In January 1988, My Bloody Valentine performed in Canterbury, opening for Biff Bang Pow!, a band that featured Creation Records founder Alan McGee. After "blowing [Biff Bang Pow!] off the stage", My Bloody Valentine were described as "the Irish equivalent to Husker Du" by McGee, who approached the band after the show and offered them an opportunity to record and release a single on Creation. The band recorded five songs at a studio in Walthamstow, East London in less than a week and in August 1988, released You Made Me Realise. The EP was well received by the independent music press and according to AllMusic's Nitsuh Abebe, the release that "made critics stand up and take notice of the brilliant things My Bloody Valentine were up to", adding "it developed some of the stunning guitar sounds that would become the band's trademark". It debuted at number 2 on the UK Indie Chart. Following the success of You Made Me Realise, My Bloody Valentine released their debut full-length studio album, Isn't Anything, in November 1988. Recorded in rural Wales, the album was a major success, receiving widespread critical acclaim, peaking at number 1 on the UK Indie Chart and influencing a number of "shoegazing" bands, who according to Allmusic, "worked off the template My Bloody Valentine established with [the album]". In February 1989, My Bloody Valentine began recording their second studio album at Blackwing Studios in Southwark, London. Creation Records believed that the album could be recorded "in five days". However, it soon "became clear that wasn't going to happen". Following several unproductive months, during which Shields assumed main duties on the musical and technical aspects of the sessions, the band relocated to a total of nineteen other studios and hired a number of engineers, including Alan Moulder, Anjali Dutt and Guy Fixsen. Due to the extensive recording time, Shields and Alan McGee agreed to release another EP and subsequently the band released Glider in April 1990. Containing the lead single "Soon", which featured the first recorded use of Shields' "glide guitar" technique, the EP peaked at number 2 on the UK Indie Chart and the band toured in summer 1990 to support its release. In February 1991, while still recording their second album, My Bloody Valentine released Tremolo, which was another critical success and topped the UK Indie Chart. Released in November 1991, Loveless was rumoured to have cost over PS250,000 and bankrupted Creation Records, claims which Shields has denied. Critical reception to Loveless was almost unanimous with praise although the album was not a commercial success. It peaked at number 24 on the UK Albums Chart but failed to chart elsewhere internationally. McGee dropped My Bloody Valentine from Creation Records soon after the release of Loveless, due to the album's extensive recording period and interpersonal problems with Shields. My Bloody Valentine signed with Island Records in October 1992 for a reported PS250,000 contract. The band's advance went towards the construction of a home studio in Streatham, South London, which was completed in April 1993. Several technical problems with the studio sent the band into "semi-meltdown", according to Shields, who was rumoured to have been suffering from writer's block. The band remained largely inactive, but they recorded and released two cover songs from 1993 to 1996--a rendering of "We Have All the Time in the World" by Louis Armstrong for Peace Together and a cover of "Map Ref. 41degN 93degW" by Wire for the tribute album Whore: Tribute to Wire. In 1995, Debbie Googe and Colm O Ciosoig left My Bloody Valentine. Googe, who briefly worked as a taxi driver following her departure, formed the indie rock supergroup Snowpony with Katharine Gifford, who also performed with Stereolab and Moonshake, and O Ciosoig relocated to the United States, forming Hope Sandoval & the Warm Inventions with Hope Sandoval of Mazzy Star. Shields and Butcher attempted to record a third studio album, which Shields claimed would be released in 1998. However, Butcher departed the band in 1997. Unable to finalise a third album, Shields isolated himself, and in his own words "went crazy", drawing comparisons in the music press to the eccentric behavior of other musicians, including Brian Wilson of The Beach Boys and Syd Barrett of Pink Floyd. Shields later became a touring member of Primal Scream, collaborated with a number of artists including Yo La Tengo, Dinosaur Jr., and Le Volume Courbe and recorded songs for the soundtrack to the 2003 film Lost in Translation. Rumours had spread amongst fans that albums worth of material had been recorded and shelved prior to the band's break up. In 1999, it was reported that Shields had delivered 60 hours of material to Island Records, and Butcher confirmed that there existed "probably enough songs to fill two albums." Shields later admitted that at least one full album of "half-finished" material was abandoned, stating "it was dead. It hadn't got that spirit, that life in it."

Question:
question1: What caused the fallout between the band and Island?
question2: Did the band members remain friends?
question3: Was he ever able to bounce back?

Answer:
possible answers for question1:
Several technical problems with the studio sent the band into "semi-meltdown", according to Shields, who was rumoured to have been suffering from writer's block. The band remained largely inactive, it was reported that Shields had delivered 60 hours of material to Island Records, and Butcher confirmed that there existed "probably enough songs to fill two albums. Several technical problems with the studio sent the band into "semi-meltdown", Several technical problems with the studio sent the band into "semi-meltdown",
possible answers for question2:
CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question3:
Shields later became a touring member of Primal Scream, Shields later became a touring member of Primal Scream, Shields later became a touring member of Primal Scream, collaborated with a number of artists Shields later became a touring member of Primal Scream, collaborated with a number of artists


In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work.

Question:
question1: What is one of the concertos he wrote?
question2: Was this performed live anywhere?
question3: What was another piece that he wrote?

Answer:
possible answers for question1:
Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, Yi1: Intercourse of Fire and Water ( Originally titled Secret Land, Yi series, named for the I Ching (Yi Jing in pinyin).
possible answers for question2:
CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question3:
Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Internet Symphony No. 1 "Eroica", Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project.


Chaldea describes two separate territories. In the early period, between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire (911-605 BC) in southeastern Babylonia, extending to the western shores of the Persian Gulf. At some point after the Chaldean tribes settled in the region it eventually became called mat Kaldi "land of Chaldeans" by the native Mesopotamians, the Assyrians and Babylonians. The expression mat Bit Yakin is also used, apparently synonymously. Bit Yakin was likely the chief or capital city of the land. The king of Chaldea was also called the king of Bit Yakin, just as the kings of Babylonia and Assyria were regularly styled simply king of Babylon or Assur, the capital city in each case. In the same way, what is now known as the Persian Gulf was sometimes called "the Sea of Bit Yakin", and sometimes "the Sea of the Land of Chaldea". The boundaries of the early lands settled by Chaldeans in the early 800s BC have not been identified with precision by historians. Chaldea generally referred to the low, marshy, alluvial land around the estuaries of the Tigris and Euphrates, which in ancient times discharged their waters through separate mouths into the sea. From the tenth to late seventh centuries BC, Chaldea, like the rest of Mesopotamia and much of the ancient Near East, Anatolia, Caucasus and North Africa came to be dominated by the Neo-Assyrian Empire (911-608 BC), which was based in northern Mesopotamia. Between 608 BC and 557 BC, when the Chaldean tribe had burst their narrow bonds and obtained their short lived period of ascendency over all of Babylonia, they briefly gave their name to the whole land, which was then called Chaldea by some peoples, particularly the Jews, although this term eventually fell out of use. The Old Testament book of the prophet Habakkuk describes the Chaldeans as "a bitter and swift nation".

Question:
question1: What was the relation between Chaldea and the land?
question2: When did describe the territories?
question3: Where was the territory located?

Answer:
possible answers for question1:
Chaldea describes two separate territories. Chaldea describes two separate territories. In the early period, between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory At some point after the Chaldean tribes settled in the region it eventually became called mat Kaldi "land of Chaldeans" Chaldea describes two separate territories.
possible answers for question2:
between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire ( between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire between the early 9th century and late 7th century BC, it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire it was the name of a small sporadically independent migrant-founded territory under the domination of the Neo-Assyrian Empire
possible answers for question3:
in southeastern Babylonia, extending to the western shores of the Persian Gulf. ) in southeastern Babylonia, extending to the western shores of the Persian Gulf. in southeastern Babylonia, extending to the western shores of the Persian Gulf. in southeastern Babylonia, extending to the western shores of the Persian Gulf. in southeastern Babylonia, extending to the western shores of the Persian Gulf.


Gerard Soeteman also wrote the script for Verhoeven's first American film, Flesh and Blood (1985), which starred Rutger Hauer and Jennifer Jason Leigh. Verhoeven moved to Hollywood for a wider range of opportunities in filmmaking. Working in the U.S. he made a serious change in style, directing big-budget, very violent, special-effects-heavy smashes RoboCop and Total Recall. RoboCop, for Sound Effects Editing, and Total Recall, for Visual Effects, each won an Academy Special Achievement Award. Verhoeven followed those successes with the equally intense and provocative Basic Instinct (1992), an erotic thriller. The ninth-highest-grossing film of the year, the movie was a return to themes Verhoeven had explored in Turkish Delight and The Fourth Man. The film's most notorious scene shows Sharon Stone's character in a police interrogation, where she uncrosses her legs, briefly revealing her vulva (she does not wear underwear underneath her skirt). The film received two Academy Awards nominations, for Film Editing and for Original Music. Verhoeven's next film was the poorly received, NC-17 rated Showgirls (1995), about a stripper in Las Vegas trying to make a career as a showgirl. The film won seven Golden Raspberry Awards including Worst Film and Worst Director; Verhoeven became the first director to accept his "award" in person. Afterward, the film enjoyed success on the home video market, generating more than $100 million from video rentals  and became one of MGM's top 20 all-time bestsellers. After Basic Instinct and Showgirls, Verhoeven returned to the science fiction, graphic violence, and special-effects tropes that had marked his earlier films with Starship Troopers (1997), loosely based on the novel of the same name by Robert A. Heinlein and Hollow Man (2000). Each film received an Academy Award nomination for Best Visual Effects.

Question:
question1: What was the first film he did in the US?
question2: What genre of films did he make?
question3: What year did his first film debut?

Answer:
possible answers for question1:
Flesh and Blood (1985), Working in the U.S. he made a serious change in style, directing big-budget, very violent, special-effects-heavy smashes RoboCop Flesh and Blood (1985 Flesh and Blood (1985), Flesh and Blood (1985),
possible answers for question2:
very violent, special-effects-heavy smashes directing big-budget, very violent, special-effects-heavy smashes Verhoeven returned to the science fiction, graphic violence, and special-effects tropes big-budget, very violent, special-effects-heavy smashes big-budget, very violent, special-effects-heavy smashes
possible answers for question3:
1985 1985 1985 1985 first American film, Flesh and Blood (1985),


Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. During his presidency, Russia received US$40 billion in funds from the International Monetary Fund and other international lending organizations. However, his opponents allege that most of these funds were stolen by people from Yeltsin's circle and placed in foreign banks. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic and the ruble to collapse in the 1998 Russian financial crisis. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, and warned of possible Russian intervention if NATO deployed ground troops to Kosovo. In televised comments he stated: "I told NATO, the Americans, the Germans: Don't push us toward military action. Otherwise there will be a European war for sure and possibly world war." On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. In Stepashin's place he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor. In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. At the November meeting of the Organization for Security and Cooperation in Europe, Clinton pointed his finger at Yeltsin and demanded he halt bombing attacks that had resulted in many civilian casualties. Yeltsin immediately left the conference. In December while visiting China to seek support on Chechnya, Yeltsin replied to Clinton's criticism of a Russian ultimatum to citizens of Grozny. He bluntly pronounced: "Yesterday, Clinton permitted himself to put pressure on Russia. It seems he has for a minute, for a second, for half a minute, forgotten that Russia has a full arsenal of nuclear weapons. He has forgotten about that." Clinton dismissed Yeltsin's comments stating: "I didn't think he'd forgotten that America was a great power when he disagreed with what I did in Kosovo." It fell to Putin to downplay Yeltsin's comments and present reassurances about U.S. and Russian relations.

Question:
question1: WHen was his second term?
question2: Are there any other interesting aspects about this article?
question3: What did he do during his second term?

Answer:
possible answers for question1:
1996, On 9 August 1999 1996,
possible answers for question2:
During his presidency, Russia received US$40 billion in funds from the International Monetary Fund crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts,
possible answers for question3:
During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia,


In March 1967, The Seekers returned to Australia for a homecoming tour, which included a performance at the Sidney Myer Music Bowl in Melbourne, attended by an estimated audience of 200,000. Guinness Book of World Records (1968) listed it as the greatest attendance at a concert in the Southern Hemisphere. Melburnians were celebrating the annual Moomba Festival, a free community festival, and many thousands were enjoying other attractions but are included in the crowd estimate. The Seekers were accompanied during their 20-minute set by the Melbourne Symphony Orchestra, conducted by Hector Crawford. Film of their appearance was incorporated into their 1967 Australian television special The Seekers Down Under, which was screened on Channel 7 and drew a then record audience of over 6 million. It was also screened in the UK on BBC1 on 24 June 1968, and repeated on 27 December 1968. In January 1968, on Australia Day, in recognition of its achievements, the group was named joint Australians of the Year - the only group to have this honour bestowed upon it. They personally accepted their awards from John Gorton, the Prime Minister of Australia, during their tour. During this visit, the group filmed another TV special, The World of the Seekers, which was screened in cinemas before being screened nationally on Channel 9 to high ratings and is in the Top 10 most watched TV shows of the 20th century in Australia. During the New Zealand tour on 14 February 1968, Durham approached the other group members to announce that she was leaving The Seekers to pursue a solo career and the group subsequently disbanded. Their final performance, on Tuesday 9 July, was screened live by the BBC as a special called Farewell the Seekers, with an audience of more than 10 million viewers. The special had been preceded by a week-long season at London's Talk of the Town nightclub and a live recording of one of their shows was released as a live LP record, Live at the Talk of the Town. It reached No. 2 on the UK charts. Also in July, the compilation album The Seekers' Greatest Hits was released and spent 17 weeks at No. 1 in Australia. It was released as The Best of The Seekers in the UK and spent 6 weeks at No. 1 in 1969, managing to knock The Beatles' (White Album) off the top of the charts and preventing The Rolling Stones' Beggars Banquet from reaching the top spot. The album spent 125 weeks in the charts in the UK.

Question:
question1: when did they return to austrailia?
question2: Are there any other interesting aspects about this article?
question3: what was the homecoming tour?

Answer:
possible answers for question1:
March 1967, In March 1967, March 1967, In March 1967, In March 1967, The Seekers returned to Australia
possible answers for question2:
January 1968, on Australia Day, in recognition of its achievements, the group was named joint Australians of the Year - During the New Zealand tour on 14 February 1968, Durham approached the other group members to announce that she was leaving The Seekers Music Bowl in Melbourne, attended by an estimated audience of 200,000. Guinness Book of World Records (1968) listed it as the greatest attendance at a concert In January 1968, on Australia Day, in recognition of its achievements, the group was named joint Australians of the Year homecoming tour,
possible answers for question3:
included a performance at the Sidney Myer Music Bowl in Melbourne, a performance at the Sidney Myer Music Bowl in Melbourne, attended by an estimated audience of 200,000. the greatest attendance at a concert in the Southern Hemisphere. Melburnians were celebrating the annual Moomba Festival, a performance at the Sidney Myer Music Bowl in Melbourne, included a performance at the Sidney Myer Music Bowl in Melbourne,


The Seekers were offered a twelve-month position as on-board entertainment on the Sitmar Line passenger cruise ship Fairsky in March 1964. In May, they travelled to the U.K. and had intended to return to Australia after staying ten weeks, but upon arrival they were offered work by a London booking agency, the Grade Organisation. They signed there with World Record Club and issued a single, "Myra", co-written by the group. The group regularly appeared on a British TV show series, "Call in on Carroll", hosted by Ronnie Carroll. After filling in on a bill headlined by folk singer Dusty Springfield, they met her brother, songwriter and producer Tom Springfield, who had experience with writing folk-pop material and lyrics/tunes with the siblings' earlier group The Springfields. He penned "I'll Never Find Another You", which they recorded in November 1964. It was released by EMI Records, on their Columbia Graphophone Company (Columbia) label, in December and was championed by the offshore radio station "Radio Caroline" which frequently played and promoted their music. Despite the fact that the group had not signed a contract with EMI, the single reached the U.K. "Top 50" and began selling well. In February 1965, it reached No.1 in the U.K. and Australia, and No.4 in the United States where it was released on EMI's Capitol Records label. "I'll Never Find Another You" was the seventh biggest-selling single in Britain for 1965 though their own "The Carnival Is Over", released later in the year, would eventually eclipse it - and went on to sell 1.75 million copies worldwide. The Seekers were the first Australian pop group to have a "Top 5" hit in all three countries - Australia, U.K. and U.S.A. Australian music historian, Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop oriented to be considered strictly folk and too folk to be rock." The distinctive soprano voice of Durham, the group's vocal harmonies and memorable songs encouraged the British media, including the national broadcasting agency on radio and television, the BBC, to give them exposure, allowing them to appeal to a broad cross-section of the young British folk, pop and rock music audience.

Question:
question1: When were the Seekers discovered?
question2: Where was the band from?
question3: What was their first album?

Answer:
possible answers for question1:
The Seekers were offered a twelve-month position as on-board entertainment on the Sitmar Line passenger cruise ship Fairsky in March 1964. The Seekers were offered a twelve-month position as on-board entertainment on the Sitmar Line passenger cruise ship Fairsky in March 1964. but upon arrival they were offered work by a London booking agency, the Grade Organisation. March 1964.
possible answers for question2:
intended to return to Australia after staying ten weeks, In May, they travelled to the U.K. and had intended to return to Australia after staying ten weeks, The Seekers were the first Australian pop group to have a "Top 5" hit in all three countries Australia Australia
possible answers for question3:
CANNOTANSWER CANNOTANSWER CANNOTANSWER


Born c. 1146 at Manorbier Castle in Pembrokeshire, Wales, he was of mixed Norman and Welsh descent. Gerald was the youngest son of William FitzOdo de Barry or Barri, the common ancestor of the Barry family in Ireland, a retainer of Arnulf de Montgomery and Gerald FitzWalter of Windsor, and one of the most powerful Anglo-Norman barons in Wales. His mother was Angharad FitzGerald, a daughter of Gerald FitzWalter of Windsor, Constable of Pembroke Castle, and his wife Nest ferch Rhys, daughter of Rhys ap Tewdwr, the last King of South Wales. Through his mother Angharad, Gerald was a nephew of David fitzGerald, Bishop of St David's, as well as a great-nephew of Gruffydd ap Rhys, the son and heir of Rhys ap Tewdwr, and a cousin of Rhys ap Gruffydd, the famous Arglwydd Rhys and his family. Gerald received his initial education at the Benedictine house of Gloucester, followed by a period of study in Paris from c. 1165-74, where he studied the trivium. He was employed by Richard of Dover, the Archbishop of Canterbury, on various ecclesiastical missions in Wales, wherein he distinguished himself for his efforts to remove supposed abuses of consanguinity and tax laws flourishing in the Welsh church at the time. He was appointed in 1174 archdeacon of Brecon, to which was attached a residence at Llanddew. He obtained this position by reporting the existence of the previous archdeacon's mistress; the man was promptly sacked. While administrating this post, Gerald collected tithes of wool and cheese from the populace; the income from the archdeaconry supported him for many years. Upon the death of his uncle, the Bishop of St David's, in 1176, the chapter nominated Gerald as his successor. St David's had the long-term aim of becoming independent of Canterbury, and the chapter may have thought that Gerald was the man to take up its cause. Henry II of England, fresh from his struggle with Thomas Becket, promptly rejected Gerald, possibly because his Welsh blood and ties to the ruling family of Deheubarth made him seem like a troublesome prospect, in favour of one of his Norman retainers Peter de Leia. According to Gerald, the king said at the time: "It is neither necessary or expedient for king or archbishop that a man of great honesty or vigour should become Bishop of St. David's, for fear that the Crown and Canterbury should suffer thereby. Such an appointment would only give strength to the Welsh and increase their pride". The chapter acquiesced in the decision; and Gerald, disappointed with the result, withdrew to the University of Paris. From c. 1179-8, he studied and taught canon law and theology. He returned to England and spent an additional five years studying theology. In 1180, he received a minor appointment from the Bishop of St. David's, which he soon resigned.

Question:
question1: Where was Gerald of Wales born?
question2: What was the first key event in his life?
question3: Were there suspicious circumstances surrounding his death?

Answer:
possible answers for question1:
at Manorbier Castle in Pembrokeshire, Wales, Manorbier Castle in Pembrokeshire, Wales, Manorbier Castle in Pembrokeshire, Born c. 1146 at Manorbier Castle in Pembrokeshire, Wales, he was of mixed Norman and Welsh descent. Born c. 1146 at Manorbier Castle in Pembrokeshire, Wales,
possible answers for question2:
He was appointed in 1174 archdeacon of Brecon, to which was attached a residence at Llanddew. Gerald received his initial education at the Benedictine house of Gloucester, followed by a period of study in Paris from c. 1165-74, wherein he distinguished himself for his efforts to remove supposed abuses of consanguinity and tax laws flourishing in the Welsh church at the time. He was employed by Richard of Dover, the Archbishop of Canterbury, on various ecclesiastical missions in Wales, Gerald received his initial education at the Benedictine house of Gloucester,
possible answers for question3:
CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER


Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1976. He vowed to use hip-hop to draw angry kids out of gangs and form the Universal Zulu Nation. Robert Keith Wiggins, a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five, is credited with naming hip-hop; the term became a common phrase used by MCs as part of a scat-inspired style of rhyming. In the documentary film Just to Get a Rep, the writer Steven Hager claims that the first time "hip-hop" was used in print was in his Village Voice article where he was quoting Bambaataa who had called the culture "hip-hop" in an interview. In 1982, Bambaataa and his followers, a group of dancers, artists, and DJs, went outside the United States on the first hip hop tour. He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved a lot of lives." His influence inspired many overseas artists like the French rapper MC Solaar. He was a popular DJ in The South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records." He established two rap crews: the Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E. In 1982, Taylor, who was inspired by Kraftwerk's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y," the first commercially released American single ever made on a computer, a Fairlight CMI, ushering in the era of music computer sampling. In that same year Bambaataa and Soulsonic Force dropped the live band to go high-tech. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra, whose work he sampled, as an inspiration. He also borrowed an eerie keyboard hook from German electronic pioneers Kraftwerk and was provided the electronic Roland TR-808 "beat-box" by producer Arthur Baker and synthesizer player John Robie. That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s.

Question:
question1: When did he first start singing
question2: Did he have a lot of hits?
question3: What were some of his hits

Answer:
possible answers for question1:
Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1976. began hosting hip-hop parties beginning in 1976. Bambaataa began hosting hip-hop parties beginning in 1976.
possible answers for question2:
"Planet Rock," He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s. beat-box
possible answers for question3:
Planet Rock," Planet Rock, That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. "beat-box" Planet Rock,


Azaria wrote and directed the 2004 short film Nobody's Perfect, which won the Film Discovery Jury Award for Best Short at the US Comedy Arts Festival. In January 2007, he was confirmed to be directing Outsourced, a film about two American workers who journey to get their jobs back, after their factory is moved to Mexico. In 2009, Azaria told Empire he was instead focusing on making a documentary about fatherhood. Two years later he told the Los Angeles Times that this project was "half-complete" and was "forever looking for financing to finish it." It eventually began in 2014, airing on AOL as an online series titled Fatherhood. According to AOL, the series of short episodes documents Azaria's "touching, humorous, and often enlightening journey from a man who is not even sure he wants to have kids, to a father going through the joys, trials and tribulations of being a dad." He has periodically returned to theatrical work, appearing in several productions. In 2003, he appeared as Bernard in a run of David Mamet's play Sexual Perversity in Chicago, along with Matthew Perry and Minnie Driver, in London's West End. Azaria made his first appearance as Sir Lancelot, the French Taunter, and four other characters in Spamalot, the musical version of Monty Python and the Holy Grail, which opened in Chicago in December 2004, before moving to the Shubert Theatre on Broadway. The show met with critical acclaim, receiving fourteen Tony Award nominations in 2005, with Azaria being nominated for Best Performance by a Leading Actor in a Musical. Reuniting with The Birdcage director Mike Nichols, and being a huge Monty Python fan, he saw it as an opportunity he could not pass up, describing it as "so much fun that I haven't realized how tiring it is", and "the most fun that I've ever had in my entire life". He took a break from the show in June 2005, with Alan Tudyk filling in for him, to work on Huff, but returned in December 2005. In late 2007 he starred in Aaron Sorkin's The Farnsworth Invention, playing RCA head David Sarnoff. In 2016, he starred in the world premiere of Dry Powder opposite Claire Danes, John Krasinski, and Sanjit De Silva, directed by Thomas Kail, at the off-Broadway Public Theater in New York City. Azaria starred in and co-wrote the third episode of the Funny or Die web-series Gamechangers, entitled "A Legend in the Booth". He played Jim Brockmire, a legendary baseball announcer, fired for a profanity-filled breakdown live on air after discovering his wife was having an affair. Azaria based the voice and style of Brockmire on several veteran sportscasters, including Bob Murphy and Phil Rizzuto. He has since appeared as Brockmire on the NFL Network's The Rich Eisen Podcast to discuss the National Football League. In November 2012, Azaria sued actor Craig Bierko over the ownership of the Brockmire voice. The case was ruled in Azaria's favour in 2014. Both actors had been using a baseball announcer voice before and since meeting at a party in 1990, but US district judge Gary Allen Feess ruled that only Azaria's voice was, as Brockmire, a defined, "tangible" character and thus subject to copyright.

Question:
question1: What is some voice work he's done?
question2: Did he direct or write any other films?
question3: How successful was this film?

Answer:
possible answers for question1:
Azaria based the voice and style of Brockmire on several veteran sportscasters, including Bob Murphy and Phil Rizzuto. Azaria wrote and directed the 2004 short film Nobody's Perfect, which won the Film Discovery Jury Award for Best Short at the US Comedy Arts Festival. Azaria wrote and directed the 2004 short film Nobody's Perfect, A Legend in the Booth Azaria wrote and directed the 2004 short film Nobody's Perfect, which won the Film Discovery Jury Award for Best Short at the US Comedy Arts Festival.
possible answers for question2:
he was confirmed to be directing Outsourced, In January 2007, he was confirmed to be directing Outsourced, a film about two American workers who journey to get their jobs back, after their factory is moved to Mexico. In January 2007, he was confirmed to be directing Outsourced, a film about two American workers who journey to get their jobs back, Azaria starred in and co-wrote the third episode of the Funny or Die web-series In January 2007, he was confirmed to be directing Outsourced, a film about two American workers who journey to get their jobs back, after their factory is moved to Mexico.
possible answers for question3:
CANNOTANSWER CANNOTANSWER CANNOTANSWER


After Richard M. Kleberg won a 1931 special election to represent Texas in the United States House of Representatives, he appointed Johnson as his legislative secretary. Johnson got the position on the recommendation of his own father and that of State Senator Welly Hopkins, who Johnson had campaigned for in 1930. Kleberg had little interest in performing the day-to-day duties of a Congressman, instead delegating them to Johnson. After Franklin D. Roosevelt won the 1932 presidential election, Johnson became a staunch supporter of Roosevelt's New Deal. Johnson was elected speaker of the "Little Congress," a group of Congressional aides, where he cultivated Congressmen, newspapermen, and lobbyists. Johnson's friends soon included aides to President Roosevelt as well as fellow Texans such as Vice President John Nance Garner and Congressman Sam Rayburn. Johnson married Claudia Alta Taylor, also known as "Lady Bird", of Karnack, Texas on November 17, 1934, after he attended Georgetown University Law Center for several months. The wedding was officiated by Rev. Arthur R. McKinstry at St. Mark's Episcopal Church in San Antonio. They had two daughters, Lynda Bird, born in 1944, and Luci Baines, born in 1947. Johnson gave his children names with the LBJ initials; his dog was Little Beagle Johnson. His was the LBJ Ranch; his initials were on his cufflinks, ashtrays, and clothes. In 1935, he was appointed head of the Texas National Youth Administration, which enabled him to use the government to create education and job opportunities for young people. He resigned two years later to run for Congress. Johnson, a notoriously tough boss throughout his career, often demanded long workdays and work on weekends. He was described by friends, fellow politicians, and historians as motivated by an exceptional lust for power and control. As Johnson's biographer Robert Caro observes, "Johnson's ambition was uncommon--in the degree to which it was unencumbered by even the slightest excess weight of ideology, of philosophy, of principles, of beliefs."

Question:
question1: was Johnson elected in anything in 11th grade?
question2: what was the name of the church his father and grandfather joined?
question3: who was johnsons grandfather?

Answer:
possible answers for question1:
CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question2:
CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question3:
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Lovecraft's works are ruled by several distinct pantheons of deities (actually aliens worshiped as such by humans) who are either indifferent or actively hostile to humanity. Lovecraft's actual philosophy has been termed "cosmic indifference" and this is expressed in his fiction. Several of Lovecraft's stories of the Old Ones (alien beings of the Cthulhu Mythos) propose alternate mythic human origins in contrast to those found in the creation stories of existing religions, expanding on a natural world view. For instance, in Lovecraft's At the Mountains of Madness it is proposed that humankind was actually created as a slave race by the Old Ones, and that life on Earth as we know it evolved from scientific experiments abandoned by the Elder Things. Protagonist characters in Lovecraft are usually educated men, citing scientific and rational evidence to support their non-faith. "Herbert West - Reanimator" reflects on the atheism common in academic circles. In "The Silver Key", the character Randolph Carter loses the ability to dream and seeks solace in religion, specifically Congregationalism, but does not find it and ultimately loses faith. Lovecraft himself adopted the stance of atheism early in life. In 1932, he wrote in a letter to Robert E. Howard: All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist. They are the most preposterous and unjustified of all the guesses which can be made about the universe, and I am not enough of a hairsplitter to pretend that I don't regard them as arrant and negligible moonshine. In theory, I am an agnostic, but pending the appearance of radical evidence I must be classed, practically and provisionally, as an atheist.

Question:
question1: Can you provide me with a little information on the religion?
question2: Was he disliked for being an athesist?
question3: Can you tell me what that letter was about?

Answer:
possible answers for question1:
Lovecraft's works are ruled by several distinct pantheons of deities (actually aliens worshiped as such by humans) Lovecraft's actual philosophy has been termed "cosmic indifference" and this is expressed in his fiction. several distinct pantheons of deities (actually aliens worshiped as such by humans) who are either indifferent or actively hostile to humanity. Lovecraft's works are ruled by several distinct pantheons of deities (actually aliens worshiped as such by humans) who are either indifferent or actively hostile to humanity. In theory, I am an agnostic, but pending the appearance of radical evidence I must be classed, practically and provisionally, as an atheist.
possible answers for question2:
CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question3:
All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist. All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist. I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist. All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist. They All I say is that I think it is damned unlikely that anything like a central cosmic will, a spirit world, or an eternal survival of personality exist.


Rush started to deviate from its 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of its keyboard-saturated sound. Beginning with Presto (1989), the band opted for arrangements notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centrepiece of Rush's compositions. Continuing this trend, Roll the Bones (1991) extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for example exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components. This return to three-piece instrumentation helped pave the way for future albums, which would adopt a more streamlined rock formula. The transition from synthesizers to more guitar-oriented and organic instrumentation continued with Counterparts (1993) and its follow-up, Test for Echo (1996), again both produced in collaboration with Peter Collins. Up to this point, Counterparts and Test For Echo were two of Rush's most guitar-driven albums. The latter album also includes elements of jazz and swing-style drumming by Peart, which he had learned from Freddie Gruber during the interim between Counterparts and Test For Echo. In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997. After the conclusion of the Test for Echo tour in 1997, the band entered a five-year hiatus primarily due to personal tragedies in Peart's life. Peart's daughter Selena died in a car accident in August 1997, followed by the death of his wife Jacqueline from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which he travelled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 mi). At some point in his journey, Peart decided to return to the band. Peart's book Ghost Rider: Travels on the Healing Road is a chronicle of his journey. In the book, he writes of how he had told his bandmates at Selena's funeral, "consider me retired". On November 10, 1998, a three-disc live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it features recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the band's fourth live album. After a time of grief and recovery, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his bandmates he was ready to once again enter the studio and get back into the business of making music.

Question:
question1: What was the reasoning behind returning to guitar oriented sound?
question2: Did this affect album sales?
question3: Why did they go on hiatus?

Answer:
possible answers for question1:
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possible answers for question2:
CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER CANNOTANSWER
possible answers for question3:
the band entered a five-year hiatus primarily due to personal tragedies in Peart's life. primarily due to personal tragedies in Peart's life. due to personal tragedies in Peart's life. primarily due to personal tragedies in Peart's life. 1997,


Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. As a child he believed that everyone could do this, but later realized that it was not a common talent. Azaria can "remember every voice I hear, famous or otherwise ... they kind of remain in the memory banks, so I'm ready to trot them out." Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. He "didn't realize it [when he joined the show], but it became like a lab for a character actor. I had to do so many voices." In the early 2000s, Azaria felt he had reached the maximum number of voices he was capable of: "For the first 10 years of The Simpsons, I would develop a bunch of voices. And then ... I hit a point when I was tapped out. Every noise I can make, I have made. Even characters like Gargamel, I've done. Even if it was only two or three lines, at some point I've done something similar on The Simpsons, at least somewhere along the line." For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. He stated that "being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in," although he finds it "much easier to be someone much closer to myself", as it requires "less energy ... than playing characters that are so out there and high strung". The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode, while former writer Jay Kogen stated: "Just when I think I know [Azaria's] bag of tricks, he's always got a new thing he does to surprise me." Throughout the run of The Simpsons, Azaria has had to sing in character several times, a task which he describes as easier than singing normally. The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent", and "became what you wished you were writing". Playwright Jenelle Riley wrote in 2005 that Azaria was "by far" her favorite actor, praising his "versatility" and "tendency to take small roles that would normally fade into the background and to consistently create characters people care about", noting his roles in Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story.

Question:
question1: Can you tell me about his acting style and vocal range?
question2: Was he well known for this by others, other than his friends?
question3: What other shows was he in?

Answer:
possible answers for question1:
"the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it. Azaria's friends refer to him as "the freakish mimic" due to his ability to copy almost anyone's voice, instantly after he has heard it.
possible answers for question2:
many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. Azaria was glad to have found the "ultimate outlet" for this skill, in The Simpsons. The Simpsons creator Matt Groening has stated that Azaria possesses the ability to turn unfunny lines into some of the best in an episode, in The Simpsons. He "didn't realize it [when he joined the show], but it became like a lab for a character actor. I had to do so many voices."
possible answers for question3:
The Birdcage and Night at the Museum: Battle of the Smithsonian. For many of Azaria's characters, much of their humor is derived from a "funny voice", such as The Birdcage and Night at the Museum: Battle of the Smithsonian. The Birdcage and Night at the Museum: Battle of the Smithsonian. Shattered Glass, Mystery, Alaska and especially DodgeBall: A True Underdog Story. The Smurfs writer David N. Weiss says Azaria "has a beautiful treasure trove of talent", and "became what you wished you were writing".


After Rondon's pioneering work, the SPI was turned over to bureaucrats and military officers and its work declined after 1957. The new officials did not share Rondon's deep commitment to the Indians. SPI sought to address tribal issues by transforming the tribes into mainstream Brazilian society. The lure of reservation riches enticed cattle ranchers and settlers to continue their assault on Indians lands - and the SPI eased the way. Between 1900 and 1967, an estimated 98 indigenous tribes were wiped out. Mostly due to the efforts of the Villas-Boas brothers, Brazil's first Indian reserve, the Xingu National Park, was established by the Federal Government in 1961. During the social and political upheaval in the 1960s, reports of mistreatment of Indians increasingly reached Brazil's urban centers and began to affect Brazilian thinking. In 1967, following the publication of the Figueiredo Report, commissioned by the Ministry of the Interior, the military government launched an investigation into SPI. It soon came to light that the SPI was corrupt and failing to protect natives, their lands, and, culture. The 5,000-page report catalogued atrocities including slavery, sexual abuse, torture, and mass murder. It has been charged that agency officials, in collaboration with land speculators, were systematically slaughtering the Indians by intentionally circulating disease-laced clothes. Criminal prosecutions followed, and the SPI was disbanded. The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI which is responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. Some tribes have become significantly integrated into Brazilian society. The unacculturated tribes which have been contacted by FUNAI, are supposed to be protected and accommodated within Brazilian society in varying degrees. By 1987 it was recognized that unessential contact with the tribes was causing illness and social disintegration. The uncontacted tribes are now supposed to be protected from intrusion and interference in their life style and territory. However, the exploitation of rubber and other Amazonic natural resources has led to a new cycle of invasion, expulsion, massacres and death, which continues to this day.

Question:
question1: What is FUNAI?
question2: What is the purpose of FUNAI?
question3: Are they involved in the government?

Answer:
possible answers for question1:
The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI Fundacao Nacional do Indio (National Indian Foundation), Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI Fundacao Nacional do Indio (National Indian Foundation), The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI
possible answers for question2:
which is responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. which is responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations.
possible answers for question3:
The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI which is responsible for protecting the interests, The same year the government established Fundacao Nacional do Indio the Xingu National Park, was established by the Federal Government in 1961.


With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, which extended beyond Chicago natives. The album sold relatively well and received a strong positive reaction among alternative and underground hip hop fans at the time. Resurrection was Common Sense's last album produced almost entirely by his long-time production partner, No I.D., who would later become a mentor to a young Kanye West. In 1996, Common Sense appeared on the Red Hot Organization's compilation CD, America Is Dying Slowly (A.I.D.S.), alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. He would later also contribute to the Red Hot Organization's Fela Kuti tribute album, Red Hot and Riot in 2002. He collaborated with Djelimady Tounkara on a remake of Kuti's track, "Years of Tears and Sorrow". The song "I Used to Love H.E.R." from Resurrection ignited a feud with West Coast rap group Westside Connection. The lyrics of the song criticized the path hip hop music was taking, and were interpreted by some as directing blame towards the popularity of West Coast gangsta rap. Westside Connection first responded with the 1995 song "Westside Slaughterhouse," with the lyrics "Used to love H.E.R., mad cause I fucked her". "Westside Slaughterhouse" also mentioned Common Sense by name, prompting the rapper to respond with the scathing Pete Rock-produced attack song "The Bitch in Yoo". Common Sense and Westside Connection continued to insult each other back and forth before finally meeting with Louis Farrakhan and setting aside their dispute. Following the popularity of Resurrection, Common Sense was sued by an Orange County-based reggae band with the same name, and was forced to shorten his moniker to simply Common.

Question:
question1: how did common begin his rap career?
question2: what were some themes of this album?
question3: what would No ID later become?

Answer:
possible answers for question1:
With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, which extended beyond Chicago natives. With the 1994 release of Resurrection, Common Sense achieved a much larger degree of critical acclaim, which extended beyond Chicago natives. The album
possible answers for question2:
alternative and underground hip hop fans at the time. The album sold relatively well and received a strong positive reaction among alternative and underground hip hop fans at the time. received a strong positive reaction among alternative and underground hip hop fans at the time. Resurrection was Common Sense's last album produced almost entirely by his long-time production partner, No I.D., who would later become
possible answers for question3:
a mentor to a young Kanye West. D., who would later become a mentor to a young Kanye West. a mentor to a young Kanye West. No I.D., who would later become a mentor to a young Kanye West. who would later become a mentor to a young Kanye West.


Though Columbus was wrong about the number of degrees of longitude that separated Europe from the Far East and about the distance that each degree represented, he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, from the Canary Islands to The Bahamas. The precise first land sighting and landing point was San Salvador Island. To return to Spain against this prevailing wind would have required several months of an arduous sailing technique, called beating, during which food and drinkable water would probably have been exhausted. Instead, Columbus returned home by following the curving trade winds northeastward to the middle latitudes of the North Atlantic, where he was able to catch the "westerlies" that blow eastward to the coast of Western Europe. There, in turn, the winds curve southward towards the Iberian Peninsula. It is unclear whether Columbus learned about the winds from his own sailing experience or if he had heard about them from others. The corresponding technique for efficient travel in the Atlantic appears to have been exploited first by the Portuguese, who referred to it as the Volta do mar ("turn of the sea"). Columbus's knowledge of the Atlantic wind patterns was, however, imperfect at the time of his first voyage. By sailing directly due west from the Canary Islands during hurricane season, skirting the so-called horse latitudes of the mid-Atlantic, Columbus risked either being becalmed or running into a tropical cyclone, both of which, by chance, he avoided.

Question:
question1: What are some nautical considerations of Columbus?
question2: What was he right about in terms of nautical considerations?
question3: How did some of his real life voyages go?

Answer:
possible answers for question1:
Though Columbus was wrong about the number of degrees of longitude that separated Europe from the Far East and about the distance that each degree represented, Columbus was wrong about the number of degrees of longitude that separated Europe from the Far East and about the distance that each degree represented, he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. Columbus was wrong about the number of degrees of longitude that separated Europe from the Far East
possible answers for question2:
he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean. Columbus returned home by following the curving trade winds northeastward to the middle latitudes of the North Atlantic, where he was able to catch the "westerlies" he did possess valuable knowledge about the trade winds, which would prove to be the key to his successful navigation of the Atlantic Ocean.
possible answers for question3:
During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, from the Canary Islands to The Bahamas. During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, from the Canary Islands to The Bahamas. During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks, During his first voyage in 1492, the brisk trade winds from the east, commonly called "easterlies", propelled Columbus's fleet for five weeks,


We Are Scientists members Keith Murray and Chris Cain met in 1997 at Pomona College, in Claremont, CA, but initially enjoyed a friendship based on attending stand-up comedy. In early 2000, after graduating and moving to Berkeley, CA, they hatched the idea for the band. Their roommate and fellow Pomona College alum Scott Lamb was a co-founder, and the original guitarist for the band. Keith was on drums, though he also sang roughly half the songs, not unlike Phil Collins in Genesis. Keith and Chris moved back to the L.A. area in late 2000 (without Scott) and recruited drummer Michael Tapper, whom they'd known during their time at Pomona, and who was in his last year at adjoining Harvey Mudd College. In 1999 the members moved to Berkeley, California for a short period of time, becoming We Are Scientists full-time, a name which the band have stated a number of origins for, most notably the song "We are Scientists!" from the pivotal '90s band Cap'n Jazz. They have also given the following story: they rented a truck from U-Haul. When they returned it, the inspector, after looking them up and down and assessing their wardrobe, asked if they were scientists. The band moved to Brooklyn, New York in 2001 and began recording their debut album on November 10, 2001. The band finished recording in January 2002, completing 12 tracks - two of which credit former member Scott Lamb. The album's title was announced on March 14, 2002 on the band's official website as Safety, Fun, and Learning (In That Order) for release in April 2002 through the band's own label, Devious Semantics. Due to issues with setting up their own label, it wasn't until June that the band were able to release the record. The summer saw them reunite with original vocalist Scott Lamb. In October after several months of performing in California and New York, amongst other places the band recorded their first EP, available originally only at live shows Bitching! was released on October 14, 2002, and featured 6 tracks. Later Bitching! was made available online on January 16, 2003. In March 2003 the band announced they would be heading to the recording studio with Paolo DeGregorio on April 1 to record a second EP; In Action, which was released through MotherWest records in October 2003, featuring 6 tracks. A year after recording In Action the band headed once more to the recording studio with Los Angeles-based producer Chris Fudurich, where they recorded rough versions of "The Great Escape", "Scene Is Dead" and "This Means War", which would make up half of the band's final independently released EP The Wolf's Hour, other tracks included "Callbacks Under The Sea", "Inaction" and "Nobody Move, Nobody Gets Hurt". The EP was released on November 26, 2004. On January 11, 2005 the band began the recording of their second full-length album in Los Angeles with Ariel Rechtshaid and engineering from Rob Brill. The band ended their time in the studio on February 23, throughout their time in the studio the band posted blogs on their official website, many of which told of a cat called Lewis, which would later be used on the album's artwork. Having recorded the album, the band decided to sign to Virgin Records to handle to release. On May 15, 2005, the first single from the album was aired in the UK, "Nobody Move, Nobody Get Hurt", this came after a number of dates in the UK with Editors. "Nobody Move, Nobody Get Hurt" was released later on June 27 at the same time as their own headline Summer 2005 UK tour. In July the band shot a music video for their second single, "The Great Escape", as well as appearing on MTV2 for the first time to plug their upcoming release. The band also appeared on at Reading and Leeds Festivals for the first time, performing on the Carling Stage, and later the band released the album With Love and Squalor in the United Kingdom on October 17, 2005 celebrating with an album signing session and intimate gig in London's Selectdisc on Berwick Street. In December 2005 the band made their U.S. Network television debut on the Late Show with David Letterman where they performed "Nobody Move, Nobody Get Hurt", as well as announcing the release of their second album, With Love and Squalor which would be released on January 10, 2006, although in January the band would be in the United Kingdom on the NME Shockwaves Tour with Mystery Jets, Arctic Monkeys and Maximo Park, before embarking on their own headline tour in April and releasing "Its a Hit" on February 20 and re-releasing "Nobody Move, Nobody Gets Hurt" on May 3. In September a co-headline tour across the USA with Art Brut and a new split single with Art Brut covering W.A.S single "The Great Escape" and in-turn We Are Scientists covering Art Brut's "Bang Bang Rock & Roll". With their ongoing success in the United Kingdom the band embarked on another full 15 date tour, with two nights at Brixton Academy in London due to demand, it was on this tour that the band released Crap Attack, a compilation album of b-sides and covers, as well as a DVD featuring music videos for all of the tracks on With Love and Squalor and live performances. In January 2007 Murray announced that he had begun working on the band's follow-up to With Love and Squalor in Brooklyn, New York, previewing "Impatience" and "Spoken For" later that month. During a UK tour that February they debuted the songs "Dinosaurs", "Chick Lit" and "Best Behavior". Recording of the new album began on June 11 in California with Ariel Rechtshaid and ended on July 19. That August the band made their second appearance at the Reading and Leeds Festivals, performing on the Radio One Stage. September 2007 saw the band hire Max Hart as an additional guitarist and keyboard player for live performances. The addition of Hart was to fit the larger arrangements of new material. Days before the tour was due to start, drummer Michael Tapper quit the band. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. For eight of their November tour dates the band acted as their own support act, conducting "self-improvement seminars" under the name Brain Thrust Mastery. After Virgin merged in 2007, the band were now signed to EMI. Murray stated that the band had to deal with a lot of bureaucracy recording the new album, with EMI unhappy that they were working with producer Ariel Rechtshaid; who at the time was relatively unknown. EMI instead tried setting the band up with various "cheesy, cheesy, big producers who we didn't like at all". Ultimately, against their labels wishes the band did record with Rechtshaid and in March 2008 the band announced that Brain Thrust Mastery would also be the name of their new album. Garrett Ray handled drum duties for the album. The first single from the record, "After Hours", was to be released on March 3 in the UK. The album was previewed a week before its UK release on NME.com. It came out in the United States on May 13. "Chick Lit" was released as the second single from Brain Thrust Mastery on June 9, coinciding with performances at The Great Escape Festival, Oxegen Festival Glastonbury Festival, T in the Park and Reading and Leeds on the main stage, and a consequent North American tour in July. In the latter part of 2008 the band toured the US as support to Kings of Leon in the USA. "Impatience" was the final single from the album, released on October 27.

Question:
question1: When did Tapper leave We Are Scientist?
question2: Do we know why he chose to leave?
question3: What did they do for a drummer, then?

Answer:
possible answers for question1:
September 2007 Days before the tour was due to start, drummer Michael Tapper quit the band. September 2007 Days before the tour was due to start, drummer Michael Tapper quit the band. Days before the tour was due to start, drummer Michael Tapper quit the band.
possible answers for question2:
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possible answers for question3:
Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour. Gary Powell and Adam Aaronson took over from Tapper for the remainder of the tour.


In 1998, Marshall rejoined Jarrett in the WWF. At the beginning of her WWF career, known simply as Debra, she played the part of a shrewd businesswoman, wearing business suits. She also played the part of Jarrett's girlfriend. In late 1998, Jarrett began a feud with Goldust that culminated in December at Rock Bottom: In Your House in a "Striptease match". During the match, Debra hit Goldust over the head with Jarrett's trademark guitar, enabling Jarrett to win. WWF Commissioner Shawn Michaels, however, disqualified Jarrett, and Debra had to strip due to the match's stipulations. As she stripped, The Blue Blazer and Jarrett covered her up. Debra, however, began utilizing a new strategy during matches, distracting Jarrett's opponents by unbuttoning her blouse. She would willingly take off her blouse to show the crowd her "puppies", a nickname originally bestowed upon her chest by wrestler Road Dogg and later utilized by commentator Jerry Lawler. The strategy helped Jarrett and partner Hart defeat The Big Boss Man and Ken Shamrock to become World Tag Team Champions in January 1999. In February, Debra feuded with female professional wrestler Ivory, and Jarrett and Hart retained the tag title in a tag match against Ivory's associates Mark Henry and D'Lo Brown at St. Valentine's Day Massacre. In March, the team lost their tag title to the team of Kane and X-Pac. As Debra continued to manage Jarrett and Hart, a potential storyline developed where Hart and Debra would have an affair, but the creative team vetoed the idea before it played out on-screen. A team name was also in the works--Debra favoring "Talent and Attitude" (T&A)--but Hart died in May 1999 at Over the Edge. Later in the event, Debra and Jarrett lost a mixed tag team match against Nicole Bass and Val Venis. Debra and Jarrett were interviewed moments after Hart's fall from the rafters at Kemper Arena, where Debra was noticeably shaken and fighting back tears of concern for her friend, and was unable to stay in her persona. On May 10, 1999, Debra won the Women's Championship from Sable in an Evening Gown match. Usually, in an Evening Gown match, the woman who forcibly removes her opponent's dress wins. Because Sable removed Debra's dress, she therefore should have been the winner. Commissioner Shawn Michaels, however, ruled that he considered the woman who had lost her dress the winner, crowning Debra the new Women's Champion. Debra lost the Women's Title to Ivory on June 14, due to interference from Nicole Bass. At SummerSlam in 1999 Jarrett faced D'Lo Brown. During the match, Debra and Brown's former tag-team partner Mark Henry interfered on Jarrett's behalf, allowing him to win both the European Championship and the Intercontinental Championship. The following night, Jarrett awarded Henry the European title and gave Debra an assistant, Miss Kitty. At Unforgiven on September 26, Debra turned on Jarrett and hit him over the head with a guitar in the middle of his match against Chyna for the Intercontinental Championship. Chyna pinned Jarrett, but referee Tom Prichard overturned the decision due to Debra's involvement.

Question:
question1: what happened in 1998?
question2: what did she do in the wwf?
question3: who did she work with?

Answer:
possible answers for question1:
In 1998, Marshall rejoined Jarrett in the WWF. In 1998, Marshall rejoined Jarrett in the WWF. In 1998, Marshall rejoined Jarrett in the WWF. In 1998, Marshall rejoined Jarrett in the WWF.
possible answers for question2:
she played the part of a shrewd businesswoman, wearing business suits. At the beginning of her WWF career, known simply as Debra, she played the part of a shrewd businesswoman, At the beginning of her WWF career, known simply as Debra, she played the part of a shrewd businesswoman, she played the part of a shrewd businesswoman, wearing business suits.
possible answers for question3:
She also played the part of Jarrett's girlfriend. She also played the part of Jarrett's girlfriend. She also played the part of Jarrett's girlfriend. The Blue Blazer and Jarrett


Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast (whether development was earlier, later, or contemporaneous). Though not edible, it was the most important product of irrigation in the Norte Chico, vital to the production of fishing nets (that in turn provided maritime resources) as well as to textiles and textile technology. Haas notes that "control over cotton allows a ruling elite to provide the benefit of cloth for clothing, bags, wraps, and adornment". He is willing to admit to a mutual dependency dilemma: "The prehistoric residents of the Norte Chico needed the fish resources for their protein and the fishermen needed the cotton to make the nets to catch the fish." Thus, identifying cotton as a vital resource produced in the inland does not by itself resolve the issue of whether the inland centers were a progenitor for the coast, or vice versa. Moseley argues that successful maritime centers would have moved inland to find cotton. The exact relationship between food resources and political organization remains unresolved. Norte Chico's development is particularly remarkable for the apparent absence of a staple food. However, recent studies increasingly dispute this and point to maize as a dietary backbone of this and later pre-Columbian civilizations. Moseley found a small number of maize cobs in 1973 at Aspero (also seen in site work in the 1940s and 50s) but has since called the find "problematic". However, increasing evidence has emerged about the importance of maize in this period: Archaeological testing at a number of sites in the Norte Chico region of the north central coast provides a broad range of empirical data on the production, processing, and consumption of maize. New data drawn from coprolites, pollen records, and stone tool residues, combined with 126 radiocarbon dates, demonstrate that maize was widely grown, intensively processed, and constituted a primary component of the diet throughout the period from 3000 to 1800 B.C.

Question:
question1: Are there any other interesting aspects about this article?
question2: What was their civilization like?
question3: Why is it remarkable?

Answer:
possible answers for question1:
Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast (whether development was earlier, later, or contemporaneous Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast ( Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast Norte Chico's development is particularly remarkable for the apparent absence of a staple food. Cotton (of the species Gossypium barbadense) likely provided the basis of the dominance of inland over coast (whether development was earlier, later, or contemporaneous).
possible answers for question2:
Norte Chico's development is particularly remarkable for the apparent absence of a staple food. "The prehistoric residents of the Norte Chico needed the fish resources for their protein and the fishermen needed the cotton to make the nets to catch the fish. most important product of irrigation in the Norte Chico, Norte Chico's development is particularly remarkable for the apparent absence of a staple food.
possible answers for question3:
However, recent studies increasingly dispute this and point to maize as a dietary backbone of this and later pre-Columbian civilizations. recent studies increasingly dispute this and point to maize as a dietary backbone of this and later pre-Columbian civilizations. Though not edible, it was the most important product of irrigation in the Norte Chico, vital to the production of fishing nets (that in turn provided maritime resources)


Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter.

Question:
question1: What were the Atlantic produced records ?
question2: What did Sam and Dave do ?
question3: What happened after they split ?

Answer:
possible answers for question1:
Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians.
possible answers for question2:
It was not a very good record, by Sam's own admission, Sam & Dave recorded four final songs for Atlantic in August, 1972, It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo
possible answers for question3:
Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, " Moore recorded three solo singles (none of which charted) for Atlantic over the next year According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own.


Poulidor's rivalry with Anquetil is a legend in cycling. While a good climber, Poulidor had a hard time matching Anquetil in the individual time trial, often having victory snatched from him by losing time in time-trial stages of the Tour de France. Poulidor's riding style was aggressive and attacking, whereas Anquetil preferred to control the race in the mountains and win time in the time-trials. Poulidor became the darling of the French public, to the ire of Anquetil. Poulidor's mid-France upbringing and his slow Limousin speech also contrasted with Anquetil's northern background and sharper accent. Poulidor's face was deeply tanned and furrowed; Anquetil had high cheekbones, a smoother face and brushed-up blond hair. Poulidor's best chance of defeating Anquetil came in the 1964 Tour de France, in the finish on the Puy de Dome. Anquetil rode beside Poulidor but both were so exhausted that only in the last few hundred metres could Poulidor take nearly enough time to threaten Anquetil's first place in the general classification. The Tour organiser, Jacques Goddet, was behind the pair as they turned off the main road and climbed through what police estimated as half a million spectators. Anquetil rode on the inside by the mountain wall while Poulidor took the outer edge by the precipice. They could sometimes feel the other's hot gasps on their bare arms. At the end, Anquetil cracked, after a battle of wills and legs so intense that at times they banged elbows. Poulidor says he was so tired that he has no memory of the two touching, although a photograph shows that they did. Of Anquetil, the veteran French reporter Pierre Chany wrote: "His face, until then purple, lost all its colour; the sweat ran down in drops through the creases of his cheeks." Anquetil was only semiconscious, he said. Poulidor gained time but when they reached Paris, Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day.

Question:
question1: What happened during the Anquetil years?
question2: Did he finish in second place in the 1964 Tour de France?
question3: Did he ever beat Anquetil?

Answer:
possible answers for question1:
Poulidor gained time but when they reached Paris, Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day. Poulidor's best chance of defeating Anquetil came in the 1964 Tour de France, Poulidor's rivalry with Anquetil is a legend in cycling. Poulidor's rivalry with Anquetil is a legend in cycling. While a good climber, Poulidor had a hard time matching Anquetil Poulidor's best chance of defeating Anquetil came in the 1964 Tour de France, in the finish on the Puy de Dome.
possible answers for question2:
Anquetil's first place in the general classification. The Tour organiser, Jacques Goddet, was behind the pair Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day. Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day. rode beside Poulidor but both were so exhausted that only in the last few hundred metres could Poulidor take nearly enough time to threaten Anquetil's first place Poulidor gained time but when they reached Paris, Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day.
possible answers for question3:
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