[
  {
    "PaperID": "2604293429",
    "DOI": "10.1038/NATURE21680",
    "Year": "2017.0",
    "Date": "2017-04-05",
    "JournalID": "137773608.0",
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    "Title": "A massive, quiescent galaxy at a redshift of 3.717",
    "Abstract": "",
    "NewsfeedID": "https://www.sciencenews.org/article/massive-red-dead-galaxy-spotted-young-universe?mode=magazine&context=193020"
  },
  {
    "PaperID": "2604934333",
    "DOI": "10.1073/PNAS.1619013114",
    "Year": "2017.0",
    "Date": "2017-04-18",
    "JournalID": "125754415.0",
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    "Title": "Early human symbolic behavior in the Late Pleistocene of Wallacea",
    "Abstract": "wallacea the zone of oceanic islands separating the continental regions of southeast asia and australia has yielded sparse evidence for the symbolic culture of early modern humans here we report evidence for symbolic activity 30 000 22 000 y ago at leang bulu bettue a cave and rock shelter site on the wallacean island of sulawesi we describe hitherto undocumented practices of personal ornamentation and portable art alongside evidence for pigment processing and use in deposits that are the same age as dated rock art in the surrounding karst region previously assemblages of multiple and diverse types of pleistocene symbolic artifacts were entirely unknown from this region the leang bulu bettue assemblage provides insight into the complexity and diversification of modern human culture during a key period in the global dispersal of our species it also shows that early inhabitants of sulawesi fashioned ornaments from body parts of endemic animals suggesting modern humans integrated exotic faunas and other novel resources into their symbolic world as they colonized the biogeographically unique regions southeast of continental eurasia",
    "NewsfeedID": "https://www.zmescience.com/science/news-science/cave-paintings-indonesia/"
  },
  {
    "PaperID": "2604934333",
    "DOI": "10.1073/PNAS.1619013114",
    "Year": "2017.0",
    "Date": "2017-04-18",
    "JournalID": "125754415.0",
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    "Patent_Count": "0",
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    "Title": "Early human symbolic behavior in the Late Pleistocene of Wallacea",
    "Abstract": "wallacea the zone of oceanic islands separating the continental regions of southeast asia and australia has yielded sparse evidence for the symbolic culture of early modern humans here we report evidence for symbolic activity 30 000 22 000 y ago at leang bulu bettue a cave and rock shelter site on the wallacean island of sulawesi we describe hitherto undocumented practices of personal ornamentation and portable art alongside evidence for pigment processing and use in deposits that are the same age as dated rock art in the surrounding karst region previously assemblages of multiple and diverse types of pleistocene symbolic artifacts were entirely unknown from this region the leang bulu bettue assemblage provides insight into the complexity and diversification of modern human culture during a key period in the global dispersal of our species it also shows that early inhabitants of sulawesi fashioned ornaments from body parts of endemic animals suggesting modern humans integrated exotic faunas and other novel resources into their symbolic world as they colonized the biogeographically unique regions southeast of continental eurasia",
    "NewsfeedID": "https://www.theguardian.com/science/2017/apr/04/ice-age-art-in-indonesia-reveals-how-spiritual-life-evolved-en-route-to-australia"
  },
  {
    "PaperID": "2081225124",
    "DOI": "10.1038/NATURE13422",
    "Year": "2014.0",
    "Date": "2014-10-09",
    "JournalID": "137773608.0",
    "ConferenceSeriesID": "",
    "Patent_Count": "0",
    "Newsfeed_Count": "11",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "https://www.zmescience.com/science/news-science/cave-paintings-indonesia/"
  },
  {
    "PaperID": "2081225124",
    "DOI": "10.1038/NATURE13422",
    "Year": "2014.0",
    "Date": "2014-10-09",
    "JournalID": "137773608.0",
    "ConferenceSeriesID": "",
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    "Newsfeed_Count": "11",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "http://theconversation.com/buried-tools-and-pigments-tell-a-new-history-of-humans-in-australia-for-65-000-years-81021"
  },
  {
    "PaperID": "2081225124",
    "DOI": "10.1038/NATURE13422",
    "Year": "2014.0",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "http://www.bookofjoe.com/2018/09/the-earliest-drawing-on-earth-created-73000-years-ago.html"
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  {
    "PaperID": "2081225124",
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    "Year": "2014.0",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "https://www.publico.pt/2018/11/07/ciencia/noticia/pintura-figurativa-antiga-conhece-borneu-1850258"
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
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    "PaperID": "2081225124",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "https://www.geek.com/news/oldest-known-cave-painting-of-an-animal-discovered-in-indonesia-1759970/"
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  {
    "PaperID": "2081225124",
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    "Title": "Pleistocene cave art from Sulawesi, Indonesia",
    "Abstract": "cave art from the island of sulawesi in indonesia consisting of human hand stencils and animal paintings is at least 40 000 years old raising the question of why rock art traditions appeared at more or less the same time at opposite ends of the late pleistocene human world new dating results challenge the traditional view that western europe was the centre of a crucial stage in the evolution of modern human intelligence and culture based largely on the emergence of figurative or representational art in cave paintings and sculptures around 40 000 years ago dating data from a series of hand stencils and paintings of wild animals from caves in the maros karst in sulawesi indonesia suggest that figurative art appeared at more or less the same time at opposite ends of the late pleistocene world or was cave painting practised by the first homo sapiens to leave africa tens of thousands of years earlier archaeologists have long been puzzled by the appearance in europe 40 35 thousand years kyr ago of a rich corpus of sophisticated artworks including parietal art that is paintings drawings and engravings on immobile rock surfaces 1 2 and portable art for example carved figurines 3 4 and the absence or scarcity of equivalent well dated evidence elsewhere especially along early human migration routes in south asia and the far east including wallacea and australia5 6 7 8 where modern humans homo sapiens were established by 50 kyr ago9 10 here using uranium series dating of coralloid speleothems directly associated with 12 human hand stencils and two figurative animal depictions from seven cave sites in the maros karsts of sulawesi we show that rock art traditions on this indonesian island are at least compatible in age with the oldest european art11 the earliest dated image from maros with a minimum age of 39 9 kyr is now the oldest known hand stencil in the world in addition a painting of a babirusa pig deer made at least 35 4 kyr ago is among the earliest dated figurative depictions worldwide if not the earliest one among the implications it can now be demonstrated that humans were producing rock art by 40 kyr ago at opposite ends of the pleistocene eurasian world",
    "NewsfeedID": "https://cosmosmagazine.com/archaeology/the-world-s-oldest-hunting-scene"
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