Question: Under which President was the Tenure of Office Act repealed?

Answer: Grover Cleveland

for the dismissal of senior Cabinet officials. When Johnson deliberately violated the Act, which he felt was unconstitutional (Supreme Court decisions later vindicated such a position), the House of Representatives impeached him; he was acquitted in the Senate by one vote. Johnson's impeachment was perceived to have done great damage to the presidency, which came to be almost subordinate to Congress. Some believed that the president would become a mere figurehead, with the Speaker of the House of Representatives becoming a "de facto" prime minister. Grover Cleveland, the first Democratic President following Johnson, attempted to restore the power of his


Question: Which President attempted to pack the supreme court?

Answer: Franklin Roosevelt

Court for the first time struck down a Congressional delegation of power as violative of the doctrine of separation of powers. The aforementioned "Schechter Poultry Corp. v. United States", another separation of powers case, was also decided during Franklin Roosevelt's presidency. In response to many unfavorable Supreme Court decisions, Roosevelt introduced a "Court Packing" plan, under which more seats would be added to the Supreme Court for the president to fill. Such a plan (which was defeated in Congress) would have seriously undermined the judiciary's independence and power. Richard Nixon used national security as a basis for his expansion of


Question: Who had granted Franklin Roosevelt sweeping authority during the great depression?

Answer: Congress

Court for the first time struck down a Congressional delegation of power as violative of the doctrine of separation of powers. The aforementioned "Schechter Poultry Corp. v. United States", another separation of powers case, was also decided during Franklin Roosevelt's presidency. In response to many unfavorable Supreme Court decisions, Roosevelt introduced a "Court Packing" plan, under which more seats would be added to the Supreme Court for the president to fill. Such a plan (which was defeated in Congress) would have seriously undermined the judiciary's independence and power. Richard Nixon used national security as a basis for his expansion of


Question: Under what basis did Richard Nixon assert an expansion of the power of the President?

Answer: national security

successors have sometimes asserted that they may act in the interests of national security or that executive privilege shields them from Congressional oversight. Though such claims have in general been more limited than Nixon's, one may still conclude that the presidency's power has been greatly augmented since the 18th and 19th centuries. Many political scientists believe that separation of powers is a decisive factor in what they see as a limited degree of American exceptionalism. In particular, John W. Kingdon made this argument, claiming that separation of powers contributed to the development of a unique political structure in the United


Question: What term is used when one branch of government must get approval from at least one other branch of government?

Answer: checks and balances

precedents. Many legislators hold the view that separation of powers means that powers are shared among different branches; no one branch may act unilaterally on issues (other than perhaps minor questions), but must obtain some form of agreement across branches. That is, it is argued that "checks and balances" apply to the Judicial branch as well as to the other branches—for example, in the regulation of attorneys and judges, and the establishment by Congress of rules for the conduct of federal courts, and by state legislatures for state courts. Although in practice these matters are delegated to the Supreme Court,


Question: Who has congress delegated the responsibility of establishing the rules of conduct for the courts to?

Answer: the Supreme Court

the Congress holds these powers and delegates them to the Supreme Court only for convenience in light of the Supreme Court's expertise, but can withdraw that delegation at any time. On the other side of this debate, many judges hold the view that separation of powers means that the Judiciary is independent and untouchable within the judicial sphere. In this view, separation of powers means that the Judiciary alone holds all powers relative to the judicial function and that the Legislative and Executive branches may not interfere in any aspect of the Judicial branch. An example of the second view


Question: Who may license and regulate attorneys in Florida?

Answer: the Florida Supreme Court

at the state level is found in the Florida Supreme Court holding that only the Florida Supreme Court may license and regulate attorneys appearing before the courts of Florida, and only the Florida Supreme Court may set rules for procedures in the Florida courts. The State of New Hampshire also follows this system. Separation of powers under the United States Constitution Separation of powers is a political doctrine originating in the writings of Charles de Secondat, Baron de Montesquieu in "The Spirit of the Laws", in which he argued for a constitutional government with three separate branches, each of which


Question: Who sets the procedures to be followed in the Florida court system?

Answer: the Florida Supreme Court

at the state level is found in the Florida Supreme Court holding that only the Florida Supreme Court may license and regulate attorneys appearing before the courts of Florida, and only the Florida Supreme Court may set rules for procedures in the Florida courts. The State of New Hampshire also follows this system. Separation of powers under the United States Constitution Separation of powers is a political doctrine originating in the writings of Charles de Secondat, Baron de Montesquieu in "The Spirit of the Laws", in which he argued for a constitutional government with three separate branches, each of which


Question: What is the latin word for architecture?

Answer: Architectural

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: What is the Latin word for architecture?

Answer: architectura

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: What do you call the planning and building of buildings?

Answer: Architecture

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: What structures can be viewed as both works of art and symbols of certain cultures?

Answer: Architectural works

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: Civilizations from the past cane often be identified by what surviving structures?

Answer: architectural achievements

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: In what language does the word "architecture" have its origins?

Answer: Greek

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: Architecture involves the creation of what?

Answer: buildings and other physical structures

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: Aside from symbolizing cultures, what else are architectural works thought of as?

Answer: as works of art

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: What can extant architectural works be used to identify?

Answer: Historical civilizations

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: What is the oldest architecture plans that has survived?

Answer: De architectura

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: Who created the oldest surviving architecture plans?

Answer: Roman architect Vitruvius

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What is the first known extant writing about architecture called?

Answer: De architectura

Architecture Architecture is both the process and the product of planning, designing, and constructing buildings or any other structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. Architecture (Latin "architectura", from the Greek ἀρχιτέκτων "arkhitekton" "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architecture can mean: The earliest surviving written work on the subject of architecture is "De architectura", by the Roman architect


Question: Who was the author of  De architectura?

Answer: Vitruvius

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: What was Vitruvius' profession?

Answer: architect

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: What were Vitruvius' three principles for a well made building?

Answer: firmitas, utilitas, venustas

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: What is the commonly seen English translation of the three principles?

Answer: firmness, commodity and delight

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: When were the styles of arts created?

Answer: 16th century

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: Who wrote Lives of the Most Excellent Painters, Sculptors, and Architects?

Answer: Vasari

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: In Vitruvius's mind, whose responsibility was it to see the principles carried out?

Answer: architect

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: Who wrote De Re Aedificatoria?

Answer: Leon Battista Alberti

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: What did Leon Battista Alberti consider most important for beauty?

Answer: proportion

Vitruvius in the early 1st century AD. According to Vitruvius, a good building should satisfy the three principles of "firmitas, utilitas, venustas", commonly known by the original translation – "firmness, commodity and delight". An equivalent in modern English would be: According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, "De Re Aedificatoria", saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised


Question: What ideal proportion did Alberti promote?

Answer: the Golden mean

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: In what century did "style" as an artistic concept arise?

Answer: 16th

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: Who wrote the book Contrasts?

Answer: Augustus Welby Northmore Pugin

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: What year was Contrasts written in?

Answer: 1836

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: What was the name of Pugin's book?

Answer: Contrasts

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: In what year was Contrasts written?

Answer: 1836

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: What world did Pugin dislike?

Answer: modern, industrial world

human figure, the Golden mean. The most important aspect of beauty was, therefore, an inherent part of an object, rather than something applied superficially, and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari: by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish, and English. In the early 19th century, Augustus Welby Northmore Pugin wrote "Contrasts" (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an


Question: What type of architecture did Pugin consider truly Christian?

Answer: Gothic

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: Who wrote Seven Lamps of Architecture?

Answer: John Ruskin

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: Who was the author of Seven Lamps of Architecture?

Answer: John Ruskin

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: What was Ruskin's career?

Answer: art critic

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: When was  Seven Lamps of Architecture published?

Answer: 1849

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: What, according to Ruskin, should looking at architecture contribute to its viewer?

Answer: to his mental health, power, and pleasure

idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture." The 19th-century English art critic, John Ruskin, in his "Seven Lamps of Architecture", published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure". For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way


Question: What features at minimum did Ruskin insist on for a building to be considered functional?

Answer: string courses or rustication

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: What century was the architect Le Corbusier in?

Answer: 20th-century

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: Who wrote on the topic of architectural ideals contrasted with simple construction?

Answer: Le Corbusier

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: What was Le Corbusier 's profession?

Answer: Architect

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: When did Le Corbusier live and write?

Answer: 20th-century

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: What part of him did Le Corbusier say proper architecture touched?

Answer: heart

"adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least. On the difference between the ideals of "architecture" and mere "construction", the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture". Le Corbusier's contemporary Ludwig Mies van der Rohe said "Architecture starts when you carefully put two bricks together. There it begins."


Question: What term replaced Vitruvius' term "utility"?

Answer: Function

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: In addition to being practically useful what other aspects did a building need in order to be considered functional?

Answer: aesthetic, psychological and cultural

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: Whose concept of utility did the more modern concept of function replace?

Answer: Vitruvius

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: What were the reactions to the idea that function should come before other concerns?

Answer: both popularity and skepticism

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: What are some philosophies that modern architects use?

Answer: rationalism, empiricism, structuralism, poststructuralism, and phenomenology.

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: Rationalism and empiricism are examples of what?

Answer: philosophies

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: Aside from the architects what did the philosophies influence?

Answer: their approach to building design

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: When was the conecept, Sustainable architecture used?

Answer: late 20th century

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: What novel concept was introduced at the end of the 20th century?

Answer: sustainability

compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management and lighting. Philosophy of Architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and relations with development of culture. Plato to Michel Foucault, Gilles Deleuze, Robert


Question: To what should a building be friendly?

Answer: environment

compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management and lighting. Philosophy of Architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and relations with development of culture. Plato to Michel Foucault, Gilles Deleuze, Robert


Question: What sort of power sources should a building not overuse if the building is to be considered environmentally friendly?

Answer: non-sustainable power sources

compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner which is environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling, water and waste management and lighting. Philosophy of Architecture is a branch of philosophy of art, dealing with aesthetic value of architecture, its semantics and relations with development of culture. Plato to Michel Foucault, Gilles Deleuze, Robert


Question: What dynamic needs were the reason for building to be done?

Answer: shelter, security, worship

Venturi as well as many other philosophers and theoreticians, distinguish architecture ('technion') from building ('demiorgos'), attributing the former to mental traits, and the latter to the divine or natural. The Wittgenstein House is considered one of the most important examples of interactions between philosophy and architecture. Built by renowned Austrian philosopher Ludwig Wittgenstein, the house has been the subject of extensive research about the relationship between its stylistic features, Wittgenstein's personality, and his philosophy. Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and


Question: Oral traditions allowed what to become formalized in human cultures?

Answer: knowledge

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: What was building considered?

Answer: a craft

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: What was the most valued type of building craft called?

Answer: architecture

Venturi as well as many other philosophers and theoreticians, distinguish architecture ('technion') from building ('demiorgos'), attributing the former to mental traits, and the latter to the divine or natural. The Wittgenstein House is considered one of the most important examples of interactions between philosophy and architecture. Built by renowned Austrian philosopher Ludwig Wittgenstein, the house has been the subject of extensive research about the relationship between its stylistic features, Wittgenstein's personality, and his philosophy. Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and


Question: Aside from skills, what is required in order to have the means for building?

Answer: building materials

Venturi as well as many other philosophers and theoreticians, distinguish architecture ('technion') from building ('demiorgos'), attributing the former to mental traits, and the latter to the divine or natural. The Wittgenstein House is considered one of the most important examples of interactions between philosophy and architecture. Built by renowned Austrian philosopher Ludwig Wittgenstein, the house has been the subject of extensive research about the relationship between its stylistic features, Wittgenstein's personality, and his philosophy. Building first evolved out of the dynamics between needs (shelter, security, worship, etc.) and means (available building materials and attendant skills). As human cultures developed and


Question: What type of buildings are are built mostly through out the world?

Answer: vernacular buildings

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: Why did the economy begin to expand?

Answer: a surplus in production

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: Through what process is it thought that the first architectural achievements were made?

Answer: trial and error

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: What is a popular type of architecture that still exists around the planet?

Answer: vernacular

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: In what environment were many of the first human settlements?

Answer: rural

knowledge began to be formalized through oral traditions and practices, building became a craft, and "architecture" is the name given to the most highly formalized and respected versions of that craft. It is widely assumed that architectural success was the product of a process of trial and error, with progressively less trial and more replication as the results of the process proved increasingly satisfactory. What is termed vernacular architecture continues to be produced in many parts of the world. Indeed, vernacular buildings make up most of the built world that people experience every day. Early human settlements were mostly rural.


Question: What sort of an effect did a growing economy have on human settlements?

Answer: urbanization

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: At what speed did urban settlements sometimes expand?

Answer: rapidly

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: What civilizations used the divine and supernatural in their architecture?

Answer: Egypt and Mesopotamia

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: What are two examples of past civilizations?

Answer: Egypt and Mesopotamia

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: To what did these civilizations have ties that to were shown off by their architecture?

Answer: the divine and the supernatural

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: What does architectural monumentality often represent?

Answer: political power

Due to a surplus in production the economy began to expand resulting in urbanization thus creating urban areas which grew and evolved very rapidly in some cases, such as that of Çatal Höyük in Anatolia and Mohenjo Daro of the Indus Valley Civilization in modern-day Pakistan. In many ancient civilizations, such as those of Egypt and Mesopotamia, architecture and urbanism reflected the constant engagement with the divine and the supernatural, and many ancient cultures resorted to monumentality in architecture to represent symbolically the political power of the ruler, the ruling elite, or the state itself. The architecture and urbanism of


Question: Name one Asian architectural writer.

Answer: Kao Gong Ji

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: When was the Kao Gong Ji written?

Answer: 7th–5th centuries BCE

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What architectural writing came from Sri Lanka?

Answer: Manjusri Vasthu Vidya Sastra

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: India produced which early architectural text?

Answer: Shilpa Shastras

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What religion led to architectural changes in many Asian countries?

Answer: pantheistic religion

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: Which cultures architecture showed a lot of diversity?

Answer: Buddhist architecture

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: When did Hindu temple architecture begin being produced?

Answer: 3rd century BCE

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What does Hindu temple architecture try to express?

Answer: the macrocosm and the microcosm

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What is the source of the concepts in Hindu temple architecture?

Answer: the Shastras

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What type of architectural is especially known for its regional differences

Answer: Buddhist

religious. Early Asian writings on architecture include the "Kao Gong Ji" of China from the 7th–5th centuries BCE; the Shilpa Shastras of ancient India; Manjusri Vasthu Vidya Sastra of Sri Lanka and Araniko of Nepal . The architecture of different parts of Asia developed along different lines from that of Europe; Buddhist, Hindu and Sikh architecture each having different characteristics. Buddhist architecture, in particular, showed great regional diversity. Hindu temple architecture, which developed around the 3rd century BCE, is governed by concepts laid down in the Shastras, and is concerned with expressing the macrocosm and the microcosm. In many Asian


Question: What kind of religious theology affected landscape related architecture in Asia?

Answer: pantheistic religion

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: When was Islamic architecture first seen?

Answer: 7th century CE

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: In addition to forms from the ancient Middle East, what other place's forms had an effect on Islamic architecture?

Answer: Byzantium

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: What other parts of the society's needs did architecture fill?

Answer: religious and social needs

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: What kind of arch design from Islamic architecture affected European architects?

Answer: pointed arch

Saracens" The 18th-century English historian Thomas Warton summarized: The pointed arch originated in the Byzantine and Sassanian empires, where it mostly appears in early Christian church buildings, although engineering works such as the Byzantine Karamagara Bridge also showed it fully developed at an early stage. The priority of the Byzantines in its use is also evidenced by slightly pointed examples in Sant'Apollinare in Classe, Ravenna, and the Hagia Irene, Constantinople. The pointed arch was subsequently adopted and widely used by Muslim architects, becoming the characteristic arch of Islamic architecture. According to Bony, it has spread from Islamic lands, possibly through


Question: What type of buildings were took the most effort to build?

Answer: abbeys and cathedrals.

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What were the most important buildings of the time?

Answer: abbeys and cathedrals

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What style is Gothic?

Answer: pan-European

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What is another pan-European style?

Answer: Romanesque

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: When did the clerics and tradesmen start spreading architectural information?

Answer: 900 CE onwards

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: When was Renaissance Humanism developed?

Answer: 1400

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What continent did this revival take place on?

Answer: Europe

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What was the name for the time period?

Answer: Renaissance

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What did Renaissance Humanism emphasize?

Answer: role of the individual

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What three vocations were not really considered separate from each other at that time?

Answer: artist, architect and engineer

Palladio – and the cult of the individual had begun. There was still no dividing line between artist, architect and engineer, or any of the related vocations, and the appellation was often one of regional preference. A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist. With the emerging knowledge in scientific fields and the rise of


Question: Who said that architecture was able extend beyond function?

Answer: Nunzia Rondanini

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: In what way did Nunzia Rondanini believe architecture moved past mere functionality?

Answer: Through its aesthetic dimension

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: What could, in Rondanini's opinion, architecture "stimulate and influence"?

Answer: social life

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: What shouldn't architecture be assumed to promote, according to Rondanini?

Answer: social development

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: What does architecture share with other sciences?

Answer: functional aspects

The notable 19th-century architect of skyscrapers, Louis Sullivan, promoted an overriding precept to architectural design: "Form follows function". While the notion that structural and aesthetic considerations should be entirely subject to functionality was met with both popularity and skepticism, it had the effect of introducing the concept of "function" in place of Vitruvius' "utility". "Function" came to be seen as encompassing all criteria of the use, perception and enjoyment of a building, not only practical but also aesthetic, psychological and cultural. Nunzia Rondanini stated, "Through its aesthetic dimension architecture goes beyond the functional aspects that it has in common with


Question: What is a reactionary thing to limit formalism's meaning to?

Answer: art for art's sake

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: What sort of quest lacks purpose?

Answer: quest for perfection or originality

other human sciences. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.' To restrict the meaning of (architectural) formalism to art for art's sake is not only reactionary; it can also be a purposeless quest for perfection or originality which degrades form into a mere instrumentality". Among the philosophies that have influenced modern architects and their approach to building design are rationalism, empiricism, structuralism, poststructuralism, and phenomenology. In the late 20th century a new concept was added to those included in the


Question: These civic ideas allowed what to come into being?

Answer: new building types

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What ideals were Greek and Roman Classical architecture not based on?

Answer: religious or empirical ones

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What owes its development to the Classical orders?

Answer: Architectural "style"

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: When were architectural writings first made?

Answer: ancient time

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: Aside from general advice what did the texts contain?

Answer: specific formal prescriptions

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What is another term for specific formal prescriptions?

Answer: canons

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: When did Vitruvius write his canons?

Answer: 1st-century BCE

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What is a significant early architectural canonical type?

Answer: religious

the Classical civilizations such as the Greek and the Roman evolved from civic ideals rather than religious or empirical ones and new building types emerged. Architectural "style" developed in the form of the Classical orders. Roman architecture was influenced by Greek architecture as they incorporated many Greek elements into their building practices. Texts on architecture have been written since ancient time. These texts provided both general advice and specific formal prescriptions or canons. Some examples of canons are found in the writings of the 1st-century BCE Roman Architect Vitruvius. Some of the most important early examples of canonic architecture are


Question: What organizations were created by Medieval craftsmen?

Answer: guilds

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: What records of the guilds are still in existence?

Answer: written contracts

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: What was the main thing the contracts were had to do with?

Answer: ecclesiastical buildings

countries, pantheistic religion led to architectural forms that were designed specifically to enhance the natural landscape. Islamic architecture began in the 7th century CE, incorporating architectural forms from the ancient Middle East and Byzantium, but also developing features to suit the religious and social needs of the society. Examples can be found throughout the Middle East, North Africa, Spain and the Indian Sub-continent. In Europe during the Medieval period, guilds were formed by craftsmen to organise their trades and written contracts have survived, particularly in relation to ecclesiastical buildings. The role of architect was usually one with that of master


Question: What is another term for master mason?

Answer: Magister lathomorum

mason, or "Magister lathomorum" as they are sometimes described in contemporary documents. The major architectural undertakings were the buildings of abbeys and cathedrals. From about 900 CE onwards, the movements of both clerics and tradesmen carried architectural knowledge across Europe, resulting in the pan-European styles Romanesque and Gothic. In Renaissance Europe, from about 1400 onwards, there was a revival of Classical learning accompanied by the development of Renaissance Humanism which placed greater emphasis on the role of the individual in society than had been the case during the Medieval period. Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo,


Question: What aspects of buildings did science and engineering have an effect on?

Answer: proportions and structure

Palladio – and the cult of the individual had begun. There was still no dividing line between artist, architect and engineer, or any of the related vocations, and the appellation was often one of regional preference. A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist. With the emerging knowledge in scientific fields and the rise of


Question: Who still could handle the structural calculations for designing at that time?

Answer: generalist

Palladio – and the cult of the individual had begun. There was still no dividing line between artist, architect and engineer, or any of the related vocations, and the appellation was often one of regional preference. A revival of the Classical style in architecture was accompanied by a burgeoning of science and engineering which affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge as the level of structural calculations involved was within the scope of the generalist. With the emerging knowledge in scientific fields and the rise of


Question: What did architects often neglect in their pursuit of aesthetics?

Answer: technical aspects of building design

new materials and technology, architecture and engineering began to separate, and the architect began to concentrate on aesthetics and the humanist aspects, often at the expense of technical aspects of building design. There was also the rise of the "gentleman architect" who usually dealt with wealthy clients and concentrated predominantly on visual qualities derived usually from historical prototypes, typified by the many country houses of Great Britain that were created in the Neo Gothic or Scottish Baronial styles. Formal architectural training in the 19th century, for example at École des Beaux-Arts in France, gave much emphasis to the production of


Question: What did 19th century formal architectural training neglect?

Answer: context and feasibility

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: What started with the Industrial Revolution?

Answer: mass production and consumption

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: What became cheap enough for the middle class to buy?

Answer: ornamented products

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: As products came within their financial reach what concept began to interest the middle class?

Answer: Aesthetics

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: What kind of books did housebuilders use?

Answer: pattern books and architectural journals

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: At what century's start did revivalist fall into disfavor?

Answer: 20th

beautiful drawings and little to context and feasibility. Meanwhile, the Industrial Revolution laid open the door for mass production and consumption. Aesthetics became a criterion for the middle class as ornamented products, once within the province of expensive craftsmanship, became cheaper under machine production. Vernacular architecture became increasingly ornamental. House builders could use current architectural design in their work by combining features found in pattern books and architectural journals. Around the beginning of the 20th century, a general dissatisfaction with the emphasis on revivalist architecture and elaborate decoration gave rise to many new lines of thought that served as precursors


Question: What new type of architecture was starting to come into being at this time?

Answer: Modern Architecture

to Modern Architecture. Notable among these is the Deutscher Werkbund, formed in 1907 to produce better quality machine made objects. The rise of the profession of industrial design is usually placed here. Following this lead, the Bauhaus school, founded in Weimar, Germany in 1919, redefined the architectural bounds prior set throughout history, viewing the creation of a building as the ultimate synthesis—the apex—of art, craft, and technology. When modern architecture was first practiced, it was an avant-garde movement with moral, philosophical, and aesthetic underpinnings. Immediately after World War I, pioneering modernist architects sought to develop a completely new style appropriate