ï»¿The Project Gutenberg EBook of Of Human Bondage, by W. Somerset MaughamThis eBook is for theuse of anyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give itaway orre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.netTitle: Of Human BondageAuthor: W. Somerset MaughamRelease Date: May 6, 2008[EBook #351]  [Original release date: October, 1995]  [Most recently updated: July 12, 2013]Language:English*** START OF THIS PROJECT GUTENBERG EBOOK OF HUMAN BONDAGE ***OF HUMANBONDAGEBYW. SOMERSET MAUGHAMIThe day broke gray and dull. The clouds hung heavily, and therewas arawness in the air that suggested snow. A woman servant came into a roomin which a child wassleeping and drew the curtains. She glancedmechanically at the house opposite, a stucco house with aportico, andwent to the child's bed."Wake up, Philip," she said.She pulled down the bed-clothes, took himin her arms, and carried himdownstairs. He was only half awake."Your mother wants you," she said.Sheopened the door of a room on the floor below and took the child overto a bed in which a woman waslying. It was his mother. She stretched outher arms, and the child nestled by her side. He did not askwhy he hadbeen awakened. The woman kissed his eyes, and with thin, small hands feltthe warm bodythrough his white flannel nightgown. She pressed him closerto herself."Are you sleepy, darling?" shesaid.Her voice was so weak that it seemed to come already from a greatdistance. The child did notanswer, but smiled comfortably. He was veryhappy in the large, warm bed, with those soft arms abouthim. He tried tomake himself smaller still as he cuddled up against his mother, and hekissed her sleepily.In a moment he closed his eyes and was fast asleep.The doctor came forwards and stood by thebed-side."Oh, don't take him away yet," she moaned.The doctor, without answering, looked at hergravely. Knowing she wouldnot be allowed to keep the child much longer, the woman kissed himagain;and she passed her hand down his body till she came to his feet; she heldthe right foot in her handand felt the five small toes; and then slowlypassed her hand over the left one. She gave a sob."What'sthe matter?" said the doctor. "You're tired."She shook her head, unable to speak, and the tears rolleddown her cheeks.The doctor bent down."Let me take him."She was too weak to resist his wish, and shegave the child up. The doctorhanded him back to his nurse."You'd better put him back in his ownbed.""Very well, sir." The little boy, still sleeping, was taken away. Hismother sobbed nowbroken-heartedly."What will happen to him, poor child?"The monthly nurse tried to quiet her, andpresently, from exhaustion, thecrying ceased. The doctor walked to a table on the other side of theroom,upon which, under a towel, lay the body of a still-born child. He liftedthe towel and looked. He washidden from the bed by a screen, but thewoman guessed what he was doing."Was it a girl or a boy?" shewhispered to the nurse."Another boy."The woman did not answer. In a moment the child's nurse cameback. Sheapproached the bed."Master Philip never woke up," she said. There was a pause. Thenthedoctor felt his patient's pulse once more."I don't think there's anything I can do just now," he said."I'll callagain after breakfast.""I'll show you out, sir," said the child's nurse.They walked downstairs insilence. In the hall the doctor stopped."You've sent for Mrs. Carey's brother-in-law, haven't you?""Yes,sir.""D'you know at what time he'll be here?""No, sir, I'm expecting a telegram.""What about the littleboy? I should think he'd be better out of the way.""Miss Watkin said she'd take him, sir.""Who'sshe?""She's his godmother, sir. D'you think Mrs. Carey will get over it, sir?"The doctor shook his head.IIItwas a week later. Philip was sitting on the floor in the drawing-roomat Miss Watkin's house in Onslowgardens. He was an only child and used toamusing himself. The room was filled with massive furniture,and on eachof the sofas were three big cushions. There was a cushion too in eacharm-chair. All these hehad taken and, with the help of the gilt routchairs, light and easy to move, had made an elaborate cave inwhich hecould hide himself from the Red Indians who were lurking behind thecurtains. He put his ear tothe floor and listened to the herd ofbuffaloes that raced across the prairie. Presently, hearing the dooropen,he held his breath so that he might not be discovered; but a violent handpulled away a chair andthe cushions fell down."You naughty boy, Miss Watkin WILL be cross with you.""Hulloa, Emma!" hesaid.The nurse bent down and kissed him, then began to shake out the cushions,and put them back in


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ï»¿The Project Gutenberg EBook of Of The Nature of Things, by [Titus Lucretius Carus] LucretiusThiseBook is for the use of anyone anywhere at no cost and withalmost no restrictions whatsoever.  You maycopy it, give it away orre-use it under the terms of the Project Gutenberg License includedwith this eBookor online at www.gutenberg.orgTitle: Of The Nature of ThingsAuthor: [Titus Lucretius Carus]LucretiusTranslator: William Ellery LeonardPosting Date: July 31, 2008 [EBook #785]Release Date:January, 1997Language: English*** START OF THIS PROJECT GUTENBERG EBOOK OF THE NATURE OFTHINGS ***Produced by Levent KurnazOF THE NATURE OF THINGSBy Titus Lucretius CarusA MetricalTranslationBy William Ellery LeonardBOOK IPROEM     Mother of Rome, delight of Gods and men,     DearVenus that beneath the gliding stars     Makest to teem the many-voyaged main     And fruitful lands--forall of living things     Through thee alone are evermore conceived,     Through thee are risen to visit thegreat sun--     Before thee, Goddess, and thy coming on,     Flee stormy wind and massy cloudaway,     For thee the daedal Earth bears scented flowers,     For thee waters of the unvexeddeep     Smile, and the hollows of the serene sky     Glow with diffused radiance for thee!     For soon ascomes the springtime face of day,     And procreant gales blow from the West unbarred,     First fowls ofair, smit to the heart by thee,     Foretoken thy approach, O thou Divine,     And leap the wild herds roundthe happy fields     Or swim the bounding torrents. Thus amain,     Seized with the spell, all creaturesfollow thee     Whithersoever thou walkest forth to lead,     And thence through seas and mountains andswift streams,     Through leafy homes of birds and greening plains,     Kindling the lure of love in everybreast,     Thou bringest the eternal generations forth,     Kind after kind. And since 'tis thoualone     Guidest the Cosmos, and without thee naught     Is risen to reach the shining shores oflight,     Nor aught of joyful or of lovely born,     Thee do I crave co-partner in that verse     Which Ipresume on Nature to compose     For Memmius mine, whom thou hast willed to be     Peerless in everygrace at every hour--     Wherefore indeed, Divine one, give my words     Immortal charm. Lull to atimely rest     O'er sea and land the savage works of war,     For thou alone hast power with publicpeace     To aid mortality; since he who rules     The savage works of battle, puissant Mars,     How oftento thy bosom flings his strength     O'ermastered by the eternal wound of love--     And there, with eyesand full throat backward thrown,     Gazing, my Goddess, open-mouthed at thee,     Pastures on love hisgreedy sight, his breath     Hanging upon thy lips. Him thus reclined     Fill with thy holy body, round,above!     Pour from those lips soft syllables to win     Peace for the Romans, glorious Lady, peace!     Forin a season troublous to the state     Neither may I attend this task of mine     With thought untroubled,nor mid such events     The illustrious scion of the Memmian house     Neglect the civiccause.                            Whilst human kind     Throughout the lands lay miserably crushed     Before alleyes beneath Religion--who     Would show her head along the region skies,     Glowering on mortals withher hideous face--     A Greek it was who first opposing dared     Raise mortal eyes that terror towithstand,     Whom nor the fame of Gods nor lightning's stroke     Nor threatening thunder of theominous sky     Abashed; but rather chafed to angry zest     His dauntless heart to be the first torend     The crossbars at the gates of Nature old.     And thus his will and hardy wisdom won;     Andforward thus he fared afar, beyond     The flaming ramparts of the world, until     He wandered theunmeasurable All.     Whence he to us, a conqueror, reports     What things can rise to being, whatcannot,     And by what law to each its scope prescribed,     Its boundary stone that clings so deep inTime.     Wherefore Religion now is under foot,     And us his victory now exalts to heaven.     I know howhard it is in Latian verse     To tell the dark discoveries of the Greeks,     Chiefly because ourpauper-speech must find     Strange terms to fit the strangeness of the thing;     Yet worth of thine andthe expected joy     Of thy sweet friendship do persuade me on     To bear all toil and wake the clearnights through,     Seeking with what of words and what of song     I may at last most gloriouslyuncloud     For thee the light beyond, wherewith to view     The core of being at the centre hid.     And forthe rest, summon to judgments true,     Unbusied ears and singleness of mind     Withdrawn from cares;lest these my gifts, arranged     For thee with eager service, thou disdain     Before thou comprehendest:


ï»¿The Project Gutenberg eBook, The Art of War, by Sun TzuThis eBook is for the use of anyoneanywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it away orre-use itunder the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: The Art of WarAuthor: Sun TzuTranslator: Lionel GilesRelease Date: May1994  [eBook #132][Last updated: January 14, 2012]Language: EnglishCharacter set encoding:ISO-646-US (US-ASCII)***START OF THE PROJECT GUTENBERG EBOOK THE ART OF WAR ***Note:Please see Project Gutenberg's eBook #17405 for a version ofthis eBook without the Giles commentary(that is, with only theSun Tzu text).                    SUN TZU ON THE ART OF WAR            THE OLDESTMILITARY TREATISE IN THE WORLD          Translated from the Chinese withIntroduction                       and Critical Notes                               BY                       LIONEL GILES,M.A. Assistant in the Department of Oriental Printed Books and MSS.                      in the BritishMuseum                     First Published in1910-----------------------------------------------------------------                          To mybrother                  Captain Valentine Giles, R.G.                        in the hope that                      a work2400 years old           may yet contain lessons worth consideration                     by the soldier oftoday                        this translation                  is affectionatelydedicated.-----------------------------------------------------------------Preface to the Project GutenbergEtext--------------------------------------     When Lionel Giles began his translation of Sun Tzu's ARTOFWAR, the work was virtually unknown in Europe.  Its introductionto Europe began in 1782 when aFrench Jesuit Father living inChina, Joseph Amiot, acquired a copy of it, and translated itinto French.  Itwas not a good translation because, according toDr. Giles, "[I]t contains a great deal that Sun Tzu didnotwrite, and very little indeed of what he did."     The first translation into English was published in 1905inTokyo by Capt. E. F. Calthrop, R.F.A.  However, this translationis, in the words of Dr. Giles, "excessivelybad."  He goesfurther in this criticism:  "It is not merely a question ofdownright blunders, from whichnone can hope to be wholly exempt.Omissions were frequent; hard passages were willfully distortedorslurred over.  Such offenses are less pardonable.  They wouldnot be tolerated in any edition of a Latin orGreek classic, anda similar standard of honesty ought to be insisted upon intranslations fromChinese."  In 1908 a new edition of Capt.Calthrop's translation was published in London.  It wasanimprovement on the first -- omissions filled up and numerousmistakes corrected -- but new errorswere created in the process.Dr. Giles, in justifying his translation, wrote:  "It was notundertaken out ofany inflated estimate of my own powers; but Icould not help feeling that Sun Tzu deserved a better fatethanhad befallen him, and I knew that, at any rate, I could hardlyfail to improve on the work of mypredecessors."     Clearly, Dr. Giles' work established much of the groundworkfor the work of latertranslators who published their owneditions.  Of the later editions of the ART OF WAR Ihaveexamined;  two feature Giles' edited translation and notes,  theother two present the same basicinformation from the ancientChinese commentators found in the Giles edition.  Of these four,Giles' 1910edition is the most scholarly and presents the readeran incredible amount of information concerning SunTzu's text,much more than any other translation.     The Giles' edition of the ART OF WAR, as statedabove, was ascholarly work.  Dr. Giles was a leading sinologue at the timeand an assistant in theDepartment of Oriental Printed Books andManuscripts in the British Museum.  Apparently he wantedtoproduce a definitive edition, superior to anything else thatexisted and perhaps something that wouldbecome a standardtranslation.  It was the best translation available for 50 years.But apparently therewas not much interest in Sun Tzu in English-speaking countries since it took the start of the SecondWorldWar to renew interest in his work.  Several peoplepublished unsatisfactory English translations of SunTzu.  In1944,  Dr. Giles' translation was edited and published in theUnited States in a series of militaryscience books.  But itwasn't until 1963 that a good English translation (by Samuel B.Griffith and still inprint) was published that was an equal toGiles' translation.  While this translation is more lucid thanDr.Giles' translation, it lacks his copious notes that make hisso interesting.     Dr. Giles produced a work


ï»¿Project Gutenberg's The Marriage of William Ashe, by Mrs. Humphry WardThis eBook is for the use ofanyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it awayorre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.netTitle: The Marriage of William AsheAuthor: Mrs. Humphry WardRelease Date:November 22, 2004 [EBook #14126][This file last updated November 24, 2010]Language: English***START OF THIS PROJECT GUTENBERG EBOOK THE MARRIAGE OF WILLIAM ASHE ***Produced byAndrew Templeton, Juliet Sutherland, Charlie Kirschnerand the Online Distributed ProofreadingTeam.[Illustration: LADY KITTY BRISTOL]The MarriageofWilliam AsheBYMRS. HUMPHRY WARDAuthor of"Lady Rose's Daughter" "Eleanor" etc.ILLUSTRATED BYALBERTSTERNER[Illustration]1905Contents                                  PAGEPART I. ACQUAINTANCE . . . . . ..   1PART II. THREE YEARS AFTER . . . . 125PART III. DEVELOPMENT  . . . . . . 293PART IV. STORM . . . . .. . . . . 365PART V. REQUIESCAT . . . . . . . . 511TOD.M.W.DAUGHTER AND FRIENDI INSCRIBE THISBOOKMARCH, 1905IllustrationsLADY KITTY BRISTOL . . . . . . . . . . . . . . . . . . .  _Frontispiece_LADYTRANMORE AND MARY LYSTER  . . . . . . . . . . . . _Facing page_   6"A SLIM GIRL IN WHITE AT THE FAREND OF THE LARGE ROOM"  . . . . . .  44THE FINISHING TOUCHES  . . . . . . . . . . . . . . . . . . . . . . .200"HE GATHERED HER IN HIS ARMS"  . . . . . . . . . . . . . . . . . . . 278"THE ACTRESS PAUSED TO STAREAT LADY KITTY"  . . . . . . . . . . . . 438"SHE THOUGHT OF CLIFFE STANDING BESIDE THE DOOR OF THEGREAT HALL" . 474"HE DREW SOME CHAIRS TOGETHER BEFORE THE FIRE" . . . . . . . . . . . 556PARTIACQUAINTANCE                              "Just oblige me and touch     With your scourge that minx Chloe,but don't hurt her much."The Marriage of William AsheI"He ought to be here," said Lady Tranmore, asshe turned away from thewindow.Mary Lyster laid down her work. It was a fine piece ofchurchembroidery, which, seeing that it had been designed for her by no less aperson than young Mr.Burne Jones himself, made her the envy of herpre-Raphaelite friends."Yes, indeed. You made out therewas a train about twelve.""Certainly. They can't have taken more than an hour to speechify afterthedeclaration of the poll. And I know William meant to catch thattrain if he possibly could.""And take hisseat this evening?"Lady Tranmore nodded. She moved restlessly about the room, fidgetingwith a bookhere and there, and evidently full of thoughts. Mary Lysterwatched her a little longer, then quietly tookup her work again. Herair of well-bred sympathy, the measured ease of her movements,contrasted withLady Tranmore's impatience. Yet in truth she waslistening no less sharply than her companion to thesounds in thestreet outside.Lady Tranmore made her way to the window, and stood there looking outonthe park. It was the week before Easter, and the plane-trees were notyet in leaf. But a few thornsinside the park railings were alreadylavishly green and there was a glitter of spring flowers beside theparkwalks, not showing, however, in such glorious abundance as became thefashion a few years later. Itwas a mild afternoon and the drive wasfull of carriages. From the bow-window of the old irregular houseinwhich she stood, Lady Tranmore could watch the throng passing andrepassing, could see also the trafficin Park Lane on either side.London, from this point of sight, wore a cheerful, friendly air. Thedimsunshine, the white-clouded sky, the touches of reviving green andflowers, the soft air blowing infrom a farther window which was open,brought with them impressions of spring, of promise, and rebirth,whichinsensibly affected Lady Tranmore."Well, I wonder what William will do, this time, in Parliament!"shesaid, as she dropped again into her seat by the fire and began to cutthe pages of a new book."He issure to do extremely well," said Miss Lyster.Lady Tranmore shrugged her shoulders. "My dear--do youknow that Williamhas been for eight years--since he left Trinity--one of the idlest youngmen alive?""Hehad one brief!""Yes--somewhere in the country, where all the juniors get one in turn,"said LadyTranmore. "That was the year he was so keen and went oncircuit, and never missed a sessions. Next yearnothing would inducehim to stir out of town. What has he done with himself all these eightyears? I can'timagine.""He has grown--uncommonly handsome," said Mary Lyster, with a momentaryhesitation as shethreaded her needle afresh."I never remember him anything else," said Lady Tranmore. "All theartistswho came here and to Narroways wanted to paint him. I used tothink it would make him a spoiled little


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ï»¿The Project Gutenberg EBook of The Efficiency Expert, by Edgar Rice BurroughsThis eBook is for theuse of anyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give itaway orre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.org/licenseTitle: The Efficiency ExpertAuthor: Edgar Rice BurroughsPosting Date: May 6,2012 [EBook #3475]Release Date: October, 2002  [Etext #3475][The actual date this file first posted =10/30/01]Language: English*** START OF THIS PROJECT GUTENBERG EBOOK THE EFFICIENCY EXPERT***Produced by Fred M. Adams (fsadams@magma.cs)THE EFFICIENCY EXPERTCHAPTER I.JIMMYTORRANCE, JR.The gymnasium was packed as Jimmy Torrance stepped into the ring for thefinal event ofthe evening that was to decide the boxing championship ofthe university. Drawing to a close were thenearly four years of hiscollege career--profitable years, Jimmy considered them, and certainlysuccessfulup to this point. In the beginning of his senior year he hadcaptained the varsity eleven, and in the comingspring he would againsally forth upon the diamond as the star initial sacker of collegedom.His footballtriumphs were in the past, his continued baseball successesa foregone conclusion--if he won to-night hiscup of happiness, and anunassailably dominant position among his fellows, would be assured,leavingnothing more, in so far as Jimmy reasoned, to be desired fromfour years attendance at one of America'soldest and most famousuniversities.The youth who would dispute the right to championship honors withJimmywas a dark horse to the extent that he was a freshman, and, therefore,practically unknown. He hadworked hard, however, and given a goodaccount of himself in his preparations for the battle, and therewererumors, as there always are about every campus, of marvelous exploitsprior to his college days. Itwas even darkly hinted that he was aprofessional pugilist. As a matter of fact, he was the best exponentofthe manly art of self-defense that Jimmy Torrance had ever faced, and inaddition thereto heoutweighed the senior and outreached him.The boxing contest, as the faculty members of the athleticcommitteepreferred to call it, was, from the tap of the gong, as pretty atwo-fisted scrap as ever anyaggregation of low-browed fight fanswitnessed. The details of this gory contest, while interesting, havenoparticular bearing upon the development of this tale. What interests usis the outcome, which occurredin the middle of a very bloody fourthround, in which Jimmy Torrance scored a clean knock-out.It was abattered but happy Jimmy who sat in his room the followingMonday afternoon, striving to concentrate hismind upon a collegetext-book which should, by all the laws of fiction, have been 'wellthumbed,' but inreality, possessed unruffled freshness which belied itsreal age."I wish," mused Jimmy, "that I could havegot to the bird who inventedmathematics before he inflicted all this unnecessary anguish upon analreadyunhappy world. In about three rounds I could have savedthousands from the sorrow which I feel everytime I open this bloomingbook."He was still deeply engrossed in the futile attempt of accomplishing inanhour that for which the college curriculum set aside several monthswhen there came sounds ofapproaching footsteps rapidly ascending thestairway. His door was unceremoniously thrown open, andthere appearedone of those strange apparitions which is the envy and despair of thesmall-town youth--anaturally good-looking young fellow, the sartorialarts of whose tailor had elevated his waist-line to hisarm-pits,dragged down his shoulders, and caved in his front until he had theappearance of being badlydished from chin to knees. His trousersappeared to have been made for a man with legs six inches longerthanhis, while his hat was evidently several sizes too large, since it wouldhave entirely extinguished hisface had it not been supported by hisears."Hello, Kid!" cried Jimmy.  "What's new?""Whiskers wants you,"replied the other.  "Faculty meeting. They justgot through with me.""Hell!" muttered Jimmy feelingly.  "Idon't know what Whiskers wantswith me, but he never wants to see anybody about anything pleasant.""Iam here," agreed the other, "to announce to the universe that you areright, Jimmy. He didn't haveanything pleasant to say to me. In fact, heinsinuated that dear old alma mater might be able to wigglealongwithout me if I didn't abjure my criminal life. Made some nastycomparison between my academicachievements and foxtrotting. I wonder,Jimmy, how they get that way?""That's why they are profs,"explained Jimmy.  "There are two kinds ofpeople in this world--human beings and profs. When does hewant me?""Now."Jimmy arose and put on his hat and coat.  "Good-by, Kid," he said."Pray for me, and


ï»¿The Project Gutenberg EBook of Voodoo Planet, by Andre NortonThis eBook is for the use of anyoneanywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it away orre-use itunder the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: Voodoo PlanetAuthor: Andre NortonRelease Date: July 16, 2006 [EBook#18846]Language: English*** START OF THIS PROJECT GUTENBERG EBOOK VOODOO PLANET***Produced by Greg Weeks, LN Yaddanapudi and the OnlineDistributed Proofreading Team athttp://www.pgdp.net[Illustration (Cover):DUEL OF THE COSMIC MAGICIANSVOODOOPLANETANDRENORTONComplete Novel]CHALLENGE ME WITH MONSTERS!"From between the two shuffling dancerspadded something on four feet.The canine-feline creature was more than just a head; it wasaloose-limbed, graceful body fully eight feet in length, and the red eyesin the prick-eared head werethose of a killer.... Words issued frombetween those curved fangs, words which Dane might notunderstand...."Dane slid his blade out surreptitiously, setting its point against thepalm of his hand andjabbing painfully; but the terrible creaturecontinued to advance.... There was no blurring of itslines...."Dane Thorson of the space-ship _Solar Queen_ knew there was only one wayto win out over thishideous thing--a battle to the end between hisrational mind and the hypnotic witchcraft of Lumbrilo, themental wizardof the planet Khatka.CAST OF CHARACTERSDane ThorsonHe wanted to spend a shortvacation on Khatka, not the rest of his life.Medic TauWas he physician or magician--or a little bit ofboth?Chief Ranger AsakiTracking the forests had taught him that mad animals--whether realorimaginary--were to be feared.Captain JellicoWould his knowledge of alien life-forms help him in hisfight againstalien ghosts?NymaniNot even this pilot's most scientific skill could overcome avoodoocharm's ground-drag.LumbriloOn his own planet he was a witch doctor; on Earth he'd have beenamaster politician.VOODOO PLANETbyANDRE NORTONACE BOOKS, INC.23 West 47th Street, New York36, N. Y.VOODOO PLANETCopyright (c), 1959, by Ace Books, Inc.All Rights ReservedPrinted in U. S. A.  +--------------------------------------------------------------+  |                                                              |  |                      Transcriber's Note                      |  |                                                              |  |There is no evidence that the copyright on this publication  |  |                         was renewed.                         |  |                                                              |  +--------------------------------------------------------------+ITalk of heat--or better not--on Xecho. This water-logged world combinedall the mostunattractive features of a steam bath and one could onlydream of coolness, greenness--more land than astingy string of islands.The young man on the promontory above the crash of the waves wore thewingedcap of a spaceman with the insignia of a cargo-master and notmuch else, save a pair of very short shorts.He wiped one hand absentlyacross his bare chest and brought it away damp as he studied,throughprotective sun goggles, the treacherous promise of the bright sea. One_could_ swim--if hewanted to lose most of his skin. There were minuteorganisms in that liquid that smacked their lips--ifthey hadlips--every time they thought of a Terran.Dane Thorson licked his own lips, tasting salt, andplodded back throughthe sand of the spaceport to the berth of the _Solar Queen_. This hadbeen a longday, and one with more snarl-ups than he cared to count,keeping him on a constant, dogged trotbetween the ship and the fittingyard where riggers labored with the slowest motions possible tothehuman body--or so it seemed to the exasperated acting-Cargo-Master ofthe Free Trader. CaptainJellico had long ago taken refuge in his cabinto preserve the remnants of his temper. Dane had beenallowed no suchescape.The _Queen_ had a schedule for refitting to serve as a mail ship, andthat timeallowance did not allow for humidity playing the devil withthe innards of robot fitters. She _had_ to beready to lift when theCombine ship now plying that run set down and formally signed off in herfavor.Luckily, most of the work was done and Dane had given a lastsearching inspection before signing therigger's book and reporting tohis captain.The air-conditioned interior of the _Queen_ comforted him as heclimbedto his quarters. Ship air was flat, chemically pure but unappetizingstuff. Today it was a relief tobreathe. Dane went on to the bather. Atleast there was no lack of water--with the local skinners filteredout.It was chill but relaxing on his gaunt young body.He was sealing on his lightest tunic when the ramp


ï»¿Project Gutenberg's The Maid of Sker, by Richard Doddridge BlackmoreThis eBook is for the use ofanyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it awayorre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: The Maid of SkerAuthor: Richard Doddridge BlackmoreRelease Date: July 1,2014 [EBook #46156]Language: EnglishCharacter set encoding: UTF-8*** START OF THIS PROJECTGUTENBERG EBOOK THE MAID OF SKER ***Produced by Matthias Grammel, sp1nd and theOnlineDistributed Proofreading Team at http://www.pgdp.net (Thisfile was produced from imagesgenerously made availableby The Internet Archive)                        THE MAID OF SKER.[Illustration:"_All for captain, crew and cargo, was a little helplesschild._"]                        THE MAID OFSKER.                               BY                         R. D. BLACKMORE,                            AUTHOROF      'LORNA DOONE,' 'CLARA VAUGHAN,' AND 'CRADOCK NOWELL.'         á¾½Îá¿¥á¿¥Îµ,Î¸ÎµÎ¿á¿ÏÎ¯Î½ Ïá¾½ á¼ÏÎ¸Ïá¼, Îºá¼Î¹ á¼Î½Î¸ÏÏÏÎ¿Î¹ÏÎ¹Î½ á¼ÏÎ¹ÏÏÎµ,             ÏÏ ÏÏá¿³ á½Ï á¼Î½ Îºá½Î»Ïá¿² ÏÎ¿á¼±ÎºÎ¯Î»Î¿Î½ á¼Î¹ÏÎµÏá½ ÏÎ¹Î½.]                           NEW EDITION,                      WITH AFRONTISPIECE.                  WILLIAM BLACKWOOD AND SONS                     EDINBURGH ANDLONDON                          MDCCCXCIIICONTENTS     CHAP.                                          PAGE        I.FISHERMAN DAVY A FISH OUT OF WATER,         1       II. HUNGER DRIVES HIMA-FISHING,                3      III. THE FISH ARE AS HUNGRY AS HE IS,            7       IV. HE LANDS ANUNEXPECTED FISH,               12        V. A LITTLE ORPHAN MERMAID,                   15       VI. FINDS AHOME OF SOME SORT,                 21      VII. BOAT _VERSUS_ BARDIE,                      27     VIII.CHILDREN WILL BE CHILDREN,                 32       IX. SANDHILLS TURNED TOSAND-HOLES,            38        X. UNDER THE ROCK,                            44       XI. A WRECKERWRECKED,                         49      XII. HOW TO SELL FISH,                          57     XIII. THE CORONERAND THE CORONET,               64      XIV. IN ACCORDANCE WITH THE EVIDENCE,           70       XV. AVERDICT ON THE JURY,                     76      XVI. TRUTH LIES SOMETIMES IN AWELL,            81     XVII. FOR A LITTLE CHANGE OF AIR,                89    XVIII. PUBLICAPPROBATION,                        97      XIX. A CRAFT BEYOND THE LAW,                   106       XX.CONFIDENTIAL INTERCOURSE,                 112      XXI.CROSS-EXAMINATION,                        119     XXII. ANOTHERDISAPPOINTMENT,                   125    XXIII. INTO GOOD SOCIETY,                        131     XXIV. SOUNDINVESTMENTS,                        137      XXV. A LONG GOOD-BYE,                          145     XXVI.BRAUNTON BURROWS,                         151    XXVII. A FINE SPECTACLE,                         158   XXVIII.SOMETHING ABOUT HIM,                      164     XXIX. A VISIT TO A PARSON,                      171      XXX.ON DUTY,                                  182     XXXI. TWO LOVERS,                               189    XXXII. AMONGTHE SAVAGES,                        194   XXXIII. IN A STATE OF NATURE,                     203    XXXIV.WAITING AND LEARNING,                     212     XXXV. THE POLITEFERRYMAN,                      220    XXXVI. UNDER FAIRER AUSPICES,                    227   XXXVII. TWOPOOR CHILDREN,                        234  XXXVIII. A FINE OLD GENTLEMAN,                     241    XXXIX.NOTICE TO QUIT,                           250       XL. FORCIBLE EJECTMENT,                       257      XLI. THERIGHT MAN IN THE RIGHT PLACE,         267     XLII. THE LITTLE MAID AND THEMIDSHIPMAN,       276    XLIII. A FINE PRICE FOR BARDIE,                  283     XLIV. PROVIDES FOREDUCATION,                   292      XLV. INTRODUCES A REAL HERO,                   298     XLVI. AFTERSEVEN YEARS,                        305    XLVII. MISCHIEF IN A HOUSEHOLD,                  312   XLVIII. ABREATHLESS DISINTERMENT,                320     XLIX. ONE WHO HAS INTERREDHIMSELF,             327        L. A BRAVE MAN RUNS AWAY,                    334       LI. TRIPLEEDUCATION,                         341      LII. GREAT MARCH OF INTELLECT,                 347     LIII.BEATING UP FOR THE NAVY,                  356      LIV. TAMING OF THESAVAGES,                    368       LV. UPON FOREIGN SERVICE,                     374      LVI. EXILES OF


ï»¿Project Gutenberg's Captain Brassbound's Conversion, by George Bernard ShawThis eBook is for theuse of anyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give itaway orre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: Captain Brassbound's ConversionAuthor: George Bernard ShawPosting Date:January 17, 2009 [EBook #3418]Release Date: September, 2002Language: English*** START OF THISPROJECT GUTENBERG EBOOK CAPTAIN BRASSBOUND'S CONVERSION ***Produced by EveSobolCAPTAIN BRASSBOUND'S CONVERSIONBy Bernard ShawACT IOn the heights overlooking theharbor of Mogador, a seaport on the westcoast of Morocco, the missionary, in the coolness of the lateafternoon,is following the precept of Voltaire by cultivating his garden. He isan elderly Scotchman,spiritually a little weatherbeaten, as having tonavigate his creed in strange waters crowded with othercraft but stilla convinced son of the Free Church and the North African Mission, witha faithful brown eye,and a peaceful soul. Physically a wiry small-knitman, well tanned, clean shaven, with delicate resolutefeatures anda twinkle of mild humor. He wears the sun helmet and pagri, theneutral-tinted spectacles,and the white canvas Spanish sand shoes ofthe modern Scotch missionary: but instead of a cheaptourist's suit fromGlasgow, a grey flannel shirt with white collar, a green sailor knot tiewith a cheap pin init, he wears a suit of clean white linen, acceptablein color, if not in cut, to the Moorish mind.The viewfrom the garden includes much Atlantic Ocean and a long stretchof sandy coast to the south, swept bythe north east trade wind,and scantily nourishing a few stunted pepper trees, mangy palms,andtamarisks. The prospect ends, as far as the land is concerned, inlittle hills that come nearly to thesea: rudiments, these, of the AtlasMountains. The missionary, having had daily opportunities of lookingatthis seascape for thirty years or so, pays no heed to it, being absorbedin trimming a huge red geraniumbush, to English eyes unnaturallybig, which, with a dusty smilax or two, is the sole product of hispetflower-bed. He is sitting to his work on a Moorish stool. In the middleof the garden there is a pleasantseat in the shade of a tamarisk tree.The house is in the south west corner of the garden, and thegeraniumbush in the north east corner.At the garden-door of the house there appears presently a manwho isclearly no barbarian, being in fact a less agreeable product peculiarto modern commercialcivilization. His frame and flesh are those of anill-nourished lad of seventeen; but his age is inscrutable:only theabsence of any sign of grey in his mud colored hair suggests that he isat all events probablyunder forty, without prejudice to the possibilityof his being under twenty. A Londoner would recognizehim at once as anextreme but hardy specimen of the abortion produced by nature in a cityslum. Hisutterance, affectedly pumped and hearty, and naturally vulgarand nasal, is ready and fluent: nature, aBoard School education, andsome kerbstone practice having made him a bit of an orator. Hisdialect,apart from its base nasal delivery, is not unlike that of smart Londonsociety in its tendency toreplace diphthongs by vowels (sometimesrather prettily) and to shuffle all the traditionalvowelpronunciations. He pronounces ow as ah, and i as aw, using the ordinaryow for o, i for a, a for u,and e for a, with this reservation, thatwhen any vowel is followed by an r he signifies its presence, notbypronouncing the r, which he never does under these circumstances, but byprolonging and modifyinqthe vowel, sometimes even to the extreme degreeof pronouncing it properly. As to his yol for l (acompendious deliveryof the provincial eh-al), and other metropolitan refinements, amazing toall butcockneys, they cannot be indicated, save in the above imperfectmanner, without the aid of a phoneticalphabet. He is dressed insomebody else's very second best as a coast-guardsman, and gives himselftheairs of a stage tar with sufficient success to pass as a possiblefish porter of bad character in casualemployment during busy timesat Billingsgate. His manner shows an earnest disposition toingratiatehimself with the missionary, probably for some dishonest purpose.THE MAN. Awtenoon, Mr.Renkin. (The missionary sits up quickly, andturns, resigning himself dutifully to the interruption.) Yrhonor'seolth.RANKIN (reservedly). Good afternoon, Mr. Drinkwotter.DRINKWATER. You're not bestpleased to be hinterrupted in yr bit ogawdnin bow the lawk o me, gavner.RANKIN. A missionary knowsnothing of leks of that soart, or of dislekseither, Mr. Drinkwotter. What can I do for ye?DRINKWATER


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ï»¿Project Gutenberg's The Children of the New Forest, by Captain MarryatThis eBook is for the use ofanyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it awayorre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: The Children of the New ForestAuthor: Captain MarryatRelease Date: May 21,2007 [EBook #21558]Language: English*** START OF THIS PROJECT GUTENBERG EBOOK THECHILDREN OF THE NEW FOREST ***Produced by Nick Hodson of London, EnglandThe Children of theNew Forest, by Captain Marryat.________________________________________________________________________Captain Frederick Marryat was born July 10 1792, and died August 8 1848.He retiredfrom the British navy in 1828 in order to devote himself towriting.  In the following 20 years he wrote 26books, many of which areamong the very best of English literature, and some of which are stillinprint.Marryat had an extraordinary gift for the invention of episodes in hisstories.  He says somewherethat when he sat down for the day's work, henever knew what he was going to write.  He certainly was aliterarygenius."The Children of the New Forest" was published in 1847, thetwenty-fourth book to flowfrom Marryat's pen, and the last publishedwhilst he was still alive.  It was written for children, and hasbeenphenomenally succesful: it is still in print over 150 years later.This e-text was transcribed in 1998 byNick Hodson, and was reformattedin 2003, and again in2005.________________________________________________________________________THECHILDREN OF THE NEW FOREST, BY CAPTAIN FREDERICK MARRYAT.CHAPTER ONE.The circumstanceswhich I am about to relate to my juvenile readers tookplace in the year 1647.  By referring to the historyof England of thatdate they will find that King Charles the First, against whom theCommons of Englandhad rebelled, after a civil war of nearly five years,had been defeated, and was confined as a prisoner atHampton Court.  TheCavaliers, or the party who fought for King Charles, had all beendispersed, and theParliamentary army under the command of Cromwell werebeginning to control the Commons.It was inthe month of November in this year that King Charles,accompanied by Sir John Berkely Ashburnham andLegg, made his escapefrom Hampton Court, and rode as fast as the horses could carry themtowards thatpart of Hampshire which led to the New Forest.  The kingexpected that his friends had provided a vesselin which he might escapeto France; but in this he was disappointed.  There was no vessel ready,and afterriding for some time along the shore he resolved to go toTitchfield, a seat belonging to the Earl ofSouthampton.  After a longconsultation with those who attended him, he yielded to their advice,whichwas, to trust to Colonel Hammond, who was governor of the Isle ofWight for the Parliament, but who wassupposed to be friendly to theking.  Whatever might be the feelings of commiseration ofColonelHammond towards a king so unfortunately situated, he was firm in hisduties towards hisemployers, and the consequence was that King Charlesfound himself again a prisoner in CarisbrookCastle.But we must now leave the king, and retrace history to the commencementof the civil war.  Ashort distance from the town of Lymington, which isnot far from Titchfield, where the king took shelter,but on the otherside of the Southampton Water, and south of the New Forest, to which itadjoins, was aproperty called Arnwood, which belonged to a Cavalier ofthe name of Beverley.  It was at that time aproperty of considerablevalue, being very extensive, and the park ornamented with valuabletimber; for itabutted on the New Forest, and might have been supposedto have been a continuation of it.  This ColonelBeverley, as we mustcall him, for he rose to that rank in the king's army, was a valuedfriend andcompanion of Prince Rupert's, and commanded several troops ofcavalry.  He was ever at his side in thebrilliant charges made by thisgallant prince, and at last fell in his arms at the battle of Naseby.ColonelBeverley had married into the family of the Villiers, and theissue of his marriage was two sons and twodaughters; but his zeal andsense of duty had induced him, at the commencement of the war, to leavehiswife and family at Arnwood, and he was fated never to meet themagain.  The news of his death had suchan effect upon Mrs Beverley,already worn with anxiety on her husband's account, that a fewmonthsafterwards she followed him to an early tomb, leaving the four childrenunder the charge of anelderly relative till such time as the family ofthe Villiers could protect them; but, as will appear by our


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ï»¿The Project Gutenberg EBook of Seventeen, by Booth TarkingtonThis eBook is for the use of anyoneanywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it away orre-use itunder the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: Seventeen       A Tale Of Youth And Summer Time And The Baxter FamilyEspecially WilliamAuthor: Booth TarkingtonRelease Date: February 21, 2006 [EBook #1611]Language:English*** START OF THIS PROJECT GUTENBERG EBOOK SEVENTEEN ***Produced by Charles Keller andDavid WidgerSEVENTEENA TALE OF YOUTH ANDSUMMER TIME ANDTHE BAXTER FAMILYESPECIALLYWILLIAMBy Booth TarkingtonSEVENTEENTO S.K.T.CONTENTS     I.      WILLIAM     II.     THEUNKNOWN     III.    THE PAINFUL AGE     IV.     GENESIS AND CLEMATIS     V.      SORROWS WITHIN ABOILER     VI.     TRUCULENCE     VII.    MR. BAXTER'S EVENINGCLOTHES     VIII.   JANE     IX.     LITTLE SISTERS HAVE BIG EARS     X.      MR. PARCHER ANDLOVE     XI.     BEGINNING A TRUE FRIENDSHIP     XII.    PROGRESS OF THE SYMPTOMS     XIII.   ATHOME TO HIS FRIENDS     XIV.    TIME DOES FLY     XV.     ROMANCE OF STATISTICS     XVI.    THESHOWER     XVII.   JANE'S THEORY     XVIII.  THE BIG, FAT LUMMOX     XIX.    "I DUNNO WHY ITIS"     XX.     SYDNEY CARTON     XXI.    MY LITTLESWEETHEARTS     XXII.   FORESHADOWINGS     XXIII.  FATHERS FORGET     XXIV.   CLOTHES MAKETHE MAN     XXV.    YOUTH AND MR. PARCHER     XXVI.   MISS BOKE     XXVII.  MAROONED     XXVIII.RANNIE KIRSTED     XXIX.   ''DON'T FORGET!''     XXX.     THE BRIDE-TO-BESEVENTEENIWILLIAMWilliamSylvanus Baxter paused for a moment of thought in front of thedrug-store at the corner of WashingtonStreet and Central Avenue. He hadan internal question to settle before he entered the store: he wishedtoallow the young man at the soda-fountain no excuse for saying, "Well,make up your mind what it's goin'to be, can't you?" Rudeness of thiskind, especially in the presence of girls and women, was hard tobear,and though William Sylvanus Baxter had borne it upon occasion, hehad reached an age when hefound it intolerable. Therefore, to avoidoffering opportunity for anything of the kind, he decided uponchocolateand strawberry, mixed, before approaching the fountain. Once there,however, and a large glassof these flavors and diluted ice-creamproving merely provocative, he said, languidly--an affectation, forhecould have disposed of half a dozen with gusto: "Well, now I'm here, Imight as well go one more. Fill'er up again. Same."Emerging to the street, penniless, he bent a fascinated and dramaticgaze upon hisreflection in the drug-store window, and then, as heturned his back upon the alluring image, hisexpression altered toone of lofty and uncondescending amusement. That was his glance at thepassingpublic. From the heights, he seemed to bestow upon the worlda mysterious derision--for WilliamSylvanus Baxter was seventeen longyears of age, and had learned to present the appearance of onewhopossesses inside information about life and knows all strangers and mostacquaintances to be ofinferior caste, costume, and intelligence.He lingered upon the corner awhile, not pressed for time.Indeed, hefound many hours of these summer months heavy upon his hands, for he hadno importantoccupation, unless some intermittent dalliance with awork on geometry (anticipatory of the distantautumn) might be thoughtimportant, which is doubtful, since he usually went to sleep on theshady sideporch at his home, with the book in his hand. So, havingnothing to call him elsewhere, he lounged beforethe drug-store in theearly afternoon sunshine, watching the passing to and fro of the lowerorders andbourgeoisie of the middle-sized midland city which claimedhim (so to speak) for a native son.Apparentlyquite unembarrassed by his presence, they went about theirbusiness, and the only people who looked athim with any attention werepedestrians of color. It is true that when the gaze of these fell uponhim it wasinstantly arrested, for no colored person could have passedhim without a little pang of pleasure and oflonging. Indeed, thetropical violence of William Sylvanus Baxter's tie and the strangebrilliancy of his hatmight have made it positively unsafe for him towalk at night through the negro quarter of the town. Andthough no mancould have sworn to the color of that hat, whether it was blue or green,yet its color was asaner thing than its shape, which was blurred,tortured, and raffish; it might have been the miniaturemodel of avolcano that had blown off its cone and misbehaved disastrously on itslower slopes as well. He


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   <title>"Beloved," early draft, by Richard LaGravenese</title>
                               BELOVED                              Screenplay                                  by                          Richard LaGravenese                         Based on the Novel by                             ToniMorrison     HARPO FILMS     345 N. Maple Drive     Beverly Hills, CA 90210     (310) 278-5559 -O     (310) 278-6110 - F                           October 11, 1996     FADE IN...     EXT. 124 BLUESTONEROAD - DAWN.     It is winter in Ohio. A house sits isolated beside a barren     field. The field stretchesbeyond, until a line of distant     woods stops it. Around the back of the house stands arundown     STORAGE SHED, a cold house, a privy and a water pump. A porch     with a single doorserves as the only entrance.     Camera begins a slow move toward the house as we;     SUPER -OHIO, 1865     WE HEAR SOUNDS from inside the house - BUMPS, A CHAIRFALLING     OVER...and FEET RUNNING on wooden floorboards.                                                            CUT TO:     INT. 124 BLUESTONE ROAD -DAWN.     C.U. - THE HANDS OF TWO BROTHERS HOLDING EACH OTHER AS THEY     RUN DOWN THESTAIRS..     BULGAR (13 yrs. old) and HOWARD (14 yrs. old) run down the     steps from the secondfloor. They are fully dressed, carrying     a small bag ofbelongings.                         HOWARD               We gonna need food. Wait here.     Bulgar reluctantlylets go of Howard's hand as the latter     runs into the kitchen. Alone, he edges towards the front     door,when suddenly;     THE DOOR SLOWLY CREAKS OPEN on it's own. Scared, he steps     awayslowly.     INT. KITCHEN - DAWN.     Howard is trying to toss some food into a bag. He spots A     CAKEsitting on top the wooden table, with some pieces     already eaten. He finds a knife and approaches thetable.     He is about to cut into the cake when he sees TWO TINY HAND     PRINTS appear on the cake'ssurface. Howard stops cold -     dropping the knife.     INT. FRONT ENTRANCE - DAWN.     Howard exitsthe kitchen and takes Bulgar's hand;                         HOWARD               Comeon!                         DENVER (OS)               Bul?     The boys look up the stairs and see their baby sister,nine     year old DENVER.                         DENVER               Where you goin?     The brothers arebrokenhearted at the sight of her. They love     their sister. But there are stronger forces here.     AMIRROR on a wall beside Howard cracks down the middle.                         HOWARD               We gottago!     Bulgar looks up to Denver. They exchange a look of deep     affection and pained longing. Hewants to take her.                         HOWARD               Bye, Denver. You takecare.                         DENVER               Bye? Bul?     Bulgar is starting to cry. He rushes up the stepsand hugs     his sister. He kisses her hard then breaks away. Denver's     outstretched hand misses hisshirt and hangs mid-air.                         DENVER               No..Bul...     Bulgar flies down the steps anddisappears out of the house     holding Howard's hand once more.     Denver sits alone at the top of thestairs.  She sadly looks     up and weeps, as if to the house itself:                         DENVER               Nowwhat you go and do that for?     EXT. ROAD TO THE TRAIN - DAWN.     THE VOICE OF SETHE HUMMING AMELODY carries over the images     of:     The two boys running for their lives towards thetrain,     holding hands all the way.  Howard is the first to reach it.     As it passes by, he throws his bagupon it and jumps in.     Bulgar races beside it as Howard reaches for him.     C.U. - HOWARD'S HANDreaching for BULGAR's...They connect.     WIDE SHOT - The boys are on the train as it leaves town.     Onit's route, the train passes a ramshackle GRAVEYARD.     CAMERA MOVES SLOWLY INTO THEGRAVEYARD until it reaches A     HEADSTONE, made with flecked pink stone. Upon the headstone     isonly one word:     BELOVED.     EXT. 124 BLUESTONE RD. - CONTINUOUS.     Camera movesslowly towards the side exterior of 124, into a     Close-Up of a WOMAN looking out of a second floorbedroom     window. It is SETHE, mother of the two boys and Denver. She     hums her melody, softly,sadly, with a resigned understanding     of why her boys are running away...and a deep pain thatis     too constant to notice.                                                          FADE OUT;     FADE IN:     INT. 124 -BABY SUGGS BEDROOM - LATER THAT DAY.     BABY SUGGS, grandmother and mother-in-law to Sethe,sits in     her bed fondling colored fabric of BRIGHT GREEN..It is the     only vibrant color in an otherwise


ï»¿The Project Gutenberg EBook of The Mystery of a Hansom Cab, by Fergus HumeThis eBook is for theuse of anyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give itaway orre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.netTitle: The Mystery of a Hansom CabAuthor: Fergus HumePosting Date: July 2, 2009[EBook #4223]Release Date: July, 2003First Posted: December 8, 2001Last updated: February 28,2013Last updated: June 8, 2013Language: English*** START OF THIS PROJECT GUTENBERG EBOOKTHE MYSTERY OF A HANSOM CAB ***Produced by Col Choat.  HTML version by Al Haines.The Mystery ofa Hansom CabbyFergus HumeCONTENTS      I.  WHAT THE ARGUS SAID.     II.  THE EVIDENCE AT THEINQUEST.    III.  ONE HUNDRED POUNDS REWARD.     IV.  MR. GORBY MAKES A START.      V.  MRS.HAMILTON UNBOSOMS HERSELF.     VI.  MR. GORBY MAKES FURTHER DISCOVERIES.    VII.  THE WOOLKING.   VIII.  BRIAN TAKES A WALK AND A DRIVE.     IX.  MR. GORBY IS SATISFIED AT LAST.      X.  INTHE QUEEN'S NAME.     XI.  COUNSEL FOR THE PRISONER.    XII.  SHE WAS A TRUEWOMAN.   XIII.  MADGE MAKES A DISCOVERY.    XIV.  ANOTHER RICHMOND IN THE FIELD.     XV.  AWOMAN OF THE PEOPLE.    XVI.  MISSING.   XVII.  THE TRIAL.  XVIII.  SAL RAWLINS TELLS ALL SHEKNOWS.    XIX.  THE VERDICT OF THE JURY.     XX.  THE "ARGUS" GIVES ITS OPINION.    XXI.  THREEMONTHS AFTERWARDS.   XXII.  A DAUGHTER OF EVE.  XXIII.  ACROSS THE WALNUTS AND THEWINE.   XXIV.  BRIAN RECEIVES A LETTER.    XXV.  WHAT DR. CHINSTON SAID.   XXVI.  KILSIP HAS ATHEORY OF HIS OWN.  XXVII.  MOTHER GUTTERSNIPE JOINS THE MAJORITY. XXVIII.  MARK FRETTLBYHAS A VISITOR.   XXIX.  MR. CALTON'S CURIOSITY ISSATISFIED.    XXX.  NEMESIS.   XXXI.  HUSH-MONEY.  XXXII.  DE MORTUIS NIL NISI BONUM.XXXIII.  THE CONFESSION.  XXXIV.  THE HANDS OF JUSTICE.   XXXV.  "THE LOVE THATLIVES."PREFACEIn its original form, "The Mystery of a Hansom Cab" has reached thesale of 375,000copies in this country, and some few editions in theUnited States of America. Notwithstanding this, thepresent publishershave the best of reasons for believing, that there are thousands ofpersons whom thebook has never reached. The causes of this havedoubtless been many, but chief among them was theform of thepublication itself. It is for this section of the public chiefly thatthe present edition is issued. Inplacing it before my new readers, Ihave been asked by the publishers thoroughly to revise the work,and,at the same time, to set at rest the many conflicting reportsconcerning it and myself, which havebeen current since its initialissue. The first of these requests I have complied with, and themanytypographic, and other errors, which disfigured the first edition,have, I think I can safely say, nowdisappeared. The second request Iam about to fulfil; but, in order to do so, I must ask my readers togoback with me to the beginning of all things, so far as this specialbook is concerned.The writing of thebook was due more to accident than to design. I wasbent on becoming a dramatist, but, being quiteunknown, I found itimpossible to induce the managers of the Melbourne Theatres to accept,or even toread a play. At length it occurred to me I might further mypurpose by writing a novel. I should at allevents secure a certainamount of local attention. Up to that time I had written only one ortwo shortstories, and the "Cab" was not only the first book I everpublished, but the first book I ever wrote; so toyouth and lack ofexperience must be ascribed whatever was wanting in the book. I repeatthat the storywas written only to attract local attention, and no onewas more astonished than I when it passed beyondthe narrow circle forwhich it had originally been intended.My mind made up on this point, I enquired of aleading Melbournebookseller what style of book he sold most of. He replied that thedetective stories ofGaboriau had a large sale; and as, at this time, Ihad never even heard of this author, I bought all hisworks--eleven orthereabouts--and read them carefully. The style of these storiesattracted me, and Idetermined to write a book of the same class;containing a mystery, a murder, and a description of lowlife inMelbourne. This was the origin of the "Cab." The central idea i.e. themurder in a cab--came to mewhile driving at a late hour to St. Kilda,a suburb of Melbourne; but it took some time and much thoughtto workit out to a logical conclusion. I was two months sketching out theskeleton of the novel, but evenso, when I had written it, the resultproved unsatisfactory, for I found I had not sufficiently wellconcealed


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ï»¿The Project Gutenberg EBook of Desperate Remedies, by Thomas HardyThis eBook is for the use ofanyone anywhere at no cost and withalmost no restrictions whatsoever.  You may copy it, give it awayorre-use it under the terms of the Project Gutenberg License includedwith this eBook or online atwww.gutenberg.orgTitle: Desperate RemediesAuthor: Thomas HardyRelease Date: November 2000[EBook #3044]Posting Date: May 25, 2009 Language: English*** START OF THIS PROJECT GUTENBERGEBOOK DESPERATE REMEDIES ***Produced by Les BowlerDESPERATE REMEDIESBy ThomasHardyCONTENTSPREFATORY NOTE     I.     THE EVENTS OF THIRTY YEARS     II.    THE EVENTS OF AFORTNIGHT     III.   THE EVENTS OF EIGHT DAYS     IV.    THE EVENTS OF ONE DAY     V.     THEEVENTS OF ONE DAY     VI.    THE EVENTS OF TWELVE HOURS     VII.   THE EVENTS OF EIGHTEENDAYS     VIII.  THE EVENTS OF EIGHTEEN DAYS     IX.    THE EVENTS OF TEN WEEKS     X.     THEEVENTS OF A DAY AND NIGHT     XI.    THE EVENTS OF FIVE DAYS     XII.   THE EVENTS OF TENMONTHS     XIII.  THE EVENTS OF ONE DAY     XIV.   THE EVENTS OF FIVE WEEKS     XV.    THE EVENTSOF THREE WEEKS     XVI.   THE EVENTS OF ONE WEEK     XVII.  THE EVENTS OF ONE DAY     XVIII. THEEVENTS OF THREE DAYS     XIX.   THE EVENTS OF A DAY AND NIGHT     XX.    THE EVENTS OF THREEHOURS     XXI.   THE EVENTS OF EIGHTEEN HOURS            SEQUELPREFATORY NOTEThe following story,the first published by the author, was writtennineteen years ago, at a time when he was feeling his wayto amethod. The principles observed in its composition are, no doubt, tooexclusively those in whichmystery, entanglement, surprise, and moralobliquity are depended on for exciting interest; but some ofthe scenes,and at least one of the characters, have been deemed not unworthy of alittle longerpreservation; and as they could hardly be reproduced in afragmentary form the novel is reissuedcomplete--the more readily thatit has for some considerable time been reprinted and widely circulatedinAmerica. January 1889.To the foregoing note I have only to add that, in the present edition of'DesperateRemedies,' some Wessex towns and other places that are commonto the scenes of several of thesestories have been called for thefirst time by the names under which they appear elsewhere, forthesatisfaction of any reader who may care for consistency in such matters.This is the only materialchange; for, as it happened that certaincharacteristics which provoked most discussion in my latest storywerepresent in this my first--published in 1871, when there was no Frenchname for them it has seemedbest to let them stand unaltered.T.H. February 1896.I. THE EVENTS OF THIRTY YEARS1. DECEMBER ANDJANUARY, 1835-36In the long and intricately inwrought chain of circumstance whichrenders worthy ofrecord some experiences of Cytherea Graye, EdwardSpringrove, and others, the first event directlyinfluencing the issuewas a Christmas visit.In the above-mentioned year, 1835, Ambrose Graye, a youngarchitect whohad just begun the practice of his profession in the midland town ofHocbridge, to the northof Christminster, went to London to spend theChristmas holidays with a friend who lived in Bloomsbury.They hadgone up to Cambridge in the same year, and, after graduating together,Huntway, the friend,had taken orders.Graye was handsome, frank, and gentle. He had a quality of thoughtwhich, exercised onhomeliness, was humour; on nature, picturesqueness;on abstractions, poetry. Being, as a rule,broadcast, it was all three.Of the wickedness of the world he was too forgetful. To discover evil ina newfriend is to most people only an additional experience: to him itwas ever a surprise.While in London hebecame acquainted with a retired officer in theNavy named Bradleigh, who, with his wife and theirdaughter, lived ina street not far from Russell Square. Though they were in no more thancomfortablecircumstances, the captain's wife came of an ancient familywhose genealogical tree was interlaced withsome of the most illustriousand well-known in the kingdom.The young lady, their daughter, seemed toGraye by far the mostbeautiful and queenly being he had ever beheld. She was about nineteenor twenty,and her name was Cytherea. In truth she was not so veryunlike country girls of that type of beauty,except in one respect.She was perfect in her manner and bearing, and they were not. Ameredistinguishing peculiarity, by catching the eye, is often read asthe pervading characteristic, and sheappeared to him no less thanperfection throughout--transcending her rural rivals in very nature.Graye dida thing the blissfulness of which was only eclipsed by itshazardousness. He loved her at first sight.His


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