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| ومع ذلك ، كل هذا لا يفسر سحرها ، الذي يأخذ الجمال كـ |
| شكل شائع لجميع البطلات ، ربما يتكون من إضافة إليها |
| المرح ، ذكائها ، وتصرفها الحنون والطبيعي ، من أ |
| بعض الخوف غير شائع للغاية في بطلات من نوعها وعمرها. |
| كان جميعهم تقريبًا في رهبة عاجزة عن الكلام الرائع |
| دارسي تقريبا جميعهم قد خمروا ورفرفوا في |
| فكرة المقترحات ، حتى المقترحات المشاغب ، من ويكهام الرائعة. |
| إليزابيث ، دون أي شيء هجوم ، لا شيء |
| </i> |
| viraginous, |
| <i> |
| nothing of the |
| “New Woman” about her, has by nature what the best modern (not “new”) |
| women have by education and experience, a perfect freedom from the idea |
| that all men may bully her if they choose, and that most will |
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| {xxiii} |
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| away with |
| her if they can. Though not in the least “impudent and mannish grown,” |
| she has no mere sensibility, no nasty niceness about her. The form of |
| passion common and likely to seem natural in Miss Austen’s day was so |
| invariably connected with the display of one or the other, or both of |
| these qualities, that she has not made Elizabeth outwardly passionate. |
| But I, at least, have not the slightest doubt that she would have |
| married Darcy just as willingly without Pemberley as with it, and |
| anybody who can read between lines will not find the lovers’ |
| conversations in the final chapters so frigid as they might have looked |
| to the Della Cruscans of their own day, and perhaps do look to the Della |
| Cruscans of this. |
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