diff --git "a/valid.json" "b/valid.json" new file mode 100644--- /dev/null +++ "b/valid.json" @@ -0,0 +1,78665 @@ +[ + { + "id": 1, + "category": "教育", + "discipline": "高等教育学", + "title": "基于就业的硕士研究生培养方案优化研究——以H大学高等教育学专业为例", + "source": "刘定禹，曾德生（2013）认为，随着研究生招生规模的扩张，使得就业问题显著。", + "reference": "刘定禹、曾德生（2013）认为，研究生招生规模的扩张，使得就业问题显著。", + "edit": [ + { + "src_interval": [ + 3, + 4 + ], + "tgt_interval": [ + 3, + 4 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "、" + ] + }, + { + "src_interval": [ + 16, + 18 + ], + "tgt_interval": [ + 16, + 16 + ], + "src_tokens": [ + "随", + "着" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9, + "category": "教育", + "discipline": "教育学原理", + "title": "教育学原理专业硕士研究生专业认同调查研究——以H、S、Z、Q四所大学为例", + "source": "本研究采用质性和量化相结合的方式，力求更全面的分析教育学原理专业硕士研究生的专业认同情况，丰富相关领域的研究资料；为教育学原理专业学科建设、发展和创新人才培养提供资料，促进学科建设，丰富培养理论；为终身教育的理论提供资料。", + "reference": "本研究采用质性和量化相结合的方式，力求更全面地分析教育学原理专业硕士研究生的专业认同情况，丰富相关领域的研究资料，为教育学原理专业学科建设、发展和创新人才培养提供资料，促进学科建设，丰富培养理论，为终身教育的理论提供资料。", + 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"reference": "埃里克森认为青年在自我发展的过程中容易产生自我同一性与角色混乱的冲突。这种冲突一旦出现，就会引起个体对自我认识的混乱，无法正确地认识自己，使自我表现混乱散漫。", + "edit": [ + { + "src_interval": [ + 16, + 17 + ], + "tgt_interval": [ + 16, + 16 + ], + "src_tokens": [ + "当" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 26, + 29 + ], + "tgt_interval": [ + 25, + 29 + ], + "src_tokens": [ + "与", + "身", + "份" + ], + "tgt_tokens": [ + "性", + "与", + "角", + "色" + ] + }, + { + "src_interval": [ + 34, + 35 + ], + "tgt_interval": [ + 34, + 35 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 63, + 64 + ], + "tgt_interval": [ + 63, + 64 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 242, + "category": "教育", + "discipline": "教育学", + "title": "教育学硕士研究生科研能力现状调查及影响因素研究——以Ｓ大学为例", + "source": "本文中的教育学硕士研究生指的是将获取教育学硕士学位作为基本目标的全日制学术型在读硕士研究生。", + "reference": "本文里的教育学硕士研究生所指的是将获取教育学硕士学位作为基本目标的处于在读状态的全日制学术型硕士研究生。", + "edit": [ + { + "src_interval": [ + 2, + 3 + ], + "tgt_interval": 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"当然，也有学生认为教育学在综合性大学中能够为高校发展提供比较具体的服务，自己所在的学院能够与学校的行政部门合作，所以大学领导者很重视教育学的发展。", + "edit": [ + { + "src_interval": [ + 45, + 46 + ], + "tgt_interval": [ + 45, + 46 + ], + "src_tokens": [ + "于" + ], + "tgt_tokens": [ + "与" + ] + }, + { + "src_interval": [ + 56, + 56 + ], + "tgt_interval": [ + 56, + 58 + ], + "src_tokens": [], + "tgt_tokens": [ + "所", + "以" + ] + } + ] + }, + { + "id": 288, + "category": "教育", + "discipline": "教育经济与管理", + "title": "“双一流”背景下省属高师院校教育学硕士研究生培养模式改进研究", + "source": "能够及时的根据当前的培养现状和社会发展的趋势来做出一定的调整，是基于一种现实的调整，具有一定的实效性和效率。", + "reference": "能够及时根据当前的培养现状和社会发展的趋势做出一定的调整，是基于一种现实的调整，具有一定的实效性和效率。", + "edit": [ + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 4, + 4 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 22, + 23 + ], + "tgt_interval": [ + 21, + 21 + ], + "src_tokens": [ + "来" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 296, + "category": "教育", + "discipline": "教育学", + "title": "实践教育学视角下的中小学教师惩戒权问题与对策研究", + "source": "这里的相应手段就是指与教育目的相对的教育方法和教育组织形式，而为了实现相应的教育目的，自然就要对教育目的进行深度解剖，仔细探究形成教育目的的条件和原因，这样就能还原出事物所存在的因果关系，针对这种存在联系的基础之上，使用相应手段的规则或行动指令就是技术规范。", + "reference": "这里的相应手段就是指与教育目的相对的教育方法和教育组织形式，而为了实现相应的教育目的，自然就要对教育目的进行深度解剖，仔细探究形成教育目的的条件和原因，这样就能还原出事物所存在的因果关系，针对这种存在的联系，使用相应手段的规则或行动指令就是技术规范。", + "edit": [ + { + "src_interval": [ + 100, + 107 + ], + "tgt_interval": [ + 100, + 103 + ], + "src_tokens": [ + "联", + "系", + "的", + "基", + "础", + "之", + "上" + ], + "tgt_tokens": [ + "的", + "联", + "系" + ] + } + ] + }, + { + "id": 297, + "category": "教育", + "discipline": "高等教育学", + "title": "教育学硕士研究生科研能力现状及提升策略研究——以S师范大学为例", + "source": "因此，在三个维度下教育学硕士研究生科研能力认知现状存在差异，需要进行进一步比较分析，详见附表2所示。", + "reference": "因此，在三个维度下，教育学硕士研究生科研能力认知现状存在差异，需要进一步比较分析，详见附表2所示。", + "edit": [ + { + "src_interval": [ + 9, + 9 + ], + "tgt_interval": [ + 9, + 10 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 32, + 34 + ], + "tgt_interval": [ + 33, + 33 + ], + "src_tokens": [ + "进", + "行" + ], + 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年张复荃先生的《重温一门“被人遗忘了的学科”——教育行政学在我国的历史��顾》和《学校管理学在我国的早期传播初探》这两篇文章，对教育管理学的两个分支学科进行了系统整理。文章论述了国外学校管理学在我国早期传播的重要意义，也点明了今后国内学者研究教育行政学可能存在的问题。", + "edit": [ + { + "src_interval": [ + 0, + 1 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "这" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 15, + 19 + ], + "tgt_interval": [ + 14, + 14 + ], + "src_tokens": [ + "两", + "篇", + "文", + "章" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 68, + 68 + ], + "tgt_interval": [ + 63, + 69 + ], + "src_tokens": [], + "tgt_tokens": [ + "这", + "两", + "篇", + "文", + "章", + "，" + ] + }, + { + "src_interval": [ + 86, + 91 + ], + "tgt_interval": [ + 87, + 92 + ], + "src_tokens": [ + "的", + "梳", + "理", + "，", + "既" + ], + "tgt_tokens": [ + "整", + "理", + "。", + "文", + "章" + ] + }, + { + "src_interval": [ + 114, + 117 + ], + "tgt_interval": [ + 115, + 118 + ], + "src_tokens": [ + "又", + "指", + "出" + ], + "tgt_tokens": [ + "也", + "点", + "明" + ] + } + ] + }, + { + "id": 830, + "category": "管理", + 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"耿淡如史学研究", + "source": "自《29课标》公布以来，高中外国史教材的编写出版可谓是“风生水起”。", + "reference": "自《29课标》发布以来，高中外国史教材的编写出版可谓是“风生水起”。", + "edit": [ + { + "src_interval": [ + 7, + 8 + ], + "tgt_interval": [ + 7, + 8 + ], + "src_tokens": [ + "公" + ], + "tgt_tokens": [ + "发" + ] + } + ] + }, + { + "id": 1378, + "category": "历史学", + "discipline": "风景园林", + "title": "非遗活态保护视角下旅游型食品工业园景观设计研究", + "source": "日本的非遗传承人的保护实践值得我们学习，一方面，政府十分注重注意培育潜在“传承人”，另一方面政府不断地加强民间对非遗的参与度。", + "reference": "日本非遗传承人的保护实践值得我们学习，一方面，政府十分注重发掘培育潜在“传承人”，另一方面政府不断地加强民间对非遗保护的参与度。", + "edit": [ + { + "src_interval": [ + 2, + 3 + ], + "tgt_interval": [ + 2, + 2 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 30, + 32 + ], + "tgt_interval": [ + 29, + 31 + ], + "src_tokens": [ + "注", + "意" + ], + "tgt_tokens": [ + "发", + "掘" + ] + }, + { + "src_interval": [ + 58, + 58 + ], + "tgt_interval": [ + 57, + 59 + ], + "src_tokens": [], + "tgt_tokens": [ + "保", + "护" + ] + } + ] + }, + { + "id": 1386, + "category": "历史学", + "discipline": "历史学硕士", + "title": "拉斐尔·萨缪尔新社会史学思想研究", + "source": "这本书对于我们研究萨缪尔新社会史的思想是十分有益的。", + "reference": "这本书对于我们研究萨缪尔的新社会史思想是十分有益的。", + "edit": [ + { + "src_interval": [ + 12, + 17 + ], + "tgt_interval": [ + 12, + 17 + ], + "src_tokens": [ + "新", + "社", + "会", + "史", + "的" + ], + "tgt_tokens": [ + "的", + "新", + "社", + "会", + "史" + ] + } + ] + }, + { + "id": 1407, + "category": "历史学", + "discipline": "中国史", + "title": "公众影像史学研究", + "source": "“新纪录片运动”时期的作品中，导演宋继昌《茅岩河船夫》（1993）讲述船夫的打工梦想与传统现实冲击下的人生故事的；王蔚导演的《重逢的日子》（1993）关注国民党老兵回大陆寻亲；高国栋的《人·鬼·人》（1995）讲述侵华日本宪兵土屋芳雄对过去的忏悔。", + "reference": "“新纪录片运动”时期的作品中，导���宋继昌《茅岩河船夫》（1993）讲述船夫的打工梦想与传统现实冲击下的人生故事；王蔚导演的《重逢的日子》（1993）关注国民党老兵回大陆寻亲；高国栋的《人·鬼·人》（1995）讲述侵华日本宪兵土屋芳雄对过去的忏悔。", + "edit": [ + { + "src_interval": [ + 55, + 56 + ], + "tgt_interval": [ + 55, + 55 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 1409, + "category": "历史学", + "discipline": "教育学", + "title": "埃尔顿的史料实证观及其历史教育研究", + "source": "优秀的教师应该能够重新界定他主题的内容，并且不间断的探索更加合适的教学主题。", + "reference": "优秀的教师应该能够重新界定他选择的主题的内容，并且不间断地探究更加合适的教学主题。", + "edit": [ + { + "src_interval": [ + 14, + 14 + ], + "tgt_interval": [ + 14, + 17 + ], + "src_tokens": [], + "tgt_tokens": [ + "选", + "择", + "的" + ] + }, + { + "src_interval": [ + 25, + 28 + ], + "tgt_interval": [ + 28, + 31 + ], + "src_tokens": [ + "的", + "探", + "索" + ], + "tgt_tokens": [ + "地", + "探", + "究" + ] + } + ] + }, + { + "id": 1410, + "category": "历史学", + "discipline": "风景园林", + "title": "非遗活态保护视角下旅游型食品工业园景观设计研究", + "source": "第一，首先园区外的道路沿着功能区域展开布局，游人在道路上的移动的同时观察着园区各式的景色，酱油晒场的道路依据“十”字型均匀划分。", + "reference": "首先园区外的道路沿着功能区域展开布置，游人在道路上散步的同时还观察着园区各式各样的景色，酱油晒场的道路按照“十”字型均匀划分。", + "edit": [ + { + "src_interval": [ + 0, + 3 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "第", + "一", + "，" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 20, + 21 + ], + "tgt_interval": [ + 17, + 18 + ], + "src_tokens": [ + "局" + ], + "tgt_tokens": [ + "置" + ] + }, + { + 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"在这长达一个多世纪的时间里，中国史学总的来说还是在“史观派”和“史料派”这个大的范围里角逐。", + "edit": [ + { + "src_interval": [ + 24, + 24 + ], + "tgt_interval": [ + 24, + 25 + ], + "src_tokens": [], + "tgt_tokens": [ + "在" + ] + } + ] + }, + { + "id": 1454, + "category": "历史学", + "discipline": "历史学硕士", + "title": "拉斐尔·萨缪尔新社会史学思想研究", + "source": "同时，史学家不能因为某一学派使用了某理论，就将他们定型化。在萨缪尔看来，“在历史研究的每一个领域，如在哈克尼的历史研究、非洲奴隶制的历史研究、家庭历史研究、国家的形成历史研究资本主义的历史研究等等，都存在着重大的理论问题”。", + "reference": "同时，史学家不能因为某一学派使用了某理论，就将他们定型化。在萨缪尔看来，“在历史研究的每一个领域，如在哈克尼的历史研究、非洲奴隶制的历史研究、家庭历史研究、国家的形成历史研究及资本主义的历史研究等等，都存在着重大的理论问题”。", + "edit": [ + { + "src_interval": [ + 87, + 87 + ], + "tgt_interval": [ + 87, + 88 + ], + "src_tokens": [], + "tgt_tokens": [ + "及" + ] + } + ] + }, + { + "id": 1456, + "category": "历史学", + "discipline": "教育学", + "title": "埃尔顿的史料实证观及其历史教育研究", + "source": "学生们在不具备专业历史判断能力的情况下学习史学史，极有可能将自己的思路错误的导向对历史学者的探讨，而非历史真理本身。", + "reference": "学生们在不具备专业历史判断能力的情况下学习史学史，极有可能将自己错误的思路导向对历史学者的探讨，而非历史真理本身。", + "edit": [ + { + "src_interval": [ + 32, + 38 + ], + 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"另一方面，联合体的建立还需要以全体民族文化价值认同的支撑。", + "reference": "另一方面，联合体的建立还需要以全体民族文化价值认同为支撑。", + "edit": [ + { + "src_interval": [ + 25, + 26 + ], + "tgt_interval": [ + 25, + 26 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "为" + ] + } + ] + }, + { + "id": 2648, + "category": "哲学", + "discipline": "马克思主义哲学", + "title": "福柯微观权力思想研究", + "source": "此外，马克思主义哲学在研究的过程中注重从整体出发，以整体观的思维进行问题分析，并个体差异给予尊重，关注相关之间的联系，从而形成了马克思主义哲学的认识论，更是马克思主义哲学的本体论与价值论的体现。", + "reference": "此外，马克思主义哲学在研究的过程中注重从整体出发，以整体观的思维进行问题分析，并对个体差异给予尊重，以及关注之间的联系，从而形成了马克思主义哲学的认识论，更是马克思主义哲学的本体论与价值论的体现。", + "edit": [ + { + "src_interval": [ + 40, + 40 + ], + "tgt_interval": [ + 40, + 41 + ], + "src_tokens": [], + "tgt_tokens": [ + "对" + ] + }, + { + "src_interval": [ + 49, + 49 + ], + "tgt_interval": [ + 50, + 52 + ], + "src_tokens": [], + "tgt_tokens": [ + "以", + "及" + ] + }, + { + "src_interval": [ + 51, + 53 + ], + "tgt_interval": [ + 54, + 54 + ], + "src_tokens": [ + "相", + "关" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 2652, + 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"本部分主要是对于问题的提出、文章研究意义、研究思路及框架进行介绍，以此来引出本文所要研究的主要方向。", + "reference": "本部分主要是对问题的提出、文章研究意义、研究思路及框架进行介绍，以此引出本文要研究的主要方向。", + "edit": [ + { + "src_interval": [ + 7, + 8 + ], + "tgt_interval": [ + 7, + 7 + ], + "src_tokens": [ + "于" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 35, + 36 + ], + "tgt_interval": [ + 34, + 34 + ], + "src_tokens": [ + "来" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 40, + 41 + ], + "tgt_interval": [ + 38, + 38 + ], + "src_tokens": [ + "所" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 3039, + "category": "经济学", + "discipline": "马克思主义基本原理", + "title": "数字劳动理论的政治经济学分析", + "source": "那么，数字劳动理论究竟有什么值得研究的地方？这就是本章所要探讨的问题。", + "reference": "那么，数字劳动理论究竟有什么值得研究的地方？这就是本章所要探讨的问题。", + "edit": [] + }, + { + "id": 3062, + "category": "经济学", + "discipline": "科学社会主义与国际共产主义运动", + "title": "改革开放以来我国所有制结构改革的马克思主义政治经济学分析", + "source": "扩大企业经营自主权和包干办法一起构成了我国在改革开放初期公有制企业改革的主要内容。", + "reference": "扩大企业经营自主权和实施包干办法一起构成了我国改革开放初期公有制企业改革的主要内容。", + "edit": [ + { + 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"在随后的诸多论述中，诺斯又对分工变化、交易成本、产权所有制和经济发展的内在关联进行了深入全面地剖析。", + "edit": [ + { + "src_interval": [ + 8, + 9 + ], + "tgt_interval": [ + 8, + 9 + ], + "src_tokens": [ + "里" + ], + "tgt_tokens": [ + "中" + ] + }, + { + "src_interval": [ + 13, + 21 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [ + "深", + "入", + "全", + "面", + "的", + "剖", + "析", + "了" + ], + "tgt_tokens": [ + "对" + ] + }, + { + "src_interval": [ + 36, + 37 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "与" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 46, + 46 + ], + "tgt_interval": [ + 39, + 49 + ], + "src_tokens": [], + "tgt_tokens": [ + "进", + "行", + "了", + "深", + "入", + "全", + "面", + "地", + "剖", + "析" + ] + } + ] + }, + { + "id": 3475, + "category": "经济学", + "discipline": "产业经济学", + "title": "电子商务平台企业间Lotk...竞争模型研究及其经济学解释", + "source": "可见双边市场平台定价是一个复杂的问题，各家各派由于釆用的模型不同，观察的参数数量不同，常常会得出不同的结论。", + "reference": "可见双边市场平台定价是一个复杂的难题，各家各派由于釆用的模型不同，参考的参数数量不同，常常会得到不同的结论。", + "edit": [ + { + 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"玉米秸秆生物炭在平衡状态下的可溶性磷释放量为3.2967mg/g，而鸡粪生物炭的相应释放量为5.5350mg/g。", + "edit": [ + { + "src_interval": [ + 7, + 13 + ], + "tgt_interval": [ + 7, + 8 + ], + "src_tokens": [ + "和", + "鸡", + "粪", + "生", + "物", + "炭" + ], + "tgt_tokens": [ + "在" + ] + }, + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 10, + 13 + ], + "src_tokens": [ + "时" + ], + "tgt_tokens": [ + "状", + "态", + "下" + ] + }, + { + "src_interval": [ + 24, + 26 + ], + "tgt_interval": [ + 21, + 21 + ], + "src_tokens": [ + "分", + "别" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 37, + 38 + ], + "tgt_interval": [ + 32, + 46 + ], + "src_tokens": [ + "和" + ], + "tgt_tokens": [ + "，", + "而", + "鸡", + "粪", + "生", + "物", + "炭", + "的", + "相", + "应", + "释", + "放", + "量", + "为" + ] + } + ] + }, + { + "id": 3617, + "category": "农学", + "discipline": "农业资源与环境", + "title": "蚯蚓粪有机肥施用对稻田土壤养分及吸收的影响", + "source": "王明友等人的结果表明，在通过增施有机肥的条件下，可以调控土壤酶活性，增加土壤养分。", + "reference": "王明友等人的研究结果表明，在增施有机肥的条件下，可以调控土壤酶活性，增加土壤养分。", + "edit": [ + 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"source": "文献对淮北平原的土壤水分利用ARIMA模型进行了预测，ARIMA模型在预测该区冬小麦土壤水分时间序列上取得了很好的效果。", + "reference": "文献对淮北平原的土壤水分使用ARIMA模型进行了预测，ARIMA模型在预测该区冬小麦土壤水分时间序列上取得了很好的效果。", + "edit": [ + { + "src_interval": [ + 12, + 13 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [ + "利" + ], + "tgt_tokens": [ + "使" + ] + } + ] + }, + { + "id": 3651, + "category": "农学", + "discipline": "地图制图学与地理信息工程", + "title": "山东省耕地土壤养分数据库建立及其分异特征分析", + "source": "虽然建国以来，我国已先后开展了两次土壤普查，但是第二次土壤普查距今已近40年，耕地状况尤其是养分状况已发生了巨大的变化，而且普查数据资料均为专题图件，已不能满足现代农业管理的需要。", + "reference": "虽然建国以来，我国已先后开展了两次土壤普查，但是第二次土壤普查距今已近40年，当前耕地状况尤其是土壤养分养分状况已发生了巨大的变化，而且普查数据资料均为专题图件，已无法满足当前现代农业管理的需要。", + "edit": [ + { + "src_interval": [ + 39, + 39 + ], + "tgt_interval": [ + 39, + 41 + ], + "src_tokens": [], + "tgt_tokens": [ + "当", + "前" + ] + }, + { + "src_interval": [ + 46, + 46 + ], + "tgt_interval": [ + 48, + 52 + ], + "src_tokens": [], + "tgt_tokens": [ + "土", + "壤", + "养", + "分" + ] + }, + { + "src_interval": [ + 76, + 78 + ], + "tgt_interval": [ + 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"由冬小麦不同施氮量对土壤放线菌数量的影响如图4-5所示，随着麦季施氮量的增加，土壤放线菌数���呈先增后降的变化趋势，2018年在N1处理达到最大，而2019年在N2处理达到最大，且均与其他处理存在显著差异，虽然两年的规律不尽一致，但均表明麦季适量施氮(N1、N2)能显著提高土壤放线菌的数量，施氮量过多则显著降低了土壤放线菌数量。", + "edit": [ + { + "src_interval": [ + 28, + 33 + ], + "tgt_interval": [ + 28, + 30 + ], + "src_tokens": [ + "不", + "同", + "处", + "理", + "随" + ], + "tgt_tokens": [ + "随", + "着" + ] + }, + { + "src_interval": [ + 98, + 100 + ], + "tgt_interval": [ + 95, + 97 + ], + "src_tokens": [ + "达", + "到" + ], + "tgt_tokens": [ + "存", + "在" + ] + } + ] + }, + { + "id": 3681, + "category": "农学", + "discipline": "农业工程", + "title": "基于深度学习的土壤养分预测研究", + "source": "同样的，车排子垦区和胡杨河垦区预测效果均明显好于奎屯垦区和高泉垦区。", + "reference": "同样，车排子垦区和胡杨河垦区预测效果均明显好于奎屯垦区与高泉垦区。", + "edit": [ + { + "src_interval": [ + 2, + 3 + ], + "tgt_interval": [ + 2, + 2 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 28, + 29 + ], + "tgt_interval": [ + 27, + 28 + ], + "src_tokens": [ + "和" + ], + "tgt_tokens": [ + "与" + ] + } + ] + }, + { + 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"尽管生物质炭对土壤有效磷的增加效应能够持续超过两年，但该效应随施用年限的增加是持续下降的(图4-2)。", + "edit": [ + { + "src_interval": [ + 26, + 27 + ], + "tgt_interval": [ + 26, + 27 + ], + "src_tokens": [ + "而" + ], + "tgt_tokens": [ + "但" + ] + } + ] + }, + { + "id": 3987, + "category": "农学", + "discipline": "地图制图学与地理信息工程", + "title": "山东省耕地土壤养分数据库建立及其分异特征分析", + "source": "根据土壤土壤有机质描述性统计(表13),有机质含量不同尺度下最大值、最小值、平均值均有较大差异，具有明显的尺度差异。", + "reference": "根据土壤有机质描述性统计（表13），有机质含量的最大值、最小值和平均值均有较大差异，具有明显的尺度差异。", + "edit": [ + { + "src_interval": [ + 2, + 4 + ], + "tgt_interval": [ + 2, + 2 + ], + "src_tokens": [ + "土", + "壤" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 14, + 15 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [ + "(" + ], + "tgt_tokens": [ + "（" + ] + }, + { + "src_interval": [ + 18, + 20 + ], + "tgt_interval": [ + 16, + 18 + ], + "src_tokens": [ + ")", + "," + ], + "tgt_tokens": [ + "）", + "，" + ] + }, + { + "src_interval": [ + 25, + 30 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "不", 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"混声合唱《纹身》的艺术处理及时代意蕴研究", + "source": "对待我们国家的这种传统民族文化，我们也可以按照这样的方式进行传承，将这些‘基因’重新整理、组合，并融入作曲家自己的思考，形成新的作品，从而使这些‘基因’得以‘活态’的传承下去。", + "reference": "对待我们国家的这种传统民族文化，我们也可以按照这样的方式进行传承，将这些‘基因’重新整理、组合，并融入作曲家自己的思考，形成新的作品，从而使这些‘基因’得以‘活态’地传承下去。", + "edit": [ + { + "src_interval": [ + 82, + 83 + ], + "tgt_interval": [ + 82, + 83 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 4156, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "徐景新艺术歌曲的演唱与分析研究", + "source": "乾闼婆和紧那罗是古印度神话体系当中擅长唱歌与跳舞的天人，逐渐被吸收进入佛教体系内。", + "reference": "乾闼婆和紧那罗是古印度神话体系里擅长唱歌与跳舞的天人，逐渐被吸收进入佛教体系内。", + "edit": [ + { + "src_interval": [ + 15, + 17 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "当", + "中" + ], + "tgt_tokens": [ + "里" + ] + } + ] + }, + { + "id": 4159, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "二十世纪八十年代中国钢琴三重奏创作研究", + "source": "他们将我国传统文化交融于西方创作技巧之中，使得音乐中外交汇，古今交融，即有民族风韵又不乏时代的特征，产生了属于他们的对于重奏创作的新观。", + "reference": "他们将我国传统文化融入西方创作技巧之中，使得音乐中外交汇，古今交融，既有民族风韵又不乏时代的特征，形成了属于他们的对于重奏创作的新观念。", + "edit": [ + { + "src_interval": [ + 9, + 12 + ], + "tgt_interval": [ + 9, + 11 + ], + "src_tokens": [ + "交", + "融", + "于" + ], + "tgt_tokens": [ + "融", + "入" + ] + }, + { + "src_interval": [ + 35, + 36 + ], + "tgt_interval": [ + 34, + 35 + ], + "src_tokens": [ + "即" + ], + "tgt_tokens": [ + "既" + ] + }, + { + "src_interval": [ + 50, + 52 + ], + "tgt_interval": [ + 49, + 51 + ], + "src_tokens": [ + "产", + "生" + ], + "tgt_tokens": [ + "形", + "成" + ] + }, + { + "src_interval": [ + 67, + 67 + ], + "tgt_interval": [ + 66, + 67 + ], + "src_tokens": [], + "tgt_tokens": [ + "念" + ] + } + ] + }, + { + "id": 4187, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "童话情节与交响诗的完美结合", + "source": "本文由于多次大量的出现集体的聚合，所以就不需要在每一次聚的时候做详细的阐述，所以在有些主题形象出场时便没有再加以阐述，讲出个性化的特征就完成了它的分析效果。", + "reference": "由于本文出现了多次大量地出现了集体聚合现象，所以就不需要在每一次聚的时候都做详细的阐述，所以在有些主题形象出场时便没有再加以阐述，只讲出个性化的特征就完成了它的分析效果。", + "edit": [ + { + "src_interval": [ + 0, 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"前奏部分的织体较为清晰，其特点是左手持续保持的8/6拍的节奏律动，以及右手旋律材料的下行模进，其中以八分音符和十六分音符为主。", + "edit": [ + { + "src_interval": [ + 2, + 2 + ], + "tgt_interval": [ + 2, + 5 + ], + "src_tokens": [], + "tgt_tokens": [ + "部", + "分", + "的" + ] + }, + { + "src_interval": [ + 5, + 5 + ], + "tgt_interval": [ + 8, + 9 + ], + "src_tokens": [], + "tgt_tokens": [ + "为" + ] + }, + { + "src_interval": [ + 8, + 11 + ], + "tgt_interval": [ + 12, + 16 + ], + "src_tokens": [ + "主", + "要", + "以" + ], + "tgt_tokens": [ + "其", + "特", + "点", + "是" + ] + }, + { + "src_interval": [ + 13, + 16 + ], + "tgt_interval": [ + 18, + 22 + ], + "src_tokens": [ + "的", + "一", + "贯" + ], + "tgt_tokens": [ + "持", + "续", + "保", + "持" + ] + }, + { + "src_interval": [ + 31, + 32 + ], + "tgt_interval": [ + 37, + 37 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 36, + 39 + ], + "tgt_interval": [ + 41, + 44 + ], + "src_tokens": [ + "下", + "行", + "的" + ], + "tgt_tokens": [ + "的", + "下", + "行" + ] + }, + { + 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+ "source": "可以清晰的看出，在建国初期这一时间段，中国的专业音乐受苏联音乐影响较大。", + "reference": "由此可以清晰地看出，在建国初期，中国的专业音乐受苏联音乐影响较大。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [], + "tgt_tokens": [ + "由", + "此" + ] + }, + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 6, + 7 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 13, + 18 + ], + "tgt_interval": [ + 15, + 15 + ], + "src_tokens": [ + "这", + "一", + "时", + "间", + "段" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 4252, + "category": "艺术学", + "discipline": "音乐", + "title": "艺术歌曲《诔词》的音乐特点研究及演唱分析", + "source": "第一句的“散上玫瑰花”，Andante的速度，mp的强度，不用刻意去强调“散上”二字，自然缓慢的流动出来。", + "reference": "在演唱第一句的“散上玫瑰花”时，应用Andante的速度，保持mp的强度，不用刻意去强调“散上”二字，让整个乐句自然缓慢地流淌出来。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 3 + ], + "src_tokens": [], + "tgt_tokens": [ + "在", + "演", + "唱" + ] + }, + { + "src_interval": [ + 11, + 12 + ], + 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"音乐与舞蹈学", + "title": "当代中国古典诗词艺术歌曲的演唱与审美研究", + "source": "她在演唱这首作品时，嘴巴张开的很小，口腔内部充分打开，在高音区和低音区的声音位置集中。", + "reference": "她在演唱这首作品时，虽然嘴巴张开得较小，但口腔内部充分打开，使得高音和低音的声音位置都能保持集中。", + "edit": [ + { + "src_interval": [ + 10, + 10 + ], + "tgt_interval": [ + 10, + 12 + ], + "src_tokens": [], + "tgt_tokens": [ + "虽", + "然" + ] + }, + { + "src_interval": [ + 14, + 16 + ], + "tgt_interval": [ + 16, + 18 + ], + "src_tokens": [ + "的", + "很" + ], + "tgt_tokens": [ + "得", + "较" + ] + }, + { + "src_interval": [ + 18, + 18 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [], + "tgt_tokens": [ + "但" + ] + }, + { + "src_interval": [ + 27, + 28 + ], + "tgt_interval": [ + 30, + 32 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [ + "使", + "得" + ] + }, + { + "src_interval": [ + 30, + 31 + ], + "tgt_interval": [ + 34, + 34 + ], + "src_tokens": [ + "区" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 34, + 35 + ], + "tgt_interval": [ + 37, + 37 + ], + "src_tokens": [ + "区" + ], + "tgt_tokens": [] + 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"这部作品由三个乐章组成，以小提琴、中提琴和钢琴的混合重奏形式进行演奏。", + "edit": [ + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 4, + 5 + ], + "src_tokens": [ + "共" + ], + "tgt_tokens": [ + "由" + ] + }, + { + "src_interval": [ + 9, + 13 + ], + "tgt_interval": [ + 9, + 13 + ], + "src_tokens": [ + "，", + "采", + "用", + "了" + ], + "tgt_tokens": [ + "组", + "成", + "，", + "以" + ] + }, + { + "src_interval": [ + 23, + 29 + ], + "tgt_interval": [ + 23, + 28 + ], + "src_tokens": [ + "混", + "组", + "合", + "演", + "奏", + "的" + ], + "tgt_tokens": [ + "的", + "混", + "合", + "重", + "奏" + ] + }, + { + "src_interval": [ + 31, + 31 + ], + "tgt_interval": [ + 30, + 34 + ], + "src_tokens": [], + "tgt_tokens": [ + "进", + "行", + "演", + "奏" + ] + } + ] + }, + { + "id": 4380, + "category": "艺术学", + "discipline": "音乐", + "title": "致敬巴赫", + "source": "前者作为重音记号演奏的较强一点这个没有什么争议，后者保持音记号既要将音符弹的饱满而且还要突出声音。", + "reference": "前者作为重音记号，其演奏方式较为强烈是没有争议的；而后者的保持音记号要求演奏者不仅要将音符弹奏得饱满，还要确保声音的突出。", + "edit": [ + { + "src_interval": [ + 8, + 8 + ], + 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"该曲为8/6拍，律动强弱弱次强弱弱，有着浓郁的舞曲感，音乐的速度也较快，故而整个音乐形象便是充满活力、轻快的，富有律动感，淋漓尽致的体现出该曲的优美抒情的韵味。", + "reference": "该曲为8/6拍，律动表现为“强-弱-弱-次强-弱-弱”，具有浓郁的舞曲风格。音乐的速度较快，因此整个音乐形象充满活力、轻快，富有律动感，充分展现了该曲优美抒情的韵味。", + "edit": [ + { + "src_interval": [ + 10, + 13 + ], + "tgt_interval": [ + 10, + 20 + ], + "src_tokens": [ + "强", + "弱", + "弱" + ], + "tgt_tokens": [ + "表", + "现", + "为", + "“", + "强", + "-", + "弱", + "-", + "弱", + "-" + ] + }, + { + "src_interval": [ + 15, + 20 + ], + "tgt_interval": [ + 22, + 30 + ], + "src_tokens": [ + "弱", + "弱", + "，", + "有", + "着" + ], + "tgt_tokens": [ + "-", + "弱", + "-", + "弱", + "”", + "，", + "具", + "有" + ] + }, + { + "src_interval": [ + 25, + 27 + ], + "tgt_interval": [ + 35, + 38 + ], + "src_tokens": [ + "感", + "，" + ], + "tgt_tokens": [ + "风", + "格", + "。" + ] + }, + { + "src_interval": [ + 32, + 33 + ], + "tgt_interval": [ + 43, + 43 + ], + "src_tokens": [ + "也" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 36, + 38 + ], + "tgt_interval": [ + 46, + 48 + ], + 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"src_interval": [ + 24, + 27 + ], + "tgt_interval": [ + 24, + 27 + ], + "src_tokens": [ + "辽", + "阔", + "、" + ], + "tgt_tokens": [ + "广", + "阔", + "，" + ] + } + ] + }, + { + "id": 4495, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "中国当代音乐史中的创作筝曲研究", + "source": "音乐想象越发鲜明、演奏技巧逐渐系统化、音乐语汇逐渐更新、创作形式逐渐丰富……对古筝艺术的发展注入了新的生命力，增强了表现力，并且到了非常积极地作用，再一次向世界展示了这件乐器在新时代的照耀下被赋予了新的意义。", + "reference": "音乐想象越发鲜明、演奏技巧逐渐系统化、音乐词汇逐渐更新、创作形式逐渐丰富……为古筝艺术的发展注入了新的生命力，增强了表现力，并且起到了非常积极的作用，再一次向世界展示了这件乐器在新时代的照耀下被赋予了新的意义。", + "edit": [ + { + "src_interval": [ + 21, + 22 + ], + "tgt_interval": [ + 21, + 22 + ], + "src_tokens": [ + "语" + ], + "tgt_tokens": [ + "词" + ] + }, + { + "src_interval": [ + 38, + 39 + ], + "tgt_interval": [ + 38, + 39 + ], + "src_tokens": [ + "对" + ], + "tgt_tokens": [ + "为" + ] + }, + { + "src_interval": [ + 64, + 64 + ], + "tgt_interval": [ + 64, + 65 + ], + "src_tokens": [], + "tgt_tokens": [ + "起" + ] + }, + { + "src_interval": [ + 70, + 71 + ], + "tgt_interval": [ + 71, + 72 + ], 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+ { + "id": 4549, + "category": "文学", + "discipline": "教育", + "title": "高中历史教学中文学作品的应用研究", + "source": "正所谓“授之以鱼不如授之以渔”，教师除了在教学过程中有意识的辩证处理文学作品之外，还应教授学生立足于唯物史观对待文学作品的态度与鉴别文学作品的能力。", + "reference": "正所谓“授之以鱼不如授之以渔”，教师除了在教学过程中有意识地辩证处理文学作品之外，还应造就学生立足于唯物史观对待文学作品的态度与鉴别文学作品的能力。", + "edit": [ + { + "src_interval": [ + 29, + 30 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 43, + 45 + ], + "tgt_interval": [ + 43, + 45 + ], + "src_tokens": [ + "教", + "授" + ], + "tgt_tokens": [ + "造", + "就" + ] + } + ] + }, + { + "id": 4550, + "category": "文学", + "discipline": "教育", + "title": "高中历史教学中文学作品的应用研究", + "source": "大部分教师对于历史课堂的文史结合理念持有认可态度，认为不管是优秀的历史教师或是出色的学生应是文史兼修，既能辨明千年历史的风云变幻、又能妙笔生花文章藏锦绣，由此可见“文史不分家”的意识潜藏在教师们的意识共识里，在其教学实践中经常无意识的展现。", + "reference": "大部分教师对于历史课堂的文史结合理念持认可态度，认为不管是优秀的历史教师还是出色的学生应是文史兼修，既能辨明千年历史的风云变幻、又能妙笔生花著锦绣文章。由此可见“文史不分家”的意识潜藏在教师们的共识里，在其教学实践中经常无意识地展现。", + "edit": [ + { + "src_interval": [ + 19, + 20 + ], + 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"在某种意义上来看，正是对色彩审美的理性控制，才能使迟子建在基于理性的前提下解放色彩的本质，即对生命的体验。", + "edit": [ + { + "src_interval": [ + 6, + 6 + ], + "tgt_interval": [ + 6, + 7 + ], + "src_tokens": [], + "tgt_tokens": [ + "来" + ] + }, + { + "src_interval": [ + 28, + 28 + ], + "tgt_interval": [ + 29, + 31 + ], + "src_tokens": [], + "tgt_tokens": [ + "基", + "于" + ] + }, + { + "src_interval": [ + 31, + 33 + ], + "tgt_interval": [ + 34, + 36 + ], + "src_tokens": [ + "辅", + "助" + ], + "tgt_tokens": [ + "前", + "提" + ] + } + ] + }, + { + "id": 4585, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "他从小因家庭原因染上可难以启齿的生理疾病，只有在火车的轰鸣声中才能像个正常男性一样射精。", + "reference": "他从小因家庭原因染上了难以启齿的生理疾病，只有在火车的轰鸣声中才能像个正常男性一样射精。", + "edit": [ + { + "src_interval": [ + 10, + 11 + ], + "tgt_interval": [ + 10, + 11 + ], + "src_tokens": [ + "可" + ], + "tgt_tokens": [ + "了" + ] + } + ] + }, + { + "id": 4589, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "因此，本论文试图建立在前人的研究基础上进一步对苏童小说的“边缘人”叙事深入研究。", + "reference": "因此，本论文试图建立在前人研究的成果上进一步对苏童小说的“边缘人”叙事深入研究。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 13 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 16, + 18 + ], + "tgt_interval": [ + 15, + 18 + ], + "src_tokens": [ + "基", + "础" + ], + "tgt_tokens": [ + "的", + "成", + "果" + ] + } + ] + }, + { + "id": 4593, + "category": "文学", + "discipline": "中国现当代文学", + "title": "严歌苓小说中的记忆书写", + "source": "因而，他们那种接触、谈话的风格，在严歌苓的记忆里是非常印象深刻的。", + "reference": "因而，他们那种接触、谈话的风格，在严歌苓的记忆里是印象非常深刻的。", + "edit": [ + { + "src_interval": [ + 25, + 29 + ], + "tgt_interval": [ + 25, + 29 + ], + "src_tokens": [ + "非", + "常", + "印", + "象" + ], + "tgt_tokens": [ + "印", + "象", + "非", + "常" + ] + } + ] + }, + { + "id": 4605, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "总的来说，简少贞是一位长期生活再幽暗抑郁环境中的人，于是她将自己的不幸转变为对妹妹的控制，妹妹承受着这压抑生活带给她的痛苦。", + "reference": "总的来说，简少贞是一位长期生活在幽暗抑郁环境中的人，于是她将自己的不幸转变为对妹妹的控制，妹妹承受着这压抑生活带给她的痛苦。", + "edit": [ + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "再" + ], + "tgt_tokens": [ + "在" + ] + } + ] + }, + { + "id": 4616, + "category": "文学", + "discipline": "中国现当代文学", + "title": "漠月小说论", + "source": "关于风景之于人物形象刻画的这一作用让人不禁想起了诞生在烟雨朦胧的湘西世界的翠翠这一文学形象。", + "reference": "风景对于人物形象刻画的这一作用让人不禁想起了诞生在烟雨朦胧的湘西世界的翠翠这一文学形象。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "关", + "于" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 2, + 3 + ], + "src_tokens": [ + "之" + ], + "tgt_tokens": [ + "对" + ] + } + ] + }, + { + "id": 4628, + "category": "文学", + "discipline": "中国现当代文学", + "title": "王小波小说的“后现代性”", + "source": "例如最具解构意味的先锋派作家阵营中，马原、孙甘露、格非、吕新等小说家都注重文体实验、语言的游戏狂欢、主体性的消解，但吕新并未一味的沉浸于文字游戏，其《苍黄的晋北山区》《葵花》等作品带有浓厚的地域文化特色。", + "reference": "例如，在最具解构意味的先锋派作家阵营中，马原、孙甘露、格非、吕新等小说家都注重文体实验、语言的游戏狂欢和主体性的消解。但吕新并未一味沉浸于文字游戏，其作品《苍黄的晋北山区》、《葵花》等，带有浓厚的地域文化特色。", + "edit": [ + { + "src_interval": [ + 2, + 2 + ], + "tgt_interval": [ + 2, + 4 + ], + "src_tokens": [], + "tgt_tokens": [ + "，", + "在" + ] + }, + { + "src_interval": [ + 49, + 50 + ], + "tgt_interval": [ + 51, + 52 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 56, + 57 + ], + "tgt_interval": [ + 58, + 59 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 64, + 65 + ], + "tgt_interval": [ + 66, + 66 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 74, + 74 + ], + "tgt_interval": [ + 75, + 77 + ], + "src_tokens": [], + "tgt_tokens": [ + "作", + "品" + ] + }, + { + "src_interval": [ + 83, + 83 + ], + "tgt_interval": [ + 86, + 87 + ], + "src_tokens": [], + "tgt_tokens": [ + "、" + ] + }, + { + "src_interval": [ + 88, + 90 + ], + "tgt_interval": [ + 92, + 93 + ], + 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"两位教师提出“授之以鱼不如授之以渔”的看法，认为文学作品的应用不应该仅是教师讲解学生学习感悟的模式，教师更应该利用文学作品延伸历史教学的空间，使学生在课堂之外遇到文学作品时能有意识的发掘文章相关历史时期的真实历史概况。", + "reference": "两位教师提出“授之以鱼不如授之以渔”的看法，认为文学作品的应用不应该仅是教师讲解学生学习感悟的模式，教师更应该利用文学作品延伸历史教学的空间，使学生在课堂之外遇到文学作品时能有意识地发掘文章相关历史时期的真实历史概况。", + "edit": [ + { + "src_interval": [ + 90, + 91 + ], + "tgt_interval": [ + 90, + 91 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 4676, + "category": "文学", + "discipline": "中国语言文学", + "title": "论迟子建小说的哈尔滨书写", + "source": "村里所有人都质疑着、猜测着、他们认为赵小娥是鬼而不是人。", + "reference": "村里所有人都质疑着、猜测着，他们认为赵小娥是鬼而不是人。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "，" + ] + } + ] + }, + { + "id": 4678, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论迟子建小说的色彩书写", + "source": "水花在月光的映衬下闪着幽幽蓝蓝地光芒，而堪达罕的鲜血则洒满了湖水，仿佛吞噬了湖中的圆月，带着一丝悲凉的意味。", + "reference": "水花在月光的映衬下闪着幽幽蓝蓝的光芒，而堪达罕的鲜血则洒满了湖水，仿佛吞噬了湖中的圆月，带着一丝悲凉的意味。", + "edit": [ + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "地" + ], + "tgt_tokens": [ + "的" + ] + } + ] + }, + { + "id": 4680, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论虹影作品中的重庆书写", + "source": "岳雯的期刊论文《上海传奇的另一种写法—论虹影小说中的都市空间想象》（2008）是这类研究的渊薮，作者认为虹影的“重写海上花”三部曲贯彻了人城合一的写作策略，与张爱玲、王安忆等本土上海作家相比，虹影式的上海想象的独特性在于剥离了上海本土性的一面，以上海的民间逻辑书写了女性的成长史、传奇史。", + "reference": "岳雯的期刊论文《上海传奇的另一种写法—论虹影小说中的都市空间想象》（2008）是这类研究的渊源，作者认为虹影的“重写海上花”三部曲贯彻了人城合一的写作策略，与张爱玲、王安忆等本土上海作家相比，虹影式的上海想象的独特性在于剥离了上海本土性的一面，以上海的民间逻辑书写了女性的成长史、传奇史。", + "edit": [ + { + "src_interval": [ + 46, + 47 + ], + "tgt_interval": [ + 46, + 47 + ], + "src_tokens": [ + "薮" + ], + "tgt_tokens": [ + "源" + ] + } + ] + }, + { + "id": 4715, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "父亲李修业丑陋粗鄙无休止地折磨自己买回来的老婆腾凤。", + "reference": "父亲李修业丑陋粗鄙无休止地殴打自己买回来的老婆腾凤。", + "edit": [ + { + "src_interval": [ + 13, + 15 + ], + "tgt_interval": [ + 13, + 15 + ], + "src_tokens": [ + "折", + "磨" + ], + "tgt_tokens": [ + "殴", + "打" + ] + } + ] + }, + { + "id": 4725, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论迟子建小说的色彩书写", + "source": "由于迟子建对色彩运用带有自觉性，并且有着鲜明的目的特征，使她的小说文本显示出丰富多彩的精神内涵。", + "reference": "迟子建对色彩运用带有自觉性，并且有着鲜明的目的特征，使她的小说文本显示出丰富多彩的精神内涵。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "由", + "于" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 4738, + "category": "文学", + "discipline": "中国现当代文学", + "title": "改革年代的问题小说", + "source": "郭金石对权力保护的诉求是带有传统社会的依附心理的，但这也是符合新旧思想交织的社会现实的。", + "reference": "郭金石对权力保护的诉求是带有传统社会的依附心理，但这也是符合新旧思想交织的社会现实。", + "edit": [ + { + "src_interval": [ + 23, + 24 + ], + "tgt_interval": [ + 23, + 23 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 42, + 43 + ], + "tgt_interval": [ + 41, + 41 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 4740, + "category": "文学", + "discipline": "中国现当代文学", + "title": "鲁迅文学作品的绘画改编研究", + "source": "近些年来，越来越多的学者关注到了绘画美术家对鲁迅作品的图像阐释。", + "reference": "近些年来，越来越多的学者关注绘画美术家对鲁迅作品的图像阐释。", + "edit": [ + { + "src_interval": [ + 14, + 16 + ], + "tgt_interval": [ + 14, + 14 + ], + "src_tokens": [ + "到", + "了" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 4743, + "category": "文学", + "discipline": "教育", + "title": "高中历史教学中文学作品的应用研究", + "source": "文学作品本身因文史关系自古以来的交融与嬗变而具有历史性，其创作历程及作者本人因时代背景和该时代的认知水平有限而自觉或不自觉的打上历史烙印，因此文学作品本身必然成为史料的一种类型而充当着认识历史研究历史的工具。", + "reference": "文学作品本身因文史关系自古以来的交融与嬗变而具有历史性，其创作历程及作者本人因时代背景和认知水平的限制都会自觉或不自觉地打上历史烙印，因此文学作品本身必然成为史料的一种类型而充当着认识历史研究历史的工具。", + "edit": [ + { + "src_interval": [ + 44, + 48 + ], + "tgt_interval": [ + 44, + 44 + ], + "src_tokens": [ + "该", + "时", + "代", + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 52, + 55 + ], + "tgt_interval": [ + 48, + 53 + ], + "src_tokens": [ + "有", + "限", + "而" + ], + "tgt_tokens": [ + "的", + "限", + "制", + "都", + "会" + ] + }, + { + "src_interval": [ + 61, + 62 + ], + 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"category": "文学", + "discipline": "中国现当代文学", + "title": "地域文化视域下里下河文学研究", + "source": "千古文人梦，最忆是江南。“‘水乡’则是江南的眼神，是江南最明亮动人的所在。”", + "reference": "千古文人梦，最忆是江南。“‘水乡’则是江南的眼神，是江南最明亮动人的所在。”", + "edit": [] + }, + { + "id": 4764, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "“误会是人物因时空、处境、气质、性格、趣味等差异而造成的一种对事物的暂时性的错误理解。”", + "reference": "“误会是人物因时空、处境、气质、性格及趣味等差异而造成的一种对事物的暂时性的错误理解。”", + "edit": [ + { + "src_interval": [ + 18, + 19 + ], + "tgt_interval": [ + 18, + 19 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "及" + ] + } + ] + }, + { + "id": 4776, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "当她失去“李铁梅”的价值时，综合大楼又驱逐他，她依旧选择留在岸上。", + "reference": "当她失去“李铁梅”的价值时，综合大楼又驱逐她，而她依旧选择留在岸上。", + "edit": [ + { + "src_interval": [ + 21, + 23 + ], + "tgt_interval": [ + 21, + 24 + ], + "src_tokens": [ + "他", + "，" + ], + "tgt_tokens": [ + "她", + "，", + "而" + ] + } + ] + }, + { + "id": 4778, + "category": "文学", + "discipline": "中国语言文学", + "title": "论迟子建小说的哈尔滨书写", + "source": "因齐如云是厂里的文艺骨干，跳舞跳的好，厂里便让她去参加苏联专家的联欢舞会，参加舞会时她身穿一条蛋青色连衣裙。", + "reference": "因齐如云是厂里的文艺骨干，跳舞跳得好，厂里便让她去参加苏联专家的联欢舞会，参加舞会时她身穿一条蛋青色连衣裙。", + "edit": [ + { + "src_interval": [ + 16, + 17 + ], + "tgt_interval": [ + 16, + 17 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "得" + ] + } + ] + }, + { + "id": 4819, + "category": "文学", + "discipline": "教育", + "title": "高中历史教学中文学作品的应用研究", + "source": "史料学派把文学作品看作历史材料的扩充，史观学派把文学看作社会史的反应物，就像同样是关于《红楼梦》的研究，胡适将其看作是曹雪芹的家史考证，以严谨的史学研究方式对其解构和阐述人物故事背后的隐喻与曹雪芹生平经历的对应，而翦伯赞则立足于唯物史观，将《红楼梦》看作研究十八世纪上半期中国社会史的绝佳材料。", + "reference": "史料学派把文学作品看作历史材料的扩充，史观学派把文学看作社会史的反映物，就像同样是关于《红楼梦》的研究，胡适将其看作是曹雪芹的家史考证，以严谨的史学研究方式对其解构和阐述人物故事背后的隐喻与曹雪芹生平经历的对应，而翦伯赞则立足于唯物史观，将《红楼梦》看作研究十八世纪上半期中国社会史的绝佳材料。", + "edit": [ + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 33, + 34 + ], + "src_tokens": [ + "应" + ], + "tgt_tokens": [ + "映" + ] + } + ] + }, + { + "id": 4821, + "category": "文学", + "discipline": "中国现当代文学", + "title": "鲁迅文学作品的绘画改编研究", + "source": "当然，这一过程中读者在其中发挥重要的接受和传播的作用。", + "reference": "当然，这一过程中，读者发挥了重要的接受和传播作用。", + "edit": [ + { + "src_interval": [ + 8, + 8 + ], + "tgt_interval": [ + 8, + 9 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 10, + 13 + ], + "tgt_interval": [ + 11, + 11 + ], + "src_tokens": [ + "在", + "其", + "中" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 15, + 15 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [], + "tgt_tokens": [ + "了" + ] + }, + { + "src_interval": [ + 23, + 24 + ], + "tgt_interval": [ + 22, + 22 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 4824, + "category": "文学", + "discipline": "中国现当代文学", + "title": "寸心得失，千古文章", + "source": "白沫上飞旋一只鸟，仅仅一只。", + "reference": "白沫上，仅仅飞旋着一只鸟。", + "edit": [ + { + "src_interval": [ + 3, + 8 + ], + "tgt_interval": [ + 3, + 3 + ], + "src_tokens": [ + "飞", + "旋", + "一", + "只", + "鸟" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 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"意大利作家卢伊吉·马莱尔巴也曾指出“我的写法较奇特，这主要是想证明，我周围的世界是荒谬的，这恰恰就是当今的现实。这是艺术与现实的“合谋”，戏谑对于“笑”其内部存在着两种看���世界的观点，即严肃的和诙谐的看待世界的观点的作品，这两种观点相互并存，相互反映。”", + "reference": "意大利作家卢伊吉·马莱尔巴也曾指出“我的写法较奇特，这主要是想证明，我周围的世界是荒谬的，这恰恰就是当今的现实。这是艺术与现实的‘合谋’，戏谑对于‘笑’其内部存在着两种看待世界的观点，即严肃和诙谐的观点。这两种观点相互并存，相互反映。”", + "edit": [ + { + "src_interval": [ + 64, + 65 + ], + "tgt_interval": [ + 64, + 65 + ], + "src_tokens": [ + "“" + ], + "tgt_tokens": [ + "‘" + ] + }, + { + "src_interval": [ + 67, + 68 + ], + "tgt_interval": [ + 67, + 68 + ], + "src_tokens": [ + "”" + ], + "tgt_tokens": [ + "’" + ] + }, + { + "src_interval": [ + 73, + 76 + ], + "tgt_interval": [ + 73, + 76 + ], + "src_tokens": [ + "“", + "笑", + "”" + ], + "tgt_tokens": [ + "‘", + "笑", + "’" + ] + }, + { + "src_interval": [ + 95, + 96 + ], + "tgt_interval": [ + 95, + 95 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 99, + 104 + ], + "tgt_interval": [ + 98, + 98 + ], + "src_tokens": [ + "的", + "看", + "待", + "世", + "界" + ], + 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"在冯骥才创作的四十余年间，主要对两段历史进行了持续性书写：对义和团运动的记述以及对“伤痕记忆”的回望。", + "reference": "在冯骥才创作的四十余年中，主要对两段历史进行了持续性书写：对义和团运动的记述以及对“伤痕记忆”的回望。", + "edit": [ + { + "src_interval": [ + 11, + 12 + ], + "tgt_interval": [ + 11, + 12 + ], + "src_tokens": [ + "间" + ], + "tgt_tokens": [ + "中" + ] + } + ] + }, + { + "id": 4923, + "category": "文学", + "discipline": "教育", + "title": "高中历史教学中文学作品的应用研究", + "source": "自近代以来无数力求拯救国家于危难的仁人志士借文学宣泄着个人深厚的爱国之情，教师应在课堂中对文学作品做到充分的价值引领，使学生在历史课堂中深刻的认识到国家和民族的发展历程，在文学作品的解读中聆听到中华民族近代史上风雨飘摇饱经摧残的血泪悲鸣，感受华夏英雄儿女保家卫国的壮丽挽歌，在新生社会主义国家从无到有的��起历程中感受到振聋发聩的时代强音。", + "reference": "自近代以来无数力求拯救国家于危难的仁人志士借文学宣泄着个人深厚的爱国之情，教师应在课堂中对文学作品做到充分的价值引领，使学生在历史课堂中深刻地认识到国家和民族的发展历程，在文学作品的解读中聆听到中华民族近代史上风雨飘摇饱经摧残的血泪悲鸣，感受华夏英雄儿女保家卫国的壮丽挽歌，在新生社会主义国家从无到有的崛起历程中感受到振聋发聩的时代强音。", + "edit": [ + { + "src_interval": [ + 70, + 71 + ], + "tgt_interval": [ + 70, + 71 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 4930, + "category": "文学", + "discipline": "中国民间文学", + "title": 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"本章将阐释刘玉堂沂蒙山系列小说在实现喜剧效果方面所采用的一致性叙事策略。", + "edit": [ + { + "src_interval": [ + 3, + 4 + ], + "tgt_interval": [ + 3, + 3 + ], + "src_tokens": [ + "要" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 6, + 9 + ], + "tgt_interval": [ + 5, + 5 + ], + "src_tokens": [ + "的", + "是", + "，" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 24, + 25 + ], + "tgt_interval": [ + 20, + 22 + ], + "src_tokens": [ + "性" + ], + "tgt_tokens": [ + "效", + "果" + ] + }, + { + "src_interval": [ + 27, + 27 + ], + "tgt_interval": [ + 24, + 28 + ], + "src_tokens": [], + "tgt_tokens": [ + "所", + "采", + "用", + "的" + ] + }, + { + "src_interval": [ + 29, + 30 + ], + "tgt_interval": [ + 30, + 31 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "性" + ] + } + ] + }, + { + "id": 4995, + "category": "文学", + "discipline": "中国现当代文学", + "title": "时代变动中的革命叙事", + "source": "10月23日，《解放日报》刊载了《我们需要杂文》（丁玲）一文，文中论及边区民主建设中呈现出来的弊端，以及中国传统社会的旧习不容忽视，痛斥边区政府“陶醉于小的成功，讳疾忌医”，认为“我们这时代还须要杂文”，要“举起它”。", + "reference": "10月23日，《解放日报》刊载了《我们需要杂文》（丁玲）一文，文中论及在边区民主建设中呈现出来的弊端，以及中国传统社会的旧习不容忽视，痛斥边区政府“陶醉于小的成功，讳疾忌医”，认为“我们这时代还需要杂文”，要“举起它”。", + "edit": [ + { + "src_interval": [ + 35, + 35 + ], + "tgt_interval": [ + 35, + 36 + ], + "src_tokens": [], + "tgt_tokens": [ + "在" + ] + }, + { + "src_interval": [ + 96, + 97 + ], + "tgt_interval": [ + 97, + 98 + ], + "src_tokens": [ + "须" + ], + "tgt_tokens": [ + "需" + ] + } + ] + }, + { + "id": 4998, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "团结所有能够团结的人、将各方力量协调一致是抗战和革命的要求，长期革命、建设和改革的实践过程中，沂蒙人民形成了先进的群体意识以及无私奉献、顾全大局的精神，让沂蒙人能够以包容的心态面对形形色色的人。", + "reference": "团结所有能够团结的人、将各方力量协调一致是抗战和革命的要求，长期革命、建设和改革的实践过程中，沂蒙人民形成了先进的群体意识以及无私奉献、顾全大局的精神，让沂蒙人能够以包容的心态面对形形色色的人。", + "edit": [] + }, + { + "id": 5004, + "category": "教育", + "discipline": "高等教育学", + "title": "教育学本科生专业认同现状研究——以河南省六所高校为例", + "source": "首先，要优化教育学专业的教师队伍结构，一个合理的结构可以使专业的各类教师人尽其才，才尽其用，教学与科研工作也能够最有效的进行。", + "reference": "首先，要优化教育学专业的教师队伍结构。一个合理的结构能够使专业的各类教师人尽其才、才尽其用，从而使教学与科研工作能够最有效地进行。", + "edit": [ + { + "src_interval": [ + 18, + 19 + ], + "tgt_interval": [ + 18, + 19 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 26, + 28 + ], + "tgt_interval": [ + 26, + 28 + ], + "src_tokens": [ + "可", + "以" + ], + "tgt_tokens": [ + "能", + "够" + ] + }, + { + "src_interval": [ + 40, + 41 + ], + "tgt_interval": [ + 40, + 41 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "、" + ] + }, + { + "src_interval": [ + 46, + 46 + ], + "tgt_interval": [ + 46, + 49 + ], + "src_tokens": [], + "tgt_tokens": [ + "从", + "而", + "使" + ] + }, + { + "src_interval": [ + 53, + 54 + ], + "tgt_interval": [ + 56, + 56 + ], + "src_tokens": [ + "也" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 59, + 60 + ], + "tgt_interval": [ + 61, + 62 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 5006, + "category": "教育", + "discipline": "教育学", + "title": 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"discipline": "教育学原理", + "title": "教育学跨学科硕士研究生专业身份认同的叙事研究", + "source": "另一种却是无奈、被动接受：就跟我自己的导师，但是没有想象的那么就那么好，没有我预计想的那么好。", + "reference": "另一种却是无奈、被动接受：就跟我自己的导师，但是没有想象的那么好。", + "edit": [ + { + "src_interval": [ + 28, + 42 + ], + "tgt_interval": [ + 28, + 28 + ], + "src_tokens": [ + "的", + "那", + "么", + "就", + "那", + "么", + "好", + "，", + "没", + "有", + "我", + "预", + "计", + "想" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 5135, + "category": "教育", + "discipline": "教育经济与管理", + "title": "“双一流”背景下省属高师院校教育学硕士研究生培养模式改进研究", + "source": "因此，合理的制定并落实培养目标，是人才培养模式的关键。", + "reference": "人才培养模式的关键是合理地制定并落实培养目标。", + "edit": [ + { + "src_interval": [ + 0, + 3 + ], + "tgt_interval": [ + 0, + 10 + ], + "src_tokens": [ + "因", + "此", + "，" + ], + "tgt_tokens": [ + "人", + "才", + "培", + "养", + "模", + "式", + "的", + "关", + "键", + "是" + ] + }, + { + "src_interval": [ + 5, + 6 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 15, 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"专业认同不仅是对专业的认可与接受，也是自我认同和自我发展的重要内容，笔者认为研究生对本专业的专业认同会影响今后他们选择和规划职业。", + "edit": [ + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 4, + 4 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 5288, + "category": "教育", + "discipline": "教育学原理", + "title": "教育学跨学科硕士研究生专业身份认同的叙事研究", + "source": "整理相关文献，笔者发现学者们一般将跨学科硕士研究生是界定为研究生阶段所学专业与本专科生阶段所学专业属于两个不同的学科门类或一级学科的研究生。", + "reference": "整理相关文献，笔者发现学者们一般将跨学科硕士研究生定义为研究生阶段所学专业与本专科生阶段所学专业分属两个不同的学科门类或一级学科的研究生。", + "edit": [ + { + "src_interval": [ + 25, + 28 + ], + "tgt_interval": [ + 25, + 27 + ], + "src_tokens": [ + "是", + "界", + "定" + ], + "tgt_tokens": [ + "定", + "义" + ] + }, + { + "src_interval": [ + 49, + 51 + ], + "tgt_interval": [ + 48, + 50 + ], + "src_tokens": [ + "属", + "于" + ], + "tgt_tokens": [ + "分", + "属" + ] + } + ] + }, + { + "id": 5289, + "category": "教育", + "discipline": "教育学原理", + "title": "教育学原理专业硕士研究生专业认同调查研究——以H、S、Z、Q四所大学为例", + "source": "基于自我认同理论和社会认同理论分析本研究认为，研究生个体对所选择、所学习的专业一种正确的价值判断和认可与对专业愿景的努力追求，二者所产生的积极效果对其专业认同有着非常大的影响；身为社会群体成员，社会或者社会群体对其所学专业的评价，包括政策支持，交流合作、评价建议等社会环境也会影响其专业认同。", + "reference": "基于自我认同理论和社会认同理论，本研究认为，研究生个体对所选择、所学习的专业有一种正确的价值判断和认可与对专业愿景的努力追求，二者所产生的积极效果对其专业认同有着非常大的影响；身为社会群体成员，社会或者社会群体对其所学专业的评价，包括政策支持，交流合作、评价建议等社会环境也会影响其专业认同。", + "edit": [ + { + "src_interval": [ + 15, + 17 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "分", + "析" + ], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 39, + 39 + ], + "tgt_interval": [ + 38, + 39 + ], + "src_tokens": [], + "tgt_tokens": [ + "有" + ] + } + ] + }, + { + "id": 5305, + "category": "教育", + "discipline": "高等教育学", + "title": "美国高校一流教育学��科建设与镜鉴——以哈佛大学为例", + "source": "参与中小学的教学实践是是美国高校教育学建设的显著特点，也是增强教育学的学科价值，使教育学保持活力和生机的重要途径。", + "reference": "参与中小学的教学实践是美国高校教育学建设的一个显著特点，同时也是增强教育学学科价值、保持其活力与生机的重要途径。", + "edit": [ + { + "src_interval": [ + 10, + 11 + ], + "tgt_interval": [ + 10, + 10 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + 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"本章主要得出以下三个结论：首先，《教育概论》中的“儿童”研究具有强烈的教育学学科立场，体现在三个方面：1.从“人学”水平上突出对儿童个体的研究，儿童具有主观能动性，是影响自身发展的关键因素；2.儿童的生命实践活动是对儿童发展从潜在可能转化为现实的决定性因素；3.自我意识的形成可以使儿童对自己的生命发展过程产生“有目的”的影响。", + "reference": "1. 从“人学”的角度出发，强调对儿童个体的研究，认为儿童具有主观能动性，是其自身发展的关键因素；", + "edit": [ + { + "src_interval": [ + 0, + 51 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "本", + "章", + "主", + "要", + "得", + "出", + "以", + "下", + "三", + "个", + "结", + "论", + "：", + "首", + "先", + "，", + "《", + "教", + "育", + "概", + "论", + "》", + "中", + "的", + "“", + "儿", + "童", + "”", + "研", + "究", + "具", + "有", + "强", + "烈", + "的", + "教", + "育", + "学", + "学", + "科", + "立", + "场", + "，", + "体", + "现", + "在", + "三", + "个", + "方", + "面", + "：" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 58, + 63 + ], + "tgt_interval": [ + 7, + 15 + ], + "src_tokens": [ + "水", + "平", + "上", + "突", + "出" + ], + "tgt_tokens": [ + "的", + "角", + "度", + "出", + "发", + "，", + "强", + "调" + ] + }, + { + "src_interval": [ + 72, + 72 + ], + "tgt_interval": [ + 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"discipline": "高等教育学", + "title": "基于就业的硕士研究生培养方案优化研究——以H大学高等教育学专业为例", + "source": "与此同时，对于导师的指导规模，也没有统一的规定，有一些学院会出现单个导师带了几个甚至上十个硕士研究生与博士研究生。", + "reference": "与此同时，对于导师的指导规模，也没有统一的规定，有一些学院会出现单个导师带了几个甚至十几个硕士研究生与博士研究生。", + "edit": [ + { + "src_interval": [ + 42, + 44 + ], + "tgt_interval": [ + 42, + 44 + ], + "src_tokens": [ + "上", + "十" + ], + "tgt_tokens": [ + "十", + "几" + ] + } + ] + }, + { + "id": 5331, + "category": "教育", + "discipline": "教育学", + "title": "现象学教育学视角下罚站现象研究——以广西 R 小学为例", + "source": "本研究中部分教师的教育惩戒理解不深刻，无法清晰把握教育惩戒的概念内涵。", + "reference": "本研究中部分教师无法清晰把握教育惩戒的概念内涵，是因为对教育惩戒理解不深刻。", + "edit": [ + { + "src_interval": [ + 8, + 19 + ], + "tgt_interval": [ + 8, + 8 + ], + "src_tokens": [ + "的", + "教", + "育", + "惩", + "戒", + "理", + "解", + "不", + "深", + "刻", + "，" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 34, + 34 + ], + "tgt_interval": [ + 23, + 37 + ], + "src_tokens": [], + "tgt_tokens": [ + "，", + "是", + "因", + "为", + "对", + "教", + "育", + "惩", + "戒", + "理", + 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"我们关于培养学生学科教学能力的课程中，有一个小学语文的教学，其他的课程好像对于帮助学生能够在以后成为一位合格且优秀的教师，或者说在求职过程中成为一名语文教师，并没有发挥很大的帮助和优势。", + "edit": [ + { + "src_interval": [ + 17, + 17 + ], + "tgt_interval": [ + 17, + 19 + ], + "src_tokens": [], + "tgt_tokens": [ + "中", + "，" + ] + }, + { + "src_interval": [ + 49, + 50 + ], + "tgt_interval": [ + 51, + 52 + ], + "src_tokens": [ + "味" + ], + "tgt_tokens": [ + "位" + ] + }, + { + "src_interval": [ + 52, + 52 + ], + "tgt_interval": [ + 54, + 55 + ], + "src_tokens": [], + "tgt_tokens": [ + "且" + ] + }, + { + "src_interval": [ + 64, + 64 + ], + "tgt_interval": [ + 67, + 70 + ], + "src_tokens": [], + "tgt_tokens": [ + "过", + "程", + "中" + ] + }, + { + "src_interval": [ + 72, + 72 + ], + "tgt_interval": [ + 78, + 80 + ], + "src_tokens": [], + "tgt_tokens": [ + "，", + "并" + ] + }, + { + "src_interval": [ + 74, + 74 + ], + "tgt_interval": [ + 82, + 84 + ], + "src_tokens": [], + "tgt_tokens": [ + "发", + "挥" + ] + }, + { + "src_interval": [ + 76, + 79 + ], + "tgt_interval": [ + 86, + 86 + 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"教师要让学生们学会为自己的错误承担相应的责任而不是一味逃避自己的错误，学生们只有意识到这一点后进行自我反省，并采取相应的积极行动来改正，这样能够实现自我的进步。", + "reference": "教师要让学生们学会为自己的错误承担相应的责任而非一味逃避自己的错误，学生们要在意识到这一点后进行自我反省，并采取一定的积极行动来改正，这样才能够实现自我的进步。", + "edit": [ + { + "src_interval": [ + 23, + 25 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "不", + "是" + ], + "tgt_tokens": [ + "非" + ] + }, + { + "src_interval": [ + 38, + 40 + ], + "tgt_interval": [ + 37, + 39 + ], + "src_tokens": [ + "只", + "有" + ], + "tgt_tokens": [ + "要", + "在" + ] + }, + { + "src_interval": [ + 57, + 59 + ], + "tgt_interval": [ + 56, + 58 + ], + "src_tokens": [ + "相", + "应" + ], + "tgt_tokens": [ + "一", + "定" + ] + }, + { + "src_interval": [ + 70, + 70 + ], + "tgt_interval": [ + 69, + 70 + ], + "src_tokens": [], + "tgt_tokens": [ + "才" + ] + } + ] + }, + { + "id": 5437, + "category": "教育", + "discipline": "教育学原理", + "title": "教育学跨学科硕士研究生专业身份认同的叙事研究", + "source": "最后，就研究方法而言，学者对“专业身份认同”进行研究时主要采取问卷调查、理论分析等方式，虽然这些方式较为完整地呈现了跨学科研究生专业身份身份认同的现状以及相关的影响因素，然而专业身份认同的建构是一个动态的过程，上述研究方式没有充分的表现出教育学跨学科硕士研究生专业身份认同的过程。", + "reference": "最后，从研究方法角度来看，学者在研究“专业身份认同”时主要采用问卷调查、理论分析等方法。虽然这些方法较为完整地展示了跨学科研究生专业身份认同的现状及相关影响因素，但专业身份认同的建构是一个动态过程。遗憾的是，上述研究方法并未充分揭示教育学跨学科硕士研究生专业身份认同的具体过程。", + "edit": [ + { + "src_interval": [ + 3, + 4 + ], + "tgt_interval": [ + 3, + 4 + ], + "src_tokens": [ + "就" + ], + "tgt_tokens": [ + "从" + ] + }, + { + "src_interval": [ + 8, + 10 + ], + "tgt_interval": [ + 8, + 12 + ], + "src_tokens": [ + "而", + "言" + ], + "tgt_tokens": [ + "角", + "度", + "来", + "看" + ] + }, + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 15, + 18 + ], + "src_tokens": [ + "对" + ], + "tgt_tokens": [ + "在", + "研", + "究" + ] + }, + { + "src_interval": [ + 22, + 26 + ], + "tgt_interval": [ + 26, + 26 + ], + "src_tokens": [ + "进", + "行", + "研", + "究" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 30, + 31 + ], + "tgt_interval": [ + 30, + 31 + ], + 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"实际上，在大三之前，W同学的成绩一直在班上在处于前例，对于她而言，教育学的专业知识不需要太多的理解，靠考前突击，背重点，也能拿到一个理想的分数。", + "reference": "实际上，在大三之前，W同学的成绩一直在班上在处于前列，对她而言，教育学的专业知识不需要太多的理解，靠考前突击，背重点，也能拿到一个不错的分数。", + "edit": [ + { + "src_interval": [ + 25, + 26 + ], + "tgt_interval": [ + 25, + 26 + ], + "src_tokens": [ + "例" + ], + "tgt_tokens": [ + "列" + ] + }, + { + "src_interval": [ + 28, + 29 + ], + "tgt_interval": [ + 28, + 28 + ], + "src_tokens": [ + "于" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 66, + 68 + ], + "tgt_interval": [ + 65, + 67 + ], + "src_tokens": [ + "理", + "想" + ], + "tgt_tokens": [ + "不", + "错" + ] + } + ] + }, + { + "id": 5548, + "category": "管理", + "discipline": "教育经济与管理", + "title": "教育管理学研究七十年", + "source": "这些情况说明我国目前的教育管理学研究还存在很多不足，许多没有解释清楚地问题亟待我们解决。", + "reference": "这些情况说明我国目前的教育管理学研究还存在很多不足，许多没有解释清楚的问题亟待我们解决。", + "edit": [ + { + "src_interval": [ + 34, + 35 + ], + "tgt_interval": [ + 34, + 35 + ], + "src_tokens": [ + "地" + ], + "tgt_tokens": [ + "的" + ] + } + ] + }, + { + "id": 5582, + 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"根据比较结果可知，组1及受教育程度为“高中及以下”的调查对象在上述5个变量的测试水平显著高于其他组别，在描述性规范和分类效能感上的差异尤其突出，这与年龄的单因素方差分析的结果有类似之处。进一步地，研究发现，受教育程度为“高中及以下”的调查对象的年龄均在39岁以上，此部分人群可能在生活垃圾分类中存在差异化的行为特征，后续的分析将予以关注。", + "edit": [ + { + "src_interval": [ + 92, + 93 + ], + "tgt_interval": [ + 92, + 93 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 149, + 150 + ], + "tgt_interval": [ + 149, + 149 + ], + "src_tokens": [ + "着" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 161, + 161 + ], + "tgt_interval": [ + 160, + 161 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + } + ] + }, + { + "id": 5679, + "category": "管理", + "discipline": "设计艺术学", + "title": "艺术管理学基本问题研究", + "source": "在此基础上，结合学科层面、历史层面的知识构成艺术管理学的理论框架。", + "reference": "在此基础上，艺术管理学的理论框架是由学科层面、历史层面的知识构成。", + "edit": [ + { + "src_interval": [ + 6, + 8 + ], + "tgt_interval": [ + 6, + 18 + ], + "src_tokens": [ + "结", + "合" + ], + "tgt_tokens": [ + "艺", + "术", + "管", + "理", + "学", + "的", + "理", + "论", + "框", + "架", + 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"另一方面，通过对对校长和学生进行问卷，调查学生阅读参与度、阅读策略和学校环境家庭氛围等。", + "reference": "另一方面，通过对校长和学生进行问卷，调查学生阅读参与度、阅读策略及学校环境、家庭氛围等。", + "edit": [ + { + "src_interval": [ + 7, + 8 + ], + "tgt_interval": [ + 7, + 7 + ], + "src_tokens": [ + "对" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 32, + 33 + ], + "src_tokens": [ + "和" + ], + "tgt_tokens": [ + "及" + ] + }, + { + "src_interval": [ + 38, + 38 + ], + "tgt_interval": [ + 37, + 38 + ], + "src_tokens": [], + "tgt_tokens": [ + "、" + ] + } + ] + }, + { + "id": 5924, + "category": "管理", + "discipline": "设计艺术学", + "title": "艺术管理学基本问题研究", + "source": "艺术中介指是指一群艺术企业，并不是指单个、单体的艺术企业。", + "reference": "艺术中介指的是一群艺术企业，并不是指单个、单体的艺术企业。", + "edit": [ + { + "src_interval": [ + 5, + 7 + ], + "tgt_interval": [ + 5, + 7 + ], + "src_tokens": [ + "是", + "指" + ], + "tgt_tokens": [ + "的", + "是" + ] + } + ] + }, + { + "id": 5933, + "category": "管理", + "discipline": "职业技术教育", + "title": "混合式教学模式在中职《管理学基础》课程中的应用研究", + "source": 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"而人生的、物质的以及社会的历史观，则多带进步的历史观的倾向，故称之新史观”，所以由旧史观不断进化至新史观是史学思想发展的趋势。", + "edit": [ + { + "src_interval": [ + 8, + 9 + ], + "tgt_interval": [ + 8, + 10 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "以", + "及" + ] + } + ] + }, + { + "id": 6205, + "category": "历史学", + "discipline": "世界史", + "title": "阿克顿史学思想研究", + "source": "在19世纪的英国史学界中，阿克顿史学思想也许并未得到世人充分的认识与肯定，作为兰克史学的传承者，阿克顿的史学思想内涵在世人眼中多少还是有些相形见绌。", + "reference": "在19世纪的英国史学界中，阿克顿史学思想也许没有得到世人充分的认识与肯定，身为兰克史学的传承者，阿克顿的史学思想内涵在世人看来多少还是有些相形见绌。", + "edit": [ + { + "src_interval": [ + 22, + 24 + ], + "tgt_interval": [ + 22, + 24 + ], + "src_tokens": [ + "并", + "未" + ], + "tgt_tokens": [ + "没", + "有" + ] + }, + { + "src_interval": [ + 37, + 38 + ], + "tgt_interval": [ + 37, + 38 + ], + "src_tokens": [ + "作" + ], + "tgt_tokens": [ + "身" + ] + }, + { + "src_interval": [ + 61, + 63 + ], + "tgt_interval": [ + 61, + 63 + ], + "src_tokens": [ + "眼", + "中" + ], + "tgt_tokens": [ + "看", + "来" + ] + } + ] + }, + { + "id": 6209, + "category": "历史学", + 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"但这样的方式仍然是不够贴近生活，很难让游人产生强烈的共鸣，但是借助数字化景观为媒介，舒适宜人景观会让人放下戒备，能够全身心的用五感去感受（如图2-10与图2-11）。", + "reference": "但这样的方式仍然不够贴近生活，很难让游人产生强烈的共鸣，可以借助数字化景观，舒适宜人的景观会让人放下戒备，全身心地用五感去感受（如图2-10与图2-11）。", + "edit": [ + { + "src_interval": [ + 8, + 9 + ], + "tgt_interval": [ + 8, + 8 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 29, + 31 + ], + "tgt_interval": [ + 28, + 30 + ], + "src_tokens": [ + "但", + "是" + ], + "tgt_tokens": [ + "可", + "以" + ] + }, + { + "src_interval": [ + 38, + 41 + ], + "tgt_interval": [ + 37, + 37 + ], + "src_tokens": [ + "为", + "媒", + "介" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 46, + 46 + ], + "tgt_interval": [ + 42, + 43 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 56, + 58 + ], + "tgt_interval": [ + 53, + 53 + ], + "src_tokens": [ + "能", + "够" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 61, + 62 + ], + "tgt_interval": [ + 56, + 57 + ], + "src_tokens": [ + "的" + ], + 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"source": "影像技术的成熟，娱乐性的开发是最初的主流。", + "reference": "影像技术的成熟，娱乐性的开发成为最初的主流。", + "edit": [ + { + "src_interval": [ + 14, + 15 + ], + "tgt_interval": [ + 14, + 16 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [ + "成", + "为" + ] + } + ] + }, + { + "id": 6318, + "category": "历史学", + "discipline": "世界史", + "title": "复活：米什莱人民史观初探", + "source": "他尝试通过书写历史来表明“整个历史的演变”，他用一种形而上学的神秘主义来描述这种演变，我们很难清晰和准确的知道这种神秘主义对历史的有用性。", + "reference": "他尝试通过书写历史来表明“整个历史的演变”，他用一种形而上学的神秘主义来描述这种演变，我们很难清晰和准确地知道这种神秘主义对历史的有利影响。", + "edit": [ + { + "src_interval": [ + 52, + 53 + ], + "tgt_interval": [ + 52, + 53 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 66, + 68 + ], + "tgt_interval": [ + 66, + 69 + ], + "src_tokens": [ + "用", + "性" + ], + "tgt_tokens": [ + "利", + "影", + "响" + ] + } + ] + }, + { + "id": 6320, + "category": "历史学", + "discipline": "音乐与舞蹈学", + "title": "《史学理论研究》与当代中国史学思潮探论（1980-2010）", + "source": "这些著作的引入极大地改善了我国相对落后的史学理论与方法的史学现状，推动着我国史学理论研究。", + "reference": "这些著作的引入显著地改善了我国相对落后的史学理论与方法的现状，推动着我国史学理论研究。", + "edit": [ + { + "src_interval": [ + 7, + 9 + ], + "tgt_interval": [ + 7, + 9 + ], + "src_tokens": [ + "极", + "大" + ], + "tgt_tokens": [ + "显", + "著" + ] + }, + { + "src_interval": [ + 28, + 30 + ], + "tgt_interval": [ + 28, + 28 + ], + "src_tokens": [ + "史", + "学" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6330, + "category": "历史学", + "discipline": "中国史", + "title": "公众影像史学研究", + "source": "而突出时空的变化是历史学不同于其他人文科学的重要方面，“世界在时间是有开端的，在空间上也是有限的，就历史现象而言，社会经济形态的更替，历史事件的发生与演变以及历史人物的活动都有一定的联系性，总是后承于前，不断地更新并按一定的时间顺序进行着，这就是历史的时间性”1。", + "reference": "而历史学区别于其他人文科学的一个显著特点在于其对时空变化的强调。“世界在时间上是有开端的，在空间上也是有限的，就历史现象而言，社会经济形态的更替，历史事件的发生与演变以及历史人物的活动都有一定的联系性，它们总是后承于前，并且按照一定的时间顺序不断地更新和演进，这就是历史的时间性”。", + "edit": [ + { + "src_interval": [ + 1, + 9 + ], + "tgt_interval": [ + 1, + 1 + ], + "src_tokens": [ + "突", + "出", + "时", + "空", + "的", + "变", + "化", + "是" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 12, + 14 + ], + "tgt_interval": 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] + } + ] + }, + { + "id": 6387, + "category": "历史学", + "discipline": "学科教学（历史）", + "title": "高中历史“学困生”个案转化的行动研究", + "source": "历史课堂教学气氛应当是平等、合作、互动的，师生之间积极、愉快、和谐的共同进行教学任务。", + "reference": "历史课堂教学气氛应当是平等、合作、互动的，师生之间积极、愉快、和谐得共同实行教学任务。", + "edit": [ + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 33, + 34 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "得" + ] + }, + { + "src_interval": [ + 36, + 37 + ], + "tgt_interval": [ + 36, + 37 + ], + "src_tokens": [ + "进" + ], + "tgt_tokens": [ + "实" + ] + } + ] + }, + { + "id": 6395, + "category": "历史学", + "discipline": "民族法学", + "title": "库伦旗安代文化生态保护区地方立法保护研究", + "source": "资金扶持原则本就是为安代文化在进行文化保护和创新方面上所做的支持，是为实现我国文化繁荣而做出的贡献。", + "reference": "资金扶持原则本就是为安代文化在进行文化保护和创新方面所做的支持，是为实现我国文化昌盛而做出的贡献。", + "edit": [ + { + "src_interval": [ + 26, + 27 + ], + "tgt_interval": [ + 26, + 26 + ], + "src_tokens": [ + "上" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 41, + 43 + ], + "tgt_interval": [ + 40, + 42 + ], + "src_tokens": [ + 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"高校学者对抗日战争档案编纂具有较为科学系统的理论知识，更加清楚的明白如何编纂出更为优质的抗日战争档案编纂成果，能够对抗日战争档案编纂成果的编纂方法和形式进行科学的规范。", + "reference": "高校学者对抗日战争档案编纂具有较为科学系统的理论知识，更加清楚地明白如何编纂出更为优质的抗日战争档案编纂成果，能够对抗日战争档案编纂成果的编纂方法和形式进行科学的规范。", + "edit": [ + { + "src_interval": [ + 31, + 32 + ], + "tgt_interval": [ + 31, + 32 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 6454, + "category": "历史学", + "discipline": "教育学", + "title": "埃尔顿的史料实证观及其历史教育研究", + "source": "此外具备专业素养的历史学家也坚守一个原则，那就是当研究领域中所涉及的史料不够充分时，要坚决的防止自己对论题无根据的扩展。", + "reference": "此外具备专业素养的历史学家也坚守一个原则：当研究领域中所涉及的史料不够充分时，要坚决地防止自己对论题无根据的扩展。", + "edit": [ + { + "src_interval": [ + 20, + 24 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [ + "，", + "那", + "就", + "是" + ], + "tgt_tokens": [ + "：" + ] + }, + { + "src_interval": [ + 45, + 46 + ], + "tgt_interval": [ + 42, + 43 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 6463, + "category": "历史学", + "discipline": "风景园林", + "title": "非遗活态保护视角下旅游型食品工业园景观设计研究", + "source": "接着进入另一栋大楼，由演艺区、火锅馆、体验区以及品尝购物大厅组。", + "reference": "接着进入另一栋大楼，这里由演艺区、火锅馆、体验区以及品尝购物大厅组成。", + "edit": [ + { + "src_interval": [ + 10, + 10 + ], + "tgt_interval": [ + 10, + 12 + ], + "src_tokens": [], + "tgt_tokens": [ + "这", + "里" + ] + }, + { + "src_interval": [ + 31, + 31 + ], + "tgt_interval": [ + 33, + 34 + ], + "src_tokens": [], + "tgt_tokens": [ + "成" + ] + } + ] + }, + { + "id": 6479, + "category": "历史学", + "discipline": "风景园林", + "title": "非遗活态保护视角下旅游型食品工业园景观设计研究", + "source": "接着进入另一栋大楼，由演艺区、火锅馆、体验区以及品尝购物大厅组。", + "reference": "接着进入由演艺区、火锅馆、体验区以及品尝购物大厅组成的另一栋大楼。", + "edit": [ + { + "src_interval": [ + 4, + 10 + ], + "tgt_interval": [ + 4, + 4 + ], + "src_tokens": [ + "另", + "一", + "栋", + "大", + "楼", + "，" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 31, + 31 + ], + "tgt_interval": [ + 25, + 32 + ], + "src_tokens": [], + "tgt_tokens": [ + "成", + "的", + "另", + "一", + "栋", + "大", + "楼" + ] + } + ] + }, + { + "id": 6482, + "category": "历史学", + "discipline": "中国史", + "title": "公众影像史学研究", + "source": "历史化则重新建构起了影像为主、历史为辅的一种认知。", + "reference": "历史化则重新建构起了一种影像为主、历史为辅的认知。", + "edit": [ + { + "src_interval": [ + 10, + 22 + ], + "tgt_interval": [ + 10, + 22 + ], + "src_tokens": [ + "影", + "像", + "为", + "主", + "、", + "历", + "史", + "为", + "辅", + "的", + "一", + "种" + ], + "tgt_tokens": [ + "一", + "种", + "影", + "像", + "为", + "主", + "、", + "历", + "史", + "为", + "辅", + "的" + ] + } + ] + }, + { + "id": 6484, + "category": "历史学", + "discipline": "音乐与舞蹈学", + "title": "“非遗”保护传承视野下的崖州民歌发展对策研究", + "source": "短歌有歌仔的称法，主要是以七言四句为主，大多是即兴创作的民歌。", + "reference": "短歌有歌仔的称法，主要以七言四句为主，大多是即兴创作的民歌。", + "edit": [ + { + "src_interval": [ + 11, + 12 + ], + "tgt_interval": [ + 11, + 11 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6495, + "category": "历史学", + "discipline": "历史学硕士", + "title": "拉斐尔·萨缪尔新社会史学思想研究", + "source": "通过学习俄罗斯城镇的名字，在地图上标出红军的军事位置，唱俄文歌曲等行为，造了萨缪尔想象中的世界，那里有自己的秘密语言，有英雄人物和传说的万神殿，甚至有自己的应许之地（苏联）。", + "reference": "通过学习俄罗斯城镇的名字，在地图上标出红军的军事位置，唱俄文歌曲等行为，造就了萨缪尔想象中的世界，那里有自己的秘密语言，有英雄人物和传说的万神殿，甚至有自己的应许之地（苏联）。", + "edit": [ + { + "src_interval": [ + 37, + 37 + ], + "tgt_interval": [ + 37, + 38 + ], + "src_tokens": [], + "tgt_tokens": [ + "就" + ] + } + ] + }, + { + "id": 6497, + "category": "历史学", + "discipline": "中国史", + "title": "公众影像史学研究", + "source": "从影像史学进入学人视野以来，关于它的研究也不断丰富发展，在理论研究方面获得了突出的成果。", + "reference": "自影像史学受到学者关注以来，关于其相关研究也持续扩展并日益深化，尤其在理论层面已取得了显著的成就。", + "edit": [ + { + "src_interval": [ + 0, + 1 + ], + "tgt_interval": [ + 0, + 1 + ], + "src_tokens": [ + "从" + ], + "tgt_tokens": [ + "自" + ] + }, + { + "src_interval": [ + 5, + 11 + ], + "tgt_interval": [ + 5, + 11 + ], + "src_tokens": [ + "进", + "入", + "学", + "人", + "视", + "野" + ], + "tgt_tokens": [ + "受", + "到", + "学", + "者", + "关", + "注" + ] + }, + { + "src_interval": [ + 16, + 18 + ], + "tgt_interval": [ + 16, + 19 + ], + "src_tokens": [ + "它", + "的" + ], + "tgt_tokens": [ + "其", + "相", + "关" + ] + }, + { + "src_interval": 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"所以，在孔德的哲学里，实证科学必须是基于对客观存在物的观察中，而观察是为了更准确的提出预测，这便是实证精神的要旨。", + "reference": "因此，在孔德的哲学里，实证科学必须基于对客观存在物的观察，而观察是为了更准确的提出预测，这便是实证精神的要旨。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [ + "所", + "以" + ], + "tgt_tokens": [ + "因", + "此" + ] + }, + { + "src_interval": [ + 17, + 18 + ], + "tgt_interval": [ + 17, + 17 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 29, + 30 + ], + "tgt_interval": [ + 28, + 28 + ], + "src_tokens": [ + "中" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6522, + "category": "法学", + "discipline": "法学理论", + "title": "法学研究的语用学转向", + "source": "在司法过程中法律方法具有重要的地位，有学者认为，法律方法可视为除了法律、习惯和法学学理之外，法官进行司法裁判时所运用的第四规则，也是法官在司法中有所作为的重要依赖工具。", + "reference": "在司法过程中法律方法具有重要的地位，部分学者认为，法律方法可视为除了法律、习惯和法学学理之外，法官进行司法裁判时所运用的第四规则，也是法官在司法中有所作为的重要工具。", + "edit": [ + { + "src_interval": [ + 18, + 19 + ], + "tgt_interval": [ + 18, + 20 + ], + "src_tokens": [ + "有" + ], + "tgt_tokens": [ + "部", + "分" + 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6540, + "category": "法学", + "discipline": "思想政治教育", + "title": "习近平青年社会责任思想研究", + "source": "对于责任的理解，基于德性论的角度来看，亚里士多德认为责任基础的是德性构成的。", + "reference": "对于责任的理解，从德性论的角度来看，亚里士多德认为责任基础是德性构成的。", + "edit": [ + { + "src_interval": [ + 8, + 10 + ], + "tgt_interval": [ + 8, + 9 + ], + "src_tokens": [ + "基", + "于" + ], + "tgt_tokens": [ + "从" + ] + }, + { + "src_interval": [ + 30, + 31 + ], + "tgt_interval": [ + 29, + 29 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6542, + "category": "法学", + "discipline": "法学理论", + "title": "中国社科法学的前提批判", + "source": "本文的讨论中，法律关系的概念的存在是以法律系统与社会系统的互相独立为前提的。", + "reference": "在本文的讨论中，法律关系概念的存在是以法律系统与社会系统的互相独立为前提的。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 1 + ], + "src_tokens": [], + "tgt_tokens": [ + "在" + ] + }, + { + "src_interval": [ + 11, + 12 + ], + "tgt_interval": [ + 12, + 12 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6559, + "category": "法学", + 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+ "source": "许多专业体育、法律院校还没有开设体育法学专业课程，在已经开设体育法学课程院校也大多是体育院校。", + "reference": "许多专业体育、法律院校还没有开设体育法学专业课程，已经开设体育法学课程院校也大多是体育院校。", + "edit": [ + { + "src_interval": [ + 25, + 26 + ], + "tgt_interval": [ + 25, + 25 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 6745, + "category": "法学", + "discipline": "行政法学", + "title": "高校学位授予行为的行政法学研究", + "source": "虽然这个标准具有很大的模糊性，比如在《教育法》第28条中，高校的“权力”与“权利”不分，第九项规定高校可以行使“法律、法规规定的其他权利”，同时高校还拥有“按章程自主管理的权利”，这些都使授权的性质显的扑朔迷离，难以界定。", + "reference": "虽然这个标准存在模糊不清的情况，比如在《教育法》第28条中，高校的“权力”与“权利”不分，第九项规定高校可以行使“法律、法规规定的其他权利”，同时高校还拥有“按章程自主管理的权利”，这些都使授权的性质显得扑朔迷离，难以界定。", + "edit": [ + { + "src_interval": [ + 6, + 11 + ], + "tgt_interval": [ + 6, + 8 + ], + "src_tokens": [ + "具", + "有", + "很", + "大", + "的" + ], + "tgt_tokens": [ + "存", + "在" + ] + }, + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 10, + 15 + ], + "src_tokens": [ + "性" + ], + "tgt_tokens": [ + "不", + "清", + "的", + "情", + "况" + ] + }, + { + "src_interval": [ + 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}, + { + "id": 6784, + "category": "法学", + "discipline": "法学理论", + "title": "法律解释方法的形式与实质性分类研究", + "source": "语言性解释规则主要包括意义一致规则(Consistent meaning canon)、同类规则(Ejusdem generis canon)、明示其一排斥其他规则(Expressio unius est exclusio alterius canon)、上下文解释\t(Noscitur a sociis canon)、无赘言规则(No surplusage canon)、整体规则(Wholetext canon)、相同事项规则(Pari materia canon)等。", + "reference": "语言性解释规则主要包括意义一致规则(Consistent meaning canon)、同类规则(Ejusdem generis canon)、明示其一排斥其他规则(Expressio unius est exclusio alterius canon)、上下文解释\t(Noscitur a sociis canon)、无赘言规则(No surplusage canon)、整体规则(Wholetext canon)、相同事项规则(Pari materia canon)等。", + "edit": [] + }, + { + "id": 6785, + "category": "法学", + "discipline": "法学理论", + "title": "中国社科法学的前提批判", + "source": "在此意义上，法教义学同时是逻辑系统取向和价值取向的。", + "reference": "在此意义上，法教义学同时具有逻辑系统取向和价值取向。", + "edit": [ + { + "src_interval": [ + 12, + 13 + ], + "tgt_interval": [ + 12, + 14 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [ + "具", + "有" + ] + }, + { + "src_interval": [ + 24, + 25 + ], + 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"总而言之，社科法学与法教义学的知识竞争是回应当代中国法律实践需求的结果，一方面，它体现出法学研究对实践问题的关切，表明在中国现代化进程中学术研究具有清醒的主体意识，旨在创造“中国的”法律理论之学术努力反映出中国学者在现代化范式的强烈扩张之下保有的一份自尊与自觉；然而另一方面，它也显示在追求本土化的法律知识之过程中，存在一种取消“法律”的危险，这至少值得引起我们的警觉：如果忽视甚至抹杀了法律知识之“法律性”,那么法律知识之本土化的命题也就不成立了。", + "reference": "总而言之，社科法学与法教义学的知识竞争是回应当代中国法律实践需求的结果。一方面，它体现出法学研究对实践问题的关切，表明在中国式现代化进程中学术研究具有清醒的主体意识，旨在创造“中国的”法律理论之学术努力反映出中国学者在现代化范式的强烈扩张之下保有的一份自尊与自觉；然而另一方面，它也显示在追求本土化的法律知识之过程中，存在一种取消“法律”的危险，这至少值得引起我们的警觉：如果忽视甚至抹杀了法律知识之“法律性”，那么法律知识之本土化的命题也就不成立了。", + "edit": [ + { + "src_interval": [ + 35, + 36 + ], + "tgt_interval": [ + 35, + 36 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 62, + 62 + ], + "tgt_interval": [ + 62, + 63 + ], + "src_tokens": [], + "tgt_tokens": [ + "式" + ] + }, + { + "src_interval": [ + 204, + 205 + ], + "tgt_interval": [ + 205, + 206 + ], + "src_tokens": [ + "," + ], + "tgt_tokens": [ + "，" + ] + } + ] + }, + { + "id": 6815, + "category": "法学", + "discipline": "法学理论", + "title": "法律中的空间问题研究", + "source": "苏贾构建了“社会—空间”辩证法，并且尝试将空间、时间于社会三者纳入统一维度去构建其社会本体论。", + "reference": "苏贾提出了“社会—空间”的辩证方法，并努力把空间、时间和社会三个要素融合在同一维度内，以构建他的社会本体论。", + "edit": [ + { + "src_interval": [ + 2, + 4 + ], + "tgt_interval": [ + 2, + 4 + ], + "src_tokens": [ + "构", + "建" + ], + "tgt_tokens": [ + "提", + "出" + ] + }, + { + "src_interval": [ + 12, + 12 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 14, + 14 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [], + "tgt_tokens": [ + "方" + ] + }, + { + "src_interval": [ + 17, + 21 + ], + "tgt_interval": [ + 19, + 22 + ], + "src_tokens": [ + "且", + "尝", + "试", + "将" + ], + "tgt_tokens": [ + "努", + "力", + "把" + ] + }, + { + "src_interval": [ + 26, + 27 + ], + "tgt_interval": [ + 27, + 28 + ], + "src_tokens": [ + "于" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 30, + 34 + ], + "tgt_interval": [ + 31, + 38 + ], + "src_tokens": [ + "者", + "纳", + "入", + "统" + ], + 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"马克思主义中国化研究", + "title": "新时代农村基层党组织建设研究", + "source": "自治的模式是是自行进行教育、管理与服务；德治是用传统美德以德服人，作为法治与自治的补充；法治则是依据法条规定严格治理，自治与德治都是在法治基础上进行。", + "reference": "自治的模式是自行进行教育、管理与服务；德治是用传统美德以德服人，作为法治与自治的补充；法治则是依据法条规定严格治理，自治与德治都是在法治基础上开展。", + "edit": [ + { + "src_interval": [ + 5, + 6 + ], + "tgt_interval": [ + 5, + 5 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 72, + 74 + ], + "tgt_interval": [ + 71, + 73 + ], + "src_tokens": [ + "进", + "行" + ], + "tgt_tokens": [ + "开", + "展" + ] + } + ] + }, + { + "id": 6847, + "category": "法学", + "discipline": "法学理论", + "title": "法学研究的语用学转向", + "source": "语用思维的规则性、主体间性，也会法律方法研究的规则转向提供了重要理论基础。", + "reference": "语言思维的规则性、主体间性，也会为法律方法研究的规则转向提供重要理论基础。", + "edit": [ + { + "src_interval": [ + 1, + 2 + ], + "tgt_interval": [ + 1, + 2 + ], + "src_tokens": [ + "用" + ], + "tgt_tokens": [ + "言" + ] + }, + { + "src_interval": [ + 16, + 16 + ], + "tgt_interval": [ + 16, + 17 + ], + "src_tokens": [], + "tgt_tokens": [ + "为" + ] + }, + { + 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"而这些设备能量消耗的多少主要由上述工艺参数（入口温度、入口速度、初始温度、湿度）以及升温时间决定。", + "edit": [ + { + "src_interval": [ + 5, + 10 + ], + "tgt_interval": [ + 5, + 9 + ], + "src_tokens": [ + "消", + "耗", + "的", + "能", + "量" + ], + "tgt_tokens": [ + "能", + "量", + "消", + "耗" + ] + }, + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 14, + 14 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 19, + 20 + ], + "tgt_interval": [ + 17, + 17 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 49, + 50 + ], + "tgt_interval": [ + 46, + 46 + ], + "src_tokens": [ + "来" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 52, + 53 + ], + "tgt_interval": [ + 48, + 48 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 7225, + "category": "理学", + "discipline": "工商管理", + "title": "销售预测模型在PSS公司多媒体音箱业务中的应用和探索", + "source": "1948年Wiener在其控制论的著作中提出了伺服机反馈自稳定系统概念。", + "reference": "1948 年，Wiener在其关于控制论的著作中提出了伺服机反馈自稳定系统的概念。", + "edit": [ 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"reference": "从马克思主义政治权力观的研读中可以看出，剩余价值理论为马克思的政治权力观提供了理论来源。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 1 + ], + "src_tokens": [ + "通", + "过" + ], + "tgt_tokens": [ + "从" + ] + }, + { + "src_interval": [ + 15, + 15 + ], + "tgt_interval": [ + 14, + 15 + ], + "src_tokens": [], + "tgt_tokens": [ + "中" + ] + }, + { + "src_interval": [ + 26, + 27 + ], + "tgt_interval": [ + 26, + 27 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [ + "为" + ] + }, + { + "src_interval": [ + 30, + 32 + ], + "tgt_interval": [ + 30, + 31 + ], + "src_tokens": [ + "对", + "于" + ], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 37, + 38 + ], + "tgt_interval": [ + 36, + 38 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "提", + "供" + ] + } + ] + }, + { + "id": 7541, + "category": "哲学", + "discipline": "教育学原理", + "title": "怀特海自由与纪律教育思想研究", + "source": "自由纪律是高度统一的，在符合纪律的范围内，儿童可以自由的选择学习内容、时间、工具等，经过教育引导的儿童自由选择的结果也应该是符合纪律的。", + "reference": " ”自由和纪律是高度统一的，在符合纪律的前提下，儿童可以自由选择学习内容、时间、工具等，经过教育引导，儿童自由选择的结果也应是符合纪律的。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 1 + ], + "src_tokens": [], + "tgt_tokens": [ + "”" + ] + }, + { + "src_interval": [ + 2, + 2 + ], + "tgt_interval": [ + 3, + 4 + ], + "src_tokens": [], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 17, + 20 + ], + "tgt_interval": [ + 19, + 22 + ], + "src_tokens": [ + "范", + "围", + "内" + ], + "tgt_tokens": [ + "前", + "提", + "下" + ] + }, + { + "src_interval": [ + 27, + 28 + ], + "tgt_interval": [ + 29, + 29 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 48, + 49 + ], + "tgt_interval": [ + 49, + 50 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 60, + 61 + ], + "tgt_interval": [ + 61, + 61 + ], + "src_tokens": [ + "该" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 7544, + "category": "哲学", + "discipline": "马克思主义哲学", + "title": 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"但我们要清醒的认识到，自马克思恩格斯所处的时期到目前中国所处的时期，社会主义社会发展的方向没有改变，只是在历史演进过程中，根据内部矛盾变化调整实现的方式。", + "reference": "然而我们要清楚地意识到，从马克思恩格斯所在的时期到当下中国所处的时期，社会主义社会发展的方向���终未变，只是在历史演进过程里，我们根据内部矛盾的变化对实现的方式做出了调整。", + "edit": [ + { + "src_interval": [ + 0, + 1 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [ + "但" + ], + "tgt_tokens": [ + "然", + "而" + ] + }, + { + "src_interval": [ + 5, + 8 + ], + "tgt_interval": [ + 6, + 9 + ], + "src_tokens": [ + "醒", + "的", + "认" + ], + "tgt_tokens": [ + "楚", + "地", + "意" + ] + }, + { + "src_interval": [ + 11, + 12 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [ + "自" + ], + "tgt_tokens": [ + "从" + ] + }, + { + "src_interval": [ + 19, + 20 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [ + "处" + ], + "tgt_tokens": [ + "在" + ] + }, + { + "src_interval": [ + 24, + 26 + ], + "tgt_interval": [ + 25, + 27 + ], + "src_tokens": [ + "目", + "前" + ], + "tgt_tokens": [ + "当", + "下" + ] + }, + { + "src_interval": [ + 45, + 48 + ], + "tgt_interval": [ + 46, + 49 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"油菜素内酯对西甜瓜农药残留降解作用的研究", + "source": "由图3-7可知，西瓜在喷施农药后，西瓜果实中超氧阴离子产生速率随采样时间呈现先急剧下降后趋于稳定。", + "reference": "由图3-7可知，西瓜在喷施农药后，其果实中的超氧阴离子产生速率随采样时间先急剧下降，然后趋于稳定。", + "edit": [ + { + "src_interval": [ + 17, + 19 + ], + "tgt_interval": [ + 17, + 18 + ], + "src_tokens": [ + "西", + "瓜" + ], + "tgt_tokens": [ + "其" + ] + }, + { + "src_interval": [ + 22, + 22 + ], + "tgt_interval": [ + 21, + 22 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 36, + 38 + ], + "tgt_interval": [ + 36, + 36 + ], + "src_tokens": [ + "呈", + "现" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 43, + 43 + ], + "tgt_interval": [ + 41, + 43 + ], + "src_tokens": [], + "tgt_tokens": [ + "，", + "然" + ] + } + ] + }, + { + "id": 8576, + "category": "农学", + "discipline": "资源利用与植物保护", + "title": "基于网格采样田块尺度土壤养分的时空变异特征", + "source": "我们通过对土壤表层中各养分指标之间进行Pearson相关性分析检验可以得出（表3-3），土壤中速效钾的含量与全碳、无机碳的含量之间呈极显著正相关性（P<0.01）；有机碳的含量与全碳、全氮之间均呈极显著正相关性（P<0.01）；无机碳与全碳之间具有极显著的正相关性（P<0.01）。", + "reference": "通过对土壤表层中各养分指标之间展开Pearson相关性分析检验，我们可以得出（表3-3），土壤中速效钾的含量与全碳、无机碳的含量呈极显著正相关（P<0.01）；有机碳的含量与全碳、全氮均呈极显著正相关（P<0.01）；无机碳与全碳之��存在极显著的正相关（P<0.01）。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "我", + "们" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 17, + 19 + ], + "tgt_interval": [ + 15, + 17 + ], + "src_tokens": [ + "进", + "行" + ], + "tgt_tokens": [ + "展", + "开" + ] + }, + { + "src_interval": [ + 33, + 33 + ], + "tgt_interval": [ + 31, + 34 + ], + "src_tokens": [], + "tgt_tokens": [ + "，", + "我", + "们" + ] + }, + { + "src_interval": [ + 63, + 65 + ], + "tgt_interval": [ + 64, + 64 + ], + "src_tokens": [ + "之", + "间" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 72, + 73 + ], + "tgt_interval": [ + 71, + 71 + ], + "src_tokens": [ + "性" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 94, + 96 + ], + "tgt_interval": [ + 92, + 92 + ], + "src_tokens": [ + "之", + "间" + ], + "tgt_tokens": [] + }, + { + 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"为了得到土壤养分等级的空间分布图，需要针对上述运用的土壤养分各指标的点数据展开空间插值。本章选择运用OK插值法对四种养分指标进行空间插值，进而生成空间插值图。", + "edit": [ + { + "src_interval": [ + 10, + 10 + ], + "tgt_interval": [ + 10, + 11 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 18, + 18 + ], + "tgt_interval": [ + 19, + 20 + ], + "src_tokens": [], + "tgt_tokens": [ + "针" + ] + }, + { + "src_interval": [ + 21, + 22 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "所" + ], + "tgt_tokens": [ + "运" + ] + }, + { + "src_interval": [ + 35, + 37 + ], + "tgt_interval": [ + 37, + 39 + ], + "src_tokens": [ + "进", + "行" + ], + "tgt_tokens": [ + "展", + "开" + ] + }, + { + "src_interval": [ + 41, + 42 + ], + "tgt_interval": [ + 43, + 44 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 46, + 46 + ], + "tgt_interval": [ + 48, + 50 + ], + "src_tokens": [], + "tgt_tokens": [ + "运", + "用" + ] + }, + { + "src_interval": [ + 65, + 65 + ], + "tgt_interval": [ + 69, + 71 + ], + 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"两种材料生物炭中可溶性磷的释放动力学拟合如下列图所示：采用两种动力学模型对生物炭中可溶性磷的释放进行拟合，拟合曲线见图4-5、4-6，两种动力学方程的拟合的相关参数如表4-2所示。", + "reference": "两种材料生物炭中可溶性磷的释放动力学拟合如下图所示：我们使用两种动力学模型对生物炭中可溶性磷的释放进行了拟合，拟合曲线详见图4-5和图4-6，表4-2列出了两种动力学方程拟合的相关参数。", + "edit": [ + { + "src_interval": [ + 22, + 23 + ], + "tgt_interval": [ + 22, + 22 + ], + "src_tokens": [ + "列" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 27, + 28 + ], + "tgt_interval": [ + 26, + 29 + ], + "src_tokens": [ + "采" + ], + "tgt_tokens": [ + "我", + "们", + "使" + ] + }, + { + "src_interval": [ + 50, + 50 + ], + "tgt_interval": [ + 51, + 52 + ], + "src_tokens": [], + "tgt_tokens": [ + "了" + ] + }, + { + "src_interval": [ + 57, + 57 + ], + "tgt_interval": [ + 59, + 60 + ], + "src_tokens": [], + "tgt_tokens": [ + "详" + ] + }, + { + "src_interval": [ + 62, + 63 + ], + "tgt_interval": [ + 65, + 67 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和", + "图" + ] + }, + { + "src_interval": [ + 67, + 67 + ], + "tgt_interval": [ + 71, + 78 + ], + "src_tokens": [], + 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"在流水地貌中，河漫滩>洼地>古河床高地>决口扇的现象可能与氮素本身易随水流失有关（刘杨，2010）。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 1 + ], + "src_tokens": [], + "tgt_tokens": [ + "在" + ] + }, + { + "src_interval": [ + 22, + 24 + ], + "tgt_interval": [ + 23, + 26 + ], + "src_tokens": [ + "，", + "这" + ], + "tgt_tokens": [ + "的", + "现", + "象" + ] + }, + { + "src_interval": [ + 26, + 29 + ], + "tgt_interval": [ + 28, + 29 + ], + "src_tokens": [ + "是", + "由", + "于" + ], + "tgt_tokens": [ + "与" + ] + }, + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 33, + 33 + ], + "src_tokens": [ + "极" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 8816, + "category": "农学", + "discipline": "农业资源与环境", + "title": "蚯蚓粪有机肥施用对稻田土壤养分及吸收的影响", + "source": "土壤全磷也和除脲酶及过氧化氢酶活性外的其它指标有显著正相关。", + "reference": "土壤全磷与除脲酶及过氧化氢酶活性外的其他指标均有显著正相关。", + "edit": [ + { + "src_interval": [ + 4, + 6 + ], + "tgt_interval": [ + 4, + 5 + ], + "src_tokens": [ + "也", + "和" + ], + "tgt_tokens": [ + "与" + ] + }, + { + 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"reference": "土壤养分空间变异性的预测方式主要为经典统计学方法和地统计学方法，其中经典统计方法可对土壤养分等指标实施基本的描述性统计分析，而地统计学方法一般与GIS技术结合，可以更加全面的对土壤养分进行直观精确的统计分析。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [ + "法" + ], + "tgt_tokens": [ + "式" + ] + }, + { + "src_interval": [ + 16, + 17 + ], + "tgt_interval": [ + 16, + 17 + ], + "src_tokens": [ + "有" + ], + "tgt_tokens": [ + "为" + ] + }, + { + "src_interval": [ + 32, + 32 + ], + "tgt_interval": [ + 32, + 34 + ], + "src_tokens": [], + "tgt_tokens": [ + "其", + "中" + ] + }, + { + "src_interval": [ + 39, + 40 + ], + "tgt_interval": [ + 41, + 41 + ], + "src_tokens": [ + "以" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 48, + 50 + ], + "tgt_interval": [ + 49, + 51 + ], + "src_tokens": [ + "进", + "行" + ], + "tgt_tokens": [ + "实", + "施" + ] + }, + { + "src_interval": [ + 68, + 70 + ], + "tgt_interval": [ + 69, + 71 + ], + "src_tokens": [ + "通", + "常" + ], + "tgt_tokens": [ + "一", + "般" + ] + }, + { + "src_interval": 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"还有研究指出，在秸秆还田前期，土壤产生二氧化碳释放速率显著增加，同时提高了土壤可溶性有机碳、土壤微生物量碳含量（Khalil et al.，2005）。", + "reference": "还有研究指出，在秸秆还田的初期，土壤产生的二氧化碳释放速率明显增加，同时提高了土壤可溶性有机碳以及土壤微生物量碳的含量（Khalil et al.，2005）。", + "edit": [ + { + "src_interval": [ + 12, + 13 + ], + "tgt_interval": [ + 12, + 14 + ], + "src_tokens": [ + "前" + ], + "tgt_tokens": [ + "的", + "初" + ] + }, + { + "src_interval": [ + 19, + 19 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 27, + 29 + ], + "tgt_interval": [ + 29, + 31 + ], + "src_tokens": [ + "显", + "著" + ], + "tgt_tokens": [ + "明", + "显" + ] + }, + { + "src_interval": [ + 45, + 46 + ], + "tgt_interval": [ + 47, + 49 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "以", + "及" + ] + }, + { + "src_interval": [ + 53, + 53 + ], + "tgt_interval": [ + 56, + 57 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + } + ] + }, + { + "id": 8977, + "category": "农学", + "discipline": "农业工程", + "title": "基于深度学习的土壤养分预测研究", + "source": "因此，应该通过合理的方式对研究区进行划分，可以提高模拟和预测的精度和效率。", + "reference": "所以，需通过合理的方式对研究区展开划分，这样能提高模拟和预测的精度与效率。", + "edit": [ + { + "src_interval": [ + 0, + 5 + ], + "tgt_interval": [ + 0, + 4 + ], + "src_tokens": [ + "因", + "此", + "，", + "应", + "该" + ], + "tgt_tokens": [ + "所", + "以", + "，", + "需" + ] + }, + { + "src_interval": [ + 16, + 18 + ], + "tgt_interval": [ + 15, + 17 + ], + "src_tokens": [ + "进", + "行" + ], + "tgt_tokens": [ + "展", + "开" + ] + }, + { + "src_interval": [ + 21, + 23 + ], + "tgt_interval": [ + 20, + 23 + ], + "src_tokens": [ + "可", + "以" + ], + "tgt_tokens": [ + "这", + "样", + "能" + ] + }, + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 33, + 34 + ], + "src_tokens": [ + "和" + ], + "tgt_tokens": [ + "与" + ] + } + ] + }, + { + "id": 8978, + "category": "农学", + "discipline": "作物栽培学与耕作学 ", + "title": "施肥、耕作和秸秆还田方式对土壤养分及春玉米产量的影响", + "source": "磷在土壤中流动性差（Hinsinger et al.，2011），且限制了作物的生长（Plenet et al.，2000），因此利用耕作方式可以将表土与底土混合，增强土壤对磷的吸附能力。", + "reference": "磷在土壤中的流动性欠佳（Hinsinger et al.，2011），并且限制了作物的生长（Plenet et al.，2000），因此通过耕作方式可以将表土与底土混合，提升土壤对磷的吸附能力。", + "edit": [ + { + "src_interval": [ + 5, + 5 + ], + "tgt_interval": [ + 5, + 6 + ], + "src_tokens": [], + "tgt_tokens": [ + "的" + ] + }, + { + "src_interval": [ + 8, + 9 + ], + "tgt_interval": [ + 9, + 11 + ], + "src_tokens": [ + "差" + ], + "tgt_tokens": [ + "欠", + "佳" + ] + }, + { + "src_interval": [ + 31, + 31 + ], + "tgt_interval": [ + 33, + 34 + ], + "src_tokens": [], + "tgt_tokens": [ + "并" + ] + }, + { + "src_interval": [ + 61, + 63 + ], + "tgt_interval": [ + 64, + 66 + ], + "src_tokens": [ + "利", + "用" + ], + "tgt_tokens": [ + "通", + "过" + ] + }, + { + "src_interval": [ + 78, + 80 + ], + "tgt_interval": [ + 81, + 83 + ], + "src_tokens": [ + "增", + "强" + ], + "tgt_tokens": [ + "提", + "升" + ] + } + ] + }, + { + "id": 8979, + "category": "农学", + "discipline": "土壤学", + "title": "基于云平台的土壤养分数据挖掘的研究", + "source": "鉴于以上情况，急需处理分析挖掘土壤养分数据的系统和算法来解决此种情形，以此达到农业工作者生产的需求。", + "reference": "鉴于此种情况，迫切需要处理、分析与挖掘土壤养分数据的系统和算法，以解决这一情形，进而达到农业工作者的生产需求。", + "edit": [ + { + "src_interval": [ + 2, + 4 + ], + "tgt_interval": [ + 2, + 4 + ], + "src_tokens": [ + "以", + "上" + ], + "tgt_tokens": [ + "此", + "种" + ] + }, + { + "src_interval": [ + 7, + 9 + ], + "tgt_interval": [ + 7, + 11 + ], + "src_tokens": [ + "急", + "需" + ], + "tgt_tokens": [ + "迫", + "切", + "需", + "要" + ] + }, + { + "src_interval": [ + 11, + 11 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [], + "tgt_tokens": [ + "、" + ] + }, + { + "src_interval": [ + 13, + 13 + ], + "tgt_interval": [ + 16, + 17 + ], + "src_tokens": [], + "tgt_tokens": [ + "与" + ] + }, + { + "src_interval": [ + 27, + 28 + ], + "tgt_interval": [ + 31, + 33 + ], + "src_tokens": [ + "来" + ], + "tgt_tokens": [ + "，", + "以" + ] + }, + { + "src_interval": [ + 30, + 32 + ], + "tgt_interval": [ + 35, + 37 + ], + "src_tokens": [ + "此", + "种" + ], + "tgt_tokens": [ + "这", + "一" + ] + }, + { + "src_interval": [ + 35, + 37 + ], + "tgt_interval": [ + 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"唱第一个字前，气就应该吸“饱”，开始句：“千里黄云白日曛”，在演唱时要将“吸饱气”的状态维持住，然后均匀地运用气息唱到“云”字，“云”字唱足五分半的时值，快速吸足气，再唱“白日曛”，“日”这里的旋律有小连线，在这个连线内囊括一个八分休止符，所以唱“日”字时要注意：“声断，气不断”，这种呼吸的处理演唱能突出唐诗吟诵的感觉，还能将“曛”字本身的暗淡，落日的落寞感突出。", + "edit": [ + { + "src_interval": [ + 52, + 53 + ], + "tgt_interval": [ + 52, + 53 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 151, + 152 + ], + "tgt_interval": [ + 151, + 151 + ], + "src_tokens": [ + "够" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9106, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "汪立三音乐创作研究", + "source": "傩是一种祭祀时的表演形式，建立在祭祀仪式中，随着发展中不断的吸收各种文化而变成一种载歌载舞的戏曲表演形式，因起源于祭祀，所以音乐带有神秘感。", + "reference": "傩是一种建立在祭祀仪式中的祭祀时的表演形式，随着发展中不断地结合各种文化而变成一种载歌载舞的戏曲表演形式，因起源于祭祀，所以音乐带有神秘感。", + "edit": [ + { + "src_interval": [ + 4, + 13 + ], + "tgt_interval": [ + 4, + 4 + ], + "src_tokens": [ + "祭", + "祀", + "时", + "的", + "表", + "演", + "形", + "式", + "，" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 21, + 21 + ], + "tgt_interval": [ + 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"利用古琴曲进行改编而创作出的钢琴三重奏音乐作品，民族气息极为浓郁，民族色彩也极其鲜明，具有较高的审美价值，对于艺术的研究也拥有独特的价值。", + "edit": [ + { + "src_interval": [ + 11, + 12 + ], + "tgt_interval": [ + 11, + 12 + ], + "src_tokens": [ + "造" + ], + "tgt_tokens": [ + "作" + ] + }, + { + "src_interval": [ + 43, + 44 + ], + "tgt_interval": [ + 43, + 48 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [ + "具", + "有", + "较", + "高", + "的" + ] + }, + { + "src_interval": [ + 46, + 50 + ], + "tgt_interval": [ + 50, + 50 + ], + "src_tokens": [ + "上", + "比", + "较", + "有" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9225, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "古诗词艺术歌曲的演唱教学研究", + "source": "“颂”多为祭祀宗庙祖先的乐舞，“风”、“雅”、“颂”表现了中国古代诗、乐、舞三者的密切关联，是中国早期主要的音乐形式。", + "reference": "“颂”主要用作祭祀祖庙的活动，而“风”、“雅”、“颂”展现了中国古代诗歌、音乐与舞蹈之间紧密的联系，是中国早期主要的音乐表现形式。", + "edit": [ + { + "src_interval": [ + 3, + 5 + ], + "tgt_interval": [ + 3, + 7 + ], + "src_tokens": [ + "多", + "为" + ], + "tgt_tokens": [ + "主", + "要", + "用", + "作" + ] + }, + { + "src_interval": [ + 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"edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 10 + ], + "src_tokens": [ + "为" + ], + "tgt_tokens": [ + "是" + ] + } + ] + }, + { + "id": 9231, + "category": "艺术学", + "discipline": "音乐", + "title": "探析打击乐二重奏《京剧印象》的艺术手段与演奏技巧", + "source": "唱词高度浓缩了剧情和人物的心境，结合唱腔以多种板式程式化的再现了古老的中国历史故事，这种艺术形式已成为中国文化的象征之一。", + "reference": "唱词高度浓缩了剧情和人物心境，结合唱腔以多种板式程式化地再现了古老的中国历史故事。这种艺术形式已成为中国文化的象征之一。", + "edit": [ + { + "src_interval": [ + 12, + 13 + ], + "tgt_interval": [ + 12, + 12 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 28, + 29 + ], + "tgt_interval": [ + 27, + 28 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 41, + 42 + ], + "tgt_interval": [ + 40, + 41 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + } + ] + }, + { + "id": 9241, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "论抗战时期云南红色革命歌曲的艺术特色及其价值", + "source": "这一类型的作品大多数都是具有进行曲风格的特点，曲式结构简单，节奏上慷慨激昂、极具动力性的特点。", + "reference": "这一类型的作品大多数都是具有进行曲风格的特点，曲式结构简单，节奏上慷慨激昂、极具动力性的特征。", + "edit": [ + { + "src_interval": [ + 45, + 46 + ], + "tgt_interval": [ + 45, + 46 + ], + "src_tokens": [ + "点" + ], + "tgt_tokens": [ + "征" + ] + } + ] + }, + { + "id": 9255, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "上海古筝表演艺术多元性特征研究（1978-2000）", + "source": "指出器乐表演艺术的发生和发展，主要受到乐器”、“演奏家”、“器乐作品”三个因素的影响。", + "reference": "指出器乐表演艺术的产生和发展，主要受到“乐器”、“演奏家”和“器乐作品”三个因素的影响。", + "edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 10 + ], + "src_tokens": [ + "发" + ], + "tgt_tokens": [ + "产" + ] + }, + { + "src_interval": [ + 19, + 19 + ], + "tgt_interval": [ + 19, + 20 + ], + "src_tokens": [], + "tgt_tokens": [ + "“" + ] + }, + { + "src_interval": [ + 28, + 29 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和" + ] + } + ] + }, + { + "id": 9278, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "民族心灵的慰藉之声", + "source": "《第五交响曲》成功的原因和其创作背景的特殊性有着直接联系。", + "reference": "《第五交响曲》的成功和其创作背景的特殊性有着直接联系。", + "edit": [ + { + "src_interval": [ + 7, + 12 + ], + "tgt_interval": [ + 7, + 10 + ], + "src_tokens": [ + "成", + "功", + "的", + "原", + "因" + ], + "tgt_tokens": [ + "的", + "成", + "功" + ] + } + ] + }, + { + "id": 9289, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "音乐思潮流变下的中国交响乐创作（1949-2019）", + "source": "就构成现代主义音乐思潮的音乐风格和流派而言，就有包括表现主义、新古典主义、序列音乐、偶然音乐、电子音乐、空间音乐等。", + "reference": "就构成现代主义音乐思潮的音乐风格和流派而言，包括表现主义、新古典主义、序列音乐、偶然音乐、电子音乐和空间音乐等。", + "edit": [ + { + "src_interval": [ + 22, + 24 + ], + "tgt_interval": [ + 22, + 22 + ], + "src_tokens": [ + "就", + "有" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 51, + 52 + ], + "tgt_interval": [ + 49, + 50 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和" + ] + } + ] + }, + { + "id": 9300, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "古诗词艺术歌曲的演唱教学研究", + "source": "在声乐教学中把古诗词艺术歌曲作为必学曲目时十分必要的，它在词曲关系、咬字发音、音色的训练等都具有极高的教学价值。", + "reference": "在声乐教学中，把古诗词艺术歌曲作为必学曲目是十分必要的，因为它们在词曲关系、咬字发音、音色的训练等方面都具有极高的教学价值。", + "edit": [ + { + "src_interval": [ + 6, + 6 + ], + "tgt_interval": [ + 6, + 7 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 20, + 21 + ], + "tgt_interval": [ + 21, + 22 + ], + "src_tokens": [ + "时" + ], + "tgt_tokens": [ + "是" + ] + }, + { + "src_interval": [ + 27, + 28 + ], + "tgt_interval": [ + 28, + 32 + ], + "src_tokens": [ + "它" + ], + "tgt_tokens": [ + "因", + "为", + "它", + "们" + ] + }, + { + "src_interval": [ + 45, + 45 + ], + "tgt_interval": [ + 49, + 51 + ], + "src_tokens": [], + "tgt_tokens": [ + "方", + "面" + ] + } + ] + }, + { + "id": 9307, + "category": "艺术学", + "discipline": "音乐", + "title": "配器视角下秦文琛“宽线条”技法研究", + "source": "而最值得一提的是标记4的位置，由于在此处小字一组的d音与e音均没有出现的缘故，因此此处的线条较之前面有些明显的偏上，且由于此处音高为f音处“宽线条”与b音处“宽线条”以震音的形式交替出现，因此这里的泛音层次感也更加丰富。", + "reference": "而最值得一提的是标记4的位置，由于在此处小字一组的d音与e音均没有出现的缘故，因此此处的线条较之前明显地偏上，由于此处音高为f音处“宽线条”与b音处“宽线条”以震音的形式交替出现，因此这里的泛音层次感也更加丰富。", 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"本章从“音乐形象”分析入手，以作品《彼得与狼》的总谱和音响为主，以及与创作过程中与此相关的音乐事实为辅。结合笔者阅读总谱的收获、音响效果的感受，和对创作中音乐事实的理解，从客观存在的事实到笔者主观的感受，进一步说明作品中音乐形象的表达过程。这样不仅可以显示出不同的音乐元素有什么不同的特征，也可以清楚不同音乐情绪是如何来表达和体现的。更能够让听众分辨出不同的音乐形象，以及它们是如何呈现的，深入理解普罗科菲耶夫的创作意图。", + "edit": [ + { + "src_interval": [ + 51, + 52 + ], + "tgt_interval": [ + 51, + 52 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 101, + 101 + ], + "tgt_interval": [ + 101, + 102 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 118, + 119 + ], + "tgt_interval": [ + 119, + 120 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 165, + 166 + ], + "tgt_interval": [ + 166, + 167 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 174, + 175 + ], + "tgt_interval": [ + 175, + 175 + ], + "src_tokens": [ + "别" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9357, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "二十世纪八十年代中国钢琴三重奏创作研究", + "source": "林华先生是陈铭志先生的学生，他创造出了许多室内乐、钢琴独奏作品，以及合唱、艺术歌曲等等。", + "reference": "林华先生是陈铭志先生的学生。他创作了许多室内乐队的钢琴独奏作品、合唱以及艺术歌曲等等。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [ + "，" + ], + "tgt_tokens": [ + "。" + ] + }, + { + "src_interval": [ + 16, + 18 + ], + "tgt_interval": [ + 16, + 17 + ], + "src_tokens": [ + "造", + "出" + ], + "tgt_tokens": [ + "作" + ] + }, + { + "src_interval": [ + 24, + 25 + ], + "tgt_interval": [ + 23, + 25 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "队", + "的" + ] + }, + { + "src_interval": [ + 31, + 37 + ], + "tgt_interval": [ + 31, + 36 + ], + "src_tokens": [ + "，", + "以", + "及", + "合", + "唱", + "、" + ], + "tgt_tokens": [ + "、", + "合", + "唱", + "以", + "及" + ] + } + ] + }, + { + "id": 9359, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "中国当代音乐史中的创作筝曲研究", + "source": "但是，在当时五弦筝的音色和演奏水平都是及其一般的，从“往者民间酒会，各以党俗，弹筝鼓缶而已，无要妙之音，变羽之转。”中不难看出，在这一时期筝并没有被统治者所接纳。", + "reference": "但是，在当时，五弦筝的音色和演奏水平都是极其一般的，从“往者民间酒会，各以党俗，弹筝鼓缶而已，无要妙之音，变羽之转。”中不难看出，在这一时期，筝并没有被统治者所接纳。", + "edit": [ + { + "src_interval": [ + 6, + 6 + ], + "tgt_interval": [ + 6, + 7 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 19, + 20 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [ + "及" + ], + "tgt_tokens": [ + "极" + ] + }, + { + "src_interval": [ + 69, + 69 + ], + "tgt_interval": [ + 70, + 71 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + } + ] + }, + { + "id": 9375, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "论抗战时期云南红色革命歌曲的艺术特色及其价值", + "source": "这些作品都真实地反应人民大众的思乡情感。", + "reference": "这些作品都真实地反映出人民大众的思乡情感。", + "edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 11 + ], + "src_tokens": [ + "应" + ], + "tgt_tokens": [ + "映", + "出" + ] + } + ] + }, + { + "id": 9376, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "徐景新艺术歌曲的演唱与分析研究", + "source": "这几章内容并不是各自为营、毫无关联性的，事实上在分析徐景新艺术歌曲演唱与分析研究的过程中，它们之间是息息相关的，徐景新艺术歌曲的成功不仅在于创作具有时代性、民族性等特点，更在于他紧密的贴合人民生活。", + "reference": "这几章内容并不是各自为营、毫无关联性的，事实上在分析徐景新艺术歌曲演唱与分析研究的过程中，它们之间是息息相关的，徐景新艺术歌曲的成功不仅在于创作存在时代性、民族性等特点，更在于其紧密地贴合人民生活。", + "edit": [ + { + "src_interval": [ + 72, + 74 + ], + "tgt_interval": [ + 72, + 74 + ], + "src_tokens": [ + "具", + "有" + ], + "tgt_tokens": [ + "存", + "在" + ] + }, + { + "src_interval": [ + 88, + 89 + ], + "tgt_interval": [ + 88, + 89 + ], + "src_tokens": [ + "他" + ], + "tgt_tokens": [ + "其" + ] + }, + { + "src_interval": [ + 91, + 92 + ], + "tgt_interval": [ + 91, + 92 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 9391, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "上海古筝表演艺术多元性特征研究（1978-2000）", + "source": "而音乐的审美活动也能够反应出这一时期文化发展方向和大众审美导向。", + "reference": "而音乐的审美活动也能够反映出这一时期文化发展方向和大众审美导向。", + "edit": [ + { + "src_interval": [ + 12, + 13 + ], + "tgt_interval": [ + 12, + 13 + ], + "src_tokens": [ + "应" + ], + 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"本章探索新技法在演奏上的各种可能性，并提出一些关于扬琴技法运用的想法，希望能为扬琴的艺术表达与音乐创作带来一些灵感。", + "edit": [] + }, + { + "id": 9476, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "二十世纪八十年代中国钢琴三重奏创作研究", + "source": "“但是虽然构成对比复调可以由很多方面来决定，但是其中节奏以及音高的对比是必不可少的因素。”", + "reference": "“尽管对比复调的形成受多方面因素影响，但其中节奏以及音高的对比是必不可少的因素。”", + "edit": [ + { + "src_interval": [ + 1, + 7 + ], + "tgt_interval": [ + 1, + 3 + ], + "src_tokens": [ + "但", + "是", + "虽", + "然", + "构", + "成" + ], + "tgt_tokens": [ + "尽", + "管" + ] + }, + { + "src_interval": [ + 11, + 15 + ], + "tgt_interval": [ + 7, + 11 + ], + "src_tokens": [ + "可", + "以", + "由", + "很" + ], + "tgt_tokens": [ + "的", + "形", + "成", + "受" + ] + }, + { + "src_interval": [ + 18, + 21 + ], + "tgt_interval": [ + 14, + 18 + ], + "src_tokens": [ + "来", + "决", + "定" + ], + "tgt_tokens": [ + "因", + "素", + "影", + "响" + ] + }, + { + "src_interval": [ + 23, + 24 + ], + "tgt_interval": [ + 20, + 20 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9478, + 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"概述第四乐章的总体框架：该乐章由《捻诸观描》、《裘装对镜》和《烘炉观雪》三个组成部分构成（参见图2-2-11）。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [ + "作", + "品" + ], + "tgt_tokens": [ + "概", + "述" + ] + }, + { + "src_interval": [ + 7, + 16 + ], + "tgt_interval": [ + 7, + 13 + ], + "src_tokens": [ + "整", + "体", + "结", + "构", + "介", + "绍", + ":", + "第", + "四" + ], + "tgt_tokens": [ + "总", + "体", + "框", + "架", + "：", + "该" + ] + }, + { + "src_interval": [ + 18, + 20 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "包", + "括" + ], + "tgt_tokens": [ + "由" + ] + }, + { + "src_interval": [ + 33, + 34 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 42, + 42 + ], + "tgt_interval": [ + 38, + 40 + ], + "src_tokens": [], + "tgt_tokens": [ + "组", + "成" + ] + }, + { + "src_interval": [ + 44, + 45 + ], + "tgt_interval": [ + 42, + 47 + ], + "src_tokens": [ + "（" + ], + "tgt_tokens": [ + "构", + 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[ + "通", + "过" + ], + "tgt_tokens": [ + "基", + "于" + ] + } + ] + }, + { + "id": 9494, + "category": "艺术学", + "discipline": "音乐与舞蹈学", + "title": "民族心灵的慰藉之声", + "source": "从时间来看，《第五交响曲》的创作期完全处于战争爆发阶段，然而它本质上所透露出来的抒情特征却宣告这并不是一步人们所期待的充满着对立和冲突的“战争交响曲”。", + "reference": "虽然从时间来看，《第五交响曲》的创作期完全处于战争爆发阶段，但是它本质上所透露出来的抒情特征却宣告这并不是一部人们所期待的充满着对立和冲突的“战争交响曲”。", + "edit": [ + { + "src_interval": [ + 0, + 0 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [], + "tgt_tokens": [ + "虽", + "然" + ] + }, + { + "src_interval": [ + 28, + 30 + ], + "tgt_interval": [ + 30, + 32 + ], + "src_tokens": [ + "然", + "而" + ], + "tgt_tokens": [ + "但", + "是" + ] + }, + { + "src_interval": [ + 52, + 53 + ], + "tgt_interval": [ + 54, + 55 + ], + "src_tokens": [ + "步" + ], + "tgt_tokens": [ + "部" + ] + } + ] + }, + { + "id": 9499, + "category": "艺术学", + "discipline": "音乐", + "title": "罗麦朔《胤禛美人图》的创作研究", + "source": "如上图（3-1-9）是第一乐章《立持如意》中的第二主题旋律，与其第一主题旋律在形成对比。", + "reference": "如上图（3-1-9）是第一乐章《立持如意》中的第二主题旋律，与其第一主题旋律形成对比。", + "edit": [ + { + "src_interval": [ + 38, + 39 + ], + "tgt_interval": [ + 38, + 38 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9510, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "随着改革开放的开展，物质经济快速发展，社会对人得异化非常明显，人们的价值观也在不断变化。", + "reference": "随着改革开放的开展，物质经济快速发展，社会对人的异化非常明显，人们的价值观也在不断变化。", + "edit": [ + { + "src_interval": [ + 23, + 24 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "得" + ], + "tgt_tokens": [ + "的" + ] + } + ] + }, + { + "id": 9519, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "苏童钟爱口语化的语言还体现在在他对标点符号的异化使用上。", + "reference": "苏童钟爱口语化的语言还体现在他对标点符号的异化使用上。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 13 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9525, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "“你狗日的也跟那帮女人差不多吧?”“听故事的人总是喜欢听那些不怎么正经的东西对吧?”这两个问句表示主人公在与“虚拟听众”在进行对话。", + "reference": "“你狗日的也跟那帮女人差不多吧?”“听故事的人总是喜欢听那些不怎么正经的东西对吧?”这两个问句是主人公在与“虚拟听众”进行对话。", + "edit": [ + { + "src_interval": [ + 47, + 49 + ], + "tgt_interval": [ + 47, + 48 + ], + "src_tokens": [ + "表", + "示" + ], + "tgt_tokens": [ + "是" + ] + }, + { + "src_interval": [ + 60, + 61 + ], + "tgt_interval": [ + 59, + 59 + ], + "src_tokens": [ + "在" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9531, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "狭义地说是各方面都脱离主流社会群体当时，地位升降、城乡变迁、移民包含其中。", + "reference": "狭义地说是各方面都脱离主流社会群体，当时地位升降、城乡变迁、移民包含其中。", + "edit": [ + { + "src_interval": [ + 17, + 20 + ], + "tgt_interval": [ + 17, + 20 + ], + "src_tokens": [ + "当", + "时", + "，" + ], + "tgt_tokens": [ + "，", + "当", + "时" + ] + } + ] + }, + { + "id": 9549, + "category": "文学", + "discipline": "中国现当代文学", + "title": "严歌苓小说中的记忆书写", + "source": "在严歌苓的移民书写中，可分为两种类型，一是对移民群体的生活的关注，二是对故国的回望与记忆。", + "reference": "在严歌苓的移民书写中，可分为两种类型，一是对移民群体的生活的关注，二是对故国的回望与记忆。", + "edit": [] + }, + { + "id": 9554, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "小说对曲柳河周围的景致进行了描述到。", + "reference": "小说描述了曲柳河周围的景致。", + "edit": [ + { + "src_interval": [ + 2, + 3 + ], + "tgt_interval": [ + 2, + 5 + ], + "src_tokens": [ + "对" + ], + "tgt_tokens": [ + "描", + "述", + "了" + ] + }, + { + "src_interval": [ + 11, + 17 + ], + "tgt_interval": [ + 13, + 13 + ], + "src_tokens": [ + "进", + "行", + "了", + "描", + "述", + "到" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9562, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论郁达夫小说的叙事艺术", + "source": "本章试图探究郁达夫小说的结构类型，回答茅盾、陈西滢等早期评论家针对郁达夫小说结构提出的质疑。", + "reference": "本章试图探究郁达夫小说的结构类型，回答了茅盾、陈西滢等早期评论家针对郁达夫小说结构提出的质疑。", + "edit": [ + { + "src_interval": [ + 19, + 19 + ], + "tgt_interval": [ + 19, + 20 + ], + "src_tokens": [], + "tgt_tokens": [ + "了" + ] + } + ] + }, + { + "id": 9572, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "张立萍凭借她的伶牙俐齿巧妙的化解了紧张的气氛。", + "reference": "张立萍凭借她的伶牙俐齿巧妙地化解了紧张的气氛。", + "edit": [ + { + "src_interval": [ + 13, + 14 + ], + "tgt_interval": [ + 13, + 14 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 9588, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论刘震云小说的戏谑意蕴", + "source": "“90年代”的到来标志着革命时代的终结，或者\t可以将其命名为“后革命时代”。", + "reference": "90年代的到来标志着革命时代的终结，或者可以将其命名为“后革命时代”。", + "edit": [ + { + "src_interval": [ + 0, + 1 + ], + "tgt_interval": [ + 0, + 0 + ], + "src_tokens": [ + "“" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 5, + 6 + ], + "tgt_interval": [ + 4, + 4 + ], + "src_tokens": [ + "”" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9599, + "category": "文学", + "discipline": "中国现当代文学", + "title": "鲁迅文学作品的绘画改编研究", + "source": "一大批画家自觉广泛的加入连环画创作行列，其中有转变创作形式的画家，有新中国自学成才的画家，甚至还有非专业的连环画作者也加入了创作队伍。", + "reference": "一大批画家自觉广泛地加入连环画创作行列，其中有改变创作形式的画家，有新中国自学成才的画家，甚至还有非专业的连环画作者也加入了创作队伍。", + "edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 10 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + }, + { + "src_interval": [ + 23, + 24 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "转" + ], + "tgt_tokens": [ + "改" + ] + } + ] + }, + { + "id": 9602, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论虹影作品中的重庆书写", + "source": "除了本文重点讨论的四部长篇小说与三部散文外，虹影为女儿所写“神奇少年桑桑”系列与《米米朵拉》系列共九部儿童文学作品无一不是以重庆为故事背景，以重庆的神话故事与民间流传的巫术等展开天马行空的想象。", + "reference": "除了本文重点讨论的四部长篇小说和三部散文外，虹影为女儿所写“神奇少年桑桑”系列和《米米朵拉》系列共九部儿童文学作品统统是以重庆为故事背景，以重庆的神话故事与民间流传的巫术等展开天马行空的想象。", + "edit": [ + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "与" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 39, + 40 + ], + "tgt_interval": [ + 39, + 40 + ], + "src_tokens": [ + "与" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 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"漠月生于内蒙古阿拉善，那里有广表无垠的大草原，也有令人心生敬畏的大沙漠。", + "reference": "漠月生于内蒙古阿拉善，那里有广袤无垠的大草原，也有令人心生敬畏的大沙漠。", + "edit": [ + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "表" + ], + "tgt_tokens": [ + "袤" + ] + } + ] + }, + { + "id": 9661, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "从这个判断中可以看出苏童对小人物的解释和“边缘人”这一概念大约一致，为了更好、更系统地阐释苏童小说中的“边缘人”形象，本论文根据“边缘人”所处的尴尬位置，有的是男性的边缘，有的是城乡边缘，还有的是政治变革的边缘，将小说中“边缘人”分为五类，挑选典型人物一一说明、分节叙述。", + "reference": "从这个判断中可以看出苏童对小人物的解释和“边缘人”这一概念大概一致，为了更好、更系统地阐释苏童小说中的“边缘人”形象，本论文根据“边缘人”所处的尴尬位置，有的是男性的边缘，有的是城乡边缘，还有的是政治变革的边缘，将小说中“边缘人”分为五类，挑选典型人物一一说明、分节叙述。", + "edit": [ + { + "src_interval": [ + 30, + 31 + ], + "tgt_interval": [ + 30, + 31 + ], + "src_tokens": [ + "约" + ], + "tgt_tokens": [ + "概" + ] + } + ] + }, + { + "id": 9668, + "category": "文学", + "discipline": "中国现当代文学", + "title": "苏童小说中的“边缘人”叙事研究", + "source": "其次，结合具体文本分析“边缘人”具体的生存状态，然后从叙事策略切入，分析苏童为了写好这些边缘人做了那些努力，最后结合苏童的童年经历和文化背景分析苏童小说中“边缘人”的写作缘由。", + "reference": "其次，结合具体文本分析“边缘人”具体的生存状态，然后从叙事策略切入，分析苏童为了写好这些边缘人做了什么努力，最后结合苏童的童年经历和文化背景分析苏童小说中“边缘人”的写作缘由。", + "edit": [ + { + "src_interval": [ + 49, + 51 + ], + "tgt_interval": [ + 49, + 51 + ], + "src_tokens": [ + "那", + "些" + ], + "tgt_tokens": [ + "什", + "么" + ] + } + ] + }, + { + "id": 9671, + "category": "文学", + "discipline": "中国现当代文学", + "title": "王小波小说的“后现代性”", + "source": "从其基本定义中彰明了主体具有自主意识与能动性，客体是处于被动认识的地位。", + "reference": "从其基本定义中彰显了主体具有自主意识与能动性，客体处于被动认识的地位。", + "edit": [ + { + "src_interval": [ + 8, + 9 + ], + "tgt_interval": [ + 8, + 9 + ], + "src_tokens": [ + "明" + ], + "tgt_tokens": [ + "显" + ] + }, + { + "src_interval": [ + 25, + 26 + ], + "tgt_interval": [ + 25, + 25 + ], + "src_tokens": [ + "是" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9675, + "category": "文学", + "discipline": "中国语言文学", + "title": "论迟子建小说的哈尔滨书写", + "source": "论文主要根据迟子建所描写哈尔滨的具体作品《伪满洲国》《白雪乌鸦》《烟火漫卷》以及“哈尔滨书写三部曲”等作品为例。", + "reference": "论文主要根据迟子建所描写哈尔滨的具体作品如《伪满洲国》《白雪乌鸦》《烟火漫卷》以及“哈尔滨书写三部曲”等作品为例。", + "edit": [ + { + "src_interval": [ + 20, + 20 + ], + "tgt_interval": [ + 20, + 21 + ], + "src_tokens": [], + "tgt_tokens": [ + "如" + ] + } + ] + }, + { + "id": 9684, + "category": "文学", + "discipline": "中国语言文学", + "title": "莫言小说中的“还乡”书写研究", + "source": "其三，对莫言“还乡”主题的代表性文本的分析。", + "reference": "其三，对莫言“还乡”主题的代表性文本的分析。", + "edit": [] + }, + { + "id": 9686, + "category": "文学", + "discipline": "中国现当代文学", + "title": "沈从文小说的死亡审美探寻", + "source": "在学者凌宇、王继志、吴立昌等人的著作中都有所讨论和分析。", + "reference": "在学者凌宇、王继志和吴立昌等人的著作中都有所探讨和分析。", + "edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 10 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 22, + 24 + ], + "tgt_interval": [ + 22, + 24 + ], + "src_tokens": [ + "讨", + "论" + ], + "tgt_tokens": [ + "探", + "讨" + ] + } + ] + }, + { + "id": 9689, + "category": 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"不过由于他在创作鼎盛时期隐退，导致王德威、范���如等评论家认为其“昙花一现，未成气候”“像一颗乍现的流星、耀眼却短暂”。", + "edit": [ + { + "src_interval": [ + 4, + 5 + ], + "tgt_interval": [ + 4, + 5 + ], + "src_tokens": [ + "其" + ], + "tgt_tokens": [ + "他" + ] + }, + { + "src_interval": [ + 15, + 16 + ], + "tgt_interval": [ + 15, + 16 + ], + "src_tokens": [ + "以" + ], + "tgt_tokens": [ + "导" + ] + }, + { + "src_interval": [ + 42, + 43 + ], + "tgt_interval": [ + 42, + 42 + ], + "src_tokens": [ + "、" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9791, + "category": "文学", + "discipline": "中国语言文学", + "title": "中国现当代文学_新东北作家群”创作研究", + "source": "1995年李斐的父亲李守濂沦为下岗工人，庄树的父亲则庄德增则成了企业家。", + "reference": "1995年，李斐的父亲李守濂沦为下岗工人，而庄树的父亲庄德增则成为了企业家。", + "edit": [ + { + "src_interval": [ + 5, + 5 + ], + "tgt_interval": [ + 5, + 6 + ], + "src_tokens": [], + "tgt_tokens": [ + "，" + ] + }, + { + "src_interval": [ + 20, + 20 + ], + "tgt_interval": [ + 21, + 22 + ], + "src_tokens": [], + "tgt_tokens": [ + "而" + ] + }, + { + "src_interval": [ + 25, + 26 + ], + 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"这一画面极具反差，将孔乙己的落魄与递酒人（或者直接说看客）的冷漠表现的淋漓尽致。", + "reference": "这一画面极具反差，淋漓尽致地展现了孔乙己的落魄和递酒人（或者直接说看客）的冷漠。", + "edit": [ + { + "src_interval": [ + 9, + 10 + ], + "tgt_interval": [ + 9, + 17 + ], + "src_tokens": [ + "将" + ], + "tgt_tokens": [ + "淋", + "漓", + "尽", + "致", + "地", + "展", + "现", + "了" + ] + }, + { + "src_interval": [ + 16, + 17 + ], + "tgt_interval": [ + 23, + 24 + ], + "src_tokens": [ + "与" + ], + "tgt_tokens": [ + "和" + ] + }, + { + "src_interval": [ + 32, + 39 + ], + "tgt_interval": [ + 39, + 39 + ], + "src_tokens": [ + "表", + "现", + "的", + "淋", + "漓", + "尽", + "致" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9804, + "category": "文学", + "discipline": "中国现当代文学", + "title": "严歌苓小说中的记忆书写", + "source": "因为“一个浪漫的邂逅，一个疑惑的眼神，一种尖刻的语调，一种信赖的神情……这些细节无法在‘历史’的范畴产生回响，但是，它们可能影响乃至撼动‘人生’的范畴”。", + "reference": "只因“一个浪漫的邂逅，一个疑惑的眼神，一种尖刻的语调，一种信赖的神情……这些细节无法在‘历史’的范畴产生回响，但是，它们可能影响乃至撼动‘人生’的范畴”。", + "edit": [ + { + "src_interval": [ + 0, + 2 + ], + "tgt_interval": [ + 0, + 2 + ], + "src_tokens": [ + 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"本章三节分别从语言表现的视觉美、听觉美和意境美三个方面，展示郁达夫的语言运用技巧，探讨语言在促进“一宗事件”发生过程中的作用。", + "edit": [ + { + "src_interval": [ + 29, + 30 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "现" + ], + "tgt_tokens": [ + "示" + ] + }, + { + "src_interval": [ + 42, + 43 + ], + "tgt_interval": [ + 42, + 43 + ], + "src_tokens": [ + "究" + ], + "tgt_tokens": [ + "讨" + ] + } + ] + }, + { + "id": 9840, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论迟子建小说的色彩书写", + "source": "她不仅忍受着生命不能承受之痛，为了年幼的孩子还要忍辱负重的活下去。", + "reference": "她不仅要承受生命中难以忍受的痛苦，为了年幼的孩子，还必须忍受屈辱，坚强地继续生活。", + "edit": [ + { + "src_interval": [ + 3, + 6 + ], + "tgt_interval": [ + 3, + 6 + ], + "src_tokens": [ + "忍", + "受", + "着" + ], + "tgt_tokens": [ + "要", + "承", + "受" + ] + }, + { + "src_interval": [ + 8, + 14 + ], + "tgt_interval": [ + 8, + 16 + ], + "src_tokens": [ + "不", + "能", + "承", + "受", + "之", + "痛" + ], + "tgt_tokens": [ + "中", + "难", + "以", + "忍", + "受", + "的", + "痛", + "苦" + ] + }, + { + "src_interval": [ + 22, + 32 + ], + 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"黄娥说自己的行为兴许是一种病，而这种自然行为会在卢木头狠狠地抽几袋烟、炒上一盘黄豆、喝几口凉茶、放几个响屁中过去。", + "edit": [ + { + "src_interval": [ + 29, + 30 + ], + "tgt_interval": [ + 29, + 30 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 9875, + "category": "文学", + "discipline": "中国现当代文学", + "title": "鲁迅文学作品的绘画改编研究", + "source": "头发上的差别使得“狂人”这一精神形象从内到外的与其他形象区分开来，凸显了“狂人”深深的对抗。", + "reference": "头发上的差异使得“狂人”这一精神形象从内到外与其他形象区分开来，凸显了“狂人”深深的对抗。", + "edit": [ + { + "src_interval": [ + 5, + 6 + ], + "tgt_interval": [ + 5, + 6 + ], + "src_tokens": [ + "别" + ], + "tgt_tokens": [ + "异" + ] + }, + { + "src_interval": [ + 22, + 23 + ], + "tgt_interval": [ + 22, + 22 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [] + } + ] + }, + { + "id": 9896, + "category": "文学", + "discipline": "中国现当代文学", + "title": "论迟子建小说的色彩书写", + "source": "在莽莽的原始森林中，生活着勤劳质朴、充满神秘气息的鄂伦春人和鄂温克人，他们生存在大自然中，接受着大自然的馈赠，同时也敬畏着自然，小心翼翼的维持与自然的平衡关系。", + "reference": "在茫茫的原始森林中，生活着勤劳质朴、充满神秘气息的鄂伦春人和鄂温克人，他们生存在大自然中，接受大自然的馈赠，同时也敬畏着自然，小心翼翼地维持与自然的平衡关系。", + "edit": [ + { + "src_interval": [ + 1, + 3 + ], + "tgt_interval": [ + 1, + 3 + ], + "src_tokens": [ + "莽", + "莽" + ], + "tgt_tokens": [ + "茫", + "茫" + ] + }, + { + "src_interval": [ + 47, + 48 + ], + "tgt_interval": [ + 47, + 47 + ], + "src_tokens": [ + "着" + ], + "tgt_tokens": [] + }, + { + "src_interval": [ + 68, + 69 + ], + "tgt_interval": [ + 67, + 68 + ], + "src_tokens": [ + "的" + ], + "tgt_tokens": [ + "地" + ] + } + ] + }, + { + "id": 9919, + "category": "文学", + "discipline": "中国民间文学", + "title": "刘玉堂沂蒙山系列小说的民间叙事策略研究", + "source": "胖嫂丈夫在县城工作，二人只周六可以见面，过夫妻生活。", + "reference": "胖嫂丈夫在县城工作，二人只能在周六见面，过夫妻生活。", + "edit": [ + { + "src_interval": [ + 13, + 13 + ], + "tgt_interval": [ + 13, + 15 + ], + "src_tokens": [], + "tgt_tokens": [ + "能", + "在" + ] + }, + { + "src_interval": [ + 15, + 17 + ], + "tgt_interval": [ + 17, + 17 + ], + "src_tokens": [ + "可", + "以" + ], + "tgt_tokens": [] + } + ] + }, + { + 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