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+{"doc_id":"doc_0","qid":"","text":"[PREVIOUSLY_ON]You make jumps you can't explain, Will. The evidence explains. Then help me findsome evidence. I wouldn't put him out there! Should he get too close, I need you to make sure he's notout there alone. I don't think the Shrike killed that girl in the field. This girl's killer thought that she was apig. You think this was a copycat? I think I can help good Will, see his face. Hello? Theyknow.(gunshots)You said he wouldn't get too close. See?(gunshots)(knocking)Jack: We're here!(policeradio chatter)Will: Could be a permanent installation in your Evil Minds Museum.Jack: Well, what welearn about Garrett Jacob Hobbs will help us catch the next one like him. There's still seven bodiesunaccounted for.Will: Yeah, well, he was eating them.Jack: Had to be some parts he wasn't eating.Will:Not necessarily.Jack: All right, what if Hobbs wasn't eating alone? It's a lot of work. Disappearing thesegirls, butchering them, and then not leaving a shred of anything other than what's in this room.Will:Someone he hunted with.Jack: Someone who is in a coma, who also happened to be someone he huntedwith.Will: Abigail Hobbs is a suspect?Jack: We've been conducting house-to-house interviews at theHobbs residence, and, uh, at this property also. Hobbs spent a lot of time here. Spent a lot of time withhis daughter here. She would make the ideal bait, wouldn't she?Will: Hobbs killed alone. Ah... someoneelse was here.[SCENE_BREAK](Applause)Will: Thank you. Please stop that. This is how I caught GarrettJacob Hobbs. It's his resignation letter. Does anybody see the clue? There isn't one. He wrote a letter, heleft a phone number, no address. That's it. Bad bookkeeping and dumb luck. (gasping) Garrett JacobHobbs is dead. The question now is how to stop those his story is going to inspire. (projector click) He'salready got one admirer. A copycat.[SCENE_BREAK]Will: Hi.Alana: How are you, Will?Will: Uh, I have noidea.Alana: Um, I didn't want you to be ambushed.Will: This is an ambush?Alana: Ambush is later.Immediately later soon to now. When Jack arrives, consider yourself ambushed.Will: Here's Jack.Jack:How was class?Will: Um, they applauded. It was inappropriate.Jack: Well, the review board would beg todiffer. You're up for a commendation. And they've, uh, okayed active return to the field.Alana: Thequestion is, do you want to go back to the field?Jack: I want him back in the field. And I've told the boardI'm recommending a psych eval.Will: Are we starting now?Alana: Oh, the session wouldn't be withme.Jack: Hannibal Lecter's a better fit. Your relationship's not personal. But if you are more comfortablewith Dr. Bloom-Will: No, I'm not going to be comfortable with anybody inside my head.Alana: You'venever killed anyone before, Will. It's a deadly force encounter. It's a lot to digest.Will: I used to workHomicide.Jack: The reason you currently used to work Homicide is because you didn't have the stomachfor pulling the trigger. You just pulled the trigger ten times!Will: Wait, so a psych eval isn't aformality?Jack: No, it's so I can get some sleep at night. I asked you to get close to the Hobbs thing. Ineed to know you didn't get too close. How many nights did you spend in Abigail Hobbs' hospital room,Will?Will: Therapy doesn't work on me.Jack: Therapy doesn't work on you because you won't let it.Will:And because I know all the tricks.Jack: Well, perhaps you need to un-learn some tricks.Alana: Why nothave a conversation with Hannibal? He was there. He knows what you went through.Jack: Come on, Will.I need my beauty sleep![SCENE_BREAK]Will: What's that?Hannibal: Your psychological evaluation. Youare totally functional and more or less sane. Well done.Will: Did you just rubber stamp me?Hannibal: Yes.Jack Crawford may lay his weary head to rest knowing he didn't break you and our conversation canproceed unobstructed by paperwork.Will: Jack thinks that I need therapy.Hannibal: What you need is away out of dark places when Jack sends you there.Will: Last time he sent me into a dark place, I broughtsomething back.Hannibal: A surrogate daughter? You saved Abigail Hobbs' life. You also orphaned her.That comes with certain emotional obligations, regardless of empathy disorders.Will: You were there. Yousaved her life too. Do you feel obligated?Hannibal: Yes. I feel a staggering amount of obligation. I feelresponsibility. I've fantasized about scenarios where my actions may have allowed a different fate forAbigail Hobbs.Will: Jack thinks Abigail Hobbs helped her dad kill those girls.Hannibal: How does thatmake you feel?Will: How does it make you feel?Hannibal: I find it vulgar.Will: Me too.Hannibal: Andentirely possible.Will: It's not what happened.Hannibal: Jack will ask her when she wakes up, or he'llhave one of us ask her.Will: Is this therapy, or a support group?Hannibal: It's whatever you need it to be."}
+{"doc_id":"doc_1","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. ABERNATHY RESIDENCE - DRIVEWAY -- NIGHT](Thelamp post light over the driveway flickers out then goes back on again.)[INT. ABERNATHY RESIDENCE -MASTER BEDROOM -- NIGHT](Open on a framed photo on the bedside table of a man and a womansmiling. Camera moves over and across the bed to the closed bedroom door. Under the door through thecrack we see swirling smoke seeping into the bedroom.)[MARTHA JAMES' BEDROOM](MARTHA JAMESsleeps quietly in her bed.)[SAM ABERNATHY'S BEDROOM](Camera sweeps low across the floor - alongthe thrown puzzle pieces littering the carpet and over to the bunk bed ladder. It rises up and finds SAMABERNATHY sleeping in bed.)[SCENE_BREAK][SABRINA'S BEDROOM](The focus is on the neatly madebed and the stuffed animal on it. Smoke rises up from the floor to cover the bed like a cloud completelyobscuring it from our vision.)[SCENE_BREAK][EXT. ABERNATHY RESIDENCE - FRONT YARD - NIGHT -LATER](The bedroom windows explode and a stream of fire bursts out of the house. A fireman walkingacross the lawn ducks instinctively.)Fireman: Go pull a line towards the garage.(The house is on fire andfire fighters are attempting to put it out.)(Two firemen assist MARTHA JAMES and JESSICA ABERNATHYout of the house.Jessica Abernathy: Sam?Fireman: (o.s.) Knock it down.Jessica Abernathy: (hysterical)Sam? Where is Sam?Fireman: You're going to be all right.(The firemen lead MARTHA JAMES and JESSICAABERNATHY across the lawn and away from the house fire.)Jessica Abernathy: What about Sam?!Sam!Fireman: I'm going to need you to stay right here, ma'am.Jessica Abernathy: Sam. Where is he?Where is...?(A FIREMAN pushes the door open and exits the house. He's carrying SAM ABERNATHY in hisarms.)Fireman: Hey, I got one more!(The FIREMAN carries SAM over to his mom and themedic.)Fireman: Here you go, pal. You stay right here with your mom.(The MEDIC takes SAM'Shand.)Fireman: Ma'am, is there anybody else in there?Jessica Abernathy: No.(The FIREMEN open anotherhose and aim it at the house. The house is on fire.)[SCENE_BREAK](CATHERINE and NICK carry their kitsand walk toward WARRICK who is standing on the side on the driveway next to the Arson Investigator,JACK. They're both watching the fire.)Catherine: Hey.(WARRICK and JACK turn around.)Nick: What'swith the 911 page? Fire's not even out yet.Warrick: Jack's an arson investigator. We were here on thissame street ten days ago.Jack: Garage fire a few houses down. Deemed intentional.Catherine: So youthink it's a serial?Warrick: I don't know, but I'm keeping my eyes peeled. Maybe they came back to takea look.Fireman: (o.s.) We got another one.(A FIREMAN comes out of the burning house carrying abody.)Fireman: Got another one.(He makes his way toward the medics. JESSICA ABERNATHY iscompletely confused, but she recognizes her own daughter.)Jessica Abernathy: Sabrina?Fireman: Weneed a paramedic right now. She's not breathing.(JESSICA kneels down next to her daughter.)JessicaAbernathy: Sabrina, what are you doing here? You weren't supposed to be here. Sabrina?(The MEDICSwork on SABRINA, but she's already gone.)Jessica Abernathy: (sobbing) Please help me.Please.Catherine: I think our arsonist just turned into a murderer.(Camera rises up above the scene ofthe PARAMEDIC working on SABRINA as sounds of her mother sobbing are heard.)FADE TO END OFTEASER ROLL TITLE CREDITS[SCENE_BREAK]FADE IN[EXT. ABERNATHY RESIDENCE -- NIGHT](TheCORONERS zip up the body bag with SABRINA ABERNATHY inside and put the gurney in the back of theCORONERS' van. CATHERINE and JESSICA ABERNATHY stand off to the side watching.)JessicaAbernathy: She wasn't even burned.Catherine: Smoke inhalation happens really fast. I'm so sorry. Iheard you say she wasn't supposed to be home tonight. Was she with her dad?Jessica Abernathy: Myhusband died five years ago in a car accident. She ... was at her friend Molly's house for a sleep-over. Atleast she was when I went to bed.Catherine: What time was that?Jessica Abernathy: I don't know, 11:00,11:30.Catherine: Mrs. Abernathy, do you have any idea what may have caused the fire?JessicaAbernathy: I go to bed, I make sure the lights are off, lock the doors.Catherine: Do you know anyonewho might want to set fire to your home?Jessica Abernathy: I go to work. I take care of my kids and mymother, and that's my life.[SCENE_BREAK][FRONT YARD - NIGHT - CONTINUOUS](NICK faces the crowdand takes photos of the curious onlookers.)Nick: Thanks a lot.(He snaps more photos, then puts thecamera down.)Nick: Okay, folks, any information you feel like you may have...(MARTHA JAMES taps"}
+{"doc_id":"doc_2","qid":"","text":"ARC OF INFINITYBY: JOHNNY BYRNEPart TwoFirst Air Date: 5 January 1983Running time:24:42[SCENE_BREAK]MAXIL: Take them away.[SCENE_BREAK]ZORAC: Each and every time the Doctorreturns to Gallifrey there's violence.HEDIN: Perhaps it is we who should modify our approach.ZORAC: Heresisted the guard!HEDIN: We send armed guards when a friendly face and a welcoming hand wouldhave sufficed. Are you surprised that he resisted?[SCENE_BREAK]NYSSA: He's hurt. He must have propermedical attention.MAXIL: He'll recover.MAXIL: The compound is guarded. If you try to leave again, mymen will shoot to kill. See that the Doctor knows.[SCENE_BREAK]THALIA: Well, where is he?CASTELLAN:The Doctor tried to evade security. Some force had to be used. He'll be brought here as soon as he'srecovered.THALIA: The situation is critical, Castellan.CASTELLAN: Of that fact I am more than aware. If Imay pass? I must give my report to the Lord President.[SCENE_BREAK]DOCTOR: Not the mostwelcoming return.NYSSA: They've taken the main space-time element.DOCTOR: That's the only way tokeep me and the TARDIS here.NYSSA: What do we do now?DOCTOR: We need a link. Something toprove the connection between this creature and Gallifrey.NYSSA: And how are we going to findthat?[SCENE_BREAK]CASTELLAN: Maxil. The Doctor is secure?MAXIL: Yes.CASTELLAN: The High Councilwish to see him the moment he's recovered. And Maxil? See that he's there, or you answer tome.[SCENE_BREAK]TANNOY: KLM announces the arrival of the delayed flight from London.STUART:Excuse me. Tegan Jovanka?TEGAN: Yes.STUART: Robin Stuart.TEGAN: Oh.STUART: I'm a friend ofColin's.TEGAN: Hello. Colin told me you were travelling round together. Is he here?STUART: I'm afraidnot.TEGAN: Oh. He is all right?STUART: Look, let's go into town and I'll tell you all about it,okay?[SCENE_BREAK]MAXIL: You're to come with us, Doctor.DOCTOR: There's no need for all the firepower.MAXIL: They have orders to kill at the slightest sign of resistance.DOCTOR: The Council Chamber,I suppose.MAXIL: Yes.DOCTOR: My companion is not involved in this.MAXIL: Move. My orders are to takeyou both.[SCENE_BREAK]TEGAN: Two coffees, please.TEGAN: When did you last see Colin?STUART:Well, it's difficult.TEGAN: What do you mean, difficult?STUART: It's hard to explain. He'sdisappeared.TEGAN: Disappeared? Couldn't he have just wandered off?STUART: You're not going tobelieve this.[SCENE_BREAK]DOCTOR: Councillors.HEDIN: Doctor. A pleasure to see you again.DOCTOR:And you, Hedin. Nyssa, my old friend, Councillor Hedin. Councillors, my companion, Nyssa ofTraken.THALIA: You are welcome to Gallifrey, Nyssa.NYSSA: Thank you.ZORAC: Well, Doctor, anunpleasant business, this. I'm sure you understand why the Lord President was forced to recallyou.DOCTOR: Given the chance, I would have returned willingly.CASTELLAN: You've never proved ascooperative in the past.THALIA: If you remember, you were asked to return Romana, and you failed to doso.DOCTOR: Romana chose to stay in E-space.HEDIN: That's all past history.DOCTOR: Yes. Well, nowthat I'm here, Thalia, have you given any thought to what's happened?THALIA: There hasn't been muchtime, Doctor.DOCTOR: Has anyone checked to see if my biodata extracts have been removed from theMatrix, Castellan?CASTELLAN: What are you suggesting, Doctor?DOCTOR: I would have thought that wasobvious. None of this could have happened unless the creature had that information.CASTELLAN: I shouldhave thought the most importantZORAC: Councillors. The Lord President.BORUSA: You too haveregenerated.DOCTOR: Indeed, President Borusa.BORUSA: And Nyssa of Traken, isn't it? Sorry to havekept you waiting. Please be seated, Councillors.BORUSA: This session of the High Council of Time Lords isnow in progress.[SCENE_BREAK]TEGAN: It's the sort of thing the Doctor gets up to.STUART:Doctor?TEGAN: A friend of mine. Have you reported this to the police?STUART: Of course, but do youthink I could tell them the same story?TEGAN: Colin has disappeared.STUART: He's a foreign national, ahitchhiker. Unless there's proof of violence, they're not interested. It's the same in any country.TEGAN:We'll see about that.STUART: I can't get involved. What I've said is the truth, but I've lost my passport. Ican't risk making a fuss.TEGAN: Marvellous, isn't it. First I lose my job. Not to worry, I think. I'll go andsee my favourite cousin, cheer myself up. Now this.STUART: I'm sorry. What do you want to do?TEGAN:Tell me your story again, every detail. Then we'll go to the police. It's all right. I'll handle italone.[SCENE_BREAK]BORUSA: The space-time parameters of the Matrix have been invaded by a"}
+{"doc_id":"doc_3","qid":"","text":"OPEN IN LORELAI'S FRONT YARD[An airport shuttle van drops Lorelai and Rory off in front of their house,then pulls away]LORELAI: Agh!RORY: And we're home.LORELAI: How long does a freakin' van ridetake?RORY: Not that long!LORELAI: Everybody in the world's life flashed before my eyes. That's howmuch time I had. I thought we were gonna die on that van.RORY: It seemed a good possibility.LORELAI:Ugh, that van ride felt longer than our train ride from Paris to Prague, and we had that group of Frenchboys singing Sk8er Boi and smelling like a soccer field sitting all around us.[Babette comes out of herhouse and rushes over to them]BABETTE: Oh my God, you're back! Morey, they're back! Are you hurt?Are you bleeding?LORELAI: Oh, we're fine.BABETTE: You're fine? They're fine! Morey!MOREY: [opens hisfront door] Yeah?BABETTE: They're fine!MOREY: Okay. [goes back inside]BABETTE: What the hellhappened to you two? According to the itinerary that Rory gave me, you were supposed to be home onSaturday.LORELAI: The itinerary that Rory gave you?BABETTE: So when you girls didn't show up, wepanicked! Morey?MOREY: [opens front door] Yeah?BABETTE: Didn't we panic?MOREY: Yeah. [goesinside]LORELAI: Hey, Morey, you ever thought about just staying out here at times like these?BABETTE:By Sunday night, I was a complete basketcase. I thought you'd been kidnapped by some crazySandinistas or something.LORELAI: 'Cause the Sandinista movement is so popular in France.BABETTE:So, finally, I just started calling consulates.RORY: Consulates?LORELAI: How many consulates?BABETTE:Ah, jeez, all of 'em. Anyhow, you're here. Let's go inside, I wanna hear all about Europe. Morey, I'mgoing in!MOREY: [calls from his house] Okay.[Babette goes into Lorelai's house]LORELAI: You gave heran itinerary?RORY: I thought it would be good for someone to know where we were.LORELAI: Oh, yougave her an itinerary and she called every consulate in the world.RORY: If we were caught smugglinghash over the border and we were thrown in some Turkish prison, wouldn't you want someone to knowthat we were in Turkey?LORELAI: Where'd we get this hash we were smuggling?RORY: You were at acafé, you met a guy, he was sweet-talking you, he put the stuff in your purse when you weren'tlooking.LORELAI: At least tell me he was cute.RORY: He was not bad for a hash dealer.LORELAI:Hm.[they walk into the house]BABETTE: [calls from the kitchen] I'm making cocoa!LORELAI: She'smaking cocoa 'cause you gave her an itinerary.RORY: I may have given her the itinerary, but you're theone who got us busted for drug smuggling.LORELAI: Reality has absolutely no place in our world.[theywalk to the kitchen]BABETTE: Okay, I wanna hear all about Europe. Come on, tell me, what'd yousee?LORELAI: Well, everything. Uh, Notre Dame, the Roman Baths, St. Peter's Basilica.RORY: Momtouched the Pope.BABETTE: You're kidding!LORELAI: Actually, I just touched his car. Then one of theSwiss guards in the fruity cool clothing busted me.RORY: Luckily, Mom's fluent in flirting.LORELAI: Andflirting with a guy in a pompom hat and a skirt is quite an accomplishment.BABETTE: Well, it sounds likeyou had a terrific trip.RORY: It was. [Lorelai signals for her to fake a yawn, and Rory does]LORELAI: Aw,are you okay, hon?RORY: Yeah, I'm just a little sleepy.BABETTE: Aw, of course, you girls must be wiped.I'll, uh, get out of here.LORELAI: Oh, but thanks, Babette.BABETTE: Well, goodnight, sleep tight. I'll talkto you tomorrow. Morey, I'm coming home! [leaves]RORY: I'm gonna go unpack.LORELAI: Oh, unpacktomorrow.RORY: No, if I leave stuff packed overnight, everything's gonna get gross.LORELAI:Everything's already gross.[they walk into Rory's bedroom]RORY: Ahhh.[Rory walks to the closet asLorelai gets on the bed]LORELAI: Oh my God, your bed feels good.RORY: Do not get comfortable. I willsleep on top of you if I have to.LORELAI: Oh man, smell this. [holds up a pillow]RORY: What?LORELAI: Iforgot that pillows don't have to smell like feet. You know, I have to say, I think it's good I did this hostelthing in my thirties, and I'll tell you why.RORY: [hugging the clothes in her closet] I missed you, I missedyou all!LORELAI: If I had done it in my twenties or teens, I would've been naïve enough to think thathostels were exotic and romantic. But once you're in your thirties, you've lived enough to know they'regross and should be avoided at all costs.RORY: [to her clothes] I had a dream about you in Copenhagen.You were there, and you, and you, and you.LORELAI: Listen, since we slept on the plane, we should go tosleep now, but get up really early tomorrow. We don't wanna blow this whole week being jet-lagged. Weneed to establish normal sleeping patterns.RORY: Fine.LORELAI: Okay. I'm gonna go take a shower and"}
+{"doc_id":"doc_4","qid":"","text":"[Scene: Paige's car. Paige is driving along the road, talking on her phone to Phoebe.]Paige: Okay, so I'vestopped at five herb shops but I finally found some eye of newt. So if it's good enough for Shakespeare'switches, I figured it'd help us put a serious dent in Cole.Phoebe: Look, we've tried everything to vanquishhim but nothing works, okay. So I just say we watch our backs and get on with our lives. Speaking ofwhich, do you think eye of newt would work on the woman that's trying to sue me?Paige: Is shedemonic?Phoebe: Well, she's demonically stupid. Paige, I am seriously worried that I'm going to lose myjob over this.Paige: For giving bad advice in your column?Phoebe: No, the advice wasn't bad, I never toldher she should leave the guy at the altar.Paige: Either way, what happened to freedom of thepress?Phoebe: Well, apparently some dirt bag lawyer is finding a way around it. (Paige passes a demonwearing a suit, standing on the side of the road. He waves his hand and something blows on her car. Hercar spins out of control and Paige screams.) Paige? (Paige's car crashes into another car and she isknocked unconscious.) Paige, are you okay? Paige, do you hear me? Are you okay? Paige.[Scene: Ademonic strip bar. Women in bikinis are dancing on the stage, while demonic men watch them close by.Cole is amongst the demons, watching a dancer straight in front of him. The demon from the streetshimmers into the middle of the room, who a waitress bumps into. He looks around and approachesCole.]Demon: Cole.Cole: How'd it go?Demon: It was beautiful.Cole: Was the other driver hurt?Demon:Oh, yeah.Cole: Good.Demon: Now all you gotta do is a little mind control on the witnesses and maybe acop, and we're golden.Cole: Let's get outta here.(Cole starts to get up but a dancer walks over andpushes him back down.)Dancer: No time for one little dance?Cole: Kaia, I was waiting for youearlier.Kaia: I'll make it up to you.Demon: Boss.(Cole gives him a look and he walks away.)Cole: Youknow what I want.(Kaia shapeshifts into Phoebe and gives him a lap dance.)Opening Credits[Scene:Hospital. Room. Piper, Phoebe and Paige are there. Paige is in the hospital bed, Phoebe sits on the end ofthe bed, and Piper sits beside in a chair.]Piper: Are you sure you don't want to call Leo?Paige: No, no, it'sjust a mild concussion and besides, I don't deserve to be healed. I know better than to talk on the phoneand drive, I don't know what I was thinking.Piper: Do you remember what happened?Paige: I wasspeaking to Phoebe and then the next thing I know the car just started spinning out of control.Phoebe:Hm, it's kinda like my career.Paige: Oh, honey, it's not that bad is it?Phoebe: I think it is. Thenewspaper's lawyers wanna meet with me and I don't think it's because they're huge Phoebe fans.Piper:Well, I'll see you your career and raise you my club. The health inspector's coming back today and theplumbing just exploded, again.Paige: What is going on with us? Is Mercury in retrograde?Phoebe: Haveyou thought about using a magical band-aid?Piper: I'd do it in a heartbeat if I wasn't afraid of thepersonal gain consequences.Phoebe: See, this is why demons always have the upper hand, you know.They can use their magic whenever they want to.Paige: Yeah, well, you know, that's what separates goodfrom evil.Phoebe: Yeah, I know that but it's still very tempting. I mean, you could fix your plumbing, Icould turn some lawyers into toads.Piper: Aunt Phoebe, little wiccans have very big ears that can hearyou.Phoebe: Oh, I'm sorry, baby, I was only kidding! Mostly. (to Paige) Are you going to be okay becauseI have to go get fired now.Paige: You are not getting fired and I'm fine.Phoebe: From your mouth andgod's ears. (She kisses Paige on the head and turns to Piper's stomach.) Okay, bye, my little niece.(Shekisses Piper's stomach.)Piper: You're smashing me.Phoebe: I love you.Piper: Get off me!(Phoebeleaves.)Paige: This is no segue but you and I need to talk about vanquishing Cole.Piper: 'Cause we don'thave enough problems at the moment?Paige: No, because he's actually our biggest problem at themoment. Okay, look at Phoebe, it's totally beaten her down.Piper: I don't know, she seemed kind ofcheerful considering the state of her career.Paige: That's this wonderful thing called denial. Okay, thePhoebe I know would never roll over for lawyers like that. This morning when I was talking to her aboutvanquishing Cole, she told me I was wasting my time. I'm telling you she is off.Piper: Alright, okay,already. Well, we'll spend the afternoon with our noses in potions. But can I go save the soul source ofour income first?Paige: Yeah, go, I'll see you later.Piper: Are you okay to orb?Paige: I'm perfectly fine toorb. Go.Piper: Alright.(Piper leaves the room. Paige gets up to get dressed and two police officers knock"}
+{"doc_id":"doc_5","qid":"","text":"New York is dangerous littered with thieves we've no morals here we just do as we please but I don'twanna go home where they all stare at me 'cause I'm tattooed and fired up and drunk and obscene. Youwear your religion like a war sweater, you ask for the truth but you know you could do so much betterand you sat on your fences and you screamed, \"no retreat\" so what will your legacy be?AT CLOTHESOVER BROSJulian : I love your daughter. I'm in love with her. Would you ask her to call me, please?I lookclosely to which speaks from pride. I love you I swear it I would never lie but I fear for our lives and Ifear your closed eyes. 'cause you wear your religion like a war sweaterAT CLOTHES OVER BROSBrooke :Well, you're here late.Victoria : Yeah. The competition never sleeps.Brooke : Any messages?Victoria : Uh,no. Nothing that matters.And you screamed, \"no retreat\" so what will your legacy be? And what will yourlegacy be?AT LUCAS'S HOUSESawyer: Ouain !Lucas : Shh, shh. It's okay. Daddy's here.AT THEHOSPITALLucas : You know. If you keep letting these root-beer floats go to waste, I'm gonna have tostart drinking them. I'm kidding. They'll be here when you wake up. You know who else will be here whenyou wake up is, uh... god, our beautiful daughter. She's, uh... You should see her. She's amazing,Peyton. But she needs you. And so do I. Come on. You promised. You promised.OUTSIDE THEHOSPITALJulian : You need to go home, Brooke. You've been awake for the better part of the last fourdays, and it's not healthy.Brooke : I need to be here when she wakes up. What is that?Julian : Everyfashion magazine I could find.Brooke : But you just saidJulian : Yeah, but I knew when I said you neededto go home that you'd say you needed to be here when Peyton woke up, because you're stubborn,Brooke Davis.Brooke : You don't know me.Julian : I think I do.Brooke : She needs to wake up.AT REDBEDROOM RECORDSMia : Yeah, I know. Everything's fine. Just, you know, call if you hear anything,okay? Thanks, Haley.Chase : No word?Mia : No ... word. Lucas must be so freaked out.Chase : Peyton's abadass. She'll be okay. What you got there?Mia : My new record.Chase : Let me see that. My girl's such arock star. You did good, Mia Catalano.Mia : We did good ... me and Haley and Peyton. Peyton reallyshould be here for this ... Red bedroom records. Can I help you? Um, Peyton's not here right now, but ...she'll be back soon.AT THE HOSPITALLucas : You know, I, uh ... I'm in a little... I'm in a little over myhead here. I took her home, and, uh ... I'm doing what I can, but... but she needs her mom. I need hermom. She doesn't even have a name. We were supposed to do that together. I can't do this without you.And I'm just ... afraid ... that we're gonna lose you, and it's just gonna be the two of us. And she doesn'teven have a name.Peyton : Sawyer. Her name's Sawyer, okay?Lucas : Okay. Sawyer Scott. God, youscared me. Oh, my god.Brooke : Peyton.Peyton : You said you would disown me if I left withoutpermission.Brooke : Yeah. I'm about to be your second-best girl when you meet your new one.Peyton :Is she okay?Lucas : She's beautiful.Peyton : Can I see her?Brooke : She's right outside. Hang on.Lucas :I should get the doctor.Peyton : No. I just want it to be you and me and our daughter for a minute.Lucas: Okay.Karen : Well,well.Lucas : Mom.Karen : My baby's had a baby. And she's beautiful.Peyton : Hi,Sawyer. Do you remember me? I missed you. I'm gonna love you forever. She's perfect.AT SCOTT'SHOUSEJamie : Hey, dad, when you get back to Charleston, tell Nino he needs to stop shooting so much,okay?Nathan : Nino's not there, buddy.Jamie : How come? Did they fire him?Nathan : He's playing forthe clippers now. They called him up.Jamie : When are they gonna call you up, dad?Nathan : I don'tknow, Jamie. Maybe never.Jamie : It's okay. At least you're still a chief.Nathan : Yeah. All right. Allset.Jamie : I'll take it.Nathan : Thanks, buddyAT BROOKE'S HOUSEJulian : What's that?Brooke : Sam'snew home.Julian : I miss that girl.Brooke : Yeah. So I guess you have to be getting back to L.A.Julian :Yeah. I mean ... I mean, we're prepping the new movie.Brooke : Yeah, I haven't even asked what it'sabout.Julian : You know, boy meets girl, boy loses girl. Anyway, it was great getting to spend time withyou, Brooke, even considering the circumstances.Brooke : Yeah, you too. Thank you ... for staying withme.Julian : Yeah, well, I wanted to make sure Peyton was gonna be okay.Brooke : Of course. Well ...Layyour ray down you're the one. I could run, I could run for the life of me but where would that get me?Where would that lead? I'm a fool for waiting so long 'cause you come around, come around comearound, come around to me there's something in between you and IJulian : I love you, Brooke Davis. I"}
+{"doc_id":"doc_6","qid":"","text":"Glenn: Lola, we have some good news and some bad news. The good news is, you don't havecancer.Lola: Ohh!Glenn: Cat just put nair in your shampoo.Cat: Because you ate my lunch from therefrigerator.Glenn: And the bad news is, she also put a chemical in your iced tea which turns your noseinto a tennis ball. But it only lasts a second. So basically, everything's okay. Everything's okay.Owen:Chief! Can't you see I'm busy?Chief: Sometimes I wish I was a mirror.Lola: Hey, Dori, my round sheet isempty. Is that a mistake?Dori: Doesn't look like it.Owen: This place is empty. What gives?Dori: There areno admissions today, and we just discharged the last child.Cat: Are you saying there are no morepatients left in the hospital?Beth: Guys, what do we do with all our time?Sy: Listen, I'm going into townto register the new ambulance.Glenn: Sy! Sy! Sy! Before you go, there are no patients left to treat. Anyextra tasks you need us doing?Sy: As a matter of fact, thank you, Glenn. There's a lot of things to bedone. First off, the organ supply room needs cleaning.Blake: I'll do it! [ Laughs ] Psych!Sy: Wear glovesthis time.Blake: I'll do it my own way.Sy: And then, most importantly, the patients' records, all right?Now, look at this -- completely disorganized. These have been handed down from administrator toadministrator. You know how important this is to me. Glenn, will you take care of reorganizing this entireroom?Glenn: I will not let you down, sir.Sy: I would never have asked you, son, if I didn't believe inyou.Chet: Are they falling in love?Owen: Yes.Sy: All right, Glenn is in charge, everybody.Sy: You knowwhat, Lola? That is a great idea. The animal-testing lab is filthy.Lola: [ Scoffs ] Should have said, \"I'drather clean the Dylan McDermott lab.\"Sy: Who's gonna come with me? It's a great adventure. Dori!Perfect!Dori: Ohh!Sy: Let's go!Blake: Hey, Rosa. Working hard or hardly working?Rosa: [ Europeanaccent ] Oh, somewhere in between, Mr. Dr. Downs.Blake: I see what you're saying. You're not workingas hard as you can be, but you're certainly not working.Rosa: [ Chuckles ]Blake: Oof. This uterus expiredon Tuesday. You know what? I figure we have a 10-day grace period.Rosa: Expiration dates are reallyjust suggestions.Blake: I like the way you think, lady.Rosa: You know, being around all these organs ismaking me hungry. Would you like to come to my home for lunch?Sal: Attention, staff. My dick. That isall.Lola: Hey, chief.Chief: Oh. Owen isn't interested in me. Do you think he noticed I use a walker?Lola:Oh, I'd love to girl-gab, but I just injected all these stem cells into that handicapped monkey.[ Screeches]Chief: He doesn't need glasses or his walker?![ Gasps ]Stem cells cure handicaps! Mama want!Lola: No!Chief, no! Oh, God!Chief: [ Gasping ] Wait a minute. I don't feel anything at all. Thanks for nothing,whore!Lola: Wait. Chief. Think fast![ Gasps ]Amazing!Chief: Oh, my God.Lola: Look at that. Oh, myGod.Chief: I'm cured! Stem cells? What a great idea!Glenn: [ Laughs ] Okay. What do you say, guys?Let's get busy!Cat: I'm not doing donkey dick.Glenn: Look, Cat --Chet: What part of \"donkey dick\" don'tyou understand, ass-kisser?!Glenn: All right. So, how do you want to do this? My favorite letters are I, T,V, Q, and S, so, obviously, I'll take -- aaaah! Oh, my God. For a second there, I thought that was a realairplane. What's the deal, Cat?Cat: Glenn, this is a free day! I mean, do you really want to spend itorganizing records, or do you want to spend setting them? Am I right, guys?[ Peppy music plays ][ Musicstops ]Okay, let's go![ Music resumes ][ Both laughing ]Glenn: Come on, guys!Are we doctors or arewe... Dart doctors?[ Music continues on radio ]No! No, no, no! The ladies' room is right there! Sy, whereare you?Owen: Ha-cha-cha! Whew. Ooh. Hey, there. You new at this hospital?Chief: In a way.Owen:What's your name, beautiful?Chief: My name? Uh, I-- it's... it's, uh, uh... [ Sneezes ]Chief: My name...Ooh, I -- ouch. It's, uh... hey.Chief: Uh...it's chief. Uh, chief...Smith.Owen: Oh. Well, we have anotherlady here named chief, but she's ugly.Chief: Oh, really?Owen: Yeah. She's about as ugly as a big pile ofpoo.Chief: Oh.Owen: Mm-hmm. She's so ugly, a poo takes a her.Chief: Hmm.Owen: If a dog wanted toeat his own poo, he would make a mistake and eat her.Chief: Yeah.Owen: For all intents and purposes,she is poo.Chief: Ohhh.Owen: When she goes to the toilet store, they tell her to \"go around back 'causethat's where we let the poo in.\"Chief: Oh, God.Owen: If you do a Google image search of the word \"poo,\"pictures of poo show up, but then there's a picture of her. Mm. Crazy people smear her on thewalls.Chief: There's more.[SCENE_BREAK]Rosa: Hi! Hi. We're hungry, mama! We're hungry!Rosa:They're saying they're hungry.Blake: Yeah, yeah. No, I heard them. They spoke English.Rosa: Come and"}
+{"doc_id":"doc_7","qid":"","text":"Gabe: Ugh, man. My delts are blasted. I wish they had a chart for how much protein powder to scoop fora 180 pound man with no fat.Dwight: Protein powder, huh? You cut it with water? Why don't you justtake estrogen? [swallows powder] [coughs] There you go boys. See how papa takes care of you? [kissesbicep] Mwah.[SCENE_BREAK]Gabe: I remember when people thought biceps were all that. They'd flexthem all night at the discotheque.Dwight: Oh, I bet you think it's all about core, huh?Gabe: Yeah.Dwight:Oh, please.Gabe: Core's critical. There are four tenets of pilates that I live my life by. One - lengthen.Two - elongate.Jim: Listen, guys, I think we all want to know the same thing, right? Who's the strongest?Well, there's only one way to solve that - flat curl contest.[SCENE_BREAK]Jim: All right, here we goeverybody. May the manliest man win. Go.Dwight: Feast on this, Lewis.Gabe: I love the burn. The burn iswhere I live.Jim: Come on, Gabe, you can't handle his hamstrings. You're getting hypno-thigh-zed.Gabe:Speed set. One. Two.Jim: Here, this is for your elbows, for your elbows.Dwight: Oh, thank you.Jim:You're welcome.Gabe: Five. Six.Jim: Quick phone call from you guys, keep going,All: Eight, nine,ten.Gabe: We got it?[SCENE_BREAK]Dwight: Very funny Jim.Gabe: Yeah, Jim. Way to mock us forperfecting our bodies.Robert: Everyone, conference room, now. [Dwight and Gabe stand up, fallingover]Jim: All right, easy there, grandpa.Dwight: I don't need your help.Jim: Okay. You don't need myhelp?Dwight: Here, here... Just...[SCENE_BREAK]Andy: Morning.Erin: Hey.Andy: Somebody left in such ahurry this morning that she forgot... these.Erin: Oh.Andy: You know the only thing more delicious thanyour feet is the feast that I am going to prepare for everyone.Erin: Andy, if you're gonna hang out for awhile, uh...Andy: What's this?Erin: This dumb rule Robert made, he just wants visitors to sign in.Andy: Isthis Robert's attempt to embarrass me?Erin: No, of course not. It's just - I think it's like if we make anexception for you, then we have to make an exception for the water guy, and then, it's like, where does itend? So just... [puts visitors tag on Andy][SCENE_BREAK]Andy: Why is it when other people spend alltheir time at the office, they're rewarded for it, and when I do it, I am told it's a little much? ...Is itbecause I am not an employee anymore, because that's what it feels like.[SCENE_BREAK]Jim: All right,well, enjoy the alumni game.Dwight: Good, we have a deal?Jim: Thanks Janet.Dwight: Thanks so muchEarl.Jim: Wow, simultaneous sale.Dwight: And they said it couldn't be done. Boom!Jim: Screw 'em.Andy:Lot going on guys. What's happening?Jim: Binghamton branch closed last night and their clients are upfor grabs.Andy: That was a fine branch. Things are really bad under Robert California, I guess. It's like afestival of poo.Jim: Hey, hey, come on, language.Dwight: Yeah, and we're not interested in your sourgrapes, okay? Jim, tell him where he can stick his grapes.Jim: In the fridge.Dwight: No, Jim, the butt, inhis butt.Jim: Sorry, man, I can't focus on zingers. There's too many potential clients.Stanley: You twobetter watch yourselves.Phyllis: Yeah, the Syracuse branch can't be happy you're taking New Yorkclients.Robert: Shh... shh... [vomits in trash can]Jim: Robert?Oscar: Why did Binghamton close?Robert:Can everyone just, please... I had a one-man saturnalia last night, in celebration of the finalization of mydivorce. I got into a case of Australian reds, and - how should I say this - Columbian whites. What - whatis this about, uh, Binghamton?Kevin: The branch closed. Forever.[SCENE_BREAK]Robert: Closing theBinghamton branch never occurred to me before today. Or, I guess, last night. But, in vino veritas asthey say, I'm not gonna start doubting my drunken self now.[SCENE_BREAK]Nellie: I got your voicemail.From - from last night.Robert: Wonderful.Nellie: And the answer... is yes, yes, yes, yes, and never.[leaves]Robert: Pam, when's the last time you lived so intensely that your brain literally couldn't hold thememories in?Pam: Oh, it was this summer -Robert: Apparently, I left a phone message for Nellie lastnight, and I need you to find out what I said.Pam: Um, I am a little busy.Robert: Yes, 'course. Why don'tyou list the things that would keep you from helping me.Pam: Yeah, I can make you a list.Robert: Let'sdo it now. What's number one?Pam: Why don't I help you now?Robert: There we go.Pam:Okay.[SCENE_BREAK][Andy cooking food by reception, Harry walks in]Harry: Who the hell are JimHalpert and Dwight Schrute?Erin: Jim, Dwight, what are your last names?Dwight: And you are...Harry:Harry Jannerone, Dunder Mifflin Syracuse.[shocked look from Jim]Harry: What the hell's all this?Andy:Uh, cherries jubilee over homemade gelato.Harry: You live well down here in P.A. I want to talk to you"}
+{"doc_id":"doc_8","qid":"","text":"[In a shop in New York City]Jenny: So you, you deliver the dresses and I take the accessories.Seller(showing ornaments of jewels): You have chosen which one?Jenny: Oh, no! I'm helping Blair. I am notinvited, then we'll see.Seller (hooking him a bracelet on your wrist): See! In case.Jenny: Oh!Seller: Weput it on the note of your friend.Jenny: Oh, uh no, no!Seller: The girls invited to the ball are our bestcustomers. You will be our model of an evening and you will make us the braceletafter.[SCENE_BREAK][In the room of Blair]Serena: Kati told me about custom corsets, crowns, wigs ...What is this madness?Blair: This is a masked ball. The goal is that nobody recognizes. But I expected alittle something extra for Nate tonight! It's a game, a sort of treasure hunt. It will begin with an index,which will take him to a lady of honor, which will lead to a second index ...Serena: Wait, wait! You got theladies?Blair: If he finds me before midnight, before the masks come off, the treasure is for him!Serena:And what is it? (Blair a mischievous smile) Oh! Well yes, I'm stupid. Sorry.Blair: You know, j'me myselfthat after all that happened, or rather all that is past, I had to do a little effort.Serena: I find it veryromantic B. Really. And if you do not want me to come tonight I would understand ...Blair: Oh, but it willnot! No! You can not not be there. In fact, I want you to give the last index. Will you be my maid ofhonor?Serena: What! You really want to be me?Blair: I see this event as a new beginning. J'te J'lui trustand have faith.Serena: Well, I'd be more than honored to serve you Majesty!Blair: Either way you go withDan?[In the kitchen of Humphrey]Dan: A ball?Rufus (Jenny looking package all required): You knew thatyour sister's name was Cinderella?Dan: And I bet your charming half-sister is Blair Waldorf!Jenny: It'strue that she asked me a few services but I'm glad to help.Rufus: And she has to thank you with aprompt and a dress?Jenny: I would have deserved. The ballroom, the costumes ... it's gonna be insane!It's weird that Serena you have not mentioned.Dan: But why? This is not because we went out twicetogether we are forced to remain glued to each other.Jenny: Well I must deliver it all. Let me know if youneed a tuxedo! Dan (Rufus just looking at him): Well what! This is a masked ball, she must say that I willfind it rather ridiculous, proving that she knows me pretty well.[In the room of Blair]Serena: I know!Wait, a masked ball! I know, I know he will find it completely ridiculous. You imagine a wolf and a tuxedo,frankly?Blair: We adore you! To go out with you would be able to do anything. Even wearing a dress mymother if it is. And then not worry, I'm sure he has nothing planned tonight. Who would ever think toinvite this guy?Serena: You're disgusting! I know. In fact, it might be better if there's masks, as if it y'enhigh school who hates it and recognize them well.Blair: Come on, invites Dan Humphrey. That's anorder![In the kitchen of Humphrey]Dan: I did not say that I would not. Serena invites me if it would berude not to give it my company.Rufus: It would be very cruel!Dan: But she did not invite me so ...Rufus:If you want to accompany him, what to do. Be a little daring.Dan: The festival takes place in a few hours.I have more time to really prepare myself for the idea of being bold.Rufus (Dan's cell phone ringing): Thisis Serena?Dan: Oh no, it's Vanessa!Rufus: Vanessa! Been a long time. You pick right?Dan: But if, ofcourse I'll win. (On phone) Hello! Vanessa?Vanessa (on phone): Winner! It's me.Dan (on phone): Sowhat's new? It's going to Vermont?Vanessa (on phone): You always have my book \"The Crying of Lot49\"?Dan (on phone): Uh ... I know.Vanessa (on phone): Will you check?Dan (on phone): Uh ... right! It'sbeen over a year that has not spoken, you make me an old book ads![In Dan's room]Dan (on phone): Iknow where I belong.Vanessa: Look at the window!Dan: Vanessa!Vanessa: Surprise!Dan: Wow! But I cannot believe it!Vanessa: How are you?Dan: I can not believe it's great. -What are you doinghere?Vanessa: My parents let me live with my sister that I finish my studies here.Dan: So that means...Vanessa: I came to stay.Dan: Wow! It is ...Vanessa: A great new hope?Dan: Oh yes! Wait it is! Yes, ofcourse. It is still unexpected. This is unexpected news. (His phone rings) Oh!Vanessa: Go pick up. I'mstarving and I can smell waffles. Rufus!Rufus: Vanessa!Vanessa: Surprise![In the room of Dan / Blair'sBedroom]Dan (on phone): Serena! Are you okay?Serena (on phone): Hi! Are you okay? Uh ...Blair: Go goahead.Serena (on phone): Uh ... I actually wanted to know if you had anything planned tonight?Dan (onphone): Uh ... Tonight? Nah, nah, nah, nothing. Why?Serena (on phone): Super because I have a night,finally you will surely find it completely sucks, but ...Dan (on phone): Always try.Vanessa: Even cooler,"}
+{"doc_id":"doc_9","qid":"","text":"Originally written by Adam Chase[Scene: Monica and Rachel's, Phoebe, Chandler, and Ross are there,Rachel is serving brownies.]Rachel: Here you go Pheebs. Who else wants one of my special homemadebrownies?Chandler: I will have one. (Ross and him both take one.)(Phoebe takes a bite and spits it outand screams.)Chandler: Okay, I'm not gonna have one.Ross: Neither will I. (they both put back thebrownies.)Phoebe: No, no, it's just my tooth.Chandler: All right I'll have one. (he and Ross take anotherbrownie,)Ross: So what's a matter, you need a dentist? I've got a good one.Phoebe: No thanks, I have agood one too. I just, I, I can't see him.Chandler: See that is the problem with invisible dentists.Ross:Why? Why can't you go to him?Phoebe: Because, every time I go to the dentist, somebodydies.Chandler: That is so weird, because every time I go to the dentist, I look down the hygienist'sblouse.Rachel: Phoebe, what? Umm...what?!Phoebe: Yeah, yeah, first there was my aunt Mary, and thenthere was umm, John, my mailman, and then my, my cowboy friend 'Albino Bob'.Rachel: And all thesepeople actually died?Phoebe: Yes, while I was in the chair! That's why I take such good care of my teethnow, y'know, it's not about oral hygiene, I floss to save lives!Ross: Pheebs, come on, you didn't killanybody, these people just happened to die when you went to the dentist. It's, it's, it's just ah, acoincidence.Phoebe: Well tell that to them. Oh! You can't, their dead.OPENING CREDITS[Scene: CentralPerk, Ross, Rachel, and Phoebe are there.]Ross: Thanks, Gunther. (takes the plate Gunther serves himand Rachel comes up and kisses him) (to Rachel) Hey! (to Gunther) Umm, can I get a napkintoo?Gunther: Oh, like you don't already have everything.Phoebe: (trying to bite into an apple) Ow! Ow!(drops the apple in disgust.)Rachel: Phoebe, your in pain, would you just go to the dentist, justgo.Phoebe: All right, fine, fine, but if you're my next victim, don't come back as a poltergeist and likesuck me into the TV set.Rachel: I promise.Phoebe: Although, don't feel like you can't visit.Joey: (enteringwith Monica) Hey, is, is, is Chandler here?Ross: (patting his clothes like he is looking for his wallet) No,no he's not.Monica: You guys, Joey just saw Janice kissing her ex-husband.Ross: What? (to Joey) Sowhat are you going to do? I mean how, how are you going to tell Chandler?Joey: Well, I was thinkingabout that and I, I think the best way would be, to not.Rachel: Joey, you can't keep this to yourself, ifyou know about this, you have to tell him.Joey: It'll kill him. I mean it'll, it'll just kill him.Phoebe: Well,you could wait 'til I go to the dentist, maybe I'll kill him.[Scene: Monica and Rachel's, All are there exceptfor Chandler.]Joey: (looking out the window) Ewww! Ugly Naked Guy is using his new hammock. It's likea Play-Doo Fat Factory.Phoebe: Well, I'm going to the dentist, so listen, okay, just be on the look out foranything that, that, that you can fall into, or, or that can fall on you, or... All right, just look out! Okay,And um, I also just wanna, I just wanna tell you all that um...... (starts to cry and runs out)Ross: Okay, Ihave a problem I have to go into work for a few hours, some kids messed up the Homo Sapiendisplay.Joey: What did they do?Ross: Well, they painted over the word 'Sapien' for one thing, then theyrearranged the figures, let's just leave it at that.Monica: So, do you want me to watch Ben for you?Ross:Yes, that's what I was going to ask, thank you.Rachel: Whoa! Wait! Hello! What about me?Ross: You?You! Want to watch Ben? (in the background Monica mouths 'Don't worry, I'll be here the whole time.' toRoss.) Yes! That'd be great, no, I just wanted to ask Monica, because I know how empty her life is.(Monica sarcastically mouths 'Yeah!' and holds up her thumb.)Joey: Hey-hey, Ross?Ross: Yeah.Joey: I'vegot a science question.Ross: Hmm?Joey: If the Homo Sapiens, were in fact 'Homo-sapien', is that whythere extinct?Ross: Joey, Homo Sapiens are people.Joey: Hey-hey, I'm not judging.[Scene: Monica andRachel's, Monica and Rachel are babysitting Ben.]Rachel: (holding Ben) Look Benny, spoon. (moves itback and forth) Spoon. Come on! All right, y'know what I think he's bored.Monica: Here. Ben, do youwanna play the airplane game, do you wanna show Rachel? Come here. (takes Ben) We're gonna dosomething fun. Okay. (throws Ben up in the air a little bit and catches him) Weee!! (moves into the livingroom and does it again) Weee!! (starts to walk back into the kitchen as she does it again, and hits Ben'shead on that wooden beam across the ceiling.)[cut to later]Monica: (to Ben) Who's so brave, you're sobrave, yes you are, you're so brave.Rachel: Okay. Okay honey, he's fine, he's fine, let's just put himdown. Come here, Ben. (sets him on the couch) See that's a good boy. (to Monica) How could you do that"}
+{"doc_id":"doc_10","qid":"","text":"Countryside Merlin and Arthur are galloping. They reach the top of a hill overlooking a smallvillage.Arthur: You know what you need after a hard day's hunt?Merlin: Sleep?Arthur: A nice cold tankardof mead.Merlin: (muttering) Mead. They arrive in the village, dismount and tie their horses up.Arthur: Nobetter place to measure the mood of your people than the local tavern.Merlin: This is one of thosemoments where I tell you that something isn't a good idea and you ignore me, isn't it?Arthur: You'relearning, Merlin. Slowly, but you're learning. Now remember, in here you're not my servant. I'm just asimple peasant as everyone else. They are walking in the direction of the tavern.Merlin: The simple's partright.Arthur: What?Merlin: I said the sun is very bright.Arthur: Yeah, yeah it is.[SCENE_BREAK]Thetavern The place is packed and noisy. Arthur and Merlin sit at a table. The innkeeper, a plump woman,arrives to take the orders.Innkeeper: Afternoon. What'll it be? Oh, you're a handsome fellow!Arthur:(swelling with conceit) Well, you wouldn't be the first to say itInnkeeper: Oh, no sorry, I was talkingabout your friend here.Arthur: Him?Merlin: Thank you.Arthur: (looking pretty upset) Two tankards ofmeat, please.Merlin: I was wrong. Coming here was a great idea. The door opens and a scary man comesin. Chatters stop. He walks through the tavern. Everybody is staring at him.Dagr: Afternoon, Mary.Business looks good.Mary: We have our better days.Dagr: I don't suppose you'll begrudge me my sharethen. Mary throws a couple of coins on the bar. He counts the coins.Dagr: And the rest?Mary: That's allwe've got. The bandit grabs Mary and threats her with a dagger.Dagr: I'll not ask again.Arthur: Take yourhands off her. The bandit tries to hit Arthur who avoids him, and pushes him into a shelf. They stare ateach other.Dagr: I'm going to make you pay for that.Merlin: (laughing) I'd like to see you try. The banditwhistles and a group of scary men come into the tavern.Arthur: You had to open your big mouth, didn'tyou, Merlin? A young man stands up.Young Man: You two have got yourselves in a bit of a pickle, haven'tyou?Arthur: You should get out of here while you have the chance. The young man is drinking atankard.Young man: You're probably right. The young man holds the tankard to the bandit, smiles andpunches him on the nose. It's the beginning of the brawl.Merlin: ARTHUR!Arthur: Merlin! Behind you!Merlin ducks to avoid a flying chair. Two big men are threatening Merlin.Merlin casts a spell: Aetslidebencpe. A bench flies and knocks them out. Merlin goes behind the bar. Mary and Merlin are crushingjugs on bandits. Merlin uses magic to throw a stack of plates on a bandit. The young man is fighting closeto the bar.Young man: Pass the jug. He starts drinking. A bandit tries to hit him. He ducks and punchesthe bandit.Young man: What do they call you then?Merlin: Merlin. They shake hands.Young man:Gwaine. Pleasure to meet you. He turns and breaks the jug on a bandit's head.Gwaine: Such a waste.The brawl goes on. Arthur is fighting against the chief of the bandits. The man takes his dagger and isabout to stab Arthur. Gwaine throw himself in front of the bandit, saving Arthur. The bandit is knockedout and Gwaine is stabbed in the leg. He tries to get up, but he falls and knocks himself on a bench. Helies on the ground unconscious. Merlin comes to examine him.Arthur: How is he? Merlin starts bandagesGwaine's leg.Merlin: Not good. He's losing a lot of blood...[SCENE_BREAK]Outside the tavern The banditis at the stocks, people are throwing rotten vegetables to him. Gwaine, still unconscious, is lying onArthur's horse.Arthur: If this man ever troubles you again, word is to be sent to Camelot. Soldiers will behere within a day.Mary: How can you make a promise like that?Arthur: Because I'm the King's son.Prince Arthur.Mary: Prince Arthur! Prince Arthur in my tavern! Arthur and Merlin are leaving thevillage.Mary: Come on! The villagers throw more rotten vegetables at the bandit in stocks --- OpeningCredits --- Merlin s chamber Arthur and Merlin are carrying Gwaine onto Merlin's bed. Gaius takes a lookat the wound.Gaius: Merlin, fetch me some fresh water, towels, needle and a silk thread.Merlin: Andhoney?Gaius: You're learning. It helps fight the infection.Arthur: But he'll be all right?Gaius: Providinghe's strong.Arthur: He's that, all right. The man saved my life, Gaius. He's to be given anything he needs.Arthur leaves the room.[SCENE_BREAK]Merlin's chamber, the next morning Gwaine is waking up. Merlincomes into the room, carrying a tray with food.Gwaine: What am I doing in this bed?Merlin: You werewounded. Arthur wanted to make sure that you were treated by his physician.Gwaine: Arthur?Merlin:Prince Arthur. You saved his life.Gwaine: If I had known who he was... I probably wouldn't have. He's a"}
+{"doc_id":"doc_11","qid":"","text":"Roof Thunder is rumbling. Merle is on the roof hallucinating.Merle: That's right. You heard me, bitch. Yougot a problem? Bring it on if you're man enough, Or take it up the chain if you're a pussy. You heard me,you pussy-ass noncom bitch. You ain't deaf. Take it up the damn chain of command or you can kiss mylily-white ass. That's right. That's what I said. You heard me. And then this idiot, he takes a swing, Youknow, and well... He laughs hysterically.Merle: Oh, you should've seen the look on his face when Ipunched out his front teeth. Yeah, five of 'em. Pow! Pow! Just like that. Huh. Oh my god. 16 months inthe stockade... Oh, that's what them teeth cost me. That was... That was hard time, but by god, it wasworth every minute of it Just to see that prick spit his teeth out on the ground. Yes sir, worth everyminute. Merle continues to try and pull himself off of the pipe, but he is unable to get loose.Merle: Oh no.No no! No no! No no! God! God! No no! God! Jesus! No no, merciful Christ! No no. No no. God, help me!God! God! Jesus, please! Jesus, please. Help me! Come on now! Merle sees Walkers trying to get throughthe door. They are unable to break it because of the chain that T-Dog put on it.Merle: Help me. No no.Oh, no no. Oh my god. Shh shh shh shh shh. Merle starts crying.Merle: No, Jesus. Jesus. No no no no nono. Please. I didn't behave, I know. I know I'm being punished. I know. I... Oh, I deserve it. I deserve it.I've been bad. Help me now. Show me the way. Go on, tell me what to do. Tell me. Tell me. God! Merlerolls under the pipe and uses his belt to try. He gets the saw that is lying close to him.Merle: That's okay.Never you mind, silly Christ boy. I ain't begged you before. I ain't gonna start begging now. I ain't gonnabeg you now! Don't you worry about me! Begging you ever! I'll never beg you! I ain't gonna beg you! Inever begged you before. Oh sh1t. No! He continues to try and get the saw while the Walkers try tobreak through the door.OPENING CREDITSTruckMorales: Best not to dwell on it. Merle got left behind.Nobody's gonna be sad he didn't come back... Except maybe Daryl.Rick: Daryl?Morales: His brother.Behind them, the group hears Glenn in his car.Glenn: Whoo-hoo! Glenn speeds past them and continuesto holler about how much fun he's having.Morales: At least somebody's having a good day. Camp Jimhangs some cans around the perimeter so they can hear Walkers.Girl: Give it back.Boy: Stop it.Girl:No!Boy: I found it.Girl: No!Boy: Give it.Woman: Mijo, leave your sister alone.Boy: Why?Woman: Comeon. Lori is giving Carl a haircut.Lori: Baby, the more you fidget, the longer it takes. So don't, okay?Carl:I'm trying.Lori: Well, try harder.Shane: If you think this is bad, wait till you start shaving. That stings.That day comes, you'll be wishing for one of your mama's haircuts.Carl: I'll believe that when I see it.Shane chuckles.Shane: I'll tell you what... you just get through this with some manly dignity andtomorrow I'll teach you something special. I will teach you to catch frogs.Carl: I've caught a frogbefore.Shane: I said frogs... plural. And it is an art, my friend. It is not to be taken lightly. There areways and means. Few people know about it. I'm willing to share my secrets. Carl looks at Lori unsure ofwhat to say.Lori: Oh, I'm a girl. You talk to him.Shane: it's a one-time offer, bud... not to berepeated.Carl: Why do we need frogs, plural?Shane: You ever eat frog legs?Carl: Eww!Shane: No,yum!Lori: No, he's right. Eww.Shane: When you get down to that last can of beans, you're gonna beloving those frog legs, lady. I can see it now... \"Shane, do you think I could have a second helping,please? Please? Just one?\"Lori: yeah, I doubt that. Shane chuckles.Shane: Don't listen to her, man. Youand me, we'll be heroes. We'll feed these folks cajun-style Kermit legs.Lori: I would rather eat misspiggy. Yes, that came out wrong. Shane laughs.Shane: Heroes, son, spoken of in song and legend. Youand me, Shane and Carl. Carl and Shane laugh. The conversation is interrupted with the beeping ofGlenn's car alarm.Man: Hey, Dale, can you see what that is?Shane: Talk to me, Dale!Dale: I can't tellyet.Amy: Is it them? Are they back?Dale: I'll be damned.Amy: What is it?Dale: A stolen car is my guess.Glenn pulls in and says hello.Dale: Holy crap. Turn that damn thing off!Glenn: I don't know how!Shane:Pop the hood, please. Pop the damn hood, please.Amy: My sister Andrea...Shane: Pop the damnhood!Glenn: What? Okay okay. Yeah yeah yeah. Yeah yeah!Amy: Is she okay? Is she all right? He popsthe hood so Shane can disconnect the battery to turn the alarm off.Glenn: She's okay! She's okay!Amy:Is she coming back?Glenn: Yes!Amy: Why isn't she with you? Where is she? She's okay?Glenn: Yes!Yeah, fine. Everybody is. Well, Merle not so much.Shane: Are you crazy, driving this wailing b*st*rd up"}
+{"doc_id":"doc_12","qid":"","text":"Ted from 2030: Kids, in my early days of being a professor, I had one simple goal: give a lecture thatchanges someone's life. Then one afternoon in 2010, I achieved that goal.Ted's classTed: Unfinished. Ofall the words you could use to describe La Sagrada Familia... Brown, pointy, weird... The one that reallyseems to stick is \"unfinished.\" Why? Because on June 7, 1926, the architect Antoni Gaudi... Whose beardwas also brown, pointy, weird and unfinished......was run over by a bus. And so, his greatest masterpiecewould remain forever...Ted from 2030: But first, let's back up a few days.A few days earlier - TheBarBarney: Ted, look across the bar. Three chicks: one hot, one kind of hot and one who I'm assuming isreally funny. We ride! What's wrong?Ted: I don't know. Got a burger coming.Marshall: Bro, I told you, ifyou ever need a wingman, I'm your guy.Barney: Yeah, I'm not going to go through thatagain.[FLAHBACK]Barney: Hi. Barney Stinson.Marshall: And I'm Marshall, Barney's wingman.Barney:Thank you for your time.[END OF FLAHBACK]Barney: Fine. I'll have a three-way with hot and kind of hotwhile Giggles works the camera. I ride!Robin: So, get this: Last night, I was watching TV, and it turnsout, some random satellite channel picks up a certain local Chicago newscast.[FLASHBACK](Robin iswatching TV in her appartment)TV Speaker: And now, the 11:00 News with Don Frank.[END OFFLASHBACK]Ted: Oh, man, it's bad enough to have to go through a horrible breakup, but then have thatperson pop up on your TV? Are you okay?Robin: Well, I'll admit, at first, I felt a little weird. But after theinitial shock, I realized something: I've moved on. Finished with that. It was a peaceful moment ofclosure.Ted: That's great. Good for you.Robin: Yeah, thank you.Lily: Where's the poop, Robin?Robin:Excuse me?Lily: When I was a kid, I had a dog named Bean. Whenever he made the face that you'remaking right now, you just knew he pooped somewhere in the house. Where's the poop, Robin?Robin:Idon't know what you're talking about.Lily: Where's the poop, Robin? Robin:There's no poop.Lily: Where'sthe poop? Robin:Okay. So it wasn't entirely a peaceful moment of closure.[FLASHBACK](Robin iswatching TV, drinking a beer)Robin: Hey, Don, here's some breaking news: there's a zit breaking ou onyour forehead. Finished with that.[END OF FLASHBACK]Robin: Look, I'm not proud, but Don left soquickly that I never got the chance to have that final showdown. So yelling at him, even on TV, felt kindof good. And you know what? Now I truly am over him.Ted: That's great.Robin: Thank you.Lily: Good foryou. Where's the poop, Robin?Robin: Damn it! Okay, in the process of truly getting over him, I may havecalled him and left an... indelicate voice mail.[FLASHBACK](Robin is on the phone with Don's vocal)Robin:I am gonna kill you. I'm gonna fly to Chicago, kill you, put your stupid face on a deep dish pizza and eatit. And then maybe catch a Bears game. But mostly the killing and eating your face thing.[END OFFLASHBACK]Lily: Give me your phone. We're deleting Don's number.Robin: Don't worry. I am neverdoing that again. It was a one-time thing.Lily: Prove it. Delete contact.Robin: There. Deleted.(Barneycomes back)Marshall: Back already. How was flying solo? And by \"solo,\" I mean so low that you got shotdown.Barney: Look, I didn't get shot down. Trust me, I'll get the yes. Barney Stinson always gets theyes. This is all part of the plan. After initial contact, I'm now in the ignoring phase.Lily: Barney, why can'tyou just take a girl out to dinner like a normal person?Barney: Golden rule: I do not buy dinner to get theyes. Dinner's a very intimate activity. It requires a level of connection and eye contact that s*x justdoesn't. Call me old-fashioned, but I need to have s*x with a girl at least three times before I'll evenconsider having dinner with her.Ted from 2030: The next day, at the university, I had a surprisevisitor.At the universityTed: What are you doing here? Oh, God! You're dating one of my students. It'sRachel, isn't it? Barney, I know she wears provocative sweaters, but she's 19! Now I'm gonna have tohear all about it, right? Go on, tell me every detail.Barney: No, you pent-up old perv. I brought you apresent. Recognize this?Ted: It's my building.Ted from 2030: Kids, you may remember that, a few yearsearlier, I was chosen to design the new Manhattan headquarters for Goliath National Bank. It was theopportunity every architect dreams about. And when the project was ultimately scrapped... it broke myheart.Barney: Do you remember how awesome it was to be co-workers... Nay, bro-workers?Ted: Wait aminute. Y-You don't mean...Barney: Ted Mosby, it's back on. We're gonna build your building.[CREDITSOPENING]The barMarshall: This is awesome... You're designing our new headquarters. Now, there will be"}
+{"doc_id":"doc_13","qid":"","text":"[What happened in the previous episode.][PREVIOUSLY_ON]Aria: It's too hard to sit in this room everyday and call you Mr. Fitz. Okay, I can't pretend like I don't know you.Hanna: I'm really sorry,mom.Ashley: For what?Hanna: The cop.Spencer: We're meeting Melissa's fiancé.Wren: Does she have toknow everything?Spencer: Stop, stop. We can't.Wilden: This is no longer a missing person'sinvestigation. It's a murder.Hanna: Is this waiting thing something you really want, or is it because ofyour dad?Sean: No, it's me. It's... It's my choice.Maya: So, I'm corrupting you.Ben: What are you soweirded out about?Emily: I think there's something wrong with me.Pam: You lost a dear friend. You needto find a way to say good-bye.[In the woods]Hanna: Whose idea was this, again?Spencer: Emily'smom.Emily: The shed was me. My mom just said we should do something for us.Hanna: Well, couldn'twe do something without mosquitoes?Aria: They're not mosquitoes, they're gnats.Hanna: Whatever!They're small and annoying, and they're flying up my nose.Spencer: Well, they're attracted to yourperfume. And your hair product. And your lip gloss.Hanna: So, what are you saying, I attract flies?Aria:Gnats.Emily: Why do I feel like this is the wrong way?Spencer: No, this is it. I remember that tree. It'sthe halfway point. There's 136 steps left to the shed.Emily: Have you been out here since...Alison?Spencer: Me? No. No way.Aria: But you remember that tree.Hanna: You guys, it's not that weird. Imean, we came out here in eighth grade like, every day... even after.Spencer: I think this is totally thewrong place to do this. Whatever you call it.. shrine.Emily: It's not a shrine. It's just a place to rememberAlison. What's wrong with that?Spencer: Doing it way out here makes it look like we have something tohide.Emily: You're worried what other people think?Spencer: Well, aren't you? Do you really want to givethat creepy Detective more reasons to question us?Emily: Hanna, why are you so quiet?Hanna: I'mtrying to keep the bugs in my nose and out of my mouth.Emily: You're allowed to have an opinion onthis.Hanna: You want my opinion? I say we hold off and not remember her 'til we know for sure she's notstill here.Everybody: What?Aria: What are you talking about?Emily: You think she's still alive?Spencer:Hanna, they found her body.Aria: Stop. I'm officially scared. Can we just not...Hanna: You know, youasked for my opinion. I don't believe she's really gone.Spencer: We went to her funeral!Ashley: Yeah,and when we left we all got a text from her.Emily: It wasn't her. Someone is messing with us.Hanna:How do you know? And what about all those nasty messages? I mean, how does this \"A\"person knowstuff only Ali knew?Aria: Okay, this conversation is giving me a hive.Hanna: That's a bite.Mosquito.Emily: Spencer, have you gotten any more messages?Spencer: Haven't you?BranchesrustlingEmily: What was that? Did you hear that?Aria: Yes, I heard that. I'm standing right next toyou.Hanna: Hello? Is anybody out there?Spencer: It's probably a rabbit.Hanna: Hello?Spencer: It's arabbit, Hanna. It's not gonna answer you.Emily: Can we just get to the shed?More branchesrustlingHanna: Okay, that is definitely not a rabbit. Someone's out there.Emily: Let's turn around.Thegirls' cellphones ring[Opening credits][In Hanna's kitchen]Wilden: Morning.Hanna: Where's mymother?Wilden: I guess she ran upstairs for somethin'. I'm trying to figure out what makes this stuffspreadable. You want a waffle or somethin'?Hanna: No. Thanks.Wilden: There she is. It's canolaoil!Ashley: Darren, why don't you get dressed? I'll take care of breakfast.Wilden: Yeah.Hanna: So what,he lives here now?Ashley: Take out the milk.Hanna: Is this a permanent thing?Ashley: Would you keepyour voice down, please?Hanna: God, it was one pair of sunglasses, and they were last season's.Ashley:Hand me the waffles.Hanna: Mom, you don't have to do this.Ashley: Do what?Hanna: Squeeze hisgrapefruit.Ashley: We will talk after breakfast.Hanna: I don't eat breakfast, and neither do you.Ashley:Look. Until he gets the store to drop the charges for your shopping spree, we're not kicking anyone to thecurb. The last thing we want is an enemy on the police force.Hanna: I get it, okay? But I didn't count onhaving to buy him a father's day card, either.Ashley: Hanna! The situation is delicate. By the way, ifyou're buying anyone a card, it should be me.[At a restaurant]Byron: Well, you're pretty far into it.Aria:Yeah, I've got, like, 60-some pages left, and I don't want it to end.Byron: You should read her biographynext.Ella: The father-worship thing becomes a lot clearer.Aria: Well, I would worship both of you a lotmore... if you got me another one of these.Ella: Uh, the poppy seed? We'll split it. Make sure your father"}
+{"doc_id":"doc_14","qid":"","text":"Scene: The apartment.Sheldon: Hello, I'm Dr. Sheldon Cooper. Welcome to Sheldon Cooper Presents Funwith Flags. Before we get started, I'd like to announce the winner of our design your own flagcompetition. But I can't. The only entry was from GameyGamer75, and I know that was a jpeg of yourbuttocks. Now this week we have a very special episode where we explore the flags of the popularentertainment franchise, Star Trek. And to help me, I'm pleased to introduce Internet personality, formerstar of Star Trek: The Next Generation, and the only guy I know lucky enough to be immortalized in onesixteenth scale. Set phasers to fun for my friend, Wil Wheaton.Wil: Hi, Sheldon. Thanks for having me.I'm happy to be here.Amy: Cut.Sheldon: What's wrong?Amy: Sorry, Sheldon, you were brilliant asalways. Wil, that was a little wooden.Wil: Wooden?Amy: Don't worry, it wasn't terrible. Just, this time, tryto say it the way people sound. And action.Sheldon: My friend, Wil Wheaton.Wil: Hi, Sheldon. Thanks forhaving me. I'm excited to be here.Sheldon: So, Wil, what do you have for us first?Wil: Well, this is anexciting one. This is the flag of the United Federation of Planets. Now what's interesting about thisflag...Amy: Cut.Wil: What was wrong with that?Amy: It's called Fun with Flags. They're not at half-mast,nobody died. Let's try and keep it upbeat.Wil: Um, no offence, but I've been acting since I was a kid. Ithink I can handle a Web show without a lot of direction.Sheldon: It's true. In 1982, Wil played the voiceof Martin the mouse in The Secret of NIMH. You moved me.Amy: You'll have to forgive me. This is myfirst time directing, I just want it to be good.Wil: So do I.Amy: Great. So, this time let's try more realboy, less Pinocchio. And action.Wil: And cut. You realize that I'm doing this for free, right?Amy: Yes. Andso far, we're still not getting our money's worth. Let's try it again. Everybody's having fun. Andaction.Sheldon: So, Wil, what do you have for us first?Wil: Well, this is an exciting one. This is the flag ofthe United Federation of Planets.Amy: Cut.Wil: Problem, first-time director?Sheldon: Oh, none that Icould see. I saw a man who loved flags almost as much as I do. I got goose bumps.Amy: He wasoveracting on purpose.Sheldon: Really? He reminded me of a young William Shatner.Wil: Listen,Sheldon, I'm really happy to do this for you, but not if she's gonna be a huge pain in the ass the wholetime.Amy: You gonna let him speak to me like that?Sheldon: Well, you're my girlfriend and I don't wantyou to be upset. Then again, Wil Wheaton's my friend and I don't want him to be upset. Hmm, this is asticky wicket. (To Wil) What do you think?Amy: Can I speak to you for a second?Sheldon: I'll be rightback. Feel free to play with yourself.Amy: I don't care for your friend, he's being rude to me. You need toask him to leave.Sheldon: Amy, I can't just ask Wil Wheaton to leave. He's a minor celebrity. Once youexplain who he is, many people recognize him.Amy: Fine. Then maybe I should go.Sheldon: Could you?That would solve everything. You are the best. I'll see you at dinner tonight?Amy: You sure you wouldn'trather have dinner with your friend Wil Wheaton?Sheldon: Come to think of it, I would! You, little lady,are on fire. Credits sequence.Scene: Howard's bedroom.Bernadette: Every time we eat dinner here, yourmother refuses to let me help with the dishes.Howard: Don't take it personally. She likes doing them byherself so she can lick the plates with no one looking.Bernadette: You ready to go?Howard: Yeah, let mejust grab a couple of fresh turtlenecks.Bernadette: I don't understand why you keep your stuff here whenthere's plenty of room at home.Howard: What are you talking about? All I have here is a few sweaters,books, bank stuff, computers, mail, collectibles, medicine and my electric body groomer. Ooh, there's myplaid dickie. Oh, got this at the Goodwill store for 50 cents. Can you believe it?Bernadette: 50 centssounds right. Let's go.Howard: You know, it's kinda late. Why don't we just spend the nighthere?Bernadette: Because we don't live here.Howard: I know.Bernadette: Do you? You said when yougot back from space you were gonna move into my apartment, but half the time we stay here.Howard:That's not true.Mrs Wolowitz (off): Howard, I'm doing laundry. You want me to put anything in foryou?Howard: There's some underwear in the hamper.Mrs Wolowitz (off): Oh, good, I got that new stainstick to try out.Howard: Thank you, I only put it on the list two weeks ago. Okay, I see what you'regetting at. How about this weekend I'll box up all my things and move them to our place.Bernadette:Thank you.Howard: The lightsabres are gonna look great in the living room.Bernadette: Or in the closet.We can decide later.Mrs Wolowitz (off): Howard, help, my hand's stuck in the garbage disposal.Howard:"}
+{"doc_id":"doc_15","qid":"","text":"Psy's officeSummer: Thanks for seeing me on such short notice.Psy: I'm glad you came. What brings youin?Summer: Well, I've changed a lot since I got to college. New friends, new interests, new clothes.Psy:Well, that's perfectly normal.Summer: I know. But... I think throwing myself into all these new things isjust a way of avoiding dealing with what happened to my friend...who, um... who died.Psy: Well, griefoften comes in five stages.Summer: Yeah, but I haven't really been grieving. Why is this happening? Lifeis so unfair! I'd do anything to change things. Please, just name it, and I'll do it. Nothing matters anyway.But this is so not fair! I'm sorry, I have rage issues. I think she would want me to move on. So that'swhat I'm going to try to do.Psy: I'm proud of you, Summer. You've made astounding progress, and all inone week.Summer: It's kind of a relief in a way. Now I can go back to being me.Psy: What do you meanby that?Summer: Well, this whole save the planet thing, it was a crutch, right? And nothing againsthandicapped people, but crutches? Ew.Psy: A lot of people do change when they go to college.Summer:Well, not me. I love shopping, tanning and celebrity gossip, always have, always will. But I think I haveto. If I ever want things to be good with my boyfriend again.Psy: Summer, just promise you'll take itslow.Summer: Totally. At the airportRyan: Hey, man.Seth: Hey, dude, I know, three hour timedifference, but, Ryan, she's going to dump me.Ryan: It's okay, I'm awake.Seth: Oh, good. Ryan, she'sgoing to dump me.Ryan: No one believes that, all right? Summer loves you.Seth: The old Summer lovedme. But new Summer is upon us, and Providence is the place that spawned her.Ryan: Summer is justdealing with what we're all dealing with, okay? She'll come around.Seth: What if she doesn't? This is mylast shot. Otherwise, the girl with the violent temper and good hygiene is nothing but a childhoodmemory.[SCENE_BREAK]Seth: Careful, lady, my girlfriend's going to be here any second.Summer: Shutup, Cohen.Seth: Hey, you just punched me. My baby's back.Généric At the beachSandy: You look goodout there.Ryan: Thanks.Sandy: I got to get you on a surfboard.Ryan: Not a chance.Sandy: How aboutsome breakfast? I could use some intel on Seth and Summer.Ryan: You know what, I can't, but, uh, Ithink they're doing all right. You know? Doing the long distance thing.Sandy: How about you? How areyou doing?Ryan: Good, good. Better, once I get my first day of work under my belt.Sandy: Well, PavoGuapo is lucky to have you working there.Ryan: Me, too.Sandy: Now I got an excuse to come by for yourshrimp tacos.Ryan: Yeah, Kirsten warned me about that. You're limited to two a week.Sandy: Oh! I knewI should have divorced that dame.Ryan: Well, it's not forever.Sandy: You're still accepted to Berkeley fornext year. I'm just glad you're getting back to your old self. You know? Back home again. New job.Ryan:I'm just trying to stay busy and earn some extra money.Sandy: And hook me up with some shrimptacos.Ryan: Yeah, right. I'll work on that. I'm going to walk back. I'm kind of sweaty.Sandy: Yeah, Iwasn't offering you a ride. Hey, Ryan? Hang in there. Brown's college - Summer's bedroomSeth: Wow,that was a lot better than what I was imagining on the plane.Summer: You were imagining it on theplane?Seth: Not like that. When you called me here, I was sure you were going to break up withme.Summer: Well, I know I'm not the one that usually apologizes in this relationship, but I'm sorry abouteverything. I turned into a liberal zealot just to distract myself from my own grief. I'm not even into allthis stuff.Seth: So the old you is back?Summer: In all of my artificially tanned glory.Seth: Thank God'Cause I was not sure that the new you and old me were really working.Summer: Yeah, the new me kindof smelled weird. Well, what would you have done if I didn't go back to being me?Seth: I had a plan tocoax the old Summer out. The Valley, Season Three? Summer: Awesome! At Cohen'sKirsten: I checkedon Ryan. Did he leave already?Sandy: Yeah. He seemed to be doing okay. I was hoping to hang with himwhile Seth is away. Poker, maybe shoot a little pool, but his new job is going to make that tough.Kirsten:Well, I could rack a few balls with you.Sandy: You are so smart and sexy and gorgeous. But sometimes aman just needs to hang with the guys.Kirsten: Well, that I'm not.Sandy: You know, Jimmy left, Calebdied, then Jimmy left again. Even Neil's gone. Look, I wasn't a pennant winner, but at least I had abullpen, you know?Kirsten: It's baseball talk. I got it. Why don't you give Jason Spitz a call? You'realways saying how funny he is. Why don't you ask him to do something?Sandy: Yeah, yeah... I don'tknow. I mean, it's a little weird for a guy to ask another guy to do something right out of the blue like"}
+{"doc_id":"doc_16","qid":"","text":"EXT. NEW YORK CITYFuture Ted VO: Now I remember a lot of stories from back in the days before I metyour mother, but there's one story I don't remember. Uncle Marshall still refers to it as the pineappleincident.The night started like any other. We were downstairs at the bar.INT. MACLAREN'S(Lily, Marshall,Ted, Robin and Barney sit at booth, Carl comes over with drinks)Carl: On the house.Everyone:Whoa.Carl: It's my own concoction. I call it the Red Dragon.Everyone: Wow. Thanks, Carl.(Carl walksaway)Ted: We're not really doing shots, are we?Lily: I hope not.Barney: No, no.Lily: These look kindalike blood.Marshall: OK, I know that you've all dismissed this theory before, but is there any chance thatCarl is a vampire?Barney: That's ridiculous.Marshall: I'm serious. Think about it. He always wears black,we never see him in the daylight, only after dark.Robin: Oh my God, that does describe a vampire, or youknow, a bartender.(Everyone but Marshall laughs)Robin: Well, I should go get dressed.Ted: Where areyou going, buddy? Hot date?Lily: I'll say, she's going out with a billionaire.Robin: Lily, I told you not tocall him that.Ted: Wait, you're really going out with a billionaire?Robin: He's not a billionaire. He's ahundred millionaire. Why do people always round up?Ted: So, uh, where's Thurston Howell takingyou?Robin: A charity dinner.Lily: Yeah, $2000 a plate.Robin: $1500, Stop rounding up. And it's for thirdworld hunger.Barney: You gonna put out?(Everyone looks at Barney incredulously)Barney: What? There'sonly one reason he's taking her to this dinner and it's not so little Mutu can get his malaria pills.Lily: Ithink my soul just threw up a little bit.Robin: Well, I'm gonna be late. You guys have fun. Bye.(Robin getsup and leaves)Ted: See ya.Lily: Bye.Marshall: You OK?Ted: Sure, why?Marshall: I don't know. Girl ofyour dreams dating a billionaire.Ted: OK, first of all, hundred millionaire. And second, she's not the girl ofmy dreams. We're just friend. Look, it would not be smart if we got together. I mean, I'm looking tosettle down. She's looking for...(Barney starts snoring, Ted stops talking)Barney: What? You done?Great. Check out table number four. See that little hottie on the end. She's short but has an amplebosom. I love it. She's like half-boob. Let's go.(Barney stands up)Ted: Yeah, and say what? What's ourbig opening line?Barney: Daddy's home.Ted: Daddy's home?Barney: Yeah.Ted: You want us to go overthere right now and say to those girls, 'daddy's home.' Really think about that, Barney.Barney: Hm.Yeah, I think it's pretty solid.(Barney walks away from their booth over to table four)Marshall: OK, thinkabout this, is there even a single item on the menu that has garlic in it?Lily: Garlic fries.Marshall: OK,well, I'll get back to you.(Barney walks back to their booth)Ted: Oh, daddy's back. See, if you'd taken amoment to think about that...Barney: (holding up small yellow piece of paper) Then Daddy wouldn't havegotten this seven-digit Father's Day card from Amy, huh?Ted: That worked. I hate the world.Barney:Ted, your problem is all you do is think, think, think. I'm teaching you how to do, do, do.Marshall:Doo-doo.Barney: Totally.Ted: So, I think a lot. I happen to have a very powerful brain. It can't behelped.Barney: Oh yes it can.(Barney puts a shot in front of Ted)Marshall: InterestingBarney: Ted, Ibelieve you and I met for a reason. It's like the universe was saying, hey, Barney, there's this dude, he'spretty cool but it's your job to make him awesome. Your brain screws you up, Ted. It gets in the way. Ithappened with Robin, it happened with half-boob. And it's gonna keep on happening until you powerdown that bucket of neuroses inebriation-style.Ted: So, what? You want me to do a shot.Barney: Oh no.I want you to do five shots.Marshall: Oooh, more interesting.Ted: Barney, I think you'veofficially...Barney: No, don't think. Do.Marshall: Ted, he's right. You overthink. Maybe you shouldoverdrink.Marshall, Barney: Drink, drink, drink, drink...Ted: Ah, Lily, will you tell these guys how stupidthey're being?Lily: Guys, you are being immature and moronic and drink, drink, drinkMarshall, Lily,Barney: Drink, drink, drink, drink, drink...(Ted takes a shot)Marshall, Lily, Barney: Yes! Drink, drink,drink...Ted: Let me tell you something about this brain, OK?(Ted takes second shot)Marshall, Lily,Barney: Drink! Drink, drink...Ted: Even alcohol cannot stop this brain.(Ted takes third shot)Barney: Ilove it, I love it, I love it.Marshall, Lily: Drink, drink, drink...Ted: This brain, dear mortals, is no ordinarybrain.(Ted takes fourth shot)Marshall, Lily, Barney: Drink, drink, drink, drink...Ted: This is asuperbrain.(Ted takes fifth shot)Ted: This brain is unstoppable. This brain...(screen blacks out)Future TedVO: And that's all I remember, except for a few hazy memories.(black screen with white swirls spinning"}
+{"doc_id":"doc_17","qid":"","text":"(Continuing from last week. Sydney and Ana kneel in front of the case, staring at its contents. It starts tobeep. Acid starts bubbling up through two tubes at either side of a piece of paper which is centeredinside. It has binary digits written on it -- 0s and 1s. Ana and Sydney start memorizing it, saying outloud. The acid starts covering the piece of paper. The sheet disintegrates. They stand.)SYDNEY: Did youget it?ANA: Did you?(They take off, running in opposite directions.)SYDNEY: Dixon, I'm endingtransmission!(Inside the SD-6 van, an agent sits with Dixon.)AGENT: She turned off her mic, I've lost hersignal.(Sydney runs through the alley of the field.)SYDNEY: 0-0-1-0. Did you get that?(Vaughn is still inL.A.)VAUGHN: Got it.SYDNEY: I'm giving SD-6 the wrong number!VAUGHN: What? No, no, no, no, yougive them exactly what--SYDNEY: I'm not giving them the right sequence! There is no way, forgetit!VAUGHN: Sydney, listen to me! This is critical! Sydney, you give them the number. That's anorder.SYDNEY: An order?VAUGHN: Yes.SYDNEY: We have to have a long talk when I get back to LosAngeles!(Sydney runs up to the SD-6 van and crawls in.)SYDNEY: Dixon, I've got the code!0-1-0-0-0-1-1-0-0--(In the K-Directorate van, Ana tells the code to her agents.)ANA: Null, adin, null,adin--(Sydney and the agents in the van, Dixon takes it down.)SYDNEY: 1-0-0-0-1-1-0-0-1-1-1. Just twoones. Then--(In the K-Directorate van.)ANA: Null, adin, null, adin, null, null, adin, null--(SD-6van.)SYDNEY: 1-1-0-1. That's it. 1-1-0-1.DIXON: You did good.(In Los Angeles, inside a yellow parkedvan. Sydney, Vaughn and Weiss.)SYDNEY: You do NOT give me orders!VAUGHN: Maybe I do--SYDNEY: Icould have easily misled SD-6--VAUGHN: You're not thinking this through!SYDNEY: ...That's what I'mhere for!VAUGHN: Just stop talking for a second! If you'd given SD-6 a bogus code, what would havehappened when Ana gave K-Directorate the correct sequence?SYDNEY: Who cares? They would havethought I made a mistake!VAUGHN: Oh, and what, that Ana didn't? She would've given them the correctcode, they would have seen the code indicate at Athens, K-Directorate would head there, SD-6 wouldhave nothing. They would suspect you. Sydney, we have to be very careful here. We have to be wildly,crazy careful. If SD-6 suspects you in the least, it's over.SYDNEY: Ana's been the enemy for three years.In Berlin I realized she wants SD-6 to burn almost as much as I do.VAUGHN: As far as the C.I.A.'sconcerned, the only thing worse than SD-6 getting its hands on critical information is if K-Directorate getsit first. Ana is still your enemy.(Credit Dauphine. Sloane and Russett walk together.)SLOANE: You're notinto mysticism, are you?RUSSETT: Mysticism.SLOANE: Neither am I. But keep an open mind, it'll help.The code was written in 1489. The guy who wrote it was some sort of Nostradamus. His name was MiloRambaldi.RUSSETT: This binary was witten by a fifteenth century fortuneteller. How come I've neverheard of him?SLOANE: His designs were so advanced, they just assumed he was insane. On some of hisdrawings, he made lists of part numbers. I.D. numbers of actual technology not manufactured until now.This year. It's real, it's a hunt. This man spent the last ten years of his life working on one project. Wedon't know whether it's a weapon, a fuel source, a transportation system. Based on the little we do know,its technology is beyond anything we have ever seen. How's your wife? I forgot to ask.RUSSETT: Uh,good. Yours?SLOANE: Actually, Emily's a bit under the weather. Thanks for asking. Come on.(They enterthe board room where Marshall and Sydney sit.)SLOANE: Did you read the report?SYDNEY: They foundnothing.SLOANE: This is Anthony Russett, he's transferring here from Jennings. He's working on the UCOfile. You've already met Marshall. This is Sydney Bristow.RUSSETT: I know your father.SLOANE: We readthe code you recovered. Accordingly, we sent a team to Athens. So, I just got a phone call from SD-3, hesaid there was no evidence to anything pertaining to Rambaldi. And we were there first. Turns out, wemade a giant mistake. But so did K-Directorate.MARSHALL: In our rush to decipher the Rambaldi enigma,we misinterpreted the code. It left us with two series of digits. We assumed longitude and latitude. But hewas using a compression scheme. I should have seen that. Instead of sending a team to Athens, weshould have been headed to Malaga, Spain.SLOANE: Which is where you're going. There's afive-hundred-year-old church sitting on the exact site of Rambaldi's coordinates.SYDNEY: What am Ilooking for?SLOANE: We don't know. The only clue we have, if it is indeed a clue, are two words thatwere part of a code: Sol d'oro.RUSSETT: Golden sun.(Malaga, Spain. Sydney shines a flashlight in the"}
+{"doc_id":"doc_18","qid":"","text":"(audience laugh)Lucas (reading): \"It has been a long time since New Years on the roof\". \"Rememberthat\"? \"I know we've been avoiding it but now the flowers are blooming and it is Spring: the season oflove\"! \"Hi! My name is Lucas Friar and I am here to talk about us\".Maya: Do we have to talk aboutthis?Lucas: We have to make some decisions!Riley: We have chosen to completely forget about this!(yells) He's in my room!Cory (O.C.): You have to make some decisions!Lucas (reading): \"This is veryhard for me. We have to be very careful about what's going on, because I don't want to--\"Riley(interrupts): .. lose either one of you as my friends?Lucas (continues reading): \".. lose either one of youas my friend\".Maya: You were with him when he wrote this?!Riley: No. Maya, I think we just all knowwhat's at stake here.Maya: Nothing's at stake here. Just tell me right now: nothing will affect ourfriendship.Riley: (shrugs) It won't.Lucas (pretending to read): \"What... about... what... I...want\"?(audience laugh)Riley: One card for each word...Maya: Why did he do that?Riley: Emphasis.Maya:Why did he do that?!Riley: Lucas, what do you want?Lucas: I don't want anything bad to happen to us...but I especially don't want to be responsible for something bad happening between the two of you!Maya:We know that.Riley: Why do you think we like you?Maya: What's it say on your last card?Lucas: Oh, I'llget to it.(audience laugh)Lucas: See? I have different feelings for each of you and I don't entirelyunderstand them.Riley: We don't understand this either.Lucas: That's why the smartest thing to do wouldbe to make the right decision, right now, and just move on.Riley: Great! How do we do that?Maya: Youmean, choose one of us over the other? What happens then?Riley: That would be the end of us.Maya:What's it say on your last card?Lucas (reading): \"I don't want this to be the end ofus\"![SCENE_BREAK](Theme music playing)\u0000 I've been waiting \u0000 \u0000 For a day \u0000 \u0000 Like this to come \u0000\u0000 Struck like lightning \u0000 \u0000 My heart's beating like a drum \u0000 \u0000 On the edge \u0000 \u0000 Of somethingwonderful \u0000 \u0000 Face to face with changes \u0000 \u0000 What's it all about? \u0000 \u0000 Life is crazy \u0000 \u0000 But I know \u0000\u0000 I can work it out \u0000 \u0000 'Cause I got you \u0000 \u0000 To live it with me \u0000 \u0000 I feel all right, I'm gonna take onthe world \u0000 \u0000 Light up the stars, I've got some pages to turn \u0000 \u0000 I'm singing \"Go-o-o\" \u0000 \u0000 Oh, oh, oh,oh \u0000 \u0000 Take on the world, take on the world \u0000 \u0000 Take on the world \u0000 \u0000 Take on the world, take on theworld \u0000 \u0000 Take on the world \u0000[SCENE_BREAK][ INT. John Quincy Adams Middle School - Classroom -day ][SCENE_BREAK]Legacy!(audience laugh)Why is Farkle a goose?Riley: That's the Einstein AcademyGoose. Oh! Of course. The Einstein Academy Goose. Why is it on Farkle's desk?Maya: Einstein capturedFarkle. It was their end of the year prank.Maya: So, since they took our mascot...Riley: We took theirs,and now we are even.(audience laugh)Farkle is not our mascot.Maya: What would you call him?(audiencelaugh)Where's Zay? They got Zay too? Zay is back in Texas; he's at Vanessa's Spring Formal.all:Ooo-oo-oh. Alright guys, listen up. It's your last week of school. This is my last chance to teach yousomething.Maya: You have more to teach us? I have so much more I wanna teach you. So much more...I mean, you guys are gonna be leaving this place; what will you be leaving behind? What is your legacy?I want to talk about not just what you've gotten from this place... but what you've given.Maya: He'sright! We still haven't thought of our class prank! I was thinking we could let all of the air out of school.Everybody would just be like (makes strangling noises). That would be hilarious.Farkle: I'll tell you what'shilarious: nobody saved me! Why did nobody save me?!Riley: Farkle, we looked for you for a whole fiveminutes and then we took the goose.(audience laugh)Maya: He's the new you!Donnie Barnes, regulargoose. I'd see that movie.(audience laugh)Farkle: Oh, please. Farkle cannot be replaced by a goose.Farkle is unique and one of a kind. (at goose) Hah!(Goose honks back)(audience laugh)Farkle: You don'tknow me.[SCENE_BREAK][ INT. Matthews Kitchen - night ][SCENE_BREAK]Riley: You haven't taught meenough!Did I teach you to pass the mashed potatoes?Riley: Yes. Well then, there's a test on that rightnow.(audience laugh)You passed!(audience laugh)Funny Daddy.(audience laugh)What's bothering youRiley?Riley: Everything gets harder. Everything gets harder and you didn't tell me! Were you going to tellme? You didn't tell her? Only every day. You tell her. Life gets harder. Tell her Auggie.Auggie: I'm doin'fine!(audience laugh)Riley: We're graduating middle school. We're supposed to be in the middle of oureducation. The only thing I'm in the middle of is a big mess with two of the people I care most about in"}
+{"doc_id":"doc_19","qid":"","text":"MAWDRYN UNDEADBY: PETER GRIMWADEPart OneFirst Air Date: 1 February 1983Running time:24:03[SCENE_BREAK]IBBOTSON: A 1929 Humber 16/50 open tourer, Imperial model. Do you realise thiscar has the same chassis as the three and a half litre Humber Super Snipe?TURLOUGH: Crude, heavy andinefficient.IBBOTSON: This car is a classic, Turlough.TURLOUGH: It's dull and fat and ugly. Just like you,Hippo.IBBOTSON: Turlough!TURLOUGH: We're going for a ride.IBBOTSON: You can't drive thecar!TURLOUGH: Watch me.IBBOTSON: We'll be caught.TURLOUGH: Who will know?IBBOTSON: Oh,Turlough, we can't.TURLOUGH: Oh, come on, Hippo. Just to the end of the drive and back. You're notafraid, are you? Come on.IBBOTSON: Turlough![SCENE_BREAK]IBBOTSON: Hey, you said just to the endof the drive. But you haven't got a license, Turlough.TURLOUGH: So, who needs one?IBBOTSON: Oh, goback to the school, please. Oh Turlough, slow down, please. You're on the wrong side of the road,Turlough!TURLOUGH: This car's a classic. Isn't that what you said, Hippo?IBBOTSON: Lookout![SCENE_BREAK]TURLOUGH: Who are you?GUARDIAN: A friend.TURLOUGH: What is thisplace?GUARDIAN: There's no need to be afraid.TURLOUGH: Then tell me who you are.GUARDIAN: Yourguardian. One who has your interests at heart.TURLOUGH: Am I dead?GUARDIAN: Merelysleeping.TURLOUGH: I don't think I'd really care if I were. I hate Earth.GUARDIAN: You would like toleave?TURLOUGH: Is it possible?GUARDIAN: All things are possible.TURLOUGH: Then get me away fromhere, please.GUARDIAN: But first, we should have to discuss terms.[SCENE_BREAK]RUNCIMAN: He'll beall right. No bones broken. Just a slight concussion.HEADMASTER: It's a wonder they weren't both killed.What's the damage at your end, Brigadier?BRIGADIER: Eh? In thirty years of soldiering, I've neverencountered such destructive power as I have seen displayed here and now by the British schoolboy.Well, how is he?RUNCIMAN: He's been lucky, He'll be all right.[SCENE_BREAK]GUARDIAN: We haven'tmuch longer. I need to know that I have your assent to our arrangement. You will find me the mostaccommodating of partners.TURLOUGH: But murder. I'm not sure I could go that far.GUARDIAN: You willbe destroying one of the most evil creatures in the universe. He calls himself the Doctor.TURLOUGH: Whycan't you destroy him? You have the powers.GUARDIAN: I may not be seen to act in this. I must not beinvolved.TURLOUGH: I need time to think.GUARDIAN: There is no time. Yes or no?TURLOUGH: Don'tsend me back to Earth, please.GUARDIAN: Yes or no?TURLOUGH: Yes.[SCENE_BREAK]RUNCIMAN: He'scoming round.BRIGADIER: Steady on, old chap. You had a bit of a knock.[SCENE_BREAK]TEGAN:Doctor? I am free of the Mara, aren't I?DOCTOR: Tegan, Tegan, Tegan.TEGAN: I'm scared.DOCTOR:There isn't any need to be.TEGAN: I'm still having terrible dreams.DOCTOR: It's your mind's way ofcoping with the experience. You've suffered a great deal.TEGAN: That could have been prevented if thatDojjen person had destroyed the Great Crystal.DOCTOR: No, he couldn't. The Mara during the process ofits becoming. It had to be trapped between modes of its being.TEGAN: The feelings of hate. Doctor, Icouldn't go through it again.DOCTOR: Well, you're completely free of it now, Tegan. For you, the Mara isdead forever.NYSSA: For all of us, I hope.DOCTOR: Indeed.TEGAN: Can you take me back toEarth?NYSSA: You want to leave us?TEGAN: I want to rest. I want to be surrounded by familiarthings.NYSSA: You'll forget the Mara, Tegan. It won't always be as painful as it is now.DOCTOR: Warpellipse cut out?NYSSA: Can't be. That would mean we were near an object in a fixed orbit in time as wellas space.DOCTOR: And what's the probability of that?NYSSA: Several billion to one against.TEGAN: Areyou trying to scare me, or is this your way of telling me we've broken down again?DOCTOR: I'm afraidit's much more serious than that.[SCENE_BREAK]MATRON: Right, into bed with you, youngman.TURLOUGH: Oh, Matron, I'm perfectly all right.MATRON: Mild concussion and shock. You heard whatDoctor Runciman said. We don't want complications, do we?TURLOUGH: I'm not going to bed.MATRON:Just this once you can do as you're told. You're in enough hot water already.TURLOUGH: Matron, wheredid this come from?MATRON: It was in your jacket, and that was in a fine old mess, I don't mind tellingyou.MATRON: Good afternoon, Headmaster.HEADMASTER: Is it, I wonder. Well, Turlough, how are youfeeling?TURLOUGH: Much better, thank you, sir.HEADMASTER: Which is more than the Brigadier can sayfor his car. I don't understand you. You make no effort at games, you refuse to join the CCF, you do little"}
+{"doc_id":"doc_20","qid":"","text":"\"The Baby in the Bough\"[SCENE_BREAK]TEASER(Open: Freeway stock. Night. Booth's Car exterior.Booth's Car interior. BOOTH is driving.)BRENNAN: What do you know about the Cayman Islands?BOOTH:Great diving, you know? Lots of sea turtles. Why? Are you going?BRENNAN: No. My accountant wants meto set up a tax shelter there.BOOTH: Tax shelter?! Exactly how loaded are you?BRENNAN: (indignantly)That is an offensive way to phrase the question. (she pauses, and mumbles) Quite loaded. I'm betting ona seven figure advance for my next book.BOOTH: Seven figures. Wow. With-without the decimalpoint?BRENNAN: (defensively) The publishers make considerably more.BOOTH: What's the first of thoseseven figures?BRENNAN: A prime number. What do you do with your money?BOOTH: I use it for foodand rent.(Cut to Booth's Car exterior on freeway.)(Cut to: firemen and emergency workers groupedaround a crash site in Pendleton. There are fire trucks, police cars and an ambulance. A sports car hasrun off the road. The area is muddy and wooded. It is night and the site is lit with floodlights on stands.The firemen are packing up hoses and calling to each other as they work. SHERIFF DELPY, BOOTH andBRENNAN walk into shot.)FIREMAN: (in background) Hey, this is all done get over to-BOOTH: (to DELPY)Hey. What have we got here?DELPY: You Agent Booth?BOOTH: (shaking his hand) Special Agent Booth.How you doing?DELPY: Sheriff Delpy.BOOTH: This here's my partner-BRENNAN: I can introduce myself.Doctor Temperance Brennan.BOOTH: Somebody ran the car off the road?DELPY: Yeah. Well, it makes itimpossible to get any traceable tire marks.(BRENNAN approaches the victim, who is a burned husk stillseated in the driver seat of the open top car.)BRENNAN: The victim was doused with gasoline and thenset on fire.DELPY: Farmer three miles away saw the smoke, called it in.Brennan: Female. Probably in herearly twenties. Preauricula sulcus on the iliac. She's given birth.BOOTH: Ran off the side of the road, seton fire... Somebody wanted her dead.DELPY: Well that's why I need your help. I only got six deputiescovered four hundred square miles. We're stretched thinner than plastic wrap.BRENNAN: Compoundfractures to the right tibia and fibula. (BOOTH opens the hood of the car and notices a diaper bag in theback seat.) Crushed manubrium; massive skull trauma. (BABY ANDY cries and BOOTH looks up quickly asBRENNAN continues her examination) I'm not certain yet whether she died in the accident or thefire-BOOTH: Ssssh! You hear that? (The SHERIFF and BRENNAN listen) Everybody! Keep quiet! Stopworkin'! (To Brennan) Did you hear that?BRENNAN: Sounds like a cat. (They all look around.)BOOTH: Ababy. (He looks up. The camera looks down on BOOTH and BRENNAN from the treetops. Pan across toreveal BABY ANDY in a car-seat, lodged in the branches.DELPY: Holy crap.BOOTH: Get a ladder downhere now!FIREMAN: All right, let's move!(Cut to DELPY and EMERGENCY WORKER holding BABY ANDY asthey walk alongside the emergency vehicles to BOOTH and BRENNAN)DELPY: There's not even a scratchon the boy. It's a miracle.BRENNAN: Well, hardly! Car-seats are specifically engineered to protect thechild.BOOTH: From what? Flying out the back of a car and landing in a tree? (BABY ANDY squawks) Oh,look at him, Bones. He looks a little fussy there. Why don't you pick him up and give him acuddle?BRENNAN: What? Just because I have breasts doesn't mean that I have magical powers overinfants. You're the one with the son.BOOTH: All right, fine. I'll take him. Here you go. (He hands her thediaper bag.) You have fun with the diaper bag. You look good. (he takes BABY ANDY) Come on, littleman! Whoa-ho. Hi! Why don't you say hi to your grumpy old Auntie Bones.BRENNAN: No! I am notgrumpy! (To the SHERIFF) The-the vinyl seat melted and fused to the body so we need that brought backto the Jeffersonian. And the driver's door for particulate evidence.DELPY: (Sniffing) The kid smells a littleripe. Might want to take care of that.BOOTH: Ye-eah. (He sighs) Okay, Bones, I'm gonna have to changehim. Just hold on to him here (holding BABY ANDY out for Bones to take). Here you go. Here you go.Okay? Got him?BRENNAN: What? Oh! Woah! Arrrgh.BOOTH: Okay. Here we go. (Taking off his suitjacket) We'll work together on this one. (He lays his suit jacket on the wide back step of a fire truck)Changin' Diapers 101. ( BRENNAN passes him BABY ANDY) Here we go. Here we go, little big man. Okay.watch your-Here. Right here. Look at that. All right. Get me a diaper there, Bones.BRENNAN: Right.There you go.BOOTH: Thanks. Baby powder.BRENNAN: You know, Booth, I have better things to do withmy time. (She looks through the bag) There's no powder.BOOTH: No powder?BRENNAN: Yeah. Hey. Wait"}
+{"doc_id":"doc_21","qid":"","text":"3.03 - Application AnxietyOPEN AT LORELAI'S HOUSE[Lorelai and Rory are on the sofa watching \"TheBrady Bunch Variety Hour\"]RORY: This is sublime.LORELAI: It was the golden age of television.RORY:The music, the costumes, the sets.LORELAI: All cylinders were fired on this one, boy!RORY: And whoknew that they all had such musical talent?LORELAI: And such far out booty shaking abilities, aswell.[The mailman walks through the front door and sets the mail on the bench]EDDIE: Mail,ladies.LORELAI: Thanks, Eddie![Eddie walks back out; Rory walks over to get the mail]RORY: Did you seethat TV Guide had this on their list of the worst fifty shows of all time?LORELAI: I know! Who are they tojudge?RORY: I know, it's on my top fifty best.LORELAI: Yeah, right after \"Holmes and Yoyo\" and \"HeeHaw Honeys.\" Oh, Rory, get back here! They're in clown suits and headed for the pool.RORY: Oh myGod.LORELAI: Honey, come here.RORY: It's here.LORELAI: What's here?RORY: My application toHarvard.LORELAI: Oh my God. [walks over to look at it] It's beautiful.RORY: Impressive letterage,huh?LORELAI: Oh, yeah, it's so. . .RORY: Very.LORELAI: Can I hold it?RORY: Be careful.LORELAI: Oh, it'sheavy, heavy with importance.RORY: I feel dizzy.LORELAI: Are you sure that's not just the sight ofRobert Reed in the tight clown pants?RORY: Oh, geez. Let the record show that when my application toHarvard arrived, we were watching \"The Brady Bunch Variety Hour.\"LORELAI: You don't lose points forthat, do you?RORY: I hope not. Man, this morning I was reading Dead Souls \u0000 it couldn't have comethen?LORELAI: Well, we'll just tell people that's what you were doing, and that I was studying a really bigglobe. They'll never know.RORY: You can keep a secret?LORELAI: Not so far, but there's always afirst.RORY: Dead Souls and a really big globe.LORELAI: Deal. [looks at TV] Oh, kayaks![openingcredits]CUT TO LORELAI'S KITCHEN[Lorelai sits at the table with the Harvard application while Rory getsa drink from the refrigerator]LORELAI: Come on, come on, I wanna get started.RORY: Hold your horsesthere little Miss Horsie Holder.LORELAI: They're going to expect a higher level of wit when you're atHarvard. Oh, watch that drink.RORY: I'm nowhere near it.LORELAI: Well, keep it that way. This is anuncontaminated area. I even cleaned the table using something other than the sleeve of my sweater andspit. [shows her a bottle of cleanser]RORY: Lovely image. I'll be careful.LORELAI: All right, here we go.First question. Uh! Oh my God.RORY: What?LORELAI: \"What were you doing the moment you receivedthis application?\" counts for fifty percent of your eligibility.RORY: Stop.[Lane walks out of Rory'sbedroom]LANE: I need help.LORELAI: With what?RORY: She's writing her drummer-seeks-rock-bandad.LANE: And it's not reading right to me. Could you guys look it over?RORY: Let's see \u0000 \"Drummer withstrong beat seeks band into the Accelerators, the Adolescents, the Adverts, Agent Orange, the AngelicUpstarts, the Agnostic Front, Ash. . .\" You went alphabetically.LANE: Seemed tidy.LORELAI: And a littleOCD.RORY: And a little long.LANE: I can't make cuts.RORY: It's three pages, single spaced \u0000 makecuts.LANE: But this is the cut-down version. I mean, just from the letter A, I excluded AC/DC, theAnimals, and A-Ha, footnoted as a guilty pleasure.RORY: If we can't get through it, no one can.LANE:Okay.RORY: Okay.LANE: I'll try to make cuts, but no guarantees. [goes back into Rory'sbedroom]LORELAI: Okay, personal information. . . state your full name. Better not get that onewrong.RORY: I'll try.LORELAI: And nickname, if any.RORY: That would be Rory.LORELAI: Or DroopyDrawers.RORY: That was never my nickname.LORELAI: Wrong, I called you that as a baby.RORY:What?LORELAI: That's right. You had these little OshKosh cords and they were way too big and once atthe mall, they fell right down to your knees and I said, \"Whoa, there, Droopy Drawers!\" \u0000 and I'm justafraid if we don't answer everything accurately, the Harvard police will come and hit you with an atlasand say something mean in Latin.RORY: How would they know that you called me DroopyDrawers?LORELAI: Well, we could be at a Harvard event and I could slip up and say, \"Pass me a lobsterpuff, Droopy Drawers,\" and they could hear me, and that'll be that.RORY: How \u0000bout you don't drink atany of these Harvard events?LORELAI: Okay, parental information. Mother \u0000 breathtaking.RORY: I thinkthey just want your name.LORELAI: Father \u0000 ostracized. Personal statement.RORY: Oh, the essay \u0000 thebig kahuna.LORELAI: You can evaluate a significant experience that's had an impact on you. How \u0000boutthat time your drawers dropped at the mall?RORY: Enough with the drawers.LORELAI: Or you can write"}
+{"doc_id":"doc_22","qid":"","text":"Act 1 Scene 1 - KACL[Fade in. Frasier is on the air.]Frasier: Gosh, it's been such fun talking aboutpsycho-pharmacological solutions to maladaptive personality traits that I can't believe the three hours isalmost gone. Up next is the news followed by...[Roz raps on the window and holds up a note that reads'BIKE-A-THON\".]Frasier: Oh, but Roz is reminding me that next Saturday is the first annual KACL AIDSBike-A-Thon. It's bound to be an afternoon of family, fun, and lots of surprises, so dust off yourvelocipedes and I'll see you there.[He disconnects and stands up as Kenny comes in.]Kenny: Great pitch,Doc. So, uh, what are the surprises?Frasier: Well, first and foremost: I am not going.Roz: But you justtold them you'd see them there.Frasier: Yes, Roz, I'm merely getting the rubes into the tent. I will gladlygive my money, but spending the afternoon riding bicycles with a bunch of hooligans is not my idea offun.Kenny: It's just kids and families.Frasier: Yes, well so was the KACL family picnic at the zoo, untilthose urchins jostled me into the orangutan grove. Let metell you: orangutans are not the playfulgentlemen of the trees the nature shows claim.[Julia walks in.]Julia: Hello.Kenny: Hey, Julia.Frasier:Julia.Kenny: You're goin' to the Bike-A-Thon, right?Roz: Oh, don't embarrass her, Kenny. I mean, it'sgotta be tough, finding a comfortable bike seat when you're such a tight-ass.Julia: This from a womanwho \"peddles\" her ass all over town.[Roz starts for her.]Roz: Okay, lady...[Frasier grabs Roz and pullsher back.]Frasier: All right, stalemate. Well done, well done. Keep moving, come on.[He ushers her backto her booth.]Kenny: So, Bike-A-Thon, you're in, right?Julia: Nah, I can't be bothered, I'll just send acheck.Kenny: Oh, cheese and rice, what's wrong with you people?Julia: Relax, Kenny, I'm just pullingyour leg. How can I not go? This is funding AIDS research, for God's sake. I know you think I'm heartlessand self centered, but at least give me credit for being human.Kenny: Well, Frasier's not goin'.[Frasierlets out a forced, fake laugh.]Frasier: What? Kenny, come on! I was pulling your leg too! I tell you what,we should have a fund raiser for your sense of humor. All right, I'll see you there.[He claps Kenny on theback, then crosses through Roz's side of the booth.]Roz: You're pathetic.Frasier: I know.[He exits. Fadeout.]Scene 2 - Frasier's Apartment Building[Fade in. Martin is hurrying to catch the elevator.]Martin: Holdit![He hurries and presses the button so the doors open again. He steps inside, then notices the otherperson. It is Cora Winston, the mother of Frasier's upstairs neighbor, last seen in [9.24] \"The Love YouFake.\"Martin: Cora. Hi.Cora: Marty.[The doors close and the elevator starts up. Martin looks nervous,Cora looks firmly ahead.]Martin: Visiting your son?Cora: Yes.Martin: Cora, I'm sorry, but I gotta ask you.What happened? I thought we had a pretty nice thing, but then you stopped returning my calls.Cora:Why don't you ask your other girlfriend?Martin: What other girlfriend?Cora: That bizarre English lady whotold me to leave you alone. Because she was in the British Secret Service and had a license to kill.[Thedoors open.]Cora: Here's your stop.Martin: Oh, geez, that was Daphne's mother. She had a thing for me,but it was never mutual.[The doors close and the elevator continues.]Martin: Did she show you a badge?Always ask to see a badge.Cora: I knew she wasn't a secret agent. But she was pretty convincing aboutthe two of you.Martin: Oh, Cora, I'm so sorry. It's not true.[The doors open again and they step out intothe foyer on Cam's floor.]Cora: I'm sorry too. I should have asked about her.Martin: Well, hey, it'scleared up now. Maybe we could pick up where we left off. Or skip ahead, your choice.Cora: Thatwould've been nice, but I've been seeing someone lately.Martin: Oh, sure, of course you have. Stupid ofme.Cora: But I'm very glad to see you again. Please give Eddie my love.Martin: Oh, yeah. He'll be sorryhe missed you. He liked your ankles.[She goes into Cam's apartment. When the door closes, Martinsmacks his cane against the floor in frustration, then turns and mashes the button for the elevator,furious. Fade out.]Scene 3 - Frasier's Apartment[Fade in. Gertrude and Daphne are on the couch. Niles isleaning against the table behind it. Frasier hurries in.]Frasier: Oh, sorry for the hold up, guys. Ah, listen,I think it's best if we take separate cars to the flower show. See, later I have to go buy a bicycle.[Daphnegets up and heads to the kitchen.]Niles: For whom?Frasier: Well, for me. I've been dragooned into ridingfor the KACL AIDS Bike-A-Thon.Niles: Poor devil, spending the day on a bike. I don't envy you.[He startsseriously, but a malicious grin breaks through. Daphne sticks her head out of the kitchen.]Daphne: Niles,why don't we enter the Bike-A-Thon?[She ducks back into the kitchen, leaving Niles stunned and"}
+{"doc_id":"doc_23","qid":"","text":"OLIVIA POPE's APARTMENTOlivia: Why are you here? You can't be here.Fitz: I didn't kill AmandaTanner.Olivia: I know. Her baby it wasn't yours. But it could have been.Fitz: Really? You really want meto detail for you how and where and in what positions Amanda Tanner and I had s*x? Would that helpmake you feel better? 'Cause I'll do it.Olivia: No.Fitz: You left me. I was unhappy. She was there. Onetime. I-- I made a mistake.Olivia: I don't want to talk about it. You cheated on your mistress with yourgirlfriend. Let's just leave it at that.Fitz: She wasn't my girlfriend. Don't you ever call yourself a mistress.We both know better.Olivia: Why are you here?Fitz: Cyrus got this in the mail a week ago. It's a s*xtape. I'm on it. I need you to hear it.Olivia: I definitely don't want to hear you and Amanda Tannerhaving s*x.Fitz: Olivia. I need you to listen to this.[SCENE_BREAK]GRANT CAMPAIGNHEADQUARTERSFitz: Well, there's no way to sugarcoat it. We got our ass handed to us by Sally Langstonin Iowa last night. So, anyone have any great ideas? Anyone?Jeannine: We have to swing farther right.We haven't said a thing about gay marriage, school prayer-Fitz: Oh, come on. It's not our stances on theissues. We are not getting our message out there. People don't know where I stand. The problemis--Olivia: Your marriage. It looks like you don't screw your wife Which would be fine, except that familyvalues matter to Republicans. It's why they vote for who they vote for. And since Sally's got Jesus firmlyon her side, that just leaves family. Marriage. And yours, whatever the truth may be from the outside, itlooks cold, distant, dead. Where is your wife, by the way? People want to like who they're voting for.Voters thought Al Gore was a big stiff until he stuck his tongue down Tipper's throat. They put George W.in office because he and Laura seemed like a fun couple to have a beer with. People have to want toinvite you in for dinner; and right now, you and your wife are standing in their doorway, not looking ateach other, letting in the cold air. That's why you lost Iowa. It's why you'll lose New Hampshire.Fitz: Andyou are?Olivia: Olivia. Pope.Fitz: Fire her.Cyrus: Ah, she's great, right? A pistol. Lives for her work, apolitical nun, best student I ever had.Fitz: Fire her.Cyrus: 'Cause she said what every staffer on yourcampaign was afraid to say?Fitz: Just get rid of her.Olivia: I'll charge my hotel room to the campaign.Don't worry. I haven't had a chance to raid the hotel minibar. Liv best of luck, Governor.Cyrus: Let's beclear about something. I run a sausage factory.Fitz: Which makes me ... sausage?Cyrus: Handsome,highly qualified, smart, idealistic, and energetic sausage. The stump, the electrifying speeches, the babykissing that's all you. The nitty-gritty, morally bankrupt, back-alley-brawling rest of the game, that's me.It's filthy and thankless, and it's my hallelujah, heroin, and reason to breathe. And you, you don't havehalf the stomach for it, so you go and you make nice with Olivia Pope. Get her back, or you can findanother sausage maker.Fitz: Ms.Pope? Ms. Pope, wait. I, I apologize for firing you.Olivia: Why?Fitz: Whydo I apologize?Olivia: Why did you fire me? I had a job, a paying job, from which I took a leave ofabsence to do a favor for my friend Cyrus because I am good. I am brilliant. I would eat, breathe, andlive Fitzgerald Grant every minute of every day. You would be lucky to have me. Just because you don'tlike hearing the truth about yourself-Fitz: I loved hearing what you had to say. I agree with every word.Very astute. And you're right. I would be lucky to have you. Look ...Olivia: This is why you fired me...Fitz: Can we just...?Olivia: Go back in there and work.Fitz: Okay.Olivia:Okay.[SCENE_BREAK]PRESIDENTIAL CAMPAIGN PANCAKE BREAKFAST / OLIVIA POPE'S APARTMENTFitz:Oh, it's perfect to meet you. Yeah, thank you for having us. How are you, Sally? Hi.Olivia: Put down thebutter.Abby: I don't know what you're talking about.Olivia: I can hear my mixer again, Abby. Butterwon't fix it.Abby: So are you a rabid Republican yet? Hello? Liv?Olivia: He's got ... something I can workwith.Abby: Go to it then. You don't have to check on me every day. I'm not deranged. I'm justdivorced.Olivia: So stop feeling sorry for yourself. Get out of my kitchen. Call my friend Stephen. He'sfun.Abby: Stop trying to get laid. Maybe I'll buy a gun.Olivia: Ohh-kay. Bye!Cyrus: Ooh, he's good, ourboy. You'd never know he's dying to rip Langston's throat out.Olivia: If only he were that good at faking itwith his wife we wouldn't be losing.Amanda: Schedule of events?Olivia: Thanks.Cyrus: What's yourname?Amanda: Amanda.Cyrus: Thanks, Amanda. I don't care which campaign you're volunteering for, Iwant to thank you for coming out today.[SCENE_BREAK]US ATTORNEY'S OFFICEDavid: Alissa, cancel"}
+{"doc_id":"doc_24","qid":"","text":"(In 1988, a little boy is reading a book)Ted from 2030: When your Uncle Marshall was ten years old, heread a book called Life Among the Gorillas. It was written by an anthropologist named Dr. AureliaBirnholz-Vazquez, it told the story of the year she spent living among the Western Lowland Gorillas ofCameroon. When Dr. Birnholz-Vazquez came to the local community college to give a lecture, Marshall,the youngest member of the audience, raised his hand with a question.Marshall: What advice do youhave for a budding anthropologist?Dr. Birnholz: So you want to be an anthropologist?Marshall: Yep.When I grow up, I want to go live with the gorillas, just like you did.Ted from 2030: What she said nextchanged his life.Dr. Birnholz: Oh, that's wonderful, but I'm afraid you can't. They'll all be dead bythen...[in 2006]Marshall:...and if economic sanctions and trade restrictions aren't enforced, thedestruction of the rainforests will continue and over a million species will be wiped out.Ted: So you don'twant coffee.Marshall: I'm saying that the coffee industry is causing irreversible...Ted: All right. I'mpouring it out.Marshall: Okay, one cup. The kid needs to be alert. First day on the job andeverything.Ted: I still can't believe you're going all corporate on us. \"The kid\" has become \"theman.\"Marshall: Okay, it's just an internship to make a little money. After law school, I'm going to workfor the NRDC. They're gonna stop global warming.Ted from 2030: Well... I mean... they did theirbest.Lily: Here's your sack lunch.Marshall: Okay, I love you because, one, you made me a sack lunch andtwo, you laugh every time you say the word \"sack\".Lily: I love you, Marshmallow.Marshall: I loveyou.Ted: I love you too, Marshmallow.Marshall: Uh-oh. Ted?Ted: Oh, no. No, she didn't.Marshall: Yeah.Yeah, she did.Ted: Another care package?Ted from 2030: Another care package. I'd been in along-distance relationship with Victoria for nearly a month. Long-distance relationships are a badidea.Marshall: How many is that so far?Ted: Three.Lily: And how many have you sent her?Ted: In themail or in my mind? Zero. She's up three-zip. Oh! Cupcakes! Great. I bet they're delicious, too. Yup,they're delicious. Damn it! I don't deserve these delicious cupcakes. God, I hate myself rightnow.Marshall: God, that is so me at 15.Ted from 2030: Marshall was going to work for a big corporationcalled Altrucel. Altrucel was most well-known for making the yellow fuzzy stuff on the surface of tennisballs. I mean, this was a huge company, so they did other things... But mostly they wanted the public tofocus on the yellow fuzzy stuff. Anyway, Marshall managed to score an internship in their legaldepartment because he knew someone who worked there.Barney's office(Barney's on the phone)Barney:Go for Barney.Voice: Mr. Stinson, this is Willis from lobby security. Sorry to bother you, but we've hadreports of a sasquatch loose in the building.Barney: A sasquatch?Voice: That's right, sir, a Bigfoot. Wedon't want to alarm you, but he's been spotted on your floor.Barney: Yes! Look at you. You suited in anunmistakably upward direction.Marshall: Whoa. That is a butt-load of motivational posters.Barney: Yeah,hell, yeah. I got 'em all: Teamwork, Courage, Awesomeness...Marshall: There's one forawesomeness?Barney: Yeah, I had it made. Sit.Marshall: Hey, so, now that I'm working here, are youfinally going to tell me exactly what your job is?Barney: Please.Man #1: My dawg!Man #2: Mydawg!Barney: Hey, Blauman, Bilson, this is Marshall. These guys are in legal. You're gonna be workingwith them.Marshall: Marshall Eriksen. Nice to meet you.Bilson: Nice tie. Steak sauce.Blauman: Oh, steaksauce! For true, though.Marshall: Where, I don't, I don't see...Barney: Marshall? Sidebar. Your tie issteak sauce. It means A-1. A-1? Get it? Try to keep up.Bilson: Okay, Eriksen, let's get to work. It's 2:00a.m. It's raining outside. Ding dong! What? The doorbell? Oh, hello, Jessica Alba in a trench coat andnothing else. But wait-- knock, knock. Somebody's at the back door?Marshall: I don't have a backdoor.Bilson: Oh, my gosh, Jessica Simpson? What a surprise. Two Jessicas, you gotta pick one. What doyou do? Go.Marshall: Right. Well, uh... I'm engaged, so--Bilson: Fiancee's out of town. What do you do?Go.Marshall: We're still engaged, even if she's...Bilson: Okay, fiancee's dead. Hit by a bus. What do youdo? Go.The BarTed: Sure you don't want one?Robin: How many of those have you eaten?Ted: Four.Teen. No, just four. And the icing from two more. So, anyway, here's the problem.[FLASHBACK]Ted:Hey, it's Ted. I guess you're asleep. Anyway, I got the care package, and it's just great. Here, listen...Mmm. Mmm![END OF FLASHBACK]Ted: So I'm standing there, my mouth full of this delicious"}
+{"doc_id":"doc_25","qid":"","text":"Lina:You're going, and that's it.Russ: Oh, my God. I got your stupid vasectomy. Isn't that enough?Lina:No. You've blown off three follow-up appointments.Russ: I don't need a follow-up visit. I know that itworked.Lina: How could you possibly know that?Russ: Because I... eyeballed it.Lina: What?Russ: Mystuff. It's practically clear. Seriously, you could store contact lenses in it.Lina: I am moving on. I'mgetting rid of all the baby stuff from the garage. Do you think that's easy for me?Russ: Even thatbassinet? Even the bassinet. You need to move on, too.Russ: I just don't want to be told that I havemeaningless semen.Lina: If you want to get anywhere near any of this... You're gonna have to take careof that.S01E06Russ: I thought you took lessons.Frankie: I'm still scared.(Frankie whimpers) Russ: I wanta refund, then. Get this on.Girl: What are you doing? Everybody can see you.Girl 2: What's the big deal?Nobody's here.(Indistinct chatter, laughter)Russ: Can I ask you something?Am I invisible?Shepard: Idon't know what that means.Lina: He's been upset because some girls changed in front of him.Shepard:Say what?AJ: Boobs or beaver?Russ: That's not the point.Shepard: N-no, I-I'm gonna allow that.Russ:They didn't care what I saw.Shepard: Oh. Well, God bless you.AJ: No, no, no. I see... I see your point,here. I mean, for all she knows, you're-you're a rapist. You're a...Russ: Yeah. AJ:...sick, sexual maniacwho follows her home, studies her patterns. Maybe you borrow a uniform from an old cop buddy whoowes you a favor. \"Is there a problem, officer?\" Rag. Ether. Nightmare.Russ: Yeah, I... I think I-I wasjust trying to say, like, I-I want women to feel uncomfortable changing around me. Is that so much toask?Lina: I'm uncomfortable changing in front of you. (Phone ringing)Shepard: Tammy. Mind if I...?Jess:Get it? No, please, get it. Yeah.Shepard: Hey, Tammy, what's up? Okay.Lina: Who's Tammy?Jess:Tammy is a musician that Shep has been working with.Lina: So he's getting back into the musicbusiness?Jess: I don't know. Maybe. It's just nice to see him, uh, excited. It's a nice change from hissuper-intense depression. And I just feel like it's so great to see him get off the couch and go to workand... Put on pants.Lina: Right.AJ: Pants are for losers. You're wearing pants right now, dude.Lina:Yeah.AJ: Not up here.Shepard: Right. No, it's on ventura. No, but come around the back. Right. And theycan, they can set up whenever they get there. Yeah, we'll all be there. All right. Great. All right, buddy.See you tomorrow. Hey, just got some great musicians for Tammy's session tomorrow. It's gonna soundreally, really good.Jess: Do you know that when you work, it makes me so hot?Shepard: Really? Howhot?Jess: Well, let's say probably about doggy-style hot. I-I don't want to put on the knee brace.Jess:Uh-huh. 'Cause it pulls. You know, it's not... All right, doggy it is.Didi: Bowman?Russ: Hey.Didi: You havea co-pay of $550.Russ: Sounds right.Didi: You need to pay it.Russ: Totally.Didi: Today.Russ: Oh. Idon't... I don't have that kind of cash on me.Didi: Oh, we take credit cards.Russ: Well, I have the cards,but... not the credit. You're going to have to pay the balance of this procedure.Russ: Yeah, I'll pay it. Justnot today.Didi: Let's reschedule, then. We'll get something on the books after the payment is all squaredaway.Russ: All right. Have a great day.Child: My name is Albert Einstein and I was born in Germany in1879. I developed the theory of relativity.Russ (Whispering): Look, it's not my fault, okay? We tried. It'sover.Lina: Seriously? What is wrong with you?Russ: I'm invisible?Lina: Here's what you're going to do.You're gonna go back in that office, and write down that woman's name and scare the sh1t out ofher.Russ: How? Tell her that your wife already sent the check and if they don't see you right away, thatyou're gonna stop payment on it and let it go to collections. Tell her that.Russ: You're getting pretty goodat this.Lina: No, being broke makes you crafty.Russ: So then why don't you come with me and then youcan do the talking.Lina: I can't. I have to take the baby stuff today.Russ: Come on. I... Don't make me goback to that cock-butcher.Father: You guys want to take this outside?Russ: I'm sorry. We're so sorry.Lina(Whispers): Sorry.Russ: Your son looks great.Lina: It's his daughter.Russ: It's your daughter. Look... shelooks great. You're going back to the cock-butcher.Russ: Hey, I never got your name.Didi: Didi.Russ: Oh,great name. So, Didi, there was a mix-up before. Uh, it turns out my wife already sent the check.Really?Russ: But if I don't see the doctor right now, we're gonna cancel the payment. And then it will goto collections, Didi. And they will call us and I will be forced to mention your name. Didi. So you'd betterpolish your résumé. Because you'll get fired.Didi: Why would I get fired?Russ: Because they'll call. And"}
+{"doc_id":"doc_26","qid":"","text":"Teleplay by: Sheryl J. AndersonStory by: Sanford Golden[SCENE_BREAK][Scene: Manor. Prue, Piper andPhoebe walk in the kitchen carrying shopping bags.]Piper: Any day that brings new shoes is a goodday.Phoebe: Are you kidding? This was a great day. Yoga, pedicures, shopping, lunch. When have we hadmore fun?Prue: It's nice to bond through something other than vanquishing for a change.Phoebe: Yeah,but I gotta hand it to those pesky little demons. They sure have brought us closer together.Prue: Maybeyou should write them a thank you note.(Prue turns on the TV.)Reporter: Early this morning when anargument between neighbours at a block party turned into a street parole, residents of several apartmentbuildings...Prue: Ugh.(She turns off the TV.)Piper: Some people are just crazy.Prue: Doesn't it seem likethis kind of stuff has been happening a lot here lately?Phoebe: Random social violence is encouraged by ageneral D clan and ethical thinking. Well, according to my sociology professor. He said that we don't thinkabout the big questions enough.Prue: The big question is how did you stay awake through hisclass?Phoebe: Not only did I stay awake but I actually enjoyed it. Which is why I bought this book. (Shegets a book out of a bag.) It's filled with really deep profound questions, which would actually make agood bar game at P3.Piper: Oh, great, solve the problems of the world while doing Jell-O shots.Phoebe:Okay, let's see if I can find a really good one. (She puts on her glasses and opens up to a page in thebook.) Okay, what if a building was on fire? Do you save five strangers or one sibling?Prue: I thought thatyou said that these were hard questions. That's easy, sibling.Piper: Of course.Phoebe: Ditto. Okay, myturn, my turn.(Phoebe hands Prue the book. The doorbell rings.)Piper: Okay, don't answer anything untilI answer that.Phoebe: Okay, faster though, faster.(Piper answers the door.)Piper: Hi.Leo: Hi.(Theykiss.)Piper: Since when do you ring instead of orb?Leo: Well, I'm just trying to respect everybody's spacesince the three of you have been so, uh...(Prue and Phoebe walk in.)Phoebe: Hey, Leo.Leo: Tight thesedays.Prue: So, um, are you here for all of us?Leo: No, this isn't business. I was just about to invite Piperto an early dinner before her Paula Cole show.Piper: Oh.Leo: Oh, do you have other plans?Piper: Uh, notexactly. We've just been hanging out all day spending some quality non-magic time.Leo: Oh, alright, noproblem. Rain check?Prue: Um, Piper, why don't you go with Leo? I mean, we're totally cool with it.Pheebs and I will go to the club early, keep an eye on things.Piper: I have a new assistant manager andshe's all checked out so she can take care of things.Phoebe: Still, we'll go and make sure everything'sokay. We'll bring the book, maybe stir up some trouble.Prue: How about stirring up somemargaritas?Phoebe: Ooh, that's good.(They link arms and walk back in the kitchen.)Piper: So it's adate.Leo: Alright.[Scene: On the street. Leo and Piper are in Piper's car. They pull up at a stopsign.]Piper: I didn't mean that I didn't enjoy being with you, all I meant was that Phoebe and Pruewould've enjoyed the restaurant too.(A guy in a car pulls up behind them and starts honking his horn andyelling.)Leo: I wish you were normal sisters, they're never this close.Piper: And it's a problem that weare?Leo: No. It just seems that sometimes I'm breaking up a great party when I wanna be alone withyou.(They guy behind them continues honking the horn.)Piper: Leo, I have room for all of you in my lifeand in my heart.Leo: I still need to know which room's mine because... (The guy drives around them andspeeds around the corner.) Okay.[Cut to the guy. He crashes into a Ute with crates of fruit in the backand the fruit flies out of it onto the road. Piper and Leo pull up.]Piper: Oh, no. (The man that was drivingthe Ute gets out and storms over to the other guy driving the car. He pulls him out of the car and theystart fighting. Other people try to break up the fight. One guy picks up a watermelon and throws it atPiper's car. It smashes all over the windshield. Piper and Leo get out.) What on earth? (They walk overnear the fighting men. The guy throws another watermelon towards Piper and Leo but Piper freezes itbefore it can hit them. Everyone else freezes except Leo and one of the four horseman is standing nearby. The horseman looks around confused. He then sees Piper and Leo and starts running.) Leo?Leo: I seehim. (Piper runs after him.) Wait, Piper, you don't know what he is. (Leo runs after Piper.)[Cut to thehorseman. He runs around the corner of a building and suddenly a horse appears. He jumps on the horseand they disappear. Piper and Leo run around the corner and wonder where he went.][Cut to a field. Thefour horsemen on horses suddenly appear, galloping along.]Opening Credits[Scene: P3. Paula Cole is"}
+{"doc_id":"doc_27","qid":"","text":"DRAGONFIREPART TWORun time: 24:40[SCENE_BREAK]Lower level[SCENE_BREAK]Mel: Hang on, areyou sure this is the right way?Ace: Course I'm sure. Don't you trust me?Mel: I don't know. What with thedragon and all that.Ace: The dragon. It's just something to frighten little children with. It's like witchesand goblins. There ain't no such thing.Ace: Wicked!Mel: Get down!Ace: That's not a real dragon. Thatwas a laser beam.Mel: Look out![SCENE_BREAK]Ice cliff[SCENE_BREAK]Glitz: It's no use, Doctor. I'velocated the Ice Garden but there's a distinct absence of dragon or treasure.The Doctor: Glitz, Isympathise with your disappointment, but I'm about to plummet to my death.Glitz: Oh, I suppose youwant me to risk my neck and come and help you.The Doctor: Glitz!Glitz: All right, all right. Don't get yourdelicates in a twist.The Doctor: Glitz![SCENE_BREAK]Refrigeration room[SCENE_BREAK]Kane: Belazs,you astound me. Those two girls should have been searched when they were arrested. You seem to betaking advantage of my former feelings for you. Be warned, the past is an empty slate. I demandabsolute loyalty now and forever, and I don't forgive those who betray me. The girls must be stoppedbefore they reach Glitz and the Doctor. They must be eradicated.Kane: What could be more appropriatethan to despatch some of Glitz's former crew after the girls. He betrayed his crew, now they can havetheir revenge. Everyone should be allowed his moment of revenge.[SCENE_BREAK]Base of the Icecliff[SCENE_BREAK]The Doctor: I say, thank you.Glitz: It's no use, Doctor. Even if we did find thetreasure, it'd take us longer than seventy two hours, and Belazs said if I didn't return Kane's moneywithin seventy two hours they'd confiscate my spacecraft.The Doctor: Why don't you explain the problemto him?Glitz: Oh, he'd slice his own mother up to make a point. If he was a mortician, the corpses wouldkeep their eyes open.The Doctor: Ah.Glitz: In fact, if Kane knew we were afterthe...[SCENE_BREAK]Refrigeration room[SCENE_BREAK]Glitz (O.C.): Dragon's treasure, your lifeexpectancy wouldn't be looking too clever at the moment. He's a cold man, Doctor. Cut him open and youwon't find a heart, just a lump of ice.[SCENE_BREAK]Base of the Ice cliff[SCENE_BREAK]The Doctor:These types never have any sense of fair play.Glitz: Exactly. Which is why I've come to the conclusionthat play it by the rules is a mug's game. I have decided to hijack the Nosferatu. Which is where youcome in, Doctor.The Doctor: Ah, hang on there a minute, Glitz. I'm engaged in a project of scientificcuriosity. I mean, that dragon, or whatever it may turn out to be, could be an undiscovered species.Glitz:Look, I'll do you a good deal. You help me get the Nosferatu back, and I'll give you the treasure map so'syou and Mel can go looking for this dragon. I can't say fairer than that, can I?The Doctor: You have methere, Glitz. Without the map, I'll never find the creature.Glitz: You're a man of insight and logic,Doctor.The Doctor: All right, then. Where's the Nosferatu berthed?[SCENE_BREAK]Refrigerationroom[SCENE_BREAK]Glitz (O.C.): In the lower docking bay.[SCENE_BREAK]Restrictedzone[SCENE_BREAK]Kane: A work of artistry, my friend. Incandescent artistry. I could almost believeXana lives again. A unique beauty, yes, but more than that, a criminal genius also. Oh, what a waste. Itshould have been I who was killed escaping arrest, not you.[SCENE_BREAK]Top of the Icecliff[SCENE_BREAK]Ace: You're joking. I'm not going down there.Mel: Look, there's the Doctor's brolly.We must be on the right track.Ace: What did he have to come this way for? I could break my neck.Mel:How are we going to get down there?Ace: Hang on.[SCENE_BREAK]Lower dockingbay[SCENE_BREAK]Glitz: There's only one guard. Do you think you can occupy him while I slip onboard?The Doctor: I'll do my best.Glitz: Go on, then. Away you go.The Doctor: Excuse me. What's yourattitude towards the nature of existence? For example, do you hold any strong theologicalopinions?Guard: I think you'll find most educated people regard mythical convictions as fundamentallyanimistic.The Doctor: I see. That's a very interesting concept.Guard: Personally, I find most experiencesborder on the existential.The Doctor: Well, how do you reconcile that with the empirical critical belief thatexperience is at the root of all phenomena?Guard: I think you'll find that a concept can be philosophicallyvalid even if theologically meaningless.The Doctor: So, what you're saying is that before Plato existed,someone had to have the idea of Plato.Guard: Oh, you've no idea what a relief it is for me to have such astimulating philosophical discussion. There are so few intellectuals about these days. Tell me, what do"}
+{"doc_id":"doc_28","qid":"","text":"[PREVIOUSLY_ON]DELILAH: Sanctum was colonized by a team from Earth made up of families... thePrimes.GABRIEL: Not everyone believes in the divinity of the Primes.RUSSELL: Children of Gabriel.Nonbelievers must be purified!WOMAN: Die, nonbelievers!CLARKE: No!RUSSELL: It will be your greathonor to become one with Simone Prime.CLARKE: I tried to do better. And then I lost my mom.RAVEN:The Flame. We have to take it out. I'm not the Commander anymore.INDRA: Raven, Sheidheda.NIYLAH:Where did he go?GABRIEL: No one has ever come out of the Anomaly.- OCTAVIA: Hope.- HOPE: I'm sosorry, Octavia.- ECHO: Knife!- BELLAMY: No!Octavia! Octavia![INDISTINCT CHATTER ONRADIO]Octavia![SOBBING]Bellamy? Bellamy!- [GASP] - Whoa, whoa, easy.HOPE: Where am I? You'reOK. Uh, Bellamy she's awake. Who are you? I was about to ask you the same. Octavia called you Hope.The name Diyoza chose for her unborn child. Diyoza? Octavia? You're, uh... you're hurt. Let me take alook. Let me see.[THUD][COUGHING]Hope, wait![GRUNTING]Bellamy! Echo!ECHO: We're not alone.Back inside. Watch the girl. She's already gone. Come on. We can still catch her. Something else camethrough. Welcome to the party. Where's Bellamy? It took him towards the Anomaly. No, no, no, no.Time's not behaving. We have to get to him first. Echo, you can't shoot what you can't see. Stop talking.I'm opening up a path. Follow me![GUNFIRE][DOG BARKING]MADI: Hello.You said I could start schooltoday. Why are we here? I thought maybe you'd like to see our new home. Russell built it for Simone soshe'd have a place that reminded her of the farm she grew up on, back on Earth, before the bombs.Picasso comes with it. We can keep her? Thank you, Clarke.[DOG BARKING]CLARKE: Let's goinside.MADI: Come on, girl.I don't know what I like less... lying about the Flame or making Madi pretendshe's still Commander. Indra thinks it could split Wonkru. You don't agree? I do, and I know we needthem unified to keep the peace here. Just... I worry about Madi. Yeah. For now, we keep it quiet. Indracan say that she speaks for heda. But Madi is out of it. She finally gets to be a kid. Come on. There areplenty of rooms for all of us.[INDISTINCT CHATTER OUTSIDE]INDRA: Heda. If you don't mind, you'reneeded elsewhere.- CLARKE: Where?- INDRA: We've been here a day, and Wonkru hasn't seen her.GAIA:Mother, don't be so dramatic. Go on, Madi. Eat your lunch. It's OK. Come on, girl. Let's go.[INDISTINCTCHATTER OUTSIDE]MAN: Hey, Madi.She seems OK.- INDRA: She is.- GAIA: She will be.GAIA: There'snever been an ex-Commander before. We don't know how having the Flame removed will affect her. Notto mention being taken over by... Sheidheda's gone. Are we sure about that? He's gone. I didn't mean...I... I would just feel better if I knew where that code ended up, that's all.CLARKE: Ok. Then on your nextsupply run to the mothership, you can search the computer again. Meantime, we have to establish aroutine. Not just for Madi but for all of us. Sanctum is broken, and it's our job to put it back together. Ifwe focus on that, we'll be OK. Now let's eat so we can get back to work. One of us needs to represent theCommander. And I'm hungry. Mothers and daughters. I'm sorry. It's OK, Raven. I'm fine.[DOOR OPENSAND CLOSES][INDISTINCT CHATTER]MAN: \u0000 I got darkness on my mind \u0000\u0000 so the question Mark, itkeeps me looking... \u0000 Her motor functions seem normal.CLARKE: Madi, come on. Let's eat. I want toshow you your new room. OK. Come on, Picasso.MURPHY: I see you took the master suite.NIYLAH: Tothe victor go the spoils. We all share the clothes, though.EMORI: It's fine, Clarke. Our room is fine. A littletight, but we'll make it work. Maybe Daniel and Kaylee Prime should live in the palace. Daniel and KayleePrime saved your ass, Miller. But a thank you would do.EMORI: Speak for yourself. That palaceis...INDRA: No one lives in the palace, least of all us. Being seen as conquerors will only make keepingthe peace harder. Ahem. Our first meal in our new home. To absent friends. And departed ones- MILLER:To Abby.- ALL: To Abby.Hey! What the hell is your problem? I'm sorry, but I'm not just gonna sit herewhile he drinks to the woman that he got killed. I didn't know what Russell was gonna do. OK, I... Clarke,you have to believe me. I didn't know. I believe you. Dwelling on the past is not going to get thiscompound running. And it won't get our compound built.[BREATHING HEAVILY]What the...[GROANINGLOUDLY]INDRA: The people of Sanctum have lost their way of life, but many still believe in thePrimes.They blame us. Faith is a powerful thing. A dangerous thing. We can expect conflict betweenbelievers and nonbelievers. To make matters worse, the Children of Gabriel are here. Sanctum is their"}
+{"doc_id":"doc_29","qid":"","text":"An Initiative briefing.Maggie: This is your objective.Narrator: Previously on Buffy the vampireslayer.Walsh: .. demon classed as the Polgara speciesEngelman: ...bone skewers jut from the creature'sforearms during battle. It's imperative not to damage its arms.Buffy: Why exactly can't we damage thispolka thing's arms?Cut to Engelman and Walsh in a lab.Engelman: She's an unnecessary risk.Cut toWalsh speaking to Buffy.Walsh: Two of our hostiles broke freeCut to Buffy faces the two demonsWalsh:and escaped into the tunnelsCut to Walsh and Riley in the Initiative.Walsh: She's dead Riley.Riley: I don'tunderstand. On the monitors behind them.Buffy: Professor Walsh if you think that's enough to kill me.you really don't know what a slayer is.Cut to Walsh musing in lab.Walsh: She wants a fight we'll give herone.Cut to Buffy talking.Buffy: It's not safe for any of us.Cut to Walsh musing in lab.Walsh: And thenwhen she least expects it, ahhh. She is impaled by a skewer.Walsh: Adam.Adam: Mommy.cut to Gilesapt. This scene is a direct continuation of the previous episode with a time gap of perhaps one to fiveminutes. Buffy is talking to Giles, Willow, Xander, Anya and Spike.Buffy: So Maggie sends me down intothe sewers with one of those blasto guns and the next thing I know it's raining monsters.Xander:Hallelujah.Buffy: And then this gate slams down behind me and I-I try to use the gun but it goespfft.Giles: You're saying that Maggie Walsh set you up?Buffy: That's exactly what I'm saying. She sentme on a one way recon.Spike: Got to hand it to you goldilocks - you do have bleeding tragic taste in men.I've got a cousin married to a regurgitating {{frovilops}} demon {that's} got better instincts thanyou.Buffy: What does my taste in men have to do with this?Spike: You think Riley was out knittingbooties for your future offspring while Maggie stringing you up? Anya, Xander and Giles are silent.Buffy:You guys think Riley had something to do with this.Giles: Um, probably not but we, uh, be remiss if wedidn't think all the possibilities {through}.Buffy: {Great./Right.} Remiss. No! No, Maggie made sure thathe was nowhere around when she sent me on this very special make Buffy dead assignment.Willow: PlusRiley he seems like he wouldn't tell a little white lie let alone a whole bunch of big dirty ones.Xander:That's why they call it the secret forces Will, cause they kinda keep the whole lying thing tothemselves.Buffy: All I know is that Maggie has it in for me which means the Initiative has it in forme.Xander: I'm guessing the mad scientist isn't too keen on the fact that the entire scooby gang knowsthat the Initiative is up to no good.Buffy: Which brings us back to the not safe for any of usconcept.Giles: What could have happened to make Professor Walsh want to kill you?Buffy: I don't know,uh. She wasn't keen on the fact that I was asking a lot of questions that's for sure.Anya: So you weregetting too close to something.Giles: Clearly. Although one can only imagine what she'd be so desperateto hide.cut to An Initiative exit. A being exits. Adam is sewn together from parts of different demons. Hehas a metal brace on his left leg, there are metal parts on the left side of his face and the back of hishead, his right breast, his right shoulder and forearm of his right arm. The only recognizably humanportion is the right upper side of his face and his hair. His left eye is red. He had green and grey-pinkdemon parts sewn together and there is a huge scar or seam with what could be links of a large chainreinforcing it running down the middle of his chest. He is a mix of demon, Frankenstein monster andTerminator/Borg. It smiles. roll creditsBuffy: Everybody grab a weapon. We've gotta move. Buffy handsXander an ax and Anya a grappling hook (like a fisherman might use.)Xander: Storm the Initiative. Yeahlet's take on those suckers.Buffy: I was thinking more that we'd hide.Xander: Oh thank God.Giles: I thinkperhaps we should talk about this.Buffy: We need to relocate someplace we're less likely to be found. Weneed to come up with a plan.Willow: We could go to my place.Buffy: The Initiative guys know how closewe are. They'll automatically check the places that you hang out. Xander, what about your basement?The guys haven't seen us together that much and there's enough room.Willow: Ooh Plus mirroredball.Xander: Cool! Come on down and boogie at Xander's hideaway.Anya (less happy): Yes, comeboogie.Giles: Absolutely not! I will not squat in that dank hole.Spike: What, it was good enough for me,but you're above it all?Giles: Precisely. Besides I-I don't see why we can't stay right where we are. Pfft.It's very unlikely that those Initiative boys are going to come round here to look for uh_ Door bangsopen. Riley enters.Riley: Buffy! God Buffy are you ok? What happened?Buffy: You know?Riley: I know"}
+{"doc_id":"doc_30","qid":"","text":"Jim: Damn, lost another file. Going to have to reboot. Again. [Windows reboot sound] Hey, Dwight, doyou want an Altoid?Dwight: What do you think?[SCENE_BREAK]Jim: In school, we learned about thisscientist who trained dogs to salivate at the sound of a bell by feeding them whenever a bell rang. For thelast couple of weeks I've been conducting a similar experiment.[SCENE_BREAK]Jim: [Windows rebootsound] Dwight, want an Altoid?Dwight: Okay.[SCENE_BREAK]Jim: [Windows reboot sound]Altoid?Dwight: Sure[SCENE_BREAK]Jim: [Windows reboot sound] Mint Dwight?Dwight: Inbwit?Yes.[SCENE_BREAK]Dwight: [Windows reboot sound] [Dwight holds out his hand, sighs]Jim: What areyou doing?Dwight: I...Jim: What?Dwight: I don't know. My mouth tastes so bad all of a sudden. [nasty,dry mouth-smaking noise][SCENE_BREAK]Michael: Always the bridesmaids, right ladies?Photographer:Okay, for this next one everyone hop out. Just Phyllis and Dad. Actually, let's bring Mom back in. And thesisters. And you, and you, and you. Great.[SCENE_BREAK]Michael: Phyllis is getting married. And I am inthe wedding party. She has asked me to push her father's wheelchair down the aisle. So, basically, I amco-giving away the bride. Since I pay her salary it is like I'm paying for the wedding. Which I'm happy todo. It's a big day for Phyllis. But it's an even bigger day for me. Employer of thebride.[SCENE_BREAK]Phyllis: Yes, I put Michael in my wedding. It was the only way I could think to getsix weeks off for my honeymoon. No one else has ever gotten six weeks before.[SCENE_BREAK]Pam:Phyllis... ended up using the exact same invitations as Roy and me. So it was kind of like being invited tomy own wedding. And I was like 'Wait, thought I called that off'.[SCENE_BREAK]Jim: So what's in thebox?Stanley: A toaster, you?Karen: A toaster.Stanley: Unbelievable.[SCENE_BREAK]Dwight: Hello,Angela.Angela: Hi, Dwight.Dwight: You look as beautiful as the Queen of England.Angela: Thank you.Don't linger. Break left. Left![SCENE_BREAK]Dwight: The Shrutes have their own traditions. We usuallymarry standing in our own graves. Makes the funerals very romantic, but the weddings are a bleakaffair.[SCENE_BREAK]Jim: Those flowers are nice.Karen: Yeah. P and R?Jim: Phyllis and Robert.Karen:Ah, of course.[SCENE_BREAK]Pam: Also, Pam and Roy.[SCENE_BREAK]Michael: There she is. I swearPhyllis you are as beautiful as the first day you started work at Dunder Mifflin.Phyllis: Thanks, Michael.That's sweet. Same as when you said it outside.Michael: How you doin'? You excited.Phyllis: Yes,very.Michael: Me, too. If you need to vomit, that is ok. I did. Do you want to talk about tonight?Phyllis:No.Michael: You're probably worried about pleasing Bob. A lot of pressure. Phyllis, did you break wind?It's okay, if you did. It's a very natural reaction. It's your wedding. And you're nervous...Phyllis: Thatwasn't me.Michael: Okay... umm... I'm sure that Bob... Wow. That is... that is pungent. I lost my train ofthought. Aaah... Are you set on that hairstyle?Phyllis: I thought it was...Michael: Here, let me...Phyllis:Michael... No.Michael: Just cover up that bald patch.Phyllis: I don't need your... thank you. No, Michaelplease... I just need some time alone.Michael: Okay.[SCENE_BREAK]Michael: You might be surprised tolearn that I've only been to one other wedding. It's actually a very cute story. My Mom was marrying Jeff.And they asked me to be ring bearer. I was understandably emotional and somehow my pants becamewet.Michael: [in video of Michael as a kid] I hate you!Michael: Long story short: Jeff's dog ended up asring bearer. And the irony is that after the ceremony that dog peed on everything and nobody said'boo'.[SCENE_BREAK]Dwight: Why are all these people here? There are too many people on this Earth.We need a new plague. Who are all these people?Jim: You know what? I bet a lot of them are weddingcrashers.Dwight: No way.Jim: Did you ever see that movie?Dwight: Of course I sawit.[SCENE_BREAK]Dwight: I saw Wedding Crashers accidentally. I bought a ticket for Grizzly Man andwent into the wrong theatre. After an hour, I figured I was in the wrong theatre, but I kept waiting.That's the thing about bear attacks, they come when you least expect it.[SCENE_BREAK]Jim: You know Ijust wish, I wish, I had the investigative powers to smoke some of these guys out.Dwight: Once again,Jim, I will take care of this. I will locate the wedding crashers and report them to Phyllis. That way I won'thave to get her a gift.[SCENE_BREAK]Kevin: [to Toby's date] Hi. I'm Kevin. [to Toby] Where did you findher?Toby: At the gym.Kevin: Riiight. The gym. [snickers][SCENE_BREAK]Kelly: Could you scoot over?You're on my dress.Meredith: I thought you're not supposed to wear white to a wedding.Kelly: I know but"}
+{"doc_id":"doc_31","qid":"","text":"THE YEAR 2030LIVING ROOM(Daughter and Son sitting on couch)Future Ted: So kids, there are manybuildings New York City.EXT. NEW YORK CITY BUILDINGSFuture Ted: Thousands of apartments. Millionsof stories. And even though it's been decades and someone else lives there now, there's one apartment inparticular that will always be our apartment. I have so many great memories of that place.EXT.APARTMENT(Marshall sitting on couch playing video game)Future Ted VO: Marshall playing videogames.(Lily painting on fire escape, drops paintbrush)Future Ted VO: Lily painting on the fire escape.Mr.Madsen: Hey!Lily: Sorry, Mr. Madsen.(Ted in kitchen making coffee)Future Ted VO: And me making thecoffee. I had this coffeepot that was probably 50 years old at that time, and it made truly terrible coffee.We called it ShockyTed: Plugging in.Marshall: Saving game.(Ted plugs in coffeemaker and lights flickerand Ted gets shocked)(Interior shots of apartment)Future Ted VO: I loved every last detail of that place.Right down to the incredibly tacky swords we hung on the wall. I never wanted any of it to change. Butthat's not how life works.(Marshall and Ted sitting in living room, Lily and Robin enter through front doorholding four paper bags)Lily: You guys will never believe what just happened to us.Robin: I don't evenbelieve it myself.Lily: We were in Queens and we decided to stop by my apartment.INT. LIVING ROOM,YEAR 2030(Daugher and Son sitting on couch looking bewildered)Daughter: Wait, her apartment? Ithought Aunt Lily lived with you and Uncle Marshall.EXT. STREET(flashback to Lily and Robin walking toLily's apartment)Lily: I could see how you would think that but I have to have my own place. It's anindependence thing.Robin: When was the last time you were there?Lily: Three months ago.(Robinlaughs)Lily: What? It's like fat pants. You hope you never have to use 'em but you're glad to know they'rethere.(Lily and Robin stop walking, Lily looks confused)Lily: What the hell?Robin: What?Lily: This is myapartment.Robin: Where?Lily: Right here.INT. CHINESE RESTAURANT(Lily and Robin enter through frontdoor)Lily: What the hell?Robin: Lily, this is a Chinese restaurant.Lily: No, no, this was my apartment. Mydresser was right...(Lily looks around to point out to Robin where her dresser would be)Lily: That's mydresser! And this is my closet.(Lily opens closet door)And I spilled nail polish there. There's the stain.(Lilyand Robin look at something on carpet)(Waitress walks in from kitchen)Waitress: Hi, how many?(Lilylooks up at Waitress) Waitress: Lily.Lily: Yes, you know me?Waitress: Yeah, from your homecomingpicture. You're much prettier in person.Lily: Yeah, I know, the bangs were a mistake. Where's my stuff?Waitress: It's all in the back. We could wrap it up for you. You want it to go?Lily: This is myapartment!Waitress: Not anymore.INT. APARTMENT(back to Lily and Robin telling this story to Ted andMarshall)Ted: No way. You're making this up.Marshall: Yeah, the building would have had to give yousome sort of notice.(back to Chinese restaurant flashback)Waitress: They sent you a notice aboutthis.Lily: When?Waitress: Three months ago. Here's your mail minus the magazines.(back to everyone inapartment)Marshall: Well, still, legally, they can't just toss you out onto the street. You have alease.(back to Chinese restaurant scene)Lily: OK so I didn't have a written lease as such but, but go askmy landlady, Mrs. Conroy.(Lily turns to Robin)Lily: She may be 98 years old but she's still...(Lily turnsback to Waitress)Lily: She's dead, isn't she?Waitress: Never even saw the bus.INT. APARTMENTLily: Myapartment is a Chinese restaurant. What am I gonna do?Ted: Come live with us.Lily: Really?Ted: Ofcourse.Marshall: You sure about this, Ted?Ted: Yeah. I mean, you basically live here anyway. It's not likeit'll change anything.INT. BAR(Barney, Robin and Ted sit at booth)Barney: No, it's like it'll changeeverything. Oh, Ted, you are so screwed.Ted: What? What are you talking about?Robin: And why is thatgirl checking you out?(Girl at another table is looking at Barney)Barney: Because I look good. Now focus,you and Marshall are roommates. You have an amazing apartment. Marshall and Lily just gotengagedTed: Yeah, so?Barney: So, you're not still gonna be his roommate when he gets married, areyou? Someone's going to move out. So who's it gonna be?Robin: Come on, Barney, I'm sure they'vetalked about who gets the apartment. You talked about who gets the apartment, right?Ted: Yeah, we'vetalked about it.(flashback to Ted and Marshall playing video games in their apartment)Marshall: So, whenLily and I get married, who's gonna get the apartment?Ted: Oh, that's a tough one. You know who I thinkcould handle a problem like that?Marshall: Who?Ted: Future Ted and Future Marshall.Marshall: Totally."}
+{"doc_id":"doc_32","qid":"","text":"EXT. HOUSE, NIGHTA fierce thunderstorm blows outside a remote manor house.INT. HOUSE, PARLOUR,NIGHTA young WOMAN enters the parlour to see an older MAN surrounded by tables of electronicequipment.WOMAN: How are we looking?MAN: (nervously) Oh... about ready, I think.WOMAN: Anythoughts on the, er, interference?MAN: (sits) Erm, a stray FM broadcast, possibly? But I've fitted someferrite suppressors and some RF chokes. Just in case. (stands and puts a camera around his neck) Areyou sure you want to go through with this? I mean, the last time was very...WOMAN: But she's solonely.MAN: Excellent, then. Excellent.The MAN sits down, puts on a headset and taps on a microphonebefore speaking into it.MAN: Caliburn House, night four, November 25th, 1974. 11.04pm.He nods to theWOMAN and she takes a few steps forward to the archway at the base of the stairs. The MAN stands andholds up a parabolic microphone and aims it towards the arch.WOMAN: I'm talking to the spirit thatinhabits this house. Are you there? Can you hear me? I'm speaking to the lost soul that abides in thisplace.The microphone picks up some static and hissing sounds. The MAN looks over to one of themachines that records energy levels. The needles are moving over the paper.WOMAN: Come to me.Speak to me. Let me show you the way home.A high-pitched whine comes over the headphones, causingthe MAN to shout out and pull them away from his ears. The machinery reacts, registering the sound. Adistorted screaming can be heard, The WOMAN backs out of the dark hallway.WOMAN: Let me show youthe way home!The MAN picks up the camera and begins clicking away as he faces the archway. At eachclick, a misty white figure appears, an arm stretched out towards them. It comes closer and the WOMANgasps as the figure appears to pass through her. She falls against a chair and the MAN goes to her.MAN:Emma?He holds her and helps her stand. He puts his hands on her shoulders and she grips hislapels.EMMA: She's so...MAN: So what?EMMA: Dead.There is a knocking at the front door and both turntheir heads. They walk slowly to the main door.INT. HOUSE, FRONT DOOR, NIGHTThe MAN pulls the dooropen and there's no one there. The DOCTOR sticks his head out from behind the other door.DOCTOR:Boo! Hello, I'm looking for a ghost.MAN: And you are...?CLARA: (stands beside DOCTOR)Ghostbusters![SCENE_BREAK]Matt Smith[SCENE_BREAK]Jenna-Louise Coleman\"Hide\" By NeilCrossPRODUCER Marcus WilsonDIRECTOR Jamie Payne[SCENE_BREAK]INT. HOUSE, FRONT DOOR,NIGHTDOCTOR: (holds up psychic paper) I'm the Doctor.MAN: Doctor what?DOCTOR: If you like. Andthis is Clara. (walks past MAN)INT. HOUSE, PARLOUR, NIGHTThe DOCTOR walks into the parlour,excited. He runs over to the machines. The others follow.DOCTOR: Ah, but you are very different! Youare Major Alec Palmer. Member of the Baker Street Irregulars, the Ministry of Ungentlemanly Warfare.(whispers to ALEC) Specialised in espionage, sabotage and reconnaissance behind enemy lines. You're atalented water-colourist, professor of psychology AND... ghost hunter! (shakes ALEC'S hand) Totalpleasure. Massive.EMMA: Actually, you're wrong. Professor Palmer spent most of the war as aPOW.DOCTOR: Actually, that's a lie told by a very brave man involved in very secret operations. The kindof man who keeps a Victoria Cross in a box in the attic, eh? But you know that! Because you're EmmaGrayling... (walks over and air-kisses both cheeks) the Professor's companion...EMMA:Assistant.DOCTOR: It's 1974 - you're the assistant and \"non-objective equipment\". (looks to CLARA whois by equipment) Meaning \"psychic\".CLARA: Getting that. Bless you, though.The DOCTOR walks over tothe area by the equipment.ALEC: Relax, Emma. He's Military Intelligence. (to DOCTOR) So what's all thisin aid of?CLARA sits on the desk.DOCTOR: Health and safety! Yeah, the Ministry got wind of what's goingon down here. Sent me to check that everything's in order.ALEC: They don't have the right.DOCTOR:Don't worry, Guv'nor, I'll be out your hair in five minutes. (looks at equipment and snaps fingers) Oh! Oh,look! Oh, lovely. (sits next to CLARA and plays with a switch) The ACR 99821. Oh, bliss, nice action onthe toggle switches. You know, I do love a toggle switch. Actually, I like the word \"toggle\". Nice noun.Excellent verb. (CLARA touches a switch and the DOCTOR slaps her hand) Oi, don't mess with thesettings.The DOCTOR stands and takes the sonic screwdriver from his inside jacket pocket and scansALEC and EMMA.ALEC: What's that?DOCTOR: Gadget. Health and safety. Classified, I'm afraid. (stopsunder arch) You know, while the back room boffins work out a few kinks. (turns back around and scans"}
+{"doc_id":"doc_33","qid":"","text":"[The Kerwin House - Ashley's Room](While getting ready for school, she's talking to her friend Terri onthe phone.)Ashley: This is gonna be the best year ever! (Working on her poster for Degrassi studentcouncil president.) The first thing we need to do to, Terri, we need to get you a boyfriend. It'll happen.Trust me. Uh, Terri, I am not a shoe in (as she leaves the room, we see her poster which says \"AshleyKerwin Your Choice For Degrassi Prez\" with her picture in the center) We won't even know if I'mpresident till the final vote is counted (closes her door.) Yeah, I just need to have a shower and getdressed. Oh, no, not again. Ter, I've gotta go. All right, I'll see you at school. Bye (hangs up with Terri)(Knocks on the bathroom door- goes back and forth a minute between showing Toby in the bathroom andher outside the door) Toby, out.Toby: How do you know it's me? It could be your mom, could be mydad.Ashley: They have their own bathroom.Toby: Then, go use it. I just got here.Ashley: Toby, come on,be reasonable. I have to get to school to put up my election posters.Toby: Aren't you the only onerunning? (Opens the cabinet and sees Ashley's bra hanging in the shower)Ashley: Toby, remember whatDr. Fried said? \"A generous attitude makes for a generous family.\" Now, get out the bathroom, now!Toby, what will it take you to open that door?Toby: Just say \"please\".Ashley: Please.Toby: (while fixinghis hair) Now say \"Toby Isaacs is the coolest kid at Degrassi. Way, way cooler than any stupid grade 8could ever hope to be.\"Ashley: Toby, I have to get something?Toby: Get what? Your hairbrush? Youreyeliner? Your (opens the door with her bra on) training bra?Ashley: Mom!Theme song.[Degrassi]Toby: Imean, I hadn't even spit out my toothpaste and she wanted in.JT: Maybe you should explain to Ashleythat bathroom time is private time.Toby: She'd probably go and cry to her mommy.JT: Really?Toby: Shehas no sense of humor and she's a neat-o-holic. Yesterday, I left my gym socks on the couch, shefreaked.JT: Your gym socks can reek something fierce.Toby: Just 'cause me and dad move in to theirhouse, Ashley treats me like...JT: Dirt? Gum stuck on her shoe?Toby: All of the above. So, ready for Day1 of the rest of our junior high lives?JT: What do you think?[Inside Degrassi](Terri is helping Ashley putup her posters.)Ashley: Dr. Fried says we need to work together and become more like siblings.Terri: Youfight all the time, you can't stand the sight of each other, you're already acting like siblings.Ashley: Imean I don't mind his dad Jeff, and I'm glad my mom's happy, but Toby, he's everywhere. He's like alittle mosquito that keeps buzzing in your ear.Terri: Hey, Ash, maybe when you're president, you can gethim expelled.Ashley: Yeah, from my life.(A blond girl named Paige comes up to them. She's wearing ared shirt that says \"Hottie\", blue capris, and sunglasses)Paige: Hey, guys. Haven't seen you all summer.How are you doing? (As she talks, the camera moves up from her feet to her face)Terri: Paige?Paige:New year, new look, new Paige (a guy stares at her and hits a locker.) You're putting up your campaignposters already?Ashley: The election's on Friday.Paige: Wow, you'd rather on the issues than yourappearance. That's so...admirable.Paige walks away.[Another part of Degrassi](Emma and Manny arecoming into school.)Emma: Manny, there's nothing to be afraid of.Manny: Nothing but the grade8's.Emma: They're only a year older than us.Manny: Yeah, a whole year to think of ways to make ussuffer.(Emma drops some papers. As she goes to pick them up, Spinner and Jimmy approach them.Spinner steps on the papers.)Spinner: Hall pass.Emma: What?Spinner: You're not allowed on schoolproperty without a hall pass.Emma: But, we didn't get one.Spinner: Then you'll both have toleave.Manny: But, we can't. It's the first day of school.Spinner: (To Jimmy) Grade 7's are suchgeeks.(Spinner and Jimmy leave. Emma picks up her papers.)[Outside a room](Toby and JT walk up tothe room that's homeroom, but the door's locked.)Toby: (To Emma and Manny) Hey, guys.Emma:Hey.Manny: Hi. That's our homeroom?Emma: Cool.(The bell rings. Mr. Simpson comes to the door andun-locks it.)Mr. S: Hey, guys. Sorry I'm late. Hey, Em. Okay, here we go. (As the kids enter the room andsit down) All right, just choose your own seats for the time being. Okay, welcome to Degrassi CommunitySchool. I'm Mr. Simpson, I'm your homeroom and Media Immersion teacher. And I gotta say you guysreally lucked out, I mean it. This is by far the coolest homeroom in the entire school. First order ofbusiness: These are the code of conduct forms (passing them out to everyone), concerning thecomputers, and the internet, all right? I wanna get these out of the way before we get to know one"}
+{"doc_id":"doc_34","qid":"","text":"MUSIC IN:EXT. HOUSE - DAYJODY: It's a great neighborhood. Very quiet, very private. It has anoversized backyard. That's a big plus. The whole house has been newly renovated. There are upgrades allover the place. Stainless appliances, air-purification system. Total move-in condition. The furniture isrented, but if you like it, I can have the company make you a deal.[SCENE_BREAK]INT. LIVING ROOM -DAY(DOOR OPENS)JODY: Amy, you are going to love the kitchen, but first I'm going to show you guysthe living room. It has a wall-mounted flat screen and a gas log fireplace. You won't believe how easy thisis. One push of a button. Isn't that cozy?(SFX: FIRE LIGHTS)(SFX: JODY GASPS/ SCREAMS)(MUSIC UPAND OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)[SCENE_BREAK]INT.LIVING ROOM - DAYDUCKY: Make sure you capture the back of his head, too, if you would be sokind.MCGEE: You got it.JIMMY: Sorry!MCGEE: (OVERLAP) Sorry!DUCKY: There's no rush, gentlemen. Ourpatient isn't going anywhere.MCGEE: Well, Ducky, the old Gibbs is back.DUCKY: The old Gibbs?GIBBS:McGee! Over here. Hands and knees. On the floor.MCGEE: Okay. Um... you're not going to step on me,are you? Footprints! Footprints. Looking for footprints. It's a pretty tight weave.DUCKY: It looks like sisal.It's a naturally stiff fiber, woven from the leaf of the cactus plant. It doesn't mat, trap dust or build static.Makes it ideal for carpeting, but personally, I prefer a good shag. From a criminal-investigativestandpoint.MCGEE: I don't see any dirty footprints.DUCKY: I think it's safe to assume that our frienddidn't stroll in here on his own.TONY: You look happy to see me, Boss! (BEAT) Oh, it's the coffee. Ran themilitary ID our local LEOs got off the body. Lance Corporal James Finn stationed at Quantico. Went UAwhen his unit was shipped to Iraq six months ago.MCGEE: Looks like he's got a pretty good reason fornot showing.GIBBS: Find out where he was buried.DUCKY: It won't be far, McGee. Had the trip beenlonger, some bits would have fallen off.MCGEE: Okay, I'll check the backyard.TONY: Scene's not going tosketch itself.(F/X: JIMMY BUMPS INTO TONY)(SFX: JIMMY GROANS)DUCKY: Perhaps it would be better ifyou fetched the gurney, Mister Palmer. I've seen all I need to see here.JIMMY: Yes, Doctor.(PASSAGE OFTIME)TONY: It's a tidy crime scene.DUCKY: Quite. It appears to be a body drop. A tertiary crime scene.Or quaternary. Or quinary. I could go on.TONY: Oh, you did. It's an odd decorating choice. Although thecorpse does give the place a certain lived-in look.DUCKY: You can see, he brushed the dirt off hisface.TONY: Oh, geez!!(F/X: TONY BUMPS INTO GIBBS)TONY: Sorry.DUCKY: Hello. (CHUCKLES)Nicrophorus americanus. Also known as the carrion beetle. Come here, you little monkey! Ah ah! Yeah, areminder that Shakespeare got it wrong. We are not food for worms. It's the flies and beetles that feastupon us.GIBBS: I'm more interested in why someone did this, Doctor.DUCKY: Well, then I'll have toresearch the predatory, manipulative, grandiose nature of this behavior. But my first impression is thatwe're dealing with a complete loon.TONY: That Master's in psych is starting to pay off, Ducky.(SFX:DUCKY CHUCKLES)[SCENE_BREAK]EXT. HOUSE - DAYJODY: Merciful God in Heaven! I have seen a lot ofthings selling real estate, but can you imagine walking in and seeing that?ZIVA: When was the last timeyou were here?JODY: Yesterday morning for a showing.ZIVA: And everything was normal?JODY: Therewas no rotting corpse in the living room if that's what you mean.ZIVA: Who else had access?JODY: Acouple of dozen real estate women. The keys are in a lock box on the front door.ZIVA: Who's theowner?JODY: A local contractor... and me. I buy and Bob fixes. We split the profits.ZIVA: Bob?JODY:Robert Whitehead. The contractor.ZIVA: A number where he can be reached?JODY: Yeah.ZIVA: So whoput the body here? You or Bob?JODY: Neither of us! You know, it is an empty house. If you're looking toditch a body, that's a real plus.RICK: Jody! I came as fast as I could. Are you okay?JODY: It's myhusband. I called him. (TO RICK) Just duck under the tape, Rick.ZIVA: Stop! It's a crime scene!RICK:Crime scene. Honey, you all right?ZIVA: She's fine.JODY: I am not fine. I had to cancel my one o'clockshowing!MCGEE: (V.O.) I think I found where he was buried...[SCENE_BREAK]EXT. BACK YARD -DAYMCGEE: I checked for footprints, but it rained last night. So everything is pretty washed out.GIBBS:You got access?MCGEE: Well, there's side access at street level. Chain link fence around the yard, butanyone with gloves could have scaled it.ZIVA: Wait for me!TONY: Did the real estate agent solve the bigmystery?ZIVA: No. But she owns the property with a contractor, and every real estate agent in town had"}
+{"doc_id":"doc_35","qid":"","text":"Originally written by Chris Brown. Transcribed by Dan Silverstein.[Scene: Central Perk. The whole gang isthere, Ross is showing pictures of his new baby boy, Ben, to the group.]ROSS: And here's little Bennodding off...MNCA: Awww, look at Aunt Monica's little boy!PHOE: Oh, look, he's got Ross'shaircut!RACH: Oh, let me see! [grabs picture] Oh, God, is he just the sweetest thing? You must just wantto kiss him all over![Ross is practically drooling over Rachel at this point.]ROSS: [quietly] That would benice.[Chandler, annoyed with Ross's fawning, makes a 'pfft' noise.]RACH: Pardon?CHAN: Nothing, just alittle extra air in my mouth. Pffft. Pffffffft. [walks over to where Joey is seated][Joey is looking at hischeck.]JOEY: Hey, Chan, can you help me out here? I promise I'll pay you back.CHAN: Oh, yeah, right,OK... inlcuding the waffles last week, you now owe me... 17 jillion dollars.JOEY: I will, really. I'll pay youback this time.CHAN: [sigh]... And where's this money coming from? [gives money to Joey]JOEY: Well...I'm helping out down at the NYU Med School with some... research.ROSS: [overhearing] What kind ofresearch?JOEY: Oh, just, y'know.... science.ROSS: Science. Yeah, I think I've heard of that. [everyone'sinterest is piqued, they all look over]JOEY: [sigh]... It's a fertility study.[Rachel laughs.]MNCA: Oh, Joey,please tell me you're only donating your time.JOEY: Alright, come on you guys, it's not that big a deal.Really... I mean, I just go down there every other day and... make my contribution to the project. Hey,hey, but at the end of two weeks, I get seven hundred dollars.ROSS: Hey.PHOE: Wow, ooh, you're gonnabe making money hand over fist!Credits[Scene: Monica's apartment. Monica and Phoebe are preparingfor a barbecue for Rachel's birthday.]MNCA: OK, we got the cole slaw, we got the buns...PHOE: We've gotthe ground-up flesh of formerly cute cows and turkeys, ew... [hands meat to Monica][Chandler and Joeyenter with charcoal.]CHAN: [in a deep voice] Men are here.JOEY: We make fire. Cook meat.CHAN: Thenput out fire by peeing, no get invited back.MNCA/PHOE: Ewww!MNCA: Oh Joey, Melanie called, said she'sgonna be late.JOEY: Oh, OK.PHOE: So how are things going with you two? Is she becoming your[provocatively] special someone?JOEY: I don't know, she's, uh.... she's pretty great.MNCA: Yeah? Whatdoes she think of your little science project?JOEY: What, you think I'm gonna tell a girl I like that I'm alsoseeing a cup?MNCA: Man's got a point.JOEY: Well, the tough thing is, she really wants to have s*x withme.CHAN: Crazy bitch.JOEY: Yeah, well, I still got a week left to go in the program, and according to therules, if I want to get the money I'm not allowed to conduct any... ersonal experiments, if you know whatI mean.MNCA: Joey... we always know what you mean.[Time lapse. Chandler and Joey are making thefire, Monica and Phoebe are inside. Ross enters, carrying luggage.]PHOE: Hey.MNCA: Hey.ROSS: Hey.[Phoebe sees his bags]PHOE: How long did you think this barbecue was gonna last?ROSS: I'm going toChina.PHOE: Jeez, you say one thing, and...MNCA: You're going to China?ROSS: Yeah, i-it's for themuseum. Someone found a bone, we want the bone, but they don't want us to have the bone, so I'mgoing over there to try to persuade them to give us the bo--it's--it's a whole big bone thing. Anyway, I'mgonna be gone for like, uh... like a week, so, uh, if you wanna reach me, y-you can't. So here's myitinerary [hands a sheet of paper to Monica]. Um... here's a picture of me... [hands it to Monica]PHOE:Oh, let me see! [takes the picture]ROSS: [to Monica]: Could you take it to Carol's every now and then,and show it to Ben, just so he doesn't forget me?MNCA: Yeah.[Phoebe puts the picture of Ross up to herface.]PHOE: Hi, Ben. I'm your father. I am... the head. Aaaaaahhhh.... [puts picture down, sees Rossstaring at her] Alright, this barbecue is gonna be very fun.ROSS: Hey, is Rachel here? Um, I wanted towish her a happy birthday before I left.MNCA: Oh no, she's out having drinks with Carl.ROSS: Oh.[pause] Hey, who's Carl?MNCA: You know, that guy she met at the coffeehouse.ROSS: No.PHOE: Oh,well, see, there's this guy she met at the--ROSS: At the coffeehouse, right.PHOE: So you do know whohe is! [laughs, Ross stares at her] Sorry.ROSS: OK, I'm gonna go say goodbye to the guys.PHOE: Oh,hey, y'know what? Tell them that bone story.[Ross goes outisde on the balcony.]ROSS: Hi.JOEY:Hey!CHAN: Hey!ROSS: [sigh]....I have to go to China.JOEY: The country?ROSS: No no, this big pile ofdishes in my mom's breakfront. Do you guys know who Carl is?CHAN: Uh, let's see... Alvin... Simon...Theodore.... no.ROSS: Well, Rachel's having drinks with him tonight.JOEY: Oh no! How can she do thatwhen she's never shown any interest in you?!?CHAN: Forget about her.JOEY: He's right, man. Please."}
+{"doc_id":"doc_36","qid":"","text":"RED BEDROM RECORDJamie is sitting at the piano singing \"I don't want to be\" with David Degraw himselfbesides himDAVID : Let me take this part.(David Degraw sings alone)DAVID : You're a cute kid.JAMIE :Thank you.DAVID : You're welcome.OUTSIDE LUCAS' HOUSEWe see news papers throw at his door. Fewdays has passedINSIDE CLUB TRICWe see Lucas drinking in different clothes.IN THE STREETWe seewater balloons throw everywhereIN THE HOSPITALDan is at Reverend Carter bedsideBROOKE ANDPEYTON'S HOUSEBrooke is looking at a board that says Angie has 8 more days with her. Then she goesplay with herBROOKE : Hey, you. Whatcha got there? What's that?THE APARTMENTWe see Deb sneakingout of Skills' bedroomMOUTH'S OFFICEMouth's boss is disregarding himNATHAN AND HALEY'SHOUSEHaley is waking up and finds Chester besides her instead of NathanTREE HILL GYMNathan ispracticing aloneNATHAN AND HALEY'S HOUSEJamie is standing in front of the poolOUTSIDE CLOTHESOVER BROSMillicent arrives at work, avoiding water balloons, and looks at the roof before entering thestore. She seems annoyed.LUCAS' BEDROOMJamie is in front of Lucas who's still asleep, with a pillowover his headJAMIE : I think you drink too much.LUCAS : I think you're right.NATHAN : Damn. Thinksomebody got thrown through a plate-Glass window. Dude, it seriously smells like ass in here.JAMIE :And rotten cheese.LUCAS : Go away.JAMIE : Ew, and bad breath.LUCAS : I said, \"go away.\"(Lucasthrows away the pillow and we find out that he has a mohawk)JAMIE : Ho...NATHAN : Holy crap.LUCAS :What?NATHAN : Have you seen your head?LUCAS : Not lately.NATHAN : You have a mohawk.LUCAS : Ido?(Jamie jumps on the bed and plays with Lucas' mohawk)JAMIE : Awesome. Can I get one,daddy?NATHAN : Sure, if you want to look goofy like your uncle Lucas.JAMIE : Kind of like he has a tail...just on his head.NATHAN : Jamie, why don't you go get Luke a bottle of water, huh?JAMIE : Okay.(Jamieleaves the room)NATHAN : I thought we were gonna see you at that school-Board hearing.LUCAS :Yeah.NATHAN : They suspended you, Luke. 10 games.LUCAS : There's only 11 left.NATHAN : Not foryou.(Jamie comes back with the bottle)JAMIE : Here you go!NATHAN : All right, Jamie. Let's getgoing.JAMIE : Okay. Bye, uncle Lucas. Cool hair.(Jamie goes outside)NATHAN (to Jamie) : Wait for meright there, okay?(Nathan closes the door)NATHAN : Look, Luke... I know from experience whateveranswers you're looking for... You're not gonna find them like this... Trust me. I know it sucks thatLindsey's dating, And it sucks that you grabbed that player, but don't make it worse. The darknessdoesn't have any answers, Luke.BROOKE AND PEYTON'S HOUSEBrooke is in bikini, ready to go to thebeach with AngieBROOKE : Okay, you silly rabbit. We're going to the beach. Yes, we are. Just me and myfunny bunny. Did you hear that? Did you hear what I called you? Did you hear what mama...(Brookestops, surprised by what she's just said. Then the phone rings)BROOKE (on the phone) : Hello? Yes, thisis she. But... there must be some mistake. She has eight days left... But she's recovering from surgery,so... No, I understand... Okay. Bye-Bye.(Brooke hangs up)BROOKE (to Angie) : They want you to gohome today. But that can't happen.LUCAS' BEDROOMLucas is looking at his mohawk in the mirror whenHaley walks inHALEY : Oh, well, well. What...what is all thisLUCAS : Not sure.HALEY : I would laugh if thiswhole thing wasn't such a mess.LUCAS : What whole mess?HALEY : You, your head... All of it. You and Iare going for a drive. But, first, we're gonna fix the ferret above your face.LUCAS : Why?HALEY : We'retaking a drive because I'm your best friend and you need me. And we are fixing your... Very punk-Rockhaircut because I have a 5-Year-Old son who unfortunately wants to look just like his uncle Lucas.(Lucassits on the chair and Haley starts shaving his head)NATHAN AND HALEY'S HOUSENathan and Jamie arewatching a basketball game on TV. Jamie has a mohawk tooJAMIE : So, how's the comebackgoing?NATHAN : It's not a comeback.JAMIE : Quentin says it is.NATHAN : Quentin's wrong. And, by theway, nobody's sporting the faux hawk anymore, dude.JAMIE : I'm bringing it back.(Jamie makes a shootin his small hoop with rolled-up socks)JAMIE : So, what team do you think you're gonna play for in theNBA?NATHAN : Jamie, come here... I know you're really excited about this, but... I'm probably nevergonna play in the NBA.JAMIE : Sure, you will.NATHAN : Geez, kiddo. You're playing with rolled-Up socks?What happened to your ball?JAMIE : I lost it... I got to go feed Chester(Jamie leaves)INSIDE LUCAS'CARHaley is with Lucas, who's driving.HALEY : I got to ask you something. Did you tell Peyton that you"}
+{"doc_id":"doc_37","qid":"","text":"-[Real World]-(Henry is in a convenience store by the comic books. He's flipping through one when a girl,who is roughly Henry's age, approaches him.)Ava: Whatcha reading?Henry: The Hulk versusWolverine.Ava: I'm Ava. I think I've seen you around school. You're in Miss Blanchard's class,right?(Henry nods. Another boy close to their age walks up to Ava.)Nicholas: Almost ready, Ava?Ava:This is my brother, Nicholas.Nicholas: Hi. Come on - let's go.Ava: You want to come hang out?Henry:Sure!(The three go to leave the store, but are stopped by the owner.)Mr. Clark: Where the hell do youthink you're going? Open up your bag.Henry: What?Mr. Clark: Don't think I didn't see you rob me. Openyour bag.Henry: I didn't take anything.(Mr. Clark takes Henry's bag and looks through it. He pulls out afistful of candy.)Mr. Clark: And a liar, too.Henry: That's why you were talking to me. So your brothercould put that stuff in there.Mr. Clark: Henry... I'm shocked. And you two - just who do you think youare?-[Fairy Tale World]-(In the forest, a man is hacking at a tree with an axe until he manages to toppleit. Gretel and Hansel appear from behind another tree.)Father: Ah! A fine specimen. The wood it provideswill keep our family's hearth warm this winter.Gretel: Can't I have an axe?Father: Huh?Gretel: You didsay you wanted me here so I could help.Father: That I did. So, here's your task - take the cart, go fill itwith kindling. The drier the better.Gretel: Okay.Father: And have your brother accompany you.Gretel:Okay.(Gretel picks up the end of the cart and goes to leave.)Father: Wait!(The Father removes thecompass from around his neck and places it over Gretel's head.)Father: Take this.Gretel: Yourcompass?Father: So you don't get lost. A family always needs to be able to find one another.Gretel:Yeah.Father: Okay. Go. Be safe.(Hansel and Gretel take the cart and go deeper into thewoods.)[SCENE_BREAK](Hansel and Gretel are still collecting kindling for their father. Hansel has aslingshot and is shooting rocks into the forest.)Gretel: It's getting late. We should go.(She takes hisslingshot.)Hansel: Hey! Give it back. Come on, Gretel! Give it back.Gretel: No, Hansel. We need to getback to Father.Hansel: Fine.Gretel: Follow me.(Gretel leads them to the area where their father wascutting down trees. However, there is no one there.)Gretel: This is where we left him.Hansel: So whyisn't he here?Gretel: Father!Hansel: Father!(They hear a noise in the distance and start running in thatdirection.)Gretel: Father! Father! Father!(They end up coming to a road that cuts through the woods.When they turn to head down it, they encounter several of the Evil Queen's guards on horseback, as wellas the Evil Queen's carriage. Two of the guards drag Hansel and Gretel to the carriage. The Evil Queensteps out.)Evil Queen: What are you doing in my forest?-[Real World]-(Mr. Clark, Regina, Henry, Ava andNicholas are at the convenience store.)Mr. Clark: Well, I'm sorry, Madam Mayor, but your son wasshoplifting.Regina: Were you?(Henry shakes his head.)Mr. Clark: Look for yourself.Regina: My sondoesn't eat candy. And he knows better than to steal. It was obviously those two. We're going.(Reginaand Henry head for the door. Emma walks in just before they get a chance to leave.)Emma: Henry. Whathappened?Regina: Miss Swan, must I remind you that genetics mean nothing. You're not his mother andit's all taken care of.Emma: I'm here because I'm the Sheriff.Regina: Oh, that's right. Go on - do yourjob. Take care of those miscreants.(Regina and Henry leave the store.)Emma: Did you call theirparents?Mr. Clark: Uh, the number they gave me was disconnected.Emma: Did you guys give Mr. Clark afake number?(Ava and Nicholas shake their heads.)Emma: Then why's it disconnected?Ava: Cause ourparents couldn't pay the bill.Emma: And you guys are just trying to help out, huh?Ava: Please - pleasedon't arrest us. It will just make things worse for our parents.-[Fairy Tale World]-(Hansel, Gretel, and theEvil Queen are still on the road in the forest.)Gretel: Please forgive us. We didn't mean to bother you, wejust... We just lost our father.Evil Queen: Two helpless children. Lost and alone. A family torn asunder.Such a sad and moving story. Guards - seize them!(Gretel takes out Hansel's slingshot.)Gretel: Hansel,run!(Hansel runs into the forest. Gretel flings a rock at the approaching guard, which disorientates himenough for her to get away. Gretel follows Hansel into the forest. The guard starts to chase after them,but the Evil Queen stops him. Hansel and Gretel are running up a hill, when the Evil Queen dissipates andappears in front of them.)Evil Queen: Running from me is foolish.(Hansel and Gretel attempt to get away,but the Evil Queen summons a group of vines to catch them. The vines wrap around them, leaving them"}
+{"doc_id":"doc_38","qid":"","text":"[Gilbert's house](Elena is sleeping. Jonas is in the bathroom, looking at her. She hears noise so shewakes up suddenly. She gets up and goes outside her bedroom. She looks everywhere. She hears a noisebehind her so she turns herself and sees Alaric, naked. He has a bowl in his hands)Alaric: ElenaElena: Iheard something(Jenna arrives. They're uncomfortable)Jenna: That was us. I'm sorry(Jonas is in Elena'sbedroom. He takes Elena's hair from her hairbrush and some of other stuff, including a picture ofher)Alaric: Well, I'm naked so I'm gonna go(He leaves and goes in Jenna's bedroom)Jenna: I'm reallyreally sorryElena: It's okay, Jenna. Don't worry about itJenna: I know he's been staying over a lot. Areyou sure it's okay?Elena: Seems like things are goodJenna: They are extremely goodElena: Then I'mextremely okay with that(She goes in her bedroom and lay on her bed. Jonas is waiting in the bathroom.Once she's closed her eyes, he goes outside the bathroom and leaves the house)[The tomb](Stefan andDamon are going under the church ruins to talk to Katherine)Damon: Let's to it(They open the tomb'sdoor)[Gilbert's house](Elena opens the door. Stefan and Damon are here)Stefan: Hey, can wetalk?Elena: Why?Damon: We went to see KatherineElena: Come on in(They enter the house)[Thetomb](The door of the tomb is opened)Katherine: Please, come on in. There's many room for all ofusDamon: I rather poke my eyes outKatherine: Hmm, there are such pretty eyesStefan: We're here forthe moonstoneDamon: Feel like tossing it over?Katherine: Tell you what, you get a little witch to hocuspocus me out of here and you get whatever you wantStefan: I thought you liked it in here. Nice and safewhere Klaus can't get to youKatherine: I've time to reconsiderDamon: Meaning you're hungryKatherine:I'm starving, Damon and dirty but above all, I'm bored. At least running from Klaus was not boring sohere the deal: you get me out of here, you get the moonstone and I'll disappear from Mystic Falls forever.Let me know what you decide(She shows them the moonstone and leaves)[Gilbert's house](Elena,Damon and Stefan are in the kitchen)Elena: You don't believe her, do you?Damon: No, of course not. Wejust want the moonstoneStefan: According to Rose's friend Slater, there's the way to destroy the spellthat Klaus wants to breakDamon: No spell, no doppelganger sacrifice so ergo you liveElena: How do youdestroy it?Stefan: By releasing it from the moonstoneElena: How do you guys even know this is gonnawork?Damon: 'cause we have a crafty witch on our sideElena: You discussed with BonnieStefan: Sheagreed to do anything she could to help usElena: It's Katherine who has the moonstone. She's not gonnagive it to youStefan: We're gonna get it from herDamon: Well, what he means to say is we will pray forher cold dead head if we have toStefan: Bonnie just needs to find a way to release the seal long enoughfor us to get in, get the moonstone and get out in time for her to return itElena: Whoa, seems like youguys have already all planned outDamon: Yep, we're awesomeElena: Except for one thing. I don't wantyou to do itStefan: What are you talking about? Elena, we don't have a choiceElena: What aboutKlaus?Stefan: We'll find him right after we get the moonstoneElena: Is that before or after that he killseveryone that I care about, including the two of you(She looks at Damon. He seems stunned)Stefan:Elena, if we can dispel the moonstone, we can save your lifeElena: I know, everybody keeps sayingthat(She leaves. They look at each other)[Mystic Falls' high school](Bonnie is talking with Luka)Luka: Soyour grams waited you were in high school to tell you that you're a witch?Bonnie: She brought it upbefore but I just thought she was drunk. In my defense, she wasLuka: So then you're like newBonnie:Newish. I still have some growing painsLuka: Like?Bonnie: Physically it's becoming a lot harder. I have abad reaction to it sometimesLuka: Your noise bleeds?Bonnie: Yeah and I pass out sometimesLuka: It'sbecause you're trying to do too much on your own. You need helpBonnie: From what?Luka: From nature,the elements. Just things you could dry your power from. Do you have channel to another witchbefore?Bonnie: What is that?Luka: Say we put our energy together and we can double our strength. I'llshow you. Let me see that bracelet(She gives him her bracelet and he gives her his army necklace)Luka:I want you to stand very still and concentrateBonnie: I don't get itLuka: I knowBonnie: What are wedoing?Luka: We're channeling. They're personal idioms we activate as talisman. Now concentrate(Shecloses her eyes, reopens it and looks at him)Bonnie: What is that?(He smiles and closes his eyes. Thewind is strong. The leafs fly. Everyone runs because there is a lot of wind. Bonnie and Luka are still and"}
+{"doc_id":"doc_39","qid":"","text":"[Gilbert's house](Elena and Stefan are in Elena's bed. Stefan is sleeping. Elena is looking at him)Stefan:You're staringElena: I'm gazingStefan: It's creepyElena: It's romantic(He puts a pillow on his head. Elenaremoves it. They kiss)Elena: Oh, this is bad of usStefan: Yes it isElena: If Katherine finds out...(He kissesher)[Katherine's bedroom](Mason and Katherine are kissing)Katherine: Shut, Miss Flowers will think I'ma floozy if I have a man in hereMason: Why are you staying here?Katherine: Because I like this little bedand breakfast, don't you?Mason: I love it(They kiss passingly)[Gilbert's House](Elena and Stefan are stillkissing and hugging)Elena: Okay, I need be in the showerStefan: Love it, let' go!Elena: No, just me. I'mlate. I'm decorating at the Lockwood charity thingStefan: What do you know! So am iElena: Do you thingthat's really a good idea to be at their house today? Mason Lockwood tried to kill you[Katherine'sbedroom](Katherine and Mason are still in Katherine's bed)Katherine: Where is the moonstone?Mason:Somewhere safeKatherine: Don't you trust me?Mason: I don't trust anyone[Gilbert's house]Stefan: Idon't trust Mason. I want to be there today to keep an eye on himElena: Okay but then we can't touch ortalk and no lingering staresStefan: No, none of thatElena: What do you think will happen if Katherinefounds out that we are fake fighting?[Katherine's bedroom]Katherine: Scary will kill youMason: No, youwon't(She kisses him on the neck and bites him)Mason: Ouch! Kat, easy!Katherine: Did I hurt you?Sorry[Gilbert's house](Elena pricks herself with a needle)Elena: OuchStefan: Did it hurt?Elena: It's okay.A little bit every day to make you stronger, right?(He drinks the blood on her finger)[Katherine'sbedroom]Mason: What happen once I give you the moonstone?Katherine: We'll live happily ever after. IpromiseMason: I'll bring it tonight, I promise[Gilbert's house]Stefan: I promise, we're gonna get throughthisElena: I love you, Stefan[Katherine's bedroom]Katherine: You know I love youMason: I love youtoo(They kiss)[Salvatore's house](Someone is knocking on the door. Damon opens it. It'sJeremy)Jeremy: I need to talk to youDamon: And why I need to talk to you?Jeremy: Tyler Lockwood hasto kill someone to activate his curse. He's not a werewolf yetDamon: Whoa, fascinating. NotenoughJeremy: But Mason Lockwood is and he's looking for a moonstone, a special roc related to thewerewolves legend. That's why is hereDamon: A moonstone?Jeremy: And I know where it isDamon: Andyou're bringing me this why?Jeremy: Do I need a reason? Look, I just want to help, okay?Damon: Whatyour sister say about this little discovery?(Jeremy doesn't answer)Damon: Oh, you haven't told her, haveyou?Jeremy: Well, Elena doesn't want me getting involved in all thisDamon: And you're a Gilbert, youjust can't help yourself. Whoa, your search for life's purpose is as obvious as it is tragicJeremy: You'regonna let me in or not?(He goes into the house. Damon closes the door)[Lockwood Mansion](Everyone ispreparing for the masquerade ball. Jenna is talking with Carol)Carol: Jenna, thanks for helping rundle thevolunteersJenna: Off course, for a good cause. Plus, I have always been a sucker for the masqueradeballCarol: So was Richard. This was always his favorite party of the year(Matt and Tyler are carrying atable)Carol: Boys! Be careful with that! It's from the eighteen hundreds(She rejoins them. Jenna seesStefan and rejoins him)Jenna: Stefan, hey!Stefan: HeyJenna: I'm cooking dinner tonight. Rick will bethere, you should comeStefan: You know, Elena and I, were kind of taking a pauseJenna: Really? That'snot what it sounded like this morning. Bad sleeper. You know what? I heard nothing(She smiles andleaves)(Bonnie is carrying a box. Elena is there too)Elena: You're hereBonnie: I'm here(Bonnie is lookingaround her)Elena: Caroline's not coming. I told youBonnie: Just making sureElena: You know, eventually,you're gonna have to talk to herBonnie: Could you make it a little less obvious you're on her sideElena:There are no sides, BonnieBonnie: Come on! Since Caroline became a vampire, you barely seen eachother. Losing Caroline was bad enough; I didn't think I'd lose you tooElena: Come with meBonnie:Where?Elena: Not here. Some place quiet. We have to talk(She takes Bonnie's hand and theyleave)[Salvatore's house](Liz is in her cell. Caroline arrives)Caroline: You didn't eat much. Good news:Doctor Damon said the vervein is almost out of your system. So With any luck, you'll be freshlycompelled and back in your own bed by tonight(Liz doesn't answer)Caroline: Are you really just gonnapretend like I don't exist?Liz: Yes. So please goCaroline: As usual, you don't care. Got it. Just like before Iwas a vampire. It's not like I died or anythingLiz: Are you... Are you really dead?Caroline: Yes, I am"}
+{"doc_id":"doc_40","qid":"","text":"[Scene: Magic School. Library. Paige, a man, and his daughter are there.]Paige: So the wizard didn'trealise the weight of the book. And after he put them on the shelves, they blew up everywhere and hehad to re-conjure the entire library magically. But because he was a wizard, it only took him a couple ofminutes. (The man and the daughter giggle.) Yeah, it's a cute story. (under her breath) The first couplethousand times you tell it.Man: Excuse me?Paige: Nothing. That's pretty much the bulk of the tour.Would you like to know anything about the facilities, students, teachers?(Suddenly, Drake comes flyingout of a room and he crashes against a wall.)Drake: Boy. That was swinging! Hi.Paige: Hi. This isProfessor Drake. This is April, one of the students who's applying.Drake: Oh, salutations. How do you do?Hello.Paige: Drake is our visiting lecturer on advanced magical compositions.Drake: In this case, magicalmusical compositions. That's the use of meter and tempo in spell casting and conjuring. (They hear agrunt and a loud noise coming from the room.) Oh, the troll is here. Why don't we see if he'll dance forus. Come on. (They stand at the doorway.) Hey, you put them down! All of 'em.April: Wow, will I get totake his class?Drake: Sure, why not?Paige: Yeah, actually, Professor Drake's gonna be going onsabbatical in about a week.Drake: That's right. I forgot about that little wrinkle. But with eager minds,and the power of magic, it's midsummer madness all the time. Now, if you'll excuse me, I gotta cutin.Opening Credits[Scene: Street. A security officer is standing in front of an abandoned building,pointing a gun. People are panicking and trying to get away from him.]Security Officer: They'll burn!They'll burn! Don't you understand? They'll burn. We have to help them. (The police pull up.) I don't wantto hurt anybody. We have to help them! They're burning. (The police get out of the car and point theirguns at him.) I don't wanna hurt nobody, but I need somebody to listen. We need help. (A police officertackles him to the ground.) You don't understand. You don't understand. The fire...Police Officer: Relax,pal, you're under arrest. (He handcuffs him.) Get up.Security Officer: We gotta help Marie!Police Officer:Just calm down, buddy. Come on, everything's gonna be okay.Security Officer: No, it won't. You don'tunderstand. The fire. You have to let me go so I can get help! They're gonna burn! They're gonnaburn!(Screams are heard from a muddy hole in front of the building.)[Scene: Manor. Piper's Bedroom.Piper and Leo are there packing a suitcase. Wyatt is sitting on the bed.]Piper: Uh, rain gear for thekids?Leo: Yes.Piper: Camera and film?Leo: Of course.(Piper picks up an Italian dictionary and flipsthrough it.)Piper: Extra room for my... Pattini?Leo: (thinks) Pattini.Piper: Shoes. It's not a vacation inItalia if you don't have new shoes. (Leo laughs.) What's the matter?Leo: I don't know. I guess I still don'tthink that this is such a good idea.Piper: Why not? In Hong Kong, we'll buy you some suits or bootlegDVDs or something.Leo: It's not the shopping. It's this whole world vacation thing. I just think we shouldstay here and wait for the Elders' decision on me.Piper: Absolutely not. That's precisely why we should begoing. Look, we're all together, we deserve a vacation. And we're not gonna sit around and wait for theother pattini to drop, so that's that. We're going.Leo: But what about the travel and the cost?Piper: Oh,for god sakes, Leo. We're orbing.Leo: Okay, well, what about Phoebe and Paige?Piper: What aboutthem?Leo: Well, they made us this big send-off dinner last night.Piper: Oh, please. They orderedpizza.Leo: Right. And we're not helping with the clean up.Piper: Wow, if that's the best you got, youreally do need a vacation.Leo: But...Piper: Arresto! Look, Phoebe and Paige just remade the world. Ithink they can handle the kitchen. Now, unless you have any more objections... (They pick up Wyatt andChris and their bags.) Leaning Tower of Pisa, here we come.(Leo orbs them all out of the room.)[Cut tothe Kitchen. Phoebe is on the phone. Paige is at the sink cleaning the dishes.]Phoebe: I know, but Elise,why can't we just do the interview here? You know, kind of like an Ask Phoebe at home thing. Oh, yeah,the place looks great! (Paige makes a face.) Yeah, call them, I'll hold on.Paige: That soundsexciting.Phoebe: I guess.Paige: What do you mean? You have Cosmo profiling you. That'd be great atany time. Sheesh.Phoebe: I know, but I still want to make the most out of my day.Paige: Phoebe, youasked to meet me here at... 8:22. That's not making the most of your day. That's some sort of weird OCDthing. What's going on?Phoebe: I don't know. Maybe meeting Drake and realising what little time he hasleft has made me want to make the most of the time I have left? You know, time's a'wastin'.Paige: Yeah,"}
+{"doc_id":"doc_41","qid":"","text":"CRU - StreetRusty : I'm telling you, Baldwin's rules for ring closure, they don't even apply. Dr. Albert'swrong.Dale : Then somebody better change Baldwin's rules between now and the final.Rusty : Dr. Albertis not infallible, Dale.Dale : If you define \"infallible\" as I do in this situation as in \"holds my future in herhands,\" then yes, she is. What you looking at? Dr. Albert? Did she hear you say she wasn't infallible?Please, Lord, grant me invisibility...Rusty : No. It's the girl from my American lit class. Just don't stare somuch.Dale : That girl right there? I hate to say this, but I liked it better when you weren't on theprowl.Rusty : That's the Moby Dick girl.Dale : I'm not real sure I'm comfortable with that statementeither.Rusty : Last week, in my American lit class, Mr. Ellman pointed to me and he's like, \"Mr.Cartwright,\" and I said, \"No, please call me Ishmael.\"Both : Emma cracked up.Dale : It's such a goodstory. Every time.Rusty : She got the joke. I think she gets me. You know how rare that is?Dale : No, notreally. But what I do know is that obsessing, particularly in the carnal realm, distracts the mind fromimportant matters, like solid-state chemistry.Rusty : My work in solid-state chemistry is not sufferingbecause of Emma.Dale : Well, mine is. If you like this girl, for heaven's sake, and mine, just ask herout.Rusty : She laughed at my joke, she didn't give me her phone number. Look how she closes her bookfirst, and then takes her last sip of coffee. Dale ? No !Dale : She'll meet you for coffee tonight at theespresso farm, don't thank me. Let's start with exo-digs, you take favored, I'll take unfavored. Youwanna sit down or you wanna just keep standing here? Come on. ZBZ HOUSE - Living roomFrannie :What's going on?Casey : Caroline, Laurie, and Amy have been invited to Lambda Sig pink roseformal.Frannie : It's fantastic.Ashleigh : We're finally moving out of the social dog house. Under theamazing leadership of Casey Cartwright.Frannie : So when do we call the Omega Chis? To build on themomentum? The Lambda Sigs are the second hottest house on campus. Now that they've officially takenus off Greek death row with these invitations, this is the perfect time to push for a full pardon by settingup a mixer with the first hottest house... the Omega Chis. If you thought that was a good idea.Casey :Actually, I think it's a... terrible idea.ZBZ Girl : But the Omega Chis are a rightful socialcounterpart.Casey : Rightful social counterpart B.J.K.Ashleigh : \"Before Jen K.\"Casey : And the shunningOmega Chi gave us after the article was published? Not to mention B.P.H.Ashleigh : Before... ParisHilton?Casey : Before public humiliation? The back-to-school carnival. Am I the only one who remembersthe kissing booth debacle? The way the Omega Chis publicly humiliated us? Why should we reward themfor treating us like that? No, ladies. ZBZs will find their way to the top on their own merits. And in themeantime... We can celebrate, and strengthen from within. How about a game night? We can order pizza,bake cookies...Frannie : Great, that sounds great. It sounds great. Credits CRU - Dale & Rusty'sroomRusty : 7:00, 8:00.? 7:00 sounds great. No. That's fine. Yeah, all right. I'll see you then. All right,bye. She wants to bring her roommate along on our date.Dale : That can't be a good sign.Rusty : If shedidn't want to be alone with me, why didn't she just break the date?Dale : Pity can be a pretty powerfulemotion. Or... She likes you so much already, she wants to show you off.Rusty : All right, maybe I shouldbring somebody to... To keep her roommate busy. So I can have a little one-on-one time withEmma.Dale : That's à good idea. Maybe get one of your frat bros to go along.Rusty : No, I don't wannahave to explain how this whole stupid date thing happened to any of the guys at the fraternity. Especiallyif it's go up in flames. How about you go with me? You're the one who got me into this.Dale : Rusty, Iknow you haven't been able to see me in action. You know, pure girls being somewhat in short supplyhere at CRU. I'm known in certain circles as quite the ladies' man. I wouldn't wanna show you outthere.Rusty : What circles are those?Dale : Purity pledge circles. I was voted \"most likely to have theopportunity to become impure, but have the supreme self-control not to\" three years running in highschool. I just don't want to risk our friendship over some girl.Rusty : I'm willing to take the risk.Dale : Allright, then. If that's the way you want it, roomie. But be forewarned. I have no control over thischarisma. ZBZ HOUSE - HallwayRebecca : That sounds terrible. Poor thing! So I'll call you later. That wasCappie. He's sick.Casey : Yeah, I'm suddenly feeling a little nauseous myself.Rebecca : Not having aboyfriend is nothing to get yourself upset about. You don't need a man to have a fulfilling life. You could"}
+{"doc_id":"doc_42","qid":"","text":"[Salvatore's House](Elena is lying in the cell and starting to desiccate. Damon and Stefan areupstairs)Damon: That's the calmest desiccating vampire I've ever seen. I remember when you starvedme down there for 3 days. I would've wept at your feet for an orange peelStefan: Look, she's not gonnabeg for blood. Begging means desperation. Emotion. She's still in no-humanity zoneDamon: How hungrydoes she have to be before we can torture some feelings back into her?Stefan: A lot hungrier than she isnow, apparentlyDamon: So, what are we supposed to do in the meantime?(Katherine enters)Katherine:Maybe I can provide a little excitementStefan: KatherineKatherine: The one and only. Sort of. So, when'sthe welcome home party?Damon: Wow. Look who went and got bold. Last time I checked, Klaus wasplotting your eternal demiseKatherine: Well, it doesn't matter anymore, because Klaus is goneStefan:Wait. What do you mean he's gone?Katherine: Let's just say that werewolf girl Hayley turned out to bejust the thing we needed to get Klaus out of our lives for good[New Orleans](Haley is at a bar. She looksat the bartender)Bartender: Third time in here this weekHaley: I'm obsessed with The Gumbo,Jane-AnneJane-Anne: The old ladies in the ninth ward say my sister Sophie bleeds a piece of her soul intoevery dishHaley: I asked around the quarter about my familyJane-Anne: And?Haley: Nothing. Zero. Can'tfind a single person who remembers themJane-Anne: Because, Hayley, people like you were run out ofhere years agoHaley: What do you mean, people like me?Jane-Anne: In the Bayou, they call thewerewolves Roux-Ga-Roux. You head out there; you'll find what you're looking for. Be careful. It's thelast place you'd ever want to go(Jane-Anne and Sophie are in a cemetery)Sophie: Don't do it. Please.What if I'm wrong about her?Jane-Anne: That's the beauty of you. You're never wrong. She's the onlyway we're gonna get to KlausSophie: Can we get someone else to do the spell?Jane-Anne: Who? Half thewitches don't believe you. The other half are too scaredSophie: Because they know we're gonna getcaught, Jane-AnneJane-Anne: We don't have any other option. Now go. You know what you need todo(Haley arrives at the bayou and has a problem with her car)Haley: What the... uhh! Are you kiddingme?(She gets out of the car and takes her phone)Haley: Hey, I'm looking for a tow service(A tour guideis leading a bunch of tourists)Tour Guide: Welcome to the dark side of New Orleans, a supernaturalplayground where the living are easily lost and the dead stick around and play(Klaus smiles)MysticFalls[Rebekah's House]Rebekah: New Orleans? What the hell is Klaus doing there?Elijah: Evidently, thereare witches conspiring against him. So, knowing our brother, this was a mission to silence andslaughterRebekah: Well, the French quarter witches are not a lot to be trifled with. You don't supposethey've found a way to kill him once and for all, do you?Elijah: Rebekah, in the name of our family, youmight try to dial down your gleeRebekah: What family? We are 3 distrustful acquaintances who happen toshare a bloodline. I for one hope they've found a way to make that traitorous b*st*rd rot[NewOrleans](Klaus sees a woman and goes to her)Klaus: Good afternoon. Time for one more?Woman: I havenothing to say to youKlaus: Oh, now, that's not very amiable, is it? You don't even know meWoman: Iknow what you are. Half-vampire, half-beast. You're the hybridKlaus: I'm the original hybrid, actually,but that's a long story for another timeMystic Falls[Rebekah's House]Rebekah: Where are yougoing?Elijah: To find out who's making a move against our brother, and then... I'll either stop them, or I'llhelp them. Depending on my mood(He leaves)[New Orleans]Klaus: I'm looking for someone. A witch.Perhaps you might be able to help me find her. Jane-Anne DeverauxWoman: Sorry. I don't knowKlaus:Well, now, that's a fib, isn't it? Now, you see... I know that you're a true witch amongst this sea ofposeurs. So, enough with the fabrications. I've quite a temperWoman: Witches don't talk Outta School inthe quarter. The vampire won't allow it. Those are the rules. I don't break Marcel's rulesKlaus: Marcel'srules? Where do you suppose I might find Marcel?(Marcel is singing in a bar. When he stops, he goes tothe bar and sees Klaus)Marcel: KlausKlaus: MarcelMarcel: Must be 100 years since that nasty businesswith your papaKlaus: Has it been that long?Marcel: Way I recall it, he ran you out of town. Left a trail ofdead vampires in his wakeKlaus: And yet how fortunate you managed to survive. My father, I'm afraid, Irecently incinerated to dustMarcel: Well, if I'd known you were coming back in town, if I had aheads-up...Klaus: What, Marcel? What would you have done?Marcel: I'd have thrown you a damn parade."}
+{"doc_id":"doc_43","qid":"","text":"Ted from 2030: Kids, when your best friend loses someone...Marshall: My dad's dead? Ted from2030:...you drop everything and rush to his side only to find yourself standing there with no idea what todo or say.At Marvin's funeralTed: This is the toughest time in Marshall's life and I feel absolutely useless.What can we do to help?Lily: Don't look at me. This morning Marshall said, \"I have to pee.\" And I, \"Don'tworry, baby, I'll do it for you.\" Halfway through the pee, I'm, like, \"This doesn't even make sense!\"Robin:Well, uh, I've been to a couple funerals, so I know my role: I'm Vice Girl. Whatever Marshall needs to getthrough this day, I got it right here.Ted: Cigarettes, alcohol... Are these firecrackers? My God, Robin, yousomehow crammed Tijuana into a purse.Robin, hushing: Be cool, nerds!Lily: Marshall's mom hasn'teaten, slept or sat down since we got here. Wait! That can be my role! I'll take care of Judy!Robin: Yeah,but doesn't Marshall's mom hate you--the fact that you two aren't very close?Ted, whispering: Sweetsave.Lily: Okay, yes, Judy and I aren't besties, but today, whatever she needs, I'm there. I'm on Judyduty.Ted: \"Judy duty.\"Barney: She said \"doody.\"Robin: Really, guys? At a funeral?Ted: Uh, okay, whilenot all of us possess your lofty sense of decorum, Drug-DealerFrom-An-'80s-After-School-Special, wehave to laugh today. It's healthy.Barney: Wait a minute! Today, we are gonna make Marshalllaugh.Robin: How?Barney: Ted, what's the one thing that always cracks him up?Ted: Internet footage ofa guy getting hit in the nuts.Barney: Internet footage of a guy getting hit in the nuts, exactly! So we aregonna get our bro a four-star nad rattler. You search knees, feet, banisters, fire hydrants and divingboards, and I'll cover bats, rackets, hockey sticks, golf clubs and riding crops.Ted: What aboutanimals?Barney: Uh... Claws, paws, talons, hooves, beaks and clenched monkey fists. We can dothis!Marshall: Hey, guys, sorry, uh... I left my charger back in New York, so my phone's out of juice.Does anyone have...?Robin: Outlet or USB?Marshall: Uh, outlet. Thank you. Oh...Lily: Wow, you really dohave everything in there, don't you?Ted: You're like Mary Poppins, if her magic purse was also filled withdrugs.Robin: \"If\"? Ted, the kids in that movie jumped into a painting and spent 15 minutes chasing acartoon fox. \"Spoonful of sugar...\"? Grow up.Reverend: I'm so sorry for your loss, Judy.Judy: Thank you,Reverend.Reverend: Unfortunately, I can't. My daughter in Chicago just went into labor. But I'm leavingyou in the capable hands of my second-in-command: my son.Marshall: Your son?Reverend: Oh, youremember Trey. I'll go grab him.Marshall: Guys... Trey Platt terrorized me growing up. He was, he wasthe toughest bully in school.Trey: 'Sup Marshall.Marshall: Hello, Trey. Long time. Mm-hmm. I was notaware that you had become a reverend.Trey: Yeah, well, your lunch money finally ran out.Kidding!Barney: Marshall Eriksen, you could use a laugh.Ted: Yeah! This video is entitled, \"Little LeagueCoach Gets Hit in the Nuts by a Foul Ball and Then Vomits in a Garbage Can.\" I don't wanna giveanything away. Let's just watch.(bat connects with ball, man groans, vomits)Barney & Ted: Oh!Barney:See? 'Cause, 'cause he got hit...Ted:...right in the nuts,Barney & Ted: The fat kid just runsaway.Marshall: Trey Platt. I can't believe my father's funeral service is being led by Trey \"The NoogieMachine\" Platt.Ted: That guy gave you noogies? What, did he carry a stepladder?Marshall: He made mecarry it.Trey: So, my dad has these questions he asks to help create a theme for the service, orwhatever. Question one: \"What were your last words with the deceased?\" Lame. Question two:Judy:Wait... My last words with Marvin were lovely. I've been thinking about them a lot.Marshall's brother #1:Me, too. We went for a hike in the snow and had this amazing talk.Marshall's brother #2: My last daywith Pop, he taught my son how to skate.Trey: Well, this is clearly yielding nothing. Thanks, Dad. GuessI'll have to fill the time with some jokes... again.Judy: \"Last words\" seems like a good theme. Marshall,do you remember the last thing your father said to you?[FLASHBACK]Judy: Bye, sweetie.Marshall: Bye,Mom.Marvin: Son, there's something I want to say before I leave.Marshall: Yeah, Dad?Marvin: Could Isnag that extra pork chop for the flight?Marshall: I was gonna make a sandwich with that, Dad. Dad,don't they have food on the plane?Marvin: Yeah, but plane food is ass.[END OF FLASHBACK]Marshall:\"Plane food is ass.\" Those are the last words my father will ever say to me. Right after I denied the man apork chop. Oh, God. Wait! I'm wrong! I'm wrong! That wasn't it! They couldn't find a cab so my dadcalled up from the street.[FLASHBACK]Marvin: Marshall! Looks like rain out here! I couldn't find an"}
+{"doc_id":"doc_44","qid":"","text":"In the Mayor's office. Faith is sitting at the desk with her eyes closed. A present is laying on the desk infront of her. The Mayor stands by her side.Mayor: Alright, you can open them up now. Faith sees thepresent and smiles up at him.Faith: Fab. What's the occasion?Mayor: Faith! As if I need a reason to showyou my affection. Or appreciation for running a small errand at the airport.Faith: Airport? What's next?Gonna want me to help a buddy of yours move a sofa?Mayor: This isn't a free ride, young lady. Youknow, I'm beginning to think that somebody's getting a little spoiled. Maybe I should take this back.Faith:(clutches the present) Sorry... Sir.Mayor: That's my girl. (chuckles) Another cookie? (Faith takes one)Now. A package is arriving tomorrow night from Central America. Something, and I can't stress thisenough, something crucially important to my Ascension. Without it ... Well! What would Toll Housecookies be without the chocolate chips? A pretty darn big disappointment, I can tell you. (giggles) Openyour present. (she does) There. That look on your face is my reward. The present is a knife with anintricate design.Faith: This is a thing of beauty, boss.Mayor: Well, it cost a pretty penny. So, you justtake good care of it. And you be careful not to put somebody's eye out with that thing, until I tell youto.Faith: Any particular eyes in mind?[SCENE_BREAK]Night, in a graveyard. Angel and Buffy are fightinga pair of vampires. Buffy trips her opponent into Angel's legs.Buffy: Sorry, honey!Angel: That's okay.They finish off both vampires.Buffy: Well, there's something you don't see every day. Unless, of course,you're me.Angel: That was bracing. Want to do another sweep?Buffy: It's what I live for. Sad tosay.Angel: You too tired?Buffy: No. It's just... Do you get the feeling that we're kind of in a rut?Angel: Arut?Buffy: You never take me any place new.Angel: What about that fire demon nest in the cave by thebeach? I felt that was a nice change of pace.Buffy: So this is our future? This is how we're going to spendour nights when I'm fifty and you're ... the same age you are now. They hear a growl offstage.Angel:Let's just get you to fifty.Buffy: Liking that plan. Opening credits.[SCENE_BREAK]In the Summers house.Buffy sits at the table, flipping through a book. Joyce enters from the hall.Joyce: Buffy? When were yougoing to tell me?Buffy: Alright, busted. I didn't think you'd miss them. (takes off earrings)Joyce: Youwere accepted to Northwestern University. Honey, I'm so proud of you! That's wonderful!Buffy: (lessenthusiastic) Right! It's wonderful.Joyce: I mean, it's not cheap, but, uh, I know we can make it work ifyour father pitches in. Not that Northwestern is your only option. It's a great school, though. I am soproud of you.Buffy: You said that before.Joyce: And will again soon.Buffy: Mom, you know that I can't ...I-I just can't decide on a school right now. I mean I want to sleep on it, you know, mull it over. Raisethem up my inner flagpole, see which one I salute.Joyce: I know, sweetheart. I'm just so pleased thatyou have so many choices. Ooh, you know what? Your aunt Arleen and her family are in Illinois. I've gotto call and tell them. Oh, Buffy?Buffy: I know, you're proud of me.Joyce: Ah, don't forget to put myearrings back in my dresser before you go out. Arleen? Hi! It's Joyce. How you doing? Listen, you arenever going to believe where Buffy got accepted to school![SCENE_BREAK]Daylight on campus. One guysits at a picnic table. A second guy drops a paper bag on the table and sits opposite the first guy.Guy #2:Here you go.Guy #1: Thanks.Snyder: (swoops in) Okay, what's in the bag?Guy #1: My lunch.Snyder: Isthat the new drug lingo? (takes the bag, looks inside)Guy #1: No, it's my lunch.Snyder: (drops the bagon the table) Sit up straight. (marches off) Camera zooms past Snyder to another table: Willow and Ozsit opposite Buffy.Willow: Sounds like your mom's in a state of denial.Buffy: More like a continent. Shejust has to realize that I can't go away.Willow: Well, maybe not now, but soon, maybe. Or maybe I toohail from Denial Land.Buffy: Faith's turn to the dark side of the Force pretty much put the proverbialkibosh on any away plans for me. UC Sunnydale - at least I got in. You! I mean I can't believe you gotinto Oxford!Willow: It's pretty exciting.Oz: That's some deep academia there.Buffy: That's where theymake Gileses.Willow: I know! I could learn and, and have scones. Although I-I don't know how I feelabout going to school in a foreign country. Xander is sitting at a nearby tree reading Jack Kerouac's _Onthe Road_.Xander: Everything in life is foreign territory. Kerouac. He's my teacher. The open road is myschool.Buffy: Making the open dumpster your cafeteria?Xander: Go ahead, mock me.Oz: I think she justdid.Xander: We Bohemian anti-establishment types have always been persecuted.Oz: Well, sure. You're"}
+{"doc_id":"doc_45","qid":"","text":"[Restaurant \u0000 Jen, Joey and Audrey sit at a table for a meal. A waitress is taking their order.]Waitress:Great. I'll be right back with your drinks, ladies.Audrey: This place got an amazing write-up in timeout:Boston. I'm really glad I decided to tag along.Joey: You mean invite yourself.Audrey: Will you stop?(Jen's cell phone rings) Nobody believes that you don't adore me.Jen: (answering her phone) Hello?Joey& Audrey: (singing) Char-lie!Jen: (into phone) Ha! Hi.Audrey: (to Joey) So do we like this Charlie?Joey:We don't really know this Charlie. She seems to keep this Charlie pretty much to herself.Audrey: I'm alittle concerned. This is all sounding very \u0000Nine 1/2 Weeks\u0000 to me. (Jen hangs up) Booty call?Jen:Pretty much. Yeah.Audrey: Oh! I knew it.Joey: Are you gonna go?Jen: I don't know. I could use thesnuggles.Audrey: See, that's what I miss most about not having a boyfriend-- the snuggling. It's betterthan s*x. If only guys knew how easy it was to make us happy.Joey: Yeah, but you know what? Even ifthey did know, they'd still screw it up. Snuggling to them is merely just a means to an end.Jen: I mean,I've been seeing Charlie for a week, and the only thing that I really know about him is that his boxers arefrom The Gap.Audrey: Well, there are worse things, you know?Jen: Such as?Audrey: Well, for instance,he could be a tighty-whitey guy.Jen and Joey: Oh!Jen: Oh, good point!Joey: Ok. On that note... I'mgonna go to the bathroom, and when I get back, I'd like it very much if this week's episode of \u0000s*x andthe City\u0000 had come to an end.Jen: Ok, Charlotte.(Joey heads to the bathroom when she stops short. Herface turns serious as they show what she's looking at \u0000 A guy who looks like Pacey scene through awindow in the door to the kitchen. As a waitress comes out of the kitchen, the door swings open andPacey is in full view. Opening credits.)[Restaurant \u0000 Joey moves to a bench near the restroom, followedby Jen.]Joey: I wonder how long he's been in town.Jen: 3 and 1/2 weeks.Joey: You think it's been thatlong?Jen: Yeah, I'm positive.Joey: You knew?Jen: Only that he was in Boston, not that he was working atthis restaurant. I swear.Joey: Why didn't you tell me?Jen: Because he made me promise not to.Joey: Ishould go.Jen: No, Joey... don't you want to see him or talk to him?Joey: Of course I want to see him,but he obviously doesn't want to see me.Jen: No-- you don't know that.Joey: 3 1/2 weeks. Jen, if hewanted to see me, he would have, and if he wanted to see me, he wouldn't have asked you not to tellme. (she gets up and walks out)[Grams' House \u0000 Dawson is in the living room when Grams returns withblankets and a pillow.]Dawson: Grams, thank you again for letting me stay here.Grams: I quite enjoyhaving an expatriate sleeping on my sofa. Makes it feel like Paris in the twenties around here. Alas, nocrepes, but I did bake you some Rice Krispie squares for your bus trip tomorrow.Dawson: Oh, how can Ibe so sure about something and so nervous about doing it at the same time?Grams: Staying in Boston.It's a big decision.Dawson: Well, I can handle it. It's just telling my parents I'm worried about.Grams:Well, they might surprise you.Dawson: Maybe I should just give it more time.Grams: Because of yourbusy schedule?Dawson: Because I-- I don't even know what I'm gonna tell them.Grams: The truth willset you free.Dawson: The truth will tick them off. Maybe a letter.Grams: If Moses could face Pharaoh, youcan face your parents.[Frat House \u0000 People are partying and drinking while Jack and \u0000Blossom\u0000 sit onthe couch playing PS2. They are yelling and laughing over the game they are playing, until Jack finallyscores and they cheer.]Blossom: Oh, yes! Whoo! Yes! You are the man, Jack. You the man.Jack: All right.Man can't breathe.Blossom: (introducing Jack to someone) Jack, this is Polar Bear.Jack: Hey!Polar Bear:Welcome to Sigma house, Jack. Good to have you.Jack: (shaking hands) Thanks, man.Polar Bear: Howare your classes going?Jack: Not bad. Not bad.Polar Bear: Thompson's Astro class is a bitch, huh?Jack:(surprised) Yeah. It is, actually. That's the one class I'm really struggling with. How'd you knowthat?Polar Bear: (handing him a business card) Call me. We'll talk about the topic of your pop quiz nextweek.Pete: (walking up) Blossom, this the guy?Blossom: Jack McPhee, Pete Willard.Pete: How you doing,Jack? Welcome to the house.Jack: Thanks.Pete: So you get any time on the links lately?Jack: Oh, man, Iwish. It's kind of hard to scare up a golf game with the college crowd.Blossom: Pete's on a full-ridegolfing scholarship at Boston Bay.Jack: I don't think we're playing the same game.Pete: Ah, you canshoot under par at Capeside Country Club, you can hang. So you interested in helping me humiliate acouple of ATO's Sunday morning?Jack: Yeah, I'd love to.Pete: All right, man. Good to meet you.Jack:"}
+{"doc_id":"doc_46","qid":"","text":"\"The Skull in the Sculpture\"[SCENE_BREAK](Open: Junk yard. Two drunken guys are climbing a fencewith barbed wire)CHUNKY: My dad thinks I'm selfish, so I want to steal him some spare parts for hisbirthday.DUANE: You're a good son, man.CHUNKY: Hey, dude, I'm not moving.DUANE: Dude, your jacketis caught on the barbed wire. Bounce around a little bit, and you'll come loose.CHUNKY: (falls to theground. laughs) That worked great.(The two begin staggering around stacks of compressedvehicles)DUANE: So, what kind of car does he have?CHUNKY: Old one. Toyota FJ-40. He loves that thing.More than me, that's for sure.DUANE: Check it out!CHUNKY: Oh, wow! (The two run towards a stack ofcars) Can you imagine if I gave him that golden side mirror? I could glue it on his truck. (begins pullingout side mirror) Got to be gentle. It's coming. (Mirror comes off and blood begins to run out of thecar)DUANE: The car is bleeding.CHUNKY: There's something back there.(Pulls out sheet of glass to reveala skull. Both scream.)(Cut to a restaurant bar. Sweets is sitting at the bar. Angela walks up)ANGELA:Okay, look, just to be clear, I asked you out for a drink to talk, not because I'm desperate for malecompany.SWEETS: You think of me as male company?WAITER: (off camera) Can I get youanything?ANGELA: Vodka up, please. And my grandson here will have another of whatever thatis.SWEETS: Oh, sidecar, but no, I'm fine. Okay, one more, one more. I'm cabbing it. (turns to Angelawho is now leaning on the bar facing the rest of the room) You just got divorced and broke up with yourfiancé. It's totally understandable that you don't feel like s*x.ANGELA: I feel like s*x.SWEETS:Oh.ANGELA: s*x is what I feel like. Now, I could jump Hodgins, but doesn't seem fair somehow. Do youagree?SWEETS: Well, what matters is that it doesn't seem fair to you.ANGELA: Oh, I hate it when shrinksdo that.(both turn back to the bar)ANGELA: Look, I've been alone now for quite a while, which is not likeme.SWEETS: Yeah, well, when we open ourselves emotionally and get hurt, we're reluctant to allowourselves to be that vulnerable again.ANGELA: It's been, like, six weeks.SWEETS: That's a-a...ANGELA:Long time.SWEETS: (looks down uncomfortably) Yes, of course it is.ANGELA: The longest I've gonewithout since I lost my virginity. At age 16.SWEETS: Hmm.ANGELA: Which is the normal age.SWEETS:Sometimes older is just fine, too.ANGELA: I'm not promiscuous, Sweets. I don't sleep with just anybody.I do require an emotional connection. Spiritual, actually.SWEETS: Mm-hmm.ANGELA: It's spiritual to me.And fun, of course. Who doesn't like s*x, right?SWEETS: Hey! Didn't we order these drinks a long timeago?ANGELA: You're right.SWEETS: (looks at Angela in surprise) About what?ANGELA: I have beenprotecting myself. Without the risk of pain, there can be no possibility of pleasure or joy or love.SWEETS:Yes, yes, and-and regaining that willingness to take a risk-- that can take time.ANGELA: No.SWEETS:No?ANGELA: I am done protecting myself. I'm ready to move on. You're good.SWEETS: Hey.(both turnback to the bar as the waiter brings their drinks)ANGELA: You really are.WAITER: Here you go SWEETS:Thank you.ANGELA: (raising her glass for a toast) To love, huh? And joy. (they clink glasses. Angelaraises her voice and looks around) And s*x!(Sweets laughs awkwardly)(Cut to the Medico-Legal-Lab - infront of Forensics Platform. Brennan and Hodgins are looking at the crushed car with the skull as Cam,Daisey, and Angela stand behind them. Hodgins is using a flashlight.)HODGINS: Looks like someone witha crooked nose was trying to get rid of our friend here.BRENNAN: There's no way to know that the killerhad a crooked nose.DAISY: You mean, the mob? It was a mob hit.CAM: He clearly wasn't wearing a seatbelt.HODGINS: We're going to need the Jaws of Life to pry this guy out of here.(Cam and Hodgins beginwalking around the car)BRENNAN: No. That could compromise the remains.DAISY: It seems that anyviable examination pre-extraction is impossible, unless somebody has X-ray vision. (laughsawkwardly)CAM: (to Brennan) I meant to warn you that Ms. Wick came up in the rotation.DAISY: Thistime you'll be glad I'm here, Dr. Brennan, I promise.(Brennan and Angela exchange a look ofannoyance)DAISY: The height of the nasal root points to a Caucasian. The large brow ridges suggest amale.BRENNAN: We need cause of death.(Angela begins to walk around the car)DAISY: Of the Caucasianmale? What can be seen of the temporal, zygomatic and frontal bones indicates that they're in multiplefragments, possibly from the crushing of the car.CAM: We have access to blood and fluids. I'll run a toxscreen.BRENNAN: (begins to walk around car. All four are now on seperate sides) Booth is checking the"}
+{"doc_id":"doc_47","qid":"","text":"Scene 1: FoS - Sookie, Gabe, Godric, Eric, Jason, Sarah, Steve, Brent, KyleSookie, Gabe, Godric andHugo are in the basement. Sookie is rebuttoning her dress while Godric is taking care of Gabe.Gabe:Godric, it's me!Godric kills the man.Godric [To Sookie]: You should not have come.They both hearscreams.Sookie: Bill!Godric: No.[Closing his eyes] I'm here my child. Down here.Eric appears.Eric:Godric.He kneels down.Godric: You were a fool for sending humans after me.Eric: I had no other choice.These savages they... they seek to destroy you.Godric: I'm aware of what they've planned. [PointingHugo] This one betrayed you.Sookie: He's with the fellowship. They set a trap for us.Eric: How long has itbeen since you've fed?Godric: I require very little blood anymore.The alarms start.Godric: Save thehuman. [To Sookie] Go with him.Eric: I'm not leaving your side until you are...Godric: I can take care ofmyself.Sookie: Come on! We have to go.Godric: Spill no blood on the way out. Go!Eric and Sookie leavethe room.CreditsJason is lying on the ground and notices the red stain on his chest.Jason: I'm alive.Hestares at Sarah.Jason: Holy sh1t. God saved me. I'm safe.Sarah Newlin: Oh for Heaven's sake grow abrain cell! [Showing the gun] Paintballs!Jason: What... You crazy bitch!Sarah Newlin: I let you into myhouse, into my bed and into my heart. All I stood for, all I believed in, I violated to be with you!Jason:Okay.Sarah Newlin: I gave you everything for a lie. You're worse than Judas.Jason: Why, what did he doto you?Sarah Newlin: Ugh. f*ck you! [shoots him again, in the groin]Jason: OOHH OHHH SWEET JESUS.OK, I'm sorry OK? Just, tell me what you want me to say, don't shoot me again...Sarah Newlin: You cameto prey on me; to ruin the sacred vow I made to my husband then like a coward you ran!Jason: No, Ididn't... Okay, I ran. But it wasn't from you. It was from your husband and his crazy weapon collection.Why'd you have to go and tell him?Sarah Newlin: Tell him? I didn't tell him anything. He's the one whotold me!Jason: [standing] Wait, wait, wait, wait. Told you what?Sarah Newlin: There are wolves in ourhen house. We must defend our flock.Jason: [confused] What's that got to do with-Sarah Newlin: Wehave your sister!Jason: Sookie's in the church?Sarah Newlin: She came in yesterday, spouting the samelies you told!Jason: Now you listen to me. She's got nothing to do with this.Sarah Newlin: YouStackhouses... you're nothing but a bunch of heartless, two-faced vampire fuckers!Jason: [grabbing thepaint gun and pushing her down] Don't you ever talk about my sister like that! If I find out any of you somuch has touched her, I'm gonna come back here...and it won't be with no f*ckin' PAINT GUN!Jasontakes the car and leaves.Back to the FoS Church, people are running away.Steve one Loudspeaker:Brothers and sisters, we are on lockdown. Women with children, please take them to our classroombuildings. Men, and able-bodied women, security personnel will provide you with stakes and silver justoutside the chapel. Our Soldiers of the Sun are on their way to protect our church, but safely evacuatethe building now. Brothers and sisters, the hour is upon us!Eric and Sookie are watching them getting outof the church.Eric: I could have you out in seconds.Sookie: There are kids out there.Eric: All thosehumans wouldn't think twice about hurting us.Sookie: Why didn't you bring Bill with you?Eric: Hisattachment to you is irrational. It clouds his judgment. He would kill every child in this church to saveyou.Sookie: Why aren't you?Eric: I'm following Godric's orders and getting you out, that's all.Sookie:He's your maker isn't he?Eric: Don't use words you don't understand.Sookie: You have a lot of love forhim.Eric: Don't use word I don't understand...Eric looks furtively at the entrance door.Kyle: Let's lock itup! Keep quiet! Alright lock it up, nobody comes through here...Eric walks out toward the members of thefellowship.Sookie: Eric, no!He turns back and leans down to Sookie.Eric: Trust me.He walks toward outthe entrance door.Kyle: Is it locked? Did you check on... did you...Eric: [Taking a cheerful happy-go-luckyvoice] Oh Hey y'all! How's it going? Steve sent me over there to man the exit here. Think I can take itfrom here.Kyle: By yourself?Eric: Ha... Yeah!Kyle: You're big and all but there's a vampire on theloose.Eric: Oooh...Brent: Where's your stake?Eric: Oh [laughing] Dang! I forgot!Kyle gives Eric asuspicious look.Eric: Maybe I could borrow yours if... if that's okay.Another guy looks at himsuspiciously.Brent: I can't do that... Get your own.Eric:[Back to his usual voice] I'd very much like toborrow your stake.Brent: Yeah, yeah that'd be okay I guess.Brent hands Eric the stake while Kyle isabout to stake Eric.Sookie: STAKE!Eric turns and punches Kyle and Brent down. As Rich goes to stake"}
+{"doc_id":"doc_48","qid":"","text":"Is this on?(Beeps)Well, it's been a month since my last Val vlog.(Beeps)Was this going the wholetime?(Beeps)Well, it's been a month since my last Val vlog, and I have some really big news. But first, Ijust want to give a shout-out to my subscriber who said, \"I love it when you do impressions.\" (Laughs)Well... (Mimics Edith bunker) I have very big news that I'm very excited to tell you about. (Giggles)That's my Edith Bunker. Played by the wonderful... (Beeps) Jean Stapleton! Okay. (Beeps) I should get tomy news. Uh... I've been cast in an HBO show.Mark: Why are you telling people you're... Ugh, God.Mark, I thought you left. Why are you sneaking up? Well, I'm not sneaking up. I came to get something.And why are you telling people that you're doing that show? We talked about that. Well, okay, to befair... Okay, you said, \"no effing way\" and left the room. I was trying to have a safe discussion and youleft the listening circle. Oh, is that what I did? Yeah. Okay. I'm listening. Tell me again why you'd everwant to do that show. It's HBO, Mark. I'll be an actress on an HBO show. Do another HBO show. Okay, I'lljust put my name on the sign-up sheet for that. Okay, now it sounds like you're not listening. Okay. Allright. Listen, I hear that, okay? I hear that. So you go. Okay. I'm expressing concern that... You're doingsomething that's a not-so-flattering version of yourself, written by a drug-addicted... Okay. Asshole,who's just gonna... Yeah. Okay. Right. I'll go. First of all, I'm not playing me. HBO was very clear aboutthat.Okay, and B: Paulie's different now, okay? He's been through rehab. Val... Twice. Two rehabs.People don't change. Ooh. Okay. You just got me. What was that? It's oatmeal. It's really in there.Steel-cut? That's okay. And he cast me, okay? Paulie cast me in it. So he has changed, Mark. All right?Mark, please, it's HBO, okay? They do all those award-wining shows, right? Like \"Mad Men.\" Is that HBO?Well, they're always smoking on it. I just thought... Oh, no, you're right. You're right. That's A&E. Yeah.So... Well, they have \"Game of Thrones.\" You like that one, right? You always fall asleep to that one.Yeah, that's good. Right. Well, here we are at HBO. (Chuckles) New member of the family. (Gasps) Okay,look at this. Oh, \"s*x and the City.\" Started it all. Guess I'm one of the girls now, huh? Oh, all right. Herewe go. \"The Sopranos.\" Started it all... In a different way, you know. Don't know that one, actually. No. Idon't know it. Oh, and then... \"New Girls,\" huh? Now, this one, she's real special. That, um, Lela Durham.I think it's Lena Dunham. Well, I don't... There, that... no, I'm right. Lena, yeah. Really excited to see thisone. Can't wait for that.Man: Valerie? Huh? Oh. Hi. We're ready for you. Okay. Take my purse.Mickey:Mm-hmm. Thanks. Okay, here we are. Okay. Yeah, probably a six... I gotta go. Hi. Hello, hello, hello.Pretty office. So pretty. Smells pretty too. (All laugh) Oh, thanks. Oh, yeah, they're with me. Oh. Right.Yeah. Valerie, it's great to see you. Uh-huh, you too. Okay, great. Thanks, so... Valerie, this is Rada. Hi.Current programing. Hi. Okay. Yeah. Such a pretty name.Rada: Thank you.Woman: You know Connorand James? Sure do. Yeah.Val: Wow, gang's all here, huh? Right, 'cause you said you wanted to see usall. Uh, is there a problem? No. Oh, no. Everything's fine. Great. Yeah. No, I just... I had a couplequestions. No, first, just about the film crew... you need to move over a little bit.Val: So... Yeah, weshould talk about that. What's this for? Well, this is... oh, this is just, you know, BTS footage.You know,it's BTS: Behind the scenes. And I just thought, you know, if you want it, you could have BTS for SR.Sr:\"Seeing Red.\" (Clattering) Oh, watch the blinds, Ivan. (Under her breath) Do better.(Laughing)Maybe wecould use it for web content, social media...Val: Oh. Yeah, 'cause these kids have been following mearound everywhere.Val: And the great thing is, they're cheap. You know? So it won't cost you much. AndI just think it's real important to support young people getting a leg up in the business. Yeah, we'd haveto use a union crew. Yeah, then they're gone. (Laughs)Val: They're going back to school. Oh. You know,so everybody wins. Okay!Val: Great. Okay. Um, can I ask you something about the schedule?Connor:Hold that thought. Holding.(Laughing)When you had your show, \"The Comeback,\" which I loved, you hada really great producer. Who was that? Oh, from \"The Comeback\"? Jane.Connor: Jane who? Um, Jane...Uh, Jane Jane.Woman: Jane Benson. That sounds right. Yeah. No, I've worked with her. Oh, okay. Well,then let's get her. Or I'll get her, 'cause I know her. Jane Benson, yeah. Yeah. Great. Okay. Okay.Good.James: Wait, you wanted to say something about the schedule also? Yes, I did. Thankyou.(Clattering)Val: Just... sorry. (Laughs)Ivan. (Chuckling) Need a union crew.(All laughing)Val: But"}
+{"doc_id":"doc_49","qid":"","text":"ACT ONE Scene One - KACLFADE IN Frasier is listening to a caller.Marie: [v.o.] Um, you see, Dr. Crane,there's this man I'd like to go out with, but he's forty years old and he's never been married. Do youthink that means something?Frasier: Well, it could mean he has a fear of commitment... or it could meanhe's just been lucky!He laughs at his own wit, then realizes no one is laughing with him.Frasier: Marie,that was a joke.Marie: [sighs audibly] Did I mention I'm calling from a pay phone?Frasier: Alright, alright,Marie, um... I would say give him a shot, but uh... I'd keep that caution bulb lit. Thank you for your call,Marie. [punches a button] Who's next, Roz?Instead of handing him over to his next caller, Roz interjectswith her own on-air opinion.Roz: If you ask me, it's divorced people you have to watch out for.Someone's never been married - it might just mean they're a careful shopper. Whereas your divorcé willbite into any old piece of fruit without even giving it a squeeze first.Frasier: The preceding was anunbiased opinion from my never-been- married producer, Roz, who, incidentally, has squeezed more fruitthan Tropicana. [irritably] May we take another call, please?Roz: We could, but it's time for a stationbreak.Frasier: [surprised] Oh. Oh well then, we'll be right back after this.He punches a button andremoves his headphones, then enters Roz's booth. She is already up and on the way out.Frasier: Roz,didn't we just take a break?Roz: The lot was full this morning - I had to park at a meter. I'll be rightback.Frasier: Oh. Fine, just hurry.Roz pauses and turns back to Frasier. Neither of them notice Bulldogcome into the hallway, then bend over to tie his shoe.Roz: [pausing] Do I have headphone hair? [off hislook] Well, I may have to flirt my way out of a parking ticket!Frasier: Oh, just go!Roz: OK, OK!As Frasierre-enters her booth, Roz turns and runs - and flips, literally head over heels, over Bulldog, and crashes tothe floor. Frasier rushes back out to see Roz lying on the floor and Bulldog getting up.Roz: [clutching herankle] Ow, ow, ow, ow!Frasier: My God! [hurrying over] Are you alright?Bulldog: I got the wind knockedout of me, but I guess I'm OK.Gil comes over.Roz: Ow, ow, my ankle!Frasier: Here, Roz. [bending downand touching her leg] Does this hurt?Roz responds with a deafening screech of pain.Frasier: Alright,there's no nerve damage at least.Gil: Still, one ought to have an X-ray.Frasier: Yeah, come on.They startto help her down the hallway, with an arm around each of their shoulders.Roz: Frasier, Frasier, theshow!Frasier: No, that's alright, Roz, I'll get someone to fill in for me.Roz: No, I mean right now! You'vegot dead air.Frasier: Oh, God!He lets go of her, almost dropping her to the floor again, and rushes backinto the booth.Bulldog and Gil help a moaning Roz into a chair by the side. The former sits next to herand the latter kneels by her leg.Bulldog: [to Gil] Take the shoe off.Roz: [in pain] Oh, oh...Gil: [onremoving her shoe] Oh, dear.Roz: [worried] What is it?Gil: [distastefully] I see it's been a while since ourlast pedicure.Roz shoots a disgusted look at Bulldog.[SCENE_BREAK]BED AND BOREDScene Two - Roz'sapartment The living room shares the same space as the bedroom, and Roz is seated on the queen-sizedbed, her injured ankle propped up on a cushion. She is trying to paint her toenails. The doorbellrings.Roz: [calling] Who is it?Frasier: [from behind the door] It's Frasier.Roz: It's open.Frasier pulls openthe door and enters. He is carrying a white box.Frasier: Hi, Roz. How were things at the emergencyroom?Roz: Frustrating. You know how it is - you're sitting there in complete agony and every crybabywith a gunshot wound waltzes right in ahead of you. How was it after I left?Frasier: It was OK. WeirdBruce from Engineering took over for you. [looking around] That's quite a boot collection. Wouldn't it beeasier just to put notches in your bed post?Roz: Those are mine. You hate the way I've decorated, don'tyou?Frasier: No, no. Matter of fact, I admire your courage.Roz: [noticing the box] Is that for me?Frasier:Oh, yes. [hands it to her] Freud said that there are only two things we need to make us happy: work, andlove.Roz: Aw, thanks, Frasier! [opens the box] So you brought me work.Frasier: Well, I thoughtanswering some of the fan mail that had been piling up would give you something to do. And remember,this time death threats don't get photos.Roz's patented death stare is interrupted by a knock on thedoor.Roz: Who is it?Bulldog: [from behind the door] It's Bulldog!Roz: Shh! Pretend we're nothere.Frasier: Roz, you just said, \"Who is it?\"He goes to the door and opens it. We see Bulldog, clutchingsome white paper bags in his hands.Bulldog: Hey, Doc!Frasier: Hey, Dog.Bulldog: Hey, Roz! [noticing hissurroundings] Wow! The whole place is a bedroom! [barks]Roz: What are you doing here?Bulldog: Well, I"}
+{"doc_id":"doc_50","qid":"","text":"Karen: So do you want to see it or not?Jim: I don't know. Feel like... Friday night crowds...Karen: Oh myGod, you're like, agoraphobic.Jim: Agoraphobic?Karen: Yeah.Jim: Really?Karen: Yeah! You would rathersit on your couch and watch a Phillies game, than go out to a movie with your awesome girlfriend.Jim:Absolutely correct.Kevin: Later, Jim.Jim: Kev, have a good weekend.Karen: Bye. Ok, so this is what'sgonna happen. You're gonna suck it up.Jim: Here we go...Karen: ...and we're gonna go to dinner.Jim:Ok...Karen: And then we're gonna go to the movies.Jim: Sounds good.Roy: Hey Halpert!Jim: Hey... [Roylunges towards Jim]Pam: ROY!Karen: [shrieks]Pam: Roy don't! [Dwight pepper-sprays Roy]Roy:[screams in pain] Ahh God!Dwight: Pam, please call security![SCENE_BREAK]Dwight: Everyday, for eightyears, I have brought pepper spray into this office to protect myself and my fellow employees. Andeveryday, for eight years, people have laughed at me. Well, who's laughing now? [Dwight blinks andwinces in pain from the pepper spray][SCENE_BREAK]Michael: No need for consternation, everything isunder control.Jan: Michael, last Friday one of your employees attacked another employee in youroffice!Michael: It was a crime of passion, Jan, not a disgruntled employee. Everyone here is extremelygruntled.Jan: [sigh] Is Toby there?Michael: No...Toby: I'm... here, Jan.Jan: Ok, what... what is thesituation Toby?Toby: Well, we fired Roy, obviously. And Jim won't press charges against Roy or thecompany.Jan: Thank God.Toby: Yeah, um, but now apparently Darryl has some issue with his...Michael:No, he has been wanting a raise for a couple of months and he's just using this Roy thing asleverage.Jan: All right, well are you gonna take care of this?Michael: Yeppers.Jan: What did I tell youabout \"yeppers?\"Michael: I don't... remember.Jan: I told you not to say it. Do you rememberthat?Michael: Yeesh...[SCENE_BREAK]Pam: I really don't want to talk about it. I don't mean to be rude,but I just... I don't want to comment on what happened. It sucked.[SCENE_BREAK]Jim: I guess... allthings considered, I was lucky Dwight was there. And Roy was lucky that Dwight only used pepper spray.And not the nunchucks or the throwing stars.[SCENE_BREAK]Jim: Hey man, I never got a chance tothank you... for stopping Roy. Thank you.Dwight: Thank you not necessary and thus, not accepted. I sawsomeone breaking the law and I interceded.Jim: Okay. Um... Got you something.Dwight: Don't wantit.Jim: You don't know what it is.Dwight: Don't want it. Won't open it. Don't need it. Won't take it.Citizens do not accept prizes for being citizens.[SCENE_BREAK]Jim: It was a little glass display case forhis for his bobblehead. That would have made us even, I think. He saves my life, I get him a box for hisdesk toy. Even Steven.[SCENE_BREAK]Dwight: No, don't call me a hero. Do you know who the realheroes are? The guys who wake up every morning, and go into their normal jobs, and get a distress callfrom the commissioner, and take off their glasses and change into capes and fly around fighting crime.Those are the real heroes.[SCENE_BREAK]Oscar: Angela, Roy's check. He's coming in later to pick itup.Kevin: Man, I cannot believe I missed the fight.Oscar: It was crazy.Angela: You saw it? Describe itplease.Oscar: Well, I heard some shouting. And I look over and Roy's by reception and you could just tellhe's gonna punch somebody. Jim says something. Roy stomps over there. All of the sudden, BAM. Roygoes down, and Dwight's standing there like an action hero.Angela: Oh...Oscar: It was insane!Angela:[flustered] Well... good for Dwight.[SCENE_BREAK]Michael: Ok I want you to be Darryl and ask me for araise, because I want to try out some of these negotiation tactics on you.Jim: Where'd you getthat?Michael: Wikipedia.[SCENE_BREAK]Michael: Wikipedia... is the best thing ever. Anyone in the worldcan write anything they want about any subject, so you know you are getting the best possibleinformation.[SCENE_BREAK]Michael: Ok, Darryl, ask me for a raise.Jim: Hey, Mike. Since Roy left I'vebeen doing a lot more work, and I need a raise.Michael: Hmm, well that's interesting Darryl. I think...[mumbling softly] that maybe you should... [mumbling jibberish]Jim: I can't hear you.Michael: What I'msaying is that, [continues to mumble jibberish]Jim: Still nothin'.Michael: Ok, see what I did?Jim:No.Michael: By leaning back, and by whispering, I established a dominant physical position.Jim:Nice.Michael: Ok, let's try another one. Um...Jim: Okay.Michael: Walking out of the roomunexpectedly.Jim: And what happens in this one?Michael: It's a surprise.Jim: Okay.Michael: Go ahead,ask me for a raise.Jim: Can I have a raise?Michael: [gets up and begins to walk out of the room]Jim:"}
+{"doc_id":"doc_51","qid":"","text":"RESURRECTION OF THE DALEKSBY: ERIC SAWARDPart OneRunning time: 46:24[SCENE_BREAK]STIEN:Which way?GALLOWAY: Does it matter?MAN: Where are we?MAN: Run!STIEN: Where've theygone?GALLOWAY: Where'd you think. Come on.[SCENE_BREAK]LYTTON: That was a shambles.TROOPER:The escape was prevented?LYTTON: They got out of the warehouse. It should never have happened. Andwho ordered the use of machine pistols?TROOPER: Standing orders. Nothing anachronistic is to be takento Earth.LYTTON: So instead we slaughter valuable specimens. Next time, stun lasers are to beused.TROOPER: It was an unfortunate mistake.LYTTON: Make it your last, otherwise the next executionsquad will be coming for you.[SCENE_BREAK]TEGAN: Are you all right?DOCTOR: I can't free the TARDISfrom the Time Corridor!TEGAN: Is there anything you can do?DOCTOR: No, too much turbulence. Holdon. Things must stabilise soon.[SCENE_BREAK]STIEN: What if they're still in there, waiting?GALLOWAY:We must warn our own people.[SCENE_BREAK]STIEN: Use the Time Corridor?GALLOWAY: You said youwere a soldier. Have you no sense of loyalty?STIEN: I'm a Quartermaster Sergeant. I'm not combattrained. I can't afford your sort of principles. Look at me, I'm not exactly in condition. I can't even runproperly.GALLOWAY: You're pathetic.STIEN: That too.[SCENE_BREAK]TURLOUGH: Doctor, we're weavingin time.DOCTOR: Yes, yes, I know.TEGAN: Can't we materialise?TURLOUGH: No, not until we're free ofthe Time Corridor. We risk break-up.TEGAN: Is that true?DOCTOR: Not if I have anything to do withit.TEGAN: Oh, no.[SCENE_BREAK]GALLOWAY: They've gone.STIEN: They could have closed the TimeCorridor down. Let's get out of here. I'm scared.GALLOWAY: The entrance to the corridor is round heresomewhere.STIEN: There's nothing there now. What was that?GALLOWAY: A rodent.STIEN: Wearingcombat boots?GALLOWAY: Back to the stairs, quick.[SCENE_BREAK]STIEN: Can you seeanything?GALLOWAY (OOV.): Get out of here!STIEN: Galloway?STIEN: Galloway!STIEN: Oh,Galloway.[SCENE_BREAK]TEGAN: What are we waiting for?DOCTOR: The right moment. The time stresson the TARDIS varies greatly. I'm waiting for the right moment to break out of the Time Corridor.TEGAN:Can I get to my room? I feel sick.DOCTOR: Too late, Tegan. Hold on.DOCTOR: Holdon![SCENE_BREAK]TROOPER: Check list completed. All systems functioning.LYTTON: Raise the forceshield. All troopers to battle stations. Battle speed![SCENE_BREAK]TEGAN: Doctor, I can't stand muchmore.DOCTOR: Hold on.DOCTOR: We're free.TURLOUGH: Is it over?DOCTOR: For the moment. Are youall right?TEGAN: Yes, I think so.[SCENE_BREAK]MERCER: I don't believe this. How long has the stationbeen in this state?STYLES: Since regular inspections ceased.MERCER: This place is falling topieces.STYLES: Huh. And you're seeing it on a good day. If you wanted to see everything spick and span,you shouldn't have asked for a transfer to a prison. Come on![SCENE_BREAK]MERCER: How'd you copewith that mess?STYLES: By ignoring it. My only concern is the medical welfare of the crew and theprisoner.MERCER: Isn't that rather a narrow view of your responsibilities?STYLES: Oh, do shut up, willyou? It's the only way to stay sane. You've only been here three days. You know nothing.MERCER: I'vebeen here long enough to learn that the morale on this station is appalling.STYLES: If the Captain doesn'tcare, why should I?MERCER: Why, indeed?STYLES: Look, my tour of duty finishes here in eight weeks.I'm dependent on a good report from the Captain for my next promotion.MERCER: I see.STYLES: Oh no,I don't think you do. If I don't get a good report, I could be here for another two years.MERCER: IfControl were aware of the morale on this station, the Captain wouldn't be in command.STYLES: It's beentried before, usually by inexperienced new boys like you. And the way you're carrying on, you are goingto end up exactly like the others.MERCER: Meaning?STYLES: Dead. You are the third security officerwe've had here in two years. [/i][SCENE_BREAK]TURLOUGH: Doctor, we're travelling parallel to the TimeCorridor.TEGAN: Where are we going?TURLOUGH: Twentieth century Earth, itseems.[SCENE_BREAK]OSBORN: How long is your tour of duty?MERCER: Two years.OSBORN: Oh? TheCaptain normally allows new arrivals to settle in before subjecting them to the tedium of Officer of theWatch. What did you do?MERCER: I complained.OSBORN: Someone should have warned you.MERCER: Ihad every right. Have you seen the state of the defence system?OSBORN: You fear an attack?MERCER:That's not the point.OSBORN: Oh, I wouldn't worry about it. The only ship we ever see around here is our"}
+{"doc_id":"doc_52","qid":"","text":"113 - Le Morte d'Arthur \"In a land of myth and a time of magic, the destiny of a great kingdom rests onthe shoulders of a young boy. His name: Merlin.\" Forest Arthur's hunting party sneaks through thewoods.ARTHUR: Merlin, spear. Merlin drops it on him.ARTHUR: Do you have any natural gifts,Merlin?MERLIN: No. Well, let me think. I'm not naturally rude or insensitive.ARTHUR: Just naturallyirritating. They move forward and hear growling noises. Arthur catches Merlin's expression.ARTHUR: It'sprobably more scared of you than you are of it. Arthur signals to his knights where to go. Questing Beastjumps out at them. Arthur drops his spear and they all run. Merlin falls. Arthur and Sir Bedivere help himup. Bedivere subsequently falls and gets killed by the beast.MERLIN: Have we lost it?ARTHUR: Who'smissing?MERLIN: Where's Sir Bedivere?SIR BEDIVERE: *scream* Castle - Council Chamber OfDoomGAIUS: The creature you describe has all the characteristics of the Questing Beast.ARTHUR: Surelythat's a myth.GAIUS: According to the old books, the appearance of the Questing Beast is supposed toforeshadow a time of great upheaval.UTHER: Gaius, it's an old wives' tale.ARTHUR: Look, whatever it is,it's spreading panic. The people fear it will enter the city.UTHER: Then we must kill it. Arthur, gather theguard together. You ride at dawn.GAIUS: I beg you, Sire, do not dismiss this. The beast is an omen. I'veseen it come before, the night your wife Ygraine passed away.UTHER: I've told you not to speak of thatnight again. I have conquered the Old Religion. It's warnings mean nothing to me now. Arthur willdestroy the beast and we will no longer suffer at its hand. Gaius's ChambersGAIUS: This is no ordinarybeast, Merlin.MERLIN: Don't worry.GAIUS: No, listen to me, you don't understand. Uther may not respectthe Old Religion, but it is very real. To face a beast such as this, you must understand where it camefrom.MERLIN: What do you mean?GAIUS: At the very heart of the Old Religion lies the magic of life anddeath itself. The Questing Beast carries that power. One bite, you die, and there is no cure. Morgana'sChambers Morgana dreams of the dragon flaming, Merlin yelling \"NO!\", Arthur and Merlin running in thewoods, Arthur lying sick in bed, and the Questing Beast. Morgana bolts up in bed screaming.GWEN:Morgana? Morgana?! Wake up. Gwen struggles with flailing Morgana.GWEN: Wake up, it's me! It's Gwen!Stop it! It was just another dream.MORGANA: It was terrifying.GWEN: Oh, it's going to be alright. Gwenhugs Morgana. Castle - Main Square Arthur speaks to his knights.ARTHUR: You've seen the foe we face.It's a creature of nightmare, but you are the best knights in the realm. We can, and we will, kill it beforeit harms another citizen of our kingdom. Arthur draws his sword.ARTHUR: For the love of Camelot! Theknights draw swords.KNIGHTS: For the love of Camelot! Morgana rushes out of the palace in hernightgown, hysterical.MORGANA: Arthur!ARTHUR: Morgana, what are you doing?MORGANA: You cannotface this! Morgana tries to grab him, Arthur struggles with her.ARTHUR: Morgana, go back to bed. Thereis nothing to be afraid of.MORGANA: Please, Arthur. I have seen terrible things! You cannot go!MERLIN:She probably had a bad dream, Sire. I'll take her to see Gaius.MORGANA: No! I will not let yougo!ARTHUR: Please, Merlin, get her inside.MORGANA: No! Arthur hands her off to Merlin and motions forthe guards to come down. Merlin guides Morgana up the steps.MERLIN: I will make sure he's safe, MyLady. I promise.MORGANA: No! Merlin hands her off to the guards.MORGANA: No! Guards lead herinside. Forest Arthur and knights sneak through the woods. Arthur finds gigantic paw print.ARTHUR: Let'sfollow the trail. They hear growling and heavy footfalls.ARTHUR: Keep close. They find and enter beast'slair. Merlin and Arthur split from the rest. they hear hissing.MERLIN: What is it?ARTHUR: Shh! QuestingBeast sneaks up on them. Arthur pushes Merlin out of the way and takes on the beast. The beast clawshim in the chest, throwing him to the ground. It moves in on Arthur. Merlin tries to distract it by wavinghis torch.MERLIN: Hey! Hey! Merlin uses magic to pick up Arthur's dropped sword.MERLIN: Fléoge!Bregdan anwiele gefeluc! Merlin enchants the sword and magically throws it into the Questing Beast,killing it. Merlin goes to Arthur and shakes him.MERLIN: It didn't bite you. It didn't. Merlin sees blood onhis hand.MERLIN: Arthur?! Somebody help me! Gaius's Chambers Merlin clears a table with one sweep.Guards place Arthur's stretcher on it.GAIUS: What's happened? Gaius looks at Arthur's wound.GAIUS:He's been bitten.MERLIN: I tried to save him.GAIUS: You must tell the King.MERLIN: There must besomething you can do.GAIUS: I wish there was.MERLIN: I'll find a cure.GAIUS: Merlin!MERLIN: Trust me!"}
+{"doc_id":"doc_53","qid":"","text":"2.10 - The Bracebridge DinnerOPEN IN STARS HOLLOW[Lorelai and Rory are building a snowman in thecenter of town.]LORELAI: How do you like that mouth?RORY: Um, it's not very mouthlike.LORELAI: Oh, Ithink it works.RORY: It's tilted to the side.LORELAI: Yeah, no, it was intentional. It gives her a uniqueexpression.RORY: Like she had a stroke?LORELAI: Fine, I'll just use the Mrs. Potato Head lips.RORY: No,forget it, leave stroke-mouth. It's not like we're gonna win this anyway.LORELAI: Whoa, badattitude.RORY: Mom, face it. That is the single most incredible snowman I have ever seen. [looks at aman working on an elaborate snow sculpture]LORELAI: I'm sorry, that snowman is way over the top, waytoo showy. It's screaming 'I'm incredible, I'm special, look at me.'RORY: Kind of the point of asnowman-building contest.LORELAI: Hmm, I hate this man with every fiber of my being.RORY: He looksnice.LORELAI: He's a ringer.RORY: How do you figure?LORELAI: Someone recruited him, promised him ahandsome sum, financed his theatrical snowman accoutrements, so he could snatch victory away from adeserving local in order to bag the contest prize for himself.RORY: Seems a little elaborate consideringthat the prize is a set of new US quarters.LORELAI: Oh, we're ignoring him now. So, what are we gonnado on your school break?RORY: A lot of nothing.LORELAI: Sounds good.RORY: Plus somehomework.LORELAI: And a lot of movies.RORY: Oh, we have to rent Godfather 3 on DVD.LORELAI:You're kidding.RORY: In the audio commentary, Coppola actually defends casting Sofia.LORELAI: Nowthat is fatherly love. What's all this homework you have to do?RORY: Just stuff for the paper.LORELAI:What? Why?RORY: Because Paris wants the first issue back to be a double issue, so we have to prep overbreak and she says the news never sleeps.LORELAI: What about Paris, does she ever sleep?RORY: I thinkshe periodically makes a whirring noise and then just shuts down.LORELAI: Well, you can't work thewhole time.RORY: I won't, I promise. Oh my God.LORELAI: What?RORY: He's power buffing.LORELAI:Aw, now that is just wrong.RORY: We're competing against the Michelangelo of snow.LORELAI: And we'reErnest Builds a Snowman.RORY: We shouldn't look at him anymore.LORELAI: Heads down, stayfocused.RORY: We can do this.LORELAI: Absolutely.[their snowman's head falls off]RORY: Let's get somecoffee?LORELAI: Right behind you.OPENING CREDITSCUT TO INDEPENDENCE INN[Michel is at the frontdesk on the phone. In the background, Rune is jumping up and down trying to dust a pictureframe.]MICHEL: [oh phone] Yes, you can rent a car in Manhattan and return it in Hartford. That's that'sno problem, sir. Yes. Yes, you can return it to Bradley International. That's that's very convenient. Or youyou can um, you - hold please. [puts phone down, walks over to Rune and grabs his arm]RUNE:Ah!MICHEL: Stop that.RUNE: Stop what?MICHEL: Stop jumping like a Mexican bean.RUNE: Well, Lorelaiasked me to dust the picture frames. How do you suggest that I clean the top, smartie? [Michel takes thepicture off the wall] Well, I didn't know that you could do that.MICHEL: Yes, I am miraculously talented,aren't I?RUNE: I thought an alarm would go off like in The Thomas Crown Affair.MICHEL: That would be ifthis was a museum, and you were a man allowed in museums.LORELAI: Hey, no bickering in the lobby,guys.RUNE: Where are we allowed to bicker?CUT TO INDEPENDENCE INN KITCHENSOOKIE: You've gotall the mushrooms? You double checked?JACKSON: I've triple checked. I've quadruple checked.SOOKIE:The shitake, the nameko, the chanterelle?JACKSON: Once again, I've got it all.SOOKIE: The matsutake?The makeniya?JACKSON: Uh wait.SOOKIE: What?JACKSON: I don't have makeniya.SOOKIE: You don'thave makeniya?JACKSON: I don't have makeniya.SOOKIE: I made it up. [giggles] You passed thetest.JACKSON: Don't test me.[Lorelai walks in the kitchen]LORELAI: Hey, the auditions are starting. Youwanna come watch?SOOKIE: Ooh, yes!JACKSON: Auditions for what?SOOKIE: Musicians.LORELAI: Forthe Bracebridge Dinner.JACKSON: Geez, you guys are going crazy with this dinner.SOOKIE: Jackson, Itold you, this dinner is not just about food. We are recreating an authentic 19th century meal.LORELAI:The servers are all gonna be in period clothing, they're gonna speak period English. Here, look at thecostumes.JACKSON: Nice.SOOKIE: We're talking seven courses here. Soup, fish, Peacock Pie, the Baronof Beef, the salad, then the Plum Pudding and the Wassail.LORELAI: And there's gonna be a big raisedplatform where the Squire of Bracebridge is going to preside over the festivities.SOOKIE: Yeah, he tastesthe foods and makes pronouncements. He's like the host of the evening, and his costume is the"}
+{"doc_id":"doc_54","qid":"","text":"[ INT. TARDIS ][SCENE_BREAK]( Clara and the Doctor come bursting through the TARDIS door, laughingand joking with each other. A bright light is behind them. )Clara: I told you it'd work!The Doctor: It verynearly ate you for dinner.Clara: Oh, admit it. I totally saved your life.The Doctor: It wasn't going to eatme.Clara: ( laughs ) I totally saved you from having to marry that giant sentient plant thing. That bitwhere I jumped over the side? That was amazing! Hah! I knew you were impressed!The Doctor: Thesecond most beautiful garden in all of time and space, and we can never come back here because you,Miss Oswald, decided...( The TARDIS phone rings )Clara: Hello?Rigsy (O.C.): Clara? Finally. It'sRigsy.Clara: Oh. Rigsy. Hey. What's wrong?Rigsy: So I have this, er... It kind of looks like a tattoo.Clara(O.C.): Seriously? I gave you this number for emergencies.Rigsy: It's an emergency, trust me.Just...Rigsy (O.C.): Come and take a look at it. Please.The Doctor: Who said you could give out mynumber?Clara: Look, look, no matter how bad it is, we cannot take you back down your timeline just tofix a tattoo.Rigsy: That's just it. I didn't get a tattoo. And it's... It's counting down.Clara: Sorry, what?(Rigsy holds up a mirror and we see the number 538 on the back of his neck. )Rigsy: The tattoo - it's anumber and it's counting down to zero.Clara: Hang tight. We'll be right there.Rigsy: Hurry. Please.( Wesee the number closer and it changes to 537 )VWORP! VWORP![SCENE_BREAK][ INT. Rigsy's apartment -Day ][SCENE_BREAK]( From outside the building, we see a flashing light in one of the windows and wehear the sound of the TARDIS materializing. Inside, we see a baby in a pink cot. )The Doctor: Did youmake this human?Rigsy: Lucy? Yeah, she's mine.Clara: Hello. Oh, Rigsy, she's gorgeous.The Doctor:She's better than that. She's brilliant. ( The Doctor stands up and raises his voice. ) What are you doingrunning round getting tattoos when there's...Clara: Shh!Rigsy: Look, I didn't \"get\" anything. I woke upthis morning and it was just there. Jen noticed it.The Doctor: OK, show me this tattoo you didn't get,then. It's a tattoo. It's very boring.Rigsy: No, wait. Just keep watching.( The Doctor picks up a book andleafs through it. )Clara: What were you doing last night?Rigsy: That's just it - yesterday was a totalblank. Jen said I left the house before dawn, I missed work, and I didn't get back till after midnight.No-one saw me all day.( We see the number change to 532. )The Doctor: Oh, that's not boring. That isvery not boring.( The Doctor puts on his glasses and they chirp and hum. )Clara: What? What is it?TheDoctor: OK, Local Knowledge, you're coming with us. Bring the new human. ( The Doctor enters theTARDIS, then steps back out again. ) No! Don't bring the new human. I'll just getdistracted.[SCENE_BREAK][ INT. TARDIS ][SCENE_BREAK]( We hear some tones and a beam of lightmoves down Rigsy's body. )The Doctor: If you want your extremities to stay attached, stand absolutelystill. If not, we can provide a small bag, you can take them home at the end.Clara: ( looking at a monitor) Rigsy, your phone. It's like they've wiped it, but only the last day. No location data, no texts, nothing.You're sure the screen wasn't cracked before yesterday?Rigsy: Mm-hm.The Doctor: Oh, right, OK, herewe go. ( looking at the scan results on a monitor ) Ah... Good. Weird. Good and weird.Rigsy: Can I...?TheDoctor: Oh, yes, yes. Of course. ( snaps his fingers ) First off... in the last 24 hours, you've hadsignificant contact with alien life-forms, right here in the centre of London.Rigsy: OK, so why don't Iremember anything?The Doctor: You've been retconned.Rigsy: Huh?Clara: What-conned?The Doctor:Amnesia drug. Your pre-frontal cortex is marinating in it. Oh, there's something else! Something... Er...not good. Weird.( The Doctor moves over towards Clara, while picking up some white cards from theconsole. He begins looking through them in front of Clara. )Rigsy: What's he doing?Clara: He's making aneffort to be nice.The Doctor: ( hushed ) There is no nice way to say you're about to die.Rigsy: What?!TheDoctor: Rigsy...Rigsy: No, no, no, no, don't start using my actual name now! Call me Pudding Brain, callme Local Knowledge, whatever. Just don't call me Rigsy. You're going to save me. You're a doctor. That'swhat you do.The Doctor: OK. OK... Yes, OK, let's do this thing. First up, stop the countdown. 526minutes, right! OK. Yes, you know what, Local Knowledge, I don't know who did this to you or why. But Ido almost certainly know... how to find them.( The Doctor pushes some buttons and pulls a lever.)[SCENE_BREAK][ Library - Day ][SCENE_BREAK]( The TARDIS materializes on the pavement beside astone building. The Doctor, followed by Clara and then Rigsy exit the TARDIS and walk away from us. Cut"}
+{"doc_id":"doc_55","qid":"","text":"Me. It's chubby chic. The wedding's not really happening, is it? - The wedding's off? - No. Ten minutesago, you said you were engaged.- EMMA: Well, it's not happening - MOTHER: I mean, I don't - becauseshe's gay! - Just stop interrupt (GULPING)MOTHER: We're going. David wanted to pop in and water theplants. He's got such a toxic energy. Dad's dead.(SOBBING)You sure it's true (SUCKS TEETH) butconvenient? - Convenient that his dad died? - Well Without her, you would have nothing. You barely haveme and You probably won't be here much longer.(DAVID SOBS)(SEXUAL MOANING)- Mom? - Didanything happen last night?EMMA: Oh God. I'm sorry, I don't feel safe when she does that. Sally, let'sgo.(PANTING)- That was incredible. - Mm.(WHISPERING): Did you like it when I toe-fucked you? - Mm,yeah. - Yeah. - So tired. - Yeah. - I felt like I was, like - Pretty tired. pushing my toe into a little wet shoe.Tiny sticky shoe.(HUMMING)Little butterfly on your cheek. - Yeah. - Mm. Boop, boop, boop, boop, boop,boop-boo. Big fat butterfly. - Yeah, okay.- (BOTH LAUGH)- Meet the scratchy beetle.- (GRUNTS)Hello.Hmm, that's so nice. - I kind of like being still. - Mm.- (BUZZING)- Okay. Mr. Buzzy Bee! Maybe howabout no more animals in my face for now?- (BLOWING)- Okay. Sorry. Was I too much? No, no. I can'tget enough of you. You know, I miss you when you're asleep. I miss you at work. - I know. - Can weSkype again tomorrow? Um, it's really difficult for me because you know, I've got so much work on, and -It's no wonder you're tired. - Yeah. You know, if you want to go back to your place and get a change ofclothes, that might be a good idea. God, no. I'm fine, honestly. I, um, found a really cute pair of yourknickers, actually. 'Cause I was, um turning mine inside out. I have to tell you, it kind of just reaches apoint where, you know Mm. Well, normally, after two days, it's Well, yeah. Yeah. Mine yet really, reallygloppy. Like, you know, like, crusty and have big pooh stripes. Oh, God.(KINGS OF CONVENIENCE'S\"TOXIC GIRL\" PLAYING)In the sky the birds are pulling rain (ELEANOR HUFFS) In your life a curse has gota name Makes you lie awake all through the night Hi, Nigel. She's intoxicated by herself Nigel. Every dayshe's seen with someone else EMMA: What are you looking at baby? Mustard pillows?(SPEAKINGINDISTINCTLY)(EMMA GIGGLING)KATE: Sally?- KATE: Hi!- DAN: Hi, Sal.SALLY: Hi.How are you? - Hi. I'mDan. Hi, nice to meet you. - Hi. I'm Emma. Haven't seen you for ages. You never answer your phone. - Ido. How are you? - I've been ringing you. - Where have you been? - Just here, in the shops.DAN: Doug,I'm in furniture hell, mate. How long did you stay at Wonky-Tonks? - Is that Dan Barrow-Felfe? - Yes,yes. Oh, my God. That's amazing. - How do you know him? - He's my husband? Oh, God. Well done. Sowhat's this about an engagement? Huh? This ? - Is David absolutely thrilled? - It's good to see you.We've got to We've got to go. Sorry. Um, I was wondering, can I be a real w*nk*r (LAUGHS) and giveyou my show reel? - Yeah, yeah, yeah, yeah. Great. Brilliant. - Thank you. - Are you an actress? - Yeah.Emma De Florentier. - Nice name. - Yeah. I'm such a big, big fan.- DAN: I'll check it out.- SALLY: Wehave to go. - Sorry? - I've got an appointment. - What appointment? - The thing that I was talking to youabout. Okay. We should hang out! It's so great to meet you guys. - So good. We've got to go. - You'vegot amazing eyes.DAN: I love you.SALLY: We've really got to go. - Stop it.- KATE: Easytiger.(WHEELCHAIR MOTOR WHIRRING)- (THUDS)- (LAUGHS COYLY)Great minds. I'm actually just tryingto do a tiny bit of work, - and have a quiet little coffee, so - Oh. Lovely to, lovely to see you, Eleanor.Mmm. Yay. Thank you. Mmm. Mmm.(GLUGGING)Mmm, mmm.(GLUGGING)(RHYTHMIC GLUGGING)Youokay? - Yeah. Help yourself, by the way. - I'm okay. - I'm fine. - No, I insist.(GIGGLES)- (CLICKS,WHIRS)- I'm okay, yeah.(CAMERA SHUTTER CLICKING)- Cake? - No, thanks. Okay, more forme.(GIGGLES)You've pimped up your pimped up your ride. Did I? - Amazing. - Just a bit of fun. May I getthe bill, please?(ALARM CLOCK RINGING)SALLY: Hi.- Hey.- (PHONE CLATTERS)(CHUCKLES NERVOUSLY)-Hey. - Hi. I just made lunch. - Thank you. - Little potatoes. - My little baby potato. - I've got to go towork. Oh, honey, please don't go to work. Why do you have to go to work? - I'm gonna miss you. - I'vegot to. Oh, my God. Okay? Emma, I've got to go to work now. We can't do that. What are you doing?God, I just My phone Come on, I can't be late for work again, Emma. I just really need to taste yourpussy. - I need to taste your pussy. - Oh, my God.(PANTING)Please, Em. I can't be late for work.- (EMMAPANTING)- Oh, God. Oh, it tastes like the sea.- (MOANS)- Em.(EMMA PANTING RAPIDLY)Oh, yeah. Yeah!"}
+{"doc_id":"doc_56","qid":"","text":"Originally written by Alexa Junge. Transcribed by Joshua Hodge.[Scene: Moondance Diner. Ross, Phoebe,Joey, and Chandler are sitting at the counter, Monica is working. Monica is wearing her costume,including big fake breasts.]MONICA: So, I'll get candles and my mom's lace tablecloth, and since it'sRachel's birthday, I mean, we want it to be special, I thought I'd poach a salmon.ALL: Ohhh.MONICA:What?ROSS: Question. Why do we always have to have parties where you poach things?MONICA: Youwanna be in charge of the food committee?ROSS: Question two. Why do we always have to have partieswith committees?JOEY: Really. Why can't we just get some pizzas and get some beers and havefun?ROSS: Yeah.PHOEBE: Yeah, I agree. Ya know, I think fancy parties are only fun if you're fancy on theinside and I'm just not sure we are.MONICA: Alright. If you guys don't want it to be special, fine. You canthrow any kind of party you want.[Joey is staring at Monica's breasts]MONICA: Joey they're not real. Istart miles beneath the surface of these things, ok, they're fake. See [squeezes her breast] honkhonk.CHANDLER: Wow, it's, it's like porno for clowns.OPENING TITLES[Scene: Central Perk. Chandler,Ross, Joey, Phoebe, and Monica are planning Rache's birthday party.]ROSS: I talked to Rachel's sisters,neither of them can come.MONICA: Ok, um so, I still have to invite Dillon and Emma and ShannonCooper.JOEY: Woah, woah, woah, uh, no Shannon Cooper.PHOEBE: Why not her?JOEY: Cause she uh,she steals stuff.CHANDLER: Or maybe she doesn't steal stuff and Joey just slept with her and nevercalled her back.MONICA: Joey that is horriable.JOEY: Hey I liked her, alright. Maybe, maybe too much. Idon't know I guess I just got scared.PHOEBE: I'm sorry, I didn't know.JOEY: I didn't think anyone'd buythat, ok.[Rachel enters]ROSS: Hi honey, how did it go?RACHEL: Agh, it was the graduation fromhell.CHANDLER: Ya know, my cousin went to hell on a football scholarship.RACHEL: Ya know, I mean thisis supposed to be a joyous occasion. My sister's graduating from college, nobody thought she would. It'sa true testament to what a girl from long island would do for a Celica.MONICA: So whathappened?RACHEL: My parents happened. All they had to do was sit in the same stadium, smile proudly,and not talk about the divorce. But nooo, they got into a huge fight in the middle of the commencementaddress. Bishop Tutu actually had to stop and shush them. But you know what, you know what the goodnews is? I get to serve coffee for the next 8 hours.PHOEBE: Ok, so I guess we don't invite herparents.MONICA: Well, how bout just her mom?CHANDLER: Why her mom?MONICA: Cause I alreadyinvited her.PHOEBE: Ooh, ooh, did you ask Stacy Roth?JOEY: Oh no, can't invite her. She alsosteals.[Scene: Monica and Rachel's apartment. Chandler, Joey, Monica, and Phoebe are setting up for theparty.]PHOEBE: Ok, here are the birthday candles. Where's the birthday cake?MONICA: Ok, we're nothaving birthday cake, we're having birthday flan.CHANDLER: Excuse me?MONICA: It's a traditionalMexican custard dessert.JOEY: Oh that's nice. Happy birthday Rachel, here's some goo.[knock at thedoor]MONICA: [answers the door] Dr. Greene. Oh my God it's Rachel's dad. What're you doing here?MR.GREENE: What? The father can't drop by to see the daughter on her birthday?MONICA: No no, the fathercan, but um, since I am the roommate I can tell you that she's not here and I'll pass along the message,ok. So bye-bye.MR. GREENE: Ohhh, you're having a parteee.MONICA: No, no, not a party. Just a surprisegathering of some people Rachel knows. Um, this is Phoebe and Chandler and Joey.MR. GREENE: I'llnever remember all of that. So uh, what's the deal? Rachel comes home, people pop out and yell stuff, isthat it?CHANDLER: This isn't your first surprise party, is it sir?[knock at the door, Monica answers to seeMrs. Greene]MRS. GREENE: Hi Monica.[Monica slams the door back shut]MONICA: Chinese menu guy.Forgot the menus.CHANDLER: So, basically just a Chinese guy.JOEY: Uh, hey, Dr. Greene, why don't youcome with me, we'll put your jacket on Rachel's bed.MR. GREENE: Alright, that sounds like a two personjob. [they walk into Rachel's bedroom]MRS. GREENE: Well, my goodness, what was that?MONICA:Sandra, I am so sorry, I thought you were Rachel and we just weren't ready for you yet.MRS. GREENE:You thought I was Rachel?CHANDLER: Yes because uh, you look so young.PHOEBE: And because you'reboth, you know, white women.MRS. GREENE: Oh, I missed you kids. Well, should I put my coat in thebedroom?CHANDLER: NO! No, I'll take that for ya.MRS. GREENE: Oh well thank you. Such a gentleman.Thank you. [Chandler takes the hot pink coat and grimaces at it] Ahh, it all looks so nice, so festive, all"}
+{"doc_id":"doc_57","qid":"","text":"Narrator: Our nation is built upon a history of battles fought over honor, family, and power. These bloodyand iconic chapters define what it truly means to be an American. These are Blood Feuds. At the height ofthe Klondike Gold Rush, Skagway, Alaska is America's last frontier.[Gunshots]Skagway is the entrée tothe gold fields. Control Skagway, and you control the wealth of the Yukon.Narrator: Two men are lockedin a power battle for the town. Put that rope down. One is \"Soapy\" Smith, a notorious criminal driven bygreed. Soapy was the king of the frontier continent.Narrator: The other is Frank Reid, a vigilante bent onrevenge. Reid killed a man because of his bad temper. Soapy Smith has too much control over this town.There was a tension. And this tension slowly built.Narrator: It's an epic feud that starts with money butwill end in blood.Smith: Bring them in, dead or alive... That statement guaranteed bloodshed in Skagway.I'm Soapy Smith. I've run the cleverest con games in the west. But now, I'm here in Skagway, Alaska toclean up on the Yukon Gold Rush. This is a town I mean to own. And Frank Reid ain't gonna stand in myway. Name's Frank Reid. The frontier is a place where a man can build something new. But Soapy Smithand his scams are making things hard for me. I mean to put a stop to it. You can't stop me. My God.Don't shoot.Narrator: Frank Reid's and Soapy Smith's fates collide in 1897, during the great KlondikeGold Rush. The front pages of newspapers screaming, \"Gold. Gold. Gold.\"Narrator: As news spreads, menfrom all over the west pack their bags and board ships bound for Alaska. They came from San Francisco.They came from Portland. They came from Seattle. The Yukon offered a get-rich-quick type ofthing.Narrator: But most of the men have no idea what they're in for. What you saw from the boat was aforbidding landscape, towering mountains. It was cold.Narrator: There are two main harbors that lead tothe Yukon trail where the gold is. Dyea is the most direct route, but it's through the notoriouslytreacherous Chilkoot Trail. The other longer but less rigorous path is via a desolate outpost calledSkagway.Spangenberger: Skagway comes from an old Indian name meaning cruel, deadly winds comingdown.Narrator: In the harsh early days, Skagway becomes the first place where many newcomers to theYukon would pitch their tent. Some of these men are here to try out their luck in the gold fields. Otherssee a chance to make money off the miners. And many are here to put their pasts behind them. Therewas a popular song during the Gold Rush which was called \"What was your name in the States?\" Youcould leave your entire past behind. You could start over again.Narrator: One man looking for a new startis a tough frontiersman from the western states named Frank Reid. He's a land surveyor and formersoldier who is trying to escape from a dark past. Reid had killed a man in Oregon.Spangenberger: Hekilled him because of his bad temper. It was a neighbor that there was just some animosity brewingbetween them. The neighbor passed by him without acknowledging him. And that offended Reid's senseof honor.Hutton: The altercation was a real reflection of his demand for respect. He had a real edge tohim.Narrator: Haunted by the killing, Reid yearns to put his demons behind him and contain hishair-trigger temper. He had a checkered past, but he wanted stability. He wanted somethingbetter.Narrator: Reid sees the Klondike as his chance for redemption. I don't think Reid was looking somuch for the gold as for the opportunities that the Gold Rush was gonna create. He sees a new chance toremake himself 'cause that's what the west is all about.Narrator: When Reid arrives in Skagway in thesummer of 1897, he's one of the early settlers. It's totally a sea of mud. Heaven help you if you fell'cause you're likely just to drown in the muck.Narrator: The cold and the mud are only part of theproblem. With no rules or oversight in this harsh environment, Skagway is a lawless place. But Frank Reidsees promise. He teams up with some other settlers who share his vision to create a real town from thechaos and mud.Man: Where do we get started? Well, I was a surveyor down in the lower 48. I thoughtmaybe I could help lay out your roads. He's looking for an opportunity. And, of course, he has the skillset, which no one else has, to lay out the town. He's rewarded with a secure place amongst the leaders ofSkagway.Narrator: Soon, there are primitive streets, a stable, and an inn to house some of the miners.Frank Reid's mission is now to tame this town and create law and order from the frontier chaos. He wantsto be a founding father of something great.Narrator: Thus far, he's been able to keep his violent temperin check. But he's about to meet a foe who will ignite his fury and spark an epic battle for the town that"}
+{"doc_id":"doc_58","qid":"","text":"1.20 - P.S. I Lo...OPEN AT LUKE'S DINER(Lorelai and Rory are sitting at a table. Lorelai is in the middle oftelling a story.)LORELAI: So then he starts ripping my twenty dollar bill into like a million pieces. And I'mthinking to myself, there is a store full of people, why am I the one on line with the crazy magician? (Roryyawns) Okay, I'll cut to the end. So he couldn't put it back together again and he had to pay me back inquarters.RORY: Very good story.LORELAI: You look tired.RORY: I just haven't been sleeping very welllately.LORELAI: How come?RORY: Just have a lot on my mind.L: Anything I can do?R: Flag down thecoffee.L: Arm going up now. Honey, you gotta wake up. Wanna play?R: One, two, three?L: I'll gofirst.(They both stare out the window.)R: And one.(Older man walks by.)L: Pass.R: Why?L: Because I'mnot Anna Nicole Smith. Next.R: Two.(Teenage boy on a skateboard goes by.)L: Hmm, pass.R: Why?L:Because I'm not Mary Kay LeTourneau.R: Okay.(Luke comes to the table while they are staring out thewindow.)LUKE: What are you looking for?L: My new husband.R: She's already passed up two perfectlygood prospects.L: But I'm feeling pretty good about number three.LUKE: Do I want to know what you'redoing?R: Hey, Luke came to the table, does that make him number three?LUKE: No.L: You don't evenknow what we're doing.LUKE: The safest answer in anything involving the two of you is no.L: We'replaying one, two, three, he's yours.LUKE: I didn't ask.R: You can take the first guy that walks by, or ifyou decide to pass, assuming there's somebody better out there, you can take the next guy that walksby, or if you don't take him, you're automatically stuck with the third guy.L: Got it?LUKE: I'm notplaying.L: Well of course not. Its still my turn.R: Okay, guy number 3 is crossing the street right now.(Allthree of them stare out the window.)LUKE: Why am I looking?L: Because it's like a train wreck.(They seeKirk walking towards the diner.)L: Aww, no!R: Daddy!L: Not Kirk!R: Maybe he'll buy me a pony.L: Iwanna go back to the old guy.(Kirk walks in the diner. Luke walks over to him.)LUKE: Congratulationsman.KIRK: Uh, thank you.(Lorelai and Rory start giggling.)KIRK: What?L: NothingKIRK: Okay, didsomebody put the kick me sign on my back again?(Lorelai and Rory are laughing.)KIRK: It wasn't funnylast week and it's not funny now! I have asthma.(Kirk leaves the diner.)R: Mom, quick he's leaving!L: Ohno, Kirk come back, I love you! Drat. All right, your turn.R: I don't know Mom. You already got Kirk,how's a girl to top that?L: You're right, he's yours.R: And one.(They stare out the window. Dean walksby. Rory gets a sad look on her face.)L: Okay, so, we should order.R: Yeah, ordering's good.(OpeningCredits)INDEPENDENCE INN(Lorelai is sitting at a table in the lobby organizing folders. Michel, who isbehind the counter, answers the phone.)MICHEL: Independence Inn, Michel speaking.MAX: Yes, is Ms.Gilmore there?MICHEL: I'm sorry, she's busy, how may I assist you?MAX: Actually, I need to speak toMs. Gilmore.MICHEL: Is this business or personal?MAX: Personal.(Michel walks over toward Lorelai andtosses the phone on the table. Lorelai picks it up.)MAX: Is anybody there? Hello?L: Yes, Hello, hi.MAX:Lorelai?L: Max!MAX: Is this a bad time?L: No such thing. Where are you?MAX: I am in the teacher'slounge.L: Hmm, what are you wearing?MAX: Nothing.L: You must be very popular.MAX: And chilly.L: Ithought we had a chat date tonight.MAX: We did, but I was thinking about something and I wanted torun it by you.L: Okay.MAX: So. .L: Ooh, hey, make a gorilla sound.MAX: Why?L: I want to play WildKingdom.MAX: I am not making a gorilla sound.L: I'll tell you what color underwear I'm wearing. (pause)Had you considering the gorilla sound, didn't I?MAX: Yup.L: I'm good.MAX: Okay, I need you to beserious now.L: Says the man with no pants.MAX: We've been having these very successful phone calls fora couple of weeks now.L: Yes we have.MAX: And I think that all the talking has done us a lot of good.L:Yes it has.MAX: So I was thinking that maybe this weekend instead of a phone call, we should have adate. Let's have dinner.L: Hmm, at the same restaurant?MAX: At the same table.L: Interesting idea.MAX:I think its time.L: You know what? So do I.MAX: Saturday night, 8 o'clock?L: Okay, wear somepants.MAX: I make no promises.L: Bye.CUT TO SIDEWALK(Rory is sitting on the curb reading a book.Lane walks over to her and drops a small bag of chips into her lap. Rory stands up and Lane hands her asmall bag from the market.)LANE: Salt and vinegar.R: Thank you.LANE: Here's your gum, your soda,your New Yorker, and your dental floss.R: Aw, they didn't have the minty kind?LANE: They wereout.RORY: Well, this is good too.(They start walking)LANE: He wasn't in there.R: What?LANE: Dean. He"}
+{"doc_id":"doc_59","qid":"","text":"Kevin: I'm running to the bar to watch the games with the guys. Oh, no, no, no.Kevin: Why? Why?Where did that shirt come from? I don't know. Found it in the back. I figured I haven't worn it in awhile... It needs to go way back, further. Why would I change? Yeah. Why would you change? Why wouldyou wear that?Kevin: I don't know. Mommy, Daddy, look what I found in the toilet. Where did you getthat, sweetheart? I made it. You made that? You made it? Yes, you did.Kevin and Jenny: Don't squeezeit. That was sh1t. She has sh1t in her hand. Mm-hm. Why is she picking up sh1t? I've read about thisbefore. It's like fun with feces. Fun with feces? I've taken dumps before. It's fun, you take a picture of it.Send it to friends. Disgusting. You don't whip it around your head like a churro. Just let her grow out of it.You're the mother, deal with this. Don't tell anybody. I'm not gonna tell anyone. Nobody knows about thispoop situation. Obviously.Ellie: I'm putting it in the kitchen. Okay, honey... No, no, no, baby, don't. Totwo of my good friends. Mr. Frank Gore and Mr. Andre Johnson. Leading the Double Ent-Andres tovictory. This is my worst nightmare. Losing to you. I was expecting a little bit of a challenge this week.But your team is so terrible. Oh, stop. This is like Freaky Friday. Like, Kevin has gone into Andre's body.The roles have reversed. Guess what. I'm your mother, but I'm cool now. What do you mean? Youreversed roles and he's crushing you. I'm Jamie Lee Curtis, you're Lindsay Lohan. I'm cool, you're not.This is what I lost to?Pete: Wow. You know, I do talk a lot of smack, guys, but it's only because I can:[BEEPING] What does that mean?Andre: Back it up. I can back up my smack talk, my friend.[PETE &ANDRE BEEPING]Okay, really? Stereo? When the guy's right, he's right. Knows what he's doing. Hi, I gotoff the phone with the out-of-towners. Vince would like me to give you the number for a shelter...because Andre beat your ass so bad. That's nice. All this can be fixed. All you have to do is win. I will win,okay, but there's something strange going on here. Can I just say, next week, I would like to extend aninvitation to you... to watch the games at my house and have a meal provided by my lovely wife. I havenot been invited over since the arrival of The First Human Child. Have you been? I don't know if I havesecurity clearance. I don't. Do you? No, I haven't been through the scanners. We got a dog. Ellie can playwith the dog. You've got a dog?Ruxin: Come over. Enjoy my home, watch the games. It will be lovely.That'd be exciting.Ruxin: Yeah, Sofia's excited. She's gonna be cooking some famous dish. That shouldbe good. Oh, Sofia's gonna be there. Yeah, my wife's gonna be at my house.Taco: Oh, cool. I haven'tseen her in a while. She's fun, she's cool.Andre: You want us to bring anything? Yeah. You know whatyou can bring is a condom... so that you can just go to town on Kevin like you did last week.[ANDREBEEPING]Backing it up. It's all right, buddy. How's your lineup looking?Pete: It's not good. It is listed asquestionable. Questionable, what does that mean? No one knows what that means. It's like if I start him,and he doesn't play... I have nothing in the bank, got no backups.I'm screwed.Yeah, you have no outs.They know if they're playing. They know. They should tell us. We should have a direct phone line to theseguys. Not to mention, I'm playing Andre this week.And rumor is, he actually beat someone last week.Imean, can you imagine losing to that guy? Are you happy now? Are you finished? You've really... You'vedone enough to my psyche. It could happen to anyone, all right? Gotta go. All right, bye. Hey, you. Whatare you doing here? What are you doing here? I had a couple meetings. I'm in between. Great to see you.Let's go grab a drink.Andre: I, um... You know what, I can't because I have to do a house-call thing.You're a plastic surgeon. Yeah. Do you have, like, an emergency spider vein, or a tit popped or somethinglike that? What happened? Good one. I'd love to hang out, but I gotta do this. Kidding aside, I gotta saysomething. Uh, we break your balls about the league... but you're really doing well and I'm happy foryou. Well, guess what. I've always been this good. I've always been a champion. And you know what I'vebeen doing is I've been sowing and now I'm reaping. Planting the seed and then I've grown into abeautiful flower... and now everyone wants to smell me. So smell it?[SNIFFS]You smell that? What? It'sbullshit, man. Oh, really? You're out there. I see you. You're out there. You got your games you'replaying. You got people on the side you're paying to help you out. There's maybe even a dungeon. Yougot a guy down there. All right, I'm onto you. You know what I smell? Ah, yes, it's, uh, the smell ofjealousy... with a tinge of admiration... and just a whiff of sadness.Good luck because I'm gonna: [ANDRE"}
+{"doc_id":"doc_60","qid":"","text":"[Scene: Manor. It's night time. Phoebe walks in. All the lights are turned off.]Phoebe: Hello? Anybodyhome? Sister witches, guess what?(Phoebe walks in the living room and turns on the light. Piper is theremaking out with a guy on the couch. She jumps up.)Piper: Oh, oh. Are you nuts?Phoebe: What are youdoing?Guy: Hi.Phoebe: Hi.(Piper freezes the guy and walks over to Phoebe.)Piper: Ooh.Phoebe: Hi.Piper:Sister witches? I can't believe you said that. What's the matter with you?Phoebe: How was I supposed toknow that you were gonna be here with anybody? Last I heard that you were meeting a banker friendabout the loan. (She looks at the guy and then back at Piper.) Is this the credit check?Piper: It's not whatyou think. We were just... we-we... were just kissing, that's all.Phoebe: Piper, you don't have to justify it.You're single. You're responsible. You're way overdue in the s*x department. I say go for it.Piper: I'm notway overdue. Alright, maybe a little, but that's besides the point. I would never just sleep with a guy toget something. You know thatPhoebe: Piper, give yourself a break. You're going through a lot right now.No job, straining to buy the club, you haven't heard from Leo in weeks.(Prue walks in through the frontdoor. She's on her phone.)Prue: Alright, well, the preview is at five and the auction Sunday ateleven.Piper: Oh no, Prue. Go back outside. Go on. Hurry!(Prue looks at them for a second, then goesback outside. Piper stands back next to the guy and he unfreezes.)Guy: So, you must be Prue.(He standsup.)Phoebe: Uh, no. Actually...(Prue comes back inside, still on the phone.)Prue: (on phone) Alright,great, yeah, I'll see you then.(Prue hangs up.)Phoebe: She's Prue. I'm Phoebe.Piper: Rob, can we take arain check on the rest of the evening? It's getting kind of crowded in here.Rob: Okay, sure.(Rob grabs hiscoat and heads for the door.)Piper: Yeah. Okay, um, so I'll meet you tomorrow at the club at noon.Great. Thanks for dinner.Rob: Okay, alright. (They kiss.) Bye.Piper: Bye.(Rob leaves. Piper closes thedoor and turns to her sisters, who are grinning.)Prue: So, did you get the loan?Piper: Hopefully. I'll findout tomorrow.Prue: Well, my fingers are crossed.(Prue and Piper start to leave the room.)Phoebe: Wait,you guys. Where are you going?Prue: Well, I have an auction coming up. I have clients to call.Phoebe:Wait, you guys. Don't you even know what tomorrow is? It's our one year anniversary of becomingwitches. Hello?Piper: Tomorrow is? Really?Prue: So...Phoebe: So? So? It's a day to celebrate. And notjust because it's our anniversary but because it falls on one of the most powerful wiccan days of the year.The autumnal equinox. Now, according to this witch that I met today at bookstore...Piper: Hold it. Awitch?Prue: You didn't tell her about us, did you?Phoebe: Well, yeah, sure I did. Why not? I mean, Ididn't tell her that we're magical witches, obviously. Look, I'm sorry but I think after everything we'vebeen through it's important to learn as much as we can about who we are. Forewarned isforearmed.Prue: And I think that we should leave well enough alone. I mean, we've been demon-free forover a month now, I'd like to keep it that away.Piper: Amen to that.(Prue and Piper walk out of theroom.)[Scene: Manor. Attic. The next morning. The Book Of Shadows opens up by itself and the pagesstart to flip. Phoebe races in.]Phoebe: Prue! Piper!(Prue and Piper come in.)Prue: What's goingon?Phoebe: Uh, I don't know!Piper: Why does the book do that? How does the book do that?(They goover to the Book and look at the page it opens up to.)Phoebe: \"Rite of passage. Fight it with the Power ofone or else...\"(A vortex opens in the wall and a gust of wind blows through the attic. A demon is sitting inthe vortex. Prue hesitates to use her power and the demon steals the Book. The vortex closes.)Piper:What the hell was that?Phoebe: The Book Of Shadows? Where's the Book of Shadows?Piper: So much forbeing demon-free.Opening Credits[Scene: Manor. Attic. Prue, Piper and Phoebe are there. Prue and Piperare picking up pieces of paper that blew across the room. Phoebe is knocking on the wall where thevortex opened.]Piper: Did you find anything?Phoebe: Nothing. But whatever it was literally came out ofnowhere and disappeared into nowhere.Piper: Well, it took the Book of Shadows somewhere. And he'spowerful too. No other demons been able to steal the book.Prue: But if he's so powerful, why didn't hekill us?Phoebe: He probably didn't want to go up against you.Prue: Me? What do you mean?Phoebe:That's what the Book of Shadows says. Fight it with The Power of One. That's gotta mean your power. It'sthe strongest.Prue: Says who?Phoebe: Says every demon or warlock we've ever gone up against.Piper:She's right, Prue. The power of one's gotta mean you, otherwise it would've said the Power of Three. The"}
+{"doc_id":"doc_61","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars... Bonnie exits through the back of the Pi Sig house,much to Dick's disgust, in 308 \"Lord of the Pi's.\"DICK: What the hell, Bonnie?BONNIE: Another cute fratboy. What the hell?In the Food Court, Veronica assures Landry in 307 \"Of Vice and Men.\"VERONICA: Iwas never gonna tell anyone about your...situation with the dean's wife. In his bedroom, Logan explainsto Veronica what happened in Mexico.LOGAN: The whole motel was going up in flames. We had to get outof there.VERONICA: You didn't stick around to try to help? You didn't see if everyone was okay?Logandrops his head in shame. In the Food Court, Veronica elects to ignore Logan's call which Logan watchesher do it in 308 \"Lord of the Pi's.\" He's devastated. Elsewhere on campus, Keith and the dean speak tothe \"rescued\" Selma Hearst Rose.SELMA: I'm on my way to vote. Fate of the Greeks in my hands andall.DEAN O'DELL: How are they faring?SELMA: Screw 'em. They're out of here.Veronica and Mac areawoken by Parker's scream in 301 \"Welcome Wagon.\" Parker looks at her shaved head in the mirror inhorror.PARKER: Someone raped me! Veronica reassures Keith in 308 \"Lord of the Pi's.\"VERONICA: TheHearst rapist has everyone on edge. End previously.EXT - HEARST COLLEGE, PI SIG FRATERNITY HOUSE- NIGHT.Music: \"Right Here, Right Now\" by Fatboy Slim.LYRICS: Right here, right now Right here, rightnow Right here, right now Right here, right now Right here, right now Right here, right now Right here,right now Right here Right here, right now Right here, right now Right here, right now Right here, rightnow Right here, right now Right here, right now Right here, right now Right hereThe Pi Sigs are having aparty. Outside the house, a stage is set up outside the back of the house. People are dancing on thestage and on the lawns, most holding white plastic cups. The place is packed as is evident as the cameraswings around. It comes to a rest on the two people standing on the roof of the porch of the house.Holding a white cup and a red cup respectively, Piz and Mac are staring out at the guests. Mac is lookingincreasingly concerned.MAC: You seen Veronica? Piz, without ceasing his scan of the crowd, shakes hishead.PIZ: Not in a while.INT - HEARST COLLEGE, BENES HALL - NIGHT.The music gets louder as thescene shifts to Veronica, running for dear life in the corridors of Benes Hall. She hits a wall, casts aterrified look back and then races on. She reaches stairs and runs up them, sobbing. She comes toanother corridor and hurries to the door of Wallace and Piz's room. She bangs on itdesperately.VERONICA: Wallace, Piz, help! There's no response and she sinks down to the floor. Her noseis bloody and she has a nasty gash over her left eye. She pants and looks over at the way she came. Asshe turns her head back, she becomes aware of a pair of legs coming to a stop next to her. Her eyestravel slowly up the body in fear. End music: \"Right Here, Right Now\" by Fatboy Slim. Openingcredits.LILITH HOUSE GIRLS: [singing offscreen] Na-na-na-na Hey, hey...White writing across a blackscreen states that it is two days earlier.EXT - HEARST COLLEGE - DAY.The Lilith House girls, led by Nish,Fern and Claire, are celebrating in a one-float parade. They have created the float with a dune buggy anda trailer, with a large pink pig in a diaper at the back of the trailer. The pig wears a neck comprised of theGreek letters pi, sigma and sigma. A large poster for Lilith House is attached to the dune buggy, and onesaying \"Good Bye!\" to the trailer. Some tipping polystyrene columns and glittering gold lengths of tinselcomplete the decorations. The girls, standing in the trailer in front of the pig, are exuberant, clapping andsinging \"Na Na Hey Hey (Kiss Him Goodbye).\"LILITH HOUSE GIRLS: [singing] Hey, goodbyeNa-na-na-na, na-na-na-na Hey, hey, hey, goodbyeTheir song continues in the background. Reactionsdiffer from the students they pass, some giving thumbs up and some giving thumbs down and booing.Veronica watches the float pass.VERONICA VOICEOVER: If the Lilith House's mission was to protectwomen on campus, I'm not sure this display is doing the trick. Sure, the Board of Trustees voted todismantle the Greek system, but there's still a rapist at large. That hasn't changed.LILITH HOUSE GIRLS:Hey, hey, hey, goodbyeDICK: Sponduly!Veronica turns and looks over her shoulder at hearing Dick'sshout. Dick and Logan emerge from one of the college buildings, laughing and joking around. There issome conversation too faint to hear. Veronica observes their playfulness.VERONICA VOICEOVER: Ah. Sothe boy can still smile. Seems like a week since I've seen his teeth. She rises from her perch and walkstowards them. Logan sees her and the smile fades.VERONICA: Hey, handsome.DICK: Shh. Not in front of"}
+{"doc_id":"doc_62","qid":"","text":"[PREVIOUSLY_ON]Wynn: This is not what we discussed on the telephone.Raylan: I figure you're goodenough that no one can link the hitters from last night to you.Wynn: Thank you.Raylan: Except, ofcourse, for Gary. He seems like a bit of a loose end. I'd leave the country, but that's entirely up toyou.Wynn: Are we finished?Raylan: As long as you understand that the next time we have thisconversation, there won't be a conversation.Ava: Devil, you want sugar? [ Gasps ] Devil!Dickie: Hello,Ava.Ava: Oh!Dickie: It's the top of the 1st, Raylan. Hey, batter, batter, batter, batter, batter...Boyd: Cuthim down. Now, God damn it.Dickie: Wait, Raylan! Come on. Listen to me. You ain't getting to Lorettawithout me, and you know it.Raylan: Boyd?Boyd: He shot Ava.Raylan: I'm gonna need him for a littlebit.Boyd: What, are you asking me... Or are you telling me?Raylan: Makes you feel better, you can tellpeople I asked.Winona: I want you to leave this alone. I want you to leave it to the authorities. This isnot your problem, Raylan.Raylan: I promise you I will be fine.Winona: Okay. Take me to work. And go toHarlan. But I can't promise you I'm gonna be here when you get back.Raylan: I need you and your boysto put your guns down.Doyle: And why would we do that?Raylan: Maybe you don't want to see yourbrother's brains fly Guys! Cease fire![ Siren chirps ]Winona: Was I speeding?Winona Hawkins?Winona:Yeah. Ma'am, this is a courtesy stop. Chief deputy Art mullen's been trying to reach you.[ Indistincttalking over P.A. ]Winona: Hi.Art: Hey.Winona: How is he?Art: He's sleeping right now.But he's gonna beall right. The bullet went right through his side, just under the ribs. Didn't hit any vitals. He's a lucky sonof a gun.Winona: Look, Art, I, um... Um...Art: End of the hall, Winona. First door on the left.[ Monitorbeeping ][ Gunshots ][ Shell casings dropping ]Raylan: [ Sighs ][ Exhales deeply ][ Whirring ][ Whirringstops ][ Sighs ][ Grunts ][ Inhales sharply ]I even tried a cross-pull. I don't think I've done that sinceGlynco.Art: How'd that work for you?Raylan: Won't be doing it again.Art: [ Laughs ] Did you trylefty?Raylan: So I could shoot the side of a barn?Art: All right, we'll try one more week of medicalrestriction, and then I'll issue you some hand grenades. You're a lucky man, Raylan.Raylan: I got shot,Art.Art: Only thing that saved you was all that body fat you got going on there.Raylan: Starting to feeluncomfortable.Art: Why? We're alone. Crowder's here.Raylan: Didn't wear your suit.Boyd: Boy, you saythat as if I've only got the one and not a whole closet full.Raylan: [ Chuckles ] I'm sorry. You didn't wearyour black suit.Boyd: Well, I can see by the hitch in your step you're still not 100%.Raylan: Yeah. How'sAva?Boyd: She's moving not so different from you. She's healing. So was I right not to wear mysuit?Raylan: Well, we don't have a strict dress code.Boyd: Well, it just occurred to me that Raylan Givensinvites me up to Lexington. Chances are I might find myself in front of a judge before the day isout.Raylan: Why? Did you do something you shouldn't have?Boyd: Well, that's a pretty low bar,Raylan.Raylan: [ Laughs ] Nah, trooper Tom Bergen, up there in your world, he says within a day of Magskilling herself, all her marijuana-drying sheds got cleaned out.Boyd: I wasn't aware that marijuanainterdiction fell under the marshals' purview.Raylan: He also said that the floorboards in the sheds hadbeen torn up, ceilings pulled down, walls opened up, like someone was looking for something, which doesfall under the marshals' purview... Recovering ill-gotten gains. Mags' bank accounts have been seizedalong with her property, but there's still a sizeable amount of money missing.Boyd: How sizeable,Raylan?Raylan: Well over $10.Boyd: Well, now, if I found that kind of money, I'd be in Mexico bynow.Raylan: Boyd, I've been to Mexico. I don't think you'd like it.Boyd: How so?Raylan: There's a lot ofMexicans.Boyd: Raylan, if a book could only be judged by its cover, you'd be a best seller.Raylan:Hmm.Boyd: Are we done?Raylan: Looks like. Sorry for wasting your time.Boyd: Never a waste of time tospend a moment with my good friend Raylan Givens. Tell you what. I'll ask around. See if I can't get aline on that money for you.Raylan: I appreciate it.Boyd: In exchange for an apology.Raylan: I'm sorry.What?Boyd: I want you to apologize.Raylan: For the crack about the Mexicans?Boyd: By the time I gotout of Wade Messer's house, Dickie Bennett was tuning you up like it was his birthday and you were hispiñata, only I don't think there would have been candy pouring out.Raylan: You're saying you saved mylife.Boyd: Are you saying I didn't?Raylan: I would suggest what you're looking for is a \"thank you,\" not anapology.Boyd: Well, now, follow my logic, Raylan. I had my own plans for Dickie on account of his"}
+{"doc_id":"doc_63","qid":"","text":"Act One.Scene One - Frasier's Apartment. It's the early evening. Frasier is playing a tune on the piano,Martin is looking through some old police work, and Daphne is busying herself in the kitchen. Frasierturns round to find Eddie staring at him.Frasier: Dad, he's doing it again! Must this dog stare at me all thetime?Martin: I don't know. Eddie - must ya? [Eddie carries on staring] Apparently he must.Frasier: [toEddie:] What is so fascinating about me? What is it? Do you imagine I am a large piece of kibble? Am Isome sort of canine enigma? Think about it, get back to me.Daphne enters carrying a tray offood.Daphne: Here we are, gents, dinner's up. [to Martin:] Can I give you a hand clearing up yourpapers?Martin: No, you better let me. I need to keep these in a particular order.Daphne: What is all this,anyway?Martin: Oh, it's an old case of mine from the police force - the \"Weeping Lotus\" murder.Frasier:Dad, I can't believe you're still trotting this old thing up. He's been trying to solve this case for twentyyears.Martin: Yeah, and I'm not stopping until I do solve it. You adopt certain instincts when you're a cop.And my instinct tells me that this case can be cracked. There just must be one small thing I keepoverlooking. [tidies papers]Frasier: There is - who the murderer was. [laughs]The doorbell sounds andFrasier goes to answer it as Daphne and Martin chat.Daphne: It's nice you feel so dedicated.Martin: It's ahobby. Some guys build a boat in their garage, I try to figure out why a maniac would kill a hooker andtry to stuff her entire body into a bowling bag. It's relaxing!At this point Frasier opens the front door toNiles who is carrying a bottle of wine. He enters and hands the wine to Frasier.Frasier: Hello, Niles.Niles:Sorry I'm late, Frasier. Just as we were leaving, Maris had a run-in with a rude directory assistanceoperator and it shattered her calm.Frasier: Have you ever considered that maybe Maris is a bit highstrung? Maybe she should see someone.Niles: She's seen everyone, why do you think she was callingdirectory assistance?Daphne: Evening, Dr. Crane.Niles: Hello, Daphne. It's so good to see you again.[she puts the meal down] What an enchanting scent you're wearing.Daphne: [smells herself] Must be theranch dressing. Won't Mrs. Crane be coming?Niles: No, I'm afraid. And please, no more of this \"Doctor\"and \"Mrs. Crane\" formality. To you, it's Niles and... [stumped] er...Frasier: Maris.Niles: Yes, Maris.Martin:Glad you could join us, Niles.Niles: Oh, I wouldn't have missed it.Martin: Well, I guess the food's allready: why don't we just go ahead and start?Everyone sits down except Daphne who begins to take herfood into the kitchen.Daphne: Well, enjoy.Martin: Where are you going?Daphne: I thought I'd have minein the kitchen.Martin: Don't be ridiculous.Niles: Yes, we can't have you eating by yourself in the kitchen.I'll join you.Martin: No. We're all eating right here, like a family, end of discussion.Daphne: Well, isn't thisnice? Feels just like home.Niles: I'm famished.Frasier: Me, too.Niles and Frasier begin to eat...Martin: Youboys still say a prayer before you eat?They relent and pretend they do. All four close their eyes and holdtheir hands together. As Martin begins his prayer, Niles stares at Daphne as Eddie stares at Frasier.Daphne does not notice with her eyes shut. However, Frasier notices Eddie's skin-creeping look.Martin:We thank you, Lord, for the food we're about to eat. You have blessed our table with your palm. Andthank you, Lord, for bringing this family together and we also thank you for the other gifts you havegiven to us. And may we always be able to share with those less fortunate...Frasier: [to Eddie:] OH, WILLYOU STOP STARING!Niles: [off guard:] I wasn't staring!Martin: [takes what he can get] Amen.They allsettle down. Daphne looks at Niles a little suspiciously as he begins the meal conversation.Niles: SoFrasier, did you happen to read Derek Mann's column today? You were mentioned.Frasier: No, I missedit.Niles: Just as well, it wasn't flattering.Frasier: I still would have liked to have seen it anyway.Niles: Oh,why didn't you say so? [takes it out of his pocket]Daphne: If I may ask, who's Derek Mann?Martin: Hewrites that \"Mann About Town\" column for the Times. The things that guys comes out with, sometimeshe's really funny - what did he say about you?Frasier: [reading:] \"I hate Frasier Crane.\"Martin: [laughs,then:] Oh, sorry.Frasier: That's it. \"I hate Frasier Crane.\" That's it?Martin: Oh, don't let it botheryou.Frasier: Well, actually it doesn't, dad. I knew when I chose a career in the public eye that I'd be opento certain criticisms, it's the price I pay for my celebrity. Thank you, Niles, for bringing me the paper, andthank you for highlighting it in yellow! Now, who would like some wine?Daphne: Oh, I'll havesome.Frasier goes to pour some as Niles compliments Daphne.Niles: Daphne, this salad is"}
+{"doc_id":"doc_64","qid":"","text":"[PREVIOUSLY_ON]Lou: I think starbright is a really good fit for her. (Quietly) Because it'll give her achance to catch up. Catch up? Ms. Wadsworth doesn't think that Katie is ready. She's beautiful.Bob:She's nearing the end of her pregnancy. I like you, Ty, you impress me. Ah, well, you know I alreadyhave a job. Well, with this grant I can match what Scott pays. You really gonna do this? You left me nochoice. I saw the video, Amy. I saw you kissing Ahmed. I'm not working for Ahmed anymore. So comeon, let's take it for a spin before I have to ship it back.(Truck roars)Ty: Whooo!Amy: I'll see youtonight?Ty: Absolutely. (Small laugh) You know, maybe you could just tell Bob Granger that you thoughtyou start work tomorrow not today.Amy: Right?Ty: No... I gotta go.Amy: Okay. We'll see you tonight.Ty:Okay. See ya.Amy: Bye.(Truck door shuts)(Engine starts and hums)(Ty honks)(Hooves thunder)Sandra:Okay. Go easy! That's it, Georgie! Okay. Not bad. Do you wanna work on your \"backwardthunder\"?Georgie: Yeah sure. (Georgie clicks her tongue) (Grunts with effort) I messed up at the end.Can I go again?Sandra: Sorry, Georgie, you've run out of time. There's another girl signed up.But I onlyhad a half hour. Can I just have ten more minutes? Please? I'm never gonna get the practice time I needto audition for the extreme team.Sandra: I can't keep my students waiting. And you've still got plenty oftime to get ready for that audition. Don't stress.(Gate clanks and squeaks open)Olivia: Are you finallyfinished?Georgie: What are you doing here?Olivia: What do you think? I'm taking lessons just like you.Only, Sandra gives me private ones. She says I'm a natural.(Truck rumbles up)Tim: Hi.Casey: HeyTim!Tim: I heard you were pulling out of town.Casey: Yeah. I got a string of rodeos from longview rightthrough to Southern Montana. So... I'll be gone for a few weeks.Tim: Well, we never got that lunch wetalked about.Casey: Well, you never asked so...(Surprised laugh)Tim: This is me asking.(Laughs)Well,that sounds good.Tim: Okay.Casey: Name the date.Tim: Okay.Casey: No pressure. (Laughs) Bye!Lou:Surely the doctor can see her before then? I mean, four months? That's crazy... No. I-I appreciate thatyou have a waiting list but... but what if there is a cancellation? Yes. No, please, please do let me know.Thank you. Four month wait. Can you believe that?Peter: You know, just because some know it allprincipal at an overpriced preschool thinks she's not ready does not mean there is anything wrong withour daughter, sweetheart.Lou: Dr. Lauder is the best special education psychologist in the field, honey. Imean, there's no harm in checking, right?Peter: Okay. Yeah, absolutely. I won't mention it again.Lou:How was your class?Jack: Wrong question.Georgie: It sucked!Lou: Hey language...Georgie: Okay. Well, itdid. And I barely had any time on Chaplin. And too many people signed up so there weren't enoughhorses. Oh, and guess who's taking private lessons with Sandra?Georgie: Guess!Lou: I-I don'tknow.Georgie: Olivia!Lou: Olivia. Great.Georgie: Yep. She couldn't stand that I was doing something shewasn't. So she just had to signed up. And that was the only reason she signed up. Agh. I'm so mad! HiKatie.Katie: Hi.(Phone rings)Lou: Grandpa, it might be the clinic...Jack: Hello. Hang on, is Amy...?Lou:No. She rode over to Ty's. She'll be back soon.Jack: No, I'm sorry she's riding her horse back from Ty'splace. But I'm sure she won't be that long.Right. Have a good one. Who was it? You will neverguess.(Hooves thud)(Horse snorts)(Hooves thunder)Ahmed: Hello. I was hoping I would run into you.You look beautiful.S08E04\u0000 And at the break of day you sank into your dream \u0000 \u0000 You dreamer \u0000oh-oh-oh... \u0000 You dreamer \u0000 you dreamerAmy: What are you doing here? Why aren't you in Europewith the rest of your team?Ahmed: It's a pleasure to see you too.Amy: (Scoff) I'm sorry it'sjust...Ahmed: I was compelled to come back. What else could I do? You were ignoring all my emails andtexts. Well...Ahmed: And then the truck. I don't understand why you would return the truck. It was abonus for all your hard work. It was too big of a gesture. I wasn't comfortable with it.Ahmed: It wouldhave been valuable when we are back working at Hillhurst. You wouldn't always be depending on otherpeoples' vehicles. I'm not coming back to work at Hillhurst. I told you that. No. You said you weren'tcoming back to the tour. That's not what I said. Now you're saying you don't want to be my head trainerhere at Hillhurst? Not possible. Of course you are staying on. No. I'm not. I thought you understood. Whywould you walk away from something you excelled at, that you enjoyed. Ahmed, you know why... Allright. I admit the circumstances were slightly awkward... before you left France... You're just tired from"}
+{"doc_id":"doc_65","qid":"","text":"[Gilbert's House](Elena is in her bed but she can't sleep)(She's in the kitchen. Connor appears behindher)Connor: Can't sleep?(She turns herself but he's not here. She looks around. He reappears)Connor:You know... It makes sense. Guilty conscienceElena: You're not here. I'm... I've got to bedreamingConnor: Then how do you know that I'm not here?Elena: Because you're...Connor: Come on.Say itElena: Because you're deadConnor: Yes. I am. Was that the first time that you've taken a humanlife?Elena: You're a ghost. It's got to be... You're a ghost. That's... that's what's happening right now.Jeremy. Jeremy!(He wakes up)Elena: You're a ghost. You're haunting me. You're a ghost. You'rehaunting meConnor: Can a ghost do this?(He strangles her from behind. She punches him with her elbowand then pushes him on the table. He gets up and comes back toward her. She takes a knife and stabshim in the neck. She removes the knife. It was Jeremy)Elena: Oh my god! Oh! Jer! Jer!(Hecollapses)Elena: Jer! Jer! No, no, no! No! No. No, Jer! Jeremy!(Jeremy is on the couch, still dead. Elenaand Damon are with him)Elena: I can't believe this happened. What... what am I going to say tohim?Damon: Thanks for not ditching the family ring after it drove Ric crazy? You should have calledStefanElena: I don't want to talk to him. He's been lying to me, and hiding things from me. He compelledJeremy to forget God knows whatDamon: In all fairness, I mean, I think you killing him kind of trumpsthat. I mean, you should have called StefanElena: I don't trust him right now, Damon(Stefanenters)Stefan: HeyDamon: P.S... I called StefanStefan: What happened? Why didn't you call me?Elena: Ijust... I need to go upstairs and shower. Clean all the blood off my hands(She goes upstairs and Jeremywakes up)Stefan: Welcome back. How you feeling?Jeremy: What happened?Damon: Long story. Buy thee-book(Stefan goes in Elena's bedroom. She's there)Stefan: Elena? Hey. Listen, I know you're still upsetabout yesterday, and I get it. Believe me. But just... let me help youElena: I don't want your help rightnow, StefanStefan: But you'll accept Damon's?Elena: Don't make this about Damon! You've been workingwith Klaus doing God knows what, and don't insult me by trying to deny itStefan: Listen, it's not what youthink, ok?Elena: I don't know what to think but I do know that I don't want to talk to you and I don'treally want to be around you right nowStefan: Look, please, just...Elena: No. This is my brother's bloodon my hands, Stefan. I stabbed him in the neck last night, so forgive me if I'm not in the mood to listenyou try to talk your way out of this(She goes in the bathroom and slams the door)[Lockwood'sMansion](A hybrid pours alcohol to Haley. Tyler enters and she looks at him, smirking)Tyler: You're stillgoing? I drank enough last night. And then I slept, which is what you guys should have doneHybrid:We're just paying our respects to DeanTyler: That's great, Chris, but would you pay them at a barinstead?Haley: Don't be mad. We're celebrating our fallen hybrid friend(She makes him drink but hedoesn't want to. She wipes his mouth with her finger and then sucks her finger, looking at him. Klausenters)Klaus: Well, don't let me interruptTyler: I didn't know you were hereKlaus: Clearly. Thought I'djust pop 'round to celebrate Dean's successful retrieval of the vampire hunter. Yet when I arrived, Ilearned that not only was Dean unsuccessful, but that Elena killed the hunterHaley: Well, maybe if youhad let Dean use force on Connor instead of sending him in on a suicide mission...Klaus: Maybe youshould mind your business, wolf girlTyler: What do you care if Connor's dead, anyway?Klaus: I have myreasons. They have ceased to matter. Cheers(He drinks. Someone knocks on the door. Tyler opens. It'sCaroline. She gives him a box)Caroline: Brought your stuff. Old laptop, your Jersey, the charmbraceletTyler: Car... This isn't a good timeCaroline: Just take it(Klaus rejoins them)Klaus: Caroline. Bythe break-up drama unfolding before me, I assume you've met Haley. All right, come on, let's go. Let'sleave them alone. Your talents are needed elsewhereTyler: For what?Klaus: I think you've got moreimportant things to deal with, mate(He leaves, his hybrids following him. Caroline looks at Haley andcloses the door. Then she smiles do does Haley)Caroline: Do you think he bought it?Haley: Hell, I boughtitCaroline: Thanks for the head's up that he was here, HaleyTyler: You girls are good liars(Then he kissesCaroline and Haley looks at them)[Gilbert's House](Elena is in the shower. Suddenly, the water becomesblood. She looks at the water but it's normal. She looks ah the shower and there's blood. She takes atowel and gets out)(Damon is in the kitchen, cleaning. Stefan enters)Damon: Where'd Jeremy go?Stefan:"}
+{"doc_id":"doc_66","qid":"","text":"[Rebecca riding bus and then running into a school. Meets up with Melanie]Melanie: Why are youlate?Rebecca: You're not going to like the answer.Melanie: I already know the answer.Rebecca: I missedthe bus.Melanie: I don't doubt it, no bus stops near Brad's. You spent the night, the alarm didn't work. Ormaybe it did.Rebecca: I didn't sleep with him.Melanie: Girl, there's...[Interrupted]Rebecca: I missed thebus!Melanie: There's something either very wrong with you, or there's something very wrong withhim.Rebecca: There's nothing wrong with him.Melanie: Please tell me you know that for a fact.Rebecca:Melanie, I gotta go.Melanie: You're lying aren't you?Rebecca: I wouldn't lie to you. [Turns to class of 5year olds] Good morning guys!Class: Good morning Miss Rebecca!Rebecca: Everybody's in theirseats?Class: Yes!Rebecca: Ok, Sidney, why don't you tell us what you did this weekend. Come on,Sidney, we know you're not shy.Sidney: How come we always have to tell you what we did, and younever tell us what you did?Class: [giggles]Rebecca: Ok, I had a really great weekend, but you can't tellMiss Melanie, ok?Sidney: What did you do?Rebecca: I made a new friend. It's so much fun to make newfriends, isn't it?Class: Yeah, Yes, etc.Girl 2: Did you tell you mom and dad about your newfriend?Rebecca: Absolutely! You should never keep anything from your parents. And I told them[gibberish]Class: [giggles]Rebecca: Wh..Class [more giggles]Rebecca: [gibberish]Class: [Laughs andgiggles][Rebecca goes to the board and starts writing]Class: C, A, T, HSidney: \"The.\"Boy: We know thatword, \"the.\"[Rebecca collapses, on the board the words \"call the nurse\" are written](Evilcommercials...bane of my existence!)[House and Wilson are walking through the hallway. All you can seeis their hands and legs, showing that House is using a cane and limping. Wilson is the only one of the twowearing a lab coat.]Wilson: 29 year old female, first seizure one month ago, lost the ability to speak.Babbled like a baby. Present deterioration of mental status.House: See that? They all assume I'm apatient because of this cane.Wilson: So put on a white coat like the rest of us.House: I don't want themto think I'm a doctor.Wilson: You see where the administration might have a problem with thatattitude.House: People don't want a sick doctor.Wilson: Fair enough. I don't like healthy patients. The 29year old female...House: The one who can't talk, I liked that part.Wilson: She's my cousin.House: Andyour cousin doesn't like the diagnosis. I wouldn't either. Brain tumor, she's gonna die, boring.Wilson: Nowonder you're such a renowned diagnostician. You don't need to actually know anything to figure outwhat's wrong.House: You're the oncologist; I'm just a lowly infectious disease guy.Wilson: Hah, yes, justa simple country doctor. Brain tumors at her age are highly unlikely.House: She's 29. Whatever she's gotis highly unlikely.Wilson: Protein markers for the three most prevalent brain cancers came upnegative.House: That's an HMO lab; you might as well have sent it to a high school kid with a chemistryset.Wilson: No family history.House: I thought your uncle died of cancer.Wilson: Other side. Noenvironmental factors.House: That you know of.Wilson: And she's not responding to radiationtreatment.House: None of which is even close to dispositive. All it does is raise one question. Your cousingoes to an HMO?Wilson: Come on! Why leave all the fun for the coroner? What's the point of puttingtogether a team if you're not going to use them? You've got three overqualified doctors working for you.Getting bored.[Cut to Rebecca, into the nose, and up the blood stream. Cut to House looking through anMRI of Rebecca's head.]Foreman: It's a lesion.House: And the big green thing in the middle of the biggerblue thing on a map is an island. I was hoping for something a bit more creative.Foreman: Shouldn't webe speaking to the patient before we start diagnosing?House: Is she a doctor?Foreman: No, but...House:Everybody lies.Cameron: Dr. House doesn't like dealing with patients.Foreman: Isn't treating patientswhy we became doctors?House: No, treating illnesses is why we became doctors, treating patients iswhat makes most doctors miserable.Foreman: So you're trying to eliminate the humanity from thepractice of medicine.House: If we don't talk to them they can't lie to us, and we can't lie to them.Humanity is overrated. I don't think it's a tumor.Foreman: First year of medical school if you hear hoofbeats you think \"horses\" not \"zebras\".House: Are you in first year of medical school? No. First of all,there's nothing on the CAT scan. Second of all, if this is a horse then the kindly family doctor in Trentonmakes the obvious diagnosis and it never gets near this office. Differential diagnosis, people: if it's not a"}
+{"doc_id":"doc_67","qid":"","text":"Int. Sydney's apartment. She looks at herself in the mirror with a weird/curious look, then walks over tothe sink and sits down. Then, pushing the tap up to let the water run, she puts a kettle under the tap andfills it up. She walks over to the stove and let the water boil, while picking up a box and reading itscontents of a sachet. A man runs across the translucent doors and he pushes them open. It's Vaughn,grocery bag in his hands.VAUGHN: Back! Sydney looks up, a smile growing on her face.SYDNEY: Hey.What took you so long?VAUGHN: Traffic light out on Venice. She still has a weird look on her face as hecomes over and kisses her.SYDNEY: Would you look at something for me?VAUGHN: Yeah.SYDNEY: Seean eyelash? (Widens her left eye with her hand) Something itches like hell.VAUGHN: (he looks)No.SYDNEY: Sure?VAUGHN: Yeah, maybe those contacts you wore on the Ireland mission irritated youreye. She doesn't look too convinced.SYDNEY: Yeah. Vaughn starts taking the groceries out of the bagand Sydney peers into the bag.SYDNEY: What's this?VAUGHN: What do you think aboutOrecchietti?SYDNEY: I don't think I've ever heard of it. Vaughn takes a cutting knife out. The sound madeis loud and crisp, and Sydney has a weird look on her face again.SYDNEY: Wait a minute, don't tell meyou cook.VAUGHN: (A smile on his face) There are a lot of things about me you don't know.SYDNEY: Youclean, too? (She's still looking through the grocery bag)VAUGHN: I've been known to. Why, you thinkingabout hiring me?SYDNEY: Why would I hire you when I get you for free?VAUGHN: (small laugh) Are youtaking a bath?SYDNEY: (She walks behind him) Maybe. (There's a somewhat cheeky look on her face)Maybe we're gonna take a bath. Close up shot of Vaughn cutting the broccoli. He accidentally cuts hisfinger.VAUGHN: Ah, damn it. Sydney rushes over immediately, a look of concern etched on herface.SYDNEY: You okay?VAUGHN: Yeah, I'm fine. (Sydney takes his hand to inspect the wound)SYDNEY:Let me see. (She applies pressure to it)VAUGHN: It's nothing.SYDNEY: Not nothing. (They look at eachother and Vaughn looks pleased at her concern.) Scene changes. The background music now sounds likeit's coming from the radio. We get another closeup of their hands, and this time Sydney is putting abandaid over the wound. Vaughn looks at her and smiles a little, and she puts his finger to her mouth andkisses it.SYDNEY: Here you go. All better.VAUGHN: You're gonna make a great mom.SYDNEY: Yeah,maybe. The statement seemed to have hit a raw nerve. She stands up, presumably to place the bandaidbox to its place and in front of the mirror again.SYDNEY: Just that, my mom wasn't exactly the best rolemodel.VAUGHN: Well the good news is that, you're nothing like your mother. Suddenly a warped voice ina voice over.VOICEOVER: You're not there yet, Sydney. She looks up in mild shock, then meets the eyesof Vaughn.SYDNEY: Did you hear that?VAUGHN: What. (It was almost as if it was a statement and not ananswer...)SYDNEY: Radio.VOICEOVER: You need to go further back. Follow VaughnVAUGHN: It's just theradio, Syd. If you don't like it we can turn it off. She seems to like that idea a lot.SYDNEY: That's right.Vaughn switches off the radio, then smiles.VAUGHN: How about a nice bottle of wine with thisbath?SYDNEY: That would be great. Vaughn walks away, and Sydney looks in the mirror again. This time,she is shocked by what she sees. Something odd is reflected; a blue hue. Sydney sees herself being heldon a chair with electrodes stuck to her forehead and she squints. The scene changes into the actual sceneof her being tortured for information. The camera view is now a mesh of colours which focuses slightly,and as it pans it occurs that we're looking through Sydney's eyes: She sees a doctor.SYDNEY: Who areyou?DOCTOR: Shh. Syd, sit still. We're almost there, Sydney. He takes a syringe.DOCTOR: We almosthave what we need. We just need to go a little further. Sydney squints and looks utterly confused. Shesees him sucking liquid into the syringe and asks.SYDNEY: What are you doing to me?DOCTOR: Nothingfor you to worry about. I'm just trying to help you relax.SYDNEY: Why? What do you want? (The doctorshushes her)DOCTOR: I just need to find a vein... A distorted voice fills the room.DISTORTED VOICE:Stop. Are you certain this won't harm the baby?DOCTOR: Quite certain.SYDNEY: (almost as if getting outof a stupor) Wait, the baby... don't...DOCTOR: (towards the one-side mirror) But if you want your answeryou're going to need to let me do my job.SYDNEY: Who is that behind there? Who's behindthere?DISTORTED VOICE: Okay, you may proceed.SYDNEY: If you hurt my baby... (he sticks the syringein) I swear to you... (tears stream down her cheeks) I will kill you. We see the view from Sydney's eyes"}
+{"doc_id":"doc_68","qid":"","text":"At Degrassi, Emma is walking into school as Jay is lifting up AlexAlex: Ow, stop.Amy: I love how matureyour boyfriend is.Alex: Put me down. Great the first doctor's note I have that isn't a forgery and Mr. 'Ican pick up a girl' has to make it look all suspicious.(Emma and Jay look at each other, so he kissesAlex.)Nate: Hey Emma, did JT say where we're supposed to leave our costumes?(Emma kisses Nate, asJay, Snake and Manny all watch shocked.)Nate: I've had more conversations with the janitor than I'vehad with you.Emma: I was acting. Just kissing all my nerves out pre-dress rehearsal. But don't worryNate. I'll wait for my cue next time!In the library, Jay grabs EmmaJay: Are you hot for Dracula? Or areyou trying to mess with me?Emma: Are you gonna be in the ravine again tonight? Are we gonna party? Ithink I need another bracelet.Jay: I don't like being messed with, okay?Emma: I know.Mr. Simpson: Ineed a minute with my daughter.Jay: Oh that's adorable, sir.Mr. Simpson: Cut the commentary Jason.Go.(Jay leaves.)Emma: And stand by for concerned father figure lecture.Mr. Simpson: You come in at 3in the morning hysterical, crying, wanting to talk about the shooting and now you're kissing randomguys?Emma: It wasn't random.Mr. Simpson: Please Em. Let me, let me be here for you. Let me talk toyou.Emma: The bell's gonna go.At the hospital, Marco is taking a picture of Jimmy and a nursePaula:Thanks Marco. Taping this one right to my computer monitor. Take care Jimmy.Jimmy: Poor nurse Paula.She's gonna miss me, but home has a full fridge and a wide screen.Marco: Craig and I can come, hangout, without visiting hours! We can play Kid Elrick as loud as we want!Craig: Yeah, your dad can tuck youin instead of nurse Paula!Jimmy: She's the only thing I'm gonna miss about this place.(Jimmy's dadknocks on the door.)Jimmy: Block the doorway pops! No time for speed bumps. You ready?Mr. Brooks:You look good Jim.Jimmy: I don't like you look good Jim.Mr. Brooks: The rails they're putting in at thecondo, they're not done. Not yet.Jimmy: So?Mr. Brooks: So I'm all over the contractors.Jimmy: So?Mr.Brooks: One more week tops! Maybe sooner if I can string it.Craig: Mr. Brooks, Jimmy gets aroundwell.Mr. Brooks: I know Jimmy's made great progress but I can't be with him 24/7 right now and I don'twant something happening. Something that's gonna trash all the progress that he's made.Marco: Hereally wants to go. What about Mrs. Brooks or a nurse?! I mean we could even help out!Jimmy: Forget itguys. Whatever.In the auditorium, Danny is on stageDanny: Sixteenth, May. Castle Dracula, his avitalprison and die in it's prisoner. Worse. I fear I may be going mad! (He keeps talking and it cuts to Emma &Manny)Manny: If Nate was fifty and fat you could have caused cardiac arrest.Emma: Anything for thetheatre!Liberty: Shh!Manny: I need complete teen girl details! Why, good, tongue, like it or not. Bring theanswers over tonight.Emma: I have to go to the ravine tonight. I'm meeting some people.JT: Is it toomuch to ask for silence in the peanut gallery!Danny: There in the moonlight were three young women.Three...JT: Am I ever gonna get three of them?Amy: Alex was at the doctor's. She should be back.(Alexand Jay come rushing in.)Jay: Lexy it was nothing. Come on!JT: Lexy is late for her scene!Alex: You wanta scene JT?! Hey best friend Amy let's give JT a scene! *She smacks Amy nice and hard* Tell me aboutthe ravine Amy! About how you went down on my boyfriend, Amy and the bracelets you got for it!Amy: Ididn't sleep with him!(Manny sees Emma covering up her bracelets.)Alex: By who's definition?!Jay: Let'sstep outside Alex.Alex: Don't touch me. Don't talk to me. I'll deck your smug face too!At thehospitalPaula: Shake it off mopey Brooks.Jimmy: I'm not mopey!Paula: You know a chair's only a prisonif you let it be.Jimmy: Stop the inspirational quotes. I'm not buying it.Paula: What you shouldn't buy isyour dad's attitude. You and I both know Jimmy Brooks can do whatever he sets his mind to. At least Iknow it. Outside the schoolManny: It doesn't take Sherlock Holmes to figure it out. Why would you hookup with Jay? Are you in love with him?Emma: No! Of course not.Manny: So, what do you get out ofit?!Emma: That's a really stupid question.Manny: No, what you're doing is stupid. You're letting adisgusting bottom feeder use you to serial cheat on his girlfriend!Emma: Should you really be preachingto anyone about that?! We're not having real s*x.Manny: It's pretty close.Emma: But I'm not gettingpregnant.Manny: Why are you trying to hurt me?Emma: Cause you won't leave me alone!Manny: You'rebetter than this! You're better than what you're doing!Emma: What do you know about who I am or whatI'm worth or anything?! At the hospitalMarco: Special delivery from the sorry your dadda sucks"}
+{"doc_id":"doc_69","qid":"","text":"Opening scene - Hospital - the first thing we see is a black screen with the sound of a siren, and whatsounds like a dispatch message. I cannot make out the actual words sorry. we see the hospital doorsopen and paramedics rushing a stretcher inside, there is a bright light so its difficult to see everything -all the talking in this scene is very echoey, and distant. it's very reflective of the situation. there are alsoa few voiceovers from 224, which I think were done great!)Paramedic: I got a gun shot wound exited theright clavicle, punctured an artery(we see a close up of Trey, and the other paramedic is holding abreathing thing over his mouth. a doctor comes down the corridor, putting a gown on)Dr: he stillaliveParamedic: not for longV.O Ryan: how could you man...I would'a done anything for you(we see Treykind of moving his head a little, then we see the ceiling of the hospital as if we are seeing what Trey isseeing. we then see Ryan & Marissa coming in through the hospital doors, they both look worried andscared)V.O Trey: look man, it was messed up, I was stoned(an officer comes into the shot and walks overto Ryan and Marissa as they are coming in)Officer: we've still got some more questions for you(Ryanwalks passed the officer and over towards Trey)Ryan: I've jus gotta see if he's gonna be ok(we see Trey,still with the breathing thing over his mouth, being pushed away. there is another voice over here but itsat the same time as the next line so I cant tell what it is, its possibly a scream/cry from Marissa)Marissa:(worried, to a nurse) he's not gonna die, right(behind Marissa we see Seth and Summer enter, they bothlook worried as well, and they are looking in the direction of Marissa/Ryan/Trey. behind them we can seethe ambulance Trey came out of)V.O Ryan: it wasn't my idea Trey, I didn't wanna steal that car(we seeanother shot of Trey, which is a close up of his bloody face, and a little of his chest. here we see a bit ofthe hospital roof and light, but also blended into it is the scene where Trey pulled the gun on Ryan at hisapartment in 224. its been done similar to how we saw the Ryan/Marissa 'who are you' scene during theRyan/Lindsay car conversation of 208 . its a blink and you'll miss it deal :))V.O Trey: hey man I wentaway for it an uh you got the good lifeV.O Ryan: so you had to destroy it, you had to hurt her, huh(thelast thing we see is Trey pointing the gun at Ryan, then we see the hospital light again and Trey beingrushed down the corridor. Ryan comes around the corner, behind Trey, the doctor and theparamedics)Ryan: hey, he's my brother, is he gonna be okDr: he'd be better if someone hadn't shothim(the Dr and paramedics move the stretcher closer to the bed, nurses are also there)Dr: he's lost alotof blood so (turns around and sees Ryan) Jesus what the hell happened'a youRyan: (looks at Dr) nothingI'm fineDr: (yells) could someone look at this kid(Ryan turns away from the Dr and everything goesblurry)Officer: just as soon as we're done talking to him(we see a close up of Ryan, and he has anoticeable bruise, and bloody nose, he also looks out of it. he looks away from the officer and back atTrey. we see Trey being moved over to the bed, then someone squeezing the breathing thing over hismouth. we then see Marissa and Summer standing together near the hospital doors, an officer is withthem)Marissa: (yells) Ryan(Ryan turns to face Marissa, she puts her hand out to Ryan helplessly)Officer:(holding the gun) did you discharge this weapon manMarissa: (looks at officer, frustrated) yes I alreadyt-Ryan: (yells urgently) don't answer him, don't say anything(the officer near Ryan looks over towardsMarissa, shocked. Marissa looks at Ryan and shrugs. the background goes out of focus, Seth comes intothe shot clearly on the right hand side)Seth: you ok (Ryan looks at him)Dr: we're losing him(Ryan turnstowards where they are working on Trey. we see a very quick flashback of Trey and Ryan, then we seethem still working on Trey, squeezing the breathing thing. Ryan looks away from Trey and back towardsSeth, dazed. we see how Ryan is seeing, which is Seth as wavy, then squashed/ stretched)Seth: youalright(Ryan looks at Seth, blinking and breathing heavily. his vision is now bordering on blurry. we cansee Marissa out of focus in the background still. Sandy comes through the hospital doors)Sandy: Ryan(Ryan looks at him, still blinking and dazed) Seth...you ok(Ryan is now seeing Sandy as short/fat, andwavy. we see Ryan looking at Sandy & Seth, growing more and more disoriented till he falls and passesout on the floor. we see what he is seeing as he falls, then we hear the thud and see Ryan on his stomachnext to Treys bed. - we then abruptly cut to the pool house where Ryan has jolted himself awake. heblinks and slightly lifts his head, we can see a bit of sun on his cheek. he looks freaked out. he then lifts"}
+{"doc_id":"doc_70","qid":"","text":"Since you're in beach buggies, you will now drive to the beach at the northernmost point of Namibia,where it meets Angola. It's 1.000 miles away.Richard: We have got to find this road. This is not gonna betoo clever in the dark. Listen. I shall find the Southern Cross.Richard: Oh, this is a bad idea! We are nowtrusting our lives to an orangutang who thinks he's Patrick Moore.James: 24 hours of cold, misery, toachieve exactly nothing. I mean, it is exactly nothing.Richard: Oh, it's coming in!(JEREMY YELLS)This isthe best desert I've ever been to. Holy sh1t!Richard: Oh!(YELLS)Jeremy: What it actually is is a big,orange killing engine.Jesus!(LAUGHS)Richard: (LAUGHS) Oh, my God!Please make it! Please! Just needto find a road now. This is not funny any more. I don't want another night in the desert. Oh, my God. Icould go east, I could go west.Richard: Whichever way you go, it goes somewhere. Yes! It is the road tofreedom.(THUD)What the hell was that? What I'm driving here, or attempting to drive, is Apollo13.Jeremy: It was morning by the time I nursed my wounded car into Windhoek, and my well-restedcolleagues were full of admiration for how I'd pulled off such a feat. Is that the first thing you thought of?What? Tear a hole in it. What's that gonna do? I needed to get to the bleed valve on the radiator, which isthere. Is it? And, to make life doubly difficult... I trod on my spectacles.(RICHARD LAUGHS)That is tragic,trying to fix it with one lens. I was trying to fix it. And the only eye I can close is this eye. You can't closeyour left eye? I can't close my left eye. Why didn't you put them on upside down? You'd have the lensover the other eye. That is logic there. Oh, yeah.(LAUGHS)Come on, let's go. We've got a lot todo.Jeremy: No! The one thing we have established now is that, with the exception of Windhoek, which isthe capital, Namibia is a tough and arduous place. Yeah. Have you bought maps? No. Have you gottenting equipment of any sort? Have you got somewhere to sleep other than the desert floor? No. So whydon't we, today, get prepared for the next leg of the - big leg of the journey? That is a good idea. We'll dothat. That's not a bad idea. We'll grant ourselves a day of... shopping. Mm. First of all, would you permitme to chisel some of the cheddar that has grown in my underpants away? Well, not here.Jeremy: Havingde-cheesed my body parts, we headed out to get the necessary supplies.Richard: The thing is, if we gomesh, it'll keep the sun off but it won't keep the light out. That will wake us up early. That's 1.5kilograms. But- Hammond, the first thing you need to know before we start shopping in here is Jamesand I are in charge.Richard: Well...James: Sorry, he's right. No, you're not. You don't know anythingabout camping.James, Jeremy: Exactly. How does that make you in charge? Because we know it's allterrible. If we leave it to you, we'll all end up sleeping in small green triangles. The camping you knowabout is in the Lake District, where you deliberately make yourself miserable. I'm sorry, he's right. It ispossible, I think, with a bit of ingenuity and money, to make tenting bearable.Jeremy: RichardBaden-Hammond disagreed, so we went our separate ways. Correct, incorrect. Exactly. Do you agree?But I'd go even more correct. Oh, yes! Perfect. Roll it out on the desert floor... you're home. Oh, James!Le Creuset! See, Hammond would hate this, because this weighs more than a tent. Which it does,actually. A lot more. And it weighs more because it is a quality item. Exactly. Pocket trowel. Pocket soap.Here we go. Pasta spoon. Yeah, good idea. I find that bottle opener a bit... lightweight. Yeah, moreexpensive is what we're looking for. You see, look at this, James. This is the sort of thing Hammondwould think is a chair. Ooh! That's all you need. That's your whole... stove. That's it. Is it gas? It is, isn'tit? I presume so. For two, you could get a small chicken in there, or... a pheasant. We're getting therenow. So that folds down to that. Yeah.Jeremy: The next morning, we headed out once more, with thecamping gear James and I had bought bringing up the rear. And besides stocking up with essentials,Hammond and I had used our day off in Windhoek to modify our cars. To solve my overheating problems,I've fitted a ram-air scoop, which shovels refreshing, cooling air into the radiator as I go along. And, asyou may have noticed, I've fitted a spoiler. My only complaint, really, about my beach buggy was its lackof performance in third and fourth gears. Couldn't up power from the engine and I don't want to stress it,so I could lighten it. I've stripped away the superstructure here and the passenger seat, anything spare.That means this car is 30-40 kilos lighter than it was before. Jeremy, why has your car sprouted a greenmoustache?Jeremy: Well, it's a spoiler for added downforce at the front end, which you need in a"}
+{"doc_id":"doc_71","qid":"","text":"THE TIME MEDDLERDENNIS SPOONER5:40pm - 6:05pm[SCENE_BREAK]1: INT. MONASTERY. MAINHALL(STEVEN pulls the doors fully open.)STEVEN: We can get inside.(They crouch down and walk insidethe sarcophagus.)[SCENE_BREAK]2: INT. MONK'S TARDIS. CONSOLE ROOM(They push open the doorsand stand up straight as they find themselves in a familiar looking gleaming control room.)VICKI: (Totallyamazed.) It's a TARDIS. The Monk's got a TARDIS!(STEVEN and VICKI walk towards the console which issimilar to the DOCTOR'S but on a raised dais. They examine the controls.)[SCENE_BREAK]3: INT.MONASTERY. PASSAGEWAY(Sword still in his hand, the DOCTOR continues to interrogate theMONK.)DOCTOR: I repeat my question: Which fires and what are they for?MONK: All right then. They'rea signal for King Hardrada and the Viking fleet.DOCTOR: I see.MONK: They'll think it's a landing place.They'll come in unsuspecting! And then...DOCTOR: Well? Out with it!MONK: I'm going to destroythem!(The DOCTOR looks aghast.)[SCENE_BREAK]4: INT. MONK'S TARDIS. CONSOLE ROOM(VICKI runsher hands across the controls. Some feet away, STEVEN has found something of interest...)STEVEN: Hey,Vicki. Come and take a look at this. He's...he's got a sort of fantastic private collection.(A small side roomoff the console room contains hundreds of pieces of art. Oil paintings hang off the walls, gilded statuesclutter the floor area in between expensive antique furniture.)VICKI: He's got something from everyperiod and every place.(STEVEN spots something out of place in all these riches. He goes over to a boxfull of foot long futuristic rockets and kneeling down, picks one up.)STEVEN: Hey, come and take a lookat this.(He picks one up. VICKI has found a small notebook and she carries it in her hands as she walksover and crouches next to STEVEN.)STEVEN: It's like some kind of neutron bomb, I think.VICKI: Prettyunpleasant looking things, whatever they are.(She reads the notebook.)STEVEN: Hey, do youknow...these could be fired by that weapon we saw on the clifftop. Huh, I wonder what he wants to do?Sink a ship?VICKI: He could sink a whole navy with that lot, I should think.STEVEN: Yes but the point iswhy would he want to?VICKI: Why has he done a lot of things? Listen to this...STEVEN: Why? What haveyou got there?VICKI: A logbook. A sort of diary. Listen: \"Met Leonardo Da Vinci...\"STEVEN: Who?VICKI:Da Vinci - listen! \"Met Leonardo Da Vinci and discussed with him the principles of poweredflight.\"STEVEN: What? Da Vinci lived in the...middle ages... I know he tried to build a...flying machine, asort of aeroplane...VICKI: I know and according to this it was the Monk who put him up to it. And listento this: \"Put two hundred pounds in a London bank in 1968. Nipped forward two hundred years andcollected a fortune in compound interest\"![SCENE_BREAK]5: INT. MONASTERY. PASSAGEWAYDOCTOR:So that's it! You're a time meddler! No wonder you wanted to get rid of me. And what are you tryingto...get up to this time? Mmm?MONK: (Smiling.) I'm sure you'll approve Doctor.DOCTOR: Are you quitemad? You know as well as I do the golden rule about space and time travelling - never, never interferewith the course of history.MONK: And who says so? Doctor, it's more fun my way! I can make thingshappen ahead of their time!DOCTOR: Is that so?MONK: Yes indeed. For instance, do you really believethe ancient Britons could have built Stonehenge - without the aid of my anti-gravitational lift?DOCTOR:And what mischief are you up to now? Mmm?MONK: Mischief? No, no. A master plan! A master plan toend all master plans!DOCTOR: Oh, is that so?MONK: The whole course of history changed in one singleswoop.DOCTOR: By wiping out the Viking fleet?MONK: Exactly, Doctor, exactly! Of course, obviously, Idon't have to remind you that the main reason William the Conqueror won the Battle of Hastings, wasbecause King Harold had to march to Stamford Bridge and defeat the Vikings first.DOCTOR: So you planto save him the journey? Hmm?MONK: That's right. Precisely! A fresh army, no desertions. Why KingHarold will kick William back to Normandy before knows what happened. It's quite a plan, eh?DOCTOR:(Gleefully.) Doh, yes! It's quite a plan! It's quite a plan, yes!(The DOCTOR paces round a column as theMONK smiles at his new \"ally\".)DOCTOR: I count myself a very fortunate person indeed, to be here, inthe time - (Suddenly angry.) to prevent this disgusting exhibition!(The smile disappears off the MONK'Sface.)MONK: You haven't prevented it yet, Doctor.DOCTOR: Haven't I? Where is this machine?MONK: Idon't allow anybody in there?DOCTOR: (Holding the sword at the MONK'S face.) Where is it? Hmm?(TheMONK pushes the sword to one side.)MONK: This way, Doctor.DOCTOR: Hmm!(The MONK leads the"}
+{"doc_id":"doc_72","qid":"","text":"Opening scene - Harbor school - Ryan and Seth are just arriving. Ryan is on his bike and Seth is riding hisskateboardSeth: so Alex an I kissed, an you spent the whole night at the bus stop talking toLindsayRyan: I know somehow the double date worked out(Seth is now walking, and Ryan is pushing hisbike)Seth: yeah, i'm proud'a you, so what's next for you two love birds huh, maybe chatting at the trainstation, whispering sweet nothings at the (laughs) airport, Ryan i'm workin off the bus stop motif? Bro(puts his hand up for a 'hi five')Ryan: yeah I got it (Seth laughs) (unsure) I don't know what's next, i'mjus gonna take things slow, no pressureSeth: yeah? what about asking her to the big dance (points)(a bigbanner gets raised in front of them which blocks our view of them. the banner is blue and white with 'TheSnO.C.' written in dark blue letters. on the far right corner is 'WINTER DANCE' in smaller writing)Ryan:oooh no, the winter danceSeth: yeah do it man listen i'm gonna take Alex so take Lindsay an then we canhave the double date that we were suppose to haveRyan: (unsure) uh it jus seems a little soon, I meanwhat if she's had the weekend to think about it an just decides we should be lab partners, all we did wastalkSeth: (closes his eyes) Ryan Atwood, are you scared of a girlRyan: no I just (shrugs) I might like heran...I don't know every time there's a big party to go to-Seth: something goes terribly arrayRyan:yyeeaahhSeth: yeah but usually to you (points) maybe this is my year to shoulder that burdenRyan:(looks at Seth) you're not really the fist fighting type...Seth: well your not really the type to be scared ofa girl (shakes his head) just ask her to the dance, it's the only way you'll know how she feels(Ryan looksat the banner, then at Seth)Ryan: maybe ill jus go alone (unsure)(Seth looks at Ryan. Ryan looks at Seththen back towards the banner)CUT TO: Summer and Marissa in the halls, at Summer's locker.Summer:(off screen) Coop you cannot go aloneMarissa: why not (shrugs) it's just a school danceSummer: it is notjust a school dance, it is the SnO.C. the one night where winter comes to Newport beach (shuts herlocker) and your first dance of the year as social chair(they are now walking away from the lockers. Zachmoves next to Marissa)Zach: what happened to DJMarissa: oh I didn't ask him (Zach looks at her) mymoms chairing the host committee, she'd (laughs) freakZach: your mom doesn't like himSummer: shedoesn't know about it him (raises her eyebrows)Marissa: (looks at Summer but talks to Zach) it's not histype of thing anyway(Ryan and Seth walk over to them)Ryan: hey(Seth waves. Summerunenthusiastically waves back while Marissa is talking)Marissa: hey guys you still haven't bought yourSnO.C tickets yet so can I put you down for four?Ryan: yeah I don't know about thatSeth: ah you shouldtake the misses(Zach looks at Seth, clearly not happy)Summer: hey Cohen you should invite that girlfrom Saturday night, yeah, oh god- I forgot she totally pulled (Marissa is trying not to laugh) a Houdini onyour ass (Zach closes his eyes, clearly not liking this side of Summer)Seth: oooh right, you must betalking about Lindsay not Alex the one I (clicks his fingers then makes a gun with his fingers) made outwith (blows his finger like it's the tip of a gun)Summer: oh i'm sorry Alex my mistake, an here i'm feelingsorry for the wrong girlZach: I should probably get to class (walks off)Summer: you know you just reallyshould make sure she wears comfortable shoes so she doesn't twist her ankle when she's runningawaySeth: yeah? like-like him (points to Zach walking out the door)Summer: uh (goes after Zach) (yells)Zach (runs between Ryan and Seth) waitSeth: (smiles) that worked out rather nicelyTheme Song -California by Phantom Planet Cohen kitchen - Sandy is on the phone trying to get hold of CalebSandy:Caleb its me, I still haven't heard back from you about settin up another meeting with Renee Wheeler anher attourney (Kirsten comes in) (sighs) so do me a favor an call me back will ya (hangs up) (to Kirsten)how bout some eggsKirsten: (holding plans) you okSandy: yeah, how bout an omletteKirsten: I know i'mnot spose'to ask about the caseSandy: honey even if I could talk about it, i'd have nothin to tellyaKirsten: my dads still not talkingSandy: w-what could he possibly have done that he'd rather go ta jailthen admit to...unless...life with Julie Cooper is tougher then we thoughtKirsten: what're you gonnadoSandy: the only thing I can do, ask for a continuance...buy some time an...find out what he'shidingCUT TO: Harbor school - Ryan walks into a class room, and Lindsay is at a desk about to sit down.Ryan smiles then walks over to herRyan: (softly near her ear) hey, how you doinLindsay: (turns around)hi (smiles) uh good, i'm-i'm good um...I thought about what you said on the weekend an...you were so"}
+{"doc_id":"doc_73","qid":"","text":"Rebekah (voiceover): My brothers and I are the first vampires in history, the Originals. Three hundredyears ago, we called New Orleans home. Now, we've returned, drawn by a witch who seeks to use mybrother Klaus' unborn child as leverage in a brewing war. But his quest for power has turned brotheragainst brother, leaving our family more divided than ever. Now that Elijah has returned, can our familyunite to face this new threat?MIKAELSON MANSION[Klaus and Elijah sit opposite each other in the livingroom, both reading. Klaus is reading \"A Poison Tree\" by William Blake, and Elijah is reading one of hismother's grimoires. A dead girl lays on the coffee table as they listen to classical music. After a moment,Rebekah enters]Rebekah: So, this is what you do the first time we're back together as a family? Vampirebook club?Klaus: [continues reading] Reading edifies the mind, sister. Isn't that right, Elijah?Elijah: Yes,that's quite right, Niklaus.Rebekah: And what's this business? [gestures to the dead girl on thetable]Elijah: This is a...[gestures as though he's searching for a word]...peace offering.Klaus: Ipresumed, after so much time desiccating in a coffin, that my big brother might be a bit peckish.Elijah:And I explained to my little brother, that forgiveness cannot be bought. I'd simply prefer to see a changein behavior that indicates contrition, and personal growth.[Klaus rolls his eyes guiltily, and Elijah gesturesto the girl]Elijah: Not this nonsense.Klaus: Well, I couldn't very well let her go to waste, could I?[grins]Rebekah: Well, I suppose I'll go fetch the rubbish bin, because she's staining a twohundred-year-old carpet.[Elijah looks up from his book to see the girl bleeding out onto the table, wherethe blood drips onto the floor]Elijah: Ah, yes.Klaus (voiceover): [recites \"A Poison Tree\" by WilliamBlake]I was angry with my friend:[Klaus looks at Elijah]I told my wrath, my wrath did end. I was angrywith my foe:[Marcel walks into the Palace Royale Hotel, looking for Klaus]I told it not, my wrath did growAnd I watered it in fears,[Cami brings flowers to her brother's grave, to find that someone spray painted\"MURDERER\" over the headstone]Night and morning with my tears; And I sunned it with smiles,[FatherKieran pulls wooden boards off the windows of the church, and waves to a group of men standing outsidethe door]And with soft deceitful wiles. And it grew both day and night,[Klaus looks at Elijah, and then toHayley, who walks through the room, her hand on her pregnant belly]'Til it bore an apple bright. And myfoe beheld it shine. And he knew that it was mine, And into my garden stole[Klaus watches Elijah setdown the grimoire and follow Hayley into the kitchen]When the night had veiled the pole; In the morningglad I see My foe outstretched beneath the tree.[In the kitchen, Elijah finds Hayley making herselfbreakfast, and rooting through the fridge. Elijah leans in the doorway]Elijah: [smiles] Goodmorning.Hayley: [smiles] Hey.[Rebekah enters through the back door, dragging a trashcan behindher]Hayley: Listen, I know I'm the only one in this house that actually drinks milk, but would it kill any ofyou to make sure it's on the grocery list?Rebekah: Speaking of, add bleach. [stomps through the kitchenand into the living room to clean up the mess]Elijah: [digs around in a cupboard as Hayley pulls icecream out of the freezer] You know, I do hope my siblings were hospitable to you, in my absence.Hayley:In your absence, as you like to call it, which is a way-too-polite way of saying that your brother put adagger in your heart...[looks up to see Elijah bringing a bowl, a spoon, and a bag of cereal to thecounter] I have been attacked by French Quarter vampires, I've had to live in a house with a secretdungeon full of coffins, and I was nearly murdered by witches who are convinced my baby isLucifer.[Elijah smiles sympathetically as he pulls orange juice and milk out of the fridge, pours Hayley abowl of cereal, and then fills it with milk]Hayley: [notices the milk] Oh...milk. [beat] They've been fine.Your siblings are weirdly protective, I know I have you to thank for that.Elijah: I'm just happy to see thatyou're in one piece. [smiles] So, back to the murderous witches. [hands her the bowl of cereal] I havesome concerns.Hayley: They're evil. And, my life is still magically linked to Sophie Deveraux, which is notcomforting.Elijah: Yes, I think it's time we took care of that little problem.Rebekah: I am all for it. Assoon as they're unlinked, we get to leave this crap town. [drags the dead girl's body across the kitchenfloor] Who do we have to kill?Elijah: [thinking] Probably no one.[Hayley looks at him questioningly]Elijah:Alright, potentially everyone. [turns to leave]TITLE AND OPENING CREDITSROUSSEAU'S[Sophie chopsup vegetables and talks to Sabine, who is sitting on one of the tables]Sophie: [gestures to table and"}
+{"doc_id":"doc_74","qid":"","text":"Scene: A corridor at the University.Leonard: On the other hand, some physicists are concerned that if thesuper collider actually works, it will create a black hole and swallow up the Earth ending life as we knowit.Raj: Psh, what a bunch of crybabies. No guts, no glory man. Leonard (looking at an orange notice onthe noticeboard): Hey, check it out, the school of pharmacology is looking for volunteers.Raj: We aretesting a new medication for social anxiety, panic attacks, agoraphobia and obsessive compulsivedisorder. Why would they be looking for test subjects here?Leonard: I don't know, Raj. Maybe the comicbook store doesn't have a bulletin board. (Sees crowds in the corridor) What's going on?Howard: Shhh!Hot girl in Sheldon's office.Leonard: Sheldon's office? Is she lost?Howard: Don't think so. I followed herhere from the parking lot.Leonard: Maybe she's his lawyer.Howard: Well she's free to examine mybriefs.Leonard: Howard...Howard: I know, I'm disgusting, I should be punished. By her, oh look, I did itagain.Girl: Well, that should do it.Sheldon: Thank you for coming by. (He rises from his desk. Everyonerushes to look nonchalant.) Hello.Leonard: Oh, hey buddy.Sheldon: Buddy.Howard: Sorry I'm late, I'mworking on a project that may take me up on the next space shuttle.Sheldon: How can you be late, Iwasn't expecting you at all.Howard: Nobody ever expects me, sometimes you just look and... BAM!(shakes girl's hand) Howard Wolowitz.Leonard: Sheldon, are you going to introduce us?Sheldon: Oh,alright, this is Missy, Missy this is Leonard and Rajesh and you've already met Howard.Missy: It's nice tomeet you.Leonard: You too, swell, also.Howard: Yeah.Leonard: So, how do you two know eachother.Missy: Oh, he once spent nine months with my legs wrapped around his head.Leonard: Excuseme?Sheldon: She's my twin sister, she thinks she's funny but frankly I've never been able to see it.Missy:It's because you have no measurable sense of humour, Shelly.Sheldon: How exactly would one measurea sense of humour? A humourmometer?Howard: Well, I think you're delightfully droll. Or as the Frenchsay, Tres Drole.Missy: Okay, so let me see if I got this. Leonard, Howard and... I'm sorry what was yourname again. (Raj looks uncomfortable, turns and walks away, disappears round corner. He thenreappears, takes the orange paper from the noticeboard and leaves again.)Sheldon: Rajesh. CreditssequenceScene: The same.Leonard: So Missy, what brings you all the way from Texas?Howard: Was itperhaps destiny, I think it was destiny.Missy: My friend's getting married in Disneyland tomorrownight.Howard: Destiny, thy name is Anaheim.Missy: And I had to drop off some papers for Shelly to signfor my dad's estate.Sheldon: The papers could have been mailed, Mom just sent you here to spy on me,didn't she.Missy: I guess that's why they call you a genius.Sheldon: They call me a genius because I'm agenius. Tell Mom that I currently weigh 165 pounds, and that I'm having regular bowel movements.Enjoy the wedding, goodbye.Leonard and Howard together: Woah, woah.Leonard: If the wedding's notuntil tomorrow, why don't you stay with us tonight?Missy: Oh, I don't think so. Shelly doesn't likecompany. Even as a little boy he'd send his imaginary friends home at the end of the day.Sheldon: Theywere not friends, they were imaginary colleagues.Leonard: Look, you're here, we have plenty ofroom.Sheldon: No we don't.Howard: Come on, Shelly, she's family.Sheldon: So what? I don't issueinvitations to your mother.Missy: Well it would be nice not to have to drive out to Anaheim in rushhour.Sheldon: And don't ever call me Shelly.Leonard: So it's settled. You'll stay with us.Howard: I'll walkyou to your car. You're in structure 3 level C, right?Sheldon: What just happened?Scene: Theapartment.Missy: So anyway, we're eight years old, and Sheldon converts my easy-bake oven to somekind of high-powered furnace.Leonard: Hee-hee, just classic.Sheldon: I needed a place to fire ceramicsemi-conductor substrates for home-made integrated circuits.Missy: He was trying to build some kind ofarmed robot to keep me out of his room.Sheldon: Made necessary by her insistence on going into myroom.Missy: Anyway, I go to make those little corn muffins they give you, there's a big flash, next thingyou know my eyebrows are gone.Howard: Ha-ha, not your eyebrows?Missy: Yep. I had to go through theentire second grade with crooked eyebrows my Mom drew on.Sheldon: Is that what that was? I justassumed that the second grade curriculum had rendered you quizzical. Penny (knocking and entering,holding up a pair of superman undershorts.): Hey, Leonard, you left your underwear in the dryerdownstairs.Leonard: Those are not mine.Penny: Really, they have your little name label in them.Leonard:"}
+{"doc_id":"doc_75","qid":"","text":"ACT ONEON THE PLUS SIDE SHE DID LOSE TWO POUNDSScene 1 - Int. Frasier's Studio at KACL Frasier is seated in his booth. Roz stands beside him, sorting through papers.Frasier: Oh Roz, I managed to get some reservations at San Gennaro tonight. [standing] I thought we'd go celebrate your birthday.Roz: [looking up] Oh, that is so sweet, but I have a date. With that waiter we met at lunch yesterday.Frasier: [disbelieving] You're going out with that guy?Roz: I didn't have enough for a tip.Frasier: Keep in mind the service wasn't that good. [pause] Well, the reservation won't go to waste. I can always take Niles.Roz: Niles? Again? You know, your entire social life consists of going out with your brother. [pause] Don't you think you're getting into kind of a rut? You're still young! You need to go out and get drunk...Frasier walks around her toward the door of the booth.Roz: [cont'd] Wake up in some stranger's bed and not even remember how you got there.Frasier: [opening door] In other words, exchange my life for yours.Roz: Well, do what you want. But you know what? You could shake up your life every once in a while, do something spur of the moment. Once, I finished work on a Friday and hopped a plane to Acapulco, and I didn't pack anything but my toothbrush.Frasier: Oh, yes, yes, I do remember you calling in sick one Monday morning with a mariachi band in the background.Roz: Well, I was sick.Frasier: Mmm-hmmm. [closes door][SCENE_BREAK]Scene 2 - Int. Frasier's living room at the Elliot Bay TowersDaphne: [opening front door] Oh, Doctor Crane!Niles: Daphne.Niles walks into the apartment to place his coat on the sofa. Daphne closes the door after him. When he turns back toward her, she has turned her back to him. She is wearing a yellow sundress which is unzipped to her lower back.Daphne: Thank God you're here. My zip's stuck.Niles: Oh.Niles walks to her and reaches for the zipper, watching her lower back intently.Niles: Good thing I got here when I did.Daphne: Don't be afraid to grab hold and give it all you've got.Niles: [looking up at the back of her head] Okay.Daphne: Sometimes pulling it down a bit helps.Niles: [looking up again] Okay. [pause] Oh, dear. I've zipped my tie into your dress. It won't come loose.Niles leans down to examine his predicament.Daphne: Oh, let me see! Daphne turns to look, jerking Niles by the tie in the process.Daphne: Oh, I'm sorry! It is stuck, isn't it? Well, maybe some liquid soap from the powder room will loosen it up.Daphne walks to the bathroom, dragging Niles by the tie. He is leaned over, his face very close to her rear - most likely a delightful scenario for him. Just as Daphne has her hand on the knob to the bathroom, Frasier walks in the front door, taking in the scene before him. He stares skeptically for several moments as he closes the door behind him.Frasier: Niles, there's something on your tie.Daphne: [grinning] Doctor Crane was helping me with my dress, and now he's caught.Frasier: Yes, he is. [walks to Daphne, pushing Niles to the side slightly] Allow me. [frees the zipper] Ah, there. All right, there we go.Frasier walks over to hang up her coat, and Daphne walks toward the breakfast table.Daphne: What a relief. I was just about to step right out of this dress and embarrass poor Doctor Crane to death.Niles: Well, we all have to die of something. [gazing longingly]Frasier: Oh Niles, I managed to score some reservations tonight at San Gennaro. You up for a little Italian?Niles: Actually, I'm going out with Maris, so I guess you could say I'm up for a little Episcopalian. [laugh]Frasier: [laughs, walking toward wet bar] Like some sherry?Niles: Yes, thank you.Frasier: So, those counseling session must be going very well.[pouring sherry]Niles: They are! So, tonight, we thought it would be a kick to recreate our very first date.Daphne: [sitting at table] Oh, that's sweet.Martin walks in the front door with Eddie on his leash.Niles: Hey, dad. In fact, that day my car was in the shop, so I'm here to borrow Dad's car just like I did back then. [Frasier hands him his sherry] Just saying that makes me feel so young. \"Gee, Dad, can I borrow the car?\"Martin: You did that twice on the phone, and I didn't find it cute then. [reaching in pocket, pulling out keys] Here you go.Martin tosses his keys to Niles underhanded. However, they sail right by him and are caught by Frasier, who is standing behind him.Frasier: [handing Niles the keys] I just can't picture Maris in Dad's '82 Impala.Niles: Neither could she, at first. I'll never forget the look of wonder on her face at touching vinyl for the first time. She said it made her feel cheap and dirty, and she liked it.[proud] I was her first bad boy. [sits on couch]Frasier: Uh-huh. Yes, I remember the way you used to carry your inhaler around rolled up in the sleeve of your t-shirt. [gesturing to Daphne at the table and Martin coming out of the kitchen] Oh, how about you two? You guys want to join me for dinner tonight?Martin: Oh sorry, Sherry's cooking "}
+{"doc_id":"doc_76","qid":"","text":"[Scene: Church. Brendan and a priest are there.]Brendan: I wake up at night, my heart pounding, avoice whispering in my head your a fraud, you can't fool God.Priest: These are not new fears, Brendan.I've watched you grow, wept for you, rejoiced in you, you are not a fraud. I know your heart.Brendan:You don't know my family, father. Generations of evil. Evil that's in my blood.Priest: The blood of thesacrament washes it clean.Greg: Hello, Brendan.Paul: Long time no see.Brendan: How'd you findme?Greg: Yeah, good to see you too. Didn't mean to interrupt your conversation. We'll wait outside foryou so we can have a family reunion.[Scene: Outside the church. Prue, Phoebe and Piper are getting stuffout of the van.]Prue: Hey, you know what? The next time the Quake does a food pantry why don't youcall some guys.Piper: Yeah, I'll just go through my handy guy rolodex.Phoebe: Which I believe now stopsa 'J' for Josh or is it 'B' for boyfriend.Piper: I don't wanna talk about it.Phoebe: Why not Piper? You knowyou like him and he calls you all the time. Why don't you just go out with him?Piper: I told you becauseI'm too busy with work and my instincts are telling me to lay low.Prue: Always trust yourinstincts.Phoebe: Who's side are you on?(They see some nuns.)Piper: Now they have the rightidea.Phoebe: Who, the nuns?Piper: Yep, nice safe environment.Phoebe: Yeah, if you like monks.Piper:Stress free, no need to worry about guys, no wardrobe.Phoebe: No wardrobe? Okay, now you're scaringme.Piper: Um, whose pen is this?Prue: Oh, it's uh, Brendan's I think, you know the cute guy that signedfor the food, remember?Phoebe: I remember him, yes.Piper: Good, then you can take it to him. I thinkhe's in the church office.Phoebe: Okay, just don't go taking any vows while I'm gone, alright? (Piperhands Phoebe the pen and Phoebe has a premonition.) Oh, oh, cute guy, I just saw him being attackedby a warlock. I think it was here somewhere.Prue: Alright, let's split up.[Cut to inside the church.Brendan and his brothers are there.]Greg: Give it up little brother. You're praying to the wrong deity.Aren't you Brendan. I mean after all, we can't deny who we are.Brendan: You don't scare me Greg.Greg:Sure I do. (He turns into a warlock.) We've come a long way to find you. We're not leaving until you joinus.Paul: Please Brendan, we don't want to hurt you.(Greg hits Brendan and he falls to the floor.)Greg:Did you really think the church could save you?(Greg picks up Brendan up off the floor. He goes to hithim again but Prue enters the church.)Prue: Hey! (She uses her powers and Greg flies across the room.)Piper! Phoebe!Greg: We'll come back for you. (They run off.)Phoebe: Prue?Prue: You guys over here! (toBrendan) Are you alright?Brendan: Yeah, thanks. (He runs off.)Prue: Wait, where ...?Piper: Hey!Phoebe:What happened?Prue: I don't know, but uh, I'm gonna go find out.Opening Credits[Scene: In a room.Brendan's brothers are there. One brother is staring at a lizard.]Paul: Amazing reflex's. Check itout.Greg: Should've kept a closer watch on Brendan all these years. Shouldn't of left him alone.Paul:Seriously, you gotta see this, watch.Greg: I'm sick and tired of you and this freakin' lizard.Paul: Yeah?Too bad. (Greg goes to hit him.) No! I'm sorry, okay. Just stay away from my pet, that's all I ask. Maybewe should let Brendan go. I mean we don't really need him. It's not like we don't already have ourpowers.Greg: Without his powers we can't complete our triangle, the whole prophecy of the royal coven.He must accept his heritage. He must be initiated as a warlock.Paul: Initiated how? We can't force him tokill an innocent.Greg: Well, maybe not, but we can store his inner nature. The part he thinks issuppressed. Make him wanna kill.Paul: By tomorrow? Not a chance. Once he's been ordained, he's safe.He can never become a warlock.Greg: In which case, we will have to kill him.[Scene: Halliwell house. Thephone rings.]Phoebe: Hello? Oh, hello Josh, how are you?Piper: I won't call him back.Phoebe: Yeah, she'sright here, hold on a second. Oops.Piper: You're doomed. (She takes the phone.) Hello. No, it's alrightI'm always up this early. What's that? My horoscope said that? Oh well, that's a shame 'cause I have towork Friday night. Yep, Saturday too.Phoebe: (to Prue) Okay, I have to go change the cat litter.Prue:Phoebe.Phoebe: What? What is the problem? She likes him, he likes her.Prue: The problem is it's none ofour business.Piper: I, I've got to go now, but thanks for calling though. Yeah, well, I gotta go to work. I'llbe there all day and all night. Yep, gotta go, bye.Phoebe: Okay, you know what? It's your life, if youwanna be a nun, God speed.Piper: Thank you. Now back to our warlock crisis. Why do we think they'reafter, what's his name again?Prue: Brendan, and I don't know, I couldn't find him. But I've seen him at"}
+{"doc_id":"doc_77","qid":"","text":"MAWDRYN UNDEADBY: PETER GRIMWADEPart FourFirst Air Date: 9 February 1983Running time:24:33[SCENE_BREAK]TEGAN: What do you mean?DOCTOR: I can only regenerate twelve times. I havealready done so four times.TEGAN: So?DOCTOR: Don't you see? Eight of them, eight of me.TEGAN: Theywant your remaining regenerations?DOCTOR: It's the only way to end their mutation.NYSSA: Is thatpossible?DOCTOR: With this equipment, yes.BRIG '83: Let's get back to the TARDIS before they becomehostile.TEGAN: Come on, Doctor, we've got to get out of here.MAWDRYN: We're scientists, not warriors.We have no weapons. The Doctor can only help us of his own free will.TEGAN: What you want is murdereight times over.MAWDRYN: No. What we desire is our own death.[SCENE_BREAK]GUARDIAN (onscanner): Turlough, my plans are in hazard. This friend of the Doctor'sTURLOUGH: TheBrigadier?GUARDIAN (on scanner): He is present on the ship in two aspects.TURLOUGH: That isn'tpossible.GUARDIAN (on scanner): It is forbidden, but not impossible. He has travelled through time in theTARDIS.TURLOUGH: But if the two aspects convergedGUARDIAN (on scanner): The instability coulddestroy everything. You must find the Brigadier who travelled with the Doctor's companions.TURLOUGH:Leave here?GUARDIAN (on scanner): You will obey me. The two Brigadiers must be keptapart.TURLOUGH: What about those creatures?GUARDIAN (on scanner): They are harmless. They onlythreaten the Doctor.[SCENE_BREAK]MAWDRYN: We did not know that our experiments would bringendless mutation.DOCTOR: You have the regenerator, the facilities of the laboratory. Continue yourexperiments, find how to reverse the process.MAWDRYN: We have known for many years that theprocess is irreversible.MUTANT: We have experimented for centuries.MUTANT 2: We have tried todiscover a remedy.MUTANT: There is no remission.MAWDRYN: Only you, as a Time Lord, can helpus.[SCENE_BREAK]TURLOUGH: Hello, Brigadier.BRIG '77: Who the devil areyou?[SCENE_BREAK]DOCTOR: I cannot do what you ask.MAWDRYN: You cannot refuse.DOCTOR: Imust.MAWDRYN: So be it, Doctor. Leave now, with your friends. But accept the consequences of youractions.NYSSA: What does he mean?DOCTOR: I don't know.BRIG '83: Back to theTARDIS?[SCENE_BREAK]BRIG '77: So you're Turlough? Yes, Tegan told me about you.TURLOUGH: I'vecome to take you to the Doctor.BRIG '77: The Doctor? You know where he is?TURLOUGH: Of course.Come on.BRIG '77: Not so fast. Keep in the shadows. We have some disagreeable fellowpassengers.TURLOUGH: They're harmless.BRIG '77: That remains to be seen.[SCENE_BREAK]MUTANT:The Doctor was our only hope.MUTANT 2: He must not be allowed to escape.MAWDRYN: My friends, donot despair. The Doctor will soon return. And of his own free will.[SCENE_BREAK]DOCTOR: You see,Brigadier, thanks to your imperfect memory there is now a Lethbridge Stewart some six years your juniorat loose in this ship.BRIG '83: Good heavens. You mean that I did go with Nyssa and Tegan in theTARDIS in 1977?TEGAN: And were we glad of the company.[SCENE_BREAK]BRIG '77: This Doctor, whatdoes he look like?TURLOUGH: Older than me, younger than you.BRIG '77: No, I mean, is henormal?TURLOUGH: Of course.BRIG '77: So, that deformed creature in the TARDIS was animposter.TURLOUGH: Exactly.[SCENE_BREAK]TURLOUGH: Doctor, the Brigadier's here.BRIG '77:Doctor?BRIG '77: Turlough, what are you up to?[SCENE_BREAK]BRIG '77 (OOV.):Turlough![SCENE_BREAK]TEGAN: No sign of Turlough.BRIG '83: I never trusted that boy.NYSSA: Hemust be here somewhere.DOCTOR: Well, I hope so, because I've got to get the TARDIS away fromhere.NYSSA: And separate the two Brigadiers.BRIG '83: Ah, now, hang on a minute. I've been thinkingabout that.DOCTOR: There isn't time to think, Brigadier.BRIG '83: Doctor, we are talking about six yearsof my life.DOCTOR: Well, you're perfectly all right in 1983. Obviously your 1977 self came to no physicalharm.BRIG '83: Well, maybe not, but I don't want to have spent a year or two in limbo on thisship.NYSSA: Look.DOCTOR: Stay here, all of you.[SCENE_BREAK]DOCTOR: Turlough, listen verycarefully. We have a problem with the Brigadier.TURLOUGH: What is it?DOCTOR: The two time zones.The Brigadier did go with Tegan and Nyssa. There are now two Lethbridge Stewarts on thisship.TURLOUGH: I understand.DOCTOR: Now, I will take the Brigadier in the TARDIS back to 1983Earth.TURLOUGH: And me?DOCTOR: You must find the other Brigadier and take him to the transmat"}
+{"doc_id":"doc_78","qid":"","text":"A recap of 212 \"Army of Ghosts\".OPENING CREDITSINT. TORCHWOOD, SPHERE CHAMBERThe Daleksadvance upon Rose, Mickey and Doctor Singh, with cries of \"exterminate! \".ROSE (shouts): Daleks!Theyfall silent, taken aback.ROSE (CONT'D): You're called \"Daleks\".The Daleks do not respond, seeming tosimply observe her. Rose walks towards them.ROSE (CONT'D): I know your name. (Takes lab coat off).Think about it: how can I know that? A Human... who knows about the Daleks. And the Time War. If youwanna know how, then keep us alive. That's all I'm asking. Me and my friends.MICKEY: Yeah, Daleks.Time War. Me too.The Dalek's eye-piece swivels around to look at Mickey.RAJESH: Yeah. And me.DALEKSEK (to Rose): You will be necessary. (to Dalek Jast): Report: what is the status of the GenesisArk?DALEK JAST: Status: hibernation.DALEK SEK: Commence awakening.DALEK THAY: The Genesis Arkmust be protected above all else.The Dalek turns to the Genesis Ark, which also emerged from thesphere. It clamps its suction arm to the side of the Ark.MICKEY (to Rose, still pointing his gun at theDaleks): The Daleks, you said they were all dead.ROSE: Never mind that, what the hell's a GenesisArk?INT. TORCHWOOD, RIFT CHAMBERJACKIE: What's down there? She was in that room with thesphere. What's happened to Rose?The Doctor is leaning against a wall.THE DOCTOR (abruptly): I don'tknow.Jackie starts to cry. The Doctor goes to her.THE DOCTOR (CONT'D): I'll find her. I brought youhere, I'll get you both out. You and your daughter. Jackie, look at me. Look at me.Jackie looks up at him,eyes red from tears.THE DOCTOR (CONT'D) (sincerely): I promise you. I give you my word.A Cybermanapproaches Yvonne, who is sat at her desk.CYBERMAN: You will talk to your central world authority andorder global surrender.YVONNE (without even a trace of fear): Oh, do some research. We haven't got acentral world authority.CYBERMAN: You have now. I will speak on all global wavelengths.The Doctor putson his 3D specs.CYBERMAN (CONT'D): This broadcast is for human kind.INT. HOUSEA frightened familyhuddled in their living room watch this broadcast on the television.CYBERMAN (CONT'D): Cybermen nowoccupy every land mass on this planet. But you need not fear. Cybermen will remove fear.As the camerapans round, we see that a Cyberman is standing over the family, guarding them. The marching ofCybermen can be heard outside the house.CYBERMAN (CONT'D): Cybermen will remove s*x and classand colour and creed. You will become identical. You will become like us.EXT. SUBURBANSTREETCybermen emerge from every house along a street in unison.EXT. BRIDGEChaos on a bridge,people running, screaming, the military shooting at the Cybermen with no effect whatsoever. TheCybermen aim their own weapons, blowing up a truck, killing the soldiers. Finally one soldier manages tohit a Cyberman and it goes up in flames.INT. TORCHWOOD, RIFT CHAMBERThe Doctor, Jackie, Yvonneand one of the Cybermen observe the proceedings far below from the top of TorchwoodTower.CYBERMAN: I ordered surrender.THE DOCTOR: They're not taking instructions. Don't youunderstand? You're on every street, you're in their homes. You've got their children. (Angrily). Of coursethey're gonna fight.INT. TORCHWOOD, SPHERE CHAMBERDALEK SEK: Which of you is leastimportant?ROSE: What's that supposed to mean?DALEK SEK: Which of you is least important?ROSE: No,we don't work like that. None of us.DALEK SEK: Designate the least important!RAJESH: This is myresponsibility.ROSE (holding him back): No, don't!Rajesh ignores her and stands before the Dalekdejectedly.RAJESH: I er, I represent the Torchwood Institute. Anything you need, you... come throughme. Leave these two alone.DALEK SEK: You will kneel.RAJESH: What for?DALEK SEK: Kneel.Rajeshkneels. The surrounding Daleks direct their eye stalks onto him.DALEK SEK (CONT'D): The Daleks needinformation about current Earth history.RAJESH: Yeah well I can give you a certain amount of intelligencebut nothing that will compromise Home Land security...DALEK SEK: Speech is not necessary. We willextract brainwaves.The three Daleks advance upon Rajesh and position their suction arms around hishead. Rajesh is showing the first signs of fear.RAJESH: Don't... I... I'll tell you everything you need. No.No!He shouts out in agony before the Daleks crush his skull. Mickey makes towards him but Rose holdshim back, knowing it's already too late.INT. TORCHWOOD, RIFT CHAMBERCYBERMAN 1: Scans detectunknown technology active within sphere chamber.CYBERMAN 2: Cybermen will investigate.A Cybermanpushes two terrified members of staff roughly before him.CYBERMAN: Units 10 65 and 10 66 will"}
+{"doc_id":"doc_79","qid":"","text":"THE SEEDS OF DOOMBY ROBERT BANKS STEWARTPART ONE6:00pm - 6:25pm[SCENE_BREAK]1, EXT:ANTARCTICA(The wind blows and the snow falls in the Antarctic region. Icebergs bob up and down withinthe rough ocean. In blizzard-like conditions, a man with heavy-weather clothing is kneeling in the snowby a wall, digging with a small pickaxe. Another man joins him, wearing similar clothes. He kneels andcommunicates with his companion, necessarily shouting because of the howling wind. The two men areCharles Winlett, and Derek Moberley, workers on an Antarctic research station.)MOBERLEY: Come onCharles, we've got enough samples, surely!WINLETT: This isn't ice - this is something else. Have alook.(He reaches down and extracts a small round object, frozen with ice and snow, but unrecognizableto both men.)MOBERLEY: What is it?WINLETT: Don't know! Let's get it back to camp.(They both stand upready to leave.)[SCENE_BREAK]2, INT: RESEARCH STATION - LABORATORY(After an exterior shot of theresearch station, the round object is being examined on a table by the third member of the researchteam, John Stevenson. He scrapes away the excess ice to reveal a solid, rough, dark green pod or egg.Moberley and Winlett enter.)MOBERLEY: Animal, vegetable, or mineral?STEVENSON:Vegetable.WINLETT: Yes, that's what we thought.(Stevenson holds up the pod on a tray in front ofthem.)STEVENSON: The cutaneous creasing is unmistakable. When it's properly thawed out Ican...confirm it with a cytology test.(Winlett is prodding the pod with a scalpel.)WINLETT: The skin looksas hard as iron.STEVENSON: Yes, it is a bit of a cannonball. How deep in the permafrost was it?WINLETT:About the er... 9th layer.MOBERLEY: And that means it's been there for ooh...20 thousand years? Whatdo you make of it, John?STEVENSON: Nothing at all yet.MOBERLEY (joking): Oh, and I thought you weremeant to be a botanist.STEVENSON: I've not seen anything remotely like it.WINLETT: It looks tropical tome, like a gourd.MOBERLEY: Oh rubbish Charles. If it's from the late Pleistocene period, it can't betropical. It's a few million years since this part of Antarctica was rainforest.WINLETT: Oh that's theaccepted theory. Discoveries like this have destroyed accepted theories before now. Isn't that right,John?(Stevenson is far less casual about the situation than the others. Without even listening to Winlett,he hesitantly touches the pod a few times with his finger. Winlett tries to get his attention but he seemsdistracted and confused.)WINLETT: ...John?STEVENSON: ...hmm? Sorry.MOBERLEY: Is somethingwrong?STEVENSON: ...Don't you feel it?MOBERLEY: Feel what?STEVENSON: I don't know - there'ssomething... odd...something...you don't feel it?MOBERLEY (laughing): It must be that rice pudding youhad for lunch!(Winlett laughs, but Stevenson doesn't. He steps closer to Moberley.)STEVENSON: I'm notjoking. ... It's alive. That's it. It's alive.MOBERLEY: Are you serious?!STEVENSON: Yes.WINLETT: How canyou tell?STEVENSON: I don't know - but I'm certain that this is a living organism.(Moberley breaks theintense atmosphere.)MOBERLEY: ...Yes well I think we should have some coffee.WINLETT: Coffee and agame of three-handed crib. Come on!(He takes Stevenson around the shoulders and leads him off.Stevenson doesn't relax, and he turns back to look at the pod.)STEVENSON: I'll transmit pictures toLondon, they might have some idea.WINLETT: John, come on![SCENE_BREAK]3, INT: WORLD ECOLOGYBUREAU - OFFICE(A man in a suit is getting a file from a cabinet. He is Richard Dunbar of the WorldEcology Bureau.)DUNBAR: Sir Colin insists that I show you these photographs which have just beenreceived from my expedition.(As the camera follows him, it shows that it is the Doctor whom Dunbar istalking to. He is sitting on Dunbar's desk and he seems more interested in his yo-yo than what Dunbar issaying.)DUNBAR: Personally, I don't think you can help us.DOCTOR: Don't you? Well...(Dunbarreluctantly hands him the file. Dunbar looks around uncomfortably.)DOCTOR: Do sit down, Mr.Dunbar.(Unable to sit in his own chair as the Doctor would be almost on top of him, he walks all the wayaround the far side of the desk and sits in the chair usually provided for the visitors.)DUNBAR: Thesepictures have baffled all the experts. The only reasonable explanation seems to be that the pod is fromsome extinct species of plant.(The Doctor spins around to face Dunbar, he sits in Dunbar's chair andthere is a bang as he rests his boots on Dunbar's desk. He doesn't look up from the file.)DOCTOR: Haveyou considered an alternative explanation.DUNBAR: Name one.DOCTOR: Well...that it might haveoriginated in outer space.DUNBAR (amused): My dear Doctor, if you've seen anything like that before,"}
+{"doc_id":"doc_80","qid":"","text":"THE ARMAGEDDON FACTORBY: BOB BAKER AND DAVE MARTINPart SixRunningtime:25:09[SCENE_BREAK]DRAX: Over here, Doctor!DRAX: Doctor, over here! Look at that.DOCTOR:You shrank the wrong man, Drax.DRAX: No, I was aiming at you.DOCTOR: Why didn't you shrink themute? The TARDIS door's open.DRAX: Right, I've got it. Now listen. One of us creates a diversion andyou fly over there and shut the door.DRAX: Nasty. Yeah, and we can't use the dimensional stabiliser inhere 'cos there's not enough room for when we get back to normal size. We'd just fill up thecrack.DOCTOR: Like putty.DRAX: Do you mind? Yeah, you've got problems.DOCTOR: Yes. The door'sopen so the Shadow can go in there and take the Key to Time. Romana can't help and the time loop mustbe at breaking point by now.DOCTOR: When the countdown reaches zero, up goes Atrios, Zeos andall.DRAX: Life presents a dismal picture, you might say.DOCTOR: Yes, you might say that. And of coursethere's the Marshal.DRAX: The Marshal? He's on our side.DOCTOR: No.DRAX: No. Oh well. Where's he fitin?DOCTOR: He's in the time loop as well, making a rocket attack on Zeos. Unless, of course, Shapp andMerak get in contact with him.DRAX: Where are they?DOCTOR: Back on Atrios, Ihope.[SCENE_BREAK]SHAPP: Atrios control to Marshal. Marshal? Come in, Marshal. Oh, it's useless. Heeither can't or won't answer. And this time loop device isn't going to hold things back for ever, isit.MERAK: No, not unless the Doctor can find the sixth piece, and the sixth piece is somehow connectedwith Astra.SHAPP: But she denies all knowledge of it?MERAK: All conscious knowledge, yes. But if she'sthe only one who knows then secret, and if the knowledge is implanted, then it must have affected her,made her different in some slight way that might just show up in analysis.SHAPP: Yes, but she's nothere.MERAK: But her records are, on your computer.[SCENE_BREAK]MARSHAL:Fire![SCENE_BREAK]DRAX: Well, we've got one thing in our favour.DOCTOR: Oh?DRAX:Mobility.DOCTOR: Mobility.DRAX: Well, if we're only this high, we're practically invisible, aren't we?DRAX:Except we daren't move.DOCTOR: Yes. If the Shadow gets the five pieces from the TARDIS, which heundoubtedly will, it's up to us to get the sixth piece.DRAX: Yeah, but you don't know what it looks like, doya? I reckon you're banjaxed, my old son. End of the road. Finito.DOCTOR: The Shadow said I'd alreadyseen it. It must be Astra.DRAX: Astra?DOCTOR: She must have it. Let's see where this crack leads, shallwe?DRAX: It's better than getting the boot.[SCENE_BREAK]SHADOW: The Doctor has eluded me, but hehas made his last mistake. See, the door is open! The Key to Time is mine! Enough!Bwahahahaha!ROMANA: He thinks we're just going to stand by and let him walk away with everythingwe've worked for. Come on, let's get out of here.ASTRA: In this place.ROMANA: What?ASTRA: My destinyis here, in this place. Not on Atrios, not on Zeos. Here.ROMANA: Astra, listen. You're not under theShadow's influence any more. Now, let's get out of here before he comes back.ASTRA: No, I must stay. Iam the sixth princess of the sixth dynasty of the sixth Royal House of Atrios.ROMANA: Yes, yes, but wemust get out of here before the Shadow comes back!ASTRA: This is the time of my becoming, mytranscendence.ROMANA: What are you talking about?ASTRA: Metamorphosis.[SCENE_BREAK]DRAX:Yeah, here we are. Right, now, there's the T junction. Right down to the dungeon, left onto the Shadow'slair.DOCTOR: What? You mean there's a way in he doesn't know about?DRAX: Well, it will be when it'sfinished, but a couple of midgets like us won't be much good on a pick and shovel, will we?DOCTOR: No.No, no. no. But if we get K9 up there, we won't need a pick and shovel, will we. We can still give theShadow a surprise.DRAX: Well, let's normalise then, shall we?DOCTOR: No, no, Drax, no. Small islovely.DRAX: Big is better, though, innit?[SCENE_BREAK]SHADOW: Now, the moment I have waited for!Open the door.SHADOW: Light! Too much light! You, fetch me the Key. Hurry.SHADOW: When the Key ismine, I shall dispel the light, and darkness and night shall reign.SHADOW: Ah.[SCENE_BREAK]ASTRA:Destiny. My destiny is near.ROMANA: Astra, remember you're the sixth princess of the sixth Royal Houseof the sixth dynasty.ROMANA: And we're looking for the sixth segment of the Key to Time. Oh, you're ingreater danger even than we imagined.[SCENE_BREAK]SHAPP: Have you found it?MERAK: I think so,yes.SHAPP: What is it?MERAK: A molecular anomaly buried in the genetic structure of the Royal House ofAtrios and passed from one generation to the next, until finally, Astra.SHAPP: What's it mean?MERAK: I"}
+{"doc_id":"doc_81","qid":"","text":"Bull: I'm Dr. Jason Bull. I'm not a lawyer. I'm an expert in what's called trial science. I study the jury'sbehavioral patterns. I know what they're thinking before they do. Everything my team learns getsplugged into a matrix, which allows us to assemble a shadow jury that is scary in its predictive efficiency.The verdict you get depends on me. And that's no bull. Don't tell me plane crashes are bad luck. Youthink that Malaysia flight just disappeared? Statistically, flying is still the safest way to travel. It's abusiness, isn't it? They need to be held accountable. You have to trust the pilot, but... it's a leap of faith.You get on a plane without a second thought. But you have no idea who's flying it.(thunderrumbling)(plane rattling)Flight attendant: Ladies and gentlemen, we'll be starting our descent into Albanyin just a few moments.(crying)Flight attendants will be coming through the cabin to pick up anylast-minute trash items. As a reminder, we're entering some rough air, so please remain in your seatswith seatbelts fastened.(plane continues rattling)Ma'am.(sniffles)You really need to take your seat. I'm sosorry. This needs to be up, sweetie.(rumbling grows louder, passengers gasping)(passengersscreaming)Benny: It's a simple question, Mr. Stowman.Vince: In the world history of stupid questions,that is the stupidest question.Marissa: Our client just torpedoed jurors two and eight.12 thinks he's arebel. Lifelong fan, but I...Vince: w*nk*r.Marissa: There goes 12.Vince: No further questions. This is afterthree days of witness prep. We've seen worse. Maybe once. This is getting very tiresome, Dr. Bull. Hey,hey. I totally get it. You had a monster hit, and some one-hit wonder comes out of the woodwork andsays you stole the hook to his song? It's your song. That's right. And it hurts, Dr. Bull. It hurts. I know ithurts. And that's why we're gonna prove that it took you ten years to write this song. And that it comes...(hits chest) from your soul.(quietly): I know it's about the collapse of your first marriage. And I'm sorry.But you see these people? They're the jury. They're normal, everyday folks who come home one day,open their mail, and they have a jury summons. They're like my fans? That's exactly what they are.They're the same people who throw panties on stage and cheer for you. And you got to see them likethat. You got to talk to them like that.Marissa: Bull? Rock on. Go get 'em.Marissa: Bull. All right. SirVincent needs a fresh jury. Thank you guys very much. Bull.News anchor: In the storm, Essence AirlinesFlight 1372 went down approximately three miles from Albany Airport. As you can see from the wreckagebehind me, all 62 passengers are presumed dead. The president of Essence Airlines is on the line. Callback.(newscast continues)Hamilton-Sena and the usual airline litigation firms are calling to sign us up.Crash is less than an hour old, and the vultures are already circling, huh?Bull: Missing the runway doesseem to inspire lawsuits. Sorry, I'm still the new guy, but... you handled aviation suits before? Everycrash in the last ten years. And, uh, Bull's a pilot. Maybe it's because I'm a pilot. Just spoke with a formercolleague from the FBI. Was it...? Wasn't terrorism. Tried to land in a storm with wind shear.Newsanchor: A shocking new development, a miracle perhaps. The nose cone of the plane was severed fromthe fuselage upon impact. Sources tell us that one of the pilots was pulled from the cockpit alive. Neverheard of a pilot surviving a crash. On a crash like this. Before we sign any client... Victim or airline...We're gonna talk to this pilot.(sighs)Man: Essence Airlines and supporting industries have all been namedin a separate wrongful death filing.The pilot is also being sued.(reporters clamoring)There are securityconcerns, because of death threats. What's the pilot's status? Thank you. That's all for today. If youneeded any convincing lawyers are overpaid, the firm owns 18 floors of prime New York real estate. Bestbehavior, Dr. Bull. It's a pleasure to meet you, Capt... Captain Mathison. I'm glad you fully recovered. Dr.Bull, thank you. I can't say the last four months have been easy, but I'm here. Oscar Weber. I'm herattorney.(chuckles): Oh! Gosh, yeah. I've heard so much about you, Oscar. Thanks for taking an interestin this case, Dr. Bull. Not sure there's a need here for what you do. Getting the truth? Winning? We maynot even take this case to trial. Captain Mathison here has been charged with gross negligence. If shewere to lose in court, she may be facing criminal charges.Taylor: Dr. Bull, how did you know I wasCaptain Mathison and not him? Well, you don't bounce when you walk. So clearly you're former military,and you're wearing aviator sunglasses, so I figured... pilot. Plus, one look at Oscar, and... there's no wayhe's a pilot. All right, let's go hear this flight recording.Taylor (over computer): Passing outer marker, ILS"}
+{"doc_id":"doc_82","qid":"","text":"Outside the jailSean: Hey sight for sore eyes.(Sean walks out and hugs Emma.)Sean: Ah yeah.(Theykiss.)Sean: I'm free all thanks to you.Emma: All I did was help you get a lawyer.Sean: You got me ahearing. You got my sentence reduced.Emma: And two years of probation.Sean: Whatever. I'm out. Nowwe can be together. The perfect girl and the guy who doesn't deserve her. Man I missed you.(Emmakisses him.)Emma: I missed you too. A lot.Sean: Yeah? I also missed bacon double cheeseburgers withthe works.Emma: I see jail hasn't turned you vegetarian.Sean: Sorry. Been dreaming about it formonths.Emma: I guess I could put my carnivorous objections aside just this once, but first it's presenttime.(She hands him the picture that Spike took of them on their first date.)Sean: Is that reallyus?Emma: Six uber long years ago.Sean: Sometimes I wish I could stop time. Go back.Emma: To badhair, braces and general pubescent awkwardness? No thanks.Sean: Back to a time when you were proudof me.(Emma runs her hand through his hair and touches his face.)At Emma's houseMr. Simpson: Sohow was the sofa? Not too lumpy?Sean: No it was great. Thanks. I really appreciate you guys letting mecrash here until I get back on my feet.Spike: What are your plans now that you're out?Emma: Alreadywith the grilling?Spike: I know you two are more than just friends Em. A mother gets to ask.Sean: That'scool. Jay is hooking me up with his boss. Apparently they need a new mechanic.Mr. Simpson: What aboutschool? Have you given any thought about coming back to Degrassi?Sean: I got expelled.Mr. Simpson:Well maybe I could talk to her.Sean: No. I mean no thank you. I really don't want to set foot in that placeagain.Emma: Tell them about Cameron's Custom Cars.Sean: Someday I want to open up my ownshop.Mr. Simpson: That sounds like a fine plan if you can find a bank manager who's willing to lendmoney to a high school dropout.Spike: Couple that with your record.Emma: Mom it's his first day out ofjail. Can you go easy, please?Spike: Sorry. We're really glad you're here Sean.Mr. Simpson: And we'resure you're gonna figure it all out. Your life I mean. You've got lots of time for that. In the hallway(Dannyand Derek are running in the halls and they run right into Mr. Perino, spilling his drink and breaking hismug.)Mr. Perino: Hey! How many times have I told you guys no running in the halls?!Danny and Derek:Sorry Mr. Perino.Mr. Perino: Sorry? Look at me! Look at my shoes. They're ruined.Derek: (under hisbreath) So buy some new ones.Mr. Perino: Are you sure you want to use that tone with your teacher?Believe me you don't want me to make your lives difficult.Mr. Simpson: Guys go get the mop from thejanitor. Clean this mess up, capiche? Go.Mr. Perino: Smart asses, you know? They drive me crazy.Mr.Simpson: Just uh try to remember they're just kids. Right Dom?(He walks away without sayinganything.)Mr. Simpson: Dom!At the garageTony: Engine runs out.Sean: It's loose timing chain.Tony:Shimmy in the steering. You know how to fix it?Sean: Yeah. You machine the front rotors.Tony: Jay wasright. You know cars.Sean: Cars are my life. You know, if you know how they work, they never let youdown.Tony: Spoken like a true mechanic. Tell you what, we got a Lexus with a faulty AC. Go towork.Sean: You, you mean I got it? I got the job?Tony: Yeah not for long if you don't get to work.Sean:Yes sir. Woo! I got it man.Jay: What'd I tell you? In Mr. Perino's classDanny: After years of fighting, thesecond world war came to an end with the bombing of Hiroshima. Once the Third Rake finallysurrendered, the iron curtain divided Europe-Mr. Perino: I think it's time this presentation surrenderedand by the way it's Reich, not Rake. You're done.Danny: But you cut me off.Mr. Perino: The assignmentwas to summarize an event in your own words. Not bore everyone by copying the damn thing from yourtextbook.Danny: It's not my fault history's so boring.Mr. Perino: Well it might be to you, but I'll assureyou history's a fascinating discipline.(Danny sits down behind Derek.)Derek: He was a teacher.Mr.Perino: Who said that? Mr. Higg you got something to say? Don't be a clown. Be a man and say it.Derek:Okay I will. Can't you give Danny a break? I mean he's trying his best.Mr. Perino: Tell you what insteadof giving Daniel a zero for plagiarism, detention both of you and tomorrow I'll let you help him redo hispresentation.At the garage(Emma tries to sneak up on Sean.)Sean: Hey gorgeous.Emma: How did youdo that?Sean: You're a lousy sneaker and every car has at least three mirrors.(He kisses her.)Sean:Mwah!Emma: Based on the fact that your freshly pressed white shirt is now forgotten on the tool bench,you got the job?Sean: Your little pep talk helped. Thanks and a big shout out to Jay! He totally went to"}
+{"doc_id":"doc_83","qid":"","text":"Recap 311 \"Utopia\".The quiet of an alleyway is disturbed as the time vortex opens and the Doctor,Martha and Jack appear groaning.MARTHA: Oh, my head!DOCTOR: Time travel without a capsule. That'sa killer.Jack cracks his neck before they leave the alley. They walk along a main street taking in theirsurroundings.JACK: Still, at least we made it. Earth, 21st century by the looks of it. Ha, ha, talk aboutlucky.DOCTOR: That wasn't luck, that was me.Back on Malcassairo, the Doctor uses his sonic screwdriveron Jack's vortex manipulator as he and Martha try and keep the Futurekind out.DOCTOR: Hold still! Don'tmove! Hold it still!JACK: I'm telling you, it's broken! It hasn't worked for years!DOCTOR: That's becauseyou didn't have me. Martha, grab hold! (Takes Martha's hand and places it on top of the manipulator).Now!They disappear. The Doctor, Martha and Jack are sitting in an area in the middle of apedestrian-only road.JACK: The moral is, if you're gonna get stuck at the end of the universe, get stuckwith an ex-Time Agent and his vortex manipulator.MARTHA: But this Master bloke, he's got the TARDIS.He could be anywhere in time and space.DOCTOR: No, he's here. Trust me.Looks around and sees Saxoncampaign posters plastered everywhere.MARTHA: Who is he, anyway? And that voice at the end, thatwasn't the professor.JACK: If the Master's a Time Lord, he must have regenerated.MARTHA: What doesthat mean?JACK: Means he's changed his face, voice, body, everything. New man.The Doctor notices ahomeless man tapping a repeating rhythm on an enamel mug.MARTHA: Then how are we gonna findhim?The tapping echoes.DOCTOR: I'll know him, the moment I see him. Time Lords always do.MARTHA:But hold on. (Notices posters). If he could be anyone... We missed the election. But it can't be...TheDoctor stands slowly, as does Jack. They walk towards a giant screen showing the news. Marthafollows.NEWSCASTER: Mr Saxon has returned from the Palace and is greeting the crowd inside SaxonHeadquarters.The screen shows Saxon walking downstairs with an entourage, Lucy, his wife, at hisside.MARTHA: I said I knew that voice. When he spoke inside the TARDIS. I've heard that voice hundredsof times. I've seen him. We all have. That was the voice of Harold Saxon.DOCTOR: That's him. He's PrimeMinister.PHOTOGRAPHER (on screen): Mr Saxon, this way, sir. Come on, kiss for the lady, sir.DOCTOR:The Master is Prime Minister of Great Britain. (Saxon kisses the woman at his side). The Master and hiswife.SAXON (steps forward to speak to the press): This country has been sick. This country needshealing. This country needs medicine. In fact, I'd go so far as to say that, what this country really needs,right now... is a doctor.Smiles into the camera.OPENING CREDITSSaxon is walking down a hall in NumberTen, Lucy beside him, clerks handing him files as he passes.CLERK 1: Finance report, sir.CLERK 2:Military protocol, sir.CLERK 3: EC directive, sir.CLERK 4: Annual budget, sir.CLERK 5 : ...recommendations.Saxon stops outside the door to the Cabinet Room.LUCY: I'm so proud of you, Harry.Asthey kiss, we see Tish Jones walk up.SAXON: Bless.TISH: Uh, sir... If you don't mind me asking... I'msorry, but it's all a bit new. What exactly do you want me to do?SAXON: Oh yes, what was it, uh...?TISH:Tish. Letitia Jones.SAXON: Tish. Well then, Tish... You just stand there and look gorgeous. (Enters theCabinet Room). A glorious day. Downing Street rebuilt, the Cabinet in session. Let the work ofgovernment begin. (Throws files into the air and the contents scatter). Oh, go on. Crack a smile. It'sfunny, isn't it? Albert, funny? No? Little bit?ALBERT DUMFIRES: Very funny, sir, hm. But... but if we couldget down to business, there is the matter of policy, of which we have very little...SAXON: No, no, no, no.Before we start all that, I just want to say... thank you. Thank you one and all, you ugly, fat-faced bunchof wet, snivelling traitors.DUMFRIES: Yes, quite. Very funny. But I thi...SAXON: No, no. That wasn'tfunny. (Stands). Hm, you see, I'm not making myself very clear. Funny is like this. (Exaggerates smile).Not funny is like this. (Exaggerates frown). And right now, I'm not like this... (smiles), I'm like this...(frowns), because you are traitors. Oh yes, you are! As soon as you saw the vote swinging my way, youabandoned your parties and you jumped on the Saxon bandwagon. So... (sits) this is your reward.Takesa gas mask from under the table and slips it on.DUMFRIES: Excuse me, Prime Minister, do you mind myasking... what is that?SAXON (muffled): It's a gas mask.DUMFRIES: I beg your pardon?SAXON (liftsmask): It's a gas mask.Puts mask back on.DUMFRIES: Yes, but, uh, why are you wearing it?SAXON(muffled): Well, because of the gas.DUMFRIES: I'm sorry?SAXON (lifts mask): Because of the"}
+{"doc_id":"doc_84","qid":"","text":"(Camera focuses on the water. Faces can be seen in the background, Derek looking into the tub, Cristinapoking out from around her locker, Bailey in the ambulance bay, George at the crash scene, Alex withJane Doe, Izzie with Rick, Ellis in her hospital bed, and Lisa walking away from the dock)MVO: Like I saiddisappearances happen. Pains go phantom, blood stops running, and people fade away.(Meredith isswimming and fighting. She emerges from the water and is trying to surface.)MVO: There's more I haveto say. So much more. But I've disappeared.(Meredith sinks into the water and the water calms asbubbles appear)(Cristina is at a nurse's station.)Nurse Kate: Did you check on Kramer in 2309 becausehis x-rays are done and I don't know what to do?Tyler: Higgins in 2312 needs diet ordersbefore...Cristina: Done and done. I need you to monitor Collins in 2323. Page me if his systolic dropsbelow 90. I gave him a low dose of dig to lower his heart rate. And have either of you seen Dr.Grey?Kate: Uh, I checked on her earlier but she's a little sedate today.Cristina: Not Dr. Ellis Grey. Dr.Meredith Grey.Kate: No.Tyler: Not since this morning.Cristina: Fine. Um, if there's anything emergentpage me in the pit.(Carly's OR)Carly: George, did you find him? Is Chris ok? Is he awake? Is he...?Bailey:Answer Mrs. Height, O'Malley.George: Chris is fine. He's glad you're ok and he'll be waiting for you aftersurgery. He's being very braveCarly: That's my Chris. That's my boy. Thank you, Dr. O'Malley. Thank youso much.(George goes to leave and Bailey walks with him)Bailey: Dr. O'Malley. Hold up a second. Whathappens when the happy mother in there wakes up and her son isn't there to greet her? What then? Howyou gonna explain that? O'Malley?George: If she wakes up after surgery because of my lie, I'm ok withthat Dr. Bailey.Bailey: Find that child.George: Yes, ma'am.(Jane Doe's room)Richard: Her echo's showedcardiac tamponade.Burke: So out first priority is stabilize the traumatic pericardial infusion.Addison:Keeping mom alive means keeping baby alive. I'll monitor the surgery while he operates.Burke: I'll notifythe OR.(Burke leaves as Alex enters)Alex: Chief, we've got a mob scene in the clinic of people looking formissing family members and nothing but a two hour old list of patients.Richard: No one has any moreinformation than you do. The police are asking us questions. Search and rescue can't track it. Well haveto do it ourselves.Alex: Is there some kind of system that...?Richard: You're the system, Karev. Figure itout.(Richard leaves)Alex: How's she doing?Addison: Well, we won't know until we get her up to the OR.She's still a Jane Doe?Alex: Yeah.Addison: To be in that condition and have no one that even knows.Alex:What?Addison: She's all-alone. It makes you think. I mean, if I went missing would anyone even know Iwas gone.(The accident scene)Friend: Do something.Izzie: He's still seizing, there's nothing more I cando.Vince: You're supposed to put something in his mouth so he can't bite his tongue. Aren't ya?Izzie:Nobody's putting anything in his mouth. We just have to just him ride it out.Vince: What are you gonnado? You can't just let him die.Izzie: They're gonna come soon, in a little while, and they'll get himout.Vince: You said we don't get much time.Greg: What if they don't get him out from there beforehe...Izzie: I don't know. I don't know, ok? I don't know.Vince: Please, you can't quit on us now. Youjust...you just gotta try something else.Izzie: I'm out of practice. I've been watching. For weeks, I've justbeen watching. And I...I'm sorry. I'm sorry.Vince: You stopped the bleeding, that was good. Come onplease. I...I know this guy. I believe in him. I believe he can make it. You gotta believe in it too. Yougotta believe you can do this, please. Don't stop now.Izzie: Who's got a cell phone?(All three of themhand their cell phones to Izzie)(Derek is walking through the trauma scene)Derek: You guys good? Youok? Yeah, what do you got?Paramedic: Severely severed leg but he's got his artery tied offso...something.Derek: Yeah, who tied off the artery? (He looks at the coat on the business man and seesMeredith's name badge) Dr. Grey? This is her jacket.Paramedic: We found him like this. She must havemoved on.Derek: Yeah, ok.(Derek looks up and sees Lisa standing there all-alone.)Doctor: Doc?Derek:Yeah. What is it? Just stabilize the fracture and get him to the hospital as soon as possible. (He makes hisway over to Lisa) Hi. You ok? Did a doctor bring you here? Huh, Meredith? Meredith ok?(Lisa shakes herhead no and the scene changes to Meredith under water. She is no longer swimming or struggling in anyway. She is merely sinking.)(George is in the clinic with the picture of Chris. He is walking around lookingat the boys in the room. He stops at one little boy)George: Hi, my name's George. Is your name"}
+{"doc_id":"doc_85","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars... Veronica pops her head around the door of Keith'snew office in the sheriff's department in 315 \"Papa's Cabin.\" Cut to the Mars residence and Veronicamaking dinner as Keith arrives home.VERONICA: So it's true what they say. There's a new sheriff intown?KEITH: Until the special election, anyway.Cut to Mac and Bronson on his doorstep in 310 \"Show Methe Monkey.\"MAC: Do you like movies?BRONSON: Let's go.Cut to moments later as Mac surprisesBronson with a kiss. Cut to Veronica and Piz in the Food Court at Hearst College.PIZ: I know what I like.Why waste my time?VERONICA: Like, why bother with something not good just because it'ssomething?Logan catches Veronica outside Tim's office in 315 \"Papa's Cabin.\"LOGAN: You know, I wasthinking of asking Parker out, and I wanted to make sure it was cool with you. She puts on a braveface.VERONICA: Of course. Thank you for asking.LOGAN: Sure. I know we're friends.Veronicanods.VERONICA: Yeah. Veronica points to Tim's office.VERONICA: See ya. And good luck. Endpreviously.INT - HEARST COLLEGE, FOOD COURT - DAY.Veronica is standing in a queue. She's pensive,playing with a strand of hair. There are three couples in front of her in the queue between her and theperson at the front of it -- Logan.SERVER: What can I get you?LOGAN: Uh, coffee with cream.Logan looksback at Veronica. He turns back to the woman at the counter.LOGAN: Actually, could I get a couple ofthem?SERVER: Sure.She hands him the coffees.LOGAN: Thank you. Logan walks back to the end of thequeue.LOGAN: Here. He slips one of the cups into her hand, almost surreptitiously.LOGAN: I hate to thinkof you under-decaffeinated. She smiles as she takes it.VERONICA: Danke. They walk away from thecounter together.VERONICA: It's 8am. Shouldn't you be in a wet suit somewhere? He shrugs andgrins.LOGAN: Early Poly Sci.VERONICA: And you're actually going?LOGAN: Yeah. I even bought thisamazing pen that accents text in neon colours.Veronica gasps exaggeratedly.VERONICA: Ahighlighter!LOGAN: Lots of advancements since the last time I buckled down. How 'bout you?VERONICA:Uh, \"Violence in Early Adolescence.\"LOGAN: Ah. Need me to autograph your textbook?VERONICA:Thanks, but...Veronica trails off and points to her coffee.VERONICA: So, what do I owe you for the cup ofjoe?LOGAN: Nah, just pay-it-forward.Logan hesitates briefly before hurrying on nonchalantly.LOGAN:Hey, by the way, I'm throwing a birthday party for Parker this weekend. I was studying up; I watched MySuper Sweet 16. Which reminds me, you don't know where I can get a dozen eunuchs, doyou?VERONICA: Not offhand. I could make some calls.Veronica fakes a laugh to keep up the mutuallycasual banter in which they are indulging.LOGAN: Hmm. Well, if you're not busy, I know she'd really likeyou to be there. We both would. Think about it. Logan walks away, leaving Veronica staring after him.INT- MARS INVESTIGATIONS - DAY.The fish are swimming happily in the tank in Keith's office. Veronicafinishes feeding them and walks back to Keith's desk. She checks some papers on which she is working.Footsteps sound in the outer office and an Arab woman, Sabirah Krimani, appears at the opendoor.SABIRAH: Is Mr. Mars in?VERONICA: No, sorry. We've shut down for a while.The woman isdisappointed.VERONICA: You own Babylon Gardens, don't you? She nods.VERONICA: My dad and I gettakeout there all the time. I went to high school with your daughter. Sabirah Krimani steps forward,disinterested in small talk.SABIRAH: Our restaurant was vandalised. Rocks through our window. Theyspray-painted \"Terrorist\" on our door. Is there someone who can help us? Veronica's eyes glint withdetermination and she smiles.VERONICA: I believe there is.INT - THE BREAK - NIGHT.The Break is abusy bar with loud music playing. The most prominent sign in the bar besides the one declaring the barsname is a notice declaring Thursday nights as \"College Night.\" A young man is slumped at the barcounter. A hand pushes a pad of paper and a pen at him.MURPHY: Jimmy! The boy doesn't move. The barowner, Mr. Murphy, slaps his arm to rouse him.MURPHY: Hey, your tab. Hey, come on. Jimmy lifts hishead up.MURPHY: Sign it and hit the road. Jimmy grabs the pen and pad and signs it. He grabs the nearlyempty glass of beer in front of him and drains it as he slides off the barstool. He pushes himself awayfrom the bar as Murphy collects the pad.EXT - THE BREAK - NIGHT.Jimmy staggers outside and crossesthe road without looking. A car honks his horn, but Jimmy's slow and only action is to hold up his handsin front of his face. The screen whitens in the glare of headlights to the sound of the sickening thud as the"}
+{"doc_id":"doc_86","qid":"","text":"IMAGE OF THE FENDAHLBY: CHRIS BOUCHERPart ThreeRunning time: 24:22[SCENE_BREAK]LEELA:Doctor? What's the matter? Where is he? Doctor![SCENE_BREAK]LEELA: Doctor?DOCTOR: No, no.BOTH:Are you all right?LEELA: You are very heavy.DOCTOR: How did you find me?LEELA: Well, I just feltsomething was wrong so I followed the feeling.DOCTOR: Yes.LEELA: I did!DOCTOR: Yes, of course youdid.LEELA: Hey.DOCTOR: What?LEELA: Have I saved your life?DOCTOR: Yes. I was careless. Come on,get up. Come on.DOCTOR: You're becoming a metracion generator, aren't you.LEELA: Is italive?DOCTOR: Yes. It's using appropriate genetic material to recreate itself.LEELA: What is it?DOCTOR:Shush. I think it's the Fendahl. It grows and exists by death.LEELA: Most creatures do. That is what youtold me.DOCTOR: The Fendahl absorbs the full spectrum of energy, what some people call a life force orsoul. It eats life itself.LEELA: That must be what the old woman saw.DOCTOR: What?LEELA: Huge anddark, she said. Hungry for her soul.DOCTOR: And she's still alive?LEELA: Yes.DOCTOR: Take me toher.LEELA: What about that?DOCTOR: It's indestructible.LEELA: Well, what about the sonic timescan?DOCTOR: No, no, first thing's first. Fendelman can operate that before the implosion for about ahundred hours, give or take a few minutes.LEELA: But he might already have used his hundredhours.DOCTOR: That's a risk I'll have to take. Come on, let's go.[SCENE_BREAK]COLBY: What's thatfor?FENDELMAN: That is a running log. Some of the scanner components have a limited life.COLBY:Ninety eight hours fifty six minutes forty three point seven seconds. You've been busy with thisequipment.FENDELMAN: It has been a joy.COLBY: A labour of love, even. If man really is descended fromaliens like this, why haven't we found evidence of it before?FENDELMAN: Because we were notlooking.COLBY: Oh, come on.FENDELMAN: No, we were not looking for this kind of evidence, and withoutthe scanner we would not have found this. Adam, in all research there must be a single discovery. Whatis it the Chinese say? That a journey of a thousand miles begins with but a single step.COLBY: This isn't astep, it's a jump. And to rather an illogical conclusion.FENDELMAN: You shall see. I have alreadyreprogrammed the computer. This time it will give a visual interpretation of what the scanner picks up.On this screen, Colby, you shall see the true genesis of homo sapiens.[SCENE_BREAK]STAEL:Thea.THEA: Max.STAEL: I'm glad you are awake, Thea. I want you to understand why I brought youhere. You are the medium through which the ancient power of this place is focused.THEA: What are youdoing?STAEL: The scanner awoke the power. You know about the scanner, of course. I've been watchingyou for some time, you see. Through you, I shall conjure and control the supreme power of theancients.THEA: Oh, Max, don't be so ridiculous.STAEL: You will sleep now, while we prepare.THEA: Max!Max, you're a fool.STAEL: I shall be a god.[SCENE_BREAK]TYLER: Is this him? Is this your man? Oi, doyou know what's going on? My Gran in hell of a state.DOCTOR: Come on, Mrs Tyler, wake up.LEELA:Come on, old woman, wake up. Wake up now.TYLER: Oi, what do you think you're doing? Leave heralone.DOCTOR: Do you know what's wrong with her?TYLER: Well, no, butDOCTOR: I do. Make sometea.TYLER: Tea?DOCTOR: Tea. She does drink tea?TYLER: Well, yeah.DOCTOR: Off you go and makesome. Use the best china. Four cups laid out on a tray. Off you go. Oh, and some fruitcake.TYLER:Anything else?DOCTOR: No.DOCTOR: I love fruitcake. Come on, Mrs Tyler. This is no way to behavewhen you've got visitors. We've come for tea.LEELA: And fruitcake.DOCTOR: Andfruitcake.[SCENE_BREAK]FENDELMAN: There, Colby, do you see it?STAEL: Turn it off!FENDELMAN:Where have you been, Stael. I needed you here.STAEL: Turn off the scanner!COLBY: Doctor Fendelman,I think you have an industrial relations problem.FENDELMAN: What are you talking?FENDELMAN: Haveyou lost your mind?STAEL: The scanner.FENDELMAN: No.COLBY: Relax, Max. I'll do it.FENDELMAN: Why,Stael?STAEL: I am not yet ready. My followers are not yet here.COLBY: Followers? Well, that'simpressive.STAEL: Shut up, Colby, or I will kill you now. Outside, both of you.FENDELMAN: Is this somesort of joke, Max?COLBY: Oh no, Max isn't famous for his sense of humour, are you, Maxie?STAEL: I shallnot warn you again, Colby.COLBY: You're going to kill us anyway, aren't you?STAEL: That depends onwhether I enjoy having you worship me.[SCENE_BREAK]DOCTOR (OOV.): Then you mix the peanuts withthe treacle[SCENE_BREAK]DOCTOR: Throw in the apple cores very hard, put the lot in a shallow tin and"}
+{"doc_id":"doc_87","qid":"","text":"The Space Pirates5:15pm - 5:40pm[SCENE_BREAK]1: SPACE(A huge beacon - a large decagonalstructure made of eight pre-fabricated sections, a docking station and a power shield section - hangs inthe blackness and silence of space. The words on the side of the structure designate it as \"ALPHA 1\". Asmaller black, pointed ship moves up next to and docks with the beacon.)[SCENE_BREAK]2: INT. SPACEBEACON ALPHA ONE. AIRLOCK(The pressure gauge in the airlock reaches normal and the doorway fromthe new ship buzzes opens to admit three men dressed in helmets and space armour. They carry variouspieces of equipment. One of them is an older moustached man - DERVISH. He is dressed in a uniformand helmet of the same ilk. He watches as one of the other two men moves to the doorway which leadsinto the beacon itself and starts to open it.)[SCENE_BREAK]3: SPACE(Soon, outside the beacon, two menin helmeted spacesuits traverse along the hull. As they do so, they attach a small magnetic devices to theoutside of the beacon along with a propulsion unit.)[SCENE_BREAK]4: INT. SPACE BEACON ALPHA ONE.PASSAGEWAY(CAVEN, the leader of the raiders, walks into the beacon from the airlock. He wears aribbed and armoured uniform with a helmet which covers most of his head but leaves his nose, mouthand cold eyes exposed.)CAVEN: Dervish... (Shouts.) Dervish!(DERVISH walks up to him from within thebeacon.)DERVISH: We're nearly finished.CAVEN: About time.DERVISH: Our men are just coming. We'lldetonate by radio beam.CAVEN: Right, hurry it up.(The other two men return and they all re-enter theirship. The door to the airlock buzzes closed behind them.)[SCENE_BREAK]5: SPACE(The ship moves awayfrom the beacon. A radio signal transmits from the ship and, seconds later, a huge explosion takes placethat breaks the beacon up into its component sections.)[SCENE_BREAK]6: SPACE(A V-Ship, a largemilitary cruiser with the registration number V41-LO, moves through space. It is flat with an small Eagledesign on the front of the ship.)[SCENE_BREAK]7: INT. V-SHIP FLIGHT DECK(Inside the ship, the flightdeck is on two levels. The upper level, whose front panel is decorated also with an Eagle insignia, is thecommand area whilst the flight technicians sit on the lower level. A large monitor screen dominates oneof the walls of the lower level. All the occupants of the ship wear space-age military uniforms consistingof silvery suits with metallic interlocked diamond collar insignia. MAJOR IAN WARNE, the young Americansecond in command, walks into the room and past TECHNICIAN PENN, another young man with dark hairand a moustache, on the lower level.)MAJOR IAN WARNE: Everything all right, Penn?TECHNICIAN PENN:Fine, sir.MAJOR IAN WARNE: Fine.(WARNE makes his way up to the upper level by way of some steps atthe back and approaches an older grey-haired man who sits in a command chair overlooking the flightdeck. The dais in front of the chair is covered by a large astral grid-map. At the back of the commandlevel is a small monitor screen.)MAJOR IAN WARNE: You sent for me, sir?(GENERAL HERMACK looks upand speaks in a rich clipped tone.)GENERAL HERMACK: Ah yes. Ian, sit down.(WARNE sits in the chairnext to him.)MAJOR IAN WARNE: Thank you.GENERAL HERMACK: Any information on that beacon signalyet?MAJOR IAN WARNE: No sir. There's been no response to the secondary emergency circuitseither.GENERAL HERMACK: No, there wouldn't be.MAJOR IAN WARNE: Sir?GENERAL HERMACK: What doyou think has happened to that beacon?MAJOR IAN WARNE: Well, it's difficult to say, sir. It could be afailure in the solar energy store.GENERAL HERMACK: No, the emergency power would operate and we'dget a May-Day signal.MAJOR IAN WARNE: Well?(WARNE considers, then...)MAJOR IAN WARNE: Oh, youdon't think this is a mechanical failure, sir?GENERAL HERMACK: No, no, I don't. These beacons arepractically fool proof.MAJOR IAN WARNE: You got any ideas?GENERAL HERMACK: Yes, I have. And I mustbe right - Argonite! These beacons are almost entirely constructed of Argonite.MAJOR IAN WARNE: Ofcourse, sir! What are you going to do about it?(HERMACK turns to the controls in front of his chair andswitches on the ship wide communications. He picks up a microphone and speaks into it as all thepersonnel on the flight deck stop and listen to the echoing message...)GENERAL HERMACK: (Intomicrophone.) Attention all personnel. This is General Hermack. Your V-Ship is now fifty days and manybillions of miles out from Earth. You're entering the fourth sector of our galaxy. In this sector for sometime now, Earth Government has been aware that a highly organised gang of criminals have beenroaming the space ways, and preying upon defenceless cargo ships. The main target of these criminals is"}
+{"doc_id":"doc_88","qid":"","text":"EXT. CITY STREET, NIGHTStreetlights flicker and a few people mill about the park across from Sanderson& Grainger department store.INT. STORE, LADIES DEPARTMENT, NIGHTA young clerk, KELLY, and hersupervisor, SHONA, are serving the last customer of the night.SHONA: Thank you. (gives customer hisbag)KELLY: I better cash up then? S'pose John-Joe can just wait for me? (doesn't move)SHONA: No, I'lldo it, you head off.The lights in the store flicker.KELLY: When's the council going to fix this? Last nightmy telly went off in the middle of Top Model.SHONA: John-Joe's waiting. I'll do the changing rooms,too.KELLY: Oh, thanks, Shona.KELLY leaves and SHONA looks at the lights nervously.INT. OWENSHOUSE, FRONT HALL, NIGHTThe hall light flickers as CRAIG and SOPHIE come down the stairs. SOPHIEhas a coat on.SOPHIE: There's a list on the fridge.CRAIG: I saw it.SOPHIE: And I've labelled the food Andsort of numbered it.CRAIG: Sophie, you don't need to number food.SOPHIE: It's just a suggestion. Also,my mum might phone.CRAIG: Might?SOPHIE: And your Mum. And my Dad. And you know, just somepeople.CRAIG: I can cope on my own! Now, please, go and have a rest. You need it. I love you.SOPHIE: Ilove you, too. (hugs him) And thank you for this. And I do know you can cope on your own. And I mayhave drawn some arrows in the fridge.CRAIG: You do really have to go.CRAIG picks up her bag and walksher outside.INT. STORE, LADIES CHANGING ROOMS, NIGHTSHONA walks into the changing rooms andsees clothes strewn about the floor as the lights continue to flicker.SHONA: Kelly!SHONA bends over tostart picking up the clothes. The curtain over the last room waves.SHONA: Hello? Sorry, we need to closeup? Two minutes, OK? (continues to pick up clothes)INT. OWENS HOUSE, KITCHEN, NIGHTCRAIG issitting at the table talking on the phone.CRAIG: Mum, it's not just you. I'm phoning everybody. I'mtexting the world. Craig Owens can do it on his own. No-one is coming to help me! (knock on the frontdoor) Mum, I'm going to have to call you back. (shuts off the phone and rubs his eyes as the knockingcontinues) I'm coping, I'm coping on my own... I'm coping on my own! (walks to the front door)EXT.OWENS HOUSE, FRONT DOOR, NIGHTCRAIG: (opens door) I'm coping on my own!DOCTOR: Hello, Craig!I'm back!CRAIG: She didn't? How could she phone you?DOCTOR: How could who phone me? Nobodyphoned me, I'm just here. (peers inside) You've redecorated! I don't like it.CRAIG: It's a different house,we moved.DOCTOR: Yes, that's it.CRAIG: Doctor, what are you doing here?DOCTOR: Social call. Thoughtit was about time I tried one out. How are you?CRAIG: I'm fine.DOCTOR: This is the bit where I say. \"I'mfine, too\" isn't it? I'm fine, too. Good. Love to Sophie, bye!The DOCTOR turns and walks away but stopswhen the light at the front door begins to flicker.DOCTOR: Something's wrong! (goes inside)CRAIG shutsthe door.INT. OWENS HOUSE, HALL, NIGHTThe DOCTOR is scanning with the sonic. He then goesupstairs.DOCTOR: On your own, you said. But you're not... you're not on your own!CRAIG: (follows) Just,shhh!DOCTOR: Increased sulphur emissions. And look at the state of this place. What are you not tellingme?CRAIG: Doctor, please!DOCTOR: Shhh!CRAIG: No, you shhh!DOCTOR: Shhh!CRAIG: Shhh!DOCTOR:No, you shhh! (goes to bedroom door)CRAIG: Doctor!INT. STORE, LADIES CHANGING ROOMS,NIGHTSHONA is still cleaning up when she sees the shadow of a pair of legs appear in the last changingroom.SHONA: (walks closer) Hello, who's in there?INT. OWENS HOUSE, HALL, NIGHTThe DOCTOR opensthe bedroom door and rushes in.INT. OWENS HOUSE, ALFIE'S ROOM, NIGHTWe see the room is anursery with stuffed toys and cloth hangings on the walls. The DOCTOR doesn't see any of this.DOCTOR:Whatever you are, get off this planet!ALFIE starts to cry and CRAIG goes over to the crib.CRAIG: Oh,you've woken him!INT. STORE, LADIES CHANGING ROOMS, NIGHTSHONA stops just outside thecurtain.SHONA: Hello? You all right?SHONA opens the curtain and screams. Inside is a CYBERMAN, albeitone that is dirty and scratched.[SCENE_BREAK]Matt Smith Karen Gillan Arthur Darvill\"Closing Time\" ByGareth RobertsProducer Marcus WilsonDirector Steve Hughes[SCENE_BREAK]INT. OWENS HOUSE,KITCHEN, NIGHTThe DOCTOR closes the freezer door and turns to CRAIGDOCTOR: So when you say onyour own...CRAIG: (holding ALFIE) Yes, I meant on my own with the baby, yes. Cos no-one thinks I cancope on my own. Which is so unfair. Because...I can't cope on my own with him! I can't. He just cries. Allthe time. I mean, do they have off-switches?DOCTOR: (sits at table and flips through a pregnancy book)Human beings. No. I've checked.CRAIG: (puts ALFIE in high chair) No, babies.DOCTOR: Same difference."}
+{"doc_id":"doc_89","qid":"","text":"[Salvatore's House](Elena and Stefan are training)Stefan: And?Elena: That did nothing for me. How wasit for you?Stefan: Again. Good. Now, focus on letting it goElena: Or we could skip the sublimating partand you can tell me where she is so that I can rip her head offStefan: I don't know where Katherine isand even if I did, I wouldn't tell youElena: Stefan, you're the one who told me to channel all of myemotions into one single feeling.Stefan: I realize that. I just figured it would be love, or hope, orcompassion. Not unwavering hatred for a ruthless vampire that's 500 years older than you. Give me 50pull-upsElena: You wanted to kill Klaus when you got your emotions backStefan: I know and Icouldn'tElena: You don't think I can kill Katherine?Stefan: I don't think you really want toElena: Maybeyou're right. Maybe I just want to feel the warmth of her chest cavity as I rip out her heart and watch herface as she realizes I took it from her. Nah, I just want to kill her. It's that simple. I'm gonna goshower[Mystic Grill](Rebekah is at the bar with Matt)Rebekah: So, let me get this straight. You send outa notice of your impending graduation, and people feel obliged to give you money?Matt: PrettymuchRebekah: Sounds brilliant. Why aren't you participating?Matt: I don't have a whole lot offamilyRebekah: Well, that makes two of us. Besides, I don't think it was my mother's dream to see me ina cap and gown. How about your mom?Matt: Let's just say I'm not holding my breath for a graduationcheck(Caroline and Elena are sitting on a table outside)Caroline: Stamp, please. Thank youElena: Youdon't have to pretend to be nice to me, Caroline. I know this is just a ploy to keep me distractedCaroline:You're done? I'm only on my second batchElena: We have family friends in Denver. Other than that, noone cares that I'm graduating. And to be honest, neither do ICaroline: You know, that's how you feelnow, but once you get through this hating Katherine phase...Elena: Wait. Do you know where Katherineis?Caroline: No. Why would I know where she is?Elena: Yeah, but Caroline, if you did, you would tell me,right?Caroline: Elena, you're obsessingElena: Caroline, listen to me. If you know where Katherine is, youhave to tell meCaroline: I don't. Elena... Chill.[The Woods](Bonnie and Katherine are in thewoods)Katherine: Hello! Could you be any creepier? Why are we here?Bonnie: You want me to make youtruly immortal so that nothing can kill you. To do that, I need to talk to Qetsiyah, which means I need tolower the veil to the other sideKatherine: That still doesn't explain why you made me trudge through mudin $500 bootsBonnie: A few miles that way, 12 hybrids were killed at the Lockwood cellar. And a fewMiles that way, 12 humans died at the Young farm. And this is the site where 12 witches werekilledKatherine: 13 if you don't get to the pointBonnie: It's the expression triangle. I need to charge all 3points and channel the mystical energy from Silas's tombstone. Once that happens, I can drop the veilinside the 3 points and just long enough to get what I needKatherine: And what exactly do youneed?Bonnie: Silas has done nothing but torment my friends. Now he wants to unleash hell on earth.He's evil. In 2,000 years, only one person has been able to put him downKatherine: Let me guess.QetsiyahBonnie: If I can contact her, I can ask her how to do it. Now hand me the rockKatherine: You'regonna flood Mystic Falls with dead, supernatural creatures so that you can ask a 2,000-year-old witch notone but two favors? Ha! I think I'll take my business elsewhere(She can't leave)Katherine: What thehell?Bonnie: I linked us. Which means you're stuck with me for the day. Silas can be anyone. If he gets inyour head and figures out I don't need a full moon to do the spell, it's over. Now, about thattombstone[Mystic Falls' Hospital](Stefan rejoins Damon)Damon: You just missed the donutsStefan: Yeah,I was with Elena burning off a few thousand hate-filled calories. What happened to you helpingme?Damon: Help? Yes. Prolonging the inevitable, waste of my timeStefan: Hmm. You're avoiding. HowunexpectedDamon: I'm not avoiding. Elena's only goal is to end Katherine's life, and that's not gonna justmagically disappear with Pilates and a juice cleanse(Liz rejoins them)Liz: Hey, guys. Thanks forcomingDamon: Hey. Why were we invited?Liz: Well, the hospital has kept the blood banks empty eversince they were raided last month. We thought at the very least, it would help keep the vampirepopulation awayStefan: And it didn't?Liz: See for yourself(They go to a room)Liz: There were 4 othervictims in this wing. Each one almost completely drained of blood. You think it's Silas?Damon: Or a doctorwith some very questionable bedside mannerLiz: But 5 victims? It's a lot of blood and it's not like he can"}
+{"doc_id":"doc_90","qid":"","text":"\"Wipe Out\" 29th Episode of RoswellProduction Code: 2ADA07[SCENE_BREAK](Episode begins with a tourbus heading towards Roswell)(At the Evans household, Diane Evans is trying out her cooking skills)Diane:It's a frijoles frittata. Martha Stewart serves it to her guests in the Hamptons. So. Um...Phillip! It's gonnaget cold! Get in here!Max: Who needs a nice big glass of juice?Isabel: I'll get it.Max: I warned you aboutgetting her a subscription to that magazine. How long are you gonna keep avoiding me?Isabel: I'm notavoiding you. We destroyed a race of people. I'm just trying to get past it. Juice?Max: You sure there'snothin' else?Isabel: I'm sure. Thanks.(The tour bus keeps heading closer to Roswell)(Kyle and SheriffValenti are fishing. Kyle appears to have caught a fish)Kyle: Dad. Dad. There.Sheriff: Whoa, whoa, whoa,whoa.Kyle: Ohhh...Sheriff: Ok. Take it easy. Take...whoa, whoa.Kyle: It's, like, gonna break thisthing.Sheriff: Just bring it in closer.Kyle: Ok, I'm tryin'. I'm tryin'. But I need your help. It's like...Sheriff:All right, a little closer.Kyle: There we go. There we go. There we go.(Sheriff Valenti gets the fish off ofthe hook)Sheriff: Whoo-hoo! Oh, man! Heh heh heh hoo!Kyle: Ok, look out.Sheriff: Whoa! The bagleybang-o-lure does it every time. Here you go. Get a good grip.Kyle: Whoa!Sheriff: We'll be eatin' like kingstonight.Kyle: That's gorgeous. That's beautiful!Sheriff: Ho! Ha ha!(Kyle releases the fish back into thestream)Kyle: Go, buddy.(Sheriff Valenti is dumbfounded by what Kyle just did. He was looking forward toeating that fish)Kyle: It's the circle, dad. The circle of life.(Switch to Liz and Maria in Maria's Jetta)Liz:Would you step on it, please? My dad is gonna implode if we don't get this thing back by the lunchrush.Maria: It's your first day back in uniform. We have one break in an 8 hour shift, and the man sendsus 30 miles out of town on an errand.Liz: Well, he let us stay on the clock.Maria: I'm sorry, Liz. I loveyour father dearly. I do. But this is totally Kathie Lee.(We see a billboard sign for the UFO center. It'sbeen defaced, with a glowing green rod stuck through it. A green pulse from the rod is shot atRoswell)(Back in Evans household, Mrs. Evans asks Max about Liz while everyone tries out hercooking)Diane: Max, how's that cute Liz Parker, honey? She hasn't called here in awhile.Max: Could Iplease have some more fritatta?Diane: Oh, sure, honey! I'm so glad you like it!(Diane Evans goes to getanother serving of fritatta for Max, when the plate that she was carrying drops to the floor. She'sdisappeared)Isabel: Mom?(Liz and Maria, who were outside of Roswell when the green pulse went off,arrive in town to find cars stopped in the middle of the road)Maria: Why are all these cars stopped?Liz:What's going on? Maria, w-what's going on--Maria!(Maria swerves into a baby stroller)Maria: Oh, God! Ididn't see it! It was just...it was just there, and I was going too fast.(Liz and Maria check the stroller, butthere isn't any baby in it. Liz looks around and notices a lawn mower going around in circles without adriver)Liz: What? What?! Oh, my gosh, look!Maria: What?!Liz: Where is everybody?(The bus arrives inRoswell. Tourists start stepping out, including Nicholas. It's apparent now that the bus is full of skins)SkinTour Guide: Welcome to Roswell, New Mexico, folks...UFO capital of the world and last stop on our tour.Everyone, remember their sunscreen while you're out and about.Skin Tourist: Thank you.Nicholas: Let'sfind some aliens.(Opening credits)(We see Sheriff Valenti and Kyle driving back to Roswell. They stop at abillboard of the UFO Center that has been defaced)Sheriff (on radio): Deputy Hanson, we've got someproperty defacement up by the Chaparral Turnout. I need you to rustle up a ladder and, uh, take care ofit.Sheriff: You could've told me you didn't want to go fishing.Kyle: No, I did. I wanted to fish. I just...it'sjust now I enjoy it from a different perspective.Sheriff: Different seems to be the story of your life thesedays. The guys don't come over to watch games anymore. You hang wind chimes in my backyard, burncompost sticks in the kitchen.Sheriff (on radio): Hanson!Kyle: It's called ylang-ylang, and it opens themind.Sheriff: You know what? If you laid off the mumbo jumbo, you might get a date every once inawhile.Sheriff (on radio): Hanson!Kyle: Any other areas where'd you like to point out my incompetency,dad, or is the list complete at fishing and dating?Sheriff (on radio): Hanson, if I get back to the stationand find you sipping a damn frappuccino...Sheriff: My one day off!(Sheriff gets in his car and startsdriving into Roswell)(Meanwhile, at the Evans household, Isabel has searched upstairs and can't findeither of her parents)Isabel: I can't find dad. Max? Max! Max!(Max opens the door and enters)Isabel:Where were you?Max: The neighbor's house is empty, too.Isabel: What's happening?Max: I don't"}
+{"doc_id":"doc_91","qid":"","text":"[ The apartment ]Sheldon: What color would you like to be?Leonard: Well, I'd like to be green, but youknow you always take it.Sheldon: That's not true. Any color's fine with me. Yeah, I could be a-acombination of blue and yellow.Leonard: Blue and yellow make green.Sheldon: Well, then it'ssettled.Penny: Hi. Ready to go?Sheldon: Oh, good news, we ordered lunch, so we can all stay here andplay Lord of the Rings Risk.Amy: Sheldon, we said that we would play games with you tonight.Sheldon:Oh, no, we'll still be playing it tonight, this game can easily take eight hours.Penny: Sweetie, you reallythought I'd want to do this?Leonard: No.Penny: Well, did you tell him that?Leonard: Yes.Penny: Did yousay it out loud with words?Leonard: No.Penny: I don't want to spend the whole day playing a boardgame.Sheldon: Yeah, well, you may change your mind when you hear that this is the new expandededition which contains a more complete map of Middle Earth, now including the HaradwaithTerritories.Amy: I will literally race you to the car.Leonard: No, no, no, come on, don't leave. Just tryit.Penny: No. We're always doing what you guys want. Just once, it'd be nice if you did something wewanted.Sheldon: You want to be green?Leonard: You know, they really have tried to like a lot of thesame stuff we're into.Penny: Yeah, we do game nights and video game nights and we watch movies withdirector's commentary.Amy: Oh, my favorite, George Lucas can talk all the way through Star Wars, I sayone word and I'm banished to the kitchen.Penny: Yeah, today Amy and I are deciding what we're allgonna do.Leonard: You got it, you girls are in charge.Penny: Thank you.Amy: Sheldon?Sheldon: Fine.Now that we're not playing, you can be green.Leonard: Thank you.Sheldon: And since you're green thistime, I can be it next time.Penny: All right, let's see. What's something fun the guys would never take usto do? Oh, I know, we could go horseback riding.Amy: I actually can't. My hips don't open wider than 22degrees. I rode a very thin pony once. On the first bump, just popped right off.Penny: All right, well,what do you want to do?Amy: There's a craft and folk art museum on Wilshire.Penny: Well, that'sWilshire's problem. Come on, you know, there, there's got to be something fun we could do that the guyswill hate.Leonard: Hang on, why do we have to hate it?Penny: Three words, Doctor Whoconvention.Leonard: I did not force you to go to that.Penny: You walked out of the house in a fez andbow tie. I went so you didn't get beat up.Leonard: I wasn't gonna get beat up.Penny: You were, butsomehow I held myself back.Sheldon: You know what you could make us do? Ice-skating. The cold airwill trigger Leonard's asthma and it plays right into my well-known fear of getting flattened by aZamboni.Leonard: Now you're helping them find ways to make us miserable?Sheldon: Well, I'm sorry,Leonard, I'm a problem-solver, it's what I do.Amy: I actually can't go ice-skating. I have unnaturallybrittle ankles.Penny: Is there any part of your body that's normal? (chuckles)[SCENE_BREAK]\u0000 Ourwhole universe was in a hot, dense state \u0000[SCENE_BREAK]\u0000 Then nearly 14 billion years ago expansionstarted... Wait! \u0000[SCENE_BREAK]\u0000 The Earth began to cool \u0000[SCENE_BREAK]\u0000 The autotrophs beganto drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000 We built the Wall \u0000[SCENE_BREAK]We builtthe pyramids[SCENE_BREAK]\u0000 Math, Science, History, unraveling the mystery \u0000[SCENE_BREAK]\u0000 Thatall started with a big bang \u0000[SCENE_BREAK]Bang![SCENE_BREAK][ Howard and Bernadette's apartment]Raj: Oh, my God, oh, my God, oh, my God.Howard: Will you please relax?Raj: I can't take it,dude.Bernadette: You okay?Raj: No, I'm not okay. I feel like I'm gonna jump out of my skin.Bernadette:I told you not to wax down there. It's itchy when it grows back.Raj: I'm worried about the New Horizonsspace probe.Bernadette: What's he talking about?Howard: Nine years ago he was part of a team thatlaunched a spacecraft to collect data about Pluto, and it's finally close enough, so this morning it turneditself on.Raj: We hope. The signal has to travel over three billion miles. So it's gonna be hours before weknow if it even survived.Howard: Now we get to see him flip out because he's worried it was demolishedby space ice.Raj: Space ice is no joke. I can't even watch Frozen anymore.[SCENE_BREAK][ Theapartment ]Amy: Ooh, the philharmonic is playing Beethoven downtown.Sheldon: Before you say yes, it'snot the movie about the big dog.Penny: How come we can't think of something we both want to do?Amy:Because you always pick what we do and I just go along with it.Leonard: Ah, interesting, we're beingaccused of making you do things you don't like, and here you are, doing the same thing to poor"}
+{"doc_id":"doc_92","qid":"","text":"In the gymnasium, people are setting up for a blood driveMarco: So for tomorrow Ellie I need you to handout stickers, okay? Craig I need you to pack the blood bags. And Alex, Alex!Alex: This I will not bewearing.Marco: It's for TV, Caitlin Ryan's community show? Look when people see Degrassi, I want themto think cute and cuddly.Alex: I'm going to clobber you.Marco: That's not cuddly. And as a presidentspeaking to his vice...Alex: Alright. Calm down. Everything has to be perfect.Ellie: She's right. Whatyou've done for the school this year, ever consider running a second term?Alex: (dancing around in themascot head) Four more years! Four more years!Marco: I can't. I was thinking of picking up a few extracredits this summer. This way, I can graduate after first semester's done, maybe even move in withDylan before university. My boyfriend? Alright you guys know I'm gay, right?Ellie: Um I'm stuck ongraduating early.Craig: I'm on move in with Dylan.Marco: Guys it's not that big a deal! Okay it's huge.Outside Degrassi, there's a sign that says 'blood drive today'Dylan: So you'll call before you come overfor the party? Marco? Today's gonna go fine.Marco: There's been a bee in this car for the entire ride. Fearis my friend.Dylan: You know a year ago you would have jumped out of a moving vehicle.Marco: Yeahwell, a year ago I wasn't with you.(They kiss.)Marco: Go. Back to your dorm. I'll see you tonight at theparty.In the gymnasium, Spike is giving bloodSpike: It's like breastfeeding, only out of your arm.Emma:I think it's faster if you're quiet.Caitlin: (on camera) So you inherited a school where a student died andanother paralyzed.Ms. Hatzilakos: Not the best situation to assume Principal, I agree.Caitlin: And yetyou've managed to turn it all around.Ms. Hatzilakos: Oh no. Not me! Marco is the hero here. Organizingthe dances, the assemblies, that's where the work has been.Caitlin: You donated yet Marco?Marco: WellI'm planning...(Alex jumps on him in the Panther suit.)Marco: Alex! Stop tackling me!Caitlin: Uh cut!Ms.Hatzilakos: So when is this gonna air?Caitlin: Eight tonight and I wanna add shots of Marco donating,when you're recovered.At the dot, Spinner is working and Jay is tapping a spoon against a glassSpinner:If I'm still serving you ten years from now kill me, all right?Jay: Well study hard and stay in school. Ohright! You got us expelled.Spinner: Here you go ladies. Uh Clare will be with you in a moment to takeyour order.Old lady: We asked for lemon with our water.Spinner: Uh, you can't bring a dog in here.Oldlady: I didn't hear complaints. Ladies? We'll have the lunch menu instead.Spinner: I'm going off shift, soClare will...Old lady: And lemon for the water and a bowl for Baby Bear here. So she can have some too,yes! Back in the gymnasium, Marco is about to donateMarco: So if I pass out and start drooling, swearyou'll stop filming?Nurse Davis: Mr. Del Rossi? Could you please ask them to stop filming for just aminute?Caitlin: Uh we're not shooting the whole giving of blood. We're just gonna shoot a few frames ofthe President.Nurse Davis: I'm sorry Ms. Ryan.Marco: Is there some kind of problem?Nurse Davis: Uhthere's a question here that you answered yes beside.Marco: It asks, if I'm male and if I've had...withanother male.Nurse Davis: Yes, if you've had s*x.Marco: So?Nurse Davis: Well it's policy you have tounderstand, um but I can't let you be a donor. In the principal's office, Spinner is holding a flower potMs.Hatzilakos: You shouldn't be here Gavin.Spinner: I, I didn't make an appointment. I was afraid youwouldn't see me. I just want you to know this being expelled, I'm not taking it like it's a vacation. I'vebeen keeping up in my textbooks.Ms. Hatzilakos: You were supposed to return those.Spinner: But I needthem to write exams.Ms. Hatzilakos: You don't get to do that.Spinner: So that's it? I just lose my wholeyear?Ms. Hatzilakos: I'm willing to offer summer school.Spinner: But that only gives me two credits.That's not even enough to graduate. I mean that's a whole year of my life I have to do over. That's notfair!Ms. Hatzilakos: What's not fair is that Rick Murray is dead as an indirect result of yourbullying.Spinner: I need to finish my year Ms. H!Ms. Hatzilakos: No.(Spinner throws the flower in thegarbage and leaves.)In the gymnasiumMarco: (On his cell) Dylan? Hey it's me. Look just please call me,whenever. I'm here.(He walks over to Ellie, Craig & Alex.)Craig: Why is your blood any more risky thanours?Ellie: Don't they test everything anyway?Marco: There's nothing wrong with me. I've only been withDylan, he's only been with me. Even then we were totally safe!Alex: So stop whining. Start complaining.There's your soapbox. Use it!Marco: Caitlin! Hey!Caitlin: Hey.Marco: How's this for a story? Prejudice andhomophobia at local high school.Caitlin: I'd say we're on you.Marco: Nurse Davis? Hey.Nurse Davis:"}
+{"doc_id":"doc_93","qid":"","text":"Act One.Scene One - Radio Station. Frasier is signing off for the show. Roz is in her booth.Frasier: Tilltomorrow then, this is Dr. Frasier Crane wishing you...Roz knocks on the booth. Frasier looks around asees a grumpy old man looking in through the screen.Frasier: Oh, yes. Be sure to tune in later for thefinal broadcast of KACL's loveable curmudgeon, Chester Ludgate. You know, most of us here at thestation were surprised to hear that he was retiring. I for one thought he'd never leave. [pressesbutton]Roz: [enters] So, should we order a pizza?Frasier: Sorry?Roz: Those PSA's you promised you'dhelp me with are due tomorrow.Frasier: Oh gosh, Roz, I really am sorry. You know, it seems Mrs.Delafield's daughter is coming here to join us as an intern. I promised Kenny I'd show her around andtake her to dinner.Roz: So, while I'm working late, eating my vending-machine dinner, you'll be outhaving a gourmet meal with some cute rich girl.Frasier: Oh, you can make anything sound unfair.Rozexits to her booth as Kenny and the cute rich girl, Poppy, enter the booth. Poppy is like a character out of\"Clueless\": Long blond hair, dressed totally in a red \"girly\" outfit with red high heels and red hand bag.She speaks with an annoying, ditzy accent.Kenny: Hey, Doc.Frasier: Kenny, and who have wehere?Kenny: Dr. Frasier Crane, I'd like you to meet Miss Poppy Delafield. Well, gotta run. [swiftlyexits]Frasier: Poppy, what a pleasure to meet the daughter of our beloved station owner. So, what bringsyou to KACL?Frasier cannot get a word in throughout the following.Poppy: Well, I was in Paris last month- or was it Madrid? - No, Paris, and I said to myself, \"that's enough gallivanting for you, young lady, it'stime to get a job.\" So I flew home and asked my mother, Minnie, if I could nose around and see if somejob, you know, spoke to me at one of her radio stations, or TV stations or newspapers. But not herbrewery, thank you very much! So, here I am. Sleeves rolled up, ready to learn. Is this where you doyour show? Of course it is, there's your mike right in front of me. Earth to Poppy!She laughs; Gil walkspast the booth in the corridor.Poppy: There's Gil, I met him earlier. Hi, Gil!She waves, Gil runs away.Frasier also waves and then wonders what he is doing and looks back at Poppy, who carries on.Poppy:Nice man. I think it's marvelous what you do. To really help people. Unlike the psychiatrists I've been to,both of whom had some sort of, I don't know, narcolepsy. I sympathize, but if you can't stay awake,don't be a psychiatrist!Behind her back, Frasier removes his cell phone, dials a number, and then hides itin his pocket.Poppy: To do what you do, to face that microphone day after day and know that for the nextthree hours you're going to have to talk and talk and talk? I could not do it! I would freeze! Literallyfreeze!She laughs giddily. Then the phone on the console rings, stopping her.Frasier: Excuse me. [grabsthe phone] Hello? Yes, Dad. All right, calm down, calm down. Was there much blood?Poppy: Oh mygosh!Frasier: All right, Dad, I'll be there as soon as I can, hang on a second. [puts phone to chest, toPoppy] I'm terrible sorry, there's been a small emergency at home. I'm gonna have to pass on today,may I take a rain check?Poppy: Oh, and we were having such a nice chat.Roz enters.Frasier: This is Roz,my producer. You know Roz, I'll gladly do those promos if you would be so kind as to take Poppy todinner and answer her questions.Roz: Sure, if you don't get bored listening to me drone on aboutradio.Frasier: Oh, I don't think there's much chance of that!Poppy whizzes Roz out of the booth, chattingto her on the way.[SCENE_BREAK]Scene Two - Frasier's Apartment. Frasier and Daphne are sitting at thedining table. Martin enters and hurries Eddie into the apartment, checking the hallway for people.Frasier:What the hell is happening?Martin: Well, remember last week when Eddie killed his first rat? And howproud I was? I told you that story, right?Frasier: Yes, Dad, you told us. If you had a guitar you wouldhave written a ballad.Martin: Well, we were just down in the basement and I saw another rat. I said, \"goget him, boy!\" So just as he picked him up, had him in his teeth, shaking the life out of him, and I hearthis little bell, ting-a-ling. And I thought, \"that's funny - rats don't wear bells!\"Daphne: Oh, little RobbieGreenberg's missing hamster!Frasier: Yes, I read that flyer. He was offering a ten dollar reward.Martin:Well, the most we can claim at this point is about six-fifty.Frasier: You know Dad, this is actually yourfault. You know if you hadn't encouraged him after he killed his first rat he wouldn't have moved on tomurdering hamsters!Martin: Well, what are you talking about? We don't know it was Eddie who killedhim. He might have had a heart attack, or some kind of seizure when he bounced off the boiler!The"}
+{"doc_id":"doc_94","qid":"","text":"(Fade to black. Cut to rolling coastline of beach houses. Cut to Sydney running through a park. This is nota leisurely run. She looks more as if she's pushing herself, perhaps running from the demons in her life.She slows and stops, removing headphones from her ears and bending over to take a drink from a waterfountain.)Sloane (voiceover): Hello, Sydney.(Sydney looks up, shocked. Cut to see Sloane standing tenfeet away from her.)Sydney: What do you want?(She switches off her walkman radio. Sloane walkstoward her, clutching a small bottle of water in his hand.)Sloane: The Covenant is about to make amove.Sydney: If you have some intel, protocol is you pass it through Lauren Reed. She's yourhandler.Sloane: Well, Ms. Reed is very able, but I'm afraid she can't possibly comprehend the intricaciesof serving two masters simultaneously. You were brilliant at it. The way you would walk into my office,look me in the eyes and lie to me. (He nods.) For me to succeed in my new work as a double agent forthe Covenant, I'll need your help.Sydney: Your needs don't concern me.Sloane: You'll find the details ontoureurope.eu. It's encoded in a photo of the Vatican. The password is \u0000Credit Dauphine\u0000 for old time'ssake.(Sydney looks away slightly, arms crossed impatiently.)Sydney: Clever.(Sloane takes a swig fromhis water bottle, then dries his mouth with the back of his hand.)Sloane: Hmm I miss LA. I miss Emily. Imiss the friendship with your father. (sighs) I miss your confidence and trust. Perhaps, I can get it backsomeday?Sydney: You will never have my confidence and trust or my father's friendship and respectever.(Sloane just studies Sydney and then smirks slightly as if she's just said something funny.)(Cut toVaughn dressed in full hockey gear, minus helmet, at the rink, skating hard across the ice surface.)Weiss(voiceover): You don't want any of \u0000Weiss on Ice\u0000 Come on, buddy!(Vaughn takes a shot that goesright by Weiss, dressed in full goalie gear.)Weiss: All right, I wasn't ready! Wait \u0000til I say the words,\u0000I'm ready.\u0000(Vaughn lines up about 15 feet away from Weiss and shoots four pucks (wristshots) inquick succession at him. Weiss protests between each one.)Weiss: Whoa! Hey! Hey! Hey! Hey! Hey! Hey!Hey! . Dude, what's the matter with you?(Vaughn, skating backwards, resetting for more shots. His voiceis brooding.)Vaughn: Nothing.(Vaughn takes another shot, which Weiss catches in his catching glove. Hetosses it back out on the ice toward Vaughn.)Weiss: My brother used to do this.Vaughn (skating aboutrestlessly): Do what?Weiss: Shut down like you're doin'. Get all quiet and \u0000tough guy'.Vaughn (takinganother shot): That's not what I'm doing.(Vaughn goes back to skating restlessly.)Weiss: Yeah, he'ddeny it, too. Then he'd brood and get mopey, like you're doin'. Finally, it got too much for him he'd haveto come around and tell me what the problem was(Vaughn stops skating and lets out a large impatientsigh.)Vaughn: It's been three weeks since I learned that Sydney murdered Lazarey I've been lying to mywife for three weeks.Weiss: Vaughn, I know guys who've lied to their wives for a lot longer thanthat(Vaughn gives Weiss a dirty look.)Vaughn: You understand that the reason your brother didn't liketalking to you is because you say stupid things, right?(Vaughn fires an annoyed slapshot off the boards tothe right (from Vaughn's angle) of the goal. It makes a loud noise and skitters away.)Weiss: Listen youwere ordered not to say anything, right? This isn't your choice!Vaughn: Yeah, and she was ordered tofigure out who murdered Lazarey I mean, that's my point. I'm actively engaged in preventing her fromdoing her job. (He shakes his head and sighs with frustration again.) She's gonna find out, I mean, youknow she is(Weiss nods with a little sigh.)Weiss: and that you're protecting SydneyVaughn: Yeah Seewhere I'm going with this?Weiss: Well This is why people from the CIA should not get married to peoplefrom the NSC, man. Don't poop where you sleep(This response is not what Vaughn is looking for; it onlyirritates him more.)Vaughn: Thanks a lot(Vaughn fires a wicked slapshot right at Weiss' right pad. Itconnects hard and Weiss collapses to his knees in the net as Vaughn skates off.)Weiss: Oh! .Okay .Youknow what? That hurts(Cut to evening scene of a narrow European street. STRASSBURG. Cut to a darknondescript van driving down the street. Cut to a Covenant member, not one we've seen before, holdingout a manila envelope.)Member: This is where Lang will be(Cut to Sark, taking the envelope.)Sark: I'lltake care of it.Member: It must be done a certain way. There's an a extraction required.Sark: I assumeyou've stepped out the detailsMember: Yeah, your partner's been briefed.Sark: My partner!? I don't thinkso.Member: This is not a requestSark: Look, if you don't trust me by now perhaps you should be in"}
+{"doc_id":"doc_95","qid":"","text":"[INT. GRISSOM'S PLACE - KITCHEN -- DAY](BLUR IN on a glassware pot on the stove.)Madeline Klein:(V.O.) Nobody knew he was coming, Conrad. Nobody knew his name.(Grissom is making soup.)MadelineKlein: (V.O.) Well, if you'd stop talking for a minute, you'd understand.[SCENE_BREAK][INT.COURTHOUSE - JURY ROOM - DAY](The large jury room is empty.)Madeline Klein: (V.O.) Theinvestigation's been compromised. Lives are at risk.(CUT TO: A legal pad and file are placed on theconference table. Another set of paper and file is placed on the table.)(CUT TO: The jurors are sworn in.There's a board with crime scene photos up in the background.)Madeline Klein: (V.O.) How many peopledo the right thing anymore? Have a conscience? Don Cook didn't even know what hesaw.[SCENE_BREAK][INT. POLICE DEPARTMENT - INTERVIEW ROOM](Don Cook sits at the interviewtable.)Madeline Klein: (V.O.) El Matocho doesn't kill for the thrill or because he was abused as achild.[EXT. NIGHT](Emilio Alvarado walks away and under a lamppost. It's light enough to identify him.The large tattooed letters on the back of his head are easily identified: L-A-T.)Madeline Klein: (V.O.) Hekills because it's his answer to everything.(He walks away.)[SCENE_BREAK][EXT. NIGHT](A car is on fire,burning from the inside.)Madeline Klein: (V.O.) I had him eyewitnessed. It was enough for an indictment.No indictment, no trial. He goes free and La Tijera gets stronger. So don't patronize me by saying thismight be an accident.[SCENE_BREAK][EXT. NIGHT](Fire crew and other personnel are at the site, the carfire is out and smolders. It's covered with foam.)Madeline Klein: (V.O.) I'm not asking you for advicehere, I'm telling you: I want Grissom.(A black car pulls off the side of the road. The door opens andMadeline Klein steps out of the car. She's on the phone continuing her conversation with ConradEcklie.)Madeline Klein: (to phone) Maybe the reception sucks out here.(She closes the car door andheads for the site.)Madeline Klein: (to phone) I said I want Grissom. Say I asked for him personally.(Shehangs up.)(She walks over to the forensic techs standing near the site drinking coffee andwaiting.)Madeline Klein: I don't want anyone touching anything. Thanks for all your help, guys.Tech:(o.s.) Yes, ma'am.(She turns and walks over to Brass.)Madeline Klein: Case is reassigned toGrissom.Brass: He's home sick, Maddy.Madeline Klein: Yeah, I heard all about it from Ecklie. Blah, blah,blah. The point that he and you seem to be missing is that I have 18 grand jurists sifting throughevidence, trying to help me indict one of the deadliest gangs this city has ever ...Robbins: (shouts,interrupts) Who's in charge of the scene?!(Robbins, a coroner's assistant and David Phillips are with thebody. David is examining the body.)(Brass points to Maddy.)Madeline Klein: I am. (mutters) For God'ssake.(Maddy and Brass head for the body.)Madeline Klein: Madeleine Klein, Deputy DA.Robbins: AlbertRobbins, Clark County Coroner.Brass: Talk to me, David.David Phillips: Confirms it's Don Cook.(Davidhands the wallet to Brass.)Madeline Klein: This is on us.Brass: What do you got, Doc?Robbins: Other thanthe obvious burns over the better part of his body, there's this.(David and the assistant roll the body toshow the wound on the back.)Brass: He was shot.[SCENE_BREAK][INT. GRISSOM'S PLACE -NIGHT](Grissom is in the kitchen cooking soup. An aria plays over the sound system. Grissom coughsand it's obvious he's sick.)(Hank sits on the kitchen floor nearby.)(Grissom stirs the soup cooking on thestove. He tastes it with a wooden spoon. The phone rings.)(Grissom picks up his cell phone and looks atit.)4:00 AMCALL FROMECKLIE(Grissom turns the phone off.)(Hank makes a sympathetic bark. Grissomturns and looks at Hank. Hank looks back at him.)FADE TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. ROADWAY -- DAY](Two police cars are parked at angles on the road and astrip of crime scene tape is tied between them to block the roadway. Catherine is doing a walk-throughon the road as she talks to Grissom on the phone.)Catherine: (to phone) Let me run it down for you.Isolated stretch of Route 2, burned car on the shoulder, burned male victim out of the car 20 feetaway.(She walks past Greg, who is busy with a clipboard. A scarf is wrapped around his neck. Shecontinues toward Madeline Klein, who is standing near her car.)Catherine: (to phone) Single gunshotwound to the lower back. Passing motorist called it in. Fire department arrived within 12 minutes. Fireburned so hot, they had to use foam to put it out, which, of course, is never good for us.Madeline Klein:Where is he?(Maddy takes the phone from Catherine and walks as she talks. Catherine walks along with"}
+{"doc_id":"doc_96","qid":"","text":"Ted (2030): Each architect has a building that changed his career. For me it was to my 31st birthday. Itwas not a museum or a concert hall or a skyscraper. It was something else.Man: We opened a restaurantcalled the Rib Town, we want it shaped... The band of friends is to McClaren's. Ted:... hat cowboy. Listen,I need this job. I have no other option.Robin: You can always do prof.Ted: I have not worked as hard tofinish in a crappy job. Get me wrong, Lily.Lily: I was pissed 3 times this morning. I can not say.Ted: Ipass this building, so I see you in three days. He leaves the bar to go home and get to drawing.Ted(2030): The next three days, I worked as ever. And it led me... nowhere. Barney enters the apartmentwhere Ted is still trying to design a building.Barney: What are you doing?Ted: A hat-shapedbuilding.Barney: It's time to talk?Ted: No.Barney: What do you think of Robin?Ted: I have to really work,so...Barney: Awesome. Say that is a tailor and you have found a nice suit. A nice suit Canada. Superbchest. You try it, but it does not suit you perfectly. So you return it. Then I try it. I'm not too keen... asuit that you have caught the eye, but at the same time, I love this costume.Ted: Buy the costume. It isimportant to you. Tell him how you feel.Barney: But Ted, remember your answer, because... Thecostume is Robin. I know! Okay?Ted: I'm with you.Barney: Now. For I have explained.Ted: What... TedBarney greenhouse in his arms.GENERICMarshall: Come on, man, you're on it for three days withoutstopping. This is your birthday. Come have a beer on the roof.Ted: Impossible, the presentation istomorrow. These hats are not alone.Marshall: That's a big restaurant for tourists. Just put wide doors andchairs strengthened. Birthday beer on the roof. Let's go!Ted: Why do you want as I go on the roof? Youmade me a surprise party?Marshall: What? We brought you a surprise party, last year.Thou shalt have nosurprises on two holidays. The fact that the world has come to the first was surprising. Not? Twosurprises on Christmas! It is very strong! It is very strong! Great!(Marshall goes on the roof) Super... Itstill will not mount.Robin: Come on. This is boring! I knew it was a bad idea.Marshall: Yes, Robin, I know.This festival is... is... a disaster.It was my idea. I take responsibility. There is one thing to do.Lily:Marshall, no.Marshall: Lily, I have to! (He stands on the edge of the roof) It's useless to procrastinate.Ted(2030): I should explain. A few years earlier...Flashback Ted, Marshall and Barney are on the roof with aninflatable pool.Barney: Forget it. It really is not class. At best, it sucks.Marshall: You know who knowshow to live? These people.Ted (2030): The terrace of the building next door. A paradise waiting for usbehind a pit of 2 or 3 meters. And the best...Marshall: It looks to be a... sacred... spa.Barney: Owl. Howdo we go? We will do what? Jump? Marshall mounted on the edge of the roof.Marshall: I can jump it.Ted:Recently, you need two tries to get up from the couch.You can not skip it.Marshall: Really?Ted:Really.Marshall: Look.Ted (2030): But he did not jump. An hour later... Marshall is always on the edge ofthe roof while Ted and Barney are in the pool.Barney: Actually, it's not bad.Ted: Right?Ted (2030): Andthe following years, he continued to try. But each time, without exception... He did not jump. EndflashbackMarshall: Do not worry. If I can jump tonight, it will save the evening.Lily: Honey, come downhere, please.Marshall: When Evel Knievel rode his rocket star on the shore of Snake River Canyon, youthink his wife said \"Honey, come down here '?Lily: For the last time, I'm not Linda Knievel! I will never beLinda Knievel!Marshall: No need to remind me. Ted is still on the drawing of his building.Lily: Marshall, donot do that. Do not jump, please.Marshall: Sorry, but I have to.Lily: You can not.Marshall: Why?Lily: Youwant a reason? You're going to have one. I am pregnant.Marshall: My God! My God, really? I saw youlook fat...Lily: I was lying, b*st*rd! Go ahead, jump! I hope u gonna die!Marshall: This is the permission Ineeded.Barney: Look, Robin... I must tell you something.Robin: Wait. Before that, I must tell yousomething.Barney: What is it?Robin: I think I love you. Ted is a goat in her kitchen. Marshall is still onthe edge of the roof when the phone rings from Lily.Lily: This is Ted. Everyone! Ted, are you?Ted: She'shere, Lily. She looks at me.Lily: What?Ted: The goat.Ted (2030): I have already told you some of thehistory of the goat. Fash-backTed (2030): When Aunt Lily a farmer invited to speak to his class how hebrought the goat, and told the class what he would do later. How Aunt Lily, in a fit of kindness, bought agoat to commute his sentence. End flashbackBarney: It's been an incredible thing. I was talking to Robin,I would tell him my feelings, but just before, you will believe what ever she said. FlashbackRobin: I think"}
+{"doc_id":"doc_97","qid":"","text":"3.09 - A Deep-Fried Korean ThanksgivingOPEN AT LORELAI'S HOUSE[Lorelai and Rory are on the couchwatching television]RORY: I like these women.LORELAI: I love these women.RORY: Poor Edie.LORELAI:Which Edie?RORY: Little Edie. She's just trying to sing and her mom won't stop talking.LORELAI: Big Ediewas so beautiful in her day.RORY: They were both pretty.LORELAI: I can't believe they were related toJackie.RORY: Well, the Kennedy's kind of hid them in the background for many years.LORELAI: Well,when you're a Kennedy, how do you even choose who in the family to hide?RORY: It's a toughchoice.LORELAI: Something beautiful about them though. They're cool, they're free.RORY: Yeah, andthey're memorable. Most people are very forgettable. And they're happy.LORELAI: They had theircats.RORY: And their raccoons.LORELAI: And their pretty house.RORY: And each other.LORELAI: Add afew years and they're us.RORY: Yeah. . .yeah.LORELAI: Yeah.[opening credits]CUT TO THEINDEPENDENCE INN KITCHEN[Sookie rushes around giving instructions]SOOKIE: Rhiana, run it throughthe sieve again, I want it smooth as glass. Don't cut corners, people!LORELAI: Is she meltingdown?MICHEL: Like butter on a skillet.LORELAI: Sookie. . .SOOKIE: Just a sec, hon. How's your love life,Pete? A little frustrated, I bet. Wondering how I know that? \u0000Cause you're taking it out on my eggwhites. Gently, fold them gently. Cheryl \u0000 you're slicing not dicing, I can hear it in the chop. Adjust, myfriend.LORELAI: Sookie, whoa, whoa, whoa, whoa. Hey, let's talk.SOOKIE: I'm extremely lacking in timehere.LORELAI: What's going on?SOOKIE: Uh, chaos? Uh, a travesty of cooking? It's a salmonellalaboratory in here!LORELAI: Sookie, the kitchen will be in good hands.SOOKIE: But not in myhands.LORELAI: It'll be in Bob hands. Bob has great hands.SOOKIE: No, you know what Bob has? Bobhas two seconds to get the hollandaise off the flame before I break his neck!LORELAI: Sookie, listen, youhired Bob. You trained him in your image. He's great, and he's subbed for you before.SOOKIE: But this isThanksgiving, he has never done Thanksgiving.LORELAI: He's ready, he'll sub for you seamlessly. EvenBig Joe Newsanchor's have substitutes.SOOKIE: And that's the thing. They still say, \u0000And now the CBSEvening News with Dan Rather.' You see? Dan is still associated with it even though he's off snorkeling orsomething, just like I'm gonna be associated with the dinner because Bob is substituting for Sookie.Excuse me one minute.[Sookie starts rummaging through the trash can]MICHEL: Oh, this can only begood.LORELAI: Sookie, that's the garbage. Stop rooting through the garbage.SOOKIE: I will when peoplestop throwing away useful stuff!LORELAI: Drop, drop the, drop the tops, drop them, drop them. Comehere, come here, come here. Now, Sookie, listen to me because you're torturing yourself here.[Emilywalks in and stands behind Lorelai]SOOKIE: Emily, hi.LORELAI: Oh, that's nice. That's very high school.Stick with me here.SOOKIE: Good to see you.LORELAI: Yeah, ah, that's funny. You know who's behindyou? It's Joseph Stalin, my good friend. What are you doing back from the dead, Joe?EMILY:Lorelai.LORELAI: Oh, Mom! Ah, geez, you scared me.EMILY: You heard Sookie greet me.LORELAI: Oh, Ithought it was a joke.EMILY: Like comparing me to Joseph Stalin?LORELAI: I wasn't comparing you toJoseph Stalin.EMILY: I'm in a hurry. Can we speak for a minute?LORELAI: Yeah, I guess, for a minute.So, were you in the area or something?EMILY: Not really.LORELAI: Then what are you doing here?EMILY:I wanted to talk to you.LORELAI: Phone's out of order?EMILY: Let's not play games here.LORELAI:Games?EMILY: I've called several times the past few weeks and you've skillfully avoided everycall.LORELAI: No, that's not true. I've left messages on your machine.EMILY: Yes, messages. And then ifI happened to pick up, you'd hang up. Or if the maid picked up, you'd ask for me, then claim you weredriving through a tunnel so you might get cut off, and then you'd make garbling noises and hangup.LORELAI: Fine, Mom, we're talking now. What's up?EMILY: Are you feeling well?LORELAI: You cameall the way out here to ask me that?EMILY: Well, you've been sick these past few Friday's for dinner, so Iwas concerned. That's why you didn't come, right, because you were sick? So are you better? You lookfine.LORELAI: Oh, it's the makeup. I'm still. . .uh, these allergies really just hit me like a ton ofbricks.EMILY: I've never heard you mention allergies before.LORELAI: I'm a silent sufferer.EMILY: Well, Icertainly hope you're feeling better now because I want you to come to dinner tomorrow night.LORELAI:Tomorrow? Tomorrow's Thanksgiving.EMILY: Yes, it is Thanksgiving. And before you sift through the"}
+{"doc_id":"doc_98","qid":"","text":"TREE HILL HIGH SCHOOLBrooke, Lucas, Peyton, Skills, Mouth are following Nathan and Haley, who is inlabor, to the ambulance. Lucas receives a text message and leaves.TREE HILL POLICE STATIONDan walksinDAN : My name is Dan Scott. I killed my brother.TREE HILL HOSPITALKaren is in the operating room,unconsciousDOCTOR : Her heart rate's dropping.OB : Come on, Karen. Just breathe. Haley is in the laborroom, with NathanOB : Come on, Haley, just breathe.NATHAN : You're doing good, baby. You're doing sogood. I'm right here. Karen's operating room, Lucas is behind the window, watching.LUCAS : Come on,mom. I'm right here.(we hear the monitor, her heart stops)DOCTOR : She's coded.LUCAS :Mom!KAREN'S DREAMShe is alone in a beautiful park when Keith arrivesKEITH : Karen?(She jumps in hisarms and they kiss, then a little girl arrives)LITTLE GIRL : Yuck!KAREN : Who's that?KEITH : Don't youknow?KAREN : She's our daughter.LITTLE GIRL : Mommy! Daddy! Come play with me!(Both join thegirl)LITTLE GIRL : What flower is this, mommy?KAREN : This is a lily.(the girl goes play in thepark)KAREN : Oh, she's beautiful.KEITH : Just like her mother.LITTLE GIRL : Mommy, come withme.KEITH : You should go watch over her. I'll wait for you. It's okay. I'll be right here.(They kiss andKaren goes to see her daughter)LITTLE GIRL : Come with me, mommy!KEITH : Look for me in thelilies.KAREN : There's my girl. These are for you. It's a beautiful lily.TREE HILL HOSPITALBack in Karen'soperating room, they shock her and we hear her heart beating againDOCTOR : Stats and vitals rising. Wegot her back.TREE HILL HIGH SCHOOLBrooke is still where the ambulance was, she finds Haley'svaledictorian speech and reads itBROOKE (voiceover) : Now is the time for us to shine, the time when ourdreams are within reach and possibilities vast. Now is the time for all of us... to become the people we'vealways dreamed of being. This is your world. You're here.\"TREE HILL HOSPITALHaley is giving birth totheir childOB : It's a boy.BROOKE (voiceover) : You matter.NATHAN : Just relax.HALEY : You're adad!NATHAN : You did so good. You did so good. We have a son. We have a son.HALEY : I want to seehim. (Haley takes the baby in her armsHALEY : Hi. Hi, baby.BROOKE (voiceover) : The world iswaiting.HALEY : Welcome to the world, James Lucas Scott. Look, that's your daddy.NATHAN : He's sobeautiful.HALEY : That's your daddy.SCOTT'S HOUSE, 2 WEEKS LATERNathan is holding his son,watching basketball and listening rap music. Haley walks inHALEY : Unbelievable. He's only mellow whenwe play rap music? What happened to the classical music I played for nine months?NATHAN : I got aconfession to make. Every time you fell asleep, I went to old-school hip-hop. That's my boy, isn't it?That's my boy. You like some old-school hip-hop, huh? Yeah.GRAVEYARDKaren is sitting in front ofKeith's grave, holding their daughter.KAREN : Hi, Keith. It's us. Her name is Lily. Lily Roe Scott. Hi. I'mgonna be seeing you in her every day.SIDE OF A ROADPeyton is outside her car with the hood opened,Lucas arrives in his carLUCAS : You've got to be kidding me. Again?PEYTON : I guess.LUCAS : Doesn'tlook like anything's wrong. You sure it won't start? Peyton?(Lucas closes the hood, Peyton is sitting insidethe car)PEYTON : Oh, the car's fine. I was just feeling sentimental about the first time we spoke.LUCAS :Feeling sentimental, or avoiding packing for your trip to Los Angeles with Brooke tomorrow?PEYTON : Idon't want to go. I mean, I do want to go. I'm just... I'm gonna miss you.LUCAS : Come on, look. At leastyou know what you're gonna do.PEYTON : You still haven't decided yet?LUCAS : I just didn't see thisother thing coming, you know?PEYTON : Can I help you?LUCAS : I don't think so. I just keep tellingmyself that... there will be some significant moment when I will know what to do. How about you? Can Ihelp you?PEYTON : Yeah. Remember when your mom was in the hospital, and you asked me just to liewith you and heal you?LUCAS : Yeah.PEYTON : I think I could use some of that healing beforetomorrow.LUCAS : I can do that.SCOTT'S HOUSENATHAN : So, you know, there's a big party tonight,kind of a last hurrah for all the seniors.HALEY : I know, but what are we gonna do with the baby?(Debwalks in)DEB : Cue the crazy grandmother. And F.Y.I., if either of you ever calls me \"grandmother\" inpublic, I'll use my gun. Which is at the range, safe from the most beautiful baby boy in the world. Next toyou, Nathan, of course. Oh, who am I kidding? You are the cutest. You, you, you. Go. I'll watchhim.HALEY : Oh, I don't know.NATHAN : We're underage, mom, and there's gonna be drinking, alcohol,probably some drugs.DEB : You're going to the party, and you're going to have fun. We insist. Now go."}
+{"doc_id":"doc_99","qid":"","text":"Act 1Scene 1 - Frasier's Apartment. Frasier is seeing a guest off the premises. Both are dressed intuxedos, as are Niles, Martin and Bulldog who are also in the room. Roz and Daphne are decked out inelegant eveningwear.Frasier: [opening the front door as the guest walks out] Glad you came back withus. I hope you had a good time. Well, I can't tell you how much fun this has been. Listen, now that youknow the way don't be a stranger. OK. Good night! [closes the door after the man] Who the hell wasthat?Niles: He's not from the station?Roz: I never saw him before.Daphne: He was table-hopping likecrazy during the awards.Martin: That's 'cause he was our waiter.Frasier: Well, that's the last time I say,\"everybody back to my place!\"Bulldog: [holding up his SeaBea] Who cares about that guy? This is a greatnight.Roz: For you, maybe. The rest of us lost.Bulldog: Hey, it's not important whether you win or lose.It's an honour just being nomin... [breaks into laughter] I couldn't get through that crap on stage, I can'tget through it now!Roz: Frasier, do you mind if I use your phone?Frasier: No, not at all. Who are youcalling? It's practically midnight.Roz: Oh, I promised my grandmother I'd leave her a message telling herhow we did. [dials the number then starts speaking into the phone] Hey Gammy, it's Roz. Guess what?We won again! We're all here celebrating.Roz holds up the phone to indicate they make some kind ofnoise of celebration. All they can muster is a half-hearted \"YEAH!\" sounding completelyunconvincing.Roz: Listen, I gotta go. It's getting crazy here but I'll talk to you tomorrow. Bye-bye.Niles:You lied to \"Gammy?\"Roz: Well, she's old and it makes her happy. She smiled for a week when I won theMiss Seattle Pageant!Frasier: You know, Roz raises a very interesting philosophical question...Martin:[preparing for the worst] Oh, here we go. Buckle up!Frasier: Is it always morally wrong to lie? We aretaught that it is. Though obviously there are certain occasions when a lie would be acceptable.Bulldog:Yeah, like the lies you tell a chick in bed. \"You're the best I've ever been with\"; \"Your thighs don't lookthat fat\"; \"Don't worry, I've had a vasectomy.\" [Bulldog notes the disgusted faces around the room] Hey,screw you guys! I'm an artist; we live by different rules.Niles: An argument can certainly be made that alie is good when it spares someone unnecessary pain. I'm reminded of Maris's brief flirtation with activewear when I assured her, \"You look fine, darling. Spandex is supposed to blouse!\"Frasier: You know,Lilith actually told me the other day that Frederick has taken to lying. Yes, he told all of his friends thatLilith is an alien. [laughs]Martin: Seems as good an explanation as any!Frasier: He also told them thatshe wears her hair in a bun to hide the third eye in the back of her head. [laughs again]Roz: How didLilith find out?Frasier: Well, apparently she was driving him and Toby to a Junior Mensa meeting, shelooked in the rearview mirror and saw that they were making faces at the other cars. So, never have thewords \"I can see you!\" caused so much screaming and wetting of pants!Laughter all around.Daphne: Idid my fair share of fibbing too. I once told my school chums I was born with a tiny embryonic twinattached to my hip. [Daphne laughs hilariously whilst the others look slightly perturbed] Of course theywere horrified and it didn't help my social life at all. [sighs] But for a while there it was nice having asister.Niles nods his head in sympathy before subtly removing the glass of champagne from Daphne'shand and passing it to Frasier who nods his head in agreement.Niles: Oh. Remember in prep school whenwe were so desperate to avoid The President's Physical Fitness Test...Frasier: ...that we lit a matchunderneath the fire alarm and all the sprinklers went off.Niles: And we blamed that delinquent kid, JohnRajeski.Frasier: Yes.Martin: [appalled] You did what?Frasier: What's wrong?Martin: You two swore upand down to me that you never set off that alarm.Frasier: [laughing] Well, of course we weren't going totell you.Martin storms off into the kitchen.Niles: For Heaven's sake, Dad, you can't be mad. We werekids.Martin: [turning back] You know, the headmaster said it was you two. I went down there and raisedhell with him. I said, \"My kids don't lie.\" Because of you that Rajeski kid got expelled!Frasier: [shocked]Expelled? If we'd have known that was going to happen we would have told the truth.Niles:[unrepentant] Not me. He was a brute and a meanie.Frasier: You're right. He used to make the mostmerciless fun of me, about how I always wore my gym shorts in the shower. He used to call me \"ShortsIn The Shower Boy.\" You don't have to be witty to be cruel.Martin: Well, I don't give a damn what thatkid did. Getting him expelled was worse. [angrily] I'm going to bed. Good night, everybody.Everyone"}
+{"doc_id":"doc_100","qid":"","text":"[Up-tempo music plays.]You're alive As long as the streets are living I single you out I don't want to wantto go home The sun will rise OSCAR: Jesus, Lester. What's the damn hurry, mate?TREVOR: [Laughs.] Notagain, Trev. It just encourages him. want to go home He ain't saying it'll be easy You want to go there,do you, bro? Come on, boy. There.[Laughs.]Whoo! This broken bell will keep on ringing Boy, it's true Oh.Hello, Madison. Jean. Still come to see your mum, then?[Chuckles.]She expects it.MRS.MARLOWE: Oh, somany these days forgotten the moment they've gone.MADISON: Well, not Mum.She'd never stand forthat sort of nonsense. - No. She wouldn't. - Mm. I think she'll be happy knowing I'm still right here whereI belong.MRS.MARLOWE: Datura!Really. Hey. Hey. Come on, bro. Dig it in. - [Horn honks.] -Hey!CYCLIST: Hey! - Animal! - Let's go! Game on. Come on, lads. You're on, Lester.[Grunting.]Come on,Trevor. Not even sweating. Come on. Come on, Trevor, you loser! Whoo![Laughs.]TREVOR:Lester!Lester! Lester! Stay back![Cellphone rings.]- Mike. - Theoretically, do you think it's possible totrain a bull to kill on command? Oh, you're still banging on about that? Well, you have to admit it'sintriguing. That Collins guy was an idiot. I thought that was the official verdict. Not in those exact words.But yeah. Essentially, yes.- SIMS: So? - [Sighs.] Maybe I'm being too optimistic about the human race,but I find it hard to believe that someone can be that stupid. Yeah, well, there are some spectacularlystupid people - out there. - I know. But, in theory, do you think it's possible to train a bull to kill oncommand? Look, Mike, I have to go. It might be your day off, but it's not mine, and, actually, I've got adeath to deal with. Should I be there? No, no. It's a middle-aged cyclist pushed it too hard. Heart attack.So why are CIB involved?SIMS: The uniform branch are stretched, so I stepped in. The good news is,Breen lost rock-paper-scissors, so I sent him to inform next of kin. Oh, so you've got time to talk aboutthe bull thing. Uh [Imitates static hissing.] We're breaking up, Mike. I'll talk to you later. - [Cellphonerings.] - Oh, good Lord. Another one? - Yes, another one.- GREENE: Who? Lester Nyman. Heart attackyesterday. - Oh, dear.- MADISON: Will you come in, or do I send this out? Uh, no, no. I'll come in. Good.Everything will be ready this afternoon.[Police radio chatter.]In theory, you can train any animal. I mean,they trained orcas, right? And that didn't turn out so well for both man or beast. But if you can train a bigfish, you can train a bull, right? Orcas are mammals, not fish. But a bull is a mammal.- SIMS: Yes. - Herewe go. Thank you. Got you a trim. Look, Mike, I'd love to dwell on your bull-as-assassin theory, but Ihave a dead cyclist to process here. Oh, on that note, when I told Mrs. Nyman about the death of herhusband, she was a little weird.[Knocking.]- Yes? - Mrs. Tammie Nyman? - Yes. - Detective ConstableBreen. Um, I-I have some bad news. Can I come in? Uh Wait. Did you say \"Nyman\"?BREEN: Yeah. Wifeof Lester Nyman, the dead guy on the bike. The bull thing happened on the Nyman farm. I thought bullguy was Collins. Yeah, but the witness was a Trevor Nyman, the farmer. Trevor Nyman, Lester Nyman'sbrother, was the first man at the scene when Lester dropped dead. So, what are we thinking here? - Avery good question, indeed. - [Cellphone rings.] Gina, what can I do for you? Mike. It always makes melaugh when you answer your phone, \"Gina, how can I do you?\" That's not actually what I say, Gina. It'smore \"what can I do for you?\" Same thing. No. What's up? Or perhaps down. This is a Mr. Lester Nyman.Ah. The cyclist. - Okay. - Yes. The face-first thing is unusual. Yes. Heart attack, wasn't it? Yes. I sourcedhis records, and given his medical history, a heart attack is most likely. But if he had a heart condition,what was he doing riding to the top of Whakamoho Mountain? Mm, because cycling is awesome? - It is? -Man. Machine. Fresh air. Gets the blood flowing. Feel the tingle of life in your extremities. You don't likecycling, Mike? - Never been a fan, no.- KADINSKY: Pity. I think Lycra brings out the best in men.Okay.[Clears throat.]Uh if it was a heart attack, what am I doing here? This. You see this rash? - [Remoteclicks.] - This reaction, it troubles me. I hear you on that. Not what I would expect. - Chafing? - No. Nosigns of friction. And chafing would be lower between legs. This is a reaction to something. - Poison? -Call it instinct, but something is not right about this. I'll notify the coroner. I was hoping you would saythat.BREEN: You know, instead of \"poison\" and \"bull,\" you could have just written \"stupid\" and \"deathwish,\" right? Or just not written anything at all, - because there's no evidence - Yet. Yet to suggest thateither of these are anything other than what they are. - There's a rash.- SIMS: Maybe they changed their"}
+{"doc_id":"doc_101","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. CONSTRUCTION SITE -- NIGHT](A lone figure carries abody through the construction site. His feet stagger in the dirt under the weight.)VARIOUS DISSOLVESOF: The man continues to carry the body through the construction site.(The man adjusts his hold on thebarefooted body wrapped in a blanket. He starts walking across a board leading to the still dryingconcrete. He tosses the body onto the concrete. The body lands with a splat, unrolls and the body comesto a halt.)(The man nearly loses his balance as he looks at the body out on the concrete. He rolls hiseyes.)FLASH TO:[EXT. CONSTRUCTION SITE -- DAY](The man is stuck waist-deep in the concrete. Brassleads Catherine and Grissom to the man in the concrete next to the body.)Brass: Construction crew foundhim when they came into work this morning. The woman's dead. The guy's still alive, but he's not talking.Wouldn't even give me his name, even after I gave him my name.(Catherine starts laughing as she headsover to look at the body.)Grissom: Did you, uh, pull his wallet?Brass: No, everything is just the way Ifound it. I mean, I figure some knucklehead, you know, came in off the street, found him, figured he hada free pass, and picked his pocket.(The man in the concrete shakes his head. Catherine can't seem tostop laughing.)Brass: Anyway, I'm, uh ... I'm talking to people. I'll, uh, I'll let you know what we findout.Grissom: Catherine ... Do you need a minute?Catherine: Yes, I'm ... Yes, I'm ... (clears throat) Imean ... No, Gil. I'm good.(Catherine walks back to the man in the concrete.)Catherine: So, how's yourday going?Max: Lady ... the best day I ever had is worse than the worst day you've everimagined.Catherine: Oh, I doubt that.Grissom: Who's your lady friend?Max: Never saw that womanbefore in my life.Catherine: Uh, look, you're not going anywhere. It'll be a lot better for you if you justcooperate and tell us what happened.Max: You want to know what happened?Catherine: Mm-hmm.Max:Figure it out yourself.Grissom: That's the fun part.(Catherine chuckles.)FADE TO END OF TEASER ROLLTITLE CREDITS[SCENE_BREAK][EXT. LAS VEGAS CITY (STOCK) - DAY](Sirens wail in the distance.)[EXT.APARTMENT COMPLEX -- DAY](The residents wait outside. Nick and Warrick walk into the complex. Theypass the guard posted at the gate. They meet up with Sofia.)Sofia: Hey.Warrick: Hey.Stokes: Quepasa?Sofia: One of the residents reported smelling a gas leak at 6:00 a.m.(She leads them up thestairs.)Sofia: He, uh, called the gas company. They arrived; they evacuated the building.Nick: I'msurprised anyone picked out a gas leak through the rest of the stench around here.(They reach thesecond floor.)Warrick: Yeah, smells like used diapers.[INT. IVANOVNA RESIDENCE - DAY -CONTINUOUS](She leads them into the apartment.)Sofia: The gas boys traced the leak to thisapartment, and that was when they found ...(She leads them into the kitchen where someone has theirhead stuck in the open oven.)Sofia: -- this.Nick: Whoa.(Nick walks around the body and looks inside theoven.)Sofia: Alyona Ivanovna. Manager said she's lived here alone for 27 years.Nick: Head in the oven ...It's kind of a classic, huh?(Warrick sees a broken dish on the wash rack.)Warrick: Maybe not. I mean, thisapartment is neat as a pin. A lady this tidy wouldn't leave a broken dish in a rack like that, you know?(Hesnaps a photo of the dish.)Sofia: It doesn't necessarily indicate foul play.(Nick snaps digital pictures ofthe body while Warrick continues to take photos of the apartment.)Sofia: I checked the doors and thewindow. There's no sign of forced entry.(Warrick notes the broken phone, twisted on the wall.)Warrick:What do you make of this? A busted phone ...(Quick ZOOM to a CU of the gray hair on thephone.)Warrick: -- with gray hairs in it.(Nick looks at the old woman's hair.)Nick: She's definitely gotgray hair.[SCENE_BREAK][EXT. CONSTRUCTION ISTE -- DAY](The paramedic squirts water into Max'smouth and puts some goggles over Max's eyes.)Catherine: (o.s.) Okay, David. Let's roll her overtogether.(Catherine and David are with the body. They flip the body over. Max watches from the side.The paramedic is applying sunscreen to the top of Max's bald head.)David Phillips: Single stab wound,just below the sternum. It feels domestic. Crime of passion? CATHERINE: Maybe?David Phillips: Goodpoint.[SCENE_BREAK](The workers use a jackhammer on the concrete around Max. Catherine covers hereyes as the dust fills the air around them.)Catherine: Hey! Hey! Hey!(She motions for the worker to stop.The jackhammer stops.)Catherine: You ready to give me a name?(Max doesn't say anything.)Catherine:You know, you are in a very deep hole, in every sense of the word, my friend. Think about that while we"}
+{"doc_id":"doc_102","qid":"","text":"Narrator: America's top ghost hunters relive their most extreme assignments.(Woman screams)Thishouse is beyond haunted.Narrator: Hardened veterans of the paranormal, these are the cases that trulytested them. There was a evil presence in that house.Woman: Oh (bleep) what the hell?Man: Dude, I gotgoose bumps. It's in here.Narrator: In Colorado, a ghost causes havoc at a restaurant before turning itsfury at the owner. We felt genuinely physically threatened.(Screams)Narrator: In Massachusetts, aninvestigator is forced to confront his own worst fear.It was a horrific nightmare.(Womanscreaming)Narrator: And in the great lakes, an imaginary friend turns out to be something much moresinister...Luke? ...And puts a boy in grave danger. Nothing is sacred. That's scary.Narrator: Some 30miles northeast of Denver, Colorado, lies the small town of fort Lupton. One of the town's most popularrestaurants is wholly Stromboli, the passion project of owner Melissa Rickman. Wholly Stromboli's been adream of mine since I was about 20. Just for years, it's all I could think about. I daydreamed about it. Sowhen I got laid off from corporate America, my husband said, \"well, why don't you do it?\"Narrator: Therestaurant opens in 2010, and not long afterwards, mysterious and confusing things start to occur. Iwould walk in for the morning, set down my coffee, turn off the alarm. Come back, and my coffee wasgone. And I thought, \"oh, I left it in the car.\" Then, go out, and it's not in the car, so come back, and...There's the coffee. Wow. Okay. There's no logical explanation for that. There's -- there's none.Narrator:The activity soon intensifies. Thank you so much.(Child giggles)Oh, my god! An apparition of a little girlstarts appearing in the restaurant. I hadn't had any experience prior to this with ghosts, but it's not myimagination. No, no, no, no, no.(Child giggling)Narrator: And soon, there would be no doubts.Rickman: Iwalked into the kitchen to talk to the sauté chef, and every pan comes just flying off the shelf.(Womanscreams)And with such force. It was just foom! -- right on the floor. Oh, my god! Like, \"holy cow.\" Thechef, she was terrified.(Women screaming)It's scary.Narrator: Fearing for the safety of her staff andcustomers, Melissa contacts a group of paranormal investigators.Estep: Melissa called me out of her mindwith worry. She wanted to get to the bottom of some of the activity that was going on there. She wantedto be able to tell her staff that they had no reason to be afraid.Narrator: Richard Estep has spent over 20years researching claims of ghostly activity.Estep: I've learned that 90% of claims of the paranormalhave no grounding, so it's very easy to say that you don't believe in ghosts and you may never encounterone. But at some point in your life, statistically, there's a chance that you will, and at that point, it's goingto make you change your entire world view.Narrator: Melissa's experiences convince Richard to look intoher case.Estep: I was satisfied that there was enough evidence there to merit us going on site at whollyStromboli. Something clearly is going on.Narrator: First, Richard looks into the history of the propertythat houses the restaurant.Estep: The building was built in the early 1900s and owned by a localbusinessman named Edgar St. John.(Girl coughing)And he had a daughter named Julia who tragically issaid to have died at the age of 7 of pneumonia.(Coughing continues)Narrator: Could this be the little girlthat haunts the dining room and is responsible for all the activity in the restaurant?Richard assembles histeam and heads to fort Lupton to find out.Estep: Most of the activity, it's in the basement, which is wherethe voices have been heard. And that's where I want to direct my investigation. The sounds, the echoes,and the acoustics are very, very creepy and spooky. Even I am starting to feel that there is an oppressiveatmosphere down in this basement. Melissa is the focus of a lot of the activity here, so we wanted Melissawith us.Narrator: Also present is Richard's co-investigator, Robbin Daidone. I've been a paranormalinvestigator almost 18 years, so I've had a lot of experience. Pretty seasoned. I don't think there's muchI haven't seen. There was definitely a sense when we started the investigation that there was somethingpresent, perhaps. There was a feeling of being watched.(Girl laughing)Narrator: They don't have to waitlong before their feelings are vindicated.(Girl laughing)Estep: The voice of a young girl is heard.This is avoice that's laughing out of the darkness.(Girl laughing)Oh, my god. And then we started to seeequipment after equipment fail. We have EMF meters, thermometers, Geiger counter failing. We hadseveral sets of cameras fail. Batteries were reading dead. And this is classic in the paranormal field. Oneset of batteries fails? oh, that's a shame. Twice? huh. That's kind of odd. Three times? There is something"}
+{"doc_id":"doc_103","qid":"","text":"UNDERWORLDBY: BOB BAKER AND DAVE MARTINPart FourRunning time:22:53[SCENE_BREAK]JACKSON: Cover him!TALA: Captain.JACKSON: Go on, Tala. Forward,Tala.JACKSON: Withdraw!JACKSON: Come on, pull! There we are.[SCENE_BREAK]DOCTOR: Quickly now.Stay calm. Everybody stay quite calm. Calm. K9, back to the ship. Check all the systems. We're leaving ina hurry.K9: Affirmative.DOCTOR: There must be another way back to the Oracle. Jackson? Jackson, canyou and the crew hold them off?JACKSON: We'll certainly mount an attack, Doctor.DOCTOR: Good.Leela?LEELA: Hmm?DOCTOR: You come with me.LEELA: I'm staying to fight.DOCTOR: You'll come withme. Idas, you too. Have you got a sword?IDMON: Take care, son. Take care.DOCTOR: Jackson. Right,Jackson.JACKSON: Ready. Now![SCENE_BREAK]JACKSON: Forward.RASK: Security. They're driving usback.DOCTOR: This way.LEELA: No.DOCTOR: What?LEELA: Something's there.DOCTOR: What?DOCTOR:Where does that lead?IDAS: I don't know.[SCENE_BREAK]RASK (OOV.): They are too strong for us! Ineed reinforcements.TARN: Hold them. You must hold them.LAKH: I order you to stand and fight. Wemust protect the Oracle.RASK (OOV.): But Master, we cannot hold for very muchLAKH: No excuses!Stand and fight.HERRICK: There's no stopping us now. A hundred thousand years of searching, General.There's no stopping us now. I smell victory.ANKH: Wait. Let us consider which is more important, theOracle or these cylinders.LAKH: The Oracle.ANKH: Then should we not give them what they want and letthem depart?LAKH: But what they want does not exist.ANKH: The Oracle will know. Why should wedestroy each other?LAKH: Very well.ANKH: These cylinders you speak of, tell us what they look like. Ifthey are indeed here, you shall have them and take them to your comrades.HERRICK: You would set mefree?ANKH: Yes.HERRICK: Well, there are two of them. Solid gold, stamped with the mark of Minyos, thelength of a man's hand.ANKH: Good.LAKH: Tell Rask to arrange a truce.[SCENE_BREAK]LEELA: Doctor,we're here. Look.[SCENE_BREAK]ANKH: The intruders are defeating us. They will destroy us, destroyyou, unless they are given these cylinders.ORACLE: Then shall not they be destroyed by that which theyso desperately desire?ANKH: Can it be done?ORACLE: Cannot all things be done?[SCENE_BREAK]LEELA:They have given up without a fight.DOCTOR: Yes, it certainly seems like it.LEELA: Why?DOCTOR: I don'tknow.DOCTOR: Let's take a look.[SCENE_BREAK]JACKSON: No return of fire. What's going on?ORFE:There are two of them.JACKSON: No, wait. Could be a trick. Be ready.RASK: I have been ordered tospeak with you.JACKSON: Surrender?RASK: Truce.JACKSON: On what terms?RASK: The terms are thatyou take what you came for and depart, leaving us to our way. If not, your comrade will beexecuted.JACKSON: What comrade? Herrick is dead.RASK: You think so, Captain?HERRICK: I got them.The Quest is over. The Quest is over.HERRICK: The Quest is over.JACKSON: Atlast.[SCENE_BREAK]DOCTOR: Stay here.ORACLE: What is it that you want?DOCTOR: The cylinders. Therace bank of the Minyans.ORACLE: Have they not been given?DOCTOR: Well, that's what I'masking.ORACLE: Who are you to dare question my word?DOCTOR: Well, who do I have to be to darequestion your word? I'll give you a clue, shall I? If it wasn't for my people, you wouldn't have seen thelight of day.ORACLE: People? What people?DOCTOR: The ones the Minyans call the gods.ORACLE: Gods?There are no gods but me. Have I not created myself? Do I not rule? Am I not all-powerful?DOCTOR:Well, yes, here you are, yes, but nowhere else. You're just another machine with megalomania. Anotherinsane object, another self-aggrandising artefact. You're nothing. Nothing but a mass of superheated junkwith delusions of grandeur.ORACLE: Nothing? Am I not the keeper of the race bank?DOCTOR: What didyou say?ORACLE: I am the keeper.DOCTOR: Ah ha! Then you've still got them.ORACLE: I am thekeeper.DOCTOR: Keeper? You're nothing but a box, and I've got the key. (to Idas) Give me that.ORACLE:Destroy! Destroy!ORACLE: No! Destroy!LEELA: Doctor, they're coming. Come on!ORACLE:Destroy!LEELA: Doctor, leave it! Come on!ORACLE: Destroy!LEELA: Doctor, hurry! Come onnow!ORACLE: Destroy him!LEELA: Hurry, Doctor!DOCTOR: Almost there.LEELA: Hurry, they'recoming.ORACLE: Destroy him!LEELA: Doctor!ORACLE: Destroy! Destroy! Destroy! Destroy! Destroyhim!DOCTOR: No hard feelings.LEELA: Come on!ORACLE: Destroy him!ANKH: After them. They must notmeet the others.[SCENE_BREAK]LEELA: Which way? Which way?DOCTOR: They know this place better"}
+{"doc_id":"doc_104","qid":"","text":"Degrassi Community School(Toby and JT are heading in.)Toby: 28 hours, 14 minutes, 7 seconds. 28hours, 14 minutes...JT: Would you stop with the countdown please?Toby: Sure, you've got Parents' Dayin the bag.JT: What? Ok, you Einstein. Me, brain-dead.Toby: I mean, your parents aren't homesuidalmaniacs.JT: I thought Kate and Jeff were getting along great.Toby: I'm not talking about Kate.JT: Whoa.Your mom's coming tomorrow? Oh, man. I should sell tickets. Remember that time at camp when theyboth came to pick you up?Toby: Don't remind me.JT: Can't you just ask your mom not to come?Toby:Sure, if I want to start a nuclear custody war.JT: Maybe they won't start screaming this time.Toby: Yeah.Maybe Mr. Armstrong will your parents about the \"D\" on your last math test.JT: How much time do wehave left?Toby: 28 hours, 13 minutes, and 17 seconds. 28 hours, 13 minutes, and 16 seconds. 28 hours,13 minutes, and 15 seconds.HallToby: The way it works now is perfect. Every other weekend with mymom, the rest of the time with my dad. And as long as they don't have to talk to each other, everything'sfine.JT: Sorry, man. I didn't know it was that serious.Toby: Yeah, well, it is that serious.JT: Hey, we couldcontaminate the water foundations with E coli, that way they'd have to shut down the school, right?Toby:There probably is E coli in the foundations.Mr. S: (as he's taking a drink) Actually, we test our water on adaily basis, boys. It's fine.(Bell rings.)Mr. Simpson's homeroomMr. S: Ok guys, quiet down. (JT and Tobycome in behind him) We don't have Ashley today, but we do have this week's News About Kidsbroadcast.Emma: Uh, NAK again.Mr. S: Em? Something you wanna share?Emma: No, Mr. Simpson. (Shesits down)(Mr. Simpson turns on the tv. The NAK people appear on screen.)Ryan: Hi, I'm Ryan, and thisis Nicole. And welcome to NAK: News About Kids. Today we'll be talking about that infests major citieseverywhereNicole: And we're not talking cockroaches, we're talking squeegee kids.Ryan: Stalking streetcorners, waiting to pounce on un suspecting cars. (Shows footage as he talks). Hijacking yourhard-earned cash to waste on drugs and tattoos. (Shows Emma watching.)Nicole: Are squeegee kids legitor lazy? Are they using their \"cool\" trend for today's media saturated youth?Mr. S: Remember guys,you're here for media studies after lunch.(The students leave for class.)Manny: Em, it was just a TVshow.Liberty: Squeegee kids are very annoying.Emma: No, squeegee kids are poor. They live on thestreet and wash windows. It's their living.Liberty: My father says that if another one of those ragamuffinstries to dirty up his window, he'll call the mayor. He knows the mayor.(Liberty walks away.)Emma: Lastweek NAK told us to join the army. What's tomorrow? A hole in the O-Zone is good because it makes abetter tan? Imagine being a squeegee kid. Out in the cold, no school, no parents.Toby: Noparents?Emma: Toby this isn't a joke. (Starts to walk backwards, so she bumps into Sean.)Manny: Hestared right at you.Emma: Yeah, because I bumped right into him.Girls' Washroom(Ashley is at themirror looking at her face. Paige and Terri come in.)Paige: Oh, here we go again.Ashley: Here we go whatagain?Paige: Every time NAK claims your airspace, you go all manic-depressive.Ashley: That is so nottrue. I just- look at this zit!Terri: That's a pore and Paige has a point.Ashley: Terri...Terri: I don't get whyyou gets so bothered. Everybody loves your morning announcements. Even Heather Sinclair said youwere better than those lame-o NAK hosts.Paige: Oh, yeah, big accomplishment. They're totalfreaks.Terri: Heather even has an agent. You could totally get an agent.Paige: Heather Sinclair has anagent? With that overbite?Terri: See? Ashley's got the look and tv experience. It's perfect.Paige: Wherewould Ashley find an agent?Ashley: Guys, Toby is mom's a casting agent. Terri, you rock!(Ashley andTerri leave the bathroom. Paige stays behind to wash her hands. She is not happy.)OutsideToby: JT,come on. We've got to come up with an anti-parents plan.JT: What does it look like I'm doing?Toby: Uh,playing the seeds for a massive heart attack?JT: To plot evil, I need energy (Ashley + Terri come up tothem)Ashley: Hey. Just the person I was looking for. Your mom's a casting agent, right?Toby: Yeah,so?Terri: So, is she coming to Parents' Day?Toby: Thank you, for reminding me.Ashley: Is that ayes?Toby: Yeah, why?Ashley: No reason.(They walk away.)JT: What was that about?Toby: I have noidea.(They go to a table where Manny and Emma are.)Manny: It's not like people really think aboutit.Emma: That's the thing. They don't us to think. They want us to become brain-dead NAK robots.Toby:What's with her?Manny: NAK rage, kind of like road rage.Emma: And the announcements? They have"}
+{"doc_id":"doc_105","qid":"","text":"You call it madness but I call it loveDerek: Shhh, shhh.Lucas: I guess I have my answerDerek: I can'tbelieve he actually left. I would never give up on you that easily, you hear me ? Our love isforever.Nathan: So, when you took your boot off, was it all ... ?Haley: Ohhh, it was like Teen Wolf.Seriously I got to use three razor blades.Nathan: Nice. I'm proud of you Hales. My girl went strong to berehap by prom.Haley: Yeah. Well at least everything will be perfect tonight.Nathan: Ohhh we gotta stopsaying that !Whitey: When did the chaperon's been prettier than the prom queen ?Dan: Thanks, but I'mwith someone !Karen: Oh, hi Whitey. You look handsome.Whitey: Thank you.Karen: I'd better get to seeif Principal Turner needs anything.Whitey: What the hell are you doing ?Dan: I'm making the rest of youguys look bad.Whitey: Years ago I watched you screw up Karen's life. I'm not gonna allow history torepeat itself.Dan: And yet you've been trying to make that tux work since the seventies.Whitey: I'll bewatching you Danny.Nathan: I think, I think the [...] snapped. Maybe it's the, the thingamajig.Haley: Cani please call Lucas now ?Nathan: Yeah.Haley: Ugh, I have no signal.Nathan: Oh great ! Well, there's aconvenient store about a mile up ahead, I'll just walk there and call for a ride I guess, you canstay.Haley: No, thank you, a pregnant girl in a prom dress with a broken down car is how urban legendsget started I'm coming with you.Nathan: What about your leg ?Haley: It'll be a good test come on !TheClerk: This is the final boarding call for flight 121, service to New Orleans.Derek: Oh good, good, you'reawake. I'm sorry about the sedative but there were just so many last minute details. I missed youPeyton, so much. Oh God, I missed that smell ! You're probably wondering how I got out of jail. MissSawyer ? Detective Wilcox here. We just call and let you know we have your stalker in custody. Yeah ?You know I've had a lot of time to think about what went wrong with us last time. A girl like you needsromance. I get that now. So that's why you and I are gonna have our own private prom, just the two ofus.GENERICBrooke: Hey.Lucas: Hey, I'm so sorry to hear about your dress. I had no idea.Brooke: It's okI got most of it off now and when you blacklight me it just says 'who'.Lucas: Oh.Brooke: So, where is sheanyway ?Lucas: I went over to her house to pick her up and she won't even open the door. I guess she'snot coming.Brooke: Hey, I need to leave for a little while.Mouth: Sure, where are we going? Right, take iteasy on the turns. My grandpa Mel [...] the suspension.Brooke: Ok. Hey I'll be back in time for mycoronation .Mouth: Are they still voting for Prom Queen?Brooke: Yeah but, it's really just aformality.Derek: You know, the hardest part about the night we broke up, it wasn't your betrayal, itwasn't even falling out of a second story window, no. The hardest part was losing my photos and now Ihave to start it all over. Smile Peyton.Peyton: ARGHHHHHHHHHHHHHHHHHHH!Nathan: Thanks forpicking us up mom.Deb: Just think I couldn't have done this a month ago, maybe, I just would havespent a lot more time on the sidewalk! Oh, pretend I'm not here.Nathan: Sorry. This isn't exactly how Iwanted to start our romantic prom night.Haley: It's ok, you know after everything we've been through inthe past year, your mom taking us to prom feels pretty good.Nathan: Kinda like we're kids again?Haley:Yeah. You know maybe tonight we don't have to be married and pregnant, we can just beteenagers.Nathan: Well in that case, what's you curfew?Derek: Lucas!Peyton: You've reached Peyton'svoicemail. Congratulations.Lucas: Hey Peyton, this isn't right. You're the one I wanna be with tonight,prom and all ... so call me ok? Please.Principal Turner: Miss Gatina! You know that you're not allowed onschool grounds?Rachel: What are you gonna do expel me?Principal Turner: Don't make me call thepolice.Rachel: Fine. All right, I've got a limo, and a fully stuffed mini bar, who's with me? This schoolsucks.Mouth: Rachel, wait. I'm coming with you.Rachel: What about Brooke?Mouth: If she were hereshe'd do the same thing, it's what friends do.Rachel: See you Turner! Oh, expect a call from my lawyerabout the sexual harassment.Principal Turner: She's kiddingDan: Relax Turner. You need a drink and infact I confiscated this flask from one of your students. Gimme a minute Karen.Derek: It's time for ourfirst dance. This song is special. I made it from your podcasts. I hope you see now how much thought Iput into tonight. It's why I couldn't have you going to prom with Lucas. And afterwards, giving yourself tohim. I couldn't allow that Peyton, you belong to me. We're gonna have the perfect prom, and afterwardswe're gonna go up to your bedroom, and have the perfect prom night. Well another tex from Lucas, let's"}
+{"doc_id":"doc_106","qid":"","text":"Кога? After breakfast. The lights down so much you can do it yourself. I put `em up there. You have gotto learn to mutter quieter, 'cause I heard that. That was the point! What the heck? Dear lord. Sherman?Call the police! What is that? Well, sure as sh1t it ain't Santa Claus. Phone's ringin´ Raylan. Thank you,Donny. Donny? It's from Lebowski Netflix it, you can be one of the cool kids. Givens. Deputy Givens, thisis Sharon Evans. I do bail bonds in Knoxville. Okay. We met at a law enforcement expo in Miami a fewyears ago. Want another one? Not of that. Oh, I'm sorry, I remember you. We, uh, had a drink. Several.From my mini-bar. I believe I also remember you polishing off a $20 tin of macadamia nuts. Yes, themost overrated of the nuts. Is that why you're calling? You want me to pay my fair share? No, I like itbetter you owing me. But this isn't a personal call, Raylan. I saw you're with the eastern district ofKentucky now. I need a hand up there. You interested?Raylan: I haven't hung up. Jody Adair, 41,charged with double homicide, out on a quarter-million bail, skipped town two days ago. He's got anex-wife in Lexington. You put eyes on him, I get Lexington P.D. To haul him in, and I'll make it worthyour while.Raylan: Chuckles. Meaning? How about three grand?Raylan: Send me the address and aphotograph. All right.[ Cellphones beep ]Raylan: You think you can manage the phones?I'm gonna go outfor a bit.Rachel: Where you going?Raylan: Oh, I got a thing.Rachel: Don't get caught, dude. Anything Ishould know?Raylan: No. No. Just a major prison break, the countryside's been overrun with fugitives. Igot it.[ Knock at the door ]You show up before dawn with a bag of hamburgers? They get the toys thatway. Come on *** let me in. Heck no. Why not, you've let me in every other time I've come by.No.Raylan: Hey, Sharon. It's Raylan. Yeah, he's here. Listen... Hold up. You dropped something. Pick itup if you want. Asshole.Raylan: Huh? No, not you. Won't let me in? Oh yeah I think you gonna let mein.Raylan: [ Taps window ] You can have the burgers if you want. sh1t! Let's go, out. Mine's bigger thanyours. Big enough to throw a bullet through this door, and you as well. Before I put one through yourear? You think this is the first time I've had a gun pointed at me? No. Could be your last though. I'mguessin' you know who I am. I can guess who you are, at least which team you play for. All this indicatesyou're not gonna shoot me. No. *** There you go. Sharon. How much I just bring him in?\u0000 On thislonely road \u0000 \u0000 trying to make it home \u0000 \u0000 doing it by my lonesome \u0000 \u0000 pissed off, who wants some?\u0000 \u0000 I'm fighting for my soul \u0000 \u0000 God get at your boy \u0000 \u0000 you try to bogart \u0000 \u0000 fall back, I go hard \u0000\u0000 on this lonely road \u0000 \u0000 trying to make it home \u0000 \u0000 doing it by my lonesome \u0000 \u0000 pissed off, whowants some? \u0000 \u0000 I see them long, hard times to come \u0000Boyd: So, you really have been saved. By theLord Almighty and the word of his forgiveness.Boyd: So, what happened? You sit down and start readingthe good book? Or was there a human component involved in this soul saving? I got to be honest now,Boyd. A lot of times, the way you say things, I can't make hide nor hair.Boyd: Well, were you saved onyour own or in a church, hiram? Church. Last Chance Holiness.Boyd: Well, that's new to me. I don'tbelieve I've ever heard of that collection plate. It's new to Harlan. Well, right now it's just a tent in thewoods. But preacher Billy... he's the real deal, Boyd... old-school. Been healing lots of the afflicted...Addicts. That's why your Oxy sales have dropped off a cliff, 'cause people getting off drugs, gettinghooked on Jesus.Boyd: Well, Hiram, receiving the Lord into your heart is a wonderful thing. But I do haveto ask... when did your salvation occur? Last week.Boyd: Well, then, there you go. What we have is aproblem of arithmetics, 'cause you received a shipment of Oxy from us three weeks ago. Now, that givesyou two solid weeks of selling before you saw the light. Now, by my count, Hiram, you got at least$10,000 of my money. I don't. I stopped selling before then.Boyd: Well, then give me my Oxy back.Can't. I flushed that poison down the shitter.Boyd: Poison? Why, you don't know your scripture. \"Hemakes wine that gladdens the\" \"hearts of man\"... psalms 104. And what are our goods but modern-daywine, albeit in a pill form? That's just you twisting the word of God for your own dark purposes. Whereyou going?Boyd: I'm getting away from the window.[ Screams ]Boyd: Now, hiram, saved or not, youdon't have my money by the time tomorrow night rolls around, the next firecracker's gonna go off inhere.[ Crickets chirping ]Hey! Shut that off before anyone sees the light. What are you doing? Might aswell pull some wire while we're at it. Got to love these old places. $20 copper right here. What is that?"}
+{"doc_id":"doc_107","qid":"","text":"Scene 1: Hall Glee Club - Will and the entire castWill: 5,6,7,8, not one, we walked around, we change legleg is changed, not one, you, you, you and bam bam bam! (He claps). A bit of nerves looks like a groupof sleepwalkers. Give me energy, it was the communal in two weeks.Mercedes: Sir! the commune is inthe pocket.Will: Can be good, but if taking it easy to commune we'll get killed in the regional. We need togive the best of ourselves.Kurt (laughs, looks wickedly M.Schuester): This is a funny video. Falls inweddings. (The bell rings).Scene 2: Staff room lunchtime - Will, Emma and SueWill (to Emma): This timeI think they overestimate, they seem to have lost their flame.Emma: Well I'm sorry, you just ... You havea little mustard on your little Kirk Douglas dimple in the chin.Will: Where? (Trying to lick your chin)Here?Emma: Yes, wait, let me it. Wait! Here!Will: Thank youEmma: Uh ... So when will it all started?Will:Oh, there was one weekFlashback: the Glee Club Rehearsal Rachel is in controlRachel: 1, 2, 3, 4, 5, 6, 7,No. No. No. No. No. Will (coming from the back of the room): Good news I just saw the distribution ofgroups for communal and I think it was a good place. There are only two other teams. If they beat youaccess to regional.(The group is very enthusiastic. Mercedes and Kurt look at a big smile and Puck makesa check to Tina ...)Rachel: And who are the other teams?Will: Drumroll Finn! The Dayton School for theDeaf and an establishment called Jane Addams Academy.Mercedes: Jane Addams? ! This is arehabilitation center for girls coming out of detention!Tina: C C This is great!Arty: People who disagreesing and criminals who do not care too much it will be piece ofcake! Top there (he holds out his handtowards Britanny who prefers checker Santana) End of flashback and return to the staff roomWill: Theythink it is a foregone conclusion when there are no further effort. I'll have to find a way to motivate thema little.Emma: O, then K um ... Let's see. Oh! an array of stickers, that's how my parents made me dochores when I was a child. Yes! While I was doing a chore and I had a star and then ...Sue: Oh Lord Ipray you, pity, stop talking. I try desperately to ignore the silliness of your conversation drippingunbearable but now that I have bile in my mouth I will not hold my tongue any longer. (Takes a listing onthe table before her). You know what that is? This is a list of my daughters. I choose someone at randomevery week and I plug out.Will: Yes it works in the Glee Club in a different way.Sue: Will Really? ! Howdoes it work for you? You must remember one thing, we take care of children here. They need to beterrified. It is like milk without him their bones will not grow properly. If you want results with a kid findthe animal competition that is in him and remove him his chains!Very good! Helen (Speaking to Emma)This blouse is insane (and Emma looks sighs) Emma (by digging into his salad) It amazes me that shecan teach in this school.Will: You know what? I think she has not entirely wrong.Scene 3: Hall GleeClubWill: The competition! All these people (he hung pictures on the wall) and all these elements havebeen champions in their field but they have always competed with others to become even better.Kurt: Ican not understand how a flash can compete with a wooden pool.(Compared to the pictures off thewall)Will: Remember what I say. You have become too sure of yourself and you were great but thepresets you'll have to overcome if you seriously want to achieve the communal. (Finn and locker Quinnlooks unkindly) OK, do you separate the boys left, girls on the right. Go you move (the band broke up)Okay. Kurt! (He was heading the group of girls, Will motioned him to go with the boys) I'll explain: twoteams, guys against girls. In one week you will have to stack all show me a mash up of your choice.Puck:What is a mash up?Will: A mash up is when you take two songs, you mixes together to make a greatexplosion of musical expression. Tuesday the boys present, girls the next day. I want you to go out allthe stops right? Costumes, choreography and those who will win this competition we will choose thenumber to communal.Rachel: Wait! Who will be the judge? Your s*x wrong your judgment.Will: Ah! Wewill have a special guest as a judge!Tina: Who is it?Will: Oh we'll have to give their all to find.Mercedes:We're going to crash to the ground!Rachel: It's clear I'll make a storyboard of the choreographytonight.Will: So? ! I hope you are ready to compete! The girls recovered to block.Arty: Let's give them aslap worthy of God's hand!Will (heading Finn): Hey Finn's it going? You look elsewhere.Finn: Just a littletired. Puck (tapping on the shoulder of Finn): You come buddy? We're late for training.Scene 4: Office ofSue - Sue she wrote her diarySue (in thought): \"Dear Diary I'm still without power today. It started at"}
+{"doc_id":"doc_108","qid":"","text":"The Massacre (of St. Bartholomew's Eve) by John Lucarotti first broadcast - 26th February,1966[SCENE_BREAK]1: INT. PRESLIN'S SHOP(ANNE has spent the night alone in PRESLIN'S shop.STEVEN pounds on the door startling her until she hears his voice.)STEVEN: Anne! Anne, are you there?Anne!(ANNE answers the door and lets an exhausted STEVEN in.)ANNE: Oh, monsieur! I'd given you upfor lost when you didn't come back last night and I thought the guards must have caught you.STEVEN:(Breathless.) Yes, they nearly did. I managed to shake them off. I'm sorry, the curfew rang before I couldget back last night. The guards were still looking for me this morning. That's why I've been so long.(Hetakes his sword off.)ANNE: Did you see Monsieur Muss and give him your message?STEVEN: Oh, yes.The warning was too late.(He puts his sword down.)ANNE: What will you do now? Go back to your friend?The Doctor.STEVEN: (Despondent.) I can't Anne. He's dead.ANNE: (Shocked.) Monsieur!STEVEN: I sawhis body lying in the street by the Abbot's house. Before I could do anything Roger Colbert saw me andsent the guards after me again. Heaven knows what I'll do now.(He thinks for a second.)ANNE: Return toEngland?STEVEN: I can't. I've got to find the key to the TARDIS.ANNE: What Monsieur?STEVEN: TheDoctor has a special key. Without it I can't leave.ANNE: Well do you know where it is?STEVEN: No. If theDoctor had it with him then I'm lost. I...I didn't had time to look for it. My only hope is that it's still withhis own clothes.ANNE: Could it be at the Abbot's house?STEVEN: Oh, no. No. He'd have had to changebefore he went there. The only other place I think he's been to is...is the shop.ANNE: Oh, but we'vealready searched here, monsieur, looking for clothes for you.STEVEN: Anne, we must do it again! Pleasehelp me. Open every cupboard, every box. I must find that key.ANNE: Right, monsieur.(They start tosearch.)[SCENE_BREAK]2: INT. THE LOUVRE(SIMON is reporting to MARSHAL TAVANNES.)MARSHALTAVANNES: It may hinder the inquiry into the attempted assassination of de Coligny.SIMON: Surely theKing is insisting that de Coligny is avenged?MARSHAL TAVANNES: He is. But by blaming the death of theAbbot on the Huguenots we may be able to cover our tracks.SIMON: Will the King pay any attention tothe Abbot's death?MARSHAL TAVANNES: I don't know. Fortunately the Admiral himself is helping us. Hedoesn't want the inquiry yet so that may give us a little time.SIMON: Therefore the Englishman must becaught.MARSHAL TAVANNES: And killed. He must not be allowed to get back to the Abbot'shouse.SIMON: The men are searching Paris for him.MARSHAL TAVANNES: He must be found tonight.Tomorrow is St. Bartholomew's Day and it will be all too easy for him to evade us in the revelry.(Amessenger knocks at the door and enters, giving a written message to TAVANNES. He reads it.)MARSHALTAVANNES: The Queen Mother. She commands me to go to her. No doubt she has thought of somefurther scheme to protect her good name.(He goes to the door.)MARSHAL TAVANNES: Wait for me here,Simon. I may have more instructions for you when I get back.(He leaves. SIMON picks up the messageand reads it.)[SCENE_BREAK]3: INT. PRESLIN'S SHOP(STEVEN and ANNE have almost ransacked theshop in their search for the DOCTOR'S clothes. Items of clothing litter the floor. ANNE comes fromanother part of the shop after her search.)STEVEN: Well?ANNE: Nothing, monsieur. There's no sign ofyour friend's clothes anywhere.STEVEN: They must be here.ANNE: All I've found was this.(ANNE showsSTEVEN the DOCTOR'S stick.)STEVEN: But... but this is his stick!ANNE: Your friend's?STEVEN: Yes. Wellhis clothes must be here somewhere! Where did you find it?ANNE: In the back, monsieur. But there areno clothes there.STEVEN: Are you sure?ANNE: Yes. I've searched everywhere!STEVEN: Then why thestick? He...he couldn't have pretended to be the Abbot dressed as he was. So he must have changedsomewhere. But where?ANNE: Perhaps he went away somewhere with the apothecary who used to livehere?STEVEN: With Preslin? No he couldn't.ANNE: Why not?STEVEN: Because Preslin is either dead or inprison.DOCTOR: He is not.(They turn round. The DOCTOR has entered the shop!.)STEVEN: (Shocked.)Doctor![SCENE_BREAK]4: INT. DE COLIGNY'S RESIDENCE(GASTON has come to visit a still weak DECOLIGNY.)GASTON: The Catholics will not rest until you are dead!ADMIRAL DE COLIGNY: (Weakly.) Youare too impetuous, Vicomte.TELIGNY: The King is determined to prevent a further attempt. Why else doyou think he's put so heavy a guard on this house?GASTON: A Catholic guard under a Catholiccommander! The Admiral could hardly be in the care of a greater enemy.TELIGNY: He is under the"}
+{"doc_id":"doc_109","qid":"","text":"[Scene: Joey and Rachel's, Joey is eating breakfast as Rachel enters, having just woken up.]Joey:Morning!Rachel: Hi! Oh, how was your date last night?Joey: Pretty good.Rachel: Oh good. (She walks tothe closed bathroom door, opens it, and finds a naked woman wrapped in a towel.) Ahhh! My God, sorry!(She closes the door and confronts Joey.)Joey: Okay, really good. Anyway I gotta go; I'm late forwork.Rachel: What-what?! You're gonna leave this person with me?!Joey: Yeah-Hey, don't worry, she's aterrific girl. And hey listen, could you do me a favor? When she comes out could you just mention thatI'm not looking for a serious relationship; that'd be great.Rachel: Why?! What?! Are you kidding?!Joey:Just casually slip it in, y'know lay the groundwork. Tell her uh, I'm a loner-No! An outlaw! Tell her shedoesn't want to get mixed up with the likes of me.Rachel: Y'know what? That's a lot to remember, can't Ijust tell her you're a pig?Joey: Hey, I'm gonna call her later! Honest! Oh come on, Chandler used to do it!He'd even make the girl pancakes! Plus, he'd make extras and leave 'em for me.Rachel: Well forget it,I'm not telling that girl anything. That is not my responsibility.Joey: Fine! (Pause) Now, where'd we landon those pancakes? (She chases him out the door as his date emerges from the bathroom.)Joey's Date:Hi!Rachel: Hi.Joey's Date: Sorry about that, but I couldn't get that lock to work on the door.Rachel: Yeah,Joey kinda disabled it when I moved in.Joey's Date: You must be Rachel, I'm Erin.Rachel: Hi.Erin: Hi. Idon't mean this to sound like high school, but did he say anything about me?Rachel: (pause) Would youlike some pancakes?Opening Credits[Scene: N.Y.U's University Library, Ross is entering withChandler.]Chandler: ...Come on! Why are we here?!Ross: Okay, okay take a guess.(An old womanpushes a cart full of books past.)Chandler: The hot chicks?Ross: Okay, okay, I was typing names into thelibrary computer earlier, y'know-y'know for fun, and I typed mine in and guess what came up? Mydoctoral dissertation! It's here! Yeah, it's right-it's right down here! In the biggest library in theuniversity! (They start heading that way, towards a secluded section behind the racks.)Chandler: Wowthat's actually pretty cool.Ross: (stopping quickly) Oh umm, there's also a book here by a woman namedWendy Bagina. (They both laugh, but stop when the hear moaning coming from the next aisle.) What isthat?Chandler: Sounds like two people are really enjoying the Dewey decimal system.(They go aroundthe last row of bookshelves and find a couple doing what college coeds do in secluded corners ofuniversity libraries. For those of you who don't know what I'm talking about, let's just say that clothing isundone. Ross gasps and the couple gets up and runs away.)Female Student: (as they are moving pastRoss) I'm so sorry!Male Student: Sorry!Chandler: You didn't bring me here to do that, did you?[Scene:Monica's Restaurant Kitchen, Monica is cooking as a waitress enters carrying a plate of food that has beensent back.]Monica: She sent the chicken back again?!The Waitress: She says it's too dry now and shewants to come back here and explain to you exactly how she wants it.Monica: Well fine! I want to meetthis chicken expert! Send the Colonel in!(The waitress lets her in as Monica is about to throw a lobsterinto a pot of boiling water (Although, she hasn't taken off the rubber bands that hold the claws, so shecan't be that good a chef). Anyway, guess who the Colonel is by the following phrase.)The Colonel:OH...MY...GAWD!!!! (Yep, it's Janice.)Monica: (to the lobster) Lucky b*st*rd! (Throws the lobster in andturns around to face the planet's most annoying woman, next to Dr. Laura and Kathy Lee Gifford ofcourse. She's the most annoying female TV character however.) Janice.Janice: How are you Ms. Hot Shotchef with the big fancy restaurant with the best chicken ever! (Does the laugh.)Monica: I'm fine.Janice:(notices Monica's engagement ring) Ohh! What is that on your finger?! I'm blind!Monica: Oh...Uh...Janice: So, who's the lucky guy?[Cut to Monica and Chandler's just after Monica has finished tellingChandler what happened.]Chandler: OH...MY...GAWD! I am so sorry sweetie, are you okay? You didn'ttell her we were getting married, did you?Monica: Well, she saw the ring.Chandler: Did she freakout?Monica: Well, she was shocked when I told her, but then again so were most people.Chandler:Right.Monica: Well, she actually has a boyfriend y'know herself, named Clark. Uh, she also kinda invitedherself to our wedding. Clark too.Chandler: (laughs) You said no, right?Monica: Huh?Chandler: You saidno, right?!Monica: Well, she cornered me! She asked if the wedding was in town! I mean, what was Isupposed to do?!Chandler: Lie!!! How hard is that?! The check's in the mail! Oh your baby is so cute! I"}
+{"doc_id":"doc_110","qid":"","text":"Story by Mark J. Kunerth Teleplay by Richard Goodman[Scene: Monica and Rachel's erm, Chandler andJoey's, Chandler is watching TV, and we hear Mr. Treeger in the bathroom.]Mr. Treeger: Ohhh,man!!Joey: (coming in from his bedroom) What is that?Chandler: Treeger's snaking the shower drain.Mr.Treeger: What in the name of hell?Joey: Maybe he found you flip-flop.(Joey sits down and changes thechannel, and we see two people making out.)Chandler: Hey!Joey: Whoa! Is this p0rn? What did I do? Imust've hit something on the remote.Chandler: Do we pay for this?Joey: No, we didn't even pay ourcable bill-maybe this is how they punish us.Chandler: Maybe we shouldn't pay our phone bill-free phones*x.Joey: Maybe we shouldn't pay our gas bill? (Stops and thinks about what he just said.)Mr. Treeger:(coming in from the bathroom) Whoa, hey, that lady's all kinds of naked.Chandler: Yeah, Joey justpressed something on the remote and it just, came on!Mr. Treeger: Yeah, it happened to me once. I wasjust flipping through the channels and bam! It was like finding money.Chandler: Like finding money withnaked people on it!Mr. Treeger: Then I made the mistake of turning off the TV, I never got it back again.And I'm sad. (Exits.)Joey: (to Chandler) Why would he turn off the TV? (Chandler shrugs.)OPENINGCREDITS[Scene: Monica and Rachel's erm, Chandler and Joey's, later that morning. The p0rn is still on,there are three women getting ready to shave the chest of some guy. Joey and Chandler are wonderingwhy that guy is letting them shave his chest, and Monica and Rachel are eating breakfast at the foosballtable.]Rachel: All right, y'know what, come on, do we really have to watch this while we eat? (She makesa move for the remote.)Joey and Chandler: (stopping her) Oh no-no-no-no!Chandler: We don't knowwhat could make this go away.Joey: Yeah, so no one touches the remote. And no one touches theTV!Chandler: And no one touches the air around the TV!Joey: Imagine a protective p0rn bubble if youwill, okay?Monica: Well at least, I'm going to mute it.Joey and Chandler: Oh no-no-no! (Monica mutes theTV and they tentatively look behind them)Chandler: We still have p0rn.Joey: Hey.Phoebe: (entering,carrying her massage table) Hi!Monica: Hi!Rachel: Honey, what are you doing? That's too heavy.Phoebe:Yeah.Rachel: Give it here. (She takes the table.) Oh, God. (And gives it to Monica right away.)Monica:Okay.Phoebe: Ohh, I'm getting too pregnant for this, lugging around a stupid massage table. Y'know, Ihave to find a job where I carrying a smaller table. (She goes over and stands in front of theTV.)Chandler: Or a job where you don't have to carry a table.Phoebe: You mean like a doctor?Joey:Pheebs! You're blocking the p0rn! Look out!Phoebe: Ohh! (She moves.) Oh my. Oh, that reminds me, Ihave to see my OB-GYN today.[Scene: Chandler and Joey's erm, Monica and Rachel's, Ross isentering.]Ross: Hi.Monica: Hi.Ross: So uh, Emily just went to the airport.Monica: Oh. Why didn't youtake her?Ross: Eh, her-her uncle already had planned on doing it. And y'know, we-we said our good-byesthis morning, so...Monica: You must feel horrible. Hey! The guys have free p0rn!Ross: (Thinks about it.)Nah.Monica: Hey, cheer up! You're gonna see her again, right?Ross: Well I, that's the thing, I don'tknow! I mean, whenever I brought it up with her she said, (In a British accent.) \"This is so fantastic! Whydo we have to talk about the future? Let's just enjoy...\"Monica: (interrupting him) No-no-no, don't-don'tdo the accent. You've got to see her again.Ross: And why do you care so much?Monica: Because! Youcould get to live out my fantasy!Ross: You had fantasies about Emily?Monica: No! Y'know, the fantasy!Meet someone from a strange land, fall in madly love, and spend the rest of your lives together.Ross: Isthat why in junior high you were the only one that hung out with that Ukrainian kid?Monica: Yeah that,plus his mom used to put sour cream on everything!Ross: Ahh.Monica: Do you love her?Ross: We said itwas only going to be two weeks, y'know?Monica: You love her!Ross: What-what is love really?Monica:Ohhh, I knew you loved her! Then you need to go to the airport and tell her. You're probably just gonnacatch her just as she's about to go to the gate. You're gonna call out her name and say, \"I love you!\" Andshe's gonna say, \"I love you, too!\" And you guys are going to have the most amazing kiss, everyone atthe gate will applaud.Ross: I am a good kisser.Monica: Then you two can, can sneak into the cockpit, andthings will start to heat up, and then a stewardess comes in... (Ross looks at her.) I've been watching toomuch p0rn.[Scene: Beth Israel Medical Center, Phoebe is at her OB-GYN doing an ultrasound, Rachel iswith her. We here the baby's heartbeat.]Rachel: Is that the heartbeat?The Doctor: That's it.Phoebe: Oh"}
+{"doc_id":"doc_111","qid":"","text":"44th Episode of RoswellProduction Code: 3ADA01[SCENE_BREAK]Max: Are you ready?Liz: Yeah, I thinkso.Max: Liz, you don't have to do this.Liz: No, max. We are in this together. That's what we said.Together till the end.Liz: Down! Down! Now! Whoa! Down! Get down!Max: Do what she says. She'scrazy.Liz: Face on the floor! Now! [East coast accent] yeah. I, uh...I wanna report an armed robbery inprogress. At Sam's quick stop on highway 65. Yeah. Hurry.Clerk: I have a family.Liz: Hurry. We've onlygot a few minutes.[Siren approaches]Liz: just keep your face down! Keep your face down! The cops arecoming. We gotta get outta here. Come on, let's go! Come on, let's go! Hurry up![Max, now in the roombelow the store sees the spaceship. He holds up a large diamond, and the ship begins to glow]Liz: Comeon. How'd they find us so fast?Max: I don't know. All right, hold on!Liz: Max, they can't find out about thediamond.Officer: Hands! Let me see hands!Liz: You got any powers for this?[PREVIOUSLY_ON]Max: Liz,there's something I need to tell you about Tess and me. Our relationship is, uh-- something happened.Liz, Tess is pregnant. I'm going back.Liz: Just tell me one thing. Do you love her?Max: Not like I loveyou.Max: This was all some kind of plan to get pregnant and go home, wasn't it?Max: This isn't over,tess.Isabel: What happens now, max?Max: I have to save my son.[Telephone rings]Max: So I waswondering if you wanted to, you know, see me.Liz: You mean, like, on a date?Max: Just somewhere wecan talk. I just want to try to start over, liz. You look amazing.Liz: They're my favorite. Thank you. Sowhere are we going?Max: It's a surprise.Liz: It's kind of dark.Max: Liz, i just want to put everything thathappened behind us.Liz: Yeah, you know that I would, too, if i had impregnated an alien killer whomurdered one of our best friends and then left the planet with my unborn child.Max: So you're stillholding on to that?Liz: It's hard not to, max. See, you slept with tess, and then you got her pregnant. Idon't know how to just move past that. You hurt me, you know?Max: Liz, meeting someone, someonelike me,Liz: it attracted me. I admit that. It was something I had to find out about, and now I'm overit.Max: It's not that simple. Liz, i'm here. I'm not going anywhere. Isabel, michael, and I, we've lost ouronly way home. There's no way back. You're the only or me to-- you're my only reason. I want to be withyou.Liz: Tess is pregnant with your child. What about your son?Max: There's nothing i can do about that.He's gonna be born in a... In another world, a world that i have nothing to do with. I've accepted it. Liz,you've paid a lot to know me. You've been hurt and you've been put in danger. Now I want to make thatup to you. I want to make your dreams come true. Will you let me do that?Max: In theneighborhood?[Sighs]Mr. Evans: son. If you want to get out of here while you're still a young man, don'tsay anything to anyone unless i'm present. I'm not your father right now, I'm your lawyer.Mrs. Evans:Oh, my god. Max.Max: It's all right, mom. It's all right.Mrs. Evans: Look at you. What is going on? Whoare you? Why are you under arrest for armed robbery?Mr. Evans: Now tell us what the hell are you doingin utah?!Mrs. Parker: Jeff, stay calm. Calm?!Mr. Parker: How am i gonna stay calm? [Ms]Honey, i know itisn't you. I know this is not something that you would do, but--but if you did do it, maybe it's becausesomebody put you up to it.Liz: They put meup to it. Right, mom.Mr. Parker: Ok. That's enough! Now tellus what the hell happened.Liz: I'm not gonna speak to anyone until they let me talk to max. Liz:Liz: SoI've broken, like, 12 of my mom's rules already.Max: Rules? She has rules? Well, yeah. Yeah, since I toldher that you broke my heart, without any of the alien details, of course. She thinks that we should justtake things slow. Just dinner, then straight home, no plans for future dates. No making out.Max: So isuppose skinny dipping would be against the rules, too.Liz: Uh-huh. What are you doing, max? No. No,this is not happening. Ok, you've made your point. It's not that funny. You can stop now. What--no, max.Max. I can't believe you're gonna do this!Max: Whoo! Come on in. It's beautiful. No, it's not. It isobviously freezing. Come on, liz. This is something we'll tell our grandchildren about. Come on in, liz.Come on.Liz: Fine! Ok? Fine. Grandchildren. What are they gonna be, 3 feet tall and green? But, hey. Iam not taking my underwear off. And if my mother, like, ever, ever t about this, you are, like, so dead.Ok? Do we have a deal? Max. Oh, max! Is that a deal, max? Huh? Max! Max, oh, my god!Isabel: Max!Michael Just tell us what happened. Feel free to leave out the lurid details.Liz: Look, I told you already.He was just, like, laying there in the water and he woke up in the car. But he hasn't said a single word."}
+{"doc_id":"doc_112","qid":"","text":"Buffy is napping in Angel's bed. Angel is watching her sleep. He smiles at her as she wakes.Buffy:(smiles) What? Do I have funny bed hair or something?Angel: Or something?Buffy: I guess we got a littlecarried away with the whole post-slayage nap thing. (feels her hair) Ohhh, not good. (sits up)Angel:Where you going?Buffy: To go kill a cat on my head.Angel: No mirrors.Buffy: You know, this place reallyisn't girl-friendly. No mirrors, no natural light.Angel: I think you look perfect.Buffy: Oh yeah, I reallylike... Okay! (lays down) Maybe we should think about getting a few mirrors. And maybe a drawer, youknow, for some of my stuff. Because that's what couples do, they have drawers.Angel: Mmmm, that'sright.Buffy: You know, I-I figure, that way sometimes I could spend the night. Like, after the prom, itwould be nice to be able to just come back here and spend some time together.Angel: The prom?Buffy:End of high school rite of passage thingy. Think cotillion with spiked punch and electric slide.Angel:Right.Buffy: Oh, don't worry, it's at night. And lots of girls have older girlfriends. You'll blend.Angel: Ithink maybe you should go, hunh?Buffy: Noo.. must be a few more hours before sunrise. Buffy gets upand walks to the window. When she pulls back the blackout curtain, it lets in a blast of sunlight directlyonto the bed. With an exclamation, Angel rolls out of bed away from the light, apparently unharmed.Buffy pulls the curtains closed suddenly.Buffy: Ooh, sorry. I guess it's later than we thought. Angel has aworried look. Opening credits.[SCENE_BREAK]Daylight outside Sunnydale High. Xander is walking slowlywhen Anyanka intercepts him and walks beside him.Anya: Xander!Xander: Well, hey, it's demon Anya,punisher of evil males. Still haven't got your powers back? (serious) You haven't right?Anya: No. I will,though. It's just a matter of time.Xander: So now, how did that work? Women would wish horrible thingsupon their ex-boyfriends. You'd show up and make it happen.Anya: That's right. The power of the Wishmade me a righteous sword to smite the unfaithful.Xander: Well, hey! Good luck with that. Hope it worksout for you.Anya: You know, you can laugh, but I have witnessed a millenium of treachery andoppression from the males of the species and I have nothing but contempt for the whole libidinous lot ofthem.Xander: Then why you talking to me?Anya: (averts her eyes) I don't have a date for theprom.Xander: Well gosh. I wonder why not. It couldn't possibly have anything to do with your salespitch?Anya: Men are evil. Will you go with me?Xander: One of us is very confused, and I honestly don'tknow which.Anya: You know, this happens to be all your fault.Xander: My fault?Anya: You were unfaithfulto Cordelia so I took on the guise of a twelfth-grader to tempt her with the Wish. When I lost my powers Igot stuck in this persona, and now I have all these feelings. I don't understand it. I don't like it. All I knowis I really want to go to this dance and I want someone to go with me.Xander: Be still my heart. Oh wait,it is. How come I got the short straw?Anya: You're not quite as obnoxious as most of the alpha malesaround here. Plus I know you don't have a date. <!-- implying Xander is an alpha male? -->Xander: Ihaven't settled on anyone yet.Anya: Fine. Look, I know you find me attractive. I've seen you looking atmy breasts.Xander: Nothing personal, but when a guy does that, it just means his eyes are open.Anya:Whatever. Look, do you wanna go with me or not? Silence.Cut to a picnic table outside the school, stilldaylight. Oz, Willow, Buffy, and Xander.Oz: Anya, huh? Interesting choice.Xander: Choice is kind of abroad term for my situation. See, it's either Anya or the sock puppet of love for this boy. (holds his righthand in puppet shape, speaks in silly voice) I love you, Xander. I'll never leave you.Willow: Well, if Anyatries to get you killed, put me down for a big 'I told you so.'Xander: (puppet) Who's this Anya? Is sheprettier than me?Willow: She just better not try to cross me. That's all I'm saying.Buffy: Well, at least weall have someone to go with now. Some of us are going with demons, but I think that's a valid lifestylechoice. More importantly, I have the kick dress.Willow: Ooh, the pink one?Buffy: Angel's gonna lose it.But not his soul. He's gonna lose it. His it.[SCENE_BREAK]In Angel's mansion. He picks up one of Buffy'snotebooks and sees a doodle, \"Angel & Buffy 4 Ever!\" There is a knock at the door. He opens it, careful toavoid the sunlight, and lets Joyce inside.Angel: Mrs. Summers.Joyce: I'm sorry to, uh... Well, I wouldhave called, but, you know.Angel: Please, you're always welcome.Joyce: My goodness, your place isamazing.Angel: Yeah, I like a lot of space. I don't get out much during the day.Joyce: No, you wouldn't.(Her gaze pauses on a set of manacles that are fastened to a wall.)Angel: Can I get you something? I"}
+{"doc_id":"doc_113","qid":"","text":"THE SUN MAKERSBY: ROBERT HOLMESPart FourRunning time: 24:57[SCENE_BREAK]COLLECTOR: Thatnoise, Hade. Can't something be done about it? We shan't hear her.HADE: It's vibration in the exchanger,your Magnificence.COLLECTOR: I know what it is. I don't want my pleasure ruined by it.MARN: Her crieswill be clearly audible, your Honour.COLLECTOR: What's that? The subtleties will be lost. The deepernotes of despair, the final dying cadences. The whole point of a good steaming is the range itaffords.HADE: Marn. Er, no. I'll see if the discriminator can be adjusted, yourImmensity.[SCENE_BREAK]MANDRELL: Doctor, can you hear me?[SCENE_BREAK]MANDRELL (OOV.): Ican't give you any longer.[SCENE_BREAK]MANDRELL: The exchanger's going to blow anysecond.[SCENE_BREAK]MANDRELL (OOV.): Get out, Doctor. Get out of there!COLLECTOR: What wasit?HADE: I thought I heard someone say Doc-Tor, your Sagacity. It wasn't the girl. There hasn't been apeep out of her.COLLECTOR: Precisely, Hade. Something has gone wrong. Order the guards toinvestigate.HADE: Immediately, your Omniscience. Come along, Marn![SCENE_BREAK]SYNGE: Flowvalves open.MANDRELL: Main pumps in.SYNGE: Sixty atmospheres, still rising.MANDRELL: Plugauxiliaries in. Quick!SYNGE: Auxiliaries in. She's cooling, look.MANDRELL: We've made it. Unless the airplates have buckled, Synge.SYNGE: Let's hope they haven't.CORDO: Do you think the Doctor got out intime?BISHAM: If he didn't, he wouldn't have known much about it.MANDRELL: We gave him his twominutes. More than his two minutes.CORDO: Listen. In the vent! He's made it!CORDO: Leela!DOCTOR:Who was making all that noise?MANDRELL: I was, Doctor.DOCTOR: I told you not to use that radiolink.BISHAM: We had to tell you that your time was up, Doctor.DOCTOR: You told the Collector, too! Thatfish-blooded sadist had Leela's casket wired for sound.LEELA: What's happening? What's he doinghere?CORDO: We've sired a revolution, Leela. Down with the Company, eh, fellas!DOCTOR: Ah, ah,Cordo. We've got a great deal to do yet.BISHAM: It's going well, though, Doctor.DOCTOR: Is it?BISHAM:The PCM is clearing from the air faster than I expected. It's down ten points already.MANDRELL: All mymen are out putting some fight into the work units. If just one District joins the resistance the word'llspread through the whole City.DOCTOR: Shush. Where's the public video system controlledfrom?MANDRELL: The Collector's Palace.BISHAM: Yes, he runs everything from the Computer room.Why, Doctor?DOCTOR: If the public video system announced there'd been a successful rebellion, think ofthe effect.LEELA: Everyone would believe it.DOCTOR: Right.BISHAM: Yes, but the Palace is guarded byhis Inner Retinue.DOCTOR: He's guarded by his Inner Retinue, and most of them are down there withhim. Come on, Leela, let's go.LEELA: MegroGuards! MegroGuards coming this way!DOCTOR: Everybodykeep calm, keep calm. Keep quiet. You two back there. You three over there. Leela, behind thedoor.SYNGE: What do you want here?CORDO: All right, drop your guns.DOCTOR: All right, tie themup.DOCTOR: Pretty soon the whole place will be under siege here. K9? (to Bisham) I want you to hold outas long as possible.BISHAM: Yes, Doctor.CORDO: We'll do it, Doctor.DOCTOR: Of course you will.CORDO:Now we have more weapons, we can hold the corridor.DOCTOR: Good man. K9?LEELA: K9?DOCTOR:K9?ALL: K9?DOCTOR: K9, where are you?K9: Master.DOCTOR: Ah, there you are. Now, listen. I wantyou to give my friends all the help they need. You understand?K9: I am at full offensive capability,master.DOCTOR: You're a good dog. Come on, Leela. Gentlemen, good luck.BISHAM: Thank you,Doctor.MANDRELL: Right, Doctor.[SCENE_BREAK]COLLECTOR: An unprofitable operation, Hade.HADE:Your Supernal Eminence, I simply can't understand it. No one has ever endured a steaming withoutvocalising in the most gratifying fashion.COLLECTOR: A complete waste of time. And we've lost point ohfour seven percent in production. Unpaid overtime to be introduced immediately for all work grades. Seeto it!HADE: Without fail, Monstrosity, without fail.COLLECTOR: What is it?COMMANDER: Your Excellence,sir. Some minor disturbances. It may not be wise to travel in the subways until the trouble has beensuppressed.COLLECTOR: What trouble?COMMANDER: It appears that some of the work units are refusingto leave their dormers, Excellency.HADE: Refusing to leave? I've never heard of such athing.COLLECTOR: This situation must be normalised. Any sustained unrest among the workforce willadversely affect Company profitability.HADE: Sing adoration to our Company!COMMANDER: I have"}
+{"doc_id":"doc_114","qid":"","text":"(Flashback: Sydney sits on a stool, tears in her eyes, staring numbly at nothing while a trainer wraps herhands with gauze. He slaps at her hands to feel if they're wrapped.)TRAINER: Good.(SD-6. Sydney sits ather desk. Jack approaches.)JACK: I heard about Noah... I'm sorry.(She just sits there, staring atnothing.)(In the weight room, Sydney hits the punching bag.)TRAINER: Come on, come on. Hit thebag!(In the blood donor van parked on campus, Sydney and Vaughn chit chat.)SYDNEY: I killed a man...someone I cared about.VAUGHN: Noah Hicks was an assassin. If you hadn't killed him, he would havekilled you.SYDNEY: Maybe. But I was the one who forced the fight.VAUGHN: Hicks was a badguy.(Sydney works out, hitting the bag even harder.)TRAINER: Work that jab! Work it! That's it, workthat thing! That's it! Nice combination! Work that jab!(Sydney kicks the bag and the trainer stumblesback from the force.)(Blood donor van.)SYDNEY: But the truth is, it affects me. Never knowing who totrust, learning to expect betrayal, plotting in secrecy and hatred and anger.(Punching.)TRAINER: That'sit!SYDNEY: (voice over) It's becoming a part of me. I am becoming what I despise.(Blood donorvan.)SYDNEY: I tell myself I got into this to bring Danny's killers to justice. The truth is, I'm moreinterested in revenge.(Sydney is starting to lose it; punching the bag without much control.)SYDNEY:(voice over) I thought I could stay in control. It's just gotten so twisted.(Blood donor.)SYDNEY: Like withKhasinau. The one tangible goal is to find him so that I can find my mother. But if I do that, if I can findhis trail and track him down, it'll strengthen SD-6.(In the training room, Sydney is now breathing hardand sweaty. Hair is stuck to her face with sweat. She takes off her glove to see that blood has seepedthrough the bandage. Bright red blood soaks through the white bandage.)SYDNEY: (voice over) I got intothis to bring them down and now I feel like I'm on their side.(In the blood donor van, Vaughn looks atSydney for a moment, not knowing how to explain. He suddenly gets up and moves to the counter. Hegets out the map he revealed to her in episode two and spreads it out in front of her onceagain.)VAUGHN: This is the world of SD-6 when we started. Remember?(Sydney can only nod with tearsin her eyes. Vaughn flips over a transparent cover that reveals who's been taken out since he firstshowed it to her. Little red circles with a slice through it are over the map.)VAUGHN: And here is what itlooks like today. And this doesn't even take into account things like Badenweiler or stealing pageforty-seven from Sloane's vault. Or the way you kept Khasinau from getting his hands on that ampule.Sydney, these are incredible accomplishments.SYDNEY: Khasinau is out there somewhere.VAUGHN:Yes.SYDNEY: My mom is out there.VAUGHN: (sighs) We will find them.SYDNEY: I have to go toclass.(She smiles helplessly and gets up to leave. When she walks by him, he stops her by taking herhand.)VAUGHN: Wait.(He gets up and takes out a first aid kit from one of the cupboards. He takes out anice pack, breaks it up to react it, and places it on her bruised and bloody knuckles.)VAUGHN: Take care ofyourself.SYDNEY: Thanks...(Francie and Sydney's house. Will is on his hands and knees in the kitchenwhile Francie stands back at the counter.)WILL: Where was it?FRANCIE: Behind the fridge.WILL: You sayyou saw it?FRANCIE: No, I didn't see it. I heard it. Scratching.WILL: Okay, I'm going to go to thehardware store. I'll go get some traps.FRANCIE: No, no, no. We need a professional. We need a hit man.If there's one, there are a thousand. Rats breed hourly.(Will's cell rings.)WILL: Hello?DEEP THROAT: Youdisappoint me, Mr. Tippin.WILL: (to Francie) It's Litvack. Uhh...(He walks outside through the patio doorsfor some privacy.)DEEP THROAT: You have enough to publish. You have nothing to fear.WILL: I waskidnapped! The lives of the people I care about were threatened!DEEP THROAT: It's a bluff to scare youoff the story.WILL: Well, you know what? It worked. I'm off it.(Will hangs up and looks in at Francie, whois flipping through a phone book innocently. The cell rings again.)WILL: Just go away! Don't call meagain!DEEP THROAT: Mr. Tippin--WILL: Don't call anyone else again unless you want more people todie!DEEP THROAT: It was Jack Bristow.WILL: What? What? Wait, what's Jack Bristow? Hello?Hello?(Sydney comes home after her classes.)FRANCIE: We have rats.SYDNEY: What?WILL: Hi.(Tapescrewed up.)SYDNEY: Hi. Mice are better than rats.FRANCIE: There's no way that they're mice. They'rerats, and they're huge. The exterminator is coming between noon and three. Think you can behere?SYDNEY: No, I've got work.FRANCIE: Well, I have to cater a lunch for thirty.(They both look at"}
+{"doc_id":"doc_115","qid":"","text":"Renaissance(2x08 : Carrier)Written by CRAIG SWEENEY Directed by NICK GOMEZ**Previously on the4400** Diana reads Maia's journal and reports to NTAC.Nina: As far as this department knew, Maiawasn't having visions anymore.Diana: She was keeping them secret from me. Writing everything down ina diary. Diana receives some mail.Diana: It's a subpoeanaMaia: What do they want?Diana: Your diaryCollier warns Shawn away from liv.Collier: Don't reveal your healing ability, because if you heal one ofthem, you'll have to heal them all. Shawn heals Livs boyfriend.Collier: One day, all of this will be yours.The paperwork's been drawn up. The lawyers know what to do. The sniper prepares to shootCollier.Collier: Everything's in place. Collier is shot.Shawn: He had a vision to save the future and now hewon't be here to see us achieve it. But we will achieve it. Shawn stands by Collier's casket. Tom entersthe room at the museum.Alana: None of this is real to me either. This is where they altered us. Gave methe ability to create the world we've been living in. Alana and Tom renew their marriage vows.Alana:Thomas **Present Time** Tom and Alana return home and speak with Kyle as they eat dinner.Kyle: Solet me see if I've got this straight. You two met, fell in love and spent eight years together in some kindof alternate reality. And now you're here with eight years of love and marriage under your belts in whatto us was no time at all.Tom: Yeah, that, that, that about sums it up, yeah. Kyle laughs.Kyle: I'll playalong. If you two start calling each other honey bunny, I'm SO outta here.Alana: I told you he'd try,Thomas.Kyle: How'd you know that?Alana: Well you might be meeting me for the first time, but I knowall about you. Your smart, your favourite writer is Alan Moore and your favourite meal is meatloaf.Kyle:Well I can't be exactly the same. You said there was no 4400, so that means no coma. No time lost.Tom:No major problems, that's right. You were happy. Successful.Kyle: Meaning what?Tom: Nothing. We usedto talk about medical school, remember? Over there, you went to Stanford.Kyle: How'd I do?Tom: Yougraduated with honours. You became a neurologist.Kyle: Must have made you proud.Tom: I'm alwaysproud of you.Kyle: Right. But Doctor Kyle Baldwin in that world you were vacationing in, came from yourmind, right?Alana: Uh, actually it was my mind.Kyle: Right, but you created it using his memories.Tom:Kyle! I'm just as proud of what you've accomplished here! Prouder. Diana is in the office when Marcoenters.Marco: Hey.Diana: You wanna know why all lawyers are jerks? Cos they spend a lifetime readingthis crap. He sits on her desk.Marco: What kind of crap specifically? I'm a pretty good interpreter.Diana: Ihave 24 hours to turn Maia's diary over to NTAC and not one legal option to get out of it.Marco: What areyou going to do?Diana: Well, what NTAC wants, NTAC gets. But I have a nine year old daughter at homewho's counting on me to protect her.Marco: Is there any way I can help?Diana: Yeah, you can slap meupside the head for mentioning the diary in the first place. It didn't save Collier's life and now it's makingmine hell.Marco: How about I just make some fresh coffee instead.Diana: Thanks.Marco: Yeah. He leavesthe office. Back at the Baldwin house and Kyle is sat on the sofa reading the newspaper which has a storyon Collier's murder. Alana enters the room.Alana: Do you think they'll find the man who did it?Kyle: Bythey, you mean, Thomas? Yeah, probably. Dad always gets his man. You heading out?Alana: Yes, I haveto keep reminding myself I don't live here anymore. Kyle looks at her and then turns his headaway.Alana: Look Kyle. Your father and I love each other.Kyle: That's great. There's not enough love inthe world. But I just met you. Give me a few day's before I start calling you Mom, ok?Alana: Uh, you'vegot one of those already. I'd settle for being a good friend. And I'll keep bribing you with meatloaf untilyou give in. She leaves the room. The scene shifts to a diner. All the customers and staff lie dead.Outside, people lie on the pavement and in cars. A woman, Jean Delynn Baker, an abductee whodisappeared on Oct 27th 1999, stands among the dead and is visibly upset. She walks through the manybodies littering the street. A limo arrives at the 4400 centre. A few men rush to greet the man who stepsout of the car.Man: Hello Mr Ross. Did you have a good flight?Matthew: Yeah, thanks.Man: Now wouldyou like me to show you around, or do you wanna get some rest.Matthew: Neither. Take me to MrFarrell.Man: Yes sir. Right this way. Shawn and Lucy are in his office.Lucy: They've been waiting threeday's.Shawn: Tell publicity I'm not sure yet.Lucy: They're saying we're past our deadline. We have torelease this press statement. He reads the statement.Shawn: This is supposed to be coming from me? I"}
+{"doc_id":"doc_116","qid":"","text":"Teleplay by: Peter TibbalsStory by: Judd Rubin[SCENE_BREAK][Scene: Chandler and Monica's]Chandler:Hey!Monica: Good morning, Tiger! I'm making you a nice big breakfast so you can keep up your strengthfor tonight. You're gonna get me good and pregnant.Chandler: I've got nowhere to go this morning. I'munemployed! I don't know what I'm gonna do with my life.Monica: Well, I just lost my erection.Chandler:I mean, what am I supposed to do with myself?Monica: You're supposed to find your passion in life. Youcan be whatever you wanna be now. It's exciting.Chandler: But it's all so overwhelming. I don't knowwhere to start.Monica: Hey, wait a second. I can help you with this. You just need to be organized. Wecan make a list of your qualifications, and categorize jobs by industry. There could be folders andfiles!Chandler: Hey! This is where your hyper-organized-pain-in-the-ass stuff pays off!Monica: I know!!!My erection is back! Opening Titles[Scene: Central Perk]Joey: (To Gunther who comes over with coffeeand a muffin) Thank you!Phoebe: Joey, can I have a sip of your coffee and a bite of your muffin?Joey:Okay.Phoebe Thank you. (Pours his coffee in a thermos and puts his muffin in her purse.) Thankyou!Joey:: Pheebs, have you ever been bitten by a hungry Italian?Phoebe: I'm sorry, it's just, I'm a littleshort on cash.Joey: If you want I could loan you some money?Phoebe: Oh no, no, no. I learned never toborrow money from friends. No, that's why Richard Dreyfuss and I don't speak anymore.Joey: Oh, hey,how about this? Wanna be an extra on my show?Phoebe: You could do that?Joey: Yeah, yeah. The pay ispretty good and you could do it for as long as you need.Phoebe: Oh my god, I'm gonna be on TV!Joey:Okay, now. I gotta tell you, being on TV isn't as glamorous and exciting as you think.Phoebe: Oh,really?Joey: No it is awesome!(Rachel and Ross enter with Emma)Ross: Hi guys.All: (Adlib hellos)Phoebe:Wow! Hey, why are you all dressed up?Ross: Rachel and I are bringing Emma to Ralph Lauren today tointroduce her to everyone. Doesn't she look cute?Joey: She sure does. Why does she have a pink bowtaped to her head?Rachel: Well, because if one more person says \"what a cute little boy\" I'm gonna whipthem with a car antenna!Ross: I think she's gonna be the hit of the office, huh? She's gonna be hotterthan peasant blouses and A-line skirts. Can I get a blue bow?[Scene: Chandler and Monica's]Monica:(Flipping through bunch of folders as Chandler enters from bathroom) Okay, I have looked through abunch of career guides, photocopied and highlighted key passages and put them into alphabetical foldersso you can make an informed decision.Chandler: How long was I in there?Monica: Okay. Let us start withthe A's. Advertising.Chandler: Wait. Advertising! That's a great idea!Monica: Don't you want to lookthrough the rest?Chandler: I don't think I have to hear the rest. Advertising makes perfect sense. Sorryyou had to waste all this time, though.Monica: You call eight hours alone with my label maker wastedtime? Ooh, now I get to use my shredder!Chandler: I mean, I can write slogans. I mean, how hard can itbe, right? \"Cheese. It's milk that you chew.\" \"Crackers. Because your cheese needs a buddy.\" \"A grape.Because who can get a water melon in your mouth?\"Monica: I got one. \"Socks. Because your family's feetdeserve the best.\"Chandler: Honey? Leave it to the pros.Monica: I actually know someone in advertising.I grew up with this guy who is a vice president at a big agency. Maybe I can get him to meet you? Giveme the phone.Chandler: \"The phone. Bringing you closer to people...who have phones.\"Monica:\"Marriage. It's not for everybody.\"[Scene: Ralph Lauren]Rachel: That went well. Almost everybody knewthat she was a girl.Ross: Yeah, after you punched that one guy who got it wrong, word spread.Rachel:I'm just gonna go in my office and pick up some stuff . (To the guy behind her desk) Who the hell areyou!?Guy: Who the hell are you?Rachel: I'm the hell person whose office this is!Ross: Good one,Rach.Guy: I'm Gavin Mitchell, the person who's taken over your job.Rachel: Excuse me?Gavin: Oh, yourbaby's so cute. Why did you put a pink bow on a boy?[Scene: DOOL set]Phoebe: Joey, look at me! I'm anurse!Joey: Yes you are. I think it may be time for my sponge bath. Sorry, I'm just so used to hitting onthe extras. So, are you excited about your scene?Phoebe: Yeah! But I'm a little shaky and nervous.Joey:Oh, relax. Don't be. You'll be fine, you'll be fine. They'll probably just make you stand in theback.Director: Okay, okay, okay! (To Phoebe) You. Here, come here, here. You're gonna take this tray,you're gonna stay on this yellow mark. You're gonna move on \"action!\" You're gonna walk over to theoperating table. You're gonna stop on that blue mark, you're gonna put the tray down. Don't walk too"}
+{"doc_id":"doc_117","qid":"","text":"[Scene: Rodriguez's place. He's looking at pictures of Prue, Piper and Phoebe. Tempus appears in a ball offlame.]Rodriguez: Tempus...Tempus: I never expected to see me. Of course not. You are not worthybefore now. What is the name you are using?Rodriguez: Rodriguez.Tempus: Ah, yes. I have been sent toyou, Rodriguez. As a gift.Rodriguez: Sent? By who?Tempus: I think you know who and why.Rodriguez: Ican defeat the Charmed Ones on my own. I don't need any help.Tempus: Really. What makes you thinkyou have actually found the Charmed Ones?Rodriguez: Are you kidding? After so many of my colleagueshave mysteriously vanished in San Francisco this year. It can only be one reason why. I posed as a copas I believed that one was covering for them. I was right, he was. That's how I found them. Of course,you already know all that don't you. That's what makes me so worthy now, right?Tempus: Watch yourtongue, Rodriguez, lest I split it for you. It's one thing to have found the Charmed Ones, it's quite anotherto defeat them as those who have gone before you have already discovered. Tomorrow is Wednesday. Iwant you to get all three witches together in one place by midnight and give it your best shot. But if youfail ...Rodriguez: I will not fail.Tempus: Well, if you do, I'll be there to help you learn by you failures.Trust me. Now, how do you expect to get them together?Rodriguez: Trudeau.[Scene: A paperboy ridesalong the road, a car honks and he waves. He throws the paper on the Halliwell's lawn. Inside themanor.]Weather Girl: (on TV) Good morning, San Francisco. Well, it looks like it's going to be a beautifulWednesday.Phoebe: (on the phone) Piper, what are you doing at Quake? It's 8:00 in the morning.(Prueenters the kitchen.)Prue: Morning.Phoebe: Morning. (to Piper) Yes, alright, I'll be there in an hour.(Youcan see Kit on the bench and he knocks over a pepper shaker.)Prue: You'll be where in an hour?Phoebe:Ah, Quake. Piper's doing that thing for the food network and she needs me to bring her another dressbecause she spilt marinara sauce over the one she's wearing.Prue: Just stay out of my closet.Phoebe:Oh, don't worry, I don't think she'd want to ruin another one of yours.Prue: (Reading the paper) I don'tbelieve this.Phoebe: I'm kidding. Don't have an aneurysm.Prue: No, I'm talking about the paper. Did yousee the front page? (Phoebe shakes her head. They hear a crash outside.) Where did you park my car lastnight?Phoebe: In the driveway ... I think.(They run to the window.)Prue: Mrs. Henderson's car.Phoebe:Oh, thank God. I mean, that your car's in the driveway and I'm not in the dog house. Is she okay?Prue:Yeah, just a little fender bender, no big deal. Phoebe, Andy's in trouble.Phoebe: What? Why? (Prue showsher the paper. Written on the front page is \"Inspector Suspected In I.A. Murder.\") They think that hekilled that Internal Affairs cop? No way.Prue: Maybe it's a setup, trying to force him to reveal oursecret.Phoebe: Let me see that. (She takes the paper off Prue and has a premonition.)Prue: What isit?Phoebe: I saw Andy, Prue. He was dead.Opening Credits[Scene: Halliwell Manor. Continued frombefore.]Prue: Wait, you said that you didn't see a demon or a warlock in your premonition, right?Phoebe:No, but the way he was hurled across the room, there had to of been one.Prue: This room here.Phoebe:Right here, yeah.Prue: Okay, and you're positive that it was Andy.Phoebe: Prue.Prue: I just want to besure, alright, this isn't just anybody that we're talking about, you know.Phoebe: I know, and I care abouthim too.Prue: I know you do. I'm sorry. Um, right, why don't you fill in Piper and I'm gonna go warnAndy.Phoebe: How? He said it was too risky for you to be seen with him.Prue: Yeah, well, I don't care.Let Internal Affairs find out that we're witches. Andy's life is a lot more important.Phoebe: Okay, justplease be careful. You don't know what kind of demon we're up against.[Scene: Police station. Andy is ina room with Darryl.]Darryl: If you ask me, I wouldn't be surprised if Rodriguez was the one who whackedhis own partner.Andy: I.A. already cleared him.Darryl: I.A. cleared an I.A. Go figure.Andy:Yeah.(Rodriguez enters the room.)Rodriguez: What are you doing here, Morris?Darryl: Backing mypartner, Rodriguez, something you wouldn't know anything about.Rodriguez: This is between him andme.Andy: It's okay, Darryl. (Darryl leaves the room.) Just for the record, I'm not saying anything withoutmy lawyer present.Rodriguez: You don't need a lawyer, that's if you're willing to help me.Andy: You wantme to help you? (He laughs.) What, you can't frame yourself, Rodriguez?Rodriguez: Look, Andy ...Andy:Oh, it's Andy now.Rodriguez: I don't think you had anything to do with my partner's murder. That's right.But what I do think is completely off the record. And I think you'll understand why. (Rodriguez shows"}
+{"doc_id":"doc_118","qid":"","text":"[PREVIOUSLY_ON]FlashbackHaley : Nathan don't!Nathan : I love youHaley : Nathan! Nathan! Nathan!Help me!Nathan : Haley! Haley! Haley! You okay? Oh, my God. Okay. Breathe, Haley. Just breathe.ATTHE DOCTORHaley : I was just trying to feel something. Like... alive, I guess.Doctor : And did that makeyou feel alive?Haley : No. But it made me want to.AT BROOKE'S HOUSEBrooke : Julian, I thought weagreed we weren't gonna hang posters out here.Julian : I didn't hang a...AT CLAY'S BEACH HOUSEQuinn: What are you up to?Clay : I love your back. You know where we should go? Julian's movie premiere.Maybe we could talk Nathan and Haley into going. Might be good for her to get away. And then we...could...Quinn : Ski.Clay : Girls that can spell are sexy. Then we could stay up all night and...Quinn : F...U... Are terrible.Clay : I'm just insanely in love with you. As promised.Voice over : I wish I could tell youthere was a magic cure, Haley. But depression is a singular struggle. Some people just wake up one dayand feel a little better than the day before.AT SCOTT'S HOUSEJamie : Hi, mama. How you feeling?Haley :Come here. What was that you were saying the other day about wanting to see snow?Jamie : Well, auntBrooke says it's snowy in Utah, and that's where Julian's movie is playing. And everyone's going.Haley :Everyone, huh?Jamie : Yeah.Haley : Maybe you should try this on. Yeah, I don't... I don't want your earsto get cold in the snow.Jamie : You mean we can go? Oh! I got to tell dad.Haley : Jamie.Jamie :Yeah?Haley : I love you.Jamie : I love you, too. Dad, we're going to Utah!IN UTAH'S HOUSEJamie : Doyou think there's rooms for all of us?Skills : Oh, yeah. I think there's room.Jamie : There's trees in thehouse and moose antlers.Julian : There's 12 of us. Only six bedrooms and a couple of couches.Skills :Dibs.Brooke : You had them lock the master, right?Julian : Don't worry. We're good.Skills : Hey, uh, youneed some help drinking that? Lauren told me what you said about us being boys and all. I know wenever really talked about it, but... It meant a lot to me.Mouth : Thanks, but... I just want to get back tothe way we used to be, you know?Skills : Yeah, I feel that. Anyway, this trip 'bout to be insane. Plus, Iget to rock my new coat I just got in L.A. Check this out.Mouth : Dude. No.OUTSIDE IN THE UTAHSNOWJamie : Hey, everyone! Dad! Come on! Doesn't anyone want to play? Ugh. I think I got some in mymouth.Nahtan : As long as it's not yellow, I think you'll be fine.Jamie : Hey, dad, can we build a snowfort?Chase : I can build you a snow fort, buddy.Jamie : Okay, cool. Wait... how do we know you,again?Chase : I'm Chase. The bartender at Tric?Jamie : Whatever. You're no Grubbs.Guys : Retreat!Retreat!Brooke : Oh, you guys are so dead!IN THE HOT TUBBrooke : Are you excited about tomorrownight?Julian : Yeah. My dad says three things have to happen at this festival. The audience has to lovethe movie, we have to sell it, and I have to decide what's next.Brooke : Well, not to sound naive, butmaybe you should just enjoy it.Jamie : Yeah. I'd just enjoy it. It's a good life.IN FRONT OF THENIGHTCLUBAlex : Alex Dupré.?Man : Right. Maybe two rehabs ago. Back of the line. Hey, hold up. I likethat coat, man.Skills : Oh, that's what I'm talking about, baby. Okay... him, him, and the ladies, theywith me. Thanks. Not him.Man : Back of the line. Let's go.Skills : Nah, I'm just kidding. He with us,too.Man : All right. Come on, man. Hurry up.Skills : People love the coat, baby! Oh. Dang.ON THEFLOORClay : Stop worrying about her.Quinn : What?Clay : You're worrying about Haley. All right, look...she's with Nate. She's fine. Besides, I got you a few things. White wine.Quinn : Thank you.Clay : And akiss, because my baby looks amazing tonight. And, last but not least, a spare key to the house, becauseyou lose things.Quinn : I do not lose things.Clay : Look, just put it outside somewhere.Quinn : You knowwhat? I'm gonna keep my white wine. And you can have your kiss back. But I don't need the key,because I don't lose things.Skills : Who want to dance?Quinn : I do.Chase : Where's your, uh, \"boyfriend\"tonight?Alex : I'm looking at him.Chase : You're the devil, aren't you?Alex : Why?Chase : Because youknow I just broke up with Mia.Alex : So?Chase : So I'm taking off, devil Dupré. And I'm locking mydoor.Skills : She was sexy until she started dancing.Quinn : Lose the beat?AT RED BEDROOMRECORDSMia : How you doing?Grubbs : I gave this flower to Miranda. It's just another thing she leftbehind.Mia : Doesn't mean she doesn't miss you.Grubbs : There's just so much that I wish I would havesaid the last time I saw her.Mia : What did you say?Grubbs : Nothing.Mia : Then say it in here. You know,write one more great song. Let's finish this record.Grubbs : Then what?Mia : Well... if I was you... I'd"}
+{"doc_id":"doc_119","qid":"","text":"[OPENING CREDITS][SCENE_BREAK][EXT. DOWNTON VILLAGE - DAY][SCENE_BREAK][Daisy walks herbike through the village towards the church.]Spring, 1920[SCENE_BREAK][INT. DOWNTON CHURCH -DAY][SCENE_BREAK][Mary and Matthew stand next to each other at the altar in plain clothes. Mary has awhite train sticking out under her coat.]Matthew Crawley: Is there any news of Sybil?Lady Mary: She'sstill not coming. She insists they can't afford it.[Matthew raises his eyebrows with an understanding frownand nods.]Archbishop: Mr Travis, can we move forward?Reverend Travis: If I could just ask you to comedown the aisle again.[Matthew and Mary nod pleasantly to Rev. Travis and smile at each other as theyturn toward the door.]Reverend Travis: Can we get the troops organized?Robert, Earl of Grantham: Thatmeans me.[Robert rises from the pew.]Cora, Countess of Grantham: It seems rather hard on poor oldTravis when he's doing all the work but the archbishop gets the glory.Mary: Papa was the one whowanted a prince of the church. I'd have settled for Travis.Robert: Mm.Mary: Is there really no way we canget Sybil over? It seems ridiculous.Robert: On the contrary, it's a relief. Branson is still an object offascination for the county. We'll ask him here when we can prepare the servants and manage itgently.[Robert and Mary walk to the back of the church.]Isobel Crawley: He's making a problem wherenone exists. No one could care less were Branson at the wedding or not.Matthew: You must think countrylife more exciting than it is if you imagine people don't care when an earl's daughter runs off with thechauffeur.Isobel: Well, the fact remains she has run off with the chauffeur and they'll have to get used toit.[The archbishop calls down the aisle.]Archbishop: Mr Travis, are we ready?Reverend Travis: Er, anymoment, Your Grace, any moment.[Travis walks back up the aisle.]Reverend Travis: Can we,please?[Mary and Robert stand ready and take each other's arm before starting down theaisle.][SCENE_BREAK][EXT. DOWNTON GROUNDS - DAY][SCENE_BREAK][Daisy rides toward the houseon her bicycle.][SCENE_BREAK][INT. SERVANTS' HALL - DAY][SCENE_BREAK][The servants sit down toeat.]Mr Carson: That treacle tart just hit the spot, thank you, Mrs Patmore.Mrs Patmore: So, Mrs Hughesand Anna are getting the place ready to let?Mr Carson: That is the plan.[Mrs Patmore nods and leaveswith a tray.]Thomas Barrow: I'm surprised Anna held onto that house. I thought they confiscated theprofits of murder.Mr Carson: Mr Bates had the wisdom to transfer it to her before the trial.Thomas: Idon't think I'd have allowed it, Mr Carson.Mr Carson: Then we must all be grateful you were not thepresiding judge.Thomas: I still think it's funny given that he's a convicted murderer.Mr Carson: May Iremind you, Mr Barrow, that in this house Mr Bates is a wronged man seeking justice. If you have anyproblems with that definition, I suggest you eat in the yard.[Carson leaves. O'Brien gives Thomas aunpleasant look as he smirks at her.][SCENE_BREAK][INT. THE DOWER HOUSE - DAY]Isobel: I supposeyou agree with Robert.Violet, Dowager Countess of Grantham: Then, not for the first time, you supposewrongly. The family must never be a topic of conversation.Cora: I'm afraid Sybil's already made theCrawleys a permanent topic.Violet: All the more reason. If we can show the county he can behavenormally, they will soon lose interest in him. And I shall make sure he behaves normally, because I shallhold his hand on the radiator until he does.[Cora smiles at the half-serious remark.]Isobel: Well, I don'tknow this young man aside from \"Good morning\" and \"Good night,\" but he strikes me as a veryinteresting addition to the family.Violet: Oh, here we go.[Violet shakes her head.]Isobel: And why shouldhe be \"normal,\" as you call it? I say he should come here and fight his corner.[Violet looks sharply toCora for sympathy, but Cora keeps a neutral expression.]Isobel: I like a man of strong beliefs. I think I'llsend them the money.Cora: Please don't. Robert's expressly forbidden it. He'd be furious.[Violet looksbetween her two guests with a surprised expression.][SCENE_BREAK][INT. FRONT HALL -EVENING][SCENE_BREAK][Robert speaks on the telephone dressed in his tails.]Robert: But it can't be asbad as...[Robert listens.]Robert: Look, I'll come and see you. Tomorrow. No, I insist. Right,goodbye.[Robert hangs up the phone just as Mary enters dressed for dinner.]Mary: Papa? What's thematter?Robert (unconvincingly): Nothing's the matter. What should be the matter?[Robert exits and Marywatches him leave, wondering what's bothering him.][SCENE_BREAK][INT. SERVANTS' HALL -EVENING][SCENE_BREAK][Anna and Mrs Hughes enter and Carson and the other servants who were"}
+{"doc_id":"doc_120","qid":"","text":"MEREDITH: To make it... really make it as a surgeon, it takes major commitment. We have to be willingto pick up that scalpel that may or may not do more damage than good. It's all about being committed.Cause if we're not, we have no business picking up that scalpel in the firstplace.[SCENE_BREAK]CHRISTINA: We'll book OR 2 tomorrow at 10. Usual scrub team. And get rid of hisvalve replacement at 2, that's no good.INTERN: Yang. Brought you a mocha latte.CHRISTINA: You're notscrubbing in.INTERN: But Burke always lets me scrub it.OTHER INTERN: Hey, Yang can I get inon...CHRISTINA: No, no residents. Too crowded. Go away. (To a nurse) Make sure you put theinstrument tray on his left hand side. He needs the elbow room. And OR 2, no gallery. Burke wasspecific.NURSE: Dr. Burke has become very specific since coming back to work, hasn't he?CHRISTINA:Do you want me to tell him you said that?GEORGE (who is looking on from above with Meredith andAlex): Burke's back and suddenly Christina's running his board. Who does she think she is,Bailey?MEREDITH: She's helping him.ALEX: She's taking advantage. She gets out of rounds, she scrubsin on every surgery Burke does, she's ordered around 3'rd year residents...MEREDITH: You'reoverreacting...(Christina grabs the pen from the nurse's hand and starts writing on the board.)GEORGE:She's writing on the board!ALEX: Maybe I should sleep with Burke...[SCENE_BREAK]MEREDITH: You'vebeen busyCHRISTINA: YeahMEREDITH: Derek hast called yet. I told him I broke up with Finn a week ago,he still hasn't called. Hey, do you wanna go get a drink, catch up?CHRISTINA: No, I can't. I have to studyup for Burke's surgeries tomorrow.MEREDITH: She's busy.[SCENE_BREAK]GEORGE: Callie. Hey, talk tome. And how about talking to me instead of ignoring me?CALLIE: George!GEORGE: Well that's talkingThat's a good start.[SCENE_BREAK](Derek walks out of the shower, and screams upon seeing a womanon his bed.)NANCY: Well hey there stranger.DEREK: Nancy you don't call first?(Meredithenters.)MEREDITH: Hey, I...DEREK: Meredith... Meredith, let me explain!(But of course she takesoff.)NANCY: I take it that was the slutty intern you cheated on Addison with?DEREK: She's not slutty.What are you doing here?NANCY: You bailed on Thanksgiving, then Christmas, you're living in a trailor,and you're getting a divorce,and then there's the slutty intern.DEREK: I really don't like you.NANCY: Youlove me.[SCENE_BREAK]IZZIE: I'm feeling really good.GEORGE: Good.MEREDITH: Good.IZZIE: First dayback, it feels good. Big. Kind of nervous. I feel good. Do I look alright?MEREDITH and GEORGE:Great.IZZIE: I want to get on the right foot, get my ID renewed, new time card, sign some papers withlegal then I'm back...really back.MEREDITH and GEORGE: Yeah.(Izzie leaves the elevator.)IZZIE: This isme. Human resources.. See you guys on the floor.BOTH: Yeah.GEORGE: I'll be Christina for you if you'llbe Izzie for me.MEREDITH: Deal.(George stops the elevator.)MEREDITH: Derek had a woman in histrailer last night. She was ugly, very ugly. Except she was tall and beautiful...and he was naked.GEORGE:Oh uh, McDreamy was doing the McNasty with a McHottie? That McBastard. How was that?MEREDITH:That was good! Channelling Izzie... go.GEORGE: OK... Callie... she won't forgive me, she won't talk tome. She dumped me...which I dont...care about...at allMEREDITH: Good because you deserve better,'cause you are George. I mean seriously. Seriously. Was that Izzie optimistic?GEORGE: That was veryIzzie...MEREDITH: What has happened to us?GEORGE: We are now the people the people we want to bewith avoid.MEREDITH: We have careers to think about. We don't need attention from men with perfecthair.GEORGE: We should make a pact. No more dating.MEREDITH: No more Derek. No moreCallie.GEORGE: Just 100% focused on our work.MEREDITH: They are dead to us.GEORGE: They arefreaking corpses to us.(They butt knuckles.)[SCENE_BREAK]MRS. BYRD: Preston Burke, what a pleasure.I have read so much about you.BURKE: Well thank you.CHRISTINA: Pruitt Byrd. Medivac brought him inthis morning. He presents with a primary cardiac tumor.MRS. BYRD: We've been told Pruitt needs acardio autotransplantation.BURKE: A cardio autotransplantation?CHRISTINA: A humpty dumptysurgery.BURKE: Yes I know what it is. Mrs. Byrd, this is a very complicated surgery. You'll need thoroughtesting.CHRISTINA: Already done.BURKE: You understand what the surgery intails? We haveto..CHRISTINA: We have to remove his heart, cut it open, scrape out all the tumor, then put his heartback together again.BURKE: Which is risky.CHRISTINA: But possible.MRS. BYRD: Which is why we're"}
+{"doc_id":"doc_121","qid":"","text":"[PREVIOUSLY_ON]Clay : Where to?Quinn : Your place.Nathan : Clay, Quinn is Haley's sister. She has alot going on right now. Stay away from her.Brooke : You were a huge hit last night. They think you'reamazing.Millicent : You don't think I look like \"a frumpy whore on bingo night?\"Brooke : No! If I did,would I ask you to model full time?Brooke : Honey, I'm home. Let's do this.Alex : I told you it wasrealistic.Julian : Hey, honey. Alex and I worked everything out.Alex : Isn't that great?Dan : \"NathanScott: a basketball star's love child.\"Rachel : Like father, like son, huh?Haley : She's just so certain. Youdon't remember meeting her at all or...?Nathan : You're actually starting to believe her, aren't you?Dan :I heard about your problem. I was wondering if I could...Nathan : You could what, help? You save yourhelp for people who don't know you and stay away from me and my family.Renee cell phone : You'vereached Renee. Leave a message.Dan : I trust you had a nice flight. I have a proposition for you.AT THERECORDING STUDIODirector : Okay, folks. That's a wrap!Nathan : Hey, whoa, whoa, whoa, whoa. Um,we, uh... we haven't even shot anything yet.Director : You might want to call your agent, son.Nathan :You're serious? Hey! Whoa.Kylie : What a pity. I just found my motivation.Nathan : Okay.AT BROOKE'SHOUSEBrooke : Hey.Julian : Mm.Brooke : This hot body of yours has just inspired me to do somethingthat I've never done before.Julian : Oh, yeah?Brooke : Yeah. And it's gonna take a lot of hard work, andit's gonna take a long, long time. And I'm gonna need you to start by taking your pants off.Julian : Oh,that sounds amazing. But Alex is coming over to work.Brooke : Ugh! You two were up half thenight.Julian : It's all business, Brooke. I don't know. She seems to have really come around. IBrooke :don't buy it. Once a ho bag, always a ho bag.Julian : Now, as I recall, you...Brooke : You might want toconsider what you are about to say very carefully. Now come kiss me till ho bag shows up.ON THEBEACHQuinn : Hey.Clay : Hey.Quinn : You're up early.Clay : My shot at peace and quiet... the west coastwakes up in three hours, and my phone starts ringing.Quinn : Nice.Clay : Did you come down for aswim?Quinn : Yeah, I tried but, uh, couldn't. I've been afraid of the ocean since I was a little girl.Clay :Mm. Sharks.Quinn : Immensity. You know, I thought if I just threw myself in and... Well... it didn't quitework out.Clay : You should start smaller, like a toe. Work up to an ankle, maybe even a shin. Whoknows?Quinn : Yeah, I'm more of a \"yank the band-aid\" kind of girl.Clay : Wait.Quinn : Go. It's fine.Clay: Hey, man. Oh, just relax, all right? I... Okay, I'll get into it. Yeah, fine. I'll meet you at your place.Oh...Quinn : Time to find a phone booth and change into that super-agent costume.Clay : Yeah, if only itwere that easy. Um, I hate to run, but...Quinn : Go. Save the day.Clay : Okay. See ya.AT ALEX HOTELROOMMillicent : Oh, no. Oh... no. Oh, no. Oh, no. Oh, no. Oh, no. Oh, no. I never called Marvin!Alex :Keep it down, Giselle. I'm trying to write. Besides, I thought you were mad at him.Millicent : I was\"ignore him for a couple of hours\" mad, not \"disappear for the second night in a row\" mad.Alex : Well,you can thank me later, but you were way drunk, so I texted him from your phone and let him know youwere safe.Millicent : \"Melvin... got my drink on with Alex. If you're done being a tool, you should comerock out with your co...\" Oh, my God.Alex : Nope, just little old me. But I do work in mysterious ways.ATTHE CHANGING ROOMRenee : So you want me to go on your show and tell the world my story?Dan :That's right.Renee : And you're gonna be on my side? Why would you do that? Nathan's your son. Itcould ruin him.Dan : But you're the one telling the truth.AT SCOTT' S HOUSEHaley : You're not telling thetruth.Nathan : About what?Haley : Renee. You said you didn't know her and you didn't rememberher.Nathan : I don't. Haley, we've been through this. Why can't you just believe me?Haley : Her numberis all over your old cell phone bill. Nathan! Excuse me... why aren't you explaining yourself?Nathan :Because I shouldn't have to. But if you insist... I'm a professional basketball player. Girls get a hold of mye-mail, my telephone number. They try to contact me. And when they do, I reply to them and tell themto stop because I'm happily married to a woman who loves and trusts me. So I guess I did lie, Haley...but only when I told them that my wife trusts me.AT THE APPARTMENTMillicent : Marvin.Mouth : Don'tyou mean \"Melvin\"?Millicent : Please don't be mad even though you have every right to be. Alex calledme after she left Julian's, and I was kind of already drinking because I thought you didn't think I waspretty enough to be a model.Mouth : When did I say you weren't pretty enough? Of course you're pretty"}
+{"doc_id":"doc_122","qid":"","text":"[Scene: Joey and Rachel's apartment. The scene starts where we took off in the last episode with Rossseeing Joey and Rachel kissing. Rosss tares at them.]Joey: Okay, Ross, I realise that you didn't expect towalk in and see that, but.. Let me explain, okay?Rachel: We weren't doing anything!Joey: Rach, he justsaw us.Rachel: Shhh.Joey: But what you saw, that is the extent of it, okay? One kiss.Rachel: No, comeon, that is a lie. We also kissed in Barbados.Joey (to Rachel): Dude, chill! (to Ross) Okay, we also kissedin Barbados, but we didn't plan it, okay? And the only reason that that happened was because I saw youkissing Charlie.Rachel: Yeah, you started it! I've got to chill.Joey: Look, we probably should have talkedto you about this before it ever happened, but..Rachel: We feel so terrible about this, Ross.Joey: Yeah,but it did happen, so...(Ross looks shocked and says nothing.)Joey: Ross?Rachel: Ross? (to Joey) Can wejust close the door?OPENING CREDITS[Scene: Joey and Rachel's apartment. Continued fromearlier.]Rachel: Ross, say something. Anything.Ross: So you two are..?Joey and Rachel: Yeah.Ross: Andhave you .. ed?Joey: No, no, no!Rachel: No, no, no!Ross: But if I hadn't walked in here, wouldyou..?Joey: Probably.(Rachel looks at him.)Joey: No, no!Rachel: Ross, this is not how we wanted you tofind out about this. You have every right to go nuts.Ross: I'm not going nuts. Do you see me gonuts?Rachel: No, but you know what I mean.Ross: Hey, hey, hey... If you two are happy, then I'm happyfor you. (Squeaky.) I'm fine!Joey: Really?Ross: Absolutely. (Very Squeaky.) I'm fine! Totally fine. I don'tknow why it's coming out all loud and squeaky, 'cause really, (deep voice) I'm fine. I'm not saying Iwasn't a little surprised to see you guys kissing. I mean, at first I was like.. (Screams.) But now that I'vehad time to absorb it; Lovin' this.Joey: Ross..Ross: It's all working out! Me & Charlie, and you two. Youknow what we should do?Rachel: Calm ourselves?Ross: No. We should all have dinner. Yes, we'll do ittomorrow night. I'll cook!!Joey: Look, don't you think that will be a little weird?Ross: Weird? What?What's weird? The only thing weird would be if someone didn't like Mexican food, because I'm makingfajitas!! (Storms off.)Joey: I do like fajitas.[Scene: Central Perk. Monica and Chandler are there. Theyhave lots of brochures about adoption in front of them.]Monica: God, this adoption stuff is sooverwhelming. There's inter-country adoption, dependency adoption.. There are so many ways to go, andthis is like the biggest decision of our lives.Chandler: There's a hair in my coffee.(Phoebe enters.)Phoebe:Hey guys!Monica: Hey.Phoebe: Hey, have you seen Frank Jr., 'cause he's meeting me here with thetriplets.Chandler: You know, it's funny. Every time you say \"triplets,\" I immediately think of three hotblonde 19-year olds.(Monica glares at him.)Monica: That's sweet. Drink your hair.Phoebe: Hey, what's allthis stuff?Monica: Oh, they're brochures from different adoption agencies.Phoebe: Ooh, babies! Oh, thisone is so cute, get this one!Monica: That's not really how it works.Phoebe: Oh, how does it work?Monica:I don't know!Phoebe: Well, if you're having a hard time, you should talk to my friends, Bill and Colleen.They adopted a kid. I'm sure they'd help you.Monica: Thanks, that would be great. Hey, honey, wouldn'tthat be great?(Chandler looks like he did the time he swallowed the toy in 605 TOW Joey's Porsche. It'sthe hair in his coffee.)(Frank Jr. and the triplets enter.)Frank Jr.: Alright, alright, alright. Remember whatwe talked about. When we're in a public place, there are certain rules.(The triplets scream and run amokin the coffeehouse.)Frank Jr.: That's not what we talked about!!Phoebe: Hey!Frank Jr.: Hey.Phoebe:Good to see you.Frank Jr.: Good to see you, too.Monica: Hi Frank.Frank Jr.: Hi, how you doin'?Monica:Oh, my goodness, they've all gotten so big!(Little Chandler is pulling Chandler's sweater, while Leslie isthrowing bagels at him.)Monica: Which one is which again?Frank Jr.: Oh, that's Frank Jr. Jr. pulling thetampons out of the lady's purse. And that's Chandler climbing on Chandler, and that's Leslie throwingbagels at him.Monica (reads a form in her lap): \"Willing to adopt triplets?\" No![Scene: The hallway inRoss's building. Joey and Rachel are on their way to Ross's dinner.]Joey: Ah, can I just say I know we'redoing this for Ross, and that's cool, but if it was up to me, this is not what we'd be doing on our firstdate.Rachel: Well, what would we be doing?Joey: I'd take you out for a romantic night. Somechampagne, fancy dinner, feel you up on the carriage ride home...Rachel: Feel me up?Joey: In acarriage!(Charlie walks up to them.)Joey: Hey, Charlie!Rachel: Hey.Charlie: Hi, hi. So.. Dreadingthis?Rachel: Oh, you bet.(Joey sees that she's carrying a small red bag.)Joey: So, did you bring a little"}
+{"doc_id":"doc_123","qid":"","text":"Toby: I really didn't think I was going to have a good time, but I did. Totally did.Meredith: I lovecamping. [in a singing voice] Anything can happen.Toby: Oh, it wasn't camping, it was more of awilderness retreat. [Michael walks in]Michael: Morning.Toby: Michael.[SCENE_BREAK]Pam: Ryan invitedsome of the branch managers and Toby into the woods for a \"get to know you\" weekend. Michael wasn'tinvited. Apparently they already knew everything they needed to know about him.[SCENE_BREAK]Pam:Did you sleep in cabins?Toby: Under the stars. It was really beautiful, you should come.Phyllis: Bob and Itook rock climbing lessons once. [Michael laughs][SCENE_BREAK]Phyllis: Michael wasn't invited onRyan's camping trip. Toby went, but Michael didn't go. He wasn't invited.[SCENE_BREAK]Pam: Whowent?Toby: Me, Dan from Buffalo, Mark Chisholm, Jeff from Albany and Ryan, obviously. Made so manys'mores, that I finally had to say, \"No more s'mores, no more s'mores.\" [everyone in room but Michaellaughs, Michael exits break room][SCENE_BREAK]Toby: Ryan invited me to go on his wildernessadventure retreat. It was this amazing, beautiful experience [Michael knocks on the window behind Tobyfrom outside]Michael: [from outside] Hey, nobody cares. Nobody cares. I need that room at some point,so just, wrap it up.Toby: Michael wasn't invited.[SCENE_BREAK]Michael: Hypothetically, if I were to askyou to go camping, and you know what hypothetical means? [Jim makes a face] Not real.Jim: Gotit.Michael: So if I were to hypothetically ask you to go camping with me, would you go?Jim: Absolutely,yes.[SCENE_BREAK]Jim: When Michael plays the hypothetical game, I always sayyes.[SCENE_BREAK]Michael: Really?Jim: Yeah?Michael: Oh, you wanna go today?[SCENE_BREAK]Jim:And I am always busy.[SCENE_BREAK]Jim: Oh, can't go today, 'cause I'm donating blood.Michael: Howoften can you actually donate blood?Jim: Is there a limit?Michael: Your body only has a certainamount.Jim: Well, is that it? Or?Michael: Yeah, just this whole Toby, camping thing, uh, seems a littlelame.Jim: How so?Michael: A bunch of guys, in a tent? Making s'mores? [makes a noise and gestureswith his hands]Jim: What's that?Michael: Hello, I'm Broken Mountain. You know, here's the thing. That'snot how you go camping. I think you go camping by yourself---Jim: Right.Michael: In the wilderness. It'snot with a group of guys frolicking around in tents. It's one guy, or two guys, if your plans change.Jim:Not gonna change.Michael: I wanna do it myself. You know, I want to go and, and find out somethingabout myself, I wanna get outta here. All the cliques, and the office politics. Fluorescent lights.Asbestos.Jim: I thought we had that looked at.Michael: I'm sick of it Jim. I'm sick of thisplace.[SCENE_BREAK]Michael: When Jan and I had satellite, we used to watch a reality show called\"Survivorman.\" And, it was interesting because it was about a guy who would go out in the middle of nowhere and just try not to die, try not to get eaten by an animal, or beoverexposed.[SCENE_BREAK]Michael: OK, I will only need two things. Roll of duct tape and aknife.Dwight: [winks] I'm on it. [leaves room]Michael: OK. Thirty minutes or less, please come back.Save the receipts. [Dwight comes back with set of knives] Hey, what...Dwight: Let's see if any of thesewill work. [clears the front of Michael's desk]Michael: Hey, hey hey! Dwight. [Dwight rolls out anassortment knives]. Dwight.[SCENE_BREAK]Dwight: I keep various weaponries strategically placedaround the office. I saved Jim's life with a can of pepper spray I had velcroed under my desk. People say,\"Oh, it's dangerous to keep weapons in the home or the work place.\" Well I say, \"It's better to be hurt bysomeone you know accidentally, than by a stranger on purpose.\"[SCENE_BREAK]Michael: Dwight and Iare going out. He will return later, but I will not. I will also be taking a personal day tomorrow, andperhaps the next day.Pam: Do you want me to ask where you're going?Michael: No.Pam: Great.Michael:Dwight will be driving me deep into the Pennsylvania wilderness.Pam: Oh.Michael: Where he will thenleave me to either die or to survive. The choice is yours.Jim: Hmm, no, the choice is actually yours. Areyou sure you want to do this?Michael: Yes, and I am leaving you in charge of the office for the rest of theday and for the next several days. Do not try to follow me.Jim: OK, great.Michael: This is a very personal,private experience in the wild, that I wish to share it with me, myself and I.Jim: Yup.Michael: When Ireturn, I hope to be a completely changed human being.Jim: That'd be great.[SCENE_BREAK]Dwight: DoI believe that Michael possesses the skills to survive in a hostile environment? Let's put it this way[/b]:"}
+{"doc_id":"doc_124","qid":"","text":"[Scene: Central Perk. Rachel is getting a cup of coffee as Joey and Phoebe enter and sit down.]Phoebe:Oh! Hey, Rach!Rachel: Hi! Hey, Happy Valentine's Day!Phoebe: Oh, you, too.Joey: Hey, so, uh, how's itgoing living over at Ross'?Rachel: It's good. Except he makes us watch the Discovery Channel all daylong. Did you know that something really boring happened to someone really ugly in the Middle Ages? (tothe waitress handing her a cup of coffee) Oh, thank you. I'll see you guys later.Phoebe: Okay.Joey:Bye.(Rachel exits with coffee)Joey: There's one lucky to-go cup of coffee.Phoebe: (sighs) Honey, I wishyou would get over her. I hate seeing you like this. Is there anything I can do for you? Do you want tolook down my top?Joey: Thanks. But maybe later.Phoebe: Oh, Gunther, can I get a scone?Gunther: (toJoey) You want anything?Joey: You know what I want? I want a lot of things! I want to be with thewoman I love on Valentine's Day! And I want her to love me back! And I want just one moment of relieffrom the gut-wrenching pain of knowing that that's never going to happen!Gunther: We have redbagels.Joey: Oh, okay.Opening Credits[Scene: Monica and Chandler's. Phoebe and Ross are sitting in theliving room talking.]Phoebe: So, how does Mona feel about you and Rachel living together?Ross: Oh, I'mactually on my way to tell her right now. Yeah, she's been away all week visiting her parents, but she'llbe cool. I mean, she's been so supportive. She-she even got the baby a tiny T-shirt that says, 'Fossils aremy friends.'Phoebe: Ugh. Come on, Mona, don't kiss ass.Ross: Uh, I'm going to take off.Phoebe: All right.Oh! Shoot! Oh shoot! Uh, Rachel wanted to see this tape!Ross: What is it?Phoebe: It's a video of myfriend giving birth. Could you just bring it back to your apartment?Ross: All right. (reading the label)'Candy and Cookie?'Phoebe: Yeah. Candy's the mother, Cookie's the daughter. The father's also Cookie.Why am I friends with these people?Monica: (entering with something behind her back) Phoebe, c'mere. Iwant to show you something in the bathroom.Phoebe: Oh, Monica, grow up!Ross: Hey, what's behindyour back?Monica: Nothing. Just something I want to get Phoebe's opinion on for Valentine's Day.Ross:You don't want my opinion?Monica: Not really.Ross: Come on, I'm your older brother, ask me!Monica: Allright, big brother. (holds up two erm...revealing articles of clothing) Which of these do you think wouldmake your little sister look hotter, so your best friend would want to do her?Ross: (quietly) The redone.[Scene: Joey and...wait...just Joey's. Joey is sitting at the counter eating a pizza.]Phoebe: (knockingand entering) Hey. Look, I know you've been really depressed lately, so I brought someone over to cheeryou up. Right outside this door is a real, live, furry playmate.Joey: No, I'm not sleeping with your friendJane again.(Phoebe goes into the hall and brings a dog inside!)Phoebe: He-hee!Joey: Hey! A dog! Hi!Who, you got to admit, looks a lot like Jane.Phoebe: This is the happiest dog in the world. I borrowed himfrom my friend Wendy. Now, you can only keep him until he cheers you up. And he will cheer youup!Joey: Thanks so much, Pheebs! (to the dog) We are going to have so much fun, yes we are! (the dogsticks his head between Joey's legs) Oh! Not that kind of fun.[Scene: Monica and Chandler's. Chandlerenters with a bouquet of roses.]Chandler: Happy Valentine's!Monica: (from her bedroom) Okay! I'll beright out. I'm slipping into something a little less comfortable, and a little more slutty.Chandler: (pickingup a video from the table) 'Candy and Cookie'. 'Candy and Cookie?' Monica got me p0rn?! Girl-on-girlp0rn?! She really must love me!! (Chandler runs over to the TV, puts the tape in, and sits down to enjoysome \"p0rn\")(A woman on TV breaths hard)Man on TV: Yeah, just relax.Chandler: I love you, St.Valentine.(The woman groans, moans, grunts, and screams. Chandler's eyes get huge!)Chandler: Woah,woah, that's not pretty!Man on TV: Now, push!Woman on TV: Ow! Ow! Ooh! That hurts!Chandler: Worstp0rn ever! Worst p0rn ever! (Chandler starts to press buttons on the remote control, frantically.)Womanon TV: Ohhh! Make it stop!Chandler: I am trying![Scene: Joey's. Joey is playing fetch with the dog.]Joey:Get the ball, ready? Get the ball, get the ball! (Joey pretends to throw it, but really doesn't, and the doggoes running off.) Well, you're cute, but you're not too smart!(The dog returns with a ball that looksexactly like the same one Joey has.)Joey: (looking at the ball the dog brought back) Did I just throwthis?Rachel: (entering) Hi.Joey: Hi.Rachel: I accidentally packed these with my stuff. (looks at the dogand gasps) Who is this?Joey: Oh, that's, uh, that's Phoebe's friend's dog. I don't know what his real nameis, but I call him Mozzarella.Rachel: (talking with a higher voice, and puckered lips...kind of like you do to"}
+{"doc_id":"doc_125","qid":"","text":"[EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY](The temperature sign on the hotel shows that it's 109degrees.)[XCU: BEE](A bee is in flight. It flies up to a woman on the sidewalk.)FLASHES OF VARIOUSPEOPLE ON THE SIDEWALK.Rev. Alistair Rhodes: (V.O.) You may believe that you have to die before thejudgment comes.(A one-legged man drops the bottle of liquor he's drinking from. The glass shatters onthe sidewalk.)(Another man is sitting on the sidewalk, his back up against the wall. He's stoned.)Rev.Alistair Rhodes: (V.O.) But I say the fire is not around the corner.(A man with the left side of his facebeaten makes his way past the church.)(The church bells chime.)[INT. CHURCH - DAY]Rev. AlistairRhodes: (V.O.) The fire is not a-waitin'.(The congregation sits in the pews, listening to the reverend.)Rev.Alistair Rhodes: (V.O.) The fire is not a-wantin'. The fire has already come.[EXT. BUILDING - DAY](Awoman stands on her fire escape as she fans herself in the heat.)(Down below, the man with the left sideof his face beaten makes his way past her building. He's holding a plastic bag.)Rev. Alistair Rhodes:(V.O.) As we mortals drink, gamble and fornicate our way through this world, --[INT. CHURCH -DAY]Rev. Alistair Rhodes: -- death to Hell's bells thundering toll. The clock of damnations already struckmidnight.[CU: BEE](The bee bumps into the window, falls to the ground and dies.)Rev. Alistair Rhodes:We gonna die. Stick a fork in the ass of the human race and turn us over on Satan's spit because we allare not going to Hell,FLASH TO:[EXT. SIDEWALK - DAY](The man with the left side of his face beatenstaggers along the sidewalk and stops.)Rev. Alistair Rhodes: Surely as we stand in Las Vegas,Nevada.(He falls to his kneels near the rubbish along the wall. He falls backwards onto some garbagebags and passes out.)Rev. Alistair Rhodes: I say we are in Hell. Now.FLASH TO:[EXT. STREET -NIGHT](Someone steps on the dead bee. Officer cars are lined at the end of the alley, their lightsflashing. Catherine and Warrick carry their kits.)Catherine: Why are we parking in an alley two blocksfrom the crime scene?Warrick: You know sanitation's flushing out a sewer line. We don't want to blocktheir trucks.(Warrick sees the body on the garbage bags, a newspaper covering the man's face.)Warrick:Whoa, what we got here? Hey, guy! Hey!(Warrick moves the newspaper and sees the man's eyes cloudedwhite.)Warrick: We've got a male DB.Catherine: Call it in. You got it, Mitch?Officer Mitchell: I'll tape thescene.(Catherine and Warrick leave Officer Mitchell with the dead body and they continue their way totheir crime scene.)[EXT. RANCHO CENTER MOTEL -- NIGHT](They enter the motel parking lot. Officersare on the grounds. Catherine and Warrick make their way to the room. They pass by a man and womanon the steps. In one of the rooms, a man and a woman are on the bed. They continue toward thescene.)(The officer removes the tape across the door and they walk inside.)[INT. RANCHO CENTERMOTEL ROOM - CONTINUING](Grissom is in the room waiting for them. There's a dead body on the floorat the foot of the bed. On the bed is a second dead body of the woman, her arms and legs tiedspread-eagled to the bedposts.)Grissom: The man was shot execution style--22 to the back of thehead.(Warrick kneels and looks at the blood-soaked carpet under the man's head.)(They look at thewoman on the bed.)Grissom: Woman was shot as well, bound and gagged. The guests next doorcomplained about the noise, manager finally called the point. Unis found this.(Catherine looksaround.)Catherine: I don't see any luggage. Wedding rings still on the fingers. Probably rules outrobbery, but not infidelity. One gets to watch the other one die?(Quick flashback to: The man and thewoman are both alive. The man is at the base of the bed, kneeling on the floor while the woman is tied tothe bed. Someone shoots the man in the back of the head while the woman watches. Endflashback.)(There's a bullet casing on the floor near evidence marker 1. Warrick picks up the casing andlooks at it.)Warrick: Maybe someone was trying to teach them a lesson.Grissom: Did you guys happen tosee the Fitzgerald's thermometer on your way over?Warrick: Oh yeah, 109. Hot as hell.Catherine:Anything under 110 is manageable. Above that, crime rate goes way up.(A police siren wailsnearby.)Grissom: Sounds like it's getting hotter.SMASH TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][EXT. RANCHO CENTER MOTEL (STOCK) -- NIGHT](A police car turns into thealley behind the motel. Officers are looking in the pool. Warrick is at the trash bin. He jumps inside to siftthrough the garbage bags. He lifts up a bag and finds a bloodied shirt.)(He checks the shirt and notes the"}
+{"doc_id":"doc_126","qid":"","text":"1: EXT. STREET IN LOP(TEGANA takes the phial of poison from his ally and stares at it.)TEGANA: I willuse it well...on all but the first of Marco Polo's water gourds, for tomorrow, the caravan sets out to crossthe Gobi Desert. Now, you will follow us...and on the third night, I will walk back to you...then we'regonna ride back here to Lop, wait for two days...and then...return to the caravan...to collect the...thing ofmagic...that will bring the mighty Kublai Khan to his knees![SCENE_BREAK]2: MARCO POLO'SJOURNAL(The map illustrates the next stage of the journey of MARCO POLO'Scaravan.)[SCENE_BREAK](Again, POLO writes and narrates his journal. His words are illustrated by theimage of the TARDIS once more on the back of a horse-drawn wagon with attendant Mongolbearers.)MARCO POLO: (OOV.) I have taken charge of the travellers' unusual caravan, and set out intothe Gobi Desert. The journey across this vast ocean of sand is slow and hazardous. To make mattersworse, the old Doctor continually shows his disapproval of my action by being both difficult andbad-tempered. For three days now, during which time we have covered no more than thirty miles, I havehad to endure his insults.[SCENE_BREAK]3: EXT. GOBI DESERT (NIGHT)(The tent has been erected onthe sands of the desert.)[SCENE_BREAK]4: INT. MAIN TENT (NIGHT)(Inside the main tent, IAN andBARBARA are with MARCO POLO and TEGANA. SUSAN sits quietly nearby. The three people from theTARDIS are no longer in their own clothes but, not allowed access to the TARDIS, wear Chinese clothes.SUSAN wears a two-piece robe which reaches down to the floor, the upper part of which has flowerdecorations, while IAN wears a jacket which is decorated in Chinese letters. BARBARA'S top is plainer instyle. The DOCTOR is absent from the meal which they have just finished. PING-CHO, again carrying outher serving duties, pours some water for IAN.)IAN: Thank you, Ping-Cho.(He drinks.)IAN: How muchwater does a caravan like this use crossing the Gobi Desert, Marco?MARCO POLO: We will use one barrelevery five days, Ian. I have allowed for eight gourds to carry us across to the other side.TEGANA: Thebones of many men who thought they had enough lie bleached in the desert sand.(He holds up his bowlto nervous PING-CHO and gives a curt order...)TEGANA: More.MARCO POLO: I think we should exercisesome restraint, Tegana.(With some relief, PING-CHO moves off. POLO turns to an upset SUSAN.)MARCOPOLO: I'm sorry the Doctor wouldn't eat with us this evening.SUSAN: Yes, so am I, Messr Marco.(Near totears, she picks up the DOCTOR'S plate.)SUSAN: I'll take him his food.(SUSAN takes the plate behind apartition into the DOCTOR'S section of the tent. MARCO POLO brings out a chessboard from one of histravel bags.)MARCO POLO: A game of chess, Ian?IAN: Oh, well I'm not very good, but I'll give you agame.MARCO POLO: I gladly accept your challenge.(MARCO POLO sets up the chessboard. BARBARA isintrigued by the intricately carved wooden pieces.)BARBARA: What magnificent pieces!MARCO POLO:Yes, I purchased them in Hormuz, on my first journey to Cathay. Now they go with me everywhere. Doyou, er, play...?(At that moment, SUSAN, still upset, returns with the untouched plate...)SUSAN: I'msorry, Messr. Marco...(She suddenly starts to rush from the tent. BARBARA watches her go but before shecan do anything, TEGANA, seemingly oblivious to what has happened, speaks to BARBARA with unusualcourtesy...)TEGANA: Do you play chess, lady?BARBARA: Not very well, Tegana.(BARBARA, concernedwith SUSAN'S sudden departure, decides to follow the girl.)BARBARA: Excuse me.(She walks from thetent. IAN and MARCO POLO prepare for their game of chess. TEGANA watches them withinterest.)TEGANA: I find it a fascinating game of...strategy of war. Two equally balanced armies deployedupon a field of battle, and each commander determined to be the one who cries \"Shahmat\".IAN:(Puzzled.) Shahmat? Checkmate?TEGANA: (Quietly.) It means the king is dead.[SCENE_BREAK]5: EXT.MAIN TENT (NIGHT)(BARBARA finds SUSAN standing outside the main tent. She is still clearly upset.There is a strong wind starting to blow.)BARBARA: We'll get the TARDIS back, Susan.SUSAN: Yes, but atKublai Khan's Court, when it's too late.(She stares sadly up into the stars in the night sky.)SUSAN: Weshould be up there - another time, another galaxy.BARBARA: Oh, we'll think of something.SUSAN: How?Ian playing chess with Marco? Grandfather being rude and sulking by himself?BARBARA: Oh, I didn'tknow he's sulking, is he?SUSAN: Well, he won't eat. He won't even talk to me.BARBARA: Well, you knowhim better than I do. But I'd have said he was just feeling defenceless. He has a wonderful machine,"}
+{"doc_id":"doc_127","qid":"","text":"ACT IScene 1 - KACL Frasier is finishing a segment.Frasier: And we'll be right back after this short newsbreak. Gil enters.Gil: Frasier...I'm here to give you an advance tip.Frasier: Really?Roz enters from thebooth.Roz: Hey, Gil.Gil: Roz! I'm about to review a divine new Italian trattoria I've discovered called\"Bella, Bella.\"Frasier: Ah-ha.Gil: I'm alerting you now because once I review it, reservations will beimpossible to come by.Frasier: Well, thank you, Gil, it's always gratifying to be a few minutes ahead of atrend.Gil: They make an osso bucco that's so divine I call it the \"Veal Shank Redemption.\"They give Gil acourtesy laugh. Kenny enters.Kenny: Hey, guys.Frasier: Hello, Kenny.Kenny: Show's going great, Frasier,uh, only one thing missing, of course...Frasier: I know, I know, a new theme song. I'm sorry, I justhaven't gotten around to it yet.Kenny: Well, Mrs. Delafield's been hounding me on this. She really thinkseach show having a theme song will help hook the listeners. Gil's got his.Gil: My first choice was \"Food,Glorious Food\" from the show Oliver!Frasier: Ooh, that's a perfect match. Haute cuisine and a chorus ofstarving orphans.Gil: But then, a composer friend of mine came up with this little ditty for me [He sings:]Whether choosing a wine Or the best place to dine-- It's all a matter of taste (Yes, sir!) It's all a matter oftaste!Kenny: Great, huh?Frasier politely nods. The tune is as lame as the lyrics.Gil: And the nicest thingis, he didn't take a penny for it!Frasier: Well, at least he has a conscience.He chuckles. Gil leaves,somewhat miffed.Frasier: You know, Kenny, I'm sorry for procrastinating this thing. I-I tell you, I'll getone as soon as I possibly can.Kenny: Well, you better come up with something here. I'm sorry to be ahard-ass. It's the part of my job I hate the most, but I need this thing on my desk by Monday...ish.Kennysmiles and leaves.Frasier: You know, Roz - hearing Gil's little ditty puts me in mind that maybe we shouldjust do - ah, an original song.Roz: Well, my new boyfriend Leon is in a band. He could write one foryou.Frasier: Well, actually, I was thinking of composing it myself. I am not without musical ability, youknow.Roz: Could you at least hire Leon to accompany you?Frasier: I take it he's desperate for work?Roz:Hasn't had a gig in months. Music is all he knows. He's not good at anything else - except in bed. It'swhat he does best.Frasier: Yeah. How long did it take you to find that out?Roz: [about the show] Tenseconds, Frasier.Frasier: Oh, longer than usual.She returns to her booth and he replaces hisheadphones.[SCENE_BREAK]Scene 2 - Frasier's apartment He opens the door to Niles.Niles:Frasier.Frasier: Oh, Niles. Oh, dear. We had dinner plans tonight, didn't we?Niles: Yes. Don't tell meyou're canceling.Frasier: Well, I have to. I have a little project this evening.Niles: Oh. Would this haveanything to do with this new theme song you promised your listeners?Frasier: As a matter of fact, itdoes. I've got to have something by Monday, and I thought I'd take advantage of a nice quiet evening athome.The loud sound of a vacuum is heard.Frasier: Oh. Daphne - Daphne! Would you please turn off thatvacuum cleaner?Daphne enters with a fancy steam cleaner.Daphne: It's not a vacuum cleaner. It's the\"Dirt Scourge 2000.\" A total cleansing system.Martin: [from his chair] Is it new?Daphne: Yeah. I got itthis afternoon. You see, this water traps all of the dirt particles instead of recycling them back into theair. I got all that [indicating] from Dr. Crane's pillow.Niles examines the dirt.Martin: Ew.Niles: I've beenbegging you to switch to a more abrasive loofah.Daphne: Well, it would be the same for anyone. Deadskin, dust mites... that's what we're all sleeping on, only we don't know it.Martin: We do now.Geez.Martin rises and exits toward the kitchen.Daphne: This is the chance I've been waiting for.She turnson the machine and begins to apply it to Martin's chair. The machine begins to audibly struggle, and thewater in the tank immediately turns black and brackish. Niles and Frasier watch with concern. She hasbarely started when it suddenly shorts out, sparks flying in an electrical explosion. When the smokeclears, Daphne walks back to the main part of the cleaner.Frasier: Well. Apparently the \"Dirt Scourge2000\" is no match for the \"Dirt Pile 1957.\"Daphne: Well, this is going back. On the commercial they cleanall the mud off a hippopotamus.[She exits.]Frasier: Well, at least now I can get down to work. You know,Niles, I'm sorry again about dinner, but can I buy you a sherry?Niles: Oh... thank you. About this themesong of yours... why don't you just use a standard?Frasier: Actually, I want to compose one myself. I'vealways had an affinity for music, and I've often wondered what I might achieve if I just rolled up mysleeves and gave it a try.Martin: [re-entering] Didn't you write some kind of musical back in prep"}
+{"doc_id":"doc_128","qid":"","text":"Act 1 Scene 1 - An Airliner[Fade in. Lilith is sitting in first class reading a magazine. The man next to her(Albert) glances nervously at the window, then reaches across her to close the shade.]Albert: Sorry. I'ma nervous flyer.Lilith: Yes, I see. Oh, you're white as a sheet.Albert: No, actually, I'm always this pale. Myex-wife used to say she could tell when I was embarrassed because I'd turn off-white.Lilith: I canempathize. Sometimes after a late night, I covered my under-eye circles with Liquid Paper. So are youtraveling to Seattle for business or pleasure?Albert: Both, hopefully. I'm relocating for work. How aboutyou?Lilith: I need to ask an old friend for a favor.Albert: It's a long trip just to ask for a favor.Lilith: It's abig favor.Albert: Well I hope your friend complies.Lilith: It'll take some work, but I'll get what I want.[Aflight attendant comes up.]Attendant: Oh, dear, you two look awfully pale. Can I bring yousomething?Lilith: Not unless you have any extra melanin lying around.[She leaves as Albertlaughs.]Albert: You should be a comedian.Lilith: I've thought about it.[She goes back to her reading.Fade out.]Scene 2 - Frasier's Apartment[Fade in. Martin is walking from the kitchen to his chair. When hehears keys in the door, he sets his beer down and hurries towards the bedroom. The door opens andFrasier comes in.]Frasier: Dad? Dad, Dad! What? Are you hiding?Martin: I heard the key in the door, Ithought Lilith might be with you. What's she coming for anyway?Frasier: Well, I don't really know. Shesaid she was flying across the country to ask me about something that was important. She's being verymysterious about it.[He hangs up his coat as the doorbell rings.]Martin: Is that her?Frasier: Well, no. No,Dad, I'm not seeing her until tomorrow.Martin: Well, let me know when she's coming, will you, so I cancome up with an excuse to clear out. Because I'm not good at winging it.[Frasier opens the door. It isLilith.]Frasier: Oh, Lilith. Hi. Look who's here, Dad.Lilith: Hello, Martin.[Martin smiles nervously, thenglances at his watch.]Martin: Oh, time to go... practice my signature.[He heads for thebedrooms.]Frasier: Please, come on in, Lilith. So, I didn't think I was going to be seeing you 'tiltomorrow.Lilith: Yes, I know that was the plan, but I just had to stop by on my way to the hotel. WhatI'm here to talk to you about is not something one just drops on another person. [gesturing for him tosit] Please.[He sits down.]Lilith: [sitting beside him] Frasier, recently a subconscious yearning hastunneled its way to the surface and I now know what it is I need in order to make my lifecomplete.Frasier: Well, that's wonderful news. How can I help?Lilith: You can give me yoursperm.Frasier: I beg your pardon?Lilith: I want to have another baby.Frasier: Well, you certainly don'tneed me for that. Surely... someone in Boston must have sperm.Lilith: I came to you first so thatFrederick could have a full sibling.Frasier: So, just like that we're going to have another babytogether.Lilith: No, not just like that. I mapped out our dominant and recessive traits on a genomesquare, applied Mendel's laws, allowed for anomalies and concluded that you are the best biologicalchoice.Frasier: I see. Well, as enticed as I am by your honeyed words, I'm gonna need some kissin'.Lilith:Frasier, don't misunderstand, I'm not proposing any change in our relationship.Frasier: Would we... sleeptogether?Lilith: I thought we'd freeze your sperm.Frasier: Is that a \"yes\" or a \"no\"?Lilith: Naturalfertilization is impractical. I'd have to fly to Seattle every time I ovulate.Frasier: [getting up] Right, okay.So, then your plan is for me to visit some local doctor, freeze my essence and then bring it home withyou.Lilith: Correct. I'll take mine to go.[Frasier sits on the arm of Martin's chair.]Frasier: I don't know.I'm going to have to think about it.Lilith: [rising] Yes, of course, absolutely. Think about it, and you cangive me your answer tomorrow.[She heads for the door, Frasier follows.]Frasier: Okay.Lilith: You cancome back from around the corner now, Martin.Martin: [from around the corner] Good night, Lilith.Lilith:Good night.[She leaves.]Frasier: You were eavesdropping?[Martin comes into the living room.]Martin: Itwas an accident and I only heard the part about her wanting to have another baby with you.Frasier: Shecompletely threw me.[Martin settles into his chair.]Martin: Well, I don't know why you're so surprised.She's seen what the Crane genes can do and she's coming back to the well.Frasier: How does onerespond to something like that?Martin: Well, I bet if you say \"No\" she'll go to Niles.Frasier: Really, it'sjust so self-centered. I mean, she's got this all figured out for herself without the slightest considerationfor my life.Martin: And Niles'll say \"No\" for sure. Which means only one thing. [He gets a worried look.]"}
+{"doc_id":"doc_129","qid":"","text":"1.16 - Star-Crossed Lovers and Other Strangers teleplay by John Stephens and Linda Loiselle Guzik storyby Joan Binder WeissOPEN IN STARS HOLLOW(Miss Patty narrates a story in the background as thecamera pans around town as locals prepare for a festival.)MISS PATTY: This, boys and girls, is the storyof true love. A beautiful girl from one county; a handsome boy from another. They meet and they fall inlove. Separated by distance and by parents who did not approve of the union, the young couple dreamedof a day that they could be together. They wrote each other beautiful letters. Letters of longing andpassion. Letters full of promises and plans for the future. Soon the separation proved too much for eitherone of them to bear. So, one night, cold and black with no light to guide them, they both snuck out oftheir homes and ran away as fast as they could. It was so dark out that they were both soon lost and itseemed as if they would never find each other. Finally, the girl dropped to her knees, tears streamingdown her lovely face. 'Oh, my love. Where are you? How will I find you?' Suddenly, a band of starsappeared in the sky. These stars shone so brightly they lit up the entire countryside. The girl jumped toher feet and followed the path of the stars until finally she found herself standing right where the towngazebo is today. And there waiting for her was her one true love, who had also been led here by theblanket of friendly stars. [Camera stops on Miss Patty's dance studio, where she is telling the story to agroup of children.] And that, my friends, is the story of how Stars Hollow came to be, and why wecelebrate that fateful night every year at about this time. Now, we still have a little time left in our storyhour. Who wants to hear about the time I danced in a cage for Tito Puente?KIDS: [raising hands]Me!MISS PATTY: It was the summer of 66 ..(Opening Credits)CUT TO BUS STOP(Dean is waiting on thebench as Rory steps off the bus.)RORY: So?DEAN: It's depressing.RORY: It's beautiful.DEAN: She throwsherself under a train.RORY: But I bet she looked great doing it.DEAN: I don't know. I think maybeTolstoy's just a little over my head.RORY: No, that's not true. Tolstoy wrote for the masses, the commonman. It's completely untrue that you have to be some kind of genius to read his stuff.DEAN: YeahbutRORY: Now I know it's big. . .DEAN: Very big.RORY: And long. . .DEAN: Very, very longRORY: Andmany of the Russian names tend be spelled very similar, making it confusingDEAN: Every single person'sname ends with 'ski'. Now how is that possible?RORY: But it's one of my favorite books. And I know thatif you just give it a try you...DEAN: All right. I'll try again.RORY: Really?DEAN: Yeah.RORY: You won't besorry.DEAN: Coffee?RORY: Please.DEAN: Man, I thought Christmas was a big deal around here.RORY:Well, this is a town that likes the celebrating. Last year we had a month long carnival when we finally gotoff the septic tank system.DEAN: A month long? You're kidding.RORY: No. There were rides and a pettingzoo and balloon animals and a freak show.DEAN: Uh huh. Okay, you almost had me going there for asecond.RORY: Well we did have a ribbon cutting ceremony.DEAN: So what are you doing Fridaynight?RORY: Well, I've got the usual Friday night grandparents' dinner. But I thought maybe if we getback early enough you and I should go watch the bonfire together. I mean, it's kind of corny, but it'sreally pretty. And they sell star-shaped hot dogs.DEAN: How about if you get out of dinner at yourgrandparents' this week?RORY: I don't think so.DEAN: Well, what if it's for a really specialoccasion?RORY: Well, that special occasion better include my being relocated to a plastic bubble if mygrandmother's gonna let me out of dinner.DEAN: There must be some other excuse that you coulduse.RORY: Like what?DEAN: Like it's your three-month anniversary with your boyfriend.RORY: Itis?DEAN: Yeah. Three months from your birthday. I mean, that's when I gave you the bracelet and that'swhen I figured this whole thing kinda started.RORY: Wow. Three months.DEAN: Actually, technically yourbirthday was on a Saturday, so really it should be Saturday, but I work Saturday and I planned out thiswhole big thing so I thought maybe we could do it on Friday.RORY: What whole big thing?DEAN: Just thisonce. Miss dinner. Please. Don't make me throw myself under a train.RORY: I'll see what I can do.DEAN:Thank you.RORY: You're welcome. It's our three-month anniversary.DEAN: Yeah it is.RORY: I feel kind ofstupid that I didn't even know about this.DEAN: That's quite all right.RORY: I mean, I feel really bad thatI missed our two-month anniversary.DEAN: Quite all right too.RORY: How was it?DEAN: Prettygood.RORY: I'm glad.CUT TO LORELAI'S HOUSE(Lorelai is sitting at the kitchen table reading a box of"}
+{"doc_id":"doc_130","qid":"","text":"SCENE: The loft, Jess is trotting by Schmidt's room carrying lot's of science stuff.SCHMIDT: Jess!JESS:(Stops in Schmidt's doorway) Yeah?SCHMIDT: (Pacing back and forth) Can I ask you something?JESS:You wan't my help? Sure.SCHMIDT: You consider me a sexy man, correct?JESS: I don't know how toanswer that question.SCHMIDT: Okay look, I'm meeting a girl for drinks tonight, and I'm probably goingto bring her back here, for s*x.JESS: I have to get to school cause it's astronomy day and I'm dressingup like Galileo, so I have to put on my beard.SCHMIDT: I get that, but as a lady, where in the room do Ilook sexiest? You know like, like where am I best on display? Here? (Sits in armchair, legs crossedholding head) Here? (Sits on arm of armchair) Or (runs over to bed) here? (lies on bed on his side)ENTERNICKNICK: Hey, what is going on out here?JESS: Um, Schmidt wants to know where in his room he looksthe sexiest.NICK: Well it's a big room. What are your choices?SCHMIDT: Ok, I'm glad you asked. Alright,(waves hand across bed) here? (runs over and sits in armchair) Here? (sits on arm of armchair again) Orhere? You know, maybe just reading a book or something.NICK: It's a lot of options. Could you do themagain really fast?SCHMIDT: You wanna see them again?NICK: Please.SCHMIDT: Ok. Here? Here?Here?JESS: (Smirking) Wait, what was the first one again?NICK: (Also smirking) Yeah.SCHMIDT:(Angrily) OK. I get it. All laugh at Schmidt, great. Here? Here?...[SCENE_BREAK]OPENINGCREDITS[SCENE_BREAK]SCENE: The loft, Jess is spreading cream cheese on a bagel in the kitchenarea.JESS: I'm so excited to meet him...NICK: (Walking towards her) No, Jess he's sleeping. He flew inlate last night, we took him straight to the bar, took a bunch of shots, got drunk, screamed I loveAmerica. (Sits down) Now he's happily passed out. (Slurps coffee) Let's let him sleep.JESS: Guess I'mnot the new kid anymore, I'm just one of the guys.NICK: You're still the new kid, Winston lived herebefore Coach did.JESS: (Carries on preparing breakfast) So Coach said, (shot of Schmidt walking by,taking earphones out) that they used to play basketball together at college, but then Winston wentpro...SCHMIDT: In Latvia, okay? He went pro in Latvia, there's a big difference. (Nick turns around tolook at him) Well the team logo, is a fig. Just a.. just a one single fig.JESS: Oh, you're jealous. (Turnsaround) That's so cute. (Turns back)SCHMIDT: (Smirks) Of Winston? No no no. Look, I'm not jealous ofWinston. Ok, it's been two year, he's gonna have to recognize, I'm a lot flyer now. Wanna see me flex mybase? (Starts to take off shirt)NICK: Naw naw naw naw. Put your shirt on.SCHMIDT: (Takes off shirt) Letme flex my base. Let me flex my base, man.NICK: Put your shirt on.SCHMIDT: Baboom.NICK: It's themorning.JESS: (Whispers whilst carrying the breakfast tray) He's gonna love it.NICK: Jess, what are youdoing? (To Schmidt) What is she doing?(Jess kicks opens the door, walks in and places the tray on thefloor, loud enough to wake Winston. Winston wakes with a start.)WINSTON: What the.. what the.. (pointsat Jess) who?JESS: I'm Jess.(Back in the kitchen)JESS: (From the kitchen you can hear her singing) I'mJeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeessssss!WINSTON: (Shouting) What's happening?! Whyare you doing that?![SCENE_BREAK]SCENE: Nick and Jess are in the bathroom brushing their teeth,whilst Schmidt is in the shower.JESS: I can't believe you didn't tell me he was hungover!NICK: I totallytold you he was hungover. I said he was drunk at the bar and now he's passed out.(ENTERWINSTON)JESS: Hi, Winston. Hey, I apologize for what happened before... not cool, bad call. I've beentalking to the guys about boundaries, so I totally get it.WINSTON: Perfectly fine, no problem.JESS: Doyou have a tank top I could borrow? You look like you're about my size. It's just that I'm really low onclothes right now cause I broke up with my boyfriend. And I caught him cheating and... I just likegrabbed whatever I could and...SCHMIDT: (Steps out of the shower) Jess, you know what? I'll let youcheck my lost and found. It's where I keep all the things the girls leave behind in my room after we'vefounicate. I've got sizes 0 through 10. (Jess and Schmidt leave)WINSTON: What have you done to meNick?NICK: I am so happy you're back.[SCENE_BREAK]SCENE: Schmidt and Jess are sitting on the bed,with a box in front of them.JESS: (Rummaging through the box, she pulls out stiletto) You have madelove to a lot of forgetful women.SCHMIDT: (Taking shoe off her) Ah man, look at these, wow. (Sees Jesstaking out hair extensions from the box) Oh, look at that, Rochechana 06. Yeah, nothing orthodox aboutwhat we did that night.JESS: Winston seems nice...SCHMIDT: Did he say anything to you about the"}
+{"doc_id":"doc_131","qid":"","text":"-[Storybrooke]-(Mr. Gold knocks on the door to Mary Margaret's apartment. Emma answers.)Mr. Gold:Ready to go, Miss Swan?Emma: Almost.(Mr. Gold enters the apartment, and Henry enters the room witha suitcase and his coat.)Henry: Do you think we'll be cold where we're going, or warm?Emma: I thinklayers are always a good idea.Mr. Gold: I thought the terms of our agreement were quite clear. You oweme a favour - you alone.Emma: I'm not leaving Henry here with Cora lurking about, so either we both go,or we both stay.Mr. Gold: Then, we'll have to purchase another plane ticket, won't we?(Mary Margaretenters and helps Henry put on his jacket.)Emma: Wait. We're flying?Mr. Gold: Don't worry, I'm coveringexpenses. Even the new ones.(David overhears the conversation as he comes down the stairs.)David:You're a real gentleman, aren't you? Alright, Gold, you're going out there with my family. Just know, ifanything happens to them...Mr. Gold: Then you'll what? Cross the town line? And David Nolan will huntme down in his animal rescue van?David: I'll be devastated. This isn't a threat. It's a request. Take careof them.Mr. Gold: I promise no harm will come to your family. After all, we have adeal.[SCENE_BREAK](Mr. Gold, equipped with the shawl around his neck, is driving. Emma is in thepassenger seat, and Henry is in the back seat. They are heading down a deserted road in Mr. Gold'scar.)Henry: So... Where are we going?Mr. Gold: Logan International Airport.Emma: I think he meantafter that.Mr. Gold: Let's just take things one step at a time, shall we?Emma: You really think thatshawl's going to work?Mr. Gold: Well, if it doesn't, and I revert to my cursed self, we're all going to havesome problems. It'll work.(They pass the 'leaving Storybrooke' sign and a wave of magic passes over Mr.Gold. There is a brief pause.)Emma: So?Mr. Gold: My name is Rumpelstiltskin. And we're going find myson.[SCENE_BREAK](At Mary Margaret's apartment, Mary Margaret is in the kitchen when David enterswearing two gun holsters.)MMB: You like the holster, huh?David: I miss carrying a sword.MMB: Well, itlooks good on you.David: Come on. Leroy has the dwarves on Cora watch. They've got eyes everywhere,but they could use our help.MMB: Really? How hard can it be to find a powerful sorceress in a smalltown?(They go to leave. When they open the door, they find Regina, who was just preparing toknock.)David: Apparently, not very hard.MMB: Regina. You're back.Regina: I know you think I'mresponsible for poor Dr. Hopper's death.David: He's... Alive.Regina: What?MMB: You wereframed.Regina: Who would do that?MMB: Your mother. She's here.Regina: But... But that's... That's...Not possible.MMB: When we found a way back, so did she. We were wrong... And we're so sorry.Regina:I know. But, if Cora's here, then we're all in danger. Please, you have to let me see my son. I can protecthim.MMB: He's not here.Regina: What?David: Mr. Gold asked Emma to help him find his son. They lefttown about an hour ago with Henry.Regina: And no one told me?MMB: We didn't know where you were.And, to be honest, Regina, I don't think Emma has to run anything by you.Regina: No, I suppose shedoesn't.(Regina exits.)MMB: That went well.David: With her, it doesn't get much better. Come on. Let'sgo find Cora.MMB: Where?David: No idea. But I know who to ask.(David hands a quiver of arrows and abow to Mary Margaret, and the two of them leave.)[SCENE_BREAK](David, Mary Margaret, Leroy, andHook are at the docks. Hook walks with an obvious limp.)Hook: You didn't even ask me about myrecovery.MMB: How are you feeling, Hook?Hook: Come closer and feel for yourself.(David hitsHook.)David: You want to lose the other hand? Where's the ship? Come on. Archie told us. It's shieldedsomehow, isn't it, mate?Hook: Aye... That it is. Follow me. I don't know what you expect to find. Corawon't be there.David: Well, maybe she left something behind that will tell us where she went. Let'sgo.Leroy: No funny business. I'm watching you, pirate.Hook: Yes, Dwarf. That should deter me from anymaleficence.MMB: Oh, don't worry, Leroy. He'll help us.Hook: What makes you so sure?MMB: Becauseyou're a pirate. You know which way the wind blows, and, right now, it is gusting towards us.Hook: Oh. Isee where your daughter got her gumption. Follow me.(They arrive at the pier where the ship isanchored. Hook walks up the invisible stairs and disappears behind the shield. The rest of them followsuit.)Leroy: You sailed this ship from our land. Can you sail it back?Hook: My ship? She's a marvel. Madefrom enchanted wood. We weathered many a storm together, seen many strange, glittering shores. But,to travel between lands, she must go through a portal.David: Yeah. What do you know about Cora's"}
+{"doc_id":"doc_132","qid":"","text":"Produced by: Robert Carlock & Wendy Knoller Final check by Kim[Scene: Joey's place. Rachel and Joeyare talking]Joey: All right, all right, all right, let's play one more time, ok? And remember, if I win you donot move to Paris.Rachel: Ok! Can't believe I'm risking this again, but you're on! All right Joe, youremember the rules! Heads I win, tails you lose.Joey: Just flip!Rachel (she flips the coin): Ha, tails!Joey:Damnit!(Chandler and Monica enter the room)Chandler: Hey!Joey: Hey!Chandler: So we thought we'dthrow you little going away party around seven.Rachel: Oh, that sounds good!Monica: Hey, Rach, you'releaving tomorrow, shouldn't you be packing?Rachel: It's all done!Monica: Oh, yeah, right! And after Itook a shower this morning I just threw my towel on the floor! Oh God, it hurts to even joke aboutit.Rachel: I know... Honey, seriously, I did it all. The luggage that I'm taking is in the bedroom, this isEmma's Paris stuff, these are the boxes that I'm having shipped, and that's the sandwich that I made forthe plane...Monica: Ok, so you've done some good work! (pause) What about your carry-ons?Rachel: Oh,well. Everything that I need (she takes her bag) is in here and my travel documents are on the counterorganized in the order that I will be needing them.Monica: Oh my God! I have nothing left to teach you!(they hug)Chandler: Where's your passport?Rachel: It should be right next to my plane ticket.Chandler:Well, it's not.Rachel: What? Maybe I put it in here (she opens her bag). Oh, oh, it's not in there! Oh, no! Imust have packed it in one of these boxes!Monica: Here, let me help you. (they both start openingboxes)Rachel: Shoot. Oh, I can't believe I did this!Chandler (to Joey): At what point did it stop beingfunny that I took her passport?OPENING SEQUENCE[Scene: Monica's apartment. Monica and Erica aretalking about the baby, and Monica is rubbing Erica's tummy.]Monica: Oh, wow, can you believe you'relike three weeks away?Erica: I know.Monica: You don't mind me touching your belly, do you?Erica: No, Idon't mind you touching my belly, but right now your hand is kind of blocking the part where the baby isgonna come out.(She takes her hand off Erica. Ross enters the room)Ross: Hey!Erica: Hi.Ross: Hey Erica,welcome back to town! (pause) Wow, look how big you've gotten.Erica: That's because I'mpregnant!Ross: Right, no, I understand.Erica: Oh, ok. I'm just always afraid that people think I'm just fatwith big breasts.Ross: No, no, I knew (he stares at her breasts).Monica (to Ross): Okay, well, stopstaring at them.Ross: She brought them up! (pause) I didn't realize you were coming back so soon!Erica:Hey, well, in a couple of weeks I won't be able to travel.Monica: Yeah, and I wanted her to get to knowthe doctors and get settled into the hotel.Ross: Hotel? Why isn't she staying with you guys?Monica:Because we're moving in a couple of days and it just didn't make sense.Erica: Plus hotels are fun! Myroom has this little fridge full of free snacks!Ross: Erica, those things aren't free. In fact they have one ofthe highest mark-ups of any consumer product...Monica: Ross! She's giving us her baby. She can eat youif she wants.Erica (standing up): I'll be right back.Ross: Oh man, I can't believe you guys are leaving thisplace.Monica: Oh, I know. I know. Hey, you know, you can take it if you want! The lease is still in Nana'sname.Ross: No, no. This will always be your place. It would be too sad. Plus, how much a month does itcost to feed Joey?Monica: Yeah, it takes two incomes.Ross: Hey, is Chandler here? We talked aboutcatching a movie.Monica: Oh, no. He doesn't have time for that. But if you want, you can go help him andJoey pack up the guest room.Ross: Mhm, (he balance things) packing - sexy cheerleader comedy.Monica:Mhm, helpful brother - creepy loner at teen movie.(Ross takes the tape roll she's handing him and walksto the guest room while mocking Monica's voice)[Scene: Guest room. Joey has his head wrapped inbubbled wrap and Chandler is punching him. Ross enters the room.]Ross: What are you guys doing?Joey:Try it, I can't feel a thing! (Ross starts punching him too)Monica (enters the room): Are, are you kidding?This is packing?Chandler: We're taking a break!Monica: From?Chandler: Jumping on the bed?Monica: Allright, Rachel's party is in a couple of hours and there's a lot to do. Now, Ross, you got Geller blood,you're in charge of these yahoos!Ross: You got it! (Monica leaves, Ross closes the door). All right, she'sright, we gotta get serious. (He grabs a bag of styrofoam peanuts) Let's put styrofoam peanuts down hispants and kick him!Chandler: No, no, no, guys. She's right. We should get to work. I'll take stuff out ofthe closet, Joey you pack 'em and Ross you re-pack whatever Joey packs.(Joey takes the bubble wrap offhis head)Joey: You guys hear a ringing?Chandler: (holding a pair of furry handcuffs) What the hell is"}
+{"doc_id":"doc_133","qid":"","text":"Act 1Scene 1 - Café Nervosa Fade in. Frasier is just getting to a table. Niles comes in.Niles: Just the manI wanted to see. Coffee, please.Frasier: Niles, Niles...Niles: You would not believe the morning I...Frasier:Niles, would you be terrible offended if I asked you just not to not talk about it and sit quietly?Niles: CanI at least tell you...?Frasier: Shhh, shhh, please, I do not have time for your folderol today. I am meetingCharlotte for lunch and I'm planning my strategy on how to win her over.Niles: I thought you said shehas a boyfriend, this environmentalist fellow.Frasier: Yes, Frank.The waiter brings Niles' coffee.Niles:Thank you. So, what's your plan to get around him?Frasier: I'm merely going to present myself as theanti-Frank.Niles: Ah. So you're going to be not rugged and not handsome? Interesting.Frasier: No.Niles:You're also going to be not passionate and not committed.Frasier: Very funny.Niles: Maybe she'd like youif you were not interesting and not informed.Frasier: Niles!Niles: Well you said my day wasfolderol!Frasier: Sometimes it is!CUT TO: Roz and a man talking at the window table.Roz: I don't believeyou.Steve: It's true. My roommate and I used to listen to your show Every day just for you. We fell inlove with your voice.Roz: Really? [in a dusky tone] It's just a voice.Steve: Well, all the guys on my floorlisten to you.Roz: To our show?Steve: Yeah.Roz: Boy, things sure have changed since I was incollege.Steve: Well, it wasn't exactly college, more like prison.Roz: So was mine. So where'd yougo?Steve: Prison.Roz: Oh. So... you fell in love with my voice?CUT TO: Niles and Frasier as Charlottewalks in.Charlotte: Hi. The boys rise.Frasier: Charlotte, hi. You remember my brother Niles.Niles: Yes,Charlotte, how are you?Charlotte: Oh, hello. Well, frustrated. Been selling this guy all over town, but noone's buying.Niles: [sitting] Well, perhaps if you threw in a toaster.Charlotte: I just have to call Frankbefore we head out.Frasier: Oh, right. So everything's settled between the two of you?Charlotte: Oh,yeah. He came over last night, I don't even remember what we were fighting about.She walks back tothe payphone as Frasier grumpily turns to Niles.Frasier: You know what THAT means, don't you? [sitting]They had a long night of acrobatic make-up s*x.Niles: I just thought of another way you could be theanti-Frank.Frasier glares for a moment, then gets a gleam in his eye.Frasier: Niles.Niles: Mmm?Frasier:Keep an eye out for her, will you?Niles: What are you doing?Frasier: Research.Frasier opens Charlotte'spurse and begins looking through it.Niles: Frasier, Frasier? Foul play!Frasier: Yes, all is fair in love andwar. That's interesting. An anthology of Irish plays. Perfect!Niles: What do you know about Irishplays?Frasier: Nothing. But not for long. There's one area where no manhas ever bested me, Niles:homework!Charlotte comes back and Frasier gets to his feet.Frasier: Charlotte, listen, I was just beepedby a patient who's desperate to see me, so do you mind if we just switch lunch for dinner?Charlotte:Actually, that's better for me. I have four new clientscoming in. Just think: the woman of your dreamsmay be sitting in my office this afternoon.Frasier: Indeed she may.Frasier smiles, then turns and hurriesout.[SCENE_BREAK]Scene 2 - A Restaurant Fade in. Frasier hurries up to the Maitre D',Georges.Georges: Ah, Monsieur, so nice to see you again. Your special table is ready for you.Frasier: Andthe wine?Georges: As you requested, monsieur.Frasier: Right. And the roses?Georges: I'm so sorry,monsieur, I felt that the scent would distract from the wine's distinctive bouquet.Frasier: You forgotthem, didn't you?Georges: Yes, forgive me.He hangs his head.Frasier: For God's sake, Georges. All right,send a busboy out to pick some wild flowers, please.Georges: Very good sir.He heads off as Charlottecomes in the front.Charlotte: Gee. You kinda sprinted ahead of me, there.Frasier: So sorry. I just wantedto make sure that we could get a table. Here, come and sit.Charlotte: This place is kinda fancy for aworking dinner.Frasier: Yes, well, after the rigors of your camping trip with Frank, I thought you deserveda little elegance.Charlotte: Thank you. [She gets her notebook.] So, good news: I met this great womantoday. How do you feel about dating someone a little taller than you?Frasier pours the wine.Frasier: Howmuch taller?Charlotte: I don't know exactly, but I did have to turn off the ceiling fan.Frasier: Well, let'sjust put her in the maybe pile, shall we?Frank comes in and over to the table.Frank: Hi,sweetie.Charlotte: Hi.Frank: Sorry to interrupt. I know you're working.Charlotte: Frank, you knowFrasier.Frank: Yes.Frasier: Yes, yes, good to see you, Frank.Frank: I just need the key to yourapartment. I left my blue field notebook there and I want to double-check some whale songs I copied"}
+{"doc_id":"doc_134","qid":"","text":"[PREVIOUSLY_ON]Jamie : For you, Miss Lauren.Lauren : Thank you, Jamie.Jamie : They're from myuncle skills. He thinks you're cute.Lauren : Antwon \"Skills\" Taylor crashing a 5-year-olds' dance?Skills: Iwas hoping to see you.Bobby : I'm moving Nino to shooting guard, and I'm keeping you at the point.Nino: With me at the point, you're gonna get more chances to score.Nathan : All right? I'll get you the ball.Cause if you can do that, the scouts will come.Brooke : I have a letter for you from your birth mother.You've been going to that coffee shop for months. You must want something from her, even if it's justclosure.Lucas : Peyton has a condition called placenta previa.Brooke : Lucas, come on, what if everythingdoesn't go perfectly?Lucas : She could die, and... and the baby, too.AT LUCAS'S HOUSEPeyton : Thehonorary title, Matthew Ryan, the cure, Audioslave, Haley James Scott. They're all in here. It's music toset your life to. And music always helps, no matter what you're going through. So, if you flunk a big testor you have a really bad break-up. Or you just miss someone so bad, it hurts...Then listen to my playlist-\"100 songs to save your life\" and it should help. Oh, and there is this new artist that is really special,and her second album is just about to come out. So you should check her out. Her name's MiaCatalano.**This road is anything but simple twisted like a riddle** **I've seen high, and I've seen low****so loud the voices over my doubts** **are telling me to give up** **to pack up and leave town****but even so, I had to believe** **oh, impossible means nothing to me** **so, can you lift meup?**Peyton : A best friend ... okay, this one is so important. Choose wisely, okay? I got really lucky withmine. My best friend is funny, intelligent, creative, beautiful and successful and very kind. And she's alsoimpulsive, frustrating, um...complicated, childish. But I would not have her any other way. And the bestpart about Brooke Davis is that she always puts friends first. So...if you are ever in any kind of trouble,now you know who to call. I can't think of anyone I would rather have watching over you.IN THESTREETVictoria : It's been a month, Brooke. You've got to stop spying on them like this.Brooke : Thankyou, concernicus. How would you know what I've been up to?Victoria : 'Cause I've been watching theboth of you. Iced coffee with skim milk it'll change your life.Brooke : She's eating pecan pie. She doesn'teven like pecan pie.AT LUCAS'S HOUSEPeyton : Being a kid without a mom really sucks. And I know thisbecause I've been there... twice. And if you're watching this, then it means that you're in that place, too.And I'm so sorry for that. But if you ever need a mom-and-dad fix, you have Nathan and Haley forthat.AT SCOTT'S HOUSENathan : Gotcha! I gotcha now!Jamie : No! No!Haley : Okay, easy. If he pees hispants, you're on laundry duty.Jamie : You look pretty, mama.Haley : Oh, thanks, buddy. I got to go. I'mlate. I got to pick up Mia from the studio and go over to Peyton's for her baby shower. Do you think youcan drop him off on your way out of town? Lucas is gonna watch him.Nathan : Sure, no problem.Haley :Thank you. I'm gonna miss you so much. Call me after the game, okay?Nathan : Yeah.Haley : Okay Bye.I'll see you later. Peyton's waiting.Nathan : Bye.Haley : Bye!Jamie : Bye. Love you.Haley : I love you,too.Jamie : Again?Nathan : Again?!**'Cause I have overcome more than words will ever say** **andI've been given hope that there's a light on up the hall** **and that a day will come when the fight iswon and I think that day has just begun** **oh, oh, just begun** **lift me up** **ooh, yeah, yeah,yeah yeah, yeah, oh** **oh, oh, lift me up** **lift me up, lift me upAT LUCAS'S HOUSEPeyton : I reallyhope that we get to share all these things together. But just in case, it's all right he. Now, there is justone thing... that I need from you. Please... take very special care of your father ... because if I'm notaround... he's gonna need you to take care of him, just like my dad needed me. So, love him ... and takecare of him ... and be kind to him. Just please ... Do that for me.Lucas : Peyton, what is this?Peyton : Ijust thought I should.Lucas : No. No, you... You said everything was gonna be okay. You said that.Peyton: Okay, but, Luke, if it isn't, I want our child to be able to remember me. It's just in case.Lucas : Ourchild's not gonna have to remember you. Our child's gonna know you. We're not doing this,Peyton.Peyton : Lucas.Lucas : A death video? A sad box of stuff? I'm not having any of this, Peyton. Imean, what's next?Peyton : I want to get married ... now.Lucas : Absolutely not. You're supposed to betaking it easy. Okay, look, after you have this baby and you're all better, then ... then we'll getmarried.Peyton : I want to get married.Lucas : Why? Why is it so important to do it now?Peyton :"}
+{"doc_id":"doc_135","qid":"","text":"72 HOURS EARLIERAt the shopping centerSummer: I'm not buying you lingerie for your birthday. That'sjust weird.Taylor: Okay, that's fine. I told you, you don't have to buy me anything. You and Ryan arethrowing me a birthday party and that's enough.Summer: Look, I know you've never had a birthdayparty before, let alone been to one, but usually people get presents for their birthday, so will you pleasetell me what you want?Taylor: Okay, honestly, I want Ryan to ask me to go to Berkeley with him nextyear.Summer: Okay, I was thinking more along the lines of a cute top.Taylor: I know, I know, it's just,I'm a planner, and I've already seeing that day six months in the future when we all go our separateways. And I just know that if Ryan goes to Berkeley and I go to... Harvard or Princeton or Oxford, thenit's over.Summer: Don't you have to apply to Berkeley first in order to... You already applied to Berkeley?Does Ryan know this?Taylor: No.I applied before we even started dating. I just got back from France andI figured, well, I had to go somewhere, so I reapplied to Princeton, Oxford,Yale, Harvard and theSorbonne, and I figured why not throw Berkeley in?Summer: Um, hi. Can we get two coffees,please?Man: Uh, yeah.Summer: Okay. So you want to get Ryan to tell you that he wants you to go toBerkeley, without knowing that you already got in to Berkeley?Taylor: Exactly.Summer: And how're yougoing to do that?Taylor: Easy.I just need to get him to tell me that he loves me.Summer: Mm-hmm,Ryan talking about his feelings. Now that would be an earth-shattering event.Man: Careful, they'rehot.Summer: Thank you.Taylor: Thanks.Summer: Did you see this about earthquake weather? Youknow, it's exactly this kind of voodoo science that lets politicians deny global warming.Taylor: Oh, myGod, I know. And how many times have they predicted the big one, and it never happens. It almostmakes you wish that it would. Generic Cohen's gardenRyan: Good morning. What's the occasion?Taylor:Just you're being so sweet throwing me a birthday party, and I wanted to thank you, so... Oh, my gosh,did I ever tell you about...Ryan: How you've never had a birthday party and you've always spent everybirthday alone in your room watching Sixteen Candles and talking to a gypsy on the psychic hotline?Taylor: Yeah, I know, I'm a broken record. Just, you know, it really means a lot to me that you'redoing this for me.Ryan: Well, Taylor, I'll tell you, planning your birthday party is not easy. I expectsomething in return.Taylor: Oh.Ryan: I expect to have my way with you.Taylor: Ryan!Ryan: Well, all thattime and energy. Clowns, balloons, a magician...Taylor: Oh, oh, well, if there's a magician. It's kind ofstrange to think about all of this ending isn't it?Ryan: Hmm?Taylor: You, going off to Berkeley, me,whichever way the wind blows.Ryan: Well, it's still six months away.Taylor: Right, yeah. If only I had acrystal ball, huh? Maybe I should call Esmerelda from the psychic hot line.Ryan: This a really goodcroissant.Taylor: Don't you have the feeling that we're on the cusp of something and we just need to leapinto the void?Ryan: Did you get these at Joe's?Taylor: Ryan, don't you have that feeling?Ryan:What?Taylor: That life is telling us to take a wild, impulsive jump into the unknown?Ryan: Notreally.Taylor: So, you're good? You don't have a need to just let something explode out of you,consequences be damned?Ryan: What are we talking about?Taylor: Well, I was... I guess it's just mybirthday and I'm getting sentimental.Ryan: All right, well, don't worry. It's going to be great. Okay? Allright, I've got to go. Thanks for this. Hey, tonight, you want to do something? See a movie?Taylor: Yeah,sure, okay.Ryan: All right, great. At Roberts'Kaitlin: Oh, my God.Julie: Oh, hi, honey. Sorry, I didn't hearyou coming down.Kaitlin: Mom, do you mind? Because I still have to eat in here.Julie: What can I getyou?Kaitlin: You want some scrambled eggs or I could whip up some pancakes.Frank: You cook, too?That's amazing.Julie: It's just a talent I have.Frank: Yeah, one of many.Kaitlin: I'm seriously never goingto stop barfing.Julie: Kaitlin, don't be gross.Kaitlin: Me? Gross? What's gross is Frank's dirty... germyconvict bag is sitting on the counter. I mean, what, did the warden give that to you as a going-awaypresent?Julie: Kaitlin...Frank: It's okay. It's okay. It shouldn't be on the counter. Though I actually got itat REI.Kaitlin: Well, why bother with a bag? You can just move in. You spend enough time hereanyway.Julie: Young lady, apologize.Kaitlin: I'm sorry, Frank. Feel free to have as many conjugal visits asyou'd like.Frank: You know, I... I should get going. I've got a job interview.Julie: I'll walk you out.Frank:Okay.Julie: And we'll talk later. At the gymHolly: Mrs. Cohen? Holly. I went to Harbor with Seth.Kirsten:"}
+{"doc_id":"doc_136","qid":"","text":"(Open: Booth's apartment. There is a rapid knocking at the door. Booth is asleep in bed)BOOTH: Yeah.Aww (he groans as he awakes and stumbles out of bed).(knocking continues)BRENNAN: Booth?BOOTH:Yeah. Unhh. (He cracks his toes, then gets out of bed, pulling on his robe, still making groaning noises.He cracks his back as he heads into the bathroom. Still sighing and pulling on his robe, he looks athimself, bleary-eyed, in the mirror. He continues walking, cracking his neck, and his back again, then hisfingers). Oof.(more knocking)BRENNAN: Booth? Are you there?(Booth is still walking towards his frontdoor)BOOTH: No, I'm in South Beach, working on my tan (he opens the door, still grunting and groaning.Brennan is standing there, enthusiastic and eager to get going).BRENNAN: You need Sweets to sign yourpost-Afghanistan fitness for duty report. Did you forget?BOOTH: Me? (He turns to go back into theapartment)BRENNAN: Well, generally, you wear more clothing, and you've been avoiding this for weeks(she shuts the front door).BOOTH: Well, I couldn't sleep. Hannah got up at the crack of dawn (hecontinues walking, cracking more joints as he goes). Ooh.BRENNAN: Do you always have this pronounceda release of gas in the morning?BOOTH: (turns to face Brennan) Is it that bad?BRENNAN: Synovial gas,that's what the cracking is.BOOTH: Synovial gas, what's that mean?BRENNAN: well, there comes a pointwhen your body can't hide all the abuse it's taken.BOOTH: What do you, what do you mean a certainpoint?BRENNAN: Booth, you've been shot, and beaten, and jumped out of airplanes. The skeletal damagealone...BOOTH (groans and turns): Oh God, I'm falling apart.BRENNAN: You're fine. It's your skeletonthat's falling apart.(Cut to: FBI building, Booth and Brennan are rounding a corner).BRENNAN: Thecompression fracture to your T3 alone should have incapacitated you years ago, then there's the fractureto your sternum from when that obese girl shot you, fractures from your metatarsals from when youwere tortured, rib pitting from when you foolishly tried to act as a human shield...BOOTH: Ribpitting?BRENNAN: And that's before we even get to your compromised ligaments, both intertransverseand anterior longitudinal.BOOTH: How do you have room in your brain to remember all this?BRENNAN: Icare about you, Booth, and the more abuse a body takes, the sooner it degenerates.BOOTH: That's it?That's all you've got for me? (they enter the elevator)BRENNAN: Well, it can be a good thing. In tribes,men like you are elders. They don't have to hunt anymore.BOOTH: Well, I want to go hunting.BRENNAN:(reaching forward to press the button) Well, perhaps you'll feel better after you get your form signed.(Cutto: Sweets' office, sounds of giggling are heard. Booth and Brennan have stunned looks on their faces asthey behold two pairs of feet hanging off the edge of the couch)DAISY: Oh I will! (giggling)BRENNAN:Oh!SWEETS: Agent Booth!DAISY: (pops up over the back of the couch, arms clutched to her chest formodesty's sake) Dr. Brennan!BRENNAN: You should be at work, Ms. Wick! It is a very importantday.BOOTH: (hands form to Sweets) Can you sign this?SWEETS: Are you serious?BOOTH: Sign. (Hehands Sweets a pen and the form) Just sign and get back to your fun. (Sweets signs the paper)(Cut to:Jeffersonian Medico-Legal Lab. Brennan is walking, and Daisy is tagging behind her, trying to catchup)DAISY: Dr. Brennan, about this morning.BRENNAN: What about it?DAISY: I don't want you to thinkthat Lance and I are dating again, because we're not. That was purely accidental intercourse.BRENNAN:You had intercourse accidentally? What were you trying to do, Ms. Wick?DAISY: I was returning abook.BRENNAN: And your pants fell off?(Workers are bringing in large artifacts on rolling tables, Cam andAngela are supervising)CAM: All of the pieces of ship without remains attached, straight to the earlyAmerican workroom. Door on your right.WORKER: Where do you want this?CAM: Take it up on theplatform.WORKER: Got it.(Brennan and Daisy approach and come to a stop beside Cam)CAM: Okay.(turns to Brennan) How much of this is there?BRENNAN: I have no idea.CAM: So, when you said oldremains, the ship part of it just slipped your mind?BRENNAN: No, of course not.ANGELA: This isincredible. I can't believe this is an actual slave ship. Where did they find it?BRENNAN: Off the coast ofMaryland. This could shed enormous light on the slave trade.CAM: Or give me nightmares. One or theother.(Hodgins enters with more parts of the ship)HODGINS: Mytilus edulis, blue mussels. Wow. Hey,they said this was for you (he hands Angela a sheaf of papers).BRENNAN: The Jeffersonian Board ofDirectors wants us to try and identify the remains.CAM: How? These people have been dead for nearly"}
+{"doc_id":"doc_137","qid":"","text":"(THUNDER CRASHING)Oliver (voiceover): The day I went missing... was the day I died. Five years in hellforged me into a weapon, which I use to honor a vow I made to my father, who sacrificed his life formine. In his final moments, he told me the truth... that our family's wealth had been built on thesuffering of others. That he failed our city, and that it was up to me to save it and right his wrongs. But todo that without endangering the people closest to me, I have to be someone else. I have to be somethingelse.EXT. ROOFTOP - NIGHTArrow is standing on the roof as men start running at him.Marcus Redman:Who's that?Man 2: Where'd he come from? Arrow fights three men and wins, while three otherswatch.Man 3: What's going on here?(SHOUTING)Arrow shoots an arrow at one of the three men.MarcusRedman: Get the chopper back now. Arrow shoots an arrow at one of the original four men.MarcusRedman: Who's this guy? Arrow shoots another man, and then punches him with the bow.MarcusRedman: Whoa, whoa, whoa! Please, wait, wait! Arrow backs Marcus Redman against the edge of thebuilding and throws him to the lower roof, on top of the ventilator fan.(Marcus RedmanSCREAMING)Arrow jumps onto the ventilator fan next to Marcus Redman and kicks open the gratecovering the fan. Sparks explode from the fan.(Marcus Redman GROANING)Arrow grabs Marcus Redmanand forces his head toward the fan.Marcus Redman: No? No, please! No, please, please!Arrow: MarcusRedman, you failed this city.Marcus Redman: Please! No, please, no! Don't hurt me, please!Arrow: Cellphone, inside pocket, call your partner. Tell him to give those pensioners back their money.MarcusRedman: Oh, please don't!Arrow: Do it now.Marcus Redman: Okay. Arrow jumps off of the ventilator fanand walks into the camera.INT. QUEEN MANSION - DAYOliver walks into the sitting room where MoiraQueen is sitting on the couch with Walter standing behind the couch and Thea Queen standing next to thecouch.Newscaster (voiceover): Over the past 15 years, Mr. Redman has withdrawn more than 30 milliondollars from the plant's account. Mr. Redman claims refunding the Halcyon pension plan has always beenhis intent. But sources say Redman was coerced by the vigilante. Sketch of the Arrow appears on thetelevision with the caption reading MYSTERIOUS HOODED VIGILANTE. Oliver extends his arm in disbelieftoward the television.Oliver: This guy gets more air-time than the Kardashians, right?Thea: Five years onan island and you still know who they are.Oliver: I've been catching up. It's nice to see how much ourculture has improved while I was away.Moira: No, the city used to be different. People used to feelsafe.Thea: Oh, what's the matter, Mom? Afraid we're gonna be next?Walter: Do you have any questionsabout today, Oliver? It's a simple proof-of-life declaration. Moira stands up and Walter straightens his suitjacket.Walter: Just read out a brief, prepared statement to the judge, and then your death-in-absentiajudgment will be voided.Oliver: It's fine, Walter, I've been in a courtroom before. Tommy enters.Tommy:Four times by my estimate. You know, there was the DUI, the assault on that paparazzi douchebag,stealing that taxi, which was just awesome, by the way, and who could forget peeing on the cop?Moira: Iwish everyone would.Oliver: I'd hang, but we're headed to court.Tommy: I know, that's why I'm here. Mybest friend is getting legally resurrected, I wouldn't miss this for the world.Oliver (whispering): Right.Okay. (normal volume to Thea) What about you?Thea: Oh, I think the first four times of you in court wasenough for me.Oliver: Fair enough. Thea walks out of the room. Diggle enters.Diggle: Mrs. Queen? Car'sready. Diggle, Moira, Walter exit.Tommy: Walter.EXT. COURTHOUSE - DAY(PRESS CLAMORING)Man: Mr.Queen, can we get a comment, sir?Woman: ...return to civilization after five years on a desertedisland.Man 2: Can you tell us what happened on that island, Mr. Queen?FLASHBACKOliver and Sara onare thrown from the bed as the boat starts to sink. Sara screams.END FLASHBACKMan: Tell us about theaccident, Mr. Queen.(CAMERAS CLICKING)Woman: 5 years on an island.FLASHBACKOliver watches Saraslide away. Oliver reaches for Sara's hand.Oliver: Sara!(Sara SCREAMING)END FLASHBACKINT.COURTROOM - DAYOliver: There was a storm. The boat went down. I was the onlysurvivor.FLASHBACKThe boat is sinking and rain pours from the sky. Oliver, his Father, and another manare on a life raft.Oliver: She's out there!Father: She's not there!Oliver: Sara!END FLASHBACKOliver: Myfather didn't make it.FLASHBACKFather holds a gun to his head.Oliver: No!(GUNSHOT)ENDFLASHBACKOliver: I almost died, I... I thought that I had, because I spent so many days on that life raft"}
+{"doc_id":"doc_138","qid":"","text":"Michael: Oh hey, Kevin, nice of you to join us, where were you?Kevin: My tire blew out on the way here,Michael.Michael: Huh?Kevin: I almost died. I... I went into this skid---Michael: Pop quiz.Kevin:...What?Michael: Why is today a special day?Kevin: I almost died.Michael: Today's a special day, becauseI am being honored as a... visiting... professor, special lecturer, emeritus... how did you, how didyou...Ryan: You will be a guest speaker... in my Emerging Enterprises class.Michael: In business school,Kevin. Business school.Kevin: Wow.[SCENE_BREAK]Ryan: If you bring your boss to class, it automaticallybumps you up a full letter grade. So... I'd be stupid not to do it, right?[SCENE_BREAK]Michael: A boss islike a teacher. And I am like the cool teacher. Like Mr. Handell. Mr. Handell would hang out with us, andhe would tell us awesome jokes. And he actually hooked up with one of the students. Um... and then liketwelve other kids came forward. It was in all the papers. ... Really ruined eighth grade forus.[SCENE_BREAK]Michael: Here we go. College Roadshow. Gotta bring our... A game. What was themost inspiring thing I've ever said to you?Dwight: \"Don't be an idiot.\" Changed mylife.[SCENE_BREAK]Dwight: Whenever I'm about to do something, I think, \"Would an idiot do that?\" Andif they would, I do not do that thing.[SCENE_BREAK]Michael: Will they throw their hats, you think?Ryan:What?Michael: A lot of times, at a... school, or naval academy, after a rousing speech, the crowd wouldthrow its hats high into the air.Ryan: Y-You understand nobody's graduating.Michael: Yeah, I know, Iknow. I'm just saying if they did throw their hats I've got a great line for that: \"May your hats fly as highas your dreams.\" ... That was a pretty good line.Ryan: ...It doesn't apply.Michael: I understand! Wow.Relax, spazzy boy. Sometimes you're such a little spaz! [pokes Ryan] Whoa, hey!Ryan: Quit it!Michael:We have fun.[SCENE_BREAK]Roy: I can't for your art show tonight.Pam: Okay, just so you know, it's justthe students from my class in a little studio.Roy: I-I wouldn't miss it for the world.Pam:Thanks.[SCENE_BREAK]Pam: I'm really happy to be back with Roy. I think it shows maturity. Maturityand dignity. ... Is that braggy? I don't mean it to be braggy.[SCENE_BREAK]Roy: Love ya.Pam: Youtoo.[SCENE_BREAK]Jim: Pam's with Roy. I'm with Karen. And, uh, Brangelina is with Frangelina. Movin'on.[SCENE_BREAK]Kelly: I can't believe you're back together with Roy!Pam: Oh, yeah! We have such asolid foundation, you know.Kelly: Oh my God. You're so in love now.Pam: Yeah. Oh, you should come tomy art show, by the way.Kelly: Oh, art show!Pam: I mean, it's not a big deal, but I think a lot of peoplefrom the office will be there.Kelly: ...Oh... yeah. Definitely... I'll be there. Forsure.[SCENE_BREAK]Michael: Campus. Brings back so many memories. ... That I would have made. Hey.Frisbee. Check that out. Aww! What do you say we get our Fris on before class? [runs over, throwsfrisbee] Whoo!College Student: ....Dude.[SCENE_BREAK]Dwight: ...Oh my God. Animal stool. [jumps ondesk]Pam: Dwight, what are you doing?Dwight: Solving a mystery, if that's quite alright with you. [opensceiling tile] Come to Papa. Okay, ladies and gentlemen, what we have here is a bird that has beentrapped in a vent. Fortunately I have found it befo--BAT! BAAAT! BAT!Karen: Oh my God!Dwight:BAAAAT! BAT! NO! EVERYONE REMAIN CALM! There it goes!Stanley: Goooood bye.Angela: [on ground]... Please don't let that stupid thing near me...[SCENE_BREAK]Michael: Okay, this is it. Ryan is doing myintro right now.Ryan: ...Dunder-Mifflin can't compete with the modern chains, and management isunwilling, or unable, to adapt. Their customers are dying off...Michael: I can't hear what he's saying, buthe looks like he's really into it.[SCENE_BREAK]Dwight: We have... a bat... in theoffice.[SCENE_BREAK]Toby: The simple solution would be to open a window... if we had... windows thatcould open.[SCENE_BREAK]Angela: Poop is raining from the ceilings. Poop![SCENE_BREAK]Jim: Okay.Thanks. [hangs up phone] Animal control will be here at six.Dwight: At Six?! No, that is unacceptable.Okay, Jim, you are the number two in this office. You need to step up and show some leadership.Jim: I'msorry what did you say? So wierd...Dwight: What? What's so wierd?Jim: The bat, I mean, I know I felt itbite me, but look. There's no mark. I feel so... tingly... so strangely powerful... [shrugs] Ohwell.[SCENE_BREAK]Ryan: And now, without further ado, I present the regional manager of DunderMifflin, Scranton, Michael Scott.Michael: Hello everyone, I am Michael Scott. And I would like to starttoday by inspiring you. May I borrow someone's textbook, please? Thank you. What have we here? Ooh."}
+{"doc_id":"doc_139","qid":"","text":"ACT ONE Scene One - KACL Frasier's on air at KACL and he's running out of time. But Roz still hands himover to his next caller.Frasier: Well, we've got about thirty seconds. I think we've got time for one quickcall. [presses button] Hello, Marlene, I'm listening.Marlene: [v.o.] Oh my God, I'm really on?Frasier: Yes,your problem, please...Marlene: [dog barking] Lucky, Lucky, get down. George, get the dog! [Roz pointsurgently at the clock] Oh my God, this is so exciting! [baby crying] Honey, honey, get the baby. George,get your son! OK, OK, here it is, Dr. Crane: if my husband and I don't find some time to have s*x soon, Ithink I'm gonna burst. I may even have to go to a department store and pick up a stranger. [man calling\"Hello!\"] Oh, kids! Look who's here without calling first, Nana and Pop Pop! [sighs] I'll call you back.[hangs up]Frasier: Well, to all you Marlenes out there, may I suggest that s*x with a stranger is not theanswer. Why don't you just pack the kids off with Nana and Pop Pop, lock Lucky downstairs in thebasement, grab your husband, take him to the sturdiest kitchen table you have, and let the postman ringtwice! Now, to the rest of my listeners, I'll be off on vacation for the next week, so please tune in to myreplacement, the noted podiatrist, Dr Garreth Wooten, who'll be discussing the virtues of his new book,\"Bunions and Blisters and Corns,\" Oh My!He pushes the off-air button; Roz enters the booth.Roz: I hate itwhen that weird foot freak subs for you. Couldn't you just have Frederick come and visit youhere?Frasier: Sorry Roz, the taxi's waiting outside to take me to the airport.Roz: Oh well, have a greattime.Frasier: Oh, thanks. [hugs Roz]Roz: And don't forget to bring me a present!Frasier: I'll get you anice T-shirt from Colonial Williamsburg.Roz: You're taking Frederick to Williamsburg? Eeew!Frasier: No,it's a wonderful vacation spot! We're going to dip candles, tan leather, churn butter...Roz: Hey, FrederickCrane, you just finished the first grade, what are you going to do now? [with wide-eyed innocence] I'mgoing to Butterworld!Frasier makes a face and leaves.[SCENE_BREAK]Scene Two - Frasier's Apartment.Martin is reading the paper in his Armchair and gets an idea when Daphne comes in with thelaundry.Martin: Hey Daphne, bring that laundry over here, will you?Daphne: What for?Martin: Well, I wasjust reading about an intelligence test you can give your dog. You throw a towel over its head and seehow long it takes him to shake it off. [calling] Eddie!Eddie scampers in. As Daphne watches withamusement, Martin takes a small dish towel and throws it over his head.Daphne: Oh, and the faster hetakes the towel off, the smarter he is?Martin: [sarcastic] No, the faster he folds it. All right, they rankedall the dogs and the smartest was a border collie; he did it in seven seconds. [starts timing] All right,come on boy, take it off. [Eddie doesn't move] Six... seven. OK, the next fastest one was a poodle, Iknow he's as smart as a poodle. [counts off on his watch] OK, so he's no poodle... he's not a beagleeither... or a German shepherd... or a Labrador. Oh, for God's sake, Eddie!Daphne: Yes, well, if you askme, he's refusing to do that trick because he knows if he does it right, you'll have him doing it every timewe have company.Martin: Hey, I'll bet you're right! [takes the towel off and shakes a finger at Eddie]Nice going, Eddie!The doorbell rings. Daphne opens it to Niles.Daphne: Oh, hello, Dr. Crane.Niles: Iappreciate the false cheer, Daphne. But I'm sure you've seen this? [holds up newspaper] Today's societypage?Martin: [covering his ears] Don't tell me, don't tell me, don't tell me! I'm saving it for afterdinner!Niles: Apparently Maris is going on a three-week cruise. Her friends threw her a bon voyage party.Look at the photo. It's Maris on the arm of Pierson Broadwater.Daphne: Oh, Dr. Crane, look! She's juststanding there, barely touching him, with only the tiniest bit of a smile on her face!Niles: I know, you canpractically hear the zing zing zing of her heartstrings!Daphne: [sympathetically] Oh, Dr Crane... [goes tothe kitchen]Martin: Sorry, Niles.Niles: Oh, it gets worse. This morning I spoke to Marta, my ex-maid andcurrent mole. She reports that Broadwater is just the latest in a parade of escorts. The gigolos areswarming around Maris like ants on a Snickers bar!Martin: Well, wait a minute, that's good news. If she'sseeing a whole bunch of people, that means she's not serious about any one of them.Niles: Youthink?Martin: Yeah, sure! They're probably just her escorts. You know how she loves going toparties.Niles: Yes, and she never liked going anywhere alone. Except to bed.Martin: More good news. AndNiles, it wouldn't hurt you to go out a little bit every once in a while too.Niles: If you're suggesting that Istart dating, you can save your breath. Women don't exactly find me irresistible.Martin: Oh, come on,"}
+{"doc_id":"doc_140","qid":"","text":"\"TAMARA'S RETURN\"CastDawson: James Van Der BeekGrams: Mary Beth PeilJoey: Kaite HolmesTamara:Leann HunleyPacey: Joshua JacksonMitch: John Wesely ShippJen: Michelle WilliamsGail: Mary-MargaretHumesAndie: Meredith MonroeJack: Kerr Smith*Dawson and Joey are making out outside on ablanket*Joey: Dawson...Dawson: What? *Joey sits up*Dawson: What?Joey: What are we doing?Dawson:What does it look like we're doing?Joey: It's just not working. I mean, I'm freezing and there's bugs.Can't we go somewhere else?Dawson: W...Well...we can't go to my house and we can't go to your houseso our options are kind of limited.Joey: I know but I feel too Swiss Family Robinson. I mean, I'm a 20thcentury girl. We should make out in some music, mood lighting and climate control.Dawson: Where'syour sense of romance? We've got gorgeous moonlight shimmering in the water. We've got starsoverhead...crickets chirping...we have plenty of trees and if you get cold you've got me to keep youwarm.Joey: Dawson...Dawson: What?Joey: You are so cheesy.Dawson: You don't like it?Joey: Are youkidding? I find it unbearably sexy. *They start making out again*[Opening Credits]*Cut to Mitch andDawson walking down a sidewalk in Capeside*Dawson: I was beginning to think this whole restaurantidea of yours was just a [missed phrase].Mitch: Not if I can find the proper location. And this womanswears that I'm not going to find a better deal than her warehouse.Dawson: Where are you meetingher?Mitch: Right here. She said she'd meet me at 8. *Dawson looks up and sees Tamara Jacobs headingtowards them*Tamara: Dawson.Dawson: *surprised* Miss Jacobs.Tamara: Well, I'm not your teacheranymore, Dawson, you can call me Tamara.Mitch: Tamara Jacobs, I'm Mitch Leery. We spoke on thephone.Tamara: Yes, Mitch. Hello.Dawson: Are you moving back into town?Tamara: No, I'm just inCapeside for a few days to sell this property.Dawson: Well, I...I should get going to school.Mitch:Yeah.Dawson: Bye Mis--*catches himself* Tamara. *Tamara laughs* *Cut to Capeside High. Dawsoncatches up to Pacey*Dawson: Pacey, hey! I need to talk to you.Pacey: Let me guess. You and Joey arehaving another love spat and you want my opinion. Well, here it is. Joey is being sarcastic andoversensitive and you, my friend, are being self-absorbed and self-catering.Dawson: This has nothing todo with Joey and me this has to do with you.Pacey: What? Do I owe you money again?Dawson: No, mydad and I were walking downtown today and we ran into somebody.Pacey: Who? *Andie walks up to herlocker*Pacey: Hey look who the cat dragged in.Andie: Nice to see you too Pacey. Don't worry. I'm justhere to get a few books out of my locker then I'll be on my merry way.Pacey: Tell me Dawson, who wasit?Dawson: You know we should really talk about this in private.Pacey: God, you know what? I've got togo. If I'm late to Mr. Matick's class again he's going to have an aneurysm. I'll catch up with you afterschool.Dawson: No, I've got to meet Joey for this art thing.Pacey: Ah, the sacrifices we make for younglove, huh? Listen, man, just talk to me later! *Cut to Joey and Jack*Joey: Hey, Jack.Jack: Hey Jo.Joey:Bad news. Suder(?) called and cancelled on Bessie so we can't open this afternoon but the good news isyou have the day off.Jack: Okay, but we could open anyway.Joey: Well, I'd love to but Bessie's at homewith the baby and I've got to go to an art lecture after school so there's really no one to cover all thetables.Jack: Well, there's me. I could do it.Joey: You? Inspecter Kleso(sp?)?Jack: What? You don't think Icould handle it?Joey: Jack, every since we hired you it's been nothing but a slapstick comedy. I mean,you drop dishes, you misplace orders, you fall all over yourself.Jack: Then why don't you just terminateme if I'm such an incompetent moron?Joey: We don't want to terminate you, Jack. *thinks about it*Alright, you can open. Bessie will be relieved and it will be like a test run. Just, uh, don't set the kitchenon fire or anything...okay?Jack: Yeah, well, thanks for that unqualified vote of confidence. *Cut to lunch.Jen is sitting when Abby comes up and holds money in front of her face.*Jen: Oh, Abby. Would you getthat out of my face? *Abby laughs then sits down*Abby: Oh come on. It's allowance time and I feel amajor buying binge coming on. So tomorrow get your pocketbook and a sensible pair of shoes and let'sgo blow some major dough.Jen: You know, I really don't feel like shopping.Abby: Don't feel likeshopping?!Jen: No.Abby: You don't feel like shopping and you call yourself a woman!Jen: I'm just notfeeling all that festive, alright? My plan is to spend the weekend in bed...counting my ceiling tiles.Abby:Please, don't tell me this has something to do with your ludicrous Dawson Leery fixation. *Jen looks at"}
+{"doc_id":"doc_141","qid":"","text":"(Theme music playing)(Campers clamoring)(Panting)(Sighing)Emma: Excuse me, sir. Can you havethese delivered to my room?Gladys: Geez! You don't shave your legs for one month, and suddenly you'rea \"sir.\"Emma: I haven't even looked at your legs yet. Ravi Ross, a pleasure.Ravi: You must be Ms.Gladys, the proprietor. Thank you for letting Mrs. Kipling come to camp. (Mrs. Kipling groaning) I assureyou, the odds of her eating any campers are very remote.Zuri: I would still hide the bite-size kids.(Mrs.Kipling groaning)Gladys: Aren't there supposed to be four of you?Zuri: Our brother, Luke, got stuck insummer school. Probably because he can't spell either of those words.Gladys: Check cleared, don't care.Sign in with my niece. (Campers cheering) Hazel, these are the Rosses. I met your parents right herewhen we were 16. Your dad was a stone-cold fox.(Growling)Zuri: Could've gone my whole life withouthearing that.Hazel: My aunt's always talking about your mom. (Chuckles) She hates her.Gladys: Withevery bone in my body, including my artificial hip. I loved your father, but your mom stole him from me.Plus the title of \"Best Counselor,\" and any chance I ever had at having a happy life!Emma: No offense,but you guys are the worst welcoming committee ever. Note to self, start digging escape tunneltonight.Gladys: By the way, phones aren't allowed at camp. Hand it over.Emma: (Scoffing) No! Back off,mister![SCENE_BREAK][ INT. Woodchuck Cabin ]Emma: Oh!Tiffany: (Shushing) I'm studying for thenational spelling bee! If I don't win, my mom won't let me come home. My brother lost last year, and Ihaven't seen him in 10 months.Lou: Welcome! I'm Lou, camp counselor and head Woodchuck incharge!(Chitters)(Emma grunting)(Bones cracking)Emma: I'm Emma. I'd hug you back, but you justseparated my shoulder.(Bones cracking)Lou: Oops! My bad. We'll make you a sling in arts and crafts. So,you're my new counselor in training? Let the training begin. (Yelling) Sit! JK! (Laughing)Emma:(Sighs)Lou: No, seriously. Sit, or you're goin' in the crate! JK again! I'm all about the JKs! LOL! (Nervousgiggle)Emma: OMG!Lou: So, how many years of camp experience do you have?Emma: None.Lou: Butyou like kids, right?Emma: Not really. They're sticky.Lou: So why do you want to be a campcounselor?Emma: Oh, I don't. But my mom thought it would be good for me. I guess she was some sortof super counselor, so now she expects me to live up to that.Lou: Good luck! Christina Ross is a legendaround here. They say she could assemble a s'more in two seconds flat, and her dreamcatchers actuallycaught dreams!Gladys: She caught mine!Emma: And mine! I should be in Milan for Fashion Week, butinstead I'm stuck here picking bugs out of my teeth!Lou: (Snaps fingers) Nature's popcorn. Speaking offashion, I hate to brag, but I'm a cover girl.Emma: Really?Lou: Yep! Four-H Digest. The big fall flea andtick issue.Zuri: If we run fast enough, we might be able to catch the limo.[SCENE_BREAK][ INT. Grizzly'sCabin ]Ravi: Greetings, bunk mate!Xander: Hey! Uh... Whoa! (Mrs. Kipling groaning) Uh, I think thatalligator thingy ate your pet.Ravi: That alligator thingy is my pet.Xander: Oh, that explains the cage. Ijust thought we were getting a really creepy kid.(Mrs. Kipling groaning)Ravi: Ravi GuptaBalasubramanium Ross, your new CIT eagerly reporting for duty, sir!Xander: I'm Xander.Ravi: Oh. Sowhat are the cabin rules?Xander: I'm not really big on rules. Except always wear shower shoes. I oncegot fungus so bad, I lost a toenail. But it's cool, 'cause now I use it as a guitar pick.Ravi: You know thosecost, like, five cents, right?Jorge: Hey, dudes! I'm Jorge. Mind if I take this bunk?Ravi: Actually, that ismy...Jorge: Dude, trust me. You want me to sleep downwind! Especially on burrito night. I once had a23-minute fart!Ravi: That seems medically impossible.Xander: Although handy if we go hot-airballooning.Jorge: That's why the aliens abducted me. I'm special.Ravi: Well, parts of you clearly are. Solet me guess. The aliens probed you?Jorge: Of course not! They just invited me for brunch. You'reweird.[SCENE_BREAK][ EXT. ](Xander playing guitar)(All applauding)Hazel: Xander, that was awesome!Can I have your pick?Xander: Sure.(Retches)Lou: Then during free time tomorrow, we can dive for muddabs, and connect your mosquito bites to see what shape they make! Look, mine make AbeLincoln!Emma: (Gasping) Whoa! That supes cute guy is here and you led with mud dabs?(Haltingscratch)Lou: Where did that wind come from?Xander: Whoa! I think I'm in love.Hazel: Finally! Let's getmarried after the tetherball tournament!Xander: Hi, I'm Xander.Emma: I'm Emma. I'm nauseous.Lou:Ooh! Looks like Cupid just shot an arrow.Hazel: I hope it goes in her eye and out her ear.Lou: Little"}
+{"doc_id":"doc_142","qid":"","text":"\"Be Careful What You Wish For\"CASTDawson: James Van Der BeekJoey: Katie HolmesPacey: JoshuaJacksonJen: Michelle WilliamsAndie: Meredith MonroeALSO STARRINGGail: Mary-Margaret HumesMitch:John Wesely ShippBessie: Nina RepetaAbby: Monica Kenna*Dawson's room - Pacey walks in*Pacey:Dawson, what's up? I came over as soon as I got your message.Dawson: I'm freaking out. *grabsclock*Pacey: Why? What's the problem? *Dawson tosses the clock to Pacey*Dawson: It's almostmidnight.Pacey: Yeah...it's your birthday. In a couple of minutes you're going to be 16. Congratulations,man, this is a major turning point.Dawson: And I am eternally lost as a species on this planet.Pacey: Oh,this is going to be bad...Dawson: I'm about to be 16 in a matter of minutes and I'm still....me. The samewhiny, adolescent, big-talking, small-doing loser that I was a year ago.Pacey: C'mon, Dawson, that's nottrue.Dawson: It's completely true! I mean, think about it. Every single person that I know is growing upand moving forward in some way. I mean, Joey is busy finding herself. You've got this whole stable,do-gooder, boyfriend thing. Jen is....not necessarily moving forward but at least she's moving. Even myparents are getting new lives! But me, I'm in the exact same place I was one year ago.Pacey: Yeah, butyou're turning 16, Dawson. Rejoice. This is a good thing. You're getting older.Dawson: But there doesn'tseem to be anything ahead of me. More of the same. I'm stagnet. No wonder Joey dumped me. I mean,the only thing I accomplished last year was realizing my feelings for her and I couldn't even hold on toher. She dumped me. For a gay guy. *laughs* Can we talk about this whole gay-man-straight-womanthing? There's got to be something going on there that we're not seeing.Pacey: You're right, Dawson. It'sall part of the evil gay plan to keep the species from repopulating.Dawson: I would keep an eye on Andieif I were you.Pacey: C'mon, Dawson. You need to stop looking to movies for all the answers to life'squestions. Okay? What you need to do is figure out what it is in life that you want and make it happen!Okay? Be definitive!Dawson: You're right. I need--I need definitive answers. Joey's the answer. I had her,I lost her, and now I'm going to get her back. How's that for definitive? *Dawson walks out his bedroomdoor and shuts it leaving Pacey in the room. Pacey sighs.* *Cut to Mitch cooking pancakes in the Leeryhouse and Gail walks into the kitchen and is surprised to see him.*Gail: Mitch?Mitch: Hey! You remembermy tradition of cooking Dawson breakfast on his birthday, right?Gail: Well, of course, but I just thoughtthat-- *Dawson walks in*Dawson: Dad?Mitch: You didn't think that I would forget, did you? The usual forour favorite customer.Dawson: Thank you. It's nice to have a bit of tradition this morning.Mitch: Um,speaking of which, I have to talk to your mom in private for a second. About birthday stuff, strictlyconfidential. *They walk out onto the porch.*Mitch: Look, uh, I know we haven't discussed it...in theevents of the past year, but we usually give joint birthday presents and I had an idea...Gail: You know,you're a little late for this, Mitch, I already bought Dawson a present. I'm giving Dawson his first cartonight. An Explorer.Mitch: Well, that's a big decision, Gail. Don't you think it's one we could of madetogether? *Cut to Dawson eating his breakfast looking out towards the door which was left open slightlyand he can see his parents arguing. Gail says something about how she's paying everything, the bills,etc. Cut back out on the porch.*Mitch: Look, I know that I should contribute more financially, but I putthe restaurant plans on the back burner and I have looked into substituting at the high school. *Cut backto Dawson listening to them arguing. Cut to the Icehouse. Joey's sitting on the counter and Pacey issitting on a stool next to her.*Joey: Let's go over this one more time.Pacey: Okay. I invite Dawson out todinner with Andie and me tonight. I'll keep him occupied until about 9 o' clock, and which point, we'llmake up some lame ass excuse about how we have to call it an early night. Then, we'll drive back to hishouse where...Joey: I'll have set up the most fabulous surprise party ever. I hope.Pacey: I'm sure it'll befantastic. Testimonial to true friendship. The party to end all parties. From now on, the Leery house isgoing to be known as the Delta house of Capeside.Joey: Thanks. I don't know why I'm so nervous. I'venever organized a party before. *Jack walks in. Joey doesn't say anything to him. He notices and turnsback around and leaves.*Pacey: Listen, Joey, not to pry or anything, how are you doing? I mean, nowthat you've had time to process.Joey: God. Everyone keeps asking me that in these solemn tones. LikeI've just come down with some terminal disease. I mean, Jack's the one who's going through something."}
+{"doc_id":"doc_143","qid":"","text":"At the store(Marco is playing online poker while his dad installs an alarm system.)Spinner: (To acustomer) Hey and receipt's in the bag. Sale's on all week. Spread the word.Mr. Del Rossi: 1637. Youhave 20 seconds to punch it in. You got that Marco?Marco: Huh? Yeah. Yeah I got that pop.Thanks.Spinner: Getting robbed once was enough, you know? And the new signage looks great Mr.D.R.Mr. Del Rossi: Yeah.Spinner: Cash only, right?Mr. Del Rossi: Hey you can't trust banks. The servicefees, low interest. Talk about getting robbed. Hey uh me and Uncle Louie are gonna play the ponies. Youboys want to come when you close up?Spinner: Yeah!Marco: No, not tonight.Mr. Del Rossi: You knowsometimes you worry me Marco. This is life. You've got to live it.(He leaves and Spinner walks over toMarco.)Spinner: Dude, come on. You've been Johnny Long-Face all week.Marco: Oh so it's been a weeksince Dylan left. 'Cause you know with constant phone tag and no e-mails, it's like poof! My boyfriend justdisappeared off the face of the earth.Spinner: Last I heard, Sweden was still on earth.Marco: For the lasttime Spinner, Switzerland!Spinner: Whatever. Look Dylan's got practice every day, road trips with theteam, workouts with the team-Marco: Long hot showers with the team.Spinner: Dude you have anactively gay imagination.Marco: Spin do you have any idea how hard it is to go from always havingsomebody there to being totally alone?Spinner: Look when Dylan was here, nobody ever saw you. Youtwo just played house 24/7. Don't hermit out with your laptop now that he's gone.(Marco wins his onlinegame.)Marco: Hah! Whatever buddy. I just won 200 bucks! Are you finished with your lecture?At Marco,Paige and Ellie'sMarco: (On the phone) Hey Dylan. It's in the middle of the night your time. Calling you,so call me back. Love you. Bye.(Paige walks in.)Paige: Hey Marco, Spin. How's Fortress SquatchDesigns?Marco: The alarm's armed and ready. What's with the hush-hush?Paige: Well when Ellie gaveme the green light to date her ex, I'd say she was just a touch colour-blind.Ellie: I heard that!Paige: IfJessie calls, I'll be hiding in my room.Spinner: Oh fun times at the Del Rossi, Michalchuck, Nash, Tenako,Uchi abode.Marco: Spin this is driving me nuts.Spinner: Dude come on. You're coopered up inside. It'scold, wet, winter yuck out there. You need a change of scenery.Marco: You know what, bud? You're right.You're right! What's the opposite of cold, wet, winter yuck?Spinner: Hot, dry, summer yum?Marco:Exactly. So I'm thinking va-cay! Me, you, Daytona Beach.Spinner: Daytona?Marco: Yeah!Spinner: Iwould have expected Sweden! Switzerland, to visit your swister-mister.Marco: So what? It's a longdistance relationship Spin, emphasis on distance. He's having fun. I just, I want to have mine.Spinner:Spring break, eh?Marco: Yeah!Spinner: Hotties on top of hotties. That my friend is yum.(Spinner'sexcitement fades.)Marco: What?Spinner: Dude every cent I had went into the store.Marco: No, no don'tworry. I have a plan.(They're shown playing online poker.)Spinner: Wait this is your plan? Playing onlinepoker?Marco: You got a better one? Oh yes. Yes she folded! I win again. Yes!Ellie: I'm reading Chekhovover here.Marco: Sorry Ellie! Hey man, guys let's hit a club. Come on, it's on me.Spinner: Wait, whatabout our trip money?Marco: I'll win more. It's what I do!At a clubMarco: Oh thanks guys for hanging outtonight. I needed this.Jimmy: Ah no prob, man. Me and Spin can study for our test next week.Jay: Yogangsta's. What's the haps?Spinner: Just celebrating Marco's big online poker score.Jay: You must bequite the shark, Del Rossi.Marco: Well I used to play with my boyfriend.Jay: Yes you're gay. Super. If youwant to make some real coin, me and the guys at work have a little something going on.Marco: Define alittle something.Jay: Texas Holdem. $20 gets you in the door, $100 gets you in the game. At FriendshipClubDarcy: Our charity turkey dinner gave over 100 people a hot, tasty meal.Kim: And we're organizinganother event for the end of semester dance. So suggestions, anyone?Nackman: Um used glassesdrive?Peter: Great idea, Nackman. Darcy, my mom's asking for you. It's actually kind of important.Darcy:I better not keep the boss lady waiting.(Kim rolls her eyes as Darcy leaves.)Peter: I lied.Darcy: Ohreally?Peter: Screw my mom's 'no girlfriend' policy. I've been thinking about you all week.Darcy:Someone might see us.(He gives her a necklace with a key on it.)Peter: It's the key to my heart. Don'tsay where you got it. It can be our secret.Darcy: It's adorable, Peter. Thanks.(She kisses him on thecheek.)At Marco, Paige and Ellie'sEllie: Lots more closet space in my room.Paige: Ellie I know you hadyour eye on Dylan's room, but he gave it to me.Ellie: Well we should have a had a vote.Paige: Not a big"}
+{"doc_id":"doc_144","qid":"","text":"Andy: Good morning, Pam.Pam: Oh, welcome back, Andy.Andy: Drew. I'm Drew now.Pam: Oh. Drew.Sorry.Andy: Apology not... accepted. Because it wasn't even necessary in the first place.[laughs][SCENE_BREAK]Andy: Several weeks ago, Andy Bernard had an incident. [cut to shot of Andypunching a hole in the wall] But after five weeks in Anger Management, I'm back. And I've got a newattitude. And a new name. And... a bunch of new techniques for dealing with thegrumpies.[SCENE_BREAK]Andy: Mornin' Jim.Jim: Hey, Andy. How are you, man?Andy: Good. Drew.Jim:What's that?Andy: Dr--- You can call me Drew.Jim: No, I'm not gonna call you that.Andy: Cool. I can'tcontrol what you do. I can only control what I do.Jim: Andy.Andy: Drew. [walks to Dwight] Dwight. How'sit goin' man?[SCENE_BREAK]Dwight: Yes, I have decided to shun Andy Bernard for the next three years.Which I'm looking forward to. It's an Amish technique. It's like slapping someone with silence. I wasshunned from the age of four until my sixth birthday... for not saving the excess oil from a can oftuna.[SCENE_BREAK]Dwight: Jim, could you please inform Andy Bernard that he is being shunned.Jim:Andy, Dwight says welcome back, and he could use a hug.Dwight: Ok, tell him that's not true.Jim:Dwight says that he actually doesn't know one single fact about bear attacks.Andy: You guys...Dwight:Ok, no. Jim, tell him that bears can climb faster than they can run. Jim! Tell him!Jim: [half-heartedly]Andy! Nah, that's too far.Dwight: Damn you.[SCENE_BREAK]Michael: Today is Safety Training Day. Tobyis leading ours upstairs. Yeauck. But, I am giving everyone a little bit of a treat. We are going to listen inon Darryl's presentation to the warehouse. And if I know Darryl, it gonna bezoppity.[SCENE_BREAK]Darryl: Now, this is the forklift. You need--- [Michael rattles it] You need alicense to operate this machine. That means the upstairs office workers can't drive it. ... Quiz!Mike.Michael: Hmm.Darryl: Should you drive the forklift?Michael: I can, and I have.Darryl: No! No no nono no! I said should you. You should not drive it. You should not drive the forklift, you understand?Lonny:You're not allowed to drive the forklift.Darryl: It's not safe, you don't have a license.Michael: Guys, I'mnot the only one who's driven the forklift. [points] Pudge has driven the forklift.Madge: Madge.Michael: Ithought your name was Pudge?Madge: No, it's always been Madge.Michael: Okay. Um, her.Darryl: Her.Yes, \"her\" is qualified to work a dangerous machine. You are not. Okay?Michael: Ah, fine.Darryl: Do youunderstand that?Michael: Yeeesh.[SCENE_BREAK]Darryl: We do safety training every year, or after anaccident. ... We've never made it a full year. This particular time, I was reaching for a supply box on thetop shelf, when one office worker, who shall remain nameless, kicked the ladder out from under me andyelled...[SCENE_BREAK]Michael: [barely keeping his composure] \"Hey Darryl, how's it hangin'?!\"[laughs][SCENE_BREAK]Darryl: And I fell and busted my ankle. I'm legitimately scared for myworkers.[SCENE_BREAK]Darryl: The baler can flatten a car engine. It can cut off your arm and crush yourentire body without skipping a beat.Dwight: Yeah!Andy: It's on!Darryl: How many people a year do youthink get their arms cut off in a baler?Michael: Bail'er? I hardly know her.Lonny: Dammit, Michael. Payattention, man.Darryl: Anybody wanna take a guess? Anybody?Kevin: Five bucks says it's over 50.Jim:You really wanna bet?Darryl: Anybody?Kevin: Ever since March Madness ended, I am so bored.Guy: Howmany?Jim: Ok, you're on.Darryl: Ten people, Michael. Ten people. Would you like to be one ofthem?Kevin: [mouths] Damn...Darryl: [in background] You have to be alert, and calm. And alwayscareful...Jim: No, don't worry about it. We'll just got double or nothin'.Kevin: On what?Jim: I don't know,we'll figure somethin' out.Kevin: Nice.Oscar: What are you guys talkin' about?Darryl: These are verydangerous machines down here, and the upstairs workers, Michael, should not go anywhere nearthem.Michael: Yes, yes. But it wouldn't be the worst thing in the world... if somebody...Darry: It would bethe worst thing in the world! It would! Very much so.Lonny: What the hell is wrong with thisman?Michael: It's a big red trash compactor!Lonny: What are you---Darryl: It's not a trash compactor!It's a baler!Lonny: Don't disrespect the baler!Michael: Okay, okay! I got it. I got it. ... Only on the rarestof occasions...Darryl: No do not touch it!Michael: ...would I go near---Darryl: There is no occasion for youto go near this stuff, okay?[SCENE_BREAK]Michael: Toby now has the floor... and he is going to try not toscrew this up, like everything else in his life. Let me rephrase that. I believe that you can do safety"}
+{"doc_id":"doc_145","qid":"","text":"\"Soccer Mom in the Mini Van\"[SCENE_BREAK]TEASER(A minivan approaches a field where kids areplaying soccer. A woman gets out of the car, throws her coffee cup away in a nearby trashcan and looksat the children playing. She then touches her locket, smiles and heads back towards the car. In the car,she tucks a note inside her bag. She backs out of the space and as she puts her car into drive, itexplodes)[Cut to: Crime scene a few hours later - crawling with FBI agents. Booth and Brennan get out ofthe car and approach the mini van]BOOTH: Look, Bones, all I'm saying is that Caroline went though a lotof trouble to get you private visitation with your father, now you don't want it.BRENNAN: The federaldetention facility already has visiting areas.BOOTH: Yeah, behind 2 inch glass. Now you'll be able to giveyour old man a hug.(he demonstrates on Brennan)BRENNAN: I didn't ask for special treatment,Booth.BOOTH: That's because you don't have to because you are special. And you are gonna tell me -whoa - what happened to whatever the hell is melted to that steering wheel and everythingelse.BRENNAN (looking at the remains): Female. Mid 40's to late 50's. Pelvis indicates she's givenbirth.BOOTH: Hey, Bones. Look at that. (points to a finger with a ring on it) Married, right?BRENNAN:Wedding ring. Possibility. (to another FBI Agent) Don't just focus on the ground (she points to a leg in anearby tree then to Booth) Why do you care about my relationship with my father, Booth? You were onlytoo happy to arrest him and put him in prison.BOOTH: Alright, look Bones. Ya know what, it's not aboutbeing happy, okay. It's about doing my job.BRENNAN: Do we know if it was a bomb that caused theexplosion?BOOTH: Well, let's see. The roof is peeled back and the doors-BRENNAN: I was asking him.(she points to another FBI Agent)FBI AGENT: We found explosive residue all over the van and metalfragments in the bushes.BOOTH: What is that? A Pipe bomb?FBI: I can't really be sure until theexplosives unit gets the van back to the lab.BRENNAN: No, they can't have the van. There are remainsseared all over the inside of the vehicle and they can't be compromised.FBI AGENT: I have tocall-BRENNAN: This van will be brought to the Jeffersonian - your bomb techs can look at it there.FBIAGENT: I'll....make the call?BOOTH: That's - that's alright. You go, go make that call. Bones, come on .You're a little harsh there, maybe you want to talk it out.BRENNAN: (pulls a necklace from the car) Look,Booth.BOOTH: It's a locket. Ugh, probably her daughter.BRENNAN: Who would want to blow up a soccermom?ACT I(Cut to: Jeffersonian: Forensics area)ANGELA: Hey, you have a skull for a facialreconstruction?ZACK: Help yourself.ANGELA: Oh, great. Is this all I have to work with? I always hatedpuzzles.BRENNAN: Hodgins, before we take that hand from the wheel, you might want to check thefingernails for particulates.HODGINS: You know I do.ANGELA: Oh. My. God.ZACK: Shouldn't you wait forthe bomb tech before you gather the explosive residue?HODGINS: Hey, just getting enough to verify hisresults. Remember, he's a government bureaucrat.ANGELA: Hey, you're a government bureaucrat,babe.HODGINS: In name only. I am a passionate, dedicated scientist who will not be cowed byauthoritarian pressure.CAM: Stay out of the van until the bomb tech comes, Hodgins.HODGINS: But...CAM: Out.HODGINS: Fine. I have to check the fingernails anyway.CAM (to Angela): How close are we toID'ing the victim?ANGELA: Well. This is the skull. I'm good, but I'm not that good.BRENNAN: Perhaps youcould use these. There's a portion of tongue, hair and brain matter?ANGELA: Okay. If anybody needs me,I'm gonna go throw up, then do some paper work.(As Angela turns to leave, Booth enters with a femaleagent)BOOTH: Okay, this is Special Agent Frost from the bomb unit.AGENT FROST: Booth pulled me outof an important lunch. It took me months to set up that meeting. It better be good, Booth.BOOTH: She'llbe working with you, Hodgins.HODGINS (starting at Frost): Yes, please. What? No, no. Um, hmm?Ja..Hodgins. Doc - Doctor. Okay.AGENT FROST: I beg your pardon?HODGINS: It's Ho-ANGELA: He's Dr.Jack Hodgins. Angela. Montenegro. I do facial reconstructions - and him.AGENT FROST: Please to meetyou. (she walks over to where the stuff is ) I'm gonna need you to recover all the metallic particulatesthen I'm gonna need a chemical tray with-FROST & HODGINS: Aqueous buffer solution.HODGINS: Yeah.I know.HODGINS: You wanna perform capillary electrophoresis?FROST: We can do that?HODGINS: Ohyeah. (Angela coughs in the background) And it will save time so Angela and I can have dinner.Alone.ANGELA: Hm (she turns and leaves)BOOTH: License plate was destroyed when we traced the VIN"}
+{"doc_id":"doc_146","qid":"","text":"Police and SWAT cars pull up in front of a mansion, and the SWAT team runs inside. They approach alocked room - we see the key is still in the door on the inside. They break in to find Jared sitting crying onthe bed next to a dead girl. Both are in their underwear.ONE YEAR LATERA prison complex. Jane showshis ID and is allowed into the yard where Jared is sitting in his orange prisoner's clothes.Jared: Thank youfor coming.Jane: You said you had information about Red John.Jared: Yes, I do. Killed your wife anddaughter, huh? Heard a lot about you. They say you can tell when people are lying.Jane: Do you haveinformation about Red John?Jared: I have dynamite information about Red John. Enough to catchhim.Jane: How do you come by this information?Jared: Red John is a friend of a friend of mine.Jane: Isthat friend of yours in prison too?Jared [laughs]: I have friends from all walks of life.Jane: Tell me.Jared:I am currently doing 25 years to life for a crime I didn't commit. My last appeal just failed. You get meout of here and I will give you Red John.Jane: You raped and murdered your family housekeeper'sdaughter. If you do know a lot about me, you know that I'm not a real magician.Jared: I didn't do it.Jane:I read the case file. The physical evidence, the testimonies of all the witnesses including your own familysays you did.Jared: I didn't kill her.Jane: What happened?Jared: I don't know. We were partying, I didsome blows of meth, we had s*x, I fell asleep. And it's morning, Andine's dead, cops are busting in.Jane:The door was locked from the inside. There were bars on the windows.Jared: Yes.Jane: How is itphysically possible that anyone else could have committed the murder?Jared: I don't know. But I didn't,ergo someone else did. Someone you can find. You see me. Am I lying?Jane: You seem to be telling thetruth, but you're a very clever, unprincipled narcissist in a desperate corner. Even if you are innocent,doesn't mean you have information on Red John. Yeah, it's a tough call. [Pauses to think.] I'm gonnahave to say no. [Starts to walk away.]Jared: Your wife. Red John painted her toenails, yes? Painted themwith her own blood. Police didn't make that public, did they? She's the only instance he did that, huh?Touch of elegance, for you alone.Jane: How do you know that?Jared: I told you. Red John is a friend of afriend of mine.Jane: What is this friend's name?Jared: His name is get me out of here and I will tell you.That and much more. I'll sing like a bird.Jane: Okay.Jane, Lisbon and Minelli are in Minelli's office.Minelli:No! I said no and I mean no. It's not that I don't want to help you. I want to help you. It's just it's notphysically possible. Jared Renfrew was tried and convicted. It's a closed case. I have no authority tore-open it without cause.Jane: There is cause.Minelli: For you there's cause. Not for the State ofCalifornia. We can't touch it.Jane: Ah, but we could touch it if...Minelli: Closed case! Nothing to be done.The Justice Dept doesn't go about undoing its own work.Jane: I understand. No problem. If we can'ttouch it, we can't touch it.Minelli: I'm sorry.Jane: No. The law's the law. My desire for revenge doesn'toutweigh the rules. I have to accept that.Minelli: Glad you understand.Jane: Thanks for your time. (Janeleaves the room.)Minelli: He's lying through his teeth, isn't he?Lisbon: Yes.Lisbon comes out of Minelli'soffice into the bullpen where Jane is.Lisbon: Jane. I know better than to try and stop you from doing whatyou think you have to do.Jane: No, I'm fine about it. I can see Minelli's point. I can't be chasing everynutbag with a good story, can I?Lisbon: Yeah, sure you're fine with it. Just do me the favour of listeningto me for a minute, so I can say 'I told you so' later.Jane: Sure.Lisbon: Jared Renfrew was found huggingthe corpse of Andine Kopecki in a room locked from the inside, holding a bloody butcher knife in his hand.His semen was inside of her. He'd been stalking her for weeks. He's got a history of violence going back15 years.Jane: What's your point?Lisbon: He's guilty. You're being conned.Jane: Possible, but I don'tthink so. But I've got to find out one way or the other.Lisbon: Even if he's telling the truth about themurder, he could still be lying about Red John.Jane: Also possible, but I've got to take the chance. Whatelse can I do?Lisbon: Minelli wants me to keep a watch on you.Jane: What are you going to do?Lisbon:Well, I'm not going to follow you around. Let's compromise. When you get into trouble, call me first so Ican try and minimise the damage.Jane: Deal.Lisbon: And don't use your CBI card. The Bureau finds outyou used it without authorisation, you're done.Jane: I hear you.Outside the Renfrew's imposing gates.Jane presses the intercom.Maid [through intercom]: Hello.Jane: Hi, my name's Patrick Jane. I'd like tospeak to Gardner Renfrew about his brother Jared.Maid [through intercom]: One moment, please."}
+{"doc_id":"doc_147","qid":"","text":"\"The Finger in the Nest\"[SCENE_BREAK]TEASER(Open: Special Agent Seeley Booth and his son, Parker,are walking through a park, talking. Booth has a football in his hands.)BOOTH: You know what the mostbeautiful thing in the world is?PARKER: Mom says a sunset.BOOTH: Okay, well, one of the most beautifulman-made things.PARKER: Mom says the Mona Lisa.BOOTH: Okay, look, all due respect to your mom,buddy, but a perfectly thrown spiral is way better than any of that stuff, okay, so let me show you howyou do this. You put your hand up here like that, spread your fingers wide.PARKER: My hand's toosmall.BOOTH: It'll grow, alright? Okay, hand there to steady the ball. Lift it up to your ear.(Parker liftsthe football up near his chin.)BOOTH: No, your ear, not your chin, silly. Alright.PARKER: What's itsaying?BOOTH: It's saying, \"Throw your old man a deep pass for a touchdown!\" Hey!(Booth runs out tocatch the football then runs back to tackle Parker.)BOOTH: What? What you got? Whoo!(They both godown and Parker looks up into the tree they're playing beneath.)PARKER: Hey, there's a bird'snest.BOOTH: Where?PARKER: There.BOOTH: Cool, huh? Hey, you want me to lift you up so you can seeinside?PARKER: How about I knock it down with a perfect spiral?BOOTH: No, no, no... don't do that, youdon't want to do that. That's somebody's home, okay, buddy? Something could be alive in there,okay?(Parker nods understanding.)BOOTH: So you want me to boost you up so you can see?PARKER:Sure.BOOTH: Alright, you ready?PARKER: Yeah.BOOTH: One, two, three and up.(Booth lifts Parker so hecan see into the nest.)BOOTH: What do you see up there?PARKER: Higher, a little higher.BOOTH: Higher?Okay.(Parker looks into the nest.)PARKER: I see something.BOOTH: Well, if it's an egg, don't touch itbecause if the mommy bird comes back... PARKER: It's not an egg.BOOTH: What is it?(Parker liftssomething out of the nest and looks at it.)PARKER: It's somebody's finger.(Cut to: Dr. TemperanceBrennan driving in her car talking on her cell phone to Dr. Camille Saroyan who is in the Medico- LegalLab platform, with Brennan on speakerphone, she's there with a new grad student, Mr. ScottStarret.)BRENNAN: He pulled the finger out of a bird's nest.CAM: Did he completely freak out?BRENNAN:Booth said Parker wanted to put it in his pocket and take it home.(Cut to: Medico-Legal Labplatform.)STARRET: When it comes to boys, that \"snips and snails and puppy dog's tails\" thing is prettyaccurate.CAM: You have a son?STARRET: I have four.BRENNAN: (heard over the speakerphone) Mr.Starret is my oldest grad student.(Cut to: Brennan driving.)BRENNAN: Can you get a fingerprint?CAM:(heard over the speakerphone) Uh, not enough flesh.(Cut to: Medico-Legal Lab platform.)STARRET:There are scrapes on the bone and a jagged appearance here where it was severed.BRENNAN: (heardover the speakerphone) Well, it was probably chewed off by a wild animal.(Dr. Jack Hodgins enters theplatform.)HODGINS: The sticky stuff on the finger turns out to be sap from a flowering JapaneseCherry.(Hodgins looks at Mr. Starret strangely, and then shakes a finger at him.)HODGINS: I know youfrom somewhere.(Mr. Starret looks Hodgins over and nods agreement.)STARRET: Right. I sold you avintage '50s hot rod back in the mid-90s. You were clean shaven back then.HODGINS: Because I was akid.BRENNAN: (heard over the speakerphone) But you drove a hot rod, Hodgins?HODGINS: No, I did not.The lemon he sold me broke down after a week.CAM: Body parts in park, mystery needssolving.HODGINS: (turns toward a computer and begins typing) The nest was made by a corvusbrachyrhynchos. The American crow.(Cut to: Image of a black crow on a computer screen.)HODGINS: Acrow will seldom stray more than twelve miles from its nest.STARRET: There's a spectacular copse ofJapanese flowering Cherry at the Jefferson Memorial.HODGINS: How do you know?STARRET: Careernumber two: Parks supervisor.CAM: The Jefferson Memorial is eight miles from where Parker found thefinger.BRENNAN: Good work, guys. (Hangs up her phone)HODGINS: I'd say \"King of the Lab\" but... thatjust depresses me.(Hodgins exits and Starret looks confusedly at Cam. She shakes her head.)CAM: Don'task.(Cut to: Booth's office at the FBI building. Parker is sitting in Booth's chair at his desk and Booth andDr. Lance Sweets are standing outside the office watching him.)SWEETS: A human finger?BOOTH: Yeah,a human finger, alright? Look, is my son going to be suffering from some kind of post-traumatic stress,you know like suppressed feelings, memories, all that hooey?SWEETS: Well, a child's brain can't processdeath as an end. You know, that's why we tell children that their deceased loved ones are looking down"}
+{"doc_id":"doc_148","qid":"","text":"[Scene: Central Perk, Chandler and Joey are there. Joey is looking at a National Geographic andgiggling.]Chandler: Are you looking at naked tribe's women?Joey: No, look. (Shows him themagazine.)Chandler: That's a pig.Joey: I know, I know, but look at the knobs on her.(Ross enters and hishair is a mess.)Chandler: Hey! (Joey quickly hides the magazine under the couch.)Ross: Emily's cousinkicked me out!Chandler: What?!Joey: Why?Ross: Well, when you're subletting an apartment from yourwife's cousin and then you get a divorce, sometimes the cousin suddenly wants his apartmentback.Chandler: How can he do that? Didn't you sign a lease?Ross: Who needs a lease when it'sfamily!Joey: Hey, you can stay with us! We'll take care of ya!Chandler: Oh, yeah! Absolutely! Anythingyou need man! But you have to promise me the second you are feeling better so that we can make fun ofyour hair!Joey: Yeah.Ross: You got it.Joey: Okay.Ross: Thanks you guys, I really appreciate this. Allright, I'm gonna get packing again. Man, I've been moving around so much I'm beginning to feel like anomad.(Joey starts giggling.)Ross: What?Chandler: He thought you said gonad.(Joey busts outlaughing.)Opening Credits[Scene: Monica's restaurant, she is getting inspected by the healthdepartment, Phoebe is watching.]Health Inspector: Wow, Monica, if every restaurant is as clean as yours,I'd have a tough time making a living.Monica: Oh, Larry.Phoebe: Umm, do health inspectors work oncommission?Larry: No, bribes.(Phoebe laughs.)Phoebe: It's okay to laugh right?Larry: Yeah, I was justkidding.Phoebe: Okay. (She laughs harder.)Larry: I'll check the kitchen floors.Monica: Okay, knockyourself out, Larry.(He goes into the kitchen.)Phoebe: Yum-my!Monica: Larry?Phoebe: Oh yeah! I'd lethim check out my kitchen floors.Larry: (entering) A 98. I deducted 2 points because you are not wearingyour chef's hat, and that is a Section 5 violation.Monica: Uh, look, Larry honey, umm, I wrote the bookon Section 5 and I know that you don't have to wear your hat unless you're in the kitchen.Larry: Andwhere is your hat?Monica: It's in the kitchen, I'll go get it.(She heads for the kitchen door and just aftershe goes through the door...)Larry: Ahh that's the 2 points.Phoebe: Hey, you should really read that bookyou wrote. (To Larry) Wow! You saw the hat in the kitchen and knew that she'd have to go in therehatless to get it. You can have your own health inspector detective show!Larry: Oh, I don't know aboutthat.Phoebe: Yeah, but then I can be you sidekick Vunda.Larry: Maybe uh, Vunda could give me hernumber and I can ask her to dinner sometime.Phoebe: Okay, she would love that! Y'know, 'cause youknow all the clean places to eat.Larry: I-I'll call ya.Phoebe: Okay.(Larry goes to leave but heads thewrong way and makes a quick sidestep to go out the right door.)Phoebe: He's so funny! (She imitateswhat he just did.)[Scene: Central Perk, Gunther is serving Monica and Rachel.]Monica: Thanks.Rachel:Thank you. (To Monica) Mon?Monica: Hmm?Rachel: How's Ross doing? Y'know since all the Emilystuff.Monica: He's not great umm, but he's dealing with it. Oh wait a minute, you're not gonnatry...Rachel: Oh, honey, please, no, I can't get started with all that Ross stuff again. I mean, he's gonnascrewed up for a looong time. And besides y'know, I don't, I don't go for guys right after they getdivorced.Monica: Right, you only go for them 5 minutes before they get married.(Danny enters.)Danny:(To Gunther) Two pounds of Moca Java please.Monica: (To Monica) Danny. Are you guys ever gonna goout again?Rachel: I don't know! He hasn't called me since that one time when we went out. I see him inthe hallway, we flirt, I'm all ha-ha-ha-ha, and nothing.Danny: (To them) Hey!Rachel: Hi Danny! (Noticeshis box of liquor he's carrying.) Wow! Thirsty huh?Danny: Uh, actually, actually, I'm having a party at myplace on Saturday, it's sort of a house warming kind of thing.Monica: Ohh, fun!Rachel: Ohh,great!Danny: Yeah, I'm really looking forward to it.Rachel: Yeah.Danny: Okay, see ya. (Headsout.)Monica: Well, I guess we won't be warming his house.Rachel: (laughs) Okay. All right, I see whathe's doing! He's not asking me out, because he wants me to ask him out.Monica: And you're not gonnado that.Rachel: That's right! 'Cause that would give him the control! So now he's all ooh, coming up withthis whole I've got a party thing y'know, trying to get me to hint around for an invitation. Blew up in hisface, didn't it?Monica: So-so there is no party.Rachel: No, there's a party. There's a party. But the power,that is still up for grabs. You follow me?Monica: I think so. Se, he-he's not inviting you to his partybecause he likes you.Rachel: Exactly.[Scene: Chandler and Joey's, they're entering to find boxes strewn"}
+{"doc_id":"doc_149","qid":"","text":"[Scene: Manor. Foyer. Prue and Leo are there looking at a teen picture of Piper when she had glasses andbraces, stuck on a board along with other people's photos for the 10-year reunion.]Prue: Alright, I knowthat it seems like she's being a little neurotic, but high school was hard for her. Really, really hard. Youknow, she was kind of like Jan Brady, the middle sister, not quite sure where she fits in.Leo: Janwho?Prue: Hmm.Piper: (from upstairs) Okay, ready or not, here I come.Prue: Okay, no matter what, justbe supportive. (Piper comes down wearing a very weird black and gold feathered dress.) Wow! Um, youlook great.Leo: Really, really, really great.Piper: Leo, two really's would have been plenty. I lookridiculous.(Prue and Leo look at each other.)Prue/Leo: No!Leo: Uhh...Prue: Feathers and...Leo:Really...Prue: Yeah.Piper: Great, I'm going to my 10-year reunion and win most likely to scare peopleaway at the door.(Piper walks over to the mirror and starts removing her make-up. Prue motions for Leoto follow. He walks over to her.)Leo: Come on, Piper, isn't this supposed to be a fun thing, you know,going back and seeing all your old friends?Piper: You weren't by any chance popular in high school wereyou?Leo: Well, I was I mean, is there a right answer to this question?(Leo looks back at Prue and sheshakes her head.)Piper: Leo, I didn't like high school, not even a little bit. I was nobody in highschool.Prue: Piper, you were not a nobody.Piper: Prue, you were class president. You have no idea whatit's like on the other side.Prue: Yeah, you're right. I'm sorry.Piper: I just, I had this stupid idea that I'd goback in 10 years and show them, and all I'm gonna show them is that I'm a big haired freak.Prue: Alright,you do not look like a freak. You just, you don't look like yourself.Piper: Well, if I could go as myself, Iwouldn't be having this problem.Leo: Wait, so you mean this is like a costume party?(They walk into theliving room.)Piper: What I mean is I'm this super powerful witch who's engaged to a Whitelighter savingthe world from evil on a daily freaking basis, and all these people are going to see is the same pitiful loserwho still lives at home with her sisters and her unemployed boyfriend.Prue: Did you put a lot of hairsprayon that hair?Piper: No.Prue: Well, then all is not lost. By the time I'm done with you, you are going to bethe hottest chick at the reunion.Piper: Really?Prue: Mmm hmm. Who do you think helped Phoebe goblonde?Leo: Hey, uh, speaking of Phoebe, maybe you guys should invite her to join you, she's been kindof distant lately.Piper: Leo, when you find out your boyfriend is a demon and then you have to vanquishhim, a little alone time is in order.(Piper leaves the room.)Prue: Besides, I think she's kind of avoidingme. You know, I mean, I never really liked Cole, and then I tried to warn her. I think it's a wholewounded pride thing.Leo: What do we do?Prue: We double team. You help Phoebe with her demons and Iwill help Piper with hers.[Scene: An alchemist's lab. He smashes some glass test tubes with his hand. Heholds up his bleeding hand. A woman (Terra) is standing in front of him.]Kierkan: (shouting) I made youfrom my own blood, found you a flawless body and housed you in it. You were supposed to bemy...Terra: Masterpiece? I'm not a painting, Kierkan. That blood gave me your powers. You lust for life,yet you hold me captive in this hole and you expect me to be grateful?Kierkan: Belthazor was morepowerful than either of us. Where is he now? Vanquished by the Charmed Ones.Terra: Is that fear I'msensing? Is Kierkan, the dark and powerful alchemist afraid of three little witches?Kierkan: Perhaps Ishould suck you into your little mixing bottle and start again. There's always room forimprovement.Terra: I have a better idea.(She picks up a dagger and stabs herself with it.)Kierkan: No!(Blue gas rises from her body and floats out the door.) I will find you, Terra. You belong to me![Cut tooutside a building. A man in a suit is there talking on his cell phone.]Man: I don't care, it has to be huge.And done. And done before the stock IPO's. And, uh, and please tell the music guy that I don't wannahear anymore of that '90s techno crap. Okay, this is a computer game for the new millennium and I wantit to freakin' sound like that. (Blue gas rises out of the drain and enters the man. She possesseshim.)Man/Terra: Bye now. (He hangs up.) Well, I've never been a man before. (He feels his crotch.)Walking should be interesting.(The man looks into the reflection of the building and sees hisnon-possessed self.)Man's reflection: What the hell is going on?Man/Terra: I want you to take me to theCharmed Ones.Man's reflection: What?Man/Terra: The witches, you fool. They go by Halliwell.(The man'sreflection sees someone walk by and calls out.)Man's reflection: Hey, hey, help me!Man/Terra: Nice try,"}
+{"doc_id":"doc_150","qid":"","text":"Scene of Adam the demon Frankenstein cyborg exiting tunnels.Engleman: \"The project, itescaped.\"Narrator/Giles: Previously on Buffy the Vampire Slayer. Scene of Buffy talking.Buffy: \"TheInitiative created this thing and they can't stop it. But we will.\" Scene of Faith opening eyes in hospitalbed.Buffy: \"It's Faith, she's awake.\" Buffy and Faith on the campus.Joyce: You all right.Faith: Five byfive.Mayor: Open the box. Scene of Faith opening box.Mayor: Surprise. Scene of Buffy and Faith's handsare clasped and glowing.Joyce: You sure you're ok.Buffy: Five by five. Scene of Buffy looking atunconscious Faith.Note: For simplicity, Buffy's body is called Buffy, even when occupied by Faith. Faith'sbody is called Faith, even when occupied by Buffy.PROLOGUEThe front of Joyce Summers home. Anambulance is on the lawn A police car with lights flashing is parked on the street. A plainclothes policeofficer with his badge visible on his breast.Plainclothes officer: \"It's good you called. We've been lookingfor this girl since she broke out of the hospital.\"Joyce: What's gonna happen to her?Plainclothes officer:Well, get her checked out. She's in stable condition, she goes to jail, pending trial.Joyce: I just hope shegets some kind of help.[Rattling.]Plainclothes officer: The first thing is to keep her from hurting anybodyelse.Faith is wheeled on a gurney to ambulance. She looks up at Buffy and Joyce but her vision isblurry.Faith: No.Personnel lifting her into ambulance: __ One two __Plainclothes officer: Well, you guyswill be safe now. We may have a couple of questions in the morning. The emergency personnel close therear doors on the ambulance.Joyce: Oh, uh, of course.Plainclothes officer: Thank you. Both. I'm glad wefinally got the kid.Buffy: She's not a kid! I just mean that she's very strong.Plainclothes officer: Yeah.This Faith chick-- definitely dangerous. Ambulance leaves. The officer walks away. Joyce goes toward thefront door.Buffy: She truly is. Roll creditsACT 1Joyce's living room, Buffy is holding her hands and cracksher knuckles. Joyce closes the door.Joyce: Faith. Buffy spins around.Joyce: Why do you think she's likethat?Buffy [shrugs]: You know. She's a nut job. Heh.Joyce: I just don't understand what could drive aperson to that kind of behavior.Buffy: Well, how do you know she got drove? I mean, maybe she likesbeing that way.Joyce: I'll never believe that. I think she's horribly unhappy.Buffy: Well, could be thingsare looking up. I mean, a little stint in the pokey, show her the error of her ways. I'm sure there's somebig old Bertha just waiting to shower her ripe little self with affection.Joyce: Buffy!Buffy: I'm sorry, mom.[Sighs] It's just ufff when I think about how she might have hurt you, I just, uff I can't stand it. Joycehugs Buffy. Buffy is uncomfortable and shrugs lose.Joyce: Sorry.Buffy: No, I'm just, uff, sore from thefight.Joyce: I've missed you.Buffy: Cause I haven't visited, right? I knew it.Joyce: I know how it is. Youhave so much in your life now.Buffy: I'm a busy little beaver. College and all.Joyce: Of course. But um,maybe we could spend some time together soon? Some... night when I'm not being held hostage by araving psychotic.Buffy: Count on it. [Pause] I'm gonna take a bath.Cut to Buffy in a bubble bath. Shesighs. She looks at her arms and fingers. She stretches her leg and caresses it. She blows some bubblescupped in her hands.Cut to Buffy looking in mirror. She turns her head to the side, then wrinkles her noseto look at it. She pulls her eyebrows back to look at her eyes. She sticks out her tongue to look at it. Shepulls her upper lip back to look at her teeth.Buffy: Why, yes, I would be Buffy. May I help you?Buffy[sounding]: Buffy.[She sticks out her tongue again. She adjusts her hair.][She shakes her finger.]Buffy:You can't do that. it's wrong.[She shakes her head slightly.]Buffy: You can't do that because it'snaughty.Buffy: [louder] Because it's wrong.[She tilts head.]Buffy: [softly] Because it's wrong.[She pointsvery aggressively.]Buffy: You can't do that. It's wrong. I'll kick your ass.I'm gonna kill you.[mentallaughing]Cut to hospital room.[A hospital worker falls back into furniture.]Faith: Let me go! Let mego![Faith is struggling in a hospital bed. There are three other hospital personnel, a uniformed officer anda plainclothes officer holding her down.]Doctor: Get me a sedative now!Officer: Hold her!Faith: I have togo home! She's with my mother.[Doctor puts needle to Faith's arm.]Faith: No!Doctor: Just lie still.Faith:You don't understand.Officer: Keep holding her.Faith: She's taken my...my body.[Faith losesconsciousness.]Cut to Tara's room.[Willow lying down on a bed. Tara is sitting crosslegged near herfeet.]Willow: I wonder where she is.Tara: Who? Faith?Willow: Yeah. I wish she would make a move. she'smaking my stomach all acidy.Tara: But you think Buffy can handle her.[Willow sits up.]Willow: I think so."}
+{"doc_id":"doc_151","qid":"","text":"THE TRIAL OF A TIME LORDPART THREE (THE MYSTERIOUS PLANET)Run time:24:18[SCENE_BREAK]Tunnel entrance[SCENE_BREAK]Balazar: It's beautiful!The Doctor: Hmm? Oh. Oh,I knew she wouldn't still be here. That girl can't obey an order.Peri: Doctor!Balazar: Who are they?TheDoctor: Peri! Hurry!The Doctor: Back inside, quick.The Doctor: In you go.The Doctor: Comeon![SCENE_BREAK]Tunnel[SCENE_BREAK]Glitz: I always knew exercise was bad for you.The Doctor: Ishouldn't lie there if I was you. Not unless you want to be killed with a spear in your back.Glitz: What?Did you do the job, my boy?Dibber: Of course.[SCENE_BREAK]Underground station[SCENE_BREAK]TheDoctor: We've got to get out of here!Peri: But how?The Doctor: This way.The Doctor: Oh, no. Back.Peri:Well, now what?The Doctor: I don't know. I really think this could be theend![SCENE_BREAK]Underground station[SCENE_BREAK]Balazar: I know him. It's Broken Tooth.Glitz:Then why doesn't he fire at you?Balazar: Broken Tooth, it's Balazar!The Doctor: Fire at the robot!Balazar:The Immortal One.Dibber: Squeeze the trigger, don't pull it.[SCENE_BREAK]Drathro'scastle[SCENE_BREAK]Drathro: What is happening? Reactivate!Humker: We are trying.Tandrell: It doesn'trespond.Drathro: You must make it work. I must have the Doctor here. My black light system isfailing.[SCENE_BREAK]Underground station[SCENE_BREAK]Balazar: I can't believe it. You're alive! Theysaid you'd been culled.Broken Tooth: I owe my life to Merdeen.Balazar: I too.The Doctor: Well, I hate tobreak up this happy reunion, but I have to find the aerial to Drathro's black light converter.Dibber: Noneed to hurry. It's gone.The Doctor: Gone? Where?Dibber: I blew it up.The Doctor: What?Glitz: It'll putthe L3 out of action.The Doctor: More likely start a chain reaction. Drathro's black light system's highlyunstable. Blowing it up is about the worst thing you could have done. I have to shut the black lightsystem down now.Broken Tooth: You will all return to our village. Our queen has unfinished business withthis person.The Doctor: No!Broken Tooth: You will come with us, and you will come quietly.Glitz: And youhad to tell him how to use the gun.Dibber: Oh.[SCENE_BREAK]Trial room[SCENE_BREAK]Inquisitor:Valeyard, are these unpleasant scenes necessary to your case? I find primitive physical violencedistressing.The Doctor: So do I, ma'am. Especially when I'm on the receiving end.Valeyard: I too find itrepugnant to witness, my lady, but the Doctor has a well-known predilection for violence.The Doctor:That is a foul slur!Inquisitor: Do not interrupt, Doctor.The Doctor: I'm sorry, ma'am, but I'm not given toviolence as the Valeyard here suggests. Occasionally I might have to resort to a modicum offorce...Inquisitor: Please be silent.The Doctor: As a means of self defence.Inquisitor: Doctor, you willhave ample opportunity to put your case at a later point.The Doctor: But...Inquisitor: Valeyard, I wouldappreciate it if these brutal and repetitious scenes are reduced to a minimum.Valeyard: My lady, it iscertainly not my wish to cause you any unnecessary affront, but the accused offences are such that acertain amount of graphic detail is unavoidable.Inquisitor: Very well.Continue.[SCENE_BREAK]Subway[SCENE_BREAK]Grell: You seem lost.Merdeen: Not I, although youseem to have mislaid your train, Grell.Grell: Stealth is better achieved on foot. Especially when we huntdark secrets.Merdeen: I thought we hunted the Doctor.Grell: Him too.Drathro (O.C.):Merdeen.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Merdeen (on screen): Immortal?Drathro: Ihave urgent work for Balazar, but I can not find him.[SCENE_BREAK]Subway[SCENE_BREAK]Merdeen: Iwill search for him at once.Grell: Where are you going?Merdeen: Continue your search for theDoctor.[SCENE_BREAK]Drathro's castle[SCENE_BREAK]Tandrell: I did it! I did it, I reactivated therobot.Humker: I think you'll find that I did it.Tandrell: I beg your pardon, I did it.Humker: I didit.Tandrell: I did!Humker: I did!Drathro: Silence! You drain my energy reserve with your constantinfantile bickering.[SCENE_BREAK]Katryca's hut[SCENE_BREAK]Katryca: So, my hospitality was not toyour liking?Glitz: Just needed to step out for a breath of fresh air.Katryca: And who is this?The Doctor:Ah, how do you do? I am known as the Doctor. Now, there has been a terrible mistake. I shouldn't behere at all.Katryca: Another star traveller?The Doctor: Well, in a manner of speaking.Katryca: And areyou interested in the Great Totem of Haldren.The Doctor: I beg your pardon?Glitz: She means the lightconverter.The Doctor: Ah, yes, indeed. Now how can you possibly have known that?Katryca: Have you"}
+{"doc_id":"doc_152","qid":"","text":"[PREVIOUSLY_ON]Mike: [grunting]Wynn: Aah![gunshot]Mike: Aah!Wynn: Mikey! [crack]Katherine:[gasps]Raylan: Your ladyfriend is dead. Went pretty badly, as I understand it, in the confines of a motorcoach belonging to Wynn Duffy.Boyd: Baby?[grunts]What disappoints you, Raylan Givens? The fact thatyou weren't the one who got to shoot me? Where is she goin'?Boyd: Well, you wheel me outta here, I'lltake you straight to her. [chuckles] That's funny.Boyd: Sooner or later, one way or the other, I'm gonnaget out of here, and when I do, I'm gonna go get that money.Zachariah: Now, this Grubes guy we'regoing to see ... you sure he knows his way around?Ava: He knows the trails blindfolded. Boyd knowsGrubes.Zachariah: Ah.Ava: If he's alive ...Zachariah: If he's alive, the marshals got him, and if he ain't,the more, the better. Grubes?[yelling] Ava: Nooo!Carl: How we gonna get you out past the nurses' standwithout anybody noticing?Boyd: [sighs] It shouldn't be too hard with all the chaos.Carl: Whatchaos?[gunshot]Art: You got 48 hours, Raylan.Raylan: 48 hours, bullshit.Who you got coming after me?Everybody?Art: Everybody's out looking for Boyd.I'll be the one coming after you.[car doorchiming][chiming stops]Boyd: Evening, sir. Where you headed tonight?Hagan: Headed home.Boyd: Yougot any kin waiting on you?Hagan: No, sir, I don't.Boyd: That won't be necessary.Hagan: Well... Whatcan I do for you, officer?[gun cocks]Boyd: You can give me a ride.[music][chiming][chiming stops]Art:This the shitbag?Tim: It is.Art: Hello, shitbag.Tim: Him there's the good news.Art: I don't want to hearthe bad news.Tim: No, sir, you do not.Art: Jesus Christ, Raylan.Raylan: [sighs]Cope: Don't suppose youremember my name.Raylan: I remember you had aim to throw me down a mine shaft.You're a long wayfrom home, are you not?Cope: I am. Slurry pond fouled the spring. No water on the other side of themountain. No water ... nothing to hunt. Well, I reckon it was hard to move on.Cope: Was. They'll take themountaintop year's end, I heard. I'd have had to move on regardless. Wouldn't mind if you sat aspell.Raylan: I got urgent matters. My advice ... keep moving on. There's a fugitive at large hereabouts.Give my best to Cousin Mary if you see her.Cope: Unh-unh. She passed.Raylan: Condolences. Stand up.Tell 'em to come out, guns pointed at the ground.Cope: [whistles]Raylan: [sighs] If that ain't all of 'em,you're the first one who gets shot.Cope: That's all of 'em.Raylan: Lay your guns down. Every second Ispend on your bullshit, the man I'm hunting gets further away. Now, tell 'em to do it before I lose mytemper. Now, walk down that hill, and keep walking ... about an hour. He'll catch up with you soon if hedon't do something stupid.Ava: No sign.[panting][clinking]I bet they ran off after Grubes died. And I betthey starved to death.Zachariah: We got no guide, and you're worried about the horses?Ava: That's onebad omen on top of another.Zachariah: I ain't superstitious.Ava: Well, it doesn't take a damn ouija boardto see that our plan is as dead as the man that used to live in that house.You'd notice if you weren'tplaying in the dirt!Zachariah: I'm digging a grave.Ava: For us? Huh?Uncle Zachariah, we gotta get out ofhere. Oh, is that the way it is? Leave the dead to bury their own? That's something you learned fromBoyd, huh?Ava: You don't know me. You ... You want to be all high and mighty? Let's see how that savesyour ass.Zachariah: I know you don't want to hear me preach, but I'm gonna tell you right now, there'ssix months' worth of food in that cabin, plenty of water, and a lot of firewood for the cold. Wait a minute.If that's your idea of a plan... Oh no, little girl. I like your idea... we just roam around these goddamnmountains not knowing what the hell we're doing, lost, hauling 300, 400, 500 pounds of money? Oh,you're real smart, girl.Ava: I can't keep this up.Zachariah: Yes, you can, and you will. 'Cause that's whowe are, born in these godforsaken hollers in this goddamn broken-down world. We're survivors.Ava:Okay, you want to stay? We can stay. But we're gonna fight.Zachariah: Won't have to fight. After twoweeks, they'll think we're somewhere over in Virginia. They'll just move that search on over there.Ava:I'm talking about Boyd. He knows this place. He will come.Zachariah: Boyd is dead. And if he ain't dead,he's in jail. We'll be safe here for a while. Grab that shovel and help me get this man in the ground.Cope:I don't see any badge.Are you still a federal? This guy you're chasing... he personal business?Raylan: Youmet him. You put me in a box with him. He's now a federal fugitive.Cope: So you should've let me kill himat the time, then, huh?Raylan: Thought has crossed my mind.Cope: So I'm right. Gotta be you, the onethat does him. Had a coyote like that. Ate near 10 of my chickens... one every night. Dogs couldn't catch"}
+{"doc_id":"doc_153","qid":"","text":"FLASH IN.[VARIOUS EXT. LAST VEGAS CITY LIGHTS (STOCK) - NIGHT]CUE SONG: \"Mad World\", GaryJules[SCENE_BREAK][INT. CLUB -- NIGHT](Men and women drink. One man smiles as he's flanked bytwo women - one woman busy kissing his neck.)(Across the room, a blonde-haired woman staresworriedly at her cell phone.)[EXT. STRIP - NIGHT](Outside, a limo passes by. In the back seat of a car, ayoung Vietnamese man sits and watches the limo pass by. His face is bruised and there are tears staininghis cheeks.)(The cab he's sitting in drives away.)[INT. TAXI POV](The young man looks out the windowsas the taxicab drives around the strip. The bright lights from passing motels and other establishmentsreflect back through the rolled-up window.)(The taxi driver's sweating.)(The young man in the back seatglances over at the taxi driver.)[START: SPLIT SCREEN](Top half: [INT. CASINO] The man from the barleaves with two women.)(Bottom half: [TAXI CAB] The taxi stops and parks. The driver engages thebrakes and sees the young man leave.)Taxi Driver: Hey! Where's my money?(The young man turnsaround and yells back to the taxi driver.)Young Man: You wait here!(Top half: Cameras flash asphotographers snap photos of the man walking through the casino; several women follow him.)(A youngwoman in red snaps a picture of the man walking by. He notices her and turns back to look at her as hepasses.)Man: You want to come with us?(A man standing in the back glares at the man walkingby.)(Bottom half: The taxi driver waits. The fare changes from 7.20 to 7.40. The taxi driver continues towait.)(Top half: The blonde-girl in red turns to her friend standing next to her.)Tally Jordan (woman inred): Oh, my God. Come on.(The two head out, following the man.)(Bottom half: The taxi driver takesout his log and writes in it: 270 7888OAKEY ST.)(Top half: The party has moved outside to thepool.)(Bottom half: The taxi driver continues to wait. The fare changes from 8.00 to(Top half: Theblonde-haired woman in red and her friend are now sitting on either side of the famous dark-haired man.He pays her special attention.(Bottom half: The taxi driver continues to wait. The fare changes form 8.20toFLASH CUT TO WHITE: END OF SPLIT SCREENCue Sound: GUNSHOTFADE IN FROM WHITE[EXT. 7888OAKEY STREET - NIGHT](Police cars with their flashing lights are at the site. Officers mill about thearea.)(Camera moves into the car and we notice the fare is now at 24.00. The taxi driver is slumpedforward against the driver's wheel, his eyes closed. We note the blood coating the shirt covering his rightshoulder.)(Sara turns on her flashlight and looks at the driver's wound.)Sara: Gunshot wound to theneck. No visible GSR.(She looks up and notices the visor. She flips it down and sees the money.)Sara:Money on the visor. It wasn't a robbery.(Grissom is looking in the back of the cab.)Grissom: Dirt clods onthe floor mat look undisturbed. Could be from the last fare. I don't see any shell casings, though.Sara:Partition's closed. Bullet-proof glass. He was not shot from inside.(Grissom walks around the cab as Sarasnaps photos of the dead body.)(He sees the bullet holes in the passenger door.)Grissom: Well, I got twobullet holes in the passenger door.Sara: That's a weird side of the car for a drive-by.Grissom: Maybe hewasn't shot here. Maybe he just ended up here.(Grissom looks around the area. He sees the detectivetalking with someone in uniform. Grissom calls out to him.)Grissom: Excuse me?(The man from theTransit Board looks up.)Grissom: Are you with the Transit Board?MTB Rep: Yeah.Grissom: Do you havethe dispatch log?(He hands the log to Grissom. From what we can see, the log shows:270 2549 LASVEGAS ---270 465 LEXINGTON 10:01270 3900 LAS VEGAS 10:45 1040270 2112 WESTERN BL. 11:01420270 4500 W. TROPICANA 11:30 780270 20 FREMONT 12:10 980270 7888 OAKEY ST. 12:55.{BLANK} )(Grissom hands the log back.)Grissom: Thanks.(Grissom turns and leaves.)MTB Rep: Why's heleaving?(Sara takes a photo, then puts her camera down to answer the man's question.)Sara: Well, that'skind of what he does.(Sara leans forward into the cab and notices the camera.)Sara: Is this cameraalways on?MTB Rep: Only on HBO. It takes stills for ten seconds when the door opens, and then for thefirst ten seconds of the fare.Sara: We're gonna need the pictures.(Grissom is walking away from the siteand dialing his cell phone.)Catherine: (from phone) This is Catherine.Grissom: (to phone) It's Gil. Howyou doing?Catherine: (from phone) I'm busy. Checking up on me?Grissom: (to phone) Why would I needto do that?Catherine: (from phone) You tell me.Grissom: (to phone) Look, I know you tend to get a littleterritorial about your crime scenes, and I don't want there to be any tension between us, so I'm giving"}
+{"doc_id":"doc_154","qid":"","text":"[PREVIOUSLY_ON]Mary: We have confirmed reports that the Black Death has returned once more toplague our lands.Francis: I understand all the reasons. I do. I just can't. I won't let you take my son fromme. I will rise until I am rich and powerful. But I will never be yours again.Greer: Is that your daughterwith Leith?Mary: Eduard Narcisse. How may we help you?Eduard: There's someone I thoughtuntouchable. I'd like him to die of plague. Food for survival... in exchange for one life.Mary: Every lifematters! We will find grain elsewhere. You murdered an entire household!Eduard: Why make an enemyout of those you need most?Mary: Justice. Take him away.Eduard: My father will free me!Mary: No, hewon't. Because he'll never find you.Eduard: (coughing) No! Mary! No! (screaming) No!(birdcaws)[SCENE_BREAK]\u0000 They won't know \u0000[SCENE_BREAK]\u0000 Who we are \u0000[SCENE_BREAK]\u0000 So weboth can \u0000[SCENE_BREAK]\u0000 Pretend... \u0000(groans)\u0000 It's written on the mountains... \u0000Sebastian:There's 12 corpses. All adults. No... no shovels, no hooks. Keep your gloves on and wrap them withcare.Guard: You should get some rest, my lord. It's not your job to handle the dead. It's ours.Sebastian:No, we have to give them proper burial. So their souls can find rest.\u0000 And the pieces broke \u0000 \u0000 Andpeople wanted more \u0000 \u0000 And the \u0000 \u0000 Rugged wheel \u0000 \u0000 Is turning \u0000 \u0000 Another round \u0000Mary: I knewhe was alive. I could feel it in my heart.Catherine: Thank God you were right. Please don't tell Francisthat I mistook my illness for the plague. It's embarrassing.(crowd clamoring)\u0000 Dorian... \u0000Francis:Mary.Mary: Where is Lola? Is she all right? (baby cooing)Lola: Mary.Mary: Lola. The... the child, is it...?Lola: I have a son. (baby crying) (women cooing) (shushes)Francis: Bash, oh, thank God you're allright. We have to talk soon. I need an advisor I can trust. I want you on my council.Sebastian: You'realready talking politics.Francis: Because I am already king.Sebastian: I'm no politician, Francis. I don'tbelong on a privy council. It's a liar's job. \u0000 Dorian, carrion \u0000Francis: Mary? I'd like you to meet the manthat saved our lives. My cousin. Louis of Conde.Kenna: Oh, he's easy on the eyes, isn't he? \u0000 Will youever let... \u0000Mary: Thank you for bringing them home safely. Thank you so very much.Louis: It was anhonor. As is this.Francis: You and your men must rest here before you leave. (women laughing) Yourkisses are more easily attained than your words. I left impulsively.Mary: You did.Francis: And now I havereturned with Lola's child. I held him and... I don't know what role he'll have at court, but I want to be apart of my son's life. Of this child's life, but we will have others. Mary, my father's indiscretions wereblatant, but out of respect for his wife, he gave Bash no title or standing. It hurt him. And it hurt me tosee it.Mary: The eyes of the world are watching to see if we will... If I can bear an heir. Not just forFrance. For Scotland. And for England as well. I know this has nothing to do with the role you decide tohave in your son's life...Francis: Well, perhaps it should.Mary: Those who are close to us... even here atcourt will know the truth. Your mother has guessed it already. Spend time with your son absolutely,but...Francis: But don't claim him. Officially, you mean.Mary: Yes.Catherine: Thank you. I'm surprised tosee you. My deepest sympathies for the loss of your son Eduard. Can I get you anything? Somelemonade?Narcisse: I thought this castle would be the safest place for him. Why wasn't it?Catherine:Bring us some whiskey.Nostradamus: Lord Narcisse is here. Asking a lot of questions about his son'sdeath. I explained that he showed symptoms of plague, high fever, rash.Mary: You are good to cover forme. Lord Narcisse will never know. His son did die of plague. His body will tell the tale. Eduard murderedan entire household to kill one foe. Since he cared so little for people, it's fitting that he died among thelowborn. I have asked much of you... not the least that you betray your very dangerous friend Catherine.She was mortified that she overreacted to her symptoms. She hates being vulnerable. But it is hard notto enjoy it. We tried to save lives. I owe you. And I will protect you.Catherine: So many people died here.Nobles, servants alike. I was in my chambers when your son took ill. But Nostradamus, he...Narcisse:Yes. I've already spoken with your court physician. A... a father can't help but wonder about his son'sfinal days. I survived by fleeing to the country. I feel that I should've sent for him.Catherine: There wasnothing you could do.Narcisse: : I need to go see him now. You do understand, don't you? (groans) Whenwas this room sealed?Guards: Two weeks ago, my lord.Narcisse: Most nobles died in their chambers.Were many nobles sent here by mistake?Guards: Couldn't say, sir. It was a living hell. Do you see"}
+{"doc_id":"doc_155","qid":"","text":"Michael: Ughh... Blech.Dwight: OK, where does it hurt?Michael: Just... all over. I don't want to doanything... I'm dying...Dwight: No, that's not how it works. You have to point to a specific part of thebody.Michael: Right there. [Michael points to computer screen.]Dwight: [reading from screen] \"Abdomen.Menses.\"Michael: Maybe.Dwight: \"The uterus contracts after your egg passes through it.\"Michael: Not it.I don't have eggs.[SCENE_BREAK]Pam: About 40 times a year, Michael gets really sick, but has nosymptoms. Dwight is always gravely concerned.[SCENE_BREAK]Dwight: Oh, is it possible you ate foodthat contained animal waste?Michael: That's possible.Pam: Michael?Michael: Uh-huh?Pam: David Wallaceis on line one.Michael: The CFO? Ohh...Michael: OK, everybody out. Out. Out. Out.OK.[SCENE_BREAK]Michael: To what do I owe this great honor, David Wallace?David: [on phone]Michael, I am calling---Michael: And Gromit. [David sighs] Jan? Is Jan there?David: Jan is out of townright now.Michael: Oh, you sigh like Jan. I broke Jan's heart, David, and it was awful. It was... It wasnever my intention to ruin a life. But you know what? Sometimes...David: Michael?Michael: ...you justgots to get your freak on.David: Michael?Michael: Yeah.David: Michael?Michael: Hmmm.David: I amcalling to see if you can come down and interview for a job we have opening in corporate.Michael:Really?David: Week from today. Bring your first quarter stats and your recommendation for who wouldtake over the Scranton Branch.Michael: Wow. I wish I had prepared something to say.David: That's notnecessary.Michael: May God guide you in your quest.David: Yes.[SCENE_BREAK]Michael: OK, everybodyhave their towels and swim suits? We have about an hour and half. I suggest that you all go potty nowand then we will be congregating on the partay bus.[SCENE_BREAK]Meredith: Oh I'm excited. Today isBeach Day! And Michael is taking the whole office to the beach. So I'm wearing my bathing suitunderneath my shirt [lifts up shirt, definitely not wearing anything underneath] Oh, yeah... I packed it inmy purse.[SCENE_BREAK]Michael: Oscar, you brought your Speedo, I assume?Oscar: I don't wear aSpeedo, Michael.Michael: Well, you can't swim in leather pants. [laughs] I'm just yankin' your chain. Notliterally.[SCENE_BREAK]Toby: Anybody need sun block? Got SPF 30.Michael: Oh, you know what? Uh,you're not going.Toby: It's Beach Day...Michael: Yeah, I know. I'm sorry, Toby. We... um... Somebodyhas to stay here.[SCENE_BREAK]Michael: I want today to be a beautiful memory... that the staff and Ishare after I have passed on to New York. And if Toby is a part of it... then it'llsuck.[SCENE_BREAK]Toby: Hey, want my sun screen?Pam: Oh, great. I forgot mine and I'm wearing atwo piece.Toby: Uh-huh.Pam: Thanks Toby.Michael: Hey Pam, I have a very important job for youPam: Ithought we were just having fun at the beach.Michael: We are. We are. But, I would like you to takenotes. And I want you to find out about people's character. Not their hotness, per se, but their humor,and their charisma, and the indefinable quality that makes you all glad to followme.[SCENE_BREAK]Michael: What happens to a company if somebody takes their boss away? I willanswer your question with a question. It's like what happens to a chicken when you take its head away.It dies. Unless you find a new head. I need to see which one of these people have the skills to be achicken head.[SCENE_BREAK]Pam: You want me to write down people's indefinable qualities?Michael: Iwant you to write down everything that people are doing all day. And then type it up, in a way that ishelpful. Alright?[SCENE_BREAK]Pam: I have the most boring job in the office, so... why wouldn't I havethe most boring job on beach day?[SCENE_BREAK]Michael: This way to the partaybus.[SCENE_BREAK]Kevin: I just want to lie on the beach and eat hot dogs. That's all I've everwanted.[SCENE_BREAK]Kevin: [singing] [Angela mouthing the words next to him] And the night gotdeathly quiet, and his face lost all expression. Said, \"If you're gonna play the game, boy, ya gotta learnto play it right.\" [rest of office joins in at varying times] You got to know when to hold 'em, know when tofold 'em, Know when to walk away and know when to run. You never count your money when you'resittin' at the table. There'll be time enough for countin' when the dealin's done.[SCENE_BREAK]Michael:Everybody, may I have you attention please? Today, we are not just spending a day at thebeach.Stanley: Oh, sweet mother of God.Michael: If you don't like it, Stanley, you can go to the back ofthe bus.Stanley: Excuse me?Michael: Or the front of the bus. Or drive the bus. Just, we are all"}
+{"doc_id":"doc_156","qid":"","text":"[Scene: The School Hallway. Dawson and Jack are walking down the hallway, when a student runs out into the hall calling for people to follow him into the pool room.]Student: Everybody! The swimming pool!You've got to see what they did to the swimming pool.Student2: My!Joey: You don't see this everyday.Mitch: What the hell is this?Principal: That's my boat... And my dog.Jack: Who could havepossibly?Dawson: [Laughing] I should have thought of this.Joey: Dawson, while we do recognize yourtalent as a witty practical joker, I think that this is even out of your league.Principal: Chester. Comehere.[Some students pull the boat to the edge and the dog hops off and walks up to Jack and sits down.Jack looks nervously down at the dog.]Principal: Do you know that dog, Mr. Mcphee?Jack: No.No.[SCENE_BREAK][Scene: The School Hallway. An announcement comes over the PA and as thestudents are called they walk out into the hallway.]Principal: [Over the P.A.] Will the following studentsplease report to Principal Peskin's office immediately. Jack Mcphee, Zack Estrin, Dawson Leery, DaveBussan, Pacey Witter.[Scene: The Principal's Office. There is a montage of Jack, Dawson and Pacey beingquestioned by the Principal and Mitch.]Principal: Process of elimination has made you one of the lucky 3that I still consider to be a suspect in this crime. Now ,there's an easy way to do this, Mr. Witter, andthere is a hard way.Pacey: Well, seeing as I have absolutely no idea what crime you're referring to, I'llprobably take the easy way.Dawson: What, are you guys accusing me of something?Mitch: You knowthat you're the last person I would suspect of being responsible for a stunt like this, but you can alsounderstand why we would have no choice but to bring you in.Jack: [Laughs] yeah. The dog fingeredme.Mitch: We're on your side, Pacey, but we got to get to the bottom of this mystery. And circumstancesrequire that we at least consider you as a possible suspect.Dawson: What circumstances would thosebe?Mitch: Well, given that you're my son, it, uh, follows that you would have access to my master keys tothe school, thereby placing you on a rather short list.Principal: Mr. Witter, everyone in Capeside is awareof the rather sad fate of the late vessel true love, which, I believe, gave you access to the marine storagefacility in the yacht club where my boat resided at the time of its boat napping, if you will. [Cut to Jack]Chester was taken sometime between 10:00 in the morning, when Mrs. Peskin let him out afterbreakfast, and noon, when she realized he was gone. So all you have to do is tell us where you were andwho you were with yesterday morning.[Scene: Gram's Front Porch. Jack is outside the porch doorbanging on it and calling to Jen.]Jack: Jen! Jen, come on. Jen! Open the door.Jen: Oh. Oh. I'm stillasleep. And this is a dream in which you're heterosexual.Jack: Yeah. These are for grams. Can you openthe door, please? I got something way better for you.Jen: Really?Jack: Yes.Jen: What could possibly bebetter than a dapper, young lad bearing a floral arrangement?Jack: I talked to the guidance office. Youknow that community service, manual-labor thing you're supposed to be doing?Jen: Oh, yeah.Jack: Iasked them if it was possible if you could fulfill your commitment by assisting me with my soccerteam.Jen: And what'd they say?Jack: They said, \"providing that kind of guidance for a kid \"is exactly thekind of rehabilitating activity that your kind needs in order to mend her evil ways.\"Jen: Jack, I think I'mmore qualified to pick up trash on the highway than mold impressionable young minds.Jack: Aw, comeon. Look, I need you here. Every since Andie left, I've been barely getting by. I mean, the soccer parentshave been completely unhelpful. And if that weren't enough, my star goalie broke his leg yesterday tryingto jump off the roof of his house into his swimming pool.Jen: Ok. All right. You've sufficiently plucked myheartstrings. I'll do it.Jack: You're a goddess. Give these to grams when she gets back from church.Jen:Ok.Jack: Hey, I'll be back at 12:45 sharp to pick you up.Jen: Where are you going? I--I can make eggs.Um-- I got to, uh, I got to meet Drue at the hardware store.Jack: Why are you meeting Drue at thehardware store? Long story. It's a karma thing. Hey, I gotta run.[Scene: The Principal's Office. Mitch andthe Principal are questioning Pacey to tell his tale.]Principal: You say you didn't pull this stunt. Fine.Convince me. Tell me everything, every single thing you did yesterday.Pacey: Yesterday. Now, let's see.Where was I?[Scene: Outside the Capeside Police Station. Joey and Pacey are standing together by hertruck talking while waiting for Doug to come out.]Pacey: Where was I? Oh, yes. Right here.Joey: Hey,pace.Pacey: Mm-hmm?Joey: You are a pushover. You gave in.Pacey: No, I am not a pushover. I just felt"}
+{"doc_id":"doc_157","qid":"","text":"OPEN AT ELDER GILMORE RESIDENCE[Lorelai, Rory, Emily, and Richard are eating dinner]EMILY: It'ssimply disgraceful.RICHARD: For years, we've had peace in the neighborhood.EMILY: I knew theRichmonds were going to be trouble when they missed the block party last month.LORELAI: I don'tunderstand. They gave out full-size candy bars for Halloween. So what?EMILY: Not full-size candy bars,Lorelai - king-size candy bars.RICHARD: We've been giving out full-size candy bars for years now.EMILY:And then those people move in and throw the entire balance of the neighborhood off. They madeeverybody look ridiculous.RICHARD: It's very embarrassing.EMILY: I think we have to do somethingabout this - maybe go to the homeowners association.LORELAI: Two Halloweens ago, someone paintedthe Duprees' Chihuahua orange and nobody went to the homeowners association then.EMILY: Well,everybody hated Taco.LORELAI: I think you're making a little too much of this.EMILY: I saw MaeRichmond at Bay Wellington's two weeks before Halloween. She had ample time to bring it up then, andnothing - not a word. I think it might be time to go after their ball machine.RORY: Their ballmachine?RICHARD: They have a ball machine on their tennis court that is extraordinarily loud andunpredictable.EMILY: Flying, thumping balls all over the place.LORELAI: Flying, thumping what all overthe place?EMILY: Balls.[Lorelai giggles]EMILY: You are four.LORELAI: And balls are funny.RICHARD:Don't worry, Emily. If the homeowners association doesn't do anything, we'll take this to the neighbors,get a petition going.LORELAI: Or if that doesn't work, you could throw some hoods on and burn a full-sizeMars bar on their front lawn.EMILY: King-size, Lorelai - king-size.RORY: So, how's work,Grandpa?LORELAI: Look how smoothly she changes the subject.RICHARD: Work is lovely, Rory. How'sschool?RORY: Crazy.LORELAI: She's taking too many courses.RORY: I am not.EMILY: How many are youtaking?LORELAI: Five.EMILY: Is five a lot?RORY: It's not a lotLORELAI: It is a lot.RICHARD: I took fivecourses when I was a freshman. Rory takes after me.RORY: I like to be busy.RICHARD: Idle hands arethe devil's playthings.LORELAI: That's actually the title of one of her classes.RORY: Please don't worryabout me.LORELAI: She says to the mother and the grandmother.EMILY: Are you done?RORY: Oh, yes,thank you.EMILY: Good, because we have mini lemon bundt cakes for dessert.LORELAI: Oh.EMILY:What?LORELAI: Well, they're serving full-size bundt cakes over at the Richmonds' house.EMILY: She'sdone.LORELAI: Oh, no, I have a carrot.EMILY: She's done.LORELAI: Bet the Richmonds would have letme eat my carrot.[opening credits]CUT TO ELDER GILMORE RESIDENCE[Emily walks into Richard's study,where a photographer is setting up to take a picture of Richard and Jason]EMILY: All right, this should doit.RICHARD: May we please get this over with?EMILY: Patience is a virtue, Richard.RICHARD: And time isfleeting, Emily.EMILY: You're starting a new partnership. You need new photographs, especially with thatnew look.JASON: I thought I'd give a beard a try.EMILY: Well, I like it. All right, Helmut, we're all sethere.HELMUT: Okay. Important men doing important things. [takes a picture] Good. Oh, one more time.We're going to sign, and. . .[takes another picture] We're done.EMILY: Thank you, Helmut. That waswonderful.RICHARD: And now we sign the real papers.JASON: I'm feeling historic. You?RICHARD: Oh,yes. It's Gettysburg all over again. Thank you.JASON: Important men doing important things.RICHARD:Now that makes it official. Jason.JASON: Let's give 'em hell.RICHARD: You bet.EMILY: Oh, I should havehad Helmut get the handshake.RICHARD: The signing was fine, Emily. Sorry about the photosession.JASON: Oh, no, that's okay. I think it's a cute idea.EMILY: Yes, and when the financial papers callfor an official photo, it'll be downright darling.RICHARD: I learned long ago, Jason, when it comes tothings like this, Emily is always right.JASON: I am sure she is.EMILY: Thank you both. Jason, how's yourtime? Would you like to join us for dinner?JASON: Oh, I'd love to, Emily, but I should get these papers upto my lawyer's office. Next week?EMILY: Consider it an open invitation.JASON: Thank you. Richard, I'llsee you tomorrow morning.RICHARD: Yes, you will.[Jason leaves]EMILY: \"I think it's cute.\"RICHARD:He's young, Emily.EMILY: Yes, well, a good smack on that scruffy face of his would age him up a bit. Allright, let's discuss the launch party. Do you have any sort of particular feel in mind?RICHARD: Well, I'llleave that to your discretion. Just make sure it's dignified.EMILY: We probably shouldn't go too fancy.Maybe we'll do one of those vodka bars - caviar, a Russian theme. I love that it's okay to be Russian"}
+{"doc_id":"doc_158","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][INT. WAREHOUSE](A young woman is held captive with herwrists tied high above her head. Off screen, she hears faint slicing, and gurgling. She screams.)(Bloodsquirts on her face and in her mouth. She coughs. Yuck.)(Behind her, a man hacks off a dummy'shead.)Zack Putrid (director): (o.s.) Cut!(She continues to cough.)Zack Putrid: (o.s.) Cut! Damn it!(Thebell rings and overhead lights turn on. The director, Zack Putrid, gets out of his chair.)Zack Putrid: Cansomebody please get her a glass of water?! (He walks up to the actress.) What happened? Babe? Whatare you doing? Are you choking on the blood?(She nods.)SFX Guy: I did what you told me to.Zack Putrid:Yeah, but this time, get it on her face, not in her mouth.SFX Guy: The mouth is part of the face.ZackPutrid: Yeah, I know, I know. But hit her from the side, from the side. And get plenty on the rack.(TheSFX guy turns and leaves. We hold on the two actors dressed as doctors - one giant man and DickieJones.)Giant Doctor: We're dying here.Dickie Jones: I'm going to go ring it.Giant Doctor: All right. Hey,grab me a bear claw.(Dickie Jones heads off the set. He walks past Zack Putrid talking with thecameraman who is wearing a red baseball cap.)Zack Putrid (director): How long have I known you, huh?This is you and me. Get the shot -- not too tight. Wide enough to fit in the fun bags.(The director turnsback to the actress, who is still tied up with her arms over her head as the fake blood is being wiped offher. Her make-up is being retouched.)Zack Putrid (director): Baby-cakes ...(The actor playing the killerinterrupts them.)Killer Actor: (to the director) Where was I? Want me to laugh?Zack Putrid (director):Don't laugh. You were scary. Get away.(The killer leaves.)Zack Putrid (director): Honey, this time, don'tinhale the blood, okay? All right, let's get her cleaned up. Let's shoot this bitch.(He heads back to hischair. The actress gasps loudly.)Actress: (o.s.) Oh ...Zack Putrid (director): Not you, baby. The shot. Theshot's a bitch. I love one-ers. And you know what else I love? I love sushi. Me, too. Do you want to go forsushi?(In the background, Stanley Vespucci leads Brass through the set. Nick follows them.)StanleyVespucci: Our lead actress, Weatherly Adams, had her dressing room violated last night.Brass: So she'sthe one you suspect is missing?Stanley Vespucci: She missed her call this morning. The woman isnothing if not professional. She's predictably precisely 35 minutes late every day. You could set yourwatch to it. She's already ... three hours late and still no sign of her.(He looks at his watch.)(A light blowsout as they pass.)Stanley Vespucci: Nothing to worry about, gentlemen. It's just a bad bulb. If you will,please, follow me.(He leads them out.)[INT. WEATHERLY ADAMS' DRESSING ROOM - CONTINUOUS](Heopens the dressing room door.)Stanley Vespucci: Here we are.(They walk in.)Stanley Vespucci: Checkout the flowers in the vase.(Nick looks at the note on the flowers.)Nick: \"Congratulations on your lastfilm.\" Any idea who sent her these, Mr. Vespucci?(A framed photo of a pretty blonde-haired woman is onthe dressing table next to the flowers.)Stanley Vespucci: (shrugs) Stalkers, creeps, cranks, nut balls,degenerates -- we get them all here. Weatherly attracts them like flies.(He shows them a stack ofletters.)Stanley Vespucci: These are ... uh ... some of the guys we've had trouble with in the past.Brass:I'll take that.(Nick continues to look through the dressing room.)Brass: When was the last time you sawher?(Vespucci takes his phone out and dials.)Stanley Vespucci: At wrap yesterday. We shot all night,finished about 4:00 in the morning.Brass: Did anyone see her leave the building?Stanley Vespucci: Hercar's still parked out back.(Nick holds a purse.)Nick: This hers?Stanley Vespucci: Yeah.Weatherly Adams:(recording) Hi, it's Weatherly. Leave a message or I'll scream. (giggles)(Nick turns the bag over, thecontents spilling out onto the sofa.)Nick: Wallet, keys, and cell phone still in there.Stanley Vespucci: Stillno answer on her home phone.Brass: I'll send a patrol car to her house. You said there was a break in.Why don't you show me?[SCENE_BREAK][INT. REPULSION PICTURES -- BASEMENT](Down in thebasement, various items are stored - dress dummies, rolled-up carpets and a VORTEX OF EVIL movieposter hangs on the wall just below the ceiling light.)Stanley Vespucci: Ah, Weatherly ... how has shedied for us, let me count the ways.(Stanley Vespucci leads Brass and Nick down through thebasement.)(They walk past posters of the movies Weatherly made - NIGHT SHIVERS, INTO THE MOUTHOF HELL, and CAN I LICK THE SPOON?.)Stanley Vespucci: Bludgeoned, boiled, filleted, defenestrated,decapitated, disemboweled, oh, yeah, and strangled with her own intestines. Autopsied while still"}
+{"doc_id":"doc_159","qid":"","text":"[PREVIOUSLY_ON]Ihab: This act will be remembered as the first great act of defiance.(crowdchanting)Jamal: Ihab Rashid is behind all this.Samira: I'm done wishing for change.I am making ithappen.Jamal: The wedding night is very special. It's important to be pure.Molly: It's not safe for you tobe there.Barry: It's not safe for anyone there.(thumping)Jamal: Run them down!Leila: Go!Jamal:Tomorrow, there will be only pigeons in the square.Barry: What is it you want me to do?Fauzi: I want youto get your hands dirty, to go against your family.Barry: I asked Fauzi Nidal to set up a meeting with IhabRashid.Jamal: The man who would have all our heads?Barry: You can go down in history as one morebrutal dictator, or you can be remembered as the leader who had the courage to listen to his people.Whodo you want to be?Ihab: Jamal has asked me to gather you, the leaders of the various factions who fillthe Plaza, to meet with his American brother. This is the second time the Palace has come to me. Theagitation in the Plaza, the galvanizing of the people, ooh, has them running scared. It's poker. Right nowwe have the winning hand. Why negotiate? Hmm? Nobody negotiated with Mubarak. No, no, no, no, no,no. When this Amriki walks in, I'm going to tell him exactly what it will take for us to clear the Plaza: hisbrother's resignation. Jamal Al Fayeed... he can, uh, take his blood money, go to... go to Paris. (laughter)Or go to London. Spend the rest of his days writing his memoirs.Farah: But what if he's actually willing tooffer us something?Ihab: No. His father betrayed my father. I'm not about to let him do the same thingto me. The only offer we will take is for Jamal Al Fayeed to leave Abbudin.Fauzi: You sure aboutthis?Barry: I'm sure of one thing. A narcissist with a messiah complex is not about to negotiate with me.Look, I'm betting Ihab told everyone in earshot that an Al Fayeed asked to sit down with him. He said yesso quickly, 'cause he wants to tell me where to go in front of an audience, but now he's gonna have toexplain why he's sitting at the table alone. For my plan to work, I have to take him down a notch. Makethe call.Samira: Father, where are you? Everyone's here, and they're... Okay. Okay. It's my father.Ihab:You are late. What do you mean you are not coming?! That is bullshit!(chuckles)(engine stops)(Barrysighs)Barry: Thank you, my friend.Fauzi: You know, I'm worried for you, Bassam.Barry: (chuckles) Beena while since anyone called me that.Fauzi: You know this game you're playing, it's a dangerousgame.Barry: I don't see another option.I have to clear the Plaza before Tariq does.John: The garagemeet. Classic. This is insane. Why set a meet with Ihab so you can stand him up?Barry: Ihab's having hismoment. He was never gonna bargain. So I had to take the wind out of his sails. Ihab's a boy. I want tosee his father, the man who almost made peace with my father. I was here, Tucker, okay? I saw it. Thepeople adored him. I need an hour with Sheik Rashid.John: So, you want to use Sheik Rashid to do anend run around Ihab? I mean, what... what happened to the nice family doctor from Pasadena?Barry:Don't screw me around, John. The U.S. brokered Sheik Rashid's asylum 20 years ago. I need to talk tohim, and you know where he is.John: Does your brother even know you're here?Barry: I didn't sayanything, because he'd never give me this much rope.John: Well, if you want to hang yourself with it, bemy guest. Don't expect me to build the gallows.Barry: Tucker, I'm just trying to keep America's ass fromlanding on the wrong side of history.John: Uh-huh. Which doesn't involve turning you into another DanielPearl. My job is to protect American citizens, not serve them up. You end up dead in the desert in a trailthat leads back to the U.S. Embassy...Barry: What do you want? In return, what do you want? An insideseat? A heads up on what's happening as it happens? (John sighs)John: Are you offering to spy on yourbrother?Barry: I have 24 hours. You have less.Tariq: I need to speak to the president.Secretary: Uh...But he-he isn't... Shall I leave him a, um, message?Leila: Who drowned your puppy?Tariq: Have youseen your husband?Leila: I'm not his keeper.Tariq: At least tell me why he ordered me to stand down. Iwas about to send two brigades to the Plaza, and all of a sudden, he changes his mind with noexplanation. He won't take my calls. He's cancelled his meetings for the day.Leila: The president isn'trequired to consult with his wife on every decision he makes.Tariq: But as his wife, you should know. IfJamal isn't prepared to defend the regime, there are others who will.Leila: I hope, for your sake, you'renot threatening my husband.Tariq: On the contrary, I'm trying to protect him.(crowd clamoring overvideo)(rapid gunfire over video)Ihab: Now these Al Fayeeds, they want to give us platitudes.Leila: He's a"}
+{"doc_id":"doc_160","qid":"","text":"•I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. Ihave merely transcribed what appeared on my screen, with help from the closed captions. •I prefer thatyou link to this transcript on the Psyche site rather than post it on your site, but you can post it on yoursite if you want, as long as you keep my name and email address on it. Please also keep my disclaimersintact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission.(However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to theperson who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. Idon't know the names of different punches and kicks. Use your imagination.[SCENE_BREAK]GILESVOICEOVER: Previously...Buffy and Spike against the wall kissing in \"Smashed.\"SPIKE VOICEOVER: Lastnight changed things.BUFFY: The only thing that's different is that I'm disgusted with myself. Dawn andWillow walking down the street.DAWN: Is this the way to the movies? Dawn and Willow coming throughthe walls into Rack's place.DAWN: What is this place?WILLOW: I'll just be a minute. Willow suspendedinside a ball of magic.BUFFY: Willow's into something. Her and Dawn have been missing for hours.DAWN:Do you know how long I've been out here?WILLOW: (with black eyes) Let's get outta here. Dawn in thecar. The car crashing. Spike and Buffy leading an injured Dawn.WILLOW: Dawnie, I'm sorry! Dawnslapping Willow. Willow crying.BUFFY: You could have killed her!WILLOW: I need help! Willow and Buffyin Willow's bedroom.WILLOW: No more spells. I'm finished. Warren stealing the diamond from themuseum.WARREN: Got it.JONATHAN: It's beautiful.WARREN: Congratulations, Phase One of the plan isnow complete.[SCENE_BREAK]Teaser[SCENE_BREAK]Open on a table covered with magical stuff: tarotcards, candles, little bowls and boxes of herbs, etc. A pair of hands comes into the shot and sweepseverything into a cardboard box. Pull back to reveal Buffy. She begins removing pillar candles from thetable and putting them in the box too. Reveal Dawn standing by the bookshelf looking at books. Her leftarm is in a sling. She puts a book in a box, looks over at Buffy.DAWN: Candles?! We can't havecandles?BUFFY: Dawn, it's magic clearance. Everything must go. Buffy looks over at Willow, who is sittingcross-legged on the bed. Willow nods.DAWN: B-but they're just candles!BUFFY: (sighs, stands up) Well,yeah, you know, to you and me they're just candles, but to ... witches they're ... like bongs. Willow nodssadly. Dawn sighs.BUFFY: So, no candles, no charms ... (walking toward the door to the bathroom)no-WILLOW: Bird.BUFFY: (stops walking) No bird?WILLOW: That peacock on the table. (looks at the sidetable near Buffy) It has two crystals in it. Buffy picks up the small statue of a bird. She opens it and findstwo crystals inside.WILLOW: Tara, she... (Buffy looking at her) she left them. (Dawn looking atthem)BUFFY: I'll make sure she gets them. Willow nods.Cut to downstairs. Buffy walks into the livingroom carrying a cardboard box. She begins walking around, picking up things and putting them in thebox. Dawn follows.BUFFY: (over her shoulder) Dawn, do me a favor, can you grab the fertility god statueon the desk over there?DAWN: Kokopelli?! No! I love him! And he was Mom's. Buffy puts hands on hipsand just looks at Dawn.DAWN: (upset) Why do we have to get rid of so many things I like?BUFFY: Dawn,I explained this to you. Willow has a problem. The next few weeks are gonna be ... crazy hard on her as itis. Buffy turns away as she continues talking. Dawn rolls her eyes and turns to pick up the statue.BUFFY:(on the sofa, moving cushions around) Any reminder of, of what it is that she's trying to stay away from,you know, could cause her to ... give in to temptation. Buffy digs among the sofa cushions and findssomething. It's a cigarette lighter. She flips it open and stares at it. Flash to Buffy and Spike in theabandoned building, kissing and slamming each other up against the walls. Flash back to the present.Buffy still stares at the lighter.BUFFY: And that would be bad. She turns and tosses the lighter into thecardboard box.Cut to a closeup of the stolen diamond seen through a magnifying glass. A hand takes itout of its black-velvet-lined case and holds it up. Cut out to reveal Warren, wearing safety goggles andsitting at a workbench. A device of some sort, vaguely machine-gun-shaped, is on the bench in front ofhim. He puts the diamond into a space on top of the device, in the middle of a star shape formed by sixmetal spikes. He places a glass cover over the diamond.WARREN: (triumphant) Okay, that's it. It's finallydone. Jonathan and Andrew come up behind him to look.WARREN: I mean, it still needs a trial run, but"}
+{"doc_id":"doc_161","qid":"","text":"FLASH IN.[EXT. VARIOUS LAS VEGAS CITY (STOCK) -- DAY](Sirens wail in the distance.)[EXT. LASVEGAS STREET - DAY](A black Caprice zooms down the street. Two officer cars are pursuing it, theirsirens blaring.)(The black car crosses an intersection, nearly hitting a white car crossing it at the sametime. The white car's horn blares.)(The black car turns the corner. The officer cars continue their pursuit,sirens blaring. The intermittent sounds of automatic guns firing are heard during the chase.)(In one ofthe cars, Brass is driving; Sofia sits in the passenger seat.)Sofia Curtis: These guys are hard core. Whoare they?(The car chase continues.)(In the second car are two officers. The older officer, SergeantAdams, is driving; the younger officer in the passenger seat is Officer Bell.)Officer Adams: Tell Controlthese guys have automatic weapons! Probably A-Ks!(Officer Bell doesn't respond. He's just amazed bythe car chase.)Officer Adams: (shouts) You with me!(Officer Bell shakes himself out of it and makes thecall. Gun shots are fired from the black car in front of them. The windshield from one of the cars smashesfrom the impact of the bullets.)Officer Bell: (to radio) Three-David-34, be advised subjects are firingautomatic weapons, possibly AK-47s.(In the third car are Officer Davis and Sergeant Carroll.)OfficerDavis: (to radio) All right, we're coming up on a T-intersection. Get ready.Sgt. Carroll: Three-boy-seven,pursuit approaching a t-intersection on Jefferson and Third.(Gunfire continues from the black car infront.)(Car 2's windshield is hit; glass shatters in the car.)Officer Bell: We're going to get killed!OfficerAdams: Not if you do what you're supposed to do.(Gunfire continues.)(The black car hits the side andflips over.)(Car 2 stops. Both officers get out.)Officer Bell: (to radio) Three-David-34, suspect Caprice hasT/C'd. Intersection Jefferson and Third.Officer Adams: When you get out, keep your head down.(The twoofficers open their doors and use it as shield as they prepare for more gunfire.)(The occupants of theblack Caprice crawl out of the overturned car. They're both carrying handguns and open fireimmediately.)(Behind them, a second officer car arrives. Officers Davis and Carroll immediately opentheir doors and use it as shields and return fire.)(The gunmen from the car crawl out and fire to get tocover behind the overturned Caprice.)(It's complete chaos as gunfire is fired from both sides. Bullets areeverywhere - sides of cars, windows, tires - richoceting off metal bins.)(Brass and Sofia's car arrives.Sofia gets out of the car and starts firing.)(Gunfire continues between the cops and the gunmen.)(Brassgets out of his car and starts firing from behind the car door.)(A bullet hits one of the officer car's tiresand flattens.)(A gunman in the blank tank top, Salvator \"Stuckey\" Rosario, stops to changecartridge.)(Gunfire continues.)(Salvator Rosario puts his gun aside. He intends to run for it.)SalvatorRosario: Guys! Go! Go!(Rosario uses the automatic weapon and fires at the officers.)(He tosses the rifleaside when he runs out of bullets.)Officer Adams: They're out of rifle ammo!(Rosario takes out ahandgun. An officer sees him and shouts out a warning.)Officer: (o.s.) No! Get down! They've gotmore!(Rosario fires.)(Brass returns fire.)(We hear the pinging of bullets off metal.)(Officer Bell stands upto fire and is hit with a bullet square in his chest. He falls backward and hits the ground. We see he'sbleeding from his neck)(Salvator Rosario stands up to run. Leandro Chavez follows. A shot is fired and heis shot in the thigh. He falls to the ground.)(Salvator Rosario takes off running up a resident's frontdrive.)Officer: They're running. I'm going left. You go right. Going to take these guys. You guys, move onup.(Brass moves forward to provide cover as Officer Adams checks on Officer Bell. The other officersscramble to chase after the running gunmen.)Officer: (to radio) Three-boy-seven in foot pursuit of twomale Latinos. One east, one west on Third Street. Requesting backup.(Officers chase after the gunman.Salvator Rosario jumps over a wall.)(Officer Adams calls for assistance.)Officer Adams: Three- David-34,officer down. Requesting immediate backup and paramedics. (to Sofia) I'll take care of it. I'll stay withhim.(Brass and Sofia both leave to help pursue the gunmen.)(Additional backup arrives.)(Sofia runs up toLeandro Chavez, who was shot. She stands over him, her gun on him. She kicks his gun out of hisreach.)(A neighbor steps out into his yard and looks over at Brass.)Neighbor: Que paso?Brass: Nada.Haciente. Adentro, adentro.(A second officer approaches Sofia.)Sofia: Cuff him.(The officer takes out hishandcuffs to cuff the man in the white tank. Sofia turns and starts running to help catch the othergunman.)Leandro Chavez: Dame una ambulancia, puey.Officer: I don't speak Spanish.(Sofia runs to help"}
+{"doc_id":"doc_162","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - DAY][EXT. DESERT ROAD - DAY]CU: LIZARD ON A ROCK(A lizard is ona rock in the middle of the road.)(Officer cars rush down the road and are headed toward the lizard.Sirens blare. The lead car suddenly turns right and smashes through the wooden fence. The other carsfollow.)[EXT. CONNORS RESIDENCE - DAY](The officer cars rush down the long driveway and stop infront of a house complete with pigs in a sty out front. Car doors open and officers with their guns out takeposition behind the doors. The SWAT team moves out toward the house. Brass gets out of the car andyells through the bullhorn.)Brass: Hank Connors, Las Vegas Police. Come out with your hands above yourhead. Come out slowly.(Gunfire erupts from the house. Officers duck as bullets shatter car glass.)(Theofficers return fire.)(A couple of SWAT move in closer and take cover behind an old tractor.)(The gunfirefrom the house continues.)(The two SWAT officers move in closer to the house. One of them is hit.)Brass:Officer down!(They continue to exchange gunfire.)Hank Connors: (shouts) Go back where you camefrom! You're not taking me!(He continues to fire on the officers outside.)(He stops and looksoutside.)SLOW MOTION: Three SWAT officers move in toward the house.(Hank Connors takes a moment,then he runs into the house.)(The officers reach the front porch.)[INT. CONNORS RESIDENCE - HALLWAY- CONTINUOUS](Hank Connors makes his way through the hallway to the door in the back.)[EXT.CONNORS RESIDENCE - FRONT PORCH -C ONTINUOUS](One of the officers kicks the front door in.)[INT.CONNORS RESIDENCE - BACK DOOR - CONTINUOUS](Hank Connors stops in front of the back door andturns around to look inside, his back to the door.)[INT. CONNORS RESIDENCE - LIVING ROOM -CONTINUOUS](SWAT officers enter the house and head for the hallway.)REVERSE VIEW(The SWATofficers appear in the hallway entrance and make their way toward the back door.)(Hank Connor appearsto stand in front of the back door.)(SWAT officers continue to make their way toward him.)(Hank Connorgrabs a gun, puts it under his chin and --BANG!(Blood spatters on the back doorwindow.)[SCENE_BREAK][INT. CONNORS RESIDENCE - LIVING ROOM / HALLWAY - CONTINUOUS](Theguns found in the house are on the table. Nick walks in and heads for the hallway where Hank Connor'sbody is slumped up against the back door.)(Along the hallway walls, Nick notes the guns and ammunitionstacked on the side. He stops in front of the body and notes the handgun in the victim's grip. He alsonotes the large water bottles in the room beyond the back door.)(Brass enters the hallway.)Brass: MREs,automatic weapons, ammo, water -- this guy Connors was ready for the end of days.Nick: Which, in hiscase, was today. Bomb squad find any booby traps?Brass: No, he liked it mano a mano.Nick: Any sign ofChyna De Vere?Brass: Not yet.[SCENE_BREAK][EXT. CONNORS RESIDENCE - FRONT YARD --DAY](Grissom and Warrick walk along the side of the house where the pigs in the pen are.)Warrick: Youknow, there's some food, you just shouldn't see where it comes from.Grissom: Did you know that pigsare very intelligent animals, right behind chimps, dolphins and elephants?Warrick: Ahead ofdogs?Grissom: And certain politicians.(Warrick chuckles.)(They look around.)Warrick: I don't seeConnors' truck anywhere.Grissom: Let's look in the barn.(They head for the barn.)[SCENE_BREAK][INT.CONNORS RESIDENCE - BARN -- DAY](The cat runs down the steps and out the door as it opens.Grissom and Warrick walk in.)Warrick: There's the truck.(Warrick steps up to the area where the bluetruck is parked. He and Grissom look at the truck. They find bloodstains in the bed.)Warrick: If this isChyna De Vere's blood, we're getting warmer.(Warrick snaps photos of the blood. Grissom turns andlooks around the barn. They note the items on the desk and the stuffed animals on the side.)Warrick:Looks like he had a hobby -- stuffed animals.(Warrick stops near the table and looks at the items on itwhile Grissom continues toward the other side of the barn. He looks at the various stuffed animal headsup on the wall.)Grissom: Hey, Warrick.Warrick: Yeah?Grissom: I feel like Marco Polo.(Warrick heads overtoward Grissom.)Warrick: Why's that?Grissom: I just discovered Chyna.(Chyna's head is mounted up onthe wall.)FADE TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][INT. CONNORS RESIDENCE -BARN -- DAY](David Phillips is standing up on a chair and looking at Chyna's head up on the wall.)DavidPhillips: This is a career first.(Warrick is working on the table in the back.)Warrick: A little tip for you: Thenew Mrs. Phillips doesn't need to hear about this.David Phillips: Are you kidding me? She'll want to hear"}
+{"doc_id":"doc_163","qid":"","text":"LORELAI'S HOUSE - LIVING ROOM[Lorelai is packing a bag, Chris and Paul Anka are sitting on the couch,Chris looks bored]LORELAI: Okay. Toothbrush, hairbrush, hypoallergenic pillow, chenille blanket... ooh,comfort shoes. Got them.CHRISTOPHER: Those are your comfort shoes?LORELAI: Not mine -- PaulAnka's.CHRISTOPHER: We're staying in tonight. You can probably get away with flats.LORELAI: He loves,loves, loves chewing on these. They remind him of a squirrel carcass.CHRISTOPHER: Yummy.LORELAI:Don't judge. You eat jerky like it's going out of style.CHRISTOPHER: So, all this stuff is for PaulAnka?LORELAI: No, not all. The toothbrush is mine.CHRISTOPHER: Lorelai.LORELAI: What? It's his firstnight staying at your house. I want him to have all the stuff that makes him comfortable. Ooh -- tennisballs!CHRISTOPHER: I actually have tennis balls.LORELAI: Penn or Wilson?CHRISTOPHER: You'rejoking.LORELAI: Paul Anka's must be Penn. They must be new, they must be green -- not orange andgreen, just green. And FYI, you might want to watch that sarcastic tone of yours because dogs are veryattuned to tone. It's kind of like Chinese, in that respect, dog language. It's very tone based. And you arestressing him out right now with your tone.CHRISTOPHER: The dog is stressed?LORELAI: Look at him.And when he gets like this, you need to talk to him in sweet and dulcet tones. [High-pitched voice] Hi,Paul Anka. Ooh, hi, boy! Hi! [Normal voice] Get it?CHRISTOPHER: Got it.LORELAI: Good. Sunglasses.[goes to get them]CHRISTOPHER: [To Paul Anka] This is not normal. I want you to know that. [ToLorelai] The dog wears Ferragamos?LORELAI: Oh, please. Don't give him any ideas. These are mine. Allright, let's go. You take this, this, and this. Come on. What are you waiting for?[They go out and closethe door, Paul Anka whimpers a little, then Lorelai comes back]LORELAI: Oops. Here, Paul Anka.[Claps]OPENING CREDITSHALLWAY TO LOGAN'S APARTMENT[Rory's phone rings]RORY: [answers cellphone] Hey.LOGAN: Hey, you watching it?RORY: What?LOGAN: The meteor shower.RORY: What meteorshower?LOGAN: It's on the news the BBC said there's some huge meteor shower tonight. I thought wecould watch it together.RORY: Uh, Logan, I have been in the library for the past nine hours. I don't knowanything about any meteor showers. But I could use a regular shower, though.LOGAN: Go up on the roofand check it out.RORY: Now?LOGAN: Yes, now! It's supposed to start in like two minutes.RORY:But...LOGAN: Ace! This is once-in-a-lifetime celestial event. Get going.RORY: Okay, okay. I'm getting.I'm going.LOGAN: Are you running?RORY: I'm running! I'm running! Who knew you were such anastronomy buff?LOGAN: Hurry!RORY: What has gotten into you?[Rory makes it to the roof]LOGAN: Nicenight.RORY: Oh, my god! You're here! What are you doing here?LOGAN: [Chuckles] Happy to seeme?RORY: Beyond happy! [They hug] Ecstatic! I can't believe you're here! And look at me -- I'm coveredin highlighter ink and I smell like Fritos and ginger ale.LOGAN: It's an aphrodisiac.RORY: You're here andyou did all this?LOGAN: You like?RORY: I love, but you didn't have to do this. I mean, you're here. It'senough. It's more than enough.LOGAN: Could you shut up now so I can kiss you?[They Kiss]RORY: Sothere is no meteor shower?LOGAN: No meteor shower.RORY: So you used the entire cosmos to trickme?LOGAN: I like to think big.RORY: So, what is going on? What, Why are you here?LOGAN: I'm kissingmy girlfriend on the roof. Mmm.RORY: But why?LOGAN: The Fritos and Ginger Ale thing. I told you, hugeturn-on.RORY: [Sighs] Explain yourself.LOGAN: I'm just here for a quick business trip.RORY: Howquick?LOGAN: Too quick.RORY: How quick is \"too quick\"?LOGAN: I have 10:00 flight back to Londontomorrow night.RORY: Oh, that is too quick.LOGAN: That website my team has been trying to buy -- theowners finally agreed to sit down, talk to us tomorrow over breakfast.RORY: Logan! That's great, right? Imean, three weeks ago, they weren't even taking your calls.LOGAN: It is great. However, not as excitingas kissing my girlfriend on the roof.RORY: Um, so, what's that amazing smell?LOGAN: Food fromIbiza.RORY: The island?LOGAN: The Tapas plAce downtown.RORY: Ooh, did you get the duck?LOGAN: Idid.RORY: And the short ribs?LOGAN: Yes. And...RORY: [Gasps] Ooh! A 2003 red something. Oh I bet it'svery oaky and corky and full of fruity legs.LOGAN: Know a lot about wine, do you?RORY: Not so much,but the label's pretty.LOGAN: There's also gazpacho, that cheese-pie thing you love, plus flan.RORY:Ooh, flan! You got me flan?LOGAN: Doesn't take much to make you happy, does it?RORY: Not whenyou're on this continent.LOG: Okay, why don't you open this wine? I want to taste those fruity legs, and"}
+{"doc_id":"doc_164","qid":"","text":"[Salvatore's house](Caroline is sitting on the couch. Damon gives her a glass of blood)Damon:HereCaroline: I'm still shaking(She drinks. Stefan arrives)Stefan: What happened?Damon: go ahead, tellhim. You're gonna love thisCaroline: I saw Katherine todayStefan: Where?Caroline: At the grill. I juststopped by to gawk and... 'cause I stuck Matt[Mystic Grill](Caroline tells them the story. She's looking atMatt)Matt: Do you need a table?Caroline: No, I'm not staying. I just needed to use the little girls'roomDamon: Skip the teen drama and getCaroline: Then I had to pretend to use the bathroom eventhough I didn't really have to go because I'm defies(Caroline is in the bathroom. She's washing her handswhen Katherine arrives. She poses as Elena)Caroline: Elena?Katherine: Hey, I saw you with Matt, are youokay?Caroline: Yeah, you know... whatever(She rushes over Katherine. Katherine smiles)Katherine:You're good. What gave me away? Was it the hair? Or was it my clothe?Caroline: I know Elena is... Iknow Elena's at homeKatherine: I need you to deliver a messageStefan: What was themessage?Katherine: Tell Damon and Stefan that I want the moonstone or I will rip this town apart until itrains bloodDamon: Tell him the rest of itKatherine: Tonight, at the masquerade ball[Salvatore'shouse]Stefan: She wants to do it in public. Killing Mason threw off her guardDamon: She's runningscared. What she did to Jenna was desperate. She's out of tricksStefan: We can't underestimate her. Wehave to play this smarter than herCaroline: Can we just give her the moonstone so she'll leave?Damon:No, Katherine's not getting dick. I'm gonna go to the masquerade ball and I'm gonna kill her,tonightStefan: You're not gonna kill herDamon: Don't give me that goody goody crapStefan: You're notgonna kill herDamon: Really?Stefan: Because I am[Gilbert's house](Jenna is coming from the hospital.Jeremy, Matt and Elena are helping her)Matt: Easy. Grab the door JerJenna: Hey, stop fussing, I'mfineElena: The doctors said that you have to take it easyJeremy: Yeah, you don't want to rip your stiches,hemorrhage and die, alright?Jenna: yeah, the only thing I'm gonna die from is embarrassmentMatt:NoJenna: I walked into a knife. How does somebody do that?Elena: It is a freak accidentJeremy: Yeah, ithappensMatt: Yeah, I mean I've done it like 20 times at the grill(Jenna laughs)Matt: Okay, I'm beingnice(They put her on the couch)Matt: What should I do with this?Elena: I got it(He gives her a bag withfood. Matt stays with Jenna. Elena goes in the kitchen. Jeremy follows her)Jeremy: So what are we gonnado?Elena: Make lunchJeremy: No, about KatherineElena: We're not gonna do anything, JeremyJeremy:She tried to kill Jenna. We can't let her get away with thatElena: yes we can. If it keeps us safe then wecanJeremy: And what if she tries something else?Elena: She won't. Katherine hurt Jenna because I didn'tdo what she said. I'm not doing it now, me and Stefan are over. She wins, the endJeremy: You are beingnaïve and you know it(He leaves)Elena: Where are you going?Jeremy: Out. I'll be back[Katherine'sbedroom](Katherine enters the bedroom. She's carrying a shopping bag. Mrs. Flowers is helping her)Mrs.Flowers: Where should I put these?Katherine: Right there. Thank you, Mrs. Flowers. You've been such awonderful helpMrs. Flowers: Oh, it's my pleasure dear. Let me know if there anything else I candoKatherine: I will(She takes a dress from one of the bags. A woman is in the bedroom. Katherine rushesover her and pushes her against the wall)Lucy: Oh, Kat, chillKatherine: Do not snick up on avampireLucy: Don't attack a witch. It's good to see you girl(Katherine embraces her)Katherine: I'm gladyou made upLucy: You called, I cameKatherine: Like you had a choiceLucy: Don't get all boss lady onme. You know I love you(She takes a mask from one of the bag)Lucy: Now, where does one wherethis?Katherine: To a masquerade ball. Tonight. You want to be my date?[Salvatore's house](Carolineopens the door to Bonnie)Caroline: Hey, come on inBonnie: I got Stefan's messageStefan: Hey, youbrought the grimoire, thank you(She sees Damon and Alaric talking and she sees that there is a lot aweapon on the table)Bonnie: What's going on?(Jeremy arrives)Jeremy: We're gonna kill KatherineStefan:I can explainBonnie: PleaseStefan: We're gonna kill Katherine(Alaric shows the weapon toeverybody)Alaric: This works with compressed air. The trigger mechanism is up here. I have two of thesein a different size. For you I recommend this. It feats nicely under the jacket sleeve. You use the triggerwhen you're ready(He fakes killing vampire. Damon and Stefan look at each other)Alaric: He wanted meto show him how to kill a vampire[Katherine's bedroom](Katherine is smoothing down her hair)Lucy:"}
+{"doc_id":"doc_165","qid":"","text":"\"In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a youngman. His name... Merlin.\"[SCENE_BREAK]Plains of Denaria (day) A cloaked figure struggles to pull ahorse cart along a dusty road. Four nights approach on horseback.Sir Leon: Halt! The cloaked womanstops.Sir Leon: Stay where you are. The woman sets down the cart handles a as the knights dismount,Sir Elyan among them.Sir Leon: Where are you headed?...Morgana: The Seas of Meredor.Sir Leon:What's in the cart?... Morgana says nothing. Sir Leon motions for the spare knights to search it andMorgana turns around.Sir Leon: Lady Morgana. Morgana uses magic to throw each of the knights to theground. She looks around, pulls off her hood and pulls back a blanket in the cart.Morgana: You're allright?Morgause: Yes, thank you, Sister. But we must hurry. Night is nearly upon us... Morgause turns herface towards Morgana, revealing a hideous deformity to the right side of her face.Morgause: ... And westill have far to go. --- New Opening Credits --- Castle Square Merlin runs through knights and servantsand into the Castle. Servants are decorating the castle with vines and Merlin ducks under one of them ashe bolts up the Griffin Stairway.Merlin: Sorry.[SCENE_BREAK]Castle Kitchens Merlin bumps into moreservants and nicks some food off a passing plate. The head cook accosts him with a ladle.Head Cook:What are you doing in my kitchen?Merlin: Uh, the prince's shirt. The cook motions to the line above thestove where the pots are hanging.Head Cook: Keep your dirty fingers off my food, d'you understand?Merlin grabs the shirt and a hook on a string drops down in front of his face. He looks up, confused. SirGwaine and Sir Percival are peering down at him with eager and mischievous grins. Gwaine puts a fingerto his lips and Merlin laughs. Merlin attaches the hook to one of the roasting chickens and pulls on thestring. The knights pull it up to them as Merlin exits hastily.Head Cook: Oi![SCENE_BREAK]Castlecorridors Merlin weaves through bustling servants. A servant with wine pitchers bumps into him and spillsit all over Arthur's newly washed shirt. Merlin picks up the stained shirt and stares at it.Sir Lancelot: Youcould try a bit of salt.Merlin: Arthur is going to kill me.Sir Lancelot: Let's see... Sir Lancelot looks at theshirt.Sir Lancelot: ...You've faced far worse, Merlin.Merlin: He needs it for tonight.Sir Lancelot: I'm sure aman of your talents can think of something. Lancelot lifts his eyebrows knowingly. Lancelot keeps walkingand Merlin checks to see no one's looking.Merlin: *spell*Fordwin wamm! Lancelot stops and turnsaround. Merlin shows him the clean shirt and Lancelot opens his arms as if to say \"See, that was easy.\"The both continue on their way.[SCENE_BREAK]Arthur's chambers Arthur's leaning against his desk andwriting, as Merlin enters with his clean white shirt.Merlin: You're dressed.Arthur: Yes, Merlin. I'm not anidiot. Arthur turns around to walk behind his desk. He didn't manage to pull his shirt all the way throughhis belt in the back and his skin is showing. Merlin sniggers.Merlin: Are you sure about that?Arthur: I begyour pardon?Merlin: It's just that...Arthur: Merlin!Merlin: But you...Arthur: I am trying to write aspeech.Merlin: D' you want help?Arthur: No.Merlin: You won't want this, then? Merlin holds up a scrolland Arthur looks up from his desk.Merlin: ... I spent all night working on it. Arthur takes the scroll andlooks over it with exaggerated scepticism.Merlin: ... What do you think? Arthur hands it back toMerlin.Arthur: It needs a polish.Merlin: I'll add it to the list. Arthur tosses the speech he was workingon.Arthur: Merlin, there aren't many servants who get the chance to write a prince's speech. Obviously itwould be too much for you to say, \"Thank you.\" Merlin stares at Arthur for a moment and walks out withhis laundry without deigning reply. Arthur smiles.[SCENE_BREAK]Seas of Meredor Morgana helpsMorgause limp out of the cart in the foggy wood.Morgause: The Isle of the Blessed. Morgana helpsMorgause to the dock. A ferryman waits for them by a longboat. He holds out his hand. Morgause placesa coin in it.Morgause: You know where we wish to go. The sisters huddle in the boat, the ferryman at thehelm, as it glides across the sea.[SCENE_BREAK]Uther's chambers Uther's hand shakes badly as helowers his goblet to the table in front of his chair. Gwen enters and watches him with a pitying expressionbefore she approaches him.Gwen: You've not eaten, Sire. Sire? Uther doesn't seem to hear her, lost inhis own misery. Gwen takes the tray of untouched food and meets Gaius on her way out. She looks at thepotion in Gaius's hand.Gwen: It doesn't seem to make any difference.Gaius: I'm not sure it ever will butat least it gives him peace.Gwen: It's been a year since Morgana betrayed him.Gaius: (nods) His heart is"}
+{"doc_id":"doc_166","qid":"","text":"Still not far from Pentos, Your Grace. You'd be more comfortable there. I have no interest in hospitality orcomfort. I'll stay with Drogo until he fulfills his end of the bargain and I have my crown. I have somethingfor you.First lesson: Stick them with the pointy end. 17 years ago you rode off with RobertBaratheon.And now you're leaving again.I have no choice.There's great honor serving in the Night'sWatch. The Starks have manned the Wall for thousands of years.And you are a Stark.Daenerys Targaryenhas wed some Dothraki horselord. What of it? Tell me we're not speaking of this. I'll kill every Targaryen Iget my hands on. Rapers. Not impressed by your new brothers?Lovely thing about the watch ...Youdiscard your old family and get a whole new one. Welcome. I don't think Bran fell from that tower. I thinkhe was thrown. No! Someone tried to kill him twice. I would stake my life the Lannisters are involved.Lord Stark must be told of this.I will go myself.What is the meaning of this?Joff told us whathappened.You and that boy beat him with clubs while you set your wolf on him.That's not whathappened!Ahh! We found no trace of the direwolf, Your Grace. We have another wolf. As you will. Hedoesn't mean Lady, does he? Lady didn't bite anyone! She's good!King's Landing Page : Welcome, LordStark. Grand Maester Pycelle has called a meeting of the Small Council. The honor of your presence isrequested.Eddard Stark : Get the girls settled in. I'll be back in time for supper. And, Jory, you go withthem.Jory Cassel : Yes, my Lord.King's Landing Page : If you'd like to change into something moreappropriate...Jaime Lannister : Thank the gods you're here, Stark. About time we had some sternnorthern leadership.Eddard Stark : Glad to see you're protecting the throne.Jaime Lannister : Sturdy oldthing. How many kings' asses have polished it, I wonder ? What's the line ? The King sh1ts and the Handwipes.Eddard Stark : Very handsome armor. Not a scratch on it.Jaime Lannister : I know. People havebeen swinging at me for years, but they always seem to miss.Eddard Stark : You've chosen youropponents wisely then.Jaime Lannister : I have a knack for it. It must be strange for you coming into thisroom. I was standing right here when it happened. He was very brave, your brother. Your father too.They didn't deserve to die like that. Nobody deserves to die like that.Eddard Stark : But you just stoodthere and watched.Jaime Lannister : 500 men just stood there and watched. All the great knights of theSeven Kingdoms. You think anyone said a word, lifted a finger ? No, Lord Stark. 500 men and this roomwas silent as a crypt. Except for the screams, of course, and the Mad King laughing. And later... When Iwatched the Mad King die, I remembered him laughing as your father burned... It felt like justice.EddardStark : Is that what you tell yourself at night ? You're a servant of justice ? That you were avenging myfather when you shoved your sword in Aerys Targaryen's back ?Jaime Lannister : Tell me... If I'd stabbedthe Mad King in the belly instead of the back, would you admire me more ?Eddard Stark : You served himwell when serving was safe.Varys : Lord Stark.Eddard Stark : Lord Varys.Varys : I was grievously sorryto hear of your troubles on the Kingsroad. We are all praying for Prince Joffrey's full recovery.EddardStark : A shame you didn't say a prayer for the butcher's son. Renly ! You're looking well.RenlyBaratheon : And you look tired from the road. I told them this meeting could wait another day,but...Petyr Baelish : But we have a Kingdom to look after. I've hoped to meet you for some time, LordStark. No doubt Lady Catelyn has mentioned me.Eddard Stark : She has, Lord Baelish. I understand youknew my brother Brandon as well.Petyr Baelish : All too well. I still carry a token of his esteem from navelto collarbone.Eddard Stark : Perhaps you chose the wrong man to duel with.Petyr Baelish : It wasn't theman that I chose, my Lord. It was Catelyn Tully. A woman worth fighting for, I'm sure you'll agree.GrandMaester Pycelle : I humbly beg your pardon, my Lord Stark.Eddard Stark : Grand Maester.Grand MaesterPycelle : How many years has it been ? You were a young man.Eddard Stark : And you served anotherKing.Grand Maester Pycelle : How forgetful of me. This belongs to you, now. Should we begin ?EddardStark : Without the King ?Renly Baratheon : Winter may be coming, but I'm afraid the same cannot besaid for my brother.Varys : His Grace has many cares. He entrusts some small matters to us that wemight lighten the load.Petyr Baelish : We are the lords of small matters here.Renly Baratheon : Mybrother instructs us to stage a tournament in honor of Lord Stark's appointment as Hand of theKing.Petyr Baelish : Mmm, how much ?Eddard Stark : 40 000 gold dragons to the champion, 20 000 to"}
+{"doc_id":"doc_167","qid":"","text":"\"The Man in the Mud\"[SCENE_BREAK](Teaser)(An all-terrain vehicle pulls to a stop in the woods.CHANDLER [Alicia Ziegler] and her boyfriend, TIM [Andrew Lawrence] alight from the vehicle.)TIM: TheGPS says it's right up here.CHANDLER: You don't even know how to use that thing!TIM: The hell I don't!(The GPS device in his hand beeps.) We're here.CHANDLER: We just drove an hour through the woods tofind more woods that look just like the woods we drove through.(They come upon a bubbling puddle ofthick ooze.)TIM: Eureka!CHANDLER: Ew! That's mud.TIM: No, this is like, um...(close up of the bubblingmud) yeah, it's pretty much mud.CHANDLER: And it smells like rotten egg.TIM: Mmm, sulfur. Verytherapeutic. (TIM starts to strip.)CHANDLER: And you expect me to believe you've never been herebefore.TIM: A friend of mine told me about this place and swore me to secrecy. But this is my first time.In mud.CHANDLER: (laughs nervously as the Soft Misdirectional Piano of Romance starts to play in thebackground.)TIM: (from off-screen) Come on in; it's nice.CHANDLER: All right. (CHANDLER strips downand slips into the hot spring. The two begin kissing.) Mmmm--what, are you poking me?TIM: This mud isreputed to have amazing romantic properties.(They both giggle and resume making out)CHANDLER:Mmm...I think I got it.TIM: No, I think I'd notice if you got it.CHANDLER: (gasps as she pulls a muddy,skeletal arm from the hot spring, to the accompaniment of an Abrupt Musical Sting. The camera focuseson the hand for a long moment before CHANDLER and TIM freak out and jump out of the hot spring.)(Thecamera focuses in on the hot spring, and pulls back to reveal BOOTH's hand reaching toward themud.)BOOTH: Whoa, sheesh! (BOOTH jumps backwards from the mud. A camera pan reveals that he iswith BRENNAN and a PARK RANGER [Christopher May].)PARK RANGER: This hot spring averages atemperature of 105 degrees, but it can spike to near boiling, which is why we discourage bathers.(addressing a chagrined TIM and CHANDLER, who are sharing a muddy blanket and not much else, with ascolding tone of voice) Especially those who illegally drive four-by-four vehicles into a nationalpark.BOOTH: So someone was boiled to death?PARK RANGER: Or had a heart attack or passed out, etcetera et cetera.BRENNAN: The remaining flesh will have to be macerated.PARK RANGER: What'sthat?BOOTH: Ugh...don't ask.BRENNAN: The flesh either has to be boiled off, or eaten by Dermestidbeetles.BOOTH: Bones, why can't you just say \"cleaned\"?BRENNAN: (indicating several long bones.) Thesulfur encrusted the bones--do you see the staining?BOOTH: So it's been there a long time?BRENNAN:Not necessarily.BOOTH: So why'd you have to even bring it up then?BRENNAN: (lifting the skull, which isseverely pitted) Signs of blunt force trauma.PARK RANGER: What's that mean?BOOTH: That means hedidn't pass out and boil to death on his own.BRENNAN: I'm going to need all of the mud.PARK RANGER:Excuse me?BRENNAN: Get a tanker truck out here and suck it up so we can filter it back at theJeffersonian. (Long shot of the PARK RANGER exchanging a flabbergasted glance with BOOTH, whoshrugs.)BRENNAN: (squatting, lifts up the arm) Humerus is thirty-six point five centimeters. Mediumbuild, late twenties early thirties--he's broken this bone before.PARK RANGER: Is she serious about themud?BRENNAN: Serious as a gas attack.BOOTH: Heart attack, Bones. Serious as a heartattack.(Medico-Legal Lab. CAM is just swiping her card to enter the Platform in a tracking shot that bringsus over to the remains.)CAM: The description's too general to get anything from a missing person'sreport.ZACK: A triangular depression in the calvarium, interior longitudinal 1 fracture, grazed corticalbone and C1; there's a patterned impression in the bone. (As he's speaking, ZACK indicates eachparticular instance of trauma on a magnification camera screen.)CAM: How many times was he hit, andby what?ZACK: More than once, by a (questioningly) square pipe? Does that exist?CAM: In myexperience, people hit people with anything that they can pick up and swing. (pauses) He was attackedfrom behind?ZACK: Mmmm....CAM: (annoyed) What?ZACK: There's a vertical impaction fracture to hisglabella and frontonasal suture.CAM: Same weapon?ZACK: It doesn't seem so. . . . I have seen thisbefore.CAM: Great. Where?ZACK: From sharpened stone weapons, in Neanderthal skeletons.CAM: I'mthinking not so relevant in this case.ZACK: The blow to the front of the head would cause a severelaceration.CAM: There were no bloodstains around the mud bath.ZACK: Indicating that the body wasdumped there postmortem.CAM: Zack, regarding the Neanderthals-ZACK: (correcting)"}
+{"doc_id":"doc_168","qid":"","text":"[PREVIOUSLY_ON]Mr Yikumura: Kira, you forgot all the research you did for that boy you like.Derek:We're not leaving without it.Peter: Somebody really doesn't want our hands in there.Chris: We're gonnaneed a lot more help.Stiles: Lydia's got sort of a talent.Lydia: I'm psychic.Deaton: You opened a door. Itwill draw them here, like a beacon.Agent Mccall: Bring him around back. And keep it quiet. No one needsto know except for the people who absolutely need to know.Melissa: Oh, here we go.Sheriff: Hey. He isnot coming in.Agent Mccall: This is the only hospital that will take him.Sheriff: What about County?AgentMccall: You'd be surprised how fast things fill up when a guy like this needs surgery.Melissa: They turfedhim to us?Sheriff: Yeah. If County doesn't want to operate on himAgent Mccall: Then someone hasto.Melissa: Somebody needs to do his pre-op interview.Agent Mccall: Who usually does that?Melissa:Me.Stiles: Get your ass down here now. We have a job to do.Scott: Dude, I'm already in bed. And aren'twe getting a little old for this?Stiles: We do this for Coach.Scott: I thought we did this to Coach.Stiles:Whatever, okay? You know he needs this. He lives for this stuff. He loves it.Scott: But it's the middle ofthe night.Stiles: Which means it's after midnight and officially Mischief Night/Day, and, by perfectlyawesome coincidence, it's also happens to be Coach's birthday. So if you are not down here in fiveseconds, I will destroy you. Okay? And I mean five, four, three, two -Scott: One.Stiles: I hate you.AgentMccall: Try to keep in mind exactly what this guy's capable of. He's a former electrical engineer whodecided to walk onto a school bus with a shrapnel bomb. He left four students dead and a fifth with nolegs.Melissa: Just out of curiosity, have any of his psychiatrists made any progress?Agent Mccall: I'm toldthis is the same thing almost every day. When he gets out, he's going to do it again. And next time, he'sgoing to get it right.Melissa: Mr. Barrow, do you understand that scar tissue has formed around a piece ofshrapnel that remains in your body from a previous injury and that it is now blocking vitalfunctions?Barrow: Yes.Melissa: Do you understand that we must put you under general anesthesiatomorrow morning in order to remove the obstruction?Barrow: Do the kids still pull pranks the day beforeHalloween?Melissa: You mean Mischief Night?Barrow: Where I'm from, we called it Hell Night. Hmm. And,yes, I understand.Melissa: Do you have any allergies to any medications?Barrow: No.Melisssa: Are youtaking any medications other than the ones listed here? Temazepam. Divalproex.Barrow: I just take whatthey give me.Melissa: I'm going to need to listen to his heart.In And out. In. In.Barrow: Why don't youjust ask the question you really want to ask?Melissa: Why did you do it?Barrow: I saw their eyes. Theireyes were glowing. I saw them. I saw their eyes! Their eyes were glowing! Their eyes were glowing! Theireyes were glowing!Scott: You're back in school?Ethan: No, just to talk.Stiles: Oh. That's kind of a changeof pace for you guys. Usually, you're just hurting, maiming, and killing.Aiden: You need a pack. We needan Alpha.Stiles: Yeah. Absolutely not. That's hilarious though.Aiden: You came to us for help. Wehelped.Stiles: You beat his face into a bloody pulp. That's not helping. In my opinion, that's actuallycounter-productive.Scott: Why would I say yes?Aiden: We'd add strength. We'd make you morepowerful. There's no reason to say no.Isaac: I can think of one. Like the two of you holding Derek's clawswhile Kali impaled Boyd. In fact, I don't know why we're not impaling them right now.Aiden: You want totry?Scott: Sorry, but they don't trust you. And neither do I.Ethan: What now. No. No way.Aiden: Wenever finished.Ethan: And we don't have to.Aiden: What if I want to?Ethan: You You seriously want to goback to high school? Is this about Lydia?Aiden: This is about getting Scott to change his mind. We're notjust Betas anymore. We're Omegas. The bitches, remember? When everyone we've screwed over findsout we don't have a pack anymore, what do you think's going to happen? We're dead on our own.Ethan:That's still better than being back in high school. I'm not doing it. No way. What? I'm not takingmath.Aiden: I'll take it for you.Stiles: All right, that's my face! Hey, dude, good decision, buddy. GoodAlpha decision.Scott: I hope so.Stiles: No, you know so. than I can take What are you looking at?Scott:Me?Stiles: You. You looking at her?Scott: Her? Who her?Stiles: Her her. Kira. You like her?Scott: No. Imean Yeah, yeah, she's okay. She's new.Stiles: So, ask her out.Scott: Now?Stiles: Yes, now.Scott: Rightnow?Stiles: Right now. Scott, I don't think you get it yet. You're an Alpha. You're the apex predator.Everyone wants you. You're like the hot girl that every guy wants.Scott: The hot girl?Stiles: You are the"}
+{"doc_id":"doc_169","qid":"","text":"[PREVIOUSLY_ON]Angel to Darla: \"You're never gonna be alone again.\" Door burst open, Dru walksin.Lindsey: \"How did you think this would end?\" Dru bites Darla.Lilah: \"For God's sake, help us!\"Holland:\"People are gonna die.\"Angel, closing the door: \"I just can't seem to care.\" Darla bites Holland.Wesley:\"Right now the three of us are all that are standing between you and real darkness.\"Angel: \"You're allfired.\" Angel throws down his cigarette and flames engulf Darla and Dru. Darla and Dru sit underneaththe water spray from the fire hydrant.Darla: \"Who was that?\" Los Angeles, Hyperion Hotel, night. Angelsteps up to the glass doors leading to a balcony and looks out over the lights of the city. Cordy takesdown a box of papers from a shelf. Wesley is kneeling on the floor of their new office looking throughanother stack of papers. The place is a mess. There are papers strewn everywhere.Wesley: \"When theywent out of business they just left these here?\"Cordy: \"Yup. Also the desk. We'll share.\"Wesley: \"Andwhen we go out of business we can just leave our stuff for the next guy.\"Cordy: \"Hey, hey, negativeenergy boy, with all of our money pooled together we can stay here a long time.\"Wesley: \"Hmm. 20minutes.\"Cordy: \"At least.\"Wesley: \"Angel Investigations without the angel. - You think we can doit?\"Cordy: \"Well, we better. I mean, what else can we do? And I still have the visions. That'll keep usbusy sometimes.\"Wesley: \"We're gonna need a lot more than that. A steady, outside clientele.\"Cordy:\"It'll happen. This is our future, you know? And, personally, I think it is pretty bright. Ow! (Hits her headon a planter hanging from the ceiling) Dead plant! - *Not* symbolizing our future. Really!\"Gunn comesin: \"Okay, everyone parked within ten blocks has a flyer on their windshield. We just slightly irritatedalmost a hundred people. (Wrinkles his nose) Does it smell funky in here to you?\"Cordy: \"It'll air out. Andgood job with the flyers. Now we can just sit back and let the calls roll in.\"Gunn trying the phone: \"Theybetter roll in through a bull horn. We've got no dial tone.\"Cordy: \"What?\"Wesley: \"Perhaps it's the wires.\"Wesley crawls under the desk while Cordy checks the phone.Cordy: \"They said it would be on bynow!\"Gunn: \"One desk? We're sharing?\"Wesley from under the desk: \"Aha! Things are looking up. I thinkI found the right wire. Ah!\" All the lights go out.Gunn: \"I'm so glad I met you guys. It's entertaining.Really.\" Angel lies down in his bed - and wakes up to the sounds of someone singing thestar-spangled-banner. He frowns, then gets up. Comes down the stairs into the lobby of the Hyperion,stops on the landing, crossing his arms. The Host sees him and interrupts his song.Host: \"Hey, big fella.You're gotta be singing all the time in here, am I right? Come on, with these acoustics? (sings) 'and therockets red glare!' - Do you hear that resonance?\"Angel: \"What I hear, and maybe, hopefully, I'm stilldreaming, is the star-spangled-banner being belted out by a loud green demon.\"Host: \"We're all brothersunder the skin, mi amigo. Although the garden hue and the horns have kept me out of some key publicperformances. Just once I'd love to ring in a Lakers game with our national anthem. Is that so much toask?\"Angel: \"Yes! Is there a reason you're here?\"Host: \"There is. What's today? Thursday? Tomorrownight - the world's going to end. I thought you might want to know.\" IntroAngel: \"So the world's gonnaend.\"Host: \"Brings you right down, doesn't it? - Don't feel the need to offer your guest a frothycappuccino or a hot cinnamon roll.\" Angel sitting down in a chair with his arms crossed: \"I don't.\"Host:\"Man, you just get darker and darker. And the weird thing is, your aura? Beige.\"Angel: \"I don't havecoffee.\" Host runs a finger across the top of a desk: \"Or a duster, buster. I don't know why you firedthose three plucky kids. They were good company. Not to mention, Cordelia? Uh! Hot-o-rama! In the 'ohmy sizzling loins' sense of the word, if you know what I mean. And the British boy? He's gonna be playinga *huge* - well. \"Angel: \"Are you gonna get to the world ending or are you just gonna chat until itdoes?\"Host: \"All right, all right! Although my buoyant good will falling on your deaf ears is somethingwe'll need to look at in the future. The world ending? Huh, it's kind of a funny story. I'm at the club lastnight. Fairly typical Wednesday crowd. A Torto demon and his parasite were *murdering* the EverlyBrothers...\" We see the scene the host is describing. There is a horned demon singing a duet of 'Bye, byeLove' with the head sticking out of his belly for a crowd of assorted demons. At one table sits a younghuman male, with curly brown hair and glasses. The Host is accepting a drink from the bartender.Host:\"...which is nothing compared to what Elian had done to my sea-breeze!\" We see the host take a sip and"}
+{"doc_id":"doc_170","qid":"","text":"This is the address for Luke Cafferty. Where does he really live? East Dillon. You're gonna have to pack upyour stuff. Starting tomorrow, you're going to be going to school at East Dillon High. What? Kind oflooking for a place. I do have this trailer.Cheryl: I am going to give my daughter a call.Hey. Don't wantyou to scare her.(stammering)I'm your new intern. Yeah, I got a bunch of crap in here. I need you tostart moving it. Why did you forfeit the game? You just quit on us? I have got shame and I apologize toyou. Who wants to finish this fight?Dallas: Let's do this, fellas! Let's finish it. Let's finish it.( Park wherethe Lions are gathered around an old red car, Stan sits inside. )Eric: Hey, listen! Ten of you are gonnapush the car. Once we get out there and everything, the rest of you hold the helmets and collect themoney. Understood? Be careful, don't get your feet run over while we're out there. Any questions?Tank:Matter of fact, I do have a question.Eric: What is it Tinker?Tinker: Why are we pushing this damncar?Eric: One, you need to watch your language. Two, next time I see you I want whatever that is onyour upper lip shaved off. And I tell you why we're pushing the car, cuz it's a fun football fundraiser. Andwe're all gonna have fun so we're all gonna put smiles on our faces right about now. Team comes out,town comes out, money gets exchanged. It's a good thing. Understood?Tinker: Got it coach!Eric: Let's bekind and courteous out there. Let's go.( The team starts pushing the car out of the parking lot. )Stan:(into his megaphone) Hello neighborhood! We're the Lions! (he roars) Let's hear it guys! (roars)[EXT.Dillon Church]( Tami and Julie exit the church, headed to the car. Tami is holding Gracie. )Tami: Even atchurch, everyone is really not being nice to me about this whole Luke Cafferty thing?Julie: Yeah, well,that's our congregation. All sweet and holy inside the church. Then as soon as they get out the door,bitchy and judgmental.Tami: Well, welcome to the world, honey.Julie: It's not gonna be my world.Tami:What's not gonna be your world?Julie: Going to church with a bunch of hypocrites.( Tami starts to loadGracie into her car seat. )Tami: Honey, hypocrites are everywhere. It has nothing to do with church.That's no way to think about it. There's always going to be some bad apples but church is about you andGod and things other than just people..Julie: So if it's just about me and God, why can't I just worship athome?Tami: I mean, I think church is also about community and family and you know, there's just a lotto it.[EXT. Streets of East Dillon]( The team is pushing the car down the street while Stan yells out.)Stan: We need your quarters, your dollar bills, your good wishes in monetary fashion! Let' hear itboys!Tinker: (to Vince as they push the car) I feel the love. You feel the love?Vince: Shut up, stopsweating on me and push this piece of junk, okay?Stan: We got forty bucks, people! Thank you, goodpeople of the street!Eric: (to people donating money) Good to see 'ya! Thank you very much! Thank youvery much!Stan: We are the East Dillon Lions! Speed up! Speed up! Feed us! Roar!!!( Tim walks up toCoach. )Tim: I'm out.Eric: What do you mean you're out?Tim: I'm out of money.Eric: What do you meanyou're out of money?Tim: I'm out of money.( Eric pulls some cash from his pocket. )Eric: (handing it toTim) Listen to me. This is all I got left. That's about a hundred bucks. Don't give it all to one person.Tim:AlrightEric: Spread it out.Tim: I'm trying, some are taking it.Eric: Well, give it to people who won't takeit.Stan: Look at these boys pushing this car for ten miles![EXT. Richard Sherman's studio]( Matt grabs arusted tricycle and takes it into the studio where loud music is playing while Richard welds. )Matt: Hey!Here's the tricycle.Richard: What?Matt: Tricycle!( Richard stops working to look at it. )Richard: That'sgreat. Listen, I need you to drive me to Clearwater on Tuesday. I need to pick up some metal so I canfinish this piece of crap.Matt: Why do you call everything you work on 'crap'?Richard: Because it is allcrap. I call the Mona Lisa crap. In fact, the Mona Lisa is crap. There are better things I call crap.Matt:Alright, well, Clearwater is like 200 miles away.Richard: Just about.Matt: Right. And I gotta shift I gottado so I... I mean, I can't take the whole day and chauffer you up there.Richard: Yeah, yeah, you're hereto learn about art from an artist! You can't take a day off because you gotta a shift to deliver pizza?( Matthas no comeback for this so Richard just gets back to work. )[EXT. East Dillon High School]( Eric iswalking with the Principal Levi. )Levi: We already have uniforms. Why do we need new ones?Eric: Cuz Iburned the uniforms.Levi: Taylor---Eric: I burned them. That's what you do. They're damn thirty yearsold. It's not like I just burned them for no reason. You end the old cycle, you start the new, Levi. You"}
+{"doc_id":"doc_171","qid":"","text":"Michael: Yeah! Everything! Oh it's all good, it's all good. Phyllis!Phyllis: Dancing babies!Michael: Dancingbabies! I love it! I love it![SCENE_BREAK]Michael: We are making a commercial for Dunder Mifflin today.Our first ad ever. Corporate purchased some air time in local markets to spread the word about DunderMifflin Infinity and they are even sending up a professional ad company to help us make it later so... it'suh, not too shabby.[SCENE_BREAK]Andy: Best ad ever. [sings in the tune of the \"Kit Kat theme song\"]Gimme a break, gimme a break, break me off a piece of that... I am totally blanking. What is thething?Jim: Nobody tell him!Andy: What? No, why?Jim: You got it, you're so close!Andy: [singing] Breakme off a piece of that... huh huh huh... br- applesauce.Jim: Break me off a piece of that applesauce, Idon't think...Andy: Break me off a piece of that Chrysler car.Jim: Nope.Andy: Football cream.Grr!Michael: Okay, it's football cream. It's football cream. Alright! So, anybody else?Pam: I'm taking acomputer animation class so I could try to do a logo.Michael: Look at that. Even the receptionist isgetting in on the creativity. Very good, very good.[SCENE_BREAK]Michael: Hello hello!Ad guy 1: Hey,how ya doin'?Michael: Michael Scott.Ad guy 2: Hey, Michael.Michael: Regional manager.Ad guy 2: HeyMichael, nice to meet youMichael: Excited to talk ideas.Ad guy 1: Let's do it, man.Michael: You know, Iwant this to be cutting edge. I want it to be fast, quick cuts, you know, youthful, sort of a MTV on crackkind of thing.Ad guy 1: That sounds great.[SCENE_BREAK]Michael: All right, good, well this is what wehave to work with.Michael: I would like you to meet Andrew Bernard. The 'Nard Dog. Who let the 'NardDog out?Andy: Hoo hoo hoo-hoo!Michael: He gives the best back rubs in the office.Andy: It's true, I givea mean backrub. I also do good aromatherapy [makes farting noise]. Not! You just got 'Narddogged!Michael: Now this gentleman right here is the key to our urban vibe.Stanley: Urban? I grew up ina small town. What about me seems urban to you?Michael: Stanley is hilarious. Phyllis is like our Mrs.Butterworth. Kind of a less urban Aunt Jemima.Michael: These are our accountants. And as you can seethey are very different sizes. What you might want to do is kind of a Papa Bear, Mama Bear, Baby Bearthing. That might be kind of fun.Kevin: [looking at Oscar] Mama Bear!Michael: Whoelse?[SCENE_BREAK]Jim: I think it's great that the company's making a commercial because not verymany people have heard of us. I mean, when I tell people that I work at Dunder Mifflin, they think thatwe sell mufflers, or muffins, or mittens, or... And frankly all of those sound better than paper, so I let itslide.[SCENE_BREAK]Jim: You playing that game again?Dwight: Second Life is not a game. It is amulti-user virtual environment. It doesn't have points or scores, it doesn't have winners or losers.Jim: Ohit has losers.[SCENE_BREAK]Dwight: I signed up for Second Life about a year ago. Back then my life wasso great that I literally wanted a second one. In my Second Life I was also a paper salesman and I wasalso named Dwight. Absolutely everything was the same. Except I could fly. [shot of Dwight's avatarflying around][SCENE_BREAK]Michael: [reading off piece of paper] Little girl in a field holding a flower,we zoom back to find that she's in the desert and the field is an oasis. Zoom back further the desert is asandbox in the world's largest resort hotel. Zoom back further the hotel is actually the playground for theworld's largest prison. But we zoom back further---Ad guy 1: Okay I can tell that your time isvaluable---Michael: Actually I don't get paid by the hour anymore, but thank you, I get paid by the year,so...Ad guy 1: That all sounds really, really ambitious.Michael: Yeah, I know.Ad guy 1: Why don't weshow you what we did with the Nashua branch?Michael: Mmm. Okay. [commercial plays on laptop, peppymusic in background]Michael: That's what Nassau came up with? That sucks! [chuckles] Whoa.Ad guy 1:That's what we came up with.Michael: Well we can do better than that.Ad guy 2: Well the main part ofthe ad has to stay the same, actually.Ad guy 1: Yeah, it's the last five seconds where we have someleeway.Michael: The waving?Ad guy 1: Well, no, no. You don't have to be waving. That was just whatthey did. You guys can be clapping. Sitting. Standing outside, inside, whatever. This is where you reallyget to be creative.[SCENE_BREAK]Andy: I need some advice. I've been spending a lot of time making outwith Angela lately. But we've been necking, but only necking. Right? Not actually kissing, our mouths,just the neck on neck. It's just like rubbing slash nuzzling our necks together. It's hot, I'm not going to lieto you , but it's a little weird, but you seem like a guy with answers, so how do I fast track this to get to"}
+{"doc_id":"doc_172","qid":"","text":"EXT. WOODS - VIEWFINDERWILLIAM MOORE: (V.O.) I am here in Shenandoah State Park. Oh, that'sbeautiful. Wow!(CAMERA PANS POND AND HILLSIDE THROUGH VIEWFINDER)(ACTION CONTINUES ASMOORE TUMBLES DOWN THE HILL)(MUSIC OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/CREDITS AND OUT)[SCENE_BREAK]INT. SQUAD ROOM - DAYKATE: (V.O.) He did that? Yeah? (INTOPHONE) You're kidding. Well, I wouldn't put it in my romantic column, Deb. Definitely kinky. Maybeaffectionately odd. But I mean, I don't find anything romantic about having s*x with...I'll call you backlater.(HANGS UP PHONE)TONY: s*x with a what?KATE: None of your business.TONY: Anotherwoman?KATE: Go back to your desk.TONY: Another man?KATE: I told you.TONY: Some kind of rootvegetable?KATE: You're disgusting.TONY: Wasn't me having a conversation about kinky s*x, Kate.KATE:It was a private conversation, Tony, something you seem to have a difficult time with.TONY: If I'd beenhaving that conversation, you'd accuse me of being a Neanderthal.KATE: Well, that doesn't require aconversation, Tony.TONY: You know what I think, Kate? I think there's a secret side to you. A SpikeSteele video kind of side. Keep it hidden under your mattress.KATE: Leave now.TONY: Ah, you're a SpikeSteel fan, aren't you, Probie?MCGEE: What, the p0rn star?TONY: No, the physicist.MCGEE: Oh, no notreally. He looks kind of sleazy.KATE: Actually he looks a little bit like Tony.TONY: Oh, you have no ideahow much he looks like me. Kate, how do you know what he looks like?KATE: I saw him on the newswhen he was arrested a few years ago.TONY: Really. Spike Steel's real name is Jay McMann. Andaccording to the National Crime Database he's never been arrested. Ever.(SFX: KEYBOARDINGB.G.)GIBBS: What're you waiting for, DiNozzo?TONY: Uh...GIBBS: Gas the truck.TONY: I knewthat.GIBBS: McGee, get Ducky.MCGEE: What am I telling him, Boss?GIBBS: We have a dead Marine inShenandoah River State Park. Come on! Let's go![SCENE_BREAK]EXT. STATE PARK - DAYKETT: (V.O.)Sergeant William Moore. Call came in from his wife.GIBBS: The friend?KETT: Sergeant Roger Caine. Allcamping together. This morning they were going to hike this trail. Sergeant Moore went ahead early tofilm the sunrise. When they couldn't find him, they called us. Early in the morning, it's really slippery uphere. Sergeant lost his traction and slipped.GIBBS: Are you a trained investigator, Ranger Kett?KETT:Been working this park five years, Agent Gibbs. It's as treacherous as it comes up here. Seen a lot ofhikers go over.GIBBS: This hiker was a Marine.KETT: Yeah, well, this Marine slipped and fell to hisdeath.GIBBS: You said he was filming.KETT: That's what his wife said. No sign of the camera.GIBBS: Meand my team can take it from here.[SCENE_BREAK]INT. TRAIL - DAYKATE: I wonder what happened toMcGee?TONY: Probably passed out on the side of the trial sucking his thumb.KATE: He joined a gym, youknow.TONY: Is that right?MCGEE: (SHOUTS) Wait up!TONY: He should get his money back. Where thehell have you been?MCGEE: Ducky needed some help with his gear. How much further is this?KATE: It'sanother quarter of a mile.TONY: Uphill. Stamina, Probie. It's very important in our profession. As it is inSpike Steel's profession.KATE: You relate to him, don't you, Tony?TONY: Oh, we have a lot incommon.KATE: Stamina?TONY: For one.[SCENE_BREAK]EXT. CREEK - DAYDUCKY: What are yourpreliminary findings, Mister Palmer?JIMMY: Ah, lacerations, bruises, contusions consistent with a fall ofthis kind.DUCKY: And?JIMMY: And uh... I would imagine that the victim has sustained fractures of severallimbs.DUCKY: Cause of death?JIMMY: Impossible to say until we get him back, but from the looks of hishead wounds, I would say that he probably struck a rock.DUCKY: Cause of death?JIMMY: Shock.DUCKY:That would be my supposition as well.JIMMY: But what I don't get is the flesh trauma. What kind ofwounds are these, Doctor?DUCKY: They're Coyote. They would eat the exposed tissue first.JIMMY:What's second?DUCKY: If what I suspect is true, the abdominal cavity has been chewed open. The liverand kidney are a rich source of nutrients for these creatures.JIMMY: That's gross, Doctor.DUCKY: Wellactually, Mister Palmer, we're quite lucky here. In some cases they chew off the head and carry it awayso they won't have to fight other coyotes for it. My coroner friend in Los Angeles says coyotes take it \"togo.\" They're very strange in Los Angeles.GIBBS: Anything unusual, Duck?DUCKY: Not really, Jethro. I'llknow more when I get our Marine back on the table.MCGEE: Boss! I found thecamcorder![SCENE_BREAK]EXT. CAMPGROUND - DAYJUDY: He was obsessed with the stupid camera. I"}
+{"doc_id":"doc_173","qid":"","text":"Ted and Stella joined the others at McClaren's.Ted: Hi.Lily: Hi. How are you? Stella (taking the glass ofBarney): I'll just finish this.Ted: It was just dinner with her sister Stella and her boyfriend.They marriedbefore us.Stella: You know, you dream of the perfect wedding since you been little girl.Lily:Yeah.Marshall: Bluntly.Stella: My sister steals my dream wedding. So every little detail on Shelter Island,the sun managed to sleep... Flashback Stella and Ted are the restaurant's sister Stella and her boyfriend.Sister Stella:... near the beach in the old family home. This is my dream wedding.Stella (Ted taking theglass): I'll finish it.Ted: It seems that the lamb is great here.Nora: I'm vegan. I wish I could silence thatvoice in me that says eating animals is murder, but I guess I'm not as strong as you.Ted: Did you needprotein. I take the lamb. End flashbackTed: New objective: Our marriage is to kick the ass of hers.Ourmarriage is to take the head of his, press it down the toilet and flush 20 times.Lily: Ted, in high school,his marriage was you, right?Stella: You know, she always wants to overtake. I like it, but there is a partof me that would like it all falls apart. Stella is the restaurant with his sister and Ted.Nora: I hate it! Ihate him. God, this steak is good. 4 days before and he fled with a consultant from Whole Foods? I do mymake-up more for him. I do not shower more for him. I shave armpits more for him.Ted: Hard to knowwhere is the problem.Nora: Now, so close to the wedding... Got some bacon or something in the sauce. Ilove it. I would not be refunded. I will lose thousands of dollars.Ted (2030): Children in a relationship,you develop as a telepathy with your partner.Stella: You think about what? It might help.Ted: No, Stella,it should help. Pay for dinner. Do not worry.Taking Charge.Stella: It's true. Recovering your marriage, wereimburse you all that you paid for. Ted and I are getting married Sunday.GENERICTed: We get marriedon Sunday? It is sure to be ready for this?Stella: I've wasted years waiting for the father of Lucy decidesto be \"ready\" for it, but it has ever been. That's why we had never married. Come on, must bespontaneous, I dreamed that Tony is spontaneous like that.Ted: I'm leaving. And I'm also...spontaneous. (He throws a glass of water on his face) I would not have done that.Ted (2030): Children,morality often happens at the end of the story, but this one is too important, I will say now: Never,never, invite ex to your wedding. If I was given this advice, it would have changed everything.Ted,Barney, Marshall and Lily are at the bar. Ted phone.Ted: We need you to come, this is mymarriage.Robin: I can not. I am in Tokyo. This is my first week. I can not leave like this. In addition, I amfinally serious information.Ted (2030): Robin was serious information. Flashback A man brings a fan onthe set of information.Ted (2030): It was the first English news channel in Japan. Of course, the info wasa little different there.Robin: The board of the Fed voted not to change the... rates. End flashbackTed:This is my marriage. You gotta be there.Robin: OK, I'll be there. I gotta go. Good evening. And I'm RobinScherbatsky. The talks have been arrested in the Middle East. Despite a promising start in the finalnegotiations, the talks foundered on security.Ted: It is.Barney: Okay, burial of bachelorhood. Tonight, Ihave three exotic dancers most flexible physically and mentally that you've ever seen...Ted: Notime.Barney: I'll tell you. Marshall and Ted leaves the bar.Ted: Do we really have to rent the cars fortomorrow.Barney: What?Lily: No \"You not married, Ted?\" No \"You're making a big mistake, Ted?\" Haveyou stopped the fight against marriage?Barney: No, I recognize a lost cause, when I see it. That's whyI'm not recycle. In addition, Ted getting married, it is my interest. You know... Flashback Barney is in hisoffice.Barney: I worked on an issue of utmost importance. I admit I was baffled. Until I decided to takethe bull by the horns.(Barney written on a board: how to lie down again with Robin) Then, finally, Idécryptais code. \"GIVE THE MARRIAGE OF TED. \" End flashbackLily: So you come back to Robin.Barney:Let's hope. This weekend is my best chance to start with it.Lily: You'll never there. Too manyopportunities. The first bridesmaid drunk, you'll have your head under the dress as a photographer ofyesteryear.Barney: Lily, kidding. I want to look cutesy and romantic, but this weekend, Robin will be theonly girl that I will draw. Stella and Ted are on a boat.Ted (2030): And the day before the wedding, Stellaand I made the trip to Shelter Island. With others not far away. Marshall, Lily and Barney are also onboard. Marshall, Lily and Barney are in a bar.Lily: It's not really the place I imagined for the wedding ofTed.Barney: \"The Collective Namaste Yoga and Meditation.\"Marshall: I know about you, but I will not"}
+{"doc_id":"doc_174","qid":"","text":"Provided by TVTDB.com(Seattle Scenes)MVO: There's this thing about being a surgeon...(Callie wakes upon the couch)MVO: maybe it's pride or maybe it's just about being tough...but a true surgeon neveradmits they need help unless absolutely necessary.(Cristina and Meredith are in her bed)Cristina: Whatare your other symptoms?Meredith: Okay, there's the father thing...the mother thing, the sisterthing...mmm, the dying and coming back to life thing.Cristina: You have too many things.Meredith: Ican't sleep. I can't sleep without the dreaming.Cristina: And the panic attacks.Meredith: One. One panicattack.Cristina: Okay, still.Meredith: What's wrong with me?Cristina: As far as I can tell, severeabandonment issues.Meredith: That's crap. Psych is crap. Issues?Cristina: I mean, it's...it's in the book.The book said it, not me. Have you considered maybe you and Derek should...stop having breakup s*x?Ok.Meredith: The more available he gets...the more I pull away.Cristina: What do you mean?Meredith:Nothing. It's a Derek thing.MVO: Surgeons don't need to ask for help(Derek's trailer)MVO: 'cause they'retougher than that. Surgeons are cowboys rough around the edges, hard-core.(Richard walks out andhands a cup of coffee to Derek)MVO: Least, that's what they want you to think.Derek: Ah, goodmorning.Richard: Oh, perfect timing. Trout for breakfast.Derek: Mm-hmmRichard: Again.Derek: Yeah,don't start. I let you live on my land, so don't...don't start.Richard: I'm older than you. I've just seen lifefrom both sides now.Derek: You gonna start singing?Richard: I'm just saying that a man who is upfishing at 3:00 every morning is a man in pain over a woman.Derek: Oh, good. A country-westernsong.Richard: I'm pointing out it's a thing we have in common, Derek. You know, what we need issomething to take our mind off of everything. What we need...is a gentlemen's evening.Derek: Awhat?Richard: A good, old-fashioned gentlemen's evening...tonight.(Izzie is in an on-call room withGeorge)Izzie: This is absurd. You shouldn't be sleeping in the on call room.George: It's not always an oncall room. Sometimes it's a gurney in the tunnels and the...Izzie: It's absurd...when I have a perfectlygood bed. And I know that we said we would wait and berespectful, and we have been very respectful.But now I want s*x.George: Right now?Izzie: No. Tonight. Tonight we will have...hot, perfect s*x. Youin?George: Yeah, I'm obviously in.Izzie: I gotta go. I got patients to check on, Erica Hahn to impress. I'mgonna go kick some cardio ass. Oh, god. I gotta shave my legs.George: It's okay if you don't, you know,have a chance to shave your legs.Izzie: No, it's not. It is not okay, George. I have to shave my legs. I willbe shaving my legs. Hot, perfect s*x requires shaved legs.George: Okay.(Richard, and Derek walk up tothe nurse's station where Erica is standing)Richard: Erica Hahn...first day.Erica: Oh, first day indeed, anda mountain of paperwork to prove it.Richard: Derek Shepherd, you know Erica Hahn.Derek: You're thenew Burke.(Mark walks up)Richard: And this is Dr. Mark Sloan, head of plastics. Erica Hahn.Mark: Ah, thenew Burke.Derek: Welcome. Excuse us.(Mark and Derek step aside)Erica: Interesting guys, and by\"interesting\" I mean ridiculously attractive. Do you hire on looks alone, or is actual skill a factor?Richard:Good to have you here, Erica.Erica: Good to be here, Richard.(Derek and Mark)Mark: What exactly is agentlemen's evening?Derek: I don't know. It's an evening with gentlemen.Mark: And strippers?Derek:No, I don't...I don't think the chief meant strippers.Mark: Sure sounds like strippers. Dr. Bailey? What'sthe first thing that comes to mind when I say the words \"gentlemen's evening\"?Bailey: Tassels. Shiny,sequined tassels and $1 bills.Mark: See? Strippers.Derek: There will be no strippers. I'm almostpositive.Mark: So you don't know what this thing is either?Derek: No, but you're in?Mark: Why not? I liketo be surprised.(Cristina and Meredith are at a nurse's station)Cristina: Okay. Oh, heads-up.Mr.Incredible,12:00.(Derek walks by)Derek: Hi.Meredith: Hi.Cristina: What the hell was thatabout?Meredith: That was about a date we have later in the on call room. It's nothing.Cristina: Well, yousure seem to be losing sleep over a whole lot of \"nothing.(Meredith and Cristina enter the ambulancebay)Cristina: This is it...Hahn is in the hospital, freakin' Izzie is on her service again. I'm gonna ride thistrauma train straight back into cardio.Callie: Okay, what do we got?Meredith: Uh, two ambulances,multiple traumas.Alex: Any chance you need a resident's help, Dr. Torres?Callie: As long as you want tosmash bones into dust while people cry.Alex: Sweet. What do you got?Cristina: Chest pain, tamponade,ruptured aorta?Ambulance Driver: Uh, more like a clown car. Jackie Escott, 25 years old, dislocated"}
+{"doc_id":"doc_175","qid":"","text":"Pan over a mountain to a remote compound. A helicopter flies toward it. Inside are four armed guardsand a prisoner in blue drab uniform with a black head covering over his/her head. Cut to helicopter flyingover barbed wire fence and landing in a courtyard. Guards climb out and bring prisoner, hands and feetchained, with them. They walk into the facility, apparently some kind of jail. One soldier shows his badgeand they are buzzed inside. The prisoner is brought through several locking doors. At the end of ahallway of jail cells, the prisoner's hood is released. It's Sydney. She looks at the prisoners in their cellsas she is walked to the very end of the hallway and shoved into the end cell. They remove her cuffs andlock her in. Close up on Sydney's face. She looks stricken and lost.Cut to flyover of LA by day. Cut toLindsey followed by several NSC officers entering the JTF Center.Lindsey: (to man on his left) If you findanything, you let me know Lauren! Pan across room to Lauren on telephone.Lauren: I'll call you back.She hangs up telephone and falls into step with Lindsey.Lindsey: Dixon spoken with the DCI?Lauren:Yes.Lindsey: Good. I want to make sure we have access to all computer accounts, emails, andcorrespondence seen in this office in the last two years.Lauren: Yes, sir. I've already put a request inthrough Langley.Lindsey: Who'd you talk to over there?Lauren: Brandon. I'm on it. Lauren and Linsdeyenter Dixon's office. Dixon stands behind his desk. Vaughn and Weiss stand in front of it. All turn towardLindsey and Lauren as they enter.Lindsey: I understand the Director of Intelligence has already conveyedhis desire to transfer authority over this task force from your agency to mine. I expect you to cooperatefully.Cut to Vaughn giving Lauren a really upset \u0000How could you do this!?' look.Dixon (voiceover): No.Not exactly.Cut to Lauren giving Vaughn a stubborn look and then addressing her eyes towardDixon.Dixon: I explained to my superiors that the decision was mine to withhold information from theNSC regarding Sydney Bristow's involvement in the Lazarey murder.Cut to Vaughn and Weiss as theyturn to assess Lindsey and Lauren's reaction to this news.Dixon: And that the members of my staff inquestion were acting working under direct orders from me.Lindsey: I see.Dixon: My staff will remain onactive duty and cooperate in any investigationLindsey: They're not your staff, Mr. Dixon. Notanymore.Cut to Dixon's defiant stone face.Lindsey (voiceover): I'm pulling your clearance until furthernotice.Dixon: Mr. Lindsey, I would expect nothing less from you.Lindsey: One of my men will escort youto a facility for questioning.Cut to Dixon. He removes his badge and places it in a small manila envelopeon his desk and walks toward Lindsey, anticipating his next statement:Lindsey: In the meantime, you'llneed to surrender all credentials and access cards Dixon hands Lindsey the envelope and walks out of theroom, taking the steam out of Lindsey's sails in his speech. Vaughn gives Lauren another dirty look. Shestill looks defiantly back, her arms crossed. Lindsey moves to stand behind Dixon's desk to addressVaughn and Weiss.Lindsey: Well, of course, you'll be questioned as well. Let's not make this any harderthan it has to be.Vaughn: It's too late for that. Vaughn turns to leave saying to Lauren as he walksout:Vaughn: I need to talk to you right nowCut to Lauren and Vaughn walking down a hallway. Vaughn isin front and Lauren is walking behind him, trying to catch up.Lauren: Before you start, know that I didwhat I thought was right, given the information that I Vaughn turns back toward her and gets right inLauren's face, obviously agitated.Vaughn: Sydney is in Lindsey's custody because of you!Lauren: TheLazarey murder was my assignment! Sydney murdered a Russian diplomat!Vaughn: Okay, stop! Don'tact like this is your first day on the job!Lauren: Sydney is in NSC custody not !Vaughn (cutting her off):No, she is in Lindsey's custody.Lauren: You think Lindsey's unaccountable!?Vaughn: Lauren, hisoperation is funded by black money. What the White House expects from him is resultsLauren: Whatyou're suggesting is that I willfully participate in an orchestrated cover up!Vaughn: No, but I would havehoped you'd be a person about this!Lauren: While you clearly underestimate not only my ability to do myjob but also, apparently, my humanity, you should know that not only do I believe I did the right thing,but the more you talk, the more suspicious I get! (beat) You're the one who got her out of the country,aren't you?Cut to Vaughn. He doesn't answer, but she reads it on his face. Lauren (not as angry, moreworried for Vaughn): Do you know what would happen to you if it becomes known that you helped afugitive evade the Federal Government?Vaughn (very snarky): I'm not concerned about myself right now"}
+{"doc_id":"doc_176","qid":"","text":"Stanley: This is ridiculous.Phyllis: Do you have any idea what time we'll get out of here?Michael: Nobodylikes to work late, least of all me. [to Jim] Do you have plans tonight?Jim: Nope I don't, remember whenyou told us not to make plans 'cause we're working.Michael: Yes I remember. Mmm, this is B.S. This isB.S. Why are we here? I am going to call corporate. Enough is enough, I'm - God, I'm so mad! [onphone] This is Michael Scott, Scranton, well we don't want to work. No we don't! It's not fair to thesepeople. These people are my friends and I care about them! We're not going to do it! [hangs up]Everybody I just got off the horn with corporate and basically I told them where they could stick theirlittle overtime assignment. Go enjoy your Friday.Dwight: Thank you Michael.Michael: All right, happyFriday. [to Jim] Well I think we dodged a bullet there.Jim: I think you did.Michael: I think we shouldcelebrate. How about you, Pam, mi casa, a little dinner, dancing, drinks?Jim: Oh, I-Michael: You said youdidn't have plans. That's what you said.[SCENE_BREAK]Jim: Michael has asked Pam and me to dinner atleast 9 times. And every time we've been able to get out of it. But I've got to give him credit, he got me.Because I'm starting to suspect that there was no assignment from corporate.[SCENE_BREAK]Dwight:Michael, what time should I be arriving?Michael: Dwight, it's couples only. And besides, I only have sixwine glasses, so it will be me and Jan, and Pam and Jim, and Angela and Andy.Andy:Hey-o![SCENE_BREAK]Dwight: Does it bother me that I wasn't invited to Michael's dinner party? [breaksdown crying][SCENE_BREAK]Jan: Hi.Michael: Hello.Jim: Hi.Jan: How are you?Michael: Come on in. Goodto see you.Jan: Chilly huh? So glad we finally got to do this with you guys. You wanna take their coatsbabe?Michael: Yes I would. So, what have you been doing?Jim: Let's see, since I saw you an hourago?Michael: Yeah.Jim: I have been getting ready and then driving over here.Michael: Well we have beendoing pretty much the same thing.Jim: Really?Michael: Except driving.Pam: We got you this. [gives abottle of wine]Jan: Oh well Pam, thank you, this will be great to cook with.Michael: Well have a seat, orcome on in, or, I don't know, make yourself to home. This is our casa.Pam: It's really nice.Jan: So whatdo you guys think, should we do the tour first or the appetizers first?Jim: Tour, let's do the tourfirst.Michael: Okay.Jan: Do you have a preference babe? Upstairs first?Michael: Totally your callbabe.Jan: Alright, well, let's go then, I say upstairs.Jim: Oh, you guys doing a little construction?Michael:Oh, just redoing the sliding glass door.Jan: Yeah, so sorry about this God-awful carpet, we're still a workin progress here.Michael: Well, thats...[SCENE_BREAK]Jan: This is my office.Michael: Yep, never beenused.Jan: Not super exciting.Michael: No.Jan: And this is my workspace.Michael: This is it, check thatout, can you smell that? [the room is filled with candles that say \"Serenity by Jan\"]Pam: Uh-huh.Michael:As you can smell there's a lot of different odors going on in here.Pam: So you have an office and aworkspace?Jan: I do, I cannot create in the same space I conduct business, I'm sure that you're thesame with your doodles. [puts a candle to Jim's nose] Smell.Jim: It's fire.Jan: Uh-huh, Bonfire.Michael:Bond.Jan: Men love this one.Michael: James Bond Fire. I am Bond fire, James Bond Fire. Michael Scarn.[clicks tongue]Jan: When I get frustrated, or irritated or... angry, I come up here and I just smell all mycandles and it just -poof- goes away.Jim: Just like that.Jan: Just like that.Jan: So this is the masterbedroom, and these walls used to like white, like an asylum. So I wanted it to be softer, So I had itpainted in eggshell white.Michael: Guess what, white and eggshell white are exactly the same color.Jan:[puts away video camera facing the bed] Babe I thought you said you were going to tidy thingsup.Michael: Well, I-Jan: Shame on you.Pam: What a cute bench.Michael: Thanks, that's my bed. Jan hassome space issues, so I curl up on that puppy.Jim: Really? 'cause... seems pretty narrow... andshort.Michael: It's actually a lot bigger than it seems. Look at this. [Lies down]Jan: See, he fitsperfectly.[SCENE_BREAK]Michael: I finally broke down and bought myself a plasma TV. Check it out.[reveals a tiny TV] I actually hung this on the wall myself. I want to show you something . A lot of peoplein the room, need more space? [moves TV back a couple inches] Voila, right in the wall.Jim:Wow.Michael: Sometimes I will just stand here and watch television for hours. I love it, I love this TV. Ohand I also built this table.Jim: What is that chestnut?Michael: No, I think that is either pine, or nordiccherry.Jan: It's pine.Jim: Michael, I'm just terrible at all this stuff, so that's really cool.Jan: Really?Pam:"}
+{"doc_id":"doc_177","qid":"","text":": The university cafeteria.Raj: Okay in Avatar when they have s*x in Pandora they hook up theirponytails, so we know their ponytails are like their junk.Howard: Yeah, so?Raj: So, when they ride horsesand fly on the birds, they also use their ponytails.Howard: What's your point?Raj: My point is, if I were ahorse or a bird, I'd be very nervous around James Cameron.Sheldon: It amazes me how you constantlyobsess over fictional details when there are more important things in the real world to worry about. Forexample, why wasn't William Shatner in the new Star Trek movie?Leonard: Hey, Sheldon, I was up in theadministration office, and I happened to overhear the name of the winner of this year's Chancellor'sAward for Science.Sheldon: And you want to rub my nose in the fact that my contributions are beingoverlooked again? I am the William Shatner of theoretical physics. All right, I'll play. What self-important,preening fraud are they honouring this year?Leonard: Oh, I'm so glad you asked it like that.You.Sheldon: I won?Leonard: You won.Sheldon: I won! This is astonishing. Not that I won the award, noone deserves it more. Actually, I guess I misspoke. It's not astonishing, more like inevitable. I'm not surewhat to do first. Maybe I should call my mother. Wait! I know, I'm going to conduct an interview withmyself and post it online.Raj: Well, good for him.Howard: Yeah, the one thing the William Shatner oftheoretical physics needed was an ego boost. Credits sequenceScene: The apartment. The guys arewatching Avatar in 3D. All are wearing 3D glasses except Raj.Howard: Didn't it look like that spear wasgoing to go right through your skull?Raj: No.Leonard: Hey, you didn't want a Slurpee at 7-Eleven, youdon't get glasses.Sheldon (phone rings): Oh, that will be another congratulatory call for me. Uh, mute,please.Howard: Uh, hang on, flaming arrow.Sheldon: Hello? Oh, Chancellor Morton, how are you, sir?Yes, I was expecting your call (aside) three years ago. I see. Wait. What happens if I choose not to give aspeech? Uh-huh. And if I don't want to forfeit the award? Well, you've got that tied up in a neat little bow.All right. Thank you. (Hangs up) Problem.Leonard: What?Sheldon: They expect me to give a speech atthe banquet. I can't give a speech.Howard: Well, no, you're mistaken. You give speeches all the time.What you can't do is shut up.Raj: Yeah, before the movie, you did 20 minutes on why guacamole turnsbrown. It turned brown while you were talking.Sheldon: I am perfectly comfortable speaking to smallgroups. I cannot speak to large crowds.Leonard: What, to you, is a large crowd?Sheldon: Any group bigenough to trample me to death. General rule of thumb is 36 adults or 70 children.Penny: Sheldon,congratulations. Brought you cheesecake from work. You know, 'cause of your award, not because abusboy sneezed on it.Sheldon: I'm not accepting the award.Penny: Why not?Howard: Turns out the greatSheldon Cooper has stage fright.Penny: That's no reason to back out. You know, I once got a pretty bighonour in high school, and I was terrified about appearing in front of a big crowd, but I went through withit, and you know what? The world looked pretty darn good sitting on a haystack in the back of a FordF-150 as a member of the Corn Queen's court.Sheldon: Thank you. Yeah, I'll bear that in mind if I'm evernominated for the Hillbilly Peace Prize.Leonard: Sheldon, you're being ridiculous.Sheldon: Am I? Let metell you a story.Howard: Where's 70 children when you need 'em?Sheldon: I was 14 and graduatingsumma cum laude from college. Summa cum laude is Latin for with highest honours.Penny: I just lovehow you always skip over the part where no one asks.Sheldon: I was valedictorian and expected to givean address. Even now, I can remember that moment when I walked up to the podium and looked out atthe crowd. There must have been thousands of people. My heart started pounding in my chest. I beganto hyperventilate. My vision became blurry, and before I knew it... oh, dear. (He faints.)Penny: Oh, myGod.Leonard: Sheldon? Sheldon, are you okay?Sheldon: Don't trample me.Scene: The stairwell. Sheldonis on the phone.Sheldon: Come on, Mother, you know why I can't accept the award. With all due respect,I don't think praying will help. No, I have not heard the song, Jesus, Take the Wheel. No, no, no, no, no,no, no, you don't need to start singing it. Yes, I'll buy it on the iTunes, Mother. Good-bye, Mother. (Entersapartment. The others are sitting as if waiting for him.) Hello.Leonard: Sit down, we want to talk toyou.Sheldon: Am I in trouble? Did my mother call you?Penny: Just sit.Leonard: We think we can help youwith your stage fright.Sheldon: Oh, I doubt that. I haven't figured out a way, and I'm much smarter thanall of you.Penny: Yes, but you're not smarter than all of us put together.Sheldon: Oh, I'm sorry, that is"}
+{"doc_id":"doc_178","qid":"","text":"OPENING CREDITSFLYOVER CARDIFF. Shot pauses and zooms in on an area of the city.CUT TO EXT.STREET - NIGHTHeavy rain pours down, it is dark. Floodlights come on and a body can clearly be seenlying in the street, SOCO (Scene of crime officer) and police officers are milling around thescene.[SCENE_BREAK]Two police officer's standing in the rain, a male and a woman. The male is holdinga cup of coffee.GWEN : Oh, hot. Gwen takes the coffee.PC : Gwen, there's not enough. You didn't order.Gwen walks away towards another police officer.PC (off camera) : What do I do now ?GWEN (calls back): Well I've only just arrived so tough. Who is it ?PC ANDY : I dunno, some bloke. You going to stop overon Friday ?GWEN : I dunno, what is it ? Drinks ?PC ANDY : A bit of pizza I think.GWEN : Might do, yeah.Police Officers move SOCO, \"SOCO leaving scene\" can be heard from the police radio.PC ANDY : Ay ay,what's happening here then.POLICE OFFICERS : On you go. Come on now.PC ANDY : Move back if youcould, thank you. He starts moving people back, moves away from Gwen who is left to watch on herown.GWEN : Hey what's going on ? Gwen speaks in general to anyone then walks up to SOCO.GWEN :Excuse me sir, what is it, what's happening ?SOCO : Buggered if I'd know, it's orders from above.GWEN :But the body is still there though, isn't it though. You can't just leave it.SOCO : Move back they said.Clear the site. Special access they said.GWEN : For who ?SOCO : Torchwood. A black SUV pulls into thesite. Four people get out, Jack, Suzie, Owen and Toshiko. They walk past the police and stand by thebody, rain still pounding down.GWEN : Who's Torchwood ?SOCO : Special op's or something. He glancesat Gwen's coffee.SOCO : That hot ?GWEN : Huh ? Oh yeah, have it. But they're not allowed in there, theycould contaminate the evidence and all sorts. I mean how can they...SOCO : Don't ask me. There's noprocedure anymore. It's a f*cking disgrace. The SOCO walks away with Gwen's coffee. Gwen stares afterhim and then looks at the Torchwood team. Jack turns in her direction but does not appear to be lookingat her. Gwen tries to see what they are doing. She looks up and sees a multi story car park.INT. FLIGHTSOF CONCRETE STAIRSGwen runs up the stairs and into the car park a few floors up. She goes to the edgeof the car park floor and leans over the balcony, and starts to watch and listen to them. Gwenoverlooking body and Torchwood team.EXT. ALLEY NEXT TO THE BODYTorchwood around the murdervictim.JACK : There you go, I can taste it, oestrogen. Definitely oestrogen. (He looks up slightly, drippingwith rain). You take the pill flush it away, it enters the water cycle. Feminises the fish. Suzie pulls agauntlet from a crate and puts it on.JACK : Goes all the way up into the sky and then falls all the wayback down onto me. Contraceptives in the rain. Love this planet. Still least I won't get pregnant. Neverdoing that again. Jack looks at Suzie.JACK : How's it going ?SUZIE : Nothing yet, its got to connect. I justgotta feel it.OWEN : Then hurry up and feel it. Freezing my arse off here.SUZIE : I can't just flip a switch! It's more like access, it, it grants me access.OWEN : Whatever that means.SUZIE : It's like, oh, oh, oh,oh. The glove starts to glow, working.JACK : Positions...OWEN : If I get punched again, I'm punching himright back.JACK : Just concentrate. Suzie... Jack nods at her and then Suzie places her hand under thecorpse's head. The rain stops around them and the lights get brighter. The corpse breathes out. Gwenlooks down, she is shocked.BODY : There was, I was, I was, I was... oh my god what's goin' on?TOSHIKO : Listen to me, we've only got 2 minutes so it's important that you listen, ok...BODY : Who areyou ?TOSHIKO : Trust me. You're dead.BODY : How am I dead ?OWEN : You were stabbed.BODY : I'mnot dead, I can see you.TOSHIKO : We've brought you back, but we haven't got long. I'm sorry butyou've got to concentrate. Who did this to you ? What did you see ?BODY : But why am I dead ?TOSHIKO: Who attacked you ?BODY : I don't want to be dead !SUZIE : 60 seconds.TOSHIKO : You've got to think,just focus on me. What was the last thing you saw ? Jack sighs, clearly frustrated.BODY : I didn't seeanything. I dunno.TOSHIKO : Who killed you ? Did you see them ?BODY : I dunno. There was somethingbehind me.OWEN : Police said one stab wound in the back.TOSHIKO : So you didn't see anything.BODY :No. There is a long pause, each Torchwood member looks at the body.BODY : What happens now ?SUZIE: 30 seconds.TOSHIKO : But he didn't see anything.SUZIE : Don't waste it.TOSHIKO : What else do I say?JACK (crouching down) : What's your name ?BODY : John. John Tucker.JACK : Ok John. Not longnow.BODY : Who are you ?JACK : Captain Jack Harkness. Tell me what was it like when ya died ? What"}
+{"doc_id":"doc_179","qid":"","text":"THE REIGN OF TERRORby DENNIS SPOONER first broadcast - 5th September, 1964[SCENE_BREAK]1.CHURCH CRYPT(IAN looks around and moves inside. A figure appears from the shadows behind him; IANturns.)IAN: Leon?LEON: Yes. You must be Ian.IAN: That's right.LEON: Are you alone?IAN: Yes. Jules saidyou might be able to help.(IAN hear sounds behind him, and turns to find two SOLDIERS behind him.They are both aiming muskets at his chest.)IAN: Soldiers!(He turns back to face LEON. The Frenchmanhas drawn a pair of ornate pistols, and also points them at IAN.)LEON: Yes, I know. You walked right intomy trap, didn't you, Ian?[SCENE_BREAK]2. PARIS SQUARE(The episode credits are shown over arepresentation of a square in Paris. Sounds of cheering crowds are heard as the guillotine falls and claimsyet another victim.)[SCENE_BREAK]3. CHURCH CRYPTLEON: You can put all ideas of escape out of yourhead. And as for your rescue - well no-one will come here, you can take my word for that.IAN: If I don'tgo back, Jules is going to get suspicious.LEON: By the time that happens, my friend, we shall have left.And afterwards we'll take care of him.(LEON clicks his fingers, and the SOLDIERS grab him and drag himagainst a pillar with iron rings set into it. They secure his wrists with heavy chains, which they attach tothe rings. IAN struggles as they do so.)IAN: You never know who your friends are!LEON: My associationwith Jules was bound to come to an end. He already suspected that... a traitor, if you want to use thosewords, was working in the organisation. But it's no matter. We're ready now to close in on him too.IAN:So what do you want with me?LEON: Information.(IAN scoffs.)LEON: You will cooperate, Ian. Think aboutit. We have plenty of time.(He stares at IAN for a moment, then turns and exits, leaving the twoSOLDIERS to guard the prisoner. One talks to IAN.)SOLDIER: He's giving you time to consider.IAN: Idon't need time, I have no information.SOLDIER: We'll decide that when you talk. And you'll talk, you'lltalk!(He flashes IAN an evil smile.)[SCENE_BREAK]4. LEMAITRE'S OFFICE(BARBARA and the DOCTORhave just been reunited.)BARBARA: Oh, Doctor, I thought we were never going to see youagain!DOCTOR: You should know by now, young lady, that you can't get rid of the old Doctor as easily asthat.(They both chuckle.)[SCENE_BREAK]5. CORRIDOR(Just outside the office, LEMAITRE is listeningthrough the door to every word of the conversation.)BARBARA: (OOV.) Tell me, how did you get out ofthat burning farmhouse?DOCTOR: (OOV.) Oh, never mind about that now.[SCENE_BREAK]6. LEMAITRE'SOFFICEDOCTOR: What happened? Where's Susan? How is she?BARBARA: She's here. We were arrestedtogether.DOCTOR: She's here?BARBARA: Yes.DOCTOR: Is she well?BARBARA: Yes, she's fine. She had aslight fever, but she's recovered now.DOCTOR: Good. Well now, we must find Chesterton and try and getback to the ship.BARBARA: Oh, I know where he is!DOCTOR: Mm?BARBARA: I know where heis.DOCTOR: Oh yes?BARBARA: We were all in hiding at a house owned by a JulesRenan...[SCENE_BREAK]7. CORRIDOR(LEMAITRE still listens intently. He notices the JAILER waddlingdown the corridor towards him, and turns to face him. He speaks to the JAILER in a hushedvoice.)LEMAITRE: Not now, Jailer!JAILER: But Citizen...LEMAITRE: Later!JAILER: But...LEMAITRE: I said,not now!JAILER: I've just had a message from the First Deputy, Citizen!(LEMAITRE moves away from thedoor.)LEMAITRE: Well, what is it?JAILER: Robespierre says 'e wants to see you immediately. It's a matterof the utmost importance. Robespierre said immediately, Citizen.LEMAITRE: Yes, yes.(He turns to leave,exasperated.)LEMAITRE: Has the young girl been locked away?JAILER: She has. I saw to it myself, justas you ordered, Citizen.LEMAITRE: Good. She shall remain in her cell, do you understand? Under nocircumstances is the door to be opened.JAILER: Just as you say, Citizen.LEMAITRE: And if that order isdisobeyed... I'll have you guillotined.(He exits, leaving a very worried looking JAILER behindhim.)[SCENE_BREAK]8. LEMAITRE'S OFFICE(The DOCTOR has just had a brain wave.)DOCTOR: Yes,that's it! That's it!(BARBARA is not listening.)BARBARA: Oh, I should never have taken Susan to see thatphysician.DOCTOR: Oh, don't blame yourself, Barbara. As it happens, everything has turned out verywell. Might have taken us ages to find each other.BARBARA: Do you think we stand a chance of gettingout of here?DOCTOR: Well, my voice seems to carry some weight, hm?BARBARA: Yes, well I'm notsurprised in that get-up.(The DOCTOR preens himself.)DOCTOR: Yes, it's rather impressive, isn't it? Now,listen. I'm going through that door. Give me a few minutes, then I want you to go through the door and"}
+{"doc_id":"doc_180","qid":"","text":"BASEBALL FIELDA man remakes the field.JAMIE (Voice-over): The outlook wasn't brilliant for the Mudvillenine that day. The score stood four to two, with but one inning more to play. Ian is on the field,thinking.JAMIE (Voice-over): So upon that stricken multitude grim melancholy sat, for there seemed butlittle chance of Casey getting to the bat. Kids, Nathan, Clay and Julian prepare for the game.NATHAN:Whoo! Okay. Everybody settle down, listen up. Coach Baker has something he wants to say.JULIAN: Uh,so I know this is our first game, but it's the last game for me. You see, Brooke and I are moving to NewYork, so...UMPIRE: Play ball!(Kids leave)JULIAN: I know this is gonna hurt some...Some ofyou.FLASKBACK, BRULIAN'S HOUSEJulian looks at video when he and Brooke are going to get theirbaby.JULIAN (at video): Where are we, Brooke Davis?BROOKE (at video): We're at the hospital.JULIAN(at video): What are we doing here?BROOKE (at video): We're getting our baby.(Knock on door, it'sNathan)JULIAN: Dude, what's up?NATHAN: I screwed up.JULIAN: Why? What happened? It was soobvious, and I didn't see it.NATHAN: Is this yours?JULIAN: Yeah.NATHAN: Ginger ale?JULIAN: I likeginger ale. It settles the stomach. What's going on, Nate?NATHAN: When the Wagoneer hit Lauren'sS.U.V., where was it coming from, north or south?JULIAN: It was coming from the south, headingnorth.NATHAN: We got the wrong Kellerman. It wasn't August. It was Ian.FLASHBACK, CLINN'SHOUSENathan explains the story to Clay.CLAY: But he confessed. You said Professor Kellerman came tothe Rivercourt and said that he did it.NATHAN: He lied. The bottle I found in the Wagoneer was Phidian's.And then tonight at the bar, Ian ordered shots of bourbon to toast Lydia.CLAY: Phidian's.NATHAN: Saidit's all he drinks.CLAY: All right. So, maybe it's a family thing. It doesn't really prove anything.NATHAN:There's more. At the Rivercourt, when Kellerman confessed, he said he was coming from a dinner thatnight in Raleigh.CLAY: So?NATHAN: So, he was coming from the south. Raleigh's north.CLAY: All right,well, look, don't beat yourself up over it just yet. I mean, you could still be wrong.NATHAN: Maybe. But ifI'm right, August Kellerman just ended a 30-year career because of me.CLAY: Yeah. And his son let him.And he's our client.BASEBALL FIELDIan practices. Then, he leaves and August walks on the field. Nathanjoins him.NATHAN: Professor Kellerman? We need to talk.ONE TREE HILL - OPEN CREDITSBRULIAN'SHOUSEBrooke makes her stuff to go in New York. She sees the panel of Karen's Cafe.CHASE'SBEDROOMChase and Alex are in bed. They slept together.ALEX: So much for baby steps.CHASE: Youplayed guitar. Wasn't fair. Oh-ho-ho! I'm gonna go ahead and need you to play guitar again right now.Quickly.ALEX: Man.BASEBALL FIELDKids play. Quinn supports Jamie's team. Julian talks withClay.UMPIRE: Strike one!QUINN: Yeah! Let's go, Sharks!CLAY: There we go! Nice one! Go,Sharks!QUINN: Let's go, Sharks!JULIAN: Uh... What happened to Quinn?CLAY: Uh, she's just busy. She'llbe here. Attaboy! Two more just like that! Way to go, Sharks!QUINN: Yeah, way to go,Sharks!FLASHBACK, CLINN'S HOUSEQuinn announces a good new to Clay.QUINN: Baby! Guess whereI'm going?CLAY: Please don't say South Africa.QUINN: I got an offer to shoot a job in Puerto Rico. We'resaying at the El Conquistador. It's next week. Do you want to go?CLAY: I would, but I have trainingcamp.QUINN: Oh. That's too bad. I guess I'll have to do the whole supermodel bikini shoot withoutyou.CLAY: Puerto Rico sounds awesome. I mean, pfft. Supermodels in bikinis? Have you seen mybaby?QUINN: Nice try.CLAY: Yeah. But I do have camp. Uh, maybe you can invite the girls? Haley can'tgo, but Brooke and Alex.QUINN: Maybe I will. By the way, I leave the day after Jamie's game, so youmight want to come straight home because it's my last night, and my man is looking very sexy.CLAY:Careful, I'm sweaty.QUINN: Yes, you will be.BASEBALL FIELDClay finds his mind. Jamie's teamdefends.CLAY: All right, here we go, Sharks! Three up, three down! Let's go, let's go! Moving rightalong!JULIAN: Attaboy, Jamie!CLAY: Yes! Very nice! Now hustle in! Real quick! Real quick! Nathanannounces who plays for their game.NATHAN: All right, first up we have Chuck, which seems like a badidea. Then it's Madison, Jamie, and Daniel. All right, let's get some hits.CLAY: All right! Let's go,Sharks!NATHAN: Chuck! Come on, buddy. You're up.CHUCK: Whatever.AERODROMEChase waitssomeone.FLASHBACK, CLUB TRICChuck is with Chase. He wants him to ask something.CHUCK: Ahh. Oh,I meant to tell you we have a game on Friday. Think you could come?CHASE: What time is the"}
+{"doc_id":"doc_181","qid":"","text":"Jessica: You promised this was only gonna be for a few weeks.Sean: Look, just because we're in a trailerdoes not mean we're trailer park trash.Jessica: Exactly. We're worse. We don't even have enough moneyto be in a trailer park.Sean: Don't have a meltdown, okay? It's probably just the generator.Jessica: Youmean the thing that runs the electricity and water. I'm sorry. I'm just tired of feeling slightly terrified allthe time. It's not like I wanna be.Sean: Hey, look, it's going to get better.Jessica: Sean?Jessica:Noooo!Allison: If Jackson doesn't know what he's doing, then he probably doesn't know that someone'scontrolling him.Scott: Or he doesn't remember.Stiles: What if it's the same kind of thing that happenedwith Lydia when she took off from the hospital?Allison: A fugue state?Scott: He'd have to forgeteverything. The murder -Allison: Getting rid of the blood.Stiles: Yeah, he had help with one thing tough -the video. And someone else helped him forget that.Scott: Whoever's controlling him.Allison: Are yousure Jackson has no clue about any of this?Stiles: He thinks he's still becoming a werewolf and that beingwith Lydia somehow delayed the whole thing.Allison: So do we try and convince him he's not?Scott: If ithelps us find out who's controlling him, then yeah.Allison: Do you think he'll talk to us after what wedid?Stiles: Yeah, it's us. He'll talk to us. Right?Sheriff: You will not go within 50 feet of JacksonWhittemore. You will not speak to him. You will not approach him. You will not assault or harass himphysically or psychologically.Stiles: What about school?Sheriff: You can attend classes while attemptingto maintain a 50 - foot distance.Stiles: Bu - okay, what if we both have to use the bathroom at the sametime and there's only two stalls available and they're only right next to each other? I'll just hold it.Sheriff:Do I need to remind you how lucky we are that they're not pressing charges?Stiles: Oh, come on, it wasjust a joke.Sheriff: It was a joke?Stiles: Yes, I didn't think it would be taken this seriously. Dad, humor'svery subjective, okay? I mean, we're talking, like, multiple levels of interpretation here.Sheriff: Uh -huh.Stiles: Uh - huh.Sheriff: Okay, well, how exactly am I supposed to interpret the stolen prisontransport van, huh?Stiles: We filled the tank!Melissa: Move! It's not just this. Although, a restrainingorder is a new low that I didn't think that you would reach quite this soon. It's everything on top of it. Thecompletely bizarre behavior, the late nights coming home, having to beg Mr. Harris for you to make upthat chemistry test that you missed.Scott: I missed a chemistry test?Melissa: Really, Scott? Really? Ihave to ground you. I am grounding you. You are grounded.Scott: What about work?Melissa: Fine -Other than work. And no TV.Scott: My TV's broken.Melissa: Then no computer.Scott: I need thecomputer for school.Melissa: Then no, uh - no Stiles.Stiles: What - no Stiles?Melissa: No Stiles! And nomore car privileges. Give me your keys. Give 'em to me! Oh, for the love of God.Scott: Mom, you wantme to -Melissa: No.Scott: Mom, come on, let me just - mom. Mom!Melissa: What is going on with you? Isthis about Allison?Scott: Do you really wanna know?Melissa: Yeah. Is this about your father? It is, isn't it?Okay, you know what, um - We'll talk about this at home. I'm gonna go get the car.Scott: I'm the worstson ever.Stiles: Well, I'm not exactly winning any prizes either.Mr. Whittemore: Dammit! You give him arestraining order, and he's mocking you! He was mo - and what do I do about going to the bathroom?What the hell -Isaac: So why do we need their help?Derek: Because it's harder to kill than I thought and Istill don't know who it is.Isaac: And they do?Derek: They might. Which is why I need one of you to get ontheir good side.Erica: Mm. Scott or Stiles?Derek: Either.Isaac: You know, the full moon's coming,Derek.Derek: I'm aware of that.Erica: Oh my, these look comfortable.Isaac: You said you were gonnateach us to change whenever we wanted.Derek: There hasn't been time.Isaac: But if you have to lock usup during the full moon, that means - that means you're alone against the Argents.Derek: They haven'tfound us.Isaac: Yet! So how about we forget the kanima?Derek: We. Can't! There was something aboutthe way Gerard looked at it. He wasn't afraid - at all. I don't know what he knows or what he's planning.But I'm sure about one thing. We have to find it first.Allison: It's everything Lydia can translate. And trustme, she was very confused.Scott: Yeah, what'd you tell her?Allison: That we were part of an onlinegaming community that battles mythical creatures.Stiles: I am part of an online gaming community thatbattles mythical creatures.Allison: O - oh. Great.Scott: Okay, does it say how to find out who's controllinghim?Allison: Not really. But Stiles was right about the murderers.Stiles: Yes!Allison: It calls the kanima a"}
+{"doc_id":"doc_182","qid":"","text":"[PREVIOUSLY_ON]PEYTON : You saved me.BROOKE : You saved me, too.NATHAN : I borrowed somemoney from these guys, so they asked me to shave a few points in the last game.JIMMY : Everyone getaway from the door.MOUTH : Oh, Jimmy, what did you do?JIMMY : Go.DAN : What are you doing here,Lucas?LUCAS : I don't think Jimmy killed Keith.DAN : Keith's dead, okay? He's not coming back. Openyour eyes.KEITH : Open your eyes, Luke. Open your eyes.LUCAS : Hey, Skills. You know this girl?SKILLS: Yeah, that's Abby. She was in the tutor center. Jimmy let her go.OUTSIDE ABBY BROWN'S HOUSEItfollows the end of the last episode, Lucas knocks at the doorLUCAS (voiceover) : Sometimes, I wonder ifanything is absolute anymore. Is there still right and wrong... good and bad... truth and lies? Or iseverything negotiable... left to interpretation, gray?LADY : Who is it?LUCAS : My name's Lucas Scott. Iwas wondering if I may talk to Abby.LADY : There's no Abby here. You have the wrong address.LUCAS :Well, no, no, no! I was just...(She shuts the door)LUCAS : Thanks for nothing.(Lucas leaves but looksupstairs and see someone behind the curtains)LUCAS (voiceover) : Sometimes, we're forced to bend thetruth... transform it... because we're faced with things that are not of our own making. And sometimes...things simply catch up to us.OUTSIDE TREE HILL HIGHWhitey arrives in his car, reporters are waiting forhimREPORTER : Coach Durham, can you address the allegations of point-shaving and illegal activitywithin the Ravens?WHITEY : Look, I'm gonna say this one time and one time only. This is the best groupof boys I've had in 35 years of coaching. These are not cheaters. They're champions... every one ofthem.RIVERCOURTNathan and Haley are sitting on the tableNATHAN : There's only three things I'mafraid of losing in this world, Haley... you, our son, and the game.HALEY : How bad will it get if they findout about you and Daunte?NATHAN : They'll take my scholarship for sure. And I probably won't playanywhere... ever.THE APARTMENTPeyton is taking a shower and she suddenly has vision ofDerek.OUTSIDE TREE HILL HIGHBrooke is arriving at school, Chase shoves herCHASE : Sorry.BROOKE :It's fine.CHASE : Hey, Brooke. I heard about that stalker thing. I tried calling you, but I never heardback.BROOKE : Yeah, it's... Where's your Clean-Teen T-shirt?CHASE : Things change, you know?BROOKE: Yeah, I know.(She leaves)INSIDE TREE HILL HIGHPeyton is in front of her locker, Brooke joinsherBROOKE : Hey. Do I have any blood on me?PEYTON : No, why?BROOKE : 'Cause I just saw Chase,and it feels like I got my heart ripped out.PEYTON : I think you'll be okay. Do I look insane?BROOKE : No,why?PEYTON : I saw him again. This time in the shower.BROOKE : Peyton, you got to stop doing this toyourself, okay? Fake psycho Derek... whatever the hell his name is... he's locked up. You knowthat.PEYTON : Yeah, that's what they said last time... or what he said. I don't know. Maybe if I just see itwith my own eyes that he's actually behind bars...BROOKE : Maybe. Come on.(They start walking andPeyton has a vision of Derek again)PEYTON : Hey... You know what, I'm gonna have to catch up withyou, okay?BROOKE : Okay.INSIDE PRISONPeyton comes to see Derek in his cellDEREK : Hi, baby. I knewyou'd come. Well, they said that you wouldn't, but... I knew that you would.PEYTON : I want to knowwhy. Why me? Why did you pick me?DEREK : You love me.PEYTON : No. I don't. I hate you. Don't youget that? You're just a deranged, pathetic psycho, and I never, ever want to see you again, okay?DEREK: Then why'd you come? Have I been in your head? You asked me to come into your life, Peyton. You gotundressed in front of your webcam because you knew it would make me want you. You posted thosepictures online.PEYTON : You are wrong.DEREK : Am I? Is that why you're dressed like that today? Areyou a tease, Peyton? Dressing sexy... wearing that perfume, making me... ache for you, and then sayingno?PEYTON : Stop.DEREK : Are you a tease, Peyton? Because that would really be disappointing.PEYTON: I did not do this. You did this.(She leaves)DEREK : No, you did this! You did this to me, Peyton! It's allyour fault! You did this to me! You did this! Tease!DAN'S HOUSEDan is looking at his gun and hides itwhen Nathan walks inNATHAN : Thought you'd look a lot worse, considering the walls are closing in.DAN: What do you mean?NATHAN : The point-shaving, dad.DAN : Right. What are you hearing?NATHAN :Nothing. You think it's Bear?DAN : No, no. If it was Bear, he'd have pointed them right to us. Sounds likethe whispers of someone who lost a lot of money but isn't close enough to know the details.NATHAN :They're asking questions about Lucas now, and it's not right. He only missed those free throws because"}
+{"doc_id":"doc_183","qid":"","text":"(Continuing. Sydney walks out of the meeting, goes down a hallway. Jack comes out and runs afterher.)JACK: Sydney! Wait!(She turns around. They stand in the hallway.)JACK: You can't lose control overthis.SYDNEY: You know what, Dad? This is not the best time to start lecturing me.JACK: I know how thisfeels.SYDNEY: Not exactly. You've had a lot longer to make sense of this than I have.JACK: There was atime when this was news to me, too. Your mother was sent to the United States to steal secrets from aranking officer of the C.I.A. How she and I happened to meet, how she supposedly fell in love, I thoughtit was all true. But it was just a set-up.SYDNEY: Even her wanting to have a family? Was that just part ofthe plan, too?(Jack doesn't say anything. Sydney leaves.)(In her house, Sydney looks through her hatbox full of pictures and memories. She sees the newspaper article about her mother and the FBI agentdying in the car accident. Takes out a framed picture. She finally finds the picture of Sydney as a little girland her mother.)SYDNEY: (voice over) There's something that happens when you discover the truthabout someone. I know a little about this.(She wads up the picture in a little ball.)SYDNEY: (voice over)The truth changes everything.(She throws it in the fire.)(In the self-storage facility, Sydney talks toVaughn.)SYDNEY: There's this woman, her personality like a collage I've put tlogether from thephotographs, the few memories I have, scraps of stories I've heard, the clothes of hers I've got... herbooks. And none of it's real. She wasn't that woman at all. She was... she was a horrible person... whokilled your father.(She stands in front of him, crying.)SYDNEY: Vaughn, I just wanted to say... that I'm sosorry.(He hugs her and cradles her head against his shoulder while she cries.)(Credit Dauphine parkinggarage. A van with 'McTiernan Air Conditioning' written on the side drives up. The driver stops at thesecurity gate and wires it up to a machine he has that unlocks the gate. The gate doors open and the vangoes inside. They stop once they're inside and cut the wires of a surveillance camera.)(Inside the controlroom, two agents sit and watch the various camera angles.)AGENT1: We've lost coverage on the off-sitegarage.AGENT2: Any signs of forced entry?AGENT1: Negative from gate control. I'll check it out.AGENT2:Hey, while you're at it, grab me a black coffee, will you? Two sugars.(Agent1 leaves.)(In the parkinggarage, McTiernan gang starts welding off the air vent. Inside the van, the rest of the goons start packingtheir guns and loading them. Agent1 walks in the garage and sees the van. He talks on his transmitter tohis buddy from control.)AGENT1: You know about any AC repairs?AGENT2: Negative.(The goons havealready started to make their way inside the building using the air conditioning vents. Agent1 pulls hisgun out. Near the van, one of the goons comes behind him and hits him over the head. Agent1 falls tothe ground.)(Back in the self-storage facility.)SYDNEY: I don't want this job anymore.VAUGHN: Sydney,that's why you're doing what you do. You're helping to bring an end to SD-6.SYDNEY: Notanymore.VAUGHN: Sydney--SYDNEY: I need someone in my life to be real.VAUGHN: This right here.What we do is real.SYDNEY: Look where we are. I mean, this isn't real. This isn't what we should bedoing. I want out.VAUGHN: Out?(Sydney nods.)VAUGHN: You want to enter the protectionprogram.SYDNEY: No. I'm not going into hiding.VAUGHN: If you don't, Sloane will kill you.SYDNEY: Idon't think he will.(She stands up, hesitant.)SYDNEY: You like hockey, right? The Kings?VAUGHN: Yeah,how'd you--SYDNEY: The pen you keep in your briefcase. It's a Kings pen.VAUGHN: Yeah, I gotthat--SYDNEY: They're playing the Islanders next week. We should go.(Vaughn brightens with hope.Then his face falls as he realizes what she's doing.)VAUGHN: Sydney, you can't do this.(Will's desk at thenewspaper. He has his headphones on. Jenny stops at his desk.)JENNY: Okay, here's the appeal filed byMcNeils' lawyer last year and I found out that SD-6 is an ingredient in artificial sweetener, but that'sprobably not the SD-6 you're talking about.WILL: Is my voice annoying?JENNY: Your voice?WILL: Yeah. Iwas just going over this interview with Eloise Kurtz and I started thinking about McNeil. How he had thislook in his eyes when I was interviewing him. His lawyer the same thing. Just... trying to get away fromme.JENNY: Will, you're a journalist for God's sake. You get paid to be annoying.WILL: So you're sayingI'm annoying?JENNY: Not to Danny or Eloise Kurtz.WILL: Oh, so I don't annoy dead people?JENNY: Will,you're their champion.WILL: What am I doing if I'm hurting the people I'm writing about? Look, if I couldbring back Danny Hecht and Eloise Kurtz, I would, but I just... I can't. And if championing them is going"}
+{"doc_id":"doc_184","qid":"","text":"-[Real World]-(Mary Margaret, who has escaped from her cell, has fled to the woods. Meanwhile, Henrysits on a bench reading his book at the station. Emma and Mr. Gold see him.)Emma: Henry. What areyou doing here?Henry: I came to congratulate you.Emma: For what?Henry: Your genius plan.Mr. Gold:And what plan's that, Henry?(Henry doesn't respond.)Mr. Gold: Right.(Mr. Gold leaves Emma and Henryalone in the hall.)Henry: Sorry. I thought Mr. Gold was in on it, now that he's Miss Blanchard'slawyer.Emma: In on what?Henry: The escape plan.Emma: The what?(Mr. Gold calls out from the otherroom.)Mr. Gold: Sheriff, could you join me, please?(They join Mr. Gold and see Mary Margaret's emptycell.)Mr. Gold: She's gone.Emma: Henry, what did you do?Henry: Nothing. She was gone when I gothere.Mr. Gold: Her arraignment's tomorrow. If she's not there...Emma: She's a fugitive. Doesn't matter ifshe's convicted for Kathryn or not - she's screwed. I have to go find her before someone notices she'smissing.Mr. Gold: Oh, you mean Regina?Emma: The arraignment's at eight A.M. I'm sure she'll be herebright and early to celebrate her victory.Mr. Gold: Well, you have until eight A.M., then.Henry: Uh, whatabout me? How can I help?Emma: Go home.Henry: Emma, if she leaves Storybrooke...Emma: Not now,Henry. Come on.Mr. Gold: Miss Swan, I know time is of the essence, but if Miss Blanchard doesn'treturn... Her future's in jeopardy. And if you're caught helping her, so is yours.Emma: I don't care. I'drather lose my job than my friend.[SCENE_BREAK](Emma gets in her car and drives down a desertedroad near the woods. In the fog in the distance, a figure can be seen. Emma doesn't notice in time, andnarrowly avoids hitting a man. He jumps out of the way and falls down an incline. She gets out of her carto assist him.)Emma: I'm so sorry! Are you okay? I didn't see you there.Jefferson: Uh, I think so.Emma:Are you sure?Jefferson: I'm fine. I'm not used to sharing the road with cars so late. You're the Sheriff,aren't you?Emma: Yeah.Jefferson: What brings you out here in the middle of the night?Emma: Oh,nothing to worry about. I'm just looking for a lost dog.Jefferson: Well, I hope you find it.Emma: Thankyou.(Jefferson tries to walk, but has an obvious limp.)Emma: Oh, you are hurt.Jefferson: No, I justtwisted my ankle, I think. I live just a mile down the road. I'll make it okay.Emma: No, let me drive you. Iinsist.Jefferson: Thank you. I'm Jefferson.Emma: Emma.(The two of them get into Emma's car.)-[FairyTale World]-(Jefferson runs through the woods, seemingly trying to escape from something. He stops torest by a tree, but is caught by his daughter, Grace.)Grace: Papa, I found you.Jefferson: You certainlydid. You must be part bloodhound, my dear Grace.Grace: Now it's my turn to hide, and youseek.Jefferson: I'm afraid playtime's over. Though, you can still use that nose of yours to huntmushrooms. Enough to sell at market tomorrow. Do you think you can do that? Ready or not, here wecome.(They head back to their house, where the Evil Queen's carriage is parked outside.)Jefferson:Wait.Grace: Whose carriage is that?Jefferson: The Queen's.Grace: In our house? Do you knowher?Jefferson: Of course not. Now, listen carefully. Hey. I want you to stay hidden in the woods. Like ourgame. I'm going to find out what she's doing here.(Jefferson enters the house, while Grace runs off intothe forest. Inside, the Evil Queen is waiting.)Evil Queen: I'd like to say you're looking well, Jefferson, butI'd be lying. Poverty doesn't suit you.Jefferson: What are you doing here, Regina?Evil Queen: I have a jobfor you.Jefferson: I don't do that anymore.Evil Queen: Yes, I heard you hung up your hat. Why? Is itbecause of your sweet daughter Grace?Jefferson: Because of my work, she lost her mother. I don't wanther to lose her father, too.Evil Queen: So, now you're foraging for fungus. What kind of future does yourdaughter have here with you? Do this one last favour for me, and you can give her the life shedeserves.Jefferson: That's why I'm staying. You don't abandon family. That's... What she deserves. Now,please leave.Evil Queen: All I need is your special skills to get me somewhere. Somewhere you've beenbefore. Do it, and I can change your life.(She hands him a piece of paper.)Jefferson: What business couldyou possibly have there?Evil Queen: Something of mine was taken and found its way over there. I want itback.Jefferson: Then, find someone else to get it.Evil Queen: I see. Hard living has strengthened yourresolve. Well, I'm sorry I couldn't convince you, but I understand. There's nothing more important thanfamily.-[Real World]-(Emma and Jefferson pull up to a large house on a hill. The two of them getout.)Emma: Wow. This is your house? It looks more like a hotel. You must have a huge family.Jefferson:"}
+{"doc_id":"doc_185","qid":"","text":"SCENE: Neverland. Present. Felix escorts the prisoner (Neal) through the jungle.[SCENE_BREAK]Felix:Feels like just yesterday I welcomed you to Neverland the first time, Baelfire. Gotta say, hoped I'd neversee you again.Neal: Then maybe Pan shouldn't have taken my son.Felix: Maybe you should've left wellenough alone.Neal: I'm gonna get him back.Felix: You really believe that? You were a lost boy. You knowPeter Pan's not be to trifled with. You know how long he's been searching for the heart of the truestbeliever. Do you really believe he'll just... give him up?Neal: Maybe, if I ask nicely.(Chuckles)Felix: Youmay have grown up, Baelfire, but it would appear you have grown up stupid.Neal: I have grown up. Idon't know if I'm stupid or not, but I do know I know how to tie an overhand knot.Felix:Uhh!(Panting)Neal: I'm not a boy anymore, Felix. I sure as hell ain't lost.[SCENE_BREAK]SCENE: TheEnchanted Forest. Before the first curse. Rumplestiltskin's hovel.[SCENE_BREAK]Rumplestiltskin: Bae. Apresent. Something to sharpen your coal with.Bae: Where did you get it?Rumplestiltskin: Oh, from a manwho no longer needed it.Bae: You mean taken from a man who couldn't pay you.Rumplestiltskin:Bae...Bae: Papa, I told you, I don't want any more gifts from the people youterrorize.(Thud)Rumplestiltskin: Then what do you want? Tell me, son. What would make youhappy?Bae: Leaving this place. I'm tired of staying in this hovel all the time.Rumplestiltskin: Well, that'seasy to fix. How about a castle, huh? I could build you a palace so magnificent its shadow would blanketthe countryside.Bae: That's not what I mean. I wanna go out, have friends, see the world beyond thesefour walls. Papa, why can't you just trust me to do that?Rumplestiltskin: I do trust you, Bae. It's... It'sothers that I can't. You see, I have many enemies beyond that door. And once you leave, any one ofthem could hurt you.Bae: You sure that's the only reason? Maybe what you're really worried about is if Ileave, I might never come back.Rumplestiltskin: No, no. I... I... I'm worried about your safety. This is thebest place for you. I don't know what I'd do if I ever lost you.[SCENE_BREAK]SCENE: Neverland. Present.Rumplestiltskin puts on war paint.[SCENE_BREAK](Scraping)(Fire crackling)Belle: You always felt morecomfortable behind a mask.Mr. Gold: You were the only one who could ever see past it, past the mask ofthe monster.Belle: Then why put it back on now?Mr. Gold: I need the monster, Belle. It's the only way Ican save him. And that's what I've decided. I'm gonna save Henry.Belle: The prophecy states that Henrywill be your undoing. To save him, you ensure your own death.Mr. Gold: You don't think I can do it?Belle:I think your intentions are good. But a lifetime of craven self-interest is a nasty habit that you've neverbeen able to break.Mr. Gold: Things are different now.Belle: How? What... what's different?Mr. Gold:Because I have nothing to live for.Belle: What about me?Mr. Gold: You're not real. Just a vision.Belle: ButI'm... I'm back in Storybrooke, waiting for you.Mr. Gold: You shouldn't be. When I said good-bye to you,Belle, we both know it was for good.Belle: Well, maybe I think you'll come back.Mr. Gold: Even if I did,eventually you'd leave me because you can see me for what I really am. You think you see a good man,but in time, you'd see the monster. My son is dead. The only way I can redeem myself is by saving hisson and giving my life.[SCENE_BREAK]SCENE: Neverland. Present.[SCENE_BREAK]Emma: This is wherethey're keeping Henry. Pan's compound. According to, uh...Tinkerbelle: Tinker Bell.Emma: Yes, I know.Still weird to say.Tinkerbelle: \"Tink\" is fine.Emma: Not sure that's any better. Anyway, she says thatthere are sentries positioned across the front, which is why we are gonna come in through the backentrance here. She's gonna talk her way in. Once she makes sure the coast is clear, then we are going tosneak on in.Tinkerbelle: You'll still have to deal with any lost boys once you're inside.Regina: I think wecan handle a few children with pointy sticks.Tinkerbelle: It's not the sticks you need to worry about. It'sthe poison they're dipped in.Mary Margret: Dreamshade. Hook warned us.Tinkerbelle: Good. Because onenick, and you'll spend the last of...David: Poison sticks equal death. We got it. Now when can we put thisrescue mission into action?Tinkerbelle: I'm ready to go, just as you tell me the exit plan. You do have anescape plan, don't you?Emma: It's... it's more of a last-minute trip.Tinkerbelle: If you don't have a wayoff this island, then none of this matters.Regina: We'll figure it out.Tinkerbelle: You'll figure it out? No onecomes and goes from this place unless he allows it. This is a waste of time.David: Hey, when it comes tofamily, we always find a way.Tinkerbelle: You don't get it. Here. Let me show you something. You know"}
+{"doc_id":"doc_186","qid":"","text":"Act One.Scene One - Apartment Martin is sat in his Armchair reading the paper, Daphne is sat at thetable writing a letter. Daphne notices something.Daphne: Oh dear, your chair's got another big rip in thebottom.Martin: [looks] Where? [spots it] Oh! Hand me my re-upholstery kit, would you? [She slings hima large roll of duct tape] Thanks.He kneels down to patch the rip. Frasier comes out of the hall dressed inhis best suit.Daphne: Oh, Dr. Crane, don't you look smart.Frasier: Well, I don't feel smart. I let Roz setme up another one of her blind dates.Daphne: Who's the lucky woman?Frasier: Oh, a friend from heraerobics class. Oh, perhaps it won't be so bad. She's thirty-two, has a terrific body, and apparently thinksI'm God's gift to broadcasting.Martin: Well, at least you have one thing in common.Frasier grimly watcheshis father repairing his chair.Frasier: Dad, when are you going to stop blighting the environment with thisatrocity? [doorbell] My God, can't you see that it wants to die? Let it go!Martin: [sits back down] Youknow, I keep having this dream where you say the same words. Only I'm in the hospital and you'reslipping the nurse a twenty.Frasier: Dad, that will never happen.Martin: Thank you.Frasier: I havemedical power of attorney, it won't cost me a thing.He answers the door to Niles and Girl, his Maris-likedog.Niles: Hello, Frasier. We were in the neighborhood for a pedicure and a seaweed wrap and wethought we'd stop by. Of course, the pedicure was for...Martin: Stop right there! There's no way to finishthat sentence that'll make me proud.Niles: I have some wonderful news. I just signed a lease for anapartment in one of the most exclusive buildings in Seattle.Frasier: You don't mean?Niles: I do. As ofnext week, I'll be a resident of... [holds out his lease] the Montana.Frasier: Niles, why would you want tolive in such a stodgy building? When I applied there they treated me as if I was riff-raff.Niles: Well, ifyou're going to answer your own questions, what do you need me for? The best part is, I'll never have togive my address again. From now on, I'll simply be, \"Dr. Niles Crane, The Montana.\"Daphne: That's alovely building. I've only been there once, applying for a job.Niles: I can't imagine anyone turning down achance to hire you.Daphne: I hope you're right, I haven't heard yet. Well, goodnight!She leaves to herbedroom. The three Crane men look unsettled.Martin: Hey, Frasier, you don't...Frasier: Oh, just relax,dad. It's just her way of angling for more vacation time.Martin: What if she isn't?Frasier: Well, they'd stillhave to call me for a reference. Either way, she's not going anywhere.Niles looks suddenly at Girl, who isnot moving.Niles: Gosh, that's uncanny, dad.Martin: What is?Niles: The way she's taken with you. She'sabsolutely mesmerized.Martin: She is not.Niles: Oh, she is. She's just playing hard to get. [pushes Girltoward Martin] Go to Grampa. Isn't she warm and cuddly? [Martin reluctantly takes her on his lap] Oh, Isee I'm going to have a tough time tearing you two apart!Frasier: You know, I'm going to go out on alimb here. The Montana doesn't accept pets, does it?Niles: On the contrary, they welcome them. Just notcats or dogs.Martin: Well, then you're in luck, because I don't know what the hell this thing is!Frasier:There is no way that dog is moving in here with us!Niles: Oh please, at least if she's here I'll be able tocome and visit her. I cannot turn her over to strangers. [whispering confidentially] She worshipsme.Frasier: Oh pul-eeze, you must realise that dog has no genuine affection for you. [Niles looksconfused] You only pretend that she does because she's a canine substitute for Maris!Niles: That is themost absurd psychobabble I have ever heard.Frasier: She is highly strung, cold to the touch and ignoresyou. My God, stand her upright, take ten pounds off her, put her in a Chanel suit, whatcha got?Niles: I'msorry, that's ridiculous.Frasier: Oh, is it really? Do you remember that little pilbox hat that Maris wore tothe the Duchamps' wedding?Niles: Absolutely.Frasier takes a small dip bowl and puts it at a cocked angleon Girl's head. As Martin nods in agreement, Niles staggers backward against thecouch.[SCENE_BREAK]JUST CALL ME STINKYScene Two - KACL. The next day, Frasier enters his booth.Roz is waiting with a clipboard.Roz: Hi, Frasier. So how did it go with Rita last night?Frasier: She didn'tquite take to me.Roz: Oh, you're just being hard on yourself like you always are.Frasier: You tell me.Over appetizers, she suddenly remembered that she had a very early morning meeting, so she suggestedwe skip the jazz club after dinner.Roz: People have meetings.Frasier: Mmm-hmm. When the waitersuggested a soufflé for desert that would take an extra thirty minutes she said, \"Oh Dear God, no!\"Roz:She was probably on a diet.Frasier: After I dropped her off at home, I noticed she had left her suede"}
+{"doc_id":"doc_187","qid":"","text":"\"The Pain in the Heart\"[SCENE_BREAK](Open: Flash back to final scene of previous episode \"TheWannabe in the Weeds\". Booth has just been shot by Pam Nunan and Brennan is leaning over him tellinghim he's going to be fine - as if she's reliving the moment.)BRENNAN: Booth, you're gonna be fine.Really. Come on. Come on, Booth. It's gonna be fine. Come on, Booth. Come on, Booth. No! Oh, comeon...(Fade into: Medico Legal Lab - Forensic Platform. Brennan and Zack are going over remains fromLimbo)BRENNAN: The carbon isotopic composition of the collagen, shows a value of minus 16%.ZACK:Supporting the theory that the deceased was born in Provence, France.(Hodgins, Angela, Cam andSweets join them on the platform, all dressed in dark colors)BRENNAN: In the 16th century...HODGINS:It's time, Dr. Brennan.BRENNAN: (ignoring Hodgins) The metacarpal phalangeal joints are smooth,showing dexterity. Perhaps a musician..CAM: That's enough. We're going. Now.BRENNAN: I have remainsto identify. He could have a family.ANGELA: He's 500 years old. They've probably adjusted bynow.BRENNAN: I'm not going. I've already made that clear.SWEETS: It's Agent Booth's funeral, Dr.Brennan. Losing a loved one is -BRENNAN: A partner, Sweets. I lost a partner.SWEETS: Someone closeto you. The funeral allows you to grieve so you can come to terms with his death.BRENNAN: The AruntaAboriginal tribe in Australia grieve by burning down their village and - and moving to a new one. Thatseems no crazier to me than gathering around a hole in the ground.SWEETS: Being hostile won't-ANGELA: Brennan...a word.SWEETS: Excuse me? Professional psychologist.(Angela pulls Brennan asideand holds up a finger to Sweets - indicating to give her a minute)ANGELA: Look. I know how you seethings, and I respect that, but I need to ask you a favor.(She holds up Booth's funeral card)ANGELA: Ihave to go to the funeral. I'm not going to be able to get through this alone. I've been crying for, like,days. I really need your shoulder here. I need my best friend.(Cut to: Arlington National Cemetery.Everyone is gathered around a casket and Caroline is giving the eulogy. It's Booth's funeral.)CAROLINE: Iknew Seeley Booth. He was a good man who earned my respect and affection. And I don't like manypeople. Booth had a selfless commitment to his work, first in the military and then the FBI. Two weeksago, he made the ultimate sacrifice - giving his life to save his partner. And in the brave act, he showedus what greatness we are all capable of.BRENNAN: (loudly, to Angela) That woman was aiming at me andI would have happily taken that bullet.ANGELA: I know.CAROLINE: May God's mercy and love shine onSeeley Booth as he takes his place beside the Lord.BRENNAN: (loudly, to Angela) If there were a mercifulGod, why wouldn't he have saved Booth.(Drums start playing as the officers prepare to fire theirweapons)OFFICER: Standby.(Camera pans to one of the officers and it's revealed that it'sBooth.)OFFICER: At ease.(A man starts to walk towards the coffin, as the rest of the officers continue tofollow commands)OFFICER: Aim.(Booth pushes through Zack and Sweets and punches the man,knocking him to the ground)ANGELA: What the hell is going on?(The casket is pushed to the ground andit opens up, revealing a dummy body inside.)ZACK: They appear to be fighting.(The man and Booth fighton the ground and Brennan watches. The man punches Booth and Brennan runs over to the casket tograb the dummy's arm and uses it to knock out the man. She immediately starts to move towards Booth- looking extremely angry)BOOTH: Bones! Nice shot. (He notices her anger) What?(Brennan punchesBooth in the jaw and then stops off. Booth groans)(Cut to: Medico Legal Lab - Booth and Brennan arewalking out of Brennan's office.)BOOTH: After I got shot, the Bureau faked my death so I could finally getthat guy.BRENNAN: I don't care.BOOTH: Look, I drove him underground. He said the only way that wewould ever see him again would be at my funeral, so...BRENNAN: I don't care.HODGINS: Who ishe?BOOTH: What part of \"National Security\" don't you understand, Hodgins?HODGINS: \"NationalSecurity\": catch-all phrase for \"we can do anything we want\"BRENNAN: I knew I shouldn't have gone tothat funeral. It was a complete waste of time, just like I said.BOOTH: Wait a second, you thought that myfuneral was a waste of time?CAM: I thought it was a lovely service, Booth.BOOTH: Thank you. You know,I expected to see more people though.HODGINS: I always imagined a lot of ex-girlfriends crying.BOOTH:Yeah, me too.ANGELA: You guys are pathetic.BRENNAN: Just know I won't be attending your nextfuneral.BOOTH: Bones, I'm telling you. You were supposed to know that I wasn't really dead. I swear!"}
+{"doc_id":"doc_188","qid":"","text":"[Scene: Chandler and Joey's, Chandler and Joey are playing with the duck and the chick.]Joey: Hey,wouldn't be cool if our duck and chick had a little baby? We could call it Chuck.Chandler: Or... Dick.Ross:(entering) Hey.Chandler and Joey: Hey.Ross: Listen, I-I need a favor. Umm, I was in the shower, and asI was cleansing myself, I ah, I-I, well I felt something.Chandler: Was it like a sneeze only better?Ross:No, no, I mean, I mean a thing on my body.Joey: (with a disgusted look) What was it?Ross: Well, I don'tknow, it's-it's kinda in a place that's not... It's not visually accessible to me, and I was hoping maybe youguys could-could help me out. (starts to take off his pants)Chandler and Joey: Whoa!!!Chandler:No!!Ross: Come on you guys, it's no big deal! (He turns around and shows him his thing.)Chandler:Whoa-heeeiiiiii-iiiii-ah!! (sees it) Huh.Ross: Well what is it? Is it a mole? (He moves closer to them, andthey jump back.)Joey: No, it's too wrinkly to be a mole.Ross: Well, eww. What? Is it a pimple?Chandler:No, it's... fancier than a pimple. Look Ross, why don't you just go see a...Rachel: (entering, interruptingthem) Hey guys! What's... (sees what they're doing and stops, the guys are stunned)Chandler: Okay,well, it's definite, two more weeks of winter.Ross: Ahhh.Joey: Yeah, right.(Rachel backs out with aconfused look on her face.)Opening Credits[Scene: Central Perk, Chandler, Joey, and Rachel are there, asPhoebe enters with her date.]Phoebe: (to her date) Okay, and then this is the coffee house. This is whereI play my music. (points to the stage)Vince: Good deal.Phoebe: Yeah, and these are my friends. People.This is Vince, Vince the people.Rachel: Hi!Chandler: Hey!Vince: Hey!Phoebe: Vince is a fireman.Rachel:Wow! Have you ever rescued anyone from a burning building before?Vince: 98 hot saves, highest in theforce.Chandler: Well, y'know if Joey and I played with matches we could get you up to an evenhundred.Vince: (dead serious) Fire safety is not a joke, son.Chandler: You're right, I know.Vince: (toPhoebe) Look, I gotta go. I'm on call tonight. (kisses her) See you Saturday. (leaves)Phoebe: Okay.(watches him leave)Rachel: Wow, he's cute, Pheebs! But I thought you just started dating thatKindergarten teacher.Phoebe: Oh, Jason? Yeah, uh-huh, we're seeing each other tonight.Rachel:What-Pheebs?! Two dates in one day? That's so unlike you.Phoebe: I know, I know! I'm like playing thefield. Y'know? Like, juggling two guys, I'm sowing my wild oats. Y'know? Y'know, this kind've like y'knowoat-sowin', field-playin' juggler.Joey: So Pheebs, do they know about each other?Phoebe: Does a dog'slips move when he reads? (Joey makes an `I don't know' face, and looks to Chandler and Rachel, who'realso stumped) Okay, no they don't.Ross: (entering) Hey guys!Joey: Hey.Rachel: Hi!(He goes over andsits down at the counter, all depressed.)Joey: (going over to him) Well?!Chandler: (joining them) Okay,how'd it go at the doctor's?Ross: Well, he said there's definitely nothing to worry about, it's totallybenign.Joey: Well what is it?!Ross: He couldn't even tell me! He said it was just some sort of skin...abnormality. And the worst thing is he-he-he said, he said, without being able to identify it, he wasreluctant to remove it.Chandler: Y'know what? You should go to my guy, because when I went in therewith my third nipple. He just lopped it right off. Y'know? So I guess I'm lucky. I mean not as lucky aspeople who were born with two nipples.Ross: At least they knew what yours was. Y'know, yours had aname.Joey: Oh! Maybe they'll name yours after you! Y'know, they'll call it, The Ross. And then peoplewould be like, \"Awww, he's got a Ross.\"Ross: (sarcastic) Yeah, that'd be cool![cut to Phoebe and Rachelas Monica returns from the bathroom]Monica: Pete's breaking up with me.All: What?!Monica: I justchecked my messages, and he said that when he gets back from Atlanta, we need to talk.Rachel:And?Monica: Well that's it. People never say `We need to talk' unless it's something bad.Joey: Whoa,that doesn't necessarily mean that he's breaking up with you.Monica: Really?!Joey: Yeah, maybe he justcheated on you.[Scene: A Street, Phoebe is walking with her second date, Jason.]Jason: ...and I know I'llnever miss doing it, but I gotta tell you, it's pretty cool knowing that you're making a difference in a kid'slife.Phoebe: That is so great! Oh, I... (sees that a parked car near them has caught on fire) Oh myGod!Jason: Whoa!Phoebe: (the fire has worsened) Oh my God!!!Jason: Ahh-ahh, we'd better call the firedepartment!Phoebe: (stopping him) No! No!Jason: No, no?Phoebe: Well, we don't n-n-n-n-need afireman, we'd, we'd like a good mechanic. (hears the sound of approaching sirens) Oh my God, here theycome! Well, we gotta get out of here!Jason: W-w-w-wait! Why?!Phoebe: Well look, if I wanted to see a"}
+{"doc_id":"doc_189","qid":"","text":"(Cut to a strange congomeration of strangely colored winged birds and a strange angel statue, holding abowl. Bells ring. Then a bright white light flashes and then dims to show a surgical light. We pan down toSydney, waking on a stretcher in what could be something like an emergency room. She's dressed only ina white hospital gown and underwear. She sits up groggy, then stands up gingerly. She walks over to thedoor and tries to open it. It's locked. She bangs on the door with her hand.)Sydney (hoarsely):Hello!(She turns away from the window and starts to walk, looking around, then stops as a wave of painhits her. She looks down. There's blood seeping through the hospital gown in the spot where her scar isnow. She leans against a counter and lifts the hospital gown to reveal an angry seeping wound. Shesticks her fingers inside the wound, pulling out the end of a thin plastic tube (think, the kind of thinplastic tube often used for aerators in aquariums) She holds up the end of the tube, shocked, her handcovered in blood. She starts pulling and more tubing comes out. It's freaking her out. She starts pullingfaster and faster, but the tubing doesn't end. Blood is splashing everywhere, covering her, splashing thewalls. She holds up a fistful of tubing and screams. We cut to a scene farther out. There is a pile of tubingat Sydney's feet in a puddle of blood. Blood is spattered all down her side, on her hands, her face, thewall behind her.)(Cut to Sydney, sitting up suddenly in bed, gasping and sweaty. She's had a nightmare.She's really freaked out, can barely breathe. She pulls up her tank top to reveal her healed scar. Shefingers it, gasping and crying. She lies back on the bed, pulling the covers up to her neck, crying andgasping in anguish.)(Cut to Sydney walking through a set of double doors. US STAFFORD NAVALHOSPITAL. She approaches the doctor who runs the \u0000lost time\u0000 peer group. He notices her standingnext to him as he hands a nurse a medical chart he's just signed.)Doctor: Oh, Sydney. (to nurse) Thankyou.Nurse: Thank you, doctor.Doctor: Nice to see you.Sydney: I know that I haven't been to group in awhile.Doctor: That's okay We have another session here tonightSydney: I actually came here to talk toyou about something else.Doctor: Is it your dreams?(Sydney nods.)Sydney: I've heard about aprocedure used to recover lost memories: neurostimulation therapy.Doctor: Oh, Sydney before wediscuss this, let's give group a chanceSydney: Some of those people have been that group for ten years,and none of them seem to be any closer to finding out what happened to them.Doctor: Well the point isto accept what's happened, that you may never remember, and in so doing, free yourself to moveon.Sydney: With all due respect, the one thing that you don't know is what it feels like. You haveclearance, so I can tell you that unlike anyone else in that group, there's a terrorist organization trying tofind out the one thing that I can't remember. My point being, I don't have the luxury of waiting foracceptance.Doctor (walking): Come with me.(Sydney follows. Cut to look into the window of a paddedcell. A man with a shaved head wanders around inside in a straitjacket.)Doctor: This is Kenneth Blake. Hejoined Central Intelligence in 1981. He was missing for five years finally turned up in a South Koreanhospital with severe injuries and no memory whatsoever. Blake volunteered for the same procedureyou're asking for. The procedure was carried out. Blake soon learned that he'd been in custody of theNorth Koreans all that time, exposed to torture so intense, so prolonged, that his conscious mind blackedit out. The invasive nature of the surgery left him with permanent brain damage. You should know,Sydney, that the National Security Council considers Blake a successful test case for neurostimulationtherapy. (starting to get choked up) I'd consider death an option before this procedure.(Off Sydney'slook, we cut to NOGALES, MEXICO. Children play soccer in the dirt street. Suddenly shooting breaks upthe scene. Cut to a pair of feet running in the street. Pan up to a man's back as he runs by. Cut toreverse angle; we see two police officers chasing the man, shooting at him. Police cruisers block off theother direction and the man raises his hands. It's Javier Perez. He kneels while they handcuff him. Cut toJavier, sitting in a jail cell.)Police Chief (offscreen): You've been a busy man, Javier Perez.(Cut to Chiefleaning against the wall of the cell, accompanied by another armed officer. He is looking in a filefolder.)Chief: Epidemology lab in Cannes; Disease Control Ministry in Spain; Genetic engineering facilityin Cuba(Cut to Javier as he sighs and leans his head wearily against the wall, closing his eyes. Cut backto Chief.)Chief: Do I turn you over to Cuba, to Spain, to France? To me there is no difference. For you,"}
+{"doc_id":"doc_190","qid":"","text":"Ted (2030): Why do they fight? What is it hidden in us that drives us to settle disagreements with ourfists? (In Lily's class, two boys fight) Whatever it is, this is from the beginning.Lily: Stop fighting!Boy 1:Why?Lily: It's stupid and childish.Boy 2: It has been six years. It is stupid and childish.Ted (2030):Children, I fought just once in my life. And that's how it happened. You know I have recently beenabandoned at the altar. And the worst when it comes to us, apart from being abandoned at the altar, iswhat happens after. A steady stream, persistent and unbearable pity. At McClaren's, Wendy brings drinksto Marshall, Lily, Barney, Ted and Robin.Wendy: Cranberry Vodka, gin and tonic. Scotch and soda.Ted:Thank you. Can I see the menu?Wendy: Ted, I'll get you a menu... but I promise I will return.Ted: We'llhave to go elsewhere. In this bar, I will always be the guy left at the altar. It sucks!Barney: Goodtimes.Ted: We lost Barney.Robin: What?Lily: There's a girl there in a sweater wrap. He does not listen toa word they say. Hein, Barney?Barney: Leave me alone!Ted: He understood, there is little time, he couldhold a conversation with just the titles of sitcoms \"black\" of the 70s and 80s.Barney: What's goingon?Lily: Barney, you wanna go and get my stuff does not Marshall?Barney: Diff'rent Strokes.Man: Whatis this?Ted (2030): I spoke to Doug, children? Not? Well... Flashback In McClaren's...Ted (2030): DougMartin was in McClaren's bartender. He was always in the corner.Barney: You... Been to Ted?Ted: It isnot play \"You know Ted.\" Barney (a pencil in his nose): I'm dead? (Doug misses and laughs) I'm dead?(It is disguised as a woman) Tonight... I am a lesbian.Ted (2030): There are three things to know aboutDoug. The first is that Doug is a bit violent. Doug:... collapsed, so he's down. And it hits him! He madethis face, trembling. What we did is that we left it there. I ressers?Ted (2030): The second is that he wasweird about her hair...Doug: What?Ted: What?Doug: You look at my hair?Ted: No, sir. Not at all.Doug:That's a dummy. It's funny? Want to laugh? It's funny?Why you do not tear out?Ted: What?Doug: Goahead, tear it out of my head. Go ahead. Want to pull? Go. Go, go and pluck it out. You want to tear myhead?Pluck my hairpiece my head. I love you, guys!Ted (2030): But the third is that he was very faithfulwith its regulars. Ted, Lily Marshall, Barney and Robin arrive at the bar.Doug: There they are! You wantyour table?All: We will be well by then.Doug: Yes? Yes?Ted (2030): Maybe a little too faithful.Doug: No,that's right, all right. (He goes to the usual table where Ted and his friends are) Lovebirds! Put itelsewhere, this table is reserved. Here we go! Now! Go! We move, my Father. Here we go. OK, guys,here! End flashbackTed (2030): So that's Doug.Doug: What is this?Ted: Some guys are sitting at ourtable. But you know, it's good.Doug: Let's go, I take care of that.Lily: Damn, there goes.Doug: Ladies, ifyou will join your table. Gentlemen, I need your help out.Ted: Our help?Doug: We're going down the aisleand fight with these guys.Barney: What's going on?GENERICTed: Sorry, you just said...Doug: These guysare off-handedness. So we go outside and they fit in, OK? It's gonna be fun!Doug part.Ted: He wants tobe fought? As with our hands and stuff?Marshall: And your feet maybe? I do not know the rules.Ted: Afight. We gotta go?Barney: No, I would fight for three things, the closing of a stubborn bra, accusationsof sexual harassment... 9 of 9! And wanted to vomit when I see someone wearing brown shoes with ablack suit.Marshall: The fighting is for dummies. We are civilized people, civilized people not fight. Exceptwith a lightsaber, but that's in for 3 or 5 years...Robin: That's not true.Marshall: I'm on the forums everyday. In 3-5 Thanksgiving, I découperai turkey with my saber green.Robin: No, I say there are plenty oflegitimate reasons to fight, it is perhaps not beautiful, but sometimes you gotta do what you gottado.Ted: Yes, I forgot. She is sexy fights.Robin: No, it's true! I love it! I have a culture of hockey. If a guyis a fighter, it is rather sexy. And scars, seriously! If a guy has one, it has a Robin. And if he lost a tooth,I lose my panties.Barney: I lost my wisdom tooth. Without surgery. Local anesthesia. Frankly, it'snothing.Ted: We should go.Lily: I can not believe that we have this discussion. Ted, you're 30, you're tooold to act like that.Ted (2030): I was 30. And of those 30 years, I was struck once. Flashback Ted is in abar.Ted: There is an explanation very simp... A man gives him a punch. End flashbackTed (2030): Therewas this thing in colo. Flashback Ted is in the forest with children.Ted: Today we are going to braidfriendship bracelets. A pat on the boy's private parts and they run off.Ted (2030): In college, I studiedKung-Fu. And some other stuff. For the goat, it would be a few months after. End flashbackTed (2030):"}
+{"doc_id":"doc_191","qid":"","text":"Opening scene - Seth's bedroom - Summer and Seth are in there together. Summer is wearing a winterparka, and pulls another one out of a boxSummer: (calls) Cohen come out I wanna seeSeth: alright(Sethcomes out wearing red longjohns, he doesn't look happy about it either,lol)Seth: (frowns) I feel like PaulKettleSummer: (looks Seth up and down) not bad (smiles, holds out parka) try this onSeth: (raiseseyebrows) oh wow you got us matching parkasSummer: mm-hmm (turns back to the box) an matchinghats an matching scarves, we're gonna be the warmest most coordinated couple at BrownSeth: yeah,you think your jumpin the gun a little bit we wont get our acceptance letters till tomorrowSummer: ohplease with your dorked out grades an my NASA level SAT's we are so getting inSeth: its Brown (holdsout hands) everyone's got good grades an SAT's its very possible that neither of us could get in or thatone of us couldSummer: uh-huh, an which one of us would that be CohenSeth: it's just as likely you'll getin an I wontSummer: (turns around) an you really believe thatSeth: yeah, an then where would you be(Summer looks at him) be stuck in Providence with one half of a his an hers parka setSummer: (screwsup face) yeah like id go if you didn'tSeth: what (looks at Summer)Summer: Cohen, duh, I applied taBrown so that we could be together I'm not going without youSeth: ...Summer Browns one of the topuniversities in the world people dream about going thereSummer: no, you dream about going there(moves closer) I dream about being with the one I love(Seth looks down, Summer lifts the hood of Seth'sparka onto his head and brushes the fluffy edging. Seth sniffs)Summer: aww even all padded up you stilllook so scrawny (frowns)Seth: I'm gonna go get some water I'm sweating so much I'm gettingdehydrated(Seth heads towards the door and Summer kind of waves it off and goes back to her box)CUTTO: The pool house - Ryan and Sadie are on Ryan's bed making out pretty intensely. Ryan is on top ofSadie and he pulls her leg to his, we're seeing this from behind and then we see a close up of theirfacesSadie: I thought you were making me dinnerRyan: an I didSadie: yeahRyan: mm-hmm(kisses)Sadie: (shakes head) you didn't let me eat it (smiles)Ryan: well no ones stopping youSadie:(kisses) reallyRyan: mm (kisses)Sadie: ok (sits up) well in that caseRyan: no ooo (gently pushes Sadieback down) no (kisses)Sadie: whatRyan: mm(Ryan stops kissing Sadie and lies next to her)Ryan: so withthe ninety day escrow (thinks) that means you'll be in town foooooorSadie: ninety more days Einstein(smiles)Ryan: right (Sadie laughs) that makes senseSadie: (rubs Ryan's chest) until you get accepted towhatever college you applied toRyan: yeah (sits up)(Sadie sits up slowly)Sadie: ok, should I not havementioned it (looks at Ryan)Ryan: no no its fine (looks at Sadie) your rightSadie: your letter should bearriving like tomorrow rightRyan: yeahSadie: I'm sorry but I've found ignoring the future never makes itgo awayRyan: (nods) well whatever happens we'll make it work (kisses Sadie) (frowns) umm we shouldeat before the burgers get cold ill-ill grab some water(Ryan leaves and Sadie watches him - the nextthing we see is Ryan coming into the kitchen from outside. he sighs and we see the back of Seth standingat the fridge with the door open)Ryan: hiSeth: hey, you want a waterRyan: sure(Seth takes 2 bottledwaters out of the fridge and hands one to Ryan)Seth: I was jus (points) coolin myself off (Ryan nods,drinks) all this time I thought gettin inta college...would make everything so much easier (drinks)Ryan:yeah (looks at Seth) not gonna happenSeth: (looks at Ryan, swallows, frowns) there's a cold front cominthrough(Seth looks away and pulls the fluffy edging down over his eyes. Ryan looks away as well)Themesong - California by Phantom Planet Roberts' backyard - Summer is sitting at the table for breakfast andMarissa comes over and sits down, she has a bowl of dry cerealMarissa: pass the milk(Summer holds upa small jug of something white)Marissa: that's cream, I said milk (looks at Summer)(Summer puts thejug of cream down and hands Marissa a taller jug with milk in it)Summer: eating breakfast are we(Marissa pours milk over her cereal) does this mean we're actually going to school today or d'you(frowns) just need the extra strength for all the small children you an Volchok plan to mug (raiseseyebrows)Marissa: (fake laughs) hahaha (looks down)(Julie comes out)Julie: big day girls, college lettersarriving, are you excited (smiles)Marissa: yeah, deliriousJulie: (sits) don't be nervous Marissa yourgetting inta Berkeley (looks at Marissa) I feel it in my bonesMarissa: (stands) I gotta get ta schoolJulie:oh Marissa, your friend who dropped you off last night (Marissa looks at her) his motorcycle kind of woke"}
+{"doc_id":"doc_192","qid":"","text":"[PREVIOUSLY_ON]IAN: What the hell? I knew you guys couldn't be complete dorks.CLAY: Completedorks and officially your agents.NATHAN: You got a bathroom in this place?IAN: There's one in the backof the house passed the kitchen.BROOKE: Julian!CHLOE: I want two people who are gonna love thisbaby, and that's the reason why I want you guys to be the parents.BROOKE: Well, since we don't knowthe s*x, I like yellow. Julian likes green.JULIAN: She just changed her mind, Brooke. She held her in herarms, and she just couldn't go through with it.HALEY: Quinn? It's time.NATHAN: It's a girl.QUINN:Yay!HALEY: This is Lydia Bob Scott.NALEY'S HOUSEHaley puts Lydia in her crib.BRULIAN'S HOUSEBrookearranges the businesses of the baby.KELLERMAN'S HOUSENathan, Julian and Clay looks at car which isthe garage.NATHAN: Was that the car from the bridge that night?FLASHBACK, GABEL BRIDGEJULIAN:No, stop! Stop! Stop!BROOKE: Julian!JULIAN: No, Brooke!CLAY'S CARJulian is with Clay.JULIAN: Whatthe hell is wrong with people? How do you just drive away from an accident like that?CLAY: Nate said hefound an empty bottle of Phidian's in the front seat.JULIAN: Bourbon? No wonder his son's a douche bag.This guy is an educator, a teacher who talks about ethics in business every day, and he just gets drunk,nearly kills Jamie and my wife, and just drives away. Ugh! Brooke nearly drowned that night, and he justleaves her there and gets away with it.CLAY: Not for long. Hey, by the way, I'm sorry about the baby andthe adoption. How's Brooke doing?JULIAN: She's devastated. You know, she's trying, but she's amess.CLAY: Well, for what it's worth, she didn't die on that bridge. You know, she's alive. You two haveeach other. And take it from me that's a hell of a lot to have. Kellerman's class is about tostart.KELLERMAN'S CLASSThe class is starting. August sees Jamie in a seat.AUGUST: Good morning.Take your seats. Stop talking, and let's begin. Well, it seems my class gets younger every day. You musthave done exceedingly well on your advanced placement exams. What's your name, son?JAMIE: JamieScott.AUGUST: Jamie Scott. Of course. And your father is...JAMIE: Nathan Scott. He's sitting rightthere.AUGUST: Mr. Scott. Is it because you couldn't afford a sitter, or did you bring your son to matchwits with me, like your so-called business partner, who, frankly, looked to be about the sameage?NATHAN: Nothing like that. He just wanted to see you again. AUGUST; But I don't believe we'vemet.NATHAN: You have, briefly. We ran into each other the night of the big storm. Well, actually, you raninto Jamie. You were in your Wagoneer.AUGUST: You're sure it was the night of the storm?NATHAN:Absolutely. You were in your Wagoneer, and you were with your friend, Mr. Phidian. And you were in ahurry, so we really didn't get a chance to talk.AUGUST: Well, we should do that perhaps after class in myoffice.NATHAN: We know where to find you. Come on, Jamie. We're holding up class.(Nathan and Jamieleave)AUGUST: You know... You won't get another today. Go enjoy it. Class dismissed.STUDENTS:Whoo!ONE TREE HILL - OPEN CREDITSRED BEDRROM RECORDSQuinn sees a microphone and starts tosing \"Eye of the tiger\".QUINN: \"It's the eye of the tiger, it's the thrill of the fight risin' up to the challengeof our rivals and the last-known survivor stalks his prey in the night and he's watching us all in theey-y-e\"(She sees Alex)QUINN: Of the tiger. Hey.CLUB TRICMillie asks to Mouth to find a new topic for thenew show.MOUTH: Drugs -- more specifically, drug stores.MILLICENT: I do a story on drug stores?What's the angle?MOUTH: The angle is how drug stores are the new coffeehouses. Remember when therewas a new coffee shop on every block? Well, now it's drug stores. They're everywhere. It's like caffeineused to be the drug of choice, but now people are skipping the coffee and going right for the actualdrugs.MILLICENT: They could wash it down with the coffee. What else you got?MOUTH: How 'bout theairlines? We keep bailing them out with more money, and they keep sucking. You could do an expose onthe worst airline on the planet. They have those planes that don't ever leave the airport.MILLICENT: Ishould probably keep it more general than that.MOUTH: Okay, so talk about how the airlines charge foreverything now snacks, bags, that ratty scrap of disease they call a blanket.MILLICENT: Not bad.MOUTH:And they lie. They're such liars. They know when your flight's gonna be three hours late, but instead oftelling you, they say your flight's on time. Then they change the status every 20 minutes to give you 9times' worth of false hope, as if that somehow makes it not as bad. Oh, how 'bout when they tell you toturn off your phone for safety reasons? If the safety of the plane could be affected by cellphones, do you"}
+{"doc_id":"doc_193","qid":"","text":"Becca: Vernon and I just want to thank you all for coming. Ever since I was a small girl, I've dreamt ofthis day.Vernon: Me, too.(laughter)Becca: Sure, in my fantasy, it took place at Fraggle Rock. (laughter) Iwas marrying Johnny Depp.Vernon: Me, too.(laughter)(Becca clears her throat)Becca: But in allseriousness, it is so amazing to be surrounded by so many people who care about us. We really feel... somuch love from you guys. And as the Beatles said, \"All you need is love.\"And a Vera Wang dress.(Beccachuckles)(laughter)Vernon and I are looking forward to seeing you at our 50th weddinganniversary.(Becca laughs)(crying): Promised myself I wasn't gonna do this.Uh, Jimmy, are you havinga-a good time?Jimmy: Absolutely. Just so glad you invited me.Becca: Really?Jimmy: Of course.Sometimes, well, you just want to witness the beginning of a disaster, so later, when the house isengulfed in flames, you can say, \"Yup, I was there when they installed the faulty wiring.\"Becca:Unbelievable.Jimmy: Just admit it. You only invited me here so you could passive-aggressively rub mynose in your happiness. At least I would have had the decency to rub your nose in it directly.Becca: Oh,yes, your commitment to honesty is so refreshing. It must be so hard being the only one who sees peoplefor what they actually are.Jimmy: It is. It's incredibly hard.Becca: Well, it's also gonna be what keeps youalone, because you are ugly and unpleasant and honestly, Jimmy, you're not the original you think youare.Jimmy: I'm not original? Wow! That is hilarious, coming from such a... No, you're right. This day isn'tabout me, is it?Becca: What were you gonna say?Jimmy: Forget it.Becca: No, I'm serious. I really wantto know what does (in British accent): the brilliant Jimmy Shive-Overly think about me?(Jimmygrunts)Vernon: You talk to her again, and me and my boys will mess you up.Jimmy: Who talks likethat?Vernon: I'm serious, Jimmy.Jimmy: Fine, not a problem.Enjoy your sham of a marriage!Vernon: Iwill!Gretchen: You got another one of those?Jimmy: Pretty expensive.Gretchen: Good job inthere.Jimmy: Getting married doesn't remove you from the burden of having to act like a humanbeing.Gretchen: Totally. Those two are doomed.Jimmy: Right? Has any couple ever had a more dishoneststart to a marriage? I mean, the balls to have a traditional Catholic ceremony.Gretchen: When she'salready had two abortions.Jimmy: And can only orgasm through a**l.(people gasp and mutter)Jimmy:Mr. and Mrs. Cottumaccio.Man: Let's go inside.Jimmy: Old Cottumaccios.(man mutters)You'repretty.Gretchen: Thanks?Jimmy: How do you know her?Gretchen: I'm friends with the sister.Jimmy:Friends with Fat Lindsay?Gretchen: Yeah, me and Fat Lindsay are hella close.Jimmy: So, uh, what youheard about me?Gretchen: Nothing, just that you're the worst.Jimmy: Says the girl who just stole ablender from a wedding.Gretchen: No. Really? Oh, man! I thought it was a food processor.Jimmy: Who'sthe worst now?Gretchen: Yeah, well...Gretchen: I don't know what I'm doing here. I'm not even attractedto you.Jimmy: What does that have to do with anything?Gretchen: Yeah. \u0000 Don't look ahead There'sstormy weather... \u0000Jimmy: What? It's L.A. Who doesn't drive?Gretchen: DUI. I occasionally see thismovie director guy.Jimmy: Gross.Gretchen: One time, he booty-texted me from some awards show. Iwas already at the bar, so I drove over to his house, and then he texted me he was going to be late, so Iidly drove around his neighborhood...(chuckles): until I kind of sideswiped an off-duty cop.Jimmy: Do youknow, I'm glad this is a one-night thing, so we can reveal all this awful sh1t about ourselves.Gretchen(chuckles): Totally. High five. I'll get that. Okay, I like that.Jimmy: All girls do.Gretchen: Don't call me\"all girls.\" Damn it. That's good, too. \u0000 Don't look ahead There's stormy weather... \u0000Jimmy: You know,right before Becca broke up with me, I started reading her e-mail.Gretchen: Oh, I've done that.Jimmy:So even though I had warning, when she broke up with me, it kind of... just kind of knocked me out.Even though she's clearly a ridiculous human being, you know?Gretchen: Yeah. Break-ups hurt. I'veheard. I don't really do relationships.Jimmy: Me, neither. Anymore.Gretchen: So, what, are you one ofthose creepy foot guys?Jimmy: No. I have nervous hands, and they have to staybusy.(moaning)Gretchen: Yeah, that's good.Oh, don't stop, you son of a bitch. Oh, yeah...(Jimmyspits)You just spit on it?Jimmy: Yeah.Gretchen: You just spit on my v*g1n*.Jimmy: So?Gretchen:Don't!Jimmy: Why?Gretchen: Why don't spit on my v*g1n*?Jimmy: It's saliva. It's gonna get thereanyway.Gretchen: Hmm. And that's how I got crabs from my guidance counselor.(Gretchen"}
+{"doc_id":"doc_194","qid":"","text":"[Scene: Manor. Dining room. Phoebe, Paige, Jason and Richard are there. They have just finisheddinner.]Paige: Okay, this has been really fun, guys, but Phoebe actually brought us here tonight to saysomething, didn't you, Pheebs?Phoebe: No, no, I-I-I just think that we don't get to see enough of eachother, that's all.(She laughs nervously.)Jason: Might be a little longer too, seeing as we're off to Paris inthe morning.Paige: Yeah, about that French merger...Phoebe: Oh, Hong Kong, Rome, gay Pa-Ree, it'senough to send a girl's head spinning, you know.Paige: But wasn't there something you really wanted tosay about...Richard: Ah, you must have great business karma.Jason: Oh, karma? I don't believe in thatstuff.Richard: Not at all?Jason: Well, I mean, you know, if somebody cuts me off on the road, I'd like tothink that they're gonna get what's coming to them, if that's what you mean.Richard: That's karma, thegreat cosmic justice system. You reap what you sow.Paige: Great, fabulous, anyway, Phoebe.(Paige kicksPhoebe under the table.)Phoebe: Ah! Uh, okay, alright. Uh, Jason, there is something that I want toshare with you right now, and, uh, that would be... a toast. A toast to your new merger.Paige: Pheebs,could you help me with the cobbler.(Phoebe and Paige leave the room.)Jason: Am I missingsomething?[Cut to the kitchen. Phoebe and Paige walk in.]Paige: Okay, that was a three course meal, notincluding the fruit and cheese plate, I gave you a million openings. What do you want? A drumroll?Phoebe: Actually, that's not a bad idea.Paige: You are going with him to France tomorrow. You'vebeen putting this off for too long, you have to tell him you're a witch.Phoebe: I'm just thinking maybe weshould wait until we get there to tell him, you know. And then if there's an emergency you can orb usback, okay?Paige: You've probably been caught almost like a million times. You can't keep taking thatrisk.Phoebe: I know. You know, maybe I should wait until tomorrow until after the big banquet so I don'tupset his big day.Paige: I think that you have a big problem with avoiding conflict and one day, missy, itis gonna come back and bite you in the ass.(Richard walks in.)Richard: Hey, he's getting a little antsy inthere.Paige: And you, what is it with this whole karma thing? You're supposed to be making it easier forher.(Leo orbs in.)Leo: Piper's under attack, she needs your help fast.Phoebe: Saved by the orb. Great.Keep Jason occupied.(Phoebe and Paige orb out.)[Cut to dining room. Leo walks in holding a pot of coffeeand a dish of dessert. Richard walks in behind him.]Jason: Leo? What are you doing here?Leo: Uh, justbringing dessert. You want some?Richard: The girls are just tidying up.[Cut to a tunnel. Piper is there.She blows up a demon and another one appears.]Piper: Crap.(The demon throws a fireball at Piper andshe dives out of the way. Phoebe and Paige orb in.)Phoebe: Piper.Piper: About time.(They help her upand Piper blows up the demon.)Phoebe: It wasn't easy to find you in these catacombs.Paige: You weresupposed to wait until after dinner so I could help.Piper: Well, I thought I could handle it. Except I musthave missed something in the book.Phoebe: I guess so.Piper: Look, every time I hit one, two more showup.(Piper looks around the corner and sees two more demons. She tries to blow them up but they duckand she misses. They throw two fireballs.)Phoebe: Okay, back up. (Phoebe walks around the corner.)Hey, boys!(They throw a fireball each at Phoebe and she channels them straight back at them,vanquishing them. Four more shimmer in. Piper and Paige pull Phoebe back behind the wall.)Piper: Okay,new plan. Blast and then bail.Phoebe: Okay.[Cut to the manor. Kitchen. Jason walks in with Leo andRichard following.]Jason: Hey, Phoebe, what's taking you so long? Wh-Where'd they go?Richard: Uh,must be an emergency or something.Jason: It's always some emergency or some phone call or somemarathon pee-break. What's going on?(Piper, Phoebe and Paige orb in, in front of Jason. He faints.)Piper:Oh.Opening Credits[Scene: Manor. Foyer. Phoebe watches Jason drive away in his car. She closes thedoor and walks into the living room where Leo is healing Piper's wound on her forehead.]Leo: I'd bettergo check on Wyatt.(Leo leaves the room.)Phoebe: I've never seen him like that. He looked at me like hehad no idea who I was.Paige: He doesn't know you. Not the witch you, anyway.Piper: He's just gonnaneed some time.Phoebe: Why didn't I just tell him? And no I told you so's.Paige: We all make littlemistakes, honey.Phoebe: This was a very big mistake. I can't imagine how he's feeling right now, whathe's going through.Paige: The good news is it's out in the open now and, uh, you know, you guys have nomore secrets.(Richard walks in.)Richard: Food's away, table's cleared, anything else I can do?Paige: No,"}
+{"doc_id":"doc_195","qid":"","text":"[Scene: Monica, Chandler, and Phoebe's, everyone is there and they are finishing watching the firstepisode of Mac and C.H.E.E.S.E. Joey is of course Mac.]Mac: (on TV) Well, if we learned one thing todayC.H.E.E.S.E. is that cheerleaders and high explosives don't mix. (Cut to Joey laughing while Rachel,Chandler, and Monica aren't amused.)C.H.E.E.S.E: You can say that again Mac.Mac: Well, I couldn't havedone it without you buddy. You're a genius.C.H.E.E.S.E: Oh yeah? Well then how come I can't get myVCR to stop blinking 12:00?(They both break into a huge laugh and do that stop-motion thing they had atthe end of ChiPs.)Joey: (laughing and turning off the TV) So, what did you guys think?(They all makehappy faces as they are unable to express their feelings verbally. Finally, the phone rings and the race toanswer it is won by Monica.)Monica: (on phone) Hello? (Listens) Hold on please. Joey, it's your mom.(Hands him the phone.)Chandler: It's your mommy. It's your mommy.Ross: Ohhhh...Rachel: That'snice.Joey: (on phone) Mom, so what did you think? (He walks away allowing the gang a chance to figureout what they're gonna say.)Rachel: Well that was umm...Okay.Ross: It wasn't the best.Chandler: Thatwas one of the worse things ever. And not just on TV.Monica: Wh-what are we gonna tell him?Ross: Well,the lighting was okay.Rachel: Ohh no you don't! You got lighting last time, lighting is mine!Monica: And Ihave costumes.Ross: Oh great! That means I'm stuck with, \"So, we were watching you in there (Points tothe TV) and you were sittin' right here! Whoa!\"(Phoebe gets up.)Rachel: What are you gonna doPheebs?Phoebe: I don't know. I don't know. I can't lie to him again. Oh no I-no! I'm just gonna press mybreasts up against him.Chandler: And say nothing?Phoebe: Uh-huh, yeah that's right.Joey: (hangs up thephone) Wow! Well, my folks really liked it! So what-what did you guys think? (Phoebe smiles, walks up tohim, and presses her breasts against him.) It wasn't that good.Opening Credits[Scene: Central Perk,Phoebe and Monica are reading on the couch.]Monica: Phoebe, do you think that your favorite animalsays much about you?Phoebe: What? You mean behind my back?Rachel: (entering, excitedly) Oh! Hi youguys, oh my God! You'll never gonna believe what happened to me today! I am sitting in my officeand...Joey: (entering from bathrooms excitedly) You guys! You guys! You're not gonna believe what myagent just told me!Rachel: Joey! Kinda in the middle of a story here!Joey: Ooh, sorry. Sorry. You finish,go.Rachel: Okay, so anyway I'm sittin' in my office and guess who walks in.Joey: I'm gonna be on two TVshows!Monica and Phoebe: Oh, that's great!!Rachel: Joey!Joey: Oh, you weren't finished?Rachel: Yeah!Guess who walks into my office is the end of my story. (To Monica and Phoebe) It was Ralph Lauren!(Monica and Phoebe gasp) Ralph Lauren walked into my office!Joey: Uh Rach, if you're gonna startanother story, at least let me finish mine.Rachel: It's the same story.Joey: (groans in disgust) Wow, it'sreally long.Rachel: (ignoring him) Anyway, Ralph just came in to tell me that he's so happy with my workthat he wants me to be the new merchandising manager for polo retail.Monica: Still get a discount onwedding dresses?Rachel: Yeah!Monica: I'm so happy for you!Joey: Well, these really are the days of ourlives.Monica: What?!Joey: Well, since you ask. They want me back on Days of Our Lives!Phoebe: (gasps)Oh God!Rachel: I got-I get a big pay raise!Phoebe: Oh hey!Joey: I'll be playing Drake Ramoray's twinbrother, Stryker!Monica: Oooh!Rachel: I get to hire my own assistant!Monica and Phoebe: Ahhh!!Joey:(jumps up) Well-I got a head rush from standing up too fast right there.[Scene: Rachel's New Office,she's interviewing a potential new assistant, Hilda.]Rachel: (reading the resume) And you were at this jobfor four years?Hilda: That's right.Rachel: Okay, well this is all very impressive Hilda, um I just have onelast question for you. Uh, how did I do? Was this okay?Hilda: What?Rachel: I've never interviewedanyone before. I've actually never had anyone work for me before. Although when I was a kid, we didhave a maid, but this is-this isn't the same thing.Hilda: No dear. It's not.Rachel: No. Yeah, and I knowthat. All right, well thank you so much for coming in, it was nice to meet you.Hilda: Thank you! Goodmeeting you.Rachel: All right. (Hilda exits) I'm a total pro!(There's a knock on the door and a handsomeman enters.)Man: Hello?Rachel: (seeing him) Wow! H-umm! Hi! Yes, uh I'm sorry the models are actuallydown the hall.Man: Actually, I'm here about the assistant job.Rachel: Really?! (Taking his resume) Okaywell then, all right, well just have a seat there. Umm, so what's-what is-what's your name?Man: TagJones.Rachel: Uh-huh, go on.Tag: That's it. That's my whole name.Rachel: That's your whole name, okay"}
+{"doc_id":"doc_196","qid":"","text":"[Scene: Manor. Kitchen. Piper is there talking on the phone while holding a crying Chris. Wyatt is sittingin a highchair.]Piper: Yeah, I get that, Rex, but I need you at the club. You're supposed to be there.Valentine's Day is gonna be a very busy night. Can't you ask her to marry you another night?(Phoebewalks in.)Phoebe: Get off that phone.Piper: You know what, I'll handle it. Good luck. (Piper hangs up.) Ihope she says no.Phoebe: Take a look at this. This is the new face of evil. (She shows Piper anewspaper.) His name is John Normand. He owns the phone company, and he's been stealing from us formonths. Doesn't that just make you angry?Piper: Not really.Phoebe: Wait, he's been stealing from us,and he's probably gonna get away with it due to some loophole or something.(Piper puts Chris down onthe change table.)Piper: Phoebe, I'm a little more worried about the actual demons in the world, youknow, the ones we almost got rid of.Phoebe: Yeah, there's nothing we can do about them. We tried tosave the world, it didn't work. The demons are gonna attack when they're gonna attack.Piper: And whenthey do, we're just gonna be right back to the same old... (Piper takes off Chris' diaper.) Wow!Phoebe:Whoa! You're not kidding. Wow!Piper: Okeydokey. (Piper puts a new diaper on Chris.) Speaking of which,could you do me a favour and watch the boys tonight? I need Leo to help me set up at P3, and apparentlymy manager is busy proposing.Phoebe: Yeah, sure, of course. It's not like anyone's proposing to me, orlike anyone's sending me flowers or reciting me poetry. So much for the little girl I saw in myvision.Piper: Well, Phoebe, just because the Avatars are gone doesn't mean that you won't still findlove.Phoebe: Easy for you to say. You have Leo.Piper: Yeah, but do I really? It's only a matter of timebefore the Elders punish him for becoming an Avatar, which they practically drove him to anyway withGideon and everything.Phoebe: They made Kyle a Whitelighter, and that's good, right?Piper: Yeah, but ittook him away from Paige. And believe me, they got their cosmic jollies off that one.Phoebe: Where isPaige?Piper: At Magic School, where else? Why?Phoebe: Just worried about her, that's all.[Scene: MagicSchool. Paige and Miss Donovan are there.]Paige: It really is another great application.Miss Donovan: Amuse? No, no, no, no. You can't hire her as the next literature professor. She'll inspire them to writenovels instead of reading them.Paige: Oh, that's a good point. I hadn't thought of that.Miss Donovan:Well, I did. And that's why you should hire me.Paige: What? You want to be a teacher?Miss Donovan:Well, isn't it time I moved up? Besides, I had a great rapport with the last literature professor.Paige: Youhated that little gnome, arguing with him five minutes before he was killed.Miss Donovan: Well, that wasour way. Besides, if the truth were told, he'd want me to have the job. I'm very well-read.Paige: It takesmore than that, though. It takes being able to really connect with the students.Miss Donovan: I can dothat. In fact, I've got some tricks you don't even know about.(Miss Donovan suddenly disappears and shesits up on the couch near by.)Paige: Did you astral project?Miss Donovan: Mrs. Winterbourne taught mebefore she went on sabbatical. Don't worry, I'll get used to it. Trust me. I am the best candidate for thisjob.(The hear a motorbike.)Paige: What the hell...(A guy on a motorbike suddenly appears and he skidsacross the floor and slams into a table.)Drake: That's gonna leave a mark. Sorry about the table.Paige:Are you okay?(He turns off the motorbike.)Miss Donovan: Who are you?Drake: I'm the newteacher.Opening Credits[Scene: Magic School. Continued from before.]Miss Donovan: You ride in hereand nearly kill us, and now you want to teach here?Drake: If I wanted to teach parallel parking, youmight have a point, but I'm here for literature.Miss Donovan: And what do you know aboutliterature?Drake: Plenty. (He clicks his fingers and a sheet of paper appears in his hand.) My resume.(Hehands it to Paige.)Paige: Drake. Huh. Well, maybe you should have sent this in so you didn't waste yourtime.Drake: Oh, I never waste my time. For life is but a walking shadow, the poor player who struts andfrets his hour upon the stage and then is heard no more. It is a tale...Miss Donovan: Tale told...Drake:Take it, sister.Miss Donovan: By an idiot, full of sound and fury, signifying...Drake: Nothing.Paige: Youtwo are not gonna make this easy for me.Drake: Come on, what are you talking about? No contest. It'sright there on the resume. I studied at Juilliard, performed on Broadway, and I was penning a memoirthat I intend to finish on my deathbed.Miss Donovan: Oh, I look forward to reading that.Drake: Well,thank you very much.Paige: Why aren't any of these credits more than a year long?Drake: Simple really."}
+{"doc_id":"doc_197","qid":"","text":"Opening creditsJACK HARKNESS (v.o.) : Torchwood. Outside the government, beyond the police. Fightingfor the future on behalf of the human race. The 21st Century is when everything changes... andTorchwood is ready.EXT. MALL - DAYOwen stands in the middle of the walkway. The world around himmoves... backward. In rewind. Everyone is walking quickly backwards.OWEN (v.o.) : My name is Dr.Owen Harper and this is my life. MONTAGE OF CUTS : Owen is running.OWEN (v.o.) : A life that is full ofaction...[SCENE_BREAK]Owen pulls out his gun with a silencer attached and shoots the lock off the door.Ianto turns around.OWEN (v.o.) : ... and violence...[SCENE_BREAK]Owen is in the autopsy area back inthe hub. He's holding a syringe and looks at the needle as Jack sits behind him and waits.OWEN (v.o.) :... and work,...[SCENE_BREAK]Owen looking at the slab of meat.OWEN (v.o.) : ...wonder.[SCENE_BREAK]Owen sprays on some alien pheromone at the bar. The blonde woman grabs himand kisses him.OWEN (v.o.) : Secrets, s*x...[SCENE_BREAK]Owen dances with Diane.OWEN (v.o.) : ...and love and heartbreak...[SCENE_BREAK]Owen is shot. He hits the ground.OWEN (v.o.) : ... anddeath.[SCENE_BREAK]Owen is on the table. Martha pulls back the sheet covering him as she prepares todo his autopsy.OWEN (v.o.) : My death. Owen sits up suddenly, panting.OWEN (v.o.) : The death Isurvived.EXT. MALL - DAYOwen stands in the middle of the walkway. The world around him moves onpast him. Everyone is walking past him as life continues.OWEN (v.o.) : The death I am now livingthrough.INT. OWEN'S PLACEREVERSE VIEW : OWEN'S REFRIGERATOROwen opens the refrigerator doorand reaches for a bottle of something to drink.OWEN (v.o.) : Except... this isn't living. Then, heremembers that he can't drink anything. He puts it back.OWEN (v.o.) : Every day it's the same. THENEXT DAY : Owen opens the refrigerator door and looks at the bottles of things he can'tconsume.[SCENE_BREAK]In the bathroom, Owen lathers up some shaving foam in his hands.OWEN(v.o.) : I get up, get ready for work the same as everyone else. Then, he remembers that he no longerhas facial hair to shave. He looks at his reflection in the mirror and swallows.INT. THE HUB -CONTAINMENT CELLSOwen stands in front of the weevil cage.OWEN (v.o.) : The thing is, I'm not thesame. The weevil cowers in the darkness, lifts its head and howls.WEEVIL : Aaaahh !INT. THE HUB -OUTSIDE THE COG DOOROwen stands outside the cog door.OWEN (v.o.) : I get to work and everyone'sdoing the same old thing. The lights flash and the door rolls open. He turns to go inside. Jack, Toshikoand Gwen are up at the workstations.OWEN (v.o.) : Babbling away about aliens and weddings. He entersthe hub.INT. UNDER WATER - DAYOwen is under water.OWEN (v.o.) : I'm not real. Three days ago, Idied. He looks at his hand.OWEN (v.o.) : And they think I'm fine,... but they're wrong. Owenscreams.[SCENE_BREAK]EXT. BUILDINGS - NIGHT (PRESENT)PULL UP to the tallest building where wefind Owen and a blonde-haired woman sitting side-by-side on the edge, their legs dangling off theside.OWEN : So, are you ready to jump ? Opening creditsEXT. ROOFTOP - NIGHT (PRESENT)Owen andMaggie sit side-by-side on the edge, their legs dangling off the side.MAGGIE : Would you just piss off. Getoff my roof.OWEN : Your roof ?MAGGIE : I'm going to jump, so just leave me alone.OWEN (sighs) : Look,darlin', you know, I'm not here to stop you. Seriously. (He unzips his jacket). You think you've gotproblems ? (Scoffs). What, did your man dump you ?MAGGIE : Sorry, love, are you talking to me ? It'sjust, you know, I'm a bit busy right now. I'm not really interested in listen... (She stops when she seeshis bullet wound in his chest). What is that ?OWEN : I got shot.MAGGIE : Yeah, right. He looks at her,half smiles and nods. She sticks her finger in his bullet wound. Now, she's freaking.MAGGIE : Oh, myGod. She climbs down from her perch on the wall and steps back just to put some distance betweenthem.MAGGIE : What the hell are you ? Owen climbs down off the wall. Maggie is still backing away fromhim.OWEN : I'm dead.MAGGIE : That's not... Look, you can't be dead, you're... you're standing here.You're talking. You're moving. You're... you're not dead. Wha... ? You're... You're dead ?OWEN : Yeah, Iwas brought back... like Jesus really, but without the beard, you know. (Realizes). sh1t, I'm never gonnahave a beard. Not that I wanted one you understand, but you know, one day I...MAGGIE : Yeah. Okay.Okay. You're dead and that's... that's clearly a bit sh1t and I'm sorry and everything but, if you are dead,then why are you here ? You can't be wanting to jump. You can't die twice.OWEN : Sorry, are you an"}
+{"doc_id":"doc_198","qid":"","text":"MUSIC IN:(SFX: CAR BRAKES TO A STOP)TONY: Lieutenant Lara Hill. Stop number forty six on theboredom express.ZIVA: Cheer up. This could be fun.TONY: If I wanted to knock on doors all day, I wouldhave joined UPS.ZIVA: Trust me. Brown is not your most flattering color.TONY: You're actually enjoyingthis, aren't you?ZIVA: We're looking for a mole in the Pentagon, Tony. Espionage just so happens to beone of my specialties.(KNOCK ON DOOR)TONY: We're interviewing code geeks. They're not even surethere is a mole.ZIVA: Don't you find it a bit coincidental that every time the Navy breaks a Venezuelancode, it changes almost instantly?(SFX: TONY YAWNS)ZIVA: All right. I'm trying the backdoor.[SCENE_BREAK]EXT. BACK YARD - DAY(SFX: GATE OPENS)TONY: Relax, Ziva David. We're dealingwith a Naval Officer. Not Doctor Evil.ZIVA: Well, she didn't show up for work or her interview with us. Noone has been able to reach her by phone.TONY: She probably overslept.ZIVA: I believe in beingprepared.TONY: So do Boy Scouts. Why didn't you bring Webelos McGee with you?ZIVA: I tried. He wasbusy.TONY: I've got an idea. How about if I shove you right through here? Huh?(F/X: CAT SCAMPERSFROM THE HOUSE)(SFX: ZIVA LAUGHS)ZIVA: Don't tell me you're afraid of a little pussy - cat,Tony?TONY: (BEAT) It looks like blood.(MUSIC UP AND OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT)MUSIC IN:INT. LIVING ROOM - DAYTONY: I knew something was wrong theminute I got out of the car, Probie. Instinct. Pure and simple. Either you got it or you don't.MCGEE: Yeah,well I heard you squealed like a little squirrel when the cat jumped out at you.TONY: I was saving this forZiva, but since you volunteered... find the little beast. Got blood on his paws. It's evidence.MCGEE: I'mallergic to cats.TONY: Oh, I'm sorry. I had no idea. Try holding your breath.DUCKY: Our Lieutenantsuffered a single gunshot wound, Jethro, to the right temple...GIBBS: Through and through.DUCKY:Yeah.GIBBS: Impacted here. Round's still in the book, Duck.DUCKY: Sadly, one less reader in theworld.JIMMY: Who committed suicide. Or maybe she was just cleaning her gun too close to herhead.GIBBS: DiNozzo.TONY: NCIS investigates all suicides as homicides until proven otherwise,Palmer.JIMMY: Got it.GIBBS: T.O.D., Duck?DUCKY: Nine, nine thirty this morning. What time was herinterview scheduled for today?GIBBS: Ten hundred.ZIVA: Gibbs.[SCENE_BREAK]INT. BEDROOM -DAYZIVA: I found it taped underneath the bureau.GIBBS: Hundreds and fifties. Non-sequential. Maybefifty, sixty grand.TONY: Looks like we found our mole, Boss. Knew she was cornered. No way out. NCISclosing in.ZIVA: She could have run, Tony. Suicide is only for when you know you're going to becaptured.TONY: For you, maybe. This doesn't exactly look like the bedroom of a hardcore super secretagent chick.ZIVA: I have stuffed animals. Okay, I was twelve. But still, I mean...GIBBS: She could havebeen coerced.ZIVA: To be a mole?TONY: He means to kill herself.GIBBS: I mean both, DiNozzo. Howmany suicides you know make their beds before they off themselves?TONY: Want me to informLieutenant Hill's Command about her death, Boss?GIBBS: Nope.TONY: He wants to tell him himself. Thatway he can gauge the response.GIBBS: DiNozzo.TONY: On your six, Boss.[SCENE_BREAK]INT. LIVINGROOM - DAYGIBBS: Get the couch, bookcase, and carpets to Abby.TONY: Oh. On it.GIBBS:McGee!MCGEE: Yeah, Boss?[SCENE_BREAK]INT. HALLWAY - DAY(SFX: MCGEE SNEEZES)(MUSIC OVERACTION/MCGEE CHASES THE CAT)MCGEE: He's really quick, Boss.TONY: (INTO PHONE) All right, I'llhold. McGee, you go that way. I'll go this way. We'll corner the guy. You've got to be very careful withanimals. They're... tricky.(SFX: CAT B.G.)GIBBS: Hey!(MUSIC OVER ACTION/CAT WALKS INTO THECARRIER)TONY: Or you can just do that.GIBBS: With me. We're going to the Pentagon.MCGEE:Cryptology unit?GIBBS: I need you to translate.TONY: He needs you to speak the geek for him,McGeekle.GIBBS: DiNozzo, find a home for that thing!(SFX: CAT B.G.)[SCENE_BREAK]INT. CRYPTO UNIT- DAY(SFX: VOICES B.G.)DORN: Agent Gibbs. I understand you've got an investigation to run, but I'dappreciate a courtesy call before you show up here to interview any more of my people.GIBBS: We're nothere to interview your people today, Captain Dorn.DORN: What happened?GIBBS: Lieutenant Hill.DORN:Well, what? She didn't show up for her interview at NCIS today?GIBBS: Nope.DORN: Well, if she'srunning late, I can tell you there's a good reason. She's one of my--MCGEE: We know the reason.GIBBS:She's dead.DORN: How?MCGEE: Appears to be suicide.DORN: Let's continue this conversation in my"}
+{"doc_id":"doc_199","qid":"","text":"Scene: The CafeteriaSheldon: It's not what it looks like. It's not what it looks like.Leonard: What are yougrinding about?Sheldon: Penny's brain teaser this morning. She and Koothrappali emerge from yourbedroom. She is dishevelled, and Raj is dressed only in a sheet. The sole clue, it's not what it lookslike.Leonard: Just let it go, Sheldon.Sheldon: If I could, I would, but I can't, so I shan't. Now, knowingPenny, the obvious answer is, they engaged in coitus. But, since that's what it looked like, we can rulethat out. Let's put on our thinking cap, shall we? (Mimes doing so) Raj is from India, a tropical country.Third World hygiene. Parasitic infections are common, such as pinworms. Mm-hmm. The procedure fordiagnosing pinworms is to wait until the subject is asleep, and the worms crawl out of the rectum for air.(Leonard spits out food) Yes, just like that. Penny could have been inspecting Raj's a**l region forparasites. Oh, boy. That's a true blue friend.Leonard: They slept together, Sherlock.Sheldon: No, youweren't listening. She said, it's not what it looks like.Leonard: She lied.Sheldon: Oh. Well don't I look sillysitting here wearing this? Credits sequence.Scene: The CafeteriaHoward: Hey.Raj: Hey.Leonard:Hey.Sheldon: Hey. Leonard, is it awkward for you knowing that one of your dear friends had sexualintercourse with a woman you used to love in the very place you lay your head?Leonard: No, I'm finewith it.Sheldon: That sounds like sarcasm, but I'm going to disregard it, because I have an agenda.Paintball. Specifically, the interdepartmental tournament this weekend. Now, in order to function betteras a fighting unit, I thought we should establish a chain of command. Now, it goes without saying that Iwould outrank the three of you, but the question remains, by how much? Now, I don't see me as somefour-star general, back at HQ riding a desk and playing golf with the Secretary of Defence. But I alsocan't be Sergeant Cooper, because that might lead you to think of me as just a regular Joe. This mighttake some thought. As you were.Leonard: What the hell is wrong with you?Howard: Yeah, how could youdo that?Raj: What is it to you?Howard: I got his back.Raj: Yeah, right. You're just jealous because itturns out I'm Penny's number two choice after Leonard.Howard: Hey, if I wasn't engaged to Bernadette,that totally could have been me.Leonard: Please. Sheldon would have been before you, and he might noteven have genitals.Raj: Why do you care so much? You're dating my sister, and Penny and I are inlove.Leonard and Howard together: What?Sheldon: Gentlemen, if I may interject, I've decided my rankwill be captain. If it's good enough for Kirk, Crunch and Kangaroo, it's good enough for me.Howard:You're not in love with Penny.Raj: Yes, I am. The god Kamadeva has shot us with his flowery arrows oflove.Howard: Who?Raj: He's the Hindu version of Cupid, but way better, because he rides a giantparrot.Leonard: Raj, come on. You fall in love with any girl who smiles at you. A month ago, you werewriting poems about his fiancee.Howard: I'm sorry. What?Raj: Rubbish. He's talking rubbish.Leonard:Oh, Bernadette, please play my clarinet.Raj: That could have been about anyone. Besides, you havenothing to worry about, because now I'm the dusky half of Koothrapenny.Sheldon: For the record, I dohave genitals. They're functional and aesthetically pleasing.Scene: Penny's apartment. Penny has a bottleof wine. She can't find a glass. Finds a measuring jug and uses that instead. There is a knock on thedoor.Penny: Coming. Yup, that's good. Wine glasses should have handles.Amy: Keeping accurate track ofyour alcohol intake. Smart idea considering how trampy you get when you've had a few.Penny: Youheard what I did?Amy: Well, I heard who you did.Penny: Oh, my God, I screwed up everything. I hurtLeonard, I hurt Raj, I mean, what is wrong with me? I feel like two totally different people, Dr. Jekyll andMrs. Whore.Amy: Don't be so hard on yourself. Do you know the story of Catherine the Great?Penny:No.Amy: She ruled Russia in the late seventeen hundreds, and one night, when she was feelingparticularly randy, she used an intricate system of pulleys to have intimate relations with a horse.Penny:I'm... I'm sorry. What does this have to do with me?Amy: She engaged in interspecies hanky-panky, andpeople still call her great. I'm sure your reputation can survive you shagging a little Indian boy.Scene:Raj's apartment. There is a knock on the door. He opens it.Bernadette: You jerk face! What did you tellHoward? Did you say there was something going on between us? Because he thinks there is. He'scompletely freaking out!Raj: Please, come in.Bernadette: What the hell is wrong with you?Raj: Well, youwere always so nice to me, I thought maybe you liked me.Bernadette: I'm nice to everyone.Raj: I'm"}
+{"doc_id":"doc_200","qid":"","text":"Principal v*g1n* here don't let the name fool you. I'm very much in charge reminding you that tonight isour annual flu season dance. I don't know how many times I have to say this, but if you have the flu, stayhome. Hey. The flu season dance is about awareness, not celebration.Morty: [sighs] you don't bring deadbabies to passover.Morty: Okay. Here we go. H-hey, Jessica. Uh... what's up, Morty? [Sneezes] What areyou doing?Morty: Um... wait, wait. Were you about to talk... to her?Morty: Well... I mean, I was thinkingabout it. Dude, stay in your league. Look at how hot she is. You don't see me going to a bigger school ina wealthier district and hitting on their prettiest girl. Gee, thanks, brad. I throw balls far. You want goodwords? Date a languager.Jerry: Try not to worry about it, Morty. You're a good kid, and there's not apremium on that right now, but you'll be getting girls sometime after brad's out of shape.Morty: [sighing]you're missing the point, dad. I don't want girls. I want Jessica.Jerry: Ah, well, I remember feeling thatway about a young lady named \"your mom,\" and that's not an urban diss. Your mom was my Jessica. Iremember the first time I saw her.I thought Rick: \"i should get her pregnant, and then she'll have tomarry me.\"Jerry: I beg your pardon, Rick inappropriate.Rick: Sorry, please proceed with your story aboutbanging my daughter in high school. I'm not sure you want to take romantic advice from this guy, Morty.His marriage is hanging from a thread.Jerry: My marriage is fine, thank you.Rick: Jerry, it's your housewhatever you say it is is how it is but I think a blind man could see that Beth is looking for the door. Ibarely have a reason to care, and even inoticed.Morty: Come on, Rick! Don't talk about my parents likethat.Rick: Listen, Morty, I hate to break it to you, but what people call \"love\" is just a chemical reactionthat compels animals to breed. It hits hard, Morty, then it slowly fades, leaving you stranded in a failingmarriage. I did it. Your parents are gonna do it. Break the cycle, Morty. Rise above. Focus onscience.[Slurps]Morty: All right, well, I'm gonna go get dressed for the dance.Jerry: Yeah, I'm just goingto... check on your mom.Rick: Morty, hand me that screwdriver, huh?I'm almost finished making myionic defibulizer, Morty. It's gonna be great.Morty: Hey, listen, Rick. Y-y-you know how you said that, youknow, love is a chemical and all that stuff from earlier? Well, I was thinking, you know, w-w could youmake some sort of chemical thing happen inside of Jessica's mind, you know, so where she falls in lovewith me and all that sort of thing? You know, like, maybe make some sort of love potion orsomething?Rick: Morty, that's such a poor use of my time. It's beneath me. Hand me thescrewdriver.Morty: You know what? No, Rick! I'm not gonna hand you the screwdriver. I-I'm not gonnahand you anything ever again, Rick! I'm always helping you with this and that and the other thing.W-w-w-w-w-what about me, Rick? W-w-w-w-why can't you just help me out once once for once?Rick:[groans] you're growing up fast, Morty. You're growing into a real big thorn straight up into my ass.[Clears throat] Listen, this is called oxytocin. I extracted it from a vole. Do you know what a vole is,Morty? You know what a vole is? It's a it's a rodent that mates for life, Morty. This is the chemicalreleased in a mammal's brain, you know, that makes it fall in love. All right, Morty, I just got to [burps]combine it with some of your dna.Morty: Oh, well, okay.[Zipper opens]Rick: A hair, Morty.I need one ofyour hairs. This isn't \"game of thrones.\"Morty: Ow!Rick: All right, Morty. Whoever you smear this stuff onwill fall in love with you, and only you, forever. Are you happy now, Morty?Morty: Heck, yeah! Thank you,grandpa Rick. Hey, there's no... dangers or anything, or side effects, right?Rick: W-w-w-what am i, ahack? Go nuts, Morty. It's foolproof. Eh, unless she has the flu.Jerry: Beth, do y-you still love me?Beth:Ugh, what kind of question is that?Jerry: The \"yes or no\" kind?[Laughs nervously]Beth: Jerry, do youwant homeless people to have homes?Jerry: Yes.Beth: Are you gonna build them?Jerry: No.Beth: Thenwhat good was the \"yes\"?Jerry: Wait, i-is loving me the house or the homeless people?Beth: Loving youis work, Jerry hard work, like building a homeless shelter nobody wants to say no to doing it, but somepeople put the work in.So, what do you say? Do you see me working here? Does this conversation seemtedious to me?Jerry: Sort of.Beth: Then I obviously sort of love you, don't I? [Cellphone chimes] So stopasking, and maybe I'll love you more. Crap, they need me at the horse hospital.Jerry: Puh! Thislate?Beth: The racetrack had a starlight derby. There was a seven-horse collision, and davin's therealone.Jerry: [thinking] Davin. Davin. Davin! Davin. Davin! Davin! Davin! Davin![Rapping]\u0000 flu, yo \u0000 \u0000"}
+{"doc_id":"doc_201","qid":"","text":"[EXT. VARIOUS LAS VEGAS CITY (STOCK) -- NIGHT][EXT. HOME - STREET - NIGHT](A stream of liquidhits the ground. The empty can follows and hits the asphalt with a clang. TWO MEN, one carrying a crowbar, walk purposefully toward the house.)[EXT. FOSTER RESIDENCE - BACKYARD - NIGHT -CONTINUOUS](The two men jump over the backyard fence. They use the crowbar and pry the backdooropen.)[INT. FOSTER RESIDENCE - NIGHT - CONTINUOUS](They walk into the house.)Intruder 1: Hey,this place is a dump.Intruder 2: I'm telling you, this bitch is loaded and no one's seen her forweeks.(They walk through the passageway and into the living room. The place has beentrashed.)Intruder 2: (alarmed) What the hell.Intruder 1: This place is trashed. Hey, man, you trying tomake me look stupid?Intruder 2: No, man. I swear. Somebody must have beat us to it.(Looking aroundthe room, they see a closed closet door with a chair wedged under the knob.)Intruder 2: What the hell isthis?(Outside, there's a short, abrupt siren sound of a cop car approaching.)Intruder 1: I'm out,man.(They both turn and head out of the house as fast as they can.)[SCENE_BREAK][EXT. FOSTERRESIDENCE - BACKYARD - NIGHT - CONTINUOUS](The two INTRUDERS run out to the backyard, throughthe same way they came in. They jump over the fence. On the other side, they are greeted by twoOFFICERS with their guns drawn and pointed at the two men, headlights shining straight at them. Theylook up and see various police cars waiting for them, blocking their escape route.)Officer: (overhead)Gentlemen, put your hands on your heads, please.(They two INTRUDERS put their hands on the back oftheir heads.)[SCENE_BREAK][INT. FOSTER RESIDENCE -- NIGHT](GRISSOM examines the doorknob andthe chair.)(Camera pulls back to show both GRISSOM and WARRICK dusting the chair for prints. There'sno telling how long they've been there, but no matter, they're thorough and are still working on thechair.)(Behind them, an OFFICER stands guard watching them work.)Warrick: Smudges. Nothing butsmudges. Doesn't anybody use formica anymore?Officer: First thing we did when we saw this was callyou guys. Didn't touch a thing.(WARRICK and GRISSOM continue to work on dusting the chair forprints.)Officer: So you going to open it?Grissom: Eventually.(They're through with the chair. GRISSOMlooks at the door knob. Both he and WARRICK get to their feet. They each take a hold of the chair andpulls it away from the doorknob.)(WARRICK puts the chair aside.)(GRISSOM steps forward and startsdusting the doorknob. He finds one print. He takes out a tape lift and carefully gets the print.)(TheOFFICER sighs and mutters to himself.)Officer: This is going to take all day.Grissom: Sun Tzu once said,\"If you wait by the river long enough, the bodies of your enemies will float by.\"(He hands the tape liftwith the print to WARRICK. They're ready to open the door.)(GRISSOM reaches out and opens the closetdoor.)(Inside, they find the mummified figure of a dehydrated woman on the floor.)Grissom: But thosewere brutal times.HARD CUT TO END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][EXT. FOSTERRESIDENCE - YARD -- NIGHT](The DAVID PHILLIPS pushes up a gurney through the yard and up thewalk to the front door. He picks up his paperwork and opens the door.)[INT. FOSTER RESIDENCE -CONTINUOUS](Inside, WARRICK is just beyond the door blocking it from being opened.)Warrick: Hey,hold up.(He pushes the door shut.)(The mail hole opens up and DAVID peers through the opening.)DavidPhillips: Warrick?Warrick: Hey, David. Give me a minute and let me clear a path here, okay?DavidPhillips: All right, I'm not going anywhere.(WARRICK picks up the mail in front of the door on thefloor.)Warrick: All right.(He looks down at the postage mark on the mail: LAS VEGAS / SEP 06 '03 /NV.)Warrick: There's at least four weeks of mail here, Grissom.(GRISSOM is still kneeling down justinside the closet looking at the body.)Grissom: Four weeks of 100 degree days, zero percent humidity.Eventually, the body tissues sublimate ...(Quick CGI flashback to: MADELINE FOSTER is in the closet, justbarely alive, just barely dead.)Grissom: (V.O.) ... cell fluids vaporize ...(MADELINE FOSTER dies. CGItakes over and the body slowly decomposes and mummifies, the flesh hardening on her body.)Grissom:(V.O.) ... and all that's left ... proteins, fats and minerals.)(End of CGI flashback. Resume topresent.)(WARRICK continues to leaf through the mail.)Warrick: Turns a grape into a raisin.Grissom:Well, the desert was making mummies long before the Egyptians.(GRISSOM looks at the body andnotices her hands. He looks up at the door and sees something.)Grissom: Take a look at this.(GRISSOM"}
+{"doc_id":"doc_202","qid":"","text":"[Scene: The building where Max and Cindy work. Cupid is there leaning against a pole.]Max:Cindy.Cindy: Max.Max: Hi.Cindy: Hi.Max: Working late, huh?Cindy: Yeah, so what else is new,right?(They walk down the stairs. Cupid's ring glows.)Cupid: It's a match.Max: Did you guys survive Y2Kalright?Cindy: Sure. If you ask me it's all just a bunch of hype.Max: Exactly.Cindy: I guess I'll see youaround?Max: Okay. Take care.Cindy: :Yeah, you too.(Cupid's ring glows and Cindy and Max walk in slowmotion.)Cupid: Cindy, I know those last few loves of yours didn't work out. You've been hurt and you'rescared. But you've gotta take a risk if you wanna find the real thing. And Max is real. Open up to him.And Max, Cindy's love and compassion awaits you, but she's afraid that you're still in love with yourex-wife. You've got to reassure her. Life's short you two. So, have a better one together, okay?(Cupid'sring glows and they stop moving in slow motion.)Max: Listen, you wanna grab a cup of coffee orsomething?Cindy: Yeah, sure, I'd like that.Max: Great.[Scene: Cupid is walking along in an alley. Drazi,the demon of hate, grabs Cupid and holds him up against a dumpster.]Drazi: Hello, friend. I've beenlooking everywhere for you.Cupid: Drazi.Drazi: I knew I'd find ya.Cupid: Yeah, listen Drazi.(Drazi throwsCupid into some wooden boxes.)Drazi: Couldn't leave it alone could ya? You just had to get in theway.Cupid: You crossed the line.Drazi: Crossed the line? I am the line. You're the one that went too farand now you're gonna pay.Cupid: No, wait.(Drazi reaches into Cupid's chest and squeezes hisheart.)Cupid: Ahh, you're killing me.Drazi: I could do a lot more than that. A lot more. How does it feel,huh? I can tell ya, I know. Thanks to you, I know what it feels like to have your heart ripped out. Youdon't want to feel that pain do you? (He throws Cupid on the ground and stands on his arm.) No, I gottabetter idea and you're gonna just hate it. (Drazi takes Cupid's ring.) Your little magic ring you use to slipin there between the heart beats, plant your little thoughts of love and I'm gonna borrow it. I'm gonnause it to tear apart some of your more recent unions.Cupid: No, Drazi, no.Drazi: I'm gonna turn love intohate and that hate is going to slowly and painfully kill you. And in the end, you're gonna wish I had rippedyour heart out.(He walks away.)Cupid: Drazi![Scene: Outside the movie theatre. Prue, Jack, Piper, Danand Phoebe walk onto the sidewalk. Prue and Jack are holding hands and Dan has his arm aroundPiper.]Phoebe: Fifth wheel cutting in.Piper: Oh, would you stop that.Phoebe: Well, it is a doubledate.Prue: It would have been a triple date if Kevin hadn't cancelled.Phoebe: I know. It seems to be anepidemic lately. Guys canceling on me.Piper: You know what happens when they cancel.Prue: Ooh, backto square one.Piper: Do not pass go.Phoebe: And all accrued nookie credits are thrown out.Jack: There'sa penalty?Prue, Piper, Phoebe: Oh yeah!Jack: You know this glimpse into feminine mystery frightens meto no end so allow me to change the subject. What did you think of the movie?Piper: I liked it.Prue:Loved it except for the bellbottoms.Dan: It was okay, I guess.Piper: Who are you kidding? I heard yousniffle.Dan: Fighting a cold.Piper: Liar.Prue: Jack?Jack: As far as classics go, it was no DirtyDozen.Phoebe: I slept through it.Jack: You slept through Dirty Dozen?Phoebe: No, Love Story. The lastthing I remember is the hockey game.Piper: That was the very beginning.Phoebe: Okay, let me guess.Boy meets girl, grim reaper swipes girl, and boy's left with his hockey skates?Jack: That's thereview.Dan: Anybody want a coffee?Jack: I hope so because I am buying.(Prue, Jack, Piper and Dan walkinto a coffee shop laughing and giggling. Phoebe walks in and stops, feeling left out. Prue notices herstanding there.)Prue: Hey, you're gonna come get coffee, right?Phoebe: I'm just gonna get a cab, call it anight. I'm pooped.Prue: I'm sorry that Kevin backed out on you.Phoebe: His loss.Prue: It is so his lossbecause you are beautiful, my sister.(Prue hugs her.)Phoebe: You're so beautiful. Alright, go see yourman. Have some coffee.Prue: Okay. I love you.Phoebe: I love you too.(Prue walks over to the others.Cupid comes up to Phoebe.)Cupid: I need your help.(He grabs her.)Phoebe: Let go of me.Cupid: Hate willdestroy me and everything else if you don't help me.Phoebe: I am warning you, buddy.Cupid: Phoebe,you gotta believe me. I know why you can't find love.Dan: Hey, you, let go of her.(Cupid runs away. Prueand Piper run up to Phoebe.)Piper: Are you okay?Phoebe: Uh, yeah.Prue: What was that about?Phoebe:I'm not sure.Opening Credits[Scene: Manor. Phoebe walks out of her bedroom and walks over to Piper'sroom. She knocks on the door.]Phoebe: Piper, you still asleep? (She opens the door and walks in. She"}
+{"doc_id":"doc_203","qid":"","text":"[PREVIOUSLY_ON]NCIS THEMEBlack-and-white snapshot of Jenny.In her office, Jenny is asleep. Shedreams of her father and attends his suicide. She awoke roughly when her father shot. She closes adrawer which contain a gun.In La Grenouille's limoJeanne: My father knows everything about you.LaGrenouille: Only what my daughter tells me.Jeanne: And I tell hil everything.Tony laught nervouslyfollowed by Jeanne most naturally.Tony: That's great. So here we all are, on aour way to... Where exactyare we headed?La Grenouille: I dont' know. Breakfast? A chance for us to get know each other.Jeannenodds.La Grenouille: I'm sure you have lot of questions. I know I do.Jeanne: My apartment first, papa.You wouldn't believe the night we've had.Tony squirms on the seat and tries to quietly take his phonewhile Jeanne continues to speak. He can not.Jeanne: I was very frightening.Tony: Yes, your daughter isvery impressive with a scalpel, Mr Benoit.La Grenouille: Please, Rene.Jeanne (to Tony): You never toldme you could shoot.Tony: Well I can't, clearly. I missedJeanne: On purpose.René Benoit: There was ashooting in the hospital?Tony: It's a long story Rene.René Benoit: We have all week-end.Tony: Well, it'sreally more of Jeanne's long story than mine.Jeanne: There was this crazy young guy who tried tosmuggle heroin into the country and he got hit by a car...Tony tries to quietly take his phone under thesuspicious gaze of René.Jeanne: .... one of the bags in his stomach burst but we didn't know until it wastoo late. And then ...She is interrupted by the ringing of his topper.Jeanne: I forgot to sign the deathcertificate to release the body. Sorry Papa.René Benoit (to his driver): Henry, back to the hospital.Henry:Yes sir.Tony: Well, I guess breakfast is gonna have to wait.René Benoit: And all those intriguingquestions.The elevator doors opened, Ziva is inside. She starts to step out but McGee is before thegates.Ziva and McGee (in the same times): What're you doing here?Ziva: I asked first.McGee: Well,technically, Ziva, I think that if we were to put that to a test, you'd find that it was too close to call. Butsince my parents raised a gentleman, and yours raised a killer, I was deffraging my computers.Ziva:Liar.She goes to the office talking.Ziva: Have you heard from Tony?McGee: You came into the office on aSaturday morning because you're worried about Tony?Ziva (Seeing the remains of food on McGee'sdesk): You have been here all night?McGee: Is that a question or a statement?Ziva: Question.McGee: Itsounded more like a statement.Ziva: Demands a answer.McGee: Yes, I've been here all night.Ziva:Fragging the computers?McGee: \"Deffraging\". You need to work your inflections when you're asking aquestion. For example, why are you worried about Tony?Ziva: He was supposed to meet us at the barlast night. He did not arrive, did not call. He's not answering his home phone or his cell phone. Do youhave the number to his second cell phone?McGee: The one he uses for his private calls?Ziva: Yes.McGee:No.Ziva sees Gibbs' desk with food on it.Ziva: Gibbs was here all night too. Are we a team McGee?Gibbs'voice: Morning Ziva.He arrives.Gibbs: Nothing better to do on a Saturday morning?Ziva: Teams do nothave secrets Gibbs. And if you do not tell me what you were both doing here last night, McGee know hewill...Ziva smiles.Ziva: ... eventually.Hospital's parkingThe limo parks. Jeanne goes out followed ofTony.Jeanne: Won't be long.Tony: I can come with you if you wantJeanne: No need. He won't bite.Itstarts, Rene out of the limousine from the other side and Tony beeps Jenny on her cell phone.RenéBenoit: Coffee?Tony: Coffee would be great.René Benoit: Good. While we wait, you can tell me how youstole my daughter's heart.They move away from the limo.Abby's labThe director enters, Abby is asleepon the floor. Jenny sees that the research she had given to Abby has a result. The analysis reveals thatthe fingerprints taken on glass is one of Jasper Shepard, her father. Jenny erases all the results and Abbywakes with a start.Abby: I'll get it. I'll get it. Director.Jenny: I'm sorry for keeping you here all nightAbby.Abby: You know what, that's okay. It's not the first time I've woke up on the floor. And not just hisfloor. Not that I make it a habit of passing out on floor. And not that this isn't a really comfortable floor. IfI had to... I'm awake now.Jenny's phone rings. It is the cell coverage of Tony, but she did not have timeto respond.Jenny: Thank Abby, you can go now.Abby (looking at her computer): Did we have amatch.Jenny: No.She leaves the lab.Abby: Poor guys. Humming away all night and for nothing.She tapson his keyboard and context \"delete search\" appears.Abby: What search result?Jasper Shepard's photoappears.Abby: This is not good.Ziva: Why would the CIA come after the director?Gibbs: You tell me.Ziva:"}
+{"doc_id":"doc_204","qid":"","text":"Scene: The apartment. Leonard is laying out wine and napkins in front of his laptop.Sheldon: What areyou doing?Leonard: Oh, uh, Priya's calling in a few minutes on Skype, and we are gonna have a dinnerdate.Sheldon: It's eight o'clock in the morning in Mumbai. How can she have dinner?Leonard: Fine,whatever. Priya will be having breakfast.Sheldon: All right, so technically it's not a dinner date. I supposeyou could call it a, uh, dinfast date. But if you did, you'd open yourself to peer-based mocking, such as,Hey, Leonard, how was your dinfast with Priya last night?Leonard: That doesn't sound likemocking.Sheldon: You didn't let me finish. Dinfast (rolls eyes). Are those soy-based candles?Leonard: Idon't know. Why?Sheldon: Paraffin candles may contain carcinogens. Unless lung cancer is the ambianceyou were going for at your dinfast. Dinfast (rolls eyes).Leonard: Listen, I don't want to be rude, butPriya's gonna be calling any minute, so...Sheldon: Oh, yes, Priya. Leonard, you know I make a point ofnever interfering in your personal affairs.Leonard: Yes, I've always admired that about you.Sheldon: Aswell you should. But I'm going to make an exception here.Leonard: Oh, good.Sheldon: Priya has movedback to India to pursue her law career. Instead of desperately trying to keep this intercontinentalrelationship alive, you could use that time to take up a hobby.Leonard: A hobby?Sheldon: Yes. I readrecently about a fellow in Kansas with an enormous ball of twine. I bet you could give him a run for hismoney.Leonard: You know, some people might say that it's great that we're trying to make things worklong distance. They'd say things like, love is stronger than the miles between you.Sheldon: When I rise topower, those people will be sterilized.Leonard: You video-chat with Amy all the time. How is thisdifferent?Sheldon: Don't you like Amy?Leonard: Of course I like Amy.Sheldon: Well, there's thedifference. (Skype tone rings)Leonard: Excuse me, that's Priya.Priya (on screen): Hi, Leonard.Leonard:Hey, honey.Priya: I miss you.Leonard: Oh, I miss you, too.Sheldon: I miss the old days when yourromantic partners could be returned to the video store.Scene: Penny's apartment.Sheldon: Thanks forletting me stay here while Leonard Skypes with his girlfriend.Penny: Oh, it's no problem. It's actually kindof nice. You reading, me reading. We're like an old married couple.Sheldon: If we were an old marriedcouple, the wife would serve iced tea and snickerdoodles.Penny: I don't have iced tea andsnickerdoodles.Sheldon: A good wife would go to the store.Penny: I want a divorce.Sheldon: Good. Onthe way to see the lawyer, pick up some tea and cookies. I must say, I am enjoying your newchair.Penny: It's great, isn't it?Sheldon: It is. Aligns the lumbar, cradles the coccyx, balances thebuttocks. This is a chair worthy of the name.Penny: What name?Sheldon: Chair.Penny: Oh, all right, well,I'm glad you like it. I mean, I still can't get over the fact someone just threw it away.Sheldon:What?Penny: Yeah, it was just sitting on the street. I paid a homeless guy ten bucks to help me get it uphere.Sheldon (jumps up): Oh, dear. Oh, dear. Oh, dear. (Starts stripping off clothing)Penny: What iswrong?Sheldon: I've been sitting in garbage!Penny: Sheldon, take it easy.Sheldon: You take it easy! Ineed to use your shower.Penny: I went into this marriage with so much hope.Sheldon: There's a wetBand-Aid on the shower floor. (Runs out of apartment). Credits sequence.Scene: Howard's workshop.Raj:This is fun. I've never used a hydraulic thermoforming press before.Howard: Pretty sweet, huh? This littlebaby set the university back 175 grand.Leonard: That's three minutes. Should we see what wegot?Howard: Hang on.Raj: Oh, yeah. This is one good-looking panini.Howard: Hand me the tunamelt.Leonard: Yep.Howard: Thank you. How's it going with the long-distance love affair?Leonard: Noteasy, but we're making it work.Howard: When you say making it work, does that include doing the cybernasty?Leonard: What?Howard: You know, the virtual pickle tickle. The digital bow-chicka-bow-bow.Raj:Come on, dude. This is my sister you're talking about.Howard: Hey, Leonard jiggling his junk at herthrough a webcam has got to be easier for you to deal with than him actually touching her withit.Leonard: There's no junk jiggling. We just talk.Howard: Are you insane? With high-speed Internet, youhave at your fingertips the greatest advancement in the field of s*x since the invention of thewashcloth.Leonard: I can't do that.Howard: Well, if you don't, you're gonna lose Priya to some fancy guyin a turban who grew up with Kama Sutra coloring books.Raj: How can you be so racist?Howard: Oh,come on, tell me I'm wrong.Sheldon (entering): Oh, Leonard, good. There you are. I need you to check"}
+{"doc_id":"doc_205","qid":"","text":"Ryan: [catching Jim looking at him at Pam's desk] What?Jim: Oh, nothing.[SCENE_BREAK]Jim: Pam's onvacation and she gets back tomorrow, so it'll be nice to see her. It'll be nice, and, uh, she set a date forthe wedding with Roy. Uh... June. Summer. So, that'll be nice. And that's that.[SCENE_BREAK]Ryan:[again catching Jim looking at him] What?Jim: Oh, nothing.[SCENE_BREAK]Ryan: Jim's been looking atme kind of a lot all week. I would be creeped out by it, but it's nothing compared to the way Michael looksat me.[SCENE_BREAK]Michael: Spamster!Pam: Um, Pam plus Spam plus...?Michael: Hamster.Pam:Right.Michael: Welcome back! How was your vacation?Pam: It was great.Michael: Yeah?Pam:Mm-hm.Michael: Did you get lucky? Oh! Boink![SCENE_BREAK]Pam: Roy and I just got back from thePoconos. I get ten vacation days a year, and I try to hold off taking them for as long as possible, and thisyear I got to the third week in January.[SCENE_BREAK]Michael: I am Pam. Spicoli guy. Oh, God. Names,numbers. Okay. [walking into office] Whoa! God! Yuck, yuck. Yuck. Yuck!Pam: What?Michael: Wow! Whathappened in there?Pam: I don't know.Michael: There is stink in there, my God! What is... what isthat?Pam: [looking at pile on Michel's carpet] Oh... I don't know.Michael: Is it a bird?Pam: No, I don'tthink it's a bird.Michael: Oh, God! How could that happen? How could... right in the middle of thecarpet.Kevin: What's goin' on?Michael: Um, somebody vomited right in the middle of the carpet in myoffice.Kevin: [taking a look] I don't think that's vomit.Michael: Check it out.Kevin: Me?Michael: Check itout. Don't be a wuss, just get... no, I'm not holding your coffee.Kevin: Oh, that's ridiculous.Michael: Whatis it?Kevin: Michael. [tapping on door]Michael: What is it? No, just tell me what it is.Kevin: [pounding ondoor] Michael, I ... I ... I gotta get outta here. I can't hold my breath that long.Pam: Open the doorup![SCENE_BREAK]Kevin: It smelled terrible.[SCENE_BREAK]Pam and others: [after going in to checkout the smell] Phew. Oh! No, mm-mm. [leaving quickly]Michael: I cannot believe a pipe burst and leftthat in there.Toby: That's no burst pipe.Michael: How do you know that? What is it, then?Creed: Hi guys.Somebody makin' soup?[SCENE_BREAK]Michael: [as cleaning lady with mask leaves] Here she comes. Allcleaned? Great. [walks into office]Dwight: [coughing] It's still stinky.Michael: That is worse.Dwight: Sheprobably scrubbed it into the fibers of the carpet. Total permeation.[SCENE_BREAK]Michael: [while in hisreeking office] I am a big Fear Factor fan. I'm a big fan of anything Joe Rogan does, actually, so this issort of like my audition tape. Um... [clearing throat] I can't stand it [gets up to leave], I can't stay in hereanother second. No![SCENE_BREAK]Jim: Hey! Welcome back!Pam: Thanks!Jim: So, how was the resort?Did you ski a lot?Pam: A little.Jim: Good! What's goin' on here?[SCENE_BREAK]Jim: What? I did not dothat. That sounds disgusting.[SCENE_BREAK]Ryan: [barely stifling laughter] It wasn't me. Um... it wasn'tme. [regaining composure] It was not me.[SCENE_BREAK]Jim: [smelling the stink] Oh. Wow.Pam:[giggles at Roy]Michael: [sitting at Jim's desk] Hey Jim. I thought that we would be desk buddies whilethey changed my carpet.Jim: That might be a little difficult with the one computer.Michael: Oh... It's...Jim: But there's definitely a desk open in the back.Michael: [reluctantly] Yeah ...Jim: ...which I guessI'll be taking.Michael: No, no, no! Seriously, I don't mind sharing.Jim: No, no, no, seriously, I'll be in theback.[SCENE_BREAK]Jim: Hey, Kelly.Kelly: Are you moving back here?Jim: Um, just for the day whileMichael's at my desk.Kelly: Because Toby used to sit there, but he had to move over there because of anallergy.Jim: Allergy to... the desk?Kelly: [shaking head] Weird.[SCENE_BREAK]Michael: [putting his feeton desk] Yeah, yeah, yeah. Old bullpen.Dwight: [putting his feet on desk] Ha ha ha... the oldbullpen.Michael: Don't ape me.Dwight: Okay.Michael: This is great.Dwight: Yeah!Michael: The pressuresof my office are insane.Dwight: [agreeing] Mm.Michael: I just... you couldn't understand, but man, youguys have it so easy out here, you know? I used to sit right here.Dwight: No way!Michael: Yeah.Dwight:And who had your office?[SCENE_BREAK]Michael: Ed Truck. [exclaiming is disgust] Ed Truck was themanager before me. Horrible. He hated fun. It was like, \"Oh, Ed Truck is walking toward us. Stop havingfun. Start pretending to do work.\" What a jerk. He's... You know what? I swore to myself that if I ever gotto walk around the room as manager, people would laugh when they saw me coming and would applaudas I walked away.[SCENE_BREAK]Kelly: [to Jim] I'm serious. My closet doors will not shut. I mean, itonly takes so long to measure to make sure that clothes will hang up because aren't all hangers like that"}
+{"doc_id":"doc_206","qid":"","text":"\"In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a youngboy. His name...Merlin.\"CAVE - DAYNimueh (spell): Berbay odothay arisan yeldo (\"Command thee ariseancient\").Nimueh places a magic egg into water. It travels through underground waterways to amanmade cavern. She watches Camelot from her water basin.Nimueh (spell): Bebiede þe arisan ealdu (\"Icommand you, ancient one, to come forth\").LOWER TOWN - DAYGaius and Merlin look over a corpse inthe street.Merlin: Aren't you scared?Gaius: Of what?Merlin: That you might catch whatever it is.Gaius:I'm the court physician, Merlin. This is part of my job. Most of the time there's nothing really to be scaredof. Gaius turns over corps to reveal white skinned, white eyed face.Merlin: You were saying?Gaius:People mustn't see this. They'll panic.GWEN'S HOUSE - DAYGwen and her father get ready athome.Gwen: Dad, here's your sandwich.Tom: Ooh. Mmm, what's in it?Gwen: It's smoked pigeon. But I'dsay there's more smoke than pigeon.Tom (laughs): You're such a good girl to me.Gwen: And I've doneyou some watercress soup tonight.Tom: Don't tell me, with more water in it than cress? Gwen laughs andthey hug.Gwen: I'll see you later.Tom: 'Kay. Bye.KING'S PALACE, DRAWBRIDGE - DAYMerlin and Gaiuswheel the body over the castle drawbridge. Gwen approaches carrying the flowers she had athome.Gwen: What are you doing?Merlin: Er...just moving something.Gwen: Looks heavy.Merlin: Er, it'snothing really. Er...someone got you flowers?Gwen: Oh! No (giggle) Would you like one? A purple one.Purple suits you. Not that I'm saying red doesn't suit you.Merlin: Thanks. Well, er... Merlin sticks theflower in his scarf.Gwen: Aww.Merlin: Er...see you.Gwen: Bye.KING'S PALACE, MORGANA'S CHAMBERS -DAYGwen enters with flowers.Morgana: You look happy.Gwen: I picked these for you.Morgana: Oh, that'sso sweet.Gwen: Something to cheer you up. I know you're not sleeping well.Morgana: You cheer meup.Gwen: Would you like me to put them in water for you?KING'S PALACE, PHYSICIAN'S CHAMBERS -DAYMerlin and Gaius looking at body with magnifying glass.Gaius: I've never seen anything like thisbefore.Merlin: Do you think it could be some kind of plague?Gaius: No. I fear that something like thiscould never come from nature. But who has this kind of power?Merlin: You think it's caused bymagic?Arthur: Merlin! Merlin opens door before Arthur can come in and see the body.Merlin: Erm...I'm onmy way. Sorry I'm late.Arthur: Don't worry. I'm getting used to it. Arthur furrows his eyebrows when hesees the flower in Merlin's scarf. Merlin looks down at it.Merlin: Oh, er...Gwen, she gave it to me.Arthur:Tell Gaius my father wants to see him now.Merlin: Okay. Merlin closes the door.Merlin: Gaius...Gaius: Iheard.Merlin: Wait, why couldn't he just tell you himself?Gaius: 'Cause that's the way it is. You're aservant.Merlin: Wha...if he knew who I was, what I've done...Gaius: You'd be a dead servant. Right, getthis covered up.Merlin: Hey, I'm not your servant.Gaius: No, you're my dogsbody. Come on, hurryup.KING'S PALACE, COUNCIL CHAMBER - DAYGaius examines a magically dead servant on thefloor.Uther: What's happened to him?Gaius: I don't know, Sire. It's the second case I've seentoday.Uther: Why didn't you report it to me?Gaius: I was attempting to find the cause.Uther: What didyou conclude?Gaius: I don't think it's time to hurry to conclusions. A scientific process is a longone.Uther: What are you concealing from me?Gaius: Sire, I have seen nothing like it. The victims aredying in 24 hours, and it's spreading fast.Uther: What is the cause?Gaius: I think you should say that thecause, the most likely cause, is sorcery. Uther pulls Arthur aside.Uther: We must find who did this.Arthur:I will, father.Uther (scared whisper): Conduct door to door searches. Increase your presence in the town.Double the guards on all the gates. And lend the physician your servant.Arthur: Merlin? But...Uther: I'mgoing to need Gaius to find a cure. He needs all the help we can give him. If Gaius is right, believe me,this city will be wiped out. This is the kind of magic that undermines our authority, challenges all we'vedone. If we cannot control this plague, people will turn to magic for a cure. We have to find this sorcerer,and quickly.Arthur: Yes, father.TOWN - DAYArthur and guards search the city. Merlin and Gaius walkthrough town. Merlin sees a sick personMerlin: Gaius? Gaius. He's still alive.Gaius: I'm afraid there'snothing we can do for him.Merlin: But we haven't tried.Gaius: If we don't know what a disease is, thenhow can we cure him?Merlin: With magic.Gaius: Have a look. They're suspicious of everyone.Merlin: Thisis not the time to be using magic. Science will lead us to the source of the disease.KING'S PALACE,"}
+{"doc_id":"doc_207","qid":"","text":"[sound of coughing]Ricky: We're going to make some good f*cking money here boys.Julian: Let's justf*cking get this over with, Rick.Ricky: My f*ck, this is a good time boys.Tell me that's not the bestf*cking dope you ever smoked Bubbs.Bubbles: Should I be getting baked for this, boys?Ricky: Yes,Bubbles, get high, this is fun.Bubbles: Walkie check Ricky.Ricky: Good check.Bubbles: That water bong'sso smooth, you don't realize how high you're getting until it's too late.Ricky: Bubbles, you're breaking up.Switch to channel two, okay. Just turn on the radio and relax, everything's fine.Bubbles: Channel Two?VHF, what's that now?[sound of music from radio]Bubbles: [singing]Bubbles: [singing through PAsystem]Ricky: I know I'm baked but, doesn't that sound like it's coming through the PA?Julian: f*ck, itsounds like it man.[sound of Bubbles singing through PA system]Ricky: Bubbles, everything you say iscoming over the PA right now.Bubbles: Ricky, I am f*cked up out here.I don't mean to interrupt yourmeat-stealing operation there boys but I need to keep talking to you til you get back. I'm freaking out alittle bit.Ricky: Bubbles, every f*cking word you're saying is coming over the PA.Julian: He must have hisfinger on the button man, he can't hear us.Bubbles: [singing]Bubbles: [singing over PA system]Ricky:f*ck! Meat dicks, meat dicks.Julian: These are just birthday presents. You have no right to look in them.We're going to leave now. Rick, let's leave, calmly, come on.Bubbles: Oh, I'm f*ckinghigh![music]Bubbles: Where do I know that big cocksucker from?Ricky: Don't even f*ck the mind whothat is?Phil: What are you doing?Ricky: Get the f*ck out of the way with your stupid fish and your hockeystick!Bubbles: Ricky, I'm not selling meat in the liquor store parking lot again. I don't want anybody Iknow to see me.It's embarrassing.Ricky: Bubbles, just smoke some of this home made blender hash,alright, and relax.Julian: Corey and Trevor should be doing this greasy sh1t, not us.Ricky: f*cking Coreyand Trevor. Corey and Trevor just vanished. No idea where the f*ck they went. Just ran away on me.Disappeared about six months ago and left a stupid note saying they're ever, never coming back. Thanksguys. Now I'm in a liquor store parking lot selling f*cking meat instead of Corey and Trevor. What thef*ck are you looking at?Phil: What are you doing here man? This is my parking lot! I sell mackerel andblueberries.Bubbles: [coughing] Great, Phil Collins is here.Phil: Hey, hey. Bubbles, Julian. How are youguys doing? Selling stolen meat eh? Wanna buy some trout?Julian: Phil, would you get the f*ck out ofhere. Here, here, take this thing.Phil: Yeah, well alright, Julian. Ah, geez.Bubbles: Here Julian.Julian:f*ck!Bubbles: [singing] I am high! High, high.Woman: Julian? Don't you remember me Julian?Julian:Ah?Woman: Oh my, Bubbles. Is that you? It's me. Your grade three teacher, Mrs. Anderson.Bubbles:[coughing] Hi, hi Mrs. Anderson.Ricky: Oh my god, I'm so god-damned high.Bubbles: Ricky, noRicky.Mrs. Anderson: I better be going guys. You know, it's never too late to change the path you'regoing down in life, boys.Julian: Thanks, Mrs. Anderson.Bubbles: Let's get the f*ck out of here,Julian.Ricky: Forty-two bucks already today boys. I can't believe it. Where the f*ck are you going,Julian?Julian: I'm not stealing meat anymore man, it's f*cked.Ricky: Man, what the f*ck are you talkingabout? You're giving up seventeen, eighteen bucks a day.Julian: I gotta get a job or somethingman.Ricky: A job? Julian, we don't work. You know us.Bubbles: Ricky, think about what you just said.Maybe we should work. Getting a good job is a good idea Julian.Julian: Listen, if I don't start makingsome cash soon, I'm going to lose my f*cking trailer man. Seventeen bucks a day, not cutting it.Ricky:Why is he so f*cking worried about his trailer getting repositioned? We're doing good here man. Moremoney for us buddy. See buddy, now this is what I'm talking about. Business.Jim Lahey: Hey Rick. Openfor business?Ricky: How's it going Sir? What can I get for you?Jim Lahey: What do you got that'sfresh?Ricky: Jim, we both know you came over here for more than just a box of meat.Jim Lahey: WellRicky, I was hoping to get a few grams for Randy. But he, look, he doesn't want to pay twelve bucks agram anymore. He's smoking a lot of dope Rick. He's a good customer. How about ten? Six grams, sixtybucks?Ricky: Oh my f*ck, Cheryl! What are you doing? I told you to stay off the counter. Look, you canhave this but that's it alright. Now take that and get the f*ck out.Ricky: My father grazed me to that, thatother things like animals that live or like I that live and I'm supposed to be the same to them and try totreat them good but I've got f*cking insects now coming to my trailer and frogs and f*cking these things"}
+{"doc_id":"doc_208","qid":"","text":"[ EXT. Massacre Site - Day ]( A sizable river runs by and birds sing in the trees. It is a beautiful day,despite the carnage at the surveyors' camp. Scalped bodies lay on the ground, the sound of FLIES heavyin the air. Some of the bodies have been loaded into the back of a buckboard wagon by two men. TheCHICAGO TRIBUNE REPORTER is documenting the scene with his camera. His flash-pan WHOOSHESloudly. The horse hitched to the buckboard is startled by the sound and WHINNIES. )( The reporter looksup from his camera towards the ridge to see a party of three men riding on horseback. One figure, on awhite horse, rides ahead of the two other men. The two men with the reporter chamber rounds in theirweapons. )Reporter: It's Durant.( DURANT dismounts, as do the two men. )Reporter: ( to himself ) Whatthe hell's he doing here?( Durant walks up to the Reporter. )Durant: Are you the Chicago Tribunereporter?Reporter: YesDurant: Did you photograph this body?Reporter: Y-yes, sir, Mr. Durant, butjust-just the one body.( Durant looks at the man, disgusted. )Durant: What's wrong with you,man?Reporter: I'm sorry. I thought...Durant: Just the one won't do.( The Reporter is confused. )Durant:( to the men by the buckboard ) Get those bodies off the wagons. Come on, snap to, boys.( The mendrag one man, the sentry who was shot first, from the wagon. They drag the sentry back to the field asDurant continues to talk to the reporter. )Durant: I want this scene photographed exactly how you foundit. I want an unblinking look at the horror perpetrated here.( The Reporter is still confused. )Durant: Morearrows. We need more arrows.( Durant gathers arrows and sticks them into random corpses lying in themeadow. He attempts to stick one into a man lying in front of the Reporter but it won't go in. Durantpushes it slowly in with a SQUISH, much to the Reporter's disgust. Durant looks up at him. )Durant: Hecan't feel anything. He's dead, for God's sake.( Durant turns as a man, identified as DURANT'S MAN,walks from the tree line. )Durant: The maps. You find them?Durant's man: ( shrugs ) No, sir. Nothinganywhere.Durant: Keep looking.Durant's other man (O.C.): Mr. Durant, over here![SCENE_BREAK][ CUTTO: Woods ]( Durant and his men walk towards two bodies, one being Sun Bear, the brave killed by LilyBell. Durant kneels and rolls over the other. It is Robert Bell. )Durant: Robert. ( stands ) Pack upeverything. Bring it all back to Hell on Wheels.( Durant is about to leave when something catches his eyein the grass. He bends to pick up the object. It is a silver pocket watch. He opens the hunting case andturns it to see the inside of the cover. There is a black and white photo of Lily Bell stuck to the watchcover. He looks at the photo a long while. )[SCENE_BREAK][ EXT. The Cut - Day ]( Men, both Negro andwhite, are working in the cut. BOHANNON walks along the top of the cut, monitoring work. He looks atELAM before continuing on. Two men approach on horseback at a gallop. One, Dix, has long brown hair.The other, BOLAN, has short, sandy hair and a beard and wears a Union jacket. Bohannon notices themand puts his hand on the grip of his gun. Elam climbs out of the cut and stands next to Bohannon as Dixand Bolan approach. )Elam: ( quietly ) They found Johnson's body. Everybody back in camp talk 'bout it.(Bohannon turns to Elam. )Bohannon: Get the hell back in that cut.( Elam doesn't move. Bolan arrivesfirst and pulls his horse to a stop. )Bolan: You Cullen Bohannon?( Bohannon and Elam stare at Bolan.)Bolan: You hear about Daniel Johnson's murder?Bohannon: Who wants to know?Bolan: ( raiseseyebrows and smirks ) Why you so spooked, son?Bohannon: I guess I still ain't cottoned to the sight ofUnion blue riding up on me.( Bolan chuckles and smiles. He turns to Dix, who gives a small smile. )Bolan:You ought to be happy to see us.Bohannon: Yeah? And why's that?Bolan: Boss wants to talk to you abouttaking Johnson's job.( Bohannon sighs and looks at Elam )[SCENE_BREAK][ EXT. Hell on Wheels - SameDay ]( Town is bustling with activity after the move to a new location. People are setting up their tents.MICKEY is pulling up a pole that forms part of the framework for the Magic Lantern Show tent. )( SEANexits the Starlight Saloon with two bottles of liquor. He crosses the street to Mickey and hands him abottle. )Sean: Here you go, Mickey. ( puts his arm around Mickey's shoulder ) Yeah.( Near the rail line,Bohannon rides his horse, following Dix and Bolan. Bohannon is smoking a cigar. )( CLOSE ON manhanging from a makeshift gallows )( The trio arrive at their destination and dismount. Bohannon followsBolan up the steps of a caboose. Bohannon removes his hat and puts out his cigar with his boot beforeentering. )[SCENE_BREAK][ CUT TO: INT. Caboose ]( A large, imposing man dressed in a black waistcoat"}
+{"doc_id":"doc_209","qid":"","text":"[In the opening scene, we see Drew Boyd, freaking out during the photo shoot for the Brown Athleticsunderwear ad.]Drew: (talking into his cell) I don't give a sh1t. I need to talk to him now! (Pacing around)Stuart. I can't do this.Brian: What the f*ck is going on here?Photographer: Your subject is being mostuncooperative.Ted: He said he made a big mistake. He's talking to his agent.Brian: Well, did you remindhim that he has a contract?Ted: Yeah, I did remind him.Drew: No, I'm not gonna grin and bear it! You'regonna get me out of this!Brian: Anything I can do to help?Drew: Yeah. You can get me my pants.Brian:Before I do that, why don't we discuss your concerns?Drew: There's nothing to discuss. I'm not doingit!Brian: It's a little bit late for that, isn't it?Drew: I'm Drew Boyd. I call the shots.Brian: Except when Ihave the ball.Drew: I'm feeling kind of exposed, you know? I'm not used to standing around in myshorts.Brian: What about in the locker room? You stand around in a lot less.Drew: In the locker roomeveryone's showing their ass.[Brian smiles. Cut to Drew posing in his underwear, the photographersnapping away. Panning around the room, we see that everybody's in their underwear. Most everybody'sin black, but Brian's wearing those long gray jockey shorts. And Ted has boxers.]Ted: Christ, he's hot.What a pity he's straight.Brian: Well, even if he weren't, do you think he'd f*ck you wearing those? (Hecasts a derisive glance at Ted's boxers).Ted: I wasn't expecting to be standing around in my shorts.Brian:I don't know if he's gonna sell any underwear, but he sure as hell is gonna sell a lot of Kleenex.[Cut topost-coital Emmett and Drew in a motel room.]Drew: Once I got used to everybody staring at me in myshorts, it got to be a real turn-on.Emmett: But only I know what's under them. Guess we'd better getup!Drew: What's your hurry?Emmett: Well, soon as we're through you always bound out of bed and raceto the showers, so I just assumed -Drew: I wanna just lie here.Emmett: You sure?Drew: You see memoving?Emmett: (settles back down, with his head on Drew's rock hard abs) Mmm...what's the worldcoming to? First a kiss, then stickin' around... next thing you know, you'll be asking me to the big game.Yeah, I said too much, didn't I?Drew: You know the rules.Emmett: I know. What goes on in this room isbetween you, me and the four walls and must never leave here under penalty of death.Drew: You got it,sport.[He smacks Emmett's butt and gets up to take a shower.][Michael frantically tries to reach Hunteron his cell phone, while Ben grades papers.]Michael: Straight to voice mail. What's the point of gettinghim a cell phone if he's not gonna pick up?[Just then, the prodigal foster son returns.]Michael: That's megoing off in your pocket! How about answering it for a change?Hunter: What's up your ass?Michael: It'spast 11:00.Ben: You missed your curfew again. Where you been?Hunter: Studying with a friend.Michael:Every night this week?Hunter: We're working on a project.Ben: Who is this friend?Hunter: Someone fromschool.Ben: And the project?Hunter: It's for science.Michael: Penicillin's already been discovered. Whathave you found?Hunter: What's with all the f*cking questions?Michael: We would like an honestanswer.Hunter: I told you the truth. If you don't wanna believe me, that's your problem.[He slams intohis room.]Michael: I hate to say it -Ben: You don't have to. I know what you're thinking.Michael: If he'sout hustling again, I'll f*cking rip his balls off, as my dear mother would say.Ben: Let's hope we'veinstilled more self-respect in him than that.Michael: After the way he's been acting?Ben: Whatever it is,we'll find out eventually.Michael: Then what?Ben: We'll just have to deal with it.[Lindsay is a jittery mess.Her hands are shaking so badly that she can't even get the key in the lock to open up the gallery. Samstrolls up, smoking a cigar.]Sam: Need any help?Lindsay: No. Thanks. I can do it. I do it every morning.(She drops the keys). sh1t![Sam picks up the keys, bending down painfully.]Sam: My back's been killingme ever since I did that goddamn mural. Hope Michaelangelo had a good chiropractor. Why haven't youreturned my calls?Lindsay: I've been busy. The show's been a huge success. Isn't it great? Almosteverything sold.Sam: Another month of alimony payments! My wives will be eternally grateful. I want tosee you.Lindsay: I can't.Sam: Why not?Lindsay: Why not? Try, 'I'm married.' I have a child and anotherone on the way. Oh, and did I happen to mention lest we forget that I'm a lesbian?Sam: Did I mentionthat you sure don't f*ck like one?[Lindsay closes her eyes briefly, draws a deep breath.]Lindsay: JesusChrist, Sam. Why do you have to be so crude?Sam: You didn't mind the other night, rolling around on thefloor, rutting like a -Lindsay: What happened the other night was a mistake. A huge mistake.Sam: Was"}
+{"doc_id":"doc_210","qid":"","text":"Scene: The apartmentPenny: Hey, can I ask you a question?Leonard: Sure.Penny: You've had this dartboard since I've known you, but I've never seen you play.Leonard: Oh, uh, we played, once. I broke awindow.Penny: What window?Leonard: That one over there.Sheldon: Leonard, where are the Skee-Balltickets?Leonard: Skee-Ball tickets?Sheldon: Yeah, from when we went to the arcade three years ago? Ifinally decided what prize I want. Hurry up.Leonard: Uh, if I still have them, they're probably in the junkbox.Penny: Ooh, what are you gonna get?Sheldon: None of your business. But when you see me wearinga flower in my lapel later, you are most welcome to sniff it.Leonard: Yup, oh, here you go.Sheldon: Oh,thank you. Here, get yourself an eraser for your troubles.Leonard: Oh. I forgot about this. My aunt madeit for me when I started college.Penny: Aw, did she hate you?Leonard: Why? Because I got an ugly, itchysweater, and my brother got a car? No, I was her favorite.Sheldon: I seem to be a few tickets short. Arethere more in the box?Leonard: Hmm, I think I got them all. Nope, they're not in there.Sheldon: Well,you barely looked. Let me see.Leonard: No, no, no, I, I looked, and there's, there's, there's no moretickets.Sheldon: Leonard, let me look in the box.Leonard: Okay, okay. I'm gonna show you what's in thebox. But just promise not to flip out.Sheldon: Why would I flip out? Is it a spider? It's a spider.Penny: No,if it was a spider, Lenny would've flipped out.Leonard: Okay, Sheldon, I know I was supposed to returnthis DVD a long time ago, and I know we rented it on your card. But it's been, like, seven years andclearly nothing bad has happened. So in-in-in-instead of being a giant pain in the ass like you always are,what if this one time you just tried staying calm?Sheldon: That seems like a reasonable request. Althoughso did, hey, Leonard, would you mind returning that DVD?Leonard: I'm sorry. I'll, I'll take care ofit.Sheldon: Okay.Leonard: I mean it, I'm going to.Sheldon: I believe you.Leonard: And you're going tostay calm?Sheldon: I said I would.Leonard: How about that? Sheldon's being reasonable.Penny: Yeah,it's freaking me out. I'm gonna go. Credits sequence.Scene: The apartment.Leonard: So, when you sayyou're not going to freak out about the DVD, here's what that means. Don't fixate on it. Don't wake meup in the middle of the night. Or nag me through the door while I'm on the toilet.Sheldon: Okay, first,talking to you while you're on the toilet isn't exactly a picnic for me either, okay? Remember, when youcan hear me, I can hear you. And second, you completely disregard how uncomfortable unresolved issuesare for me. It's, it's like, a, an itch in my brain I can't scratch.Leonard: When I broke my arm I used tostick a coat hanger down there. You ever try that? Maybe go in through the ear?Sheldon: You wouldn'tmake jokes if you could feel the way I feel.Leonard: Well, I don't know how to do that.Sheldon: Howabout this? I promise I won't pester you about the DVD. You can defecate in peace. That's a win for bothof us. But, until this matter is resolved, I would like you to wear this sweater. With nothing underneathit.Leonard: That's stupid. Why?Sheldon: You say it's itchy and uncomfortable. I say situations like thismake me feel the same way.Leonard: I'm telling you, try the hanger.Sheldon: Put it on. Let's share theexperience.Leonard: You got it. If this sweater shuts you up, I'm gonna make a fortune selling them toeveryone we know. Now all I need to do is head down to the video store and return the DVD.Sheldon:Oh, did I forget to tell you? That store went out of business years ago.Leonard: Really?Sheldon: Howthose nipples feeling, chief?Scene: The cheesecake factory bar.Bernadette: Penny, can we please get ourdrinks?Penny: Yeah, hang on, just give me sec.Amy: At work today, I did an in vivo stereotaxicsurgery.Bernadette: Cool. At my lab, I performed ten laser capture micro-dissections.Penny: I scrapedgum off the bottom of that table. Only 'cause my manager saw me put it there.Amy: Oh, my gosh. That'sthe girl that broke Rajesh's heart.Bernadette: That's Lucy?Penny: I don't know why but I always picturedher as Indian.Bernadette: I think that reason's called racism.Penny: I'm gonna go talk to her.Bernadette:Why? What are you gonna say?Penny: I'm not gonna say anything. I just want to check her out. Becauseshe hurt my friend. My Indian friend. Who's racist now?Bernadette: You because you just called him yourIndian friend.Penny: Yeah, well, you're short.Amy: We're never getting our drinks.Bernadette: No, butwe knew that.Penny: Hey, can I start you off with something to drink?Lucy: Oh, water would begreat.Penny: Okay. Um, you're Lucy, right? I'm a friend of Raj Koothrappali's. Actually Amy recognizedyou.Lucy: Wow. How's he doing?Penny: Oh, you know, he's good.Lucy: Great.Penny: Yeah, this is none"}
+{"doc_id":"doc_211","qid":"","text":"-[Fairy Tale Land - Past]-(Hook, wearing a cloak to disguise himself, walks up the stairs leading to atower in the Evil Queen's castle. Along the way, he encounters a guard on the stairs.)Guard: Halt.Hook:Food for the prisoner.Guard: It's not mealtime. Who are you? Identify yourself, slave!(Hook easilydefeats the guard in a fight.)Hook: Slave? I prefer Captain.(He takes the keys from the dead guard andcontinues his way upwards. At the top, he enters a room, where Belle is being held captive.)Hook: Hi...You must be Belle.Belle: The Queen sent you, didn't she? She wants you to kill me.Hook: I'm not here tokill you, love. I'm here to rescue you.(Hook begins to unlock her shackles.)Belle: Rescue me? Who areyou?Hook: A friend. We haven't much time. Your father's life is in danger. He's being attacked by thevery same monster who stole you away from your family in the first place.Belle: What,Rumpelstiltskin?Hook: The Dark One - he must be stopped. You spent more time with him than anyone.There are rumours of a magical weapon that has the power to kill him.Belle: No, no, no, no. Let... Let metalk to him. He's not a monster.Hook: Belle, your father's life hangs in the balance. I need to know whatthat weapon is, and where to find it.Belle: I don't know what you're talking about, and I have no idea howto... How to kill Rumpelstiltskin.Hook: You don't?Belle: No. And... And nor would I.Hook: Hm. Then, I'mafraid I'm not here to rescue you.(He backhands Belle, rendering her unconscious.)Hook: So pretty... Yet,so useless.(Hook raises his arm, preparing to kill her with his hook, but is stopped by the Evil Queen. Sheenters the room and magically removes his hook.)Evil Queen: No. Not useless. She's a valuable chesspiece.Hook: Do I look like I'm playing a game of chess? My hook, if you please.Evil Queen: No.Hook: Theasking was me being a gentleman.Evil Queen: Is that any way to address a queen? Even a pirate shouldhave better manners than that. Yes... I know who you are... Captain. I know why you came here fromNeverland. And I know all about the crocodile you wish to skin.Hook: Then you also know, that I'll stop atnothing.Evil Queen: So dedicated and resourceful. No one has been able to fight their way past mydefenses before. She can't help you kill Rumpelstiltskin, Hook. But I can, if you do something for me.Care to join me for a drink?[SCENE_BREAK](The Evil Queen pours out two drinks and hands one toHook.)Evil Queen: Things are about to change in this world. Radically. I have plans to enact a curse thatwill take everyone to a far-off land.Hook: How will that help me?Evil Queen: This new realm? It's a landwithout magic. Where the Dark One will be stripped of his powers. There, you won't need any magicalweapon to kill him. You can do it with a mere flick of your wrist.Hook: Tell me what I have to do.EvilQueen: There's one person I don't want following me to this new land. You're to see to it that doesn'thappen.Hook: An assassination. Who is it you want me to dispose of?Evil Queen: Mymother.-[Storybrooke]-(In Mr. Gold's shop, Regina checks on David, who is still under the sleepingcurse.)Mr. Gold: Any change?Regina: No. He's not improving. He needs true love's kiss. He won't wakeup until Mary Margaret comes back.Mr. Gold: Until? Well, that's rather optimistic, isn't it?Regina: Whatare you talking about?Mr. Gold: They're up against your mother. The only chance Snow and Emma haveof defeating her, is with the squid ink.Regina: Which is why you sent the message through David.Mr.Gold: Which would be beneficial, if we knew that message were delivered. But alas, given the Prince'scondition, we don't know. As such, it's important we take precautions. We have to consider the possibilitythat, when that portal opens, it won't be his family that come through. It'll be Cora.Regina: And neitherone of us wants that.Mr. Gold: We have to find where they're coming through, and destroy thatportal.Regina: But whoever came through would die.Mr. Gold: Exactly. But, I'm confident between thetwo of us, we can summon up enough magic to complete the task.Regina: Well, what if we're wrong?What if that portal opens up, and it's not my mother? What if Mary Margaret and Emma do defeat Cora,and go through it?Mr. Gold: Well, I believe in this world, they call that a win-win.Regina: How exactly isthat?Mr. Gold: If we stop Cora, you are protected from your mother's wrath. If, on the other hand, westop Snow and Emma, well... You become the only mother in your son's life, now don't you? Look, magicis unpredictable in this world. If something unfortunate were to happen while you were attempting tohelp... Henry could hardly blame you for that, could he?Regina: No. I can't lie to him. I am trying to be abetter mother.Mr. Gold: You won't be able to be a better anything if Cora comes through. And if she"}
+{"doc_id":"doc_212","qid":"","text":"(SGH)(Derek is in the OR performing surgery on a patient. The gallery is empty aside from Meredith whois standing by herself)MVO: As doctors we're trained to skeptical because our patients lie to us all thetime. The rule is: every patient is a liar until proven honest.(Cristina enters the gallery and gives Mereditha wry smile and Meredith smiles back. Cristina walks up to the window to peer and looks down into thesurgery)Meredith: Why aren't you prepping for rounds and stealing all the good cases?Cristina: Well whyaren't you prepping for rounds and stealing all the good cases?Meredith (shrugs): No reason.Cristina: Noreason?MVO: Lying is bad. Or so we're told. Constantly, from birth. Honesty is the best policy.(Cristinasits down next to Meredith)MVO: The truth shall set you free. I chop down the cherry tree.Whatever.Meredith: I'm waiting for McDreamy.Cristina: I'm avoiding Burke.Meredith: Why are youavoiding Burke?Cristina: He thinks I moved in with him. Why are you waiting...Meredith (interrupts):McDreamy is doing me a favor. Burke thinks you moved in with him?Cristina: Wait you're calling himMcDreamy again?(Cristina shakes her head at Meredith)MVO: The fact is, lying is a necessity.(Traumaroom where Meredith is sitting on a table as Derek draws out her blood)Meredith: Thank you for doingthis. With the needles and the blood. They won't accept her without a full family history.Derek: I'm happyto get your mom into the clinical trial. Even with the needles and blood.(He stands up and they 'gaze' intoeach others eyes)Derek: All done. How's that feel?MVO: We lie to ourselves because the truth, the truthfreaking hurts.Meredith: Feels good.(Cristina is standing in a hallway waiting for Meredith. Meredith walksup to her and they start walking down the hall together)Meredith: Burke thinks you moved in with him?What does that mean?Cristina: Ok it's not important. You're calling Derek, McDreamy again.Meredith: It'snothing.Cristina: All right, what are you doing?Meredith: What are you doing?Cristina: Stop repeatingwhat I say.Meredith: Stop asking me questions.(They stop and look out over the railing of the mezzanineand hear some banging. George is banging on a window of the hospital with Izzie standing next to him,arms crossed holding a leash with Doc on it.)George (yells): Cujo has to go!(Intern locker room wherethe interns are getting for rounds. Meredith is sitting down on a bench, already in her scrubs with Doclaying next to her)Izzie: He peed on my bed. My bed, Meredith!Meredith (defensive): He's ourdog!George: No, he's not my dog. You two bought him, without even asking me.Meredith: We rescuedhim from certain death. (She pouts) Come on you guys.George: I'm putting my foot down. Either the dogmoves out or I do. Foot. Down. Now. Me or the dog, which is it?(Meredith looks down at Doccontemplating and then back up at George)George (shocked): You hesitated! She hesitated!Izzie: Youhesitated?!?Meredith: I didn't hesitate. I was thinking.George: You have to think about it, fine! I'mmoving out right now.(He heads to the door to exit the room but as he opens the door, Bailey is revealedstanding there. He swivels back towards his locker)George: Later. I'm moving out later because right nowI have rounds.(Bailey walks into the room)Bailey: Tell me that is not a dog.All: It's not a dog.(Bailey'spager goes off)(Bailey is standing outside the emergency double doors with Cristina, George, Meredith,Alex, and Izzie. An ambulances double doors open up and paramedics start wheeling out a patient,including Tony the paramedic)Tony: Rick Freeark. 29. Severed 3 fingers on his left hand. Controlled thebleeding in field. Vitals stable. Gave him 5 of morphine on the way in.(They all start wheeling the patientdown the hallway)Bailey: The fingers?Tony: Had some trouble retrieving them so we took off. Rich behindus found them. They're iced and ready to go. 10 minutes out.Bailey: Continue with IV fluids and start acourse of antibiotics.(Bailey stops Cristina)Bailey: Yang, wait outside for the fingers.(Cristina heads backout)(Rick's trauma room)Rick: You can sew them back on right? Cause they sewed that guy's pen1s backon after his wife chopped it off, right?Bailey: Penises and fingers. Like apples and oranges.George: Howdid it happen?Rick: I was loading my gear onto my truck for a gig and my hand got caught in the liftgate.Alex: You're a musician?Rick: I play the friggin guitar. (to Bailey) You can sew them back on right?It's not that big of a deal right? Oh dude I better not be out of the band.(Trauma room, where now thereare only scrub nurses and Derek checking on Rick's fingers. Cristina enters the room with Rick's detachedfingers in a towel)Derek: Well the cuts look clean. That's good. Clean and severed makes reattachmenteasier. I'm not going to lie to you, if the surgery is successful; we're looking at a long recovery. Lots of"}
+{"doc_id":"doc_213","qid":"","text":"Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, thedemons and the forces of darkness. She is the Slayer. Sunnydale High School at night. A man in a suitwith a briefcase is walking past a school building at a brisk, determined pace. He stops for a moment andlooks around. Behind him to his left a door opens, and a school custodian comes out with atrashcan.Custodian: Can I help you?Philip: Rupert Giles! I need to see him!Custodian: Mr. Giles, uh, he'sour librarian. Next building over, first door on your left. Philip rushes off without a word ofthanks.Custodian: (sarcastically) You're welcome. (dumps the trash) Philip continues at his brisk paceand finds the outside library door. He continues toward it, but stops in his tracks when he hears a twigbeing crushed behind him and turns to look. He hears a moan, but sees nothing and checks the other wayagain. Behind him he hears breathing and turns back again, and sees a woman in the shadows.Philip: Oh,God! Slowly she walks into the light. She is dead and rotting. Her eyes flash yellow briefly.Philip:Diedre?Diedre: Philip. Philip quickly backs up and doesn't see the curb behind him. He trips over it andfalls, dropping his briefcase. He scrambles to his feet and runs to the library door. He pounds on it andyanks at the doorknob, but it's locked.Philip: Help! Help! Somebody, please! Diedre slowly advances onhim.Philip: (to himself) God, no! (loud) Help! Cut inside. Buffy is doing step aerobics to a techno beat.Giles is sitting at the table with his hands to his ears, not relishing the music. He raises his head.Giles:(loudly over the music) Must we have this noise during your calisthenics?Buffy: It's not noise! It'smusic!Giles: I know music. Music has notes. This is noise.Buffy: I'm aerobicising! I must have abeat!Giles: (under the music) Wonderful. You work on your muscle tone while my brain dribbles out ofmy ears. Cut outside. Philip is still pounding on the door.Philip: Help! Help! Please! Diedre continues toadvance on him.Philip: Help me, somebody, please! Diedre has closed the gap. Philip turns to face herwith horror in his eyes. She puts her hands up to the door on either side of him to prevent his escape. Hetrembles with fear as she moves her hands onto his neck and begins to choke him. Cut inside. Buffy hasfinished her aerobics. She strolls to the table and turns off her boom box.Giles: Ahhh! Very good. And therest is silence. Cut outside. Philip falls from Diedre's grip, dead. A moment later Diedre collapses next tohim. After she hits the pavement she disintegrates into a puddle of slime. The puddle spreads out andinto Philip. Opening credits roll. Buffy's theme plays. ~~~~~~~~~~ Part 1 ~~~~~~~~~~ Anightmare. Giles is flashing back to his youth. He has visions of rituals and tattooing.Young Giles: Time togo to sleep! (screams) A vision of a demon. Cut to Giles' bedroom. He wakes with a start. He looksaround as he sits up in bed, concerned but relieved to find it was only a nightmare.Cut to school. Thecamera pans down from above a tree to Buffy and Willow sitting on a bench.Buffy: I'm on a beach, butnot one of those American beaches, one of those island beaches where the water's way too blue, and I'mlaying on my towel, and it's just before sunset, and Gavin Rossdale's massaging my feet!Willow: Oh,that's good! Uh, I'm in Florence, Italy, I've rented a scooter that's parked outside, and I'm in a littlerestaurant eating ziti, and there are no more tables left, so they have to seat this guy with me, and it'sJohn Cusack!Buffy: Ooo! Very impressive. You have such an eye for detail.Willow: 'Cause with theziti!Xander: (shows up) What are you two up to?Buffy: Just having a quick game of 'Anywhere ButHere'.Xander: Ooohhh. Amy Yip at the waterslide park.Willow: You never come up with anythingnew.Xander: I'm just not fickle like you two, okay? I'm constant in my affections. Amy Yip at thewaterslide park!Willow: (to Buffy) Do you think Giles ever played 'Anywhere But Here' when he was inschool? They see him coming toward them.Xander: Giles lived for school. He's actually still bitter thatthere are only twelve grades.Buffy: He probably sat in math class thinking, 'There should be more math.This could be mathier.'Willow: C'mon, you don't think he ever got restless as a kid?Buffy: Are youkidding? His diapers were tweed. Xander chuckles. Buffy sees Giles about to walk by and calls out tohim.Buffy: Giles!Giles: (turns and sees them) Oh! There you are. (comes over)Buffy: Hey, morning. Say,is that tweed? (stares at his jacket)Giles: (preoccupied) What? Oh, uh, yes. Um, now, uh, look, tonight isvery important, um... (heads inside)Buffy: (follows) Now, that's a surprise.Cut to the halls. They followGiles to the library.Buffy: So, what's on tap tonight that's so important? Uprising, prophesied ritual,"}
+{"doc_id":"doc_214","qid":"","text":"THE TALONS OF WENG-CHIANGBY: ROBERT HOLMESPart OneRunning time: 24:44[SCENE_BREAK]JAGO:Mister Chang. Wonderful, wonderful. Words fail me, sir. Words quite fail me.CHANG: You are mostgenerous.JAGO: Have I ever, in my thirty years in the halls, seen such a dazzling display of lustrouslegerdemain? So many feats of superlative, supernatural skill? The answer must be never, sir. Never.SIN:Honourable master is kind to bestow praise on humble Chang's miserable, unworthy head.JAGO: Dashedclever, the way you work the little fellow. Wires in the sleeves, I dare say. But I'll not pry, Mister Chang.The secrets of the artistes are sacrosanct.BULLER (OOV.): Hey, you!JAGO: What the deuce?BULLER:Where's my Emma? What have you done with her?JAGO: You've got no right to burst in here.BULLER:Out of my way! It's him I want.CHANG: Your Emma?BULLER: She come in here last night and nobodyain't seen her since.JAGO: I'll have the fellow ejected.BULLER: Now I'm asking you, mister, what'shappened to her?JAGO: Call the stage hands, Freddy.CHANG: It's all right, Mister Jago. Please, come withme.JAGO: Courteous coves, these Chinese. I'd have propelled him onto the pavement with a punt up theposterior.[SCENE_BREAK]CHANG: Your wife?BULLER: Emma Buller. And don't deny she was here, cos Isaw her with my own eyes.CHANG: Many ladies come to theatre. Why should you thinkBULLER: Notround the side door, they don't. Now, look. I was passing in my cab and I saw her plain, and I know itwas you she was calling on. She's been acting queer ever since you put the 'fluence on her last week, sodon't try coming the innocent, Mister. I want to know where she is or I'm calling the law. Clear?CHANG:Your wife came on stage?BULLER: Last week. Levitated her, you did. She's not been the same since. It'sdone something to her reason, I shouldn't wonder. And she was here last night.CHANG: Not to seeme.BULLER: Don't come the cod. She's disappeared. Nobody's seen her, not since she come here lastnight, so what about it, eh?CHANG: In my country we have saying. Man who goes too quickly may step inbear trap.BULLER: Right, I'm getting the Peelers.[SCENE_BREAK]LEELA: These clothes are ridiculous.Why must I wear them?DOCTOR (OOV.): Because you can't go walking around Victorian London in skins.You'll frighten the horses.DOCTOR: Anyway, we don't want to be conspicuous, do we?LEELA: A swampcreature. That was it's attack cry.DOCTOR: Oh no, it was a ship on the river. Excellent. It means we can'tbe far away.LEELA: From where?DOCTOR: From where we're going.LEELA: Doctor, you make me wearstrange clothes, you tell me nothing. You are trying to annoy me.DOCTOR: I'm trying to teach you, Leela.Surely you'd like to see how your ancestors enjoyed themselves? Splendid. That's why I'm taking you tothe theatre. Li H'sen Chang. Hmm, pity. I'd rather hoped we'd catch Little Tich. Never mind. If we hurrywe'll just catch the second house.[SCENE_BREAK]JAGO: You'd better get your tail pinned on. Linens up infive minutes. Casey, have you got the oopizootics coming on?CASEY: Mister Jago, I've seen it. I've seenit again!JAGO: Be quiet. I told you before.CASEY: Horrible, horrible it was, Mister Jago. A great skullcoming at me out of the dark.JAGO: Damme, you don't want to bankrupt me, Casey. Keep your voicedown. Threadbare in Carey Street I'll be if people get the notion there's anything wrong with thistheatre.CASEY: Chains clanking, nine foot tall.JAGO: You've been drinking.CASEY: Not a drop, sir.JAGO:Well, it's time you started.JAGO: Now pull yourself together, man.CASEY: I ain't never going down thatcellar again. There I was, fixing the trap, when this apparition rose out of the ground in front of me.Hideous, it was. Hideous.JAGO: That's enough.JAGO: It's your imagination.CASEY: Never.JAGO: A cat orsomething must be trapped down there making noises. Tell you what I'll do, Casey. I'll come down withyou this evening, as soon as the house is clear, and we'll have a good look round. Now how'sthat?CASEY: It was no cat, Mister Jago. I seen it!JAGO: Please, Casey, remember, mum's theword.[SCENE_BREAK]LEELA: This is a big village.DOCTOR: Yes.LEELA: What's the name of the tribehere?DOCTOR: Cockneys.LEELA: The sound of death!DOCTOR: You stay here.DOCTOR: Excuse me, can Ihelp you?QUICK (OOV.): Hold you there.QUICK: Now then, what's all this?LEELA: Touch me and I'll breakyour arm.QUICK: Now don't be foolish, miss.DOCTOR: Good evening.LEELA: Keep back, Doctor. Blueguards!DOCTOR: Good evening, Constable.QUICK: Good evening, sir. You know this young female,sir?DOCTOR: Oh yes, yes. We were attacked by this little man and four other little men.QUICK: When Igot here, sir, he was being strangled with his own pigtail, sir.DOCTOR: Really? Girlish enthusiasm,"}
+{"doc_id":"doc_215","qid":"","text":"[Scene: The Hospital, Ross and Rachel, who's in a wheelchair, are arriving in the waiting room for thematernity ward.]Ross: All right! (Checking his watch) Yes!! From home to the hospital in under sevenminutes! We did it!!Rachel: (deadpan) Yes, the hard part is truly over.Ross: No, but come on, we're off toa great start aren't we? I knew I'd get you here fast, but this has got to be some kind of a record!(Phoebeand Monica walk in from getting some coffee.)Phoebe: Oh you made it!Rachel: Hi! (Ross isstunned.)Monica: How are you doing?Ross: Wait a minute! How-how the hell did you beat ushere?Monica: We took a cab. Did you guys walk?Ross: N... No! We took a cab too, but I did testruns!(Chandler and Joey enter from the vending machines carrying sodas.)Chandler: Hi!Joey: Hey! Youmade it!Ross: Okay is there...some kind of magic tunnel to this hospital?!Rachel: Ross, you stay here andtalk, I'm gonna go have a baby.Ross: Okay. Okay. (To the nurse behind the desk.) Umm hi, this is RachelGreen. I'm Ross Geller. We-we called from the car.Nurse: Right! We have a semi-private labor roomwaiting for you. So in just a minute...Rachel: (interrupting her) Whoa-whoa-whoa-whoa! I'm sorry,semi-private? We (Laughs), we asked for a private room.Nurse: Yes, I see that here. Unfortunately wecan't guarantee a private room and currently they're all unavailable.Chandler: Man, if only you'd gottenhere sooner. (Ross turns and glares at him.)Nurse: I'm sorry. Semi-private rooms are all wehave.Rachel: Okay. Just give us a second. Ross! (They walk away from the desk.)Ross: Yeah?Rachel:Give her some money.Ross: I really think they're out of rooms.Rachel: They're not!! Ross, they're justsaving them for the important people!! Okay?! What-what if I was the president?!Ross: Well then we'd bein a lot of trouble, you don't know where any countries are. (Rachel glares at him.) Okay. (He goes overto the desk followed by Rachel.) Uh, say would you umm... Would you mind checking again to see if anyumm, private rooms may have (Handing her some money) opened up?Nurse: This is a hospital.Rachel:(standing up) Okay. Y'know what? I'd have to say I really don't care for your tone. And this is not theonly hospital in this city and we have no problem to-Whoa! (She starts a contraction) Oh gosh!Whoa!Ross: What-what?Rachel: Ow! Ow! Contraction. (Sits back down.) Ow-ow! Ow-ow! (Startsbreathing heavily.)Nurse: Would you like to see a semi-private room?Rachel: Yeah, it couldn't hurt tolook.Opening Credits[Scene: The Semi-Private Labor Room, Rachel is in bed, Ross is fooling around, andDr. Long is checking on Rachel.]Dr. Long: Well you're only two centimeters dilated and we need to get toten. It'll be a while.Rachel: Oh, okay.Dr. Long: I'll be back in an hour to check you again.Ross: Thankyou.Rachel: Thank you. (Dr. Long exits.) Well, I guess we have some time to kill.Ross: Yeah, guess so.Whew! Check these out! (He's looking at the stirrups on the other bed in the room and Rachel groans.Ross then hops into the bed and puts his legs into the stirrups.) Never done this before.Rachel: Yeah wellit looks great!(A nurse shows another couple into the room.)Man: Thank you very much.Woman:Thanks.(They stop when they see Ross who has to struggle to get out of the bed.)Ross: Hi! Hi, I'm uhRoss. I'm here to ruin this magical day for you.Man: Oh no-no, not at all.Woman: Don't worry aboutit.Man: Marc Coreger, this is my wife Julie.Ross: Hi Julie.Julie: Hi.Ross: This is Rachel. (Points ather.)Rachel: Hi!Marc: Oh hi Rachel.Rachel: How are you?Julie: Hi. Is this your first?Rachel: Yeah itis.Julie: Well, little Jamie here is our third. So, if you have questions or you need anything at all, justholler.Rachel: That's so sweet.Ross: Yeah.Rachel: Oh.Ross: Umm say, I-I opened this earlier (Theprivacy screen) but let me give you guys some privacy.Marc: No nonsense! We're all in thistogether.Julie: Yeah, we are going to share every moment of this with you. And I think we're gonna havesome fun.Marc: Yeah.Ross: Oh, okay.Marc: Hey! Smile! (Points his camera at Ross and Rachel.)Rachel:Oh no, I really don't want any-(He takes the picture)-Oh! Thank you. Oh. Oh Ross...Ross: What?Rachel:Here comes another contraction.Ross: Oh. Okay, just breathe.Julie: Oh honey, I think I'm having onetoo!(During the mutual contraction Julie takes a moment to point out they're having a contraction at thesame time.)Marc: Look at this! (Takes another picture) There we go![Scene: The Waiting Room, the restof the gang is lounging around.]Phoebe: (looking at the clock) Oh wow, three hours and still no baby.Ugh, the miracle of birth sure is a snooze fest.Monica: Hey, you wanna see something?Phoebe: Sure!What?Monica: Umm, this is going to be fun. Watch me freak out Chandler. Honey?Chandler:"}
+{"doc_id":"doc_216","qid":"","text":"EXT. CRUCasey : So, if the light we're seeing is millions of years old, then the stars might already bedead.Max : But it's not just the stars that are in the past. It's everything. Even you looking at menow.Casey : So, you're not you?Max : No, I'm me. But you're seeing me one billionth of a secondago.Casey : So... everything is history and relationships are just memories.Max : Except for thelight.Casey : Which is in its own present, our past and someone else's future.Max : The Hawking ofHearts.Casey : You know what that means?ZBZ HOUSE - Casey & Ashleigh's room Casey just wakes up.She was dreaming...Casey : What? Why are you staring at me?Ashleigh : You were making out with yourpillow.Casey : No, I wasn't!Ashleigh : Must have been an awesome dream. You were drooling.Casey : Idon't drool! Much. KT HOUSE - Living roomRusty : All right. Lightning round. Loves rainy sundaymornings, is a Pisces, and can't live without cuts two, three and eight from \"The Best of Sting\".Ferret.Pickle : He is such a romantic.Rusty : Afraid of apricots?Ben Bennett : Wingnut!Pickle : That'sHeath.Rusty : Heath is correct. Wingnut?Ben Bennett : This active recognition test is gonna be tough. Imean, likes, dislikes, embarrassing secrets...Pickle : I know more about the actives now than I everwanted to know.Rusty : Except for this guy. Joshua Whopper.Pickle : Isn't that the guy who's alwayscarrying a knife?Rusty : Whoever it is, we better figure it out or we're scrubbing toilets untilinitiation.Beaver : Empty your wallets.Ben Bennett : Why?Heath : Lunch buffet.Rusty : You're shaking usdown for a strip club?Beaver : It's not just any strip club. It's Gentlemen's Choice. We need to make aCappie trip.Rusty : Last time Cappie went to the strip club was when he was... Oh, no.Heath : No onementions Rebecca.Rusty : Hey, Cap, so you broke up with Reb...Ben Bennett : You weren't supposedto...Cappie : What's going on?Beaver : Nothing. Why?Cappie : Beaver. I'm fine.Pickle : So, I can get mymoney back then?Beaver : No.Cappie : Any last minute questions on the active recognition test? ART's intwo days.Rusty : I have one. I took the liberty of downloading National's list of current actives.BenBennett : Suck up.Rusty : There's an active on the list no one has ever seen. Or ever met. Who's JoshuaWhopper?Cappie : Extra points for being industrious, Spitter, but don't worry about him. He's not on thetest.Rusty : OK, yeah, but according to the rules of the Arts, each pledge must know every active.Cappie: But not Joshua. Trust me. Leave the Whopper alone. Credits ZBZ HOUSE - Dining roomAshleigh :Rebecca's been eating her feelings since 7:00 this morning. It's her second box of cereal.Casey : Iwonder if she'll give away her clothes. I wouldn't mind that Marc Jacobs cocktail dress. It was alreadypretty tight on her.Ashleigh : She and Cappie broke up.Casey : What? Really?Ashleigh : Looking for a jobis way harder than I thought. What about babysitting?Casey : And what about your irrational fear of littlepeople?Ashleigh : Good point.Casey : You know, I'm actually thinking of hiring an astronomytutor.Ashleigh : I could help. I love looking at the stars Casey :. That's what I thought the class wasgoing to be about when I signed up for it. But all we're learning about is black holes, dark matter,alternative universes.Ashleigh : Why don't you drop it?Casey : I still need one science course for generaled. So, who do you think I can get to help me?Ashleigh : Ivy took it last semester.Casey : Ivy? I thinkwe're in a fight or something.Ashleigh : What about Rusty? He's science-y.Casey : And that worked outso well the last time.Ashleigh : Oh, wait. What about Max?Casey : Max? Rusty's friend Max.Ashleigh : Hemust know all about astronomy. He worked for NASA or something I think.Casey : He's probably prettybusy.Ashleigh : Yeah, you're right.Casey : Still, it couldn't hurt to ask. Thanks. KT HOUSE - HallwayBenBennett : Joshua Whopper looks exactly like Abraham Lincoln.Rusty : You see the problem?Pickle : The16th president of the United States was a Kappa Tau?Rusty : Guys, get the fact that Abe is about 200years old and was not a Kappa Tau. This is a trap. We have no idea who Joshua Whopper is. Whichmeans, when Cappie said, \"Trust me,\" he probably meant, \"Don't trust me. Which means Josh Whopperis going to be on the active recognition test. And after every one of us fails we're going to be breaking outthe gas masks, Hazmat suits, and we're gonna go on porcelain patrol until initiation. We gotta find theWhopper.Ben Bennett : How do we do that?Pickle : We look for a guy with a beard and a funny hat. CRU- Max's roomMax : Oh. It's you.Casey : Yes. And you're you? You're probably wondering what I'm doinghere.Max : Would... Actually, I was thinking about... That's not really relevant now. So...Casey : I really"}
+{"doc_id":"doc_217","qid":"","text":"Produced by: Robert Carlock & Wendy Knoller[Scene: Central Perk. Everyone's sitting on the couch andPhoebe enters.]Phoebe: HiAll: Hey! Hi!Rachel: How was the honeymoon?Phoebe; Oh, incredible! Oh!Champagne, candle-lit dinners, moonlight walks on the beach, it was sooo ro-man-tic!Rachel:Oh!Chandler: So, where's Mike?Phoebe: Oh, he's at the doctor, he didn't poop the whole time we werethere!Joey: Well anyway, I'm glad you're back, I really need your help.Phoebe: Oh, why? What'sup?Joey: I have an audition for this play and for some of it I have to speak French. Which, according tomy résumé, I'm fluent in.Ross: Joey, you shouldn't lie on your résumé.Monica: Yeah, you reallyshouldn't. (to Ross, sarcastically) By the way, how was that year-long dig in Cairo?Ross: (whispering) Itwas ok...Rachel: I did not know you spoke French.Phoebe: Oui, bien sur je parle Français! Qu'est-ce quetu penses alors?Rachel: Oh... you're so sexy!Joey: Well, so, will you help me? I really wanna be in thisplay.Phoebe: Sure! Tout le plaisir est pour moi, mon ami.Rachel: Seriously stop it, or I'm gonna jump onya.OPENING CREDITS[Scene: Monica and Chandler's apartment.]Chandler: Hey.Monica: Hey.Chandler:Why are you wearing my apron?Monica: I'm making cookies for Erica. And oh, by the way, we have toleave for the airport soon, her plane comes in about an hour.Chandler: Oh, hey, when she gets here, is itok if I introduce you two as \"my wife\" and \"the woman who's carrying my child\"? (she's not amused) No?Divorce?Ross: (he enters) Hey.Monica: Hey.Ross: You guys know where Rachel is?Monica: No, wehaven't seen her since this morning.Ross: So unbelievable. She was supposed to meet me half an hourago with Emma. (he tries to take a cookie but Monica slaps his hand)Monica: Hey!Ross: Hey!Monica:These are for Erica!Ross: What? She's gonna eat all those cookies?Monica: Well, I want he baby to comeout all cute and fat!Ross: So, why is Erica coming to visit?Monica: Well, because we want to get to knowher better and she's never been to New York so she wants to see all the tourists' spots... you know,Statue of Liberty, Empire State Building...Chandler: Oh, those places! There's always so many people,their being corralled like cattle, and... you know, there's always some idiot who goes \"Mooooo\"!Monica:Well, if it annoys you so much, then why do you do it?Ross: (looking at Rachel entering with Emma) Oh,hi! Hi! Thanks for showing you up thirty minutes late!Rachel: Ross...Ross: No, no, no, I'm sure you havea great excuse, wh-was it a hair appointment, a mani-pedi or was there a sale at Barney's?Rachel: Myfather had an heart attack... (crying) ...while I was at Barney's.Ross: Oh my God.Monica:Honey.Chandler: I'm so sorry...Ross: Is-is he ok?Rachel: Yeah, they said he's gonna be fine, but he's stillheavily sedated.Ross: Ok, ok. I'm gonna come out to Long Island with you, I mean, you can't be aloneright now.Rachel: No, come on, I'm totally ok. (hugging him) I don't need you to come! I can totallyhandle this on my own.Ross: Still-still, let me come... for me.Rachel: Ok. If you really need to.Ross: I betsomeone could use one of Monica's freshly baked cookies.Rachel: Oh, I really could.Ross: Oh!Rachel:Ohh... (Ross mouths HA-HA at Monica and takes two cookies and she looks at him angrily)[Scene:Central Perk. Phoebe's trying to teach Joey French, so she's sitting in front of him with the script in herhands.]Phoebe: All right, it seems pretty simple. Your first line is \"My name is Claude\", so, just repeatafter me. \"Je m'appelle Claude\".Joey: Je de coup Clow.Phoebe: Well, just... let's try it again.Joey:Ok.Phoebe: Je m'appelle Claude.Joey: Je depli mblue.Phoebe: Uh. It's not... quite what I'm saying.Joey:Really? It sounds exactly the same to me.Phoebe: It does, really?Joey: Yeah.Phoebe: All right, let just tryit again. Really listen.Joey: Got it.Phoebe: (slowly) Je m'appelle Claude.Joey: Je te flouppe Fli.Phoebe:Oh, mon Dieu!Joey: Oh, de fuff!Monica: (entering with Erica and Chandler) Hey you guys.Phoebe:Hi!Joey: Hey.Monica: I want you to meet someone really special. Phoebe, this is Erica. And this is thebaby!Phoebe: Oh!Monica: Joey. Erica, baby!Joey: Hi.Monica: Everyone. Erica, baby!Chandler: Monica.Calm, self.Erica: Thank you. It's really nice to meet you guys, I can't believe I'm here!Joey: Welcome toNew York City! Or should I say \"ghe deu flooff New York City\"?Chandler: Why would you saythat?Phoebe: Ok. What are you gonna be doing today?Erica: I wanna see everything! Times Square,Coney Island, Rockefeller Center...Joey: Oh, you know what you should do? You should walk all the wayat the top of Statue of Liberty.Erica: Oh yeah, let's do that!Chandler: Great! (to Monica) This baby'dbetter to be really good.[Scene: Hospital.]Rachel: (stopping a nurse who's coming out of a room) Oh,"}
+{"doc_id":"doc_218","qid":"","text":"3.01 - Those Lazy-Hazy-Crazy DaysOPEN IN LORELAI'S BEDROOM[Lorelai is asleep in bed when heralarm goes off. She shuts it off, and a second later, several others start going off around herbedroom.]LORELAI: You are hilarious![She gets up and walks down to the kitchen, where Luke is at thestove making breakfast]LORELAI: Okay, see, last night, when I said to you, \u0000Tomorrow, no matter what,make sure I get up at seven,' what I actually meant was, \u0000Tomorrow, no matter what, make sure I havethe option of getting up at seven in case when seven comes, I actually wanna get up,' which \u0000 as ithappened \u0000 I didn't. Therefore, you're currently responsible for the great alarm clock slaughter of2002.[She pulls a container of coffee out of the freezer]LUKE: No survivors?LORELAI: The one shapedlike a bunny escaped with a mild decapitation. [smells the coffee] This is decaf.LUKE: What are youtalking about?LORELAI: You switched my coffee again.[Lorelai searches the kitchen for the regularcoffee]LUKE: I'm a busy man. I don't have time to sneak around switching your coffee. I have a diner torun, I have shipments to order, I have things to flip and fry. Will you stop that?[Lorelai finds the bag ofregular coffee under the sink]LORELAI: Ha, haha, hahaha! Under the sink, very clever, but not cleverenough bucko.LUKE: Okay, fine, you know what? I give up.LORELAI: Woo hoo!LUKE: Go one day withoutcoffee.LORELAI: That's not giving up.LUKE: I'll put a toy in your cereal.LORELAI: Dirty!LUKE: [hands hera plate of food] Fine, here, you win.LORELAI: Thank you.LUKE: You're welcome. Now you're up, you'refed, I'm leaving.LORELAI: Oh, hey, we need q-tips.LUKE: I'll alert the media.LORELAI: See, that's betterwith the accent.LUKE: The reference is enough, you'll learn that one day. I'll be home early, anythingbesides the q-tips?LORELAI: Um, cotton balls, world peace, Connie Chung's original face back.[Lukekisses her]LUKE: Goodbye crazy lady. [to Lorelai's stomach] Goodbye Sid and Nancy.LORELAI: Leopoldand Loeb.LUKE: What?LORELAI: I changed my mind, don't tell Rory.LUKE: Decaf.LORELAI: Never.LUKE:They'll both have two heads.LORELAI: More to love.[They kiss again and Luke walks out the backdoor]CUT TO LORELAI'S BEDROOM[In the middle of the night, Lorelai wakes up suddenly from herdream. She falls out of the bed reaching for the phone]LORELAI: Whoa! Ugh![She calls Rory at her dormin Washington]RORY: Hello?LORELAI: You have to come home.RORY: Mom?LORELAI: You're gone andthe house is quiet and Bill Maher's canceled. The name of the show was Politically Incorrect for God'ssake. Didn't anybody read the title? He was supposed to say those things, dammit!RORY: You hadanother dream.LORELAI: Yes.RORY: The doctor is in.LORELAI: Okay, I'm lying in bed and I'm sleepingand I'm wearing this fabulous nightgown, and like thirty alarm clocks go off, and so I get out of bed and Iwalk downstairs, and there, standing is the kitchen, is Luke!RORY: Was he naked?LORELAI: No! He wasmaking breakfast.RORY: Naked?LORELAI: Okay, you've been in Washington way too long.RORY: Sorry.Go ahead, he was making breakfast. . .LORELAI: Eggs and pancakes and bacon, and he put decaf coffeein my regular coffee bag, which of course I knew immediately.RORY: Hi, the nose.LORELAI: Exactly. Soeventually I find the real stuff under the sink. He hands me my breakfast, and then . . .RORY:What?LORELAI: He kissed me and talked to my stomach!RORY: Why would he do that?LORELAI: Becauseapparently I'm pregnant!RORY: What?LORELAI: With twins! [pause] Say something.RORY: You are goingto be so fat.LORELAI: Just analyze my dream, please.RORY: Okay. Well, your dream was telling you thatyou are secretly in love with Luke and you wanna marry him and have his twins.LORELAI: Uh, no, tryagain.RORY: What do you mean, try again? You asked me to analyze your dream, I analyzed yourdream.LORELAI: Yes, well, I reject that analysis, so I'd like another one, please.RORY: You can't justreject an analysis and try again. You're not shopping for bathing suits here.LORELAI: Give me anotheranalysis or I'll put your Taylor hula-hooping dream into a whole other context.RORY: I told you, Taylorwas supposed to be Dean. I could tell by his freakishly thick head of hair.LORELAI: I'm waiting.RORY:Okay, maybe you're still upset about what happened with Dad and you're jealous of Sherry because she'shaving his baby and not you. Mom?LORELAI: I miss you.RORY: I miss you, too.PARIS: [sleeptalking inbackground] Woodward. . .Bernstein. . .Harry Thomason.LORELAI: Is that Paris?RORY: Yeah, she talks inher sleep. . . long in-depth arguments. I'm so glad I only have one more day here.LORELAI: Me, too.What do you have on your agenda for tomorrow? Or, today, actually.RORY: We have a breakfast mixer"}
+{"doc_id":"doc_219","qid":"","text":"DSR Rambaldi artifact storage facility Guard is walking around and he gets tackled by a man. Man killsguard. Not quite sure how.Man 1: (to radio) I'm in. We see an assault team on the roof. They blow thelocks off the gates and steal all the Rambaldi artifacts. Including the nightingale coil, and a ball, whichturns out to be the sphere of life. Sydney's apartment. Sydney comes inside.Sydney: Hey, there's a cabwaiting outside.Nadia: She wouldn't let me drive her to the airport. (she's standing next toSophia/Elena)Sydney: Is everything okay?Nadia: The Lisbon police called. It's safe for Sophia to gohome.Sydney: Oh, that's great. (gives Sophia a big hug) I'm so glad you came.Sophia: Thankyou.Sophia/Elena: Look at the two of you. Such beautiful and smart women. Before I make a fool ofmyself. . .(gives Nadia a hug)Nadia: Promise you'll come back.Sophia: Nadia, for you, anything. APOVaughn is watching Jack in his office. Jack is on the phone. Vaughn starts walking toward Jack's office.Marshall stops him.Marshall: Oh, hey, Vaughn. Could you sign this? It's for Weiss. His grandfather died.(wouldn't Vaughn already know something like that?)Vaughn: Yeah, actually, can I do it in a little bit? Ineed to ask Jack something first.Marshall: Oh, sure. No problem. (follows Vaughn as he continues toJack's office)Vaughn: Where are you going?Marshall: Well, I thought I'd go with you to get Mr. Bristow tosign this while we're in there.Vaughn: You know what? Actually, I need to see him alone. It's kind ofpersonal.Marshall: Oh. Uh, since when can you tell Mr. Bristow something you can't tell me?Vaughn: Thisis something I need to ask Jack. If you were Sydney's father, I could ask you, but you're not.Marshall:No, I'm not. I still don't understand what me not being Sydney's father has to do with you-Vaughn: (pullsout the ring and shows it to Marshall) Understand now?Marshall: Oh, my God. Hey, man.Congratulations. That's fantastic. I'm sure Mr. Bristow's gonna be thrilled.Vaughn: Really? I'm just hopinghe doesn't shoot him on the spot. (he goes to Jack's office)Jack: (on the phone speaking in foreignlanguage) No. You're not listening, General. (Vaughn walks in) We're not going to pay you. Because Idon't believe it exists. Fine (he hangs up and speaks to Vaughn in English) As if weapon-grade anthraxgrows on trees. What is it?Vaughn: Oh, if this is a bad time, I can-Jack: No, please. After dealing withthat Cechnyan lunatic for the past couple of hours, whatever business you have will be a welcomerelief.Vaughn: Well, we've, um. . .I know you're a man who- I know you're a man who respects tradition.As I do. And-Jack: Please get to the point, Agent Vaughn.Vaughn: I'm gonna ask Sydney to marry me,and I'd like your blessing.Jack: Perhaps you believe my recent illness has rendered me less coherent thanbefore, or that my cognitive faculties have been somehow dulled or diminished. Allow me to clarify thefacts for you, Agent Vaughn. While I've come to believe you're not as useless as I first imagined, I stilldon't feel you have- (alarms go off) CIA agents come in carrying boxes.Agent: Everyone please remainwhere you are. This is a warranted search.Jack: May I see that?Agent: (hands Jack a piece of paper)We've been authorized to confiscate all relevant materials.Jack: It's been signed by Director Chase.Sydney's apartment. Director Chase and CIA agents knock on the door and Sydney answers.Chase:Where's your sister?Sydney: What?Chase: I expect your full cooperation. (Chase and agents enter withboxes)Sydney: If Nadia's in some kind of trouble-Chase: Where is she?Sydney: In the shower. Agententers the bathroom. We hear water running. Nadia, wrapped up in a towel, knocks him out and takes hisgun. She slowly walks out.Chase: Stand down, Agent Santos. (Nadia gives her the gun)Nadia: What'sthis about?Chase: (to Nadia) Men are dead. Things are gone, and you've got some explaining to do. Theagents continue to search the apartment. They find numerous guns and knives hidden throughout theapartment. Nadia sits in a robe being interrogated by Chase.Chase: (shows Nadia's laptop to Nadia) Isthis yours?Nadia: Yes.Chase: Does anyone else use it or have access to it?Nadia: No.Chase: Not evenSydney.Nadia: I said no. Sydney has her own laptop. She also has- We see an agent interrogatingSydney.Agent: -an assault rifle, a 12-gauge shotgun, four handguns, two tazers, and a . . .secret drawerof knives. Let's start with the knives.Sydney: Let's start with you not wasting my time. Director Chasesays men are dead. What men? What does she think Nadia did?Chase: (to Nadia) We know you overrodethe DSR security system tonight.Nadia: What?Chase: Alarms on an access door were deactivated. Wetraced the override command to your laptop. And you just told me that you're the only one who uses"}
+{"doc_id":"doc_220","qid":"","text":"Act 1 Scene 1 - KACL Fade in. Frasier is on the air.Frasier: Welcome back, Seattle. Thank you for joiningus for this, our two thousandth show. Hard to believe, isn't it Roz?Roz: No, that feels just aboutright.Frasier: Ah, yes, well what a festive day this is. No stop has been un-pulled. I would like to take thisopportunity to acknowledge the anniversary luncheon spread supplied by our friends at Senor José Fong,home of the sweet and sour taco.Roz takes a bite of one.Frasier: And don't forget, a little later, we'll haveMicrosoft chairman Bill Gates, live in studio to congratulate me on my two thousandth show. Apparently,I hear through the grapevine, he is a big fan. Roz, what do we have next?Roz: It's time for anotherblooper.Frasier: Oh, well, I believe we're up to number four, as voted by you, the listeners. Here's whathappened when a certain producer... [Roz grins sheepishly] didn't realize her microphone was on, duringthe show...Roz plugs in a cart.Roz: [on tape] Now what the [beep] is this!? You call this a [beep]paycheck?! How the [beep] am I supposed to live on this [beep]!? I'm gonna have a little word with that[beep]- damn station manager, walking around here like he owns the mother-[beep]-ing place!Kenny hasentered during this last sentence. As Frasier and Roz are cracking up listening to the tape, he leans overthe guest mike.Kenny: Can't believe that wasn't voted number one.Frasier: Ladies and gentlemen, it'sour station manager, KACL's own Kenny Daly.Kenny: Listen, Doc, I got a special someone out therewho'd like to say \"Hello\".Frasier: By all means, let's bring him in, Kenny. Ladies and gentlemen, ourspecial guest has finally arrived. Please welcome...Bulldog Briscoe comes in and loudly barks, then hitshis air horn.Frasier: ...Bulldog!Bulldog: Great to see you, Doc. Hey, Roz.Roz makes a gesture of greetingthat looks suspiciously like \"Up yours.\"Frasier: Well, ladies and gentlemen, it's our old friend and formercolleague, Bob \"Bulldog\" Briscoe. Thanks for coming down and helping me celebrate my two thousandthshow.Bulldog: Yeah, yeah congrats. I didn't' think you'd last two weeks. Listen up, sports fans, Bulldoghere! I know what you're allthinking: Bulldog's been gone too long. How can you get me back on the air?Okay, listen up. You send your cards and letters of support to Kenny Daly, KACL, PO Box....Kenny stepsin and waves to Frasier and Roz. Bill Gates is with him.Frasier: Bulldog, our special guest hasarrived.Bulldog: PO Box 451, Seattle...Frasier: Bulldog! Would you and your noisemaker wait in Roz'sbooth?Bulldog: This is an air horn, Doc.Frasier: Yes, I was referring to that flapping hole above your chin,now get out!Bulldog leaves and Bill Gates comes in.Frasier: Ladies and gentlemen, let's please welcomeMicrosoft chairman Bill Gates. Good to see you, sir.Bill sits down in the chair in front of the othermike.Bill: Sorry I was late.Frasier: That's quite all right.Bill: I was just talking to an old friend.Frasier:Yes.Noel passes by the window and flashes Bill the Vulcan \"Live Long and Prosper\" sign. Bill gives him athumbs up as Frasier and Roz share a surprised look.Frasier: Well, I've got so many questions to ask you,why don't we just dive right in? I've been wondering, when did you first become a fan of my show?Roz:Excuse me, Warren from Kirkland is on line two.Frasier: Yes, Roz, I won't be taking any calls until afterMr. Gates has left.Roz: Actually, it's for Mr. Gates.Frasier: Well, go ahead, caller, you're on with Mr. BillGates.Warren: [v.o.] Yeah, hi, Mr. Gates. I bought your new Windows XP program and I'm about toinstall it as an upgrade. Do I have to make a boot disk?Bill: That's a very good question, you don't needto make a boot disk. You just put the CD in and it'll upgrade.Frasier: I hope that answers your question,Warren...Bill: It's a feature of XP, very quick, very smooth. Hey, this is fun.Frasier: Thank you for calling,Warren. Now, where were we?Roz: Can Mr. Gates take a few more calls? The board is lighting up! Wow,who knew we had a line seven?Frasier: Roz, I believe Mr. Gates is probably anxious to get on with theinterview?Bill: No, no, I'm happy to.Frasier: Very well. Go ahead, caller.Estelle: [v.o.] Wow, Bill Gates,this is so cool!Bill: Thank you.Estelle: Hey, I have a question about multi-lingual user interface add-ons.What are those?Frasier takes off his headphones and goes to Roz's side of the booth.Bill: Well, themulti-lingual add-ons let you run Windows in different languages. You can use it in German or...Frasier:Can you believe that egomaniacal gasbag? He's taking over my show!Roz: Don't you think you'reexaggerating just a bit?Bill: Who do we have next, Roz?Roz: We have Bob, from Freemont. He has aquestion about his laptop.Bill: Go ahead, Bob, I'm listening.The others happily watch as Frasier standsthere, fuming. FADE OUT. Scene 2 - Frasier's ApartmentFade in. Frasier comes into his bedroom, lays his"}
+{"doc_id":"doc_221","qid":"","text":"[EXT. LAS VEGAS (STOCK) - DAY][EXT. APARTMENT COMPLEX - DAY][SCENE_BREAK][INT. APARTMENTCOMPLEX - HALLWAY - DAY](The resident manager enters the darkened hallway of the apartmentcomplex with two prospective renters, STEVE and NANCY.)Stu Evans: You'll like this apartment. My wifesays it's the best of the lot. Now, the tenants moved out kind of quick so I don't normally showapartments before I've had a chance to look, so ... use your imagination.(He unlocks the door toapartment #103 and pushes it open for STEVE and NANCY to look at. They both step inside ... aghast atwhat they see. There's blood on the walls and on the floor.)Nancy: (to STEVE) Oh, my god. Call911.[SCENE_BREAK][INT. APARTMENT #103 - DAY](Camera close up of BRASS.)Brass: I worked in aslaughterhouse one summer. Looked a lot like this.(GRISSOM is also standing in the middle of the room.He's not looking at the walls, he's busy testing the blood.)Brass: (V.O.) The lease is in the name ofClifford Renteria. He lived here with his girlfriend till they snuck out in the middle of the night. Gee, Iwonder why.Grissom: For all we know, this is animal blood.Brass: Yeah, sure. Deer, sheep,llama.Grissom: A deer hunter comes home from the mountains drunk decides to play butcher clean hiskill. Chops his game up into oven-sized pieces for the winter. I mean, what does he care? He'srenting.(GRISSOM drops a small sample of the mixture into the hand-held test and waits for the results.BRASS uses his flashlight and shines it on the test. Results of the test indicate that the victim wasdefinitely \"human\".)Brass: Victim's human.Grissom: And a human has only eight pints of blood. So,whoever the victim is ... is now dead.HARD CUT TO END OF TEASER. ROLL TITLECREDITS.[SCENE_BREAK][INT. APARTMENT -- DAY](GRISSOM is looking through a small instrumentused to measure the blood spatter.)(QUICK CGI through the end of the instrument, up to GRISSOM'Seye, fade back down to the end of the magnifying lens to measure the blood spatter where 1 DIV = 1MM. 20X. Flash to white. Resume on GRISSOM looking at the blood on the wall.)Sara: (o.s.) Anyuniformity in the spray?Grissom: Well, by and large, the average diameter is about one millimeter.Sara:Blood drops this size are characteristic of high-velocity impact like gunshot trauma but there's no bulletstrikes on the walls ... ruling out murder by gun.Grissom: Just acquaint yourself, Sara. Don't interpretjust yet, okay?(SARA continues to look around the room. WARRICK is busy spraying luminol on the entirefloor. When he's finished, he puts the spray canister down.)Warrick: All right. Show time.(GRISSOMcloses the shades disturbing a single fly which buzzes off. SARA, WARRICK and GRISSOM wait while theluminol begins to glow.)Sara: This looks like a multiple. More than one vic. Acquainting myself.Warrick:Check out these \"voids.\" That's the real evidence.(From the top view of the room, the entire floor glowsexcept for certain \"voids\".)Grissom: Couch? We've only got 30 seconds till this luminol disappears.(SARAstarts taking pictures of the \"voids\" and anything else pertinent. GRISSOM kneels to get a better look atthe \"voids\" where he's standing.)Grissom: Television, maybe? A magazine?Sara: Triangle ... coatrack?Warrick: Guys ...(Right where WARRICK is standing is an irregular shaped \"void\".)Grissom: What doyou think that is?Warrick: Looks like it could be an electric saw.Grissom: High-velocity, smallspray.(Close up on the \"void\" of the electric saw as it disappears ... )[SCENE_BREAK][EXT. MOJAVEDESERT NEAR LAKE MEAD -- DAY](On the other side of the power lines, the hills are on fire. A helicopterflying by drops water on the flames. The camera travels low along the ground and moves upward as thehelicopter with red bucket passes by.)(In the background we hear radio static and various radio dispatchtransmissions.)Radio Dispatcher: 76 ROMEO, approaching ETS 4-NINER-SIX.Pine Ridge Command: 76ROMEO, you're right on it.76 ROMEO: Pine ridge command, go to white fire three. Dozer tender 1441. Airattack 140. O.V. Tens on order. Report to willow springs.[SCENE_BREAK](NICK and CATHERINE carryingtheir CSI kits, pass by a group of fire fighters to get to the crime scene.)Nick: Zero humidity, recordhighs. 'Tis the season.(They both meet up with DET. O'RILEY.)Catherine: Hi.Det. O'Riley: Hey. I don'teven know where to start with this one. Take a look at that. A scuba diver ... up a tree.(True to form,there's a dead person in scuba gear stuck up in a tree. The CSIs, DET. O'RILEY and DAVID PHILLIPS alllook up at the figure in astonishment.)Nick: Wow.Catherine: How the hell he'd got up there?(CATHERINEis holding yellow evidence markers in her hand and is looking on the ground for anything unusual.)Nick:"}
+{"doc_id":"doc_222","qid":"","text":"MYSTIC FALLS HIGH SCHOOL[The Mystic Falls High School football field is all decked out for thecommencement ceremony. It is deserted except for Kol, who stands at the podium, and the dead hybridsand witches from the Expression triangle sacrifices who approach him. He taps the microphone beforespeaking.]Kol: Welcome back. It was our deaths that allowed this day to come to pass - massacresperformed in the name of resurrecting the immortal, Silas. Twelve hybrids, twelve witches, the slaughterof innocents by the so-called hero protectors of Mystic Falls. They risked unleashing hell on earth for theirown selfish gains. And today that's exactly what they're going to get.TITLE CARD AND OPENINGCREDITSSALVATORE BOARDING HOUSE[Lexi is dancing and rocking out to Bon Jovi in the parlor whileStefan drinks some bourbon straight from the bottle. Damon enters.]Stefan: Damon! Help me celebratemy 17th high school graduation. [Damon turns off the music.] Hey, you remember my friend, Lexi, ofcourse?Damon: Lexi, back from the dead. Goody.[Lexi vamp-runs at Damon and pins him against thewall with a hand over his neck.]Lexi: What's up, buzzkill?Damon: [strained] Stefan, you're just gonna sitthere and let her enact her ghostly revenge?Stefan: You reap what you sow, buddy.Lexi: Let's be veryclear: whatever time I have left here, I sure as hell don't plan on wasting on you. You got me?Damon:Yeah. Got ya.[Lexi releases Damon and he gasps.]Damon: So if you and Ric and little Gilbert are allflesh-like and real-seeming, that means something went horribly wrong when Bonnie tried to put that veilup. And here you two are, having dance party USA.Stefan: You're right. How selfish of me to be indulgingin these precious moments with my formerly dead best friend. I should be sacrificing my own happinessfor the good of others, right? I should be upstairs grooming my hero-hair.Damon: Are you drunk?Stefan:I don't know, Mom, am I?[Taking the bottle from Stefan, Lexi chuckles. Damon snatches the bottle fromLexi.]Lexi: Okay.Damon: Well, I guess that's one way to celebrate our supernatural apocalypse. [Hetakes a swig from the bottle.] Now, care to hazard any guesses on what the hell went wrong?MYSTICFALLS HIGH SCHOOL[Bonnie is in the boiler room at the school, on the phone with Caroline who ismanning the yearbook table in a hallway of the school. The shots alternate between them.]Bonnie: I hitkind of a snag.Caroline: A snag? A snag is a bad yearbook picture. You hit a tsunami. Where areyou?Bonnie: I'm trying to fix it, but I'm running into some trouble. I need to wait until the full moontonight to have enough power to put the veil back up.Caroline: Are you telling me that we might graduateright smack in the middle of a ghost-filled Expression Triangle?[Bonnie glances down at her body lying onthe floor. Her grams is with her, looking at it, too.]Bonnie: Maybe we should just cancel.Caroline: No, weare not going to cancel. Graduation is the most important event of our lives, the last ceremony of ouryouth. It is our rite of freaking passage! Hell will freeze over before I let anyone cancelgraduation.Bonnie: Can you not make jokes about hell freezing over? We're not that far off from thatalready.Caroline: Just promise me that today is a friend day.Bonnie: Okay, I promise. I loveyou.Caroline: I love you, too.[They hang up.]Sheila: Go. I'll make sure no one finds your body. ButBonnie--Bonnie: I know. Okay? I know I need to tell them, I just can't. They've been through too muchalready.Sheila: I know, child. I was just going to say that... Make sure you say your goodbyes.[Bonniesmiles sadly.]THE CEMETERY[Alaric, Jeremy and Elena are eating lunch together.]Alaric: [through a fullmouth] Mm. Oh, my god.[Elena laughs.]Jeremy: Mm.Elena: No grease on the Other Side, huh?Alaric:You have no idea how much I've missed this. [holds up a bottle of bourbon] And this.[Elena takes thebottle.]Alaric: No, hey. Hey![Elena takes a swig.]Jeremy: She just got her humanity back. Let her live alittle.[Jeremy reaches for the bottle but Elena holds it away from him.]Elena: Hey, you wish.Jeremy: I'mdead - what are they gonna do, throw me in juvie?Alaric: Well, at least you'd have a place tolive.[Smiling, Elena starts throwing food at them.]Elena: You both suck!Alaric: Hey! Now there it is - thatsmile. I wasn't sure we were gonna see that again.[Elena is still smiling, but more sadly, her eyesglistening.]Elena: I did some pretty terrible things.[She takes a deep breath.]Jeremy: Hey, no. No tears.If Caroline was right, we only have until tonight. We need a no-crying rule.Elena: But the crying's good. Itmeans that I'm finally feeling something, and right now I... [she takes their hands in each of hers] I feelhappy.[They smile back at her. Elena's phone starts ringing. She takes it out and looks at it.]Elena: It's"}
+{"doc_id":"doc_223","qid":"","text":"[Scene: Magic School. In the great hall, Chris stands on the ladder and pulls out a book from thebookshelf. Paige and Gideon are below, writing a spell.]Chris: You know, your time travel section is duefor a serious overhaul. I mean, I can find more information Googling.Gideon: Googling?Chris: Nevermind. (Chris steps down.) Any luck with that spell yet?Paige: You mean since the last two minutes youasked me?Chris: Look, I'm just getting nervous here, okay? My birthday is in two days, and if I'm notoutta here before I'm bornPaige: What? Something bad you don't know about could happen?Chris: I justdon't want to take any chances. Besides, I came here and did what I had to do, and that was to saveWyatt. Now it's time for me to go home.(Piper and Leo walk in. Leo's pushing Piper's suitcase.)Paige:Sooner than you might think.Chris: Oh, no. No, no, no. Not yet. You're early.Piper: Oh, relax. I'm justgetting a jump on things. I'm not in labor. I'm sending some stuff back to the house.Chris: Just don'tscare me, okay?Leo: What's the matter? Isn't the spell ready?Gideon: I think it's ready. It shouldwork.Leo: Should work? What do you mean?Gideon: Well, there are no guarantees with time travel, Leo.You should know that better than anyone. Sorry. There's always a chance that something might gowrong.Leo: All right. We're not taking any chances.Chris: We might have to. I'm running out of timehere.Leo: No. I'm not sending you through a one-way portal unless I know where you're gonnaland.Gideon: You can never be certain, unless, of course, you went too. And even thenLeo: All right. Let'sjust forget the spell and start to work on that potion again.Gideon: But the spell has a better chance ofworking. It's the Power of Three.Leo: Yes, but if something goes wrong, he'll have extra potion with himand he can come right back.Piper: I agree. It sounds safer, so why don't you guys get to work on that?Paige, can you orb these home for me? Just squeeze them into the nursery or something.Paige:Nursery?Piper: You did clean out the nursery, right?Paige: Yeah. No. I was working on the spell. I'msorry.Piper: Well, you better hurry, or else Baby Chris will be sleeping in your room.Paige: Yeah, don'tworry. I'm all over it.(She goes over to the bags and orbs out.)Piper: Don't forget diapers. Lots ofdiapers.Chris: Okay. Gotta get outta here.[Scene: Gideon's office. Gideon comes in and closes the door.He goes over to a curtain and pulls it back, revealing a mirror.]Gideon: They're preparing to send the boyhome. (Gideon sits down in a chair. His reflection, Evil Gideon, stays standing.) It's time.Evil Gideon: Forour plan to work, we have to get the sistersGideon: And Leo and Chris out of the way. Don't worry. Wewill.Opening Credits[Scene: Outside Halliwell Manor. Phoebe gets out of her car and heads toward theManor. A woman walks over to her.]Woman: Hello, Phoebe. Excuse me, Phoebe. Hello.(Phoebe stops andturns around.)Phoebe: Hey, Mrs. Noble. What's up?Mrs. Noble: What's up is you parked in my drivewayagain.Phoebe: Yeah. Unfortunately, there's nowhere else to park.Mrs. Noble: So I should suffer?Phoebe:Well, you know, Piper's brining home the baby in a couple of days, and I did a little shoppingMrs. Noble:This is getting to be a real problem.Phoebe: You know what? Just do me a favor. Let me run inside andput these bags down, and then I'll come outside and move the car. (A police car pulls up.) You called thepatrol guy?Mrs. Noble: This is the third time this week you've blocked me.Phoebe: Yeah, well if yourdumpster didn't take up half the block, then I wouldn't have to park in your driveway.(Mrs. Noble's jawdrops. The patrol officer comes over.)Mrs. Noble: This is against neighborhood association rules.Phoebe:(To Patrol Officer) Excuse me, can you write her a citation for that ugly eyesore dumpster there,please?Patrol Officer: Homeowner's got a permit.Phoebe: I don't have time for this.(She leaves. PatrolOfficer places a ticket on Phoebe's car.)[Scene: Piper's bedroom. Paige is trying to put the bassinettogether. Phoebe enters.]Phoebe: Oh, look at how cute. I remember when baby Wyatt used to fit inthere.(Phoebe puts down her bags.)Paige: This is not cute. This is the bassinet from hell. Do you knowhow to put this together?Phoebe: No, that would be a Leo thing. I still can't believe we're bringing homea baby.(Paige sits on the bed.)Paige: Yeah, well, this baby's not gonna have anywhere to sleep.Phoebe: Iknow. What made us wait so long to do this baby room?Paige: We were busy trying to keep Wyatt fromturning evil.Phoebe: Here, let me help you.(She takes off her jacket.)Paige: Yeah, which I'm glad we did,but it just means that he's gonna need a bedroom.(Phoebe picks up the bassinet.)Phoebe: Yeah, well,even if he was evil, we'd need another bedroom.Paige: Yeah, but now with everybody coming home plus"}
+{"doc_id":"doc_224","qid":"","text":"(In a very odd dungeon-like room,the boys watch on a monitor as some scruffy cutie jerksoff in separatearea of the very odd dungeon-like room.)Ted: Internet Access, $38.00. Adult p0rn sitemembership,$29.95.Michael: Watching men jerk off in the comfort of your ownhome? Priceless.Brian:m*st*rb*t* the possibilities.Michael: All you're showing is a twink beating his meat.Ted: And you're pointbeing?Michael: Well there must be 8 dizillean gay p0rn site.Em: I personally had think about 7 dizillianp0rn site.Michael: What makes you're any different?Ted: Oh Ye of little faith. OK, imagine you're atyou'redesk and work for even Worthshafter and you're working onyou're calculations. It's do it 5, butyou're alreadydone. Let's be honest, you give a sh1t aboutcalculations.Em: Who's calculations?Ted: So,you're log on for a little afternoon delight.But suddently Mr.Workshafter bargins in and shot,\"Where isthat file?\" [he push \"F10\"]And voila.Brian: A non-cubicle dweller, that's really slick.Michael: Ultimate insafe s*x.Ted: JerkAtWork.net! For guys who don't only work...atwork.Em: I say he need something..bigger.Brian: He looks like he's doin' alright to me.Ted: Bigger, huh? OK, Robby it's time for you'rebreak.[Robbie huffs. Robbie puffs. And Robbie blows his wad allover himself. The Boys areimpressed.]Michael: Holy cumshot!Ted: Don't forget, you're back in ten minutes!Michael: He can comeagain in ten minutes?Ted: With withness by the jizzball. Proving that thehandjob is quicker than theeye.Brian: Yeah, well leave it to you to figure out how tofake an orgasm.[Cut to the Comic Book StorethatMichael brough, where Emmett and Vic are helping Mikeclean up and organize.]Vic: TheSquid?Michael: Uh, Issue and Year?Vic: Issue 21, 19...Michael: ...67. Right wall, row three.Em: Youknow, I think they should be classified by thesuperhero's fashion sense. Superheroes withtaste,superheroes that clash --Vic: Let's hope they never let you near the Library ofCongress.Michael:How did Buzzy run this place? Nothin' catalogueand inventory not existing. There is no in caps andwindowdisplay. This place is a f*cking mess.[Debbie comes in with drinks for all.]Debbie: Yeah and I would havekilled him when there's notbe a pleade either.Michael: What was I'm thinking to buy this place?Debbie:Who the hell I know? Shity old story with allmusty comics.Michael: Thanks for the pepp talk,Mom.Debbie: But it's your dream, sweetheart, and that's allthat matters.[A six foot something, bluebutton-down shirt, bluejeans, beaten brown leather jacket, glasses guy comes in.Sandy hair, chin cleft.Emmett gets so distracted by thatguy that he runs into Michael's chair and stubs his toe.]Michael: Em,what are you looking?Em: At him. This glasses. I just love the boyish type.Vic: There's so much to learnbetween the covers.Em: So, what do you think?Vic: Mike?[He eats some food.]Michael: Huh?Vic: Gay ornay?Em: Mmmh, the jacket and the shoes, the classic stuff. Isay straight.Michael: Sandman, Batman,Superman. If he picks up anX-Men, I say he's gay.Vic: I've go with Michael. Comic sense overfashionsense.[The man goes to Debbie.]Man: Excuse me, I'm looking for Wonder Woman.Deb: You foundher! Just kidding. You're looking for myson. He's the owner. Michael! You're got a customer!Michael: Hi,can I help you?Man: Yeah, yeah, I'm hope so. I'm looking for some comicbooks.Michael: Good thing youdidn't go next door, or you wouldhave gotten Lebanese takeout. Anything particularly?Man: Yes, actually.I'm looking for works based on theirnarrative, their graphics, cultural references,subtextual points ofview, that one might regard as --Michael: Gay?[Behind them, Emmett accidentally rings thecounterbell.]Man: Right. Right.Michael: Um, well let me see you're choices here. Can Imake somesuggestions?Man: Please.Michael: You may try Alpha Flight No. 106, whereNorthstar takes in a boy withAIDS or a highly recommandX-Force No. 56, where Rictor and Shadowstar are describedas being 'morethan friends.' There is one destiny you'relooking at.Man: Good.Vic: That's amazing how much Michaelknows.Debbie: What can I say? My kid is a genius![Art School. Dean Ryerson looksat some examples ofJustin's latest works. Posters ofexploding heads, exploding cars, dismembered stuff, inharsh black, white,and red.]Dean: These drawings are, uh, very disturbing.Justin: That supposed to be.Dean: A quitedifferent with the work you submitted whenwe accepted you.Justin: Well, I don't see things the sameway.Dean: Professor Stanly tells me, you're using a computer.Justin: It's the only way I can work.Dean:We're expect our students are master thetraditional disciplines.Justin: Sometimes the traditionaldisciplines can be ahandicap, too. And as much as I'm not loose my hand, Ithough I can never be an"}
+{"doc_id":"doc_225","qid":"","text":"[PREVIOUSLY_ON]Freya: If this prophecy is fulfilled, you will all fall... One by friend, one by foe, and oneby family. I suspect Niklaus is with your sister. Wherever you go, Aurora follows. I knew you would findme. Hello, my sweet love. I'm here for the same reason Lucien and Tristan are, to protect my sire. I needto know... Where in the hell is Rebekah?Rebekah: I will use the advantages this body has while I searchfor a way to bring back Kol, and then who knows?Marcel: My guys stayed on Tristan's trail, followed himto a secret storehouse, and you'll never guess who just bought that storehouse. One Lucien Castle.They've been working together the whole time. In the wrong hands, this stuff could destroy the city.Property of Nola PD. Evidence in a murder case. From the forensics from tonight's crime scene, onlyprints on the victim are yours. Cami O'Connell, you're under arrest.Aurora: In the moments before youasked me to flee with you, I saw your brother. He's lied to us all. And yet I love him. You must only seehim as the wretched monster that he truly is. What you did to Aurora, to me. You set my course! Youwant a fight, so be it.[SCENE_BREAK]Aurora: What are you doing over there? Come closer.Klaus: I thinkit's best you remain out of arm's reach.(Sighs)Aurora: So I take it you've heard about the busy dayeveryone's had. Let me take away that scowl. I'll tell you everything I know.[SCENE_BREAK](Churchbells ringing)Rebekah: I told you this was better than exchanging stuffy, old letters.Freya: Well, a drinkwith my sister beats sire line drama any day.Rebekah: Lucien's always been a pain in the ass, though hepails compared to that stuck-up twit Tristan.Freya: Oh, and don't forget about The Strix. There's more ofthem in the quarter every day. I may yet join you here in the flesh.Rebekah: Well, I would love thecompany, but I might not be here much longer. I have a meeting with a Santeria witch who may knowthe key to bringing back Kol.Freya: We may unite the family after all.Rebekah: Now tell me, how are youmanaging with them?Freya: Oh, Niklaus and Elijah are on intermittent speaking terms, which I'vedecided to consider progress.Rebekah: Just wait, luv. The weather will change. Now I am off to a witchrendez-vous.Freya: Stay safe.Rebekah: Here's to family, every bloody one of us.Rebekah: A warning, sir.If you're looking for trouble, you might want to think twice.Aya: That's the problem with a witch's body.You can't put up much of a fight when the real monsters come out.[SCENE_BREAK](Footsteps)Elijah:Aagh!(Thump)Freya: May I ask what happened?Klaus: We had a little chat about the past.Elijah: Ipolitely informed Niklaus that I'm not his enemy, and though they entered the city under the guise ofpeace, Tristan and Lucien in truth are allied against us, a fact that required a little bit of gentlepersuasion.Klaus: And so I reminded our brother who angered them in the first place.Freya: And after allof this civil discourse, what understanding did you come to?Elijah: That we expose and destroy our firstsired.Klaus: Couldn't agree with you more. You see, gentlemen know when it's time to call a truce andturn our fury in a more pertinent direction.[SCENE_BREAK]Will: Come on. For someone always giving mean earful, that was a very quite ride.Cami: What do you want me to say, detective? Well done! Thestreets of New Orleans are safe.Will: What I'd love to hear is a confession. It would make my jobeasier.Cami: I am not a serial killer, and while you're wasting time with me, the real murderer is still outthere.Will: Well, if I'm missing something, show me. Prove to me you're the victim, and I will protectyou.Lucien: Ah, ah, ah, ah. A cold-blooded killer? Camille, what a shocking turn of the cards!Cami:(Gasps) Ahh.Will: You should rest. We've got a big day ahead of us.Lucien: There weare.[SCENE_BREAK]Hey, Davina. It's me. I, um... I'm running a little late. I should be there soon. Onsecond thought, I'll be a little longer.(Clattering)You're not very good at tailing, are you? My talents lieelsewhere. Ah! Unh! Aah!(Groans)(Chokes)(Growls)Agh![SCENE_BREAK]Elijah: Ah, yes. Drinking withRebekah. Always an adventure.(Grunts)Freya: You seem more annoyed than usual.Elijah: It's Aurora.Her influence frightens me, and yet our hideously deluded brother seems to believe that she might be thekey to ending this wretched prophecy.Freya: If she's aligned with her brother, what chance does Nikhave?Elijah: None. Still, Niklaus believes that she can be swayed, although his perspective of familyloyalty is schizophrenic at best.Freya: Well, I don't get why Lucien and Tristan are working together.Aren't their sire lines direct enemies?Elijah: Well, a mutual lack of goodwill toward our family might notbe entirely unjustified. Hatred's a hell of a thing, Freya.Freya: Why? All you did was sire them. They don't"}
+{"doc_id":"doc_226","qid":"","text":"\"A Boy in a Bush\"[SCENE_BREAK][Fade in: Auditorium. From a podium on stage, Dr. Brennan is giving alecture to a large group of anthropology students. Behind her shines a slide showing a variety of whatlook to be skull fragments.]BRENNAN: As far back as 1938, the director of the F.B.I., J. Edgar Hoover,wrote to the then curator of the Jeffersonian Institution, Professor Daniel Payne, to aid in the evaluationof specimens who were thought to be irrefutably human. This was the result.[She changes the slide, anda drawing of an ape appears. The students laugh.]BRENNAN: Despite this early disagreement, the F.B.I.and the Jeffersonian have forged a mutually beneficial, if somewhat tense, relationship which survives tothis day. Thank you.[The students applaud and Goodman steps to the podium.]GOODMAN: Thank you,Dr. Brennan. Are there any questions?[A girl in the audience raises her hand.]OS: GOODMAN: Yes?[Shestands.]FEMALE STUDENT: How much money have you made from your book?BRENNAN: I don't reallyknow. I have an accountant and an agent-GOODMAN (cutting her off): That's not really the kind ofquestion we're looking for from an anthropology student.[A boy in the hand is called on.]OS: GOODMAN:Yes?[He stands.]MALE STUDENT: Did you get your agent before or after you wrote the book?[Brennanmoves toward the podium to answer, but Goodman speaks first.]GOODMAN: People, Dr. Brennan is anaccomplished forensic anthropologist who writes books on the side.[In the audience, Booth stands fromamong the students.]BOOTH: I have a question regarding role of the F.B.I. in your book: Who do youbase the brilliant and insightful Special Agent Andy Lister on?GOODMAN: Oh, for God's sake.BOOTH:Because, you know, I'm pretty sure it was me.BRENNAN: What are you doing here, Booth?[Cut to:Outside the building, Brennan and Booth are walking side-by-side toward the parking lot.]BOOTH: Localpolice got an anonymous call saying that there were human remains in a field behind a mall in thesuburbs.BRENNAN: I did an anthropological profile of the suburb as a grad student. The whole notion of acreated community, a modern utopia with its own mores and rules... It's fascinating.BOOTH: Fascinatingto who?BRENNAN: To \"whom\".BOOTH: Whom. (He sees the shiny, silver sports car they've walked up toand laughs) You've got to be kidding.BRENNAN: What? My publishers gave it to me.BOOTH: Gave it toyou?BRENNAN: Book sales are pretty good. It's supposed to be a nice car.BOOTH: Gave it toyou?BRENNAN: Yeah.BOOTH: Well, why'd you park crooked?BRENNAN: Well, the guy said to always parkit like that.BOOTH: He's wrong. It makes you look like an idiot.BRENNAN: How about I drive foronce?BOOTH: No, I cannot show up at a crime scene in that.BRENNAN: Why?BOOTH: Because it woulddetract from the gravity of my F.B.I. presence. Especially if you parked crooked.BRENNAN: Why is theF.B.I. involved in the search for human remains behind a suburban mall?[Booth pulls a paper out of hisjacket and hands it to her.]BOOTH: Because this boy is missing.[The paper is a missing person flier witha picture of a young boy on it.]BRENNAN: Oh... A child.BOOTH: Yeah.[Cut to: The field behind ClaytonHills Mall. The parking lot is filled with vehicles, among them squad cars and a coroner's van. Booth,Brennan, and Zack are speaking with a police officer.]POLICE OFFICER: Anonymous call came in a couplehours ago. No sign of him yet.BOOTH: How do you know it wasn't a prank?[The officer starts a recordingof the call.]GIRL (on cassette player): You have to come right away! There's, like, a dead kid here, allrotted away! It's in the field behind Clayton Hills Mall. You better come!BOOTH: Well, that ringstrue.BRENNAN: Why anonymous?POLICE OFFICER: Kids come here to party, misbehave.BRENNAN:Adolescents and preadolescents tend to seek out their own space to establish their own society, tocounter parental influence.POLICE OFFICER: You mind if I make an observation?BRENNAN: No, of coursenot.POLICE OFFICER: In your book, the cops come off as very one-dimensional. Why is that?BRENNAN:You mean two-dimensional.ZACK: One-dimensionality exists only in theory as a mathematicalvalue.POLICE OFFICER: Okay. Really looking forward to your next book.[He exits.]BRENNAN: Did youbring the thermal imager?ZACK: I don't think we need it.[Brennan gives him a look.]ZACK: It makes melook like the Great Gazoo.BRENNAN: I don't know what that means, but we definitely need it, Zack.[Hesighs and walks off.][Cut to: A bit later, in the field. Zack is wearing the thermal imager, which looks likea large orange and yellow helmet over his head. We see Booth and Brennan through his point of view, inyellows, greens, and reds based off of thermal heat.]BOOTH: How's it going there, Darth? See anything"}
+{"doc_id":"doc_227","qid":"","text":"Scene 1: Fangtasia - Longshadow, Eric, Pam, Bill, Sookie, GingerLongshadow tries to strangle Sookie.Ginger is shouting.Pam: Ginger, enough.Eric: Thank you.Before Longshadow could bite Sookie, Bill killshim. Ginger screams and vomit.Eric: Humans. Honestly, Bill, I don't know what you see inthem.CreditScene 2: In the toilets of Fangtasia - SookieSookie cleans up.Scene 3: Fangtasia - Pam,Ginger, Eric, BillGinger is cleaning the floor.Ginger: How did I end up with you people? Jesus. MotherMary in heaven. I'm so sorry, Mama. I'm so sorry.Eric: When Ginger is finished, glamour her for me.Pam:Are you sure? She's been glamoured one too many times already. Who knows how much of her isleft.Eric: It's either that or turn her. You want her?Pam: Please, I'm not that desperate. Glamour itis.Eric: Excellent. (To Bill) Come. I'll buy you a Blood.Scene 4: Fangtasia, in Eric's office - Eric, BillEricgives a bottle of True Blood to Bill.Bill: Thank you.Eric: How do you stomach that stuff? Don't you find itmetallic and vile?Bill: I don't think about it. It's sustenance, that's all. (Eric laughs) What?Eric: If you'retheir poster boy, the mainstreaming movement is in very deep trouble. Tru Blood. It keeps you alive, butit will bore you to death.Bill: Let's cut to the chase, shall we?Eric: You killed a vampire, Bill. For a human.What are we gonna do about this?Bill: What do you have un mind?Eric: I'll take the girl.Bill: No. You canhave anyone. Why do you want her?Eric: Why do you want her? You're not in live with her, are you?Bill:Sookie must be protected.Eric: That sounds like an edict. But it couldn't be, because I would know aboutthat. Admit it. You love her.Bill: If I hadn't done what I did, would you have let his disloyalty stand?Eric:Whatever I did to Longshadow, I would not have done in front of witnesses. Especially not vampirewitnesses. Not smart, Bill. Not smart at all.Scene 5: In Jason's truck - Jason, Amy, EddieJason: All I'msaying is, Lafayette didn't have to kidnap him. And I'm pretty sure he left with some V.Amy: Hey. If youwanna make the same arrangement with Eddie Lafayette's done, have at it. This is just the only thing Icould think of to get you blowing your first vampire.Jason: You done this before, haven't you?Amy: Donewhat?Jason: This. Kidnapping vampires. Jesus. I should have known something wasn't right the secondyou walked into my life carrying that big bag of crazy. Any woman with a purse that big's bound to havesomething in it I don't wanna know about.Amy: Jason. Baby, you're sweet, but you've gotta mellowout.She turns the radio on.Jason: The f*ck is this hippie music?Amy: Shh.Scene 6: In the toilet ofFangtasia - Sookie, Pam, GingerSookie continues to clean up. Pam arrives and gives her clothes.Pam: Putthese on.Sookie: Oh, thank you, but I'm fine, really. I'm just gonna dry out my hair and be on myway.Pam: You're not going anywhere. Eric and your boyfriend aren't nearly done talking just yet.Sookie:Os Bill in some kind of trouble?Pam: That's for the boys to figure out. Right now, what you need to do ischange out of your clothes. There's vampire in your cleavage.Sookie: Okay.Pam: Allow me.Pam removesthe peace of vampire of Sookie's cleavage.Sookie: Thank you.Pam: I'm beginning to understand the fusseveryone's making over you.Ginger enters.Ginger: Oh, hey there, Pam. Oh, who's your new friend?Pam:Ginger, Sookie. Sookie, Ginger.Ginger: Nice to meet you, Sookie.Sookie: Right. Nice to meet youtoo.Ginger: Oh, you don't have to be so scared. They're really very nice here.Scene 7: At Jason'sbasement - Jason, Amy, EddieJason: You got him?Amy: Yeah. Tape the windows shut. Here. Clear thisout. We gotta clear all this sh1t out.Jason: Lift his legs.Amy: Ready?Jason: How's this gonna go?Amy: Tiehis arm there. (She finds an oxygen masque) What?Jason: I guess I got a little paranoid after 9/11.Amy:No, because after New York and D.C., terrorists were gonna come to Bon Temps.Jason: And I said I wasparanoid.Amy: Get his feet.Eddie: What are you gonna do to me?Jason: Yeah, I was kind of wonderingthat myself.Amy: We're gonna drink from him.Jason: And then what?Eddie: Yeah?Jason (to Eddie):Dude, I got this. (To Amy) What's the plan?Amy: Jason, can you please try to live in the now withme.Jason angry: I do live on the now. In fact, I've gone entire months without thinking about sh1t. Butthe truth is, right now, the now kind of sucks. And if we both can't admit that, then we are 100 percentf******.Amy takes some blood from Eddie.Amy (showing the blood she took): Who wants the firsttaste?Jason: I ain't doing it. Not like this.Eddie (whispering): Thank you.Jason: I said, stop talking tome.Amy: Come with me, baby. Don't let your fear get in your way.Jason: Look, it ain't fear, all right? It'sjust... (low so that Eddie can't listen) He's looking me right in the eye. It ain't right. Look at him.Amy:"}
+{"doc_id":"doc_228","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars Veronica runs to the edge of the cliff in the wake ofthe bus crash in 201 \"Normal Is the Watchword.\" Dick and Beaver are standing back from the edge,gazing down. Gia is standing at the edge, stunned.GIA: It just went straight off the cliff. They're all dead.Veronica finds the audio file attached to the message \"Kill incorporation or else\" on one of the little usedcomputers in the Goodman house in 221 \"Happy Go Lucky.\"PETER: Woody's a pervert. He's sick. What hedid to us is wrong. Veronica plays the audio for Keith.VERONICA: Two of the boys who died in the buscrash were on Woody's Little League team. Keith challenges Woody in Woody's office.KEITH: Most adultskeep their hands off of other people's children. Lamb sits back at his desk, refusing to take action againstWoody.KEITH: You'll be the guy who let a child-molester and a murderer get away. In the courtroom,Lamb gives Keith the bad news.LAMB: Woody's gone. He took his private plane. At the high school,Weevil talks to Veronica.WEEVIL: My grandmother asked me for one thing, my whole life. She wants tosee me walk across that stage at graduation. A cloth-filled hand pops out from behind a vehicle, catchingThumper and covering his mouth and nose in 217 \"Plan B.\"THUMPER: [offscreen] It's Weevil, I'm tellingyou! Weevil stands over the unconscious Thumper at the back of the vehicle and takes his drugmoney.THUMPER: [offscreen] He set me up! Thumper, handcuffed to a urinal at Shark Field Stadium,pleads.THUMPER: I got something on you. A cloth is stuffed in Thumper's mouth by Liam Fitzpatrick. Cutto Logan depressing the plunger to detonate the explosives to bring the stadium down. At the sound ofthe first explosion, Thumper realises his fate. Cut to a confessional.WEEVIL: Bless me, Father, for I havesinned. Veronica dresses in the doctor's office in 220 \"Look Who's Stalking.\"VERONICA: I've gotwhat?DOCTOR: Chlamydia.At the front door of his house, Terrence hands Wallace a note in 221 \"HappyGo Lucky.\"TERRENCE: Jackie left for France this morning. At the alterna-prom, Logan, having poured inthe booze, pours out his heart to Veronica in 220 \"Look Who's Stalking.\"LOGAN: I thought our story wasepic. He moves in slowly to kiss her. Veronica panics.VERONICA: I have to go. Veronica stands at Logan'sdoor the next morning.VERONICA: I don't want to lose you from my life. Kendall makes an entrance inher bikini in 201 \"Normal Is the Watchword.\" At Neptune High, Beaver tells Veronica about hisstepmother as they walk across the empty lunch area in 203 \"Cheatty Cheatty Bang Bang.\"BEAVER: Mystepmom. She's a gold digger. Aaron has a deal for Kendall in 215 \"The Quick and the Wed.\"AARON:You're cash-strapped. I can help. But...quid pro quo, Mrs. C. Kendall takes a hair from Duncan'sshower.AARON: [offscreen] Quid pro quo. Aaron stares triumphantly at Veronica in 221 \"Happy GoLucky.\"JURY FOREMAN: [offscreen] We find the defendant not guilty. Veronica is near to tears. Endpreviouslies.EXT - COUNTY BUILDING - DAY.There is a huge crowd outside the building that houses thecourtroom. Most of the crowd are delighted, cheering and clapping.VOICE IN THE CROWD: Aaron! Thereare other various shouts and the crowd, fronted by the cameras and microphones of the press, surgesforward as Aaron comes out with his lawyers (except for Lavoie).VERONICA VOICEOVER: So this is how itis. The innocent suffer. The guilty go free. And truth and fiction are pretty much interchangeable. Aaronacknowledges the crowd happily.REPORTER: Mr. Echolls, how do you feel about your acquittal?AARON:I-I feel relieved to have my name cleared of this, this...horrible crime.The crowd cheers and clapsanew.VERONICA VOICEOVER: There is neither a Santa Claus nor an Easter Bunny, and there are noangels watching over us. Veronica and Keith are in the crowd, neither cheering nor clapping. Veronica isstaring at Aaron, her arms crossed in front of her, miserable. Keith tightens his hold on her.KEITH: Hey.He gently touches her chin to turn her head away and starts to lead her out of the crowd.VERONICAVOICEOVER: Things just happen for no reason. Aaron continues to enjoy the adulation of the crowd,holding up the victory V sign with both hands.INT - MARS INVESTIGATIONS (MI) - DAY.This image iswhat appears on the front page of the Neptune Register newspaper, under the heading \"EchollsAcquitted. Movie star found not guilty in teen's murder.\" Veronica slaps the paper down on herdesk.VERONICA VOICEOVER: And nothing makes any sense. Veronica, sitting at her desk, stares down atthe paper. Keith is standing next to her.KEITH: We will not do this. Keith reaches over her to take thepaper.KEITH: You can't let this stick in your head. He has to tug to get it out of her hands.KEITH:"}
+{"doc_id":"doc_229","qid":"","text":"(pans clanging)Man: Wakey, wakey! Rise and shine.Man 1: Who wants to fight, huh? Come on, get up.Pathetic. You're all pathetic! Who wants to fight? How about you? Come on! Hey, you!Man: Hey, leave usalone!Get up here, come on! Pathetic! Pathetic, pathetic! Hey, hey, hey. Hey, hey, hey, where's the fire,old-timer? Hey, hey, hey, hey. Come on, man, stick around. Have ourselves a good old-fashioned bumfight. I'm talking to you! Come on! Fight me! Huh? I said, Fi...(mansobbing)(screaming)(grunting)(breathlessly): Okay, okay.(groaning)(Taser crackling, man grunting)\u0000NCIS: LA 6x08 \u0000 Original Air Date on November 17, 2014[SCENE_BREAK]Sam: Yeah. Oh, that's good,baby.That's really good. Now, you remember the difference between obtuse and acute angles?Girl: Uh,not really. Okay, think about it, we went over this last night. Now, when something's small it's cute. So,an angle that's smaller than 90 degrees...Girl: It's acute.Sam: There you go. You're gonna ace this mathquiz.Girl: Yay! All right, Daddy's got to go, I lo...Girl: Love you, Daddy. Huh? I love you.Sam: I love you,too.Girl: Bye, Daddy. All right, beautiful. Bye-bye.Girl: Bye. Wow, that's, uh... father-of-the-year materialright there.Callen: You know, if you're not careful, she's gonna end up a mathlete just like her old man.Junior Math Olympian. How many times do I have to tell you that? Till it stops being funny. Which isnever.Sam: Okay, laugh all you want, but that's not what makes me father of the year, this is. You've puta GPS tracker on your daughter. We gave her a cell phone. Huh. Isn't she kind of young? The world's kindof dangerous. A cell phone lets me know where she is at all times, and she can contact me in case ofemergency. You know, it's about peace of mind, simple as that. All right, you know, as long as you're notsmothering her.(cell phone buzzes)I don't smother. Hey, baby, you okay? Something wrong? Hey,Daddy, can we have spaghetti for dinner tonight? You want spaghetti for dinner tonight. I want spaghettifor dinner tonight.Girl: Yeah, with meatballs.Sam: With meatballs. I'm coming over, I'm bringingMonty.Girl: Can you do it?Sam: Okay, Daddy can do that.Sam: Daddy will get you some spaghetti andmeatballs.Girl: Are you sure? Daddy can do anything, Daddy's a superhero. Thank you, Daddy, I loveyou!Sam: Okay, all right. I love you, too. Okay, bye-bye. Bye! Well, peace of mind-- spaghetti crisisaverted. You know, she's just starting, uh... She just got it, she's new to it. In a couple of days, youknow, she'll...(cell phone buzzes)Hmm. Sure she's not smothering you, Super Daddy? Baby, I have...Daddy, listen-- Knock, knock. Okay, who's there? Doughnut. Doughnut who? Doughnut ask, it's a secret.Great, look... You like it? You have to go to class, and Daddy has to go back to work.Girl: I love you.Sam:I love you, too. All right, sweetheart. All right, bye-bye.Girl: Bye, Daddy. Bye. Doughnut who? What's thepunch line?(whistling)Granger danger. All hands on deck.Deeks: Come on, what's the punch line?Sam-dog, what's the punch line? Don't do this, don't leave me hanging here. What's the punch line?Doughnut ask, it's a secret. Oh.(laughs)Oh, that is... that's actually pretty funny. That's a cute joke!Eric:Early this morning, LAPD was alerted to the body of a homeless John Doe in a North Hollywood alley. NoI.D., no police record, and no fingerprints on file. Well, that rules out a Marine or Navy vet. Not exactly,Agent Hanna. The man's fingerprints are on file, (cell phone buzzes) just not in any law enforcementdatabase. When LAPD scanned John Doe's fingerprints, it triggered a classified DoD alert.Granger: Hisname's Harrison Goodsell. Marine, member of the CIA Special Activities Division. Over the past twodecades, he's worked dozens of classified ops. Afghanistan, Russia. Even Iran and North Korea. Thepeople who worked with Goodsell called him The Grey Man. Wait, what's... what's \"The Grey Man\"? It's aterm used in special ops. A Grey Man is someone who has the skills to blend into any environment andremain unnoticed. Unknowable. Best way to avoid confrontation in hostile territory. But not 100 percenteffective. M.E. reports that Goodsell was tortured before his killers finished him off. Cut his throat. You'reworried someone got to the secrets in Goodsell's head. Years later, that kind of Intel could put Americanlives at risk. We should talk to some of his friends in Special Activities. I'll handle the CIA, Agent Callen.Your team should focus on the murder investigation. Sam and I'll check out the crime scene. Kensi,Deeks-- get his photo around to all the shelters, see if anybody knew him. Report all findings tome.Kensi: Sir? Do we know why Goodsell ended up living on the street? Well, CIA reports he had abreakdown last year. Diagnosed PTSD, multiple traumatic brain injuries. You know how the story goes."}
+{"doc_id":"doc_230","qid":"","text":"Scene: The comic book store.Leonard: It's from Game of Thrones. What do you think?Sheldon: I don'tknow. If we're going to start a fantasy sword collection, and I've long thought we should, is this really thesword to start with?Leonard: What did you have in mind?Sheldon: Well, off the top of my head, I'd haveto go with Excalibur. It gives you the right to rule England.Leonard: It would be a replica of a movieprop.Sheldon: Fair enough. It'd give you the right to rule a replica of England.Leonard: Well, they don'thave an Excalibur here, so what do you want to do?Sheldon: Mm. Tough decision. There's no weaponryfrom Lord of the Rings, forged in a Chinese sweatshop?Leonard: Just Bilbo Baggins' sword overthere.Sheldon: Two grown men with a hobbit's dagger; wouldn't we look silly? Okay, let's go for it.Stuart:Oh, I see you guys have found my little treasure.Leonard: Yeah. It's okay, I guess.Sheldon: Okay? It'smagnificent.Leonard: Buh-buh-buh-buh! What do you want for it?Stuart: Oh, it's hard to put a price onsomething that's a copy of something that was on pay cable. But for my friends, let's say 250?Leonard:Oh, that's pretty steep.Stuart: Well, it's a limited edition. They only made 8,000 of these badboys.Sheldon: Only 8,000? We're wasting precious time. Buy it.Leonard: Hang on. Can you do anybetter?Stuart: Are you kidding? I'm already giving you the friends and family discount.Sheldon: Oh, didyou hear that? We're getting the friends and family discount. We are honoured and we will takeit.Leonard: Slow down. Two hundred.Sheldon: What are you doing? Two fifty is already the discountedprice.Leonard: Will you shut up?Stuart: Tell you what, I'll go two thirty-five.Leonard: Nope. Maybeanother time.Stuart: Okay, two twenty five, my final offer.Sheldon: Take it, take it.Leonard: Twohundred.Stuart: Man, you're killing me!Sheldon: Killing you? I can't breathe.Stuart: Two ten, and I'mlosing money.Sheldon: Oh, now, we can't let him lose money, Leonard. I'm so sorry.Leonard: Two tenand you throw in the Iron Man helmet.Stuart: Are you crazy? That helmet's signed by Robert DowneyJr.Leonard: So?Stuart: Okay, if you're going to question the importance of an actor's signature on aplastic helmet from a movie based on a comic book, then all of our lives have no meaning!Leonard: Okay,fine. Just the sword, two ten.Stuart: Thank you. I can eat meat this week.Leonard: See that? I just savedus forty bucks.Sheldon: I've long said, what you lack in academic knowledge you make up for in streetsmarts.Stuart: You want me to wrap it?Leonard: No, it's okay. I'm gonna stab my friend in the chest.WilWheaton (entering): Hey, Stuart.Stuart: Ah, hey, Wil.Sheldon: Hello, Wil Wheaton.Wil: Hi, Sheldon. Nicesword.Sheldon: It's part of my sword collection. Do you have a sword collection?Wil: No.Sheldon: I'm notsurprised.Stuart: Here's the Batman 612 with the Jim Lee alternate cover that you wanted.Wil: Awesome.What do I owe you?Stuart: Forty bucks.Wil: Good deal.Sheldon: Sucker. Didn't even ask for the friendsand family discount.Wil: Hey, I'm having a party at my house on Friday, and I was hoping you would stopby.Stuart: Will there be girls there?Wil: Yeah, of course.Stuart: 'Cause there wasn't last time.Wil: Therewill be girls. You guys are invited if you want to come by.Leonard: Thank you.Wil: All right, great.Later.Sheldon: I see what you're doing. You accept an invitation to a party at the home of my swornenemy, he tells everyone we're going to be there, and when we don't show, he looks the fool. Fiendishlyclever.Leonard: I was actually thinking about going.Sheldon: And then declaring the party a fiasco andstorming out, leaving him humiliated in front of his guests. Love it.Leonard: No, I was gonna grab Rajand Howard and have a good time.Stuart: Oh, great, more guys. It's gonna be another Wil Wheatonsausage-fest. Credits sequence.Scene: The apartment.Leonard: Sheldon, can you grab me awater?Sheldon: Possibly.Leonard: Can you or can't you?Sheldon: It's not that simple, Leonard.Leonard:It never is, is it?Sheldon: At this moment, our relationship exists in two mutually contradictory states.Until you either do not go or go to Wil Wheaton's party, you are simultaneously my friend and not myfriend. I'm characterizing this phenomenon as Schrodinger's Friendship.Leonard: Got it. Can I have mywater?Sheldon: Of course. Now get it yourself, you traitor.Penny: Wait, what is going on?Sheldon: Incase you have forgotten, Schrodinger's cat is a thought experiment...Penny: No, no, no, no, I didn'tforget. Um, there's this cat in a box and until you open it, it's either dead or alive or both. Although, backin Nebraska, our cat got stuck in my brother's camp trunk, and we did not need to open it to know therewas all kinds of dead cat in there.Amy: Homespun stories, knowledge of physics and a bosom that defies"}
+{"doc_id":"doc_231","qid":"","text":"VERONICA VOICEOVER: Previously on Veronica Mars Lamb joins Keith and Veronica at a diner (from 102\"Credit Where Credit's Due\").LAMB: If it isn't my predecessor and mentor. Are you doing anything specialto mark the one year anniversary of Lilly Kane's murder?KEITH: Tell me again how you solved the crime.An anonymous tip. Did anybody show up to collect the reward? Do'ya find that strange?Cut to Mac lockedout of her car and Veronica opening it for her (from 108 \"Like a Virgin\").MAC: Damn it! Wow. That's reallycriminal of you.VERONICA: I'm Veronica, by the way.MAC: Mac.Cut to Veronica at her mother's safetydeposit box, looking at the pictures of her lined up in a gun sight and her observing Wiedman from hercar as he enters Kane Software (audio from 109 \"Drinking the Kool-Aid\", visuals from 105 \"You Think YouKnow Somebody\" and 109 \"Drinking the Kool-Aid\").VERONICA VOICEOVER: I know who's responsible forscaring Mom away from Neptune. Clarence Wiedman. The man who took surveillance photos of me. So ifJake Kane is my biological father, that information is going to be worth millions End previously. Open atthe Mars apartment as Veronica comes out of her bedroom, into the kitchen area where Keith isstanding.VERONICA: Good morning.Keith is intent on something he is reading and doesn't respond.Veronica looks over at himVERONICA: Or not.KEITH: You don't go to the oceanside bars that the collegekids hang out at, do you?VERONICA: I prefer the biker bar by the train station. I get more attentionthere.Keith isn't amused.VERONICA: I'm kidding. Why would you ask me that? Keith holds up anewspaper, the headline of which reads: E-String Strangler Strikes Again.KEITH: Twenty year old co-edwashed up dead on the beach. Veronica comes closer to take the paper and read the story.VERONICA:Scary. Wait. Wasn't this your case? I thought they caught this guy in Oakland two years ago.KEITH: Well,apparently they didn't. Everyone wanted to believe the Oakland strangler committed the Neptune crimestoo. It never quite fit. Oh, but it was so important for the mayor and the Chamber of Commerce to putthat scare behind us.Veronica casts a concerned glance at her father. Cut to Neptune High. Veronica andWallace are threading their way through the students in the outdoor lunch area, hot dogs inhand.WALLACE: People are really freaking out about this E-String Strangler. My mom is scared to drivehome alone. I told her this time she can be happy she's not the guy's type.VERONICA: My dad barely letme out of the house this morning.Another student, Jackson Douglas, butts in just as they reach an emptytable.JACKSON: I hear you do detective stuff for people.VERONICA: I do favours for friends.JACKSON: Ican pay.VERONICA: Sit down, friend. What can I do for you?JACKSON: I was hoping that you could findsome dirt on my parents.VERONICA: [In southern accent] Why Jackson Douglas, I do declare! [Normalvoice] You want me to dig up dirt on your own parents.JACKSON: I need leverage. They're crazy strict.They grounded me for two months for smoking up in my room.WALLACE: Apparently you've never spenttime in a black woman's house. Be glad you're still walking.JACKSON: Yeah, well, they act like they werealways perfect. And every little thing I do wrong is catalogued so they can rub my nose in itlater.VERONICA: Sure you can handle the truth? The '70s and '80s were not pretty decades for people.We've all seen the pictures.JACKSON: I can handle it.VERONICA: Now as for the small matter ofcompensation.They are interrupted by the sound of a string quartet playing the Beatles \"Happy Birthday\".They turn to watch as Madison Sinclair arrives at a table of her 09er friends and gasps.MADISON: I lovemy parents. She hands flyers out at the table.MADISON: All right. Come to my party. No need to bringgifts. Madison gasps again as a waiter arrives with a large birthday cake and sets it down on thetable.MADISON: Happy birthday to me. Madison, horribly coy and entitled, blows out her candles asVeronica and Jackson watch.VERONICA: The rite of fall. Madison Sinclair's birthday.JACKSON: Best partyof the year and I can't go because I'm grounded.WALLACE: Her parents must looove her.VERONICA:They really loved her, they would've gotten the real Beatles.Cut to a piece of paper upon which is written:Jackson's Parents' Jocelyn Aardwick Douglas Alan Douglas Veronica is working at her laptop in MarsInvestigations until interrupted.LAMB: [Offscreen] Veronica Mars. She looks up to see the sheriff standingbefore her in the company of a man in a suit. This man is the mayor of Neptune.LAMB: Is your daddyhere, or is he busy peeking in people's windows?VERONICA: You stop dressing up like Little Bo Peep, he'llstop peeking.MAYOR: Your father?Veronica, vaguely petulant, rises from her desk and sticks her head"}
+{"doc_id":"doc_232","qid":"","text":"[Scene: Capeside High, classroom. Dawson and Joey are in English class and the teacher is discussingShakespeare.]Teacher: The Two Gentlemen of Verona. Not one of the bard's best, but an interestingapprentice piece nonetheless. In the high-spirited Silvia, we see the first version of a character we'relater going to come to know as Juliet. In the 2 male characters Proteus and Valentine\u0000[Drue plays withJoey's hair]Joey: Next time, I draw blood.Drue: It's your own fault. I'm new here, and you're not beingvery nice to me.Joey: I'm not trying to be.Drue: But then again you don't strike me as very popular, soyou can turn around now. You're of no use to me.Teacher: I hate to interrupt, Miss Potter, but maybe youcould tell us what the two gentlemen of Verona is all about.Joey: Uh, well, it's a\u0000Teacher: could youraise the volume a notch? I don't speak mumble.Joey: It's about a girl who comes between 2guys.Teacher: Right you are. 2 guys, a girl, and no pizza place. [no one laughs]Uh, how did the playmake you feel, Miss Potter?Joey: I didn't think it was very realistic. I mean, Valentine is thiscardboard-cutout hero, and Proteus is unfairly painted as a villain. I just think these scenarios areactually a lot more complicated.Dawson: [Chuckles]Teacher: Mr. Leery, do I sense an opposing viewpointin your little chortle?Dawson: No, no. It was nothing.Teacher: Please, please. Elaborate.Dawson: Well,um, I don't think it's a story about a girl coming between 2 guys. I think it's about the friendship betweenthe 2 guys.Joey: Which fails when the girl comes between them.Dawson: It fails because one friendbetrays the other. I mean, Proteus is a lousy friend.Joey: Valentine isn't such a great guy. I mean, he'sso fixated on his honor that he totally loses sight of everything else around him.Dawson: He was willingto make the ultimate sacrifice. He gave up the girl he loved. You think that's a bad thing?Joey: I thinknothing about this topic is black and white, Dawson.[Drue raises his hands]Teacher: Drue.Drue: Geneand roger here have a fantastic energy, but they're sort of all over the place. Now I for one would love tosee them engage in a prepared debate about the merits of the play.Joey: Would you mind your ownbusiness?Teacher: I think that is a splendid idea. I've never generated so much heat out of what isarguably Shakespeare's worst comedy. And you know what would make it even better? If you teamed upwith them, Drue, threw your own viewpoint into the mix. I look forward to a lively debate from the 3 ofyou... Tomorrow.[Opening Credits][Scene: Inside Gram's kitchen. Jen comes out of her bedroom andwalks into the kitchen sher Grams is there holding an umbrella.]Grams: Jen, look at that. It's almost timefor me to be picking you up at school.Jen: I'm not even an hour late yet. That doesn't break myrecord.Grams: Skipping school is no way for a young lady to handle her problems.Jen: I had a lot of anyfemme music to weed through this morning, and I happen to resent the interruption.Grams: Those songsyou listen to only exacerbate your sadness.Jen: Well, then you're missing the point 'cause I'm not sad.No, I've moved on from sad. I am currently in the thick of pissed off.Grams: Good! Then you'll recognizemy attitude if you pull this routine one more time.Jen: What happened to the kinder, gentler grams? Imiss her.Grams: Oh, Jennifer, I'm not so old that I don't remember how important seeing your fall termis.Jen: Old enough to call it fall term.Grams: Much of what your next 4 years will be decided now,Jennifer, and I will not let a momentary heartache squander any opportunities you may have. I'm herebyputting a 48 hour cap on your melancholy.Jen: You can't cap my melancholy.Grams: Watch me. Nowhere. Stay dry.Jen: Have you looked outside today? 'Cause it happens to be beautiful.Grams: Today is ared-letter day in the farmer's almanac. Rain is definitely predicted.[Scene: Capeside High Hallway.Dawson and Joey are walking out of class and stop by her locker.]Dawson: So, leery manor or the B&B?Where you want to get together?Joey: Dawson, are you ok with this?Dawson: Well, rather than debatethe awkwardness of the situation, I'd much prefer we just got it over with.Joey: Ok. Well, um, I have towork. So you're going to have to come down to the yacht club.Dawson: Ok. Are you going to be able to,uh, focus down there?Joey: Ha. Yeah. The place is a tomb on Thursday nights. Well, except for one oldgeezer who always shows up for the prime rib special.Dawson: All right. Sounds cool. I'll see youlater.[Pacey walks towards them with Jen and upon seeinf him, dawson leaves]Pacey: Someone couldn'thave high-tailed it out of here fast enough.Joey: And you are in such a race to start conversation withhim?Jen: Mmm. She's right, Pacey. One day one of you is going to have to put an end to this great era of"}
+{"doc_id":"doc_233","qid":"","text":"Scott: Damn it.Scott: Oh, crap.Scott: No. No, stop.Derek: You're dead.Scott: What - what the hell wasthat?Derek: Said I was gonna teach you. I didn't say when.Scott: You scared the crap out of me.Derek:Not yet.Scott: Okay, but I was fast, right?Derek: Not fast enough.Scott: But - but the car alarm thing,that was smart, right?Derek: Till your phone rang.Scott: Yeah, but that was - I mean - Would you juststop? Please? What happened the other night, Stiles' dad getting hurt, that was my fault. I should havebeen there to do something. I need you to teach me how to control this.Derek: Look, I am what I ambecause of birth. You were bitten. Teaching someone who was bitten takes time. I don't even know if Ican teach you.Scott: What do I have to do?Derek: You have to get rid of distractions. You see this? Thisis why I caught you. You want me to teach you? Get rid of her.Scott: What, just because of her family?Wait - wait - whoa - whoa!Derek: You getting angry? That's your first lesson. You want to learn how tocontrol this, how to shift, you do it through anger, by tapping into a primal animal rage, and you can't dothat with her around.Scott: I can get angry.Derek: Not angry enough. This is the only way that I canteach you. Now, can you stay away from her? At least until after the full moon?Scott: If that's what ittakes.Derek: Do you want to live? Do you want to protect your friends? Yes or no?Scott: Yes. If you canteach me, I can stay away from her.Allison: Take it off.Scott: You're okay with that?Allison: Are you okaywith it?Scott: You're asking me if I'm okay with taking off your clothes?Allison: Stupid question.Scott:Like, world record stupid.Allison: You first.Allison: Just a second.Kate: Allison.Allison: Uh, coming.Coming. Okay, uh.Kate: Hey.Allison: Hey.Kate: What's up?Allison: Uh, nothing. Just doing homework,sending some emails.Kate: Emailing the boyfriend?Allison: No. I'm emailing peta about how my wing nutfather gunned down an innocent mountain lion in the school parking lot.Kate: And that wouldn't haveanything to do with the fact that you're grounded and you can't see Scott?Allison: I'm not gonna be oneof those whining teenagers who looks at her father and says, \"I hate you. I wish you were dead.\"Kate:But -Allison: But - I hate him and I wish he was dead.Kate: See, now you're starting to sound like anormal, angry teenager. What are you working on? Can I help?Allison: Uh, a history project, and I justwant to be left alone, actually.Kate: Come on. What kind of history project?Allison: I have to come upwith a report that has some relevance to my own family history.Kate: Specific to your family?Allison:Why? Do you have any ideas?Kate: Type this in: \"La Bete du Gevaudan.\"Allison: The beast of Gevaudan.What is this?Kate: It's an old French legend that, believe it or not, has something to do with yourfamily.Allison: \"In 1766 in a province of Lozere, la Bete killed over a hundred people.\"Kate: Mysteriousanimal attacks, just like a certain town called beacon hills.Allison: So what was it? The animal?Kate:Nobody knows for sure, but I can tell you one thing. It definitely wasn't a mountain lion. What's it looklike to you?Allison: It looks like - A wolf.Scott: Derek? I - I know I said I would stay away, but you brokemy phone. I had to at least tell her why I wasn't answering. Derek?Scott: You seriously need to stopdoing that.Derek: So what happened? Did he talk to you?Scott: Yeah. We had a nice conversation aboutthe weather. No, he didn't talk.Derek: Well, did you get anything off of him? An impression.Scott: Whatdo you mean?Derek: Remember your other senses are heightened. Communication doesn't have to bespoken. What kind of feeling did you get from him?Scott: Anger.Derek: Focused on you?Scott: No, not -not me. But it was definitely anger. I could feel it. Especially when he drew the spiral.Derek: Wait, thewhat? What'd you just say?Scott: He drew this spiral on the window of my car, in the condensation, youknow? What? You have this look like you know what it means.Derek: No, it's - it's nothing.Scott: Wait -wait - wait - wait a second. You can't do that. You can't ask me to trust you and then just keep things toyourself.Derek: Doesn't mean anything.Scott: You buried your sister under a spiral. What does itmean?Derek: You don't wanna know.Scott: Stay away from Allison. Stay away from Allison. Stay awayfrom Allison. Stay away from Allison. Must stay away from Allison. Just stay away from Allison. Stay awayfrom Jackson. Just stay away from Jackson.Lydia: Hey, Scott.Scott: Oh, come on!Scott: Still not talkingto me? Okay, can you at least tell me if your dad's okay? It's just a bruise, right? Some soft tissuedamage? Nothin' that big - You know I feel really bad about it, right? Okay. What if I told you that I'mtrying to figure this whole thing out, and - That I went to Derek for help?Stiles: If I was talking to you, I'd"}
+{"doc_id":"doc_234","qid":"","text":"Isaac: Um - so far it's an \"A\" in French and a \"B\" minus in Econ.Mr. Lahey: Oh. What aboutchemistry?Isaac: I'm not sure. Uh, midterms are in a few days so it could go up.Mr. Lahey: Well, what's itat now?Isaac: The grade?Mr. Lahey: Uh, yeah.Isaac: Uh, I'm not sure.Mr. Lahey: But you just said itcould go up.Isaac: I just - uh, I meant generally.Mr. Lahey: You wouldn't be lying to me, would you,Isaac?Isaac: No.Mr. Lahey: Then tell me your grade.Isaac: I just told you, I don't know.Mr. Lahey: Youwanna take this little conversation downstairs? No? Then tell me the grade, son.Isaac: Dad, thissemester's only half over.Mr. Lahey: Isaac?Isaac: There's plenty of time -Mr. Lahey: Isaac.Isaac: It's -it's a \"D\".Mr. Lahey: All right. It's a \"D\". I'm not angry. You know I'm gonna have to find a way to punishyou though. You know, I have my responsibility as a parent. So we'll start with something simple, like, uh- Tell you what, you do the dishes and you clean up the kitchen, okay?Isaac: Yeah.Mr. Lahey: Good.Because I - I'd really like to see this place spotless. Know what I'm saying? You know? I mean this entirekitchen. Yeah! Yeah, absolutely - Spotless. Well, that was your fault.Isaac: You could have blindedme.Mr. Lahey: Shut up! It's a scratch! It's hardly even - Isaac. Isaac!Jackson: Freaks.Mr. Lahey: Isaac!Isaac! Isaac. Isaac? Isaac? Okay, that's enough. Let's go! That's it, grab your bike and let's go! Isaac?Holy - ! Aah! No! No! No! Aah! No! Aah! No! No! No! No!Allison: Hey.Scott: What are you doing?Allison:Just trying to find you.Scott: Did anyone see you leave?Allison: No. No one, I was careful. What's wrong?Is it the full moon tomorrow night?Scott: No. No, it's not that. Um, I just wanted to ask you some things.About your - um, your family. Actually, your grandfather.Allison: Okay, but I don't really know him. Imean, he's kind of just a guy who sends a check in the mail every year for my birthday.Scott: Does heknow about me? About us?Allison: No, my dad hasn't said a thing. What is it? Did something elsehappen?Scott: We just need to be a lot more careful now.Allison: They're not gonna split us apart.Scott:Not us. Sure no one followed you?Allison: Totally, absolutely, 100 million percent sure. My parents areout, anyways.Scott: Out?Allison: Yeah, it's date night.Principal: Can I help you?Chris: Well, I hope so,Principal Thomas. As a concerned parent, uh, I was wondering - how long has it been since your lastperformance review?Principal: What?Chris: We were wondering.Victoria: Are you aware there's been analarming drop in academic achievement and test scores over the past few semesters?Principal: Excuseme?Victoria: It's led the parents of Beacon Hills to the unfortunate conclusion that you may no longer besuited to the position of school principal.Principal: You can't fire me.Victoria: True. But we can tortureyou.Isaac: Derek? Derek!Derek: What's wrong?Isaac: My dad. I think he's dead.Derek: What did youdo?Isaac: That's the thing. It wasn't me.Scott: I'm serious. It's not like the last full moon. I don't feel thesame.Stiles: Oh, does that include the urge to maim and kill people like me?Scott: I swear I don't havethe urge to maim and kill you.Stiles: You know, you say that now but then the full moon goes up and outcome the fangs and the claws and there's a lot of howling and screaming and running everywhere, okay?And it's very stressful on me and so yes, I'm still locking you up.Scott: Okay, fine. But I do think I'm inmore control now. Especially since things are good with Allison.Stiles: Okay, I'm aware of how goodthings are with Allison.Scott: They're really good.Stiles: I - thank you, I know.Scott: I mean, like, reallygood.Stiles: All right, I get it! Just please shut the hell up before I have the urge to maim and killmyself.Scott: All right, did you get something better than handcuffs this time?Stiles: Yeah, muchbetter.Coach: Part of me wants to ask. The other part says knowing will be more disturbing than anythingI could ever imagine. So - I'm gonna walk away.Stiles: That's good. That's a wise choice, coach.Stiles:You okay? Scott.Scott: There's another. In here, right now.Stiles: Another what?Scott: Anotherwerewolf.Allison: You really don't remember anything?Lydia: They called it a fugue state, which isbasically a way of saying \"We have no idea why you can't remember running through the woods nakedfor two days.\" But personally, I don't care. I lost nine pounds.Allison: Are you ready for this?Lydia:Please. It's not like my aunt's a serial killer.Allison: Maybe it's the nine pounds.Scott: It was kind of like ascent, but I couldn't tell who it was.Stiles: What if you can get him one - on - one? Would thathelp?Scott: Yeah.Stiles: Okay. I think I got an idea.Matt: You need a digital camera?Jackson: Yeah. Andsomething that can record in low light. All night long.Matt: What are you recording?Jackson: Something"}
+{"doc_id":"doc_235","qid":"","text":"[ Enchanted Forest - Past Year ][SCENE_BREAK](A carriage, escorted by knight, crosses a forest. It isstopped by Hook.)Knight: Whoa! And just who might you be?Hook: I'm the man who's going to relieveyou of that chest full of gold you are transporting.Knight: You and what army?Hook: Well, I'm glad youasked.(Lights are lit.)Hook: Your choice. Save your lives or the gold.Knight: Retreat!(The knightleaves.)Hook: Smee?! Those arrows took a lot longer to light than discussed.Smee: It wasn't easylighting all of them by ourselves, captain. Maybe if we had an actual army...Hook: And share in thespoils? I think not.Smee: I got to say, it's good to be at your side again, sir, and... Not as a rat.Hook:Well... that's a lovely side effect of the curse breaking for you, I'd imagine.Smee: I did like the mobility,but being a human is good, too.Hook: What did I tell you, mates? You don't need a ship to be apirate.[SCENE_BREAK](At the tavern.)Hook: One more, one more!(Oh!)Hook: To the most clever,dastardly band of pirates to ever set sa... Stride on the open roads!Smee: To captain Hook!Everybody:Hey!Smee: Wait, wait, wait, wait, wait, wait, wait, wait! The boys and I chipped in...Hook:Mm-hmm.Smee: And got you something.Hook: Oh. Mr. Smee. How did you know?Smee: Enjoy. Tocaptain Hook!Everybody: To Hook!Smee: Come on. One more.(Outside the tavern. Hook gives theprostitute some money.)The prostitute: I don't... Understand. Your men took care of me.Hook: Andtomorrow, you shall tell them that you had a grand time. Good night.(Hook is walking in the street andhe is hit by Ariel.)Hook: Aah.Ariel: Move, and I'll slit your throat.Hook: Not a good plan for you. I'mguessing you don't know who I am.Ariel: I know exactly who you are, Captain Hook.Hook: Well, then, I'mat a disadvantage.Ariel: My name's Ariel. And you're gonna pay for what you've done.[SCENE_BREAK][Storybrooke ][SCENE_BREAK](At Charming Family's loft.)David: I've seen enemy battle plans that wereeasier to decode than this.Emma: Let me see. All right, it says \"take screws 'E' with washers 'D' \"throughbar 'C' using wrench 'F, '\" which is... Not provided.Mary Margaret: Why don't you just call Marco? He'sreally good at this sort of thing.Emma & David: No!David: No. We're fine.Mary Margaret: Should we evenbe doing this? Ever since the showdown between Regina and the Wicked Witch, we haven't seen Zelenaor Gold at all. Shouldn't we be focusing on her next move?Emma: We are. We just can't stopliving.David: And this crib is a statement. We're not gonna lose another baby.(Regina comes in.)Regina:And, thanks to me, you won't. I'm finished.David: So? Did it work? Were you able to put up a newprotection spell?Regina: One that can't be undone by blood magic, which means Zelena won't be able toput her hands on that baby.Mary Margaret: Any idea why she would want to?Regina: The number ofspells involving baby parts would surprise you. That greenie is clearly one twisted witch. But as long aswe're in here, we're safe.Emma: That's useless. I think we need to stop playing defence and start takingthe fight to her.Regina: Did you not see how I barely outwitted her yesterday? She has magic... Powerfulmagic.Emma: I have magic, too. You've seen me use it. I just can't always control it. But if we teamedup, if you... Taught me...Regina: Now, why does this feel so familiar?Emma: I'm ready this time.Regina:Okay. But if we do this, we do this my way. This isn't drinking stale coffee at a stakeout or... Whateveryou did as a bail bondsperson. This is a way of life. You have to fully commit to it.Emma: Not aproblem.Regina: Meet me at my vault in two hours.(Regina leaves.)Emma: And no complaining. I'mdoing this. It's the only way. And yes, I will be careful.Mary Margaret: We know.David: Don't worry. We'llwatch Henry when he gets back from the store.Emma: Actually... I'm not sure that's the best idea.MaryMargaret: What? What is it?Emma: Well, you guys are tired. You need to rest.Mary Margaret: I'mpregnant. I'm not sick with the flu.Emma: Yeah, I know. It's just, um... Well, it's... \"Cradle cap.\" Lasttime you guys had him, you overwhelmed him with baby tips. He's 12. He's doesn't want to talk aboutpregnancies. It's not fun.Mary Margaret: Oh, we're fun.Emma: Well, I'm just saying maybe Henrydisagrees.Mary Margaret: No!Emma: He'll get there. You got to remember, he doesn't know who youare.David: Well, if we're not fun, who is?[SCENE_BREAK](Hook is waiting for Smee at theharbour.)Smee: Captain Hook. Captain.Hook: It's about time, Mr. Smee. You know how much I abhorwaiting. What is it that's so urgent?Smee: It's just, um, me and the men were talking about how wehaven't seen much of you since we all ended up back here.Hook: Is there a point to that rather odd"}
+{"doc_id":"doc_236","qid":"","text":"\"To Serve and Protect\" 33rd Episode of RoswellProduction Code: 2ADA11[SCENE_BREAK](Episode openson Max and Isabel at home flipping through television channels)Isabel: There's nothing on.Max: We musthave 50 channels.Isabel: Crap. . .Crap. . .Max: Uh Huh.Isabel: Boring.Max: Uh Huh.Isabel: I'm going totake a stroll; see what people are dreaming.Max: Haven't you been over doing that lately?Isabel: Take iteasy. It's harmless.Max: It's just not a very nice thing to do.(Isabel leaves, Max yells after her.)Max:Stay away from Liz, please.(He continues flipping through channels)Max: Crap. . .Crap. . .Crap. . .(Isabelis on her bed looking through her yearbook and stops at Liz's picture. We enter Liz's dream at theCrashdown. A young man enters.)Brad: Hello, Liz.Liz: Hello, Brad.(Brad lifts her up, and sets her on thecounter. Liz lies down.)Liz: Would you like fries with that.(Brad and Liz start kissing. Max shows upbehind the counter)Liz: I'm with Brad now.Max: Brad doesn't even exist. Besides, you want someone whocan do this.(Max gestures toward the ceiling and rose petals start to fall. Liz and Max kiss.)Liz: Ohmy!Isabel: Even her romantic dreams are boring.(Back to Isabel's room. She looks through the yearbookagain and stops on Kyle.)Isabel: Kyle's got to be more interesting than that.(We enter Kyle's dream. He'son a mountaintop in a Lotus position with BUDDHA.)Buddha: Remember young blossom, my mostimportant words.Kyle: Yes, master.Buddha: To thine own self be true.Isabel: It's Shakespeare.Buddha:With every inhale find the center of yourself. With every exhale release the ties that bind your energy.Inhale. . .Exhale. . .Inhale. . .(BUDDHA is interrupted by a cell phone beeping.)Buddha: Excuse me.BUDDHA here. Yeah. When? Prepare the ship. Standby to beam us aboard.Kyle: Master?Buddha: Ourenemies have arrived, Kyle. We must leave Earth and face the dark legion.Kyle: No, no, no, no. I'm herefor inner peace, not that science fiction crap.Buddha: Max Evans changed you when he saved your life.You know that. You're an alien now Kyle. Dude, like, accept you destiny.Kyle: No, I'm not!(Kyle looksdown at his hand and it has become green and slimy.)Kyle: Ahhhhh!(Switch back to Isabel's room, whereshe enters another dream in a forest with flashes of light.)Isabel: Where am I? Kyle, who's dream isthis?(We see a man dragging a screaming girl in a black plastic bag. Isabel wakes up in a panic.)(Openingcredits)(Open on Sheriff Valenti's office, the next morning.)Voice (O.C.): Excuse me. I'm looking for abroken-down, old, war-horse somehow managed to make Sheriff of Roswell, New Mexico.Valenti:Hansen, send that sanctimonious paper-pusher in here before I have him arrested for vagrancy.(Manenters)Dan: Damn son, you are getting old.Valenti: Real police work will do that to you, Dan. You shouldtry it some time.Dan: Now, that hurts. Long time, Jimbo.Valenti: Too long. So, I take it this isn't a socialcall.Dan: The state police board wants to review the Hubble shooting. VALENTI: Hubble? Well, it's anopen and shut case. Crazy old man with a gun in the desert. It was over a year ago. Why investigatethat?Dan: Wheels of justice grind slowly.Valenti: Do I need a lawyer?Dan: Whoa, easy, no need to get allriled up now.Valenti: That was a clean shoot, Dan.Dan: If you say so.(Change to Crashdown. Tess ishaving breakfast with Kyle. She pours Tabasco sauce on her waffles with whip cream and strawberries,and in her orange juice.)Kyle: That's a very alien thing, isn't it? The very sweet, very spicy? TESS: Uhhuh.Kyle: Can I try a bite?Tess: You won't like it.Kyle: Oh, I hope not.(Kyle takes a taste)Kyle: Oh myGod.Tess: I told you.Kyle: No,no,no. It's not completely horrible. It's almost tasty.Tess: Oh well, here.Have some more.Kyle: No, no, I can't. This is so wrong. I'm not ready for this.Tess: Not ready forwhat?Kyle: For the change. Not ready to be, like, a half-human, half-alien freakazoid.Tess: Uh, we preferthe term 'hybrids'.Kyle: I'm serious. Look, I never bargained for this. One minute I'm a normal guy withmy whole life ahead of me the next thing I know, Max Evans transmogrifies me into somethingnot-of-this-Earth.Tess: Whoa, whoa, trans-what?Kyle: Look, I never asked for this.Tess: Well, I supposehe could have let you die. Is that what you want? KYLE: If I had died, I would have transcended themortal plane and been reincarnated into the next stage of my life.Tess: Reincarnated as what,exactly?Kyle: Like, just another person or animal, maybe.Tess: An animal? Like, you could have endedup a gopher or something! KYLE: Look, we're getting off the point. I really need some help.Tess: What doyou want from me? I don't know what's going to happen to you. You know, maybe nothing will happen.Or maybe you could develop superpowers and start flying all over Roswell in a big cape. I don't"}
+{"doc_id":"doc_237","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: EXT. KING PRIAM'S PALACE. BALCONYCASSANDRA: Then woe tothe House of Priam. Woe to the Trojans!PARIS: I'm afraid you're a bit late to say 'whoa' to the horse! I'vejust given instructions to have it brought into the city.[SCENE_BREAK]2: EXT. PLAIN OF TROY(The horsemoves slowly forward to the city. At its feet, the excited, but doomed crowd can beheard.)[SCENE_BREAK]3: INT. CHAMBER OF KING PRIAM'S PALACE(All except VICKI have come backfrom the balcony and back into the chamber. She is nowhere to be seen but her absence is notimmediately noticed.)CASSANDRA: Of all the idiocy! To have it brought into the city!PARIS: (Despairing.)Why? Th...that horse is in the image of one of our gods!CASSANDRA: It's a trick. My dreams have alwaysbeen right and they foretell disaster.(PARIS laughs in a sneering fashion.)PARIS: Now were they rightabout that little temple? That has brought us nothing but good luck.CASSANDRA: Good luck you call it.The whole family besotted by that sorceress!PRIAM: Oh, I do wish you'd stop calling Cressida that. And Iwould call it luck to have the entire Greek army removed from our shores. Peace, at last! Though thearrival of the horse is a little puzzling.PARIS: Well, Cressida probably arranged it and the very sight of itjust...just frightened the Greeks away.(TROILUS looks round at this reminder.)TROILUS: (Puzzled.)Where is Cressida?(The others also glance round the room.)PARIS: Oh, she's probably down in thesquare watching them bring in the horse.TROILUS: Oh, then I'd better go and look for her. I don't like herto go wandering round the city on her own.PRIAM: No, bring her back up here again she'll get a betterfulview.(As TROILUS leaves and PRIAM and PARIS go back up to the balcony, CASSANDRA moves to theback of the room where KATARINA, a handmaiden, is standing and whispers to her.)CASSANDRA:Katarina! Go and look for the sorceress. I don't trust my lovesick brother.KATARINA: But great priestess,the auguries said that...CASSANDRA: (Hisses.) Do you dare to question me?!(KATARINA hangs her headin fear.)KATARINA: No.CASSANDRA: Very well then, go and watch for that girl.(KATARINA leaves thethrone room worriedly as CASSANDRA goes back onto the balcony.)[SCENE_BREAK]4: INT. KINGPRIAM'S PALACE. DUNGEONS(VICKI is descending into the gloom. STEVEN sees her approaching throughthe bars.)STEVEN: What's going on up there?(VICKI unbolts the door.)VICKI: They're just bringing thehorse into the city. Follow me.(STEVEN leaves the cell and follows her as instructed.)[SCENE_BREAK]5:INT. WOODEN HORSE(The Horse is still banging from side to side with a very uncomfortable DOCTORwithin...)DOCTOR: Oh, I'm still very worried about those fetlocks!ODYSSEUS: Be happy that's all youhave to worry about. Ah! Of all the undignified ways of entering a city this takes the flyingphoenix.DOCTOR: If only you would have allowed me another day to fit shockabsorbers.[SCENE_BREAK](The DOCTOR is almost knocked from his feet by the movement of the horseas it suddenly stops.)ODYSSEUS: Zeus be praised! We've arrived.DOCTOR: (Relieved.) Oh! Well now,what is it you propose to do, hmm?ODYSSEUS: We wait Doctor, without movement.(The DOCTOR makesa noise as he does move.)ODYSSEUS: (Whispers loudly.) In absolute silence![SCENE_BREAK]6: EXT.TROY. MAIN SQUARE(The towering Horse stands in the main square. A chattering crowd can be heardbelow it.)[SCENE_BREAK]7: EXT. KING PRIAM'S PALACE. BALCONY(PARIS is rather pleased with himselfas he, the King and CASSANDRA look down on it from the balcony.)PARIS: There, father, the horse issafely installed. And you may notice my sister that nothing, er, \"disastrous\" has occurred.CASSANDRA:Wait and see. There's time yet and mark my words that horse will be the doom of Troy.PRIAM: It's a littlemore rough-hewn than I had expected. Well, since it's here, we'd better take a closerlook.[SCENE_BREAK]8: EXT. MAIN SQUARE OF TROY(STEVEN and VICKI are moving behind pillars toavoid the inhabitants of the city who themselves are heading in the direction of the Horse. The twocompanions reach the edge of the square and look up at the towering structure. STEVEN isimpressed.)STEVEN: That's some horse.VICKI: If you can call it that.STEVEN: The Doctor said...(He cutsoff as a group of Trojan citizens begin laughing close by. STEVEN realises he is still dressed as a Greekand pulls VICKI away back from the crowd and into better cover.)VICKI: It'd be pretty silly if they caughtyou again.STEVEN: Hmm, and you!VICKI: What do you mean?STEVEN: Well, if they find us togetherthey'll know you let me out.(VICKI indicates the Horse.)VICKI: They think I invoked that thing. I'm all"}
+{"doc_id":"doc_238","qid":"","text":"LUCAS: Mom![LUCAS' HOUSE. KAREN is working at the table. LUCAS walks into the room, whering a robeand a towel around his neck, shampoo still in his hair]LUCAS: Mom, did you forget to pay the waterbill?KAREN: No, of course I paid the water bill. [She sees LUCAS and walks over to the sink and tries thewater there. It doesn't work] See? This is what we need the emergency Visa for. Something must'vebroken. I'll take care of it. Come on, lets get you rinsed.[LUCAS leans over the sink and KAREN pours awater jug over his head. She laughs]LUCAS: How is this funny, Mom?KAREN: How is this not funny?[THESCOTT'S HOUSE. DAN and NATHAN walk into the kitchen to find a WOMAN preparing a salad]WOMAN:Hey. Check it out. It's called 'dinner.'DAN: Who is that lady? Is that my wife?[NATHAN looks pleasantlysurprised]DAN: I didn't think you were getting back until Monday.WOMAN: I wasn't. Until I sweet talkedZiodex into doubling their 'Gift to AIDS'research. It took me all of one meeting.DAN: Wow, I'mimpressed. You sure you don't want to quit saving the world and come sell cars with me?DEB: Mmm,thanks, but I like the Frequent Flyer miles.[DEB walks over to NATHAN and gives him a hug]DEB: Hey.How's my boy?NATHAN: I have warm-ups, Mom.DEB: Oh, come on, sit. Dinner's almost ready and Ihaven't seen you from weeks.NATHAN: I can't. I got to go. Don't wait up.DAN: Nathan. Remember what Itold you. He can't shoot if he doesn't have the ball.[THE GYM. The RAVENS are all gathered aroundWHITEY and the cheerleaders are chanting]WHITEY: Damnit, this is a team, not a Chinese fire grill. Scott,you're plain selfish. Getout there and pretend you know each other.TIM: Ravens on three. One! Two!Three!TEAM: Ravens!WHITEY: Lets go, lets go, lets go![THE GYM. PEYTON and BROOKE are supposed tobe cheering off to the side]BROOKE: Hey, can I catch a ride with you to Nathan's party later.PEYTON: Ididn't think you were going. I figured you'd be hiding out in Lucas' backseat again.BROOKE:Jealous.PEYTON: No.BROOKE: What? I could see it. You're both so broody. You could broodtogether.[THE GYM. The game's going on. As they play, the announcer's announcing]ANNOUNCER: Nowthe Ravens in bound with the ball. Looks like they're trying toisolate Nathan Scott on the baseline. TheMasenberg defense tightens on him. Scott battles through, still working hard to get open down there.Now Tim Smith, with the ball, working over on the wing. He's dribbling, looking for Nathan underneath,but he's not there. And now- Oh! Oh! A cross court pass putting Lucas Scott over the basket.[KAREN'S inthe audience. She's grinning. DAN, on the other hand, is not]ANNOUNCER: So much for the putty grip onthat one as the Ravens fall back on the bench.NATHAN: [Screaming at TIM] What was that?ANNOUNCER:And I tell you what, Lucas Scott is really starting to gel with this team.[THE GYM. The game's over, andmost of the people have already filtered out. NATHAN and TIM are walking across the gym, andNATHAN'S angry]TIM: He had a better angle. I'm sorry. Nathan, come on, Man. I'm just trying towin.[THE GYM. KAREN'S standing with LUCAS]KAREN: So are you excited?LUCAS: What? That wewon?KAREN: No, because there's running water in the locker room. We're gonna be roughing it untiltomorrow.[LUCAS laughs]LUCAS: It's okay...[THE GYM. NATHAN walks up to DAN]NATHAN: What's up,Dad?[DAN looks at him then walks away. DEB walks up to NATHAN]DEB: Nice game, sweetie.[NATHANlooks toward the direction in which DAN walked away]NATHAN: Try telling that to Dad.[As NATHAN walksover to LUCAS, he hears a woman say to her son \"I'm proud of you. I'll see you later\"]NATHAN: Twodecent games in a row, man. Getting better or just lucky? [Pause] Team's got a party tonight. Myparents' beach house.LUCAS: Why are you tell me that?NATHAN: Because I said the team, didn't I?[Pause] Look, it's kind of the off season. Might as well deal with it.[THEME SONG PLAYS][A STREET ATNIGHT. LUCAS is driving the Body Shop truck and HALEY'S sitting in the passenger street]HALEY: Theguys kidnapped you, trashed your court, threatened you with bodilyharm. Party, yeah. Sure, whynot?LUCAS: Okay, listen, I know it's all a setup, alright? But I'm not gonna let him screw with me.Whatever he dishes out he's going to get back double.HALEY: Do you think maybe- I mean, just maybe-he's had a change of heart?LUCAS: Hmm. That requires a heart.[THE STREET IN FRONT OF NATHAN'SPARENTS' BEACH HOUSE. PEYTON pulls to a stop. BROOKE'S in the passenger seat]BROOKE: Every timeI ride with you, I swear I'm never going to do it again.[PEYTON gets out of the car, and BROOKEfollows]BROOKE: Keys?PEYTON: Tempt fate.[TIM walks up to PEYTON]TIM: Peyton. You've got to talk to"}
+{"doc_id":"doc_239","qid":"","text":"At the murder sceneJane: Oh, it's lovely.Lisbon: It's a crime scene.Jane: It's a lovely crime scene.Rigsby:Hey. Couple joggers found our John Doe on their morning run. Body's still pretty fresh, so it must'vehappened last night. No signs of an entry or exit wound means cause was probably a blunt force traumato the head .Lisbon: And they brought in the grown-ups because they couldn't decide whose sandbox itwas?Rigsby: Right. Body's right on the city line. The only thing they can agree on is that it was acarJacking gone wrong. Wallet, watch, wedding band- everything gone.Jane looks at the body and finds acuff linkJane: Oh, not everything. Kkiller would have been very frustrated to not be able to takethis.Lisbon: Looks like a wheel.Jane: Motorcycle wheel.Lisbon: I don't buy it as a carJacking. maybe themurderer was covering it up as one, but if you're after someone's car and valuables, you grab and bolt.You don't waste time taking off a cuff link.Rigsby: A gunshot or a stab wound Is more likely than abeating.Lisbon: Beating like this takes time. The murder was personal.Jane: No surprise there. Thehaircut, the suit, the cologne- This man had enemies.Rigsby: His cologne tells you he had enemies?Jane:Sure. okay, confrontional. Finishing touch on a wardrobe that says, \"pay attention. show respect.\" Thiswas an extrovert tough guy, a professional, a backroom politician or a lawyer, a fixer, the type that'sgood with people, making people do things they maybe don't want to do.Lisbon: Uh, what he is, isuseless until we know who he is.Jane: Well, I can do that, too.He finds a headsetRigsby: Oh, no, Jane. I,uh, I checked. the phone's not on him.Jane: The signal light's still on. Phone's in range.Lisbon: Hisassailant probably threw it in the trees. What are you doing?Jane: I'm making a call.Lisbon: But you don'thave the phone.Jane: I have my voice.Lisbon: You still need the phone. Want to use the voice activation?You need its names and numbers.Jane: There is one name programmed into every phone, particularlyinto one belonging to a middle-aged man that was wearing a wedding band. Home.The cell phoneringsWoman: Hello?Jane: Hello. This is Patrick Jane from the California Bureau of Investigation. I waswondering if you knew a man 6-feet tall, mid 40s, salt and pepper hair, gray custom-made suit, weighingabout 192, give or take?Woman: That's my husband Gordon Hodge.Jane: Gordon Hodge, hmm.Woman:You said you're from CBI? Is something wrong?Jane: Uh, just a sec. (He gives headset to Lisbon) It's foryou.The team is Hodge's homeNina Hodge: I knew something like this would happen, sooner orlater.Lisbon: Well, was your husband having some sort of trouble lately?Nina: Gordon was a criminalattorney with a very special practice. He had only one client- the Sinner Saints.Jane: Bikers, arethey?Rigsby: Yeah, they're one of the top biker gangs in the state. They run some legit businesses, butmostly they're into drugs and prostitution, low-rent protection rackets, that kind of thing.Nina: For years,I begged him to get out, but Gordon said that a lawyer never abandons his client. it's unethical. It's whathe always called them- never \"the gang, \" always \"the client.\"Lisbon: When was the last time you sawhim?Nina: Yesterday morning, before work. Gordon used to meet these people at all hours- That's howthey are. So we didn't get worried when he didn't come home last night.Lisbon: Had he been actingdifferently lately?Nina: He'd been more on edge the last week or so. I think something happened at work,but I'm not sure what.Lisbon: Did you ask him about it?Nina: No, never. Work was off-limits.LucasHodge: He said it was boring.Jane: What was the real reason? Do you think he was ashamed, or hesensed your shame?Lucas: He wanted to protect us.Lisbon: Would his colleagues at the office haveknown what was going on?Nina: No. He was a one-man shop. Didn't even have a secretary. Gordondidn't trust anyone with his business.Lisbon: Any idea who might have wanted to kill him?Nina: Well, youmight want to ask his client. He knew all their secrets. He probably learned something that he shouldn'thave.Rigsby: Either of you ever meet any of those scumbags?Lucas: No.Jane: You two must be verytorn- living in such a beautiful home, driving nice cars, going to good schools, 'll paid for by dangerouscriminals, Or, uh, \"scumbags, \" as my colleague says.Nina: Do I wish that Gordon would've defended civilrights leaders? Yes, of course ! But he believed that everyone had a constitutional right to have a gooddefense. He had his principles.Lisbon: Thank you for your time.They go out of the houseLisbon: Did yougo to some interview school I've never heard of? Next time, get the facts, save the editorial.Rigsby: Yes,ma'am.He looks at JaneLisbon: I know. Jane did it, too. He's not a CBI agent. From you, I expect"}
+{"doc_id":"doc_240","qid":"","text":"THE INVISIBLE ENEMYBY BOB BAKER AND DAVE MARTINPart OneRunning time:23:09[SCENE_BREAK]An asteroid field with a shuttle very cautiously and wobblingly entering.A widershot of the asteroid field with the shuttle moving more confidently.Flying asteroids!Inside the shuttle wesee Safran and Silvey in comfy chairs. Then we see Meeker at the bridge.MEEKER: Going tomanual.SILVEY: What for?MEEKER: Why not? If we're going to be slammed around, I'd sooner do itmyself.SILVEY: It's still telling you what to do.MEEKER: Yes, but at least I'm doing it.SILVEY: Come on,Meeker.SAFRAN: You're off course.MEEKER: Yes, sorry, skipper.SAFRAN: Put it back on automatic,please.Meeker tries various controls and it's obvious there's a problem.MEEKER: Eh? I can't!SAFRAN:Titan shuttle captain. New course for Titan, please.He climbs up toward Meeker.SAFRAN: All right,Meeker, that is enough.MEEKER: What?SAFRAN: Off watch. Please.Safran takes the pilot's seat.MEEKER:Look, I qualified for exploration eight years ago, and what am I? Glorified garage attendant on someplanetary filling station.SILVEY: Your turn'll come. You'll be glad enough of refuel bases then.MEEKER: AllI'm saying is that I want a realSAFRAN: Not now, Meeker.COMPUTER: Unidentified organism. Changingcourse to avoid.The shuttle is caught in some kind of weird webby thing with lightning.SAFRAN: Whatwas all that about? There's nothing there. Titan shuttle captain. Report please.Silvey turns to theothers.NUCLEUS (OOV.): Contact has been made.SAFRAN: Contact?[SCENE_BREAK]In the TARDIS Leelacarries the hatstand and sets it down. The Doctor enters.LEELA: We've never been in herebefore.DOCTOR: You've never been in here before.LEELA: What is it?DOCTOR: Number two control roomhas been closed for redecoration. I don't like the colour.LEELA: White isn't a colour.DOCTOR: That's thetrouble with computers. Always think in black and white. No aquamarines, no blues, noimagination.LEELA: Have we stopped?DOCTOR: No, we haven't stopped.The scanner opens.LEELA: Havewe materialised?DOCTOR: Yes.LEELA: Where?DOCTOR: Solar system, between Jupiter and Saturn. Aboutfive thousand AD. Five thousand AD? We're still in the time of your ancestors.LEELA: Ancestors?DOCTOR:Yes. That was the year of the great breakout.LEELA: The great what?DOCTOR: Mmm. When yourforefathers went leapfrogging across the solar system on their way to the stars. Asteroid belt's probablyteeming with them now. New frontiersmen, pioneers waiting to spread across the galaxy like a tidalwave. Or a disease.LEELA: Why disease? I thought you liked humanity?DOCTOR: Oh, I do, I do. Some ofmy best friends are humans. When they get together in great numbers, other lifeforms sometimessuffer.[SCENE_BREAK]The shuttle approaches Titan. We see the landing area as the shuttle comes in.Cutto a close-up of gloved hands operating the controls of the shuttle. We see the shuttle coming down fromits nosecone.Then we see the shuttle land on the pad and the pad begins to sink into the ground.Thehands switch off the controls.The pad rotates, with the shuttle on board.The pad begins to move carryingthe shuttle with it.The space-suited crew walk through the bridge (we can see through the shuttle cockpitwindow beyond).COMPUTER: Docking. Docking. Contact. All locked.[SCENE_BREAK]As the crew headthrough the door, they each take a blaster. They holster the blasters and go through the inner door.MAN(OOV.): Hey, are we glad to see you. Welcome to Titan. You're welcome to it. We're in the mess. Comeon down.The crew head toward the doors.The first door is the wrong one, and the leader gestures toanother when they hear laughter from behind it.The door slides open.[SCENE_BREAK]MAN: Come on in.Join the party. Our last supper on Titan. Well, come on. Get your gear off and relax. You're going to behere forThe crew pull their blasters and aim at the three in the mess.MAN: Hey, what kind of a joke is...The crew fire at the men who fall to the floor dead. Safran lifts his visor.His face is covered in greenscales.SAFRAN: There is one other. The station supervisor. We must find him, destroy him.SAFRAN: Thenwe can make this the ideal place in which to breed and multiply.[SCENE_BREAK]LOWE: Shuttle reliefcrew. Shuttle relief crew. Come in, please. Shuttle relief crew, this is Supervisor Lowe. Please report.Relief crew, this is the supervisor. Where are you?He activates a remote camera monitor to see what ishappening in the mess.He pans his camera around.LOWE: My God, what's happened? Hello? Hello?LOWE:What is it? What's gone wrong?SAFRAN: Wrong? There is nothing wrong. This is most suitable for ourpurpose. What, what purpose? Safran. Safran, is that you? What has happened?SAFRAN: Who is this"}
+{"doc_id":"doc_241","qid":"","text":"1.11 - Paris is Burning(Lorelai and Rory are walking down the street)RORY: L?LORELAI: L-laryngitis.M?RORY: Mumps. N?LORELAI: Narcolepsy! O?RORY: Are we going to have to go through this every timewe decide who cleans out the refrigerator?LORELAI: Do you want to go back to thumb wrestling?RORY:Osteoporosis. P?LORELAI: (gasps) Puppies! (runs across the street)RORY: That's not a disease. Oh boy.(runs after her)LORELAI: (to all the puppies) Hi! Oh hi! Hi! Oohh! Rory look at the baby! (in front ofone)RORY: Mom.LORELAI: Aw, Buttercup was found cold and wet hovering under a hydrangea bushalong highway 26. It's a sad highway.RORY: As compare to all the other happy highways she could'vebeen abandoned by.LORELAI: Her lineage includes cocker spaniel, golden retriever, bouvier des flandres-RORY: GesundheithLORELAI: Thank you - and rottweiler.RORY: Buttercup is a special dog. She'sextremely skiddish and tends to react badly towards blonde haired females, brunette males, children ofeither s*x, other animals, red clothing, cabbage or anyone in a uniform.(Luke walks up to them)LORELAI:(to Luke) Hey, we just found the doggy version of you.MAN: Can I help you?LUKE: Do not let these twoanywhere near a dog. They can barely feed themselves.LORELAI: Shut up you! We'd be excellent petowners, thank you.RORY: You cannot be serious.LORELAI: We could get him a pretty bowl...RORY: It's aher.LORELAI: ...and a new name...RORY: Mom.LORELAI: ..cause this 'Buttercup' thing really has got togo.RORY: Do I need to remind you of Skippy?LUKE: Skippy?LORELAI: I can't believe you would bring upSkippy.RORY: Skippy was our hamster.LORELAI: He doesn't care.LUKE: What happened toSkippy?LORELAI: Nothing happened to Skippy.RORY: Every time mom would put her hand in his cage,he'd bit her.LORELAI: And laugh.LUKE: Hamster's can't laugh.LORELAI: Oh this one laughed - trustme.RORY: So finally she got fed up.LUKE: Of being laughed at by a hamster?LORELAI: Well yeah.RORY:So she stopped cleaning it's cage. Instead everyday she would stuff some Kleenex in there.LUKE: Youdidn't?LORELAI: It was the quilted kind (with a small smile)RORY: So this keeps going on and the cage isjust a cage full of Kleenex that moves a little, and the smell? Really good.LUKE: I can imagine.LORELAI:Oh no you can'tRORY: So then she takes the cage to the place where we bought him, waits for the salesguy to go behind the desk and dumps it on the counter then bolts.LUKE: You abandoned yourhamster.LORELAI: Look, I know it was bad, but this was a vicious hamster. This was like a Damienhamster with little beady eyes and a big forked tail and...a cape with a...hood...and bye bye Buttercup.Bye Luke.RORY: You did the right thing. (both walking away from the puppies with arms around eachother)LORELAI: Oh (in a whiny tone). I want a pet.RORY: You have me.LORELAI: You won't bring me myslippers in the morning.RORY: I might if you had slippers.LORELAI: Will you wear a collar?RORY:No.LORELAI: It'll be pink!RORY: You're sick.LORELAI: Hey watch how you talk to me. Remember whathappened to Skippy.(Cut to Max Medina's apartment. He's cleaning while Lorelai sits on the countereating out of a pot.)LORELAI: Mmm...God this is good!MAX: OK. Correct me if I'm wrong.LORELAI: Saltplease.MAX: Twenty minutes ago we were sitting at the dinner table were we not?LORELAI: Yes wewere.MAX: There were candles and flowers and plates and knifes and cloth napkins.LORELAI: I love thelittle sombrero napkin holders, very ole.MAX: And the whole time we were at said dinner table, you atetwo maybe three bites of this amazing dinner I made for you.LORELAI: Pass the bread.MAX: And yet, assoon as that dinner's over and I start cleaning up, suddenly that's when you're starving.LORELAI: Whatcan I say - watching someone work makes me hungry. If I hadn't stopped watching \"This Old House\" I'dbe 500 lbs right now.MAX: Hmm.LORELAI: What are you doing?MAX: Passing these to you?LORELAI: Inthe dish please. Ha ha ha. (as Max puts food into pot.)LORELAI: So where did you learn to make ossobucco anyway?MAX: Um, from this very old Italian woman...who used to live upstairs...um, s-she hadlost her husband a couple of years before and she kinda looked at me as like a son.LORELAI: Sweet!MAX:She was.LORELAI: So an old girlfriend huh?MAX: Yep.LORELAI: Mm hm.MAX: So would you like somecoffee?LORELAI: Yes please. (Walks by Max and their faces come very close together)(Lorelai walks overto his desk)LORELAI: Hey did you read Rory's paper yet?MAX: Not yet.LORELAI: It's really good.MAX: I'msure it is.LORELAI: Oh and look! It's right on top.MAX: Isn't that a coincidence?LORELAI: (laughs) Wow,there are some really big words in here. I just hope you have a dictionary with you when you read"}
+{"doc_id":"doc_242","qid":"","text":"OPEN AT LORELAI'S HOUSE[Rory pulls up in her car, grabs some bags from the trunk, then walks into thehouse. An alarm starts blaring.]LORELAI: Oh, crap! [tries to turn off the alarm]RORY: What's going on? Isit the smoke detector? Are we on fire?LORELAI: It's not the smoke detector, it's the alarm!RORY: Whatalarm?LORELAI: Our alarm.RORY: We don't have an alarm.LORELAI: Well, then, we have really angryrats. Did you cut your hair?RORY: Well, I just trimmed it.LORELAI: You didn't tell me you were cuttingyour hair.RORY: It was a spur-of-the-moment thing.LORELAI: A spur-of-the-moment, \"let's not tell mymother I'm pulling a G.I. Jane\"?RORY: Are we seriously gonna have this conversation now during the airraid?LORELAI: You're right. Come on. [leads her to the other side of the room]RORY: What are wedoing?LORELAI: I figured out that there is a motion detector, and if you stand over here, it can't see youand calms down.RORY: Great, so what now?LORELAI: We wait. So why didn't you tell me you weregetting your hair cut?RORY: It's just a trim.LORELAI: To the Braille Institute, it's just a trim.RORY: Doyou like it?LORELAI: Will you put it back if I don't?RORY: Mom!LORELAI: Yes, I like it.RORY: Thankyou.[the alarm stops]RORY: Oh, thank God.LORELAI: Feels good when it's over, huh?RORY: This is crazy.When did we get an alarm?LORELAI: Well, apparently, Kirk. . .RORY: Oh, no.LORELAI: . . .has recentlyjoined the Stars Hollow Security Company.RORY: Oh, no.LORELAI: And apparently, now that I'm thepretty spinster living all alone, he's concerned for my safety.RORY: Did he tell you all this?LORELAI: Doyou think I labeled myself the pretty spinster?RORY: What did you say?LORELAI: I haven't talked to himface-to-face. I come home to this and there was a note and his card and his gun.RORY: Oh,jeez!LORELAI: Yeah, and then when I called the alarm-response center to complain about the alarm, noone answered. I had to leave a message with Meg - she sweeps up.RORY: I can't even believe there's asecurity company in Stars Hollow. Nothing ever happens here.LORELAI: Oh, that is not true. Plentyhappens here.RORY: Like what?LORELAI: Like, people now break into your houses and install alarmsystems.RORY: I heard about that.LORELAI: And we have a new mail carrier.RORY: We do?LORELAI:Yeah, so now if you wanna get your mail, you just have to go see Miss Patty.RORY: Why?LORELAI:'Cause that's where he brings it. He brings Babette's mail to Andrew's, Norma's mail to the deli, andTaylor still hasn't found his mail, which I have to admit is kind of fun.RORY: I rescind my previousstatement. This place is hopping.LORELAI: So, did you eat yet?RORY: Nope. I thought I'd let you feedme.LORELAI: Sure. I can feed you, but I can't know if you're getting your hair cut.RORY: I will never doanything again without telling you - happy?LORELAI: I don't know. I'm finding this whole guilt thingrather satisfying. [Rory starts to walk away] No, no, where are you going? [The alarm starts blaringagain] Agh! Why did you do that?RORY: I was gonna get my laundry!LORELAI: You made it mad!RORY: Ididn't mean to!LORELAI: Back in the corner, back in the corner!RORY: Oh.LORELAI: No place like home,huh?RORY: Yeah.[opening credits]CUT TO LORELAI'S HOUSE[Lorelai is making a trail of Post-It notes onthe floor through the house; Rory comes out of her bedroom]RORY: Mom?LORELAI: Follow thePost-It's.RORY: Does our life seem at all ridiculous to you?LORELAI: I spent all morning carefully trackingthat motion detector.RORY: What an excellent use of your time.LORELAI: We're good as long as we stayon the path.RORY: So I should follow the yellow stick road?LORELAI: We'll be here all week, try the veal.Stop.RORY: What?LORELAI: Read.RORY: \"Crouch down and hop.\" Oh, come on.LORELAI: Themotion-detector beam at the top of the staircase dips very low over there.RORY: You seriously want meto crouch down and hop?LORELAI: Like a little hunchbacked bunny.RORY: You know, I had decided that ifI ever went to therapy, I was gonna leave you out of it, but now. . .LORELAI: Okay, you can standup.RORY: Did you at least call the stupid security company again?LORELAI: Yes, Meg sends her love.Don't worry - I'll stop by on my way to the inn. And what are your plans today, Persis Khambata?RORY:Well, today, I'm going to do nothing but hang out in town, read, veg, drink coffee, and have the perfectStars Hollow day.LORELAI: Look out. I get to go over to the inn and hear a contractor laugh at me everytime I say, \"But that won't cost too much more, right?\"RORY: Enjoy.LORELAI: Late lunch atLuke's?RORY: You're on. So, uh, which way do I go?LORELAI: Oh, just follow the Post-It's.RORY: Butthey're going in two different directions.LORELAI: They are?RORY: Look.LORELAI: Oh. I must have kicked"}
+{"doc_id":"doc_243","qid":"","text":"[Genevieve and Celeste (in Sabine's body) stroll through the cemetery]GENEVIEVE: Oh, I remember thiscemetery. Hmm. Hasn't changed a bit.SABINE / CELESTE: I've been coming here over a century, wearingone face or another.FLASHBACK--LAFAYETTE CEMETERY, 1919[Genevieve approaches a woman kneelingin front of a tomb, praying to her ancestors]GENEVIEVE: Clara Summerlin, will you come on? We'regonna miss everything.[The two walk over to where a crowd of witches are standing around a bonfire,playing congo drums and watching as a witch dances around the flames. Papa Tunde walks out with analbino python around his shoulders, which he hands to his sons after clapping in order quiet thecrowd]GENEVIEVE: Told you. Every witch in the Quarter is here to see the great Papa Tunde.PAPATUNDE: Witches of the French Quarter, thank you for your welcome. It is good to be among people of thefaith. I, too, practice ancestral magic, honoring those who walked the path before us. From them, wedraw strength. And you will need strength, for a great darkness is coming. The city your forefathers leftyou is now overrun by pirates, beasts, and vampires.[Papa Tunde takes the python from his sons andthrows it into the fire, and many of the witches gasp in surprise and fear]PAPA TUNDE: I practice othermagic, as well. Sacrificial magic, channeling power from the lives of my offerings. I use this strength tovanquish my enemies, and I will punish your enemies for their greed. In return, you will accept my familyinto your coven, and me as your leader.FLASHBACK--A MEETING ROOM, 1919[Two men enter the roomand join Elijah and a police officer at a table]ELIJAH: Gentlemen, make yourselves at home. MayorO'Connell appears to be running late, but there's much to discuss, so I shall begin.KLAUS: [walks downthe stairs to join them] One moment, please, brother. You know how much I enjoy these illicit, littlegatherings.ELIJAH: [to the men] Do not be troubled. Despite my brother's reputation, I can assure you,we've invited you here to broker in peace. You have my word.KLAUS: And, lucky for you, my brotheralways keeps his word. You two are from the Guerrera crime family, a brutish pack of thieves and killers.And that's nothing compared to what you become on a full moon, is it?ELIJAH: Yes, yes, yes. Of course, abite from your kind is not lethal to an Original. Conflict between us would not end well for you at all. Let'sstate our proposal here. My brother and I control the ports of the city, but with Prohibition soon to be thelaw of the land, there'll be a certain uptick in the kind of federal presence we prefer to avoid. Therefore,I'd like to suggest a system whereby, under our supervision, of course, the Guerrera family can trafficalcohol into the city of New Orleans for a profit. We would still be in charge, but our rule would remain asecret.[Papa Tunde walks into the room with his sons following behind him]PAPA TUNDE: This all soundsvery good, but tell me, how will it benefit the witches?ELIJAH: I am sorry. This is a private meeting.PAPATUNDE: Yes, for kings of the city, but I, too, am a king, and I have rules.KLAUS: I'm impressed. You'reeither quite ambitious or quite mad. What's your name, mate?PAPA TUNDE: I am Alphonse BellatundeDelgado, Papa Tunde to my followers, and I come to ask that the witches be granted fair tribute forallowing your existence in our city.ELIJAH: Are you suggesting that you speak for the french quarterwitches?PAPA TUNDE: I do now, and I expect our future negotiations to go very smoothly. As aguarantee, I brought a gift. I await our next gathering.[A small leather case is placed on the table. PapaTunde and his sons leave. Everyone else gathers around as Klaus lifts the lid on the trunk to reveal ahead inside with a symbol carved into his forehead]KLAUS: Well, I suppose we'll need a newmayor.PRESENT DAY--THE ABBATOIR COURTYARD[Marcel comes down the stairs into the courtyard witha bottle of bourbon in his hand. Diego sees him enter and approaches him as Marcel walks over to sitdown at a table]DIEGO: Hey, Marcel, maybe you know what's going on. Klaus ordered us to meet here,and now he's a no-show.MARCEL: What do you want from me? It's a new regime. Get used to it.[Klausenters the room with Thierry and makes an announcment]KLAUS: Dearest brethren, your attention,please. No doubt, you're all surprised to see Thierry Vanchure, who's supposed to be rotting in theGarden for the crime of killing one of our own, and I personally decided to issue him with a pardon. Ihope you'll all welcome home Thierry.[Thierry smiles and gives Diego a hug]DIEGO: Welcome home,man.MARCEL: [to Klaus] You're in a good mood. You should visit Mystic Falls more often.KLAUS: Well, asmuch as I might like to, I have pressing responsibilities here. [turns to address the crowd of vampires]"}
+{"doc_id":"doc_244","qid":"","text":"[PREVIOUSLY_ON]Nikki is with a girl. She's pissed off after Jenny who threw her away.The girl: Baby,don't be sad. It's so boring.Nikki: Get off of me! Who the hell does she think she is?! She called me, shewanted me! And then she goes all Paris and Britney on me just like: \"Oh, I never liked you and it was ashowmance!\" Can you believe that? She f*cks me all night long and then she has the nerve to say that'sa showmance! I mean, I don't even know what the f*ck that is!An other girl: I'm googling. Oh, it's,uh...Oh, it's, uh...\"Phony romance that happens during a movie or a TV show\" \"usually between twostars, but it can\" \"also be between a star and\"...Nikki: You know what? I got it, alright? Do you know howmany times has she said that she loved me? She's officially a liar and I officially hate her! You knowwhat? f*ck her, alright?! I got over 16 million on my opening week end and she can't even get in at thepremiere of my next movie. She payed someone.The first girl: God! Makes wonder who broke her heart. Ican't believe she told you it wasn't you. That was so harsh! You must feel horrible.Nikki: You know what?You are out of my 5!The girl: Nikki, you're my best friend!Nikki: No, get out! Right now! Get out!Everyone, get out! Everyone! You know? You and you, and you, get out! Get out! Now! Move! JennySchecter is a liar and a user. And trust me, you are not gonna get away with this. You are dead meat,Schecter. Dead. Credits. At the Hit Club.Helena: And this is where we're gonna put the new DJ booth. So,if you need anything, just let us know. We'll get you all the right equipment.The drag-queen: Oh, I'll sendyou a list. I love these colors.Kit: We love them too.Helena: We got morroconess out of \"Casablanca\"theme.Kit: It's our favorite film.The drag-queen: Oh, say no more. I love...Kit: So, what do we have to doto get the fabulous Sunset Boulevard to come and spin at Hit?The drag-queen: Just keeping the fabulousKit Porter. You know you're my ultimate R&B goddess?Kit: Oh, I don't know about the ultimate. Ooh,somebody's been working out! Not that we're the type... you know, we're, uh...We've both swore offmen.Helena: Ages of it.The drag-queen: Good for you. You two got a good thing going here. You don'tneed some man in here messin' it up.Kit: Okay, let me show you all of the textures and plans. At thePlanetAlice: Oh, I'm vanilla and fruit.Tasha: Breakfeast burrito. Thanks.Jenny: Excuse me. I didn't orderthat.Waitress: Oh, they're from her.Kit: Jenny, Shane wants you to know that she made them especiallyfor you.Jenny: Excuse me, Alice? Do you mind just mentionning to Shane that I don't want herwaffles?Alice: She doesn't want your waffles.Tina: How much do you love the New Valley service?Bette:Oh, my God, Helena's taking this place to a whole new level. Jenny comes with the waffles.Tina: Oh, andwaffles! Look! I know that I love waffles. I'm getting waffles. She throws it away.Bette: Or not.Kit:Haven't you heard that there are people starving in this world?Jenny: I'm sure they don't want waffles,Kit.Bette and Tina: Rock, paper, scissors, shoot!Bette: sh1t! Okay, that's one to one.Bette and Tina:Rock, paper, scissors, shoot!Bette: f*ck! I always loose.Tina: 'Cause you're always rock. Always.Bette: Isthat what it is? Have fun with the martyrs.Tina: Have fun with the cheaters.Tina: Wow, everyone's soindustrial. What are you doing?Tasha: Learning.Jenny: I'm writing my new treatment.Tina: What are youwriting, Alice?Alice: A treatment.Jenny: A treatment for a film?Alice: I just... I had this kinda killer ideaso I thought I'll just write a great screenplay and then sell it for millions and buy a house inMalibu?Tasha: I don't like Malibu.Alice: You've never been to Malibu.Tasha: I have been there.Tina: Ididn't know you wanted to be a screenwriter.Alice: Well, I mean, you know, I never really did. Really, butI thought how hard can it be? Right? Jenny? I mean, it's like, you get paid big time.Jenny: Well, if you, ifyou actually, Alice, if you would to amortize the payment of the 17 drafts that I did on \"Lez Girls\", you'llsee that you actually don't get paid very much. So... Bette send a sms to Tina.Bette: Alice is writing atreatment for a script. Hope we're not in it.Shane: Amen to that.Tina: Actually, writing a good screenplayis what's really hard. And Jenny's become a very good screenwriter.Jenny: Thank you, Tina.Tina: Youshould ask her to read your treatment.Alice: Sure. Sure, sure, sure.Jenny: I would love to give younotes.Tasha: What? I need the carbs for training.Alice: But do you need them that fast? You have themall over your suit.Tina: Wow, you look amazing.Tasha: Thank you.Alice: I dressed her. Do a little spinzy,come on.Tasha: No.Alice: It's her first day at the police academy, so...Tina: Excited?Tasha: Yeah, I am,actually. All my friends had the training, it's really, it's really rough.Alice: I tried to dress her in my"}
+{"doc_id":"doc_245","qid":"","text":"Detective Taylor: A specialist escort agency for the very rich.Danny: Alex didn't use escorts.Alex: I haveto buy a battery for my laptop.Danny: I stole something... from the attic. It's a locked cylinder. It needs acode.Scottie: Which you don't know?Danny: No. I've gone over every conversation, every word.Scottie:Danny, you've got to figure it out, you're the only one who can.Scottie: Did you know that I suffer fromdepression?! Did you know that in the past I drank?!Claire: I didn't know Alex well personally. There arenot many students who start their degree at 15.Danny: He was murdered.Claire: So I take it you want tospeak to his professor?Danny: Marcus Shore.Journalist: Why did they murder him?Danny: I don'tknow.Scottie: Whatever Alex discovered, whatever it was, whatever it is, no-one wants in the open.We're not up against one intelligence agency, we're up against them all.Danny: I needinformation.Scottie: What does it mean? It means we are quite alone.Rich: Get in the car. It's for you.Not here!( Mobile phone rings )Distorted voice: You're looking for answers. But are you ready for them?Get in the hotel. Room 116.[SCENE_BREAK]Distorted voice: The bathroom. Get in. Clothes on.Distortedvoice: Now you're clean, we can talk a little freer. Get changed. Outside.[SCENE_BREAK]Danny: Whereare we going?Distorted voice: Do you want to know who Alex was or not?Distorted voice: The doors arelocked, Danny. No way out. No way back. I want to take you on a journey... into Alex'spast.[SCENE_BREAK]Distorted voice: Remember this place? Are you sure you know what really happenedin there? Walk.( Distant laughter )Distorted voice: A reservation. For two.( Phone beeps )Waitress: Thereyou go. Menu.Doppelganger: Here I am. Alex's past.[SCENE_BREAK]Doppelganger: Well... this is weird.Never done anything like this before.Danny: Like this? What is this?Doppelganger: Being paid to tellsomeone how I... their boyfriend. They said you wouldn't believe me.Danny: Who arethey?Doppelganger: Who are they? They are the people pulling my strings. I have no control over whatI'm about to do. Like this... No control. Alex... ate breakfast here... almost every morning.Danny: Youcan even tell me what he liked to order?Doppelganger: What? Oh, to be convincing, you mean?Danny:You watched him?Doppelganger: Serving.Danny: A waiter?Doppelganger: Me? No. Please. I waspretending. The service... it's very expensive because the people, we... don't know that we are...escorts.Danny: How is that possible?Doppelganger: We pretend. We pretend to meet them by chance, wepretend to be won over by their charms... we pretend to... for pleasure... which takes some seriouspretending.Danny: Who pays you?Doppelganger: Our clients aren't the people we... We report back. Soand so... likes it like this. So and so... likes a little of this. ( He sniffs )Danny: Blackmail?Doppelganger:But that's not my business.Danny: You just do the f*cking.Doppelganger: I just do thef*cking.[SCENE_BREAK]( Alex gasps )Doppelganger (O.C.): They told me to meet him... in the way youmet him.Doppelganger: I'm sorry...Doppelganger (O.C.): An accident. They told me to be like you. Theytold me to act like you.[SCENE_BREAK]Doppelganger: In the end, Alex wasn't so tricky. He just neededto believe... he was being good... all the way up until he was being... a little bit bad. How do you seducea good man?Doppelganger (O.C.): My approach was simple. I told him a sad story.Doppelganger: I tellhim it's the will and last testament of my mother. And my mother, she never loved me, bitch. In her will,the bitch leaves just three things to me. Just three paintings. That's all. And Alex, listening like a puppydog. And I tell him, heartbroken... they are the three paintings I painted for her. I'm an artist, I say... No,not yet an artist, aspiring to be.Danny: Pretending to be.Doppelganger: That's a true story. I am anartist.Danny: What?Doppelganger: What do you think? I grew up wanting to be an escort? Enough,Danny. Enough with not believing. What do you need? I'll give it to you? Hmm? You need those littledetails? A birthmark on the inside of his thigh? Something whispered? Something moaned? He had athirst, I can tell you that. Like a man crawling out of the desert. Yeah? Throat dry. Lips dry. Gulping up allthose missed years.Danny: Where?Doppelganger: My place.Danny: Your place?Doppelganger: My fakeplace.Danny: Why did he come round?Doppelganger: To see my paintings, ofcourse.[SCENE_BREAK]Danny: What did you do?Doppelganger (O.C.): You hate yourself forasking.Doppelganger: So...Doppelganger (O.C.): But you had to know.Doppelganger: I'll be right back,OK? Give me a second.Doppelganger (O.C.): You had to ask... what did we do?Doppelganger: We played"}
+{"doc_id":"doc_246","qid":"","text":"Lucifer is drinking and watching over his mother. Amenadiel comes.Amenadiel: Lucifer, we need to talkabout something.Lucifer: What... Can it wait? I'm busy keeping an eye on our mercurialmother.Amenadiel: No, it's important. I think you might be in danger.Lucifer: Is it the Yakuza? TheNephilim? One Million Mums?Amenadiel: It's Maze. She's angry with you, brother.Lucifer: Well, is itTuesday already? Anger is Maze's default setting, sort of baked into her demon DNA.Amenadiel: No, thisis different, Luci. I think you really need to talk to her.Lucifer: She'll get over it; she always does. Rightnow, we have bigger issues to deal with, like whether or not Mum is wasting our time.Amenadiel: If shebelieves her client has found another piece of the Flaming Sword, so do I.Lucifer: Oh, such a loyal son.But Mum hasn't adapted to this world as well as you might think. This chap could be conning her... I thinkI'm gonna go make sure...Amenadiel: She seems to be doing just fine. Charlotte puts a briefcase on thetable.Lucifer: That's not the money, is it?Amenadiel: Of course not. She wouldn't bring it to themeeting.Lucifer: Oh, no. Of course not. I mean, that would be absurd, wouldn't it?Amenadiel: She's justshowing it to him. I mean, it's not like she's gonna hand it to him before she... Gets the piece. That'sgreat. The guy takes the money and leaves.Lucifer: And now she's letting him leave. Marvellous. Luciferand Amenadiel join Charlotte.Charlotte: Well, that went well.Lucifer: Oh, you think so, do you?Charlotte:I do. He has what we need in his safe in the back room.Lucifer: Oh.Charlotte: He's going to get it rightnow.Lucifer: Mum, you just handed him a briefcase full of cash with no proof whatsoever he has what weneed.Charlotte: And?Lucifer: You've been conned.Charlotte: He's a client of mine, darling. I don't thinkhe'd be that foolhardy.Lucifer: Oh.Charlotte: Well, I'm sure he'll be right back... Maybe we should gocheck just to be sure.Lucifer: I think that's a good idea, don't you?Charlotte: Oh. Lucifer, Charlotte andAmenadiel enter in the office manager of the restaurant. The man is dead.Charlotte: Huh. See? He didn'tcon me.Lucifer: Look, instead he's dead, and someone robbed him of what's ours... Much better. Well,the good news is, after this spectacular bungling, I happen to work with a homicide detective.Charlotte: Ifyou find the killer, then you'll find our piece of the Flaming Sword.Amenadiel: Hey, but, Mom...Lucifer:The challenge is... Making sure we catch the case before some other detective.Amenadiel: But whatabout...Charlotte: I may be able to help.Lucifer: Really? I'm all ears. Lucifer and Charlotte leave. Mazeenters in Linda's practice.Maze: Is everything all right here?Linda: Yeah, everything's fine, Maze. Youcan, uh, you-you can put away the knives.Nigel: We'll be in touch, Dr. Martin... Excuse me.Linda: Uh,Maze. Maze. Oh, my Lord.Maze: Who the hell was that?Linda: That was the chairman of the ethics reviewboard.Maze: Are you okay?Linda: No. No, I am not. No, Maze. No, no, no, don't, don't. That won't do anygood.Maze: What happened?Linda: A couple of weeks ago, I maybe, sort of... Helped Lucifer break out ofa mental institution... Using my own name. It's my fault, really.Maze: No, it is not your fault. It isLucifer's fault. It's always Lucifer's fault. First, I find out he's ditching me to go to Heaven, and now he'shurting you... Look, I'm gonna fix this, Linda. And then him and I are gonna have a little talk. At thestation, Lucifer is waiting. Chloe is working.Lucifer: Hey, I should get my own desk.Chloe: Nothappening.Lucifer: Right next to yours would probably be best.Chloe: Definitely not happening. Why areyou hovering over me?Lucifer: I'm not hovering. I'm just spending time with my partner.Chloe: Oh, well,since you're here, why don't you help me with this paperwork. I could really get used to this,partner.Lucifer: Right. Yes, on second thought, maybe a desk in the far corner might...Chloe:Mm-mm.Lucifer: Oh! Ms. Richards.Charlotte: Detective Decker. Just the woman I was hoping tosee.Chloe: Well, I feel the opposite. If you'll excuse me.Charlotte: Hear me out. A client of mine called.He sounded very worried. I think he might be in terrible danger.Lucifer: Oh, that's awful. Detective, weshould do something.Charlotte: He's at a bar downtown. Would you come with me and make sure thathe's okay?Chloe: Nope.Charlotte: Nope?Chloe: I'm a homicide cop. I do not go around checking onworried criminals like a nanny, Charlotte. So if we're done here...Charlotte: I heard... Things... On a...On-on the phone call.Chloe: Like?Charlotte: Fingers... Pointing.Chloe: You heard... Fingerspointing?Charlotte: Very angrily. Yes... Also, a gunshot. Sounded like he was... Dying, or, um... Melting?It's hard to tell.Chloe: Charlotte...Lucifer: It sounds worth our time, actually.Chloe: Agreed. Why didn't"}
+{"doc_id":"doc_247","qid":"","text":"Scene: The apartment.Amy: This is nice, that we all get to eat together.Leonard: Absolutely.Amy: Hmm.Can we maybe put the phones down and have an actualhuman conversation?Sheldon: We can, butthanks to Steve Jobs, we don't have to.Penny: Guys, guys, you're never gonna believe this.Leonard:What happened?Penny: I just got a part on a TV show.Amy: Congratulations.Leonard: What? That'sgreat. Guys.Howard: Oh, yeahSheldon: Yay, Penny.Amy: What's the show?Penny: Um, NC... II... or, youknow, NCSTD... I don't know, it's, it's, you know, it's the one with the letters and I'm gonna be onit!Leonard: That's amazing.Penny: Yeah.Howard: What's your part?Penny: Um, I play a customer in adiner and I flirt with Mark Harmon.Raj: Ooh, Mark Harmon, he's a dreamboat.Leonard: So it, it's justflirting?Penny: Well, yeah. Why?Leonard: Uh, no reason. I just think it's sexier when things are left to theimagination.Amy: He's wrong. Credits sequence.Scene: The Cheesecake Factory.Raj: So I read a studythat says a man with a dog is three times more likely to get a woman's phone number.Leonard: Is it trueeven when the man lets his dog lick peanut butter off his tongue?Raj: I don't see why not.Howard: Ifyou're really desperate to meet women and like having food eaten out of your mouth, I could set you upwith my mom.Sheldon: Why is that funny? That's just unhygienic.Leonard: It's a joke.Sheldon: I don'tthink so. I believe that a joke is a brief oral narrative with a climactic humorous twist. For example, uh,Wolowitz's mother is so fat that she decided to go on a diet, or exercise, or both. See? The twist is thatpeople don't usually change. Well, they don't.Penny: Hey, guys, don't forget, my episode's on TVtomorrow night.Howard: We'll be there.Raj: Can we bring anything?Penny: Oh, that's so sweet of you,but I was gonna steal food from here. You know, my treat.Sheldon: Wait, if Howard's mother is coming,then you should also steal marbles. Because she's obese, and hippos are obese, and in the popular boardgame Hungry Hungry Hippos, they eat marbles. Maybe I need to dumb these down for you.Scene: Thestairwell.Sheldon: Leonard, do you think I'm funny?Leonard: No. Do you?Sheldon: I think I'mhysterical.Leonard: I take it back. That was funny.Sheldon: The philosopher Henri Bergson says it's funnywhen a human being behaves like an object.Leonard: I bet that bit killed at The Chuckle Hut.Sheldon:Oh, he didn't perform stand-up comedy, he was a philosopher.Leonard: You know, I think we're zeroingin on your problem.Sheldon: Perhaps I'll spend some time developing a unified theory of comedy, whichwill allow me to elicit laughter from anyone at any time. Unless they're German, 'cause that's a toughcrowd.Leonard: Are you set on people laughing with you? 'Cause if you're cool with at you...Sheldon: Idon't get it.Scene: Bernadette's car.Bernadette: Raj, when you said you were gonna bring a date towatch Penny's thing tonight, I didn't think you meant Stuart.Howard: Really? I never for a secondthought it'd be anything else.Raj: I almost met someone last night, but I blew it. I was walking Cinnamonand this girl introduced herself, but she was so cute I panicked and said, wouldn't it be easier if instead oftalking we could just sniff each other's butts?Bernadette: Well, Stuart's cute in his own way.Stuart: WhenI was a baby, my mother called me her little possum.Raj: Are possums cute?Stuart: Not at all.Howard: Ifyou're so intimidated by talking to attractive girls, maybe you should practice by talking to regularpeople.Raj: You mean like fatties and uggos?Bernadette: Or maybe just stop talking.Howard: I'm serious.Go to the mall, talk to anybody, practice, that way when you eventually do talk to a cute girl, it won't beso scary.Bernadette: Or just keep dating the possum.Scene: The apartment.Voice on television: Parsadoesn't have those kind of resources.Second voice: No, and that's why he had Erin Pace rewireit...Leonard: I'm so proud of you.Penny: We haven't even gotten to my scene yet.Leonard: I know, butyou're going to be a TV star and you haven't left me yet. That takes guts.Sheldon: I don't know aboutyou, but I'm very uncomfortable with all this.Amy: Why?Sheldon: I've never seen this show before andnow I'm starting with episode 246? It's unnatural.Amy: Just think of the first 245 as the prequel.Sheldon:All right.Penny: Okay, shh, guys, guys, this is it.Man on TV: I guess it's you and me, kid.Mark Harmon onTV: What are you doing?Woman on TV: I'm trying to make peace.Mark Harmon on TV: We'regood.Woman on TV: Good.Mark Harmon on TV: Really? Because...Penny: Are you kidding me?Leonard:What's wrong?Penny: Well, the diner scene. Where's my diner scene?Sheldon: Well, don't ask me. Until Isee the prequel, I'm lost.Penny: No, there was supposed to be a big scene with me and Mark Harmon,"}
+{"doc_id":"doc_248","qid":"","text":"Angel: \"Previously on Angel\"Wesley: \"Angel's son is part of the prophecy. Everyone and everything willbe coming for him.\" Fred is holding Connor.Wes: \"Adorable.\"Gunn: \"So sweet.\"Wes: \"I meant thebaby.\"Gunn: \"I meant the hot mama.\"Wesley: \"She is a rather extraordinary young woman.\" Gunn andFred kiss. Wes' face reflected in the polished metal as he sees them.Lorne: \"We got a little term back inPylea - kyrumption...\"Angel: \"I know it.\"Pylean Priest: \"Everyone is very anxious for her majesty tocom-shuck with the Groosalug.\"Gunn: \"Sounds dirty if you ask me.\" Cordy runs across the dungeon tohug Groo.Cordy: \"That's not terrible, that's wonderful!\"Groo: \"Your visions shall pass to me.\"Cordy: \"Ican't give up my visions!\" Cordy lounges in Angel's doorway, dressed up for the ballet.Lorne:\"Cordelia?\"Angel: \"What about her?\"Lorne: \"You got to let her know what's brewing inside, because youdon't wanna miss that shot!\" Possessed by the mystical energy in the ballerina's dressing room, Angeland Cordy go at it.Angel: \"You've become a truly extraordinary woman. I think that we...\"Cordy:\"Groo?\"Angel: \"Yes! We grew - closer together and I think...\" Cordy runs past him.Cordy: \"Groo!\"Groo:\"Princess!\" They hug.Cordy: \"Oh god, I can't believe it!\"Lorne to Angel: \"He just showed up\" Fred(voice-over as Angel goes to check on Connor): \"I thought for sure she was meant to be with Angel. Iguess you never can predict those things.\" Angel is leaning on Connor's crib, looking down at his son.Lorne comes up beside him.Angel: \"It's strange.\"Lorne: \"Hmm.\"Angel: \"I remember him beingtaller.\"Lorne: \"A trick of the light. They don't actually get smaller until they're very, very old.\"Angel: \"Ididn't mean the baby.\"Lorne: \"I know you didn't.\"Angel: \"I meant the Groosalug.\"Lorne: \"I know youdid.\"Angel: \"Did he seem, ah, - I don't know - short?\"Lorne: \"Oh, absolutely. Clearly the guy shrank - allover, probably. (Lorne helps Angel out of his tux jacket) Why, he's nothing but a muscley midget. I'msure once Cordelia gets him home, she'll just pop him into a smallish drawer, and that will be that.\"Angel,adjusting his cuffs: \"She took him home. Well - well, that's good. At least we won't have to put him uphere. The place was starting to turn into a hotel.\"Lorne: \"So - so you don't have a problem with thatthen?\"Angel: \"Of course not. Why would I?\" Lorne sniffs Angel's tux jacket.Lorne: \"Oh, I don't know.Maybe because I don't remember you wearing this perfume when you left this evening?\" Angel takes thejacket from him.Angel: \"Okay. There may have been some magic.\"Lorne: \"There. You see?\"Angel:\"Actual *magic,* Lorne. Whatever happened, it was a spell. It's worn off now. There's nothing betweenCordelia and me.\"Lorne: \"Sure there is. And it got arms like steel cables and a deeply ironic sense oftiming.\" Angel goes to hang his jacket into a closet.Angel: \"You know, it's good that the Groosalugshowed up when he did. You were right. Cordelia deserves a champion, and now she's got one.\"Lorne:\"Well, what about you?\"Angel: \"I'm fine. I've been a solo-act most of my two hundred fourty plus years.And when I wasn't? Never turned out well. I like being alone.\" The camera frames Angel and Lorne frominside the closet as Angel hangs up the jacket.Lorne: \"Fine, Ms. Garbo. Have it your way. Be alone.\" Thecloset door closes, and the screen goes dark - only to show us Angel again as he opens the door again amoment later. Angel reaches in, takes out the jacket on its hanger and sniffs at it for just a momentbefore hanging it back up and closing the door as he turns away. The camera looks out of another closet,this time at Cordy changing out of her evening dress.Cordy: \"So, ahem, you got deposed, huh?\" Groo,pacing in her living room: \"Yes.\"Cordy: \"Huh. That sucks.\"Groo: \"The people turned against me.\"Cordy:\"Yeah, well, they'll do that.\"Groo: \"Endless committees were formed. Committees splintered into factions,the factions into coalitions, the coalitions turned into subcommittees, until finally the more radicalelement, spurred by a charismatic leader, did the dance of revolution.\" Cordy comes out of her bedroom,wearing a red sweater and jeans.Cordy: \"And here you are.\"Groo: \"Yes.\"Cordy: \"So - you don't miss it?You know, the power, castle, concubines, and the royal chippies.\"Groo: \"There was never anyoneelse.\"Cordy: \"Oh.\"Groo: \"I welcomed the overthrow. The tedium of government was too much to bearafter a life on the battlefield.\" Cordy, running a finger down the side of Groo's face: \"Your heart wasn'treally in it.\"Groo: \"No. That left when you did.\" Groo slowly leans forward and they kiss. The cameracircles around them and as we come back to see the Groosalug's face he has suddenly turned into anugly, spiny, black monster. Cordy pulls back, staring at him. Groo's voice coming from the monster:"}
+{"doc_id":"doc_249","qid":"","text":"Open on three cheerleaders running in a busy High School car park as Veronica drives in, parks up andheads towards a crowd in front of the school.VERONICA VOICEOVER: This is my school. If you go here,your parents are either millionaires or your parents work for millionaires. Neptune, California. A townwithout a middle class. If you're in the second group, you get a job. Fast food, movie theatres,mini-marts. Or you could be me. My after-school job means tailing philandering spouses or investigatingfalse injury claims. The crowd is gathered around, staring at something ahead.MALE VOICE IN THECROWD: Who'd that guy rat out? The focus of the crowd's attention is a young black man, taped to aflagpole. He is naked, although his dignity is preserved by the tape and 'Snich' is painted in large lettersacross his chest. We will subsequently learn his name is Wallace.BOY IN THE CROWD: The bikers.GIRL INCROWD: Why doesn't somebody cut him down?ANOTHER BOY IN THE CROWD: [Sarcastically] Yeah! I'lldo it. I wanna be the guy up there tomorrow!No one is helping him and one particularly obnoxiousindividual approaches him with a camera, taking a photograph of himself with the humiliatedcaptive.JERK: All right, say cheese. Smile. Veronica is unimpressed with the passivity of the crowd or thejerk and approaches them.VERONICA: [To the jerk] Move.JERK: Who died and made you the quee-Hisposturing is cut off by Veronica's production of a small knife and he leaves as Veronica starts to slicethrough the tape around the boy's lower body.JERK: [Exiting] You ARE a freak.VERONICA: [To the lad, asshe cuts him down] You're new here, huh. Welcome to Neptune High.School bell rings.VERONICA: [Inmock enthusiasm to the quickly dispersing crowd] Go Pirates! Overhead shot of event cuts to the front ofa class room in session. As the teacher (who in the future we will learn is Mrs Murphy) walks forward, thestudents are exposed, including Veronica, whose head is on the desk and who looks to be asleep.MRSMURPHY: This is advanced placement. We expect more. It's called 'An Essay on Man' but what Pope'sreally talking about is faith. Right? Anybody? Did anybody complete the reading? Veronica? VeronicaMars! Veronica's head comes up. She wipes her eye, waking up.VERONICA: Um-humMRS MURPHY:Congratulations, you're my volunteer. Pope. An Essay on Man. Epistle I.VERONICA: \"Hope springs eternalin the human breast; Man never Is, but always To be blest: The soul, uneasy and confin'd from home,Rests and expatiates in a life to come.\"MRS MURPHY: And what do you suppose Pope meant bythat?VERONICA: Life's a bitch until you die. [The class titters.]MRS MURPHY: OK, thank you Ms Mars forthat succinct and somewhat inappropriate response.Veronica returns her head to the desk as the teachercarries on.MRS MURPHY: I think what Pope's saying is that the thing that keeps us powering throughlife's defeats is our faith in a better life yet to come.Cut to Veronica coming from around the corner to anempty school hall with successive sets of lockers on the side between classroom doors.VERONICAVOICEOVER: Random locker searches. It's the latest tactic the administration has adopted in their losingwar on drugs except the searches aren't really random. In front of Veronica are a tall, besuited man anda deputy who holds the leash of a German Shepherd. We will subsequently learn that the deputy's nameis Sacks.VERONICA VOICEOVER: I know when they're gonna to happen before Vice Principal Clemmonsdoes.DEPUTY SACKS: Veronica Mars, this should be good.CLEMMONS: Veronica, would you please openyour locker.As Veronica is turning the combination of her locker, the dog barks.VERONICA: [To the dog]Buster. The dog gives a little whine and obeys her. The surprised deputy looks down at the dog. Veronicaopens her locker. It is completely empty save for a picture on the back of the door. It is a picture of VicePrincipal Clemmons framed in a heart.VERONICA: [With feigned embarrassment] Wow. This is a littleembarrassing.Cut to an unappetizing dinner tray of meatloaf, gravy and mixed peas and corn. Veronicastabs at it unenthusiastically as the camera pulls back to reveal her in an outside eating area in theschool, sitting alone at one of the tables. People fast motion around her until it rests on a table acrossfrom her. There are a number of students there, taking delivery of pizzas.VERONICA VOICEOVER: I usedto sit there. At that table. It's not like my family met the minimum net worth requirement. My dad didn'town his own airline like John Enbom's [paying for the pizzas with a gold card] or serve as ambassador toBelgium like Shelley Pomeroy's but my dad used to be the sheriff and that had a certain cachet. Anotherboy approaches the pizza table.VERONICA VOICEOVER: Let's be honest, though. The only reason I was"}
+{"doc_id":"doc_250","qid":"","text":"Act 1 Scene 1 - Cafe NervosaFade in. Niles is sitting at a table, Frasier is ordering at the counter.Frasier:Cranberry muffin, please. And, uh... a vanilla latte.Niles: Oh, dear, comfort food. What happened?Frasiersits.Frasier: Niles? Do you think I'm elitist?Niles: Of course I do. You needn't worry about that.Frasier:No, not in the good way. At work today, I discovered an injurious graffito about me. Scrawled on themen's room wall.Niles: No.Frasier pulls a piece of toilet paper from his pocket to read from.Frasier: Yes.Quote: There once was a man, Frasier Crane, Who says he can feel your pain. But he acts like a snob, Tothe guys at his job, And I think he's totally lame.Niles: That's terrible! There's a tense shift, anapproximate rhyme, the scansion leaves a lot to be desired...Frasier: Niles, you're missing the point! Ihave always striven to be approachable, the embodiment of the words \"If you can talk with crowds andkeep your virtue...\"Niles: \"Or walk with kings, nor lose the common touch.\"Frasier: Exactly!The waiterbrings Frasier's coffee and muffin.Frasier: Thank you. If maligner truly knew who I was, he'd have foundthat a more apt characterization than \"snob.\"Niles: Assuming he's familiar with Kipling.Theysnicker.Frasier: What are the odds?Roz stops in the doorway to kiss her boyfriend goodbye before heheads off.Frasier: Well, Roz. I'd ask you to join us, but I see you've already had happy hour. Well, here,please, join us.They rise and make room for her and they all sit.Frasier: So?Roz: Well, his name is Roger,and we've been kinda goin' out for the last couple of weeks.Frasier: All right, tell us about him.Roz: He'svery sweet - and he's a garbage man, so go ahead and make your jokes.Frasier: What jokes? Why doeseveryone assume I look down on the common man?Niles: Oh, I've got a good one: So, even in his offtime, he's taking out the trash.Roz laughs along with him.Frasier: Technically, that's really more aboutRoz. Now if I were to make a joke about him, which of course I wouldn't, I'd say he has a thing for Roz'scan.Roz: You two finished?They nod as she gets up.Roz: And don't worry, I won't get dumped. She turnsand goes to the counter.Niles: I'd already passed on that.Frasier: Yes, it's a bit on the nose.They laugh.FADE OUT.HE KICKED SPASSKY'SBUTT IN REYKJAVIKScene 2 - Frasier's ApartmentFade in. Daphne andMartin are in the living room, going through boxes. Niles comes in the front door.Niles: Dad,Daphne.Daphne: Hey. [she holds up a photo] Look what your father found: a picture of you in a teddybear costume.Niles: Why do you have all this out?Martin: Well, I was makin' room in the storage closetand I found some of your old stuff.Niles: What else is in here?Martin: Well, here's your cap and yourblazer from Bryce academy.Niles sits next to Daphne.Daphne: Oh, I bet you were the cutest thing inthat.Niles: Oh, well, here's a picture of me in it.Daphne: [a bit flat] Oh.Niles: [picking up a plaque] Oh,oh, oh, oh. Bobby Fisher's autograph.Martin: Well, son, it's been enough years, I can probably tell youthe truth about that.Niles: [holding the plaque to his chest proudly] What?Martin: [covering] Oh, look! Apicture of you in your first little league uniform. [wistfully] Don't know why I said \"first.\"Daphne: [takingit] Was that your game face?Niles: Oh, no, no. I'd just lost a tooth to an errant pitch.Martin: Tell her whowas pitchin'.Niles: I was.Daphne puts her arm around him to comfort him and kisses hischeek.[SCENE_BREAK]Scene 3 - KACLFade in. Frasier is sitting at his desk, Roz comes in with abouquet.Frasier: Flowers from your new beau?Roz: Yeah.She carries them over to her side.Frasier: Mustbe nice to be liked.Roz: [coming back] Are you still obsessing over that limerick?Frasier: People aremaking additions. Good lord, I've read anthologies with fewer contributing authors.Roz: I'm sure they'llall wash right off.Frasier: If only there were a solvent that could remove the stains they've left on myspirit.Roz heads back to her side.Roz: It was a joke. What's the big deal?Frasier: [following] Oh, yes, Iknow. Being written up on the bathroom wall is no big deal to you. But that limerick made a point, as allgood limericks do. It seems to have resonated with everyone around here. I want these people to knowthe real Frasier Crane.Roz: Wouldn't it be better if you tried to make them like you?Frasier: Yes. And tothat end I was thinking along the lines of... oh, say a little party. For the entire staff, at my place. Hey,you could bring Roger!Roz: Thanks. But I think it's a little too soon. I don't want to put any pressure onhim.Frasier: Oh, come on, Roz. You're always saying you don't have a date for these things.Roz: There'sgonna be a lotta radio talk, and I'm not sure he's gonna be that comfortable with this crowd.Frasier: Whois? Come on, Roz, I'd like to meet him.Roz: I don't know. Maybe next party.Frasier: Does this have"}
+{"doc_id":"doc_251","qid":"","text":"Recap of the first half of the seriesEXT. CORN FIELD, DAYBirds are singing and suddenly a Mini drivesthrough the stalks.INT. MORRIS MINI, DAYAMY is holding what appears to be a map and gives directionsto RORY.AMY: OK, left, sharp turn!EXT. CORN FIELD, DAYRORY turns and they cross a previous path.INT.MORRIS MINI, DAYAMY: OK, right! No, no, no I mean left. (turns the map around) No, sorry right, right! Idefinitely meant right.EXT. CORN FIELD, DAYRORY continues driving.INT. MORRIS MINI, DAYAMY: Nowloop the loop!EXT. CORN FIELD, DAYRORY drives.INT. MORRIS MINI, DAYAMY: Stop! Stop!RORY slamson the brakes.EXT. CORN FIELD, DAYAMY and RORY get out of the car to see the DOCTOR and theTARDIS in the middle of the crop circle they just made. The DOCTOR holds up the Leadworth paper with aheadline that reads \"Leadworth's Crop Circle\".DOCTOR: Seriously?The camera pulls upwards and we getan aerial view of the field. The \"circle\" reads \"Doctor\".RORY: You never answer your phone. (closes cardoor)AMY: (walks to the DOCTOR) OK, you've had all summer. Have you found her? Have you foundMelody?DOCTOR: (hands RORY the paper) Permission?RORY: Granted.DOCTOR: (hugs AMY) You knowwho she grows up to be, so you know I WILL find her.AMY: (ends the hug) But you haven't yet?RORY:Hang on, what's this bit?The picture in the newspaper shows an extra line through the word.AMY: Thatwasn't us.The DOCTOR grabs the paper from RORY and tries to locate where it would be. The DOCTORstops and lowers the paper, AMY and RORY standing behind him, as they hear an engine and see a redCorvette coming straight at them. They scream and dive out of the way. The car stops, inches away fromthe TARDIS. A young black woman steps out of the car. AMY and RORY stand and the DOCTOR is lying onthe ground at her feet.WOMAN: You said he was funny, you never said he was hot.RORY: Mels?AMY:What are you doing here?MELS: Following you, what do you think?The DOCTOR uses the car to standup.RORY: Um, where did you get the car?MELS: It's mine...Police sirens wail in the distance.MELS:..ish.AMY: Oh, Mels, not again?RORY: You can't keep doing this. You'll end up in prison.DOCTOR: Sorry,hello, Doctor not following this. Doctor very lost. You never said I was hot?!MELS: (points at the TARDIS)Is that the phone box! The bigger-on-the-inside phone box? (caresses the TARDIS) Time travel - that'sjust brilliant.The DOCTOR leans against the TARDIS next to MELS.MELS: Yeah, I've heard a lot about you.I'm their best mate.DOCTOR: Then why don't I know you? I danced with everyone at the wedding. Thewomen were all brilliant, the men were a bit shy.MELS: I don't do weddings.The police sirens soundcloser.MELS: And that's me out of time. (pulls a gun on the Doctor)AMY: Mels!RORY: For God'ssake!AMY: What are you doing?MELS: I need out of here, now!DOCTOR: Anywhere in particular?MELS:Well, let's see! You've got a time machine, I've got a gun. What the hell - let's killHitler.[SCENE_BREAK]Matt Smith Karen Gillan Arthur Darvil\"Let's Kill Hitler\" by Steven MoffatProducerMarcus WilsonDirector Richard Senior[SCENE_BREAK]A LONG TIME AGO IN LEADWORTH....INT.AMELIA'S BEDROOM, DAYAMELIA is going through her box of Raggedy Doctor crafts as MELSwatches.MELS: Is he hot?AMELIA: No, he's funny.MELS: But how can he travel in time?AMELIA: Becausehe's got a time machine, stupid!RORY enters the room.RORY: I thought we were playing hide and seek.I've been hiding for hours!AMELIA: Well, we just haven't found you yet!RORY: OK. Hi, Mels.MELS: Hi,Rory.RORY leaves.INT. CLASSROOM, DAYMELS is standing as she is questioned by the teacher.TEACHER:Mels, did you not understand the question? I'm asking you why the Titanic sank.MELS: Because theDOCTOR didn't save it. Except you don't know about the Doctor because you're stupid!INT. SCHOOLHALLWAY, DAYMELS exits the Head Teacher's office. AMELIA is waiting and follows.EXT. SCHOOLPLAYGROUND, DAYAMELIA questions MELS as they walk through the playground.AMELIA: Why are youalways in trouble? You're the most in trouble in the whole school, except for boys.MELS: Andyou.AMELIA: I count as a boy.They walk past a blindfolded RORY.RORY: Am I getting warm?AMELIA: Yes,Rory.INT. CLASSROOM, DAYMELS and AMY are now teenagers. MELS is standing being questioned byanother teacher.TEACHER: Mels?MELS: A significant factor in Hitler's rise to power was the fact that theDoctor didn't stop him.INT. SCHOOL HALLWAY, DAYMELS exits the Head Teacher's office. AMY is waitingand follows.AMY: I can't keep doing this!INT. POLICE STATION, HALL, DAYMELS is released from her celland AMY is waiting.AMY: Mels! (runs after her)INT. AMY'S BEDROOM, DAYMELS flops on the bed and"}
+{"doc_id":"doc_252","qid":"","text":"[PREVIOUSLY_ON]John: I thought you weren't done with me yet.Tituba: Depends on you, witch hunter,whether or not you can see how well our interests are aligned.John: It's hard to see what we've got incommon.Tituba: Love and betrayal.Sebastian: My mother would have your father's book ofshadows.Anne: Tell her the book is mine, and I will not give it to her until I choose.Cotton: Lay aside yourscience, Wainwright, and fall to your knees. This is what they plan for us.Wainwright: They? Who?Cotton:Witches.Wainwright: And this orrery, like some celestial clockwork, tracks the comet overhead?Mary:What is it you want from me?Wainwright: I want in.Countess Marburg: My dark lord is already inside theboy. And come the comet... We shall let him out.Mercy: What kind of mother would abandon her onlychild to the woods? The night is our playground.Mary: You said that once you were sure, you would tellme the secret tor destroying Countess Marburg. You spoke of an object.Increase: She keeps itclose.Mary: Where? On the ship?Increase: It is the ship.Sebastian: This is the boy who sets my mother'sheart ablaze. It's time to meet your queen.[ Clicking ][ Bubbling ]Wainwright: I must have more of youand your unfathomable secrets.Mary: Mm, do not fear. You will in time. My dear doctor, I really thoughtthat no man could find his way into my affections. But you have surprised me in so many ways. In return,you have had a small taste of the ecstasy and insight that awaits you down the crooked way. I warnyou... It leads far from the comfortable main roads of civilization.Wainwright: Well, then let me begin myjourney at once.Mary: Patience. Before you can continue your journey, you must go before the darkpowers and strike your own bargain. At the witching hour, at midnight... Your journey begins then. In themeantime, you must make yourself useful.Wainwright: Anything. I am your humble servant.Mary:Destroy all your work... Everything you have written or gathered on the plague. All of it must beburned.Wainwright: [ Chuckles ] A scientist's notes are his life blood and the building blocks of all of hiswork.Mary: I told you last night... We are at war. Your observations on the plague are proof of mywitchcraft. If Cotton Mather were to find it...Wainwright: You ask too much of me.Mary: But in return,you shall have so much more.Wainwright: [ Sighs ] It's true. Mather did all but promise to lead a crusadeagainst the witches of Salem, and they would treat you far worse than the Inquisition treated Galileo.They would burn you like Bruno.Mary: Well, then unless you wish to see me martyred for our science,there can be nothing that leads back to me.Wainwright: It is not my papers that will lead him back to youbut what we saw in the crags.Mary: Leave the crags to me.Wainwright: [ Sighs heavily ][ Indistinctconversations ]Tituba: Shall I bring the young master his breakfast?Mary: No. No, I have another task foryou.Tituba: Increase Mather!Mary: The one and only. I used it to summon his soul.Tituba: Riskingnecromancy without my aid is dangerous enough, but to raise Increase Mather from the dead...Mary:Your aid? I have new allies. Do not worry your cowardly mind. I've already sent him back from whence hecame. But his specter proved quite useful. Apparently our Countess has a weakness... Her ancient,rotting corpse is the secret to her longevity. Increase told me where to find it, and at the right moment, itand she will be mine.Tituba: You trust him?Mary: Rather than you? I dare say. Now, for once, can youjust do your job? You may start by disposing of that. Time to wake, John. Seize the day, my love.John?Countess Marburg: Lost something? How careless.[ \"Cupid carries a gun\" plays ]\u0000 Pound me thewitch drums \u0000 \u0000 witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 thewitch drums \u0000 \u0000 better pray for hell \u0000 \u0000 not hallelujah \u0000Mary: Where is he?Countess Marburg: Ourlittle lamb is safe and sound.Mary: Tell me what you've done with him or I will rip the truth from yourheart.Countess Marburg: [ Chuckles ] My heart? Better you should search your own.Mary: Oh, to hellwith your riddles. Speak plainly or choke on my wrath. What have you done with my son?CountessMarburg: Perhaps it was the genius of those hags and your dusky caretaker to keep you in suchignorance.Mary: Ignorance? Of what?Countess Marburg: Poor dear. Of everything. Surely you knew thatno great working can take place without a sacrifice.Mary: No.Countess Marburg: For this, the greatest ofall workings, only the greatest of all sacrifices will do. Your son was born precisely that he should be thevessel for the dark lord's return.Mary: You are lying. It cannot be.Countess Marburg: I know this mustseem... a terrible betrayal. Do you not think that the other Mary felt betrayal when she realized what God"}
+{"doc_id":"doc_253","qid":"","text":"(Seattle Scenes)MVO: My college campus has a magic statue.(SGH Façade)MVO: It's a long-standingtradition for students to rub it's nose for good luck.(Doctor is writing on OR board)MVO: My freshmanroommate really believed in the statue's power...(Meredith and Addison in scrub room)MVO: ...andinsisted on visiting it to rub it's nose before every exam.(Meredith watches Addison take off her weddingring and pin it to her scrubs. After pinning them on, Addison pats them for good measure.)(Burke isspeaking with a nurse.) Burke: Are you sure my scrub caps weren't in the laundry delivery?Nurse: Itriple-checked.Burke: You're sure?Nurse: Yeah, I'm sure.MVO: Studying might have been a better idea.She flunked out her sophomore year. But the fact is we all have little superstitious things that wedo.(Derek is getting ready to start operating)Derek: All right, everybody. It's a beautiful morning to savelives. Let's have some fun.MVO: If it's not believing in magic statues, it's avoiding sidewalk cracks, oralways putting out left shoe on first.(Bailey is at an operating table, she takes a few breaths beforestarting)Bailey: Ok.MVO: Knock on wood.Bailey: Ten blade.(Addison and Meredith's surgery)MVO: Stepon a crack, break your mother's back.(A blood vessel bursts and the monitor starts beeping)(Burke'sOR)Burke: Paddles.(Cristina hands him the interior heart paddles)Burke: Ten joules.(The monitor startsbeeping)(Derek's OR)Anesthesiologist: He's having a reaction. I have to take him off.Derek: I'm in themiddle of his brain.(Monitor starts beeping)(Bailey's OR)Bailey: We're losing him.(Monitor startsbeeping)(Derek's OR. A nurse is removing his head gear, the patient has obviously died.)(Burke's OR. Anurse is removing his head gear, the patient has obviously died.)(Bailey's OR, the patient has obviouslydied)Bailey: Time of death...(Burke's OR)Burke: Time of death...(Derek's OR)Derek: Time ofdeath...(Addison's OR)Addison: Call it, Grey.MVO: The last thing we want to do is offend thegods.Meredith: Time of death 8:17.(The interns are in the locker room, changing.)George: Foursurgeries, four fatalities and the day has barely started. (To Cristina) Can I have a bite of that?Cristina:No. You're in my apartment, you don't get to be in my food.George: Dr. Burke gave me a protein bar,this morning.Cristina: Burke packs his lunch for him. Did I mention?Izzie: I talked to the morgue guy thismorning.Meredith: The one with the unibrow?Izzie: The one with the like teeth thing. And he said thatsurgical fatalities come in threes and sevens. Says there'll be three more before midnight.Cristina: Well,ok then. Since \"dead tooth\" morgue guy said so.Izzie: He's the morgue guy. He knows things aboutdeath.(Meredith picks up something from the floor and tries to hand it to George)Meredith: You droppedthis. (George doesn't take it and walks away) He's still ignoring me.Cristina: Ignore him back.Meredith:Derek says I should apologize until he listens.Cristina: Derek says?Meredith: It's good advice. He's myfriend. That's good friend advice.(Alex walks up and pulls Izzie aside)Izzie: What?Alex: Did you sneak outlast night?Izzie: Yeah. I, um...I couldn't sleep.(Bailey enters)Bailey: Come on.Meredith: Where?Bailey:ER.George: All of us?Bailey: We've all had deaths. Let's all go save a life.(They all begin walking throughthe hall, as they walk by the nurse's station Addison stops them.)Addison: Uh, Dr. Bailey. (Hands her acup) Here you go.Bailey: What's this?Addison: Hot cocoa. It's a little ritual we had in New York. Foursurgeries, four deaths, I figure we could all use a little good juju.Bailey: And cocoa equals jujuhow?Addison: Hey, hey, hey. Don't question the cocoa. Carry on. (They all start to walk away, Meredithis trailing behind.) Meredith. (Hands her a cup) Thank you for your help this morning.Meredith: Oh.Thank you, Addison.Addison: Yeah. Thank you.(Derek observes the exchange between Meredith andAddison. After Meredith leaves he walks up.)Addison: Here you go. (She hands him a cup)Derek:Juju.Addison: Yep.Derek: You jujued Meredith.Addison: I did. In the spirit of friendship.Derek:Hmm.Addison: What? Are we not being friends with Meredith anymore?Derek: No, no, we are. Meredithand I are friends.Addison: And you and I are married. So then, by proxy, Meredith and I arefriends.Derek: That's very big of you.Addison: Yeah.Derek: You don't have to do that. It's not like I'mgonna be friends with let's say, uh...Mark.Addison: Yeah, well, neither am I. Now finish your juju beforesomebody else dies.Derek: Hmm.(Meredith enters a room where she throws away the cup of juju.)(Burkeis walking through the hallway talking on his cell phone.)Burke: There are ten of them. Music notes.Colorful patterns. They were sent out last night.(Burke walks up to the OR board where Richard is"}
+{"doc_id":"doc_254","qid":"","text":"Act One.Scene One - KACL Frasier and Roz are in Frasier's booth. Roz is sorting some carts, while Frasieropens his mail.Frasier: Oh look, Roz, Roz, my brochures are here! Oh, god, very exciting! Vacation!Roztakes one of the brochures from Frasier.Roz: Wow! The Golden Door Spa!Frasier: Ooh, yes!Roz: Look atthose accommodations! That is nice!She gives the leaflet to Frasier.Frasier: I plan to leave Dad and Eddieto fend for themselves while I go off and spend an obscene amount of money being pampered like aspoiled child. I know it's self-indulgent, but what else are vacations for? By the way, what are you doingfor your week off?Roz: Oh, I'm taking my mom to Ireland to stay in the sod house where her mother wasborn.Frasier: Why don't you just write the words \"bad son\" on my forehead!Roz: Listen, there is nothingwrong with pampering yourself on your vacation. After all, you do work three hours a day.Frasier standsup, annoyed, turns his back on her, and begins to sort through his brochures on the side bench of thestudio.Roz: I'm sorry. That one even surprised me!She walks into the adjoining producer's suite. Frasierfollows her through.Frasier: You know, it's just that when I think of the relationship I have with my dad Ican't help but envy the relationship you have with your mother.Roz: Well, it didn't just happen. We workat it, spend time together...Frasier: Roz, are you forgetting that my father lives with me? How muchmore time together could we spend!Roz: Day to day living is different. You know, there is nothing betterthan taking a trip together. You get to have a little fun, you get to relax... you get to see a whole differentside to the other person.Frasier: You know, in his entire life, my dad has never been to Europe. It wouldbe a way of connecting with him if I were the one to give him that. [looks questioningly at Roz] So, whatwould you charge me to take him to Ireland with you?Roz looks at him with a wry smile on her face andshakes her head.[SCENE_BREAK]Scene Two - Frasier's Apartment Fade back in. Niles is sitting with hisface down on the table as Daphne massages his back. Martin is sitting in his chair with the paper in onehand, and is stroking Eddie with the other.Niles: [moaning with pleasure:] Ahh... I should have knownthis would happen. I always throw out my back when I try to lift Maris's luggage.Daphne: Why didn't youhire a skycap?Niles: Oh, we did for most of it, but Maris won't trust strangers with her makeup case, eversince a ham-handed porter dropped it and broke three vials of rare Swiss lamb placenta. On the upside,the calfskin lining of her case was never more soft and supple.Daphne lifts him to sit up straight, puts herarm around his neck and proceeds to massage his back with the fist of her right hand.Daphne: Where didMrs. Crane go, anyway?Niles gives more moans of pleasure, and Martin looks round at him inamusement.Niles: She's making her annual pilgrimage to the holy land.Martin: I thought she was goingto Dallas to visit her sister.Niles: That is her holy land. It's the site of the first Nieman- Marcus.Martinturns back to his paper, shaking his head. Niles produces more moans of ecstasy. Frasier enters theapartment, carrying his briefcase.Daphne: Oh, Dr. Crane...Niles: [still moaning] Oh, call me Niles!Frasiercasts his usual look of disapproval and disappointment in Niles's direction, and Niles, noticing him, standsup.Niles: Thank you, Daphne.Frasier: Dad, I've had an idea and I hope you're as excited about it as I am.[opens his briefcase and takes out the holiday brochures] I want to take you on vacation!Martin:[suspicious] Why?Frasier: Well, I thought an adventure might do us good, give us a chance to have somefun, maybe get reacquainted, even do a little bonding.Martin: What'd you have in mind?Frasier: Well, thisisn't about where I want to go, this is about where you want to go.Frasier fans out the leaflets and laysthem on the table by his father in an extravagant gesture.Frasier: Dad, I give you the world!Martin:[reading one] The Galy-pay-gos islands, huh? \"Where iguanas, sea-lions and giant tortoises live in eternalharmony.\" [to Frasier] Is it important they get along?Frasier: No, I suppose not.Niles has also beenlooking through the leaflets.Niles: Oh, how about this! India and Nepal! Trek the foothills of theHimalayas!Martin: [tapping his cane] I think you're forgetting about my old pal here.Niles: No problem.Frasier can just hire a really tough little Sherpa to carry you on his back.Martin looks at himstupidly.Niles: They don't mind.Frasier: Well, we obviously haven't struck the right chord yet, but we will,we will. Dad, why don't you just suggest something?Martin: You really want to go on a trip withme?Frasier: Yes I do! I'll go anywhere you want to! Anywhere!Martin: Okay. Well, maybe I'm not assophisticated as you, but I think I should see America first!Frasier: Great! We're Americans, we should"}
+{"doc_id":"doc_255","qid":"","text":"[Scene: Monica, Chandler, and Phoebe's, everyone is there having breakfast and Joey enters carrying aloaf of bread.]Joey: Hey!Ross: Hi!Joey: Who wants French toast?Ross: Oh, I'll have some!Joey: Good, metoo. (Tosses him the loaf.) Eggs and milk are in the fridge. Thanks.Monica: (entering from her room)Oww!Chandler: What's the matter honey?Monica: I don't know, my hand feels weird. I guess it'sbecause, I'm engaged! (Shows off the ring.) How long before it starts getting annoying?Phoebe: Itstarts?Rachel: Yeah, so let's get started on the wedding plans!Monica: Okay! (Runs off.)Chandler:(incredulous) Already?!Rachel: Yeah, we got a lot to do! We gotta think about the flowers, the caterers,the music...Chandler: Oh, I got some thoughts on that.Rachel: Oh wait Chandler, too many cooks...Ross:Take it from me, as the groom all you have to do is show up and try to say the right name.Monica:(returning) Okay! (Sets down a huge 3\" 3-ring binder on the table.)Chandler: What in God's name isthat?!Ross: Oh my God, the wedding book?! I haven't seen that since the forth grade!Monica: This babyhas got everything. Take y'know, locations for instance. (She opens up the binder to the locationschapter.) First, organized alphabetically, then geographically, then by square footage.Phoebe: That is sosmart! (To Chandler, under her breath) Break it off. Break it off now.Opening Credits[Scene: AClassroom, Ross is giving a lecture.]Ross: And that should conclusively prove that I had the idea forJurassic Park first! Now let's take a look at... (Phoebe rushes in.)Phoebe: Hey! Ross!Ross: Phoebe, oh myGod! Wh-wh-what are you doing here?Phoebe: I need to talk to you, it's pretty urgent. It's about Monicaand Chandler.Ross: Oh my God! Of course, of course. (To the class.) Umm, would you please excuse mefor a moment? Umm, do you know each other's hometowns? Why don't you... (Motions that they shouldlearn everyone's hometown.) (To Phoebe) Wh-what's going on?Phoebe: Well, umm, not much. But, I wasjust thinking that since those guys just got engaged that maybe it would be nice if they had someprivacy, y'know? So, could I just move in with you for a couple days?Ross: Umm, okay, yeah, sure. Butwh-what's wrong with Monica and Chandler?Phoebe: Nothing-Why?!Ross: Phoebe, you said it wasurgent!Phoebe: Oh yeah it is! I'm going to the movies and it starts in like five minutes.Ross: Do yourealize I have a classroom full of students?Phoebe: (to the students) Oh, I'm sorry. I'm so rude. Doesanyone want to come to the movies?[Scene: Monica, Chandler, and Phoebe's, Rachel and Monica arepretty much telling Chandler what the wedding plans are.]Monica: All right, so I haven't cleared thebudget with my parents yet, but tell me how this is for music.Rachel: Okay.Monica: All right umm, astring quartet for the procession.Rachel: Aw.Monica: A jazz trio for cocktails. The Bay City Rollers fordancing. Wait, that was from my sixth grade wedding.Chandler: Well, you couldn't get them anyway. Iandoesn't play anymore and Derrick... (Off of Rachel and Monica's looks) And Derrick is a name I shouldn'tknow.Joey: (sitting up from the couch) Hey Mon, do you have another pillow? (Holds up one.) Y'know,something a little snugglyer?Chandler: Why are you napping over here instead of over at yourplace?Joey: Well, the duck...Rachel: What?! The duck?! What the hell did the damn duck do now?!Joey:Uh, well he did not get sick somewhere in there and it was immediately found and properly cleanedup!Chandler: Now, do I get to look at this book or is it just for people who are actually involved in thewedding?Monica: Of course you can look at it! Yeah, I want your opinion too!Chandler: Okay.Monica:Here you go! What do you think about centerpieces?Chandler: Centerpieces!Monica: Yeah! Roses orLilies? (Holds up a picture of each.)Chandler: Definitely roses. (Monica and Rachel exchange a look.)Well, I just think they're a little more weddingy. (Monica holds the Lily picture closer to him.) But Liliesare the clear choice.Monica: Oh my God! It's like one mind.Chandler: Uh-huh!Joey: (sitting up again)Guys! Guys!! You gotta let me nap! Ugh, I'm gonna get cranky!Rachel: Joey, there is a perfectly goodcouch across the hall!Joey: Yes it is perfectly good, and it is not one of the places the duck gotsick!Rachel: What?!Joey: All right, I'm gonna go! (Gets up and heads for the door.)Rachel: Now Joey,what did the duck do?!Joey: I don't know! But he did not eat your face cream![Cut to Joey and Rachel's,Joey enters and heads for his bedroom. He pushes open the door to find the duck.]Joey: Hey little buddy,how are you feeling? (The duck does not get sick and Joey recoils in horror and heads for the couch.)What the hell is in that face cream? (He's about to try out the couch but notices the bed in Rachel's room."}
+{"doc_id":"doc_256","qid":"","text":"[PREVIOUSLY_ON]Julian : I decided not to produce the movie. There's this girl that... I'm kind of in lovewith, and... I couldn't be away from her for another day.Haley : I know the label's gonna run a lotsmoother with you at the helm.Miranda : I'm not here to run the label. I'm here to close it.Mouth : You'remad because I want you to move out, but it's only because I'm trying to step things up with Millie.Skills :You trying to get rid of me with your naked ass. It ain't gonna work.Quinn : You know earlier when...when I said I miss David?Haley : What happened, Quinn? You said he...Quinn : I left him.Clay : Does thatgirl look familiar to you?Nathan : Yeah, she was at the party today. Why?Clay : She says she slept withyou on the road, Nate, and she's going public.AT BROOKE'S HOUSEMan : And where will you run... backto the life of a peasant harlot?Alex : Perhaps I will. But should I return to a life of more meager means, Iwill do so with my dignity intact, my heart pure and true.Man : And yet you had no dignity nor purity inmy bed a fortnight ago.Alex : Meager means, indeed.Man : Harlot! Leave the dress!Brooke : Millie wasright. Alex Dupré is the perfect choice to be the face of the new campaign. She's smart. She's talented.She is crazy beautiful. Julian?Julian : I'm shaving!Brooke : How come this movie never came out?Julian :Because smart and talented and beautiful got all hopped up on goofballs and had to be checked intorehab. By the way, those dailies are top secret. I had to call in about a dozen favors to get 'em.Brooke :Aww, my baby's so good to me. Damn. I am really gonna like this living-together thing. I want you tomove your stuff in, okay? This is our house now, not just mine.Julian : Good. Well, then how would youfeel about going back to our bedroom for a little while?Brooke : I'd make a joke about meager means,but... it would simply be untrue.ON THE BEACHClay : Hey. You know I'm not judging you, right?Nathan :Clay, listen, man, you've known me for a long time now. I don't care what that woman says. I did notsleep with her, all right?Clay : All right.Nathan : It's unbelievable to me that she could just show up andspout a bunch of lies, and the next thing you know, I'm in the headlines, my family's in the headlines,and I'm guilty before I'm innocent.Clay : Don't freak out. You're not in the headlines yet. And believe it ornot, this kind of thing, it happens a lot. You're a public figure, and they know you make a lot ofmoney.Nathan : I'm in a contract year, Clay.Clay : I know. So, here's what you're gonna do. You'regonna stay in shape, you're gonna stay focused, and you're gonna let me handle it. All right?Nathan : Allright.*yeah*AT SCOTT'S HOUSEHaley : It has been ringing off the hook.*waves crash along*Haley :Quinn, what happened? I mean, what actually happened between you and David?Quinn : He justchanged, you know? I mean, he used to see the world exactly the way I saw it. He just doesn'tanymore.Haley : But he still loves you.Quinn : I know. But I don't know if that's enough.Haley : I'msorry. I got to go. I got to go down to the studio and take care of this whole \"shutting us down\"mess.Quinn : Do you need my help?Haley : No. You just stay here and enjoy your day. I'll see youlater.Quinn : Okay.Haley : It's gonna be okay, Quinn.Quinn : I love you.Haley : I love you, too. *keepyour hello* *don't think about it at all*AT MOUHT'S APPARTMENTMillicent : Is it okay?Skills : You'regood.Millicent : Damn it, Skills!Skills : What up, Millie?Millicent : You and Marvin need to stop thisridiculous naked standoff!Skills : Hey, look, he started it, trying to get me to move out.Millicent : Okay,look... I'm going to pick up Alex Dupré from the airport. I'm gonna work a full day, and when I get home,you two idiots better have your pants on!IN THE CARJamie : So, what are you gonna do?Skills : I ain'tmoving out. That's for sure.Jamie : Why not? If Chester hopped around without his fur on, I'd probablymove out.Skills : Yeah, well, it's a long story. So, you ready for the beach?Jamie : Totally. You think I canbury you and Miss Lauren in the sand?Skills : Cool with me. Oh, and, um, don't tell Miss Lauren about thewhole moving-out stuff, all right?Jamie : Why not?Skills : Just don't. Wait. Uh-Oh, here shecomes.Lauren : Hey, boys. Ready for the beach? What are you guys up to?Skills : Nothing.Jamie :Nothing.Lauren : Huh.*that girl's a genius* *whoa oh oh oh oh oh oh*TV BROADCASTDan : Neverbelieve that you can deceive. You might think that you can get away with it. You might actually get awaywith it... for a while. But your life is made up of choices and decisions.AT BROOKE'S HOUSEPaul : Hi,Julian.Julian : Dad. What are you doing here?Paul : I came to talk you out of the worst decision of yourlife.TV BROADCASTDan : Poor choices, poor life. Bad decisions... bad life.AT RED BEDROOM"}
+{"doc_id":"doc_257","qid":"","text":"EXT. - L.A. - WAREHOUSE BUILDING - DAY[The sound of slow breathing. The scene fades in with klezmermusic. Jenny gets out of her car which is parked next to a warehouse by the freeway. Car traffic andpolice sirens are heard in the distance.][Title card: Los Angeles, California, present day][Jenny walks upto the warehouse. A sign on the building reads \"Howling Coyote\".][Jenny goes in. The breathing sound inthe background begins to speed up. Jenny walks through a corridor to a main area with a small stage. Awoman sits at a table. A big man looking at a clipboard walks past.]Woman: Hey, Victor. She'shere.[Victor looks at Jenny.]Victor: Yeah. So? (shrugs)Woman: Trust me. She's a very sick girl.[Thebreathing stops. Jenny smiles.][Opening credits]INT. - SHANE AND JENNY'S HOUSE - JENNY'S ROOM -DAY[Jenny sings softly in Hebrew. She slowly flips through the pages of a sketchbook, wherein is drawndisturbing pictures of a naked young woman: urinating in a bowl, being shouted at by a young manwearing a clown t-shirt, and standing on a stage in front of a crowd of cheering, shouting men, lifting herskirt. The title of one of the drawings reads \"Skokie, Illinois, 1989\". The sound of men cheering andwhistling loudly is heard in the background.][The men in the crowd look vicious, like animals, as theyshout at the young girl on stage. Jenny has drawn many of the men in the crowd with warped, bizarrefaces, as they jeer and show their teeth at the girl on the stage. Some of the men stare hard; others havetheir mouths open, shouting.][Cut to live-action footage of men crowded around a small stage, shoutingand banging on the stage animalistically. The men are almost uncontrollable. The scene goes back andforth between live-action shots and the drawings.][We see a drawing of a young Jenny, stripped down toher underwear, standing alone as hands reach for her. The sounds of cheering and shouting finally driftaway. Jenny still sings softly.]INT. - BETTE'S HOUSE - LIVING ROOM - DAY[Deliverymen are bringing in ahospital bed for Melvin. Kit sits nearby. Bette moves furniture around.]Bette: Just right in the middle ofthe living room.Kit: Not a good decorating choice. You're going to be sorry.Bette: I just had to get himout of the hospital. It was killing him.Kit: Cancer's killing him.Bette: (to deliverymen) That's great. Rightthere. Can you guys hook that up for me, please?Deliveryman: Really not our job, ma'am. Here are theinstructions.[The deliveryman hands Bette a slip of paper before leaving. Bette reads it.]Kit: Do you haveany idea what you're taking on? Are you prepared to watch our father die right here in your livingroom?Bette: He could go into remission, Kit. Don't put him in the ground quite yet.Kit: He's refusingtreatment.Bette: His doctors give him four to six weeks. I give him as long as he wants to stay alive.Kit:And what about work?Bette: (sighs) Don't worry about work, Kit. I just... want to make sure that Daddy'sset up. I'll figure something out.Kit: I don't think you know what you're in for. This is going to eat youalive.Bette: I didn't know that I would be taking it on all by myself.Kit: Then you should have talked tome. You should have included me in this huge decision you made about how our father's going to leavethis earth.INT. - SHANE AND JENNY'S HOUSE - JENNY'S ROOM - DAY[Jenny still sits, looking at thesketchbook, still singing softly in Hebrew. Shane walks in with coffee and a muffin and sits down next toher.]Jenny: Thank you. That's nice.Shane: They're from Mark.Jenny: No, thank you.Shane: Look, heasked me to bring it.Jenny: I'm not going to let the b*st*rd redeem himself.Shane: Look, I doubt hethinks that coffee and a muffin's going to redeem him.[Jenny says nothing, continues looking at thesketchbook. Shane gets up and walks to the door.]Shane: Look, I hate to bring this up, but... we haverent -Jenny: No, no, no. I know.Shane: You know, Jen, I'd - I'd cover you if I could -Jenny: No.Shane:You know, Mark offered -[Jenny turns around to Shane.]Jenny: No.[She turns back to hersketchbook.]Jenny: I'll pay my own rent.Shane: Okay.[Shane leaves.]EXT. - BETTE'S HOUSE - FRONTPORCH - DAY[Shelly, the nurse, walks to the front door.]EXT. - SHANE AND JENNY'S HOUSE - FRONTPORCH - DAY[Mark is busy scraping old paint off the house with a paint scraper.]INT. - BETTE'S HOUSE -LIVING ROOM - DAY[Bette is taking down some of the more suggestive art she has in her house. Shellyknocks at the door.]Bette: Come in.Shelly: (entering) Hi.Bette: Oh, thank God you're here. Can youfigure out how to hook that thing up?Shelly: Oh, yeah, sure. (pointing to her bags) Is there anywherethat I can...Bette: Oh, there's a spare bedroom around the corner, at the end of the hallway.Shelly:Okay.THE BABY'S ROOM -[Shelly walks into the spare bedroom and sees the glass mobile and a baby's"}
+{"doc_id":"doc_258","qid":"","text":"\"The Intern in the Incinerator\"[SCENE_BREAK]TEASER(Interior - Day - Sirens are blaring and lights areflashing in a brick basement at the Jeffersonian. Two men in overalls enter and walk down thecorridor)JANITOR #1: Smoke comes out of the vents in the first floor break rooms.JANITOR #2: You'resure you turned the flame down last night?JANITOR #1: Totally, one hundred percent guaranteed,positively sure. Alarms gone off before but the smoke was always gray.JANITOR #2: One time a possumgot caught in the shaft, smoke came out like this.JANITOR #1: Dr. Addy was conducting an experimenton a pig yesterday. I told all them eggheads not to toss dead animals down the incinerator shaft.JANITOR#2: (They stop in front of the incinerator door) Since when do they listen to us. (Opens the incineratordoor)JANITOR #1: Holy crap! (Covers his mouth, coughing)JANITOR #2: (Looking inside) Definitely notpork!(Camera pans into the incinerator. A burnt body lies inside above the flames. Cut to later, fire is outand Brennan and Cam are looking inside.)BRENNAN: At four hundred degrees, bone chars in six hoursand turns to ash in eight.CAM: Charring, no ash. Six to eight hours? Dumped into the incinerator betweenone and three a.m. (Booth enters behind Cam and Brennan, who do not notice )BOOTH: Ugh. Alive ordead before he or she went into the incinerator?CAM: Can't tell yet.BRENNAN; (Turning to Booth andnotice a file in his hand) What's that?BOOTH: Guest log. ((Looking at the file) No visitors checked outafter nine thirty-six last night, and no one checked in before eight o' two this morning.CAM: Meaning thevictim probably works here.BRENNAN: Meaning the killer does too.(Interior - Day - Autopsy room at theJeffersonian. Brennan is looking at the computer screen while Cam examines the remains.)BRENNAN:Pubic bone is female.CAM: There's no carbon in the trachea. (Pulls out the trachea and unrolls it like afruit rollup) She was dead before she was thrown down the chute.BRENNAN: Extensive fissures, fracturesand breaks to the entire skeleton. I'll have Zack determine which were caused by heat and which bytrauma. (Angela enters)ANGELA: Heads up, they called Bancroft in from a hearing on the hill.BRENNAN:Who's Bancroft again?CAM: God.ANGELA: The supreme honcho of the Jeffersonian.BRENNAN: I think Imet him once.ANGELA: Okay, I am ready to start the facial reconstruction. (Brennan removes the skullfrom the rest of the remains and places it on a surgical tray)BRENNAN: I haven't put on tissue depthmarkers yet.CAM: I haven't finished removing all the carbonized brain matter. (Angela comes to a halt infront of the skull, and stares at it intensly, horrified)BRENNAN: Once you've done that, Zack can clean theskull. (As Angela stares at the skull it changes from burnt to a whole, healthy female face.) Angela?Angela? Angela?ANGELA: Yeah?CAM: Are you alright?BRENNAN: What's wrong?ANGELA: (Lookinganxiously at the skull) Um . . . Uh . . I'm fine. I'll start after the tissue markers are . . . Let me know.(Angela exits.)CAM: What the hell was that about?ACT I(Interior - Day - Angela's office at theJeffersonian. Angela is looking at an image of the skull on her computer. Brennan enters.)ANGELA: Youwon't like it.BRENNAN: Like what?ANGELA: I've ID'd the victim.BRENNAN: That's impossible.ANGELA: Itold you you wouldn't like it.BRENNAN: There are no tissue markers, you can't just look at a skull and seethe person.ANGELA: Sweetie, I've done hundreds of these reconstructions: the depressed labella, thenarrow nasal aperture, the chipped lateral incisor.BRENNAN: You can see a face from that?ANGELA: Thechipped tooth was from a skiing accident when she was sixteen.BRENNAN: Ange. You know the victimpersonally?ANGELA: (sighing and pulling up an image of an young, attractive blonde on the computer)Kristen Reardon. She's an intern, we had coffee a couple of times. (Walking over to the couch) She didn'twant to be a scientist. She wanted to go into design. She was jut here to make her father happy. She wasyoung and eager and keen and . . . she was just really, really young.BRENNAN: Wait, Reardon. (Walkingto Angela) As in Dr. Ted Reardon?ANGELA: Yeah, he used to work here. (Sitting down on thecouch)BRENNAN: I took a course from him in ancient pharmacology. (Sitting in the chair across fromAngela)ANGELA: Look, I know that we can't say anything until you do the tissue markers and we gothrough channels, but, I'm telling you, I know this is Kristen.BRENNAN: Poor Ted.ANGELA: You wannaknow something else? She was seeing somebody who worked here.BRENNAN: Is that relevant?ANGELA:Well, Booth will think so. Especially since it was a married man.BRENNAN: Well, did she tell you?ANGELA:No, just that they had had their first kiss at the opening of that Egyptian exhibit and that it had been hot"}
+{"doc_id":"doc_259","qid":"","text":"Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, thedemons and the forces of darkness. She is the Slayer. The cemetery. Buffy is sitting on top of thegravestone of Stephan Korshak playing with her yo-yo.Buffy: C'mon, Stephan, rise and shine. Some of ushave a ton of trig homework waiting. The camera cuts to her right and approaches her frombehind.Angel: Hey. Buffy inhales a quick startled breath and turns around to face her stalker.Angel: Isthis a bad time?Buffy: Are you crazy? You don't just sneak up on people in a graveyard. You make noisewhen you walk. You stomp or... yodel.Angel: I heard you were on the hunt.Buffy: I'm supposed to be,but... lazy bones here doesn't wanna come out and play.Angel: When you first wake up it's a littledisorienting. He'll show.Buffy: It's weird to think of you going through that.Angel: It's weird to gothrough. So, uh, you're here alone?Buffy: Yeah! Why?Angel: I just thought you'd have somebody withyou. Xander or someone.Buffy: Xander.Angel: Or someone.Buffy: Nope. (hops down off the gravestone)Why? Are you jealous?Angel: (chuckles) Of Xander? Please. He's just a kid.Buffy: Is it 'cause I dancedwith him?Angel: 'Danced with' is a pretty loose term. 'Mated with' might be a little closer.Buffy: Don't youthink you're being a little unfair? It was one little dance, which I only did to make you crazy, by the way.Behold my success.Angel: I am *not* jealous.Buffy: You're not jealous? What, vampires don't getjealous? Stephan has come out of the ground, and looks at them from behind his gravestone.Angel: See?Whenever we fight you always bring up the vampire thing.Buffy: Well, I didn't come here to fight. Thevampire lunges at her and knocks her into Angel. They fall to the ground, but Buffy quickly gets up.Buffy:Oh, right, I did. Stephan throws a few punches which Buffy easily blocks. She punches him in the faceseveral times and kicks him in the jaw, sending him stumbling into a large adjacent gravestone. Shelooks around frantically.Buffy: Where's my stake? I-I know I had a stake!Angel: I didn't see a stake! Thevampire grabs a shovel that was lying by the other gravestone and comes at them again. Angel attacks,but Stephan brings the shovel up and hits him in the side of the face, knocking him onto his back. Heleaves Angel lying there and steps toward Buffy. She meets him and jumps over the shovel whenStephan swings it at her legs. He swings it at her again, but she catches it, hits him again and breaks thehandle. She spins around with her half and jams the broken handle into his chest. He falls over backwardand bursts into ashes as he hits the ground. Angel gets up holding the side of his head.Buffy: (out ofbreath) What do you mean he's just a kid? Does that mean I'm just a kid, too?Angel: Look, obviously Imade a mistake coming here tonight. (turns and leaves)Buffy: Oh, no you don't. You can't just turn andwalk away from me like that. (starts following him determinedly) It takes more than that to get rid of me.She falls into an open grave with an open and empty coffin at the bottom.Buffy: Oof! Uhhh... Angelcomes over and bends down to look.Angel: You okay?Buffy: I'm fine. (sits up and exhales) Gee, I wishpeople wouldn't leave open graves laying around like this. (stands up slowly)Angel: So. Another vampirehas risen tonight. She pokes her head out of the grave and looks across the grass.Buffy: I don't think so.Look at those tracks. Whoever was buried here didn't rise from this grave. She climbs out of the graveand finds a girl's shoe.Buffy: She was dragged from it. Opening credits roll. Buffy's theme plays.~~~~~~~~~~ Part 1 ~~~~~~~~~~ Sunnydale High School. Cut to the library. Buffy and Xander walkin and see Giles sitting in a chair and talking to another empty chair across from him.Giles: (clears histhroat) W-w-w-what I'm proposing is, um... and I-I don't mean to appear indecorous, is, is, um, a, a-a-asocial engagement, um, a, a, a, a-a date, if you're amenable. Buffy and Xander stop and listen to him.Giles is displeased with himself.Giles: You idiot!Buffy: Boy... Giles is startled and quickly gets up andfaces them.Buffy: I guess we never realized how much you like that chair.Giles: I-I-I was just workingon... (knocks over a few books)Buffy: Your pickup lines?Giles: (bends down) Um, in a manner ofspeaking, yes. (picks up the books)Buffy: Then if you wouldn't mind a little Gene and Roger, you mightwanna leave off the 'idiot' part. Being called an idiot tends to take people out of the dating mood.Xander:Hmm, it actually kinda turns me on. (looks at Buffy)Buffy: (to Xander) I fear you. (goes to the table) Youalso might wanna avoid words like 'amenable' and 'indecorous', y'know. Speak English, not whateverthey speak in, um...Giles: England?Buffy: Yeah. You just say, 'Hey, I got a thing, you maybe have a"}
+{"doc_id":"doc_260","qid":"","text":"[The woods](Jules wakes up. She's naked. She gets up, walks and finds bodies mutilated. She dresses upwith some of the camper's clothes and puts the limbs together so she can make a fire. She's starting thefire when a policeman arrives. He gets out of his car and come towards her. She pretends to becrying)Policeman: good morning. Is everything alright here?Jules: It was an animal. Fragment (considerrevising) He came at us at the nightPoliceman: Are you okay?Jules: Yes but my friends! They're alldeadPoliceman: I'm calling item(He goes towards his car but Jules hits him really hard with a woodenstick two times. She kills him)[Salvatore's house](Elena enters Stefan's bedroom)Elena: Stefan? Stefan?You're standing right behind me, aren't you?Stefan: Yep(She turns herself and kisses him)Stefan: GoodmorningElena: I don't want us to be apart anymore. NeverStefan: Me neither, but...Elena: Don't ruin themoment(They kiss again but Stefan stops)Elena: You're about to ruin the moment, aren't you?Stefan:I'm totally ruining the moment. Look, I can't just pretend like everything is okayElena: Katherine's lockedaway in the tombStefan: I know but we've still this pressing little issue of you being Klaus' humansacrifice(She opens one of Stefan's drawer and takes a foil with vervain and opens it)Elena: Yeah butElijah promised to keep me and everyone else safe as long as we'd play by his rulesStefan: Right. As longas you'll play by his rules(She puts the vervain in a glass)Elena: Please don't go after IsobelStefan:Katherine said Isobel could have some answers and I just have a couple questions, that's all(She pourswater in the glass with the vervain in it. She drinks)Elena: Stefan, I made a deal with ElijahStefan: Right,you made a deal with him. I didn't make one. You should keep your dealElena: Stefan, I don't wantanyone else to get hurtStefan: When have I ever wanted somebody to get hurt?(She shows him theglass)Elena: Vervain. I made it late but are you sure? Just because Katherine build up atolerance...Stefan: Yes, bottoms up(He takes the glass and drinks but he coughs)Elena: Are youokay?Stefan: YeahElena: How can Elijah compel another vampire?Stefan: He's an original. I don't reallyknow what that means. I don't think anybody really knows what that means. Well, except maybe Isobel.I'll maybe we should ask her(He kisses her and leaves)(Rose is in the library, she seems sick. Damonrejoins her)Rose: I was born in 1450, that makes me 560 years oldDamon: Well, if you were a bottle ofwine...Rose: So I can die. I've lived long enoughDamon: You know, if you're gonna be morn, I'm justgonna kill you myself just to put me out of your misery.(He pours blood in a glass)Damon: Come on, it'sjust a little werewolf biteRose: Just a lethal, fatal to a vampire werewolf biteDamon: Well, according to alegend which is notoriously unreliable source. Drink out(He gives her the glass of blood)Damon: Bloodheals(She drinks)Rose: Yeah, it does feel like it's workingDamon: Let's have a look, come on. Let mesee(he looks at the wounds but it's kind of infected and worse)Rose: How is it?Damon: Definitely better.Right, Elena?(Elena is in the room and seems chocked by Rose's wounds. Rose looks at her)Elena: Uh,it's not bad.Damon: Where's Stefan?Elena: He left. I need you to talk to him. He's convinced that he hasto find Isobel but I think that's gonna upset ElijahDamon: No, can't do. I'm with Stefan on this one but ifyou could play nurse for a little while...Rose: It's not necessaryDamon: It is necessary. Elena is ado-gooder. It's in her nature, she just can't resist(He leaves the room. Elena looks at Rose and rejoinshim)Elena: Damon. Is she gonna die?Damon: Probably. The wolf bite caused some kind of infection andit's getting worseElena: Like poison?Damon: I don't know, Elena. I'm not an expert in the fieldElena: I'msorryDamon: Death happens. We come, we go. Sooner she dies will better. It's gloomy as hell inhere[Mystic Falls' high school](Everyone is preparing the booster club barbecue. Caroline rejoinsTyler)Caroline: How are you feeling?Tyler: I'm okay. I'm sore, every muscle hakesCaroline: You did it.You know, you... your first full moon and you didn't hurt anyone. It'll get easier. You'll get better at it,you'll learn how to control it and it won't hurt so muchTyler: Well, we don't know any of that forsureCaroline: No but small victories, Tyler. Last night was a victory. You know, let's take itTyler: Look, Ireally want to thank you. I don't know what I would have done if you hadn't been there(Shesmiles)Caroline: Yeah, anyway, uh... next month we should probably reinforce the wall because youalmost got me that one time and it just would have been, uh...Tyler: What?Caroline: Never mind,it's...Tyler: Hey, no, hey. What is it?Caroline: Well, it's not a big thing, it's just that one bites and it's..."}
+{"doc_id":"doc_261","qid":"","text":"•I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. Ihave merely transcribed what appeared on my screen, with help from the closed captions. •I prefer thatyou link to this transcript on the Psyche site rather than post it on your site, but you can post it on yoursite if you want, as long as you keep my name and email address on it. Please also keep my disclaimersintact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission.(However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to theperson who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. Idon't know the names of different punches and kicks. Use your imagination.[SCENE_BREAK]GILESVOICEOVER: Previously on Buffy the Vampire Slayer...Dawn stealing a coin from the magic shop. Buffyand Dawn in Dawn's bedroom.DAWN: You're never here. You can't even stand to be around me.BUFFY:That is not true.DAWN: You didn't want to come back. I know that. You want to go away again. Thedemon poker game.SPIKE: I'm in.LOOSE-SKINNED DEMON: Ante up. Kittens mewing.BUFFY: You'regonna play cards?! Halfrek appearing in the living room.HALFREK: I have been called, and vengeanceshall I wreak. Anya gasping.HALFREK: Hello.ANYA: Halfrek!HALFREK: Anyanka? Anya and Halfreksquealing and hugging.ANYA: How are you?XANDER: You two, you know each other?ANYA: Funny,Halfrek, I didn't summon you to kill Xander, I called to invite you to our wedding. Willow and Tara outsidethe magic shop.WILLOW: Tara. What are you doing here? Uh, it's okay for you to be here if you havethings that ... you have to be here for. I'm doing better. No spells for 32 days. Tara and Buffy in the livingroom.TARA: Buffy, I promise, there's nothing wrong with you.BUFFY: There has to be. Why do I feel likethis? Why do I let Spike do those things to me? Buffy and Spike kissing.TARA: Oh!BUFFY: Don't tellanyone, please.TARA: I won't.[SCENE_BREAK]Teaser[SCENE_BREAK]Open on a small table with severalstakes and daggers on it. Reveal Buffy who begins putting the weapons into a bag. We're in the Summersliving room. Dawn stands behind Buffy.BUFFY: (sighs) I'm sorry.DAWN: It's okay.BUFFY: No, we'regonna sit down and have a real dinner. Someday. I hate having to run out in the middle, it's just, youknow, there's this thing out there. Definitely non-vampire.DAWN: (smiling) I understand. Buffy picks upthe bag, goes toward the door.DAWN: Well, maybe when you get back we can set up for your partytomorrow.BUFFY: Yeah. Uh, this could take a while though, I-I wouldn't wait up. (putting on her coat)Besides, Willow promised to be on birthday patrol, so there's nothing left for us to do. (smiling)DAWN:Right.BUFFY: Okay, so, finish dinner, homework, and don't stay up too late, all right?DAWN:Okay.BUFFY: Okay. Buffy turns to go. Dawn watches with a smile. As soon as the door closes behindBuffy, Dawn stops smiling. Stands there, alone, looking unhappy.Cut to graveyard, night. Buffy walksalong holding a large axe with a metal handle. Suddenly a large demon with red skin and a spiny crest onits head leaps out behind her. Buffy whirls around. The demon swings a large sword at her. She ducks,then blocks with her axe. The demon's sword bends the axe handle, then pulls it out of Buffy's hand. Itflies off and lands in the ground. The demon swings at Buffy again and she gets hold of his sword arm,twists it around behind his back. Suddenly the demon shimmers and disappears. Buffy looks around inconfusion. The demon reappears behind her. She kicks him in the face, punches him, kicks again. He fallsback. His sword goes flying up into the air. Buffy catches the sword on its way down. The demon chargesher. She stabs him right in the stomach. Blue light flashes out in a circle from the wound. The demonroars and grabs his stomach. Buffy pulls the sword out and falls back onto the ground. The sword landspoint-down in the ground. The demon falls to his knees, still roaring. He shimmers and turns into a bolt ofsilver light that shoots over to the sword and into it. We can see his face reflected in the sword's blade.Buffy is still on the ground, facing the other way.BUFFY: Run off, huh? Afraid to face a true warrior? Shegets up and sees the sword.BUFFY: Ooh, shiny. She smiles, pulls the sword out of the ground and twirls itaround. Walks off, holding it. Wolf howl, opening credits. Guest starring Kali Rocha, Ryan Browning, andAmber Benson as Tara. Written by Drew Z. Greenberg, directed by MichaelGershman.[SCENE_BREAK]Act I[SCENE_BREAK]Open in the magic shop. Anya stands by the shelvesdusting statues.ANYA: Do you think we should set up lots of candles for Buffy's party tomorrow? Pan over"}
+{"doc_id":"doc_262","qid":"","text":"THE BRAIN OF MORBIUSBY: \"ROBIN BLAND\" (TERRANCE DICKS REWRITTEN BY ROBERT HOLMES)PartOneRunning time: 25:25[SCENE_BREAK]SOLON: You were quick, Condo. Were there nosurvivors?CONDO: One, an oxygen breather.SOLON: Humanoid? Excellent. Let me see.SOLON: No, thatwon't do. Even if the ganglia could be. No, the cranium's too narrow, the cerebrum undeveloped. That isan insect! Even a half-witted cannibal like you can see it won't do!CONDO: But the big head's not come,master. Not to Karn.SOLON: It must, Condo. One day, a true humanoid species, warm blooded, with acentral nervous system. One such specimen, just one, and I can complete my workhere.[SCENE_BREAK]DOCTOR: Come out, meddlesome, interfering idiots. I know you're up there socome on out and show yourselves!DOCTOR: Messing about with my TARDIS. Dragging us a thousandparsecs off course.SARAH: Oi, have you gone potty? Who are you shouting at?DOCTOR: The Time Lords,who else? Now, you see? You see? They haven't even got the common decency to come out and showtheir ears.SARAH: They're probably afraid of getting them boxed, the way you're carrying on.DOCTOR:It's intolerable. I won't stand for any more of it.SARAH: Oh look, why can't it have just gone wrongagain?DOCTOR: What?SARAH: The TARDIS.DOCTOR: What? Do you think I don't know the differencebetween an internal fault and an external influence? Oh, no, no, no. There's something going on here,some dirty work they won't touch with their lily white hands. Well, I won't do it, do you hear!SARAH:There's something ominous. Where are we, do you think?DOCTOR: I don't know and I don't reallycare.SARAH: Oh, come on. Come on, stop being so childish.DOCTOR: I'm just going to sit here and donothing.SARAH: So there.DOCTOR: Yes.SARAH: Look, Doctor. Oh, come on, have a look at it. I mean,you don't know what you might be missing. Well, do you know what it is?DOCTOR: Yes. Ejectionbubble.SARAH: A what?DOCTOR: A space parachute.SARAH: Pardon?SARAH: Hey, Doctor, quick. Comeand look at this! There must be about a dozen wrecked spaceships out there. It's like the SargassoSea.DOCTOR: Fancy.SARAH: It's incredible. I mean, why should they all have crashed here?DOCTOR:I've no idea.SARAH: Well, I think you should take a look. Coming?DOCTOR: No, thanks. I'm just going tosit here and practise my double loops.SARAH: Well, please yourself. I'm going anyway. Are yousure?DOCTOR: Yes.SARAH: I suppose it was the crash?DOCTOR: Not the crash. Afterwards.SARAH:After? So it was deliberate?DOCTOR: Looks as if he escaped in the ejection bubble, and while he waswandering around dazed someone or something attacked him. Poor Mutt.SARAH: Mutt?DOCTOR: Yes, amutant insect species. Widely established in the Nebula of Cyclops. I thought I recognised thestars.SARAH: You've been here before?DOCTOR: I was born in these parts.SARAH: Near here?DOCTOR:Well, within a couple of billion miles, yes.SARAH: Hey, look!SARAH: Come on. At least it'scivilisation.SARAH: Oh god. Come on.[SCENE_BREAK]SOLON: Motor reflexes seven tenths.SOLON:Condo! Condo, fetch some lamps.SOLON: Condo![SCENE_BREAK]MAREN: Two of them?OHICA: A maleand a female, Maren, in the valley below.MAREN: Our senses reach beyond the five planets. They werenotOHICA: They are here.MAREN: No ship can approach Karn without detection. Even the silent gasdirigibles of the Hoothi are felt in our bones while still a million miles distant.OHICA: There was no ship,Maren. The last was the cruiser of the Mutts.MAREN: Then how? How, Ohica?OHICA: I do not know. I sayonly what my eyes have seen.MAREN: Is it as I feared? For months now I have had a dream that theElixir of Life would be taken from us.OHICA: Taken?MAREN: Next to myself, Ohica, you are the oldest ofour sisterhood. Come, let me show you.OHICA: The Flame of Life! Maren, what is wrong? Why is it solow?MAREN: The Flame dies, Ohica. Every month, every day, it sinks lower.OHICA: How can this be? Atour ceremonies the Flame has burned brightly, higher than my shoulder.MAREN: A deception. For manymonths past, before each ceremony, I have secretly fed the Flame with powdered Rine Weed.OHICA: Butif the Flame dies, there will be no more Elixir.MAREN: It has been low now for over a year. The vesselremains empty.OHICA: Then we are doomed. Our sisterhood will perish.MAREN: We are only servants ofthe Flame. If the Flame dies, then so must we.OHICA: Maren, should not the others know?MAREN: Notuntil the end is certain. As you know, Ohica, the secret of the Life Elixir is known only to our sisterhoodand the High Council of the Time Lords. Since the time of the stones we have shared the Elixir with them."}
+{"doc_id":"doc_263","qid":"","text":"SCENE: Storybrooke. Present time. Mines.[SCENE_BREAK](Men whistling \"Heigh-Ho\")Grumpy: Ouryield's way down, boys. I know Dopey's a tree, but we got to be more productive since he can't.Happy:He's producing oxygen. (Laughter)Grumpy: Hey. Let's stay focused.Emma: Yes. No one wants a nastysurprise.Grumpy: You're not getting any dust, sister.Emma: Actually, I'm shopping for something elsetoday. Something with... edge.Happy: My axe.Emma: Oh, Happy, there's something I learned as theDark One. If your name is on something, hold on to it.[SCENE_BREAK]SCENE: Camelot. Six weeks ago.Merlin's tower.[SCENE_BREAK]Regina: If we're going to free Merlin, we need witchbane.Belle: Yeah, butthe labels are all faded.Emma: Forget the decloaking potion. It's not a glamour anyway.Regina: Yousure?Mary Margaret: If I'm getting this right, the tree could actually be him transfigured, right?Belle: Wecould find out with a sample.Regina: Yeah, and when we snap off a twig and it turns into a finger, who'scrying then? Come on, someone. Witchbane.Emma: You guys sure you don't want me to just wiggle mynose and get him out of that tree?Mary Margaret: No.Regina: Your magic is dark now. It's not worth it.I'll just keep pretending to be the savior destined to free him, and we can do this together.David:Regina's right, Emma.Arthur: I heard someone say a woman is right. That's always a safe assumption,isn't it, David?King Arthur: How are you progressing, Madame Savior?Regina: Um... progress. Slow butsure.Belle: It's, uh... marvelous having Merlin's own books to work with. It's like talking with themaster.Mary Margaret: Oh. What if we could talk to him?Emma: What?Regina: Yes. (Chuckles) You are...very occasionally... a genius.Belle: Yes, if we talked to him, he can tell us how to get him out.David: Amushroom.Regina: Toadstool, actually. Deadly poison. Extremely useful in communicating acrossbarriers, even through spells. Says here it's called the Crimson Crown.King Arthur: Yes, I know thisname. It's rumored to grow in Brocéliande, the Forest of Eternal Night. Its existence is the stuff oflegend, though. Almost certainly fiction.David: People say the same thing about us. How far?King Arthur:A half day's ride. But if it is there, it'll be protected by magical forces.Mary Margaret: You know what,David? Wait until we know more.David: It's not like I'm needed here. It's a chance.Mary Margaret: Oh.Aww.David: I'm taking it.(Indistinct conversations)King Arthur: Hold!David: Your Majesty. Don't try totalk me out of this.King Arthur: I wouldn't dream of it. I just wanted to propose, Prince David, if it's quiteall right with you, that I come along and lend aid. Come with me and we can get ourselves outfitted, andthen we can quest together as brothers.[SCENE_BREAK]SCENE: Storybrooke. Present time. Sheriff'sstation.[SCENE_BREAK]Regina: This question mark... That's my handwriting. I must've marked this pagein Camelot. I don't know if this is the right answer, but these books came from there. I think we werelooking at this for answers.Grumpy: We've been violated!David: What's the problem?Grumpy: What doyou think it is? Your kid.Happy: She took my axe.Regina: Uh, dwarfs are your department. I'll stay onthis.Mary Margaret: What do you want us to do about it, Leroy?Grumpy: Help us. We know she's yourdaughter, but you got to do something, 'cause if you won't, we will.Mary Margaret: Do not hurther.David: It's okay. They can't.Grumpy: Like that's all that matters? Stop being a scared parent. Be oursheriff again. We need you.David: I'll see about getting the axe back. Thanks for letting usknow.Grumpy: Looks like just another insult for us to swallow down. For now.(Sighs)(Indistinctconversations)Mary Margaret: Why does she need an axe? That's alarming, right?David: I don't know. Imean, what could she do with an axe that she couldn't just do with her powers?(David kicks a chair)MaryMargaret: David!David: Just wish she'd talk to us.Mary Margaret: I know. Me, too.David: Worst part is...we can't save her.Mary Margaret: Yet. We're trying.David: How? What am I doing?Mary Margaret: You'releading.David: Nobody seems to be following.Mary Margaret: Oh, don't worry about the dwarfs.David:I'm not. I'm worried about Emma and how this is my fault.Mary Margaret: She made the choice to saveeveryone.David: I should've stopped her. I am her father, and now I'm... I'm paralyzed. There's nothing Ican do, for her, for you, for anyone.Mary Margaret: You are doing something. You are helping our peoplethe best you can.David: That's kind of the problem.Mary Margaret: Hey. In any world, you are my hero.Remember?David: Of course. Go. I've got it.(Door opens)King Arthur: Good morning to you,Sheriff.David: Your Majesty. How can I help you? Any luck finding your blade?King Arthur: No luck finding"}
+{"doc_id":"doc_264","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: INT. SPAR SHIP(KATARINA mutters to the Trojan Horse-god. Thesound of the ship's engines start to rise...)KATARINA: Great One, don't leave us! Don't let the strangebeings catch him!BRET VYON: He's been caught! We've got to leave!STEVEN: No! He said we hadto...(VYON tries to operate the controls for take-off. STEVEN pulls him away.)BRET VYON: No!(He turnsand knocks STEVEN to the floor, then resumes preparations for take-off.)KATARINA: Stop! You can'tleave him! He can't reach the place of perfection!BRET VYON: He won't! We're going without him!(BRETactivates more controls and the ship starts to power up further.)BRET VYON: We're going intocountdown!(BRET looks at a countdown indicator on the control panel which nears zero...)(SuddenlySTEVEN points to a light winking on the hatch panel.)STEVEN: What's that light?BRET VYON: It's theouter door! It's not fully shut. Quick, or we'll all be sucked out!(STEVEN rushes to the airlock and ispressing the switches to close the door when he sees someone outside. He yells back at BRET.)STEVEN:Hold countdown! It's the Doctor!(BRET holds the countdown sequence as STEVEN and KATARINA help thebreathless DOCTOR up through the airlock and into the ship.)DOCTOR: Get us off, Bret! Get us off! Getus off!BRET VYON: Right.(He starts to resume the held countdown.)DOCTOR: Take off, man!BRET VYON:Stand by, everyone! Take off!(The airlock door closes. They all desperately grab hold of anything close asthe ship rises swiftly into the air, leaving the planet of Kembel far below. The breathless DOCTOR eyesVYON with austere reproof.)DOCTOR: Oh! Oh! This is rather a violent acceleration, young man!Hmm![SCENE_BREAK]2: SPACE(The SPAR shoots into space...)[SCENE_BREAK]3: INT. KEMBEL. DALEKCITY. CONTROL ROOM(The DALEK SUPREME enters the DALEK control room. Normal scanners andconsoles line the room which is dominated by a central piece of machinery. The DALEK SUPREME hoversin anger as the DALEKS report the readings off the consoles.)FIRST DALEK: Altitude: five sections.Speed: Three thousand.SECOND DALEK: Vessel attained gravitational escape velocity.DALEK SUPREME:Cut in automatic trackers.SECOND DALEK: All is ready for their space extinction.DALEK SUPREME: Do notdestroy! That vessel must not be destroyed!SECOND DALEK: Trackers operating.DALEK SUPREME:Prepare neutronic randomiser.(The FIRST DALEK, at its console, obeys...)FIRST DALEK: Stand byrandomiser.DALEK SUPREME: The intruders must be caught alive![SCENE_BREAK]4: INT. SPARSHIP(Things have calmed down somewhat on the stolen SPAR ship.)DOCTOR: Well done, Bret, well done.You got us off very well.(He laughs to himself.)BRET VYON: Thanks. I thought you weren't going to makeit.DOCTOR: Of course I was. You're far too pessimistic. Now, where's that little box of mine,hmm?(STEVEN picks up the box holding up the Taranium Core.)STEVEN: This one?DOCTOR: Yes.(TheDOCTOR takes the box.)DOCTOR: Ah, splendid, splendid. The Daleks' plans are utterly useless withoutthis.STEVEN: Why? What did you find out at the Council meeting?DOCTOR: They've allied themselveswith the rulers of the outer galaxies... to take over the Universe!BRET VYON: (Shocked.)Universe?DOCTOR: Yes, their first objective being Earth and then... the solar system.STEVEN: Thenwe've got to warn Earth and fast!BRET VYON: But what about Mavic Chen?DOCTOR: Oh, he's one ofthem, my friend. By sacrificing the Solar System, he hopes to gain more power.BRET VYON: That'simpossible!DOCTOR: Oh, no it isn't, no it isn't. Therefore we must get back to Earth beforehim.KATARINA: (Timidly.) But how can we return to Earth? We've already left it.DOCTOR: Yes, I know,my dear, but this is not Earth... as we... think of it. It's something very different.(VYON is more puzzledthan ever by KATARINA and speaks quietly to STEVEN.)BRET VYON: What's the matter with this girl? Imean, where's she from?STEVEN: (Casually.) Oh, it's quite all right - she helped us in Troy. She doesn'treally understand.BRET VYON: (Puzzled.) Troy?STEVEN: (Smiles.) Yes.(He rejoins hiscompanions.)STEVEN: Well, come on, Doctor, what's so special about that box?DOCTOR: Well, as I saidbefore, my boy, the Daleks' plans are utterly useless without this.STEVEN: (Pleased.) Then we'vewon!(STEVEN picks up the box and is about to open it when the DOCTOR stops him.)DOCTOR: No, no,no, no! Don't open it, please.STEVEN: Why not?DOCTOR: It'll burn your eyes - you'll go totally blind!That is a full emm of Taranium!BRET VYON: (Shocked.) What?(He steps forward.)DOCTOR:Taranium.BRET VYON: That can only be found on the planet Uranus. A full measure would take years to"}
+{"doc_id":"doc_265","qid":"","text":"Originally written by Alexa Junge Transcribed by Josh Hodge.[Scene: Monica and Rachel's apartment.Rachel is on the phone.]RACHEL: Mom, would you relax. That was 10 blocks from here and, the, thewoman was walking alone at night, I would never do that. Mom, c'mon, stop worrying. This is a safestreet, this is a safe building, there's nothing [a pigeon flies in the window and lands on the table] OH MYGOOOD, oh my God, oh I gotta go, I gotta go, I gotta go. [hangs up] OK, that's fine, you just read thepaper, I'm gonna get a pot, it's not for you. [grabs a pot and lid] OK, that's fine, read the Family Circus,enjoy the gentle comedy. [puts pot over the pigeon] Aaahh, oh my God, oh my God, oh my God, oh myGod, oh my God, oh my God, oh my God, oh my God, aaaaahh. [knock at the door] It's open you guys.[astranger enters with flowers]STRANGER: Hi.RACHEL: Hi, hi can I help you?STRANGER: Yeah, I'm lookingfor Phoebe, does she still live here?RACHEL: Uh, no she doesn't but I can, I can get a message toher.STRANGER: Great. Uhh, just tell her her husband stopped by. [leaves flowers on bar]RACHEL: What?[in surprise she forgets she has the pigeon in the pot and lets it get away]STRANGER: Hey, how, how didyou do that?OPENING TITLES[Scene: Monica and Rachels apartment. The whole gang is there.]JOEY:This is unbelievable Phoebs, how can you be married?PHOEBE: Well, I mean, I'm not married married, yaknow, he's just a friend and he's gay and he's just from Canada and he just needed a greencard.MONICA: I can't believe you married Duncan. I mean how could you not tell me? We lived together,we told each other everything.PHOEBE: I'm sorry Monica but I knew if I told you, you'd get really, like,judgemental and you would not approve.MONICA: Of course I wouldn't approve, I mean, you were totallyin love with this guy who, hello, was gay. I mean, what the hell were you thinking?ROSS: You see, andyou thought she'd be judgemental.PHOEBE: OK, I wasn't in love with him and I was just helping out afriend.MONICA: Please, when he left town you stayed in your pajamas for a month and I saw you eat acheeseburger.ALL: Huuh.MONICA: Well, didn't you?PHOEBE: I might have.MONICA: I can't believe youdidn't tell me.PHOEBE: Oh, c'mon, like you tell me everything.MONICA: What have I not toldyou?PHOEBE: Oh, I don't know. Umm, how about the fact that the underwear out there on the telephonepole is yours from when you were having s*x with Fun Bobby out on the terrace.RACHEL: What!MONICA:Wait a minute, who told you? [turns to Chandler who's looking sheepish] You are dead meat.CHANDLER:I didn't know it was a big secret.MONICA: Oh it's not big, not at all, you know, kinda the same lines as,say, oh I don't know, having a third nipple.PHOEBE: You have a third nipple?CHANDLER: You bitch.ROSS:Whip it out, whip it out.CHANDLER: C'mon, there's nothin' to see, it's just a tiny bump, it's totallyuseless.RACHEL: Oh as, as opposed to your other multi-functional nipples?JOEY: I can't believe you. Youtold me it was a nubbin.ROSS: Joey, what did you think a nubbin was?JOEY: I don't know, you seesomethin', you hear a word, I thought that's what it was. Let me see it again.ALL: Yeah, show it. Show it.The nubbin, the nubbin, the nubbin.CHANDLER: Joey was in a porno movie.ALL: Huuh.CHANDLER: If I'mgoin' down, I'm takin' everybody with me.ROSS: You were in a porno?JOEY: Ahh, alright, alright, alright,I was young and I just wanted a job, OK. But at the last minute I couldn't go through with it so they letme be the guy who comes in to fix the copier but can't 'cause there's people havin' s*x on it.MONICA:That is wild.ROSS: [to Chandler] So what's it shaped like?PHOEBE: Yeah, is there a hair on it?JOEY: Whathappens if you flick it?[Scene: Central Perk. Chandler, Ross, and Julie are sitting on the couch.]ROSS: So,uh, does it do anything, you know, special?CHANDLER: Why yes Ross, pressing my third nipple opens thedelivery entrance to the magical land of Narnia.JULIE: You know, in some cultures having a third nipple isactually a sign of virility. You get the best huts and women dance naked around you.CHANDLER: Huh?Are, uh, any of these cultures, per chance, in the tri-state area?ROSS: You know, you are so amazing, isthere anything you, you don't know?RACHEL: [to Monica at the counter] Ooh, Julie's so smart, Julie's sospecial.MONICA: Look honey, I wanted you to hook up with Ross as much as you did. But he's with hernow and you're just gonna have to get over it.RACHEL: Ohh, I'm gonna have to get over it. God, see Ididn't know that's I had to do, I just have to get over it.[Phoebe enters all dressed up]ALL: Woah.JOEY:Foxy lady.JULIE: Where you goin'?PHOEBE: Um, I'm gonna go meet Duncan, he's skating tonight at theGarden, he's in the Capades.JOEY: The Ice Capades?CHANDLER: No, no the gravel capades. Yeah, the"}
+{"doc_id":"doc_266","qid":"","text":"Mae: Previously on Mars.Hana Seung: When you believe in a goal the way we believed in Mars, convictionalone will sustain you through almost any test.Leslie Richardson: Robert! If you find evidence of a secondgenesis.Marta Kamen: Evolution can begin again.Ed Grann: I've got faith.Paul Richardson: You know, Iused to stand in the doorway of the farmhouse where I grew up looking at all of the crops, thinking aboutall the people they'd feed.Joon Seung: If you push too hard too fast, something's gonna break.Ed Grann:If they fail, everyone's out.Hana Seung: But faith doesn't guarantee success.Paul Richardson: Withoutplants we're nothing.Hana Seung: The real test is what happens when you fail.\u0000 [THEME MUSIC PLAYS]\u0000[SCENE_BREAK]Leslie Richardson: Richardson, Leslie. Phase 2, personal entry.[HEAVYBREATHING]Robert Foucault: Damn tragedy. Oh God.Hana Seung: The entire west section isdestroyed.[SCENE_BREAK]Leslie Richardson: Paul was always late. He would get so caught up in his workthat he would just lose time, completely forget about it. And then he would show up hours later, filthy,like a kid that had been playing out in the mud all day. And always with that look on his face, that look asif he knew that he was in trouble. But it was all worth it. There was this one night I remember, It waswhile we were living out in South America, he was still in the forest collecting samples. He was late, asusual. But somehow it was different. Morning came. Another day went by. Finally I could hear hisfootsteps approaching. So, I rushed out to meet him. And all of the sudden all of that fear and worry thatI'd felt turned into anger, rage. I couldn't believe how selfish he'd been. And then he appeared.JavierDelgado: Victor. There he is.Leslie Richardson: Covered from top to bottom in mud. With that look on hisface... that look. And all I could say was, \"I love you.\"Paul Richardson: Without plants we'renothing.Javier Delgado: We are not nothing, my friend.[SCENE_BREAK]Hana Seung: We'd lost seven ofour own. The lab and the greenhouse were destroyed. Olympus Town was on complete lock down untilthe nations of the IMSF decided on the fate of our mission. Was Mars going to be a giant leap forward, orjust a passing novelty. It wasn't the first time humankind had faced this question.Ann Druyan: Weaccomplished the impossible by stepping on the Moon. This was, the first hop. And there would be a skip,and a jump afterwards. And we'd keep going and going and going, and the future would be one ofendless possibilities, where the Cosmos was ours.Man: What do you think about this Moon landing?Man2: Well it's the beginning of a new frontier, a gateway to Mars.Ann Druyan: That came to a very abrupthalt.Roger Launius: A major turning point for Apollo was the Apollo 13 mission in 1970.Man: AlrightHouston, we've got a problem.Reporter: There is a bulletin from ABC news. The Apollo 13 spacecraft hashad a serious power supply malfunction. A late report says the spacecraft now is operating on batterypower alone, all unnecessary equipment is being turned off.Man: Let's everybody keep cool. Let's notmake it any worse by guessing.Roger Launius: We came close to losing astronauts. And it scared theliving daylights out of lots of people. And some leaders at NASA said we gotta stop this. This is toorisky.John Logsdon: We all lived through that in real time. We were all wrapped up with the fate of theastronauts. It was a close call to get them back and that really spooked Nixon. It soured him on thenotion of sending humans away from Earth into deep space. So it was a catalytic turning point inattitudes towards space exploration.James A. Lovell: Jack and Fred and I are very proud and glad to beback here in Texas tonight. There were times when we really didn't think that we'd make it back here.After the anomaly on 13, I thought that our space exploration would continue to go. But the extreme rateof progress slowed down.Peter Diamandis: Apollo was this massive promise of what was going to begoing on, right? We were going to the Moon, not to stop. There were plans beyond the Moon but all thisgot killed as the political will petered out and was gone.Roger Launius: On a Mars mission there may besome loss of life in the process, there may be failures along the road, but people will take it on. One ofthe things that you have to ask is: 'Are the rest of us willing to allow them to do that?' Space explorationis subject to public opinion, and political support. There's no question about that. If you send astronautsto Mars and they die there, I guarantee you, public opinion will prohibit you from ever doing it again.HanaSeung: As we buried our friends, the fate of the mission was back on Earth in the hands of my sister andthe IMSF.Joon Seung: Hi Ed.Ed Grann: How long until we know?Joon Seung: I told the press everything I"}
+{"doc_id":"doc_267","qid":"","text":"Amy: Previously on \"Heartland\"...Wade: Your mom's a grown woman. She's the only one who can getherself out of this. I got her in the best rehab I could find. I'm gonna go see her in a couple days. I'll letyou know how she's doing.Tim: I've decided that it's time for me to give back to the rodeo world. I'mstarting a rodeo school right here in Hudson.Jack: I support this.Tim: Thanks, buddy.Jack: Plus thosekids are gonna eat you alive and I definitely support that. There it is. Thank you.Jade: Ungh!Tim: Whatthe hell?(Horse whinnies) Tim: Jade!Jade: Oh!Jade: Ungh!Tim: Jade? Jade!Jade: Beat that, boys!(Truckrumbles to a halt)(Door opens and bangs shut)(Phone rings)Ty: Hey, Wade.Next week? Uh... Well, it's alittle short notice.(Birds chirp)Okay. Um... Yeah, I'll see what I can do. Okay. Talk to you soon.(Phonebeeps off)(Spectators on video cheer and shout)Hey. You ready to go?Amy: Yeah... you okay? Yeah,yeah. I'm fine, I just uh... What- what're you watching? Oh, you gotta check this out. Commentator:...ismy favourite part of the great plains relay.Commentator 2: Here they go, 'round the bend.Ty: Huh. Isone of those guys Scott's nephew?Amy: No. I'm just watching whatever I can find online. I thought Ibetter see what the great plains relay actually looks like.Ty: What're they doing?Amy: This the transitionzone, where they switch horses.Ty: Looks like complete chaos. (Horse grunts loudly) Whoa! Well, thatwas incredible.Amy: When it works. Watch this guy.Ty: Oh, geez, come on, buddy! Hold on. ...see thattransition? They must have been working on that for a year...Ty: Come on. Come on, you got it, you gotit! Commentator:...so smooth.Ty: Oh! Ouch!Amy: Yeah, it's totally crazy.(Crowd cheers in thevideo)Man: He's right off!Ty: Wow, I can't believe Scott used to do this.Amy: I know, right?Ty: So youthink you can help his nephew?Amy: I hope so.Scott says he's having trouble with the exchange.Ty:Yeah, well, I don't blame him.Amy: Oh, wow. Okay. (Taps keyboard) Come on. Let's go.(Knock at thedoor)Georgie: Oh, he's here! And you know what he likes to do.Katie: Tickle!Georgie: Yeah!It's open. Oh,he's coming! You better run, Katie! Jade! What're you doing here?Jade: Nice to see you too. I was justtaking my new car for a cruise, thought I'd drop by. What a coincidence, exactly when he's supposed toget here. He? Who's \"he\"? Give it up, Jade. You know exactly who's coming.Jade: Is that today?Georgie:Nice try. But I don't want you hanging around and drooling all over him.Jade: Oh, please.Jeff:Hello?!Georgie: (Gasps) Jeffie!Georgie: Hi!Katie: Jeffie!Jeff: Ooh, Katie - and you!Jade: Hi.Jeff: Hi.Jade:I'm Jade.Katie: She likes to drool.(Georgie laughs)Jeff: (Snorts softly)(Hard thump) Man: Whoa,Barega!Emmett: Hmph! Ungh!Somebody grab him. Emmett, you all right?Emmett: I'm so sick ofscrewing this up for everybody. Hey, it's a team sport. Yeah, and I'm the weak link.Scott: C'mon, let's goback and try the exchange one more time.Emmett: I'm done.Scott: Fine. We'll call it a day.Emmett: No. Imean for good. I'm quitting the relay.S08E14\u0000 and at the break of day you sank into your dream \u0000 \u0000you dreamer \u0000 \u0000 oh, oh, oh... \u0000 \u0000 You dreamer... \u0000 \u0000 You dreamer... \u0000Scott: Emmett, these are acouple of friends. Amy and Ty.Amy: Hi.Scott: Amy works with horses. She might be able to help you withyour problem.Emmett: It's already fixed.Scott: Come on, you can't quit now. Finals are only a weekaway. And cause another wreck? I'm gonna get somebody killed out there. Emmett, whathappened?(Birds chirp)(Sighs) I don't know. My legs are all spaghetti by the time I make the lastexchange. I just can't get up on the horse clean.Amy: It's always the same horse?Emmett: Yeah. Barega.She's the fastest on the circuit, but she's wasted on me. Well, like Scott said, I'd be happy to give you ahand. What do you know about the relay?Scott: She knows enough about horses, and riders, that shemight be able to help you get through this. Sure. You wanna waste your time, makes no difference tome.(Low hum of chatter, birds chirp)Ty: I'm gonna go talk to Scott for a bit.I'll be right back.Amy:Okay.(Door bangs shut)Hey, Scott.Scott: Hey, so you'll help out tomorrow?Ty: Yeah. Yeah, I'll be here.Um... things are pretty crazy at the clinic next week, huh?Scott: No different than usual. Well, I mean,we got a couple of surgeries, and a ton of field calls, and... That big shipment of supplies coming in,right?Scott: Ty, what are you getting at?Ty: Uh... it's nothing. I was just... thinking about going to seemy mom, but, you know, it's bad timing, so.Scott: Ty. Go see your mom. We'll be fine.Ty: Are yousure?Scott: Yeah. Okay. Thanks.(Tailgate bangs shut)Tim: Well! Look who's back. The pride of FortMac.Casey: Hi, I'm Casey.Jeff: Jeff. Georgie's brother.Casey: Nice to meet you.Oh, sorry we're late. I had"}
+{"doc_id":"doc_268","qid":"","text":"LUCAS (voiceover) : My name is Lucas Scott. Four years ago, I graduated from high school with myfriends. Brooke Davis moved to New York City and found success. Peyton Sawyer went to Los Angeles.Success didn't come so easily. I wrote a novel and fell for my editor, Lindsey. My brother Nathan saw hisdreams vanish... leaving his wife, Haley, and their son, Jamie, more fractured than ever. Things havechanged in four years. But in many ways, this is just the beginning.BROOKE : I missed you, P. Sawyer.We're home now.PEYTON : Come on.LUCAS'S BEDROOMBrooke sneaks inside the room and jumps on thebedBROOKE : You're not Lucas!LINDSEY : You're Brooke Davis!BROOKE : Yeah. Hi. You're... wearing me.Clothes Over Bro's is my line.LINDSEY : Yeah, I love it.BROOKE : Thanks.LINDSEY : And you are sopretty in person.BROOKE : Thanks. So are you.LINDSEY : Okay, this hasn't happened to me sincecollege.BROOKE : Right. Okay.(Lucas walks in)LUCAS : Wow, this hasn't happened to me sincecollege.BROOKE : Hi, Luke.LUCAS : Brooke Davis. Oh, I missed you.DOWNTOWN TREE HILLSkills is withJamieSKILLS : So, what do you want to do today?JAMIE : I don't know. Play, I guess.SKILLS : Yeah, me,too.JAMIE : Don't you have a job?SKILLS : What are you, the man? I don't see you paying anyrent.JAMIE : That's because I don't have any money.SKILLS : Well, that makes two of us. Now, let's justgo over the drill. If we see any hot chicks today, who are you?JAMIE : I'm an orphan who needs surgery,and you're paying for it, 'cause you're rich.SKILLS : Good man.JAMIE : Whoa...(Jamie sees a smallracer)SKILLS : Soapbox Derby. Man, when I was a kid, I always wanted to do this.SKILLS : Me, too. It's agood thing you're still a kid, 'cause we got two days to pimp your ride.JAMIE : Can uncle Mouth help mepimp my ride?SKILLS : I don't think so. See, uncle Mouth finally got a j-o-b.JAMIE : That spells\"job.\"SKILLS : Man, you're getting way too smart. It was a lot easier when you was 3.MOUTH'S NEWJOBMouth walks in a recording studio and sits behind the desk, like if he was the sportsannouncer.MOUTH : Good evening, ladies and gentlemen. I'm Marvin McFadden, and sports is coming upnext.(a women walks in)ALICE : What, exactly, are you doing?MOUTH : Oh, the station called about thefield-reporter position?ALICE : Field reporter... little ambitious, don't you think? The job that we calledyou about is an entry-level logger position. We could hire a monkey to do that but the freaks at Petawould more than likely picket.MOUTH : But I guess I assumed...ALICE : First door on the left. You watchthe games, you highlight the best plays, and you leave thelog for on-air. If you cannot accomplish that,you are currently wasting my time.MOUTH : I'm sorry, but you are still looking for a reporter, aren'tyou?ALICE : The answer to your question, yes. Let us be honest... you don't really have the face for it, doyou?CLASSROOM IN TREE HILL HIGHHaley is starting her classHALEY : All right, good morning. This isactually my first official day as a teacher, and you're my first official class. So, congratulations. My nameis... Haley... James...QUENTIN : That is some fine ass.HALEY : All right, first of all, that's no way to talkto a girl, any girl, and second of all, that is absolutely no way to speak to a teacher.QUENTIN : I'm sorry.It was me. Just trying to give you a compliment.HALEY : What's your name?QUENTIN : QuentinFields.HALEY : Okay. Sit down, Quentin.QUENTIN : Yes, ma'am. Won't happen again, miss James.HALEY: Actually, it's Mrs. Scott.QUENTIN : Damn, that ass.HALEY : Okay, all right. Get out. You need to go tothe office.QUENTIN : Oh, to the office. Maybe we could go together. Maybe you could just spank me righthere.STUDENT : Yeah, Mrs. Scott!QUENTIN : Ooh, harder, Mrs. James-Scott!HALEY : All right, settledown.QUENTIN : Spank me, Mrs. James-Scott!HALEY : I said, \"settle down!\"HALEY : Class!STUDENTS :Class!HALEY : I have just...STUDENTS : I have just...(Haley leaves the classroom)QUENTIN : Baby, comeback!RIVERWALKBrooke joins PeytonBROOKE : HeyPEYTON : heyBROOKE : Hey, how much do you loveme? I went to see Lindsey, Luke's girlfriend. I have good news and bad news.PEYTON : Luke and Ihaven't been together for three years. It's not why I'm home.BROOKE : I totally believe you.Fine.(Brooke's phone rings)BROOKE : Ooh, the office. They're just figuring out I'm not in Milan. I betVictoria's having a cow.PEYTON : You think maybe you should call and let her know you're alive?BROOKE: No. No, I have a more important question to ask you. What happened after Lucas finished hisbook?FLASHBACK, 2 YEARS AGO, LOS ANGELES/ TREE HILLPeyton is walking in the street, her cell phonerings. On the other side, Lucas is at home.PEYTON : Hello?LUCAS : Hey, it's Lucas. I know it's been"}
+{"doc_id":"doc_269","qid":"","text":"(Lorelai and Rory are sitting on the couch on the porch in front of the house. Lorelai is painting Rory'stoenails red. Rory squirts whipped cream into her mouth.)Lorelai : (sarcastically) That's nice.Rory : Thankyou.L : Don't move, please.R : So, Why are you insisting on doing this.L : Well, because you're going tobe starting private school tomorrow.R : Yes, but I'm going to be wearing shoes. Nobody's going to seemy feet.L : Okay, But everybody knows that private school girls are bad. And bad girls always wear rednail polish.(There is a lull in the conversation.)L : Are you nervous?R : About what?L : About startingChilton.R : Well I wasn't until I heard about all those bad girls.(They both laugh.)(Lane Kim, Rory's friendruns up.)Lane : You guys! XTC. Apple Venus Volume 2.(Lorelai and Lane run into the house.)R : But youonly finished half my toes!L : Who cares?! You're going to be wearing shoes anyway!(Rory rolls her eyesand goes into the house.)(Opening Sequence Starts.)(Commercials)(Shows an opening shot of thehouse.)(Lorelai is sleeping. Rory, dressed in her Chilton clothes, opens the door to her mom's bedroom.)R: Mom!L : (gasps) What? God! Hi. (in a whiny tone)R : What are you doing?L : Having a heart attack.R : Ithought you were up. It's 7:10!L : What?R : It's 7:10.(Rory grabs her pillow.)L : Stop it! It's a quarter tosix. (grabs back pillow)R : No it's not!L : Yes it is! I set the clock for a quarter to six so it's..(Rory grabsclock and shows her the time.)L : It's 7:10!(Lorelai jumps out of bed and stumbles around, disoriented.Rory slams down clock.)R : I can't be late on my first day of school. Do you know what happens to peoplewhen they're late on their first day?(Lorelai is rummaging franticly through her dresser for clothes.)L :It's shorter?R : They're labeled 'The late girl'.L : Ohh! So dramatic. Where's the bathroom?(Rory takesher by the shoulders and steers her through the door.)R : We have to go! What if there's traffic?Mom!(Lorelai runs into the bathroom and shuts the door.)L : I had this all planned. I was gonna get upearly. I was gonna get coffee. I was gonna take a shower. I was gonna pick up my clothes from the drycleaners.(Lorelai opens the door.)L : (sighs) Oh my god. My clothes.R : What?!(Lorelai walks down thehall with Rory trailing after her.)L : I don't have any clean clothes.R : It's 7:15.L : All my nice things weredirty.R : It's 7:16.(Lorelai look in her closet, then turns away.)L : I was gonna wear my blue suit with theflippy skirt. I look so great in the flippy skirt.R : It's 7:17.L : You know what, time lady? Why don't you godownstairs and warm up the car? That would be really super. Thank you.R : Just hurry!(Rory goesdownstairs, Lorelai rummages through a drawer.)L : This sucks! This sucks!R : It's 7:18 (Rory calls frombelow.)L : Oh, for the love of god! (sighs) She sits on the bed and puts on socks. This is the last time Iever buy anything just because it's furry. (talking about clock)(scene changes)(Lorelai is running downthe steps in cowboy boots, really short frayed shorts, and a bright pink tye-dyed tight tee-shirt. She'shurriedly putting her hair into a messy ponytail. Rory is standing at the foot of the stairs and looks up.)R: It's 7--L : Don't even think of finishing that sentence. (sighs) What?!R : Nothing. I just didn't know therodeo was in town.L : All right, that's it. (grabs a picture frame) I'm bringing the baby pictures.(Lorelairuns out the door with Rory in pursuit.)R : No! I'm sorry! I love the rodeo! The rodeo rules!(scenechanges)(camera pans through town, finally settling on the jeep, and then the Stars Hollow sign.)L : I amso done with plans. I am never ever making one again. It never works. I spend the day obsessing overwhy it didn't work and what I could've done differently.(scene changes)(inside jeep, Lorelai is driving,Rory sitting in passenger seat.)L : I'm analyzing all my shortcomings when all I really need to be doing isvowing to never ever make a plan ever again which I'm doing now. Having, once again, been theinnocent victim of my own stupid plans.(they go past her old school and Rory looks out at all the kidshaving fun.)L : God, I need some coffee. (sighs)(screen shows Jeep driving down several different roads,and then a road sign that says Hartford, 14 miles.)(screen switches to show different gargoyles, and thenthe outside of Chilton.)(Rory and Lorelai sit in Jeep, peering out at Chilton.)R : I remember it beingsmaller. (she looks worried)L : Yeah. And less.. (she looks intimidated)R : Off with their heads.L : Ah.(tilts her head, peering up.)R: (glancing at her mom, does the same.) What are you looking at?L : I'mjust trying to see if there's a hunchback up in that bell tower.R : So, how do I look?L : (sighs, sits backand beams with motherly pride.) You look great.R : Really? (skeptical)L : Really. You are an amazing kid.You have earned this. You just go in there and show them what smart really is. I love you. Call me if you"}
+{"doc_id":"doc_270","qid":"","text":"(Capeside High School - Dawson and Joey are walking down the hallway talking.)Joey: Correct me if I'mwrong Dawson, but don't you already own a camera?Dawson: A video camera, yeah.Joey: And thedifference is?Dawson: Well, imagine Schindler's List shot on a family camcorder. Alright, I mean, it...video is a great format to learn on, but the look and the feel is strictly amateur. Film is key, and if we canfind her we can give it another spin.Joey: \"Her\"?(They enter a room, not noticing Nikki, who is messingwith a film camera.)Dawson: The Aeroflex. Capeside High's one and only 16mm camera.Nikki: She is abeauty, Dawson.Dawson: Nikki! Hey, what are you doing here?Nikki: Extra credit for joining this filmclass. Plus, I get to be near all the equipment.Dawson: Ah, how very earnest of you.Nikki: Joey,right?Joey: Right. Hey. I heard wonderful things about your film.Nikki: Really? From who?Dawson: Um,speaking of equipment, hand her over.Nikki: Sorry, Dawson, she's checked out.Dawson: That's highlyunlikely...Nikki: Yet completely true.Dawson: Well, how long has it been checked out for?Nikki: Aboutseven days.Dawson: Then it's due back today.Nikki: Nope. She's checked out for the next four weeksstraight.Dawson: There's a one week maximum.Nikki: I cleared it with Mr Jordan.Dawson: You did.Nikki:Hmm-mmm.Dawson: You checked out the camera?Nikki: Me checked out the camera, yes.Dawson: Well,there's a project I want to start working on.Nikki: There's a project that I AM working on.Dawson: OK.Well then when can I have the camera back, exactly?Nikki: When I'm done.Dawson: And when will thatbe?Nikki: (rolling the camera out the door) Filmmaking is not fast food, Dawson. You can't rushit.(Commercial break. Grocery Store - Jack and Jen push a cart through the store, tossing items in asthey walk down the aisle.)Jen: Wait a minute. Three boxes of cereal, Jack? You're gonna need anexplanation before you put those in the cart.Jack: OK, fine. First, we have our Grape Nuts; combinationof taste and sufficient nutrients to make the perfect day-starter. (tossing it in the cart) From there wemove onto the premier afternoon snack. The, well, underrated, but, uh, ever-tasty, Cocoa Pebbles.(tossing it in the cart) And then, we round out the, uh, cereal lovers perfect day with a yummy, late-nightstaple... Captain Crunch! (tossing last box in)Jen: (removing the last two boxes) If there was ever aconcern that you are not Andie McPhee's brother, it's been solved.Jack: Whoa! What are you...? Comeon!Jen: You're a good man, Jackie Brown, but as a grocery shopper, you blow. I'm afraid I must leaveyou with the Grape Nuts.Jack: Fascist.Jen: (walking off to return the cereal) Pig.Ethan: (walking up) Atleast you fought the good fight. Hey Jack.Jack: Uh, Ethan. From the... from the train Ethan.Ethan: Iprefer just plain Ethan.Jack: Wow, uh, what are you doing here?Ethan: Food shopping. I hear it's prettystandard in one of these places.Jack: Uh, I meant, I thought you were going back to school lastweekend?Ethan: I did. I came back for Capefest.Jack: Oh. Uh... what is that, I mean, is... is it like a, uh,a feed the poor type of thing?Ethan: Which one of us lives here year 'round? It's a concert. A free concertin the park.Jack: Oh, OK, so it's like a Lala Palooza type deal?Ethan: Moshing, stage diving, overpricedbottled water. Anyway, umm, there's a camp site outside the concert where everyone hangs out. I'mgoing down to get a spot tomorrow.Jack: Oh, well cool, that sounds like a blast.Ethan: Well if you're afan, you should come.Jack: Uh, yeah, I'm a total fan.Ethan: Telltale fan quiz: Who's your favourite FooFighter?Jack: Courtney Love.Ethan: You're in the alternative nation, just not quite in the right zipcode.(seeing Jack's dissapointment) You should come anyway.(As Ethan leaves, Jen walks up.)Jen: Cute!Jack:Yeah.Jen: Aren't they all.(Capeside High school - Andie walks up to a teacher who is closing up hisclassroom.)Andie: Excuse me, Mr. Broderick, can I speak with you for a minute?Mr Broderick: (rudely)And you are?Andie: Andie McPhee.Mr Broderick: And you want to waste my time about?Andie: The schoolplay.Mr Broderick: I see. Auditions are after school, so if you don't mind...Andie: No, but if you can justgive me a minute...Mr Broderick: I am not auditioning at this time, comprende? I am eating lunch. Iassume you eat lunch on your planet, do you not?Andie: But I'm not here to audition.Mr Broderick: Iknow, you want to star in the show.Andie: (showing him the play flyer) Assistant Director.Mr Broderick:I'm very familiar with the scenario.Andie: Look, Mr Broderick, I want to be Assistant Director. I'm smart,bossy, and super efficient. And the truth is, you need me.Mr Broderick: Why didn't you just say so?(LeeryResidence - Dawson and Joey walk into the house.)Dawson: (acting like Nikki) Filmmaking is not fast"}
+{"doc_id":"doc_271","qid":"","text":"[ The cafeteria ]Leonard: Have you guys heard about this research team that's trying to transgenicallymanipulate chicken DNA to create some sort of chicken dinosaur?Sheldon: Oh, I think that soundswonderful.Howard: What? You're afraid of both dinosaurs and chickens.Sheldon: Yes, but tell me adinosaur chicken salad sandwich wouldn't hit the Mesozoic spot.Raj: Hey, guys.Howard: Hey.Sheldon:Hello.Raj: We still on for tomorrow night?Leonard: Yeah. I'm excited to finally meet yourgirlfriend.Sheldon: Speaking of which, according to a recent study out of Oxford University, whensomeone takes on a new romantic partner, that person loses one or two close friends.Howard: Sincewhen do you read social science?Sheldon: I go to the bathroom like everybody else.Raj: Why would I losefriends just because I started dating someone?Leonard: Yeah, you didn't lose anyone when you met Amy.Yeah, well, no, this study refers to romantic partners. Not the way I would categorize the two of us.Raj:You guys kiss and hold hands.Leonard: I've seen him do it. It's not romantic.Raj: Look, I'm not the kindof guy who drops his friends just because he's in a relationship.Leonard: What happens if she doesn't likeus?Raj: Well, hey, you're my dear friends. You'll get a Christmas card for a couple of years, and thenyou're dead to me.[SCENE_BREAK]\u0000 Our whole universe was in a hot, dense state \u0000[SCENE_BREAK]\u0000Then nearly 14 billion years ago expansion started... Wait! \u0000[SCENE_BREAK]\u0000 The Earth began to cool\u0000[SCENE_BREAK]\u0000 The autotrophs began to drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000We built the Wall \u0000[SCENE_BREAK]We built the pyramids[SCENE_BREAK]\u0000 Math, Science, History,unraveling the mystery \u0000[SCENE_BREAK]\u0000 That all started with a big bang\u0000[SCENE_BREAK]Bang![SCENE_BREAK]\u0000 The Big Bang Theory 8x04 \u0000 Original Air Date on October 6,2014[SCENE_BREAK][ The apartment ]Amy: So, Howard, is Stuart still living with your mom?Howard: Idon't want to talk about it.Bernadette: But he's going to.Howard: My mom got him cable. In my wholelife, growing up in that house, no cable. Do you know how many HBOs that leech had my mother gethim? Seven. Seven HBOs. Seven.Bernadette: Long story short, they have seven HBOs.(knocking)Raj:Hey, guys.Sheldon: Hello.Raj: Emily, you know almost everybody here.Emily: Hi.Raj: And this is Leonard,this is Penny.Emily: Oh, it's so nice to meet you.Leonard: Nice to finally meet you, too.Penny: Hi.Emily:Hello.Leonard: Wow, Raj, you were not lying about her.Raj: I told you she exists.Penny: Hey, I hearyou're a dermatologist.Emily: Uh, yeah, I'm a resident at Huntington Hospital.Sheldon: Oh, I like theiremergency room. Yeah, even if it turns out you don't have Dengue fever, they still let you take alollipop.Bernadette: You know, Penny just started training to be a pharmaceutical sales rep. Maybe shecan practice on you some time.Penny: Oh, it would be great to practice on a real doctor.Emily: Yeah. I'msure that'd be fine.Sheldon: I have some odd freckles on my buttocks. Can I make an appointment foryou to look at them?Emily: Um, okay, I guess.Amy: I'm with him three years, nothing. She's with himtwo minutes, and he's taking his pants off.[SCENE_BREAK][ Penny's apartment ]Bernadette: Last nightwas fun. What did you think of Emily?Penny: I don't know. I kind of got the sense she didn't likeme.Bernadette: Did she say she didn't like you?Penny: Of course not. No one ever says they don't likeyou straight to your face.Amy: We have led different lives.Bernadette: You guys just met. Why would shefeel that way?Penny: It's just this vibe I got.Bernadette: I'm sure you're worried about nothing.Penny:Yeah. You're probably right. I used to think my high school P.E. teacher didn't like me, but it turned out,she liked me a little too much.Bernadette: Really?Penny: Yeah. It was fine. We went to a MelissaEtheridge concert, I got an A, it all worked out.Bernadette: When you go to Emily's office to practice,you'll see. It's fine.Penny: Yeah, I hope you're right.Amy: You really went your entire life without anyonesaying I hate you to your face?Penny: Yeah.Amy: I'd say it now, but look at thosecheekbones.[SCENE_BREAK][ Capital Comics ](rock music playing)Sheldon: I miss Stuart's place. All thisloud music and exposed brick. What, is this a comic book store, or a rave at the third little pig'shouse?Howard: Yep, I wish Stuart would reopen. I hate this place, too.Leonard: Okay, him I believebecause he's an 80-year-old man in a 15-year-old's tee shirt. But you're just upset about Stuart and yourmom and all their HBOs.Howard: Yes, I am. You know, I can't even watch Game of Thrones now withoutthinking of mother saying, Stuart, which one is Thrones?Raj: You know, he might not reopen. He didn't"}
+{"doc_id":"doc_272","qid":"","text":"Act 1Scene 1 - The Radio Station. Fade in. Frasier is on the air.Frasier: Go ahead, Sophie, I'mlistening.Sophie: [v.o.] Hi, Dr. Crane. My husband's having some of his friends over to watch the gameSunday, and I think it'd be nice if I could have some of my girlfriends over too.Frasier: Soundsreasonable.Sophie: Exactly. I mean, it's just football.Larry: [in the background] Not football, Einstein, theSuper Bowl.Frasier: Ah, that would be your doting husband now.Sophie: Larry, this is a privateconversation. And for God's sake, use a plate!Frasier: Sophie, why don't you put your husband on theline?Sophie: Pick up.Larry: Ah, geez. [picks up, louder] Hello!Frasier: Larry, I gotta tell you, I'm afraid Iside with your wife on this one.Larry: That just proves you don't know the first thing aboutfootball.Frasier: What I do or do not know about football has...Larry: OK, how's this: My wife's friendscan come over if you can answer even one little football question. Like...Frasier: Now, I don't see thatthat's in any...Larry: You're down by six, you're on your own forty, three seconds left, what do youdo?Frasier: Well, all right, you would...Roz gets his attention and grabs two telephone handsets.Frasier:You would take your receivers, [Roz sets them together] and line them up, [she pretends to throw] andthen throw a pass. [big throwing gesture] A long, long pass.Larry: Yeah, and what's the name forthat?Roz gets down on her knees, crosses herself, and prays with an innocent look on her face.Frasier: AHail Mary. [Roz gives him the thumbs up.] Sophie and Larry, I hope you enjoy the game. In themeanwhile, this is Coach Crane saying, I'm listening.Roz comes over to change some tapes on Frasier'sconsole.Roz: I'm impressed you're so good at charades.Frasier: I'm impressed you could mime a virgin.So, Roz, you walkin' out?Roz: No, I got stuff I gotta do. I've got some carts to rack, and I want to puttogether some Best of Crane tapes.Frasier: Oh, your mother's still in town?Roz: In town, in myapartment, and when I left this morning, in my refrigerator, smelling my milk!Frasier: Oh, lord.Roz: I, Ilove her, I just wish I could get a couple of hours to myself one night.Frasier: Well, why don't you justask her? She might enjoy a little time to herself. I know my dad does.Roz: You are so lucky. I wish mymother drank alone.They walk over to Roz's side.Frasier: You know, Roz, your mom's about the sameage as my dad, isn't she?Roz: Yeah, I guess.Frasier: Does she date much?Roz: Since my father left,practically never... no, hang on...Frasier: No, no, hear me out, Roz. Now, Dad hasn't dated anybody sincehe and Sherry broke up, I'm starting to worry he's lost his nerve. A date with your mom could be atremendous favor to him.Roz: I don't know.Frasier: Oh, come on, I'll tell you what: I know it's awkwardbut there's a way to minimize that. Niles and I are having dinner with him tonight. We'll take him toMcGinty's, he'll feel comfortable, you and your mother can just happen by. We'll see what transpires, youknow, they'll never even know it's a fix-up.Roz: Oh, what the hell, I'll give it a shot, I guess. How's fivesound?Frasier: Five? Your mother is ready for dinner at five?Roz: I keep her on Wisconsin time, that wayshe's in bed by eight.Frasier walks out. FADE OUT.A.K.A THE LAST ONIONOUT OF POMPEIIScene 2 -McGinty's Fade in. Niles and Frasier are sitting at a table, Martin brings a plate over.Martin: Hey, lookwhat I got here, boys! A Funion Onion. The chef sent it over with his compliments.Frasier: I wonder whathis insults are like.Martin: [to a waitress] Hey, Bonnie!Bonnie: Hey ya, Marty. Oh, you must be Frasier,the big radio star.Frasier: Oh, yes. Hello.Bonnie: Your dad is so proud of you, he talks about you all thetime. Who's your friend?Martin: Now, what's wrong with you? I told you about my other son.Bonnie:[shaking Niles's hand] Oh, of course, what am I thinking? Nice to meet you, Eddie.Martin: This is Niles.How 'bout some beers, Bonnie?Bonnie: Coming right up.Niles: Oh God, look. The group coming in thedoor, they're from the Shangri-La.A group of guys come over and punch Niles on the shoulder. He putsup his fists and weaves back and forth.Jimbo: Whoa, it's the Coyote!Niles: Evening, evening, Jimbo.Check you later.The guys go over to the bar.Martin: Wow, you got a nickname down there already. That'sgreat! The Coyote?Niles: Yes.Frasier: And how did you earn that honorific?Niles: Oh, it was quite themerry road. Yes. It evolved from Niles to Nilesy to Niley to Nile E. Coyote and now simply \"TheCoyote.\"The guys at the bar start howling at him.Niles: Oh, well, just when I thought it couldn't berefined any further.Roz and her mother, Joanna, come in.[N.B. Eva Marie Saint's first (andOscar-winning) film role was as Edie Doyle, Marlon Brando's love interest in 1954's \"On the"}
+{"doc_id":"doc_273","qid":"","text":"FLASH OPEN:[EXT. VARIOUS LOS ANGELES CITY LIGHTS (STOCK) - NIGHT][HOLLYWOOD STREETSIGN]WHITE FLASH TO:[EXT. VARIOUS HOLLYWOOD (STREET) - NIGHT](Various shots of prostituteswalking the street in front of various establishments.)Dakota: Hey.\"JERSEY\" (ELLIE): Hey. You getanything?Dakota: No.(A car pulls up alongside them.)\"DAKOTA\": My, uh, knight in shining German armorhas arrived.\"JERSEY\" (ELLIE): See if he has room for two.(Dakota sighs. They lock pinkies as Dakotaheads for the car.)\"JERSEY\" (ELLIE): Careful.(Dakota leans over the curb and looks into the car.)Dakota:Hey. You wanna party?(Dakota looks back at \"Jersey\". Dakota gets into the car and closes the door. Shewaves back at \"Jersey\".)(\"Jersey\" signals for Dakota to give her a call. The car drives away.)FLASHTO:[INT. POLICE DEPARTMENT - DESK - MORNING](\"Jersey\" is at the police station. The officer at thedesk isn't too interested in what she's saying.)Officer: It's only been a few hours.\"JERSEY\" (ELLIE):Dakota always calls me. We have a system. Something is wrong.Officer: Why don't you go home, Jersey?Eat something for once, get some sleep.(Disgusted, \"Jersey\" turns to leave. With a last look at the officer,she slaps her hand on the counter in frustration, then leaves.)[SCENE_BREAK][EXT. SIDEWALK -DAY](Walking along the sidewalk, \"Jersey\" takes out her cell phone and dials.)INTERCUT WITH:[INT.(LAS VEGAS) POLICE DEPARTMENT - BRASS' OFFICE - DAY](Brass is working when his phone rings. Heputs the pen down and answers it.)Brass: (to phone) Hello.Ellie Brass: Hello, Dad?Brass: Ellie. Are youokay?SMASH CUT TO: END OF TEASER ROLL TITLE CREDITS[SCENE_BREAK][EXT. LAS VEGAS CITY(STOCK) - DAY][INT. POLICE DEPARTMENT - HALLWAY -- DAY](Brass steps out of his office and looksboth ways down the hallway. He sees the sheriff and heads over to him.)Brass: Oh, hey, Sheriff. I'm gladI caught you.(Brass stops in front of the sheriff.)Brass: Um ... I got to take some emergency leave. It's a... it's a family matter.Sheriff Burdick: I didn't know you had a family.Brass: Well, you're new. We haven'thad a chance to talk. Um ... I, uh, briefed my lieutenant on my cases. He'll cover for me for a couple ofdays.Sheriff Burdick: This is not a good time for family problems. All the narco guys are at a HIDTAconference. I got no backup. I'm still learning the ropes here.(Brass chuckles.)Brass: Well, it's never agood time to have a family problem, Sheriff. Look, I don't ask for time off normally. I'd appreciate thecourtesy.Sheriff Burdick: Do I have a choice here, Jim?(The sheriff continues down the hallway.)SheriffBurdick: (over his shoulder) Get back here as soon as you can.(Brass watches the sheriffgo.)[SCENE_BREAK][EXT. MIKE'S DINER (STOCK) -- DAY][INT. MIKE'S DINER - DAY](The waitress takesthe money off the counter. Brass stands in front of the small counter-top display and picks up acellophane-wrapped gift with a small pink bear near the ribbon tie on top.)(Brass puts the small gift onthe counter. He counts out the bills and pays the cashier.)[SCENE_BREAK][EXT. LAS VEGAS CITY(STOCK) - DAY][HIGHWAY](Top view down of the highway.)[EXT. LAS VEGAS CITY (STOCK) - HIGHWAY- DAY][EXT. CITY (STOCK) - DAY][EXT. POLICE DEPARTMENT BUILDING - DAY](Brass walks up to thefront of the building.)[INT. POLICE DEPARTMENT - OFFICE - DAY](Brass and Annie Kramer hug.)AnnieCramer: You look good, Jimmy.Brass: You do, too, Annie.(Annie Kramer goes to sit behind herdesk.)Brass: L.A. seems to agree with you.Annie Cramer: Oh, yeah, well, I couldn't take another Jerseywinter.(She sits down. Brass sits down across her desk.)Annie Cramer: Or another Jersey cop.Brass: Youstay in touch with the old crew?Annie Cramer: You know, dirty cops don't like to hang with cleanones.Brass: So that's why they called me squeaky?Annie Cramer: I thought what you did took a lot ofguts. Integrity is, um, hard to come by in vice.Brass: Yeah, it's the only detail where you're told to drink,gamble and pick up hookers, all the while carrying a gun.Annie Cramer: Garden of Eden. Temptation killsyou, or it compromises you.Brass: So, you got my message? My daughter Ellie and her friend Dakotawere out partying and Dakota got in some guy's car. Ellie was able to pull a partial. Something about awhale tail.(Brass hands Annie Kramer the notebook paper with:CA PLATE1TA )Annie Cramer: CaliforniaCoastal Commission specialty plates. I'll run it through DMV. Cross reference with BMWs. In themeantime, I pulled Dakota's rap sheet.Brass: She has a sheet?Annie Cramer: They both do.(Brassnods.)Annie Cramer: She, uh, works a stretch on Hollywood Boulevard between Highland and Vine.(Shehands the file to Brass. He opens it and sees a photo of Dakota holding the ID numbers:POLICE"}
+{"doc_id":"doc_274","qid":"","text":"EXT, SEA, NIGHTA group of four pirates row the long boat back to their ship through still waters throughdense fog. The ship is still as there is not enough wind to fill the sails though a small breeze blows thearray of charms hanging like chimes.EXT. SHIP'S DECK, NIGHTThe pirates climb aboard and are greetedby another.PIRATE 1: What's wrong?PIRATE 2: Man wounded.Stunned, PIRATE 1 looks at the woundedman even as he points to the aft of the ship.PIRATE 1: Wake him.PIRATE 2 leaves.INT. SHIP, CAPTAIN'SCABIN, NIGHTWe see gold and jewels spilling over chests. The pirates are there, waiting on theCAPTAIN'S decision.PIRATE 1: He slipped in the bilge water, Cap'n, and fell on to the rigger. His hand... Idon't know if he'll survive.The CAPTAIN turns around and looks at the WOUNDED MAN'S hand. There is asmall scratch on his finger.CAPTAIN: You're a dead man, McGrath.The CAPTAIN turns over McGRATH'Shand to reveal a black spot on his palm.CAPTAIN: Same as all the others.A hypnotic woman's voice canbe heard singing.CAPTAIN: She's here.PIRATE 1: Oh, save our souls.McGRATH: I've got to escape! (runsfrom the cabin)PIRATE 1: Don't go out there! McGrath! Don't listen for God's sake. The siren isa-calling.EXT. SHIP'S DECK, NIGHTMcGRATH runs onto the deck, tripping on coiled rope.INT. SHIP,CAPTAIN'S CABIN, NIGHTThe CAPTAIN locks the cabin door. He then takes a pendant from his neck andwraps the leather strap around the door handles. On one side of the pendant is a carved relief of amermaid.EXT. SHIP'S DECK, NIGHTMcGRATH holds his knife in one hand, ready to strike. He uses hisother hand to try and block out the singing.INT. SHIP, CAPTAIN'S CABIN, NIGHTThe others hear hisscream as the pendant slowly swings at the lock.EXT. SHIP'S DECK, NIGHTThe other pirates come out ondeck. There is no sign of McGrath, only his pistol.CAPTAIN: (picks up pistol) Same as all the others. Nosign of a struggle. No bones or blood.PIRATE 1: We're shark bait, every single one of us. Stuck on theocean, waiting until the wind changes. There is a banging from one of the hatches.CAPTAIN: What'sthat?PIRATE 1: The creature, it's returned.The pirates approach cautiously, the CAPTAIN aims the pistol.The hatch bursts open to reveal the DOCTOR, RORY and AMY.DOCTOR: Yo ho ho! Or does nobodyactually say that?[SCENE_BREAK]Matt Smith Karen Gillan Arthur Darvil\"The Curse of the Black Spot\" bySteve ThompsonProducer Marcus WilsonDirector Jeremy Webb[SCENE_BREAK]INT. SHIP, HOLD,NIGHTThe TARDIS rests among the storage.INT. SHIP, CAPTAIN'S CABIN, NIGHTThe CAPTAIN isquestioning the presence of strangers on his ship.CAPTAIN: We made no signal.DOCTOR: Our sensorspicked you up. Ship in distress.CAPTAIN: Sensors?DOCTOR: Yes. OK. Problem word. Seventeenthcentury. My ship automatically, er..noticed-ish... that your ship was having some bother.CAPTAIN: Thatbig blue crate!?The DOCTOR snaps his fingers.PIRATE 1: Tis more magic, Captain Avery. They're spirits.How else would they have found their way below decks?DOCTOR: Well, I want to say multidimensionalengineering, but since you had a problem with sensors I won't go there. Look, I'm the Doctor, this isAmy, Rory. We're pirates, same as you. Arghhhhh!The DOCTOR turns to look at the pirates behind themand when he turns around, AVERY has a pistol aimed at his head.DOCTOR: Except for the gun thing. Andthe beardiness.AVERY: You're stowaways! Only explanation. Eight days, we've been stranded here.Becalmed. You must have stowed away before we sailed.PIRATE 1: What do we do with 'em?AVERY: Oh,I think they deserve our hospitality.EXT. SHIP'S DECK, NIGHTThe DOCTOR is standing at the edge of aplank jutting over the side of the ship. The pirates laugh.DOCTOR: I suppose that laughing like that is inthe job description. \"Can you do the laugh?\" Check. Grab yourself a parrot. Welcome aboard.AVERY:Stocks are low. Only one barrel of water remains. We don't need three more empty bellies to fill. Take thedoxy below to the galley. Set her to work. She won't need much feeding.One of the pirates \"escorts\" AMYto the stairs that lead below-decks.AMY: Rory, a little help?RORY is being restrained by anotherpirate.RORY: Hey, listen right. She's not a doxy.AMY: I didn't mean just tell him off. Thanks anyway.Thepirate forces her below.AVERY: If you're lucky you'll drown before the sharks can take a bite.DOCTOR: Ifthis is just because I'm a captain too, you shouldn't feel threatened. Your ship is much bigger than mine.And I don't have the cool boots. Or a hat, even.AVERY: (aims pistol) Time to go.DOCTOR: A Bit morelaughter, guys? (motions with hand)INT. SHIP, BELOW-DECKS, NIGHTAMY opens a chest and finds itfilled with swords. She takes one out and as she's testing the feel of it in her hand, she sees a long coat"}
+{"doc_id":"doc_275","qid":"","text":"•I do not own the characters or situations of BTVS and I claim no credit for the content of this episode. Ihave merely transcribed what appeared on my screen, with help from the closed captions. •I prefer thatyou link to this transcript on the Psyche site rather than post it on your site, but you can post it on yoursite if you really want, as long as you keep my name and email address on it. Please also keep mydisclaimers intact. DO NOT POST MY TRANSCRIPT ON YOUR SITE WITHOUT MY NAME ON IT! • Iapologize in advance for my lame transcription of the fight scenes. I don't know the names of differentpunches and kicks. Use your imagination.[SCENE_BREAK]No teaser. Episode opens right where \"Two ToGo\" left off.[SCENE_BREAK]Act I[SCENE_BREAK]Open on Buffy lying on the floor of the Magic Box. Shelifts her head, sits up and stares toward the door.BUFFY: Giles? Giles just stands there with a grimexpression. Anya, on the floor in another part of the magic shop, also looks over as she stands up.ANYA:Giles? Giles still doesn't respond to either of them.WILLOW: (O.S.) Uh oh. Reveal Willow still lying on thefloor where Giles's blast of magic threw her.WILLOW: (sarcastic) Daddy's home. I'm in wicked troublenow. Willow sits up and wipes her bloody nose with her hand, looks at the blood, wipes again. Her hair isstill black and her face still covered with dark veins, although her eyes are normal.GILES: You have noidea. (Willow sitting up) You have to stop what you're doing.WILLOW: (fake smile) Uhh, sorry. Can't dothat. (Giles walking closer) I'm not finished yet. Willow starts trying to get up, somewhat shaky.GILES:Neither am I. Stay down. Giles gestures at Willow with one hand and she falls back onto the floor,wincing.ANYA: (softly to Giles) How'd you do that? Giles ignores Anya, still completely focused onWillow.WILLOW: (small laugh) That's borrowed power. No way is it gonna be strong enough-GILES: I'mhere to help you.WILLOW: (rolling eyes) Thanks, but I can kill a couple geeks all by myself. (Gileswalking slowly closer) But, hey, if you'd like to watch ... I mean, that's what you Watchers are good at,right? Watching? Butting in on things that don't concern you?GILES: You concern me, Willow. Stay onthis path and you'll wind up dead.BUFFY: Willow. Listen to him. I don't want to fight youanymore.WILLOW: I don't want to fight you either. (looking at Giles) I wanna fight him. Willow starts toget up again, not normally but with magic, rising up to her feet without apparent effort.GILES: Staydown. Giles makes his gesture again but Willow makes one of her own and blocks him.WILLOW: No. Gileslooks a little alarmed. Buffy looks wary, moves over to stand beside Giles.WILLOW: Remember that littlespat we had before you left? (shot of Anya watching nervously) When you were under the delusion thatyou were still relevant here? (walking closer) You called me a rank, arrogant amateur. Well buckle up,Rupert... Anya, Buffy, and Giles continue to watch Willow uneasily. Suddenly a magic light from nowherebegins to light up Willow's body, and her eyes go black again as a humming noise begins to rise in pitchand volume.WILLOW: (deep resonant voice) 'Cause I've turned pro. The humming/whirring noisecontinues as Willow begins a spell.WILLOW: Asmodea, bring forth--GILES: (gesturing) Vincire! Greenmagic energy shoots from Giles's hand and forms a band around Willow's torso, pinning her arms againsther body. It glows with a green light that makes Willow's skin appear green too.WILLOW: What? No! Getoff! (struggling) Solvo, libero... Giles continues holding out his hand toward her. Suddenly Willow throwsback her head and closes her eyes, apparently unconscious. Her body floats up into the air and hoversabout a foot off the ground. The band of magic holding her changes to a more contained blue-grey color.Anya and Buffy watch warily. Buffy moves closer to Giles. Willow continues to float in midair.BUFFY: Whatdid you do?GILES: Contained her and her powers within a binding field. It puts her in a kind of ... stasisfor the time- Giles looks at Buffy for the first time, pauses. Buffy continues staring at Willow.GILES: Youcut your hair. Buffy looks at him, gets teary and hugs him. Anya watches them hugging. She walks upbehind them and fidgets for a moment.ANYA: I'm blonde. Giles and Buffy look at her, still with their armsaround each other.ANYA: I, I colored my hair. (pauses) Again. I'm blonde.GILES: Yes, I noticed. Gilesholds out one arm and Anya joins the hug. After a moment Giles disengages from Anya and Buffy, looksat Willow again. He walks over to Willow who is still floating in the air, unconscious, with her headhanging back.GILES: I'm very sorry about Tara. Giles looks sad, stands there for a moment, starts towalk away.WILLOW: This... Giles pauses, looks at her in surprise. Willow opens her eyes a little and"}
+{"doc_id":"doc_276","qid":"","text":"[Press conference](Alicia and Peter are walking in a hall and they are going into the press room. Thereare a lot of journalists.)Peter: Good morning. An hour ago, I resigned as State's Attorney of CookCountry. I did this with a heavy heart and a deep commitment to fight these scurrilous charges. I wannabe clear. I've never abused my office. I've never traded lighter senses for financial or sexual favors. Atthe same time, I need to atone for my personal failings with my wife, Alicia, and our two children. Themoney used in these transactions was mine and mine alone. No public funds were ever utilized. But I doadmit to the failure of judgment in my private dealings with these women. Alicia and I ask the press,please respect our privacy. Give us time to hear. With the love of God, and the forgiveness of my family,I know I can rebuild their trust. I wanna thank the people of Chicago; it has been an honor to serve you.And I pray that one day, I may serve you again. Thank you.(Alicia and Peter leave)Journalists: Sir! Areyou still involved with prostitutes, sir? How many were there, sir? Will you ever try to hold public officeagain? Sir! Answer the question![In a hall]Press agent: We have interviews set up with the Tribune andChannel Four.Peter: Absolutely not! I'm not doing any more interviews. I want you to cancel all of them.That's it!Press agent: I'll tell Channel Two, we don't have a comment at the present time but weemphatically question the authenticity of this thing.(Press agents leave)Peter: Hey, you all right?(Aliciaslaps Peter and then, leaves)Journalists: Mrs.Florrick, how long have you know your husband was havingan affair? How are you going to protect your children?[6 months later; in an office](Alicia is waiting and agirl passes in the hall)Alicia: Oh excuse me, isn't the staff meeting at 9.30?The girl: You're in the wrongconference room. It's up one floor.Alicia: Oh, God!(Alicia takes her stuff and runs to the other floor. Sheenters into a room)A voice (Will's voice): This is a major class action. A case that could propel us to thetop rank of full service firms, and I don't think I need to remind you what that will do to your year-endbonuses. Anyway, Sheffrin-Marks fired their last firm because they took their eyes off the ball. So, untilfurther notice, your personal lives have been cancelled.Another voice (Diane's): So, we'll need some ofyou to help with the lower profile client work to free up our top litigators.Will: Ed, you take the witnessprep on highway redistribution. Don, you take the Brighton criminal and Alicia will take the pro bono.Everyone else, your task is to show Sheffrin-Marks our 'A' game, ok? Let's do this!(End of the meeting-Alicia and Will are in the hall and they're walking)Alicia: Will.Will: Alicia.Alicia: Hey.Will: I'm sorry I didn'tintroduce you in there. Everything is moving real fast with this class action.Alicia: Well, I just wanted tosay thank you for the opportunity. It's a real life saver.Will: No, glad you could come aboard. Hope you'reall right with this pro bono. How'd it sound?Alicia: Interesting.Will: Good. Don't be nervous. You worriedabout the gunshot residue?Alicia: No...oh, god! (phone rings)Will: Nice ring tone. Who gets that?Alicia:Oh, my mother-in-law. My daughter programmed it.Will: What's yours?Alicia: I don't wanna know! So,the gun residue.Will: Diane, you're briefing Alicia, right? Good. So you're in good hands. So, let's catchup, have dinner.(Diane arrives, Will leaves - Diane and Alicia walk in the halls)Diane: So, Will speakshighly of you. He says you graduated top of your class at Georgetown. When was this?Alicia: 15 yearsago.Diane: Hum, hum...and you spent 2 years at?Alicia: Crozier, Abrams & Abbott.Diane: Good firm. Willsays you clocked the highest billable hours there. Why did you leave?Alicia: Well, the kids and Peter'scareer.Diane: Hum...Brian, can you get Mrs. Florrick the files?Brian: Sure!Diane: I want you to think ofme as a mentor, Alicia. It's the closest thing we have to an old boys' network in this town.[Diane'soffice]Diane: Women helping women, ok?Alicia: Ok.Diane: When I was starting out, I got one great pieceof advice. Men can be lazy, women can't. And I think that goes double for you. Not only, you're comingback to the workplace fairly late, but you've some very prominent baggage. But, hey, she can do it, socan you!(Brian enters in the office)Diane: Thanks Brian! Like many law firms, we donate 5% of billablehours to pro bono. Sadly, I'm long past my quota on this one: Jennifer Lewis, 26 years old, taught secondgrade. Accused of killing her ex-husband. Prosecution thought it was a slam dunk 45 years, but the jurycame back last week, deadlocked. 6 jurors voted to convict, 6 not; I'm not even sure why the StateAttorney is re-trying except he wants...Justice! He wants to prove himself! So, stick with my strategyfrom the first trial. The police focused on Jennifer so early in the investigation, they never even looked for"}
+{"doc_id":"doc_277","qid":"","text":"Michael: Hup! [throws cheese puff to Ryan who catches it in his mouth][SCENE_BREAK]Pam: Things area little slow here. And there's only so much cold-calling you can do in a day. Turns out there's no limit tothe number of cheese puffs you can throw at someone's face.Michael: Hup! [throws cheese puff to Pamwho catches it in her mouth]Pam: We're getting pretty good at it.[SCENE_BREAK][Pam and Ryan throwcheese puffs to Michael, Ryan and Michael throw cheese puffs at each other, Michael throws a cheese puffover his shoulder to Ryan, all three throw cheese puffs to one another, givehigh-fives][SCENE_BREAK][Pam yawns, two cheese puffs thrown at her, one sticks in herhair][SCENE_BREAK]Jim: Andy put down a bunch of deposits on stuff for his wedding with Angela, butthen she was sleeping with Dwight for... several years. Wait, no, that can't be right.Pam: The timeline'smessy.Jim: Anyway, now we are going bargain hunting in the haunted graveyard of theirlove.[SCENE_BREAK]Andy: This is my solo. [stereo plays Andy imitating bass guitar, a cappella startssinging 'You Can Call Me Al']Pam: I'm confused. Am I walking down the aisle to 'You Can Call MeAl?'Andy: Trust me. You will not be walking. You will be boogie-ing.Jim: I am extremely interested. So,how much will all of this cost?Andy: Well, 12 guys, airfare, three nights in a hotel, food per diem, table upfront for merch... $9,000.Pam: I don't know. It seems like a lot for an a cappella group from a college wenever went to.Andy: Did you even hear the music I just played for you?Pam:Mm-hmm.[SCENE_BREAK]Phyllis: What's wrong with you?Dwight: These sleeves are cutting off mycirculation. Not enough blood getting to my hands.Phyllis: I think you look nice.Dwight: Doesn't Charlesknow he's compromising my attack readiness? It's not a dress code. It's a death sentence.Charles:Looking good.Dwight: 'Kay, thank you. It's a straight jacket! [knocks things off shelf with arms]Okay.[SCENE_BREAK]Dwight: When Michael was in charge, this place was like the Roman Empire. Andthe Wild West. And war-torn Poland. And Poland. There was just a lot going on, so what you wore to workwas the least of anybody's worries. And in that chaos, I soared.[SCENE_BREAK]Michael: Hey.Dwight:Hey. Ed's Tires is thinking of making a change.Michael: [gestures to 'Bed & Breakfast' magazine] Is thisgood?Dwight: They have some great kitchen ideas.Michael: Oh. Okay. Ed's Tires, huh?Dwight: It's small,I know.Michael: I really appreciate it.Dwight: Thanks, Michael. [Michael palms Dwight cash in theirhandshake] Wait, what is this?Michael: It's for your trouble.Dwight: Wh- I don't need $6 to help afriend.Michael: No, no, listen, as a friend, I want you to have this.Dwight: Michael, you know I can't takethis.Michael: Yes, I do.Dwight: But don't forget you owe me $10.Michael: That was four years ago. Whydon't you let it go?Dwight: Michael.[SCENE_BREAK]Andy: What was up with Pam being all pushy andnegative in there?Jim: I think she just didn't want a crucifix cake.Andy: It scares me to see you goingdown a road that I went down.Jim: Am I going down a road?Andy: When I see her bossing you aroundlike that, it just makes me wonder if this thing really has the legs to go the distance.Jim: It's so scaryhow right the things you're saying are. And you're coming at it with almost no knowledge, so of course Itrust your opinion on this.[SCENE_BREAK]Andy: I know a few things about love. Horrible, terrible, awful,awful things.[SCENE_BREAK]Jim: I was going to use today to purge my inbox, but now something muchmore pressing has come up.[SCENE_BREAK]Michael: Ed's Tires. Why don't you tell them that we havefewer clients, so we can spend more time with each of them. Also, try to discuss it over Indian food, andtry to mention how you distrust women.Pam: I'm not gonna do that.Michael: That is smart. That wouldnot seem genuine. Ryan?Ryan: I can get there.Michael: Good, you take the lead on this one. Also, do notforget that he has just gone through a messy divorce.Ryan: Oh, awesome.Michael: Bring it in. Morningcheer. [clears throat]Michael, Pam & Ryan: U-G-L-Y, you ain't got no alibi! You ugly, huh huh, you ugly!You mama says you ugly! Hey! Go Michael Scott Paper Company![SCENE_BREAK]Pam: I'm here. I'm apart of this now.[SCENE_BREAK]Dwight: You needed to speak to me?Charles: Dwight, take aseat.Dwight: I prefer to stand. Less blood clots.Charles: Nah, that's weird. You're gonna sit. [Dwight sits]Great. You know, Dwight, it has been quite a transition for all of us. Are you happy with the way thingshave been runnin' lately?Dwight: Do you mean compared to the ways things ran with other bosses?Comparisons are hard.Charles: I've just been impressed with your performance and I wanted to make"}
+{"doc_id":"doc_278","qid":"","text":"\"DANCE\"CastDawson: James Van Der BeekGrams: Mary Beth PeilJoey: Kaite HolmesBessie: NinaRepetaPacey: Joshua JacksonMitch: John Wesely ShippJen: Michelle WilliamsGail: Mary-MargaretHumesAndie: Meredith MonroeJack: Kerr SmithHomecoming Dance*Dawson's room: Andie is dancingand watching \"Footloose\" on Dawson's TV while Pacey, Dawson, and Joey sit on the bed and watch herdance and laugh.*Andie: Oh my God! I love \"Footloose\"! Don't you guys love to dance? I am so excitedabout the homecoming dance next weekend.Pacey: The homecoming dance? *Andie nods*Pacey: Oh myGod, we're hanging out with Marcia Brady.Andie: I don't understand. What's wrong with the schooldance?Dawson: I think what Pacey's actually saying is that we're not exactly the school dance type.Joey:We'd rather watch a movie about a high school dance than actually set foot in an over-decoratedgym.Pacey: Actually, this enditement of high school conventions isn't limited to dances. It covers thewhole spectrum of school-sponsored events. Case-in-point: Joey, how many high school football gameshave you been to?Joey: None.Pacey: Mm-hm. And Dawson? How many pep rallies have you loyallyattended?Dawson: Zero.Pacey: Mm-hm.Andie: Uh! You guys are a bunch of cynics, you know that? Imean, what kind of memories are you going to have if all you did in high school is bitch and moan aboutit?Joey: Bitching memories.Dawson: Moaning memories. *Joey looks over and smiles at Dawson.*Andie:You guys are completely sabotaging your high school experience.Pacey: Guilty as charged. Now, Dawson,if you don't mind, could you turn the video back on? 'Cause I really want to see who's responsible forKevin Bacon's rougueish, devil-maker, hair do(?). *He smiles at Andie as the tape comes back on. Andiewalks over and stands in front of the TV*Andie: You mean you would rather watch a movie aboutsomething than doing it yourselves?Dawson and Joey: Correct. *Andie walks over and sits on thewindowseat*Andie: Okay, what about s*x? *Dawson, Pacey, and Joey look over.*Andie: I mean, youguys are missing a major opportunity here. Why do you think the (?) were so adament about outlawingdancing? They believed it to be sinful.Dawson: Are you saying dancing equals s*x?Andie: No. But dancingcould possibly be really great foreplay. *Joey looks at Dawson*Pacey: I love the way you think.Andie:So...who's going with me on Saturday?*Joey looks at Dawson again and scratches her head. Paceymakes a face like 'Whoa'**Cut to Bessie and Joey pulling up to Capeside High. Joey's getting out but shestops*Bessie: Okay. We're here. You gonna get out?Joey: I was thinking.. *Bessie rolls her eyes*Bessie:What is it this morning? General teen angst or something specific?Joey: If I tell you something will yourespond with nothing but sisterly advice and/or concern?Bessie: Of course.Joey: Okay...Jack kissed me.*Bessie starts laughing*Bessie: Oh my God! *laughing*Joey: Look I don't think cackling qualifies asconcern or advice.Bessie: I'm sorry Joey, but Jack? Choreboy down at the Icehouse?Joey: Yes.Bessie: Hekissed you?Joey: It was nothing, really. It happened and then it was over.Bessie: So what's the problemthen?Joey: Dawson?Bessie: Oh...you didn't tell him, did you?Joey: No. I mean, here's the thing. I mean,this is a classic example of what I would tell Dawson, the friend, but since Dawson, the friend, hasbecome Dawson, the boyfriend, the concept of newsworthy events has become a little blurry.Bessie:Okay, look. Here's the way I see it. Jack kissed you, right? It was a 1 way kiss, right?Joey: Yeah.Bessie:Surprise whenever(?), completely uninvited, all-in-all no big deal. You didn't do anything wrong. Don'tbeat yourself up over it. If you want my advice, just put it behind you, concentrate on Dawson, pretend itdidn't happen.Joey: What didn't happen?Bessie: Exactly.Joey: Thanks, Bess. See ya!Bessie: Okay *Shedrives off* *Cut to Abby and Jen*Abby: No way those are real.Jen: What? You think those areman-made?Abby: Yes! Jen, please! Physical enhancement caters not only to size. It can improve shape,direction, perk factor..that girls had some work done.Jen: Yeah, well, Brett sure doesn't seem tomind.Abby: Oh, please. Brett Tompkins is just a dim bulb with good hair and tight pants. A classichim-bo. In other words, perfect.Jen: If that's your type.Abby: Aw, what's the matter, Jen? Brett's toomuch man not enough touchy-feely film amateur(?). Full market down(?). Come Saturday night, Brettand Kristy will be history. Saturday, Brett will be mine.Jen: Abby, that's pathetic. You're going to thehomecoming dance to hit on somebody else's boyfriend?Abby: Well, my guidance counselor told me toset goals for myself.Jen: You're on your own.Abby: Fine. Suit yourself. Stay at home and read Scripture"}
+{"doc_id":"doc_279","qid":"","text":"[ The cafeteria ]Leonard: Oh, hey, oh, we ran into your mom at Benihana last night.Howard: Oh, yeah,she loves that place. Every time they flip a shrimp in the air, she practically leaps out of her seat to catchit. That's why I don't take her to SeaWorld.Leonard: I know you-you don't want to hear it, but she wasthere with Stuart.Howard: That's fine. I don't care.Raj: It doesn't bug you when they go out ondates?Howard: They're not dating. They're just two friends who went out to dinner.Raj: And then wentback to the home they share where they probably fell asleep in the matching pajamas she got thembecause they both just love penguins.Howard: Hey, lots of people wear matching pajamas who aren'tdating.Raj: Like who?Howard: Like you and your dog.Leonard: Don't rule out the dating.Howard: Fine, itbothers me. You happy?Sheldon: You think you've got problems. The gibbon is the only member of theape family not classified as a great ape.Howard: How is this helpful?Sheldon: All the non-human apes areclassified as great apes except one. That means taxonomists created the entire category of lesser apejust to single out the poor gibbon as the weird kid on the playground. Now there's a hairy little fellow witha genuine beef.Leonard: But the gibbon doesn't know what it's categorized as. It doesn't even know it'scalled a gibbon.Sheldon: True. Sorry, kid, you've got it worse than a gibbon.[SCENE_BREAK]\u0000 Our wholeuniverse was in a hot, dense state \u0000[SCENE_BREAK]\u0000 Then nearly 14 billion years ago expansionstarted... Wait! \u0000[SCENE_BREAK]\u0000 The Earth began to cool \u0000[SCENE_BREAK]\u0000 The autotrophs beganto drool, Neanderthals developed tools \u0000[SCENE_BREAK]\u0000 We built the Wall \u0000[SCENE_BREAK]\u0000 Webuilt the pyramids \u0000[SCENE_BREAK]\u0000 Math, Science, History, unraveling the mystery\u0000[SCENE_BREAK]\u0000 That all started with a big bang \u0000[SCENE_BREAK]\u0000 Bang! \u0000[SCENE_BREAK][Penny's Apartment ]Amy: Hi.Penny: Hey.Bernadette: We brought snacks for movie night.Penny: Oh,great. I don't suppose you also brought napkins, clean bowls, utensils and a roll of toiletpaper.Bernadette: Right here.Penny: Ah, You guys are the best.Amy: What's with the clothes?Penny:Well, with all the new stuff I bought for work, I needed to make room in my closet.Amy: I meant why arethey folded? But whatever. Ooh, what's this?Penny: That, believe it or not, is my prom dress.Bernadette:Wow, you still have it? I just assumed it was balled up in the corner of a barn somewhere.Penny: Whatkind of teenager did you think I was?Bernadette: Slutty.Amy: Easy.Penny: The word ispopular.Bernadette: How was your prom? Did you go?Amy: No, but I was on clean-up crew.Penny: Aw,that's sad.Amy: No, it was okay. The DJ let me dance one slow song with my mop before he shut down.Whenever I see a bucket of dirty water, I still hear Lady in Red.Bernadette: My prom was pretty terrible,too. I was so excited about my date, but it turned out he only asked me 'cause he liked my friend. Hespent the whole night talking about her.Amy: Okay, we get it, you had a friend and a date. Stopbragging.Penny: Doesn't matter. Prom is silly anyways.Bernadette: Easy for you to say; you probablywent with the captain of the football team.Penny: No. I just made out with him a little while his date waspuking.Amy: My date would've had to clean that up.Bernadette: Ooh, I have an idea. Maybe we canhave, like, a prom do-over.Amy: Oh, that would be so much fun. We could decorate the roof and makethe guys wear tuxedos.Bernadette: Ooh, and get our hair done, and slow-dance.Penny: Okay, guys, trustme, as someone who's been to, like, seven proms, it is never as good as you want it to be.Amy: Youwent to seven proms?Penny: Yeah, let's see. Uh, four Under the Seas, two Enchanted Evenings, and oneNight to Remember that I cannot remember for the life of me.[SCENE_BREAK][ The apartment ]Howard:Hey.Raj: Hey.Leonard: Hey, where's Bernadette?Howard: She and Amy are out dress shopping for theirprom thing.Raj: Oh, yeah, I got that Evite. Ever since I saw Pretty in Pink, I've wanted to go to anAmerican prom. But then I saw Carrie, and I did not want to go to an American prom. But then I sawNever Been Kissed, and I'm back on the prom bandwagon. This prom thing's been a real rollercoaster.Howard: Bernie's really excited. I could tell because her voice got so high, the beagle next doorstarted howling.Raj: Did you go to your prom?Sheldon: No. I had a date with a proper education. Insteadof a tuxedo, I dressed myself in good habits. Instead of spiked punch, I enjoyed the intoxicating flavourof knowledge. Instead of dancing in a gym, I shook my bootyto the seductive rhythms...Penny: Okay,okay.Shldon: ...of AP Calculus.Raj: How come you're not shopping with Amy and Bernadette?Leonard:"}
+{"doc_id":"doc_280","qid":"","text":"Scene: The lobby.Penny: Oh, damn, they cancelled my Visa. Oh, yay, a new MasterCard!Sheldon:Uh-oh.Penny: What?Sheldon: I was going to get my mail.Penny: Okay. Are, are you hoping to get ittelepathically?Sheldon: I think you mean telekinetically. And no, I just wasn't sure of the proper protocolnow that you and Leonard are no longer having coitus.Penny: God, can we please just say no longerseeing each other?Sheldon: Well, we could if it were true. But as you live in the same building, you seeeach other all the time. The variable which has changed is the coitus.Penny: Okay, here's the protocol,you and I are still friends, and you stop saying coitus.Sheldon: Good, good. I'm glad we're stillfriends.Penny: Really?Sheldon: Oh, yes. It was a lot of work to accommodate you in my life. I'd hate forthat effort to have been in vain.Penny: Right.Sheldon: Just to be clear do I have to stop saying coituswith everyone or just you?Penny: Everyone.Sheldon: Harsh terms. But all right, I'll just substituteintercourse.Penny: Great.Sheldon: Or fornication. Yeah. But that has judgmental overtones, so I'll holdthat in reserve.Penny: So, how you been?Sheldon: Well, my existence is a continuum, so I've been whatI am at each point in the implied time period.Penny: You're just coitusing with me, aren't you?Sheldon:Bazinga.Penny: Mmm. How's Leonard doing?Sheldon: He seems all right. Although he does spend adisturbing amount of time looking at photographs of you and smelling the pillow you slept on. Oh, butnow that I think of it, he asked me not to tell you that.Penny: I'll pretend I didn't hear it.Sheldon: I'drather you pretend I didn't say it. I see you bought Mama Italia marinara spaghetti sauce.Penny:Yep.Sheldon: That's the sauce my mother uses. She likes cooking Italian because according to her, that'swhat the Romans made Jesus eat.Penny: Interesting. I'll have to have you over for spaghetti somenight.Sheldon: I'm hungry now.Penny: Oh. Um, okay. Why don't you give me an hour and comeover?Sheldon: Will you cut up hot dogs into little chunks and mix them in with the sauce?Penny: I don'thave hot dogs.Sheldon: Oh, it's all right, I do. Oh! You're in for what my mother calls a real Eye-taliantreat. (Enters apartment).Leonard: Hey, where you been?Sheldon: I was talking with Penny.Howard:What's wrong with you? You can't hang out with your roommate's ex. That's totally uncool.Leonard: No,no, it's fine. I don't care. I'm over it.Raj: Yeah, he's over it, that's why he's been whining all day abouttrying to invent that memory-wiper gizmo from Men in Black.Sheldon: Is he making any progress?Because I'd like to erase Ben Affleck as Daredevil.Howard: So would Ben Affleck. The point is, in asituation like this you got to pick sides. You're either on Team Leonard or Team Penny.Sheldon: Whichone picks last?Howard: What?Sheldon: Well, usually I'm on the team that picks last. Unless there's a kidin a wheelchair.Leonard: Sheldon, I got you your tangerine chicken. I hope you're hungry.Sheldon: Well,of course I'm hungry. And as I have no plans to eat with any other team, I will consume my tangerinechicken with the appropriate gusto. Mm, mm, mm!Leonard: Okay.Sheldon: Just out of curiosity, do westill have hot dogs?Leonard: I don't know. Why?Sheldon: Just making dinner conversation. Go, TeamLeonard! Credits sequenceScene: A few moments later.Howard: Oh, God, this is good.Raj: Let me askyou a question. Do you believe you're going to go to hell for eating sweet and sour pork?Howard: Jewsdon't have hell. We have acid reflux.Leonard: Do you want the last dumpling, Sheldon?Sheldon:Certainly. It's not like I have to moderate my food intake because I'm planning on eating again veryshortly. Mm, mm, mm!Leonard: So, you guys want to do something tonight?Howard: Nah, I can't. I gotto pick up my mom from her water aerobics class. 18 overweight women flapping their arm fat in aswimming pool. Looks like the manatee tank at Sea World.Leonard: What about you, Raj?Raj: Oh, thereit is, now that you don't have a girlfriend, you want to hang out with me again.Leonard: I never stoppedhanging out with you.Raj: Oh, please, we all know I'm the friend you call when you have no otheroptions. If we were the Justice League, I'd be Aquaman.Howard: I wish you were Aquaman. Then I couldsend you to scoop my mom out of the old lady tank.Sheldon: Excuse me, I'm thirsty, so I'm going to goto the refrigerator and get myself a refreshing beverage.Leonard: You know what? I'll just spend theevening alone.Raj: What, suddenly I'm not good enough for you?Sheldon: Ah, I do so love beverages.Now I think I'll take my after-dinner walk.Leonard: Since when do you take after-dinner walks?Howard:Yeah, since when do you take walks?Sheldon: I read a study online that walking after a meal not only"}
+{"doc_id":"doc_281","qid":"","text":"MUSIC IN:EXT. STREET - DAY(SFX: SIRENS B.G.)RICK: Let's move! Let's go! Get those BAs up. Pull acord and a half! Let's get ready to roll! Davis, get those utilities turned off, quickly! Move it!DAVIS:(MUFFLED) I'm on it, Sir!RICK: (V.O./MUFFLED) We're in front. You start in back!FIRE FIGHTER:(V.O./MUFFLED) Come on, Scotty. You're with me. Let's move.(KNOCK ON DOOR)RICK: (SHOUTS) Firedepartment! Let's go.(SFX: DOOR BURSTS OPEN)[SCENE_BREAK]INT. HOUSE - DAY(SFX: FLAMESB.G.)(SFX: SMOKE ALARM BEEPING B.G.)RICK: (V.O./MUFFLED) You two spread out. Clear thebedrooms! I'll take the kitchen!FIREFIGHTER: (V.O.) We'll cover these down here!(SFX: FIREFIGHTERSVOICES B.G.)(SFX: RICK BREATHES HEAVILY B.G.)[SCENE_BREAK]INT. KITCHEN - DAYRICK:(V.O./MUFFLED) Every damn time. False alarm, fellas. Just another overcooked bird. Or something. (ONCAMERA) Tough to tell after six hours in the - oh dear.(MUSIC UP AND OUT)(THEME MUSIC UP OVEROPENING TITLE/SCENES/ CREDITS AND OUT)MUSIC IN:INT. COFFEE HOUSE - DAY(SFX: ESPRESSOCOFFEE MACHINE B.G.)LANDON: Double Americano for Thom. (BEAT) Aren't you Thom?MCGEE: Yes,thank you. Sorry.LANDON: You must need that badly. Don't even recognize your own name. Mediummocha coming up.MCGEE: It's my other name.LANDON: Two names, huh?MCGEE: Well, two jobs. It'sThom when I'm writing. Not that I've actually written anything in weeks.LANDON: Writer's block?MCGEE:Creative stifling. I am crumbling under the pressure of expectations.LANDON: Oh, you're Thom E.Gemcity! Your photo's on the back cover! I loved Deep Six.MCGEE: Thanks... Landon. Thankyou.LANDON: Can't wait to see what happens next.MCGEE: You and me both. Two weeks until mydeadline. I'm stuck here in chapter seven.LANDON: Well, it could be worse.MCGEE: How's that?LANDON:It could be chapter six. Okay, we've got a half caf percent latte and a medium double decaf forWhitney.(SFX: CELL PHONE RINGS)MCGEE: (INTO PHONE) McGee. Yeah. (TO LANDON) The otherjob.LANDON: Good luck.[SCENE_BREAK]INT. HOUSE - DAYTONY: Ferris Bueller's Day Off, a John Hughesmasterpiece. Now there's a guy that didn't have time for writer's block, Probie. Sixteen Candles, UncleBuck, The Breakfast Club.MCGEE: I do not have... I'm just struggling to find out the most efficient way totell my next story.TONY: Now, do you think Hughes writes on a computer or does he use anold-fashioned typewriter, like you?MCGEE: Well, I'm sure he uses a computer, Tony. Most writersdo.TONY: Did you ever consider converting?MCGEE: I don't think that's the reason for my ...TONY: Wereyou going to say... writer's block?MCGEE: I like my typewriter.TONY: But it doesn't like you. It's a classictale of unrequited love between a boy and his machine. You can use that if you want. But remember,you've got to have a love story. I can see the poster already.[SCENE_BREAK]INT. KITCHEN - DAY(SFX:CUPBOARD DOOR OPENS)ZIVA: The house is leased to Petty Officer Darren Cove. No roommates, butaccording to the neighbors, he is rarely alone.(DOOR CLOSES)GIBBS: I can tell. He's got a fridge full ofbeer. No hard alcohol.ZIVA: Except for this. Ooh! If smells could kill, I think we just found our murderweapon.GIBBS: I'm more concerned with where they came from.ZIVA: Neighbors said this was anotorious party house. Maybe someone brought in the mixers.GIBBS: And they left with them, too.ZIVA:Seems like a lot of effort for a couple of drinks. Wasted effort.[SCENE_BREAK]INT. LIVING ROOM -DAYMCGEE: (V.O.) The blood starts at the ping-pong table.TONY: Beer pong.MCGEE: Huh?TONY: This istragic. Don't tell me you've never played beer pong before, Probie? What did you do at MIT?MCGEE:Studied.TONY: That figures. Well, beer pong is a drinking game, the object of which is to take the pingpong ball and try to get it into the other team's cups.MCGEE: (BEAT) Show me how it's done.TONY: Thisis a crime scene, not a frat house. You hearing voices, Probie?MCGEE: I figured you saw Gibbscoming.TONY: I just don't think this is the time or the place to showcase my beer pong skills. (BEAT)What?MCGEE: It seems out of character.TONY: (LAUGHS) Yeah. Yeah. No, you may not use me to getover your writer's block.ZIVA: McGee has writer's block?MCGEE: No, McGee does not.ZIVA: Just do whatyou did last time. Write about us.MCGEE: Okay, I've told you guys a million times. The book is not aboutyou.TONY: No, of course not. It's about Special Agent Tommy.ZIVA: And Officer Lisa.GIBBS: (V.O.)Dinozzo.TONY: And L.J. Tibbs.MUSICAL BRIDGE TO:INT. BEDROOM - DAYGIBBS: Get this.TONY: Lookslike McGee wasn't the only writer here todayGIBBS: Bag it.NOTE: ONE DOWN, TWO TO GOMUSICAL"}
+{"doc_id":"doc_282","qid":"","text":"Teleplay by: Andrew Reich & Ted CohenStory by: Sherry Bilsing & Ellen Plummer[Scene: Monica andChandler's, Monica, Chandler, Ross, and Rachel are sitting around the table.]Monica: I'm glad you'rehere, we have a couple of things to ask you about the wedding ceremony.Rachel: (starting to cry)Ohh...Ross: What's the matter? You okay?Rachel: Yeah, it's just y'know...Chandler: (To Ross) Monicasaid wedding.Monica: Uh, so anyway, we thought one of you could read something during theceremony.Rachel: Oh! I would love to read a poem.Chandler: Do you think you could get through apoem?Rachel: (crying) It'll be a short one.Monica: Okay, so Ross will be doing the reading.Rachel:Ohhh...Ross: Okay. Yeah, I guess, I guess I could do that too.Chandler: Too?Ross: Yeah, I kind of uh,have something else planned for you guys.Monica: Do you mind telling us what it is?Ross: Sorry, I'mkinda keeping this one on the Q.T.Chandler: Well, whatever it is, I hope it involves winking. (Winks in aspy-type manner.)Joey: (entering, excited) Hey!All: Hey!Joey: So I just talked to one of the DOOLwriters today, and...Monica: What is DOOL?Joey: Days Of Our Lives. Anyway, you're not gonna believe it!My character is coming out of his coma!!All: Oh!!Chandler: That's great!Joey: And-and-and not only that,I'm gettin' a new brain!!Chandler: So great things are happening at work and in your personallife!Rachel: Wait, what do you mean you're getting a new brain?Joey: Oh well, they're killing off one ofthe characters on the show, and when she dies her brain is being transplanted into my body.Ross: What?A brain transplant?!Joey: (seriously) Yes, it's a highly controversial procedure.Ross: It's ridiculous!Joey:Well, I think it's ridiculous that you haven't had s*x in three and a half months.Ross: (to Monica andRachel) It's winter, they are fewer people on the street. (Rachel and Monica smile and nod,knowingly.)Monica: Who are they killing off?Joey: Uh Cecilia Monroe, she plays Jessica Lockhart.Racheland Monica: Noo!!Monica: She's my favorite character on DOOL.Joey: Nice.Rachel: She is so good atthrowing drinks in people's faces, I mean I don't think I've ever seen her finish a beverage.Monica: Andthe way she slaps all the time!Rachel: Oh!Monica: Wouldn't you love to do it just once?! (Raises her handtowards Chandler.)Chandler: Don't do it.Rachel: Cecilia Monroe man, what a great actress.Joey: Oh, tellme about it. And she's been on the show forever, it's gonna be really hard to fill her shoes.Ross:Yeah-yeah, help me out here, when you come out of the \"brain transplant,\" you are going to beher?Joey: Yes, but in Drake Ramoray's body. (Ross laughs unbelievably.) Why is this so hard for you toget? I thought you were a scientist!Opening Credits[Scene: Phoebe and Rachel sitting on the couch inCentral Perk]Phoebe: (Clears Throat) Rach, so, that guy there. Straight or gay?Rachel: (They both lookbehind them.) Well, I'd have to say gay.Phoebe: Yeah? Why?Rachel: Well mainly because he's kissingthat other guy.Phoebe: Oh no not that guy there. That guy right there. (Pointing to an attractive mansitting at a table behind them.)Rachel: Oh yeah he's too cute to be straight.Phoebe: (A woman with largebreasts walks in the door) Ohh knockers will help us figure it out. (She walks by and he checks herout.)Rachel: All right, straight, and not subtle. (The man gets up and leaves.)Phoebe: Ohh, he left his cellphone.Rachel: Oh, well, we can hand it to Gunther and he'll put it in lost and found.Phoebe: Or we coulduse it to call China. See how those guys are doing.Rachel: What if, um, if he calls his own cell phone tofind out who found it and I answer and we start talking and we fall in love. I mean wouldn't that be agreat story? Kind of like a fairy tale for the digital age.Phoebe: Yeah... That does sound great. I'm goingto get the phone. (They both get up.)Rachel: What? Wait! Why...why do you get the story?Phoebe: Idon't know. I haven't been out on a date in so long.Rachel: Phoebe, you had a date three daysago.Phoebe: That wasn't a date! That was, that was just friends getting together...(quietly) havings*x.Rachel: Okay. Okay, see? I get the phone.Phoebe: No way! No way! You just broke with Tag a weekago.Rachel: Yeah! (Breaking up) And until now, I didn't think I'd love again.Phoebe: Nice try.Rachel: Ohhey-hey wait! How do we fairly decide who gets the phone?Phoebe: I don't know.(They edge closer to thephone on the table.)Rachel: Well umm, maybe we could uhh... (Grabs the phone) Ah-ha! Too slow!!(Sheholds the phone out and starts taunting Phoebe. Phoebe calming knocks the phone out of Rachel's handand catches it.)Phoebe: Ah-ha! Too cocky![Scene: Silvercup Studios, Joey is watching Jessica Lockhartperform a scene.]Dina: I'm going to keep dating him Mother, and there's nothing you can do about"}
+{"doc_id":"doc_283","qid":"","text":"Moirira and Johnny: (Moans of passion) Oh yeah! Yeah. Yeah.David: Could you spare some a... Oh mygo-oh my God!Moira: (Shrieks) David!Johnny: Where's my robe?!David: Oh my God. Oh my God. Oh myGod. Oh my God, what's happening? I saw hell is what's happening. Oh my God. What? (Dooropens)David: Oh my God.Johnny: David, what you just saw was your mother and me...David: I knowwhat I saw.Johnny: having an intimate moment.David: I cannot unsee that!Alexis: Oh my God, you poorthing!Johnny: Okay, and I refuse to feel guilty about being in bed with my wife.Alexis: Ew! Ew! Ew!Moira:I hate to be the one to tell you, but having s*x is not just about making children so they can grow up andmake you feel bad about having s*x. Oh my God, can you stop this please?!Moira: I will not be shamed.Shame on you.David: Shame on you for attempting that position at 8 o'clock in the morning.Moira:John?Johnny: You know what?David: Oh my God. Do you know how difficult it is for us to share a wallwith you two?David: I do now.Johnny: Yes, well, if you don't mind, we are now going back into our roomand don't even think about opening that door!Moira: Are you serious?Johnny: Next time.David: (Underhis breath) Oh my God. (Gags)Alexis: (Whimpers) No, no, no...S01E05 \"The Cabin\"Johnny: Roland, I justneed the door fixed.Roland: Mm-hmm?Johnny: Okay? My family can't keep living like this. My wife and I,we have no privacy. Okay, all right. I get what this is about. You and the wife wanna bump the old uglies,huh?Roland: (Laughs)Johnny: I have no idea what that means. Having a little problem down there belowthere, Johnny boy, huh? No, there's no problem, Roland, I just need the locks fixed! It's okay, I get it. Iget it, captain. You've been a out to sea for a while you wanna bring the boat into port and maybe... getyour mast scrubbed. What're you guys down to now? Like... twice a day? Okay, this is a conversation youand I will never have, all right? I just need the door fixed. Well, how 'bout I do you one better? We got acabin up by the lake. It's just a little love nest for the lady and me. You know, when we wanna spark theold spark from time to time. My gift to you and yours for the night. So generous, but I'm gonna take apass.Jocelyn: Hey, Johnny.Johnny: Jocelyn?Jocelyn: How are you?Johnny: Uh, good. Good.Roland: s*xlife's in the crapper. I just offered him the cabin. That is so not true.Jocelyn: I knew something waswrong.Johnny: N-nothing is wrong. You should take the cabin. I wouldn't wanna see your relationship getany worse. No, our relationship is fine. It's just a privacy issue...Roland: Johnny, Johnny, come on, comeon, come on, come on. Take the cabin, okay? And feel free to use the restraints. We keep 'em under thebed, so...Johnny: Thank you. Thank you.Jocelyn: Pick a safe word.Roland: Mm.Johnny: (Sighs) I, forone, think we should take them up on their offer. I can't believe what I'm hearing here. We're talkingabout Roland's place. Who knows what the hell we're gonna find up there?Moira: Well, we can't share anyreal intimacy here in this internment camp, John, and I don't want to turn into my parents. Separatebeds, separate rooms. Well, separate countries. Exactly! A bad marriage! Hey, if you're willing to give thisa shot, I'm game.Moira: You're game.Johnny: Yeah.Moira: Okay. I'll play. Actually, I have a good feelingabout this, John.Johnny: You know, I'm starting to get a pretty good feeling myself. Are you?David: Ohmy God! Am I being punished for something? David, are you dirty peeping tom? I don't' think parentingbooks would approve of you saying that to me. I'm here to grab a magazine, and go back and leave youguys to whatever disgusting...Moira: Stay.Johnny: Stick around, stick around.Moira: Alexis?Johnny:Alexis! They're done! Your father and I have some very important news. If you tell me that you'repregnant, I'm gonna vomit on this floor right now.Moira: Oh, can you imagine?Johnny: We're planning atrip.David: Okay.Johnny: Just to a cabin, overnight... And we request that the two of you not try tocontact us for the next 24 hours. I really appreciate you doing that for me. I'm doing it for us. Well, it's tomy benefit.Alexis: Um, why don't you guys stay at the cabin for longer? Oh, I would never just abandonyou two in a motel in the middle of nowhere.David: Didn't you once take the wrong baby home frompreschool? Alexis looked Chinese as an infant. How many times must I defend myself? So we're goodthen? Thank you.David: No, thank you.Johnny: No, thank you.David: Honestly, thank you.Johnny:Enough, David!Moira: Thank you so much for the loan of your cabin and your truck.Roland: Looks likeyou folks got a lot of gear here, huh? Is that the tickle trunk? (Smarmy laugh) It's just clothes.Roland:Yeah, okay, but just keep in mind there's only 60 amp service there, so don't be pluggin' a lot of gadgets"}
+{"doc_id":"doc_284","qid":"","text":"[PREVIOUSLY_ON]Mulder (O.C.): My name is Fox Mulder. In the 1990s, I began investigating paranormalscience cases through a unit of the FBI known as the X-Files. My partner in this pursuit was Agent DanaScully, a medical doctor and scientist. In 2001, we had a child together...Scully (quietly): William.Mulder(O.C.): ...but had to put him up for adoption to hide him from those who wished him harm. In 2002, theFBI closed the X-Files. 14 years later, circumstances have arisen which demand new X-Filesinvestigations...Mulder (O.C.): Are you saying you have alien DNA?Mulder (O.C.): ...bringing Scully and Iback together.[SCENE_BREAK](electronic whirring)Female electronic voice: Good day, Dr.Sanjay.Sanjay: Yeah. Good morning.(scanner wand squeaking)Sanjay! (laughs) Oh. You okay? Roughweekend?Sanjay: A humdinger. Work or pleasure?Sanjay: I haven't known pleasure for quite sometime.(wry laugh)(tone ringing)Are you okay?Sanjay: It's nothing.[SCENE_BREAK]Hill: The Founderlooked at the data. He sent a message this morning. \"Do over.\"Cynthia: That's it? We spent months onthose trials. We've tried every new source of pluripotent stem cells, including samples from amnioticfluids. We need more than just pronouncements from above. We need direction! What about a meetingwith the man?Hill: You want the Founder to tell you how terrible your data is face-to-face? The guy is arecluse. No one here's even seen him for years. (distorted): For all we know, he didn't even read thestuff.Hill (distorted): I can assure you that Augustus Goldman is (slows, distorts): fully engaged. But theFounder has other interests that keep him occupied. Yeah, what about that? Doesn't that creep you out,that he's referred to as \"The Founder\"?(Crows fluttering)(glass rattling)(Pencil snaps, cracks)(fingersthudding)(eyelids shudder and crackle)Cynthia: ...do it.Hill: Now. It's necessary.Data... is the key.Hill:Don't hesitate. Go. Go now. Go!(tone ringing)(distorted): No... no!(glass rattling, clattering)Can't anyonehear that?(tone stops)Sanjay: (gasps) Sorry. Excuse me.[SCENE_BREAK](typing rapidly)Cynthia: Doit.Hill: Now.Rogers: Data... is the key.(knock echoing)Rogers (muffled, distorted): Sanjay! Sanjay!Hill(O.C.): Sanjay, come on! Open up!(insistent banging on door)Hill (muffled): Open the door,Sanjay!Rogers (distorted): Sanjay! Sanjay, open the door!Hill: It's not opening!Rogers (O.C.): Open thedoor! Sanjay!Hill: Something's wrong with the system!Rogers: Sanjay, open the door!(tone ringing)(toneintensifies)(Sanjay whimpers)(gasping)(muffled): Sanjay?(muffled): Sanjay! Sanjay!(tonecontinues)(crackling, squishing)(brief whimper)[SCENE_BREAK](camera shutter clicking)Mulder: What doyou make of this, Scully?Scully: Well, it seems that Dr. Sanjay had a psychotic break and committedsuicide. Note the letter opener sticking out of his head.Mulder: Noted.Scully: All the witnesses I spoke tohave consistent accounts.Mulder: I mean the room. He chose the most secured place in the building tokill himself. He was trying to access something. These are isolated servers, so the only way to get to thedata is through this terminal, which is also protected.Scully: Is that why we're here? You're interested inthe server? What are you looking for, Mulder?Guard: Unhand the hard drive, sir.Mulder: This isevidence.Guard: It's classified.Scully: The reason why we're investigating, rather than the local police isbecause we have security clearance.Guard: To be in the room. Not to look inside this. That is propertyDepartment of Defense.Mulder: We need to conduct a few more interviews, then, before we conclude ourinvestigation.Guard: The individuals pertinent to this incident have already been interviewed by yourcolleague.Mulder: We'd like to talk to Augustus Goldman.Guard: That's impossible. Dr. Goldman was noteven on campus when this happened.Mulder: Well, if you won't let me look at the drive, then I have totalk to Goldman about what the deceased was trying to access before he died.Guard: I'm not authorizedto confirm that I have knowledge of the whereabouts of the Founder.Scully: Can you confirm that youhave security cameras watching over the entire complex? There's that one, and I saw a few more outthere.Guard: Yes.Scully: In that case, I'd like to see all of the tapes. As soon as possible.Guard: All right.I'll have those sent over. But for now, remove this body so we can secure this room.Scully: Sorry, we'renot finished--Mulder: Oh, we are finished. We are finished.[SCENE_BREAK]Scully: Mulder, that's not yourphone.Mulder: You know me, Scully. I'm old-school.Scully: Riley vs. California. The Supreme Court ruledthat you needed a warrant to search a mobile phone.Mulder: That's for a suspect. Sanjay's thevictim.Scully: Well, there is no victim. He killed himself.Mulder: Well, then, I'm sure he won't mind me"}
+{"doc_id":"doc_285","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - NIGHT][EXT. LAS VEGAS CITY (STOCK) - BARBARY COAST HOTEL--NIGHT][SCENE_BREAK][INT. SUV - NIGHT](A speeding SUV peals around the corner.)(Cut to a trainrunning on the tracks.)(Cut to the SUV speeding down the road. MEGAN TREADWELL, the driver of theSUV, looks to the side and notices the train. She hears the train whistle blow. Still, she steps on the gas,hoping to beat the train across the track.)Megan Treadwell: (urgently) Come on, come on, come on,come on. Come on, come on!(The train crossing bell ring a warning. The train is approaching.)(The SUVbrakes screech. The train approaches. MEGAN TREADWELL steps of the breaks again, the car tiresscreech and still her car moves forward. Her car moves forward slowly, slowly through the crossing guardrail.)(The SUV stops on the tracks. The train approaches. MEGAN TREADWELL looks out the car windowand screams as the train smashes into her car.)[SCENE_BREAK][EXT. TRAIN TRACKS - NIGHT](Sceneopens with a close up of a power saw cutting through the SUV door.)(CATHERINE approaches the scenecarrying her CSI kit. BRASS turns around when CATHERINE reaches him and starts filling her in on thecase.)Brass: Paramedics pronounced twenty minutes ago. Megan Treadwell. I ran her plates. Thirty-threetomorrow.Catherine: One-on-one with a train. Did she think that she could beat it?(CATHERINE looks atBRASS, then heads toward GRISSOM, who is checking the train out. She puts her kit down.)Catherine:Hey.(GRISSOM is busy looking at something on the front of the train. CATHERINE leans in for a betterlook.)Catherine: Door handle.Grissom: Point of impact: Passenger-side door.Catherine: Deadcenter.(They look on the side as Forensics carry the bagged body away on a gurney.)Grissom: Questionis: Why did the SUV cross the tracks?Catherine: (deadpans) To get to the other side.(GRISSOM looks atCATHERINE.)HARD CUT TO BLACK. END OF TEASER. ROLL TITLE CREDITS.[SCENE_BREAK][EXT. TRAINTRACKS -- NIGHT](CATHERINE walks down the steps of TRAIN #4009. When she gets to the ground,GRISSOM is on his cell phone. He hangs up.)Grissom: Sheriff says we're holding up trains all over thecountry. This entire railroad division depends on keeping the main line open.Catherine: Well, it's not likewe can take this back to the garage.Grissom: Well, unfortunately, his priority is clearing this train fromthe tracks. You have two hours.(GRISSOM turns to leave. CATHERINE calls out to him.)Catherine: Whereare you going?Grissom: Suspicious circs in town. This one's all yours.Catherine: Thanks, but you got togive me some guys.Grissom: Sara's all you get.Catherine: All I need.[SCENE_BREAK][INT. WESTERNSTATE HISTORICAL SOCIETY (LIBRARY) -- NIGHT](GRISSOM enters the library. He's met up by DET. RAYO'RILEY, who fills him in on the scene. In the background, the alarm continues to ring.)O'Riley: \"Burglaryin progress\" call. Once we made entry, we found the victim downstairs. Never knew this placeexisted.(O'RILEY and GRISSOM continue down the stairs to the lower level.)Grissom: The Western StatesHistorical Society. It's not on a lot of tourist maps.(The alarm stops ringing.)Det. Ray O'Riley: I had themcut the wires.Grissom: We need to identify the source of the alarm, Ray. Security company said it wasdownstairs. The body's there, too.(DET. O'RILEY opens the door and walks in. GRISSOMfollows.)[SCENE_BREAK][INT. WESTERN STATE HISTORICAL SOCIETY (LIBRARY) - NIGHT --CONTINUOUS](O'RILEY and GRISSOM enter the lower room.)O'Riley: (looking up at the ceiling) Trying toget them to turn some more lights on in here.Grissom: There are no more lights, O'Riley. It's a controlledenvironment. Notice how you're not sweating? It's probably sixty-six degrees in here. Thirty-five percentrelative humidity. Too much light, too much heat degrades the books.(In front of them, two firemen cuttry to cut the lock on the cage.)Grissom: What-- nobody's got a key?O'Riley: The curator's across town.He's on his way. She looks dead to me.(The firemen put the cutters away and one gets out a power saw.He starts cutting the lock.)(The door is unlocked. The fireman opens the door and GRISSOM steps asidefor the paramedics.)Grissom: You got first touch.(The two paramedics enter the cage. They put theircases down and work on the woman on the floor. GRISSOM also walks inside after them and kneels inclose to look at the body.)Medic: 10:48. MEDIC: Red foam, blue tint.Grissom: Foam could be from bloodin her lungs. Edema. Skin is cyanotic. Maybe a blood disease. Leukemia. Meningitis. We'll know after thepost.(GRISSOM stands and gets out his camera. He starts to take pictures of the body. The cameraflashes several times. Behind GRISSOM, outside the cage, a young man protests.)Aaron Pratt: Don't do"}
+{"doc_id":"doc_286","qid":"","text":"[PREVIOUSLY_ON]Wes: \"The host reads their souls, senses their futures.\"Cordy: \"Yes, but he can only doit when they sing Karaoke.\"Cordy: \"Imagine what could have happened if you'd gone nuts and slept withDarla!\" Angel throws Darla through the glass doors. Angel and Darla on the bed kissing and ripping eachothers clothes offAngel: \"You know I would never do that.\" Angel wakes beside Darla and jerks upright inbed.Angel: \"Get dressed and get out, because the next time I see you I will have to kill you.\"Shaman: \"Ican not help you. No one can. This is not meant to be known.\"Darla rubbing her pregnant belly: \"Well, Iguess there's only one thing left to do. Time to go visit daddy.\" Rome 1771 Some rats scurry along anunderground sewer tunnel. Angelus runs by. He looks behind him and sees a group of monks carryingtorches coming his way. Turns a corner, only to see other torch carrying groups of monks down a coupleother branches. Angelus comes up on a sewer grate. He pulls the center grating loose, steps through,then wedges it back in place behind him. As he turns, he stumbles, tumbles down the slanting tunnel,crashes through another grate and lands on the floor of some underground chamber lit by torches. He issurrounded by monks with crossbows aimed at him. A pair of double doors swing open behind him,letting in bright sunlight. Angelus throws himself to the ground out of the direct light surrounded by a thincloud of smoke. A rider brings his horse to a stop just inside the doors and dismounts. One of the monksleads the horse away as the rider makes his way over to a red robbed priest, while Angelus is pickshimself up from the floor.Holtz: \"Mille grazie, Monsignore. Sono nel vostro debito.\"Subtitles: \"Thank you,Monsignor. I am in your debt.\"Monsignor (st): \"No, this animal murdered your family. (Points at Angelus)Hold the beast!\" Chains wrap around Angelus upper arms and chest.Holtz steps closer to Angelus:\"Monsignor Rivalli, performed the ceremony when Caroline and I were wed. You rememberCaroline?\"Angelus: \"Pretty lass. Hearty screamer.\"Holtz: \"The good monsignor has since then beenexcommunicated. The order he founded, Inquisitore, adheres to the old beliefs. They're traditionalists andquite good at their work. Let's get started, shall we?\" Holtz takes a sharp hook and some knives from oneof the monks. We see the hook digging into the side of Angelus' neck, hear some cloth ripping.Angelus:\"Ah. Aah!\" We see the sun rise and set while hearing Angelus' screams in the background. The monsignoris walking cross the room, reading a book. Holtz is sitting on a bench, drinking from a cup. We hear somemonks recite in the background and Angelus gasping in pain.Holtz: \"You lost me in North Africa. I knewyou'd come back to Europe, but *Rome* Angelus? (Gets up and walks around Angelus, suspended fromthe ceiling by chains around his wrists) Why in Gods name would you come to the seat of all that'sholy?\"Angelus: \"Darla - she loves the Sistine chapel.\"Holtz: \"Michelangelo?\"Angelus: \"Not him. She's madabout Botticelli's frescos. (Groans) The Temptation of Christ is her favorite - probably because of theleper. (Sighs) What do you want, Holtz?\" Holtz picks up a three-pronged claw and looks at it.Holtz: \"Idon't want anything. My family is gone. I don't trust you to give me Darla, although I *will* find her, youknow that. My only desire here - is to discover if a thing such as yourself can be made to pay for its sins.(Holtz digs the claw-thingy in somewhere below Angelus waist (off screen) and Angelus groans in pain)You're a demon. It is your nature to maim and kill. But you were also once a man. If we beat and burnthe demon out of your living flesh, will there be anything left? (Holtz digs the claw in again and Angelusgroans in pain) Anything at all? I doubt it. But I'm willing to spend the next fortnight of my life findingout. - In either event - you have no soul, you can not be saved.\" A flaming arrow streaks across the roomand buries itself in one of the monks.Darla: \"Sorry it took me so long darling.\" Darla is standing in atunnel opening, holding a crossbow loaded with another flaming arrow. There are other vampires withher.Darla: \"Kill them.\" Darla fires her flaming bolt, hitting Holtz in the shoulder. The vampires streak pasther and attack the monks. Several vampires get staked by the monks during the fight, but that doesn'tslow the rest of them down. Monsignor confronts Darla with a cross held in front of him.Monsignor: \"Vai'all inferno, demonio lordo! (caption) Go to hell foul demon!\" Darla pushes the cross aside, then sends theMonsignor flying into a wall.Darla: \"No, grazie, padre.\" The double doors that Holtz rode in through ispulled down and a horse and carriage driven by a blanket shrouded vampire trot in. Darla unclips Angeluschains. Two other vampires catch him under the arms and drop him onto the back of the cart. Holtz tries"}
+{"doc_id":"doc_287","qid":"","text":"Lucas: Do you ever wonder how long it takes to change your life? What measure of time is enough to belife altering? Is it four years like high school? One year? An eight-week rock tour? Can your life change ina month, or a week, or a single day? We're always in a hurry, to grow up, to go places, to get ahead. Butwhen you're young, one hour can change everything.Karl: How are we doing this mornig seniors? Didanyone wake up with their clothes on from the night before still drunk with strange big hangover?Anyone? Well I guess that was just me. Actually last night was UNO night at my house, and it was a bloodbath but I cannot discuss it with you right now, so we won't. But let me ask you guys a question: doestoday's class really matter? Or is it just a fifty-minute requirement designed to get your grades so youcan go on to college or a job and the rest of your lives, anyone?Brooke: If we say yes, can we have thegrade and go on with the rest of our lives?Karl: Mouth, using one word describe how your classmates seeyou.Mouth: Ugh, awesome?Lucas: Yep!Karl: Ok. Let's say that there are five universal terms to describeeveryone in high school, okay? Let's say jock, prom queen, geek, loaner, and ...?Brooke: Slut?Karl:Okay, considering that awesome is not a category, Shelly Simon, describe Mouth in one word.Shelly: Idon't really know him, but, nice, I guess.Karl: Nice. I suppose we could find 'nice' under friendly, butsince friendly doesn't mean friendly that would make Mouth a slut. You have four other choices.Shelly:Geek I guess.Karl: Geek? You're joining the club Mouth. Okay, class, Nathan five choices?Everyone:Jock.Karl: Lucas?Everyone: Jock.Karl: Brooke?Everyone: Prom queen.Karl: Rachel?Everyone:Friendly!Rachel: Hey!Karl: Peyton?Everyone: Prom queen.Peyton: Oh come on I am so a loaner!Glenda:Right, a loaner cheerleader who's dating a jock. No offence but I'm a loaner, you're a prom queen.Karl:Like it or not, you are who you classmates see you as. But here's the good news: that's gonna changesoon. Because prett y soon you're gonna be going out into that big, wild world and you can erase allthose [...]. Now for some of you shading this image is gonna be a great thing. And for some of you, notsuch a great thing. But what matters is that you know who you really are. And you know how you wantthe world to see you. Well, you've been together for what? For four years? Haley? What's Lucas' middlename?Haley: Eugene. Ohh, I'm sorry I'm so sorry.Karl: Lucas what's Glenda's last name?Lucas: I don'tknow. Sorry.Karl: Okay everyone on this side of the room I want you to write your name on a piece ofpaper and put it in Nathan's cap. Okay, hurry up. Everyone on this side of the room is gonna draw aname. And the name that you draw will be the person that you will spend the rest of the class with.Maybe we'll find out if fifty minutes can matter. Okay pass the hat around. Shelly who do youhave?Shelly: Mouth.Karl: Karma's a funny thing isn't it? Haley?Haley: Skills...ington.Karl: Rachel?Rachel:Bevin.Karl: Glenda?Glenda: Gotta love karma... Lucas.Karl: Nora?Nora: Oh, I have Noriah.Karl:Emma?Emma: I've got Zach.Karl: Michael?Micheal: I got Fedde.Karl: Brooke?Brokke: I have Chase.Karl:Peyton?Peyton: I have... Nathan.Karl: Okay here's the deal, everyone pair up, you can leave the classbut not the campus. At the door you'l find a camera, I want each of you, at the end of the class to take apicture of your partner. This picture represents how you see them. That picture is going into the yearbook for the rest of time. Now for some of you this is an opportunity to reinvent youself startingtoday.Brooke: Do we have to reinvent ouselves, cause I think most of my friends see me asfabulous!Karl: Maybe so. But my friend Mr Miller sees you as the girl who's failing calculus. Okayeveryone go and get a camera and get out of here. Oh wait one more thing, with the cameras a list ofinstructions at the end of the class I want you to tell me what you learnt about your partner. You havefifty minutes, go.Mouth: Well I guess you're stuck with the geek.Skills: Okay Haley J.S. Let me make adeal with you, as long as you don't give birth early, we're good.Bevin: I don't get it.Lucas: I'mLucas...Glenda: Scott. Right. At least i know your last name.Nathan: This is kinda like the Boy Trade,actually we won't be kissing and the partial nudity.Peyton: The hour is still young.Brooke: So about thiswhole calculus thing...Lucas: Glenda! Glenda. I'm sorry about not knowing your name. Can we just dothe assignment? Look the first thing on the list it's huh... 'share something personal with yourpartner'.Glenda: Farell, my last name's Farell. Is that personal enough for you?Brooke: Will you justlisten to me please?Chase: So what? You accidently forgot to tell me that you were failing calculus when"}
+{"doc_id":"doc_288","qid":"","text":"5:50pm - 6:15pm[SCENE_BREAK]1: INT. THE RILL CENTRE. CENTRAL CHAMBERDOCTOR: I don't thinkhe's quite awake yet!(VICKI laughs but the good mood is shattered as she lets out an ear piercingscream. From behind a frosted glass partition in the black spaceship wall, a pair of hideous round alieneyes are starting out at them...)[SCENE_BREAK]2: INT. THE RILL CENTRE. PASSAGEWAY(A CHUMBLEYmoves along the passageway.)AIRLOCK(It reaches the end of the passageway and turns the corner intoanother.)WILLIAM EMMS[SCENE_BREAK]3: INT. THE RILL CENTRE. CENTRAL CHAMBER(The DOCTORand VICKI turn as they hear the sound of the CHUMBLEY approaching.)DOCTOR: There's a Chumbleycoming! Quickly!(They both rush toward one of the passageways and pull to a halt as they see it is theone that the CHUMBLEY is moving down.)VICKI: Oh, Doctor!DOCTOR: Hurry! Quick!(They turn and fleedown another passageway. The CHUMBLEY enters the central chamber. It pauses and then goes downthe passageway taken by the DOCTOR and VICKI.)[SCENE_BREAK]4: INT. THE RILL CENTRE.PASSAGEWAY(The DOCTOR and VICKI hurry along, the sound of pursuing CHUMBLIES not far behindthem.)DOCTOR: Come on!VICKI: (Breathlessly.) Come on, Doctor!(The DOCTOR sees the exit to theoutside.)DOCTOR: (Breathlessly.) This way out. Come on! We'll make it!(They reach the entrance. TheDOCTOR is a little way ahead of VICKI, who turns to look behind her.)[SCENE_BREAK]5: EXT. THE RILLCENTRE(The DOCTOR emerges and turns back to VICKI. As she is about to exit, a heavy iron grill slamsdown in front of her. She grips the bars frantically and looks out.)DOCTOR: Oh! Ah!VICKI: Oh!Doctor!(The DOCTOR runs over and examines the bars.)DOCTOR: (Breathlessly) I can't move it! It'simmovable! Wait, wait, wait! I have an idea.(The DOCTOR looks around and sees the mechanism on thewall he examined before.)DOCTOR: I might be able to sabotage them. Now be patient.(He moves acrossto the mechanism and takes out a screwdriver from his pocket. VICKI waits, grasping the bars whilelooking behind her, expecting the CHUMBLEY at any minute. The DOCTOR quickly examines theair-converter unit.)DOCTOR: We know what this machine's for. This is to convert air into ammoniagas.VICKI: (With desperation) Doctor, hurry up!DOCTOR: Yes, now, have patience child.(He starts totake it apart.)DOCTOR: When I've finished with...this machine, I'm sure they will release you.VICKI:Never mind about that, release these bars!DOCTOR: No! No! That's the last thing we do. This is the thingthat gives them the gas to breathe with.VICKI: You don't know that for certain!DOCTOR: My dear child,the Rills can't go outside. It's a foregone conclusion.(VICKI turns once more and looks down thepassageway.)[SCENE_BREAK]6: INT. THE RILL CENTRE. PASSAGEWAY(Two CHUMBLIES moves along thepassageway and reach VICKI. The DOCTOR appears on the other side of the bars and looks in. TheCHUMBLIES make signs just as the one they first met did.)VICKI: (Fearfully.) Doctor! They...I thinkthey...want me to go with them.DOCTOR: Well, I think you... you'd better do what they want,hmm?VICKI: (Nervously.) But Doctor, that thing in there - that thing looking out of the window,what...DOCTOR: Yes, that was one of the Rills, I suppose.VICKI: (Softly.) Doctor, I'm so scared.DOCTOR:Now, look, you go with them, quickly, but don't cause any trouble. It'll give me time to see if I can helpyou. I think perhaps I can do something with that machine, but I must have time! Hmm? Yes?VICKI: Allright. Be quick.DOCTOR: All right, don't worry. Goodbye!(VICKI eyes the CHUMBLEY and moves towardit. The CHUMBLEY backs away. VICKI moves down the passageway followed by the CHUMBLEY. AnotherCHUMBLEY moves to meet her, and they nudge her toward the central chamber.)[SCENE_BREAK]7: EXT.THE RILL CENTRE(Having watched her go, the DOCTOR moves away from the bars and resumes work onthe air-converter with his screwdriver.)DOCTOR: Dah![SCENE_BREAK]8: INT. DRAHVINSPACESHIP(STEVEN is still in the padded corner. He is lying down, apparently asleep.)DRAHVIN TWO:Maaga, shall we go?MAAGA: Where?DRAHVIN TWO: To patrol.MAAGA: I see no need.DRAHVIN TWO: Tosee what the other two are doing.MAAGA: No.DRAHVIN TWO: But, Maaga...MAAGA: Can you hearme?DRAHVIN TWO: We always go out on patrol at this time.MAAGA: Yes, but not now.(The threeDRAHVINS look uneasily at one another.)MAAGA: Soldier Drahvins, you can't understand anything that'sdifferent, can you? You are made unintelligent, and you remain that way for the rest of yourlives.(MAAGA turns away and sighs, talking almost to herself.)MAAGA: I told them soldiers were no good"}
+{"doc_id":"doc_289","qid":"","text":"Opening scene - We open on incredible aerial shots of the coast. then we stop outside the pool house tosee Ryan and Seth walking outSeth: so you're saying you won't help meRyan: I got a physics quiz, i'mkinda busySeth: Ryan!Ryan: what?Seth: please man this is a crisis ok Zach an Summer, there full ondating now an that means I need a new girlfriend prontoRyan: so your gonna start dating someone jus toshow up Summer(they are now inside the Cohen kitchen)Seth: those are not the reasons (Ryan looks athim) I can't think of em right now, listen, hold on a second let's break bread, let's discuss broads (throwsa bagel to Ryan)Ryan: (catches bagel) ooooh my graphing calculator, I left it in your roomSeth: youknow what else is in my room(walking out of the kitchen)Ryan: what, what is in your room (throws thebagel up and catches it)Seth: my year book (Ryan frowns) full of new ideas for fresh faced loved oneswhat'do you say we whittle down the list to like twenty finalists by homeroomRyan: that's a bad idea(?)Seth: and you can keep my left oversRyan: no, no thanks i'm not datin this year, that's the gameplan(?) (goes up stairs)Seth: yes you areRyan: (off screen) nope!Seth: you absolutely are, i'm notentering this new era alone (follows)(in the background Kirsten and Sandy are walking down thehall)Sandy: it is a new era, gettin the axe is the best thing that coulda happened to me, now the onlyperson I answer to (points to himself) is me(they are now entering the kitchen)Kirsten: and my father(Sandy groans) all i'm saying is that he's your only client, isn't heSandy: yeah, an you work for his wife(shakes his head) what was your father thinkinKirsten: you can ask him, you'll be hangin with him alldaySandy: if I can win this case get my practice off the groundKirsten: you can...spend your entire careerdefending (smirks) my father's rich clientsSandy: your not bringin me down honey, nope you heardSeth...it's a new era(Ryan and Seth come back into the kitchen, Ryan with his calculator and Seth holdinghis yearbook)Seth: sure is father an guess what, I jus think I found a new girlfriendKirsten: here in thekitchenRyan: ah no, in the new era Seth shops for girlfriends in the year bookSeth: (reading) Tina Woomember of the acapella group, co president of the improv team shenanigans (nods) she's musical she'switty hopefully she's free for lunchRyan: dude shenanigansSeth: (smiles) I knowKirsten: a-are you sureyour ready to start dating sweetie, I mean after everything you've ben through with SummerSandy: o-better he should mope (to Seth) don't listen to them, if it was up to your mother id still be workin atPartridge, Savage an Con, comin home bitchin about high price law suitsSeth: (nods) totally, Ryan wouldyou rather I go for the Woo or or keep talkin about Summer(Ryan and Kirsten look at each other, Ryansmiles)Kirsten: (smiles) here's to the new era(they all clink coffee cups)Sandy: ah-menTheme Song -California by Phantom Planet Harbor school - Ryan and Seth are walking up the stairs outside, 'screening'girls that walk by themRyan: alright so the Tina Woo thing didn't happen, jus move onSeth: y'know asimple no from the Woo would've ben sufficient...I think the added laughter...was just unnecessary (toTiffany) heyTiffany: hey SethRyan: (looks back) what about herSeth: Tiffany Rosenberg? no we have ahistory (Ryan looks at him) third grade a class field trip to sea world I tried to sort of talk to the dolphinsshe over heard there was taunting, it was really bad, the bus ride home was a little boringRyan: ah-huh,how bout I point out a girl you tell me whether or not you'd date herSeth: how bout I tell you whether ornot she would date meRyan: yeah exactlySeth: okRyan: (looking) uhhhh got her, right there (points to 2girls)Seth: (looks) uhhhh yeah, an noRyan: no? (nudges Seth in the elbow)Seth: uhhhh no, yeahRyan:yeah? (Seth shrugs)(Lindsay walks up)Lindsay: are you shopping for girlfriends in the quadsametime:Seth: yeahRyan: noLindsay: (laughs) classy an (shakes her head) not remotely demeaningRyan: uh(points) Lindsay Seth, Seth LindsaySeth: oooh heyLindsay: so how does this work, is there a rankingsystem or is each girl judged on her individual merits, an by merits I mean her rack and or assRyan: it's asimple yes no surveySeth: yes, no, surveyLindsay: I see, well in that case (looks at Seth) no (looks atRyan) and no (Ryan nods) ill see you in class (walks away)(Ryan smiles and waves)Seth: I can't believe Ifinally met herRyan: LindsaySeth: Lindsay Cohen, it's got a nice ring to it don't you think, will you hookthat up for meRyan: n-noSeth: why not, unless hey I mean d-do you like her?Ryan: oh n-n-n-n-n-no noits jus she's-she's argumentative, bossy, difficultSeth: yeah that's my type (nods)Ryan: yeah believe me,you should just hold out for somethin elseSeth: no absolutely not I need that one, an I need you to make"}
+{"doc_id":"doc_290","qid":"","text":"With adjustments by: Shay Fitzpatrick[SCENE_BREAK][Scene: P3.]Phoebe: Oh, I cannot believe this heatwave. It's 2 a.m. How can it be so hot when there's no sun.Piper: Tell me about it. (Phoebe gets an icecube and rubs it it on her neck.) The Cranberries are playing an animal right benefit here on Saturdayand it's gonna be a million degrees in here. (Piper notices Phoebe with the ice.) Uh, Phoebe... you keepmaking like you're on red shoes diaries and I'm gonna have to bust out a can of man repellent. (Two guysare staring at Phoebe.) All right, people, move a long. Nothing to see here. Goodness. Am I going to haveto hose you down?Phoebe: I can't help it. It's not my fault. I'm in a highly excited state right now. Notthat I'd mind being hosed down with water. I feel like I'm on fire. Feel my forehead.(Piper touchesPhoebe's forehead.)Piper: Phoebe, you're burning up.Phoebe: I know, tell me about it. (Piper gets a wettowel.) Something's happening to me, Piper. Something really freaky.Piper: Sweetie, Uh, I think youneed to call a Doctor.Phoebe: But I... I... I don't feel sick. (Piper hands the towel to Phoebe.) I just... Ifeel... I feel... hot, aroused. Uh... I've been having this dream, Piper. This... s*x dream. It's not like Ihaven't dreamt about s*x before, because I have, you know. But this... this is different. This feel real.Swank penthouse love den, candles, satin sheets...Piper: Okey-Dokey. I get the point.Phoebe: But everynight it's with a different man... telling me that I'm irresistible and then we... lets just say we could winthe golden medal in the hugh hefner Olympics.Piper: And this is a bad thing?Piper: No. It's a good thing.It's... it's a very good thing. Until I kill them.Piper: That's how your dream ends? You kill the guy?Phoebe:Each and every night, Piper. I told you, something is wrong with me.Piper: There's nothing wrong withyou. It's a dream. A metaphor for a extreme sexual frustration. Trust me, I should know.(Prue comesin.)Prue: Oh, good. We're decoding men.Piper: Prue, what are you doing here?Prue: I can tell you whatI'm not doing. I'm not lighting candles. I'm not getting a back rub and I'm not running a hot bubble bathfor two.Phoebe: Hmm. Things didn't go well with Alan?Prue: Well, see, that's the thing. I'm not reallysure. I mean, third date, hot night, romantic dinner, and then he drops me off with barely even a kissgood night. I'm a little confuse.Piper: Well, that's not necessarily an officially rejection. I mean, whenthey say \"I'll call you\" that's the kiss of death. Maybe he just got nervous.Prue: Yeah or maybe he's justnot interested. I mean, I gave out all the signals for him to move forward and he ran away. Men don'tjust run away when you give them all the signals, right? So, what gives?Phoebe: Okay. That's enoughtalk about men for me! I need to go home and take a long, cold shower and have a good night's sleep. Ihope.Piper: Sweet dreams. Don't kill anyone (to Prue) Don't ask.(Phoebe leaves.)[Scene: Manor.Phoebe's bedroom. Phoebe's asleep. We see her dream. We can see a guy laying on the bed.]Guy: I can'tbelieve we're doing this. You've gotta be the most beautiful woman I've ever laid eyes on. Either I'mdreaming or I'm falling in love. Oh, man, I'm definitely falling in love. Where have you been my entirelife. You're irresistible.(As he says that, the woman's tongue goes down the man's mouth. Phoebe awakesand she screams.)Opening Credits[Scene: Bucklands. Prue walks in her office. She gets a little mirror outof her purse and checks her hair and make-up. She walks back outside and looks at an auction item. Shesees Alan.]Prue: Ooh, Alan, hi!Alan: Hi. Man, it's hot, huh? Bad day for the a/c to be on the fritz.Prue:Yeah, bad day. Uh, listen, Alan.Alan: Hey, Davis, can you hold the elevator, please? Thanks. Sorry, I'mlate for meeting.Prue: Okay, uh, Alan, just out of curiosity. Did something happen on our date last nightto upset you... or something?Alan: Upset? No, no, not at all. Actually, I had a great time. We should do itagain. I'll call you.(He leaves.)Prue: The kiss of death.(Morris comes in.)Morris: Speaking of deadlykisses, I need to speak to you, Prue.Prue: Sure, Darryl.Morris: Everything okay?Prue: You know, you're aguy. Maybe you can explain this to me. Why is it that one moment guys are sending out all these signalsand then, the next, they just turn them off like a switch? What do you men want anyway? (They standoutside Prue's office.) Well, it's nice to see that while romance may be dead, chivalry isn't. So, what's up,Morris?Morris: Four men have been killed over the last four nights ever since this heat wave started. Ithink the murders are gonna continue but I don't have any suspects.Prue: Oh, I'm sorry to hearthat.Morris: Look. You and I have got this game we play, right? You know that I know you've got asecret. You also know I don't wanna know what it is. But if any way it can help stop this ...(He shows her"}
+{"doc_id":"doc_291","qid":"","text":"Opens on a breathtakingly beautiful shot of the coast Cohen's house - Kitchen - Kirsten is pouring juice &Seth is sitting at the kitchen table.Kirsten: first day of school, are you excited? (Seth gives her a look)You know I ask you questions in the hopes of eliciting an actual responseSeth: I feel I convey more witha look (makes puppy dog eyes at her)Kirsten: you look adorable!Seth: noKirsten: cute?Seth: noKirsten:dope?Seth: noKirsten: RAD!Seth: PLEASE, please this is so painfulKirsten: ah, I'm-I'm-sorry-sorry(Sandy walks in) How was surfing?Sandy: cut it short, I wanted to see the boys offKirsten: doesn't Sethlook rad (Sandy kisses her head)Sandy: oh you do look rad, bad props son(Seth is shaking his head inhorror, Ryan walks in)Seth: thank god man, are you ready to goSandy: (to Ryan) first day, are youexcited?(Ryan gives him a look, like Seth tried to do earlier with Kirsten)Sandy: enough saidSeth: how doyou do that by the way, how do you convey everything with just a look(Ryan gives it to Seth)Seth:again!Kirsten: (to Ryan) how're you doin?...are you nervous?Ryan: why would I be nervous?Seth:because we're going to school with like three hundred Luke's minus the redeeming social qualities (Ryanlooks at him) I got it, sorry you make me more nervous (?)CUT TO: Jimmy's house - Marissa andSummer are sitting on the sofa, Jimmy walks in with French toastSummer: don't be nervousMarissa: uhI'm not nervous I'm just not goingSummer: Coop you have to go, you own the school and what aboutkick off carnival your still the social chairMarissa: hmm let's see, be humiliated in front of the entireschool or hire someone to do balloon animalsSummer: Huh, you have to hire the guy who makes theballoon octopus (Marissa gives her a look) So your boyfriend cheated on you and yes you almost died inMexico and, OK there is that whole scandal with your dadMarissa: If you're trying to make me feelbetter...Summer: ok the point is there's no such thing as bad publicity(Marissa smellssomething)Marissa: Is that something burning?Jimmy: Ok so uh new oven, haven't quite figured out howto make French toastSummer: Not in the oven, would be a good place to start!Jimmy: since no one willhire me I've got plenty of time, I'm gonna go out and buy a cook book (Marissa smiles) come on, it'sgood its, there crunchy, seeMarissa: umm no thanksSummer: yeah...I don't know who I'm more worriedabout hereJimmy: well I think it's safe to say that this year is...going to be differentCUT TO: Cohenkitchen - Kirsten and Sandy are standing at the sink, Seth & Ryan are getting ready to leaveKirsten: youknow maybe this year'll be different you know, betterSeth: yeah that's the mantra every year, and everyyear some big water polo player ends up uh peeing in one of my shoes (Sandy looks at him) nah I'm justkidding, they pee in both. Ryan has Mr. Schmidt for uh pre cal(they all look at Ryan)Ryan: what's wrongwith Mr. Schmidt?Seth: nothing, say hi to his mom for me!Sandy: well, at least you have each otherSeth:that is very wise dadSandy: thankyou sonRyan: (looks worried) we're doomedCUT TO: Theme Song -California by Phantom PlanetThe Harbor School - Seth & Ryan are walkingSeth: the master race, it's beenperfected Ryan and they all go to our school (to passing jocks) Hey, fellas (the jocks knock into him asthey walk passed, and say nothing) Alright, don't get your speedos in a bunchRyan: This is a nightmareStill Harbor School, Summer & Marissa are walkingMarissa: This is a nightmareSummer: I bet like no oneeven knowsMarissa: are you kidding?(they walk passed a group of girls talking about Marissa)Girl: Iheard she died down there; she looks pretty good for a dead girlSummer: Hey whores, why don't you gowork another cornerMarissa: Sum, (walking away) maybe I should just go home, you know help my dadunpackSummer: no Coop that is as bad as it's gonna get (sees Seth & Ryan walking towards them) Ispoke to soonSeth: Hello Summer, what does your schedule look like todaySummer: FullSeth: oh really,ok, alrightCUT TO: Marissa & RyanRyan: Hey, a friendly faceMarissa: Hey, how's it goin?Ryan: not good,you?Marissa: oh worseRyan: so uh, why don't we just get outta here, right now just get in your car andgo down to the pierMarissa: I can't dean Kim would call my dad, or worse my momRyan: ok, how aboutafter school?Marissa: I'm suppose to help chair the kick off carnival committee...I know I've been lookingfor an excuse to get out of itRyan: well I think you've found oneMarissa: (smiles) ok, I'll meet you outfrontRyan: something to look forward to(Summer walks up)Summer: Coop, can we go please(they bothwalk away from Ryan and not realising, towards Luke)Luke: hey, could we maybe talk or(a shot of Ryanlooking worried, Marissa backs away)Summer: stay away from her!Luke: how am I spose to do that we"}
+{"doc_id":"doc_292","qid":"","text":"[September 2007 - The appartment]Lily and Marshall (laughing): Oh my god!Ted (gets out of hisbedroom): I have a tattoo!Barney: oh, that's not a tattoo. That, dear boy, is a tramp stamp!Ted: a trampstamp?![Title: present day -in a tatto remote clinic]Narrator: kids, too often in life, we make decisionsthat we're not prepared to live with. (a man with a tattoo \"rex&evelyn forever\" cries) This is a story aboutthose decisions, and the consequences that follow. (Ted is in the clinic, hidden derriere a newspaper)[theappartment - Ted/Marshall/Barney]Ted: Say goodbye, kids, 'cause it won't be around much longer. (Heshows his tattoo)Lily: oh, but Ted, if you get rid of the butterfly, how's everyone gonna know you're astripper fron reno with daddy issues?Ted: yes, yes, enjoy these final moments of mockery because in justten surprisingly expensive sessions, Stella is gonna zap that butterfly right off the face of my lowerback.Lily: Stella?Ted: Dr Stella Zinman. She's the best in the business. And she's rather cute in fact. Infact... we're going to a movie together tonight.Barney: what?Ted: I asked her out.All: Ted, why wouldyou do that?Barney: what's matter with you?Ted: What? What do you mean?Barney: Dude... don't poopwhere you eat.Ted: oh, no, this doesn't count.Marshall: If it's someone you see on a regular basis, andyou can't avoid them...Lily: and in this case, you're paying them... then yes, it counts.Barney: You'veheard of the golden rule, right? \"love their neighbor?\"Ted: uh, actually, it's \"do unto others as you wouldhave them do unto you.\" It's from the bible.Barney: Damn it Ted, i've worked out this whole thing wherethe golden rule is \"love thy neighbor\", ok?... Now the golden rule is \"love thy neigbor\". But, there's onerule above it: the platinum rule: \"never ever, ever, ever, love thy neighbor.\"Ted: Well, that's cute. Butshe's not my neighbor, she's my doctor. So if you'll excuse me...Robin: Wait, Ted, Barney has a point.Remember what happened with me and curt down at the station?Marshall: Oh, yeah, and rememberwhat happened with us and the gerards across the hall?Barney: Need i remind you about me and Wendythe waitress?Ted (combs his hair): yeah, i don't have time for this. I'm out the door as soon as i'mfinished with my hair.Barney: good, then we've got a solid half hour. And in that time, we will convinceyou not to set foot out that door. It's a story older than time, my friend, and it always plays out in thesame eight steps. Step 1: Attraction.[TITLE: ATTRACTION - November 2005- The bar-Barney/Robin/Lily/Marshall/Ted/Wendy the waitress]Barney: It's true.Marshall: That's not evenpossible.Barney: 12 of them.Marshall: There's no way.Wendy: Here's your gin and tonic.Barney:Thanks.wendy: O gosh! Look at that. (She leaves scrubing a stain in her shirt, Barney starves at her withinterest)[December 2006 -The hall- Lily/Marshall - They gets out of their apartment]A man: Oh, hey! Youmust be our new neighbors. I'm Michael.A women: and i'm laura.Marshall: Oh, hi, welcome to thebuilding. Yeah.Laura: Do you guys know any good brunch places around here?Lily: We lovebrunch![October 2007 - set of Metro news 1 -Robin/a host]The host: You must be Robin.Robin: yeah!Thehost: Curt \"the iron man\" irons. I'm gonna be doing sports.Robin: Oh, welcome. You look really familiar.Are you a former athlete?Curt: Hockey.Barney (off voice): The attraction is instant andundeniable.[Present- The apartment]Barney: But you know better. You've seen your friends make thesame mistakes before. You've laughed smugly at them.(laughs) Idiots! But still, you think, \"this isdifferent. The platinum rule doesn't apply to me.\" And that step 2! Bargaining.[TITLE: BARGAINING-2007- The bar- All]Robin: I think i've got a little crush on our sports guy.All: NO! no, no, don't doit!Robin: I know, i know but he used to play hockey, and i'm canadian. I can't help it. If he were missingsome teeth, i probably would have already hit that.Lily: Robin, it's a mistake. Remember what happenedwith me and Marshall? The Gerards across the hall?[2006- The bar- All]Lily: Michael and LAura. They'reawesome. We're gonna invite them over for dinner.The others: Oh no, no guys guys! Are youinsane?Ted: This is NYC.You don't get close to the neighbors. You nod at them politely in the hall. You callthe cops if you haven't seen them in a while and you smell something funny, and that is it.Lily: we're notgonna date them. We're just gonna be friends with them.Barney: That's the couples version ofdating.Robin: And you've got the couples version of the hots for them. Oh, yeah, you want to browse atpottery barn with them. You want to go antiquing with them, don't you? Oh, yeah, you want to antiquethe crap out of them.Barney: Need i remind you what happened with me and Wendy the waitress?[2005-"}
+{"doc_id":"doc_293","qid":"","text":"[CHARMED LOGO: TRIQUETRA]HOLLY MARIE COMBS (NARRATOR): Previously, on 'Charmed' ...FLASHTO:[Scenes from 8X01: Still Charmed and Kicking][INT. MANOR - ATTIC -- DAY](Phoebe throwssomething into the potions pot. The contents explode.)PHOEBE: Viola! New identities.VICTOR BENNETT:How is it you can see your other selves reflected in themirror?PHOEBE: It's part of the spell.[MIRROR'SREFLECTION](They all look at their reflection in the mirror. They see their 'new' selves.)PIPER: You know,this just might work.TRIQUETRA FLASH TO:[INT. MANOR - KITCHEN DOOR - DAY](Phoebe and Paigepeer out the kitchen door. Phoebe's looking at Dex Lawson.)PAIGE: Who is he?PHOEBE: I don't know hisname. It's some guy that I used to see in theelevator all the time at work.[SCENE_BREAK][INT. THE BAYMIRROR - ELEVATOR - DAY](Phoebe introduces her new self to Dex Lawson.)PHOEBE: I'm Julie, Phoebe'scousin.DEX LAWSON: Dex. Dex Lawson.PHOEBE: Dex Lawson. Nice to meet you, Dex.DEX LAWSON: You,too.(They shake hands. Phoebe has a premonition.)(Quick premonition of: [EXT. MANOR - FRONT PORCH- DAY] Phoebe is in a weddingdress; Dex is in a tux. And they're kissing. They look at each other andsmile.)(Dex carries Phoebe over the threshold and into the house.)(End of premonition. Resume topresent.)TRIQUETRA FLASH TO:[INT. MANOR - MAIN HALL - NIGHT](A new girl is fighting three demons.Paige shouts a warning to the new girl.)PAIGE: Behind you!PIPER: Shh!(Billie turns and throws theathame at Haas who flames out. The athame misses him.)(Billie quickly runs out the front door,disappearing into the night.)HAAS: (v.o.) It could be ...[SCENE_BREAK][INT. UNDERWORLD]HAAS: ...that The Charmed Ones are still alive.[SCENE_BREAK]END OF PREVIOUSLY ON.[SCENE_BREAK][INT.MANOR - UPSTAIRS BATHROOM - DAY](Piper brushes her teeth.)PIPER: What if a demon attacks whileI'm out?LEO: (o.s.) They're not going to attack, all right? They think you're dead.PIPER: No, I don't meanhere, I mean anywhere, in general.(Leo walks into the bathroom.)LEO: What do you mean, like anywherearound the city?(She spits into the sink.)PIPER: Yeah. What am I supposed to do, just ignore it?(Leolooks at his reflection and notices how short he is compared to Piper.)LEO: I should've gone taller. Ialways wanted to be taller.PIPER: Are you listening to me?LEO: Yes. Just ignore it. Why'd you goblonde?PIPER: I don't know. I didn't have a lot of time to think about it. Besides,I kind of like it.(Paigewalks into the bathroom.)PAIGE: (moans) Leo, the jingling is back. Can you help me get rid of it?LEO:Just ignore it.PIPER: That's his advice for the day. Excuse me.(Piper walks out of the bathroom. Paigecurls her eye lashes while Leo continues to try to make himself taller.)PAIGE: I can't ignore it. It'srelentless. What does that little witch want anyway?LEO: I don't know. Maybe she doesn't even knowshe's calling you. You know, sometimes new charges don't. Sometimes it's just subliminal.PAIGE: Howam I supposed to get my life back, then?(Phoebe walks into the bathroom.)PHOEBE: Your life? Whatabout my life?PAIGE: What about it?(Phoebe sits up on the sink counter.)PHOEBE: How am I supposed tomarry a guy I just met in an elevator?PAIGE: Excuse me, but I was obsessing first.(Piper returns to thebathroom with her lip gloss.)PIPER: No, no, no. Excuse me. No, actually I was.PHOEBE: I think marryinga complete stranger wins. I mean, he doesn't evenknow who I really am.PIPER: Ok, but he's a really,really cute stranger. And, you know what, guys, do you mind?PAIGE: At least he's not driving youcrazy.LEO: Maybe you should try meditating.PHOEBE: I just got my life back. I don't want to get hitchedyet.PIPER: There's nothing wrong with getting hitched. Now, guys, really, okay? Back to my life.PAIGE:Maybe I should go to Magic School to get rid of it.PHOEBE: I mean, he is cute and all.PAIGE: But thenagain, you know, I could risk exposure.PHOEBE: I don't even know what he does.(Piper whistles loudly,startling everyone silent.)PIPER: Family meeting now!(Piper leaves the bathroom.)PAIGE: If she didn'twant to go to Magic School, all she had to do was tell me.PHOEBE: You're in trouble.PAIGE: What todo?(Everyone steps out of the bathroom.)WHITE FLASH TO:[INT. MAGIC SCHOOL - GREAT HALL --DAY](Haas walks through the hallway. He pushes the damaged double doors open and steps into theGreat Hall. The Great Hall is damaged - furniture overturned and broken, paper litters the floor. He meetsup with other demons.)BLACK HEART: It's abandoned. No one's here. Although they could still beinvisible. This is magic school after all.HAAS: No. The magic here is all ours now.BLACK HEART: Are yousure?HAAS: Hah! (Haas throws a power ball at the large column. It explodes, leaving large black scorch"}
+{"doc_id":"doc_294","qid":"","text":"The Kerwin house - KitchenToby: Last Day of school, here I come. When he enters the kitchen, he takesfrom Ashley the muffin she was eating.Jeff: Ash, we're going to drop you and Toby off on our way, ok?(To Kate) You ready?Kate: I'll be there in a minute.Jeff: Ok. Come on Tobs. Oh, working the muscles Isee? You're going to be such a girlie boy. (As they go out the door) Come with me! Let me eat you!Ashley laughsKate: Here's Mrs. Rehn's number, in case you need anything.Ashley: Stop worrying. Tobyand I are going to be fine. You're just going overnight.Kate: I know. I'm a being a mother. Ok, sotonight...?Ashley: I know. One friend over each and no parties. I heard.Kate: Good for you for being soresponsible. Degrassi - Ms. Kwan's ClassMs. Kwan: A student I'll never forget. Even after years and yearsof therapy. Who could that be? (Spinner gets up to get his award)Spinner: I'll never forget you either,Ms. Kwan.Ms. Kwan: Have a good break, Mr. Mason Media ImmersionMr. Simpson: Well what can I say?It's been great teaching all of you. (Emma raises her hand) Emma?Emma: We're gonna miss you too, Mr.Simpson. So, look at the screen. (Everyone crowds around) See the present icon? Click it. (When hedoes, we hear kids shout \"Thank you Mr. Simpson\" and the grade 7's heads pop up, saying great thingsabout him)Mr. Simpson: This is incredible. Ms. Kwan's ClassMs. Kwan: This one needs no explanation.The student of all students. Drumroll please. (Jimmy does one on the desk) Ashley Kerwin. (Ashley getsup to get it)Ashley: Thanks, Ms. Kwan.Ms. Kwan: (Hugs Ashley) I'm gonna miss you. (Ashley sits backdown)Ashley: Student of all students? That is so lame.Terri: I think it's sweet. (Paige sticks out hertongue, puts her finger in her mouth pretending to gag, to Hazel)Ms. Kwan: This next award is for Dave,because he puts the capital G in good student. Media Immersion Mr. Simpson is looking at what theygave him, very happy, when the bell rings.Mr. Simpson: Ok, go. Go clean out your lockers and have agreat safe vacation.Liberty: Bye Mr. Simpson.Mr. Simpson: Adios.Kid: Ciao, Mr. Simpson.Mr. Simpson:Bye-bye. Hall Ashley, Paige and Terri are cleaning out their lockers.Paige: Wow, the Kerwin/Issacs prison.What's Jimmy gonna say when he finds out?Jimmy: Finds out what? (Kind of spins Ashley around)Ashley:That I can only have one friend over tonight.Paige: And she invited Terri. Not you or me.Jimmy: Oh,ok.Ashley: I thought you'd be upset.Jimmy: (With his hand in Ashley's hair) Rules are rules, right? We'lldo something tomorrow. Jimmy leaves.Ashley: Ok, am I missing something here?Paige: No, just thechance to hang out w/ me + have way too much fun.Ashley: Paige, if you really want to come over,whatever. (She leaves. Paige shrugs and goes back to cleaning her locker) HallJT: So girls, what are yourplans for this very momentous eve?Emma: Girls' night at my place. Meaning no boys allowed especiallyboys named Sean. (He walks by as she said that) Hall(Toby and JT are being a trash can to their lockersto clean them out)Toby: Maybe she's learned that bad boys only lead to heartache.JT: And now she'slooking for a good boy? One named Toby? Not likely. What you need is a new approach. (Sean walks by)Sean's approach. Hey Sean! Toby here is having the boys over tonight. To play some cards, talk girls,guy stuff. Wanna come?Sean: No. (He starts to walk away)JT: You know Emma's gonna be there.Sean:(As he turns around + stops walking) Emma?Toby: Yeah we're...JT: Having the girls over...later.Sean:Ok. (He leaves)Toby: (Pushes JT up against a locker) Are you insane?JT: After tonight's little tutoringsession, Emma will be all yours. Trust me.Hall(Ashley and Terri are walking. Terri is throwing some thingsout as they pass trashcans)Ashley: Do you think Jimmy's reaction was weird? About tonight?Terri: No Ithink he was just trying to be a good boyfriend.Ashley: A good boyfriend would wanna come over nomatter what. My parents are away... he should... never mind.Terri: Anyway I thought you were coolingon it.Ashley: Exactly the opposite. After you've been going out for awhile, things get deeper.Terri:Oh.Ashley: Unless he's cooling on me.Terri: I don't think that's how it is.Ashley's Paige and Hazel areoutside. Ashley clears her throat to get their attention.Paige: Ok, before you go all parental on me, Iforgot. Hazel and I had plans tonight. I didn't think it would be a problem.Ashley: No, it's fine. There isloud noise heard and Toby and JT come outside, all dirty from whatever it was. They are coughing. Tobywants to go back inside but JT stops him.Toby: Ash.Ashley: Ok, I know Mom + Jeff said only one friendeach...JT: But nothing Ashley. It's our pleasure to share this fine evening with such lovely young ladies.(Before going inside, he winks at Paige)Paige: Did that... THING... just wink at me? Everyone laughs."}
+{"doc_id":"doc_295","qid":"","text":"Chick: It's not all kitchen scraps. It is one-third kitchen scraps. It is two-thirds browns, which are leaves,hay, straw, sawdust. But, you know, we're low on browns 'cause folks don't bring us browns. So who'sour browns guy?Chick: Well, we get donations from the woodshop, but, you know, we're always in needof browns. All right. Let's see what we can do about it.Chick: We used to have a compost guru. - Ernie. -Oh yeah? He set this whole operation up. He educated all the gardeners, on greens, on browns, ratios,you know, all of that. And then, there was one Sunday and he was... He was comin' in and he wascarrying these coffee grounds from the café across the street, and he stopped right there. Right there.And we just all said, \"What's the matter, Ernie? What's the matter?\" And, uh, he didn't say anything. Hejust looked at us with his bug eyes and then he just keeled over and died. Oh my God, that's so sad.Yeah. But you know what? He was very excited about being compost when he died, and he got his wish. -So that's nice. Yeah.- The Guy: Yeah, that's nice. - I didn't know you could do that with your remains. -Oh yeah. But he's not in this compost, is he? Oh. He's all over the garden! You're joking, right? Yeah.Yeah. I'm joking. - Okay. - Mm-hmm. I'm jokin'! - Funny. - (phone chimes) And so it begins. All right,Chick. I gotta go see a man about, um...- Chick: A horse? - Sellin' him some weed. - Oh. You're welcome.- Uh... Thank you, Chick. Is this your dog? Oh my gosh. Oh, you're a very sweet dog, aren't you? Oh,you're one of those.(laughs)I know your type. All right, well. Listen, I'm gonna go, okay? See you around.Whoa, hey! Dude. Hey! What are you doin', dude? That's not safe. Hey. Why are you following me? [\u0000\u0000]Dude, why are you following me? - (barks)- (laughs): What are you doin'?[\u0000\u0000] (sighs)All right.(dogbarks)You're the most presuming dog that a human could know. Come on, get out of the street. You'ref*ckin' crazy.Ira Glass: How is she planning to?Nancy: ...including the composting, whatever sound thatmakes. Like, I don't know if we'd wanna watch her die, but the conflict with the family, that's a story,like... Have we done something like recycling, but in like a broad sense?- Ira: Recycling as a metaphor. -As a show.Emanuele Berry: Well, like, what about actual recycling stuff? Like, do you guys know aboutthe recycling in this building? - Wait. They don't recycle the recycling?- Nancy: There is none. No. Ithought that was true. - There just isn't recycling. - It's sorted downstairs. - It's not! - (laughing)SeanCole: We think we're recycling and we're not recycling. We're living a lie. We are all...Nancy: You're theonly one who still thought that there was recycling.- Elna Baker: No, I didn't know that. - I've known thisfor a while. - I thought we all knew that?- Elna: I didn't know that. I thought we all knew that, but I dolike that some people don't know. It feels like telling them that Father Christmas is, like, not real.Ira:Which is the one thing you can't say on the radio. You can't say that Santa isn't real on the radio, we runacross this every Christmas.Sean: Warnings before a Santa-is-not-real set. Well, screw that then!Elna:Wait. What if we did a \"It's Not Real\" show? - Yeah. - Yeah. Okay, so there's this test that's a BDSM test,like a kink test, uh, and I took it, and I found out I'm a rope bunny. - (laughing) - Oh, God. You said thatlike it's a thing!(laughing)Zoe: What is a rope bunny?It's somebody who likes to be tied up durings*x.Zoe: I feel like that's like a lot of women.- Lily: It's like a personal...- Bim Adewunmi: Yousee?(laughing)But then anyway, it turns out none of it's real. Like the BDSM community... Wait, wait,wait. But I just wanna understand. You're saying you took a test. It told you you're a rope bunny. Nowyou find out the test is not real. So are you not a rope bunny? Um... I don't wanna... I don't know whyI'm any saying any of this.(laughing)Ira: I'm going back to recycling.Okay, can I just pitch recycling.What about like, like, recycling a relationship? Like somebody who comes back to a relationship. I don'tknow what that's like at all.- Ira: Do you have that story?- Sean: No, I'm not getting... Well, my, my,uh... My parents lied to me about getting divorced.- Ira: Wait. Seriously?- Yara: Yeah, yeah. Um... WhenI was 17, my mom and dad, they got legally divorced, but they didn't want to tell me until after Igraduated high school, so... they pretended to stay married. But wait. They still lived together?Yara:Yeah, they still lived together, and they pretended to stay together. Anyways, at my graduation, when Igot my diploma, and I was walking back to my chair, I look up to my parents, and they're sitting in thebleachers and, uh, they're not looking at me, they're fighting. You know, I don't even know if they sawme graduate. And, uh, all of a sudden I see my dad, he storms off away from my mom, and he goes up"}
+{"doc_id":"doc_296","qid":"","text":"Act OneMAMMA MIA!Scene One - Café Nervosa. Frasier and Niles are sat chatting.Niles: Oh, I got yourmessage about the wine club, Friday night, and yes, I will be there.Frasier: Oh, good, Dad's kicking meout of the house that night so he and Sherry can have a little party. [laughs] Oh, I don't know. Life reallyis a circle, isn't it? I'm letting Dad use my place for his friends to get together, and just a few years ago itwould have been Dad who'd have to leave his house for my parties.Niles: Yes, if you'd had any partieswhen we were young that would be filled with irony!Daphne enters and sits with them.Daphne: Thankgoodness you're here, I've got some rather shocking news.Niles: What is it?Daphne: I found a ring inyour father's underwear drawer.Frasier: [shocked] What on earth would leave a ring around hisunderwear drawer?Daphne: Not around, in! An engagement ring in a jewelry box.Niles: An engagementring? Dad must be about to ask Sherry to marry him. Do you know what that means?Frasier: Yes, we'regoing to hear what Mendelssohn's \"Wedding March\" sounds like on [in horror] the banjo!Niles: It meansshe's going to be our mother. What are we going to do?Frasier: Well, there's nothing we can do, Niles.It's what Dad wants.Niles: But... what do we even call her?Frasier: Well, I suppose she'll want us to callher \"mother.\" No, that's too formal. \"Mama\"... no, \"Ma!\"Niles: [in dread] Ooh, better still. \"Don't you looknice, Ma.\" \"Yes, I'd love another corn dog, Ma.\" \"Off to the roller derby, Ma'?\"Daphne: That's typical ofyou two. Your father is about to get married and all you two can think about is how it will affect you.[pause] What about me?!Frasier: What about you?Daphne: Sherry's never exactly liked me. You don'tthink she'll try to make your father get rid of me, do you?Frasier: Oh, Daphne, of course not. He'd be lostwithout you.Niles: Yes, and even if by some chance that were to happen, Daphne, I could always useyou. [realizing innuendo] I, I would know of a position you could take... [digging into a hole] ...servicesthat you could perform. [holds himself, then:] I would know of an opening... [realizes the path he hastaken and takes up the check] This is on me.Daphne nods at him in confusion.[SCENE_BREAK]Scene Two- Frasier's Apartment. Niles and Frasier are sat on the sofa as Sherry and Martin prepare for theirparty.Sherry: Marty, you need to stir the dip more, it's got whole lumps of soup mix in it.Martin:Sorry.Frasier: My, my, my, quite a little shindig you two are planning for tonight. We have the cheeselogs, the erotic fortune cookies. For after dinner, a bloopers tape: \"Too Hot For Hee-Haw.\"Niles: I seethat Martha Stewart party book I gave you really paid off.Sherry: Oh, this old crowd, they wouldn't go forthat fru-fru stuff. Get 'em liquored up, put out some corn nuts and they can go all night.Frasier: Whenyou say all night-?Martin: [finishes stirring] There you go, smooth as silk.Sherry: [kisses him] Thankyou.Niles: Who's going to be attending this soirée?Sherry: Oh, just some old friends I'm dying for Martyto meet. Now, let's see, there's Ray and Lola Sherwood - well, I worked with them in Atlantic City whenthey had a knife-throwing act. Oh, now, Marty, try not to stare at her eyes, she gets self-conscious. And,let's see. Oh, and Edith's coming with her new fiancé.Martin: Oh, she finally met him, huh?Sherry: Mm,just this week.Niles: They're engaged and they just met this weekend?Sherry: Well, you see, up untilnow, it's been kind of a pen-pal relationship. He's been... detained the last few years.Frasier: Well, youknow, you're going to need some room for those corn nuts, why don't I just get this pesky pricelesssculpture out of your way!Frasier hurriedly removes the Chihuly to his room.[N.B. Since the Chihuly is agenuine work of art, valued at upwards of $75,000, it is always removed from the set before any scenethat involves rough-housing in the living room.]Sherry: Marty, I never heard back from Vic and Linda, didyou get a message?Martin: No.Sherry: Oh, gee, maybe they left one on my machine.Sherry phonesthrough to her machine.Martin: So, what are you guys up to tonight?Niles has just read one of thefortune cookies, and is gaping when he suddenly realizes Martin's question.Niles: Em, our wine club ishaving a vertical tasting at the \"Opus One.\"Martin: Oh, well, don't drink too much.Niles: [laughs] It's notlike that, Dad, you don't actually drink the wine. You just swish it around and spit it out.Martin: We all didthat at Duke's New Year's Eve party. Of course, it wasn't wine, it was egg salad!Frasier enters as Sherryhangs up.Sherry: You know, that is so weird. I just got a message from my manager down at McGinty's.Some guy came in asking a lot of questions about me.Martin: What kind of questions?Sherry: Well, likewhere I used to work, the people I used to date, and the weirdest part is, my neighbor told me somebody"}
+{"doc_id":"doc_297","qid":"","text":"Broadcast 23 November 1963Duration: 23 minutes 10 seconds[SCENE_BREAK]1: EXT. TOTTERS LANE(NIGHT)(On a dark foggy night a lone policeman patrols his beat through the empty streets of London.Nearby a clock chimes 3 a.m. The policeman walks up to a pair of tall shabby wooden gates on which ispaintedI.M. ForemanScrap Merchant Totters Lane The policeman shines his torch onto the gates thenproceeds into the night. Behind him, one of the gates creaks open revealing that hidden within the scrapand junk of yard is the incongruous shape of a London police box. That is strange enough in itself, buteven stranger is the fact that the box is emitting a low electronic hum.)[SCENE_BREAK]2: INT. COALHILL SCHOOL. CORRIDOR(The ringing of the bell brings an end to another day at the school. Thestudents spill out of the classrooms, chattering to each other. A woman, BARBARA WRIGHT, follows thestudents out, calling back into the classroom.)BARBARA: Wait in here please, Susan. I won't belong.(Various pupils say \"Good night, Miss Wright as they walk past BARBARA. Two female students walkalong the corridor, very interested in the paper they're reading. A young male student comes up,mocking their excited tones. The girls roll their eyes. One whispers something naughty to the other, theysmile and move along. BARBARA walks up behind them up to another classroom door. With a quickknock, she walks in.)[SCENE_BREAK]3: INT. COAL HILL SCHOOL. LABORATORY(Inside another teacher,IAN CHESTERTON sits at a lab bench, marking some papers. He looks up as BARBARA enters.)IAN: Notgone yet?BARBARA: Obviously not.IAN: Ask a silly question...BARBARA: I'm sorry.IAN: It's all right. I'llforgive you this time.(BARBARA walks up to the bench and sits.)BARBARA: Oh, I've had a terrible day. Idon't know what to make of it.IAN: Oh? What's the trouble? Can I help?BARBARA: Oh, it's one of thegirls: Susan Foreman.IAN: Susan Foreman? Oh ho. She your problem too?BARBARA: Yes.IAN: And youdon't know what to make of her?BARBARA: No.IAN: How old is she, Barbara?BARBARA: fifteenIAN:Fifteen...she lets her knowledge out a bit at a time, so as not to embarrass me: that's what I feel abouther. She knows more science than I'll ever know. She's a genius! Is that what she's doing withhistory?BARBARA: Something like that.IAN: So, your problem is whether to stay in business or hand overthe class to her.BARBARA: No, not quite.IAN: (Laughs.) what then?BARBARA: Ian, I must talk tosomeone about this, but I don't want the girl to get into trouble. And I know you're going to tell me I'mimagining things.IAN: No, I'm not.BARBARA: Well, I told you how good she is at history. I had a talk withher, and I told her she ought to specialise. Well, she seemed quite interested 'till I said I'd be willing towork with her at her home. Then she said that would be \"absolutely impossible\" as her grandfather didn'tlike strangers.IAN: (Getting up and walking around to a sink.) He's a doctor, isn't he? It's a bit of a lameexcuse.BARBARA: Well, I didn't pursue the point. But then recently, her homework's been so bad.IAN:(Washing his hands.) Yes, I know.BARBARA: Finally, I was so irritated with all her excuses, I decided tohave a talk with this grandfather of hers and tell him to take some interest in her.IAN: Oh, did youindeed? And what's the old boy like?BARBARA: Well, that's just it. I got her address from the secretary -76 Totters Lane - and I went along there one evening.(IAN finishes washing his hands.)BARBARA: OhIan, do pay attention!(He walks across the room to dry his hands.)IAN: Sorry. You went along there oneevening...BARBARA: Well, there isn't anything there. It's just an old junkyard.IAN: Well, you must'vegone to the wrong place.BARBARA: Well that's the address the secretary gave me.IAN: Well the secretarygot it wrong then...BARBARA: No. I checked. There's a big wall on one side, houses on the other, andnothing in the middle. And this 'nothing in the middle' is No. 76 Totters Lane!IAN: Mmm...that's a bit ofmystery. Well, there must be a simple answer somewhere.BARBARA: Well, what?IAN: (Grins.) Well, we'llhave to find out for ourselves, won't we?BARBARA: (Grins.) Thank you for the \"we\". She's waiting in oneof the classrooms. I'm lending her a book on the French Revolution.IAN: What's she going to do - rewriteit?(BARBARA rolls her eyes, and the two teachers get up to leave.)IAN: Oh, all right! (He grabs his coat.)What do we do? Ask her point blank?BARBARA: No. I thought we could drive there, wait 'till she arrivesand see where she goes.IAN: (Puts his coat on.) Oh...all right.BARBARA: Well, that is, if you're not doinganything.IAN: No, I'm not. (He opens the door.) After you...[SCENE_BREAK]4: INT. COAL HILL SCHOOL.CLASSROOM(15-year old SUSAN FOREMAN - the subject of the teacher's conversation - is listening to a"}
+{"doc_id":"doc_298","qid":"","text":"[Caroline wakes up. Her blow is covered with blood. Damon sleeps in her bed. She gets up and tries toleave the room, but Damon wakes up too.]DAMON: Good morning.CAROLINE: Please... Don't.DAMON:Don't do that. Ah, ah, ah.CAROLINE: No! No! No! Get away from me! No!DAMON: This could have gone acompletely different way.[Front of the school.]BONNIE: I'm not saying don't date the guy. I'm just sayingtake it slow.ELENA: You were the one who said to go for it.BONNIE: Now I'm saying take it slow.ELENA:Why the about-face?BONNIE: It's not an about-face. You're single for the first time in your entire highschool career. It's the perfect time to play the field.ELENA: Oh, because I'm so that girl. Seriously, whatare you not saying?BONNIE: It's stupid.ELENA: Bonnie...BONNIE: What?ELENA: Spit it out.BONNIE: Iaccidentally touched Stefan. And got a really bad feeling.ELENA: Is that it? Bonnie.BONNIE: It was badbad!ELENA: Is the whole witch mojo thing again?BONNIE: You know what? I'm just concerned. This is meexpressing concern about my best friend's new boyfriend.ELENA: And I love you for it, I do. But I feelgood. It's been a hard year, and I'm starting to kind of feel like things are getting back to normal again.And you know what? Stefan is a big part of that.VICKI: I rock. I scored 2 tickets to the Posers Saturdaynight. They're playing at the Rat.JEREMY: You and Tyler have fun.VICKI: Don't be like that. Come on. Iwant you to go.JEREMY: You're not worried everyone's going to know you're screwing the stoner geek?Oh, wait... everyone already knows.VICKI: Yeah. But it's not like that anymore, so now we can be friendsand just hang.JEREMY: Tell me something, was it the drugs? Were you sleeping with me because of thedrugs?VICKI: Screw you.JEREMY: No, if there's another reason, please, I'm all ears.STEFAN: Goodmorning, Elena. Good morning, Bonnie.BONNIE: Hey, um, I gotta find Caroline. She's not answering herphone. So I'll see you guys later.ELENA: Bonnie, wait...STEFAN: She doesn't like me very much.ELENA:She doesn't know you. She's my best friend. She's just looking out for me. But when she does, she willlove you.TYLER: Look... there's Elena and her new boyfriend. Now, what are they doing? Oh, they'rewalking, walking, walking. Yep. Right into the sunset.MATT: You're a dick.TYLER: While you just standthere looking like one of those little yard trolls.MATT: Gnomes.ELENA: Here's what we're going to do. Areyou free tonight?STEFAN: Yes.ELENA: Perfect. Dinner, my house. 8:00. You, me, and Bonnie. You twowill spend some quality time and she'll get to see what a great guy you are. Mission accomplished.MATT:Hey, what am I supposed to do, Ty? She made her choice.TYLER: Let her know she made the wrongone.MATT: What are you doing? Ty, don't. Ty, don't! Ty! Don't!Tyler throws the ball on Stefan, but Stefancatches it with an impresionnante speed. He throws the ball to Tyler who moves back under theshock.ELENA: That throw was insane. I didn't know you played football.STEFAN: I used to. It was a longtime ago.ELENA: So why don't you try out for the team?STEFAN: Yeah, I don't think so.ELENA: So youdon't like football?STEFAN: No, I love football. I think it's a great sport. But in this case, I don't thinkfootball likes me. You saw Tyler over there, and we both know how Matt feels.ELENA: They don't knowyou. To them, you're mysterious loner guy. Wouldn't hurt to be part of. Make some friends.STEFAN: Saysthe girl who spends her alone time writing in a cemetery.ELENA: Hey, come on. There's more to me thanjust gloomy graveyard girl. There's a whole other Elena that you have yet to meet. She was intoeverything, very busy.STEFAN: Well, I look forward to meeting her. And when will that be?ELENA: Soon.She's working on it.[In History's class. Bonnie is writing numbers on her book. \"8\", \"14\", \"22\".]TANNER:World war II ended in... Anyone got anything? Miss Juan? 1945.ELENA: Psst. Fyi... Our team sucks. Theycould use you.STEFAN: Can't.TANNER: Pearl Harbor.STEFAN: I'm a loner.TANNER: Miss Gilbert?ELENA:Hmm? Pearl Harbor?TANNER: Um...STEFAN: December 7, 1941.TANNER: Thank you, MissGilbert.STEFAN: Anytime.TANNER: Very well. The fall of the Berlin wall.STEFAN: 1989. I'm good withdates, sir.TANNER: Are you? How good? Keep it to the year. Civil Rights Act.STEFAN: 1964.TANNER:John F. Kennedy assassination.STEFAN: 1963.TANNER: Martin luther King.STEFAN: '68.TANNER:Lincoln.STEFAN: 1865.TANNER: Roe vs. Wade.STEFAN: 1973.TANNER: Brown vs. Board.STEFAN:1954.TANNER: The battle of Gettysburg.STEFAN: 1863.TANNER: Korean war.STEFAN: 1950 to1953.TANNER: Ha! It ended in '52.STEFAN: Uh, actually, sir, it was '53.TANNER: Look it up, somebody.Quickly.STUDENT: It was 19... 53.ELENA: How did you know all of that?STEFAN: Years and years of"}
+{"doc_id":"doc_299","qid":"","text":"\"Surprise\" 25th Episode of RoswellProduction Code: 2ADA03[SCENE_BREAK](Episode begins with Isabelin an abandoned building. She finds Tess on the ground, badly beaten)Isabel: Oh, God! Tess! Oh, god,Tess! Tess! Tess, wake up! Oh, God. Wake up!Tess: Isabel?Isabel: Ok, come on. Come on, Tess. I'll getyou out. It's ok. Ok. Ok. Come on. Come on. I'll get you out of here. It's ok. It's ok. We'll make it. Ipromise. We'll make it. Ok.(Isabel moves Tess into a room and bolts the door)Isabel: Tess. Stay with me.Stay with me, damn it. Don't die on me now. Don't die on me now.(The door unlocks and swings open.Isabel recognizes the person)Isabel: It's you.(Opening credits)(Isabel is on her way to the Crashdown,where her friends have prepared a surprise party. She's wearing a party dress)Everyone: Surprise!Mrs.Evans: Oh, happy birthday, sweetheart!Isabel: Oh, my God! Oh! I could kill you all.Mrs. Evans: Kill yourbrother. He's the one who planned the entire thing.Max: Happy birthday, old lady.Isabel: Max, I can'tbelieve you did this with everything that's happening.Max: It's still your birthday.Isabel: Max, you're theworst, really. I don't know what to say.Maria: Say that you're surprised, 'cause he was totally, totallystressing that you'd figure it out.Isabel: I had no idea.Max: Really?Michael: Alex told you to come by sohe could give you back a book. I mean, what a lame excuse. How could you not figure that out?Isabel:Where is Alex, anyway?Maria: He's, um, he's still getting dressed.(We see Courtney using her alien powerto fill some empty glasses with beverages)Mrs. Evans: Can you believe your brother did all of this in, like,3 days' time?Isabel: No.Courtney: Happy birthday to you.Isabel: Oh, thank you.Courtney: Mm-hmm.Mrs.Evans: Oh, honey. You know, your dad is beside himself that he's still stuck in Minneapolis.Isabel: That'sok. Poor guy.Mrs. Evans: By the way, honey, why are you wearing that dress?Isabel: Um, oh...Michael:Yeah. If you really didn't know about the party, then how'd you know to dress up?Isabel: I...I didn't.I...actually, I had, um, other plans.Grant: Isabel. Sorry I'm late. I didn't know there was going to be aparty.Isabel: Neither did I. Purple are my favorite.Grant: So I heard.Michael: No, wait. Who's ever heardof purple roses? What, did you, like, dye them or something?Isabel: They're sterling roses, Michael.They're...they're really rare and expensive.Grant: Well, I'm impressed. No one's ever given me a surpriseparty.Mrs. Evans: Oh, when's your birthday?Grant: December 7th.Mrs. Evans: And what year might thatbe?Isabel: Mom!(Isabel notices some blood on the back of Grant's neck)Isabel: Oh, you...you're bleedingon your...Grant: I am?Isabel: Oh, here. Let me.Isabel (to Mom): Here, mom. Will you...(Isabel handsMrs. Evans the glass the was holding)Grant: Must have happened when I slipped down the ravine on thedig today.(Isabel has an incoherent vision)Grant: What?Isabel: Nothing. No, nothing.Grant: Well, thisobviously isn't a good time for a date.Isabel: Well, you're welcome to stay.Michael: Or go.Grant: Actually,I have some samples I should drop off at the lab tonight anyway. I'll call you.Isabel: Ok.(Grant leavesand Mrs. Evans is visibly upset)Mrs. Evans: You know, honey, not now and not tonight, but pretty soonyou and I are gonna have to have a little talk.Max: Ditto.(Isabel has a vision of Tess in an accident. Shedrops her drink)Isabel: Oh, God.Mrs. Evans: Are you all right?Isabel: I'm just so clumsytonight.Courtney: I'll get that.Isabel: Are you sure? I can...I can get it.Courtney: This is your night.(InWhitaker's office, Liz is dancing a bit while organizing some files. Whitaker comes in and wonders what'sgoing on)Liz: Oh! I'm sorry.Whitaker: Where'd you get that?Liz: Oh...um, there were just some CDs outon your desk. I can put them back.(As Liz turns off the boombox, Whitaker locks one of the file cabinets.Liz notices this)Whitaker: No, it's fine. Run lola run, huh?Liz: It's a great soundtrack.Whitaker: Yeah. It'sreally cool. I loved this movie. Story of my life.Liz: I know what you mean.Whitaker: It's after 7:00. Whatare you still doing here?Liz: Oh, um, I was just gonna finish up these reports.Whitaker: They'll be heretomorrow. Go home. Here, take Lola.Liz: Oh, really? That would be so great, because I have this party Iwant to get to.Whitaker: Oh, really? There's a party?Liz: Yeah. Um, it's just this small birthday party for afriend of mine at the Crashdown.Whitaker: That cafe your parents own. Oh, I adore that place.Liz: Thankyou.Whitaker: You know, it would be great to finally meet them.Liz: Oh, I don't think that they're gonnabe there.Whitaker: I'll just pop my head in for 5 minutes. Never hurts to mingle with my constituents.Liz:Yeah, sure. Uh, that'd be great.Whitaker: I'm just gonna hit the powder room...freshen my lipstick.(Lizuses a letter opener to unlock the cabinet that Whitaker locked. She finds a CD labeled \"Parker Liz, Date:"}
+{"doc_id":"doc_300","qid":"","text":"(Someone throws a rock at the window of an abandonned house and shatters it. A young girl, Addie,standing on the front lawn of this house turns around.)Bryan : Hey, Troy. You're a dork.Troy : Hey, shutup. Hey, freak.(On his way to the front door, Bryan blow some kisses at Addie who stares back athim)Addie : Excuse me. You are going to die in there.Troy : Shut your mouth, or we're gonna kick yourass!Bryan : We got bats.Troy : I hate trees!(The boys enters the house)Addie : You're gonna regret it.You're gonna regret it. You're gonna regret it.Troy : Yeah!Bryan : Yeah!(While the boys smash everythingthey found inside with their bats, a song sung by children can be heard)SONG: \u0000 I know / I know / Youbelong / To some / Body new / But tonight / You belong / To me /Although / Although / We're apart /You're part / Of my heart / And tonight / You belong / To me / Just to little old me. \u0000Bryan : Troy.Troy :Awesome. (A door swings shut) Go.Bryan : No, you go, shithead.(The boys go down some stairs)Troy :Check it out.(They find a room full of jars filled with human's and animal's parts. Troy picks up a jarcontaining an ear and drops it. It shatters onto the ground)Troy : It stinks in here. It stinks like sh1t. Youremember last summer when we get the raccoon stuck in our chimney? That's what it smells like. Let'sgo find it.Bryan : No, it smells bad... I'm getting out of here.(Troy go further into the room, poping hiscrackers, while Bryan turns around, up the stairs. Suddenly, the popping stops. Bryan stops hisascension)Bryan : Troy?(A bottle rolls across floor)Bryan : Troy? Who's down there? Cut it out, Troy. Cutit out.(Bryan finds Troy on the ground, his throat slashed. Troy is reaching out to him, unable to utteranything. Bryan turns around and sees a creature, Infantata, running in their direction. Bryan startsscreaming. We are suddenly outside the house, Addie is still on the front lawn)-[Today]-(A gynecologist,dr. Day is examining a woman, Vivien. A nurse is assisting)Dr. Day : So, are your periods regularagain?Vivien : Every other month. Not that I'm really complaining. After all that blood. Ben hatesblood.Dr. Day : You having issues with arousal?Vivien : Not when I'm by myself.Dr. Day : Lie back. Well,I've recently had some success with women your age using bioidentical treatments and hormones.Vivien: For what?Dr. Day : Well, it's a sort of a preemptive strike. See, your body is like a house... you can fixthe tiles in the bathroom and the kitchen, but if the foundation is decaying, well, you're wasting yourtime.Vivien : What are the side effects?Dr. Day : You can sit up. Well, the... BHRTs are great for yourskin, organs. Most of the women I give these to tell me they make them feel ten years younger.Vivien : Idon't know. You know, I don't even let my family drink out of plastic bottles. Taking a bunch of hormoneswhen I don't even know what the side effects are, I just...Dr. Day : Feel and look ten yearsyounger.Vivien : I don't need hormones, Doctor. I'm just trying to get control of my body again, afterwhat happened.Dr. Day : And I'm offering you something to help you get that back.Vivien : I'm not ahouse.Dr. Day : Vivien, what are you so afraid of?[SCENE_BREAK](Vivien comes home. She puts downher errands on the counters of the kitchen. She hears a soft thud coming from upstairs. She calls thepolice)Police Officer : 911.Vivien : I have an intruder in my house.Police Officer : Are you sure it's not amember of your family?Vivien : No. Nobody is home.Police Officer : What's the address?Vivien : 35Drummond Road.Police Officer : We're sending a patrol car.Vivien : Please hurry, please.(Vivien picks upa kitchen knife and goes upstairs. We can hear something squeaking. Vivien slowly opens a door)Ben :Oh, my God. No, Viv. No, no.(Vivien stands still a few seconds, watching inside the room, then turnsaround. A man, Ben, comes out of the room, trying to stop Vivien)Ben : Viv, I'm sorry. I'm sorry.No.(Vivien slashes his arm)Ben : Aah!Addie : You're going to regret it. You're going to regret it. You'regoing to regret it.-[OPENING CREDITS]-(Vivien, Ben and their daughter, Violet, are driving down afreeway)Vivien : The light is different out here. It's softer.Violet : It's called smog.Ben : You should beexcited, Vi. You can stop sneaking cigarettes and just start taking deep breaths.Violet : I need to go tothe bathroom.Ben : We're almost there.Violet : I need to go.Ben : Vi, it's a freeway. Really, where do youwant me to pull over? Maybe the Honda next to us has a bathroom or something.Violet : Bet if the babyhad to sh1t, you'd find somewhere.Vivien : Really? Violet, I hate that word, unless I'm saying it.Ben : I'mreally glad we named you Violet, instead of our second choice.Violet : Which was?Vivien : Sunshine.(Theyall start chuckling)Ben : It's funny. Come on, you gotta admit it's funny.(Ben trys to hold Vivien's hand,"}
+{"doc_id":"doc_301","qid":"","text":"Open to dark deserted back street. A blond girl is running past looking behind her occasionally beforeducking into an alley. She looks back around the corner, then steps back on the street to continue only tobe grabbed by the shoulders and thrown back into a trash container.Rachel: \"Lenny... please...don't.\"Lenny: \"You think I'm not going to find you,... after you humiliated me... again ?\"Rachel: \"I didn'tdo anything ! I swear ! I'd never...\"Lenny: \"No ! I know what you do. I see. The men,... the lies,... this isthe last time, damn it !\" Rachel, stepping towards him with a smile: \"What are you on, Baby ? You onlyget like this when you...\" Lenny hits her with a growl.Rachel: \"What are you going to do ? Pulverize meright here ? Someone is going to hear me scream.\"Lenny, laughing: \"In downtown LA at night ? Nobodyis going to hear. Nobody who cares. Besides (pulls out a revolver and points it at her face) this will all beover fast. (cocks the gun)\"Rachel: \"Lenny.. please... no !\"Lenny: \"I'm sorry. (Rachel cowers back fromhim) I just can't take this anymore.\" Angel grabs him from behind and makes him drop his gun.Angel:\"Poor Lenny. The burden of terrorizing your girlfriend too much for you ? (hits him) Lucky for you I canmake it stop.\" Lenny grabs a 2x4 and tried to hit Angel. Angel ducks and cold cocks him.Angel: \"Rachel,are you alright ?\"Rachel: \"Is he...\"Angel: \"It's okay. He's not getting up for a while.\"Rachel, getting up: \"Ican't believe you actually showed up.\"Angel: \"Well, that was the deal, right ?\"(Camera pulls back toreveal Spike watching them from a rooftop above them.)Spike in high voice: \"How can I thank you, youmysterious, black-clad hunk of a night thing ? (low voice) No need, little lady, your tears of gratitude areenough for me. You see, I was once a badass vampire, but love and a pesky curse defanged me. Now I'mjust a big, fluffy puppy with bad teeth. (Rachel steps closer to Angel, and Angel steps back warding heroff with his hands) No, not the hair! Never the hair! (high voice) But there must be someway I can showmy appreciation. (low voice) No, helping those in need's my job,... and working up a load of sexualtension, and prancing away like a magnificent poof is truly thanks enough ! (high voice) I understand. Ihave a nephew who is gay, so... (low voice) Say no more. Evil's still afoot ! And I'm almost out of thatNancy-boy hair-gel that I like so much. Quickly, to the Angel-mobile, away !\"Spike lights a cigarette whilehe watches Angel lead Rachel away.Spike: \"Go on with you. Play the big, strapping hero while you can.You have a few surprises coming your way... The ring of Amarra... a visit from your old pal Spike,... and,oh yeah,... your gruesome, horrible death.\" (He smiles.) *Intro.* ***** Cut to Oz driving his vanthrough the night. ***** He pulls up in front of Angel's apartment.Radio: \"Another uninterrupted40-minute-block. You are listening to LA's only alternative KLA-Rock. It's 11:05, do you know what yourkarma is ?\" ***** Cut to Angel's office. ***** Cordelia is typing away on the computer. Doyle lounges inthe background reading a newspaper.Cordelia: \"This is so awesome. Our first walk-in client. Everything isgoing according to plan ! See girl in distress,... see Angel save girl from druggy/stalker boyfriend,... andsee (pulls a paper out of the printer and holds it up) Invoice ! Ta-da !\" She shows the invoice to Doylewho looks less then impressed.Cordelia: \"What ?\"Doyle: \"Nothing. You're doing a lovely job there. Looksvery official.\"Cordelia: \"So why are you not rejoicing at out first paying client ?\" Doyle, getting up andwalking over to her desk: \"Because that's not money you're holding in your hand there, darling, that'smail. There's a big difference between that and actually getting paid.\"Cordelia: \"But she has to pay !...Invoice ! That's the rule of our whole, like, society !\"Doyle, leaning on the desk: \"Defaulting ? That'sanother popular rule in our society... especially with the down-and-outs. Not that I've perpetrated saidheinousness myself...\"Cordelia: \"So what are you saying. Why bother ?\"Doyle: \"All I'm saying is that ifwe're ever going to take that cruise to the Bahamas together, we're going to need a lot more clients ofmeans.\"Cordelia: \"And an alternate reality in which you are Matthew McConaughey.\"Oz, walking into theoffice: \"Hello, LA.\"Cordelia, getting up: \"Oz ? Oh, my god. (walks around the desk) Oz. It's so good to seeyou. (hugs him while Doyle watches askance) Good old Oz ! Oz. (turns to Doyle and points at Oz) Oz!\"Doyle: \"Let me just take a stab at it, you'd be Oz ?\"Oz: \"Good guess.\"Cordelia: \"This is so cool! I mean,here you are in LA, and you're the total embodiment of all things Sunnydale.\"Oz: \"It's a burden, but Imanage.\"Cordelia: \"We have some serious catching up to do. How is everything ? How's... how's thebronze ?\"Oz: \"The same.\"Cordelia: \"And the gang ?\"Oz: \"They're good.\"Cordelia: \"Good ?... Good !..."}
+{"doc_id":"doc_302","qid":"","text":"Act One.Scene One - Café Nervosa. Frasier is flicking through some magazines when Roz comes to joinhim.Roz: [sitting] Oh hey, Frasier. Catalogues?Frasier: Yes. I'm trying to find the perfect wedding gift forDaphne and Donny.Roz: Oh, right. Well, I guess now that they've set a date, I'll be getting mybridesmaid draft notice.Frasier: You know Roz, she might not even ask you.Roz: [positive] Oh, she'll askme. They all do. The next thing I know I'm wearing some revolting puffy-sleeved dress made from thesame material that keeps the space shuttle from burning up on re-entry.Frasier: You know, Roz, Daphnemight just surprise you and pick a dress you like.Roz: Oh, impossible. They're always ugly; that's why thebride makes sure she's the prettiest one at the wedding.Frasier: That's awfully cynical.Roz: Oh yeah,when was the last time you found yourself staring at the bridesmaid instead of the bride? [signals to thewaitress]Frasier: That would have been at my wedding to Lilith.Roz, not getting the attention of thewaitress, heads over to the counter. Then Niles enters and sits with his brother.Niles: HelloFrasier.Frasier: Oh, Niles.Niles: Frasier, do you remember the time the Kreizel brothers tied me to theirGreat Dane and lobbed meatballs down their gravel driveway?Frasier: I've told you Niles, I would havehelped you, but their sister was holding me down.Niles: No, my point is - [to waitress] Cappuccino,please [to Frasier] - even that experience was less painful than the date I was just on. She was... [takesa cat hair from his jacket and puts it on the floor] ...a cat person. She brought her cat on our date. Well,she had good reason, it was Mr. Waggles's birthday. Actually his birthday party. Actually, his surprisebirthday party.Frasier: I'm sorry, where on earth did you meet this woman?Niles: At Nordstroms. Weboth reached for the same cashmere throw and she said she needed something to keep her waggleswarm. I thought it was a coy euphemism. [the waitress brings his coffee] Thank you.Frasier: Well, Niles,I certainly understand your being upset, but you know, you've got to keep on looking.Niles: Well, trustme, with Daphne getting married, I have no choice but to press on. But I'm going to change my strategy.Do you recall, the other day at the health club, Tony Hubner gave me that phone number?Frasier: DearGod, Niles, not a dating service?Niles: No, it's not a dating service. An \"Introduction Network\" for busyprofessionals. I've given them my vital statistics, there's an extensive screening process, they bill me atthe end of the month.Frasier: Niles, please. They are all money-grubbing con-artists who prey on thepathetic and the lonely. God's sakes, you sign up with visions of some Ph.D., and what do they deliver? Abuck-toothed librarian who needs help washing her mother! Are you really that desperate?Niles: Half anhour ago, I had my back leg tethered to Mr. Waggles's forepaw and we came in third in the five-leggedrace.Frasier: Geez, you'd think they'd let him win on his birthday.[SCENE_BREAK]Scene Two - Frasier'sApartment. As Frasier enters he hears Daphne on the phone to her mother.Daphne: I know, mum, but itis my wedding. I've given into you on so many things. Couldn't this one thing go my way? [pause] I justdon't like those tiny corns in my salad. [pause] No, I don't hate you. [pause] Well, that's just not true.I'm glad you're alive. [pause] All right, all right, tiny corn it is. I've got to run now, cheery bye. [hangsup] That was mum, she had a thought about the salad.Frasier: Something tells me yesterday's croutonskirmish wasn't the end of it.Daphne: I suppose she can be a bit overbearing. But as she often points out,she is paying for the wedding and I am her only daughter and giving birth to me was so painful she didbite through a kitchen spoon.Frasier: Daphne, just don't let you mother guilt you into having the weddingshe wants instead of the wedding you want.Daphne: Oh, don't worry, mum already promised me I couldhave the wedding I want, as soon as I have a daughter who gets engaged.Daphne exits to her bedroom.Frasier enters the kitchen where he finds Martin with a box of jerky.Frasier: Hiya, Dad.Martin: Oh, Fras.You'll love this stuff I got from the farmer's market. This guy takes the juiciest cut of filet mignon, slices itreal thin and makes jerky out of it.Frasier: Look Dad, I don't...Martin throws it into his mouth, you cantell he is disgusted.Frasier: Yes, if only I had a nice powdered Cabernet to go with it. Listen, have yougiven any thought to Daphne's wedding present?Martin: Now Frasier, not everyone likes jerky as much asyou and me.Frasier: No, I just want to get her something special, especially since her mother seems tobe taking all the joy out of it for her.Martin: Oh, well, how about a nice piece of luggage? You know, agood hard suitcase, like the kind people used to put stickers on to show everybody where they've been."}
+{"doc_id":"doc_303","qid":"","text":"[PREVIOUSLY_ON]John: Isaac?Isaac: Isaac, the fornicator. Coming home to Salem to get out of the waris like jumping in the ocean to get out of the rain.Isaac: You can't leave Salem just yet. Something you'vegot to see.Mr. Hale: Someone broke our circle.Mary: Who saw us?Mr. Hale: I do not know.Mary: I waitedfor you. Years and years.John: Come with me.Mary: I can't. It's impossible.Tituba: The grand rite hasbegun, and the earth cries out for innocent blood.Mary: I know well my duties.George: [Grunts] The onlything that keeps me alive is the look on your face when John Alden finds out what you really are.Bridget:[Screaming]Anne: Father, you know Bridget. How could you think her guilty of this?Mr. Hale: It isn't amatter of what I think. What a mess you've made of things.Bridget: [Gasping]Anne: [Sobbing]Mary: Idon't want you here.John: I almost believe you.[Insects chirping]Cotton: You're so beautiful.\"Fear noman's war, for only a war from hell could destroy Salem.\" The devil was never going to let a promisedland be built here without a battle.Mary: Do you know what killed nearly every woman buried here?Love.Cotton: And witches armed with deadly malice...Mary: Most died in childbirth. So love is to awoman...Cotton: Are the most malignant and insidious weapons in that battle...Mary: What war is to aman. The most deadly thing, they'll do.Cotton: That war for the body and the soul of a nation.Mary: Onlya fool runs quickly to war...Cotton: Imagine a foe you can't see...Mary: Or love.Cotton: Armed withweapons unknown...Mary: I can teach you...Cotton: And the ability to appear as anyone.Mary: About lifeand death and many things in between.Anne: Stop it! Just stop it! Stop.Cotton: Shh. Judge not, lest yebe judged.[Gasps][Water splashes][Indistinct shouting][\"Cupid Carries a Gun\" plays]\u0000 Pound me thewitch drums \u0000 \u0000 witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 pound me the witch drums \u0000 \u0000 thewitch drums \u0000 \u0000 better pray for hell \u0000 \u0000 not hallelujah \u0000[indistinct shouting]Man: Burn inhell![Shouting continues]Woman: Sin!Isaac: Be assured, Mrs. Bridget... ones that are weepin' faroutnumber the ones that might spit or curse.Man: Burn in hell! Burn![Indistinct shouting]Tituba: Youwould do well to pay that boy extra to take them bodies a more circuitous route.Mary: Spectacle is fuelfor our fire.Tituba: And doubt is indulged by the rich and spoiled only.Mind that you was bornneither.Woman: \"Give me to die with thee that I may rise to a new life, \"for I wish to be as dead andburied to sin, to selfishness...\"Mary: By all means, Reverend... do not offer prayer or comfort or words ofencouragement. No, stand as a bewildered statue amongst the people of Salem and offer them absolutelynothing.Cotton: What would you have me do?Mary: What I brought you here to do. Guide and support usin our great hour of need. Warm our hearts with your words of wisdom. Assure us it is God's will we do inferreting out the devil. Or at the very, very least... Pray.Mr. Hale: Tragic day.Mary: Tragic butnecessary.Mr. Hale: Tragically necessary. Surely, the grieving of the masses gives you pause.Mary: Mostspit and curse while summoning the burning flames of hell.Mr. Hale: There are also those who weep forher and find her hanging unfounded.Mary: Not enough to divert our intentions. A panic's success relies onits escalation. The grand rite has begun. We look to our next victim.Mr. Hale: And that I disagree, that Istrenuously and most vehemently oppose means nothing to you? We were seen at our sabbat. And youthrow caution to the wind.Mary: And have you identified who saw us? Perhaps your disagreements andvehement opposition might hold more weight if you could be relied on to complete a simple task. Goodday, Hale.[Indistinct shouting]Cotton: What must I do to be saved?It is impossible to ask a more weightyquestion. Lest we perish eternally.John: How's it feel?Cotton: How does what feel?John: Killing twoinnocents in as many days.Cotton: The evidence against Miss bishop... woman: The orphanage! Help!They're looting the orphanage![Glass shatters]Anne: Get out!It's not yours![Baby crying]Get John: Nextone's to your head.[Children crying]Are you okay?Anne: It's awful. It's too awful.Mr. Hale: W-what'shappened?John: Thieves have come to ransack the orphanage now that the town sees fit to hang itsguardian.Mr. Hale: Easy, son.John: This is what comes of your witch panic.Mr. Hale: Are you allright?Anne: This is your fault! And his.Mr. Hale: [Sighs] Forgive her. She's distraught.Anne: I'm right!See me home.Mr. Hale: Captain, if you wouldn't mind, hmm?John: Yes. Of course.Anne: Where havethey taken her?John: Foul spot where they rest the unwanted.Anne: Is it very terrible?John: Yes.[Belltolling]Anne: Thank you...For your heroism and your candor.[Horse whinnies][Door opens]Petrus:"}
+{"doc_id":"doc_304","qid":"","text":"Kevin: To me, the Sixers are a five seed tops.Jim: I think they're going to the conference finals.Kevin:No.Jim: Bynum, obvious monster and the three point shooting, don't even-... [Jim bites hislip][SCENE_BREAK]Jim: I bit my lip at lunch today.[SCENE_BREAK]Darryl: Sucks. Anyway, I just don'tsee it. The Knicks are tough.The Nets are tough.Kevin: Oh, the Nets are super tough. [Jim in pain fromhis lip][SCENE_BREAK]Jim: Now I have this big bump in my lip that hurts. I hateit.[SCENE_BREAK]Kevin: The Hawks are terrible. They're always terrible.Jim: Okay, you need to thinkabout it before you come with the... [Jim bites his lip again and pounds on table][SCENE_BREAK]Jim:Whatever. It's not a big deal. You know I always tell my three year old, if this is the worst thing that'sgonna happen...[Jim bites his lip again] You gotta be kidding me! Ok! Pam! That's it, I'm goinghome![SCENE_BREAK]Erin: Good morning, Meredith.Pam: What?Erin: Oh, sorry, Pam.Yikes.[SCENE_BREAK]Pam: Jim's been spending a few days a week in Philly and I'm not gonna lie, it'sbeen challenging. Yesterday, things took a turn for the worse. I found out Cece has lice. So I was up allnight disinfecting every sheet, towel, toy, item of clothing in the entire house. I'm exhausted. But don'ttell Jim. He has a huge meeting today, under a lot of pressure and he's doing it all for thefamily.[SCENE_BREAK]Jim: I am meeting Dr. J today, otherwise known as Julius Irving, famed 76er andmy own personal hero. But i have to be careful not to rub it in Pam's face because let's be honest, howwould I feel if I was at home stuck with the kids while she was go carting with JohnStamos.[SCENE_BREAK]Jim: [talking on phone] You sound tired. Everything ok?Pam: Great. Everything'sgreat. Hey are you nervous about your big meeting?Jim: Uhh, a little bit. It's a lot of pressure, you know,but that's what I signed up for right?Worker: Jim, limo's here.Jim: Uh, you know what, I gotta hop offbecause my, uh, taxi is here to take me to the meeting.Pam: Oh, call me later!Jim: OkPam: Goodluck!Jim: Thanks!Pam: Love you.Jim: Love you too. Bye.[SCENE_BREAK]Val: How you doing?Darryl:Alright. I mean, it's what you want, so...Val: It's how it has to be.Darryl: I know, I know. It's justhard.[SCENE_BREAK]Darryl: Me and Val were going nowhere and if I'm gonna be working in Philly, I'mgonna need my freedom. So, I convinced Val to breakup with me. Here's how you do it. You say, \"Whatare you gonna do, breakup with me?\" Like it's a joke, and then you gain a lot ofweight.[SCENE_BREAK]Darryl: I'll never be sorry, not for a moment of it.Val: Me neither. Come here.[she hugs Darryl, and Darryl smiles behind her back][SCENE_BREAK]Pam: Hey Meredith, I need yoursupplier requests today.Meredith: Jeez H. in the morning. Will you stop your nagging already? No wonderJim left you.Pam: He didn't leave me. He just went part time. [Meredith scratches her head vigorously]Can you just fill out the form please?Meredith: Yes.[SCENE_BREAK]Pam: I'm sure she's just confused.People scratch their heads when they're confused. Not always like an ape, the way Meredith just did, butit happens.[SCENE_BREAK]Meredith: Hurry up already.Erin: [checking Meredith's head] Trust me, I knowwhat I'm doing. Between the foster homes and the orphanage, I had lice 22 times.Erin: Holy wow, that'sa big one. Alright, pencils down everyone, we got lice!Angela: Oh God, Meredith, lice? Did you not sign apledge to shower?Dwight: What? Lice? Oh my god. Lock the doors, we are on full quarantine.Pam:Dwight, relax. It's just lice. Maybe, possibly.Dwight: Just lice Pam?[SCENE_BREAK]Dwight: Of all of thevermin in God's great green kingdom, lice are the ones I detest the most. My first day of school, I hadlice, and no one would play with me. For 15 years, they called me freak and four eyes and sci-fi nerd andgirl puncher. All because I had lice when I was 7.[SCENE_BREAK]Dwight: Make way, nope, inspectme.Erin: Oh, this is the cleanest scalp I've ever seen. You are all clear.Dwight: Should be. I use liceshampoo every morning. [Dwight starts spraying everyone with disinfectant]Pam: Stop that!Angela:Dwight!Erin: Next!Angela: [getting her head checked] Geez Meredith, you know, this is an office not oneof your bean bag orgies.Pam: Alright, let's give her a break. We don't know for sure this is Meredith'sfault.Oscar: Pam, really? Come on.Meredith: Hey, what do you want? I know who I am. Nobody's takenMeredith Palmer to the opera to meet the queen.Erin: Lice. More lice. [Angela shrieks in disgust] Angelahas lice.Angela: Ew! Oh.Erin: [checking Stanley's head] Ooh yabber, lice!Erin: [checking Pam's head]Yikers, lice.Pam: No! How? I'm so clean!Erin: [checking Oscar's head] Oh yeah, big time"}
+{"doc_id":"doc_305","qid":"","text":"ACT ONEScene One - Apartment The doorbell rings. Daphne opens the door to Roz, who is carryingAlice.Roz: Hey, Daphne.Daphne: Hello, Roz, Alice. What brings you here?Roz: We're borrowing Frasier'scar.Daphne: Oh, I see. And you're leaving Alice here as collateral.Roz: Actually, he's being very niceabout it. Mine's in the shop, and I'm taking Alice and a few of her friends to an ice cream party.Frasier:[emerging from hallway] You told me it was your friends, and the Science Center!Roz: He said, she said,we'll never know what really happened. Frasier, don't be so uptight. I'm not gonna hurt your preciouscar.Frasier: I am not uptight, it's just that I've had some unfortunate experiences before loaning out mycar.Daphne: [going to the hall] I left an umbrella in the trunk.Frasier: It was a wet umbrella!Roz: Can Ihave the keys?Alice whines softly, prompting Frasier to take them out.Frasier: [sighs] Yes, yes. [dropsthem in her hand] After all, what are fine possessions for if not to be used and enjoyed? [lugubrious] Andwho better to enjoy them than the delightful souls of small children?Roz: I'll put a tarp in thebackseat.Frasier: Oh, bless you.Roz turns to leave and runs into Niles.Niles: Hey Roz, hello Alice. Whatbrings you here?Roz: Oh, Frasier loaned me his car, I backed mine into a telephone pole.Frasier: You saidyou were getting a tune-up!Roz: [as the elevator doors close] It needs one, trust me!Niles: Is, uh,Daphne ready?Frasier: Uh, actually I think she's in her room. You two have plans?Niles: Yes, I am takingher to the botanical gardens. Can you believe she's never been before?Frasier: Didn't Donny take her tothe botanical gardens last year?Niles: Can you believe she's never been before?Daphne comes out withEddie on a leash.Niles: Hey, Daphne!Daphne: Hello, Niles.Niles: Ready to go to the gardens?Daphne:Yeah, I'm afraid I'm gonna have to take Eddie for a walk first.[kisses him]Niles: Where's Dad?Daphne: Idon't know, he's been gone all morning.Niles: Oh well, here, I'll take him for a quick walk.Daphne: Oh no,he's gonna need more than that, or he'll go stir-crazy. He's gonna need a full hour at the dog park.Niles:[checks his watch] We don't have time to go the dog park, the-the Tour of Succulents starts promptly attwelve. Uh, hey, Frasier, can you take him?Frasier: No, I'm sorry, Niles. Roz has my car, you see, andLana's coming by to pick me up for a tutoring session with Kirby.Daphne: I'll just get Eddie's toys.[leaves]Frasier: [on phone] Hello, this is Dr. Frasier Crane, I need to make an emergency appointmenttomorrow, for a complete cleaning of my BMW. June 10th?! But I've got a Clean Team Privileges Card!Yes, of course it's a platinum one! [takes it out and looks] No, no there are no diamonds on the corner.Well, then yes, I'd like to become a member of the Diamond Alliance immediately. Fine, put me on thewaiting list. I'll see you in June. [hangs up]Niles: [needling] You're not in the Diamond Alliance?Frasier:Don't do that![SCENE_BREAK]Scene Two - Park Niles and Daphne are sitting together on a bench in thepark, with Eddie. All around them are dogs playing with their owners.Niles: So this is it.Daphne:Mmm-hmm.Niles: I'd hardly call this a dog park. [looks around] It's more like a dog... orgy. Whosebeagles are those?Daphne: Don't stare, it only encourages them.Niles: Well, hurry up, Eddie, there's lotsof exciting depravity to explore. [Eddie doesn't move]Daphne: [takes out a short piece of thick rope] Hewants to play a little fetch.Niles: Oh.Daphne: Well here, you throw it.Niles: With my bare hands?Daphne:Oh come on, it's fun.Niles: [takes it] Ready? Here we go. And, fetch!He tosses the rope about two feetaway. Eddie quickly picks it up and brings it back.Niles: All right, I didn't give you enough of a challenge.Here, ready, ready? And, ho! [throws it farther] Go get it! [Eddie runs after it] I'm sorry, I was a bit of agrouch. This is actually a fine way to spend the day.Daphne: Yeah...Niles: In fact, it's kind of...He trailsoff as a huge hound comes back with the end of the rope hanging from his jaws.Niles: Hello. Do yousuppose the rest of Eddie's in there?Jim, a tall, handsome, athletic man, follows the hound. Eddie followshim.Jim: Good boy, good boy! Sorry about that, Daphne, but what with the organic vitamin paste I'vebeen feeding Tank here, Eddie can't keep up with him.Daphne: It's no problem, Jim. Uh, Niles, this is JimGrady and Tank. This is Niles, my boyfriend.Niles: [shaking hands] Pleasure.Jim: Boyfriend? Ah, I shouldhave known. It seems like every time I'm single you're in a relationship, and every time you're single I'min a relationship.Daphne: Yeah, that's true.Jim: I guess we just don't have-Daphne: Timing!Jim: -good...[Daphne laughs] And I'm a drummer!Niles: Which, uh, makes it even more ironic!Tank starts climbingNiles's leg, to his horror.Jim: Tank, that's rude! Now, chill. [Tank obeys]Niles: Wow.Daphne: Wow, you've"}
+{"doc_id":"doc_306","qid":"","text":"[Brian and Justin are in bed, kissing. Justin is straddling Brian. Looks like our s*x drought is about to end.Ummmm... not so fast. As they continue to kiss, Brian has a sudden flashback to the surgery.]Woman:Relax and count backwards from ten, Mr. Kinney.[Brian tries to get down to the business at hand. He rollsJustin over and tears open a condom, which evokes an image of the incision. Obviously, this is not anactual memory; it's Brian's imagination, reminding him of what's no longer there. He looks down, checksthe equipment, which seems to be malfunctioning. The moans of pleasure are gone; on his face is a lookof intense concentration, not to mention stress and aggravation. But he's not ready to concede defeat. Heapplies lube. At the moment he tries to push inside Justin, he visualizes the diseased ball being suckedout of his body. Brian gives up. He slides off Justin and sits on the edge of the bed.]Brian: Don't sayanything.Justin: Look, I'm sure it's just a temporary malfunction. It takes time for your body to heal itselfand for you to regain your strength. Be patient. (Rubbing Brian's shoulder). Everything'll be up andrunning again in no time.Brian: Thanks for not saying anything.[At the Novotny-Bruckner household, lifeproceeds as usual. Intent on spending Mikey's newfound riches before they're earned, Hunter nags for anew wardrobe.]Hunter: I wanna get those cool Pumas and a pair of Diesel jeans, maybe two.Michael:Hey, whaddaya think I am, made of money?Hunter: Like yeah! You're having a movie made.Michael: Wehope. And I didn't work my ass off so I can put expensive jeans on yours!Hunter: Ben. I wanna get acouple pairs of Diesel jeans.Ben: Pull up your pants. I can see your shorts!Hunter: That's the f*ckin'point!Michael: We're taking Hunter to buy some new clothes.Hunter: And have pizza and go to amovie.Michael: Not a Brett Keller movie. So - tomorrow night? The mall? The three of us?Ben: Sure, fine.(His cell rings) Must be Mark. He has the flu; he asked me to cover his class. (Talks into the phone)Hello? Hey! Uh-huh. Sure. Uh, breakfast, lunch, whatever. Yeah, see you then.Michael: For somebodywho's laid up with the flu, he has a pretty healthy appetite.Ben: Oh yeah, that wasn't Mark, that wasAnthony from the library. Remember I told you about him?Michael: Yeah, how could I forget? He onlycalls you every hour!Ben: That's not true.Hunter: Maybe he has a crush on you!Ben: That's not true,either. He's just a nice kid who wants to be a writer. We get together and discuss books. That's ALL. So -tomorrow night, pizza, movie and Diesel jeans.Hunter: Tight!B: (eyeing Hunter's ghetto-fabulous baggyjeans) Yeah. Loose.[Emmett and Drew making the beast with two backs in a motel room.]Emmett:Touchdown![He rolls off Emmett and goes into the bathroom to towel off.]Emmett: My, how the boy canscore!Drew: I got a good kicker.Emmett: I'll say.Drew: That's a quarterback's secret weapon.Emmett:Speaking of secrets, does your fiancee know?Drew: Know what?Emmett: That you're -Drew: That I'm -?Emmett: Do I really have to say it? That you're - the \"H\" word.Drew: Hard-bodied? Hot? Hung? Yeah,she knows all that.Emmett: I meant homosexual? Gay? Queer?Drew: I'm not a fag!Emmett: Did I usethat word?Drew: A fag's a sissy, a girl, a pansy. You think I'm that?Emmett: Hardly!Drew: A fag can'teven throw a ball. You know how far I can throw?Emmett: I reckon a country mile.Drew: I'm a hero tomillions. Name one fag who's a hero. Name one fag who gets a call from the President saying, \"Greatgame!\" Name one fag that's f*cked every Dallas cheerleader - and I don't even play for Dallas. Name onefag who every kid wants to grow up to be.Emmett: Harvey Fierstein?Drew: (laughs) So why wouldanyone think I was a fag?Emmett: Maybe cause you had your dick up my ass?Drew: So I like to f*ckguys. It doesn't mean that I love them, or want to kiss them or even know them. It's just for fun, to getoff. No one's to ever hear about this. Understand?Emmett: Who'd believe me if I told them?[At thegallery, Auerbach is being interviewed by a perky girl reporter about his show which is opening tomorrow.Girl reporter is flirting with Sam. He flirts back. Lindsay looks on, plainly jealous.]Reporter: Tomorrowyour exhibition opens here. Tell me, Mr.Auerbach, why did you use Pittsburgh?Sam: Well, I didn't know agoddamn reason to come here, either will be.Reporter: I think that's all we need. This was great. Thankyou.Sam: [kisses her hand] Anytime, honey.Sam: How was I?Lindsay: OK, I guess. I wasn't reallylistening. I was working.Sam: Glad I didn't distract you.Lindsay: Not hard.Sam: You know, I have astrange feeling that I'm being ignored. Strange because I mean, let's face it, I'm not used to beingignored. In fact, I think the last time it happened I was 14, Susan Schroeder was her name. She ditched"}
+{"doc_id":"doc_307","qid":"","text":"[The Nelson House - Emma's room.](Emma (a blond girl of about 12) is sitting at her computer with herbest friend Manny (a brunette girl of about 12))Emma: Read it again Manny.Manny: Again? I've read itsix times.Emma: Just one more time. PleaseManny: Ok. \"Emma, you saved my heart and my project. Ifwe protect the wildlife refuge, I owe it all to you. Love you, Jordan.\"Emma. Love you. Love you. (Theyboth squeal) Let me see his picture again. (She scrolls down the screen on the computer and we see acute brunette boy in several pictures) He gets cuter every time we see his face.Manny: Is thatpossible?Emma: Hey Manny. Don't wreck that. I want Caitlin to autograph it. (We see a magazine with ablond woman on the cover, who must be Caitlin)[The Nelsons' House Downstairs](We see a photograph,which must be of Emma + her mom when Emma was little. The camera moves up and we see her momput it in a box.)Spike (Emma's mom's nickname): Emma! Ready to go?Emma: Just a minute.Spike: Wedon't have a minute. J.T.'s waiting for us.(Emma minimizes her e-mail from Jordan. She is trying to closeit. Her and Manny get nervous. Emma's mom enters the room.)[Emma's Room]Spike: Em, your room's adisaster. I thought you were going to clean it up.Emma: I will.Spike: And turn off that computer.Emma: Iwas just showing Manny your reunion website.(Emma brings up the reunion site. Spike takes the mouseand clicks on pictures of her and her classmates when they were at Degrassi.)Spike: (stops on a pictureof a girl) I always knew she'd made it big. (Keeps going and stops on a picture of herself with blondMohawk hair) How's that for a hair-do? Could I have been any cooler?Emma: Uh, yeah.Spike: My tenyear reunion. Wow. It's gonna be great seeing everyone again. I'm getting as bad as you guys. Come on,let's go (as she leaves, she takes the hat off Manny's head)Manny: (to Spike) That's some pretty coolstuff you collected for the reunion.Spike: Thanks. Emma now! (Emma gets up to leave and sees she hasa new e-mail) Emma! (Emma leaves)Theme song[Degrassi Community School]Spike: Thanks fordropping these off.Manny: No problem Miss Nelson. Gives us a chance to see the school.J.T.: Don't youthink we'll be seeing enough of it over the next year?Spike: You sure you can handle that?J.T.: I'm smug,but strong. Like bull.Emma: Speaking of bull...Spike: Thanks again, guys. And Em...Emma: Yes, I'll cleanmy room. She rushed me out of the house so fast, I didn't get a chance to read my new e-mail. I hopeit's from Jordan. 'Cause in the last e-mail he told me that... (Walks away talking to Manny)J.T.: Guys!Help![Inside Degrassi]Manny: That sucks about the e-mail.Emma: I know. But, Jordan e-mailed me lastnight too.Manny: Really? What'd he say?Emma: (closes her eyes) \"I got over 6,000 names on my petitionto keep the polar wildlife refuge untouched. Thanks for all your help with all this, Em, and your greatidea. You're the best.\"Manny: Wow.Emma: I suggested the petition, but Jordan did all the work. He's socommitted.Manny: Too bad he lives in Yellowknife.J.T.: Help! (He drops the boxes)Emma: J.T.! (Emma +Manny run to help him)(They start to pick stuff up. Emma picks up a photo of three guys, who wereprobably friends in a band.)Emma: People in the 80s' were weird.[Jeremiah Motors]Joey: This car is retromeets modernism, Lucy. It's got the zing of the past with the technology of the future. It's even got thatlittle bug vase that you put the flower in. It's like, Peace man, like a hippie.Lucy: Joey, ideally I'd like acar that's bigger than my laptop. I've got to move to New Mexico in this thing.Joey: This car is biggerthan it looks, Lucy, trust me, okay? Why don't we take her for a spin, we'll drop your stuff off at Degrassi,and when we get back you'll be begging me to make a deal.Lucy: Alright, alright. Tell me that's notAngela. (A little girl of about five walks up to them)Joey: Yeah.Lucy: Hey, cutie, you're practically ateenager.Joey: Can you say, \"Hi Lucy\"?Angela: Hi. (She waves)Lucy: Hi. (She waves back)Joey: Shestarts kindergarten next week, can you believe it? It's gonna be great. She really needs to be aroundother people.Lucy: Speaking of needing other people, I checked the reunion website last night. You're notconfirmed.Joey: I know. I know.Lucy: Joey, we're all really sorry your wife died, but, it's been a year. Ithink that Julia would be upset if she thought you were cutting yourself off from people.Joey: Can we...uh... Why don't I go in, get the keys and we'll go out for a spin, okay? Angela, you wanna go for a spin?Yeah, we're gonna sell Lucy a car. Yeah, yeah, yeah. (Goes inside with Angela)[Degrassi]Emma: I reallyhope you're Mr. Simpson.Archie: I am. And you must be Emma. Wow. Wow. Wow. Spike found all of thisstuff, it's amazing.Manny: Spike?Emma: My mom's nickname. Don't ask. (They put the Boxes"}
+{"doc_id":"doc_308","qid":"","text":"[PREVIOUSLY_ON]Wesley: \"Angel's son is part of the prophecy.\"Linwood: \"The Nyazian scrolls said thechild would never be born!\"Gavin: \"Darla died during childbirth.\" Darla dusts herself.Holtz: \"She sacrificedherself to save the child.\"Angel: \"I'm his only family. My job now is to be everything for him.\"Gavin: \"Wehave to get that baby.\"Gunn: \"Boogie at the back door!\"Wes: \"Everyone and everything will be comingfor him.\"Angel: \"No one is gonna put their hands on this child.\" Cordy gets thrown into the weaponscabinet by a vision.Cordy: \"These visions are killing me.\"Skip: \"Humans are not strong enough to harborthe visions! Demons are the only ones who can withstand them.\"Cordy: \"So - demonize mealready.\"Cordy: \"Right now we have to solve my vision. The one I'm having right now.\"Angel: \"Cordy...\"Cordy, floating a foot above the ground: \"What?\"Files and Records: \"Holtz, Daniel, vampire killer, ca.Seventeen fifty four.\" Holtz shows Justine the obituary of her sister, Julia Cooper.Holtz: \"Justine, I knowwhat it's like to grieve. I want to help you.\"Justine: \"I want you to stay the hell away from me.\" Justinefights the vampire in the cemetery and Holtz stakes it before it can bite her.Holtz: \"I'm here to teach youhow to fight.\"Justine: \"What's in it for you?\"Holtz: \"You help me kill a vampire.\" Shot of Angel and thegang leaving the hospital with Connor in the stroller Gunn bought.Justine: \"You don't need me forthat.\"Holtz: \"I do. This vampire is strong.\" Angel is counting loose change as he puts it into apiggybank.Angel: \"Sixty, seventy, eighty. One, two, three.\"Cordy, holding Connor: \"Angel...\" Angel raisesa hand to stop her as he picks up the piggy and locks it into the picture safe beside the desk. Fred looksup from her laptop.Fred: \"How is the Connor fund?\"Angel: \"There was a dollar eighty three in thecushions out there. That's perfectly good money just lying around. (Closes the safe) Now, how's itgoing?\"Fred: \"Moments away.\" Angel looks over Fred's shoulder at the new website for AngelInvestigations and points at the 'No Case Too Small' under the 'We Help The Helpless\" part.Angel: \"Ah.Can you make that bigger? Bold, but, you know, tasteful.\"Fred: \"Hmm. Tasteful. Sure.\"Cordy to baby:\"You are so cute! Yes, you are. You are just the best little boy in the whole world.\" Angel comes upbehind her and smiles down at Connor over her shoulder.Angel: \"How's my little man?\"Cordy: \"Oh, hewonders where his father's been.\"Angel: \"Papa's got mouths to feed.\"Cordy: \"Ah. I have a mouth, too.Always have had one. Kind of known for it and we've fed it fine for years. Yeah.\" Cordy puts Connor downin a baby carry-bed.Cordy: \"Angel - I'm glad you wanna take care of your son. I am. I just wanna makesure we don't lose sight of the mission.\"Angel: \"Well, we have to earn a living. I mean, not just forConnor, but for all of us.\"Cordy: \"I agree. But first and foremost we work for the Powers, help thehelpless. Promise me we won't neglect that.\"Angel: \"I promise. (Sees Gunn coming in) I promise. (Turnsto Gunn) Well?\"Gunn: \"Well, we hired some guys. Six thousand of these babies all over town.\" Gunnholds up a flyer with 'Angel Investigations' and their logo on it. 'We help the helpless. No case too small.Paranormal Specialists. 313-555-0126'Angel: \"Nice! (To Cordy) I'd call me, wouldn't you?\"Fred: \"Hey!The website's up. We're live.\"Angel picks Connor up: \"We're live, little guy. Come on.\" Angel walks overto the desk and turns the laptop so everyone can see the screen.Angel: \"There, beautiful. We're online.We got flyers, we got yellow pages. Ladies and Gentlemen, boys and girls, welcome to a new area ofAngel Investigations. All we have to do now is wait - for that phone to start ringing and the money tostart rolling in. (To Baby) Because someone's got to clothe and feed and educate this little guy, yeah?(Connor yawns) Yep - all we have to do is wait. - Just a matter of time. (Connor fusses) Don't you worry,this town is full of people who have problems.\" A man is running through the pouring rain. He looks backover his shoulder at some looming shadows following him on the wall of the alley behind him, and runsright into a pile of trashcans. As he picks himself back up, he sees one of Angel's new flyers. AI is stillstanding around the phone, waiting. The man, flyer in hand, runs over to a payphone, dials, listens to itring.Man: \"Come on, come on, come on!\" Split screen - the phone at AI is *not* ringing. Triple splitscreen, a guy picks up the phone in what looks like a kitchen.Guy: \"Fabrizio's Pizza.\" Fred picks up a flyerform the desk and takes a closer look at it.Fred: \"Is this the right phone number?\" Everyone turns to lookat Wesley. Intro Hyperion, day, Wes walks in, carrying a stack of flyers.Wes: \"That's the last of them. Sixthousand new ones.\" Wes stops to see what has Gunn's attention so riveted. Fred is out in the lobby"}
+{"doc_id":"doc_309","qid":"","text":"[EXT. LAS VEGAS CITY (STOCK) - LATE DAY][EXT. LAS VEGAS CITY - LATE DAY][SCENE_BREAK][INT.CHECKERBOX BAR & GRILLE - LATE DAY](People are eating at the local grille.)(ELAINE ALCOTT walks outof the restroom.)(HANK PEDDIGREW sits at a table.)(Friends wave to each other from their tables in frontof the large picture glass windows.)(FRED LYCHOCK, the Restaurant Manager, smiles at the waiter. Heturns and sees a car heading toward the restaurant at a fast speed. He stops smiling and watches thecar.)(The car doesn't stop at the light, nor does it turn. It continues through the intersection and straightfor the windows. The Restaurant Manager takes note of it and watches the car approach the windows,helpless to do anything.)(The waiter drops the tray he's carrying, his eyes fixed on the speeding car. Thebeer glasses hit the floor and shatters.)(The car crosses the sidewalk and heads straight for the glasswindows.)(The car hits the windows and doesn't stop. The people sitting at the tables in front of thewindows crash to the floor. The car plows through the windows, tables and people.)(Patrons scream asthey dive to get out of the way of the speeding car.)(The car crashes through the establishments' tables.The waiter hits his head against the car's windshield, blood spattering across the glass.)(The driver hitsthe car horn and it blares.)[SCENE_BREAK][INT. CHECKERBOX BAR & GRILLE -- NIGHT](The womandriver is slumped against the steering wheel. Fire personnel use a crowbar to get the door open.)(It'sraining outside. GRISSOM, SARA and CATHERINE walk in to the restaurant through the broken glasswindows. Emergency personnel cart away survivors on gurneys. ELAINE ALCOTT is on the gurney, herneck in a brace, as it passes the CSIs.)(BRASS speaks to someone on his cell phone as the CSI's maketheir way toward him.)Brass: (to phone) Yeah, yeah. No. All right. Yeah, hold on, hold on. (puts phoneaside) Happy hour. Joint was packed. Two fatalities, four critical.(BRASS pushes his way past them.CATHERINE stops him.)Catherine: How about the driver?(BRASS turns around to answer her.)Brass:Non-responsive.(BRASS heads out. Behind, we hear HANK PEDDIGREW giving instructions.)HankPeddigrew: (b.g.) I've got a GCS of three. I need to intubate.(SARA turns around and sees HANK workingon an injured patron on a gurney.)Catherine: (to GRISSOM) That's Sara's boyfriend.Hank Peddigrew:(looks up) Hey, Sara. Typical Thursday.(SARA looks around and notices his injury.)Sara: Hank? Yourwrist is broken.(HANK looks down at his wrist as if noticing it for the first time. He stops trying to intubatethe patron.)Hank Peddigrew: Larry, take over, will you?Larry: I got it, Hank.[SCENE_BREAK](TheFireman gets the car door open with the crowbar.)Grissom: The car's dry. This must've happened rightbefore the rain.(The Fireman checks out the old woman driver.)[SCENE_BREAK](HANK assists LARRY ashe intubates the patron.)Sara: What happened?Hank Peddigrew: I was sitting at the table. Next thing Iknew ...Fireman: (b.g.) I got a heartbeat!(HANK looks up and rushes to give aid. He hurries past SARAand heads for the car.)Hank Peddigrew: Excuse me.(He runs past CATHERINE and GRISSOM. They bothwatch him as he pushes the Fireman aside to check on the old woman driver.)Catherine: Some happyhour, huh?Grissom: I think happy hour's over.HARD CUT TO END OF TEASER ROLL TITLECREDITS[SCENE_BREAK][INT. CHECKERBOX BAR & GRILLE - NIGHT](It's dark and still raining outside.The EMT and other Personnel are still processing the scene.)(GRISSOM is on his cell phone looking intothe car. CATHERINE takes pictures.)(LARRY is sitting down in front of HANK, attending to his brokenwrist.)Sara: (to LARRY) Mind if I take over?Larry: No, go ahead.(LARRY stands up and SARA takes hisplace. She sits in front of HANK and continues to tape up his wrist.)Sara: You okay?Hank Peddigrew:Yeah. I didn't think I'd see you tonight.Sara: (smiling) So that's what all this is about.Hank Peddigrew:Thanks.Sara: Any time.Hank Peddigrew: Listen, I got to head over to the hospital, and I'm sure you gotto get back to work.Sara: Yeah, but ... will you call me if you need anything? My cell will be on.Anything.(SARA and HANK stand. HANK leaves. SARA turns around and walks towardGRISSOM.)Grissom: You and Catherine are running the evidence on this. Warrick just got done withInternal Affairs. He's on his way.Sara: Okay.Grissom: You need to talk to the Restaurant Manager,too.Sara: Anything else?Grissom: No.Sara: Where are you going?Grissom: I got gas.Sara: (nods, but isstill confused) Oh.(GRISSOM takes a step past SARA, stops, and explains over her shoulder.)Grissom:Residential gas leak in Henderson.(GRISSOM leaves. SARA heads for FRED LYCHOCK, The Restaurant"}
+{"doc_id":"doc_310","qid":"","text":"Barney's OfficeTed from 2030: Kids, as you know, I was designing Goliath National Bank's newheadquarters on the site of this old hotel, The Arcadian. Problem was, some people didn't want TheArcadian torn down. Even bigger problem, they were led by my girlfriend Zoey.(Outside, Zoey and hersupporters are protesting)Crowd: G-N-B is the e-ne-my!Zoey: (She sees Ted at the window) Oh, hangon, hang on, hang on! Hey, sweetie! Are we still on for dinner at 8:00 at Valenzisi's? That's great! I can'twait!Crowd: That's great. I can't wait! That's great. I can't wait!Ted from 2030: But somehow, Zoey and Iwere making it work.At the BarBarney: Ted, why are you dating our arch-enemy?! I mean, Wile E.Coyote wasn't trying to sleep with the Roadrunner.Robin: Or maybe he was. Think about it. The way thatshe bats her eyelashes and shakes her tail feathers in his face? (chuckles) She wants it.Lily: Isn't it hardfor you guys to be on opposite sides of something like this?Ted: Of course you feel that way, Lily. Youand Marshall have basically melded into one big hermaphroditic blob. And that's fine for you guys. Butsome of us want a partner who challenges us to grow and evolve.Lily: You guys are in screaming matchesall the time.Ted: Uh-uh, uh-uh, uh-uh. Growing matches.Ted from 2030: It was true. Zoey and I loved tochallenge each other.[FLASHBACKS](Ted and Zoey are watching the TV)Ted: The main character is ayoung spoiled prince thrust into leadership after the death of his father. It's obviously a modern-dayretelling of Henry IV!Zoey:Are you kidding me?! It's Don Quixote...the classic quest story with thehero-jester and his long-suffering manservant!Ted: Okay, clearly, when we're watching Tommy Boy,we're watching two different movies.(Later, Ted is on the phone with Zoey)Ted: No, you hang up.Zoey:No, you hang up.Ted: No, you hang up.Zoey: No, you hang up.Ted: No, you hang up! (Later) No, youhang up.Zoey: No, you hang up.Ted: No, you... (His phone starts beeping) Hold on. (beep) Hello?Robin:For the love of God, will one of you idiots hang up the phone?Ted: Why would you do that?!Zoey:I-Ithought you'd like it.Ted: Who likes that? Zoey:I like it.Lily: Your relationship sounds exhausting.Ted:Well, maybe yours is a bit lazy.Lily: Marshall and I have been together 15 years, and the only debatewe've had about Tommy Boy is whether it's awesome or super awesome. That's love, bitch.[OPENINGCREDITS]Ted from 2030: Now around this time, Marshall had truly come to hate his job. He hated thepaperwork. He hated the coffee. He hated the dirty jokes. He hated everything.At the BarMarshall: I haveto quit.Barney: Quit GNB?! Why?Marshall: I need to do better things with my life, okay? There's-There'san opening for an environmental lawyer at the National Resources Defense Council. Sure, it pays less, butI'd be saving the oceans, saving endangered species...Barney: Saving chicken bones and an old boot tomake hobo soup? Marshall, you can't pay your mortgage with Hacky Sacks and good vibes.Lily: Baby,you have my full support.Barney: Well, then, you're not going to be able to pay for that trip to Spain thatyou've been planning. (Barney snickers) Say good-bye to riding around in gondolas, and eating bratwurstand seeing the pyramids.Robin:I don't think you know what Spain is.Barney: Well, I know that a tripthere costs some serious lira.Ted: It's dinero.Barney: Where? I want his autograph!Ted from 2030: SoMarshall walked in the next morning all ready to quit. But then something weird happened. Suddenly, hedidn't hate the paperwork. He didn't hate the coffee. He didn't even hate the dirty jokes. Out of nowhere,Marshall actually liked GNB.Robin: It's graduation goggles.Marshall: What? Robin:Graduation goggles,like with high school. It's four years of bullies making fun of all the kids with braces, even after the bracescome off and they can walk just fine. But then, on graduation day, you suddenly get all misty becauseyou realize you're never going to see those jerks again. I just had graduation goggles with that guyScooby I dated.Lily: The guy who was basically a dog? Robin:He was the worst kisser I've ever been with.But the moment I decided to dump him...I suddenly got kind of wistful. (as speaking to a dog): He was agood boy.Barney: Yeah. I've been there, too. Every time I'm done having s*x with a woman, at first,Inever want to see her again. No, that's pretty much it. Robin:The point is, you can't trust graduationgoggles. They're just as misleading as beer goggles, bridesmaid goggles, and that's-just-a-bulky,outdated-cell-phone in-his-front-pocket goggles. That one was a bummer.Marshall: You're right.Tomorrow, I'm quitting GNB.Barney: No! You can't quit tomorrow! The lady with the big nipples is comingback to give another sexual harassment seminar, and I bribed one of the maintenance guys to keep the"}
+{"doc_id":"doc_311","qid":"","text":"[PREVIOUSLY_ON]Zachariah: What about Boyd?Boyd ain't nothing like Bowman.Zachariah: Yeah, he's aCrowder. That's awful strange talk seeing as you're here working for him.Ava: My uncle ... you sure hecouldn't have made it out of that mine?Carl: Even if he survived the blast, the rockfall cut him off fromthe entrance.Probably got turned around in the dark.Ava: Zachariah got turned around?Art: You wantsome advice? Bring Raylan in. See if you can confirm what your gut is telling you.Rachel: Is that whatyou'd do? You'd let it go. Wouldn't risk the case just to save your own ass.Mike: When I asked you howlong you'd been snitching to the marshals, you said, \"this time.\" The other time was about Grady Hale,right?Duffy: You just figured that out all by yourself, Mikey?[laughs]Duffy: Aah![handcuffs click]Mike: Ms.Hale, please call me as soon as you get this.Boyd: Ripping you off ... that was her idea of payback for youmurdering her husband.I just thought you'd wanna know. Baby?[gunshot][grunts]Raylan: What did youdo?Ava: I gave you what you always wanted, Raylan ...Boyd Crowder bleeding at your feet. I'm gonnacome after you.Ava: I know.Rachel: I know your deputies just got back to Atlanta, but we need as manyas you can spare. We've got a new number one. Ava Crowder. Jerry, I'm gonna have to call you back.Art:[exhales sharply][indistinct conversations]Rachel: How bad is it?Art: Well... I shaved.The director called.Tried to tell her that I was the shot caller on this from my sickbed, that I just couldn't let it go, butapparently you'd already talked to her.Rachel: I'm the one who approved Ava as a C.I. and Raylan as herhandler. It's only right I take the hit.Art: I wish you'd called me first.Rachel: Am I suspended?Art: Hell,no. Not gonna sideline one of my best manhunters in the middle of a manhunt. What the hell's the statuswith Crowder?Rachel: Nelson's sitting on him at Harlan regional medical until they get the bullet out andwe can move him.Art: Well, you do realize you accomplished something that I was never able to do allthese years.Rachel: Let an untrustworthy C.I. get away with $10 million?Art: You got BoydCrowder.Boyd: Aah! Aah, aah, aah.Doctor: Irrespective of you being shot, you are what doctors call onelucky son of a bitch.Yeah, well, I don't feel so lucky at the moment. [groans]Doctor: Slug splintered onyour collarbone. Hair South, your lungs'd be torn to shreds. We got in there, tied things up. It could beworse.Raylan: You give us a minute, doc?Doctor: You're not the one shot him, are you?Raylan: No, I'mthe one who got him here.Boyd: [exhaling deeply] Ain't exactly true, is it? What you told him aboutbringing me here. Well, I called it in, made sure they knew you were emergent.Boyd: You handcuffed meto a bumper, you left me there without so much as a fare-thee-well.Raylan: You could hear the sirens ontheir way. Must have given you some solace.Boyd: I don't suppose you've come to tell me you've foundher.Raylan: I found her truck some down the road, abandoned. No sign beyond. Gotta suck, be that closeto the prize, have it shot out of your hand. I kinda know how you feel.Boyd: No, you don't. I don't believein a world where you know how I feel.Raylan: I didn't realize disappointment was a domain exclusiveunto Boyd Crowder. Well, Raylan, if we're gonna play it that simple, then let's talk about yourdisappointments. What disappoints you, Raylan Givens? The fact that you weren't the one who got toshoot me? Where is she goin'?Boyd: Well, you wheel me outta here, I'll take you straight to her.[chuckles] That's funny.Boyd: Oh, well, it doesn't have to be funny. Come on, Raylan. Me and you, onemore ride together. See if we can't find a reasonable solution to our problem. But which is our problem,exactly? The money or Ava?Boyd: Well, ain't they the same problem, Raylan?Raylan: Are they toyou?Boyd: I'm gonna get outta here, Raylan.Raylan: Mm-hmm.Boyd: Sooner or later, one way oranother, I'm gonna get outta here, and when I do, I'm gonna go get that money.Raylan: Which sets meto thinking, How long you think she's got? Long enough for you to execute your great escape? Get to herbefore Markham and his boys do? Then I got to wonderin' further what they're gonna do to her if they getthere first.Boyd: Well, maybe she has whatever that is coming.Raylan: Oh. I see. And you're cool withthat? Them dishing out retribution however they see fit?Boyd: Are you?Raylan: My, my.Boyd: You know,Raylan...Zachariah Randolph.Raylan: Come again?Boyd: It's her uncle. I think that's the man you'relooking for.[monitor beeping steadily]You think he's helping her?Boyd: Well, if he ain't died down one ofthose shafts, Raylan, then... I don't believe he has. That'd be my first stop.Raylan: See you at thearraignment.Tim: You get anything?Raylan: Maybe a place to start.Nelson: Heard she pulled Boyd's gun"}
+{"doc_id":"doc_312","qid":"","text":"TERMINUSBY: STEPHEN GALLAGHERPart ThreeFirst Air Date: 22 February 1983Running time:24:39[SCENE_BREAK]DOCTOR: I'd appreciate some help.KARI: Is it a machine?DOCTOR: No. He'swearing radiation armour. Keep him covered.KARI: My power pack's dead.DOCTOR: Comeon.[SCENE_BREAK]DOCTOR: Let me have your radio.KARI: It's always the same pattern.DOCTOR: Well,at least the level's acceptable, for the time being. Come on.[SCENE_BREAK]NYSSA: Are you incharge?EIRAK: Be quiet.NYSSA: Please listen.EIRAK: Shut the door.INGA: You'll get nothing out of them.They're not interested.NYSSA: I've got to make them understand.INGA: You can't even bribe them. Theonly thing they care about is Hydromel, the drug that keeps them alive.NYSSA: What are they going todo with us?INGA: Supposedly cure us, but I rather think they're going to let usdie.[SCENE_BREAK]SIGURD: Lazar assessment from tank three, Eirak.EIRAK: Coloured water. They mustthink we're fools. They've even reduced the size of the consignment.SIGURD: Why the cutback?EIRAK:Maybe our performance is down.SIGURD: But we process everyone who comes here. Why doesn't theCompany send someone to see the conditions we work under?EIRAK: Maybe they already have. We areslaves. The Company doesn't need to tell us anything.VALGARD: Intruders. I saw two people down in thestockyard, a man and a girl. They went into the Forbidden Zone.EIRAK: Lazars?VALGARD: No. No, theywere too fit. And they were armed.SIGURD: Agents from the Company.EIRAK: Why didn't you stopthem?VALGARD: I tried.SIGURD: Why are they in the Forbidden Zone?EIRAK: The perfect place to hide.We never go there. As the Company has decided to cut back our supply of Hydromel, it is in our owninterest to learn why. If the couple in the Forbidden Zone are from the Company, their knowledge isvital.VALGARD: How do we find them?EIRAK: Someone must go after them.VALGARD: Why don't you?You're supposed to be our honoured leader.EIRAK: I'm needed here.VALGARD: So you keep telling us,although I sometimes wonder whether we need you at all.SIGURD: Valgard!EIRAK: You think you couldbe better?VALGARD: Yes.EIRAK: All right, I'll make you an offer. Bring back the spies and I'll step downin your favour.VALGARD: I have your word on that?EIRAK: You have the Vanir as your witness. Think ofit as a bet. If you're ambitious enough, you'll accept it.VALGARD: All right, agreed.EIRAK: Thengo!SIGURD: He'll die in the Forbidden Zone.EIRAK: He hates me. He'll succeed.SIGURD: And you willgive him what you say?EIRAK: Of course.[SCENE_BREAK]INGA: There's no way out, just as there's nocure. It's hopeless.NYSSA: Tell me about the Forbidden Zone.INGA: You don't give up, do you.NYSSA:Tell me.INGA: I only know what I've heard. It's where the radiation's too strong for them, and wherewe're supposed to be cured.NYSSA: And what's the Garm?INGA: You'll find out soonenough.[SCENE_BREAK]SIGURD: They're starting to move the Lazars. Tank three.OLVIR: I'll be down ina moment.[SCENE_BREAK]SIGURD: I've just come from the equipment store. I think we have a thirdintruder.EIRAK: Excellent. Carry on with those.EIRAK: It seems Valgard's mission was unnecessary afterall. Come on, we'll apprehend this one ourselves.[SCENE_BREAK]DOCTOR: Why do the crew put up withsuch a radiation leak?KARI: It could be part of the cure.DOCTOR: Olvir said there wasn't one. So, whydon't they repair it?KARI: They may not know how to.DOCTOR: Hmm. Radiation. Fallout. Now that's athought.KARI: What?DOCTOR: Nothing. Just an idea worth pursuing.[SCENE_BREAK]EIRAK: You. Turnaround.EIRAK: You fool.SIGURD: But it spoke.EIRAK: Perhaps you're developing the Lazardisease.[SCENE_BREAK]VALGARD: I'm going.[SCENE_BREAK]EIRAK: It's hardly touched. Take her first,then.SIGURD: You.NYSSA: No. No, wait. Others are worse than me.EIRAK: The fit ones go first. Takeher.NYSSA: No. No, please. No.[SCENE_BREAK]DOCTOR: What is it?KARI: I can hear someonesinging.[SCENE_BREAK]TURLOUGH: Tegan.TEGAN: What?TURLOUGH: If ever you had to kill someone,could you do it? Could you?TEGAN: No. I don't know. If it was important, to save my friend, to defendmyself.TURLOUGH: But cold-bloodedly?TEGAN: You're weird, Turlough. What a subject to bring up at atime like this. Come on, let's find the control room.GUARDIAN (OOV.): You are a fool,boy.[SCENE_BREAK]KARI: Who is it?DOCTOR: Well, he seems happy enough. Let's find out.KARI:No.DOCTOR: He's hurt. Hello, I'm the Doctor. Can I help?BOR: Most kind. Yes. A burden is a, er,something or other. Most kind. Thanks. This way.BOR: The cold ground. Rest in"}
+{"doc_id":"doc_313","qid":"","text":"Spike: Come on Twilight, you can do it!Twilight: Okay, here goes.(poof)Spike: Ha-HA! You did it!Growingmagic. That's number ! Twenty-five different types of tricks and counting. (pleased) And I think this is thebest trick so far. (suave) Hello, Rarity. What's that? Aw, it's nothin', just my AWESOMEmoustache!(chuckles)Twilight: Sorry, Romeo. As attractive and enticing as you look, it's just for practiceand it's gotta go.Spike: Wait! (poof, crestfallen) Aw, rats...(Twilight giggles)(theme song begins) My LittlePony, My Little Pony, ah, ah, ah, ah,(My Little Pony) Twilight: I used to wonder what friendship could be(My Little Pony) Until you all shared its magic with meRainbow Dash: Big adventurePinkie Pie: Tons offunRarity: A beautiful heartApplejack: Faithful and strongFluttershy: Sharing kindnessTwilight: It's aneasy featAll: And magic makes it all complete, yeah (My Little Pony) Do you know, you're all my verybest friendsSpike: Twenty-five, Twilight! Twenty-five different kinds of tricks and counting. I thoughtunicorns were only supposed to have a little magic that matches their special talent.Twilight: True, forponies whose talents are for things like cooking or singing or math, but what if a unicorn's special talentIS magic?Spike: Like you, Twilight! And you know a TON of magic.Twilight: (embarrassed) Oh, Spike,stop. I'm sure there are lots of ponies right here in Ponyville that know just as much magic asme...Spike: Are you kiddin'?! I don't think there's another unicorn in all of Equestria with your kind ofability, Twilight.Snails: (heavy Canadian accent) Gaaaangway! Comin' through!(Spike grunts)Spike:Snips...Snails...w-what's going on?!Snails: Why, haven't you heard?(Spike yelps, crashes)There's a newunicorn in town!Snips: (hyperventilating) Yeah! They say she's got more magical powers than any otherunicorn EVER!Twilight: Really?Spike: Aw, no way. That honor goes to Twilight here!Twilight: Where isthis unicorn?Trixie: (amplified) Come one! Come all! (trilling r's) Come and witness the amazing magic ofthe Grrreat and Powerrrful Trrrrixie!(ponies ooh and ahh)(theatrical) Watch in awe as the Great andPowerful Trixie performs the most spectacular feats of pony magic ever witnessed by ponyeyes!(pyrotechnics burst, fanfare plays)Rarity: (unimpressed) My, my, my! What boasting!Spike: Comeon, no pony's as magical as Twili- (flustered) Twi- Twi- O-oh! (clears throat)(bashful) Hey, Rarity, I, uh...MOUSTACHE!Twilight: There's nothing wrong with being talented, is there?Applejack: Nothin' at all,'ceptin' when someone goes around showin' it off like a school filly with fancy new ribbons.Rarity: Justbecause one has the ability to perform lots of magic does not make one better than the rest ofus.Rainbow Dash: Especially when ya got me around bein' better than the rest of us. (chuckles) Uh, Imean, (unconvincing) yeah, uh, magic-shmagic! Boo!Trixie: Well, well, well. It looks like we have some(neighing) neigh [nay] sayers in the audience! Who is so IGNORANT as to challenge the magical ability ofthe Great and Powerful Trixie?! Do they not know that they're in the presence of the most magicalunicorn in all of Equestria?!Rarity: (raspberry) Just WHO does she think she is?Spike: Yeah! Since we allknow that Twilight here is-Twilight: (whispering) Spike! Shh!Spike: What? What's wrong?Twilight: Didyou see how they reacted to Trixie? I don't want anyone thinking I'M a showoff!(drumroll, fanfare,pyrotechnics)Rainbow Dash: So, \"Great and Powerful Trixie,\" what makes you think you're so awesome,anyway?Trixie: (self-amused chuckle) Why, only the Great and Powerful Trixie has magic strong enoughto VANQUISH! THE DREADED!URSA MAJOR!(fanfare, pyrotechnics)(audience ahhs)Snips: What?! Snails:No way!Trixie: When all hope was lost, the ponies of Hoofington [Huffington] had no one to turnto,(robotic growling) but the Great and Powerful Trixie stepped in,(mechanical growling) and with herawesome magic(static fizzle) vanquished the Ursa Major and sent it back to its cavedeep within theEverfree Forest!Snips: Aw, sweet!Snails: Sa-weet!Snips: That settles it.Snails: Trixie really is the mosttalented, most magical, most awesome unicorn in Ponyville.Snips: No! In all of Equestria!Spike: Howd'you know?! You didn't see it! And besides, Twi- (zip) Mmf! Mmf!(haughty chuckle)(stroking ego) It'strue, my enthusiastic little admirer. Trixie is most certainly the best in Ponyville!(crickets chirping)Wellthen, I hereby challenge you, (derisively) Ponyvillians:(boastful) Anything you can do, I can do better.Any takers? Anyone?Or is Trixie destined to be the greatest equine that has EVER LIVED?!(fanfare,pyrotechnics)Spike: (unzips mouth, pleads) Ple-e-ease! She's unbearable! You gotta show her! You justgotta! (sobs)Twilight: (whispering) There's no way I'm gonna use my magic now, Spike! Especially"}
+{"doc_id":"doc_314","qid":"","text":"PAUL ERICKSON & LESLEY SCOTT05:15pm-05:40pm[SCENE_BREAK]1: INT. ARK. CONTROLDECKZENTOS: (Shouts.) I invoke the special galactic law against them. Hold them! Take them intocustody and later they will be made to answer for the crime that they have committed!STEVEN: Look,listen to us...ZENTOS: Take them away!(The travellers are dragged away. ZENTOS steps down and goesover to where MELLIUM is tending to her near-unconscious father. Other Guardians surroundthem.)MELLIUM: What about my father?ZENTOS: He may well die, but then again, so might all of us.(Theother Guardians react with shock to this statement.)ZENTOS: In which case, it was pointless leaving.(Heturns and looks at the giant monitor screen on which is shown the Earth as it travels on to itsdoom...)[SCENE_BREAK]2: INT. ARK. TRAVELLER'S ROOM(The travellers have been placed in a basicallyfurnished room. The DOCTOR is looking through a small window in the locked door. STEVEN rests on apadded bench whilst DODO sits at a table.)STEVEN: What do you think they'll do to us Doctor?DOCTOR:(Turns.) Well, I'm not sure, dear boy. We shall just have to wait and see.DODO: (Upset.) It's all my fault.If I'd known it was going to be like this, I'd never have come.DOCTOR: Well you did come, my dear, soit's too late to be worry about that - and stop sniffling!DODO: I'm not sniffling - it's me nose runningagain! Anyway, I'm feeling better now but I don't suppose anyone cares.DOCTOR: But of course theycare, my dear. Now don't worry. It's not your fault at all. If it's anybody's, it's mine.STEVEN: Look, doyou think this has happened before? That we've carried an infection from one age to another, or even oneplanet to another?DOCTOR: Oh, I don't want to think it...about it, too...dear boy, it's too horrifying.Though I must say that we're usually very healthy.(DODO coughs and sneezes behind him.)STEVEN: It'llspread through the whole ship, become an epidemic.DOCTOR: Well that depends on the strength of thevirus infection.DODO: (Crying.) If it's half as bad as my cold was, it will.DOCTOR: Oh, do blow your nosechild! It's running all over the place.DODO: No, it isn't. I'm crying this time!(The DOCTOR is momentarilyat a loss. Then he puts his arm and across the young girls shoulder and pats her gently.)DOCTOR: Welllook, my dear, do try and rest, you know you may be feeling better but your far from cured, hmm?(Hecrosses to the door.)DOCTOR: Oh, if only those wretched Guardians would let us out of here. I'd be ableto help, mm? Hmm![SCENE_BREAK]3: INT. ARK. CONTROL DECK(MANYAK signs to a MONOID asZENTOS looks at monitor screens on the control desk.)ZENTOS: Look.(MANYAK signals to the MONOID togo, then he turns and joins ZENTOS in looking at a small monitor.)ZENTOS: That's another victim. It'snot showing any signs of abating.(The monitor shows a MONOID on the transporter collapsing at the baseof the statue. Two Guardians rush to assist. ZENTOS adjusts a control and the image changes.)ZENTOS:And look!(The image now shows the jungle outside the TARDIS. A MONOID collapses against theship...)[SCENE_BREAK]4: INT. ARK. JUNGLE(...and then falls on the jungle floor. It gives out agonisedcries in its death throes, then lies still.)[SCENE_BREAK]5: INT. ARK. CONTROL DECKZENTOS: That'sanother victim...another death, and more human Guardians have also been taken ill. Thank heaven noneof them has died yet.MANYAK: What will happen if one does?ZENTOS: It'll be disaster. Each man has hisallotted task. No one had reckoned on this eventuality.MANYAK: There must be something we can doabout it.ZENTOS: Our micro-virologists are trying to find the answer. One of them is with the Commandernow.(They look across the control deck to a closed room, outside of which are two MONOIDS onguard.)[SCENE_BREAK]6: INT. ARK. COMMANDER'S ROOM(The COMMANDER lies delirious on his bed.MELLIUM tends him watched by RHOS, a micro-virologist and a MONOID. All three wear perspex mouthmasks to protect them from the germs. RHOS takes MELLIUM to one side. They takes their masks off tospeak.)MELLIUM: Is there nothing you can do?RHOS: Unfortunately, the data covering this type of feverwas lost long ago. In the primal wars of the tenth segment.COMMANDER: (Weakly.) Mellium...(She putsher mask back on and crosses to her father.)MELLIUM: Yes father?COMMANDER: (Weakly.) I seem to bedrifting back and forth...unconsciousness...to moments of sudden clarity.MELLIUM: Perhaps it's betterthat you shouldn't talk.COMMANDER: No...must, I must... Promise me, Mellium, should anything happento me...MELLIUM: Oh, you mustn't talk this way!COMMANDER: Should anything happen, do all in youpower, along with the others...to make sure the voyage continues.MELLIUM: Of course,"}
+{"doc_id":"doc_315","qid":"","text":"CASTJames Van Der Beek: Dawson LeeryKaite Holmes: Joey PotterJoshua Jackson: Pacey WitterMichelleWilliams: Jen LindleyMeredith Monroe: Andie McPheeKerr Smith: Jack McPheeEvelyn \"Grams\" Ryan: MaryBeth PeilGareth Williams: Mike PotterGail Leery: Mary-Margaret HumesMitch Leery: John WeselyShippAbby Morgan: Monica KeenaWritten by Mike White Directed by David Semel(Outside Dawson'shouse -- Joey and Dawson are walking back from the wedding.)Joey: (laughing) Dawson...(He laughs andthey kiss, heading towards the ladder.)Joey: 'K, are you sure this is a good idea?Dawson: Jo, don'tanalyze this, okay?(They kiss again.)Joey: Right, don't analyze.Dawson: We don't need to discussthis.(They kiss again at the foot of the ladder, this time longer and more passionately.)Dawson: K? Let'sgo upstairs.Joey: (smiles) Okay.(She starts climbing the ladder and Dawson stares up after her smiling.Cut to Joey climbing through his window and Dawson following, kissing and giggling the whole way,oblivious to Jen sitting on the bed. Dawson starts kissing Joey's neck and she notices her.)Dawson:Jen?Joey: What's wrong?Jen: (mumbling..almost deliriously) Abby...and I were on the dock and ....andwe were up there ...and we...we were drinking ...and she ...fell back and hit her head ...and she ...shedrowned. (pauses) Abby's dead.(Joey is shocked, as well as Dawson, and she goes and sits next to Jenon the bed and puts her arm around her as Jen starts crying.)(OPENING CREDITS)(Cut to Joey lookingthrough an old photo album of pictures of her with her mother. She has a tear rolling down her face. Herdad walks out.)Mr.Potter: (looking at the pictures) Seems like a lifetime ago. Your mother loved thatdress. I told her to take it back, too expensive. She went out and bought two of em just like it justdespite me.(Joey cracks a small smile.)Mr.Potter: That was your mother. Why are you looking atthis?Joey: This girl at my school died on Saturday night. She drowned.Mr.Potter: Joey, that's terrible.Were you two close?Joey: No, not particularly. She was sort of a nightmare. But it's, uh, sort of got methinking...remembering.Mr.Potter: Joey, we, uh, never really talked about your mother or herdeath...Joey: (obviously avoiding) Well, uh, it's getting late and I have to be getting to school so...(Shegets up and takes her cup back into the kitchen and grabs her bag. Cut to Capeside High. Jen's walkingthrough the hallway to her locker and everybody's staring at her. Cut to a group of kids sitting in a circlearound a counselor. Pacey, Andie, Jack, and Jen are included.)Counselor: Hi, my name is Elizabeth, andI'm a grief counselor. I'm here to facilitate a discussion about Abby. I know you've all be dealt a heavyblow, but by sharing your feelings with each other, it could aid in the long, and difficult, process we callgrieving.(Pacey's biting his nails, obviously unconcerned about the whole thing as Andie stares aroundthe room and Jack just looks bored.)Girl: I'd like to make an announcement. The Girls' Service League isdistributing yellow arm bands that we're wearing in Abby's memory. If anyone would like an arm band,please meet me in the cafeteria at lunchtime.(Jen just laughs unbelievably at the concern. Jack scratcheshis nose.)Counselor: Jennifer. I was told that you were a close friend of Abigail's. Would you like to talkabout some of the feelings your experiencing?Jen: No.Counselor: That's perfectly okay. I understand.Andie? Did you know Abigail?Andie: Yeah, I did.Counselor: Can you talk about your feelings?Andie: Well,um...I guess I'm feeling shocked. I mean she was so incredibly alive and she had such a great spirit.It's-it's really a tragedy.(Jen is disgusted by these fake feelings of concern so she grabs her things andstorms out.)Counselor: Jennifer?(Cut to the cafeteria. Dawson is watching the girl hand out the yellowarm bands.)Girl: Thank you so much for honoring Abby's memory.(Joey comes over.)Joey: Hey.Dawson:(smiles) Hey.Joey: Listen, I know we have a lot to talk about concerning the other night but..Dawson:Listen, Joey, could we just not ...go there...right now? Because I mean there's ...a lot going on and wecan analyze this to death later just...Joey: Right. (Joey kind of looks around and scoots in closer.)Dawson, the truth is, I never really liked Abby.Dawson: Ditto.Joey: I actually despised her.Dawson: It'sweird. I mean, Abby was weird, that she died was weird, the way she died was weird. I can't evenimagine what the funeral's going to be like.Joey: I'm not going.Dawson: You're not?Joey: The last funeralI went to was my mom's. I mean, I haven't even gone to her gravesite. I think going to Abby's funeralwould just open this Pandora's Box of emotions that, frankly, I'd rather keep sealed tight.Dawson:(tentatively) Joey...your mother died three years ago. If you have these feelings you haven't dealt with,"}
+{"doc_id":"doc_316","qid":"","text":"[Elena's car.]STEFAN (PHONE): Elena. It's Stefan. I know that picture must have confused you. But I canexplain. I need to explain. Please, when you get this, call me.Elena has an accident. She collided a man.Her car is back to front but Elena has nothing. She sees the man getting up.ELENA: Aah! Aah! Aah! Theman disappears.DAMON: How ya doing in there?ELENA: Damon?DAMON: You look stuck.ELENA: My seatlt.DAMON: Let me get you out of there. I want you to put your hands on the roof. Just like that. Youready? ...2, 3. I got you. Are you ok? Can you stand? Anything broken?ELENA: Uh-uh.DAMON: Whoa,you're fading fast, Elena. Elena, look at me. Focus. Look at me. Ok.ELENA: I look like her.DAMON: What?Upsy-daisy. Damon leaves with Elena in his arms.[Alaric's House.]ALARIC: I found one. After years ofreseah and study, there it was right in front of me. I was terrified. As I stared it in the eyes, I drove astake through its heart. I was right about Mystic Falls. There is evil here. I can sense it. Feel it. It'severywhere.He is watching a photography of a youg woman, probably his girlfirend.[Flashback.]ALARIC'SGIRLFRIEND: Mmm. It's not even 7:00 yet.ALARIC: Which means you shouldn't be awake for at least 6hours.ALARIC'S GIRLFRIEND: I hate morning people.ALARIC: I'm going to be home te tonight.ALARIC'SGIRLFRIEND: Mm love you.ALARIC: And I love you too.[Damon's car. Elena wakes up]DAMON:Morning.ELENA: Where are we?DAMON: Georgia.ELENA: Georgia? No, no. No, we're not. Seriously,Damon. Where are we?DAMON: Seriously, we're-- we're in Georgia. How ya feeling?ELENA:I--I--DAMON: There's broken bones. I checked.ELENA: But my car. There was a man. I hit a man. Butthen he got up and--who was that?DAMON: That's what I would like to know.ELENA: Where is my phone?Ok. We really need to go back. Nobody knows where I am. Pull over. I mean it, damon. Pull over! Stopthe car!DAMON: Oh you were so much more fun when you were asleep.He stops the car.DAMON:Hey.ELENA: I'm fine. We have to go back.DAMON: Oh come on. Look. We've already come thisfar.ELENA: Why are you doing this? I can't be in Georgia. I wrecked my car. I have to go home. This iskidnapping.DAMON: That's a little melodramatic, don'you think?ELENA: You're not funny. You can't dothis. I'm not going to Georgia.DAMON: You're in georgia. Without your magical necklace I might add. Ican very easily make you...Agreeable.ELENA: What are you trying to prove?[Elena's cell phonerings.]ELENA: That's my phone.DAMON: Mmm. It's your boyfriend. I'll take it. Elena's phone.STEFAN:Where is she? Why do you have her phone? Is she ok?DAMON: Elena? She's right here. And, yes, she'sfine.STEFAN: Where are you? Let me speak to her.DAMON: He wants to talk to you.ELENA:Uh-uh.DAMON: Yeah. I don't-- I don't think she wants to talk to you right now.STEFAN: Damon, I swearto god, if you touch her--DAMON: You have a good day. Mm-hmm. Bye-now.STEFAN: Argh!ELENA: Look.No one knows where I am. Can we please just go back?DAMON: We're almost there.ELENA: Where isthere?!DAMON: A little place right outside of Atlanta. Oh, come on, Elena. You don't wanna go back rightnow. Do you? What's the rush? Time-out. Trust me. Your problems are still going to be there when youget home. Look. Step away from your life for 5 minutes.ELENA: 5 minutes. Am I going to be safe withyou?DAMON: Yes.ELENA: Will you promise not to do that mind control thing with me?DAMON:Yes.ELENA: Can I trust you?DAMON: Get in the car. Come on.[Jeremy and Alaric.]JEREMY: Hey, Mr.Saltzman.ALARIC: Hey, Jeremy. I, uh--can't find my ring. I took it off for the gym and thought I put it--there it is.JEREMY: Losing family heirlooms-- bad.ALARIC: How's your extra credit coming? You pick atopic yet?JEREMY: Mystic Falls, the cil war era.ALARIC: What's the angle?JEREMY: My family-- I found ajournal of an anstor who lived in the 1800s. And the Gilberts were one of the original founding families ofMystic Falls. So...ALARIC: That sounds good.[Stefan and Bonnie.]STEFAN: Bonnie.BONNIE:StefanSTEFAN: Hey.BONNIE: Hi.STEFAN: I haven't seen you lately. How are you doing witheverything?BONNIE: I'm fine. It's all fine.STEFAN: Good. YeahBONNIE: Are you back in school?STEFAN:No. Actually I came here to find you. I s hoping you could help me with something. A spell.BONNIE:Stefan, look, I know Elena's ok with all of this, and I appreciate what you did to help me. But I'm notreally ready to dive into it with you just yet.STEFAN: I understand. But I need your help. It's Elena. She'swith Damon. I have Elena's necklace. I was just hoping you could use this to make some sort of aconnection. I just need to know that she's ok.BONNIE: How do you know I can do this?STEFAN: Because"}
+{"doc_id":"doc_317","qid":"","text":"[Scene: The Hospital, Phoebe is arriving with Ross, Joey, and Rachel in tow.]Phoebe: (to the nurse)Hi.Nurse: Hi.Phoebe: Hi, yeah, hi! I'm umm, Phoebe Buffay, and I have babies coming out of me.Nurse:Okay. Have you started having contractions?Phoebe: Not yet. Umm, I heard they really hurt, do theyhurt?Nurse: Well...Phoebe: Oh my God!Ross: It's all right.Nurse: Now, which of you is the father? (Pointsto Joey and Ross)Phoebe: Oh no, none of them are the father. The father is my brother.Nurse: (not surewhat to do with that) Okay...Rachel: I am so gonna miss watching you freak people out like that!Joey:Okay, uh Pheebs, quick. Look! This (His video camera) is for the babies to look at someday, so is-is thereanything you want to say? Y'know before it all starts?Phoebe: Oh, okay, umm, hi kids! Um, it's me, AuntPhoebe. I can't wait to see you. Please don't hurt me!(Monica and Chandler come running in.)Ross: Hey,what took you guys so long? Your cab left when ours did!(There's a pause as they figure out what tosay.)Monica: Well, we-we had to go back because I forget my jacket.Chandler: That's right.(Both Racheland Ross stare at her for a moment.)Rachel: You-you're not wearing a jacket.Monica: Oh man! I did itagain!Phoebe: (standing up) Okay, so umm, somebody has to call Frank and Alice. (As she is talking Joeyis sticking the camera under her skirt.) And then my mom wants to know-(notices Joey)-Joey, what areyou doing?!Joey: I gotta get the before shot!(She shakes her head no.)Opening Credits[Scene: Thedelivery room, Rachel and Ross are entering.]Rachel: Hi, Pheebs? Okay, so just spoke to the nurse andthe reason that your doctor is late is because uh, she's not coming.Phoebe: What?!Ross: Apparently shefell in the shower and hit her head.Phoebe: Oh my God, she's so stupid!Ross: Look, Pheebs-Pheebs, it'sgonna be okay.Phoebe: That's easy for you to say, I don't see three kids coming out your v*g1n*!Rachel:Honey, listen, y'know what? The nurse said the doctor is wonderful.Ross: Yeah, he's head of thedepartment.Phoebe: All right--Ooh! Oh dead God, save me!Monica: What?Phoebe: I'm having my firstcontraction!Chandler: Oh no.Phoebe: Ooh, it's not bad.Chandler: Okay.Joey: Oh! (In an announcer typevoice) And so the miracle of life begins, and aaiiyyyeeee! (He grabs his side and doubles over inpain.)Chandler: Hey! You okay?Joey: Ooh, something hurts!Phoebe: Ooh, it's sympathy pains. Ohh,that's so sweet!Joey: Are they? I didn't know I cared that much.(The doctor, Dr. Harad, enters.)Ross:Hello.Dr. Harad: Hi! Phoebe, I'm Dr. Harad, I'm going to be delivering your babies. I want you to know,you're gonna be in good hands. I've been doing this for a long time. I'll be back in a minute to do yourinternal, in the meantime, just relax because everything here looks great. And also, I love Fonzie.(Exits)Chandler: Did he just say, he loves Fonzie?Monica: That's what it sounded like.Chandler: Allright...Frank: (entering) Hey!All: Hey!Frank: (To Phoebe) Hey! Am I late? Am I late? Nobody came outyet, right?Phoebe: No-no-no! We haven't started yet. Where's Alice?Frank: Uh, Delaware. She's on herway though, so until she gets here, I'm gonna be your coach. But don't worry, she told me all about thela-Mazada stuff.Chandler: Yeah, that's when if you get the babies out by the end of the month, they giveyou 2% financing.Frank: Yeah.[Scene: The waiting room, Monica and Joey are sitting there.]Rachel:(entering) Monica? You gonna be very proud of me. I just got us dates with two unbelievably cutenurses.Joey: Oh my!Rachel: They're male nurses.Joey: Not in my head.Rachel: Anyway, they want totake us out Saturday night! What do you say?Monica: Umm. (Looks at Chandler who is using the phone.)Umm. Umm. I don't think so.Rachel: What? What are you talking about?! You-you're the one who's beentelling me to get over Ross and move on. I'm moving on, and you're moving on with me. Come on, giveme one good reason why you don't wanna go.Monica: Umm, why don't you give me something thatwould be a good reason and-and then I'll tell you if it's true.Rachel: What?Monica: Harder than it sounds.Isn't it?Rachel: Okay, you're coming with me, and I also told them that if we're still here when they getoff that we'll go down to the cafeteria and have some Jell-O with them.Joey: (in a sexy voice) Yep!There's always room for Jell-O...Rachel: Joey, how do you make that dirty?Joey: Oh, it's easy. Yeah, I-Ican do it with anything. Watch uh, (snaps his fingers and in a sexy voice) Grandma's chickensalad...[Scene: The delivery room, Chandler, Frank, and Ross are with Phoebe.]Joey: (entering) Ross!Get a shot of this. (He's carrying an issue of the USA Today and hands Ross the camera.) Hey babies!These are the headlines on the day you were born! Okay, now girl baby turn away and boy babies..."}
+{"doc_id":"doc_318","qid":"","text":"PARADISE TOWERSPART FOURRun time: 24:21[SCENE_BREAK]1. EXT. PARADISETOWERS[SCENE_BREAK](An exterior view of the Towers, high up in the sky. The glass walls and windowsof the Towers reflect the fluffy white clouds hanging in the sky.)[SCENE_BREAK]2. INT. THEBASEMENT[SCENE_BREAK](The Cleaner pushes the Chief Caretaker towards his \"pet\" represented by theneon lights through the \"No Entry\" door.)VOICE: You have no choice. I am Kroagnon, the Great Architect,and I will put an end to you and everyone in Paradise Towers.(The Chief is pushed forward by the Cleanerand into a machine. An opaque cylinder begins to descend on him and obscures him from view. As it doesso, he lets out a loud scream. The Doctor and the Kangs come out from their hiding place and watch thishappen.)BIN LINER: Ware Cleaners!THE DOCTOR: Back to the lift.(Fire Escape is hesitant, thinking shecan use her weapon on a Kang, but the Doctor gestures for them to run.)FIRE ESCAPE: Wait, Doctor.THEDOCTOR: Back!(Fire Escape fires her weapon, hitting a Cleaner, but it has no effect on it. Taken offguard, another Cleaner appears. With its claw it grabs the Doctor by the throat and proceeds to stranglehim.)DRINKING FOUNTAIN: Doctor! Now.(She fires her weapon and the arrow hits the Cleaner, causing amalfunction, and thus it loses its grip on the Doctor. The Doctor and the Kangs quickly run for the exitdoor and it closes, placing a barrier between them and the Cleaners. Back in Kroagnon's lair, the largeopaque cylinder rises, revealing what used to be the Chief Caretaker. His skin now has a silvery sheenand his clothing looks clean and shiny. Kroagnon now inhabits the Chief's body. He steps out from themachinery and moves to address the Cleaners who gather around him.)KROAGNON: Attention all RoboticCleaners. Attention all Robotic Cleaners. At last Kroagnon can leave the basement prison they trapped hisbodiless brain in and return in this borrowed body to the corridors and lifts of his own creation. Theyburied me away because I wanted to stop them using the Towers. And now you and I will destroythem.[SCENE_BREAK]3. INT. THE STREET[SCENE_BREAK](The Doctor and the mixture of Kangs racedown the street. The Doctor is clearly out of breath lagging behind.)THE DOCTOR: Just a moment, pleasestop! Please! The immediate danger's over. And I wouldn't mind getting my breath back.(The Doctor sitsdown on an old crate at the side of the corridor. The three Kangs - Drinking Fountain (Blue Kang Leader),Fire Escape (Red Kang Leader) and Bin Liner (Red Kang) - kneel down beside him. A fourth Red Kangstands guard at the end of the corridor.)DRINKING FOUNTAIN: The Doctor really is ice hot.THE DOCTOR:Very hot!DRINKING FOUNTAIN: Not a yawny Oldster.THE DOCTOR: Now, you understand the dangerousposition we're in. We must gather all the Kangs together.FIRE ESCAPE: And is the Chief Caretaker reallyunalive?THE DOCTOR: As himself, yes. But you saw what happened. Up till now Kroagnon's simply been amind without a body, as your parents must have left him. However, I fear he may have spent his timedown there devising a way of performing Corpoelectroscopy - a way of transplanting his brilliant brain tosome host body.BIN LINER: And what's the come out, Doctor?THE DOCTOR: Oh, I can't be certain. ButKroagnon won't want to stay locked up in his basement much longer. He's bound to show himself in oneform or another.[SCENE_BREAK]4. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](Pex is sitting at the sideof the pool whilst Mel bobs around in the water, enjoying herself.)MEL: Oh, the water's really lovely. Youreally ought to come and join me, Pex. It'll do you the world of good. There's really nothing to befrightened of.(Mel fails to see the Yellow Robotic Crab-like Pool Cleaner as it comes up behind her. Itgrabs hold of her and she lets out a scream. Pex is alerted and jumps to his feet, uncertain of what todo.)[SCENE_BREAK]5. INT. RED KANG HEADQUARTERS[SCENE_BREAK](The hideout is bustling withactivity. The Doctor rests against a large blue barrel. The Red and Blue Kangs are present.)THE DOCTOR:It's taking over the building floor by floor.(Bin Liner is on the Talky phone.)BIN LINER: Return to RedKang Base and Ware Cleaners! Build High for Happiness.(She replaces the receiver onto it's position onthe Drinking Machine.)THE DOCTOR: Is Fire Escape going to join us?(Bin Liner nods.)THE DOCTOR: Areall the Kangs here? Red? Blue?DRINKING FOUNTAIN: Yes. Except for those...THE DOCTOR: Those who'vebeen made unalive. Yes. Well, when Fire Escape gets here we must all make for the Great Pool in theSky.[SCENE_BREAK]6. EXT. FLOOR 304 / THE POOL[SCENE_BREAK](The Yellow Pool Cleaner isattempting to drag Mel under the water. Her head goes under a few times but she struggles to remain"}
+{"doc_id":"doc_319","qid":"","text":"[Woody's. Brian's playing pool. Justin rubs his dick over the corner pocket.]Brian: Would you move yourdick? I can't concentrate.[Justin turns around and rubs his ass over the corner pocket instead.]Emmett:You shouldn't have any trouble sinking into that hole.[Brian makes the shot and Justin moans withglee.]Ben: [to Michael] What given you me to concentrate at?[Ted is handing out flyers for a charityevent, but nobody cares.]Ted: Come to the angel ball. f*ck you, too!Emmett: That wasn't veryangelic.Ted: Who even take a goddamn flyer?Brian: Four hundred bucks for another boringfundraiser.Michael: Angels Over Pittsburgh isn't just another charity; when Vic was sick they brought ameal practically every day. My mom and I couldn't done without that.Ted: Unfortunately that's not whatthese guys doin'.Brian: They need a big attraction.Justin: Like Madonna. Or the Backstreet Boys.Ted:Yeah, it's just Pittsburgh, sunshine. Not your wildest dreams.Emmett: Hot about Pittsburgh's own DivinaDevore? She's in town.Brian: Oh yeah, that's good. Another worn-out old drag queen.Emmett: What kindof homosexual are you?Brian: The kind that f*cks men.Emmett: Divina Devore it's a legend. She'sperformed before presidents.Brian: Ulysses S. Grant or Chester A. Arthur?Michael: Go got her. But youwon't have trouble with your tickets.Ben: It's worth a shot.[Michael squats in front of the corner pocket.Ben shoots and the ball rolls towards Michael's mouth. Ben misses. Michael pouts. The boyslaugh.]Michael: Oh.[The kindergarten! We're at a center for early education/day care/fancy-pantsplace.]women: Here in center for early development we offered an unique education parently. Whichcreates a save and supportive enviroment which are our degree candidates can inquire an invaluablelearning and social skills.Mel: Degree candidates? There are pre-schoolers.woman: Therefore as much wewould like to accept all applicants in order to ensure maximum focus and individual attention we can onlyadmit a select few.[Lindsay raises her hand]Lindsay: May I ask what determines the finaldecision?woman: The child's own unique talents and abilities will play a big part, but we're also trying tocreate the full spectrum of human diversity. Race, religion, socio-economic background.Mel: What aboutsexual orientation?woman: Oh yes, that too.Lindsay: Are any same-sex-parented children currentlyenrolled?woman: Not yet, but we're entend to make every afford to change that.[The diner wall changesartwork. Now it's all Justin's.]Debbie: [to a customer] The master piece that's what it is. For 50 bucksyou'll buy the next Michael Angelo.[The guy just rudely walks off]Debbie: Ignorier miss.His does notknow dick about art.Justin: It doesn't matter. You do.Jen: Justin, you didn't tell me you has your ownshow.Justin: It's not exactly the Museum of Modern Art.Debbie: That's next![Justin and Jenniferhug.]Justin: You want something to eat?Jen: Uh, thanks honey. I just had lunch. I'm with yourfather.Justin: I don't talk about him.Jen: Well, I just wanna talk either, but we'll do. He says he's notgonna pay for your school anymore.Justin: Wha... That lame-ass sh1t. What's his feeble excuse?Jen: Thestock market and supporting two households. And he's a lame-ass sh1t. I don't want you to worry. Ispoke to the accountant, I got a little of my savings, I can cash my IAR...Justin: I don't takin' yourmoney. You and Molly had to live.Jen: You're sister and I'll be just... fine.Justin: No, forget it. I'll takecare of myself.[Woody's. Divina Devore performing live at stage. Emmett, Ted, and Michael prancebackstage right behind the stage manager. (S)he finished.]Emmett: If you ask me, nobody makes abetter woman than a gay man.Michael: What woman looks like that? Big, red wig, tons of jewelry, gaudyclothes?[Emmett, Ted, and the stage manager all turn slowly to the screen.]Michael: My mother doesn'tlook like that![Divina leans back on the curtain as the audience politely applauds.]Divina: Thank you,Pittsburgh! For reminding me why I left!Ted: I hope she's not be one of those maniac divas who thinksshe's the center of the universe -- you know, snapping her fingers bossing people around.[Divina comesbackstage.]Divina: [to the stage manager] Hey, you. Tell the idiot, the one whos the lights the spot issuppose to be at my face. Not the left tit!Stage manager: Yes, ma'am. I mean, sir.Ted: Excuse me, MissDevore.Divina: Yes?Ted: I just want to say... your performance tonight was... sparkling.Emmett:Bubbling.Ted: Effervescent.Divina: Stop, you'll make me burp.Michael: Miss Devore? Hi, I want to tell youyour performance was really great.Divina: I'm flattering for receive so much praise from so a handsomeyoung men. Now, if you excuse me.Ted: Wait. Uh, we wanted to ask you...Divina: ...for my"}
+{"doc_id":"doc_320","qid":"","text":"EXT. MOUNTAIN ROAD - NIGHT(MUSIC OVER ACTION/CAR SPEEDS ALONG THE ROAD AND INTO THEWATER)(SFX: HUGE SPLASH)[SCENE_BREAK]UNDERWATER - NIGHT(MUSIC OVER ACTION/CAR SINKSTO THE LAKE FLOOR)(FADE OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS ANDOUT)MUSIC IN:INT. SQUAD ROOM - DAY(SFX: CELL PHONE RINGS)TONY: No, for the twenty thirdtime.(SFX: CELL PHONE RINGS)KATE: Are you going to answer that?TONY: I'm in hell, Kate.KATE: Well,do they have money there? Because you owe me... forty three dollars and eighty six cents for lunch thisweek.TONY: I will gladly pay you today if you'll answer this call for me.KATE: Yeah? Who is it?TONY:Crazy ex-girlfriend. Haven't seen her since college.KATE: Stalker?TONY: More like a stalk-him.KATE:What do you want me to say to her?TONY: I don't know. Tell her you're my wife or something. She'sbeen calling nonstop for two days. So I'm begging you here, Kate. Please.KATE: You pay me backtoday.TONY: Sure.KATE: (INTO PHONE) Hello? Me? Oh, I am Tony's wife. Uh, yes. We got married a fewyears ago. (WHISPERS TO TONY) We have kids? (INTO PHONE) Two. Yes. And we're very, very happy.So please don't call back again. (TO TONY) I feel like I need a shower.(HANGS UP PHONE)TONY: Pay thelady, Probie.MCGEE: He bet me forty dollars he could get you to say you're his wife today.KATE: Tony,I'm going to kill you.GIBBS: DiNozzo, pull the case file on Lieutenant Brian McAllister.TONY: McAllister?We going after more treasure hunters, boss?MCGEE: Treasure hunters?TONY: Before your time, Probie.McAllister disappeared two years ago. His family offered a million dollar reward to anyone who could findhim.KATE: I had a few friends in the Secret Service who used to work that case on the weekends.TONY:It was the Holy Grail for every amateur detective on the East coast, Kate.MCGEE: So whathappened?TONY: Nothing - cold case.GIBBS: Not anymore.CINDY AMES: (ON TV) Thousands havesearched for the heir to the McAllister Industries' fortune. Each hoping to collect the one million dollarreward offered by his famous family. Today, private investigator Monroe Cooper believes he's one stepcloser to solving the mystery. Mister Cooper, is it true that you have finally found Brian McAllister?(SFX:TV CLICKS OFF)MCGEE: Whoa. Whoa. Boss, that was... that was Monroe Cooper! The man who can solvethe unsolvable. He's a... a famous detective.GIBBS: Do I look like I care, McGee?MCGEE: No.GIBBS:Grab your gear. We're going to Black Lake.[SCENE_BREAK]INT. VAN - MOVINGKATE: Lieutenant BrianMcAllister, graduated Annapolis in ninety-seven, third in his class. He vanished somewhere betweenOctober fourth and the seventh, two thousand and two. No leads.TONY: Thing I don't get is why a guyworth millions would join the military in the first place.GIBBS: You think money has anything to do withpatriotism, DiNozzo?TONY: No, I'm just saying if I were rich, you know, I would do nothing.KATE: Ithought your parents were loaded.TONY: They are.KATE: So why do you work for the governmentthen?GIBBS: Because they know what their son would do with the money.TONY: I can't even get anadvance on the will, Kate.GIBBS: Hey, McGee!MCGEE: Yeah, boss?GIBBS: What about that private dick,Cooper?MCGEE: Yeah. Uh... he's a former NYPD detective, works mostly for insurance companies andcelebrities now. He makes a lot of money solving cases like this. Guy's a... he's kind of a cross betweenColumbo and Sherlock Holmes.(SFX: VAN HITS A POTHOLE)KATE: You know, we really should get a seatbelt back there. Hey! What the hell are you doing?TONY: I'm looking for my fork.KATE: Well I canguarantee you...it is not there![SCENE_BREAK]EXT. BLACK LAKE - DAYGIBBS: Tony, grab the gear. Seeif McGee's still alive.TONY: On it, Boss.GIBBS: Special Agent Gibbs, Todd, NCIS.LESTER: We've beenwaiting for you to show up. Sheriff Deke Lester. That detective fella, Cooper, he thinks that missingMcAllister kid's in there somewhere.GIBBS: Yeah. Is he?LESTER: I can't say, but my divers found aChrysler convertible sitting on the bottom.KATE: Lieutenant McAllister owned a Chrysler convertible.Disappeared with him, Gibbs.LESTER: I'm fixing to pull it out. Once we ID the vehicle we can decide onwho's got jurisdiction.GIBBS: Works for me, Sheriff. Where is Cooper?LESTER: I don't rightly know. Iimagine he's off detecting or something.RADIO: (V.O./FILTERED) Hey Deke, we've got the chains sethere.LESTER: Let's haul her up.RADIO: (V.O./FILTERED) Yes, Sir.LESTER: You ready to see what wecaught, Agent Gibbs?[SCENE_BREAK]EXT. TRUCK - DAYTONY: Hurry it up, Probie.MCGEE: You sure thisis necessary? I kind of feel like a dork.TONY: You are a dork. No no no no. Bad move.MCGEE:"}
+{"doc_id":"doc_321","qid":"","text":"ACT ONEScene One \u0000 Hallway Outside Frasier's Apartment[SCENE_BREAK]Roz is standing at the door toFrasier's apartment when the elevator opens and Frasier, Daphne, Niles and Mel get off. All four aredressed in black.Frasier: Oh, hi, Roz.Roz: Oh, there you are. I brought something for Daphne and I wasjust gonna leave it with the doorman. [Daphne begins to cry]Frasier: Oh, lord.Reset to: Living Room Theygo in. Daphne heads into the powder room.Roz: Did I say something?Frasier: Well, actually our doorman,Morrie, passed away this week. We just got back from the funeral.Roz: Oh, my gosh, I'm so sorry. Is shegoing to be all right?Frasier: Well, you know, she's been a little high-strung all week, even before hedied. I guess it's just wedding stuff, you know.Roz: Yeah.Daphne comes back.Daphne: Ooh, sorry 'boutthat. So, you brought me something, Roz?Roz: Well, yeah. I figured you couldn't get married withoutwearing something borrowed. [Hands her a small box]Daphne: Oh! What a beautiful garter! Look at allthe lovely detail.Niles: I especially like the little odometer.Roz backhands him in the stomach as hegrins.Daphne: Thank you so much, Roz.Mel: Does anybody besides me feel like a cup of coffee?Frasier:Oh, I'll brew a pot.Mel: Oh, don't be silly. I've been here enough times to know how to get the coffeemade. Daphne, make us some coffee. [Then] Kidding!Niles laughs. She heads for the kitchen.Roz:[picking up a folder] The Wayside Inn. This is where you're having your wedding? Oh gosh, it's just sobeautiful.Daphne: I hope it is, the planning's been a nightmare. I spent an hour today on the seatingcharts. Everyone has some demand. \"Don't sit me near the band\", \"Do you mind if I bring afriend?\"...Roz: Oh my God, you can't seat me next to him.Daphne: Exactly! Every selfish, whiny littlething...Roz: No, you cannot seat me next to Tim Walsh. I dated him all last summer and he dumpedme.Daphne: He's going with my bridesmaid Annie. I have to seat the bridesmaids together.Roz: Thisalways happens to me. Is there no place I can go without running into some guy I've dated?Niles: I wasreading about a Trappist monastery in the Amazon that they somehow built into the treetop.Roz: Shutup, ya big doily! This is gonna be awful! Here I am at a wedding, sitting next to a guy who dumpedme!Frasier: Oh, come on Roz, you won't be alone. You'll be on the arm of a well-known Seattleboulevardier and radio star.Roz: Frasier, I can't go with you. I mean, going to a wedding with your bossis like going to the prom with your brother.Frasier: Niles and I did not go to the prom together! Our dateswere sick and we went stag!Niles: In retrospect, yes, we should have canceled the horse-drawn carriage,but hindsight is 20/20.[SCENE_BREAK]MEMENTO MORRIEScene Two - Frasier's LivingRoom[SCENE_BREAK]Martin enters carrying a gift bag.Martin: Hey, Roz.Roz: Hi, Martin. I'm really sorryto hear about your friend Morrie.Martin: Oh, thanks. Yeah, his wife just did the nicest thing. I guess sheknew Eddie and I'd stop by and shoot the breeze with him, so she gave us something to remember himby.Frasier: Oh, well. [Reading the tag] \"For Martin and Eddie.\" Gee, isn't that nice?Martin: Yeah, I thinkit's some kinda wine.Frasier: Well, yes I'd say so, but...He pulls out the bottle, reads the label, andgasps.Frasier: My God, Dad! This is a 1945 Chateau Petrus!Martin: Oh, yeah? She said he got it from hisuncle who was in France after the war.Frasier: Well, it's one of the rarest bottles in the world!Martin:Well, if you're good, maybe Eddie'll give you a glass out of his half.Martin exits to the kitchen as Nilescomes over to examine the bottle.Niles: I've never even seen a '45 Petrus!Roz: Oh, poor Morrie. Heprobably waited his whole life for an occasion special enough to open that bottle.Frasier: Yes. Perhapsthis should be a lesson for us all. Morrie might be standing guard at the door to heaven right now, buthe's buzzing us with one last message: Live life now. I'm reminded of a parable...Knock on thedoor.Daphne/Niles/Roz: Come in!The door opens and Simon (Daphne's obnoxious brother) enters with aduffel bag.Daphne: Simon!Simon: Hello, sis.Daphne: I thought you were in California.Simon: Yeah, well,those friends I went to surprise were out of town. So I decided to housesit for 'em, which was lovely. 'Tilthey came home last night. I don't know what all the screaming was about, I was the one in the tub!Where should I put this bag?Frasier: By the door so you don't forget it when you leave.Simon: Right. Ithink I know everyone here. [spots Roz] Or do I? And what would your name be then, Miss?Roz: Simon,you low-life idiot! You made a date with me last week and you stood me up!She crosses toward thedoor.Simon: Sorry, love, I need a bit more to go on.Roz: Maybe this'll refresh your memory.She slams"}
+{"doc_id":"doc_322","qid":"","text":"Andy: Alright everybody, great season of softball, I'm super proud of you guys and I think you're gonnalike this little highlight reel that I put together. [Andy plays video]Group: Dunder Mifflin!Andy: AndyBernard presents: Summer Softball Epic Fails! [Kevin swings bat on screen, fart noise follows] Fail.[repeats] Fail.Kevin: That's me. [repeats]Andy: Fail.Oscar: Is this like a blooper reel?Andy: A blooperreel? What is this, 2005? I look like Bob Saget? Fail! [Points to video] Who's this guy? [Jim steps backand forth from plate on video as Andy sings Meow Mix theme]Look at him dance. Fail!Dwight: Fail!Jim: Ideserved that.Andy: [Darryl runs in slow motion on video] Do do do do do do do.Darryl: That was atriple.Andy: Can't take the fail? Get out of the fail video!Darryl: My pleasure.[Clark and Pete are shownon screen]Video Andy: Hey, I'm Pete, puberty is such a drag, man. And I'm Clark! I like to eat toiletpaper. [Clark and Pete wave at camera] We fail! [Video shows memorial of Jerry]Andy: I'd like to take asolemn moment to remember Jerry in the warehouse who passed away this year. [Screen flashes 'FAIL'over Jerry's face, accompanied by fart noise, repeats twice.] Well, that's all folks. [photo of Andywatersking shows on screen] Ski ya later everybody. Thanks for a great season. [Group clapshalfheartedly]Oscar: What was that? That was just a normal video with you making vulgar noises.Andy:Well, I worked with what I had, Oscar. Next time do more failure stuff, OK?Jim: Uh, what happened tothat video I sent you?Andy: Oh that wasn't...that didn't work. That was not the right..[Groupprotests]Jim: I think I got it right here. [Cheering on screen, Andy struggles with lifting water cooler,then falls over dumping the fluids on himself][Group laughs]Andy: That was not a fail.Group: Fail! Fail!Fail!...Andy: [Group continues chanting \"Fail!\"]That was actually a serious accident that could haveresulted in severe bodily harm. [Group keeps chanting] You're all failing right now. [Group continues]Congratulations on your epic fail of the use of the word fail! [Group claps andchants][SCENE_BREAK]Dwight: [Toby uses tester on wall as Erin marks wall with red tape X] Oh,god.Phyllis: What's going on?Dwight: Nothing! Nothing is going on. Keep moving please.Stanley: What'she measuring?Dwight: OK, excuse me. I am the landlord. This is between me and the management, noone else. Please.Toby: It's an EMF hotspot.Phyllis: [Gasps] Oh my god!Oscar: It stands forelectromagnetic field. Generally cause by a concentration of wiring in one area [Erin marks red tape X onthe floor] Especially if they're poorly insulated. Dwight.Andy: Um, OK I'm just walking into this. Am I tounderstand there is a bee hive in the wall?Toby: You think I have a machine for measuring beehives?Andy: I was just asking a question, Toby. How are you not murdered every hour?Stanley: Well I'mnot getting paid to work in a microwave oven.Dwight: OK, listen. Everything here is up tocode.[SCENE_BREAK]Dwight: [mocking] Oh, the wires need insulation. [normal voice] It's a wire people.I'm not buying it a fur coat.[SCENE_BREAK]Pam: [Jim rushes to open door for her] Thank you.Jim: Yougot it.[SCENE_BREAK]Jim: Last week, I finally told Pam about the other job I took in Philly...the side job.And she was so incredibly cool about it. And now I just wanna do something huge for her. Like if we werein some biker bar and she mouthed off to some bikers and they came lumbering over and I was likewham! [mimes punch] Gotta go through me first.[SCENE_BREAK]Nellie: Andy, could I have a wordplease? Um, it won't take a moment. It's extremely important and it really has to happen now.Andy:Fine. I will give you one minute.Nellie: Oh, please don't use the hourglass.Andy: You have one minuteand your minute has begun and no time will be added at the end, even to accommodate this sentencewith all of it's baroque dependent clauses and cascading turns of phrase.Nellie: I'm trying to adopt ababy.Andy: A baby what? A human?!Nellie: And the...agency require a character reference from myemployer.Andy: Oh.Nellie: You wouldn't have to do anything. I would write the letter myself and you justsimply sign it. So.Andy: Oh, OK. And fall right into your plagiarism entrapment scheme? I don't thinkso.Nellie: It's not..it's-Andy: And I happen to notice you're down to about thirty seconds here.Nellie: Wellthen if I could just convince...Andy: And those sand grains are tumbling..Nellie: You.Andy: Withfury...Nellie: It's not..it's notAndy: Down the sides..Nellie: Entrapment if I'm..Andy: Of thehourglass..Nellie: ..writing..Andy: Time's up!Nellie: Fine.[SCENE_BREAK]Andy: Sure. I'll read her letter.And if she tells the truth about how evil and unfit to be a mother she is, then yeah. I'll sign"}
+{"doc_id":"doc_323","qid":"","text":"Genesis of the Daleksby: Terry Nation Part FiveRunning time: 23:27[SCENE_BREAK]HARRY: Doctor,please, don't tell. Doctor.DOCTOR: All right, all right! Just leave them alone.DOCTOR: The Dalek invasionof the Earth in the year 2000 was foiled because of an attempt by the Daleks to mine the core of theplanet. The magnetic properties of the Earth were... Mars... the Daleks were defeated by a virus thatattacked the insulation on the cables in their electrical systems. ...In the space year seventeen thousandwas halted by the intervention of a fleet of war rockets from the planet Hyperon. The rockets were madeof a metal that was completely resistant to Dalek firepower. The Dalek Task Force was completelydestroyed.DAVROS: This seems an opportune moment to end this session. Nyder. Release the prisoners.Take them to the detention area.DAVROS: Interrogation will continue later. And I must thank you,Doctor. What you have told me will be invaluable.DAVROS: All this information, this foreknowledge, willbe programmed into the Dalek memory banks. Take them away.DAVROS: Doctor, stay a moment. Sitdown. Let us talk together now, not as prisoner and captor, but as men of science. There is so much Iwish to know. Nyder, take charge of the tape.NYDER: Immediately, Davros.DAVROS: It will be yourresponsibility, and remember, it is priceless. It's value beyond computation.[SCENE_BREAK]SARAH: Ah,thank you.HARRY: Who are you?GHARMAN: My name's Gharman.HARRY: Gharman?GHARMAN: Until afew hours ago I was head of the Military Elite Scientific Corps.SARAH: And now you're a prisoner like us?What happened?GHARMAN: Wait.GHARMAN: I was trying to organise a movement against Davros. Hefound out. Now, what's happening out there? Has there been any attempt to take away control fromDavros?SARAH: Not that we know of.GHARMAN: Nothing?HARRY: He's still very much incharge.GHARMAN: I don't understand. You see, Davros tricked me into giving him the names of thegroup who were plotting against him. Have there not been mass arrests by now? Executions?SARAH: Itall seemed pretty quiet out there.GHARMAN: But Davros knows that we're planning action against him.Why hasn't he moved to stop it? Why?HARRY: Perhaps that'd be too obvious, even for Davros.GHARMAN:Well, if that's true, he's being too clever for his own good. Every moment he delays, our movement growsin strength.SARAH: I hope you're right.GHARMAN: I know I am. Many of us believe that production of theDaleks must end. I believe now that we are in the majority. If we act soon, we can break hispower.HARRY: We're not in much of a position to act at the moment, are we.GHARMAN: If only I couldget word to them now.[SCENE_BREAK]SOLDIER: Halt! State your business.KAVELL: I wish to questionthe prisoners.SOLDIER: Nobody is allowed to communicate with the prisoners unless they have a passsigned by Davros.SOLDIER: Stay where you are!KAVELL: I seem to have mislaid it. I'll come backlater.[SCENE_BREAK]DAVROS: Now, future errors will be eradicated. Defeats will become victories. Youhave changed the future of the universe, Doctor.DOCTOR: I have betrayed the future. Davros, for thelast time, consider what you're doing. Stop the development of the Daleks.DAVROS: Impossible. It isbeyond my control. The workshops are already fully automated to produce the Dalek machines.DOCTOR:It's not the machines, it's the minds of the creatures inside them. Minds that you created. They are totallyevil.DAVROS: Evil? No. No, I will not accept that. They are conditioned simply to survive. They cansurvive only by becoming the dominant species. When all other life forms are suppressed, when theDaleks are the supreme rulers of the universe, then you will have peace. Wars will end. They are thepower not of evil, but of good.DOCTOR: Davros, if you had created a virus in your laboratory, somethingcontagious and infectious that killed on contact, a virus that would destroy all other forms of life, wouldyou allow its use?DAVROS: It is an interesting conjecture.DOCTOR: Would you do it?DAVROS: The onlyliving thing, a microscopic organism reigning supreme. A fascinating idea.DOCTOR: But would you doit?DAVROS: Yes. Yes. To hold in my hand a capsule that contains such power, to know that life and deathon such a scale was my choice. To know that the tiny pressure on my thumb, enough to break the glass,would end everything. Yes, I would do it! That power would set me up above the gods. And through theDaleks, I shall have that power!DAVROS: Release me.DOCTOR: No, Davros.DAVROS: Don't touch thatswitch.DOCTOR: Why not?DAVROS: It controls my life support systems. I could not survive thirtyseconds without them.DOCTOR: Order the destruction of the incubator section.DAVROS: Destroy the"}
+{"doc_id":"doc_324","qid":"","text":"THE TWIN DILEMMABY: ANTHONY STEVENPart ThreeRunning time: 24:27[SCENE_BREAK](The Doctorappears. A bit.)PERI: Did you see that?LT HUGO LANG: I think so.PERI: Do Doctor, I ahhh are youhere?LT HUGO LANG: What in heaven's name is going on? You're flesh and blood at least.PERI: Leave mealone.DOCTOR: Oh, that stupid girl's watch. How I hate these hit or miss performances.PERI: Doctor,thank heavens, whatever happened?DOCTOR: Your watch stopped. I overcompensated, ended up in thewrong time zone. Ten seconds into your future.PERI: I thought you'd been killed.DOCTOR: Youcared?PERI: Of course I did.DOCTOR: You know I'll never understand the people of earth. I have spentthe day using, abusing, even tried to kill you. If you'd behaved as I have, I should have been pleased atyour demise.PERI: It's called compassion, Doctor. It's the difference that remains between us.DOCTOR:Earthlings.LT HUGO LANG: Would someone like to tell me what is going on?DOCTOR: Ah, Corporal Lang,how are you?LT HUGO LANG: Lieutenant. I was fine, I'm not sure any more. My ship.DOCTOR: You werelucky to escape, no one else did.PERI: I'm sorry. What went wrong?LT HUGO LANG: I don't know, thecontrols seized, after that I don't remember anything til I came to in here. What is this place, who areyou?PERI: I'm Peri, and this is the Doctor. He saved your life.DOCTOR: And we did not abduct thetwins.LT HUGO LANG: Twins, what do you know about them?DOCTOR: Never mind about that now, look,do put that thing away will you? If you ever hope to see them again your only chance is to come withus.LT HUGO LANG: Where to?DOCTOR At a guess, Jaconda.LT HUGO LANG: All right, you don't leave meany choice, do you?DOCTOR: Not really.(On Jaconda.)ROMULUS: He was your friend.REMUS: That girldid you no harm.ROMULUS: You've left them there to die.AZMAEL: They will survive. Now if you don'tmind.REMUS: And your name isn't EdgeworthROMULUS It's Azmael.AZMAEL: Yes, yes, I agree, a smalldeception, now be patient and sensible.DRAK: Master.AZMAEL: What is it?DRAK: That blip on thescanner.AZMAEL: Yes. Very far ahead.DRAK: We're on the same course.AZMAEL: Oh, some merchantman. No concern of ours.NOMA: They will not survive. AZMAEL I don't understand.NOMA: The safehouse. I set it to self destruct.AZMAEL: You madman, I gave no orders!NOMA: That is perfectlycorrect.AZMAEL: But it's murder! Why, Noma, why?NOMA: It is what the lord Mestor would havewished.(Back to the TARDIS.)PERI: But why would he want to kill us?DOCTOR: I don't know.PERI: And ifhe's going to Jaconda, why stop off Titan Three?LT HUGO LANG: Oh, that was just to put us off thescent.DOCTOR: No no no no no. No, no. No no nononono. No, consider what we know. Azmael, orwhatever he happens to call himself needs the genius of the twins, he crosses galaxies to possess theirminds. He says he's no longer master of his planet, but he wants to save his people. And that I cannothelp him to do so. Even if he does believe such unimaginable rubbish he must be faced by someunimaginable disaster which has unhinged his mind. Well. We shall soon discover what it is.(OnJaconda.)MESTOR: Who is this creature?CHAMBERLAIN: A porter from the royal hatcheries,Master.MESTOR: What is his crime?CHAMBERLAIN: After routine search following his tour of duty, he wasfound to have this concealed on his person.MESTOR: What does it contain?CHAMBERLAIN: Vegetablesfrom the royal hatcheries, MasterMESTOR: The penalty is death. Have you anything to say?PRISONER:Mercy, great Master, mercy! My family is starving.MESTOR: Many are starving, it is no difference. Nowyour family will have to starve without your company. Stand aside, guards. You will suffer the maximumpenalty - death by embolism.PRISONER: No, no not that. Shoot me! Ah! Aaaaaagghh!MESTOR: Coldstorage. ** CLAP ON! ** The carcass may be of use to our slaves if this famine continues. Azmael willsoon be here?CHAMBERLAIN: Yes, Master.MESTOR: When he arrives, have him escorted to his laboratorywith the earthlings. I will see him there.(On the surface. The TARDIS materializes.)DOCTOR: Haaaa.Jaconda the beautiful.PERI: You call this beautiful? Doctor, it's absolutely ghastly!DOCTOR: Oh no. Itshould not be true. The giant gastropods.LT HUGO LANG: What are you talking about?DOCTOR: Halfhumanoid, half slug, part of Jacondan mythology.PERI: So?DOCTOR: Well, just look around you, look atthe devastation.PERI: Gastropods did this?DOCTOR What else?PERI: Are you sure your mind isn'twandering again?DOCTOR: Of course not. So, it wasn't a myth after all. Somewhere somehow their seedsurvived. Now they have returned.LT HUGO LANG: Nonsense.DOCTOR: You think so?LT HUGO LANG:"}
+{"doc_id":"doc_325","qid":"","text":"Michael: Jim, could you come in here please?Harvey: Hi, Jim.Jim: Hello.Harvey: I am Harvey, acomputer. Jim sucks.Michael: Sorry, oh wow, that's so rude. I'm sorry, I can't control him.Jim: Yeah, youcan.Michael: You know what? Get Pam.Jim: For this?Michael: Pam.Harvey: Pam, you look very hottoday.Jim: Pam, meet Harvey. This is Michael's new friend.Pam: Great.Harvey: Me so horny. Me love youlong tim.Michael: Oh, that is gross.Pam: Who is 'Long Tim'?Michael: Damn it.Harvey: Long time. Me lobeyoy long time.Jim: Oh well, 'Yoy' should bring in 'Long Tim' in one day. Shouldn't he?Pam: I would love tomeet Long Tim.Jim: Yeah. Right?Pam: Yeah.Harvey: You ruined a funny joke, you. Get out of myoffive.Jim: Ok.Pam: Ok. Bye Harvey.Harvey: Boobs.[SCENE_BREAK]Kevin: Angela.Angela: What?Kevin:That was a voicemail that corporate left last night. They did not get our tax forms. Did you sendthem?Angela: They arrived this morning.Kevin: Are you sure? It is a big deal.Angela: Is it a big deal? Is itKevin?Kevin: ... Do you really not know? Because it is a big deal.[SCENE_BREAK]Andy: Five of ustransferred from Stamford. There are two of us left. Me and Karen. It's like we are touring Willy Wonka'sChocolate Factory and dropping off one by one. Well, guess what? I am not falling in a chocolateriver.[SCENE_BREAK]Angela: Everything ok? [Takes candy from Pam's desk]Dwight: Everything is fine.You are in the clear.Angela: Thank you. [Puts candy back] I... I don't wantthose.[SCENE_BREAK]Michael: Dwight, care to join us, finally? Thank you.Andy: Hey Dwight, pass thetardy sauce. Get it Michael?Michael: Yes. Ok, here is the dream team. My sales dream team. Today weare going to team up for sales calls. Andy, since this was your idea, you get to pick first.Andy: Hmmm,well... let me think about this for a minute. Oh, I don't know. Michael Scott.Michael: Oh.Andy: Ph. D.Doctor of Sales.Michael: Well, I appreciate that. That is very gracious of you.Andy: Well, it is verygracious of you to accept.Michael: Well, thank you sir. Ok, now going by seniority. Phyllis, our residentsenior.Phyllis: We're the same age and I'll pick... Karen.Karen: Oh, uh, thanks.Michael: Good. Next up,Superfly himself, Stanley.Stanley: Pass.Michael: You can't pass. You've got to pick somebody.Stanley: ...I'll take the kid.[SCENE_BREAK]Ryan: I am very flattered. I was his second choice after\"Pass.\"[SCENE_BREAK]Michael: So that just leaves Dwight and Jim.Dwight: Ok, wait. Does anyone wantto trade?Jim: Yup. I'll trade.[SCENE_BREAK]Jim: Dwight and I used to go on sales calls all the time. Infact, I have a picture to remember that time. Oh young Jim. There is just so much I need to warn youabout. And yet, tragically, I cannot.[SCENE_BREAK]Andy: Sebring by Chrysler. Heck of a... motor...carriage.Michael: Dwight?Dwight: Yup?Michael: Here ya go. [throws laundry]Dwight: Yeah! You wantshirts on hangers?Michael: Please.Andy: He does your laundry?Michael: Long story. All right everybody,circle up. Here we go. You know what this is? This is the \"Amazing Race.\" [To Ryan and Stanley] And youguys are the retired marines. [To Phyllis and Karen] And you guys are the mother and daughter. [ToDwight and Jim] And you guys are the gay couple. And we are the firefighter heroes. Are we ready togo?Karen: Wait, \"Amazing Race\" like, the biggest sale wins?Michael: No, we're just going to rush out, dothe sales thing, and come back.Ryan: Is there a prize?Michael: Just bragging rights.Phyllis: Then how isthis \"Amazing Race\"?Michael: It's just... brrrrrr... It's \"Amazing Race,\" Phyllis. Okay? We're in teams oftwo and we are on a mission. All right, so, on your mark, get set, go. Let's do it.Dwight: Comeon!!Phyllis: Michael. [Michael throws Phyllis' keys under the car.]Michael: Whoah, whoah. Oh hahahaha.Vamanos!Andy: Bueno.Phyllis: Do you have a pole?Karen: Let's go get a broom.[SCENE_BREAK]Jim:Seriously? You're going to sit in the back?Dwight: Uh, yeah. It's the safest part of the car. In the event ofa crash, the driver always protects his side of the car first.[SCENE_BREAK]Michael: Here wego.[SCENE_BREAK]Andy: In order to take down Dwight, I have to chip away at his ally, which, in thiscase, is Michael. Here's the good news. Every success I've ever had at my job or with the lady-folk hascome from my ability to slowly and painfully wear someone down.[SCENE_BREAK]Andy: What's the dealwith Dwight doing your laundry?Michael: Ugh... that is a long story. Um, couple of months ago, Dwighttried to go behind my back with Jan and get my job and I am now having him do my laundry aspunishment.Andy: Wow, that is a long story, but quite well told, Michael. I find it very interesting.Especially about the part Dwight going behind your back and basically, like, being a terrible person. You"}
+{"doc_id":"doc_326","qid":"","text":"BLACK SCREEN: Previously OnGIBBS: (V.O.) Previously on NCIS. MUSIC IN:EXT. ROOFTOP - DAY(BEGINFLASHBACK SCENES)ARI: Sorry, Caitlin.(SCENE CUT)GIBBS: Ari!(SCENE CUT)TONY: I found Ari'ssniper's nest, Boss. Didn't police his brass.(SCENE CUT)KATE: I'm dead now, Ducky. Shouldn't be. I couldhave killed Ari right here.(SCENE CUT)GIBBS: Are you okay?ABBY: Yeah.(SCENE CUT)GIBBS: His snipingAbby means he's after my people.(SCENE CUT)MORROW: I've been offered a Deputy Director's positionwith Homeland Security.GIBBS: Well who will be replacing you, Sir?SHEPARD: Hello, Jethro.(SCENECUT)SHEPARD: On the job it is Director Shepard or Ma'am.(SCENE CUT)ZIVA: I'm here to see SpecialAgent Gibbs.(SCENE CUT)GIBBS: You first.TONY: Ziva David. Mossad. She's here to stop you fromwhacking Ari.GIBBS: Director Jenny Sheppard, same mission.(SCENE CUT)ZIVA: Ari Haswari is a Mossadoperative undercover in Hamas. He hasn't turned on us or you.(SCENE CUT)ARI: (IN HEBREW) Do youhave the passport and money?(SCENE CUT)ZIVA: (IN HEBREW) Yes.(SCENE CUT)ARI: (IN HEBREW) Usethe drop.(SCENE CUT)ARI: (INTO PHONE) Doctor Mallard, I want to prove I didn't kill Caitlin.(SCENECUT)DUCKY: (INTO PHONE) By taking Gerald hostage?ARI: (V.O./FILTERED) Gerald is free to go.(SCENECUT)ARI: (INTO PHONE) Come alone, and you can exchange places.(MUSIC OVER ACTION/DUCKYWALKS IN THE STREET)(MUSIC OUT)(THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS ANDOUT)[SCENE_BREAK]EXT. STREET - FLASHBACKGERALD: You shouldn't have come, Doctor.DUCKY:Couldn't let the b*st*rd put a bullet in your good shoulder or you'd never return to work. Do you haveyour cell phone?GERALD: Ari took it.DUCKY: Keep walking. Don't turn back until you're behind the wheel.Where is Ari?GERALD: In the back seat.DUCKY: Well, when I reach your car, I'll lean in through the openwindow. That's your cue to drive off, fast!GERALD: Doctor Mallard...DUCKY: Go straight to NCIS. TellGibbs everything that's happened.[SCENE_BREAK]INT. SQUAD ROOM - NIGHTDUCKY: (RECORDEDVOICE) You've reached Doctor Donald Mallard. Please leave a message and I'll get back to you as soon asI can.(SFX: BEEP TONE)GIBBS: (INTO PHONE) I said no one was to leave the building!ABBY: (INTOPHONE) Ducky, please call, okay? We're really worried--GIBBS: (LOUDLY INTO PHONE) No one includesyou, Doctor Mallard!ABBY: (INTO PHONE) We're worried including Gibbs.... or he wouldn't be yelling. (TOGIBBS) Look Gibbs, it's not Ducky's fault, okay? He probably did Kate's autopsy on auto pilot and thenjust drove himself home the same way.MCGEE: Boss! An outside call came into autopsy twenty threeminutes ago. I'm tracing the number![SCENE_BREAK]EXT. STREET - NIGHT(MUSIC OVERACTION/GERALD RUSHES TO THE MORGAN/ DUCKY WALKS TO ARI'S CAR)(GERALD CLIMBS IN AND OUTOF THE CAR)ARI: You look surprised.DUCKY: I expected to be shot.ARI: Doctor, please. I would neverharm a fellow physician.(MUSIC OVER ACTION/GERALD ATTEMPTS TO DRIVE THE MORGAN)DUCKY:(SHOUTS) Use the clutch! Good God, man!! Use the clutch! You're stripping the gears!(SFX: GEARSGRINDING B.G.)ARI: This is too painful, Doctor.DUCKY: (SHOUTS) Gerald, turn it off!ARI: ObviouslyGerald does not have an intimate relationship with a standard transmission.DUCKY: Unbelievable.ARI:The price of growing up in America. That was so unnecessary, Doctor. Gerald is free to leave... in his owncar.MUSICAL BRIDGE TO:INT. SQUAD ROOM - NIGHTMCGEE: Boss, that call came from Gerald Jackson'scell phone!ABBY: I'd almost forgot about Gerald.MCGEE: He's been in rehab a year.ABBY: Maybe heheard about Kate and he called Ducky.MCGEE: They're in a pub somewhere consoling each other.ABBY:Yes!GIBBS: I don't like it.ABBY: Why?MCGEE: (OVERLAP) Why?GIBBS: I don't need a reasonwhy![SCENE_BREAK]EXT. STREET - NIGHTARI: Did you buy it in such pristine condition?DUCKY: God, no.The frame had severe termite damage.ARI: That's right. The Morgan has a wood frame.DUCKY:Mm-hmm. The top was in rags. The body dented. The rocker panels rusted out. It was a disgrace.ARI:Who did the restoration?DUCKY: I did.ARI: Of course you did.DUCKY: Do you doubt me?ARI: Not at all,Doctor. I was thinking of the irony. That hands so skilled at dissecting the dead are also capable ofrestoring life... at least to a machine.DUCKY: What do you want, Ari?ARI: A test drive.(PHONERINGS)ARI: Now who at NCIS could be calling Gerald at this hour? Hmm? Oh well... Gerald is sure toarrive there shortly. Doctor? Oh, your cell phone. Now buckle up, Doctor. It's a dangerous night.(SFX:CAR ENGINE STARTS)[SCENE_BREAK]INT. SQUAD ROOM - NIGHTMCGEE: I'm getting voice mail.ABBY:"}
+{"doc_id":"doc_327","qid":"","text":"In the gymnasium during tryoutsKendra: Over here Liberty! Pass!(Ms Hatzilakos is watching the girls andjotting down notes when Kendra scores.)Kendra: Yes!Ms. Hatzilakos: Great stuff girls. Bring it in. Alrightthe final roster will be posted tomorrow. Not everyone made the cut, but today I was really impressedwith all your effort. Good stuff everyone.(Everyone starts to leave.)Emma: You ready?Liberty: Yeah.Ms.Hatzilakos: Uh Liberty nice effort out there.Liberty: I was pleased with my stick handling, though myscoring could have been better.Ms. Hatzilakos: You didn't score.Liberty: We'll need to work on that if I'mgonna lead our team to victory.Ms. Hatzilakos: I know how much this means to you, but I'm sorry Libertyyou didn't make the cut.Liberty: There must be a mistake. I've never lost anything in my life.Ms.Hatzilakos: Well you haven't lost because I do want you on the team.Liberty: To do what?Ms. Hatzilakos:The role of team manager. This team really needs you.Liberty: The team needs me, then I'm there.Ms.Hatzilakos: Great.In the hallway, the roster has been postedManny: Awesome I made it.Kendra: Great.Now for the initiation.Manny: Initiation?(Kendra and Emma start spraying Manny with silly string whenLiberty walks over.)Liberty: Congratulations one and all.Emma: Thanks. Sorry you didn't make theteam.Manny: But you're manager. That's good.Liberty: That's great and believe me I'm gonna keep yougirls in line.In history classTeacher: The outline for your essay is strong and thought-provoking.Liberty:Napoleon was fascinating. I only hope my essay does him justice.Teacher: I'm sure it will. You alwaysaccomplish what you set out to do.Liberty: Not always, but thank you sir. In a classroomTerri: A strongfate line means you know what you want to do.Hazel: But my lifeline's so faint.Terri: Your quest formeaning will be an eternal one.Ashley: Didn't you learn anything last year about playing with darkmagic?Paige: Wow. Déjà vu. Freaky occult and Ash freaking out.Ashley: You have to have a littlerespect.Paige: And I have to have a little fun, so Ter, read the palm.(Terri starts looking at Paige's palmand stops suddenly.)Paige: What's it say mystic oracle?Terri: It's, it's great. Your palm's perfect.Paige:Um hon. I was kind of looking for a reading.Mr. Armstrong: Morning class. Let's open our textbooks tochapter 12, polynomials.Paige: What do you see Terri?Mr. Armstrong: I see Paige Michalchuk in detentionafter school.Outside the schoolHazel: Ter! You've been avoiding me all day.Terri: Not you. Paige.Hazel:Why?Terri: Your fate line was really faint. Paige's lifeline doesn't exist.Hazel: Her days arenumbered?Paige: Whose days are numbered? Either you tell me what you saw in my palm or my nails getup close and personal with your face.Terri: Okay your palm...no lifeline. You're gonna die. In the lockerroom Liberty is doing the team's laundry(She has a daydream about her leading the team to victory andeveryone is cheering for her.)Mr. Armstrong: So Liberty, how do you like being team manager?Liberty:Great. I love it. How come the girls get to wear these ratty things and the boys get uniforms?Mr.Armstrong: That's because we didn't budget for a girls floor hockey team. We didn't think there would somuch interest.Liberty: You do know boys teams get 80% of the athletics budget.Mr. Armstrong: That'sbecause there's more boys teams. Money is tight for all teams these days.Liberty: There must be a wayaround it. What about fundraisers or sponsorships?Mr. Armstrong: Sure. That takes a lot of work.Liberty:Mr. Armstrong, work's my forte and I know exactly where to start.Outside Joey's houseLiberty: Plus youcan write the sponsorship off as a tax credit.Joey: Yes I know, but the boys have already asked me tosponsor their basketball team.Liberty: They don't need your help Mr. Jeremiah. We do!Joey: But thePanther's have done awesome all year.Liberty: Yes and we can too if we get the same full support. Look,say your daughter was on our team. Would you want her wearing this? We need this Mr. Jeremiah.(Sheshows him the uniform the girls have to wear.)Joey: Okay look. I can't sponsor both teams, but I'll thinkabout it okay?-In the gymnasium-Liberty: Our New Jersey design.Manny: Wow. That's awesomeLiberty.Emma: Yeah. That's really good.Liberty: Thanks. We do have to convince Mr. Jeremiah to sponsorus and not boys basketball, but a minor detail.Emma: Yeah like the boys need funding.Ms. Hatzilakos: Iknow girls you're excited about this, but even with sponsorship we're not gonna win anything unless wepractice, okay? So take your positions. We're gonna do passing drills.(The girls get ready to practice.)Ms.Hatzilakos: Oh and can you clean the pinnies? They need washing.Liberty: I just washed them the otherday.Ms. Hatzilakos: I know. They're dirty again. Okay girls come on! Can we focus please!In the media"}
+{"doc_id":"doc_328","qid":"","text":"(Izzie is laying in bed with George. She quietly tries to sneak out.)MVO: Surgeons always have a plan,where to cut, where to clamp, where to stitch. But even with the best plans, complications can arise,things can arise and suddenly you're caught with your pants down.(Izzie is in the kitchen at the sinkwhen Cristina and Meredith walk in)Meredith: Wow, you and George were really going at it lastnight.Izzie: What?Cristina: The laughing, the drinking, the music. Nobody, I mean me, needs to hearGeorge's rendition of \"Sexy Back\" at three in the morning.Izzie: Yeah, yeah. You should have saidsomething or you know, banged on the wall.Cristina: It's like living in a youth hostel.Meredith: Well, theimportant thing is that she and George made up. You did right?(Alex walks in)Alex: I need to use yourbathroom.Meredith: Why?Alex: Cause O'Malley's puking in mine.Cristina: Ok, youth hostel.Meredith:George is still here?Izzie: Yes. Yes. But only because he was too drunk to drive home. You know, justtotally impaired. Like no heavy machinery drunk.Alex: What's her problem?Cristina: Still drunk.Alex:What's she doing here?Meredith: She's afraid she's ruining her engagement to Burke, so she's hidingfrom him.Cristina: I'm not anymore. I have a plan. Burke doesn't want me to marry him just to appeasehim...Meredith: Which you are.Cristina: So...we don't get married. Simple, we go back to the way it was.Be kind, rewind. My plan has a name.Izzie: I gotta go. I gotta get to work. See you guys later.(She goesto leave and puking can be heard from the downstairs bathroom)Izzie: Is that George? You said he wasupstairs, puking.Alex: So, now he's downstairs puking.(Izzie walks into the hall where George is)George:Izzie.Izzie: George.George: What the hell happened last night? Callie is gonna kill me. Did I at least callher before I passed out?Izzie: No. you don't...you don't remember?George: I remember the bourbon andthe...I...where did you sleep?(Richard is walking through the hall with Colin)Richard: Big day. Whattime's your interview with the board?Colin: Three o'clock.Richard: Well if you have any questions,please...Colin: Yes, thank you. I think I have everything well in hand.Richard: That's a big folder.(Referring to the one Colin is carrying)Colin: It's nothing...it's just a few ideas I have for Seattle Grace. Aten-year plan. Which really is just a few, ah, tweaks. What did Einstein say? \"Newton did the work, I'mmerely standing in his shoulders.\"Richard: And in this scenario I'm Newton.(George is in the locker roomlooking very nauseous when Callie enters)Callie: George. Hey.George: Hey. You look, uh, nice.Callie: Ilook insane. I'm wearing pearls. Listen...George: Listen, about last night, uh...Callie: Yeah. Well we'regood enough for now because as of right now you and I, we're the perfect couple. Ok, we are the perfecthappily married couple who are perfect and, and never fight because my dad's in town.George:What?Callie: Yeah, my dad's in town and, uh, he wants to meet my husband.(Izzie enters)Izzie: Oh, hey.Hey, O'Malleys. Carry on, do your stuff, your married stuff. Yay!Callie: You told her about ourfight.George: Just when exactly is he coming?Callie: Today, lunch, cafeteria. You know what, I think Imight change it to Joe's so he might not be able to tell that stinks coming from you.George: No, it's ok.It's ok. Uh, I'm good with parents. Parents love me.Callie: Funny little man. Funny, funny little man.Funny little man who stinks. Just get in the shower, get in the shower, ok?George: I know it'll be ok.You'll see, he's gonna love me. Oh.(Cristina walks up to Burke at a nurse's station)Burke: Oh, what'sthis?Cristina: We bring each other coffee. This is what we do.Burke: No, this is what we used to do.Before you moved in and we started making coffee at home. You know, I'm not really interested in goingback to the way it used to be so unless you have something else to say to me...I've already had mycoffee.(Burke walks away and she sees Colin in the hall. Cristina walks away and Colin comes down thestairs and sees Derek, Addison and Burke standing near the OR board.)Colin: Ahh, good morning,doctors.Derek: Good morning. How you doing?Colin: Big day today. Good luck to all and sundry.(Colinwalks away and Richard walks up)Richard: He has a ten-year plan.Burke: What?Richard: He's presentingthe board with a ten-year plan for the surgical wing.Derek: He's only been here a day.Richard: Did yousee that folder? It's full of plans...tweaks for my hospital.(Seattle scenes)(Jane Doe's room, Mark isshowing her images on a computer screen.)Mark: This is a computer approximation of your original facialstructure. Based on the 3D CT scans we did, it's what you could look like after reconstructive surgery. Oryou could look like this...or this. You don't like them?Jane: It's not that...(Looks at Alex) How does this"}
+{"doc_id":"doc_329","qid":"","text":"Act OneScene One - A Seedy Motel Room. Frasier is lying in bed, asleep, in the motel room. He awakensand finds that he has a tattoo on his arm that reads \"Chesty.\" There is a half-empty bottle of tequila on atable across from the bed. A shower is running, but then stops suddenly. Frasier props himself up onsome pillows and folds him arms behind his head, expectantly.Out from the bathroom steps GilChesterton - wearing only a towel.Gil: Well, look who's up!SMASH CUT TO: Frasier sits up in bed - hisown bed. The previous scene had been a dream - or a nightmare, considering Frasier's panic-strickenreaction.[SCENE_BREAK]WHY GIL? WHY NOW?Scene Two - KACL. Frasier is listening to a young malecaller, Jimmy.Jimmy: [v.o.] So it's my parents. I don't know, they're just like, really stupid.Frasier:[bored] May I ask how old you are?Jimmy: Fourteen.Frasier: Well, hang on, Jimmy. Your parents aregoing to be stupid for another seven years.Jimmy: Whoa! Seven years? That's like, longer than I'll be inhigh school!Frasier: I salute your optimism. [disconnects] We'll be right back after this.He goes off air asRoz enters his booth.Frasier: Oh god, Roz. A teenager who's embarrassed by his parents? I mean,please. Can't you come up with something a little more challenging for me?Roz: Well, it was either him orour old pal, Rudy the Crier.Frasier: Oh, Rudy the Crier. Oh God. He's been on three times in the lastmonth. You put him on again, he won't be the only one who's crying. God, I'm in a dry spell. Where arethe souls in genuine torment? The people teetering on the brink of genuine despair?Roz: Oh, they'll beback. The holidays are just around the corner.Frasier: Well, perhaps you're right. Oh, Roz, I've got aquestion I'd like to ask you.Roz: Shoot.Frasier: Have you ever had a recurring dream of an intimatenature about someone... oh, a... well, a co-worker?Roz: [disgusted] Oh, no. Why'd you tell me?Frasier:Oh, Roz!Roz: Oh, now it's gonna be creepy everytime you look at me through the glass!Frasier: Roz, notyou!Roz: [intrigued] So who is it then?Frasier: Oh, I'm not going to go into the specifics.Roz: Gina inaccounting?Frasier: Look, I'm not gonna do this!Roz: Sheila, the slow intern?Frasier: Forget I evenmentioned it.Gil enters. He's hiding something behind his back.Gil: Knock knock...Frasier: [suddenlynervous] Gil? [Roz eyes Frasier suspiciously]Gil: Frasier, I've come to tempt you.Frasier: [scared]Really?Gil: I'm reviewing the new pastry chef at Chez Shea. [reveals aneclair] And I quote: \"His amarettoeclair is so sinful, it will send you scurrying to your local padre for absolution.\"Frasier: Uh... no, thankyou, Gil. I'm on a diet.Gil: Oh, come now! You know you want it...Frasier: [jumping up] Oh, no no no... Ireally don't! [shoos Gil out the door] Off you go. Bye-bye.Roz: [excited] Oh, my god!Frasier: What?Roz:It was Gil!Frasier: I never said that!Roz: Then why are you blushing?Frasier: Oh, don't be ridiculous!Roz:Your ears are turning bright red!Frasier: I am not blushing!Roz: You are!Gil then knocks on one of thewindows. As they look at him he takes a big bite out of the eclair. Frasier hurriedly closes the blinds asRoz laughs.Frasier: Still not blushing! The scene DISSOLVES to another caller - Rudy the Crier.Rudy:[v.o.] ...just lying there in the hospital bed. She lifted her head off the pillow, looked up and said, \"I loveyou,\" and then she was gone. [cries]Frasier: Rudy, stop crying. We've gone over this before. What wasour agreement about sad movies?Rudy: I shouldn't watch them. [cries]Frasier: Exactly. Now go get acool washcloth and try to bring down the puffiness around your eyes. Please... stay away from sad ordepressing things... which, at this moment, includes listening to the Dr. Frasier Crane Show.[disconnects] Well, let's shoot it to the news. That's it for today. This is Dr. Frasier Crane. [he goes off airand Roz enters] Oh, my God! Well, close the record books. That was just the dullest three hours in thehistory of the Frasier Crane Show!Roz: Oh, come on. It wasn't so bad. What about that woman who wasso concerned about her appearance she wouldn't leave the house?Frasier: That was a commercial! Ibelieve Miss Clairol solved the problem! Well, I'll see you tomorrow. [he moves to exit, then turns back]Oh! Oh, Roz... about that dream I mentioned to you earlier... uh... this goes without saying, but I'drather you didn't share that with anyone else.Roz: Oh, sure.Betty: [passing by] Hi, dreamboy!Frasier: [toRoz] I hate you! Couldn't keep your big mouth shut, could you? Just exactly when did you find the time tospread the news?Roz: You don't think I was listening to your show, do you?Bulldog enters.Bulldog:Comin' through! Oh, Doc... I got to rub this one in a little...Frasier: All right, look, Bulldog... before youstart to ridicule me, yes, yes I had a dream about Gil. And yes, it had some erotic elements, but..."}
+{"doc_id":"doc_330","qid":"","text":"Scene: The apartment. The guys are studying a complex chart on the whiteboard.Leonard:Hmmm.Sheldon: The problem appears to be unsolvable.Raj: Maybe you could run some computersimulations.Howard: There are too many variables. It would take forever.Leonard: We've got to bemissing something. Let's start again. The movie is playing here at 7:20, here at 7:40, here at 8:10 andhere at 8:45.Sheldon: Right, these theatres have to be eliminated.Leonard: Why? They'restate-of-the-art digital projection, 20-channel surround sound.Sheldon: Yes, but they have no Iceemachines. Despite my aggressive letter-writing campaign, I might add.Raj: What about the multiplexhere? The seats are terrific.Sheldon: They have Twizzlers instead of Red Vines. No amount of lumbarsupport can compensate for that.Leonard: Well, it's gonna take at least an hour to eat, and I don't see aSheldon-approved restaurant proximate to a Sheldon-approved theatre.Raj: We could eat after themovie.Sheldon: Unacceptable, the delay would result in tomorrow morning's bowel movement occurringat work.Raj: Hang on, hang on. There's a 7-Eleven here. We smuggle Slurpies, which are essentiallyIcees, in under our coats, after having a pleasant meal either here, here or here.Howard: Wow. I don'tsee how we missed that.Sheldon: Excuse me, in what universe are Slurpies Icees?Raj: That's how wemissed it.Leonard: Sheldon, would you be prepared, on a non-precedential basis, to create an emergencyad-hoc Slurpie-Icee equivalency?Sheldon: Oh, Leonard, you know I can't do that.Howard: Okay, I guesswe only have one option.Raj: Yep, I don't see any way around it.Leonard: Bye, Sheldon.Howard: Seeya.Raj: Later, dude.Sheldon: They're right, it was the only option. Credits sequence.Scene: The hallway.Sheldon is opening the apartment door. Penny comes running up stairs.Penny: Ooh, ooh, shut the door,shut the door.Sheldon: Why?Penny: Just do it! (Penny runs in. Sheldon shuts door. Penny opens dooragain) Get inside and shut the door.Sheldon: Well, you didn't specify.Penny: Is Leonard around?Sheldon:He went to the movies without me. It was the only option. I'm sorry, I don't understand which socialsituation this is. Could you give me some guidance as to how to proceed?Penny: The building manager'sshowing an apartment downstairs, and I haven't paid my rent.Sheldon: Oh, I see. Penny, I'm not sureI'm comfortable harbouring a fugitive from the 2311 North Los Robles Corporation.Penny: It's no bigdeal. I'm just a little behind on my bills because they cut back my hours at the restaurant and my carbroke down.Sheldon: If you recall, I pointed out the \"check engine\" light to you several monthsago.Penny: Well the \"check engine\" light is fine. It's still blinking away. It's the stupid engine thatstopped working. It cost me like twelve hundred dollars to fix it.Sheldon: You know, it occurs to me youcould solve all your problems by obtaining more money.Penny: Yes, it occurs to me, too.Sheldon: Hangon a moment. (He opens a jar. Snakes jump out. He then pulls out a large wedge of money) Here. Takesome. Pay me back when you can.Penny: Wow, you got a lot of money in there.Sheldon: That's why it'sguarded by snakes. Take some.Penny: Don't be silly.Sheldon: I'm never silly. Here.Penny: No, Ican't.Sheldon: Don't you need money?Penny: Well, yeah, but...Sheldon: This is money I'm notusing.Penny: But what if you need it?Sheldon: My expenses account for 46.9% of my after-tax income.The rest is divvied up between a small savings account, this deceptive container of peanut brittle and thehollowed-out buttocks of a superhero action figure who shall remain nameless for his own protection. Orher own protection. Take some.Penny: Really? I mean, are you sure?Sheldon: I see no large upcomingexpenditures unless they develop an affordable technology to fuse my skeleton with adamantium likeWolverine.Penny: Are they working on that?Sheldon: I sincerely hope so.Penny: Okay. Well, thank you.Oh, God, no, I can't. Sheldon honey, I don't want things to be weird between us.Sheldon: Won't it also beweird if I have to say hello to you every morning on my way to work and you're living in a refrigeratorbox and washing your hair with rain water?Penny: I'll pay you back as soon as I can.Sheldon: Of courseyou will. It's impossible to pay me back sooner than you can. Assuming you subscribe to a linearunderstanding of time and causality.Penny: I'm regretting this already.Scene: Entering the lobby of thebuilding.Sheldon: You know, I've given the matter some thought, and I think I'd be willing to be a housepet to a race of super-intelligent aliens.Leonard: Interesting.Sheldon: Ask me why.Leonard: Do I haveto?Sheldon: Of course. That's how you move a conversation forward.Leonard: Why?Sheldon: The"}
+{"doc_id":"doc_331","qid":"","text":"[Scene: The Capeside High Cafeteria. Jen and Jack are sitting at a table eating their lunch together.]Jen:Ok, please, just give me something. Anything. A small juicy little morsel just to tide me over so I cankeep on living vicariously through you.Jack: First of all, when discussing my love life, try not to use theword juicy or morsel. Ok? It cheapens me.Jen: Fine. Fine. But you and Tobey are going out again,right?Jack: Yes, we are going out again.Jen: And?Jack: And that's all you're getting.Jen: Might I remindyou that it was me that got the 2 of you together?Jack: Mm-hmm.Jen: Don't make me beg. Because I'lldo it and it won't be pretty.[Drue comes up and takes a seat at their table.]Drue: Actually, begginghappens to be a great look for you. Especially when you stick out that pouty lower lip. It's very sexy.Jen:Well, I must be off my game, Drue. Normally I can smell you coming a mile away.Drue: Be nice or youwon't get your yearbooks.[He hands them each a yearbook.]Jen: Ooh!Jack: Nice.Jen: That isuncharacteristically nice of you. What's going on?Drue: Hey, how many prom drownings do I have torescue you from before you accept the new me?Jen: Maybe one...or two.Drue: Hmm. If we can all turn topage 53 in our prayer books, I think we should bow our heads in a moment of silence.[They open thebooks to see the picture of Pacey and Joey, Class Couple.]Jen: I wonder if they've seen this yet?Jack: Orif they're talking yet?Drue: I wonder if anyone besides you 2 cares?Jen: Well, as far as I know, theyhaven't said so much as a hello since the prom debacle.Jack: Same goes for Dawson and Gretchen.Jen:See, that confuses me. I mean, I was sure that they would've gotten back together by now. They're sogood for each other.Jack: Well, you know, long distance relationships can be tough. He's gonna be in L.A.You know, the way I see it, if anybody's getting back together, Joey and Pacey.Drue: Blah, blah, blah. Allyou guys do is talk. You know what? I say it's time we take some action.[Takes out some money andholds it in front of them.]Drue: [Chuckles] Who will live to suck face another day? Will it be Joey andPacey? Gretchen and Dawson? Both...or neither?Jack: It's disgusting.Jen: Yeah, it's really inappropriate,Drue.Jack: Jen, spot me 2 bucks.Jen: I can do that. I got it here. I have a 20. Take it all the way,baby.[Dawson and Joey walk up and they quickly hide the money.]Dawson: Hey, guys, what's up?Jack:Whoa!Jen: Dawson, Joey.Jack: You guys eaten?[Jen shows Joey a picture]Jen: Cute, huh?Joey:Aw.[Opening Credits][SCENE_BREAK][Scene: Dawson's Bedroom. Dawson is working on his computerwhen his mother comes into the room]Gale: [Knock on door] Busy?Dawson: Oh, yeah. I'm just doingsome last looks on this Brooks film before I send it off to USC. If I got any chance at all of getting in theirsummer program this has to be out by tomorrow.Gale: Honey, have you talked to Gretchen yet?Dawson:[Sigh] There's not really much to talk about.Gale: But are you ok with the way things were left betweenthe 2 of you?Dawson: Well, I'm not doing cartwheels. But, you know, what do you expect? I'm sure we'lleventually find a way to restore our friendship.Gale: Well, I don't see how you're gonna restore yourfriendship if you're not speaking.Dawson: Well, it's my friendship so I'll handle it.[Gale gets up to go butturns back to him]Gale: Gretchen's leaving town.Dawson: When? How do you know?Gale: She gave hernotice a couple days ago. Today's her last day at the restaurant. So it must be soon then. I just thoughtyou'd want to know if you want to say good-bye.Dawson: Well, she didn't tell me she was leaving. Soobviously she doesn't want me to know.Gale: No. No, the truth is, Dawson, you don't know whatGretchen's thinking right now. So why don't you go over there and find out? You could, uh...ask her tosign your yearbook, that's always a good way to start a conversation.Dawson: Mom, I appreciate theeffort, but aside from that being a painfully lame idea, that's such a thinly veiled attempt at areconciliation I'm not even sure there's a veil there.Gale: Well, then I'm sure you'll think of somethingbetter. But if you want to keep Gretchen in your life, honey, you're gonna have to talk to her, and you'regonna have to do it soon.[Scene: Outside Pacey and Gretchen's Place. Pacey is fixing her car, when shecomes out carrying a pop and a sandwich.]Gretchen: Hey. How's it going?Pacey: This baby should run foranother 2,000-3,000 miles, easy. Though it wouldn't kill you to change the oil every once in amillennium.Gretchen: I'll try and remember that. Oh, I talked to the landlord, and we're officially paid uptill the end of next month. And after that the lease is up.Pacey: Thanks for doing that.Gretchen: Noproblem.Pacey: Consider it payment for the work you've done on my car.Gretchen: You want this?[She"}
+{"doc_id":"doc_332","qid":"","text":"[Scene: Mausoleum. Prue walks in.]Prue: Phoebe? Phoebe, are you in here? (She sees Phoebe asleepnext to a crypt.) Hey, sweetie, wake up.(Phoebe wakes up.)Phoebe: Cole?Prue: No, it's just me. Comeon, let's go home.Phoebe: No, I have to wait here for Cole.Prue: Phoebe, you can't just wait here, alright.He will know where to find you. Come on.(Phoebe stands up.)Phoebe: I don't understand. He wassupposed to go back under so that they wouldn't be suspicious of him, but it's been over a week.Prue: Heprobably just hasn't found a safe way out yet, that's all.Phoebe: But what if he can't? What is thebrotherhood found him out?Prue: Look, even if they did, he would put some sort of a spin on it to, youknow, get out of it. Come on, you know Cole, he knows what he's doing. You don't make demon of thecentury without having a few tricks up your sleeve.Phoebe: I just hope he's okay, Prue.(They walk out ofthe mausoleum.)[Scene: A cave in the underworld. Cole is lying on a large rock. Raynor and Tarkin arestanding beside him. Raynor has his hand held out above Cole's head, reading his thoughts.]Raynor:Seems our brother's suspicions are well founded.Tarkin: Why? What do you see?Raynor: Sickness. Thekind that only comes from being under the world of light for too long. It's contaminated him.Tarkin:That's impossible, Raynor. A demon as great as Belthazor.Raynor: It's not his demon half that's beeninfected, it's his human half. He's in love.Tarkin: The witch.Raynor: Not just any witch, one of theCharmed Ones. But she's only loved him, she's turned him against us, sent him here to destroyus.Tarkin: Well, then we must destroy him.Raynor: You still have so much to learn, Tarkin. You don't justkill a demon like Belthazor.Tarkin: But he betrayed us.Raynor: And in so doing, he's acquired theknowledge of how to kill the Charmed Ones. Something no other demon's been able to accomplish. Thatwith his power makes a very precious commodity for us, one worthy of saving.Tarkin: But howcan...?Raynor: How can we save him? Simple. We remove the only thing that's re-awakened his humanhalf. His only foot hole to good. The witch's love for him.Opening Credits[Scene: Manor. Kitchen. Piper issitting at the table. She pours dozens of books and and papers from a box onto the table, and startslooking through them.]Piper: Okay.(Leo walks in holding a French/English dictionary.)Leo: Oú est l' tourEiffel. That is 'Where is the Eiffel Tower?'Piper: In my dreams if we don't get you a passport.Leo: Honey,we don't need a passport to honeymoon in Paris. With a blink of an orb, we can be sipping champagne atthe Champs Sel Seasay.(Piper giggles.)Piper: Yes, as romantic as you make that sound, I would rather flyAir France, than Air Leo. Just like every other normal newlywed.Leo: Well, great, except that we'renot.Piper: Well, a passport for you could change all that, if I could just find... voila! Birth certificate. (Sheholds it up.)Leo: Where did you get that?Piper: From Dan's old file, the one he put together when he wassuspicious of you. You remember him, don't ya?Leo: Let's see, perfect hair, cleft chin, tried to steal youaway from me? Vaguely, vaguely. (Leo snatches the birth certificate off of Piper.) This isn't gonna work, Iwas born in 1924.Piper: No, you weren't. (She snatches it back.) Okay, off-white background, black ink...Little trick I learned in high school.Leo: You're gonna forge my birth certificate.Piper: No. Just going tochange one little number. (She white outs the number.) So, 1924 becomes 1974. And just like that, youare fifty years younger. (She writes in the seven.) Wait a minute, that makes you 27. That's youngerthan me. Maybe I should change another number.Leo: Piper, this is completely illegal.Piper: Yeah? Well,so is marrying a dead guy, okay? (She holds up his death certificate.) Let's not get technical now.(Pruewalks in.)Prue: Morning. What's up?Leo: Well, probably three to five years jail if we're lucky.(Prue gives aconfused look.)Piper: Never mind. Were you up late working again?Prue: No, I was up looking forPhoebe. Three guesses where she was.Piper: Hmm, the mausoleum?Prue: Yeah, it's become like hersecond home.Leo: Still no word from Cole?Prue: No, and you know what? You would think he could takethree lousy seconds just to shimmer and let all of us know that he's okay.Leo: Maybe he can't, maybehe's afraid he'll get caught.Piper: Maybe he already has.[Scene: Cave in the underworld. Raynor andTarkin walk over to Cole.]Raynor: Just follow my lead.(Raynor wakes up Cole.)Cole: Raynor.(He sitsup.)Raynor: Good to see you're still with us, Belthazor.Cole: What happened?Raynor: I tried to kill you.Accidentally, of course. I didn't recognise you in your human form, my mistake.Tarkin: Not many arestrong enough to survive an energy bolt, Belthazor. You're lucky.Raynor: Forgive me.(Ranor holds out his"}
+{"doc_id":"doc_333","qid":"","text":"INT. TARDISPicking up where the last episode left off - Rose runs into the TARDIS and joins theDoctor.THE DOCTOR: Right then, Rose Tyler, you tell me, where do you want to go? Backwards orforwards in time. What's it going to be?ROSE: Forwards.The Doctor presses a few buttons.THE DOCTOR:How far?ROSE (picking random number): One hundred years.He pulls a lever and turns a knob. Theengines lurch and then stop after a few seconds.THE DOCTOR: There you go, step outside those doors,it's the twenty-second century.ROSE: You're kidding.THE DOCTOR: That's a bit boring though, do youwant to go further?ROSE: Fine by me!The Doctor starts up the engines again. When they stop, he looksat her.THE DOCTOR: Ten thousand years in the future. Step outside, it's the year 12005, the New RomanEmpire.ROSE (teasingly): You think you're so impressive.THE DOCTOR: I AM so impressive!ROSE: Youwish!THE DOCTOR: Right then, you asked for it. I know exactly where to go. (Revs up the engine, pumpsa lever furiously). Hold on!The TARDIS hurtles through the time vortex. With a pinging noise, the TARDISstops.ROSE: Where are we?The Doctor gestures towards the doors. Rose smiles excitedly.ROSE(CONT'D): What's out there?The Doctor gestures again. Rose steps outside the doors.INT. VIEWINGGALLERYRose finds herself in some kind of wooden room. The Doctor follows her and with his sonicscrewdriver, opens the shutters of an enormous window. They go down the stairs and find themselveslooking down on the planet Earth.THE DOCTOR: You lot. You spend all your time thinking about dying.Like you're going to get killed by eggs or beef or global warming or asteroids. But you never take time toimagine the impossible. Maybe you survive. This is the year 5.5/apple/26. Five billion years in yourfuture. This is the day... hold on... (Looks at his watch). This is the day the sun expands. Welcome to theend of the world.OPENING CREDITSEXT. PLATFORM ONETwo space shuttles zoom towards Platform One,essentially a huge space station.COMPUTER VOICE: Shuttles 5 and 6 now docking. Guests are remindedthat platform 1 forbids the use of weapons, teleportation and religion. Earth Death is scheduled for15:39, followed by drinks in the Manchester Suite.INT. PLATFORM ONE, CORRIDORRose and the Doctorare walking down a corridor.ROSE: So, when it says 'guests' does that mean people?THE DOCTOR:Depends what you mean by people.ROSE: I mean people. What do you mean?THE DOCTOR:Aliens.ROSE: What are they doing on board this spaceship? What's it all for?The Doctor starts to open adoor with his sonic screwdriver.THE DOCTOR: It's not really a spaceship. More like an observation deck.The great and the good are gathering to watch the planet burn.ROSE: What for?THE DOCTOR: Fun.INT.THE MANCHESTER SUITEThey enter a large observation gallery.THE DOCTOR: Mind you, when I said thegreat and the good, what I mean is, the rich.ROSE: But, hold on, they did this once on \"NewsroundExtra\", the sun expanding, that takes hundreds of years.THE DOCTOR: Millions. But the planet's nowproperty of the National Trust. They've been keeping it preserved. See down there? (Points out of thewindow at tiny glints of light orbiting the Earth). Gravity satellite. That's holding back the sun.ROSE(peering out of the window at Earth). The planet looks the same as ever. I thought the continents shiftedand things.THE DOCTOR: They did. And the trust shifted them back. That's a classic Earth. But now themoney's run out, nature takes over!ROSE: How long has it got?The Doctor looks at his watch.THEDOCTOR: About half an hour. And the planet gets roasted.ROSE: Is that why we're here? I mean, is thatwhat you do? Jump in at the last minute and save the Earth?THE DOCTOR: I'm not saving it. Time'sup.ROSE: But what about the people?THE DOCTOR: It's empty! They're all gone. All left.Rose looks backto the window, realization spreading across her face.ROSE: Just me then.The Steward hurries towardsthem.STEWARD: Who the hell are you?THE DOCTOR: Oh! That's nice, thanks.STEWARD: But how did youget in? This is a maximum hospitality zone. The guests have disembarked! They're on their way anysecond now!THE DOCTOR: That's me, I'm a guest, look! I've got an invitation! (Flashes a small leatherwallet at the Steward). Look, there you see? It's fine, see? The Doctor plus one. I'm the Doctor, this isRose Tyler. She's my plus one. That all right?STEWARD: Well... obviously. (Doctor grins). Apologies, etcetera. If you're on-board, we'd better start. Enjoy.The Doctor nods at him. After the steward walks off,the Doctor shows Rose the card he had flashed at the steward. It is completely blank.THE DOCTOR: Thepaper's slightly psychic. Shows them whatever I want them to see. Saves a lot of time.ROSE: He's"}
+{"doc_id":"doc_334","qid":"","text":"TERMINUSBY: STEPHEN GALLAGHERPart OneFirst Air Date: 15 February 1983Running time:24:58[SCENE_BREAK]TURLOUGH: I'm scared. This place is like a maze. Where am I supposed to begoing?GUARDIAN (OOV.): Your function is to obey, not question.TURLOUGH: I may not have must time. Idon't think they trust me, especially Tegan.GUARDIAN (OOV.): The roundel behind you.GUARDIAN(OOV.): That one. Open it.GUARDIAN (OOV.): Operate the blue switches. Now you'll be able to removethe space-time element from beneath the console.TURLOUGH: Which switches will release the TARDIS tomy control?GUARDIAN (OOV.): Do only as I say.TEGAN (OOV.): Turlough!GUARDIAN (OOV.): Quickly,close the roundel.TURLOUGH: Now what do I do?GUARDIAN (OOV.): Go to the console room.TURLOUGH:And? Where have you gone?TEGAN: Who were you talking to?TURLOUGH: Oh, no one. I was singing. Notvery well, I'm afraid.TEGAN: Why didn't you answer when I called?TURLOUGH: I'm very sorry, I didn'thear you.TEGAN: You're up to something, I can feel it.TURLOUGH: I'm simply looking around. TheTARDIS is so very large.TEGAN: What have you been doing? Have you touched anything?TURLOUGH:You look so sweet when you get angry.TEGAN: I'm being serious. What have you beendoing?TURLOUGH: Nothing. You're being foolishly and unjustifiably suspicious. Tegan, why do you dislikeme so much?TEGAN: You're unreliable.TURLOUGH: You hardly know me.TEGAN: I heard the way youwere talking to the Doctor.TURLOUGH: Being friendly hardly makes me unreliable.TEGAN: It's the wayyou were doing it.TURLOUGH: Oh, you would prefer I used your sledgehammer tactics?TEGAN: At leastI'm honest.TURLOUGH: Being rude isn't honest. Neither is overreacting. If I choose to smooth the waywith a smile and a soft phrase, that doesn't make me unreliable. Charm, the way I use it, is to disagreeagreeably.TEGAN: You were using it to deceive.TURLOUGH: Oh, you're so typical of your planet, reducedto shouting if you can't have your own way.TEGAN: I am not!TURLOUGH: No? You seem unable to graspthat there are other approaches. To smile before asking.TEGAN: Don't patronise me,Turlough.TURLOUGH: I'm simply relating what I think.TEGAN: Turning an argument around is somethingyou're very good at.TURLOUGH: Listen to yourself. You're so concrete in the way you think. Why can'tyou just agree to differ?TEGAN: I think you're dangerous.TURLOUGH: I think we should try and befriends.TEGAN: I'm going to tell the Doctor about the roundel.TURLOUGH: Do so, but you'd only make afool of yourself. I travel in the TARDIS too, now. I have no desire to kill myself. I had no reason to openthat roundel. Where are you going?TEGAN: To show you to your room.TURLOUGH: We're friends?TEGAN:Not yet.[SCENE_BREAK]TURLOUGH: Looks like a kid's room.TEGAN: It was Adric's.TURLOUGH:Who?TEGAN: Doesn't matter.TURLOUGH: I've had enough of children, what with that awful school onEarth.TEGAN: You can change things if you want.TURLOUGH: Right, all this can go for a start.TEGAN: It'syour room. Do what you like.[SCENE_BREAK]TEGAN: He's got the manners of a pig.NYSSA: TheDoctor?TEGAN: The brat, Turlough.NYSSA: He'll settle down.[SCENE_BREAK]TURLOUGH: It's repaireditself.GUARDIAN (on scanner): Concentrate. You have work to do.[SCENE_BREAK]TEGAN: What are youdoing?NYSSA: Synthesising an enzyme. I seem to need the practice.TEGAN: You've done itbefore.NYSSA: Adric did the calculation for me. My own figures aren't as good, as you can see.TEGAN: I'llsee if I can find his notes, before Turlough destroys them.[SCENE_BREAK]TURLOUGH: What will thisdo?GUARDIAN (on scanner): You are touching the heart of the TARDIS. Rip it free!TURLOUGH: Whathappens to me?GUARDIAN (on scanner): You will be safe. I am ready to lift youaway.[SCENE_BREAK]TEGAN: Turlough?[SCENE_BREAK]TEGAN: Turlough?[SCENE_BREAK]TURLOUGH:It's stuck.GUARDIAN (on scanner): Continue.TURLOUGH: I'm trying. It won't move.GUARDIAN (onscanner): The break-up is beginning. I can sense it. Remove the space-time element!TEGAN (OOV.):Turlough?[SCENE_BREAK]TEGAN: Turlough? Oh, no. Doctor!DOCTOR: What is it?TEGAN: Quickly!TEGAN:What is it?DOCTOR: We're in trouble. I'll explain later.[SCENE_BREAK]DOCTOR: What was Nyssa workingon?TEGAN: Nothing that could have caused this.DOCTOR: The rotor's jamming. Well, there's a safety cutout.TURLOUGH: Is Nyssa safe?DOCTOR: Well, we'll see. I'm trying to refocus the exterior viewer on theinterior of the TARDIS.TEGAN: It's just a mess.DOCTOR: Dimensional instability, that's the danger.Nyssa![SCENE_BREAK]DOCTOR (OOV.): Nyssa, can you hear me?NYSSA: Yes!DOCTOR (OOV.): Stay well"}
+{"doc_id":"doc_335","qid":"","text":"Scene: The Cheesecake FactoryPenny: Hey, you guys ready to order?Howard: Uh..Leonard: SurePenny:Okay, Priya?Priya: Uh, I'll have the Shepherd's Pie. You want to split that with me?Leonard: Oh, no, no,no, he doesn't.Priya: Why not?Leonard: Well, you have milk in the taters, milk in the gravy, parmesancrust. Your lactose-intolerant boyfriend will turn into a gas-filled Macy's Day balloon.Sheldon: Not quiteaccurate. The Macy's balloons are filled with helium, whereas Leonard produces copious amounts ofmethane.Leonard: So, no, on the Shepherd's Pie. Can we move on?Penny: Yeah, a little tip: he says hecan eat frozen yoghurt. Do not believe it.Leonard: Sea bass. I'll have the sea bass.Howard: You gotta likethis, the girlfriend and the ex-girlfriend bonding over your rooty-tooty stinky booty.Leonard: Killme.Sheldon: It wouldn'help. The human body is capable of being flatulent for hours afterdeath.Bernadette: Guys, sorry I'm late. I have amazing news.Sheldon: Bernadette, before you changethe subject, does anyone have any final comments on Leonard's faulty digestive system?Leonard: So,what's your news, Bernadette?Bernadette: The thesis committee accepted my doctoral dissertation. I'mgetting my PhD.Penny: Oh!Sheldon: Oh, congratulations.Penny: Wow, so that means you're a doctor,you're a doctor, you're a doctor, you're a doctor, and Howard, you know a lot of doctors.Howard:Congratulations, honey.Bernadette: Thank you.Leonard: So, Howard, tell us, how's it feel knowing thatwhen you two get married, you'll be referred to as Mr. and Dr. Wolowitz?Sheldon: Unless he takesBernadette's last name. And considering her advanced status, that could open some doors forhim.Howard: Please, this isn't about me. I'm proud of you.Bernadette: Well, you'll be really be proud ofthis. I was headhunted by a big pharmaceutical company. They're gonna pay me a buttload ofmoney!Howard: What?Leonard: Bernadette, that's great. Howard, do you make a buttload?Howard:Better than what you've got a buttload of.Leonard: Hey, if I roll down the windows in the car,everything's peachy. If you do it, you're still not a doctor.Penny: Yeah, just a heads-up on the car windowdeal. It helps, but everything is not peachy. Credits sequence.Scene: Raj's apartment.Raj (earphones in,singing): Oh, if there was a problem, you can't solve it, check out the hook while my DJ revolves it. Ice,Ice, baby. Ice, Ice, baby. (Removes headphones and goes to refrigerator).Priya (off): Oh, God, I feelridiculous in this dress.Leonard (off): You look beautiful, Lieutenant Uhura. Now prepare forinspection.Priya (off): Shh, my brother's going to hear you.Leonard (off): Relax, he's got headphones on.And we're ten miles above Earth in a starship.Raj: Really, ten miles? You're orbiting inside theatmosphere? Moron.Priya (off): I can't believe I'm wearing my brother's Halloween costume.Leonard(off): I can't believe you think he only wears it on Halloween. Open the landing bay doors, shuttle craftapproaching.Raj: Okay, gotta go.Scene: Howard's house.Howard: Hey, what's up?Mrs Wolowitz (off): Isthat my future daughter-in-law, the doctor?Howard: No, Ma! It's Raj!Mrs Wolowitz (off): He's a doctortoo, right?Howard: Yes!Mrs Wolowitz (off): Like Leonard and the skinny weirdo!Howard: Sheldon, yes!Everybody's a doctor but me!Mrs Wolowitz (off): Well, whose fault is that?Howard: What's up?Raj:Leonard's putting disgusting memories in my memory foam mattress. Can I stay here tonight?Howard:Sure, but I'm going out with Bernadette. It'll just be you and my mother.Raj: I guess that'sokay.Howard: Ma, can Rajesh sleep over?!Mrs Wolowitz (off): Of course, he and I can play doctor!Raj:She's kidding, right?Howard: I don't know, she's pretty feisty since they put her on hormone-replacementtherapy.Mrs Wolowitz (off): Paging Dr. Cutie Pie!Scene: The apartment. Sheldon is talking to Amy onwebcam.Sheldon: I must say, Amy, I was very impressed to see that Bernadette got her PhD.Amy: It'sindeed admirable. Although, it is microbiology.Sheldon: Your doctorate is in neurobiology. I fail to see thedistinction.Amy: I'll make it simple for you. I study the brain, the organ responsible for Beethoven's FifthSymphony. Bernadette studies yeast, the organism responsible for Michelob Lite. Is there somethingwrong with your neck?Sheldon: It's a little stiff. What a remarkably fragile structure to support such avaluable payload. Not unlike balancing a Faberge egg on a Pixie Stick.Amy: Have you consideredmassage?Sheldon: I'd like to respond to that sarcastically. Yes, I relish the thought of a stranger coveringmy body with oil and rubbing it.Amy: I was proposing you massage your muscles with your ownhands.Sheldon: Still sounds like a lot of unnecessary touching.Amy: Trust me. With your right hand,"}