| 1 | |
| 00:00:07,043 --> 00:00:09,149 | |
| [Insects buzzing] | |
| 2 | |
| 00:00:20,085 --> 00:00:22,195 | |
| [Vehicle approaching] | |
| 3 | |
| 00:00:29,600 --> 00:00:30,962 | |
| [Engine turns off] | |
| 4 | |
| 00:00:42,415 --> 00:00:45,548 | |
| Okay. Manuel, right? | |
| 5 | |
| 00:00:45,583 --> 00:00:47,550 | |
| This for you. | |
| 6 | |
| 00:00:47,585 --> 00:00:51,488 | |
| It's 25 for the vehicle | |
| and 30 for the transport | |
| of the livestock. | |
| 7 | |
| 00:00:51,523 --> 00:00:54,590 | |
| Just put down "one horse" | |
| and your signature right there. | |
| 8 | |
| 00:00:55,494 --> 00:00:57,087 | |
| You said "one horse"? | |
| 9 | |
| 00:00:57,122 --> 00:00:58,792 | |
| Yeah, it's only one, right? | |
| 10 | |
| 00:00:58,827 --> 00:01:00,398 | |
| No, it's an elephant. | |
| 11 | |
| 00:01:02,633 --> 00:01:04,930 | |
| You mean "really big horse"? | |
| 12 | |
| 00:01:04,965 --> 00:01:07,933 | |
| No. I mean an elephant. | |
| 13 | |
| 00:01:07,968 --> 00:01:09,605 | |
| Look, sir... | |
| [Elephant trumpets] | |
| 14 | |
| 00:01:09,640 --> 00:01:11,178 | |
| The call said "one..." | |
| 15 | |
| 00:01:11,972 --> 00:01:13,246 | |
| Whoa... | |
| 16 | |
| 00:01:13,281 --> 00:01:14,742 | |
| What the fuck is that? | |
| 17 | |
| 00:01:16,108 --> 00:01:17,811 | |
| [Elephant grunting] | |
| 18 | |
| 00:01:17,846 --> 00:01:20,385 | |
| Holy shit! | |
| Is that a fucking elephant? | |
| Señor, señor, señor. | |
| 19 | |
| 00:01:20,420 --> 00:01:22,783 | |
| <i>Probablemente</i> it was some kind | |
| of bad communication. | |
| 20 | |
| 00:01:22,818 --> 00:01:25,753 | |
| Bad communication? | |
| This is a truck | |
| for fucking horses, man! | |
| 21 | |
| 00:01:25,788 --> 00:01:28,624 | |
| What do I look like, | |
| a goddamn maharaja? | |
| All right. | |
| 22 | |
| 00:01:28,659 --> 00:01:30,725 | |
| And you're invited to the party. | |
| 23 | |
| 00:01:32,432 --> 00:01:33,497 | |
| [Elephant grunts] | |
| 24 | |
| 00:01:39,967 --> 00:01:41,131 | |
| [Elephant grunts] | |
| 25 | |
| 00:01:41,166 --> 00:01:43,672 | |
| [Gears grinding] | |
| 26 | |
| 00:01:48,646 --> 00:01:50,778 | |
| [Cows mooing] | |
| 27 | |
| 00:01:59,294 --> 00:02:01,360 | |
| [Engine revving] | |
| 28 | |
| 00:02:01,395 --> 00:02:03,494 | |
| [Speaking Spanish] | |
| 29 | |
| 00:02:03,529 --> 00:02:05,463 | |
| [Tires screeching] | |
| 30 | |
| 00:02:07,698 --> 00:02:08,829 | |
| More gas! | |
| 31 | |
| 00:02:08,864 --> 00:02:10,600 | |
| Come on. Come on! | |
| [Engine revving] | |
| 32 | |
| 00:02:11,636 --> 00:02:13,669 | |
| Give me... [speaking Spanish] | |
| 33 | |
| 00:02:16,201 --> 00:02:18,135 | |
| [Engine revving] | |
| [Tires screeching] | |
| 34 | |
| 00:02:18,170 --> 00:02:20,280 | |
| Fuck! Fuck! | |
| 35 | |
| 00:02:24,176 --> 00:02:25,945 | |
| [Elephant trumpeting] | |
| 36 | |
| 00:02:25,980 --> 00:02:27,485 | |
| [Screaming] | |
| 37 | |
| 00:02:27,520 --> 00:02:29,080 | |
| [Brakes screeching] | |
| 38 | |
| 00:02:29,115 --> 00:02:31,852 | |
| [Trumpeting continues] | |
| 39 | |
| 00:02:35,007 --> 00:02:37,049 | |
| [In Spanish] | |
| What the fuck are you doing??? | |
| 40 | |
| 00:02:37,662 --> 00:02:39,629 | |
| [Speaking Spanish] | |
| 41 | |
| 00:02:39,664 --> 00:02:40,993 | |
| [Elephant grunting] | |
| 42 | |
| 00:02:41,028 --> 00:02:42,731 | |
| [In English] Goddamn it! | |
| 43 | |
| 00:02:46,605 --> 00:02:47,670 | |
| [Shouting] | |
| 44 | |
| 00:02:48,233 --> 00:02:49,474 | |
| Motherfucker! | |
| 45 | |
| 00:02:49,509 --> 00:02:51,344 | |
| [Tires screeching] | |
| 46 | |
| 00:02:51,379 --> 00:02:53,907 | |
| [Speaking Spanish] | |
| 47 | |
| 00:02:56,010 --> 00:02:57,878 | |
| [Elephant trumpets] | |
| 48 | |
| 00:03:03,424 --> 00:03:04,984 | |
| [Elephant groaning] | |
| 49 | |
| 00:03:13,566 --> 00:03:15,368 | |
| [Speaking Spanish] | |
| 50 | |
| 00:03:22,377 --> 00:03:25,070 | |
| Good evening, officer. | |
| What exactly | |
| is going on here? | |
| 51 | |
| 00:03:26,315 --> 00:03:29,547 | |
| Um, well, we're... | |
| I work for Don wallach, | |
| 52 | |
| 00:03:29,582 --> 00:03:32,055 | |
| and we're transporting | |
| the entertainment | |
| for a party at his house. | |
| 53 | |
| 00:03:32,079 --> 00:03:33,386 | |
| [Elephant trumpets] | |
| 54 | |
| 00:03:33,421 --> 00:03:35,520 | |
| That's an elephant. | |
| 55 | |
| 00:03:35,555 --> 00:03:37,247 | |
| Yes, sir. | |
| You got a permit? | |
| 56 | |
| 00:03:37,282 --> 00:03:39,788 | |
| Um, I didn't know we needed one. | |
| 57 | |
| 00:03:39,823 --> 00:03:42,021 | |
| Can't drive an elephant | |
| without a permit. | |
| 58 | |
| 00:03:42,056 --> 00:03:43,924 | |
| Could you make an exception? | |
| 59 | |
| 00:03:47,094 --> 00:03:49,061 | |
| How's the guest list | |
| looking for tonight? | |
| 60 | |
| 00:03:53,133 --> 00:03:54,506 | |
| It's impressive. | |
| Hmm. | |
| 61 | |
| 00:03:54,541 --> 00:03:56,134 | |
| What kind of stars | |
| are we talking about? | |
| 62 | |
| 00:03:58,776 --> 00:04:01,205 | |
| Someone said garbo, | |
| I think. | |
| Oh, yeah? | |
| 63 | |
| 00:04:01,240 --> 00:04:02,811 | |
| Yeah. I mean, | |
| that's what I heard. | |
| 64 | |
| 00:04:02,846 --> 00:04:04,747 | |
| So, we're talking an elephant, | |
| plus garbo, | |
| 65 | |
| 00:04:04,782 --> 00:04:06,793 | |
| plus others tonight | |
| at Don wallach's house, | |
| is that right? | |
| 66 | |
| 00:04:06,817 --> 00:04:09,213 | |
| That's right. | |
| Sounds like | |
| the best party in town. | |
| 67 | |
| 00:04:09,248 --> 00:04:12,623 | |
| My cousin Benny lives in reseda | |
| with his wife and kids. | |
| I'll see if they're free. | |
| 68 | |
| 00:04:15,089 --> 00:04:16,220 | |
| [Elephant groans] | |
| 69 | |
| 00:04:16,255 --> 00:04:18,596 | |
| Who the fuck | |
| are all these people? | |
| 70 | |
| 00:04:19,551 --> 00:04:21,192 | |
| [In Spanish] | |
| Don't ask. | |
| 71 | |
| 00:04:21,227 --> 00:04:23,260 | |
| [On recording] | |
| ♪ <i>one, two, three, hey</i> ♪ | |
| 72 | |
| 00:04:23,295 --> 00:04:25,603 | |
| [Upbeat jazz music playing] | |
| 73 | |
| 00:04:33,074 --> 00:04:35,272 | |
| [Person laughing] | |
| 74 | |
| 00:04:46,087 --> 00:04:48,626 | |
| [Laughing continues] | |
| 75 | |
| 00:04:48,661 --> 00:04:50,463 | |
| Does piggy like that? | |
| 76 | |
| 00:04:50,498 --> 00:04:52,663 | |
| [Laughing] It tickles. | |
| 77 | |
| 00:04:54,062 --> 00:04:56,898 | |
| Playtime with potty time! | |
| 78 | |
| 00:04:56,933 --> 00:04:59,670 | |
| [People chattering, laughing] | |
| José! José! | |
| 79 | |
| 00:04:59,705 --> 00:05:04,136 | |
| Can you ask wallach | |
| to give us more king bubbly, | |
| <i>por favor?</i> | |
| 80 | |
| 00:05:04,171 --> 00:05:07,271 | |
| Okay. [Laughing] | |
| [Speaking Spanish] | |
| 81 | |
| 00:05:07,306 --> 00:05:09,482 | |
| [Band playing jazz] | |
| 82 | |
| 00:05:20,022 --> 00:05:21,890 | |
| [Clamoring] | |
| 83 | |
| 00:05:45,685 --> 00:05:47,212 | |
| [Glass shatters] | |
| 84 | |
| 00:06:07,575 --> 00:06:09,707 | |
| [Clamoring, laughing] | |
| 85 | |
| 00:06:14,549 --> 00:06:16,208 | |
| [Glass shatters] | |
| 86 | |
| 00:06:21,380 --> 00:06:22,522 | |
| [Snorting] | |
| 87 | |
| 00:06:32,897 --> 00:06:35,359 | |
| [Guest moaning] | |
| 88 | |
| 00:06:35,394 --> 00:06:38,428 | |
| Would you mind showing me | |
| to the upstairs powder room, | |
| my dear boy? | |
| 89 | |
| 00:06:38,463 --> 00:06:40,067 | |
| Sure. Uh, it's here | |
| down the hall. | |
| 90 | |
| 00:06:40,102 --> 00:06:42,102 | |
| No! | |
| No, no, upstairs. | |
| 91 | |
| 00:06:42,137 --> 00:06:45,072 | |
| The stairs are very steep, | |
| I think. | |
| I can be carried. | |
| 92 | |
| 00:06:45,107 --> 00:06:48,779 | |
| Evening, madame. | |
| Lovely to see you. | |
| I have to steal him, I'm afraid. | |
| 93 | |
| 00:06:48,814 --> 00:06:50,781 | |
| What did you say to Elinor? | |
| Who? | |
| 94 | |
| 00:06:50,816 --> 00:06:53,113 | |
| Elinor St. John. | |
| Never speak to her. | |
| 95 | |
| 00:06:53,148 --> 00:06:55,962 | |
| If she ever talks to you again, | |
| pretend like you don't | |
| understand English. | |
| 96 | |
| 00:06:55,986 --> 00:06:59,284 | |
| The chicken | |
| stole my fucking coke! | |
| Go fucking get it! Get it! | |
| 97 | |
| 00:06:59,319 --> 00:07:01,286 | |
| Give it to me! | |
| [Chicken clucking] | |
| 98 | |
| 00:07:02,960 --> 00:07:06,225 | |
| So, upstairs is where Don keeps | |
| his underage girls, then? | |
| 99 | |
| 00:07:06,260 --> 00:07:07,719 | |
| [In Spanish] | |
| I don't speak English! | |
| 100 | |
| 00:07:12,607 --> 00:07:15,102 | |
| [Music stops] | |
| [Grunting] | |
| 101 | |
| 00:07:15,137 --> 00:07:16,807 | |
| [Chicken squawking] | |
| 102 | |
| 00:07:19,944 --> 00:07:21,339 | |
| [Sighs] | |
| 103 | |
| 00:07:30,515 --> 00:07:32,086 | |
| [Lighter clicks] | |
| 104 | |
| 00:07:36,994 --> 00:07:39,423 | |
| [Shouting, laughing continues] | |
| 105 | |
| 00:07:46,234 --> 00:07:48,773 | |
| Well, that came out | |
| of fucking nowhere. | |
| 106 | |
| 00:07:48,808 --> 00:07:51,842 | |
| You'll have to pay | |
| for that, ma'am. | |
| Oh. Okay. | |
| 107 | |
| 00:07:51,877 --> 00:07:53,877 | |
| Uh, who are you? | |
| I'm security. | |
| 108 | |
| 00:07:54,979 --> 00:07:56,946 | |
| You're kind of shitty | |
| at your job. | |
| 109 | |
| 00:07:56,981 --> 00:07:59,487 | |
| You have statues | |
| coming out of nowhere, | |
| everywhere you fucking turn. | |
| 110 | |
| 00:07:59,511 --> 00:08:01,478 | |
| You're very lucky | |
| I don't report you. | |
| 111 | |
| 00:08:01,513 --> 00:08:04,085 | |
| Where do you think | |
| you're going, ma'am? | |
| I'm going inside. | |
| 112 | |
| 00:08:04,120 --> 00:08:05,856 | |
| I'm Nellie laroy, dummy. | |
| 113 | |
| 00:08:05,891 --> 00:08:07,726 | |
| There's no "Nellie laroy" | |
| on the list. | |
| 114 | |
| 00:08:07,761 --> 00:08:09,860 | |
| Okay, well, I think... come here. | |
| 115 | |
| 00:08:09,895 --> 00:08:13,325 | |
| I think what's happened | |
| is my assistant has put me | |
| under my stage name, | |
| 116 | |
| 00:08:13,360 --> 00:08:15,129 | |
| Billie dove. | |
| You're not Billie dove. | |
| 117 | |
| 00:08:15,164 --> 00:08:17,527 | |
| Okay, | |
| what the fuck is your prob... | |
| What is your name? | |
| 118 | |
| 00:08:17,562 --> 00:08:19,870 | |
| What is your precinct? | |
| I'm a security guard. | |
| 119 | |
| 00:08:19,905 --> 00:08:22,246 | |
| We don't have precincts, ma'am. | |
| You're about | |
| to not have a job, fucko! | |
| 120 | |
| 00:08:22,270 --> 00:08:24,017 | |
| Listen, I know you wish | |
| you were Billie dove... | |
| 121 | |
| 00:08:24,041 --> 00:08:26,371 | |
| I think you wish | |
| you were eating my asshole! | |
| Nellie laroy? | |
| 122 | |
| 00:08:26,406 --> 00:08:27,977 | |
| They're waiting for you. | |
| 123 | |
| 00:08:39,023 --> 00:08:40,055 | |
| I'm Manuel. | |
| 124 | |
| 00:08:41,861 --> 00:08:43,223 | |
| I'm Manuel. | |
| 125 | |
| 00:08:43,258 --> 00:08:44,356 | |
| I heard ya. | |
| 126 | |
| 00:08:46,767 --> 00:08:48,327 | |
| Oh, I didn't need your help. | |
| 127 | |
| 00:08:48,362 --> 00:08:49,801 | |
| Oh, no? | |
| Nope. | |
| 128 | |
| 00:08:49,836 --> 00:08:51,770 | |
| Billie dove? | |
| Why not? | |
| 129 | |
| 00:08:52,806 --> 00:08:54,399 | |
| She's kind of a big star. | |
| 130 | |
| 00:08:54,434 --> 00:08:57,072 | |
| Well, in 30 years | |
| she won't be a big star anymore | |
| 131 | |
| 00:08:57,107 --> 00:09:00,372 | |
| and she can tell her grandkids | |
| Nellie laroy once used her name. | |
| 132 | |
| 00:09:00,407 --> 00:09:02,748 | |
| Besides, I'm already a star. | |
| 133 | |
| 00:09:02,783 --> 00:09:05,245 | |
| Ah, you are? | |
| [Chuckles] Yeah. | |
| 134 | |
| 00:09:05,280 --> 00:09:07,511 | |
| What have you been in? | |
| Nothing yet. | |
| 135 | |
| 00:09:07,546 --> 00:09:09,480 | |
| Who's your contract with? | |
| Don't have one. | |
| 136 | |
| 00:09:09,515 --> 00:09:11,724 | |
| Okay, I think you want | |
| to become a star. | |
| 137 | |
| 00:09:11,759 --> 00:09:14,991 | |
| Honey, you don't become a star. | |
| You either are one or you ain't. | |
| 138 | |
| 00:09:15,026 --> 00:09:16,058 | |
| I am. | |
| 139 | |
| 00:09:19,393 --> 00:09:20,524 | |
| Oh, great. | |
| 140 | |
| 00:09:23,529 --> 00:09:25,430 | |
| Do you know where | |
| I can find some drugs? | |
| 141 | |
| 00:09:28,105 --> 00:09:30,435 | |
| [Upbeat jazz music playing] | |
| 142 | |
| 00:09:30,470 --> 00:09:32,470 | |
| [Crowd cheering] | |
| 143 | |
| 00:09:35,607 --> 00:09:38,212 | |
| We're supposed | |
| to just keep playing? | |
| That's the idea. | |
| 144 | |
| 00:09:38,247 --> 00:09:40,885 | |
| It's gonna come | |
| through the front and | |
| just kind of stomp around. | |
| 145 | |
| 00:09:40,920 --> 00:09:43,085 | |
| Are you serious? | |
| Just stay | |
| out of its way. | |
| 146 | |
| 00:09:43,120 --> 00:09:44,735 | |
| You know I can't afford | |
| to get injured, Joe. | |
| 147 | |
| 00:09:44,759 --> 00:09:46,693 | |
| Will you shut the fuck up? | |
| What? | |
| 148 | |
| 00:09:46,728 --> 00:09:48,387 | |
| You heard me, | |
| you whiny bitch. | |
| Excuse me? | |
| 149 | |
| 00:09:48,422 --> 00:09:50,389 | |
| Come on, you guys. | |
| You see how | |
| he just talks to me? | |
| 150 | |
| 00:09:50,424 --> 00:09:52,633 | |
| I talk to you like this | |
| because every time we play | |
| in these, | |
| 151 | |
| 00:09:52,657 --> 00:09:54,261 | |
| you playing fucking flat. | |
| 152 | |
| 00:09:54,296 --> 00:09:56,769 | |
| If that elephant | |
| drop its elephant ass | |
| on your face, | |
| 153 | |
| 00:09:56,804 --> 00:09:59,068 | |
| maybe you'd be home long enough | |
| to fucking practice. | |
| 154 | |
| 00:09:59,103 --> 00:10:00,938 | |
| I practice nine hours a day, | |
| you fuck. | |
| 155 | |
| 00:10:00,973 --> 00:10:03,567 | |
| Yeah, yeah, | |
| but I mean on saxophone, | |
| not cocksucking. [Laughs] | |
| 156 | |
| 00:10:03,602 --> 00:10:05,074 | |
| [Cheering] | |
| 157 | |
| 00:10:05,109 --> 00:10:06,812 | |
| I don't have fucking time | |
| for this! | |
| 158 | |
| 00:10:06,847 --> 00:10:08,748 | |
| [Person] | |
| Wake up, wake up, wake up! | |
| 159 | |
| 00:10:08,783 --> 00:10:09,914 | |
| What a goddamn mess. | |
| 160 | |
| 00:10:09,949 --> 00:10:12,048 | |
| We were just having fun! | |
| [Sobbing] | |
| 161 | |
| 00:10:12,083 --> 00:10:14,248 | |
| Tell it to wallach. | |
| Wake up, wake up. | |
| 162 | |
| 00:10:14,283 --> 00:10:17,350 | |
| Where's the Mexican? | |
| Wake up, wake up. | |
| 163 | |
| 00:10:18,452 --> 00:10:20,991 | |
| Morphine, opium, ether, | |
| heroin, coke. | |
| 164 | |
| 00:10:21,026 --> 00:10:22,663 | |
| And Louis xiv sat on that. | |
| 165 | |
| 00:10:25,063 --> 00:10:29,593 | |
| [Guest] ...Pretend | |
| that everything's fine inside | |
| when all I feel is this void. | |
| 166 | |
| 00:10:29,628 --> 00:10:31,463 | |
| And all I do is I give | |
| and I give! | |
| Pedro! | |
| 167 | |
| 00:10:31,498 --> 00:10:33,938 | |
| And you, I don't even know, | |
| where are you? | |
| Where are you? | |
| 168 | |
| 00:10:33,973 --> 00:10:37,073 | |
| [Speaking Italian] | |
| Stop speaking | |
| fucking Italian! | |
| 169 | |
| 00:10:37,108 --> 00:10:39,141 | |
| [Speaking Italian] | |
| 170 | |
| 00:10:39,176 --> 00:10:41,176 | |
| No. No, it's not. | |
| 171 | |
| 00:10:41,211 --> 00:10:43,519 | |
| I'm trying to have | |
| a serious conversation with you. | |
| Do you understand? | |
| 172 | |
| 00:10:43,543 --> 00:10:46,951 | |
| [Speaking Italian] | |
| Our marriage is in trouble. | |
| I am unhappy! | |
| 173 | |
| 00:10:46,986 --> 00:10:49,382 | |
| Stop it! | |
| You are not fucking Italian! | |
| 174 | |
| 00:10:49,417 --> 00:10:51,923 | |
| You are from | |
| fucking shawnee, | |
| you goddamn fraud! | |
| 175 | |
| 00:10:51,958 --> 00:10:53,683 | |
| [Speaking Italian] | |
| Say one more word. | |
| 176 | |
| 00:10:53,718 --> 00:10:55,993 | |
| Say one more word in Italian, | |
| and I will divorce you. | |
| 177 | |
| 00:10:56,028 --> 00:10:58,699 | |
| One more. | |
| Okay. Okay. | |
| 178 | |
| 00:11:03,596 --> 00:11:06,300 | |
| [Speaking Italian] | |
| Get the fuck out! | |
| 179 | |
| 00:11:06,335 --> 00:11:09,039 | |
| Get the fuck | |
| out of the car! Go! | |
| [Chuckling] Ah! Hey! | |
| 180 | |
| 00:11:09,074 --> 00:11:12,339 | |
| Get out! Go! | |
| [Speaking Italian] | |
| 181 | |
| 00:11:12,374 --> 00:11:13,978 | |
| [Sighs] | |
| [Engine starts] | |
| 182 | |
| 00:11:14,013 --> 00:11:15,177 | |
| I want a divorce. | |
| 183 | |
| 00:11:19,920 --> 00:11:21,249 | |
| [Speaking Italian] | |
| 184 | |
| 00:11:32,262 --> 00:11:34,130 | |
| Morning, Dale. | |
| Evening, Mr. Conrad. | |
| 185 | |
| 00:11:34,165 --> 00:11:35,230 | |
| Evening. | |
| 186 | |
| 00:11:40,105 --> 00:11:41,940 | |
| [Band continues playing] | |
| 187 | |
| 00:11:41,975 --> 00:11:43,634 | |
| Jack! Jack! | |
| [Guest] Oh, my god! J.C.! | |
| 188 | |
| 00:11:43,669 --> 00:11:45,471 | |
| Natalie! | |
| It's been forever! | |
| 189 | |
| 00:11:45,506 --> 00:11:47,913 | |
| Yeah. | |
| I've been saying it | |
| since Wally Reid. | |
| 190 | |
| 00:11:47,948 --> 00:11:49,816 | |
| Who needs royalty anymore? | |
| Madame. | |
| 191 | |
| 00:11:49,851 --> 00:11:52,577 | |
| Dearest jacky boy, | |
| we need to talk! | |
| I have a good story for you. | |
| 192 | |
| 00:11:52,612 --> 00:11:54,854 | |
| I have your face | |
| tattooed on my back. | |
| Well, look at that. | |
| 193 | |
| 00:11:54,889 --> 00:11:56,625 | |
| Jack, for fuck's sake, | |
| I've been trying you all week. | |
| 194 | |
| 00:11:56,649 --> 00:11:58,858 | |
| Will you just | |
| fucking call me back? | |
| [Speaking Italian] | |
| 195 | |
| 00:11:58,893 --> 00:12:04,996 | |
| Come here, you moola-minting | |
| money machine motherfucker! | |
| 196 | |
| 00:12:05,031 --> 00:12:07,658 | |
| Jack, is it okay to grab one? | |
| Hey, Charlie. | |
| How's the missus? | |
| 197 | |
| 00:12:07,693 --> 00:12:10,034 | |
| I think she left me. | |
| Hey, me too! Congrats! | |
| 198 | |
| 00:12:10,069 --> 00:12:12,003 | |
| Are you okay with march 17th | |
| for the premiere? | |
| 199 | |
| 00:12:12,038 --> 00:12:13,939 | |
| No, 18th. Thursdays | |
| are always classier. | |
| 200 | |
| 00:12:13,974 --> 00:12:16,876 | |
| Hey, send Charlie | |
| a bottle of bourbon | |
| and get ahold of his negative | |
| 201 | |
| 00:12:16,911 --> 00:12:19,439 | |
| and make sure I don't | |
| look too shiny. | |
| Yes, Mr. Conrad. | |
| 202 | |
| 00:12:21,949 --> 00:12:23,377 | |
| No Mrs. Conrad tonight? | |
| 203 | |
| 00:12:23,412 --> 00:12:24,774 | |
| Mmm. | |
| 204 | |
| 00:12:24,809 --> 00:12:25,984 | |
| Mm-mmm. | |
| 205 | |
| 00:12:26,019 --> 00:12:27,282 | |
| Mm-mmm. | |
| 206 | |
| 00:12:32,586 --> 00:12:33,750 | |
| Oh. | |
| 207 | |
| 00:12:33,785 --> 00:12:35,158 | |
| I'm sorry. | |
| [Chuckles] | |
| 208 | |
| 00:12:36,227 --> 00:12:37,490 | |
| I think we have a problem. | |
| 209 | |
| 00:12:39,494 --> 00:12:41,296 | |
| We do? | |
| Yep. | |
| 210 | |
| 00:12:41,331 --> 00:12:44,233 | |
| This table only has one bottle, | |
| and we're gonna need eight. | |
| 211 | |
| 00:12:44,268 --> 00:12:45,971 | |
| We're also gonna need | |
| two gin rickeys, | |
| 212 | |
| 00:12:46,006 --> 00:12:48,908 | |
| an orange blossom with Brandy, | |
| three French 75s. | |
| 213 | |
| 00:12:48,943 --> 00:12:51,042 | |
| Can you do a corpse reviver? | |
| 214 | |
| 00:12:51,077 --> 00:12:55,805 | |
| Gin, lemon, | |
| triple sec and Kina lillet | |
| with a dash of absinthe. | |
| 215 | |
| 00:12:55,840 --> 00:12:57,444 | |
| Two of those. | |
| Two of those. | |
| 216 | |
| 00:12:57,479 --> 00:12:59,985 | |
| Okay. Two gin rickeys, | |
| uh, three French... | |
| 217 | |
| 00:13:00,020 --> 00:13:02,449 | |
| You didn't have to do that, | |
| you know, to get my attention. | |
| 218 | |
| 00:13:06,125 --> 00:13:07,718 | |
| I am so sorry, | |
| Mr. Conrad. | |
| 219 | |
| 00:13:07,753 --> 00:13:08,833 | |
| I want... what's your name? | |
| 220 | |
| 00:13:09,854 --> 00:13:13,295 | |
| Jen. I just wanted you | |
| to look my way. | |
| 221 | |
| 00:13:15,035 --> 00:13:17,035 | |
| Jen, I'd always look your way. | |
| 222 | |
| 00:13:20,205 --> 00:13:23,107 | |
| [Driver] | |
| Sir, George won't | |
| come out of the car. | |
| 223 | |
| 00:13:23,142 --> 00:13:26,374 | |
| He's insisting I drive him | |
| off the nearest cliff. | |
| 224 | |
| 00:13:27,740 --> 00:13:28,805 | |
| Right. | |
| 225 | |
| 00:13:29,544 --> 00:13:30,642 | |
| Be right back. | |
| 226 | |
| 00:13:33,152 --> 00:13:35,152 | |
| She said no, huh? | |
| 227 | |
| 00:13:35,187 --> 00:13:37,550 | |
| [Crying] | |
| After all we've been through. | |
| 228 | |
| 00:13:37,585 --> 00:13:41,059 | |
| Well, to be fair, George, | |
| you did just meet her | |
| a week ago. | |
| 229 | |
| 00:13:42,260 --> 00:13:44,326 | |
| What we had was special, | |
| goddamn it. | |
| 230 | |
| 00:13:44,361 --> 00:13:47,868 | |
| I know, buddy, | |
| but you're not gonna | |
| kill yourself over it. | |
| 231 | |
| 00:13:48,893 --> 00:13:51,366 | |
| Save the ring | |
| and come on inside. | |
| 232 | |
| 00:13:51,401 --> 00:13:53,401 | |
| There's a girl asking after ya. | |
| 233 | |
| 00:13:53,436 --> 00:13:54,567 | |
| [Sniffles] | |
| 234 | |
| 00:13:55,636 --> 00:13:56,668 | |
| Yeah? | |
| 235 | |
| 00:13:57,341 --> 00:13:59,044 | |
| That's right. | |
| 236 | |
| 00:13:59,079 --> 00:14:01,013 | |
| [Crashing] | |
| [Guests cheering] | |
| 237 | |
| 00:14:02,775 --> 00:14:04,577 | |
| There you go, buddy. | |
| 238 | |
| 00:14:07,846 --> 00:14:10,220 | |
| Who's the girl? | |
| A goddess. | |
| 239 | |
| 00:14:10,255 --> 00:14:12,024 | |
| [Snorts, clears throat] | |
| 240 | |
| 00:14:13,522 --> 00:14:14,719 | |
| No Paris for me. | |
| 241 | |
| 00:14:14,754 --> 00:14:16,226 | |
| I'm good. | |
| What? | |
| 242 | |
| 00:14:17,130 --> 00:14:18,426 | |
| You've never done cocaine? | |
| 243 | |
| 00:14:19,726 --> 00:14:22,166 | |
| [Scoffs] | |
| Of course I've done cocaine. | |
| 244 | |
| 00:14:22,201 --> 00:14:25,037 | |
| Well? | |
| I do cocaine all the time. | |
| I just, uh... | |
| 245 | |
| 00:14:25,072 --> 00:14:26,940 | |
| Don't make me do it alone. | |
| 246 | |
| 00:14:28,867 --> 00:14:31,373 | |
| Okay, I'll do a little. | |
| Whatever. | |
| [Chuckles] | |
| 247 | |
| 00:14:31,408 --> 00:14:32,671 | |
| I don't care. | |
| 248 | |
| 00:14:32,706 --> 00:14:34,211 | |
| I don't know, | |
| maybe Niagara Falls. | |
| 249 | |
| 00:14:34,246 --> 00:14:36,950 | |
| You know, "Roy," actually, | |
| in French, means "king." | |
| 250 | |
| 00:14:36,985 --> 00:14:39,744 | |
| And I added the "la," | |
| so it's "Nellie the king." | |
| 251 | |
| 00:14:39,779 --> 00:14:41,284 | |
| I made that up. | |
| 252 | |
| 00:14:41,319 --> 00:14:43,913 | |
| What about you? | |
| Where would you go? | |
| Sorry? | |
| 253 | |
| 00:14:43,948 --> 00:14:47,521 | |
| [Sniffs] If you could go | |
| anywhere in the whole world, | |
| where would you go? | |
| 254 | |
| 00:14:48,854 --> 00:14:51,393 | |
| [Coughs] | |
| Uh, anywhere. | |
| 255 | |
| 00:14:52,198 --> 00:14:53,593 | |
| I don't know. Um... | |
| 256 | |
| 00:14:53,628 --> 00:14:55,595 | |
| I always wanted to go | |
| on a movie set. | |
| 257 | |
| 00:14:55,630 --> 00:14:57,696 | |
| Yeah? | |
| Yeah. A movie set. | |
| 258 | |
| 00:14:57,731 --> 00:14:59,731 | |
| Tell me why. | |
| 259 | |
| 00:14:59,766 --> 00:15:01,766 | |
| Why? | |
| Yeah, tell me why. | |
| 260 | |
| 00:15:01,801 --> 00:15:03,537 | |
| All right, um... | |
| 261 | |
| 00:15:03,572 --> 00:15:05,979 | |
| I don't know why. | |
| I wanna go on a movie set too. | |
| 262 | |
| 00:15:06,014 --> 00:15:10,214 | |
| Why? I just want to be part | |
| of something bigger, I guess. | |
| 263 | |
| 00:15:10,249 --> 00:15:11,413 | |
| Bigger than what? | |
| 264 | |
| 00:15:12,251 --> 00:15:13,910 | |
| Bigger than this. | |
| 265 | |
| 00:15:13,945 --> 00:15:16,517 | |
| Bigger than my life. | |
| Bigger than scooping | |
| elephant shit. | |
| 266 | |
| 00:15:16,552 --> 00:15:18,552 | |
| Bigger. Better. Important. | |
| 267 | |
| 00:15:18,587 --> 00:15:21,258 | |
| Something important. | |
| To be part | |
| of something important. | |
| 268 | |
| 00:15:21,293 --> 00:15:23,425 | |
| Something that lasts, | |
| that means something. | |
| 269 | |
| 00:15:23,460 --> 00:15:24,954 | |
| I love that answer. | |
| 270 | |
| 00:15:24,989 --> 00:15:27,132 | |
| Making movies. | |
| I want to go | |
| on a movie set too. | |
| 271 | |
| 00:15:27,167 --> 00:15:30,927 | |
| Or at least I want to be there, | |
| work there, learn there. | |
| I don't know. | |
| 272 | |
| 00:15:30,962 --> 00:15:33,105 | |
| I just love watching movies, | |
| you know? | |
| 273 | |
| 00:15:33,140 --> 00:15:34,799 | |
| I love watching movies too. | |
| You sit there. | |
| 274 | |
| 00:15:34,834 --> 00:15:37,736 | |
| And you're watching | |
| the movie and... | |
| And you escape. | |
| 275 | |
| 00:15:37,771 --> 00:15:40,013 | |
| You don't have to be | |
| in your own shitty fucking life. | |
| 276 | |
| 00:15:40,048 --> 00:15:42,543 | |
| Exactly! Exactly! | |
| You can be in their life. | |
| 277 | |
| 00:15:42,578 --> 00:15:44,446 | |
| Or wherever! | |
| Or wherever! | |
| 278 | |
| 00:15:44,481 --> 00:15:46,624 | |
| You can be | |
| in the fucking wild west! | |
| You can be in fucking space! | |
| 279 | |
| 00:15:46,648 --> 00:15:48,483 | |
| You can be like a gangster. | |
| 280 | |
| 00:15:48,518 --> 00:15:51,255 | |
| And people dance in movies | |
| and people die in movies. | |
| 281 | |
| 00:15:51,290 --> 00:15:53,587 | |
| And they're not really dead. | |
| It's fucking amazing. | |
| 282 | |
| 00:15:53,622 --> 00:15:55,996 | |
| They're not really dead. | |
| Like literally, kill me. | |
| 283 | |
| 00:15:56,823 --> 00:15:58,460 | |
| Pow! | |
| [Laughing] | |
| 284 | |
| 00:15:58,495 --> 00:16:01,628 | |
| And nothing happened, for real, | |
| but at the same time, | |
| 285 | |
| 00:16:01,663 --> 00:16:04,730 | |
| it's something | |
| even more important than life. | |
| 286 | |
| 00:16:04,765 --> 00:16:08,767 | |
| You can feel it. | |
| Like... I don't know. | |
| Movies are sad sometimes. | |
| 287 | |
| 00:16:08,802 --> 00:16:10,615 | |
| Movies are fucking happy. | |
| They make you feel something. | |
| 288 | |
| 00:16:10,639 --> 00:16:14,113 | |
| One day, you and me, | |
| we're gonna be on a movie set. | |
| 289 | |
| 00:16:14,148 --> 00:16:16,247 | |
| We can have lunch together. | |
| Yeah, for sure. | |
| 290 | |
| 00:16:16,282 --> 00:16:18,491 | |
| I don't know what | |
| I'm going to do yet. | |
| It'll be just you and me. | |
| 291 | |
| 00:16:18,515 --> 00:16:20,350 | |
| Yeah, you and me. | |
| Yeah. | |
| 292 | |
| 00:16:20,385 --> 00:16:21,978 | |
| You know, | |
| you're not bad-looking. | |
| 293 | |
| 00:16:23,322 --> 00:16:24,585 | |
| Thank you. | |
| 294 | |
| 00:16:24,620 --> 00:16:27,159 | |
| And now, the Rose petal... | |
| [Drumroll] | |
| 295 | |
| 00:16:27,194 --> 00:16:29,260 | |
| Of the rising sun... | |
| 296 | |
| 00:16:29,295 --> 00:16:33,462 | |
| Miss lady fay zhu! | |
| 297 | |
| 00:16:33,497 --> 00:16:36,069 | |
| [All cheering] | |
| 298 | |
| 00:16:39,404 --> 00:16:41,206 | |
| [Announcer] Shh. | |
| 299 | |
| 00:16:43,177 --> 00:16:44,737 | |
| [Cheering stops] | |
| 300 | |
| 00:16:53,484 --> 00:16:56,551 | |
| ♪ <i>There's one pet</i> | |
| <i>I like to pet</i> ♪ | |
| 301 | |
| 00:16:56,586 --> 00:16:58,718 | |
| [Cheering, whistling] | |
| 302 | |
| 00:16:58,753 --> 00:17:01,589 | |
| ♪ <i>Every evening we get set</i> ♪ | |
| 303 | |
| 00:17:03,494 --> 00:17:06,726 | |
| ♪ <i>I stroke it</i> | |
| <i>every chance I get</i> ♪ | |
| 304 | |
| 00:17:06,761 --> 00:17:10,532 | |
| ♪ <i>it's my girl's</i> ♪ | |
| 305 | |
| 00:17:10,567 --> 00:17:13,139 | |
| ♪ <i>pussy</i> ♪ | |
| [Cheering] | |
| 306 | |
| 00:17:13,174 --> 00:17:15,999 | |
| ♪ <i>Seldom plays and never purrs</i> ♪ | |
| 307 | |
| 00:17:17,871 --> 00:17:20,707 | |
| ♪ <i>and I love</i> | |
| <i>the thoughts it stirs</i> ♪ | |
| 308 | |
| 00:17:20,742 --> 00:17:22,379 | |
| [Audience member whistles] | |
| 309 | |
| 00:17:22,414 --> 00:17:25,547 | |
| ♪ <i>But I don't mind</i> | |
| <i>because it's hers</i> ♪ | |
| 310 | |
| 00:17:25,582 --> 00:17:29,683 | |
| ♪ <i>it's my girl's pussy</i> ♪ | |
| 311 | |
| 00:17:29,718 --> 00:17:31,388 | |
| [Cheering] | |
| 312 | |
| 00:17:34,052 --> 00:17:38,395 | |
| [Whistling] | |
| 313 | |
| 00:18:20,472 --> 00:18:24,705 | |
| ♪ <i>'Cause I'll do anything</i> | |
| <i>for my sweet pet</i> ♪ | |
| 314 | |
| 00:18:24,740 --> 00:18:27,312 | |
| ♪ <i>she works me to a sweat</i> ♪ | |
| [Audience applauding] | |
| 315 | |
| 00:18:27,347 --> 00:18:30,007 | |
| ♪ <i>And that's hard to do</i> ♪ | |
| 316 | |
| 00:18:30,042 --> 00:18:32,647 | |
| ♪ <i>I must first</i> | |
| <i>remove my gloves</i> ♪ | |
| 317 | |
| 00:18:32,682 --> 00:18:36,618 | |
| ♪ <i>when stroking my girl's</i> ♪ | |
| 318 | |
| 00:18:36,653 --> 00:18:37,817 | |
| ♪ <i>pussy</i> ♪ | |
| 319 | |
| 00:18:37,852 --> 00:18:40,523 | |
| [Music ends] | |
| [Audience cheering] | |
| 320 | |
| 00:18:43,429 --> 00:18:46,496 | |
| Lady fay, lady fay,<i> come stai?</i> | |
| 321 | |
| 00:18:46,531 --> 00:18:50,632 | |
| Fine. Didn't get the part, | |
| but writing the titles on it. | |
| 322 | |
| 00:18:50,667 --> 00:18:53,800 | |
| I'm stuck doing | |
| another costume picture, | |
| and my wife's divorcing me. | |
| 323 | |
| 00:18:53,835 --> 00:18:55,472 | |
| Want to trade? | |
| 324 | |
| 00:18:55,507 --> 00:18:56,803 | |
| No. | |
| Eh... | |
| 325 | |
| 00:19:00,138 --> 00:19:01,775 | |
| That woman is something, | |
| you know? | |
| 326 | |
| 00:19:01,810 --> 00:19:04,349 | |
| She was completely | |
| honest with me. | |
| 327 | |
| 00:19:04,384 --> 00:19:05,779 | |
| Your wife? | |
| 328 | |
| 00:19:05,814 --> 00:19:07,143 | |
| God, no. My... | |
| 329 | |
| 00:19:09,884 --> 00:19:12,390 | |
| Jen. The, uh... | |
| 330 | |
| 00:19:14,119 --> 00:19:17,087 | |
| Ah. | |
| Listen, I need a favor. | |
| 331 | |
| 00:19:17,122 --> 00:19:20,024 | |
| You know my old friend | |
| George over there? | |
| 332 | |
| 00:19:20,059 --> 00:19:22,191 | |
| I wonder | |
| if you'd go talk to him. | |
| 333 | |
| 00:19:22,226 --> 00:19:25,436 | |
| Tell him you were | |
| asking after him. | |
| 334 | |
| 00:19:25,471 --> 00:19:27,339 | |
| That sad man over there? | |
| 335 | |
| 00:19:27,374 --> 00:19:28,736 | |
| Yeah. | |
| 336 | |
| 00:19:28,771 --> 00:19:30,342 | |
| Listen, I'm not asking you | |
| to fuck him. | |
| 337 | |
| 00:19:30,377 --> 00:19:32,168 | |
| Just, you know, | |
| make him... | |
| [Cow moos] | |
| 338 | |
| 00:19:33,072 --> 00:19:35,215 | |
| Feel special. | |
| 339 | |
| 00:19:36,383 --> 00:19:37,679 | |
| Hmm? | |
| 340 | |
| 00:19:40,486 --> 00:19:41,980 | |
| Okay. | |
| 341 | |
| 00:19:42,015 --> 00:19:43,982 | |
| [Kisses, speaking cantonese] | |
| 342 | |
| 00:19:44,017 --> 00:19:46,457 | |
| Don't speak cantonese to me. | |
| All right. | |
| 343 | |
| 00:19:46,492 --> 00:19:48,525 | |
| Oh, I love this song! | |
| 344 | |
| 00:19:48,560 --> 00:19:51,264 | |
| [Up-tempo jazz music playing] | |
| 345 | |
| 00:20:42,449 --> 00:20:44,317 | |
| [Rhythmic chanting] | |
| 346 | |
| 00:20:47,916 --> 00:20:49,619 | |
| [Crowd cheering] | |
| 347 | |
| 00:21:01,468 --> 00:21:03,435 | |
| [Music continues playing] | |
| 348 | |
| 00:21:35,634 --> 00:21:37,667 | |
| [Cheering] | |
| 349 | |
| 00:21:58,019 --> 00:21:59,887 | |
| [Cheering continues] | |
| 350 | |
| 00:22:04,531 --> 00:22:06,465 | |
| [Rhythmic chanting] | |
| 351 | |
| 00:22:09,437 --> 00:22:11,866 | |
| You! I've been looking | |
| all over for you. | |
| 352 | |
| 00:22:11,901 --> 00:22:14,000 | |
| We got a serious | |
| fucking situation. | |
| 353 | |
| 00:22:14,035 --> 00:22:16,673 | |
| There's no exit except | |
| down the main staircase. | |
| 354 | |
| 00:22:16,708 --> 00:22:18,411 | |
| Nothing in the back? | |
| No. | |
| 355 | |
| 00:22:18,446 --> 00:22:20,842 | |
| You gotta go | |
| through the ballroom. | |
| Everyone will see her. | |
| 356 | |
| 00:22:20,877 --> 00:22:23,042 | |
| Is there a doctor? | |
| No. | |
| 357 | |
| 00:22:23,077 --> 00:22:25,275 | |
| They're all high down there. | |
| Maybe they won't care. | |
| 358 | |
| 00:22:25,310 --> 00:22:27,981 | |
| If we take her out now... | |
| Somebody will care! | |
| 359 | |
| 00:22:28,016 --> 00:22:30,753 | |
| She's a fucking kid, | |
| and she looks like she's dead. | |
| 360 | |
| 00:22:36,695 --> 00:22:37,991 | |
| We use the elephant. | |
| 361 | |
| 00:22:42,096 --> 00:22:43,667 | |
| We bring him through the front. | |
| 362 | |
| 00:22:43,702 --> 00:22:46,868 | |
| Everyone will look at him. | |
| No one will look at her. | |
| 363 | |
| 00:22:50,335 --> 00:22:52,269 | |
| It's only 2:00. | |
| Don wanted to save the elephant. | |
| 364 | |
| 00:22:54,438 --> 00:22:56,405 | |
| Fine. Get the wrangler. | |
| 365 | |
| 00:22:56,440 --> 00:22:59,914 | |
| Jimmy, you carry the girl | |
| with me. Then you drive her | |
| to the hospital. | |
| 366 | |
| 00:22:59,949 --> 00:23:02,587 | |
| Doubt she'll be able | |
| to work tomorrow. | |
| That's her fucking problem. | |
| 367 | |
| 00:23:02,622 --> 00:23:04,721 | |
| No. She's in the bar scene | |
| in<i> maid's off.</i> | |
| 368 | |
| 00:23:09,761 --> 00:23:12,256 | |
| Yeah. | |
| Jane Thornton, that's her. | |
| 369 | |
| 00:23:12,291 --> 00:23:13,961 | |
| Bar shoots tomorrow, doesn't it? | |
| 370 | |
| 00:23:14,700 --> 00:23:15,732 | |
| Yes. | |
| 371 | |
| 00:23:17,461 --> 00:23:20,132 | |
| [Shouts] | |
| Who the fuck invited her? | |
| 372 | |
| 00:23:21,102 --> 00:23:22,266 | |
| [Guest] Um... | |
| 373 | |
| 00:23:23,368 --> 00:23:24,873 | |
| I did. | |
| 374 | |
| 00:23:24,908 --> 00:23:27,238 | |
| You blimp motherfucker, | |
| piece of fat fucking shit! | |
| 375 | |
| 00:23:27,273 --> 00:23:29,372 | |
| It was her first film. | |
| She wanted to celebrate. | |
| 376 | |
| 00:23:29,407 --> 00:23:31,242 | |
| I'll fucking... you doughboy! | |
| 377 | |
| 00:23:31,277 --> 00:23:33,596 | |
| You fuckhead | |
| motherfucking humpty dumpty! | |
| [Grunting, screaming] | |
| 378 | |
| 00:23:33,620 --> 00:23:35,785 | |
| Bob, come on! Bob! | |
| I'm gonna cut you up! | |
| 379 | |
| 00:23:35,820 --> 00:23:38,381 | |
| No, Bob! Don't leave me! | |
| Fuck! | |
| 380 | |
| 00:23:38,416 --> 00:23:40,119 | |
| [Cheering] | |
| 381 | |
| 00:23:45,599 --> 00:23:46,796 | |
| [Screams] | |
| 382 | |
| 00:23:46,831 --> 00:23:48,699 | |
| [Cheering continues] | |
| 383 | |
| 00:23:49,900 --> 00:23:51,196 | |
| Her. | |
| 384 | |
| 00:23:51,231 --> 00:23:53,638 | |
| Whoever she is. | |
| We go with her tomorrow. | |
| 385 | |
| 00:24:02,242 --> 00:24:03,780 | |
| [Elephant trumpeting] | |
| [All clamoring] | |
| 386 | |
| 00:24:03,815 --> 00:24:05,276 | |
| [Guest] What the fuck? | |
| 387 | |
| 00:24:07,280 --> 00:24:10,116 | |
| [Screaming] | |
| 388 | |
| 00:24:11,790 --> 00:24:13,218 | |
| [Elephant groaning] | |
| 389 | |
| 00:24:18,863 --> 00:24:21,259 | |
| Come on! Come on, baby! | |
| 390 | |
| 00:24:23,461 --> 00:24:24,702 | |
| [Glass shatters] | |
| 391 | |
| 00:24:25,969 --> 00:24:28,673 | |
| [Elephant trumpets] | |
| [Screaming] | |
| 392 | |
| 00:24:29,533 --> 00:24:32,303 | |
| [Glass shatters] | |
| [Trumpets] | |
| 393 | |
| 00:24:32,338 --> 00:24:34,470 | |
| Right here! | |
| I'm right here! | |
| 394 | |
| 00:24:39,818 --> 00:24:41,378 | |
| [Music ends] | |
| 395 | |
| 00:24:42,183 --> 00:24:45,987 | |
| [Band playing quietly] | |
| 396 | |
| 00:24:46,022 --> 00:24:47,692 | |
| [Elephant trumpets] | |
| 397 | |
| 00:25:09,408 --> 00:25:11,045 | |
| [Glass clatters] | |
| 398 | |
| 00:25:20,188 --> 00:25:23,189 | |
| Yeah. All right,<i> kapitän.</i> | |
| 399 | |
| 00:25:24,731 --> 00:25:27,864 | |
| Just one more drink | |
| for old time's sake. | |
| 400 | |
| 00:25:27,899 --> 00:25:28,997 | |
| Sir? | |
| 401 | |
| 00:25:30,231 --> 00:25:33,331 | |
| I just want to say | |
| thank you for the work. | |
| 402 | |
| 00:25:33,366 --> 00:25:37,170 | |
| And I was wondering | |
| if perhaps, next time, | |
| 403 | |
| 00:25:37,205 --> 00:25:41,746 | |
| you or Mr. Wallach | |
| might have something | |
| for me on a set? | |
| 404 | |
| 00:25:43,178 --> 00:25:44,749 | |
| I'll do anything. | |
| 405 | |
| 00:25:44,784 --> 00:25:47,246 | |
| I can paint, I can cook, | |
| I can clean, I can do coffee... | |
| 406 | |
| 00:25:47,281 --> 00:25:49,215 | |
| You're where you belong. | |
| 407 | |
| 00:25:53,617 --> 00:25:55,056 | |
| Okay. Thank you. | |
| 408 | |
| 00:25:56,290 --> 00:25:58,796 | |
| [Nellie] | |
| Ooh. I'm gonna raise you. | |
| 409 | |
| 00:26:00,624 --> 00:26:03,735 | |
| [Jimmy] You need to be | |
| on set in three hours. | |
| You'd better get some sleep. | |
| 410 | |
| 00:26:04,705 --> 00:26:06,562 | |
| [Laughs] | |
| 411 | |
| 00:26:06,597 --> 00:26:08,773 | |
| Gentlemen. | |
| You have a good night, Nellie. | |
| 412 | |
| 00:26:08,808 --> 00:26:10,038 | |
| [Poker player] | |
| Congratulations. | |
| 413 | |
| 00:26:10,073 --> 00:26:11,237 | |
| [Nellie squeals] | |
| 414 | |
| 00:26:11,272 --> 00:26:12,678 | |
| Manny! | |
| 415 | |
| 00:26:13,714 --> 00:26:15,010 | |
| Ain't life grand? | |
| 416 | |
| 00:26:15,045 --> 00:26:16,715 | |
| [Laughing] | |
| 417 | |
| 00:26:22,217 --> 00:26:23,821 | |
| [Screams] | |
| 418 | |
| 00:26:25,253 --> 00:26:27,616 | |
| Oh, if they could see me now! | |
| 419 | |
| 00:26:27,651 --> 00:26:33,259 | |
| All the cunts in Lafayette | |
| called me the ugliest mutt | |
| in the neighborhood. | |
| 420 | |
| 00:26:33,294 --> 00:26:35,932 | |
| Well, let them see me now! | |
| 421 | |
| 00:26:35,967 --> 00:26:38,000 | |
| Can you believe this, Manny? | |
| 422 | |
| 00:26:39,135 --> 00:26:42,037 | |
| Hey, Josie! Hey, Nana! | |
| 423 | |
| 00:26:42,072 --> 00:26:46,877 | |
| Why don't you kiss | |
| my royal angeleno hooch? | |
| 424 | |
| 00:26:46,912 --> 00:26:48,076 | |
| Nellie. | |
| 425 | |
| 00:26:48,111 --> 00:26:49,682 | |
| [Laughs] | |
| 426 | |
| 00:26:52,376 --> 00:26:54,260 | |
| [In Spanish] | |
| I think I'm in love with you. | |
| 427 | |
| 00:26:59,353 --> 00:27:01,694 | |
| [Car door opens, closes] | |
| 428 | |
| 00:27:02,554 --> 00:27:04,191 | |
| [Engine starts] | |
| 429 | |
| 00:27:05,194 --> 00:27:06,424 | |
| Night night, honey. | |
| 430 | |
| 00:27:07,394 --> 00:27:08,701 | |
| [Crashes] | |
| 431 | |
| 00:27:09,594 --> 00:27:11,099 | |
| Don't worry about that. | |
| 432 | |
| 00:27:11,134 --> 00:27:12,804 | |
| The car is not mine. | |
| 433 | |
| 00:27:26,710 --> 00:27:28,886 | |
| Chico. Hey, chico! | |
| 434 | |
| 00:27:30,483 --> 00:27:32,120 | |
| Jack Conrad's passed out. | |
| 435 | |
| 00:27:32,155 --> 00:27:34,155 | |
| Use one of wallach's cars | |
| to take him home. | |
| 436 | |
| 00:27:52,142 --> 00:27:55,539 | |
| Señor? Sir? | |
| Uh, do you have keys? | |
| [Grunts] | |
| 437 | |
| 00:27:55,574 --> 00:27:58,311 | |
| Yeah. I have keys. | |
| [Speaking Spanish] | |
| 438 | |
| 00:28:00,953 --> 00:28:02,249 | |
| [Speaking Spanish] | |
| 439 | |
| 00:28:03,285 --> 00:28:05,351 | |
| [Grunting] | |
| 440 | |
| 00:28:05,925 --> 00:28:07,518 | |
| [Jack snoring] | |
| 441 | |
| 00:28:10,897 --> 00:28:13,865 | |
| [Grunts] | |
| [Cackling] | |
| 442 | |
| 00:28:15,803 --> 00:28:17,198 | |
| Damn it. | |
| [Door opens] | |
| 443 | |
| 00:28:17,233 --> 00:28:19,464 | |
| Ah,<i> musica. Musica?</i> | |
| 444 | |
| 00:28:19,499 --> 00:28:20,499 | |
| Huh? | |
| 445 | |
| 00:28:20,533 --> 00:28:21,873 | |
| <i>Sì. Sì.</i> | |
| 446 | |
| 00:28:21,908 --> 00:28:24,106 | |
| [Opera music playing on radio] | |
| 447 | |
| 00:28:24,141 --> 00:28:25,206 | |
| [Sighs] | |
| 448 | |
| 00:28:25,241 --> 00:28:28,539 | |
| [Singing along in Italian] | |
| 449 | |
| 00:28:28,574 --> 00:28:32,312 | |
| Imagine me at the opera? | |
| That would've made | |
| ina's folks happy. | |
| 450 | |
| 00:28:33,447 --> 00:28:34,886 | |
| [Sighs] | |
| 451 | |
| 00:28:34,921 --> 00:28:36,745 | |
| [Music continues playing] | |
| 452 | |
| 00:28:36,780 --> 00:28:38,516 | |
| Well, if you'll excuse me... | |
| 453 | |
| 00:28:38,551 --> 00:28:41,255 | |
| [Singing in Italian] | |
| 454 | |
| 00:28:41,290 --> 00:28:43,191 | |
| [Water running] | |
| 455 | |
| 00:28:43,226 --> 00:28:46,590 | |
| [Singing continues] | |
| 456 | |
| 00:28:46,625 --> 00:28:48,559 | |
| See my point? Come on. | |
| 457 | |
| 00:28:48,594 --> 00:28:50,935 | |
| [Singing in Italian] | |
| 458 | |
| 00:28:52,103 --> 00:28:53,938 | |
| Ina's mom always said, | |
| 459 | |
| 00:28:53,973 --> 00:28:56,501 | |
| "I don't see | |
| how you can marry someone | |
| who paints his face." | |
| 460 | |
| 00:29:05,116 --> 00:29:06,709 | |
| You know what we gotta do? | |
| 461 | |
| 00:29:08,955 --> 00:29:12,121 | |
| We gotta redefine the form. | |
| 462 | |
| 00:29:12,156 --> 00:29:17,027 | |
| The man who puts gasoline | |
| in your tank goes | |
| to the movies why? | |
| 463 | |
| 00:29:17,062 --> 00:29:18,963 | |
| Why? Why? | |
| 464 | |
| 00:29:18,998 --> 00:29:21,559 | |
| Because he feels | |
| less alone there. | |
| 465 | |
| 00:29:22,969 --> 00:29:25,761 | |
| Don't we owe him more | |
| than the same old shit? | |
| 466 | |
| 00:29:25,796 --> 00:29:28,401 | |
| You got the guys in Europe | |
| with the twelve-tone. | |
| 467 | |
| 00:29:28,436 --> 00:29:31,701 | |
| You got bauhaus architecture. | |
| Fucking bauhaus, you know? | |
| 468 | |
| 00:29:31,736 --> 00:29:34,440 | |
| And we're still doing | |
| costume pictures? | |
| 469 | |
| 00:29:36,477 --> 00:29:38,147 | |
| It's the dinosaurs, kid. | |
| 470 | |
| 00:29:39,348 --> 00:29:41,216 | |
| It's the ones | |
| who go to Beverly Hills | |
| 471 | |
| 00:29:41,251 --> 00:29:43,317 | |
| for meatballs and mint juleps | |
| 472 | |
| 00:29:43,352 --> 00:29:45,583 | |
| to reminisce about the old days, | |
| 473 | |
| 00:29:45,618 --> 00:29:49,323 | |
| when they can't see | |
| there's so much more to be done! | |
| 474 | |
| 00:29:51,228 --> 00:29:52,755 | |
| [Blows] | |
| 475 | |
| 00:29:52,790 --> 00:29:55,967 | |
| We've got to innovate. | |
| We've got to inspire. | |
| 476 | |
| 00:29:56,002 --> 00:29:59,663 | |
| We got to dream beyond | |
| these pesky shells | |
| of flesh and bone. | |
| 477 | |
| 00:29:59,698 --> 00:30:03,667 | |
| Map those dreams onto celluloid | |
| and print them into history. | |
| 478 | |
| 00:30:03,702 --> 00:30:07,341 | |
| Turn today into tomorrow | |
| so that tomorrow's lonely man | |
| 479 | |
| 00:30:07,376 --> 00:30:09,442 | |
| may look up | |
| at that flickering screen | |
| 480 | |
| 00:30:09,477 --> 00:30:12,181 | |
| and say for the very first time, | |
| 481 | |
| 00:30:12,216 --> 00:30:15,151 | |
| "Eureka! I am not alone!" | |
| 482 | |
| 00:30:16,220 --> 00:30:17,615 | |
| [Sighs] | |
| 483 | |
| 00:30:18,354 --> 00:30:19,419 | |
| Yeah. | |
| 484 | |
| 00:30:20,521 --> 00:30:22,818 | |
| [Crashing] | |
| 485 | |
| 00:30:25,889 --> 00:30:27,427 | |
| [Gasping] | |
| 486 | |
| 00:30:32,335 --> 00:30:33,367 | |
| [Shouts] | |
| 487 | |
| 00:30:33,402 --> 00:30:34,863 | |
| [Exhales] | |
| [Jack grunts] | |
| 488 | |
| 00:30:34,898 --> 00:30:36,733 | |
| [Sighs, spits] | |
| 489 | |
| 00:30:36,768 --> 00:30:39,406 | |
| And I'm going to bed. | |
| 490 | |
| 00:30:40,508 --> 00:30:41,672 | |
| [Sighs] | |
| 491 | |
| 00:30:44,149 --> 00:30:45,181 | |
| [Groans] | |
| 492 | |
| 00:30:46,547 --> 00:30:49,515 | |
| [Opera continues playing] | |
| 493 | |
| 00:31:01,232 --> 00:31:02,858 | |
| [Jack] Hey, where'd you go? | |
| 494 | |
| 00:31:02,893 --> 00:31:04,530 | |
| You need something? | |
| 495 | |
| 00:31:04,565 --> 00:31:07,368 | |
| Yeah, I like you. | |
| I want you to take me | |
| to set today. | |
| 496 | |
| 00:31:07,403 --> 00:31:08,864 | |
| I want you by my side. | |
| 497 | |
| 00:31:11,077 --> 00:31:13,704 | |
| You okay with that? | |
| 498 | |
| 00:31:13,739 --> 00:31:14,804 | |
| <i>Sí.</i> | |
| 499 | |
| 00:31:16,709 --> 00:31:19,182 | |
| You ever been | |
| on a movie set before? | |
| 500 | |
| 00:31:20,746 --> 00:31:21,844 | |
| No. | |
| 501 | |
| 00:31:23,122 --> 00:31:24,583 | |
| You'll see. | |
| 502 | |
| 00:31:25,883 --> 00:31:28,719 | |
| It's the most magical place | |
| in the world. | |
| 503 | |
| 00:31:32,593 --> 00:31:34,168 | |
| [In Spanish] | |
| I've heard. | |
| 504 | |
| 00:31:56,584 --> 00:31:57,748 | |
| [Gasps] | |
| 505 | |
| 00:32:00,126 --> 00:32:01,323 | |
| [Groans] | |
| 506 | |
| 00:32:03,855 --> 00:32:06,966 | |
| [Chattering, | |
| children shouting | |
| in distance] | |
| 507 | |
| 00:32:12,765 --> 00:32:14,633 | |
| [Door opens] | |
| 508 | |
| 00:32:17,885 --> 00:32:20,560 | |
| [Speaking cantonese] | |
| Liu. We could use your help. | |
| 509 | |
| 00:32:20,585 --> 00:32:22,265 | |
| [Speaks cantonese] | |
| Ok, I'll be right there. | |
| 510 | |
| 00:32:27,615 --> 00:32:28,647 | |
| Liu? | |
| 511 | |
| 00:32:33,494 --> 00:32:35,829 | |
| Dad got last week's check? | |
| 512 | |
| 00:32:36,789 --> 00:32:40,329 | |
| Yes. It was more this time. Thank you. | |
| [Laughing] | |
| 513 | |
| 00:32:40,364 --> 00:32:41,924 | |
| [Launderer] | |
| Hole in shirt before. | |
| 514 | |
| 00:32:41,959 --> 00:32:43,838 | |
| No, hole not | |
| in shirt before, | |
| you fucking coolie! | |
| 515 | |
| 00:32:43,862 --> 00:32:45,796 | |
| I don't want | |
| a fucking discount! I... | |
| 516 | |
| 00:32:53,212 --> 00:32:54,244 | |
| Are you... | |
| 517 | |
| 00:32:55,742 --> 00:32:56,972 | |
| I am. | |
| 518 | |
| 00:33:36,013 --> 00:33:37,485 | |
| [Gasps] | |
| Morning! | |
| 519 | |
| 00:33:37,520 --> 00:33:39,586 | |
| [Panting] | |
| 520 | |
| 00:33:39,621 --> 00:33:42,358 | |
| Time to go make a movie. | |
| 521 | |
| 00:33:42,393 --> 00:33:43,755 | |
| [Grunts] | |
| 522 | |
| 00:33:49,697 --> 00:33:51,026 | |
| [Car door closes] | |
| 523 | |
| 00:33:51,061 --> 00:33:54,073 | |
| [Excited chattering] | |
| 524 | |
| 00:33:56,033 --> 00:33:57,901 | |
| [Shouting] | |
| 525 | |
| 00:34:06,582 --> 00:34:08,615 | |
| [Protestors chanting] | |
| 526 | |
| 00:34:10,080 --> 00:34:11,717 | |
| [Indistinct shouting] | |
| 527 | |
| 00:34:11,752 --> 00:34:13,048 | |
| <i>Maid's off?</i> | |
| Yeah. | |
| 528 | |
| 00:34:13,083 --> 00:34:14,555 | |
| Come with me. | |
| 529 | |
| 00:34:16,757 --> 00:34:19,230 | |
| [Crew member] Higher! More! | |
| 530 | |
| 00:34:22,026 --> 00:34:24,532 | |
| [Drumming] | |
| 531 | |
| 00:34:26,437 --> 00:34:27,997 | |
| [Grunting] | |
| 532 | |
| 00:34:30,276 --> 00:34:31,935 | |
| [Shouting ferociously] | |
| 533 | |
| 00:34:31,970 --> 00:34:35,213 | |
| Now go over, put it in the pot. | |
| Scream like a big, fat pig. | |
| 534 | |
| 00:34:35,248 --> 00:34:37,039 | |
| All right. All right, | |
| all right! Yes! | |
| 535 | |
| 00:34:37,074 --> 00:34:38,150 | |
| Go! | |
| 536 | |
| 00:34:39,010 --> 00:34:43,122 | |
| [Playing native music] | |
| 537 | |
| 00:34:46,116 --> 00:34:48,116 | |
| [Camel lows] | |
| 538 | |
| 00:34:48,151 --> 00:34:50,327 | |
| [Chattering] | |
| 539 | |
| 00:34:51,726 --> 00:34:53,957 | |
| [Shouting] | |
| 540 | |
| 00:34:56,467 --> 00:34:58,896 | |
| More whiskey! More whiskey! | |
| 541 | |
| 00:34:58,931 --> 00:35:01,932 | |
| Well, don't just | |
| fucking stand there! | |
| Get the fuck out of the shot! | |
| 542 | |
| 00:35:01,967 --> 00:35:04,638 | |
| [Playing jazz] | |
| 543 | |
| 00:35:06,609 --> 00:35:08,180 | |
| [Camel grunts] | |
| 544 | |
| 00:35:10,943 --> 00:35:14,681 | |
| Peanuts! Good for hangovers! | |
| 545 | |
| 00:35:14,716 --> 00:35:16,947 | |
| You. You're new? | |
| You're new here? | |
| 546 | |
| 00:35:16,982 --> 00:35:18,784 | |
| Your first bag is free. | |
| 547 | |
| 00:35:22,823 --> 00:35:26,198 | |
| One bag or two? One. | |
| And you're paying this time? | |
| Thank you. | |
| 548 | |
| 00:35:26,233 --> 00:35:27,661 | |
| Hurry the fuck up! | |
| 549 | |
| 00:35:27,696 --> 00:35:29,993 | |
| Can you stop drinking? | |
| We are not shooting yet! | |
| 550 | |
| 00:35:30,028 --> 00:35:31,830 | |
| Put down the fucking glasses! | |
| 551 | |
| 00:35:34,197 --> 00:35:36,351 | |
| Who the fuck is this? | |
| I asked for the girl | |
| with the tits. | |
| 552 | |
| 00:35:36,375 --> 00:35:37,968 | |
| This is who they found. | |
| 553 | |
| 00:35:39,136 --> 00:35:40,938 | |
| What happened to the tits part? | |
| 554 | |
| 00:35:40,973 --> 00:35:42,511 | |
| She od'd. | |
| 555 | |
| 00:35:44,317 --> 00:35:45,976 | |
| [Groans loudly] | |
| 556 | |
| 00:35:51,324 --> 00:35:54,149 | |
| Just go. Just go. | |
| Get her made up. | |
| 557 | |
| 00:35:54,987 --> 00:35:56,327 | |
| Max! | |
| Yes. | |
| 558 | |
| 00:35:56,362 --> 00:35:57,735 | |
| Just, uh, shoot the men | |
| or something. | |
| 559 | |
| 00:35:57,759 --> 00:35:59,462 | |
| No tits? | |
| No tits. | |
| 560 | |
| 00:35:59,497 --> 00:36:02,025 | |
| All right, no tits, everybody! | |
| We're shooting the men. | |
| 561 | |
| 00:36:02,060 --> 00:36:04,863 | |
| [Director]<i> Diese scheißen</i> fucks! | |
| They are ruining my movie! | |
| 562 | |
| 00:36:05,998 --> 00:36:08,031 | |
| I want them on camera | |
| in five minutes! | |
| 563 | |
| 00:36:08,066 --> 00:36:09,868 | |
| Otto, please, please. | |
| Jack's arriving. | |
| 564 | |
| 00:36:09,903 --> 00:36:11,705 | |
| [Tires screech] | |
| 565 | |
| 00:36:11,740 --> 00:36:13,641 | |
| What about pancakes? | |
| 566 | |
| 00:36:13,676 --> 00:36:16,138 | |
| Do you heat the syrup | |
| or do you let the pancake | |
| do the warming? | |
| 567 | |
| 00:36:16,173 --> 00:36:19,581 | |
| [Groans] Heat the syrup? | |
| I agree! | |
| 568 | |
| 00:36:19,616 --> 00:36:21,583 | |
| Ha. That there | |
| is George munn, | |
| 569 | |
| 00:36:21,618 --> 00:36:25,048 | |
| best producer in the biz | |
| and my oldest pal. | |
| 570 | |
| 00:36:25,083 --> 00:36:27,182 | |
| Set patrol over there | |
| is Jim kidd. | |
| 571 | |
| 00:36:27,217 --> 00:36:30,658 | |
| Legend of the wild west | |
| who made his name | |
| killing apaches. | |
| 572 | |
| 00:36:30,693 --> 00:36:32,594 | |
| Lives in brentwood now. | |
| [Otto] This is bullshit! | |
| 573 | |
| 00:36:32,629 --> 00:36:35,630 | |
| Georgie, what's up | |
| Von cheeseburger's ass today? | |
| [Sighs] | |
| 574 | |
| 00:36:35,665 --> 00:36:38,699 | |
| The extras want to | |
| renegotiate their pay. | |
| You motherfucker! | |
| 575 | |
| 00:36:38,734 --> 00:36:40,899 | |
| Huh. | |
| I do not care | |
| if the extras are revolting! | |
| 576 | |
| 00:36:40,934 --> 00:36:43,066 | |
| Well, put the kid on it. | |
| 577 | |
| 00:36:43,101 --> 00:36:45,409 | |
| The kid? | |
| Yeah, the kid. | |
| The Mexican I brought. | |
| 578 | |
| 00:36:45,444 --> 00:36:47,312 | |
| He's great. | |
| What's your name? | |
| 579 | |
| 00:36:47,347 --> 00:36:49,545 | |
| Me? Manuel. | |
| [Otto] Bullshit! | |
| 580 | |
| 00:36:49,580 --> 00:36:52,482 | |
| Right, Manuel. | |
| Manuel's great! | |
| Put Manuel on it. | |
| 581 | |
| 00:36:52,517 --> 00:36:54,550 | |
| You have experience | |
| with strikes? | |
| 582 | |
| 00:36:54,585 --> 00:36:57,014 | |
| Um... yes. | |
| 583 | |
| 00:36:57,621 --> 00:36:59,016 | |
| Okay, good. | |
| 584 | |
| 00:36:59,051 --> 00:37:00,820 | |
| Well, these are all junkies | |
| from skid row, | |
| 585 | |
| 00:37:00,855 --> 00:37:03,095 | |
| so they're pretty violent. | |
| [Otto] | |
| You fucking assholes! | |
| 586 | |
| 00:37:03,759 --> 00:37:05,220 | |
| Who are you? | |
| 587 | |
| 00:37:05,255 --> 00:37:07,728 | |
| That's the cocksucker | |
| they sent to screw us! | |
| 588 | |
| 00:37:07,763 --> 00:37:11,369 | |
| Gentlemen, I believe | |
| you all agreed to a day's work. | |
| 589 | |
| 00:37:11,404 --> 00:37:14,999 | |
| And I believe I agreed | |
| to ram this knife | |
| up the asshole | |
| 590 | |
| 00:37:15,034 --> 00:37:17,408 | |
| of the first faggot | |
| they sent over! | |
| 591 | |
| 00:37:17,443 --> 00:37:19,707 | |
| [Strikers cheering] | |
| [Speaking Spanish] | |
| 592 | |
| 00:37:19,742 --> 00:37:22,512 | |
| This is where you kiss | |
| the apparition,<i> ja?</i> | |
| 593 | |
| 00:37:22,547 --> 00:37:24,041 | |
| <i>Ja.</i> | |
| 594 | |
| 00:37:24,076 --> 00:37:26,010 | |
| She has led you | |
| to your destiny | |
| through fate, | |
| 595 | |
| 00:37:26,045 --> 00:37:28,749 | |
| through your lifetime | |
| to this moment,<i> ja?</i> | |
| Mm-hmm. | |
| 596 | |
| 00:37:28,784 --> 00:37:30,245 | |
| Very good,<i> ja?</i> | |
| <i>Ja.</i> | |
| 597 | |
| 00:37:30,280 --> 00:37:32,555 | |
| I'm gonna play it adagio. | |
| 598 | |
| 00:37:32,590 --> 00:37:36,086 | |
| You know, for the music | |
| and the poetry. | |
| 599 | |
| 00:37:36,121 --> 00:37:38,055 | |
| All art aspires to music. | |
| 600 | |
| 00:37:38,090 --> 00:37:39,595 | |
| I like it. | |
| Yeah. | |
| 601 | |
| 00:37:39,630 --> 00:37:41,289 | |
| Sandwich! | |
| 602 | |
| 00:37:41,324 --> 00:37:43,093 | |
| What is this Dolly doing here? | |
| 603 | |
| 00:37:43,128 --> 00:37:46,129 | |
| [Strikers shouting angrily] | |
| 604 | |
| 00:37:46,164 --> 00:37:48,736 | |
| Sir! Sir, sir! | |
| Sir, can I borrow that? | |
| 605 | |
| 00:37:48,771 --> 00:37:51,442 | |
| [Gunshot] | |
| [Manuel] | |
| All right, you motherfuckers! | |
| 606 | |
| 00:37:51,477 --> 00:37:55,611 | |
| Any of you don't work | |
| gets a bullet | |
| in the fucking skull! | |
| 607 | |
| 00:37:55,646 --> 00:37:56,876 | |
| [Gunfire] | |
| 608 | |
| 00:37:56,911 --> 00:37:59,175 | |
| Get back to work! | |
| Get back to work! | |
| 609 | |
| 00:37:59,210 --> 00:38:01,144 | |
| Get back to work! | |
| 610 | |
| 00:38:01,179 --> 00:38:02,585 | |
| [Muffled] Manuel's great! | |
| 611 | |
| 00:38:02,620 --> 00:38:04,279 | |
| How's that for camera? | |
| Much better, Ruth. | |
| 612 | |
| 00:38:04,314 --> 00:38:05,654 | |
| Jesus Christ! | |
| 613 | |
| 00:38:05,689 --> 00:38:07,821 | |
| Is somebody gonna fix her face? | |
| 614 | |
| 00:38:07,856 --> 00:38:09,658 | |
| Get her out of here! | |
| Fuck's sake. | |
| 615 | |
| 00:38:09,693 --> 00:38:11,836 | |
| Do you not know | |
| how to do makeup? | |
| You, what's your name? | |
| 616 | |
| 00:38:11,860 --> 00:38:13,431 | |
| Tim. | |
| Tim, you're fired. | |
| 617 | |
| 00:38:13,466 --> 00:38:15,266 | |
| What? | |
| You heard her! | |
| Get the fuck off this set! | |
| 618 | |
| 00:38:16,359 --> 00:38:18,062 | |
| [Otto] Action! | |
| [Orchestra playing] | |
| 619 | |
| 00:38:18,097 --> 00:38:21,373 | |
| [Shouting ferociously] | |
| 620 | |
| 00:38:26,006 --> 00:38:28,611 | |
| [Orchestra continues playing] | |
| 621 | |
| 00:38:40,152 --> 00:38:41,184 | |
| [Explosion] | |
| 622 | |
| 00:38:51,163 --> 00:38:52,866 | |
| [Explosion] | |
| 623 | |
| 00:39:00,934 --> 00:39:05,385 | |
| [Shouting in German] | |
| Faster! Faster! Faster! Faster! | |
| 624 | |
| 00:39:05,469 --> 00:39:07,226 | |
| Faster, motherfuckers! | |
| 625 | |
| 00:39:11,689 --> 00:39:13,084 | |
| [Horse whinnies] | |
| 626 | |
| 00:39:15,924 --> 00:39:18,056 | |
| [Shouting continues] | |
| 627 | |
| 00:39:30,807 --> 00:39:32,268 | |
| [Screams] | |
| 628 | |
| 00:39:37,814 --> 00:39:41,079 | |
| "Marbled meadows metamorphose | |
| 629 | |
| 00:39:41,114 --> 00:39:43,719 | |
| into the medieval plains | |
| of iberia. | |
| 630 | |
| 00:39:43,754 --> 00:39:45,490 | |
| Soldiers swarm the fields | |
| 631 | |
| 00:39:45,525 --> 00:39:48,922 | |
| like flecks of paint | |
| from a madman's brush | |
| 632 | |
| 00:39:48,957 --> 00:39:51,760 | |
| as your humble servant | |
| bears witness | |
| 633 | |
| 00:39:51,795 --> 00:39:55,324 | |
| to the latest | |
| of the moving picture's | |
| magic tricks." | |
| 634 | |
| 00:39:58,098 --> 00:40:00,296 | |
| Oh, why do I bother? | |
| 635 | |
| 00:40:00,331 --> 00:40:02,837 | |
| Look at these idiots! | |
| 636 | |
| 00:40:02,872 --> 00:40:03,904 | |
| [Sighs] | |
| 637 | |
| 00:40:06,106 --> 00:40:07,578 | |
| [Sniffs] | |
| 638 | |
| 00:40:07,613 --> 00:40:09,910 | |
| I knew proust, you know. | |
| 639 | |
| 00:40:09,945 --> 00:40:11,978 | |
| [Dramatic music continues] | |
| 640 | |
| 00:40:12,013 --> 00:40:13,716 | |
| [Shouts] | |
| 641 | |
| 00:40:13,751 --> 00:40:16,048 | |
| [Horses whinnying] | |
| 642 | |
| 00:40:16,083 --> 00:40:17,313 | |
| [Screaming] | |
| 643 | |
| 00:40:20,219 --> 00:40:21,658 | |
| [Shouting] | |
| 644 | |
| 00:40:36,939 --> 00:40:38,070 | |
| H-He's dead. | |
| 645 | |
| 00:40:39,106 --> 00:40:41,238 | |
| He did have a drinking problem. | |
| 646 | |
| 00:40:41,977 --> 00:40:43,647 | |
| [George] That's true. | |
| 647 | |
| 00:40:43,682 --> 00:40:46,111 | |
| Probably ran into it | |
| himself, huh? | |
| 648 | |
| 00:40:46,817 --> 00:40:48,410 | |
| It's a disease. | |
| 649 | |
| 00:40:55,089 --> 00:40:56,759 | |
| [Tires screeching] | |
| 650 | |
| 00:41:01,491 --> 00:41:03,326 | |
| Your coffee, | |
| Mr. Thalberg. | |
| 651 | |
| 00:41:03,361 --> 00:41:04,635 | |
| <i>Gracias.</i> | |
| 652 | |
| 00:41:06,298 --> 00:41:09,332 | |
| [Jack] Close with Swanson | |
| and the fireworks. The end! | |
| 653 | |
| 00:41:09,367 --> 00:41:11,103 | |
| Irv! | |
| For the Clayton movie... | |
| 654 | |
| 00:41:11,138 --> 00:41:13,270 | |
| Sir, I-I think your tent's | |
| in the line of fire. | |
| 655 | |
| 00:41:13,305 --> 00:41:15,778 | |
| They'll edit it out in post. | |
| But I think | |
| we could get hurt... | |
| 656 | |
| 00:41:15,813 --> 00:41:18,154 | |
| [Explosion] | |
| Jack, every time you wear | |
| a prosthetic, we lose money. | |
| 657 | |
| 00:41:18,178 --> 00:41:20,288 | |
| Don't be a pussy, Irv. | |
| The fireworks shot | |
| is too expensive. | |
| 658 | |
| 00:41:20,312 --> 00:41:22,312 | |
| And you'll never | |
| get Gloria Swanson. | |
| Why no Swanson? | |
| 659 | |
| 00:41:22,347 --> 00:41:23,962 | |
| She only does leads. | |
| She's on the phone, sir. | |
| 660 | |
| 00:41:23,986 --> 00:41:25,084 | |
| Thanks, Abby. | |
| Who? | |
| 661 | |
| 00:41:25,119 --> 00:41:26,624 | |
| Gloria Swanson. | |
| What? | |
| 662 | |
| 00:41:26,659 --> 00:41:29,759 | |
| Gloria? Jack Conrad. | |
| Listen, I need some advice. | |
| 663 | |
| 00:41:29,794 --> 00:41:31,926 | |
| You know all | |
| the young up-and-comers. | |
| 664 | |
| 00:41:31,961 --> 00:41:35,457 | |
| Well, I need a real discovery | |
| for the part in my movie. | |
| Who do you suggest? | |
| 665 | |
| 00:41:35,492 --> 00:41:38,031 | |
| Why discovery? | |
| Well, this role requires | |
| real range. | |
| 666 | |
| 00:41:38,066 --> 00:41:41,001 | |
| A range I just don't see | |
| in any of today's stars... | |
| [Screams] | |
| 667 | |
| 00:41:41,036 --> 00:41:42,838 | |
| Excuse me. | |
| 668 | |
| 00:41:42,873 --> 00:41:47,205 | |
| Props needs | |
| better aging, goddamn it! | |
| We talked about this! | |
| 669 | |
| 00:41:47,240 --> 00:41:49,405 | |
| Sorry, what... no, I didn't... | |
| 670 | |
| 00:41:49,440 --> 00:41:51,407 | |
| Gloria, you have | |
| buckets of charm. | |
| 671 | |
| 00:41:51,442 --> 00:41:54,817 | |
| This is real drama | |
| we're talking about. | |
| Shakespeare-level stuff. | |
| 672 | |
| 00:41:54,852 --> 00:41:57,347 | |
| Hmm. Of course | |
| you could do Shakespeare. | |
| 673 | |
| 00:41:57,382 --> 00:42:00,658 | |
| You would be spectacular | |
| in one of his fluffier plays. | |
| 674 | |
| 00:42:01,793 --> 00:42:04,629 | |
| Gloria, you're taking this | |
| the wrong way. | |
| 675 | |
| 00:42:04,664 --> 00:42:07,489 | |
| Well, I'd like to work | |
| with you too. | |
| 676 | |
| 00:42:07,524 --> 00:42:10,228 | |
| No, I'm afraid it's impossible. | |
| It's gotta be a discovery. | |
| 677 | |
| 00:42:10,263 --> 00:42:14,166 | |
| We couldn't afford star fees | |
| even if we wanted to. | |
| 678 | |
| 00:42:14,201 --> 00:42:16,003 | |
| Really? Huh. | |
| 679 | |
| 00:42:16,038 --> 00:42:19,171 | |
| Well, how about | |
| I talk it over with the studio? | |
| 680 | |
| 00:42:19,206 --> 00:42:22,746 | |
| I can't speak for them, | |
| of course, but I'll do my best. | |
| 681 | |
| 00:42:22,781 --> 00:42:25,177 | |
| Okay, then. Bye now. | |
| 682 | |
| 00:42:25,212 --> 00:42:26,376 | |
| [Hangs up] | |
| 683 | |
| 00:42:26,411 --> 00:42:28,510 | |
| She'll do it for cheap. | |
| 684 | |
| 00:42:28,545 --> 00:42:32,085 | |
| Now take the money I saved you | |
| and put it towards | |
| the goddamn fireworks shot. | |
| 685 | |
| 00:42:33,253 --> 00:42:34,923 | |
| Cut! | |
| 686 | |
| 00:42:34,958 --> 00:42:37,420 | |
| [Screams] | |
| These fucking horses! | |
| 687 | |
| 00:42:37,455 --> 00:42:38,663 | |
| Motherfuckers! | |
| 688 | |
| 00:42:38,698 --> 00:42:39,928 | |
| [Grunts] | |
| Is that the last one? | |
| 689 | |
| 00:42:39,963 --> 00:42:42,062 | |
| What happened? | |
| We lost all ten cameras. | |
| 690 | |
| 00:42:42,097 --> 00:42:44,526 | |
| But what about Jack's scene? | |
| We make a camera run | |
| right now! | |
| 691 | |
| 00:42:44,561 --> 00:42:46,198 | |
| It's too far! | |
| Sun sets in three hours! | |
| 692 | |
| 00:42:46,233 --> 00:42:47,716 | |
| Send Joey now. | |
| Tell him to speed. | |
| In the meantime... | |
| 693 | |
| 00:42:47,740 --> 00:42:49,872 | |
| Joey has a flag sticking | |
| through his chest, Larry. | |
| 694 | |
| 00:42:49,907 --> 00:42:51,709 | |
| A flag? | |
| He ran into it himself. | |
| 695 | |
| 00:42:51,744 --> 00:42:53,612 | |
| Right. Um, send Miguel then. | |
| 696 | |
| 00:42:59,147 --> 00:43:01,378 | |
| Here. 1312 cahuenga. | |
| 697 | |
| 00:43:01,413 --> 00:43:04,315 | |
| You give 'em that card, | |
| you tell 'em you work for munn. | |
| 698 | |
| 00:43:04,922 --> 00:43:05,922 | |
| And hurry! | |
| 699 | |
| 00:43:05,956 --> 00:43:07,516 | |
| Okay, here's the shot. | |
| 700 | |
| 00:43:09,124 --> 00:43:11,927 | |
| Flirt with the men. Dance. | |
| Get up on the table | |
| and that's it. | |
| 701 | |
| 00:43:11,962 --> 00:43:14,490 | |
| Just, uh, don't look | |
| at the fucking camera. | |
| Places! | |
| 702 | |
| 00:43:14,525 --> 00:43:16,734 | |
| [Crew member] And camera! | |
| [Camera clattering] | |
| 703 | |
| 00:43:27,780 --> 00:43:29,043 | |
| [Ruth] And music! | |
| 704 | |
| 00:43:29,078 --> 00:43:32,145 | |
| [Up-tempo jazz playing] | |
| 705 | |
| 00:43:34,149 --> 00:43:35,445 | |
| [Ruth] Action! | |
| 706 | |
| 00:43:35,480 --> 00:43:36,787 | |
| Hi, boys. | |
| 707 | |
| 00:43:38,956 --> 00:43:40,692 | |
| Santa, get me wet. | |
| 708 | |
| 00:43:49,296 --> 00:43:50,933 | |
| Another, please. | |
| 709 | |
| 00:43:56,941 --> 00:43:59,942 | |
| That one's for you, | |
| snuggle pup. | |
| [Chuckling] | |
| 710 | |
| 00:43:59,977 --> 00:44:01,339 | |
| Hey, baby grand. | |
| 711 | |
| 00:44:02,474 --> 00:44:03,605 | |
| [Grunting] | |
| 712 | |
| 00:44:03,640 --> 00:44:05,343 | |
| [Chuckles] | |
| 713 | |
| 00:44:05,378 --> 00:44:07,114 | |
| Where are you going? | |
| 714 | |
| 00:44:10,086 --> 00:44:12,284 | |
| Uh... okay, | |
| start dancing, please. | |
| 715 | |
| 00:44:12,319 --> 00:44:13,989 | |
| [Music continues] | |
| 716 | |
| 00:44:20,393 --> 00:44:21,931 | |
| Bauhaus. | |
| 717 | |
| 00:44:21,966 --> 00:44:23,933 | |
| You know what I mean | |
| by bauhaus, don't you? | |
| 718 | |
| 00:44:23,968 --> 00:44:26,133 | |
| Not as it relates | |
| to this, sir, no. | |
| 719 | |
| 00:44:40,347 --> 00:44:41,984 | |
| [Cheering] | |
| 720 | |
| 00:44:46,353 --> 00:44:49,552 | |
| And then he says, | |
| <i>"hasta la vista,</i> motherfucker." | |
| 721 | |
| 00:44:49,587 --> 00:44:50,685 | |
| Type it. | |
| 722 | |
| 00:44:50,720 --> 00:44:53,864 | |
| [Cheering, whistling] | |
| 723 | |
| 00:44:55,967 --> 00:44:57,032 | |
| [Whooping] | |
| 724 | |
| 00:45:01,269 --> 00:45:02,301 | |
| [Grunts] | |
| 725 | |
| 00:45:10,278 --> 00:45:11,442 | |
| [Shouts] | |
| 726 | |
| 00:45:15,514 --> 00:45:18,449 | |
| And then he says, | |
| "frankly, Scarlett, | |
| you're a cunt." | |
| 727 | |
| 00:45:18,484 --> 00:45:19,549 | |
| Type it. | |
| 728 | |
| 00:45:25,898 --> 00:45:26,898 | |
| [Glass shattering] | |
| 729 | |
| 00:45:31,266 --> 00:45:32,364 | |
| Cut! | |
| 730 | |
| 00:45:33,070 --> 00:45:35,367 | |
| [Brakes squealing] | |
| 731 | |
| 00:45:35,402 --> 00:45:37,435 | |
| Man number three, | |
| I can see your erection. | |
| 732 | |
| 00:45:37,470 --> 00:45:39,041 | |
| All right, tuck it. | |
| Just tuck it up. | |
| 733 | |
| 00:45:39,076 --> 00:45:41,208 | |
| [Panting] | |
| 734 | |
| 00:45:52,991 --> 00:45:55,156 | |
| Hi. I work | |
| for Mr. George munn. | |
| 735 | |
| 00:45:55,191 --> 00:45:56,960 | |
| We need a camera | |
| for strassberger's show. | |
| 736 | |
| 00:45:56,995 --> 00:45:58,962 | |
| Oh, yeah? | |
| What kind of camera? | |
| 737 | |
| 00:45:58,997 --> 00:46:00,931 | |
| Bell and howell 35 millimeter. | |
| 738 | |
| 00:46:02,363 --> 00:46:06,431 | |
| Uh-huh. | |
| Is it a 2708 model or 2709? | |
| 739 | |
| 00:46:08,270 --> 00:46:10,842 | |
| I-I'm not sure. | |
| Is there a big difference? | |
| 740 | |
| 00:46:15,079 --> 00:46:16,771 | |
| Um, yeah. | |
| 741 | |
| 00:46:17,312 --> 00:46:19,081 | |
| Hey, Donny! | |
| 742 | |
| 00:46:19,116 --> 00:46:21,644 | |
| What? | |
| There's a guy up here | |
| wants to know | |
| 743 | |
| 00:46:21,679 --> 00:46:25,747 | |
| if there's a big difference | |
| between a 2708 and a 2709. | |
| [Chuckling] | |
| 744 | |
| 00:46:25,782 --> 00:46:27,925 | |
| Okay. | |
| [Donny guffawing] | |
| 745 | |
| 00:46:27,960 --> 00:46:30,323 | |
| Do you have either? | |
| Nope. | |
| 746 | |
| 00:46:30,358 --> 00:46:32,523 | |
| Every camera's | |
| been loaned out. | |
| Fuck. | |
| 747 | |
| 00:46:32,558 --> 00:46:34,932 | |
| One's coming back | |
| in half an hour though. | |
| 748 | |
| 00:46:34,967 --> 00:46:35,999 | |
| Half hour? | |
| 749 | |
| 00:46:36,034 --> 00:46:38,100 | |
| But it's a 2709. | |
| 750 | |
| 00:46:38,135 --> 00:46:39,266 | |
| Yeah. Okay. | |
| 751 | |
| 00:46:39,301 --> 00:46:40,828 | |
| Thirty minutes. | |
| 752 | |
| 00:46:40,863 --> 00:46:43,600 | |
| For the 2709. | |
| I can do that. | |
| Thirty minutes. | |
| 753 | |
| 00:46:43,635 --> 00:46:45,437 | |
| Two-seven... | |
| Okay. | |
| 754 | |
| 00:46:45,472 --> 00:46:47,142 | |
| Zero-nine. | |
| 755 | |
| 00:46:48,508 --> 00:46:50,948 | |
| [Clock ticking] | |
| 756 | |
| 00:47:07,560 --> 00:47:09,395 | |
| Are you married? | |
| 757 | |
| 00:47:09,430 --> 00:47:12,365 | |
| My wife died. | |
| Oh, I'm dreadfully sorry. | |
| 758 | |
| 00:47:15,040 --> 00:47:17,040 | |
| Hey! Next part. | |
| Miss Moore'll come in. | |
| 759 | |
| 00:47:17,075 --> 00:47:19,702 | |
| She saved you from prostitution, | |
| so when you see her, | |
| cry in shame. | |
| 760 | |
| 00:47:19,737 --> 00:47:22,375 | |
| I need big tears! | |
| Big! You got it? | |
| Okay, yeah. | |
| 761 | |
| 00:47:23,411 --> 00:47:25,477 | |
| Is that gum? | |
| 762 | |
| 00:47:25,512 --> 00:47:27,545 | |
| Are you fucking kidding me? | |
| What's wrong with you? | |
| 763 | |
| 00:47:27,580 --> 00:47:29,954 | |
| Five-minute warning | |
| for miss Moore! | |
| 764 | |
| 00:47:42,727 --> 00:47:45,398 | |
| [Door opens] | |
| [Car horn honks] | |
| 765 | |
| 00:47:45,433 --> 00:47:46,828 | |
| That's mine! | |
| 766 | |
| 00:47:46,863 --> 00:47:49,006 | |
| I have 20 minutes | |
| to be in simi valley. | |
| 767 | |
| 00:47:49,041 --> 00:47:52,801 | |
| Which road do I take? | |
| Uh, you're gonna look | |
| at least 90 in this traffic. | |
| 768 | |
| 00:47:52,836 --> 00:47:57,146 | |
| We've got an eight-part | |
| sign-out process. | |
| Let me go try to find a pen. | |
| 769 | |
| 00:48:01,515 --> 00:48:03,185 | |
| Action! | |
| 770 | |
| 00:48:03,220 --> 00:48:05,352 | |
| [Up-tempo jazz playing] | |
| And action, miss Moore. | |
| 771 | |
| 00:48:05,387 --> 00:48:07,255 | |
| Hand on chest. Aghast! | |
| [Gasps] | |
| 772 | |
| 00:48:07,290 --> 00:48:08,850 | |
| My goodness, | |
| what is going on here? | |
| 773 | |
| 00:48:08,885 --> 00:48:10,588 | |
| Girl on bar, look at miss Moore. | |
| 774 | |
| 00:48:10,623 --> 00:48:11,996 | |
| And tears! | |
| 775 | |
| 00:48:14,264 --> 00:48:15,857 | |
| [Whispers] | |
| Okay, glycerin. | |
| 776 | |
| 00:48:15,892 --> 00:48:18,167 | |
| Um, we seem to be out. | |
| What? We haven't used any. | |
| 777 | |
| 00:48:18,202 --> 00:48:19,597 | |
| Porky thought it was lube. | |
| 778 | |
| 00:48:19,632 --> 00:48:21,038 | |
| He thought it was lube? | |
| Yes. | |
| 779 | |
| 00:48:21,073 --> 00:48:22,930 | |
| [Ruth] | |
| Are you fucking... | |
| She can't cry. | |
| 780 | |
| 00:48:22,965 --> 00:48:25,165 | |
| She's just some random whore | |
| from wallach's house! | |
| [Sobs] | |
| 781 | |
| 00:48:26,738 --> 00:48:28,639 | |
| [Crying] | |
| 782 | |
| 00:48:44,624 --> 00:48:45,953 | |
| Cut. | |
| 783 | |
| 00:48:45,988 --> 00:48:47,262 | |
| [Sobs, stops] | |
| 784 | |
| 00:48:48,034 --> 00:48:50,595 | |
| Hiya. I'm Nellie laroy. | |
| 785 | |
| 00:48:51,433 --> 00:48:53,103 | |
| So we going again? | |
| 786 | |
| 00:48:53,138 --> 00:48:54,500 | |
| Fucking motherfucker. | |
| 787 | |
| 00:48:54,535 --> 00:48:56,106 | |
| I'm so sorry, god. | |
| 788 | |
| 00:48:56,141 --> 00:48:58,570 | |
| You gave us the beautiful light, | |
| and I squandered it. | |
| 789 | |
| 00:48:58,605 --> 00:49:00,308 | |
| I won't have | |
| any fucking light now. | |
| 790 | |
| 00:49:00,343 --> 00:49:03,212 | |
| Otto, you should have fought | |
| for 20 cameras, you idiot! | |
| 791 | |
| 00:49:03,247 --> 00:49:05,775 | |
| [Siren wailing] | |
| 792 | |
| 00:49:05,810 --> 00:49:07,117 | |
| What is this bullshit? | |
| 793 | |
| 00:49:07,152 --> 00:49:10,252 | |
| [Siren wailing continues] | |
| 794 | |
| 00:49:15,358 --> 00:49:17,589 | |
| [Siren stops] | |
| Camera! Camera! | |
| 795 | |
| 00:49:17,624 --> 00:49:18,953 | |
| Camera! | |
| Yeah. | |
| 796 | |
| 00:49:18,988 --> 00:49:20,790 | |
| Camera! Camera! | |
| Yeah. | |
| 797 | |
| 00:49:20,825 --> 00:49:23,133 | |
| My camera's here! | |
| My camera's here! | |
| 798 | |
| 00:49:23,168 --> 00:49:25,135 | |
| We roll, we roll! | |
| We are losing the light! | |
| 799 | |
| 00:49:25,170 --> 00:49:27,104 | |
| [Ruth] | |
| Take two! Action! | |
| 800 | |
| 00:49:27,139 --> 00:49:28,633 | |
| [Gasps] | |
| And cry. | |
| 801 | |
| 00:49:30,307 --> 00:49:32,670 | |
| Cut! Okay, I want | |
| to try something. | |
| [Grunts] | |
| 802 | |
| 00:49:32,705 --> 00:49:35,178 | |
| Think you could | |
| hold for two beats | |
| for tears gushing? | |
| 803 | |
| 00:49:35,213 --> 00:49:37,488 | |
| Eyes water for two, | |
| on the third beat, | |
| I'm gonna do a light effect. | |
| 804 | |
| 00:49:37,512 --> 00:49:39,842 | |
| That's when you gush. | |
| Water for two, gush on three. | |
| Yep. | |
| 805 | |
| 00:49:39,877 --> 00:49:42,350 | |
| Yes. Okay, let's do it! | |
| Ruth, any notes on my entrance? | |
| 806 | |
| 00:49:45,014 --> 00:49:46,090 | |
| You're fine. | |
| 807 | |
| 00:49:54,133 --> 00:49:55,891 | |
| Ready for you, Mr. Conrad. | |
| 808 | |
| 00:49:59,204 --> 00:50:00,962 | |
| [Ruth] Action! | |
| [Gasps] | |
| 809 | |
| 00:50:00,997 --> 00:50:02,964 | |
| Eyes water. | |
| 810 | |
| 00:50:02,999 --> 00:50:04,999 | |
| Light. And tears! | |
| 811 | |
| 00:50:05,034 --> 00:50:06,506 | |
| [Sobs] | |
| 812 | |
| 00:50:06,541 --> 00:50:07,541 | |
| Cut! | |
| 813 | |
| 00:50:13,075 --> 00:50:14,943 | |
| Okay. Forgive the ask. | |
| This is nuts. | |
| 814 | |
| 00:50:14,978 --> 00:50:17,814 | |
| But could you, by any chance, | |
| try the same thing | |
| with less tears? | |
| 815 | |
| 00:50:17,849 --> 00:50:19,123 | |
| One tear or two? | |
| 816 | |
| 00:50:31,401 --> 00:50:33,665 | |
| Let's do this. | |
| 817 | |
| 00:50:33,700 --> 00:50:37,339 | |
| 'Twas brillig | |
| and the slithy toves were... | |
| 818 | |
| 00:50:37,374 --> 00:50:38,406 | |
| [Bottle clatters] | |
| 819 | |
| 00:50:39,409 --> 00:50:42,476 | |
| Oh, hey. Come with. | |
| 820 | |
| 00:50:42,511 --> 00:50:45,182 | |
| Camera's up the hill, | |
| Mr. Conrad. | |
| Over here? | |
| 821 | |
| 00:50:45,217 --> 00:50:46,678 | |
| There? Yeah. | |
| 822 | |
| 00:50:47,879 --> 00:50:48,977 | |
| We'd better hurry. | |
| 823 | |
| 00:50:49,012 --> 00:50:50,649 | |
| [Grunts] | |
| 824 | |
| 00:50:56,019 --> 00:50:57,293 | |
| [Groans] | |
| 825 | |
| 00:51:00,397 --> 00:51:02,463 | |
| [Grunting] | |
| 826 | |
| 00:51:04,632 --> 00:51:06,698 | |
| There? Okay. | |
| 827 | |
| 00:51:06,733 --> 00:51:08,700 | |
| [Otto] | |
| Ah, my beautiful baby boy. | |
| 828 | |
| 00:51:08,735 --> 00:51:10,405 | |
| Come, come. | |
| Okay, right here. | |
| 829 | |
| 00:51:10,440 --> 00:51:13,507 | |
| Now remember, | |
| you are sad and lonely man. | |
| Right here. | |
| 830 | |
| 00:51:13,542 --> 00:51:16,741 | |
| No one will ever love you | |
| but her, and she's only | |
| in your head, okay? | |
| 831 | |
| 00:51:16,776 --> 00:51:18,611 | |
| [Crew member] Last looks! | |
| Do I know her? | |
| 832 | |
| 00:51:19,482 --> 00:51:22,318 | |
| [Otto] No. She's in your head! | |
| 833 | |
| 00:51:22,353 --> 00:51:24,551 | |
| No, no! No last looks! | |
| No last looks! | |
| 834 | |
| 00:51:24,586 --> 00:51:27,455 | |
| Get the fuck out! | |
| I'll fucking kill you! | |
| We are losing the light! | |
| 835 | |
| 00:51:27,490 --> 00:51:29,017 | |
| We roll now! We roll! | |
| 836 | |
| 00:51:29,052 --> 00:51:31,085 | |
| Roll, roll, roll, roll. | |
| [Camera whirring] | |
| 837 | |
| 00:51:35,663 --> 00:51:37,564 | |
| [Groans] | |
| 838 | |
| 00:51:40,800 --> 00:51:41,832 | |
| [Otto] Music! | |
| 839 | |
| 00:51:44,408 --> 00:51:45,638 | |
| [Playing quietly] | |
| And action. | |
| 840 | |
| 00:52:07,926 --> 00:52:09,299 | |
| [Ruth] Action! | |
| [Gasps] | |
| 841 | |
| 00:52:10,192 --> 00:52:11,796 | |
| [Crew] | |
| Oh, my god, it's a fire! | |
| 842 | |
| 00:52:11,831 --> 00:52:13,666 | |
| Everyone, run! | |
| Run! | |
| 843 | |
| 00:52:13,701 --> 00:52:16,768 | |
| Don't stop the camera! | |
| Keep rolling! Keep rolling! | |
| 844 | |
| 00:52:16,803 --> 00:52:18,473 | |
| Single tear! | |
| 845 | |
| 00:52:18,508 --> 00:52:21,102 | |
| [People screaming] | |
| 846 | |
| 00:52:21,137 --> 00:52:23,137 | |
| Cannon! | |
| Cannon! | |
| 847 | |
| 00:52:23,172 --> 00:52:25,711 | |
| [Gunshot] | |
| [Sizzling] | |
| 848 | |
| 00:52:27,385 --> 00:52:28,813 | |
| More crying! | |
| 849 | |
| 00:52:28,848 --> 00:52:31,684 | |
| Now laugh | |
| in embarrassment. | |
| [Laughing] | |
| 850 | |
| 00:52:31,719 --> 00:52:34,181 | |
| Now look at miss Moore. | |
| 851 | |
| 00:52:34,216 --> 00:52:36,524 | |
| You're trying to hide the shame. | |
| 852 | |
| 00:52:37,626 --> 00:52:39,153 | |
| Hold steady. | |
| What the... | |
| 853 | |
| 00:52:39,188 --> 00:52:41,694 | |
| You're trying to be strong. | |
| 854 | |
| 00:52:41,729 --> 00:52:44,796 | |
| You're trying to Bury the pain. | |
| 855 | |
| 00:52:44,831 --> 00:52:50,703 | |
| But you can't hold back | |
| that one final tear! | |
| 856 | |
| 00:52:50,738 --> 00:52:53,475 | |
| [Romantic music playing] | |
| 857 | |
| 00:53:05,522 --> 00:53:08,050 | |
| [Music swells] | |
| 858 | |
| 00:53:08,085 --> 00:53:10,690 | |
| [Explosions] | |
| 859 | |
| 00:53:49,434 --> 00:53:50,961 | |
| And cut. | |
| Cut. | |
| 860 | |
| 00:53:54,263 --> 00:53:56,703 | |
| [Camera whirring slows, stops] | |
| 861 | |
| 00:53:58,410 --> 00:53:59,442 | |
| We got it. | |
| 862 | |
| 00:53:59,477 --> 00:54:01,873 | |
| [All cheering] | |
| 863 | |
| 00:54:01,908 --> 00:54:04,139 | |
| [Crew whooping, applauding] | |
| 864 | |
| 00:54:09,311 --> 00:54:11,817 | |
| [Crew applauding, cheering] | |
| 865 | |
| 00:54:14,316 --> 00:54:15,788 | |
| Who the fuck is that? | |
| 866 | |
| 00:54:15,823 --> 00:54:18,692 | |
| Camera boy! The camera boy! | |
| You saved my movie! | |
| 867 | |
| 00:54:18,727 --> 00:54:22,091 | |
| I love you! I love you! | |
| Yes! Did you see that? | |
| 868 | |
| 00:54:22,126 --> 00:54:23,763 | |
| Did you see the butterfly? | |
| 869 | |
| 00:54:23,798 --> 00:54:25,061 | |
| That was a butterfly. | |
| 870 | |
| 00:54:26,603 --> 00:54:28,339 | |
| Who's writing | |
| the titles on this? | |
| 871 | |
| 00:54:32,510 --> 00:54:34,939 | |
| I gotta ask you something. | |
| Yeah? Was it okay? | |
| 872 | |
| 00:54:34,974 --> 00:54:38,107 | |
| It was incredible! | |
| I just... how do you do it? | |
| 873 | |
| 00:54:38,142 --> 00:54:40,813 | |
| Just tear up over and over | |
| like it's nothing? | |
| 874 | |
| 00:54:42,212 --> 00:54:43,981 | |
| I just think of home. | |
| 875 | |
| 00:54:46,524 --> 00:54:48,150 | |
| [Band playing jazz] | |
| 876 | |
| 00:54:48,185 --> 00:54:50,625 | |
| [Elinor] So, jacky boy, | |
| how do you think it turned out? | |
| 877 | |
| 00:54:50,660 --> 00:54:53,430 | |
| Ah, people want the kiss, | |
| we give them the kiss. | |
| [Cork pops] | |
| 878 | |
| 00:54:53,465 --> 00:54:56,059 | |
| But, madame, | |
| I can't help but wonder, | |
| 879 | |
| 00:54:56,094 --> 00:54:58,127 | |
| don't we have a higher calling? | |
| 880 | |
| 00:54:58,162 --> 00:54:59,997 | |
| We got a lot of great stuff. | |
| 881 | |
| 00:55:00,032 --> 00:55:02,373 | |
| We're really excited | |
| about our new discovery, | |
| Nellie laroy. | |
| 882 | |
| 00:55:02,408 --> 00:55:04,837 | |
| Is she here tonight? | |
| Can you point her out to me? | |
| Uh... | |
| 883 | |
| 00:55:04,872 --> 00:55:06,102 | |
| [Nellie whooping] | |
| 884 | |
| 00:55:06,137 --> 00:55:08,973 | |
| [Guests cheering] | |
| 885 | |
| 00:55:09,008 --> 00:55:11,679 | |
| Yeah, she's the one having sex | |
| with the ice sculpture. | |
| 886 | |
| 00:55:11,714 --> 00:55:13,582 | |
| We're all very fond of her. | |
| 887 | |
| 00:55:13,617 --> 00:55:16,112 | |
| [Up-tempo jazz playing] | |
| 888 | |
| 00:55:20,349 --> 00:55:23,790 | |
| It needs more punch. | |
| Take two frames off the tail | |
| and three more off the head. | |
| 889 | |
| 00:55:23,825 --> 00:55:25,495 | |
| Manuel. | |
| Yes? | |
| 890 | |
| 00:55:25,530 --> 00:55:28,322 | |
| I saw Olga putti sing | |
| to herself in Hungarian, | |
| 891 | |
| 00:55:28,357 --> 00:55:30,258 | |
| and I think I'm in love. | |
| 892 | |
| 00:55:30,293 --> 00:55:32,645 | |
| Send two dozen roses | |
| to her dressing room | |
| every morning this week. | |
| 893 | |
| 00:55:32,669 --> 00:55:34,966 | |
| You know she doesn't | |
| speak English? | |
| Neither does love. | |
| 894 | |
| 00:55:36,706 --> 00:55:38,299 | |
| Let's do a title here. | |
| 895 | |
| 00:55:38,334 --> 00:55:40,136 | |
| "I've been in fashion shows too. | |
| 896 | |
| 00:55:40,171 --> 00:55:42,204 | |
| They voted me | |
| the 'least dressed woman' | |
| in Paris." | |
| 897 | |
| 00:55:42,239 --> 00:55:44,239 | |
| And when it looks like the guy | |
| asks her something, | |
| 898 | |
| 00:55:44,274 --> 00:55:46,450 | |
| have him ask her name | |
| and have her reply, | |
| 899 | |
| 00:55:46,485 --> 00:55:49,915 | |
| "no names. | |
| Just call me the wild child." | |
| 900 | |
| 00:55:54,757 --> 00:55:56,823 | |
| Do you think | |
| she swings both ways? | |
| 901 | |
| 00:56:21,949 --> 00:56:25,049 | |
| You're not on the list. | |
| Okay, listen to me. | |
| My name is Nellie laroy. | |
| 902 | |
| 00:56:25,084 --> 00:56:27,282 | |
| Still not on the list. | |
| Lady, I'm in the movie. | |
| 903 | |
| 00:56:27,317 --> 00:56:30,021 | |
| They clearly cut you, baby. | |
| Is that snakeskin? | |
| 904 | |
| 00:56:30,056 --> 00:56:32,155 | |
| Oh, my god! Nellie laroy! | |
| Can I have an autograph? | |
| 905 | |
| 00:56:32,190 --> 00:56:34,465 | |
| I once fought a rattlesnake, | |
| 906 | |
| 00:56:34,500 --> 00:56:36,269 | |
| and it's against the law to | |
| even deal with a rattlesnake. | |
| Gorgeous! Gorgeous! | |
| 907 | |
| 00:56:36,293 --> 00:56:38,865 | |
| There are laws now | |
| because I fought | |
| the rattlesnake and lived. | |
| 908 | |
| 00:56:38,900 --> 00:56:40,768 | |
| Okay. You can go in. | |
| 909 | |
| 00:56:40,803 --> 00:56:42,704 | |
| Why, thank you. | |
| 910 | |
| 00:56:51,847 --> 00:56:53,407 | |
| [No audible dialogue] | |
| 911 | |
| 00:57:20,205 --> 00:57:22,480 | |
| [Audience laughing] | |
| 912 | |
| 00:57:24,407 --> 00:57:27,485 | |
| [Audience applauding, | |
| laughing continues] | |
| 913 | |
| 00:57:33,823 --> 00:57:37,121 | |
| [Audience cheering] | |
| 914 | |
| 00:57:59,475 --> 00:58:01,651 | |
| Naturally, I always knew | |
| my daughter had it in her. | |
| 915 | |
| 00:58:01,686 --> 00:58:03,917 | |
| We're gonna do great things | |
| together, she and I. | |
| 916 | |
| 00:58:03,952 --> 00:58:06,447 | |
| By the way, | |
| the name is Robert Roy. | |
| 917 | |
| 00:58:06,482 --> 00:58:08,284 | |
| She added the "la." | |
| [Chuckles] | |
| 918 | |
| 00:58:11,421 --> 00:58:13,663 | |
| [Radio announcer] | |
| <i>It's celebration time</i> | |
| <i>for Jack Conrad.</i> | |
| 919 | |
| 00:58:13,698 --> 00:58:15,357 | |
| <i>The epic</i> blood & gold | |
| <i>has confirmed Jack</i> | |
| 920 | |
| 00:58:15,392 --> 00:58:17,425 | |
| <i>as the highest-grossing | |
| leading man in the world.</i> | |
| 921 | |
| 00:58:17,460 --> 00:58:19,163 | |
| <i>And now he's got his nuptials | |
| to toast,</i> | |
| 922 | |
| 00:58:19,198 --> 00:58:21,935 | |
| <i>this time</i> | |
| <i>with the Hungarian Vixen,</i> | |
| <i>Olga putti.</i> | |
| 923 | |
| 00:58:21,970 --> 00:58:23,981 | |
| <i>One unlucky girl who did not | |
| attend the festivities:</i> | |
| 924 | |
| 00:58:24,005 --> 00:58:27,138 | |
| <i>A Kansas teenager who, | |
| overcome by the combined effect</i> | |
| 925 | |
| 00:58:27,173 --> 00:58:29,712 | |
| <i>of Valentino's death | |
| and Conrad's fifth betrothal,</i> | |
| 926 | |
| 00:58:29,747 --> 00:58:31,175 | |
| <i>slit her wrists at home.</i> | |
| 927 | |
| 00:58:31,716 --> 00:58:33,441 | |
| <i>How sad.</i> | |
| 928 | |
| 00:58:33,476 --> 00:58:35,509 | |
| <i>Meanwhile, that new favorite, | |
| Nellie laroy,</i> | |
| 929 | |
| 00:58:35,544 --> 00:58:40,019 | |
| <i>is making other girls</i> | |
| <i>with California dreams</i> | |
| <i>Roy-ally jealous!</i> | |
| 930 | |
| 00:58:40,054 --> 00:58:42,516 | |
| <i>Kinoscope's reteaming | |
| the firecracker from Jersey</i> | |
| 931 | |
| 00:58:42,551 --> 00:58:44,056 | |
| <i>with constance Moore.</i> | |
| 932 | |
| 00:58:44,091 --> 00:58:45,794 | |
| <i>And you know what that means:</i> | |
| 933 | |
| 00:58:45,829 --> 00:58:49,699 | |
| <i>"Moore" delightful chemistry | |
| with constance and Nellie!</i> | |
| 934 | |
| 00:58:49,734 --> 00:58:52,229 | |
| This goddamn bitch | |
| is stealing the scene | |
| right from under me! | |
| 935 | |
| 00:58:52,264 --> 00:58:54,165 | |
| She's changing the blocking | |
| with every take. | |
| 936 | |
| 00:58:54,200 --> 00:58:56,497 | |
| She's icing her nipples | |
| so they perk up | |
| through her dress. | |
| 937 | |
| 00:58:56,532 --> 00:58:58,906 | |
| Fuck you. | |
| I ain't icing my nipples. | |
| This is natural. | |
| 938 | |
| 00:58:58,941 --> 00:59:01,205 | |
| You're just sore because | |
| yours look like fucking latkes. | |
| 939 | |
| 00:59:01,240 --> 00:59:04,076 | |
| And she placed this | |
| in my dressing room. | |
| 940 | |
| 00:59:05,574 --> 00:59:07,816 | |
| I don't even know | |
| what that is. | |
| Oh! | |
| 941 | |
| 00:59:07,851 --> 00:59:11,017 | |
| Guys, let's just try | |
| a take, okay? I don't think | |
| she meant anything by it. | |
| 942 | |
| 00:59:11,052 --> 00:59:13,019 | |
| Let's go back | |
| to our ones. | |
| I need a drink. Whore! | |
| 943 | |
| 00:59:13,054 --> 00:59:15,087 | |
| Nellie, back to your one. | |
| Guys, back to your one. | |
| 944 | |
| 00:59:15,122 --> 00:59:16,924 | |
| I'll give you something | |
| to cry about! | |
| 945 | |
| 00:59:16,959 --> 00:59:18,695 | |
| [Max] | |
| All right, we're going again! | |
| 946 | |
| 00:59:21,557 --> 00:59:23,293 | |
| [Ruth] Action! | |
| [Chicken clucking] | |
| 947 | |
| 00:59:24,703 --> 00:59:25,768 | |
| Whoo! | |
| 948 | |
| 00:59:27,035 --> 00:59:29,706 | |
| Stop! She's changed | |
| the blocking again! | |
| 949 | |
| 00:59:29,741 --> 00:59:31,565 | |
| Fine. Grab a close-up. | |
| No! No close-up. | |
| 950 | |
| 00:59:31,600 --> 00:59:34,337 | |
| To match-cut with yours. | |
| I'm the star! | |
| I get the close-up. | |
| 951 | |
| 00:59:34,372 --> 00:59:38,143 | |
| This is my money. | |
| My company's writing the checks. | |
| I decide! | |
| 952 | |
| 00:59:39,575 --> 00:59:41,575 | |
| Fine. | |
| Close-up on constance. | |
| 953 | |
| 00:59:41,610 --> 00:59:43,313 | |
| Close-up on constance! | |
| 954 | |
| 00:59:48,760 --> 00:59:50,221 | |
| Hi, Dr. Lubin. | |
| 955 | |
| 00:59:50,256 --> 00:59:52,696 | |
| I think I want to get | |
| that operation we discussed. | |
| 956 | |
| 00:59:53,589 --> 00:59:54,665 | |
| Tonight. | |
| 957 | |
| 00:59:56,592 --> 00:59:58,097 | |
| Oh, my god. | |
| 958 | |
| 00:59:59,969 --> 01:00:03,135 | |
| [Ruth] How long | |
| will that take to heal? | |
| 959 | |
| 01:00:12,146 --> 01:00:14,751 | |
| What do you say we come in | |
| for my close-up now? | |
| 960 | |
| 01:00:14,786 --> 01:00:17,116 | |
| "Common and uncouth | |
| though she may be, | |
| 961 | |
| 01:00:17,151 --> 01:00:20,548 | |
| there's something about her | |
| that speaks to us in a language | |
| 962 | |
| 01:00:20,583 --> 01:00:23,221 | |
| as vital and as bracing | |
| as life itself." | |
| 963 | |
| 01:00:23,256 --> 01:00:26,488 | |
| [Crew member] | |
| All right, you heard her. | |
| Close-up on Nellie. | |
| 964 | |
| 01:00:26,523 --> 01:00:30,965 | |
| <i>"Never have I seen</i> | |
| <i>such a maelstrom of bad taste</i> | |
| <i>and sheer magic.</i> | |
| 965 | |
| 01:00:31,000 --> 01:00:33,132 | |
| <i>Your humble servant | |
| bears witness.</i> | |
| 966 | |
| 01:00:34,267 --> 01:00:35,805 | |
| <i>She has killed our grandmothers,</i> | |
| 967 | |
| 01:00:35,840 --> 01:00:37,499 | |
| <i>and we thank her for it!"</i> | |
| 968 | |
| 01:00:52,417 --> 01:00:54,153 | |
| How much? | |
| 969 | |
| 01:00:54,188 --> 01:00:56,287 | |
| [Urinating] | |
| 970 | |
| 01:01:03,802 --> 01:01:05,131 | |
| Jack! | |
| 971 | |
| 01:01:05,166 --> 01:01:07,133 | |
| It's Billy. Remember? | |
| [Chuckling] | |
| 972 | |
| 01:01:07,168 --> 01:01:09,036 | |
| Yeah. Hi. | |
| 973 | |
| 01:01:09,071 --> 01:01:10,466 | |
| [Urinating] | |
| 974 | |
| 01:01:15,781 --> 01:01:18,210 | |
| [Sighs] You should | |
| come by the warners lot. | |
| 975 | |
| 01:01:18,245 --> 01:01:19,717 | |
| Haven't seen you there | |
| in a while. | |
| 976 | |
| 01:01:20,819 --> 01:01:22,478 | |
| Yeah. | |
| 977 | |
| 01:01:22,513 --> 01:01:25,052 | |
| Jolson's sound picture's | |
| real good. | |
| 978 | |
| 01:01:25,857 --> 01:01:26,889 | |
| [Urinating stops] | |
| 979 | |
| 01:01:27,683 --> 01:01:29,353 | |
| Sound picture? | |
| 980 | |
| 01:01:29,388 --> 01:01:30,486 | |
| Yeah. | |
| 981 | |
| 01:01:31,192 --> 01:01:32,587 | |
| Like<i> Don Juan?</i> | |
| 982 | |
| 01:01:32,622 --> 01:01:35,062 | |
| [Toilet flushes] | |
| No, no, no, no. Singing. | |
| 983 | |
| 01:01:35,097 --> 01:01:37,834 | |
| Talking pictures. | |
| Like you're there. | |
| 984 | |
| 01:01:37,869 --> 01:01:40,364 | |
| Not like the shorts. | |
| 985 | |
| 01:01:40,399 --> 01:01:43,433 | |
| Really? | |
| Yeah. It's wild. | |
| 986 | |
| 01:01:43,468 --> 01:01:46,876 | |
| We did a screening | |
| on the lot last week. | |
| People went nuts. | |
| 987 | |
| 01:01:46,911 --> 01:01:48,779 | |
| [Flushing] | |
| 988 | |
| 01:01:48,814 --> 01:01:52,607 | |
| You, uh, think people | |
| want that, though? | |
| Sound in their movies? | |
| 989 | |
| 01:01:52,642 --> 01:01:55,544 | |
| [Defecating loudly] | |
| [Grunts] | |
| 990 | |
| 01:01:55,579 --> 01:01:57,183 | |
| Yeah, why wouldn't they? | |
| 991 | |
| 01:01:57,218 --> 01:01:59,020 | |
| [Jack]<i> This is what</i> | |
| <i>we've been looking for!</i> | |
| 992 | |
| 01:01:59,055 --> 01:02:01,825 | |
| Sound is how | |
| we redefine the form. | |
| Sound! | |
| 993 | |
| 01:02:01,860 --> 01:02:04,190 | |
| [Shouting in Hungarian] | |
| Sweetie, I don't... | |
| 994 | |
| 01:02:04,225 --> 01:02:07,160 | |
| I don't know | |
| what you're upset about. | |
| I don't understand Hungarian. | |
| 995 | |
| 01:02:07,195 --> 01:02:09,800 | |
| I heard warners' | |
| screening last week | |
| was a train wreck. | |
| 996 | |
| 01:02:09,835 --> 01:02:12,341 | |
| Manuel, what's she saying? | |
| I got him learning Hungarian | |
| 'cause he's good with languages. | |
| 997 | |
| 01:02:12,365 --> 01:02:15,080 | |
| Something about "getting fucked | |
| by a wheelbarrow of monkeys." | |
| Hiccups are normal. | |
| 998 | |
| 01:02:15,104 --> 01:02:17,104 | |
| [Crashing] | |
| Geez Louise! | |
| 999 | |
| 01:02:17,139 --> 01:02:21,174 | |
| Olga? Does this mean you | |
| don't like the rain machine | |
| I made you? | |
| 1000 | |
| 01:02:21,209 --> 01:02:24,144 | |
| She missed the rain in Budapest | |
| so I built a rain machine | |
| in the garden. | |
| 1001 | |
| 01:02:24,179 --> 01:02:26,443 | |
| Hiccups that last ten years? | |
| Manuel? | |
| 1002 | |
| 01:02:26,478 --> 01:02:28,720 | |
| Something about... | |
| Took ten years for | |
| the wrights' airplane to work. | |
| 1003 | |
| 01:02:28,744 --> 01:02:31,118 | |
| A horse's cock | |
| and your anus. | |
| Didn't it? | |
| 1004 | |
| 01:02:31,153 --> 01:02:34,253 | |
| That's not the same thing. | |
| That's not the same. | |
| Didn't it? Aha! Why not? | |
| 1005 | |
| 01:02:34,288 --> 01:02:35,760 | |
| [Jack] Progress comes in fits. | |
| [Screams] | |
| 1006 | |
| 01:02:35,784 --> 01:02:37,520 | |
| Hello? | |
| Spurts and fits. | |
| 1007 | |
| 01:02:37,555 --> 01:02:40,292 | |
| Thalberg. | |
| People go to movies | |
| not to listen to the noise. | |
| 1008 | |
| 01:02:40,327 --> 01:02:41,491 | |
| Irv? | |
| <i>Jack.</i> | |
| 1009 | |
| 01:02:41,526 --> 01:02:43,427 | |
| [Shouting in Hungarian | |
| continues] | |
| 1010 | |
| 01:02:43,462 --> 01:02:46,364 | |
| I wanna know about | |
| the al jolson movie. | |
| Get Manuel to New York. | |
| 1011 | |
| 01:02:46,399 --> 01:02:50,104 | |
| Send him to the warners' theatre | |
| to see the premiere | |
| and have him report back. | |
| 1012 | |
| 01:02:50,139 --> 01:02:52,249 | |
| [Olga screaming] | |
| <i>Jolson? All right.</i> | |
| <i>Who is that screaming?</i> | |
| 1013 | |
| 01:02:52,273 --> 01:02:54,273 | |
| That's just Olga. | |
| 1014 | |
| 01:02:54,308 --> 01:02:56,616 | |
| Look, don't stand | |
| in the way of progress, Irv. | |
| Sound is the future. | |
| 1015 | |
| 01:02:56,640 --> 01:02:58,849 | |
| Whoa! Hey! Holy shit! | |
| Send Manuel to New York. | |
| 1016 | |
| 01:02:58,884 --> 01:03:02,083 | |
| Jack! Jack, get down! | |
| [Jack] Sweetie, sweetie. | |
| 1017 | |
| 01:03:02,118 --> 01:03:04,679 | |
| Is this about Greta? | |
| You know she's just a friend. | |
| 1018 | |
| 01:03:04,714 --> 01:03:07,451 | |
| Get down! Jack! | |
| ♪ <i>for the longest while</i> ♪ | |
| 1019 | |
| 01:03:08,784 --> 01:03:11,257 | |
| <i>What the fuck was that? | |
| Hello? Hello?</i> | |
| 1020 | |
| 01:03:11,292 --> 01:03:12,753 | |
| <i>Jack? Jack?</i> | |
| 1021 | |
| 01:03:12,788 --> 01:03:15,195 | |
| [Person chattering] | |
| [Car horns honking] | |
| 1022 | |
| 01:03:19,300 --> 01:03:20,871 | |
| [Coin clattering] | |
| 1023 | |
| 01:03:23,007 --> 01:03:24,798 | |
| Jack? | |
| [Person] Nellie! | |
| 1024 | |
| 01:03:24,833 --> 01:03:27,669 | |
| I got the ticket | |
| to the premiere. | |
| Nellie! Nellie, I love you! | |
| 1025 | |
| 01:03:27,704 --> 01:03:30,045 | |
| I know. | |
| I'll let you know how it is. | |
| 1026 | |
| 01:03:30,080 --> 01:03:31,574 | |
| [Fan] Nellie! Nellie! | |
| 1027 | |
| 01:03:31,609 --> 01:03:33,477 | |
| [Crowd clamoring] | |
| 1028 | |
| 01:03:35,316 --> 01:03:37,184 | |
| Yes, Jack. | |
| 1029 | |
| 01:03:37,219 --> 01:03:38,812 | |
| Yeah, okay. Bye. | |
| 1030 | |
| 01:03:39,683 --> 01:03:42,057 | |
| [Horns honking] | |
| 1031 | |
| 01:03:42,092 --> 01:03:43,355 | |
| [Fan 2] Please, Nellie! | |
| 1032 | |
| 01:03:43,390 --> 01:03:44,961 | |
| [Tires screech] | |
| 1033 | |
| 01:03:44,996 --> 01:03:47,029 | |
| [Fan 3] Nellie, please | |
| can I have your autograph? | |
| 1034 | |
| 01:03:47,064 --> 01:03:49,130 | |
| Nellie! Nellie! | |
| 1035 | |
| 01:03:49,165 --> 01:03:50,165 | |
| Nellie! | |
| 1036 | |
| 01:03:50,199 --> 01:03:52,100 | |
| Manny! | |
| 1037 | |
| 01:03:52,135 --> 01:03:54,135 | |
| [Fan 3] Please, Nellie! | |
| 1038 | |
| 01:03:54,170 --> 01:03:55,268 | |
| [Crowd shouting] | |
| 1039 | |
| 01:03:56,634 --> 01:03:57,732 | |
| Manny! | |
| 1040 | |
| 01:03:59,604 --> 01:04:01,604 | |
| Show me your tits, | |
| you fucking bitch! | |
| 1041 | |
| 01:04:04,114 --> 01:04:05,410 | |
| Right here! | |
| Stop, stop, stop! | |
| 1042 | |
| 01:04:05,445 --> 01:04:07,478 | |
| You fucking whore! | |
| I love you. | |
| 1043 | |
| 01:04:07,513 --> 01:04:11,614 | |
| No, no, no! | |
| Back off,<i> cabrones!</i> | |
| Back off now! | |
| 1044 | |
| 01:04:11,649 --> 01:04:13,484 | |
| [Shouting continues] | |
| Nellie! | |
| 1045 | |
| 01:04:20,757 --> 01:04:21,888 | |
| Tony, go, go! | |
| 1046 | |
| 01:04:21,923 --> 01:04:24,396 | |
| [Sighs, laughs] | |
| How you been? | |
| 1047 | |
| 01:04:25,399 --> 01:04:28,367 | |
| Eh, good, good. | |
| Ah! Look at you! | |
| 1048 | |
| 01:04:28,402 --> 01:04:30,006 | |
| Wow. | |
| You remember me. | |
| 1049 | |
| 01:04:30,041 --> 01:04:32,404 | |
| Yeah, of course | |
| I remember you. | |
| How could I forget? | |
| 1050 | |
| 01:04:32,439 --> 01:04:35,704 | |
| And you're a star now. | |
| I was always a star, | |
| remember? | |
| 1051 | |
| 01:04:35,739 --> 01:04:37,541 | |
| Right, right. | |
| [Laughing] | |
| 1052 | |
| 01:04:37,576 --> 01:04:40,544 | |
| And, um, | |
| what are you doing here? | |
| Are you here for a movie or... | |
| 1053 | |
| 01:04:40,579 --> 01:04:42,777 | |
| No, I had to get out of town | |
| for a few days. | |
| 1054 | |
| 01:04:42,812 --> 01:04:46,088 | |
| Some shit came up with a guy | |
| saying I owed him money | |
| in a game of craps. | |
| 1055 | |
| 01:04:46,123 --> 01:04:48,090 | |
| Then wallach got pissed. | |
| He straightened him out. | |
| 1056 | |
| 01:04:48,125 --> 01:04:50,257 | |
| But he thinks | |
| I have a gambling problem, | |
| which I don't. | |
| 1057 | |
| 01:04:50,292 --> 01:04:53,095 | |
| I only gamble if i'm, | |
| you know, pissed or drunk | |
| or having a great night. | |
| 1058 | |
| 01:04:53,130 --> 01:04:54,327 | |
| What about you? | |
| 1059 | |
| 01:04:55,627 --> 01:04:57,330 | |
| Um, Jack Conrad sent me. | |
| 1060 | |
| 01:04:57,365 --> 01:04:59,068 | |
| Jack Conrad? | |
| Yeah, I'm working | |
| with him. | |
| 1061 | |
| 01:04:59,103 --> 01:05:02,863 | |
| Oh! I would fuck him. | |
| Wow. | |
| 1062 | |
| 01:05:02,898 --> 01:05:05,668 | |
| Why would Conrad | |
| send you here? God. | |
| 1063 | |
| 01:05:05,703 --> 01:05:08,044 | |
| I got out of this place | |
| first chance I got. | |
| 1064 | |
| 01:05:08,079 --> 01:05:10,046 | |
| Took nothing with me but my dad. | |
| 1065 | |
| 01:05:10,081 --> 01:05:11,674 | |
| He's actually | |
| my business manager now. | |
| 1066 | |
| 01:05:11,709 --> 01:05:14,479 | |
| He is? | |
| Yeah. He's so bad at it. | |
| 1067 | |
| 01:05:14,514 --> 01:05:17,812 | |
| Cannot add, cannot spell. | |
| Why don't you hire | |
| someone else? | |
| 1068 | |
| 01:05:17,847 --> 01:05:20,452 | |
| He's my dad. | |
| What else is he gonna do? | |
| 1069 | |
| 01:05:20,487 --> 01:05:22,553 | |
| Oh, shit, we're here. | |
| Hey, Tony? | |
| 1070 | |
| 01:05:22,588 --> 01:05:25,490 | |
| Can you hang onto this | |
| for me, please? Thanks. | |
| 1071 | |
| 01:05:25,525 --> 01:05:27,459 | |
| I'm just gonna | |
| be a minute, okay? | |
| 1072 | |
| 01:05:30,629 --> 01:05:32,970 | |
| Actually, uh, do you wanna | |
| come in with me? | |
| 1073 | |
| 01:05:33,467 --> 01:05:34,763 | |
| Yeah. | |
| 1074 | |
| 01:05:43,180 --> 01:05:45,246 | |
| [Nurse] May I help you? | |
| Yes. Nellie laroy. | |
| 1075 | |
| 01:05:51,815 --> 01:05:53,683 | |
| [Metal door closes] | |
| 1076 | |
| 01:06:07,996 --> 01:06:09,105 | |
| Hi. | |
| 1077 | |
| 01:06:16,807 --> 01:06:18,609 | |
| Seems okay here. | |
| 1078 | |
| 01:06:20,613 --> 01:06:22,877 | |
| It's pretty nice. | |
| 1079 | |
| 01:06:25,321 --> 01:06:26,683 | |
| This is Manny. | |
| 1080 | |
| 01:06:28,522 --> 01:06:31,094 | |
| He works in the movies too. | |
| 1081 | |
| 01:06:36,563 --> 01:06:38,332 | |
| Okay. Thank you. | |
| 1082 | |
| 01:06:42,998 --> 01:06:45,141 | |
| That was a waste of time. | |
| [Chuckling] | |
| 1083 | |
| 01:06:45,176 --> 01:06:46,241 | |
| Let's go. | |
| 1084 | |
| 01:06:52,073 --> 01:06:56,812 | |
| I hate when people | |
| put fucking toppings | |
| on ice cream. | |
| 1085 | |
| 01:06:57,683 --> 01:06:59,089 | |
| Doesn't need it. | |
| 1086 | |
| 01:06:59,124 --> 01:07:01,520 | |
| It messes up a good thing. | |
| You know what I mean? | |
| 1087 | |
| 01:07:02,226 --> 01:07:03,819 | |
| I fucking hate that. | |
| 1088 | |
| 01:07:05,724 --> 01:07:10,562 | |
| God, I've never done nothing | |
| except disappoint people | |
| my whole life. | |
| 1089 | |
| 01:07:10,597 --> 01:07:13,367 | |
| Teachers told me I was no good. | |
| Boys told me I was no good. | |
| 1090 | |
| 01:07:13,402 --> 01:07:16,238 | |
| Every fucking casting director | |
| in the city told me | |
| 1091 | |
| 01:07:16,273 --> 01:07:18,735 | |
| I was too short | |
| or I was too fat. | |
| 1092 | |
| 01:07:18,770 --> 01:07:20,374 | |
| Usually I was too fat. | |
| 1093 | |
| 01:07:21,707 --> 01:07:23,674 | |
| You know, my mama actually | |
| had some fat years too. | |
| 1094 | |
| 01:07:23,709 --> 01:07:26,578 | |
| You wouldn't know it now, | |
| looking at her, but she did. | |
| 1095 | |
| 01:07:28,109 --> 01:07:30,615 | |
| They fucked up with me, Manny. | |
| They really fucked up with me. | |
| 1096 | |
| 01:07:30,650 --> 01:07:32,650 | |
| 'Cause I make 'em squirm. | |
| 1097 | |
| 01:07:33,620 --> 01:07:35,422 | |
| And I like making 'em squirm. | |
| 1098 | |
| 01:07:36,920 --> 01:07:42,088 | |
| Let 'em know that I got here | |
| on my terms, not theirs. | |
| 1099 | |
| 01:07:42,123 --> 01:07:45,729 | |
| And when I'm done, | |
| I'm gonna dance my ass off | |
| into the night. | |
| 1100 | |
| 01:07:45,764 --> 01:07:47,731 | |
| And they'll know... | |
| Everyone will fucking know | |
| 1101 | |
| 01:07:47,766 --> 01:07:51,438 | |
| that they could never control | |
| one goddamn fucking thing. | |
| 1102 | |
| 01:08:07,115 --> 01:08:08,521 | |
| Do you like ice cream? | |
| 1103 | |
| 01:08:11,361 --> 01:08:13,163 | |
| Of course. | |
| 1104 | |
| 01:08:21,536 --> 01:08:23,305 | |
| My family lives in la, you know. | |
| 1105 | |
| 01:08:25,870 --> 01:08:27,100 | |
| Really? | |
| 1106 | |
| 01:08:29,775 --> 01:08:32,072 | |
| I thought they were in Mexico. | |
| 1107 | |
| 01:08:32,107 --> 01:08:34,041 | |
| We crossed the border | |
| when I was 12. | |
| 1108 | |
| 01:08:36,947 --> 01:08:38,584 | |
| They're not far. | |
| 1109 | |
| 01:08:38,619 --> 01:08:41,147 | |
| I could take a car, | |
| drive for 30 minutes | |
| 1110 | |
| 01:08:41,182 --> 01:08:44,953 | |
| and just say hi. | |
| 1111 | |
| 01:08:49,696 --> 01:08:51,201 | |
| But you never do. | |
| 1112 | |
| 01:08:51,236 --> 01:08:52,301 | |
| <i>Sí.</i> | |
| 1113 | |
| 01:08:55,196 --> 01:08:57,471 | |
| It's just easier | |
| to be on my own. | |
| 1114 | |
| 01:09:01,202 --> 01:09:02,905 | |
| I've always been on my own. | |
| 1115 | |
| 01:09:10,585 --> 01:09:14,686 | |
| Um, Tony, take Manny | |
| wherever he needs to go. | |
| 1116 | |
| 01:09:14,721 --> 01:09:17,920 | |
| Oh, no, it's okay. | |
| No, no, no. | |
| I insist. I insist. | |
| 1117 | |
| 01:09:17,955 --> 01:09:19,262 | |
| [Sniffs] | |
| 1118 | |
| 01:09:19,297 --> 01:09:21,187 | |
| I'm gonna see you | |
| back in la, okay? | |
| 1119 | |
| 01:09:21,222 --> 01:09:22,265 | |
| [Kisses] | |
| 1120 | |
| 01:10:10,909 --> 01:10:15,417 | |
| [Audience cheering] | |
| 1121 | |
| 01:10:34,339 --> 01:10:39,309 | |
| [Loud cheering continues] | |
| 1122 | |
| 01:10:58,396 --> 01:11:01,430 | |
| [Audience member] | |
| Oh, my god! Oh, my god! | |
| 1123 | |
| 01:11:15,842 --> 01:11:18,513 | |
| [Loud cheering continues] | |
| 1124 | |
| 01:11:20,484 --> 01:11:23,716 | |
| [Car horns honking] | |
| 1125 | |
| 01:11:28,426 --> 01:11:32,923 | |
| Jack? It's Manny. | |
| Everything's about to change. | |
| 1126 | |
| 01:12:17,068 --> 01:12:19,068 | |
| Nell, how you feeling? | |
| 1127 | |
| 01:12:20,203 --> 01:12:21,477 | |
| I'm ready. | |
| 1128 | |
| 01:12:21,512 --> 01:12:23,446 | |
| Yeah, you gonna | |
| try a take? | |
| Yeah. | |
| 1129 | |
| 01:12:23,481 --> 01:12:25,217 | |
| Okay, so we're | |
| gonna pre-roll first. | |
| I'll cue your entrance. | |
| 1130 | |
| 01:12:25,241 --> 01:12:27,219 | |
| First Mark is where | |
| you say the line, | |
| "hello, college," | |
| 1131 | |
| 01:12:27,243 --> 01:12:29,848 | |
| and then you head to the phone, | |
| do the rest of the dialogue. | |
| 1132 | |
| 01:12:29,883 --> 01:12:31,718 | |
| Sounds easy. | |
| [Chuckles] | |
| I think it will be. | |
| 1133 | |
| 01:12:31,753 --> 01:12:34,149 | |
| Lloyd, any direction on voice? | |
| 1134 | |
| 01:12:34,184 --> 01:12:37,152 | |
| Uh, no, we're good | |
| up here, Ruth. | |
| Okay, great. | |
| 1135 | |
| 01:12:37,187 --> 01:12:40,188 | |
| Uh, Mark, | |
| can we fix her makeup? | |
| Mark. | |
| 1136 | |
| 01:12:40,223 --> 01:12:43,059 | |
| No air conditioning? | |
| [Chuckling] | |
| It's too loud. | |
| 1137 | |
| 01:12:47,395 --> 01:12:49,230 | |
| Okay. | |
| 1138 | |
| 01:12:49,265 --> 01:12:50,935 | |
| Just be natural. | |
| You'll be fine. | |
| 1139 | |
| 01:12:50,970 --> 01:12:52,706 | |
| All right, places, everyone! | |
| 1140 | |
| 01:12:55,073 --> 01:12:56,908 | |
| [Bell rings] | |
| [Footsteps] | |
| 1141 | |
| 01:12:56,943 --> 01:12:59,680 | |
| Uh, hey, whoa, what is that? | |
| 1142 | |
| 01:13:02,652 --> 01:13:05,246 | |
| Harry, what kind of shoes | |
| are those? | |
| 1143 | |
| 01:13:06,315 --> 01:13:09,690 | |
| Uh... | |
| Come on, guys, | |
| rubber soles! | |
| 1144 | |
| 01:13:09,725 --> 01:13:12,352 | |
| Okay, everyone, a reminder. | |
| 1145 | |
| 01:13:12,387 --> 01:13:15,388 | |
| Rubber soles only from now on! | |
| 1146 | |
| 01:13:15,423 --> 01:13:16,664 | |
| Okay. | |
| 1147 | |
| 01:13:17,601 --> 01:13:21,031 | |
| And camera! And sound! | |
| 1148 | |
| 01:13:21,066 --> 01:13:24,705 | |
| "It's joanne | |
| from 31 grimes hall. | |
| I just..." | |
| 1149 | |
| 01:13:24,740 --> 01:13:27,675 | |
| Fuck! "31 grays hall." | |
| Grays hall, grays hall. | |
| 1150 | |
| 01:13:27,710 --> 01:13:29,369 | |
| "Hiya, this is joanne | |
| from 31 grays hall. | |
| 1151 | |
| 01:13:29,404 --> 01:13:31,173 | |
| I just wanted to see | |
| if the phone worked." | |
| 1152 | |
| 01:13:31,208 --> 01:13:33,549 | |
| "Just wanted to see | |
| if the phone worked. | |
| Who is this?" | |
| 1153 | |
| 01:13:35,080 --> 01:13:37,784 | |
| Scene 17, take one. | |
| [Crew member] Mark. | |
| 1154 | |
| 01:13:39,590 --> 01:13:41,953 | |
| [Exhales] | |
| 1155 | |
| 01:13:41,988 --> 01:13:44,758 | |
| Come on. Come on, come on. | |
| You know it. | |
| 1156 | |
| 01:13:44,793 --> 01:13:47,464 | |
| [Ruth] And action! | |
| 1157 | |
| 01:13:58,433 --> 01:14:01,137 | |
| [Whirring] | |
| 1158 | |
| 01:14:11,853 --> 01:14:13,589 | |
| [Door hinge squeaking] | |
| 1159 | |
| 01:14:19,993 --> 01:14:22,323 | |
| [Electricity buzzing] | |
| 1160 | |
| 01:14:22,358 --> 01:14:25,502 | |
| [Footsteps] | |
| 1161 | |
| 01:14:30,069 --> 01:14:31,607 | |
| Hello, college! | |
| [Microphone squeals] | |
| 1162 | |
| 01:14:31,642 --> 01:14:33,136 | |
| Jesus, fuck! Cut! | |
| 1163 | |
| 01:14:33,171 --> 01:14:34,467 | |
| [Bell rings] | |
| 1164 | |
| 01:14:34,502 --> 01:14:36,172 | |
| [Max] What happened? | |
| She blew the valves. | |
| 1165 | |
| 01:14:36,207 --> 01:14:38,581 | |
| I just need a minute. | |
| [Max] All right, well, hurry. | |
| 1166 | |
| 01:14:39,881 --> 01:14:41,683 | |
| Give me one sec. | |
| Christ, | |
| it's hot in there. | |
| 1167 | |
| 01:14:41,718 --> 01:14:43,982 | |
| [Max] | |
| Okay, are we still in places? | |
| 1168 | |
| 01:14:44,017 --> 01:14:45,687 | |
| Okay. | |
| 1169 | |
| 01:14:47,955 --> 01:14:50,087 | |
| Okay, all set here. | |
| Miss laroy? | |
| Yeah. | |
| 1170 | |
| 01:14:50,122 --> 01:14:53,530 | |
| What would really help us | |
| would be if you said the line | |
| a little more quietly. | |
| 1171 | |
| 01:14:56,293 --> 01:14:58,832 | |
| Okay. | |
| [Max] All right, | |
| places, everyone! | |
| 1172 | |
| 01:14:59,527 --> 01:15:01,461 | |
| And camera! | |
| 1173 | |
| 01:15:01,496 --> 01:15:03,166 | |
| And sound! | |
| 1174 | |
| 01:15:03,201 --> 01:15:04,299 | |
| [Bell rings] | |
| 1175 | |
| 01:15:04,334 --> 01:15:05,872 | |
| Close that! | |
| 1176 | |
| 01:15:05,907 --> 01:15:07,500 | |
| Don't you know | |
| what a red light means? | |
| 1177 | |
| 01:15:07,535 --> 01:15:09,678 | |
| Scene 17, take two. | |
| 1178 | |
| 01:15:09,713 --> 01:15:10,811 | |
| [Crew member] Mark. | |
| 1179 | |
| 01:15:11,682 --> 01:15:12,747 | |
| Action. | |
| 1180 | |
| 01:15:16,313 --> 01:15:17,345 | |
| [Sighs] | |
| 1181 | |
| 01:15:19,657 --> 01:15:21,052 | |
| [Ruth] Cut. | |
| Missed your Mark, Nell. | |
| 1182 | |
| 01:15:21,087 --> 01:15:22,218 | |
| [Bell rings] | |
| 1183 | |
| 01:15:22,253 --> 01:15:24,187 | |
| [Nellie] Oh. | |
| [Ruth] It's... | |
| 1184 | |
| 01:15:24,222 --> 01:15:26,222 | |
| Yeah, I, uh... | |
| 1185 | |
| 01:15:26,257 --> 01:15:29,159 | |
| I don't know, I felt, | |
| like, a little lighter | |
| on my feet that time. | |
| 1186 | |
| 01:15:29,194 --> 01:15:32,228 | |
| I feel I should come | |
| further into the room. | |
| Right, but the microphone is... | |
| 1187 | |
| 01:15:32,263 --> 01:15:33,900 | |
| Um... [snaps fingers] | |
| 1188 | |
| 01:15:33,935 --> 01:15:35,528 | |
| All right. Hey, Lloyd? | |
| Yeah. | |
| 1189 | |
| 01:15:35,563 --> 01:15:38,465 | |
| Can we just move the mic | |
| a little deeper in the room? | |
| 1190 | |
| 01:15:39,743 --> 01:15:42,007 | |
| [Lloyd] Why? | |
| 1191 | |
| 01:15:42,042 --> 01:15:44,075 | |
| Because Nellie felt | |
| lighter on her feet that time. | |
| 1192 | |
| 01:15:44,110 --> 01:15:46,759 | |
| [Nellie] I was just saying | |
| I think I should come | |
| further into the room. | |
| 1193 | |
| 01:15:46,783 --> 01:15:49,685 | |
| Oh, okay. Yeah, sure, | |
| I mean, if you have | |
| half an hour to spare. | |
| 1194 | |
| 01:15:49,720 --> 01:15:52,347 | |
| [Ruth] Half an hour? | |
| Well, I can't | |
| just move the mic. | |
| 1195 | |
| 01:15:52,382 --> 01:15:54,217 | |
| I have to redo all the wires. | |
| 1196 | |
| 01:15:54,252 --> 01:15:56,791 | |
| We'll have to reset the rafters, | |
| then find the new position. | |
| 1197 | |
| 01:15:56,826 --> 01:15:59,431 | |
| Then I'm gonna have to | |
| recalibrate the whole room. | |
| Okay, okay. Okay. | |
| 1198 | |
| 01:15:59,455 --> 01:16:01,422 | |
| Nell, why don't we just... | |
| Is it okay... | |
| 1199 | |
| 01:16:01,457 --> 01:16:04,062 | |
| Let's just try one | |
| on the Mark, okay? | |
| You can do it. | |
| 1200 | |
| 01:16:04,097 --> 01:16:07,098 | |
| And camera! And sound! | |
| 1201 | |
| 01:16:07,133 --> 01:16:08,429 | |
| [Rings] | |
| 1202 | |
| 01:16:08,464 --> 01:16:10,772 | |
| Scene 17, take three. | |
| Mark. | |
| 1203 | |
| 01:16:10,807 --> 01:16:11,807 | |
| Action. | |
| 1204 | |
| 01:16:12,435 --> 01:16:15,040 | |
| [Squeaking] | |
| 1205 | |
| 01:16:19,310 --> 01:16:22,245 | |
| [Quietly] | |
| Well, hello, college. | |
| Cut! No good for sound. | |
| 1206 | |
| 01:16:22,280 --> 01:16:24,698 | |
| Well, fucking hell, Lloyd. | |
| Could you just let us | |
| get through one take? | |
| 1207 | |
| 01:16:24,722 --> 01:16:27,701 | |
| Why would I do that | |
| if you won't be able to use it? | |
| You told me to do it quiet. | |
| 1208 | |
| 01:16:27,725 --> 01:16:30,924 | |
| That's why I did it quiet. | |
| Quiet, not inarticulate. | |
| You can't mumble. | |
| 1209 | |
| 01:16:30,959 --> 01:16:33,124 | |
| This is bullshit. | |
| 1210 | |
| 01:16:33,159 --> 01:16:35,709 | |
| Are we going again or what? | |
| I can't breathe in here! | |
| We're going again! | |
| 1211 | |
| 01:16:35,733 --> 01:16:37,766 | |
| And camera and sound! | |
| [Rings] | |
| 1212 | |
| 01:16:37,801 --> 01:16:40,296 | |
| Scene 17, take four. | |
| Mark. | |
| 1213 | |
| 01:16:40,331 --> 01:16:41,968 | |
| Action. | |
| [Squeaks] | |
| 1214 | |
| 01:16:48,174 --> 01:16:50,009 | |
| Well, hello, college! | |
| 1215 | |
| 01:16:50,044 --> 01:16:51,571 | |
| Motherfucker! | |
| Who opened the door? | |
| 1216 | |
| 01:16:51,606 --> 01:16:53,045 | |
| [Shouting] | |
| 1217 | |
| 01:16:53,080 --> 01:16:54,519 | |
| [Max] | |
| All right, everybody, | |
| eyes on me! | |
| 1218 | |
| 01:16:54,543 --> 01:16:56,290 | |
| Any other faggots | |
| who ignore that red light... | |
| 1219 | |
| 01:16:56,314 --> 01:16:58,380 | |
| You're alternating | |
| the pitch of your voice | |
| too much. | |
| 1220 | |
| 01:16:58,415 --> 01:17:01,152 | |
| Okay, can you just... | |
| Lloyd, Lloyd, fuck off. | |
| 1221 | |
| 01:17:01,187 --> 01:17:05,156 | |
| Fuck off. | |
| I listen to my fucking director, | |
| not the fucking sound guy! | |
| 1222 | |
| 01:17:05,686 --> 01:17:07,125 | |
| Who the fu... | |
| 1223 | |
| 01:17:08,458 --> 01:17:10,964 | |
| Mr. Wallach, so happy | |
| you're joining us. Come on. | |
| 1224 | |
| 01:17:21,779 --> 01:17:23,207 | |
| Maybe try staying more monotone. | |
| 1225 | |
| 01:17:24,243 --> 01:17:25,473 | |
| Okay. | |
| 1226 | |
| 01:17:25,508 --> 01:17:27,508 | |
| And camera and sound! | |
| Yeah, okay. | |
| 1227 | |
| 01:17:27,543 --> 01:17:29,147 | |
| [Rings] | |
| Scene 17, take five. | |
| 1228 | |
| 01:17:29,182 --> 01:17:30,643 | |
| Mark. | |
| Action. | |
| 1229 | |
| 01:17:30,678 --> 01:17:31,985 | |
| [Squeaks] | |
| 1230 | |
| 01:17:36,860 --> 01:17:38,189 | |
| Well, hello, college. | |
| 1231 | |
| 01:17:47,398 --> 01:17:49,662 | |
| Hiya, this is joanne | |
| from gray... | |
| [Lloyd] Cut! | |
| 1232 | |
| 01:17:49,697 --> 01:17:53,204 | |
| Motherfucking shit! | |
| Cocksucking... what the fuck? | |
| 1233 | |
| 01:17:53,239 --> 01:17:55,041 | |
| [Ruth] | |
| What the fuck happened now? | |
| 1234 | |
| 01:17:55,076 --> 01:17:57,021 | |
| I'm hearing | |
| a high-pitched noise. | |
| Yeah, it's her voice. | |
| 1235 | |
| 01:17:57,045 --> 01:17:58,748 | |
| Do you hear that? | |
| [Nellie] For fuck's sake. | |
| 1236 | |
| 01:17:58,783 --> 01:18:00,508 | |
| Do you hear? That squeak? | |
| 1237 | |
| 01:18:02,446 --> 01:18:04,182 | |
| Is anybody wearing a watch? | |
| 1238 | |
| 01:18:04,217 --> 01:18:06,217 | |
| No. | |
| No. | |
| 1239 | |
| 01:18:06,252 --> 01:18:08,648 | |
| I'm telling you, | |
| I can't stay in there | |
| that long. | |
| 1240 | |
| 01:18:08,683 --> 01:18:10,485 | |
| It's a fucking hotbox! | |
| I get it, bill. | |
| 1241 | |
| 01:18:10,520 --> 01:18:12,861 | |
| Nobody is comfortable | |
| in here. | |
| Quiet! | |
| 1242 | |
| 01:18:12,896 --> 01:18:14,830 | |
| What is that fucking sound? | |
| 1243 | |
| 01:18:14,865 --> 01:18:17,206 | |
| We gotta move this along. | |
| [Whispering] | |
| I'm so sorry, Mr. Wallach. | |
| 1244 | |
| 01:18:17,230 --> 01:18:18,950 | |
| We'll get this under control, | |
| I promise you. | |
| 1245 | |
| 01:18:20,200 --> 01:18:22,871 | |
| "Hiya, this is joanne | |
| from 31 grimes hall." | |
| 1246 | |
| 01:18:22,906 --> 01:18:26,072 | |
| Fuck! Grays hall. | |
| "I just wanted to see... | |
| Who is this?" | |
| 1247 | |
| 01:18:27,944 --> 01:18:30,373 | |
| [Breathing heavily] | |
| 1248 | |
| 01:18:31,046 --> 01:18:32,276 | |
| [Buzzing] | |
| 1249 | |
| 01:18:34,544 --> 01:18:38,150 | |
| Hey, count? Count? | |
| [Snaps fingers] | |
| 1250 | |
| 01:18:38,185 --> 01:18:39,679 | |
| I need a red one. | |
| Yeah, yeah. | |
| 1251 | |
| 01:18:39,714 --> 01:18:41,923 | |
| "The" count. | |
| It's just the count. | |
| 1252 | |
| 01:18:41,958 --> 01:18:43,584 | |
| Just next time | |
| say, "the count." | |
| 1253 | |
| 01:18:43,619 --> 01:18:45,124 | |
| Now's not really | |
| "the" fucking time. | |
| 1254 | |
| 01:18:45,159 --> 01:18:47,654 | |
| Found it! | |
| It's a pin in Ruth's ankle. | |
| 1255 | |
| 01:18:47,689 --> 01:18:49,524 | |
| Did you have surgery? | |
| 1256 | |
| 01:18:49,559 --> 01:18:52,868 | |
| If you can just | |
| keep your right leg | |
| absolutely still. | |
| 1257 | |
| 01:18:52,903 --> 01:18:56,036 | |
| [Max] And camera and sound! | |
| 1258 | |
| 01:18:56,071 --> 01:18:57,169 | |
| [Sighs] | |
| [Rings] | |
| 1259 | |
| 01:18:57,204 --> 01:18:58,599 | |
| Scene 17, take six. | |
| Mark. | |
| 1260 | |
| 01:18:59,437 --> 01:19:01,404 | |
| Action. | |
| [Squeaks] | |
| 1261 | |
| 01:19:04,915 --> 01:19:06,376 | |
| Well, hello, college. | |
| [Sneezes] | |
| 1262 | |
| 01:19:06,411 --> 01:19:10,512 | |
| Who sneezed? | |
| Who the fuck sneezed? | |
| 1263 | |
| 01:19:10,547 --> 01:19:14,450 | |
| Kike-nosed, hymie-hole | |
| piece of mongoloid shit! | |
| I see you. | |
| 1264 | |
| 01:19:14,485 --> 01:19:17,156 | |
| Oh, I see you right there, | |
| you little shylock dickface. | |
| 1265 | |
| 01:19:17,191 --> 01:19:21,589 | |
| Wipe your nose again! | |
| Wipe your little hook nose, | |
| you menorah motherfucker! | |
| 1266 | |
| 01:19:21,624 --> 01:19:25,395 | |
| Now, does anyone else here | |
| need to sneeze? Huh? | |
| 1267 | |
| 01:19:25,430 --> 01:19:28,662 | |
| Does anyone else here need | |
| to fuck this scene in the ass? | |
| 1268 | |
| 01:19:29,368 --> 01:19:31,632 | |
| Camera! And sound! | |
| 1269 | |
| 01:19:31,667 --> 01:19:33,436 | |
| Scene 17, take seven. | |
| Mark. | |
| 1270 | |
| 01:19:33,471 --> 01:19:35,812 | |
| Action. | |
| [Squeaks] | |
| 1271 | |
| 01:19:39,081 --> 01:19:40,641 | |
| Hello, college. | |
| Nell, your Mark! | |
| 1272 | |
| 01:19:40,676 --> 01:19:42,709 | |
| [Screams] | |
| Fuck this shit! | |
| 1273 | |
| 01:19:42,744 --> 01:19:44,920 | |
| Fuck. Lloyd. | |
| It's a million | |
| fucking degrees! | |
| 1274 | |
| 01:19:44,955 --> 01:19:47,824 | |
| We gotta move the mic. | |
| Or you could fucking direct her | |
| to hit her fucking Mark. | |
| 1275 | |
| 01:19:47,848 --> 01:19:49,925 | |
| But why is it so fucking hard? | |
| You're right! | |
| 1276 | |
| 01:19:49,960 --> 01:19:52,422 | |
| I didn't realize | |
| we were making<i> Ben-hur!</i> | |
| 1277 | |
| 01:19:52,457 --> 01:19:55,095 | |
| I can move it right now. | |
| My whole year is wide open. | |
| 1278 | |
| 01:19:55,130 --> 01:19:57,427 | |
| We could shoot this thing | |
| through fucking new year's. | |
| 1279 | |
| 01:19:57,462 --> 01:20:00,342 | |
| Wherever the fuck those | |
| little feet of hers want to go, | |
| I can move the mic for them! | |
| 1280 | |
| 01:20:00,366 --> 01:20:03,499 | |
| Okay, calm down! | |
| Get off of me! I dare you! | |
| I fucking dare you! | |
| 1281 | |
| 01:20:03,534 --> 01:20:05,501 | |
| Get off the set! | |
| You're good. | |
| 1282 | |
| 01:20:05,536 --> 01:20:07,404 | |
| UN-fucking-professional! | |
| 1283 | |
| 01:20:07,439 --> 01:20:09,307 | |
| Okay. Okay, Lloyd, | |
| ready to go again? | |
| 1284 | |
| 01:20:09,342 --> 01:20:12,277 | |
| You want me to use this chalk? | |
| Make the Mark bigger for you? | |
| 1285 | |
| 01:20:12,312 --> 01:20:14,455 | |
| [Ruth] | |
| Okay, we're gonna go again. | |
| It's fine. No, it's fine. | |
| 1286 | |
| 01:20:14,479 --> 01:20:16,611 | |
| The Mark's right here. | |
| I'm gonna kick | |
| your fucking ass! | |
| 1287 | |
| 01:20:16,646 --> 01:20:19,185 | |
| Oh, yeah! Come on! Come on! | |
| 1288 | |
| 01:20:19,220 --> 01:20:21,022 | |
| [All shouting] | |
| 1289 | |
| 01:20:21,057 --> 01:20:24,289 | |
| Can we go? | |
| I'm gonna have a fucking | |
| heart attack in here. | |
| 1290 | |
| 01:20:24,324 --> 01:20:27,193 | |
| Get back | |
| in your fucking box, bill! | |
| 1291 | |
| 01:20:27,228 --> 01:20:28,535 | |
| [Lloyd] | |
| I can't even believe this. | |
| 1292 | |
| 01:20:28,559 --> 01:20:30,658 | |
| Everyone, shut up! | |
| Shut the fuck up! | |
| 1293 | |
| 01:20:30,693 --> 01:20:33,936 | |
| [Nellie] That's not | |
| how we make movies. | |
| Shut the fuck up! | |
| 1294 | |
| 01:20:33,971 --> 01:20:37,940 | |
| Shut up! Shut up! | |
| Shut the fuck up! | |
| 1295 | |
| 01:20:37,975 --> 01:20:40,404 | |
| Shut the fuck up! | |
| 1296 | |
| 01:20:40,439 --> 01:20:44,507 | |
| Now, if anyone | |
| stops this scene again, | |
| I will shit on you! | |
| 1297 | |
| 01:20:44,542 --> 01:20:48,247 | |
| I will shit in your mouth, | |
| I promise you! | |
| 1298 | |
| 01:20:50,878 --> 01:20:55,386 | |
| Is that clear, Lloyd? | |
| Is that good for fucking sound? | |
| 1299 | |
| 01:20:55,421 --> 01:20:59,258 | |
| Now, we are going again! | |
| 1300 | |
| 01:20:59,293 --> 01:21:03,493 | |
| Camera! | |
| And motherfucking sound! | |
| 1301 | |
| 01:21:11,074 --> 01:21:14,009 | |
| [Breathing raggedly] | |
| 1302 | |
| 01:21:16,871 --> 01:21:18,079 | |
| [Rings] | |
| 1303 | |
| 01:21:18,114 --> 01:21:20,675 | |
| Scene 17, take eight. | |
| [Weakly] Mark. | |
| 1304 | |
| 01:21:21,612 --> 01:21:23,381 | |
| [Sighs] Action. | |
| 1305 | |
| 01:21:26,221 --> 01:21:28,617 | |
| [Squeaking] | |
| 1306 | |
| 01:21:34,130 --> 01:21:36,064 | |
| Hello, college. | |
| 1307 | |
| 01:21:42,600 --> 01:21:43,863 | |
| Hello? | |
| 1308 | |
| 01:21:43,898 --> 01:21:45,865 | |
| Hiya, this is joanne | |
| from 31 grays hall. | |
| 1309 | |
| 01:21:45,900 --> 01:21:48,241 | |
| I was just gonna see | |
| if the phone worked. | |
| 1310 | |
| 01:21:48,276 --> 01:21:50,012 | |
| Who is this? | |
| 1311 | |
| 01:21:50,047 --> 01:21:53,312 | |
| You don't say. The Dean! | |
| Well, how you doin'? | |
| 1312 | |
| 01:21:54,876 --> 01:21:56,843 | |
| It's a nice campus you got here. | |
| 1313 | |
| 01:21:56,878 --> 01:21:58,548 | |
| So, uh, | |
| 1314 | |
| 01:21:58,583 --> 01:22:01,452 | |
| what's a girl supposed to do | |
| once she's here? | |
| 1315 | |
| 01:22:01,487 --> 01:22:03,289 | |
| [Laughs] Sure, classes. | |
| 1316 | |
| 01:22:03,324 --> 01:22:05,555 | |
| But ain't you got any parties? | |
| 1317 | |
| 01:22:05,590 --> 01:22:07,656 | |
| Not till the evening, huh? | |
| 1318 | |
| 01:22:08,956 --> 01:22:11,396 | |
| All right, I can handle that. | |
| 1319 | |
| 01:22:11,431 --> 01:22:14,366 | |
| I'm from granville, Ohio, | |
| so I know quiet. | |
| 1320 | |
| 01:22:14,401 --> 01:22:15,631 | |
| [Chuckles] | |
| 1321 | |
| 01:22:15,666 --> 01:22:18,007 | |
| Thanks a bunch, Dean. | |
| See you later. | |
| 1322 | |
| 01:22:21,001 --> 01:22:24,112 | |
| Nice fella. | |
| Wonder if he's single. | |
| 1323 | |
| 01:22:32,452 --> 01:22:33,946 | |
| Cut! Cut! | |
| 1324 | |
| 01:22:33,981 --> 01:22:36,949 | |
| [All cheering] | |
| We did it! | |
| 1325 | |
| 01:22:36,984 --> 01:22:38,918 | |
| [Squealing] | |
| 1326 | |
| 01:22:38,953 --> 01:22:42,163 | |
| [Laughing hysterically] | |
| Yes, we did it! | |
| 1327 | |
| 01:22:42,198 --> 01:22:44,264 | |
| [Laughing hysterically] | |
| 1328 | |
| 01:22:44,299 --> 01:22:47,135 | |
| Okay, check the gate! | |
| [Max] Billy, check the gate! | |
| 1329 | |
| 01:22:48,138 --> 01:22:49,467 | |
| [Laughing] | |
| 1330 | |
| 01:22:51,504 --> 01:22:53,735 | |
| [Max] Billy! [Laughs] | |
| 1331 | |
| 01:22:53,770 --> 01:22:54,835 | |
| Bill! | |
| 1332 | |
| 01:22:56,377 --> 01:22:57,904 | |
| Billy, come on. | |
| 1333 | |
| 01:22:57,939 --> 01:23:00,412 | |
| Bill... let's get a crowbar. | |
| Come on. Hurry up. | |
| 1334 | |
| 01:23:03,186 --> 01:23:04,317 | |
| [All] Bill! | |
| 1335 | |
| 01:23:04,352 --> 01:23:05,978 | |
| [Ruth] Oh, my god. | |
| 1336 | |
| 01:23:10,556 --> 01:23:11,885 | |
| He's dead. | |
| 1337 | |
| 01:23:13,493 --> 01:23:18,133 | |
| [Playing jazz] | |
| 1338 | |
| 01:23:18,168 --> 01:23:20,201 | |
| [People whooping] | |
| 1339 | |
| 01:23:20,995 --> 01:23:22,071 | |
| Manuel! | |
| 1340 | |
| 01:23:23,063 --> 01:23:24,601 | |
| Meet estelle. | |
| 1341 | |
| 01:23:24,636 --> 01:23:27,406 | |
| She's from Broadway. | |
| She's a real actor. | |
| 1342 | |
| 01:23:27,441 --> 01:23:32,048 | |
| We got engaged yesterday. | |
| Now she's trying to explain | |
| to me that movies are a low art. | |
| 1343 | |
| 01:23:33,073 --> 01:23:34,446 | |
| <i>Mucho gusto.</i> Drinks? | |
| 1344 | |
| 01:23:34,481 --> 01:23:36,514 | |
| Double shot of Tequila. | |
| Water, darling. | |
| 1345 | |
| 01:23:39,255 --> 01:23:40,980 | |
| [Shattering] | |
| <i>Hola,</i> jacky! | |
| 1346 | |
| 01:23:41,015 --> 01:23:42,619 | |
| <i>Hola,</i> carmelita. | |
| 1347 | |
| 01:23:43,688 --> 01:23:45,754 | |
| I have no idea who that is. | |
| 1348 | |
| 01:23:49,991 --> 01:23:54,059 | |
| The point is, darling, | |
| I believe movies are | |
| every bit as profound. | |
| 1349 | |
| 01:23:54,094 --> 01:23:57,029 | |
| And with sync sound, | |
| which, who knows, | |
| 1350 | |
| 01:23:57,064 --> 01:24:00,032 | |
| could be what | |
| the discovery of perspective | |
| was for painting, | |
| 1351 | |
| 01:24:00,067 --> 01:24:03,508 | |
| I think what we have here | |
| in Hollywood is high art. | |
| 1352 | |
| 01:24:03,543 --> 01:24:06,214 | |
| It's... | |
| Party time, sparkle cocks! | |
| 1353 | |
| 01:24:06,249 --> 01:24:08,183 | |
| [All cheering] | |
| 1354 | |
| 01:24:09,076 --> 01:24:10,845 | |
| Hot damn! | |
| 1355 | |
| 01:24:10,880 --> 01:24:13,254 | |
| Jack Conrad? | |
| Hmm. | |
| 1356 | |
| 01:24:13,289 --> 01:24:17,654 | |
| You are even more fuckable | |
| in person. | |
| 1357 | |
| 01:24:17,689 --> 01:24:20,085 | |
| Thank you. | |
| This is estelle. | |
| 1358 | |
| 01:24:20,120 --> 01:24:22,087 | |
| His fiancée. | |
| Fiancée? | |
| 1359 | |
| 01:24:22,122 --> 01:24:24,364 | |
| Hey, I'm not actually | |
| gonna fuck him. | |
| 1360 | |
| 01:24:24,399 --> 01:24:26,806 | |
| I beat the whole | |
| usc football team at a game | |
| of craps when we wrapped, | |
| 1361 | |
| 01:24:26,830 --> 01:24:29,171 | |
| so now they have to be | |
| my slaves for the night. | |
| 1362 | |
| 01:24:29,206 --> 01:24:31,503 | |
| Jack, can you say hi | |
| to my dad, please? | |
| Sure. | |
| 1363 | |
| 01:24:31,538 --> 01:24:34,187 | |
| He wanted to meet you. | |
| He's also my manager. | |
| It's a good thing we met, Jack. | |
| 1364 | |
| 01:24:34,211 --> 01:24:36,244 | |
| I got a business proposition | |
| just for you. | |
| 1365 | |
| 01:24:36,279 --> 01:24:38,543 | |
| A Nellie-themed diner. | |
| 1366 | |
| 01:24:38,578 --> 01:24:41,150 | |
| I'm gonna call it | |
| "the wild child grill." | |
| 1367 | |
| 01:24:41,185 --> 01:24:44,582 | |
| I'm gonna serve sandwiches | |
| shaped like her face. | |
| 1368 | |
| 01:24:44,617 --> 01:24:47,255 | |
| [Band playing quietly] | |
| 1369 | |
| 01:24:47,290 --> 01:24:49,059 | |
| [Sidney] It's not a threat, | |
| it's just what it is. | |
| 1370 | |
| 01:24:49,083 --> 01:24:51,490 | |
| If you keep playing flat, | |
| I'm gonna fucking headbutt you, | |
| 1371 | |
| 01:24:51,525 --> 01:24:53,690 | |
| and it's just gonna be | |
| what it's gonna be. | |
| 1372 | |
| 01:24:53,725 --> 01:24:55,560 | |
| You need to play better. | |
| You embarrassing us. | |
| 1373 | |
| 01:24:55,595 --> 01:24:58,068 | |
| Joe, you hear what | |
| he just said to me? | |
| Listen to this psychopath. | |
| 1374 | |
| 01:24:58,092 --> 01:25:00,004 | |
| When you gonna do something? | |
| Why you worried about Joe? | |
| 1375 | |
| 01:25:00,028 --> 01:25:01,544 | |
| Nigga, when are you | |
| gonna do something? | |
| 1376 | |
| 01:25:01,568 --> 01:25:03,139 | |
| Have you ever heard | |
| of Alexander scriabin? | |
| 1377 | |
| 01:25:03,163 --> 01:25:05,372 | |
| Why the fuck do I care | |
| about Alexander scriabin? | |
| 1378 | |
| 01:25:05,407 --> 01:25:07,605 | |
| Alexander scriabin | |
| was a Russian pianist. | |
| 1379 | |
| 01:25:07,640 --> 01:25:10,454 | |
| Broke his hands | |
| just so his fingers could | |
| stretch across the keys better. | |
| 1380 | |
| 01:25:10,478 --> 01:25:13,908 | |
| I'm saying if I fucking | |
| headbutt you across them | |
| funky-ass lips of yours, | |
| 1381 | |
| 01:25:13,943 --> 01:25:15,712 | |
| you might start playing | |
| a little better. | |
| 1382 | |
| 01:25:15,747 --> 01:25:17,648 | |
| We can hope. | |
| You're fucking deranged, | |
| Sidney. | |
| 1383 | |
| 01:25:17,683 --> 01:25:20,354 | |
| Elinor's trying to | |
| civilize me for talkies. | |
| Ain't that nice? | |
| 1384 | |
| 01:25:20,389 --> 01:25:22,048 | |
| "Isn't that nice?" | |
| 1385 | |
| 01:25:22,083 --> 01:25:24,358 | |
| Isn't. | |
| And more attire next time. | |
| 1386 | |
| 01:25:24,393 --> 01:25:26,195 | |
| A little more attire's | |
| always in the way. | |
| 1387 | |
| 01:25:26,230 --> 01:25:28,230 | |
| Nellie dresses low | |
| 'cause Nellie is low. | |
| 1388 | |
| 01:25:28,265 --> 01:25:31,123 | |
| Now, let me tell you | |
| about the time I fought | |
| a rattlesnake. | |
| 1389 | |
| 01:25:31,158 --> 01:25:33,125 | |
| It was death valley. | |
| April. | |
| 1390 | |
| 01:25:33,160 --> 01:25:35,600 | |
| Jack? It's George. | |
| 1391 | |
| 01:25:37,373 --> 01:25:38,834 | |
| Aw, Georgie. | |
| 1392 | |
| 01:25:39,804 --> 01:25:42,244 | |
| Who was it this time? | |
| [Panting] | |
| 1393 | |
| 01:25:42,279 --> 01:25:43,938 | |
| Claire. | |
| 1394 | |
| 01:25:43,973 --> 01:25:45,775 | |
| Claire. | |
| Well, Claire's a lesbian. | |
| 1395 | |
| 01:25:45,810 --> 01:25:47,810 | |
| That's an uphill battle | |
| for anyone. | |
| 1396 | |
| 01:25:47,845 --> 01:25:50,329 | |
| Come on, buddy, | |
| get your head out of there. | |
| Let's go get a drink. | |
| 1397 | |
| 01:25:50,353 --> 01:25:52,012 | |
| Okay, okay, I'll stop. | |
| 1398 | |
| 01:25:54,984 --> 01:25:55,984 | |
| I'm stuck. | |
| 1399 | |
| 01:25:56,018 --> 01:25:58,183 | |
| What? | |
| I'm stuck. | |
| 1400 | |
| 01:25:58,218 --> 01:25:59,888 | |
| Get me the fuck out of here! | |
| 1401 | |
| 01:25:59,923 --> 01:26:02,528 | |
| [Emcee] | |
| Ladies and gentlemen, | |
| your attention, please! | |
| 1402 | |
| 01:26:02,563 --> 01:26:04,596 | |
| For your entertainment | |
| this evening, | |
| 1403 | |
| 01:26:04,631 --> 01:26:08,534 | |
| miss lady fay zhu | |
| will now choose a partner. | |
| 1404 | |
| 01:26:09,405 --> 01:26:13,638 | |
| [Band playing tango] | |
| 1405 | |
| 01:26:25,179 --> 01:26:26,222 | |
| Hi. | |
| 1406 | |
| 01:26:27,456 --> 01:26:29,588 | |
| I'm Nellie laroy's dad. | |
| 1407 | |
| 01:26:30,118 --> 01:26:31,689 | |
| [Chuckles] | |
| 1408 | |
| 01:26:31,724 --> 01:26:33,152 | |
| What's your name? | |
| 1409 | |
| 01:27:44,665 --> 01:27:46,258 | |
| Cannonball! | |
| 1410 | |
| 01:27:57,579 --> 01:27:59,909 | |
| [Laughing] | |
| 1411 | |
| 01:28:06,115 --> 01:28:08,423 | |
| [Crowd applauding] | |
| 1412 | |
| 01:28:17,665 --> 01:28:20,633 | |
| [Vocalizing] | |
| 1413 | |
| 01:28:20,668 --> 01:28:22,536 | |
| You're great, man. | |
| 1414 | |
| 01:28:22,571 --> 01:28:26,166 | |
| You call my office | |
| 'cause we're gonna | |
| need more musicians. | |
| 1415 | |
| 01:28:26,201 --> 01:28:27,640 | |
| And you're talented, man. | |
| 1416 | |
| 01:28:27,675 --> 01:28:29,268 | |
| Mr. Thalberg, | |
| it's an honor to meet... | |
| 1417 | |
| 01:28:29,303 --> 01:28:31,380 | |
| Yeah, I'm gonna go throw up now. | |
| 1418 | |
| 01:28:34,374 --> 01:28:37,276 | |
| [Guest 1] | |
| Spoke to my friend at kinoscope. | |
| He said the movie's a disaster. | |
| 1419 | |
| 01:28:37,311 --> 01:28:39,454 | |
| [Guest 2] Laroy's? | |
| [Guest 1] Yeah. | |
| 1420 | |
| 01:28:39,489 --> 01:28:41,698 | |
| They went double the budget | |
| 'cause she could never hit | |
| her fucking Mark | |
| 1421 | |
| 01:28:41,722 --> 01:28:44,459 | |
| and her voice sounds | |
| like a dying pig. | |
| [Laughter] | |
| 1422 | |
| 01:28:44,494 --> 01:28:46,758 | |
| No, seriously, apparently | |
| the footage is so awful, | |
| 1423 | |
| 01:28:46,793 --> 01:28:48,595 | |
| wallach's already thinking | |
| about dumping her. | |
| 1424 | |
| 01:28:48,630 --> 01:28:51,158 | |
| [Guest 2] I'm not surprised. | |
| She never had any talent anyway. | |
| 1425 | |
| 01:28:51,193 --> 01:28:53,160 | |
| [Guest 1] | |
| Oh, my god. Zero. | |
| 1426 | |
| 01:28:53,195 --> 01:28:57,164 | |
| Filthy, slutty piece | |
| of fucking trash | |
| with a nasty voice. | |
| 1427 | |
| 01:28:57,771 --> 01:28:59,133 | |
| [Laughing] | |
| 1428 | |
| 01:28:59,168 --> 01:29:01,036 | |
| You meet her dad? | |
| Oh, my god. | |
| 1429 | |
| 01:29:01,071 --> 01:29:04,006 | |
| He's even more embarrassing | |
| than she is. Fucking idiot. | |
| 1430 | |
| 01:29:05,977 --> 01:29:07,449 | |
| Goodbye! | |
| 1431 | |
| 01:29:07,484 --> 01:29:08,714 | |
| [Laughing] | |
| 1432 | |
| 01:29:08,749 --> 01:29:11,211 | |
| Don't come back! | |
| [Laughing continues] | |
| 1433 | |
| 01:29:11,246 --> 01:29:14,313 | |
| [Guest 1] | |
| It's the end, I'm telling you. | |
| It's the end for all of 'em. | |
| 1434 | |
| 01:29:14,348 --> 01:29:15,391 | |
| All the frogs. | |
| 1435 | |
| 01:29:25,568 --> 01:29:28,096 | |
| [Crying, sniffling] | |
| 1436 | |
| 01:29:45,621 --> 01:29:48,215 | |
| [Sighs] | |
| Don't be a fucking baby. | |
| 1437 | |
| 01:30:02,638 --> 01:30:05,540 | |
| [Robert] And that, that | |
| is when I grabbed the snake | |
| by the head. | |
| 1438 | |
| 01:30:05,575 --> 01:30:08,510 | |
| The big fucking man! | |
| There he is! | |
| What? | |
| 1439 | |
| 01:30:08,545 --> 01:30:11,040 | |
| What's he telling you? | |
| What was he saying to you? | |
| 1440 | |
| 01:30:11,075 --> 01:30:12,547 | |
| The snake story. | |
| The snake story. | |
| 1441 | |
| 01:30:12,582 --> 01:30:15,341 | |
| Come on, buddy. | |
| You got it, yeah. | |
| 1442 | |
| 01:30:15,376 --> 01:30:17,079 | |
| [Nellie] | |
| Dad, I have an idea. | |
| 1443 | |
| 01:30:17,114 --> 01:30:22,018 | |
| Why don't you fight a snake... | |
| A real one... right now? | |
| 1444 | |
| 01:30:22,053 --> 01:30:24,020 | |
| Come on. | |
| Okay,<i> no problemo.</i> | |
| 1445 | |
| 01:30:24,055 --> 01:30:26,319 | |
| Let's go fight a snake. | |
| Okay! | |
| 1446 | |
| 01:30:26,354 --> 01:30:30,598 | |
| Fucking listen up, | |
| all you big-dick mister men! | |
| 1447 | |
| 01:30:30,633 --> 01:30:35,834 | |
| Who wants to see my dad | |
| fight a fucking snake? | |
| 1448 | |
| 01:30:37,937 --> 01:30:39,101 | |
| Fuck yeah! | |
| 1449 | |
| 01:30:39,136 --> 01:30:41,972 | |
| [All cheering] | |
| 1450 | |
| 01:30:43,547 --> 01:30:45,778 | |
| [Jack] | |
| A snake's getting fought! | |
| 1451 | |
| 01:30:45,813 --> 01:30:47,516 | |
| A snake's getting fought! | |
| 1452 | |
| 01:30:54,118 --> 01:30:56,250 | |
| Yeah, I mean, | |
| chaplin is hung for sure, | |
| 1453 | |
| 01:30:56,285 --> 01:30:59,451 | |
| but Gary Cooper... | |
| Gary Cooper is a fucking horse! | |
| 1454 | |
| 01:30:59,486 --> 01:31:03,422 | |
| He's also a fucking pussy. | |
| All that cock... [snorts] | |
| No balls. | |
| 1455 | |
| 01:31:03,457 --> 01:31:05,127 | |
| A shame. [Snorts] | |
| 1456 | |
| 01:31:05,162 --> 01:31:07,602 | |
| What are the schlongs | |
| like on Broadway? | |
| You want some? | |
| 1457 | |
| 01:31:07,637 --> 01:31:11,001 | |
| [Estelle] No, thank you. | |
| Doesn't look that bad, | |
| buddy. | |
| 1458 | |
| 01:31:11,036 --> 01:31:12,299 | |
| Stop! | |
| [Pats window] | |
| 1459 | |
| 01:31:17,944 --> 01:31:20,307 | |
| [Rattling] | |
| 1460 | |
| 01:31:21,310 --> 01:31:23,750 | |
| [Car doors closing] | |
| 1461 | |
| 01:31:23,785 --> 01:31:25,653 | |
| Sweetie, come on. | |
| Please don't... | |
| 1462 | |
| 01:31:25,688 --> 01:31:27,281 | |
| [Laughing] | |
| 1463 | |
| 01:31:27,316 --> 01:31:29,151 | |
| [Elinor] Thank you. | |
| 1464 | |
| 01:31:29,186 --> 01:31:30,350 | |
| Please, hurry! | |
| 1465 | |
| 01:31:30,385 --> 01:31:32,484 | |
| [Squealing, laughing] | |
| 1466 | |
| 01:31:34,554 --> 01:31:37,126 | |
| This can't be where we... | |
| Where are we? | |
| 1467 | |
| 01:31:37,161 --> 01:31:39,194 | |
| [Laughing] | |
| 1468 | |
| 01:31:39,229 --> 01:31:41,537 | |
| Where'd he go? | |
| [People exclaiming] | |
| 1469 | |
| 01:31:43,299 --> 01:31:45,167 | |
| [Laughing] | |
| [Robert] Holy fuck! | |
| 1470 | |
| 01:31:45,202 --> 01:31:48,203 | |
| Out of my way! | |
| Huh. Huh. | |
| 1471 | |
| 01:31:48,238 --> 01:31:51,140 | |
| No! Stand... | |
| Stand... stand back. | |
| 1472 | |
| 01:31:52,044 --> 01:31:53,373 | |
| Back! | |
| 1473 | |
| 01:31:53,408 --> 01:31:55,342 | |
| I'm gonna fight a snake. | |
| 1474 | |
| 01:31:55,377 --> 01:31:58,246 | |
| [Rattling continues] | |
| Whoo! | |
| 1475 | |
| 01:31:58,281 --> 01:32:02,657 | |
| [Laughs] Look, sweetie, | |
| he's gonna fight a snake. | |
| Isn't this great? | |
| 1476 | |
| 01:32:02,692 --> 01:32:04,417 | |
| [Robert] Here we go. | |
| 1477 | |
| 01:32:04,452 --> 01:32:05,517 | |
| Ha! | |
| 1478 | |
| 01:32:08,764 --> 01:32:11,732 | |
| See that snake? | |
| See this man? | |
| 1479 | |
| 01:32:12,735 --> 01:32:13,965 | |
| Watch this. | |
| 1480 | |
| 01:32:16,871 --> 01:32:18,497 | |
| [Rattling] | |
| 1481 | |
| 01:32:18,532 --> 01:32:20,906 | |
| So, first, | |
| 1482 | |
| 01:32:20,941 --> 01:32:25,845 | |
| one must assume | |
| the<i> position</i> of a mongoose! | |
| 1483 | |
| 01:32:25,880 --> 01:32:28,375 | |
| [Growls, hisses] | |
| [Crowd laughing] | |
| 1484 | |
| 01:32:28,410 --> 01:32:31,653 | |
| [Imitates rattling] | |
| 1485 | |
| 01:32:31,688 --> 01:32:33,919 | |
| I'm not... I'm just gonna... | |
| 1486 | |
| 01:32:33,954 --> 01:32:35,448 | |
| [Grunts] | |
| 1487 | |
| 01:32:35,483 --> 01:32:38,154 | |
| [Babbling] | |
| Tell me that... | |
| 1488 | |
| 01:32:38,189 --> 01:32:41,696 | |
| If I could just've | |
| done the whole thing | |
| over and over and over! | |
| 1489 | |
| 01:32:41,731 --> 01:32:44,831 | |
| If I could just | |
| fucking defend... | |
| Yeah... fighting... | |
| 1490 | |
| 01:32:44,866 --> 01:32:48,032 | |
| [Babbling] | |
| If I could just... | |
| 1491 | |
| 01:32:48,562 --> 01:32:49,605 | |
| I... | |
| 1492 | |
| 01:32:52,269 --> 01:32:53,708 | |
| Aw! [Laughing] | |
| 1493 | |
| 01:32:53,743 --> 01:32:55,336 | |
| [Crowd laughing] | |
| 1494 | |
| 01:32:57,109 --> 01:33:00,077 | |
| Motherfucker! | |
| 1495 | |
| 01:33:00,948 --> 01:33:02,178 | |
| Who is gonna fight it? | |
| 1496 | |
| 01:33:03,819 --> 01:33:05,951 | |
| No, I'm not onboard. | |
| I'm scared. | |
| 1497 | |
| 01:33:05,986 --> 01:33:07,447 | |
| I got practice. | |
| I'm allergic. | |
| 1498 | |
| 01:33:07,482 --> 01:33:11,924 | |
| Goddamn it, | |
| you fucking pussies! | |
| [Kicks sand] | |
| 1499 | |
| 01:33:11,959 --> 01:33:16,621 | |
| You fucking piece-of-shit, | |
| fucking bullshit, | |
| fucking pussies! | |
| 1500 | |
| 01:33:16,656 --> 01:33:20,361 | |
| The night is almost over. | |
| I got a 10:00 A.M. call time. | |
| 1501 | |
| 01:33:20,396 --> 01:33:24,431 | |
| I just want to see | |
| a motherfucking snake fight! | |
| 1502 | |
| 01:33:24,466 --> 01:33:27,632 | |
| Nellie, babe... | |
| Don't "Nellie, babe" me, | |
| you six-foot vagina! | |
| 1503 | |
| 01:33:27,667 --> 01:33:30,305 | |
| [Crowd laughing] | |
| 1504 | |
| 01:33:30,340 --> 01:33:31,746 | |
| I will fight it! | |
| 1505 | |
| 01:33:31,781 --> 01:33:33,506 | |
| [Crowd] No, no, no! | |
| [Jack] Yes! | |
| 1506 | |
| 01:33:33,541 --> 01:33:35,574 | |
| I'm more man | |
| than any of you. | |
| Nellie, Nellie. | |
| 1507 | |
| 01:33:35,609 --> 01:33:37,884 | |
| I ain't a fucking pussy! | |
| Nellie... | |
| 1508 | |
| 01:33:37,919 --> 01:33:41,184 | |
| [Rattling] | |
| 1509 | |
| 01:33:44,453 --> 01:33:46,794 | |
| Oh! | |
| [Gasping] | |
| 1510 | |
| 01:33:47,929 --> 01:33:50,655 | |
| See? You see that? | |
| 1511 | |
| 01:33:50,690 --> 01:33:52,459 | |
| It's that fucking easy! | |
| 1512 | |
| 01:33:52,494 --> 01:33:54,098 | |
| You chickenshit... | |
| 1513 | |
| 01:33:54,133 --> 01:33:55,133 | |
| [Screaming] | |
| 1514 | |
| 01:33:55,167 --> 01:33:56,496 | |
| Nellie! | |
| [All gasping] | |
| 1515 | |
| 01:33:56,531 --> 01:33:58,806 | |
| [Screaming] | |
| 1516 | |
| 01:34:00,876 --> 01:34:03,272 | |
| It's not letting go! | |
| 1517 | |
| 01:34:03,307 --> 01:34:04,570 | |
| Nellie! Nellie! | |
| 1518 | |
| 01:34:04,605 --> 01:34:06,473 | |
| Let it go. Let it... | |
| Hey! Hey, I got it! | |
| 1519 | |
| 01:34:08,378 --> 01:34:10,675 | |
| [Crowd screaming] | |
| 1520 | |
| 01:34:10,710 --> 01:34:13,480 | |
| [Ballad playing] | |
| 1521 | |
| 01:34:19,389 --> 01:34:21,829 | |
| Help me! Help me! | |
| [Screaming] | |
| 1522 | |
| 01:34:22,491 --> 01:34:23,897 | |
| [Estelle] Jack! | |
| 1523 | |
| 01:34:24,801 --> 01:34:26,031 | |
| Jack! | |
| 1524 | |
| 01:34:30,697 --> 01:34:34,171 | |
| [People screaming, shouting] | |
| 1525 | |
| 01:34:34,206 --> 01:34:36,602 | |
| [Ballad continues playing] | |
| 1526 | |
| 01:35:02,531 --> 01:35:03,739 | |
| [Estelle] Jack! | |
| 1527 | |
| 01:35:04,467 --> 01:35:06,038 | |
| Jack! | |
| 1528 | |
| 01:35:06,073 --> 01:35:07,974 | |
| Jack, do something! | |
| 1529 | |
| 01:35:08,009 --> 01:35:12,110 | |
| Right. Once more | |
| into the breach, dear friends! | |
| 1530 | |
| 01:35:12,145 --> 01:35:13,980 | |
| Once more! | |
| 1531 | |
| 01:35:15,214 --> 01:35:17,412 | |
| [Shouting] | |
| 1532 | |
| 01:35:18,778 --> 01:35:22,219 | |
| [Screaming] | |
| 1533 | |
| 01:35:25,092 --> 01:35:27,587 | |
| Jacky! | |
| 1534 | |
| 01:35:27,622 --> 01:35:29,754 | |
| [Screams] | |
| [Groans] | |
| 1535 | |
| 01:35:29,789 --> 01:35:32,757 | |
| Help us! | |
| 1536 | |
| 01:35:32,792 --> 01:35:34,264 | |
| For fuck's sake. | |
| 1537 | |
| 01:35:39,172 --> 01:35:40,776 | |
| [Rattling] | |
| 1538 | |
| 01:35:41,636 --> 01:35:43,570 | |
| [Nellie thuds] | |
| [Screaming] | |
| 1539 | |
| 01:36:03,867 --> 01:36:05,724 | |
| [Sucking] | |
| 1540 | |
| 01:36:05,759 --> 01:36:07,132 | |
| [Spits] | |
| 1541 | |
| 01:36:07,728 --> 01:36:08,969 | |
| [Sucking] | |
| 1542 | |
| 01:36:09,004 --> 01:36:10,135 | |
| [Spits] | |
| 1543 | |
| 01:36:10,170 --> 01:36:13,666 | |
| [Sucking, spits] | |
| 1544 | |
| 01:36:18,607 --> 01:36:20,112 | |
| [Gargles] | |
| 1545 | |
| 01:36:23,348 --> 01:36:25,447 | |
| [Gasps] | |
| 1546 | |
| 01:36:25,482 --> 01:36:26,580 | |
| [Gags] | |
| 1547 | |
| 01:36:30,487 --> 01:36:32,927 | |
| [Groans, panting] | |
| 1548 | |
| 01:37:01,089 --> 01:37:04,651 | |
| Welcome to the wonderful | |
| world of sound! | |
| 1549 | |
| 01:37:22,770 --> 01:37:24,341 | |
| I have to do this? | |
| 1550 | |
| 01:37:24,376 --> 01:37:26,046 | |
| What do you mean? | |
| It's gonna be great! | |
| 1551 | |
| 01:37:26,081 --> 01:37:28,477 | |
| Just stand there and sing? | |
| Exactly. | |
| 1552 | |
| 01:37:28,512 --> 01:37:30,182 | |
| While it's raining. | |
| Yeah. | |
| 1553 | |
| 01:37:30,217 --> 01:37:32,349 | |
| And that's Noah's ark? | |
| 1554 | |
| 01:37:33,253 --> 01:37:35,550 | |
| Uh, I believe so, yeah. | |
| 1555 | |
| 01:37:35,585 --> 01:37:38,058 | |
| Because it's raining so much? | |
| 1556 | |
| 01:37:38,093 --> 01:37:40,588 | |
| To be honest with you, | |
| I don't really know | |
| why it's Noah's ark. | |
| 1557 | |
| 01:37:40,623 --> 01:37:42,326 | |
| Georgie. | |
| Come on, come on. | |
| 1558 | |
| 01:37:42,361 --> 01:37:44,130 | |
| No. No. | |
| What? This is... | |
| 1559 | |
| 01:37:44,165 --> 01:37:46,825 | |
| Norma's here. | |
| Buster Keaton's here. | |
| George, no. No. | |
| 1560 | |
| 01:37:46,860 --> 01:37:48,761 | |
| The song's a hit. | |
| 1561 | |
| 01:37:48,796 --> 01:37:50,367 | |
| [Laughing] | |
| You love to sing. | |
| 1562 | |
| 01:37:50,402 --> 01:37:54,107 | |
| Oh, I hate you. | |
| I hate you. | |
| Come on. | |
| 1563 | |
| 01:37:54,142 --> 01:37:56,538 | |
| Just don't | |
| let Olga shoot me. | |
| Okay. | |
| 1564 | |
| 01:38:13,953 --> 01:38:15,931 | |
| [Mouthing words] | |
| 1565 | |
| 01:38:28,242 --> 01:38:30,341 | |
| [Director] Cut! Cut! | |
| 1566 | |
| 01:38:30,376 --> 01:38:33,377 | |
| Musicians, you're on a break. | |
| I wanna work with my actors | |
| for a second. | |
| 1567 | |
| 01:38:33,412 --> 01:38:35,984 | |
| The head bobbing, | |
| it's very mechanical right now. | |
| 1568 | |
| 01:38:36,019 --> 01:38:39,548 | |
| Think of something | |
| that makes it personal | |
| to you. Okay? | |
| 1569 | |
| 01:38:39,583 --> 01:38:42,221 | |
| That's a little too much, Mary. | |
| That's too personal. Okay? | |
| 1570 | |
| 01:38:42,256 --> 01:38:44,553 | |
| So just bobbing, all right? | |
| Let's work on that. | |
| 1571 | |
| 01:38:44,588 --> 01:38:47,028 | |
| Up. Up. Rest of the body | |
| doesn't move. | |
| 1572 | |
| 01:38:47,063 --> 01:38:49,756 | |
| Up. Up. Up. Up. Up. Up. | |
| 1573 | |
| 01:38:49,791 --> 01:38:53,760 | |
| Very good, Mary. | |
| Up. Up. Up. Up. Up. Up. | |
| 1574 | |
| 01:38:53,795 --> 01:38:56,433 | |
| Oh, I like this. | |
| Isolate the shoulders. | |
| What do you think? | |
| 1575 | |
| 01:38:56,468 --> 01:38:59,139 | |
| Up. Up. Up. | |
| Up. Up. Up. | |
| 1576 | |
| 01:38:59,174 --> 01:39:00,965 | |
| You're asking me what I think? | |
| 1577 | |
| 01:39:01,000 --> 01:39:02,373 | |
| Okay. | |
| Yeah. | |
| 1578 | |
| 01:39:02,408 --> 01:39:04,144 | |
| This looks | |
| so much better. | |
| [Laughs] | |
| 1579 | |
| 01:39:04,179 --> 01:39:06,157 | |
| I think you got | |
| those cameras pointed | |
| in the wrong direction. | |
| 1580 | |
| 01:39:06,181 --> 01:39:08,016 | |
| Do the rainbow, remember? | |
| Big arms! | |
| 1581 | |
| 01:39:08,051 --> 01:39:10,392 | |
| That's what I think. | |
| Take this one more time. | |
| Everybody ready? | |
| 1582 | |
| 01:39:10,416 --> 01:39:12,548 | |
| Musicians are ready? | |
| And action! | |
| 1583 | |
| 01:39:17,456 --> 01:39:20,325 | |
| [Trumpet flourishes] | |
| 1584 | |
| 01:39:20,360 --> 01:39:22,327 | |
| Up. Up. Up. Up. Up. Up. | |
| 1585 | |
| 01:39:22,362 --> 01:39:24,131 | |
| Up. Up. | |
| 1586 | |
| 01:39:24,166 --> 01:39:26,727 | |
| Bob. Bob. Bob. | |
| Bob. Bob. That's better. | |
| 1587 | |
| 01:39:26,762 --> 01:39:30,236 | |
| [Trumpet flourishes continue] | |
| 1588 | |
| 01:39:30,271 --> 01:39:32,799 | |
| Good. Good, good, Candace. | |
| Very good. | |
| 1589 | |
| 01:39:34,869 --> 01:39:38,970 | |
| Yeah, it's coming together. | |
| This is much better. | |
| Remember that energy. | |
| 1590 | |
| 01:39:48,718 --> 01:39:53,820 | |
| [End note plays] | |
| 1591 | |
| 01:39:54,955 --> 01:39:57,065 | |
| Cut! | |
| [Bell rings] | |
| 1592 | |
| 01:40:03,172 --> 01:40:04,534 | |
| Good idea. | |
| 1593 | |
| 01:40:24,853 --> 01:40:26,391 | |
| Manuel torres. | |
| 1594 | |
| 01:40:28,230 --> 01:40:29,724 | |
| How have you been? | |
| 1595 | |
| 01:40:30,496 --> 01:40:32,760 | |
| Uh, well, sir. And you? | |
| 1596 | |
| 01:40:35,171 --> 01:40:37,061 | |
| Y-You want to talk | |
| with Mr. Thalberg? | |
| 1597 | |
| 01:40:37,096 --> 01:40:39,206 | |
| Were these sid Palmer shorts | |
| your idea? | |
| 1598 | |
| 01:40:41,540 --> 01:40:44,904 | |
| They're more | |
| like a collaboration | |
| between Sidney and me. | |
| 1599 | |
| 01:40:44,939 --> 01:40:47,412 | |
| Uh-huh. | |
| How'd you like to leave mgm, | |
| 1600 | |
| 01:40:47,447 --> 01:40:49,040 | |
| come be sound chief | |
| at kinoscope? | |
| 1601 | |
| 01:40:50,879 --> 01:40:52,780 | |
| What? | |
| 1602 | |
| 01:40:52,815 --> 01:40:55,585 | |
| We need | |
| Spanish-language pictures. | |
| We're taking new directions. | |
| 1603 | |
| 01:40:55,620 --> 01:40:57,851 | |
| It's changing times, Manny. | |
| I'm honored, sir, but... | |
| 1604 | |
| 01:40:57,886 --> 01:41:00,260 | |
| And we need to do something | |
| about Nellie laroy. | |
| 1605 | |
| 01:41:01,494 --> 01:41:02,790 | |
| Oh, yeah. | |
| 1606 | |
| 01:41:03,661 --> 01:41:05,364 | |
| You know her, don't you? | |
| 1607 | |
| 01:41:06,598 --> 01:41:09,060 | |
| The Jersey thing | |
| doesn't work anymore. | |
| 1608 | |
| 01:41:09,095 --> 01:41:11,799 | |
| Today's audiences | |
| find her pornographic. | |
| [Chuckles] | |
| 1609 | |
| 01:41:11,834 --> 01:41:14,802 | |
| She's been hanging around | |
| Jim McKay's casinos | |
| like a half-wit. | |
| 1610 | |
| 01:41:14,837 --> 01:41:17,574 | |
| She owes gambling debts | |
| all over town. | |
| 1611 | |
| 01:41:17,609 --> 01:41:19,477 | |
| And she sounds like a donkey. | |
| 1612 | |
| 01:41:20,216 --> 01:41:21,248 | |
| I mean... | |
| 1613 | |
| 01:41:23,219 --> 01:41:24,284 | |
| Anyways... | |
| 1614 | |
| 01:41:25,485 --> 01:41:26,781 | |
| Think about it. | |
| 1615 | |
| 01:41:35,154 --> 01:41:36,890 | |
| [Manny] | |
| <i>Gentlemen, here's the plan.</i> | |
| 1616 | |
| 01:41:36,925 --> 01:41:40,465 | |
| We turn Nellie laroy | |
| into a lady. | |
| 1617 | |
| 01:41:40,500 --> 01:41:43,534 | |
| We change her parts. | |
| We fix her voice. | |
| 1618 | |
| 01:41:43,569 --> 01:41:45,701 | |
| No more drugs. | |
| No more gambling. | |
| 1619 | |
| 01:41:45,736 --> 01:41:49,738 | |
| Elinor St. John | |
| writes a story about | |
| her amazing transformation. | |
| 1620 | |
| 01:41:49,773 --> 01:41:52,444 | |
| With the right endorsements, | |
| and with Elinor as an ally, | |
| 1621 | |
| 01:41:52,479 --> 01:41:57,141 | |
| we can remake miss laroy | |
| into an actress | |
| of sophistication. | |
| 1622 | |
| 01:41:57,176 --> 01:41:58,648 | |
| Like the ladies of mgm. | |
| 1623 | |
| 01:41:58,683 --> 01:42:00,815 | |
| Next, Sidney Palmer. | |
| Today's white audiences | |
| 1624 | |
| 01:42:00,850 --> 01:42:02,322 | |
| want negroes in their pictures. | |
| 1625 | |
| 01:42:02,357 --> 01:42:03,917 | |
| Negro music, negro voices. | |
| 1626 | |
| 01:42:03,952 --> 01:42:06,524 | |
| So we bring Sidney to kinoscope, | |
| whatever he costs. | |
| 1627 | |
| 01:42:10,365 --> 01:42:11,958 | |
| One moment, gentlemen. | |
| One moment. | |
| 1628 | |
| 01:42:11,993 --> 01:42:14,367 | |
| Um, Sidney Palmer, okay? | |
| Sidney Palmer. | |
| 1629 | |
| 01:42:34,147 --> 01:42:36,653 | |
| I was hoping I could introduce | |
| the two of you. | |
| 1630 | |
| 01:42:36,688 --> 01:42:39,150 | |
| Miss laroy, meet Mr. Torres. | |
| 1631 | |
| 01:42:39,185 --> 01:42:40,855 | |
| Mr. Torres, | |
| meet miss laroy. | |
| 1632 | |
| 01:42:40,890 --> 01:42:44,089 | |
| Mr. Torres is gonna be | |
| working for us | |
| here at kinoscope. | |
| 1633 | |
| 01:42:48,667 --> 01:42:50,194 | |
| Hi, Mr. Torres. | |
| 1634 | |
| 01:42:50,229 --> 01:42:51,712 | |
| Just want you to know | |
| that I'm ready to change, | |
| 1635 | |
| 01:42:51,736 --> 01:42:53,703 | |
| and I'll do whatever you need. | |
| 1636 | |
| 01:42:57,071 --> 01:42:58,312 | |
| Call me Manny. | |
| 1637 | |
| 01:42:59,040 --> 01:43:00,248 | |
| [Director]<i> Cut!</i> | |
| 1638 | |
| 01:43:00,283 --> 01:43:02,382 | |
| Beautiful. | |
| <i>Bellísimo, bellísimo.</i> | |
| 1639 | |
| 01:43:02,417 --> 01:43:04,615 | |
| Next time, try softer, okay? | |
| 1640 | |
| 01:43:04,650 --> 01:43:07,486 | |
| "But why, my darling Pierre? | |
| Why?" | |
| 1641 | |
| 01:43:07,521 --> 01:43:09,213 | |
| Walt! Walt, hey! | |
| 1642 | |
| 01:43:09,248 --> 01:43:11,424 | |
| Move that microphone | |
| 45 degrees, okay? | |
| 1643 | |
| 01:43:11,459 --> 01:43:14,559 | |
| That one near her, | |
| okay? | |
| [Phone ringing] | |
| 1644 | |
| 01:43:14,594 --> 01:43:16,891 | |
| <i>Amigo,</i> no, no, no. | |
| Hey... [whistles] ...<i> Amigo!</i> | |
| 1645 | |
| 01:43:16,926 --> 01:43:19,498 | |
| It's not "Manuel," | |
| it's "Manny." | |
| Manny torres. | |
| 1646 | |
| 01:43:19,533 --> 01:43:21,346 | |
| Not Manuel, okay? | |
| [Assistant] | |
| Phone for you, sir! | |
| 1647 | |
| 01:43:21,370 --> 01:43:22,963 | |
| Yeah. | |
| [Speaking Spanish] | |
| 1648 | |
| 01:43:22,998 --> 01:43:24,349 | |
| [Manny] Manny torres. | |
| [Jack]<i> Manuel.</i> | |
| 1649 | |
| 01:43:24,373 --> 01:43:27,231 | |
| [Jack]<i> Moving up fast.</i> | |
| Jack? I'm sorry. | |
| 1650 | |
| 01:43:27,266 --> 01:43:29,167 | |
| I meant to call you. | |
| The reds chill her out. | |
| 1651 | |
| 01:43:29,202 --> 01:43:31,147 | |
| Blues keep her skinny. | |
| <i>Don't say a word.</i> | |
| <i>I'm happy for you.</i> | |
| 1652 | |
| 01:43:31,171 --> 01:43:33,391 | |
| [Jack]<i> You deserve this.</i> | |
| Did you see | |
| my screen test yet, Manny? | |
| 1653 | |
| 01:43:33,415 --> 01:43:35,877 | |
| [Jack]<i> Now go show</i> | |
| <i>those fat fucks</i> | |
| <i>how it's done.</i> | |
| 1654 | |
| 01:43:35,912 --> 01:43:37,252 | |
| [Line clicks] | |
| 1655 | |
| 01:43:39,179 --> 01:43:41,619 | |
| Okay! Okay! | |
| [Speaking Spanish] | |
| 1656 | |
| 01:43:41,654 --> 01:43:44,754 | |
| Let's roll, people! | |
| Let's go! Take two! | |
| 1657 | |
| 01:43:44,789 --> 01:43:48,659 | |
| "Pierre, who is the fella | |
| to whom you are speaking?" | |
| 1658 | |
| 01:43:48,694 --> 01:43:50,892 | |
| "Who is the fellow..." | |
| Fellow. | |
| 1659 | |
| 01:43:50,927 --> 01:43:52,597 | |
| Fellow. Fuck. | |
| Fellow. | |
| 1660 | |
| 01:43:52,632 --> 01:43:54,632 | |
| Welcome to your new home, | |
| Mr. Palmer. | |
| 1661 | |
| 01:44:03,940 --> 01:44:05,808 | |
| And your car. | |
| 1662 | |
| 01:44:07,075 --> 01:44:08,745 | |
| A gift from | |
| Mr. Wallach. | |
| 1663 | |
| 01:44:13,950 --> 01:44:16,786 | |
| And that finishes at 5:30, | |
| leaving you enough time | |
| to make the gala. | |
| 1664 | |
| 01:44:16,821 --> 01:44:18,502 | |
| And a hearst invite | |
| has come in | |
| for miss laroy. | |
| 1665 | |
| 01:44:18,526 --> 01:44:20,790 | |
| Only question is, | |
| what do we do about fay zhu? | |
| 1666 | |
| 01:44:23,597 --> 01:44:25,630 | |
| It won't help Nellie | |
| with the hearst crowd. | |
| 1667 | |
| 01:44:38,942 --> 01:44:41,272 | |
| "Listen to me, Catherine. | |
| I don't care if they find us. | |
| 1668 | |
| 01:44:41,307 --> 01:44:44,385 | |
| They could strip me of my rank | |
| and it wouldn't change | |
| how I feel." | |
| 1669 | |
| 01:44:44,420 --> 01:44:47,311 | |
| Latest voice tests: | |
| Conrad nagel, rich tone. | |
| 1670 | |
| 01:44:47,346 --> 01:44:49,049 | |
| William Haines, good consonants. | |
| 1671 | |
| 01:44:49,084 --> 01:44:51,084 | |
| [Manny] You're messing | |
| with Nellie's career, | |
| 1672 | |
| 01:44:51,119 --> 01:44:54,593 | |
| and we're trying so hard | |
| to get it back on track. | |
| 1673 | |
| 01:44:54,628 --> 01:44:57,288 | |
| There's a new sensibility now. | |
| 1674 | |
| 01:44:57,323 --> 01:44:59,664 | |
| People care about morals. | |
| 1675 | |
| 01:44:59,699 --> 01:45:03,437 | |
| "I've known loss. | |
| I've known pain. | |
| You're what gives me life." | |
| 1676 | |
| 01:45:03,472 --> 01:45:05,637 | |
| Try accenting "you" | |
| a little more, | |
| darling. | |
| 1677 | |
| 01:45:05,672 --> 01:45:07,507 | |
| "You are what gives me life." | |
| 1678 | |
| 01:45:08,136 --> 01:45:10,004 | |
| Just a suggestion. | |
| 1679 | |
| 01:45:10,039 --> 01:45:13,271 | |
| Marion Davies stutters a bit. | |
| Maybe supporting roles | |
| from now on? | |
| 1680 | |
| 01:45:13,306 --> 01:45:15,152 | |
| [Manny] This sort of thing | |
| is no longer acceptable. | |
| 1681 | |
| 01:45:15,176 --> 01:45:18,485 | |
| "You are what gives me life." | |
| Maybe try it slower. | |
| 1682 | |
| 01:45:18,520 --> 01:45:21,554 | |
| Ramon novarro can play guitar, | |
| but south-of-the-border accent. | |
| 1683 | |
| 01:45:23,756 --> 01:45:27,824 | |
| What I'm trying to say | |
| is kinoscope can no longer | |
| employ you. | |
| 1684 | |
| 01:45:31,533 --> 01:45:35,029 | |
| Your image is not helpful, | |
| and we don't | |
| need titles anymore. | |
| 1685 | |
| 01:45:37,968 --> 01:45:39,330 | |
| That's it. | |
| 1686 | |
| 01:45:42,071 --> 01:45:43,510 | |
| I'm sorry. | |
| 1687 | |
| 01:45:54,721 --> 01:45:58,624 | |
| [Thalberg] | |
| <i>Jack Conrad has a good voice,</i> | |
| <i>is our biggest asset.</i> | |
| 1688 | |
| 01:45:58,659 --> 01:46:00,461 | |
| Also the most expensive. | |
| [Knocks on door] | |
| 1689 | |
| 01:46:00,496 --> 01:46:03,354 | |
| Yeah? | |
| [Jack] | |
| <i>"You are what gives me life.</i> | |
| 1690 | |
| 01:46:03,389 --> 01:46:05,224 | |
| <i>I love you."</i> | |
| 1691 | |
| 01:46:05,259 --> 01:46:07,963 | |
| Then what I'd suggest there | |
| would be to... | |
| [Phone ringing] | |
| 1692 | |
| 01:46:09,703 --> 01:46:11,329 | |
| [Jack] Hello? | |
| <i>Jack, it's Irv.</i> | |
| 1693 | |
| 01:46:11,364 --> 01:46:13,474 | |
| <i>Listen, there's no good way | |
| to say this...</i> | |
| 1694 | |
| 01:46:13,509 --> 01:46:15,333 | |
| <i>They found George in his home | |
| this morning.</i> | |
| 1695 | |
| 01:46:15,368 --> 01:46:18,006 | |
| <i>Looks like he struck out | |
| with a girl he was seeing.</i> | |
| 1696 | |
| 01:46:18,041 --> 01:46:19,447 | |
| <i>He shot himself.</i> | |
| 1697 | |
| 01:46:22,045 --> 01:46:23,110 | |
| <i>Jack?</i> | |
| 1698 | |
| 01:46:25,411 --> 01:46:26,520 | |
| Thank you. | |
| 1699 | |
| 01:46:33,287 --> 01:46:38,158 | |
| So, what I would suggest there | |
| would be to play subtext | |
| rather than... | |
| 1700 | |
| 01:46:41,031 --> 01:46:42,393 | |
| Honey? | |
| 1701 | |
| 01:46:42,428 --> 01:46:44,131 | |
| Are you okay? | |
| 1702 | |
| 01:46:45,673 --> 01:46:48,333 | |
| He was the first one | |
| to say I have talent. | |
| 1703 | |
| 01:46:49,941 --> 01:46:51,578 | |
| He saved my life. | |
| 1704 | |
| 01:46:52,438 --> 01:46:53,547 | |
| Who? | |
| 1705 | |
| 01:46:58,444 --> 01:47:00,851 | |
| It's not a low art, you know. | |
| 1706 | |
| 01:47:00,886 --> 01:47:02,787 | |
| I want you to know that. | |
| 1707 | |
| 01:47:04,593 --> 01:47:07,660 | |
| What I do means something | |
| to millions of people. | |
| 1708 | |
| 01:47:07,695 --> 01:47:11,961 | |
| My folks didn't have the money | |
| or the education | |
| to go to the theater, | |
| 1709 | |
| 01:47:11,996 --> 01:47:14,997 | |
| so they went | |
| to the vaudeville houses, | |
| and then the nickelodeons. | |
| 1710 | |
| 01:47:15,032 --> 01:47:18,198 | |
| And you know what? | |
| There's beauty there. | |
| 1711 | |
| 01:47:19,641 --> 01:47:22,906 | |
| What happens up on that screen | |
| means something. | |
| 1712 | |
| 01:47:22,941 --> 01:47:26,107 | |
| Maybe not to you | |
| in your ivory tower. | |
| 1713 | |
| 01:47:26,142 --> 01:47:30,485 | |
| But for real people | |
| on the ground, | |
| it means something. | |
| 1714 | |
| 01:47:32,786 --> 01:47:35,985 | |
| Jack, I-I have no idea | |
| what you're talking about. | |
| 1715 | |
| 01:47:36,020 --> 01:47:37,525 | |
| Of course you don't. | |
| 1716 | |
| 01:47:37,560 --> 01:47:39,890 | |
| Of course you don't! | |
| 1717 | |
| 01:47:39,925 --> 01:47:42,728 | |
| A hundred thousand people | |
| see you on Broadway, | |
| 1718 | |
| 01:47:42,763 --> 01:47:45,324 | |
| and it's the smash | |
| of the century, right? | |
| 1719 | |
| 01:47:46,162 --> 01:47:47,700 | |
| Well, here it's a flop! | |
| 1720 | |
| 01:47:49,033 --> 01:47:50,802 | |
| A fucking flop! | |
| 1721 | |
| 01:47:50,837 --> 01:47:54,135 | |
| So do me a favor, darling. | |
| Save your subtext | |
| recommendations | |
| 1722 | |
| 01:47:54,170 --> 01:47:57,842 | |
| for your pretentious | |
| Eugene O'Neill-Henrik ibsen | |
| jerk-offs | |
| 1723 | |
| 01:47:57,877 --> 01:48:01,373 | |
| that only a handful | |
| of rich geriatrics | |
| give two fucks about, | |
| 1724 | |
| 01:48:01,408 --> 01:48:04,145 | |
| and I'll do what I do | |
| without your help! | |
| 1725 | |
| 01:48:05,720 --> 01:48:06,884 | |
| Huh? | |
| [Gasps] | |
| 1726 | |
| 01:48:10,351 --> 01:48:12,318 | |
| [Breathing heavily] | |
| 1727 | |
| 01:48:16,599 --> 01:48:18,566 | |
| [Crying] | |
| 1728 | |
| 01:48:30,239 --> 01:48:32,943 | |
| <i>Listen, Catherine. | |
| I don't care if they find us.</i> | |
| 1729 | |
| 01:48:32,978 --> 01:48:36,144 | |
| <i>They could strip me of my rank</i> | |
| <i>and it wouldn't change</i> | |
| <i>how I feel.</i> | |
| 1730 | |
| 01:48:36,179 --> 01:48:38,586 | |
| <i>I've known loss. | |
| I've known pain.</i> | |
| 1731 | |
| 01:48:40,018 --> 01:48:42,282 | |
| <i>It's you who gives me life.</i> | |
| 1732 | |
| 01:48:43,857 --> 01:48:45,219 | |
| <i>I love you.</i> | |
| 1733 | |
| 01:48:53,262 --> 01:48:55,493 | |
| You think it works? | |
| It's great. | |
| 1734 | |
| 01:48:56,166 --> 01:48:57,528 | |
| It's a winner, Jack. | |
| 1735 | |
| 01:48:57,563 --> 01:48:59,200 | |
| You think it works? | |
| 1736 | |
| 01:49:02,403 --> 01:49:04,744 | |
| [Sighs] | |
| 1737 | |
| 01:49:06,011 --> 01:49:07,912 | |
| I wish George could've seen it. | |
| 1738 | |
| 01:49:08,882 --> 01:49:10,112 | |
| [Director] Yes. | |
| 1739 | |
| 01:49:11,445 --> 01:49:13,181 | |
| [Knock on door] | |
| 1740 | |
| 01:49:13,216 --> 01:49:15,821 | |
| [Assistant] Mr. Conrad, | |
| you're gonna miss your train. | |
| 1741 | |
| 01:49:15,856 --> 01:49:16,921 | |
| Christ! | |
| 1742 | |
| 01:49:17,583 --> 01:49:19,583 | |
| [Groans] Ah, fuck. | |
| 1743 | |
| 01:49:19,618 --> 01:49:22,927 | |
| I'm off to repair my marriage. | |
| I'll see you bastards | |
| in a month. | |
| 1744 | |
| 01:49:22,962 --> 01:49:24,456 | |
| [Director] | |
| Good luck with that. | |
| 1745 | |
| 01:49:27,527 --> 01:49:29,395 | |
| [Elinor] | |
| Okay, don't forget. | |
| 1746 | |
| 01:49:29,430 --> 01:49:32,299 | |
| Your friend Manuel | |
| pulled a lot of strings | |
| to get you in here. | |
| 1747 | |
| 01:49:32,334 --> 01:49:34,598 | |
| These people choose | |
| who stays and who goes. | |
| 1748 | |
| 01:49:34,633 --> 01:49:36,600 | |
| So show them that you're | |
| a lady of sophistication | |
| 1749 | |
| 01:49:36,635 --> 01:49:38,206 | |
| and you'll be back on top. | |
| 1750 | |
| 01:49:38,241 --> 01:49:39,944 | |
| So, now what did we discuss? | |
| 1751 | |
| 01:49:39,979 --> 01:49:42,408 | |
| [Clears throat] | |
| "-Ing" not "-in." | |
| 1752 | |
| 01:49:42,443 --> 01:49:44,179 | |
| "Isn't" not "ain't." | |
| Mm-hmm. | |
| 1753 | |
| 01:49:44,214 --> 01:49:46,445 | |
| And when in doubt, | |
| say somethin' French. | |
| 1754 | |
| 01:49:46,480 --> 01:49:47,952 | |
| Perfection! | |
| 1755 | |
| 01:49:47,987 --> 01:49:51,186 | |
| Also, no drinking, | |
| and try not to eat too much. | |
| 1756 | |
| 01:49:52,156 --> 01:49:54,090 | |
| Billy! Marion! | |
| 1757 | |
| 01:49:54,125 --> 01:49:56,092 | |
| Oh, Elinor! | |
| Hello. | |
| 1758 | |
| 01:49:56,127 --> 01:50:00,162 | |
| May I please present to you | |
| miss Nellie laroy. | |
| 1759 | |
| 01:50:00,197 --> 01:50:02,736 | |
| How do you do? | |
| <i>Enchantée.</i> | |
| 1760 | |
| 01:50:02,771 --> 01:50:04,265 | |
| [Hearst] Good evening, | |
| miss laroy. | |
| 1761 | |
| 01:50:04,300 --> 01:50:05,497 | |
| Oh. [Chuckles] | |
| 1762 | |
| 01:50:06,170 --> 01:50:07,741 | |
| Oh. [Chuckles] | |
| 1763 | |
| 01:50:07,776 --> 01:50:09,644 | |
| Nell, I'd like you | |
| to also meet Mildred yates. | |
| 1764 | |
| 01:50:10,273 --> 01:50:11,811 | |
| Sir delmer lunny. | |
| 1765 | |
| 01:50:12,814 --> 01:50:15,474 | |
| And Jonathan | |
| and Harriet rothschild. | |
| 1766 | |
| 01:50:15,509 --> 01:50:17,443 | |
| Pleasure. | |
| [Kisses] | |
| 1767 | |
| 01:50:17,478 --> 01:50:19,863 | |
| [Jonathan] Gerald, | |
| have you heard about | |
| the new Ellis engel picture? | |
| 1768 | |
| 01:50:19,887 --> 01:50:21,579 | |
| It sounds just awful. | |
| 1769 | |
| 01:50:21,614 --> 01:50:24,153 | |
| [Gerald] Yes, I've spoken | |
| to l.B. About it already. | |
| 1770 | |
| 01:50:24,188 --> 01:50:26,826 | |
| There'll be no more | |
| of that kind of thing, | |
| I can assure you. | |
| 1771 | |
| 01:50:26,861 --> 01:50:31,589 | |
| Here we have a<i> pâté de campagne</i> | |
| designed by krümt | |
| with a takagei bubble. | |
| 1772 | |
| 01:50:31,624 --> 01:50:36,363 | |
| I hear it's strindberg season | |
| in New York. | |
| Do you like<i> miss Julie?</i> | |
| 1773 | |
| 01:50:37,432 --> 01:50:41,467 | |
| Yes, she is lovely | |
| and very talented. | |
| 1774 | |
| 01:50:41,502 --> 01:50:43,370 | |
| [All laughing] | |
| 1775 | |
| 01:50:46,881 --> 01:50:48,375 | |
| [Laughs] | |
| 1776 | |
| 01:50:53,481 --> 01:50:54,645 | |
| [Chattering] | |
| 1777 | |
| 01:50:54,680 --> 01:50:56,185 | |
| [Chuckles] | |
| 1778 | |
| 01:50:59,454 --> 01:51:01,058 | |
| [Chattering continues] | |
| 1779 | |
| 01:51:03,326 --> 01:51:05,062 | |
| Sidney. | |
| Manny. | |
| 1780 | |
| 01:51:14,777 --> 01:51:16,304 | |
| All right. | |
| 1781 | |
| 01:51:16,339 --> 01:51:19,813 | |
| Billy, is your new rug | |
| really a klikó? | |
| 1782 | |
| 01:51:19,848 --> 01:51:22,816 | |
| I got it last spring. | |
| One of a kind. | |
| 1783 | |
| 01:51:22,851 --> 01:51:24,114 | |
| Mr. Palmer. | |
| 1784 | |
| 01:51:24,149 --> 01:51:26,314 | |
| It is truly an honor | |
| to meet you. | |
| 1785 | |
| 01:51:26,349 --> 01:51:28,822 | |
| Teddy and I | |
| saw<i> cottage blues</i> last week. | |
| 1786 | |
| 01:51:28,857 --> 01:51:30,384 | |
| Genius! | |
| 1787 | |
| 01:51:31,189 --> 01:51:32,254 | |
| Thanks. | |
| 1788 | |
| 01:51:36,581 --> 01:51:38,922 | |
| Do you play bridge, miss laroy? | |
| 1789 | |
| 01:51:41,694 --> 01:51:45,785 | |
| [In French] The bread speaks | |
| English with the dog young. | |
| 1790 | |
| 01:51:45,810 --> 01:51:47,577 | |
| [Speaking French] | |
| 1791 | |
| 01:51:48,976 --> 01:51:51,273 | |
| [Elinor responds in French] | |
| [Laughter] | |
| 1792 | |
| 01:51:55,675 --> 01:51:57,213 | |
| [Guest] | |
| You're from Mexico, then? | |
| 1793 | |
| 01:51:57,248 --> 01:51:59,248 | |
| Uh, Spain. Madrid. | |
| 1794 | |
| 01:52:00,020 --> 01:52:02,185 | |
| Spain. Madrid. | |
| Wow. | |
| 1795 | |
| 01:52:02,220 --> 01:52:04,220 | |
| How did you get into music, | |
| Mr. Palmer? | |
| 1796 | |
| 01:52:04,255 --> 01:52:07,256 | |
| Uh, I taught myself, mostly. | |
| 1797 | |
| 01:52:07,291 --> 01:52:10,996 | |
| Incredible. | |
| Who are your influences? | |
| 1798 | |
| 01:52:11,031 --> 01:52:13,526 | |
| Uh, scriabin. | |
| Ah. | |
| 1799 | |
| 01:52:13,561 --> 01:52:15,099 | |
| I like rachmaninoff. | |
| 1800 | |
| 01:52:20,139 --> 01:52:25,109 | |
| Do you think George eliot | |
| was better as a novelist | |
| or a poet, Nell? | |
| 1801 | |
| 01:52:27,245 --> 01:52:30,378 | |
| I think he was marvelous, | |
| marvelous at both. [Chuckles] | |
| 1802 | |
| 01:52:30,413 --> 01:52:36,087 | |
| Now I do apologize, | |
| but I must resign briefly | |
| to the powder room. | |
| 1803 | |
| 01:52:36,122 --> 01:52:38,452 | |
| I shan't be long. Ta-ta! | |
| 1804 | |
| 01:52:38,487 --> 01:52:41,895 | |
| Everything you need, | |
| you know, right here. | |
| It's got the restaurants and... | |
| 1805 | |
| 01:52:41,930 --> 01:52:45,261 | |
| Of course, | |
| now you can't gamble in la. | |
| You been to Cal-neva? | |
| 1806 | |
| 01:52:45,296 --> 01:52:48,066 | |
| This one guy McKay | |
| owns a few joints, | |
| but he's a little scary, so... | |
| 1807 | |
| 01:52:48,101 --> 01:52:50,167 | |
| One moment, please. | |
| Oh, sure. | |
| 1808 | |
| 01:52:52,732 --> 01:52:55,403 | |
| Jack! Didn't think | |
| you'd get in in time. | |
| How was Europe? | |
| 1809 | |
| 01:52:55,438 --> 01:52:57,911 | |
| Inspiring! Di... | |
| And congrats | |
| on the new film. | |
| 1810 | |
| 01:52:57,946 --> 01:52:59,671 | |
| Opens tonight, | |
| right? | |
| Correct. | |
| 1811 | |
| 01:52:59,706 --> 01:53:02,740 | |
| Did you know | |
| Michelangelo painted | |
| the entire sistine chapel | |
| 1812 | |
| 01:53:02,775 --> 01:53:03,950 | |
| on his back? | |
| 1813 | |
| 01:53:03,985 --> 01:53:06,150 | |
| Manny! How's our girl doing? | |
| 1814 | |
| 01:53:06,185 --> 01:53:09,219 | |
| Oh, she's doing great. | |
| Perfect. | |
| Okay, good. | |
| 1815 | |
| 01:53:11,960 --> 01:53:13,289 | |
| [Nellie] | |
| Manny, I need to go home. | |
| 1816 | |
| 01:53:13,324 --> 01:53:15,093 | |
| You cannot go home. | |
| I can't do this. | |
| 1817 | |
| 01:53:15,128 --> 01:53:16,666 | |
| You're going back out there. | |
| I'm having a heart attack. | |
| 1818 | |
| 01:53:16,690 --> 01:53:18,899 | |
| Elinor and I worked so hard | |
| to get you into this. | |
| 1819 | |
| 01:53:18,934 --> 01:53:21,198 | |
| Manny, | |
| I am dying out there. | |
| Okay, okay. | |
| 1820 | |
| 01:53:21,233 --> 01:53:23,530 | |
| They're a bunch of... | |
| They're awful. | |
| 1821 | |
| 01:53:23,565 --> 01:53:27,006 | |
| Mildred's got a fucking rabbit | |
| on her shoulders | |
| that's probably still alive. | |
| 1822 | |
| 01:53:27,041 --> 01:53:28,502 | |
| Hey. | |
| The ass-pincher! | |
| 1823 | |
| 01:53:28,537 --> 01:53:30,020 | |
| They can save your career. | |
| They don't like me! | |
| 1824 | |
| 01:53:30,044 --> 01:53:32,011 | |
| If they like you... | |
| They don't! | |
| 1825 | |
| 01:53:32,046 --> 01:53:34,156 | |
| We get the right director, | |
| the right publicity... | |
| What about Ruth? | |
| 1826 | |
| 01:53:34,180 --> 01:53:36,125 | |
| I need Ruth back. | |
| Ruth doesn't fucking cut it | |
| anymore! | |
| 1827 | |
| 01:53:36,149 --> 01:53:38,380 | |
| Listen to me, | |
| I'm here for you. | |
| It's you and me. | |
| 1828 | |
| 01:53:38,415 --> 01:53:41,449 | |
| You could be a star again, | |
| Nellie. Again. | |
| It's you and me. | |
| 1829 | |
| 01:53:43,519 --> 01:53:45,288 | |
| You look beautiful, okay? | |
| 1830 | |
| 01:53:45,323 --> 01:53:47,961 | |
| I look fucking ridiculous. | |
| What's your name? | |
| 1831 | |
| 01:53:47,996 --> 01:53:50,557 | |
| Nellie laroy. | |
| Perfect. Once again. | |
| 1832 | |
| 01:53:50,592 --> 01:53:53,461 | |
| Nellie laroy. | |
| In French. | |
| 1833 | |
| 01:53:53,496 --> 01:53:56,904 | |
| It is French already! | |
| [Chuckles] | |
| Okay, let's go. | |
| 1834 | |
| 01:53:56,939 --> 01:53:58,565 | |
| [Nellie] | |
| "Roy" means "king," remember? | |
| 1835 | |
| 01:54:01,834 --> 01:54:02,910 | |
| Beautiful. | |
| 1836 | |
| 01:54:04,045 --> 01:54:06,672 | |
| Jack. | |
| It's great to see you. | |
| 1837 | |
| 01:54:06,707 --> 01:54:08,311 | |
| You, too.<i> Salud.</i> | |
| 1838 | |
| 01:54:09,380 --> 01:54:10,984 | |
| Are you holding up? | |
| 1839 | |
| 01:54:14,715 --> 01:54:16,484 | |
| Well, I do miss him. | |
| 1840 | |
| 01:54:17,322 --> 01:54:18,519 | |
| Uh... | |
| 1841 | |
| 01:54:18,554 --> 01:54:19,784 | |
| Miss him? | |
| 1842 | |
| 01:54:20,490 --> 01:54:21,621 | |
| George. | |
| 1843 | |
| 01:54:22,591 --> 01:54:24,723 | |
| What were you referring to? | |
| 1844 | |
| 01:54:24,758 --> 01:54:28,067 | |
| Uh... | |
| Jack. | |
| How was Europe? | |
| 1845 | |
| 01:54:28,102 --> 01:54:30,234 | |
| Great! | |
| And good to be home. | |
| 1846 | |
| 01:54:30,269 --> 01:54:31,862 | |
| That's the attitude. | |
| 1847 | |
| 01:54:32,436 --> 01:54:33,864 | |
| Staying strong. | |
| 1848 | |
| 01:54:37,111 --> 01:54:39,012 | |
| Where have you been? | |
| She's fine. | |
| 1849 | |
| 01:54:39,047 --> 01:54:42,147 | |
| And what do you think | |
| of the new wave | |
| of race films, Mr. Palmer? | |
| 1850 | |
| 01:54:42,182 --> 01:54:46,679 | |
| I find the studios' committees | |
| for the casting of negroes | |
| inspiring, don't you? | |
| 1851 | |
| 01:54:46,714 --> 01:54:50,056 | |
| And he replies, | |
| "do they need an electrician?" | |
| 1852 | |
| 01:54:50,091 --> 01:54:51,288 | |
| [All laughing] | |
| 1853 | |
| 01:54:51,323 --> 01:54:52,993 | |
| Do you know any good jokes, | |
| Nellie? | |
| 1854 | |
| 01:54:53,028 --> 01:54:54,687 | |
| Yeah, I... | |
| 1855 | |
| 01:54:54,722 --> 01:54:57,327 | |
| Nell prefers listening to jokes | |
| rather than telling them. | |
| 1856 | |
| 01:54:57,362 --> 01:54:59,263 | |
| Come on, tell us a joke. | |
| I have a joke. | |
| 1857 | |
| 01:54:59,298 --> 01:55:01,100 | |
| Harold Lloyd and I | |
| were in France... | |
| 1858 | |
| 01:55:01,135 --> 01:55:02,893 | |
| Hey, how you holding up? | |
| 1859 | |
| 01:55:03,731 --> 01:55:05,368 | |
| You, too? | |
| 1860 | |
| 01:55:05,403 --> 01:55:08,173 | |
| Well, I guess the movie | |
| isn't a hit. | |
| 1861 | |
| 01:55:08,208 --> 01:55:09,669 | |
| So be it. | |
| 1862 | |
| 01:55:09,704 --> 01:55:11,979 | |
| I'm sure you'll get | |
| another chance. | |
| 1863 | |
| 01:55:13,477 --> 01:55:15,444 | |
| Why wouldn't I | |
| get another chance? | |
| 1864 | |
| 01:55:16,249 --> 01:55:18,051 | |
| No, it just... what I mean... | |
| 1865 | |
| 01:55:18,086 --> 01:55:21,813 | |
| Would someone kindly tell me | |
| what the fuck is going on? | |
| 1866 | |
| 01:55:31,957 --> 01:55:33,891 | |
| He shows up with a mime. | |
| 1867 | |
| 01:55:33,926 --> 01:55:38,236 | |
| I go, | |
| "Harold, my croque monsieur is | |
| worth a lot more than a mime!" | |
| 1868 | |
| 01:55:38,271 --> 01:55:40,073 | |
| [Laughter] | |
| 1869 | |
| 01:55:40,108 --> 01:55:43,373 | |
| Nell, you must have | |
| some good ones. | |
| Well, i-i... | |
| 1870 | |
| 01:55:43,408 --> 01:55:45,672 | |
| I am not the best joke teller. | |
| 1871 | |
| 01:55:45,707 --> 01:55:48,147 | |
| [Jonathan] Come on, Nellie. | |
| Isn't being funny what you do? | |
| 1872 | |
| 01:55:48,182 --> 01:55:49,940 | |
| Yeah, I believe | |
| that films like yours | |
| 1873 | |
| 01:55:49,975 --> 01:55:52,811 | |
| are gentle | |
| but virile olive branches | |
| in these divided times. | |
| 1874 | |
| 01:55:52,846 --> 01:55:56,023 | |
| That is my cue. | |
| I should be going. | |
| Please, you must play for us. | |
| 1875 | |
| 01:55:56,058 --> 01:55:58,652 | |
| [Laughing] | |
| 1876 | |
| 01:55:58,687 --> 01:56:00,995 | |
| [Jonathan] Come on, Nellie. | |
| We'll approve your next picture. | |
| 1877 | |
| 01:56:01,019 --> 01:56:04,196 | |
| [Delmer] Yes, Nellie, be funny. | |
| [Elinor] | |
| You know, I just thought of one. | |
| 1878 | |
| 01:56:04,231 --> 01:56:05,791 | |
| Two fish | |
| are on their honeymoon... | |
| 1879 | |
| 01:56:05,826 --> 01:56:07,496 | |
| Actually, I got one. | |
| 1880 | |
| 01:56:07,531 --> 01:56:10,235 | |
| A bear and a rabbit are | |
| shittin' in the woods one day. | |
| 1881 | |
| 01:56:10,270 --> 01:56:12,336 | |
| And the bear says to the rabbit, | |
| 1882 | |
| 01:56:12,371 --> 01:56:15,273 | |
| "hey, do ya ever have a problem | |
| with the shit | |
| stickin' to your fur?" | |
| 1883 | |
| 01:56:15,308 --> 01:56:19,541 | |
| And the rabbit finishes shittin' | |
| and he says, | |
| "no, I never do. Why?" | |
| 1884 | |
| 01:56:19,576 --> 01:56:22,445 | |
| And the bear says, | |
| "fan-fuckin'-tastic!" | |
| 1885 | |
| 01:56:22,480 --> 01:56:25,151 | |
| And he grabs the rabbit | |
| behind the ears | |
| 1886 | |
| 01:56:25,186 --> 01:56:26,416 | |
| and... | |
| 1887 | |
| 01:56:26,451 --> 01:56:27,945 | |
| [Gasps] | |
| 1888 | |
| 01:56:30,653 --> 01:56:32,752 | |
| I can't believe you just... | |
| 1889 | |
| 01:56:32,787 --> 01:56:34,292 | |
| Why not? | |
| 1890 | |
| 01:56:34,327 --> 01:56:36,855 | |
| Why? Haven't you heard | |
| what they say about me? | |
| 1891 | |
| 01:56:36,890 --> 01:56:39,022 | |
| I'm a degenerate fucking animal. | |
| 1892 | |
| 01:56:39,057 --> 01:56:41,167 | |
| "Oh, Nellie!" Look at them. | |
| 1893 | |
| 01:56:41,202 --> 01:56:45,765 | |
| "Who knows what she might do? | |
| She's from Jersey, you know." | |
| 1894 | |
| 01:56:45,800 --> 01:56:49,175 | |
| This is what | |
| a degenerate fucking animal | |
| from Jersey does. | |
| 1895 | |
| 01:56:49,210 --> 01:56:52,002 | |
| [Guests gasping, murmuring] | |
| 1896 | |
| 01:56:52,037 --> 01:56:54,411 | |
| [Moaning] | |
| 1897 | |
| 01:56:57,581 --> 01:56:59,713 | |
| [Gasping, murmuring continues] | |
| 1898 | |
| 01:57:02,883 --> 01:57:07,325 | |
| That's what | |
| the degenerate fuckin' animal | |
| from Jersey does. | |
| 1899 | |
| 01:57:07,360 --> 01:57:08,986 | |
| So you know what? | |
| 1900 | |
| 01:57:09,021 --> 01:57:11,527 | |
| I'm gonna let you all go on | |
| fucking your cousins, | |
| 1901 | |
| 01:57:11,562 --> 01:57:13,595 | |
| polishing your guest lists, | |
| 1902 | |
| 01:57:13,630 --> 01:57:16,829 | |
| plying your underaged | |
| fuckin' mistresses | |
| with fuckin' beaujolais, | |
| 1903 | |
| 01:57:16,864 --> 01:57:18,402 | |
| you sick fucks! | |
| 1904 | |
| 01:57:18,437 --> 01:57:20,767 | |
| I'm the animal? | |
| What is this shit? | |
| 1905 | |
| 01:57:20,802 --> 01:57:22,439 | |
| What is this shit? | |
| 1906 | |
| 01:57:22,474 --> 01:57:25,343 | |
| I'm the sick one! | |
| I'm the fuckin' crazy one! | |
| 1907 | |
| 01:57:25,378 --> 01:57:27,576 | |
| You people make me fucking sick! | |
| 1908 | |
| 01:57:28,282 --> 01:57:30,216 | |
| You're not better than me! | |
| 1909 | |
| 01:57:30,251 --> 01:57:33,648 | |
| You're not! | |
| You're not fucking better | |
| than me. | |
| 1910 | |
| 01:57:33,683 --> 01:57:35,914 | |
| I don't need this shit. | |
| [Gasping] | |
| 1911 | |
| 01:57:37,720 --> 01:57:41,051 | |
| You know what? | |
| I'm gonna go home, I'm gonna | |
| stick some coke up my pussy, | |
| 1912 | |
| 01:57:41,086 --> 01:57:44,758 | |
| and you all can stick | |
| your champagne flutes | |
| 1913 | |
| 01:57:44,793 --> 01:57:48,025 | |
| up your Rose-smellin', | |
| candy-tastin', | |
| 1914 | |
| 01:57:48,060 --> 01:57:51,105 | |
| snow-white fuckin' assholes! | |
| 1915 | |
| 01:57:55,243 --> 01:57:57,375 | |
| [Guests murmuring] | |
| 1916 | |
| 01:58:02,745 --> 01:58:04,778 | |
| [Stomach gurgling] | |
| 1917 | |
| 01:58:11,688 --> 01:58:13,116 | |
| [Retching] | |
| 1918 | |
| 01:58:13,151 --> 01:58:15,426 | |
| [Guests gasping, clamoring] | |
| 1919 | |
| 01:58:18,299 --> 01:58:19,760 | |
| [Hearst] My rug! | |
| [Burps] | |
| 1920 | |
| 01:58:19,795 --> 01:58:21,597 | |
| You puked on my rug! | |
| 1921 | |
| 01:58:21,632 --> 01:58:24,204 | |
| [Guests gasping, clamoring] | |
| 1922 | |
| 01:58:26,670 --> 01:58:28,472 | |
| [Gagging, coughing] | |
| 1923 | |
| 01:58:36,317 --> 01:58:38,614 | |
| [Guests murmuring] | |
| 1924 | |
| 01:58:46,624 --> 01:58:50,054 | |
| [Catherine whispering] | |
| <i>Please, before it's too late.</i> | |
| 1925 | |
| 01:58:50,089 --> 01:58:53,200 | |
| <i>You can't stay here. | |
| They'll find you.</i> | |
| 1926 | |
| 01:58:54,027 --> 01:58:56,093 | |
| <i>They'll find us.</i> | |
| 1927 | |
| 01:58:56,128 --> 01:58:59,338 | |
| [Jack]<i> Listen, Catherine.</i> | |
| <i>I don't care if they find us.</i> | |
| 1928 | |
| 01:58:59,373 --> 01:59:02,671 | |
| <i>They could strip me of my rank</i> | |
| <i>and it wouldn't change</i> | |
| <i>how I feel.</i> | |
| 1929 | |
| 01:59:02,706 --> 01:59:05,245 | |
| <i>I've known loss. | |
| I've known pain.</i> | |
| 1930 | |
| 01:59:06,974 --> 01:59:09,315 | |
| <i>It's you who gives me life.</i> | |
| [Snorts] | |
| 1931 | |
| 01:59:10,516 --> 01:59:11,845 | |
| [Snorts] | |
| <i>Catherine...</i> | |
| 1932 | |
| 01:59:14,146 --> 01:59:16,080 | |
| <i>I love you.</i> | |
| [Audience laughing] | |
| 1933 | |
| 01:59:16,115 --> 01:59:19,116 | |
| <i>I love you, I love you, | |
| I love you.</i> | |
| 1934 | |
| 01:59:19,151 --> 01:59:21,393 | |
| [Laughing continues] | |
| 1935 | |
| 01:59:27,060 --> 01:59:31,062 | |
| "I love you, I love you!" | |
| [Audience member] | |
| "I love you!" [Laughing] | |
| 1936 | |
| 01:59:36,542 --> 01:59:38,740 | |
| [Laughing continues] | |
| 1937 | |
| 01:59:51,920 --> 01:59:53,458 | |
| [Elinor] | |
| Jack Conrad. | |
| 1938 | |
| 01:59:53,493 --> 01:59:54,987 | |
| [Chuckles] | |
| 1939 | |
| 01:59:55,022 --> 01:59:57,891 | |
| What are your thoughts | |
| for the future? | |
| 1940 | |
| 01:59:59,598 --> 02:00:03,732 | |
| Well, my last two movies | |
| didn't work, | |
| but I learned a lot from 'em. | |
| 1941 | |
| 02:00:03,767 --> 02:00:06,240 | |
| There were things | |
| I'd taken for granted... | |
| [Pen scratching on paper] | |
| 1942 | |
| 02:00:06,264 --> 02:00:08,275 | |
| That maybe I shouldn't have. | |
| 1943 | |
| 02:00:10,169 --> 02:00:13,709 | |
| Well, you're still | |
| mgm's biggest asset. | |
| 1944 | |
| 02:00:13,744 --> 02:00:15,876 | |
| You still command | |
| the biggest paycheck. | |
| 1945 | |
| 02:00:15,911 --> 02:00:17,680 | |
| And I'd like to earn it. | |
| 1946 | |
| 02:00:17,715 --> 02:00:19,880 | |
| I'm still learning | |
| this new language. | |
| 1947 | |
| 02:00:21,015 --> 02:00:22,817 | |
| Is it true | |
| that you've quit drinking? | |
| 1948 | |
| 02:00:22,852 --> 02:00:24,918 | |
| Yeah. | |
| It was getting in the way. | |
| 1949 | |
| 02:00:24,953 --> 02:00:27,426 | |
| I'm not gonna let | |
| that happen anymore. | |
| 1950 | |
| 02:00:27,461 --> 02:00:31,254 | |
| There's a lot of acting talent | |
| coming in from the theater now. | |
| 1951 | |
| 02:00:31,289 --> 02:00:35,500 | |
| Might you go to the stage | |
| to gain more experience? | |
| 1952 | |
| 02:00:35,535 --> 02:00:38,899 | |
| Elinor, I will master | |
| the talking film on film. | |
| 1953 | |
| 02:00:38,934 --> 02:00:40,868 | |
| [Pen continues scratching] | |
| 1954 | |
| 02:00:40,903 --> 02:00:42,540 | |
| Do you miss the silents? | |
| 1955 | |
| 02:00:47,778 --> 02:00:48,778 | |
| No. | |
| 1956 | |
| 02:00:49,945 --> 02:00:52,110 | |
| We shouldn't stand | |
| in the way of progress. | |
| 1957 | |
| 02:00:52,145 --> 02:00:54,013 | |
| [Scratching continues] | |
| 1958 | |
| 02:00:56,985 --> 02:00:59,282 | |
| Okay. | |
| Thanks, Jack. | |
| 1959 | |
| 02:00:59,317 --> 02:01:02,395 | |
| You're still the kid | |
| I met 20 years ago, | |
| you know. | |
| 1960 | |
| 02:01:02,430 --> 02:01:06,124 | |
| You haven't changed... | |
| [Chuckles] ...A bit. | |
| 1961 | |
| 02:01:06,159 --> 02:01:08,401 | |
| Thank you, Elinor. | |
| Neither have you. | |
| 1962 | |
| 02:01:28,346 --> 02:01:29,686 | |
| [Knock on door] | |
| 1963 | |
| 02:01:30,821 --> 02:01:32,788 | |
| We're ready for you on set, | |
| Mr. Palmer. | |
| 1964 | |
| 02:01:51,446 --> 02:01:53,611 | |
| She's not gonna | |
| fuck this up again, is she? | |
| 1965 | |
| 02:01:53,646 --> 02:01:55,976 | |
| I guarantee you, | |
| she's going to blow you away. | |
| 1966 | |
| 02:01:56,011 --> 02:01:58,616 | |
| Is she ready? Hurry. | |
| [Assistant] I'll check. | |
| 1967 | |
| 02:01:58,651 --> 02:02:01,344 | |
| You good with the money? | |
| Looks realistic. | |
| Yeah. What about the gun? | |
| 1968 | |
| 02:02:01,379 --> 02:02:04,457 | |
| We're still having a problem | |
| with the firing mechanism. | |
| 1969 | |
| 02:02:04,492 --> 02:02:06,756 | |
| <i>¡No, carajo!</i> | |
| It still sounds like that? | |
| 1970 | |
| 02:02:06,791 --> 02:02:09,396 | |
| Hi there. | |
| It's Jack calling for Irving. | |
| 1971 | |
| 02:02:10,190 --> 02:02:11,190 | |
| Jack Conrad. | |
| 1972 | |
| 02:02:12,731 --> 02:02:15,226 | |
| One o'clock. All right, fine. | |
| I'll call back then. Thanks. | |
| 1973 | |
| 02:02:17,065 --> 02:02:18,504 | |
| There you are. | |
| 1974 | |
| 02:02:18,539 --> 02:02:20,968 | |
| We have a serious | |
| fucking problem. | |
| What? | |
| 1975 | |
| 02:02:21,003 --> 02:02:23,036 | |
| The band looks mixed. | |
| What do you mean? | |
| 1976 | |
| 02:02:23,071 --> 02:02:26,303 | |
| I mean, the other players | |
| are a lot darker than sid. | |
| So? | |
| 1977 | |
| 02:02:26,338 --> 02:02:29,482 | |
| Manny, do you think | |
| I could say a line? | |
| No! Get back to the shot! | |
| 1978 | |
| 02:02:29,517 --> 02:02:31,649 | |
| In your wide, next to them, | |
| Sidney looks white. | |
| 1979 | |
| 02:02:31,684 --> 02:02:34,113 | |
| But he's black. | |
| They won't think that | |
| in the south. | |
| 1980 | |
| 02:02:34,148 --> 02:02:36,566 | |
| To them, this'll look | |
| like a mixed band. We won't | |
| be able to book the movie there. | |
| 1981 | |
| 02:02:36,590 --> 02:02:38,326 | |
| The south is big money. | |
| That's half the revenue lost. | |
| 1982 | |
| 02:02:38,350 --> 02:02:40,471 | |
| No, that's not possible. | |
| Nellie needs this movie to work. | |
| 1983 | |
| 02:02:40,495 --> 02:02:43,221 | |
| Forget working, | |
| it's not even worth | |
| finishing at that rate. | |
| 1984 | |
| 02:02:43,256 --> 02:02:45,498 | |
| Wallach'll just pull the plug. | |
| 1985 | |
| 02:02:45,533 --> 02:02:47,962 | |
| [Upbeat jazz music playing] | |
| 1986 | |
| 02:02:51,473 --> 02:02:53,770 | |
| [Sighs] | |
| What do you suggest? | |
| 1987 | |
| 02:02:53,805 --> 02:02:58,005 | |
| Oh, he did, did he? | |
| Okay, then I'll call back | |
| at 4:00. Thanks. | |
| 1988 | |
| 02:03:00,713 --> 02:03:02,240 | |
| Sidney? | |
| Yeah. | |
| 1989 | |
| 02:03:06,917 --> 02:03:08,818 | |
| Why? | |
| For the lighting. | |
| 1990 | |
| 02:03:08,853 --> 02:03:11,084 | |
| Just to match the other players. | |
| 1991 | |
| 02:03:18,896 --> 02:03:20,390 | |
| For the lighting. | |
| 1992 | |
| 02:03:22,097 --> 02:03:23,129 | |
| <i>Sí.</i> | |
| 1993 | |
| 02:03:25,298 --> 02:03:26,363 | |
| I know. | |
| 1994 | |
| 02:03:27,069 --> 02:03:28,574 | |
| But look around. | |
| 1995 | |
| 02:03:28,609 --> 02:03:31,368 | |
| Your fellow players, | |
| if we don't get the shot, | |
| 1996 | |
| 02:03:31,403 --> 02:03:33,711 | |
| the studio will shut | |
| the picture down | |
| 1997 | |
| 02:03:34,615 --> 02:03:36,274 | |
| and they won't get paid. | |
| 1998 | |
| 02:03:37,145 --> 02:03:39,519 | |
| You're an actor now, Sidney. | |
| 1999 | |
| 02:03:39,554 --> 02:03:42,720 | |
| Actors change | |
| their appearance | |
| for roles. | |
| 2000 | |
| 02:03:42,755 --> 02:03:44,150 | |
| It's normal. | |
| 2001 | |
| 02:03:57,198 --> 02:03:58,901 | |
| [Sighs] | |
| 2002 | |
| 02:03:59,772 --> 02:04:01,970 | |
| It's going to be on you, Sidney. | |
| 2003 | |
| 02:04:02,005 --> 02:04:07,173 | |
| You are risking | |
| all these guys' ability to | |
| feed their families over makeup. | |
| 2004 | |
| 02:04:21,288 --> 02:04:22,793 | |
| <i>Gracias.</i> | |
| 2005 | |
| 02:04:31,804 --> 02:04:33,001 | |
| We all good? | |
| 2006 | |
| 02:05:03,737 --> 02:05:07,904 | |
| Left for the day. Huh. | |
| Well, here's what I'm gonna do. | |
| 2007 | |
| 02:05:07,939 --> 02:05:10,467 | |
| I'm gonna come down there | |
| and see for myself. | |
| 2008 | |
| 02:05:10,502 --> 02:05:13,679 | |
| No, that's exactly | |
| what I'm gonna do. | |
| Thank you. | |
| 2009 | |
| 02:05:17,883 --> 02:05:20,653 | |
| I'm sorry, | |
| I just can't have you in here | |
| right now. | |
| 2010 | |
| 02:05:20,688 --> 02:05:22,259 | |
| He left for the day, | |
| but I can take a message | |
| for you... | |
| 2011 | |
| 02:05:22,283 --> 02:05:23,283 | |
| [Jack] Thank you. | |
| 2012 | |
| 02:06:43,430 --> 02:06:44,803 | |
| [Director] Cut! | |
| 2013 | |
| 02:06:44,838 --> 02:06:46,739 | |
| That is a wrap on sid. | |
| 2014 | |
| 02:06:48,171 --> 02:06:49,940 | |
| [Crew cheering] | |
| 2015 | |
| 02:06:51,372 --> 02:06:54,439 | |
| Uh, Mr. Torres? | |
| We can't find miss laroy. | |
| 2016 | |
| 02:06:54,980 --> 02:06:56,309 | |
| Yeah? | |
| 2017 | |
| 02:06:56,344 --> 02:06:57,607 | |
| She's gone. | |
| 2018 | |
| 02:06:57,642 --> 02:06:59,851 | |
| [Crew cheering, clapping] | |
| 2019 | |
| 02:07:09,192 --> 02:07:10,862 | |
| [Crew member] | |
| Going over to stage 4! | |
| 2020 | |
| 02:07:13,493 --> 02:07:16,164 | |
| You'll need that | |
| to come back. | |
| It's okay. I won't be back. | |
| 2021 | |
| 02:07:16,199 --> 02:07:17,770 | |
| [Typing] | |
| [Door opens] | |
| 2022 | |
| 02:07:17,805 --> 02:07:19,431 | |
| Madame? Let's chat. | |
| 2023 | |
| 02:07:19,466 --> 02:07:21,004 | |
| I'm on a deadline, darling. | |
| 2024 | |
| 02:07:21,039 --> 02:07:23,270 | |
| You know, | |
| when I first moved to la, | |
| 2025 | |
| 02:07:23,305 --> 02:07:25,536 | |
| you know what the signs | |
| on all the doors read? | |
| 2026 | |
| 02:07:25,571 --> 02:07:28,143 | |
| "No actors or dogs allowed." | |
| [Chuckles] | |
| 2027 | |
| 02:07:28,178 --> 02:07:30,409 | |
| Yeah, I changed that. | |
| 2028 | |
| 02:07:30,444 --> 02:07:33,445 | |
| I helped build this place | |
| you call home. | |
| 2029 | |
| 02:07:33,480 --> 02:07:37,647 | |
| I've never had any illusions | |
| about us. I've never pretended | |
| we're friends. | |
| 2030 | |
| 02:07:38,155 --> 02:07:40,023 | |
| We're friendly. | |
| 2031 | |
| 02:07:40,058 --> 02:07:42,157 | |
| I scratch yours, | |
| you scratch mine. | |
| 2032 | |
| 02:07:43,028 --> 02:07:44,225 | |
| That's our work. | |
| 2033 | |
| 02:07:45,657 --> 02:07:47,228 | |
| But this? | |
| 2034 | |
| 02:07:47,263 --> 02:07:48,900 | |
| This is something else. | |
| 2035 | |
| 02:07:51,333 --> 02:07:52,563 | |
| [Sighs] | |
| 2036 | |
| 02:07:54,567 --> 02:07:57,304 | |
| What do you want, Jack? | |
| I want to know | |
| why you wrote it. | |
| 2037 | |
| 02:07:57,339 --> 02:07:59,669 | |
| No, you want to know | |
| why they laughed. | |
| 2038 | |
| 02:08:03,378 --> 02:08:05,015 | |
| Would you like me to tell you? | |
| 2039 | |
| 02:08:08,647 --> 02:08:10,416 | |
| Why they laughed. | |
| 2040 | |
| 02:08:13,058 --> 02:08:14,926 | |
| Sure, Elinor. Why? | |
| 2041 | |
| 02:08:15,522 --> 02:08:17,159 | |
| There is no why. | |
| 2042 | |
| 02:08:18,393 --> 02:08:21,933 | |
| It wasn't your voice. | |
| It wasn't a conspiracy. | |
| 2043 | |
| 02:08:21,968 --> 02:08:24,430 | |
| And it certainly | |
| wasn't anything I wrote. | |
| 2044 | |
| 02:08:25,972 --> 02:08:28,731 | |
| There's nothing | |
| you could have done differently. | |
| 2045 | |
| 02:08:28,766 --> 02:08:30,876 | |
| There's nothing you can do. | |
| 2046 | |
| 02:08:30,911 --> 02:08:34,748 | |
| Your time has run out. | |
| There is no why. | |
| Stop questioning it. | |
| 2047 | |
| 02:08:40,184 --> 02:08:41,887 | |
| I'm on a dry spell. | |
| No. | |
| 2048 | |
| 02:08:42,923 --> 02:08:44,285 | |
| It's over. | |
| 2049 | |
| 02:08:44,320 --> 02:08:46,925 | |
| It's been over for a while. | |
| I'm sorry. | |
| 2050 | |
| 02:08:48,995 --> 02:08:51,556 | |
| Elinor, you peddle gossip. | |
| 2051 | |
| 02:08:53,296 --> 02:08:54,933 | |
| You don't make anything. | |
| 2052 | |
| 02:08:54,968 --> 02:08:57,661 | |
| You don't know what it is | |
| to put yourself out there. | |
| 2053 | |
| 02:08:57,696 --> 02:08:59,465 | |
| You're just a cockroach. | |
| 2054 | |
| 02:09:00,875 --> 02:09:02,743 | |
| I've been counted out before. | |
| This isn't new to me. | |
| 2055 | |
| 02:09:02,767 --> 02:09:05,845 | |
| Have you ever stopped | |
| to think why, | |
| when there's a house fire, | |
| 2056 | |
| 02:09:05,880 --> 02:09:08,243 | |
| the people die | |
| and the cockroaches all survive? | |
| 2057 | |
| 02:09:08,278 --> 02:09:09,882 | |
| Jesus Christ. | |
| 2058 | |
| 02:09:09,917 --> 02:09:13,182 | |
| What happened was you thought | |
| the house needed you. | |
| 2059 | |
| 02:09:14,086 --> 02:09:15,118 | |
| It doesn't. | |
| 2060 | |
| 02:09:16,550 --> 02:09:19,287 | |
| Doesn't need you any more | |
| than it needs the roaches. | |
| 2061 | |
| 02:09:19,322 --> 02:09:21,553 | |
| And the roaches, knowing this, | |
| 2062 | |
| 02:09:21,588 --> 02:09:25,161 | |
| crawl back into the dark, | |
| lay low, and make it through. | |
| 2063 | |
| 02:09:27,759 --> 02:09:29,330 | |
| See, but you, | |
| 2064 | |
| 02:09:29,365 --> 02:09:31,596 | |
| you held the spotlight. | |
| 2065 | |
| 02:09:33,633 --> 02:09:38,603 | |
| It's those of us in the dark, | |
| the ones who just watch, | |
| who survive. | |
| 2066 | |
| 02:09:43,478 --> 02:09:45,247 | |
| A house fire. | |
| 2067 | |
| 02:09:45,282 --> 02:09:48,349 | |
| And there'll be | |
| hundreds more like it, too. | |
| 2068 | |
| 02:09:48,384 --> 02:09:51,220 | |
| An earthquake could | |
| wipe this town off the map | |
| 2069 | |
| 02:09:51,255 --> 02:09:53,321 | |
| and wouldn't make a difference. | |
| 2070 | |
| 02:09:55,259 --> 02:09:57,391 | |
| It's the idea that sticks. | |
| 2071 | |
| 02:10:00,264 --> 02:10:03,199 | |
| There'll be a hundred more | |
| Jack conrads. | |
| 2072 | |
| 02:10:04,037 --> 02:10:05,465 | |
| Hundred more me's. | |
| 2073 | |
| 02:10:05,500 --> 02:10:07,533 | |
| Hundred more conversations | |
| just like this one, | |
| 2074 | |
| 02:10:07,568 --> 02:10:10,503 | |
| over and over again, | |
| until god knows when. | |
| 2075 | |
| 02:10:14,916 --> 02:10:16,806 | |
| Because it's bigger than you. | |
| 2076 | |
| 02:10:25,388 --> 02:10:27,927 | |
| I know it hurts. | |
| 2077 | |
| 02:10:29,227 --> 02:10:31,557 | |
| No one asks to be left behind. | |
| 2078 | |
| 02:10:33,759 --> 02:10:37,134 | |
| But in a hundred years, | |
| when you and I | |
| are both long gone, | |
| 2079 | |
| 02:10:38,698 --> 02:10:42,975 | |
| any time someone | |
| threads a frame of yours | |
| through a sprocket, | |
| 2080 | |
| 02:10:44,110 --> 02:10:45,802 | |
| you will be alive again. | |
| 2081 | |
| 02:10:46,706 --> 02:10:48,211 | |
| You see what that means? | |
| 2082 | |
| 02:10:49,874 --> 02:10:53,843 | |
| One day, every person | |
| on every film | |
| shot this year will be dead. | |
| 2083 | |
| 02:10:53,878 --> 02:10:57,682 | |
| And one day, all those films | |
| will be pulled from the vaults, | |
| 2084 | |
| 02:10:57,717 --> 02:11:00,685 | |
| and all their ghosts | |
| will dine together, | |
| 2085 | |
| 02:11:00,720 --> 02:11:04,227 | |
| and adventure together, | |
| go to the jungle, | |
| to war together. | |
| 2086 | |
| 02:11:05,296 --> 02:11:09,001 | |
| A child born in 50 years | |
| 2087 | |
| 02:11:09,036 --> 02:11:11,564 | |
| will stumble across your image | |
| flickering on a screen | |
| 2088 | |
| 02:11:11,599 --> 02:11:15,601 | |
| and feel he knows you, | |
| like... like a friend, | |
| 2089 | |
| 02:11:15,636 --> 02:11:19,077 | |
| though you breathed your last | |
| before he breathed his first. | |
| 2090 | |
| 02:11:21,576 --> 02:11:24,577 | |
| You've been given a gift. | |
| Be grateful. | |
| 2091 | |
| 02:11:26,416 --> 02:11:28,020 | |
| Your time today is through, | |
| 2092 | |
| 02:11:29,353 --> 02:11:33,223 | |
| but you'll spend eternity | |
| with angels and ghosts. | |
| 2093 | |
| 02:11:51,276 --> 02:11:52,770 | |
| Thank you for that. | |
| 2094 | |
| 02:12:03,684 --> 02:12:05,816 | |
| [Typing] | |
| 2095 | |
| 02:12:10,592 --> 02:12:12,757 | |
| [Insects chirping] | |
| 2096 | |
| 02:12:14,827 --> 02:12:16,629 | |
| [Knocking on door] | |
| 2097 | |
| 02:12:20,107 --> 02:12:21,865 | |
| [Knocking continues] | |
| 2098 | |
| 02:12:26,311 --> 02:12:27,970 | |
| Manny! | |
| I need your help. | |
| 2099 | |
| 02:12:28,005 --> 02:12:30,544 | |
| I'm in so much trouble | |
| and I really need your help. | |
| 2100 | |
| 02:12:30,579 --> 02:12:32,876 | |
| Calm down | |
| and tell me what happened. | |
| 2101 | |
| 02:12:32,911 --> 02:12:35,417 | |
| I fucked up, Manny. | |
| I fucked up, Manny. | |
| 2102 | |
| 02:12:35,452 --> 02:12:38,618 | |
| And I know you've | |
| been trying to help me, | |
| and I've kept fucking up. | |
| 2103 | |
| 02:12:38,653 --> 02:12:40,620 | |
| Now I really need your help, | |
| and I hate to ask... | |
| 2104 | |
| 02:12:40,655 --> 02:12:42,094 | |
| Calm down. | |
| 2105 | |
| 02:12:42,129 --> 02:12:44,261 | |
| <i>Cálmate.</i> | |
| okay, yeah, | |
| I was in Cal-neva, | |
| 2106 | |
| 02:12:44,296 --> 02:12:47,165 | |
| and I was playing cards | |
| and there was... | |
| 2107 | |
| 02:12:47,200 --> 02:12:50,795 | |
| This guy, McKay, | |
| runs the place and, he's... | |
| Like, you don't fuck with... | |
| 2108 | |
| 02:12:50,830 --> 02:12:52,170 | |
| How much? | |
| He's... | |
| 2109 | |
| 02:12:56,143 --> 02:12:57,637 | |
| [Speaking Spanish] | |
| 2110 | |
| 02:12:57,672 --> 02:12:59,804 | |
| It's a lot. It's a lot. | |
| How much do you owe? | |
| 2111 | |
| 02:13:02,974 --> 02:13:04,479 | |
| Eighty-five grand. | |
| 2112 | |
| 02:13:04,514 --> 02:13:05,843 | |
| [Speaking Spanish] | |
| 2113 | |
| 02:13:05,878 --> 02:13:07,680 | |
| They took me... | |
| <i>¿como?</i> How? | |
| 2114 | |
| 02:13:07,715 --> 02:13:10,188 | |
| He took me back into a room, | |
| Manny, and they said | |
| 2115 | |
| 02:13:10,223 --> 02:13:12,421 | |
| if I don't have the money | |
| by the end of the week, | |
| 2116 | |
| 02:13:12,456 --> 02:13:15,160 | |
| they're gonna pour acid | |
| on my pussy. | |
| 2117 | |
| 02:13:15,195 --> 02:13:16,953 | |
| [Speaking Spanish] | |
| And they're not kidding. | |
| 2118 | |
| 02:13:16,988 --> 02:13:19,032 | |
| They will fucking kill you. | |
| These people are killers. | |
| 2119 | |
| 02:13:19,056 --> 02:13:21,023 | |
| Pay them, okay? | |
| I can't. | |
| 2120 | |
| 02:13:21,058 --> 02:13:23,432 | |
| You don't fuck | |
| with these kind of people. | |
| You just pay them. | |
| 2121 | |
| 02:13:25,535 --> 02:13:27,799 | |
| I can't pay them. | |
| What do you mean? | |
| 2122 | |
| 02:13:27,834 --> 02:13:30,637 | |
| I don't have the money | |
| to pay them. I don't have... | |
| 2123 | |
| 02:13:30,672 --> 02:13:33,178 | |
| You're Nellie laroy. | |
| Of course you have the money. | |
| 2124 | |
| 02:13:33,213 --> 02:13:35,345 | |
| No, I don't. It's... | |
| 2125 | |
| 02:13:37,151 --> 02:13:40,042 | |
| It's gone. [Stammering] | |
| 2126 | |
| 02:13:40,077 --> 02:13:42,682 | |
| My dad's diner and the... | |
| 2127 | |
| 02:13:42,717 --> 02:13:45,355 | |
| We don't own the house. | |
| 2128 | |
| 02:13:45,390 --> 02:13:48,853 | |
| I don't have that... | |
| I don't have that money. | |
| 2129 | |
| 02:13:53,761 --> 02:13:55,563 | |
| [Shouting in Spanish] | |
| 2130 | |
| 02:14:05,872 --> 02:14:08,279 | |
| [Sobbing] | |
| [Continues shouting | |
| in Spanish] | |
| 2131 | |
| 02:14:09,942 --> 02:14:11,249 | |
| Fucking help! | |
| 2132 | |
| 02:14:11,284 --> 02:14:14,549 | |
| [Sobbing] | |
| Please be nice to me, Manny. | |
| 2133 | |
| 02:14:16,113 --> 02:14:18,520 | |
| Please. | |
| [Speaking Spanish] | |
| 2134 | |
| 02:14:18,555 --> 02:14:20,324 | |
| You fucked my life! | |
| 2135 | |
| 02:14:20,359 --> 02:14:23,426 | |
| I have nowhere else to go. | |
| [Sniffles] | |
| 2136 | |
| 02:14:23,461 --> 02:14:26,022 | |
| You're my only friend. | |
| 2137 | |
| 02:14:26,057 --> 02:14:28,629 | |
| You're the only one, Manny! | |
| 2138 | |
| 02:14:28,664 --> 02:14:30,763 | |
| You're the only one | |
| who's ever been nice to me. | |
| 2139 | |
| 02:14:30,798 --> 02:14:34,140 | |
| You're the only one | |
| who's ever cared. | |
| [Speaking Spanish] | |
| 2140 | |
| 02:14:34,175 --> 02:14:37,770 | |
| I've always helped you, | |
| and all you've done | |
| is break my heart! | |
| 2141 | |
| 02:14:37,805 --> 02:14:39,376 | |
| [Sobbing] Please. | |
| 2142 | |
| 02:14:41,776 --> 02:14:43,941 | |
| They're gonna kill me. | |
| 2143 | |
| 02:14:49,289 --> 02:14:51,619 | |
| [No audible dialogue] | |
| 2144 | |
| 02:14:54,228 --> 02:14:55,887 | |
| [Sobbing] | |
| 2145 | |
| 02:14:57,528 --> 02:14:59,462 | |
| I tried. | |
| 2146 | |
| 02:14:59,497 --> 02:15:02,729 | |
| Manny, | |
| I did everything you said. | |
| 2147 | |
| 02:15:02,764 --> 02:15:05,468 | |
| I tried. [Sniffling] | |
| 2148 | |
| 02:15:12,774 --> 02:15:13,806 | |
| Don't go home. | |
| 2149 | |
| 02:15:15,744 --> 02:15:17,381 | |
| Stay here for a couple of days. | |
| 2150 | |
| 02:15:19,748 --> 02:15:20,879 | |
| I'm gonna fix it. | |
| 2151 | |
| 02:15:27,327 --> 02:15:28,425 | |
| Thank you. | |
| 2152 | |
| 02:15:32,794 --> 02:15:34,629 | |
| I'll fix it. | |
| 2153 | |
| 02:15:34,664 --> 02:15:36,125 | |
| [Sniffles] | |
| 2154 | |
| 02:15:36,930 --> 02:15:40,338 | |
| [Opera playing on phonograph] | |
| 2155 | |
| 02:15:45,972 --> 02:15:48,104 | |
| [Phone ringing] | |
| 2156 | |
| 02:15:53,177 --> 02:15:55,518 | |
| [Opera continues playing] | |
| 2157 | |
| 02:16:00,558 --> 02:16:02,360 | |
| [Ringing continues] | |
| 2158 | |
| 02:16:10,766 --> 02:16:13,239 | |
| [Irving]<i> Jack! It's Irv.</i> | |
| 2159 | |
| 02:16:14,033 --> 02:16:16,132 | |
| <i>Jack?</i> | |
| 2160 | |
| 02:16:16,167 --> 02:16:19,135 | |
| <i>Listen, I've been trying you</i> | |
| <i>for a while.</i> | |
| <i>I got some great news.</i> | |
| 2161 | |
| 02:16:19,170 --> 02:16:21,973 | |
| <i>I got a job for you. | |
| Prestige one.</i> | |
| 2162 | |
| 02:16:22,008 --> 02:16:25,350 | |
| <i>Lead got sick mid-shoot. | |
| Quick start, quick wrap.</i> | |
| 2163 | |
| 02:16:25,385 --> 02:16:26,747 | |
| <i>Need you, Jack.</i> | |
| 2164 | |
| 02:16:28,179 --> 02:16:30,047 | |
| <i>Jack?</i> | |
| Yeah. | |
| 2165 | |
| 02:16:30,082 --> 02:16:32,786 | |
| <i>Hear what I said?</i> | |
| Yeah, I heard. | |
| 2166 | |
| 02:16:32,821 --> 02:16:35,921 | |
| <i>Okay? So? | |
| What do you think?</i> | |
| 2167 | |
| 02:16:37,694 --> 02:16:40,563 | |
| Yeah. I just have | |
| one question. | |
| 2168 | |
| 02:16:41,599 --> 02:16:43,269 | |
| It's a piece of shit, isn't it? | |
| 2169 | |
| 02:16:44,536 --> 02:16:45,997 | |
| [Chuckles]<i> What?</i> | |
| 2170 | |
| 02:16:46,032 --> 02:16:48,032 | |
| And I'd be | |
| bailing you out, | |
| wouldn't I? | |
| 2171 | |
| 02:16:48,067 --> 02:16:49,935 | |
| <i>No. No. Of course not.</i> | |
| 2172 | |
| 02:16:49,970 --> 02:16:53,972 | |
| Irv, let's just call it | |
| for what it is. | |
| That's all I ask. | |
| 2173 | |
| 02:16:54,007 --> 02:16:57,008 | |
| I'll do your movie. | |
| I'll bail you out. | |
| 2174 | |
| 02:16:57,043 --> 02:17:00,385 | |
| All I want in return | |
| is a little honesty. | |
| 2175 | |
| 02:17:01,751 --> 02:17:03,113 | |
| Can you do that, Irv? | |
| 2176 | |
| 02:17:03,148 --> 02:17:06,050 | |
| Can you be honest with me | |
| for ten seconds or so? | |
| 2177 | |
| 02:17:10,089 --> 02:17:12,155 | |
| I'd be bailing you out, | |
| wouldn't I? | |
| 2178 | |
| 02:17:14,467 --> 02:17:15,961 | |
| <i>Yeah, you'd be bailing me out.</i> | |
| 2179 | |
| 02:17:15,996 --> 02:17:17,930 | |
| And it's | |
| a piece of shit, | |
| isn't it? | |
| 2180 | |
| 02:17:20,737 --> 02:17:22,539 | |
| <i>Yeah, it's a piece of shit.</i> | |
| 2181 | |
| 02:17:23,344 --> 02:17:24,574 | |
| [Chuckles] | |
| 2182 | |
| 02:17:28,140 --> 02:17:30,646 | |
| Okay, Irv. | |
| I'll see you on set. | |
| 2183 | |
| 02:17:34,982 --> 02:17:36,146 | |
| [Assistant] Mr. Conrad? | |
| 2184 | |
| 02:17:43,496 --> 02:17:47,564 | |
| Harold, how you doing? | |
| I'm doing good, Jack. | |
| How about you? | |
| 2185 | |
| 02:17:47,599 --> 02:17:49,368 | |
| I'm doing okay. | |
| 2186 | |
| 02:17:51,229 --> 02:17:53,768 | |
| How many movies | |
| have we done together now? | |
| 2187 | |
| 02:17:53,803 --> 02:17:55,440 | |
| This makes 82. | |
| 2188 | |
| 02:17:55,970 --> 02:17:57,442 | |
| Huh. | |
| 2189 | |
| 02:17:57,477 --> 02:18:00,412 | |
| Eighty-two. | |
| That's right. | |
| 2190 | |
| 02:18:00,447 --> 02:18:02,073 | |
| [Whistles] | |
| 2191 | |
| 02:18:02,108 --> 02:18:03,811 | |
| [Actor] | |
| Beautiful, isn't she? | |
| 2192 | |
| 02:18:03,846 --> 02:18:06,143 | |
| The great wide ocean. | |
| 2193 | |
| 02:18:06,178 --> 02:18:08,354 | |
| You remember | |
| your first time at sea? | |
| 2194 | |
| 02:18:10,248 --> 02:18:13,282 | |
| Kid, I'll never forget it. | |
| 2195 | |
| 02:18:14,626 --> 02:18:16,758 | |
| [Director] Cut! Fantastic! | |
| 2196 | |
| 02:18:16,793 --> 02:18:18,925 | |
| Not a dry eye in the house. | |
| 2197 | |
| 02:18:18,960 --> 02:18:20,960 | |
| Great. For this next take... | |
| Yeah. | |
| 2198 | |
| 02:18:20,995 --> 02:18:24,095 | |
| I want to see more of | |
| that real emotion. | |
| 2199 | |
| 02:18:24,130 --> 02:18:26,328 | |
| Okay. | |
| You know? | |
| Really dig into it. | |
| 2200 | |
| 02:18:26,363 --> 02:18:28,132 | |
| Yeah. | |
| Find it out here. | |
| 2201 | |
| 02:18:29,300 --> 02:18:31,509 | |
| Find it on that horizon. | |
| Yeah. | |
| 2202 | |
| 02:18:31,544 --> 02:18:33,643 | |
| A never-ending horizon | |
| 2203 | |
| 02:18:33,678 --> 02:18:36,745 | |
| that has brought you | |
| all the way to this point. | |
| 2204 | |
| 02:18:36,780 --> 02:18:39,484 | |
| Brought you so far in life. | |
| You know? | |
| 2205 | |
| 02:18:40,014 --> 02:18:41,112 | |
| Jack? | |
| 2206 | |
| 02:18:44,425 --> 02:18:46,524 | |
| You good to go again? | |
| Sure. | |
| 2207 | |
| 02:18:49,694 --> 02:18:52,189 | |
| [Upbeat jazz music playing] | |
| 2208 | |
| 02:18:53,995 --> 02:18:55,291 | |
| Nellie? | |
| Manny! | |
| 2209 | |
| 02:18:55,326 --> 02:18:57,227 | |
| Manny, I got it all figured out. | |
| 2210 | |
| 02:18:57,262 --> 02:18:59,372 | |
| Because I know that | |
| you've been trying to | |
| get my career going. | |
| 2211 | |
| 02:18:59,396 --> 02:19:02,133 | |
| I've had an idea. | |
| I was thinking I can dance. | |
| 2212 | |
| 02:19:02,168 --> 02:19:03,871 | |
| If I can dance, | |
| I bet I can sing. | |
| 2213 | |
| 02:19:03,906 --> 02:19:06,016 | |
| 'Cause you can do anything | |
| if you set your mind to it. | |
| 2214 | |
| 02:19:06,040 --> 02:19:08,513 | |
| Nellie, you have to | |
| stop this, okay? | |
| You really have to stop. | |
| 2215 | |
| 02:19:08,548 --> 02:19:09,921 | |
| I'm figuring out | |
| how to get the money. | |
| 2216 | |
| 02:19:09,945 --> 02:19:11,978 | |
| Exactly! This is how | |
| we make the money back. | |
| 2217 | |
| 02:19:12,013 --> 02:19:13,826 | |
| I'm gonna tell wallach | |
| that we're gonna | |
| finish the movie, okay? | |
| 2218 | |
| 02:19:13,850 --> 02:19:16,180 | |
| And first, all this, | |
| all this fucking mess | |
| 2219 | |
| 02:19:16,215 --> 02:19:18,391 | |
| that you are doing | |
| every fucking day | |
| is part of your process. | |
| 2220 | |
| 02:19:18,415 --> 02:19:21,185 | |
| Manny, it's gonna be like | |
| nothing anyone's ever seen. | |
| 2221 | |
| 02:19:21,220 --> 02:19:22,220 | |
| [Phone rings] | |
| 2222 | |
| 02:19:22,254 --> 02:19:23,990 | |
| Hello? | |
| Manny, it's done. | |
| 2223 | |
| 02:19:24,025 --> 02:19:26,036 | |
| I got the money | |
| and I know a guy | |
| who will set the meet. | |
| 2224 | |
| 02:19:26,060 --> 02:19:28,698 | |
| You got it? | |
| Okay, but... but you're going to | |
| be there, right? | |
| 2225 | |
| 02:19:28,733 --> 02:19:32,229 | |
| Don't worry, | |
| I'll be there the whole time. | |
| See you Friday. | |
| 2226 | |
| 02:19:33,199 --> 02:19:34,396 | |
| [Chuckles] | |
| 2227 | |
| 02:19:34,431 --> 02:19:36,541 | |
| Nellie, we did it, okay? | |
| 2228 | |
| 02:19:36,576 --> 02:19:39,203 | |
| Fuck Don wallach! | |
| Fuck all of this shit, okay? | |
| 2229 | |
| 02:19:39,238 --> 02:19:41,546 | |
| Fuck him, Manny! Yes! | |
| Fuck it! Fuck it! | |
| 2230 | |
| 02:19:41,581 --> 02:19:42,910 | |
| [Both shout] | |
| 2231 | |
| 02:19:47,554 --> 02:19:51,149 | |
| [Manny] How did you | |
| get the money so fast? | |
| I have my ways. Don't worry. | |
| 2232 | |
| 02:19:51,184 --> 02:19:53,426 | |
| And it's all in here? | |
| Yes. | |
| 2233 | |
| 02:19:54,660 --> 02:19:56,253 | |
| How do you know the guy? | |
| 2234 | |
| 02:19:56,288 --> 02:19:59,025 | |
| I sold him keys | |
| a while back. | |
| He works for McKay. | |
| 2235 | |
| 02:19:59,060 --> 02:20:02,765 | |
| So, we give him the bag, | |
| he calls McKay, and the threat | |
| against Nellie is off. | |
| 2236 | |
| 02:20:02,800 --> 02:20:04,096 | |
| Okay, okay. | |
| 2237 | |
| 02:20:05,737 --> 02:20:07,506 | |
| I'm not used to | |
| this kind of people. | |
| 2238 | |
| 02:20:07,541 --> 02:20:09,332 | |
| They're no worse | |
| than movie people. | |
| 2239 | |
| 02:20:11,006 --> 02:20:12,236 | |
| You good? | |
| 2240 | |
| 02:20:12,942 --> 02:20:14,876 | |
| Yeah, yeah. Let's go. | |
| 2241 | |
| 02:20:16,044 --> 02:20:19,012 | |
| Remember. A monologue | |
| in the next picture. | |
| 2242 | |
| 02:20:26,054 --> 02:20:27,988 | |
| Wilson. | |
| Been a while. | |
| 2243 | |
| 02:20:28,023 --> 02:20:30,254 | |
| Good to see you. | |
| Meet Manny. | |
| 2244 | |
| 02:20:30,289 --> 02:20:33,290 | |
| [Snorting, Hawking] | |
| 2245 | |
| 02:20:35,800 --> 02:20:37,426 | |
| Nice to meet you, Manny. | |
| 2246 | |
| 02:20:37,461 --> 02:20:39,637 | |
| And nice to meet you, sir. | |
| 2247 | |
| 02:20:39,672 --> 02:20:41,837 | |
| I believe this belongs to you. | |
| 2248 | |
| 02:20:49,847 --> 02:20:50,978 | |
| You're a producer? | |
| 2249 | |
| 02:20:51,684 --> 02:20:53,816 | |
| Um, a studio executive. | |
| 2250 | |
| 02:20:53,851 --> 02:20:56,753 | |
| Jim heard | |
| you were a big producer. | |
| 2251 | |
| 02:20:56,788 --> 02:20:59,822 | |
| He's here now. | |
| He'd love to | |
| buy you guys a drink. | |
| 2252 | |
| 02:21:01,485 --> 02:21:04,387 | |
| That's very kind of him, | |
| but... | |
| Sounds great. Yeah. | |
| 2253 | |
| 02:21:05,126 --> 02:21:06,499 | |
| Great. Follow me. | |
| 2254 | |
| 02:21:09,900 --> 02:21:12,329 | |
| Gotta be polite. | |
| One drink. | |
| 2255 | |
| 02:21:13,497 --> 02:21:14,540 | |
| Fuck. | |
| 2256 | |
| 02:21:19,206 --> 02:21:20,271 | |
| [Sniffs] | |
| 2257 | |
| 02:21:29,656 --> 02:21:32,624 | |
| [Ballad playing | |
| on record player] | |
| 2258 | |
| 02:21:32,659 --> 02:21:33,691 | |
| Jim. | |
| 2259 | |
| 02:21:34,452 --> 02:21:36,694 | |
| This is Manny and the count. | |
| 2260 | |
| 02:21:38,192 --> 02:21:40,489 | |
| How do you boys do? | |
| 2261 | |
| 02:21:41,162 --> 02:21:42,491 | |
| I'm James McKay. | |
| 2262 | |
| 02:21:43,527 --> 02:21:45,131 | |
| How do you do, sir? | |
| Hello. | |
| 2263 | |
| 02:21:45,639 --> 02:21:46,671 | |
| Sit down. | |
| 2264 | |
| 02:21:47,608 --> 02:21:48,608 | |
| Thank you. | |
| 2265 | |
| 02:21:52,569 --> 02:21:53,810 | |
| [The count] Hey. | |
| [Manny] Hi. | |
| 2266 | |
| 02:21:53,845 --> 02:21:55,405 | |
| [James] Do you want a drink? | |
| 2267 | |
| 02:21:55,440 --> 02:21:57,341 | |
| It's Brandy mixed with ether. | |
| 2268 | |
| 02:21:57,376 --> 02:21:58,782 | |
| Yes. | |
| Sure. | |
| 2269 | |
| 02:21:58,817 --> 02:22:00,817 | |
| Wilson, will you | |
| get us some drinks, please? | |
| 2270 | |
| 02:22:00,852 --> 02:22:03,215 | |
| [Snorts, spits] | |
| 2271 | |
| 02:22:03,250 --> 02:22:07,516 | |
| Sir, I... I just wanted to say | |
| how sorry I am | |
| that things got out of hand. | |
| 2272 | |
| 02:22:07,551 --> 02:22:09,727 | |
| Nonsense. | |
| You came through. | |
| 2273 | |
| 02:22:09,762 --> 02:22:10,893 | |
| That's what counts. | |
| 2274 | |
| 02:22:13,161 --> 02:22:16,701 | |
| So, you boys are friends | |
| with Nellie laroy? | |
| 2275 | |
| 02:22:16,736 --> 02:22:18,098 | |
| Um, yeah. | |
| 2276 | |
| 02:22:18,133 --> 02:22:19,770 | |
| Mmm. | |
| 2277 | |
| 02:22:19,805 --> 02:22:22,234 | |
| Too bad what happened | |
| to her career, huh? | |
| 2278 | |
| 02:22:22,269 --> 02:22:24,709 | |
| Such a shame, yeah. | |
| It's sad. | |
| 2279 | |
| 02:22:24,744 --> 02:22:26,007 | |
| Her new movie will work. | |
| 2280 | |
| 02:22:27,109 --> 02:22:29,010 | |
| So you're the movie producer. | |
| 2281 | |
| 02:22:29,980 --> 02:22:31,716 | |
| Uh, studio executive. | |
| 2282 | |
| 02:22:31,751 --> 02:22:35,148 | |
| I got some movie ideas myself. | |
| You wanna hear them? | |
| 2283 | |
| 02:22:37,086 --> 02:22:38,415 | |
| Yes. | |
| 2284 | |
| 02:22:39,121 --> 02:22:40,121 | |
| Please. | |
| 2285 | |
| 02:22:41,057 --> 02:22:43,189 | |
| [Clears throat, inhales sharply] | |
| 2286 | |
| 02:22:43,224 --> 02:22:45,125 | |
| [Chuckles] Okay. | |
| 2287 | |
| 02:22:46,524 --> 02:22:47,699 | |
| Mmm. | |
| 2288 | |
| 02:22:47,734 --> 02:22:48,799 | |
| [Giggles] | |
| 2289 | |
| 02:22:48,834 --> 02:22:51,934 | |
| Okay, so, | |
| 2290 | |
| 02:22:51,969 --> 02:22:56,202 | |
| there's a 10-year-old kid | |
| and he's a prodigy | |
| at all these adult things. | |
| 2291 | |
| 02:22:56,237 --> 02:22:58,402 | |
| He's supersmart with words. | |
| 2292 | |
| 02:22:58,437 --> 02:23:03,473 | |
| He can play the piano | |
| and recite Lincoln | |
| and all this stuff. | |
| 2293 | |
| 02:23:04,718 --> 02:23:06,344 | |
| Here's the twist: | |
| 2294 | |
| 02:23:07,413 --> 02:23:10,513 | |
| Turns out | |
| he's a 50-year-old midget. | |
| 2295 | |
| 02:23:10,548 --> 02:23:14,319 | |
| He only looks like he's a kid. | |
| The joke's on us. | |
| 2296 | |
| 02:23:15,894 --> 02:23:17,091 | |
| [Chuckles] | |
| 2297 | |
| 02:23:17,126 --> 02:23:19,588 | |
| That's really good. Wow. | |
| 2298 | |
| 02:23:19,623 --> 02:23:21,590 | |
| It's very good. | |
| It's great, yeah. | |
| 2299 | |
| 02:23:21,625 --> 02:23:24,098 | |
| Very good. | |
| I am sorry. | |
| 2300 | |
| 02:23:24,133 --> 02:23:26,903 | |
| I'm gonna check on the drinks. | |
| I don't know where Wilson went. | |
| 2301 | |
| 02:23:32,537 --> 02:23:34,570 | |
| [Sighs] Stupid... | |
| 2302 | |
| 02:23:34,605 --> 02:23:36,979 | |
| One drink and we leave. | |
| Right after this we leave. | |
| 2303 | |
| 02:23:37,014 --> 02:23:38,981 | |
| Calm down. | |
| I am calm,<i> cabrón.</i> | |
| 2304 | |
| 02:23:39,016 --> 02:23:41,247 | |
| No, you're not. | |
| You're very nervous. | |
| 2305 | |
| 02:23:41,282 --> 02:23:44,382 | |
| I'm not here for drinks | |
| and fun, okay? | |
| I'm in your debt. | |
| 2306 | |
| 02:23:44,417 --> 02:23:47,088 | |
| You're not in my debt. | |
| Whose money it is? | |
| 2307 | |
| 02:23:47,123 --> 02:23:49,794 | |
| The guy makes it | |
| by the kilo. | |
| It's not a big deal. | |
| 2308 | |
| 02:23:49,829 --> 02:23:51,928 | |
| What guy? | |
| You never told me | |
| how you got it. | |
| 2309 | |
| 02:23:51,963 --> 02:23:54,656 | |
| Tony. The prop guy. | |
| 2310 | |
| 02:23:54,691 --> 02:23:56,999 | |
| I thought I told you that. | |
| It's the prop guy's money? | |
| 2311 | |
| 02:23:57,034 --> 02:23:59,034 | |
| No, it's the money | |
| that he makes. | |
| 2312 | |
| 02:24:00,169 --> 02:24:02,499 | |
| What do you mean? | |
| Like, uh, his income? | |
| 2313 | |
| 02:24:03,139 --> 02:24:04,941 | |
| No, it's his... | |
| 2314 | |
| 02:24:04,976 --> 02:24:08,472 | |
| It's from your | |
| bank heist picture. | |
| It's movie money. | |
| 2315 | |
| 02:24:08,507 --> 02:24:10,177 | |
| It's prop money. | |
| 2316 | |
| 02:24:14,821 --> 02:24:18,482 | |
| The money in the bag | |
| is prop money? | |
| 2317 | |
| 02:24:18,517 --> 02:24:22,024 | |
| Well, where was I | |
| gonna get 85 grand | |
| in two days? | |
| 2318 | |
| 02:24:22,059 --> 02:24:24,455 | |
| We have to go now, | |
| <i>pendejo cabrón!</i> | |
| 2319 | |
| 02:24:24,490 --> 02:24:25,797 | |
| [Shushes] Calm. | |
| 2320 | |
| 02:24:25,832 --> 02:24:28,657 | |
| Um, have I, uh, | |
| interrupted something? | |
| 2321 | |
| 02:24:28,692 --> 02:24:30,296 | |
| [The count] No, no. | |
| 2322 | |
| 02:24:30,331 --> 02:24:32,496 | |
| Oh, thank you. | |
| 2323 | |
| 02:24:33,873 --> 02:24:36,335 | |
| [Hawks, spits] | |
| 2324 | |
| 02:24:36,370 --> 02:24:38,436 | |
| I got more ideas. | |
| 2325 | |
| 02:24:38,471 --> 02:24:40,603 | |
| You ever heard of Wyatt earp? | |
| 2326 | |
| 02:24:40,638 --> 02:24:43,177 | |
| He died a couple of years ago. | |
| I met him once. | |
| 2327 | |
| 02:24:43,212 --> 02:24:44,849 | |
| Little known fact: | |
| 2328 | |
| 02:24:44,884 --> 02:24:49,513 | |
| The greatest hero | |
| of the wild west | |
| couldn't count. | |
| 2329 | |
| 02:24:49,548 --> 02:24:50,987 | |
| No? | |
| No. | |
| 2330 | |
| 02:24:51,022 --> 02:24:53,022 | |
| So I was thinking, | |
| you make a movie about him, | |
| 2331 | |
| 02:24:53,057 --> 02:24:56,025 | |
| and in it, | |
| you make him | |
| full-fledged retard. | |
| 2332 | |
| 02:24:56,060 --> 02:24:58,863 | |
| [Gasps] What? | |
| 2333 | |
| 02:25:00,031 --> 02:25:01,096 | |
| You okay? | |
| 2334 | |
| 02:25:02,396 --> 02:25:04,737 | |
| What? | |
| You're sweating. | |
| 2335 | |
| 02:25:08,435 --> 02:25:10,534 | |
| It's probably the ether. | |
| It's... | |
| 2336 | |
| 02:25:10,569 --> 02:25:12,074 | |
| Oh. | |
| 2337 | |
| 02:25:12,109 --> 02:25:14,307 | |
| I thought you were just | |
| excited about the idea. | |
| 2338 | |
| 02:25:17,246 --> 02:25:20,643 | |
| [Laughing] | |
| 2339 | |
| 02:25:21,547 --> 02:25:22,788 | |
| [Snorts, spits] | |
| 2340 | |
| 02:25:22,823 --> 02:25:24,680 | |
| [James] | |
| My next idea's my best: | |
| 2341 | |
| 02:25:24,715 --> 02:25:27,089 | |
| The world's most | |
| fearless warrior. | |
| 2342 | |
| 02:25:27,124 --> 02:25:30,356 | |
| I know just the guy to play him. | |
| You just build the movie | |
| around him. | |
| 2343 | |
| 02:25:30,391 --> 02:25:32,094 | |
| He is sensational. | |
| 2344 | |
| 02:25:32,591 --> 02:25:33,722 | |
| He is? | |
| 2345 | |
| 02:25:36,100 --> 02:25:37,561 | |
| Would you like to meet him? | |
| 2346 | |
| 02:25:39,906 --> 02:25:42,269 | |
| Sure. Um, I... | |
| I can have the studio set... | |
| 2347 | |
| 02:25:42,304 --> 02:25:45,470 | |
| Oh, no, no, no. | |
| I'm going to see him now. | |
| He's at the blockhouse. | |
| 2348 | |
| 02:25:47,309 --> 02:25:50,772 | |
| Where is that? | |
| It's just over the hill. | |
| 2349 | |
| 02:25:50,807 --> 02:25:54,281 | |
| A few minutes' drive. | |
| Wilson and I can | |
| take you there and back. | |
| 2350 | |
| 02:25:54,316 --> 02:25:56,580 | |
| It's the best party in town. | |
| [Chuckles] | |
| 2351 | |
| 02:25:58,287 --> 02:26:00,551 | |
| Mmm. | |
| 2352 | |
| 02:26:00,586 --> 02:26:04,258 | |
| It's, uh... it's very late | |
| and we have to go. | |
| Oh, no, no, it's worth it. | |
| 2353 | |
| 02:26:04,293 --> 02:26:05,897 | |
| I promise you. | |
| 2354 | |
| 02:26:05,932 --> 02:26:09,868 | |
| I mean, I appreciate it, | |
| but we have to go. | |
| Trust me. | |
| 2355 | |
| 02:26:09,903 --> 02:26:12,068 | |
| You'll never forget it. | |
| 2356 | |
| 02:26:36,160 --> 02:26:38,820 | |
| [The count] | |
| Um, what's this? | |
| 2357 | |
| 02:26:38,855 --> 02:26:41,493 | |
| [James] | |
| It's la's last real party. | |
| 2358 | |
| 02:26:41,528 --> 02:26:44,496 | |
| Wilson, bring that cash. | |
| 2359 | |
| 02:26:44,531 --> 02:26:46,498 | |
| This town | |
| has gotten so repressed. | |
| 2360 | |
| 02:26:46,533 --> 02:26:49,435 | |
| This is the only place left | |
| where you can have | |
| any fun these days. | |
| 2361 | |
| 02:26:52,473 --> 02:26:57,014 | |
| Welcome to the asshole | |
| of Los Angeles. | |
| 2362 | |
| 02:27:02,483 --> 02:27:05,715 | |
| [James whistling] | |
| 2363 | |
| 02:27:07,719 --> 02:27:12,161 | |
| [Drums beating] | |
| 2364 | |
| 02:27:16,629 --> 02:27:20,301 | |
| [Crowd cheering, chanting] | |
| 2365 | |
| 02:27:28,377 --> 02:27:30,883 | |
| [Cheering continues] | |
| 2366 | |
| 02:27:34,416 --> 02:27:37,153 | |
| He's two floors down! | |
| Follow me! | |
| 2367 | |
| 02:27:45,559 --> 02:27:48,428 | |
| [Blows landing, grunting] | |
| 2368 | |
| 02:27:53,864 --> 02:27:58,372 | |
| This city used to know | |
| how to have a good time. | |
| It's such a drag now. | |
| 2369 | |
| 02:27:58,407 --> 02:28:00,770 | |
| They still know | |
| how to party here, though. | |
| [Chuckles] | |
| 2370 | |
| 02:28:00,805 --> 02:28:04,906 | |
| ♪ <i>There's one pet I like to pet</i> | |
| <i>and every evening we get set</i> ♪ | |
| 2371 | |
| 02:28:04,941 --> 02:28:08,646 | |
| ♪ <i>I stroke it every chance I get</i> | |
| <i>it's my girl's pussy...</i> ♪ | |
| 2372 | |
| 02:28:08,681 --> 02:28:10,153 | |
| [Whipping] | |
| [Grunting, moaning] | |
| 2373 | |
| 02:28:10,188 --> 02:28:12,683 | |
| ♪ <i>Seldom plays</i> | |
| <i>and never purrs...</i> ♪ | |
| 2374 | |
| 02:28:12,718 --> 02:28:14,421 | |
| One more floor. | |
| 2375 | |
| 02:28:14,456 --> 02:28:16,819 | |
| ♪ <i>But I don't mind</i> | |
| <i>because it's hers</i> ♪ | |
| 2376 | |
| 02:28:16,854 --> 02:28:18,557 | |
| ♪ <i>my girl's pussy</i> ♪ | |
| 2377 | |
| 02:28:18,592 --> 02:28:20,823 | |
| [James] This is | |
| the kind of thing | |
| your industry needs. | |
| 2378 | |
| 02:28:20,858 --> 02:28:22,528 | |
| [Wilson hawks, spits] | |
| 2379 | |
| 02:28:22,563 --> 02:28:25,564 | |
| Hollywood has just | |
| become so stale. | |
| Don't you agree? | |
| 2380 | |
| 02:28:25,599 --> 02:28:29,535 | |
| [Song playing] | |
| 2381 | |
| 02:28:29,570 --> 02:28:32,802 | |
| [Sighs] | |
| Not this floor, either. | |
| 2382 | |
| 02:28:34,575 --> 02:28:37,543 | |
| Wilson, isn't he on tonight? | |
| [Wilson] Thought he was. | |
| 2383 | |
| 02:28:38,249 --> 02:28:40,183 | |
| Sir? | |
| 2384 | |
| 02:28:40,218 --> 02:28:44,385 | |
| It... it's very late. | |
| Oh, no, no, no, no. | |
| I promised you a sight. | |
| 2385 | |
| 02:28:44,420 --> 02:28:47,124 | |
| You're getting a sight. | |
| Let's try one more floor. | |
| 2386 | |
| 02:28:47,159 --> 02:28:50,490 | |
| [Song continues playing] | |
| 2387 | |
| 02:28:58,929 --> 02:29:01,798 | |
| Bear with me, fellas. | |
| Wait till you see this guy. | |
| 2388 | |
| 02:29:01,833 --> 02:29:04,570 | |
| I think we can | |
| make millions together! | |
| [Wilson hawks, spits] | |
| 2389 | |
| 02:29:05,507 --> 02:29:07,980 | |
| [Song continues playing] | |
| 2390 | |
| 02:29:09,940 --> 02:29:11,984 | |
| [Song stops] | |
| 2391 | |
| 02:29:19,422 --> 02:29:21,752 | |
| [Growls] | |
| [The count] Oh, shit! | |
| 2392 | |
| 02:29:21,787 --> 02:29:23,754 | |
| [Laughing] | |
| 2393 | |
| 02:29:23,789 --> 02:29:25,657 | |
| That was so good! | |
| 2394 | |
| 02:29:25,692 --> 02:29:28,462 | |
| Oh, come on, boys, | |
| it's just on the other side. | |
| 2395 | |
| 02:29:28,497 --> 02:29:30,035 | |
| It's worth it, I promise. | |
| 2396 | |
| 02:29:33,304 --> 02:29:34,633 | |
| [The count] Okay. | |
| 2397 | |
| 02:29:39,673 --> 02:29:43,015 | |
| Oh, yes. This is it. | |
| 2398 | |
| 02:29:44,942 --> 02:29:46,150 | |
| Yeah. | |
| 2399 | |
| 02:29:48,550 --> 02:29:52,321 | |
| [James vocalizes] | |
| 2400 | |
| 02:29:52,356 --> 02:29:54,686 | |
| Yes. I think I can hear him. | |
| 2401 | |
| 02:29:54,721 --> 02:29:55,786 | |
| Come on. | |
| 2402 | |
| 02:29:58,054 --> 02:30:00,494 | |
| Oh... | |
| [Crowd cheering, chanting] | |
| 2403 | |
| 02:30:00,529 --> 02:30:01,693 | |
| Yes. | |
| 2404 | |
| 02:30:05,831 --> 02:30:08,139 | |
| [Cheering, chanting continue] | |
| 2405 | |
| 02:30:08,174 --> 02:30:11,637 | |
| I'm so excited for you. | |
| You're gonna love him! | |
| 2406 | |
| 02:30:11,672 --> 02:30:15,113 | |
| Yes! Yes! | |
| He's the next big thing! | |
| 2407 | |
| 02:30:15,148 --> 02:30:16,642 | |
| Whoo! | |
| 2408 | |
| 02:30:16,677 --> 02:30:18,809 | |
| [Chanting] | |
| 2409 | |
| 02:30:20,747 --> 02:30:22,285 | |
| [James] | |
| Incredible, isn't he? | |
| 2410 | |
| 02:30:22,320 --> 02:30:25,189 | |
| You either are a star | |
| or you aren't. | |
| And he is! | |
| 2411 | |
| 02:30:27,721 --> 02:30:30,689 | |
| Watch what he does. | |
| It has to be seen | |
| to be believed. | |
| 2412 | |
| 02:30:30,724 --> 02:30:32,955 | |
| [Shushing] | |
| 2413 | |
| 02:30:33,727 --> 02:30:35,925 | |
| [Squeaking] | |
| 2414 | |
| 02:30:51,448 --> 02:30:53,349 | |
| Keep watching. | |
| 2415 | |
| 02:30:53,384 --> 02:30:55,252 | |
| [Crunching] | |
| 2416 | |
| 02:30:56,079 --> 02:30:57,716 | |
| [The count coughs] | |
| 2417 | |
| 02:31:00,490 --> 02:31:02,919 | |
| [Crowd gasps, murmuring] | |
| 2418 | |
| 02:31:02,954 --> 02:31:05,097 | |
| [Crowd cheering] | |
| 2419 | |
| 02:31:06,628 --> 02:31:10,630 | |
| [Laughing] | |
| Yes! Whoo! | |
| 2420 | |
| 02:31:10,665 --> 02:31:13,270 | |
| He's just made | |
| for the movies, isn't he? | |
| 2421 | |
| 02:31:13,305 --> 02:31:15,272 | |
| They found him | |
| in a forest in Oregon. | |
| 2422 | |
| 02:31:15,307 --> 02:31:18,209 | |
| He will do anything for cash. | |
| 2423 | |
| 02:31:19,036 --> 02:31:21,036 | |
| Wilson, quick, give me a 20. | |
| 2424 | |
| 02:31:28,947 --> 02:31:32,289 | |
| More! Eat another rat! | |
| 2425 | |
| 02:31:32,324 --> 02:31:34,423 | |
| Give me another one. | |
| 2426 | |
| 02:31:50,001 --> 02:31:51,242 | |
| It's fake. | |
| 2427 | |
| 02:31:52,641 --> 02:31:53,739 | |
| No. | |
| 2428 | |
| 02:31:54,280 --> 02:31:55,939 | |
| No, come on. | |
| 2429 | |
| 02:31:55,974 --> 02:31:58,777 | |
| Let... let me explain... | |
| We were gonna | |
| make movies together. | |
| 2430 | |
| 02:31:58,812 --> 02:32:00,746 | |
| Let-let-let me explain. | |
| Please. | |
| 2431 | |
| 02:32:00,781 --> 02:32:03,749 | |
| [Stammering] | |
| No, no, no, no, no! | |
| 2432 | |
| 02:32:03,784 --> 02:32:04,915 | |
| Hey, no, no, no, no! | |
| 2433 | |
| 02:32:05,720 --> 02:32:06,785 | |
| [Grunts] | |
| 2434 | |
| 02:32:08,393 --> 02:32:09,920 | |
| [Panting] | |
| 2435 | |
| 02:32:09,955 --> 02:32:11,295 | |
| [Groans] | |
| 2436 | |
| 02:32:17,633 --> 02:32:19,996 | |
| What the fuck? | |
| 2437 | |
| 02:32:22,308 --> 02:32:23,637 | |
| Back off! Back off! | |
| 2438 | |
| 02:32:23,672 --> 02:32:25,441 | |
| [Gunshots] | |
| 2439 | |
| 02:32:25,476 --> 02:32:28,675 | |
| [Shouting] | |
| 2440 | |
| 02:32:28,710 --> 02:32:30,809 | |
| [Bullets ricocheting] | |
| 2441 | |
| 02:32:35,145 --> 02:32:36,145 | |
| [Grunting] | |
| 2442 | |
| 02:32:38,885 --> 02:32:42,458 | |
| [Song continues playing] | |
| 2443 | |
| 02:32:42,493 --> 02:32:44,889 | |
| [Panting, grunting] | |
| 2444 | |
| 02:32:46,222 --> 02:32:49,333 | |
| [Crowd shouting] | |
| 2445 | |
| 02:32:54,901 --> 02:32:56,835 | |
| [Shouting] | |
| [Gunshots] | |
| 2446 | |
| 02:33:03,382 --> 02:33:05,041 | |
| [Engine starts] | |
| 2447 | |
| 02:33:09,080 --> 02:33:12,488 | |
| Oh, shit! Go! God! | |
| [Speaking Spanish] | |
| 2448 | |
| 02:33:13,051 --> 02:33:15,018 | |
| [Panting] | |
| 2449 | |
| 02:33:15,053 --> 02:33:17,361 | |
| [Soft jazz playing] | |
| 2450 | |
| 02:33:19,189 --> 02:33:22,190 | |
| [Lewis] You have to see dresden. | |
| It's the most beautiful city | |
| in Germany. | |
| 2451 | |
| 02:33:22,225 --> 02:33:24,676 | |
| [Rebecca] Jack said he was gonna | |
| take me to Greece. | |
| [Lewis] Greece? | |
| 2452 | |
| 02:33:24,700 --> 02:33:26,535 | |
| Isn't that right, honey? | |
| That's right. | |
| 2453 | |
| 02:33:26,570 --> 02:33:28,702 | |
| The architecture is amazing. | |
| You'll love it. | |
| 2454 | |
| 02:33:28,737 --> 02:33:30,935 | |
| Santoríni. | |
| [Rebecca] | |
| I hear it's so beautiful. | |
| 2455 | |
| 02:33:31,542 --> 02:33:33,410 | |
| Fay! | |
| Jack. | |
| 2456 | |
| 02:33:33,445 --> 02:33:35,577 | |
| [Speaks Italian] | |
| 2457 | |
| 02:33:35,612 --> 02:33:38,811 | |
| Folks, I'd like to introduce you | |
| to the wild and wonderful | |
| lady fay. | |
| 2458 | |
| 02:33:38,846 --> 02:33:40,813 | |
| This is Rebecca. | |
| This is Lewis. | |
| 2459 | |
| 02:33:40,848 --> 02:33:42,485 | |
| How do you do? | |
| [Rebecca] Hello. | |
| 2460 | |
| 02:33:42,520 --> 02:33:44,091 | |
| How do you do? | |
| [Jack] What's your excuse? | |
| 2461 | |
| 02:33:44,115 --> 02:33:45,686 | |
| Just wandering through? | |
| 2462 | |
| 02:33:45,721 --> 02:33:48,326 | |
| Mmm. Something like that. | |
| Let me get you a drink. | |
| 2463 | |
| 02:33:48,361 --> 02:33:50,394 | |
| Were you shooting? | |
| No. | |
| 2464 | |
| 02:33:50,429 --> 02:33:52,253 | |
| Just wanted some air. | |
| 2465 | |
| 02:33:52,288 --> 02:33:53,727 | |
| What's next? | |
| 2466 | |
| 02:33:53,762 --> 02:33:56,092 | |
| I'm going to Europe, | |
| actually. | |
| Are you? | |
| 2467 | |
| 02:33:56,127 --> 02:33:57,632 | |
| Yeah, pathé wants me. | |
| 2468 | |
| 02:33:57,667 --> 02:34:01,372 | |
| That's great! | |
| Pathé's got really good taste. | |
| 2469 | |
| 02:34:01,407 --> 02:34:02,439 | |
| Thank you. | |
| 2470 | |
| 02:34:02,474 --> 02:34:04,001 | |
| Jack's back! | |
| 2471 | |
| 02:34:04,509 --> 02:34:06,377 | |
| Way to go, Jack! | |
| 2472 | |
| 02:34:07,743 --> 02:34:09,380 | |
| [Sighs, chuckles] | |
| 2473 | |
| 02:34:09,415 --> 02:34:11,745 | |
| So how's your movie? | |
| It's shit. | |
| 2474 | |
| 02:34:13,419 --> 02:34:16,145 | |
| Another giant swing | |
| at mediocrity. | |
| 2475 | |
| 02:34:17,280 --> 02:34:19,753 | |
| Well, the girl seems nice. | |
| 2476 | |
| 02:34:21,460 --> 02:34:22,492 | |
| She is. | |
| 2477 | |
| 02:34:24,595 --> 02:34:28,124 | |
| And she has no idea | |
| it'll end like all the others. | |
| 2478 | |
| 02:34:28,159 --> 02:34:29,994 | |
| You like her? | |
| 2479 | |
| 02:34:30,029 --> 02:34:31,094 | |
| No. | |
| 2480 | |
| 02:34:33,967 --> 02:34:35,637 | |
| You might want to save her. | |
| 2481 | |
| 02:34:45,616 --> 02:34:47,682 | |
| You okay, sweetie? | |
| 2482 | |
| 02:34:57,122 --> 02:34:59,958 | |
| It was the most magical place | |
| in the world, wasn't it? | |
| 2483 | |
| 02:35:02,897 --> 02:35:03,929 | |
| It was. | |
| 2484 | |
| 02:35:03,964 --> 02:35:06,866 | |
| Another set, another review. | |
| 2485 | |
| 02:35:07,836 --> 02:35:10,166 | |
| Another romance, | |
| another breakup. | |
| 2486 | |
| 02:35:12,544 --> 02:35:14,302 | |
| I'm tired, fay. | |
| 2487 | |
| 02:35:24,182 --> 02:35:25,555 | |
| It's okay. | |
| 2488 | |
| 02:35:27,350 --> 02:35:30,791 | |
| [Clicks tongue] It's okay. | |
| I've been the luckiest bastard | |
| in the world. | |
| 2489 | |
| 02:35:33,323 --> 02:35:36,698 | |
| I had a good run, didn't I? | |
| Hmm? | |
| You sure did. | |
| 2490 | |
| 02:35:37,360 --> 02:35:39,063 | |
| Yeah. I enjoyed that. | |
| 2491 | |
| 02:35:41,034 --> 02:35:43,199 | |
| I gotta run, sweetie. | |
| Yep. | |
| 2492 | |
| 02:35:43,234 --> 02:35:47,302 | |
| It was so good to see you, fay. | |
| You're gonna do great things | |
| in Europe. | |
| 2493 | |
| 02:35:47,337 --> 02:35:49,843 | |
| You were always | |
| one of the good ones. | |
| Thank you. | |
| 2494 | |
| 02:35:56,247 --> 02:35:58,313 | |
| Ciao, my love. | |
| Ciao. | |
| 2495 | |
| 02:36:01,021 --> 02:36:03,692 | |
| See you in venice. | |
| See you in Prague. | |
| [Fay chuckles] | |
| 2496 | |
| 02:36:35,627 --> 02:36:37,726 | |
| I'm gonna go get those cigars. | |
| 2497 | |
| 02:36:46,704 --> 02:36:51,575 | |
| Hey, you do a great job. | |
| What's the best tip | |
| you've ever received? | |
| 2498 | |
| 02:36:51,610 --> 02:36:53,203 | |
| Fifty dollars. | |
| 2499 | |
| 02:36:53,238 --> 02:36:54,710 | |
| Who gave you that? | |
| 2500 | |
| 02:36:54,745 --> 02:36:56,745 | |
| You did, Mr. Conrad. | |
| 2501 | |
| 02:36:58,782 --> 02:37:02,146 | |
| It's on you now, kid. | |
| The future's yours. | |
| 2502 | |
| 02:37:20,397 --> 02:37:22,573 | |
| [Whistles] | |
| 2503 | |
| 02:38:19,698 --> 02:38:20,565 | |
| [Gun cocks] | |
| 2504 | |
| 02:38:20,600 --> 02:38:22,160 | |
| [Gunshot] | |
| [Body falls] | |
| 2505 | |
| 02:38:36,913 --> 02:38:39,474 | |
| They're looking for us. | |
| Get up. | |
| I don't feel good. | |
| 2506 | |
| 02:38:39,509 --> 02:38:41,619 | |
| We are going to Mexico, | |
| Nellie. | |
| Mexico? | |
| 2507 | |
| 02:38:41,654 --> 02:38:44,655 | |
| Get dressed. We are going now. | |
| I'm not going to Mexico. | |
| Are you crazy? | |
| 2508 | |
| 02:38:44,690 --> 02:38:46,316 | |
| They are going to | |
| fucking kill us, okay? | |
| 2509 | |
| 02:38:46,351 --> 02:38:47,999 | |
| I fucked up. | |
| Go hit a<i> piñata</i> | |
| if you're homesick. | |
| 2510 | |
| 02:38:48,023 --> 02:38:50,694 | |
| Nellie, get dressed | |
| and get in the fucking car, now! | |
| 2511 | |
| 02:38:50,729 --> 02:38:53,928 | |
| Manny, you're scaring me. | |
| I need another hit. | |
| 2512 | |
| 02:38:54,898 --> 02:38:56,898 | |
| Okay, I feel better. | |
| 2513 | |
| 02:38:56,933 --> 02:38:58,669 | |
| Oh, hi. Do you have any coke? | |
| 2514 | |
| 02:38:58,704 --> 02:39:00,231 | |
| [The count] | |
| Yeah, I've actually got... | |
| 2515 | |
| 02:39:00,266 --> 02:39:01,881 | |
| Don't give her anything, | |
| <i>pendejo.</i> Anything! | |
| 2516 | |
| 02:39:01,905 --> 02:39:03,498 | |
| Fine, I won't! | |
| 2517 | |
| 02:39:06,877 --> 02:39:08,569 | |
| Get everything you need. | |
| We get gas. | |
| 2518 | |
| 02:39:08,604 --> 02:39:10,648 | |
| See you in ten minutes,<i> cabrón.</i> | |
| Ten minutes. | |
| 2519 | |
| 02:39:10,683 --> 02:39:12,716 | |
| And some pills, please? | |
| 2520 | |
| 02:39:16,216 --> 02:39:17,886 | |
| Stop it. | |
| Stop messing with the... | |
| 2521 | |
| 02:39:17,921 --> 02:39:20,449 | |
| Suck a dick, señor avocado. | |
| 2522 | |
| 02:39:20,484 --> 02:39:23,584 | |
| We need a fucking | |
| gas station, now. | |
| "We need a gas station, now." | |
| 2523 | |
| 02:39:23,619 --> 02:39:27,258 | |
| Yeah, we fucking need... | |
| "Blah, blah, blah, | |
| blah, blah." | |
| 2524 | |
| 02:39:27,293 --> 02:39:28,732 | |
| There! | |
| There's gas. | |
| 2525 | |
| 02:39:28,767 --> 02:39:30,327 | |
| Fuck!<i> ¡puta madre!</i> | |
| 2526 | |
| 02:39:30,362 --> 02:39:33,297 | |
| It's closed. | |
| I know it's closed! | |
| 2527 | |
| 02:39:33,332 --> 02:39:37,301 | |
| You know what we should do? | |
| We should go dancing! | |
| Manny! Oh, my... | |
| 2528 | |
| 02:39:38,205 --> 02:39:39,908 | |
| We could dance up here. | |
| 2529 | |
| 02:39:39,943 --> 02:39:41,569 | |
| [Speaks Spanish] | |
| 2530 | |
| 02:39:41,604 --> 02:39:44,077 | |
| Manny! Manny, come up here. | |
| 2531 | |
| 02:39:44,112 --> 02:39:46,948 | |
| Manny! Come on, it's fun. | |
| 2532 | |
| 02:39:46,983 --> 02:39:48,785 | |
| No, it's not fun. | |
| Yes, it is. | |
| 2533 | |
| 02:39:48,820 --> 02:39:50,787 | |
| It's not fun. | |
| We can have fun. | |
| 2534 | |
| 02:39:50,822 --> 02:39:53,251 | |
| [Speaks Spanish] | |
| 2535 | |
| 02:39:53,286 --> 02:39:54,219 | |
| [Both shout] | |
| 2536 | |
| 02:39:54,254 --> 02:39:55,254 | |
| [Tires screech] | |
| 2537 | |
| 02:39:59,765 --> 02:40:00,995 | |
| Nellie? | |
| 2538 | |
| 02:40:01,866 --> 02:40:03,261 | |
| Nellie! | |
| 2539 | |
| 02:40:04,968 --> 02:40:07,705 | |
| Maybe they got dancing here! | |
| Come on! | |
| 2540 | |
| 02:40:08,972 --> 02:40:10,840 | |
| [Speaking Spanish] | |
| 2541 | |
| 02:40:15,847 --> 02:40:17,539 | |
| Nellie. | |
| 2542 | |
| 02:40:17,574 --> 02:40:19,277 | |
| Nellie! | |
| [People chattering, cheering] | |
| 2543 | |
| 02:40:19,312 --> 02:40:20,949 | |
| Manny! | |
| 2544 | |
| 02:40:41,980 --> 02:40:44,442 | |
| Nellie, we have to leave now! | |
| 2545 | |
| 02:40:44,469 --> 02:40:46,281 | |
| [Speaking Spanish] | |
| We're going! | |
| 2546 | |
| 02:40:46,306 --> 02:40:48,746 | |
| I'm staying, Manny. | |
| I'm not moving. | |
| No, no, no, no. | |
| 2547 | |
| 02:40:48,781 --> 02:40:50,946 | |
| You know what happen | |
| if they find us. | |
| 2548 | |
| 02:40:50,981 --> 02:40:53,718 | |
| Why are you doing this, | |
| <i>carajo?</i> Why? | |
| 2549 | |
| 02:40:55,046 --> 02:40:56,637 | |
| [Speaking Spanish] | |
| Tell me! | |
| 2550 | |
| 02:40:57,106 --> 02:40:59,525 | |
| Don't you know they're going to kill us? | |
| 2551 | |
| 02:41:01,069 --> 02:41:02,429 | |
| Wake up! | |
| 2552 | |
| 02:41:02,454 --> 02:41:04,190 | |
| Manny, I shouldn't... | |
| 2553 | |
| 02:41:04,225 --> 02:41:06,192 | |
| I shouldn't have | |
| asked you to help me. | |
| 2554 | |
| 02:41:06,227 --> 02:41:08,194 | |
| Let me help. I want to help. | |
| 2555 | |
| 02:41:08,229 --> 02:41:11,296 | |
| We can go to Mexico, Nellie. | |
| And we can be happy. | |
| 2556 | |
| 02:41:11,331 --> 02:41:13,903 | |
| But we have to leave now. | |
| Manny. Manny. | |
| 2557 | |
| 02:41:16,842 --> 02:41:19,942 | |
| It's the end of the road for me. | |
| This is it for me. | |
| 2558 | |
| 02:41:19,977 --> 02:41:22,010 | |
| <i>Cállate.</i> | |
| 2559 | |
| 02:41:22,045 --> 02:41:23,143 | |
| It's not. | |
| 2560 | |
| 02:41:24,377 --> 02:41:26,311 | |
| I'm at peace with that. | |
| 2561 | |
| 02:41:26,346 --> 02:41:28,313 | |
| [Speaking Spanish] | |
| 2562 | |
| 02:41:28,348 --> 02:41:31,283 | |
| I'm not mad anymore. | |
| Manny... | |
| 2563 | |
| 02:41:31,318 --> 02:41:34,550 | |
| Nellie,<i> cállate.</i> | |
| You go to Mexico without me. | |
| 2564 | |
| 02:41:34,585 --> 02:41:38,686 | |
| What the fuck I'm gonna do | |
| without you? I'm not going | |
| anywhere without you! | |
| 2565 | |
| 02:41:38,721 --> 02:41:40,457 | |
| [Sniffles, speaking Spanish] | |
| 2566 | |
| 02:41:42,868 --> 02:41:43,999 | |
| Manny... | |
| 2567 | |
| 02:41:44,034 --> 02:41:45,264 | |
| <i>Te amo.</i> | |
| 2568 | |
| 02:41:46,531 --> 02:41:48,003 | |
| <i>Te amo,</i> Nellie. | |
| 2569 | |
| 02:41:48,038 --> 02:41:50,874 | |
| [Speaking Spanish] | |
| 2570 | |
| 02:41:54,077 --> 02:41:55,780 | |
| [Crying] | |
| What have I done? | |
| 2571 | |
| 02:41:56,849 --> 02:41:59,212 | |
| I don't think I'm good for you. | |
| 2572 | |
| 02:42:01,447 --> 02:42:03,546 | |
| I don't think | |
| I'm very good for you. | |
| 2573 | |
| 02:42:03,581 --> 02:42:05,416 | |
| Nellie, I want to marry you. | |
| 2574 | |
| 02:42:05,451 --> 02:42:07,891 | |
| I want to make you so happy | |
| every day. | |
| 2575 | |
| 02:42:07,926 --> 02:42:10,388 | |
| Okay, it's my only job. | |
| From now on. | |
| 2576 | |
| 02:42:10,423 --> 02:42:12,060 | |
| But we have to leave now. | |
| 2577 | |
| 02:42:20,939 --> 02:42:22,367 | |
| Okay. | |
| 2578 | |
| 02:42:22,402 --> 02:42:24,875 | |
| I just want to be with you. | |
| Okay. | |
| 2579 | |
| 02:42:26,076 --> 02:42:27,603 | |
| Okay, we'll... | |
| 2580 | |
| 02:42:28,243 --> 02:42:29,814 | |
| Okay, we'll... | |
| 2581 | |
| 02:42:29,849 --> 02:42:32,476 | |
| We'll go to Mexico. | |
| We'll go... | |
| 2582 | |
| 02:42:32,511 --> 02:42:34,412 | |
| We'll go to the border | |
| and we'll go down south | |
| 2583 | |
| 02:42:34,447 --> 02:42:37,921 | |
| and we'll get married | |
| and we'll have kids and... | |
| 2584 | |
| 02:42:37,956 --> 02:42:39,582 | |
| It'll be you and me, okay? | |
| 2585 | |
| 02:42:43,896 --> 02:42:44,928 | |
| Okay. | |
| 2586 | |
| 02:42:46,195 --> 02:42:48,393 | |
| Okay. | |
| [Host speaking Spanish] | |
| 2587 | |
| 02:42:48,428 --> 02:42:50,901 | |
| [Crowd cheering, applauding] | |
| <i>Te amo,</i> Nellie. | |
| 2588 | |
| 02:42:50,936 --> 02:42:52,430 | |
| I love you, Manny. | |
| 2589 | |
| 02:42:52,465 --> 02:42:54,839 | |
| [Upbeat jazz playing] | |
| 2590 | |
| 02:42:59,945 --> 02:43:02,979 | |
| Hey, you two with the camera! | |
| Do you know who I am? | |
| 2591 | |
| 02:43:03,014 --> 02:43:05,344 | |
| I'm Nellie laroy, bitches. | |
| 2592 | |
| 02:43:05,379 --> 02:43:09,414 | |
| Holy shit, that is Nellie laroy. | |
| That's Nellie fucking laroy. | |
| Come here. | |
| 2593 | |
| 02:43:09,449 --> 02:43:12,087 | |
| This is my husband-to-be, | |
| Manny torres. | |
| 2594 | |
| 02:43:12,683 --> 02:43:14,353 | |
| Wait. Sorry? | |
| 2595 | |
| 02:43:14,388 --> 02:43:16,157 | |
| [Laughing] | |
| We're gonna get married. | |
| 2596 | |
| 02:43:16,929 --> 02:43:18,621 | |
| We're gonna get married? | |
| 2597 | |
| 02:43:18,656 --> 02:43:20,896 | |
| [Photographer] | |
| Are... are you really | |
| gonna be her husband? | |
| 2598 | |
| 02:43:23,166 --> 02:43:24,792 | |
| Yes. Yeah. | |
| 2599 | |
| 02:43:24,827 --> 02:43:27,630 | |
| Congratulations! | |
| Get a shot. | |
| Get it, get it, get it. | |
| 2600 | |
| 02:43:29,370 --> 02:43:31,139 | |
| [Camera whirring] | |
| 2601 | |
| 02:43:58,938 --> 02:44:01,301 | |
| [Engine off] | |
| [Manny] | |
| Do you need anything? | |
| 2602 | |
| 02:44:01,336 --> 02:44:03,600 | |
| You go grab him. | |
| I'm good. | |
| 2603 | |
| 02:44:04,735 --> 02:44:06,339 | |
| <i>Te amo,</i> Nellie. | |
| 2604 | |
| 02:44:06,374 --> 02:44:08,176 | |
| I love you, Manny. | |
| 2605 | |
| 02:44:27,032 --> 02:44:28,856 | |
| Ain't life grand. | |
| 2606 | |
| 02:44:43,048 --> 02:44:46,412 | |
| [Humming faintly] | |
| 2607 | |
| 02:45:32,097 --> 02:45:34,559 | |
| [Knocks on door] | |
| [The count] Hey. Hey. | |
| 2608 | |
| 02:45:34,594 --> 02:45:36,858 | |
| I'm sorry. | |
| It was hard to find gas. | |
| 2609 | |
| 02:45:36,893 --> 02:45:40,466 | |
| Yeah, well, | |
| I got everything we need. | |
| This is my roommate, Kyle. | |
| 2610 | |
| 02:45:41,172 --> 02:45:42,798 | |
| Hey. | |
| [Manny] Hi. | |
| 2611 | |
| 02:45:42,833 --> 02:45:44,712 | |
| You need anything? | |
| I'm gonna fill this | |
| real quick. | |
| 2612 | |
| 02:45:44,736 --> 02:45:46,934 | |
| No,<i> gracias.</i> Let's go. | |
| 2613 | |
| 02:45:56,847 --> 02:45:57,847 | |
| [Door slams open] | |
| 2614 | |
| 02:46:00,950 --> 02:46:03,258 | |
| [Gun hammer clicking] | |
| [Manny panting, whimpering] | |
| 2615 | |
| 02:46:07,528 --> 02:46:08,857 | |
| [Gun clicks] | |
| 2616 | |
| 02:46:10,025 --> 02:46:13,499 | |
| No. No, no, no, no. | |
| No. No, no. | |
| 2617 | |
| 02:46:13,534 --> 02:46:14,632 | |
| Don't kill me. | |
| 2618 | |
| 02:46:14,667 --> 02:46:16,535 | |
| [Crying, speaking Spanish] | |
| 2619 | |
| 02:46:21,212 --> 02:46:22,937 | |
| Please don't kill me. | |
| 2620 | |
| 02:46:22,972 --> 02:46:27,150 | |
| I'm nobody. I'm nobody. | |
| <i>Que soy mexicano.</i> | |
| 2621 | |
| 02:46:27,185 --> 02:46:30,681 | |
| I can leave. Please, please. | |
| 2622 | |
| 02:46:30,716 --> 02:46:32,683 | |
| [Mutters in Spanish] | |
| 2623 | |
| 02:46:33,389 --> 02:46:35,818 | |
| I'm sorry. [Sobbing] | |
| 2624 | |
| 02:46:35,853 --> 02:46:37,127 | |
| I'm sorry. | |
| 2625 | |
| 02:46:40,891 --> 02:46:42,627 | |
| Get the fuck out of la. | |
| 2626 | |
| 02:46:46,501 --> 02:46:47,566 | |
| Disappear. | |
| 2627 | |
| 02:47:01,351 --> 02:47:02,647 | |
| Nellie. Nellie? | |
| 2628 | |
| 02:47:05,157 --> 02:47:06,255 | |
| Nellie? | |
| 2629 | |
| 02:47:07,192 --> 02:47:08,257 | |
| Nellie! | |
| 2630 | |
| 02:47:09,524 --> 02:47:12,019 | |
| Nellie! Nellie! | |
| 2631 | |
| 02:47:17,862 --> 02:47:19,730 | |
| Oh, fuck! | |
| 2632 | |
| 02:47:19,765 --> 02:47:20,929 | |
| [Engine starts] | |
| 2633 | |
| 02:47:22,372 --> 02:47:23,899 | |
| [Tires squeal] | |
| 2634 | |
| 02:47:33,218 --> 02:47:35,845 | |
| [Club host] | |
| <i>And introducing tonight,</i> | |
| 2635 | |
| 02:47:35,880 --> 02:47:39,079 | |
| <i>a new addition | |
| to the hart café band.</i> | |
| 2636 | |
| 02:47:39,114 --> 02:47:43,919 | |
| <i>Fresh from pictures,</i> | |
| <i>Mr. Sidney Palmer</i> | |
| <i>on the trumpet.</i> | |
| 2637 | |
| 02:47:43,954 --> 02:47:46,328 | |
| [Audience cheering, applauding] | |
| 2638 | |
| 02:47:52,061 --> 02:47:56,338 | |
| Hey, sid. | |
| You want to say a few words? | |
| 2639 | |
| 02:47:56,373 --> 02:48:01,101 | |
| Thank you, Tom. Um, | |
| I just would like to say to you | |
| how happy I am to be here. | |
| 2640 | |
| 02:48:01,136 --> 02:48:03,246 | |
| You all are such | |
| a beautiful, lovely crowd. | |
| 2641 | |
| 02:48:03,281 --> 02:48:05,105 | |
| So thank you. | |
| 2642 | |
| 02:48:05,140 --> 02:48:08,152 | |
| If I can, I'd like to, uh, | |
| play something | |
| that I used to play | |
| 2643 | |
| 02:48:08,821 --> 02:48:10,781 | |
| back in... back in the days. | |
| 2644 | |
| 02:48:11,784 --> 02:48:13,256 | |
| I hope you all enjoy it. | |
| 2645 | |
| 02:48:14,787 --> 02:48:17,788 | |
| [Slow jazz playing] | |
| 2646 | |
| 02:48:49,393 --> 02:48:51,855 | |
| [Slow jazz continues playing] | |
| 2647 | |
| 02:49:23,856 --> 02:49:25,526 | |
| [No audible dialogue] | |
| 2648 | |
| 02:50:05,062 --> 02:50:07,029 | |
| [Song ends] | |
| 2649 | |
| 02:50:07,064 --> 02:50:09,471 | |
| [Car horns honking] | |
| 2650 | |
| 02:50:27,718 --> 02:50:29,084 | |
| [Speaking Spanish] | |
| This is it. | |
| 2651 | |
| 02:50:29,803 --> 02:50:30,934 | |
| What do you think? | |
| 2652 | |
| 02:50:31,505 --> 02:50:33,176 | |
| That's where I used to work. | |
| 2653 | |
| 02:50:35,400 --> 02:50:36,531 | |
| Passes, sir? | |
| 2654 | |
| 02:50:36,566 --> 02:50:38,126 | |
| We're just looking. | |
| Thank you. | |
| 2655 | |
| 02:50:39,404 --> 02:50:41,063 | |
| <i>Hola.</i> hi. | |
| 2656 | |
| 02:50:41,673 --> 02:50:43,248 | |
| [Speaking Spanish] | |
| I used to work here. | |
| 2657 | |
| 02:50:44,484 --> 02:50:45,944 | |
| A long time ago. | |
| 2658 | |
| 02:50:46,804 --> 02:50:48,372 | |
| I started here last year. | |
| 2659 | |
| 02:50:48,397 --> 02:50:49,565 | |
| You like it? | |
| 2660 | |
| 02:50:50,125 --> 02:50:51,927 | |
| It's okay. | |
| Yeah? | |
| 2661 | |
| 02:50:52,159 --> 02:50:53,744 | |
| They make anything good these days? | |
| 2662 | |
| 02:50:53,769 --> 02:50:55,730 | |
| - You don't go to the movies? | |
| - Not much anymore. | |
| 2663 | |
| 02:50:55,755 --> 02:50:59,050 | |
| I own an audio shop in New York. | |
| Radios, that kind of thing. | |
| 2664 | |
| 02:50:59,249 --> 02:51:00,334 | |
| New York? | |
| 2665 | |
| 02:51:01,877 --> 02:51:03,837 | |
| It's her first time in L.A. | |
| 2666 | |
| 02:51:03,921 --> 02:51:05,005 | |
| Oh yeah? | |
| 2667 | |
| 02:51:05,547 --> 02:51:06,924 | |
| Nice talking to you. | |
| 2668 | |
| 02:51:07,007 --> 02:51:08,300 | |
| You too. | |
| 2669 | |
| 02:51:08,982 --> 02:51:10,502 | |
| [Child speaking Spanish] | |
| I'm bored. | |
| 2670 | |
| 02:51:11,862 --> 02:51:12,946 | |
| Really? | |
| 2671 | |
| 02:51:15,050 --> 02:51:16,475 | |
| [Spouse speaking Spanish] | |
| So early? | |
| 2672 | |
| 02:51:16,633 --> 02:51:18,108 | |
| - Let's go. | |
| - No, you stay. | |
| 2673 | |
| 02:51:18,133 --> 02:51:20,646 | |
| I'll take her to the hotel. | |
| 2674 | |
| 02:51:20,729 --> 02:51:22,064 | |
| We'll eat some ice cream. | |
| 2675 | |
| 02:51:22,139 --> 02:51:26,009 | |
| [Spanish continues] | |
| 2676 | |
| 02:51:34,151 --> 02:51:35,491 | |
| Adios. | |
| Bye. | |
| 2677 | |
| 02:52:14,994 --> 02:52:17,962 | |
| [Horn honking] | |
| 2678 | |
| 02:52:24,168 --> 02:52:25,233 | |
| Fifty cents. | |
| 2679 | |
| 02:52:29,811 --> 02:52:30,876 | |
| Thank you. | |
| 2680 | |
| 02:57:52,727 --> 02:57:54,265 | |
| [Nellie]<i> Tell me why.</i> | |
| 2681 | |
| 02:57:54,300 --> 02:57:56,531 | |
| [Manny]<i> Why?</i> | |
| [Nellie]<i> Yeah, tell me why.</i> | |
| 2682 | |
| 02:57:56,566 --> 02:57:58,973 | |
| <i>I don't know, uh, why.</i> | |
| 2683 | |
| 02:57:59,008 --> 02:58:01,536 | |
| <i>I just want to be part | |
| of something bigger.</i> | |
| 2684 | |
| 02:58:01,571 --> 02:58:03,175 | |
| <i>To be part of | |
| something important,</i> | |
| 2685 | |
| 02:58:03,210 --> 02:58:04,913 | |
| <i>something that lasts, | |
| that means something.</i> | |