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This high-angle illustration, designed to look like a surveillance camera recording, depicts a group of seven people gathered around a long, dark teal table in a room with reddish-brown walls and vertical wooden plank flooring. The table is crowded with various items, including several rectangular game boards with grids, stacks of cards, small white cups, smartphones, a green water bottle, and a patterned runner. A large white cylindrical lantern hangs prominently above the center of the table, while smaller lanterns hang near the ceiling. A cluster of pink blossoms decorates the upper right area near a framed artwork containing vertical calligraphy-like strokes. The wall on the right features a framed picture and a vertical scroll with vertical lines of stylized script. The left wall displays two vertical scrolls with similar vertical markings. Beige curtains with a blue wavy bottom trim cover the wall on the left side. A partial view of a whiteboard or panel appears on the far left edge, and a partial red stand is visible on the far right edge.
The people are seated on wooden chairs with curved backs and greyish-blue cushions. On the left side, a young man with short black hair wears a sweater with a white body and dark green sleeves and light blue pants, looking toward the center, with the chair back obscured by a white coat. Below him, a woman with shoulder-length black hair wears a light blue sweater and looks at a white smartphone in her hand. In the foreground, facing away from the viewer, a person with short dark hair wears a cream-colored sweater. At the far end of the table, a man with short black hair and a grey sweater sits facing forward with his hands on the table, writing on paper with his right hand. On the right side, a woman with long black hair and a grey top sits near the back, while a man with short black hair and a white sweater with a small square logo sits next to her with his left hand on the table and right hand on his leg. In the bottom right corner, a person wearing a black and white striped long-sleeve top leans their head on their left hand, resting their elbow on the table.
In the top right corner, the text "2026-02-04 15:13:36" is displayed in a digital sans-serif font with a white fill and black outline. In the bottom left corner, the text "IPC" appears in a bold sans-serif font with a white fill and black outline. The image utilizes a flat cartoon art style with black outlines and solid colors.


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This image is a photograph of a monitor screen displaying a CCTV security feed from a high-angle, bird's-eye view perspective. The scene depicts a room with reddish-brown wooden flooring and dark walls decorated in a traditional Chinese style. In the center and right areas, six people with long black hair are seated around a large rectangular table covered with a dark green cloth and a long patterned runner. They are dressed in Hanfu-style clothing in various colors: a person on the left wears a bright yellow robe, an adjacent individual wears a beige short-sleeve garment, another nearby wears a teal garment with long hair cascading down, another in the foreground wears a dusty pink long-sleeve robe, one on the right side wears a light blue-grey robe with three long red stripes on the arms and shoulders, and the person on the far right wears a white long robe with their right hand raised and no headpiece, with grey-green and striped decorations as cushions on the rear seat.
The table surface is scattered with open books, papers, smartphones, white beverage cups, and small food containers. In the background, positioned on a circular reddish-brown rug near a window covered by heavy greyish-brown curtains and light green curtains, a seventh person kneels alone facing the camera with their face lowered to the lower left, wearing a long white robe. A large, bright, white cylindrical lantern hangs from the ceiling above the table area, creating a strong highlight and glare, while smaller lanterns are visible near the top edge.
On the right wall, there is a decorative branch with reddish-pink flowers and two vertical scrolls containing Chinese calligraphy. The left wall features three vertical scrolls with indistinct vertical text. A small wooden stand with items is located near the right wall.
Digital text overlays appear on the screen feed: in the top right corner, a prominent white sans-serif timestamp reads "2026-02-01 17:43:51", with a fainter, smaller line of text above it reading "2026-02-01 17:43:51". In the bottom left corner, the text "IPC" appears in white sans-serif font next to a small solid green square indicating sufficient battery power. In the bottom right corner, the text "D1" is displayed in small white sans-serif font. The image has a visible pixel grid and moiré pattern texture typical of a photo taken of a digital screen, and the entire scene is framed by the black bezel of the monitor.


In the foreground, a group of children stands closely around a curved white table. On the left, a girl with light brown hair tied back and a fringe hanging toward the right side of her face, wearing glasses, looks toward the center. She is dressed in a neon yellow high-visibility vest over a white long-sleeved top and a lanyard with a badge. Next to her, a child wears a black hooded garment pulled over their head and a neon yellow vest over a blue top, looking down at the table. To the right of the center, a young Black boy with short hair and clear-framed glasses smiles while looking at the activity; he wears a neon yellow vest over a blue garment with distinct purple fabric accents around the neck and shoulders. Beside him, a girl with dark hair and a similar neon yellow vest leans forward with her chin near her hand, observing the table. On the right side of the table, various electronic components, small circuit boards, and plastic containers are arranged next to a green rectangular mat printed with white lines resembling a soccer field. A small blue robot device sits on the green mat. In the right foreground, the arm and shoulder of a person wearing a cream-colored jacket are visible, with their hand reaching toward the robot on the mat; she is a smiling dark-haired woman with glasses.
In the mid-ground behind the children, several adults stand and observe. A tall white man with short light brown hair stands to the left of the center, wearing a black jacket and a lanyard with a pink and purple patterned strap. To his right, an older woman with grey hair pulled back and glasses wears a grey jacket and a lanyard. Further right, a woman with long dark hair wears a black jacket, and a young man stands nearby wearing a black and grey jacket with a plaid shirt underneath. In the background on the right, other attendees are visible, including a person wearing a yellow and black plaid shirt.
The background features exhibition booth structures. On the left, a large blue wall panel displays a grayscale photograph of two children and an adult working with laptops and equipment. Text on the blue wall reads "TURING THE ALL NEW" in smaller uppercase letters above "PRO-SERIES" in larger, bold uppercase letters. A white rectangular sign with lines of small, illegible text is mounted higher on the wall. Below the blue section, black storage cabinets with small indicator lights are visible.
A white structural pillar separates the left area from the right. A dark brown panel behind the pillar shows partial orange text reading "MTEK". A blue vertical banner attached to the pillar displays the text "edugeek" written vertically in white lowercase sans-serif font, with a small orange circular logo near the bottom of the text. To the right of the pillar, a blue wall section features the "edugeek" logo again in white horizontal lowercase letters near the top right. Below the logo, several lines of small, illegible white text are arranged in a block. A large yellow circular graphic with a dark geometric symbol inside is partially visible on the blue wall.
On the far right, a white booth structure is visible. A vertical banner displays the text "ict-direct" running vertically in lowercase letters; the letter "i" in "ict-" is red, the letter "i" in "direct" is dark blue, and the rest of the text is grey, with a small red triangle pointing downwards below it. To the left of the text is a recycling symbol composed of blue, green, and red arrows. The back wall of the booth features a graphic illustration of a realistic elliptical ground with green terrain, buildings, and trees. To the right of the graphic, the text "ict-direct" appears horizontally, with the same styling as the vertical banner. Below this logo, smaller text reads "The UK's Leading Computer Solution" followed by a second line reading "for Education, Public Sector and Busin", with the end of the last word cut off by the frame (presumably "business").
The scene is illuminated by artificial overhead track lighting, with black tracks and spotlights visible against the dark ceiling at the top of the image. The lighting creates highlights on the white table and the children's faces. The image is a real photograph taken at eye level with a medium depth of field.


In the foreground, the metallic structures of two escalators rise from the bottom of the frame, with strong, warm sunlight striking the curved side panels, creating bright highlights and deep shadows on the floor. To the far left, the dark silhouette of a person is partially visible in profile, facing towards the right, with sunlight highlights on the face. Vertical pillars located near the escalator entrances feature illuminated red circular lights and vertical columns of small, circular instructional icons. A metal railing separates the escalator area from the platform level in the middle ground. A group of people stands along the railing and on the platform, rendered as dark silhouettes against the bright exterior light; some figures stand alone while others appear in small groups, facing the window or interacting with one another.
A structural column on the right side of the platform supports a sign with the number "11" and smaller, partially legible text including "in Richtung". Above the platform, a large rectangular sign hangs from the ceiling structure, displaying the numbers "5-6" on the top line and the text "Stadtzentrum / city" followed by a right-pointing arrow "→" on the line below. To the upper left, a triangular warning sign with a pictogram and a rectangular panel with smaller text are suspended.
The background consists of a massive wall of glass windows divided by a grid of frames. Large, abstract graphic shapes are applied to the glass; a large, curving shape resembling a capital letter "R" viewed from a distance and reversed in the camera dominates the left and center sections, while angular geometric shapes forming part of a reversed capital letter "K" occupy the right side. Through the glass and the gaps in the graphics, a hazy cityscape with buildings and a distinct tall, tapered tower structure is visible in the distance. A horizontal band of ventilation slats runs across the upper portion of the image near the ceiling. The scene is backlit by natural light from the window, creating a warm, golden atmosphere with high contrast between the bright exterior and the shadowed interior.


In a brightly lit operating room, four medical professionals are gathered closely together, focused intently on a surgical procedure occurring at the bottom of the frame. All four individuals are wearing light blue disposable surgical gowns and matching blue caps that almost completely cover their hair. White elastic straps secure their face masks behind their heads.
On the left side of the composition, two figures are positioned; the person in the upper left is seen in profile facing right, wearing black-framed glasses and a blue mask. Below and slightly to the right of this figure, another individual leans forward, wearing wire-rimmed glasses and a white textured mask. On the right side, two other team members are visible; the figure on the far right leans in from the upper right area, wearing glasses and a blue mask, while the person below them is positioned centrally on the right, wearing wire-rimmed glasses and a white mask. The group consists of three men and one woman, all wearing glasses: two men on the left, one man and one woman on the right. The male on the right is closer to the camera and partially obscures the female, whose hair is tied up inside her cap, creating a small bulge.
A section of green surgical draping spans horizontally across the lower middle area behind the team members' heads. At the very bottom center, a bright light illuminates a pair of hands wearing white surgical gloves, working on the patient area. A plain, light gray wall serves as the background. The image is enclosed by a decorative digital border consisting of a solid light purple band with a thin inner line and a thin outer line. Small, faint, chevron-shaped arrow symbols are visible along the vertical sections of the purple border on the far left and right edges.


In the center of the frame, a young individual stands facing away from the viewer, positioned between two sets of railings: a front protective railing and a rear railing which the subject leans against. A grey-blue metal railing runs horizontally across the lower portion of the image. The subject has shoulder-length, dark blue-grey hair that appears slightly windswept. They are wearing a bulky, light blue jacket with visible stitching and panel details, layered over a lighter, off-white hooded garment that covers the neck and upper back. A small portion of the inner garment is also visible below the jacket. They wear tight black pants, and their left hand is faintly visible.
Beyond the railings, the ocean is active with waves crashing and churning into thick white foam. To the right of the subject, a significant splash of water and sea foam erupts upward, with droplets and spray scattering into the air. The water is rendered in shades of blue with distinct white highlights for the foam. The horizon line separates the sea from the sky in the middle ground. Above the horizon, a massive, towering formation of white cumulus clouds rises vertically in the center, resembling a large plume or mountain peak. Flatter, layered cloud formations extend across the left and right sides of the sky. The upper section of the image shows a clear, bright blue sky. Several small white seagulls are scattered across the upper right and left areas of the sky, depicted with simple V-shaped wingspans. Faint, thin, sketch-like lines and subtle cloud textures are visible in the upper blue sky area. The artwork utilizes a clean anime illustration style with a monochromatic cool tone palette, relying heavily on shades of cyan, azure, and white, with soft lighting and distinct outlines.


The composition consists of three horizontal rows, each containing five individuals shown in profile view.
In the top row, the first figure is a light-skinned male with a dark maroon flat-top haircut, a white shirt, pink blush, and a red tie. Next is a person with a light complexion wearing a yellow headscarf that covers the hair and neck, with a small amount of red hair visible. The third subject has dark skin and a voluminous dark afro hairstyle, accessorized with a large gold hoop earring and a beaded necklace over a maroon camisole top. The fourth is an elderly light-skinned man with a balding head, connected white hair and a full white beard, wearing a mustard-yellow shirt. The final figure in the top row is a man with a beard and mustache wearing a maroon baseball cap with a yellow brim, a yellow rectangular patch on the front, a small yellow section on top, and a teal t-shirt.
The middle row begins with a woman featuring dark hair tied in a high bun with a red hair tie and two thin accessories trailing to the right, a grey hood, a reddish garment, and a fringe on the left side of her face. Beside her is a dark-skinned man with short, textured dark hair, a short dark beard, and a teal shirt with a dark green ring around the neck. The central figure in this row is a light-skinned man with short brown hair and a patterned reddish-brown round kufi cap, wearing a blue shirt. To his right is an elderly woman with light skin and white hair pulled back into a low bun with a small red hair tie, wearing a red pearl necklace, a light pink top, and red decorations on her earlobes. The row ends with a woman with light skin and curly blonde hair, with much hair covering the right side of her face, round black-rimmed glasses, and a red top.
The bottom row starts with a light-skinned male with short blonde hair and a blue hooded sweatshirt with white drawstrings. The second figure has light skin and wears a white beanie with a horizontal reddish-brown stripe over a chin-length bob hairstyle, paired with a yellow shirt. The third subject is a dark-skinned man with short hair, wearing dark rectangular sunglasses with blue frames and a red shirt with a thin yellow collar detail. The fourth figure is a man with a beard and mustache wearing a white head covering wrapped with a thin dark blue band across the forehead, wearing a white shirt. The final portrait is a woman with light skin and shoulder-length wavy reddish-brown hair, wearing a blue top. The image utilizes a flat design aesthetic with solid colors and clean lines.


A young Caucasian man stands facing forward in a medium close-up portrait shot. He has short, dark brown hair styled upward and swept to the left with a slightly textured appearance. A short, well-groomed beard and mustache cover his jawline and upper lip. He wears oval eyeglasses with a distinctive frame design; the upper half of the rims is solid black, while the lower half and the temples feature a tortoiseshell pattern with brown and amber tones. A small, light-colored T-shaped accent is visible on the temple arm near the hinge. He is smiling broadly, revealing his upper teeth, and looking directly at the lens.
He is dressed in a black hooded sweatshirt. A small portion of a white crew-neck t-shirt is visible at the neckline underneath the hoodie. Two dark drawstrings hang vertically from the hood's opening, secured by small metallic grommets. On the chest area of the hoodie, centered between the hanging drawstrings, there is embroidered text in a white, elegant cursive script font. The visible text reads "imè Leon Dore", with the beginning of the first word partially obscured by the fabric fold and drawstring (presumably "J"). The fabric of the hoodie shows a soft texture with visible lint and small specks of debris scattered across the surface.
The background is captured with a shallow depth of field, resulting in a soft bokeh effect that blurs the details behind the subject. The background consists of tree branches and foliage covered in patches of white snow and frost. The blurred elements on the left side appear as lighter grey and white tones with horizontal branch structures, while the right side features darker, mottled patches of deep green and greyish-black foliage with circular bokeh highlights. A blurry, brownish vertical structure is faintly visible in the lower left background. The lighting is soft, diffused natural light, typical of an overcast day, creating even illumination on the subject's face without harsh shadows. The image utilizes a cool color temperature with low saturation, emphasizing the winter atmosphere.


A large projection screen dominates the upper portion of the stage wall against a cream-colored background. The screen displays text on a light blue field. The top line reads "Exam Ends at 4:00 PM" in a dark serif font. Below this, two lines of italicized serif text state "Raise your hand if you have a question." and "Bring up your exam to the front with your id". A distinct line in a reddish-brown serif font reads "Take Free Database Schwag!". Further down, a smaller line of italicized text reads "Q5: If a txn has multiple actions, mark all.". A small orange graphic resembling a sun or splash is located in the upper right area of the screen content. At the bottom of the projected image is a graphic of a digital timer interface with a brown background, displaying "2:54 PM" in large white numerals and "05" in smaller digits to the right, along with small browser interface icons above the time.

Below the screen, the stage features a polished wooden floor. A whiteboard on a stand is positioned against the back wall. A group of people occupies the stage area. On the left, a young man with short dark hair stands wearing a black jacket and grey pants. In the center, a person sits behind a white folding table with papers and a blue item on it. A woman stands partially visible behind the seated person near the whiteboard. To the right of the table, two women with long dark hair stand facing away from the camera or towards the right side of the stage; one wears a black jacket and dark pants, and the other wears a dark coat and pants. Several folding chairs and tables are arranged on the right side of the stage, and a backpack sits on the floor near the table on the left.

To the far left of the stage stands a wooden podium with a red horizontal strip containing illegible white text and a logo. A wooden door is visible in the wall on the right side of the stage area. The right wall of the hall features vertical architectural elements, including cream-colored columns and dark brown vertical panels. A black speaker is mounted on the wall to the right.

Above the screen, a technical rig spans the width of the room, consisting of a black metal grid and beams. Numerous black stage lights and spotlights are mounted on the beams, pointing downwards. Small white numbers, including "5", "6", "7", "8", "9", and "10", are visible on the black beams above the lights.

The foreground and lower half of the image show a large audience seated in tiered rows of black chairs. The view is from behind the audience. The students display a variety of hairstyles and clothing. A person in the immediate center foreground wears a light beige hoodie with the hood pulled up. To the right, a person wears a dark grey puffy jacket with a small white logo on the back. Other students wear jackets in shades of black, navy blue, grey, and brown. A few students have lighter clothing, such as a white top and a pinkish-red jacket further back. Some students have papers or notebooks on their laps, and a water bottle is visible near the person in the beige hoodie. The lighting is artificial and warm, creating a yellowish cast on the walls and floor.


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The magazine spread is captured from a high-angle, top-down perspective under soft, even lighting. The left page, marked with page number "08" in a red circle and "OPENING 开场" alongside a red tag reading "好" and a green tag reading "玩" at the top left, features a prominent title in large, bold, yellow and black-outlined characters: "假如给北京美食 设计一套色卡". A small yellow tag below reads "插画 / CBTD". A paragraph of introductory text sits below the title. The page is populated with various food items and descriptions. On the left side, there is a dark blue circle containing a white icon of a bowl with a spoon and red dot, labeled "杏仁豆腐" with ingredients listed below. Further down is a red circular icon depicting skewers of candied hawthorns, labeled "冰糖葫芦". In the center and right areas of the left page, there are pastel shapes: a pink circle with a blue bowl illustration labeled "韭菜酱", a blue shape with yellow geometric blocks labeled "豌豆黄", a pink shape with a yellow and pink food item labeled "玫瑰饼", a blue shape with a yellow ladle and chopsticks labeled "三不沾", and a blue shape with a yellow rolled food item labeled "驴打滚". A text block titled "小吃渐变色卡" is located in the middle left area.
The right page, marked with page number "09" in a red circle at the top right, continues the layout. Near the top, text reads "碗中鲜花色卡" with a sub-caption "老北京人爱吃花，而且不止一种花。" A pink shape contains a stylized yellow and blue bowl illustration labeled "菊花热锅". A white shape contains a green floral illustration labeled "蒸槐花". A large yellow shape on the right contains a stylized illustration of a food item with a brown center and pink details, labeled "明星单品". Below this, a row of five small circles displays colors: beige, black, light green, magenta, and yellow, labeled "炸酱面". A large yellow shape in the middle right contains a stylized illustration of a dish with vertical lines and rectangular blocks, labeled "烤鸭". A row of four circles below it displays dark red, light red, brown, and green colors. To the far right, a yellow shape contains a brown pot and bowls illustration, labeled "涮羊肉". A text block titled "酥炸玉兰" is located in the lower middle area.
The bottom section of the right page features a section titled "帝都生存的 10 个小贴士" with small tags "撰文 / 虫子" and "插画 / CBTD". This section has a faint grid pattern background. It contains three distinct text blocks. The first block is next to a large red number "1" and contains text starting with "北京很大。如果一个北京人说 “挺近的”...". The second block is next to a large black number "2" and contains text starting with "您会在北京街头频繁听到以下句式：“您往北走两步”...". The third block is next to a large red number "3" and is set against a blue rectangular background with text starting with "北京的马路很宽。如果您来北京，请一定要提前勤练脚力...". A small yellow speech bubble icon and a line drawing of a pen are visible near the text blocks. A colorful strip with patterns and illustrations is partially visible at the very bottom edge of the image.


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This realistic photograph captures a clean, modern office space arranged in a corner layout. In the foreground and middle ground, white rectangular desks are separated by partitions that have a solid grey lower section and a translucent upper section with horizontal frosted white stripes. A small potted plant with vibrant green leaves sits on the desk in each visible workspace. Several black chairs with curved backrests and chrome metal legs are positioned at the desks. A circular cable grommet is visible on the surface of the desk in the right foreground. The floor is covered in a plain light beige material, and a dark baseboard runs along the bottom of the white walls.
A series of vertical posters are mounted on the walls. On the left wall, four posters are visible. The first on the far left is blue with a circular logo and vertical white Chinese text. The second is blue with a circular logo and large faint text reading "兰州大学" alongside smaller vertical text reading "愿你历尽千帆，终能得偿所愿". The third is a reddish-orange poster with a circular logo and large faint text reading "中央民族大学" alongside smaller vertical text reading "远方尚有荣光在". The fourth is blue with a circular logo and large faint text reading "同济大学" alongside smaller vertical text reading "读书好读书好好读书".
On the right wall, six posters are visible. From left to right, the first is blue with a logo and vertical text. The second is blue with a logo and large faint text reading "中南大学" alongside smaller vertical text reading "人间值得未来可期". The third is reddish-orange with a logo and large faint text reading "北京大学" alongside smaller vertical text reading "山月星河都为你化作苦尽甘来的那一天". The fourth is teal with a logo and large faint text reading "哈尔滨工业大学" alongside smaller vertical text reading "除非你心里已经放弃了，没有人会失败". The fifth is blue with a logo containing the text "FUDAN UNIVERSITY" and "1905", with large faint text reading "复旦大学" and smaller vertical text reading "人生没有白走的路" and "每一步都算数". The sixth is reddish-orange with a logo and large faint text reading "华东师范大学" alongside smaller vertical text reading "拼命才能优秀，努力只能及格".
A long, rectangular linear LED light fixture extends from the white ceiling on the upper left side. A square ventilation grille and a smaller rectangular fixture are visible on the ceiling on the upper right side. The lighting is bright and even, creating a cool tone throughout the room. The image is taken from an eye-level perspective with a wide angle.


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A dense thicket of tall, dried reeds dominates the left and central portions of the scene, displaying warm tones of golden-brown, tan, and ochre. To the right, the vegetation becomes sparser, revealing patches of calm water that reflect the brown hues of the plants and the pale tones of the sky. A flock of ducks is distributed throughout the space. In the central area, two ducks fly horizontally toward the right with their wings fully extended, showcasing detailed plumage that includes mottled brown and white feathers, dark heads, and distinct iridescent emerald-green speculum patches on their wings. Below them and slightly to the right, a third duck with lighter brown and white plumage flies near the water surface, also heading right. In the upper right corner, a large duck is depicted in flight, angled diagonally downward toward the right, with dark brown feathers on its body and lighter greyish-white flight feathers. In the upper sky area, a smaller group of five ducks flies in the distance; three are positioned on the upper left side, and two are clustered near the upper center. The sky occupies the upper section of the image, featuring a soft, cloudy texture with a blend of pale blue, lavender, and light grey tones. Along the far left edge of the image, a vertical line of text is arranged from top to bottom. The text consists of bold, black Chinese characters in a serif font style. The upper segment of the text reads "第一课", and the longer lower segment reads "各种各样的生物". The image has the aesthetic of a realistic painting or illustration, possibly for an educational context, with a slightly grainy texture.


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A large, dark green chalkboard occupies the upper portion of the composition, displaying two groups of Chinese characters written in white chalk. The text on the left reads "奋战高考", and the text on the right reads "成就梦想", written in a fluid, handwritten calligraphic font with varying stroke thickness and a slightly slanted orientation. A thin, horizontal silver metal rail runs across the width of the board near the bottom, separating the dark green surface from a narrow strip of white wall below. In the lower half of the image, several students are seated at desks with their backs facing the viewer. Due to a shallow depth of field, the students in the immediate foreground are out of focus. On the left, a person wears a light pink top, and next to them, another individual wears a white shirt with thin horizontal grey stripes. In the center area, a student wears a garment with a white upper back and a red lower section, while a student further ahead has dark hair tied back and wears a light blue shirt. On the right side, a student with long dark hair leans forward over their desk, and a person in the foreground wears a dark blue top. Vertical stacks of books and study materials with spines in colors like white, yellow, blue, and beige clutter the desks. A small blue cylindrical object and a wooden structure are visible on a desk near the wall in the middle ground. The lighting is soft and even, characteristic of an indoor classroom setting.


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This digital illustration, rendered in an anime art style with watercolor-like textures, captures a classroom setting filled with male students. In the foreground on the right, a young man with short, dark brown hair and glasses leans forward over a light wooden desk, writing intently with a pen in his right hand. He wears a teal short-sleeved collared shirt, and an open notebook with lined pages lies before him alongside a loose blue pen. To his left in the middle ground, another student with brown hair and glasses, dressed in a light greyish-blue polo shirt, is also focused on writing. Behind him sits a student wearing a light-colored shirt with glasses, and further back to the left, another student in a mustard-yellow shirt is visible. In the background near the windows on the right, two students in light blue shirts sit at their desks, and a partial view of another person's arm and desk appears on the far right edge. The classroom features light blue-grey walls and a tiled floor. On the left wall, a large green chalkboard displays the number "2025" written in white above a line of Chinese characters that appear to read "考考踝题". A round analog clock with a white face and brown rim is mounted high on the wall above the chalkboard. On the right side of the room, tall windows with white frames reveal a view of a blue sky with white clouds. A second round clock is mounted on the structural pillar between the windows. Bright, warm sunlight enters from the right, casting sharp, diagonal geometric shadows of the window frames across the right wall and the floor on the left side of the room. A fragment of another desk is visible in the bottom left corner.


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A digital illustration designed as a presentation slide features a soft light pink background framed by a slightly darker pink border. Decorative floral elements cluster in the top left, top right, bottom right, and along the bottom edge. These decorations include large coral-red flowers with dark red centers, teal leaves with visible vein lines, reddish-orange leafy branches, and small yellow star-shaped flowers. In the bottom left quadrant, a cartoon girl with light skin and brown hair tied in a bun with a large green bandana stands smiling. She winks her left eye and sticks her tongue out playfully. She wears a pink short-sleeved shirt with a grid pattern, blue denim overalls with buttons, light blue and white striped socks, and pink shoes. In her right hand, she holds a small shovel with a wooden handle, and in her left hand, she holds a light blue watering can. A small pink speech bubble containing a heart symbol floats near her face. Several small terracotta pots containing plants and stylized red and orange flowers grow near her feet and along the bottom edge. To the right of the girl and slightly above her head, two large, rounded rectangular blocks are tilted slightly. The left block is mustard yellow and contains the white Chinese character "目". The right block is pastel mint green and contains the white Chinese character "录". Both characters have a subtle drop shadow effect. On the right half of the image, six horizontal rectangular boxes with rounded corners and thin dark teal outlines are stacked vertically. Each box has a very pale mint green fill and contains centered Chinese text in a dark teal, sans-serif font with wide spacing. The text in the boxes reads, from top to bottom: "1 . 班 级 现 状 分 析", "2 . 大 班 年 龄 特 点", "3 . 教 育 教 学 重 点", "4 . 关 于 幼 小 衔 接", "5 . 本 期 活 动 安 排", and "6 . 家 长 配 合 工 作". The art style is flat, vector-based, and cartoonish with a high-brightness, low-contrast pastel color palette.


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A vertical table layout dominates the image, featuring a main title at the top in a large, bold serif font reading "附录 高等数学 (上) 公式汇总". The table is divided by thin black lines into two columns and several rows. The header row has a light gray background and contains the text "考 点" in the left column and "公 式" in the right column.
The first data row features the text "两个" above "重要极限" in the left column. The right column contains mathematical content: "(1) lim_{x->0} sinx/x = 1.", followed by "(2) lim_{n->∞}(1 + 1/n)^n = lim_{x->∞}(1 + 1/x)^x = lim_{y->0}(1 + y)^{1/y} = e.". Below this is a section labeled "重要公式：lim_{x->∞} (a0x^n + a1x^{n-1} + ... + a_{n-1} x + an) / (b0x^m + b1x^{m-1} + ... + b_{m-1} x + bm) =", which equals a piecewise function with three cases: "∞, m < n,", "a0/b0, m = n,", and "0, m > n".
The second row has "常见的等价" above "无穷小" in the left column. The right column lists formulas: "sinx ~ x, arcsinx ~ x, tanx ~ x, arctanx ~ x, ln (1+x) ~ x, e^x - 1 ~ x, 1 - cosx ~ 1/2 x^2 (以上等价无穷小均是 x -> 0 时的情况)".
The third row shows "四则运算" above "法则" in the left column. The right column contains text "设 u = u (x), v = v (x) 均可导，则" followed by numbered derivative rules: "(1)(u ± v)' = u' ± v', d (u ± v) = du ± dv.", "(2)(uv)' = u'v + uv', d (uv) = udv + vdu.", and "(3)(u/v)' = (u'v - uv')/v^2, d (u/v) = (vdu - udv)/v^2 (v ≠ 0)".
The fourth row displays "基本初等" above "函数的" above "导数公式" in the left column. The right column lists 14 derivative formulas in two columns. The left sub-column contains: "(1) C' = 0.", "(3)(a^x)' = a^x lna, (e^x)' = e^x.", "(5)(sinx)' = cosx.", "(7)(tanx)' = sec^2 x = 1/cos^2 x.", "(9)(secx)' = secx・tanx.", "(11)(arcsinx)' = 1/√(1-x^2).", and "(13)(arctanx)' = 1/(1+x^2).". The right sub-column contains: "(2)(x^α)' = αx^{α-1}.", "(4)(log_a x)' = 1/xlna, (lnx)' = 1/x.", "(6)(cosx)' = - sinx.", "(8)(cotx)' = - csc^2 x = - 1/sin^2 x.", "(10)(cscx)' = - cscx・cotx.", "(12)(arccosx)' = - 1/√(1-x^2).", and "(14)(arccotx)' = -1/(1+x^2)".
The fifth row displays "基本初等" above "函数的" above "微分公式" above "(I)" in the left column. The right column lists 16 differential formulas in two columns. The left sub-column contains: "(1) d (C) = 0.", "(3) d (ln | x |) = 1/x dx.", "(5) d (e^x) = e^x dx.", "(7) d (sinx) = cosx dx.", "(9) d (tanx) = sec^2 x dx.", "(11) d (secx) = secxtanx dx.", "(13) d (shx) = chx dx.", and "(15) d (thx) = 1/ch^2 x dx.". The right sub-column contains: "(2) d (x^α) = αx^{α-1} dx.", "(4) d (log_a | x |) = 1/xlna dx.", "(6) d (a^x) = lna・a^x dx.", "(8) d (cosx) = - sinx dx.", "(10) d (cotx) = - csc^2 x dx.", "(12) d (cscx) = - cscxcotx dx.", "(14) d (chx) = shx dx.", and "(16) d (arcsinx) = 1/√(1-x^2) dx".


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The image displays a page of text on paper with a pale mint-green background featuring a faint, repeating geometric pattern of small diamond shapes and tiny dots. The text is printed in a dark grey Song font and is organized into several sections. The top section begins with the centered header "图书在版编目 （CIP） 数据". Below this, the bibliographic details read "各种各样的鸟 / 姜子钒著 . -- 南昌：江西教育出版社，2019. 10" followed by "(十万个为什么不)" and "ISBN 978-7-5705-1273-7". A classification line follows: "I . ①各… II . ①姜… III . ①科学知识－少儿读物②鸟类－少儿读物 IV . ①Z228.1 ②Q959.7-49". The section concludes with "中国版本图书馆 CIP 数据核字 (2019) 第 133023 号".
A horizontal dotted line separates the next section, which lists the title "各种各样的鸟", the Pinyin transliteration "GEZHONGGEYANG DE NIAO", and the author "姜子钒 著". A second dotted line divides the publication details section. The publisher name "江西教育出版社出版" is in a bold font weight. Below it are the address "(南昌市抚河北路 291 号 邮编：330008)", distributor "各地新华书店经销", and printer "南昌市红星印刷有限公司印刷". Technical specifications follow on the next line: "720mm×1000mm 16 开本 10 印张 字数 100 千字". Edition information reads "2019 年 10 月第 1 版 2019 年 10 月第 1 次印刷". The ISBN is repeated as "ISBN 978-7-5705-1273-7", and the price is listed as "定价：22.00 元".
A third dotted line separates the contact and service information. The first line reads "赣教版图书如有印制质量问题，请向我社调换 电话：0791-86710427". The next line contains "投稿邮箱：JXJYCBS@163.com" on the left and "电话：0791-86705643" on the right. The website address is " 网址：http://www.jxeph.com". Near the bottom of the page, the copyright registration number" 赣版权登字 -02-2019-411"is printed above the final line" 版权所有・侵权必究 ". The lighting is even and soft, creating a flat appearance typical of a document scan or direct overhead photograph.


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A large green chalkboard with a white frame dominates the scene, covered in handwritten notes. A vertical column of white characters on the far left reads "数", "数", "物", "生", "化", "英", "体", "语" from top to bottom, presumably representing the daily class schedule. A reddish-pink star symbol and marked key terms in red appear near the bottom of this column. The upper central area features the title "直线的参数方程" written in white. Below the title, a hand-drawn coordinate system displays a diagonal line with points labeled "P (x,y)" and "M (x₀,y₀)", along with a note "0 ≤ α < π". To the right of the graph, a section labeled "设 P 在 M 上方" includes a brace grouping equations "x = x₀ + |PM|cosα" and "y = y₀ + |PM|sinα", with the terms "|PM|cosα" and "|PM|sinα" circled in reddish-pink chalk. A vector equation "vec {e} = (cosα, sinα)" is written nearby, followed by a note "MP 与 e 向量同向，t 为正". Below this, a section labeled "设 P 在 M 下方" contains similar equations with circled terms and the note "MP 与 e 向量反向，t 为负". In the middle left area, the text "设 t = ±|PM|" sits above a central equation set "x = x₀ + tcosα" and "y = y₀ + tsinα" labeled "(t 为参数)". The lower left section is titled "直线参数方程" and "标准形式" with a circled "标准" and a reddish-pink star. A numbered list follows: "(1) |t | 为动点 P 到定点 M 距离。", "(2) t 符号由方向决定", "(3) 已知参数方程，过定点和倾斜角", and "(4) 0 < α < π，cosα 可正可负，sinα 只能为正，sin²α + cos²α = 1". The right side of the board lists class information in large vertical white characters: "第六周", "值周小组", "第三组", "值周班长", "潘伟", "值日生", and "夏念慈". Below the names, a section titled "学习目标:" lists "1. 理解并掌握直线参数方程", "2. 利用直线参数方程解决问题", and notes that total students and present students are both "50 人". To the left of the board, a partial white projection screen shows a vertical strip of small text. To the right, a poster with a blue header and a green grassy background contains Chinese text including "社会公德:" and "个人品德:". A white paper notice is attached below the poster. The wall below the board is tiled with white squares. An orange perforated chair back and a small purple object are visible at the bottom right. The lighting is artificial and even, creating a slight sheen on the board's surface.


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A grey HUAWEI laptop sits centrally on a desk, with the brand name "HUAWEI" visible on the bottom bezel and stickers on the right side of the palm rest. The screen displays a presentation slide with the header text ">>> 第七章 战略性计划与计划实施 第一节 战略环境分析 QQ 群：811044105 公众号：卓尔不同" and a section title "一、外部一般环境". The main content features a curly brace labeled "一般环境 (天)" pointing to four sections marked with letters. The text reads: "P：政治环境：社会制度，执政党性质 政府法令方针", "E：经济环境：宏观、微观，人口、国民收入、国民生产总值、消费、收入、储蓄、就业", "S：社会文化环境：教育程度文化水平，审美观念、宗教信仰，风俗习惯，价值观", and "T：技术环境：技术发展，国家支持、开发费用、技术商品化速度、专利保护". A small image of a green sprout against a blue sky is on the right side of the slide, and a small video feed of a short-haired man appears in the bottom right corner of the screen. A taskbar with various icons is visible at the bottom of the screen. To the left of the laptop stands a large, matte yellow water bottle featuring a cartoon character with round ears and a small face, with the text "PURIN CO.,LTD" near the bottom. To the right of the laptop is a plastic bottle of coffee with a red cap and a dark body featuring a red swirl design and the text "NESCAFÉ" and "经典咖啡". A white hairbrush with white bristles sits next to the coffee bottle. In the foreground on the left, an open notebook displays pages filled with dense text and lines highlighted in yellow and orange. In the foreground on the right, loose sheets of paper contain handwritten Chinese notes. A bright red pen and a black pen lie diagonally across the handwritten papers. A white marker with the text "MARKER" lies horizontally near the right edge, and a portion of a pink mouse is visible in the bottom right corner. A small white computer stand is visible near the laptop's right palm rest. The scene is illuminated by artificial indoor lighting against a plain off-white wall background.


This vertical composite image is divided into three horizontal panels. The top panel displays a signpost against a cityscape background under a blue sky with wispy clouds. The largest sign at the top is a green shield shape with a yellow semicircle at the top, stylized white mountain peaks, and a thin white border around the semicircle. It features two white graphics above the large white number “4800”, with a smaller vertical “cm” to its right. Below the number, the text reads “Twin Hills” above the Chinese characters “魔都必登”. On the right side of the sign, a yellow circular shape contains a green badge with a jagged edge and an inclined rectangular frame printed with the Chinese text “双子山”. Below the main sign, several smaller rectangular signs are attached to the silver pole. The first is a white sign with dark green sans-serif text reading “SHANGHAI EXPO” on the top line and “CULTURE PARK” on the bottom line. Below that is a dark green sign with a white location pin icon on the left and the coordinates “121.49, 31.18” in white. The next sign is white with the Chinese text “顶峰相见 小心高反” in dark characters. A partially visible sign at the very bottom of this section has a green background and shows the top of a heart symbol and the partial text “SHANGHAI”, likely reading “I Love Shanghai”. The background shows a landscape with brownish vegetation and trees in the middle ground, and a city skyline with high-rise buildings and a prominent white arched bridge in the distance.
The middle panel is a minimalist shot of tree branches against a clear, solid blue sky. A larger tree structure with bare, twisting branches and small dried seed pods extends from the left side, reaching towards the center. A smaller, thinner branch structure extends from the right side. The branches are dark brown and gray.
The bottom panel captures tree branches against a clear blue sky. On the left and extending toward the center, bare branches reach diagonally upward and to the right, covered with numerous small, delicate white buds or flowers. On the right side and occupying the bottom right area, there is dense foliage with leaves ranging in color from yellowish-green to dark green. Sunlit leafy vegetation is also visible at the very bottom edge of the frame. The lighting in all panels is natural and bright.


A vast, unbroken sheet of white ice dominates the lower half of the composition, presenting a smooth, minimalist texture with very faint, sweeping shadows visible near the bottom edge. A distinct horizontal boundary separates the frozen surface from the land in the middle ground, marked by a long, thin railing and small, low-lying structures positioned along the shoreline. Rising behind the shore is a wide hill densely covered with vegetation that exhibits the muted tones of winter, including dark evergreen patches and extensive areas of bare, brownish-grey branches and leafless trees. Nestled centrally within the foliage is a complex of traditional Chinese architecture, highlighted by the prominent Tower of Buddhist Incense. This multi-tiered structure sits atop a massive, light beige stone foundation and features intricate eaves with reddish columns and decorative roof tiles. Smaller buildings with orange and reddish roofs and traditional curved roofs are scattered across the hillside below and around the main tower. A small, slender vertical structure is visible on the hill to the left of the central complex. The upper half of the image is filled by a clear, cloudless sky that transitions in a smooth gradient from a lighter cyan-blue near the horizon to a deeper, richer blue at the very top. The scene is illuminated by bright, directional natural sunlight coming from the left, which casts shadows on the right side of the architectural elements and within the tree canopy. The image utilizes a wide shot perspective with a layered composition, contrasting the bright white foreground and blue sky with the textured, earth-toned middle ground.


In the foreground and mid-ground, various amusement park attractions create a vibrant scene. A purple roller coaster track with a ladder-like structure and two long black linear elements curves upward from the bottom center towards the right. Artificial palm trees with dark green fronds are distributed throughout the lower area; a large palm tree on the left partially obscures the view of the attractions behind it. To the far left, a low fence consists of vertical panels in alternating colors of blue, orange, teal, and magenta. Behind the palm tree on the far left, a yellow and blue ride structure with bucket-style seats is visible, resembling a small vertical Ferris wheel. In the center-left, a tall, intricate structure made of orange metal beams rises vertically, topped with a teal, pagoda-style roof with multiple internal staircases leading to a slide entrance on the right. Adj to it in the center is a teal framework supporting a platform where a group of people stands. Extending to the right, large tubular slides wind through the space; one section is orange, another is off-white, and another is green. In the lower right quadrant, a pool with a curved blue rim is filled with a white, snow-like substance rather than water. Several inflatable inner tubes in colors including pink and blue rest on the white surface. A person wearing a long black coat, black pants, white shoes, and a light pink headscarf stands near the pool's edge in the bottom right, facing away from the camera. A small portion of another person wearing a winter hat and dark clothing is visible at the very bottom edge near the fence. Behind the slides and tracks in the mid-ground, a low wall is decorated with a colorful mural depicting a tropical beach scene with blue waves and human figures. Real palm trees stand in front of the wall, distinct from the painted mural. To the right, a ride vehicle shaped like a vintage carriage with a pink curved roof, decorative elements, and black-and-white wheels runs on tracks. In the background among bare tree branches stands a vertical tower structure with a white spherical top decorated with pink dots, a flat platform below, and a multi-colored vertical body below that. A building with pinkish walls and windows is visible on the far right. The background is dominated by a skyline of tall buildings. A large building with a grid-like facade of numerous rectangular windows and a stepped roofline stands prominently on the right side of the skyline. A tall, solid, rectangular skyscraper with a light grey or metallic surface rises next to it. A modern building with a blue glass curtain wall is situated behind the orange tower structure. A distinctive building with a geometric, angular shape and a diagonal cross-braced facade is visible in the distance to the left of the orange tower. A blocky, beige residential-style building with rows of windows stands on the far left of the skyline. The sky occupies the upper portion of the image, displaying a smooth gradient from pale blue at the top to a soft, warm pinkish-orange hue near the horizon on the right side, suggesting the lighting of dawn or dusk. The lighting is soft and diffuse, creating a calm atmosphere with low contrast.


A towering skyscraper with a unique, hourglass-like shape and vertical linear textures, identified as the CITIC Tower, stands prominently in the center against a clear, gradient blue sky. To the left of the main tower is a rectangular building with a dense grid of dark windows. To the right is a curved glass building; behind the cylindrical structure, another high-rise building with a white grid pattern is partially visible, with the text “SAMSUNG” printed near its top edge. A horizontal architectural structure with a white, vertically slatted facade spans across the lower mid-section of the buildings. A sliver of another building with vertical glass elements is visible on the far left edge. In the immediate foreground, a blurry hand holds a thin, greyish-white vertical object that extends upward, creating a shallow depth of field and partially obstructing the view of the buildings. To the right of the object, a grey metal traffic pole supports a cluster of surveillance cameras and a traffic light showing an illuminated amber signal and a smaller red pedestrian light below it. To the right of the cameras stands a grey vertical pole with two street lamps on an upper arm and a white camera with a black lens mounted in the middle. On the far right, two beige buildings with rows of rectangular windows are visible. A few thin, bare tree branches hang down from the top right corner with sparse needle-like leaves. At the street level at the bottom, leafless trees line the road, and several vehicles, including a black SUV and a white car, are visible along with small figures of pedestrians. A section of green fencing is visible on the left side of the road near the bottom center, likely enclosing a sports court such as a basketball court. A projecting structure with a glass facade sits beneath the white slatted structure. The scene is lit by bright natural sunlight coming from the right, creating distinct shadows on the left sides of the buildings and the beige structures.


This high-angle, panoramic landscape photograph depicts a sprawling village situated in a valley during early morning or winter twilight. The scene is dominated by a vast array of houses with pitched roofs, all heavily blanketed in thick layers of snow that reflect the ambient blue light of the evening. Scattered throughout the settlement, warm golden-yellow artificial lights emanate from windows and street lamps, creating a vibrant contrast against the cool blue and white tones of the snow-covered landscape. In the lower and middle sections of the village, clusters of parked vehicles, including white, black, and dark-colored SUVs and green trucks, are visible on cleared patches of ground and roads. A black SUV is also parked near a house entrance in the lower area. The lower left area also features fenced enclosures and small, dark structures, with indistinct dark shapes resembling livestock or figures within the fenced areas. A band of dark coniferous forest and sparse, leafless trees separates the village from the rising slopes in the background. A distinct horizontal layer of mist or low-hanging fog hovers above the village near the tree line on the left side, adding a soft texture to the scene. A linear structure with a continuous string of bright lights extends horizontally across the middle distance near the right side of the image. The background features a range of rolling mountains and hills that rise towards the top of the frame. The mountain slopes display a mix of smooth snowfields and darker, textured patches of vegetation and rock. A large, prominent hill on the right side is largely dark and covered in vegetation, while the mountain peaks in the far distance and to the right show patches of snow and rugged terrain. The sky above the mountain ridge exhibits a smooth gradient, transitioning from a band of warm yellow and soft orange light just above the horizon to a pale lavender and light blue hue at the very top of the image. The lighting combines the natural gradient of the twilight sky with the artificial warmth of the village lights, resulting in a high-contrast color palette of cool blues and warm golds.


Under a vast, cloudless blue sky, the majestic Sun Yat-sen Memorial Hall dominates the scene with its traditional Chinese architectural style. The building features multiple tiers of sweeping roofs covered in deep blue glazed tiles, culminating in a golden spherical finial at the very peak. Small bells hang from the upturned eaves of the roof layers. Between the roof tiers, the structure displays intricate decorative elements, including horizontal friezes with geometric patterns in pastel shades of blue, beige, and light orange, and rows of rectangular windows with reddish-brown frames and latticework on the upper levels. A horizontal plaque is mounted centrally beneath the middle roof tier, displaying the golden Chinese character “为公” on a reddish-brown background. Thick red columns support the lower sections of the building, creating a shaded portico area with dark doorways and windows visible in the background.
In the center mid-ground, a bronze statue of Sun Yat-sen stands atop a tall, tiered beige stone pedestal. The figure is depicted wearing a long, buttoned tunic suit and trousers, holding a cane in his right hand while his left hand rests near his waist. A rectangular plaque with dense columns of small, illegible text is embedded in the front face of the pedestal. Vibrant purple and maroon flowers grow along the base of the pedestal and the building's foundation.
In the foreground, a decorative display structure curves across the lower portion of the view. A film-strip-style band with a gold border and white rectangular sprocket holes runs diagonally and curves to the right. Inside the frames of the strip are various images: on the left, a color photograph shows a blue-roofed building with red walls and red and green vegetation; next is a black-and-white historical photograph of a group of men in suits standing together; followed by another black-and-white wide shot of a large crowd or assembly; then a color photograph of a building with a crowd of people in white clothing; and on the far right, a partial view of another frame showing a group of people on a red ground. The spaces between and around the film strip are filled with textured green artificial foliage. To the left in the immediate foreground stands a large, angular geometric structure with a matte reddish-orange finish and bronze-colored rectangular panels and circular details. A section of a black fence with vertical slats is visible at the bottom left edge. A glimpse of green tree foliage appears on the far left edge behind the structure. Small figures of people are visible in the distance near the building's entrance at the bottom right. The scene is illuminated by bright, directional natural sunlight coming from the right, creating distinct shadows on the left side of the statue and the building's architectural details.


This landscape photograph is rotated 90 degrees counter-clockwise, positioning the ground on the left and the sky on the right. The left section of the image shows a snow-covered ski slope with a textured surface of ski tracks and cool blue shadows. A series of red mesh safety netting runs diagonally across the slope and bends and extends vertically near the upper left edge, forming arched structures with several faint yellow patterns on the netting. Several small, dark figures of skiers and snowboarders are scattered across the white expanse, appearing as silhouettes against the snow. A vertical band through the center of the image displays a rugged, snow-covered mountain ridge, behind which lies a large area of dark buildings, creating a high-contrast pattern of deep blues and blacks. A ski lift system extends across the scene, with thin cables and several dark reddish-brown gondola cabins suspended in the air. One metal support tower is visible near the bottom of the central mountain section, with two additional metal support towers to its right. Two plumes of white smoke from chimneys are visible between the buildings. The right side of the image is dominated by a vast sky featuring a band of deep blue and a thin strip of pinkish-orange hues near the horizon line. A bright sun bursts through a layer of clouds in the middle-right area, emitting an intense golden and yellow light that illuminates the surrounding cloud formations. The clouds extend toward the right edge with wispy, layered textures in shades of cream, gold, and greyish-white against patches of lighter blue sky. In the bottom right corner, a portion of a building structure is visible, featuring a curved reddish-brown roof and a dark panel with a partial white graphic design. A gondola hangs between this structure and two white pillars to its right.


A narrow stream of dark, reflective water flows centrally through a lush, overgrown garden scene, extending from the bottom of the frame toward the middle distance. The right side of the composition is dominated by a dense vertical cluster of tall bamboo stalks, exhibiting shades of muted green and greyish-blue, with slender leaves interspersed among the upper sections. In the immediate foreground on the right and bottom, leafy shrubs with broad, glossy green leaves and some dried brown foliage extend across the view, partially obscuring the water and lower bank. The left bank features a variety of vegetation, including low-lying ferns and distinct fan-shaped palm fronds near the water's edge. A section of dense, dry brownish stalks and withered foliage rises in the mid-ground on the left, contrasting with the surrounding greenery. Several thin tree trunks rise vertically and diagonally on the left, while a thicker, textured tree trunk leans diagonally across the upper center of the frame, reaching toward the right. A canopy of leafy branches fills the upper portion of the image, filtering the light and leaving only small patches of bright sky visible near the top edge. On the far left edge, partially hidden by the foliage, parts of a structure with white walls and dark window frames or pillars are visible. In the background at the end of the stream, a building features a traditional sloping roof with reddish-brown tiles and a white wall containing an arched doorway or window. A small patch of bright red is visible within the arched opening. A small wooden bridge or walkway spans the water near the building, where small, indistinct figures of people can be seen standing. The scene is illuminated by soft, diffused natural light, creating a calm atmosphere with low contrast and natural tones.


A distinct grid pattern from a window screen overlays the entire scene, creating a mesh-like texture across the view. In the immediate foreground and lower half, the rooftops of buildings are visible; the lower structure features a multi-peaked roof with angled sections where snow has accumulated, revealing underlying diagonal reddish-brown and grey corrugated textures and dark blue trim along the ridges. A small white circular vent protrudes from the bottom edge of the roof. To the left and slightly further back, a rectangular building with beige block walls and a horizontal reddish-brown trim band has a flat roof covered in snow, with a patch of dark discoloration on the upper left slope and two small rectangular latticed vents near the top. A silver car is parked in the snow near the base of this building. On the far left, a cluster of leafless trees with intricate brown branches extends vertically, and two blue waste bins sit near the bottom edge of the frame. To the right of the beige building, a smaller, lower structure with a snow-covered roof sits adjacent to a snow-covered lot where a small red utility vehicle is parked near a pile of shoveled snow. A vertical white sign frame stands in the snow on the right side of the lot. In the middle distance, a street intersection is visible with traffic lights and overhead wires. A low-rise commercial building with a beige upper story and a red brick lower story features multiple rectangular windows with white frames. To the right of the brick building, a single-story structure with an orange and tan facade displays a circular logo sign with red and white elements and a vertical sign board with indistinct graphics and text. A yellow diamond-shaped road sign is visible near the road. In the background, a larger multi-story building complex rises, featuring sections of grey, white, and dark brown cladding. A circular logo sign with a blue background and a stylized red and white graphic is mounted near the top of the dark brown section. To the far left in the distance, a tall reddish-orange brick building with a vertical chimney-like structure stands against the horizon. A line of bare trees and a distant church spire are visible on the far right horizon against a clear, pale blue sky. The scene is illuminated by directional sunlight coming from the right, casting distinct shadows to the left of the buildings and trees.


This realistic outdoor photograph depicts a quiet lane defined by traditional Chinese architectural elements and natural framing. On the left, a long wall stretches diagonally away from the viewer, featuring a white surface punctuated by a repeating series of arched, recessed niches that create deep shadows. The top of this wall is capped with rows of dark, curved roof tiles covered by a concrete slab overgrown with weeds. Rising from behind the wall, several trees extend upward and across the upper portion of the frame; some branches are bare and intricate, while others bear clusters of dark leaves, creating a complex silhouette against the sky. Equally spaced vertical white poles are visible among the tree trunks. On the right side of the alley, a building structure features a white wall and a roof with distinctive stepped, geometric ridge ends and dark tiles. A patch of faint reddish light reflects on the upper section of the right-hand wall. In the distance, where the alley narrows, a small, bright yellow-orange sun is visible just above a line of dark, dense trees, partially obscured by foliage. A thin wire cuts diagonally across the lower part of the sky near the sun. At the far end of the path, a small white wall section contains a rectangular window with a decorative lattice pattern. In the lower right quadrant, a person dressed in a jacket and trousers walks toward the camera along the paved ground, holding a leash attached to a small black dog walking beside them. The sky occupies the upper and central areas, displaying a smooth gradient from a lighter peach tone at the top to a deeper orange near the horizon. The lighting is dominated by the backlight of the setting sun, resulting in low-key lighting in the alleyway and high-contrast silhouettes of the vegetation and architectural details against the bright sky.


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This wide-angle night photograph presents the vibrant cityscape of Shanghai's Lujiazui district across the Huangpu River. In the foreground, a tiled riverside promenade stretches across the bottom of the frame, separated from the river by two types of railings: white movable temporary railings—three on the left and one on the right—and fixed blue railings that run along the entire edge of the promenade. Behind the railings on the left stand two dark, leafy trees, with the tree on the right appearing denser; a few indistinct human figures are visible near the far left edge. Prominently positioned in the center-right foreground is a tall white vertical pole equipped with multiple security cameras and a lighting/rainproof fixture. On the far right edge, part of a structure with blue and yellow illuminated panels is visible. The Huangpu River occupies the middle ground, its rippling surface reflecting city lights in streaks of pink, purple, and gold. On the right side of the river, a boat with bright white and yellow lights is sailing. The skyline in the background features multiple iconic skyscrapers against a dark, slightly grainy sky. On the left, the Oriental Pearl Radio & TV Tower has its spheres illuminated with pink and blue lights, topped with a slender spire. Among the central building cluster, a tower’s large LED facade displays a vertical composition: a white serif letter "I" at the top, a large orange-red pixel-style heart in the middle, and a large white Chinese character "侬" at the bottom. To the left of this building, another skyscraper’s vertical screen shows a red heart and blue graphics, with small orange illuminated Chinese characters "震旦" near the top. To the right of the central cluster, many rectangular high-rise buildings reveal grids of warm yellow and white interior lights; one building has a red illuminated sign near its roof. On the far right, the Shanghai Tower rises significantly higher than other structures, featuring a twisting, translucent exterior with horizontal light bands and bright white illuminated Chinese characters "欢迎您" at the very top. Behind the rectangular towers to the left of the Shanghai Tower, a building with a pointed spire is visible.


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This vertical collage consists of three separate images stacked from top to bottom. The top photograph depicts a busy market street paved with light gray cobblestones, set against a large, rugged gray mountain covered with sparse green vegetation. Overhead white wires stretch across the street, decorated with strings of colorful pom-poms and large white circular ornaments printed with blue, red, and orange geometric star patterns. On the left, a shop with an orange wall displays racks of hats and hanging decorations; a large translucent plastic bag rests on a wooden stool in the foreground. A woman with short gray-white hair, wearing a purple sweater, a patterned skirt, and brown long pants, stands near the hat display holding a blue cloth; behind her stands a person wearing a red hat, a black top, and white pants. On the right side of the street, a person in a white jacket and black pants walks away from the camera. Further down the path, a small white and orange vehicle is visible among other pedestrians. The middle image is a close-up shot of textiles and various bags. At the center, a rectangular mirror with a bright orange frame is placed diagonally, reflecting blue sky, white clouds, and hanging beige tassels. To the left of the mirror, a bag with green, brown, and orange geometric stripes stands next to a multicolored striped bag with blue and white tones, woven with the text "CUSCO". To the right of the mirror, a bag with horizontal orange, red, and black stripes has a small green logo above the printed text "CUSCO". On the far right edge, a blue bag shows partial curved text and geometric patterns. The background consists of draped fabrics: a white cloth with gray geometric patterns, a solid orange cloth, a green cloth with white floral patterns, and a dusty pink cloth with dark brown floral motifs. The bottom image shows an outdoor market scene under a blue sky with white clouds. In the right mid-ground, a building has a white plastered upper section with a large arched opening and a tiled roof, with a base made of rough brown-gray stones. On the left mid-ground, a low stone wall extends horizontally. In the foreground, various goods are laid out on blankets and tarps for sale. On the left stands a woman wearing a wide-brimmed reddish-brown hat, a white long-sleeve shirt, a patterned red sleeveless vest, and a long black skirt. Several people sit on the ground among the goods: in the center-right, one person sits under a large black sunshade, with another person wearing a red hat to his right, and a person in a black duckbill cap, black jacket, blue inner shirt, and light blue jeans standing further away. A man wearing a white sleeveless jacket and a hat walks near the stone wall on the right, pulling something. Several other people are under the archway, including one in a white jacket and a blue duckbill cap. In the background, lush green terraced hills with vegetation and scattered trees rise toward the sky.


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This high-angle vertical photograph shows a section of paved road cutting through massive rock formations inside a cave or tunnel. The upper part of the frame is dominated by a rugged cave ceiling and walls, featuring blocky protrusions and deep fissures that indicate a fractured geological structure. The upper rocks display shades of light beige, pale gray, with patches of rust-orange and ochre. Below, the rock surface transitions to a more granular, craggy texture with intricate, uneven patterns and small protrusions highlighted by light. A curved tunnel opening on the mid-left creates a pitch-black shadowed area where the road bends and disappears. The road itself is dark asphalt, curving from the tunnel opening toward the bottom right corner. A solid light-gray line separates the pavement from the rock wall on the right and the rough ground on the left; part of a dashed white lane marking is visible on the bottom right of the road surface. To the left of the road, occupying the lower foreground, are mounds of loose sandy soil and rough eroded rock with a coarse, grainy texture. One section of this lower terrain is illuminated by a directional light source, showing vivid reddish-brown and tan tones, while adjacent areas fall into dark brown-black shadows. Between the road edge and the rock wall on the inside of the curve lies a strip of loose gravel and dirt. The lighting is directional and high-contrast, emphasizing the three-dimensional texture of the rocks while leaving recesses and the tunnel interior in darkness.


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This high-angle aerial photograph captures a vast night cityscape viewed through an airplane window. The urban landscape below is defined by an orderly grid pattern, with major roads appearing as glowing golden-yellow and amber light ribbons crossing the frame diagonally and vertically. Between these bright 'arteries', huge rectangular blocks are filled with thousands of smaller scattered white and cool-toned light dots, forming a stippled texture against the pure black of unlit areas and building shadows. The road network on the left is more complexly curved and interwoven compared to the straighter lines in the center and right. Near the center of the view, a small isolated brighter area shows hints of green and white light. The upper part of the image is dominated by a hazy, semi-transparent reflection on the window glass, showing the interior of the aircraft cabin: the backrests of passenger seats, two rectangular mobile phone screens held by two people—one in a white top and one in a dark top—and vague shapes of bedding or fabric. A dark blurry vertical area obscures the far left edge, and the curved edge of the window frame is visible in the bottom right corner. A patch of bright hazy glare washes out details in the lower-right quadrant. The photograph has a grainy texture and soft focus, typical of low-light photography taken with a mobile device.


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In the immediate foreground, several large round woven bamboo baskets rest on wooden poles, holding various harvested crops drying in the open air. A prominent basket on the left is densely filled with bright red chili peppers; a basket to the right holds pale green leafy vegetables. Another tray below and to the right contains small white beans or seeds, and a partially visible basket on the far right holds light brown sliced dried goods. A fragment of a basket with small golden-yellow grains appears in the bottom-left corner. On the right, the bare branches of a deciduous tree stretch over a building with a textured, weathered white wall and a dark gray tiled roof. In the lower-left area, vertical strings of red chili peppers and a white sheet hang near a structure with an earthy brown-orange wall. The village buildings cascade down the slope into the mid-ground, characterized by numerous houses with dark gray tiled roofs and walls alternating between mottled white plaster and exposed brown earth. Smaller round drying trays with red and yellow contents are scattered across the village rooftops and open spaces. In the upper-right mid-ground, near the edge of the village, a cluster of trees has a mix of dense green foliage and bare branches. To the left of the settlement, a group of tall deciduous trees with reddish-brown branches stand on the hillside. The background is dominated by layers of mountains: the closer slopes on the left are covered in a textured mix of dark green and brown vegetation, while the distant peaks in the center and right form soft blue-gray silhouettes against a flat, pale gray-white sky. The scene is shot from a high angle with soft, diffused natural light, in a documentary style with low-contrast, muted tones in the landscape that contrast with the saturated colors of the crops.


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A narrow street recedes into the distance, filled with a dense crowd, flanked by buildings featuring traditional Chinese architectural features. On the left, a building has a gray tiled roof with decorative eaves, from which hangs a large red rectangular lantern. A maroon sign near the roof displays a yellow diagonal upward arrow and the Chinese characters "1912 年". Below, a shop has a striking red horizontal plaque with yellow calligraphic Chinese characters "棠糕" and a food picture; a vertical sign on the white pillar underneath shows large red Chinese characters "海棠糕". A small menu board lists items and prices: "酿藕汤 1 杯 10 元", "海棠糕 1 只 7 元", and "梅花糕 1 只 10 元". Mounted on the wall is a round red sign, partially blocked by diagonal black metal supports, with Chinese characters "宝丰海棠糕". A glass display case in the bottom left contains food items printed with the Chinese characters "海棠糕". On the gray brick wall near the ground, a white sign reads "雨天路滑 注意安全". A small label on the far left edge reads "酸奶". In the bottom left, a woman wearing a black jacket and a white hair clip sits low, eating from a wrapper; nearby stands a woman in a black padded coat with a light purple backpack, holding red, white, and yellow plastic bags. Further down the left side, many signs are visible, including a vertical red sign with Chinese characters "黄金烤猪脚" and "20 元 / 份", with small red signs in front of the food below reading characters such as "年老卤老字号". Many lanterns hang in front of the attic at the top left: a large red lantern closer to the camera connected by silk threads, positioned forward of a long black pipe, and many gray lanterns further away. The lantern nearest the camera has Chinese characters "二楼小", with the last character obscured by a horizontal black pipe. On the right side, the upper levels of the buildings feature dark reddish-brown wooden facades and lattice windows. A thick gray pipe runs horizontally across the upper street, connecting the buildings. On a white wall section on the right, multiple electrical boxes and a tangle of messy black wires are installed; a white box has a blue label and Chinese characters "古镇监控", with a security camera mounted near the wires. In the upper right corner, a large sign is a red square with stylized Chinese characters "古镇". A shop window displays a large poster of stacked golden potstickers with Chinese characters "现做现烤 七宝老街的味道". Inside the shop, a blue road sign reads "七宝古镇"; above the store is a maroon sign, with a white board beside it reading "南大街", partially covered by gray stains. A vertical red sign near the entrance of the adjacent shop reads "网红烤猪蹄". In the right foreground, a patch of green bamboo-like foliage grows next to the wall; a white notice board with a small photo and text—showing the police official responsible for the street—is attached to the wall. Below it, a sign with a red prohibition circle and a bicycle icon reads "共享单车 外卖车辆 快递车辆 禁止入内". The crowd occupies the center and right of the path. In the center-right mid-ground, a man in a black jacket stands with his back to the camera, looking right; to his right, a person wears a jacket with a light gray hood lining; further right, a person in a thick white puffy jacket and a white baseball cap faces front-right. In the bottom-right foreground, a young man with short black hair wears a black jacket with white striped collar, looking left; at the bottom-right edge, part of another young man in a black jacket with a backpack is visible. In the mid-distance crowd, a person in a bright red jacket and a gray duckbill cap is visible; to his left, a person in a gray hat faces the left shops, wearing a brown down jacket, black pants, and black shoes. The street extends into the background, with more people and hanging signs visible under a bright, hazy white overcast sky.


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This high-angle vertical photograph depicts a ski lift system traversing a steep snow-covered mountain slope. A thick, stranded black cable extends diagonally from the upper right edge toward the center. In the lower mid-ground, a ski chair carrying passengers is viewed from behind; the two chairs closest to the camera on the right each hold five people. Silhouettes of passengers’ heads and upper bodies are visible above the seatbacks, with their lower bodies and ski equipment hanging below. On the left, part of another chair is visible at the frame edge, with a small white number marked on its upper metal structure, indicating chair numbering. The downhill chairs are all unloaded, suggesting that visitors take the lift uphill and ski down. Two vertical metal support towers stand in the mid-ground, with another further up the mountain, supporting the cables and additional chairs receding upward along the line. A cleared snow run runs down the center, marked with irregular tracks and textures. Dense coniferous forests flank both sides of the lift line: trees in the upper and middle sections are heavily covered in thick white snow, creating a bright textured appearance; trees in the lower sections and on the right have thinner snow cover, revealing more dark green and blue-gray foliage. In the background at the top of the slope, a lift terminal structure and a mountain ridge fading into thick, bright white mist and clouds are visible, with the summit obscured. Faint dark spots and artifacts are scattered across the upper sky area, resembling out-of-focus snowflakes or smudges on the lens. Lighting creates strong contrast: the upper section is brightly sunlit, while the lower slope and trees are covered in cool blue-toned shadows.


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The lower half of the frame is a large expanse of dark ground resembling a lawn or field, with faint details visible in dim ambient light. Across the mid-ground, a row of decorative lights and structures forms a horizontal band of illumination that stands out in the darkness. On the left, several tree-like forms and angled supports are wrapped in LED light strips, displaying bright blue, cyan, white, and occasional red and green tones; a red car is faintly visible parked near these lights. Near the center, a white SUV and another light-colored vehicle are parked on a road or paved area, next to a smaller vertical light installation and a faint red light source. Slightly right of center, a tall cone-shaped structure resembling a Christmas tree is densely covered in blue, purple, and white lights. Next to this 'tree' stands a building with a gabled roof, vertical pilasters, and dark rectangular windows; its surface reflects soft reddish-brown tones from nearby artificial lighting. Many cone-shaped barricades are distributed on the road in front of the building. To the right of the building, another tall, irregularly shaped light structure glows with purple, blue, green, and white lights. Near the far right edge stands a smaller, isolated vertical light element. Faint distant lights are visible in the deep background on the far right. The upper half of the image is filled by a vast, solid black sky with no visible stars or clouds. The photograph has a grainy texture and high noise, typical of low-light photography taken at high ISO or with a mobile device.


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This realistic photograph shows detailed views of the exterior facade of a multi-story apartment building, filling the entire frame with a complex pattern of architectural elements. The building surface is textured and weathered, showing patches of peeling paint and discoloration in beige, dusty pink, and gray. A repetitive grid dominates the left and center, consisting of rectangular windows and larger solid panels. Many windows are fitted with vertical metal security bars or grilles; numerous box-type air conditioning compressors are mounted on the exterior walls, often with metal brackets and exposed piping. Metal drying racks extend from several windows with various laundry items: a large bundle of white and cream fabrics—likely bed sheets and quilts—hangs prominently near the upper center, while smaller dark and blue items appear on racks in the lower and left sections. A distinct vertical zone runs down the right side, featuring repeated rectangular grid-like lattice vents in reddish-brown. Near the top of this lattice section, an extended metal frame structure is visible, partially covered by white sheets or materials. A sharp diagonal shadow cuts across the building, creating dramatic lighting: the upper and right parts of the facade are bathed in warm golden sunlight—likely low-angle light at sunrise or sunset—enhancing textures and casting sharp angular shadows from protruding elements. In contrast, the lower and left sections fall into shadow, showing cool tones of gray, soft blue, and dark brown. Some solid wall panels feature dull blue-gray rectangular patches, while other areas retain faded beige or dirty white tones. The leftmost row of windows has a distinctive design with multiple angled louvered panes. A small window near the bottom left reveals a glimpse of teal or cyan inside. The photograph is taken from a low-angle upward perspective, emphasizing the height and density of the structure.


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The photograph provides a close-up view of the towering Grand Mahayana Pavilion in Quanzhou, rising against a gradient blue sky. The upper part of the building is circular and multi-layered, crowned with a golden finial with intricate carved details. Below the finial, the roof is laid with reddish-brown tiles in vertical rows. The circular main body of the tower has golden walls with rows of rectangular panels featuring grid patterns, and complex repeated bracket structures under the eaves. Attached to the upper left of the circular structure is a vertical red plaque with a gold border, displaying vertical golden Chinese characters "大乘阁". Between the roof layers, a horizontal decorative band runs around the structure, featuring a repeating pattern of small colorful symbols and characters on a white background. In the lower-left and central foreground, another roof section extends diagonally, characterized by reddish-brown tiles and elaborate decorative elements: a sculpted green dragon with blue and red decorations curves along the roof ridge, accompanied by small red ornaments. The triangular gable area beneath the dragon ridge features colorful relief carvings of figures and patterns in red, orange, and cream. To the right, a small lower roof section is visible, topped with a small golden vertical sculpture of a figure holding objects, wearing a hat and a ribbon around the neck, supported by golden columns and railings with geometric lattice designs. A fragment of another reddish-brown roof structure appears in the bottom right corner. A yellow vertical pole stands near the right side of the structure. Two white doves—likely stone carvings—are visible on the eaves in the mid-right area. At the very bottom edge of the image, a line of mirrored and reversed text reads "PHOTOGRAPHER BY WANGQIAOQIAO". Warm sunlight shines from the right to the left, creating bright highlights on golden surfaces and deep shadows within architectural recesses, resulting in a high-contrast, highly saturated image.


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The lower half of the frame is dominated by a vast expanse of water, deep blue in color, covered with fine ripples. Bright sunlight strikes the water surface, creating countless intense white specular highlights shimmering across it. A horizontal strip of land separates the water from the elevated mid-ground terrain, covered with dry beige grass and low vegetation. A cluster of dark coniferous trees stands on the left side of the shore, while a denser line of tall pine trees rises diagonally up the slope on the right. At the far right edge near the water, a dark wooden structure resembling a dilapidated platform or foundation is partially visible, with faint human figures on it. The background consists of steep mountain slopes occupying the upper portion: the upper-left section of the mountain shows lighter tones with patches of white snow and pale vegetation, while the rest is forested and rendered in hazy blue-gray due to atmospheric perspective. Near the top edge of the frame, horizontally centered against the mountain background, a line of widely spaced white sans-serif lowercase letters spells "q i y u k o". The image uses a cool color palette with low saturation, and a long focal length compresses the distance between the forest and mountains.


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This vertical landscape photograph presents a full view of a valley in full autumn splendor. The upper part of the frame is dominated by jagged mountain peaks covered in thick white snow, revealing dark rock in crevices. Above the peaks, the sky is a clear cerulean blue, with soft white clouds gathering and drifting in the upper right. The slopes descending from the peaks show distinct vegetation patterns: the left slope features large areas of dark green coniferous forest, gradually transitioning into bands of vivid golden-yellow trees lower down; in contrast, the right slope is densely covered with golden vegetation that extends higher up, eventually meeting snow and bare rock near the summit with scattered green accents. In the mid-ground of the valley, a strip of light-colored road and dry earth separates the forested slopes from the valley floor below; the left mid-ground shows green and golden-yellow vegetation. The lower half of the frame features terrain covered with low shrubs and vegetation in earthy tones of rust red, reddish-brown, and dry brown. In the bottom right, a striking bright golden-yellow tree stands out against dark bushes. A winding stream with shallow banks and scattered driftwood snakes through the bottom of the frame. On the lower right slope, a small building with a light-colored roof and supporting structures nestles among the shrubs; a narrow path leads to the building, with tiny human figures visible on it to provide a sense of scale. The overall lighting is bright natural sunlight, creating strong contrast and emphasizing the rich saturation of autumn colors, which stand in sharp contrast to the cool tones of the snow and sky.


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This high-angle photograph reveals a vast bay where countless limestone karst islands rise abruptly from calm emerald-green seawater. In the mid-ground, large rock formations dominate the frame: the formation on the left features distinctive light gray cliffs with vertical weathering marks and a unique concave notch near the waterline forming a small arch-like shape; a small boat is moored near the base of the notch. On the right, a larger and more imposing island rises steeply, with dense patches of dark green vegetation covering its upper slopes and summit. The lower part of this island’s face near the waterline shows a prominent reddish-brown discolored area that contrasts with the surrounding gray rock. A white multi-deck cruise ship sails in the waterway between these two central landmasses. In the bottom right corner, a long segmented reddish-brown boat structure stretches horizontally across the water, with smaller white boats and dinghies scattered nearby. In the lower foreground, parts of other smaller islands are visible, along with a cluster of red dinghies near the bottom edge. On the far left, several reddish-brown boats cluster near the water. The background extends into the distance, with layers of smaller jagged peaks and islands receding toward the horizon, where hazy blue mountain silhouettes are visible against the sky. Small boats are scattered in the distant waterways. The lighting is bright and directional, casting clear shadows on the right sides of the rock formations and emphasizing the textures of the vegetation and rock surfaces.


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This realistic landscape photograph shows a woodland with dense trees displaying various autumn tones, including bright golden-yellow, ochre, and brownish-orange. In the upper left, a large tree has dark golden-brown foliage; strong backlighting from the sun creates a soft green lens flare and a light spot near the branches. In the center and right, other trees have lighter, more vivid yellow leaves, while a tree on the far right retains pale yellow and faint green foliage. The tree trunks are thick and rugged, with deep grooves and textures in dark brown and gray; the trunks on the right grow at an angle, with twisted branches and exposed roots near the base. The ground is dry sand, pale beige and dusty gray, littered with abundant dead wood including fallen logs, broken branches, and jagged stumps. In the mid-ground and background, smaller trees and shrubs with yellowish-green foliage line the horizon. In the distance among the trees, tiny human figures are scattered: some appear to be walking, others sitting on fallen logs; one person near the center wears a bright pink top, while others on the right wear dark or blue clothing. The sky above is bright and washed out, nearly white pale blue in the center and upper left, and clearer light blue in the upper right. Strong sunlight shines from the upper left toward the right, creating a high-key lighting effect and casting shadows on the sandy ground to the right.


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In the foreground, two stylized swan sculptures constructed from bright blue translucent strips with a wavy texture dominate the scene. The swan on the right has a long neck extended upward with its head curved toward the center; the swan on the left has its neck curved downward and inward. Each swan has a distinct eye painted with a black pupil and white highlight. Directly behind the sculptures stands a large trimmed plant structure made of dense green foliage, shaped as two enormous curved "necks" meeting at the top to form a heart-shaped arch. Through the trimmed plant arch, a colorful floral arrangement with bright yellow and green elements is visible in the mid-ground. A ring of low potted plants surrounds the sculpture base: on the left are several white flower pots with visible red patterns containing round, dense green shrubs; in the center is a row of small brown flower pots with low plants bearing small yellow and deep crimson flowers; matching white flower pots are also visible on the right. The ground is covered with wood chip / leaf / gravel-like mulch. On the left, a tall white vertical pole extends upward, with yellow flowers growing near the frame edge. On the right background, a sunflower field stretches toward a crowd, with sunflowers featuring yellow flower heads and large green leaves. On the right edge stands a trash bin with gray-black and green compartments; beside it stands a person wearing a black mask, dark clothing, and a crossbody bag. On the left, a person with white hair and dark clothing holds a white package in their left hand and an orange-and-black item in their right. In the distant right, a group of tourists in various casual outfits—white, black, blue jackets—walk near a gray stone structure. On the horizon behind the garden area stands a line of trees with green and pale yellow foliage. The sky above is a clear solid blue with no clouds. Bright natural sunlight shines from left to right, casting clear shadows on the blue surfaces and emphasizing the textures of the sculptures and foliage.


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This high-angle realistic photograph provides a close view of an ancient cave temple complex carved directly from dark weathered rock. In the foreground, a large, rough, textured gray rock surface occupies the bottom area, acting as a framing element. The main structure in the mid-ground displays elaborate architectural carvings: on the right, a multi-tiered tower rises with stacked horizontal layers and decorative moldings, topped with a rounded domed finial; the tower’s rock surface shows dark gray and weathered reddish-brown tones, indicating age and erosion. The roof structures on the left and center include a circular platform lined with four sculpted figures resembling animals or mythical beasts arranged around a central point; beside this circular area is a rectangular section with smaller carved structures and decorative ridges. Further from the viewer lies a square platform, and beyond that a horizontally oriented cylindrical structure. Behind the temple structures rises a steep vertical rock face with vertical weathering streaks. On the right, the terrain slopes upward, covered with dry brownish-yellow grass and scattered trees with sparse foliage and bare branches; a small street lamp stands near the rock edge. In the left background, a wide view reveals a distant landscape including a winding paved road and a neatly landscaped garden area with green lawns and light-colored soil. Beyond lies a vast plain dotted with clusters of trees and vegetation extending to a hazy horizon under a flat, off-white overcast sky. Superimposed on the dark rock of the temple near the lower center is a white watermark containing a four-cornered bracket shape resembling a camera viewfinder, surrounding small, clean sans-serif text reading "@小野 | 小红书". The lighting is soft, diffused natural daylight typical of an overcast day, resulting in a low-contrast, gently toned image that creates a historic and atmospheric mood.


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This vertical high-angle photograph reveals a village situated in a valley between raised hills. In the mid-ground, a main residential building features a long white exterior and bright blue tiled roof; the smaller attached section to its left has vertically connected lower blue roofs and is equipped with a solar water heater with a distinctive red-and-white storage tank and collector tubes. A concrete courtyard lies in front of the building, with small trees and shrubs planted along its edge. In the background, two more buildings with white walls and gray roofs are visible on higher slopes: one near the center above an incline faces the camera, partially blocked by a tree near a doorway and the right hill, with a deep red double door—left open, right closed; another stands on the left with a tilted facade facing right, dark tiled roof, another slightly lower roof perpendicular to it, and laundry drying near the door. The surrounding hills are richly vegetated: the left slope features dark green coniferous trees, numerous deciduous trees with bare branches, dry grass, and bare soil, with a small rounded green shrub standing out; the right slope mixes bare trees, patches of reddish-brown foliage, and scattered trees with pale pink and white blossoms in the upper area. A narrow light-colored dirt road winds from the bottom right toward the central housing area. In the lower mid-ground to the right of the road, a rectangular cultivated plot holds neat rows of bright green leafy vegetables. On the far left of the mid-ground, a small rustic shed with weathered dark tiles sits beside a rough wooden structure and a pile of stored materials. On the dirt ground near the left edge, a small pink-and-white bicycle is parked, facing right with the front wheel turned toward the camera. Thin electric wires cross diagonally through the lower frame, and a utility pole with wires stands near vegetation on the right. The foreground is occupied by uneven terrain covered with dry brown grass, withered shrubs, and patches of low green vegetation. The sky above the hills occupies the top of the frame, pale blue with layers of thin white cirrus clouds. The lighting is soft and diffused, creating a natural and peaceful atmosphere with low image contrast.