Update
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chinese/gaokao-chinese/README
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https://github.com/RainPPR/gaokao-chinese
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chinese/gaokao-chinese/官方课本.csv
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"id","name","pdf","smartedu","pep"
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"0","未收录","","",""
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"1","必修上","","https://basic.smartedu.cn/tchMaterial/detail?contentType=assets_document&contentId=b8e9a3fe-dae7-49c0-86cb-d146f883fd8e&catalogType=tchMaterial&subCatalog=tchMaterial","https://book.pep.com.cn/1411001117191/mobile/index.html"
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"2","必修下","","https://basic.smartedu.cn/tchMaterial/detail?contentType=assets_document&contentId=9085151a-b698-4b28-8c00-2c4aaf0c91ad&catalogType=tchMaterial&subCatalog=tchMaterial","https://book.pep.com.cn/1411001119191/mobile/index.html"
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"3","选择性必修上","","https://basic.smartedu.cn/tchMaterial/detail?contentType=assets_document&contentId=3b7a3baf-4e1e-4380-b2cc-3bf330d00cc3&catalogType=tchMaterial&subCatalog=tchMaterial","https://book.pep.com.cn/1411001124201/mobile/index.html"
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"4","选择性必修中","","https://basic.smartedu.cn/tchMaterial/detail?contentType=assets_document&contentId=da694670-f25b-46a0-9c3f-a31f5a2f131a&catalogType=tchMaterial&subCatalog=tchMaterial","https://book.pep.com.cn/1411001125201/mobile/index.html"
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"5","选择性必修下","","https://basic.smartedu.cn/tchMaterial/detail?contentType=assets_document&contentId=2de54e6d-1f82-4fdc-9f26-c94dfed9c5af&catalogType=tchMaterial&subCatalog=tchMaterial","https://book.pep.com.cn/1411001126201/mobile/index.html"
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chinese/gaokao-chinese/背诵篇目.csv
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"id","名称","课标","课本","备注"
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"0","其他","","0",""
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"1","《论语》十二章","必修","3","《论语》(“人而不仁”“朝闻道”“君子喻于义”“见贤思齐焉”“质胜文则野”“士不可以不弘毅”“譬如为山”“知者不惑”“有一言而可以终身行之者乎”“小子何莫学夫《诗》”“君子食无求饱”“克己复礼为仁”)"
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"2","劝学","必修","1","《荀子》(学不可以已……用心躁也)"
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"3","屈原列传","必修","4","司马迁(屈平疾王听之不聪也……虽与日月争光可也)"
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"4","谏太宗十思疏","必修","2","魏征"
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"5","师说","必修","1","韩愈"
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"6","阿房宫赋","必修","2","杜牧"
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"7","六国论","必修","2","苏洵"
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"8","答司马谏议书","必修","2","王安石"
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"9","赤壁赋","必修","1","苏轼"
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"10","项脊轩志","必修","5","归有光"
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"11","子路、曾晳、冉有、公西华侍坐","选择性必修","2","《论语》"
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"12","报任安书","选择性必修","0","司马迁(古者富贵而名摩灭……难为俗人言也)"
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"13","过秦论(上)","选择性必修","4","贾谊"
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"14","礼运","选择性必修","0","《礼记》(大道之行也……是谓大同)"
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"15","陈情表","选择性必修","5","李密"
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"16","归去来兮辞(并序)","选择性必修","5","陶潜"
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"17","种树郭橐驼传","选择性必修","5","柳宗元"
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"18","五代史伶官传序","选择性必修","4","欧阳修"
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"19","石钟山记","选择性必修","5","苏轼"
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"20","登泰山记","选择性必修","1","姚鼐"
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"21","《老子》八章","选修","0","(第八章“上善若水”;第十二章“五色令人目盲”;第十五章“古之善为士者”;第二十二章“曲则全”;第二十四章“跂者不立”;第二十七章“善行无辙迹”;第三十三章“知人者智”;第八十一章“信言不美”)"
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"22","季氏将伐颛臾","选修","0","《论语》"
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"23","大学之道","选修","3","《礼记》(古之欲明明德于天下者……壹是皆以修身为本)"
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"24","中庸","选修","0","《礼记》(喜怒哀乐之未发……万物育焉;博学之……人十能之,己千之)"
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"25","《孟子》一则","选修","0","(敢问夫子恶乎长……则不能也)"
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"26","逍遥游","选修","0","《庄子》(惠子谓庄子曰……则夫子犹有蓬之心也夫)"
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"27","谏逐客书","选修","2","李斯"
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"28","兰亭集序","选修","5","王羲之"
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"29","滕王阁序","选修","0","王勃"
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"30","黄冈竹楼记","选修","0","王禹偁"
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"31","上枢密韩太尉书","选修","0","苏辙"
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"32","古代文论选段","选修","0","毛诗序(诗者,志之所之也……不知手之舞之足之蹈之也);典论·论文(盖文章,经国之大业……而声名自传于后)曹丕;诗品序(若乃春风春鸟……故曰:“《诗》可以群,可以怨。”)锺嵘;与元九书(感人心者……华声,实义)白居易;题画(江馆清秋……独画云乎哉)郑燮;人间词话(词以境界为最上……自有名句;境非独谓景物也……否则谓之无境界;古今之成大事业、大学问者……恐为晏欧诸公所不许也)王国维"
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"33","静女","诗词曲","1","《诗经·邶风》"
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"34","无衣","诗词曲","3","《诗经·秦风》"
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"35","离骚","诗词曲","5","屈原(帝高阳之苗裔兮……来吾道夫先路)"
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"36","涉江采芙蓉","诗词曲","1","《古诗十九首》"
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"37","短歌行","诗词曲","1","曹操"
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"38","归园田居(其一)","诗词曲","1","陶潜"
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"39","拟行路难(其四)","诗词曲","5","鲍照"
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"40","春江花月夜","诗词曲","3","张若虚"
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"41","山居秋暝","诗词曲","0","王维"
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"42","蜀道难","诗词曲","5","李白"
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"43","梦游天姥吟留别","诗词曲","1","李白"
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"44","将进酒","诗词曲","3","李白"
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"45","燕歌行","诗词曲","4","高适"
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"46","蜀相","诗词曲","5","杜甫"
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"47","客至","诗词曲","5","杜甫"
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"48","登高","诗词曲","1","杜甫"
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"49","登岳阳楼","诗词曲","2","杜甫"
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"50","琵琶行(并序)","诗词曲","1","白居易"
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| 53 |
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"51","李凭箜篌引","诗词曲","4","李贺"
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| 54 |
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"52","菩萨蛮","诗词曲","0","温庭筠(小山重叠金明灭)"
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| 55 |
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"53","锦瑟","诗词曲","4","李商隐"
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| 56 |
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"54","虞美人","诗词曲","1","李煜(春花秋月何时了)"
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| 57 |
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"55","望海潮","诗词曲","5","柳永(东南形胜)"
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| 58 |
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"56","桂枝香·金陵怀古","诗词曲","2","王安石"
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| 59 |
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"57","江城子·乙卯正月二十日夜记梦","诗词曲","3","苏轼"
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| 60 |
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"58","念奴娇·赤壁怀古","诗词曲","1","苏轼"
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| 61 |
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"59","登快阁","诗词曲","5","黄庭坚"
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| 62 |
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"60","鹊桥仙","诗词曲","1","秦观(纤云弄巧)"
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| 63 |
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"61","苏幕遮","诗词曲","0","周邦彦(燎沉香)"
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| 64 |
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"62","声声慢","诗词曲","1","李清照(寻寻觅觅)"
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| 65 |
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"63","书愤","诗词曲","4","陆游(早岁那知世事艰)"
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| 66 |
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"64","临安春雨初霁","诗词曲","5","陆游"
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| 67 |
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"65","念奴娇·过洞庭","诗词曲","2","张孝祥"
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| 68 |
+
"66","永遇���·京口北固亭怀古","诗词曲","1","辛弃疾"
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| 69 |
+
"67","菩萨蛮·书江西造口壁","诗词曲","0","辛弃疾"
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| 70 |
+
"68","青玉案·元夕","诗词曲","0","辛弃疾"
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| 71 |
+
"69","贺新郎","诗词曲","0","刘克庄(国脉微如缕)"
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| 72 |
+
"70","扬州慢","诗词曲","5","姜夔(淮左名都)"
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| 73 |
+
"71","长亭送别","诗词曲","0","王实甫(【正宫】【端正好】)"
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| 74 |
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"72","朝天子·咏喇叭","诗词曲","0","王磐"
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chinese/gaokao-chinese/高考考查.csv
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"problem_id","problem","answer","year","region","content_id"
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| 2 |
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"1","在毕业典礼上,柳教授谦逊地引用韩愈《师说》中的“{1},{2}”两句,勉励学生们青出于蓝而胜于蓝。","(是故)弟子不必不如师,师不必贤于弟子","2025","全国一卷","5"
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+
"2","每个人都难免有自己的知识盲区,遇到不懂的领域,应该虚心听取专业人士的意见,正如《师说》所谓:“{1},{2}。”","道之所存,师之所存也","2022","北京卷","5"
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| 4 |
+
"3","《师说》中,对于为子择师自己却耻于学习这种现象,韩愈最后的评价是:“{1},{2}”。","小学而大遗,吾未见其明也","2019","新课标Ⅲ卷","5"
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| 5 |
+
"4","韩愈的《师说》是写给少年李蟠的。文末所说的“{1}”,点出李蟠的文章爱好,而“{2}”,则说明了李蟠的儒学素养。","好古文,六艺经传皆通习之","2018","新课标Ⅰ卷","5"
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| 6 |
+
"5","张老师给守卫边疆的丈夫发信息,引用秦观《鹊桥仙》中“{1},{2}”两句,表示虽不能朝夕相守,但仍情长意久。","两情若是久长时,又岂在朝朝暮暮","2025","全国一卷","60"
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| 7 |
+
"6","周末的音乐会圆满成功,媒体报道时引用苏轼《赤壁赋》中的“{1},{2}”两句,形容洞箫的尾音婉转悠长,连绵不断。","余音袅袅,不绝如缕","2025","全国二卷","9"
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| 8 |
+
"7","宋代张孝祥以“玉鉴琼田三万顷,着我扁舟一叶”描写舟泛水上,境致与苏轼《赤壁赋》中“{1},{2}”两句所写的景致非常相似。","纵一苇之所如,凌万顷之茫然","2023","全国乙卷","9"
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| 9 |
+
"8","苏轼在《赤壁赋》中发议论说,江水不停地流去,“{1}”;月亮时圆时缺,“{2}”。","而未尝往也,而卒莫消长也","2020","新课标Ⅱ卷","9"
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| 10 |
+
"9","苏轼在《赤壁赋》中以“{1},{2}”两句,写出了婉转悠长、延绵不尽的乐声之美。","余音袅袅,不绝如缕","2019","新课标Ⅱ卷","9"
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| 11 |
+
"10","苏轼《赤壁赋》中描写明月初升的句子是“{1},{2}”。","月出于东山之上,徘徊于斗牛之间","2018","新课标Ⅱ卷","9"
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+
"11","在《赤壁赋》的开头,苏轼写自己与朋友泛舟赤壁之上,朗诵《诗经·陈风》中的《月出》篇,即文中所谓“{1},{2}。”","诵明月之诗,歌窈窕之章","2016","新课标Ⅲ卷","9"
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| 13 |
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"12","老年大学的教室里悬挂着一副对联,写的是陆游《临安春雨初霁》中的“{1},{2}”,对应着开设的书法和茶艺两门课。","矮纸斜行闲作草,晴窗细乳戏分茶","2025","全国二卷","64"
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| 14 |
+
"13","陆游《临安春雨初霁》中“{1},{2}”两句,看似闲适恬静,实则透露出诗人由于内心的惆怅而彻夜难眠。","小楼一夜听春雨,深巷明朝卖杏花","2023","新高考Ⅱ卷","64"
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| 15 |
+
"14","绍兴很多桥的命名都有典故。“题扇桥”相传是王羲之为卖扇老妪题扇的地方,“杏卖桥”则得名于陆游《临安春雨初霁》的诗句“{1},{2}”。","小楼一夜听春雨,深巷明朝卖杏花","2023","北京卷","64"
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| 16 |
+
"15","孔子认为,君子应该“文质彬彬”,如果处理不好文质关系,就会产生两种结果:“{1},{2}。”","质胜文则野,文胜质则史","2025","北京卷","1"
|
| 17 |
+
"16","近代以来,中华民族饱受列强欺凌,因此绝不会将自己曾经遭受的苦难强加给其他国家与民族,正如《论语》所谓:“{1},{2}。”","己所不欲,勿施于人","2022","北京卷","1"
|
| 18 |
+
"17","古代诗人多有对“乐”的独到体会。欧阳修贬滁州,于山林间感慨“禽鸟知山林之乐,而不知人之乐;{1},{2}。","人知从太守游而乐,而不知太守之乐其乐也","2021","北京卷","1"
|
| 19 |
+
"18","在《论语·述而》中孔子指出,即使吃粗劣的食物,枕着胳膊睡觉,也可以乐在其中;而“{1},{2}”。","不义而富且贵,于我如浮云","2020","新课标Ⅲ卷","1"
|
| 20 |
+
"19","《论语·子罕》中,孔子用“{1},{2}”两句话阐明,一个普通人,也是有坚定志向的;要改变一个人的志向,是很困难的。","三军可夺帅也,匹夫不可夺志也","2019","新课标Ⅲ卷","1"
|
| 21 |
+
"20","《论语·为政》中“{1},{2}”两句指出,成为教师的条件是温习学过的知识进而又能从中获得新的理解与体会。","温故而知新,可以为师矣","2018","新课标Ⅰ卷","1"
|
| 22 |
+
"21","《论语·述而》中将“君子”与“小人”的心态进行对比的两句是:“{1},{2}”","君子坦荡荡,小人长戚戚","2017","山东卷","1"
|
| 23 |
+
"22","作文课上,房老师使用《屈原列传》中“{1},{2}”两句话,引导学生描写寻常事物以表示宏大意旨,列举浅近事例来传达深远意蕴。","其称文小而其指极大,举类迩而见义远","2024","新高考Ⅰ卷","3"
|
| 24 |
+
"23","《史记·屈原贾生列传》认为,《离骚》兼具《国风》和《小雅》的情感特点,其中《国风》是“{1}”,《小雅》是“{2}”。","好色而不淫,怨诽而不乱","2024","北京卷","3"
|
| 25 |
+
"24","乡村民��“爱陶居”开业了,房屋周围按照陶渊明《归园田居》(其一)中“{1},{2}”的句意,栽种了多种树木,受到游客喜爱。","榆柳荫后檐,桃李罗堂前","2024","新高考Ⅰ卷","38"
|
| 26 |
+
"25","陶渊明《归园田居》(其一)中“{1},{2}”两句使用叠字,增添了乡村远景的平静安详之感。","暧暧远人村,依依墟里烟","2022","新高考Ⅱ卷","38"
|
| 27 |
+
"26","陶渊明《归园田居》(其一)中“{1},{2}”两句,采用对仗句式,连用两个比喻,表达诗人对官场的厌倦以及对田园的向往。","羁鸟恋旧林,池鱼思故渊","2021","新高考II卷","38"
|
| 28 |
+
"27","快过年了,于老师牵挂在成都旅行的女儿,给她发短信息时用了李白《蜀道难》中的诗句“{1},{2}”,希望她不要贪玩,早点儿回家。","锦城虽云乐,不如早还家","2024","新高考Ⅱ卷","42"
|
| 29 |
+
"28","李白《蜀道难》中“{1},{2}”两句,回顾了“五丁开山”的传说。","地崩山摧壮士死,然后天梯石栈相钩连","2019","新课标Ⅰ卷","42"
|
| 30 |
+
"29","李白《蜀道难》中“{1},{2}”两句,以感叹的方式收束对蜀道凶险的描写,转入后文对人事的关注。","其险也如此,嗟尔远道之人胡为乎来哉","2016","新课标Ⅱ卷","42"
|
| 31 |
+
"30","王湾《次北固山下》的名句“{1},{2}”,描写时序交替中的景物,暗示着时光流逝,蕴含着自然理趣。","海日生残夜,江春入旧年","2024","全国甲卷","0"
|
| 32 |
+
"31","小慧为朋友家的农家乐餐厅写宣传横幅,直接使用了陆游《游山西村》里的“{1},{2}”两句诗,朋友看了觉得很贴切。","山重水复疑无路,柳暗花明又一村","2024","全国甲卷","0"
|
| 33 |
+
"32","《邹忌讽齐王纳谏》中记载,齐王接受邹忌的意见,广开言路。一开始有很多人进谏,以至“{1}”;过了几个月后,则“{2}”。","门庭若市,时时而间进","2023","全国甲卷","0"
|
| 34 |
+
"33","在《邹忌讽齐王纳谏》中,邹忌见到了徐公,先是仔细观察,感觉自己没有徐公美,然后“{1},{2}”,最终认定自己确实不如徐公美。","窥镜而自视,又弗如远甚","2021","新高考Ⅰ卷","0"
|
| 35 |
+
"34","《邹忌讽齐王纳谏》中“{1},{2}”,表现了主人公的形象之美。","邹忌修八尺有余,而形貌昳丽","2019","新课标Ⅱ卷","0"
|
| 36 |
+
"35","鲍照曾以“对案不能食,拔剑击柱长叹息”表达内心愤懑,李白《行路难》中的两句诗“{1},{2}”,描写相近动作,抒写近似心情。","停杯投箸不能食,拔剑四顾心茫然","2023","全国甲卷","0"
|
| 37 |
+
"36","白居易《琵琶行》中“{1},{2}”两句,写琵琶女结束演奏后的动作及神态,同时也引出下文对其身世的叙述。","沉吟放拨插弦中,整顿衣裳起敛容","2023","全国乙卷","50"
|
| 38 |
+
"37","白居易《琵琶行》中“{1},{2}”两句,写琵琶女以娴熟的技艺演奏了当时有名的两首乐曲。","轻拢慢捻抹复挑,初为《霓裳》后《六幺》","2022","新课标Ⅱ卷","50"
|
| 39 |
+
"38","古代贬谪之地往往环境艰苦,白居易在《琵琶行》中这样描述谪居浔阳的生活:“{1},{2}。其间旦暮闻何物?杜鹃啼血猿哀鸣。”","住近湓江地低湿,黄芦苦竹绕宅生","2021","北京卷","50"
|
| 40 |
+
"39","乐曲演奏过程中的停顿也有情感表达作用。白居易《琵琶行》中对此进行说明的诗句是:“{1},{2}。”","别有幽愁暗恨生,此时无声胜有声","2021","新课标乙卷","50"
|
| 41 |
+
"40","元代戏剧家马致远的杂剧《青衫泪》根据白居易的诗《琵琶行》改编而成,剧名来自诗中的“{1},{2}”两句。","座中泣下谁最多,江州司马青衫湿","2020","新课标Ⅰ卷","50"
|
| 42 |
+
"41","白居易的《琵琶行》中“{1},{2}”两句写昔日的琵琶女身价很高,引来了众多纨绔子弟的追捧。","五陵年少争缠头,一曲红绡不知数","2018","新课标Ⅱ卷","50"
|
| 43 |
+
"42","严格地说,浔阳并非绝对没有音乐,只是声音单调繁杂,实在难以入耳。白居易《琵琶行》中“{1},{2}”两句表达了这样的意思。","岂无山歌与村笛,呕哑嘲哳难为听","2016","新课标Ⅲ卷","50"
|
| 44 |
+
"43","《旧唐书·音乐志》记载竖箜篌“体曲而长,二十有二弦”,而李贺《李凭箜篌引》中“{1},{2}”两句,说明竖箜篌的弦数还有另一种可能。","十二门前融冷光,二十三丝动紫皇","2023","新高考Ⅰ卷","51"
|
| 45 |
+
"44","欧阳修《五代史伶官传序》中记载,李存勖将李克用留给他的三支箭收藏在祖庙中,其后用兵作战,“{1},{2}”,装在锦囊中背在身上,奔赴战场。","则遣从事以一少牢告庙,请其矢","2023","新高考Ⅱ卷","18"
|
| 46 |
+
"45","欧阳修在《伶官传序》中感慨:当李存勖强盛的时候,“{1},{2}”;而等到他衰败的时候,几十个伶人围困他,就身死国灭,被天下人讥笑。","其意气之盛,可谓壮哉","2021","新高考II卷","18"
|
| 47 |
+
"46","宋代爱国名将宗泽因朝廷掣肘,没有机会北渡黄河与金兵作战。相传他在临终之际慨叹壮志未酬,仍在吟咏杜甫《蜀相》中的名句“{1},{2}”。","出师未捷身先死,长使英雄泪满襟","2023","北京卷","46"
|
| 48 |
+
"47","杜甫《蜀相》中“{1}?{2}”两句自问自答,点明了诸葛武侯祠所在的位置。","丞相祠堂何处寻,锦官城外柏森森","2022","新高考Ⅱ卷","46"
|
| 49 |
+
"48","小刚临摹了一幅诸葛亮的画像,想在上面题两句诗,却一直没想好。汪老师认为不妨直接用古人成句,比如“{1},{2}”就很好。","出师未捷身先死,长使英雄泪满襟","2023","新高考Ⅰ卷","46"
|
| 50 |
+
"49","《诗经·卫风·氓》中男女主人公有过愉悦的往昔,“{1},{2}”,就是对他们小时候欢乐相处的描写。","总角之宴,言笑晏晏","2022","全国甲卷","0"
|
| 51 |
+
"50","杜甫《登高》中“{1},{2}”两句都使用了叠字,从听觉、视觉上突出了对景伤怀的感受。","无边落木萧萧下,不尽长江滚滚来","2022","全国甲卷","48"
|
| 52 |
+
"51","杜甫《登高》中“{1},{2}”一联由眼前之景联想到沦落他乡、年老多病的处境。","万里悲秋常作客,百年多病独登台","2022","上海卷","48"
|
| 53 |
+
"52","古代诗人受到《楚辞·湘夫人》“袅袅兮秋风,洞庭波兮木叶下”的启发,创造出“落木”一词,以指代落叶。该词在古典诗词中经常出现,如“{1},{2}”。","无边落木萧萧下,不尽长江滚滚来","2021","新高考II卷","48"
|
| 54 |
+
"53","辛弃疾《永遇乐·京口北固亭怀古》中“{1},{2}”两句,表现了当年刘裕率军北伐时的强大气势。","金戈铁马,气吞万里如虎","2022","全国甲卷","66"
|
| 55 |
+
"54","在《永遇乐(千古江山)》中,辛弃疾回顾了元嘉年间的那次北伐,宋文帝刘义隆本希望能够“{1}”,但是由于行事草率,最终却“{2}”。","封狼居胥,赢得仓皇北顾","2016","新课标Ⅰ卷","66"
|
| 56 |
+
"55","李商隐《锦瑟》“{1},{2}”两句中的数目字,引发了后世读者的多种解读。","锦瑟无端五十弦,一弦一柱思华年","2022","全国乙卷","53"
|
| 57 |
+
"56","诗歌之妙在言有尽而意无穷。李商隐就善于表现含蓄蕴藉之美,如《锦瑟》中间两联:“庄生晓梦迷蝴蝶,望帝春心托杜鹃。{1},{2}。”","沧海月明珠有泪,蓝田日暖玉生烟","2022","北京卷","53"
|
| 58 |
+
"57","龚自珍《己亥杂诗》(其五)中“{1},{2}”两句,以花落归根为喻,抒发了诗人虽然辞官,但仍关心国家前途命运的情怀。","落红不是无情物,化作春泥更护花","2022","全国乙卷","0"
|
| 59 |
+
"58","《荀子·劝学》中“{1},{2}”两句,以劣马的执着为喻,强调为学必须持之以恒。","驽马十驾,功在不舍","2022","新高考Ⅰ卷","2"
|
| 60 |
+
"59","《荀子·劝学》中举例说,笔直的木材如果“”,就会弯曲到符合圆规的标准;即使再经暴晒也不会挺直,因为“{1}”。","輮以为轮,輮使之然也","2020","新课标Ⅱ卷","2"
|
| 61 |
+
"60","在“停课不停学”期间的云班会上讨论“学习和思考的关系”,你想强调学习的重要性,可以引用荀子《劝学》中的“{1},{2}”。","吾尝终日而思矣,不如须臾之所学也","2020","天津卷","2"
|
| 62 |
+
"61","《荀子·劝学》中强调了积累的重要。以积土成山、积水成渊可以兴风雨、生蛟龙设喻,引出“{1},{2},{3}”的观点。","积善成德,而神明自得,圣心备焉","2017","新课标Ⅲ卷","2"
|
| 63 |
+
"62","《荀子·劝学》指出,蚯蚓虽然身体柔弱,却能“{1},{2}”,是用心专一的缘故。","上食埃土,下饮黄泉","2016","新课标Ⅰ卷","2"
|
| 64 |
+
"63","乐器在古代生活中发挥着重要作用,《诗经·周南·关雎》中写到乐器的句子是“{1}”和“{2}”。","琴瑟友之,钟鼓乐之","2022","新高考Ⅰ卷","0"
|
| 65 |
+
"64","鲍照的拟行路难当中以“{1},{2}”起兴,从日常平凡的生活现象引发自身的感慨。","泻水置平地,各自东西南北流","2022","山东/江苏卷","39"
|
| 66 |
+
"65","曹操的短歌行中的“{1},{2}”,表达了自己希望接纳更多的人才,模仿了管子的“海不辞水,故能成其大;山不辞土石,故能成其高。”","山不厌高,海不厌深","2022","山东/江苏卷","37"
|
| 67 |
+
"66","曹操《短歌行》中“{1},{2}”两句,把贤才比作光照宇内,可望而不可即的明月,表达了对贤才的渴望。","明明如月,何时可掇","2017","山东卷","37"
|
| 68 |
+
"67","李白常常称谢灵运为谢公,比如在“{1},{2}”诗句中。","脚著谢公屐,身登青云梯","2022","山东/江苏卷","43"
|
| 69 |
+
"68","李白在《梦游天姥吟留别》中的{1},{2}两句,写梦中山路曲折,主人公流连忘返,不知不觉间天色已晚。","千岩万转路不定,迷花倚石忽已暝","2020","上海卷","43"
|
| 70 |
+
"69","《梦游天姥吟留别》中,“{1},{2}”两句描写梦中的声音,震动林泉,使人心惊胆战。","熊咆龙吟殷岩泉,栗深林兮惊层巅","2018","上海卷","43"
|
| 71 |
+
"70","姜夔在《��州慢》中描写了兵乱后扬州的沧桑变化:“{1},{2}。自胡马窥江去后,废池乔木,犹厌言兵。”","过春风十里,尽荠麦青青","2022","北京卷","70"
|
| 72 |
+
"71","《左传·庄公十年》记载,长勺之战结束后,曹刿向鲁庄公解释说,确认齐军不是伪装败退进而决定追击,是因为“{1},{2}”。","(吾)视其辙乱,望其旗靡","2021","全国甲卷","0"
|
| 73 |
+
"72","《左传·曹刿论战》中记载,鲁庄公十年,齐国入侵,曹刿求见国君献策,但他的乡人质疑道:“{1},{2}。”","肉食者谋之,又何间焉","2016","新课标Ⅲ卷","0"
|
| 74 |
+
"73","《庄子·逍遥游》引用志怪书《齐谐》的内容称,当大鹏迁往南海的时候,“{1},{2}”,乘着六月的大风飞去。","水击三千里,抟扶摇而上者九万里","2021","全国甲卷","26"
|
| 75 |
+
"74","《庄子•逍遥游》中说,到郊野去的人,只带一日之粮当天回来,肚子还饱饱的;到百里之外去的人,则需要“{1} ”;而去往千里之外的人,就必须“{2} ”。","宿舂粮,三月聚粮","2021","新高考Ⅰ卷","26"
|
| 76 |
+
"75","宋初道士陈抟,字图南,号扶摇子,其名、字、号都出自《庄子·逍遥游》。其名与号出自“{1}”,其字出自“{2}”。","抟扶摇而上者九万里,而后乃今将图南","2021","北京卷","26"
|
| 77 |
+
"76","《庄子》所描绘的大鹏形象富于浪漫色彩:“鹏之背,不知其几千里也;{1},{2}。”","怒而飞,其翼若垂天之云","2020","北京卷","26"
|
| 78 |
+
"77","《庄子·逍遥游》中的斥鷃无法理解大鹏,称自己腾跃起飞,“{1},{2}”,也就是飞行的极致了。","不过数仞而下,翱翔蓬蒿之间","2019","新课标Ⅰ卷","26"
|
| 79 |
+
"78","《庄子•逍遥游》中以八千年为一季的大椿为例,阐述何为“大年”,随后指出八百岁的长寿老人实在不算什么:“{1},{2},{3}!”","而彭祖乃今以久特闻,众人匹之,不亦悲乎","2017","新课标Ⅱ卷","26"
|
| 80 |
+
"79","《庄子·逍遥游》描写迁徙南溟的大鹏击水之广、飞升之高的句子是“{1},{2}。”","水击三千里,抟扶摇而上者九万里","2016","山东卷","26"
|
| 81 |
+
"80","郦道元在《三峡》一文中引用渔歌“{1},{2}”,来印证前文对哀猿长啸的描写。","巴东三峡巫峡长,猿鸣三声泪沾裳","2021","全国甲卷","0"
|
| 82 |
+
"81","即便“故国不堪回首”,李煜在《虞美人》(春花秋月何时了)中还是不由自主地想到自己当年在金陵的宫殿,慨叹已物是人非:“{1},{2}”。","雕栏玉砌应犹在,只是朱颜改","2021","全国乙卷","54"
|
| 83 |
+
"82","李煜《虞美人》词中“{1},{2}”两句,以江水比喻自己的愁绪,抒发亡国之君无尽的痛苦之情。","问君能有几多愁,恰似一江春水向东流","2016","山东卷","54"
|
| 84 |
+
"83","范仲淹《岳阳楼记》中描写了春日的洞庭湖景色,其中写到花草的句子是:“{1},{2}。{3}”","岸芷汀兰,郁郁青青","2021","全国乙卷","0"
|
| 85 |
+
"84","贾谊在《过秦论》中交代陈涉的身份,说他不过是个“{1},{2}”,且是被迁戍边的兵卒。","(然陈涉)瓮牖绳枢之子,氓隶之人","2021","新高考Ⅰ卷","13"
|
| 86 |
+
"85","在《游褒禅山记》中,王安石陈述自己的感悟:力量足以达到目的却未达到,“{1},{2}”;而尽了自己的努力仍未达到,便可以无所悔恨。","于人为可讥,而在己为有悔","2021","新高考Ⅰ卷","0"
|
| 87 |
+
"86","在学校运动会上,你的同学竭尽全力却未能夺得冠军,他深感遗憾。你用王安石的话“{1},{2}”来安慰他。","尽吾志也而不能至者,可以无悔矣","2020","北京卷","0"
|
| 88 |
+
"87","同学们到郊外春游,阳光下树木葱郁,水流淙淙,小慧不禁想起了陶渊明《归去来兮辞》中的文句:“{1},{2}。”","木欣欣以向荣,泉涓涓而始流","2024","新高考Ⅱ卷","16"
|
| 89 |
+
"88","田园是中国古代文人的精神家园。陶渊明在《归去来兮辞》中用“{1},{2}”描写万物在春日复苏、繁荣滋长的美好景象,表达对田园生活的热爱,引发对生命的思考。","木欣欣以向荣,泉涓涓而始流","2021","天津高考真题","16"
|
| 90 |
+
"89","《离骚》中“{1},{2}”两句对古代服饰的“上衣下裳制”有所反映。","制芰荷以为衣兮,集芙蓉以为裳","2020","新课标Ⅰ卷","35"
|
| 91 |
+
"90","在《水调歌头(明月几时有)》中,苏轼自言想要重返天上,但又有所顾虑,原因在于“{1},{2}”。","又恐琼楼玉宇,高处不胜寒","2020","新课标Ⅰ卷","0"
|
| 92 |
+
"91","欧阳修《醉翁亭记》中称出游时的食物都可来自山间,肥美的鱼从溪水中捕捞出,所谓“{1},{2}”;而用泉水酿制的美酒,口味甘洌。","临溪而渔,溪深而鱼肥","2020","新课标Ⅱ卷","0"
|
| 93 |
+
"92","白居易《观刈麦》中“{1},{2}”两句,写劳动者珍惜夏日时光,不顾劳累,也忘记了炎热。","力尽不知热,但惜夏日长","2020","新课标Ⅲ卷","0"
|
| 94 |
+
"93","《阿房宫赋》中以一连串的排比夸张表现阿房宫的奢华,如写架起房梁的椽子“{1}”,嘈杂的音乐声“{2}”。","多于机上之工女,多于市人之言语","2020","新课标Ⅲ卷","6"
|
| 95 |
+
"94","杜牧《阿房宫赋》中“{1},{2}”两句,写阿房宫占地极广且极为高大,以表现其雄壮之美。","覆压三百余里,隔离天日","2019","新课标Ⅱ卷","6"
|
| 96 |
+
"95","杜牧在《阿房宫赋》的结尾处感叹道,如果六国爱护自己的百姓,就足以抵抗秦国,紧接着说:“{1},{2},{3}?”","使秦复爱六国之人,则递三世可至万世而为君,谁得而族灭也","2017","新课标Ⅰ卷","6"
|
| 97 |
+
"96","杜牧《阿房宫赋》中以“{1},{2}”描写阿房宫宫人的美丽,她们伫立远眺,盼望着皇帝临幸。","一肌一容,尽态极妍","2016","新课标Ⅱ卷","6"
|
| 98 |
+
"97","《史记·屈原贾生列传》认为,《离骚》兼具《国风》和《小雅》的情感特点,其中《国风》是“{1}”,《小雅》是“{2}”。","好色而不淫,怨诽而不乱","2024","北京卷","3"
|
| 99 |
+
"98","范仲淹《渔家傲(塞下秋来风景异)》中“{1},{2}”两句,写戍边将士满怀思乡的愁苦,但未获胜利仍然不得还乡。","浊酒一杯家万里,燕然未勒归无计","2019","新课标Ⅰ卷","0"
|
| 100 |
+
"99","苏轼在《念奴娇(大江东去)》中,用“{1},{2}”两句,表达了岁月虚度、只能借酒浇愁的无奈之感。","人生如梦,一尊还酹江月","2019","新课标Ⅲ卷","58"
|
| 101 |
+
"100","苏轼《念奴娇(大江东去)》中“{1}”一句,写的是周瑜的儒将装束。“{2}”一句,表明了周瑜的赫赫战功。","羽扇纶巾,樯橹灰飞烟灭","2018","新课标Ⅰ卷","58"
|
| 102 |
+
"101","苏轼《念奴娇》(大江东去)中“{1},{2}”两句,描写了骇浪搏击江岸的壮丽景色。","惊涛拍岸,卷起千堆雪","2017","山东卷","58"
|
| 103 |
+
"102","《孟子·鱼我所欲也》中说,虽然一点食物即可关乎生死,但若“{1}”,饥饿的路人也不会接受;若“{2}”,即便是乞丐也会拒绝。","呼尔而与之,蹴尔而与之","2018","新课标Ⅱ卷","0"
|
| 104 |
+
"103","《孟子•鱼我所欲也》中表示,生是我希望得到的,义也是我希望得到的,但“{1},{2}”。","二者不可得兼,舍生而取义者也","2016","新课标Ⅱ卷","0"
|
| 105 |
+
"104","曹操《观沧海》中“{1},{2}”两句描写了海水荡漾、峰峦矗立的景象。","水何澹澹,山岛竦峙","2017","新课标Ⅰ卷","0"
|
| 106 |
+
"105","杜甫《茅屋为秋风所破歌》中,“{1},{2}”两句写狂风停止之后云层变得墨黑,天色马上暗下来,引出下文屋破又遭连夜雨的境况。","俄顷风定云墨色,秋天漠漠向昏黑","2017","新课标Ⅲ卷","0"
|
| 107 |
+
"106","刘禹锡在《陋室铭》中以“{1},{2}”来借指自己的陋室,抒发自己仰慕前贤、安贫乐道的情怀。","南阳诸葛庐,西蜀子云亭","2017","新课标Ⅱ卷","0"
|
| 108 |
+
"107","在《出师表》开头,诸葛亮向后主指出,先帝刘备过早去世,“{1},{2}”,正是危急存亡之时。","今天下三分,益州疲弊","2016","新课标Ⅰ卷","0"
|
| 109 |
+
"108","杜甫《登岳阳楼》颔联“{1},{2}”,描写了洞庭湖浩瀚壮阔的景色,千古传诵。","吴楚东南坼,乾坤日夜浮","2016","山东卷","49"
|
| 110 |
+
"109","李清照《一剪梅(红藕香残玉簟秋)》中“{1},{2}”两句,形象地写出了主人公无法排遣的离情。","才下眉头,却上心头","2020","山东卷","0"
|
| 111 |
+
"110","辛弃疾《菩萨蛮(郁孤台下清江水)》中写道,江中不仅能看到江水,还能看到“{1}”;而北望故都,又“{2}”,视线常被遮断。","中间多少行人泪,可怜无数山","2020","山东卷","67"
|
| 112 |
+
"111","《诗经·卫风·氓》中男女主人公有过愉悦的往昔,“{1},{2}”,就是对他们小时候欢乐相处的描写。","总角之宴,言笑晏晏","2022","全国甲卷","0"
|
| 113 |
+
"112","小张最近天天加班,早起晚睡。她借用《诗经》中的名句来调侃这种生活状态:“{1},{2}。”","夙兴夜寐,靡有朝矣","2020","北京卷","0"
|
| 114 |
+
"113","《论语·先进》中写到孔子的四个弟子侍坐时各言其志,子路的志向是,用三年时间治理一个饱经忧患的千乘之国,“{1},{2}”。","可使有勇,且知方也","2020","山东卷","11"
|