp crack | |
| and rattling sound announced the locking of the door and withdrawing of | |
| the key. | |
| "Then there has been foul play," muttered Chester. "Into what trap have | |
| I fallen here?" | |
| CHAPTER THREE. | |
| TWO HUNDRED GUINEAS. | |
| Chester took a couple of steps to his right, for there was a faint sound | |
| in the pitchy darkness which he interpreted to mean the advance of an | |
| enemy. Then in the perturbation of spirit and nervousness of the | |
| moment, he moved a step or two cautiously in what he believed to be the | |
| direction of the other door, and stopped short, half-dazed by the | |
| feeling of confusion which comes upon one in a dense fog. | |
| "Who did that?" said the voice he recognised. "You, Marion, of course. | |
| Here, you go to your room." | |
| There was no reply. | |
| "Do you hear me? It is no time for fooling now." | |
| "Yes, I hear you, but I will not leave his side. You cowards! do you | |
| want to kill me too?" | |
| "Hold your tongue. Di--Paddy--all of you, get hold of the mad fool | |
| before worse comes of it." | |
| There was a faint cry, a panting and scuffling, the word "Help!" blurred | |
| and stifled as if a hand had been suddenly clapped over the speaker's | |
| lips, and Chester mentally saw his beautiful companion of the brougham | |
| struggling violently as she was being half carried from the room. | |
| Stirred by excitement to the deepest depths, Chester rushed to her help, | |
| and was brought up sharp by the dining table, while the scuffling | |
| continued upon the other side. | |
| He felt his way along the edge, to pass round it in the darkness, but | |
| the noise he made betrayed his whereabouts, and his next step took him | |
| into the grasp of a pair of strong hands, which held him firmly, and | |
| before he could free himself, there was the sound of a door opening, a | |
| faint light showed for a moment, and before it was shut off he dimly saw | |
| the actors in the struggle; then the door was closed, and the voice of | |
| him addressed as Jem said sharply-- | |
| "Light up, Paddy." | |
| A glass was knocked from the table; someone stumbled against a chair; an | |
| angry oath followed; and then came the rattle of massive fire-irons. | |
| "Are you drunk, man?" came in the same voice. | |
| "Drunk? no! but I'm not an owl," was growled. "Ah! that's it." | |
| The cluster of incandescent lights glowed golden, and then brightened, | |
| showing the doctor that the dining table was between him and the couch | |
| where his patient lay, white and motionless; the tall, decisive man | |
| standing where he had last seen him, close to the door; a heavy-featured | |
| young fellow with a family likeness close by the mantelpiece; another, | |
| the one who had held him, close by. | |
| "Well, doctor," said the chief spokesman, cynically, "the storm has | |
| passed over. All unexpected only a few hours ago, and we were seated | |
| happily after our coffee and cigarettes, when that idiot began to play | |
| the fool with his revolver, and shot himself. Troubles never come | |
| alone. Now, my dear sir, let me apologise for what has happened since | |
| we all lost our tempers and behaved so foolishly." | |
| Chester looked at him sternly and remained silent. | |
| "You will excuse my hastiness. I was excited in my anxiety about the | |
| poor fool there, and you see now how imperative it is that you should | |
| not leave him till he is safe." | |
| "Will you be good enough to unlock that door, sir, and let me pass | |
| through?" said Chester, coldly. | |
| "To be perfectly plain, doctor--no, I will not. Let us understand one | |
| another at once. You will have to stay and make the best of it." | |
| "I shall not stay, sir, and as soon as I leave here I shall take what | |
| steps seem, after due thought, to be correct over what has been an | |
| outrage toward me; and without doubt a murderous attack upon that | |
| unfortunate man." | |
| "Murderous attack? Absurd, doctor! An accident." | |
| "Do you take me for a child, sir? He could not have shot himself. Now, | |
| if you please, unlock that door." | |
| "When I unlock it, doctor, it will be to go out and lock you in," said | |
| the other, grimly. "There, sir, it is of no use to struggle, so make | |
| the best of it. You are in for a week, but we'll make it as comfortable | |
| for you as we can. Like to send home a telegram?" | |
| "Will you have the goodness to understand me, sir!" said Chester, | |
| firmly. | |
| "I do, my dear doctor, but you will not understand me. A week with your | |
| patient will not hurt you, and a fee of a couple of hundred guineas | |
| shall be paid--now, if you like. There, I will be plain with you, as a | |
| man of the world. It was a family quarrel, and two hot-headed fools | |
| drew their revolvers--Yankee fashion. Here, Paddy, see that we have | |
| some coffee and liqueurs. Cigar or cigarette, doctor? Sit down, and | |
| let's chat it over like sensible men." | |
| "I do not wish to come to a struggle and blows again, sir," said | |
| Chester, firmly. "Please understand that you are wasting words. I mean | |
| to leave this house at once." | |
| "We often mean to do things that are impossible, doctor. You cannot. | |
| So act sensibly. Take some refreshment, and attend to your patient. | |
| Will you have the goodness to look round this room?" | |
| Chester made no reply. | |
| "You will not smoke? I will. My nerves want soothing." | |
| The speaker lit a large cigar, and left the gold-mounted case open upon | |
| the table. | |
| "Better take one," he said as he exhaled the fragrant fumes; "they are | |
| rather fine. Now, doctor; that door communicates with the back the | |
| hall, and it is locked; that other one with a lobby from which the upper | |
| and lower parts of the house are reached; and it, too, is locked. You | |
| naturally intend to communicate with the outside. Well, you cannot. | |
| This dining-room has no windows, and is lit up night and day. You are a | |
| prisoner, my dear sir, and you will not communicate with the servants, | |
| for you will see none. These gentlemen will help me as your gaolers; an | |
| eminently respectable old housekeeper--lady-like I may say, eh, Paddy?" | |
| The young man addressed nodded and grinned. | |
| "A lady-like body will see that all your animal wants are provided for; | |
| a chair-bed will be brought in; and to make your stay more pleasant two | |
| or three of us will take you to the billiard-room overhead and have a | |
| game with you--by the way, that place has only skylights. Where we | |
| stand used to be a sooty cat-walk of a garden till we built these rooms | |
| over. A great improvement to the house." | |
| "Who are you? What house is this?" said Chester, sharply. | |
| "Your host, sir; and the house is ours--at your service. Better have a | |
| cigar. `Needs must when the devil drives.' That is your position now-- | |
| I playing the devil." | |
| A low moan from the wounded man changed the current of the doctor's | |
| thoughts; and with the others watching him curiously, he went straight | |
| to his patient's side to place a cushion behind him and relieve the | |
| pressure upon his wound, after which the patient seemed to sink once | |
| more into a state of repose. | |
| As Chester left him he received an approving nod. | |
| "We fellows would not have thought of that. Ah, here's the coffee. | |
| Come, doctor, accept your position. It is folly to beat against the | |
| bars of a prison when they are too strong." | |
| For at that moment the heavy-faced young man, who seemed to be a | |
| thorough athlete, came back into the room from the other end, bearing a | |
| silver tray with handsome fittings; and Chester started slightly, for he | |
| had not seen him go, and he realised now that he must have been occupied | |
| for some little time with his patient. | |
| Just then he saw that the leader of the little party whispered something | |
| which he interpreted to mean, "Let him alone; he'll come to his senses;" | |
| and he began to think out his position. | |
| Everything seemed in accordance with what had been told him: he was | |
| alone, one man against four--gentlemen, evidently, but plainly enough | |
| strongly-built, athletic fellows, who looked to be lovers of out-door | |
| sports, and each of them in a struggle more than his match. | |
| His rage had cooled down somewhat, and his common-sense began to | |
| prevail. It was hard to master his resentment, and he could not make | |
| out what was at the back of it all, more than what was evidently plain-- | |
| a terrible family quarrel, the participators in which were anxious to | |
| keep out of the papers, and possibly from the police courts. He did not | |
| know who they were, nor, as he realised now, in what street he was; but | |
| that, he felt, he could soon make out. It was awkward. They would be | |
| anxious in Raybeck Square, but he would send a message and set them at | |
| rest. | |
| "I wonder whether they kept Bel all night," he said to himself; and at | |
| this thought others came, and among them a strange feeling of annoyance | |
| with himself as he recalled his feelings, during the little journey, | |
| towards his summoner. | |
| Then he hurriedly cast these thoughts aside, and began once more to | |
| ponder on his position, walking slowly to and fro, close to the couch, | |
| while the little party, who had lit up cigars, now began to sip their | |
| coffee. | |
| The next minute the heavy-faced young fellow known as "Paddy" approached | |
| him with a cup and the cigar-case. | |
| "I put a liqueur of brandy in it, doctor," he said in a low voice. "I | |
| say, do you think the poor chap will get over it?" | |
| "I hope so," replied Chester, shortly. | |
| "Thank God!" said the young man, warmly. "I say, doctor, don't cut up | |
| rough. You're in a hole, but I'll see you're all right. You'll take a | |
| cigar?" | |
| He said the last words so reproachfully that Chester could hardly | |
| forbear to smile; and he took a cigar, lit it, and then, feeling utterly | |
| exhausted, tossed off the coffee and brandy, after which he resumed his | |
| walk up and down by the couch. | |
| "`Needs must when the devil drives,'" he said to himself. "It's of no | |
| use to fight. I must pull this poor fellow through, but I'll make them | |
| pay for it. Seems like a dream. I suppose I am awake." | |
| The coffee and cigar were having their effect, and at the end of an | |
| hour, during which the party at the end of the table had been conversing | |
| in a low voice, a moan or two from the sufferer finished the tendency | |
| towards submission, and Chester busied himself for some time about the | |
| couch. Then, rising once more, "Pen and ink," he said shortly, and the | |
| heavy-featured young fellow fetched him a blotting-case and inkstand. | |
| "A telegraph form, too." | |
| "Plenty there, doctor." | |
| Chester wrote quickly for a few minutes, and then handed a couple of | |
| papers to the young fellow, who had stopped close at hand. | |
| "I want this prescription made up at the chemist's, and the telegram | |
| sent respecting a substitute to see my patients." | |
| "All right, doctor," and the recipient took both to the end of the | |
| table, and gave them to the man who seemed to be his brother. | |
| The latter took the papers and rose to cross to Chester. | |
| "Thank you, doctor," he said quietly. "You will do your best, I see. | |
| Please bear in mind that money is no object to us here. Our cousin's | |
| life is." | |
| He went out of the room directly, returned soon after, and brought with | |
| him a quiet, sedate-looking old lady in black silk and white apron. | |
| She was very pale, and her eyes looked wild and strange, as she went | |
| straight to the couch, leaned over and kissed the patient's forehead, | |
| and then set to work and cleared the disordered table, almost without a | |
| sound, two of the young men joining her and helping to carry the dessert | |
| things out by the farther door. | |
| Chester's face must have told tales, for he started round in surprise to | |
| find that he had been carefully watched by the leader of the little plot | |
| to detain him. | |
| "You could not get out that way, doctor," he said quietly. "We are a | |
| very united family here, and the housekeeper is devoted to us." | |
| Chester frowned with annoyance. | |
| "I understand you," he said; "but mind this: every dog has his day, sir, | |
| and mine will come, unless revolvers are brought into play and an | |
| awkward witness silenced." | |
| "My dear doctor, you are romantic," was the sarcastic reply. "Don't be | |
| alarmed; we shall not shoot and bury you on the premises, for sanitary | |
| reasons. It might affect the nerves of our ladies, too. There, all we | |
| want of you is your skill to set that poor fellow right, and then you | |
| can return home, better paid than seeing ordinary patients. How does he | |
| seem?" | |
| An angry retort was at Chester's lips, but he did not utter it. He | |
| accepted his position, for the time being, and replied quietly-- | |
| "Going on well, but he will be the better for a sedative. Feverish, of | |
| course. Have you sent that prescription?" | |
| "Yes, it has been taken, and the chemist will be rung up to dispense it. | |
| I say, doctor; no fear of a bad ending?" | |
| "And no thanks to the man who fired at him from behind," said Chester, | |
| looking straight at his questioner as he spoke. "Fortunately the bullet | |
| passed diagonally by his ribs, an inch to the right--" | |
| "Yes, yes, the old story, doctor; but I did not fire the shot." | |
| "Pray don't excuse yourself, sir," said Chester, coldly. "I am not a | |
| magistrate; only a medical man with the customary knowledge of surgery." | |
| "And a little more, too," was the reply, with a smile. "There, doctor, | |
| we will not quarrel this morning, and you will not introduce the matter | |
| to the police. It will pay you better to be silent; but if you | |
| preferred to talk about it I'm afraid you would not be believed." | |
| The speaker smiled cynically as he saw the effect of his words, and | |
| walked away, leaving Chester thinking deeply, and, in spite of his anger | |
| and annoyance, beginning more and more to feel that he had better accept | |
| his position. | |
| "It is a strange experience," he said to himself, as he sank back in an | |
| easy-chair by the couch; "but a fee of two hundred guineas! Bel shall | |
| have it in the shape of a present. She will not fidget when she has had | |
| my wire." | |
| CHAPTER FOUR. | |
| THE STRANGE ATTRACTION PROVES TOO STRONG. | |
| "There, I promise I will be quiet and say nothing, if you let me stay. | |
| If you do not, I'll give the alarm in spite of you all." | |
| "Pat! He's waking up." | |
| With the tones of the sweet, rich voice thrilling his nerves, Fred | |
| Chester opened his eyes as he sat back in his chair, and gazed up at the | |
| cluster of soft lights glowing by the ceiling; but they did not take his | |
| attention. He was dwelling wonderingly upon the words he had heard as | |
| if in a dream. | |
| His head was heavy and confused, and it was some moments before he could | |
| grasp his position. "Who's waking up?" he thought. Then his eyes fell, | |
| and he looked sharply down, and the blood rushed surging to his temples | |
| as he saw his beautiful visitor of the night before, then all came back | |
| in a moment. | |
| She was kneeling beside the wounded man's couch, holding his hand, and | |
| she gazed at Chester with an appealing, wistful look in her eyes which | |
| again sent a thrill through him, and a feeling of misery and despair | |
| such as he had never before felt made his heart sink. He shivered | |
| slightly as he turned away, to glance round the room and note that four | |
| of those whom he had previously seen were still present. | |
| "You've had a good nap, doctor," said a familiar voice. | |
| "Have--have I been asleep?" said Chester, involuntarily. | |
| "Beautifully. What a delightfully clear conscience you must have, | |
| doctor!" said the speaker, banteringly, "that is, if you did not take a | |
| chloral pill on the sly. Six hours right off." | |
| "Impossible!" cried Chester, angrily. | |
| "Then my watch is a most awful liar, and the clock on the chimney-piece | |
| there has joined in the conspiracy." | |
| Chester hurriedly took out his watch, to find that the hands stood at | |
| two, as he bent down over his patient, who was sleeping calmly. | |
| "We gave him a dose of the drops as soon as the bottle came, doctor, for | |
| we did not like to wake you after your hard night. He has slept like a | |
| lamb ever since." | |
| Chester took no notice of the words, as he busied himself about his | |
| patient, the lady drawing back and going to a chair, waiting impatiently | |
| till he ceased. | |
| "How is he?" she said then excitedly. | |
| "He could not be doing better, madam," said Chester, trying to speak | |
| coldly, and avoiding for a moment the eyes which seemed to plunge | |
| searchingly into his; and at his words he saw that they suddenly grew | |
| dim, and that she clapped her hands to her lips to keep back a piteous | |
| sob or two. | |
| "Hush, hush, my dearest," whispered the old housekeeper in a motherly | |
| way, and Chester saw that a strong effort was made, and the face from | |
| which he could not tear his eyes grew calm. | |
| "Well, doctor, if ever I am in a bad fix, I shall know where to apply." | |
| Chester turned sharply to the speaker, and read from the cynical smile | |
| that he had seen the impression made upon him by the agitated face which | |
| possessed so strange a fascination. | |
| "You prove yourself quite worthy of your reputation, which has often | |
| reached us." | |
| "Any surgeon could have done what I have, sir," replied Chester, | |
| shortly, and then mastering himself, he continued, as he thought of home | |
| and all he had at stake, "I presume that now you are at rest about your | |
| cousin's state, this sorry farce is at an end." | |
| "Very nearly a tragedy, my dear sir," said the other, lightly. | |
| "You mistake me, sir. I mean this enforced detention." | |
| "Oh, tut, tut, doctor! I thought we had settled this. Surely after | |
| your telegram, taken to the chief office, madam, your wife, will not be | |
| uneasy." | |
| As he spoke he gave the lady by the couch a mocking look, and Chester | |
| saw her turn angrily away. | |
| It was on the doctor's lips to say sharply, "I am not married, sir," and | |
| he felt startled as he checked himself. | |
| Why should he have been so eager to say that? he thought, and a peculiar | |
| feeling of resentment grew within, as a strange conscience-pricking | |
| began to startle him. Of what folly had he been guilty in thought? | |
| "Come, doctor, we have been waiting till you woke before having some | |
| breakfast." | |
| The speaker rose and touched the electric bell-push, then led the way | |
| toward a small table at the far end of the room, the others waiting for | |
| the doctor to follow; but he stood irresolute. | |
| "You will join us at breakfast, doctor?" said a low, sweet voice at his | |
| side, making him start slightly, and then follow to the table, to take | |
| the place pointed out by his companion on her right, as she took the | |
| head of the table. | |
| "As his wife," thought Chester; then trying hard to be perfectly cool, | |
| and assuming to be treating his position lightly, he partook of the meal | |
| placed before him, and joined in the general conversation, a great deal | |
| of which dealt with the popular out-door life of the day--Lord's, Ascot, | |
| the promises of sport in August and September, and the ordinary topics | |
| of the hour, all lightly traversed by a party of gentlemen who had ample | |
| incomes for their needs, and enjoyed life. | |
| The ladies were increased to three when they took their seats at the | |
| table, and Chester soon found that two were the young wives of "Jem" and | |
| "Paddy," the bluff, manly fellow; and all seemed so intent now upon | |
| ignoring the trouble and setting their prisoner guest at his ease, that | |
| Chester's manner softened, and before they rose from the table he found | |
| himself listening with increasing interest to his neighbour's remarks. | |
| The excellent meal came at last to an end, and after a few words with | |
| Chester's companion, two of the ladies retired while the housekeeper | |
| quietly cleared the table; and as Marion, as they all called her, went | |
| to the side of the couch, Jem approached Chester. | |
| "The papers," he said in the most matter-of-fact way. "Cigars and | |
| cigarettes on that table. Spirits and soda or seltzer in the | |
| cellarette. Pray make yourself at home, my dear doctor, and name | |
| anything you want. It shall be obtained directly--everything, that is, | |
| but liberty. Won't you light up now? My cousin there will not mind; we | |
| all smoke. Eh, Marion?" | |
| "I beg that Dr Chester will not hesitate," said the lady addressed, and | |
| Chester drew a deep breath as he saw her cross to the table and fetch a | |
| cigarette-box and matches. | |
| "It would be ungracious to refuse," he said coldly, as he took one, and | |
| then the lighted match from the white fingers which offered it, their | |
| eyes meeting as he lit his cigarette, and as a slight flush mantled the | |
| lady's cheeks, Chester's heart gave one heavy throb. | |
| The rest of that night-like day passed in a dream, or a time in which | |
| Chester felt as if he were suffering from some form of enchantment. He | |
| fought hard against the strange, new, mystic influence, and strove to | |
| raise like a shield to protect him, his honour, his word; and again and | |
| again as he busied himself with his patient he told himself that he | |
| dearly loved Isabel, his betrothed, but this feeling was all as new as | |
| it was masterful, and often when he met the eyes of her who never left | |
| the couch in her assiduous attentions as nurse, he felt that he was | |
| drifting fast into a state of slavery, and that this woman was his fate. | |
| "She is another's wife," he kept telling himself; "and I am an utter | |
| scoundrel to give way to such thoughts. Heaven help me! I must go | |
| before it is too late. Have I been drugged, and has the potent | |
| medicament sapped me to the very core?" | |
| But he felt that he could not go as yet, for though it was unnoticed by | |
| the others, he saw that a change for the worse had taken place toward | |
| evening, at a time when all had left the room but the big, athletic | |
| fellow and Marion, they being evidently left on guard while a short rest | |
| was taken. | |
| Paddy was sitting back smoking, with his eyes half-closed; but he | |
| suddenly roused himself up and came across to the couch. | |
| "How is he getting on?" he whispered. | |
| Chester was silent, and after glancing at him, Marion spoke-- | |
| "He is better; sleeping well, and in less pain." | |
| "Don't look better," grunted the young man, and he glanced at his watch. | |
| "Dinner at eight. Like to go and lie down, Marion?" | |
| "No," was the quiet reply. | |
| "All right," said the young man, and he walked back to his seat, while | |
| Marion waited for a few moments, and then, gazing wistfully at Chester, | |
| said in a low whisper-- | |
| "You did not speak. He is better, is he not?" | |
| The young doctor made no reply, but sat there breathing hard, as if | |
| fascinated. | |
| "I cannot tell you how grateful I feel to you," she continued. "Your | |
| coming here has saved poor dear Robert's life. I know how strange it | |
| all must seem to you, but I--we dare not let you go. It is such a | |
| terrible emergency." | |
| "Yes," he said softly, "and I have done my best." | |
| "But I cannot help reading it in your eyes, doctor--you are thinking of | |
| leaving." | |
| He started slightly, and then turned his eyes to his patient so as to | |
| avoid the gaze which held him in spite of the mental struggle against | |
| what seemed to be fate. | |
| "Well," he said, as he laid his hand upon the sufferer's brow, "I am. | |
| Is it not natural? Yes," he whispered hoarsely, "by some means I must | |
| and will leave this house to-night." | |
| Her face grew convulsed, and for a few moments she was silent. Then in | |
| a low, impassioned whisper, she reached across the couch to lay her hand | |
| upon his arm, the contact seeming to send a hot flush through every | |
| nerve, and he turned to gaze at her with a look half horror, half | |
| delight. | |
| "And you hold his life in your hands," she murmured piteously. "What | |
| can I say?--what can I do to move you? Doctor, he is everything to me | |
| in this world. If he--died, I could not live." | |
| "For Heaven's sake, don't look at me--don't speak to me like that!" he | |
| whispered back, and he took her hand to remove it from his arm, | |
| shivering as if it were some venomous thing; but it turned and clung to | |
| his fast, and was joined by the other. "Madam, I have done, and am | |
| doing, everything I can to save your husband's life, and--" | |
| He ceased speaking, for he saw her lips part in a smile, and her wild | |
| eyes grew soft and humid, as, with a little laugh, she said-- | |
| "Dearest Rob! My husband!" Then she loosed the hand she held, laid | |
| hers upon the head of the couch, and bending down she softly pressed her | |
| lips against the patient's brow, while a feeling of bitter jealousy sent | |
| the blood surging through Chester's brain, till the eyes were turned | |
| again to his, and, with a look that sent every forming manly intention | |
| flying to the winds, she said softly-- | |
| "Why did you think that? Doctor, for a poor, pleading woman's sake, | |
| give up all thought of going. I could not bear it. There--look--his | |
| face is growing convulsed," she whispered in a quick, agitated tone, | |
| "And you talk of going! He is dying. Robert! Robert! Oh, doctor, do | |
| you not see?" | |
| CHAPTER FIVE. | |
| AUNT GRACE SOWS THE SEED OF DISCONTENT. | |
| Laura Chester possessed what her aunt termed a bad habit. | |
| "You are so restless, my dear," said that lady. "Why can't you stay in | |
| your bed of a morning, and then come down at a Christian-like hour?" | |
| "Nine o'clock, aunt dear," said the girl, smiling. | |
| "Well, say a quarter to, my dear, because that gives ample time to ring | |
| for the urn and make the tea, though nine is really a very nice hour. | |
| It is not right for a young lady to be racing downstairs before seven | |
| o'clock and dusting; and I do not really like for you to be going out | |
| for walks at such early hours." | |
| "London is at its best before breakfast, aunt; everything looks so fresh | |
| and bright." | |
| "What nonsense, my dear! Nothing of the kind. The steps are not | |
| cleaned, and there is nobody about but sweeps and dustmen, and milk | |
| carts." | |
| "Oh yes, aunt dear," cried Laura, merrily. "London is very busy then, | |
| and I wish I could get you to come. Covent Garden is lovely quite early | |
| with the flowers and fruit." | |
| "My dear Laura, to hear you talk anyone would think your poor dear papa | |
| had been a greengrocer. Pray, do, my dear, try and give up the bad | |
| habit. I really don't know what Isabel must think." | |
| But the habit only grew stronger, and on the morning after her brother's | |
| sudden call, Laura slipped out while cook was cleaning the steps and | |
| went off to Covent Garden to return with a bunch of roses and a basket | |
| of strawberries which had been picked that morning nine miles down the | |
| western road. | |
| The breakfast was ready, and she was giving the last touches to her | |
| arrangement of flowers and fruit upon the table when Isabel joined her, | |
| looking as fresh as the flowers in the little shallow bowl. | |
| "Oh, Laury, I am so ashamed at being so late," she cried, after an | |
| affectionate kiss had been exchanged. "I was afraid I was last." | |
| "Oh no, dear; auntie is not down," said Laura, glancing at the clock. | |
| "She'll be ten minutes yet." | |
| "Is she always so punctual?" | |
| "Yes. She does not leave her room till the church clock begins to | |
| strike. She is very proud of being so exact." | |
| "Is--is--" | |
| "Fred down? No, dear. There! don't blush, goosey. I expect he was | |
| kept late last night, and he loses so much rest, that we never disturb | |
| him. He has his breakfast at all sorts of times, but it will be at nine | |
| this morning." | |
| This was accompanied by an arch look. | |
| "Oh, how sweet the flowers are!" cried Isabel, turning away to hide the | |
| heightened colour in her cheeks. | |
| "Yes, dear," said Laura, banteringly, "and life now is all roses and | |
| sweets, and the sky was never so blue, and the London sparrows' | |
| `chiswick, chiswick' sounds like the song of nightingales, doesn't it? | |
| Heigho! I wish I were in love, and someone loved me, and put his arm | |
| round my waist and took me for walks along the primrose path of | |
| dalliance." | |
| There was a light step behind her, two arms were passed about her waist, | |
| a soft, white chin rested upon her shoulder, and a rounded cheek was | |
| pressed to hers. | |
| "Don't tease me, Laury darling," was whispered. "I can't help feeling | |
| all you say, and looking very weak and stupid now." | |
| "Tease you, my own sweet!" cried Laura, swinging round to embrace in | |
| turn. "No, of course I won't. It's only my nasty envy, hatred and | |
| malice, because I can't be as happy as you. There--and there--and | |
| there!" | |
| Three kisses, and Isabel started away. | |
| "Fred's coming!" she whispered. | |
| "No. That's auntie's soft, pudgy step. Fred comes down thump, thump, | |
| like a wooden-legged man." | |
| "Laury!" | |
| "Oh, well, he doesn't notice where he's going. He's always thinking of | |
| operations and that sort of thing. Good-morning, aunt dear." | |
| "Good-morning, Isabel, my child--morning, Laura." | |
| "Aren't you well, dear? You look so serious." | |
| "Yes, Laura, I look serious. It's a sad world." | |
| The girls exchanged glances, and with melancholy mien the old lady rang | |
| the bell for breakfast, and then dropped into her seat with a weary | |
| sigh. | |
| "No letters, Laura?" | |
| "No, aunt dear. There's a lovely rose instead." | |
| "Thank you, Laura. Dear, dear! no one writes to me now. I don't know | |
| why one should go on living when one grows old." | |
| "Because Fred and I want you, dear," cried Laura, merrily, "and Bel too. | |
| Put two more spoonfuls in the pot, aunt dear. A hot cup of tea will do | |
| you good." | |
| "Nothing will ever do me good again," sighed the old lady, shaking her | |
| head mournfully. | |
| "Oh yes, it will, dear; and Fred likes his tea strong." | |
| "Yes, yes, very strong, my dear; and always preaches at me if I take it | |
| only just coloured. I sometimes think it's because he thinks I cost too | |
| much." | |
| "Now, auntie, how can you?" cried Laura. "Don't you believe her, Bel." | |
| "I do not," said the girl, smiling. "Poor aunt is not well this | |
| morning." | |
| "How can I be, my child, knowing as I do that my little bit of property | |
| is slowly wasting away, and--" | |
| "Here's the urn, aunt," cried Laura. "Shall I make the tea?" | |
| "Certainly not, my dear. Let me, pray, enjoy the last few privileges of | |
| my age while I am here. I do not mean in this house, Isabel, my child, | |
| but living out my last weary span." | |
| "Auntie darling," said Laura, tenderly, getting up as soon as the maid | |
| had placed tea-urn and covered dishes upon the table, "don't be so | |
| miserable this morning now that dear Bel is here," and she kissed the | |
| old lady lovingly. | |
| "How can I help it, my child? It is her being here makes me feel so | |
| bad." | |
| "Oh, my dear Mrs Crane!" cried Isabel. | |
| "Worse and worse!" sobbed the old lady, melting into tears. "I did | |
| think you were softening to me, and would end by loving me and always | |
| calling me aunt--Mrs Crane!" | |
| "Aunt--auntie! There!" cried Isabel, running to her and kissing her. | |
| "But I think it is I who ought to complain." | |
| "Yes, my dear, you ought." | |
| "You shouldn't say I make you bad." | |
| "But you do, my dear. It's all on your account. It's dreadful, and I | |
| lay awake nearly all the night pitying you." | |
| "Pitying me when I am so happy, auntie?" cried Isabel. | |
| "Ah, my child! you don't know. All men are full of evil, but doctors | |
| are the worst of all." | |
| "There, Bel; you are going to marry a horrid wretch," cried Laura. | |
| "Don't scoff, my dear," continued the old lady. "It is too serious. | |
| They are always away from home--called at the most unearthly hours." | |
| "Yes, to do good, auntie," said Isabel, smiling. | |
| "And auntie won't do good when she might Aunt, Isabel and I are dying | |
| for some tea." | |
| "Yes, yes, my dear; I'll pour it out directly." | |
| "Wait a moment, aunt," cried Laura. "I'll go and ask Fred if he is | |
| coming down." | |
| "Go and ask Fred, my dear? He is not at home." | |
| "What!" cried the two girls in a breath. | |
| "He has not come back yet. I lay awake hour after hour listening, with | |
| my door a little way open--I can hear the latch-key then--but--he did | |
| not come." | |
| Laura glanced at her visitor, and saw trouble coming in her face like a | |
| cloud. "Oh, well, aunt, dear, it is not the first time." | |
| "No, my dear," said the old lady, tightening her lips as she dropped a | |
| lump of sugar outside a cup; "it is not the first time by a long way, | |
| and I don't like it." | |
| "Neither does Fred, I'm sure, poor fellow!" cried Laura, helping the ham | |
| and eggs. "It is some serious case, Bel dear, and he'll come back tired | |
| out for you to comfort him up. You'll often have it to do, for, poor | |
| boy, he is called out a great deal." | |
| At that moment Aunt Grace let the sugar-tongs fell with a clatter among | |
| the cups, and burst into a fit of sobbing. | |
| "Aunt dear!" cried Laura, jumping up to go to her side again; "what is | |
| the matter?" | |
| "I don't like it, my dear. His being out like that." | |
| "Well, Fred doesn't either." | |
| "Ah, but that's it. He does, and it's horrible; and I will not sit | |
| still and see him deceive this poor, dear lamb." | |
| "Mrs Crane!" cried Isabel, sitting up flushed with indignation. | |
| "I can't help it, my dear. I should be a wicked woman if I did not | |
| speak. I watched last night, and I saw her. One of those horridly | |
| handsome, fashionable-looking ladies, and she carried him off just as if | |
| she were leading him by a chain. I can't help it! I had a presentiment | |
| then, and I'm obliged to speak. He hasn't come back, and I felt he | |
| would not, and as sure as I'm alive he'll never come back again." | |
| "Aunt!" cried Laura, passionately. "Shame--Bel dear, don't take any | |
| notice of her." | |
| But her words had no effect. Isabel had risen with her face scarlet, | |
| then turning white as her lips parted to utter an indignant rebuke. | |
| No words came, and covering her face with her hand she hurried out of | |
| the room. | |
| "Auntie!" cried Laura, passionately. "See what you've done. You're | |
| right. It's quite time you made up your mind to die." | |
| CHAPTER SIX. | |
| IN DANGER. | |
| As Chester turned and gazed in his patient's face, he felt that all was | |
| over: and at that moment Paddy, startled by Marion's excited words, | |
| rushed across and caught his arm. | |
| "Is he going?" | |
| "Yes," cried Marion, passionately, "and he has been murdered. Rob, Rob, | |
| my own darling, don't, don't leave me here to this! Rob! I cannot bear | |
| it! Dr Chester! for pity's sake! Oh, do something! Help!" | |
| "Hush! You are hindering me," said Chester, sternly--himself once more. | |
| "The brandy! You--you--madam, use your fan rapidly. Is there no air | |
| to be got into this wretched prison? That's right. Raise his head a | |
| little more. That's better. Be calm, both of you. Everything depends | |
| upon that." | |
| "But he is dying--he is dying!" wailed Marion. | |
| "Be silent, madam, and obey my orders," whispered Chester, angrily, and | |
| the desperate fight went on. Desperate indeed it seemed to the doctor, | |
| and he fought as he had never fought before. But for some time every | |
| breath the poor fellow drew, feebly and painfully, seemed to her who | |
| watched him, with staring eyes, his very last. | |
| They were alone with him for quite an hour, before the old housekeeper | |
| came in, to grasp at once what was wrong, and hurry to the couch. | |
| "Oh, my child, why did you not ring for me?" she cried. | |
| "Hush! Silence!" said the doctor, sternly. "The paroxysm has exhausted | |
| itself. With perfect quiet he may yet live." | |
| His hand was caught by Marion and passionately kissed, before she sank, | |
| half-fainting, in the old housekeeper's arms. | |
| Paddy went in and out on tip-toe, his action suggesting always that he | |
| was doing something in silence for a wager; and twice over his brother | |
| came in as the hours slipped past, but only to be sternly ordered to go | |
| by the doctor, who was then alone with Marion and the wounded man. | |
| "But hang it all, sir!" he protested, "am I not to do what I like in my | |
| own house?" | |
| "No, not while I am in charge of my patient." | |
| "But--" | |
| "Look here, sir, I will not be answerable for his life if you stay," | |
| whispered Chester, sharply. | |
| The intruder bit his lips and glanced at Marion, then at the doctor and | |
| back. There was a world of meaning in his eyes, but Chester was too | |
| dreamy then to interpret it, and the man went away, but only for the far | |
| door to be re-opened and Paddy to make his appearance. | |
| Marion uttered a sign of annoyance, and hurried to meet him. | |
| "You must not stay, Paddy," she whispered. "It is so important that | |
| Robert should be kept quiet." | |
| "All right," he said. "I didn't want to come, but Jem sent me. He | |
| doesn't like your being alone with the doctor." | |
| An angry frown darkened Marion's face. | |
| "Go," she said firmly. "Paddy, I think he will live now." | |
| "Thank God!" cried the young fellow, fervently. "But, I say, if I go | |
| I'm pretty sure that Jem will come himself. He as good as said so." | |
| "Stop him, then, and tell him to go to his wife." | |
| Paddy shrugged his shoulders. | |
| "You know what he is." | |
| "Yes," said Marion, bitterly, "I know what he is," and she pointed | |
| towards the couch. "We know what he is. Now go." | |
| "All right; but you want something. They've got some dinner or supper | |
| yonder; come and have a bit." | |
| "No." | |
| "Then I'll have some sent in." | |
| "I don't want anything. Tell them to send something for the doctor." | |
| But almost as she spoke the door was softly opened, and the old | |
| housekeeper appeared with a tray. | |
| ------------------------------------------------------------------------ | |
| One long dream, in a strangely protracted night, as it appeared to | |
| Chester--a night in which the world seemed to be halting during a | |
| singular delirium. Time stood still apparently for both nurse and | |
| doctor, who hardly left the room, but were waited on by the housekeeper | |
| and the two ladies, who came in and out softly, each offering to take | |
| Marion's place; but she invariably refused. | |
| Nature grew stern at times towards the watchers at the wounded man's | |
| side, and sometimes one, sometimes the other, sank suddenly into a deep | |
| sleep, during which, whether it were one hour or many, the other | |
| remained perfectly awake and watchful. | |
| And day after day, night after night, the dual fight went on--the fight | |
| with death and that with honour. There were times when Fred Chester | |
| seemed to be winning in both encounters, but as often he felt that his | |
| patient was slowly slipping away from him, as he himself was lapsing | |
| from all that he ought to have held dear. | |
| Everything was, in the latter case, against him. Forced into close | |
| contact with the woman who had so strangely influenced him from the | |
| first moment of their meeting, with her eyes constantly seeking his | |
| appealingly as the sufferer's life rose and fell--flickering like the | |
| flame of an expiring candle, he felt that his position was too hard for | |
| man to bear. He owned himself weak, pitiful and contemptible, but as he | |
| struggled on he felt himself drifting hopelessly away, and that, come | |
| what might, he was to become this woman's slave. | |
| One day was like that which followed, in its wild delirium and | |
| strangeness. Chester had almost lost count of the time which had | |
| elapsed, and grew startled at last as the feeling was impressed upon him | |
| that the precautions taken by those around had grown unnecessary and | |
| that if the door had stood open he would not now have attempted to | |
| escape. A strange thrall held him more than locks and bars, and he was | |
| ready to sacrifice everything to stay there by Marion's side and fight | |
| the grim Shade till it was defeated and he had won her gratitude and | |
| love. | |
| The great trouble Chester had to fight was the succession of strange | |
| convulsive fits which attacked his patient, each of which seemed to have | |
| snapped the frail thread which held the wounded man to life; but as they | |
| passed off the flame flickered up again, and the struggle recommenced. | |
| At last came the day when, hopeless and despondent, Chester bent over to | |
| dress the wound, feeling that the struggle had been all in vain, and | |
| that his skill was far less than he had believed. | |
| The old housekeeper was waiting upon him, and Marion had, at his | |
| request, gone to the other end of the room. | |
| "You unnerve me," he whispered. | |
| She looked at him reproachfully, and went away without a word, to seat | |
| herself with her arm on the side of a chair, her hand supporting her | |
| brow. | |
| As a rule, the sufferer had made no sign during the opening and | |
| rebandaging, but this time he winced sharply at every touch, and the old | |
| housekeeper looked up questioningly. | |
| "Is that a bad sign?" she whispered, with her face all drawn and ghastly | |
| with fear. | |
| "No; a sign of greater vitality," said Chester, quickly, and the next | |
| minute he uttered a curious sibilation, for in removing the inner | |
| bandage, his fingers came in contact with something angular and hard, | |
| which he held up to the light and examined carefully. | |
| A quick, sharp breathing at his ear made him start round, to find that | |
| his every movement had been watched between the fingers of the hand | |
| which covered the watcher's face, and she had hurried to his side. | |
| "Worse?" she whispered faintly, too much exhausted now to display the | |
| intense agony and excitement of the earlier days of their intercourse. | |
| "No," he cried triumphantly. "Here is the cause--the enemy which has | |
| been fighting against us so long, and produced, I believe, those | |
| terrible convulsive attacks." | |
| Marion looked at him wonderingly, and her lips parted, but no words | |
| came. He read the question, though, in her eyes. | |
| "I ought to have known, and found it out sooner," Chester said bitterly, | |
| "and I feel that I am only a miserable pretender, after all. This piece | |
| of jagged lead, broken from the conical bullet by the explosion; it has | |
| remained behind causing all the trouble." | |
| "Ah! Then he will recover now?" | |
| "Yes," he said, as his eyes met hers; and if was some moments before | |
| they were withdrawn, both, in the pre-eminence of self at that moment, | |
| having taken no thought of the old housekeeper, who involuntarily made | |
| her presence known by uttering a deep sigh; and as Marion started and | |
| met her gaze, the old woman shook her head at her reproachfully. | |
| "Oh, my dear! my dear!" she said softly; "pray, pray think." | |
| Marion's brow contracted, and she walked slowly away, to take up her | |
| former position; while Chester winced and gave the old woman an angry | |
| look, as she now shook her head sadly at him. | |
| "No, doctor, no," she said softly; "that could never be. Please think | |
| only of your patient and your position of trust." | |
| "How dare you, woman!" he whispered angrily; for her words had gone | |
| home, and stung him more deeply than she could have realised. | |
| "Because I am not like an ordinary servant, doctor," she said, meeting | |
| his eyes unflinchingly. "I nursed her when she was a little child, and | |
| I have watched over her ever since. Yes, she is very beautiful, but | |
| that could never be." | |
| Chester bent over his patient with knitted brow and tightly-compressed | |
| lips, feeling the truth of the old woman's words, and ready to repeat | |
| them again mentally--that could never be. | |
| His hands were busy with his task, and his brain was more active than | |
| ever, as he felt now that he had won this victory, and that the effort | |
| to bring the poor fellow back to life and strength would now be an easy | |
| one; little more than good nursing would suffice. Why, then, could he | |
| not win in that other fight? She was right; that could never be; and he | |
| seemed now to be suffering a rude awakening from the strange, dreamy | |
| time through which he had passed--awakening to the fact that he had | |
| lapsed into a faithless scoundrel, he who had believed himself all that | |
| was manly and true. | |
| An hour before, he had felt that nothing could drag him from Marion's | |
| side. He loved her more than he could have believed possible, but it | |
| could never be. He was awake once more, and now that the peril was past | |
| he must go. | |
| "Hah!" he said softly, as he finished his task and the old housekeeper | |
| rose to bear away sponge, basin and towel, "head cooler, more | |
| susceptible of touch. A hard fight, but I win. An error of judgment? | |
| No; I did all possible. The probe revealed nothing. I saw no bullet, | |
| or I might have known." | |
| Everything else had passed away for the moment in the pride of his | |
| satisfaction--the triumph of life over death--and he stood with one hand | |
| resting on the back of the couch, the other upon his left hip, as he | |
| bent over his patient, whose breath came softly, and there was a restful | |
| look in the thin white face. | |
| Then he started round, for there was a light touch upon his arm, and he | |
| was face to face with Marion once more, her head bent forward, her wild | |
| eyes searching his. | |
| "Is--is it true?" she whispered excitedly. "She told me as she went | |
| out--you did not speak." | |
| "Yes; quite true," cried Chester. "No wonder, poor fellow, that he made | |
| no advance. But there, we have won, and a day or two's nursing will be | |
| all he wants. Now you can feel at rest." | |
| "Feel--at rest?" | |
| "Of course; there is no disease. Weakness is the only trouble now." | |
| "Weakness the only trouble now! Rob--Rob--my own dear boy!" | |
| She sank upon her knees, and as he saw her action, Chester tried to | |
| check her. But she gave him a reproachful glance, and passed her soft | |
| white arms about the patient's head, but without touching him; and the | |
| loving kiss she breathed, as it were, upon his lips. Then she rose, | |
| sobbing gently, with all the strength of her mind and force of action | |
| seeming to have passed away, as with outstretched hands she caught at | |
| the nearest object to save herself from falling. | |
| That nearest object was Chester; and the next moment she was weeping in | |
| his arms. | |
| "You have given him back to me," she sobbed, her voice little above a | |
| whisper. "You have saved him. How can I ever repay you for what you | |
| have done?" | |
| The minute before he had been strong; now as he felt the sobs rising | |
| from the labouring breast, and clasped her throbbing, palpitating form | |
| closer and--closer,--"Marion!" | |
| Her name--nothing more; but he felt her tremble in his arms and hang | |
| more heavily as her head sank slowly back, bringing her lips nearer his; | |
| and the next moment she uttered a low sigh, breathed in their lengthened | |
| kiss. | |
| "Out of what comedy is this, doctor?" said a harsh, familiar voice; and | |
| as they started angrily apart, Jem, as they called him, advanced quickly | |
| from the silently opened door, straight towards Marion, upon whom he | |
| fixed his fierce eyes, as he spoke to her companion. "French, I | |
| suppose--a translation. I congratulate you, doctor--both of you. It | |
| was so real--so passionately grand. And you," he literally hissed now, | |
| "most loving sister! _Pour passer le temps_, of course. The _ennui_ of | |
| long nursing. Curse you!" he whispered savagely, as he stopped before | |
| her, and with a quick movement caught her by the wrist. | |
| The next moment he uttered a hoarse cry of rage, for, stung to madness | |
| by the brutal act, Chester sprang at him, forcing him back over the | |
| table before which he stood, while Marion was flung aside. | |
| CHAPTER SEVEN. | |
| A BLACK CLOUD BEHIND. | |
| "Where am I?" | |
| Head throbbing horribly, a nauseous taste in the mouth, throat | |
| constricted and painful upon an attempt to swallow, and a strange mental | |
| confusion which provoked the above question. | |
| The answer came at once. | |
| In a miserable, musty-smelling, four-wheeled cab, whose windows were | |
| drawn up, and so spattered with mud and the heavy rain which fell upon | |
| the roof that the gleam from the street lamps only produced a dim, hazy | |
| light within, as the vehicle jangled slowly along, with wheels and some | |
| loose piece of iron rattling loudly in concert with the beat of the | |
| horse's feet. | |
| "Whatever am I doing here?" was Fred Chester's next question. | |
| Lying back in the corner, in an awkward position, as if in a state of | |
| collapse, and only saved from subsiding into the bottom of the cab by | |
| his feet being propped up on the front cushion, the doctor kept | |
| perfectly still trying to think, but every retrogressive attempt gave | |
| the idea that he was gazing at a vast black cloud which completely shut | |
| out the past. | |
| He uttered a faint groan, for he felt startled; but after lying back | |
| listening to the beating rain and the jarring of the ill-fitting | |
| glasses, he recovered somewhat. | |
| "How absurd!" he muttered. "Where am I going? Ask the driver." | |
| He drew up his legs and let his feet drop into the cab, as he tried to | |
| sit up, but the effort gave him the sensation of molten lead running | |
| from one of his temples to the other, and he lay perfectly still while | |
| the agonising pain passed slowly away, trying hard to think what had | |
| happened, but in vain. There was the black cloud before him mentally, | |
| though he could see the gleaming of a lamp he passed through the blurred | |
| panes of glass. | |
| At last, feeling more and more startled by his condition, he made a | |
| brave effort, raised himself upright, and reached out for the strap, so | |
| as to lower the front window; but at the first movement he was seized | |
| with a sickening giddiness, lurched forward, and thrust himself back to | |
| recline in the corner again till the molten lead had ceased to flow from | |
| side to side of his head. | |
| At last, very slowly and cautiously, bit by bit, he edged himself | |
| forward till his knees rested against the front cushion, and then, | |
| thrusting one hand into the left corner, he reached out for the strap, | |
| raised the window, and let it glide sharply and loudly down. | |
| "Hi! Cabby!" he cried hoarsely. | |
| "Right, sir!" came back, and the cab was drawn up by the kerb beneath | |
| the next street lamp. | |
| Then the driver got down and opened the door, to stand with the rain | |
| streaming off his waterproof hat and cape. | |
| "Mornin', sir," he said in a husky voice, closely following a chuckle. | |
| "Feel better now?" | |
| "No, I am horribly ill. Where am I?" | |
| "Why, here, sir," said the man, chuckling. "My word, it's a wet 'un | |
| outside." | |
| "But what street's this?" | |
| "Halkin Street, Belgrave Square, sir." | |
| "What? But how came I in your cab?--I can't remember." | |
| "S'pose not, sir," said the man, good-humouredly. "Does make yer feel a | |
| bit muzzy till yer've had another snooze. Shall I try and find one o' | |
| the early purlers where the market-garden chaps goes?" | |
| "What? What do you mean?" | |
| "Drop o' somethin' to clear your head, sir--and keep some o' the wet out | |
| o' me." | |
| "But--but I don't understand you," cried Chester, whose head still | |
| throbbed so that he dreaded losing his senses again. | |
| "Oh, it's all right, sir. Have a drop o' something; you'll be better | |
| then." | |
| "But how came I in your cab?" | |
| "Your friend and me put you there, sir." | |
| "My friend?" | |
| "Yes, him as you'd been dining with, sir; on'y you don't seem to ha' | |
| heat much." | |
| "My friend?" | |
| "Yes, sir; that's right." | |
| "Where was it?" | |
| "Pickydilly Circus; 'bout three hours ago." | |
| "Yes--yes. Well?" | |
| "And he says, `Take care of him, kebby,' he says, `and drive him home. | |
| Bad cham,' he says, `and he ain't used to it.'" | |
| "Then why didn't you drive me home?" cried Chester, angrily. | |
| "S'elp me! I like that!--I did; and no one was sittin' up for yer; I | |
| knocked and rung for 'bout arf an hour before the old chap shoved up the | |
| winder and began a-cussin' and a-swearin' at me awful." | |
| "What old chap?" faltered Chester in his amaze. | |
| "Your old guv'nor, I s'pose; and he wouldn't come down, and told me to | |
| drive you to the `oh no, we never mentions him!' for you warn't coming | |
| in there. Then he bangs down the winder, and I waited ten minutes for | |
| him to get cool, and then knocks and rings again. This time he shoves | |
| up the winder and swears he'd shoot at me if I warn't off; and as I got | |
| set agen 'orspittles ever since I was there for two months, I got up on | |
| the box again and drove off, for there was a bobby coming up; and I've | |
| been driving you about ever since." | |
| "Driving me about ever since?" | |
| "That's so, sir. We've been round Belgrave Square about a dozen times, | |
| and I was just going to drive you back to our stables, where it ain't | |
| quite so wet, when you downed the window." | |
| "I can't grasp it," said Chester, hoarsely. | |
| "Oh, never you mind about that, sir; you'll be all right soon. You see, | |
| beggin' your pardon, you was precious tight, and your friend had all he | |
| could do to hold you up. `Just like a jelly, kebby,' he says; and you | |
| was, sir. Your legs doubled up like a two-foot rule with a weak jynte." | |
| "My friend!" cried Chester, snatching at that as something to cling to. | |
| "Who was that?" | |
| "That's what I'm a-telling you, sir. Your friend--" | |
| "But what sort of a person was it?" | |
| "Big, stout young fellow, like a Lifeguardsman, but a real gent. Very | |
| jovial sort. `Take great keer of him, kebby,' he says, and he tipped me | |
| a quid. `Help him up the steps when you get him home.' `Right you are, | |
| sir,' I says, as soon as I'd shut you up. `But wheer to?' | |
| `Thirty-three Chrissal Square, Chelsea,' he says, and there I drove you, | |
| and there you'd be, only your guv'nor cut up so rough." | |
| "Chrissal Square, Chelsea?" cried Chester, eagerly. | |
| "That's it, sir." | |
| "Why didn't he tell you Raybeck Square?" | |
| "Dunno, I'm sure, sir. That's where all the doctors is." | |
| "Yes, of course." | |
| "Didn't think you was bad enough, I s'pose, sir. And you ain't. You | |
| on'y want a drop to clear your head a bit." | |
| "Drive me to Raybeck Square, thirty-four, at once." | |
| "Won't you have a drop of something first, sir? Do you more good than | |
| going to a doctor's, and me, too." | |
| "No, no, absurd. But one moment. You said Piccadilly Circus?" | |
| "That's right, sir." | |
| "And my friend helped me into the cab, and paid you to drive me home?" | |
| "That's it, sir. You're getting it now--all by heart." | |
| "A tall, stout gentleman?" | |
| "Well, not exactly that, sir. I don't mean a fat 'un with a big weskit. | |
| A reg'lar strong-built un." | |
| "I can't grasp it," muttered Chester. Then aloud,--"But why did he tell | |
| you to drive me to the wrong house?" | |
| "Bit on too, sir. Arter dinner. Did it for a lark, p'ra'ps." | |
| "Drive me home," said Chester, sinking back. "I can't recollect a bit." | |
| "Course you can't, sir. Better have a hair o' the dog as bit you." | |
| "No, no. There, I'll give you a glass of brandy when we get back." | |
| "Suppose your guv'nor won't let you in, sir?" | |
| "Nonsense, man. I have a latch-key." | |
| "Wish I'd ha' knowed it," muttered the man, as he tried to close the | |
| door; "blessed if I wouldn't ha' picked your pocket of it and risked it | |
| I'd ha' carried you into the passage, and chanced it. Blister the door, | |
| how it sticks!" he growled, as he banged it to, the jerk raising the | |
| glass, and it dropped down. "Chrissal Square, sir?" | |
| "No, no, Raybeck Square; and make haste out of the rain." | |
| "Oh, I'm as wet as I can be, sir, and it don't matter now," grumbled the | |
| man, as he ascended to the box, and once more the maddening rattle and | |
| jangle began. | |
| Chester's head was as blank as ever with regard to the past when the cab | |
| drew up at his home, but it was perfectly clear as to the present, and | |
| he was still hard at work trying to make out where he had been dining, | |
| with whom, and how it was possible for him to have so far forgotten | |
| himself as to have drunk till he was absolutely imbecile, when the man | |
| opened the door. | |
| "One moment; my latch-key. Yes; all right, I said I'd give you a glass | |
| of brandy." | |
| "You did, sir, and welkum it'll be as the flowers o' May. Jump out | |
| quick, sir, and run up the steps, for it's all one big shower bath." | |
| "Can you leave your horse?" | |
| "Leave him, sir?" said the man, with a chuckle; "for a month. He's got | |
| hoofs like hanchors. But I will hitch his nose-bag on, and let him see | |
| if he can find that there oat he was a-'untin' for in the chaff last | |
| time he had it on." | |
| The next minute Chester was inside, with his head throbbing; but he was | |
| not so giddy, and his first glance was at the hall clock, illumined by | |
| the half turned down gas. | |
| "Four o'clock," he muttered. "How strange!" | |
| "May I come inside, sir? Horse'll be all right if there don't come a | |
| bobby prowling round. If he ain't a fool he'll be under someone's | |
| doorway, for there ain't likely to be no burgling a time like this." | |
| "Shut the door, and come in here," said Chester, shortly; and he led the | |
| way into his consulting-room, turned up the gas, and from a closet took | |
| a decanter and glass, filled the latter for the cabman, who was making a | |
| pool on the thick carpet, and then poured himself out a few drops from a | |
| small-stoppered bottle, added some water from a table filter, and tossed | |
| off the mixture. | |
| "Thank you, sir, and hope that there'll do you as much good as this | |
| here's done me a'ready. Didn't know you was a doctor." | |
| "Here's a crown for you," said Chester, taking the money from a little | |
| drawer. | |
| "Five bob! Oh, thank ye, sir," said the man, with a grin. "Makes a | |
| fellow feel quite dry. Sorry for your carpet, sir. Good-mornin'. I | |
| don't think I want another fare." | |
| As the door was closed after the man, the potent drops Chester had taken | |
| began to have some effect, and it seemed as if the dawn was coming | |
| through the black cloud which separated him mentally from what had taken | |
| place overnight. | |
| "The man's right," he muttered. "I must sleep. Good heavens! What a | |
| state my brain is in!" | |
| "Is that you, Fred?" | |
| He started as if he had been stung, and the dawn brightened as he | |
| replied sharply-- | |
| "Yes, aunt; all right. Go to bed. Why are you up?" | |
| There was no reply, and he turned the hall light nearly out again, and | |
| went into his consulting-room to serve the gas jet there the same, and | |
| sank into an easy-chair instead; but he had hardly allowed himself to | |
| sink back when he sprang up again, for there, in the open doorway, stood | |
| the grotesque figure of Aunt Grace, in broad-frilled, old-fashioned | |
| night-cap and dressing-gown, a flat candlestick in her hand, and a | |
| portentous frown upon her brow, as she walked straight to him, wincing | |
| sharply as one slippered foot was planted in the pool left by the | |
| cabman, but continuing her slow, important march till she was about a | |
| yard away from her nephew, when she stopped. | |
| "Why, aunt," he cried, "what's the matter? Surely you are not walking | |
| in your sleep!" | |
| "Matter?" she cried in a low, deep voice, full of the emotion which | |
| nearly choked her. "Oh, you vile, wicked, degraded boy! How dare you | |
| treat your poor sister and me like this?" | |
| "Pooh! Hush! Nonsense, old lady. It's all right. I've been dining | |
| with a friend." | |
| "With a friend!" she said, with cutting sarcasm. | |
| "Yes, at his club. There, I must have been unwell. I was a little | |
| overdone. What a terrible night." | |
| "Terrible indeed, sir, when my nephew stoops to lie to me like that. A | |
| friend--at his club! Do you think me such a baby that I do not know you | |
| have been with that abandoned woman?" | |
| "Hush! Silence!" he whispered angrily. "For your dear, dead father's | |
| and mother's sake, sir, I will not be silenced." | |
| "But you will arouse Laura." | |
| "She wants no arousing. She is lying ill in bed, sleepless in her | |
| misery, sir, with her wretched brother staying out like this." | |
| "Confound you for a silly old woman!" he cried angrily. "Is a man to | |
| live the life of a hermit? If I had been away to a patient till | |
| breakfast-time nobody would have said a word. Poor little Laury! But | |
| how absurd!" | |
| "Absurd, sir!" cried the old lady, who was scarlet with indignation. | |
| "Then I suppose it was absurd for poor Isabel Lee to have gone home | |
| broken-hearted because of your conduct." | |
| "What!" he cried, springing up, with a glimmer of memory coming back. | |
| "Why, surely you two did not canvass my being out one night till the | |
| poor girl was so upset that she--that she--went back--yes, she was | |
| stopping here. Oh, aunt, your foolish, suspicious ways are disgraceful. | |
| What have you done?" | |
| "I done, you wretched boy? It's what have you done? She was with us | |
| for a whole week after you had gone, fighting against me, and insisting | |
| that there was a reason for your being away, or that you had had an | |
| accident." | |
| "Here, aunt, are you going to be ill?" he cried, catching at her wrist; | |
| but she snatched it away. | |
| "Don't touch me, sir!" she cried. "Oh, Fred, Fred! I'd have given the | |
| world not to know that you were so wicked. And just when you were about | |
| to marry her, poor girl, to go away as you did." | |
| "_Go_ away--as I did?" he faltered, gazing at her blankly. | |
| "Yes, I knew something was wrong when I saw that wretched woman's face. | |
| I felt it; but I could not have believed you would be so base. A whole | |
| fortnight too; and to think that this was to have been your | |
| wedding-day!" | |
| He caught her by the shoulders, and she uttered a faint cry and dropped | |
| the candlestick, as he stood swaying to and fro, staring at the doorway, | |
| through which his sister hesitatingly passed, and came slowly toward | |
| him. | |
| "A fortnight!" he stammered--"Isabel gone!" | |
| "Yes, gone--gone for ever," said Laura, sadly. "Oh, Fred, how could | |
| you?" | |
| "Stop! Don't touch me," he cried angrily. "Don't speak to me. Let me | |
| try to think." | |
| He threw his head back and shook it violently in his effort to clear it, | |
| but the confusion and mental darkness began to close in once more, while | |
| the throbbing in his brain grew agonising. It was as if his head were | |
| opening and shutting--letting the light in a little and then blotting it | |
| out; till he felt his senses reeling--the present mingling with the | |
| darkness of the past he strove so vainly to grasp. | |
| "I can't think. Am I going mad?" he groaned, as he staggered to a | |
| chair. | |
| "Mad, indeed," said his aunt, bitterly. "Come away, Laura, and leave | |
| him to his conscience. Better if it had been as you and poor Isabel | |
| thought--that he had met with some accident, and was dead." | |
| She caught her niece by the arm, but Laura shook herself free and took a | |
| step or two towards where, in his utter despair, Chester sat bent down | |
| with his head resting in his hands. But he made no movement, and with a | |
| bitter sob she turned and followed her aunt from the room. | |
| CHAPTER EIGHT. | |
| "WHITHER?" | |
| It was a good forty-eight hours before Chester could think clearly. His | |
| aunt had sternly avoided his room, and he had been dependent upon Laura, | |
| who attended him as he lay quite prostrated by the agonising pains in | |
| his head. She hardly spoke, but saw to his wants as a sisterly duty, | |
| and felt that silent reproach was better than words to one who had | |
| proved himself such a profligate. | |
| "I can't understand it," she said to herself again and again. "It is so | |
| unlike him. If he would only repent, poor Bel might forgive him--in | |
| time. No; I cannot speak to him yet." | |
| She little thought how her brother blessed her for her silence, as he | |
| lay struggling to get behind that black curtain; but all in vain. | |
| He was sleeping heavily on the third night, when he suddenly woke up | |
| with the mental congestion gone. The pain had passed away, and his | |
| brain felt clear and bright once more. | |
| He remembered perfectly now. The scene with Marion after his triumphant | |
| declaration of all danger being past. Their embrace. The interruption | |
| by the coming of the saturnine head of the house, and the struggle, all | |
| came back vividly clear, and with photographic minuteness. He recalled, | |
| too, how in the encounter when he had forced his adversary back over the | |
| edge of the table, he felt that an effort was being made to get at some | |
| weapon. | |
| Then the great athletic brother came and separated them, remonstrating | |
| on the folly of the encounter at such a time. | |
| "How strange that I can remember it all so clearly now," muttered | |
| Chester. "Yes, he said that it was over a dispute. He would not | |
| acknowledge the real cause, and she did not speak. The scoundrel; he | |
| had been persecuting her with his addresses. I see now; that must have | |
| been the cause of the first trouble. Her brother was defending her from | |
| him." | |
| Then he recalled how the pair went away, and that the old housekeeper | |
| stayed, while Marion sat by the patient's side, avoiding his gaze, and | |
| as if repenting that she had given way to her feelings. | |
| A tray was brought in by Paddy, so that the housekeeper should not leave | |
| the room; and he stopped, talking good-temperedly enough, for some | |
| little time, and almost playing the part of servant to them, till they | |
| had all partaken scantily of the excellent meal; but he did not have | |
| another opportunity of speaking to Marion alone. | |
| Chester lay for some minutes trembling then, for he had been growing | |
| excited by the recollections, and a strange dread had come over him that | |
| he was about to lose his memory again; but the adventures of that night | |
| came back, and he recalled the coming of Paddy once more. This time he | |
| brought in a tray with coffee and four cups, which he filled and handed | |
| to each of those present. Yes, Chester remembered how the housekeeper | |
| refused, and Paddy spoke-- | |
| "Nonsense, old lady! take it; we can't stand on ceremony now, you may | |
| have to be up for hours." | |
| Then the old housekeeper took the cup, and the young man sugared his own | |
| coffee very liberally, and added plenty of cream. | |
| "Bad taste, doctor," he said good-humouredly, "but I like it sweet. So | |
| you feel now that poor Bob will be all right?" | |
| "Yes, I have no doubt of it." | |
| "Thanks to you," said the young man, and he advanced and took Chester's | |
| emptied cup, and then Marion's, soon after leaving the room with the | |
| tray. | |
| Chester recalled feeling a little drowsy after this, and then in a | |
| dreamy way seeing Marion with her brow resting upon the patient's | |
| pillow. | |
| No more--try how he would, Chester could recollect nothing else, but | |
| consideration filled up the gap. The elder brother, satisfied that the | |
| patient's life was saved, was desirous of ridding the house of the | |
| doctor's presence, the more so now that he had discovered the relations | |
| which had sprung up between him and Marion. | |
| "The scoundrel!" thought Chester. "That must have been it: he was | |
| pursuing her, and the brother was shot down in defending his sister." | |
| Chester shivered now, and his brain grew hot, as he saw clearly enough | |
| all that remained. The cups had been prepared, two of them containing a | |
| drug, and Paddy had taken care that they should go to those for whom | |
| they were intended. It was all plain enough. Paddy was working in his | |
| brother's interest, and he was the big friend who had taken him first to | |
| the Circus, and then placed him in another cab, with instructions to the | |
| man. | |
| "Well," muttered Chester, "I see my way now, and I am not going to sit | |
| down calmly over the matter. I must--I will see her again." | |
| Then he trembled, and the hot burning sensation came once more. But it | |
| passed off, and he felt that he must be calm and wait till he had | |
| another long sleep, when he hoped to be quite restored. | |
| He lay trying now to forget all that had passed, so as to rest for a | |
| while; but sleep would not come, and he could do nothing but dwell upon | |
| his adventures at that mysterious house. It was so strange. The | |
| servants had evidently been sent away, so that they might know nothing | |
| of what threatened for long enough to prove a murder. He wanted to know | |
| of none other cause for the quarrel. His patient must have been shot | |
| down while defending his sister from some insult offered by the clever, | |
| overbearing, unprincipled scoundrel who seemed to lord it over all. | |
| And as Chester lay thinking, an intense desire came over him to learn | |
| more of the family who had literally imprisoned him, and kept him there | |
| all those days. When there, it had seemed for the most part like some | |
| romantic dream; and as he lay now at home thinking, the vague | |
| intangibility of those nights and days appeared to him more fanciful and | |
| strange than ever; so much so, that there were moments when he was ready | |
| to ask himself whether, after all, it was not the result of imagination. | |
| He recalled all the actors in the little social drama--the men whom he | |
| had seen on the first night, and who dropped out of sight afterwards; | |
| the two ladies--the wives of the brothers--both quiet, startled-looking | |
| women, of the type that would be seen exhibiting the latest fashions at | |
| some race, at Lord's, or at a meeting of the Four-in-Hand Club, and | |
| evidently slaves of their husbands--and he recalled now how the wife of | |
| the elder brother seemed to hold her lord in dread. | |
| "There's something more about that place than one knows," Chester | |
| thought to himself as he turned from side to side, "and I cannot--I will | |
| not, sit down and patiently bear such treatment. To-morrow I'll go and | |
| demand an explanation. I have a good excuse," he said half aloud and | |
| with a bitter laugh; "there is my promised fee, and--Pish!" he exclaimed | |
| savagely. "If I am to prove a scoundrel, I will be an honest one. I | |
| will ferret out who and what they are. I behaved like a child in not | |
| having some explanation earlier--in yielding passively as I did without | |
| reason--no, not without reason. I could not help it. Heaven help me! | |
| I will--I must see her again. It is fate!" | |
| He jumped up in bed, for a sudden thought now sent a chill of horror | |
| through him, as for the first time the drugging which had taken place | |
| showed itself in another light. | |
| "To get rid of me," he muttered, as the great drops of sweat gathered on | |
| his face, "and--the last thing I remember--Marion--her head fallen upon | |
| the couch beside her brother, helpless now to protect her--drugged, | |
| insensible, at the mercy of that villain; and I here without stirring or | |
| raising a hand." | |
| Some little time later, feeling weak and faint, he was standing in the | |
| hall reaching down his hat, and for a moment he had a feeling of | |
| compunction. Isabel--his sister--what would they think of his strange, | |
| base infatuation? | |
| "What they will," he said between his teeth. "Placed in such | |
| circumstances, no man could be master of himself. I must save her, even | |
| if we never meet again;" and the door closed after him loudly, as, half | |
| mad now with excitement, Marion's eyes seeming to lure him on, he | |
| stepped out into the darkness of the night. | |
| "Whither?" he muttered, as he hurried across the Square. "Heaven help | |
| me! it is my fate." | |
| CHAPTER NINE. | |
| A BLACKER CLOUD IN FRONT. | |
| The nearest church clock was striking three as Chester passed into the | |
| great west-end artery, which was almost deserted, and he had been | |
| walking rapidly, under the influence of his strange excitement, for some | |
| minutes before, clear as his head was now, he found himself brought up | |
| short by a mental cloud as black and dense as that from which he had | |
| suffered when he began to recover from the influence of the drug he had | |
| taken. | |
| But there was this difference: the dense obscurity then was relating to | |
| the past--this was connected with the future. | |
| "Good heavens!" he muttered. "Whatever he gave me must be acting still; | |
| I am half delirious. I am no longer master of my actions. Why am I | |
| here? What am I going to do?--To try to save her, for she is at his | |
| mercy. But how?" | |
| He stopped short, literally aghast at the horror which encompassed him | |
| as he felt that he was utterly helpless. | |
| How was he to save Marion? How take the place of the brother who had | |
| defended her and fallen? Where was she? | |
| In the great wilderness of houses which made up the overgrown city in | |
| which he dwelt, where was the one he sought? | |
| Utterly dazed, he stood trying to think out in which direction it lay, | |
| and moment by moment his feeling of utter helplessness increased. | |
| He had not taken the slightest note of the direction in which the | |
| carriage was driven that night, for he had sat listening to his excited | |
| companion, half wondering at the way in which he was influenced by her | |
| presence. | |
| The carriage, he did remember, was driven very fast, but it must have | |
| been at least a quarter of an hour before it was drawn up at the kerb | |
| before the old-fashioned mansion. | |
| Yes, he did note that old-fashioned mansion, in a wide street, too--it | |
| must have been a wide street to have allowed for so great a distance | |
| between the kerb and the two steps up from the pavement; and the house | |
| stood back, too, some distance. | |
| That was something, but a chill of despair came over him as he felt that | |
| these features applied to thousands of houses. | |
| Still, it was old-fashioned, and the hall was wide, just such a house as | |
| he would find in Bloomsbury. | |
| "Or Westminster," he muttered. "But the cabman was told to drive to | |
| Chelsea. A blind to confuse me, on the chance that I did not notice | |
| when I was brought there that night. | |
| "Bloomsbury or Westminster," he said to himself; "and chance or instinct | |
| may help me," he mused, as, feeble as was the clue, he felt that it was | |
| something to act upon, something to give him work that might deaden the | |
| wild excitement. He set off at once in the direction of the | |
| old-fashioned, grim-looking streets half a mile east of where he had | |
| stood thinking, ending by taking a passing cab, for he felt faint and | |
| bathed in a cold perspiration, and being driven slowly through street | |
| and square till long after daylight, and then home, sick at heart in the | |
| despondent feeling which came over him. | |
| "It's hopeless--impossible," he said to himself, as he wearily let | |
| himself in with his latch-key, while the cabman drove slowly off, | |
| saying-- | |
| "Not bad, as things go. Talk about seeing life, I think we kebbies do. | |
| Why, that chap must be about cracked." | |
| As Chester threw his overcoat on a chair in the hall, a slight rustling | |
| on the stairs took his attention. | |
| "Watched!" he said to himself, while turning into his consulting-room, | |
| feeling convinced that either Laura or his aunt had been listening for | |
| his return. | |
| "They must think me mad," he said, and after a pause, "are they right?" | |
| He was calmer now, and his mind running in this direction, he could not | |
| help feeling there was a strange dash of insanity mingled with his | |
| actions since the night when he was called out, and that this last act | |
| of hunting through the streets for a house of whose location he was | |
| utterly ignorant seemed nearly the culminating point. | |
| "Yes, the height of folly," he said softly. "I must try and devise some | |
| means of finding her. Chance may help me. I can do no more now." | |
| He rose with the intention of going up to his bedroom, but the sun was | |
| now shining brightly, and he opened the shutters before returning to his | |
| seat to try and think out some clue which he could follow up. | |
| The light which flooded the room seemed to brighten his intellect, and | |
| in spite of the use to which he had put the latter part of the past | |
| night, his head felt cool and clear. | |
| "Let's look the position fairly in the face," he said to himself. | |
| "After all, I have done Isabel no substantial wrong; I was not a free | |
| agent. I could not return; and that course is open, to go to her and to | |
| her people, frankly explain, and make up to her by my future for the | |
| weak lapse of which I have been guilty. For what are these people to | |
| me?" | |
| He sat back with his brow knit, feeling, though, that such a course was | |
| impossible--that he could not go and humble himself before his | |
| betrothed, and that it would be an act of base and cruel hypocrisy to | |
| resume their old relations when his heart seemed to have but one | |
| desire--to see Marion again. | |
| "No, it is impossible!" he cried angrily. "It was not love. I never | |
| could have loved her. Heaven help me! What shall I do? Some clue-- | |
| some clue!" | |
| He started mentally again from the moment when he was called down to see | |
| his visitor, and he seemed to see her once more, standing close by the | |
| table--just there! Then he once more entered the brougham with her and | |
| tried to get some gleam of the direction they took, but he could only | |
| recall that the horses were standing with their heads toward the east. | |
| No more. The result was precisely the same as it had been at other | |
| times, utterly negative. He had thought of nothing but his companion | |
| till they reached the house, and he had not even the clue of the family | |
| name. | |
| Then a thought struck him, and he brightened up. Those moments when, | |
| after his vain search for the bullet, he had dressed the wound. She had | |
| prepared bandages for him, and with eager fingers now he thrust his hand | |
| into his breast-pocket for his pocket-book, opened it, and took out a | |
| closely-folded, very fine cambric handkerchief, deeply stained with | |
| blood. She had given it to him, and he held it to the wound for a few | |
| minutes, while a bandage was torn, and had afterwards thrust it into his | |
| breast, only in his ecstasy to later on, unseen, take it out, carefully | |
| fold it, and place it in one of the pockets of his little Russia case. | |
| His hands trembled as he opened it out and examined the corners, the | |
| fourth showing, carefully embroidered, the letters M.E.C. | |
| He had hoped for the full name in marking ink, and with a faint sigh he | |
| refolded the delicate piece of fabric, and replaced it in his | |
| pocket-book, to sit thinking once more, with the new cloud growing | |
| blacker. | |
| There was one way, he thought--the police. Some shrewd officer might | |
| make something out of this narrative and trace the house; but he felt | |
| that it was doubtful, and shrank from laying bare a mystery which he | |
| felt sure Marion was eager to keep hidden. Finally he came to the | |
| conclusion that he would know no rest until he had discovered the place | |
| of his strange imprisonment himself, and in despair, to relieve the | |
| pressure of his brain, he turned to the writing-table, which was pretty | |
| well covered with letters from patients, complaining that they had come | |
| up to find him away; from others asking him to make appointments; and | |
| again others of a tendency which showed him that he was injuring his | |
| practice. | |
| Lastly, he picked up a letter which he had put aside, unwilling to open | |
| it; and he held it for some minutes, gazing straight before him, | |
| thinking deeply, and seeming to lack the resolution to read. | |
| At last with a sigh he tore it open. | |
| It was from Isabel's mother, telling him that her child was | |
| heart-broken, and asking him to give some explanation of the cruel | |
| treatment to which they had been subjected. | |
| "Let them think the truth," he cried passionately as he tore the letter | |
| into tiny fragments. "Let them think me half mad, I cannot--I dare not | |
| write." | |
| There were two or three packets on the table, even then, and he winced | |
| as he turned them over. One was a bundle of proofs of an article he had | |
| written for a medical paper; the next was a carefully-sealed box, | |
| registered, and he threw it into a drawer with an angry ejaculation. It | |
| was from a jeweller, and contained a pearl bracelet he had bought as a | |
| present for his betrothed. | |
| The other was also a box that had come by post, registered, and it was | |
| heavy. He did not know what that was; he had ordered no other present, | |
| and his curiosity being excited, he cut the green tape, tore off the | |
| great seals, and was in the act of opening the cartridge paper in which | |
| it was folded, when he stopped and snatched up the tape to which the | |
| sealing-wax adhered. | |
| There were three seals, two the coarse splotches of common wax used by | |
| postal authorities; the other was fine and had been sealed with arms and | |
| crest, but a drop from the coarse postal wax had half covered it and | |
| Chester could make nothing of the sender. | |
| The box within was fastened down with brads, and he forced it open with | |
| some curiosity, to find a heavy packet of what seemed to be short, thick | |
| pieces of pipe, and with a vague idea that they were connected with some | |
| surgical instrument sent to him from the maker on trial, he pushed it | |
| aside impatiently, and threw himself back in his chair. | |
| The next minute the thought occurred to him that a surgical instrument | |
| maker would not seal the packet with armorial bearings, and he would | |
| have sent some communication, so, catching up the box, he drew out the | |
| carefully-done-up packet within, tore it open, and then let his hands | |
| fall on the table, for the contents were rouleaux of sovereigns, all | |
| bright and fresh from the mint, the number written upon the packet--"210 | |
| pounds." Two hundred guineas--the fee promised to him for his services. | |
| "Gentlemanly and honourable in this, after all," he said to himself; and | |
| he eagerly searched the papers to see if there was a note. | |
| None, and with an ejaculation of disappointment he unlocked the table | |
| drawer, thrust in the rouleaux, locked them up, and then caught up the | |
| pieces of green tape again, to examine the blurred red seal. | |
| "Eureka!" he muttered; "then here is the clue." He carefully cut off | |
| the seal and placed it in his pocket-book, after satisfying himself that | |
| the crest over the shield of armorial bearings was a mailed arm bent, | |
| the elbow only being clear. With this to guide him, he went to a | |
| book-case, and took down a Peerage, in the faint hope of finding the | |
| arms of some great family there; and he was still vainly searching when | |
| the servant knocked at the door to tell him that breakfast was ready. | |
| Laura and his aunt were waiting in the dining-room, and their salute was | |
| a formal "Good-morning," after which the breakfast was partaken of in | |
| silence, and he rose to go back to his room. | |
| "Will you see your patients this morning, Frederick?" said his aunt, as | |
| he reached the door. | |
| He looked back at her sharply, and then glanced at his sister, who was | |
| watching him too. | |
| "No," he said sharply. "I have important business--I am going out." | |
| "But--" | |
| Chester closed the door and hurried to his room. He knew what was about | |
| to be said, and he was in such an intense state of irritation, that he | |
| could not trust himself to reply, but took hat and coat directly, went | |
| out, and jumping into the first cab was driven to his club, where he | |
| spent the morning in the library, examining books on landed gentry, | |
| peerages, baronetages, everything he could find relating to armorial | |
| bearings, and finding crest after crest of mailed arms holding swords, | |
| daggers, spears, flowers, plumes, hearts, and arrows, but nothing which | |
| quite answered to the seal. | |
| After a hasty lunch he went out to resume his search for the house, and | |
| for the next fortnight this was his life, seeking, and seeking in vain, | |
| for he found hundreds, each of which might very well have been that | |
| which he sought, till one afternoon he was walking down formal old | |
| streets of gloomy mansions, when his eyes lit upon a house, one of fifty | |
| almost alike, double-fronted with a broad entrance, and exactly what he | |
| felt the place must be that he sought. He had passed it a dozen times | |
| before, but it had never impressed him, and with a strange feeling of | |
| elation, as he noted its gloomy aspect, uncleaned windows, and air of | |
| neglect, he grew certain that he had made the discovery at last. | |
| The next thing was to note the number and examine a Directory, and | |
| walking rapidly on without daring to look for fear of being observed, he | |
| went to the end of the street, crossed over, and returned, read the | |
| half-obliterated number on the time-worn door as he rapidly passed, and | |
| once more had himself driven to his club. | |
| "Found at last," he muttered, as he opened the great Directory and found | |
| the number, and name, "Westcott." | |
| Not much, but something within him made him feel that he was right, and | |
| he closed the book, drawing a deep breath, and went straight to the | |
| great grim street. | |
| He had made no plans, but had determined upon a bold attack as the | |
| likeliest way of obtaining entrance. The old housekeeper would answer | |
| the door, and threats, cajoling, or bribery he was determined should be | |
| his pass-key, for see Marion and be assured of her safety he would, | |
| even, he told himself, if he had to use force. | |
| For one moment only he hesitated before he plunged into the lion's jaws, | |
| as it were--should he speak to a policeman and tell him how to act if he | |
| did not soon return? | |
| "No," he said; "it would be too cowardly, and I might injure her." | |
| The next minute he had given a heavy peal on knocker and bell, listened | |
| to the hollow echoes raised within the forbidding place, and stood | |
| waiting for the opening of the door. | |
| CHAPTER TEN. | |
| THE BOOKWORM AT HOME. | |
| As Chester waited for an answer to his summons the thought of the | |
| awkwardness of his position struck him, but he was strung up and | |
| determined to go on with his quest at all hazards. At the end of a | |
| minute there was no reply, and he knocked and rang again, with the hope | |
| rising that he was on the right tack at last, for the silence accorded | |
| with the mystery of the place he sought. | |
| It was not until he had roused the echoes within the house for the third | |
| time that he heard the rattle of a chain being taken down; then the door | |
| was opened slowly, and Chester's heart sank as he found himself face to | |
| face with a dim-eyed, sleepy-looking old man, thin, stooping, and untidy | |
| of aspect, in his long, dusty dressing-gown and slippers. He was | |
| wearing an old-fashioned pair of round glass, silver-rimmed spectacles, | |
| whose ends were secured by a piece of black ribbon; and these he pushed | |
| up on his forehead as he turned his head side-wise and peered at the | |
| visitor. | |
| "I'm afraid you knocked before, sir," he said in a quiet, dreamy tone. | |
| "Yes--yes. I ought not to have come in this unceremonious way." | |
| "Pray do not apologise," said the old gentleman, mildly. "I was busy | |
| reading, and did not hear." | |
| He pushed his glasses a little higher and smiled in a pleasant, | |
| benevolent fashion, while at the first glance Chester saw that he was | |
| quite off the scent. For he gazed past the old man into the great hall | |
| whose walls were covered with book-shelves, while parcels and piles of | |
| volumes were heaped up in every available corner. | |
| "I see that I have made a mistake," said Chester, hastily. | |
| "Indeed?" | |
| "I have come to the wrong house. I am very sorry. I am trying to find | |
| some people here." | |
| "Yes? Well, houses are very much alike. Will you step in? I can | |
| perhaps help you. I think I have a Directory somewhere--somewhere, if I | |
| can lay my hand upon it, for I seldom use such a work, and I have so | |
| many books." | |
| The old gentleman, whose appearance branded him as a dreamy, absorbed | |
| bookworm, drew back, and Chester involuntarily entered the hall, to note | |
| that with the book-cases away it would be such a place as he had | |
| visited; but while that was magnificently furnished, and pervaded by the | |
| soft glow of electric light, here all was dust and mouldering knowledge, | |
| the entrance suggesting that the rest of the house must be the same. | |
| "Pray come in," said the old man, after closing the door; and he led the | |
| way into what had been intended for a large dining-room, but had been | |
| turned by its occupant into a library, packed with books from floor to | |
| ceiling; piles were upon the tables and chairs, and heaps here and there | |
| upon the dusty old Turkey carpet. | |
| "Directory--Directory," said the old man, looking slowly round. "Books, | |
| books, books, but not the one we want." | |
| "You seem to have a large and valuable library," Chester ventured to | |
| observe. | |
| "Eh? Yes, I suppose so. The work of a long life, sir. But very dusty | |
| all over the house. What did you say was the name of the people you | |
| wanted?" | |
| "I--that is," stammered Chester, confusedly, "I do not know their name. | |
| Some patients whom I want to find out." | |
| "Are you a doctor, sir?" said the old man, looking at his visitor with a | |
| benevolent smile. "Grand profession. I should have liked to have been | |
| a doctor. But is not that a very vague description? Names are so | |
| useful for distinguishing one person, place, or thing, from another. | |
| But it was in this street, you say?" | |
| "Well--er--no, I am not sure," said Chester, hurriedly. | |
| "Dear me! that is rather perplexing," said the old man, taking off his | |
| spectacles and beginning to wipe them upon the tail of his | |
| dressing-gown. "But," he added, as if relieved, "the Directory would be | |
| of no use if you do not know the name." | |
| "None whatever," said Chester, who was smarting with the thought that | |
| this pleasant old gentleman must take him for a lunatic. "Pray forgive | |
| me for troubling you in this unceremonious way." | |
| "Oh, not at all, my dear sir, not at all. I have so few visitors, | |
| though," he added, "as you see I am surrounded by old friends." | |
| "The same style of house--the same sort of hall," thought Chester, as he | |
| went out after a few more words had been exchanged. "Could it have been | |
| in this street?" | |
| He looked up sharply at a heavy-faced butler and a tall, smart, | |
| powdered-headed footman, who were standing at the door of the next | |
| house, doing nothing, with the air of two men whose employers were out. | |
| Chester looked eagerly at them and passed by, but the door was nearly | |
| closed, and he could not see inside. | |
| His sharp look was returned with interest, the two men evidently | |
| expecting him to come up the steps and address them, but he went on for | |
| a short distance in an undecided way, thinking deeply, and trying hard | |
| to see through the mental mist which shut him in. But a short time | |
| before he had felt convinced that he had found the house and been | |
| disappointed; now he felt quite as sure that the mansion where the two | |
| servants were standing must be the place. He had no special reason for | |
| coming to the conclusion, but all the same a curious feeling of | |
| attraction made him slacken his pace, angry and annoyed the while that | |
| he had not stopped and spoken to the men. | |
| "Great heavens! What a vacillating moral coward I have grown," he said | |
| to himself. "What would have been easier?" | |
| He said this but felt that the task was terribly hard, for it seemed | |
| such a childish thing to do--to go about asking folk if that was the | |
| house where some people lived who had fetched him to attend a man who | |
| had been shot, and kept him a prisoner for days and days before drugging | |
| him and having him shut up in a cab to be driven about in the middle of | |
| the night. | |
| "Why, if I could explain all this to them," he said to himself at last, | |
| "they'd think I was a harmless kind of madman, troubled with memories of | |
| the Arabian Nights Entertainments, which I was trying to drag into | |
| everyday life like a Barber's hundredth brother, or a one-eyed Calendar. | |
| Come, come, old fellow," he continued, as he mentally apostrophised | |
| himself; "go back home and prescribe for yourself, and then begin to | |
| show someone that you have been suffering from a strange mental vagary, | |
| brought about by over-excitement. She will believe it in time, and all | |
| may come right again. Ah! how like." | |
| He started and hurried after an open carriage in which two ladies were | |
| seated. He only saw the profile of one of them very slightly, and her | |
| back as she passed, but there was a turn of the figure--a particularly | |
| graceful air, as she leaned forward to give some instruction to the | |
| coachman--which struck him as being exactly similar to attitudes he had | |
| seen Marion assume again and again when attending upon her brother. | |
| He jumped into a cab and told the man to follow the victoria, with the | |
| result that the latter came to a standstill in front of one of the | |
| fashionable West-End drapery establishments. | |
| Chester was close up as the lady alighted, and he sprang out excitedly | |
| to go and speak to her. | |
| There was every opportunity, for the carriage drove on with her | |
| companion, and she crossed the pavement alone, to walk a few steps alone | |
| in front of the great plate-glass window, gazing carelessly in at the | |
| various costumes displayed. | |
| "A woman after all," he said to himself, bitterly annoyed at what he | |
| considered her frivolity in thinking of dress at a time when her brother | |
| was in all probability suffering still. | |
| "But it is their nature, or the result of their education," he said the | |
| next minute, as he went close up behind her, and saw her face reflected | |
| clearly in the long series of mirrors at the back. | |
| CHAPTER ELEVEN. | |
| MR ROACH LOWERS HIMSELF. | |
| "Bah!" ejaculated Chester in his rage and despair, as he swung round and | |
| hurried away. "Fool, idiot! No more like her than that miserable | |
| flower-seller is. Am I suffering from the shock of the drug they gave | |
| me? Well, if I am, she must be found all the same, for I cannot go on | |
| like this and live!" | |
| He hurried along, without heeding which way he went, and as if by | |
| instinct made for his own house, reached it, started as if in surprise, | |
| and then turned to enter, but altered his mind after a pause, and drew | |
| the door to, after which he walked swiftly away in the direction of | |
| Westminster. | |
| For the meeting had raised thoughts which he felt that he would only | |
| obliterate by plunging once more into the mazes of his wild search. | |
| He was not long in reaching the old street which had so taken up his | |
| attention before, and he looked long and attentively at the mansion | |
| adjoining that occupied by the collector. The contrast was curious, the | |
| one with bright, well-curtained windows, the door glistening in its | |
| fresh graining and varnish, the other dim, unpainted, looking as if it | |
| were quite unoccupied, the very steps as if they had not been cleaned | |
| for years. | |
| Chester went and studied a Directory, and with the name Clareborough | |
| upon his lips, he determined, after passing through the street two or | |
| three times, to risk making a call. | |
| "Why should I mind?" he muttered. "If I am wrong, I have only made a | |
| mistake." | |
| He walked on till he reached the house, perfectly unconscious that the | |
| footman was standing a little back from one of the narrow windows, and | |
| after having his attention drawn to the vacillating, rather haggard | |
| personage who had been taking so much interest in the house, was ready | |
| to look upon him with suspicion. | |
| "Begging letter dodges, or something to sell," said the footman to | |
| himself, as the visitors' bell was rung, and after waiting a sufficient | |
| time to suggest that he had come from downstairs, the fellow opened the | |
| door, to receive Chester with a calm stare. | |
| "Mr Clareborough in?" | |
| "Not at home, sir." | |
| "Mr Robert is, of course?" | |
| "Out of town, sir." | |
| "Well, I must see somebody," said Chester, who had been checked for the | |
| moment by the announcement that Mr Robert was out of town, but | |
| encouraged by the fact that two shots went home. "Ask Mr Paddy if he | |
| will see me." | |
| The nickname made the footman raise his eyebrows, but he replied | |
| coolly-- | |
| "Not at home, sir." | |
| "Well, then, one of the ladies." | |
| "On the Continent, sir." | |
| "Tut, tut, how tiresome!" cried Chester, impatiently. "Look here, my | |
| man; how is Mr Robert?" | |
| "Quite well, thank you, sir," said the man, superciliously. | |
| Chester stared at the man. He had evidently been schooled what to say, | |
| and for the moment the visitor hesitated, but recovering his | |
| _sang-froid_ the next moment, he said-- | |
| "Rather strange that, after so serious an accident." | |
| At that moment the butler came forward from the back of the hall, | |
| pulling the door a little more open, and Chester drew a deep breath full | |
| of satisfaction, as he caught sight of one of the statues and a chair, | |
| on the back of which was emblazoned the same crest as he had seen upon | |
| the seal. | |
| "What is it, Orthur," said the butler in a deep, mellow voice suggestive | |
| of port wine. | |
| "Gentleman asking to see Mr Robert, sir." | |
| "Yes, I particularly wish to see him," said Chester. "I am the medical | |
| man who attended him after his accident." | |
| "I beg pardon, sir." | |
| "I say I am the medical man who attended him after his late accident, | |
| and I wish to see my patient again." | |
| The butler glared at the speaker in a heavy, solemn way, and then turned | |
| slowly to his subordinate, who raised his eyebrows and drew down the | |
| corners of his lips. | |
| "I beg pardon, sir," said the butler, turning his eyes again on the | |
| visitor, who was beginning to lose temper. "There is a Mr Robert | |
| here--Mr Robert Clareborough. You must mean some other gentleman. Our | |
| Mr Robert is quite well, and on the Continent just now." | |
| "Impossible!" cried Chester, angrily. "Look here, my man, take this for | |
| yourself and my card in to Mr Robert. Say I beg that he will give me a | |
| few minutes' conversation." | |
| The butler glanced at the card and the coin held out, but took neither. | |
| "Beg pardon, sir. I told you that Mr Robert is on the Continent." | |
| "Yes; and I tell you that you are not speaking the truth. Do as I tell | |
| you. I will wait till he sees me." | |
| Chester took a couple of steps forward as he spoke, with the intention | |
| of entering the hall, but the butler stood firm, and the footman closed | |
| up to his side, the pair effectually barring the way. Chester stopped, | |
| feeling that he could do no more, for the servants must have been | |
| instructed to deny everybody to him. He thought, too, of his position; | |
| he had attended his patient and retained the heavy fee paid him, having, | |
| had he so wished, been debarred from returning it by his ignorance of | |
| the sender's address. | |
| While he was musing the butler said haughtily-- | |
| "If you like to leave your card, sir, I'll lay it on the 'all table, and | |
| if one of the gentlemen wishes to see you, I daresay he'll write or | |
| call." | |
| "No," said Chester, irritably. "Tell Mr Robert that I came, and--no, | |
| say nothing; I daresay I can find Mr Robert Clareborough at his club, | |
| or I shall meet him somewhere else." | |
| He turned upon his heel, and walked sharply away, satisfied now that he | |
| had found the house, and feeling more eager than ever to obtain an | |
| interview with his patient, who would, he felt sure, have his sister by | |
| his side. | |
| The thought of her position sent the hot blood coursing to the doctor's | |
| head, and a chill of horror and anxiety ran through him once more. But | |
| he felt that he must wait a little longer and devise some way of | |
| obtaining speech with Marion, life being unendurable till he had seen | |
| her once again. | |
| "New dodge, Mr Roach, sir?" said the footman, when Chester had | |
| disappeared. | |
| "I don't quite know what to make of it, Orthur," replied the butler, | |
| solemnly. "It does seem like a new way of raising the wind. It ain't | |
| books nor engravings." | |
| "What about being Mr Robert's medical man, though. What do you make of | |
| that?" | |
| "Well, Orthur, putting that and that together--his quick, jerky, excited | |
| way, and his fierce-looking eyes, and his ignorance of Society etiquette | |
| as to strangers calling, and wanting to see everybody, just as if he was | |
| one of the oldest friends of the family--I should say that he's one of | |
| those chaps who get a few names o' people out o' Directories, and then | |
| goes and calls." | |
| "For swindling and picking up anything as is not out of his reach, sir, | |
| or about money?" | |
| "Well, say a bit touched in the head, Orthur." The butler put his hand | |
| to his throat to try whether the tie of his white cravat was in its | |
| place, and looked up the street and down, acts imitated exactly by his | |
| lieutenant, and for some minutes nothing more was said. Then the | |
| footman in very respectful tones-- | |
| "Ever try your 'and, Mr Roach, sir, at any of those gambling shops | |
| abroad?" | |
| "Well, once or twice, Orthur," said the butler, relaxing a little to his | |
| junior. "I was with a young nobleman out at Homburg and Baden and one | |
| or two other places." | |
| "And how did you get on, sir?" | |
| "Oh, I made a few louis, Orthur, and I should have made more if we had | |
| stopped, I daresay." | |
| "Lor'! How I should like to have a bit of a try there, sir," said the | |
| footman, eagerly. | |
| "You would, Orthur, eh? You mean it?" | |
| "Mean it, sir? I should just think I should. That's what Mr Robert's | |
| after now, I'll bet; and look at the money, Mr Dennis--Mr Paddy-- | |
| pockets over his flutters there, let alone over every race and event | |
| coming off. Ah, it's fine to be them." | |
| "Well, yes, Orthur, my good lad, I suppose they do pretty well. You | |
| see, if I or you were disposed to put a sov'rin or two on the next | |
| event--" | |
| "Half-a-crown's 'bout my figure, sir." | |
| "Ah, well, say half-a-crown, Orthur; it may turn up a pound, or two | |
| pound, or three pound. It might even be a fiver. But with them when | |
| they win, it's hundreds or thousands." | |
| "Ah!" ejaculated the footman, smacking his lips. | |
| "By the way, there's Newmarket coming again next week." | |
| "Yes, sir; got anything on?" | |
| "Well, no, not yet, Orthur; perhaps I may." | |
| "Do, sir, and I will, too. Mr Roach, sir," whispered the young man | |
| behind his hand, as the butler turned upon him with a look of reproof | |
| for his assumption, "Black Pepper, sir." | |
| "What, my good boy! Why, that horse is at fifty to one." | |
| "That's it, sir; and I'm going half-a-crown on him." | |
| "Better keep it in your pocket, my lad," said the butler, blandly. | |
| "No, sir; I think not. I've got the tip." | |
| "Eh?" said the butler, eagerly. "Where from?" | |
| "I heered Mr Paddy tell Mr James, sir, that it was a sure thing, and | |
| Mr James gave him gold out of his cash-box in the lib'ry--little rolls | |
| out of that big tin box of his. I didn't hear no more, but that was | |
| quite enough for me." | |
| "Eh? Yes," said the butler, dropping his superior way of speaking to | |
| whisper confidentially, "it will do for me too, Orthur. I'll give you | |
| half-a-sovereign to put on at the same time. Let me see, Orthur, we're | |
| not very busy this afternoon, and I shall be about to answer the door. | |
| Come down to the pantry, and I'll give you the money, and you can go and | |
| make the bets before they get to a different price." | |
| "All right, sir, I will," said the footman excitedly. "Beg pardon, | |
| sir," he continued, as the door closed and they stood together in the | |
| elaborately-furnished hall. "Yes, Orthur, what is it?" | |
| "Could you oblige me with half-a-crown, sir, till I get my wages?" | |
| "Humph! Well, my lad, I do make it a rule never to lend money, but | |
| seeing that it is you, Orthur, a lad that I can trust--" | |
| "Oh, yes, sir, you may trust me." | |
| "I will let you have the money." | |
| "Thank ye, sir, and I'll go at once." | |
| CHAPTER TWELVE. | |
| A FATAL ATTRACTION. | |
| "You, Isabel dear!" cried Laura one day, as the visitor whom she had | |
| looked upon as a sister was shown into the room. | |
| "Yes, dear, I felt obliged to come. Don't, pray don't be ashamed of me | |
| and think me weak," pleaded the poor girl, as they embraced and then sat | |
| down together upon the couch. | |
| "How can you say such things!" cried Laura, warmly, as she passed her | |
| arm about her friend's waist. | |
| "Because I feel that I deserve it, dear. I know how weak and foolish I | |
| am. I have been watching for an hour till I saw him go out." | |
| "You have been watching, Bel?" | |
| "Yes, dear; from a brougham with the blinds partly drawn down. We are | |
| in town now. Papa says I must have a change, and we are staying here | |
| for a few days before they take me over to Paris. Laura dear, I was | |
| obliged to come. Don't betray me, please, to anyone. They would be so | |
| angry if they knew, and say that I was shameless. I suppose I am, dear, | |
| but I hope you can sympathise with me a little." | |
| "Not a little, Bel dear," cried Laura, warmly, and Isabel flung her arms | |
| about her friend's neck, buried her face in her breast and sobbed | |
| violently for a few minutes before she raised her thin white face and | |
| said quite calmly, with a piteous smile on her lip-- | |
| "There, I told you how weak I was. I feel so much better now. I would | |
| have given anything for days and days to cry like that, but I could not. | |
| My head has been hot, and my brain seemed dry and burnt up. Now I can | |
| talk. But tell me, is--is he likely to come back?" | |
| "No," said Laura, shaking her head. "He will not be back till night, | |
| and even if he did return he would not come here, but go straight to his | |
| room and shut himself in." | |
| "Has--has he told you anything?" | |
| "No, dear; he hardly ever speaks either to me or aunt. He did say that | |
| he was kept away to attend an important patient." | |
| "Yes, yes, of course. That must be it." | |
| Laura was silent. Aunt Grace had sown a seed in her heart which had | |
| begun to grow rapidly, in spite of her sisterly efforts to check it as a | |
| noxious weed. | |
| "Well, why don't you speak?" cried the visitor, sharply. | |
| "Because I have nothing to say." | |
| Isabel flushed up, and Laura stared at her, wondering whether this was | |
| the placid, gentle girl whom she had known so long. | |
| "Then why have you nothing to say?" cried Isabel, angrily. "He is your | |
| brother, and if all the world is turning against him, is it not your | |
| duty to defend--to try and find excuses for his conduct?" | |
| "Isabel!" | |
| "Well, I mean what I say. It is quite enough that I turn against him | |
| and that everything between us is at an end. I hate him now, for he has | |
| used me cruelly, and it seems to have changed my nature; but I cannot | |
| forget the past, and would not be malignant and cruel too." | |
| Laura took the hand that was resigned to her, and the pair sat in | |
| silence for some minutes. | |
| Isabel's lips moved several times, as if she were about to speak, but no | |
| words came, till, with a desperate effort, she said in a husky whisper-- | |
| "Have you seen her, Laura?" | |
| "I? No!" cried the girl, who was startled by the question. | |
| "But you know she is beautiful, and rich, and aristocratic?" | |
| "I only know what aunt has said, dear; but if she were the most | |
| beautiful woman that ever breathed, it is no excuse for Fred treating | |
| you as he did." | |
| "I don't know," said Isabel, sadly. "He is wise and clever, while I | |
| have often felt that it was more than I could expect for a man like him | |
| to care for me, so simple and homely as I am." | |
| "Fred ought to have been only too proud to have won such a girl," cried | |
| Laura, sharply, but her visitor shook her head. | |
| "It was only a brief fancy of his, dear, and as soon as the right woman | |
| came across his path he forgot me. Well, I am patient if I am not | |
| proud, for I cannot resent it, dear, only try to bear it, for I loved | |
| him very dearly; but it is very hard for the little romance of one's | |
| poor homely life to be so soon brought to an end." | |
| "It was cruel--cruel in the extreme," cried Laura, angrily. "I would | |
| not have believed that my brother, whom I almost worshipped, could have | |
| behaved so ill." | |
| "These things are a mystery," said Isabel, gently; "and perhaps it is | |
| better that it should have happened now than later on when we were | |
| married. But tell me about him, dear. Has he settled down to seeing | |
| his patients again? You wrote to me saying that he was neglecting | |
| everything." | |
| "So he is, nearly everything, now. Bel dear, I will not be so hard upon | |
| him any more. You must be right, that he cannot help himself, or he | |
| would never have behaved so ill. He must be mad." | |
| Isabel clung to her with a startled look in her eyes. | |
| "It is the only way in which I can account for the change," continued | |
| Laura, "for I will not believe what Aunt Grace says, that all men are | |
| bad at heart. If they are, women must be as wicked too." | |
| Isabel shivered slightly. | |
| "Tell me about what he does now." | |
| "I can't, dear," cried Laura, piteously. "I seem to know so little. | |
| Only that he goes out soon after breakfast, and does not come back till | |
| dinner-time, and so wet sometimes that he must have been walking about | |
| the streets for hours." | |
| Isabel sighed. | |
| "I've tried--oh, how I've tried!--to win his confidence; but he says | |
| nothing, only turns away, and goes out. It is just as if he had lost | |
| something of which he is always in search, and every day he grows more | |
| moody and strange." | |
| "Then he is ill--mentally ill," cried Isabel, excitedly. "I knew that | |
| there must be some excuse for his strange behaviour. Laura dear, my | |
| heart has misgiven me from the first. It is all so directly opposed to | |
| his nature and character. I will not believe that he could be so false | |
| to everything that he has said to me." | |
| Laura was silent again, and Isabel's careworn face flushed once more. | |
| "You are not sisterly and true," she cried. "The world is censorious | |
| enough without those who are nearest and dearest to us turning away and | |
| becoming our enemies." | |
| "I am not Fred's enemy, Bel," said Laura, gently. | |
| "Then why are you so hard against him?" | |
| "Because I feel that by his conduct he has put us all to shame." | |
| "Yes, all to shame--all to shame, my dear," cried Aunt Grace, who had | |
| entered the room unnoticed. "It's a wicked, wicked world; but it's very | |
| good of you to come and see us, my dear, heart-broken as we are. You | |
| have come to stop a few days, of course?" | |
| "I? Oh, no no, no. We are staying in town," said Isabel, hurriedly, | |
| "and I must go directly." | |
| "I am sorry to hear that," said Aunt Grace in rather an offended tone. | |
| "I did not think you would turn away from us in our trouble, Isabel; I | |
| thought better of you." | |
| "I turn away from you and Laura, Aunt Grace? Oh no, no, no." | |
| "I'm glad to hear it, my dear, because if you would stay we should be | |
| very glad." | |
| "Oh, auntie!" whispered Laura, "impossible." | |
| "It is not impossible, Laura," cried the old lady; "and I beg that you | |
| will not interfere. Isabel, my child, I shall be very glad indeed if | |
| you will stay, and you need not be at all afraid of meeting that | |
| dissolute, dissipated young man." | |
| "Mrs Crane"--began Isabel, agitatedly, but she was interrupted at once. | |
| "No, no, no, my dear; pray don't apologise and make excuses. Laura and | |
| I would be very pleased, and we see nothing whatever of Frederick now | |
| from breakfast-time to dinner. I don't know where he spends his days, | |
| but he is after no good." | |
| "Aunt dear, I really must interfere once more," cried Laura, warmly. | |
| "It is, as I said, impossible for Isabel to stoop to meet Fred again; | |
| and as to staying in the house--my dear aunt, of what can you be | |
| thinking?" | |
| "That we are beginning to live in evil times, Laura," cried the old | |
| lady, indignantly, "when little girls so far forget the respect due to | |
| their elders as to speak as you did just now. I ought to be the best | |
| judge, miss, of what is correct, if you please." | |
| "Pray say no more, Mrs Crane," cried Isabel, earnestly. "I must go | |
| back to the hotel where we are staying. It would indeed be impossible | |
| for me to visit here now." | |
| "Oh, very well, my dear, very well," cried the old lady, drawing herself | |
| up. "I can see very plainly that you have allowed yourself to be | |
| impressed by what Laura has said. Young people will hold together, and | |
| think that they are wiser than their elders. There is one comfort, | |
| though, for us old folk: you all find out your mistake." | |
| "Good-bye, dear Mrs Crane," said Isabel, advancing with open hands. | |
| "Good-day, Miss Lee," said the old lady, frigidly, as she held out her | |
| fingers limply. | |
| But Isabel did not take them. She laid her hands upon her shoulders, | |
| and, with tears in her eyes, kissed her affectionately twice. | |
| There was magic in the touch, for in an instant she was snatched to the | |
| old lady's breast and kissed passionately again and again. | |
| "Oh, my dear, my dear!" was sobbed; "I didn't think I was such an | |
| ill-tempered, wicked old woman. Pray, pray forgive me. I don't know | |
| what comes to me sometimes. And you in such sorrow and pain! Oh, that | |
| wicked, miserable, faithless boy! Something will come upon him some day | |
| like a judgment." | |
| "Oh no, no, no!" cried Isabel, wildly. "Don't--pray don't say that." | |
| "But I have said it, my dear. Ah, well, I won't think it, then, any | |
| more, for I don't see what greater judgment could fall upon him than | |
| losing you." | |
| Isabel could not trust herself to speak, but hurried out of the room and | |
| downstairs with Laura. | |
| "Don't speak to me, dear; let me go now," whispered the poor girl, | |
| faintly. "I am weak and ill, and can bear no more now. I ought not to | |
| have come, but the impulse was too strong. Good-bye, dear sister, | |
| good-bye!" | |
| The two girls were locked in a loving embrace, and then, with Isabel | |
| turning sick with dread, they sprang apart, for there was the rattle of | |
| a latch-key at the door, it was thrown open, and Chester strode in. | |
| He stood for a few moments aghast, as he saw Isabel recoil from him. | |
| Then, drawing down her veil, she tottered out, and was half-way to the | |
| brougham, drawn up by the kerb, before he recollected himself and sprang | |
| after her to open the door and try to hand her in. But she shrank from | |
| him as if in dread, and gathering her veil closely over her white, drawn | |
| face, she sank back in the carriage, and her betrothed stood gazing | |
| after her as she was rapidly driven away. | |
| CHAPTER THIRTEEN. | |
| WORKERS AT A TRAIN. | |
| "Of course, Orthur, the different grades in this service have to be kept | |
| distinct, and the inferiors have to look up to their superiors just as | |
| it is in the army." | |
| "Oh yes, sir, of course," said the gentleman addressed, squeezing his | |
| left eyelids together slightly, unseen by the pompous individual | |
| addressing him; "but you can't say as I haven't always been respectful | |
| and kept my place." | |
| "Always, Orthur, always, and that's why I come down a little to you and | |
| meet you on equal terms when we are alone, for I have always found you a | |
| very respectable, intelligent young man. What's that chap staring at?" | |
| "Us, seemingly, Mr Roach, sir," said the younger man, with a grin. | |
| "Book canvasser, that's what he is; been taking orders of the old chap | |
| next door, but didn't like the look of us, and didn't try it on. I had | |
| a peep through the open door there one day, and it was packed full o' | |
| books like a warehouse, sir." | |
| "Yes, yes, but never mind that," said the butler, impatiently. "But as | |
| I was saying, I've always found you a very respectable young man, | |
| Orthur, and I'm disposed to trust you. Service is all very well, | |
| Orthur, but there's no saving money; and when one sees these | |
| bookmakers--coarse, beefy-faced butcher or publican sort of fellows-- | |
| keeping their broughams and driving their phe-aytons, it is tempting." | |
| "Tempting, Mr Roach," said the young footman in a quick whisper; "it | |
| gives me the agonies. Look at the guv'nors. Why, I met a young chap as | |
| I used to know when he was a page in buttons--he's a six-footer now. | |
| Well, he says he knowed our people ten years ago when they were regular | |
| hard up. His people used to visit 'em. And now look at 'em. They're | |
| on with some of the knowing ones, and putting money on all the good | |
| things. Always winning, they must be. Why, if you and me, Mr Roach, | |
| was to put the pot on as they do we should be rich men in five years." | |
| "Don't talk so loud, Orthur; some of the women may be up at the | |
| windows." | |
| "All right, sir. But don't you see?" | |
| "Yes, I see; it's right enough, Orthur, when you win; but I look at the | |
| risks." | |
| "Warn't much risk over that last flutter, sir. Put down five shillings | |
| a-piece and took up each of us a tenner." | |
| "Yes, Orthur, that was very nice; but it mightn't always happen so." | |
| "Why not, sir? They always win, and all we have to do is to back the | |
| same as they do--take their tips, and it's as safe as safe." | |
| "H'm! Well, they do always seem to win, Orthur," said the butler, | |
| slowly, and he indulged in a pinch of snuff as he stood on the step. | |
| "Seem, sir? They do. I believe if it warn't for the odds they'd be as | |
| poor as church mice." | |
| "But how are we to get the tips, my son?" | |
| "Keep our ears open when we're waiting table, sir, or another way." | |
| "The same as you got that last one?" | |
| "That's it, sir. Don't do them any harm, and if a gent leaves his | |
| betting-book in the breast-pocket of the coat as has to go down to be | |
| brushed, I don't see anything in it. 'Tain't robbery." | |
| "H'm!" coughed the butler, glancing behind him; "no, it isn't robbery, | |
| Orthur." | |
| "Lor'! Mr Roach, sir; it's as easy as easy," whispered the footman, | |
| eagerly. "I can't think what we've been about--I beg pardon, sir--what | |
| I've been about all these months not to have put a little money on here | |
| and there. Want o' capital mostly, sir, but with all doo respect to my | |
| superiors, sir, if you and me was to make a sort o' Co. of it, and I was | |
| to tell you all I heard and found out by accident like, and you was to | |
| do the same with me, then we could talk it over together in the pantry, | |
| and settle how much we'd put on the race." | |
| The butler frowned, shook his head, and looked dissatisfied. | |
| "I know it's asking a deal of you, Mr Roach, sir, but it would only be | |
| like business and I should never presume, you know." | |
| "I must think about it, Orthur; I must think about it," said the butler, | |
| importantly. | |
| "Do, sir; and I wouldn't lose no time about it. You see, we can't do | |
| much when we're down at The Towers, and the Randan Stakes is on next | |
| week." | |
| "H'm, yes," said the butler, relaxing a little, and condescending to a | |
| smile. "Orthur, I've got a sovereign on the favourite." | |
| "You have, sir? What! on Ajax?" | |
| "That's right, my lad; and I advise you to put half-a-crown or five | |
| shillings on 'im too. There's a tip for you." | |
| "Yah!" ejaculated the footman in disgust. "I wouldn't put the price of | |
| a glass of ale on that 'orse." | |
| "Eh, why?" cried the butler, looking startled. | |
| "'Cause Ajax won't run." | |
| "What? How do you know?" | |
| "I heard the guv'nor tell the little 'un so last night, and that he was | |
| to back Ducrow." | |
| "Phew!" whistled the butler. | |
| "Put two quids on Ducrow, sir, and it'll be all right. I've got ten | |
| shillings on, and I'd have made it two tens if I'd had a friend who'd | |
| ha' lent me the coin." | |
| "Orthur," whispered the butler, effusively; "you're a good lad, and I'll | |
| lend you the money." | |
| "You will, sir? And go on as I said?" | |
| The butler nodded. | |
| "Carriage, sir," said the footman, sharply, and they both drew back into | |
| the hall ready for the brougham which was driven up, and from which two | |
| ladies descended. | |
| CHAPTER FOURTEEN. | |
| FACE TO FACE AGAIN. | |
| "That's the house," said Chester to himself; "I can swear to it. | |
| Highcombe Street, Number 44." | |
| He laughed in his excitement--an unpleasant, harsh laugh which startled | |
| him; for as a doctor he had had to deal with strange patients beside the | |
| one at the mysterious house, and he knew pretty well how a man acted who | |
| had been overwrought and whose nerves were in that state which borders | |
| upon insanity. | |
| "This will not do," he muttered. "I must be careful," and, trying to | |
| pull himself together and make his plans in a matter-of-fact way, his | |
| startled feeling grew into a sensation of alarm, and he awakened fully | |
| now to the fact that the strain from which he had suffered had been too | |
| great. | |
| "I must pull up short," he said to himself. "This last month I have | |
| been acting like a madman. Well, love--the real passion--is a kind of | |
| madness, and I could not have acted otherwise with the horror of the | |
| position in which I left her upon my mind." | |
| As he walked home, though, he grew cooler, and made up his mind to watch | |
| the house until he obtained an interview with Marion. | |
| He shrugged his shoulders as he entered his own door, and shut himself | |
| in his consulting-room, to sit for an hour trying to grow calmer; but | |
| there was a wild throbbing in his excited brain which he could not | |
| master, and try how he would, even to the extent of taking a sedative, | |
| he could not keep down the feeling of mad exultation at having at last | |
| discovered the place. | |
| "I shall see her again," he muttered; "I shall see her again!" | |
| A pair of soft dark eyes in a sweet, pale face seemed to rise | |
| reproachfully before him, but he mentally turned from the piteous look. | |
| "I cannot help it. Fate--fate," he muttered; and at last, after | |
| mastering the intense desire to rush off and try and bribe the servants | |
| into speaking, he grew calmer, and obeyed the summons sent by the maid, | |
| joining his aunt and sister in the drawing-room, and afterwards formally | |
| taking the old lady down to the silent meal. | |
| Poor Aunt Grace's plan was not succeeding. | |
| "Don't speak to him, Laura," she had said. "It will show how we despise | |
| him for his disgraceful conduct, and make him the sooner come creeping | |
| to our knees in sackcloth and ashes." | |
| But the days had glided on, and Chester had bought no sackcloth and had | |
| not told the cook to sift him any ashes. For the perfect silence with | |
| which he was treated was the one great satisfaction now of his life. | |
| That night he found his sister watching him once, and as he met her eyes | |
| there was for the moment a feeling of uneasiness akin to remorse; but it | |
| passed off directly, swept away by the exciting thought that he had at | |
| last attained the goal of his desires, and must now sooner or later | |
| encounter Marion. | |
| A week then passed, and he was still no farther, when one evening as he | |
| turned into Highcombe Street, he saw a carriage at the door; and a | |
| minute later three ladies in evening dress came and stepped in, the | |
| footman mounted to his place, and the horses sprang off. | |
| "The brougham I was fetched in," muttered Chester, and hailing a cab he | |
| said sharply, "Follow that carriage at a short distance till I tell you | |
| to stop." | |
| He was not surprised at the direction taken by the carriage in front, | |
| which was kept just in sight till it turned into Bow Street, when | |
| Chester signed to his driver to stop, and sprang out, turning the corner | |
| just in time to see the carriage slowly passing in its turn through the | |
| gateway leading under the portico of the opera. | |
| He followed to find that the occupants had alighted, and upon entering | |
| the lobby he caught sight of the back of Marion's dress as she swept | |
| through one of the great baize-covered doors. | |
| Here there was a check. The door-keeper held out his hand for the | |
| customary ticket, and Chester turned impatiently away, to go to the | |
| box-office, when for the first time it struck him that he was not in | |
| evening dress, and could not pass into the stalls. | |
| He stood biting his lips, and hesitating as to whether he should take a | |
| cab back home, to dress, and return, but he felt that he could not do | |
| that. A dozen things might happen to prevent his catching sight of | |
| Marion again; and snatching at the first idea that came, he took a | |
| ticket for the upper part of the house, hired an opera-glass and then | |
| climbed nearly to the top. | |
| Here upon taking a seat he came out again in despair. Even with the aid | |
| of the glass he found he could not get a glimpse of a third of the | |
| house, and feeling that at all costs he must get into the stalls in as | |
| central a position as possible, he descended again to the box-office, | |
| and secured a stall nearly in the centre of the third row. | |
| Having made sure of his seat, he hurried back to Raybeck Square | |
| calculating that he could be back within an hour. | |
| Bidding the cabman wait, he sprang up to his room, conscious of the fact | |
| that Aunt Grace was watching; and after his hurried change he knew by | |
| the ajar door of the drawing-room that she was there watching still. | |
| But this passed almost unnoticed in the excitement, and once more he was | |
| in the cab, eager and with his imagination running riot. | |
| "What an idiot I was not to ask the number of their box," he said to | |
| himself. | |
| He did ask as soon as he reached the opera house, and found it was | |
| almost central on the grand tier; but after taking his place he had no | |
| opportunity for turning round till the end of the act in progress, and | |
| he sat trembling with excitement and wondering whether Marion had | |
| recognised him as he entered. | |
| The stage, the music, the house crowded with a fashionable assembly, | |
| were non-existent to Chester, as he sat there gazing in imagination at a | |
| face--the face of the woman who from their first encounter seemed to | |
| have taken entire possession of his faculties, enchaining his spirit so | |
| that he seemed to live and breathe for her alone. | |
| "Will this wretched singing never end?" he said to himself, as one of | |
| the great Italian singers filled the vast place with the clear, | |
| vibrating tones of her voice. "The fools! The idiots!" he muttered | |
| angrily as the plaudits rang out at the end of the scene; and then he | |
| sat waiting till at last the drop scene descended and, lorgnette in | |
| hand, he rose and, to avoid the air of being too sudden, he slowly swept | |
| the grand tier of boxes, beginning on his right near the stage, feeling | |
| that Marion must be watching him, and profoundly unconscious of the fact | |
| that scores to right and left were doing the same. | |
| When the field of his glass drew nearer to the box upon which he sought | |
| to focus it, he grew slower in his movements, as if desirous of delaying | |
| the supreme delight for a few moments longer, but at last he stopped | |
| short, gazing with every fibre thrilling at the beautiful, imperious | |
| face which held him as if fascinated. | |
| The faces of her companions were to right and left, each occupying a | |
| corner of the box, while Marion was seated a little back, looking dull | |
| and preoccupied, while she slowly waved a large black fan, which threw | |
| her face into partial shadow from time to time. | |
| For the first minute, as he drank in the various beauties of the | |
| countenance which seemed to be so near, Chester felt that she must be | |
| seeing him, but directly after he knew that she was looking dull and | |
| listless, and as if she felt the scene before her wearisome in the | |
| extreme. | |
| There could be no mistake. It was she. There was not such another face | |
| in the wide world; and yet he hesitated to go round to the box, asking | |
| himself whether he could--whether he had any right to force himself upon | |
| the notice of those who had plainly enough their reasons for wishing to | |
| cut all connection with him as soon as his patient was out of danger. | |
| "They may wish to, but she cannot. It is impossible. She must be ready | |
| to place her hand in mine. Perhaps even now that dull, weary look may | |
| be connected with our sudden parting. Who knows? Yes, come what may, I | |
| will go." | |
| Chester passed slowly along the row and out into the entry, went up the | |
| broad stairs, and with his heart increasing its pulsations rapidly, he | |
| stopped at last at the door of a box, drew a deep breath, and then | |
| tapped lightly. | |
| There was no reply and he tapped again. | |
| This time there was a movement within, the catch was drawn back, the | |
| door thrown open, and a deep voice exclaimed-- | |
| "How late you are! Hallo!" | |
| Chester had been in the act of stepping in, but paused on the threshold, | |
| completely taken aback at finding a gentleman in the box, while the | |
| speaker, who had not risen, but leaned back, balancing himself on two | |
| legs of his chair, fell over side-wise in his astonishment, but saved | |
| himself by catching at the partition. | |
| He sprang up the next moment, as Chester recovered himself and advanced, | |
| but neither of the three ladies, who had turned, made the slightest | |
| movement towards acknowledging him, and left it to their companion to | |
| speak. | |
| "May I ask whom you wish to see, sir?" | |
| "Certainly," replied Chester, quietly, "Mrs James, Mrs Dennis, Miss | |
| Clareborough--" | |
| No one moved. He might have been addressing so many statues, as he went | |
| on-- | |
| "And Mr Dennis Clareborough." | |
| "You seem to have our names right, sir," said the stalwart young fellow, | |
| shortly, "but I have not the pleasure of knowing you." | |
| "Indeed!" said Chester. "Is your memory so short, sir? May I ask after | |
| your cousin's wound?" | |
| "Certainly, if you like, sir," replied the young man, with a little | |
| laugh, "but I'm afraid I can't tell you." | |
| Chester felt nettled and turned to the lady in the centre, who sat | |
| looking over the back of her chair. | |
| "Perhaps Miss Marion Clareborough will tell me how her brother is | |
| progressing?" | |
| "Dennis," said one of the ladies, before any reply could be made, "is | |
| this a friend of yours? If so, introduce us." | |
| "Friend of mine? Hang it, no! Gentleman has got into the wrong box. | |
| Never saw him before in my life. What number did you want, sir?" | |
| "This," said Chester, sternly, as he looked the young man fiercely in | |
| the eyes. "Perhaps Miss Clareborough will speak. Believe me, I took | |
| great interest in your brother's case. Can I see him again?" | |
| The lady he addressed turned to one of her companions and whispered a | |
| few words, whereupon Mrs James said coldly-- | |
| "Will you help this gentleman to find the box he is in search of, | |
| Dennis? The place is so dark now the curtain is down, and he does not | |
| see the mistake he has made." | |
| "No, that's it," said the young man. "Ah, here you are, then, at last," | |
| he cried, as the entrance was darkened by another figure. "Come in. | |
| This gentleman wants to find some friends of his, and he has come to | |
| this box by mistake." | |
| "Indeed!" and Chester at that one word felt the blood surge up to his | |
| temples, and a fierce sensation of passion began to make his nerves | |
| tingle. | |
| "Well," continued the speaker, "it's very easy, dear boy. Places are so | |
| confoundedly dark. Couldn't get here sooner, girls; man detained me at | |
| the club--I beg pardon, sir; the box-keeper could no doubt help you." | |
| The cool, contemptuous manner of the man took away Chester's breath, and | |
| he felt himself almost compelled to give place. | |
| "Thanks, much," said the newcomer, drawing slightly aside for Chester to | |
| back out. "Don't apologise. They ought to light up the house more when | |
| the curtain is down." | |
| The next moment the door was thrust to, the catch snapped, and as | |
| Chester stood there, undecided what to do, he could hear the voices | |
| within carrying on a conversation which sounded so calm and | |
| matter-of-fact that in his excited state the listener asked himself | |
| whether he was in his right senses, and at last hurried away, to pause | |
| in the refreshment-room and drink off a glass of brandy to steady his | |
| nerves. | |
| He did not return to his seat in the stalls, but stopped in the entry, | |
| where, invisible in the gloom, partially hidden by one of the curtains, | |
| he stood using his glass upon the occupants of the box he had so lately | |
| quitted. | |
| As he stood there, feeling half stunned, he went over the words that had | |
| passed and the action of the inmates, forgetting that all was quite | |
| consistent with the conduct he might have expected from people whose | |
| whole behaviour had been mysterious and strange. | |
| At last he saw a movement among those he was watching, and, desperate | |
| almost with rage and despair, he hurried round to station himself in the | |
| lobby, where he felt certain that the party must pass. But they were so | |
| long in coming that he was about to seek another doorway. | |
| Then he saw that he was right, for the big, bluff-looking brother and | |
| cousin came by without seeing him, spoke to the footman Chester had seen | |
| at the house, and then returned, as if to join their party. | |
| A few minutes later they came out slowly amongst the crowd, the tide | |
| turning them quite to the outside, so that they were close to him who | |
| watched them intently, as if in doubt of his own sanity, wondering | |
| whether he could have made any mistake. | |
| "No," he whispered to himself, as he fixed his eyes on the beautiful | |
| woman, upon whose arm he could have laid his hand, so close was she to | |
| him as she passed. | |
| It was as if his steady gaze influenced her, for when she was just | |
| abreast she turned her head quickly, and her eyes met his full as she | |
| rested her hand upon the stalwart young fellow's arm. | |
| Chester's look seemed to fascinate her, for her eyes were fixed and | |
| strange in those brief moments. Then she passed on, gazing straight | |
| before her. There was no start, no sign of the slightest emotion. It | |
| was simply the inquiring look of one who seemed to fancy he was the | |
| personage who had made his appearance in their box, otherwise one whom | |
| she had never before seen. | |
| The impulse was strong upon Chester to follow, but for quite a minute he | |
| stood feeling as if he had been stunned. | |
| Then, with a strange, harsh utterance, he forced himself roughly through | |
| the well-dressed crowd in his endeavours to follow the party, but weeks | |
| of anxiety and abnormal excitement were taking their toll at last; a | |
| sudden giddiness attacked him, and with a heavy groan he reeled and fell | |
| in the midst of the pleasure-seeking throng. | |
| CHAPTER FIFTEEN. | |
| AUNT GRACE'S CURE. | |
| Chester was borne into the box-office, and a medical man sent for, under | |
| whose ministrations he recovered consciousness, and soon after was able | |
| to declare who he was and his ability to return home unaided. | |
| In the short conversation, the doctor, upon learning that his patient | |
| was a fellow-practitioner, took upon himself to utter a few words of | |
| warning. | |
| "Mustn't trifle with this sort of thing, my friend," he said. "You know | |
| that as well as I can tell you, eh?" | |
| "Yes, yes," said Chester, irritably; "I'll take more care. I have been | |
| over-doing it lately, but," he added, with a curious laugh, "you see I | |
| was taking a little relaxation to-night." | |
| "Humph! Yes, I see," said the doctor, watching him curiously. "Well, | |
| you feel that you can go home alone?" | |
| "Oh yes; see me into a cab, please. Thanks for all you have done. Only | |
| a touch of vertigo." | |
| "`Only a touch of vertigo,'" said the strange doctor, as he saw the | |
| hansom driven off. "`Only a touch of vertigo' means sometimes the first | |
| step towards a lunatic asylum." | |
| "Ah!" muttered Chester, while being driven homewards, "people look at me | |
| as if I were going wrong in my head. I wonder whether I am." | |
| He laughed as he let himself in and heard a rustle on the stairs. | |
| "Watching again," he said to himself. "And they think I'm going wrong, | |
| I suppose. But how strange! That utter denial of all knowledge of me. | |
| Even she!" | |
| He went into his room, and sat thinking of the incidents of the day and | |
| evening for some hours before throwing himself upon his bed, but was | |
| down at the usual time in the morning, partook of the unsocial breakfast | |
| and rose almost without saying a word. | |
| "Yes, what is it?" said Chester, sharply, for Laura hurried to his side | |
| and laid her hand upon his arm. "Money for housekeeping?" | |
| "No--no!" cried his sister, angrily, and there she paused. | |
| "Well, speak, then; don't stop me. I am busy this morning." | |
| "I must stop you, Fred," cried Laura, passionately. "We cannot go on | |
| like this." | |
| "Why?" he said calmly. "Because we are brother and sister. We have | |
| always been as one together. You have had no secrets from me. I have | |
| had none from you. I have always been so proud of my brother's love for | |
| me, but now all at once everything comes to an end. You withhold your | |
| confidence." | |
| "No; my confidence, perhaps, for the time being," he said gravely; "not | |
| my love from you. God forbid." | |
| "But you do, Fred." | |
| "No; it is more the other way on," he replied. "You have withheld your | |
| love from me, and checked any disposition I might have felt to confide | |
| in you." | |
| "Fred!" | |
| "Don't deny it," he said quietly. "Since I was called away so | |
| strangely, and kept away against my will--" | |
| "Against your will!" cried Laura, scornfully. | |
| "Hah!" he cried, "it is of no use to argue with you, my child. Poor old | |
| aunt has so thoroughly imbued you with her doctrines of suspicion that | |
| everything I say will be in vain." | |
| "Imbued me with her suspicions!" cried Laura, angrily. "That is it; | |
| because I am quite a girl still you treat me as if I were a child. Do | |
| you--oh, I cannot say it!--yes, I will; I am your sister, and it is my | |
| duty to try and save you from something which will cause you regret to | |
| the end of your days. Do you dare to deny that you have got into some | |
| wretched entanglement--something which has suddenly turned you half | |
| mad?" | |
| "No," he said quietly. "That is so." | |
| "Then how can you go on like this? You have broken poor Isabel's heart, | |
| estranged everybody's love from you, and are running headlong to ruin. | |
| Fred--brother, for all our sakes, stop before it is too late." | |
| He looked at her mournfully, took her hand and kissed it, and with a | |
| passionate burst of sobbing she flung her arms about his neck and clung | |
| there. | |
| "Then you do repent, Fred? You will go there no more. Listen, dear; I | |
| forgive you everything now, because you are going to be my true, brave, | |
| noble brother again, and after a time--some day--Isabel will forgive you | |
| too; for she does love you still, Fred, in spite of all. There--there," | |
| she cried, kissing him again and again, "it is all over now." | |
| Chester loosened her hands from his neck and shook his head sadly. | |
| "No, Laury," he said, "it is not all over now." | |
| "What!" she cried quickly. "You will not--you cannot go back now." | |
| "Yes," he said, "even if you do not forgive me, I must." | |
| "Fred!" | |
| "Look here, little one," he said wearily; "you have grown to think and | |
| act like a woman, and you complain that I do not confide in you. Well, | |
| I will be frank with you to some extent. Laura dear, I am not my own | |
| master. I cannot do as you wish." | |
| "Fred, you must." | |
| "Say that to some poor creature who is smitten with a terrible mental | |
| complaint; tell him he must be ill no longer, but cast off the ailment. | |
| What will he reply?" | |
| He paused for an answer, but his sister stood gazing at him without a | |
| word. | |
| "He will tell you that he would do so gladly, but that it is | |
| impossible." | |
| "But this is not impossible, Fred," cried Laura; "and you are again | |
| treating me like a child. Yes, I have begun to think like a woman, and | |
| though it may sound shameless I will speak out. Do you think that we do | |
| not know that all this is wicked dissipation?" | |
| He laughed bitterly, as he pressed his hand to his weary head. | |
| "You do not know--you do not know." | |
| "Yes," cried Laura, embracing him again; "I know that my poor brother | |
| has yielded to some temptation, but I know, too, that it only needs a | |
| strong, brave, manly effort to throw it all off; and then we might be | |
| happy once more." | |
| He took her face between his hands and looked down at her lovingly for a | |
| few minutes, then kissed her brow tenderly. | |
| "No," he said; "you do not understand, my child. I am not master of my | |
| actions now." | |
| He hurried from the room. Then she heard the door close, and his | |
| footsteps hurrying up the stairs followed by the banging of his door. | |
| "Lost, lost!" she wailed; and she threw herself sobbing upon the couch. | |
| "Well!" said a sharp voice, and the girl started up and tried hard to | |
| remove all traces of her tears. | |
| "I did not hear you come in, aunt dear." | |
| "Perhaps not, my love, but I have been waiting and listening. Well, | |
| what does he say about coming home in that state last night? I'm sure, | |
| my dear, that was wine! Is he going to be a good boy now?" | |
| Laura uttered a passionate sob. | |
| "Oh no, aunt, oh no!" she cried. | |
| "Because if he is and will repent very seriously, I may some day, | |
| perhaps, forgive him. But I must have full assurance that he is really | |
| sorry for all his wickedness. What did he say, child?" | |
| "Nothing, aunt. It is hopeless--hopeless." | |
| "Then I was right at first. He has gone quite out of his mind, and I | |
| fully believe that it is our duty to have him put under restraint." | |
| "Aunt!" cried Laura, wildly. | |
| "Yes, my dear. That is the only cure for such a complaint as his. A | |
| private asylum, Laury dear." | |
| "Oh, aunt, impossible! How can you say anything so horrible?" | |
| "My dearest child, nothing can be horrible that is to do a person good. | |
| It is quite evident to me that he can no longer control his actions." | |
| "No, he said so," sobbed Laura. | |
| "Hah! I knew I was right. Well, then, my dear, we must think it over | |
| seriously. You see, the weakness must have come on suddenly. How, he | |
| and somebody else best know," said the lady, with asperity. "You see, | |
| attacks like that are only temporary, and his would, I am sure, yield to | |
| proper treatment. Now let me see what ought to be the first steps? | |
| This is a valuable practice, if he has not completely wrecked it by his | |
| wicked dissipation, and I think it ought to be our first duty, my dear, | |
| to get a permanent _locum tenens_--a man of some eminence, who might be | |
| induced to come if some hope were held out to him of a future | |
| partnership. Then we could consult him about what to do, for I believe | |
| certificates have to be obtained before a patient is sent to an asylum." | |
| "Aunt! Are you going mad too?" cried Laura, angrily. | |
| "Laura! my child!" | |
| "Well, then, you should not say such horrid things about Fred. Consult | |
| a perfect stranger about putting him into a lunatic asylum! Oh, shame!" | |
| "Shame to you, Laura, for daring to speak to me as you do. Do you want | |
| him to have one of those what-do-you-call-thems?--Para-para-para-dox-- | |
| no, no, paroxysms; and then do as mad people always do, turn against | |
| those they love best? Do you want him to come some night and murder us | |
| both in our beds?" | |
| "No, aunt, of course not," said Laura, growing more cool and | |
| matter-of-fact now. | |
| "Then do not from any false sentiment begin to oppose me. A few months | |
| under proper treatment in a good private asylum, and he would come back | |
| completely strengthened and cured. Now, let me see; I think under the | |
| circumstances that we ought first of all, my dear, to take poor dear | |
| Isabel into our confidences." | |
| "Aunt!" cried Laura; "if you dare to tell Isabel that you think such a | |
| dreadful thing of poor Fred I don't know what I will not do." | |
| "Dare, Laura, dare?" said Aunt Grace, sternly. | |
| "Yes, aunt, dare!" cried the girl. "If you do I'll tell poor Bel that | |
| it is one of your hallucinations, and that you have got softening of the | |
| brain." | |
| "Laura!" shrieked the old lady, as she sank back in the nearest chair. | |
| "Oh, that I should live to hear such words! You horrible, abandoned | |
| child!" | |
| "I'm very sorry, auntie," said Laura, coolly, "but you always impressed | |
| upon me that I should tell the truth. You must be getting imbecile, or | |
| you would never have proposed such a dreadful thing." | |
| "Laura!" | |
| "Yes, aunt; it is a sign, too, that you know it is coming on. You must | |
| have been thinking of madhouses, and that made you speak." | |
| "Worse and worse!" wailed the old lady. "You must be getting as bad as | |
| your brother. Actually siding with him now!" | |
| "No, aunt, only pitying him, for I am beginning to believe that he is | |
| suffering worse than we are." | |
| CHAPTER SIXTEEN. | |
| A DANGEROUS CASE. | |
| "It's all over," said Chester to himself. "That doctor's correct, and I | |
| must not trifle or I shall be laid by with something wrong in the head. | |
| That drugging began it, and I'm not right. I won't give up the quest, | |
| but I must get square first, and I can't do so here. I'll pack up and | |
| go on the Continent for a bit. Change may make me able to think | |
| consistently. Now my brain is in a whirl." | |
| He tried to reason calmly, and at last, not feeling in the humour to see | |
| and explain to his sister, he wrote to her briefly, telling her that the | |
| anxiety and worry of the case to which he had been called that night had | |
| completely unhinged him, and he found that the only thing he could do to | |
| recover his tone was to get right away for a time. He was going, he | |
| said, to see a colleague that morning, who would come and take charge of | |
| the practice, and he would write again from abroad. | |
| This done, he fastened down the envelope and left the letter upon the | |
| table, after which he went to his room, threw a few necessaries into a | |
| portmanteau, brought it down, with Aunt Grace carefully watching from | |
| the top of the staircase, and sent the servant for a cab. | |
| Five minutes later he was on his way to his club to consult the | |
| time-tables and guide-book as to the route to take. | |
| He was not long in deciding upon Tyrol as the starting-place for a long | |
| mountain tramp. There was a train at night, and without returning home | |
| he would dine at the club and start from there. | |
| He followed out the earlier portion of his programme, even to dining at | |
| the club, but afterwards, upon entering the smoking-room and taking a | |
| cigar, he found the place half full, and, longing for solitude, he went | |
| out to stroll down the steps and into the Park for an hour, ending by | |
| taking one of the seats under an old elm in the Mall and sitting back | |
| thinking of all that had happened during the past few weeks. | |
| He was once more going over the scenes by the wounded man's couch, and | |
| seeing again the every movement and look of his anxious sister, when he | |
| shrank back against the trunk of the great tree and let his chin sink | |
| upon his breast, for there were steps just to the right, and two | |
| gentlemen strolled by, one of them talking aloud angrily, and the | |
| following words smote like blows upon the listener's ears-- | |
| "Look here, if you want to quarrel, say so, Paddy. But you're no saint, | |
| so don't you begin preaching morality. I repeat I have taken a | |
| tremendous fancy to her; what then? As for Rob, curse him for a | |
| miserable prig! If it were not for the consequences I'm ready to wish | |
| that the shot had ended it, and I swear I'll--" | |
| The last words died out into the night air, and, save for the | |
| preternaturally excited state of his brain, Chester would not have heard | |
| so much. | |
| He sat up, and saw the figures of the brothers, who had passed him, | |
| growing indistinct as they went beyond the next lamp; and then he rose | |
| and followed. | |
| "`And I swear I'll--' what?" said Chester to himself. "Shoot me? Well, | |
| let him. There, it's all over. I can't go away; I must see this out to | |
| the very end." | |
| Chester followed the pair with the full intention of demanding an | |
| explanation and having a scene with the elder brother, for his | |
| resentment seemed to be making the blood bubble up through his veins. | |
| They were walking through the Palace Yard, and directly after they | |
| crossed the road and went up St James's Street, talking angrily; and he | |
| was just about to join them when he saw the younger turn angrily off | |
| into the road, as if about to separate, but in an instant the elder had | |
| him by the arm and after a faint resistance led him back on to the | |
| pavement, where Chester was awaiting them. | |
| "Mr Clareborough," he said sharply, and both brothers turned upon him | |
| in surprise. | |
| "Yes; what is it?" cried the elder. "Oh, the man in the wrong box! | |
| Come along, boy." | |
| He turned short off, and before Chester could recover from his surprise, | |
| the brothers had passed through the swinging doors of one of the | |
| clubhouses and disappeared in the great hall. | |
| Chester was about to follow, but checked himself upon the threshold as | |
| the question arose in his mind, What for? | |
| To demand an explanation of their conduct toward him. | |
| Well, he felt that he might demand it, but he knew that they would | |
| preserve the same attitude as before, and treat him with contempt--treat | |
| him as if he were some half-witted being who claimed acquaintance; and | |
| how could he get people to believe in his strange story--how could he | |
| advance his position with respect to Marion? | |
| He calmed down as quickly as he had grown excited and began to feel that | |
| to force a quarrel in the club to which these men belonged could have | |
| but one ending, that of the police being called in and his being | |
| ejected. | |
| "And what then?" he asked himself. "Possibly the whole business would | |
| be dragged into the police court, then into the daily papers, and if | |
| Marion were ready to continue her intimacy with the man who had saved | |
| her brother's life, would she not be hurt and annoyed with him for | |
| forcing into publicity an affair which the conduct of all concerned | |
| showed them to be eager to keep hushed up?" | |
| Chester walked down St James's Street again, with the intention of | |
| cooling his burning head in the quiet gloom of the Park; but he altered | |
| his mind and turned off to his left, along Pall Mall, re-entered his | |
| club and went up to the smoking-room, which proved to be a little more | |
| full than before, but this did not trouble him now. He sat down and | |
| took a cigar and began smoking, thinking, trying to argue out the reason | |
| for the strange behaviour of these Clareboroughs. He could understand | |
| that there had been a desperate quarrel, resulting in the use of the | |
| revolver, and he was ready to grant that the elder brother's conduct | |
| toward Marion had been the moving cause for that. But he felt convinced | |
| that there was something more behind; else why all the secrecy? | |
| Here they were, a wealthy family, evidently moving in good society, and | |
| living in a magnificently-appointed mansion; but during all the days of | |
| his enforced stay, with the exception of the old housekeeper, he had not | |
| seen a single servant, and nothing to suggest that any were in the | |
| place. That they kept domestics was plain enough, for he had since seen | |
| the butler and footman. Then, too, there had been the coachman who | |
| drove the carriage that night, though he, as an out-door servant, might | |
| easily have been kept in ignorance of all that took place in the house. | |
| But where were the others, the staff which would be necessary for | |
| carrying on such an establishment? | |
| There was no answer to the question, even at the finishing of a second | |
| cigar, and he gave it up, and then smiled to himself as he rose. | |
| "How absurd!" he muttered. "Everything else passed out of my head. I | |
| meant to cross to-night. Well, it is not too late, is it? Pish! Two | |
| hours. Oh, impossible! I cannot leave town. How could I go knowing | |
| that even now she may be praying for my help?" | |
| Chester passed out again into the cool night, and involuntarily turned | |
| in the direction of the Park, crossed it, and walked slowly toward | |
| Highcombe Street, where, he hardly knew why, he began to promenade the | |
| pavement on the opposite side of the road, stopping at last just inside | |
| a doorway when a cab came sharply along; and his nerves began to thrill | |
| as he saw it pulled up at the door of the mansion. | |
| Two gentlemen sprang out, and while one paid the driver, the other | |
| strolled up the steps, there was the rattle of the latch-key, the door | |
| was flung wide, and from where he stood Chester had a glimpse of the | |
| handsome hall, now looking sombre and strange with the lights half | |
| turned down. | |
| Directly after the door was closed, and the chimes of the Palace clock | |
| rang out four times, followed by two deep, booming strokes on the great | |
| cracked bell. | |
| "Two o'clock!" thought Chester, as he walked along past the house, | |
| fancying that there was a face at the open window of a room on the | |
| second floor, but he could not be sure, and as he turned back it was | |
| gone. | |
| "Go abroad!" he said to himself. "At such a time. It would be | |
| madness." | |
| Then giving way to a sudden impulse, he hurried back to the front of the | |
| house, went up to the door and rang the bell sharply. | |
| "Fool!" he muttered. "Why did I not speak to them then? I will have an | |
| explanation. I have a right, and it is evident that I have the | |
| whip-hand of them, or they would not act their parts like this." | |
| He knew that he was wildly excited and doing a foolish thing, but his | |
| actions were beyond his control now, and he was ready for Marion's sake | |
| to take the maddest steps on her behalf, or he would not have stood at | |
| that moment where he did. | |
| "Too late," he muttered, as there was no reply. "I've let my | |
| opportunity slip." | |
| But all the same he dragged sharply at the bell again, and as his hand | |
| fell to his side the door was opened and he found himself face to face | |
| with the man he sought. | |
| "Yes, what is it?" cried James Clareborough, sharply. "What! you again? | |
| Here, what the devil--Who are you? What do you want?" | |
| "You," said Chester, firmly, "you and your brother. I will have an | |
| explanation with you both. I will see--I will not be put off like | |
| this." | |
| "Confound him!" muttered James Clareborough between his teeth. | |
| "Here, I say, old chap," growled his brother, who now appeared, "have | |
| you been dining somewhere and over-doing it a bit? Hadn't you better go | |
| home quietly? We don't want to whistle for a policeman and have you | |
| locked up." | |
| "You hold your tongue!" cried James Clareborough. "I'll soon settle | |
| with this gentleman. Now then, my tipsy individual, you want a few | |
| words with me--an explanation?" | |
| "Yes and at once," cried Chester, beside himself with rage at the very | |
| sight of the man whose conduct toward Marion absolutely maddened him. | |
| As he spoke he pressed forward to enter, but the brothers barred the | |
| way. | |
| "No, no," said the elder, "none of that. We're not going to have the | |
| house disturbed by your ravings. It's only a few minutes to the Park-- | |
| come on there and we'll have it out, and done with it." | |
| "No; we won't," growled the younger brother, fiercely, and, placing his | |
| hands suddenly upon Chester's breast, he gave him a heavy thrust, drove | |
| him staggering back, and almost in the one effort snatched his brother | |
| aside and banged to the door. | |
| "What the devil do you mean by that?" cried James Clareborough, | |
| savagely, as he tried to reopen the door, but his brother placed his | |
| back to it and held him off. | |
| "To keep you cool, old man," growled the younger. "Get him in the Park | |
| at this time, with no one near! What did you mean to do?" | |
| "Do what I'll do now." | |
| "Got something in your pocket, old chap?" | |
| "Yes, I have. Let me go out." | |
| "And have a paragraph in the papers to-morrow morning about a discovery | |
| in the Park?" | |
| "Yes. Curse him! he's getting dangerous. If he is not silenced, what's | |
| to happen next? Let me go, boy. There, he's ringing again. Let me | |
| go." | |
| "Not if I can stop it, old man. We've got risks enough as it is." | |
| "Curse you, Paddy, for a fool!" cried the other; and he seized his | |
| brother and tried to drag him away, while the great fellow reached down | |
| and drew a pistol from his brother's pocket. | |
| "Got your sting, Jem," he cried. "You don't use that to-night." | |
| "Wrong!" cried the other, snatching it away; and as the bell was rung | |
| violently again he made for the door. | |
| CHAPTER SEVENTEEN. | |
| ASSAULTING THE CASTLE. | |
| Chester stood on the doorstep for some minutes, thinking, in perfect | |
| ignorance of what was taking place inside, and twice over he rang the | |
| bell, in the determination to enter and confront these men. | |
| But reason stepped in. | |
| "No," he thought, "I could do nothing. For Marion's sake I must bring | |
| subtlety to bear, not brute force. And this is leaving England, to try | |
| and forget everything," he added, with a mocking laugh. "No; I must | |
| stay and unravel it all." | |
| He went home, had recourse to a drug again, and slept heavily till | |
| morning, and then, with his brain throbbing painfully from his anxious | |
| thoughts, he had left the house, determined to make another effort to | |
| obtain speech of Marion. That she was completely under the influence of | |
| her friends he felt sure, but if, he told himself, he could only obtain | |
| an interview, all might be well. | |
| To this end and full of a fresh project, he took a four-wheeled cab and | |
| had himself driven to the end of Highcombe Street, where he bade the | |
| driver draw up and wait. | |
| Here he threw himself back in one corner of the vehicle, opened a | |
| newspaper so as to screen his face and at the same time enable him to | |
| keep a strict watch upon the house. | |
| Fortune favoured him. At the end of an hour he saw the carriage drawn | |
| up, and soon after the brothers and their wives came out and were driven | |
| off; then the butler stood airing himself upon the step for a time, and | |
| finally went in and closed the door. | |
| Chester's heart beat high with hope, and he waited for a few minutes, | |
| which seemed to be an hour. Then, telling the man to wait, he was going | |
| down the street, when a shout brought him back. | |
| "Beg pardon, sir; you didn't take my number," said the driver, with a | |
| grin. | |
| "No, why should I?" said Chester, wonderingly. | |
| "So as to be able to find me agin if you forgets to come back, sir." | |
| "Oh, I see," said Chester, smiling, and then placing a couple of coins | |
| in the man's hand. "Don't be afraid; I shall return." | |
| The opportunity had come, and without hesitation Chester went straight | |
| to the door and rang. | |
| The butler answered the bell, after keeping him waiting some minutes, | |
| for it was not visiting time; and as soon as the man saw who it was he | |
| reddened a little and looked indignant. | |
| "Take my card up to Miss Clareborough," said Chester, quietly. | |
| "Not at home, sir." | |
| "Look here, my man, I particularly wish to see your young lady, so have | |
| the goodness to take up my card." | |
| "Not at home, sir," repeated the butler, pompously. | |
| "To ordinary visitors, perhaps," said Chester, whose temper was rising | |
| at the man's manner; "but she will see me." | |
| "I told you twice over that our young lady wasn't at home, sir," said | |
| the butler, more offensive in speech and manner than ever. | |
| "Yes," said Chester, still quietly, "and I know perfectly well that this | |
| is only the customary formal reply to ordinary callers. My business is | |
| important, and I tell you that Miss Clareborough will see me, so take my | |
| card up at once." | |
| "Look here, sir," said the man, insolently; "I have had my orders, and I | |
| know what to do. Once more: not at home." | |
| "Am I to understand that you refuse to take up my card?" | |
| "Yes, sir; that's it. They've seen your card, and master said he didn't | |
| know you, and if you came again the family was not at home." | |
| "I have nothing to do with your master or his brother, my good fellow. | |
| My business is with Miss Clareborough, and I insist on seeing her." | |
| "Not at home," said the man, shortly; and he drew back to close the | |
| door. | |
| But firmly convinced that the lady he desired to see was a prisoner, | |
| Chester in his excitement stepped forward, and, to the man's | |
| astonishment, entered the hall. | |
| "Now," he said angrily, "no more of this insolence, sir; take or send my | |
| card in to Miss Clareborough." | |
| "I say, look here," cried the the butler, whose face grew ruddy and then | |
| white, "haven't I told you she isn't at home?" | |
| "Yes, more than once, my good fellow, and I tell you now that she is, | |
| and that I will not stir from here until I have seen her." | |
| "Then look here, sir," cried the butler; "I shall send for the police." | |
| "Do--at once," retorted Chester. | |
| The butler's jaw dropped in his astonishment, but he recovered himself, | |
| closed the door, and took a few steps further into the hall, Chester | |
| following. | |
| "Come, none of that," cried the man. "You'll stop there, and--" | |
| "What's the meaning of this, Mr Roach?" said a familiar voice, and | |
| Chester eagerly pressed forward. | |
| "Ah, the housekeeper," he cried quickly. "This man has refused again | |
| and again to bear my card to Miss Marion. Will you have the goodness to | |
| take it to her, and say that I beg she will see me for a few minutes at | |
| once?" | |
| The old lady's white forehead puckered up beneath her grey hair, as she | |
| looked in a startled way at the speaker, and then turned to the butler, | |
| who was holding Chester's card between his first and second fingers. | |
| "Who is this gentleman?" she said rather sternly, and for me moment | |
| Chester was so completely taken aback that the butler had time to speak. | |
| "Here's his card, ma'am. He's been before wanting to see Miss | |
| Clareborough. Master's seen it, ma'am, and says he don't know anything | |
| about the gentleman, and that if he had business he was to write." | |
| The housekeeper turned to Chester, raising her eyebrows a little, and he | |
| had by this time recovered his balance. | |
| "Of course," he said, "I can quite understand Mr James's action after | |
| his treatment of me, madam." | |
| "I beg your pardon, sir?" | |
| "Let me speak to you alone," he continued. "I can say nothing before | |
| this man." | |
| "Had you not better write to Mr Clareborough, sir, if you have business | |
| with the family?" | |
| "No, certainly not," said Chester. "My business is with Miss | |
| Clareborough, and I insist upon seeing her." | |
| "Excuse me, sir," said the housekeeper, calmly; "as a gentleman, you | |
| must know that one of the ladies would decline to see a stranger on | |
| business unless she knew what that business was." | |
| "A stranger--on business!" cried Chester, angrily. "My good woman, why | |
| do you talk like this to me?" | |
| "Really, sir, I do not understand you," said the housekeeper, with | |
| dignity. | |
| "Let me see you alone," said Chester, earnestly. | |
| "Certainly not, sir. Have the goodness to say what is your business | |
| here." | |
| "You know it is impossible," cried Chester. "See me alone--send this | |
| man away." | |
| "Stay where you are, Mr Roach," said the housekeeper, who might, from | |
| her calm, dignified manner, have been the mistress of the house. "Are | |
| you not making some mistake, sir? Mr Clareborough evidently does not | |
| know you." | |
| "Nor you either?" said Chester, sarcastically. | |
| "I, sir? Certainly not," replied the housekeeper. | |
| Chester stared at her angrily. | |
| "Do you dare to tell me this?" he cried. | |
| "Come, sir, none of that, please," said the butler, interfering. "We | |
| can't have you always coming here and asking to see people who don't | |
| want to see you." | |
| "Stand back, you insolent scoundrel!" cried Chester, turning upon the | |
| butler fiercely; and the man obeyed on the instant. | |
| "There is no occasion to make a scene, sir," said the housekeeper, | |
| gently. "Pray be calm. You have, I see, made a mistake. Had you not | |
| better go home and write to Mr Clareborough? If your business is | |
| important, he will, no doubt, make an appointment to meet you." | |
| "But you!" cried Chester, returning to the attack, "you deny that you | |
| know me?" | |
| "Certainly, sir, I do not know you," replied the housekeeper. | |
| "Had you not better dismiss this man?" | |
| "No, no," said the housekeeper, smiling; and there was a very sweet look | |
| on her handsome old face. "There is no occasion for that. Pray take my | |
| advice; go back home and write what you wish to say." | |
| "After what has passed, madam, I can hold no communication with Mr | |
| Clareborough." | |
| "Indeed! Well, sir, of course all you say is foreign to me, but I must | |
| tell you that it seems the only course open; so much can be done by | |
| letter." | |
| "Then, as I understand," said Chester, more quietly, "you refuse to give | |
| me a few words alone?" | |
| "Yes, sir; you can have nothing to say to me that Mr Roach, the butler, | |
| may not hear." | |
| Chester looked at the woman fixedly, but she met his gaze in the calmest | |
| way--not a muscle moved, not a nerve quivered. | |
| "Very well," he said at last, "I see you are determined to ignore the | |
| past entirely." | |
| The housekeeper made a slight deprecatory movement toward him, and then | |
| signed the butler to open the door, which he did with alacrity, but | |
| Chester stood fast, looking past the housekeeper toward the end of the | |
| hall, where there was the opening into the great dining-room, the scene | |
| of the strange adventure when he first came to the house. | |
| "Very well," he said at last, as he mastered a wild desire to rush | |
| upstairs and call Marion by name until she replied; and he spoke now in | |
| a subdued tone of voice which the butler could not hear, "of course you | |
| are in the plot, but I shall not let matters rest here. It would have | |
| been better if you had met me as a friend--as I believed you to be--of | |
| Miss Marion and Mr Robert, but I see that you are bound up with the | |
| others. And mind this: I was disposed to assist in hushing up that | |
| trouble, but as I am convinced that Miss Marion is receiving foul play, | |
| I shall leave no stone unturned to obtain speech with her, even going so | |
| far, if necessary, as to call in the aid of the police." | |
| There was a calm, grave, pitying look upon the housekeeper's countenance | |
| which literally staggered Chester, and he went out quickly and turned to | |
| the right, the butler closing the door with a bang. | |
| "He's a regular lunatic, ma'am," said the butler. "Got hold of the | |
| names from the Directory or the tradesfolk; but I'm very glad you were | |
| there." | |
| "Poor gentleman," said the housekeeper, gravely, "there seems to be some | |
| strange hallucination in his brain." | |
| CHAPTER EIGHTEEN. | |
| THE BOOKWORM TRIES TO BORE. | |
| As it happened, Chester was musing as he went down the steps. | |
| "They treat me as if I were mad. Have I got some strange notion in my | |
| head? No woman could possibly meet one with such a--Ah! good-day!" he | |
| cried quickly, for, as he was passing the next door, the grey, | |
| dreamy-looking old occupant was in the act of inserting the latch-key. | |
| He turned slowly, pushed back his rather broad-brimmed hat, and blinked | |
| at the speaker through his spectacles. | |
| "I beg your pardon," he said, rather wonderingly; "I--can't see; yes, to | |
| be sure, I remember now;" and the old man's face lit up. "I remember | |
| now. My young friend who was making inquiries. Will you step in, sir? | |
| I do not have many visitors." | |
| He threw open the door and stood smiling holding it back, giving Chester | |
| a smile of invitation which made him enter--that, in combination with | |
| the sudden thought that he might perhaps learn something about the | |
| next-door neighbours. | |
| "Really," he said frankly, "as a perfect stranger, this is somewhat of | |
| an intrusion." | |
| "Not at all, my dear young friend, not at all. Glad to see you. I lead | |
| such an old-world, lost kind of life. I am very glad to have a caller. | |
| Come in, my dear young friend, come in. No, no; don't set your hat down | |
| there; it will be covered with dust. Let me put it here. Now, then, | |
| come in." | |
| He led the way into the room on their left, and took a couple of very | |
| old folios off a chair. | |
| "A dusty place--a very dusty place; but I dare not trust servants. They | |
| have no idea of the value of books, my dear sir. I found one had torn | |
| out some pages from a very rare specimen of Wynkyn de Worde to burn | |
| under some damp fire-wood. Can't trust them--can't trust them. I've | |
| just had a very serious disappointment. Been down to an auction." | |
| "Indeed?" said Chester, looking at the old man curiously and wondering | |
| where he had seen a face something like his before. | |
| "Yes. One of the big sales. There was a priceless copy of one of Marie | |
| de Medici's books in the list, and I fancy it was with a Grolier | |
| binding--just his style; but two other people wanted it. I bid up to | |
| four hundred and then stopped. A bit of a bibliomaniac, my dear sir, | |
| but not book-mad enough to go higher; couldn't afford it, even for a | |
| unique, tall copy. Knocked down for se-ven hun-dred and forty-nine | |
| pounds, sir. A fact. Well, did you find your friends whom you were | |
| looking for?" | |
| "Yes--no," said Chester. | |
| "Dear me; but is not that rather contradictory, my dear sir?" said the | |
| old man, smiling. | |
| "Perhaps so, but there is a little mystery about the matter, sir," | |
| replied Chester. "By the way, though, can you tell me anything about | |
| your next-door neighbours?" | |
| "My next-door neighbours, my dear sir," said the old man, smiling and | |
| rubbing his thin hands together softly; "well, not much, I am so | |
| unsociable a body; and here in London one can be so isolated. Let me | |
| see, he is something in the House of Commons--a clerk, or | |
| master-at-arms, or usher, or something." | |
| "Mr Clareborough is?" cried Chester, sharply. | |
| "No--no! That is on the other side. Quite a large family party. Very | |
| gay people who have plenty of fashionable callers, and carriages, and | |
| parties. I fancy they go a great deal to operas and theatres. The | |
| confectioner's people come sometimes, and musicians, and rout seats. | |
| Not in my way, my young friend--not in my way," continued the old | |
| gentleman in his quiet, amiable manner, as he took down the great bulky | |
| London Directory. "Yes, yes, yes; here we are--Highcombe Street, | |
| Clareborough. There's the name. Very wealthy, gay family, I believe. | |
| Clareborough. That's it, and I think I've heard somehow--I don't quite | |
| know how it was, unless one of the tradespeople told me--that they have | |
| a fine place somewhere in Kent--The Towers, I think they call it, and | |
| they are often down there, and this place is shut up. I like it to be, | |
| because it is so much more quiet for a man busy with his books." | |
| "Have you--have you noticed anything peculiar about the family?" said | |
| Chester in a hesitating way. | |
| The old man beamed upon him through his glasses, then took them off | |
| deliberately, and wiped each carefully with an old silk handkerchief, | |
| gazing at his questioner with his face wrinkled up as if he were | |
| puzzled. | |
| "Anything peculiar?" he said at last. "Well, no, I think not, unless it | |
| is that they seem to spend a great deal of money in ephemeral pleasures. | |
| Yes, I remember now thinking that they must waste a great deal, and | |
| that with so much at their command they might accumulate a grand | |
| collection of books." | |
| "Anything more?" said Chester. | |
| "N-no, my dear sir. I think, now you mention it, that I have taken more | |
| notice of my neighbour on the other side. Yes, I am sure I have. I | |
| remember thinking how bad it must be for his health." | |
| "Indeed?" said Chester, inquiringly, but with the intention of leading | |
| the old man back into talking about his other neighbours. | |
| "Oh yes. You see, I often hear him coming home extremely late in the | |
| night. Twelve, one, and two o'clock, sometimes even by broad daylight. | |
| Not that I was watching him, but I often lie awake for hours, musing | |
| about some particular book that I have not obtained. I'm afraid I shall | |
| not sleep to-night for thinking of that book I missed at the sale | |
| to-day. But I put it to you, my dear sir; it was too much to give, was | |
| it not?" | |
| "Certainly," said Chester, smiling, as he seized the opportunity to turn | |
| back the conversation to the other side; "but I suppose, according to | |
| your showing, the sum named would have been a trifle to your other | |
| neighbours." | |
| "Hah! Yes, I suppose it would--yes, I suppose it would. But are you a | |
| collector?" | |
| "I? Oh no," said Chester, smiling, "only a very ignorant body." | |
| "No, no, no, no," said the old man, smiling pleasantly. "I know better | |
| than that. One gets to know what a person is more or less by his | |
| conversation, my dear sir, and I could vouch for it that you are a | |
| student." | |
| "Well, I must own to that, more or less, as to medicine and surgery." | |
| "I thought so, I thought so," said the old man, bending down to clasp | |
| his hands about one knee and sit as if thinking deeply over something, | |
| while Chester gladly availed himself of the silence to give free rein to | |
| his own thoughts. | |
| For an idea had suddenly occurred to him which lit up his troubled brain | |
| like a flash of light. | |
| He was in the next house--the old man leading his solitary life seemed | |
| pleased to have found someone ready to converse with him. Why should he | |
| not try and cultivate the old fellow's acquaintance, and take advantage | |
| of the opportunities it would afford him of watching his neighbours? | |
| He had hardly thought this when the old man looked up, smiling at him in | |
| a child-like, pleasant way. | |
| "How strange--how very strange it all is, my dear sir. Now, you will | |
| hardly credit me when I tell you that for some time past I have been | |
| suffering from little symptoms which at their frequent and more frequent | |
| recurrence suggest to me that I ought to consult a medical man." | |
| "Indeed?" said Chester. | |
| "Yes, my dear sir, indeed; but you see, I am a very old man now, and I | |
| fear that I have grown weak and vacillating; I may add cowardly too. I | |
| have shrunk from going to a doctor for fear that he should tell me that | |
| I must give up my studies--that I am failing and coming very near to the | |
| end of my span." | |
| "Oh, surely not," said Chester. "You look a very healthy subject, sir." | |
| "I--I don't know, my dear sir, but I have been afraid to go; and here, | |
| all at once, in the most casual way, I suddenly make the acquaintance of | |
| a medical man, and find him seated opposite to me, talking in a friendly | |
| way which quite invites my confidence. It is strange, is it not?" | |
| "Very strange, indeed," said Chester, gazing hard in the pleasant, bland | |
| old countenance before him. "But really, my dear sir, I do not think | |
| you require medical advice." | |
| The old man returned the fixed gaze and then said appealingly-- | |
| "I hope, my dear sir, you are speaking sincerely." | |
| "Of course," replied Chester. | |
| "Not as doctors sometimes do, to encourage their patients?" | |
| "Certainly not," cried Chester. "There is every sign of a vigorous, | |
| green old age about you." | |
| "That is very pleasant to hear, my dear sir," said the old man, "very | |
| pleasant. I don't think I am one ready to repine, or one who would seek | |
| to live for selfish considerations--love of pleasure or the like--but I | |
| have so much to do. I want years yet to complete my collection, and I | |
| may have to go over to Leyden, Leipsic, Nuremberg, Florence, and several | |
| of the other Continental towns which were the birthplaces of many of | |
| these old tomes which you see upon my shelves." | |
| "I see no reason why you should not live for years yet, sir," said | |
| Chester, encouragingly. | |
| "But my head--my brain. I find I grow forgetful, my dear sir. I put | |
| away books and forget their places. All little symptoms, are they not, | |
| of failing powers?" | |
| "To be perfectly candid, certainly they are," said Chester; "but in a | |
| healthy old age these failings come very, very gradually, and nature | |
| suggests so many ways of palliating them. For instance, a clever young | |
| secretary with a methodical turn of mind would relieve you of a trouble | |
| like this. Really I do not think that you have any occasion to trouble | |
| yourself about such a symptom as that, any more than you have about the | |
| failing powers of sight which compelled you to take to glasses." | |
| "My dear young friend!" cried the old man, leaning forward to catch at | |
| his visitor's hand, "I cannot find words to express my gratitude. You | |
| do not know what a relief your words have been to me. It is wonderful, | |
| and upon such a casual acquaintanceship. But I sincerely hope that you | |
| will let me see more of you--er--that is, if I am not troublesome to | |
| you; such a wearisome old bookworm as I fear I must be. But the mouse | |
| helped the lion, you know, and who knows but what I may be able to help | |
| you with some information about your friends next door--let me see, I | |
| think you said it was the people next door whom you had been trying to | |
| find." | |
| "I did not say so," said Chester, quietly. | |
| "I beg your pardon; but you do wish to know something about them." | |
| "Well, frankly, yes, I do," said Chester. | |
| "Hah! And who knows but what I may be able to help you? I may remember | |
| something that does not occur to me now--a trifle or two perhaps, but | |
| which may be of importance from your point of view. Come and see me | |
| sometimes. Let me show you my library. I think you might be interested | |
| in some of my books." | |
| "I have no doubt but that I should be." | |
| "To be sure, yes. I have an old copy of Hippocrates on surgery and | |
| medicine, and I daresay many others which do not occur to me now. Yes, | |
| of course, I have Boerhaave. You will come?" | |
| "I shall be very glad to," said Chester, warmly, though his conscience | |
| smote him for what he felt to be a false pretence. | |
| "I am very, very glad," said the old man, rising, going to an old | |
| cabinet and pulling out a drawer, from which he took a key and at the | |
| same time something short and black which he cleverly thrust into the | |
| breast of his loosely-made, old-fashioned tail-coat. "Now I am about to | |
| ask a favour of you, doctor," he said, turning with a pleasant, genial | |
| smile upon his countenance. "I have other treasures here down below, | |
| besides books. Stored up and rarely brought out, bin after bin of very | |
| fine old wine. I am going to ask you to drink a glass of exceedingly | |
| old port with me." | |
| "No, no," said Chester, "you must excuse me. I never drink wine at this | |
| time of day. Let me dine with you some time or other, and then--" | |
| "Yes, of course, my dear young friend; I hope many times; but just one | |
| glass now. Don't say no. I feel to need it a little myself, for--don't | |
| think me a feeble old dotard--the fact of telling you of my weakness, of | |
| confessing to a doctor my fears of coming to an end, have upset my | |
| nerves a little, and I can't help fancying that a glass of good old wine | |
| would do me good." | |
| "I am sure it would, sir," said Chester, warmly. "Well, there! I will | |
| break a rule, and join you in one glass." | |
| "Hah!" cried the old man, brightening up; "that is very good of you, | |
| doctor--very good. I feel better already in anticipation. Now, let me | |
| see--let me see." | |
| He opened the library table drawer and took out a box of matches and an | |
| old-fashioned, curled-up twist of wax taper, such as was the | |
| accompaniment of a writing-table in sealing-wax days, fifty years or so | |
| ago. This latter he lit, and then hung a large old key upon his little | |
| finger. | |
| "The library next time you come, doctor; the cellar this time. A very | |
| fine cellar of wines, my dear sir, but wasted upon me. Just a glass now | |
| and then as a medicine. This way. I hope you will not mind the dust | |
| and cobwebs. An old-fashioned notion, but books seem to need the dust | |
| of ages, and it is precious upon them, just as old port ought to have | |
| its cobwebs and its crust. You will come with me to get a bottle?" | |
| "Oh yes," said Chester, and he followed the old man out of the room into | |
| the book-encumbered hall, and along to the back, past chest and shelf, | |
| to where there was the glass door opening on the stone flight leading | |
| down into the basement. | |
| "This way, my dear sir. One moment; there should be a basket here. | |
| Yes, here we are; would you mind lighting me? Thank you." | |
| Chester took the wax taper and lighted the old man, while he took down | |
| from behind the glass door, where it hung upon a hook, one of those | |
| cradle-like baskets in which a bottle of rich old wine can recline | |
| without destroying its fineness. | |
| "You see," said the old man, "I am a bit of a connoisseur. I like to | |
| keep my wine as it has lain in the bin. No decanting for me. Straight | |
| on down, my dear sir." | |
| Chester did not hesitate, but led on down the stone stairs, holding the | |
| light on high, the tiny taper shining back upon a pair of flashing eyes | |
| and the wrinkles of a now wonderfully wrinkled face, while in the | |
| shadows behind a thin, claw-like hand glided to the breast-pocket of the | |
| old-fashioned coat, to draw out one of those misnamed weapons formed of | |
| twisted whalebone, ending in a weighty leaden knob. | |
| Chester bore the light; behind him seemed to hover upon the dingy walls | |
| the Shadow of Death. | |
| CHAPTER NINETEEN. | |
| BY THE SKIN OF HIS TEETH. | |
| The Shadow passed away. | |
| In another moment a crushing blow from a life-preserver, delivered by a | |
| vigorous arm, would have fallen upon the back of Chester's skull, and | |
| sent him headlong down the flight of stairs; but the deadly weapon was | |
| thrust back into its owner's breast, and the fierce, vindictive | |
| expression passed from his face as there was a violent ringing of the | |
| largest of the row of bells hanging to their right, and Chester turned | |
| sharply round, taper in hand, to look questioningly at the old man. | |
| "Dear me!" he said, smiling, "how tiresome! This is one of the troubles | |
| of living quite alone, my dear young friend. I always have to answer my | |
| own door. I'm afraid that I must ask you to come back to the front | |
| room. Would you mind bringing the light? Thank you; I will take it." | |
| He blew out the clear little flame as they reached the glass door, and | |
| then set down the basket, before leading the way back into the library, | |
| where he glanced from the window. | |
| "Dear me!" he said. "More books. So very late in the day too. They | |
| always come at awkward times. Pray sit down or look at some of my | |
| works. You'll find something to interest you, I feel sure. Yes--yes; | |
| I'm coming," he said, as the bell rang loudly again. "Don't be so | |
| impatient, my good men, don't be so impatient." | |
| "One moment; if you have business, I will go now," said Chester. | |
| "Oh, by no means," said the old man. "I shall not be many moments. | |
| Pray take a book and my chair, there. It is only the railway men. I | |
| shall soon be done." | |
| Chester did not take the chair, but began to inspect the dusty shelves, | |
| while he heard the front door open and after a time the sound of heavy | |
| feet upon the steps, and then the bump down of what sounded like a heavy | |
| chest. Then more steps outside, the rattle of a chain belonging to the | |
| tail-board of a van, and the steps again. | |
| Then he ceased to hear anything that was going on, for his thoughts had | |
| run to the adjoining house and his experiences there, but only to be | |
| succeeded by an indescribable sensation of dread--a singular feeling of | |
| malaise which troubled his faculties. It was like a portent of | |
| something hanging over him, or over her who occupied so much of his | |
| thoughts. | |
| "I can't stay here," he said to himself. "I must get out into the open | |
| air. This place makes me feel sick and faint." | |
| He picked up one of the many books lying about, and threw it down again | |
| impatiently, to walk to the door, where he could hear the old student | |
| directing the men who had brought the consignment; while from the sounds | |
| it was evident that they were carrying the chests or whatever they were, | |
| down into the basement. | |
| Feeling that it would be rude to interrupt his host then, he went back | |
| to the table. | |
| "What is the matter with me?" he muttered, as he shivered involuntarily. | |
| "Is it from cold, or from over-thought and worry? Not going to be ill, | |
| am I, and at such a time?" | |
| "I know," he thought, at the end of a few minutes; "it is this place. | |
| The air is close and mephitic. I don't believe the windows are ever | |
| open. I cannot stay here. I feel as if I should faint. Rude or not, I | |
| must go." | |
| He had sunk into a chair, and now started up, just as the old man | |
| re-entered. | |
| "Just done," he said cheerfully. "One moment. Heavy boxes, and these | |
| men like to have a glass. Not my old port, though. They would not | |
| appreciate it. A little of this--a little of this brandy." | |
| He kept on talking softly as he took out a bottle and glasses from a | |
| cellarette, filled a couple, set the bottle down again, and carried the | |
| glasses out; and as the door swung to, Chester caught up the bottle | |
| quickly, held it to his lips, and gulped down a mouthful. | |
| "Hah!" he muttered, as he set the brandy down and sank back in the | |
| chair; "that is stimulating. But how strange that I should feel like | |
| this. Ugh!" | |
| He shuddered, for a cold chill ran through him, and the sensation of | |
| fear increased. | |
| "Can it be something threatening her?" he muttered. "How strange! I | |
| have not felt like this since I lost my first patient," and the chill of | |
| coming dissolution seemed to hang in the air. | |
| "Pooh! Fancy. It is a slight chill. That brandy will soon take it | |
| off." | |
| The voices reached him again, and the steps were heard outside; then the | |
| front door was closed, and the old man came in smiling. | |
| "Always at such inconvenient times," he said. "Generally when I am | |
| studying some intricate passage by an old author; but to-day when I have | |
| had my first visitor for months. I'm afraid you have found me very | |
| long." | |
| "Oh no, don't name it," said Chester, hurriedly, "but--" | |
| "Ah! your kindness of heart makes you speak thus," said the old man, | |
| hastily. "Two heavy chests of books, and I was obliged to make the men | |
| take them downstairs, or they would block the passage. But now for the | |
| glass of wine and our chat." | |
| "I'm afraid that I shall be obliged to ask you to excuse me to-day," | |
| said Chester, who had risen. | |
| "Oh, surely not," cried the old man in a disappointed tone. "I was | |
| reckoning so upon asking your opinion, my dear sir. Like liquid rubies. | |
| It will not take long." | |
| "No, it would not take long," replied Chester, who now spoke rather | |
| excitedly, while the old man's eyes glittered strangely behind his | |
| glasses; "but I have been here some time now, and I must get back." | |
| "But, my dear sir--" | |
| "Don't press me, please. I, am rather unwell." | |
| "You are not offended at my leaving you?" | |
| "No, absurd!" cried Chester, hastily. "I have had a good deal of | |
| trouble lately, and my nerves have been shaken." | |
| "Your nerves have been shaken?" said the old man, gazing at him in a | |
| peculiar way. | |
| "Yes," said Chester; "but another day you must let me come; and perhaps | |
| you can tell me a little more about your neighbours." | |
| The old man smiled sadly. | |
| "Ah!" he said, "I am growing old and garrulous, and I have bored you, as | |
| you young people call it. You will not come again." | |
| "Indeed, I will," cried Chester, holding out his hand to take his | |
| host's, which was extended unwillingly, and felt like ice. "Oh yes, I | |
| will come to-morrow or the next day. This is no paltry excuse. You may | |
| trust me." | |
| "Ah, well, I will," said the old man, who seemed to be satisfied with | |
| his scrutiny. "Pray come, then, and put up with my strange, unworldly | |
| ways; and you must give me some more hints about my health. In the | |
| meantime I will look out some of the old medical and surgical works. | |
| You will find them interesting." | |
| "Yes, I hope we shall spend many hours together," said Chester, frankly, | |
| as he moved toward the door, the old man walking by his side with his | |
| hands under the tails of his coat, where a looker-on would have seen | |
| that they were crooked and opening and shutting spasmodically. | |
| It was very dim now in the book-burdened room, the evening light having | |
| hard work to pierce the uncleaned panes of the windows; but there was | |
| light enough to show that, and also that the old bookworm's claw-like | |
| right hand went into the coat-pocket and half drew from it something | |
| small and hard. | |
| But nothing followed as they walked into the gloomy hall and away to the | |
| front door, where, after a friendly shake of the hand, Chester uttered a | |
| sigh of relief as he turned away from the house, seeming to breathe more | |
| freely as he walked briskly along. | |
| "Pah! the old place felt like a sepulchre," he muttered. "It was just | |
| as if the hand of death were clutching at me. I believe that if I had | |
| not taken that brandy I should have fainted. What a state my nerves | |
| must be in. Why, it is the most fortunate thing that could have | |
| happened. Once gain the old man's confidence, I can stay there and | |
| watch the next house as long as I like." | |
| There was something ominous about the old bookworm's act as he went | |
| softly back into his half-dark, dusty room, evidently thinking deeply, | |
| till he stopped short in the middle to stand gazing down at the floor. | |
| "Yes, he said he was ill; he looked ill when he came up to the door-- | |
| half mad. He will come back again, perhaps to-morrow--perhaps | |
| to-morrow. Hah! it was very near." | |
| He raised his head now, went to the drawer from which he had taken the | |
| key, and placed back in it the heavy life-preserver, and then taking | |
| from the tail of the coat one of the short, old-fashioned pocket pistols | |
| which were loaded by unscrewing the little barrel by means of a key. | |
| This he examined, taking off the cap, after raising the hammer and | |
| putting a fresh one in its place. After this he closed the drawer and | |
| sat down to think. | |
| "Yes," he said, half aloud, "it was very near. The next time he comes | |
| perhaps he'll stay. He is getting to be a nuisance, and a dangerous | |
| one, as well." | |
| CHAPTER TWENTY. | |
| STRANGELY MYSTERIOUS PROCEEDINGS. | |
| The Clareboroughs' carriage was at the door, and the well-matched, | |
| handsome pair of horses were impatiently pawing the ground, in spite of | |
| sundry admonitions from the plump coachman of the faultless turn-out to | |
| be "steady there!" "hold still!" and the like. | |
| Mr Roach, the butler, had appeared for a minute on the step, looking | |
| very pompous and important, exchanged nods with the coachman, and gone | |
| in again to wait for the descent of their people, bound for one of Lord | |
| Gale's dinner-parties in Grosvenor Place. | |
| All was still in the hall as the door was closed, and the marble statues | |
| and bodiless busts did not move upon their pedestals, nor their blank | |
| faces display the slightest wonder at the proceedings which followed, | |
| even though they were enough to startle them out of their equanimity. | |
| For all at once the pompous, stolid butler and the stiff, | |
| military-looking footman, in his good, refined livery, suddenly seemed | |
| to have been stricken with a kind of delirious attack. The expression | |
| upon their faces changed from its customary social diplomatic calm to | |
| one of wild delight, and they both broke into a spasmodic dance, a | |
| combination of the wildest step of the _can-can_ and the mad angulations | |
| of a nigger breakdown, with the accompaniment of snapping of fingers at | |
| each other and the final kick-up and flop of the right foot upon the | |
| floor. | |
| Then they rushed at each other and embraced--the solemn, middle-aged | |
| butler and the tall young footman--theatrically, after which they seemed | |
| to come to their normal senses, and quietly shook hands. | |
| "'Bliged to let some of the steam off, old man?" whispered the footman. | |
| "Yes, Orthur, my boy, had to open the safety valve," replied the butler. | |
| "We're made men, eh?" | |
| "Not quite," said the footman, grinning, "but getting into shape. Three | |
| hundred a-piece. I say, ain't it grand?" | |
| "Splendid," said the butler, with a broad smile. "But steady now." | |
| "I say; wasn't the idea right?" | |
| "Right as right, my boy." | |
| "Ah," said the footman, with a knowing wink, "who'd be without a good | |
| only uncle to tip you when you want a few pounds to invest? I say, | |
| though, you'll go and pay the old boy as soon as we're gone?" | |
| "Won't be time." | |
| "Oh yes; you'll be all right. Get it done. Make it easy if we want to | |
| do it again, eh?" | |
| "All right; I'll go. I say, Orthur, ain't I like a father to you?" | |
| "Dear old man!" whispered the gentleman addressed, with a grin. "Me | |
| long-lost forther!" | |
| "Steady!" said the butler, sternly, and their masks of servitude were on | |
| their faces again, with the elder stern and pompous, the younger | |
| respectful and steady as a rock. "Yes; I'll go and put that right. | |
| Must take a cab. You'll pay half?" | |
| "Of course; that's all right, sir. Fair shares in everything. I say, | |
| Bob's got something else on. Hadn't a chance to tell you before." | |
| "Eh? What is that?" | |
| "Goodwood. He's had a letter. I say, shall we be on there? Oh no, not | |
| at all." | |
| "Pst! coming down," whispered the butler; and the footman opened the | |
| door and went out to the carriage, which soon after dashed off, while | |
| the butler, after the regular glance up street and down, closed the | |
| door. He descended to his pantry, where he drew a glossy hat from a | |
| box, took an empty Gladstone bag from a cupboard and went out to hail | |
| the first hansom round the corner. This rattled him away in the | |
| direction of Bloomsbury, where he descended close to the great grim | |
| portico of the church, and told the man to wait. | |
| The driver gave a glance at him, but the butler looked too respectable | |
| for a bilker, and he settled down for a quiet smoke, muttering, "Grapes | |
| or pears." | |
| But cabby was wrong. Mr Roach was not the class of domestic to lower | |
| his dignity by engaging in a kind of commerce which could be properly | |
| carried on by the fruiterer. He made for a quiet street, turned up a | |
| narrow court, and passed in through a glazed swing door upon whose | |
| embossed pane appeared the blazon of the Medici family--the three golden | |
| pills--the crest of the generous relative--"mine uncle" of the borrower | |
| high and low, and the minute after he stood in darkness in a narrow box. | |
| A sharp-faced young man with a pen behind his ear came from the right | |
| and stretched out his hand across the broad counter. | |
| "Send the guv'nor," said Roach, importantly. | |
| A sharp look was the answer, the shopman went away, and his place was | |
| taken directly by a keen, dark man, with a gaslight complexion, and to | |
| him Roach handed a little white ticket. | |
| "Hullo! So soon!" said the man, showing his teeth, which matched his | |
| skin. | |
| "Well, didn't I tell you so?" said Roach, importantly. | |
| "Yes, but I don't quite believe everything my clients say." | |
| "No, and you were precious uppish and hold-offish the other day," said | |
| Roach, shortly. | |
| "Obliged to be careful, Mr Smith, in my profession," said the | |
| pawnbroker, with a peculiar smile. "There's a law against receiving | |
| stolen goods, and one don't want to get into trouble." | |
| "Well, you needn't begin to suspect everybody who wants money, if there | |
| is. Do you suppose gentry don't run short of money sometimes?" | |
| "Oh no. I know they do, Mr Smith. I could show you some jewellery | |
| that would open your eyes." | |
| "And I dessay I could show you something that would open yours. May | |
| have to bring it to you some day. Who knows?" | |
| "Glad to do business on the square any time, Mr Smith," said the | |
| pawnbroker. | |
| "Of course you are; so's lots more. People thinks there's no | |
| card-playing going on now, and gents and ladies running short." | |
| "We don't think so, Mr Smith." | |
| "No, I suppose not," said Roach. "I did make up my mind I wouldn't come | |
| here again after what passed." | |
| "Only business caution, Mr Smith." | |
| "Oh, well, if that's all, perhaps I may. This was a commission; hundred | |
| pound wanted on the nail, and security worth five offered. Money's come | |
| in again, and my people want the security. Here's the cash and | |
| interest, and the sooner I'm off the better." | |
| "Soon done, Mr Smith," said the pawnbroker, "and I shall be happy to do | |
| business with you again any time." The man made some memoranda on the | |
| card, and went into a back room to a safe, from which he brought a | |
| carefully-done-up packet. | |
| "Rather I hadn't fetched it, eh?" said Roach, after having the packet | |
| opened and satisfied himself that the gold contents were intact. | |
| "Don't you make that mistake, Mr Smith," said the pawnbroker. "We | |
| don't want unredeemed pledges to sell, but to have them taken out and | |
| receive our interest. That's the way money is made, sir." | |
| "I dessay," said the butler, paying over the sum needed in notes and | |
| gold, and then packing the security in the Gladstone bag; "but it's a | |
| free country, and people have a right to believe what they like." | |
| "Of course, my dear sir, of course." | |
| "Now look here," whispered Roach; "if there happens to be an emergency, | |
| mister, and I'm disposed to come here again with something for an | |
| advance, is it to be prompt business, or a lot of humbugging questions?" | |
| "Prompt business, Mr Smith, with approved customers, and to any | |
| amount." | |
| "That will do then. I'll come. Private and confidential, eh?" | |
| "Private and confidential, sir. Good-evening.--Jobson, shut up." | |
| "Yes, and I shut him up," muttered Roach, as he went out with his | |
| Gladstone bag feeling weighty, and sought his cab, but not without | |
| looking back once or twice and choosing another way for his return. | |
| But he saw nothing to excite his suspicions of being followed, for it | |
| was not likely that the homely-looking woman with a thickish umbrella | |
| had come from the pawnbroker's. But somehow she had. | |
| An hour later, Roach's carefully-done-up parcel was denuded of its | |
| wrappings, and its golden glories were hidden in the iron plate-closet | |
| at the back of his pantry. And then he came upon Arthur, not long | |
| returned from setting down their people at Grosvenor Place. | |
| "Hullo! Didn't know you'd come back. Got it?" said the footman. | |
| The butler nodded. | |
| "Shut the door," he said; and as soon as they were alone in the pantry, | |
| Roach unlocked the iron closet which contained the plate under his | |
| charge, and pointed to a handsome centre-piece standing on the shelf. | |
| Then it was that the younger man so far forgot the respect due to his | |
| elder as to slap him on the back, an act not in the least resented, but | |
| responded to by a playful dig in the ribs. | |
| "But I say, my boy," whispered the butler, "it won't do, you know. I've | |
| funked horribly for fear that they should ask for it." | |
| "Likely!" said the footman, scornfully. "It's never been used but | |
| once." | |
| "More likely to be asked for to be put away with the rest in the vault. | |
| Jemmy's safe to remember it some day." | |
| The footman was thoughtful as the butler locked up the iron closet. | |
| "We ought to put away something not likely to be asked for, eh?" | |
| "Yes," said the butler, shaking his head sagely; "but what is there? We | |
| may have a dinner-party any day, and everything have to be shown." | |
| "Must be lots of things in the vault." | |
| "Course there is." | |
| "I say, ain't it rum that they don't send the things to their bankers?" | |
| "Not a bit, when they've got a strong closet of their own, Orthur, my | |
| boy. I heard 'em talking about it one day at dinner, and Jemmy said | |
| something about their old bank breaking, and a lot of the family plate | |
| and jewels being lost. The rogues had been hard up for long enough and | |
| sold it." | |
| "Ah! there's a sight o' rogues in the world," said Arthur, quietly. | |
| "We've got some capital now." | |
| "Yes, but let's think of a rainy day. Now, look here, there must be no | |
| end of things in the vault as they're never like to ask for." | |
| "No end," said the butler. | |
| "Never been in it?" | |
| "Never." | |
| "Well, couldn't we have a look in, and pick out something small and | |
| handy?--say jools. They do lock them there when they go down to The | |
| Towers. I do know that." | |
| "Yes, my lad, they do; and I believe there's a lot of old gold, family | |
| plate and diamonds as they never do want." | |
| "That's the stuff for us--in case we want it, of course. Don't hurt | |
| them to borrow it, and it finds us the capital to do us good." | |
| "Yes, but how are we to get at it?" | |
| "Keys." | |
| "Where are they kept?" | |
| "Oh, we could soon find out that." | |
| "Well, I can't. I've been on the look-out this two years, and I believe | |
| Jemmy keeps 'em somewhere, but I never could find out where." | |
| "Then you had thought of that plan, old man?" | |
| "Of course I had. Where you ain't trusted it sets you thinking. | |
| They're well-bred, but somehow the Clareboroughs ain't real gentlemen. | |
| They trust me with some of the plate, and I'm supposed to be butler, but | |
| what about the wine? Do they ever let me have the key of the cellar?" | |
| "No, that's Bob's job," said the footman, thoughtfully. | |
| "Yes, and a couple of paltry dozen at a time. How am I to know if the | |
| wine's keeping sound or not? But there are ways, Orthur," continued | |
| Roach, with a wink, and he rose slowly, went to a chest of drawers, | |
| unlocked it, took out a box, unlocked that, and drew forth a couple of | |
| new-looking keys. | |
| "Hullo!" said the footman in a whisper; "cellar?" | |
| "That one is," replied the butler, as his companion turned over the big | |
| bright key he had taken up. | |
| "Good. And what's this?" | |
| "One I got made to try the vault." | |
| "Phe-ew!" whistled Arthur, excitedly. "Then you have been in?" | |
| "No, my lad; that only opens the wooden door at the end of the passage. | |
| Then you're in a bit of a lobby, with a big iron door on one side." | |
| "Well, didn't you get a key made for that?" | |
| "No, my lad. I couldn't. It's a rum one. I don't believe you could | |
| get one made by anybody but them as sold the safe." | |
| "Don't believe it," cried the footman, contemptuously, "Let me have a | |
| look." | |
| "Nay, nay, you'd better not." | |
| "Gammon. Where's the old woman?" | |
| "In her room, up atop." | |
| "Who's in the kitchen?" | |
| "Only the scullery-maid. T'others are all gone out." | |
| "Then let's go and have a look," cried Arthur. "I want to be a man. | |
| I'm sick of being a mouse." | |
| The butler seemed disposed to sit still, but the energy of his young | |
| companion stirred him to action, and he placed the keys in his pocket | |
| and stood hesitating. | |
| "Go and see first what that gal's doing," he whispered, "while I make | |
| sure the old woman's up in her room." | |
| The footman nodded, and both went their ways, to meet again with a nod | |
| indicating that all was right, and then the butler led on along one of | |
| the passages of the extensive basement to where another struck off at | |
| right angles, ending in an ordinary stout oak-grained door. This | |
| readily yielded to the key the butler brought, and after lighting a bit | |
| of candle the pair stepped into a little stone-walled room of about ten | |
| feet square, with a closely-fitting drab-painted door on their right, | |
| standing flush with the iron frame which filled up the centre. | |
| "That's a tight one, Orthur, lad," said the butler. | |
| "Yes, to them as has no key," said the footman, quietly, after going | |
| down on one knee and examining the key-hole by holding the loose cover | |
| on one side. "I'm a-going to have a key to fit that lock, old man, | |
| afore long." | |
| "You are, my boy?" | |
| "I am, guv'nor. You and I's got together and we've got to stick | |
| together and make our fortunes. There's horses and carriages and plate | |
| chests and cellars o' wine for them as likes to be enterprising, and | |
| we're enterprising now." | |
| "But we mustn't do anything shady, Orthur." | |
| "Shady, guv'nor!" cried the footman, contemptuously; "not us. It's to | |
| be sunshiny. Don't you be afraid o' that. We sha'n't do nothing to | |
| make us afraid to look a bobby in the face. Only a bit of | |
| speckylation--a bit o' borrowing now and then to raise the wind, and | |
| paying of it back. Give us your hand on it, old man. We sticks | |
| together through thick and thin." | |
| There were vinous tears in the butler's eyes as he extended his plump | |
| white hand to be grasped hard, and the two speculators looked each in | |
| the other's face, seeing a gilded future before them, the glare of which | |
| hid everything else. | |
| "That'll do for the present, guv'nor," said Arthur. | |
| He drew open the door, and was about to pass out, when a short cough | |
| came echoing along the passage, and he pushed the door close again. | |
| "Hist!" he whispered, as he blew out the light; "the old woman's coming | |
| down." | |
| "Quick! take out the key, and lock it from inside," whispered the | |
| butler. "She's always coming along here to see if this place is all | |
| right and try the door." | |
| The footman obeyed, making a faint rattle with the key, after which he | |
| closed the door, leaving them in darkness. | |
| "Have you locked it?" | |
| "No, there ain't no key-hole on this side. Hist! she's coming straight | |
| here." | |
| The next moment the footman's shoulder was placed against the door to | |
| keep it fast. | |
| The men stood holding their breath and feeling the perspiration gather | |
| upon their faces like a heavy dew, as they waited, hearing nothing now | |
| but the throbbing of their own hearts for what seemed to be an | |
| interminable time, before there came the sound as of something soft | |
| being dabbed against the door, followed by a sudden heavy push which, in | |
| spite of his strength, sent a jarring thrill through every nerve of the | |
| footman's body. | |
| CHAPTER TWENTY ONE. | |
| GOING SHARES. | |
| Mr Roach confessed to being an admirer of the fair sex; and consequent | |
| upon his position, not from any special attraction of mind or person, | |
| the butler's advances were in more than one instance favourably | |
| received; but he also confessed, in the strictest personal confidence, | |
| to a feeling of jealousy against Arthur. | |
| "He's big, and he's not bad-looking, but he's very weak and young, and | |
| there's a want of manly tone about him. I can't see why they should | |
| make so much fuss over the fellow." | |
| "They" embraced the lady members of the Clareborough household staff; | |
| and in spite of what the butler might say, Arthur was distinctly high in | |
| favour and enjoyed his popularity. | |
| There were reasons, of course, more than the great display of | |
| affability, and one day Mr Roach took his fellow-servant seriously to | |
| task. | |
| "Look here, Orthur, my lad," he said confidentially; "you're having a | |
| fine old time of it just now, but recollect this: the sex is soft, and | |
| smooth, and pleasant, and as you may say sweet, but don't you make a | |
| mistake and think that girls are fools." | |
| "I don't," said Arthur, complacently--"Old boy's a bit jealous," he | |
| added to himself. | |
| "Then don't act as if you did. They're sharp enough, and before long | |
| they'll begin talking. One of 'em 'll be jealous of you taking out | |
| another, and then out'll come the claw from the soft paws, and there'll | |
| be a row." | |
| "Well, they must settle it among themselves if there is." | |
| "But don't you see that the disappointed one that you've made an enemy | |
| 'll begin to talk nasty-like and she'll know what your wages are." | |
| "Eh?" | |
| "That's it, my boy; she'll be wanting to know how you can be treating | |
| some of 'em to music-halls, and paying for cabs and railway fares, and | |
| supper afterwards, on five pound a quarter." | |
| "Dash it!" cried Arthur. | |
| "Yes, that's it, my lad. You and me's doing very nicely just now; don't | |
| spoil a good thing. See what I mean?" | |
| "Yes, I see what you mean, old chap," said Arthur, who had suddenly | |
| become sobered. | |
| "That's right. You see, you gave Maria Blay a gold watch." | |
| "Only a second-'and 'un, and I bought the pawn-ticket cheap." | |
| "Maybe, but there's a big sound about a gold watch. Then you gave cook | |
| a brooch, and Betsy Dellow a gold ring, and it ain't wise, my lad, it | |
| ain't wise. We're on the road to fortune, so don't you get looking back | |
| for the sake of a bit of nonsense, or you and me may have to part. | |
| Don't do foolish things." | |
| "No, Mr Roach, I won't, sir. I'm very sorry, and I'll be a bit more | |
| careful." | |
| "That's right, Orthur," said the butler, importantly. "I shouldn't like | |
| for anything to come between us two." | |
| "Of course not, sir. It wouldn't do," cried the footman, eagerly. | |
| "Got anything new?" | |
| "Well, no, Mr Roach, sir. I haven't seen the chance of a tip lately." | |
| The butler smiled triumphantly. | |
| "You don't mean to say you have, sir?" | |
| "But I do, Orthur," he replied in a hoarse whisper. "It isn't Mr Rob's | |
| or Mr Paddy's this time, but a put-up thing of the guv'nor's." | |
| Arthur whistled in his excitement. | |
| "It means a big stroke, Orthur. I've got the tip, and if you and me's | |
| got the pluck to do it we're made men." | |
| "Oh, we've got the pluck," said the footman, huskily. "What's the | |
| 'orse?" | |
| "Not a horse at all, my lad. It's a company. They're working it to | |
| rights, and I've found out all about it, Orthur. I've seen the letters. | |
| They're going to blow the thing up full of wind, and buy up all the | |
| shares they can. Then when the thing's at the height, they sell, and | |
| make thousands." | |
| "Phew!" whistled the footman. | |
| "S'pose we make a couple o' thou, a-piece; that's better than backing | |
| horses." | |
| "Yes; but could we?" | |
| "Don't they, my lad? Isn't all this place run that way? Why shouldn't | |
| we do it as well as them? They ain't so precious clever after all." | |
| "Not as I see," said the younger man, contemptuously. | |
| "Then what do you say? Shall we venture?" | |
| "I'm on," said Arthur, eagerly. "How much does it want?" | |
| "Two hundred a-piece. How much have you got?" | |
| The footman gave him a curious look, and then said drily-- | |
| "Nothing at all." | |
| "Why, you don't mean to say you've spent all we've made, Arthur?" | |
| "Every penny. Haven't you?" | |
| The butler was silent, and frowned; but his companion followed up his | |
| question. | |
| "Well, why don't you answer a fellow?" | |
| "I haven't exactly spent it, Orthur," said the butler at last, coughing | |
| to clear his voice. | |
| "Well, what have you done with it?" | |
| "'Orses." | |
| "Without saying a word to me?" | |
| "Well, I didn't know I was bound to tell you everything, Orthur." | |
| "Well, I did; and it serves you right. If you'd gone by my advice and | |
| taken my tips you'd ha' won." | |
| "Yes, it was a mistake," said the butler, humbly. "I was tempted to | |
| have just one little flutter on my own account, Orthur." | |
| "Well, don't you do it again. That's worse than giving the gals | |
| presents, old man. Then I suppose it will have to be your uncle again?" | |
| "Yes, Orthur; but it's a pity we couldn't manage about a key for that | |
| door." | |
| "Ah! it is; but it ain't to be done, only with a big hammer and wedges, | |
| I'm afraid. I'm trying still, though, to get a key made, and it may | |
| turn up trumps. Never mind; raise something on what you can take." | |
| "But it won't be enough, my boy." | |
| "Never mind; let's do what we can. A little's more than none. Half a | |
| loaf's better than no bread, old man." | |
| "Very well, my boy; I'll take what I can to-night." | |
| "I say, you're sure this'll turn out all right?" | |
| "Certain. It's as safe as safe. I'll make him let me have a little | |
| more--put something else up--and then we'll take all the shares we can | |
| get." | |
| "And about selling out at the right time?" | |
| "You leave that to me," said the butler, smiling confidently. "Look | |
| here." | |
| He took out a letter and held it to his companion, who read it with his | |
| face lighting up, and clapped it back in the butler's hands. | |
| "That's right, isn't it?" said Roach. | |
| "Splendid, old man. But stop; why, that's your writing." | |
| "Of course it is; I copied it." | |
| "Oh, I see. Well, then, that's all right. Go on ahead." | |
| "But I wish it wasn't that centre-piece again. I'm always afraid of its | |
| being wanted." | |
| "Oh, it won't be wanted," said the footman, impatiently. | |
| "If you could only have managed about that key." | |
| "Well, give me time. I say, that was a narrow squeak, when the old | |
| woman nearly caught us." | |
| "Yes, it was horrible," said the butler, wiping his forehead. "Fancy | |
| her telling Jemmy, and him sending for us to come up in the lib'ry afore | |
| the lot of them!" | |
| "Easy enough for him to send," said the footman, with a grin, "but it | |
| would have taken a lot of pulling to get us there." | |
| "Yes, Orthur, my boy, the game would have been up." | |
| "And before we'd made our pile, old man. There, you want a glass of | |
| wine to pull you together. You mustn't go and see our dear old relative | |
| looking like that." | |
| "No," said Roach, brightening up; "that would not do, Orthur. The old | |
| woman did not find us out." | |
| "I held the door too fast for her, and a miss is as good as a mile, eh, | |
| guv'nor? I say, old man, don't you think we might wet it?" | |
| The butler smiled blandly. | |
| "Well, just one glass wouldn't be amiss, my boy. What shall it be?" | |
| "Can't beat a glass o' port, old man. What do you say?" | |
| "I say ditto, my dear boy," and the butler, smiling, drew out his keys, | |
| unlocked a cupboard, lifted out a cobwebby bottle with a dab of | |
| whitewash on its end, and with a great deal of ceremony drew the cork, | |
| while Arthur fetched and gave a finishing touch to a couple of glasses | |
| as the cork was presented to him. | |
| But it was only to smell, and Arthur inhaled the fragrance and sighed. | |
| Then the rich wine came gurgling out into the glasses, and these latter | |
| were raised. | |
| "Well, old man, here's success to speculation," said Arthur. | |
| "Suck-cess to speculation," said the butler, and the glasses were slowly | |
| drained. Lips were smacked and the glasses refilled. "A very fine | |
| wine, Orthur." | |
| "Tip-top. How much is there of it?" | |
| "Over six hundred dozen, my lad." | |
| "Well, we'll help 'em drink it, old man. It's fine. Sets a fellow | |
| thinking. Now, look here. We're not going to stand still, eh?" | |
| "Not a bit of it, dear boy. We'll make our hay while the sun shines." | |
| "Ah, yes," said the butler, filling another glass of the port; "and some | |
| people shoot a long time before folks get hit, eh, Orthur?" | |
| "That's so, guv'nor; you've only to keep going, and the chances are that | |
| they can't hit you at all." | |
| The result of the emptying of that bottle of wine was that the gold | |
| epergne and several other pieces of plate went into the charge of the | |
| none too particular descendant of the Medici, a gentleman who, having | |
| been exceedingly unfortunate in carrying on what he called a square | |
| trade, had of late gone in for the risky and round, with the result that | |
| he was making money fast, and calming his conscience by chuckling to | |
| himself and saying-- | |
| "What harm is there, so long as you're not found out?" | |
| That evening Mr Roach returned with a sufficient amount to dip slightly | |
| into the new speculation in which the Clareboroughs were engaged, but he | |
| did not sleep any better for that. He dreamed about brokers who dealt | |
| in stock, and by a steady descent of thought he went on to brokers who | |
| put executions into houses. They suggested debtors' prisons--debtors' | |
| prisons brought up Holloway, and Holloway the criminal side--the | |
| criminal side, penal Portland, with irons, and costumes ornamented with | |
| broad arrows, shortcut hair, chain-gangs, and an awakening in a violent | |
| perspiration. | |
| Mr Roach had no appetite next morning, but on behalf of footman Arthur | |
| and himself, a couple of hundred pounds were invested in the shares of | |
| the gaseous company which had nothing whatever to do with gas. | |
| CHAPTER TWENTY TWO. | |
| MAN MASTERS. | |
| "At last!" muttered Chester, as he stood, pale and careworn, leaning | |
| upon the iron rail in the Row, watching the carriages slowly filing by, | |
| or stopping from time to time. | |
| For after days and days of watching, he was once more about to give up | |
| in despair and venture, in spite of all rebuffs, upon another call at | |
| the house, when in the distance he caught sight of the Clareborough's | |
| light victoria approaching, and to his great delight he found that it | |
| only contained one occupant. | |
| He hesitated for a few moments as to what he should do--wait, or advance | |
| to meet it, and decided now upon a bold attack, for every nerve was on | |
| the strain. | |
| "I will not be put off this time," he said to himself. "She shall | |
| acknowledge me." | |
| As he approached his heart began to beat fast and he gazed upon the | |
| elegantly-dressed figure leaning carelessly back with her face shaded by | |
| the tinted parasol she held, and, as yet unobserved, Chester saw that | |
| she looked pale, troubled and weary, her half-closed eyes dreamy and | |
| thoughtful. | |
| Fate favoured him, for there was a block somewhere ahead, and the horses | |
| were stopped only a few yards away. | |
| He passed under the rail, walked up quickly, still unobserved, till his | |
| hand was upon the carriage door. | |
| "Marion!" he whispered. | |
| She gave a violent start, the blood suffused her cheeks, and then fled, | |
| leaving her deadly pale, as she gazed at him with dilating eyes. | |
| "I beg your pardon," she said coldly, "you addressed me?" | |
| "Yes," he said in a low voice which trembled a little from the excess of | |
| his emotion, "but we are alone now, Marion. For pity's sake let there | |
| be an end to this." | |
| "Ah, I remember," she said in her low, musical tones, "you are the | |
| strange gentleman who addressed me before. You are repeating your | |
| mistake, sir." | |
| "Indeed!" he said reproachfully, as he fixed her eyes with his. "Do you | |
| think I could ever be mistaken?" | |
| She bowed slightly and drew a little back, glancing hurriedly at the | |
| driver, and then looking ahead as if eager for the carriage to proceed. | |
| "How can you be so cruel?" he whispered. "Marion, you are maddening | |
| me!" | |
| He saw her wince, but with wonderful self-command she sat rigid as she | |
| said slowly-- | |
| "I beg, sir, that there may be an end of this. Can you not see that you | |
| are making a mistake, and are insulting an unprotected woman?" | |
| She looked him fully in the eyes now with a calm air of wonderment, and | |
| for the moment he was in doubt. | |
| But the next moment his heart said no, and his pulses increased their | |
| beat. No accidental resemblance could have produced that effect upon | |
| him. He knew that there was something which he could not explain--a | |
| strange vitality or occult force which bound him to her, and, though his | |
| eyes might have erred, his nature could have made no such blunder, and | |
| he was eager to continue the attack now the opportunity was there. | |
| "Mistaken?" he said in a low, impassioned tone; "how could I be | |
| mistaken? From the first moment you came to me, your looks, the tones | |
| of your voice in your appeal to me for help, awoke something which till | |
| then had slumbered within me. I had lived in ignorance of the reality | |
| of such a passion, one which has gone on growing like a torrent ever | |
| since. It has swept all before it since the hour I knew that I had | |
| found my fate." | |
| "My good sir," she said firmly and gently; "indeed you are taking me for | |
| someone else." | |
| He smiled as he gazed at her intently. | |
| "For whom?" he said. | |
| "I cannot say; some friend. It is an accidental resemblance, and once | |
| more--I appeal to you as a gentleman to cease this persecution." | |
| He shook his head sadly. | |
| "Accidental resemblance? No. There is but one Marion on earth. No | |
| woman ever resembled you in any way. This is impossible. Marion, be | |
| merciful. After the night on which I saw you last, what must you think | |
| of me? Of what manner of man could I be if, after striving so hard to | |
| gain an interview like this, I could let you throw me over in so cruel a | |
| way? Marion, for pity's sake. There must be stronger reasons than I | |
| already know of to make you act like this." | |
| She glanced round wildly for a moment or two, as if in dread that they | |
| were being observed and his words were taking the attention of the | |
| people around, then up at the coachman, but he sat erect and stolid, too | |
| well schooled in his duties to have a thought or eyes for anything but | |
| the beautiful pair of horses under his charge. Then, as she realised | |
| the fact that they were perfectly unobserved by the busy throng around, | |
| she recovered her passing composure, and said quite calmly, and with a | |
| suggestion of pity in her tone for one who seemed to her to be suffering | |
| from some slight mental aberration-- | |
| "Can you not see that you are mistaken?" | |
| "No," he said, smiling sadly; "only that it is impossible." | |
| There was a faint quiver of the lips, but it passed off, and her | |
| beautiful eyes flashed, and the colour rose in her cheeks, as she made a | |
| strong effort to be firm. Then there was a touch of anger in her voice | |
| as she said coldly-- | |
| "Must I appeal to someone passing, sir, or to one of the police?" | |
| Her words stung him to the quick, "No," he whispered huskily; "there is | |
| no need. If you are made of steel and can act to me like this, I must | |
| suffer; but do not insult me by treating me as if I were insane. I | |
| could bear it from your brother; not from you, Miss Clareborough." | |
| She winced slightly at the utterance of her name, and he fancied that | |
| there was the light of compassion for one brief moment in her eyes. | |
| His own face hardened now in the bitterness and despair of the moment as | |
| he took out his pocket-book, and in spite of her self-command she | |
| watched his action narrowly as he drew out the carefully-folded | |
| handkerchief stained with blood. | |
| "I saved this inadvertently," he continued. "Yours; marked with your | |
| initials." | |
| He looked her full in the eyes as he spoke, bitterly now. | |
| "When I found it where I had hurriedly thrust it into my pocket that | |
| night, it seemed to offer itself as an excellent clue for the police to | |
| track out the mystery of the house to which I was taken." | |
| She leaned forward quickly and caught at the handkerchief to cover it | |
| with her hand, while he still retained his hold. | |
| "For God's sake, no!" she whispered, and her face convulsed with fear. | |
| "Don't do that--the police!" | |
| The stained scrap of cambric formed a bond between them as he gazed | |
| deeply in her eyes now, while a faint smile dawned upon his lip. | |
| "I checked the thought at once," he said softly. "I told myself that | |
| such an act might hurt you--might give you pain; and I set to and tried | |
| to track you without, all through the months of agony and dread for what | |
| you might have to fear from him. Take it, to destroy or save, as you | |
| will. It is yours; but do not do me the injustice to think I would | |
| retain it to hold over you in terrorem. Marion, I love you too well." | |
| He breathed these words in the faintest tones, but he could read that | |
| they fell heavily upon her ears, for in spite of her rigid position he | |
| saw that her eyes looked wildly and imploringly into his. | |
| "For Heaven's sake be silent!" she whispered faintly. | |
| "I am your slave," he said softly. "Take the handkerchief." | |
| "No, no; I trust you," she whispered back. "I will not try to | |
| dissimulate any longer. It is impossible; but you must never speak to | |
| me again--never recognise me. I cannot explain--I am not my own | |
| mistress. It would injure others. Be merciful to me, for I have | |
| suffered deeply. Think of all that has passed as some dream. I | |
| cannot--must never see you more." | |
| The carriage began to move on, but he walked by the side as she | |
| continued-- | |
| "Spare me--spare those I love. I ask it of you. Now, farewell for | |
| ever, for your own sake--for mine." | |
| "No," he said softly, as he walked on, unnoticed by the many they | |
| passed, for it was a commonplace thing enough to see a gentleman by a | |
| carriage door talking to its occupant. "No. You have made me more | |
| happy then I can express. The dense black cloud that has been over my | |
| life has passed away, for I know now that you have been wearing this | |
| mask for the sake of others whom you wish to spare. But you have let me | |
| see behind it; just one glimpse, but enough to show me the true nature | |
| of the woman I love." | |
| "Oh, hush!" she whispered. "Believe me, that is impossible. Now leave | |
| me, pray." | |
| "Nothing is impossible to a man who loves as I love you," he whispered. | |
| "No, no; once more, I tell you that we must never meet again." | |
| "And I tell you," he whispered back, "that you are part of my life, and | |
| that while my heart beats I will never give you up. Marion, we must | |
| meet again sooner or later; I live for nothing else. Your hand one | |
| moment." | |
| "No, no!" she moaned. | |
| "Your hand--life of my life," he whispered softly; and as she gazed at | |
| him wildly, her hand, as if drawn by the magnetism of his nature, glided | |
| slowly into his, and was clasped in his nervous grasp. | |
| "I am going to wait." | |
| "No," she said more firmly. "This for the last time. They would kill | |
| me--they would kill you." | |
| "No," he said. "An hour ago I would have welcomed death; now life opens | |
| before me in its fullest sunshine of joy. They shall not kill you; they | |
| shall not kill me, for I know you love me and have suffered, and it has | |
| made me strong." | |
| "Impossible, impossible," she whispered, with her eyes fixed upon his. | |
| Then he loosed his hold of her gloved hand, dropping back and raising | |
| his hat as the carriage rolled on. | |
| He stood and watched it for a few minutes till it had passed out of | |
| sight, and then drawing himself up, feeling that a breach of | |
| invigorating life had run through his being, he turned to walk back | |
| across the path, and found himself nearly confronting the man who had | |
| occupied so much of his waking thoughts, and whose eyes now seemed to | |
| flash as they gazed fiercely in his. | |
| "Well," said Chester to himself, as he set his teeth hard, "I am ready | |
| for the worst. Am I to learn the mystery of the big house now?" And he | |
| took a step forward to meet the man he felt to be the great enemy of | |
| both their lives. | |
| CHAPTER TWENTY THREE. | |
| THE GAME IS UP. | |
| To Chester's surprise James Clareborough's face hardened and grew stony | |
| as they approached, and the next moment he had passed him without a word | |
| or the slightest sign of recognition, and when, stung by jealous | |
| solicitude for the woman he loved, Chester turned and followed, he saw | |
| his enemy take another direction to that in which Marion was being | |
| driven. | |
| Then days passed--then weeks; and in spite of constant watchfulness | |
| Chester could not get a glimpse of her who filled his thoughts. The | |
| reason was patent--the family had left town, and he had once more to | |
| track them out. But this was easy, and in a day or two he was down at | |
| the nearest spot where he could unobserved obtain lodgings, ostensibly | |
| trout fishing the stream that meandered by The Towers, the | |
| Clareboroughs' Kentish estate. | |
| Still he could not obtain a second interview. He knew, though, that | |
| which filled him with exultation and patience to wait--he was loved. | |
| There were troubles at The Towers in the lower stratum, all connected | |
| with speculation; and, though money was worthless in these days in | |
| Chester's eyes, the speculation affected his fate. | |
| It was in this wise:-- | |
| Roach looked puffy, and especially so beneath the eyes, where a couple | |
| of pendulous bags disfigured his important-looking countenance. | |
| Unkind people would have said that the flushed aspect was due to | |
| drinking, but he was perfectly steady as he got out of a hansom cab, in | |
| company with Arthur, after a short run up to town, where they had | |
| arrived by a fast train that afternoon, and taking the two small, light | |
| portmanteaus which the driver handed down, each threw his overcoat | |
| across his arm, and they walked together round the corner into Highcombe | |
| Street, made for the Clareboroughs' town house, tried the area gate, | |
| which, as they expected, was locked, and went up the steps to the front | |
| door. | |
| "How do you feel, Arthur?" whispered Roach. | |
| "Right as the mail, old man. Now then, no gammon. You keep your pecker | |
| up, and do the talking, and I'll do the business. There's nothing to | |
| mind." | |
| "Nothing to mind?" said Roach, as he raised his hand towards the | |
| servants' bell, but did not ring. | |
| "Only the handcuffs if we don't do what we want and clear off." | |
| Roach groaned. | |
| "Don't be a fool, old man," whispered the footman. "As I told you, we | |
| must do it now. The game's up, and you know what Jemmy is. There'll be | |
| no mercy, so let's make our hay while the sun shines. Pull the bell." | |
| With trembling hand Roach rang the servants' bell, and then drew a deep | |
| breath. | |
| "That's right, old man, pull yourself together. Think it's going to be | |
| a lark, and after it a fortune for us both." | |
| "Yes, I'm going to be firm now," growled Roach, hoarsely. "It's our | |
| only chance, Orthur, so stand by me." | |
| "Like an iron post, old man. That's the way, jolly's the style. Here | |
| she comes." | |
| They caught a glimpse of the housekeeper at the side window, and | |
| directly after the door was open. | |
| "Good-morning, ma'am," began the butler. | |
| "Good-morning, Mrs Barron, ma'am," said Arthur. | |
| She looked sternly from one to the other, without making way for them to | |
| enter. | |
| "Why are you two men up in town?" she said harshly. | |
| "Well, the fact is, ma'am, I had a little bit o' business to do about my | |
| savings in the sweet threes, and as the gentlemen were all in Paris, and | |
| the ladies were not expecting any company, I made so bold as to ask Mrs | |
| James Clareborough to spare me till to-morrow night and let Orthur come | |
| with me, for I don't like going through money matters without a | |
| witness." | |
| "Oh," said the housekeeper, speaking with her lips very close together, | |
| but without drawing back. "Then why have you both come here? This is | |
| not a broker's." | |
| "No, ma'am, of course not," said Arthur, with a little laugh. | |
| "I was not speaking to you, sir," said the housekeeper, turning upon him | |
| suddenly. "Have the goodness to keep your place." | |
| "Certainly, ma'am. Beg pardon, ma'am." | |
| "Now, Mr Roach; what do you want here?" | |
| "Want here, ma'am?" stammered the butler; "want here? Why, I can't go | |
| to my broker without my warrants." | |
| The housekeeper's pale face looked more pinched than ever as she gazed | |
| searchingly at the other, who looked completely taken aback; and then | |
| she darted a sharp glance at Arthur, who evidently expected it and did | |
| not look, but busied himself in bringing a little bit of vanity well | |
| into sight, the said piece of vanity taking the shape of a couple of | |
| bronze fox-head cuff studs, which he drew beyond the sleeves of his | |
| coat. | |
| "You can go down into your pantry and get what you require," said the | |
| housekeeper, coldly, and she made way for the butler to enter. Arthur | |
| was about to follow. "No," she said sharply, "you can wait." | |
| "Wait--here, ma'am?" | |
| "Yes," said the housekeeper, decisively, and she made as if to shut the | |
| door. "Or, no; you can sit down inside." | |
| Arthur brightened up, and stepped in jauntily, the housekeeper closing | |
| the door. | |
| "You need not take your portmanteau down with you, Roach." | |
| "No, ma'am, of course not," said the butler, respectfully. | |
| "Here, I'll mind that, Mr Roach, sir," said the footman, stepping | |
| forward to take the valise, after standing his own on end. | |
| The butler was a few steps in the hall, the housekeeper between them, | |
| and a little on Arthur's right, as he took a step forward, taking his | |
| overcoat from his arm and shaking it out the while, as if about to | |
| double it afresh. Then, quick as thought, he stepped aside, threw it | |
| over the woman's head, and twisted it together. "Now, old man; her | |
| legs, sharp!" | |
| Roach stood for a moment as if bewildered. Then at an oath from his | |
| companion, he stepped forward, threw his arms round the struggling | |
| woman's legs, lifted her up, and in spite of her smothered cries bore | |
| her right to the end of the passage. | |
| "Down with her; pantry," said the footman, sharply, and they carried her | |
| quickly down the basement to the butler's pantry, where they laid her on | |
| the table. | |
| "Fetch the trunks, old man," said Arthur, loudly. "I can manage. | |
| Quiet, you old cat, or I'll choke you!" | |
| He tightened the coat with a couple, of twists as he spoke, but the | |
| faint cry continued. | |
| "Bah! let her squeak; she might howl for a month, and no one could | |
| hear." | |
| This, for the butler looked unnerved. He went up directly, though, and | |
| as soon as he was gone Arthur put his face to the coat, close to the old | |
| lady's ear. | |
| "You just listen," he said. "You've had your innings, and led me a | |
| pretty devil of a life with your nasty ways. It's my turn now. Quiet, | |
| curse you! Stop that row, or as sure as you're a living woman now, | |
| you'll want a coffin to-morrow." | |
| "What--what is it you want. Money?" came faintly. | |
| "Never you mind what we want, old girl. There, you needn't kick and | |
| struggle; we don't want to carry you off and marry you by force, so lie | |
| still. Ah, that's right; look sharp. My Gladstone, not yours. Get out | |
| the rope." | |
| The butler, whose face was now mottled with white patches, opened one of | |
| the portmanteaus and took out a cord. | |
| "Now come here and lay hold. If she begins to squeal again, tighten | |
| your grip a bit." | |
| But the woman lay perfectly still now, and she did not even wince when | |
| the footman twisted the rope tightly round her ankles and knotted it | |
| fast. | |
| "Now then, over on her face, guv'nor. I must have these wrists tied | |
| behind, or she may begin to scratch." | |
| The helpless woman was turned over, her wrists firmly secured, and she | |
| was then laid on her side and the coat taken off, to reveal her wide, | |
| staring eyes, and teeth set, with the lips drawn right away. | |
| "You've killed her, my boy," whispered the butler in a hoarse voice. | |
| "Bah! Old cats like that have got nine lives," said the man, | |
| contemptuously. "Here, give me a clean glass cloth, and I'll shove a | |
| gag in her mouth." | |
| "No, no. She's bad enough as it is," whispered the butler. "Let her | |
| be." | |
| The footman looked at the old housekeeper dubiously, and then | |
| unwillingly gave up his project. | |
| "Shall we put her in the plate-closet? I have the key." | |
| Arthur laughed. | |
| "Why, that would smother her in half an hour. No; help me to lay her | |
| down on the hearth-rug. We can come and look at her now and then. But | |
| she won't move. We've pretty well frightened her to death." | |
| Judging from appearances, this was the case, and after laying the | |
| unfortunate woman on the hearth-rug, they took portmanteaus and coats | |
| and hurried out into the main passage, then into that which went off at | |
| right angles, to stop in front of the lobby door. | |
| CHAPTER TWENTY FOUR. | |
| AND GROWS DANGEROUS. | |
| The key the men possessed admitted them at once and the other | |
| portmanteau was opened, ready for use--a use which soon became plain. | |
| "Think it'll be all right this time?" said Roach, who was in an intense | |
| state of excitement. | |
| "Dunno till I try," was the reply. "Light up and look sharp." | |
| Roach turned to the second portmanteau, which stood inside the door, and | |
| took out a dark lantern. Then striking a match, he lit it, and in | |
| obedience to a word from his young companion, he held up the cover of | |
| the iron door key-hole with one hand, and directed the full glare of the | |
| bull's-eye on the opening with the other. | |
| Arthur had not been idle. Hastily doubling his overcoat, he made of it | |
| a pad to kneel upon, and then taking a bright new key from out of a | |
| piece of tissue paper, he began to try if it would fit. | |
| "All right," he whispered, "it goes splendidly." | |
| "Well done," panted Roach. "But be quick." | |
| "Quick be blowed! Don't you be so jolly nervous; there's no one to | |
| interrupt us now." | |
| "Well, turn the key." | |
| "Won't turn--sticks. Oil." | |
| Roach handed a little oil tin from the portmanteau, the key was | |
| withdrawn and lubricated and once more thrust in, to evidently act upon | |
| a part of the mechanism of the great lock, but that was all. | |
| "Bah!" ejaculated Arthur. "I know the beggar. It's one of that sort | |
| you see at the safe shops. When you turn the key you shoot bolts, top, | |
| bottom and both sides. It nearly does. He made it quite to the wax | |
| pattern, and it only wants a touch or two. Here, give us the file." | |
| "Stop a minute." | |
| "What's the matter?" | |
| "I want to see if old Mrs Barron's safe." | |
| "Look alive then. No, no; give me the file first." | |
| The tool was handed and the active young fellow held the key close to | |
| the light and began filing away where it seemed to him the wards of the | |
| key wanted opening; and he was still busy when Roach returned. "She's | |
| all right," he panted, his breath coming short as if he had been | |
| running. | |
| "Oh yes, she won't get clear of those knots--an old cat!--I know. You | |
| take it easy, old man; we're as safe as safe." | |
| "But suppose the guv'nors come back from Paris, my dear boy?" | |
| "Won't be back for a fortnight. You know as well as I do. Lor' 'a' | |
| mussy! on'y think of our taking up a game like this, old man!" | |
| "It's awful--it's awful, Orthur." | |
| "Yah! we can't help it. How were we to know that everything we backed | |
| would go wrong and leave us in such a hole?" said Arthur, as he filed | |
| away. | |
| "But it seems like burglary," whispered the butler. | |
| "Burglary be blowed! Look here, if you're going to whine I shall cut | |
| it, and my stick too, and you may face it out with the guv'nors. What | |
| are you going to say when they ask after that gold centre-piece, and the | |
| rest of the plate you've lent my uncle?" | |
| "We've lent my uncle!" said the butler, reproachfully. | |
| "Oh, well, we then. I'm ready to take my share. It was their fault, | |
| and we're driven to this to get money to take out all you've pledged." | |
| "We've pledged." | |
| "We be hanged! You did the pledging, but I don't want to back out of | |
| it. I'm going to stand by you. Only, you see, circumstances are | |
| against us, old man. We meant to come quietly and get enough out of | |
| here to square us and make us able to make a fresh start on our own | |
| hook--I'm sick of their tips--but as soon as we come to do it quietly, | |
| meaning to sleep here for the night, that old cat cuts up rough, and we | |
| have to quiet her. Consequence is, old man, we've got to go the whole | |
| thing and make ourselves rich men all at once. Don't matter. Just as | |
| well be hung for a sheep as a lamb, so I mean to make it two sheep if I | |
| can--two sheep a-piece, old chap. There, that ought to do it now." | |
| He ceased filing and applied the key again, to find that he could turn | |
| it a little more. | |
| "Almost," he said. "Oil again." | |
| But the fresh oil sent it no farther, and the butler wiped his dripping | |
| brow and ejaculated-- | |
| "Tut-tut-tut-tut!" | |
| "Look here, old chap, if you can do it better come and try yourself," | |
| cried Arthur in an ill-used tone. | |
| "No, no, my dear boy, I can't. You are cleverer at such things than I | |
| am, but it's such fidgeting work to stand here holding the light and | |
| doing nothing." | |
| "Never mind, it's worth it," said Arthur, laughing. "Think of the | |
| pearls and diamonds in here, old fellow. Now for another try. We shall | |
| be as rich as Rothschilds when we've done, and across the water before | |
| they can put a hand upon us. Bah! Blister the key! It's as near as | |
| near. But I'll do it, if I try till to-morrow morning. Here, go and | |
| see how the old girl's getting on. Got your keys?" | |
| "Yes, my boy, but they are no good for this." | |
| "Pah! who said they were? They're good for a bottle of wine, though, | |
| ain't they?" | |
| "Oh yes--yes!" | |
| "Then bring one with the cork out, and never mind a glass; and don't | |
| stop to decant it, old chap, for I want a drink horrid bad. This is | |
| warm work." | |
| The butler went away on tip-toe. As he walked along the passage he | |
| heard the sharp grating of the file, and shivered with dread. But upon | |
| reaching the pantry he felt relieved, for the housekeeper seemed to be | |
| asleep. | |
| Not content with this, Roach went up to the hall and listened. But all | |
| was perfectly still in the great solemn mansion, and he went down again, | |
| to be conscious of the scrap, scrap of the file, before he reached the | |
| pantry, where the old lady still lay unmoved. | |
| Hastily getting a bottle of wine from the cupboard, and uncorking it, he | |
| went back, to find Arthur still filing away. | |
| "Oh, there you are then," he grumbled. "I was just a-coming to see if | |
| you were finishing the bottle all to your own cheek. Here, give us | |
| hold." | |
| He took a deep draught, and recommenced filing with renewed vigour for | |
| some minutes. | |
| "Now," he said, "this is the last time of trying. If it won't do it we | |
| must do the other thing." | |
| He tried the key, and it turned half-way, but it was forced upon them | |
| that there was something wanting. The key did not touch some portion of | |
| the ingeniously-made lock, and the young man thrust it in his pocket. | |
| "Better have tried the hammering at first," he said. | |
| "No, no! The noise," cried Roach. | |
| "Bah! Who's going to take any notice of a bit of knocking?" said the | |
| young man, contemptuously. "The sound can't reach them there." | |
| "But suppose a policeman heard it as he passed?" | |
| "Well, he'd hear it and say to himself, `They've got the workpeople | |
| in.'" | |
| "But--" | |
| "Oh, blow your buts, old man! Did the police come to see what was the | |
| matter when the men took out the kitchener and put in a new one?" | |
| "No, but--" | |
| "But you're in a stew. That's what's the matter. Give us hold. | |
| Thinnest wedge, and the hammer, and you hold the light. That piece of | |
| leather will stop the sound." | |
| The butler sighed, but obeyed his companion, handing him a steel wedge | |
| with an edge as fine as the blade of a knife. Then he held the light | |
| close while his companion gently tapped it in between the door and | |
| frame. | |
| Another followed, and another--quite a dozen, of increasing sizes, | |
| having been brought; and the leather-covered hammer deadened the sound | |
| greatly, while the crack grew larger, and it seemed pretty certain that | |
| the steel wedges would sooner or later force open the door. | |
| "See this?" said the operator, triumphantly. | |
| "Oh yes, I see, but I'm in a bath o' perspiration." | |
| "With doing nothing but hold a candle!" said Arthur, with a chuckle, as | |
| he drove in another wedge as far as it would go and released two more | |
| thinner ones. "Now I'm going to have a moment's rest and a drink while | |
| you go and see how dear old Mrs Barron is. Whistle if you want help." | |
| The butler went off, and the young man drank and examined the progress | |
| he had made, and he was still examining so as to find where he could | |
| drive in the next wedge with the most effect when the butler came back. | |
| "She hasn't stirred," he said. | |
| "She can't," said his companion, with a laugh, and he began tapping | |
| again vigorously, but at the end of half a dozen strokes, as his hammer | |
| was poised to deliver another, there was a dull clang, and the young | |
| fellow leaped back. | |
| "Hear that?" he said in a whisper full of triumph. | |
| "Yes, it was like the banging to of another iron door." | |
| "Banging to of an iron grandmother!" cried Arthur, contemptuously; "it's | |
| the whole front splitting away, and another wedge in will fetch it right | |
| off." | |
| "I hope so," said Roach, piteously. "Do you think it will take much | |
| longer?" | |
| "I don't care if it takes two days," said the other, coolly. "Don't | |
| matter so long as we get the door open." | |
| Roach sighed. | |
| "There, hold the light, and don't do that. You are a cheerful mate, | |
| 'pon my sivvy. Here goes." | |
| The speaker began again, keeping a sharp lookout, so as to spring back | |
| and not be crushed by the falling door; and to this end he made Roach | |
| stand in the entrance and direct the light from there, giving him plenty | |
| of room. But the door did not fall, and at the end of an hour the | |
| hammer was thrown down. | |
| "It's no go." | |
| "Do you give it up?" cried Roach, eagerly. | |
| "No, I don't give it up, but I'm not going to work all the flesh off my | |
| bones when one stroke will do the work." | |
| "What! The powder?" | |
| "That's it, old chap. Go and see how the old woman is." | |
| Roach sighed, and went away, to return shivering. | |
| "She looks horrible," he whispered; "but you mustn't think of powder, my | |
| lad. You'll bring the people in from both sides to see what's the | |
| matter." | |
| "Won't make noise enough for that, and I sha'n't use enough," said | |
| Arthur, coolly. "Don't talk. That door's got to come open, and I wish | |
| I'd tried this plan at first." | |
| "But it's too dangerous." | |
| "No, it isn't. You keep quiet, and make that light shine well on the | |
| key-hole." | |
| As he spoke the young man took a pound canister of fine gun-powder from | |
| the portmanteau pushing the latter afterwards outside into the passage. | |
| Then with a small funnel, also provided in the portmanteau, and fitted | |
| with a curved piece of pipe, to fill the interior of the lock with the | |
| fine black dust, which ran away down the funnel and pipe as easily as | |
| sand from one side to another of an hour-glass. | |
| "This is the way," said Arthur, eagerly. "I shall get pretty well half | |
| a pound in." | |
| It seemed quite probable, for the powder ran trickling on, every | |
| stoppage being overcome by a shake or a tap or two, till at last, no | |
| matter how the door was rapped, no more would go down. | |
| "Doesn't matter; there's plenty," said the young man, quietly, thrusting | |
| in a piece of ready prepared slow match, which hung down the front of | |
| the door and half a yard over the floor, where the powder sprinkled | |
| about was carefully dusted away. | |
| Then by means of a wedge some scraps of rag were driven in tightly to | |
| fill up the key-hole, and the young man rose up. | |
| "There we are, old chap," he said. "All we've got to do is to open the | |
| lantern, touch the end of that slow match in the light, let it go down-- | |
| stop a minute, let's blow away a little more of the powder--then | |
| there'll be plenty of time to shut and lock the door, wait for the | |
| blow-out of the lock, and go in after and pick up the best pieces, fill | |
| our Gladstones as we like and be off." | |
| He went down on his knees, and, trembling violently, Roach held up the | |
| lantern, as he stood quiet outside now. | |
| "Here! How am I to see?" cried his companion, angrily. | |
| "But it isn't safe to bring a light near the powder." | |
| "Bosh! How can a light behind glass do any harm? Come closer, I | |
| mustn't leave any powder near the slow match. That's better; I can see | |
| now, and--Ah! take care." | |
| For all at once the butler fell over him with a crash, the lantern | |
| struck against the opposite wall and came open, the lamp portion falling | |
| out and firing some of the scattered powder, while at the same moment | |
| the lobby door was banged to, shut, and they heard the shooting of the | |
| lock. | |
| CHAPTER TWENTY FIVE. | |
| THE COLLECTOR WAKES UP. | |
| Professor Westcott, next door, had another consignment that morning. | |
| The London and North Western Railway Company's men called with their van | |
| and a way-bill to deliver two chests from Birmingham, weighing over two | |
| hundredweight each, both strongly screwed up and roped, and a smaller | |
| line round them, carefully-sealed:--"Books; with great care. To be kept | |
| dry." | |
| There were two men with the van, and a boy, the former making very light | |
| of the heavy chests as they lifted them off the tail-board of the | |
| vehicle, while the professor stood blinking on the steps in his big | |
| spectacles, his grey hair hanging down long from beneath a black velvet | |
| skull-cap, and his rusty dressing-gown, tied on anyhow, reaching nearly | |
| to his heels. | |
| "Rum old owl, Joe," said one of the men. "This makes six chesties I've | |
| delivered since Christmas." | |
| "Books?" said the other. "Yes, books. The old buffer's got his house | |
| chock-full of 'em from top to bottom, I should say. You'll see when we | |
| get in; he'll ask us to carry 'em downstairs." | |
| "All right, mate; I don't mind if its anywheres near the beer cellar." | |
| "Well, it ain't, Tom, and so I tell you. I've delivered boxes o' books | |
| to him for years now, and I never see a glass o' ale yet." | |
| "Stingy old hunks! I say, we ain't 'bliged to carry 'em farther then | |
| the front door. That's delivering." | |
| "Yes, that's delivering, mate, but you're allus in such a hurry. I was | |
| going to say you get no beer, but he'll be as civil as treacle, and | |
| stand rubbing his hands and telling yer to mind and not break the glass | |
| in the book-cases as you passes; and when you've done he twinkles at you | |
| through them Chinee-looking specs of his, and crooks his finger, and | |
| beckons you to follow him into the front room, as is full of books. | |
| Then he brings out a little glass and a bottle of the most heavenly old | |
| sperrets you ever tasted. Tlat! I can taste it yet. Talk about | |
| cordial--why, it's enough to make you say you'll never have a glass in a | |
| pub. again." | |
| "Well, lay hold," said Tom, sharply; "look alive! Can't you see the | |
| gentleman's a-waiting?" | |
| The head van-man chuckled, and together they lifted in chest Number 1, | |
| the professor smiling and looking deeply interested. | |
| "On the mat, if you please," he said, "and when you have carried in the | |
| other, I should be very much obliged if you would take them both | |
| downstairs, where I can open them without making a mess." | |
| "Suttunly, sir," said Tom, and they set down Number 1 and went after | |
| Number 2, upon which the boy sat, drumming the side with his heels. | |
| "Right, Tommy?" | |
| "Right you are, mate." And the men went on with their task muttering-- | |
| "Don't see how it would make a mess if they were opened in the front | |
| passage. Long time since there's been a broom there." | |
| "See the spiders too?" | |
| "No, but I saw the webs." | |
| "But what does he do with all these books? He can't read 'em all." | |
| "Collects 'em, I should say. Steady! Got it?" | |
| "Right!" and the second chest was carried in. "One moment while I shut | |
| the door," said the professor, rubbing his hands; "then I'll show you | |
| the way. Now then, please; mind the book-cases as you pass. It is | |
| rather dark. Very heavy, I suppose?" | |
| "Oh, tidy, sir. Nothing to signify. Books is heavy things." | |
| "Yes, very heavy, my good man. That's right, through this door, and | |
| down these stone stairs. I'm afraid you find it very heavy." | |
| "Oh, we're all right, sir. Used to it," grunted Tom. "We're always | |
| lifting things in or out; but we has a good rest between, sir, and rides | |
| about in the company's carriage." | |
| "Down there, please, under that window, where I can see to unpack them. | |
| Thank you." | |
| The two men went up the stone staircase again, noting the empty chests | |
| and book-cases with which the walls were lined, and above all the dust | |
| of years collected thickly. Then the second chest was carried down, and | |
| the quaint-looking old gentleman smiled and made his round-glassed | |
| spectacles twinkle as they reached the hall. | |
| "I must sign the paper and pay you, my men," he said; and then in a | |
| drily comical way he crooked his right index finger, and beckoned to | |
| them to follow him into the gloomy book-lined dining-room, where he | |
| signed the delivery book, paid the carriage, and then took a bottle from | |
| a cellarette and a glass from a closet under a book-case, and poured out | |
| for the men, while they tossed off the rich spirit in turn. | |
| "That's prime, sir," said the first man. | |
| "'Eavenly," sighed Tom. | |
| "Old and good, my men. I'm glad you like it. It's soft and mellow, and | |
| will not hurt you. Have another glass?" | |
| "Hurt yer, sir!" said the second man, with a sigh; "that stuff wouldn't | |
| hurt a babby." | |
| It did not hurt him when it came to his turn. To use his own figurative | |
| way of speaking, he only made one bite at it, and then glanced at the | |
| black bottle as if it were a little idol which ought to be worshipped, | |
| before following his leader out into the hall, the old professor closing | |
| the door after them and immediately after, drawing himself up straight, | |
| taking off his goggle glasses and thrusting them into his pocket, | |
| looking now a keen-eyed, elderly man, with the sharp, yellow-tinged face | |
| of a New Englander. | |
| Going back with a firm step into the dining-room, and with the weak old | |
| stooping manner entirely wanting, he took a fresh glass from the closet, | |
| filled it and tossed off the contents. | |
| "Hah! yes, that is a good glass of brandy," he muttered; and taking a | |
| cigar from the same receptacle he lit up and began to smoke, as he | |
| seated himself at a table, drew forward a blotter, and spent some time | |
| reading and writing letters, before throwing himself upon an old | |
| well-worn couch and going off into sleep which lasted a couple of hours. | |
| He woke and in the most business-like way went downstairs into the | |
| basement, where from a cupboard he took a large screw-driver, walked to | |
| the chests, cut the ropes, and carefully examined the seals attached to | |
| the lesser cords before disturbing them. Then, apparently satisfied, he | |
| cut these in turn, and began to take out the screws from the lid of the | |
| first chest. | |
| He had reached the last screw when he suddenly stopped short and stood | |
| listening. The next minute he had walked to the end of the passage, to | |
| stand listening again, till apparently satisfied, he went into a dark | |
| corner and pulled at a knob as if ringing a bell. Then he went sharply | |
| back to the chests, laid down the screw-driver, and hurried up the | |
| stairs to the dining-room with all the activity of a man of forty. | |
| Here he went to a book-case and took down an ancient-looking massive | |
| tome, laid it upon the table, lifted the cover, and showed that it was | |
| only an imitation book, the cover proving to be the lid of a box in | |
| which lay a mahogany case, from which he drew out a small revolver, and | |
| after examining its six chambers to see if they were loaded, he | |
| carefully concealed it in the breast of the vest he wore beneath the old | |
| dressing-gown. | |
| Then the spectacles were resumed, and the slow, stooping, aged aspect | |
| came over him, as he went into the hall, threw off his dressing-gown and | |
| took an old-fashioned coat from a peg, donned it, and then completed his | |
| old-world aspect with a quaint broad-brimmed hat. | |
| He looked the most peaceable of elderly gentlemen as he took a baggy | |
| umbrella from the stand, went out, closed the door after him, walked | |
| slowly along by the area railings for a few steps, and then turned up | |
| the steps to the Clareboroughs' door, passing into the hall so quickly | |
| that it seemed as if the door was opened from the inside, though anyone | |
| who had watched would have seen that there was a very quick, clever | |
| application of a latch-key. | |
| His movements now were slow, deliberate and silent. He laid down | |
| umbrella and hat upon a table, and, apparently quite at home, went from | |
| room to room on the ground floor before ascending to the drawing-rooms; | |
| but finding no one, he went a floor higher and then descended to the | |
| hall, where from the top of the stairs he stood listening to the | |
| hammering going on below. | |
| For some time he seemed undecided how to act, but at last he was in the | |
| act of descending, when steps below made him retreat, and he stepped | |
| back, listening, and hearing Roach go into the pantry. The next minute | |
| the man began to ascend, and as actively as a cat, and with as silent a | |
| step, the professor ran to the foot of the grand staircase and bounded | |
| up to the drawing-room floor, ensconced himself behind a heavy curtain | |
| which draped one of the doors, and made out that whoever it was reached | |
| the hall and went into dining-room, library, study, lobby and | |
| morning-room, before he went back to the stairs and descended once more | |
| to the basement. | |
| The professor was after him directly, and at the head of the stairs in | |
| time to hear Roach come out of the pantry again, and the chink of a | |
| glass against a bottle. | |
| He descended the gloomy stairs by slow degrees, listening the while to | |
| the work going on, and hearing the sound of tools, the whisperings, and | |
| after a long period of waiting and another forced retreat when Roach | |
| went again to the pantry to make sure the housekeeper was safe, he | |
| finally stood thinking. | |
| "Someone who knows the place well," he said to himself. "Quite at home. | |
| Where can the old woman be? They can't have killed her." | |
| He raised one hand quickly to his breast, as the thought sent a thrill | |
| through him, and taking advantage of a busy time when tools clinked and | |
| voices whispering were heard, he stole right down, stepped cautiously | |
| along the passage, and then darted into the first open doorway, for | |
| there was an impatient utterance from somewhere ahead, and he felt that | |
| he was on the point of being discovered. But the work went on again, | |
| and he glanced round, found that he was in the butler's pantry, and saw | |
| at the same instant more--the tightly-bound woman upon the table. | |
| He was at her side in an instant, and as he bent over her the wild eyes | |
| were opened and gazed intently in his. | |
| There was no occasion for him to raise his finger to his lips, for the | |
| old housekeeper, as the tapping went on, gave him a meaning look and | |
| jerked her head side-wise, before lying perfectly still again. | |
| The professor nodded sharply, tapped his breast, and then drew a | |
| pen-knife from his pocket, with whose keen blade he quickly divided the | |
| rope which bound hands and feet. Then, pressing his finger to his lips | |
| once more, he went silently out of the pantry, followed by the | |
| housekeeper's eyes, as breathing hard she watched him and then lay | |
| perfectly still with her face contracted by pain and dread, waiting for | |
| the denouement. | |
| It was long in coming, for the professor's movements were slow and | |
| cautious in the extreme. But there was to be no more retreat. He did | |
| not know who were there for some time, but he was ready to meet the | |
| enemy, whoever it might be. | |
| At last he was in a position from which he could peer round the angle | |
| where the passage turned sharply, and as he gazed into the lobby a few | |
| yards off, where Roach directed the light of the bull's-eye lantern with | |
| quivering hand, his own trembled and the revolver he held shook when it | |
| was raised again and again to take aim. | |
| At last a grim smile of satisfaction tightened his lips into a line, for | |
| he saw his opportunity. | |
| In the very nick of time, after stealing close up, he threw himself | |
| forward, and with one heavy thrust drove the butler forward over his | |
| companion, banged to the door and locked it, bringing out the key, | |
| before he retreated and turned the corner to listen for the explosion | |
| which did not come. | |
| "Light went out, I suppose," he muttered. "Pity too. Pleasanter for | |
| others, and it would have been accidental." | |
| He thrust back the revolver, placed the key in his pocket, and without | |
| stopping hurried into the pantry. | |
| "Got them--safe," he said, and ran upstairs to the handsome library, | |
| where he unlocked a cabinet, touched a button and waited for a minute, | |
| before a little weird voice answered-- | |
| "Who is it?" | |
| He gave his number to the questioner, and asked to be switched on to | |
| X987654321. | |
| In a few minutes, in obedience to the modern magic of the telephone, | |
| there came another signal and question and satisfactory proof of | |
| identity, before the professor said sharply-- | |
| "Krakatoa. Come quick." | |
| "Hah!" sighed the operator, as he closed the little cabinet; "now for | |
| the old lady. Is the danger scotched or killed?" | |
| He hurried down to the pantry, to find that the housekeeper had not | |
| moved; and as soon as he reached her side, he took her in his arms, | |
| while hers feebly clasped his neck. | |
| "My poor old darling!" he whispered tenderly. "In much pain?" | |
| "A good deal. My ankles are numbed. Is there any danger now?" | |
| "Not for us, I think," he said grimly. "There, hold still, and I'll | |
| carry you up to the library;" and lifting her from the table as easily | |
| as if she had been a mere girl, he bore her up the stairs and laid her | |
| upon a couch, kneeling afterwards by her side to chafe her ankles and | |
| wrists in turn, while she told him all that he did not know. | |
| "What will you do now?" she said anxiously at last. | |
| "Go on chafing my poor old darling's ankles," he said quietly. | |
| "No, no; you know what I mean--those two men." | |
| "Did anyone see them come, dear?" | |
| "Not that I am aware of," she replied. | |
| "Humph!" | |
| "Well, you do not speak." | |
| "Why should I? It is not your business--not entirely mine. We must see | |
| what they say." | |
| "You have sent for them?" | |
| "Of course; directly. It is a vital question." | |
| "For us?" | |
| "For them, I fear." | |
| The old woman shuddered. | |
| "Why that?" he said quietly. "Ought we to sympathise so much with | |
| burglars who stand at nothing?" | |
| "But it is so horrible," she whispered. | |
| "It would be as horrible for us," he said sharply; "and we are of more | |
| consequence than they." | |
| "But surely they will not--" | |
| "Kill them? Possibly. Something must be done to silence them. It is | |
| their own doing, the scoundrels! We cannot go to the wall." | |
| The old woman closed her eyes and sighed. | |
| "God help us!" she said softly. "Harry, I am getting very weary of my | |
| life now; it is so near the end." | |
| "Hush!" said the professor, gently. "There are things which you ought | |
| not to see or know. You are weak from the shock and injuries you have | |
| received." | |
| "But listen, dear." | |
| "My dear old wifie," he said tenderly, "it is of no use to look in that | |
| imploring way at me. You know what Jem is, and I am too old now to set | |
| myself in antagonism with him. There, be at rest; I will do all I can. | |
| Don't think me so bloodthirsty as to desire their end. Still, so many | |
| interests are at stake. It is a case of burglar against housekeeper. | |
| The scoundrels came armed." | |
| "Armed?" | |
| "Yes, I saw a revolver in the trunk with their burgling tools. If I had | |
| come upon them suddenly, and they had had time, they would have fired at | |
| me." | |
| "Oh, surely not!" | |
| "Humph! You are a woman, my dear, with a woman's gentle heart, ready to | |
| defend and palliate. After the way in which I found you, I do not feel | |
| so merciful. Let me ask you one question; If there was nothing to fear | |
| from them, why did they come armed?" | |
| The old housekeeper made no reply, but lay back upon the couch weak and | |
| trembling, while the professor slowly paced the room, till she opened | |
| her eyes wildly, and signed to him to come to her side. | |
| "I am more upset than I thought for," she said feebly. "Help me up to | |
| my room; I think I can walk now." | |
| The professor's brow lightened, for it was a relief to him to hear the | |
| old woman's words; but she noted the change and sighed as she rose | |
| painfully. | |
| "You will wait until they come?" she said, trembling at the thought of | |
| that which she dreaded. | |
| "Need you ask?" said the professor, gravely. "Come, you will be better | |
| after lying down for a few hours. Try to forget everything in the | |
| remembrance that I am doing all for you that I can." | |
| "Yes, Harry," she said softly; "I have never had cause to complain of | |
| your want of love for me in these forty years; but for my sake, dear, | |
| let there be no more crime." | |
| "For your sake I will do everything I can," said the professor, gravely, | |
| as he bent down and kissed her while leading her to the door and then | |
| slowly up to a bedroom on the third floor, where he left her at the end | |
| of a few minutes, apparently sinking into a doze. | |
| As he stole out softly he silently removed the key, replaced it on the | |
| other side, and locked her in, before descending quickly to the hall, | |
| where he stood listening for a few minutes, and then went down into the | |
| basement and stepped softly forward to listen at the outer door of the | |
| plate vault. | |
| A faint muttering of voices could be heard as he placed his ear to the | |
| key-hole, but all else was still; there was no sound of an effort being | |
| made to escape, and he went back to the hall, where he took out and | |
| re-examined his revolver. | |
| "I wonder," he said to himself, "whether a shot or two could be heard in | |
| the street. Pish! Absurd! No one heard the reports when poor Bob went | |
| down. Ah, here they are. They haven't been long." | |
| For there was a faint rattle of a latch-key in the door, and Robert | |
| Clareborough entered, in company with the brothers, the former looking | |
| excited and anxious, the two latter stern and as if prepared for the | |
| worst. | |
| CHAPTER TWENTY SIX. | |
| GRIM DEATH. | |
| As the door banged to and was locked, Roach uttered a wild cry and threw | |
| himself upon the floor, covering the back of his head with his hands, as | |
| he thrust it into the corner farthest from where the powder was | |
| sputtering and sending up tiny clouds of smoke. | |
| Arthur shrank away against the wall for a moment, glancing wildly at the | |
| broken lantern and the lamp-wick, burning still in a little pool of oil, | |
| while the powder kept flashing out, darting from grain to grain, where | |
| they had been scattered about the floor. Then the tiny flames divided, | |
| one set running towards the portmanteau, in which the partially-emptied | |
| tin had been thrown, the other going by fits and starts in the direction | |
| of the iron entry. | |
| This nerved the younger man to desperation, and he made a dash at the | |
| grains upon the floor, to sweep them away before they reached the loaded | |
| door, feeling convinced, in his agony of fear, that the little burning | |
| train would somehow communicate with the powder with which he had | |
| charged the lock. But in spite of his efforts the fire was too quick, | |
| the flame running swiftly along by the bottom of the frame, and with a | |
| yell of despair he dashed to the other corner of the far side of the | |
| lobby, to imitate the butler, expecting to hear the charge explode, and | |
| then the iron door driven back to crush them to death. | |
| It seemed long minutes to the two wretched men as they crouched there | |
| with their eyes shut, but it was only the matter of a few seconds' | |
| suspense before the little chamber was in total darkness, and filled | |
| with the dull, dank reek of the burnt powder. | |
| At last the footman raised his head cautiously, with hope reviving. The | |
| charge had not gone off and the tin had not been reached. | |
| He looked in the direction of the great safe, but all was black, and, | |
| rising slowly, he felt his way to the door to try if it were really | |
| fast; while as his hands glided over it he found that it fitted so | |
| closely that he could hardly make out the crack between door and frame. | |
| The main object of his search, though, was for the lock, in the hope | |
| that he should be able to force it off with one of the wedges, and then, | |
| armed as they were, he and his companion might escape. | |
| But there was no lock to attack, no key-hole. That which he sought was | |
| of the mortice pattern, buried in the heavy lining, and wherever he | |
| passed his hands, the surface was perfectly smooth. | |
| "Curse the old Jezebel!" he muttered. "Here, Roach, old man, rouse up. | |
| We're done, but we can't stay here--we must get out somehow. Did you | |
| see her? I wish I'd tied her up a little tighter." | |
| "No, no, no," groaned Roach. "I did not see her. She must have got | |
| free somehow. I only felt her hands as she jumped upon me from behind | |
| and drove me forward on to you. Is--is the powder going off?" | |
| "No! Get up. There isn't a spark now. Phew! it's enough to stifle a | |
| fellow. Where's that wine?" | |
| "I put it somewhere in this corner. Yes, here." | |
| "Give us hold. Be sharp." | |
| There was a clicking noise in the utter darkness and after feeling about | |
| for a few moments, the younger man grasped the bottle, drank heavily, | |
| and passed it to his trembling companion, who snatched at it and drank | |
| deeply in turn. | |
| "That's better," cried Arthur, sharply. "Now then, the matches." | |
| "No, no, don't strike a light. Are you mad?" | |
| "Pretty nigh, but we must risk it or we can never get out." | |
| "We never shall get out alive," groaned Roach. | |
| "Well, I mean to," said his companion; "so here goes. I can't use the | |
| hammer and chisels and wedges in this blessed darkness." | |
| There was the crackle of a match, and the elder man uttered a cry of | |
| horror as he shrank into his corner again, but as the wax taper burned | |
| up steadily in Arthur's fingers, and no explosion followed, he obeyed | |
| his companion's order and picked up the lamp, which proved not to be | |
| utterly drained of oil, and after a little patient effort began to burn | |
| again as it was replaced in the broken lantern. | |
| "Now, then, sharp's the word," said Arthur. "Hold the light while I | |
| chisel out the wood till I can get at the lock. Mustn't use the hammer, | |
| or it will put her on her guard. Wonder whether she's outside | |
| listening." | |
| There was not a sound to be heard, and with Roach tremblingly holding | |
| the light, Arthur worked away with the sharpest-edged wedge, but made | |
| little progress, for a few cuts were sufficient to prove that the door | |
| was of the hardest oak, and when the man had been carving away for | |
| nearly an hour, with the perspiration streaming down his face, it was to | |
| throw down the chisel in despair, for the wood proved to be only the | |
| casing of an iron door of great strength. | |
| "Give me the bottle," said Arthur, panting. "Can't you do something | |
| beside shivering there?" | |
| Roach groaned as he handed the bottle. | |
| "Man wants a bit o' Dutch courage over a job like this." | |
| "We shall never get out," groaned Roach. | |
| "Not if it's left to you, old man. You'd turn it into a tomb at once. | |
| Here, I've left you a drop. Tip it off, and see if it'll put some pluck | |
| into you. There, I've tried fair play and quiet; now it's got to be | |
| foul play and noise. Give me hold of the hammer and let's see what a | |
| wedge'll do." | |
| "Hist! What's that?" | |
| Arthur needed no telling to be silent. Snatching the light from his | |
| companion, he reached over to the portmanteau and took out the two small | |
| revolvers, handed one to his companion, and whispered to him-- | |
| "It was the lock. Someone coming. Don't fire without you're obliged. | |
| I'll try the hammer first." | |
| As he spoke he blew out the little lamp, and set it down, before | |
| standing facing the door with his hand raised, ready to strike down the | |
| first who entered. | |
| Some minutes must have elapsed without further alarm, and the two men | |
| were ready to believe that the sharp snap they had heard must have come | |
| from the iron door of the closet, the frame springing back after being | |
| strained by the application of the wedges that had been driven in. | |
| All at once, just as an attack was about to be made once more upon the | |
| way by which they had entered, and Arthur had taken a fresh match from | |
| his box, a soft light began to dawn, grew rapidly, and dazzled their | |
| eyes, as they strove to make out whence it came, and stood ready once | |
| more to strike. | |
| It was not from the passage door, but from the ceiling just over the | |
| great safe, and as the men stood trembling with fear and excitement, | |
| there was a spurt of smoke from the great iron safe, a dull concussion, | |
| and the footman fell back. While as the butler stood staring upward, | |
| his face ashy grey in the soft light, as the smoke curled about a | |
| glowing bulk, there was a second spurt of smoke, and concussion, the | |
| wretched man fell forward across his companion, and the light grew | |
| dimmer in the heavy clinging vapour, slowly dying out into utter | |
| darkness, while the silence was as that of the tomb. | |
| CHAPTER TWENTY SEVEN. | |
| UNDER THE BEECHES. | |
| It was a lovely morning in the sylvan solitude by The Towers, and | |
| leaving Mrs James and Mrs Dennis Clareborough in the drawing-room, | |
| Marion took her sunshade and a book, to wander away across the lawn to | |
| the gate in the ring fence, and then along the path at the edge of the | |
| beech wood, ostensibly to find a seat in the shade of one of the great | |
| spreading trees, and have a calm, quiet read. | |
| But ere she had gone a couple of hundred yards the fever in her blood | |
| and the throbbing of her temples told her that the idea of calm and rest | |
| was the merest farce. | |
| She had hailed the departure of the gentlemen for Paris, as they had | |
| said, as a relief from the quiet, insidious siege laid to her by James | |
| Clareborough, who rarely spoke but on the most commonplace topics, and | |
| was always coldly polite; but there were moments when she met his eyes | |
| and read plainly enough that his intentions were unaltered, and that | |
| sooner of later he would again begin to make protestations of his love. | |
| Her position seemed harder than she could bear. His wife hated her with | |
| a bitter, jealous hatred, but she was too much crushed down and afraid | |
| of her fierce lord to show her dislike more openly, though there were | |
| times when she seemed ready to break out into open reproach. | |
| "Oh, if I could only end it all!" thought Marion again and again. "Will | |
| Rob never break with them? | |
| "Never," she said to herself, despairingly; "they would never let him | |
| go. And yet surely the world is wide enough, and somewhere surely he | |
| might find peace. | |
| "No, he would never settle down to another life. It is fate. There is | |
| neither peace nor happiness now for me." | |
| She had wandered on for quite a mile before, feeling hot and wearied, | |
| she seated herself on one of the great gnarled mossy buttresses of a | |
| beech and leaned her head upon her hand, thinking of him whom she could | |
| not keep out of her thoughts, but still only in despair. Then her | |
| thoughts turned once more to James Clareborough, and, brave and firm as | |
| she was, a thrill of horror ran through her at the dread which oppressed | |
| her and set her heart throbbing wildly. | |
| What if this Parisian journey was only a ruse and James Clareborough | |
| were back on purpose to try and gain a meeting with her while her | |
| brother was not by her side? | |
| The thought was horrible, and it grew more intense, her cheeks flushing | |
| and then growing ghastly white from her emotion. | |
| "What madness to come out here alone!" she thought. "He would have been | |
| watching for me, and be ready to read it as an invitation." | |
| She looked round wildly, and started as a sharp tap was heard close at | |
| hand. | |
| "Am I growing such a nervous, feeble coward," she said, "that I am | |
| afraid of a rabbit? What have I to fear from him?" | |
| She laughed at her weak folly, and to prove to herself that she was no | |
| longer under the influence of dread she took her book and opened it at | |
| random, but did not read a word, for her musings began again. | |
| "It is excusable," she thought. "All these years of dread of discovery, | |
| of some end coming to their plans, and for the sake of what? A | |
| miserable gilded life of luxury that is hateful to me and makes me | |
| shiver when I look into his pleading eyes. He loves me and would marry | |
| me to-morrow in his ignorance; and then what would he say when he knew | |
| the truth? I cannot bear it; there must--there shall be an end. It is | |
| not life; it is one miserable nightmare of fear." | |
| She sprang to her feet, uttering a faint cry of horror, and turned to | |
| run. For there was some truth in her suspicions; she had been followed. | |
| There was a quick step behind, and she had run some little distance | |
| before, glancing back, she saw that it was not James Clareborough, but | |
| Chester, standing beneath the trees which had sheltered her, and now | |
| gazing after her with a look of anger and despair. | |
| She stopped, and he came up to her side. | |
| "Have I grown so hateful to your sight?" he said bitterly. | |
| "No, no!" she cried, holding out her trembling hand, which he seized and | |
| pressed passionately to his lips. "I thought it was James | |
| Clareborough." | |
| "Then he has dared to insult you again?" said Chester, angrily. | |
| "No, no; indeed, no," she cried. | |
| "But you live in fear of him. Oh, Marion, Marion, how long is this | |
| weary life to last? Once more let me plead. Would not a quiet life | |
| with my devotion be a happier one than this miserable luxury, where you | |
| are constantly persecuted by a scoundrel?" | |
| "Oh, hush, hush!" she murmured. "I have told you it can never be." | |
| "Yes, but these are words. Your woman's honour forbids you to stay." | |
| "Hush, for pity's sake! You torture me," she cried. "Must I explain, | |
| but you must see and know that I am tied down to it, that I cannot leave | |
| my brother--that he would never let me go." | |
| "I cannot--I will not believe but that all this is imaginary," said | |
| Chester, firmly. "Will you not trust me? Will you not tell me what it | |
| all means, and let me, a man, be the judge?" | |
| "No," she said, mastering her emotion and speaking calmly now. "Once | |
| more, I cannot, I will not explain. Why have you come down here?" | |
| He shrugged his shoulders. | |
| "You know," he said. "Where should I be but near the woman who is my | |
| very life?" | |
| "But it is madness--it is misery and torture to me." | |
| "Poor wretch that I am," he said bitterly. "Still, I cannot help it." | |
| "But," she cried imploringly, "your life would not be safe if they knew | |
| of your being here." | |
| "Indeed? Well, what of it? My presence is a torture to you. I am a | |
| torture and misery to myself. They would not dare to kill me. I don't | |
| know, though," he said, with a mocking laugh, "by accident, perhaps." | |
| "Dr Chester," cried Marion, appealingly, "does it please you to inflict | |
| this agony upon me?" | |
| "No, no," he said, snatching at her hand. "I would give my life to save | |
| you pain." | |
| "Then go. Leave me and forget me. I am not the true, innocent woman | |
| you think. I am not fit to be your wife." | |
| "What!" he cried, turning ghastly pale, while as she saw his agony her | |
| face grew convulsed and she half raised her hands to him pleadingly, but | |
| let them fall. | |
| He saw the movement and snatched them to his breast. | |
| "It is not true," he cried proudly. "Some false sentiment makes you say | |
| this. I will not believe it of the woman I love." | |
| She did not resist until he tried to take her to his heart. Then she | |
| shrank away. | |
| "No," she said. "You must not touch me like that. Once more, believe | |
| me, all this must end. You must think of me no more--you must go at | |
| once, and we must never meet again." | |
| "You have told me that before," he said, "but I am not a free agent. I | |
| was obliged to come. I have been here these three days past, watching | |
| for an opportunity to speak to you; and when I do you once more cast me | |
| off--you drive me away. Well, I have borne it so long; I can go on | |
| bearing it till you relent, or--I die," he added softly. | |
| She looked at him wildly for a moment, and his hopes rose, for the | |
| relenting seemed close at hand, but she was stern and cold again | |
| directly. | |
| "And your betrothed wife," she said. "What of her?" | |
| He was silent for a few moments, and then he made a deprecating sign | |
| with his hands. | |
| "What do you know of her?" he said. | |
| "Everything," she replied. "How basely and cruelly you have behaved to | |
| her. Is this your honour as a man?" | |
| He heard a deep sigh. | |
| "I have only one thing to say in my defence," he said slowly. "I | |
| believed that I loved her; but then I had not seen you. I was not under | |
| this spell." | |
| "It is no spell," she said firmly. "Go to her, and forget me. I tell | |
| you that I am not worthy to be your wife, and that such a union is | |
| impossible for reasons which I dare not explain. You hear me?" | |
| "Yes," he said sadly, "I hear you." | |
| "Then good-bye for ever." | |
| She turned from him, but a piteous moan escaped her lips, and the next | |
| moment he had clasped her to his heart. | |
| "Marion, my own!" he whispered, as he pressed his lips to hers; "then | |
| you do love me!" | |
| "Yes," she said, as she clung to him, and for a moment or two returned | |
| his embrace. "You know I love you and shall never love another, but go | |
| now, for Heaven's sake! I tell you it is impossible. Good-bye-- | |
| good-bye." | |
| She tore herself from his grasp and fled through the wood, not daring to | |
| turn her head to see if he followed, lest in her woman's weakness she | |
| should give way and dare everything for his sake. | |
| CHAPTER TWENTY EIGHT. | |
| CAUGHT ONCE MORE. | |
| Marion did not check her pace till, hot and breathless, she was forced | |
| to rest for a few minutes. Her brain was in a state of bewildering | |
| confusion, and had Chester been there then to plead his cause, her heart | |
| would have made but a poor defence. She would have been his, and his | |
| alone. | |
| But in a few minutes she began to grow calmer; the dangers of such a | |
| course were more and more apparent, and at last, as she walked on | |
| towards The Towers, her thoughts of the future assumed their wonted | |
| current, and she began to plan. | |
| She was not long in deciding what to do. Chester was evidently staying | |
| somewhere near at hand; he would grow more and more persistent, and she | |
| could see nothing in the future but his presence being discovered by | |
| James Clareborough or his brother, and then some terrible mischief would | |
| arise, and fresh misery ensue. | |
| There seemed to be but one course open, and that was to escape from | |
| Chester's pursuit and to this end she went quietly into her own room to | |
| try and grow more composed, joined the others at lunch, and then in the | |
| most quiet, matter-of-fact way ordered the pony carriage to be round | |
| directly after for a drive. | |
| "You will not go with me, I suppose, Di?" she said to James's wife. | |
| "I? No, thank you, Marion. I am not well to-day," said the lady, | |
| flushing. | |
| "Will you come, Hester?" she continued. | |
| "I can't; I am going over to the Ellistons' to tennis," was the reply. | |
| "Then I'll have my little drive alone," said Marion, smiling; and | |
| shortly afterwards she stepped into the phaeton, the boy groom sprang up | |
| behind, and the spirited little ponies started off along the park drive | |
| at a rapid pace. | |
| "How nice Marion always looks," said Mrs Dennis, "and how well she | |
| drives." | |
| "Yes," said her sister-in-law, bitterly; "everyone admires her. It is | |
| always Marion, Marion! Why did he not marry her? He would if I died. | |
| How long does it take, Hester, to break a woman's heart?" | |
| "Oh, hush, hush, dear!" whispered her sister-in-law, soothingly. "I | |
| know how sad it is, but you ought not to be so cold to poor Marion. I | |
| honestly believe that she absolutely hates James." | |
| "Hates? when she does all that she can to lure him on?" | |
| "That is not true, dear," said Mrs Dennis, gravely. "I know Marion | |
| better than you do, because you have always shut your heart against | |
| her." | |
| "Well, can you wonder?" | |
| "Yes and no. It is a terrible position, and I pity you, dear; but | |
| believe me, James's advances fill Marion with disgust and shame, and | |
| some day you will find this out." | |
| "I'd give the world to believe it," sobbed the wretched woman, "but I | |
| cannot, and I am certain that she has gone to keep some appointment with | |
| him now." | |
| "You are unjust, Di dear," said Mrs Dennis, kissing her lovingly. | |
| "I am a miserable, unhappy woman, ill-treated and scorned by the man who | |
| swore to love me. What else can you expect? Why did I ever enter this | |
| wretched family?" | |
| "Dazzled as I was by the wealth and show, I suppose," said Mrs Dennis, | |
| coldly. "But we are their wives, and must bear our lot." | |
| "It is easy for you, Hester," said Mrs James, clinging to her | |
| sister-in-law now. "Paddy is always manly and kind. He is never like | |
| James." | |
| "No," said the lady addressed. "I could not--No, no, don't let's talk | |
| about that. There, there, dear; believe me, it would be best to try and | |
| wean him from her. Some day there may be a great change. I believe | |
| that sooner or later Rob and Marion will break away." | |
| "Or James and Marion," said her sister-in-law, bitterly. | |
| "No, no. Try and be just, dear, and do all you can to win Jem from his | |
| wretched madness. We want no more terrible quarrels. Next time someone | |
| else might suffer from a pistol shot, and then--" | |
| "You mean James," cried his wife, with a spasmodic movement of her hand | |
| to her breast. | |
| "Yes," said Mrs Dennis, "I mean James. Rob would certainly resent it | |
| fiercely." | |
| The unhappy wife turned pale, and shivered as she walked away. | |
| Meanwhile, in accordance with her plans, Marion drove by a cross road to | |
| the pleasant little Kentish town half a dozen miles away, pulled up at | |
| the station, and on alighting handed the reins to the young groom, told | |
| him to wait for an hour, and if she were not back by the next train to | |
| drive home. | |
| Then entering the station she took a ticket for London, too deeply | |
| intent upon her own thoughts to notice who followed her into the office; | |
| and as soon as the train drew up, she stepped into an empty compartment | |
| and drew up the glasses, to go on thinking out her further proceedings, | |
| for her mind was now made up. | |
| She had ample means, her brother having well provided her with a banking | |
| account of her own, and her intention was to go straight to the town | |
| house, pack up a couple of trunks, and take the night boat for Dieppe, | |
| and thence go on to Switzerland, where she could extend her projects, | |
| though where she went mattered little so long as she could avoid another | |
| meeting with her pursuer. | |
| The train was gathering speed for its straight run on to the terminus, | |
| and she was congratulating herself upon her decision, and then thinking | |
| that there was only one difficulty in her way--the opposition which | |
| might arise on the part of the old housekeeper. But she concluded that | |
| a little firmness would suffice; if not, a frank avowal of the dangers | |
| she foresaw would win the old woman to her side, and then, once free | |
| from the trammels which surrounded her, she would perhaps regain her | |
| peace of mind, so broken since that terrible night when she fetched | |
| Chester to her brother. | |
| "And he will soon forget me and return to her who is his by right, and | |
| then--" | |
| She uttered a wild cry of alarm and shrank back for a moment or two in | |
| the corner of the compartment, for, in spite of the great speed at which | |
| they were going, the carriage window on her left was suddenly darkened, | |
| the door thrown open, and a man climbed in, fastening the door again, | |
| and then sinking panting upon the opposite seat. | |
| "You here?" she cried wildly. "Oh! what madness!" | |
| "Yes, hardly the work of a sane man, with a train going at express | |
| speed." | |
| "You might have been killed!" cried Marion, trying hard to be firm, and | |
| descending to commonplaces. | |
| "Yes, it seemed very likely once, for the carriages were a good way | |
| apart; but if I had been, what then? Not the first man who has died for | |
| a woman's sake." | |
| "Why have you come?" she said hurriedly. | |
| "Why have I come?" he replied contemptuously. "You ask that! Well, let | |
| me tell you; because I knew that sooner or later you would try to elude | |
| me; and I have watched night and day to prevent that. Correct me if I | |
| am wrong; my heart tells me that you are going up to town to avoid me, | |
| and are then going further to be where I cannot find you. Am I | |
| correct?" | |
| "Yes, quite," she replied gravely. "I did not know that I was so weak. | |
| I know it now, and, as I have told you, we must never meet again." | |
| "I will not argue with you," he said, "only tell you once more that you | |
| take a woman's view of imaginary danger. I take that of a man | |
| determined to sacrifice life sooner than lose sight of you again--a poor | |
| stake, perhaps, for without you it is a worthless thing, but it is all I | |
| have." | |
| She sighed and he saw that her face grew harder, as she avoided his gaze | |
| and sat looking out of the window in silence. | |
| "Do I understand you," she said at last, "that you mean to follow me?" | |
| "To the world's end," he cried. | |
| "Is his manly, to force yourself upon a helpless woman?" | |
| "No; it is despicable perhaps, but I am lost now to reason. You are | |
| everything to me; to be near you is to live--to lose sight of you is to | |
| die. You are my fate, and you draw me to your side." | |
| "To your ruin, perhaps to your death," she said wildly. "You must have | |
| grasped what kind of men my relatives are. You must have seen what risk | |
| you run." | |
| "Yes, I have seen and thought out all this, but it is as nothing to your | |
| love." | |
| "And would you see me suffer through your folly and imprudence?" | |
| "I would give anything to spare you suffering." | |
| "Then leave me before my agony becomes too great to bear." | |
| "I--can--not!" he cried. "Drive me from you, and when I find that all | |
| hope is gone, then I will seek for rest." | |
| "What!" she cried. | |
| He shrugged his shoulders. | |
| "I am no boasting boy," he said sadly. "Everything to make life worth | |
| living will be gone, and an easy painless death beckoning me on. I am a | |
| doctor, I have but to go home, and there it is, to my hand." | |
| She said nothing, but sank back in the corner of the carriage, covering | |
| her face with her hands; and he saw that her breast was heaving with the | |
| painful sobs struggling for exit. | |
| He bent over towards her, and touched her arm. | |
| "Marion," he whispered. | |
| She started from him as if she had been stung, and her eyes flashed as | |
| her hands fell into her lap. | |
| "Don't touch me!" she said wildly. "You are mad." | |
| The train sped on rapidly, taking them nearer and nearer to their fate, | |
| as both sat back in silence now--she trembling, battling with her heart | |
| in her struggle to devise some means of escaping him, he sinking into a | |
| dull, stolid state of determination, for, come what might, he was | |
| resolved never to leave her now. | |
| At last the train slowed up to the station where the tickets were taken, | |
| and Marion handed hers. | |
| "I have no ticket," said Chester, quietly, handing the man a sovereign. | |
| "I had not time to go to the booking-office. I got in at Bineleigh. | |
| This lady will bear me out." | |
| The man quickly wrote a receipt and handed it with the change. Then the | |
| train glided on once more, and in a few minutes they were in the great | |
| terminus. | |
| "You have no carriage waiting?" Chester asked. | |
| "No," she said quietly; "I'll take a cab." | |
| Chester summoned one, and handed her in. | |
| "Where do you wish to be driven?" he said. | |
| "Home." | |
| "May I come with you, or must I follow in another cab?" he asked. | |
| "I am at your mercy, Dr Chester," she replied sadly. | |
| He hesitated for a moment, then told the driver the name and number of | |
| the street, and sprang in. | |
| Marion drew a deep catching breath as he took his seat by her side, and | |
| then remained silent till they reached the familiar doorway. Here, in | |
| the most matter-of-fact way, Chester alighted and handed out his | |
| companion and they walked up to the door together, Chester reaching out | |
| to pull the bell. | |
| "No," she said, speaking in a quick, startled tone of voice, and he | |
| looked at her wonderingly, for she opened the door with a latch-key, | |
| stepped in, holding the door with one hand and extending the other. | |
| "Now," she said firmly, "good-bye." | |
| For answer he stepped forward with a smile, but not to take her hand. | |
| He pressed the door gently, but with sufficient force to make her give | |
| way, and his foot was on the step. | |
| "No, no, for pity's sake!" she almost moaned; "it may mean your death." | |
| "Well, better that than an empty life," he cried, as she slowly gave | |
| way, mastered by the force that held her in its strange power. The next | |
| minute the door was closed, and they stood together in the great, dim | |
| hall. | |
| He saw that she was struggling to be firm, but a wave of triumphant joy | |
| carried him on, for he knew that he had won. | |
| "My own!" he whispered passionately; "at last! at last!" and he clasped | |
| her in his arms. | |
| "No, no!" she cried, making one last effort for the supremacy; and, | |
| thrusting him violently away, she turned and fled towards the end of the | |
| hall, darted through the open doorway into the great darkened | |
| dining-room and tried to shut the door. | |
| But he was too close, and this time he caught her in his arms, raised | |
| her from the carpet, to bear her to the couch that had borne her wounded | |
| brother for so long, and there, letting her sink down, dropped upon his | |
| knees at her feet. | |
| The room was very dim, the electric light being only slightly raised, | |
| but he could see her half-closed eyes and trembling lips, as she bent | |
| over towards him now till her brow rested upon his shoulder. | |
| "This is not death, but life," he whispered passionately. "Tell me, you | |
| were going to escape from me?" | |
| "Yes." | |
| "Where were you going?" | |
| "Abroad--Switzerland." | |
| "When?" | |
| "To-night." | |
| "Yes, to-night," he said softly, "and I with you, dearest. Your slave-- | |
| yourself--one with you always. Marion, we must never part again." | |
| "Never part again," she whispered back, as his lips sought hers. "You | |
| have mastered. I can resist no more; take me, dearest--I am yours. But | |
| we must go at once. At any moment they may return." | |
| "Who may? Your brother and James Clareborough?" | |
| "Yes. Come away." | |
| "To the world's end with you," he whispered, but she uttered a cry and | |
| sprang to her feet. | |
| "What is it?" he whispered. | |
| "Didn't you hear? Come." | |
| She led the way quickly into the hall, and the voices her | |
| preternaturally sharpened hearing had detected came from below. | |
| Marion caught Chester's hand and ran with him towards the great front | |
| door, which they had almost reached, when there was a sharp, quick | |
| rattling sound before them and the dull movement of feet upon the stone | |
| step. | |
| The next moment the door was opening towards them. | |
| Hemmed in, with peril on either hand. | |
| CHAPTER TWENTY NINE. | |
| LIGHT IN DARKNESS. | |
| As Chester turned to face what he knew must prove to be a desperate | |
| encounter, Marion snatched at his wrist. | |
| "Quick!" she whispered, and hurried with him through a door on their | |
| right, which led into a library with two windows facing the street; but | |
| the shutters were closed and the place was dimly lit by four | |
| diamond-shaped holes cut in their top panels, each of which sent a broad | |
| white ray across the room, to strike upon the end nearest the door, and | |
| to avoid their light Marion led him quickly close up into one corner by | |
| the window curtain. | |
| They had hardly taken refuge there, to stand close together, when a hand | |
| struck the panel a sharp pat, and gave the door, which had gently swung | |
| to, a thrust which sent it back against the stop. | |
| "Come in here," said James Clareborough in a low, surly voice; and | |
| Chester felt his companion shiver, and the blood surged to his brain as | |
| he dimly saw the shadowy figures of four men enter the room, three of | |
| whom took chairs and threw themselves into them, the other standing | |
| against a book-case with a dull patch of light from the window shutters | |
| striking full upon his breast, about which his hand kept on playing | |
| nervously. | |
| It seemed to Chester that it was only a matter of moments before they | |
| would be seen; but so far the party were unconscious of their presence, | |
| and a couple of dull red spots of light waxed and waned as the aromatic | |
| fumes of cigar smoke began to pervade the room. | |
| "Throw open one of the shutters, uncle," cried James Clareborough, | |
| hoarsely. | |
| "No, no," half shouted a voice which Chester recognised at once as that | |
| of his old patient. | |
| "What! Why?" cried James Clareborough, and the violent throbbing of | |
| Chester's heart grew less painful as he heard Robert Clareborough's | |
| reply-- | |
| "Because if ever men wanted the darkness it is now." | |
| It was a respite, for no one uttered a word for a few moments. Then in | |
| a low, angry voice, James Clareborough spoke again, and, with his every | |
| nerve on the strain, Chester noted that he took his glowing cigar from | |
| his lips and held it down between his knees. | |
| "Curse them! Who would ever have thought of the fools attempting that?" | |
| "Where's your wife, uncle?" said a voice which made the hand with which | |
| Marion clung to Chester's wrist give a slight twitch. | |
| "Upstairs, lying down, my boy," said another voice, and it was Chester's | |
| turn to start as he recognised it as one he had heard before, though he | |
| could not make out where. | |
| "Is she much hurt?" said Robert Clareborough. | |
| "More frightened than hurt," said the same voice. "Of course it is a | |
| terrible shock." | |
| "Horrible! Here, this must be the end of it. What do you say, Paddy?" | |
| "Confound it! yes. I'm sick." | |
| "Will you stop this cursed preaching, Rob?" snarled James Clareborough. | |
| "You fools! You know there can be no end to it. What are you talking | |
| about? It was their own fault." | |
| "Ah!" ejaculated Rob in a tone which made his sister shiver. | |
| "Look here," continued James Clareborough; "are you two going to show | |
| the white feather? Take the case fairly, Paddy. Suppose this had been | |
| at The Towers in the night, and we came upon a couple of scoundrels-- | |
| with revolvers, mind!--carrying off the girls' jewellery, would either | |
| of you have hesitated about firing?" | |
| "I suppose not," said Dennis, heavily, "but it seemed such cold-blooded | |
| work." | |
| "Been more cold-blooded if they had dropped us two. Now, then, no | |
| nonsense; let's look the matter straight in the face. One thing is | |
| enough at a time. We can discuss Rob's ideas of a dissolution of | |
| partnership later on," was added, with a sneer. "Now, uncle; what about | |
| their coming? We had better have the old lady down." | |
| "No, let her be; she can tell you no more than I can. They must have | |
| asked for leave to come up as you were all away, and come straight here | |
| ready to pitch some tale, and your aunt unsuspectingly let them in. | |
| They must have set upon her, tied her fast, and carried her down." | |
| "Must, must, must!" cried James Clareborough, impatiently. "You were | |
| not here." | |
| "No, boy, but it tells its own tale. Arthur was dressed as if for a | |
| holiday, and the other fool too." | |
| "But what did it mean?" said Rob, hoarsely; "suspicion--an effort to | |
| find out--or robbery?" | |
| "Robbery, my boy, for certain. They thought that they would get at the | |
| girls' jewellery." | |
| "Yes, that's it," said James Clareborough, sharply; "an interrupted | |
| burglary. Curse them! They had all the professional tools. Well, they | |
| won't want them any more." | |
| Marion started, and Chester passed his arm round her as he felt her | |
| trembling violently. For something like light was beginning to dawn | |
| upon her--a light which grew clearer as the thought of the butler asking | |
| leave for him and the footman to have a day in town, to see to some | |
| business, as the gentlemen were away. That morning at breakfast, and | |
| now-- | |
| The light was growing hard, clear and ghastly. | |
| "Now, then," said James Clareborough, sharply, "let's look the position | |
| in the face. Everything turns upon whether anyone knows beside | |
| ourselves that the hounds came here." | |
| "Yes, everything," assented the voice which puzzled Chester still. | |
| "Would anyone know?" | |
| "Is it likely?" said James, cynically. "They were coming on a | |
| burglarious expedition; they began by half killing the poor old aunt, | |
| and they were trapped trying to blow open the iron door. Is it probable | |
| that they would tell anyone they were coming here?" | |
| "No; absurd," said Dennis, shortly. | |
| "But still--" | |
| "Will you hold your tongue, Rob?" cried his cousin. "Do you think they | |
| would have spoken?" | |
| "No." | |
| "Then we're safe in that direction," continued James Clareborough. "The | |
| next question is, then, did anyone who knew them see them come to the | |
| house? The odds are a million to one that no one did, for they would | |
| take pretty good care that their faces were not seen as they stood | |
| waiting. Besides, where does the inquiry begin? Down yonder. We were | |
| away; they ask for a holiday of my wife; she gives them leave; and they | |
| come away and do not return. Their relatives, if the poor devils have | |
| any, may make inquiry, but it is doubtful. I daresay we shall find that | |
| the scoundrels have been plundering us, and at the worst we could prove | |
| this. There it is in a nut-shell. They have disappeared like hundreds | |
| more, and the world will never be any wiser." | |
| A chill of horror ran through Chester as he listened to all this, and he | |
| was conscious that his companion hung more heavily upon his arm, as if | |
| about to faint. | |
| The pale, ghastly light was growing broader and clearer now, and as he | |
| grasped the fact that he was being made the recipient of the | |
| acknowledgment of a terrible deed, he felt strongly, knowing as he did | |
| the character of one of the men present, how perilous his position was | |
| growing. A few minutes more, he had strung himself up for a sharp | |
| encounter with the relatives who had, as it were, surprised them in a | |
| secret meeting. There would, he felt, be angry words, there might be | |
| blows, but the Clareboroughs would not dare to proceed farther. Now | |
| matters had assumed a dangerous shape, and his thoughts went towards the | |
| fireplace as he felt that the necessity might arise for him to defend | |
| himself and his companion--one against four. | |
| His heart beat fast, but mingled with the feelings of alarm which would | |
| assail the stoutest in such a position, he felt thrill after thrill of | |
| delight. For Marion clung more tightly to him, as if trusting to his | |
| protection, and he mentally swore that he would protect her, come what | |
| might. | |
| His thoughts came fast, but he had little time for musing; and as his | |
| arm tightened round his companion he listened eagerly for the next | |
| utterances of those who were grouped together some twenty feet away. | |
| "Well," said James Clareborough, after a pause, "what have you all to | |
| say to that?" | |
| CHAPTER THIRTY. | |
| LOVE IS MASTER. | |
| There was another pause, as if each of the other three waited for his | |
| companions to begin. | |
| "James has spoken very well," said the owner of the hands which Chester | |
| could see playing about his breast; and as he uttered these words he too | |
| sank into a chair, and the ray of light struck across his face for a | |
| brief space, one, though, sufficiently long for Chester to recognise the | |
| features of the quaint old bookworm upon whom he had called during his | |
| search for the house which had been the scene of such strange | |
| adventures. | |
| "Uncle!" he thought to himself, as the old man went on-- | |
| "It seems to me that we have nothing to fear. It is our own secret. | |
| What do you say, Dennis, my dear boy?" | |
| "It looks all right, curse it!" said the young man, slowly. "I can't | |
| see how anyone can find it out. All we have to do is to go on as we | |
| have before--take care that everything is kept dark. What do you think, | |
| Rob, old man?" | |
| "Think?" cried the latter, sharply; and as he spoke Chester felt a | |
| quiver of excitement run through her whom he clasped. "I think it is | |
| impossible to keep such a thing as this is quiet. Say what you like-- | |
| that it was in your own defence you fired, there are the men's pistols | |
| to prove it lying with their burgling tools; say that they were | |
| surprised in the act--the marks on the iron door and their false keys | |
| will speak for that--but we can't go on with it in the way you propose; | |
| the police must be called in." | |
| "You cursed fool!" snarled James Clareborough. "Bah! you always were an | |
| idiot and a hindrance to our enterprise. You could spend your share | |
| readily enough, but you were always like a log to drag at our heels." | |
| "My dear boy!" cried the old professor, quickly, "hush, please; there | |
| must be no quarrelling now; we have too much at stake." | |
| "Yes, hang it all, Jem! do keep that vitriol tongue of yours quiet," | |
| cried Dennis. | |
| "Who is to keep quiet when he listens to such idiotic drivel? Bring the | |
| police in--set their detectives to examine the iron safe that they were | |
| trying to force--to look at the jewels and plate stored up inside. | |
| Ha-ha-ha-ha-ha!" he laughed discordantly. "Has Rob any brains at all?" | |
| "Yes, yes; he spoke without thinking," said the old man, eagerly. "Rob, | |
| my dear lad, you see it is impossible." | |
| "Yes, Rob, old man, don't you see?" growled Dennis. "You can't say to | |
| the hounds of the law, `You must stop your scent here.' Why, it would, | |
| as they say, be blowing the whole gaff." | |
| "Well, let it," cried Robert, bitterly; "let them find it out. I'm sick | |
| of it all, and have been for years." | |
| "Then you must get well again," said James Clareborough, fiercely. | |
| "Yes, yes, he is upset," said the old man, quickly. "Robert's never | |
| been himself since you fired at him, Jem. It was a mad act on your | |
| part; but there, there! don't let's open old sores. Let me speak. Rob, | |
| my dear boy, this is not a position in which a man can study self. We | |
| are all linked together in this business, and the one who talks of | |
| throwing it up talks of throwing his partners over. Think, my lad, of | |
| what it means. You cannot draw back. It is impossible. This is a most | |
| unhappy business, but the poor wretches brought their fate upon | |
| themselves. They have fallen in our battle of life, and there is that | |
| something to be done for all our sakes--our wives' and your sister's | |
| sake. They must not know of this." | |
| "That's right, uncle; that's right," growled Dennis. "Come, Rob, old | |
| man, you must feel that this is good sound sense." | |
| "Yes," said Rob, with a groan; "I suppose it is. There, uncle, go on." | |
| "Yes, yes, my dear boy," cried the old man. "Well, here is our | |
| position, to finish up what Jem has said. It would be easier and better | |
| for us if we could call in the police and go through the inquest, but | |
| you know it is impossible. Now then, has either of you anything to | |
| propose over what must be done at once?" | |
| There was utter silence, and Chester, as he stood there with a cold | |
| perspiration making his hair cling to his temples, wondered that those | |
| present did not detect the beating of his and his companion's hearts. | |
| "No one speaks," said the old man, quietly; "well then, the old inventor | |
| has to come to the front again, as he always has since we held the first | |
| meeting, and had to look starvation in the face. Hark ye here, boys," | |
| he continued in a low, deep whisper; "I have turned it all over in my | |
| mind, and there is only one thing to be done. I am not going to be | |
| troubled about the disposal of what is, after all--speaking as a | |
| chemist--so much matter which has to be resolved rapidly into its | |
| primary constituents. There is the far cellar beneath the other house; | |
| we must dig there. Then a few bags of cement, and a carboy of acid, | |
| etcetera, and the matter is at an end." | |
| Dennis drew a deep breath, and a low, hissing sound arose, which Chester | |
| felt must have come from between Robert Clareborough's teeth. | |
| "Well, have I spoken rightly?" said the old man. | |
| "Yes, that's right," said James Clareborough. | |
| "You others are silent, but of course you acquiesce. You must keep the | |
| women down at The Towers, or take them to the Riviera for a month, and | |
| your aunt will know nothing more. There, the administrative has spoken; | |
| it is for the executive to go to work." | |
| "The executive has done its work," said James Clareborough, sharply, | |
| "while you two stood behind a door and listened." | |
| Chester felt a spasm run through Marion as these words were spoken. | |
| "Well, well," said the old man; "you two are young and strong, and have | |
| steady hands. I do not wish to hang back from anything for ensuring the | |
| safety and prosperity of all. Robert, my boy, my muscles are not what | |
| they were; I shall be obliged to ask you to help me." | |
| Another spasm ran through Marion, and Chester, as they stood there in | |
| the darkness, felt her crane forward as if to hear her brother's answer. | |
| It came on the instant, in sharp, fierce tones,--"No, uncle. I wash my | |
| hands of it all. I cannot help what has passed, and I will be silent | |
| for the benefit of all, but help further in this--no, I would sooner | |
| die!" | |
| "What!" cried James Clareborough, savagely. "Curse you, then, die, and | |
| rid us of our miserable clog. Look here, all of you--I will not stand | |
| by and let him sneak out of the business in this cursed cowardly way. | |
| You, Rob--you have got to help the old man over this, or--" | |
| "Or what?" cried Rob, as fiercely. Marion made a movement as if to rush | |
| to her brother's help, but Chester tightened his grasp. | |
| "My dear Jem! My dear Rob! for Heaven's sake!" cried the professor, | |
| interposing. | |
| "You hold your tongue, old man," cried James Clareborough, springing up; | |
| "I've had enough of this. For a year past now I've had to put up with | |
| his cursed objections, and hanging back from nearly everything, like the | |
| coward he is, and I'll have no more of it. Paddy and I have done our | |
| bit of work to save the family from utter ruin and destruction, and now | |
| he is asked to help you in necessary work he begins to ride the high | |
| horse and dictate. I say he shall help you, and at once, or, if I hang | |
| for it, I'll make him." | |
| "You make me, you cowardly, treacherous beast!" cried Robert, fiercely. | |
| "I defy you to. You two know that our quarrel has not been on account | |
| of my shrinking from the work. I always hated it, but I have still done | |
| my part. Why did he fire at me that night but because I struck him down | |
| for his cowardly, brutal insults to my poor sister, whose honour ought | |
| to have been sacred and the object of his defence?" | |
| "You miserable hound!" growled James Clareborough. "Go with the old man | |
| at once, or you sha'n't live another day!" | |
| "Go yourself, beast, and keep your hand from that pistol, or I'll fire, | |
| I swear!" | |
| The utter silence in the room after these words were spoken was broken | |
| by the sharp clicking of two pistols, and half stunned for the moment, | |
| as he listened for the reports, Chester, recalling what must have | |
| happened on the night when he was first called in, threw himself before | |
| Marion to screen her from any bullet which might come there. | |
| The act necessitated the loosening of his grasp, and with a wild cry | |
| Marion sprang from him, to rush in the direction of her brother's voice. | |
| "The door!" shouted the professor, and it was banged to and bolted by | |
| Dennis, as the old man sprang to his side, touched the stud, and the | |
| room was suffused with the soft electric light, showing the two | |
| adversaries, not a couple of yards apart, and Marion clinging to her | |
| brother's arm, Chester just behind. | |
| James Clareborough burst into a yell of mocking laughter. | |
| "Picture--tableau--curtain!" he roared. "End of Act the Second, | |
| gentlemen. Loud cries for author and heroine. A success--a success! | |
| Marion, my charming, sweet, chaste, innocent cousin, I congratulate you. | |
| Beautifully done. Doctor, I salute you. Brave, honourable, noble, | |
| frank, winner of the heroine's love--what a happy combination of | |
| gallantry and business! I presume that, vulture-like, you scented | |
| carrion, and came for another job; but sweet, innocent Marion here was | |
| premature. Marion, beloved one; caught here in the dark! Oh, fie!" | |
| "Curse you! hold your mocking tongue!" cried Robert, fiercely. "You, | |
| Chester, how came you here?" | |
| "Ha-ha-ha!" cried James Clareborough, "what a question! Our sweet | |
| Marion." | |
| "Hound! Speak of my sister in that way again, and I'll fire." | |
| "Bah!" retorted his cousin, contemptuously, and, without heeding him, he | |
| turned to Chester, covered him with his pistol, and in a low, fierce | |
| growl bade him sit down in the nearest chair. | |
| Chester did not stir. | |
| "Once more, you meddling idiot, sit down!" cried James Clareborough, | |
| menacingly, and Marion sprang from her brother's side to stand between | |
| them. | |
| "Very well, I can wait. Now, all of you, our plans are known. Like a | |
| set of idiots, we have sat smoking and babbling before this fool, who | |
| could not be content with his last visit, but must intrude again, play | |
| the spy, and suffer for his knowledge. Uncle--Dennis, my lad, you agree | |
| with me?" | |
| No one spoke, but the three others stood gazing fiercely at the | |
| interloper. | |
| "Now, Rob," continued James Clareborough, "our quarrels can keep. Act | |
| the man. You see how we stand--you know what is at stake for all. Dr | |
| Chester, you are our prisoner again. Now--quick!" | |
| Pistol in hand, he took a step forward, the others following his | |
| example, and Chester sprang towards the fireplace to seize the poker, | |
| while Marion tried to throw herself between him and his enemies. | |
| The efforts of both were in vain. The professor baulked the brave | |
| woman's effort. He swung her lightly towards the window and joined the | |
| others, who, in spite of a brave struggle, easily mastered Chester and | |
| got him down, after they had swayed here and there close by the locked | |
| door. | |
| "Now," said James Clareborough, pistol in hand, as Dennis knelt upon the | |
| prostrate man's chest, Robert and the professor each holding an arm. | |
| "You will lie still, doctor, or you will force me to prescribe. You see | |
| that the situation is critical--Ha! Marion! Come away!" | |
| He pointed his weapon at the window, but Marion did not stir. She had | |
| sprung to it while they were occupied with their prisoner, swung open | |
| the heavy shutters, and the window had yielded silently, leaving the | |
| room open to the street. Then she had reached out, holding on by the | |
| lower bar of the sash, but turned her head to look back. | |
| "Now," she cried wildly, "fire if you dare! Fred Chester! Here. Rob, | |
| help him, for my sake. Ah! keep back, or I shriek for the police." | |
| CHAPTER THIRTY ONE. | |
| "SAUVE QUI PEUT." | |
| Marion, in her desperation, thoroughly now at bay and fierce in her | |
| reckless determination to save her lover's life, uttered her warning | |
| words to James Clareborough, who had been stealing round the table to | |
| spring at her. | |
| "What's the matter, ma'am?" cried a gruff voice at the area railings, | |
| and Marion turned to see, to her horror, the sturdy figure of a helmeted | |
| constable. "Fight? Pistols? All right." A piercing whistle rang out, | |
| and the man signalled with his arm, while the passers-by began to stop | |
| and collect. | |
| "Curse her! she has done it," cried James Clareborough, savagely, and he | |
| was in the act of taking aim at the trembling woman, when the pistol was | |
| struck up by Robert. | |
| "All right," said the scoundrel, without resenting the act, and | |
| thrusting the pistol into his pocket. "The game's up, gentlemen--sauve | |
| qui peut." | |
| Robert had passed him by this time, caught his sister's hand, and | |
| meeting with no resistance, he drew her from the window, shut and | |
| fastened it, and closed the shutters again, just as a loud peal was | |
| heard at the door bell. | |
| The next minute Chester was at her side, the library door unlocked, and | |
| his other assailants gone. | |
| "He's right," said Robert, hoarsely; "the game is up, Marion, and it is | |
| sauve qui peut." | |
| "You villain!" cried Chester, excitedly. | |
| "That will do, doctor," said Robert, coolly. "She's fainting; help me | |
| to get her away. Poor old girl! she loved me," he continued, kissing | |
| his sister's ghastly face, "and she did it to save you, not to hand me | |
| over to the police. One moment. Hold her; I'll be back directly." | |
| Chester caught the half-fainting burden willingly, and glanced after the | |
| young man as he darted from the room. | |
| "Gone," muttered Chester. "Marion, look up, love; we are safe. They | |
| have escaped." | |
| "Now then," cried Robert Clareborough, returning; "I have slipped the | |
| bolts, and it will take them an hour to break in. Come!" | |
| "Come! Where?" cried Chester angrily. | |
| "Where you will, doctor, only we must escape from here. The others are | |
| off, and I must go and help save the rest. You don't wish to see her in | |
| the hands of the police, appearing against her brother and his | |
| confederates?" | |
| "God help me, no!" cried Chester. | |
| "Come along, then, man. It's all over now. I knew it must come. | |
| Doctor, you saved my life. I must trust you. I know you love her, and | |
| that she loves you. I trust her to your honour as a gentleman." | |
| "You may," said Chester, "and--" | |
| "Don't talk, man. Come while the way is open. They'll break in, as | |
| sure as we are here. Come." | |
| Chester lifted Marion in his arms and bore her toward the door, Robert | |
| Clareborough having caught up the doctor's hat, and led the way into the | |
| hall, where the police were thundering at the door; and then downstairs, | |
| where sounds were heard from the area, as if someone was trying the door | |
| there. | |
| "Shall I take her?" said Robert, as they reached the lower passage. | |
| "No; I can carry her easily." | |
| "This way, then," and to Chester's astonishment he turned into the short | |
| passage at the end of which was the ordinary-looking door. | |
| "Humph! shut," he said, with a bitter laugh. "Jem's parting act of | |
| kindness; he must have been the last." | |
| "Where does that door lead?" cried Chester, as Marion uttered a sigh | |
| indicative of recovery. | |
| "To safety, doctor," said the young man, sadly. "Foxes always have a | |
| second hole, and a way of using it." | |
| He drew a key from his pocket, flung open the door, and made room for | |
| his companion to bear his sister into the square lobby, which was | |
| littered with wedges, the powder tin, pistols, keys, hammer, and the | |
| other contents of the portmanteau standing in one corner, while in one | |
| spot a quantity of sawdust seemed to have been spilled. | |
| All was plainly seen by a bright reflected light which shone out from | |
| the small glass bulb in the ceiling, shedding a strange glow, while the | |
| odour of exploded powder struck on Chester's nostrils at once. | |
| As soon as they were inside, Robert calmly drew the door close, and just | |
| then Marion opened her eyes and looked wildly from one to the other. | |
| "Where am I?" she said faintly. | |
| "Where you have never been before, sis, but quite safe," replied her | |
| brother. "There, don't look like that; the doctor and I are friends." | |
| "Ah, I remember now," she cried wildly, and she struggled to her feet, | |
| and seized her brother's arms. "Oh, Rob, what have I done?" | |
| "The best thing you ever did in your life. I am glad it has come to an | |
| end; but I must be off. I can't face the dock. Too great a coward, I | |
| suppose, dear. There, God bless you! I hope you'll be very happy now." | |
| "No, no, Rob! I cannot leave you." | |
| "Eh?" he said, smiling bitterly, as he took out another key. "Yes; he | |
| has promised me, dear, and he is as true as steel. There, I trust him, | |
| and you feel as if you can. Take her somewhere, doctor, where the | |
| police cannot find her out. She's innocent enough, but no one would | |
| believe. Come, we may as well get right away, though I suppose it would | |
| be hours before they could get through here. I never thought I should | |
| some day be showing you our secrets, sis," he continued lightly; | |
| "certainly not to Dr Chester. There we are." | |
| He had thrust the small bright key he had held into the lock of the iron | |
| door, and turned it, the bolts yielding easily in spite of the grit of | |
| powder still left in; and clinging now to Chester's arm as the door was | |
| swung open, Marion, at a word from her brother, stepped forward into the | |
| iron-floored receptacle, then he followed and closed the door behind him | |
| with a sharp metallic clang. | |
| In the demoralisation which had ensued it had been undoubtedly sauve qui | |
| peut, only one of the party seeming to think of anyone else. This was | |
| the old professor, who hurried upstairs, unlocked the chamber door, and | |
| brought down his wife, who proved well enough to follow him. | |
| The result was that when Robert Clareborough, to Chester's wonderment, | |
| hurried his companions through passage and crypt, and up again into the | |
| book-cumbered house, all was perfectly still, the dusty place looking as | |
| if it had not had a soul therein for years. | |
| "This way, Marion," said Robert, coolly. "Poor old uncle! he will break | |
| his heart about leaving his books; pretty choice, too, some of them." | |
| There was no reply, and he led sister and doctor out through the back | |
| door, down a weed-grown, desolate-looking garden, and into the stables | |
| at the bottom, the entrance being open. | |
| "Now then," he said, "you must lose no time. Once out in the mews, make | |
| for the street, and you are safe. Good-bye, Marion dear." | |
| "No, no, Robert!" cried Marion, flinging her arms about his neck; "you | |
| are still weak and ill. I cannot leave you." | |
| "You prefer to go with me?" said the young man, smiling. | |
| "Yes." | |
| "Ah, well, it's very good of you, old darling, but you can't; perhaps in | |
| an hour I shall be in a police cell." | |
| "Rob!" | |
| "True enough, old girl; and if I am, with the knowledge that you are | |
| arrested too, I shall make an end of myself." | |
| "Oh no, no, no!" | |
| "But I shall. You know me. I don't make empty threats. Listen: you | |
| must escape. Jem and Paddy are on the way to the station by now, to | |
| fetch those two away from The Towers. Be sensible, and we shall all get | |
| away. You will obey me, dear?" | |
| "I always have, Rob." | |
| "Then go with the doctor. We'll trust him. Now, not a word. If you | |
| keep me still talking, we shall have the police round here at the back, | |
| and be all taken before we can get away. Chester, I trust you, even if | |
| I am a scoundrel. Now then, out in the mews, and walk together. Take | |
| no notice of me, and don't think I am forsaking you, Marion. I must go, | |
| or you will be taken too." | |
| Chester took Marion's hand and drew it through his arm, as he stepped | |
| out into the mews, and making a desperate effort to preserve her | |
| calmness, the trembling girl walked steadily by his side as they made | |
| for the end of the place, Robert Clareborough passing them coolly enough | |
| on the other side, lighting a cigar as he walked on fairly fast. | |
| Just as Robert reached the end of the mews, a dozen yards in front of | |
| them, Marion started as if a sudden spasm had shot through her, for a | |
| couple of policemen suddenly turned the corner, hesitated as they saw | |
| him and seemed about to stop, but the young man's coolness saved him. | |
| For just as they were hesitating he turned off the narrow pavement into | |
| the road and crossed diagonally toward them. | |
| "Can you direct me to Vincent Square?" he said. | |
| One of the constables gave the route, with the firsts and seconds to | |
| right and left, and as Chester and Marion were passing, the young man | |
| said shortly--"Thanks, I see," and they heard his step behind, while the | |
| police continued their way down the mews. | |
| "I'll take a cab as soon as we get a little farther away. Try and be | |
| calm," whispered Chester. "Your brother has escaped." | |
| "Is--is he followed?" said Marion, faintly. | |
| "No; his coolness saved him. The police have gone on down the mews, but | |
| I dare not look round to see if they are on our track." | |
| She made no reply, but hung more heavily upon his arm, while he tried | |
| hard to recover his own composure and think out what was best to be done | |
| under the circumstances. | |
| His first thought had been to take a cab, but feeling that they might | |
| still be watched, or, if not, that the various cabmen about would be | |
| questioned as to whom they took up close to the mews, or else, upon the | |
| matter getting into the papers, that they might volunteer the | |
| information, he decided to make first for the railway, and with Marion | |
| hanging more and more heavily upon his arm he led her out into the main | |
| street, nodded to the first passing cab-driver, and said, "Victoria." | |
| "Where are you taking me?" said Marion, faintly, as he sank back beside | |
| her. | |
| "Where you will be safe," he replied, pressing her hand. "You have | |
| promised to trust me, so sit still and take no heed of the way I take | |
| you. I don't think we are watched, but it is impossible to say." | |
| He heard her draw her breath painfully, and as he glanced sideways he | |
| could read in her face the effort she was making. | |
| She saw that he was watching her, and met his eyes firmly. | |
| "Do you think Rob will escape?" she asked. | |
| "I feel sure that he will. The police did not know him by sight. But | |
| he was only just in time. A few seconds more, and he--we--must have | |
| been taken." | |
| She was silent for a time, and then she said bitterly, "I ought not to | |
| have left him, poor fellow! It was cowardly at such a time." | |
| "You did quite right," said Chester, firmly. "Your presence would have | |
| been a hindrance to him in his endeavours to escape, and for your sake, | |
| horrible as all this is, I hope he will get right away." | |
| "But I ought not to have left him," sighed Marion, and further | |
| conversation ceased, for the cab stopped and they entered the station. | |
| Here Chester took tickets for Kensington. Then he crossed to the other | |
| side of the line, and took tickets back right to the City, and leaving | |
| the station there, plunged with his companion amongst the busy throng | |
| which filled the streets, and finally, feeling pretty confident that | |
| they were not followed, he ended by taking a cab to Raybeck Square. | |
| Marion started as she heard the address given, and there was a look of | |
| reproach in her eyes as she said once more-- | |
| "Where are you taking me?" | |
| "Where I believe you will be safe," he said gravely; "to my aunt and | |
| sister, who will welcome you as the lady who will be my wife." | |
| "Your wife! Oh no, no, no!" she said sadly. "That is impossible now." | |
| "Why?" he whispered tenderly. | |
| "Why?" she cried. "Did you hear? Can you not see how I am linked with | |
| those who are flying from justice? Heaven help me! I ought to be with | |
| them still." | |
| "Hush!" he said gently; "you are wildly excited now. Your brain is not | |
| in a condition to think calmly and dispassionately of your position. It | |
| may be days before it recovers its balance. Till then, Marion, try and | |
| think this one thing--that you are watched over by one to whom your | |
| honour and safety are more than his own life. Marion, my own--my very | |
| own--let the past be dead; the future shall be my care." | |
| She sighed piteously and shivered, as she lay back in the corner of the | |
| cab, and, startled by her manner, he hurriedly took her hand. | |
| She shrank back, looking wildly at him, till she fully realised his | |
| object, and then with a weary smile upon her lip she resigned her hand. | |
| "You are utterly prostrated by the shock of what you have gone through," | |
| he said gravely. "We shall not be long now. Try--try hard to be calm. | |
| The distance is very short, and then you will feel safe and soon grow | |
| composed." | |
| She gave him a grateful look, and then closed her eyes, lying back with | |
| her face ghastly pale, and the nerves at the sides of her temples and | |
| the corners of her lips twitching sharply at times, as if she were in | |
| pain. | |
| But she sat up when the cab stopped, and gave Chester her hand as she | |
| alighted, and walked with him up the steps and into the house. | |
| As the door closed she turned to him wildly and tottered slightly, but | |
| when he made a movement to catch her in his arms, she shrank away, and | |
| he drew back and offered his hand. | |
| She laid hers within it, and his first thought was to take her into his | |
| consulting-room, but he led her upstairs towards the drawing-room, and | |
| she walked firmly enough till they were nearly at the landing, when he | |
| felt her swerve, and but for his quick action she would have fallen | |
| back. | |
| "My poor darling!" he whispered, as he lifted her in his arms. "You | |
| have done most bravely. It has been too much for any woman to go | |
| through." | |
| It was but a few steps, and then he paused upon the landing while he | |
| threw open the drawing-room door and bore her in, quite insensible now | |
| to all that passed. | |
| For as he entered the room Chester found himself face to face with his | |
| sister; but she was not, as he had anticipated, alone. Isabel was with | |
| her, and they stood gazing at him as if stunned by the sudden intrusion. | |
| CHAPTER THIRTY TWO. | |
| SOMETHING IN THE SAWDUST. | |
| Highcombe Street gradually became blocked by the eager crowd always | |
| ready to gather, discuss and microscopically magnify the event that has | |
| been the attraction, and in a very short time it was current that a | |
| dreadful deed had been perpetrated in open daylight at the window of the | |
| ground floor room on the left of the front door. The victim was said to | |
| have been seen shrieking wildly for help, till a man had dragged her | |
| away, closing the window afterward and shutting the shutters, so that, | |
| with the blinds of the upstairs windows drawn down, the whole of the | |
| mansion had a strangely-mysterious aspect which, to the over-heated | |
| brains of many of the lookers-on, exactly suggested the place where, a | |
| murder might have been committed. | |
| It did not occur to the wonder-gulpers that there were several houses in | |
| the same street presenting precisely the same aspect consequent upon | |
| their owners being out of town, and that the mansion next door, with its | |
| gloomy, unkempt aspect and soot-coated windows, was much more | |
| forbidding; but then it had no policeman stationed at the area gate and | |
| two more at the front door, who objected vigorously to boys climbing | |
| over the railings and others trying to peer through the long, slit-like | |
| windows on either side of the entrance. | |
| An Englishman's house is said to be his castle, and serious steps | |
| generally have to be taken by the police before they break in, the great | |
| exception to the rule being in the case of firemen, who as soon as they | |
| are convinced that their enemy is in the place, make no scruple about | |
| using their axes against door or window, setting up a ladder, and | |
| climbing in. | |
| In this case, in despite of the excitement, matters moved slowly, the | |
| principal steps taken being upon the arrival of more police, the | |
| stationing of these at the back where there was the mews, and an attempt | |
| to get in through the garden; but here a difficulty presented itself at | |
| once; there was no garden, the space existing between the houses and | |
| stables at the bottom being built entirely over, and the stables swept | |
| away. There was no back exit, but constables were stationed in the mews | |
| all the same so as to keep an eye upon the stabling to right and left. | |
| Soon after, while the superintendent and sergeant were discussing | |
| proceedings, an occupant of the opposite house pointed out the fact that | |
| one of the drawing-room window blinds was flapping to and fro, | |
| suggesting that a French window in the balcony was a little way open. | |
| The suggestion was acted upon at once. A ladder from the nearest fire | |
| station was brought, and the police were watched with breathless | |
| interest and cheered as they mounted and reached the balcony, another | |
| cheer following as half a dozen entered the great mansion and | |
| disappeared to commence searching the house, the excitement increasing | |
| as they were seen to throw open the shutters of the library windows, in | |
| which room not so much as an overturned chair caught their attention. | |
| It due course the magnificently-furnished place was searched, the only | |
| thing peculiar there being that the bed in a quiet-looking chamber on | |
| the third floor had been evidently made that morning, but lain upon | |
| since, while the key of the door was outside. | |
| No way out at the back was discovered from the ground floor, and after a | |
| careful search for the missing occupants in every room, the police | |
| descended to the basement, everything above being in so quiet and | |
| orderly a state that the whole affair began to assume the aspect of | |
| imagination on the part of the constable who had given the alarm. | |
| "Didn't dream you'd got a case on, Dick, did you?" said the | |
| superintendent, banteringly, as the pantry was entered. | |
| "Don't look like it, do it, sir?" replied the man, triumphantly pointing | |
| to the table, on which lay the freshly-cut rope which had bound the | |
| housekeeper. | |
| "Humph! Don't see much in that," said the superintendent. "There's the | |
| plate-closet. Well, that's all right. Someone's been having wine. | |
| Nothing to wonder at in that when there's plenty. Splendid place; but | |
| the case begins to look to me like a flam." | |
| "Why, there's plenty outside saw the lady, too, sir," grumbled the | |
| constable. | |
| "Then where is she?" | |
| There was no answer, and the various domestic offices were examined, | |
| everything being in perfect order, and the only exit apparent being | |
| through the area door, which was locked, bolted and barred, as were all | |
| the windows. | |
| "Where does this lead?" said the superintendent, as he entered the | |
| passage farther back. "Another cellar, perhaps." They followed to the | |
| end, one of the men striking a match or two, for the extreme part was | |
| dark. "Humph! locked. Well, that can't be a way out, for there is no | |
| mat." Sniff, sniff! "What's that--powder? and what's that empty | |
| Gladstone doing there?" | |
| Just then the constable who had given the alarm suddenly stepped forward | |
| and stooped down. | |
| "What is it, Dick? One of the straws out of the mare's nest?" said the | |
| superintendent. | |
| For answer, the man drew at something quite low down by the floor, and | |
| it came away in his hand, to prove, on being held to the light of a wax | |
| match, a mere scrap of a handsomely-braided silk dress. | |
| "Ah!" cried the superintendent, showing the first signs of excitement, | |
| "smell of powder--that bit of silk!" | |
| He thumped with his knuckles on the panel of the door, and exclaimed-- | |
| "There's an iron inside; dress caught as they passed through, and as the | |
| door was shut the edge cut that off like a pair of shears. There's a | |
| way out here, my lads, and we've got hold of the clue." | |
| It seemed easier to point out the clue than to follow it, for the door | |
| was strong, and it was not until suitable implements had been fetched, | |
| to further excite the crowd, and a sturdy attack made at the end of the | |
| passage, that the outer door gave way, the bolts of the strongly-made | |
| lock being broken right off. | |
| "By George! you've got hold of a case this time, my lad," cried the | |
| superintendent; "but it's an attempt at a big burglary. This isn't a | |
| way out; it's the principal plate-closet, and they've been trying to get | |
| it open, and failed. Hammer leather-covered, wedges, pistols, dark | |
| lantern smashed, tin of powder, and marks on the front of the safe door | |
| where the wedges have been. Powder smells quite strong here. They must | |
| have tried to blast the door open. Out, all of you; they're hiding | |
| somewhere. They can't have got away." | |
| The men turned back, all but the one who had given the alarm, and he had | |
| struck a fresh match, for the bulb in the ceiling gave forth no light, | |
| and was stooping down to sweep away some of the sawdust on the floor. | |
| "Come along, Dick," cried the superintendent. "What have you got | |
| there?" | |
| "Look, sir," said the man, holding out a handful of the sawdust he had | |
| scraped up. "There's a bottle yonder that's had port wine in it, but | |
| this looks to me like blood." | |
| CHAPTER THIRTY THREE. | |
| TOM TIDDLER'S GROUND. | |
| "Blood of the grape!" cried the superintendent, contemptuously. "Where | |
| were you brought up? Never in a gentleman's wine cellar before? You | |
| should go down to the docks and see the floors there. By Jingo! but it | |
| is blood!" | |
| More of the sawdust was scraped aside, and the truth was plain enough; a | |
| broad patch had lain there, and the granulated wood had been thrown over | |
| to soak it up. | |
| But the constable was not satisfied yet; he kept peering about, made his | |
| way to the iron door, and then dropped upon his knees. | |
| "Here you are, sir," he cried. "They've put the body in here, it seems | |
| to me, for there's a tiny smutch just against the edge. There's been | |
| murder done." | |
| "You're right, Joe," cried the superintendent, sharply; "but where are | |
| the men? You stay here, I'll have the place searched again." | |
| Every nook and corner of the basement was examined without result, and | |
| then the rest of the house was carefully gone over once more, but the | |
| place proved to be empty, and the superintendent returned to where his | |
| sentry was on duty. | |
| "Made anything out, sir?" | |
| "No." | |
| "What about the roof? Must be a trap, and they've got through there." | |
| "There is a trap, my lad, but the cobwebs over it show that it can't | |
| have been opened to-day." | |
| "What about the cellar, sir?" | |
| "I have searched all but the wine cellars, and we can't break in there. | |
| I've sent orders to find out who lives here and telegraph to the family | |
| to come up." | |
| "But you won't wait, sir, before getting this iron door open?" | |
| "No, I sha'n't wait for that." | |
| "That's right, sir. They've killed the poor lady I saw, I'm afraid, and | |
| she's lying in there. That must be a bit of her dress." | |
| There was no further hesitation. Suitable workmen were obtained, and | |
| after many hours' toil the great iron door was drilled and prised off, | |
| the police stepping forward at once to raise the body they expected to | |
| find, and then standing dumbfounded at seeing that there were a couple | |
| of shelves upon one side. The rest of the iron closet was perfectly | |
| empty. | |
| A little further investigation by the aid of lights soon showed, though, | |
| that the supposed strong-room full of costly jewels and plate was only | |
| the entrance to another place, one side forming a door. | |
| This was attacked in turn, and after a long resistance was forced off by | |
| the workmen, and once more the police advanced on the tip-toe of | |
| expectation, to find themselves in a passage leading into a crypt-like | |
| chamber which had evidently been carefully elaborated out of the old | |
| cellarage, traces of which still remained. But there was no sign of | |
| occupation, and for a few moments the police hesitated as to which of | |
| the two closed doors they should attack. These were both of iron, | |
| which, like those of the safe they had passed through, were evidently of | |
| Belgian manufacture, from the name embossed thereon. | |
| But the hesitation soon passed away, for while one proved to be locked | |
| the other was unfastened, and after leaving a couple of men on guard, | |
| the superintendent passed on, leading the way through the farther door. | |
| Beyond was a dark passage cumbered with packing-cases, stacked on one | |
| side from floor to ceiling, while on turning into another passage which | |
| ran at right angles, they came upon a couple of heavy chests in the | |
| course of being unpacked, a heap of old books standing upon the corner | |
| of one. | |
| They examined the place, the basement of a mansion with double kitchens, | |
| servants' hall, pantry, and the like, and the cursory glance obtained | |
| showed them that the crypt-like vaults through which they had passed | |
| must be beneath the garden at the back of the house. | |
| But after satisfying themselves that no one was there they ascended a | |
| flight of stone steps, to find themselves in the book-encumbered hall of | |
| the professor's home. Then followed a quick search through the chambers | |
| of what proved to be an enormous library, room after room being covered | |
| with dusty book-shelves, the home of spiders innumerable, while only one | |
| chamber on the second floor proved to be a bedroom. | |
| Still, there was no trace of those they sought, and a little further | |
| examination showed that they must have passed out into the garden, | |
| entered the stabling at the bottom, and gone out into the mews at the | |
| back, and without doubt before the men were sent round to watch. | |
| "No capture yet," said the superintendent, grimly; "but it seems to me, | |
| Dick, that you'll get your promotion over this bit of mystery, for a | |
| nice game of some kind has been carried on, and we haven't got to the | |
| bottom of it yet I want that other door open now." | |
| They descended to the crypt again, and paused before the locked iron | |
| door, which, thanks to the experience gained in opening the others of | |
| the same make, the workmen forced in the course of an hour, and at the | |
| first flash in of a bull's-eye lantern a suppressed hiss of excitement | |
| escaped from the officer's lips. | |
| "At last!" he muttered. "It's murder, then, after all, but where's the | |
| girl?" | |
| For there, just as they had been carried in, ready for future disposal, | |
| lay side by side, in the bottom of the roomy iron closet, the bodies of | |
| the two servants, each with a bullet wound in the head, such an one as | |
| would produce almost instant death. | |
| They were carried out and laid upon a broad table of massive make, and | |
| as soon as this was done the superintendent examined the iron closet, | |
| whose back was covered with a perfect nest of drawers, one of which on | |
| being opened proved to be full of carefully-done-up rouleaux, the | |
| greater part of the rest being similarly filled. | |
| One of the rouleaux was torn open, and a portion of its contents poured | |
| into the officer's hand. | |
| "Sovereigns," he said. "Why, they must have had to do with some bank. | |
| Eh, what?" | |
| "Duffers," said the constable addressed as Dick. "A gang of smashers." | |
| "It isn't a time for making jokes," said another of the men, who was | |
| handling a couple of sovereigns, "or I'd say you was a duffer. Look at | |
| that; hark at this." | |
| He handed one coin to the man, and rang another on the heavy table, for | |
| it to give out the true sound of sterling gold. | |
| "No smashing here," said the superintendent. | |
| "Then what does all this mean?" said Dick, directing the light of the | |
| lantern he carried across to the far end of the vault. "There's all the | |
| tackle--rolling mill, die stamps, and the rest of it." | |
| "Bah! coiners melt their stuff and electro-gild it. These are right | |
| enough, and there's a big sum of money in there. Here, to work at once; | |
| I must have that door back in its place and the front sealed up." | |
| His man shook his head, and while the superintendent was busy directing | |
| the workmen, the constable carefully examined the elaborate machinery, | |
| and came upon a couple of chests full of little ingots which seemed to | |
| be of the right size for rolling out and stamping into coin. | |
| "I know!" he muttered at last. | |
| "What do you know?" said the superintendent. | |
| "They must be South Africa people with a gold mine of their own, and to | |
| save trouble make up their own stuff into sovereigns. Here, I want to | |
| look at those poor chaps again." | |
| The superintendent seemed disposed to bid him let them be, but he was | |
| beginning to feel more and more confidence in his subordinate's brains, | |
| and together they flashed the light over the ghastly faces. | |
| "That's right," said the constable. "I know 'em well. It's the butler | |
| and footman from next door. I've often seen 'em." | |
| "Then I've got a theory now," said the superintendent, clapping his | |
| subordinate on the shoulder. "You're right, I think, about their | |
| coining their own gold, and they came back to town--you see, Dick, the | |
| people of the house were out of town." | |
| "Yes, been out some time. I know that." | |
| "Well, they came back, and caught these two chaps breaking into the way | |
| to their underground bank, and they treated them like burglars, and shot | |
| them. Then there was a row; that lady you talk about wouldn't stand it; | |
| you raised the alarm." | |
| "And they've sloped. Ah, we ought to have had them, sir." | |
| "Oh, we'll do it yet. They can't get away very far, my lad. Now then, | |
| what are you thinking about now?" | |
| "All those quids, sir. I'm sure I'm right now. Big swells like they | |
| were, as I've often seen, with tip-top carriages and horses, wouldn't | |
| coin their own gold even if they'd got a mine. They're a gang of | |
| coiners, sir, and so you'll see. Got one of the sovs., sir?" | |
| "No." | |
| "Then take one of those little bars, and have that examined." | |
| The superintendent picked up one of the ingots, looked at it intently | |
| and shook his head. | |
| "Ah, you can't tell by that, sir," said his subordinate. "I say, look, | |
| sir; they've had the electric light. I wonder where they turn it on." | |
| The place was soon found, the stud pressed, and about a dozen glass | |
| bulbs shed a beautifully soft light through the arched place. | |
| "Good gold; a big sum of money in ingots, my lad," said the inspector, | |
| jingling two bars together and producing a musical sound. "Here, stop! | |
| I must have all these in that strong closet before we go--and double my | |
| sentries," he muttered. "Why, there must be thousands of pounds' worth | |
| lying here." | |
| CHAPTER THIRTY FOUR. | |
| A SHARP SHOCK. | |
| As Chester entered the room, and found himself face to face with the | |
| woman he had so cruelly used, he involuntarily caught Marion's arm, | |
| placed it beneath his own, and drew a deep breath as if prepared to | |
| defend her against any attack. | |
| Marion shivered slightly and pressed to his side, while Isabel gazed at | |
| her wildly and fixedly, before letting her lids drop over her eyes, and | |
| standing there breathing painfully, with one hand resting over her | |
| heart. | |
| Chester glanced at her with a feeling of despair and misery rising in | |
| his breast, but he turned his pitying gaze away and spoke to his sister, | |
| who stood drawn up to her full height, frowning, and as defiant as the | |
| brother upon whom she fixed her eyes as he spoke. | |
| "Laura," he said gently, "I have brought this lady here as a man brings | |
| one who seeks sanctuary--safety from a terrible peril." | |
| "Well?" she said coldly. | |
| "I bring her to you, my sister, asking you--to let her find the refuge | |
| and safety of which I have spoken. You will do this for my sake?" | |
| "No!" cried a sharp voice from the door--a voice which sank from time to | |
| time in its owner's excited state, so that her words were only half | |
| audible--"No, she will do nothing of the kind. How dare you bring her | |
| here to insult the lady to whom you were betrothed?" | |
| Chester turned upon the speaker angrily, but after the first word or two | |
| his voice softened down, and he spoke as one suffering deeply from his | |
| emotion. | |
| "Aunt, you have no right to speak to me like this. Remember, please, | |
| that something is due to me; far more to the lady for whom I ask | |
| protection and a welcome." | |
| "No, no," whispered Marion. "For pity's sake take me away from here." | |
| "No," said Chester, firmly. "This is my house, and you will stay here. | |
| Laura, you heard what I said?" | |
| "Yes, Fred; I heard what you said," she replied in a cold, unemotional | |
| way. | |
| "Then give Miss Clareborough the welcome I ask of my own sister." | |
| "No!" cried Aunt Grace, angrily. | |
| "Aunt," said Laura, coldly, "have the goodness to be silent. No, Fred, | |
| I cannot do what you say. It is an insult to Isabel and to me to make | |
| such a request." | |
| "Have you no pity for me?" whispered Marion, reproachfully. "How can | |
| you expose me to this?" | |
| He passed an arm round her waist and led her to a chair. | |
| "Isabel," he said gently, and she started and raised her eyes, to gaze | |
| at him fully, "you must know I could; not dream that you would be here. | |
| You will forgive me, too, for what I am compelled to say." | |
| She bowed her head gently and once more veiled her eyes, while Chester | |
| stood by the chair holding Marion's hand. | |
| "Aunt Grace, I insist upon your being silent. You have no voice in this | |
| matter. Laura, I tell you again that this lady is in grievous peril and | |
| needs all a sister's help. I ask that help of you; will you give it?" | |
| Laura was silent for a few moments; then she turned and gazed at Isabel, | |
| ending by throwing her arms about her, and then facing her brother once | |
| more. | |
| "Well?" he said bitterly. | |
| "It is impossible, Fred. If you have forgotten all that was due to | |
| Isabel, I cannot. No; and if aunt leaves this house I go with her." | |
| "I insist then," cried Chester, angrily. | |
| "No," said Marion, rising. "I must go. It is not right." | |
| "I am the best judge of that," said Chester, firmly, and he retained her | |
| hand. "Isabel, I never thought that we could ever stand in such a | |
| position as this; but now, face to face, I feel bound to say once more, | |
| forgive me, and to ask you to believe the simple truth--that I should | |
| have been doing you a greater wrong in holding to our engagement and | |
| making you my wife." | |
| She looked up at him firmly, and his heart throbbed with pity for her | |
| innocence and suffering, but there was no reproach in her clear, | |
| steadfast gaze. He read in it that she unquestioningly yielded to her | |
| fate; and at the end of a few moments her eyes fell towards the floor. | |
| "You see," whispered Marion, faintly, "it is impossible. Let me go and | |
| join them." | |
| "And leave me?" he whispered. "Here, water--quick! Oh, if there is an | |
| unfeeling creature upon the face of the earth, it is a woman at a time | |
| like this. Can you not see that she is fainting after the most cruel | |
| sufferings, and you all stand aside as if she were some leprous thing! | |
| Hah! Isabel!" | |
| "Yes, Fred," she said softly. | |
| She went down on one knee and tenderly raised the fainting woman's head | |
| till it rested upon her shoulder. | |
| The touch seemed to revive Marion, and in a few moments she opened her | |
| eyes and gazed wonderingly at the face so close to hers. | |
| "You?" she said softly. | |
| "Yes; I. He says you are suffering and in great peril. I am alone now | |
| here in London, and if you will come with me, for his sake I will be to | |
| you as a sister till the danger, whatever it may be, has passed." | |
| "Ah!" sighed Marion, the spasm seeming to tear itself from her breast, | |
| and she lay still for some moments with her eyes closed. | |
| "Come--sister," whispered Isabel, and she bent down and pressed her lips | |
| to the forehead so near her. | |
| Marion's colour flushed to her temples, and she looked up wildly and | |
| flung her arms about Isabel's neck, kissing her passionately. | |
| "Yes," she said. "I will come." | |
| There was a tap at the door, and Chester hurried across the room to | |
| prevent the maid from entering. | |
| "Yes," he said excitedly; "what is it?" | |
| "If you please, sir, it is the police; two of them, and they say they | |
| must see you directly." | |
| "Great heavens!" cried Chester, wildly, as he turned and gazed at where | |
| Marion had started to her feet and stood pale and ghastly, for she had | |
| heard the words. "Too late--too late! Yes; I know. Marion, that | |
| hound! that fiend! He is taken, and in his cowardly revenge he has sent | |
| them here." | |
| In the full belief that the police would be coming up to the room, | |
| Chester ran to the door. | |
| "Where are they?" he whispered sharply to the maid, who was wondering at | |
| the undue excitement displayed. | |
| "In the hall, sir." | |
| Chester's mind was made up on the instant, and he turned to Isabel. | |
| "Heaven bless you for this!" he cried passionately. "I cannot explain | |
| now, only that it is a case of great emergency. Take Miss Clareborough | |
| with you, and keep her until I write or come. I do not deserve this at | |
| your hands, but your presence here is like that of some good angel. You | |
| will take her home?" | |
| "Yes," she said softly, as she avoided his eyes. | |
| "Listen, then," he whispered anxiously. | |
| "These people below have come in search of her, and she must not fall | |
| into their hands. I will go and keep, them in conversation, while you | |
| get her away at once." | |
| "I will," replied Isabel, calmly. | |
| "Heaven bless you!" he cried passionately, and then he turned to Marion, | |
| who looked quite exhausted. | |
| "Go with her," he said--"at once. You will be safe there until I come." | |
| "No," she replied despairingly. "It would be better for you--for her-- | |
| that we never meet again." | |
| He caught her hand in his. | |
| "Refuse this, and I will not answer for the consequence," he whispered | |
| angrily. "Remember you are mine." | |
| He hurried out, trying to be perfectly calm, met the representatives of | |
| the law in the hall, and signed to them to come into the | |
| consulting-room, and closed the door. | |
| CHAPTER THIRTY FIVE. | |
| THE CLIMAX OF A MADNESS. | |
| "One minute. Sit down while I attend to this." | |
| The inspector took a chair, but his follower, evidently a plain clothes' | |
| officer, remained standing by the door; while, as if bound to make a | |
| memorandum of some important case, Chester took ink and paper and began | |
| writing rapidly for a few minutes, listening intently the while for the | |
| sound of steps upon the stairs, every nerve on the strain, as he | |
| wondered at the patience with which the two men waited. | |
| At last, with his heart throbbing painfully, Chester heard a faint | |
| rustling sound outside, and the front door close, just as the inspector | |
| broke the silence. | |
| "Beg pardon, sir," he said, "but this is a case of emergency. I should | |
| be glad if you can come at once." | |
| "Come at once?" | |
| "Yes," said the inspector, coolly. "Only in the next street. Case of | |
| attempted suicide. Doctor with the party wants a second opinion." | |
| Chester drew a deep breath, wrote another line of incoherent words, and | |
| then, having hard work to speak composedly, he rose and said-- | |
| "I am at your service now." | |
| He followed the inspector to the door, and feeling half stunned at what | |
| seemed like so strange an escape, he went to the house where, in a mad | |
| fit, the occupant had taken desperate measures to rid himself of a life | |
| which had grown hateful; and while Chester aided his colleagues for the | |
| next hour in the difficult task of trying to combat the poison taken, he | |
| could not help feeling that this might have been his own case if matters | |
| had gone otherwise, for despair would have prompted him also to take a | |
| life that had become horrible--an existence that he could not have | |
| borne. | |
| He went back home at last, but he made no attempt to see sister or aunt, | |
| his anger for the time being was too hot against them, and he was in no | |
| disposition to make any excuse. His next step was, he felt, to set | |
| Marion's mind at rest regarding the police, and he was about to start | |
| for Isabel's temporary London home, when he hesitated, shrinking from | |
| meeting her again. He felt that his position was despicable, and now | |
| the danger was past he mentally writhed at the obligation which he had | |
| so eagerly embraced. | |
| "What a poor, pitiful, contemptible object I must seem in her eyes," he | |
| muttered as he paced the room. | |
| But he grew cooler after a time. Marion's happiness must stand first. | |
| She was prostrate with horror and despair, and at any cost he felt that | |
| he must preserve her from danger, and set her mind at rest. | |
| "But I cannot go," he muttered--"I cannot face her again." Then, half | |
| mad with himself for his miserable cowardice, he cast aside the pen with | |
| which he was about to write, and determined to go. | |
| "She will forgive me," he said; and he hurried into the hall, took up | |
| his hat, and then stopped short, aghast at his helplessness. | |
| Where was he going? He had not the most remote idea as to where Isabel | |
| was staying, and maddened by his position, he forced himself to go up to | |
| the drawing-room and ask his sister for the address. | |
| "I must be half mad," he muttered. | |
| He threw open the drawing-room door and, strode in, determined to insist | |
| upon the address being given him if Laura should refuse. | |
| But the room was empty, and, staggered by this fresh surprise and with | |
| ominous thoughts beginning to arise, he went out on to the landing to | |
| call his sister by name. Then he called aloud to his aunt, with the | |
| result that an answer to his shouts came from below in the servant's | |
| voice-- | |
| "Beg pardon, sir; Miss Laura and Mrs Crane went out more than an hour | |
| ago." | |
| "What! Where did they go?" | |
| "I don't know, sir. I had to whistle for a cab, and they each took a | |
| travelling bag." | |
| Chester went down to his consulting-room, checkmated, and feeling | |
| completely stunned at his position. | |
| What was he to do? He might set a detective to try and find the cabman | |
| who took them away, but it would be days before he could have the man | |
| traced. | |
| Then came a bright idea. | |
| The hotel where Isabel had been staying--the manager there would know | |
| where she and her father and mother went on leaving. | |
| He took a cab there, but the manager did not know. He thought the old | |
| people went abroad, and the young lady went into private apartments. | |
| "But their letters--where were their letters to be addressed?" | |
| "To their country house, sir." | |
| Chester hurried away again. Perhaps something might be made of that, | |
| and he went to the first post-office and telegraphed down to the person | |
| in charge of the house, paying for a reply to be sent to Raybeck Square, | |
| to which place he returned, and paced his room for two hours before he | |
| obtained the brief reply:-- | |
| "Address not known. They have not written yet.--Susan." | |
| "Was any poor wretch ever so tortured by fate?" he muttered; and he | |
| threw himself into a chair to try and think out some way of finding out | |
| the address to which he had sent Marion. | |
| At last, faint, and with his brain in a whirl, he sought for temporary | |
| release from his sufferings in one of the bottles of drugs in his | |
| consulting-room. | |
| But the ordinary dose seemed to have no effect, and he repeated it at | |
| intervals twice before he sank into a state of lethargy from which he | |
| did not awaken till morning, to find himself lying back in a corner of | |
| the couch, with the three servants gathered in consultation. | |
| "Yes," he cried wildly, "what is it?--what is the matter?" | |
| "Nothing, sir, only that you frightened us. It's past eleven o'clock, | |
| and we were going to send for a doctor," said the parlour-maid. | |
| "No, nothing the matter. I was tired out, and overslept myself. Here, | |
| stop! Has--has Miss Laura come back?" | |
| "No, sir." | |
| "That will do. Go away." | |
| "Hadn't you better have a cup o' tea, sir?" said the cook, suggesting | |
| the universal panacea. | |
| "No, no!" he cried, so fiercely that the servants backed out, and the | |
| wretched man let his burning, confused head sink into his hands while he | |
| tried to collect his thoughts. | |
| But it was in vain. He bathed his temples, went into the breakfast-room | |
| and tried to partake of food, but gave it up in disgust, and finally | |
| turned to the drug again. | |
| "This can't go on," he muttered; "the human brain cannot stand it. | |
| Months of strain now, and my position worse than ever. And even now the | |
| police may have traced her, and she be looking vainly to me for help." | |
| He did not hear a ring at the front door, for he went back to his | |
| consulting-room, to sit with his head in his hands; neither did he hear | |
| the conversation going on after the closely-veiled lady who rang had | |
| been admitted. | |
| "Gone! You think Miss Laura will not return?" | |
| "I don't think so miss." There was a few moments' thoughtful silence. | |
| "Where is your master?" | |
| "In his consulting-room, miss, in a dreadful state. Oughtn't a doctor | |
| to be fetched to him? He looks so awful; his eyes roll at you as if he | |
| was going mad." | |
| There was another thoughtful pause, and then the visitor said firmly, | |
| "Go and ask Mr Chester if he will see me for a few moments." | |
| "Please, miss--ma'am--I really daren't," said the maid, pitifully. "He | |
| frightened me so last time I went into the room that I'd sooner leave at | |
| once than go in." | |
| There was a third period of hesitation, and then without a word the | |
| visitor went straight to the consulting-room, entered, and closed the | |
| door. | |
| Chester did not stir, but sat there in the gloomy place with his head | |
| bent, the image of utterly abased despair; and the visitor stood looking | |
| down pityingly at him for some moments before she spoke. | |
| Her voice seemed to galvanise him into life, and he started up and gazed | |
| at her wonderingly. "Isabel?" he cried. "Yes, Fred; I have come." | |
| "Hah! and Marion? How is she?" There was no reply for a few moments; | |
| then in a low, compassionate voice, "She was very, very ill last night, | |
| but later on she dropped asleep, and I left her about three, perfectly | |
| calm and peaceful." | |
| Chester gazed at her wildly. | |
| "Yes," he cried, "go on." | |
| "I went in to see her at intervals of an hour, and she was still | |
| sleeping calmly." | |
| "And you have left her!" he cried angrily. "You should not have done | |
| this." | |
| "No; I ought not to have done this," said Isabel, sadly. "You placed | |
| her in my charge, and I have betrayed your trust." | |
| "What! What do you mean?" | |
| "I went to her room about nine, and--" | |
| "Yes," he cried, springing up and catching her arm so fiercely that her | |
| pale, sad face grew full of suffering. | |
| "Tell me; you are keeping something back." | |
| "Must I tell you?" she said faintly. | |
| "Yes, yes!" he cried. "Why do you torture me?" | |
| "Fred, I was to blame," she said piteously. "I would have done anything | |
| for your sake. I could not foresee it all. She has gone!" | |
| "Gone?" he gasped. | |
| She held out a letter addressed to him, and he snatched at it and tore | |
| it open, to read with burning eyes:-- | |
| "Good-bye for ever. I love you too well to come between you and the | |
| happiness that may some day be yours. Do not seek for me: my love would | |
| prove a curse. I know it--I feel it. Forgive me the suffering I have | |
| caused to you and the gentle woman who has tended me. She will forgive | |
| you the past as I have prayed her to; and she will forgive me, knowing | |
| as she does that it was in all innocency I did her that wrong. Think of | |
| me as one who was not to blame for her position. I did not know | |
| everything; they kept it from us weak women. I did know, though, that | |
| they were engaged in some unlawful scheme, and prayed my brother to take | |
| me away; but he could not shake off his bonds--I could not leave him. | |
| Good-bye: think of me kindly. We shall never meet again." | |
| Chester read to the last word, then turned half round and fell heavily | |
| to the floor. | |
| It was as if the tie which bound him to life had snapped in twain. | |
| CHAPTER THIRTY SIX. | |
| WHY AND WHEREFORE. | |
| The customary inquest followed, and after careful examination of the | |
| various witnesses, and a visit to the place, the jury, by the coroner's | |
| direction, returned a verdict of "wilful murder." Then the strange | |
| affair passed into the hands of the police. The hounds of the law were | |
| laid upon the scent, and they were active enough in their efforts to run | |
| the Clareborough family down, but without success: for they had suddenly | |
| disappeared from The Towers, as completely as they had from their town | |
| mansion, but what direction they had taken was not discovered. | |
| They were "wanted" for the clearing up of the death of their two | |
| servants, whose bodies were identified by the domestics brought up from | |
| the country house; but the witness particularly sought for was the old | |
| housekeeper, who, it was presumed, would be able to give a pretty good | |
| account of the doings at the great mansion. But she could not be found, | |
| and the suspicion at once arose that she had been murdered by the men | |
| who made the attack upon the safe after obtaining leave to go up to town | |
| on business. | |
| Search was therefore made in the town mansion, and also in the adjoining | |
| house with the curious underground works, but without result, and the | |
| disappearance of the old lady's body added to the mystery. | |
| The family were wanted, too, soon after, upon another charge--that of | |
| coining, for upon further investigation of the supposed wealth banked in | |
| the strong-room, it was found that the coins were base. | |
| But it required a far more than superficial examination to prove this, | |
| official after official from the Mint declaring them to be genuine | |
| according to the ordinary tests. Their weight was absolutely correct, | |
| the workmanship was perfect, and they gave forth a true ring, but upon | |
| every sovereign being broken in half, though there was nothing to see, | |
| the coin appearing to be of gold with the proper amount of hardening | |
| metal added, the application of the acid test showed that something was | |
| wrong. | |
| The examination of the bars of metal supposed to be gold, and discovered | |
| in the underground place beneath the old professor's house, gave the | |
| explanation, the two chests delivered by the railway company helping the | |
| matter, for after the police had removed a layer or two of old books, | |
| they came upon small oaken boxes containing ingots of the base metal | |
| used in the manufacture of the coin, these being of an ingeniously | |
| compounded alloy, whose constituents, after metallurgical analysis, the | |
| Mint authorities kept secret. | |
| Examination of the cellarage proved quite startling, from the perfection | |
| of the dies, presses, and rolling mills, all of great power, beautifully | |
| made, but of foreign production. | |
| There was a small furnace, too, with crucibles, and other paraphernalia, | |
| the most interesting find being the small ribbons of metal from which | |
| the round counter-like flats had been punched, and some pieces in a box | |
| ready for being pressed. | |
| These last ribbons of metal proved to have been made from the base metal | |
| ingots, after the old fashion of producing silver plate--before the | |
| introduction of the cheap electro-plating system--by which the pure | |
| metal is deposited upon the base. | |
| Old silver-plated goods were made by taking a bar of copper and placing | |
| at top and bottom a thin slip of pure silver, which was made to adhere | |
| to the copper by heat. Then the silvered copper bar was passed through | |
| rolling mills till it was flattened to the necessary thickness, and came | |
| out with its due proportion of silver on both sides, ready for working | |
| up into shape, with the addition of pure silver finishings to the parts | |
| likely to be most worn. | |
| The Clareboroughs' sovereigns were, then, thus made, careful analysis | |
| proving that each ingot of alloy was prepared with the addition of | |
| one-half of pure gold, that is to say, one fourth part at top and | |
| bottom. This was fixed in the furnace; then the ingots were rolled to | |
| the right thickness, the flats punched out, and afterwards passed | |
| through the die press, to come out so perfect that for years these coins | |
| ran current by thousands, even the banking companies receiving them | |
| without demur, and it was not till long after that Chester discovered | |
| that his two-hundred-guinea fee was all perfectly base. | |
| The learned said the production of such coin was an impossibility, but | |
| the Clareboroughs proved to them that it was not, and the Mint | |
| authorities were puzzled by the perfection attained. But at last it was | |
| remembered that about twenty years before, a very clever metallurgist | |
| and chemist, who had held a high position at the Mint, was discovered in | |
| an offence against the rules of the establishment, which resulted in his | |
| immediate discharge and degradation, he having escaped a criminal | |
| prosecution by the skin or his teeth. | |
| This official had married a lady of the name of Clareborough, and it was | |
| suggested by an ingenious personage as being possible that to this man | |
| was due the manufacture of the base coinage. | |
| The right nail was hit upon the head, for at the time when, some seven | |
| or eight years earlier, the Clareborough family were, through their wild | |
| expenditure, utterly penniless and hopelessly in debt, this man, after | |
| many experiments, so advanced his project that he laid it before James | |
| Clareborough, who jumped at the idea; his brother Dennis and cousin | |
| Robert, both helplessly aground and forced to enlist in cavalry | |
| regiments, eagerly joined, and in a very small way the coining was | |
| begun, but they were terribly crippled by the cost of each piece. James | |
| Clareborough was for producing something cheap, saying that it was | |
| absurd to be making imitation sovereigns the material for each of which | |
| cost ten shillings; but his uncle's theory was that only by the great | |
| perfection of the coins could success and immunity from discovery be | |
| assured. | |
| The uncle had the support of the two younger men, and after a while the | |
| skill begotten from practice enabled them to produce the coins more | |
| rapidly; improved machinery was obtained from Belgium; four more | |
| impecunious members of the family were sworn in to join in the secret of | |
| what they called their private bank; and at the end of three years the | |
| mansion in Highcombe Street was taken, fitted up by foreign workmen, and | |
| by degrees the machinery brought in through the book-collector's house, | |
| and all done without a suspicion being raised. | |
| The generally-accepted idea in fashionable sporting circles was that the | |
| wealth of the Clareboroughs came from their clever gambling | |
| transactions, and many a speculator was ruined by trying to imitate | |
| them, notably their two servants. | |
| The various difficulties in the Clareboroughs' way dissolved upon being | |
| attacked; wealth rolled in as fast as they liked to make it, working | |
| hard under the guidance of their uncle, the professor, who kept the | |
| position of captain over them, for in spite of James Clareborough's | |
| overbearing ways, he gave up, as did the others, feeling that everything | |
| depended upon their being united. The old man's occupancy of the | |
| adjoining house, where he made his genuine love for collecting old works | |
| act as a blind for the receiving of heavy cases of metal, served them | |
| well, and the servants never once had a suspicion that there was a | |
| communication between the two buildings, or that the stern old | |
| housekeeper was the professor's wife. | |
| Her part was well played, too. She never left the town mansion when all | |
| the servants went down to The Towers. And it was at these times that | |
| the young men came up frequently, ostensibly to visit Paris or attend | |
| meetings, but really to work hard in the well-fitted vaults to replenish | |
| the strong-room, whose contents they wasted fast. | |
| Self-interest, as well as clannishness, held the family together. Use | |
| had made the labour of production familiar, and they might have gone on | |
| for years in their life of luxury unchecked, but for the one weak link | |
| in their chain--the strongest and most overbearing man among them. His | |
| plainly-displayed passion for his cousin had been the cause or quarrel | |
| after quarrel with Robert Clareborough, one of which culminated in | |
| blows, the use of the revolver, and Marion rushing off, believing her | |
| brother dying, for the aid of the surgeon with whose name a recent case | |
| had made her familiar. | |
| Of the further career of the family nothing more was known in England. | |
| The police were indefatigable, but they had keen, shrewd men to deal | |
| with, and the culprits completely disappeared. Suspicions were | |
| entertained that they might have had something to do with the | |
| distribution of a great deal of base coin in Germany, but it was never | |
| traced home to them, and to all intents and purposes the name of | |
| Clareborough soon died out and the mysterious business in Highcombe | |
| Street was forgotten. | |
| CHAPTER THIRTY SEVEN. | |
| CHESTER AWAKENS FROM HIS DREAM. | |
| It was not until after many days of wild delirium that Fred Chester | |
| unclosed his eyes with the light of reason to make things clear once | |
| more. He was in his own room, and he lay wondering why he was unable to | |
| raise a hand or turn his head without difficulty. | |
| He lay for some time trying to think out what had happened in an | |
| untroubled way, for a restful sensation pervaded his being, and it did | |
| not seem to matter much till he became conscious of a peculiar, soft, | |
| clicking sound, which he knew at last to be caused by a needle coming in | |
| contact with a thimble. | |
| It came from somewhere to his left behind the curtain, which was drawn | |
| to keep the sunshine which came through the open window from his face. | |
| This afforded him fresh food for thought, and by degrees he turned his | |
| head a little, till he could lie and watch the curtain, and wonder who | |
| was beyond. | |
| That was all. He felt no temptation to try and speak, for it seemed, in | |
| a pleasant, dreamy way, that sooner or later he would know. | |
| It was sooner. For all at once, as he lay watching, the sewer bent | |
| forward a little, so that she could gaze at the face upon the pillow, | |
| and their eyes met, those of the nurse turning wild and dilated as she | |
| started up and hurried from the room. | |
| "Isabel--you!" he said, in a mere whisper of a voice, but she did not | |
| stay, and the next minute, as the sick man still lay wondering, the door | |
| was opened again and Laura entered. | |
| "Oh, Fred, Fred, my own brother!" she cried, as she sank upon her knees | |
| by the bedside and pressed her lips to the thin white hand lying outside | |
| the sheet. | |
| "Laury," he said, feebly; "you, dear? Wasn't that Bel?" | |
| "Yes, yes; but you must not talk. Oh, thank God! thank God, you know us | |
| once again!" | |
| "Know you?" he said, smiling, "of course. Where's aunt?" | |
| "Downstairs, dear, asleep. She is so worn-out with watching you." | |
| "Watching me?" he said, with a little child-like laugh. "Yes, of | |
| course, she is always watching." | |
| He gently raised his hand, to place it upon his sister's head, and it | |
| lay there passive for some time, till Laura realised that her brother | |
| was fast asleep; and then she stole away to join Isabel in the next | |
| room. | |
| The next day Chester was a little stronger, but it was as if his mind | |
| was passing through the early stages once more, he was so child-like and | |
| weak; and it was not until the third day of his recovering his senses | |
| after the terrible brain fever through which he had passed that he | |
| remembered Isabel again, and asked if he had not seen her there. | |
| Laura told him yes, that she had been there, and he asked no more; but | |
| as the days went on he learned all. That his sister had returned to | |
| town with his aunt and written to the servant from their hotel to pack | |
| up the clothes and books they had left behind, and received an answer | |
| back that Chester was dying of brain fever. | |
| This brought sister and aunt to his side, to find that Isabel had been | |
| with him from the first, watching him night and day. Then they shared | |
| the task with her, till the first rays of reason began to shine out of | |
| his eyes. | |
| "But where is she now? Why does she not come?" he said rather | |
| fretfully. | |
| "She left directly you seemed to be out of danger, Fred." | |
| "But how unkind. Why should she do that?" | |
| "Why, Fred--why?" said his sister gazing at him wonderingly. "Oh, | |
| brother, brother, you do not grasp all yet." | |
| Laura Chester was wrong; he did grasp it at that moment, for the past | |
| came back like a flash, and he uttered a low groan as he recalled the | |
| contents of that letter, the words seeming to stand out vividly before | |
| his eyes. | |
| From that hour his progress towards recovery was slower than before, and | |
| he lay thinking that the words contained in that letter were true--that | |
| it was good-bye for ever and that his life was hopelessly wrecked. | |
| The return of health and strength contradicted that, though, as a year | |
| passed away, and then another year, in the course of which time he | |
| learned that the discoveries in Highcombe Street had been forgotten by | |
| the crowd, other social sensations having blurred them out. | |
| His own troubles had grown fainter, too, as the time wore on; but for | |
| two years he did not see Isabel again. Then they met one day by | |
| accident and another day not by accident, and by slow degrees, while | |
| tortured by shame and remorse at having, as he told himself, thrown | |
| everything worth living for away, he learned what a weak, foolish | |
| creature a woman who has once truly loved a man can be, and said, as | |
| many of us say-- | |
| "What a miserable desert this world would be if there was no forgiveness | |
| for such a sin as mine!" | |
| The End. |