gem_id stringlengths 20 25 | id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 270 | target stringlengths 1 270 | references list | answers dict |
|---|---|---|---|---|---|---|---|
gem-squad_v2-train-5500 | 5ad262a3d7d075001a4290ba | House_music | In the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna, Janet Jackson, Paula Abdul, Aretha Franklin, Bananarama, Diana Ross, Tina Turner, Whitney Houston, Steps, Kylie Minogue, Bjork, and C+C Music Factoryhave all incorporated the genre into some of their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, for example, G-house, Deep House, Tech House and Bass House. As of 2015, house music remains extremely popular in both clubs and in the mainstream pop scene while retaining a foothold on underground scenes across the globe.[citation needed] | Who incorporated Chicago music into some of their work? | Who incorporated Chicago music into some of their work? | [
"Who incorporated Chicago music into some of their work?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5501 | 570695a652bb891400689aa4 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What instruments did disco songs incorporate from house music? | What instruments did disco songs incorporate from house music? | [
"What instruments did disco songs incorporate from house music?"
] | {
"text": [
"synthesizers and drum machines"
],
"answer_start": [
54
]
} |
gem-squad_v2-train-5502 | 570695a652bb891400689aa5 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | who produced Donna Summer's hit single "I Feel Love"? | who produced Donna Summer's hit single "I Feel Love"? | [
"who produced Donna Summer's hit single \"I Feel Love\"?"
] | {
"text": [
"Giorgio Moroder"
],
"answer_start": [
151
]
} |
gem-squad_v2-train-5503 | 570695a652bb891400689aa6 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | what sort of music did Hi-NRG group Lime produce? | what sort of music did Hi-NRG group Lime produce? | [
"what sort of music did Hi-NRG group Lime produce?"
] | {
"text": [
"1980s disco-pop"
],
"answer_start": [
419
]
} |
gem-squad_v2-train-5504 | 570695a652bb891400689aa7 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What year did Cerrone's "Supernature" get released? | What year did Cerrone's "Supernature" get released? | [
"What year did Cerrone's \"Supernature\" get released?"
] | {
"text": [
"1977"
],
"answer_start": [
276
]
} |
gem-squad_v2-train-5505 | 570695a652bb891400689aa8 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What year was solid state survivor released? | What year was solid state survivor released? | [
"What year was solid state survivor released?"
] | {
"text": [
"1979"
],
"answer_start": [
394
]
} |
gem-squad_v2-train-5506 | 5ad2637fd7d075001a429110 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What instruments did disco songs incorporate from Yellow music? | What instruments did disco songs incorporate from Yellow music? | [
"What instruments did disco songs incorporate from Yellow music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5507 | 5ad2637fd7d075001a429111 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | Who produced Donna Summer's hit single "Yellow Magic"? | Who produced Donna Summer's hit single "Yellow Magic"? | [
"Who produced Donna Summer's hit single \"Yellow Magic\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5508 | 5ad2637fd7d075001a429112 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What sort of music did Hi-NRG group Yellow produce? | What sort of music did Hi-NRG group Yellow produce? | [
"What sort of music did Hi-NRG group Yellow produce?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5509 | 5ad2637fd7d075001a429113 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What year did Cerrone's "Yellow" get released? | What year did Cerrone's "Yellow" get released? | [
"What year did Cerrone's \"Yellow\" get released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5510 | 5ad2637fd7d075001a429114 | House_music | Various disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder's late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, Cerrone's "Supernature" (1977), Yellow Magic Orchestra's synth-disco-pop productions from Yellow Magic Orchestra (1978), Solid State Survivor (1979), and several early 1980s disco-pop productions by the Hi-NRG group Lime. | What year was "Yellow State Survivor" released? | What year was "Yellow State Survivor" released? | [
"What year was \"Yellow State Survivor\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5511 | 5706962d52bb891400689aae | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What influenced House music? | What influenced House music? | [
"What influenced House music?"
] | {
"text": [
"Soul and disco"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-5512 | 5706962d52bb891400689aaf | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What type of producer was Frankie Knuckles? | What type of producer was Frankie Knuckles? | [
"What type of producer was Frankie Knuckles?"
] | {
"text": [
"Early house producers"
],
"answer_start": [
353
]
} |
gem-squad_v2-train-5513 | 5706962d52bb891400689ab0 | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | what did Frankie Knuckles use to create his compositions? | what did Frankie Knuckles use to create his compositions? | [
"what did Frankie Knuckles use to create his compositions?"
] | {
"text": [
"samplers, synthesizers, sequencers, and drum machines"
],
"answer_start": [
449
]
} |
gem-squad_v2-train-5514 | 5ad264a8d7d075001a42916a | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What influenced Drum music? | What influenced Drum music? | [
"What influenced Drum music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5515 | 5ad264a8d7d075001a42916b | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What type of producer was Larry Levan? | What type of producer was Larry Levan? | [
"What type of producer was Larry Levan?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5516 | 5ad264a8d7d075001a42916c | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What did Larry Levan use to create his composition? | What did Larry Levan use to create his composition? | [
"What did Larry Levan use to create his composition?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5517 | 5ad264a8d7d075001a42916d | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | Who produced longer arrangements of drum recordings? | Who produced longer arrangements of drum recordings? | [
"Who produced longer arrangements of drum recordings?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5518 | 5ad264a8d7d075001a42916e | House_music | Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines. | What audio engineers created drum machines? | What audio engineers created drum machines? | [
"What audio engineers created drum machines?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5519 | 5706969952bb891400689ab4 | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What was the name of Charanjit Singh's 1982 album? | What was the name of Charanjit Singh's 1982 album? | [
"What was the name of Charanjit Singh's 1982 album?"
] | {
"text": [
"Synthesizing: Ten Ragas to a Disco Beat"
],
"answer_start": [
76
]
} |
gem-squad_v2-train-5520 | 5706969952bb891400689ab5 | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What did Singh's album contain? | What did Singh's album contain? | [
"What did Singh's album contain?"
] | {
"text": [
"Indian ragas performed in a disco style"
],
"answer_start": [
136
]
} |
gem-squad_v2-train-5521 | 5706969952bb891400689ab6 | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What year was synthesizing: ten ragas to a disco beat released? | What year was synthesizing: ten ragas to a disco beat released? | [
"What year was synthesizing: ten ragas to a disco beat released?"
] | {
"text": [
"1982"
],
"answer_start": [
117
]
} |
gem-squad_v2-train-5522 | 5706969952bb891400689ab7 | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What sort of arrangement did Charanjit Singh use on his 1982 album? | What sort of arrangement did Charanjit Singh use on his 1982 album? | [
"What sort of arrangement did Charanjit Singh use on his 1982 album?"
] | {
"text": [
"minimal arrangement"
],
"answer_start": [
35
]
} |
gem-squad_v2-train-5523 | 5ad269fad7d075001a4292fc | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What was the name of Charanjit Singh's 1981 album? | What was the name of Charanjit Singh's 1981 album? | [
"What was the name of Charanjit Singh's 1981 album?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5524 | 5ad269fad7d075001a4292fd | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What did Beat's album contains? | What did Beat's album contains? | [
"What did Beat's album contains?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5525 | 5ad269fad7d075001a4292fe | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What year was Rediscovery in the 21st Century released? | What year was Rediscovery in the 21st Century released? | [
"What year was Rediscovery in the 21st Century released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5526 | 5ad269fad7d075001a4292ff | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What sort of arrangement did Charanjit Singh use on his 1981 album? | What sort of arrangement did Charanjit Singh use on his 1981 album? | [
"What sort of arrangement did Charanjit Singh use on his 1981 album?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5527 | 5ad269fad7d075001a429300 | House_music | The electronic instrumentation and minimal arrangement of Charanjit Singh's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. | What is known to have influence on the Indian ragas prior to its rediscovery? | What is known to have influence on the Indian ragas prior to its rediscovery? | [
"What is known to have influence on the Indian ragas prior to its rediscovery?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5528 | 57069abf75f01819005e7c36 | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | Who is Rachel Cain? | Who is Rachel Cain? | [
"Who is Rachel Cain?"
] | {
"text": [
"co-founder of an influential Trax Records"
],
"answer_start": [
13
]
} |
gem-squad_v2-train-5529 | 57069abf75f01819005e7c37 | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | Who were Frankie Knuckles and ron hardy? | Who were Frankie Knuckles and ron hardy? | [
"Who were Frankie Knuckles and ron hardy?"
] | {
"text": [
"two influential pioneers of house music"
],
"answer_start": [
393
]
} |
gem-squad_v2-train-5530 | 57069abf75f01819005e7c38 | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | what was the nickname of frankie knuckles? | what was the nickname of frankie knuckles? | [
"what was the nickname of frankie knuckles?"
] | {
"text": [
"\"the Godfather of House,\""
],
"answer_start": [
503
]
} |
gem-squad_v2-train-5531 | 57069abf75f01819005e7c39 | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | marshall jefferson got involved in house music after hearing whose music? | marshall jefferson got involved in house music after hearing whose music? | [
"marshall jefferson got involved in house music after hearing whose music?"
] | {
"text": [
"Ron Hardy's"
],
"answer_start": [
1041
]
} |
gem-squad_v2-train-5532 | 57069abf75f01819005e7c3a | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | what was ron hardy's music released in? | what was ron hardy's music released in? | [
"what was ron hardy's music released in?"
] | {
"text": [
"Muzic Box"
],
"answer_start": [
1062
]
} |
gem-squad_v2-train-5533 | 5ad26c00d7d075001a42936a | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | Who is Rachel Chicago? | Who is Rachel Chicago? | [
"Who is Rachel Chicago?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5534 | 5ad26c00d7d075001a42936b | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | Who were Frankie Hardy and Ron Knuckles? | Who were Frankie Hardy and Ron Knuckles? | [
"Who were Frankie Hardy and Ron Knuckles?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5535 | 5ad26c00d7d075001a42936c | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | What was the nickname of Ron Knuckles? | What was the nickname of Ron Knuckles? | [
"What was the nickname of Ron Knuckles?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5536 | 5ad26c00d7d075001a42936d | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | Ron Knuckles got involved in house music after hearing whose music? | Ron Knuckles got involved in house music after hearing whose music? | [
"Ron Knuckles got involved in house music after hearing whose music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5537 | 5ad26c00d7d075001a42936e | House_music | Rachel Cain, co-founder of an influential Trax Records, was previously involved in the burgeoning punk scene and cites industrial and post-punk record store Wax Trax! Records as an important connection between the ever-changing underground sounds of Chicago. As most proto-house DJs were primarily stuck to playing their conventional ensemble of dance records, Frankie Knuckles and Ron Hardy, two influential pioneers of house music, were known for their out-of-bounds behavior. The former, credited as "the Godfather of House," worked primarily with early disco music with a hint of new and different music (whether it was post-punk or post-disco) but still enjoying a variety of music, while the latter produced unconventional DIY mixtapes which he later played straight-on in the music club Muzic Box, boiling with raw energy. Marshall Jefferson, who would later appear with the Chicago house classic "Move Your Body (The House-Music Anthem)," (originally released on Chicago-based Trax Records) got involved in house music after hearing Ron Hardy's music in Muzic Box. | What was Ron Knuckles's music released in? | What was Ron Knuckles's music released in? | [
"What was Ron Knuckles's music released in?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5538 | 57069b2452bb891400689abc | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | who were the chicago radio jocks that played dance music in the early 1980s? | who were the chicago radio jocks that played dance music in the early 1980s? | [
"who were the chicago radio jocks that played dance music in the early 1980s?"
] | {
"text": [
"The Hot Mix 5"
],
"answer_start": [
40
]
} |
gem-squad_v2-train-5539 | 57069b2452bb891400689abd | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | what style of music did man parrish play? | what style of music did man parrish play? | [
"what style of music did man parrish play?"
] | {
"text": [
"B-Boy hip hop music"
],
"answer_start": [
285
]
} |
gem-squad_v2-train-5540 | 57069b2452bb891400689abe | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | what style of music did afrika bambaataa play? | what style of music did afrika bambaataa play? | [
"what style of music did afrika bambaataa play?"
] | {
"text": [
"electro funk"
],
"answer_start": [
209
]
} |
gem-squad_v2-train-5541 | 57069b2452bb891400689abf | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | what style of music did kraftwerk play? | what style of music did kraftwerk play? | [
"what style of music did kraftwerk play?"
] | {
"text": [
"electronic pop music"
],
"answer_start": [
374
]
} |
gem-squad_v2-train-5542 | 57069b2452bb891400689ac0 | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | how did producers sometimes make edits of house music? | how did producers sometimes make edits of house music? | [
"how did producers sometimes make edits of house music?"
] | {
"text": [
"reel-to-reel tape"
],
"answer_start": [
500
]
} |
gem-squad_v2-train-5543 | 5ad26cdcd7d075001a4293ac | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | Who were the chicago radio jocks that played dance music in the early 1970s? | Who were the chicago radio jocks that played dance music in the early 1970s? | [
"Who were the chicago radio jocks that played dance music in the early 1970s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5544 | 5ad26cdcd7d075001a4293ad | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | What style of music did drum parrish play? | What style of music did drum parrish play? | [
"What style of music did drum parrish play?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5545 | 5ad26cdcd7d075001a4293ae | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | What style of music did drum bambaataa play? | What style of music did drum bambaataa play? | [
"What style of music did drum bambaataa play?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5546 | 5ad26cdcd7d075001a4293af | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | How did producers sometimes make edits of drum music? | How did producers sometimes make edits of drum music? | [
"How did producers sometimes make edits of drum music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5547 | 5ad26cdcd7d075001a4293b0 | House_music | In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era, | What style of music did Drum Kraftwerk play? | What style of music did Drum Kraftwerk play? | [
"What style of music did Drum Kraftwerk play?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5548 | 57069b7b52bb891400689ac6 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | who produced the song "on and on" in 1984? | who produced the song "on and on" in 1984? | [
"who produced the song \"on and on\" in 1984?"
] | {
"text": [
"Jesse Saunders"
],
"answer_start": [
79
]
} |
gem-squad_v2-train-5549 | 57069b7b52bb891400689ac7 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | where was jesse saunders from? | where was jesse saunders from? | [
"where was jesse saunders from?"
] | {
"text": [
"Chicago"
],
"answer_start": [
68
]
} |
gem-squad_v2-train-5550 | 57069b7b52bb891400689ac8 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | who co-wrote the hit song "on and on" in 1984? | who co-wrote the hit song "on and on" in 1984? | [
"who co-wrote the hit song \"on and on\" in 1984?"
] | {
"text": [
"Vince Lawrence"
],
"answer_start": [
112
]
} |
gem-squad_v2-train-5551 | 57069b7b52bb891400689ac9 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | what type of bass synthesizer was a staple of the early house sound? | what type of bass synthesizer was a staple of the early house sound? | [
"what type of bass synthesizer was a staple of the early house sound?"
] | {
"text": [
"Roland TB-303"
],
"answer_start": [
199
]
} |
gem-squad_v2-train-5552 | 57069b7b52bb891400689aca | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | when was player one's "space invaders" released? | when was player one's "space invaders" released? | [
"when was player one's \"space invaders\" released?"
] | {
"text": [
"1979"
],
"answer_start": [
428
]
} |
gem-squad_v2-train-5553 | 5ad271c1d7d075001a429468 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | Who produced the song "Roland" in 1984? | Who produced the song "Roland" in 1984? | [
"Who produced the song \"Roland\" in 1984?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5554 | 5ad271c1d7d075001a429469 | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | Where was Jesse Roland from? | Where was Jesse Roland from? | [
"Where was Jesse Roland from?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5555 | 5ad271c1d7d075001a42946a | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | Who co-wrote the hit song "Roland" in 1984? | Who co-wrote the hit song "Roland" in 1984? | [
"Who co-wrote the hit song \"Roland\" in 1984?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5556 | 5ad271c1d7d075001a42946b | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | What type of bass synthesizer was a staple of the early Sanders sound? | What type of bass synthesizer was a staple of the early Sanders sound? | [
"What type of bass synthesizer was a staple of the early Sanders sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5557 | 5ad271c1d7d075001a42946c | House_music | The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808) drum machine and Korg (specifically Poly-61) synthesizer. It also utilized the bassline from Player One's disco record "Space Invaders" (1979). "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk's "Music is the Key" (1985), have also been cited. | When was player one's "Space Key" released? | When was player one's "Space Key" released? | [
"When was player one's \"Space Key\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5558 | 57069bdd52bb891400689ad0 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | when was jesse saunders' "on and on" a hit? | when was jesse saunders' "on and on" a hit? | [
"when was jesse saunders' \"on and on\" a hit?"
] | {
"text": [
"1984"
],
"answer_start": [
12
]
} |
gem-squad_v2-train-5559 | 57069bdd52bb891400689ad1 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | what type of audience was early disco and dance catered to? | what type of audience was early disco and dance catered to? | [
"what type of audience was early disco and dance catered to?"
] | {
"text": [
"African-American and gay audiences"
],
"answer_start": [
450
]
} |
gem-squad_v2-train-5560 | 57069bdd52bb891400689ad2 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | what year was house music first used as a genre? | what year was house music first used as a genre? | [
"what year was house music first used as a genre?"
] | {
"text": [
"1985"
],
"answer_start": [
489
]
} |
gem-squad_v2-train-5561 | 57069bdd52bb891400689ad3 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | what were two big subgenres of house music? | what were two big subgenres of house music? | [
"what were two big subgenres of house music?"
] | {
"text": [
"deep house and acid house"
],
"answer_start": [
638
]
} |
gem-squad_v2-train-5562 | 57069bdd52bb891400689ad4 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | what area radio was house music generally played on? | what area radio was house music generally played on? | [
"what area radio was house music generally played on?"
] | {
"text": [
"Chicago-area radio"
],
"answer_start": [
386
]
} |
gem-squad_v2-train-5563 | 5ad27260d7d075001a429490 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | When was Jesse Saunders' "House Music" a hit? | When was Jesse Saunders' "House Music" a hit? | [
"When was Jesse Saunders' \"House Music\" a hit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5564 | 5ad27260d7d075001a429491 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | What type of audience was early house music catered to? | What type of audience was early house music catered to? | [
"What type of audience was early house music catered to?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5565 | 5ad27260d7d075001a429492 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | What year was disco music first used as a genre? | What year was disco music first used as a genre? | [
"What year was disco music first used as a genre?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5566 | 5ad27260d7d075001a429493 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | What were two big subgenres of disco music? | What were two big subgenres of disco music? | [
"What were two big subgenres of disco music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5567 | 5ad27260d7d075001a429494 | House_music | Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. These homegrown productions were played on Chicago-area radio and in local discothèques catering mainly to African-American and gay audiences. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction. | What area radio was disco music generally played on? | What area radio was disco music generally played on? | [
"What area radio was disco music generally played on?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5568 | 57069c2652bb891400689ada | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | what producer was the first to produce deep house? | what producer was the first to produce deep house? | [
"what producer was the first to produce deep house? "
] | {
"text": [
"Mr Fingers"
],
"answer_start": [
55
]
} |
gem-squad_v2-train-5569 | 57069c2652bb891400689adb | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | where was producer mr. fingers' from? | where was producer mr. fingers' from? | [
"where was producer mr. fingers' from?"
] | {
"text": [
"Chicago"
],
"answer_start": [
38
]
} |
gem-squad_v2-train-5570 | 57069c2652bb891400689adc | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | when was mr. fingers' "mystery of love" released? | when was mr. fingers' "mystery of love" released? | [
"when was mr. fingers' \"mystery of love\" released? "
] | {
"text": [
"1985"
],
"answer_start": [
124
]
} |
gem-squad_v2-train-5571 | 57069c2652bb891400689add | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | when was mr. fingers' "can you feel it?" released? | when was mr. fingers' "can you feel it?" released? | [
"when was mr. fingers' \"can you feel it?\" released?"
] | {
"text": [
"1986"
],
"answer_start": [
154
]
} |
gem-squad_v2-train-5572 | 5ad273e4d7d075001a4294c0 | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | What producer was the first to produce deep sound? | What producer was the first to produce deep sound? | [
"What producer was the first to produce deep sound?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5573 | 5ad273e4d7d075001a4294c1 | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | Where was producer Mr. Unterberger from? | Where was producer Mr. Unterberger from? | [
"Where was producer Mr. Unterberger from?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5574 | 5ad273e4d7d075001a4294c2 | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | When was Mr. Unterberger's "Mystery of Lover" released? | When was Mr. Unterberger's "Mystery of Lover" released? | [
"When was Mr. Unterberger's \"Mystery of Lover\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5575 | 5ad273e4d7d075001a4294c3 | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | When was Mr. Unterberger's "Can You Feel It?" released? | When was Mr. Unterberger's "Can You Feel It?" released? | [
"When was Mr. Unterberger's \"Can You Feel It?\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5576 | 5ad273e4d7d075001a4294c4 | House_music | Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music. | What can be traced to early disco music? | What can be traced to early disco music? | [
"What can be traced to early disco music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5577 | 5706a32275f01819005e7c98 | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | When was Phuture's "Acid Tracks" released? | When was Phuture's "Acid Tracks" released? | [
"When was Phuture's \"Acid Tracks\" released?"
] | {
"text": [
"1987"
],
"answer_start": [
181
]
} |
gem-squad_v2-train-5578 | 5706a32275f01819005e7c99 | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | Who founded the group Phuture? | Who founded the group Phuture? | [
"Who founded the group Phuture?"
] | {
"text": [
"Nathan \"DJ Pierre\" Jones, Earl \"Spanky\" Smith Jr., and Herbert \"Herb J\" Jackson"
],
"answer_start": [
216
]
} |
gem-squad_v2-train-5579 | 5706a32275f01819005e7c9a | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | what instrument was Phuture the first to use in house music? | what instrument was Phuture the first to use in house music? | [
"what instrument was Phuture the first to use in house music?"
] | {
"text": [
"TB-303"
],
"answer_start": [
347
]
} |
gem-squad_v2-train-5580 | 5706a32275f01819005e7c9b | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | how long was phuture's "acid tracks"? | how long was phuture's "acid tracks"? | [
"how long was phuture's \"acid tracks\"?"
] | {
"text": [
"12-minute"
],
"answer_start": [
394
]
} |
gem-squad_v2-train-5581 | 5706a32275f01819005e7c9c | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | what type of drum machine did "acid tracks" use? | what type of drum machine did "acid tracks" use? | [
"what type of drum machine did \"acid tracks\" use?"
] | {
"text": [
"Roland TR-707"
],
"answer_start": [
642
]
} |
gem-squad_v2-train-5582 | 5ad2755fd7d075001a4294fa | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | When was Phuture's "Acid Hardy" released? | When was Phuture's "Acid Hardy" released? | [
"When was Phuture's \"Acid Hardy\" released?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5583 | 5ad2755fd7d075001a4294fb | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | Who founded the group Hardy? | Who founded the group Hardy? | [
"Who founded the group Hardy?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5584 | 5ad2755fd7d075001a4294fc | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | What instrument was Hardy the first to use in house music? | What instrument was Hardy the first to use in house music? | [
"What instrument was Hardy the first to use in house music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5585 | 5ad2755fd7d075001a4294fd | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | How long was Hardy's "acid tracks"? | How long was Hardy's "acid tracks"? | [
"How long was Hardy's \"acid tracks\"?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5586 | 5ad2755fd7d075001a4294fe | House_music | Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine. | What type of drum machine did Hardy use? | What type of drum machine did Hardy use? | [
"What type of drum machine did Hardy use?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5587 | 5706a3fc75f01819005e7ca2 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | what radio station aired the Hot Mix 5 show? | what radio station aired the Hot Mix 5 show? | [
"what radio station aired the Hot Mix 5 show?"
] | {
"text": [
"WBMX-FM"
],
"answer_start": [
220
]
} |
gem-squad_v2-train-5588 | 5706a3fc75f01819005e7ca3 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | what record labels helped popularize house music? | what record labels helped popularize house music? | [
"what record labels helped popularize house music?"
] | {
"text": [
"Trax Records and DJ International Records"
],
"answer_start": [
336
]
} |
gem-squad_v2-train-5589 | 5706a3fc75f01819005e7ca4 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | what song by marshall jefferson became a big house hit? | what song by marshall jefferson became a big house hit? | [
"what song by marshall jefferson became a big house hit?"
] | {
"text": [
"\"Move Your Body\""
],
"answer_start": [
507
]
} |
gem-squad_v2-train-5590 | 5706a3fc75f01819005e7ca5 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | what european country were big house music hits being released in, in 1987? | what european country were big house music hits being released in, in 1987? | [
"what european country were big house music hits being released in, in 1987?"
] | {
"text": [
"UK"
],
"answer_start": [
675
]
} |
gem-squad_v2-train-5591 | 5706a3fc75f01819005e7ca6 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | where was house music from chicago-based labels considered a must-play? | where was house music from chicago-based labels considered a must-play? | [
"where was house music from chicago-based labels considered a must-play?"
] | {
"text": [
"clubs"
],
"answer_start": [
922
]
} |
gem-squad_v2-train-5592 | 5ad2769ad7d075001a429520 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | What radio station aired the Chicago Mix 5 show? | What radio station aired the Chicago Mix 5 show? | [
"What radio station aired the Chicago Mix 5 show?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5593 | 5ad2769ad7d075001a429521 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | What record labels helped popularize Chicago music? | What record labels helped popularize Chicago music? | [
"What record labels helped popularize Chicago music?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5594 | 5ad2769ad7d075001a429522 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | What song by Marshall Chicago became a big house hit? | What song by Marshall Chicago became a big house hit? | [
"What song by Marshall Chicago became a big house hit?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5595 | 5ad2769ad7d075001a429523 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | What European country were big house music hit being released in, in 1985? | What European country were big house music hit being released in, in 1985? | [
"What European country were big house music hit being released in, in 1985?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5596 | 5ad2769ad7d075001a429524 | House_music | Club play from pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes, State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs & producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs. | Where was house music from UK-based labels considered a must-play? | Where was house music from UK-based labels considered a must-play? | [
"Where was house music from UK-based labels considered a must-play?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-5597 | 5706a62375f01819005e7cc8 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | what club did the term 'house music' originate from? | what club did the term 'house music' originate from? | [
"what club did the term 'house music' originate from?"
] | {
"text": [
"The Warehouse"
],
"answer_start": [
77
]
} |
gem-squad_v2-train-5598 | 5706a62375f01819005e7cc9 | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | what city was the club The Warehouse located in? | what city was the club The Warehouse located in? | [
"what city was the club The Warehouse located in?"
] | {
"text": [
"Chicago"
],
"answer_start": [
57
]
} |
gem-squad_v2-train-5599 | 5706a62375f01819005e7cca | House_music | The term "house music" is said to have originated from a Chicago club called The Warehouse, which existed from 1977 to 1983. Clubbers to The Warehouse were primarily black and gay, who came to dance to music played by the club's resident DJ Frankie Knuckles, whom fans refer to as the "godfather of house". After the Warehouse closed in 1983, the crowds went to Knuckles' new club, The Power Plant. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed. South-Side Chicago DJ Leonard "Remix" Roy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets. Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine – it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him." | what years was the club The warehouse open? | what years was the club The warehouse open? | [
"what years was the club The warehouse open?"
] | {
"text": [
"1977 to 1983"
],
"answer_start": [
111
]
} |
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