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Thursday, 6 December 2018, 06:30 HKT/SGT
Source: CFN Media
Creso Pharma: A Truly Global Cannabis Company -- CFN Media
SEATTLE, WA, Dec 6, 2018 - (ACN Newswire) - via NEWMEDIAWIRE - CFN Media Group ("CFN Media"), the leading agency and financial media network dedicated to the North American cannabis industry, announces publication of an article discussing Creso Pharma's (ASX: CPH) innovative approach, diverse product portfolio, and why investors may want to take a closer look as it gears up to go public on the Venture exchange in Canada. The listing would make Creso the first public cannabis company listed in both Australia and Canada.
The North American cannabis industry is littered with companies touting global ambitions. There are regular announcements regarding letters of intent to distribute in emerging markets like Europe and Latin America, long on potential and short on concrete details. Many of these announcements are speculative at best, requiring a mix of regulatory approvals, licensing, product development, and funding to make them a reality.
Creso Pharma is an Australian-based company with operations in Switzerland, Canada, Colombia, and Israel along with established product distribution across the globe. The company develops and sells pharmaceutical-grade nutraceutical products for both humans and animals. Utilizing its deep background in pharmaceutical science and international regulatory product approvals, Creso Pharma leverages GMP-certified facilities and partnerships with world-class manufacturing and distribution companies to create a global footprint in key markets.
What Creso Has Now
Creso Pharma was founded by a team of executives set on bringing pharmaceutical rigor to the medicinal and recreational cannabis markets. Co-founder and CEO Dr. Miri Halperin Wernli has more than 30 years of strategic and operational leadership in global pharmaceutical and biomedical industries in Canada, the U.S., and Switzerland. Co-founder Boaz Wachtel is a leading medical cannabis expert, having co-founded the pioneering Australian Medicinal Cannabis company Phytotech Medical.
In addition to its experienced management team, the company is developing cultivation, processing, extraction, and manufacturing operations, partnering with well-established companies where necessary. In 2017, Creso became the first company to import medicinal cannabis to Australia. The company is also in the final stages of completing the acquisition of licensed Colombian company, Kunna Colombia, which will add a low-cost cultivation operation to supply its own product development. Creso has a joint venture in Israel focused on genetic development, cultivation, and R&D.
Its wholly owned, purpose built, GMP state-of-the-art cultivation and production facility in Nova Scotia is built and ready to roll, awaiting licensing under Canada's new Cannabis Act. Called the Global Centre for Edible Cannabis Research and Development, the facility is designed to leverage Canada's leading regulatory environment along with Creso's extensive research and scientific relationships to develop innovative cannabis edibles for the global market.
Creso sells and develops nutraceutical products, backed by scientific research and data that ensures the products will meet and often exceed any regulatory requirements. It's a refreshing approach in comparison to the current and largely unregulated CBD market, where all kinds of potential benefits are claimed without any scientific backing.
Creso Pharma has already developed and commercialized a range of innovative products. For example, the company offers CBD-infused nutraceutical products designed to help reduce stress, enhance sleep or improve mental function that are already commercially-available in Switzerland and select EU countries. Its pipeline contains many more of these products targeting both humans and animals.
Creso very recently launched, in a joint venture, the Old Boy Mary Jane line of infused beer. This type of product is a point of emphasis for the company going forward, as more consumer-oriented edible products gain regulatory and market traction across the industry.
Where Creso Is Headed
Creso believes that there is a much bigger opportunity in next-generation cannabis products that reach into other product categories. While Grandview Research projects the global cannabis industry to reach about $64 billion by 2024, it sees the animal supplements market reaching $96 billion and the human supplements market hitting $278 billion over the same time. Creso is active in all of the above, meaning the company's targeted end markets could exceed $435 billion in just five years.
Creso's products are organized across five businesses:
* Creso Therapeutics - The company's cannQIX(R) 50 is a CBD-based, full-spectrum hemp extract medicinal cannabis buccal lozenge formulation with vitamins, minerals, and capsicum to assist with managing pain. After its launch in New Zealand this year, the company plans to launch in Australia in 2019 before moving on to Europe.
* Creso Nutraceuticals - The company's cannQIX(R) family of brands consists of cannabinoid formulations to help reducing stress, improve sleep, and support metal and nervous function in humans. The company has already launched these products in Switzerland and other European markets (UK, Netherlands).
* Creso Animal Health - The company's anibidiol(R) range of products is a complementary feed for companion animals with CBD full spectrum hemp oil extract and targeted vitamins. After launching in Switzerland and Liechtenstein in November 2017, the company plans to launch in an additional 15 countries later this year with its global partner Virbac.
* Creso Lifestyle - The company is working on a portfolio of cannabis and hemp-derived alcoholic and non-alcoholic beverages containing a unique mix of terpenes. The company plans on launching these products in conjunction with CLV Frontiers in Estonia. The first beers were launched in the third quarter of this year.
* Creso Topicals - The company partnered with Frike Technologies to develop cannaDOL(R), a range of organic CBD-based functional topicals. The initial focus is on analgesic needs for sports-related injuries, arthritis, and other issues. The plan is to launch the product early next year.
The company has several distribution partners in place across Switzerland, Australia, the UK, and the Netherlands to help expand revenue over the coming quarters. The partners are generally well established, highly professional firms like Virbac (8th largest animal health company in the world), PharmaCare, and Doetsch Grether AG. Creso intends to greatly expand its product offerings over the coming quarters, utilizing its partners' widespread distribution networks to create significant growth in key international markets.
There are many details to cover regarding Creso Pharma (ASX: CPH) and its comprehensive product development and sales strategy. With its pharmaceutical approach, the company has already developed a number of innovative commercial products. Its near-term plans to cultivate in Canada, Israel, and Colombia could open the door to strong revenue growth, while a listing on Canada's TSX Venture stock exchange could draw more investor interest. Look for more developments in this space over the coming months.
For more information, visit the company's website at www.cresopharma.com.
Please follow this link to read the full article:
http://www.cannabisfn.com/creso-pharma-a-truly-global-cannabis-company/
CFN Media (CannabisFN) is the leading agency and financial media network dedicated to the global cannabis industry, helps companies operating in the space attract investors, capital, and publicity. Since 2013, private and public cannabis companies in the US and Canada have relied on CFN Media to grow and succeed.
- Learn how to become a CFN Media client company, brand or entrepreneur: http://www.cannabisfn.com/featuredcompany
- Download the CFN Media iOS mobile app to access the world of cannabis from the palm of your hand: https://itunes.apple.com/us/app/cannabisfn/id988009247?ls=1&mt=8
- Or visit our homepage and enter your mobile number under the Apple App Store logo to receive a download link text on your iPhone: http://www.cannabisfn.com.
CannabisFN.com is not an independent financial investment advisor or broker-dealer. You should always consult with your own independent legal, tax, and/or investment professionals before making any investment decisions. The information provided on http://www.cannabisfn.com (the Site) is either original financial news or paid advertisements drafted by our in-house team or provided by an affiliate. CannabisFN.com, a financial news media and marketing firm enters into media buys or service agreements with the companies that are the subject of the articles posted on the Site or other editorials for advertising such companies. We are not an independent news media provider. We make no warranty or representation about the information including its completeness, accuracy, truthfulness or reliability and we disclaim, expressly and implicitly, all warranties of any kind, including whether the Information is complete, accurate, truthful, or reliable. As such, your use of the information is at your own risk. Nor do we undertake any obligation to update the items posted. CannabisFN.com received compensation for producing and presenting high quality and sophisticated content on CannabisFN.com along with financial and corporate news.
Frank Lane
flane@cannabisfn.com
Topic: New Listing on Exchange
Sectors: Daily Finance, BioTech, HealthCare, Alternatives, Local, Local Business
CFN Media Releated News
Jan 24, 2019 06:00 HKT/SGT
Creso Pharma Gears Up for Adult-Use Market with New Supply Agreement -- CFN Media
Creso Pharma Targets Multi-Billion Dollar Pet Industry -- CFN Media
Dec 19, 2018 07:00 HKT/SGT
Creso Pharma Brings Together Cannabis Experts Across Several Verticals -- CFN Media
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Barely Human Chapter One: Scary Guests
1—Scary Guests
I was waiting for them out in front of the building, feeling nervous as a chicken on the freeway. Like what if they don’t show? But what if they do? Well, pretty soon here they come, rolling up to the curb in this big black limo, the kind they use to shuttle people from the airport to their hotel. And even though I was totally expecting them, it was still kind of weird to see these bears getting out. Real bears. They had to be ours.
Jimmy sauntered up to me. “I’m Jimmy,” he said. “And you must be . . . ”
“Charlie Higgins,” I said.
He held out a paw and I touched it with my hand. He looked bigger and darker than what I was expecting from the photo. And he wasn’t wearing anything at all but a red beret. Ursula was kind of cute in her super-size blue dress. She had a pretty blue and red scarf over her ears, and she was funny, too. We hit it off from the get-go. Jimmy was a little harder to read.
We’d done the paperwork six months earlier. Weeks went by and then we got the letter. They were assigning us two black bears, a boy and a girl. They used a shitload of words to add that these bears could live with us and be our guests for as long as it all worked out. Plus we’d get the stipend on the same day every month.
We had the extra bedroom and the bath. We also had the killer view of the bridges and the Bay, but that wasn’t going to do them any good ‘cause bears can’t see worth a damn. That’s what I always thought. But Ursula could see just fine. They’d hardly been with us an hour before she was giving Jimmy a tour of the scene out the living room window.
“And that’s Alcatraz over there and that bigger one . . .”
“I don’t perceive a bigger one.”
“ . . . is Angel Island.”
She said it was “a rich man’s view.” That embarrassed the hell out of me. I wasn’t into being anybody’s “rich man.”
Since the bears were our guests, we had to feed them. I’d looked forward to that, because I kind of like to cook for folks. But what they liked to eat became an issue from day one. When I’d asked them what they liked, Jimmy said, “Pork,” or maybe “Pork makes my day.” I don’t know, I may have had a heat on at the time. But I wasn’t so juiced up I don’t remember him saying that. Okay, it’s out. I like my alcohol. Sometimes too much. Then I take myself off the stuff. Hell, I can go for weeks, even months, without a friggin’ drop. They tell me it’s a disease, but I don’t feel sick. I feel great. Especially after a nice tall cool one. Hey, I’m just messing with you like.
With the bears and me eating all that pork, Rhonda wouldn’t eat with us. She thought pigs were cute. If she could’ve had a baby pig on her lap, she would’ve been as happy as a spotted pony. There were only baby pigs for her, and she couldn’t stand the thought of eating one and adding to the cruel slaughter.
“Why aren’t we having salmon? Isn’t that what they like to eat?”
It was late at night, soon after they arrived, and I remember how the moon was lighting up the living room.
“Ssshhh!” I whispered. “They can hear things we can’t.”
“What are you talking about? You can hear them snoring!”
They were in the room down the hall. We hadn’t thought about the nighttime sounds our guests might make. Why would we? We were hung up on the thought of making friends with members of another species—or getting to know them pretty good, at least. Isn’t that why people have dogs and cats? But bears! Rhonda felt the same way I did about this. It was kind of scary but exciting, too. Maybe floating around in the back of our heads, or my head anyway, was the notion that making such a major household change might jumpstart our relationship up. Like some young couple that decides to have a kid because they’re fighting all the time. ‘Cause she still turned me on.
“Black bears mostly eat vegetation and insects,” said Rhonda, one morning when we thought we had the kitchen to ourselves. “They’re practically vegetarians, like me.” I bet she Googled that.
“When they’re in the wild, you mean.”
“That’s their natural diet. You’re overfeeding them with all that meat.”
“Oh, I hope they didn’t hear that, Rhonda.” The bears were in the TV room, and I was kind of up for this. “The fact is, number one, I always include a vegetable dish.” I was counting rice and bread, but she didn’t have to know that. “Number two, Ursula and Jimmy are not wild bears. And three, they eat everything I put on their plates. And then they look around to see if there’s anything else. Maybe you’d like to be the one to ask them if they’re getting too much to eat.”
“Too much meat, Charlie. Too much pork.”
I naturally played my high card then, which was that pork was what Jimmy said they most liked to eat. She trumped that by reminding me that pork cooking was what she least liked to smell. So we were up against that old food thing again. Ursula ambled in. She must’ve heard something of what we said, because she asked if she could make a suggestion.
“Jimmy and I would like to have some take-out for a change, and we can help out on the cost.” They’d seen so many interesting-looking restaurants in the neighborhood, she said.
“Hell, yeah,” I said. “Pick out what you want and I’ll be glad to cover it.” I have to admit that all that cooking was starting to wear me down. I can’t be on my feet all day.
“It sounds good, Charlie,” Rhonda told me later, “but if you’re going to give up the cooking, you’d better find something else to do with yourself. I don’t want to come home in the afternoon to find you already destroyed. I can’t do that anymore.”
It was really unfair. I’d never made a peep when she used to get herself tore up. All the times I had to drag her off from a party, or haul her ass out of a bar and into the car, and then put her to bed. But that was years ago, before the government offered to pay for people to take in bears. And before anybody knew what bears could do.
I had a lot of respect for Rhonda though, the way she’d raised a kid from scratch all by herself and worked her way through nursing school, too. She was a good person, even with her oven turned off to me. And we had a pretty solid arrangement, too. I’d bought the condo, she did a lot of the chores, she didn’t bug me much, and I got lots of close-ups of her dark good looks. If nothing else. I always thought there was still a chance.
The bears were full of surprises. Since they were “humanized,” we thought they’d act like real people. Like us, I mean. I remember an evening, soon after they arrived. We were all in the living room when we heard somebody use a key to let herself in the front. That had to be Mollie, Rhonda’s kid. She used to spend the night with us sometimes.
“Who’s been sleeping in my bed?” we heard from down the hall. Her mother sure as hell must’ve told her about our guests, but Mollie must’ve forgot. She was kind of a head case. Rhonda went to explain.
“Wasn’t that supposed to be your line?” Jimmy said to Ursula.
“Oh, I hate that story!” she burst out.
“But you have to admit that it’s a nice turnaround.”
“A turnaround? How’s that?” I asked.
“For once, the home invader is a human,” Jimmy said.
“Right. Instead of a bear,” added Ursula.
“But don’t you just love her presumption? This prepubescent human female comes into the bears’ empty home and proceeds to assert ownership claims. The house is hers because there’s nobody inside. She’s like Columbus, claiming and naming every island he encounters in the Caribbean. But Columbus didn’t stop at that and neither did she. The home of the bears becomes an island to be plundered . . . ”
“Right,” joined Ursula, “and by a little human blondie.”
“Yes, and with nobody at home, there’s no one to dispute her wild claims. The young lady seems positively compelled to acquire other people’s things.”
“Since when do you defend private property?” Ursula asked.
“Since bears acquired some of their own, if only in a fairytale,” he rumbled. “Moreover, the story typecasts bears as homeowners nouveau who don’t have sense enough to lock the door.”
“Yeah,” added Ursula in a tough-guy voice, “tame and lame. And this Goldilocks . . . ”
“Is an obsessive-compulsive,” Jimmy finished for her. He mimicked Goldilocks in a bear falsetto: “’This one’s too hot, this one’s too cold, this one’s too lumpy, this one’s too frumpy.’” Ursula was pretending to be grabbing things. “Our immature protagonist might soon have grown grumpy if the bear family hadn’t interrupted this kleptomaniacal frenzy. She’s someone who will never be satisfied.”
“Maybe, Jimmy, but I think she’s just spoiled,” Ursula grinned. “I can just see her going to law school and becoming a corporate hack, speeding around in her little red Porsche.”
“Wait a minute,” I finally busted in. “You’re finding stuff in it that isn’t there. It’s just a kid’s story.”
“And an artifact of human culture that reveals far more than it intends.”
Mollie and Rhonda came in, and her mother introduced her daughter to the bears.
Another time the Bertram show was about to come on, and we were in the TV room, all eyes on the big screen.
“Ursula,” said Rhonda, “would you tell Jimmy that the Bertram show is about to start.” He was somewhere down the hall, puttering around in the kitchen probably.
“Oh, he won’t want to watch that.”
“Why not?” asked Rhonda. “Everybody loves Bertram Bear.”
“Not Jimmy though,” said Ursula. “He’s embarrassed by him.”
“Embarrassed? Why should he be embarrassed?”
“Well, he thinks Bertram is a clown. Or clone or something. He thinks Bertram stereo-tapes bears and makes us look like fools. Like we don’t know anything.”
“Stereo-taping, yeah! I like that word,” I said.
“I’ll ask what you think of Bertram during the break,” Rhonda told her as she turned the volume up. We’d never known anybody who didn’t like Bertram Bear.
Once we got over the pork diet issue, our home life perked along just fine. Not that Rhonda and me became sweethearts again, but we had the thrill of having bears. But before it could be much of a thrill, we had to stand up to our own worst fears. I’ve always been kind of chickenshit when it comes to big animals. When we used to go on camping trips, we always went to the trouble of hanging our food from the high branch of a tree or letting it dangle over the side of a cliff. Not forgetting to include the toothpaste, of course. Bears love toothpaste. That’s what people always said. Then it would get to be the middle of the night, and I’d be curled up like a ball of wire, ears catching every random little nighttime sound. That snuffling at the edge of the tent could be a hungry bear! Rhonda likes to tell people that I got so scared one time I wet my sleeping bag, and the “bear” outside the tent turned out to be somebody’s little black and white dog. I sure as hell don’t remember anything like that. My sleeping bag had needed a trip to the cleaners for a long time. But I admit my fear of bears kept me awake.
Now we’d invited bears to come right in and live in our “tent,” so to speak. To eat our food and share our toothpaste, too, until they could get some of their own. Which they soon did. I admit it was a challenge in the beginning to sit across the table from one of these big furry beasts without losing my chill. Standing, Jimmy towered over me, and I’m about five ten. I tried not to disagree with anything he said. I mean, could we trust the government to send us super tame bears?
Ursula was shorter, more like Rhonda’s size, but a lot heavier. But both those bears had big sharp teeth and long-assed claws. Goes along with being a bear, right? A dustup with one of them would not have gone down well for the likes of us. For the first few weeks, I had this worry that padding down the hall to use the bathroom in the middle of the night, just feeling my way along because I hate to have to use the light, I might run into one of our guests. What if he was sleepwalking or something and he threw a bear hug on me? What if he used his claws to rip me open or his teeth to take out half my neck? Even if our bears didn’t do something crazy like that, could I stifle a shriek? I worried about that. A shriek would embarrass the hell out of me. Even a loud gasp. And as I got back into bed and lay awake, I remembered that in order to qualify as bear hosts, we’d had to sign a statement saying that we had no kids or dogs or other pets. Now there had to be a reason for that.
The one time that I did meet one of them in the hallway in the night, the moon was flooding in through the skylight, and I could see that it was only Ursula, just coming out of the bathroom. All the same, my heart still lost the beat, and I cut loose a fart.
“Are you ill, Charlie?” she asked.
Turns out our guests didn’t have a thing for toothpaste. They didn’t get into my wine or liquor either. They didn’t leave a mess, which was just the opposite of what people said they did. And they even chipped in on expenses, as best they could. Ursula got some housecleaning gigs, and Jimmy took a job as a street sweeper in a special program for unemployed bears. He complained that his work was as boring as watching snails breed.
“Have you done much of that?” Rhonda asked.
“Well, yes I have,” he said, “since that’s pretty much in line with my sexual preference.”
“Too bad,” she teased. Rhonda seemed to have a fondness for Jimmy right from the start.
When he told us that street sweeping was a respectable job but a “considerable remove” from what he was used to, we didn’t picture him sitting at a desk or standing in front of a class. We assumed he’d got some training in assembly or fast-food work under the Ursine Assimilation Program. At the most, we thought he missed the chance to rummage through people’s things in search of weapons or drugs as an airport security bear. He didn’t say anything to correct us on this. Turns out Jimmy had been kind of famous for a while around our area as the first of his kind to go to Cal—a real Cal Bear. But the government’s description just said “2 bears, male and female, educated, very tame.” I thought “educated” just meant high school. For Ursula, that would be about right, but for Jimmy, that was way off. Mollie, Rhonda’s kid, said he was an “intellectual.” I thought that was stretching it some. I mean, Jimmy used a lot of big words, but get real, he was only a bear.
Anyway, whatever his work had been like before—before the Trouble Period, I mean—the only thing he was qualified to do now, he said, was to work in a chocolate factory’s quality control. I told him that a job like that wouldn’t to be easy to find.
“Why not?” he said. “I sent my application in.”
“Oh, you have to follow up on that.” I thought I was giving him some good advice.
“Indubitably,” he said, “but jobs like that are scarce as frog’s teeth.”
Hold it, I thought. Frogs don’t have teeth. Or if they do, they’re tiny small. But I let it go. What the hell would a bear know about amphibians?
We got used to the bears, but there was a lot they didn’t share with us. For example, Rhonda wanted to know what it had been like living in the camp. They didn’t want to talk about that. Also, were they a couple? We’d given them the twin beds. But maybe they were siblings. A mother and son? Best friends? They both had the same ginger-colored fur, but that didn’t really mean anything.
“We’re just a pair of refugees,” Jimmy would say.
“And survivors,” Ursula would add.
“Do either of you have children?” Rhonda asked. A mom will ask that every time.
“Not me,” said Ursula. “I use birth control that time of year.”
When I put the question to Jimmy, he said he’d left a passel of little ones in Chicago.
“Oh?” said I.
“Yes, indeed,” said he. “You must have heard of the Chicago Cubs.”
I had heard of the Chicago Cubs, of course. But wouldn’t their parents be the Chicago Bears? My little joke.
Another time I made the mistake of asking Jimmy if he missed the forest.
“The forest?” He swung his head around, all confused like.
“You know, the woods.” I still thought of him as first generation.
“Miss inhabiting a wilderness when I can live inside a house? Surely you jest.”
“I thought it was an okay question.”
“Well, it’s certainly that,” he wheezed, “and it’s also quite revealing. It appears that you don’t know the first thing about me, Charlie. I could be a man inside a bear suit, for all you know.”
“Yeah, sure.”
“That’s right,” he said. “Do you want to see the real me?” He reached for his throat like he had a zipper there. My eyes were probably bugging out of my head.
Ursula gave him a look. “Jimmy,” she growled.
“No,” he backed off, “I’m afraid you couldn’t handle it.”
Getting a grip, I called his bluff. “I can handle it. Let’s see what you’ve got under there.” But he’d picked up the sports section and seemed to be using his magnifying glass to study the baseball stats. When he looked up, he gave me a big old wink.
I might’ve forgotten this incident, but a few days later I heard the buzzing of what sounded like an electric razor coming from our guests’ bathroom. I’d heard that sound before, but what was it? Unless he was a shaver, one of those bears that try to make themselves look more human by shaving off all their fur, he’d have no use for such a thing. Wasn’t he a real bear? Of course he was. The question made me think I was getting some serious mileage on my brain.
I liked the bears, but as the weeks went by I still didn’t find them all that easy to know. Especially Jimmy. One day he and I went down the hill to a coffee house. I’d noticed that caffeine kind of opened him up.
“So Jimmy,” I asked him when we’d found a table and were blowing on our drinks, “What’s it like to be a bear?”
“Hmm. What’s it like to be a bear? I don’t know. Why don’t you ask our barista?” He gave a nod in the direction of the counter.
I didn’t expect to see a “shaver” there. Most of them had gone to work in funeral homes and real estate offices.
“What can he tell me? He doesn’t even want to be a bear.”
“So ask him what he’s running from.”
But the furless one had gotten hip to our attention and was giving us a sour-eyed look. I had to make a show of looking all around the room for someone else.
“Well,” said Jimmy, “if you don’t want to talk to him, why don’t you ask a wild bear?”
“You gotta be kidding, right?”
“Because, for starters, a wild bear can’t talk.”
“What do you think he would say if he could? Would he talk about his heightened sense of smell, his excellent hearing, his superior size, and his propensity to look for things to eat?”
“I’m damned if I know. I mean he might.”
“So you think he might. And if he did, wouldn’t you want to know, compared to what?”
“Jeez, Jimmy. Why can’t I just ask you?”
“Because it’s like my asking you, what’s it like to be a human? Could you answer that?”
“Uhh . . . I could tell you what it’s like to be me. Sort of.”
“Right, but I’m getting a sense of that.”
And that was the end of that.
“Ursula and I are going to Sacramento on Wednesday for the anti-bear-hunt rally,” said Rhonda one fine day. “You two are welcome to come along.”
A lot of us thought it was fucked that at a time when bears might be on the edge of getting citizenship, some people were still hunting and shooting the last of the wild ones in their backwoods lairs. The annual bear hunt meant that so-called humanized bears were stuck in security camps or crammed in with us humans. They wouldn’t go outside that time of year. But they should’ve been able to go wherever they wanted. Am I right?
“Any takers?” Rhonda asked.
“∑xw ɗouλϵιá,” said Jimmy.
“Oooh,” squealed Rhonda. She loved it when he said something in French, but she went out of her head when he said something that reminded her of her Greek grandmother.
“Which means that I’m busy. I have to go to work. Besides, how are you going to stop people from shooting bears when they’re shooting other people with such stunning regularity?”
“But that isn’t okayed by the state,” said Rhonda. “They don’t issue licenses to people to gun other people down.”
The woman was killer smart. But the government issued uniforms and weapons to off people in wars. Wasn’t that kind of a massive hunt?
“That Sacramento rally may have merit, but I think I have a better idea,” Jimmy announced.
“Oh, yeah, what’s that?” somebody asked.
“I was thinking that I might apply for a hunting license.”
“What? You want a license to hunt bears?” said Rhonda.
“Not at all,” Jimmy said. “What I said was that I might apply for such a document. They would surely turn me down, and that would raise an issue of discrimination. I could file suit. Think of the publicity that might attend such a simple and creative act.”
Ursula let him know what she thought: “Brother bear, get serious. What you’re proposing is beside the point, which is that people hunt bears.”
“When it should be the other way around? Am I missing something here?”
“Jimmy . . . . ”
“Will you two stop playing,” scolded Rhonda. “Look, we all have to do what we can. What about you?” She was eyeing me. “You coming?”
“Uh, I’m also kind of busy,” I said. The truth is, and this is something I hate to admit, while I’ve never had a problem with the smell of one or two bears—one or two are cool, no problem—the thought of that crowd of maybe ten thousand bears, some of them grizzlies, and a few hundred of their human supporters in the sizzling Sacramento sun was a real downer for me. Plus the noise and confusion that a few thousand bears can make . . . . I don’t even want to think about it.
“Busy, huh?” she huffed. “What do you have to do that’s so important?”
The question had a barb on it for anything I might come up with, so I just shrugged.
“In any case,” added Jimmy, “how do you know there are still bears in the woods?”
“Jimmy, you know there are, and some of them are your own cousins,” scolded Ursula.
“Distant relatives perhaps.”
“And you don’t care if they’re killed? Every year we hear about hunters getting their limit,” said Rhonda.
“And that’s what?” sniffed Jimmy, “maybe one or two each?”
“Those are one or two bears you’re talking about,” flared Ursula.
“Adds up,” I put in.
“What are you, a mathematician?” said Jimmy, turning on me. “And what are you doing tomorrow that’s more important than minimizing the slaughter of innocent bears? Don’t try to shrug this off.”
“Well, for one thing I was going to drive you to work.”
“Ha, I can take the lovely bus.”
“Last time they shut the door in your face.”
“Perhaps I should have been wearing a jacket or shirt.”
“Or maybe some pants,” shouted Ursula.
“A bear is wearing all the clothes that he will ever need at birth.”
“Fine with me,” Rhonda said.
My ace in the hole was that I’d done my part by taking them in, and I didn’t do it for the government subsidy either. It was a card I kept up under my cap, hoping I’d never have to spring it into play. Rhonda seemed to read my mind.
“Sometimes being Mr. Nice Guy isn’t enough.”
I thought of the smell of ten thousand bears in the Sacramento heat.
Rhonda and Ursula were gone several days. An email told us that while they were at the Sacramento rally, they’d signed up for a bear “accompaniment program” and joined some brave but maybe suicidal others on a bus that took them up to Trinity County to try to find some wild bears and protect them from hunters. I was worried, and with Rhonda away, it was all too easy for me to elevate my nipping and my sipping. To change the music maybe, Jimmy asked me to teach him how to drive. I had my doubts, but I finally gave in.
I drove us out to a residential area where there were hardly any other cars on the road. Jimmy crammed himself behind the wheel of my battered old van, and I could see that he was one happy bear. But perched beside him on the passenger seat, I was one frightened man. We hadn’t gone more than a couple of blocks before I had to tell him that his driving put me in a nervous state.
“Where’s that, Alabama?”
I knew he’d say something like that.
“No,” I said, “and it’s not Minnesota either. It’s the state of you-can’t-see-worth-a-damn. I want my van to be in one piece, I don’t want to get us killed, and I shouldn’t be doing this.”
He admitted that his eyesight wasn’t nearly as good as most black bears’ but said he had something in the works that would remedy that.
“In any case, I can smell anything approaching from a thousand feet away.”
“Oh, yeah? Can you smell that sign right there? It says stop!” He hit the brake just in time.
“I recognized it by its shape,” he rumbled.
“You recognized it? What about next time doing what it says?”
I wondered whether he could really sniff a hazard from a thousand feet away. If he could do that, wouldn’t he be taking in the smells of everything in every direction from a thousand feet around? I could understand that smells behind us would turn fainter as we moved away from them, but what about all the rest? Was his nose like a smell-gun he could aim down the road to zero in on what was ahead of us? I felt like I was taking my life in my hands, and there were other people’s lives to think of, too. But I can’t say that I gave them a lot of thought, because all of a sudden, by our second practice drive, Jimmy’s driving got a lot better. He was making all the stops, including for pedestrians, and all the turns and lane shifts, too, and doing it with ease. I was blown away.
“Maybe it has something to do with these corrective lenses that I’m wearing now.”
I don’t know how I could’ve missed them. They looked like swimming goggles. I mean, instead of the usual plastic frame, they were held together by an elastic band that came around his head. Later, I remembered how wigged out Rhonda had been when she saw him reading with a hand-held lens. She’d said something then about an appointment with an eye doctor. It looked like he’d gone to that exam, though he hadn’t said a word to me.
“These are for distance,” Jimmy explained. “I have another pair for reading.”
What I never did understand was how he could wedge his bulk behind the wheel and keep it there for hours at a time. But I quickly learned not to open my mouth about each driving hazard on the road. He could see them as well as I could. As Jimmy put it,
“These glasses have opened a whole new world to me, and now I want to see as much of it as I can.”
It was also a new world for me. With Jimmy at the wheel I wasn’t at risk of getting another DUI. I couldn’t afford one of those. Now I could have a belt or two before we took off and maybe another one after we got going. Not that I keep track. But we were still busting the law. Jimmy didn’t have a driving license, and he wasn’t going to get one either. Not unless they changed the licensing set-up. Jimmy didn’t do multiple choice. Multiple choice was unprofessional, he thought. He said it was only for humans and rats. He was ready to write an essay or help grade others’ written tests, but no multiple choice.
We didn’t know until Rhonda and Ursula got back that hunters had fired some shots at them. They had to hug the ground until they could crawl off through the brush, which—they told us more than once—was full of ticks. It didn’t matter to the hunters that Ursula and the adolescent bear that they’d run into had a human friend along. Every bear, even Ursula in her red t-shirt and her red and blue scarf, was fair game, and Rhonda could easily have become what they call “collateral damage.” We were lucky to get them back in one piece.
Once they returned I could tell that something had changed. Rhonda’s hair looked different, for one thing. That’s always a sign. Ursula sure seemed to like the way it looked. Or maybe how it felt. She kept stroking it with her claws when she passed by Rhonda’s chair. Jimmy was away at work at the time, and the three of us were sitting in the living room, admiring the view, when all of a sudden it seemed that there was one of us too many in there. Because it was obvious that Rhonda and Ursula had become an item. They didn’t have to say anything for me to get the picture. The looks they traded and the little touches that they gave one another made me think their sex life must’ve been a fireworks show.
Rhonda had mentioned years ago that she was bi, but I’d forgotten just what that meant. As for the interspecies thing, what the hell, I’m no prude. I was just glad to see her happy for a change. Glad and maybe a little sad. But mainly relieved. For one thing, I’d kind of thought that it was just a matter of time before she announced that she was pairing off with Jimmy. Because it was clear as a highball glass she really dug the critter. You could see that from day one in the way she always laughed at his stupid jokes. I even had the notion that she might suggest a swap, in which she and Jimmy would only be like 50 percent. I was ready to put the kibosh on part two of that. Don’t get me wrong. I had a lot of respect for Ursula, but there were some lines that I wasn’t willing to cross.
As for me and Rhonda, I couldn’t lose what I didn’t have. We’d never had a lot in common. Later was always better than sooner, to my way of thinking, while she was the kind that would grab up a plate while the last bite of food was still on its way to your mouth, hustle it to the sink, and give it a scrub. She liked Masterpiece Theater and MSNBC. Give me a ballgame or a fight in the octagon arena any day. We had the glue of good sex, at least at first, but that ended when she wouldn’t party with me anymore. So by the time she and Ursula returned from up north, our relationship had already chilled down almost to the iceberg stage, as far as the sex. But maybe I’d get me a new girlfriend, too. The idea didn’t cause me any pain, I’ll tell you that.
That evening, when we were all in the living room, Ursula made a little speech. I don’t remember her exact words, but the gist of it was that Rhonda was different from other humans she’d known.
“She respects me more. She really listens to what I have to say, and she takes me seriously, too. She doesn’t try to bully me or suck up to me either. I hate that special treatment that I get sometimes.”
She was looking right at Rhonda when she said all this. Then she and Rhonda announced that they were thinking of looking for their own place. They wanted to know how Jimmy and I felt about that. I thought that was damned considerate of them, looking to us for an okay, but I had my own room, I didn’t see the need, and I immediately began to trip on all the extra housework I was going to have to do if they moved out. Because I knew that Jimmy wouldn’t do squat. He liked to take the garbage and recycle out, but that was about it. I couldn’t even get him to turn off lights. . . . So I’d have to hire somebody to come in every other week or so to keep the place picked up. But the condo was all paid for, at least. I could easily afford to have them go.
I wanted to ask Jimmy how he felt about the two of them, but neither of us ever brought it up. If he was suffering some kind of loss, he didn’t say anything about it to me. And what do you know but Rhonda and Ursula didn’t move out. So it looked like we had ourselves a new normal. But you never know. If somebody had told me then that I was about to take a lengthy journey to some places where I’d never been before and that when I came back I’d have a hella different look, I’d have said, boy, what’s that you’re putting in that pipe?
Read Chapter Two of Barely Human
If you want to contact me about the book, I can be reached at alsandine (at) aol.com.
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On The Road - Anaheim
Well it’s now November and my Autumn of Hanson is officially over. I know a lot of you following along at home might think that I’m actually certifiable for following a band across the country and back, but I also know that I just had the absolute time of my life and I don’t regret a single moment, dollar, mile, hour I spent in line, or night that I literally slept in a van. The first show of my west coast follow along was Anaheim...so let’s get started, shall we?
My friend Lorraine and I had been planning this trip for months, and we quickly learned that there was a slew of fans with the same idea. There was a whole group of us who were all following the band for the same cluster of shows. For all of you who think I am the only insane person who does this, let me just say...following Hanson is not uncommon. It’s actually a thing that...a lot of fans just do every tour. By the end of the follow, I felt like I was at summer camp or something, because we literally spent the week with all these girls! It was such a cool experience, and one that I will never forget.
We got to the venue around 7am and ended up being 21 and 22 in line (respectable, honestly). I immediately loved the ladies around us in line, and we all fell into comfortable chatter quickly and effortlessly. Right at the beginning of the day, a cop pulled up and asked what we were protesting, and we proudly exclaimed that we were just in line for a Hanson show. The whole week I kept making jokes about how I love line culture, but at the end of the day, they were not jokes! I had so much fun that afternoon getting to know the girls around me and laughing and chatting. Everyone was so chill and kind! I also got a to see a bunch of friends from past shows, and people I have known for years on the internet, which is one of the best parts of Hanson concerts!
Lorraine and I travelled around SoCal in a campervan, and let me just say, this is the WAY TO DO IT. Having the van at the venue in case we needed to take a nap, or make a snack, or change...a literal life saver. I’m sure I could make it work in a regular car but like...the van was the way to go. A serious game changer that made the days in line so pleasant! After a whole day of chatting and laughing and waiting, we went in for the Member’s Only Event. We were front row on Ike’s side which was AWESOME but we lost our front row spot because MOE’s are not organized and I just don’t think there is a right way to do it. Not leaving after pictures doesn’t work...leaving after pictures doesn’t work...whatever. But it was fine...being in the front for the MOE and getting pictures with the guys was great...okay on to the show!
Highlights from Anaheim, CA:
When the show started and the guys started playing Already Home, I actually felt like my heart was going to burst out of my chest. I’ve never experienced anything quite like it. Pure, unbridled joy. I would have that feeling every time that song was played for the rest of the tour.
They played Crazy Beautiful, which is one of my favorites (Underneath songs are the key to my heart, boys!). I would get to hear it again during the follow, and it made me so happy.
They sang Wildflowers which, silly me, I was afraid I would never hear live. I heard it thrice.
Taylor was very chatty during this show. He just...he had a lot to say! I get it!! I loved it!
Strong Enough to Break (and Taylor’s speech beforehand) made me cry again, surprise, surprise. That’s like...THE song for this tour I guess. Whatever. It makes me feel like I can actually do anything, so I’ll take it.
Penny, always.
The last three songs are almost too much for my little body to handle (in the best way)! I will always love If Only live...then pair that with Fired Up ---> In the City. WOW they sure know how to end a show. And it got better every single night!! Gah!
For the encore they did Finally It’s Christmas which made me stupid happy, then Lost Without Each Other finished us off (always a highlight for me).
I feel like I’m forgetting so much! But most of it was feelings and glances and an overwhelming sense of belonging. Even the three VERY drunk girls behind us couldn’t bring me down.
After the show, the van once again proved its worth and we were able to cool down a little before the after party. If I ever do another afterparty, I’ll try to organize it so it’s not on a day I line up early because I was pretty much completely wiped out by the time it started. I still had fun because I got to dance around like an idiot with my friends and watch Taylor DJ and look happier than I’ve maybe ever seen him. All in all, it was an awesome day, and the perfect start to this crazy, west-coast adventure.
On to LA…
Peace, Love, and No Tomatoes!!!!!
Labels: 2017, Anaheim, autumn of hanson, concert, concert review, do go be, follow along, Hanson, I was born, live music, MOE, MOE tour, music, west coast follow along
On The Road: EPCOT
KT's Favorite Albums of 2017
On The Road - Las Vegas
On The Road - San Diego
On the Road - Los Angeles
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Jane O’Hara June 18 1979
People Jane O’Hara June 18 1979
Although at his tender age he’s yet to distinguish between an arabesque and a plié, three-month-old Alexander, the Pisces progeny of Nadia Potts, principal dancer for the National Ballet, and Harold Gomez, National Ballet clarinetist, is destined for a dancer’s peripatetic life. Potts, who is back at the barre after having hardly missed a beat, will take Alexander with her on the dance circuit—Chicago, New York, London, Toronto, Montreal, Western Canada— where he’ll have the company of four other children now touring with their balletic parents. He’ll even meet ballet’s most famous Pisces, all-star Rudolf Nureyev who’ll be partnering mother Nadia in Giselle at New York’s Lincoln Center. The tiny dancer, five feet, four inches, and a smidgen over 100 pounds, will have just 15 minutes to rehearse with Nureyev but her total confidence in the brilliant Russian soothes her openingnight jitters. “He loves to dance with the principal girls,” says Potts, who first danced with Nureyev eight years ago. “When he walks onstage, you know everything will be all right.” And then there’ll be baby Alexander giving his lusty-lunged encouragement from the wings.
It may turn out to be the gossip event of the decade, and that was certainly how it was being described in New York and Washington when author Truman
Capote went on a splenetic hour-long TV tirade last week to dissect the manners and morals of Jackie Kennedy Onassis’ sister, Princess Lee Radziwill. The background to the spectacle lies in a tale Capote told Playgirl magazine four years ago about another American man of letters, Gore Vidal. Vidal, said Capote, was once thrown out of the White House after behaving badly at a party which President John F. Kennedy and Jackie gave for Lee and Stash Radziwill. Vidal denied the story and sued Capote for $1 million. Capote claims that Radziwill told him the story and that she also promised to declare publicly that the tale was true. However, recently, she changed sides and swore a deposition for Vidal that she had not told Capote any such tale. Capote’s feelings of betrayal by his “best friend” of 20 years were somewhat amplified when, he says, Radziwill told a New York columnist: “Well, you know what they are. They’re just a couple of fags and this is just a fight between two fags. I think it’s disgusting that we have to be dragged into it.” So Capote, a theatrically inclined Southerner, took to New York City’s WCBS TV station to get his own back. When the cameras rolled Capote sent up Lee Radziwill’s on-again off-again marriage to West Coast billionaire Newton Cope. And when asked about Teddy Kennedy’s possible presidential bid, Capote said: “I wouldn’t care to see it at all, because he’s a highly
unstable fellow ... he’s a person given to outbursts of various kinds when he’s had something to drink.” When that interview concluded, The Washington Post got its turn. Capote offered, “Men to both Jackie and Lee are to be totally controlled, nothing but foot slaves. Lee and Jackie have incredible contempt for everything and everybody. They really do think in the royal ‘we.’ ”
As one of the Liberal babies who got tossed out with the bath water in the recent federal election, former Vancouver Kingsway MP Simma Holt bears no grudge against the man most people hold responsible —Pierre Elliott Trudeau. In fact, Holt is planning to stem the anti-Trudeau tide by writing a complimentary book about the new leader of the Opposition. With working titles such as The Trudeau I Know or The Trudeau Nobody Knows, Holt’s thesis is this: “There were some ignorant attacks on my friend, and no one attacks my friend. This book will inform them why I respect Trudeau.” However, before the 56-year-old journalist sets her wheels spinning again, she’s back in Ottawa cleaning out her office. Perhaps it’s just as well, since her additional project is a book about Indian rights, which her parliamentary cronies aren’t likely to favor. “My book is going to name names,” said Holt. “It’s going to say that the department of Indian affairs has to go.”
Confessing “an embarrassment of riches,” director John Hirsch is back in Canada after a two-month hiatus, having been hounded by offers from Los Angeles, Seattle and New Haven, Connecticut. A 30-year showbiz veteran, Hirsch is resisting the lure south in order to fill his Canadian commitments, among them stage productions for both the National Arts Centre and Toronto’s Young People’s Theatre. While in Los Angeles, Hirsch tackled a lifelong ambition—Shakespeare’s last play, The Tempest. His production displays the talents of Canadians Brent Carver and Michael Bond, and the vigorously selfanalytical British actor Anthony Hopkins as the magic-making Prospero. Hopkins, 41, was Hirsch’s ideal choice for the part of “a man who has not yet come to terms with himself,” according to New York Times critic Richard Eder, who gave the production a highly favorable review. Hirsch wisely refrained from stirring up the emotional actor’s memories of Corky, the bedevilled ventriloquist he played in Magic. “Tony is a very troubled person,” says Hirsch. “Magic was one subject I thought it best to steer clear of.”
It was supposed to be an In Praise of Older Women version of Love Story with a tennis racket twist, but when the
preliminary pictures started rolling in, “I didn’t look old enough and he didn’t look young enough,” says AM MacGraw. Now 40, MacGraw’s “younger man” in her new film Players is Dean-Paul Martin, the 27-year-old blonde, blue-eyed son of Dean Martin Sr. whose previous experience as a fringe tennis pro prepared him for his role as a “player” in his first film. In Toronto last week, MacGraw shyly asked more than 300 tennis buffs who had gathered for a Tennis Canada benefit to excuse her total ignorance of the game, but added that she might have missed out on her movie career if it hadn’t been for her aversion to the sport. “When I was in school if you didn’t play tennis, you did Shakespearean plays,” she said. That got her started. Before her graduation from Massachusetts’ Wellesley College in 1960 the fledgling thespian had a part in All's Well That Ends Well. Her costar was none other than Erich Segal, who was at Harvard writing Love Story in his off-hours.
When actress-activist Jane Fonda took centre stage recently and trooped her political colors before 90,000 anti-nukers on Washington’s Capitol Hill, the impact registered on everyone from a 70-year-old lady dressed as a mushroom to U.S. Presi-
dent Jimmy Carter. In line with Fonda’s radical sympathies, but keeping a somewhat lower profile, was Canada’s Donald Sutherland, who turned up unexpectedly last week to protest the building of a nuclear generating station at Darlington, 30 miles east of Toronto. Although hotly pursued by Greenpeace organizers who wanted his famous face to grace their cause, Sutherland reluctantly declined the invitation when the rally conflicted with his shooting schedule for the movie Nothing Personal. However, before the day was out not even an appointment with the film’s wardrobe department could stay the superstar from exercising his social conscience. Following anti-nuclear speeches by actors Barry Morse and Don Francks to a crowd of 2,000, Sutherland was finally spotted dropping a donation in the non-nuclear kitty. And although in normal circumstances he could be expected to cough up for a worthy cause, Sutherland was a little low on dough thanks to a burglar who, two days earlier, had robbed him of $3,500 cash, $12,000 in airline tickets and his Order of Canada medal. Proving that even a thief can have a heart, everything but the cash has since been returned.
Jane O’Hara
The Western powers that be
Detroit: the born-again city
June 1979 By Ken Becker
The day Bid went down
June 1979 By Joe Flaherty
Roger Lemelin: the Cap Rouge gadfly
June 1979 By David Thomas
Cutting fine glass at Shaw
June 1979 By Patricia Keeney Smith
The indelible journey of John Paul II
June 1979 By Sue Masterman
Why 'the boys' turned on Mike Tyson
July 1997 By Jane O’Hara
Actress with a playwright’s pen
November 1986 By JANE O’HARA
Encounter of a chilly kind
October 1981 By Jane O’Hara
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Hikvision hosted the second AI Cloud Summit in Hangzhou
HANGZHOU, China, April 4, 2019 /PRNewswire/ -- Hikvision, the world's leading supplier of innovative security products and solutions, successfully hosted the second 'Shaping Intelligence' AI Cloud Summit at Hangzhou Whitehorse Lake International Exhibition Centre from 29-30 March.
Under the theme of 'Data Enrichment with AI', the summit served as a platform for AI Cloud ecosystem partners to exchange knowledge on leading-edge AI and big data technologies and applications. It comprised a main forum and four sub-forums on the topics of Finance, Commerce, Public Services and Smart Governance for Cities. Over 3,000 participants took part, including Hikvision customers, industry leaders, academic experts and partners.
Vision of the future: Fusion of Intelligent IoT and Information Networks
One of the most important topics discussed at the conference was how Hikvision's AI Cloud platform can support the integration of IoT and information network data in order to drive the future development of new, intelligent applications. Ideas discussed included the development of a computing architecture that unites cloud and edge computing, plus a data architecture that can enable the integration of intelligent IoT and information network data.
"We believe that, as a fusion platform, the AI Cloud will be able to support our customers in their quest to unleash the full potential of AI and IoT," said Yangzhong Hu, CEO of Hikvision, during his keynote speech at the main forum. "Ubiquitous intelligence will be the new normal of the AI era; intelligent applications and their data generation will be the engine."
Providing fully open platforms for mutual development
The Hikvision AI Cloud was developed to solve real-world challenges across different vertical markets, and to create continuous value to end users. The cutting-edge architecture is designed to enable collaboration between partners across edge computing, industry applications, service platforms and standard systems, and much more. As one example of this, Hikvision demonstrated how the launch of its AI algorithm training system has enabled partners to train algorithms easily for specific customer application needs and deployment.
Using a digitised event exhibition area of 6,000 square metres, Hikvision and its ecosystem partners also demonstrated versatile AI solutions, including Smart Retail, Smart Campus, Smart Financial Service, Smart Construction, Smart Agriculture and much more. In addition, Intelligent Transportation System (ITS) was showcased including Intelligent Buses, Intelligent Road Networks, Intelligent Airports and Intelligent Railway Systems, all designed to boost passenger safety and enhance the travel experience.
AI applications to empower industrial users
At the four sub-forums held on the second day, end users from different markets exchanged thoughts and shared use cases of collaborating with Hikvision and AI deployment. At the Commercial forum, partners from retail, energy, property management and logistics explored how AI can increase business insight and transform how businesses operate.
At the Smart Governance for Cities forum, traffic authorities from different parts of China shared successful AI applications, including how E-Police solutions help identify traffic violations and reduce the number of human injuries and fatalities. By merging video information with other systems and algorithms, traffic big data can be visualised on city maps to further guide traffic and improve urban commuting.
At the Finance forum, banks including China Construction Bank and the Industrial and Commercial Bank of China overviewed their digitised transformation with AI in banking security and management, showcasing how AI-powered big data was a key enabler in this process.
The Public Services forum focused on how AI technology can support the improvement of public services management. Among other sessions, Hikvision partners introduced AI applications for distance learning, smart classrooms, campus safety and enhanced learning environments.
For more information about the Hikvision 2019 AI Cloud Summit, please visit https://aicloudsummit.hikvision.com/hikvision/index.html.
For a video about the Hikvision 2019 AI Cloud Summit, please visit https://www.youtube.com/watch?v=Ln67i2YqEMQ.
About Hikvision
Hikvision is a world leading provider of security products and solutions. Featuring an extensive and highly skilled R&D workforce, Hikvision manufactures a full suite of comprehensive products and solutions for a broad range of vertical markets. In addition to the security industry, Hikvision extends its reach to smart home tech, industrial automation, and automotive electronics industries to achieve its long-term vision. Hikvision products also provide powerful business intelligence for end users, which can enable more efficient operations and greater commercial success. Committed to the utmost quality and safety of its products, Hikvision encourages partners to take advantage of the many cybersecurity resources Hikvision offers, including the Hikvision Cybersecurity Centre. For more information, please visit us at www.hikvision.com.
Source: Hikvision Digital Technology
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Hong Kong Plans to House 1 Million People on Artificial Islands
To ease the chronic housing crisis, the Hong Kong Special Administrative Region government has pitched a plan to increase the supply of land through the building of artificial islands.
Year after year, Hong Kong SAR has topped the rankings for the world’s least affordable housing markets. The city’s sky-high property prices have pushed residents into tiny living spaces, including the notorious subdivided apartments known as “coffin homes.”
The reclamation of 1,000 hectares off Lantau, the city’s largest island and home to Hong Kong International Airport, will be one of the largest projects of its kind – the new islands would cover an area almost twice the size of Dubai’s 560-hectare Palm Jumeirah.
400,000 Homes
Building works are scheduled to begin in 2025 with the first residents moving in by 2032, the South China Morning Post reported.
The scheme, called the Lantau Tomorrow Vision, aims to house up to 1.1 million more people by building between 260,000 and 400,000 apartments, 70% of which will be reserved for public housing. It also includes a transport network to link the artificial islands to Lantau and other parts of the city.
At an estimated cost of US$80 billion, it will be Hong Kong’s most expensive infrastructure project to date. The government, led by Chief Executive Carrie Lam Cheng Yuet-ngor, announced the expansion last year, but recently revealed details of the proposed budget to address public concern over its impact on the city’s coffers, according to the South China Morning Post.
There are also concerns about environmental disruption and potential harm to species, particularly a local population of endangered pink dolphins. Hong Kong’s government has said it will set up a US$127 million Lantau Conservation Fund to compensate for habitat loss as a result of the building work.
It also said the islands will be designed to withstand sea-level rise and stronger typhoons due to climate change.
Hong Kong SAR has been reclaiming land from the sea for more than 150 years. Hong Kong International Airport was built in the 1990s on an artificial island and is now expanding to include a third runway. And the newly opened Hong Kong-Zhuhai-Macau bridge, the world’s longest sea bridge, has a 6.7 km tunnel between artificial islands to allow shipping to pass.
Original content can be found at the website of World Economic Forum: Hong Kong plans to house 1 million people on artificial islands
By Rosamond Hutt
Made-in-Taiwan Biodegradable Plastic, Delivering Big for Starbucks and Apple
The World's Cheapest Solar Power is Provided by India
The World’s Most Expensive Places to Own a Home
How Fintech is Setting Southeast Asia's SMEs Free
This UK Supermarket Aims to Go Packaging-Free
South Korea Takes the Lead in Food Waste Recycling
Papercraft Artist Johan Cheng Cuts a Slice of Life’s Most Beautiful Moments
India Will Soon Overtake China in Population
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History Library
Part 1 Military History
Ch 7 Peacekeeping Forces in the Middle East
S 1 Peacekeeping in the Middle East
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A feature of international diplomacy since the Second World War has been the multi-national Peacekeeping Force. Normally such a force involves military personnel to help maintain or restore peace in areas of conflict. The military personnel are provided on a voluntary basis by different countries with the consent of the host governments and usually with the consent of other parties directly involved. The Peacekeeping Force has the role of an objective and impartial third party that helps to create and maintain a cease-fire or form a buffer zone between conflicting sides. The forces usually fall into two broad categories; unarmed military observers, or lightly armed infantry units of battalion strength. These infantry battalions of one country are usually supported by logistic units provided by another country. Australia has supported peacekeeping operations in the Middle East with military observers and logistic support units, but not with infantry units.
Section 68(3) VEA defines Peacekeeping Forces as forces raised or organised for peacekeeping purposes and described in Schedule 3 VEA, or as so designated by the Minister in a notice published in the Commonwealth Gazette. All Peacekeeping Forces that have had an Australian contribution, including those forces that no longer operate, are listed in Schedule 3. All the forces in the Middle East were organised by the United Nations except for the Sinai Multinational Force and Observers. References for the United Nations missions include Michael Harbottle, The Blue Berets, Stackpole Books 1971 and United Nations Department of Information, The Blue Helmets, United Nations Publications 1985
URL: http://clik.dva.gov.au/history-library/part-1-military-history/ch-7-peacekeeping-forces-middle-east/s-1-peacekeeping-middle-east
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Home / Opinions / NATION: South Carolina's Clyburn takes an influential position
NATION: South Carolina's Clyburn takes an influential position
Wed, 11/28/2018 - 4:20pm Vic MacDonald
Congressman Jim Clyburn's Office
WASHINGTON, D.C. - Congressman James E. Clyburn released the following statement after the House Democratic Caucus unanimously elected him by acclamation to be Majority Whip in the 116th Congress:
“I thank all my House Democratic colleagues for the faith and confidence they have expressed in me to serve as Majority Whip in the 116th Congress. I am deeply honored to have the support of our Caucus and humbly accept this position with a clear understanding of the challenges and opportunities that lie ahead.
“As I said to my colleagues today, America is already a great country: our challenge is to make its greatness apply fairly and equitably to all of its people. As the only Member of elected Leadership from a red state and largely rural district, I will work tirelessly to be a voice for the millions of Americans who feel left out and communities that are too often left behind. I am committed to staying connected to all of our Caucuses and regions and building a whip operation that is reflective of the diversity of our Caucus and that empowers a new generation of Members to have a voice in our legislative process.”
Clyburn was nominated to be the U.S. House Majority Whip for the 116th Congress by Congressman G.K. Butterfield (NC-01) and Congressman Cedric Richmond (LA-02). His nomination was seconded by Congresswoman Debbie Wasserman Schultz (FL-23), Congressman Dan Kildee (MI-05) and Congresswoman-Elect Lucy McBath (GA-06).
Rep. Jim Clyburn
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You are here: CollectionsOnline / Designs for chimneypieces for the dining room and parlour, 1776, unexecuted and executed with alterations (2)
The drawings from the office of Sir...
English Baroque Drawings:...
Robert and James Adam travel drawings
Robert and James Adam office drawings
Monuments and mausolea
Projects known only by patron
Aberdeen Record House, Aberdeen:...
The Admiralty Screen, Whitehall,...
Appleby, Cumbria: unexecuted designs...
Bath Prison, Grove Street, Bath,...
Bury St Edmunds market hall and...
Cromarty Parish Church, Ross and...
Dublin, unexecuted design for a...
Edinburgh Riding House, Nicolson...
Fort George, Inverness: executed and...
Hertford courts of justice and corn...
High Wycombe Shambles and Butter...
King's Bench Prison, Bench Walk (now...
New Town, Bath, Somerset: unexecuted...
Pulteney Bridge, Bath, Somerset:...
Register House, Princes Street,...
Richmond Park observatory: unexecuted...
Royal College of Physicians,...
Royal Hospital, Chelsea, London:...
Designs for chimneypieces for the...
Upper Assembly Rooms, Bennett Street,...
Appendix 1: Unabridged bibliography
Appendix 2: Adam period watercolour...
Other architects, for example, Sir...
Royal Hospital, Chelsea, London: designs for chimneypieces for the Governor's house, for the Board of Commissioners, 1776 (2)
Designs for chimneypieces for the dining room and parlour, 1776, unexecuted and executed with alterations (2)
The dining room in the Governor's house does contain an Adam- style chimneypiece, but not to this design.
Adam's chimneypiece for the parlour - or state room - in the Governor's house survives in situ. It was executed to a simplified version of this design, with only the pilaster stiles, and the ram mask ornaments.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
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A Birth and a Fifth Birthday for J.C. Clark
Date: Monday, May 17, 2004
J.C. Clark Ltd., one of Canada’s largest alternative investment managers, announced plans to open a new hedge fund this summer designed specifically for institutional investors.
The new fund will be called Loyalist Capital. It will be a long/short fund focused exclusively in Canadian equities.
“The number of U.S. long/short managers has grown dramatically over the past few years and the market is now becoming saturated,” J.C. Clark Chief Executive John Clark said in a statement May 12. “As a result, funds of funds and large institutional investors are now seeking a new source of alpha in the form of Canadian hedge funds.”
Mr. Clark is a former chairman of the Toronto Stock Exchange.
The new fund will be offered by Barbados-based Alexander Ernst Ltd. to U.S. and offshore institutions at a minimum investment of US$5 million, and its assets under management will be capped at US$150 million. It may be closed before it reaches that point if the managers decide that returns are being eroded by excess capital inflows, given the liquidity constraints of an all-Canada strategy.
Colin Stewart will serve as the new fund’s portfolio manager. He said in the statement that Canada is an excellent place for a hedge fund, because the relative paucity of funds operating there so far leads to pricing inefficiencies Loyalist Capital will be in a position to exploit.
J.C. Clark also announced a milestone for one of its older funds, The Preservation Trust, which reaches its fifth birthday in May. The statement said that The Preservation Trust and its managed accounts have approximately US$225 million in assets.
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HomeJCR ContentCoastal PhotographsLee_Aoraki/Mount Cook, New Zealand
Aoraki/Mount Cook, New Zealand
Photographed by Jooyong Lee
Aoraki / Mount Cook is the highest mountain in New Zealand. Its height since 2014 is listed as 3,724 m (12,218 ft), down from 3,764 m (12,349 ft) before December 1991, due to a rockslide and subsequent erosion. It lies in the Southern Alps, the mountain range which runs the length of the South Island. A popular tourist destination, it is also a favorite challenge for mountain climbers. The summits lie slightly south and east of the main divide of the Southern Alps, with the Tasman Glacier to the east and the Hooker Glacier to the west. The Southern Alps on the South Island in New Zealand were formed by tectonic uplifting and pressure as the Pacific and Indo-Australian Plates collided along the island's western coast. The uplifting continues, raising Aoraki / Mount Cook an average of 7 mm (0.28 in) each year. However, erosive forces are also powerful shapers of the mountains. The severe weather is due to the mountain's jutting into powerful westerly winds of the Roaring Forties which run around approximately 45°S latitude, south of both Africa and Australia. The Southern Alps are the first obstacle the winds encounter after South Africa and Australia, having moved east across the Southern Ocean. (Photograph taken 20 January 2016 by Dr. Jooyong Lee, Sungkyunkwan University [SKKU], Suwon, Republic of Korea.)
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ChehalemVIA Home
Chehalem Valley Innovation Accelerator Leadership Team
Carr Biggerstaff – Chief Wrangler
It takes a Renaissance strategy-technology-marketing-operations-winemaker type to wrangle the resources & people responsible for the Chehalem Valley Innovation Accelerator at this moment of such dynamic change in Oregon.
Carr has extensive experience in companies of all sizes & stages – public & private – from start-ups and IPOs, to turnarounds. He has held a variety of executive positions in sales & marketing, business development & investment, and information technology – in industries ranging from agribusiness to hi-tech manufacturing, music downloads to cybersecurity. When not chasing technology, Carr makes wine – and after a decade in the local wine industry, he’s found his niche as a vermouth maker.
(Carr’s LinkedIn Profile)
Alvin Elbert
Alvin’s motto might be something like “never quit, just fix the process.” Alvin’s first job in manufacturing was a bust because he didn’t have the skills to succeed. So, he started his own company (A.R.E. Manufacturing) and created the training programs and processes necessary to make sure his employees are the best at advanced manufacturing – an OMEP award-winning training program. Providing manufacturing internships for youth for over 30 years, Alvin determined that the best way to have great employees is to hire newbies and invest in them. When not leading A.R.E or trying to play golf, Alvin enjoys mountaineering, his family, and helping youth however he can.
(Alvin’s LinkedIn Profile)
Tonna Farrar
150 years ago, Tonna would have been a famous cowgirl/peace officer/ territorial judge, probably someplace in the thick of the wild west like Kansas or Missouri (which is where she hails from). An experienced equestrian, Tonna grew up helping in the family veterinary business before focusing her sights on a law degree. After entering law practice, Tonna moved west (naturally) to practice law in the areas of insurance, consumer litigation, equine law, wine industry, and transactional and corporate matters. Her home office is in Newberg, Oregon and she maintains offices in California and Arizona – ranging wide across the West.
(Tonna’s LinkedIn Profile)
Ed Godshalk
Ed is the person you want on the desert island when all you have is a week’s worth of frozen meals and a whole lot of electronics gear, including a radio transmission tower. Give Ed a few hours and he’ll have assembled a microwave for cooking the food. Give him a couple of days and he will have built a megawatt RF tower that can broadcast your help signal around the world!
Ed enjoys inventing and developing enabling technology, components, and systems in the field of RF and microwaves. Over the last 30 years, he’s developed components and measurement tools at microwave and millimeter frequencies and been awarded numerous patents. Ed’s passion remains being a part of a team that makes meaningful contributions to society.
(Ed’s LinkedIn Profile)
Bob Harder
As a creator, Bob has a vision equal to none other. We refer to him as the “knowledge enterprise architect.” In 1988, he started the Engineering program at George Fox University and has turned it into a powerhouse that includes mechanical, civil, electrical, and computer engineering, computer science, and mathematics and applied science. What makes Dean Harder great is his tireless efforts to broker partnerships between industry and students, creating teams that solve problems ranging from severe burn treatment to high-tech applications for agriculture. Businesses of all sizes benefit from the leverage that the GFU students provide and the students graduate with sophisticated industry experience.
Bob’s research interests are broad and range from combustion, energy systems and biomedical devices, to tribology and agricultural technologies – but only when you can tear him away from his desire to create success. His latest idea just opened: a 16,000 sq ft maker-space on the George Fox campus. His plan is to make it easier for everyone to invent, make and create.
(Bob’s LinkedIn Profile)
Julie Marshall – Advisory Board Chair
Tenacious and formidable, Julie is a driving force behind the Accelerator and the Chair of our leadership team. A native of Chehalem Valley, Julie’s passion is to better the community and the Accelerator is her latest project.
Fresh out of the University of Oregon, Julie helped establish a genetics laboratory at the Oregon Graduate Institute. And, knowing how important it is to raise community, she took time off to raise her children before returning to the workforce at A-dec, the largest dental equipment manufacturer in the nation. Scientist-turned marketing professional, Julie focuses on brand strategy, market research, end-user product development, and salesforce training – publishing journal articles, technical documents and catalogs, case studies, and other research. Like the at-home-mom/scientist/marketing guru that she is, no challenge is more fun for her than bringing up the Accelerator.
(Julie’s LinkedIn Profile)
Miles Oliviera
Some people are just wired to help solve problems. Miles is one of those people. Whether working with enterprise customers or small businesses, Miles believes the best part of his job is helping them build scalable tools to fit their ideal process.
Miles knows a lot about ERP software and the complex business functions that his products support. But he’s also a creative guy who’s into writing, editing, social media, and… farming? What? Yep. Miles’s dirty fingernails from the family farm and his drive to create solutions to complex problems make him a perfect fit for helping startups succeed here in the mid-Willamette Valley region.
(Mile’s LinkedIn Profile)
Stan Primozich
Always on the run, Stan covers a lot of ground throughout Yamhill County and Oregon in various volunteer capacities, and in his first term as a Yamhill County Commissioner, serves as liaison to various county departments and committees. He leads by example, proving that the involvement of individuals is essential to making our region a great place to live, work, and raise families.
Stan has both corporate and small business perspectives as well as a strong financial background. Stan has been a small business owner for 7 years and an independent financial professional for over 30 years. Prior to that he spent 10 years working in district management with the JC Penney Company. Stan and his wife Janice have 7 grown children, 3 goddaughters and 14 grandchildren – and when he slows down, he enjoys every moment with them.
(Stan’s Yamhill County Commissioner Profile)
Doug Rux
The Mr. Wizard of economic development, Doug knows his stuff, can explain it to anyone, and has the same patient demeanor as Don Herbert. As Newberg’s Community Development Director, Doug’s focuses on providing the right environment for commercial and industrial businesses of all sizes to thrive. He takes a regional, collaborative approach and is highly respected throughout the state. Doug is a master engineer, managing large numbers of processes and programs necessary to build a balanced community – truly the conjurer of good things.
(Doug’s LinkedIn Profile)
Jock Schlowalter
Jock loves the creative process. Whether that’s building a company, creating a software vision, or helping his two teenagers with a project out in the garage, he feels the fun is in the creating, but also in seeing the results.
An experienced chief executive officer with a demonstrated history of success in information technology and software services (SaaS) industry. He founded two successful Internet based companies, growing them from bootstrap startups to multi-million enterprises. As a resident of Newberg, he hopes to leverage strong business development skills to help guide area startups with product development, operational processes, financing strategies, and brand building. His favorite bit of advice for startups is “Building a company is easy… Just never, never, ever run out of money!”
(Jock’s LinkedIn Profile)
John Stark
Basically, John is a rocket scientist. He grew up on Merritt Island, Florida, with a backyard view of Cape Canaveral, watching the space race. An artist – drawer of life and technology – from an early age, he worked as a scientific and technical illustrator. The rocket-man fell hard for the potential of early PC technology, going to work at Hewlett-Packard as a publications production manager, melding his art, technology and love of all thing digital that illustrate, communicate and make people happy – especially customers.
John’s experience at Mentor Graphics/Context, Tektronix, and A‑dec includes managing technical documentation development, customer and technical training, marketing programs, publishing technology, web/marketing communications, technical communications, and facility planning assets (2D and 3D). All for the cause of customer and company success, and the first seat on the next Mission to Mars.
(John’s LinkedIn Profile)
accelerate@chehalemvia.com
125 S Elliott Road, Newberg, OR 97132
Copyright © 2016 Chehalem Valley Innovation Accelerator
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8 Ferrrais, a Lamborghini, and a Prius all involved in most expensive car crash ever.
Two pretty obvious conclusions in this article.
1. A person that drives a Ferrari most likely is going to speed.
2. A bunch of rich people with supercars are probably going to race on the highway.
Drivers of supercars in Japan crash 'were speeding'
By: Julian Ryall of The Telegraph
Japanese police are blaming the destruction of eight Ferraris and a Lamborghini in a £2.6 million, 14-car crash on Sunday on excessive speed.
A witness told Japanese television that he saw the parade of supercars travelling at speeds of up to 100mph, which was double the speed limit on the Chugoku Expressway, in southern Japan, due to heavy rain that had made the surface slick.“A group of cars was doing 140kph (87mph) to 160kph,” the unnamed man told TBS News. “One of them span and they all ended up in this huge mess.”
Another motorist described how he narrowly avoided becoming caught in what is likely to be the most expensive car crash outside of a car racing track.“The front car crashed into the left embankment and bounced off towards me,” he said.
In all, a dozen cars have been reduced to scrap metal in the accident, including at least 10 that are among the most expensive and sough-after among collectors. No fewer than eight Ferraris and a Lamborghini Diablo were among the victims of Sunday morning’s collision, while the other victims were two top-of-the-range Mercedes-Benz, a Nissan GT-R and a Toyota Prius hybrid.
The drivers of the high-performance autos were apparently members of a car collectors’ club out for a less-than-leisurely spin, although it appears that the person behind the wheel of the Toyota Prius was simply in the wrong place when the accident occurred. Ten men and a woman were admitted to nearby hospitals for treatment, although local police said none of the injuries were life-threatening. Police declined a request to identify the drivers involved in the crash, although Mitsuyoshi Isejima, the executive officer of the Yamaguchi Prefecture Expressway Traffic Police, was quoted by Bloomberg as describing the drivers as “A gathering of narcissists.”
Police believe the accident was caused at around 10:15am when the driver of a red Ferrari was switching from the right lane to the left lane on a gradual 400-metre curve on the expressway, close to Shimonoseki in the far south-west tip of Japan’s main island of Honshu. The drivers were reportedly traveling from Kyushu to the city of Hiroshima for a gathering of car enthusiasts. Local media have reported that the driver of the car that is being blamed for the crash is a 60-year-old businessman from the city of Fukuoka. If he is convicted of dangerous driving that resulted in an accident, he could face a prison sentence of up to three months or a fine of up to Y100,000 (£820). On the plus side, the car club has not seen its entire collection wiped out at a stroke as at least four other cars managed to avoid becoming entangled in the crash.
Still, it took local police more than six hours to clear the highway of debris and Japanese news programmes have shown repeated shots of the cars scattered across the road. Footage taken from helicopters above the site showed one of the Ferraris had suffered a crumpled rear-end and had been shunted into the safety barrier alongside the highway. Alongside it, another two red Ferraris had come to a halt alongside each other, although pointing in opposite directions.
A few meters further on, a white sports car had come to a halt with its bonnet forced beneath the crash barrier. Beside the car, four police officers were interviewing two young women and a man.
No one has been yet been charged over the accident.
Posted by Brandan Davies Esq. at 11:30 AM
Labels: car club crash, crash, expensive car, japan, speeding and caused crash
8 Ferrrais, a Lamborghini, and a Prius all involve...
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Tag: Guest Speaker
MUD Talks: Eryn Krueger Mekash
July 21, 2017 July 31, 2017 Make-up Designory
Photo: Deverill Weekes
MUD: Talk about your early life and how you became a MUA?
EKM: My early life was spent in the hospital. So I’ve had kidney problems. I’ve had a lot of surgeries, which I think very much led to my imagination running wild and escape tactics to get out of the hospital. I had a huge support system with my parents and my brother who is younger than I am. My family loves Halloween, so I think in an effort to have this normal childhood when I was home, we had big Halloween parties and Christmas was a big deal. So I was exposed to not only so much realistic horror but also you know monsters and all kinds of stuff because my parents loved that. I’d been doing make up on myself like little funny things since I was 7 or 8. So I always loved it and it kind of started leading me in that direction as I went to do art classes and things in Junior High School.
I started High School in 1982, which was the year of American Werewolf in London, Thriller, and The Thing were happening. Make Up Effects were everywhere. It was booming. So I got see a lot of behind the scenes things on television and I just knew that was what I wanted to do. So I slowly moved in that direction and was in college taking art classes and taking Sandy Berman’s Make Up Effects school, which was this 4 week course where I learned the basics. Then I quit college and got a job but the make up and the monsters had always been there my whole life. Whether it was creature features on Saturdays or my brother making horror films and me helping him, it just was something that was always a part of my life so it seemed like “oh of course that’s what I want to do.” Although it took a minute, because I didn’t know that was a real job!
Also there wasn’t much access back then. I mean you could write letters and send up a smoke signal, but there wasn’t any internet. There wasn’t any way to contact people and say “I want to work for you.” You just had to make a lot of cold calls. There was a lot of men and not very many women. Initially it might have been a token thing to have a girl working in the shop. John Beakler took a chance on me. That was my first job I had. So many people have worked for him that have started their careers there and I’m so grateful to Sandy Berman and to John. They both know that.
Eryn doing make-up on Jane Lynch for Glee
Photo credit: Eryn Kruger Mekash
MUD: Talk about working in the shops and how your career began?
EKM: I started off at John’s shop and quickly moved to other shops where I didn’t realize that at John’s shop you could do everything. You were doing whatever he had available to work on. So the sculpting, foam running and going to set with it were all things I did. However, the bigger the shops you worked at, the less you got to do that. It was more of a specialized area and I was not a good painter, not a good sculptor and not fast but I was a good mold maker. So I started doing that as well as doing seaming, finishing work, and some hair work.
Those kind of propelled me along but I wasn’t really getting on set the way I wanted to. I really wanted to be doing application. Of course, I would just practice on the weekends and do little jobs. I worked in the shops like 4 years and it was really hard but I loved it. After that time, I finally decided to start moving away from shop work and doing beauty make up, because I knew that would eventually help move me into being on set more and getting to do more prosthetics. So I worked on General Hospital and got all my Union days. That said, it’s invaluable having worked in the shops. I mean at least four to five times a week I’m referring back to that or how to correct an issue or how to talk to a shop owner or an effects person on how to do something. I know exactly how hard it is to create a piece and deliver it to set because I have all that background.
Make-up on Evan Peters for season 1 of American Horror Story
MUD: Talk about working with Ryan Murphy?
EKM: Ryan and I started working together about 14 years ago when James McKinnon was the Department Head on a pilot called Nip/Tuck. James was going to go back to do Alias and he wanted someone that he knew that he could trust to take over Nip/Tuck for him. So he did about four or five episodes of the first season and I was the key. Then I took over from there. After that, Ryan and I just had a really good connection and he would ask me to do other projects. I’ve done almost all of his projects. It’s been an incredibly rewarding relationship. I can’t say enough about him. He’s an incredible boss but he also loves make-up, hair and costume so much. It’s rewarding to be with somebody like that who values what you do, because I’ve been on jobs where they are just so put out with having make-up or hair there at all. In those situations it really is just a paycheck and it doesn’t feel great to be involved with people that feel that way. So I just feel so rewarded and grateful to have found a relationship with somebody like Ryan.
Make-up on Sarah Paulson for American Horror Story : Asylum
MUD: You had a pretty amazing night at the 706 awards. Can you speak about the awards you won and what happened when Ryan Murphy spoke when he received his lifetime achievement award?
EKM: I was very excited that Zoe and Heather were honored for the People vs OJ. I designed that show and stayed on as designer but Zoe did the day-to-day after the first two episodes the last eight episodes she was Department Head. She ran all of that with Heather, who was the key. They did such a terrific job. I was so pleased that they won for that.
The other one was for the prosthetics and that was really surprising. I was excited that we won! It’s really so cool to get an award from your peers for something that you’ve always loved doing. It was really neat. Plus I get to work with my husband, which is really cool. So he won for that as well. I have an incredible team and I wish we could share it with everybody. I wish there were more award spots available that we could have everyone up there.
As for the lifetime achievement award… that was a total surprise for the most part from Ryan. I had no idea. I had just spoken to him over an email where he wanted to know how many characters we developed for Feud, so I told him and that was it. I thought maybe he was just going to mention it or something. Remember it was his distinguished artisan award so it’s about him and how amazing he is. Yet he pretty much spent the entire time talking about 706 and how amazing make-up and hair are to the craft of filmmaking. So that was so moving in the beginning and then he started talking about Feud and how honored he was to have all these crews that were so diverse. Then he said I was going to get a producer credit this year and I couldn’t believe it! I’m still in shock about it. I’ve pretty much had a similar role for these last few years where I’m the mouthpiece for him. He said “You know what I like. You make sure that I’m represented on set.” So that’s what I do. I make sure that what directors ask for is in the realm of what he wants being shot. My whole team is like that though. It was a surprise and I’m super excited and honored.
Eryn with Taissa Farmiga
MUD: Have you discussed what this means now you are a producer for his company?
EKM: I had a meeting with him yesterday and some concept meetings. What would be cool is that I get to have more time with him. Ryan’s so busy so a lot of our relationship in the last few years has been an email relationship. So I don’t get to see him all that often. Once in a while we’ll connect in a meeting or he’ll come to set and chat with me but it’s very brief.
I don’t know how much more than what I’m already doing is going to fall under a producer title. I think it’s just more of an honorable thing that he gave me. A couple of years ago, I moved up to having a make up designer credit. So I think it’s going in that direction which is showing my responsibilities. We’ll see. Its always exciting around the Ryan Murphy world.
Make-up Jessica Lange and Susan Sarandon for Feud
Photo Credit: Vanity Fair
MUD: Any advice for up and coming MUA?
EKM: Early on, try and focus on which way you’re going and not be super spread out. It’s hard in the beginning, because you want to just take every job to pay the rent. I understand you have to kind of do that, but I think once you start working a little bit then you should try and fine tune exactly which way you want to go with thing. Don’t stay out there drifting. I knew that what I wanted to do but I wasn’t sure how to do it. So I think focusing and being more proactive on what you want is key.
MUD: Any final thoughts?
EKM: You are only as strong as your weakest link. It’s your team members that propel you to do these great projects so I have this great base of people I rely on. Mike McCash and Kim Airs are my two main people that help me move forward through all these different projects. Ryan has a very unconventional view on how to do things and not everybody would support that but my team does. I feel very fortunate for that.
Uncategorized American Crime Story, American Horror Story, Eryn Kruger Mekash, Evan Peters, Feud, Glee, Guest Speaker, Jane Lynch, Jessica Lange, make-up, Make-up Artist, MUD Talks, Nip/Tuck, Sarah Paulson, Scream Queens, special effects makeup, Susan Sarandon, Tassia Farmiga Leave a comment
Industry Speaks: Vincent Schicchi
Vincent Schicchi with NY students
Thank you, Vincent Schicchi for stopping by our NY Campus to chat with our students! Vincent has had a long and successful career spanning over 2 decades as a special effects makeup artist. In that time, Vincent has racked up a multitude of movie, television, and Broadway credits. These credits include Spiderman 2, The Heat, SNL, The Fault in Our Stars, The Wiz Live. He also runs the New York based state of the art Creature FX Shop.
Though, he has found a great deal of success as a SFX makeup artist Vincent continues to sculpt and create as much as he can in his free time and stressed to our students the importance of practice stating “Get your name out there, you’re going to learn that there’s ten different ways to do one thing. When you get bored and you’re at home still practice to keep your skills up” We’re sure our students will follow your advice Vincent!
Uncategorized Guest Speaker, make-up, Make-up Artist, MUD NY, Saturday Night Live, SNL, special effects makeup, Spiderman 2, The Fault in Our Stars, The Heat, The Wiz LIVE, Vincent Schicchi 1 Comment
MUD Talks: Alex Noble
May 19, 2017 kcavanaughmud
We recently had the opportunity to speak with Alex Noble! He swung by our LA campus in Burbank to tell students about his career thus far. From “Desperate Housewives” to “Fear the Walking Dead,” Alex certainly had a lot of wisdom to share!
MUD: What was your first big break?
Alex: My first big break was coming out to Los Angeles. Because that was a hurdle that I had worked hard to overcome. I was in Cincinnati, Ohio at the time. Getting into the Union was also a really a big break for me. Movie-wise though? That’s a tough one. There was a movie I worked on that has a $1.3 million budget. I got in on a recommendation from a friend of mine already working on it. They took a chance on me. I was co-department heading with another artist. It was called Forbidden Warrior. Yeah you’ll never see it.
MUD: What’s the best way for somebody to ask if they can assist you?
Alex: Erin Krueger Mekash had a fantastic one. Don’t ask if you can clean my brushes. If you want to assist me, I want to know how good of a make-up artist you are and not how good of a brush cleaner you are.
MUD: Talk about your work on “Desperate Housewives.”
Alex: I did a movie many years ago called “Without Men.” It starred Eva Longoria among others. I was department head so I did Eva’s make up. She looks at me one day and she says “Have you ever thought about coming on Desperate Housewives?” I said, “I’d love to, but I don’t think they would touch me.” She’s like “Why not?” I replied, “Because no one knows I do beauty make-up.” Keep in mind, at this time I was doing “Terminator” make-up. I was doing a lot of effects-based make-up for independent movies like “I Am Number Four.” She looks at me and says, “Well you’ve been doing my make up for about 18 days and I think I’m a pretty good reference.” I loved her for that. I told her “I appreciate the opportunity, but I don’t want to replace anybody or make any ripples in the water at all. If you’re willing to do this then I want an opportunity to prove myself.” She said “Done!” Four months later, I was on the show and I didn’t replace anyone or ripple any waters. I became their regular addition for the next two seasons and I didn’t do a touch of effects make-up.
I can tell you right off the bat it scared the hell out of me. Here I am, new kid on the block and I’m working on the glamour show of the decade. I’m confident in my beauty make-up, but my confidence means nothing if the people that hired me aren’t confident. So that was the big concern. I like to do natural look. I don’t like to do glamour or high fashion. It really pushed me personally and professionally to go outside my comfort zone and boundaries. While I never had to do high fashion make-up, I did have to do high-end make-ups.
MUD: How much pressure was there on “Desperate Housewives” to make sure everyone looked amazing?
Alex: There wasn’t that much pressure because all of the pressure on the make-up was being directed to the five girls. As long as they were flawless, everyone else was okay. (Not that I could slack off!) Yes, I was there for two seasons, but at no point in time did I ever think I was safe. Because of that, I continued to be on top of my game. I’d always think, “Okay this will keep me on the show or I’ll get fired.” That was every day.
I never thought I would be on that show. It was the kindness of Eva and my abilities as a make-up artist that allowed that to happen. Every aspect of the show was magical.
MUD: Talk about working on “Fear the Walking Dead.”
Alex: Again, it’s magical to be a part of the Walking Dead family. It can be difficult, but it’s like I asked my dad, “Was it hard to get that good?” He said, “It took work, but it was it hard? No, because I love it.” Is it tedious? Yes! You can be in the trailer for five hours doing make-ups with nothing but airbrush or prosthetics and airbrush.
MUD: Do you prefer to work in TV or film?
Alex: I prefer working on either film or television. I like film because you are able to establish a family, a bond and it’s almost like summer camp. Whereas TV, you still have families and bonds but it’s more like a school year. I’ve never department headed a TV show so I don’t know what that’s like. I know plenty that have and they enjoy it. It’s a steady paycheck and they love what they do.
MUD: What is your favorite make-up you’ve ever done?
Alex: There’s three favorite make-ups. What I’m working on now, which is “Fear the Walking Dead” because that’s a dream come true for me. My favorite project was “Desperate Housewives” because that’s an amazing experience with amazing people. It was an incredibly well-oiled machine. And lastly, “Terminator: Sarah Connor Chronicles” because that fulfilled a bucket list in the sense that I always wanted to work on a Terminator Series.
MUD: What is the best advice you have ever been given?
Alex: My uncle had the best advice. “Don’t ever consider a long term relationship with someone you wouldn’t consider being a business partner with. If you trust them with your business, you can trust them with your heart.” If I can’t trust someone personally, then I can’t trust someone professionally. If I can’t trust them professionally, I sure don’t trust them personally. Nobody can accuse me of being a liar, cheater or thief. Honesty is so important to me because I want people to be honest with me. If I do something wrong, tell me. But if you don’t tell me, I don’t know how it’s gone wrong.
I do believe that you get what you deserve. Every decision you’ve ever made in your entire life has led you to be where you are right now. It’s decision making. That’s one of the truths that people don’t really like to hear especially when they fall on hard times. Look, I‘ve been on hard times, guess what? I caused it! Every decision I made.
There’s no point in looking back and saying “What if?” What you do now from this moment forward will affect the rest of your life. Every decision you make now affects every other decision. So make the right decision.
MUD: Where would you want the career to go next?
Alex: Oh god, to walk on stage at the Kodak Theater. I would like to do a war epic. I’d like to something like “Saving Private Ryan” or the Iraq war. I like doing dirt and blood and bringing light to situations if it helps the troops. I may not support why we’re doing what we’re doing, but I sure support the people doing it.
Uncategorized Alex Noble, Guest Speaker, MUD LA, MUD Talks Leave a comment
MUD Talks: Ray Shaffer
May 18, 2017 May 19, 2017 kcavanaughmud
When you ask anyone about Ray Shaffer, industry professional or student alike, they will tell you that he is the kindest, most genuine, and hard-working man they know. He is the gentleman of this profession. His road to make-up wasn’t a direct course, but that’s what has made him an excellent artist and a phenomenal teacher.
MUD: What was growing up like? And what led you to make-up?
Ray: I was born at the Submarine Base in Groton, CT. My Dad was in the Navy at the time and worked on nuclear submarines. Part of my childhood was very residential, and part of it was moving around a lot because I was part of a navy and a coast guard family.
I first got interested in make-up when I was very, very young. My mom was and still is a nurse. She’s been a trauma nurse for about 54 years, and she’s finally going to retire this spring. She used to work the 3-11pm shift at St. Vincent’s Hospital. She would get off work around midnight or so, and come home to get me out of bed to watch Mission Impossible reruns together. There were lots of disguises in the show and my head just smoked at the idea that people could be different people. My dad wasn’t into monster movies, but when I was 5 or 6 he would stay up with me to watch the Creature Feature at night. That was really cool because he’s a very down to earth guy and monsters really weren’t his thing.
MUD: What was your first introduction to make-up?
Ray: I remember when I was 12 or so, Dick Smith had a Monster Make-up Kit that you could buy at toy stores. I was saving up from my paper route to buy it, and I would go into KB Toy Store and look at it longingly. My birthday is in October and I was hoping to have it in time for Halloween, but I knew I was going to be a few bucks short. Well, on my birthday, my grandparents came over. My Grandpa drove a big green Chrysler and I was feeling bummed when he called me over to it. He pulled out a box and he had bought me the Dick Smith Make-up Kit!
Basically, the kit was vacuform molds and you made your own appliances out of gelatin (Dick called it flesh flags). He was looking for something easy to use and relatively non-toxic, which it was. The whole heating it up thing was a little weird. You probably couldn’t get away with that now. But the first make-ups or appliances I did were out of the Dick Smith Kit. Later on, I found “Stage Make-up” by Richard Corson in the library and that put me up on a different level.
I remember the first appliance make-up I ever tried to do on my own was a Rocky Balboa make-up. I was 14 or 15 trying to recreate the boxer damage makeup. I remember being very happy with it at the time. I lost the pictures, but I’m very glad because it was probably awful. It was a lot of fun. Later, I remember what a thrill it was to meet Mike Westmore when he came out to MUD to talk. He had been the make-up artist on the first few Rocky movies, and on First Blood and Raging Bull, and all these cool films, plus Star Trek. It was really cool!
MUD: How did you turn your interest in make-up into a career?
Ray: I started out wanting to act. I’d always loved make-up, but being from the east coast, I may as well have being talking about being a rocket scientist or being a ping pong player in China. I didn’t understand enough about the field to figure out how to make that happen. Because I wanted to act, I used make-up to augment my range as an actor. I’m a pretty unique looking guy, so unless I just wanted to wave a steak knife, or be the guy yelling, “die, grandma die!”, I needed a little help to make me believable as other characters.
In the course of working in theater in college, I was working on a type of play called a reconstruction. It’s where you take a classic text and rearrange it. It’s usually experimental theater. My college did Hamlet, and my roommate was playing Hamlet’s Father. Our director had the idea to make him a Viking Chieftain. And what do they do when a they die? They’re put in a funeral pyre. So we needed to have this crispy critter corpse kind of guy. A role like that is an awful lot for a 20 year old actor to wrap his head around. He tried different things, but wasn’t happy with what he was doing. So I built the mask for him.
I remember him putting it on and staring in the mirror and being very, very quiet about it. When you see your face burnt down to the skull, the whole idea of how much you’ve been violated hits you. That night at rehearsal, he was a whole different cat! I remember him walking off the stage and hugging me. I was so emotionally overwhelmed by that — it was probably at the point I jumped ship. I felt I was doing better work influencing other performers than I was enjoying acting myself.
MUD: How was your career starting to take shape at that point?
Ray: I sort of divide my career into East Coast and West Coast. My first prosthetic makeup job ever was in a theater in Massachusetts. I remember they thought I could age a whole cast for $50. And I did it! I ended up having to augment it with cotton and latex.
My first job on the west coast was for Rob Burman. It’s funny because it just got released! Andrew Getty, who was the grandson of John Paul Getty, was a sort of auteur. He wanted to be a film director. He had some very nightmarish visions and he tried to write a narrative around it. Basically, he picked away at this film for a long time. He would shoot it a little bit, then he would get upset and stop, then he’d start again with a different crew…and so on and so forth. He passed about 2 years ago or so and his estate had the work completed since he was in post-production, and just released it on DVD and Video on Demand. It’s called “The Evil Within.” There was some creepy stuff in there. There was a spider that was stitched together from human body parts. Lots of practical gags and lots of in-camera tricks, things with perspective. I’m not sure if there was any CG at all. But that was my first film. That was also my first job for Rob Burman.
MUD: When did the transition to teaching begin?
Ray: I came out to the west coast in the summer of 2000 and I worked intermittently then continually was a make-up artist, but primarily as a lab technician. That means I made molds, I did hair work, I did castings, sometimes when the sun shone in the right direction, I even sculpted. I did that for 10 years. In the late 2000s, a lot of things really depressed the film industry. SAG went on strike, and then the WGA went on strike. And then the banks crashed, and I navigated that as best I could but nobody was working.
I had to look for another opportunity. Also around this time my mother started getting sick. Mom is a tank so I knew if something was wrong with mom, then I wanted to be there. So I went back to the east coast to try to be of use to my family. In the course of wanting to stay busy, I was going through Craigslist, and there was an ad that the MUD NY was looking for instructors. At the time I didn’t even know MUD had a campus in NY! So I contacted them.
I know that I’m a patient guy, and I hoped that I’d be descent at teaching. I was surprised by how much I loved it! There was an adjustment. It’s challenging to take 20 people who are all at different motivation levels, ability levels and artistic levels and to guide them as a unit through things they sometimes don’t believe they can do. So there is a learning curve. What started out as something I wanted to try, turned out to be something I love very, very much. I think of friends back home who are knocking rust off of boats and making t-shirts and working in fast food stores, and I’ve got the best job on planet earth.
MUD: With having a career sculpting, molding, applying, and painting, what part of the process is your favorite?
Ray: What do I love doing? I love sculpture and molding. What is it that I love about make-up? I just love the whole idea that we can make things that never existed before, that you can sit down with a motivated actor, and a little artistic vision and hard work, and combine it with a bag of cement and a block of wax clay and turn it into people, and species, and creatures that the world has never seen before. It’s so creative and only limited by your skill set and your imagination. And there’s not a lot of that left in the world anymore. Everything is prepackaged. For us to be able to make something that is so unique and individual in this world is something else.
MUD: What has changed about the industry from your perspective?
Ray: I think computers have become a bigger part of it, but even that is cyclic. Now, there’s a big push back. I think make-up and computers are both awesome tools, provided they are used appropriately for their strengths. If I use a hammer to hammer a nail, it’s a wonderful tool. If I use a hammer to saw a table in half, it’s sort of a mess.
When all of the changes started happening was when Avatar came out. That scared the begezus out of all of us. There had been fun CG characters for some time, but Avatar was the first instance where a director could look through the viewfinder on the camera and in front of him were people in motion capture suits. In real time, he was seeing blue kitty people in the jungle. Basically when everyone saw that it was a huge hit, it freaked everyone in the industry out. Everyone making films at the time stopped and went into turn around mode. They wanted to evaluate this new option, and there was only one studio in the world that was doing work that good, WETA. Other studios caught up, but it took a while and in the meantime, nobody was working.
There was a time when every action or adventure film you saw was just filled with lots of cartoons. Then, there was almost a backlash against it. People were tired of watching confused looking actors standing around monsters that clearly aren’t there. The Star Wars prequels are a great example. People standing around in a green room looking confused. I think people missed what make-up brought to performances, like the physical space that they fill on screen. There’s a real tangible quality to them. If you look at the cast of Phantom Menace, they are clearly great actors but you look at how they struggled in that movie. Then you look at a movie like Alien, you have Sigourney Weaver in a real space with a guy in costume in a smoky alley with drool dribbling on her — that affects your performance.
Great make-ups in your presence effect your performance. All of a sudden, you feel like you’re in the presence of an alien, or a senator from another planet. That effects actors in a way that someone standing and talking to a mark on the wall does not. They’re effective in a way that CG often is not. It’s nice to see it come back. I think everything runs in cycles. In some ways, opportunities have declined, and in other ways they have not. There are far more people making movies these days — whether it’s a YouTube movie, Netflix, a feature, or a low-budget thing. In some ways, there seems to be more work!
MUD: What does the future hold?
Ray: I would be happy teaching as long as MUD is happy having me. I would be happy sculpting and creating make-ups. I’m getting better and look forward to continue to get better all the time. There are things I think are good or bad, but there’s always improvement that can be made.
MUD: What advice for make-up artists do you want to share?
Ray: Work hard and don’t quit. I know that sounds like such a stereotype. A lot of these pieces of advice you hear so often tend to lose their meaning, but I’ve seen wonderfully talented people not succeed when they only need to try a little built harder and not quit. A lot of time common sense and a work ethic are super powers. Don’t let anybody tell you that you can’t do it.
If I have no other gift, I hope as teacher, I have a gift to help someone who’s straight out of high school, or wherever they are in life, believe that they can get through a sculpture. And then they can get through fiberglass. And if you keep on trying, doors will open. All luck is your preparation meeting the right opportunity. So, don’t quit, and believe you can do it. The whole idea of being able to make something from nothing is very empowering. Rob Burman used to say, “once you learn you can make stuff, you’re never the same again.”
Uncategorized Guest Speaker, MUD LA, MUD Talks, Ray Shaffer Leave a comment
Graduate Spotlight: Nicole Faulkner
“Be positive, be grateful, make art, and be nice to each other!”
– Nicole Faulkner
MUD: Tell us a little bit about your background. Where are you from? What did you want to be when you grew up? What led you to MUD?
Nicole: I’m a Cali girl! I grew up in Corona, CA — about an hour and a half south of Los Angeles, actually. I always loved art growing up. I toyed with the idea of fashion school, tattoo artistry, architecture…but I never really considered make-up artistry a real career until probably my junior year. I had to do a project for my Career Choices class on a topic that interested me and that’s when I really dove into the world of make-up, learning about all the different career options and understanding what being a freelance artist meant. I started doing research on schools and fell in love with MUD! Everyone said it was the best so I thought to myself, “this is it, I HAVE to go here!“
Pentatonix at the 2017 Grammys by Nicole Faulkner
MUD: What are you doing now?
Nicole: I graduated from MUD in early 2010, and since then I’ve been a freelance working artist here in LA! I live in the valley, near Sherman Oaks. I have a 2 bedroom so I could turn one room into a little studio for myself! I now work with some of the biggest directors, musicians, social media superstars, celebrities, actors, and make-up brands! I’ve worked with Def Leppard, T.I., 5 Seconds of Summer, French Montana, and toured the world all last year with 3 time Grammy award winners, Pentatonix. I work with TV stars like Leah Remini, Raven Simone, Eddie Griffin, Michelle Visage on Ru Paul’s Drag Race, VMAs, CMAs, Grammy’s…etc. I’ve done make-up on internet superstars like Tyler Oakley, Jeffree Star, Todrick Hall, Joey Graceffa, MannyMUA, Jaclyn Hill, Nicole Guerrero, TheGabbyShow, etc. I work with award winning director, Hannah Lux Davis who is so incredibly in demand — I’m lucky to be her go to girl for every music video she does! I also work closely with different makeup brands like Morphe Brushes, MAC cosmetics, Benefit Cosmetics, and Jeffree Star cosmetics for collaborative video content or campaign ads for new collections!
Jeffree Star by Nicole Faulkner
MUD: What did you do right after you left MUD?
Nicole: Right after I left MUD, I immediately started freelancing. I was actually freelancing while I was still in school at MUD! I started working with students from LA Film School and just networking a lot, taking every job I could even if there was little to no pay. I was also test shooting with different photographers, just trying to get my name out there and build a reputation and I knew that would take years so I wanted to start ASAP! But when I did graduate, I started booking more stuff — music videos with new upcoming artists, short films, and small feature films. I also got a job part-time at MAC Cosmetics.
Todrick Hall by Nicole Faulkner
MUD: What do you remember most vividly about your time at MUD?
Nicole: I remember how clean everything was, the white walls, white countertops, fresh scent. Everything felt clean and new every day, like each day was a fresh slate. I liked that a lot.
By Nicole Faulkner
MUD: Do you/will you stay in touch with the friends you made at MUD? Why do you think that is important in your line of work?
Nicole: My whole class was really cool — we would all hang out after school and on weekends but after that, we all kind of lost touch. Some people moved back to their hometowns or went on to hair school, etc. I did make one life long friend Barbra. She lives in Utah but we talk often and I go visit her about twice a year and that’s cool to have MUD as our memory of where we met and reminisce on that experience with her!
MUD: Tell me about your best day at MUD!
Nicole: My best day at MUD was my last day at MUD because I remember reflecting on everything I just learned and that whole experience and just being so proud of myself and feeling READY for whatever, I have always been super ambitious and my MUD experience gave me that extra juice I needed to get out there and hustle.
RuPaul’s Drag Race judges, Michelle Visage and Todrick Hall.
Make-up by Nicole Faulkner
MUD: What are some lessons you learned at MUD that you think will be most beneficial in the “real world?”
Nicole: Sanitation! Number one most important thing you can ever learn in this industry! But also that hands-on experience working on all of my classmates — some with perfect skin and some with not-so-perfect skin. There’s so much variety and each face is different. Everyone’s eye shape, skin texture and skin tone are so different, so it was nice to sort of face everything you’re afraid of in class so when your out there working, you never feel insecure or scared of not being able to manipulate your product to work for a particular client.
Joseph Gordon Levitt with Nicole Faulkner on the set of “Hit Record.”
MUD: Would you have done anything differently?
Nicole: I specialize in avant garde make-ups and “heavy glam” type of looks and in school I would always try and do too much! In beauty class for example, I wanted to bust out all my tricks and crazy colors and big lashes. I thought basic HD beauty make-ups were boring, but when you really get out there, A LOT of jobs require just simple clean beauty make-ups and I didn’t really understand that. Being 18, I just thought “Oh, glitter, cut crease, huge winged liner on everyone!” I would have really taken that section more seriously because I ended up having to really train myself in the art of holding back and just executing clean, camera-ready looks. Just because you can do stuff doesn’t mean you have to do them all the time! There’s plenty of time to do all that fun, wild stuff with crazy colors and flex all of your creative muscles, but it’s also important to really understand and perfect the basics too!
Nicki Minaj at the VMAs. Backup dancer make-up by Nicole Faulkner.
MUD: Do you have any words of encouragement for those considering applying to MUD?
Nicole: You get what you put into the experience. If you come, really come. Like, be there mentally, physically, emotionally, all of it! Soak up all the knowledge you can and then get ready to work your butt off!
Nicole Faulkner and Frankie Grande
MUD: Lastly, what advice to you have for today’s MUD students?
Nicole: Just enjoy the experience! Always come to school with a good attitude, never bring personal life problems or stresses into the classroom — treat it like you’re on a make-up job. Clients look to us for constant good energy, good vibes, and positive words of encouragement and it’s so important that you project that. At the end of the day, it’s make-up. MAKE-UP! How fun is that? I feel lucky and blessed to have been so successful in a career I love so much and I’m so passionate about! Be positive, be grateful, make art, and be nice to each other!
Uncategorized Grads, Guest Speaker, Jeffree Star, MUD LA, Nicole Faulkner, Pentatonix, Todrick Hall Leave a comment
MUD Talks: Kato DeStefan
We recently sat down to talk to make-up artist, Robert Kato DeStefan.
Below, you’ll find out about his work on Guardians of the Galaxy, NCIS, Teen Wolf and more!
MUD: Where were you born?
Kato: Rockville Center, New York.
MUD: What was it like for you growing up?
Kato: Fun! Also I was a shy kid, so it was kind of lonely but at the same time, I grew up in an Italian American family. Even though I was an only child, I had a lot of cousins around so there was always somebody to mess with.
MUD: Where do you get inspiration?
Kato: It’s totally from my friends. I’m very fortunate that my friends are really some of the most talented make up artists out there constantly pushing the bar setting it higher and higher. I really need to look no further than them. Whether it be Margaret Prentice, Eryn Kruegar Mekash or Richard Redlefsen here in Burbank they are all such brilliant artists. Surround yourself with good people and it makes you want to be better.
MUD: What drew you to make-up as a career?
Kato: Growing up watching Star Trek and Planet of the Apes kind of set things in motion. I also watched a lot with the Universal horror films and Hammer horror films. Not being a sports related kid, I would sit inside all weekend and watch all those movies on TV. Then once the movie The Thing came out, that was the absolute final nail in the coffin where I said “I have to do this for a living!”
Kato: That would be getting a job at SFX working with Steve Johnson. Prior to that, I had done while still in make up school, I did a job with the director of the school. It was a little short film for Saturday Night Live called Sleep Tight where you had a sandman character. One of my classmates was Louie Zakarian who runs SNL right now. Louie was still working on his project when mine was done so he took me on set and I got to work on that for a couple of days.
MUD: Who are your heroes and mentors?
Kato: I would have to say Rick Baker because he really set everything in motion for all of us. Dick Smith on a personal level as a teacher and a friend. Steve Johnson as a boss and friend. Michael Westmore really was tremendous, because I was a huge fan of his work prior to meeting him. He taught me how to be production friendly and how to be good on set with etiquette by watching how he treats people. He is an incredibly kind human being and is very generous not only with his knowledge but with his time.
MUD: Tell me about working on Suburban Commando and Batman Returns.
Kato: Oh God, yeah. That was the early days I was at SFX. Suburban Commando I was pouring dental acrylic into molds so you can get those little spines that came off the little suit or alien. I’d also be taking all the disinfectant and cleaning out the suit when it came back from set. Batman Returns was originally only going to be Bill Corso doing it. He was working on the burned corpse of Christopher Walken at the end of the movie that gets exposed. Steve had sent me since I was the runner down to Warner Brothers to pick up the sketch that looked like Jack Skeleington only with hair from Tim Burton. Bill was going to work on it and he realized it was more than work than he expected. So he was like “What are you doing this weekend? Do you want to help me?” So Bill was really the artist, I was just an extra pair of hands.
MUD: Tell me about your work on Con Man and The Guild.
Kato: It was great. It’s just like working on any other kind of set. Your still with professionals, it’s just the budgets are different. On The Guild, Felicia Day is an amazing producer and she did a great job writing on everything. She always knocks it out of the park. It was almost all straight make up with a little bit of character to it because of the steampunk characters for the season they did the convention. I wound up being in one of their convention shots actually. They were like “Okay you guys can sit there but just don’t look at the camera.” So we tucked our set bags on the other side of the chair so the frame had just me sitting there texting on my phone in the background.
Con Man was great and some of the same people there had worked on The Guild. I only did the one alien that we shot for two days on that show but I got to see Nathan Fillion again. I got to do his convention scene on the Guild. My friend Debbie Zoller is and was Nathan’s personal. I called Debbie and she told me how his make up is normally done. She even set it up so I went over to her house and picked up his bag so I had all the right stuff with me.
MUD: Tell me your work on Horrible Bosses 2.
Kato: That was actually something that was a break. I didn’t expect to work on it as much as I did. I started out as a day checker doing tattoos on Jamie Foxx’s stunt double who worked a lot more than Jamie Foxx did because it’s a lot of driving scenes. I think Jamie himself only filmed for a couple of days but his stunt double was used more. I believe it was Greg Nelson who started with Jonathan Banks’ character and they eventually gave me Jonathan to do. The Department Head, Debby La Mia Denaver, and I got along really well and she knew I needed days. So she brought me in whenever she could even if it was an eight and skate down in Irvine. Because of that I got to work on the poster shoot. There were two artists who did Jamie’s tattoos and one was off on another project. Since I did the double, I was familiar with the tattoos and I would help Kantaro Yanno with Jamie for the poster. That established me with Kanaterro working together and he gives me work all the time now. So that was really a very important film for me.
MUD: Tell me about your work on The Goldbergs and NCIS.
Kato: On the Goldbergs, I just get brought in to do background. Occasionally Bonni Flowers who’s Department Head will have me keep an eye on a principal actor on set. It’s standard day checking stuff. Kim Greene brought me in on the first season. Once Kim left and Bonni took over, she continued to bring me in when I was available. I’m very thankful for that because it was a special show having seen Sean Gianbrone, the little kid, grow up and watching the other characters grow into their parts has been a lot fun. Everyone on it is so nice. All the actors, all the crew really are family. I’m not as close there as I am with the Teen Wolf crew but close.
On NCIS, is a show where its “ok who’s the dead person of the week?” You go in early in the morning, you kill somebody, film it, go back, you clean ‘em up and you’re gone. So it’s a quick in and out. Tina Hoffman who’s one of the keys on the show, is the one who’s been bringing me back and she got her start under Michael Westmore. So we’ve got a great connection there.
MUD: Tell me about your work on Guardians of the Galaxy
Kato: Guardians involved just four days of pick up shots being done over at Disney. I was going in and painting box circles around people’s eyes and doing a little bit construction worker make up on the miners with the yellow dust on them. Just day checking and doing background make up for people who will be composited into shots. It was a great experience to be on it, because the sets and everything were fantastic.
MUD: When you work only a few days on larger high profile projects do you find those bigger credits help you get better work?
Kato: I never know. There’s the part of me that says it looks great on my resume but does it look great to me or to other people? For me, it’s great experience to be part of such a huge film. It makes me feel good. I also did Dawn of the Planet of the Apes. I got to do an eight and skate on that. I got to make up some of Gary Oldman’s people, which were about 15 background players on that. I jumped at the chance! I was working doing all night on Teen Wolf. I got out at 5:30AM, and I had to be at Fox at 9:00AM. I barely had time to stop home, shower, grab my kit and head down to the lot. I did it because it was Apes that was such a huge part of my life growing up. My mom took me to see the original five movies back to back that played all night at a drive in theater. I didn’t sleep! I was awake all the way through sitting in the back of our hatchback just glued. So the tiny bit I was attached to that film was fantastic for me.
MUD: Tell me about your work on Teen Wolf.
Kato: It’s a big part of my life for three seasons and a couple of episodes. It’s how I’ve paid my rent, how I’ve got my health insurance and how I’ve made some of the best friends I’ll ever make in this Industry. The show has a phenomenal group of actors and we actually do hang outside of work. It’s the only experience I’ve had quite like it.
I’m friends with Chris Gallaher who’s Department Head. He was in need of someone to come in and day check. I ran into him at Monsterpalooza and said to him “Hey if you’re filming I’m available” and he was like “Oh okay” so he brought me in for a few weeks to test me out. Gradually he kept bringing me back. I try to get along with everyone and I just wound up being a good fit.
MUD: What is your favorite make-up? Or If your house was on fire and you could only save one scene from all your movies what would it be?
Kato: By myself, my favorite is probably a Charlie Sheen look-a-like make up for the film that got me in the Union called Not Another Celebrity Movie. I got to work with the actor David Burliegh a good portion of the time and it was only a three week shoot. It’s a favorite because it was doing someone who’s a contemporary figure.
My second favorite was the Abigail Folger make up on Aquairus. It was a challenge because that was the first time I had to do a make up based on an autopsy report.
MUD: Do you feel there’s any difference working on TV vs Film?
Kato: I don’t think it’s any different. Time is maybe more of a factor but you still need same quality on the level of finishing a piece because most of TV is HD now. The only thing is you’ll do more scenes in one day on TV than you will in film. Film is about trying as many angles as you can. TV is more about how many scenes can you get done in a day.
Is there a paycheck difference on TV versus film? Depends on what level you’re working at. Department Heads will likely make more, probably a lot more, on film. For us day-to-day grunts, just going in on a contract rate it’s the same either way. I made my best paycheck on a TV job actually. However, that’s because that FX shop I was with had negotiated a higher rate, and higher kit fee. On my own, I’m not really able to negotiate that rate. This is what rental is, our rate is and that’s it. As a Department Head you can get that higher pay but that’s dependent on experience and awards.
MUD: What has been challenging about make-up?
Kato: Having to match anything that Kenny Myers has worked on. Because we work next to each other on Teen Wolf and sometimes he’ll be doing the make up and I’ll be doing the stunt double. Kenny is a meticulous artist so it’s tricky for me to try and match anything that he’s doing. I can usually get the right side fine. Looking across at Kenny, I can see right side fine. It’s when I have to work on the left side it gets harder because it’s not the side I was constantly looking at. So it’ll be a lot of me stepping and running around to the other side looking at Kenny’s and then running back to duplicate it. This is especially if it’s the first day the make up is established.
Kato: Strangely it’s don’t be a d**k. Just try to get along. Don’t think you’re the best because strangely enough those who are don’t think they’re the best. Check your ego at the door. It’s a matter of attitude. Don’t have one.
MUD: What Advice would you give to someone just starting out?
Kato: There’s a quote from Todd Macintosh, which is “Know your craft.” Learn as much as you can constantly. The Industry is always growing and it’s better you stay on top of everything that’s currently happening but don’t totally dismiss the stuff that’s come before.
Uncategorized Guest Speaker, MUD LA, MUD Talks, Robert Kato DeStefan Leave a comment
MUD Talks: Amber Talarico
April 7, 2017 May 18, 2017 kcavanaughmud
We recently spoke with Amber Talarico at our LA campus in Burbank. Amber is the director of the documentary, “What It Takes” which highlights the highs and lows in the journey to become a make-up artist. Learn more about Amber’s career as a make-up artist here and definitely check out her interview below.
Uncategorized Amber Talarico, Guest Speaker, MUD LA Leave a comment
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Kristin Scott
Flim Star
BIRTHDAY May 24, 1960
BORN PLACE United Kingdom
BIRTH SIGN Taurus
Kristin Scott Thomas Bio
EDIT/Suggest of Kristin Scott Thomas
Who is Kristin Scott
Kristin Scott Thomas is a English and French actress. She came to kown as she appeared in popular films such as Four Weddings, Funeral and The English Patient. She is a very talented actress.
Early Life (Childhood)
She was born in Redruth, Cornwall. Her mother name is Deborah and her father name is Simon Scott Thomas. Her father is a Lieutenant Commander. She studied at Cheltenham Ladies' College and St. Antony's Leweston in Sherborne.
When she was just five years old her first biological father died in a flying accident. Her married got married to pilot husband. Unfortunately he also died after six years in a flying accident.
She is a married woman. She later got divorced to Dr. Franco. She have three children's named Joseph Olivennes, Hannah Olivennes and George Olivennes. She was in romantic relation with Tobias Menzies.
NETWORTH And ACHIEVEMENT
Kristin was honored with Légion d'Honneur in 2005. She was also honored with Order of the British Empire in 2015. In 2008 she won best actress award for the play The Seagull. She was also nominated for best actress award in 2013 for play Old Times.
There was rumor that she moved to France because her career was not well in English film.
Height of Kristin Scott Thomas
5 Feet 6 Inch
Height in Feet
Height in Inch
Height in Meter
Height in CentiMeter
5 Feet 6 Inch height inUnited Kingdom
5 Feet 6 Inch height ofFlim Star
5 Feet 6 Inch height ofTaurus
5 Feet 6 Inch height ofFemale
People Born On 1960 People Born On January 24 More on Flim Star
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John Woo is one of the renowned directors and producers from Hong Kong. He has also established himself as a writer. He has major influence on action genre.
John Woo Biography
Zoe Kravitz is a beautiful American actress. She is also a singer as well as a model. She have played in many hit movies like No Reservations, The Brave One and in X-Men: First Class as Angel Salvadore.
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Production Reviews
Opera Education
The Singing and Acting Handbook
Thomas de Mallet Burgess (a graduate of St. Edmund Hall, Oxford University) has established an international reputation for directing award-winning opera and leading ground-breaking research in opera/musical theatre performer training.
“This production of ‘Elektra’ does not require suspension of disbelief. It is simply ripped out of the audience…domestic horror made sublime and brilliantly rendered.” National Post (Toronto), Elektra, Canadian Opera Company
“de Mallet Burgess’ direction brilliantly plays artifice off against found mise-en-scene almost as a research method…sustained power, searing interiority and superlative musicianship and stagecraft of this fine production.” West Australian (Perth), La voix Humaine, Lost & Found Opera.
Opera credits include multiple productions for Canadian Opera Company, The Royal Opera House Covent Garden, Wexford Festival Opera, Opera Ireland, English Touring Opera and most recently to enormous critical acclaim for Lost & Found Opera.
Other credits include theatre productions in the UK, Belgium, Romania and the commissioning and development in Ireland of plays by new Irish writers on contemporary social themes.
He is author of the ground-breaking performer training work: “The Singing and Acting Handbook” (published Routledge London and New York) and a regular visiting artist at conservatories worldwide conservatories including: University of Cincinnati College-Conservatory Music, USA; California State University, Fresno USA; Pepperdine University, USA; Guildhall School of Music and Drama, London; The Royal Academy of Music, London; Rose Bruford College of Theatre and Performance, London; The Royal Irish Academy of Music, Dublin; Vadstena Academy, Sweden; and Western Australian Academy of Performing Arts (WAAPA).
His strong commitment to the role of the arts in wider society has resulted in a sustained history of collaboration with Outreach Departments of major organisations such as The Royal Opera House Covent Garden, Welsh National Opera, Opera North and English Touring Opera (where as Education Consultant he pioneered a three‐year ground-breaking programme on music with the Deaf Community).
He was previously Creative Director at The National Opera House, Ireland with responsibility for creating a cohesive artistic vision for Ireland’s first, purpose-built state of the art opera house and home to the Wexford Opera Festival.
Based for seven years in Perth, he was founder and inaugural Artistic Director of the critically acclaimed opera company Lost & Found, hailed as “the nation’s most innovative opera company” (Opera Magazine) and “one of the few genuinely disruptive arts organisations in Australia” (The West Australian). The company’s critically acclaimed productions have included Poulenc’s ‘The Human Voice’ (hotel room); ‘The Emperor of Atlantis’ (synagogue); ‘In the Shadow of Venus’ (three short contemporary American works at Perth Institute of Contemporary Arts and Winner of The West Australian Arts Editor Award); Milhaud’s ‘Médée’ (former asylum for women); and Bizet’s ‘Don Procopio’ (Italian Club and outer suburban wedding venue).
In July 2018 he was appointed General Director of New Zealand Opera, providing the creative and operational leadership at New Zealand’s national opera company.
info@demalletburgess.com
Australia +61 (0)409 290 901 (GMT + 8.00)
New Zealand +64 (0) 21 246 0500 (GMT + 13.00)
July 2018 THOMAS DE MALLET BURGESS APPOINTED GENERAL DIRECTOR, NEW ZEALAND OPERA
September 2018 Synchronised swimmers in opera? What NZ Opera’s new general director may bring.
Thomas de Mallet Burgess in the limelight – nominated as Australian Artist of the Year 2017 in Limelight Magazine
LOST & FOUND’S 5 STAR PRODUCTION OF ‘TROUBLE IN TAHITI’ REVIEWED IN AUGUST’S OPERA MAGAZINE.
Lost & Found hailed as one of the few disruptive arts companies in Australia
A second edition of ‘The Singing and Acting Handbook’ is in progress and the authors are currently organising a workshop tour to performing arts institutions in Europe and the USA to explore the methodology and ideas behind this ground-breaking work. Please contact Thomas de Mallet Burgess if you wish to organise a visit to your institution.
Ireland +353 (0)87 275 1402 (GMT + 0.00)
July 2018 THOMAS DE MALLET BURGESS APPOI
September 2018 Synchronised swimmers in
Thomas de Mallet Burgess in the limeligh
LOST & FOUND’S 5 STAR PRODUCTION
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Introduction to Data Structures
What is an Algorithm?
Asymptotic Analysis
Search Algorithms
Introduction to Sorting
Quick Sort
Introduction to Linked List
Linked List Operations
Data structure is a way of organizing data in such a way that we can perform an operation on this data in an effective way. There are two basic concepts of a data structure: Interface and Implementation.
The interface is the set of operations that a database structure supports whereas implementation provides the internal representation of a data structure.
Characteristics of a Data Structure
Correctness: Data structure implementation should implement its interface correctly.
Space Complexity: A data structure operation should use as little memory as possible.
Time Complexity: The execution time of the data structure operation should be very little.
Types of Data Structures
As we learned, anything that can store data is called a data structure. There are two basic types of Data Structures:
Primitive Data Structure
Non-Primitive Data Structure
Primitive Data Structures are the basic data structures that operate directly on the machine. They are also called the built-in data structures and have different representations on different computers. Primitive Data Structures are further divided into Integer, Float, Character, and Pointer.
Non-Primitive Data Structures are derived from the primitive data structures and are complex in nature. They are the user-defined data structures that emphasize grouping same or different data items based on the relationship between each data item. Non-Primitive Data Structures are further divided into Arrays, Lists, and Files.
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Hedge fund launches up 51%, says PerTrac
Author: Mitch Ackles, Hedge Fund PR
New York, NY - April 20, 2011 - PerTrac, the leading provider of analytics, reporting and communications software for investment professionals, announced the release of its latest industry study, Sizing The 2010 Hedge Fund Universe: A PerTrac Study. The study indicates that the single-manager hedge fund industry recovered in 2010 with assets under management (AUM) increasing 11% over 2009 to $1.6 trillion and 1,184 new funds launching representing a 51% increase over the prior year. Total AUM for single-manager hedge funds and fund of funds was $2.1 trillion in 2010.
Fund of funds continue to see AUM decline. The 3,196 fund of funds in the study – approximately the same number as in 2008 – had $518 billion under management in 2010. This represents a 10.5% decrease from 2009 and a steep 31% decline from 2008 when $750 billion was reported.
Commodity Trading Advisors (CTAs), the third category measured in the study, attracted investors in 2009 as a haven from stocks and bonds as their numbers peaked that year at 2,425. In 2010, the number of CTAs dropped to 1,997 which is approximately the same level as in 2008.
“As we look across the fund universe, one clear area of growth has been in the number of single-manager hedge funds, and we see that momentum continuing in the future,” said Lisa Corvese, Managing Director, Global Business Strategy at PerTrac. “Overall, the study demonstrates a rebound -- with the industry as a whole getting closer to prior peaks.”
The PerTrac study of hedge funds is unique because it is the only study that aggregates information from 10 leading global databases, allowing it to obtain a holistic picture of the industry. With its proprietary analytics software that removes duplicative fund data, PerTrac provides the most precise and most comprehensive information about the number of funds and assets under management.
Other key findings in the PerTrac study, which has been conducted annually since 2003, show that:
There are 9,572 single-manager hedge funds;
Almost half (3,763) of the reporting single-manager funds have less than $25 million in AUM;
Single-manager funds are growing in AUM with 73% reporting less than $100 million in AUM in 2010 compared to 79% in 2009;
Most fund of funds are small with just 108 (3.3%) reporting AUM of greater than $1 billion and 70% reporting less than $100 million AUM and almost 42% reporting less than $25 million AUM.
Approximately 47% of all funds report to only one database which means investors need to use more than one database to ensure they have complete information on single-manager funds.
To download the complete study which includes additional data on the composition and size of the hedge fund industry, here is the link (copy and paste).
http://www.pertrac.com/per0020/web/me.get?WEB.websections.show&PER0020_1446&source=PressRelease
About PerTrac
PerTrac provides sophisticated analytics, reporting and communications software and services for investment professionals, including pensions, family offices, hedge funds, long-only managers, endowments, sovereign wealth funds, fund of funds and industry service providers. More than 1,400 organizations in 50 countries rely on PerTrac software solutions to help them maximize returns, reduce risk and operate more efficiently. Founded in 1996, PerTrac is headquartered in New York with offices in London, Hong Kong, Tokyo, Reno, and Memphis. For additional information on the full suite of PerTrac software solutions, please visit www.PerTrac.com.
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Producteev's Social Task Manager Now Free And Enterprise-Ready As It Preps For Full Jive Integration Later This Year
In November, Jive Software acquired Israeli-American cloud-based, collaborative task manager, Producteev, to boost its social business platform. Going forward, as Alex wrote at the time, Salesforce.com and Jive will increasingly butt heads as they compete for mindshare in the enterprise. With Producteev’s multi-platform task management system that allows users to create tasks from emails and collaborate around projects in teams, Jive acquired a service that was already beginning to compete with Asana and Salesforce.com’s Do.com.
Producteev has been quiet since the acquisition, but that changed today, with the announcement that the startup is launching a revamped version of its social task management platform. The biggest change, founder Ilan Abehassera tells us, is that the new Producteev targets larger companies (naturally, given its acquirer) and is entirely free. Yes, this means that companies of any size will be able to use Producteev for free — no strings attached.
The founder tells us that, in spite of the “By Jive” addendum to the company name, Producteev continues to operate as a startup and remains a standalone offering inside Jive’s product ecosystem. The team is still working on integrating the task management platform into Jive’s products, which it hopes to have completed by the end of the year. It’s not clear yet how pricing will change (if at all) once the integration is complete.
When asked “why free?” the founder said that he believes “tasks are the most basic, fundamental part of getting work done” and, as such, are “the way into the enterprise.” For that reason, and for ease-of-adoption sake, Abehassera takes the “fewer barriers, the better” approach, as going free offers Producteev users (and beyond) a more frictionless pipe into Jive.
The platform has been free to individuals up to this point, but this move is clearly something that the company has wanted to do for some time, and now that it’s under the Jive umbrella, it has the latitude to do so, especially with integration coming this year. As of now, there are no Jive products that I’m aware of that are available for free (forever), so the likelihood that its social collaboration module comes without a price? Not high.
The changes evident in the “revamped” Producteev are notable, and the team has been working on the new version of the platform for the last 11+ months. The result, the founder says, is that Producteev has pretty much been rebuilt from scratch. Firstly, that means Producteev added a lot of scalable tech on the back-end to allow for new users coming over from Jive’s other products — with more to come once the products ar integrated.
The new back-end is also relevant considering that, since its inception, Producteev has really been focused on startups and small teams. But its newest iteration sees it re-tooled for larger companies and allows them to more more effectively break up teams into smaller groups (and collaborate within those groups).
Jive is currently working on a new task management module/dashboard to integrate into its enterprise social networking platform, and as of now, its collaboration and task management capabilities leave plenty to be desired. Producteev’s new features help shore up that gap and fit into the new social (and social collaboration) image it’s trying to sell to its clients and compete with the likes of bigs like IBM (and Salesforce.com).
In addition, the new design, which includes its apps for the Web, iPhone, Android and Mac, introduces the notion of “Networks,” allowing users to collaborate with their entire company — something that wasn’t possible in previous versions. Producteev has also added Dropbox integration so that users can quickly attach Dropbox files to tasks and activity feeds on projects, which enable users to see updates on projects in realtime.
Users can also now assign tasks to multiple teammates, tag tasks for easier filtering later on, follow individual tasks and take advantage of one-click filtering.
All in all, Producteev is starting to look more like a quality, enterprise-grade social task management system. Granted, it’s still not all the way there, as the platform isn’t something you’d use if you’re working on heavy-duty industrial design projects — completing the Bay Bridge in San Francisco, for example. But for most other uses, this is a welcome upgrade for Producteev. And now that it’s free, it wouldn’t be that surprising to see this take off in the same way Yammer did before Microsoft got a hold of it — at least until those integrations hit the pavement.
Rip Empson 22 May, 2013
Source: http://techcrunch.com/2013/05/21/producteevs-social-task-manager-now-free-and-enterprise-ready-as-it-preps-for-full-jive-integration-later-this-year/
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Paris France France and the world Migration Syria Bashar al-Assad Islamic State Demonstration
Thousands stage pro-migrant rallies as French politicians debate Syria refugees
Syrian refugee Ammar Kharboutli on Saturday's demonstration in Paris Alison Hird
About 10,000 people staged pro-migrant rallies in towns across France on Saturday. The demonstrations were part of a wave of sympathy for refugees from Syria and other countries that has swept Europe following the publication of photos of the body of three-year-old Aylan Kurdi on a Turkish beach.
About 8,500 people gathered in Paris's Place de la République on Saturday afternoon, according to police estimates.
There were smaller rallies in Nantes, Bordeaux, Strasbourg, Toulouse and Lyon.
A poll last week showed 56 per cent of the French were opposed to taking in more migrants and refugees.
Participants in yesterday’s meetings wanted to be the voice of the other 44 per cent, showing solidarity with migrants and echoing the “refugees welcome” slogan in Germany.
“I’m a citizen, a French woman and I’m here to protest against our government’s silence about the refugees,” Michèle, a writer and member of the group that came together to initiate the rally, told RFI.
“This movement began especially on Facebook, it began with a conversation on Facebook, a little talk like 'OK it’s terrible, let’s do something'. The "Let’s do something' was like a match and it set Facebook alight. People were ready to do something, to protest against the situation.”
“I’m against what’s happening," said 75-year-old Gisèle, holding a leaflet saying “Yes to refugees”. "That little three-year old that we found dead on the beach died. It’s shameful to do nothing. Here in the West, we just close our eyes. We shouldn’t.”
“People who say France can’t take in migrants are bloody idiots;” she added.
Engineer Alexandre Lepcheri brought his children to the rally.
“It was a question of solidarity to be together today without specific requests and it’s very important to send a signal to politicians and our government to show that we fully support the refugees," he said. “Also to be with our children to show them there are situations outside Europe in order for them to understand the situation."
He was keen to tell the Socialist government not to let the fear of losing voters to the far-right Front National dictate its policies.
“We saw that some initiatives are coming from Germany and we have to send a signal to Mr Hollande to have the same way of speaking as Mrs Merkel," he said. “France probably can’t [take in as many refugees as Germany] but the question of quotas has to be taken into account.”
Among Syrian refugees present, Ammar Kharboutli, a 35-year old engineer from Damascus, arrived in France six months ago, applying for asylum.
He was brandishing a photo of Aylan Kurdi.
“I could have been in his place because I took the same journey from Turkey to Greece," he said. "I’m lucky to be alive but a lot of people didn’t have this chance to be here.
“I’m here today to say give these people the chance to live.”
He, too, called on France to follow Germany's example.
“I want especially France to take a step. Germany took the step and Austria but we’re waiting for France to do their mission, because they didn’t do their mission four years ago and this is the result. They didn’t stop our dictator Bashar Al-Assad. Aylan is the result of that.”
According to European Commission president Jean-Claude Juncker, France could be called upon accept 27,000 asylum-seekers if the proposed quota system is accepted.
After receiving "several dozen" messages from mayors ready to take refugees in their towns, French Interior Minister Bernard Cazeneuve has invited them to a meeting on Saturday 12 September to discuss how to do so.
France's Chief Rabbi Haïm Korsia called for a complete change in policy in the light of the crisis.
"France, the country of exile and welcome, the cradle of human rights, cannot continue to close its eyes to these women and men who collapse at the door of our borders," he declared at a ceremony in Paris in memory of the "martyrs" of deportation under Nazi occupation.
Former French president and right-wing opposition leader Nicolas Sarkozy called for "administrative retention centres ... under European control in countries surrounding Europe, because the statute of political refugee must be given or refused before the Mediterranean is crossed" at a meeting of his Les Républicains party in western France on Saturday.
As President François Hollande is reported to be considering allowing French airplanes to carry out air strikes on Syria, former prime minister Alain Juppé, a rival to Sarkozy for Les Républicains presidential nomination, backed the idea.
Pointing out that the air force is already carrying out air strikes against the Islamic State armed group in Iraq, Juppé said they should be extended to Syria.
"The question is whether they should be accompanied by a land deployment and that I'm completely against," he said on Sunday.
France considers air strikes against …
NGOs shocked by Europe's treatment of …
France in U-turn on migrant quotas as …
Syrian refugees find Arctic route …
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/ Home / Newsroom / Research in China
Latest Satellite to Aid Environmental Protection
Apr 18, 2017 Email"> PrintText Size
China will launch the Gaofen 5 high-resolution Earth observation satellite in September to help with environmental protection efforts, an official overseeing the program said.
Tong Xudong, a senior official at the State Administration of Science, Technology and Industry for National Defense, who is in charge of the Gaofen program, told China Daily on Monday that the satellite will be launched from the Taiyuan Satellite Launch Center in Shanxi province.
"The satellite will soon be assembled and start to go through tests. It will be one of the most advanced satellites of its kind and will have a life span of eight years," Tong said. "Its main tasks will be monitoring air pollutants, water quality and vegetative cover, thus improving environmental protection."
He made the remarks after a news conference in Beijing on Monday, where an industry report on China's high-resolution satellites was circulated.
The Ministry of Environmental Protection, the main user of the Gaofen 5, said the satellite is the most technologically sophisticated in the Gaofen family. It will carry six pieces of scientific equipment including an atmospheric greenhouse gas monitor and a hyper-spectral camera.
It will be the first Chinese satellite capable of performing remote observations of air pollutants and greenhouse gases.
China launched the Gaofen project in May 2010 and has listed it as one of its 16 top projects in science and technology. The country aims to have a high-resolution Earth observation network by around 2020.
The Gaofen 1 was launched from the Jiuquan Satellite Launch Center in April 2013. Another five in the series have been launched since.
Currently, more than 1,800 government departments, business entities and publicly funded organizations in China use images and data generated by Gaofen satellites, Tong said. (China Daily)
(Editor: LIU Jia)
China Releases Images Captured by HD Earth Observation Satellite
China released first images captured by the nation's most sophisticated observation satellite Gaofen-4 on Wednesday, including one showing the capital city Beijing amid heavy smog. Each of the images, released by the State Administration of Science, Technology and Industr...
China's First High Orbit Remote Sensing Satellite to Take Wider Pictures for Earth
China's first high orbit remote sensing satellite, Gaofen-4, was sent into space Tuesday. Gaofen-4 is China's first geosynchronous orbit high-definition optical imaging satellite. It will be used for high-precision observation of China and its surrounding areas, and servi...
China Hi-res SAR Imaging Satellite Sends Back Pictures
China on Thursday published the first pictures transmitted back to earth from Gaofen-3, the country's first C-band high-resolution Synthetic Aperture Radar (SAR) satellite with a resolution of one meter. These images were captured using different imaging modes and all app...
High-res Satellite to Help Monitor Floods, Pollution
The Gaofen 4 high-resolution Earth observation satellite officially started operating on Monday to facilitate disaster relief and environmental pollution control. Gaofen 4 is at least 10 times more efficient than the Fengyun satellites, which are pillars of the nation's s...
China's First High Orbit Remote Sensing Satellite Put into Use
China's first high orbit remote sensing satellite, Gaofen-4, went into use after six months of in-orbit testing, the State Administration of Science, Technology and Industry for National Defense (SASTIND) announced Monday. Gaofen-4 is China's first geosynchronous orbit hi...
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View From The Hills
Elmira High School: Questions And Yet More Questions
A blog by Chris
Entry posted by Chris · May 4, 2018
It's been about 20 years or so since we've had the conversation about the contamination on the grounds where Southside High School, now known as Elmira High School resides. What we have now that we didn't have two decades ago is social media and the ability for large groups of people to come together in conversation or to mobilize. Which makes this go 'round rather interesting from an outsider perspective.
However I don't exactly have the luxury of being an "outsider", with one son at Elmira High School now and another who will be there next year. It is concerning to me as a parent that a school was built over top of a contaminated industrial site as recently as the late 70's and no one stopped to think, "Hey, maybe this isn't the greatest idea." It is concerning to me that it took so long to recognize the problem existed and for remediation to begin. It concerns me that this wasn't taken into consideration when the school district decided to redistribute students across the district and consolidate the two high schools. If, as more than one former member has said, the Elmira City Council was advised in the early 2000's that no one would think to build a school there now unless complete remediation was done, why was that not taken into consideration?
So I will say outright that I do not discredit the concerns and the possibility that there has been a major public health hazard right under our noses that has caused health problems for a large number of alumni. But when it comes to this issue, I'm a little conflicted.
I question the approach that the DEC, Dept. of Health and others are taking concerning the clean up. I cannot for the life of me understand why the need for more clean up has been acknowledged yet is being done in such a seemingly piecemeal manner? I understand that a large scale clean up would entail more time than is allotted than Summer months. According to the DEC it's times to accommodate the schools capital project schedule. Maybe it should be timed to get the friggin job done?
Why had it taken so long to get the clean up started in the first place? Why the hell would we have to wait until 2019 for further studies? it can't be that hard. You go drill holes in the ground. Check for contaminants. Document what the levels are. Then report it. Not like landing the Mars Rover, folks.
I'm not pointing fingers, I just have questions. Besides, there's too many players involved over the decades and frankly I can't say any one entity bears the blame other than the people who let the contaminants into the soil in the first place.
Admittedly, there's no easy answers and I wonder what the end game is, what is going to bring resolve to the issue. Are we talking about a class action lawsuit, and if so, against whom? Expedited clean up? Calls to shut the school down immediately seems a wee bit simplistic, especially now that the former Ernie Davis Junior High School is occupied by Finn Academy, dontcha think?
Truth is, I don't know what to think most days. On one hand, it's hard to imagine, especially in New York State of all places, that multiple state agencies would knowingly and collaboratively drag their feet on a matter as important as a school built on toxic grounds. Logically thinking, I know the old saw, "Correlation does not imply causation" and think we should be looking, statistically speaking, at cancer rates among other high schools across the region and state and seeing how they compare to the Southside. Are they necessarily higher than others? What other factors come into play with those who have medical issues they attribute to attending the school?
But I also know I've seen first hand the physical difficulties of an alum with unexplained medical issues requiring surgical intervention. I know they're not the only one with those exact same unexplained issues. It is disturbing.
Whatever the case, while it'd good to have conversation about the matter, the community has been talking for decades. And still has questions.
Previous entry Both Sides Of The Coin
Next entry Time For A Reality Check
Logically thinking, I know the old saw, "Correlation does not imply causation" and think we should be looking, statistically speaking, at cancer rates among other high schools across the region and state and seeing how they compare to the Southside. Are they necessarily higher than others?
For all the social media attention this issue is getting, I think more people should be aware that this has been researched, but doesn't seem to make the 6 o'clock news when they cover the other side of the topic. Shame on our local media.
The results are published in this 255 Congressional Committee hearing back in 2001:
https://www.gpo.gov/fdsys/pkg/CHRG-107shrg80650/pdf/CHRG-107shrg80650.pdf
The DOH fact sheet that addresses the statistics (as of 2001) are on pages 120-122 copied below:
Note the box at the bottom of page 121 comparing observed cancer cases (3 zip codes attending the school at the time) to "expected" cases.
Being a parent of a child with pediatric cancer (in Big Flats, prior to school age), I will be the first to say that no one ever “expects” their child to have a cancer diagnosis….but the point is, cancer among like age groups (0-19 and 15-19) across NYS are virtually identical statistically to Southside High from when it opened until 1998.
That's a VERY informative read. If you posted on the site before I must have missed it.
Thank you for posting it.
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Visions and Voices
By Linda Roorda in Poetic Devotions
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By Linda Roorda in Homespun Ancestors
The Caregiving Saint
Besides... I Love You!
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Home > Sports Tickets > Basketball Tickets > Professional (NBA) Tickets > New York Knicks Tickets
New York Knicks ticket info
2019-2020 New York Knicks Season Tickets (Includes Tickets To All Regular Season Home Games)
Madison Square Garden -
New York Knicks ticket preview
2014-2015 Knicks ticket preview
New York Knicks tickets always seem to sell well in the city that never sleeps, as evidenced by the Knicks’ placement in the top third NBA’s attendance report year after year. Dating back to 2001, New York has finished no lower than 10th among all teams in total attendance each season. Fans in New York love their basketball team and despite the recent addition of another team to the New York metropolitan market—the Brooklyn Nets—Knicks tickets are still among the city’s hottest commodities.
The newly renovated Madison Square Garden seats 19,763 for Knicks games and boasts several state-of-the-art amenities for fans, including and the new Sky Bridge seats located almost directly above the court. Additionally, glass-enclosed hallways leading to and from the home and visiting locker rooms allow fans an up-close-and-personal view of their favorite players as they enter and exit the court.
Going into the 2014-15 NBA season, the Knicks are looking to improve on a ninth-place finish in the Eastern Conference that saw them finish one game outside of the playoff picture last year. Still, there’s reason to be optimistic if you’re a Knicks fan: the team won 16 of its final 23 games in 2013-14. And New York brought in Hall-of-Famer Phil Jackson to lead the organization as its president.
The Knicks also hired Derek Fisher as head coach, who has championship history with Jackson; Fisher won five NBA titles as a player under Jackson with the Los Angeles Lakers.
Things are on the upswing for the Knicks, to be sure. The team re-signed the face of the franchise, Carmelo Anthony, to a five-year, $124 million contract, thereby keeping some continuity in the face of what looks like an upcoming transitional year. New York shipped out Tyson Chandler, Wayne Ellington, Raymond Felton, and Jeremy Tyler; to replace them, the club brought in Quincy Acy, Jose Calderon, Samuel Dalembert, and Shane Larkin.
With fresh blood on the roster and in the front office, New York Knicks tickets will likely be big sellers again this season. Get yours before they sell out, which if history is any indication, will be soon after they go on sale.
2014 Knicks ticket info
The New York Knicks come off their first Atlantic Division title since 1994. With the Knicks’ key pieces returning, there’s no reason to think that they can’t repeat, although revamped Brooklyn will challenge. While Jay Z and Beyonce might be sitting courtside in Barclays Center seats, the Knicks’ faithful following is sure to pack Madison Square Garden seats. New York was seventh in home attendance last season, averaging better than 19,000, so it’s a good idea to get Knicks tickets early.
The Knicks boast the league’s leading scorer in Carmelo Anthony, who can score 40 points on any given night. “Melo” averaged 28.9 and he alone is a reason to purchase New York Knicks tickets. But the Knicks didn’t win the division with just Anthony. They’re one of the better defensive teams and they added defensive stalwart Metta World Peace. The 33-year old veteran still can be unpredictable as can J.R. Smith, who won the Sixth Man of the Year Award last season. Both players are talented, but combustible, and they’ll keep things exciting for fans in Madison Square Garden seats.
Raymond Felton (13.9 ppg, 5.5 ast), Tyson Chandler (10.4 ppg, 10.9 reb), Kenyon Martin, Amare’ Stoudemire and Iman Shumpert will see plenty of action. The Knicks added Andrea Bargnani in a trade and Beno Udrih. Shumpert, fully recovered from a torn ACL in 2012, has shown flashes of greatness and he is poised for a breakout season. When healthy, Shumpert is one of the best defenders in the NBA.
The Knicks clearly will be one of the better teams in the Eastern Conference, but can they challenge Miami, Chicago and Indiana for the conference crown? The talent is there, but egos must be kept in check - and they don’t have the veteran leadership of the retired Jason Kidd, the rookie head coach in Brooklyn. His calming floor presence will be missed. Coach Mike Woodson will be responsible for managing and massaging those egos.
New York finished last season 54-28, eclipsing 50 wins for the first time since the 1999-2000 season. So fans in Madison Square Garden seats have good reason to be optimistic about this season. The Knicks were 31-10 at home so they respond to their raucous fans in the Madison Square Garden seats. MSG remains one of the premier sporting venues and with the team’s recent success, Knicks tickets will be in high demand.
NBA Preseason
Monster Trucks and Racing
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Co-op £2m funding boost for Scouts and Guides
August 22, 2018 August 17, 2018 Stuart Mitchell
Scouts and Guides across the UK are enjoying a funding boost after Co-op members generated more than £2m in less than two years.
Since the Co-op’s local community fund was launched in September 2016, 900 Scout Troops and Cub Scout Packs and nearly 400 Guide, Brownie and Rainbow units in the UK have received a total of £2,100,000.
The mutual has supported thousands of other youth groups in the UK, raising a total of £5.4 million* since the scheme began.
Co-op members, who receive a five per cent reward for themselves and a further one per cent going to local causes when they buy own-brand products, have a say in how the money is allocated, and are encouraged to select the organisations they wish to support online.
Rebecca Birkbeck, Director of Community Engagement at the Co-op, said: “Our members are passionate about supporting young people and it is the sector which we have backed more than any other, with no fewer than 3,000* organisations benefitting from our community fund.
“Like the Scouting and Guiding movements, we are driven by co-operative values and principles, helping to bring young people together to support their local communities. Indeed, research by the Scouts themselves shows that young people involved with the movement are a third more likely to take an active role and to help out in their local communities, which is precisely the focus of our local community fund.”
Matt Hyde, Chief Executive of The Scout Association, said: “We are delighted to see evidence of such strong support and investment from the Co-op and its members in support of The Scout Movement. This ongoing commitment allows us to continue our vital work in supporting young people and particularly key provision in areas of deprivation and underrepresented communities. We very much hope that we can count on this valuable contribution in the future so that our important investment can continue and young people always benefit from Scouting.”
Ruth Marvel, Acting CEO of Girlguiding, said: “This initiative has been invaluable in enabling Girlguiding units across the UK to do even more to bring about positive change. Helping others, carrying out community action, and preparing girls and young women to be a powerful force for good lies at the very heart of our organisation. This scheme provides an amazing opportunity to amplify this by investing in girls and young women and supporting them to make a difference in their local communities. We hope it will continue long into the future.”
The money raised through the Co-op scheme has enabled groups to undertake a wide and varied number of projects, from refurbishing halls to make them available for the whole community, to ensuring every member of a group can enjoy a residential trip, regardless of their ability to pay for it.
https://scouts.org.uk/home/
https://www.girlguiding.org.uk
https://www.co-operative.coop
Newsco-op, Guides, Scouts
Save The Children Welcomes Report By International Development Committee On The Aid Sector
PRCA responds to reports of BBC spending £2.5 million hiring PR agencies
Innovative free training course to create opportunities for 17-24 year olds
An innovative scheme which will help young people from socially disadvantaged backgrounds with little or no...
June 26, 2019 Stuart Mitchell 0
Co-op raises £300 million in first for a UK retailer through a sustainability bond focusing on fairtrade
The Co-op, in a first for a UK retailer, has issued a sterling denominated Sustainability Bond....
The Co-op and Steel Warriors pledge to boost community health and wellbeing with an ambitious plan to build 20 street gyms.
The Co-op has announced a multi-million-pound investment to support anti-knife crime organisation, Steel Warriors to create...
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Mad Men - What a fantastic ending!
It ends –or almost ends- with Don Draper sitting in a half-lotus position, doing meditation. An end that made me laugh and cry and laugh about it all again. What did the last three minutes do to you?
Over the last weeks I have tried to figure out how "Mad Men" could possibly end – without finding a good solution. Shortly before the start of the last season I attended a master class with Matthew Weiner, the creator of Mad Men, at the Berlinale Talent Campus. Of course he didn’t mention what would happen in the last seven episodes. But he said that he had wanted to satisfy the viewers. The ending should not leave them worrying for the rest of their lives about the future fate of the characters. (Matthew Weiner had been a staff writer for “The Sopranos” for several years before he got “his baby”, Mad Men, done. So somebody in the audience asked if the finale of the Sopranos was what he meant by “satisfying”. A lot concerned murmuring followed this question. After all, the very last moment had Tony Soprano sitting in a restaurant together with his family, and there maybe a bomb in the room that could go off any moment, but doesn't as long as the cameras are on, so the Soprano family stays forever suspended in the limbo, which was almost unbearable for the fans). Weiner laughed and said that he had not been part of the staff anymore when the last season of “The Sopranos” was written, so everybody could relax.)
I had been very excited by the part of Weiners speech in which he had explained what had made “Mad Men” so personal for him and how Don Draper was his alter ego. The interviewer had been quite surprised, because Weiner comes from a wealthy Jewish family, his father is a neurologist, so what dark secret in his past could possibly connect him with Don Draper, who was the child of a whore and an abusive drunk and changed his identity to be accepted by society? Weiner explained that it had actually been his being jewish that had made him feel like he did not belong to the people around him. He also said that it would have been awkward to address this directly in a story and that he had not mentioned this before as being the inner place where the character of Don Draper came from. He thought that most people would have found that pathetic since he had been a rich an privileged kid. So he chose a completely different background for Don Draper, one that would make the viewers understand, that Don was ashamed of who he was. But Dons social alienation and all the minute reactions that came from it where based on Matthew Weiners very private experiences. And he said he was sure that is was that what made the character of Don Draper so believable. He also said that he had freed himself through writing this character. He had been severely depressed as a young man and felt that he had transferred most of this on Don Draper and was now a much happier person. I was fascinated because what he described was what I wanted also, for my writing and for my life.
After this talk I was even more eager to find out how Weiner would do it. If Don Draper was his alter ego, would he rescue him? Or would he throw him down from the roof of the building to get rid of him altogether, like the intro suggests right from the start?
Don’t go on reading if you haven’t seen the episode yet. You will deeply enjoy it, trust me, even more so if you don’t know the truly amazing punchline in advance.
During the final episodes Don had been on a journey to nowhere. He had left his job without saying good bye and was heading south. He had given everything away, first he gave Meagan a check over one million dollars for the divorce, and it was quite clear that there was not much left for him. Then he gave his car to a countryboy that had just tried to steal his money and who clearly reminded him of himself at the same age. He tried to find the waitress he had fallen in love with who had lost her child, but he never found her. In the final episode his daughter tells him on the phone that Betty, his exwife and mother of his children has lung cancer and will die soon. (Somebody HAD to get lung cancer because the very first ad that we saw Don create in the first season- "Lucky Strike- it's toasted" was invented to make people forget that studies about cigarettes creating lung cancer had just appeared. It was always clear that this pistol that lay on the table in the first act would have to kill somebody from the cast in the last act- and it is poor Betsy who got caught).When Don talks to Betsy and offers to come home and care for her and take the boys, she says that all she wants him to do is to stay out of her life for the few month she has left. She wants them to be normal for her kids and normal means without Don. After that he goes to see Stephanie to return Anna’s ring. (Anna, the last connection to his old self Dick Whitman, the widow of the real Don Draper, had died).Stephanie sees that Don has a kind of breakdown and takes him with her to a retreat at a typical esoteric place of the seventies, probably Esalen. But after a confrontation in a therapeutic group she leaves without goodbye and leaves Don without a car in the middle of nowhere surrounded by more or less ridiculous truth searchers. He calls Peggy in New York because, as he says, he realized that he never properly said good bye to her. There it becomes clear, that the deep connection between Don and Peggy many viewers have probably hoped for (I certainly have) will never happen.
From this moment on you get worried that Don might kill himself, and so is Peggy when she puts down the phone. At this point there are only, like, five minutes left. That does not seem enough for a happy ending of any kind. Although you know enough about the structure of such things to see, that this should be the last turning point and if our hero is so deep down now, that means that the end should head in the opposite direction. But how could they do that? There is nobody left who could provide Don with a meaningful happy end, there are one extras around that neither you nor Don have ever seen before. What?!! do you think, in despair, what can happen now?
A woman that leads talking groups sees Don huddled on the ground. She takes him by the hand and drags him into the group. He sinks in a chair, he is finished. The guy who is in charge says whoever wanted to share something should speak up. And you think: ok. So it comes down to a final monolog. And right: Don is about to speak. But another guy is faster, a guy you have never seen before - and now there are only three minutes left. This guy is excessively normal, middle aged, getting bold, a clerk. He says he has no big problems, except that nobody really cares for him. Not even his wife and his children. When he comes home they don’t even look up. Somehow there is nothing real between him and them. You can see that Don is shaken by what he hears. The guy tells a dream: he was stored on a shelf in the refrigerator. It was dark. Then somebody opened the door. He thought: will I be what they are looking for? Will they pick me? And then the door is closed and it gets dark again. He was not the real thing. The guy starts to sob. And Don gets up, does what you have never seen him do before: he goes without hesitation to this guy, takes him in his arms an hugs him. They are both crying.
Next thing is there is group of soul seekers sitting outside the building on the lawn; In the middle of them Don, in a fine half lotus position. Eyes closed. The leader of the meditation intones an “Ommm” and you think: that’s not possible. I know Don. He cannot stand what is going on here. And right: there is a tiny movement in his face that makes you think that he will get up and move out of all this bullshit. But then he opens his mouth and there comes a deep and beautiful “Ooommm”. And you think: they cannot do that! That cannot make him sit in this cheesy self-help surrounding, they cannot have him fold his legs to a brezel and make him sing an ommm and let that be the last thing that you will hear from him. You are on the verge of laughing, of maybe fixing you a drink for this ridiculous last moment; but you are also touched, that you feel that you will soon start to cry. And right then it happens. Don who sits there among all this pathetic but deeply human persons starts to smile, his eyes are still closed, and then an expression of pure bliss floats over his face. And you understand from a place deep inside that what you see t is what Buddhists call sudden supreme enlightenment.
And there the music starts. Cut. A group of young people and a young girl with flowers in her hair starts to sing: “-I’d like to teach the world to sing, in perfect harmony!” And you understand that this is the end, and you desperately try to form an opinion, you think: that’s impossible! Matthew Weiner can’t do that. And at the same time you start to cry for good. And because you are crying, it takes you, like, five seconds to realize that all those young singers have Coca Cola bottles in their hands. You hear the next line, that says: “I’d like to buy the world a Coke and keep it company.” And now it’s time for your sudden revelation: this expression of pure bliss you saw on Dons face appeared when the idea for the Coca Cola commercial suddenly flooded his mind; and there you burst out laughing, and it makes quite a strange sound because you are already crying and this laughter comes on top of your loud sobbing .
The tag line of the song comes up: “Its the real thing”. And it comes to you all at once: that Don Draper had been on a quest for seven seasons searching for an answer to the question, who he really was. And then there was this guy who felt the same: that he was not the real thing. And when Don took him in this arms he understood, that everybody felt that way. That everybody was looking for the real thing. So that’s what he could offer to the whole world: “the real thing” that’s how he would name Coca Cola. He had brought everything together. Like in the amazing scene at the end of season one, where he could use all his daemons about memory and longing for a family for the presentation of a commercial for the Kodak carousel slide projector.
Still crying and laughing at the same time you also get angry now because that seems so cynical. They made fun of you, they draught you into this sentimental journey, just to tell you: “look, stupid, it is not about being one with the universe, it is about advertising ; its capitalism, stupid, so it has to be about Entfremdung” . And you are very angry with Don because he used the deep anxiety of this poor guy and even his dream about the refrigerator and turned it into something, that WAS the real thing in the refrigerator, and that was the Coca Cola bottle. So, you think, he did not really connect with this guy when he took him in his arms. How vicious of them to make you believe this and then turn it around in such a cynical way. But then your feelings change again, or rather they are all there at the same time. Because you actually saw that it was real, you knew what Don felt, because the actor played it truthfully and so it was the truth for Don. It was deeply true - and he used it. And maybe that was not even a betrayal of his inner self, because it was what he does best: using the deepest truth for advertising phony products. And you feel that that is pathetic but it maybe the human condition. And you know for sure, that there was also a possibility for love; although nobody knows what that means. That's what the anonymous guy said in his fantastic and sad monologue: that nobody knew what love was, so nobody could recognize it, not even when it is right befor your eyes. But somehow those folks from Mad Men gave you a glimpse of it. That’s what you came back for every week: to see a guy that was alienated and didn’t know what love is. And you wanted him so so much to find out. And then you felt this possibility- for him, and for you, maybe- but he didn’t get it, not consciously, he used this gift from the universe for advertising, but it was there, and therefore you love him, although he was not real, only a phony character in a television show. And those writers who created this love of yours, they did it for fame and for lots of money and now it’s over, but they also created the feeling that there was the possibility for something else – for Don Draper; for you; in life in general. Because what you felt when you watched this ending, that was IT: THE REAL THING- or wasn't it?
Eingestellt von g. um 05:53 Keine Kommentare:
Labels: Matthew Weiner, Serie
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Candidate For Aurora IL District Rep Matt Quigley Was There At The Scene
Arriving shortly after the shooting, he and his campaign manager spoke to neighbors live while it unfolded
Published Sunday, February 17, 2019
Gun Rights Watch article by GRW Chief Editor
Yesterday, Gun Rights Watch spoke to Matt Quigley, candidate For Aurora, Illinois 14th District Representative, who was on scene at the shooting Friday in the aftermath right after the incident went down. He and his campaign manager Mike Alfaro spoke to neighbors and bystanders on the street to get their opinions.
Matt and Mike were driving in the area when they heard about the shooting, which was still an active scene at that point. They parked within walking distance of the scene and mingled amongst the people on the sidewalk far enough away to not obstruct the emergency vehicles coming and going to get reactions from neighbors of the Henry Platt Co. manufacturing plant.
One of the neighbors, a Democrat named Jeremy, told Matt and his campaign manager Mike that he was very upset by the push for anti-gun legislation in the area, and was very frustrated because wanted to protect himself and his family. He also was very concerned about the Pratt building because he knew it was a gun-free zone by the sign on the door. He said it made him feel unsafe that no one there would be able to protect themselves, and that he "didn't want to see challenges to the Second Amendment at all".
He went on to suggest that he'd much rather see restrictions rolled back to the point where the people could reasonably defend themselves if they needed to. Others who spoke up in the crowd voiced the same sentiments. Another part of the problem troubling Jeremy was that the building had no armed security of any kind. He suggested that if the company had hired proper security, then maybe the shooter would have thought twice before continuing to do what he did.
Other bystanders who took the time to talk to Matt and Mike were parents who had urgent concerns that afternoon about school buses dropping off the children during an active shooter emergency, right in the middle of it. Some were in tears as they recounted having to race on foot to the bus to scoop up their children and having to be unarmed the whole time since just trying to legally own a firearm in Illinois is too difficult and expensive for many to be able to manage. No security and no police to protect them as they picked up the kids meant that they were at the mercy of the gunman if he suddenly came their way during the dropoff phase.
The pair then told GRW that a Democrat delegation was coming to the scene on Sunday to have a moment of silence for the victims, then immediately hold an anti-gun rally directly afterward. Chelsea Clinton was rumored to be en route, as well as Lauren Underwood, the Democrat candidate for the same seat that Quigley is running for, Illinois Governor JB Pritzker, Rep. Bill Foster, and other prominent Democrats.
Quigley then spoke at length about how he supports the Second Amendment fully and also training, but he wants to ensure that no government entity ever infringes on the public's Second Amendment rights or that when situations like the Aurora shooting happen it doesn't result in more infringement, which will just enable more shootings.
His team later sent us a press release about the shooting, that they had prepared:
Local Congressional Candidate Responds to Aurora Shooting
Contact: Matt Quigley 224-254-0437
AURORA, IL— Republican Congressional Candidate Matt Quigley was minutes away when the tragic shooting in Aurora, IL occurred. He was in the process of moving to a new home in the Aurora. He arrived on the scene, supported the police who responded, respected their boundaries as they responded to the situation, and talked with witnesses and members of the local community. Hugs were given and he led them in a prayer for the victims and their families. He also listened to their immediate concerns. Several were visibly upset and expressed their frustration that the factory where it occurred had no armed guard and declared itself as a gun free zone. They expressed frustration that the first response by many would be to try to legislate gun rights away. Illinois has some of the strictest gun laws in the country. They did nothing to stop the event. The shooter shouldn’t have been able to get the gun he did with the laws in place, he had his weapon illegally.
Matt Quigley believes firmly in the second amendment and would push for legislation that enables people to hold businesses and employers liable if they restrict law abiding gun owners from defending themselves from criminals. Additionally, he believes in increased access to and funding for mental health treatment. There is a stigma in today’s society about treating mental health as a real problem, and it must be eliminated. That is the true root cause of not only a violence problem, but so many other problems today.
Sunday, February 17, there will be a vigil for the victims in Aurora. Congressional Candidate Matt Quigley will attend to support his community and grieve for those who were lost. He anticipates an anti-gun protest immediately following the event, but Matt will speak for neighbors and witnesses he talked to, who expressed fear and a desire to protect themselves with their second amendment rights. He will make sure that their voice is heard, and this tragedy isn’t co-opted by politicians determined to use it to advance their anti-gun agenda.
Matt also created a GoFundMe for the victims of the shooting to raise money for their families, through the Aurora Police Department.
GoFundMe for Victims:
https://www.gofundme.com/victims-of-aurora-il-shooting
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Board index Enigmas and Diversions Your art and links
The Codex Quaerendae
Think your art is better or your stick figures worse? Got a link to a site you want to share? Post it here!
Moderators: Jacque, Moderators General, Prelates
Postby Pfhorrest » Fri Jan 19, 2018 9:09 am UTC
This is a bit premature to post about, but I'm feeling excited about the future so here's kind of a teaser thing.
Ever since I was a young child I wanted to write kind of a "book about everything", which at some time in my early teens I was nicknaming my "Big TOE" (for Theory of Everything, of course, and pun value). Back when I was studying philosophy at university, I realized that most of the topics I actually wanted to write about were at their base philosophical ones, and of course I learned a lot more about those topics, and further topics I wanted to write about, and how those all related to each other.
I slowly started to organize my various notes to myself into what I once hoped would become my dissertation if I had gone on to get a PhD, which never happened. But I still thought maybe I would write a book on philosophy for general consumption even as I discontinued my formal studies to focus on survival. I eventually gave that book-in-progress the title The Codex Quaerendae (which is probably-bad Latin for "the Book of Questions").
The plan was for that to be an old-fashioned dialogue in the tradition of ancient philosophy, laying out a complete philosophical system in the tradition of modern-era philosophy, but incorporating the insights of the latest contemporary philosophy. However I've come to realize that I find dialogue writing really, really hard to do well, and that that (plus the general stresses of surviving) is what has stopped me from making any progress on this book in many years, leaving it in a generally awful, unreadable state. (But there's the link above if anyone wants to try to read what's there anyway).
So I am thinking that next year (2019, as I'm devoting 2018 to another project), I'm going to start over from scratch, and try to make some actual, readable progress on a lesser version of this project. Instead of a single grand dialogue with many interlocutors each with their own voices weaving everything together with perfectly structured rigorous precision, I'm going to write a series of essays, in my own natural voice which comes to me much more easily, simply laying out what I think and why, one topic at a time. These essays will make reference to each other frequently (e.g. the thesis of one will be taken as a premise of another), and the choice of what essays to write about in what order will still reflect the unified structure of the earlier goal of the project, but I think this will be a version of that vision that I will actually be able to do with the time and energy I have left over after just getting through each day one at a time.
So I guess, stay tuned here next year for progress updates on that. Or give what's up now a read and talk about it here, if you want to. Might give me more thoughts on things to address when I get to rewriting it properly in a year.
Re: The Codex Quaerendae
Postby Ginger » Sat Jan 20, 2018 1:42 am UTC
I read some of the first part I could see. It's pretty good. I identify with it a lot. Even the goody-goody schoolgirls and professors. And: Facing the government and police is always brave. Always. Got to speak up against injustices, march against them, and. I loved Tina. My favorite character in the entire story.
Amy Lee wrote: Just what we all need... more lies about a world that never was and never will be.
Azula to Long Feng wrote: Don't flatter yourself, you were never even a player.
Postby Pfhorrest » Sat Jan 20, 2018 3:25 am UTC
Thank you, and I have to say I'm very surprised you love Tina so much, given what I know of you from these forums. Can I ask what it is about her that you like so much?
FWIW, though it's not mentioned in what's there so far because it's not really relevant to the purpose of a philosophy book, one of the characters is trans, Frank; and Jackie is pangender. Tina is cis, and John is agender. (John is also gay, Tina is straight, Frank is asexual and Jackie is pansexual. Also Tina is black, John is Japanese, Jackie is Hispanic/Native American, and Frank is white).
Postby Ginger » Sat Jan 20, 2018 1:48 pm UTC
Ooh. You're pretty good at diversity I must say. Well, I like the strong religious fem Tina 'cause technically I am a Catholic. And the shepherds and wolves talks she had with the others were relevant to my beliefs about the world in general. I liked Jackie for being a social butterfly too. And even more for you writing an actual character w/Native American heritage. And a trans* person in the story? Totally awesome. Thank you so, so much for writing it and I'm gonna finish the entire thing when my sleepy feelings from my meds wear off completely. A-and if anyone thinks that I... exotic up their work, I am sorry. I am not trying to appropriate the feelings of all transgendered women or men, all Native Americans, all social butterflies or whatever. I just... like other skin tones and hair types and eye colors. I like transgender people. And social butterflies. So. Apologies in advance for being totally inappropriately young adult lady again.
Postby Pfhorrest » Tue Jan 23, 2018 11:39 pm UTC
Thanks Ginger, and no worries at all. I'm glad you like it. I'm always pleasantly surprised when people find the different interlocutors of that old version relatable, since I disagree with them all and worry that I'd made them out as straw men. Gives me encouragement that some day, after I write this just-essays version I'm going to do next year, I really should go back and try to make it a real dialogue, as that approach seems to really draw some people in.
The first essay of this new Codex is up, kind of. The new Introduction page, with an overview of the project and an outline/table of contents, at least.
The Codex Quaerendae.
First proper essay, Against Fideism, to come in two weeks.
Postby Pfhorrest » Wed Jan 16, 2019 5:48 am UTC
The first draft of the first real essay is now up:
Against Fideism.
Also shortly after that last post I made some various touch-ups to that introduction, and I'm likely to make some touch-ups to this first real essay over the rest of this week too.
I know all of this is really basic, not exciting or new or interesting stuff that I'm going over right now, but I'm really just laying the boring groundwork for the much more interesting stuff to come later.
Postby Pfhorrest » Fri Feb 01, 2019 7:47 am UTC
The first draft of the next essay is up now:
Against Transcendentalism
I feel like this one is kind of a mess because I've been weirdly sick and not sleeping right all week. I will hopefully revisit and revise it in my spare time (if I have any) between working on unrelated things next week.
The next essay is up now:
Against Nihilism.
I've been kind of a wreck the past week or two for health reasons so I'm really not feeling confident in the quality of any of these, and would love to revise them based off of feedback from anyone who cares to read them. I really need a sounding board.
Postby Pfhorrest » Thu Feb 28, 2019 8:02 am UTC
The last of the four "against" essays is up now:
Against Cynicism.
With that, I'm done laying out what my philosophy is not, and in two weeks when I get back to this project, I'll be writing the broad overview of what my philosophy is: Commensurablism.
Postby Pfhorrest » Thu Mar 14, 2019 7:09 am UTC
The first draft of my first essay about what my philosophy actually is, tying together all four of the previous essays about that it's not, is up now:
Commensurablism.
I might make some revisions and possibly add some illustrations to it tomorrow.
My essay about the philosophy of philosophy itself is up now:
Metaphilosophy.
I will probably add some illustrations to it tomorrow.
Fun little easter egg that might become more obvious after the other essays are all up: the structure of this sort of prefigures everything else that is to come. The six questions about philosophy that I pose parallel the six kinds of philosophical questions that the later essays will address: the "definition of philosophy" topic that is the bulk of this essay parallels the essays on language, art, and math; the "progress in philosophy" topic parallels the essays on ontology and teleology, the objects of reality and morality respectively, and the criteria by which we judge things as real or moral; the "philosophical methods" topic parallels the essays on epistemology and deontology, the methods of knowledge and justice respectively; the "philosophical faculties" topic parallels the essays on mind and will, the faculties with which we make judgements about reality or morality respectively, and even presages my functionalist views on those topics; the "philosophical institutes" topic parallels the essays on academics and politics, the institutes of knowledge and justice respectively, and even presages my anarchist views on those topics; and the "what use is philosophy" topic parallels the final essay about the meaning of life and what is the point of anything at all ever.
Postby Pfhorrest » Thu Apr 11, 2019 5:21 am UTC
I finally start getting kind of technical in this week's essay that's up now:
On Meaning and Language.
And I actually don't feel terrible about the quality of this one too, though I do feel like it got kinda weaker toward the end.
Last edited by Pfhorrest on Thu Apr 11, 2019 7:01 pm UTC, edited 1 time in total.
Postby ucim » Thu Apr 11, 2019 6:01 pm UTC
Pfhorrest wrote: I finally start getting kind of technical in this week's essay that's up now:
There's a spelling error in the link. It should be
The link inside is:
http://geekofalltrades.org/codex/meaning.php
Interesting. How do you deal with the difference between:
"I wonder if the tree is healthy." (a literal statement of fact - just what it says on the tin)
"I wonder if the tree is healthy." (a hint for you to give me your thoughts on the subject)
"I wonder if the tree is healthy." (meaning "please call an arborist to take care of it)
"I wonder if the tree is healthy." (meaning "This is a bad place to pitch a tent", which is a statement of fact)
"I wonder if the tree is healthy." (meaning "This is a bad place to pitch a tent", which is a hint that you shouldn't pitch a tent there)
... and all the other implications of a simple declarative statement like the above, including those derived from other interpretations of the word "tree", whether they merit scrumptious donuts or a visit from the FBI.
Context is extremely important in the correct assignment of meaning to an utterance. And beyond that, there are things that are not utterances, but convey meaning of some sort. Art and music come to mind. Are the "happy sound" and "sad sound" effects of a video game not also "words" in that context? Is a symphony an elaboration of this concept?
Am I... er... barking up the wrong tree?
Postby Pfhorrest » Thu Apr 11, 2019 7:11 pm UTC
Thanks for catching that typo, I've fixed it now.
And you're right that context can make a big difference in meaning, and that the same literal sentence can mean a variety of things, as in your examples. I didn't mean to say that "expressive questioning" speech-acts give the one definite meaning to all sentences that start with "I wonder...", but rather, to give "wondering" sentences like that as an example of that kind of speech-act, the kind of utterance you might issue in order to perform such an act. But yeah, depending on context, you might issue the same or similar utterances to perform other acts too.
As far as "happy sound" and "sad sound" go, I'd agree that those are effectively "words". When we talk about "speech" in this context we're not just talking about literal human mouth-noises, but any kind of communicative symbols; writing counts, signing counts, and sure, synthetically generated beeps and blings can count too.
And even if they didn't count as "words", per se, yeah, nonverbal forms of media (like pictures and music) can convey a kind of meaning too, and that's actually what most of the next essay is about.
The codex at http://geekofalltrades.org/codex/meaning.php wrote: "Bob, you ought not kill him" is equivalent, on my account, to "Bob, don't kill him!"; but "children ought to be protected" does not translate directly to some imperative like "children, be protected!", because the command is not issued at the children.
There's a simpler grammatical reason here though: The first case is a desire for a state of affairs, the second is a desire for an action. Actions are performed by (specific) actors. In the first case Bob is explicitly the one doing (or not doing) the killing... of a specific other person (the direct object of "kill", which is "him"). In the second case, there is no such. As you say, it's unspecified who is presumed to be protecting the children. So the two are not grammatically parallel; I would therefore not expect {insert fancy word} parallelism here.
Postby Pfhorrest » Thu Apr 11, 2019 10:19 pm UTC
I'm not sure if that's meant to be a criticism of my position? I agree that moral statements in general are not directly translatable to imperatives per se; but because a narrower subset of moral statements do seem translatable to imperatives, my position is that moral statements are something like a superset of imperatives, "imperative-like" but broader.
Much like, in the terms you mention, someone performing an action is a state of affairs; but not ever state of affairs is one of someone performing an action. You can intend for some state of affairs to be the case, and one kind of thing you can intend to be the case is a state of affairs wherein someone is performing an action. Moral statements in general, on my account, impress intentions, generally; some of those intentions are for some specific someone to perform some action, and those directly translate to imperatives, while others are not of that specific form and so do not directly translate to imperatives, but their meaning can be analyzed by comparison to the ones that do. Take an imperative of the form "subject, verb object!", abstract whatever it is that differs between that and the sentence "subject verbs object", and then apply that thing you abstracted to any other descriptive sentence to get the meaning of the prescriptive sentence prescribing the same thing that descriptive sentence described.
Postby ucim » Fri Apr 12, 2019 2:48 am UTC
Pfhorrest wrote: I'm not sure if that's meant to be a criticism of my position?
No, not a criticism. Rather, just looking at things in different ways. I wonder if there may be more levels of abstraction here than are warranted. This is why I went back to the difference between "Subject, verb object!" compared to "object ought to be verbed". The difference in meaning is clear from the grammar; the latter has no subject.
Yes, grammatically "object" is the subject, "be" is the verb, and "be verbed" is a kind of object in that second version, but I think you see what I mean through the parallelism.
"The moon ought to be made of green cheese" doesn't imply that there is anybody whose moral imperative it would be to curdle it. It's merely a statement of preference for a world in which the moon was high in caesin. (And by the looks of the moon, governed by Switzerland).
It's the active voice vs the passive voice.
Postby Pfhorrest » Fri Apr 12, 2019 3:30 am UTC
Yeah, and I guess my whole position there is that the only reason moral statements aren't exactly equivalent to imperatives is that there's no way in natural English of saying an imperative in the passive voice. But if were to imagine (or construct) something that serves the same function as an imperative when in active voice, but also has a passive voice mode, that is the kind of thing I say moral statements are. That prescriptivity wrapped around an active-voice clause is equivalent to an imperative, but because our usual way of using imperatives doesn't allow passive voice, the exact same prescriptivity wrapped around a passive-voice clause doesn't translate to a natural-sounding imperative.
I'm going to write more about this in the upcoming essay On Logic and Mathematics, but you could imagine two logical functions, is() and be(), just our copulae in their indicative and imperative moods respectively, which take as argument a gerund clause like "subject verbing object". "is(subject verbing object)" means the indicative "subject is verbing object", while "be(subject verbing object)" means the imperative "subject, be verbing (i.e. verb) object". If that gerund clause is in the passive voice, "is(object verbed)", we have no trouble translating it to a natural English indicative, "object is verbed", but stick that same passive gerund into the other function, "be(object verbed)", and there isn't a natural English imperative sentence to convey the same thing. I think that that's just a limitation English happens to have, and doesn't really reflect anything profoundly philosophical, it's just what requires us to use circumlocutions with auxilliary verbs like "ought" and "should" to communicate that kind of opinion, and confuses philosophers about what moral sentences mean, since it puts them into a form that looks like they're indicative, descriptive statements.
Pfhorrest wrote: but stick that same passive gerund into the other function, "be(object verbed)", and there isn't a natural English imperative sentence to convey the same thing. I think that that's just a limitation English happens to have
Well, grammar is a response to the set of things people want to say. If there isn't a grammatical way to say something, it's probably something that people don't have much of a need to say. And that might be because the thing being not-said "isn't a thing".
(It's an issue I have with OOP also; in procedural programming we do things to data. In OOP we ask data to do things to itself.)
Perhaps prayer is the grammatical answer to be(object verbed). It's kind of what happens with OOP too.
There are lots of useful things to say that natural languages are bad at saying clearly. Take for example distinguishing between "every mouse is afraid of some cat" as meaning "for each mouse, there exists some cat or another that that mouse is afraid of" and as it meaning "there exists some particular cat, such that every single mouse is afraid of that one cat in particular". That's what we invented quantitative logic to clarify. (And before it was clarified, that ambiguity caused serious philosophical fallacies, e.g. "nothing comes from nothing, everything comes from something [or another]; therefore there exists some [one, particular] thing from which everything else came, and we call that God"). Basically all of symbolic logic is invented because natural languages can be really unclear on what exactly they're trying to say. (And when I get to my essay on logic and mathematics, I will describe my variant on symbolic logic that makes clarifying direction-of-fit and so on easier). That doesn't mean that those things aren't "a thing".
Postby ucim » Fri Apr 19, 2019 12:04 am UTC
Pfhorrest wrote: There are lots of useful things to say that natural languages are bad at saying clearly.
Well, how useful are they? The mouse/cat question is interesting, but as language developed, was there a call to distinguish between those two statements? I suspect (though I'm no linguist) that "stay away from big cats" was far more useful to say. It probably wasn't until the development of leisure philosophical thought that people became interested in how to precisely elucidate the correct set of fears a mouse ought to have. By that time, grammar was pretty much set.
Consider the attempts to alter grammar to eliminate gender in personal pronouns. While it's not an issue, grammar happily assumes (YLMV) genders are associated with things and people, and that it's therefore important. (How did that even get started??) But now that it's an issue for some, there are efforts to change it. It will change, but only because it's now necessary to be able to say "{some other person, previously specified, whose sex is irrelevant} picked up the book". So far, however, it has not been necessary to say "Alan picked up the {female} book". In Spanish, that would be silly, as books are masculine, no matter what their content. If you however wanted to ride a bus in the Dominican Republic, you could ride a (masculine) "autobus" or a (feminine) "guagua", but not the other way around. There's no need to make a point of it.
So, yes, there are useful things to say that grammar makes difficult. When there is sufficient need to say them, grammar will respond with a solution, which may sound odd at first, but we'll get used to it.
Pfhorrest wrote: And before it was clarified, that ambiguity caused serious philosophical fallacies, e.g. "nothing comes from nothing, everything comes from something [or another]; therefore there exists some [one, particular] thing from which everything else came, and we call that God"
Ask me why a ham sandwich is better than complete happiness. Humor aside, grammar isn't the reason for belief in God. There's nothing wrong with the sentence, or the logic behind it. What is wrong is the premise, and perhaps our concept of "nothingness". And sure, the sentence "nothing comes from nothing" is literally ambiguous, but that ambiguity is not a philosophical thing.
Language is a means of communication, not a means of thought. Yes, language can pre-load thoughts and attitudes, but anybody interested can work their way around it.
So, at what point do you think that be(object, verbed) was an important thing to communicate, and to whom?
Postby Pfhorrest » Fri Apr 19, 2019 12:45 am UTC
you could say that the invention of symbolic logics just is the adaptation of grammar to suit a need, just a need that only a subset of the population seems to care about.
the logic behind that God sentence is just as bad as the logic in the ham sandwich joke, and the point isn’t that grammar made people believe in God, but that grammar hides why that’s a bad argument for God. it doesn’t hinge on “nothing comes from nothing”, BTW , but on “something”. the premise “everything comes from something” means “for each thing, there exists some thing or another from which that thing came”. (“nothing comes from nothing” means the equivalent “there exists no thing such that there exists no thing that that thing came from”). the conclusion “there exists some particular thing from which all other things come” is treated as equivalent, since that could also be phrased “everything comes from something”, but it’s not equivalent; “everything comes from something” can mean two different things, and the first doesn’t imply the second.
anyway, i’d say that “be object verbed” became a useful thing to say at least as far back as written laws addressed to whole communities instead of commands from parent to children.
ETA: grammar does already allow for saying things like these, it just sounds archaic to modern ears.
even latin had “fiat” which functions just like my be() function. “fiat lux” doesn’t describe there being light, it doesn’t tell any in particular to make like, it just commands the existence of light, which we render in english as “let there be” light, though i would say that “be there x” has nicer parallelism with “there is x”, even if it sounds archaic to modern ears. there are subject verbing object; be there subjects verbing ovjects.
Yes, you have a point there. But
Pfhorrest wrote: even latin had “fiat” which functions just like my be() function. “fiat lux” [...] commands the existence of light...
I don't know enough latin grammar to say (but this is the internet, right?), however a command is a statement =to= some entity. In this case, I suppose, to the universe itself? Probably not to the (as yet nonexistent) light. When one says "let there be light", there is an expectation of light in the offing. So, yes, a command of some sort, and in this case an unstated assumption that the universe is capable of hearing, interpreting, and responding to such utterances.
Another interpretation is "it would be really nice for there to be light, if you know what I'm getting at", stated in a manner to be overheard by minions who, while not getting a direct command, know what's best for them. It might be useful grammatically to separate these (perhaps more than) two kinds of commands. It certainly is useful in a legal sense to do so.
Pfhorrest wrote: ...the conclusion “there exists some particular thing from which all other things come” is [erroniously] treated as equivalent...
Agreed. One god or many gods? But what does follow is "at least one Creator". It's the gliding over of how th{is|ese} Creator(s) came to be where the actual error lies. It's not in the grammar (though I agree that human language grammar is ambiguous, with the one possible exception of a conlang whose name escapes me).
Pfhorrest wrote: anyway, i’d say that “be object verbed” became a useful thing to say at least as far back as written laws addressed to whole communities instead of commands from parent to children.
Less useful, because more ambiguous, than "{you} are responsible for verbing object." Written laws establish responsibility and consequence. "Be object verbed" does not.
This one kind of rambles all over the place:
On Rhetoric and the Arts.
Much of this was not originally part of the structure of the Codex as I once had it planned, so this is possibly the newest, least gone-over subject in the whole series, save perhaps for the very last essay which likewise was kind of a late addition to the plan.
Postby Pfhorrest » Fri May 10, 2019 8:26 am UTC
Hoo boy, this one turned out longer and more intricate than I expected, and now it's past the 13th hour by the time I finished it:
On Logic and Mathematics.
I felt like I really got in over my head on this topic, and maybe went too far out of philosophy and into mathematics where I am not really anything close to an expert, when I'm just trying to talk about the philosophy of mathematics, including logic.
Postby Pfhorrest » Wed May 22, 2019 9:39 pm UTC
Shit just got real as I prematurely finished this week's essay:
On Ontology, Being, and the Objects of Reality.
Once again I've been drowning in stress and anxiety from real life and have felt really uncertain in the quality of my writing for this essay but right now I'm kinda feeling like maybe it's a little okay. I'd like to know if it makes any sense to anyone else, though.
Postby Pfhorrest » Fri Jun 07, 2019 6:58 am UTC
If you don't mind, maybe you should, after you read this week's essay:
On Mind and the Subjects of Reality.
I'm still drowning in anxiety and existential dread this week (spoiler alert: the last essay of this series is kind of about that, entirely coincidentally) so this has been written through a thick mental fog and I have no idea how much shit it may or may not be.
Honestly, the further I get in writing these essay, the more this entire project feels like it's merely the skeleton of what a proper take on this subject would be, and that all of my positions are just things that other people have already argued for at much greater length and in much better quality, and my only real contribution if any is the structure of how these all fit together and support each other, and that if this is ever actually going to be anything worth reading, I'm going to need to some day get some younger, smarter or at least less addled-by-life, more educated philosophy grad student or something to help fill in all of the work of prior philosophers that I'm just kinda skimming over and name dropping in my rush to get to the point in the few hours I have each week to work on this.
I don't know how good this week's essay is, but after writing it I should:
On Epistemology and the Methods of Knowledge.
Insert standard disclaimer about how I'm still in a fog of anxiety even half a year later now and I feel like my output on the project is shit and not worth doing but I'm still doing it anyway.
On top of that, I expect a lot of descriptivists on this forum especially are going to particularly hate the ending of this one.
Postby ucim » Fri Jun 28, 2019 2:26 am UTC
re: On Epistemology and the Methods of Knowledge (http://geekofalltrades.org/codex/epistemology.php)
Pfhorrest wrote: On top of that, I expect a lot of descriptivists on this forum especially are going to particularly hate the ending of this one.
Well, you did warn me.
While labels are important for communication, I think one must be cautious that labels do not become a thing in themselves. In this case, specifically word definitions. For example:
in the Codex, Pfhorrest wrote: The traditional philosophical definition of knowledge, dating back at least to Plato, is that knowledge is justified true belief.
"Knowledge" means whatever the speaker intends when xe utters those phonemes. The meaning is successfully conveyed if the meaning is shared. However, "what I mean by the word 'knowledge'" and "what 'knowledge' is" are two different things. In this case, I would venture that the thing we call "knowledge" isn't a thing.
There is no such thing as "knowledge", in the sense of it being an objective thing. Like "free will", the concept involves its own contradiction.
in the Codex, Pfhorrest wrote: ...similar to that of Robert Nozick: I say that knowledge is believing something because it is true, such that not only does one believe it, and it is true, but if it weren't true one wouldn't believe it. This last condition can, I think, be considered a different sense of "justification" from the usual one, and so salvage the traditional definition of knowledge, albeit only by turning the concept of justification on its head, which I argue needs to be done anyway to have a workably rational method of deciding what to believe.
This literally begs the question, and is thus itself ironically irrational.
If we accept the notion that a thing can be objectively TRUE, and we accept for argument that a particular thing is objectively TRUE, then we are left with our perception of the thing, which is the only thing we have. We do not have access to the objective reality of the thing, only of our indirect observations of it. This is also the case of this other thing, which objectively is FALSE. We do not have access to its objective reality either. We are left to come to a conclusion based only on our indirect observations.
The objective truth or falsity of the thing (or the other thing) therefore cannot be a rational reason for believing (or disbelieving). It's simply not available to our cognition. Belief thus based is therefore unjustified and unjustifiable. Belief thus based, that coincides with the objective reality, is merely lucky.
We are left with two alternatives: the possibility that knowledge could be false (one could justifiably believe something that is objectively false), or knowledge does not exist at all (no amount of justification guarantees conformance with objective reality. Or ("that's three, sir!"), there's no such thing as objective reality - an unpalatable but in view of QM not unjustifiable position.
in the Codex, Pfhorrest wrote: ...all beliefs should be considered justified enough by default to be tentatively held until reasons can be found to reject them. ...it is not epistemically wrong to believe something that is unlikely but not actually shown false yet
This hinges on justification, and whether or not justification is objective. We all have different experiences; a different body of facts <koff> that we bring to bear on a question, when justifying our answer or approach. We also have different experiences on the reliability of the things we are using as justifications. So it's quite natural for different people to justify different interpretations of the data.
No, not all (unfalsified) ideas are equal. But there are two levels of this: First, some are closer to objective reality (if it exists) than others, and some have better justification (within the experience base of the justifier) than others. These two are orthogonal.
Trying to come up with an absolute definition of "knowledge" or "justification" or other words, even in a philosophical context, is IMO a chimera, and an irrelevance.
in the Codex, Pfhorrest wrote: But when people disagree about what words rightly mean, we must have some method of deciding who is correct, if we are to salvage the possibility of any analytic knowledge at all; for if, for example, one person in a discourse insists that to be a bachelor only means to live a carefree life of alcohol, sex, and music (ala the Greek god Bacchus from whose name the term is derived), with no implications on marital status, while another person insists that to be a bachelor only means to be a human male of marriageable age who is nevertheless not married, with no implications on lifestyle besides that, then they will find no agreement on whether or not it is analytically, a priori, necessarily true that all bachelors are unmarried.
This has nothing to do with knowledge or philosophy at all. It has to do with communication, which is the purpose of words. "What we have here is a failure to communicate". "Bachelor" does not have a "true meaning" - just a fuzzy set of associations that arise, in different ways, with different people, under different circumstances, when that word comes up.
Overall, my impression of the Codex as a whole (albeit based on reading bits and pieces) is that a lot of it is focused on words and labels. This makes it much thicker than I think it needs to be. As an exercise, try taking one of the essays (or even a part of it) and rewriting it at fifth grade level. It probably won't be easy; you'll reach for "big words" that (for this exercise) you shouldn't be using. But I suspect that the very act of doing this helps you clarify the salient points, and ferret out the places where focus on labels and vocabulary actually inhibits understanding. For the opposite perspective, go to Wikipedia and try to read an article on some unfamiliar advanced math topic. Then do the same for a familiar math topic, where you do understand all the technical jargon, and imagine how it should be rewritten for somebody for whom this topic is unfamiliar. Many of the same techniques should apply to clarifying your own Codex.
at the bottom of the Codex, Pfhorrest wrote: Snaaaaake!
Hi Corinne!
Postby Pfhorrest » Fri Jun 28, 2019 10:36 pm UTC
ucim wrote: There is no such thing as "knowledge", in the sense of it being an objective thing. Like "free will", the concept involves its own contradiction.
I'm wondering if you (re)read the previous essay Against Cynicism linked near the start of this one, because it does a lot of the heavy lifting and kind of makes a point similar to the one I think you're trying to make here, although I technically disagree with what you're literally saying, both about knowledge and (to be elaborated in a later essay) about free will. Justificationist conceptions of knowledge are self-defeating, which is why I reject them and propose an alternative, which is most of the point of my entire epistemology. (Likewise, incompatibilist conceptions of free will are self-defeating, which is why I reject them and propose an alternative).
(That argumentation is in Against Cynicism rather than in this essay because it will do double duty in On Deontology later, so I just refer back to it from both of those).
We do not have access to its objective reality either. We are left to come to a conclusion based only on our indirect observations.
We don't have direct access to the entirety of all of objective reality, but our observations are themselves partial access to that objective reality, since there is nothing to objective reality but the limit of what unlimited further observation would tell us. (See On Ontology, and its references back to Against Nihilism and Against Transcendentalism). If you followed along with the argument in Against Cynicism, the conclusions of which I summarize again right after this part you're responding to, you'll note that I am very much not saying that knowledge is about something being true, and that truth providing you with positive reason to believe it, but rather about your beliefs being responsive to any potential reasons not to believe them. You can never be certain that something is true, but you can be sure it's false.
We are left with two alternatives: the possibility that knowledge could be false (one could justifiably believe something that is objectively false)
This is basically the conclusion that I come to. All positive knowledge is tentative and imperfect: having "more knowledge" is about narrowing down the field of possibilities (by ruling out things known to be false), but there are always still multiple possibilities remaining and uncertainty about which of them is the correct one.
Communication is a topic that philosophy addresses. And you apparently missed that I straight up say before I go into any of this that words don't intrinsically mean anything. The point of that section is about how conflicts should be resolved between people who insist on meaning different things by the same words, in contexts where inferences are being made from the meanings of those words. Consider if someone published a math paper and among the axioms and definitions they started with, they defined a well-known term like "rational number" as something incompatible with what every other mathematician means by "rational number", and then from that definition derived conclusions about "rational numbers" that went against all of the other conclusions derived from the usual definition. Sure, maybe that paper validly proved something interesting about the objects it decided for some reason to call "rational numbers", but it didn't actually prove anything about rational numbers, because it's just misapplying that label to a different kind of object and proving things about that instead. But then how do we decide whether it has been misapplied? What if the author of that paper claims that all the other mathematicians are misapplying the term to the objects they're talking about, and his use is the correct one? How is that dispute to be settled? That's the question at hand in the section you're replying to.
Foreshadowing: this section is also setting up an analogy to be made later in On Deontology, where systems of rights based on the concept of property, as necessary and a priori as they might seem, turn out to be contingent on a posteriori facts about who owns what. Given a certain distribution of ownership certain people may have certain rights or not, but that distribution of ownership is itself open to question. Likewise, given certain meanings of words certain things are just logically necessary, but the meaning of those words are themselves open to question. I'm not putting forth any original ideas about logical necessity or about propertarian rights in either case, but pointing out that both of them take for granted things that are themselves open to question, and proposing a means of approaching those questions.
Overall, my impression of the Codex as a whole (albeit based on reading bits and pieces) is that a lot of it is focused on words and labels.
It seems to me like you've only really chimed in when I talk about language directly, so I'm not sure if you've read any of the bits and pieces besides the two places where language has come up and you're responded so far. Most of philosophy, and so most of my Codex, is not aiming to talk about words themselves but about concepts, and ironing out which of several possible more rigorously defined concepts best fits words that more commonly seem to evoke ill-defined concepts. Or conversely, and I think the more productive way to think about it in the end although the way just mentioned is usually what generates the debates that would give rise to this question: what are the most useful concepts to employ, independent of whatever words are used to label them; but then also, how best to label those concepts so that we can talk about them in the language we already have, without inventing all new words for things that we might already have reasonable words for.
(To go back to free will as an example, since you brought it up earlier: I'll argue later that the concept that words equivalent to "free will" originally evoked was not anything about the absence of determination, but rather a question came up about whether determination would be a threat to free will as it was already, more casually, conceived; and now after thousands of years of arguing about that, too many people take "free will" to definitionally mean something that demands the absence of determinism, but isn't actually a useful concept that we have reason to care about any more. Meanwhile, there is a different, useful concept that we have reason to care about, which fits pretty well with the older and more casual use of terms like "free will", so we should apply that label to that thing, instead of to the useless concept it's come to be too often applied to).
Postby Pfhorrest » Wed Jul 03, 2019 7:01 am UTC
The reality and knowledge track is finally complete with:
On Academics, Education, and the Institutes of Knowledge.
On top of the usual anxiety attacks I still haven't shaken off, this one was kind of a rush because of the holidays later this week displacing the time I had planned to use on this, which is a shame because this one is probably one of the trickier ones that needed the most careful explanation. I might try to give it some revisions next week if I have more time and a clearer head, but in the mean time I would like to know if any of this makes any sense to anyone.
Postby ucim » Fri Jul 05, 2019 1:24 am UTC
Pfhorrest wrote: I'm wondering if you (re)read the previous essay Against Cynicism linked near the start of this one
Quick answer: no, I had not. I haven't been studying the Codex; I've been reading it bit by bit as parts come out (and I have Time). I did however (subsequent to your post) (re)-read that essay. My overall impression is unchanged. Specifically with regard to Against Cynicism , it seems to make a point of exploring extremes that I don't consider significant (except in theory). Personally I side with the "start from axioms", where the (tentatively accepted) axioms are informed by (but not proven by) experience. Just where to break the chain of "why do you believe that ?" is to some extent arbitrary and subject to re-evaluation as the consequences become apparent. It's the basic science method.
But that's not the thing.
The thing is the emphasis on probing, with great gravitas, the "meaning" of the word "knowledge", a word that when push comes to shove doesn't really have "meaning".
I think you run into the same issue - you say:
Pfhorrest wrote: Justificationist conceptions of knowledge are self-defeating, which is why I reject them and propose an alternative, which is most of the point of my entire epistemology.
Any concept of knowledge will be self-defeating (or vacuous) if pushed to the limit. For example:
Pfhorrest wrote: You can never be certain that something is true, but you can be sure it's false.
Well, yes and no.
No, because you can simply negate the statement in question turning it into a true statement, that (by hypothesis) you can't be sure of. Can you really be sure that the world is not banana shaped?
But yes, because there are many ways for a statement to be false, and only one way for it to be true. But even that's an oversimplification, becauase things can be nearly true in many ways. Is it raining in Paris? (Well, what if there's a light misty drizzle somewhere on the outskirts? What if it's just very foggy and some of it is settling on likely surfaces? How far up does condensation have to happen before we call it rain?)
Pfhorrest wrote: And you apparently missed that I straight up say before I go into any of this that words don't intrinsically mean anything.
You mean "...The classic example is the knowledge that all bachelors are unmarried..."? You speak of this as if it were "knowledge" (about X having Y property), but this is merely a definition of a word. For people who know about bachelors and marriage, it's intrinsic. But for people who don't, it's explicit. It's more of a premise than it is "knowledge".
This gets into the Chinese Room - an algorithm can take Chinese input and make appropriate Chinese output, but is it fair to say that this algorithm "understands" Chinese? Has the algorithm tasted Hunan cuisine? Has it walked outside on Chinese New Year? I won't say that all of these experiences are necessary for understanding, but certainly some personal experience is necessary for the word "understanding" to have meaning in this context.
Pfhorrest wrote: It seems to me like you've only really chimed in when I talk about language directly, so I'm not sure if you've read any of the bits and pieces besides the two places where language has come up and you're responded so far. Most of philosophy, and so most of my Codex, is not aiming to talk about words themselves but about concepts, and ironing out which of several possible more rigorously defined concepts best fits words that more commonly seem to evoke ill-defined concepts
As you can probably tell, philosophy isn't my thing. I am not well versed in it, but I am literate and like to think of myself as a thinking being. It may well be that the concepts you are discussing are above my pay grade and I'd need to study from the beginning as if it were math. If that's the case, fair point. However, it seems that philosophy deals in large part with "what do we really mean by {word or concept}? Sometimes to apply it to the question "Is {thing} (morally) justifiable?"
Unlike science (with which I am more familar), philosophy doesn't seem to have an experimental side with which to verify its theories and ideas. This leaves me less inclined to give philosophy the gravitas it claims.
The reason I post is that you have asked for feedback, sometimes saying that you wonder if you're wasting your time, or if things are coming out clearly, or if the whole thing is a mess. If it helps you figure out your own thoughts, it's certainly not a waste of your time. But I do think that it tends to bog down. This could easily be my own ignorance of the field, but it could also be a property of philosophy (and philosophizing) itself. Without call to experiment, it's forced to rely on its own words for its own justification.
My own answer to the question "Can we ever really know anything?" is "No, but that doesn't matter. We can become more likely to approach the truth (assuming it exists) by looking for justification in experiment and in our own observations. And in cases where "truth" doesn't exist (such as moral values), we can at least become more likely to reject the worst values."
Is it working? Well, I'm discouraged every time I see Fox news. But it's not over yet.
ps - no, I haven't yet read the latest (...Academics...) chapter. Wait for it.
Postby Pfhorrest » Fri Jul 05, 2019 9:37 pm UTC
ucim wrote: Quick answer: no, I had not. I haven't been studying the Codex; I've been reading it bit by bit as parts come out (and I have Time).
I don't expect you to be studying it, per se, but later parts depend on all the parts that have come before, especially when they directly link to the parts that come before. The whole thing hangs together as one big picture; the way the positions on different topics relate to each other is perhaps the most novel part of it (as I mentioned in the intro), since most of the positions on the various topics are themselves not wholly original views of my own.
I did however (subsequent to your post) (re)-read that essay. My overall impression is unchanged. Specifically with regard to Against Cynicism , it seems to make a point of exploring extremes that I don't consider significant (except in theory). Personally I side with the "start from axioms", where the (tentatively accepted) axioms are informed by (but not proven by) experience. Just where to break the chain of "why do you believe that ?" is to some extent arbitrary and subject to re-evaluation as the consequences become apparent. It's the basic science method.
That is basically the conclusion of Against Cynicism and my core view on epistemology. (It seems) you're not saying to reject every belief that can't be justified from the ground up; you're saying it's okay to hold some beliefs just because they seem true to you (from experience), but only tentatively, always open to rejecting them if they should clash with further experience. And if you hold some beliefs, then of course you're going to also hold whatever follows from those beliefs, treating them as "axioms" as you say; but you're not (it seems) saying that those particular beliefs you tentatively hold as "axioms" are just "properly basic" and beyond question, the true foundation from which to build all other knowledge.
Exploring the extremes is the point of much of philosophy, showing the absurdities that arise if you actually take some innocuous-seeming ideas to heart. "Don't believe anything without solid reason to do so" sounds like innocuous common sense, but if you actually take it to heart you have to conclude "don't believe anything at all ever" because every reason itself needs a reason ad infinitum. "Well okay, some beliefs don't need reasons to justify them" sounds like an innocuous common sense response to that, but if you take it to heart it opens a huge can of worms about which beliefs don't need justification; some people say belief in God is properly basic and doesn't need justification. Rejecting both of those yields more or less the view you just seemed to espouse above, which is the same one I espouse in the Codex.
You mean "...The classic example is the knowledge that all bachelors are unmarried..."?
No, I mean "Words themselves do not inherently mean anything, but rather, linguistic communities arbitrarily assign meaning to words, and could assign them differently. Words mean what people mean them to mean, and so long as everyone involved agrees on the meaning of words, that is all that is necessary to know the truth of their meaning, the analytic a posteriori facts of what the words mean.
But when people disagree about what words rightly mean..."
You speak of this as if it were "knowledge" (about X having Y property), but this is merely a definition of a word.
Knowledge about the definitions of words is still a kind of knowledge. You can know that some random person P "is a bachelor", whatever that means, without knowing what that means; just that that person is included in some category of people, some word applies to him. Separately, you can know that bachelors are defined as unmarried men of marriageable age, without knowing anything about who in particular is or isn't a bachelor. And if you know both of those things, you can conclude that that particular person is not married.
The Chinese Room cannot perform the same functions that a native Chinese speaker can. You can show a native Chinese speaker a picture of a duck on a lake and ask it (in Chinese) "what kind of bird is on the water?" and they will be able to answer the question. You can't pass that picture with that question into the Chinese room and get an answer, because the person in the room operating the algorithm can only connect words to other words, not words to experiences. If the person in the room, rather than just having a list of how Hanzi relate to each other, had picture books and the-cow-goes-moo kind of books and scratch-n-sniff books and so on that related the abstract symbols to concrete experiences, then yes, the Room as a whole would actually understand Chinese, inasmuch as if the man in the room memorized all of those books, he would have just learned Chinese from them. That is the very distinction between analytic and synthetic knowledge: the traditional Chinese Room only furnishes its operator with analytic knowledge, understanding words only in terms of other words which are all as empty of synthetic meaning as each other. That's still a kind of knowledge, it's just not comprehensive.
Pfhorrest wrote: Unlike science (with which I am more familar), philosophy doesn't seem to have an experimental side with which to verify its theories and ideas. This leaves me less inclined to give philosophy the gravitas it claims.
Philosophy isn't trying to answer the same kinds of question as science. If you think it is and it's just doing it the wrong way, you're going to be disappointed. Have you read the essay on Metaphilosophy? It goes into this in more detail that I don't want to repeat here if you can just read it there.
The reason I post is that you have asked for feedback, sometimes saying that you wonder if you're wasting your time, or if things are coming out clearly, or if the whole thing is a mess.
I do appreciate that you're paying it even a little bit of attention, but like I said above, each piece hangs on everything else that's come before, so if you haven't been following along with what came before then it's not really useful to hear how this bit here or there in isolation doesn't make sense on its own.
This is more or less the same position I espouse in the Codex, with the exception that for some reason you're willing to give descriptive claims the benefit of the doubt that some of them might turn out correct even though all we can ever really know is whether (or how badly) the ones we've tried are incorrect, but you're not willing to extend that exact same benefit of the doubt to prescriptive claims, presumptively concluding that there definitely is no such thing as correct possible there, even while you still speak as though some of them are less incorrect than others. How is that any different than with descriptive claims? We can't ever know if any of them are definitely the single unique correct picture of what's real, but we can tell when some things are definitely (or at least probably) not real, and so narrow down the range of possibilities of what still might be real, if anything is at all. s/real/moral and it's the same story.
Postby ucim » Sat Jul 06, 2019 4:15 am UTC
Pfhorrest wrote: ...but later parts depend on all the parts that have come before...
Yes. If they do to the same degree as math, then I'd pretty much have to study it from the beginning to get anything. But I'm not convinced this is the case, except for the vocabulary. The concepts, it seems, should be able to be expressed in a self-contained manner. Perhaps try re-writing one of them for somebody who jumped in right at that point; you'd need to somehow avoid a lot of the terms of art in doing so. Could you do it effectively? I suspect so; but from what you say you suspect not.
Pfhorrest wrote: (It seems) you're not saying to reject every belief that can't be justified from the ground up; you're saying it's okay to hold some beliefs just because they seem true...
Yes, I think we agree on this philosophical point. But...
Pfhorrest wrote: ...but you're not (it seems) saying that those particular beliefs you tentatively hold as "axioms" are just "properly basic" and beyond question, the true foundation from which to build all other knowledge.
I don't think there is a "true foundation" upon which to build all other knowledge. Certainly not if "knowledge" is defined as rigourously as was proposed above. But this is more an issue I have with the usefulness of such a rigourous definition of "knowledge". That's not philosophy, that's semantics breaking down. The philosophy in this amounts to whether objective reality exists at all, and whether we can experience it. (To the latter issue, I say "no"; what we experience is subjective - it's pretty much the definition of "subjective" in this sense.)
Pfhorrest wrote: Exploring the extremes is the point of much of philosophy, showing the absurdities...
One must be careful that one is exploring the extremes of a concept, not a definition. Perhaps this is why I "only" post when there's a language thing. Maybe it's that I don't see the point being made as one of philosophy at all, but of semantics dressed up as philosophy. When I disagree there, it's a different kind of disagreement.
Pfhorrest wrote: No, I mean "Words themselves do not inherently mean anything...
Oh. I got that. It's the "rightly" of "But when people disagree about what words rightly mean" that I disagree with. Words, even newly coined words, mean differnt things to different people always. Sometimes slightly, sometimes more so. They are tools to trigger experience, and by proxy communicate a thought. As the triggered experience in the listener differs from the internal experience that triggers the word in the speaker, communication is always imperfect. We need to allow for and compensate for that. But again, this isn't philosophy.
Pfhorrest wrote: [...]And if you know both of those [propositional] things [even without knowing what the words mean], you can conclude that that particular person is not married.
But if you don't know what "married" means, you still don't know anything about that person.
Pfhorrest wrote: You can't pass that picture with that question into the Chinese room and get an answer, because the person in the room operating the algorithm can only connect words to other words, not words to experiences.
No, the reason it doesn't work is that the Chinese room has no eyeball - no way to input visual info. But Google images, Tin eye, and other programs like it are in essence a Chinese room that does have an eyeball. Those can tell you, in Chinese, what kind of duck it is. But it doesn't "know" what a duck is in a very deep sense; it's never had a "duck experience". It's like working the "bachelor - unmarried" proposition without knowing what a bachelor is and what unmarried is. So yes, it has analytic knowledge but not synthetic knowledge. Analytic knowledge is enough to "get the job done", but synthetic knowledge is what gives the experience of knowing.
Pfhorrest wrote: Philosophy isn't trying to answer the same kinds of question as science...
Agreed. I'm not expecting that. But it is attempting to answer questions - questions that have responses, but not answers. I will read the Metaphilosophy article.
Pfhorrest wrote: ...for some reason you're willing to give descriptive claims the benefit of the doubt [...] but you're not willing to extend that exact same benefit of the doubt to prescriptive claims [...] How is that any different than with descriptive claims?
s/real/moral and it's the same story.
You are right in that that is where we differ. In descriptive claims ("is"), there is (by hypothesis) an objective reality it is intended to correspond with. The degree to which it does is the degree to which it is "true". In prescriptive claims ("ought"), you hypothesize an objective morality with the corresponding role. I will admit that my tentative acceptance of objective reality doesn't fare well against quantum mechanics, but if I let go of that axiom, I find no handle on existance at all. But I certainly exist. Existence exists. So I find myself more or less forced to accept this somewhat untenable position. With regards to objective morality, I do not have a similarly compelling wall to be backed into. It is not (symmetrcially) the case that I certainly am moral. It seems to me that morality has its basis in the fact that humans are social animals, and cooperation is baked into our genes. Morality governs social relations because it's about caring.
Inanimate objects have existence, but they don't have morality.
So, to me the parallel is not compelling. This is why I am not convinced that objective morality must exist (or even makes sense).
Postby Pfhorrest » Sat Jul 06, 2019 6:09 pm UTC
ucim wrote: The concepts, it seems, should be able to be expressed in a self-contained manner.
They can, but then the arguments for why those positions should be taken can be questioned by invoking other topics, which are already addressed elsewhere (or earmarked as to be addressed later). For example, in philosophy of religion there's a Problem of Evil which argues that the occurrence of bad things in the world proves that there cannot be an all knowing, all powerful, all good God, because if there were such a being he would stop all bad things from happening, so since they happen, he mustn't exist. A common theist retort is that such a being does exist, and stops as much bad from happening as is compatible with preserving free will, because abolishing free will would be even worse than the things he has to let happen to preserve it. But that response makes absolutely no sense given a compatibilist conception of free will, so to address what started out as an issue in philosophy of religion, now we have to open up the whole completely different topic of what free will means.
I don't think there is a "true foundation" upon which to build all other knowledge.
Yes, and I agree. I'm pointing out that we seem to agree that there aren't any "properly basic" beliefs upon which all knowledge can be rigorously founded; all beliefs are tentative.
No, the reason it doesn't work is that the Chinese room has no eyeball - no way to input visual info.
It does though; the original Chinese Room is a guy in a room being passed slips of paper that he reads with his eyes. You could pass him a photo, he just couldn't answer any questions about it in Chinese unless you've also given him instruction books that connect images to hanzi instead of just hanzi to other hanzi. And if you did that... you just gave him books on how to speak Chinese. And he if memorized those, he would understand Chinese.
....suddenly have to run, will write more later.
Postby ucim » Sat Jul 06, 2019 9:11 pm UTC
Pfhorrest wrote: And he if memorized those [books connecting images to hanji], he would understand Chinese.
I think you overstate the connection between [image] and "hot dog". You don't understand a hot dog until you've tasted one, held one at a baseball game while your team lost, cooked a bunch of them at a July 4 BBQ, argued over the differences between beef, pork, and chicken... Well, not all those things, but enough of them to form a visceral impression of what [image] means. If you did that, then you've taught Chinese. (Metaphorically)
Pfhorrest wrote: [Concepts can be expressed self-contained] but then the arguments for why those positions should be taken can be questioned by invoking other topics...
They still can. Just that the argument would appear in a different "thread". I suspect you overstate the strength of philosophical arguments.
Pfhorrest wrote: we seem to agree that there aren't any "properly basic" beliefs upon which all knowledge can be rigorously founded; all beliefs are tentative.
That point can be argued without going rigorously into the "true meaning of knowledge" though. It would make the point clearer. Kind of like bringing up CP and CLOP in that other thread, when the end goal seems to be "cooperation would be a good thing".
Postby Pfhorrest » Sun Jul 07, 2019 12:40 am UTC
ucim wrote: One must be careful that one is exploring the extremes of a concept, not a definition.
What distinction are you making here? When talking about words that name philosophical concepts, the definition of the word is some concept or another; the concept is what the word means. There's room for argument over exactly which concept someone means by which word, but for some definition of a some word in terms of some concept, exploring the extremes "of the definition" is exploring the extremes of that concept.
It really seems like you're the one getting more hung up on words than I am, here.
It's the "rightly" of "But when people disagree about what words rightly mean" that I disagree with.
The "rightly" in question is in reference to the mutual agreement that gives a word its meaning, not some abstract profound metaphysical universal thing like you seem to think I mean. If the disputing parties are willing to just come to some different new mutual agreement on what they're going to use the words to mean, there is no problem. But if they both insist that the other is using the word wrong, as in counter to the generally agreed-upon meaning in the language they share, then I invoke the described process for determining what really is the generally agreed-upon meaning in the language they share, which is simply looking back in time to see what the last generally agreed-upon meaning was, and saying whichever of them is still according with that is correct that their usage is the generally agreed-upon meaning in the language that they share, and the other one is the one who has deviated from that. It's practically tautological.
You are right in that that is where we differ. In descriptive claims ("is"), there is (by hypothesis) an objective reality it is intended to correspond with. The degree to which it does is the degree to which it is "true". In prescriptive claims ("ought"), you hypothesize an objective morality with the corresponding role.
I don't hypothesize anything. I'm not saying "I think this is definitely the complete objectively moral way to live". You, again, seem to think that I (and people generally) mean something much bigger and more profound than I (we) do when talking about moral objectivism. It's simply the claim that it is possible for some things to be morally better or worse, just like positing objective reality is just the claim that it is possible for beliefs, models, theories, whatever, to be more or less accurate or true. In either case, you don't figuratively have the whole complete objective [whatever] in one hand, and hold up the claims, actions, whatever, against it to compare if they match. You just have some method of evaluating the claims, actions, whatever, one by one, piece by piece, and wherever that process of evaluation leads, that's is towards the whole complete objective [whatever]. You're not starting with a big picture and seeing if the little pieces fit into it; you're starting with little pieces, and seeing how they fit together, and the only notion of any big picture you have, of either reality or morality, is just the abstract limit of "whatever it is that all these little pieces add up to".
You don't seem to completely deny any ability to evaluate individual actions, intentions, etc, as morally or ethically better or worse than others in some way or another. You certainly seem like you would agree that the holocaust was in some way or another a bad thing, and it would have been better somehow or another if it hadn't happen, and it's better if in the future things like that don't happen again than if they do, and that people who disagree about that are wrong, unless you yourself are somehow completely mistaken about everything. No? That little ability to apply some kind of evaluation to little particulars is all it takes to have a notion of objective morality; just keep doing that to all the little particulars, and whatever those all add up to, that is the "big picture" capital letters Objective Morality you seem to think I'm starting from as some kind of hypothesis.
Did you read Against Nihilism? I'm repeating a lot of what's in there. That's why those big broad-topic essays came first. Everything else comes back to them.
With regards to objective morality, I do not have a similarly compelling wall to be backed into. It is not (symmetrcially) the case that I certainly am moral.
But you can't help but find some things seeming to be better than others, any more than you can help but find that some things seem to exist. (See On Ontology for elaboration on that latter point and how it related to your Cartesian appeal I snipped from the quote). That's a normative judgement.
It seems to me that morality has its basis in the fact that humans are social animals, and cooperation is baked into our genes. Morality governs social relations because it's about caring.
"Morality" doesn't have to mean happy altruistic cooperation. There are philosophical views that say the moral thing to do is to be a selfish bastard. "Moral" in the broad scope just means related to value judgements.
ucim wrote: I think you overstate the connection between [image] and "hot dog". You don't understand a hot dog until you've tasted one, held one at a baseball game while your team lost, cooked a bunch of them at a July 4 BBQ, argued over the differences between beef, pork, and chicken... Well, not all those things, but enough of them to form a visceral impression of what [image] means. If you did that, then you've taught Chinese. (Metaphorically)
In an earlier reply I also said in addition to picture books, cow-goes-moo type books, scratch-n-sniff books, etc; some set of correlations between experiential phenomena and the abstract symbols. I only mentioned the picture books in the second reply to that for brevity, assuming you read the previous reply where I elaborated in more detail.
The "true meaning of knowledge" thing isn't meant to be groundwork for the "all knowledge is tentative" stuff. Each essay starts by laying out briefly what the thing it's about to talk about is. Epistemology is about knowledge. But there is active debate in the field of epistemology about what knowledge even is, so I address that debate in that introductory paragraph, and then say that that matter can be dissolved by "turning the concept of justification on its head, which I argue needs to be done anyway to have a workably rational method of deciding what to believe", which leads into the actual substantive stuff that I have to say about knowledge, which I immediately say "should be expected from the positions already laid out in my previous essays against fideism and against cynicism, and summarized again in my previous essay about commensurablism...". Basically: I've already laid down in earlier essays the big important points on what I have to say about knowledge, and those things I've already said make (IMO) this debate about "what even is knowledge anyway" go away completely. I'm just acknowledging that there is such a debate, before dismissing it and moving on to the more substantive things I have to say about how best to go about deciding what to believe.
The point is about the interdependence of the different parts of philosophy. In the Codex, I'm going to cover the topic of free will long before I get to the Problem of Evil. So when I get to the Problem of Evil, if someone says "but but but God has to allow evil things in order for there to be free will"-- nope, already addressed that earlier, should have taken it up back then. The first four essays against fideism, transcendentalism, nihilism, and cynicism, summarized in Commensurablism do most of the heavy lifting for the whole rest of the Codex, and I refer back to them over and over again from a bunch of later essays. The philosophy of mind stuff depends entirely on the ontological stuff; if you're not on board with the ontology, you might just say "but but Cartesian Dualism" in response to the whole philosophy of mind, but nope, already addressed dualism back in Ontology, or rather mostly back in Against Transcendentalism, that in turn hinging on Against Fideism. It really is all interdependent. I can explain what my concept of mind is independently of any of that, but arguing why to use that concept and not another appeals back to arguments about ontology, which appeal back to more abstract principle laid out in those first four Against essays.
The general chain of dependence, intentionally not explaining all the terms here so as not to repeat the entire Codex, is:
If you agree that all opinions are commensurable, you must be against fideism and against nihilism.
If you're against fideism, you must be against transcendentalism.
If you're against nihilism, you must be against cynicism.
If you're against transcendentalism and nihilism, your options in ontology and teleology are the ones I've settled on.
If you're against fideism and cynicism, your options in epistemology and deontology are the ones I've settled on.
Given my ontology, your options in philosophy of mind either lead to nihilism, lead to transcendentalism, or are the one I've settled on.
Given my teleology, your options in philosophy of will either lead to nihilism, lead to transcendentalism, or are the one I've settled on.
Given my epistemology, your options in academics either lead to cynicism, lead to fideism, or are the one I've settled on.
Given my deontology, your options in politics either lead to cynicism, lead to fideism, or are the one I've settled on.
Given all of that... my philosophy of life, avoiding either fideism or nihilism.
If at any stage I've already lost you (e.g. if I can't convince you to be against fideism), you may as well stop reading because the rest of it is going to depend on that previous step.
Return to “Your art and links”
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Unnatural Disasters (Pangaean Chronicles)
: Andrew Jia
: Kids : General
A great danger awaits, hidden in the shadows. For fans of the I Survived series, Because of Winn-Dixie, and Chasing Helicity, natural disaster survival adventure book, Unnatural Disasters is the debut novel of Child Author, Andrew Jia. The city of Barlock has always been vulnerable to destructive natural disasters, but not on this scale. The flood of the century has uprooted the lives of ten puppies, and from there, they will come back strong, and recover quickly. Doby never supported the move to Barlock. Tescumah was the ideal city to live in. In between the Raw Mountains and the Tescumah Bay, it had the best views in all of Puppyland. Barlock, on the other hand, was a city decimated by natural disasters and nearly bankrupt. But it had to be done. His cousin, Nanook was sick with a disease, and moving to Barlock was the only way to find cheaper doctors and housing. Trapped in a horrible orphanage, Cavachon is trying to form a band because he knows that it’s the only way out. After the flood, Barlock was destroyed. Its orphanage was already overspilling, and now anyone who could adopt one of the doomed orphans is dead from the flood. The Battle of the Bands presents a unique opportunity, and now Cavachon is determined to win.
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Call Of Duty Advanced Warfare Launches November 4
John Gaudiosi
John Gaudiosi is co-founder of GameHub Content Network and Editor-In-Chief of GamerHub.tv. He's covered the video game industry for 20 years for outlets like Reuters, The Hollywood Reporter, Forbes, CNN, Entertainment Weekly, Geek Magazine, NVISION and Tegrazone.
Published May 6, 2014 1:12 AM
Sledgehammer Games enlists Kevin Spacey to star in the PC and next gen exclusive original shooter.
The power of the next generation of advanced soldier. The power of a gripping performance from Kevin Spacey. The power of all-new, exoskeleton gameplay mechanics. Power changes everything. Call of Duty: Advanced Warfare delivers an inspired new era of Call of Duty from a brand new developer, Sledgehammer Games. The new Activision COD will launch November 4 for next gen consoles and PC, promising to deliver a breathtaking, new vision for the blockbuster franchise.
"We've made several key decisions with an eye towards creative excellence on Call of Duty: Advanced Warfare. We've really approached this game differently," said Eric Hirshberg, CEO of Activision Publishing. "This is our first three-year development cycle. It's our first time with Sledgehammer Games at the creative helm. And we're shaking up the formula in several ways. New core gameplay mechanics with the exoskeleton suit. A riveting new story. An iconic new character played by one of the world's best actors in Kevin Spacey. We're having a lot of fun making this game, and we think the world is going to have even more fun playing it."
Call of Duty: Advanced Warfare jolts players forward in a groundbreaking experience that's ripped-from-the-headlines-of-tomorrow, envisioning a future where both technology and tactics have evolved to usher in a new era of combat for the franchise. Set in the year 2054, a private military corporation (PMC) has emerged with the power to rescue humanity from a devastated world struggling to rebuild after a global attack on its military and infrastructure. You are the advanced soldier. Empowered with new, cutting-edge exoskeleton abilities, technological advancements and high-tech gear, players join the ranks of a highly-trained, specialized unit committed to restoring order in a state of advanced warfare.
"It's been a lot of fun working with the team to bring Jonathan Irons to life,” said Spacey. “The technology is truly remarkable and unlike anything I've done before. I'm excited to see where this goes.”
Call of Duty: Advanced Warfare is being developed specifically for next gen consoles and PC. This is the first iteration of publisher Activision's expanded three-year development cycle allowing the debut lead title from Sledgehammer Games an added year of studio development. With the expanded production capabilities, Sledgehammer Games is able to create an astonishing new, next generation experience, featuring an array of technical advancements from the sights and sounds that create a near photorealistic world unlike any Call of Duty before, to new performance capture and facial animation technologies that deliver lifelike characters, to a rich and immersive story that brings the fiction to life.
"This is an opportunity of a lifetime, and an honor for Sledgehammer Games. Call of Duty: Advanced Warfare is the most ambitious and creative project we have ever worked on. From the endless research and thousands of production designs, to our incredible focus on the narrative and amazing attention to detail - we're taking nothing for granted," said Glen Schofield, co-founder and game director of Sledgehammer Games. "Call of Duty connects with the fans on such a deep level, and crafting a new vision for the next generation has been so inspiring for us."
Michael Condrey, co-founder and studio head of Sledgehammer Games added, "Glen and I created this team with the singular vision of delivering the best work of our lives. We know we're stepping into some pretty big shoes, but every day I'm amazed at the talent and focus at work here touching everything from the story experience to multiplayer. We're excited to lead the next chapter in this great franchise, and we can't wait for November 4th."
call of duty advanced warfighter
cod advanced warfighter
jonathan irons
Killer Queen Black Swarms Retailers This Summer
Special controller skins available with retail copies.
Dauntless Surpasses 4 Million Players Following Launch
Am I crazy or is that a lot of players?
Lornsword Winter Chronicle Coming To Early Access
Story Driven, Action Strategy!
Peiyu Hsu
Hands On At Pax East 2019: Bloodstained: Ritual Of The Night
See what 505 Games brought to Bean town!
Published April 11, 2019 8:01 PM , by
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GlynnDems
the party of the people
Glynn County Committee Members
Public Offices Open in 2019-2020
District and Precinct Maps
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BUY TICKETS for ANNUAL BANQUET
Meet our three banquet speakers: Roland McElroy was a political insider for nearly three decades in Washington and the author of seven books, including “The Best President the Nation Never Had: A Memoir of Working with Sam Nunn.” State Sen. Jen Jordan (D-6) ended the GOP’s supermajority in the State Senate in 2017 when she won a special election. She earned national attention this year when she spoke out eloquently and personally against Georgia’s so-called heartbeat legislation in March. Adrienne White, an accountant, is vice chair for candidate recruitment for the Democratic Party of Georgia and a longtime community and political activist from Atlanta. Her personal mantra is “Give. Serve. Love.”
WHEN: Aug. 24 at 6 p.m. (doors open at 5:30). WHERE: Selden Park Community Center.
DINNER: A Moveable Feast.
TICKETS: $50. ___________________________________
OFFICES OPEN IN 2019-20
Turning Glynn BLUE with you. Many Glynn County offices are open in 2020 — from district attorney to sheriff to school board to county commission.
They don’t know how we feel if we don’t tell them.
Call your elected officials to tell them how you feel
about an issue.
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Chenab River Railway Bridge
Chenab Railway Bridge
Katra, Jammu-Kashmir, India
1,056 feet high / 322 meters high
1,532 foot span / 467 meter span
There is probably no other natural barrier on earth that has been more formidable to railway engineers than the Himalayan mountain range that stretches across northern India. This became all too obvious when the Indian railway decided to build a line connecting the states of Jammu and Kashmir in the Himalayan foothills of Northwestern India. When construction began in earnest in 2002, the engineers never expected extensive delays due to poor geology, access problems, tunnel excavation difficulties and labor disputes. When the 213 mile (343 kilometer) line finally opens in 2019 (or later), it will be the most expensive stretch of India’s 40,000 mile (64,374 km) railway network.
Of the many large barriers the railway crosses, the most daunting is the wide gorge of the Chenab River. With its headwaters high up in the Himalayan mountain range, the river carved a deep gash that left its elevation more than a 1,000 feet (305 mtrs) below the level of the rail line. The engineers decided the only bridge type suitable for the location would be a massive steel arch - the highest ever built for a railway at 1,056 feet (322 meters) from deck to water. Only an arch is capable of handling the weight of a 300 ton locomotive along with a thousand tons of passenger cars. With a length of 1,532 feet (467 meters), the main span will rank among the world’s 10 longest arches. Although its height will also surpass all of China’s current arch bridges, there are several Chinese railway lines planned that will contain railway bridges that will surpass Chenab in height.
Construction will be done by building the arch outward from both sides of the canyon using the stayed cantilever method. This technique was also used for the similar design of the New River Gorge bridge in West Virginia, U.S.A. The uneven sides of the gorge will result in one side of the arch terminating into the foundation 40 feet (12 meters) higher than the other side.
In September of 2008 it was announced that the Chenab Railway Bridge was canceled despite the completion of the approach viaducts in 2007. Difficult geological conditions on the steep slopes supporting the arch foundations were sited as the reason as well as the development of a lower, more direct route through tunnels. In 2013 this decision was reversed and the original route is back on track with the bridge being constructed as originally planned.
Whenever the Chenab Railway Bridge is finally completed, it will be more than just another bridge but a prestigious symbol of how far India and its railway engineers have come since the country’s first mile of railway track became operational more than 150 years ago.
Chenab and Anjikhad bridges are located less than 10 miles (16 kms) north of the busy tourist town of Katra. Despite its small population, Katra is loaded with hotels and restaurants due to its proximity to the Vaishno Devi, the second most visited religious shrine in all of India after the Tirumala Venkateswara Temple. Located a mile above sea level, the large complex of white buildings steps down the side of the holy mountain of Vaishno Devi. The Hindu shrine is located about 8 miles (13 kms) from Katra and is visited by millions of people a year. There is an airport in the much larger city of Jammu, located 30 miles (48 kms) south of the Chenab bridge.
The Kashmir valley has always been one of the most isolated regions in India. When the rail line is finally finished, it will finally open up the area to the rest of India and the outside world. For a more extensive history of the railway and its construction visit http://en.wikipedia.org/wiki/Kashmir_railway.
Chenab Railway Bridge Elevation
Image by LALIT SINGH RAWAL.
The square ribs of the main arch that will be filled with concrete after they are raised into position.
Chenab River canyon with the completed approach spans visible on the right. Image by WSP.
The two construction highline towers that are located more then 700 meters apart.
Chenab Railway Bridge wind tunnel test. Image by WSP.
The approach spans were completed several years before construction began on the main arch.
Chenab Railway Bridge north side staging area and construction site.
Chenab Railway Bridge south side staging area and construction site.
Chenab Railway Bridge topo map.
A wide satellite view shows the Chebab River near the top and the Anjikhad River across the bottom.
Chenab Railway Bridge location map.
Map of the Kashmir Railway route. The Chenab Bridge will be located between the stations of Reasi Road and Katra.
Image by Prashant Chaudhary
Retrieved from "http://highestbridges.com/wiki/index.php?title=Chenab_River_Railway_Bridge"
Categories: Bridges in India | Top 10 Highest Bridges
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Britney Spears high by ganja-smoking concert-goers
Visitors of the concerts of Britney Spears blow so much, that the singer ever high now.
That reports The Mirror.
In an interview in The Jonathan Ross Show tells Spears this weekend that they recently during one of her concerts in Las Vegas the stage early and had to leave for that reason.
“I have no weed smoked since I was seventeen, and now it was suddenly so strong that I high of was. I could not agree more to function normally, and thought ” Oh no, I need to get out of here, I can not continue.'”
The singer, who in the past multiple times afkickte, tells the television that they are the modern party scene in Las Vegas desperately trying to avoid. “There are so many parties, all around me. Privéparty’s, with very many drugs. I just don’t go.”
Lady Gaga will be performing during Super Bowl
Lady Gaga performs during break Super Bowl
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Bon Iver at the end of August with a new album
Bon Iver brings, at the end of August with a new album, called i, ii. I, and i is the fourth full length album, the band’s singer Justin Vernon. The album is partly located in the U.s. state of Wisconsin, contained, and partly in dallas, Texas...
Miley Cyrus wants of men are not pleased with the sexual performances of
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ASAP Rocky’s cancellation of his shows in July due to detention in Sweden
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The Opposites one-off return to the show on the festival, Visit
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Phil says, four European shows due to illness
Phil did four shows in Belgium and Germany to cancel their appearance due to illness. Reports that the British singer himself, in a message on Twitter. Sting had a concert in Gent last Monday’s cancellations and coming shows-in Munich...
SAMSUNG Italy says that the new powers to intervene in a 5G, it will delay the implementation
In france, says that Facebook’s Scale is not yet viable as the G7, minister of
Facebook to face to have more control of the Congress in the balance,
How to Avoid Unpleasant Odor down There
“Very little research is available to ‘ordinary’ diseases’
Young people often have sexual problems after heart attack
“Sexual education at school don’t connect well with young people’
Men more likely to be lonely than women
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‘Scharrelkipstallen unhealthy for farmers and neighbors’
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Dr. Manny: How Newt Gingrich can help in the form of Trump ‘ s health care plan
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An Interview with Isaac Wardell of Bifrost Arts (Part 1, ft “Psalm 46”)
Posted on February 12, 2013 February 20, 2013 by Chris Breslin
Isaac Wardell is the director of Bifrost Arts and the Director of Worship Arts at Trinity Charlottesville (PCA). He’s been involved in church music and church plants in Georgia, Tennessee, and New York. He studied at Covenant College. While serving in New York City he played and performed with the Welcome Wagon, and has produced two Sacred Music anthologies with various musicians under the Bifrost Arts banner (Come O Spirit! & Salvation is Created), with a third due out in April.
I got the chance to chat with Isaac about hymnody, worship, the psalms, what it means to be a contemporary musician serving the church, and the relationship between worship and obedience. Part One of the interview introduces the history of Bifrost Arts, hymnody and praise music. Scroll to the bottom to stream an exclusive preview of “Psalm 46” from the upcoming album. Part Two previews the April 22-24, 2013 conference taking place in Philadelphia titled “The Cry of the Poor.” Scroll to the bottom to stream an exclusive preview of “By His Wounds” from the upcoming album.
Hopeful Realism: Tell us about the genesis of Bifrost Arts.
Isaac Wardell: While I had been living up in Williamsburg (Brooklyn) [serving at Resurrection Presbyterian with Vito Aiuto], I had been quietly developing an ethos for approaching church music. I had been studying music in college, studying hymnody, had a strong classical music background, and had been living in an urban, post-Christian community. Incidentally, for about ten years, I had zero exposure to the “Christian culture industry.” I was working in church plants which meant that I was deciding what we were listening to. I wasn’t listening to Christian radio, but was going through hymnals and psalters finding ways for us to worship. In the summer of 2007, we started doing a series of events we called “Sacred Music Festivals” where in small spaces we would invite people to come and talk about sacred music and about this crazy novelty of people singing together- probably 75% Christians or religious people, but 25% or so just interested in esoteria. Those events led to a partnership with Rev. Joseph Pensak, ministering locally to college students, as well as connections with other local churches and pastors who helped.
I was in my twenties at the time and probably felt a stronger burden about church music needing to be more excellent, more beautiful, more soulful…rather than reactive, creative. That’s what I really excited about, especially because of my context. I was working in a cultural context where those were the real values. And much Christian music had such a reputation for being facsimile, consumer-driven and draconian.
HR: Was there a major shift moving from Brooklyn to Charlottesville?
IW: Bifrost has changed a lot. As you said, now I work in Charlottesville, VA, essentially in a megachurch. There are suburban evangelicals, brilliant minds like James Hunter and Nicholas Wolterstorff, college town culture and an evermore diversifying racial complexion. When I think about how Bifrost can help the church, the idea of being aesthetically innovative and challenging the church to think about the arts in a much more deeply theological way is more of just one sliver of what we’re doing now. We do much more education and thinking about how we can educate congregations, worship committees, and people involved in planning worship services to think about their way of approaching worship services.
While I’m really excited about releasing this record in the coming months, I’m actually starting to feel more and more that these church curricula that we’re putting out and these conferences and small events are the most helpful thing that we do. It’s not so much just modeling this sort of ethos but really unwrapping it and showing some biblical concepts that you can bring into your congregation that can really give your congregation a new vocabulary for worship.
When I first came to Trinity it became obvious that our worship vocabulary was so impoverished. People have “traditional-contemporary,” “high church-low church,” people talk about being relevant…all these things that are really not very descriptive about what the bible has to say about worship.
HR: Tell me a little bit about a tension you might feel in your work between tradition and innovation. Singing hymns in new contexts seems to have gained a lot of momentum and quite a following over the last decade or so. I’ve noticed that the times when the Bifrost records do cover hymnody there isn’t an automatic impulse to necessarily “re-tune” the setting.
The hymn conversation is a fascinating one. My personal thinking has evolved a lot in the last ten years. The last thing I want to do is offend anybody, especially my friends who are involved in setting old hymns to new music. A lot of people who grew up in evangelical churches didn’t grow up singing hymns. I grew up singing popular Christian music. When I got to college, I discovered hymns- the depth, beauty, poetry…all these things that were clearly missing from my previous worship experience. A lot of people have that experience through RUF and others setting those hymns to new music. That wasn’t exactly my experience because I went to school on a music scholarship, and was involved in a really traditional music program. My discovery was in the classroom. My falling in love with them wasn’t in a context of innovation, but rather just falling in love with them for what they were. I have a more romantic relationship with the organ and the hymnal. I don’t have a personal history of thinking of “old, dead hymns.” When I first heard “Be Thou My Vision” it was a new beautiful, adult experience for me.
Part of what I did in my twenties when I was working at these church plants was just opening up the hymnal. We didn’t have an organ. It wasn’t some kind of evangelistic decision. We were just trying to interpret these hymns in a faithful way. If you listen to the Bifrost records, to a song like “Just A Closer Walk With Me” that’s just me playing the song. There’s strings and a particular musical perspective that I’m bringing to it, but we certainly weren’t trying to turn anything upside down on its head and we weren’t trying to indict anything.
HR: Inevitably every artist makes some sort of aesthetic decision.
IW: Sure. And I’ve spent the last four or five years digging even more deeply into the way I feel. At this point I think I’ve come full-circle in thinking that the problem that hymns address is obvious. Everyone can agree that in turning on [Christian] radio, the music doesn’t address real theological questions, all the facets of the human heart. And you open up hymnals and they address that problem. We can agree on that. Beyond that, to say that hymns are the answer to all of our modern worship problems is problematic. If you bring discernment and a historical ear to your hymnal you’re going to find some beautiful things in there, some things that were beautiful because of their context, and some things that are not beautiful because of the failures of their times.
Our children’s choir came in yesterday singing “Jesus Loves me This I Know.” In this and a plethora of other hymns written between 1825 and 1925, that great 19th century British period of hymnody, there are a lot of references to dying. “And when you die Jesus will hold or cradle you.” It’s alarmingly consistent. “If I love him when I die/He will take me home on high.” You look into it historically and you find that during that period of time in the Industrial Revolution is the highest rate of childhood and infant mortality in world history. In all these Sunday School classes, you have these kids showing up to worship and having to deal with their peers dying. So you have people in ministry answering those questions. You can picture those conversations and their attempts at answers that make their way into their music. Some of these answers seem odd or perhaps even questionable, but for the moment they were appropriate responses in their contexts. Likewise, you open up the hymnal and you see people answering questions in hymns. Addressing questions about war, inexplicable suffering and death, globalization and mission; in the best-case scenarios you see these hymns answering the real questions that people are wrestling with in their times.
I don’t think that hymns answer those questions for our time. What we can learn is to be inspired by our hymnal to actually look at the questions people are asking in our times. You read James Hunter’s book: central questions about identity, sexuality, what does it mean to be a person, how do we know that life has any value? Questions about money, human relationships…these are the questions that are on the news every night. I don’t know that I can turn on the radio and hear Christian music answering these questions. But I also don’t necessarily know that you open your hymnal and find answers to these questions.
I’d like to issue a call to songwriters not to stop writing songs and just use your hymnal, but to write new things. The new Bifrost record, and probably any subsequent records, will be all original hymns and worship songs. It’s important for us to start modeling that. In some way there’s something incredibly faithless about resigning yourself to saying that “they wrote all this great stuff back there and we’re not capable of writing stuff like that now.” I’d like to suggest that the same Holy Spirit that inspired Isaac Watts is the Holy Spirit that can inspire us to write something as beautiful as “When I Survey the Wondrous Cross.”
HR: Beyond answering specific questions for a specific place and time, how do you see worship music working within a framework of a ‘theology of desire?’ Your last conference’s curriculum began to explore some of these themes, seeing a human person as primarily affective or liturgical, how do you design worship with music that takes that whole person seriously? Hymns don’t let you necessarily range the whole spectrum of emotions in the way that perhaps even the most simple praise chorus, that you could pick on all day, may be able.
I’m assuming you’re probably familiar with Jamie Smith and Desiring the Kingdom? I love Jamie and his writing and teaching, and his new book, Imagining the Kingdom is explicitly about applying that question in a worship context.
For my Presbyterian, Reformed context, one of the main areas of poverty in the PCA’s collective understanding about worship is this understanding of worship as being just a transmission of information. Presbyterians get really excited about hymns being good theology set to music. And there’s something to that. But this fundamental understanding of worship being information and a system of understanding imparted to you so that music is just a vehicle- that’s a terribly small way of understanding what worship is.
In the Liturgy, Music, and Space (LMS) curriculum, we try to give the reader two handles. On the one hand, worship has a formative aspect; worship forms us to think a certain way. And worship has an expressive aspect; in worship our love for God is expressed. Worship is the expression of a whole relationship with God and its also the formation of a whole relationship with God.
That’s what we’re trying to offer, not contemporary–traditional, not high–low, but formative–expressive as the most scriptural worship categorization. These two qualities are manifest in scripture, from the Old Testament to the New Testament, that you see God telling the people, ‘when you worship I want you to do it in the very formative way.’ Even Deuteronomy, he says, ‘I want you to write these truths and hang them in front of your eyes on little leaflets and I want you to write it on your doorposts.’ And even when God is telling the Israelites how to celebrate Passover, he says ‘I want you to set your table, sit down, and you’ll say this prayer, and the oldest son is going to ask the dad this question and the dad will answer in this way…’ This is a very formative prescription for worship.
At the same time, you have all these instances in the scriptures, from the prophets right through the New Testament, where God tells his people, ‘I’m not interested in you just going through the motions of worship, not interested in your feasts and festivals, if your heart is not right and your not being obedient to my word.’ And that’s the expressive part. There are times throughout the bible that you read of these exuberant expressions, things much more expressive than we’re comfortable with: banging cymbals, beating drums, David’s dancing in the street. Even in the New Testament where in Peter’s worship services people are accused of being drunk. There is a very descriptive element of expressive worship in the scriptures.
Isaac Wardell (Photo by Adam Clark)
I don’t think that delineating between praise choruses and hymns is always necessarily helpful or accurate. The category that we use around here is ‘scripture songs,’ a subcategory being ‘psalms.’ I think those are really important categories to have in this conversation, because the Psalms are a best-case scenario due to the fact that they are super-expressive. They’re very raw. They’re more expressive than any Chris Tomlin song. The Psalms are the psalmists bringing all their whole hearts to God. But the Psalms are also deeply formative. The Psalms are really challenging. They don’t just give you words for what you already feel. They give you words to grow into. I think the Psalms have to be our model…you see that from Jesus. When he went to worship God, he learned how to worship using the Psalms, he sung the Psalms, and in his hour of need, Jesus quoted the Psalms. When he’s hanging on the cross, he’s not extemporizing. He’s not just expressing, but he quotes something he would have sung. You see the Psalms even forming Jesus’s heart and giving him language for how to talk to God.
The Psalms are the starting place and then out of the Psalms you have a criterion from which you can judge how good a praise song is and how good a hymn is. If you start to see a great disconnect between our hymnody and our psalter or praise chorus catalog and our psalter, it should be clear to us where the poverty is.
But that’s not the way we operate. We’ve gotten so upside-down in our understanding. You have both traditional people that would hate it if you brought the emotion of the Psalms into worship, and then there are those who are all about expression, who have made an idol out of emotive expression – so that when you try to make a case that the bible just doesn’t want us to express things we feel but to learn to express things that we ought to feel – they’d react really poorly as well. I think the psalms are indicting on the state of our worship wars. The one thing we can agree on is that nobody wants to worship that way.
HR: I recently interviewed Sarah DeShields from Renovatus Church in Charlotte, NC. They’re really trying to hold this in tension and use the handles “the liturgy and the shout” to speak of that dialectic of formation and expression. Interestingly, they’ve wound up doing a few psalm-based texts to do this on a congregational level.
Posted in Art & Theology, Church, Ministry, Mission, Music, Scripture, Uncategorized
7 thoughts on “An Interview with Isaac Wardell of Bifrost Arts (Part 1, ft “Psalm 46”)”
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Sarah August 8, 2013
Wow, what a wonderful interview! Great questions – this is certainly a post I will be coming back to as my thinking about worship continues to grow and change, partly in response to the very first Bifrost Arts record.
Chris Breslin August 12, 2013
Thanks for your kind words. I feel likewise about the first record. Blessings on your ministry.
-CEB
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World Network of Island and Coastal
Biosphere Reserves ABOUT
Secretariat offices: Jeju & Menorca
MAB-UNESCO Programme
World Network of Island and Coastal Biosphere Reserves
Welcome to the World Network of Island and Coastal Biosphere Reserves' website. This Network was launched in 2009 by UNESCO MAB Programme to foster sustainable development in islands and coastal areas and to promote adaptation and mitigation strategies on climate change.
Islands and coastal areas, while representing a wide range of contexts, have shared characteristics and face common challenges. They are sensitive sites due to their high level of biodiversity and the great amount of endemism and fragile and rare ecosystems that they shelter. They are are particularly vulnerable to processes of global change such as climate change, and in turn have great potential in the study of these changes and in the implementation and testing of sustainable development policies.
To make the most of this potential, the Network emerges as a forum for cooperation and knowledge transfer between distant territories facing common challenges. In this context, networking is a great opportunity for our biosphere reserves to be enriched and to advance in the challenge of bringing the concept of sustainable development to the local level.
At the I Congress of the World Network of Island and Coastal Biosphere Reserves, held on the island of Menorca in February 2012, the basis for the operation of the Network was established, with two technical secretariats working together: Island of Jeju (Republic of Korea), which focuses on climate change issues; and Menorca (Spain), dedicated to sustainable development.
World Network of Island and Coastal Biosphere Reserves The World Network of Island and Coastal Biosphere Reserves was launched in 2009 by UNESCO MAB Programme to foster sustainable development in islands and coastal areas and to promote adaptation and mitigation strategies on climate change. ABOUT
Menorca Biosphere Reserve
Jeju Biosphere Reserve
MAB-UNESCO
Contact us You can use this form to send us a question or comment. We will answer as soon as possible. Thank you very much. Name:
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Jessica Winter
Absence of Malick
A new DVD of The Thin Red Line suggests Terrence Malick is as much a mystery to his actors and crew as he is to us.
Even before it arrived in theaters at the end of 1998, the World War II drama The Thin Red Line was a film defined by unexplained absences. Its director, Terrence Malick, had made two of the most rapturously regarded movies of the ’70s, Badlands (1973) and Days of Heaven (1978), and then vanished from the filmmaking grid. His reappearance after 20 years was an ecstatic, near-miraculous event in the church of cinema, but it left many a missing person in its wake. Well-known actors such as Viggo Mortensen, Mickey Rourke, and Bill Pullman did scenes for The Thin Red Line on location in Australia but went MIA in the finished three-hour print. Billy Bob Thornton’s narration was likewise scrapped. Adrien Brody, who shot in Australia for three grueling months, brought his parents to an early screening to discover that his leading role had been whittled down to a single line of dialogue. George Clooney, who featured prominently in ads for the film, is on-screen for all of 60 seconds.
We expect star turns from our big movies, but The Thin Red Line (loosely adapted from James Jones’ 1962 novel and reaching theaters the same year as Saving Private Ryan) won both praise and scorn for its serene lack of interest in elements of the prestige studio picture. A plot, for instance: The film’s stunningly tense and kinetic middle hour traces a dangerously dehydrated U.S. Army company’s attempt to seize a Japanese stronghold during the Battle of Guadalcanal, but much of the rest of the action is dreamy, drifty, interior. The beatific Pvt. Witt (Jim Caviezel) goes AWOL in an Eden of singing, swimming Melanesian villagers. Pvt. (Ben Chaplin) takes a walk, thinks of his wife, stares up at trees. Shots of sun-dappled leaves, grass, birds, and the occasional crocodile get more screen time than John Cusack and Woody Harrelson combined—as critic J. Hoberman put it, the film “thrive[s] on the tension between horrible carnage and beautiful, indifferent ‘nature.’ ” Dialogue is often thin on the ground, supplanted by Hans Zimmer’s plangent score, the whispers of wind and water, and a rotating, often confounding current of hushed voiceovers. To wit: “Oh, my soul, let me be in you now. Look out through my eyes, look out at the things you’ve made.” What does that mean? And who said it? Perhaps only Malick knows for sure.
More at Slate
Jessica Winter @ Adrian Kinloch
Jessica Winter is executive editor of newyorker.com and a former editor at Slate and Time. Her writing has appeared in The New York Times, The Guardian, Bookforum, The Believer, and many other publications. She lives with her family in Flatbush, Brooklyn.
© 2019 Jessica Winter. All Rights Reserved.
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Lazio en
1. Casette e Prati di Cottanello
The area called the Prati of Cottanello occupies about 740 ha within the municipality of Cottanello. It is particularly significant on account of the historical persistence of a landscape characterized by the alternation of pastures and woods, an encounter between human presence and natural environment, and is endowed with elements of great historical, productive and environmental value. Pastures are used for many varieties of animals: horses, cows, sheep and goats and often free ranging pigs. Cultivations, consisting mainly of olives and wine-grapes, are found in the proximity of the town of Cottanello. As for woods, the holm oak is the main tree of the area, but chestnuts, oaks, downy oaks, beeches and Turkey oaks are also present. The integrity of the area is a result of its use for extensive pasture and of the continuing interaction of humans and nature, which has created a significant scenery from an historical and environmental perspective. Rural settlings have been only partially affected by the modernization of industrial animal breeding of the second half of the twentieth century, in regards to machinery, structures and the organization of animal-breeding and the work of breeders has remained a synthesis of modern and ancient. The vulnerability of the area is tied to the advance of the woods on abandoned pastures and to the fact that some of the stone buildings are nowadays in bad condition and liable to collapse. This is partly the result of the depopulation of the area, which occurred in the second half of the twentieth century.
2. The chestnut groves of Canepina
The chestnuts of Canepina extend for about 1706 ha mainly in the municipality of Canepina, and in parts of the nearby municipalities of Vallerano, Caprarola, Viterbo e Soriano nel Cimino. The significance of the area is due to the historical persistence of chestnut grove, a type of woods that for centuries was the economic and nutritional basis of the populations of the Apennines. For centuries they were exsiccated, boiled or made into flour for bread, replacing up to the post-WWII period the role of other cereals in the diet of farm-owners and sharecroppers. Chestnut trees were grown both as high forest for the production of chestnuts, and as coppice for the production of wood. The wood of the chestnut trees supported a long tradition of barrel making by local artisans, active in Canepina up to a few decades ago. Sheep were commonly allowed to graze in the orchards used for producing chestnuts. Grazing served to keep the undergrowth to a minimum, making it easier to pick up the chestnuts. The cultivation of chestnuts became less profitable in the 1950s and 1960s, when the fruit market crashed due to changes in taste and eating habits. In the last few years, chestnut cultivation is again on the rise, thanks also to the institution of the PDO label “Castagna dei Monti Cimini”. The chestnut orchards of Canepina are in good condition, having survived the attack of parasites and the changes in the rural economy of the area. About 60-70% of the holdings are of small size (1.5-5 ha) and the remaining 30-40% is between 5 and 20 ha. Mentioned should also be made of the marked tendency towards organic agriculture by local producers. Unfortunately, chestnut trees of notable size have become increasingly rare and tend to fall victim to various diseases. Sheep no longer graze under the chestnuts which are instead periodically mowed. Chestnut gathering has been almost entirely mechanized, while manual gathering is only done on the steeper terrains.
3. The Farnesiana
The landscape surrounding the Tenuta della Farnesiana occupies a surface of about 1028 ha on the north-western slopes of the Monti della Tolfa, in the municipalities of Allumiere and Tarquinia. The significance of the area is due to the historical persistence of the landscape, dating back to the medieval period, which synthesizes in a few hundred hectares the salient traits of the areas of the Maremma Laziale and of the Monti della Tolfa, where open range animal farming is still practiced. The landscape of the Farnesiana is characterized by a balance and integration between the role of pasture, crops and woods in the economy of the holding. The cattle of the maremmana variety have become perfectly adapted to this mixed environment. This species is particularly strong: it tolerates climatic difficulties and adapts well to marginal terrains and low-quality forage. Today, the Tenuta della Farnesiana hosts a farm which besides functioning as a tourist farmhouse continues to produce traditional food products, including beef and pork meat, vegetables, wine, olive oil, and fruit. About half of the surface of the farm is covered by Mediterranean scrub and by mixed oak woods, with a prevalence of Turkish oaks and holm oaks; on the south-western slope there are also about twenty hectares of cork oaks. Both the mixed oak woods and the cork oak woods are regularly maintained. The integrity of the area is ensured by the balance between cultivated areas, pasture and woods, which are regularly used. The agriculture practiced at the Farnesiana shows a high degree of integration between cattle breeding, cultivations and forestry, in contrast with the modern trend towards a clear-cut separation between woods and agriculture. Inside the holding there are no notable vulnerabilities.
4. Gorges of the Farfa
The area of the gorges of the Farfa river is characterized by the presence of olive orchards, and it extends for about 1283 ha in the municipalities of Mompeo, Castelnuovo di Farfa, Salisano, Casaprota e Poggio Nativo. The significance of the landscape of the Gole del Farfa is tied to the millenarian persistence of traditional olive orchards combined with grassland, cultivated even on steep terrain thanks to the use of the ‘lunette’ (small semi-circular containing walls), which support small terraces, thus characteristically modeling the slopes and creating, along with the archeological remains, the wooded gorges and the river, a rural mosaic of great scenic, cultural and natural importance. The cultivation of the olive-tree, practiced in the Sabina area already in the Roman period, has been a unifying feature of the rural landscape. In recent years, a few cooperatives of young people have rented marginal or abandoned olive orchards, combining farming with excursions for tourists and didactic activities in the more picturesque areas of the Gole and in the archeological sites associated with olive-oil culture. The integrity of the landscape is basically due to the preservation of the olive orchards, notwithstanding the increasingly old average age of the farmers and the high costs of workforce, due to the steepness of the terrain and the ensuing difficulty to use modern machinery. The vulnerability of the area is associated with the abandoning of agriculture, presently limited to marginal olive orchards and those located on steeper terrains, which are difficult to mechanize. But what has declined the most and is on the verge of disappearing for good, is the traditional pasturing of sheep in olive orchards.
5. Terraced olive orchards of Vallecorsa
The area consists of a series of terraced olive orchards extending for about 1314 ha, obtained by excavating calcareous rock. It is located in the municipalities of Vallecorsa and of Castro dei Volsci. The significance of the area lies in its traditional historical features and in the beauty of its “rocky scenery”, where the natural karstic modeling of limestone outcroppings has been exploited and refined by farmers to make room for olive orchards. These aspects are part of a general rural landscape of great beauty characterized by the historical persistence of cultivations. Using sledge-hammers, farmers broke up the boulders and used them to create countless dry-stone walls to protect their sheep and their fields, to build wells, reservoirs, and houses, but especially to support the terraces on which olive orchards were planted. The scenery retains a high degree of integrity and is of great interest, not solely on account of the traditional olive orchards, but also of other cultivations and pastures located on the mountain slopes, which enrich and vary the scenery. The sunny and rocky slopes of the mountains of Vallecorsa are still dotted by two million cubic meters of terraces. While there no longer are teams of workers to maintain the walls, and olives belong to small properties cultivated owners as a hobby more than for profit, olive orchards still extend for about 600 ha, almost the same surface of 1907. One vulnerability is a consequence of the disappearance of sheep farming. Traditionally, sheep slept under the olive trees and provided manure, while nowadays chemical fertilizers have been adopted as well as herbicides to clear weeds. The greatest risk is that this form of cultivation be definitely lost due to the abandoning of agriculture by the local population. Besides the loss of an incredible landscape, this would also lead to significant hydro-geological problems.
6. Cavaliere estate
The landscape characterizing the area of the Cavaliere estate (Tenuta del Cavaliere) is typical of extensive agriculture. The area extends for about 140 ha, in the municipality of Rome. The significance of the area is due to the historical persistence of a landscape typical, in the modern age, of the extensive agriculture of the Agro Romano, i.e. the countryside around Rome, owned by noble families or religious bodies and characterized by wheat and forage cultivation and animal farming. The name Tenuta del Cavaliere dates to the seventeenth century, when the three holdings of Casale Nuovo, La Cementara and Palazzetto were unified by the family De Militibus-Cavalieri. The ancient farmhouse has been built around a defense tower, and is the interesting result of various architectural stratifications and phases in the administration of the holding. It continued, however, to be an agricultural area. Since the 1970s, near the borders of the Tenuta, the Roman neighborhoods of Lunghezza, Lunghezzina, Castelverde, Case Rosse and Setteville have developed. The gradual urbanization of these areas has steadily increased the importance of the Tenuta as a natural and agricultural area. In the 1990s, a reforestation program has been carried out in marginal areas of the Tenuta, for a total of 25 ha, with the planting of pines, holm-oaks, apple-trees, walnut-trees, and oaks. A program of organic agriculture has also been started. The Tenuta del Cavaliere, unlike many other areas of the Roman countryside, has maintained to a large extent its integrity. The Tenuta is periodically opened to the public for recreational and cultural events. The quality of its food products, the beauty of the landscape, and its initiatives aimed at rediscovering the historical heritage of the Roman countryside, make it an outstanding example of multifunctional agriculture. The vulnerability of the Tenuta is caused by the growth of surrounding urban areas, against which it has plays a fundamental role in safeguarding the landscape and the environment.
LANDSCAPE RESTORATION
National Observatory of Rural Landscape
National Register of Historical Rural Landscapes
LANDSCAPE OBSERVATORY - REGIONAL GOVERNMENT OF TUSCANY
Monitoring the Tuscan Landscape
LANDSCAPE AND HYDROGEOLOGICAL RISK
Landscape in agricultural policies
Impact assessment of wind farms
FAO-GIAHS
Florence Declaration UNESCO-CBD
SPRINGER ENVIRONMENTAL HISTORY SERIES
Book Series on Environmental History series editor Prof. Mauro Agnoletti editor contact: mauro.agnoletti@unifi.it springer contact:[...]
Editors in Chief: Mauro Agnoletti (University of Florence, Italy) Gabriella Corona (National Research Council, Naples,[...]
The Italian Historical
Cultural values for the environment and the rural development
Historical Rural Landscapes. For A National Register
The landscape in the "Cavalcata dei Magi"
The Basic Environmental History
Prof. Mauro Agnoletti - Università di Firenze - Email: mauro.agnoletti@unifi.it - Website: www.mauroagnoletti.com
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Waltercio Caldas
(b. Rio de Janeiro, Brazil, 1946).
Caldas came into prominence during the repressive military regime with his conceptual art work that redefines perception. He studied at the Escola do Museo de Arte Moderna with Ivan Seroa between 1964-1965. He also founded and edited Malasartes in 1975 and A Parte do Fogo in 1980 with various young artists. His art is minimalist as well as conceptual, leaving the viewer to give further interpretation to the work. His latest work tries to create emptiness and silence out of the mass by playing with light, perception, and ambiguity, making the viewer doubt their own eyes. His work is critical of the government yet not overtly political when seen in the context of an oppressive regime where Caldas spent most of his youth and part of his adulthood. His sculptures are worked-over ready-mades placed in such a way as to subtly challenge the viewer's perception of silence/absence, mass, and tension.
In this interview from 2003 curator Donna Conwell speaks to Caldas about his recent work as well as his interest in the materiality of his sculptural work.
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When The Sharing Economy Brings Unexpected Experiences
Emma Bowman
Thanks to the fast-growing sharing economy, anyone can make money renting out his home or car — or by becoming a personal chef.
Just ask Time magazine columnist Joel Stein. He decided to give the sharing economy a try, then wrote about his experience. The explosion of new social apps and services powering this new consumer landscape gave him the opportunity to run a few of his own DIY businesses. He rented out his Mini Cooper, drove people around in it a la Lyft and cooked for strangers.
'Sharing' As A Misnomer
A recent survey from PricewaterhouseCoopers shows that the sharing economy is growing faster than ever, led by Airbnb and Uber. And those who participate feel it is more personal and convenient.
Of the 44 percent of U.S. adults who are familiar with the sharing economy, 86 percent say it makes life more affordable, 83 percent say it makes life more convenient and efficient and 78 percent say it builds a stronger community.
A lot of companies prefer the term "on demand" economy, Stein tells NPR's Robert Siegel. What's really happening, Stein says, is "people wanting things as soon as they can get them by pressing a button on their phone."
Part of what's transforming our consumption habits is that we have a different relationship to property because things are more accessible and less valuable, Stein says. So we're spending more money on experiences. According to the PricewaterhouseCoopers report, 43 percent of consumers say that "owning today feels like a burden."
Stein lost money when it came to running his own restaurant but found driving others and charging $35 a day to rent out his car profitable.
Stein used RelayRides — an Avis or Hertz of car-sharing — to rent out his Mini Cooper. He found that renters picked up his car from his house and often went the extra step to fill up the gas tank.
Still, there are downsides of becoming your own small business. One Sicilian customer asked what the R, D and N meant on his stick shift — a clue that he would later get a call from her telling him she'd had an accident. But RelayRides' insurance handled it "amazingly," Stein says, and covered the damage.
A large part of what makes this collaborative consumption work is getting strangers to trust strangers. Sites like eBay were testing grounds when it came to building a level of trust in online peer-to-peer transactions. Several people who used to work for eBay now work in the sharing economy, Stein says, which adopted the model of getting the user and the provider to rate each other. It reduces the number of bad actors and promotes trust among strangers, otherwise built by the reputation of a brand name of a big business.
"If you want a more personal experience, or in most cases, a cheaper experience, you take a little more risk with an Airbnb, but you get a less generic experience than you do at a big-name hotel," Stein says.
And these companies are on the market value scale of large corporations, like Delta Airlines and Hilton Worldwide. PricewaterhouseCoopers projects that by 2025, global revenues from sharing economy companies will soar to an estimated $335 billion, from about $15 billion today.
A Sharing Economy Horror Story
It may be a more personal experience, but it's still a business transaction. So what happens when something goes wrong in the peer-to-peer setting? In a darker story of Airbnb experiences, the host died while the guest was staying in her apartment.
Jordan Ruttenberg, a student at Wesleyan University, relocated to Brooklyn for a summer job with his friend Connor. They booked a place through Airbnb. His host, whom they met once via Skype, was in California at the time. Midstay, Connor noticed messages on their host's Facebook wall in the tone of: "You have to pull out of this" or "We need you."
After reaching out to a friend of the host, he learned she had overdosed and been pulled off life support. His arrangement turned eerie, as he continued to stay in this woman's apartment, with all her personal belongings and photographs.
Ultimately, the host's brother contacted Ruttenberg, asking when his checkout date was, assuming the procedural manner of a business arrangement.
"I recognize the tragedy in it," Ruttenberg says, "but our relationship with her was a logistical one. And so, her death for us was largely of a logistical nature."
Ruttenberg says he would still use Airbnb for short-term stays.
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Mineral Park Ghost Town & Mines
Directions: There are two ways to approach Mineral Park and mines. One is to drive to Chloride AZ and take the dirt road, route 125 due south out of town about three miles to route 255. Turn left and head to Mineral Park and the Moss Mine, a huge open pit mine. Or, take the paved route route 255 off of US 93 at mile 59 and head northeast to the mine. Refer to (Fig. 02).
Description of Area: Mineral Park is now a ghost town that was once a mining town in the Mineral Park valley of the Cerbat Mountains in Mohave County, Arizona. Its ruins and cemetery are now located within the property of the Mineral Park mine. The Mineral Park mine is a large open pit copper mine located near the base of the Cerbat Mountains 14 miles northwest of Kingman, Arizona (Figs. 01 & 02). Looking at the map in (Fig. 02), you can see that the open pit mine is bigger than the entire town of Chloride, four miles north of the mine. The Mineral Park is a silver, molybdenum, and copper mine located in Mohave county, Arizona at an elevation of 4,429 feet. A 2013 report noted that Mineral Park represented one of the largest copper reserves in the United States and in the world, having estimated reserves of 389 million tonnes of ore grading 0.14% copper and 31 million oz of silver. I have yet to find any information on how much money this mine made.
(Fig. 02a) Courtesy Mohave Historical Society
Background and History: Mining in the area began in 1871 and a camp was established soon after. The mines in the area produced primarily silver, gold, copper, lead and zinc. The post office was opened December 23, 1872. It grew to be the largest town in the county and became the county seat in 1873. It had the county courthouse and jail, stores, hotels, saloons, shops, doctors, lawyers, assay offices and two stagecoach stations. The town published a newspaper, the Mohave County Miner. The population was around 700 people (Fig. 02a). Today it is impossible to even imagine that there was a town that big here once. In 1887 it lost the county seat to the railroad town of Kingman in an election. Some of the population and the newspaper moved and mining began to slacken with the price of silver. The post office closed in April 30, 1893. It reopened in September 1894, but closed for the last time in 1912. Mining revived in the area since the 1960s, but the town never did. As of today, much of the remaining few ruins and foundations, including the town's cemetery, remain within the property of the new (open pit) mine.
Large scale copper mining, in the form of an open pit operation, began in the old Mineral Park district in 1963 by the Duval Corporation. Today Mineral Park has all but vanished and sits upon private mining property where turquoise and copper were still being mined from the area. The open-pit mine has caused once-prominent Ithaca Peak to disappear completely. Ithaca Peak was the area that contained the majority of the turquoise that was mined. The area is scattered with the debris of earlier days, where head frames, mill foundations and tattered cabins can still be seen amongst the mine tailings. The mine changed hands owners several times and was acquired by Mercator Mineral Park Holdings of British Columbia in 2003. In December 2014 the mine closed as the company filed for bankruptcy.
05/30/2019 Trip Notes: As the huge piles of overage resulting from the open pit mines at the end of the paved Mineral Park Road, on the north side of the road you can see one of the few remaining buildings of the original town of Mineral Park (Fig. 03). Further post investigation has revealed that there may be a couple of other buildings that we missed. Some other building remains and the old cemetery are within the private property of the open pit mine. I've since read that you can obtain permission from the owners to view some of these. Pulling off the dirt Mineral Park Road (Figs. 04-06) we drove north up the hillside to some of the town's old abandoned mines. So it was nearly impossible to determine which mines we visited, there were the Copperopolis Mine, Morning Sun prospect, Beaver Mine, New Moon Mine, and others (Figs. 07-09). Some we could not reach due to the fact that the access roads were inaccessible or washed out (Figs. 10 & 11). (Notes continued below)
Trip Notes Continued: After trying to visit as many as we could we drove back town to the main road and drove around the hugh tailings that circumvented the open pit mining operation. We still didn't have any idea how big this operation was until we drove around it (Fig. 12). About three-quarters around the road ended. We did find what appeared to be another very large mine on a hillside that had evidence that it might also been used as a place for the people digging the mine might have havitated. There was a large level area with a retaining wall and evidence of food cans. The pile of tailing from this mine was huge. The mine itself was a very deep inclined shaft that the BLM had grated to prevent access (Figs. 13-15). As this was the end of the road we traced out steps back to the starting point and on to Kingman to have lunch before heading home. We decided to go home via Laughlin and Christmas Tree Pass Road, where we got a wonderful surprise. We came across two rattlesnakes (Fig. 16). Check here for more pictures and info ... Sidewinder Rattlesnake (Crotalus cerastes).
Note: Every attempt is made to provide accurate information, but occasionally depictions are inaccurate by error of mapping, navigation or cataloging. The information on this site is provided without any warranty, express or implied, and is for informational and historical purposes only.
Labels: Cerbat Mountains, Mineral Park
Daytrip - Logandale Trails Recreation Area
Daytrip - Mines in the Mojave National Preserve
Index for Category - Snakes
Index for Butterflies and Insects
Ireteba Peaks Wilderness Area - 04/16/2019 Trip No...
Kingman Wash Road & Mine
California kingsnake (Lampropeltis getula californ...
Lovell Summit Road and the SMNRA
Fire Wave (VOF) - 02/16/2019 Trip Notes
Lower Lost Creek (Falls) - 03/07/2019 Trip Notes
Flurospar Canyon - 06/29/2019 Trip Notes
Bittersprings Road - LMNRA
First Creek Canyon - 03/07/2019 Trip Notes
Little Red Rock - 02/28/2019 Trip Notes
Monolith Gardens Trails - 03/28/2019 Trip Notes
Master Blister Beetle (Lytta magister)
Kyle Canyon Slots - Summary Page
Snow Pictures of the Mountains around the RRCNCA
Desert Bighorn Sheep - Summary Page
Little Red Rock - Summary Page
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Salvesen Archive – 50 years at Edinburgh University Library – 1969-2019
50th ANNIVERSARY OF THE ARRIVAL OF THE CHRISTIAN SALVESEN & CO. ARCHIVE AT CRC – MARITIME TRADING AND WHALING MATERIAL
50 years ago in May 1969 former colleagues of the Centre for Research Collections had been busy collecting a large maritime trading and whaling archive from the offices of Christian Salvesen & Co. in Leith. The collection of company records was deposited on ‘permanent loan’, and would be joined by a second tranche in 1990, and a third in 2008. A gift of the entire archive to Edinburgh University Library was negotiated and signed in May 2012. That year, a small additional collection of material relating to the firm and its activities was received from Sir Gerald Elliot (1923-2018), a great-grandson of Christian Salvesen (1827-1911), the founder of the company.
Christian Salvesen and his wife Amelie, with their family, and photographed on holiday in Norway, in about 1860. The children may be (from left to right) Johan Thomas (b. 1854?), Edward Theodore (b.1857), and Frederick (b. 1855).
From Mandal, Norway, Salve Christian Fredrik Salvesen, son of a Norwegian merchant ship owner, first arrived in Scotland in the 1840s working at the Grangemouth shipbroking business owned by his brother, Johann Theodor Salvesen (1820-1865). Later on, after gaining experience on the continent, at Szczecin (then Stettin), he returned to Scotland and joined his brother again at Salvesen & Turnbull, now in Leith. On Johann’s retirement, the name changed to Turnbull, Salvesen & Co. The firm imported grain and timber, exported coal and iron, and also handled cargoes of salt and Norwegian herring. The carrying of migrants and gold prospectors to Australia was also an important trade.
Letter addressed to Christian Salvesen at the offices of Messrs Turnbull and Salvesen & Co., Leith, May 1861.
Following his brother’s early death in 1865, and after arguments with Turnbull, Salvesen went into business on his own, and his new firm, Chr. Salvesen & Co. began life on Bernard Street, Leith, in 1872. This change coincided with the advent of the steamship, and the expansion of maritime commerce with German and Baltic ports. In the 1880s, Salvesen was joined in the business by three of his sons.
For the Salvesen whaling enterprise in the South Atlantic, a subsidiary company was formed – the South Georgia Company of Leith (1909-1966), based at Leith Harbour, Stromness Bay, South Georgia.
By 1911, the year of Salvesen’s death, the firm’s vessels were trading with ports on the Baltic, in Norway and Sweden, and were servicing whaling stations in the Arctic, Iceland and the Faroe Islands. Cargo lines were also opened up between Leith, Malta, and Alexandria, and then into the Black Sea.
The Salvesen Archive contains ledgers and cash and account books in various forms, both from the firm Christian Salvesen & Co., and the important subsidiary, the South Georgia Co.
During that first decade of the 20th century, the shipping industry was in a depressed state and, globally, shipping companies made heavy losses. While the Salvesen fleet fared no better, the company’s whaling interests – now expanding as far as the Falkland Islands and South Georgia – helped it to show occasional profit. The Salvesen whaling enterprise in the waters of the South Atlantic was operated by a subsidiary company, the South Georgia Company of Leith (1909-1966), based at Leith Harbour, Stromness Bay, South Georgia.
Whale on the ‘slip’ prior to be being ‘worked’, South Georgia. From a large photograph collection in the Salvesen Archive.
Into the 20th century, whaling began to dominate Salvesen business and the firm became an industry leader just at the time when food oils and other products from the Antarctic were considered a boundless resource.
Conservation of species… far from the concern of our own time… Report on whale stock and conservation in The Times, 9 September 1918, from a correspondent in Oslo. However, the concern about conservation at that time was not so much about the various whale species themselves, but rather more about continuing access to whale oils. Conservation of whale oils, rather than conservation of whales. From a collection of newspaper cuttings albums in the Salvesen Archive.
A third Salvesen generation entered the business in the troubled economic period of the inter-war years. The firm managed to ride out these troubled times, and whaling was expanded and modernised. As stocks began to diminish however, the firm of Salvesen – whalers for nearly 70 years – was prominent in urging conservation. In 1963, they gave up whaling.
Distinctive funnel colours of the Chr. Salvesen & Co. shipping line shaded-in on the plans for the whale catchers ‘Southern Lily’ and ‘Southern Laurel’. From a collection of plans in the Salvesen Archive.
By the 1960s and 1970s, a fourth generation was still playing an important role in the firm, and over that period the company had begun to diversify its interests: home construction; canning, and cold-storage facilities; food processing; frozen and chilled food logistics; generator rental; off-shore oil support; and, road transport logistics.One of Salvesen’s acquisitions was the Buttercup Dairy cold storage business, taken over in 1964… though the company was unable to save the well-known and popular Buttercup Dairy stores.
Day Books of the Aberdeen-based Glen Line, a shipping firm owned by John Cook and Son which had been an acquired by Christian Salvesen & Co. in 1928.
In 1985, Salvesen went public on the London Stock Exchange – Christian Salvesen PLC. In 1990 the firm left shipping, and in 1997 it moved to Northampton, England. In October 2007, the Christian Salvesen board recommended a takeover of the firm by Norbert Dentressangle, the large French-based European logistics firm (the unmissable red trucks of Groupe Norbert Dentressangle are almost on a par with Eddie Stobart among the lorry-spotting community!).
The Salvesen Archive includes many years of the ‘Norwegian Whaling Gazette’, or’ Norsk Hvalfangst Tidende’, which is rich in articles concerning the whaling industry (in Norwegian and English), and rich in contemporary whaling industry advertisements.
It was with Christian Salvesen Investments Ltd., a Groupe Norbert Dentressangle subsidiary, that the Centre for Research Collections would finally agree acquisition of the Salvesen Archive in 2012, so ending much involved contact and conversation between CRC staff and the firm in Northampton over access to the deposited collection.
Advertisement for BP bunker fuel placed in the ‘Norwegian Whaling Gazette’.
Taking up just short of 70 metres of storage space, the archive is composed of a wide mix of material representing the firm’s early shipping interests, its whaling interests, and the firm’s later diversification. The archive includes: office ledgers; cash, accounts and invoice books; letter and day books; order and stock books; whale catch records; log books; correspondence; newspaper cuttings; photographs; and, copies of the ‘Norwegian Whaling Gazette’ and the company magazine of latter years ‘Salvesen News’.
Advertisement placed in the ‘Norwegian Whaling Gazette’ by the Tønsberg ‘ropewalk’ (or reperbane), a covered pathway, where long strands of material are laid before being twisted into rope.
When the first tranche of the archive arrived at the Library in 1969, Christian Salvesen & Co. had been preparing to make a move from their offices at 29-33 Bernard Street, Leith, to larger and recently constructed premises at Citadel House, East Fettes Avenue, in Edinburgh. Doubtless the impending move had spurred the firm into disposing of unneeded company records, and the National Register of Archives for Scotland (NRAS) had surveyed and drawn up a list of material in July 1968.
Whales being ‘worked’ on a whale factory ship. From a photograph in the Salvesen Archive photograph collection.
The NRAS list shows that the material now in the care of CRC had been located at several places: Inveralmond House, Cramond, the home of Captain Harold Keith Salvesen (1897-1970), grandson of Christian Salvesen; Attic No.1 at the firm’s offices, 29 Bernard Street, Leith; Metal cupboards at the top of the stairs at the same location; Captain H. K. Salvesen’s room in the offices at the time of the survey; and, the Operations Store Room, at the Bernard Street offices (it is worthwhile noting here too that some material in the second tranche, 1990, had been drawn from not only the headquarters in Edinburgh, but also from the abandoned whaling stations on South Georgia).
The interior of the cinema at Leith Harbour. Many of the films (in Norwegian and English) were brought out to South Georgia from Norway and the UK.
In 1968, the Library had moved into its new premises on George Square in closer proximity to the academic community and departmental offices, and from an exchange of correspondence between the Company and the Library, and between the Library and Professor Samuel Berrick Saul (1924-2016), Economic History, it can be speculated that Professor Saul may have been a prime mover in having the Salvesen Archive brought to the Library. As an economic historian, he may have been helping us to build up a business archive. Professor Saul had facilitated the commissioning of Mr Wray Vamplew, a postgraduate Economic History student, to write a history of the Company.
Painting of a whale factory ship, the ‘Southern Venturer’, by George McVey, which illustrates the cover of Wray Vamplew’s book, ‘Salvesen of Leith’.
The book, entitled Salvesen of Leith, was eventually published by the Scottish Academic Press, Edinburgh and London, 1975.
Copies of the Salvesen in-house magazine. From a run of the magazine in the Salvesen Archive.
Graeme D. Eddie, Honorary Fellow, CRC… Engaging with the Salvesen Archive of maritime trading and whaling
If you have enjoyed reading this post, check out previous ones about the Salvesen Archive…:
Cinema at the whaling stations, South Georgia August 2016
Maritime difficulties during the First World War – Christian Salvesen & Co. October 2015
Talk on the Salvesen Archive to members of the South Georgia Association November 2015
‘Empire Kinsley’ – 70th anniversary of sinking on 23 March 1945 March 2015
Pipe bombs, hurt sternframes, peas, penguins, stoways and cookery books: the Salevesen Archive July 2014
Whale hunting: New documentary for broadcast on BBC Four June 2014
This entry was posted in Uncategorized on 08/05/2019 by v1geddi2.
← Cataloguing the correspondence of Thomas Nelson & Sons (cont.) Fifty Years of ‘An Orkney Tapestry’ →
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F. Scott Fitzgerald Quotes
Brief author info: F. Scott Fitzgerald (1896-1940) American novelist and short-story writer.
Showing: 1 - 10 F. Scott Fitzgerald Quotes of 69
Family quarrels are bitter things. They don't go by any rules. They're not like aches or wounds; they're more like splits in the skin that won't heal because there's not enough material.
The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.
The kiss originated when the first male reptile licked the first female reptile, implying in a subtle, complimentary way that she was as succulent as the small reptile he had for dinner the night before.
Grown up, and that is a terribly hard thing to do. It is much easier to skip it and go from one childhood to another.
Never confuse a single defeat with a final defeat.
If you're strong enough, there are no precedents.
I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.
"I'm glad I'm American," she said. "Here in Italy I feel that everybody's dead. Carthaginians and old Romans and Moorish pirates and medieval princes with poisoned rings.
There was even a recurrent idea in America about an education that would leave out history and the past, that should be a sort of equipment for aerial adventure, weighed down by none of the stowaways of inheritance or tradition.
Great art is the contempt of a great man for small art.
To live is the rarest thing in the world. Most people exist, that is all.
- Oscar Wilde
Happiness Quote
There is only one way to happiness and that is to cease worrying about things which are beyond the power of our will.
- Epictetus
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Amway has been around for 50+ years which has resulted in deep market penetration in most of North America. During this time frame it acquired a negative reputation that lasted the better part of 2 decades. This resulted in the need to re-brand Amway as Quixtar (during the 90s). The baby boomer generation is very aware of this and many will be quick to discourage their younger family members from doing Amway. If you are thinking of joining Amway and think this may be inaccurate, simply ask someone in your family in their 50s, 60s, or 70s whether or not they think you will make money with Amway, and why. There are ways around this when approaching the cold market, but it typically involves meeting with the same individual a multitude of times, playing verbal jujitsu, and not exposing the Amway name until the fifth or sixth approach. I personally know an Amway distributor (and good friend) that makes ~50k per year so it is absolutely possible, but he works his butt off driving all over the state and he constantly deals with high attrition.
The DeVos family is Dutch, thoroughly so. All four of Richard DeVos’ grandparents emigrated from the Netherlands, and today, the family continues to observe the tenets of the Christian Reformed Church, a Calvinist denomination. Calvinism believes in predestination—that God has decided whether our souls are saved before we are born—and emphasizes an “inner worldly asceticism” in its practitioners. Historically, in avoiding ostentatious displays of wealth, Calvinist Protestants have instead turned their economic gains into savings and investments. One of the bedrock texts of sociology, Max Weber’s 1905 Protestant Work Ethic and the Spirit of Capitalism, is expressly about the links between Calvinism and economic success. (“In the place of the humble sinners to whom Luther promises grace if they trust themselves to God in penitent faith,” Weber wrote, “are bred those self-confident saints whom we can rediscover in the hard Puritan merchants of the heroic age of capitalism.”)
"We were warned never to use the name Amway on the phone; even while showing the business plan, the name would be one of the very last things mentioned. The explanation from our 'sponsors' was that people in the past have misused the name 'Amway,' and people should get a chance to know the 'new Amway' without being prejudiced from things they might have heard."
Amway breaks down its commission by PV and BV. The PV is your total point value for monthly sales, while your BV is percentage cash value based on the PV. There are possible bonuses at certain PV levels. The actual cash value of your downline is predictably complicated and, like credit card points, cleverly encourage more spending on Amway’s products.
The DeVoses supported an amendment to the US House of Representatives' omnibus Financial Services and General Government Appropriations bill for fiscal year 2018 by US Representative John Moolenaar that would have limited the ability of the FTC to investigate whether MLMs are pyramid schemes.[136] The amendment would have disbarred the Treasury Department, the Judiciary Department, the Small Business Administration, the Securities and Exchange Commission, the FTC, or any other agencies from using any monies to take enforcement actions against pyramid operations for the fiscal year.[137] It also adopted provisions from H.R. 3409, the so-called “Anti-Pyramid Scheme Promotion Act of 2016,”[138] which would blur the lines between legitimate MLM activity and pyramid schemes established under the original 1979 FTC case by deeming sales made to people inside the company as sales to an “ultimate user,” thus erasing the key distinction made in the ruling between sales to actual consumers of a product and sales made to members of the MLM network as part of recruitment of members or to qualify for commissions.[137][138][139] The amendment was opposed by a coalition of consumer interest groups including Consumer Action, the Consumer Federation of America, Consumers Union (the publisher of Consumer Reports magazine), Consumer Watchdog, the National Consumers League, and the United States Public Interest Research Group (US PIRG),[138] as well as Truth in Advertising (TINA.org) in its original incarnation.[139]
In Western Michigan, what matters isn’t how Amway is run, but what the DeVoses have done for the community. Drive through downtown Grand Rapids, Michigan’s second-largest metropolis, and the family’s contributions are omnipresent. There’s the Helen DeVos Children’s Hospital. A few blocks west, hugging the Grand River that bisects the city, you’ll find the sleek DeVos Place Convention Center, the DeVos Performance Hall and the Amway Grand Plaza Hotel. Across the water, the campus of Grand Valley State University is anchored by the spacious Richard M. DeVos Center. A few blocks north is the DeVos Learning Center, housed at the Gerald R. Ford Presidential Museum. (You would be forgiven if you assumed that DeVos, not Ford, had been president.)
Totally a scam...only a way to fetch money frm d people.. .people cant affors its products are so highly priced....bt den also...in logo ko kya...inhe to bs apna maal bechna h ...frr chahe insan apna ghar hi q na bech de...phle saamaan lene ko membership lene ko piche pde rhte h...fr use maintain krne ko...khud ko to koi kaam h nii...n jinhe kaam h wo inke chakkar me na kr pae...saale khud to sukoon ki jindgi jee re ho na...to dusro ko b to jeene do....
Mr. DeVos and Mr. Van Andel left college to serve in the Army Air Corps during World War II. When they returned, they started Wolverine Air Service, their first joint venture. Several more businesses followed, including a failed charter schooner service, which almost led to their drowning, as well as a drive-in restaurant and a distributorship for a California-based marketer of vitamins and nutritional products.
Amway’s original product, Liquid Organic Cleaner (L.O.C.™), was one of the first concentrated, biodegradable and environmentally sensitive cleaning products on the market. Since then, with a similarly pioneering and purposeful spirit, Amway has gone from selling simply home products to become a global leader in health and beauty, too. For decades, the company has focused on environmentally sensitive and biodegradable products.
At the heart of Amway is the love of ‘free enterprise’ – an equal-opportunity system in which determination alone is the path to achievement. If you have a dream, Amway says, and you try hard enough to achieve that dream and let nothing stand in your way, then success is guaranteed. That is the promise of what Rich DeVos calls ‘Compassionate Capitalism’ – helping people help themselves.
By using AWS serverless architecture, Amway has been able to take a very lean, agile approach to its IoT effort. “We didn’t need to invest in IT infrastructure because AWS offered a serverless architecture—that in and of itself is a huge savings,” says Binger. He predicts that a serverless approach will be adopted for many other systems throughout Amway’s enterprise IT architecture.
Disappointments like this got Sherri down, and keeping her outlook positive was beginning to strain even World Wide Dreambuilders, LLC. At one First Look, Dave Duncan (Greg and Brad’s father, a straight-talkin’ Montanan who had given up a successful construction business to build dreams with Amway) reassured her with a timeline he drew on the eraser-board showing that you could make millions within ten years. Afterwards, however, during the mingling—while Dave warned a young couple that, sure, some brain surgeons did well, but only the ones at the top—Sherri started eyeing the evening’s hosts with despair. They were crosslines, Direct Distributors who had broken 7,500 PV with an all-out one-summer campaign. Sherri, almost beside herself, insisted that Josh, Jean, and I have a meeting to “figure out what we’re going to do. Because we’ve got to do something!”
Even though the settlement states that Amway admits no wrongdoing, the fact that Amway agreed to pay accusers and incur other remedial costs up to $150 million and chose not to allow the case to go to trial will be read by many people as compelling evidence of guilt. A settlement of this size can hardly be written off as cheaper than legal defense. In fact, Amway incurred huge legal costs and held up the settlement for three years by arguing not that the accusations were untrue but that the victims had no legal right to bring a suit. When the right to sue was established in court, Amway paid up.
"Amway differed in several ways from pyramid schemes that the Commission had challenged. It did not charge an up-front "head hunting" or large investment fee from new recruits, nor did it promote "inventory loading" by requiring distributors to buy large volumes of nonreturnable inventory," said Debra A Valentine, a general counsel for the FTC, in a seminar organised by the International Monetary Fund in May 1998.
Nike and Apple have been partnered for 3 years. They don’t need to market and advertise that to create volume. That’s what we do. Also, amway is designed initially to be part time,no full time. I worked a full time job, while putting in time to build a business online. I don’t need to explain what we make now but it’s enough to make a living. Look up the BBB if you want to do “research”.
This said, according to Inter@ctive Week, "The commissions aren't all that great, even though they can add up to greater than 50 percent of the cost of the goods sold. If privately held Amway generated $6 billion in sales in 1998 as estimated, then each of its 1 million distributors would have pulled in, on average, only $6,000. It's nice extra income, but a livelihood only for the most talented, hardworking or aggressive. Or, for those with a large personal family tree.
I would rather attend training that are proven success from people that I know are reputable. I have attended a meeting with a “mentor” and then the first house meeting. Not for me. I can build big business elsewhere not through this pyramid. First of all I have no problem buy the products from my own store, but they do tell you to get a whole new group of like minded people, which gurus do, that are not on your same agenda.
[1]The FTC’s ruling that Amway is not a pyramid scheme is based partly on the “70-10 Rule”: To qualify for Performance Bonuses based on downlines’ sales, an Amway distributor is required to sell, according to Amway’s Business Reference Manual, “at wholesale and for retail at least 70 percent of the total amount of products he bought during a given month”—this is supposed to prevent “inventory loading,” the forced purchase of unsalable merchandise. Amwayers are also required, for the Performance Bonus, to sell to at least ten retail customers in a given month, which ensures that real business is being conducted.
Outside the Capitol, state police donned riot gear while officers on horseback pushed protesters away from the building. Loudspeakers blared Tom Petty’s “I Won’t Back Down,” and as the wind picked up, four 20-foot-tall inflatable rat balloons skittered from side to side. Each rat represented one of the key players protesters blamed for right-to-work’s hasty adoption: the governor, the House speaker, the Senate majority leader, and—the only unelected member of the rat pack—Dick DeVos.
Amway combines direct selling with a multi-level marketing strategy. Amway distributors, referred to as "independent business owners" (IBOs), may market products directly to potential customers and may also sponsor and mentor other people to become IBOs. IBOs may earn income both from the retail markup on any products they sell personally, plus a performance bonus based on the sales volume they and their downline (IBOs they have sponsored) have generated.[3] People may also register as IBOs to buy products at discounted prices. Harvard Business School, which described Amway as "one of the most profitable direct selling companies in the world", noted that Amway founders Van Andel and DeVos "accomplished their success through the use of an elaborate pyramid-like distribution system in which independent distributors of Amway products received a percentage of the merchandise they sold and also a percentage of the merchandise sold by recruited distributors".[68]
Amway is a multibillion dollar company that uses “multilevel marketing techniques” to sell cosmetics and household products. They have really aggressive recruitment techniques and cult-like practices. They’re super shady and sued on a pretty regular basis, but still manage to trick new people into the fold! You can read more about the company here. If you want to hear more creepy personal stories about other people, like my friend’s roommate, who has been tricked into Amway, there are some good ones here and you can always Google “Amway is a cult”.
Amway Center is one of the most technologically advanced venues in the world. Inside the building, a unique centerhung installation, manufactured by Daktronics of Brookings, South Dakota, is the tallest in any NBA venue.[19] It maximizes creative programming options by using high resolution, 6mm-pixel technology on each of the 18 displays, including two digital ring displays and four tapered corners. Additional displays include approximately 2,100 feet (640 m) of digital ribbon boards, the largest of which is a 360-degree 1,100 feet (340 m) display surrounding the entire seating bowl. These displays have the ability to display exciting motion graphics and real time content, such as in-game statistics, out-of-town scores, and closed captioning information.[20] Outside the building, a large display utilizes more than 5,000 Daktronics ProPixel LED sticks, each a meter long, which make up a 46 feet (14 m) by 53 feet (16 m) video display. This display will reach millions of motorists traveling by the Amway Center on Interstate 4.[20]
‘The gym used to be the men’s smoking lounge,’ Dale says to us. ‘This is a pretty young club, but already we’ve seen a lot of changes. It’s not all about the men saying, ‘I want to join a golf club.’ Now, with women having a much larger role in the family, they want to know, ‘Well, what’s in it for me?’ There’s got to be a fitness center, there’s got to be some activities for ladies and kids, and it has to be more of a family culture. A lot of traditional men’s golf clubs have had to really evolve into family clubs.’
eSpring was the first commercial product which employed Fulton Innovation's eCoupled wireless power induction technology.[56] In December 2006, Amway sister company, Fulton Innovations, announced that it would introduce eCoupled technology in other consumer electronic products at the 2007 Consumer Electronics Show.[57] Companies licensing this technology include Visteon, Herman Miller, Motorola and Mobility Electronics.[58] Fulton was a founding member of the Wireless Power Consortium which developed the Qi (inductive power standard).[59]
The company has a lot of great products, shipping can take up to 5 days, but their guarantee is amazing. Compensation plan is second to none, but YOU NEED TO PUT IN WORK to make it actually work. If you are a go getter or ambitious, this is for you. If you aren't then probably not. Lot's of really great people and NEVER had a weird experience. Just business minded people who are looking to get ahead.
I look Amway in this way....it provides a person with personal development goal. This is the most valuable asset not only in business but yourself. The business system may not be your cup of tea but personal development is a must in 21 century.Looking at the history, all the successful have a hand in self development either in terms of mentorship, coaching or trainings. It's obvious you cannot grow your business if you have not developed yourself which goes towards setting goals, having life fulfillment and teaching your highest potential. If amway was not your cup of tea , you did not understand the business or you did not give it time and you didn't have a business mindset; then you have no point of influencing others in your lopsided way.I love Amway the way I love wealth affiliate university as an affiliate marketer
In July 1996, Amway co-founder Richard DeVos was honored at a $3 million fundraiser for the Republican Party, and a week later, it was reported that Amway had tried to donate $1.3 million to pay for Republican "infomercials" and televising of the GOP convention on Pat Robertson's Family Channel, but backed off when Democrats criticized the donation as a ploy to avoid campaign-finance restrictions.[73][76]
There’s a lot of red tape in reporting on MLMs, and as Marie says in the debut episode, “The subjects of our investigation are highly litigious.” But after months of reporting and signing up for one MLM, which sells makeup, Marie remains passionate in her belief that virtually all MLMs—including Amway, source of the DeVos family fortune—are . . . well, let’s not call them scams, exactly. “I don’t want to say that everyone involved is a scammer or a con man or whatever, but I would say that the business model is unsustainable in the regular marketplace,” Marie said. “Legitimate companies don’t work this way for a reason.”
What schools teach our children today?? What did YOU lear out of school? may be how to get a loan for 40 years and work on 2 job places for rest of your life to cover your loan of your house. Question! Would you be able to work? Whether you have two jobs to cover your loan? Or you house simply would be taken by bank or debts company because you not able to cover your loan, but remember that loan have to be paid out , but you wont have a house any more, rented flat may be...with all your debts. And what about family, do you want to see your kids growing or see them when they are already in the bed sleeping, because you come back home late, because you got two jobs.
Pyramid schemes have nothing to do with real commercial activity or product sales. Pyramid schemes are a form of financial fraud based on recruiting new people to make investments into a business, and then using those investments to pay the people who joined earlier. In Amway, distributors (Amway Business Owners) make money from the sale of our products – not from recruiting others to join.
The reason some people received $84 was because they didn’t work hard enough to earn more. This business isnt for everyone. Just try the products and of you dont like them then return them you have 6 months to return them. Just dont start stating facts that aren’t true just because you lost a friend. They probably left because they trying to be with people who were trying to succeed. Take it from me im 16 years old and this business has not failed me yet.
Lmao i like how these amway fanboys are calling people that have real jobs broke lol 99% fail rate.. Dont use that excuse that people don't put in the work, I can put in 100% effort to sell dogshit, but I wont make anything cuz its still dogshit. You are ignoring the 99% fail rate and apparently ignoring the 100% success rate if you get a real job. I heard someone saying you aren't bound to the 9-5 chains in amway . As a Real business owner and many real business owners know that in owning a Real business u wish u had that 9-5 and thats it. Owning a real business is 24/7. So pull ur heads out of ur asses
From that point forward it became more demanding and more exhausting. Our lives had been taken away. There were Thursday meetings, Saturday events, Sunday night meetings, conferences, etc. We just lost control of it all. And on top of everything else, we were losing money, not gaining money. Finally, in mid-December, I told our mentors we couldn't do it any longer. Their first response was to blame my father who I had mentioned was skeptical (like any normal person would be). They immediately assumed he had forced us to quit when it was honestly our own decision. My dad was supportive. The next day we were cut out of their delusional lives completely. We were de-friended and blocked on social media and never to speak a word to us again.
"The worst thing that happened was the 'list.' My parents are both members of a nonreligious spiritual organization, and they volunteered to keep the other members up to speed regarding upcoming events and meetings. So, they had an extensive list, with hundreds of names and phone numbers. I had asked my mother for that list, and she understandably said no. A while later, having exhausted my personal list, I went behind her back, made a copy of her list, and started cold calling them. When my mother found out, she was furious. This led to a huge fight, and soon after I left home and went to live with my grandmother. More than a year passed before I spoke again with my parents or sisters."
Qualifying for compensations needs more quantity compared to the majority of various other companies, this keeps new suppliers at a loss for a longer period of time. In order to qualify for a paycheck a rep have to do 100PV per month. This would not be such a large deal if the average factor wasn't somewhere around $3.00. This implies new distributors have to move $300.00 a month in quantity to get paid. Typically, most other business can be found in someplace around $1.10 to $1.50 per factor, meaning the brand-new rep would only need to move $110.00 to $150.00 or so per month to qualify.
At the end of the day, they deliberately do not keep records to show if they earn more money from recruiting or from sale of products. People that are recruited are mandated to buy products and how do we tell the difference between people who joined Amway for the discounted prices and those who joined for the income opportunity but were unable to recruit? Everyone is bundled together so we will never know.
He tells us the club no longer has an initiation fee – they were forced to waive it six years ago in response to the economic downturn. ‘You have the top two or three clubs in the area – Bayou Club, Belleair Country Club, and probably Feather Sound – with no initiation fees to join,’ he says. ‘It makes it very easy to be part of a club these days.’
i’ve been to events, i attend meetings, i buy and use the products (but only the ones i actually like, like some of the kid vitamins cuz my kid actually really likes ’em, and their makeup/skincare i really like because it works for my skin)….there has never been one mention about “ditching your family or friends”, there has never been any pressure to buy nothing but Amway….
I have not purchased anything from Amway in years, but I did like a number of their products. I particularly liked their cleaning supplies. I also think that Amway products were fairly high quality and had a good guarantee. I also think that Amway prices were fairly high. I would also prefer to order online than through a distributor, particularly a multi-level distributor who wants you to join their down-line marketing group. I had a fairly positive experience. The individual I ordered from was a personal friend, so we had a good relationship. She also gave me free samples of products so I could see if I liked them before I ordered them.
We follow her up the stairs. There are two large bedrooms separated by a bathroom and a linen closet – the children’s rooms. I step into the one on my left, which is smaller than I expected. It has wood floors and a closet with sliding mirror doors. Out the window, the neighboring house is less than ten feet away, and the space between is filled with broad-leafed palm trees. I hear the faint twang of the radio on the pool deck, playing ‘Sweet Home Alabama.’
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PeopleSoft's Latest Gambits Make Sense, Unfortunately
Thursday May 22nd 2003 by Joshua Greenbaum
If PeopleSoft can flesh out its new Total Ownership Experience initiative and ship its products with pre-built integration, the company may really be on to something, says Datamation's Enterprise Advisor columnist.
This year's award for the most obvious marketing campaign goes to PeopleSoft for its new Total Ownership Experience (TOE) initiative.
If it weren't for the fact that the problems PeopleSoft wants to address -- complexity in the implementation and use of enterprise software -- are so endemic to the industry, I'd be tempted to suggest a hearty laugh at PeopleSoft's expense. After all, a marketing initiative aimed at improving the customer experience implies that the current experience isn't up to snuff. Which in turn means that enterprise software, even PeopleSoft's, isn't meeting this most basic of goals.
Unfortunately, this pretty much defines the state of the market: Complexity and cost are still too high for most products. If PeopleSoft can flesh out it TOE idea with a little more substance, it may really be on to something.
Ever since the dawn of enterprise software, customers have desperately sought simplicity, and been rewarded with complexity. While the industry has gone a long way towards solving these problems -- witness the decline in the ratio of software license spend to consulting spend -- there's still a lot more the vendors can do. As PeopleSoft CEO Craig Conway puts it, the goal is to become the "USB port" of the software industry: self-identifying, self-installing, universal. It's a truly worthy goal.
My only beef with TOE (other than the fact that way too many bad puns come to mind every time I use the term) is that PeopleSoft's initial description is long on theory and short on substance. Conway says there are some 112 different "things" that PeopleSoft has identified as comprising the customer experience. The very short list that he gave was a little vague: self-installation, auto-upgrade, automatic bug-fixes, improved user experience. Every one of these is a good idea, a very good idea, but without more specific details it's hard to judge whether PeopleSoft has actually taken these good ideas and made them into good products and good features.
Doing Away With EAI
How TOE will actually play out is a lot harder to imagine than PeopleSoft's other big idea: the elimination of the enterprise application integration (EAI) market. They didn't really put it that way, but that's the effect of the other major announcement at the company's recent user conference.
Enterprise Advisor Archives
Lessons From 'Old Europe'
Build vs. Buy, Round II: The Little Giants
It's Oracle Time Again
SAP Raises the Ante For Enterprise Software
IBM's Baddest Move
Microsoft Turns Competitors' Innovations into Gold
PeopleSoft wants to do away with the current requirement to engage third-party integrators and EAI vendors in order to tie PeopleSoft's application to the likes of SAP and Oracle. The idea ends up being a key part of TOE, though it wasn't really pitched that way. PeopleSoft plans to ship its products with pre-built integration, taking over responsibility for these interfaces and guaranteeing that, no matter what SAP and Oracle do to their applications, PeopleSoft will make sure the integration works, out of the box. Almost sounds too good to be true.
Like TOE, it was hard to get real details from PeopleSoft on exactly what applications would be interfaced to which APIs. But it's clear that, at a minimum, PeopleSoft knows a thing or two about interfacing to its rivals' systems. The first two implementations of its Enterprise Services Automation suite required interfaces to Oracle and SAP, and it's safe to assume that PeopleSoft knows how to turn that experience into a "productized" set of APIs. As with TOE, the sky's the limit on how far PeopleSoft can choose to go with building out its own EAI capabilities. We'll have to wait and see if PeopleSoft can bring to market the right interfaces in a credible fashion.
But I have to give PeopleSoft the benefit of the doubt, for now, and you should too. One thing this company doesn't do is run the hype-flag up the flag pole too often. Remember, this was the company that took a lot heat as the release of PeopleSoft 8 was delayed and its competitors took pot shots at PeopleSoft 7's client/server technology base. At the time the delay looked bad, but considering the fate of those that rushed new technology to market too early, PeopleSoft's reticence was most wise indeed. If they can do as well with TOE as they did with version 8, it's going to be a very good year to be PeopleSoft.
Joshua Greenbaum is a principal with Enterprise Applications Consulting, a technology and marketing consultancy in Daly City, Calif.
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Companies to Collaborate on Technology for Autonomous Vehicles and IoT SANTA CLARA, Calif., and Eindhoven, Netherlands, Jan. 3, 2017 – Intel has agreed to purchase a 15 percent ownership stake in HERE, a global provider of digital maps and location-based services, from HERE’s current indirect shareholders: AUDI AG, BMW AG and Daimler AG. In conjunction […]
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Intel to Acquire 15 Percent Ownership of HERE
January 4, 2018 By LBSzone
Companies to Collaborate on Technology for Autonomous Vehicles and IoT
SANTA CLARA, Calif., and Eindhoven, Netherlands, Jan. 3, 2017 – Intel has agreed to purchase a 15 percent ownership stake in HERE, a global provider of digital maps and location-based services, from HERE’s current indirect shareholders: AUDI AG, BMW AG and Daimler AG.
In conjunction with Intel’s acquisition of a stake in HERE, the two companies also signed an agreement to collaborate on the research and development of a highly scalable proof-of-concept architecture that supports real-time updates of high definition (HD) maps for highly and fully automated driving. Additionally, the two companies plan to jointly explore strategic opportunities that result from enriching edge-computing devices with location data.
“Cars are rapidly becoming some of the world’s most intelligent, connected devices,” said Brian Krzanich, Intel CEO. “We look forward to working with HERE and its automotive partners to deliver an important technology foundation for smart and connected cars of the future.”
“A real-time, self-healing and high-definition representation of the physical world is critical for autonomous driving, and achieving this will require significantly more powerful and capable in-vehicle compute platforms,” said Edzard Overbeek, HERE CEO. “As a premier silicon provider, Intel can help accelerate HERE’s ambitions in this area by supporting the creation of a universal, always up-to-date digital location platform that spans the vehicle, the cloud and everything else connected.”
The proof-of-concept architecture HERE and Intel plan to deliver will be designed to help make autonomous driving as safe and predictable as possible. For example, today’s navigation technology can pinpoint a car’s location to within meters, but next generation, HD mapping supports localization to within centimeters. This will help vehicles precisely position themselves on the roadway to enable reliable autonomous driving functionality. HERE HD Live Map, HERE’s cloud service supporting vehicle automation, gives vehicles the ability to “see” obstacles beyond their immediate field of vision and receive real-time updates as environments change due to traffic, road conditions and other factors.
Intel will also work with AUDI AG, BMW AG and Daimler AG to test the architecture. Intel and HERE envision making the architecture broadly available across the automotive industry as a seamlessly integrated offering that simplifies and shortens time of development for automakers.
A Shared Commitment to Autonomous Machines
Intel is positioned to provide a secure, flexible and scalable technology foundation for the future of autonomous driving from the vehicle to the data center. Intel’s assets span: high-performance and flexible, in-vehicle computing; robust cloud and machine-learning solutions; and high-speed wireless connectivity. In addition to furthering Intel’s efforts in autonomous driving, the next generation location services that result from this collaboration can fuel the continued growth of cloud computing and the Internet of Things.
HERE is a private company, which is indirectly wholly owned by AUDI AG, BMW AG and Daimler AG. HERE is a global provider of embedded navigation solutions. By working with Intel, HERE aims to offer automakers a universal solution that reduces both complexity and long-term development costs. Intel also provides expertise in developing and optimizing hardware, which will be fundamental to moving cloud-based algorithms to in-vehicle architectures. This same expertise will support HERE’s strategy to connect multiple industries beyond automotive, such as in the Internet of Things where location algorithms and location-based services are increasingly becoming embedded into connected devices. Intel and HERE intend to explore other potential collaborative opportunities spanning next-generation cloud analytics, IoT applications, machine learning, augmented reality and more.
Transaction Details and Timing
The transaction is expected to close in the first quarter of 2017, after obtaining regulatory approvals. Intel will nominate Doug Davis, senior vice president and general manager of the Automated Driving Group (ADG) at Intel, to HERE’s Supervisory Board of directors once the transaction is completed.
About HERE
HERE, the Open Location Platform company, enables people, enterprises and cities to harness the power of location. By making sense of the world through the lens of location, we empower our customers to achieve better outcomes – from helping a city manage its infrastructure or an enterprise optimize its assets to guiding drivers to their destination safely. To learn more about HERE, including our new generation of cloud-based location platform services, visit http://360.here.com and www.here.com.
Intel® RealSense™ Technology Extends to New Platforms and Devices
HERE and Colorado Department of Transportation Announce First of its Kind Connected Vehicle Project
HERE and the Netherlands evaluating 4G/LTE-based C-ITS road messaging system
HERE maps for Android (Beta) Now Available
HERE from Nokia to power Baidu Maps
Filed Under: Acquisitions, Business, HUGE NEWS Tagged With: HERE, intel
NASA Challenges Developers With The Climate Resilience Data Challenge
Some cool stuff from NASA, an opportunity for developers who really want to help with a great cause! NASA in partnership with the U.S. Geological Survey (USGS) is offering more than $35,000 in prizes to citizen scientists for ideas that make use of climate data to address vulnerabilities faced by the United States in coping […]
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Climate Change Reconsidered
Fake IDs As A Growing Social Problem In America
Fake IDs is a social problem that America had for a while, but it becomes more serious by the day as identification documents forgery comes to Internet. Buying fake identification is a rite of passage for almost every college student in USA. We have reviewed several websites allowing young people to bypass age verification by faking their identity. Read more here, in this detailed post and in this recap.
MenuOrganizations Foundations Key Players Blog
The Union of Concerned Scientists is a left-wing advocacy organization that spreads unscientific alarmism about environment and energy topics. It is currently bragging about being a major architect and proponent of using the federal RICO Act against executives at fossil fuel companies and nonprofit think tanks, such as The Heartland Institute.
Despite the impression given by its name and the image the way in which the media portrays it, the Union of Concerned Scientists (UCS) is not a professional scientific organization; in fact, for a $25.00 donation, you can also become a “concerned scientist.” Though founded in 1969 by faculty, including some scientists, and students at the Massachusetts Institute of Technology in Cambridge, Massachusetts, UCS’ mission from the beginning has never been the pursuit of knowledge through scientific discovery. It has instead pursued left-wing advocacy on technology, environmental, and energy issues—regardless of what the scientific data have shown.
It supported a New York Attorney General investigation against ExxonMobil using the state’s outdated 1921 Martin Act, which has been called unconstitutional.
The Union of Concerned Scientists seems to take its root, at least originally, in a Vietnam-era war protest collective. A long 1968 “UCS Founding Document” focused on the complaint, “Through its actions in Vietnam, our government has shaken our confidence in its ability to make wise and humane decisions.” According to newspapers of the time, the founding involved a one-day academic work stoppage and a conference that included speeches by M.I.T. linguistics Professor Noam Chomsky – icon of the Left and author of the radical essay The Responsibility of Intellectuals – and Eric Mann, leader of the violent Weatherman group in Cambridge (according to a congressional report, Mann was sentenced to two years in prison for various crimes and served 18 months with 40 days in solitary confinement). These speakers and others continue to characterize many UCS views, which have remained steadfastly “progressive.”
The UCS founders are listed as Kurt Gottfried and Henry Way Kendall. Their primary interests, according to the Wikipedia entries, focused on “avoiding nuclear war, opposing the Strategic Defense Initiative, the B2 bomber, nuclear reactor safety and global warming.” In more recent years, UCS has targeted pesticides and genetically engineered foods for intense opposition.
UCS has done little experimental science, but has concentrated on literature searches of scientific papers to find those that agree with their political goals, and generating polls or petitions seeking the views of known scientists of like-mind in order to feed media claims for current campaigns, asserting that “science has spoken.”
In November 2015, the UCS was exposed as the source of the “RICO Strategy to shut down fossil fuel companies and ruin climate skeptics.” RICO is the 1978 Racketeer Influenced and Corrupt Organizations Act, which was enacted to control mob crimes. UCS conceived the strategy in conjunction with the newly-minted (2011), three-person Climate Accountability Institute, run from a residence in Snowmass, Colorado. One of the three original CAI directors was climate alarmist Naomi Oreskes, author of Merchants of Doubt. In 2015 she resigned the board of directors to become an advisory board member along with a new advisor, climate professor and “hockey-stick” graph inventor, Michael Mann.
The Union of Concerned Scientists within the last decade has adopted a more establishment-friendly manner, keeping its tax-exempt procedures according to all rules and developing a reputation as a well-run non-profit while still expressing its hostile, anti-climate skeptic agenda in blunt terms.
With its new reputation, the Union of Concerned Scientists received a $200,000 grant from the William and Flora Hewlett Foundation “for coal retirement and removing market barriers to renewable energy projects,” a very specifically targeted donation called a prescriptive grant. Foundations employ “prescriptive grantmaking” to guarantee that their beneficiaries will work to fit the agenda of the foundation and its donors. UCS had a strategic plan to destroy coal that matched the Hewlett formula, suiting it to be an instrument of foundation agendas.
Source: Foundation Search; Charity Navigator; Billionaires Report, pages iv and 5.
Early Anti-War Focus
Growing out of Vietnam War protests on college campuses across the nation in the 1960s, UCS’ founding document states it was formed to “initiate a critical and continuing examination of governmental policy in areas where science and technology are of actual or potential significance” and to “devise means for turning research applications away from the present emphasis on military technology toward the solution of pressing environmental and social problems.”
In 1984, UCS sent popular science writer Carl Sagan on a 15-city tour to bolster Democratic presidential nominee Walter Mondale and his opposition to President Ronald Reagan’s Strategic Defense Initiative. In 1988, UCS opposed research on what’s now called the “stealth bomber,” claiming it would make war with the Soviet Union more likely.
From humble beginnings, UCS has grown to become one of the most well-connected and influential pro-big-government, anti-free-market, left-wing advocacy organizations that has worked tirelessly to spread unscientific alarmism about genetically engineered foods, climate change, and other technology, environmental, and energy issues.
According to Internal Revenue Service (IRS) 990 forms, UCS’ annual reports, and the Foundation Source databank, UCS’ assets in 2014 topped $46.5 million, including $3.6 million in publicly traded securities. Its 2014 income was $26.5 million, and it received $11.1 million in foundation grants in 2013.
Connected to Political Establishment
UCS has influenced policy almost since its inception, and it has operated as a revolving door for government agencies and congressional offices. UCS employees have given testimony before the U.S. Senate on 453 occasions, despite the fact UCS has conducted little experimental science or independent research; UCS has instead concentrated on producing literature reviews highlighting scientific research that agrees with UCS’ political goals.
Nine UCS employees have served as members of 11 federal advisory committees from 2000 to 2015. One example is David Friedman, who served as a member of the National Academy of Sciences’ panel charged with reviewing and making recommendations concerning the nation’s Corporate Average Fuel Economy (CAFE) Standards in 2007. Friedman was appointed to this important post despite having no advanced or technical degrees and having never served in an academic position. Friedman was also a well-known proponent of increasing fuel-economy standards, and his research on the topic was published almost exclusively by UCS and without peer review.
Friedman later left UCS to join the Obama administration’s Department of Energy as the acting assistant secretary for the Office of Energy Efficiency and Renewable Energy.
UCS staff has also been involved in producing the U.S. Global Change Research Program’s (USGCRP) draft report. Of the 13 senior scientists who put together USGCRP’s January 2013 draft report, four have ties to the UCS, including the USGCRP Chair Jerry Melillo, a contributing author for UCS; Susanne Moser, a former UCS staff scientist; Andrew Rosenberg, a UCS director; and Donald Wuebbles, an author of UCS reports.
Additionally, Brendan Bell, a senior Washington, DC representative for the Union of Concerned Scientists, joined Sen. Frank Lautenberg’s (D-NJ) staff as a legislative assistant, serving Lautenberg in 2013, the year before Lautenberg died.
According to a report in Reason Magazine, titled Union of Concerned Scientists Cooks the Books, Media Swallow It, UCS and its analysts used corporate giving data to “imply that General Electric executives were climate change hypocrites,” supportive of some think tanks that are skeptical of the “scientific consensus” on global warming, including Reason itself, which UCS accused of “misrepresenting climate change science.”
UCS, instead, seems to have deliberately confused corporate matching funds for employee donations with direct donations from GE. GE employees donated a total of $325 to Reason, a sum that GE matched as part of a program that gave little to no regard to which foundations the employees chose to give to. GE executives had given a total of $497,744 to environmentally conscious organizations, but UCS appeared to have given the $325 matching donation equal weight.
The ‘Climate Deception Dossiers’
The UCS maintains a set of selective clips from various oil and gas industry documents, designed as a resource for organizations looking to cast a negative light on fossil fuel companies. These clips, obtained usually through the Freedom of Information Act, operate for UCS as an “evidence bank” in their quest to determine connections between the oil and gas industry and opposition to climate change legislation. UCS uses the documents, as well, to compel companies, through public advocacy campaigns, to abide by their agenda.
Source: Climate Deception Dossiers
Green Foundations Back UCS Advocacy
Amongst its biggest supporters are a number of major left-wing foundations, many of which are featured here on the LeftExposed website—a project of The Heartland Institute, which publishes Environment & Climate News.
From 1998 through 2014, UCS received 1,294 grants totaling $97.6 million from 237 foundations. Most donors are members of the Environmental Grantmakers Association, a planning and organizing cartel for Big Green foundations. The donors who have given at least $1 million include: The Energy Foundation($15.3 million), the William and Flora Hewlett Foundation ($6.2 million), John D. and Catherine T. MacArthur Foundation ($5.7 million), David and Lucile Packard Foundation ($3.6 million), and the Pew Memorial Trust ($1 million).
These foundations are among the crème de la crème of foundations funding anti-science, pro-regulation campaigns carried out by groups such as UCS. They actively work to limit logging, fossil-fuel development and use, the development and commercialization of genetically modified foods, and commercial fishing. The founders of many of the foundations making grants to UCS would likely be surprised and appalled at how their money is now being used. For instance, the Pew Charitable Trusts—of which the Pew Memorial Trust is a part—were founded by Sun Oil Company founder Joseph Newton Pew. The most active donor to the Pew Memorial Trust was J. Howard Pew, who lived from 1882–1971. Pew believed individual freedom was closely linked to political, religious, and “industrial freedom,” and until shortly after his death the Pew Trusts supported a variety of conservative think tanks.
UCS has worked hard within the past decade to develop an establishment-friendly image, keeping its tax-exempt procedures in accordance with all of the IRS’ rules and developing a reputation as a well-run nonprofit. Charity Navigator, an independent nonprofit organization that evaluates U.S. charities, gave UCS a four-star rating (out of a possible four stars) and an overall score of 91.19 out of 100 for keeping fundraising expenses and salaries low relative to overall income and revenue spent on operations. UCS spent $3.2 million on fundraising, $14.9 million on salaries, and reported spending just $43,135 on lobbying in 2014.
Hypocritical Campaigns
UCS has recently involved itself in a number of controversial and hypocritical political campaigns. In 2012, UCS attempted to stigmatize General Electric (GE) for its corporate giving. UCS and its analysts used corporate data to “imply that General Electric executives were climate change hypocrites,” because GE has said it believes the “scientific consensus” is humans are causing dangerous climate change while also supporting some think tanks who have written skeptically concerning the causes and consequences of climate change, including the Reason Foundation, which UCS accused of “misrepresenting climate change science.”
The Reason Foundation showed UCS deliberately confused corporate matching funds given as a result of employees’ donations with direct donations made by GE. GE employees donated a total of $325 to the Reason Foundation, a sum GE matched as part of a matching gift program that gave little to no regard to which foundations the employees chose to give to. GE executives had given a total of $497,744 to environmentally conscious organizations, but UCS attacked it for giving the $325 in employee-matching grants to the Reason Foundation.
In 2015, with the publication of Freedom to Bully: How Laws Intended to Free Information Are Used to Harass Researchers, UCS began to call for restrictions on scientific sharing and public oversight of research. UCS’ report laments scientists at public universities, research institutes, and federal agencies are subjected to demands for information under a variety of state open-records laws and the 1967 federal Freedom of Information Act (FOIA), which was designed to hold government agencies accountable by providing the public with access to records from any federal agency.
A foundational statement on UCS’ Center for Science and Democracy (CSD) website declares, “Knowledge is power, and when citizens and communities are denied access to scientific knowledge, they are effectively disempowered. For this reason, transparency, access to information, and the public’s right to know are pivotal issues for science and democracy.”
Seemingly contradicting this statement, Michael Halpern, CSD program manager and author of Freedom to Bully, says open-records laws should be amended to limit information available to the public, including limits on public access to e-mails between scientists, research notes, and primary data, telling the Associated Press, “We don’t want to work in an environment where every keystroke is subject to public records.”
Alarmingly, while UCS is calling for limits on the oversight of and access to scientific research, in 2013, Environmental Protection Agency (EPA) Administrator Gina McCarthy appointed Francesca Grifo, who ran UCS’ scientific integrity efforts, to run EPA’s scientific integrity program.
Under Grifo’s management, UCS attempted to suppress scientific dissent. For instance, UCS attacked one congressman who expressed skepticism concerning climate change after he was allowed to serve as member of the House Science Committee. Additionally, UCS’ Sound Science Initiative attempted to discredit the Global Warming Petition Project, a statement signed by more than 31,000 scientists stating humans are not causing a global warming crisis. UCS said the Petition Project is “non-scientific” because it was allegedly motivated by certain “value positions.”
It appears for UCS the only legitimate views are those expressed by scientists who share UCS’ values.
UCS Goes After ‘Climate Deniers’
UCS was a leading force behind the proposed effort by the Justice Department and various Democratic Party state attorneys general to prosecute ExxonMobil, other fossil-fuel companies, researchers, and think tanks who have expressed doubts about the claim humans are driving dangerous climate change. UCS and the attorneys general have argued “climate deniers” could potentially be prosecuted under the Racketeer Influenced and Corrupt Organizations Act (RICO) for allegedly engaging in fraud and criminal conspiracy. RICO was enacted in 1978 to help reduce organized crime, especially crimes related to the mob.
UCS conceived the strategy in conjunction with the three-person Climate Accountability Institute (CAI), which is run from a residence in Snowmass, Colorado. One of the three original CAI directors is climate alarmist Naomi Oreskes, author of Merchants of Doubt, and a new advisor is climate professor and “hockey-stick graph” inventor Michael Mann.
In 2012, in La Jolla, California, UCS and CAI co-sponsored a meeting of environmental activists and organization heads, titled “Establishing Accountability for Climate Change Damages: Lessons from Tobacco Control.”
The conference featured Richard Ayers, co-founder and current trustee of the National Resources Defense Council, who argued, “The RICO Act, which had been used effectively against the tobacco industry, could similarly be used to bring a lawsuit against carbon producers.” According to Ayers, charging fossil-fuel companies under RICO “would effectively change the subject to the campaign of deception practiced by the coal, gas, and oil companies.”
UCS’ efforts bore fruit when 18 Democrats in the U.S. House of Representatives directly cited UCS in a November 2015 letter requesting a formal investigation into ExxonMobil, among others, stating, “UCS uncovered many internal company documents confirming a massive coordinated campaign of deception conducted by the industry to deceive the public of climate science that even their own scientists confirmed.”
UCS’ efforts to constrain technology, capitalism, and the use of fossil fuels is grounded in leftist ideology, not science. Its efforts merit no media recognition or financial support.
RICO Investigations of Global Warming ‘Deniers’
According to the Daily Caller, the Union of Concerned Scientists released a report documenting a “coordinated campaign of deception” on climate science led by “ExxonMobil, Chevron, ConocoPhillips, BP, Shell, Peabody Energy, and other members of the fossil fuel industry,” sparking an interest among Democratic lawmakers in investigating so-called global warming “deniers.”
Eighteen Democrats in the US House of Representatives directly cited UCS in a letter requesting a formal investigation into Exxon, among others, stating, “UCS uncovered many internal company documents confirming a massive coordinated campaign of deception conducted by the industry to deceive the public of climate science that even their own scientists confirmed.”
Exxon has denied the allegations that it was deceiving the public in any way on the issue of climate change.
The Union of Concerned Scientists appears to have pioneered the strategy of investigating organizations and corporations hostile or agnostic to their agenda with the RICO statutes, a strategy that has culminated with the recent investigation into Exxon by New York using the state’s 1921 Martin Act, an outdated law which is more severe than the federal RICO Act.
Three years ago in La Jolla, California, ACU sponsored a meeting of high-level environmental activists and organization heads, titled “Establishing Accountability for Climate Change Damages: Lessons from Tobacco Control,” an obvious nod to RICO investigations used to accuse tobacco companies of a large scale conspiracy to deceive the public about the dangers of cigarette smoking. UCS has admitted to hosting the conference and has published “Summary of the Workshop on Climate Accountability, Public Opinion, and Legal Strategies.” The conference featured co-founder and current trustee of the Natural Resources Defense Council, Richard Ayers, an attorney and seasoned veteran of the environmental movement.
Ayers argued at the summit that, “the RICO Act, which had been used effectively against the tobacco industry, could similarly be used to bring a lawsuit against carbon producers.” Ayers is recorded in the summary as saying, “the RICO statute requires that a claimant establish the existence of a ‘criminal enterprise,’ and at least two acts of racketeering (with at least one having occurred within the past four years).” Ayers cautioned, “RICO is not easy. It is certainly not a sure win. But such an action would effectively change the subject to the campaign of deception practiced by the coal, gas, and oil companies.”
UCS organized the conference at the suggestion of climate activist and author Naomi Oreskes, who is thought to have “conceived” the La Jolla meeting. Oreskes planned to use RICO statutes to punish organizations that she claimed “knowingly have deceived the American people about the risks of climate change.” Oreskes’ organization, the Climate Accountability Institute, collaborated on the conference.
(source: IRS Forms 990 Annual Reports and Foundation Source databank)
Union of Concerned Scientists 2014 Assets: $46,515,215 including $3,645,489 in publicly traded securities (investments)
UCS 2014 Income: $26,587,749 including $467,375 foundation grants
2013 income $26,806,462 including $11,165,833 foundation grants
UCS spent $3,278,499 on fundraising in 2014.
UCS spent $14,969,694 on salaries in 2014; $13,707,474 on salaries in 2013
UCS spent $43,135 on lobbying in 2014
(source: U.S. Senate Office of Public Records and Influence Explorer)
Union of Concerned Scientists employees have given testimony before the U.S. Senate on 453 occasions.
Nine employees of UCS have been members of eleven Federal Advisory Committees from 2000 to 2015. Link leads to all details.
Revolving Door for Congressional Staff: Brendan Bell took the revolving door in 2012. He was a senior Washington representative for the Union of Concerned Scientists and before that the Sierra Club, but went to work for Sen. Frank Lautenberg (D-N.J.) in a legislative assistant role. Senator Lautenberg died in 2013. For a year, UCS had eyes and ears at a high level in the Senate.
Network Interactions
Follow this link to the Muckety Map of the Union of Concerned Scientists interactions with donors, organizations, activists and influentials.
Donor Network (1998-2014)
The Union of Concerned Scientists has received 1,294 grants from 237 foundations totaling $97,682,247. Most donors are members of the Environmental Grantmakers Association, a planning and organizing cartel for Big Green foundations only. The million-dollar-plus donors are:
THE ENERGY FOUNDATION $15,347,70
FOUNDATION FOR THE CAROLINAS $11,810,200
BRIGHT HORIZON FOUNDATION $9,785,000
WILLIAM & FLORA HEWLETT FOUNDATION $6,280,000
JOHN D & CATHERINE T MACARTHUR FOUNDATION $5,731,450
DAVID AND LUCILE PACKARD FOUNDATION $3,618,510
THE OAK FOUNDATION USA $2,300,002
JOYCE FOUNDATION $2,271,667
FIDELITY INVESTMENTS CHARITABLE GIFT FUND $2,085,408
GRANTHAM FOUNDATION FOR THE PROTECTION OF THE ENVIRONMENT $1,745,000
KRESGE FOUNDATION $1,475,000
JOHN MERCK FUND $1,334,500
VANGUARD CHARITABLE ENDOWMENT PROGRAM $1,285,500
THE WALLACE RESEARCH FOUNDATION $1,225,000
PLOUGHSHARES FUND INC $1,127,117
FORD FOUNDATION $1,040,000
BLUE MOON FUND INC $1,004,930
PEW MEMORIAL TRUST $1,000,000
BARR FOUNDATION $1,000,000
Source: Foundation Search databank
Donor Network for Most Recent Year (2014)
The Union of Concerned Scientists received 15 grants from 15 foundations totaling $467,375. Most donors are members of the Environmental Grantmakers Association, a planning and organizing cartel for Big Green foundations-only.
MARTIN FOUNDATION INC $100,000;
PLOUGHSHARES FUND INC $50,000;
BAUMAN FAMILY FOUNDATION $50,000;
AYRSHIRE FOUNDATION $50,000;
VANGUARD CHARITABLE ENDOWMENT PROGRAM $35,875;
FOUNDATION M $30,000;
PROSPECT HILL FOUNDATION INC $30,000;
MARTY & DOROTHY SILVERMAN FOUNDATION $26,500;
SHIFTING FOUNDATION LOUIS A HAZEL BRESKIN FOUNDATION $25,000;
ARIZONA COMMUNITY FOUNDATION $15,500;
WILLIAM B WIENER JR FOUNDATION $15,000;
MARTIN FABERT FOUNDATION $15,000;
DEL MAR GLOBAL TRUST $15,000;
B T ROCCA JR FOUNDATION$5,000;
MARGARET H AND JAMES E KELLEY FOUNDATION INC $4,500.
The Left’s Latest Copy-And-Paste Fake Grassroots Campaign
Media Chickens of the Frankfurt School Have Come Home to Roost
Browse This Profile
Radical Environmentalists Blame Heartland Institute for Trump’s Paris Accord Decision
President Trump faced a global tongue-lashing as big business and leaders in China and Europe united to condemn him for his decision to pull America out of the 2015 Paris climate accord. Read more…
Four Liberal U.S. Senators Attack Heartland, and We Reply
For the record, The Heartland Institute has contacted nearly all members of the Trump cabinet. Can any of you explain to me how this differs from the relationship the previous administration had with liberal advocacy groups? Read more…
Union of Concerned Scientists: Anti-science Advocacy Gone Wild
The Union of Concerned Scientists (UCS) is not a professional scientific organization, instead it is pursues left-wing advocacy on technology, environmental, and energy issues—regardless of what the scientific data show. Read more…
#WebOfDenial Stunt Exposes Leftist Hatred of Free Speech
This is an abuse of power and an attempt to intimidate American citizens to keep quiet, and to send those who support them running scared. It will not work. Read more…
The RICO Epidemic and the Attack on Exxon Mobil
Environmental activists have found a new weapon to use in their battle with global warming realists: the Racketeer Influenced and Corrupt Organizations Act (RICO), a law enacted by Congress in 1978 to battle the mafia. Environmentalists hope to use RICO to criminalize any exercise of free speech that is critical of their extreme views on climate change. Read more…
Ron Arnold | October 25, 2016
Emily Zanotti | December 16, 2015
Climate Action Network
Emily Zanotti | December 2, 2015
Emily Zanotti | November 2, 2015
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Voices from the rank and file: remembering Marty Glaberman and Stan Weir
Staughton Lynd remembers two socialists who wrote extensively about life on the job and struggles at work, Martin Glaberman and Stan Weir.
have been asked to say a few words about Marty Glaberman and Stan Weir. It may be that the request is prompted in part by recent events on the West Coast waterfront. I have followed those events with interest, but I am not there and I have not had an opportunity to talk with participants. Accordingly, please consider my remarks about my departed friends and comrades on their own merits, such as they may be, and accept my assurance that no implicit message about current events is intended.
An Injury to One Is an Injury to All
Before considering them individually, let’s take a look at their joint significance.
The Industrial Workers of the World (IWW) was created in 1905 in the belief that industrial unionism, could it come into being, would tend to be revolutionary.1 The labor radicals who created the IWW, like Eugene Debs, Mother Jones, and Bill Haywood, believed that the great obstacle to labor radicalism was the craft basis of trade unions. At that time a workplace such as a steel mill was organized into separate crafts, each with its own collective bargaining contract. Typically these contracts had different expiration dates. As it appeared to a Debs, Jones, or Haywood, the American Federation of Labor (AF of L) amounted to the American Separation of Labor. Once workers were brought together on an industrial rather than craft or trade basis, a labor movement would emerge in which solidarity – the principle that “an injury to one is an injury to all” – would prevail.
Debs could offer an especially poignant version of this thesis. He had been inducted into the Brotherhood of Locomotive Firemen and labored to “build it up.“ Experience taught him that he must bring all railroad workers into a broader coalition, the American Railway Union.
The difficulty that young radicals like Glaberman and Weir were obliged to confront in the years during and after World War II was that, yes, industrial unions in steel, auto, packinghouse, electrical manufacture, and many other sectors of the economy had come into being, and federated in the Congress of Industrial Organizations (CIO), but these new unions were not much more radical than the old unions of the AF of L.
One might have expected the IWW to come forward with a comprehensive critique of CIO unionism. This did not occur. And so individual “organic intellectuals,” like Marty and Stan, stepped into the gap and tried to explain what had gone wrong.
Off the top, it seems, it was necessary to consider the last phase of Eugene Debs’ self-education. In 1895 he led the American Railway Union into battle against the great railroad corporations of that day in the Pullman Strike, only to have the United States government send troops to Chicago. Debs was imprisoned and the ARU defeated. Behind bars, it seems, Debs concluded that it was also necessary to be a socialist.
Marty and Stan were both socialists, indeed were both Trotskyists, but they belonged to different streams of Trotskyist self-activity. Marty adhered to the extraordinary group that called itself “Facing Reality,” made up of followers of CLR James who included, beside Marty, James and Grace Lee Boggs and Raya Dunayevskaya. Stan was a follower of Max Shachtman, who led a particular clump of Trotskyists into opposition not only against the Communist Party but also against orthodox Trotskyism. One of the sorrows of my life is that, somehow, during the entire quarter-century that I knew both Marty and Stan, I was never able to bring them together in the same room.
Marty Glaberman
In 1952 the Facing Reality group published a pamphlet called “Punching Out,” written by Marty Glaberman.2
The pamphlet began with the unusual sentence: “Not long ago two men in a Detroit auto plant were discussing their steward.” The steward Marty had in mind was named Johnny Zupan. Previously a militant rank and filer, Zupan, when elected as a steward, had disappointed his fellow workers. His behavior raised the questions: “Why does a worker, when he is elected to union office, turn against his own kind? How does an ordinary rank and file worker become a pork-chopper, a pie-card, a bureaucrat?”
Marty insisted that the answer was not personal. The answer he offered had to do with the content of the collective bargaining contract that the steward administered. To be sure, ordinarily (in those days) the contract contained substantial benefits. But the typical CIO contract also contained a quid pro quo: a clause prohibiting slowdowns and strikes until the expiration of the agreement. The steward, obligated to enforce all aspects of the contract, necessarily became a cop for the boss.
In later writing and talks, Marty further explained his advocacy of shopfloor direct action. In 1980 he published a book entitled Wartime Strikes: The Struggle Against the No-Strike Pledge in the UAW During World War II. At the beginning of the war, the UAW bureaucracy, like that of most other unions, had committed itself not to strike for the duration. Prices, however, rose steadily, and the rank and file brought to the national union convention a demand to abandon the no-strike pledge. The union hierarchy sought to sidestep that pressure by arranging to mail to each member of the union a form asking recipients to say whether they wished the pledge to continue. Marty conceded that most of those who returned a form voted Yes. But, Marty countered, records demonstrated that more than half of the workers in Detroit automotive plants had taken part in wildcat strikes! Action together with one’s fellow workers was a better indicator of what workers really felt than forms filled out by each individual in the privacy of his home.
Marty believed strongly that, as Marx set forth in his Theses on Feuerbach, action precedes and supersedes theory. A favorite anecdote imagined a worker at his machine. He observes a group of fellow workers coming down the aisle. There are too many of them to be going to the storeroom for material. It is too early for them to be going to lunch. So the worker turns off his machine and joins the others heading for the parking lot. Once there, he turns to a fellow worker and asks: “What the hell is this all about?”
Similarly Marty disputed the idea that workers must be converted to socialism before a socialist revolution is possible. Rather, he thought, they become socialists in the process of making a revolution. In Russia, for example, workers who abused their wives, were frequently drunk, were anti-Semitic and often illiterate, nevertheless became revolutionaries as they combated the powers that be.
I do not agree with everything Marty Glaberman asserted in “Punching Out.” He describes the Little Steel Strike of 1937 as a loss, indeed as a catastrophe. However, about the time I encountered “Punching Out” I had the opportunity to interview John Sargent, first president of the 18,000 member CIO local union at Inland Steel. John insisted that the settlement of the Little Steel Strike was “a victory of great proportions.”3 He explained that the strike settlement directed a company to bargain collectively with any group of its workers, whether or not they were a majority. As a result there was negotiation of individual issues but, because the Steelworkers were not yet an exclusive collective bargaining representative and there was no contract with a no-strike clause, workers could back up their demands with direct action.
At a forum I helped to arrange on labor history from the viewpoint of the rank and file, Sargent maintained:
Without a contract we secured for ourselves working conditions and wages that we do not have today [1970], and that were better by far than what we do have today in the mill. For example as a result of the enthusiasm of the people in the mill you had a series of strikes, wildcats, shut-downs, slow-downs, anything working people could think of to secure for themselves what they decided they had to have.
Nick Migas, an open hearth grievance man at Inland Steel in the late 1930s, described an incident when the company “increased the tonnage on the furnaces without increasing the rate.” Production slowed down and by the next morning the company had to shut off two furnaces. By that evening six furnaces were down. “They settled that grievance in a hurry. Nobody told anybody to strike. There was just that close relationship, working with the people, where they knew what was necessary.”4
Aside from such differences about particular episodes of labor history, Marty Glaberman and John Sargent saw things in the same way. Why was it that the CIO union movement, the watchdog of the working class, had become a dog that “don’t bark no more”? The answer lay in the practice of giving up, or “waiving,” the right to strike, or more broadly, the right to take direct action on the shopfloor when, where, for how long, and in whatever manner, rank-and-file workers desire.
Stan Weir
Stan Weir was a sailor, truck driver, automobile worker and longshoreman. He never completed the book he had hoped to write on the culture of West Coast dock workers before containerization. But he left a collection of shorter pieces edited by Norm Diamond and George Lipsitz, a long interview with my wife and myself entitled “The Informal Work Group,” and an essay he wrote for a book I edited called “Unions with Leaders Who Stay on the Job.”5
As a merchant seaman during World War II Stan encountered two old Wobblies, Blackie and Chips, who conducted formal classes on shipboard in which the two passed on the lore of the 1934 San Francisco general strike.
[T]hey pumped all this history into me. And then they would quiz me. “What happened on such-and-such a date?” “What’s Bloody Thursday?” “What were the big demands?” “What was the 1934 award?” “Why were we able to win victories before getting a collective bargaining contract?”6
There came times when “Red” Weir acted as spokesperson for a crew of sailors who refused to go to sea until their provisions, mattresses, and other material conditions of employment were improved.7 Stan told me that as he wrote about this story for my book, tears were pouring down his face.
At the end of the war, Max Shachtman encouraged Stan to get a job as an auto worker, and he joined an assembly line in Oakland. On the street car to work one morning, he stumbled into the Oakland general strike of 1946. The women who worked at two local department stores were on strike. Policemen were protecting “a string of trucks… Some truck driver or some bus driver or street car conductor asked some policeman about the trucks (this is now part of the mythology) and the policeman told him, ‘This is a scab trucking firm coming in from LA to take stuff to Kahn’s and Hastings’.’” And the truck driver, or bus driver, or street car conductor, didn’t start up his vehicle again. Passengers like Stan climbed out. The general strike had begun.
No one had called it. No one knew what to do and there were no leaders. Pretty soon some storekeepers were told to close and drug stores were told to stay open. “Bars could stay open if they didn’t serve hard liquor, and they had to put their jukeboxes out on the sidewalk. People were literally dancing in the streets in anticipation of some kind of new day… It lasted fifty-four hours.”
“It was that vision and the experiences in that strike,” Stan wrote, “that I experienced and which my wife saw, the vision in actual life of people determining their own destinies that sustains one and makes one stand fast for a long, long time.”8
Years later, in an episode that should be of interest to all radicals, Stan Weir describes how he ceased to be an “organizer” and became a worker, and at the same time, more himself.9 Under pressure from McCarthyism his Left political group “disintegrated… considerably.” Stan got a job at General Motors not as a political assignment but because he needed a job.
“A whole new world opened up to me. I began to see that to approach any situation like this with a whole set of preconceived slogans was way off the beam.” Stan was working swing shift, and when his shift punched out at midnight they would go to the home of one of his friends from work for food. “And the politics that I injected into that group? I didn’t even have to try. It came in the natural course of life.”
Like Marty Glaberman a foe of union bureaucratization, Stan believed that union members should conduct their business on the shop floor, not in an office away from the plant. It was his observation that in every workplace there is a de facto decision-making structure, which he called the “informal work group.” In the same way that street-corner committees formed during the Oakland general strike, and administered their common affairs quite handily, he thought that informal work groups should network with each other and build up a structure of representation. At an international conference of dock workers in Denmark he learned that there was such a network in Spain, called “La Coordinadora,” went to Spain and, like Lincoln Steffens, came home with the feeling that he had been into the future and it worked.
Stan Weir, it should be emphasized, was a working-class intellectual in the literal meaning of the words: he was born into the working class and became a reader and writer. He was comfortable with other workers. When for a spell of a few years he taught in a workers’ education program at a Midwestern university he often began a class with the question, “What’s the funniest thing that ever happened where you work?” He liked to tell the story of how he helped to cause – but did not “organize” – a wildcat action on the shop floor. He was working in a shop where the workers were forever having to get new gloves, which they were required to pay for themselves. Griping arose as to why the company didn’t pay for the gloves, but no one could think of way to bring this about. It was generally recognized that, under the collective bargaining agreement, management was obliged to pay for “tools.” Stan said, “Well, gloves are tools, aren’t they?” and went about his business. There was a sit-in the next day.10
Organic Intellectuals
I first heard the term “organic intellectual” from Stan Weir. But what does it mean? Marty Glaberman was born into a middle-class family and, in the term popular at the time, became a “colonizer” in a Detroit automobile plant. He wrote good poetry and liked to watch movies. Stan Weir grew up with no father and a mother who did dressmaking and worked at the Post Office. He loved to dance to the “big bands” of his adolescence and would telephone me long distance from California to tell me a new joke. They both devoted their lives to the idea of a better world and, in the words of Stephen Spender’s poem, “left the vivid air signed with their honor.”
Staughton Lynd is a historian, and has been an activist since his involvement in the Civil Rights Movement and the movement against the Vietnam War. Some of his writings are collected in From Here to There, and with Alice Lynd he is the editor of books including Rank and File and The New Rank and File. An expanded edition of Rank and File, including eight favorite interviews from The New Rank and File, has just been released by Haymarket Books, and his latest book Accompanying: Pathways to Social Change is forthcoming this year from PM Press.
Originally posted: January 23, 2011 at Viewpoint Magazine
1. See the Manifesto of January 2-4, 1905, summoning workers to a founding convention in June, reprinted in Rebel Voices: An IWW Anthology, ed. Joyce L. Kornbluh, new edition (Oakland, CA: PM Press, 2011), pp. 7-9, and Debs’ speech in Chicago on November 25, 1905, available in American Labor Struggles and Law Histories, ed. Kenneth M. Casebeer (Durham, NC: Carolina Academic Press, 2011), pp. 91-99.
2. Martin Glaberman, Punching Out & Other Writings, ed. and introduced by Staughton Lynd (Chicago: Charles H. Kerr, 2002), pp. 2-23
3. John Sargent, “Your Dog Don’t Bark No More,” in Rank and File: Personal Histories by Working-Class Organizers, ed. Alice & Staughton Lynd, expanded edition (Chicago: Haymarket Books, 2011), pp. 105-110.
4. Nick Migas, “How the International Took Over,” in Rank and File, p. 168.
5. Singlejack Solidarity, ed. by George Lipzitz with a Foreword by Norm Diamond (Minneapolis: University of Minnesota Press, 2004); Stan Weir, “The Informal Work Group,” in Rank and File, pp. 179-200; Stan Weir, “Unions with Leaders Who Stay on the Job,” in “We Are All Leaders”: The Alternative Unionism of the Early 1930s, ed. Staughton Lynd (Urbana and Chicago: University of Illinois Press, 1996), pp. 294-334.
6. Rank and File, p. 183; “We Are All Leaders,” pp. 310-315.
7. “We Are All Leaders,” pp. 296-307.
8. Rank and File, pp. 193-195; “We Are All Leaders,” pp. 326-330. Stan Weir is thought to have been the model for the character Joe Link in Harvey Swados’ novel, Standing Fast.
9. Rank and File, pp. 196-197.
10. Rank and File, pp. 192-193.
Juan Conatz
Feb 1 2012 03:42
Martin Glaberman
Staughton Lynd
The third revolution? Peasant resistance to the Bolshevik government
Nick Heath on the wave of rebellions and uprisings of rank-and-file Russian workers and peasants across the country in 1919-1921 against the Bolsheviks, who were consolidating their grip on power...
Germinal - Émile Zola
Zola's masterpiece exposing the inhuman conditions of miners in France in 1860s. This powerful novel follows a young worker who enters a mining community and leads a strike against pay cuts...
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2018 Optional Pre-Conference Programs and Activities
Friday, November 9:
3:00 – 5:00 pm NMJHS Meet and Greet
Come by to say hello to NMJHS members
Sheraton Uptown – location info when you check in
6:00 pm: Community Service and Program:
Kristallnacht and the 2018 Election with speaker Steven Windmueller
Steven Windmueller is an American scholar and Jewish communal professional. He is a professor emeritus at the Hebrew Union College-Jewish Institute of Religion in Los Angeles, CA, where he teaches courses on contemporary political issues and American Jewish affairs. He is a fellow at the Jerusalem Center for Public Affairs, and a board member of the Jewish Federation and the Jewish Family Service of Los Angeles
Congregation Albert, 3800 Louisiana NE
Followed by dinner
(Contact 505 883 1818 or events@congregationalbert.org for dinner reservations)
Saturday, November 10:
9:30 am: (Optional) Walking Tour of Jewish Downtown Albuquerque with Naomi Sandweiss, author of Jewish Albuquerque ($15 Pre-reg and pre-paid only)
Albuquerque, founded by Spanish colonists in 1706, seems an unusual place for Jewish immigrants to settle. Yet long before New Mexico statehood in 1912, Jewish settlers had made their homes in the high desert town, located on the banks of the Rio Grande River. Initially, business opportunities lured German Jews to the Santa Fe Trail; during the expansive railroad days of the 1880s, Jewish citizens were poised to take on leadership roles in business, government, and community life. Henry Jaffa, a Jewish merchant and acquaintance of Wyatt Earp, served as Albuquerque’s first mayor. From launching businesses along Central Avenue, to establishing the Indian Trading Room at the famed Alvarado Hotel and founding trading posts, Route 66 tourist establishments, and the Sandia Tram, Jewish businesspeople partnered with their neighbors to boost Albuquerque’s already plentiful assets. Along the way, community members built Jewish organizations–a B’nai B’rith chapter, Congregation Albert, and Congregation B’nai Israel–that made their mark upon the larger Albuquerque community.
Author Naomi Sandweiss, an Albuquerque native and longtime New Mexico Jewish Historical Society leader, used more than 200 images from public archives, congregational collections, and individual and family collections to illustrate the city’s fascinating Jewish history.
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Hitler’s Body Never Found The False Narrative We’ve Been Told
September 24, 2016 / Nonpartisanlibertyforall /
Hitler’s Body Never Found The False Narrative We’ve Been Told by D. Bourne
Contrary to what most people think Hitler and his girlfriend Eva Braun were found died in his bunker, after they committed suicide. And then the German’s brought out their bodies and burned them. The truth is their bodies to this day have never been found. The story was based on an English document by that even mentions that no bodies were found. The conclusions were based on the interviews conducted by someone appointed to investigate by the British, that supposedly saw bodies carried out wrapped up in blankets and buried. Many recanted their statements later. One of the things that immediately stood out was that it was announced on German Radio while the battle of Berlin was still going on. One theory is that there were doubles that many leaders also had, that were murdered. Another interesting fact that doesn’t make a lot of sense is while Eisenhower and Stalin as well as the FBI who put together pictures of what Hitler could look like in disguise, believed he was alive, 23 years later in 1968 the Russians obviously without telling Stalin had the body the whole time. However they never mentioned it, which made no sense. When a part of the skull was tested by the US, it didn’t match Hitler’s DNA. After that no one was able to examine the remains. All evidence points to a planned escape by Hitler prior to his assumed suicide as Germany had come to the conclusion that they war was lost not soon after the battle with the Soviet’s. So where Did Hitler and Braun go? Many German Nazi’s went to Argentina after the war which is a possibility. But no body really knows for sure what happened except that no one has ever found their bodies. Not anywhere in or near the bunker or since. Did Hitler live well into old age? Maybe that is a question we will one day be able to answer. What is so disturbing in this story is that most of us have been lied to about the truth of what happened to Hitler. Most people were taught in school and it is recited by the government media that he committed suicide. When it has been proven that no one can prove what happened, only that his and Braun’s bodies were never found.
Blogs/Articles, History / Tags: False Narrative, Government Media, History, WWII |
« Tired of Seeing The Police, A Criminal Gang That Makes Me Sick
The Illusion of checks & balances & how it is supposed to be enforced? By D. Bourne »
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« Nuclear Issues Study Group Roundhouse Report
Nuclear waste storage concerns expressed »
Residents Seek to Protect New Mexico from Nation’s Most Dangerous Radioactive Waste
Leona Morgan, Nuclear Issues Study Group, 505-879-8547, protectnewmexico(at)gmail.com
Don Hancock, SW Research and Information Center, 505-262-1862, sricdon(at)earthlink.net,
Karen Hadden, NoNuclearWaste.org, (512) 797-8481, karendhadden(at)gmail.com
Photos here: Dropbox photos. Entrevistas disponible en Español
Over 10,000 Rail Cars of Radioactive Waste – a train wreck waiting to happen
Download Press Release in PDF format for printing
Albuquerque, N.M.–Activists inflated a mock radioactive waste canister at a news conference today to point out how risky the shipment and storage of the nation’s most radioactive nuclear reactor wastes is to New Mexico. Holtec International has a controversial plan to store up to 100,000 tons of the nation’s most dangerous nuclear reactor waste, for as long as 120 years at a site between Hobbs and Carlsbad.
Over 10,000 rail cars of high-level radioactive waste will be dumped on New Mexico if we don’t stop this project. Opponents are concerned about the health, safety, transportation, financial, and environmental justice aspects of storing high-level radioactive waste, that would impact thousands of generations to come.
Holtec’s license application to build and operate a storage facility in Lea County, New Mexico, has been accepted as complete by the Nuclear Regulatory Commission. The agency has announced its intent to prepare an Environmental Impact Statement on Holtec’s proposal and will take written comments and hold three public meetings in Roswell, Hobbs and Carlsbad. At each location, a court reporter will be available to record comments. In New Mexico, Spanish peaking staff will assist with translation. Public comments will be accepted until May 29.
"Starting with uranium mining and milling … to modern weapons production, uranium enrichment, and storage of low-level and transuranic wastes, New Mexico has been targeted as a national sacrifice zone for too long," said Leona Morgan, Diné activist and co-founder of Nuclear Issues Study Group. "New Mexico is the birthplace of nuclear colonialism. We have been impacted by just about every step in the nuclear fuel chain! We did not generate this waste from nuclear reactors that is intended to come here. So why should we take it? As a state with many indigenous nations and people of color, and being at the tail end of several measures of quality of life, it is environmental racism at its core to keep dumping on New Mexico. And it’s time to stop!"
"Our land is not the nation’s dumping ground for dangerous high-level radioactive waste, with its risks for cancer, birth defects, and deaths. Those who created the waste should take responsibility for it. Our sacred land is not their pay toilet," said Pat Cardona, speaking on behalf of Rose Gardner, founder of Alliance for Environmental Strategies a community group based in Southeast New Mexico opposing the radioactive-waste proposal. "We ask people from New Mexico and around the country to support us in halting this dangerous plan, which not only creates risks for us at ground zero, but creates risks along transport routes nationwide. New Mexico already has more than our fair share of radioactive poisons. We don’t want any more! We do not consent to taking high-level radioactive waste!"
There is growing opposition to radioactive waste storage throughout New Mexico. Nine New Mexico Senators and 21 state representatives were concerned enough about the proposal that they recently wrote a letter asking the NRC to give the state time to explore health, safety, financial, and transportation risks to the state of New Mexico.
As one of the New Mexican representatives who signed the letter to NRC, Rep. Stephanie Garcia Richard states, "It will be imperative for the state legislature, its oversight committees and the public to have an opportunity to have all of their safety concerns and questions properly acknowledged, addressed, and answered. These concerns are not limited to: canister design, proposed transportation routes, and planned response to catastrophic events."
"To this end, a number of legislators had written to the NRC, asking for the scoping period to be extended so that the matter could be considered when the state legislature was in session during the winter of 2019. Because that request has been denied, me and many of my colleagues are now asking that the NRC appear before the appropriate interim committee to have safety concerns about the proposed storage siting addressed. Today we call on all New Mexicans to continue to pressure Holtec and the NRC to take our concerns seriously. Stay active. Stay involved; and together, we will continue to ensure that all safety issues are answered," said Rep.
Garcia Richard.
According to the application, high-level radioactive waste could end up being stored for up to 120 years, longer than New Mexico has existed as a state. The federal government has promised and failed for more than 35 years to develop a permanent safe storage or disposal for high-level reactor wastes.
"What happens if the federal government breaks it promise to move this waste away or won’t pay to clean it up?" asked Sister Marlene Perrotte, speaking on behalf of New Mexico Interfaith Power and Light. "This is an ethical and moral concern that affects communities and God’s creation. Most existing low-level radioactive waste sites in the country have leaked and Congress has failed to appropriate enough money to clean them up. Sixty-three faith leaders in New Mexico have now signed onto a letter expressing questions and concerns about health, safety, and transportation risks of importing and storing high-level radioactive waste. As faith leaders, we want to ensure a safe future for generations to come."
The waste would consist of irradiated fuel rods that have been inside a nuclear power reactor. These fuel rods still contain most of the original uranium, along with plutonium, cesium and strontium. In close proximity, radiation exposure from casks is possible during transport. Direct exposure to unshielded fuel rods is lethal. In just the last three years in New Mexico, there have been five train derailments.
"Transportation of radioactive waste is a train wreck waiting to happen," said Eileen Shaughnessy, co-founder of Albuquerque-based Nuclear Issues Study Group. "More than 10,000 rail cars would haul this irradiated waste, rumbling on rails throughout the country and near major cities in New Mexico, in a process that would take 20 years or more. Likely rail routes would run along I-40, I-25, and from Belen to Carlsbad. While the waste would not be in bomb form, each rail car would carry more deadly plutonium than in the bomb dropped on Nagasaki."
Shaughnessy continues, "Studies should be done regarding the risks to engineers and people along rail lines in New Mexico and throughout the country. The NRC admits that some radiation would routinely escape the transport casks. What impacts would there be to engineers, rail workers and community members?"
"Holtec’s proposal is that the U.S. Department of Energy will pay for the transportation costs. But that’s not allowed by federal law, which prohibits DOE from paying for transportation to a private storage site, like Holtec’s," said Don Hancock, Director of the Nuclear Waste
Program at Southwest Research and Information Center.
The NRC has scheduled the first public scoping meeting at its Rockville headquarters, which can be accessed via webinar. The subsequent three will be in New Mexico. Each is an opportunity to learn more about the proposal and to submit public comments. "Public comments can and do make a difference," said Hancock.
NRC has set three public scoping meetings and one open house as follows: April 25 at the NRC Headquarters in Rockville, Maryland; April 30 in Roswell, NM (open house); May 1 in Hobbs, NM; and May 3 in Carlsbad, NM.
NRC Meeting Dates & Locations:
Comments can be submitted in person at above public meetings or online at:
https://www.regulations.gov/comment?D=NRC-2018-0052-0001
Comments can also be submitted by mail, with "RE: Docket ID NRC-2018-0052", to: May Ma,
Office of Administration, Mail Stop: TWFN–7– A60M, U.S. Nuclear Regulatory Commission,
Washington, DC 20555– 0001.
The Holtec HI-STORE Consolidated Interim Storage Facility application is online:
https://www.nrc.gov/waste/spent-fuel-storage/cis/hi/hi-app-docs.html
The NRC meetings will focus on comments regarding the Environmental Report, which
will be used to develop an Environmental Impact Statement. The latest version is Rev. 1.
The Federal Register Notice for March 30, 2018 describes the scoping process:
https://www.federalregister.gov/documents/2018/03/30/2018-06398/holtec-internationalhi-
store-consolidated-interim-storage-facility-project
Next Cask Tour Stops
Albuquerque, Tuesday, April 10 at 11:45 am
Carlsbad, Wednesday, April 11 at 10 a.m.
Hobbs, Wednesday, April 11 at 2 p.m.
Roswell, Thursday, April 12 at 10 a.m.
Artesia, Thursday, April 12, at 2 p.m.
Details and additional Cask Tour dates will be posted online at:
www.facebook.com/HaltHoltec
Websites with more information:
www.NoNuclearWaste.org
http://www.sric.org/nuclear/nwp_docs.php
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About the College of Arts and Sciences
Communication, Journalism, and Public Relations
Music, Theatre and Dance
Sociology, Anthropology, Social Work and Criminal Justice
Writing and Rhetoric
Academic Advisers
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OU Advantage
OU to present lecture on interactions between Arab-American community, first responders
true /Categories/News/General /Categories/News/Campus Life /Categories/News/Community Outreach /Categories/News/College of Arts & Sciences /Categories/Sites/College of Arts and Sciences /Categories/Sites/Department of Modern Languages and Literatures /Categories/Sites/News at OU
Wednesday, Aug 09, 2017
Oakland University will host a hands-on lecture on the legal and cultural issues surrounding interactions between the Arab-American community and first responders on Monday, Sept. 11.
Jamal Aliah, director of Intelligence Matters, LLC., will present a hands-on lecture on the legal and cultural issues surrounding interactions between the Arab-American community and first responders on Monday, Sept. 11 at Oakland University.
The lecture will take place from 11 a.m. to 12:30 p.m. in the Gold Rooms at the Oakland Center, 312 Meadow Brook Road.
“Mr. Aliah’s talk is an excellent opportunity to raise awareness of the importance of effective cross-cultural training for all professionals that work directly with the Arab-American community,” said Adolfo Campoy-Cubillo, Ph.D., an associate professor of Spanish in the Department of Modern Languages and Literatures at Oakland University.
A retired and decorated 20-year veteran of the Central Intelligence Agency, Aliah is considered an expert on Middle East affairs and counterterrorism. He was awarded the CIA’s Career Commendation Medal, the Career Service Medal, the Intelligence Medal of Merit, the Award for Innovative Operations, and 12 exceptional performance awards.
In addition, Aliah is a CIA-certified instructor and has trained more than 3,000 federal law enforcement officers on homeland security issues and intelligence.
“Mr. Aliah’s presentation promotes understanding of Arabic culture and Islam as it informs the daily lives of citizens and non-citizens, civilians and law enforcement professionals,” Campoy-Cubillo said.
“From understanding the structure and relations with extended Arab American families to mediating issues concerning religious identity and freedom of speech, this lecture helps students and the community to understand the role of law enforcement in facilitating harmonious intercultural coexistence,” he added.
According to Lori Posey, development associate for Oakland University’s College of Arts and Sciences, the lecture is made possible through the Hajja Razia Sharif Sheikh Endowment for Islamic Understanding Programs, which supports programs that educate students and the community about Islam and promotes understanding of Islam through educational means.
“This endowment was established in honor of the late Hajja Razia Sharif Sheikh, a native of Lahore, Pakistan, who – although schooled traditionally at home – held a strong belief in formal education and encouraged her eight children to pursue college studies; three of whom became practicing physicians,” she said.
Admission to the lecture is free and the event is open to the public.
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Store Front » MUSIC » Ummagumma Vinyl
Ummagumma Vinyl
Remastered and issued on 180 gram vinyl, Ummagumma was Pink Floyd's first double album and has one of their most iconic cover images. One album features the band's then-current live set, while disc 2 includes solo compositions and performances by each member of the band. Live tracks include, "Careful With That Axe, Eugene" and "Set The Controls For The Heart Of The Sun", while studio tracks include "Grantchester Meadows" and "The Narrow Way".
Please Select...Vinyl
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The 6 pounder anti-tank gun was developed by Woolwich Arsenal beginning around 1938 due to the limitations of the 2 pounder anti-tank gun then in service. The 57 mm bore was developed as there were guns that size already used by the Royal Navy and not much new equipment was needed to build them. The design was set by 1940, but with the war on it didn't enter production till late 1941. The gun was successful in its role and continued in British service until the '60's.
The U.S. started production of the gun in 1941, then known as the 57mm Anti-Tank Gun Model M1, as a Lend Lease gun and was distributed as such, including to the Free French Forces. It was adopted by the U.S. when it was found that its favorite gun in the anti-tank role, the 37mm gun, was ineffective. Some bigger bore sizes and carriages were developed, but in the end the gun was built as the British designed it. The U.S. built over 15,000 guns by the end of WW2.
The 57mm gun acquitted itself well during WW2, especially for the British in North Africa. It easily penetrated tanks at the beginning of the war, but had more trouble at extended ranges when the new Tiger I and Panther tanks were introduced. The U.S. used it in North Africa and Italy, but was less useful in Normandy. There was a shortage of armor piercing ammunition for the U.S., and the gun couldn't take on contemporary German armor except for the sides or rear. Also since it had to be towed it was less useful than self propelled guns. It was dropped from U.S. service at the end of the war.
The gun pictured guards Confidence Cemetery in Georgetown, Ohio. Georgetown is the county seat of Brown County, and is also the boyhood home of Ulysses S. Grant. The gun was built by International Harvester after 1943 and sits on the M2 carriage. It still has its armored side plates, which traditionally went unused during the war. As in most guns relegated to cemetery duty, its breech is welded up and parts are missing, and could use a new coat of paint. Oddly enough, the tires look to be in great shape, unusual for a graveyard gun.
Guns of this type were mounted on several British tanks and armored cars, including the Churchill tank, and the U.S. mounted it in the M3 half track. The Royal Navy mounted it in gunboats, which also had a quick loading mechanism, enabling the gun to fire 6 rounds in as many seconds. The 57mm gun was adopted by Israel after the war and was used during the Suez Crisis.
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Democracy alla turca
22 Nov 2016 | tags: EU, Turkey, Erdogan and Kemal
Zete
Turkey has been in the highlights of international media during the last decade, Recep Tayyip Erdoğan and his Justice and Development Party (Adalet ve Kalkınma Partisi – AKP) made big achievements for a country that was not in the developed countries club. Through the 2023 Goals, when the Turkish Republic will commemorate its centenary, Erdoğan wants to change Turkey to his “New Turkey”. Turkey is now one of the emerging countries in the World that wants to spread its influence through official development assistance in the developing countries, specially in Africa. Turkey is a key player in the MENA region (Middle East and North Africa region) and in the Turkic countries, is also a country that many saw as a model capable to keep democracy with a moderate Islam, but has now shown to the international community that the country is not a pure democracy that respects its freedoms.
Erdoğan RuLE
Erdoğan had a few problems before turning Turkey into a model for other Islamic countries, while he was Mayor of Istanbul by the Welfare Party, he was blocked from political office for inciting religious intolerance in 1998, at the same time the party was banned by the Constitutional Court of Turkey for not keeping religion and politics separate has the Turkish Constitution mandates. (Its important to refer that after the end of the Ottoman Empire, the army officer Mustafa Kemal Atatürk created a secular republic in Turkey, where the Kemalist army was the guarantee of a State separate from the Islam, many coup d’État where held by the Turkish army in order to keep the secular rule of Atatürk.)
After this mishap Erdoğan was sentenced to jail for 10 months, but in 2001 together with other former members of the Welfare Party, where it is included the former President Abdullah Gül, Recep Tayyip Erdoğan was back to the Turkish political arena with a new moderate Islamic party. Since AKP took power in 2002, Turkish economy is having an incredible growth that many European countries envy, this has permitted Erdoğan to consolidate his influence in the Turkish politics. AKP first won the elections with Gül, during his short mandate he lifted the restrictions that prevented Erdoğan to take a political office, then when a by-election in Siirt elected Erdoğan as member of the Turkish Parliament Gül was replaced by him as Turkish Prime Minister. Erdoğan did two more mandates as Prime Minister and before the internal rules of his party blocked a fourth mandate, the Turkish Parliament changed the constitution in order to permit the election of the President of Turkey directly by the Turkish people.
Erdoğan was elected as President of Turkey one year after the Gezi Park protests, when he started to increase his authoritarian power against the protesters who where gathering in a city park near Taksim Square in order to protect that green area in Istanbul. The protests grow to other cities, even out of Turkey, and started to be not just about that small park, but also about the problems that Turkey was starting to face with the AKP rule. Since then social networks have been blocked by the government every time that some big demonstrations or terrorist attacks happen in the Turkish territory. With the failed coup during last summer the Turkish media has also become more frequently a target by the Turkish government restrictions, many newspapers, televisions and radios have been closed after the coup.
Erdoğanism vs KemalisM
Erdoğan during his mandate as Prime-Minister was able to reduce the Kemalism influence in the Turkish army, creating a balance of power between the civil and the military society in the Turkish State, he filled the gaps with Gülen supporters, but the Gezi Park protests and the corruption scandal has turn the Erdoğan’ biggest ally to a terrorist organisation (FETO) in AKP eyes. Fethullah Gülen is a Turkish cleric who is in exile in the United States, his supporters reached many areas inside the Turkish State with the help of Erdoğan, but now the President itself wants to see Gülen extradite from America to be judged by the Turkish court, as he says that Gülen and his movement are responsible for the 15th July failed coup.
Despite this split, Erdoğan rides a wave of popularity unprecedented, such as Atatürk, their pictures are all around Turkey and both have a big influence in Turkish society. Both leaders share the idea that Turkey can be a great world power again, however the Erdoğanism has a neo-Ottoman, conservative and Islamic vision in opposition to the Kemalism ideals that are more European and secular. The President of Turkey referred in the last commemoration of Atatürk’ death that he would like to see the Turkish territory expanded and that Turkish history is bigger than the 93 years of Republic, in an evident reference to the Ottoman Empire history. Erdoğan with his Erdoğanism measures is killing the Kemalism ideology, but he also knows that he cannot delete Atatürk from the life of many Turks that still have him as their idol. So the Turkish President made a comparison between the failed coup attempt and the Turkey's War of Independence, Erdoğan said that he, as Atatürk, have enemies but they were able to fight then and keep a stable and strong Turkey.
THE KURDISH ISSUE
Recep Tayyip Erdoğan also knows that he cannot delete the Kurdish population, that represents around 15% to 20% of the population in Turkey. His AKP government wanted initially a political solution for the war against the PKK, a Kurdish terrorist group, that have killed around 40.000 persons since 1984. Erdoğan lifted the ban on the Kurdish language and started a cease fire, but the Kurdish cause remained there. In 2015 for the first time, the new Kurdish party that also represents other Turkish minorities was able to pass the landmark that was keeping Kurdish political parties out of the Turkish Parliament.
The People’s Democratic Party (Halkların Demokratik Partisi – HDP), with 59 MPs in the Turkish Parliament, represents now a threat for the Erdoğan’s Presidential system, one month after the elections the ceasefire talks with the PKK were ceased, which held again to an escalation of violence in the Kurdistan region of Turkey, putting the region under a state of emergency. Kurds are now a target and the HDP’ 59 MPs saw their immunity lifted last July, days before the failed coup, ten of them including the two co-chairs were already arrested in November, also the Kurdish mayors in the southeastern region of Turkey have been replaced by an hand-picked administration chosen by AKP. The HDP Parliamentary group has decided to halt all their activities in the Turkish Parliament for what they call the new coup d’état. Without the Kurdish MP’s in the Turkish Parliament the AKP, together with the nationalists MHP, will be able to change the Turkish Constitution in order to include the Erdoğan’s presidential system.
After the July’s failed coup attempted the Turkish government has stepped up its repressive measures against the Kurds, but also against the members of the so called terrorist group FETO. Since the coup all regions of Turkey are under a state of emergency and the European Convention on Human Rights have been suspended by the Turkish government, which provoked a high number of detentions and an intensification of Erdoğan’s control of the State institutions. The Turkish President is now making personal appointments of many university rectors, which has been seen as an act of turning Turkish university less independent from the AKP affairs. The media control has increased hardly, even foreign journalists have seen their Resident Permits revoked and cannot work in the country. More than 110.000 people have been suspended, dismissed or detained since the failed July military coup, including soldiers, judges, teachers, journalists and politicians, around 370 NGOs have also been suspended.
THE INTERNATIONAL AFFAIRS
The Turkish Republic has been during its many years passing through many difficulties, one of the most famous Atatürk’s quotes is "yurtta sulh, cihanda sulh” which means “peace at home, peace in the world”. The Erdoğan’s “New Turkey” is not able to achieve peace within its borders, not even in the world where the President seeks for new allies in order to compensate the hard relationship with the European Union. The bad management of the refugees crisis has blocked EU when it comes to speak about the authoritarian rule in Turkey, the EU needs Turkey to block the big flux of refugees coming to Europe, otherwise the far-right parties will grow around all States-Members and put the union in a much bigger danger. The Turkish President knows this EU problem, but he also knows that when the Syrian conflict ends he will not have the refugees to balance in its relation with the EU, which has provoked an approximation to old partners such as Russia and Israel, but Turkey seeks new partners in other parts of the World. The internal situation in Turkey can somehow be compared to Russia, but Erdoğan and Putin have different visions for international issues, specially in the Middle East where Russia is backing the Assad Regime in Syria, against the will of Turkish President.
The President Erdoğan as claimed that is people’s will to bring back the death penalty, this is worrying the European Union that with the refugees deal was suppose to revitalise the negotiations of the Turkish accession process. The EU is unable to react as one voice to what is happening in Turkey since the failed coup, the Turkish President declared recently that he is ready to hold a referendum about the membership talks. If the EU membership talks cease, Erdoğan will push Turkey even more to an authoritarian regime and with the death penalty approved many can suffer with this regression, specially the Kurds and the persons connected with the failed coup. EU needs to keep pushing Turkey into its path to a real democracy, otherwise its Turkish people that will suffer.
Turkey is a strange democracy, but still a democracy. The “New Turkey” of Erdoğan has created a new democracy in a Turkish way, for the Turks that support the President, by love or by fear, this is the way to make Turkey a great power again, bringing back all the ideals of the Ottoman Empire. Unfortunately for then, in a globalised world there is no place for the old empires, nowadays cooperation is the new way to improve the links between States and its people. For the opposition and many Westerns this “democracy alla turca” without freedom of speech and respect for the Human Rights is a hidden dictatorship.
The Turkish President will have to choose if he wants to judge the responsible for the failed coup by the rule of law or by its authoritarian power, he will have to choose as well if wants to keep a war against the Kurds or try to bring back peace to his country and last he will have to decide if keeps smashing the opposition voices or will accept that there are Turks who do not agree with his politics. Erdoğan has many internal choices to do while at the international level he decides if the best foreign policy for Turkey is to keep constructive ties with the EU or a new approach to Russia.
Turkey, an important cooperation actor
Turkey is a unique country, that connects European and Asian civilisations, and shares cultural and linguistic proximity with Turkic countries. Turkey has been an example for a number of countries …
by Fábio Lopes Paulos on Feb 05, 2018
The EU border-work in Turkey
Due to their geostrategic location, transit countries, such as Turkey, have been playing a central role in controlling the rise of transnational organised crime (TOC) and migration flows from east/south …
The future of human rights in Turkey
Liberal explanations tend to approach globalisation with liberal democracies and economic growth (Scholte, 2005), where states protect and promote human rights, but illiberal democracies are rising in the globalised world …
Leonidas AsimakopoulosAmbassador for OneEurope in Greece and Cyprus. Passionate about Europe and International & European Law.
Aisling Twomey Writer for OneEurope, particularly interested in human rights, counter terrorism and immigration issues.
Agamemnon Apostolou Agamemnon grew up in Thessaloniki, Greece, and currently lives in London, UK, where he has graduated with a BA degree in Politics & International Relations from the University of Westminster and a MA degree in International Relations from King's College London.
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Details for: The Chorleywood Bread Process
The Chorleywood Bread Process
By: Cauvain, Stanley P .
Contributor(s): Young, Linda S .
Material type: BookPublisher: USA: CRC Press, 2006Edition: 1st.Description: 178 p.ISBN: 0849391318 (hardcover); 9780849391316 (hardcover).Subject(s): Bread Making | Bread Process | Food Science and Human Nutrition DDC classification: 664.7523 Cauvain 20411 1st 2006 Food.Science Summary: The introduction of the Chorleywood Bread Process was a watershed in baking. It sparked changes in improver and ingredient technology, process, and equipment design which have had a profound impact on baking processes and the structure of the industry. Written by two of the world's leading experts on the process, this important book explains its underlying principles and ways of maximizing its potential in producing a wide range of baked products. After a brief review of the basic principles of bread making, the book outlines the development and fundamental characteristics of the Chorleywood Bread Process. The following group of chapters reviews the key steps in the process, beginning with ingredient quality and quantities. Other chapters consider dough mixing and processing. Building on this foundation, the authors then review common quality defects and how they can be prevented or resolved. The book then considers how knowledge-based software systems can help to manage the process. The concluding chapters review the range of bakery products that can be produced using the process, how it can best be applied in different kinds of bakery and likely future developments. The Chorleywood Bread Process will be a standard work for all bakers around the world wishing to maximize the potential of the process, and for scientists, technologists, and students wanting a better understanding of the process and its place in commercial bread making.
Food Sci. & Human Nutrition Veterinary Science 664.7523 Cauvain 20411 1st 2006 Food.Science (Browse shelf) Available 20411
The introduction of the Chorleywood Bread Process was a watershed in baking. It sparked changes in improver and ingredient technology, process, and equipment design which have had a profound impact on baking processes and the structure of the industry. Written by two of the world's leading experts on the process, this important book explains its underlying principles and ways of maximizing its potential in producing a wide range of baked products. After a brief review of the basic principles of bread making, the book outlines the development and fundamental characteristics of the Chorleywood Bread Process. The following group of chapters reviews the key steps in the process, beginning with ingredient quality and quantities. Other chapters consider dough mixing and processing. Building on this foundation, the authors then review common quality defects and how they can be prevented or resolved. The book then considers how knowledge-based software systems can help to manage the process. The concluding chapters review the range of bakery products that can be produced using the process, how it can best be applied in different kinds of bakery and likely future developments. The Chorleywood Bread Process will be a standard work for all bakers around the world wishing to maximize the potential of the process, and for scientists, technologists, and students wanting a better understanding of the process and its place in commercial bread making.
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Home INTERVIEWS ALL VIDEOS
PROJECT CAMELOT: SCOTT BENNETT : CIA, SWISS BANKS FUND ISIS
Discussion of the book SHELL GAME: A Military Whistleblowing Report to the U.S. Congress Exposing the Betrayal and Cover-Up by the U.S. Government of the Union Bank of Switzerland-Terrorist Threat Finance Connection to Booz Allen Hamilton and U.S. Central Command
By 2LT Scott Bennett 11th Psychological Operations Battalion (retired)
Part of the reason behind Eric Holder’s immediate retirement.
BACKGROUND OF SPEAKER:
Scott Bennett is a U.S. Army Special Operations Officer (11th Psychological Operations Battalion, Civil Affairs-Psychological Operations Command), and a global psychological warfare-counterterrorism analyst, formerly with defense contractor Booz Allen Hamilton.
He received a Direct Commission as an Officer, held a Top Secret/Sensitive Compartmentalized Information (TS/SCI) security clearance, and worked in the highest levels of international counterterrorism in Washington DC and MacDill Air Force Base in Tampa, Florida. He has worked at U.S. Special Operations Command, U.S. Central Command, the State Department Coordinator for Counterterrorism, and other government agencies. He served in the G.W. Bush Administration from 2003 to 2008, and was a Social Science Research Fellow at the Heritage Foundation. His writings and lectures seek to enhance global awareness and understanding of modern psychological warfare, the international intelligence.
projectcamelotportal.com/video-library/2287-whistleblower-interview-re-cia-funding-isis
Kerry Lynn Cassidy
PROJECT CAMELOT
projectcamelot.org
Previous articleOctober 1-3rd: Three Live BROADCASTS
Next articlePSY OP WHISTLEBLOWER: SCOTT BENNETT INTERVIEW
KERRY’S UPDATE: JULY 12TH
ARFON JONES: TANNYOKY ET ENCOUNTER – IRELAND
EARTHQUAKES: REAL AND MAN-MADE
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Carolyn Cole / Los Angeles Times
Film: North side of the 6800 block of Hollywood Boulevard
Born March 21, 1962 in New York, NY
Matthew Broderick first gained fame during his run in the off-Broadway play “Torch Song Trilogy.” A positive review from the New York Times theater critic boosted Broderick’s stage career, which led to starring roles in Neil Simon’s plays “Biloxi Blues” and “Brighton Beach Memoirs,” a role for which he won his first Tony award.
In the early 1980s, Broderick began appearing in films, including the thriller “WarGames.” But it was his role as Ferris Bueller, a Chicago teenager who loves to skip school in “Ferris Bueller’s Day Off” that turned the Broadway star into a 1980s film icon. Broderick went on to appear in the dark comedies “The Cable Guy” and “Election.” He also supplied the voice of the adult Simba in Disney’s animated hit “The Lion King.”
On stage, Broderick won a second Tony award for starring in the musical “How to Succeed in Business Without Really Trying” and appeared alongside Nathan Lane in Mel Brooks’ Broadway adaptation of his film “The Producers.”
In 1987, Broderick was driving a rented car in Ireland when he swerved into the wrong lane and collided with another car, killing both of its occupants. He pleaded guilty to the charge of careless driving and paid a fine.
Broderick married actress Sarah Jessica Parker in 1997. The couple has a son and twin daughters.
— Patrick Kevin Day for the Los Angeles Times June 16, 2010
Broderick: 'Help! I'm Trapped In My Teens'
From Broadway to Biloxi
Matthew Broderick Finds That Being a 'Terrific Reactor' Pays Off
A Little Song, a Little Dance
Tony Winners
Share a thought about Matthew Broderick
Did you ever meet Matthew Broderick? Share your memory.
Which other stars on the Hollywood Walk of Fame have connections to Matthew Broderick?
Are other places in the world important to Matthew Broderick?
Does Matthew Broderick deserve this star on the Hollywood Walk of Fame?
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Thomas Meighan
TV: West side of the 1700 block of Vine Street
Born April 9, 1879 in Pittsburgh, PA
Died July 8, 1936 of pneumonia in Great Neck, NY
Thomas Meighan was Pittsburgh's gift to a motion-picture public that liked its heroes on the strong-arm side.
He was handsome, stood 6 feet 1, carried his roles easily and had a fine sense of humor easily translatable into pantomime in the days before the screen found a voice.
Success attended his efforts on the stage before his entry into motion pictures in 1916, but the work that made him an actor for the American public was a film called "The Miracle Man." It was a story about crooks redeemed from sin and from the moment of its release proved a box-office smash.
In the days of the silent pictures, Meighan made his stake with such films as "The Fighting Hope," "M'Liss," "The Heart of Wetona," "The Prince Chap," "The City of Silent Men," "A Prince There Was," "The Bachelor Daddy" and numerous others.
At one time Meighan was reputed to draw one the more fabulous salaries in Hollywood, $10,000 a week. That figure, published in 1925, was heralded as a high mark for the film industry.
Of late years his screen work had been spasmodic. He was idle almost two years, from 1929 to 1931, before returning to Hollywood to face the cameras and another long period of inactivity followed before he made his last film, "Peck's Bad Boy" in 1934.
— Los Angeles Times July 9, 1936
Silent Screen Stars
One thought about Thomas Meighan
yes, Thomas meighan deserves a star on the Hollywood walk of fame
” — nels Sandberg, February 4, 2014 at 12:51 p.m.
Share a thought about Thomas Meighan
Did you ever meet Thomas Meighan? Share your memory.
Which other stars on the Hollywood Walk of Fame have connections to Thomas Meighan?
Are other places in the world important to Thomas Meighan?
Does Thomas Meighan deserve this star on the Hollywood Walk of Fame?
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Newmilns Tower
Newmilns and Greenholm is a small burgh in East Ayrshire, Scotland. It has a population of 3,057 people (2001 census) and lies on the A71, around seven miles east of Kilmarnock and twenty-five miles southwest of Glasgow. It is situated in a valley through which the River Irvine runs and, with the neighbouring towns of Darvel and Galston, forms an area known as the Upper Irvine Valley (locally referred to as The Valley). As the name suggests, the burgh exists in two parts - Newmilns to the north of the river and Greenholm to the south. The river also divides the parishes of Loudoun and Galston, which is why the burgh, although generally referred to as Newmilns, has retained both names.
Newmilns means "the new mills", from Old English niwe "new" and myln "mill", the name being recorded as Nawemeln in 1126 - the plural Newmilns is a recent addition.
At the end of the 16th century, refugees from France and Flanders settled in Newmilns, bringing with them skills and techniques in lace making. Most houses had a loom by the end of the 18th century. The introduction of the power loom in the late 19th century marked the beginning of the golden years for the lace industry in Newmilns. By the end of the Second World War, there were 12 lace and madras factories in Newmilns. The importance of lace is reflected in the architecture of public buildings in the town centre, such as Lady Flora's Institute and the Morton Hall.
The subsequent decline of lace making in the town, due to growing competition from overseas, led to a decline in the fortunes of Newmilns. Town centre buildings fell into disrepair and an aura of dereliction and depression led to historic properties becoming uninhabitable, roofless or being demolished. From 1999 to 2005 a Heritage Lottery Fund-supported project known as the Newmilns Townscape Heritage Initiative carried out extensive building restoration and renovation works, including the environmental improvement of open space and waste ground in Newmilns and reinstatement of architectural detail and features.
Newmilns Tower (which once had impressive gardens and orchards surrounding it), was erected in the centre of the town about 1525 by Sir Hugh Campbell, Earl of Loudoun. Newmilns Tower was built following the destruction of Loudoun Castle by the Kennedys of Culzean, during which Sir Hugh's wife and nine children were all killed. The attack was apparently in retaliation for the role Sir Hugh had played in the murder of a kinsman of the Kennedys. The Earls of Loudoun continued to reside at Newmilns Tower until 1615. It is sometimes suggested that the Earls of Loudon later built what is now the Loudoun Arms as a town house.
Newmilns Tower saw further use in the religious wars of the mid 1600s as a prison for Covenanters. Some of the prisoners held here were freed in a raid on the tower, but at least one was killed during the escape.
The tower was fully restored by the Strathclyde Building Preservation Trust in the 1990s and is now a privately owned residence.
darvel galston irvine valley lace newmilns
Venus Over Irvine
Funstuff Cool Ayrshire
I got home tonight at about 8 pm at the end of what has been a very clear day. The kind of day that just about suggests that winter is over. The skies are still clear now and the stars are looking great as they almost always do up here in the hills. So, lately Ive been experimenting with my camera. Its a Panasonic Lumix DMC-TZ40. It seems like its quite a good camera. It takes great shots and seems to have loads of gizmos and functions. One of the functions I've been intrigued with lately is the one where it takes a long exposure shot of the night sky. You need to hold it really still or it just produces a mess so I've lately taken to just putting it down on something to take a picture as I dont have a tripod.
I took this picture from my upstairs windowsill looking west over Kilmarnock and Irvine and, if it wasnt so dark youd see Arran out there over the water. The resulting picture looks pretty good.
arran irvine kilmarnock lumix panasonic photography venus
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Sister Stanislaus Kennedy
NSI Humanitarian 2012
The NSI Humanitarian Award (Formerly the Robert Emmet Medal) is awarded every two years to an individual or organisation that has displayed selfless humanitarianism in an Irish context.
The 2012 award was presented to Sister Stan Kennedy at St. Catherine’s Church on Thomas Street, the site of Robert Emmet’s execution in 1803, on Sunday the 4th of March 2012.
Sister Stan was honoured for her tireless work for others and in particular for her efforts in establishing organisations such as Focus Ireland and the Immigrant Council of Ireland.
Members of the society voted to present the 2016 award for humanitarianism to our Patron, Senator David Norris. The award will be presented at a ceremony in September, details will be posted soon.
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DMC Session 02: Participatory Platforms
Participatory Definitions
"to join in, to take part, to involve oneself"
http://en.wiktionary.org/wiki/participate
To 'partake of' something else..
(as you partake of food – people all eating from the same bowl – partaking of the source)
To 'partake in'
(to make your contribution – acceptance of your participation)
In ownership terms, it can mean sharing something in common with others.
It is also a synonym for profit sharing.
In social, economical and political terms, it suggests the ability to directly engage in decision-making..
i.e. "in decisions directly proportional to the degree that particular decision affects him or her. Those not affected by a decision would have no say and those exclusively affected by a decision would have full say. Likewise, those most affected would have the most say while those least affected would have the least say".
http://en.wikipedia.org/wiki/Participation_%28ownership%29
http://en.wikipedia.org/wiki/Participation_%28decision_making%28
David Bohm's ideas of 'Participatory Thought'
David Bohm (2004), 'Participatory Thought and the Unlimited', On Dialogue, Routledge Classics, Oxon.
He says..
Early Human / Indigenous Cultures: “people felt that they were participating in some of the things that they saw – that everything in the world was participating, and that the spirit of things was all one.”
People today(in Western Philosophical Tradition): “We've developed a more objective kind of thought which says, “We want to have thought which says 'We want to have a thought about something where we don't participate, where we think about it and know just what it is.”
These are different ways to think.
p.66-67
Literal Thought fragments and Participatory Thought brings together
“Society is not an objective reality – period. It is a reality created by all the people through their consciousness”
Participation in the context of Art
References from
Claire Bishop, Ed. (2004), Participation: documents of contemporary art, MIT Press, Cambridge, MA
'social dimension of participation': the history of artistic practices since the 1960s “that appropriate social forms as a way to bring art closer to everyday life”
longer historical trajectory..
folk performances?
Accordining to Bishop,
“Most important precursors for participatory art took place around 1920. The Paris 'Dada-Season' of april 1921 was a series of manifestations that sought to involve the city's public, the most salient being an excursion to the church of St Julien le Pauvre which drew more than 100 people despite the pouring rain. A month later, Dada artists and writers held a mock trial of the anarchist author turned nationalist Maurice Barrès, in which members of the public were invited to sit on the jury. André Breton coined the phrase 'Artificial Hell' to describe this new conception of dada events that moved out of the cabaret halls and took to the streets.
At the other extreme from these collaborative (yet highly authored) experiences were Soviet mass spectacles that sublated individualism into propogandistic displays of collectivity. The Storming of the Winter Palace (1920) for example, was held on the third anniversary of the October Revolution and involved over 8,000 performers in restaging the momentous events that led to the Bolshevik victory.”
Nikolai Evreinov: 'The Storming of the Winter Palace' (1920)
“The 1917 Bolshevik Revolution in Russia brought with it a desire for art and performance to break out of galleries and theatres onto the street. In attempting to determine the role of the arts in post-Tsarist Russia, artists were particularly preoccupied with the question of the utility of art, constructing the arts as relevant and vital to daily life. Under the Soviet system, cultural movements sought to become useful agents of the Revolution.
This motivation is reflected in the artistic activities of groups such as Proletkult (Proletarian Culture), who played a dominant role in post-Revolutionary popular theatre between 1917 and 1920. Amongst the many activities intended to bring theatre into popular life, Proletkult placed a particular emphasis on the mass spectacle. These open-air productions took place across Russia and featured thousands of participants and spectators.
Nikolai Evreinov's 1920 production The Storming of the Winter Palace is a good example of one such event. Staged outside the Winter Palace in St. Petersburg, the performance featured approximately 10,000 performers and was attended by 100,000 spectators who witnessed a theatricalised re-enacting of the events of October 1917.”
From: http://prism.palatine.ac.uk/resources/view/77
“'The Storming of the Winter Palace' was directed by the famous theatrical professional Nikolai Evreinov and was subtitled a "mass action." This indeed it was, as the list of actors required for the right side of the "stage" (the production took place outdoors on the steps of and square adjacent to the former Tsarist palace in which the provisional government officers were meeting when the Bolshevik takeover occurred): 125 ballet dancers, 100 circus people, 1,750 supernumeraries and students, 200 women, preferably students, 260 secondary actors, and 150 assistants. Props included flags, tanks, armored cars, etc. Spectacles such as these were not merely designed to commemorate Soviet power. They were meant to usher in a new kind of theater, one in which the distinction between actor and spectator was broken down.”
http://max.mmlc.northwestern.edu/~mdenner/Drama/images/new_images/stormingWP1_lg.jpg
http://max.mmlc.northwestern.edu/~mdenner/Drama/plays/agit/agit1.html
More pictures: http://homepages.tesco.net/~theatre/tezzaland/webstuff/storming.html
http://www.marxists.org/reference/archive/dimitrov/works/1920/russian.htm
“The Second Storming of the Winter Palace in 1920”
My example for what I call a mimetic re-enactment of the revolution is the 1920 mass-spectacle celebrating the third anniversary of the Storming of the Winter Palace. It was directed by Nikolai Evreinov, whose main target as a director, like in the case of Julian Beck, was to merge theatre into life. But this mass spectacle would go beyond the scope of all previous revolutionary festivities, involving 500 musicians in the orchestra, 8000 "actors" and 100.000 spectators who, as spectators, would in a sense also be participating by playing themselves, the revolutionary masses. Even the Winter Palace itself was to be be involved as a gigantic actor and emotional character in the play. So how do we have to imagine the whole spectacle? Let me quote from an article of November 30, 1920:
"…. Towards evening the rain died down and the inhabitants of St Petersburg arrived, perhaps not in the number that had been expected, but none the less, at an approximate estimate, at least thirty thousand. And this whole mass of people, who had streamed in from all sides of the city, stood with its back to the Winter Palace, facing the arch of the General Headquarters, where a huge stage had been constructed, consisting of two platforms - a white and a red - connected by a bridge and filled with structures and scenery … representing factories and enterprises on the red platform and a 'throne room' on the white platform.
At 10 o'clock a gun boomed and the commander's platform attached to Alexander's Column gave the signal to start. The arched bridge flashed and eight trumpeters gave an introductory fanfare. Then they vanished again into the darkness. In the silence Litolf's "Robespierre", performed by the symphony orchestra of the Political Administration of the Petrograd Military District, sounded splendid. And the show began.
It proceeded alternately on the white platform, the red or on the bridge between them.
The characters on the white platform were Kerensky, the provisional Government, dignitaries and grandees of the old regime, the women's batallion, the junkers, bankers and merchants, front-line soldiers, cripples and invalids, enthusiastic ladies and gentlemen of a conciliatory type.
The red platform was more 'impersonal'. There it was the mass that reigned, first drab, foolish and unorganised, but then increasingly active, orderly and powerful. Roused by 'militias', it turned into the Red Guard, made fast with crimson banners.
The action was built on the struggle between the two platforms. It began with the Bolshevik June uprising and ended with the square on which the fate of the powerless ministers was decided.
The bridge between the two worlds was the arena of their clashes. This is where people fought and killed, here people triumphed and from here they retreated.
The first light that illuminated the whites showed their triumph in caricatured form. To the strains of the 'Marseillaise', arranged as a Polonaise, Kerensky appeared before the expectant ladies and gentlemen. The actor who played Kerensky, dressed in the characteristic khaki, captured the premier's gestures very well and provoked particular attention among the crowd…
But meanwhile the revolution continued… The red platform became more organized after suffering losses; troops went over to the side of the 'Leninists'. And the ministers sitting at a table peacefully in their top hats, rocked amusingly in their seats, like little Chinese idols.
Then came the moment of escape and vehicles started rumbling near the steps leading down from the white platform to the wooden pavement.
There they rushed, caught by the beam of a searchlight, and artillery roared. The air resounded with the volleys fired from the Aurora, anchored on the Nevy, the rattle of rifles and machine guns.
Then the action transferred to the Winter Palace. Light would flash on in the windows of the sleeping giant and the figures of the people fighting would be visible. The attack ended. The Palace was captured. The banner of the victors appeared deep purple out of the darkness above the palace. Five red stars lit up on the pediment. Then rockets went up and diamond-like stars lit up the sky, and waterfalls of fireworks gushed down in a rain of sparks.
The 'Internationale' sounded and the parade of the victors began, illuminated by the searchlight and fireworks…
This is a general outline of what the spectators gathered on Uritsky Square witnessed in the course of an hour and a quarter."[*]
Now, this spectacle was taking place at Uritsky Square in front of the Winter Palace, but was there in any way a public space emerging, public in the strict political sense? Another contemporary observer did express this hope by saying that perhaps this was: "the beginning of a new road, a road which will lead across the square to the theatre of the future, and which may lead us back to the long forgotten Greek agora."[**] But he hoped in vain, for if the public in the radical sense is a public established by the event of antagonism, then a mere "representation" or restaging of that founding moment will not do the trick - the reason for this being, as simple as it may sound, that the dramatization of the storming is not the storming. And what is even more important, the staging of antagonism is not antagonism - as antagonism itself is, as we saw in Laclau, simply "unstageable", unrepresentable. Rather, we encounter a quasi-mimetic representation of antagonistic conflict, represented by the struggle between the red stage and the white stage, and a mimicry of the public, that is to say a quasi-public.
Maybe the place within Evreinov's arrangement which comes closest to the public in the radical sense of antagonism is the bridge as that which separates and simultaneously connects the two opposing forces. But as a bridge it still remains within field of representation. And as a representational device it can be translated easily from theatre into very different artistic genres. For instance into sculpture, as in Nikolai Kolli's "The Red Wedge cleaving the White bloc", exhibited on Moscow's Revolution Square at the occasion of the First Anniversary of the Revolution in 1918. Or into other media like posters, as in El Lissitzky's famous poster for the Western Front of 1920: "Beat the Whites with the Red Wedge". Abstract as this may be, it is still representational - representing the Civil War between Whites and Reds - and its meaning is more than plain.”
From: Oliver Marchart, Staging the Political
(Counter-)Publics and the Theatricality of Acting, (2004).
http://www.republicart.net/disc/publicum/marchart03_en.htm
[*] quoted in Vladimir Tolstoy, Irina Bibikova, Catherine Cook: Street Art of the Revolution. Fetsivals and Celebrations in Russia 1918-33, London: Thames and Hudson, 1990.
[**] quoted in Robert Leach: Revolutionary Theatre, London and New York: Routledge 1994, p.49.
Allan Kaprow: Notes on the Elimination of the Audience (1966)
“The emergence of Happenings in New York in the lates 1950s was in part a response to the general expressionism of Jackson Pollock's paintings. Allan Kaprow sought from the Happenings a heightened experience of the everyday, in which viewers were formally fused with the space-time of the performance and thereby lost their identity as audience.”
(Bishop, p.102)
“Happenings, a term coined by Allan Kaprow in the late 1950s, define an art form in which an action is extracted from the environment, replacing the traditional art object with a performative gesture rooted in the movements of everyday life.” (www.moca.org/kaprow)
“It follows that audiences should be eliminated entirely. All the elements – people, space, the particular materials and character of the environment, time – can in this way be integrated. And the last shred of theatrical convention disappears..” (Kaprow, 1966)
http://en.wikipedia.org/wiki/Allan_Kaprow
http://www.ubu.com/historical/kaprow/index.html
http://www.moca.org/kaprow/index.php/2008/02/14/what-is-a-happening/
For example, reconstruction of 'Giveaway' (1969/2008)
http://www.youtube.com/watch?v=e4EdViFltgc
For example, reconstruction of 'Labor Day' (1971/2008)
http://www.moca.org/kaprow/index.php/category/labor-day/
Joseph Beuys: I am Searching for Field Character (1973)
Notes on Beuys by Randall Packer
http://www.zakros.com/jhu/apmSu03/notes_beuys.html
Adrian Piper: Notes on Funk I (1983)
Funk Lessons (extract)
Carsten Höller: The Baudouin/Boudewijn Experiment: A Deliberate, Non-Fatalistic Large-Scale Group Experiment in Deviation (2000)
http://www.nettime.org/Lists-Archives/nettime-bold-0109/msg00168.html
Jeremy Deller: The Battle of Orgreave (2002)
ECE-5: The Battle of Orgreave: On Re-enactment and Protest
http://www.youtube.com/watch?v=3gRgaXib0Sc
BBC news Miners strike picketts fight police 1984
http://www.youtube.com/watch?v=HUapdI7_KCg
The battle of Orgreave
http://www.youtube.com/watch?v=m5x1Mxxbg9Q
The Miners Strike & The Bloody Battles Of Orgreave
http://www.youtube.com/watch?v=2kqbxyjAB7Q
Break 15mins
A raised stage from which speeches are made and songs are sung.
A political stance on a broad set of issues, which are called planks.
A raised structure from which passengers can enter or leave a train.
(automobiles) A set of components shared by several vehicle models.
(computing) A particular type of operating system or environment such as a database or other specific software, and/or a particular type of computer or microprocessor, used to describe a particular environment for running other software, or for defining a specific software or hardware environment for discussion purposes.
http://en.wiktionary.org/wiki/platform
Historical and political term
"In a historic and political sense a *platform* means a program, an outline of theories or beliefs, future prospects and organisational guidelines on which a number of people can agree. An early example of such usage of the term can be found in a pamphlet entitled 'Organisational Platform of the Libertarian Communists' published by a group of Russian Anarchists, Dielo Trouda (Workers' Cause), in exile in 1926, which set out to establish a number of common ideas and working principles.
Since then, a 'plaform' generally meant a set of resources that could be material, organisational or intentional, which inscribed certain practices and approaches in order to develop collaboration."
Gourynova, Olga (2007). Art Platforms: the constitution of cultural and artistic currents on the internet, DA thesis, TaiK, Helsinki. p12.
Organizational Platform of the General Union of Anarchists
http://www.anarkismo.net/newswire.php?story_id=1000
Participatory Platforms also known as web 2.0
A renewal of the usage of the 'platform' term is noted by Gourynova, originating from Tim O'Reilly's article where he describes "the (new) web as platform".
"Web 2.0, is an umbrella term, that has even been claimed as a trademark, designed to address the diversity of platforms enabling Internet users to participat, exchange, link, map, upload, post, and comment, - all in all, to create online within a certain social dimension.
Web 2.0 was coined by O'Reilly Media in 2004 to market the rising phenomena of online collaboration, sharing and communication with the interfaces of wikis, blogs, collaborative mapping or tagging platforms."
Gourynova, Olga (2007). p153.
Shift in technical production of online content.. platforms support anyone creating, uploading and editing data within the browser, without the need of own desktop software, HTML, ftp or server capacities.
However the term has been criticised for being merely a technical upgrade..
"what the Web was supposed to be all along" as WWW pioneer Tim Berners-Lee said.
"The term 'Web 2.0' was created as a business slogan, a logo, so it came as little surprise to hear that O'Reilly had applied for a patent on Web 2.0 as a trademark in 2003. The patent was pending the whole time O'Reilly was promoting it as a generic term. Despite the term's poverty, its success subsumes all the attempts to talk about social software, a participatory web, collective creation and other, different and pre-existing models."
What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software
http://www.oreillynet.com/pub/a/oreilly/tim/news/2005/09/30/what-is-web-20.html
Convergence Culture
Henry Jenkins says:
Convergence culture “occurs when people take media into their own hands…”
“extension”: their efforts to expand the potential markets by moving content across different delivery systems
“synergy”: refers to the economic opportunities represented by their ability to own and control all of those manifestations
“franchise”: refers to their coordinated effort to brand and market fictional content under these new conditions
http://www.henryjenkins.org/2006/06/welcome_to_convergence_culture.html
Jenkins, Henry (2006), Convergence Culture: Where Old and New Media Collide, NYU Press, New York.
http://www.nyupress.org/books/Convergence_Culture-products_id-4756.html
Authors@Google Talk by Henry Jenkins, November 5, 2007 at Google in Cambrige, MA.
http://www.youtube.com/watch?v=FbU6BWHkDYw
Art Platforms
"[A]n art platform is a web platform that solicits, induces and contributes to the creation and development of a cultural or artistic practice. It may indeed provide its major technical, cultural and communicative infrastructures and manifestations.
An art platform is aimed at supporting and stimulating creative initiatives and work, and it provides a possibility for the continuous exhibition of artefacts, often accompanied by reactions to them, variously framed and working as productive feedback and as a distinction mechanism. Serving as a quality reference pool, an art platform builds upon a history of a practice, creating a context as well as enabling its current developments, adding a social development to creative work. Sometimes there is also a set of instruments for particular kinds of creative work available. An art platform also often puts efforts into translating digital creative processes to offline or more official cultural scenes. Different ways of establishing connections between cultural movements of different times and orders may also be developed. Most art platforms organise (ir)regular 'real-life' gatherings such as festivals, concerts, workshops or those of a less formal nature.
Art platforms can be clearly differentiated from archives and databases aimed at collecting and historicising media art.. Such archives are attempts to document and preserve digital forms of art, aimed at constructing durable systems of contexts and links, at building histories by selected theorists or artists. While classifying and preserving digital media art is an immense topic in itself, that produces radicially different experiments, archives and databases of art that tend to work primarily with the catergories of the past, future, art, theory, education, museum, collection, exhibition, and others. In contrast to that, art platforms focus on the living practices in their blurry and 'dirty' forms and aim at mapping widest possible assemblages of radical ideas, unknown territories, and invisible practices in their becoming."
Gourynova, Olga (2007). Art Platforms: the constitution of cultural and artistic currents on the internet, DA thesis, TaiK, Helsinki. p12-14.
Gourynova, Olga (2007. Swarm Forms: On Platforms and Creativity. MUTE Magazine Vol 2 #4, January 2007: http://www.metamute.org/en/Swarm-Forms-On-Platforms-and-Creativity
New Climates for Curatorial Practice: Exhibiting Art Across Distributed Networks
http://shanebrennan.net/climate/curatorial-essay/
Differentiating from 'Web 2.0' interpretations of platform..
Art Platforms: single-interface vs Participatory Platforms: multiple-interface
~single interface platforms ~multiple interface platforms
navigate through taxonomy, common staircase; centralised navigate through personal pages, comments, links; decentralised
common theme, construction of cultural trend common type of activity
administration: control over the development of the entire system administration: maintaining the overall healthy functioning
adminstrator: curator filtering, following “personal” ideas administrator: police, following the “rules”
visitor: researching the entire resource/researching a cultural current visitor: researching individual pages, opinions, results of creative activities
user: developing an artistic current, cultural practice user: optimising personal life, participating, creating, expressing
product: created on the desktop product: created in the browser window (not always)
usually small-scale usually large
"Single-interface platforms have a single entrance, a point of concentration, of maximum understanding of the resource. Such an interface may include a list of categories, whether a quite straight-forwards toxonomic database interface.. If you visit a multiple interface platform there is no homepage or main entrance for everyone. In the blogosphere, you navigate through personal blogs, through photographs and cross-references, by means of usernames, friends, comments and links. Although banal, this distinction reveals a further, more fundemental one: single interface platforms are devoted to a single 'theme', a shared aesthetic, creative, and political horizon.
If, on multiple interface platforms, there are tools that help maintain the 'healthy' functioning of the system (for instance, 'abuse teams' in the case of blogs), with single interface platforms there is a need for moderators who are responsible for the development of the interface, which in fact means certain control over the content development of the entire system.
Such centralisation renders moderation very crucial, and is far from being 'automated curation'. It is taste-based individualised decision-making processes developed over time. Precise moderation, especially at the beginning, and the considered construction of a system is nessesary to the survival of the platform and success of the current. Moderation, together with the users' input, helps develop the cultural movement and its discourse.
Multiple interface platform users visit selected pages. With singular interface platforms. the user, interested in the current the platform is devoted to, can explore the entire database. Contributing to such a platform, the user enters and co-creates a content rich context. With such platforms it is possible to develop an artistic movement, to add some missing elements to a creative activity, giving it a theoretical, social or political dimension.
If the major quality of 'Web 2.0' platforms is delivering desktop-like applications in the browser window, which allows the possibility of creating data online, art platforms work with artefacts created over some significant period of time, with the use of various instruments, in a fashion similar to 'professional' artist' work."
Gourynova, Olga (2007). p156-157.
Run Me Software Art Repositary
http://runme.org/
However Gourynova notes that the actual difference between 'Art Platforms' and 'Participatory Platforms'..
In terms of how and what they (can) potentially produce, they use similar strategies, do complement each other, especially with the common "possibility of some genuine cultural and artistic production exist[ing] against a climate of mistrust on the part of researchers and intellectuals over the quality of the creative product produced on Internet platforms"…
"My claim in this respect is that. contra the critics of social network-based knowledge, the creativity of users across different kinds of platforms are, from digital folklore, the amateur, the creative and liberating practices of everyday life, subcultural expressivity, and graphorrhea to artistic production, capable of producing 'orginal' results, especially if certain human-mechanical mediations help channel the process not in the manner of 'limiting the power of the majority', but in terms of allowing for better expression, for self-unfolding of a diversity of concepts, practices, hierarchies, and values. Such potentials in fact also help re-create the figure of the intellectual. It is a figure that re-vitalises the zombie of the traditional intellectual specialist, making it more 'autonomous' and at the same time more intricately connected to production and the economy"
While traditional centres of knowledge are being challenged, due to their incorporation into corporate, business or political ambitions (eg. privatisation of universities), many internet users are gaining a new position, "fighting for a 'fairer' space or principle, trying to re-estabilsh creativity and autonomy through human-technical systems."
Pit Schultz:
"Power users are the organic intellectuals who work between the frontiers on social implementations of upcoming standards, and expand and test their acceptability. They also socially develop new work disciplines, job models and cultural killer applications. The model of legitimation of the double bind of this emerging hacker class is symptomatic for the rest of society. In order to modulate and redirect power relations, the power user has to legitimate her access to power as a critical one. By referring to the forces of technical revolution and the crisis it led to, she is better on tactical reformism as an opportunity for individual freedom. At the centre of this double bind between technology and capitalism stands the relation to property and authorship, in which the power user works both on her own dissolvement as well as re-establishment."
http://www.data-browser.net/02/DB02/Schultz.pdf
What are art platforms for?
"Art platforms appear as experimental production and management systems focused on a certain format of cultural practice.. Most often, the cultural or artistic practice the resources chooses to contribute to and represent exists prior to and beyond the art platform in some more or less developed form, sometimes at the borders of art and culture, in 'grey' zones, or in the form of amateur practices. An art platform aims at fostering creativity, supporting, promoting, discovering, defining, shaping the field, contributing to its development, and, in sum, contributing to a more vivid materialisation or crystallisation of a particular artistic or maybe broader - cultural current."
Gourynova, Olga (2007). p15.
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2017 RRP Authorization for the Release of Information Form
PublicDocuments > Office of Housing and Community Development > RERP Home Repair Loan > 2017 RRP Authorization for the Release of Information Form
<br />Authorization for the Release of Information <br />PHA Requesting release of information: <br />County of Hawai`i <br />Office of Housing and Community Development <br />50 Wailuku Drive <br />Hilo, Hawai`i 96720 <br />808/961-8379 <br />Authority: 42 U.S.C. 1437f and 3535(d), implemented at 24 CFR Failure to Sign Consent Form: Your failure <br />982.551(b). to sign the consent form may result in the <br /> denial of eligibility or termination of <br /> assisted housing benefits, or both. Denial of <br />Purpose: In signing this consent form, you are authorizing HUD eligibility or termination of benefits is <br />and the above named HA to request information including but not subject to the HA’s grievance procedures. <br />limited: to identity and marital status, employment income, <br />welfare income, assets, residences and rental activity, Medical <br />or Child Care Allowances, Credit and Criminal Activity. HUD and Sources of Information: The groups or <br />the HA need this information to verify your eligibility for individuals that may be asked to release <br />assisted housing benefits and that these benefits are set at the information include but are not limited to: <br />correct level. HUD and the HA may participate in computer <br />matching programs with these sources in order to verify your <br />eligibility and level of benefits. <br />Uses of Information to be Obtained: HUD is required to protect the Previous Landlords (including PHAs) <br />information it obtains in accordance with the Privacy Act or 1974, Courts and Post Offices <br />5 U.S.C. 552a. HUD may disclose information (other than tax return Schools and Colleges <br />information) for certain routine uses, such as to other government Law Enforcement Agencies <br />agencies for law enforcement purposes, to Federal agencies for Support and Alimony Providers <br />employment suitability purposes and to HAs for the purpose of Past and Present Employers <br />determining housing assistance. The HA is also required to protect Welfare Agencies <br />the information it obtains in accordance with any applicable State State Unemployment Agencies <br />privacy law. HUD and HA employees may be subject to penalties for Social Security Administration <br />unauthorized disclosures or improper uses of the information that is Medical and Child Care Providers <br />obtained based on the consent form. Veterans Administration <br /> Retirement Systems <br />Who Must Sign the Consent Form: Each member of your household who Banks and other Financial <br />Institution <br />is 18 years of age or older must sign the consent form. Additional Credit Providers and Credit Bureaus <br />signatures must be obtained from new adult members joining the Utility Companies <br />household or whenever members of the household become 18 years of age. <br />Consent: I consent to allow HUD or the HA to request and obtain any information from any Federal, State or <br />local agency, organization, business, or individual for the purpose of verifying my eligibility and level of <br />benefits under HUD’s assisted housing programs. I understand that HAs that receive information under this <br />consent form cannot use it to deny, reduce or terminate assistance without first independently verifying the <br />information obtained. In addition, I must be given an opportunity to contest those determinations. <br />This consent form expires 15 months after signed. <br />Signatures: <br />________________________________ _________________ __________________________________ ____________ <br />Head of Household Date Other Family Member over age 18 Date <br />________________________________ _________________ __________________________________ ____________ <br />Spouse Date Other Family Member over age 18 Date <br />________________________________ _________________ __________________________________ ____________ <br />Other Family Member over age 18 Date Other Family Member over age 18 Date <br />Penalties for Misusing this Consent: <br />HUD, the HA and any owner (or any employee of HUD, the HA or the owner) may be subject to penalties for <br />unauthorized disclosures or improper uses of information collected based on the consent form. Use of the <br />information collected based on this form is restricted to the purposes cited above. Any person who knowingly <br />or willfully request, obtains or discloses any information under false pretenses concerning an applicant or <br />participant may be subject to a misdemeanor and fined not more that $5,000. Any applicant or participant <br />affected by negligent disclosure of information may bring civil action for damages, and seek other relief, as <br />may be appropriate, against the officer or employee of HUD, the HA or the owner responsible for the <br />unauthorized disclosure or improper use. <br />2/2004 Original is retained by the requesting organization. <br />6238rbla <br /> <br />
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Palace declares July 6 a non-working holiday for Eid’l Fitr
By Lyza R. Sabornido -
Photo by Suhayla via Wikipedia
President Rodrigo Duterte has issued Proclamation No. 6 declaring July 6, Wednesday, a non-working holiday in observance of the end of Eid’l Fitr or “festival of breaking of the fast.”
Eid al-Fitr is an important religious holiday celebrated by Muslims worldwide that marks the end of the month-long Ramadan. Eid is a day which Muslims are not allowed to fast. It is also the first day of the month of Shawwal.
The proclamation reads:
“The entire Filipino nation should have the full opportunity to join their Muslim brothers and sisters in peace and harmony in the observance and celebration of Eid’l Fitr. In order to bring the religious and cultural significance of the Eid’l Fitr to the fore of national consciousness, it is necessary to declare Wednesday, 6 July 2016, as a regular holiday throughout the country.”
Republic Act No. 9177, signed into law in November 2002 under President Gloria Arroyo, declares the first day of Shawwal, the 10th month of the Islamic calendar, a national holiday for the observance of Eidul Fitr.
However, this day is dependent on the Islamic calendar.
According to RA 9177, “the approximate date of these Islamic holidays may be determined in accordance with the Islamic calendar (Hijra) or the lunar calendar, or upon Islamic astronomical calculations, whichever is possible or convenient.”
In accordance to Republic Act 9177, only the Office of the President can announce the final date for this religious holiday, upon the recommendation of the National Commission on Muslim Filipinos.
Islam is the oldest recorded monotheistic religion in the Philippines. It is also the second most popular religion in the predominantly Catholic Philippines with 11% of the total population as of a census conducted in 2012 report by the National Commission on Muslim Filipinos.
Gloria Arroyo
National Commission on Muslim Filipinos
Republic Act No. 9177
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Lyza R. Sabornido
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Five New Skyscrapers That Will Shape the City’s Skyline
Five New Skyscrapers That Will…
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To this day, the skyline of New York City remains one of the most recognizable visuals worldwide, complete with breathtaking skyscrapers and iconic buildings like the Empire State Building and the World Trade Center.
While the current structures maintain their iconic status, developers and architects continue to push the envelope on constructions and designs—often to cater to an uber-luxury market gone berzerk in recent years. (It was just last year an unknown buyer put down $100 million for a New York City penthouse.)
In fact, on Billionaire’s Row, a short corridor on 57th St., you’ll find new constructions catering to the ultra-rich that in just a short time will add even more glitz to the glamour of the skyline.
From residential to office, here are some of the biggest developments currently under construction that will shape the New York City skyline in the future.
1. “The Nordstrom Tower,” 217 W. 57th St.
Once completed in 2018, this residential skyscraper may or may not become the tallest building in the Wester Hemisphere—a distinction currently held by the former “Freedom Tower,” 1 WTC. The building was expected to stand at 1,795 feet, before Extell Development president Gary Barnett said he would keep the building one foot shorter than the 1 WTC “out of respect.” Nevertheless, the Nordstrom Tower will take the throne as the tallest residential building.
2. 111 W. 57th St.
A cornerstone of the ultra-prestigious Billionaire’s Row, the “world’s skinniest skyscraper” will stand at 1,428 feet, 80-stories tall…but only 60 feet wide. Overlooking Central Park, JDS’ majestic development will house just 60 apartments, ranging from $14 million to as high as $100 million.
3. 200 Greenwich St. or 2 WTC
Part of Larry Silverstein’s World Trade Center redevelopment, construction on the tower’s been idle for a while. With Danish starchitect behind the design, the tower’s expected to stand tall 1,340 feet and 79 stories, making it one of the tallest skyscrapers in the city.
4. Hudson Yards
Though far from its 2019 completion date, Time Warner’s already signed on for close to half of the 92-story building. Sitting by the water, the development has the added advantage of being directly above the brand new 7 train line on 10th Avenue.
5. 53 W. 53rd St.
The 1,050-foot tall 53 W. 53rd St. will complete the ultra-luxury Billionaire’s Row in Midtown. Designed by Jean Nouvel, the 82-story building is currently under construction. There will be 140 condos in the building, with listing prices between $3 million and more than $50 million.
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Marco Malvaldi’s “Game For Five”
by Milano52
booksunlimited
Dec 13, 2015 | 54894 views | 0 | 2915 | | | permalink
Review by Tiziano Thomas Dossena
To read a book that was originally written in Italian and that uses idiomatic expressions with validity and proper impact in the English translation is a special treat that is not quite common to be offered to readers in USA. If we add that the story is a thriller, actually a work of crime fiction, we can safely say that Marco Malvaldi’s “Game for five” is a flawless and successful novel in its genre.
The second book of the Bar Lume series.
For the people who have travelled to Italy and gave themselves the opportunity to eavesdrop into the small talk of shopkeepers, hotel staff and passersby, they will recognize the marvelous balance between crass vulgarity and playfulness that is so common amongst friends in Italy, at every level and class. To those who did not have the opportunity, be aware that the apparent vulgarity of some expressions is not considered so, when used in a friendly fashion, and the protagonists of this story are not unusual people in that aspect.
Taken aside the particularity of the language, which undoubtedly enriches the story with the apparently improper verbal clashes between Massimo, a barkeeper and owner of the Bar Lume, and his steady customers, a quartet of older gentlemen who love to play cards, the story is well-flowing and mesmerizing in its fast-paced presentation of the crime details as they are observed and discovered by Massimo and shared with the friends and the local police Inspector.
Interspersed among the revelations, talks of the proper way and time to drink an espresso or a cappuccino bring a wind of hilarity that manages to make the book even more enjoyable.
This book, which is the first of the Bar Lume series of crime novels, is highly recommended to anyone who loves crime novels, the Italian landscape, its customs and its people.
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You are here: Home / Soundcloud / 2005 / September
New Blog For my Kabbalah & Madonna Class
My new blog for the Kabbalah & Madonna class is ockabbalah.blogspot.com
This is a Talit class for 11 and 12 grade students, through the BJE of Orange County.
cript async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js">
The Aduioblog of the class will be live by the end of the week.
Stay tuned Best wishes!
September 26, 2005 /0 Comments/by rabbiyonah
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30 minutes to get you ready for the Jewish New Year
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Open Letter To Our Friend The Govenator
I just signed this petition to Gov. Arnold to show my concern, sadness, and anger, at the treatment of Jewish students in this state. This petition has been initiated by Professors Leila Beckwith of UCLA and Ilan and Tammi Benjamin of the University of California-Santa Cruz who head the Scholars for Peace in the Middle East Chapter at UCSC. The petition has been endorsed by the Scholars for Peace in the Middle East Board of Directors. For more information on Scholars for Peace in the Middle East, go to www.spme.net
To: Governor of California, University of California and California State University Officials
Open Letter to the Governor of California, University of California Board of Regents, Board of Trustees of the California State Universities, Chancellors of the University of California, and the Presidents of the California State Universities.
Jewish students feel increasingly intimidated on University of California and California State University campuses for openly expressing support for Israel and Zionism. Virulent anti-Israel and anti-Zionist rhetoric in the classroom, and in the curricula, and in campus events fuels a hostile and potentially anti-Semitic environment throughout the University of California and California State University systems. The one-sided and often inaccurate presentation of the Israel/Arab conflict by faculty and guest speakers is inconsistent with a university’s mission of pursuit of the truth through critical inquiry and diversity of ideas.
As the preamble to the Faculty Code of Conduct at the University of California (Academic Personnel Manual APM-015) states: The University seeks to provide and sustain an environment conducive to sharing, extending, and critically examining knowledge and values, and to furthering the search for wisdom.” One-sided anti-Israel propaganda violates those goals.
The problem of Jewish students being intimidated in the classroom and on the campuses of the University of California and California State University was recognized by Governor Grey Davis in a letter in June 2002 to President Atkinson of the University of California and to Chancellor Reed of the California State University system. In this letter, Governor Davis stated his concern about anti-Semitism on California campuses and asked for a system-wide, comprehensive plan.
He also specifically asked for a review of course descriptions to insure that they are “forums for intellectual inquiry and not vehicles for discrimination, intimidation and hate.” Unfortunately, despite Governor Grey’s directive, the problem continues to date.
We therefore, respectfully urge the administration at the University of California and the State University of California:
1) To review in 2005-2006 course descriptions and course materials in the Humanities, Social Sciences and other curriculums in which issues are raised about Israel and Zionism, whether central or peripheral to the course description, to ensure that by 2006-07, “courses are forums for intellectual inquiry” and that the full range of scholarly views about Israel and Zionism is presented, e.g. including issues of freedom of religion, and rights of women, gays, Muslims/Arab citizens. When academic units sponsor or co-sponsor outside speakers, the academic units also should ensure that the full range of scholarly views are presented.
2) To develop in 2005-06 and implement in 2006-07 academic studies that engage in critical inquiry and educate students about post-Holocaust contemporary anti-Semitism.
3) To ask that beginning in 2006-07, the respective Deans of Humanities, Social Sciences and other academic divisions, submit an annual written report on the implementation of the above two recommendations.
This petition has been initiated by Professors Leila Beckwith of UCLA and Ilan and Tammi Benjamin of the University of California-Santa Cruz who head the Scholars for Peace in the Middle East Chapter at UCSC. The petition has been endorsed by the Scholars for Peace in the Middle East Board of Directors. For more information on Scholars for Peace in the Middle East, go to www.spme.net
The Undersigned
http://rabbiyonah.com/wp-content/uploads/2013/04/cropped-RabbiYonahbookCover11.jpg 0 0 rabbiyonah http://rabbiyonah.com/wp-content/uploads/2013/04/cropped-RabbiYonahbookCover11.jpg rabbiyonah2005-09-15 08:07:002005-09-15 08:07:00Open Letter To Our Friend The Govenator
From Southern California Student to Homegrown Al Queda Jihadist
During the last year we watched dozens of Southern California Muslims students become radicalized under the guidance of radical imams. Some of these so-called religious leaders are African American converts, and some are middle-east born. And while very few administrators take this problem to be serious, they should. ABC news has just released this video of Adam, the American Al Queda Posterchild.
American intelligence officials believe the man who appears on the tape to be Adam Gadahn of Orange County, Calif. . . .Only a few years ago, Gadahn was a Southern California teenager with interests in the environment, the Los Angeles Dodgers and heavy metal music. . . . His family says he converted to Islam at an Orange County mosque. There, officials say, Gadahn came under the influence of militants who took him to Pakistan. Officials believe Gadahn is hiding in Pakistan with an Afghan wife.
Of course this is just one guy, so like, what is the big deal?
The Big Deal is that Adam is a phenomenon that radical Islamic preachers have been working on for years. Abdel Malik Ali, just to pick a well known personality, has been plying the campuses of California, hoping to make more people in his own image: Radical, anti-Semitic, anti-American, and homegrown.
Hopefully, Adam’s lesson will be a lesson for all high-school and university presidents, that their students are prime targets in the Jihad of the Tongue.
http://rabbiyonah.com/wp-content/uploads/2013/04/cropped-RabbiYonahbookCover11.jpg 0 0 rabbiyonah http://rabbiyonah.com/wp-content/uploads/2013/04/cropped-RabbiYonahbookCover11.jpg rabbiyonah2005-09-13 06:26:002005-09-13 06:26:00From Southern California Student to Homegrown Al Queda Jihadist
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Queen Friederike ....
In today's Telegraph
http://www.telegraph.co.uk/news/uknews/theroyalfamily/8858687/Friederike-I-the-woman-who-would-be-Queen.html
Posted by Marlene Eilers Koenig at Monday, October 31, 2011
The pumpkin awaits
I left Bucharest this morning. After breakfast, I walked to a local park on Reina Elisabeth and then back through the old town. Outside McDonalds, I was approached by one of the local dogs. The young pooch came right up to me, jumped up, rather friendly (I was scared for an instant, but the dog's tail was wagging.) I think the dog said to me: Hey, can you go into McDonald's and get me something. I think the dog knew I was an American tourist.
Sucker that I am, I went into McDonald's and bought a sausage biscuit. The dog ate the sausage patty, but not the egg or the bread. After finishing the meal, the dog looked at me, smiled (I think), and happily ran to catch a bus. Really, the dog got on the bus with human passengers.
I could not get my camera out in time, but I was laughing all the way back to the InterContinental.
The dog got on the bus!
Now in Amsterdam. I took an evening canal cruise. Quite a warm day and night! Back home tomorrow, and work on Monday.
What is all this nonsense about snow?
Posted by Marlene Eilers Koenig at Saturday, October 29, 2011
Last Day in Bucharest ..
Well I spent most of today in Sinaia. A car from the palace picked me up at 9 a.m. Gorgeous fall day, It was about a two hour drive to Sinaia, up and up into the Carpathian Mountains. We also passed the Ploesti oil fields.
A wonderful tour of both palaces. Most people skip Pelesor, which is smaller than Peles Castle, but just as interesting.
Most of my post have been written after two a.m, after the events and a night cap in the hotel bar. What fun. Early afternoon flight to Amsterdam tomorrow, where I stay overnight and then a early afternoon flight to D.C.
Posted by Marlene Eilers Koenig at Friday, October 28, 2011
Bucharest Day 5
At 9:20 this morning, a car picked me up to take me to Elisabeta Palace to see three investure ceremonies.
Ilie Natase being honored by king
Most of the announcements were in Romanian, but I did pick up on one of the final presentations. I heard the word Sport and Natase, and I asked one of the TV reporters if it was the tennis player, Ilie Natase, and it was.
Now off to Cotroceni Palace for a tour, and then dinner with Diana Mandache. Tomorrow, I am getting a car and driver from the palace and going to Sinaia!
Posted by Marlene Eilers Koenig at Thursday, October 27, 2011
I was interviewed on Romanian Television today when leaving the Elisabeta Palace. The brunch was fab. Queen Sofia brought her cute little Yorkie, Tipsy, with her, and Tipsy spent a lot time on Queen Anne's lap.
Wine, coffee, quiches, cakes, fruit and, of course, birthday cake. What an awesome place to visit - this is where Michael was forced to abdicate in 1947.
Took a massive amount of photos, and a small selection will go up later, but right now I am off to the History Museum, and then come back to change for the theatre and dinner with the Royal Family and other guests. Tomorrow a reception at the palace, and that's it for events. On Friday, the entire Royal Family return Switzerland, and I head to Sinaia. One of the Crown Princess's drivers will be taking me.
Tonight we attended a performance of Royal Fashion, and had a Roumanian dinner at the Bure Bista restaurant.
Posted by Marlene Eilers Koenig at Wednesday, October 26, 2011
Regele Mihai! Regele Mihai! This was the cry of people gathered outside the Parliament in the morning, when King Michael, the former head of state, was accorded the rare privilege of speaking before the Romanian Parliament on the occasion of his 90th birthday yesterday.
Yesterday morning, the guests of the King, who are staying at the InterContinental, gathered in the Modigliani Room for breakfast and to watch the speech on large screen TV. Queen Sofia of Spain was one of the guests, and she sat with her cousin, Princess Tatiana Radziwill and her husband, Dr. Fruchaud.
At 6 p.m., we gathered in the lobby to await transportation to the Opera House for the Gala concert in honor of King Michael. The non-royal guests traveled by bus, and the royals were transported by cars.
The King and Queen of Sweden were delayed in the United States and could not attend the gala. From what I understand, the King's plans had changed, regardless, as he planned to attend the funeral of the Saudi Crown Prince. Crown Prince Alexander and Crown Princess Katherine of Serbia arrived at 5 p.m., walking into the elevator as I was coming out. They had traveled from Chicago to London and then to Bucharest.
(Some wonder about the British. The Prince of Wales was invited. He was in Romania several months ago, and visited the Royal Family at the Elisabeta Palace. The InterContinental is already crawling with security. The Prince of Wales' presence would have made it a nightmare for all the guests. )
I chatted with newlyweds Prince Georg Friedrich and Princess Sophie of Prussia, and both are very tall. They were joined by the Princess' sister, Archduchess Katharina and her husband, Archduke Martin of Austria. I also met Princess Margaretha of Luxembourg for the first time.
The royal guests included the Grand Duke of Luxembourg, Prince Guillaume and Princess Sibilla of Luxembourg, the duke and duchess of Braganza (really sweet people), Archduke Georg and Archduchess Eilika, both still in mourning for Georg's father, Archduke Otto, who died several months ago.
At the Opera House, we sat in the boxes below the Royal Box ... if you see the TV clip I am in the third box from the right and below the king.) The concert featured arias, solos and duets from Tosca, La Boheme, the Merry Widow and La Figaro by Romanian opera stars, Nelly Mirciioiu, Vlad Mirta and Teodor Ilincai. I got chills when Teodor Ilincai sang Nessun Dorma from Turundot.
From there we went to dinner at the Palace of the Savings Bank of Romania. The dinner was held in the ornate library. I was at the King's Table, and my dinner partners were the Czech Ambassador to Romania and The King's private secretary.
The meal consisted toasts with a variety of Romanian wines. We also sang "Happy Birthday" to the King. The meal included a salmon pate, a main course of beef, and a wonderful chocolate dessert. All the woman received a commemorate plate and the men were given a commemorative medal.
Near midnight, the cars and buses returned to the hotel, where many guests gathered in the bar. I joined Prince Vladimir and Princess Brigitte of Serbia, Grand Duke George of Russia, Grand Duchess Maria of Russia, Baron Axel de Samboucy de Sorgue, son of Princess Chantal of France, and Prince Bernhard of Baden.
The Duke and Duchess of Braganza sat at another table with Georg and Eilika, Martin and Katharina, and Friedrich and Marie of Wurttemberg. Georg Friedrich and Sophie were at another table.
Prince Georg Friedrich and Princess Sophie, along with her sister and brother-in-law, and the Wurttembergs were leaving at 7:30 in the morning to attend the 50th birthday party of the Prince of Wied, who is married to Sophie's sister, Isabelle.
Off to breakfast now and then brunch at the Elisabeta Palace.
Down with Margaretha of Luxembourg, up with Bernhard and Stephanie of Baden. Down with Dominik Lowenstein, and getting out at Lobby, Georg Friedrich and Sophie of Prussia getting in with their luggage ... with an hour to go
Posted by Marlene Eilers Koenig at Tuesday, October 25, 2011
Back from the hairdresser
...and arriving at the hotel - King Simeon and the Duke of Aosta ....
Off to get hair done ..
The guests of King Michael who have checked in already ... we were invited to breakfast this morning in the Modigliani room and watch the live coverage of King Michael's speech before the Romanian Parliament.
The Duke and Duchess of Braganza asked me to join them at their table. I spoke with the Queen of Spain, the Margrave and Margravine of Baden, Prince and Princess Ludwig of Baden, Archduke and Archduchess Dominic of Austria, Archduchess Maria Magdalene of Austria and her husband, Baron Hans von Holzhausen and Princess Tatiana Radziwill and her husband, Dr. Fruchard.
Now off to the hairdresser.
King Michael to speak before Romanian parliament
For the first time since 1947, King Michael will speak to the Romanian parliament tomorrow - Tuesday -- on the occasion of his 90th birthday!
A number of members of Parliament as well as the Prime Minister Traian Basescu will not attend the speech. Basescu has said that Michael's decision to abdicate was "an act of betrayal," that he was a "Russian servant," and a "ex-king."
Memo to Romanian Prime Minister: your history is a little shaky. Michael was hardly a servant of the Russians. When he singlehandedly overthrough Ion Antonescu and his fascist regime, he brought Romania onto the side of the Allies in the last world war. But that meant, Romania would have to welcome Soviet soldiers, not Americans or British. The Allies had already decided that the Balkans would be in the Soviet sphere of influence. At no time did Michael ever desire the Soviets.
As for the abdication: it is really difficult to fight when Communists have a gun to your head, and have brought their troops to surround the palace. The abdication was not voluntary.
Crown Princess Mary in NYC
and covered in the New York Times, which rarely covers royals in NYC (unless one is the heir to the British throne or the British sovereign)
http://www.nytimes.com/2011/10/24/nyregion/princess-mary-of-denmark-visits-queens.html
The Guest list
The complete guest list includes the non-royals as well ... including Ms. Marlene Koenig
Their Majesties the King and Queen
TRH Crown Princess Margarita and Prince Radu
HRH The Princess Helena and HE Mr Alexander Phillips Nixon
HRH The Princess Irina and Mr John Wesley Walker
HRH The Princess Marie
HRH Prince Nicholas
Miss Elisabeta Karina de Roumanie
Royal Guests
TIRH Archduke Georg and Archduchess Eilika of Austria
TIRH Archduke Martin and Archduchess of Austria
TIRH Archduke Dominic and Archduchess Nella of Austria
HIRH Archduchess Maria Magdalena of Austria and Baron Hanns Ulrich von Holzhausen
HRH Princess Alexandre of Belgium
His Majesty The King of the Bulgarians
Baron Axel de Sambucy de Sorgue
TIRH Prince Georg Friedrich and Princess Sophie of Prussia
TRH The Markgraf and Markgraffin of Baden
TRH The Hereditary Duke and Duchess of Württemberg
TRH Prince Bernhard and Princess of Baden
TRH Prince Ludwig and Princess of Baden
HRH Prince Ludwig of Bavaria
HRH The Princess Irini of Greece
TRH The Prince and Princess of Savoia, Duke and Duchess of Aosta
HRH Princess Muna al Hussein of Jordan
TRH Prince El Hassan bin Talal and Princess Sarvath of Jordan
HRH Princess Rym al Ali of Jordan
HRH Princess Margarita of Liechtenstein
HSH Princess Isabelle of Liechtenstein
HRH The Grand Duke of Luxembourg
TRH Prince Guillaume and Princess Sibilla of Luxembourg
HRH Crown Prince Nicholas of Montenegro
TRH The Duke and Duchess of Braganza
HIH Grand Duchess Maria of Russia
HIH Grand Duke George of Russia
TRH Crown Prince Alexander II and Crown Princess Katherine of Serbia and Yugoslavia
TRH Prince Vladimir and Princess Brigitte of Yugoslavia
Her Majesty The Queen of Spain
Their Majesties The King and Queen of Sweden
Countess Madeleine Bernadotte Kogevinas
HSH Prince Karel Schwarzenberg, minister of Foreign Affairs of the Czech Republic
HSH Princess Tatiana Radziwill, Mrs. Fruchaud, and Dr. John Fruchaud
HH Princess Anne of Ligne, Mrs. de Fabribeckers de Cortils et Grâce, and Mr Charles de Fabribeckers de Cortils et Grâce
TSH Prince Wenceslas and Princess Armelle of Lobkowicz
TSH Prince Wilhelm and Princess Ilona of Schaumburg Lippe
TSH Fürst Alois Konstantin and Prince Dominic of Löwenstein-Wertheim-Rosenberg
King Simeon of the Bulgarians has checked in! Archduke Dominic of Austria, son of the late Princess Ileana, is coming in tonight.
Just bought a salad for dinner and plan on eating it in the lobby :)
Royal engagement confirmed: Lowenstein-Wertheim-Rosenberg and ...
Countess Olga zu Castell-Rudenhausen .. no date set yet.
I rode in the elevator with The Prince of Lowenstein-Wertheim-Rosenberg, and asked the Prince if Dominik was engaged. The engagement is official.
Countess Olga is the eldest daughter of Johann Friedrich, Prince of Castell-Rudenhausen, and his wife, Countess Maria of Schonborn-Wiesentheid. Olga Graziella was born January 31, 1987 at Wurzburg.
Johann Friedrich's sister, Donata, is the mother of Prince Georg Friedrich of Prussia.
Guests for gala
I just talked with HSH The Prince of Lowenstein-Wertheim-Rosenberg in the lobby. He is here until tomorrow morning, and will not be attending the gala. His son, Prince Dominik, is the family representative at the event.
King Michael and his family were guests at lunch today held at the National Bank. Men with huge Uzis were guarding the bank.
Bucharest Day One
After getting in after midnight, I slept in, had breakfast at the hotel, and took a better look at the nice gifts left in the room: two bottles of Princess Margareta wine in a classy wooden box, a book on King Michael and The King's Music, a CD.
Walked from the hotel to the Regina Elisabeta Blvd and over to the Calea Victoriei. The Royal Palace is on this street. The palace houses two museums, one for European art and other for Romanian art. The majority of the European collection comes from Carol I, who left his collection to the Romanian people when he died in 1914. Art belonging to the royal family also mak es up a large portion of what is on display. This latter collection was acquired in 1948. Let's just say members of the Royal Family did not give the paintings and sculpture to the nation.
I wanted to take a few photos of the interior, but the museum charges 50 leis for the privilege. Passed on that. There are several portraits and busts of Carol I, as well as a large photo of the unveiling of the King Carol I on a horse statue across the street. This ceremony took place in 1935, I think.
Got a gorgeous bouquet of flowers this evening from the King's advisor, apologizing for not being at the airport to welcome me ... they had the wrong flight information and were there at the wrong time ...
Posted by Marlene Eilers Koenig at Sunday, October 23, 2011
Arrived!!!!! What's today?
I left Washington, D.C., on Friday at 6 p.m., and thanks to the tail winds, I got to Amsterdam before 7 a.m. My main suitcase was checked through to Bucharest, but I still had my laptop and carry bag to put into a locker for the day.
Train in Amsterdam took about 15 minutes. I started out (after having one or two large coffees) at the Centraal Station and walked to the Anne Frank house. One of the most moving and emotional experiences ever for me.
I also toured the palace, got a free hug from an Occupy Amsterdam protester (they were marching through the Dan square), went to the Flower Market, had a beer in a cafe by a canal, looked at the oldest church in Amsterdam, which meant I had to walk through the Red light district. Yes, women were on display. There was also a funny smell wafting out of some of the coffee shops, and it was not vanilla latte.
Left Amsterdam at 8:30 p.m., and arrived in Bucharest after midnight. The trip did not take three hours: I gained another hour.
It is overcast on Sunday morning. More guests are expected today at the hotel including Prince Hassan and Princess Sarvath of Jordan, Queen Sofia of Spain, and Crown Prince Alexander and Crown Princess Katherine.
Further updates later. I am going to the pool.
(I just tried the spell check .. all my words are wrong, apparently, as Blogger has converted to Romanian.)
King Michael - a photo display
King Michael and his American jeep
King George II with Princes Philip and Michael
Washington, D.C. 1991 @Marlene A. Eilers Koenig
Washington, D.C. Photo by Marlene A. Eilers Koenig
King Michael of Romania
Crown Princess Helen of Romania gave birth to her only child, a son, Michael, on October 25, 1921 at the Foishor, Sinaia. On October 25, 2011, King Michael will celebrate his 90th birthday with a gala dinner and events at the Elisabeta Palace.
State wedding canceled for the Duke of Gloucester
Due to the death of the Duke of Buccleuch, "all arrangements for the state wedding" for the Duke's daughter, Lady Alice Montagu-Douglas-Scott, to the Duke of Gloucester, third son of King George V and Queen Mary, have been canceled, according to press reports.
Only members of the British royal family and Lady Alice's relatives will attend a private ceremony at Buckingham Palace on November 6. The wedding had been scheduled to take place at Westminster Abbey.
Men will now wear morning dress, and not "brilliant uniforms."
Charlotte of Schwarzburg celebrates her 96th birthday
Princess Charlotte of Schwarzburg, the "oldest scion of European royalty, has just celebrated her ninety-sixth birthday," writes the Marquise de Fontenoy. The Princess celebrated the event at her country home in Switzerland, not far from Berne, "towards the Fribourg border." Her home is remote, secluded, and not on a railroad line. She is "almost forgotten by the public," but more than "fifty years ago, the romance of her marriage created a world wide sensation."
The princess is a member of the sovereign house of Schwarzburg, a grant aunt of the present prince. When she was a young girl, she spent many days "passionately fond of Alpine climbing," a sport to which she had become very adept.
In one of her climbing excursions, she suffered an accident, and her life was saved "by the most wonderful presence of mind, muscular strength, and pluck of her Alpine guide, who narrowly escaped being dragged down the precipice," where the princess had already disappeared, suspended by a rope, "the other end of which was fastened to him."
The young guide, Johann Jud, managed not only to "withstand the shock of her fall," but he was able to pull the princess to safety "with the utmost difficulty," to the risk of "himself slipping."
Princess Charlotte "naturally was filled with sentiments of gratitude" toward the guide, who happened to a very handsome man, and "possessed of sufficient education to qualify him for a commission in the military of his Canton. She was determined "to prove her gratitude" by marrying the man.
The Princess was 40 years old at the time, and ten years the guide's senior. But she was still "good looking" and wealthy. Her family did not share her enthusiasm, and there was a "tremendous outcry" from her royal relatives.
The reigning Prince of Schwarzenburg eventually gave permission for the marriage, but with the proviso that Princess Charlotte should live abroad with her husband. As as wedding present, the Prince created a title of baron for Jud.
The marriage turned out to be "far more happily than mesalliances of this kind do as a rule." The newlyweds bought a "pretty place" in the Canton of Berne. The baron died after only ten years of marriage, and was "deeply mourned by his widow." Since his death in 1866, Princess Charlotte has never left her Swiss home.
Princess Charlotte Amalie Friederike Albertine was born September 7, 1816 at Arnstadt. She was the fourth child of Prince Karl of Schwarzburg-Sonderhausen, and his wife, Princess Güntherine of Scharzburg-Sonderhausen. (Güntherine was also Karl's niece).
She married Baron Hans Heinrich von Jud on February 25, 1856 at at Münsingen. He was born in 1825 and died at Malaga, Spain, on January 13, 1864.
(Princess Güntherine was the daughter of Prince Friedrich of Schwarzburg-Sonderhausen and his cousin, Princess Friederike of Schwarzburg-Sonderhausen.)
Royal engagement: Bavaria-Spain
The betrothal of Prince Ferdinand of Bavaria and Infanta Maria Teresa, sister of King Alfonso XIII, was "formally accomplished today," reports the Chicago Daily Tribune. The prince went to the royal palace in Madrid today, "where he signed an act of Spanish naturalization in the presence of the royal family."
Tonight, the royal family attened a gala dinner in honor of the betrothal. The German ambassador attended the dinner as "the representative of Prince Ferdinand."
Infanta Maria Teresa is "much felicitated", and the forthcoming marriage is very popular in Spain.
Grand Duke Vladimir resigns his post in defiance of Emperor Nicholas II
An "open quarrel" has ensued between Nicholas II and his uncle Grand Duke Vladimir, following Nicholas' "summary action in stripping" Vladimir's eldest son, Grand Duke Kirill "of his all his decorations, dismissing him from the army, confiscating his fortune, and exiling him from Russia," reports the Chicago Daily Tribune.
Grand Duke Kirill has incurred the Czar's anger by marrying Victoria Melita of Saxe-Coburg, the divorced wife of the Grand Duke of Hesse and By Rhine, in defiance of Nicholas' wishes and the Russian Orthodox church.
In return, Vladimir, who supports his son, has resigned his post as chief of the St. Petersburg military district and as "commander in chief of the imperial guard corps." Nicholas has "dismissed from public service all of Vladimir's friends."
Alfons and Frederica: a forgotten romance
Baron Alfons von Pawel-Rammingen recently suffered a fracture of the skull in a carriage accident, and he is not expected to survive, writes the Marquise de Fontenoy. His death, she says, " would mark the close of an almost forgotten royal romance," that that began in the final years of the life of King Georg V of Hannover, and "reached a climax a couple years after the demise of this dethroned and exiled monarch, when his favorite daughter, the most beautiful princess of her day, bestowed her hand upon his faithful and devoted aide de camp and secretary," Baron Alfons von Pawel-Remmigen.
The Princess, who is now in her late 50s, "remains the stateliest and most impressive figure of old world royalty." Her "snow white hair" lends "additional distinction to the classic outlines of the features, while years have not impaired the superb carriage nor the elasticity of her bearing."
As as young Princess of Hannover, Frederica received numerous offers of marriage "from royals and imperial personages, Austrian archdukes, Russian Grand Dukes, German sovereigns and princes of every description, the late King Alfonso of Spain, the duke of Connaught, and his brothers, the late dukes of Coburg and Albany, all vainly endeavored to win her hand.
Queen Victoria, who was very fond of her first cousin's daughter, wanted very much to see Frederica wed one of her sons. but Frederica declared that she would not marry while her father was still alive.
Georg V of Hannover became blind after a childhood accident. Princess Frederica was devoted to her father and she "made it her special mission" to take care of him. She "guided him through the rooms of his numerous palaces and when he walked abroad." The princess was always by her father's side, when he went for drives. She comforted him "with advice and sympathy" following the loss of his kingdom and a "greater part of his fortune, both of which were taken by Prussia in 1866."
Frederica was her father's favorite, and Georg "showed but little affection for his other daughter, Marie, for his son, the duke of Cumberland, or even for his wife," Queen Marie. All three were said to be resentful toward Frederica.
Two years after her father's death, Frederica, a "great favorite in Vienna, especially with the emperor and empress," was at Windsor when she announced that she would marry Baron von Pawel-Rammingen, "whose principal merit in her eyes and title to her affection, was the devotion he had shown to her father."
Baron Alfons was very handsome, some years older than the princess, and did not have a large fortune. He belonged to the "lowest rank but one of the nobility. He had never been favorite of Queen Marie or her son and younger daughter, Marie. Thus, it was only natural that they "should strongly object to the match."
Frederica's brother, the Duke of Cumberland, stated publicly that if Frederica disobeyed him and married the baron, he would stop her allowance "from the family fortune to which she was entitled by her father's will and by the statutes of the house of Hanover.
It was then that Queen Victoria stepped in. She had a "soft place in her sympathetic heart," and came to the Frederica's rescue. She announced that if the Duke of Cumberland would not provide for her sister, she, as the head of the reigning house of Great Britain, of which Frederica is a member, would give her an allowance of $20,000 a year. Victoria also gave the princess a residence at Hampton Court, "the major portion of its gardens and of the game preserves being reserved for her use."
Queen Victoria gave the bride away at the wedding at Windsor. The Duke of Cumberland was furious and protested strongly, describing Victoria's "encouragement of disobedience" of him as head of the House of Hanover. For many years, he "refrained from holding any intercourse with Windsor Castle."
Eventually King Edward VII and Emperor Alexander III of Russias, whose wives were sister of the Duchess of Cumberland, affected a reconciliation between the Duke and his sister. He restored Frederica's allowance, and "turned over to her the back payments." He also persuaded Queen Marie to forgive Frederica, but neither the Duke nor his mother, would "consent to receive, recognize, or to hold any intercourse whatsoever with the baron." Each summer, when Frederica would visit her brother and her mother at Gmunden in Austria, she would leave her husband at home.
This has given the impression that the Princess "did not find in her marriage quite all the happiness which she had anticipated." Perhaps she had time to consider all the sacrifices she had made in order to marry, and marriage to the baron was not what she thought it would be. The couple's only child died as an infant.
Baron Alfons, "as a husband, assumed a different tone" to which he had been accustomed to as the King of Hannover's ADC. No one would have been "quicker to resent this" was Princess Frederica, "high spirited and keenly conscious of her birth and rank as a member of one of the oldest royal houses of Europe."
Frederica has always been a favorite in England, but her husband "never succeeded in getting himself liked there." There was never an "actual estrangement" between the couple, but they did not appear, in later years, to be "deeply attached" to eacher other.
Some years ago, they gave up their residence in England, and divided their time between a house in the Bois de Boulogne in Paris, and a villa in Biarritz.
Princess Theodora of Greece and Denmark - the Bold, the Beautiful
Actually, Princess Theodora, a Los Angeles-based actress, is to appear on the CBS Soap Opera, The Bold and the Beautiful on December 5, playing Alison, secretary to Bill Spencer.
http://www.tvguide.com/News/Exclusive-Princess-Theodora-1038802.aspx
Archduke Friedrich is ill
Archduke Friedrich of Austria is "dangerously ill" with typhoid fever, reports the Chicago Daily Tribune. The archduke is the brother of Archduchess Marie Christine, who is betrothed to King Alfonso XII of Spain.
Duke of Buccleuch is "seriously ill"
The Associated Press is reporting that the Duke of Buccluech, father of Lady Alice Montagu-Douglas-Scott, fiancee of the Duke of Gloucester, "is seriously ill."
The Duke has been in poor health since an operation about a year ago, but his condition is now considered to be grave. A bulletin issued from his home, Bowhill, in Selkirk, Scotland, states that his "condition is giving rise to serious anxiety."
Lady Alice and the Duke of Gloucester are planning to marry on November 6 at Westminster Abbey.
Ileana attends church, has not eloped
Princess Ileana, the youngest daughter of Queen Marie of Rumania, attended church in Bucharest today, following reports that she had "eloped with a naval lieutenant," according to the Associated Press.
Queen Marie, angered by the reports "publishing abroad regarding Ileana's asserted elopement," had previously denied the rumors, telling reporters that since the death of King Ferdinand, Princess Ileana has "not left her side."
Prayers for the Crown Princess
The Superior Consistory of the Lutheran Church in Berlin "has ordered public prayers to begin on Sunday for the safe accouchement" of Crown Princesss Cecilie of Prussia, " reports the New York Times.
The princess is expect to give birth to her second child in the next few weeks.
Duchess Cecilie of Mecklenburg-Schwerin married Crown Prince Wilhelm of Prussia on June 6, 1905. She gave birth to the couple's first child, Prince Wilhelm, on July 4, 1906.
Kirill & Ducky's marriage formally announced
The marriage of Grand Duke Kirill of Russia and Princess Victoria Melita of Saxe-Coburg and Gotha was formally announced today in Coburg, reports the Los Angeles Times. The couple were married in a Russian Orthodox ceremony on October 8 at Tegernsee, Upper BaVaria.
Grand Duke Kirill is planning to buy the estate, just outside Coburg, of Herr Reuckert, the grandson of the late poet Friedrich Reuckert. Kirill has said that he wants to "live the simple life of a country gentleman."
Royal Death: Maria Antonia Countess von Waldburg zu Wolfegg u Waldsee
HSH Maria Antonia Countess von Waldburg zu Wolfegg und Waldsee died on October 11 at Sigmaringen. She was 90 years old.
HSH Princess Benedikta Maria Antonia Mathilde Anna of Hohenzollern was born at Sigmaringen on February 19, 1921, the elder of twin daughters of Friedrich, Prince of Hohenzollern, and his wife, Princess Margarete of Saxony. Maria Antonia's sister, Maria Adelgunde, died in 2006.
Maria Antonia married on January 4, 1942 at Sigmaringen to Count Heinrich Maria Willibald Benedikt Albrecht Philipp Ulrich von Waldburg zu Wolfegg und Waldsee. The couple had ten children:
Sidonia (1942), Sophie (1946), Friedrich (1948-1999), Josef (1950), Maria Margarete (1953), Anna (1954), Hubert (1956), Theresia (1958), Jakobe (1960) and Ludmilla (1964).
Count Heinrich died in 1972
On the occasion of her 90th birthday last Februrary, Maria Antonia, who lived in Sigmaringen, said: "I was always curious and humor is very important to me. I sitll have humor."
She recently appeared at the launch of a new book of photographs on the House of Hohenzollern, Die Fürstliche Haus Hohenzollern.
http://www.schwaebische.de/region/sigmaringen-tuttlingen/sigmaringen/stadtnachrichten-sigmaringen_artikel,-Graefin-Maria-Antonia-ist-tot-_arid,5147592.html
NYT interview with King Harald
The New York Times has interviewed King Harald V of Norway
http://www.nytimes.com/2011/10/16/world/europe/king-harald-of-norway-proves-mettle-with-response-to-july-22-deaths.html?_r=2&ref=europe&pagewanted=all
Queen Elizabeth II makes it known: she's okay with gender equality
http://www.telegraph.co.uk/news/uknews/theroyalfamily/8829295/Queen-backs-plan-to-let-daughter-of-Prince-William-and-Kate-Middleton-to-accede-to-the-throne.html
A second great grandchild for Queen Elizabeth II
Buckingham Palace announced today that Peter and Autumn Phillips are expecting a second child in March 2012. Their first child, Savannah, will celebrate her first birthday on December 29.
A marriage for King Carol
Alexandre Avarescu, leader of the People's Party in Romania said today at a meeting of his party that "he proposed to postpone discussion of political problems for a couple of weeks, reports the New York Times.
"I have every reason to believe that an event may occur soon which will modify Rumania's internal situation."
The "mysterious event" is said to concern King Carol. "Well-informed circles" believe that the King is concerned "by the criticism emanating from his own family and the majority of the Rumanian political groups," regarding his relationship with Elena Lupescu. It is understood that Carol has "finally decided to leave her."
Carol is also rumored to be on the verge of announcing his engagement to a German princess, a member of the Hohenlohe-Langenburg family, closely related to Dowager Queen Marie.
The King's relationship with his former wife, Princess Helen, is "definitely ruptured," and there is no chance for a reconciliation, especially after Carol's sister, Elisabeth, divorced Helen's brother, King George II of the Hellenes, earlier this year.
Queen Marie's sister, Alexandra, is married to the Prince of Hohenlohe-Langenburg. Their son, Gottfried, is married to Princess Margarita of Greece, a cousin of Queen Helen. They also have three daughters, Marie Melita, who is married to Duke Wilhelm of Schleswig-Holstein, and two unmarried daughters, Princess Alexandra and Princess Irma, who were born in 1901 and 1902, respectively.
Hotel manager sues Princess for debt
Catherine Dunvin, 52, who resides at the Hotel Embassy at 70th Street and Broadway, was hailed in $2,500 bail today on a "charge of defrauding the hotel of a bill," reports the New York Times.
The hotel manager, Robert S. Maffitt, filed the complaint against his former guest, declaring "that from April last to October 7, when she left, Mrs. Dunvan did not pay a bill of $1,239.87. She stated that she not "received expected funds from her bankers in London."
Mrs. Dunvan "claims the title Princess Catherine Radziwill of Russia" and styles herself as a journalist.
A court date was set for October 21.
Royal Engagement: Prussia-Anahlt
The engagement of Prince Joachim of Prussia, the youngest son of the German Emperor, and Princess Marie Auguste, daughter of Prince Eduard of Anhalt, was announced today in the Berlin Reichsanzeiger, according to an Associated Press dispatch sent from Amsterdam to London.
The Prince is 25 years old, and his future wife celebrated her 17th birthday last June. She is the niece of Duke Friedrich II of Anhalt. Marie August is the eldest of four children of Prince Eduard and his wife, the former Princess Luise of Saxe-Altenburg. She has three younger brothers. Her father is in command of a battalion of Prussian cavalry with Crown Prince Wilhelm at the front in Belgium.
At the start of the war, it was reported that Joachim had been wounded at front in Belgium, and was visited by his mother, who presented him with the Iron Cross. Later, he was "said to be convalescing at Baden-Baden." This led to a report by the "usually well-informed chronicle of the doings of royalty" for the London Truth.
"It has been stated that Prince Joachim of Prussia, youngest son of the Emperor Wilhelm, is staying at Baden-Baden for a course of treatment, as he is suffering from fatigue and exposure at the front. It is very unlikely that Prince Joachim has been at all engaged at the front as he has always been more or less an invalid, and is in very bad health. His is highly nervous and subject to a serious congenital malady."
Nicholas not happy with cousin Kirill
Grand Duke Kirill of Russia has been summoned home from Germany "to receive the full weight of the imperial displeasure" due to his marriage to Grand Duchess Victoria of Hesse, a divorcee, according to a New York Times report.
The couple were recently married in Munich. Kirill will be "deprived of his rank as aide de camp" to Nicholas II, and "of his commission in the army, of is uniform, his orders, and other honors, and will be exiled from Russia."
The punishment meted out on the Grand Duke is is more severe than what Grand Dukes Paul and Michael received at the time of their morganatic marriages. Kirill not only defied his Emperor's command to not marry, he also broke "canonical laws in marrying a divorced woman and his first cousin." Grand Duchess Victoria is a first cousin to the Emperor and his wife, Alexandra, and she was married to Alexandra's brother, the Grand Duke of Hesse and By Rhine.
Princess Joachim gets her son back
Princess Joachim of Prussia has regained custody of her own child, Prince Karl Franz Joseph, reports the New York Times. She was awarded custody "despite the fact " she ran away from her husband and child once, and despite servants' testimony against her." This decision, in a Berlin court, was "the first test of the House of Hohenzollern laws versus the laws of the new republic."
The Princess' brother-in-law, Prince Eitel Friedrich of Prussia, took custody of the young prince after Prince Joachim committed suicide. He claimed "the right to custody" because the former Kaiser "issued an edict placing the Hohenzollern powers in Eitel's hands."
The court declared Wilhelm II's action to be illegal.
Prince Joachim, the Kaiser's youngest son, married Princess Marie Auguste of Anhalt on March 11, 1916. She gave birth to Prince Karl Franz Joseph Wilhelm Friedrich Eduard Paul on December 15, 1916.
The marriage between Joachim and Marie Auguste was not a love match, but an arrangement. He suffered from depression and other mental health issues, and may have been abusive husband, The princess fled the marital home. Prince Joachim found it difficult to live in a post-Hohenzollern world, and took his own life in 1921. He filed for divorce but the divorce was not finalized before his death.
Prince Joachim's true love was Princess Elisabeth of Urach, but she was not of equal rank, and he was not allowed to marry her.
Royal Engagement: Austria - Windisch Graetz
The Times of London has received a dispatch from Vienna which announces the engagement of Archduchess Elisabeth of Austria, the only child of the late Crown Prince Rudolf, and Prince Otto of Windisch-Graetz. Otto is a "scion of the younger branch of the princely house of Windisch-Graetz, which has equality of rank with reigning houses."
Archduchess Elisabeth is nineteen years old, and her future husband, a First Lieutenant in the Lancers, is ten years her senior.
This is said to be "a love match." Elisabeth's grandfather, Emperor Franz Josef, is said to be in favor of the engagement.
Cameron begins the process to change the Succession
to gender equality ....
http://www.telegraph.co.uk/news/uknews/theroyalfamily/8822447/Royal-family-Cameron-begins-process-to-allow-first-born-daughters-to-accede-throne.html
It should be noted that no legislation has been put forth, but perhaps it will happen after the Commonwealth meeting.
Crown Prince Alexander and Crown Princess Katherine in New York
ROYAL COUPLE AND LIFELINE NEW YORK HELP SERBIAN ORPHANS
JADRANKA JOVANOVIC CHARITY PERFORMANCE
NEW YORK, 11 October 2011 – Their Royal Highnesses Crown Prince Alexander and Crown Princess Katherine attended today a charity lunch organized by Lifeline New Your Humanitarian Organization, operating under the patronage of HRH Crown Princess Katherine, at Le Cirque New York Restaurant in aid of children without parental care in Serbia.
The Royal Couple were joined by the famous Serbian opera Diva Jadranka Jovanovic, Serbian-American author Tea Obreht whose New York Times bestselling book “The Tiger’s Wife” is set in Serbia, Dr. Ruth Westheimer and supermodel philanthropist Petra Nemcova.
In their welcoming speeches Their Royal Highnesses Crown Prince Alexander and Crown Princess Katherine thanked everyone that came to this lovely event supporting the joint action to help children in need. Crown Princess Katherine pointed out that this year her Serbian Foundation celebrates its 10th anniversary in Belgrade, Serbia and in that period her Foundation with the help of supporting friends from all over the world managed to help hundreds of thousands of people. “I am extremely grateful and flattered that you decided to support us once again in this noble cause. The children of Serbia truly need you” said Crown Princess Katherine.
Everyone enjoyed the marvelous performance by the famous Serbian opera singer Jadranka Jovanovic escorted by Nikola Rackov on the piano. The performance of Mrs. Jadranka Jovanovic was a part of her United States of America Tour under the name “Pearls of World Music”. The Serbian Primadona is due to participate in another charity concert organized by the Royal Couple, which is taking place in Chicago on Monday, 17 October, in aid of Lifeline Chicago.
Part of the program was a silent auction where guests had the opportunity to bid for items donated by Pologeorgis Furs, Diane von Furstenberg, Tincati as well as for some attractive prizes such as a Round-Trip Airfare to Rio de Janeiro, Carlisle $1,000 Personalized Shopping Package and many others.
During the entire month of October, supermodel Petra Nemcova and Dr. Ruth are part of Lifeline New York’s online auction, by providing a rare opportunity for bidders to “win” a lunch with each of them. Ms. Obreht is also participating by auctioning off a private lecture by her to a book club. This interesting auction will be ongoing by the end of October and all funds raised will be used in a project in aid of children without parental care in Serbia.
Later today The Royal Couple Crown Prince Alexander and Crown Princess Katherine will be attending The George “Best” Kostakos awarding ceremony where Her Royal Highness will be presented with an award for her humanitarian endeavors. The Serbian Opera Diva, Jadranka Jovanovic will perform a short program during the ceremony.
More information on the work of HRH Crown Princess Katherine Foundation and Lifeline Humanitarian Organizations can be found at www.lifelineaid.info
Princess Dagmar has died
Princess Dagmar, sister of the King Christian X of Denmark, died on Wednesday after a "long illness," reports the Associated Press. She was 71 years old.
She "renounced her title in 1922" when she married Jurgen Castenskjold, a Dane,who was master of the royal foxhounds, but to the Danes, she remained Princess Dagmar.
The princess is survived by her husband and four children.
White Russians believe Czar will be restored
Prominent members of Paris' White Russian colony believe that Grand Duke Wladimir Kirillovitch, 24, "may be called" to the Russian throne," reports the New York Times.
They are basing their facts that Wladimir has traveled twice in the last few weeks from his home in Brittany to Paris, where he has conferred at "length with the colony's leaders."
During his time in Paris, the Grand Duke stayed at the Hotel Lancaster, which is "well patronized also by highly placed Germans." It appears possible, "according to his compatriots and possible subjects," that the meetings have included the Germans as well.
Grand Duke Wladimir has not spoken publicly, avoiding reporters, as he does not want to confirm or deny reports on "plans to ascend" the Russian throne.
Greek King gets good news!
King George II of the Hellenes received very good news today. The Greek Minister in London, Charalambos Simopoulos, "officially informed" George that "his throne had been restored to him." The Minister, with the official instructions from the Greek government, called on George II at his London hotel to inform him of the "resolutions adopted by the Greek Parliament." He also passed on the "respects of the Greek government."
George II "received the news with great emotion." He said he looked forward to returning home and he "told of his wishes for the renewed prosperity if his country."
It is expected that the king's younger brother, Prince Paul, will precede him "to put the royal palace in order and make the necessary preparations" for George's return after a twelve-year exile. The King is said to be "both amused and annoyed at suggestions that he will make a dramatic return by airplane."
Earlier this year, the King's marriage to Princess Elisabeta of Romania was dissolved by divorce. She has returned to Romania to live.
Marie Adelaide to abdicate?
Grand Duchess Marie Adelaide of Luxembourg is "reported to be on the eve of abdication," reports the Marquise de Fontenoy. The Grand Duchess, who "assumed the reins of government" when she turned 18, wants to abdicate in favor of her younger sister, Princess Charlotte, 19.
The 21-year-old Grand Duchess wants to join a religious order and "take up the work of a sister of charity." Like her mother, Grand Duchess Marie-Anne, a member of the Braganza family and her younger sisters, Marie Adelheid is a devout Roman Catholic. She is said to be "terribly wrought" by the "appalling sufferings" during the present war.
Thousands of badly wounded soldiers are being treated in German-occupied Luxembourg, and the Grand Duchess, it is said, "would be happier caring for them and tending them than occupying her throne."
As the Germans rule Luxembourg, the young Grand Duchess is nothing more than a figure head. She appears to have "tired of her crown and is anxious to exchange it for the coif and habit of a sister of charity."
Her mother and other family members and her ministers have given up on trying to have her change her mind, but Marie Adelaide remains determined to give up her crown.
Royal wedding: Saxe-Coburg - Schleswig-Holstein
Princess Victoria Adelheid, eldest daughter of Duke Friedrich of Schleswig-Holstein, and niece of Empress Auguste Vikoria, was married earlier today to the Duke of Saxe-Coburg and Gotha. The ceremony took place at mid-day at the "beautiful little castle" in Glücksburg. The New York Times reports that fifty members of European royal houses were present for the ceremony, including the German Emperor and Empress and all their children, except for Crown Prince Wilhelm.
The castle was too small to "accommodate half the number of guests," so they arrived by automobiles or carriages for "country places in the neighborhood." Kaiser Wilhelm II and his family stayed over last night on the royal yacht Hohenzollern, "which was brought to Kiel for the purpose."
The civil ceremony took place in the castle's wide hall. Then "as many of the royal guests and their suites as could be accommodated" walked to the palace's chapel, where the religious wedding, according to the rites of the Lutheran church, took place.
Today was a public holiday in Holstein. Large crowds cheered the newlyweds as they "appeared together on the balcony of the castle."
The Chicago Daily Tribune reports that the bride "looked very sweet and timid." She had a "lovely toilette of white chiffon lace with a train, the same used by the Duchess of Albany at her marriage."
In the procession to the chapel. the bride walked between her father, Duke Friedrich, and Kaiser Wilhelm II. Her train was carried by "six maids of honor." The bridegroom came between the Empress and his mother, the Duchess of Albany, who wore the Order of the Black Eagle, which she received today from Wilhelm II.
The Duke's first cousin, Prince Arthur of Connaught, represented King Edward VII. He escorted the Duchess of Oldenburg to the the church.
At 4 p.m., the Duke of Saxe-Coburg and Gotha and his new Duchess left by automobile for Louisenlund, "where they will pass their honeymoon." They will stay at Louisenlund for several days before traveling to Greinburg in Lower Austria, where most of their honeymoon will be spent. Their state entrance into Coburg will take place in November.
The British-born duke has been educated in Germany in preparation for his succession to the throne. He reached his majority earlier this year. During his minority, the Duchy was governed by Prince Ernst of Hohenlohe-Langenburg, whose wife, Alexandra, is one of four daughters of the late Duke Alfred of Saxe-Coburg and Gotha. Princess Alexandra and Duke Carl Eduard are first cousins, and both are grandchildren of Queen Victoria.
King Edward VII and Queen Alexandra have given the newlyweds "costly furniture and a parure of diamonds for the bride." The Prince and Princess of Wales' gift is a silver cup, and the Duchess of Albany has given her new daughter-in-law a diamond parure.
Royal engagement: Prussia-Oldenburg
Duchess Sophie Charlotte of Oldenburg, eldest daughter of the reigning Grand Duke of Oldenburg, is engaged to marry Prince Eitel Friedrich of Prussia, the second son of Kaiser Wilhelm II. An official announcement was made in Glücksburg, where the Emperor and Empress arrived this morning. They are in Glücksburg to attend the wedding of the Empress's niece, Princess Victoria Adelheid of Schleswig-Holstein, elder daughter of Duke Friedrich, and Carl Eduard, Duke of Saxe-Coburg and Gotha, reports the New York Times.
All of the "imperial princes" are in Glücksburg, with the exception of Crown Prince Wilhelm. Prince Arthur of Connaught, who is the groom's first cousin, is representing King Edward VII.
The Coburg marriage is "unusually popular with the German people," and will "entirely remove the suspicions" against the Duke as "an English prince." Carl Eduard's marriage to the niece of Empress Auguste Viktoria appears to meet "all the political requirements of the case."
It is also said to be "entirely a love match."
The date of the Prince Eitel Friedrich's marriage has not been announced.
Friedrich August of Saxony relieved on military duty
Prince Friedrich August of Saxony, the 37-year old son of Prince Georg,who is the only brother of the King of Saxony has been "relieved of all active duty in connection with the army" so that he may "devote himself exclusively to the study of various branches of the administration" of Saxony, writes the Marquise de Fontenoy. The Prince, second in line to the throne, is taking on these new responsibilities in order to "qualify himself for the business of rulership."
He is married to Archduchess Luise of Austria, and they are the parents of several sons and one daughter. Friedrich August is said to be "an amiable-looking and rather scanty-haired man," who has a "perpetual smile," which "gives the idea of being possessed of a sunny nature."
King of Württemberg is dead
By Cable and the Associated Press.
King Karl I of Württemberg died this morning at 7: 00 a.m. He had been ill for some time. Yesterday, his condition because "so critical that the last rites of the church were administered him." During the night, his condition "became worse," and his doctors stated that they did not expect him to survive the.
The King was born on March 6, 1829. He succeeded to the throne on the death of his father, Wilhelm I, on June 25, 1864. He married Grand Duchess Olga Nicolaievna of Russia, daughter of Emperor Nicholas on July 13, 1846 at St. Petersburg.
The couple had no children, and the throne passes Duke Wilhelm, the eldest son of Karl's first cousin, Prince Friedrich Karl and his wife, Princess Katherine of Württemberg, the late King's sister.
Thus, the new king, who has been proclaimed as Wilhelm II, is also the late king's nephew.
Wilhelm II is married to Princess Marie of Waldeck und Pyrmont. They have one daughter, Duchess Pauline.
Grand Duke Michael en route to Balmoral
Grand Duke Michael, younger brother of Nicholas II and heir to the Russian throne, is going to Balmoral to meet with Queen Victoria, reports the Chicago Daily Tribune. It is being "whispered" that there is to be an announcement of a betrothal between the young Grand Duke and Princess Margaret of Connaught, the elder daughter of the Duke and Duchess of Connaught. Princess Margaret will celebrate her 18th birthday in January.
The young Grand Duke was born in 1878, and his mother and older brother would like to see him marry. The story of a possible marriage between Michael and Grand Duchess Helen, daughter of Grand Duke Vladimir, was "obviously nonsense", as the Russian Orthodox Church "positively forbids the marriage of first cousin."
Mr. Jones is now an earl
Antony Armstrong-Jones, the husband of Princess Margaret, "formally became the Earl of Snowdon tonight." Queen Elizabeth II made the announcement on Tuesday, but the title is not become official until tonight when it was published in the London Gazette, an official government publication.
Lord Snowdon's male heir will have the courtesy title Viscount Linley of Nymans in the County of Sussex. Younger sons will be styled as the Honourable Christian name Armstrong-Jones. A daughter would be know as the Lady Christian name Armstrong-Jones.
Princess Margaret will now be styled as "Her Royal Highness the Princess Margaret, Countess of Snowdon."
The Princess, who is the final weeks of her first pregnancy, was seen today at her home at Kensington Palace by her doctor and gynecologist.
Aosta to spurn Croation crown
The Axis plan to put the Duke of Spoleto, a member of the Italian Royal Family, "on the throne of Croatia has been abandoned because of the Duke's unwillingness to take on the job," reports the Associated Press reports today.
The AP's report is based on a dispatch from an American who arrived in Cairo today from Zagreb.
Croatia is a part of Yugoslavia, which is now under Nazi control.
Fife's marriage "give umbrage"
Members of Britain's Royal family are expressing their views toward the recent marriage of Princess Louise, the eldest daughter of the Prince and Princess of Wales, and the Duke of Fife, reports the New York Times.
The Duke of Edinburgh is said to maintain "a stern and unbending attitude" toward the marriage, and has "greatly annoyed" Queen Victoria "by repeating to her the news," which have also been expressed by the Duke of Saxe-Coburg and Gotha and the Emperor of Russia. These "sentiments of entire disapproval" are also "fully shared" by Victoria's eldest child, the Empress Friedrich, widow of Friedrich III, and mother of Wilhelm II.
Princess Margaret returns to London
Princess Margaret "ended her long Scottish vacation tonight," and left by train for London, reports the Associated Press. The Princess, who is married to photographer Antony Armstrong-Jones, is expected to give birth to her first child later this month or in early November.
Alfonso will not cede rights
Former King Alfonso XIII of Spain has "no intention of relinquishing his claim to the throne" to his "equally dapper son," Infante Don Juan, reports the Associated Press, which based its report on comments made by those close to the former Spanish monarch.
Don Juan is marrying his cousin, Princess Maria de la Mercedes, a daughter of Prince Carlos of Bourbon-Two Sicilies, who was created an Infant of Spain following his first marriage to Infanta Mercedes of Spain, elder sister of King Alfonso. After Mercedes's death in childbirth, Carlos married Princess Laura of France.
Don Juan is the third son of Alfonso and his wife, Victoria Eugenia. His eldest brother, Alfonso, the former Prince of Asturias, renounced his rights two years ago when he married a Cuban commoner. The second son, Don Jaime, also renounced his rights in 1933 due to his disabilities, as he is deaf and mute.
For the past six months, Don Juan has been a student at the University of Florence, where he studied law. Alfonso had insisted that his son have legal training, after serving for several years with Britain's Royal Navy. He joined the Royal Navy in 1931 shortly after the collapse of the Spanish monarchy.
This wedding will be far "more elaborate" that the weddings of Juan's sister, Infanta Beatriz, to Prince Alessandro Torlonia, and Don Jaime's wedding to the "charming" Emanuela de Dampierre. Both were married earlier this year.
The wedding on Saturday with be "accompanied by every colorful ritual of royal and Catholic marriage."
The newlyweds are planning a six-month honeymoon tour of the world, including a "stopoff" in the United States.
Krill weds despite Nicholas's disapproval
The Tageblatt, a Munich newspaper, published today the news of the marriage of Grand Duke Kirill of Russia and Princess Victoria Melita of Edinburgh, the divorced wife of the Duke of Hesse and by Rhine. They were married "quietly a few days ago at the the Hotel Russie," in Munich.
The civil ceremony was performed by an official from the Coburg government, and a Russian Orthodox priest officiated at the religious service, held in the presence of Victoria Melita's mother, the Dowager Duchess of Saxe-Coburg and Gotha, and Grand Duke Alexis of Russia, "who came from Paris in an automobile."
The Dowager Duchess is the former Grand Duchess Marie Alexandrovna of Russia, daughter of Alexander II.
The wedding was conducted with the "greatest privacy" ` After the ceremony, the newlyweds and their families left Munich.
Grand Duke Kirill and Princess Victoria Melita are first cousins. Kirill's father, Grand Duke Vladimir, and Victoria Melita's mother, Marie, are brother and sister. Nicholas II is also their first cousin, and he is "bitterly opposed" to Kirill's marriage to a "divorced Princess." It was said that Kirill was "sent to the Far East "in order to cure him of his infatuation.:
Grand Duchess Victoria is the daughter of the late Prince Alfred, Duke of Saxe-Coburg and Gotha, Duke of Edinburgh, second son of Queen Victoria. She is a niece of King Edward VII. She was born at Valetta, Malta, in 1876, and married her first cousin, Grand Duke Ernst Ludwig of Hesse and By Rhine in 1894. Victoria Melita and Ernst Ludwig were divorced four years ago. Their onluy daughter, Princess Elisabeth, died last year from typhoid.
The details of divorce were kept "secret," but it was said that "invincible mutual antipathy" caused the marital breakdown.
Nicholas II is married to Ernst Ludwig's sister, Alix.
More details from Princess Helene
The French press continues to report on what Princess Helene told police investigators on September 8. Her estranged husband, Thierry Gaubert, has been implicated in several financial scandals. She said that French president Nicolas Sarkozy, a long time friend of her husband, began to distance himself after Thierry in 1995 after Thierry was first linked to improprieties.
Princess Helene told police that "Mr. Sarkozy came twice with my parents in Palm Beach, at the invitation of Thierry. I do not know who paid for the tickets." She also spoke about a spontaneous "weekend in Venice." "We were with Sarkozy, Mr. Philippe Smadja and his wife, and Jean-Jacques de Peretti, former mayor of Sarlat. It was in 1992, 1993."
"Thierry had organized this little trip to thank Nicolas Sarkozy for his kindness and because he was a friend at the time. We flew Air France, business class. We stayed in an expensive hotel. Sarkozy had a suite and a single room. The name of the hotel was, I believe, Ciprani. I can tell you that Thierry and Philippe Smadja paid for the whole trip."
Apparently, Sarkozy had not been satisfied with the single room, but wanted a suite, which was "lavishly decorated" with "two marble bathrooms.
She also spoke about the house her husband had built in Colombia in 2001. She said the house was gigantic, more than 1000 meters." She added: "Thierry had delusions of grandeur."
The house cost $600,000, and included a gigantic pool. The house, she said, was paid for in cash out of a suitcase from an account in the Bahamas.
Helene told about her husband and arms dealer Zia Takieddine would travel by train from Paris to London and then by plane to Switzerland to obtain money from a bank "more precisely a safe " and then would return to London and then by train to Paris.
Interesting that Helene uses the term "mes parents" as it is Princess Maria Pia and Prince Michel de Bourbon-Parma who have owned a home in Palm Beach, Florida, for many years.
Georgian royal birth: not everyone is happy
Prince Nugzar Bagration-Gruzinsky has issued a statement regarding the status of his new grandson, Giorgi, and his two granddaughters, Irina and Miriam.
In 2001, Nugzar's elder daughter, Anna, married Grigorly Malania, a Georgian architect, who is a descendant of the last king of Georgia, George XII through his mother. Nugzar, who considers himself as the rightful heir to the former Georgian throne, gave his son-in-law the title of Prince. In 2003, Anna gave birth to Irina. Miriam was born four years later. They have the surname Bagration-Gruzinsky, and are considered by their grandfather to be dynasts.
Anna and her first husband were divorced shortly after Miriam's birth. The two girls now live with their maternal grandparents as their father will not permit them to live in Spain with Anna and her second husband, Prince David Bragration Mukhransky.
Prince Nugzar did not say if the marriage between his elder daughter and Prince David was an arrangement match. But he did acknowledge that the wedding was scheduled to take place in April 2009, but the Georgian Patriarch asked the family to move the wedding forward to February, due to Georgia's political situation.
The marriage did take in February 2009, but the couple separated six week later largely due to what Prince Nugzar describes as Davids bad behavior.
The couple have reconciled, and they moved to Spain in November 2010. They were married in a civil ceremony in Spain.
According to Prince Nugzar, the marriage contract between Princess Anna and Prince David was never finalized as Prince David would not renounce his rights to the throne. Thus, according to Prince Nugzar, his infant grandson is not a Bagration-Gruzinsky, but belongs to the Mukhransky branch only.
http://www.saqinform.ge/index.php?option=com_content&view=article&id=7352:saqartvelos-samefo-saxlis-gancxadeba&catid=88:politika2&Itemid=457
Duchess Tatjana of Oldenburg, the wife of Count Axel de Chavagnac, gave birth to a daughter, Alexandrine, on September 30. This is the first child for the couple, who were married on September 11, 2010.
The 36-year-old German-born Duchess is the second of three children of Duke Johann of Oldenburg and Countess Ilka zu Ortenburg. Her older sister, Eilika, is married to Archduke Georg of Austria.
Count Axel, 44, is a media consultant with Solange-Stricker.
Don Jaime: Spanish pretender is dead
The Associated Press is reporting the death of Don Jaime de Borbon, Carlist pretender to the throne of Spain. He died tonight at his Paris apartment "of a heart attack." He was 71 years old.
Don Jaime died "within a few days of his reconciliation with former King Alfonso" on September 14. Members of Alfonso's entourage "emphasized" that the reconciliation was "purely of a family character" and the question of "renunciation of Don Jaime's claims was not involved."
Don Jaime's pretensions ot the Spanish throne go back to the reign of Ferdinando VIII, who succeeded to the throne in 1814. He was succeeded by his daughter, Isabel, who formally abdicated in favor of her son, Alfonso XII, in 1870. Alfonso XIII is Alfonso's posthumous son.
Ferdinando's brother, Don Carlos claimed the throne in 1833, and he "spent the rest of his life in efforts to make the claim good."
The Carlist claim was inherited by Don Carlos' son, Don Carlos, who in 1867 married Princess Marrgarita of Bourbn-Parma, daughter of the Duke of Parma.
After the Spanish revolution in 1868, when Queen Isabel II was forced to leave the country, Don Jaime's father made "several attempts to claim the throne." These attempts were unsuccessful as Isbael's son, Alfonso XII, was proclaimed king.
Belgium prepares for royal birth
Crown Princess Astrid, the wife of Crown Prince Leopold of Belgium, is expected to give birth to her first child "within the next few days," reports the New York Times by special cable.
If Princess Astrid gives birth to a daughter, the "news will be announced by the firing of 21 cannon shots." If she gives birth to a son, "101 shots will be fired." Residents of Brussels are likely to "listen with bated breath for a twenty-second shot."
If the child is a boy. he "will be named after King Albert," and will have the title Count of Hainault.
Crown Prince Leopold, the eldest son of King Albert and Queen Elisabeth, married Princess Astrid of Sweden last October.
The Princess of Monaco: I will do it my my way!
An interview with Princess Charlene, consort of the Prince of Monaco
http://fashion.telegraph.co.uk/article/TMG8803007/I-dont-want-to-be-cut-off-I-want-to-do-it-my-way-says-Monacos-new-princess.html
Catherine puts her degree to work
HRH The Duchess of Cambridge is putting her degree to work. The Daily Telegraph is reporting that she is to become "Queen of Arts."
http://www.telegraph.co.uk/news/uknews/kate-middleton/8801273/Duchess-of-Cambridge-to-become-Queen-of-Arts.html
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Gregory Paul Behrendt
Gregory Behrendt (born July 21, 1963) is an American stand-up comedian and author. His work as a script consultant to the HBO sitcom Sex and the City, starring Sarah Jessica Parker, paved the way for co-authoring of the New York Times bestseller He's Just Not That into You (2004), later adapted into a film by the same name. Apart from that he also hosted two short-lived talk shows, The Greg Behrendt Show (2006) and Greg Behrendt's Wake Up Call (2009). Greg Behrendt graduated with a Bachelor of Arts degree in theater from the University of Oregon in 1991, though initially he had enrolled to be a business major and play rugby. After graduation, Behrendt moved to San Francisco, where he joined an improvisational troupe, and met fellow comic Margaret Cho. In his early years, he performed stand-up comedy and improv in San Francisco, California. He was a member of the improv troupe Crash and Burn, whose members included Margaret Cho. He came up as a performer alongside such comics as David Cross (with whom he roomed for years) and Patton Oswalt. He went on to appear on The Tonight Show and Late Night with Conan O'Brien. His stand-up special, Greg Behrendt is Uncool, debuted on Comedy Central in January 2006. In June 2006, he appeared on Celebrity Poker Showdown, playing for a domestic violence charity. Behrendt was a script consultant for the HBO sitcom Sex and the City, "offering script notes from the perspective of a straight man to the writing team, composed of women and gay men". With Liz Tuccillo, Behrendt co-wrote the 2004 self-help book He's Just Not That Into You. It was adapted by Drew Barrymore's Flower Films/Warner Bros. as a movie of the same name, premiering February 6, 2009. With his wife Amiira Ruotola-Behrendt, he co-wrote It's Called a Breakup Because It's Broken. He released the book It's Just a Date! in the UK. His daily daytime "self-help" talk show, The Greg Behrendt Show, premiered September 12, 2006, four months later Sony Pictures Television announced, in January 2007 that the series would not have a second season, and the show aired its last new episodes in February 2007. He also did a mid-season program for the 2006-07 television season, Greg Behrendt's Wake-Up Call, for ABC, which never aired on the network. The program began airing in January 2009 on ABC's sister cable network SoapNet. He also appeared on the Great Debate at the 2010 Melbourne Comedy Festival, in which he argued as the third speaker for the negative team on the debate "Food is Better Than Sex". Behrendt's team, made up of New Zealand comedienne Cal Wilson, English comedian Russell Kane and Behrendt himself, won the comedy event. He started the podcast Walking the Room with his friend Dave Anthony.
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The Darwin Shopping Centre in Shrewsbury has no direct connection with Charles Darwin except his name. Darwin Gardens in Mountfields, on the other hand, is a different story, having been built on the site of much of the Darwin family garden. [footnote 1]
Dr Robert Darwin ©Shropshire Museums
Charles Darwin’s father, Dr Robert Darwin (1766-1848) was the son of another doctor, Erasmus (1731-1802). [footnote 2] Erasmus Darwin was a man of extraordinary intellect, whose evolutionary ideas paved the way for his grandson. (His house in Lichfield is open to the public, for details click here) Robert Darwin moved to Shrewsbury in 1786 to set up in practice, and he quickly became very successful, making a lot of money along the way. His fortune greatly increased when he married his childhood sweetheart Susannah Wedgwood (1765-1817) in 1796. Susannah was the oldest daughter of Josiah Wedgwood, the founder of the world-famous pottery firm. Josiah died just before Susannah and Robert were married, so she inherited the enormous sum of £25,000 (nearly £1 million in today’s money).
With this money Robert and Susannah were able to build The Mount House, situated at the top of The Mount, the road leading out of Shrewsbury to Welshpool. The whole plot covered over seven acres, with access to the River Severn. On this plot the Darwins built a house to demonstrate, as Robert said, that he was ‘a person of eminence’. On the ground floor the principal rooms were a dining room, drawing room, morning room (which opened into the conservatory), library and doctor’s surgery. Upstairs there were 14 bedrooms, some with dressing rooms. A butler’s chamber, coachman’s room, valet’s room, servants’ hall, housekeeper’s room, housemaid’s closet, butler’s pantry, scullery, larder, boot room and cellar give an indication of the number of staff employed. Outside, extensive outbuildings were grouped around a well in the yard.
Susannah Darwin
Both Robert and Susannah had inherited a love of gardening, but it is likely that Susannah did most of the planning, perhaps with the help of her brother John, who was the first secretary of the Royal Horticultural Society. There were lawns covered with crocuses in spring, extensive flower beds, greenhouses, a vinery, and a large kitchen garden. The steep bank to the river was terraced, and a walking circuit was created. Robert Darwin called this ‘the Thinking Path’, and encouraged Charles and his brother Erasmus to walk it every day before breakfast and spend time in reflection. [footnote 3] Charles had his first lessons in botany from his mother in the garden, which he always remembered with deep affection. When he was on the Beagle voyage he wrote to his family, “I often think of the garden at home as a Paradise: on a fine summer’s evening, when the birds are singing, how I should like to appear like a Ghost amongst you.”
Mount House and Grounds (1900 Ordnance Survey map)
When Charles’ two unmarried sisters died in 1866, the Mount House and all the contents of both house and garden were sold at a knock-down price. The gardens never regained their former glory, and most were sold off for development in the 1930s. Recently, a part of the garden, including the Thinking Path has been offered to the Shropshire Wildlife Trust for purchase. For news of this click here. There is also much more information about the Darwin family in my book The Darwins of Shrewsbury, which is available at a special price in the shop.
[1] JL Hobbs, Shrewsbury Street Names, Wilding, p.42, says the street was named in 1934
[2] Unless otherwise stated, information for the rest of this article is taken from, A Pattison, The Darwins of Shrewsbury, History Press, 2009
[3] www.shropshirewildlifetrust.org.uk/ – Darwin’s Garden appeal
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About MACOMM
The Martire Center
Web Design & Outreach
Pre/Post Production
2019 Panelists
dr. gary l. Rose
Dr. Gary L. Rose, is Professor and Chair in the Department of Government, Politics and Global Studies at Sacred Heart University in Fairfield, CT. A political science professor for 40 years, Professor Rose specializes in the field of American politics. In addition to his teaching, Professor Rose has published twelve books on various subjects, including Connecticut government, the American presidency, constitutional law, and presidential elections. A widely quoted political commentator and scholar, Professor Rose frequently provides political analysis for local, state and national media. His most recent work is titled “HAYWIRE: A Chronology of the 2016 Presidential Contest.”
Belinha s. De abreu
Belinha S. De Abreu, Ph.D., is a media literacy educator and an International Expert to the Forum on Media; Information Literacy for UNESCO”s Communication; Information Section. Her research interests include media and information literacy education, educational technology, global perspectives, critical thinking, privacy & big data, young adults, and teacher training. Dr. De Abreu’s focus is on the impact of learning as a result of media and technology consumed by K–12 students; providing students with viable, real-life opportunities for engaging in various technological environments while in turn encouraging students to be creative and conscious users of technology and media.
Jaci Clement
Jaci Clement is the Chief Executive Officer and Executive Director of the Fair Council Media, an organization which aims to ensure news coverage is responsible and the media remains responsive and respectful to the public it serves. As an award winning journalist and advocate for media education, she also creates programming to help the public understand news and appreciate its importance to American society. A fond admirer of the news media from a young age, her work has appeared in publications such as The New York Times, Newsweek, The Hill, Long Island Business News, Broadcasting & Cable, Newsday and Better Homes & Gardens, among others. A native of Youngstown, Ohio, Clement attended Hofstra University, where she earned a B.A. in communications/journalism. She lives on Long Island, N.Y.
Macaela J. Bennett
At NewsGuard Technologies, Macaela researches, writes, and edits its Nutrition Label reviews that rate news and information websites based on credibility and transparency standards. She also collaborates with educators and librarians from around the world in teaching news literacy skills through hosting webinars and in-person workshops. Before joining NewsGuard, Macaela reported on politics and business at local and regional newspapers across the U.S.
Matt Derienzo
Matt DeRienzo is Hearst Connecticut Media Group’s vice president of news and digital content, a position in which he oversees the group’s eight daily and 13 weekly newspapers, along with their 21 news websites. DiRienzo was the executive director of LION, or Local Independent Online News, a nonprofit group that represents more than 200 online news organizations in the United States and Canada. He also has served as assistant managing editor of The News-Times of Danbury and as the editor of the New Haven Register, Middletown Press and the Register Citizen of Torrington. DeRienzo, of Litchfield, also is an adjunct professor at Quinnipiac University and the University of New Haven. He is a 2018 Punch Sulzberger fellow at Columbia University School of Journalism.
mikala kane
Mikala Kane is a senior content editor at The Hartford Courant. She runs The Courant’s new content vertical for Connecticut millennials called The Thread. Mikala has a background in copy editing and page design, and is one of the youngest managers at The Courant. Before moving to Connecticut, she worked at The Post-Star in upstate New York. Outside of work, Mikala spends her time reading or playing with her cat.
Terry sheridan
Terry Sheridan is an award-winning radio journalist. As part of his duties as new director for WSHU, he oversees and mentors a newsroom staffed by students of Sacred Heart University and the Stony Brook School of Journalism, where he is also a lecturer and adjunct professor. Sheridan was a longtime reporter for 1010 WINS Radio in New York City, covering everything from 9/11 and its aftermath to the Occupy Wall Street movement. He was more recently heard on NBC News Radio and its flagship station, WOR. His reports have aired on NPR, the BBC, ABC, and the CBC. He is also a regular contributor to The Pat Kenny Show on Newstalk 106-108 in Dublin, Ireland. Terry is president of “The Inner Circle of City Hall Reporters,” a group of New York City area journalists that roast the mayor and governor each year for New York City-based charities.
SHU Media Exchange, 5401 Park Avenue, Fairfield, CT, 06825, United States
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ACM Sacramento Chapter
Role of Deep Learning & AI in Clinical Decision Support for Imaging
Thursday, December 6, 2018 - 5:30pm
With the advent of new machine learning techniques, the field of automated clinical decision support is poised for a new growth. Previously, the decision support systems have been predominantly rule-based and built on fixed pre-determined associations from clinical knowledge. The IBM AALIM system pioneered a new direction in evidence-based medicine using the concept of patient-data driven learning by exploiting the consensus opinions of other physicians who have looked at similar patients. With the advent of deep learning methods, learning-based decision support can be combined with clinical knowledge-driven techniques to define the next generation of clinical decision support systems.
In this talk, I will discuss the role of deep learning techniques in decision support giving examples in radiology and cardiology imaging. I will also describe the IBM Medical Sieve Radiology Grand Challenge, a worldwide collaborative research effort across IBM research labs that is expanding patient data and knowledge-driven learning to define new clinical decision support systems for radiologists that will one day serve as their cognitive assistants
RSVP and Register for Event
Networking and Pizza at 5:30PM, Talk at 6:00 PM. Come and meet notable computer professionals in greater Sacramento.
Dr. Tanveer Syeda-Mahmood is an IBM Fellow and the Chief Scientist/overall lead for the global Medical Sieve Radiology Grand Challenge project in IBM Research. As a worldwide expert in artificial Intelligence for medical imaging and clinical decision support, she is leading the company's future in cognitive health and helping define new IBM products through her group’s research in biomedical imaging, computer vision, deep learning, knowledge and reasoning.
Dr. Tanveer Syeda-Mahmood graduated with a Ph.D from the MIT Artificial Intelligence Lab in 1993. Prior to coming to IBM, Dr. Syeda-Mahmood led the image indexing program at Xerox Research and was one of the early originators of the field of content-based image and video retrieval.
Dr. Syeda-Mahmood is a Fellow of IEEE. She is also a member of IBM Academy of Technology. Dr. Syeda-Mahmood was declared Master Inventor in 2011. She is the recipient of key awards including IBM Corporate Award 2015, Best of IBM Award 2015, 2016 and several outstanding innovation awards. In 2016, she received the highest technical honor at IBM and was conferred the title of IBM Fellow
Sacramento City College,
3835 Freport Blvd, Sacramento, CA 95822
Members: Free
Non-Members: $10 per person (till seats available)
(Membership: $30 Annually)
Follow ACM Sacramento Chapter on:
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L'IMPORTANT C'EST D'AIMER
After the reception of The Devil (1972) drove director Andrzej Zuławski out of Poland and into France, he didn’t make another feature film for three years, apparently filling his days in Paris with work as a writer. And though he spent a significant amount of time in the country as a student, his first French feature, L’important c’est d’aimer (1975), feels more like a generally European film and less specifically like a French one. Perhaps this is due to the melting pot of cast and crew members, namely the involvement of Austrian arthouse star Romy Schneider, Italian action and crime film star Fabio Testi, the incomparable Klaus Kinski in one of his greatest performances, and Zuławski’s genius camera operator (and frequent cinematographer) Andrzej Jaroszewicz. Perhaps this — along with the film’s central themes of love and longing — is also due to the fact that L’important c’est d’aimer was made by an exile, a man separated from his wife and young child.
While I don’t necessarily think it’s his most accomplished work from a technical perspective, against the odds L’important c’est d’aimer — which is generally translated as The Most Important Thing: Love or The Most Important Thing is to Love — seems to be my favorite of all Zuławski’s films. I say against the odds because by all rights my favorite should be The Third Part of the Night (1971), an absurdist horror drama set during the apocalyptic Nazi occupation of Poland. (To be fair, that’s my second favorite, and you can read my worshipful essay on it here.)
In many ways, L’important c’est d’aimer is the complete opposite of The Third Part of the Night: Zuławski’s first film with a contemporary setting, at its heart it’s a melodrama. And unlike the majority of his films, it has a straightforward narrative. It’s arguably the most accessible film of the first 20 years of his career as a filmmaker, a definite outlier up until maybe 1991’s La note bleue (another of my favorites, of course).
Loosely based on Christopher Frank’s novel La nuit américaine (renamed to avoid being confused with Truffaut’s La nuit américaine from 1973), the film follows the seemingly ill-fated relationship between a photographer, Servais (Testi), and a down on her luck actress, Nadine (Schneider). Though she longs for a legitimate acting career, she is forced to support herself by appearing in cheap sexploitation films because her immature husband, Jacques (French pop star Jacques Dutronc), spends all his time and money collecting photographs of famous actresses. Servais, who occasionally works as a photographer on porn shoots for a lower-level gangster, borrows money from his employer to partially bankroll an avant garde production of Richard III, with the guarantee that Nadine will be cast in the lead female role. Tensions between Servais, Nadine, and Jacques soon come to a head, setting in motion tragic events.
Among cult film circles — whether we’re talking arthouse, exploitation, or horror films — “melodrama” often feels like a dirty word and has essentially become a pejorative describing a work as shallow or frivolous. But in Thomas Elsaesser’s seminal essay, “Tales of Sound and Fury: Observations on the Family Melodrama,” he argues that melodrama possesses a “radical ambiguity” and the ability to be powerfully subversive. My background is actually in theater history (due to a perhaps ill-advised obsession with both Georg Büchner and August Strindberg) and I’d love to launch into a discussion of the origins of melodrama in the 18th and 19th centuries, all the way from The Beggar’s Opera (1728) to The Bells (1871), but suffice it to say that Merriam Webster defines melodrama as “drama in which many exciting events happen and the characters have very strong or exaggerated emotions.” Additionally, whether we’re talking about film, drama, or literature, these two constants are joined by a tendency towards somewhat unbelievable coincidence in terms of plot and a sense of strongly polarized morals.
Zuławski was never one for black and white views of morality, preferring a level of greyscale that I think is what makes him so uncomfortable for so many viewers and thus so overlooked. Like many of the films of German director Rainer Werner Fassbinder, arguably the greatest melodramatist of his generation, L’important c’est d’aimer’s chief strength lies in the fact that it is at once an exceptional work of melodrama — for instance, the heart-wrenching score from prolific French composer George Delerue is the only thing in existence that can make me cry on command — and also a masterful subversion of the genre. The film’s primary romantic act is a suicide and there is a certain irony to the fact that its central romantic relationship is never consummated, despite the fact that both members of the couple work in pornography and there is frequent sex and nudity throughout the film.
Elsaesser writes that, “what is typical of this form of melodrama is that the characters’ behavior is often pathetically at variance with the real objectives they want to achieve. A sequence of substitute actions creates a kind of vicious circle in which the close nexus of cause and effect is somehow broken and-in an often overtly Freudian sense-displaced” (79). This sentiment particularly applies to Nadine, who is trapped between an unfulfilling marriage and a disappointing career, neither allowing her to escape from the other. Schneider, whose performance revitalized her career and won her the inaugural César for Best Actress, looks truly exhausted and on the verge of a breakdown. Nadine’s husband, so obsessed with starlets, prefers the fantasy presented by his posters and film stills to living with a real actress and is unable to provide her with emotional, sexual, or financial support.
This stalemate is broken by the appearance of Servais in one of Zuławski’s many great “love at first sight” scenes, where a character is instantly transformed by the simple act of viewing a second character, a moment that will permanently alter the course of events. In his essay “The Sacred Conspiracy,” Georges Bataille wrote, “Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love” (Visions of Excess, 179). Ecstasy in this case does not merely mean a sense of euphoria or bliss, but is akin to a religious or mystical experience, one in which the subject enters a trancelike state and the self is, even temporarily, transcended.
If Zuławski’s films have any sort of consistent moral message, it seems to be that people are unhappy, but they don’t deserve to be — something he says almost verbatim in the commentary for Possession — and his plots often loosely follow a metaphorical ascent from the underworld. While some of his later films show characters escaping this misery and attempting to transform themselves through art — cinema in La femme publique, writing and music in La note bleue, photography in La fidélité, and so on — love seems to be the purest, though most painful, means to complete this alchemical process.
In the case of the melodramatic, or even conventional, hero, Servais is a curious, subversive example. Elsaesser explains that, “one of the typical features of the classical Hollywood movie has been that the hero was defined dynamically, as the centre of a continuous movement” (80). Servais, on the other hand, is almost pathologically passive for such a stereotypically macho male lead, a part for which Fabio Testi was perfectly cast, despite the unlikeliness of him starring in an arthouse melodrama. He is a pornographer (if perhaps reluctantly) and something of a lothario, but is unwilling to or incapable of pursuing a loveless sexual relationship with Nadine.
As a photographer, he records life rather than encountering it directly (much like the lead character of Zuławski’s later La fidélité), and spends much of the film spectating the action from empty theater seats, inspiring Nadine to call him the “Phantom.” Pygmalion-type relationships exist frequently in Zuławski’s films and though Servais encourages Nadine in her career — seemingly more than anyone else ever has — he resists forming this type of bond, generally remaining a mute witness rather than a motivational force. His intervention in her life is actually one of the ways in which the book and film differ. In Nathalie Vienne-Guerrin’s Shakespeare on Screen, she writes, “In the book, he himself writes the script; in the film, he agrees to bankroll Laurent Messala’s production of Richard III because he will cast Nadine as Lady Anne, ‘one of the best female roles ever” (81). This primarily financial participation is connected with one of the film’s main themes of moral and artistic prostitution.
While all the characters prostitute themselves to varying degrees, Servais seems to genuinely want nothing in exchange from Nadine. He effectively ends the film in a parallel to his opening scene where he first snuck onto the softcore set to photograph Nadine, had to bribe a member of the crew, and was beaten for his troubles. At the end of the film he is effectively bankrupted by financing Richard III for her and – in a traditionally melodramatic coincidence – is badly beaten by his former mob associates. Though by all rights they should have killed him, he is left alive, bleeding and crying on the floor.
There is something fundamentally childlike and naive about both Servais and Nadine, which heightens the contrast between innocent romantic love and sexual exploitation that is at the core of the film. Nadine’s real drive is not just a struggle to find a fulfilling love, but an almost existential struggle to comprehend love itself. At one point she breaks down in a café, smashing a glass (one of Zuławski’s often used visual tropes), and telling Jacques that “I love you means nothing.” Out of all the characters of L’important c’est d’aimer, her personal journey is perhaps the most profound, and, unlikely the majority of Zuławski’s heroines, she is even given a completely unexpected happy ending.
As with Servais, her actions in the opening and closing scenes have a direct parallel to each other. In the beginning of the film, Servais encounters her on a film set, in the middle of a scene where she is straddling a bleeding man. She is commanded to deliver her dialogue, “I love you,” but cannot bring herself to convincingly do so and begins to cry when Servais’ takes her picture. By the end of the film, she is leaning over a bloody, beaten Servais and is able to say, without hesitation and with much genuine depth of meaning, “I love you.”
A major change that Zuławski made from Christopher Frank’s novel is actually the role of Jacques, her husband, and the weight of the love triangle, Zuławski’s favorite dramatic structure. While Jacques is barely present in the novel, he has a greatly elevated importance here and the dynamic between photographer, model/actress, and cinephile/photograph collector is an elegant one that places a nearly equal emphasis on the twin themes of art and love. Of course, they are not trafficking in the “high” art of La femme publique or La note bleue, or the commercial world of La fidélité. In a sense, L’important c’est d’aimer is so subversive because it inserts the trappings of a conventional, bourgeois melodrama into the squalid world of pornography.
It’s likely that Zuławski was slyly commenting on some of the changes in French cinema during this period. The recently relaxed censorship laws allowed filmmakers to include increased amounts of nudity and softcore sex, resulting in titles like Borowczyk’s Immoral Tales (1974) and Just Jaeckin’s Emmanuelle (1974) and The Story of O (1975). These ushered in dozens of imitators that veered further and further from arthouse sensibilities and closer to low budget pornography. One of the film’s most shocking, unexpected moments actually occurs when Servais leaves the exploitation set where he first spies Nadine, and finds his way to a hardcore porn shoot, where it is revealed that he is actually late for work. Later, some of Nadine’s films are discussed – the titled bandied about the most is Nymphocula – and Nadine’s soon-to-be costar on Richard III (Kinski) enthusiastically recognizes the title and describes the plot as, “Two dykes in a castle with a dwarf!” He asserts that Nadine is “great” in the film.
Zuławski – who himself featured a liveried, Jew’s harp-playing dwarf in The Devil – seems less to be taking a pot shot at exploitation cinema and more the cult of obsession and fascination that surrounds actresses in general. He makes no distinction between Nymphocula and the exploitative power of mainstream cinema as represented by Jacques’ picture collection and his slavish devotion to fantasy over reality. This jab at the cult of the actress is almost ironic – and is perhaps a bit tongue in cheek – considering that Zuławski’s prowess as a director is largely bound up in his relationships with lead actresses, causing several of them to win major European filmmaking awards.
The hysterical, liberating, and almost physically unbelievable performances he wrenched from many of his lead actresses – such as his first wife Małgorzata Braunek, Isabelle Adjani, Valerie Kaprisky, longtime partner Sophie Marceau, and Iwona Petry – is perhaps more subtly expressed by Schneider, though she is no less impactful. In interviews, Zuławski occasionally spoke about how he convinced actresses to physically transform themselves, to shed conventional notions of beauty in favor of raw emotion that often made them appear ugly: Braunek’s horrible contortions, Adjani’s ecstatic vomiting, and Marceau’s snotty, swollen, and tear-streaked face. While Schneider escaped many of these physical injustices, he convinced her to abandon the thick layers of makeup that she felt preserved her youthful appearance (she was in her mid-‘30s during filming, though Nadine claims to be 30). In some sense, Nadine is ugly and despicable because she is so helpless, utterly adrift in a world where she is unable to either find a solid mooring or take responsibility for herself.
This provides a tangible link with her character in Richard III, Lady Anne. Historically, Anne is one of England’s more ignored queens, given shockingly little agency compared to women like Margaret of Anjou or Elizabeth Woodville. In Richard III, Anne is seduced by Richard over a corpse; not that of her husband, as is widely misunderstood, but over her father-in-law, though her husband is also recently dead. Despite being physically deformed, Richard undertakes a seduction of Anne defined by mannered speech, as he is a brilliant orator, and surprising sexual excess in Act 1, Scene 2. He says beautiful things to her, such as “Your beauty, that did haunt me in my sleep/ To undertake the death of all the world,/ So I might live one hour in your sweet bosom.” For Richard, this seduction is essentially another social mask — a favorite theme of Zuławski’s — one that allows him to exceed his vision of himself as “deformed, unfinished.”
While there are notable parallels between L’important c’est d’aimer and Richard III, Servais’s seduction of Nadine could not be more different than Richard’s seduction of Anne. Instead of providing a parallel between the two male leads, Zuławski uses the theatrical production — and the play that it so flamboyantly adapts, with a performance from Kinski that must be seen to be believed — as an important contrast. The use of theater that began in The Devil with Hamlet would figure strongly into all Zuławski’s films for at least the next decade.
Here Richard III seems primarily to function as a way to foreshadow the death of a husband and the subsequent seduction of his wife. Jacques’ ultimate sacrifice — a romantic act of suicide, rather than murder as in Shakespeare — is referenced several times before it actually occurs. Upon meeting Servais for the first time, Jacques mutters into Nadine’s ear, “I dreamt you were pouring Coca Cola in my ear. A nasty death!” This Hamlet reference indicates not only his impending death by poison, but also the central love triangle, as, like Richard III, Hamlet features a subplot about a man killing another man and then seducing his widow. During rehearsals for Richard III, the director of the play, Messala (Guy Mairesse), is unable to get the performance he wants out of Nadine and convinces Jacques, who happens to be on set, to lay in the coffin in the hope that it will inspire her.
Jacques’ actual death — agonizingly painful suicide by rat poison in a public bathroom — is not an act of violence or tragedy, but one of intense love. Suicide is a recurring theme in Zuławski’s films and it is often represented as a pathway to liberation. In this case, Jacques frees Nadine from self-imposed but steadfast bonds. In Bataille’s Guilty, he wrote, “Eroticism is the brink of the abyss. I’m leaning out over deranged horror (at this point my eyes roll back in my head). The abyss is the foundation of the possible. We’re brought to the edge of the same abyss by uncontrolled laughter or ecstasy. From this comes a ‘questioning’ of everything possible. This is the stage of rupture, of letting go of things, of looking forward to death” (109). L’important c’est d’aimer concludes with this great letting go, perhaps an unconventional but unequivocally happy ending, one that would not see its like in any of Zuławski’s film until Mes nuits sont plus belles que vos jours (1989), his love letter to Sophie Marceau that ends with the suicide of a couple.
Originally written for Diabolique.
Posted by Satanic Pandemonium at 8:14 PM 1 comment:
Labels: Andrzej Zulawski, French cinema
WHAT BECAME OF JACK AND JILL?
Bill Bain, 1972
Starring: Vanessa Howard, Mona Washbourne, Paul Nicholas
A horrible young man, John, tries to rob his grandmother of her fortune and home… by scaring her to death. He enlists his sociopathic girlfriend Jill to help him convince Granny that a dangerous, ageist gang is kidnapping and murdering the elderly throughout England. Through the use of fake or purposefully misinterpreted news and TV broadcasts, as well as “secret” conversations she’s not meant to overhear and strange phone calls, they successfully goad her into a fatal heart attack, not suspecting that Granny might have some surprises of her own.
Bizarrely PG-rated, this film is probably the most obscure of all Amicus’s horror film titles, though I can’t quite figure out why. Based on Laurence Moody’s novel The Ruthless Ones, it’s actually a coproduction with Palomar Pictures, a US company, and is one of several examples of the US chipping in funds to British genre films in the early ‘70s. Part of its obscurity is almost certainly due to the fact that it was completely ignored by British theaters, though it was marketed as an exploitation film in the US. It certainly lacks the fun, breezy, and often tongue-in-cheek tone of Amicus’s anthology films and has more in common with the stark yet restrained rash of chillers that Hammer made in 1972, like Demons of the Mind, Fear in the Night, and Straight on Till Morning. There is a decidedly nasty tone – it’s definitely Amicus’s most nihilistic film – and does have a little bit of an exploitation movie feel, as John and Jill’s plan to do away with his grandmother is almost absurdly complex and incredibly mean-spirited.
At its heart, this is actually quite a conservative morality tale. Unlike Hammer or Tigon, Amicus is actually full of stories about unlikable people being hoisted on their own petards and though this is a more unusual example, it fits in with various segments from portmanteau films like Dr. Terror’s House of Horrors, Torture Garden, and The House That Dripped Blood, where nefarious protagonists are served up Grand Guignol-style punishments. This is also essentially a gas-lighting film — where one character is slowly, subtly driven insane by one or more perpetrators — but it is one of the most atypical examples of this subgenre, beaten in the utter weirdness category only by something like Vittorio De Sica’s The Condemned of Altona (1962).
What Became of Jack and Jill? actually skirts a number of subgenres. In addition to being a gas-lighting film, it’s an interesting twist on the “evil child” subgenre. Though its characters are more or less adults – and engage in some off-screen sexual activity — they have the selfishness and emotional maturity of much younger children. But it has nothing on either Hammer’s Demons of the Mind, where two similarly aged and equally childlike young adults are trapped in mental prisons of their family’s doing, or the excellent Straight on Till Morning, another film about maladjusted dreamers so firmly entrenched in their respective fantasy worlds that violence is inevitable.
This is also one of many disgruntled British films from the period about out of control youth, which you can find in everything from Dracula A.D. 1972 and Psychomania to These are the Damned. Clearly made by some unsympathetic adults, this is a scathing attack on England’s youthful citizens, the backlash of the hippie movement, and the widespread crusades of social rebellion that took hold in the late ‘60s all across Europe and the US. It’s also interesting to watch this film in a time when so many people complain about entitled youth, as the villains of What Became of Jack and Jill? are motivated purely by parasitic greed.
Though it has some fantasy elements, almost in a cheap rip off of Lindsay Anderson’s If… (1968) — including a weird Nazi death squad fantasy and another where John imagines himself gunning down his grandmother — this is firmly entrenched in reality. SPOILERS: Gran gets the last laugh, though John and Jill manage to drive her to her death. It is revealed that merely weeks ago, she added a provision to her will that in order for John to fully inherit her estate, he must be married… but to someone other than Jill. John and Jill try to stay together and survive in near poverty despite this, but the tension drives them to violence.
What a strange film. I can’t recommend it without some reservations, mostly because it’s hard for me to think of What Became of Jack and Jill? without continually wishing I was watching Straight on Till Morning, the latter of which is one of my favorite films. With that said, it’s worth watching at least once, though you’re going to have a time finding it on DVD. Until its eventual release (and hopefully remastering, since the available prints look like total garbage), it’s fairly easy to find on Youtube or in bootleg form online.
Posted by Satanic Pandemonium at 1:58 PM 3 comments:
Labels: '70s horror, Amicus Productions, British horror
While many genre cinema and cult movie fans are familiar with the wealth of titles coming out of European countries like France, Italy, and Spain, Greece is certainly one of the more neglected cinematic locales on the continent. But thanks to the great Mondo Macabro, lovers of weird movies can add a new entry to what it is admittedly a short, but fascinating list with this release of writer-director George Lazopoulos' Μέδουσα or Medousa (1998), a surprisingly contemporary entry in the label’s roster of obscure but indispensable cult films. A blend of horror, fantasy, and crime drama, Medousa is a dreamlike thriller that nearly defies description and richly deserves a wider audience.
A knife-throwing enthusiast with a complicated past, the young Perseas (Thanos Amorginos) is the leader of a small band of thieves in Athens who habitually rob empty homes when their wealthy owners are temporarily away. His frequently rebuffed girlfriend Katia (Vana Rambota) learns that he is determined to discover what happened to his mother (the mesmerizing though only briefly seen Eleni Filini), who disappeared when he was a young teen. He is disturbed by strange memories of a faceless woman with beautiful black hair and soon locates the countryside home she has been occupying, leading his gang there at the same time that local police discover the apparently petrified bodies of missing men, who all seem to have been turned to stone…
Greek mythology is a fertile ground for genre cinema — replete with monsters, gods, strange supernatural beings, family trauma, and often horrific acts of violence — but it’s sadly underrepresented outside fantasy films. Though there are some fantastic arthouse examples, such as Cocteau’s Orphée (1950) or Pasolini’s Medea (1969), there are few horror films that mine similar territory. Those that do exist, like the underrated The Gorgon (1964) from Britain's Hammer Studios, bear very little relationship to actual Greek myths. Medousa, on the other hand, attempts a modernized retelling of the myth that pits Perseus, Greek mythology’s greatest early hero, against the Gorgon Medusa. Hideously ugly, winged, and with writhing serpents for hair, she is one of three sisters, underworld beings whose purpose changed throughout the centuries. Later Greeks, such as Ovid, described her as beautiful and wove in a rape-revenge aspect to the tale, while Freud described her as the physical manifestation of castration anxiety.
Medousa’s chief strength is perhaps that it makes the most of its strange, surreal tone and striking visuals. The film has a compelling sense of mystery and even — like I assume most people are — you know the mythic story, it’s often not clear what will unfold and the film’s plot is generally hard to get a solid grasp on. As a child, Perseas’s father figure seems to be a knife thrower in a cabaret-like carnival and as an adult, he takes up this practice, throwing blades at poster reproductions of famous paintings. In addition to a number of distractingly beautiful women, Perseas’s relationship with them is often fraught. His memories of his mother are tinged with erotic longing, while his girlfriend is coldly neglected for much of the running time.
Admittedly, it is quite different from other Greek genre cinema, in the sense that it makes it hard to place within a specific national tradition. It’s (thankfully) a far cry from Kostas Karagiannis’s Land of the Minotaur (1976), a Greek production shot in English with British actors like Peter Cushing and Donald Pleasence, which is essentially a campy riff on British folk horror with a cult of minotaur worshippers instead of Satanists. It’s similarly unlike Nico Mastorakis’s spin on Texas Chainsaw Massacre, Island of Death (1976), an exploitation film also shot in English about British tourists who travel to the Greek isles to indulge in an orgy of torture and violence. If it has any loose contemporaries, a film like Crystal Nights (1992) — a WWII-set surreal drama-romance with themes of telepathy and reincarnation — comes closest.
Like Crystal Nights, Medousa is short on exposition and there is plenty about the film that will frustrate viewers looking for a more straightforward plot and conclusion. Some things are never explained — such as the origin of the creature — and characters come and go with little resolution. A woman whose face is never seen keeps masks hanging in her closet, a young girl obsessed with taking Polaroids leaves Perseas the only keepsake of his mother, and the knife thrower who helped raise him are barely sketched out in the script. But this is the source of much of the film’s charm and it’s rare to come across a genre film that’s so delightfully difficult to define.
And if Medousa reminds me of any other horror films at all, it’s actually the small wave of strange, surreal, occult-themed movies from the late ‘80s and early ‘90s, several of which involved Clive Barker, titles like Angel Heart (1987), Nightbreed (1990), Candyman (1992), Nadja (1994), or Lord of Illusions (1995). Like a lot of those films, there are so many leather jackets on display and the characters tend to be young adults existing in a subculture and/or on the fringes of society. The collection of misfits that surround Perseas are strangely fascinating, despite the fact that they have little dialogue or screen time, and director George Lazopoulos builds a convincing, if shadowy world that seems to exist just beneath the surface of our own.
Medousa comes highly recommended and though it won’t be for everyone, I’ve really fallen in love with it. Mondo Macabro have done a wonderful job rescuing it from obscurity, though it was made a bit later than their typical fare, and I hope they manage to unearth more unusual Greek cinema in the future. There are some nice special features included, such as an interview on the making of the film with Lazopoulos and another with lead actor Thanos Amorginos, who is a musician that Lazopoulos discovered in a bar and convinced to star in the film. Despite his obvious lack of experience, he’s strangely perfect for the role. Also included is a trailer for the film.
Posted by Satanic Pandemonium at 6:28 PM No comments:
Labels: '90s horror, Greek cinema
Daughters of Darkness: Episode 4
The fourth episode of the podcast I'm co-hosting is now up!
From the Diabolique site:
In the fourth episode of Daughters of Darkness, Kat and Samm begin a four-part discussion of the career of Polish director Andrzej Zuławski. Meant to be a celebration of his life and incredible work, the episode begins with a brief discussion of his early years, particularly his training as an assistant director under Andrzej Wajda. This is followed by a discussion of his two short films for Polish television, The Story of Triumphant Love (1969) and Pavoncello (1969), two lesser seen and perhaps more conventional works, where he established a number of the themes he would use throughout his career: love triangles, troubled romance, hysterical women, literary source material, and dizzying staircase sequences.
This is followed by a lengthy exploration of his first feature-length film, The Third Part of the Night (1971), which was co-written by Zuławski’s father, Mirosław, and is loosely based on the elder Zuławski’s experiences working in a typhus lab during the Nazi occupation. The episode wraps up with a look at The Devil (1972), Zuławski’s unhinged second feature, a film that was promptly banned by the communist government and resulted in Zuławski’s departure from Poland and relocation to France. Set during the period of German occupation in Poland in the late eighteenth century, the film follows the homeward odyssey of a troubled young man who is released from prison by a mysterious stranger.
Labels: Andrzej Zulawski, Daughters of Darkness, podcast, Polish cinema
Andrzej Zuławski's Short Films
About a month ago, I began what was supposed to be a short retrospective on the recently restored early Polish films of Andrzej Zuławski – The Third Part of the Night, The Devil, and On the Silver Globe, followed by an essay on his recent, final film, Cosmos – but in light of the director’s recent passing, I realized (and was perhaps persuaded) that I couldn’t stop there, as the majority of his films have received such little critical attention. Therefore, welcome to the continuation of my retrospective on Zuławski’s films. This week I’m going to go all the way back to his early years, specifically his first two works as a director, the roughly 30-minute short films Piesn triumfujacej milosci (1969) aka The Story of Triumphant Love and Pavoncello (1969).
These films were made in the wake of a number of years working as an assistant to Polish director Andrzej Wajda, a role that he held for much of the ‘60s. Zuławski served as assistant director on Samson (1961), where he also had a small acting role, as second unit director on Wajda’s contribution to the anthology film Love at 20 (1962), titled “Warsaw,” and assistant director on The Ashes (1965). It’s also worth noting that he went on to assistant direct Anatole Litvak’s UK-French coproduction, The Night of the Generals (1967), a crime film about the murder of a prostitute set during WWII. While it starred big name actors like Peter O’Toole, Omar Shariff, and Donald Pleasence, the film was shot in Warsaw, which seems a curious choice for the Cold War years.
After putting in his time as an assistant, it was perhaps inevitable that – like so many other fledging arthouse directors – Zuławski would make at least one short film before progressing to feature length works. Both shorts were actually commissioned for Polish television, apparently as part of a series adapting works of classic literature. According to Zuławski scholar Daniel Bird, they were shot in 35mm color, but then broadcast in black and white for television, which explains why they appear to be black and white films (and are even listed as such on IMDB). At first glance, neither The Story of Triumphant Love nor Pavoncello feel particularly like they belong in Zuławski’s distinctive canon, as they exhibit a decidedly more conventional approach to filmmaking. But both films contain a number of the thematic and visual tropes that would reappear throughout his career and deserve to be rediscovered.
The Story of Triumphant Love features Zuławski’s most constant dramatic structure, the love triangle, as it follows the melancholic reunion of three friends. Mucjusz (Piotr Wysocki of Wajda’s The Ashes) travels to the mansion of his old friend, Fabiusz (Andrzej May). There is tension between the two men, because years ago Mucjusz was in love with the beautiful Waleria (Beata Tyszkiewicz, also of The Ashes), who ultimately married Fabiusz. Despite Mucjusz’s claims that he has found love with many women during his international adventures, it is obvious that passion remains between he and Waleria. During a dinner party celebrating Mucjusz’s return, he and his servant Malaj (Jerzy Jogalla) perform “The Song of Love,” a tune that Mucjusz claims can make a lover capable of seemingly impossible feats.
The Story of Triumphant Love is based on a story by 19th century Russian writer Ivan Turgenev, which actually bears more in common with the work of Turgenev’s close friend, French writer Gustav Flaubert, to whom it is dedicated. Unusually for Turgenev, it lacks a Russian setting and instead takes place in a fairytale-like interpretation of medieval Italy, complete with elements of Gothic literature: troubled romance, erotic nightmares, manipulative male characters preying on weak female ones, and hints of the supernatural. Over the years, Zuławski frequently turned to works of literature as the inspiration for his feature films and he remains one of the most accomplished literary adapters in all of cinema, often turning to texts that other directors might consider unapproachable (like Dostoyevsky’s Demons or Gombrowicz’s Cosmos).
His adaptation of The Story of Triumphant Love is perhaps surprisingly conventional and even wistfully romantic, compared to his later films. It has more in common with some of Roger Corman’s Edgar Allen Poe adaptations from the ‘60s and even something like Fellini’s Poe adaptation Toby Dammit, made for the anthology film Histoires extraordinares (1968) aka Spirits of the Dead. Though the cinematography – from The Saragossa Manuscript’s Mieczyslaw Jahoda – was not intentionally black and white, this adds to the Gothic mood, which is also enhanced by one of my favorite pieces of music from Zuławski’s lifelong collaborator, composer Andrzej Korzynski. The central musical theme highlights a reoccurring sequence where Waleria rises from bed, seemingly in a trance, and walks through the moonlit garden to find Mucjusz. Korzynski uses mournful violins and subtle, if unusual percussion, and includes vocals that first sounds like howling wolves but soon transition into a woman singing.
Like Zuławski’s later horror-tinged films such as The Devil (1972) or Possession (1981), The Story of Triumphant Love could not actually be described as a genre film, but includes themes of sleepwalking, nightmares, sudden acts of violence, and inexplicable events. In Turgenev’s story, it is implied that Muzzio (as he is originally known) has not just returned with exotic treasures and enchanting tales, but has actually acquired some sort of mystical or supernatural power and that he is trying to cast a spell on Waleria. Turgenev writes, “Valeria did not quickly fall asleep; there was a faint and languid fever in her blood and a slight ringing in her ears … from that strange wine, as she supposed, and perhaps too from Muzzio’s stories, from his playing on the violin … towards morning she did at last fall asleep, and she had an extraordinary dream.” It is implied that in the dream she is raped by Muzzio and she becomes increasingly disturbed as the story progresses. Later she describes another dream about “a sort of monster which was trying to tear me to pieces.”
The major divergence between Turgenev’s story and Zuławski’s film lies in this issue of romantic intention and sexual consent. While Turgenev describes the attempted supernatural seduction of an unwilling woman, Zuławski’s Waleria appears to want to run away with Mucjusz, despite also loving her husband, but is prevented from doing so because he reveals that he is dying of leprosy. The film concludes with Mucjusz’s “death,” where he manipulates a jealous Fabiusz into fatally stabbing him after Waleria wanders, in yet another trance, to his bedside. But, as Mucjusz promised earlier, “The Song of Love” has unexpected powers and he rises, seemingly changed, to mount his horse and have his servant lead him far from Fabiusz’s country estate.
While Pavoncello, his follow up, has an equally desolate ending as well as other thematic similarities, it is remarkably different in tone. Also set in a romantic, fictionalized Italy – albeit during the turn of the century – Pavoncello follows the fortunes of the titular violinist (Stefan Friedmann of Wajda’s Landscape After Battle), who is fired from his position as musical accompanist at a local cinema when he falls in love with a beautiful young woman, Zinayda (Joanna Kasperska). Taking pity on him, she hires him on the spot to give her violin lessons, though she insists that they must take place that night. To his surprise, he is forced to perform at the dinner party of her wealthy husband (Mieczyslaw Milecki), an important diplomat who is ill and confined to a wheelchair, and who seems displeased with the violinist’s presence.
While The Story of Triumphant Love is quite faithful to its source material, Pavoncello is a bit of a departure from Stefan Zeromski’s short story of the same name. Though he may not be familiar to English-speaking audiences, Zeromski was an important Romantic novelist from the late 19th and early 20th centuries. His works have been adapted by other Polish directors, namely in Wajda’s Popioły (1965) aka The Ashes andWalerian Borowczyk’s Dzieje grzechu (1975) aka Story of Sin. Pavoncello is a bit more mean-spirited than Zuławski’s films typically are, but he also made the protagonist considerably more down-to-earth than the preening peacock of Zeromski’s tale, who is widely regarded as one of the most handsome men in all of Rome.
Zuławski’s musical protagonist, named Ernesto but nicknamed Pavoncello, is far more of an every-man figure whose main function seems to be struggling with love, linking him with the lead characters of films like The Third Part of the Night, L’important c’est d’aimer, Possession, and La fidélité. The real centerpiece of the film is Joanna Kasperska’s Zinayda, who is arguably the first of Zuławski’s hysterical female characters. Unlike Waleria of The Story of Triumphant Love, who wanders through much of the film as if in a trance, Zinayda is alluring, coquettish, and a force of (ultimately destructive) nature. She’s so moved by Ernesto’s violin music that she smashes a glass on the floor — a trope repeated several times throughout Zuławski’s films — and dances rather inappropriately. She insists that he dance with her, right under her husband’s nose, and then winds up spinning in circles in the middle of a very tightly-laced, upper class party full of disapproving diplomats in tuxedos. She actually forces a number of them to follow behind her in a sort of insane conga line as well laughs hysterically — none of which bodes well for the poor violinist.
The film’s twist is actually quite nasty and — though you could make a possible case for Szamanka or maybe even L’amour braque — this is by far the most mean-spirited of Zuławski’s films. After a melodramatic, “love at first sight” moment (another of Zuławski’s often used scenes), Ernesto falls in love with Zinayda, believing that she feels the same way about him. He sneaks back to the estate to reunite with her and, after claiming that she is a virgin because of her husband’s infirmity, they have sex. Ernesto plans for them to run away together, but then learns that Zinayda’s plan all along has been to get pregnant and thus ensure that she will inherit her husband’s fortune. Zuławski cruelly implies that Ernesto is only one of many men who has been used in the same scheme, though he seems to be taking it particularly badly.
While both of these short films may seem more conventional and melodramatic than Zuławski’s features, they’re important starting off points that give an indication of the themes that he would return to throughout his career. In addition to love triangles, literary source material, hysterical women, and doomed love, also featured is my favorite of all Zuławski’s visual tropes: the use of a winding staircase to establish a frantic sense of motion and often emotional turmoil. Apparently Zuławski was inspired by a similar scene in Wajda’s Pokolenie (1955) aka A Generation, and it’s interesting (though perhaps a bit unfair) to consider just how far outstripped the senior director. Though these two films are not yet available in any home release, you can find both The Story of Triumphant Love and Pavoncello on Youtube with English subtitles, though hopefully that will be rectified sooner rather than later.
Posted by Satanic Pandemonium at 7:54 AM No comments:
Labels: Andrzej Zulawski, Polish cinema, short films
I, MONSTER
Stephen Weeks, 1971
Starring: Christopher Lee, Peter Cushing, Mike Raven, George Merritt
Charles Marlowe, an accomplished psychologist, begins testing out a new drug that will allow him to expand on Sigmund Freud’s theories of human repression and mental illness. Noticing that the drug makes his patients respond in complete opposition to their personalities, Marlowe begins testing himself and soon an unexpected new character — the sadistic and ugly Edward Blake — emerges. He is sexually and physically aggressive and his behavior soon begins to escalate. Marlowe’s lawyer, Frederick Utterson, realizes that something is amiss and becomes determined to help his friend, regardless of the cost, once Blake begins murdering local prostitutes.
The improbably named I, Monster is yet another interpretation of Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. If you aren’t quite as devoted a British horror fan as, say, I am, this probably seems like yet another Hammer interpretation of a classic horror story previously filmed by Universal Studios, thanks in no small part to starring roles from Christopher Lee and Peter Cushing and a Victorian setting (though it quite notably lacks Hammer’s style or panache). I have to admit that I’m getting rather tired of these adaptations. This might also be that I’ve just reached my cap and my heart is already too devoted to films like Dr. Jekyll and Mr. Hyde (1931), Two Faces of Dr. Jekyll (1960), Dr. Jekyll and Sister Hyde (1971), and Borowczyk’s The Strange Case of Dr. Jekyll and Miss Osbourne (1981) — all of which I genuinely love — to make room for a watered down interpretation of this tried and true genre formula.
After a pretty solid run of films written by Psycho author Robert Bloch, Amicus co-owner and producer Milton Subotsky once again returned to writing duties for this entry, though I can’t say that he did it any favors. It’s also curious that Amicus began filming in 3-D, though this process was eventually abandoned for some reason. That’s a shame, because maybe 3-D would have made the camera work a little more enjoyable, or at least campier. Sadly the film disappoints when it comes to script, direction, and effects. There’s some dull direction from Stephen Weeks, then a fledgling director who admittedly would not go on to helm many other films (though it curiously seems like he made two different versions of the Gawain and the Green Knight tale).
Because The Strange Case of Dr. Jekyll and Mr. Hyde is basically a variation on the werewolf myth, transformation sequences are hugely important elements of cinematic adaptations of the tale. So it’s hard for me to hide my displeasure at the fact that in I, Monster, Christopher Lee’s transformation is minimal at best, with Lee barely appearing altered. His Hyde — Edward Blake — looks exactly like Marlowe, but with the addition of some dirty, torn clothing and what appear to be Halloween store dentures. Lee makes the most of the split role, gleefully acting out as the malicious Blake, while poor Peter Cushing is given precious little to do, though he’s a reassuring presence, as always. But the less said about Mike Raven (of Hammer’s Lust for a Vampire) — and his facial hair — the better.
Despite Lee’s enthusiasm, the script really fails its protagonist. The main problem with Jekyll/Marlowe is that he is just too tightly laced and unsympathetic, which is also the issue with the character in general. Sometimes this has hilarious results, as in an early scene where he first tests the experimental drug on his cat — though maybe it’s just a random cat hanging out in the laboratory, as he doesn’t strike me as someone who would have pets — giving not only an indication of how Marlowe treats living things, but the regard for which British genre cinema obviously feels towards cats.
Another of the film’s more tedious elements is its obsession with Freud. The themes of sexual repression and addiction that appear in several other British horror films during this period are hijacked by Marlowe’s determination to improve upon Freud’s work. The drug he develops is meant to bring out the patient’s buried impulses: a repressed, introverted woman becomes sexually aggressive, while a brutish thug acts like an innocent child. His research is of course hampered by his own determination to live a life of pure science and research, which results in his unconscious desires aggressively consume his life, causing him to transform even after he has given up taking the drug.
The real issue of course is with Marlowe himself, who is quite damaged and seems unable to form close relationships outside his practice. He says that his father used his cane for things other than walking — implying that the man was a sadist, giving an interesting psychological subtext for his obsession with his studies and the drug he is developing. His only friend is apparently his attorney, Utterson, which brings me to another strange issue with the script. There are a bizarre series of name changes surrounding the central character — Marlowe and Blake instead of Jekyll and Hyde — though otherwise the script is surprisingly faithful to the novel and includes characters like Utterson and Enfield, among others. It’s not a rights issue, because by the early ‘70s, the novel had been in the public domain for quite some time. In a weird way, this is sort of the inverse of both Jess Franco and Francis Ford Coppola’s Dracula adaptations, both of which claim to be faithful to the novel but absolutely are not. I. Monster is actually faithful, outside of its new title and new names for the divided protagonist.
I have to admit that I can’t really recommend I, Monster, though Lee and Cushing completists (as well as Mike Raven completists, if those exist) will definitely want to check it out at least once. You can find it on DVD from Image, though it’s certainly more of a rental than a purchase. As of this writing, it’s also available streaming on Amazon.
Posted by Satanic Pandemonium at 12:36 PM No comments:
COSMOS (2015)
For me, Andrzej Żuławski’s thirteenth and final feature film, Cosmos (2015), is a bittersweet affair. On one hand, this is overwhelmingly because I got to see the film’s US premier a mere two days after his passing on February 17 of this year, which seems either grossly unfair or strangely fitting. But there is also much about Cosmos, an adaptation of an absurdist novel by Polish writer Witold Gombrowicz, that is bittersweet. There’s something fundamentally ridiculous about saying that a 75-year-old director’s last work — and his return to filmmaking after a 15-year absence — possesses “mature sensibilities.” But like the best of Żuławski’s later films, such as La note bleue (1991) and La fidélité (2000), Cosmos is a complex film that captures a surprisingly wide range of flavors, tones, and moods, almost too wide to really be digested in one viewing.
Loosely described as a “metaphysical noir thriller,” the plot of Cosmos is both deceptively simple and maddeningly abstruse. Two young men, Witold (Jonathan Genet) and Fuchs (Johan Libéreau), are taking a short holiday in the countryside. They stay at a guesthouse owned by Madame Woytis (a powerful performance from Alain Resnais’ widow Sabine Azéma) and her nonsensical husband Léon (Jean-François Balmer). Witold and Fuchs become obsessed with solving a mystery surrounding strange signs — a dead sparrow hanged by a wire in the woods, a mark in the ceiling of their room, a scar on the lip of the maid, and other clues in the garden — while Witold falls in love with the Woytis’s daughter Lena (Victória Guerra), who also lives in the house with her stuffy architect husband, Lucien (Andy Gillet).
Though I standby the description of Cosmos as a mature work, its central themes of sex, death, and existential investigation are refracted through a youthful, if not openly naive character. Żuławski has described some of his previous protagonists — such as those found in films like L’important c’est d’aimer (1975) and L’amour braque (1985) — as being childlike and Witold fits in with this type. He is also a moody dreamer, subject to constant flights of fancy (and fantasy). Like Gombrowicz and Żuławski himself, Witold is a writer and is defined by a relentless, if morbid curiosity about the world around him.
Witold’s need to weave a narrative out of random signs and string together seemingly unrelated, inconsequential events becomes increasingly pathological as the film progresses and as he becomes more obsessed with Lena. Though he begins as a self-described detective, or even an impartial observer, he soon becomes an active participant in the peculiar events of the guesthouse. The book’s stream-of-consciousness prose borders on the scatological as Witold’s adventures function largely as attempts to make sense of life’s meaninglessness and its many absurdities. But Żuławski — perhaps even more so than Gombrowicz — presents this struggle as central to life’s mystery, its fascination, and even its wonder.
This sense of awe is particularly reflected in Cosmos’s preoccupation with love, sex, and coupling. A fundamentally, if disturbingly erotic film, this is yet another example of Żuławski’s tendency to portray falling in love as an involuntary, even inconvenient or unpleasant event, one that often occurs against the wills of the respective lovers. Many of his films feature a melodramatic “love at first sight” moment, where the destinies of two characters are altered by simply looking at each other. A scene of this type occurs in various forms all the way from one of his early short films, Pavoncello (1969) to his first feature, The Third Part of the Night (1971), as well as his first French film, L’important c’est d’aimer, and appears in nearly all of his later works, such as Mes nuits sont plus belles que vos jours (1989), La note bleue, Szamanka (1996), and La fidélité.
In Gombrowicz’s novel, the moment occurs when Witold first spies Lena, mere moments after he and Fuchs enter the guesthouse and Madame Woytis takes them to see the room they will rent. He writes, “And yet there was a surprise, because one of the beds was occupied and someone lay on it, a woman, lying, it seemed, not quite as she should have been, though I don’t know what gave me the sense of this being, let’s say, so out of place—whether it was that the bed was without sheets, with only a mattress—or that her leg lay partially on the metal mesh of the bed (because the mattress had moved a little), or was it the combination of the leg and the metal that surprised me on this hot, buzzing, exhausting day” (22). Witold is again later haunted by this image of skin on wire mesh and fixates on Lena’s hands — particularly how they hold her cigarettes, manipulate her food, or rest on the dinner table — and her lips, a visual trope Żuławski makes particularly elegant use of.
For Witold, Lena is as much of a mystery as the hanging bird. He spends much of the film trying to know her and to assess the nature of her relationship with her husband. In the novel, he repeated wonders things like, “Were they in love? Passionate love? Sensible? Romantic? Easy? Difficult? Not in love at all?” (36). Witold’s desire for her becomes increasingly frustrated and internalized, resulting in an unexpectedly violent scene where he strangles her pet cat to death, an act the other characters interpret as being connected to the mystery of the hanging bird. Later, Witold fantasizes about strangling Lena and, as in many of Żuławski’s other films, this unresolved erotic longing becomes a disruptive force.
The residents of the guesthouse, including Witold and Fuchs, travel to the seaside for a few days, where Witold is confronted with a series of other relationships — Lena’s increasingly strange parents, other young married couples in various states of conflict (including one character that slyly references Tintin), and a frustrated, hitchhiking priest — which serve to contrast the love triangle that is forming between Lena, her husband, and Witold. This dramatic structure is present in nearly every single one of Żuławski’s films, but takes an unusual form here. Like several of his films — particularly L’important c’est d’aimer and Mes nuits sont plus belles que vos jours — Cosmos ends in suicide, with the implication that Lena’s husband hanged himself. Witold questions whether or not there was foul play, possibly implicating himself.
Despite Lucien’s sudden, completely unexpected departure from the film, neither Gombrowicz nor Żuławski ever resolve this issue of Witold and Lena’s romance, though their slightly disparate approaches to the conclusion mark an important difference in the two narratives. In the last few words of the novel, Witold says, “I returned to Warsaw, my parents, war with my father again, various other things, problems, complications, difficulties. Today we had chicken fricassee for dinner” (273). Żuławski also ends with a variation (I believe a different translation) of this last line about the chicken dinner, but leaves things much more open-ended. He makes it clear that the attraction Witold feels for Lena has become mutual and the film presumably ends with everyone returned to the guesthouse. As in Boris Godunov, he pulls the cameras back and breaks the fourth wall, revealing the cast and crew at work.
This ending line — about having chicken for dinner — simultaneously underlines three of the film’s other important themes: humor, a sense of whimsy, and the importance of food. While I’ve seen other critics compare Cosmos loosely to Buñuel’s surreal, comic critiques of the bourgeoisie, Cosmos seems to me to be more Rabelaisian than Buñuelian. In the brilliant study, Rabelais and His World, Mikhail Bakhtin writes, “In the acting of eating, as we have said, the confines between the world and the body are overstepped by the body; it triumphs over the world, over its enemy, celebrates its victory, grows at the world’s expense“ (282-283).
More satirical and nonsensical than outright surreal, Cosmos places an unusual emphasis on mealtimes and domestic rituals. As in La note bleue, food is not only connected with familial interactions and social intimacy, but with an earthy sense of physicality and sensuality. While scenes in restaurants and cafes figures strongly into many of Żuławski’s films — such as L’important c’est d’aimer, Possession, Mes nuits sont plus belles que vos jours, Szamanka, and La fidélité — the closet parallel is La note bleue. This exploration of the fading historical relationship between Polish pianist Frédéric Chopin and French novelist George Sand devotes its running time nearly equally to melancholic contemplations of death and moments of ribald humor. Many scenes are concerned with preparing or eating food and, like Cosmos, the kitchen is a central location.
Bakhtin also illustrates the connections between food and wordplay that occur occasionally in La note bleue and even more frequently — and abstractly — in the film and book versions of Cosmos. He states, “The banquet is even more important as the occasion for wise discourse, for gay truth. There is an ancient tie between the feast and the spoken word. The antique symposium presents this relation in its clearest and most classic form. But medieval grotesque realism had its own original symposium, that is, the tradition of festive speech” (283). As often uncomfortable emotional truths are revealed during scenes of feasting in La note bleue, Witold and particularly Léon, the owner of the guesthouse, go on whimsical flights of verbal fancy at nearly every meal.
Léon, played by prolific Swiss-French actor and director Jean-François Balmer in a nearly film-stealing role, is a perfect example of Żuławski’s fascinating approach to side characters. It would be easy to see Léon as a future version of Witold. He is fully consumed by existential musings and his family — particularly their communal dinners — seem to be the only thing tenuously linking him to reality. He is something of a Holy Fool, a character type frequently used by Rabelais and also throughout Renaissance literature in general, and he develops a special bond with Witold. While the younger writer is ostensibly the only person able to fully understand Léon’s individualized use of gibberish — he has basically created his own language — Léon has a clear understanding of Witold’s feelings for his daughter.
This difficult use of language as exemplified by both Léon and Witold makes Cosmos not necessarily suited to the inexperienced filmgoer and it’s important to note that Żuławski also layers the film with literary and cultural references (even taking a few light-hearted jabs at himself). For example, in Daniel Bird’s recent essay on Żuławski for Film Comment, he mentions that, “Cosmos opens with the first lines from Dante’s Inferno and also features a poem by Fernando Pessoa in both French translation and the original Portuguese.” Unlike other European arthouse directors who litter their films with cinematic references, Żuławski is an overwhelmingly literary director. Over the years he adapted everything from Dostoyevsky and Turgenev to obscure French memoirs, and also peppered his works with an incredibly long list of references including everything from Shakespeare and the Book of Revelations to French pop culture.
In this way, Cosmos is a fitting conclusion to a brilliant career. It’s an almost intentionally challenging film, one that expects active spectatorship and an intelligent, educated, attentive audience. Gombrowicz wrote of his own novel, “Cosmos for me, is black, first and foremost black, something like a black churning current full of whirls, stoppages, flood waters, a black water carrying lots of refuse, and there is man gazing at it—gazing at it and swept up by it—trying to decipher, to understand and to bind it into some kind of a whole…” A collage of linear and non-linear plot elements, powerful visual and literary experiments, and both intellectual and emotional gymnastics, Cosmos is both a powerful singular work and an incredible adaptation. While a few others have attempted it over the years — including Jerzy Skolimowski, who was apparently so traumatized by the experience of filming Gombrowicz’s Ferdydurke as 30 Door Key (1991) that he didn’t return to directing for nearly two decades — Cosmos stands as the most successful cinematic interpretation of any Gombrowicz text.
It’s perhaps ironic that though Żuławski returned to Poland for the final decades of his life, his last work was a French-Portuguese coproduction. This, of course, reflects poorly on the current Polish cultural climate and increasingly right-wing political conditions, which form an interesting parallel to Gombrowicz’s struggles. In his extensive Diary, Gombrowicz wrote, “I, who am terribly Polish and terribly rebellious against Poland, have always been irritated by that little, childish, secondary, ordered, and religious world that is Poland.”
Gombrowicz, who spent a significant portion of his life in South America — thanks to a voyage just before the start of WWII that likely saved his life but stranded him there for a time — was equally frustrated by Polish culture, particularly the Soviet propensity for censorship. His work didn’t become really accessible until Żuławski was already a young man. In a recent Film Comment interview on Cosmos, Żuławski said, “We were feeding on his plays and books because he was like air, like light, in those terribly sad, grey, and lying times. Whatever he did looked like a savage provocation in front of the Communist concrete and total boredom and total incapacity to do anything right. My entire generation was a Gombrowicz generation.” And if I can say anything about Cosmos in conclusion, it is that it’s equally a savage provocation against boredom, stupidity, and conventionality and leaves one with a curious feeling of hope.
THE HOUSE THAT DRIPPED BLOOD
Peter Duffell, 1971
Starring: Christopher Lee, Peter Cushing, Jon Pertwee, Denholm Elliott, Ingrid Pitt
Amicus’s third anthology film, after Dr. Terror’s House of Horrors and Torture Garden, is still a relatively early example of the studio’s mastery over the portmanteau subgenre. While I tend to think that they got better as they went along — later efforts like Tales From the Crypt and Vault of Horror are my two favorites — The House That Dripped Blood is a marked improvement over Torture Garden and offers up one of their best framing devices: a disturbing old house that has witnessed many horrors (though definitely does not drip blood at any point during the film) is the focus of a new investigation from a jaded Scotland Yard detective (British TV actor John Bennett). It also boasts one of the best casts out of any of Amicus’s genre films, including some fantastic appearances from British horror stalwarts like Christopher Lee and Peter Cushing, as well as Ingrid Pitt, Third Doctor Jon Pertwee, and the delightful Denholm Elliott.
Though regular Amicus director Freddie Francis was absent for this film — replaced by British TV regular Peter Duffel — author Robert Bloch once again returned as screenwriter. The first tale, “Method for Murder,” sets the tone for the series, which is lighter on camp than Dr. Terror’s House of Horrors or Torture Garden, and features a convincing blend of crime and horror. Denholm Elliott plays a horror writer who rents the titular house to break through writer’s block, though he begins to see physical manifestations of the psychopathic character he has created. Spoilers: This story has a particularly fun twist, one that (possibly intentionally?) makes fun of Hammer suspense films. It turns out that the writer keeps seeing his fictional psychopath, because his wife (Joanna Dunham) is having an affair with a young actor (Tom Adams) and wants to steal all her husband’s money. But the joke is on her, because the actor has really become possessed by the spirit of the killer…
The second tale, “Waxworks,” is a bit more plodding — or would be if it wasn’t for the delightful intervention of Peter Cushing, reprising a role similar to the one he played in stand-alone Amicus film The Skull: a reasonable, if not outright likable man who is clearly on a descent into insanity. Cushing’s character, Peter Greyson, is a retiree renting the house to relax and pursue activities like gardening, reading, and staring longingly at the photograph of a beautiful young woman. Soon he comes across her likeness in a gruesome wax museum and it’s clear that he and another friend — played by underrated actor Joss Ackland, fresh off Hammer suspense film Crescendo — have a complicated history with her. One of the weaker links in The House That Dripped Blood, it’s still plenty entertaining thanks to a strong performance from Cushing, who I would watch in anything.
About on par with “Waxworks” is the next story, “Sweets to the Sweet,” which stars Cushing’s regular partner-in-crime, Christopher Lee. He plays a stern father who is mysteriously cruel to his traumatized young daughter. Refusing to send her to private school, he hires a pretty teacher (New Zealander Nyree Dawn Porter of The Forsyte Saga) to help bring the girl out of her shell and give her an education. But the teacher soon learns that he’s not abusive towards his daughter because of some past trauma, but because he fears that the girl has inherited her mother’s violent occult powers. Aside from Lee’s domineering, charismatic presence, this is probably the most forgettable story in the anthology and has sort of a smug approach to witchcraft themes. “Sweets to the Sweet” essentially follows the idea that the child in inherently bad and will cause rampant destruction if allowed to do basic childhood activities like playing with dolls.
The final entry, “The Cloak,” is if not the best of the bunch, at least equal to “Method for Murder.” Though Vincent Price was supposed to star, he was prevented from doing so by his contract with American International Pictures, though the would later collaborate with Amicus on Madhouse which costarred Price and Cushing. Instead, the wonderful Jon Pertwee was cast as Paul Henderson, a genre celebrity who rents the house while working on a local horror shoot. He buys an old cloak from a strange man, but realizes that it makes him act strangely, even inspiring him to bite the neck of his buxom costar (Ingrid Pitt, allowed to be delightfully funny for once). This is one of the best segments in any Amicus portmanteau film, so I don’t want to ruin it.
The House That Dripped Blood comes recommended, particularly for anyone who loves old school horror with liberal doses of camp and humor. It’s also a great place to start if you’ve never seen an anthology film and want to check one out. The film is available on a UK DVD or US DVD, though I’m hoping a Blu-ray box set of Amicus anthology films will come along sometime soon — at least something to rival the Arrow Vincent Price/Roger Corman box set.
Labels: '70s horror, Amicus Productions, anthology film, British horror, vampires
Freddie Francis, 1967
Starring: Jack Palance, Burgess Meredith, Beverly Adams, Peter Cushing, Michael Ripper
Dr. Diabolo — the always terrifying Burgess Meredith in a fantastic role as an extravagant, mustachioed sideshow performer — invites five seemingly random circus-goers in for a private tour of some of his more gruesome attractions, including murder reenactments and fare similar to wax museums. Diabolo eventually introduces them to the wax figure of Atropos, the Greek goddess of fate, and her menacing sheers destined to snip each and every human lifeline at one point or another. One after another, the five characters are sent into trances as they stare at Atropos, where they all get foreboding visions of their respective violent fates.
After 1965’s Dr. Terror’s House of Horrors, Amicus finally returned to the portmanteau film subgenre that would become the studio’s signature. This second entry — after a number of standalone features like The Skull, Deadly Bees, and The Psychopath, all directed by Freddie Francis and scripted by Robert Block — very much follows the same formula as Dr. Terror’s House of Horrors: it begins with a framing story that borders on camp with a central figure who doles out horrific fates to a group of strangers, who are all first unbelieving or indignant, but are soon terrified. And Torture Garden has many of the same strengths and weaknesses of its forebear, in the sense that some of the stories are very strong, while others are just disappointing.
Torture Garden’s main strength is that it’s not only penned by Robert Bloch — unlike Dr. Terror’s House of Horrors, which was written by Amicus co-owner and producer Milton Subotsky — and is based on some of Bloch’s own tales. In the first, “Enoch,” a man attempts to wrest the family fortune from his dying uncle, but is in for quite a surprise. Personally, I’m a bit exhausted by the inheritance plot as motive for murder, which is a default plot many of these British suspense/horror films. SPOILERS: I’ve written a few times now about horror movies with possessed or evil cats — films like The Uncanny, Seven Deaths in the Cat’s Eye, and Hammer’s own The Shadow of the Cat — a trope that continues to be just absolutely ridiculous. While Night of a Thousand Cats is admittedly my favorite of these films, this segment in Torture Garden deserve at least a round of applause. This fucking cat is telepathic, apparently possessed by a witch, and psychically manipulates a man into killing people so it can eat their heads.
It eats their heads.
Unfortunately the second story, “Terror Over Hollywood,” is a massive disappointment and is a bit more sci-fi than horror. It follows a bitchy actress (Beverly Adams) — the same woman that earlier in the framing sequence introduced herself as being from Hollywood, not Los Angeles or California — who maneuvers her way into a date with some Hollywood big shots. When she is given her big break, she’s so obsessed with a lead actor that she soon realizes that he and some of his coworkers are androids, once famous actors who had their consciousnesses transported into metal bodies by a menacing doctor. I certainly hope this was intentional on Bloch’s part, but the dialogue in this one is absolutely grating. For instance, there a shot where Adams says “this noon” instead of “this afternoon,” which makes me want to actively kill myself
The film redeems itself a bit with the last two stories. In “Mr. Steinway,” the poor John Standing — who was just so obsessively controlled by his demented mother in The Psychopath — is here an unstable pianist being controlled by a manipulative girlfriend (Barbara Ewing) and a demanding agent. But his piano, with a mind of its own, has enough and throws his pushy girlfriend right out the window of his apartment, which just happens to be several stories off the ground — all while playing Chopin’s “Funeral March.” I wish this sense of bleak, campy fun had wound its way throughout the film, though fortunately it’s also present in the last story.
In “The Man Who Collected Poe,” Peter Cushing appears in a story not dissimilar to The Skull, where he faces off against an even more rabid collector of Edgar Allen Poe paraphernalia — played by a raving Jack Palance. Few could chew scenery better, as is proven by films like Hawk the Slayer and Dan Curtis’s 1974 Dracula, and the combination of Palance and Cushing is just delightful. This film was actually supposed to highlight Christopher Lee and Cushing, rather than relegating Cushing to what is basically a side role, but American financers demanded some bigger American names like Burgess Meredith and Palance. And while I love them both, their combined weight and frothy-lipped scenery chewing makes this feel less like an Amicus anthology film and more like a colorful, low budget series of episodes of something like Alfred Hitchcock Presents.
British horror fans really seem to especially love or hate this one, which I find kind of baffling. Torture Garden — which lacks any gardens or scenes of torture — is far from the best Amicus film, but has its enjoyable moments. Did I mention already that a telepathic cat makes someone kill people so that it can eat their heads? Not their brains, but their entire heads (a feat that would actually be physically impossible for a common house cat). There’s also a delightful epilogue starring one of my favorite Hammer actors, Michael Ripper, and the typically bone-headed twist that most of these anthology films include. While it lacks the grace, style, or teeth-gnashing camp of The Skull — which might still be my favorite Amicus film — this is worth watching and can be easily found on DVD.
Labels: '60s horror, Amicus Productions, anthology film, British horror
THE PSYCHOPATH
Starring: Patrick Wymark, Margaret Johnston, John Standing, Alexander Knox
Inspector Holloway is put on a strange murder case where a man is run down with a car and a doll made in his image is left behind at the scene of the crime. Soon other similar murders occur, seemingly surrounding a group of business associates who worked together during WWII. The trail eventually leads back to a handicapped German woman, Mrs. Von Sturm, whose husband committed suicide after some dark accusations implying he took advantage of slave labor during wartime. The obviously disturbed Mrs. Von Sturm lives with her adult son Mark in a house coincidentally full of strange dolls…
While the majority of Amicus’s films are widely available on home video release, The Psychopath is one of the rare titles that has seemed to slip through the cracks, possibly because it’s such a strange beast. Written by Psycho author Robert Bloch, the sort of unfortunately titled The Psychopath does bare some things in common with Hitchcock’s superior film — namely a troubled relationship between parents and children — but is a strange transitional entry between Hammer’s black and white suspense films that inspired it and some of the early giallo films. It’s not quite as lurid or over the top as similar later titles like Mario Bava’s Hatchet for the Honeymoon (1969) or Umberto Lenzi’s Spasmo (1974), but it has a number of unexpected giallo-like elements.
First and foremost are the series of killings with a specific modus operandi — the dolls left behind — that is obviously connected to past trauma, but there is a female character in a bright red raincoat, a number of suspicious side characters, and the uncanny use of dolls and mannequins that also appear in so many giallo films. There’s even a vaguely sinister European painter/sculptor (Robert Crewdson of Her Private Hell), one of my favorite bizarre Euroocult tropes. He gets some of his art materials from a junkyard, which is of course where he meets his sticky end.
The Psychopath of course also has plenty of British genre elements. In addition to director Freddie Francis, cinematographer John Wilcox, and screenwriter Robert Bloch, there are some links to previous Amicus film The Deadly Bees. While Rolling Stone Ronnie Wood appeared briefly in The Deadly Bees, here he apparently contributed some music, though regular Amicus composer Elisabeth Lutyens — one of the few female composers in genre cinema — provides the excellent score. Side character Gina Gianelli, here the woman in the red raincoat and doll factory employee, also met a sticky end in The Deadly Bees.
The film’s main problem is that it’s not sure what type of horror films it wants to be. It sometimes seems to be a straightforward murder mystery with the central protagonist as the detective (British horror staple Patrick Wymark of everything from The Skull and Repulsion to Witchfinder General). But other times it’s a much stranger, more giallo-like film and would benefit from the same structure as British psychopath films from the period — such as The Collector — that make the killer’s identity obvious from the beginning. I don’t really think I’m giving anything away here by saying that the murderer is indeed the disturbed Mark Von Sturm (John Standing of The Elephant Man). Mark is basically “Norman Bates, the early years,” and his relationship with his mother is truly unsettling.
The real psychopath of The Psychopath is actually Mrs. Von Sturm (Margaret Johnston of Torture Garden), who is fittingly menacing. Though she is not the killer, she gets the last laugh in a truly fucked up ending sequence where it’s revealed (SPOILERS) that she has “rescued” an injured Mark and has turned him into a human doll, where he will never be able to escape her maternal clutches. In a sort of inversion of Psycho, she gets up out of the wheelchair at the last minute, ready for one final act of maniacal violence.
There are some colorful side performances, namely from Thorley Walters (Vampire Circus) and Judy Huxtable (Scream and Scream Again), who is almost given a meaty roll as the daughter of Frank Saville (Alexander Knox of Modesty Blaise). In an interesting parallel to the relationship between Mrs. Von Sturm and Mark, Saville is also in poor health, a fact that he uses to manipulate his daughter into responding to his every whim.
It’s not without its issues, but I certainly enjoyed the film and I have trouble understanding why it’s still so obscure. The Psychopath comes recommended for anyone who enjoys more obscure giallo films, krimis, or some of the more unusual British horror entries from the period. It’s available on an Italian DVD, though hopefully it will see the light of day on Blu-ray sometime soon. This is not the movie for anyone who hates dolls — which I admittedly kind of do — as they are absolutely everywhere. Various characters collect them, make them, or work in a doll shop. It’s this sort of improbably, even zany link between visual and plot themes that makes The Psychopath feel so much more like a giallo film than a lesser seen entry in British horror.
The third episode of the podcast I'm co-hosting is now up!
In the third episode of Daughters of Darkness, Kat and Samm wrap up their three-part discussion of lesbian vampire films, this time with a focus on low budget American and Spanish films from the 1970s. They begin their discussion with the unusual film The Velvet Vampire (1971), the only entry in the series to be directed by a woman. The film’s star, Celeste Yarnall, is currently in ill health, so please contribute to her Go Fund Me campaign.
Then they explore Spanish-language films like The Werewolf vs the Vampire Woman (1971), where Paul Naschy’s werewolf faces off against a vampire queen, and the eerie, poetic The Blood-Spattered Bride (1972). They also take a look at Joe Sarno’s inane sexploitation film, The Devil’s Plaything (1973), about a castle full of lesbian vampires attempting to reincarnate their perverse leader with the help of a buxom, virginal sacrificial victim. Luigi Batzella’s absolutely insane The Devil’s Wedding Night (1973) gets a special mention, before moving onto cult classics like José Ramón Larraz Vampyres (1974) and Juan Lopez Moctezuma’s Alucarda (1977), as well as his Mary, Mary Bloody Mary (1975). Two obscure films about innocent young girls who are pursued by aggressive female vampires are also explored: Czech film Valerie and Her Week of Wonders (1970) and low budget American film Lemora, a Child’s Tale of the Supernatural (1975).
The episode concludes with a somber discussion of two more mainstream, relatively recent lesbian vampire films. First off is The Hunger (1983), Tony Scott’s melancholy meditation on aging and death starring David Bowie and Catherine Deneuve. Finally, Nadja (1994) is a David Lynch-produced film that reimagines one of the first movies discussed in episode one, Dracula’s Daughter, with a ‘90s independent cinema feel.
Labels: Daughters of Darkness, podcast, vampires
An Interview with Daniel Bird
This is the concluding entry in a four part series on director Andrzej Żuławski’s recently restored early Polish films — Trzecia częśc nocy (1971) aka The Third Part of the Night, Diabel (1972) aka The Devil, and Na srebrnym globie (1988) aka On the Silver Globe — which I recently had the pleasure to see at the Lincoln Center in New York. The retrospective’s co-curator, writer and Żuławski collaborator Daniel Bird, was kind enough to sit down and talk about the process of restoring these films, their place in Polish culture, and the future of Żuławski’s cinematic legacy.
Diabolique: How did the restorations for The Third Part of the Night, The Devil, and On the Silver Globe come about and what was your involvement with them?
Daniel Bird: The Third Part of the Night was in the process of being restored, my only involvement in that was asking if Żuławski could approve it. Witold Sobocinski, the director of photography, did an excellent job, and I understand that work on that title went smoothly. As for The Devil and On the Silver Globe, Florence Almozini (associate director of programmer at the Film Society at the Lincoln Center) and myself wanted to present all three titles together with Cosmos. I approached The Polish Film Institute about funding the restoration of the remaining two titles.
Apart from the financing, I was not actively involved in the restoration of The Devil. However, Żuławski got sick around the same time we started work on On the Silver Globe, so I was left with no choice but to take a more active role. Andrzej Jaroszewicz did an excellent job with the grading, and Gosia Grzyb is a brilliant colourist. I am extremely proud to have played a part in this project.
Diabolique: The first two films, in particular, seem to involve a lot of familiar faces, like Żuławski’s first wife, Małgorzata Braunek, and the cinematographer, Andrzej Jaroszewicz, and composer, Andrzej Korzynski. Plenty of directors seem to work with a core cast and crew group, but can you talk about how Żuławski chose collaborators for these early films?
DB: Korzynski was Żuławski’s friend since his school days. Braunek, at the time, was arguably the biggest star in Polish cinema, however, I don’t think it was Żuławski’s intention to cast her in The Devil. She had just given birth to their son, Xawery, but the casting didn’t work out so she had to put a pillow under her dress and pretend to be pregnant.
It’s worth noting that a lot of those actors are very young, often in their first film roles, and fresh from theatre school. Żuławski prided himself on sniffing out new talent. If Dark Matter [a planned but not realized project] had happened, it would have been the first big role for Marine Vacth, as she was attached. Most of the cast for both The Third Part of the Night and The Devil are fresh from theatre school, and Jonathan Genet in Cosmos is no different. I think it’s a question of recognising talent, managing egos and, ultimately, exerting control.
As for Jaroszewicz, he was the camera operator for Maciej Kijowski, who had been the operator for Witold Sobociński on The Third Part of the Night. Jaroszewicz was as much interested in moving the camera as he was lighting, but of course the two things are connected. If you are going to move the camera about, you have to think about lighting differently. Between them they really pushed this mobile camera to an extreme with On the Silver Globe.
Diabolique: It seems to me that these first three Polish films are also his most overtly political. Would you agree or disagree with that and, if so, do you think there are any reasons for this outside of simply being created in a repressive political environment?
DB: I would disagree! First, I don’t think any of Żuławski’s films are overtly political. I just read an interview he did in Locarno and he says quite explicitly that there is nothing worse than a filmmaker with a cause. Second, I think they are all, in one way or another, political. Sure, everything is political, but in his case, politics were necessary. Take Possession, when Heinrich says, “I believe no one has the right to impose his will on anybody.” Marc say, “How long have you been fucking me over?” I think that sums up Żuławski’s feelings about Communism; i.e. people who abolish power structures always turn out to be tyrants themselves. Heinrich’s bullshit “liberates” Anna, but leaves her feeling suffocated in a different way.
The commercial market place is just as repressive, but in a different way. Sure, The Devil was banned and On the Silver Globe was shut down, but look what happened to Possession in the US – it got mangled beyond belief and it took 30 years before anyone got to see it properly. Just as careerists rose up the communist system by taking “control” of rogue film projects — like the guy who shut down On the Silver Globe — so do their Hollywood counterparts – how many Hollywood films have been butchered?
Possession is, of course, a problem. Take that line of Anna’s, “No one is good or bad.” In most horror films it is quite obvious who the bad guy is – Jason, Freddy, etc. Hollywood genre cinema is predicated on the good guys versus bad guys, just as Communist cinema is or was, but Żuławski wasn’t a moralist.
Diabolique: What was the Polish reaction — both in terms of film criticism and the censorship office — to these first three films?
DB: All three encountered problems of varying severity. The problematic aspect of The Third Part of the Night is that it focuses on the role of the Armia Krajowa, or the Home Army. They are not workers, but intellectuals – writers, mathematicians, musicians. Of course, it is this officer class, these intellectuals, which the Soviet did their best to get rid of, during WWII (for example, in the Katyn massacre), immediately afterwards, and during the early 1950s at the height of Stalinism in Poland. So, by merely presenting this class, and the role they played in the War, it was considered an issue.
The situation with The Devil was more severe, as the film was banned in 1972 and was not released until the 1980s. Officially, the film was banned for upsetting Catholics. Unofficially, it was because the film alludes to the role of the minister of the interior in the student riots of March ’68 which resulted in a purge of Jews from the Polish Communist Party.
In the case of On the Silver Globe, the film was shut down towards the end of shooting, ostensibly for budgetary reasons. There are many reasons for the halting of On the Silver Globe. First, this happened before the visit of John Paul II, before the formation of Solidarity. Second, the head of cinematography, Janusz Wilhelmi, used the production problems of On the Silver Globe to take the place of Jozef Tejchma as Minister of Culture. Third, the Polish economy was in crisis during the second half of the ‘70s. Żuławski got very angry whenever anyone described On the Silver Globe as an extravagance. For me, the “unmaking” of On the Silver Globe is really about the cracks appearing in the Eastern Bloc.
Diabolique: It’s an interesting parallel that you’re drawing between Communism’s insistence on clear morality in art and Hollywood’s determination to have the same. It seems to me that the most interesting — or at least my favorite — filmmakers often explore moral gray areas. Why do you think this is such a constant theme in Żuławski’s films?
DB: I think it has something to do with his generation. He was born in 1940 in Lwow. This means that, for his first four years, he was watching people die. Żuławski had a sister but she starved to death. Remember, existentialism as a philosophical and literary movement flourished as a consequence of the Second World War. Żuławski was very critical of Sartre, as you can tell from the dialogue in Cosmos, but he had more time for Heidegger, which he discusses at length in one of his novels, Infidelity. His hero was Conrad, and I think the way he looked at the world was very similar: man against a godless universe. He was fascinated by religion, but was not at all religious. If you don’t believe in God does that mean you have moral carte blanche? He was interested in the heart of darkness… He disliked horror as a genre, but was obviously very much interested in “the horror, the horror.” At the same time he rated The Texas Chainsaw Massacre, Alien, The Shining, and Carpenter’s The Thing very highly indeed.
Diabolique: The majority of Zuławski’s subsequent films were set in present day, while these first three Polish films are set in either the past or a fictional world. Do you think this has anything to do with the fact that they were made in Poland and funded by the government?
DB: Well, period dramas were, as a rule, deemed “safer.” The problems were films which were period dramas about “now,” like The Devil or Ryszard Bugajski’s Interrogation. On the other hand, the films Żuławski made outside of Poland were usually subject to budgetary pressures. I think he often turned this restraint to his advantage; take Cosmos, for example. On the one hand, I don’t think there was ever a question of the film being set during the time it is set, simply from an economic point of view. On the other hand, like L’amour braque and La fidélité, I think the strength of Cosmos is how Żuławski transposes the novel to the present day.
Diabolique: You mentioned that Joseph Conrad was a major influence. Considering the other adaptations he did over the years, why didn’t he ever use Conrad’s work? Secret Agent is a personal favorite that I would have loved to see adapted by Żuławski. It also seems like subject matter that certainly would have been popular in Poland and I know a few other directors, like Wajda, did adapt some of his material.
DB: Actually, he did write a script based on Heart of Darkness for Wajda to direct during the ‘60s. It was to be produced by Paramount. He changes the sex of one of the key characters, which makes sense in the context of Żuławski’s work as a whole. It was to be produced by one of Selznick’s sons.
Of course, Conrad is deceptively tricky when it comes to making film adaptations. Welles reached the same conclusion. What do you film? What Marlow says? Or, do you film Marlow telling the story? In his proposed version of Heart of Darkness, which in turn was based on his radio play, Welles tried to have his cake and eat it. Marlow, Conrad’s infamously unreliable narrator, is arguably the defining characteristic of Conrad’s modernism, but it does present problems for cinema.
Of course, you can do something like Rashomon, but the effect is not the same as when you read the book — although Żuławski does something brilliant at the end of Cosmos which has nothing to do with the book. Conrad figures a lot in Żuławski's novels. As for The Secret Agent, I think that book is as much an influence on La femme publique as Dostoevsky’s Demons.
Żuławski himself was very critical of Apocalypse Now. For him, Coppola or Milius misunderstood the book. “The horror, the horror” was unbound by place, it was something that could be brought home so to speak. For a while I worked with Żuławski on a script that touched upon the French-Indochina War, and we talked a lot about this. He was very keen on De Niro’s character in The Deer Hunter. Żuławski thought there was a lot more Conrad in Cimino’s film than there was in Coppola’s.
Diabolique: Though you mention that you don’t think any of Żuławski’s films are specifically political, On the Silver Globe seems at least historically bound up with a lot of changes in Polish politics. His uncle’s novel was written in the politically tumultuous first decade of the 20th century and the film was shot during a period of unrest in the mid-’70s. Do you think the film’s subject matter reflects these uniquely Polish historical events?
DB: First, Żuławski’s film of his great uncle’s book is in no way a straight adaptation. The female characters are pretty useless and the astronauts even bring dogs with them to the moon. This is understandable for a book written a hundred years ago, but it was obviously going to be a problem for audiences in the 1970s. Second, in terms of its message so to speak, there is nothing about On the Silver Globe which is “against” communism as such.
It is not a “spiritual” film like, for example, the work of Tarkovsky. Rather, its subject is spirituality, or our predisposition towards religion, and where that leads us, namely acting and politics.
Both the book and the film are awfully bleak, and like you say, this has something to do with the times they were written. Spengler’s Decline of the West, while largely forgotten today, made a big impact during the first couple of decades of the last century, i.e. immediately after the First World War.
Żuławski’s film has that great scene with the girl on the beach just questioning basic ethical principles upon which to live: Is it right to do this? Is it wrong to do that? On what or whose authority? There is nothing anti-Communist about that. Like Communism, it presents religion as an essentially social development. A good communist sci-fi would present religion as a stage one overcomes to reach some socialist Utopian goal (this is implied in the book of Hard to be a God, i.e. “why is this idiot planet stuck in the dark ages?”).
On the Silver Globe, on the other hand, presents the astronaut as the victim of a religion, which is acting politically — which is arguably something it has in common with German’s film of Hard to Be a God.
Diabolique: Why do you think Żuławski wanted to return to Poland and resume making movies there after so many years in France?
DB: Because of the collapse of Communism. He returned to Poland in the early ‘90s. It is important to remember that Szamanka is generally considered by Polish critics to be one of the worst films ever made. This says a lot about Polish film critics. One thing which is important to remember is that when the script was refused funding by Polish television, Żuławski turned to private investors both in Poland and from abroad. Whatever anyone thinks of Szamanka, I think this is an important gesture.
Milos Forman said that the difference between filmmaking under Communism and in Hollywood was that the fate of your film depended on the opinion of one fart in the case of the former and the public in the case of the latter.
Diabolique: What would you like to see happen with his legacy?
DB: Żuławski’s legacy is thirteen incredible films. There is not one dud. Sure, some are more interesting than others, but none, I think, are failures. Personally, I think he is up there with, Lynch or Aleksei German. Of his generation in Poland, he stands alongside Polanski and Skolimowski. Frankly, for me, with one or two exceptions, Kieslowski’s films are generally overrated. Agnieszka Holland is a safe pair of hands, which is why she excels in US TV, where the writer is king or queen. I don’t think Zanussi has made a good film in almost forty years.
In Poland, Żuławski’s reputation suffered because of the scandals surrounding his private life and his non too subtle opinions expressed in his books. However, now that he is no longer with us I hope Polish audiences in particular actually look at his films and learn to appreciate what a talent he was.
Andrzej Wajda runs a film school in Warsaw. On the walls are inspirational quotes from Paulo Coelho. Żuławski once said that if he ever ran a film school he would force students to watch Kurosawa’s Throne of Blood. I know which school I would have picked.
Labels: Andrzej Zulawski, interviews, Polish cinema
THE DEADLY BEES
ON THE SILVER (1988)
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Barca sign Sanchez for 26 million euros
Friday, July 22, 2011 11:15
MADRID, July 21, 2011 (AFP) - Spanish and European champions Barcelona have reached a deal with Italian club Udinese to buy Chilean striker Alexis Sanchez for 26 million euros, it announced Thursday.
The 22-year-old will sign a five-year contract, the club said in a statement on their website.
"Barcelona and Udinese have reached an agreement on the transfer of Alexis Sanchez. The deal is for five years. The cost of the transfer is 26 million euros," said the statement.
The deal could be worth a total of 37.5 million euros depending on appearances.
Sanchez, who will be the first Chilean to play for the club, will undergo a medical test, sign the contract and be presented on Monday.
Sanchez has played for Udinese since 2008 and last season was voted best player in Serie A, after scoring 12 goals in 31 games.
The player had also been linked with English sides Manchester United and Manchester City, but said last month that he wanted "Barcelona or nothing".
He "has been sought by the best teams in the world. However, he has been strongly committed to playing for Barca," the statement said.
Barca coach Pep Guardiola said this week that his priority for the upcoming season was signing a forward, with Sanchez his top target.
"He is a very young player, can play in three attacking positions, has a lot of intensity in defence, very vertical, unbalancing, and from what I've been told he's a very good guy," he told a news conference on Tuesday.
The signing is the first of the new season for Barca, where Sanchez will join the likes of Argentine star Lionel Messi and Spain's David Villa.
Guardiola has also said is not giving up the fight to sign midfielder Cesc Fabregas from Arsenal despite the determination by Gunners' boss Arsene Wenger to hold on to his captain.
"There is still time," before the pre-season transfer window closes on August 31.
"We will try to reach a deal" on the 24-year-old, he told Tuesday's news conference.
The club starts a pre-season tour of the United States with a friendly against Manchester United in Landover, Maryland on July 30.
The Spanish league kicks off on August 21, when Barcelona visit Malaga.
Vietnam’s women football team rank first in Southeast Asia
Women cycling tournament for An Giang TV cup starts
Vietnamese GM wins Summer Chess Classic in US
Vietnam win Davis Cup promotion
VFF negotiates to extend Park Hang-seo's contract
Quang Ngai kicks off Int’l Paragliding Championship for first time
Striker Nguyen Cong Phuong to go on trial with French team
Hai named in top 6 Asian footballers ready to play in Europe
Vietnamese GM wins Asian Chess Championship title
Vietnam come second at King’s Cup 2019
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Crotchety Pop
Posted on December 10, 2018 by Chris Humpherys — 6 Comments ↓
I’m 50 years old. When I walk into work, nobody wants to talk to me, not even make eye contact, until I’ve had my coffee. It’s why my co-workers know to have a fresh pot brewing as I walk through the door. They spoil me like that.
I’m not the only crotchety old man leading a crew of young’uns these days. San Antonio Spurs head coach Gregg Popovich has never been one to hold his tongue… unless it’s during a sideline interview for which he simply cannot be bothered.
These days, however, Pop has a new beef. It’s with the NBA’s three-point line. What’s that poor inanimate object ever done to him?
In a recent interview, Popovich told the media he’s always hated the three-point line… which is odd considering it has been in the league for forty years. The three-point shot, says Pop, is “mucking up the game.” Not only is Pop grossly out of touch, he’s also the only person to still use the word “mucking.”
Pop calls himself old school but old school, Hall of Fame players like Ray Allen, Reggie Miller and oh yeah, Larry Bird have essentially redefined the game from the perimeter. New schooler Stephen Curry isn’t too bad from behind the arc either. I would like to counter Pop’s “three-point shot makes the game boring” argument by saying these have been four of the most enjoyable players to watch in league history. I also say that if you don’t like the three-point line, guard the perimeter. Maybe Pop’s just pissed because no one on his current team can hit an open jump shot.
Pop’s once mighty San Antonio Spurs have fallen off the map in the Western Conference. They are currently under .500 and if the playoffs started today, they’d miss ‘em altogether. This is a team that with Tim Duncan, NEVER missed the playoffs, not to mention all the titles (five) they won with him.
Alas, Duncan has retired. Former Finals MVP Kawhi Leonard has left town as well, leaving a bad taste in San Antonio’s mouth and a spur up Pop’s butt. It bears noting that Leonard’s new team, the Toronto Raptors, boasts the best record in the NBA.
I have news for Gregg Popovich. The three-point line isn’t going anywhere. Not lost in Pop’s complaints is the irony that the ABA/NBA merger which brought the San Antonio Spurs to the NBA, also brought the three-point shot. Perhaps Pop forgot that little nugget of NBA history. It is unfortunate no reporter knew well enough to ask him.
The NBA likes ratings. Offense brings ratings. If you don’t like it, quit or play defense. If Pop really wanted to complain about something, I’d say the league’s lack of defense and the way it is now officiated is worth a letter to the commissioner. But to complain about a rule that’s been in the league for forty years and suggesting they should institute a five and seven point shot just sounds petty on Pop’s part.
I’m not going as far as to say that the game has passed Pop by. He’s clearly earned enough good will in San Antonio to keep the job as long as he wants. He’s a Hall of Fame coach and still one of the best in the game today. But the last few years, the Spurs have been going through the motions. With the loss of legendary players like Duncan, Kawhi, Manu Ginobili and Tony Parker, the Spurs have failed to evolve. That’s something worth complaining about.
Collusion, super teams, inconsistent refereeing and soft play, there are plenty of things not to like about the current NBA. If Pop’s not careful, we’ll soon be able to add him to that list.
This entry was posted in Uncategorized and tagged Gregg Popovich, Larry Bird, NBA, Ray Allen, Reggie Miller, San Antonio Spurs, Stephen Curry, Tim Duncan by Chris Humpherys. Bookmark the permalink.
6 thoughts on “Crotchety Pop”
Eric Jewell on December 10, 2018 at 3:51 pm said:
Great post Chris. I have a few things to add regarding Coach Popovich. Pop is old school, yes, however; just as what we have seen with many coaches, they’re only as good as the players they have around them. Unfortunately, Pop is currently caught with trying to find some reasons to offer as to why his team currently Sucks. so, complaining about the three point line gives him the perfect avenue.
The only problem with that is, as you mentioned, the three point line isn’t going anywhere. In summary, Pop needs to come to grips with the reality of how badly he handled the departure of one of the games biggest stars Kawhi Leonard. If Pop had handled that situation better, you would hear no complaints from Greg Popovich and the Spurs would be a force in the Western Conference. The morale of this story is, if you’re an NBA coach, be nice to your Super Stars and your team will win games.
BNRmoose on December 10, 2018 at 6:55 pm said:
I’m old too. Seen the AAU scene where it’s transition and dunk on everybody. Play the game like it’s being played today or better yet play it old school with back to the basket and see how the run and gunners like that. No public bitching allowed either way although I think i’ll Go watch a Pop – Sager courtside interview on YouTube just for giggles
Chris Humpherys on December 11, 2018 at 3:48 am said:
There are no Marvin Lewis’ in the NBA. It’s that simple.
In the Association more than in any other league, star power dictates. Always has been, always will be. Magic and Westhead, Jordan and Collins, coaches don’t hang if they don’t win. And they don’t win if they have stars.
Pop’s got staying power but a few more underachieving seasons and I see far more of a cushy front office spot than a sideline gig.
Duncan was a once in a generation player. Not sure we’ll see the likes of him again. He and Pop were perfect for each other.
Popovich will be 70 by the time this next draft class comes around. I can’t help but wonder how that will translate to the next generation.
BleedPRPL&GOLD on December 14, 2018 at 12:57 pm said:
Pop had me rollin’ a few days back with the way he wrapped up the interview……….
https://www.youtube.com/watch?v=NTrnGQDn89c
Classic ask a stupid question, get a stupid answer Pop reply. Reminds me of Phil Jackson in that regard.
As for the 3-pointer, the analytics dictate it makes sense and it’s just plain fun to watch. Maybe not for Pop, but the rest of us like it. I just wish they’d ease up on the foul calls. I hate the pussification of the NBA that’s happening right now.
Watching Fidel Hardenstro drop a 50 pt triple-double on us last night was ridiculously painful. He exploits the new rules better than anyone. Can’t even step into his zip code without a zebra getting a hard-on and blowing his whistle like a construction worker when a miniskirt passes by.
The referee man crush is real. ….Real fucking annoying. Hardens Oscar for Best Female in a Dramatic Role is in the bag nightly.
Chris Humpherys on December 14, 2018 at 4:05 pm said:
As I wrote in the post about Jimmy Butler coming to Orlando, the game we saw featured a number of blown calls, one blatant traveling call on Ben Simmons in particular was NOT called. Needless to say, I let the refs have it from my seats in the 8th row.
I get that the game moves at a fast pace and some calls are tough to make. I get that stars will get their fair share of calls.
However, even the hint of any sort of favoritism is something that Commish Silver can’t be a fan of.
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There's a place on the Web where dragons roam the skies, wizards cast their spells and vampires - or even stranger creatures - lurk in the darkness. It's a place where hardy adventurers meet to discuss their quest or seek advice from others who have followed the same path.
The place is the Forward Motion Writer's Community (http://www.hollylisle.com), fantasy author Holly Lisle's home on the Web.
If you had visited Lisle's site in 1995, you would have found a simple page with a few writing tips. If you visit today, you'll find a thriving community of writers, a place with a free exchange of ideas, advice and encouragement.
When she began the site, Lisle had no idea what her creation would evolve into.
"I figured I'd post a bunch of writing articles and then - as the bug hit me - a LOT of writing articles, and that would be it," she said. "But the Internet is a seductive place - and was particularly seductive in 1999-2000, when the dot-coms thought they'd created a way of minting money and everything on the Web was free."
That's when Lisle's site really began to change. The availability of free tools made it easy to experiment with message boards, chat rooms, classes and plenty of other interactive features. Now, the site has over 2,000 members, though not all are active, and gains around 20 new members a month.
"I kept thinking about all these people who wrote to me - thinking they would really like each other, and we could have a lot of fun and do cool things if I had some way to bring them all together," she said.
"The explosion of freebie Web tools made that possible. I have to pay now - the days of free on the Internet are gone. But now everything works - at least most of the time - and I know the price is worth it to me."
Lazette Gifford, who designed the original Forward Motion page almost seven years ago, is also surprised and pleased by what's happened at the site
"(Holly) has taken over and expanded in ways I never imagined," Gifford said. "I'm amazed at how much it's grown and how much time and energy Holly is willing to expend to help new writers."
Lisle says she considers that something she owes to the people who helped her, people like well-known fantasy and science fiction writers Mercedes Lackey and Stephen Leigh.
"Stephen rubbed the stupid out of my storytelling, and Misty showed me how to treat writing as a profession, not a hobby," Lisle said. "I couldn't pay either one of them back. But I could pay forward - that Robert Heinlein adage is some of the best advice he ever gave - and when I discovered the cool Web tools, I figured out how I could pay forward."
Lisle says that's how the site works - not just for her, but for everyone there. The spirit of Forward Motion is people helping each other.
"That's the coin of the site, the stated agreement," she said. "If something or someone helps you reach your dreams, then when you have the opportunity to help someone else, you take it."
And writers have found help in Lisle's community. Users like Jim Mills, Robert Sloan and Julia Pass praise the site's boards, classes and the inspiration they find there.
"The site really got me motivated to write more and actually think about what I was writing," said Pass, who now serves as a moderator. "It's also helped me to put more into my writing than just a plot, so now it actually says something."
Kay House credits Lisle's site with kicking her fiction writing into gear. House says she's wanted to write fiction since she was a child, but had never been able to get it going.
"My hard drive got littered with false starts. Despite the fact that I have finished more pieces of non-fiction than I could possibly count, I despaired of ever finishing one piece of even the shortest, most mediocre fiction," House said. "Within a month of finding the site, I had finished a short story. Not a good short story, or a long one, but a finished one - and finished was the goal."
Most users say the camaraderie keeps them coming back as much as the writing help.
"The community has a unique, stimulating atmosphere where in one sense, everyone's equal," Sloan said. "Every writer here is unique. We're all striving for the same difficult goals, and the same stresses affect popular, published successful members, as well as talented young writers who are beginning their careers in high school."
Gifford says there's no other site quite like it, and the information and help she finds there is invaluable.
"Having instant contact with a community of writers is probably one of the biggest changes in the lives of authors since the invention of the typewriter," she said. "There is almost always a person or two in chat willing to talk out plotting problems or share a triumph."
The community also continues to grow with new classes and opportunities for members. On a recent Saturday afternoon, members were given a chance to chat with a book editor from a major publishing company. Insights like those are invaluable say members.
Lisle says she feels a great deal of satisfaction and delight when a member of the community succeeds.
"My objective is to one day have an entire shelf of books by site members," she said.
But she's quick to point out that success comes primarily from the work the member puts in. The site just gives them tools that will help.
"I don't justifiably get to be proud. That would be like a hammer manufacturer being proud of someone using his hammer to build a gorgeous Victorian mansion or a castle," Lisle said. "Forward Motion is a place where you can get a wide selection of tools, and I think they're pretty good tools. But the folks who have the drive and the passion to build castles would figure out a way to do it with their teeth if no other tools were available."
Lisle says the biggest push now is to get a more stable interface for the site, but that's going to be a challenge. She says pricier packages aren't in her budget, and she refuses to charge for membership.
"More people need to buy my books so that I can afford a more reliable back-end for the community," Lisle jokes.
Other than that, she says she'd like to see the community continue on its present course.
"I think I'd just like to see more of what we already have," she said. "More writers participating in critiquing each other's work, more people volunteering to teach classes on their specialties, more passionate discussions about writing, more people finding a place where others share their love of words, more people bouncing onto the discussion board screaming, `They just bought my story!'
"That's a wonderful thing to see when I log on in the morning."
Labels: Forward Motion, Holly Lisle, Interviews, Writing
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Home » Blessed Mother Maria Theresia Bonzel
Blessed Mother Maria Theresia Bonzel
Praise and Glory to God
Our Beloved Mother Maria Theresia Bonzel
has been declared BLESSED by
REJOICE WITH US,
YOUR SISTERS OF SAINT FRANCIS
OF PERPETUAL ADORATION
in 1863, in Olpe, Germany.
The Sisters of St. Francis of Perpetual Adoration at Mount St. Francis rang the church bells in Jubilation when they heard the news that Venerable Mother Maria Theresia Bonzel had been declared Blessed.
A Vatican spokesman announced (yesterday) that the third step in the four-step process of canonization has been accomplished. A proclamation conferring the title of Blessed to Maria Theresia Bonzel was signed by Pope Francis on March 27, 2013
Mother Maria Theresia founded the Sisters of St. Francis of Perpetual Adoration in Olpe, Germany in 1863. 2013 marks the 150th anniversary of the Congregation’s founding. Colorado Springs, Colorado is one of four Provinces of the Sisters of St. Francis with others in Mishawaka, Indiana; Cologne, Germany and BayBay, Leyete, in the Philippines. There is a mission in Brazil and the Generalate is in Olpe, Germany.
Although Mother Maria Theresia Bonzel died on February 6, 1905, still, her work continues. The Sisters of St. Francis of Colorado Springs continue to serve God’s people, the poor and vulnerable in California, Colorado, Nebraska, and New Mexico.
Partnering with the laity and with other religious communities, the Sisters’ ministries embody the Franciscan Core Values of sacredness of persons, care of the poor, joyful service, partnership, stewardship and holism.
All of these services spring from the vision and courage of the first, and founding Sister of Saint Francis of Perpetual Adoration, Blessed Mother Maria Theresia Bonzel.
Along with various events celebrating the 150th of the Congregation, the Sisters will now add other jubilant festivities to commemorate this momentous year.
>BACK TO TOP
Miracle In Colorado Springs Leads To Beatification
» watch news story (courtesy of KRDO)
The Sisters of St. Francis of Perpetual Adoration at Mount Saint Francis were delighted to learn that Pope Francis declared that henceforth the foundress of their Congregation, Mother Maria Theresia Bonzel, will be invoked as Blessed.
The officially recognized miracle attributed to Mother Maria Theresia Bonzel’s intercession occurred in February 1999. On January 26, 1999, Jan Burgie called Mount St. Francis and asked for prayers for her then 4 year-old son, Luke, who was suffering from an undiagnosed case of severe/chronic diarrhea since September 1998 and was scheduled for a CAT scan at Children’s Hospital in Denver, CO. Sr. Margaret Mary Preister sent Jan Burgie several prayer cards of Mother Maria Theresia and she herself and Sr. Evangeline Spenner prayed it every morning for Luke’s recovery.
On February 22, 1999, Luke was suddenly healed; he had no diarrhea for the first time since September 4, 1998 and “he just got up from the couch and began playing like a normal happy kid,” his mother said. At that time Luke just said, “Jesus healed me.”
When the then Superior General, Sr. Mediatrix Nies, Olpe, Germany, was told of this possible miracle, she petitioned Dr. Andrea Ambrosi, Postulator and Vatican Attorney, in Rome to consider it as “the” miracle necessary for Beatification, a process begun in 1961.
An essential part of the Beatification process was the tribunal hearing of the possible miracle held in the Diocesan office in Colorado Springs, Colorado, on February 2, 2001, and concluding the afternoon of February 27, 2001 with the final documents sealed with wax by Bishop Richard Hanifen.
In accord with the request of the Congregation for the Causes of Saints in the Vatican in Rome, Luke Burgie had many doctor appointments from July 13, 2009 until September 23, 2011. Tests and more tests done in both Colorado Springs and Denver Children’s Hospital proved he was still healthy.
On January 15, 2013, the Commission of Cardinals unanimously agreed to this miracle of Luke’s healing for the Beatification of Mother Maria Theresia Bonzel.
The Sisters of St. Francis of Perpetual Adoration, Olpe, Germany, are ministering in four Provinces: Cologne, Germany; Colorado Springs, Colorado; Mishawaka, Indiana; Baybay, Leyte in the Philippines; and several convents in São Luis, Maranhao, Brazil.
Beatification Events
Beatification of Mother Maria Theresia Bonzel
The Beatification of Mother Maria Theresia Bonzel, foundress of the Sisters of St. Francis of Perpetual Adoration, which was declared by Pope Francis on March 27, 2013, was publicly celebrated in the Great Cathedral in Paderborn on November 10, 2013.
Great Cathedral in Paderborn
The Congregation’s motherhouse is in Olpe, Germany, with provincial houses in Cologne, Germany; Mishawaka, Indiana; Colorado Springs, CO; Baybay City, Leyte, Philippines and a mission house in Brazil. The cathedral was filled with about 200 Sisters representing the various provinces and Brazilian mission as well as hundreds of laity and clergy. Cardinal Angelo Amato SDB, Prefect of the Congregation for the Causes of Saints at the Vatican, was the principal celebrant at the Pontifical Mass which officially accepted Maria Theresia Bonzel OSF into the circle of the blessed of the Catholic Church.
The act of beatification took place after the Introductory Rite of the Mass. Archbishop Hans Josef Becker and the general postulator (lawyer) of the beatification process, Dr. Andrea Ambrosi, approached Cardinal Amato and asked for the beatification of Mother Maria Theresia.
Archbishop Hans Josef Becker, Dr. Andrea Ambrosi, and Cardinal Amato
Sister Mediatrix Nies OSF then gave an overview of the life of the newly Blessed and Cardinal Amato proclaimed the papal decree of beatification.
Sister Mediatrix Nies OSF delivers the overview
At its conclusion, the decree of beatification was enthusiastically affirmed with the congregation applauding and singing a solemn “Amen” with the choir, as a new portrait of Blessed Maria Theresia was unveiled in the sanctuary. “This moment of unveiling was a deeply moving experience for us all.” said Sister Clarice Gentrup of the Colorado Springs Province, currently serving on the General Council of the Congregation.
A new portrait of Blessed Maria Theresia unveiled
Cardinal Amato then received a reliquary containing the relic of Blessed Maria Theresia from Sister Magdalena Krol, general superior of the Congregation.
Cardinal Amato receiving reliquary from Sister Magdalena Krol
In procession, the relic was carried to a place of enthronement next to a large candle bearing the motto of Maria Theresia’s life: “He Leads, I Follow.”
The procession
The relic and the candle
The Mass continued with a jubilant singing of the Gloria.
Singing of the Gloria
In his homily, Archbishop Becker spoke of the dignity of human life and the inseparability of love of God from love of neighbor.
Archbishop Becker
He spoke of Maria Theresia’s extraordinary love of the Blessed Sacrament and her care of the sick and the needy. Moved by his words, Sister Clarice commented, “I experienced in a deeper way how Blessed Maria Theresia Bonzel lived the words of Jesus to love God and our neighbor as ourselves. From all of our present ministries on four continents, her mission continues today.”
The General Intercessions at the Mass were presented in different languages and represented the diverse ministries of the Sisters of St. Francis of Perpetual Adoration addressing the global needs of society.
General Intercessions are offered
“The celebration was profound in every way, and it was truly an honor to be present for this very special event in the life of our Congregation.” said Sister Nadine Heimann, Provincial Superior of the Colorado Springs Province. “It was a very special blessing that the beatification of our foundress took place during the 150thanniversary year of the founding of our Congregation here in Olpe in 1863.”
“A very special blessing”
Burial of Blessed Maria Theresia Bonzel
St. Martin’s Church, Olpe
On Sunday, November 10, 2013, Mother Maria Theresia Bonzel, OSF, foundress of the Congregation of the Sisters of St. Francis of Perpetual Adoration was beatified in the Cathedral in Paderborn, Germany.
The Cathedral in Paderborn, Germany
On Monday, November 11, 2013, the mortal remains of Blessed Maria Theresia Bonzel were transferred to St. Martin’s Church to be buried in the new Blessed Sacrament Chapel. The Church bells rang while her coffin was carried to St. Martin’s Church on an open Olpe fire truck which was followed by numerous Franciscan Sisters in buses and many more devotees on foot.
The coffin on an open fire truck
As the fire truck with the remains of the newly blessed reached St. Martin’s Church in Olpe, many parishioners came to receive “their” Mother Maria Theresia Bonzel.
Parishioners follow on foot
The people have a special relationship with Mother Maria Theresia Bonzel and her beneficent work. Before founding the Congregation, she lived with her parents in a house located just across the street from St. Martin’s Church. Upon arrival in the sanctuary of St. Martin’s, Blessed Maria Theresia’s coffin was placed on the steps of the altar, before being transferred to the newly designed Blessed Sacrament Chapel near the entrance of the Church.
Blessed Maria Theresia’s coffin on the steps of the altar
“We are grateful to Blessed Maria Theresia Bonzel, as now she returns to the place where she received Baptism and all the sacraments,” Archbishop Hans Josef Becker said as he led the funeral procession. The new Blessed was baptized in St. Martin’s Church, received her first Holy Communion, and there received the habit of her new Order.
After the Te Deum, the coffin was carried to the newly designed Blessed Sacrament Chapel, which was blessed by Archbishop Becker. In his prayer he asked that the faithful who pray here may feel the closeness of God and of Blessed Maria Theresia Bonzel. “We thank God for the example of her faith life,” the Archbishop said.
Archbishop Becker offers his prayer
Then the remains of the new Blessed were buried in the crypt at the feet of the Blessed Sacrament.
Burial of remains
In reflecting on this moment, Sister Clarice Gentrup, General Councilor and member of the Colorado Springs’ Province commented: “No words convey the feeling in my soul as I walked behind the coffin of Blessed Maria Theresia Bonzel in St. Martin’s Church on the way to the Blessed Sacrament Chapel where her body now lies entombed, just some fifty feet from where she was born.”
Cardinal Paul Josef Cordes then celebrated Mass with Archbishop Becker and other concelebrants in St. Martin’s Church, Olpe. Cardinal Cordes said, “Today is a great day of rejoicing for the whole Archdiocese of Paderborn. The deep roots of a Sauerland girl now receives a special place in the mission of the Church. May this house of God be a space of living faith. We ask this through the intercession of Blessed Maria Theresia.”
Cardinal Paul Josef Cordes
The power source from which Blessed Maria Theresia overcame many adversities was her love for the Blessed Sacrament. Cardinal Cordes quoted from the files of the Beatification: “She had grown under the soft light of the Eucharistic sun. Again and again she went to the hidden God to find light, courage and strength. The Eucharistic Lord must be discovered by us anew and must be proclaimed as an enabler of selfless love.” Since the source of the charitable actions of Blessed Maria Theresia was Eucharistic adoration, it is only a “reasonable and distinctive place” to find the new Blessed of the Archdiocese of Paderborn in the new Blessed Sacrament Chapel of St. Martin’s Church. Cardinal Cordes invited the faithful to frequently visit the Chapel for prayer: “Where we pray, God’s Spirit creates our hearts anew. The message today is that prayer is powerful.” This is the testimony today of the Olpe Franciscan Sisters of Perpetual Adoration.” The Cardinal referred to Blessed Maria Theresia’s service of charity: “the charity to the elderly and the sick, the needy and refugees…To many sick she gave consolation and relief, together with her Sisters; how many children she and her religious Community took from the streets; how many homeless and hungry people they gave food and drink. At her time, 150 years ago, state and society hardly did anything for the public ministry of the people in need.”
St. Martin’s Church was packed with sitting and standing crowds of worshipers for the Solemn Mass that followed the burial.
Crowds at St. Martin’s Church
▶ Declaration of Beatification
▶ Press Release
▶ Miracle Testimony
▶ Beatification Events
▶ Photo Gallery
> Back to Top
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Stones Cry Out
If they keep silent…
Passing the evangelical torch: Embracing the diversity of the new Christian world
Saturday, October 2nd, 2010 at 1:51 pm
Evangelical leaders of previous generations are in the process of passing the torch to younger leaders, for whom there are at least 10 fresh challenges. We’ve considered the challenges of Navigating Newfound Authority, Waging a New Bloodless Revolution, Overcoming Spiritual Superficiality; Creating Culture, Returning to Virtue, Bridging to Everyday Relevance, Resisting the Seduction of the New Social Gospel and Learning to Communicate Again. Now this challenge:
Embracing the Diversity of the New Christian World
Ask Americans what faith group they belong to and the vast majority—some 75 to 85 percent—will say they are Christian. About 37 percent will say they are evangelical or born again. Non-Christian religions (including Judaism, Buddhism, Islam, and Hinduism), collectively make up about 4% to 5% of the adult population. The rest say they have no religious belief or affiliation. Those statistics probably surprise most people because of the efforts of media and others to be sensitive to the increasing number of non-Americans among us and to the vast diversity of faiths that they bring with them.
(A Barna poll, by the way, showed that born-again Christians are increasingly well-educated, well-off and from a variety of cultural backgrounds, perhaps most surprisingly, Asian-American.)
The greatest threat to American Christianity is not other faith groups but faithlessness, spiritual vacuity. Although individuals identify themselves as more Christian than non-Christian, the sad reality is that for far too many of those supposedly adherents, there is no “there” there.
While in the U.S. evangelicalism is the only part of Christianity that is growing, it is growing slowly and that growth is among independent groups, not denominations (for the most part), while a conservative strain of Christianity—both Protestant and Catholic—is surging in Africa, Latin America and Asia.
Orthodox or evangelicals Christian believers in America will increasingly find their strongest and most numerous allies and spiritual partners not in the western mainline Christian denominations, but in the conservative Christian—both Protestant and Catholic—in the global south.
Philip Jenkins, Distinguished Professor of History and Religious Studies at Penn State and author of The Next Christendom (2002) wrote about the shifts in the global church:
If we look beyond the liberal West, we see that another Christian revolution, quite different from the one being called for in affluent American suburbs and upscale urban parishes, is already in progress. Worldwide, Christianity is actually moving toward supernaturalism and neo-orthodoxy, and in many ways toward the ancient world view expressed in the New Testament: a vision of Jesus as the embodiment of divine power, who overcomes the evil forces that inflict calamity and sickness upon the human race. In the global South (the areas that we often think of primarily as the Third World) huge and growing Christian populations—currently 480 million in Latin America, 360 million in Africa, and 313 million in Asia, compared with 260 million in North America—now make up what the Catholic scholar Walbert Buhlmann has called the Third Church, a form of Christianity as distinct as Protestantism or Orthodoxy, and one that is likely to become dominant in the faith. The revolution taking place in Africa, Asia, and Latin America is far more sweeping in its implications than any current shifts in North American religion, whether Catholic or Protestant.
The growth in Africa has been relentless. In 1900 Africa had just 10 million Christians out of a continental population of 107 million—about nine percent. Today the Christian total stands at 360 million out of 784 million, or 46 percent. And that percentage is likely to continue rising, because Christian African countries have some of the world’s most dramatic rates of population growth. Meanwhile, the advanced industrial countries are experiencing a dramatic birth dearth. Within the next twenty-five years the population of the world’s Christians is expected to grow to 2.6 billion (making Christianity by far the world’s largest faith). By 2025, 50 percent of the Christian population will be in Africa and Latin America, and another 17 percent will be in Asia. Those proportions will grow steadily. By about 2050 the United States will still have the largest single contingent of Christians, but all the other leading nations will be Southern: Mexico, Brazil, Nigeria, the Democratic Republic of the Congo, Ethiopia, and the Philippines. By then the proportion of non-Latino whites among the world’s Christians will have fallen to perhaps one in five.
Perhaps the most remarkable point [is that the trends have] registered so little on the consciousness of even well-informed Northern observers. What, after all, do most Americans know about the distribution of Christians worldwide? I suspect that most see Christianity very much as it was a century ago—a predominantly European and North American faith.
As the media have striven in recent years to present Islam in a more sympathetic light, they have tended to suggest that Islam, not Christianity, is the rising faith of Africa and Asia, the authentic or default religion of the world’s huddled masses. But Christianity is not only surviving in the global South, it is enjoying a radical revival, a return to scriptural roots. We are living in revolutionary times.
Timothy Keller of Redeemer Presbyterian in New York writes:
The demographic center of Christian gravity has already shifted from the West to Asia, Latin America, and Africa. The rising urban churches of China may be particularly influential in the future. But the West still has the educational institutions, the money, and a great deal of power. What should the relationship of the older Western churches be to the new non-Western church? How can we use our assets to serve them in ways that are not paternalistic? How can we learn from them in more than perfunctory ways?
Evangelical leaders of the next generation will be looking at a very different evangelical church, likely to be more diverse and stagnant in America and soaring in the global south. Their challenge will be to grasp new opportunities to serve and support the growing yet needy church communities, and to learn all they can from the fresh new perspectives from vibrant New Testament expressions of the Body of Christ around the world.
Passing the evangelical torch: Overcoming Spiritual Superficiality
Passing the evangelical torch: Creating culture
Passing the evangelical torch: Bridging to everyday relevance
Passing the Evangelical Torch that Illuminated a Path and Scorched the Earth
Passing the evangelical torch: Waging a new bloodless revolution
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In Answer to James Soriano
The Filipino is Multilingual
This is not to disparage James Soriano, a young man who may have learned German, but hasn’t yet seen the world in all its gritty detail. I wouldn’t quarrel with him, especially since I’m a very old woman of 62; but I would love for him to learn a thing or three about his country.
When I was born in 1949, my father, Jose V. Aguilar, was winding up what became known as the Sta. Barbara Language Experiment. Before I turned two months old, he had already proven through this experiment in a remote town in Iloilo, the island of Panay, that pupils who were taught in their mother tongue during the first two years of school learned better than those who were shocked into learning through the medium of English.
But that does not mean that I grew up entirely using my mother tongue, Hiligaynon. My father was wise enough to speak to me purely in English, while he bid my mother and siblings to speak to me purely in Hiligaynon.
Did I grow up confused? No. I grew up versatile in both languages. When I transferred to U.P. Diliman with my family at the age of four, I learned my Tagalog from playmates. By the time I reached Grade 1, I was speaking it fluently.
When, at the age of 25, I was assigned to the underground of Mindanao and consciously mingled with the urban poor, I learned Cebuano in a month. When I made a week-long foray into the hinterlands of Samar at the age of 34, shortly before I left my beloved movement, I was able to get the rudiments of Waray and would not have forgotten it had I stayed in Samar a bit longer.
I also know a smattering of Kapampangan and Ilokano from friends both within and without the underground.
The Filipino is multilingual. You can see that from 10 million Filipinos all around the world, learning the languages of their adopted countries so quickly, you could hardly hear them stuttering. And most of these Filipinos aren’t rich; they’re masa, domestic helpers, drivers, janitors, seamen, nurses with hungry mouths to feed.
As to whether they become grammatical or not is not the point. The point is, they could communicate with anyone in any language.
So what’s this “revelation” about living a princely life with English?
There is nothing new to it. During the Spanish times, the conquistadores herded the datus and their families into town centers and cut them off from their barangays, the better to prevent them from staging rebellions. They brainwashed those datu families into thinking they were a privileged lot by teaching them Spanish, among other things.
The datu families began to think they were princes, living a princely life using Espanggol.
No different from our “princes” today, who think they’re so lucky to be born privileged.
But then this shows that life today is no different from life centuries ago. We still have a privileged class bragging about how good they are in the language of the conquistador.
In English, because that is the language he understands. But I could very well switch to Filipino, which serendipitously combines all languages with Tagalog as base; or Hiligaynon, or Cebuano. But he wouldn’t understand.
I have written underground tracts in Tagalog and even tried to translate Bible verses into Filipino right on Facebook, so James can’t say that our languages are meant only for informal conversations. And has he heard U.P. professors teaching biology, physics and chemistry in Pilipino?
Truth is, English is not necessarily the language of connection, because a full three-quarters of the world don’t speak it anyway. One does not have to connect using English; one connects by communicating with the eyes using one’s Filipino smile. The language, whatever language that is, comes after.
That is what Filipinos all over the world, from Europe to Asia to the Middle East to Latin America to Africa, have discovered.
Oh yes -- I left out the U.S. That’s because it’s perhaps one of the few countries in the world left that is largely monolingual, and bilingual only among first and second generation immigrant families. That they’re teaching second languages like Spanish now is a recognition not only of their Latin American migration problem but of their scientific finding that monolingualism makes for a dumb population.
No, English is not a universal language, I teach in TESOL. Does God, who rules the universe, and the multiverses as well, speak in English? Of course not. He speaks to you Spirit to spirit, in any language you can accept with all your heart, mind, soul, and strength.
At most, English is the language of world commerce. If that is what the upper classes of Philippine society need it for, then so be it. Let them deal with Japanese and Chinese CEOs in English.
But let me tell you what happened to this language of commerce in the 1950s, after my father had so painstakingly shown, through his Sta. Barbara Experiment, that the mother tongue is a better medium of instruction for efficient learning in Grades 1 and 2.
A man named Clifford Prator, from the University of California in Los Angeles, came up calling vehemently for a return to English as the medium of instruction on all levels in Philippine schools. His reason was, in a word, in my view, something like: Ah basta! English is superior.
Subsequently, my father’s findings were twisted statistically to show that, indeed, his findings were wrong: English was really the better medium of instruction on all levels.
I’m sure these same tactics are being used and will be used again and again to push the superiority of the English language in the Philippine scene, including and especially in the Constitution.
Sige, go ahead. Meantime, I will use the language of the reconquistador to shout down its proponents.
So have I connected?
Apir!
N.B.: It appears (no pun intended) that James Soriano's teacher has since retracted for him. Please see https://www.facebook.com/notes/jonathan-capulas-balsamo/mula-sa-guro-sa-filipino-ni-james-soriano/10150264797591269 for that.
The original essay by James Soriano is here, after the Manila Bulletin withdrew it from its website: http://blogwatch.tv/2011/08/language-learning-identity-privilege-by-james-soriano/
Posted by mda at 2:25 PM 4 comments:
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US Supreme Court Center > Volume 260 > KANSAS CITY SOUTHERN RY. CO. V. VAN ZANT, 260 U. S. 459 (1923) > Full Text
KANSAS CITY SOUTHERN RY. CO. V. VAN ZANT, 260 U. S. 459 (1923)
Kansas City Southern Ry. Co. v. Van Zant, 260 U.S. 459 (1923)
Kansas City Southern Railway Company v. Van Zant
Argued December 4, 1922
CERTIORARI TO THE SUPREME COURT
OF THE STATE OF MISSOURI
1. By forbidding common carriers engaged in interstate commerce to issue free passes for interstate journeys, except to specified classes of persons (Hepburn Act, 1906), Congress took over the
subject to the exclusion of state laws not only as to what passes may be issued and used, but also as to their limitations, conditions and effect upon the rights and responsibilities of the passenger and railway company, respectively. P. 260 U. S. 468.
2. A condition affixed to a free pass, issued under the Hepburn Act, that the person accepting and using it assumes all the risk of accident and personal injury, is valid. P. 260 U. S. 468.
289 Mo. 163, reversed.
Certiorari to review a judgment of the Supreme Court of Missouri affirming a judgment recovered by the respondent from the railway company in an action for personal injuries suffered by her, in that state, while she was traveling from Kansas to Oklahoma by means of a free pass which had been issued to her as the mother of one of the company's employees.
MR. JUSTICE McKENNA delivered the opinion of the Court.
The case presents the effect of a condition in a free pass issued by petitioner to respondent and used by her in transportation in interstate commerce -- whether determined by the provisions of § 1 of the Hepburn Act (34 Stat. 584) or by the laws of Kansas and Missouri.
There is practically no dispute about the facts. The pass was authoritatively and gratuitously issued, and she sustained injuries in Missouri while using it in an interstate journey. This injury she alleged, and prayed judgment against the railway company in the sum of $25,000.
The railway company opposed the pass to the action. It contained the following condition: "The person accepting and using it, thereby assumes all risk of accident and damage to person and baggage."
The company averred that it was an interstate carrier by rail and issued the pass "under Article 5 of the federal law known as the Interstate Commerce Act," and it was to be "interpreted and controlled in its effect and operation by decisions of the federal courts" construing the act.
To the defense respondent replied that, at the time of receiving the pass, she resided in Kansas, and that, in accepting it, "she did not and could not assume the risk of accident or damage to her person and baggage caused by the negligence" of the company, and that the condition upon the pass expressing such effect was void under the provisions of Art. 3, c. 98, of the General Statutes of
the State of Kansas of 1915, relating to railroads and other carriers, and that, under the statutes and the common law of Kansas, the condition was against public policy.
She further pleaded that, under the laws of Missouri, the condition was also against public policy and void, and that the action was not, and is not, brought
"upon any federal statute or under any federal law, but upon the common law liability in force in Missouri, and that the action was, and is, brought in the circuit court of Jasper County, Missouri, under the laws of the State of Missouri,"
and that the company's liability to her was to be determined by the laws of that state.
The trial court took took and expressed the view that the condition upon the pass was void under the laws and public policy of both states, and ruled that the condition upon it constituted no defense to the action, and excluded it from the case. Declarations of law recognizing the relevancy and controlling effect of the condition were refused.
The court thereupon found for respondent (plaintiff) and fixed her damages at $8,000 -- that amount having been stipulated as representing her injury. Judgment was entered for that amount, and was affirmed by the supreme court of the state.
The supreme court discussed at some length the Hepburn Act, the extent of its regulation, and what it permitted to state powers or excluded from them, and said, adopting the language of the railroad commissioner of the state:
"Our conclusion is that Congress has not legislated on the subject of the rights and liabilities of the parties in cases of interstate carriage of passengers under free passes, not coming within the prohibition of the Hepburn Act, or respecting the validity of stipulations or conditions annexed to such passes exempting the carrier from liability, and that therefore these matters remain the subject of regulation by the several states. "
The comment concedes the supremacy of federal control, and leaves only the inquiry: has control been exerted in the Hepburn Act?
The act was passed June 29, 1906, and was an amendment to the Interstate Commerce Act of 1887. It was, as the act it amended was, a regulation of carriers in interstate commerce, and it provided that no common carrier subject to its provisions
"shall, after January 1, 1907, directly or indirectly, issue or give any interstate free ticket, free pass, or free transportation for passengers, except to its employees and their families. . . ."
And a carrier violating the act is subject to a penalty, and any person not of those excepted, who uses the pass is also subject to a penalty.
The provision for passes, with its sanction in penalties, is a regulation of interstate commerce, to the completion of which the determination of the effect of the passes is necessary. We think, therefore, free passes in their entirety are taken charge of, not only their permission and use, but the limitations and conditions upon their use; or, to put it another way, and to specialize, the relation of their users to the railroad which issued them, the fact and measure of responsibility the railroad incurs by their issue, and the extent of the right the person to whom issued acquires, are taken charge of. And that responsibility and those rights, this Court has decided, the railroad company can control by conditions in the passes. Antecedently to the passage of the Hepburn Act, we decided that a passenger who accepts a free pass may exempt a carrier from responsibility for negligence, and no public policy is violated thereby. Northern Pacific Railway Co. v. Adams, 192 U. S. 440; Boering v. Chesapeake Beach Railway Co., 193 U. S. 442.
Those cases were considered and applied as giving validity to the stipulations of passes issued under the act
in Charleston & Western Carolina Railway Co. v. Thompson, 234 U. S. 576, according thereby freedom of transportation to the possessor of a pass and giving assurance to the railroad company that its gratuity will not be given the consequences of compensated right and its incident obligations, and be a means of exacting from the company indefinite damages. In this case, the prayer was for $25,000; the recovery was for $8,000. Circumstances might have made it the larger sum, and this, it is the contention and decision, is the determination of state laws which could neither permit nor forbid the gift. We cannot assent. The pass proceeded from the federal act; it is controlled necessarily in its incidents and consequences by the federal act, to the exclusion of state laws and state policies, and such is the effect of the cited cases.
Judgment reversed, and cause remanded for further proceedings not inconsistent with this opinion.
Powered by Justia US Supreme Court Center: KANSAS CITY SOUTHERN RY. CO. V. VAN ZANT, 260 U. S. 459 (1923)
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“A perennially killer event” – The Village Voice
In 2003, in preparation for her debut novel THE LONG HAUL, native New Yorker Amanda Stern approached local bars and asked about readings. Happy Ending, a Chinatown “massage parlor” turned bar, offered Stern their space for a series of her own.
“There’s simply no reading series better or more consistent than Happy Ending.” – Joshua Ferris
A former comic, Stern wanted to build something to showcase the hidden aspects of personality, and decided on a formula combining live music, comedy and risk. The first event on September 3, 2003 starred A.M. Homes, Mary Gaitskill, Nelly Reifler, Dan Zanes and gave Rick Moody’s band, The Wingdale Community Singers, their first break. The premiere was so crowded, David Byrne couldn’t get in the door.
“A local staple” – Time Out NY
The format worked, and the series became increasingly popular. From 2003 to 2005 Stern produced a show every week. Word spread, audiences doubled, and the pool of interested performers tripled, outgrowing the small Chinatown space. In 2009, Happy Ending relocated to Joe’s Pub, part of the Public Theater, where it spent four happy years before going on a short hiatus. In 2014, the series built a secret theater inside the corporate office of Salon and held two massive events.
The series that began on a lark has become a NYC institution.
“Amanda Stern…impresario helping to keep downtown, NY alive.” – the New York Times Magazine
The show, running for nine years now, has welcomed over 700 artists. Among them: Lena Dunham, Zadie Smith, Lucius, Andrew Solomon, Leslie Jamison, Laurie Anderson, Sarah Jones, Aimee Mann, Colson Whitehead, James Salter, Etgar Keret, Vampire Weekend, Moby, Karen Russell, A.M. Homes, John Cameron Mitchell, Jennifer Egan and Shantell Martin.
The series has found a new home. Announcement forthcoming….
“Stern curates the most vital authors’ series in NYC….always excellent.” Time Out NY
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info@tpwwest.org
Transnational Protection of Wildlife
TPW is a Philanthropic organisation dedicated to Stamping Out the Cruel and Illegal trade in Endangered Wildlife.
The smuggling of wildlife is a Transnational environmental crime that causes suffering, stress and the death of rare and endangered wildlife. Our native Australian animals are much sought after overseas. Reptiles, birds and in particular native parrots – are prized trophies, and serious collectors will pay big dollars for live specimens.
bound and stuffed in plastic bottles
Unfortunately, the laws of scarcity work in the wildlife trade, so the rarer the animal the greater their value on the black market. This makes wildlife smuggling a big problem for conservation of native animals that are in decline or even worse, threatened with extinction.
Wildlife Smuggling is a Multi-Billion Dollar Business
The transnational scope of the activity makes this crime difficult to curtail. While there is a strong awareness of the problem in Australian customs, in many of the destination countries for our wildlife the capacity to respond to the crime is just not there.
The problem of transnational smuggling of wildlife is recognised at an international level, and Australia is a member of the Convention on International Trade in Endangered Species (CITES).
The international body, established in 1975, manages the global lists of flora and fauna that can be legally traded, and Australia, like all 175 signatories, is bound by CITES regulations.
In Australia, Customs and Border Protection is the primary authority that detects and monitors the wildlife trade and enforces the law at our borders. But enforcement is a complex issue as violations comes under many jurisdictions, which means collaboration is needed between different law enforcement agencies, state and federal environment departments, wildlife officers, customs and international authorities. The barriers to successful prosecution are also increased by the fact that in many overseas countries environmental crimes have a low investigative priority. The agencies involved often have scarce resources and personnel, which means only a small percentage of perpetrators end up being caught and convicted if wildlife can be successfully smuggled out of the country.
Fines Are Inadequate
When perpetrators are caught, about 70 per cent of the time,fines are handed out. But fines are an inadequate punishment as they are usually much less than the value of the wildlife on the international black market, so they provide little deterrent to serious criminals.
In fact according to The Australian Crime Commission, hundreds of thousands of dollars can be made on a single trip of smuggled bird eggs on the Asian black market. Australian lizards can fetch as much as $8000 and our black cockatoo species are so highly prized that a handsome specimen can fetch up to $30,000.
There are also many ways animals can be smuggled. Animals or their eggs can be concealed within clothing, hidden in luggage or even mailed through the post. Parrots are hidden in plastic bottles, stockings, toilet paper rolls, just about anything that can restrain them and keep them compact. Normally loud animals are drugged to keep them quiet and in some cases birds have been found with their beaks taped shut. During the smuggling journey wildlife are without food and water, and often barely have enough air to breathe. Given these conditions, it is little wonder that the majority of the birds do not survive. But their high price means just one survivor makes the operation profitable.
Raising Awareness is a Big Part of The Solution
The illegal trade in exotic birds, snakes and reptiles continues to run rampant, funded by unsuspecting consumers who purchase them in pet stores. Federal Government officials report that many Australians get lured into the illegal trade after seeing online advertisements for rare and exotic animals.
This is where TPW can make a difference. We are a volunteer organisation dedicated to the Transnational Protection of Wildlife. Our activities focus on raising awareness through education and our operations are funded by Australian companies committed to ending the vile trade in live animals
Stop the Transnational Protection of Wildlife Smuggling is an educational program run by TPWWest.org to stop this trade.
The workshop exposes the issue of Transnational Predatory Wildlife crime in Australia and aims to advance awareness of the problem and an understanding of ways in which wildlife is being smuggled illegally, both from, and into Australia.
If you have found this website because you may have information about the illegal removal of native animals or have noticed some suspicious activity suggesting animals are being illegally removed, you should call your local Parks and Wildlife’s Wildcare Helpline, Customs Watch on 1800 061 800, the police, or Wildlife Trade Compliance on 02 6274 1900.
TPW would like to acknowledge the generous financial assistance of businesses supporting our cause.
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Home Uncategorized Over-fed bacteria make people sick
Over-fed bacteria make people sick
Since the end of the Second World War, along with the growing prosperity and the associated changes in lifestyle, numerous new and civilisation-related disease patterns have developed in today’s industrialised nations. Examples of the so-called “environmental diseases” are different bowel inflammations like Crohn’s disease or ulcerative colitis. Common causes include disruptions to the human microbiome, i.e. the natural microbial colonisation of the body, and in particular of the intestine. To date, scientists have explained this disrupted cooperation between host body and microbes with different hypotheses: for example, they postulated that excessive hygiene, the intensive use of antibiotics, or certain genetic factors permanently disrupt the microbiome, thus making people vulnerable to illnesses. However, these explanation attempts have so far been incomplete. A team from the Collaborative Research Centre (CRC) 1182 “Origin and Function of Metaorganisms” at Kiel University (CAU) has now formulated a new and more comprehensive ecological-evolutionary theory on the development of environmental diseases. The Kiel researchers suggest that an unnatural and particularly comprehensive nutrient supply decouples bacteria from their host organisms, and thus destroys the delicate balance of the microbiome. The, to some extent, over-fed bacteria in the gut thus promote disease development. The Kiel scientists published this fundamental new approach towards a more complete explanation of environmental diseases yesterday in the journal mBio.
The origin lies in the oceans
The starting point for the Kiel research team was the ecology of marine habitats: research on coral and algae dying off, and the associated effects on important ecosystems in the oceans, suggests that in addition to other factors such as climate change or overfishing, the nutrient conditions in the seawater may be the cause of the problem. As soon as there is an oversupply of food due to human influences, bacteria living in a community with corals begin to decouple from their hosts. They then no longer feed off the metabolic products of the host, but prefer the richer nutrient supply of the surrounding waters. The balance of the coral microbiome is disrupted because of the exodus of its symbiotic partner, and diseases occur as a result. “In this connection between nutrient availability and the balance of bacteria-host relationships, we see a universal principle which goes way beyond the very specific example of corals,” explained Dr Tim Lachnit, research associate at the CRC 1182 and first author of the study. “In studies of our model organism, the freshwater polyp Hydra, we were able to experimentally confirm this connection,” continued Lachnit. These small cnidarians also showed clear signs of disease as soon as their normal nutrient uptake was disturbed and an over-supply of food was available instead.
What do corals and cnidarians have to do with people?
With a high degree of probability, the knowledge gained in the experiment can also be transferred to human health. Similar to in seawater, or in the simple body cavity of a freshwater polyp, which during the course of evolution has decoupled from its external environment and a direct food supply, the nutrient supply in the human gut is also changing along with the civilisation-induced changes in eating habits – towards an unbalanced, energy-rich and low-fibre diet. In addition to direct negative health consequences, a permanently high, easy to process supply of nutrients not only affects the human metabolism it feeds, but also the bacterial colonisation of the intestine, which is also “fed”. The microbes switch from the metabolites of the host as their staple food to the abundantly available nutrients from the human food and thus decouple from their interactions with the host organism. “This over-feeding of the bacteria promotes their growth as a whole, and certain species of bacteria proliferate to the detriment of other members of the microbiome in an increased and uncontrolled manner,” emphasised Professor Thomas Bosch, spokesperson of the CRC 1182. “Thus, along with the change in the composition of the bacterial colonisation, the interactions between bacteria and host organism also change, and a serious maladaptation – known as dysbiosis – occurs,” explained Dr Peter Deines, research associate at the Kiel metaorganism CRC.
Other civilisation-related factors increase this imbalance of the microbiome. The elimination of periodic fasting resulting from food sources not always being available, the only very rare occurrence of diarrhoea leading to episodic reductions of the intestinal bacterial colonisers and the diet-related impoverishment of the microbial diversity in the gut are just a few examples. The first two of these represent very fundamental mechanisms, which since the early development of mankind right up to the pre-industrial era enabled the microbiome to return to a normal state at regular intervals, and thus regain a healthy and natural composition.
Does the microbiome heal itself?
The “over-feeding hypothesis” proposed by researchers from the Kiel CRC 1182, in close cooperation with the CAU Cluster of Excellence “Precision Medicine in Chronic Inflammation”, offers valuable approaches for further research, right through to potential transfer to future treatments: to date, scientists were particularly looking for ways to correct a disturbed microbiome through external interventions such as probiotics, i.e. the addition of certain types of helpful bacteria, or even faecal transplants to restore the balance. Now, the ecological-evolutionary perspective has added another dimension. More than ever before, it incorporates the natural ability of the microbiome to readjust itself, and to restore a healthy composition. Therefore, future research approaches lie in the specific mechanisms that balance the microbiome, and the question of whether the “overfeeding” of the bacteria can be reduced by changed eating habits. “An interesting question will be whether the original evolutionary processes which ensure the balance of the microbiome also have therapeutic potential,” said Lachnit. “In the future we will, for example, not only consider the known health benefits of fasting, but also its effects on the composition and function of the microbiome, and thus on the development of inflammatory diseases,” continued Lachnit.
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Week Change
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104 beckpeccoz, Italy 81
105 djjn, Cape Verde 78
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107 Paxel, Spain 78
108 Supermac, United States 77
109 frankuz, Italy 77
110 @LSaindr, Italy 75
111 serixf, Italy 74
112 enriquer, Italy 73
113 chandlerjoey, Italy 72
114 Mr. Eko, Serbia 70
115 filoforever, Italy 70
116 vunere, Italy 62
117 Mark Selby, United Kingdom 60
118 RdidanF, Senegal 59
119 giova77, Wallis and Futuna 50
120 Jack Fuller, Italy 48
121 CERRON999, Italy 42
122 Lucky_Duke, Italy 33
123 TONYCARACAS, Venezuela 27
124 spaspamar89, Spain 26
125 Edberg, Italy 25
126 Pieetro72, Czech Republic 25
127 Lo Spagnolo, Italy 23
128 Petra Kvitova, Czech Republic 20
129 Elwood84, New Zealand 19
130 Andreino Agassi, United States 19
131 Caggio, Italy 18
132 gianlucamanfredi, Italy 17
133 zanziluca89, Uruguay 16
134 Abba892, Italy 16
135 Matt92, Italy 16
136 dirk87, Italy 15
137 pasquale, Switzerland 14
138 Pippellagio, Italy 14
139 sory80, Argentina 13
140 Condrat_ROU, United Kingdom 13
141 Unforced, Italy 12
142 swatch, Switzerland 12
143 Alex Gmb, Sweden 9
144 Chrilog, Italy 8
145 LucaA, Holy see 8
146 joao, Taiwan 7
147 besci, Italy 2
148 ecotini, Italy 2
149 memele, Italy 1
150 fortune, Marshall Islands 1
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Posted on April 20, 2018 Categories Pop
Laura Nyro.
Born in The Bronx, New York in 1947, Laura Nyro first came to prominence as a songwriter with her first two albums ‘More a Than A New Discovery’ (1966) and ‘Eli And The Thirteenth Cinfession’ (1968) yielding enormous US hits such as ‘Stoned Soul Picnic’, ‘Wedding Bell Blues’ and ‘Sweet Blindness’ for Fifth Dimension, ‘And When I Die’ for Blood, Sweet and Tears, ‘Stoney End’ for Barbra Streisand and ‘Eli’s Coming’ for Three Dog Night.
Her first two albums failed to break through commercially but by the third album ‘New York Tendaberry’ (1969) Nyro was starting to sell records in her own right. Her fourth album ‘Christmas And The Beads Of Sweat’ (1970) and it’s follow up ‘Gonna Take A Miracle’ (1971) further consolidated her growing successful position.
Around this time Nyro married and retired from music for three years, returning in 1975 with the album ‘Smile’ and her last studio (and disappointing) album from the 80s, ‘Mothers Spiritual’.
‘Walk the Dog and Light the Light’ (1993) was Nyro’s ninth studio album. It was the last album of original material that Nyro released during her lifetime,
Nyro died in Danbury, Connecticut, on April 8, 1997 after a short illness, aged 49.
Laura Nyro was one of pop music’s true originals: A brilliant and innovative composer, her songs found greater commercial success in the hands of other performers, but her own records – intricate, haunting works highlighting her powerful vocal phrasing, evocative lyrics, and a fusion of gospel, soul, folk, and jazz structures – remain her definitive artistic legacy.
In 2012, Nyro was posthumously inducted into the Rock and Roll Hall of Fame.
My listening for tonight;
1 – Eli And The 13th Confession (1968)
Nyro peaked early, and ‘Eli and the Thirteenth Confession’, just her second album, remains her best IMHO. It’s not only because it contains the original versions of no less than three songs that were big hits for other artists:’Sweet Blindness’ (covered by the 5th Dimension), ‘Stoned Soul Picnic’ (also covered by the 5th Dimension), and ‘Eli’s Comin’ (done by Three Dog Night). It’s not even just because those three songs are so outstanding. It’s because the album as a whole is so outstanding
2 – New York Tendaberry (1969)
Although ‘New York Tendaberry’ was nearly as strong a record as its predecessor, ‘Eli and the Thirteenth Confession’, it wasn’t as accessible.It’s a rewarding album, but one that takes some effort to fully appreciate.
3 – Smile (1975)
A lovely warm and mature comeback album from Laura Nyro.
0 thoughts on “The Witching Hours Session – Laura Nyro”
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Empowering. Performance.
We’re roll-up-our-sleeves operations management consultants. We won’t hesitate to get in there and work side-by-side with your staff. Whether it’s in the front office, the back office, or anywhere in-between. We’ll be there before, during and after the project. We implement our recommendations. We transfer our knowledge. We train your employees. And we make sure your results are sustainable. Because we know from 50 years’ experience, that’s the only way to empower performance.
Satisfaction Ratings
To provide real value by improving financial performance. We help companies reach their highest potential through greater operating excellence across the entire supply chain.
We don’t believe in “standard templates.” Every situation is unique. Process improvement starts with digging into what truly makes your company tick. We’ll handpick a team uniquely qualified to address your specific challenges. We’ll observe how you do things. Talk to the people on the frontlines. Then we’ll turn our findings into a detailed, workable plan, complete with tools from our well-rounded toolkit:
Statistical Process Control
Asset Performance Management
Then things get interesting. Because we don’t just deliver a strategy document. We stick around. We implement. We put ideas (both yours and ours) into action. And we help deliver on your goals by empowering your performance. In fact, we’ll help you audit, verify, and sustain results for years to come.
the technology we use
Knowing where information lives and putting it to good use is essential to a project’s success. We use proprietary, enabling technology to first achieve, and then sustain the desired outcomes. Our Client Technology Solutions can enhance your existing Management Operating System (MOS) or implement our LINCS® Lean Information Control System, to help smooth the change process–providing timely feedback on KPIs to process owners and business intelligence to decision makers. We openly share the results of our collaboration to increase and maintain operating excellence.
A Proven Process
Over the years, we’ve developed a detailed, step-by-step process that delivers exactly the results you need.
SCOPING
We investigate areas of opportunity, set priorities and define the scope of our engagement.
ANALYSIS & DESIGN
This is where we narrow in. We look at which business units, plants or facilities to target, and develop a detailed implementation plan.
This is the point when most consultants leave you with a binder and walk out the door. Instead, we’re developing a project plan, organizing work breakdown structure, developing performance goals, determining measurement metrics and making sure our strategies get the desired results.
The overall satisfaction rating expressed by clients of USC Consulting Group.
through May 2019
The People Who Get It Done
senior partners
George W. Coffey
President, Chief Executive Officer
George began his career with USC Consulting Group in 1978 as a project consultant in operations. Over time, his responsibilities grew, with appointments to project manager, operations manager, business development executive, and regional manager/analyst. George became a partner in 1989, an executive partner in 1995, a senior partner in 1999, president in 2006, and CEO in 2010.
George oversees governance of all aspects of the enterprise including strategy, finance, operations, and business development. He also works closely with the investment community including private equity and investment banking to assess opportunities for growth and value enhancement. George is ultimately responsible for all management decisions and for implementing USCCG’s long and short term plans.
Richard W. Gross
Sr. Vice President, Analysis & Business Acquisition
Rick, a certified ISO auditor, joined USC Consulting Group in 1981. He is responsible for identifying and determining the value of potential operational improvements, putting together a team, and laying out an approach according to a predetermined schedule.
Before assuming his present duties as overseeing business acquisition efforts, Rick served USCCG in the highest level of management in the areas of operations, analysis and sales. He graduated from California University with a BA in Administration/Management and a minor in economics.
executive partners
Ted Buckles
Executive Vice President & Director of Operations
Ted began his career in operations with USC Consulting Group in 1988. After progressing through the ranks from project consultant to senior operations manager, he was made a partner in the firm in 2005. Ted was promoted to his current position, executive vice president and director of operations, in 2010.
Ted handles USCCG’s planning and staffing. He’s also the one responsible for on-time, on-budget delivery of products and services to our clients.
Executive Vice President, Business Development
David began his career with USC Consulting Group in 1990. He was promoted to senior regional manager in 2003, made a partner in the firm in 2005 and assumed his current duties in 2010.
David’s primary responsibility is directing and managing our sales organization. He helps USCCG attract, grow and retain its clients. David offers more than 21 years of experience in delivery, analysis and sales management. He also brings a vast knowledge of numerous industrial sectors, including chemical, food processing, healthcare, manufacturing, packaging, pharmaceuticals, pulp and paper, and warehousing and distribution.
David W. Shouldice
Vice President & Managing Director, Global Mining & Metals Practice
David started with USC Consulting Group in 1986. He was promoted to senior regional manager in 1999, made a partner in the firm in 2001, and assumed his current duties in 2010.
As vice president and managing director of USCCG’s Global Mining and Metals practice, he is responsible for managing the team charged with attracting, growing, and retaining new mining and metals clients across the globe. His group identifies and reliably delivers operational improvements at targeted ROIs.
Joe Politoske
Vice President & Senior Account Executive
Joe joined USC Consulting Group in 1986 and was made a partner in 2007. He has held his current position since 2011.
As vice president and senior account executive, Joe’s 25 years of delivery experience are instrumental in developing and maintaining USCCG’s long-term client relationships. Our clients benefit from his extensive experience in lean manufacturing, business process design, quality management systems, asset performance management systems, inventory control, competitive position improvement, cost reduction, distribution strategies, manufacturing strategies and new plant design.
Susan Wickware
Susan joined USC Consulting Group in 2007 and was made a partner in 2018.
As an account executive, she has successfully built a track record developing and maintaining USCCG’s long-term client relationships both in North America and globally. For the last 12 years her clients have benefited from her extensive experience in management operating systems, lean manufacturing, asset performance management, inventory control, cost reduction and project management, especially in the mining and metals industry.
Ron Tinder
Vice President & Senior Operations Manager
Ron joined USC Consulting Group in 2006 as a Project Consultant in Operations. Ron was promoted to Senior Operations Manager in 2015 and made Partner in the firm in 2018.
As a Senior Operations Manager, Ron is responsible for insuring delivery of projected operational and financial improvements in the course of managing multiple client engagements across Africa, Asia, Europe, and North America. Additional responsibilities include attracting and retaining new clients across the globe.
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Bartlett Lee Thane
Bart Thane, undated
Photo Credit: David Stone Collection
Bart Thane was a brilliant promoter and mining engineer who had a profound effect on the Alaska mining industry. One of a new breed of college trained engineers, he graduated from the University of California at Berkeley in 1898. He was the star quarterback on Berkeley's football team. Many of his teammates were majoring in mining engineering and would play key supporting roles in Thane's most ambitious endeavor. At just shy of 20 years of age, the young Thane came to Juneau, Alaska to begin his mining career. Long time mining man Herman Tripp hired Thane in his first job running and maintaining the shaft pumps in the Sumdum Chief mine 60 miles south of Juneau. Tripp, who had reservations about college boys, quickly became a fan of the young Californian, resulting in a lifelong friendship. In three years, Thane gained controlling interest in the Sumdum Chief mine.
By successfully raising money from state sources Thane had, by 1911, obtained operational control of six gold mines in the Juneau Gold Belt and had a mountain name after him.
Through a rather bazaar course of events, Thane would gain control of the Perseverance mine near Juneau. The President of the company, Colonel William Sutherland had been accused by stock and bondholders of mismanagement of the company and was sued. Sutherland dropped dead of a heart attack; two wives claimed his estate, neither of which knew about the other. The company seemed to be hopelessly caught up in litigation when with the backing of D.C. Jackling and W.P. Hammon, Thane raised $8 million in 1912 to take over and develop the Perseverance mine into the world's largest gold mine at the time. This complex would later be known as the Alaska Gastineau.
Thane had a three part plan for the Perseverance mine:
Provide for tide water access via a two mile tunnel
Develop a year round hydroelectric power plant, and
Construct a revolutionary new mill that would handle up to 6,000 tons per day of ore.
The Sheep Creek Adit, as the tunnel was known, was started in November 1912 and completed in February 1914. It is 10,497 feet long and was driven at the fastest rate any tunnel had been excavated in the world. This tunnel gave Thane tide water access via Sheep Creek valley.
With the assistance of some of his former football teammates, Thane constructed the Salmon Creek Dam, which is the first thin arch concrete dam ever constructed. The dam is 172 feet high, 648 feet across at the crest, 47.5 feet thick at the base tapering to 6.5 feet at the top. Today there are more than one hundred of these dams throughout the world designed after the one at Sheep Creek near Juneau, Alaska.
The new mill designed to crush, grind, and recover gold from 6,000 tons per day relied on a new rotating mill that was being used in the large copper mines of Nevada and Arizona. Completed in 1915, and the mill, which many in the mining industry were skeptical as to its success, did not handle 6,000 tons per day, but rather handled 10,000 tons per day at less than the cost projected.
With the success of the new mill, it became clear that more electrical power would be needed. Annex Creek on Taku Inlet was optioned from Herman Tripp in April 1915, the power project was producing power by December of that year. It is the first time a lake had been tapped via tunneling under and punching a hole through the bottom of the lake. Amazingly, water was turning the water wheels 2 miles away within 42 minutes after blasting the hole through the lake. Annex Creek and Salmon Creek still produce 20 percent of Juneau's power today, and are the lowest cost power producers in the State of Alaska.
The Alaska Gastineau Perserverence, for a short period prior to World War I, was the largest gold mining complex in the world. It produced more than 500,000 ounces of gold.
The loss of labor during the war and post war inflation made the mine unprofitable. On June 3, 1921, the mine shut down. Thane promoted the hydroelectric plants, mill town, and support facilities for a new pulp mill site. In 1923, an apparent deal was made with Japanese investors. However, the Yokohama, Japan earthquake of the same year killed the investors and the proposed pulp mill died with them. Even though he had positively changed the course of the mining industry, Thane died in New York City in 1927, a broken and embittered man.
Fred Bradley, the genius behind the Treadwell and AJ Mines, said of Thane upon hearing of his death,
"He built great monuments to man, but forgot what he was here for."
Written by David Guy Stone, 1999
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Category: Contemporary
Viewing items 1281 - 1290 of 1353...
Untitled Print: "to face one's life and to live solemnly with an eloquence like a bow being drawn across a cello the color of god's cigar to make of this scuttle and heart, art."
by Updike, John; Ned Rorem & Larry Rivers
Price: US $1250.00
A Larry Rivers lithograph 18 x 24 inches: Number 31 of 35 copies A/P, dated '95; signed by Ned Rorem, John Updike and Larry Rivers as called for a... Details
VAIN EMPIRES
by Logan, William
Original illustrated wrappers; 8vo. 76pp. Review copy with review letter and slip laid in. Issued in trade paper only. Poet/critic's fourth collec... Details
76pp. Uncorrected proof in plain printed wrappers, with review letter laid in. A trade paperback original. Poet/critic's fourth collection. Near... Details
VALENTINE PLACE
by Lehman, David
Cloth-backed boards in dust jacket; 8vo. 94 pp. Review copy with slip taped to ffep and other material including a poetry reading card presenting on d... Details
VERSE Issue Four
by Crawford, Robert et al. (ed.): Kinnell, Galway & Robert Pinsky (signed by)
Stapled yellow wrappers; small 8vo. 53 pp. Poetry magazine with UK & US editors; this copy signed by two contributors: Galway Kinnell and Robert Pinsk... Details
VESPER SPARROWS
by Digges, Deborah
Green cloth in dust jacket; 8vo. The poet's first book, hardcover issue, winner of the Delmore Schwartz Memorial Poetry Award. Signed by the poet ... Details
VIEWS OF JEOPARDY
by Gilbert, Jack
Black cloth in dust jacket; small 8vo. 43 pp. Monumental first book by Gilbert who was not heard from again for nearly twodecades. This copy signed &#... Details
Vinegar Bone
by Zweig, Martha
Trade paperback issue; 8vo. Signed by the Poet Martha Zweig on the half title page along with the signature of the cover artist Elinor Randall. Details
by Lewandowski, Steve
Stapled illustrated wrappers; thin 8vo. Early publication from a respected small press. Spine lightly faded, else fine. Details
VISITS FROM THE SEVENTH
by Arvio, Sarah
The softcover edition of Arvio's first collection. Lyric narrative poetry with a fine sense of line. Nervy, energetic, haunting. Details
Viewing items 1281 - 1290 of 1353 << Back | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | Next >>
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Home // Niamh McGovern
Niamh McGovern
Arthur Cox is one of the top law firms in the country. Our success depends on attracting the best people and nurturing their talent in order to enable us to continue to offer services of the highest calibre.
By achieving this goal, we are able to provide our clients with consistently high quality advice that combines technical expertise and a deep appreciation and understanding of the Irish commercial world.
Niamh McGovern, Associate – Energy & PPP
Law and French, TCD (2009)
Accelerated LPC, BPP Law School (2011)
Qualified as a Solicitor England & Wales (2013)
Admitted to the Roll of Solicitors in Ireland (2013)
Postgraduate Certificate in Sustainable Energy Finance, DCU
I completed my legal professional qualification and training in a top London law firm where I remained for two and a half years. Once I made the decision to return home Arthur Cox was top of my list. As one of the top law firms in Ireland I knew the work would be of the highest quality, however prior to making my decision I was fortunate to meet with people from the firm and that gave me a great insight into the culture and environment.
Since joining the firm, I have been highly impressed by the sheer breadth and quality of legal service at Arthur Cox. The standard and quality of work is outstanding. Many of the lawyers I have met and worked with have varied experiences and backgrounds which is something I feel makes Arthur Cox stand out as a law firm.
In my role as an Associate in the Energy & PPP group my work covers a variety of areas relating to predominantly energy and infrastructure, which typically involves advising on all aspects of large infrastructure projects (including the design, construction, financing and operation phases), telecommunications projects, Public Private Partnerships (PPPs)’s and advising banks, financial institutions and investors on debt and equity funding arrangements.
Once I joined Arthur Cox, I made the decision to complete a postgraduate in Sustainable Energy Finance in DCU which the firm was hugely facilitating and supportive of.
The firm runs a number of initiatives which offer support and guidance. One such programme is the Mentoring Programme whereby you are paired with a more senior associate (or partner) and have structured and unstructured meetings throughout the year, giving you a forum to discuss professional and personnel issues which may have arisen. I found this to be very beneficial for new joiners. In addition, there are frequent learning and training opportunities to avail of to support and develop your skills and knowledge.
In addition to the work Arthur Cox have a very active sports and social committee who are responsible for planning various events throughout the year. Last year, I participated in the Arthur Cox triathlon which I found was a really enjoyable experience and a great way to meet others in the firm.
Overall as a firm Arthur Cox epitomises professionalism, consistently achieving and exceeding expectations. The strong sense of teamwork between fee earners and non-fee earners creates a unique and desirable atmosphere where people are constantly striving to be the best they can be and produce the best results possible.
Return to our Associates page >>
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Why The FDA Has Never Looked At Some Of The Additives In Our Food
Food on display at a Miami supermarket. Advocacy groups say they're concerned that Americans are consuming foods with added flavors, preservatives and other ingredients that have never been reviewed by regulators for immediate dangers or long-term health effects.
Companies have added thousands of ingredients to foods with little to no government oversight. That's thanks to a loophole in a decades-old law that allows them to deem an additive to be "generally recognized as safe" — or GRAS — without the U.S. Food and Drug Administration's blessing, or even its knowledge.
The loophole was originally intended to allow manufacturers of common ingredients like vinegar and table salt — when added to processed foods — to bypass the FDA's lengthy safety-review process. But over time, companies have found that it's far more efficient to take advantage of the exemption to get their products on shelves quickly. Some of these products contain additives that the FDA has found to pose dangers. And even ingredients the agency has agreed are GRAS are now drawing scrutiny from scientists and consumer groups that dispute their safety.
Critics of the system say the biggest concern, however, is that companies regularly introduce new additives without ever informing the FDA. That means people are consuming foods with added flavors, preservatives and other ingredients that are not reviewed at all by regulators for immediate dangers or long-term health effects.
The vast majority of food additives are safe. Some, however, have proved to cause severe allergic reactions or other long-term health effects. Scientists and advocates worry about the growing number of ingredients that the FDA doesn't know about and is not tracking.
Rather than going through the painstaking FDA-led review process to ensure that their new ingredients are safe, food companies can determine on their own that substances are "generally recognized as safe." They can then ask the FDA to review their evaluation — if they wish. Or they can take their ingredients straight to market, without ever informing the agency.
Source:Youtube
"FDA doesn't know what it doesn't know," said Steve Morris of the Government Accountability Office, which published a report in 2010 that found that "FDA's oversight process does not help ensure the safety of all new GRAS determinations."
And even when a company does go through the FDA review process, safety decisions have been criticized. For example, advocacy groups and lawsuits allege that mycoprotein, a type of fungus used in vegetarian products, has caused consumers to suffer a range of reactions, including nausea and anaphylactic shock. The complaints prompted the Center for Science in the Public Interest to urge the FDA in 2011 to revoke the ingredient's GRAS status.
For a company to determine that an ingredient is "generally recognized as safe," it must establish that the additive's safety is commonly understood by qualified scientific experts.
But some ingredients defy consensus, as consumers, scientific groups and sometimes even the FDA have pointed out. Even GRAS additives that have been used in food for decades are now coming under fire as their uses expand and scientific research emerges that casts doubt on their safety.
This is true of one of the most known — and vilified — GRAS additives: partially hydrogenated oil, a form of trans fat. Widely used in food products including fried foods and cake mixes, trans fats have been named by public health experts as a contributor to heart disease, stroke and Type 2 diabetes. Despite strong pushback from industry, the FDA in November 2013 made a tentative determination that artificial trans fats should not have GRAS status, and the agency is likely to make that determination final this summer.
But it's the ingredients the public doesn't know about that have critics of the GRAS system most worried.
Researchers for the Pew Charitable Trusts and the Natural Resources Defense Council say that allowing companies to make safety determinations without telling the FDA makes it nearly impossible to identify whether there are health effects caused by long-term exposure to certain ingredients.
Their concerns are heightened because safety decisions often rest in the hands of a small group of scientific experts selected by companies or consulting firms with a financial incentive to get new ingredients on the market. Several of these scientists, a Center for Public Integrity investigation found, previously served as scientific consultants for tobacco companies during the 1980s and 1990s, when the tobacco industry fought vigorously to defend its products.
The GRAS loophole was born in 1958. Americans were growing concerned about the increased use of preservatives and other additives in food, so Congress passed — and President Dwight Eisenhower signed — the first law regulating ingredients added to food.
To restore confidence, the law set up a system requiring companies to submit new ingredients to an extensive FDA safety review before going to market.
"Congress had a clear understanding of what 'generally recognized as safe' means, but that's not the understanding that basically prevailed," said Scott Faber, vice president of government affairs for the Environmental Working Group, a nonprofit advocacy group seeking reforms to the GRAS system. "There are plenty of ingredients that are receiving GRAS status the safety of which are in dispute."
In the past five decades, the number of food additives has skyrocketed — from about 800 to more than 10,000. They are added to everything from baked goods and breakfast cereals to energy bars and carbonated drinks.
Meanwhile, the FDA's food additive approval system has slowed to a crawl — the average review takes two years, but some drag on for decades.
"The food additive review process is a highway that is constantly gridlocked. If the food additive road doesn't go anywhere, what do I do?" asked Stuart Pape, a Washington, D.C., attorney who consults for companies that manufacture food additives. "GRAS is the other pathway."
Source: Center for Public Integrity
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Andy Schroeder – President of South Central Steel (SCS)
Andy Schroeder scs
Over the course of his career, South Central Steel (SCS) President Andy Schroeder has facilitated the growth of several engineering and development companies in the South and the Midwest. He has held his current positioni since 2012, during which time he has overseen the distribution of structural steel to clients throughout the southeastern United States. Andy Schroeder comes to this position after having served for two years as a vice president at SCS. In that capacity, he leveraged a strong industry network to secure more than 90 percent of the company’s business.
Also involved in managing more sizable company projects, Mr. Schroeder draws on 20 years of related experience. He joined SCS following service as a development manager and, later, as the vice president of development and construction for Capstone Development and Direct Development. Working in both the Milwaukee, Wisconsin, and Nashville, Tennessee, markets, he administered budgets as high as $50 million and teams that were hundreds strong.
Andy Schroeder joined Capstone Development after a successful tenure as a regional sales manager for LAW Engineering. In that position, he helped launch the company's most productive growth period in more than 30 years. He approached his career with a bachelor's degree in finance, as well as two years of higher education in engineering.
Andrew Schroeder
South Central Steel, Inc
Andrew Schroeder // Wordpress
© 2017 andyschroederscs.com
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Macedonia Referendum: Block the Vote
HITS: 3240 | 7-01-2005, 03:14 | Comments: (0) | Categories: Macedonia , Politics
Referendum on the proposed re-districting of local government units 7th November 2004
On 7th November 2004, fewer than 30% of eligible voters turned out in Macedonia’s referendum on local government re-organisation which required a minimum 50% participation. Hardly a subject to disturb the headline-writers, one might have thought. Yet Washington and Brussels worked overtime to achieve that level of apathy. The low turnout was hailed as a triumph for Euro-Atlantic values. Perhaps an invalid Balkan referendum on an obscure local issue tells us more about the New World Order than anyone might have expected.
Cyprus 2004: Curtains for the Annan Plan
HITS: 2840 | 3-06-2004, 17:38 | Comments: (0) | Categories: Cyprus , Analyzing, War and peace
The Greek Cypriots said a firm 'no' to the Annan Plan in the 24th April referendum. But, will this end attempts to reunify Cyprus?
The results of the referendums on the Annan Plan[1] for reunification of the island of Cyprus, held on 24th April 2004, turned out much as expected. Voters in the south voted overwhelmingly ‘No’ while a majority in the north said ‘Yes’. As the campaign to sell the Annan Plan intensified, the international community’s former disapproval for TRNC vanished and the new ‘bad boys’ became those politicians in the south, Cyprus’s president Tassos Papadopolous in particular, who had urged his countrymen to vote no.
However, despite promises of increased aid and cooperation for the Turkish Cypriots from the US and Europe, there is limited room for manoeuvre as TRNC is an unrecognised state and there is no sign, as this report is written, of any change in its status. Similarly, it is difficult to see how the Republic of Cyprus can be effectively ‘punished’ as it is an economically successful state and now a member of the EU.
The Referendum in Cyprus: Before, During and After
HITS: 2436 | 1-06-2004, 18:11 | Comments: (0) | Categories: Cyprus , PR and human rights, Politics
The defeat of the anti-rejectionist parties in the December election led to the revival of the Annan Plan in January 2004. Although the CTP and its allies had demanded that Denktaş resign as TRNC’s main negotiator, he was kept on after consultations with Ankara. This in itself reflected divisions in society where the elder statesman still commanded popularity and respect. However, after leading the TRNC delegation in a preliminary visit to New York in February, Denktaş stepped down as final negotiations loomed, saying he could not advise acceptance of the plan as it stood.
As the parties had agreed to let the UN Secretary General ‘fill in the gaps’ in the parts of the plan where no agreement had been reached, arrangements were made for talks to be held, leaving time for a last-minute referendum to be called before the 1st May deadline on the final version of the document. At the same time, Erdogan was offered various sweeteners to reward TRNC (and Turkey) for their cooperation.
Changes made before the second referendum
HITS: 1934 | 5-06-2002, 06:54 | Comments: (0) | Categories: Ireland , Politics, Analyzing
The Irish and European political classes clearly received a considerable shock when the Irish voted No to Nice in June 2001. Dublin decided almost immediately to prepare the ground for a new referendum. Indeed, the determination of the political class as a whole to force Nice through is evidenced by the fact that both of the main political parties, Fianna Fail and Fine Gael, campaigned for a yes vote. Like political classes across Europe, the desire for unaccountable power in Ireland is great enough to unite all sides in pressing for ever close European integration.
The preparations for the second referendum were minutely laid. The first change was radically to overhaul the role of the Referendum Commission which is responsible for running referendums in Ireland. That Commission had been created in 1998, following an appeal to the country’s Supreme Court in 1995 by the Green Party Member of the European Parliament, Patricia McKenna.
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Triennal Festival
Triennal Festival 2018
Works of Art 2018
The Old Bad Pfäfers Baths
Summer of Art
7th Bad RagARTz is many artists from different countries.
Guests from around the world are familiar with Bad Ragaz and Vaduz. From May to November 2018, about 400 sculptures are permanent guests in public areas. The 7th Swiss Triennial Festival of Sculpture, called Bad RagARTz, is an international cultural highlight for the Sargans region and Liechtenstein.
In May 2018 the 7th Swiss Triennial Festival of Sculpture, called Bad RagARTz, returns to the Grisons and St. Gallen Rhine Valley. For six months, the Bad Ragaz health resort takes on a new face, shaped by art. This internationally renowned exhibition was already hosted in the Vaduz town center in 2003, 2006, 2009, 2012 an 2015. There are about 400 sculptures, which makes this outdoor show one of the largest of its kind in Europe. The 6th Triennial Festival of Sculpture is meant to add social value directly to the residential area in a time when values are being destroyed left and right. Art intrudes as a reliable diversion into the daily routine in Vaduz and Bad Ragaz. Art comes at no charge and is presented to the viewer on a silver platter and unfiltered; the financial issues which currently predominate become less of a priority.
Europe's Largest Sculpture Park
Many artists from different countries are part of a unique encounter in the midst of nature. There is no entry free. There is also no fear of contact. The special feelings one has when strolling through a landscape transformed by art are part of the secret of success behind Bad RagARTz. The experience of traveling into an emotional conversation with art in a small town has a special charm. This is particularly true as nature changes from summer to autumn. Color and light suddenly unfold within the mountain world and have a very special effect on the sculptures. 400,000 visitors experienced this for themselves three years ago. This is the only way to collect enough funds from around the world for the budget of 2.1 million francs.
No Doors, No Entry Fee
Rolf Hohmeister, who is organizing the Swiss Triennial Festival of Sculpture along with his wife, Esther, a tightly-knit family group and numerous friends and assistants, says, "This is no museum. There are no doors and no entry fee. You only need the willingness to encounter art wherever you go.” Esther Hohmeister adds an anecdote to reinforce the idea about this willingness to encounter art: "I remember a young man who was asked if he had gone to Bad RagARTz. His answer: 'I went to it – it came to me". What makes Rolf Hohmeister particularly happy "is the tangible joy that people get from it. What we get back isn’t francs but feelings."
Each time the Triennial Festival of Sculpture is gaining not only in size but also appreciation in the arts scene. The two locations involved benefit because they gain priceless public relations exposure through the international attention of the media. Popular perception has also changed as a result. And with a budget of approximately CHF 2.1 million and CHF 0 (zero!) as the cost of admission, it goes without saying that no one is expected to become rich from this exhibition.
On opening day, May 5, 2018, a large artist festival is organized at the Bad Ragaz baths plaza.
DEUTSCH ENGLISH IMPRESSUM
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Dukau Papau
8:17AM Nov 14, 2013
A top academician has reminded Sarawakians and members of the various Christian denominations that they are the "saviour" of the BN government in Putrajaya.
"Without your support in Sarawak, the BN government in Peninsular Malaysia would have sunk to the bottom of the sea," said Jayum Jawan Empaling, professor of politics and government at Universiti Putra Malaysia.
Sarawak has 31 seats in Parliament, of which 25 of them are held by BN. DAP has five and PKR, one.
"Sarawak has been described as BN's fixed deposit. To me, Sarawak is the saviour of BN in Semenanjung Malaysia not for first time, second time or third time, but the fourth time," Jayum Jawan said at a forum in Kuching yesterday, organised by the Association of Churches in Sarawak.
He said that Sabah and Sarawak first saved Malaya in 1963 when the two Borneo states agreed to form the federation of Malaysia along with Singapore.
"We came in not only as a balancing power, but also to enhance the Malay ‘supremacy' in the federation. If we did not come in, the federation of Malaya and Singapore would have an equal population of Malays and Chinese," Jayum Jawan said.
The second one was the 1969 general election, and without the support from Sarawak and Sabah, BN would have lost.
Similarly Sarawak saved Putrajaya at the 2008 and 2013 general elections, argued Jayum.
"It is up to you and members of the various churches whether to continue to support Barisan Nasional or not. You can determine who forms the next government," he said.
Jayum Jawan, who hailed from a longhouse in Sibu, was yesterday delivering a talk on 'The role of church in nation-building' at the Christian Centre in Kuching.
Attended by some 2,000 church members from various Christian denominations and representatives from other faiths, the forum also featured two other speakers - constitutional lawyer Lim Heng Seng and Ng Kam Weng, an authority on theology and Christian history on the use of the word ‘Allah' to refer to God.
Jayum Jawan said church members are also taxpayers and voters, and they have the right to exercise their democratic rights.
"We can use a multi-level (marketing) system in politics by bringing in your spouses, brothers, sisters, parents, in-laws, relatives and other church members and their friends to vote against the BN government if you think it is not looking after our interests.
"And we can vote for another party that is sensitive to our views," he said, adding that Malaysia was fortunate that it now has a two-party system, thus giving voters an electoral choice.
"Democracy is about choosing our representatives to Parliament or to the state assemblies. When we choose that person, that person must represent your interest. He must do what we want him to do in Parliament.
"He must listen to us, not we listen to him because we are the ones who put them where they are. But if they don't listen to us, then bring them down."
We've only ourselves to blame
Jayum Jawan stressed that there is no need to wait for the next election and action can be taken now.
"Voting them out is one of them. In the meantime, we can petition them to be removed, or ask them to step down if they don't listen to us. This is a signal we must give them.
"We used to treat our elected representatives like little gods, giving them red-carpet welcome with 'gendang', music, food and drinks," said Jayum Jawan, pointing out that Malaysians must change their mindset.
"Once they are elected or become ministers, they forget about us. They forget that we are the source of their political power, and they forget that we are the ones who put them where they are.
"Now I want to ask you a question: Do we blame the BN government for not looking after our interest? I don't think so.
"We also cannot blame (Sarawak Chief Minister) Abdul Taib Mahmud or (Land Development Minister) James Masing or (Social Development Minister) William Mawan, but blame ourselves.
"It was you who put them there. You have done a great disservice to yourself," he said.
Pointing out that the country was facing many challenges, Jayum Jawan called on church members to rise and join other Malaysians to meet those challenges.
"We have to respond to our environment," he said in obvious reference to the government's ban on the use of the word ‘Allah' by Christians in their Bahasa Malaysia publications.
Last month, the appeals court ruled in favour of the government that the term ‘Allah' must be exclusive to Islam.
While PM Najib Razak said the ruling only applied to Catholic weekly The Herald, lawyers argued it affects all Christians in Malaysia, especially bumiputera Christians in Sabah and Sarawak who use Bahasa Malaysia in carrying out their religious activities.
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Tag: tv guide
10 innings
Acting as if I’m a real columnist having a lazy day, I present a “News and Notes” column!
1) Headline in the Sun-Times following the Palmeiro news: Caught ‘roid-handed. Another good headline this week, despite not being baseball-related, was the Trib’s headline announcing the appointment of a federal monitor to watch the city’s hiring practices: City gets a Hall monitor. I imagine the headline writers are all staying up late these days practicing their headlines in the hopes of Daley being indicted. Me, I’m just practicing my gleeful chortle. Maybe I’ll get to warm it up chortling over Rove.
2) Palmeiro and Sandberg are linked yet again, this time in Sandberg’s Fire Sermon in Cooperstown on Sunday being followed so closely by Palmeiro essentially giving back his “Redeem in five years” ticket to the Hall. Those of you up on Cubs gossip will know how they were linked before, but if you need a refresher, contact me in some way that enables me to tell you the story while not being sued for libel.
3) Albert Pujols has stolen 11 bases this season without being caught. Next up for Prince Albert: some work in the offseason on his change-up so he can pick up some innings out of the bullpen.
4) Speaking of running, poor Lenny Harris, in legging out a three-run double against the Cardinals the other night in Florida, catapulted himself to the top of my list of worst baserunners in the game. He’s been a slow runner for years, plagued by leg and weight problems, but these days, his build is Kruk-like and he runs as if he’s on two peglegs. If this were a backyard whiffleball game, everyone would agree on special slowness rules for his ghost runner.
5) TV Guide is changing its format to not have nearly so many listings. How will I ever know when Scooter’s going to grace my television? I guess I’ll have to go to Jeanniezelasko.com to find out. I wonder if Jim has any thought about the changes to TV Guide?
6) In a discussion at work the other day about how to encourage bloggers who have written about our products, the idea of just contacting them with a thank-you came up. Or maybe we should send them minor-league baseball tickets?
7) After the Sox/Tigers game I attended recently at Comiskey, I was walking out next to a girl who said to a friend, “There’s my bus, gotta go.” She looked up to the ballpark, blew a kiss, and said, “Love ya, Comiskey.”
8) After today, there’s a third of the season left, and Ken Griffey Jr. has still not visited the DL.
9) For a while a few weeks back, an image search for Johnny Damon brought up a certain pumpkin as the fourth response. It’s fallen back to ninth lately. Get to work, readers!
10) The Post-Dispatch reports today that the Cardinals are, after all, leaving KMOX and buying 550 AM KTRS. I think it’s a big mistake, as do many other Cards fans, and I’m sad to hear about it. KMOX was the Cardinals for me for my childhood. But this is really a topic that deserves its own post soon.
Posted on August 4, 2005 April 12, 2010 Author Levi StahlCategories radioTags Albert Pujols, Cardinals, johnny damon, ken griffey jr., KMOX, lenny harris, rafael palmeiro, ryne sandberg, steroids, tv guideLeave a comment on 10 innings
Television programming update
The episode of “Queer Eye for the Straight Guy” featuring five members of the Red Sox airs next Tuesday, June 7th, at 10:00 P.M. Eastern on Bravo (with copious repeats throughout the following week). TV Guide gives it a 9 out of 10 and includes, as a tantalizing preview, the phrase “Johnny Damon gets foil highlights.”
Also in next week’s TV Guide, Superstation WGN has a full-page ad (in the color section, although it’s a black-and-white ad) touting their Friday afternoon telecast of the Cubs vs. Red Sox as a rematch of the 1918 World Series, for all the TV Guide readers who have been waiting for that for 87 years. Presumably, the Saturday game is on Fox (although my DirecTV edition of TV Guide only lists what’s on the national Fox schedule, so it’s “teams to be announced”) — and the Sunday game is in the week-after-next’s TV Guide, so as far as I’m concerned, it’s a complete mystery where it’s going to air.
Posted on June 2, 2005 April 9, 2010 Author Jim EllwangerCategories tvTags directv, johnny damon, tv guideLeave a comment on Television programming update
And the figurine is going for big bucks on eBay
Back in the olden days, before they had cast members of “Desperate Housewives” on the cover every other week, TV Guide always contained a lot of ads for local TV stations. This is because they would trade out advertising space in the magazine in exchange for the stations running commercials for TV Guide.
This is the best baseball-related local TV Guide ad I’ve found in my collection; it’s from Saturday, May 18, 1968, and is the work of WJIM-TV in Lansing, Michigan, which is now called WLNS.
Channel 6 viewers that day saw the Senators beat the Tigers. Just a bump in the road for Detroit, though, on their way to winning the pennant and the World Series.
Original comments…
Jason: I can’t tell…is that a bobblehead or a figurine? Either way, it would be a great giveaway this season!
Jim: I’m pretty sure it’s a figurine, because it looks like the bat is attached both to the paws and the head, which would make it hard for the head to bobble. But remind me next time you’re going to be in my apartment, and I’ll let you take a closer look at this TV Guide ad.
Jason: Well, I actually looked up on eBay, but this was the only Detroit Tigers figurine they had:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=25136&item=5161759737&rd=1&ssPageName=WDVW
Posted on February 3, 2005 April 9, 2010 Author Jim EllwangerCategories advertisingTags senators, tigers, tv guideLeave a comment on And the figurine is going for big bucks on eBay
To mark the impending Opening Day, they dug up another baseball movie over there at the Encore channel: “The Slugger’s Wife,” from 1985. This movie has everything, including the Braves’ blue-and-white uniforms, Mark Fidrych and Skip Caray as themselves, and Rebecca DeMornay and Loudon Wainwright III singing rock hits of the late ’70s and early ’80s, including (why not?) Neil Young’s “Hey Hey, My My (Into the Black).” Not to mention the titular slugger having a chance to break Roger Maris’s home run record on the last day of the season while his Braves need to beat the Astros to capture the N.L. East title. (Levi, I’m sure, is bristling at the merest idea that this is what actually happened in 1985.)
While I’m at it, I’ll mention that some parts of the country got a baseball-related TV Guide cover this past week: Detroit got Ivan Rodriguez, Philadelphia got Jim Thome, South Florida got Josh Beckett, Chicago got Kerry Wood and Mark Prior, Houston got Andy Pettite and Roger Clemens, and Southern California got Vladimir Guerrero. Any or all of these people could be the answer to a future trivia question, since this was the first TV Guide issue since 1954 to contain eight days of program listings. (The national cover was “Where Are They Now?”, spotlighting such long-gone television personalities as Eriq LaSalle and Gillian Anderson. The current editorial staff at TV Guide seems to believe that the public’s memory extends no longer than eight days, an opinion they share with the producers of the VH1 show “Best Week Ever.”)
Still, it’s nice to see TV Guide using baseball in an attempt to drive newsstand sales in certain areas, rather than their regular standbys of “Star Trek” or an upcoming movie.
Posted on December 5, 2004 December 29, 2016 Author Jim EllwangerCategories UncategorizedTags the slugger's wife, tv guide
This is Priority Mail?
Way back in March, in this very blog, I maligned the AAA web site because it would only allow a total of eight destinations on the form to have a Triptik made for your upcoming road trip, so I had to make two separate requests, and then all I got in the mail was a Triptik for the final third of this trip; I had assumed that someone saw two requests by the same AAA member coming very closely together and threw away the first request.
Well, all this time, it turns out the AAA and their web site wasn’t at fault. It was the U.S. Postal Service. The Triptik covering the first two-thirds of this trip, it turns out, came in a much bigger box (because of all the Tourbooks that came along with it), too big to fit in one of the package lockers in my apartment complex, as the mailman discovered when trying to deliver it on February 4th (I know this because of a telltale scrawl on the address label). But he didn’t leave a note then, for whatever reason, and the package apparently got forgotten about somewhere in the North Hollywood post office until yesterday, when I finally got a note telling me to pick it up in a hurry or they would return it to the sender on May 3rd.
But now we have the small problem that all these Tourbooks are the 2003 editions, because the updated editions don’t come out until March or April (if I had remembered this, I wouldn’t have ordered the Triptik for this trip so early), and the more significant problem that the route shown on this Triptik doesn’t reflect our current plans, which involve going from Carmi, Illinois, to Detroit via University Park, Illinois, so we can drop Luke off at the Metra station.
So I’m going to go in person to a AAA office soon to get them to make a “corrected” Triptik while I wait, and maybe a big pile of 2004 edition Tourbooks, thus avoiding the Postal Service altogether, and the North Hollywood post office in particular. (My copy of the April 11th TV Guide also seems to have disappeared into a black hole, but TV Guide extended my subscription for two weeks to make up for it.)
Posted on April 30, 2004 April 7, 2010 Author Jim EllwangerCategories brpa, planning, road tripTags postal service, tv guideLeave a comment on This is Priority Mail?
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Aquaponic Gardening: A Step by Step Guide to Growing Fish & Vegetables Togethe
Broadcast in Environment
Mon, Apr 27, 2015 10:00PM UTC
The Organic View
If you liked this show, you should follow The Organic View.
Sylvia Bernstein
With the growing demand for organic food production, more and more people are looking at sustainable models that will produce a high yield without necessarily having to farm a large acreage. One of the most popular methods is called aquaponics. Aquaponics is the cultivation of fish and plants together in a constructed, re-circulating ecosystem utilizing natural bacterial cycles to convert fish wastes to plant nutrients. What does aquaponics gardening entail and how exactly does it work?
Tune in to this segment of The Organic View Radio Show, as host, June Stoyer talks to expert Sylvia Bernstein, President and Founder of The Aquaponic Source, Inc.
Bio: Sylvia Bernstein is the President and Founder of The Aquaponic Source, the leading U.S. based company focused entirely on the home aquaponic gardener, and the author of “Aquaponic Gardening: A Step by Step Guide to Growing Fish and Vegetables Together”. She also runs the Aquaponic Gardening Community, the largest online community site dedicated to aquaponic gardening in North America, and is the U.S. Chapter Chairman of the Aquaponics Association. Sylvia has a degree in Agricultural Economics from the University of California, Davis and an MBA from the University of Chicago.
Do you like FREE stuff? Visit our contest section on The Organic View Radio Show, or www.theorganicview.com/contests to win one of our monthly prizes!
Today’s show is sponsored by Austria’s Finest Naturally Authentic Pumpkin Seed Oil from the Steiermark available at OrganicUniverse.com. Listeners of TheOrganicView can receive $1 off their purchase by using the coupon code "orgview".
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Harry Styles Phone Number & WhatsApp & Email Address
Rose to fame as a member of the pop British boyband One Direction, performing alongside Liam Payne, Louis Tomlinson, Zayn Malik, and Niall Horan. He later embarked on a solo career and released his first single "Sign of the Times" in April of 2017.
He worked at a bakery when he was fourteen years old. He tried out as a solo singer on The X Factor but failed, though he later joined a band in order to compete on the show.
The One Direction album Up All Night became the first British album to open up at #1 on the U.S. Billboard 200. At the 2014 Teen Choice Awards, the band took home eight awards. He made his film acting debut in the 2017 Christopher Nolan feature Dunkirk.
He was raised with an older sister named Gemma and he had a relationship with country singer Taylor Swift that ended in January 2013. He later dated Kendall Jenner but the couple broke up in 2014. He then dated model Nadine Leopold. He briefly dated chef Tess Ward in 2017.
The band originally performed as a quintet until Zayn Malik left in 2015.
I just love him no matter what
I love him so much i want to cry right now
My name is lillien Willard and I just wanted to say you are amazing and you are great at what you do and nobody can say different
What's his number ?
Harry styles phone number please cell
Omg! My name is Isabela I love Harry styles
It says that it is not available at your region
Keev (not my real name obviously 🙄) 😂 January 12, 2019 at 11:12 AM
Get vpn
Keev (not my real name obviously 🙄) 😂 January 5, 2019 at 2:22 PM
Wait... I don’t have a phone so I can’t do this ��
Wow. I love him so much and will always be a directioner until the day I die😍😭
Did u guys get the number
Clark March 23, 2019 at 3:59 PM
What is his number I NEED it rn plz
Haha where in the world would they really release his personal information. I'm from South Africa and can only wish
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Elbit Systems Ltd. announced that it was awarded an approximately US$125 million (NIS 460 million) contract from the Israeli Ministry of Defense to supply fully automatic self-propelled howitzer gun systems to the Israeli Defense Forces. The contract, which also includes the supply of training simulators, will be performed over a 12-year period.
The IMOD and Elbit Systems intend that further part of the automatic howitzer gun systems program, under an additional contract to the Company in an amount that is expected to be material, will be performed by various U.S. companies including Elbit Systems of America, LLC, subject to completion of the receipt of applicable governmental approvals for the U.S. content.
The new automatic howitzer gun system is based on know-how and experience the Company accumulated over decades of supplying artillery systems to numerous armed forces. The new howitzer gun system is capable of automatic loading and laying. According to the applicable mission, the new gun system automatically selects the required projectile, propellant and fuze, loads them and lays the gun to optimally engage targets. The new howitzer gun system will enhance the effectiveness of the artillery formation of the IDF while reducing the number soldiers in each platform and significantly reduce life-cycle costs.
Bezhalel (Butzi) Machlis, President and CEO of Elbit Systems, commented: “We are proud to take part in building the future artillery formation of the IDF. This contract award is a vote of confidence in Israeli defense technology and an acknowledgment of the international leadership of Elbit Systems in the area of artillery systems. We believe that effective integration of precision, rapidity and autonomy together with a built-in connectivity to the communication and command & control systems will become the required standard. We are witnessing a growing need for advanced and reliable artillery systems that enable powerful and efficient operation in all combat configurations.”
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MBE2—a global revolution in ethanol production by MAHLE
Jundiaí, February 15, 2018 – A new product launched by MAHLE has the potential to revolutionize the ethanol industry at a global level. MBE2 (MAHLE Bioethanol 2) is a solution that increases the production of ethanol by a minimum of 10% without the need to increase the area of planted sugarcane.
Press release [PDF; 429 KB]
The latest in fuels
The use of biofuels in internal combustion engines is an important alternative to significantly reduce CO2 emissions—one of the gases responsible for the greenhouse effect. Ethanol is thus used in countries all over the world as a strategic fuel. In Brazil and the U.S., for example, a large fleet of vehicles is powered by ethanol at concentrations of 100% and 85%, respectively. In addition, countries are increasingly using a blend of ethanol and gasoline in proportions that vary between 10% and 30% to increase the fuel’s octane rating.
This is a definitive trend as a higher octane rating of the blend enables the ethanol to perfectly meet the challenges of new, more energy-efficient and explosion-proof combustion engines that require high-octane fuels.
As a measure of the global market potential of this renewable, sustainable, and environmentally friendly fuel in the next few years, China—with its massive consumption capacity—announced that it will begin using a gasoline mixture that contains 10% ethanol across the entire country. Along the same lines, the U.S. is evaluating an increase in its current blend of 10% ethanol to between 25 and 30%.
The use of ethanol is a quick alternative to address full-cycle CO2 emissions because it uses existing infrastructure. In combination with vehicle electrification and other advanced propulsion technologies, such as fuel cells, it will assist in reducing future greenhouse gas emissions responsible for global warming.
Until electrical energy is largely produced from renewable sources and electric vehicles are manufactured exclusively ethanol will continue to play a vital role. Thus, for Brazil, one important path forward is the efficient use of ethanol, even in hybrid vehicles.
The development of MBE2
MBE2 was developed at the MAHLE Tech Center in Jundiai, São Paulo (one of the 16 R&D centers of the MAHLE Group in the world), based on the concepts of a third-party patent and together with their collaboration. MAHLE also gained access to the rights to explore the ethanol-production technology on a global scale. The intensive four-year development began in a dedicated laboratory created by MAHLE, and included a two-year pilot project followed by a period of industrial-sized operations carried out in an ethanol power plant in the region of Sertãozinho, São Paulo.
Fermentation—the process that must be perfected in the plants
As everyone knows, both first-generation ethanol produced using different cultures— notably sugarcane—and second-generation ethanol produced from biomass are derived from fermentation using yeast. To innovate the fermentation process, which is the bottleneck in ethanol plants, MBE2 consists of a system inside the fermenters that uses equipment to control the process as well as proprietary software. The system stimulates biochemical reactions, which results in a larger production of ethanol at a low operational cost.
Numbers speak for themselves
MBE2 is a much cheaper alternative to increase production both in terms of the investment and operational cost. It contributes to the plant’s results and to sustainability because it does not require an increase in the planted area and significantly reduces greenhouse gases.
The market and the future
This technology can be applied to any raw material and the production of any sugarcane- or biomass-based biofuel, such as that from corn, which is largely used in the U.S. The increase in revenue is yet to be determined. The potential in the Brazilian and global markets depends on economic and political situations.
For more information, please contact the Investor Relations department of MAHLE Metal Leve via e-mail at relacoes.investidores@br.mahle.com.
About MAHLE
MAHLE is a leading international development partner and supplier to the automotive industry as well as a pioneer for the mobility of the future. The MAHLE Group is committed to making transportation more efficient, more environmentally friendly, and more comfortable by continuously optimizing the combustion engine, driving forward the use of alternative fuels, and laying the foundation for the worldwide introduction of e-mobility. The group’s product portfolio addresses all the crucial issues relating to the powertrain and air conditioning technology—both for drives with combustion engines and for e-mobility. MAHLE products are fitted in at least every second vehicle worldwide. Components and systems from MAHLE are also used off the road—in stationary applications, for mobile machinery, rail transport, as well as marine applications.
In 2016, the group generated sales of approximately EUR 12.3 billion with about 77,000 employees and is represented in 34 countries with 170 production locations. At 16 major development centers in Germany, Great Britain, Luxembourg, Spain, Slovenia, the USA, Brazil, Japan, China, and India, 6,000 development engineers and technicians are working on innovative solutions for the mobility of the future.
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Aultguish Inn, Main Road, Garve, Ullapool, IV23 2PQ.
d.negri@btinternet.com
Guerledan: The Rôtisseur Has The Sacred Fire
This is a motivation for a B&B owner. Most B&B businesses should learn from the Rôtisseur Guerlédan. Close to bankruptcy five years ago, the Rôtisseur Guerlédan (former Saloir du Daoulas) found the flame under the impetus of Didier Marec. From 12 to 31 employees (including people who handle their website, web-hosting companies), the company is thriving and growing. Didier Marec had the “crisis of the forties” more productive than depressive. Armed with a rich professional experience in agribusiness (Bourgoin, Procanar, LDC, Unicopa) and the council (DGE council), the man seized the opportunity of the sale of the Saloir du Daoulas to start his own business, in April 2012. The state of health of the small company of Guerlédan, specializing in sausages and rotisserie, was then precarious. “When I took over the company, it was in a position to file for bankruptcy after having suffered a colossal decrease for three years,” says Didier Marec. Despite this financial fragility, the new leader sees assets: a “pretty fame”; “Employees very attached to their box”; the rotisserie activity, “a glimmer of hope to restart the business”.
High end and French
But the first months are hard. The decline continues and the entrepreneur faces “big cash flow problems”. The boss doubts, wonders then slice in the quick. It puts an end to the charcuterie business, which still accounted for 40% of sales, to focus on the rotisserie. And this, while retaining all twelve employees. A judicious choice since only three months after this strategic decision, the Saloir du Daoulas is starting to recover. “In September 2013, the turnover increases by 10% and, above all, we manage to make a small result of 10.000 € whereas the company lost money for five years”, recalls, with pride, the leader who has chosen a “high-end positioning with only French raw material”. His ambition is to be the reference of the rotisserie market on a national level.”
Bacon is gaining weight
Renamed the Rôtisseur Guerlédan early 2017, in order to stick to the fair to its business, the company has grown from 12 to 31 employees and 2 million to 4.2 million turnover in five years. The company now offers a catalog of 22 rotisserie references (pork, chicken, duck, quail …) and six bacon products for 480t of finished products, sold at 70% in large and medium-sized stores. By launching into fresh bacon, “without allergens and without chemical additives, we are the first French manufacturers to do so,” Didier Marec managed to grab the B&B hotel market and opened up prospects for his company. Did you know that B&Bs attract celebrities? “The bacon business is 20% of the turnover and it will become 35 to 40%,” predicts the entrepreneur, who has just made another great move.
A ham that is worth two jobs
Since the beginning of the year, its Red Label ham is distributed throughout France in the hot spots of Auchan stores. “This is a recognition I am proud of and it is almost the equivalent of two additional jobs for our company,” says Didier Marec. The Rôtisseur also accompanies three breeders from Nord-Finistère “who decided to revise their profession by working on the duroc breed, very high-end pork”. Sold under the brand name “Les 3 p’tits Duroc”, these products are exclusively for a local market. To support the development of its business and new projects, Didier Marec has decided to invest 1.2 million Euros in a 500 m² expansion project for its premises in the Guergadic area. This investment has three objectives: increasing volumes, improving the flow and working conditions of employees. Work should begin next month until October.
A Taste of Fort William: Top Restaurants to Dine In During Your Visit
Restaurants In Fort William
If you are planning a stay here at Aultguish Inn and perhaps planning a stopover at Fort William whilst en route, you may be interested to check out these excellent dining options that will enhance your overall experience during your trip. In fact, this beautiful Scottish town is famous for a number of eateries that let you have a taste of gourmet recipes while you take a glimpse of idyllic views all around you. So, check out these fine restaurants that should not be missed during your visit to Fort William – and be sure to book a table before you arrive to these three highly recommended dining spots.
Lochy Bar and Restaurant
Locals and foreigners are fascinated with this cozy restaurant located near Caol Village and Banavie, particularly by the infamous Caledonian Canal. This family-owned restaurant is just what you need when you are in search of great restaurant that offers the best value for your money, a wide selection of menu and relaxing ambience. What’s more, there are ample parking spots in the area, so there are no hassles when you want to dine here even during busy hours. When you feel like eating outside and enjoy the breathtaking views, you may choose to dine outdoors on one of the picnic tables from the restaurant. So, if traditional Scottish food is what you look for, Lochy Bar and Restaurant is the perfect option for you.
Glenfinnan Restaurant and Lounge Bar
Another excellent choice for a great restaurant in Fort William is the Glenfinnan, which offers fantastic views of some famous attractions in the area such as the Loch Shiel, Ben Nevis and Glenfinnan Monument. Most customers are impressed with the restaurant’s relaxing atmosphere, which makes this restaurant as their ultimate choice for fine dining. In fact, the area is particularly impressive during spring and summer when the climate is mild. As for the menu offered in the restaurant, you can take your pick from an extensive selection of home-cooked dishes made from the freshest ingredients. For those who are planning to take light snacks, the lounge bar is a suitable option because you can choose from a number of tasty and aromatic dishes, local brewed beverages and wines. While you wait for your food, you can have a glimpse of the restaurant’s astounding collection of paintings and artworks with an amazing Jacobite theme.
The Indian Garden
For those who search for Indian cuisine, then you can find just what you are looking for at the Indian Garden, one of the most frequented restaurants in Fort William. Here, you can dine from 12 to 2 in the afternoon or have an appetizing dinner beginning 5.50 until 11.30 at night. If you are in a hurry, then you may go for a take-away service, as this restaurant offers delivery service within the Fort William area. For years, this Indian tandoori Fort William restaurant has been providing clients with top-notch services that meet their clients’ standards. So, whether you are dining alone, with your family, or a large group, this restaurant is an excellent choice that you will never regret. Simply reserve a table a few days before the scheduled time and day, so you can choose the best location with the finest views in this restaurant.
Dining in Fort William is definitely a treat with these renowned restaurants that will not only offer you an amazing gastronomical experience, but also the best value for your money and only a short distance from your Fort William accommodation.
Aultguish Inn Blog
Check back regularly to our blog to see that latest news and info about Aultguish Inn and other events and things to see and do in and around the Highlands of Scotland.
Creepy Edinburgh: 3 Walking Tours to Try in the City
Scary Walking Tours In Edinburgh
Edinburgh is a city that’s very rich in associations with the past. With its many castles, museums and historical buildings, it’s no surprise that Edinburgh also has its share of epic ghost stories. With so many locations for creepy explorations, ghost tours are actually main tourist attractions in the city. If you’re planning to spend a few days in Edinburgh before travelling up to Aultguish Inn and the Highlands one of the highlights for a great evening in Edinburgh is to take a guided walking tour to some of the city’s creepiest places.
The Mercat Walking Tours
Created in 1985, the Mercat Walking Tours is the most awarded and largest walking tour company in the city. They offer both historical and ghost tours to give you a true sense of Scotland’s past. Among its many awards over the years include the Tourism Innovation Development Award in 2003 and 2005, an Edinburgh Tour Guide of the Year award in 2009 and a 5 Star Tour award by VisitScotland. The company offers 6 different ghost tours to cater to different preferences, such as the Doomed, Dead and Buried tour of the Canongate graveyard and the Blair St. Underground Vaults, the Hidden and Haunted tour of the vaults in candle-light and other specific walking tours that will surely raise the hairs at the back of your neck.
The City of the Dead Tours
Dubbed by travel site Lonely Planet as the best of Edinburgh’s ghost tours, the City of the Dead Tours walking tours are designed by JA Henderson – bestselling author and award-winning novelist of the Underground City, The Mackenzie Poltergeist and Haunted Edinburgh. Launched in 1999 and operated by Black Hart Entertainment, the tour guides are a mixture of historians and professional entertainers that combine horror, history and humor to the walking tours – giving you an exceptionally creepy time as you walk along the city’s most mysterious places. The walk ends at the Covenant’s Prison, which was the lair of the “Mackenzie Poltergeist” – the best documented paranormal event in history. A definite must for anyone who wants something out of the ordinary when visiting Edinburgh.
The Real Mary King’s Close Tours
Opened in April of 2003, The Real Mary King’s Close is a walking tour company that brings tourists to Mary King’s Close – infamous for its stories of ghosts and unexplained happenings since the 1700’s. Located underground, the Close is a warren of streets, spaces and buildings that were made during the Plague, where victims were left in the streets to die. You get to walk down the alley and enter several homes and rooms as a costumed tour guide tells you of actual mysterious and creepy stories that occurred. You can join a group tour or avail of the private evening hire for a one-on-one guided walk along the Close at night, which is the best time and way to explore the eerie place. If you want to take the tour spontaneously, you can do so as tours take place every 15 minutes starting at 10 am in the morning.
If you don’t like the idea of a group tour, you can definitely explore Edinburgh’s creepy places on your own. However, you do need to take some extra precautions as the city has indeed a reputation for having one of the scariest places on earth.
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IRL hits two home runs IRL hits two home runsThe IRL's split screen ESPN TV broadcast of today's Toyota Indy 200 from Homestead coupled with a simulcast showing in-car camera shots on sister station ESPN2 was deemed very popular by one and all. Whether they do it again will largely depend on whether the sponsors liked it. A quick poll by AutoRacing1.com found most fans watched the race or switched to ESPN2 and ignored the TV ads in the right-hand window during commercial breaks meaning the sponsors who paid for those slots got near-zero value.
Although attendance was pretty much non-existent for Friday and Saturday, on race day a healthy crowd showed up indicating the IRL's marketing efforts may be paying off. Sunday's attendance was estimated at 30,000. It's not known how many of those in attendance received a "free" ticket. What's perplexing is that fans show up for IRL races but have no interest in practice and qualifying. Some believe that shows the IRL lacks hard-core fans and that theory is supported by its dwindling TV audience.
However, it's not for lack of trying on the IRL's part and their marketing efforts dwarf that of arch-rival Champ Car which does its best to remain largely invisible. The IRL has a loyal TV partner in ESPN and ABC who are doing their best to get the word out about the IRL. The IRL's sponsors are also beginning to help market the series and drivers. Mark C.
IRL "Vision" of pack racing results in costly wreck IRL "Vision" of pack racing results in costly wreckThe IRL's "vision" of 100% throttle "pack" racing once again cost the teams a lot of money in Homestead as IRL costs continue to rise. A big 7-car wreck in the 4th turn at Homestead wiped out 7 cars in one fell swoop and sent Danica Patrick to the hospital with a concussion and other observations. Ironically Tony George's "Vision" race team lost both cars to wrecks this weekend in Homestead, one in the IPS race (right) on Sunday morning and the other when his stepson Ed Carpenter put his car in park (Bobby Rahal's words) in the middle of the big wreck resulting in an even bigger wreck. In his first race as a team owner Tony found out how expensive his vision of open wheel racing can be.
Gregg leads every lap in Homestead Gregg leads every lap in HomesteadTravis Gregg won his first race in the Menards Infiniti Pro Series, leading all 67 laps of the Miami 100 while holding off Jaime Camara, his teammate at Sam Schmidt Motorsports. Camara, a Brazilian making his first oval-track start, made a couple of late attempts to pass, but he came up short. His car was very good on all lines," Camara said. "I tried to force him to the bottom, but he was good there, too." [Editor's Note: These 100% throttle glued-to-the-track cars are a waste and neither teach a driver anything nor allow one to assess a drivers talent.]
Results Sunday of the Miami 100 IRL Menards Infiniti Pro Series event at the 1.5-mile Homestead-Miami Speedway, with order of finish, starting position in parentheses, driver, chassis-engine, laps completed and reason out (if any) and money earned:
1. (1) Travis Gregg, Dallara-Infiniti, 67
2. (2) Jaime Camara, Dallara-Infiniti, 67
3. (5) Jon Herb, Dallara-Infiniti, 67
4. (7) Wade Cunningham, Dallara-Infiniti, 67
5. (11) Jay Drake, Dallara-Infiniti, 67
6. (3) Nick Bussell, Dallara-Infiniti, 67
7. (6) Marty Roth, Dallara-Infiniti, 67
8. (4) Mishael Abbott, Dallara-Infiniti, 67
9. (12) Jeff Simmons, Dallara-Infiniti, 67
10. (9) Chris Festa, Dallara-Infiniti, 34, accident
11. (10) P.J. Chesson, Dallara-Infiniti, 34, accident
12. (8) Al Unser, Dallara-Infiniti, 21, mechanical
Race Statistics
Winner's average speed: 151.002 mph
Time of race: 00:39:32.0418
Margin of victory: 0.0713 of a second
Cautions: 1, 8 laps
Lead changes: 0
Lap leaders: 1-67 Gregg
Point standings: Gregg 53, Camara 40, Herb 35, Cunningham 32, Drake 30, Bussell 28, Roth 26, Abbott 24, Simmons 22, Festa 20, Chesson 19, Unser 18
Champ Car owners make Cosworth competitive again Champ Car owners make Cosworth competitive againUPDATE Cosworth not only found a buyer; it found a buyer who wasn't afraid to do what was necessary to keep the Cosworth-designed Chevrolet engine competitive in IndyCar racing. Somewhat ironically, Cosworth's new owners are Kevin Kalkhoven and Gerald Forsythe, who also own the Champ Car World Series. Despite that seeming conflict of interest, Kalkhoven has maintained that he hopes Cosworth remains in the IRL even after Chevrolet withdraws its support for the program.
Contacted Saturday, Kalkhoven expressed delight upon hearing that 'his' engines powered cars to 1-3 spots on the Homestead grid. "Cosworth is showing that as the world's leading independent race engine manufacturer it is capable of providing competitive engines in any series," Kalkhoven said. "I am delighted at their grid positions and hope we have a great race."
GM Racing's IRL Program Manager Joe Negri gave Chevrolet's side of the story. "Even though we're getting out of this series, we haven't lifted off the throttle," Negri said. "If anything, we've worked harder and Panther has worked harder too because it is everybody's best interest for us to go out as winners. And that is fully our intent. Cosworth is working as hard as they can as well because it is in their best interest as well as ours in this last year," he added. "Obviously, they need to get customers for the future, and Panther needs to run strongly to attract support from another manufacturer for the future. So there is no reason for any of us to back off. We all have egos."
"This is definitely a horsepower track, though the chassis matters a bit more here than it does at a place like Texas," Panther's Andy Brown said. But Brown maintains that the Chevrolet engine didn't just gain 30 horsepower overnight and that the writing has been on the wall for all in the IndyCar Series to see.
"We were very quick at Texas last year but nobody noticed because they were caught up in saying that our cars were illegal (for failing a rear wing stress test post-qualifying)," Brown said. "What they failed to notice was that we came from the back of the field to the front using an unpainted wing element straight off the Dallara truck." ESPN.com
03/05/05 Since taking over ownership of Cosworth from Ford late last year, Champ Car owners Kevin Kalkhoven and Gerald Forsythe must be doing something right. By removing Cosworth from the red tape of corporate America, the engineers at Cosworth appear to be making significant strides.
Not only is this year's Cosworth F1 engine significantly improved and far more competitive, Tomas Scheckter shook up the Honda and Toyota camps at Homestead today by putting his Cosworth Chevy powered car on pole position. His rookie teammate Tomas Enge was third fastest.
Enge, a former Formula 3000 star and Formula 1 driver from the Czech Republic, will make his third career IRL start on Sunday in Panther’s Rockstar Chevy. “We were fast in the morning practice session and I didn’t think we would go any faster,” Enge revealed “But my engineer promised me that we were going to go 214 mph, and everybody did a great job. The Chevy engine has improved from last year – big time!”
Heidfeld and Schumacher blame each other Heidfeld and Schumacher blame each otherNick Heidfeld is adamant that Michael Schumacher was solely to blame for their crash during the Australian GP. The Germans clashed with 15 laps of the race remaining when Heidfeld, trying to overtake, was forced on to the grass by the World Champion. The Williams then hit the side of the Ferrari, sending both cars into the gravel.
"I think that I made a good move," declared Heidfeld. "Michael just came out of the pits and obviously he had a bad exit from the first chicane because he wasn’t on the ideal line. I went alongside him and I could have out-braked him but he didn’t leave me any space and pushed me on to the grass, where braking is obviously impossible."
Michael Schumacher says that he wasn't to blame for the crash. "With this type of thing there are always different opinions and mine is that it is impossible to blame either one of us," maintained a chastened Schumi. "I saw him behind me just as I came out of the pits and I made it clear I was defending my position. At one point I lost sight of him in the mirrors and went into the corner when I felt I'd been hit. I have seen the incident on film: Heidfeld was on the grass and so was not in full control of his car. I can't blame him for trying to overtake me. My car was slightly damaged in the collision and there was no point in going on."
Mistakes cost McLaren drivers Mistakes cost McLaren driversMcLaren Mercedes drivers Juan Pablo Montoya and Kimi Raikkonen finished the opening race of the 2005 season at Albert Park in Australia in sixth and eight places respectively.
Raikkonen stalled at the start which meant he had to start the 58- lap-race from the pitlane. Both drivers were on a two-stop-strategy which saw Montoya coming in on laps 23 (9.224 seconds) and 42 (7.404 seconds) whilst Kimi came in on laps 25 (6.263) and 39 (9.019 seconds).
Juan Pablo Montoya "I'm pleased that we seem to have the speed with the MP4-20 package, and I would have been able to finish higher up had things gone our way. I lost some valuable time during my second stint as I was pushing really hard on the in-lap and got the rear tire on the grass at Turn Eight. Later on there was a misunderstanding with one of the Jordans which meant I was pushed off the track. Towards the end I slowed down to conserve the package for Malaysia. After the race I have been told that I also had lost one of my deflectors which obviously affected the overall speed and the handling of my car."
Kimi Raikkonen "The result might not show this but we have the pace to challenge for victories, which is great. However today my race was really over when I stalled the car at the start and had to begin my race from the pitlane. In the opening stages I was stuck behind Michael Schumacher which lost me some time, but when I got past him in the first round of pitstops I was able to pick up speed again. However my deflector came off and went underneath the car. The team removed it during my scheduled second pitstop but the loss obviously affected the handling of my car in the closing stages. I really look forward to Malaysia where hopefully we should be able to get the result we believe we are capable of and have some more consistent weather."
Ron Dennis "Juan Pablo's race was unfolding as expected until he went on the grass. He also lost a deflector but if things had gone our way he would have finished on the podium. Kimi's grand prix was effectively over after he stalled the car at the start. During the race he was hampered by the loss of a deflector which subsequently jammed underneath the car. The positive outcomes of the opening race are the very good performance from our Michelin tires and that we had the pace to win and as a result are looking forward to Malaysia and the rest of the season."
Norbert Haug "Kimi's speed was reasonable, however after having to start from the pitlane a better place than eighth was not possible. Juan Pablo complained about handling problems in the last third of the race which we later discovered was due to a loss of a deflector. Our starting positions - tenth and from the pitlane – didn't help to get a better result. After only 15 laps, Kimi was already 40 seconds behind the leader and this was still the case after 58 laps." McLaren Mercedes
IRL using more sex to lure fans IRL using more sex to lure fansMove over Danica Patrick, the IRL male drivers are shedding their clothes too. This Palm Beach Post article says, If the Indy Racing League is looking to entice female fans with its new, edgier, sexier marketing campaign, it should be thrilled with the reaction of one of its own people Friday afternoon at Homestead-Miami Speedway. "Look at that," Danica Patrick exclaimed when she was shown a media-guide picture of fellow driver Darren Manning posed in a doorway, his unbuttoned shirt revealing well-toned abs. "He must work out."
Forgive Patrick a little playful sarcasm. Having done temperature-raising photo spreads for men's magazines FHM and Maxim, the 22-year-old racer appreciates a rare opportunity to switch to ogler from ogle-ee. "I dig it," she said. "I think it's cool. I completely am fine with and embrace the fact that these guys are using their good looks to sell something."
"Something," in this case, is the IRL, which opens its 10th season today with the Toyota Indy 300. Its profile blurred by the lengthening shadow of NASCAR, the IRL continues to try to return open-wheel racing — its brand, anyway, as opposed to its competitor, Champ Cars — to its former glory. A key step in the effort is to show fans what IndyCar Series drivers look like without their helmets. Or, in the case of Tomas Scheckter, without anything but a towel.
"I did not know that was there," Scheckter (right) said of a shot of his mirrored reflection lathering up for a shave. "I know I did the shoot. I just get told what to do, but I did not know they put it in the media guide. I suppose anything to try to make the series a little bit more popular," said Scheckter, 24. "If it can help in any way it's good."
"We decided that we could do a better job of not only defining our brand, but describing our brand," said Ken Ungar, IRL's senior vice president for business affairs. The IRL asked 17 ad agencies to submit proposals. The winner was the Nashville firm Gish, Sherwood & Friends, which called its campaign "Adrenaline. Amplified." "These guys are hot," Ungar said. "They understand the Echo Boomer, the generation which is our target."
With Manning and Scheckter, the emphasis is clearly on sex appeal. Ungar uses the phrase "superbly conditioned athletes" and notes that Scheckter placed second last year in a revival of the made-for-TV Superstars.
"It's not exploitative," Ungar said. "It's kind of natural. It's 'I'm shaving, or I'm a triathlete and I'm swimming in the ocean,' in the case of Tony Kanaan. But you can see through that, that hey, these are very attractive people. And that is absolutely part of celebrity." More.... (Related Indy Star article)
IRL gets jump on Champ Car IRL gets jump on Champ CarThis Florida Today article says, The Indy Racing League opens its 17-race season in Homestead today with the Toyota Indy 300, getting a head start in what is now the ninth year of the rancorous division in North American open-wheel racing.
With the rival Champ Car World Series not set to kick off its 14-race schedule until April 10 in Long Beach, Calif., the IRL will enjoy two more exclusive racing weekends -- March 19 in Phoenix and April 3 in St. Pete -- before Champ Car fires its engines.
Once both series get going at full bore, they will go head-to-head on the same day five times. But for now, IRL has the spotlight and expectations are high for 2005. More....
Notes from Melbourne Notes from Melbourne
BAR slip in rule loophole BAR slipped through a rule 'loophole' in Melbourne, when the F1 team ordered both drivers to retire their healthy cars with a lap to run. ''This failure to finish,'' read a statement, ''provides the opportunity to use new engines in (Malaysia) without ... penalty.'' If they'd completed the lap, both men would've been automatically subject to the FIA's new 'one engine per two races' regulation. BAR's move is likely to be controversial. A grumpy-looking Button rued the Brackley-built car's poor pace at the Australian grand prix and groaned: ''We have a lot of work to do.'' Sato, of Japan, agreed that the Honda-powered racer is 'off the pace.'
Champion gloomy A gloomy Jacques Villeneuve did not enjoy his full time F1 return at Albert Park. The French-Canadian, champion of 1997, started the Australian grand prix a lucky fourth, but fell down the order and rolled over the line 13th. Even teammate Felipe Massa, at the back of the grid, finished ahead of the former Champ Car and Indy 500 winner. Villeneuve, 33, said: ''We were a lot slower than I thought we would be. The car was very difficult to drive and I couldn't get any grip. ''That's it.''
Coulthard's next hotel F1 racer David Coulthard will soon open a new Monaco-like 'Columbus' luxury hotel in Scotland, it is reported. Born in Twynholm, the 33-year-old star of team Red Bull, with business partner Ken McCulloch, is expected to name Edinburgh as the location, the Scotland on Sunday newspaper said.
Briatore snubbed job offer Flavio Briatore says Renault president Patrick Faure wants him to stay F1 principal until '09 or 2010. But the Italian, whose contract runs out in July this year - speaking in the Melbourne paddock - revealed that he turned down the offer. ''It's not automatically because I do not want to stay,'' he said, ''it's because I do not want to sign yet. ' I cannot be motivated forever. I am (motivated) now, but who can say how long that will last.'' Briatore, perhaps tired of the stress of running a top team, is thought to be considering a full time role as Fernando Alonso's driver-manager.
'I blame Schu' - Heidfeld Nick Heidfeld pointed a straight finger at German compatriot Michael Schumacher following their clash during the Australian GP. The little 27-year-old, Mark Webber's new Williams teammate, said he made a 'good' overtaking move into turn three. ''Michael wasn't on the ideal line,'' said Heidfeld, ''and I could have out braked him -- but he pushed me onto the grass.'' Because Nick's FW27 shunted out of the race, BMW motor sport director Mario Theissen noted that the German will 'now (be allowed to) get a fresh engine' for the Malaysian GP.
'I'm stressed' - Karthikeyan India's Narain Karthikeyan admitted he struggled to cope with his F1 debut. The 28-year-old Jordan driver said he felt 'a little tired' on the eve of the Australian grand prix, apparently due to 'mental stress. ''Also I have still not got over the jet lag from England,'' he added. ''I've been waking up at 5 o'clock every day. ''I put a lot of pressure on myself because that's the way I am.'' But he denied that becoming India's sportsman of the moment, handling Mark Webber/Australia-like media attention, had much to do with it. ''This is what I'm used to,'' said Narain, ''just on a much bigger scale.''
No Ferrari 'crisis' Ferrari will leave Albert Park keen to uncover the progress of their new F2005 model, which is presently testing on European circuit. Rubens Barrichello finished second in the 'old' car despite starting mid-field, but said the new one should give Maranello 'even more pleasure. ''At least we showed we have no crisis,'' the Brazilian mocked. ''We're here, we fight.'' Technical director Ross Brawn agreed that Ferrari is 'looking forward' to racing F2005. He also defended the performance of Bridgestone's tire: ''We probably could have been more aggressive in choice.''
Skaife wins V8 Supercar race Multi-titled Mark Skaife won the third Qantas V8 Supercars race and took overall honors for the weekend after a rip-roaring three-race series from Australia's top national racing category. Skaife's HRT Commodore finished third in each of the other two Qantas V8 Supercar races as consistency and pace proved a winning combination. The man who has dominated the national V8 Supercar scene for the last two years, Marcos Ambrose (right), flew the Ford flag with second place today in his Falcon, narrowly ahead of Stone Brothers Racing team-mate Russell Ingall.
Schu won't decide 'til '06 Schu won't decide 'til '06(GMMF1.NET) Michael Schumacher will not decide whether or not to continue in F1 beyond '06 'until the middle of next year.' That's the promise of Willi Weber, the German's countryman and long time manager. 36-year-old Schumacher's current Ferrari agreement will end in December next year. ''(In mid-'06) we'll see where we are, if we continue (in F1).''
Asked if it's Ferrari or retirement, though, Weber left 'everything' open. ''But I do not think it realistic that he will want to change teams,'' Willi hinted.
Weber said a new Schumacher contract would not be motivated by money -- not as far as Michael is concerned, anyway. He grinned: ''Okay, yes, making a lot of money is interesting -- that's my job!''
Sir Jackie and Mark Webber Sir Jackie and Mark Webber(GMMF1.NET) Sir Jackie Stewart and Mark Webber meet for dinner 'quite often.' That's the claim of the knighted triple world champion, dressed at Albert Park in a blue tartan hat in a new role representing Williams' sponsor Royal Bank of Scotland. ''He lives nearby (in England),'' the Scot said, ''and we see a lot of each other. His strength is his mind, but my recent advice to him is to give himself time, to feel his way into the new team.''
Ferrari continue to test F2005 Ferrari continue to test F2005(GMMF1.NET) As F1 qualified and raced in Melbourne on Saturday and Sunday, Ferrari - and the brand new F2005 model - returned to the test track. On Vairano's long straight, Ferrari-Maserati GT test driver Andrea Bertolini took to the wheel in freezing Italy for aerodynamic assessment. ''He covered a total of 258 kilometres' (on Saturday) and continued a day later, according to the Maranello-based team's motor sport press office.
Michelin pan F1 tire rule Michelin pan F1 tire rule(GMMF1.NET) Michelin has hit out at a ruling that forbids a driver from changing tires during a GP simply because they're worn out.
Motor sport director Pierre Dupasquier said the rules dictate that, in such a situation, the car should be withdrawn. ''It's better for the spectators to keep as many cars in the event for as long as possible,'' the Frenchman, also noting that allowing a tire change would help suppliers discover why the tire compound didn't last the distance, argued.
He also said Michelin men would 'visually' check tires during fuel pit stops, while the team keeps a tab on pressure via an on-board sensor.
Briscoe crashes, to start from back Briscoe crashes, to start from backToyota F1 castoff and now Indy Racing League rookie Ryan Briscoe will start his first event from the back of the grid after crashing in practice for the Toyota Indy 300 at Homestead-Miami Speedway. Nearing the end of Saturday morning practice, the Australian's primary No. 33 Target Panoz-Toyota hit the wall after Briscoe lost control as he headed into the pits and spun back on to the track. The car could not be repaired for qualifying, and the Chip Ganassi team opted not to participate in the timed session to prepare the back-up car for final practice and warm-up.
“I was coming in reasonably fast but went wide through pit-lane and got into the grass, which got me up onto the track," Briscoe admitted, "It's a good thing it happened in practice as there weren't a lot of cars on the track when I went up there. Fortunately, I came out of it relatively unscathed.
“I'm a little disappointed not to have participated in qualifying, as it would have added to the experience of my first IndyCar race weekend. But, on this kind of race track, starting position is not imperative. I might be starting last but, hopefully, I'll have a lot of the cars in my mirrors before too long. I'll be looking to move my way through the pack and take in and learn as much as I can as I go, but I want to be smart about it and get to the finish.”
Button to climb mountain Button to climb mountain(GMMF1.NET) Prior to the next race, at Malaysia's grand prix near Kuala Lumpur, Jenson Button will half-climb a huge mountain in southern east Asia. Borneo's Kinabalu poses a 'great way' to keep fit and 'bring a bit of variety' to a mundane training schedule, the English F1 driver told British tabloid newspaper The Mirror. Button, 25, will be accompanied by sixteen BAR mechanics.
Schu's new V10 Schu's new V10A new engine has been fitted to world champion Michael Schumacher's Ferrari car ahead of the Australian grand prix. Despite a new rule mandating that a single V10 last two race weekends, technical director Ross Brawn said engineers identified some data 'we didn't like' in Schu's unit.
Following a wet and changeable Saturday stint, the German, 36, only completed an out lap in the second session, opting instead to preserve the single-race tires.
Meanwhile, after BAR's Takuma Sato crashed on Saturday, the team said the Japanese would race the repaired chassis on Sunday.
New quali 'sh*t' - DC New quali 'sh*t' - DCAggregate qualifying in F1 is 'artificial' and 'a farce,' David Coulthard growled following the largely futile Sunday session at Melbourne's Albert Park. The Scot, albeit an auspicious fifth on the grid, said adding up the times from two sessions does not create a level playing field -- especially in the event of fickle weather.
''Poor (Felipe) Massa,'' he said, referring to the young Brazilian who - yesterday - found himself stranded in a rain shower.
33-year-old DC, who said skill had little to do with his own qualifying triumph, added: ''To not get another opportunity to have a go is, to my mind, ludicrous. ''You may as well pull the grid from a hat. I think it's shit.''
Homestead void of fans Homestead void of fansUPDATE Based on this photo taken at the start of IRL qualifying today it is clear this reader stands to be corrected. There was definitely more than 50 to 100 people in attendance. If you add in all the team crew members and race officials clearly over 500 people were in attendance. 03/05/05 A reader writes, Dear AutoRacing1.com, Just got back from Homestead. Left after IRL qualifying. The grandstands were pretty much empty, maybe 50 to 100 people. Hardcore fans should have been there to see their driver. I was there to see mine. I am starting to think the IRL is not going to make it. There just isn't enough hardcore fans like me who really love it. I expect a better crowd tomorrow because free tickets are readily available, but that's just a false facade.
I feel sorry for the Grand-Am teams. They won't have many fans there to watch. Why don't they run their races during the week. If no one is there to watch anyway, what difference does it make what day of the week they run. That might help TV ratings. Miguel Sanchez, Coconut Grove, FL
Chevy ticked at Boris Chevy ticked at BorisBoris Said is in hot water with General Motors. After finally getting a Chevy deal [#36 Chevy] to run the Cup tour this season, Said, a star road racer, has angered GM execs by jumping in James Finch's Dodge this week. "I got in a lot of trouble," Said said. "Jay Frye, my team manager, was mad. I really tried to get a Chevrolet ride, called and called and called. But they didn't help me. For some reason they've never really wanted to help me. I was trying to be politically correct. But I didn't have a ride. But this is a good car and a good team, and I've known Marc Reno (the crew chief)." Winston Salem Journal
Aussie heads to US in search of a ride Aussie heads to US in search of a rideBack-to-back Australian V8 Supercar champion Marcos Ambrose is to pursue racing interests in North America in 2006 and plans to leave the V8 Supercar Championship Series at the end of the current race year. Ambrose is discussing several opportunities with Ford USA and hopes to have a firm program in place within a few months. His eventual goal is a drive in the NASCAR NEXTEL Cup. In the meantime, Ambrose is totally focused on winning his third consecutive V8 Supercar title in his Pirtek Falcon for SBR, Ford and their fans in 2005. Ambrose is in the process of competing in three V8 Supercar support races at the Foster's Australian Formula One Grand Prix this weekend and will start his "three-peat" championship campaign at the Clipsal 500 in Adelaide on March 17-20. SBR co-owner Ross Stone said that Ambrose would move to the USA with the blessing of his team and sponsors and will release him from his contract a year early at the end of 2005. Ambrose said it was important to make his intentions clear at this stage of the year to be fair to his fans and end any speculation with US testing expected to get underway in the near future. Ford Australia President, Tom Gorman, said Ambrose's ambitions were something that all Ford fans could share. At this stage Ambrose is set to test with a tier one Ford NASCAR Busch team spanning a two-day period in the near future. Further tests will be arranged as Ambrose's V8 Supercar schedule permits, according to John Szymanski, Director, Sponsor Development, Ford Racing Technology. Ford Racing
Fisichella retains pole for Australian GP Fisichella retains pole for Australian GPLineup for the Australian GP where Giancarlo Fisichella has retained pole position based on his lucky qualifying lap on Saturday just before the rains came ruining it for his chief rivals. Aggregate times from Saturday and Sunday morning
Pos No Driver Team Time/Retired
1 6 Giancarlo Fisichella Renault 3:01.460
2 16 Jarno Trulli Toyota 3:04.429
3 7 Mark Webber Williams-BMW 3:04.996
4 11 Jacques Villeneuve Sauber-Petronas 3:06.846
5 14 David Coulthard Red Bull Racing 3:07.212
6 15 Christian Klien Red Bull Racing 3:07.477
7 8 Nick Heidfeld Williams-BMW 3:09.130
8 3 Jenson Button BAR-Honda 3:12.128
9 10 Juan Pablo Montoya McLaren-Mercedes 3:14.645
10 9 Kimi Räikkönen McLaren-Mercedes 3:15.558
11 2 Rubens Barrichello Ferrari 3:16.822
12 19 Narain Karthikeyan Jordan-Toyota 3:17.092
13 5 Fernando Alonso Renault 3:17.466
14 18 Tiago Monteiro Jordan-Toyota 3:20.329
15 17 Ralf Schumacher Toyota 3:22.717
16 20 Patrick Friesacher Minardi-Cosworth 3:28.363
17 21 Christijan Albers Minardi-Cosworth 1:49.230
18 1 Michael Schumacher Ferrari 1:57.931
19 4 Takuma Sato BAR-Honda
20 12 Felipe Massa Sauber-Petronas
Fernandez allowed to race after crashing Fernandez allowed to race after crashingHometown hero Adrian Fernandez embarrassed himself by crashing on his qualifying run today in Mexico City for the NASCAR Busch Series race. NASCAR has adopted a new procedure for establishing the starting race fields in the NASCAR Busch Series that will go into effect this season, NASCAR officials announced today. NASCAR has changed the system by simplifying the procedure with teams no longer accruing provisionals throughout the season to gain entry into the starting fields. While starting positions one through 42 in the NASCAR Busch Series still will be determined by qualifying speed, the new system will assure the highest-ranked 30 positions of the NASCAR Busch Series owner championship points that have entered the event prior to the entry deadline one of those starting positions in the field, providing they have made an attempt to qualify. The remaining 12 positions will be assigned to those drivers with the fastest qualifying speeds whose car owners are not among the top 30. The final starting position – the champion’s provisional – can be utilized by a car owner whose driver is a current or past NASCAR Busch Series champion who participated as a driver during their 2004 season and was entered in the event for that owner in that car prior to the entry deadline. If there is more than one series champion vying for the position, it will be given to the most recent series champion. If the final provisional starting position – 43rd in the NASCAR Busch Series – is not filled by a current or past series champion, it will be assigned to the next eligible car owner according to qualifying results. Through the first five races of the season for the NASCAR Busch Series, the top 30 of the 2004 owner championship points entered in the event prior to the entry deadline will be assured one of the 42 starting positions in the field, provided they have made an attempt to qualify. In addition, the owner’s entry must have made an attempt to qualify in all 34 events in 2004 to be eligible for one of those 30 positions. From the sixth race on, the highest-ranked 30 positions of the current owner championship points will be assured one of those positions as long as their entry has made an attempt to qualify in the previous 2005 events up to that point. In the event that conditions prevent qualifying from being run, starting positions will be assigned according to the respective series’ 2005 Rule Book. NASCAR PR
Chicago Motor Speedway demolition photos Chicago Motor Speedway demolition photosDemolition photos of Chip Ganassi's 1-mile Chicago Motor Speedway. There is supposedly still a lawsuit pending against Chip Ganassi by Charles Bidwell, his partner in the project.
Wayne Taylor wins 2nd in row Wayne Taylor wins 2nd in rowIn the second-closest finish in Grand American Rolex Sports Car Series history, Rolex 24 At Daytona winners Wayne Taylor and Max Angelelli picked up their second-straight Rolex Series triumph in the Grand Prix of Miami at Homestead-Miami Speedway on Saturday.
Driving the No. 10 SunTrust Racing Pontiac Riley, Angelelli claimed the lead from the No. 8 Rx.com/Synergy Racing BMW Doran of Burt Frisselle on Lap 43 of the 109-lap race and held off a hard-charging Butch Leitzinger in the No. 4 The Boss Snowplow Pontiac Crawford by 1.198 seconds to secure the victory. The margin of victory was second only to the 2004 VIR 400 presented by SunTrust, when Angelelli and Taylor beat eventual Daytona Prototype co-champions Scott Pruett and Max Papis to the stripe by a scant 0.87 seconds. Angelelli led a race-high 67 laps. More.....
NASCAR gives Fernandez "The Call" NASCAR gives Fernandez "The Call"UPDATE The same reader writes again, Dear Autoracing1.com, I just saw that NASCAR did it again. I don't see Adrian Fernandez in the Mexico lineup. What happened, did he wreck or something? So what does NASCAR do? Their timing and scoring pops up fast time for Jorge Goeters, another Mexican. Who? Where did he come from? Never drove a NASCAR car before. How utterly convenient. Do the NASCAR Goobers see what's going on yet? The NASCAR "call" is alive and well. NASCAR must be pretty worried about a bad crowd on Sunday to pull this stunt. Michael McFahey, Bridgeport, Conn. 03/05/05 A reader writes, NASCAR's ability to make the "right" guy go fastest and take pole to help the Sunday race crowd is so transparent it's sickening. The Friday crowd was horrible in Mexico City so who does NASCAR's timing and scoring conveniently spit out as fastest, why of course Adrian Fernandez (right), a Mexican hero, who has never even driven a stock car before. Fernandez is way past his prime yet he's the fastest? How utterly convenient indeed. By putting Fernandez at the top of the charts it makes headlines in Mexico and helps the attendance Saturday and Sunday.
Having been a NASCAR fan for years, I have seen them pull this stunt over and over again. Remember when Dodge entered Winston Cup for the very first time? Miraculously two Dodge's sat on the front-row at their very first race in Daytona to give Dodge some big headlines and a big thank you for entering the sport. When the green flag dropped for the race the majority of the field passed them on the first couple of laps and they ran like bricks the rest of the race. The Dodges didn't win a race until they adequately paid their dues.
I can give you numerous examples of questionable qualifying times over the years in NASCAR to get a team some headlines by putting them on pole, especially when a team's sponsor is thinking about leaving the sport. The NASCAR Goobers are too blinded by their love for NASCAR to see it. Michael McFahey, Bridgeport, Conn. Dear Michael, Not sure about your conspiracy theory but remember Fernandez comes from Champ Car, i.e. open wheel, and open wheel drivers dominate in NASCAR these days. So although Fernandez has seen his better days in Champ Car he is still able to hold his own in the NASCAR Busch league. Mark C.
IRL signs air filter deal IRL signs air filter dealThe Indy Racing League and K&N Engineering, the world's leader in performance filter technology, have announced a partnership that makes the Riverside, CA-based company the Official Air Filter Used by the IRL IndyCar® Series.
The agreement is a multi-faceted marketing partnership and includes television, radio, print and internet advertising. Additionally, K&N will partner with the Indianapolis Motor Speedway serving as the Official Performance Filter of the Indianapolis 500-Mile Race and offering a $10,000 performance-based prize award for the Indianapolis 500 (details to be announced at a later date).
"We are proud to officially partner with the 'World's Best Performance Air Filter' for the 2005 season," said Ken Ungar, Senior Vice President of Business Affairs for the Indy Racing League. "With its commitment to quality, excellence and innovation, K&N's product enhances on-track performance as the only air filter used by the IndyCar Series. Additionally, K&N's relentless drive and race-bred innovation provide a unique marketing platform that aligns well with the IndyCar Series brand."
IRL struggles for relevance IRL struggles for relevanceIt can be said that Tony George, the man who split American open-wheel racing when he hatched the Indy Racing League, created a monster in the world of motor sports. That monster is known as NASCAR.
By pulling his power play and breaking away from CART -- using his ownership of the Indianapolis Motor Speedway and the Indianapolis 500 for leverage -- George precipitated the downfall of open-wheel racing in the United States and parted the sport for NASCAR to blow right through unobstructed.
CART, now known as Champ Car, nearly died before the 2004 season. This year, as Sunday's season-opening Toyota Indy 300 approaches, it's George's own IRL that is in line to be a potential casualty. Declining television ratings, vast expanses of empty seats at races and fewer participants don't bode well as the IRL enters its 10th season.
Originally, George's vision was to create a racing series that would run exclusively on oval tracks in the United States and would provide opportunities for American drivers, all while containing costs. Since the IRL's 1996 debut, George's original concept has steadily crumbled. More at Monterey Herald
Gregg wins IPS pole Gregg wins IPS poleQualifying Saturday for the Homestead-Miami 100 IRL Menards Infiniti Pro Series event on the 1.5-mile Homestead-Miami Speedway, with starting position, car number in parentheses, driver, chassis-engine and speed:
1. (7) Travis Gregg, Dallara-Infiniti, 189.256
2. (1) Jaime Camara, Dallara-Infiniti, 187.913
3. (21) Nick Bussell, Dallara-Infiniti, 187.088
4. (42) Mishael Abbott, Dallara-Infiniti, 185.916
5. (6) Jon Herb, Dallara-Infiniti, 185.821
6. (4) Marty Roth, Dallara-Infiniti, 185.426
7. (33) Wade Cunningham, Dallara-Infiniti, 185.337
8. (3) Al Unser, Dallara-Infiniti, 185.333
9. (19) Chris Festa, Dallara-Infiniti, 184.849
10. (36) P.J. Chesson, Dallara-Infiniti, 184.354
11. (20) Jay Drake, Dallara-Infiniti, 184.144
12. (24) Jeff Simmons, Dallara-Infiniti, 183.718
NASCAR just misses Tornados NASCAR just misses TornadosNASCAR not only dominates TV, sucks up all sponsorship, etc, etc, but is also just plain lucky!!!! In the middle of what will turn out to be LA's 2nd (if not 1st) wettest year in history, last weekend NASCAR got just enough sunshine at just the right time to run at Fontana. But their luck was compounded yesterday - tornados - unheard of in SoCal - dropped down a mile or so away from the Speedway!
BAR will sacrifice for win BAR will sacrifice for win(GMMF1.NET) BAR would trade a spot on the constructors' tally for a maiden win, team CEO Nick Fry revealed. ''We will make the trade off,'' he vowed in Melbourne. ''We've improved a lot since 2002 but we didn't win a race and were a country mile behind Ferrari. ''We shouldn't pat ourselves on the back too much.''
'Alonso won't leave' - Flav 'Alonso won't leave' - Flav(GMMF1.NET) Fernando Alonso is unlikely to leave Renault at the end of 2005, according to the Spaniard's F1 boss Flavio Briatore. The colourful Italian acknowledged that Alonso's current contract is nearing an end, and admitted speculation linking the 23-year-old to Ferrari. But he told La Gazzetta dello Sport: ''While Schumacher is there, he won't go -- Schumacher doesn't want him as teammate.'' And Briatore added: ''After Ferrari, the second best team is Renault.''
Final Fontana TV ratings Final Fontana TV ratingsThe final national rating of 7.9, the FOX broadcast of last Sunday's Auto Club 500 from California Speedway is the highest rated non-Daytona 500 NASCAR NEXTEL Cup Series event since the second race of the 2001 season, according to data released by FOX Sports. It was also the top rated sports television event of the weekend. In addition, the Los Angeles market rating rose 33 percent to a 4.0 rating for last Sunday's race, from a 3.0 rating for last year's Auto Club 500, which was contested in May, according to FOX Sports information. The Auto Club 500 on FOX has seen its rating grow from a 5.3 rating in 2003 to a 6.1 rating in 2004. This year's race was the first time the event was held as the second race of the season, coming off the Daytona 500, which garnered a 10.9 television rating on FOX. Last year's final national rating for the second NASCAR event on FOX was 6.6. Busch The Stater Bros. 300, broadcast Feb. 26 on FX, was the highest-rated NASCAR Busch Series event in FX broadcast history and had a 55% increase in households (2,212,000) over the season’s second race last year at Rockingham (1,424,000), also broadcast on FX. In addition, viewers (3,305,000) increased 83% over last year’s second event (1,803,000).
Stoddart 'screwed' Stoddart 'screwed'Paul Stoddart and a Victorian supreme court judge have thrown the future of global motor racing in Australia into doubt, the governing FIA said. With cars deemed illegal by stewards at Albert Park, Stoddart - the Minardi F1 chief, also Victoria-born - headed to the court for an injunction. ''If Australian laws ... allow a Judge to act in this way, it will be for the World Motor Sport Council to decide if a (FIA) event of any kind can ever again be held in Australia,'' read an FIA dossier, thought to have been drafted by president Max Mosley. Stoddart said he's being 'royally screwed' for meddling in the politics of Formula One, and also for acting as 'shop steward for the so-called teams' group of nine. ''(Max Mosley) retired once ... and he needs to do it again,'' he fumed in the Australian media.
Jourdain is a father Jourdain is a fatherFormer Champ Car driver turned NASCAR Busch league driver, Michel Jourdain Jr. is now a father. His wife, Nora, last weekend gave birth to their first child, a son.
Mexico race will run rain or shine Mexico race will run rain or shineNASCAR's Busch Series race in Mexico City will run rain or shine. Goodyear has brought rain tires just in case. The race must go on because NASCAR isn't going to make a 2nd trip to Mexico this year. The weather forecast for Sunday is: A few showers early, followed by isolated thunderstorms later in the day. High 76F. Winds S at 10 to 20 mph. Chance of rain 30%. .
Tug of War over Mark Smith Tug of War over Mark SmithUPDATE Jordan may launch a legal challenge to recoup Mark Smith, who fled the Silverstone-based team following the announcement that it would be sold. New managing director Colin Kolles said in Melbourne that the situation is not clear 'at all.' Late last month, Red Bull - also under new management - announced that Smith, the lauded former Renault designer, had signed on to become deputy technical director. But Jordan's Kolles said: ''We still have a contract with (Smith). 'That's a fact.'' Red Bull's Christian Horner denied knowing about the potential dispute and said Smith was due to start work at Milton-Keynes 'imminently.' 03/04/05 The Jordan F1 team are disputing Red Bull's signing of technical director Mark Smith, claiming he is still under contract with them. Smith quit Jordan on 31 January after their takeover by Midland, having only re-joined his old team a month earlier.
But Jordan team boss Colin Kolles said: "The situation with Mark Smith is not clear at all. We still have a contract with him - that is the fact." But Red Bull's Christian Horner said: "He will be joining us imminently." The team boss added: "Colin's comments today are the first I have heard of anything to the contrary."
Kolles and Horner are both new faces among the team principals this season after the Midland Group run by Russian-born Canadian businessman Alex Shnaider bought Jordan and Red Bull purchased Jaguar. BBC Sport
Bridgestone on the lookout Bridgestone on the lookout(GMMF1.NET) Bridgestone, although a key Ferrari collaborator, is on the lookout for another F1 partner, Hiroshi Yasukawa said at Albert Park. The Japanese tire supplier's motor sport manager hinted that, with the new loss of Sauber and Michelin now supplying seven teams, one option is to look up and down pitlane. ''But our company always respects contracts,'' he cautioned. Yasukawa hinted that the main disadvantage, despite Ferrari's mammoth testing program, is a lack of mileage compared to their French rival.
No rain for ninth Oz GP No rain for ninth Oz GPJarno Trulli and his nineteen F1 rivals rested easy on Saturday night -- it won't rain for Sunday's final qualifying or Australian grand prix. A weather source in Melbourne predicted a drop or two in the evening, but an overcast sky and eighteen degrees - and no anticipated rain - awaiting the ninth running of the event. ''Well, I really hope tomorrow is just stable,'' said Toyota's Jarno Trulli, a lucky second place on the rain-fuelled provisional grid. ''It doesn't matter if it's wet or dry -- we just want it to be stable.''
Stewart fearful of Mexico Stewart fearful of MexicoAbout a half-dozen Cup regulars have entered the Mexican race - it's a rare off week for the Nextel series - but Tony Stewart won't be among them. He's wary of traveling to a still-developing nation. "Anywhere you go where they've got to get the Federales or the police or whatever they are to escort your rigs to the track, that's not somewhere where I want to race," Stewart said.
Australian statements in full Australian statements in fullThe FIA has threatened to pull future Grand Prix events out of Australia after legal intervention in the Minardi team saga. Minardi's attempts to participate in this week's Australian GP without modifying their cars to new team regulations have dominated the headlines and led to team principal Paul Stoddart seeking a court injunction to overturn a stewards' ruling.
What follows is the full four paragraph statement released by the FIA on Saturday in which they explain their stance on recent legal decisions in Australia as well as the response from Confederation of Australian Motor Sport.
Federation Internationale de l’Automobile
'Yesterday, a Judge in Melbourne issued an injunction ordering that two cars be allowed to run in Saturday’s practice sessions notwithstanding that they did not comply with the regulations for the 2005 FIA Formula One World Championship. The team concerned subsequently announced that it had withdrawn the proceedings and presented cars which complied.
The Stewards of the Australian Grand Prix and the FIA were given no notice of these proceedings and were given no opportunity to be present when the Judge heard the case. A hearing which the FIA could attend was scheduled for 1415 hrs after the sessions had taken place.
Apparently the Judge thought it right to interfere with the running of a major sporting event, overrule the duly appointed international officials and compel the governing body to allow cars to participate in breach of the international regulations, all this without first hearing both sides of the case.
If Australian laws and procedures do indeed allow a Judge to act in this way, it will be for the World Motor Sport Council to decide if a World Championship motor sport event of any kind can ever again be held in Australia.'
Confederation of Australian Motor Sport
'The Confederation of Australian Motor Sport (CAMS) acknowledges today’s press release issued by the Federation Internationale de l’Automobile (FIA) and shares the concerns expressed in regard to the way a competitor sought to involve the Supreme Court of Victoria in issuing an ex parte injunction without notice to the FIA and CAMS.
CAMS needs to ascertain the details presented to the judge. The motor sport judicial process adequately provides for the determination of sporting matters and the Victorian Supreme Court has confirmed on multiple occasions that all sporting judicial processes should be exhausted prior to seeking legal avenues.
The President of CAMS, Mr Colin Osborne confirmed that the issue would be discussed by the FIA World Motor Sport Council on 30 March 2005.' Source FIA/CAMS
Aussies take speeding seriously Aussies take speeding seriouslyF1 and Champ Car fans and team members take note, don't speed in Australia when visiting for your race.
A reader writes, I note there was some humorous reporting on speeding in the F1 parade in Melbourne. They do take speeding seriously there and as a result it is a pleasure to drive in AU and NZ. The attached photo was taken last February as we headed north from Sydney (we drove up the coast to the Barrier Reef). The temperature that day was 104 def F. 100 km is 62 mph of course. 30 km over the limit is just under 19 mph over the limit. Note the fine of $565. We had experiences driving several hundred kilometres at the speed limit with no one passing us. In North America that would simply never happen. I gather that in most States of AU if you exceed 30 kph over the limit they can take your license away on the spot. Don Leslie, FL.
Narain to foot the bill Narain to foot the bill(GMMF1.NET) Lead-foot rookie Narain Karthikeyan will foot a whopping $6700 fine because he forgot to engage the pitlane speed limiter at Albert Park. Within a second or two of his competitive grand prix career, the first ever Indian in F1 floored the Jordan and broke the FIA-imposed limit -- by 27km/h. ''I do need to calm down a bit,'' he admitted. Team principal Trevor Carlin said Jordan would only ever pick up a drivers' tab in the event of an equipment failure. He smiled: ''He won't do that again!''
Bernie tells Stoddart to sell team Bernie tells Stoddart to sell team(GMMF1.NET) 'Nuisance' Paul Stoddart should sell Minardi and stay away from F1. That's the wounding claim of grand prix impresario Bernie Ecclestone, at the end of an embarrassing political chronicle at the Australian grand prix. Bernie, 74, is historically supportive of Paul's cash-strapped team, based in Italy. But he told UK's The Sun: ''If you can't sustain running a team then you should get out. That's ... what Eddie Jordan did and that's what Paul should be doing.''
Minardi farce at an end Minardi farce at an end[Editor's Note: This was yet another of F1's infamous political wranglings that grabbed headlines by the F1 frenzied media and ultimately amounted to nothing more than a ploy to keep F1 in the headlines worldwide. Amazing how Stoddart said he could not afford to make their car legal and would run them in 2004 trim, yet when push came to shove his mechanics made the changes necessary in a matter of hours and the Minardi cars passed inspection. Why could this have not been done in the off-season? The F1 media is so intent on sensationalizing every F1 story they can't see that they were once again had.] (GMMF1.net) Nearing the end of a bitter and twisting saga in Melbourne, Paul Stoddart's Minardi Formula One team is back on track. A team statement effectively said the Australian succumbed to every political and legal stumbling block and ordered untried adaptations to be made to last year's PS04B car. ''We don't feel there is anything more to prove,'' Paul told the media.
Dutch rookie Christijan Albers said the hobbled-together 2005 aero package actually 'felt okay. ''We can certainly work with it,'' he added.
Stoddart, who earlier obtained an injunction at the Supreme Court against the stewards' decision to disallow the non-compliant F1 model, is said to have backed down following a threat from the FIA. ''Threats were made to the Australian grand prix,'' Stoddart - angrily pointing the finger at Max Mosley - admitted. ''I am not going to be accused of interfering in the long-term future of motorsport.''
Despite the protestation that only Ferrari opposed Minardi's political plight, hardly a sympathetic face saluted team owner Paul Stoddart at Albert Park.
Red Bull's Christian Horner expressed delight that the stewards threw out Stoddart's requested exemption from the 2005 regulations. ''The FIA is the referee,'' he said, ''and the rules are the rules.''
Nick Fry, CEO of BAR-Honda, called the stewards' decision - challenged by Stoddart in the Supreme Court but ultimately dropped, despite victory - 'brave. ''Good on them,'' he added.
Colin Kolles denied that Jordan's new owner ever agreed to let Minardi run an illegal aero spec in Australia. ''We managed to bring the cars to the 2005 regulations,'' he said, referring to Jordan's pre-season woe, ''so I think it should be possible for Minardi.'
Another record attendance in Oz Another record attendance in OzUPDATE A strong Saturday crowd of 91,700 people turned out at Albert Park despite one of the more changeable performances from Melbourne's notoriously fickle weather. The three-day attendance passed the quarter-million mark with another large turnout expected on Sunday. 03/04/05 On top of Thursday's resounding success with People's Day, Friday produced another record attendance as crowds flocked to Albert Park for the start of the F1 action. The final figure of 82,300 was 800 more than the previous best, set last year. "Record attendances for the first two days show how much fans are enjoying our 10th Grand Prix," said Australian Grand Prix chairman Ron Walker. "They also mean we have a fantastic weekend in store, especially since it looks as though McLaren has closed the gap on Ferrari."
Fernandez fastest in 2nd practice Fernandez fastest in 2nd practice Friday in Mexico was a crash fest for the NASCAR Busch Series as car after car crashed on the Autodromo Hermanos Rodriguez track made famous by Formula One and Champ Car. In the end, as always happens in NASCAR, the right man came up fastest on the NASCAR timing system, local hero Adrian Fernandez. The latest to crash was Carl Edwards. Story....
Both Minardi cars on track at last Both Minardi cars on track at lastBoth Minardi drivers participated in Saturday practice for the Australian Grand Prix, running their cars with 2005-spec aero packages, fully complying with the revised regulations.
Team boss Paul Stoddart had wanted to use Minardi’s 2004 car this weekend, but after much controversy over the plan, including a trip to Victoria’s Supreme Court, he finally decided to comply with the stewards and modify the team’s machines, rather than pursue legal action.
Austrian Patrick Friesacher was the first car out onto the Albert Park circuit as Saturday’s opening practice began in wet conditions. He completed 11 laps and Dutch team mate Christijan Albers 10, as they acclimatized themselves to their revised Minardi machines.
So far NASCAR a flop in Mexico So far NASCAR a flop in MexicoHopefully for NASCAR's sake the rest of the weekend goes better. On Friday the grandstands were largely empty as the Mexicans found better things to do with their time, like work.
Travis Gregg fastest in IPS Travis Gregg fastest in IPSIn preparations for the IRL Menards Infiniti Pro Series Homestead-Miami 100, Travis Gregg led a Sam Schmidt Motorsports sweep of the top-three spots.
Gregg posted a lap of 28.4137 seconds, 188.149 mph in the No. 7 Lucas Oil Products/Sam Schmidt Motorsports Dallara/Infiniti/Firestone. His teammates, rookies Jaime Camara and Chris Festa were second and third, respectively.
FASTEST MENARDS INFINTI PRO SERIES SPEEDS OF DAY
Pos. Car Name C/E/T Speed
1. 7 Travis Gregg D/I/F 188.149 mph
2. 1 Jaime Camara D/I/F 187.418 mph
3. 19 Chris Festa D/I/F 186.780 mph
4. 21 Nick Bussell D/I/F 186.471 mph
5. 4 Marty Roth D/I/F 186.348 mph
POST-PRACTICE QUOTES:
TRAVIS GREGG (No. 7 Lucas Oil Products/Sam Schmidt Motorsports Dallara/Infiniti/Firestone): "We weren't trying to get the fastest speeds out there today. What we wanted to do was get a good setup. We didn't work too much on qualifying. It just turned out that we were the quickest." (About leading a Sam Schmidt Motorsports sweep of the top-three spots): "This is a championship-winning team. They do a great job with setups and it shows. I expect us to be in the top-three, so today isn't a coincidence to me."
CHRIS FESTA (No. 19 SpacePak/CareCentric/SSM Dallara/Infiniti/Firestone): "We ended up third overall. We just wanted to work on our race setup during the first session and see how the car worked in dirty air. Unfortunately, we didn't get much of a chance to run in dirty air. My teammates did get to run in the dirty air, so we can take the information from them. The last session was more of a qualifying run. We thought we learned a lot about our car today, so things look good for qualifying tomorrow."
JAIME CAMARA (No.1 CELG/Sam Schmidt Motorsports Dallara/Infiniti/Firestone): "The day was good for us, but we were trying different setups for the race. They were all very good, but I think our concern is qualifying. It's a different setup, and I think we have to do a good job to start up front. I think the race will be very difficult to pass. Everybody knows the track really well. I ran with (Marty) Roth for like 20 laps, and it was very difficult to pass."
Rice leads Friday practice times Rice leads Friday practice times2004 Indianapolis 500 winner Buddy Rice picked up where he left off from his last visit to Homestead-Miami Speedway. Rice, who was fastest during the IRL IndyCar® Series' only day of Open Testing on the 1.5-mile oval in January, turned the fastest lap on the opening day of practice for the Toyota Indy 300.
Rice recorded a lap of 25.0382 seconds, 213.514 mph, in the No. 15 Rahal Letterman Racing Argent/Pioneer Panoz/Honda/Firestone. Bryan Herta was second-fastest with a lap of 25.0812 seconds, 213.148 mph, in the No. 7 XM Satellite Radio Dallara/Honda/Firestone. Tomas Scheckter was third-fastest with a lap of 25.0957 seconds, 213.025 mph in the No. 4 Pennzoil Panther Dallara/Chevrolet/Firestone.
FASTEST INDYCAR SERIES SPEEDS OF DAY
1. 15 Buddy Rice P/H/F 213.514 mph
2. 7 Bryan Herta D/H/F 213.148 mph
3. 4 Tomas Scheckter D/C/F 213.025 mph
4. 17 Vitor Meira P/H/F 212.532 mph
5. 26 Dan Wheldon D/H/F 212.465 mph
BUDDY RICE (No. 15 Rahal Letterman Racing Argent/Pioneer Panoz/Honda/ Firestone): "The car is good but we have some things still to work on. With the new undertray (of the car) and a few others added bits, we are still learning about the 2005 car. But that is true for everyone here. It feels good to be fast again here. We were good in the test, too. The weather is different and the wind is more of a factor than we had at the test. It is a big difference coming to Homestead this year as opposed to last year. Last year, I was new to the team and we surprised ourselves by winning the pole. Now we come here with a solid team, engine and race car. We have more confidence this year. We made some mistakes last year that took us out of the championship. I think we know more now, and I feel good about this team. The thought process is different this year and we are much more familiar with each other. That makes adjustments and changes a lot easier. The fastest lap was a draft lap as were most of the top laps today."
BRYAN HERTA (No. 7 XM Satellite Radio Dallara/Honda/Firestone): "To have the quickest time of the session doesn't do a lot for you, but it's a great feeling to start the first session of the first race of the year as the quickest. The XM Satellite Radio crew is still trying to get settled in and work with our setup. We're fairly happy with where we are. At this time last year, the XM Satellite Radio crew was thrashing to get all of our pit equipment built. This year, we had a whole winter to prepare, and I was really expecting for us to come out of the box stronger this season. So hopefully, this is a good indication that we have."
SAM HORNISH JR. (No. 6 Marlboro Team Penske Dallara/Toyota/Firestone): "We got quite a bit done given we didn't get a full practice in due to the rain. We focused on race setup and the Marlboro Team Penske car handled well in traffic. Tomorrow morning, we'll work on our qualifying setup. It doesn't matter where we start because you can move through traffic here and my crew is great on pit stops which can help us gain track position. I'm really looking forward to Sunday and the first race of the season."
DANICA PATRICK (No.16 Rahal Letterman Racing Argent /Pioneer Panoz/Honda/Firestone): "Even though this was my first day in the IRL IndyCar Series, today seemed like any other day in a race car. I am just trying to go faster than everybody else. It doesn't matter if it is local people or the best in the world, as a driver you are always just trying to find a way to go faster. I didn't think the Argent/Pioneer car seemed right this afternoon. Maybe it was a setup issue, but the car was much better in the early session. We just have to figure out what went wrong this afternoon. This is where having a three-car team is an advantage for us. Obviously Buddy (Rice) and Vitor (Meira) were quick today, so we have a solid knowledge base to look at our car and make some decisions. I just wasn't able to hold the car flat and now we have to go back and figure out why."
HELIO CASTRONEVES (No. 3 Marlboro Team Penske Dallara/Toyota/Firestone): "We had a good day today, and the Marlboro Team Penske car is looking strong. Tomorrow, we'll work on our qualifying set-up and I think we should be in good shape. I can't wait until Sunday - I know it's going to be an exciting show for the fans."
SCOTT DIXON (No. 9 Target Chip Ganassi Racing Panoz/Toyota/Firestone): "It was OK, but the Target car was just not as comfortable as we would have liked it. The Target crew did a really good job making changes with such little time between the practice sessions with the schedule getting changed but we didn't quite get all the things we wanted to try done today. It definitely is good to be back on track and to get the season started and I think we got things off on the right foot today."
VITOR MEIRA (No. 17 Rahal Letterman Racing Menards/Johns Manville Panoz/Honda/Firestone): "Everything is just starting right now, but the Menards/Johns Manville Honda felt really good. The conditions were a lot different than for the test last month. The air was heavier. It doesn't matter what the conditions are for us. This team is good, and they can adjust to everything. We still have some work to do but probably not as much as some of the other teams right now. We did our homework for this race. There is a long way to go until Sunday afternoon and the race, but I'm pleased with the progress with our team. Running the three cars helps us gain information. Honda is still the engine to have, and we feel good working with them. The track was much different today with the rain and the other rubber from the sports cars, but having our homework already and knowing the different conditions is the key. This team is so good at making the right adjustments."
TOMAS SCHECKTER (No 4. Pennzoil Panther Racing Dallara/Chevrolet/ Firestone): "Our time today just proves the hard work Chevy put into this program during the off-season. We hardly even touched the car this afternoon. Everybody wants to see how their car runs in dirty air, and I think it's going to be a lot tighter on Sunday than it was here last year. I can't wait for the race. I want to put that Pennzoil car back in victory lane."
An interview with Flavio Briatore An interview with Flavio Briatore
Q: Flavio, the Formula One season begins this weekend after a turbulent winter. What is your perspective on the current situation?
Flavio Briatore: I think we need to start talking about F1 as a sport again. Recently the discussion has been only about finance and bureaucracy. But I don't think the public is interested in how much we spend, or whether we sign the Concorde Agreement: they want to be entertained.
At the moment, we are not doing anything to make our customers happy. The money in our sport comes from providing people entertainment, providing racing. And I think people are finally starting to understand that entertaining our customers is what matters.
Q: Providing a better show has been a constant preoccupation of yours...
FB: I think the demands from our audience are very simple: people want one thing, and that is to see a good race. Our basic job is to make a car, organize races and then produce a championship where the drivers can overtake, fight each other and compete for the title until the last races -- and it doesn’t matter that those drivers are from the same team if they are allowed to fight each other. Recently, Ferrari haven't let their drivers do that.
Q: Isn't the problem simply that Ferrari have been too strong in recent years?
FB: I don't think so, no. Ferrari were not so strong in 2003 -- the championship was lost by Williams and McLaren that year, not won by Ferrari. Last year, Ferrari had a strong overall package: their tires, car, reliability and of course the driver, because Michael (Schumacher) has a big role to play in that. To fight them, we don't need to slow Ferrari down, we need to do a better job. And that begins with me.
Q: What about the format of the race weekend in 2005 -- are you happy with it?
FB: I think so, for this year. But for me, it is not ideal: I think it would make sense to test on Friday, qualify on Saturday then race on Sunday. At the moment, we test outside of the races, spend a lot of money going round empty circuits and entertain nobody. We need to generate audiences and revenues from our testing, because the current situation doesn't make sense.
Q: You must be proud of what you have helped to create with Renault since 2000?
FB: I am, and I want to finish the job. Formula One still motivates me: I have been working in this business for sixteen years now, and it is hard to find the kind of job where you have different challenges every day after that long. When I came back to this team in Brazil, 2000 it wasn't like a racing team -- the morale and organization were bad. So we started building and improving. 2001 started off like a disaster, but we made a lot of progress. And it has carried on since then.
Last year, we finished third in the championship, and the team has also brought up a young driver in Fernando. He now has a very experienced, hungry team-mate in Giancarlo. 2005 will be an important year for this team, and the last two years were preparation for this. We need to carry on improving, and I want to finish the job we started -- which means winning a championship. Let's wait and see the results we have this year.
Q: Ultimately, a successful season for Formula One will come down to providing good racing and challenging Ferrari. Can you do that?
FB: I think so. We all know that you need to put Ferrari and Michael under pressure. Every driver can be quick in a perfect situation but in the past, people like Hill, Hakkinen or Villeneuve were able to put pressure on Michael, and he started making mistakes. For the good of the sport, it is time we managed to do that. I hope Renault can be one of the teams, but it should not be only us: McLaren, Williams, BAR and Toyota need to start delivering as well.
McLaren gets diamond sponsor McLaren gets diamond sponsorSteinmetz, creators of the world's finest diamonds, and West McLaren Mercedes are delighted to announce the start of a glittering Formula One Partnership. The diamond group joins the team as an Associate Partner from this weekend's Australian Grand Prix.
"Formula One is a test not only of mental and physical strength, but more importantly of excellence in design and engineering – values that Steinmetz is proud to share with West McLaren Mercedes. Steinmetz is synonymous with rarity, beauty and luxury, just like the team's cars, and we are pleased to be joining the illustrious ranks of a winning Formula One team," said Nir Livnat, CEO of Steinmetz.
Ron Dennis, Chairman and CEO of the McLaren Group commented: "We strive for perfection and flawless performance in all that we do at West McLaren Mercedes and are very proud of our Partnership with the Steinmetz Diamond Group. Precision engineering and uniqueness are at the core of Steinmetz's success, and these strongly reflect our integral values."
"Today's announcement marks the third new Partner to join West McLaren Mercedes for the 2005 season," Dennis continued. "This illustrates the continued global magnetism of the sport of Formula One and the team." McLaren
RE/MAX renews with Jordan RE/MAX renews with JordanJordan Grand Prix has renewed its sponsorship agreement with RE/MAX Europe, part of the RE/MAX International real estate network which lists and sells more real estate than any other network world-wide. RE/MAX Europe first sponsored Jordan in 2003 and the deal sees the relationship extended for a third year.
The RE/MAX brand will be displayed on the Jordan Toyota EJ15 cars throughout the Formula One World Championship, as an integral part of the company’s successful pan European brand marketing & advancement, which also includes the FIS Ski World Cup, the RE/MAX Long Drive Golf Tour and advertisements with Soccer in the UEFA Cup.
Colin Kolles, Jordan MD "We are really pleased to be working with RE/MAX again and their continued commitment to the team demonstrates the unique value that an association with Formula One brings as a business and marketing tool. The partnership has worked well for Jordan and RE/MAX in the past two years and I hope that we can improve our mutual results even further in 2005."
William Soteroff, RE/MAX Europe MD "Formula One is the premier venue for brand marketing and advancement. We believe that RE/MAX Europe and Jordan Grand Prix will make our 1,100 Broker Owners and 6,500 Sales Associates and thousands of customers across Europe proud. Our continued affiliation will help to insure that RE/MAX Europe will keep pace with our growing business and ever expanding customer base, utilizing the excitement of Formula One." Jordan
Heavy rain hits Melbourne on Saturday Heavy rain hits Melbourne on SaturdayHeavy rain effectively washed out the third practice session of the Australian Grand Prix weekend. Michael Schumacher in the Bridgestone-shod Ferrari, topped the timesheets ahead of teammate Rubens Barrichello and Kimi Raikkonen. This year there is two 45-minute sessions separated by a 30 minute break and then later the first of two qualifying sessions. The second qualifying session takes place Sunday morning with the ‘aggregate’ time counting for the grid positions.
McMurray wrecks primary car in Mexico McMurray wrecks primary car in MexicoJamie McMurray's weekend nearly ended before it began. But thanks to a generous teammate, McMurray will race in Sunday's historic Telcel Motorola 200 Busch Series race at Autodromo Hermanos Rodriguez. McMurray, one of six full-time Nextel Cup drivers who are racing in Mexico this weekend, crashed his No. 42 Dodge early in the first practice session at the 2.52-mile road course. McMurray was approaching a 180-degree right-hand turn when he lost control and hit the barrier. "I had followed a car through the esses and really wasn't driving in that deep," McMurray said. "I just drove up in there, and the car was tight and just snapped loose on me. The walls have like murals in them, and the car didn't slid. It just sucked it in, and I couldn't get off the wall." McMurray was able to joke about the murals, saying, "It's awful Catholic as you pass by."
Many drivers went off course during the session, and a few cars suffered minor damage. Jason Keller and Randy LaJoie were among those who had what appeared to be sheet-metal damage. (Right - Many driver crashes on the tough Mexico City road course. CIA Stock Photo)
One driver who didn't have many problems was Busch Series rookie Carl Edwards, who ended up the fastest in the session at 102.567 mph. Edwards, the first driver on the track Friday morning, edged road-race veteran Boris Said, who went 102.344 mph.
"The car's great," Edwards said. "Road racing is different. It's more about the driver and the line you take and the braking points than it is the car setup. When we go to an oval like California, if a car is just a little bit off, you're slow. Here, it seems like if you're car is a little bit off, you can make up for it."
But Edwards is still getting used to driving a road course. "I'm not used to having to slow down so much," Edwards said. "It's really easy for me to apply the brakes softly, like you would on an oval, and then let off too early and overcook the corner. On these ovals we go to, you go, go, go. When you apply the throttle, you're going toward the floor. Here, there are so many sections where you just baby the throttle, and it's steady-state, constant-speed cornering. That's a lot different than what I'm used to."
Mexico City native Adrian Fernandez (right), an open-wheel star in his home country, was third-quickest at 102.283 mph. Fernandez, driving for Hendrick Motorsports, is attempting to make his first NASCAR race.
Sorenson was fourth-fastest at 101.878 mph, followed by another Mexico City native, Michel Jourdain Jr., at 101.654.
Ron Fellows was sixth, followed by Jorge Goeters, Robby Gordon, Kevin Harvick and Carlos Contreras. NASCAR
Law wins Grand-Am pole in Homestead Law wins Grand-Am pole in HomesteadUPDATE #3 With Meurmans making it clear that Robert Doornbos will stay in F1 (Doornbos is said to have $5m and $10m - available from Muermans) it now becomes quite possible that he could replace Scott Speed at Toro Rosso opening the door for Red Bull to move Scott Speed to Champ Car which certainly could use another American driver. This all made sense to us when we first surfaced this rumor way back on October 23rd and it still makes sense to us today.
12/11/06 This rumor is upgraded back to 'speculation' per this SPEEDTV article which says that Scott Speed's F1 ride could be in jeopardy, especially with Sebastien Bourdais testing for the team this week. "At the end of the day we’ll chose the one who will be the quickest in our car. I would like to give him [Bourdais] a chance," said Berger. "I think he’s a guy doing an extremely good job in the States, and I would like to see where he is. He did quite well in Europe, and he’s doing very well in the States, and I’d like to see where his potential is."
10/26/06 Based on this related rumor, this rumor is downgraded to 'false' today.
10/23/06 A reader writes, Dear AutoRacing1.com, If Robert Doornbos is indeed going to take Scott Speed's ride in F1, why doesn't Champ Car jump in and see if they can get Speed to drive in Champ Car. It would benefit the series with another American driver to replace NASCAR bound Allmendinger. Rod, Orlando, FL.
Dear Rod, If the rumor is true about Speed, then yes, it would make sense for him to move to Champ Car. Having another American driver in Champ Car would indeed be a plus for the American-based series, but it will be a loss to the series if they lose the sponsorship backing Doornbos had and the potential of a new team that it brought. Scott Speed is also a Red Bull driver, as is Allmendinger, it's quite possible that Red Bull will move Allmendinger to NASCAR and SPEED to Champ Car. Mark C.
Marlboro to sponsor pole awared Marlboro to sponsor pole awaredPhilip Morris USA has announced that the Marlboro Pole Award will make its debut at the Toyota Indy 300 at Homestead-Miami Speedway. As part of the brand's sponsorship commitment in the 2005 Indy Racing League (IRL) IndyCar® Series, the program will award the winning pole sitter $10,000 at each race, with the exception of the Indianapolis 500, on the 2005 IndyCar Series circuit.
The $160,000 program continues the successful IRL pole award, which started in 1997. The driver who wins the pole will be presented with their award during a post-qualifying ceremony at each event. Philip Morris USA will continue its Lap Leader Award program at the Indianapolis 500 where it will present $50,000 to the driver who leads the most laps at the annual May Classic.
"We're very pleased to announce Philip Morris USA's participation in the IRL pole award program for the 2005 IRL season," said Denise Ferry, Director, Marlboro Racing. "As part of our sponsorship in the IRL series we're glad that the opportunity was available to take ownership of this season-long program. As part of our partnership with the IRL, one of our goals is to participate in a program that recognizes outstanding achievement on a race-by-race basis and we feel this program meets with our objectives."
"We are pleased that Philip Morris USA has decided to participate in the pole award this season," said Ken Ungar, Senior Vice President, Business Affairs, Indy Racing League. "It is an award coveted by teams, as it recognizes and rewards those who push the competition to the highest level, both for each race, as well as for the Championship."
In addition, journalists will have the opportunity to participate in the Marlboro Pole Award program by entering an on-site contest to predict who will qualify on the pole in a given race. Ballots will be available in the press room starting with the Toyota Indy 300 at Homestead-Miami Speedway and continuing at each event (with the exception of the events in Japan and Indianapolis). The journalist, who correctly predicts the pole winner and is closest to the winning pole speed, will be awarded a MOMO Design watch. The presentation will take place in the press room after the official starting grid has been distributed.
Bryan Sellers gets GT pole in first ever start Bryan Sellers gets GT pole in first ever startChamp Car Toyota Atlantic driver Bryan Sellers will start his first-ever Rolex Sports Car Series race from the class pole position on the strength of a best lap at 1:21.283 (101.866 mph) in the No. 61 TRG East Porsche GT3 Cup that he will share fellow Rolex Series rookie Ryan Dalziel.
“It feels great,” Sellers said. “I’m really pleased with the way things have gone. It’s a great team. I’m really pleased with all the people here. It’s a great group of guys. I think we have some tuning to do on the car to make it a bit better yet, but it’s obviously still very good. I think we have a good driver lineup and a good team to go and challenge for the race tomorrow. The question that I have right now is what the race pace is going to be like. Obviously, it’s not going to be a qualifying pace anywhere near what we ran, because that would be pretty hard to do. That is my concern. How fast are you going to have to run in the race to stay in front of the guys? Pit stops and whatnot are obviously interesting, too, because Ryan and myself have never done them.”
Starting second on the GT class grid is Andrew Davis in the No. 73 Tafel Racing Porsche GT3 Cup after a best lap of 1:21.451 (101.656 mph). Starting at the front of a class field is nothing new to Davis, who qualified third in the Daytona Prototype class at Barber Motorsports Park last year. Nevertheless, he was clearly pleased with his qualifying performance today.
“I’m really happy to be on the front row,” Davis said. “I ran with (co-driver) Jim (Tafel) and (team manager) Tony (Dowe) at Daytona. It’s great to be back with them again. It’s a great opportunity for me. The worst thing about it was I came in a couple of laps early. We thought we were in a pretty good spot there so I went ahead and came in. I wish now I would have stayed out there, because I had a couple more tenths at least in the car. It would have been nice to be on the pole, but front row, to get up there with this Tafel Racing Porsche with Mesco as one of our great sponsors, it’s awesome. It’s really great for our team.”
David Murry originally qualified the No. 80 Synergy Racing Porsche GT3 Cup third, but will start from the rear of the grid owing to a technical infraction. As a result, 16-year-old Colin Braun will start third in the GT class following a best lap of 1:21.611 (101.457 mph) in the No. 64 Auto Gallery/TRG Porsche GT3 Cup. BMW Team PTG fills out the top five in GT, as Justin Marks put the No. 16 BMW M3 fourth on the grid at 1:21.864 (101.143 mph) and Joey Hand is fifth in the No. 21 M3 at 1:21.985 (100.994 mph).
Homestead Friday AM practice times Homestead Friday AM practice timesPractice times from Homestead Friday morning
Pos Car Driver Chassis-Engine Time Gap To 1st Speed
1. 7 Bryan Herta Dallara-Honda 25.081 213.148
2. 15 Buddy Rice Panoz-Honda 25.115 0.034 0.034 212.861
3. 26 Dan Wheldon Dallara-Honda 25.162 0.047 0.081 212.465
4. 17 Vitor Meira Panoz-Honda 25.171 0.009 0.090 212.388
5. 4 Tomas Scheckter Dallara-Chevrolet 25.207 0.036 0.126 212.081
6. 27 Dario Franchitti Dallara-Honda 25.224 0.017 0.143 211.938
7. 6 Sam Hornish Jr. Dallara-Toyota 25.294 0.070 0.213 211.357
8. 11 Tony Kanaan Dallara-Honda 25.295 0.001 0.214 211.343
9. 55 Kosuke Matsuura Panoz-Honda 25.308 0.013 0.227 211.239
10. 24 Roger Yasukawa Dallara-Honda 25.309 0.001 0.228 211.232
11. 2 Tomas Enge Dallara-Chevrolet 25.320 0.011 0.239 211.136
12. 3 Helio Castroneves Dallara-Toyota 25.330 0.010 0.249 211.052
13. 8 Scott Sharp Panoz-Honda 25.331 0.001 0.250 211.042
14. 16 Danica Patrick Panoz-Honda 25.413 0.082 0.332 210.369
15. 9 Scott Dixon Panoz-Toyota 25.500 0.087 0.419 209.644
16. 33 Ryan Briscoe Panoz-Toyota 25.527 0.027 0.446 209.421
17. 10 Darren Manning Panoz-Toyota 25.618 0.091 0.537 208.685
18. 83 Patrick Carpentier Dallara-Toyota 25.643 0.025 0.562 208.476
19. 51 Alex Barron Dallara-Toyota 25.659 0.016 0.578 208.348
20. 14 A.J. Foyt IV Dallara-Toyota 25.759 0.100 0.678 207.543
21. 91 Paul Dana Dallara-Toyota 26.194 0.435 1.113 204.090
22. 20 Ed Carpenter Dallara-Toyota 26.375 0.181 1.294 202
Rising star Lacroix eyes Champ Car Rising star Lacroix eyes Champ Car[Editor's Note: Among the drivers from Canada that vie for a ride in the major leagues, following the footsteps of Jacques Villeneuve, Patrick Carpentier, Paul Tracy, Alex Tagliani and to some extent Greg Moore are in order: Andrew Ranger, Michael Valiante, Bruno Spengler and Kevin Lacroix, with Antoine Bessette as a long shot. Andrew claims he has a chance for Champ Car and so does Michael. Maybe, before the elevator doors close will there be a hand grabbing one of those two by the Nomex and taking him on board for the 2005 season. Spengler is driving in the DTM championship this year as a member of the Mercedes junior team. Bessette has tested Formula Atlantic and Formula Renault V6. He’s 22 but very talented. His decision lies between a series with a solid past and no bright future and another with a not so bright past but a foreseeable interesting future! The next one has to be Kevin Lacroix who was a proven kart driver, always racing with older guys. He is turning 16 in a few weeks and is already a BMW scholar. He was named Shifter Kart Magazine Rising Star for 2005 and we hear Champ Car is his ultimate goal.]
St-Eustache, March 4th . – Kevin Lacroix earned another title this week when he was named the 2005 Motorsport Rising Star among drivers coming out of karting by Shifter Kart magazine. For the St-Eustache, Quebec native, this is the last homage karting could pay him after a winning career spanning over eight year. Comparing this to hockey, it’s as if Kevin was named first round pick among all juniors aspiring to professional level. This nomination corresponds with the announcement of the team with which Kevin will enter the Formula BMW championship in 2005 and the Benefit gala he will star in next March 30.
“This nomination by Shifter Kart Magazine really thrills me, admits Kevin. People vote for this from everywhere in America. It puts a happy ending on my kart career and gives me an extra boost as I start my first open wheel season.”
AIM Motorsport to host Kevin After the training camp in Spain, Kevin received a BMW scholar. From there, the team made some testing and has since opted for Toronto-based AIM Motorsport “We were down to two teams, says Sylvain Lacroix, and AIM was in our opinion the best team for Kevin. They have a strong reputation for giving good cars to their drivers, whatever the series. The BMW FB2 will be prepared in our own shop in St-Eustache but we will work with Ian and Keith Wyllis at the racetracks. AIM Motorsport was one of the most respected team last year, the first of the Formula BMW in USA : they had their share of podiums and finished second in the general standings.”
A Benefit gala on March 30 An organizing committee is presently setting up a Benefit gala that will be held next March 30 at the Laval Sheraton hotel, north of Montreal. More than 500 guests are expected to attend an evening where Kevin and the new BMW FB2 will be the star attraction. “We think up to 500 people will be there, claims Nicole L’Écuyer, one of the organizers. Evening will start with a cocktail and a five-course meal will be served. Than Kevin will take to the stage to unveil the BMW with the new livery. Evening will end with a performance from Daniel Lavallée, one of Quebec’s outstanding entertainer. Tickets are available now for 150$ at (450) 623 – 8888.
Renewed sponsorship Kevin Lacroix will enter Formula BMW USA series in 2005 with the support of sponsors that have believed in him for many years: Uni-Select network, SKF MotorSports, Raybestos, Tenneco, Pennzoil, Auto Parts Plus and Lacroix Auto Parts. His web site can be visited at www.kevinlacroix.com
Herrington to drive No. 2 Jensen MotorSport entry Herrington to drive No. 2 Jensen MotorSport entryJensen MotorSport is pleased to announce that Daniel Herrington (18) of Winston-Salem, North Carolina is set to return to pilot the team’s #2 entry in the 2005 Formula BMW USA championship.
Daniel drove a limited schedule with the team in 2004, with a best race result of 10th at the Montreal Grand Prix, and a best qualifying position of 7th at the Cleveland Grand Prix. “With a productive off-season including 11 test days, the team expects Daniel will be challenging for race wins and pole positions throughout the 2005 season”, states team owner Eric Jensen.
The team continues its off-season testing program on the US west coast later this week, in preparation for the first round of the USA championship the weekend of May 1st at the Laguna Seca road course in Monterey, California.
Minardi clear to start qualifying Minardi clear to start qualifyingMinardi will start Saturday's first qualifying for the Australian Grand Prix after securing a temporary injunction against a stewards' ruling. The stewards had earlier dismissed Minardi's bid to compete with last year's cars that do not conform to new aerodynamics regulations.
"We are in," said Minardi team boss Paul Stoddart. We will be running all day Saturday and then we'll have to wait and see what happens."
Stoddart said the Victoria Supreme Court had scheduled a second hearing at 1415 local time (0315 GMT) to decide whether or not Minardi should be allowed to race on Sunday. The F1 minnows had earlier received the unanimous agreement from rival teams to take part in the race with last year's car, but fell foul of the stewards.
Stewards said it was "inappropriate and unacceptable" for Minardi to race with cars which did not meet 2005 technical rules.
"It is our view that it is inappropriate and unacceptable to alter the technical regulations with which all competitors comply in order to suit the individual needs of one competitor," read a statement from the stewards.
Stoddart responded: "We had a very fair hearing from the stewards (but) with a heavy heart they've decided against us. What I can say is that under no circumstances will we seek to disrupt this event in any shape or form. I compliment the stewards on their fairness."
The stewards' decision meant Minardi did not take part in either of Friday's two practice sessions. BBC Sport
NASCAR drivers not happy with new rules NASCAR drivers not happy with new rulesBeginning with last Sunday's race at California Speedway, the Nextel Cup cars had a new aero package in place that included a shortened rear spoiler and softer tires. NASCAR's intention in taking off an inch on the rear spoilers down to 4 1/2 inches and asking Goodyear to provide tires that wear quickly is to create less of a dependence on downforce while placing more of an emphasis on a driver's ability to race his car, especially through the turns.
The most vocal critics were the drivers with limited talent. These drivers like 100% throttle racing to mask their limited driving talent.
"I don't think that makes any sense to take that inch off and say it's going to make it better running side-by-side,' Dale Earnhardt Jr. said. "Somebody's got to wake up here, you know what I mean? The lightbulb's got to come on.
"Taking the spoiler off is going to make it more difficult to drive. The softer tires give us more grip, so it (goes fast) and then it falls off. That's OK. That's not a bad idea. But we need some more downforce.'
"It's really hard to pass,' Jamie McMurray said. "When you get up underneath the guy, you get tight and you have to put so much wheel in it that you get loose. Then you don't have anything back there to help you.'
"They took a half-inch away last year and then to take a whole inch was a pretty bold change,' Greg Biffle said. "I don't know about anyone else's car my car was real bad behind other cars. If I'm coming up through there and I could get maybe six car-lengths from McMurray, I stalled out. I couldn't do anything and it was just one car by itself. It's the same problems that we always have when you're behind another race car. When we go to Texas or Atlanta, that's when you're going to see something,' he said
Michelin likes challenge of new regulations Michelin likes challenge of new regulationsPierre Dupasquier, Michelin motorsport director said after Friday practice, “We have had two productive sessions and consistent weather conditions enabled us to gather plenty of vital data. Tire wear has been quite significant, as is customary on the opening day here in Melbourne, but the track has evolved in the manner we anticipated."
“Despite the latest regulation changes, which were designed to cut average speeds, lap times are not too far away from those achieved in Melbourne last year. Without these changes, it is clear that speeds would have escalated considerably, so the FIA has done a good job. The 2005 rules have also given us a whole new range of parameters with which to work – and Michelin thrives on such challenges. So far, I am very happy with our progress.”
Court grants Minardi injunction Court grants Minardi injunctionLate Friday Minardi was granted a court injunction to compete in qualifying sessions for the season-opening Australian Grand Prix after race officials had ordered them to comply with new regulations.
Minardi team principal Paul Stoddart sought the court injunction after FIA stewards had told his team they had to comply with the 2005 safety regulations to participate in the Australian GP.
The court was adjourned until Saturday when the issue could be discussed further, the presiding judge said.
Stoddart said outside the court he was relieved his cars could get on the track on Saturday. "Now it's in the hands of the court, I really can't say anymore than that except that Minardi will be participating tomorrow, as usual, at the Grand Prix," Stoddart said. "It's really fantastic to actually get on the track in the wake of all the publicity."
Earlier FIA stewards blocked Minardi's efforts to start their cars over the weekend unless the struggling team complied with new regulations. AFP
An impressive start from Red Bull Racing An impressive start from Red Bull RacingRed Bull Racing third driver Vitantonio Liuzzi was fastest in the opening free practice session as the 2005 Formula One season began in Melbourne. The Italian ended the day fourth on aggregate after spinning off the track during the afternoon. His team mates David Coulthard and Christian Klien were fifth and tenth in the first session, 12th and 17th in the second.
David Coulthard We are reasonably happy with the progression of what we did today. The use of the tires and car ran without any mechanical problems so now the questions is our tire choice and what the weather will do tomorrow. I am really looking forward to knowing exactly where we stand, in term of performance against the other teams.”
Christian Klien “I didn’t do many laps this morning, when the level of circuit grip was very low. In the afternoon I planned to do three runs to check tire consistency with the two different compounds. The chassis balance felt good, so I was quite confident, but the brakes started to feel a bit soft as temperatures increased. I had a throttle problem on my third run, which forced me to stop early. My lap time reflects as much.”
Vitantonio Liuzzi "My first hour on the track was quite good because we improved throughout the session. I am trying to do the best job I can for my team mates and was pretty happy with the way things started. The RB1 responded well to changes and everything seemed positive. The morning turned out to be much better then the afternoon, of course. I put a wheel on the grass while overtaking another car – one of our own that had just come out of the pits, I think – and spun because I picked up some dirt on my tires. That ended my day, which was a real shame.” Red Bull Racing
Australian GP - McLaren - Practice Australian GP - McLaren - PracticePedro de la Rosa undertook the majority of the running today for McLaren Mercedes and set a fastest time of 1:25.376s and completed 46 laps. Race drivers Kimi Raikkonen and Juan Pablo Montoya finished in second and fifth positions overall after setting fastest times of 1:25.676 and 1:26.227 respectively during today's two Free Practice sessions. Raikkonen completed 15 laps in total whilst Montoya did 18.
Kimi Raikkonen Juan Pablo and I did limited amount of running today. After my first run we decided to change the gear ratios, which meant I only did one run in the first session, but it didn't affect our program. It's good to be back racing again, and I'm looking forward to the rest of the weekend."
Juan Pablo Montoya "The track got faster and faster as more rubber was laid down. I limited my running to conserve the package, and we will rely a lot on Pedro's feedback in the debriefs to help us make the right tire choice. Its great being in Australia with my new team, and I look forward to tomorrow when we will get more of an idea where we are compared to the competition, but so far so good."
Pedro de la Rosa "I focused on evaluating our Michelin tires today. This is the first time we have been able to run at relatively high track temperatures, so we learnt a lot. On one of my laps during a long run in the second session one of the Jordans and me touched and I ended up in the gravel, but there was no damage so I was able to carry on. I really enjoyed driving in front of the enthusiastic Australian spectators and will spend the rest of the weekend helping the engineers." McLaren
Australian GP - BAR Honda - Practice Australian GP - BAR Honda - PracticeB•A•R Honda's season got underway in Melbourne today with the first free practice sessions of this weekend's curtain-raising Australian Grand Prix. After seven intensive weeks and 28,000 kilometres of pre-season testing, the B•A•R Honda 007 finally made its race weekend debut at the Albert Park circuit.
Race drivers Jenson Button and Takuma Sato were at the wheel of Championship car numbers 3 and 4, whilst third driver Anthony Davidson, frequently the star of Friday Free Practice last season, supported the engineering team's performance analysis from outside of the cockpit as the team's second place success in the 2004 Championship precludes the use of the third car.
As is typically the case with day one on Melbourne's park roads, the morning's limited running was determined by the dirty track conditions. Once the circuit had cleaned up, the team were able to focus on conducting back to back tire comparisons and general set-up work, adapting the 007 to the Albert Park track characteristics.
At the end of this afternoon's second session, the team were encouraged by a generally positive and trouble-free start to the weekend. Jenson Button set the eighth best time while Takuma Sato was 18th.
Jenson Button "It's great to be back on the racetrack again. It's still difficult to know where we are in respect to the other teams but I think our sessions went to plan and everything seemed to run smoothly. We know which direction we want to go in tomorrow, so generally I'm pleased with the start we've made here today."
Takuma Sato "I had a difficult start today. I didn't have good grip and there was a small issue with the brakes in the first session. I was happier with the balance when this was fixed for the second session. I think that we can continue our improvements tomorrow but there is still a lot of work to do." BAR Honda
Toyota Friday: Ralf happy Toyota Friday: Ralf happy
Ralf Schumacher "Generally, I am quite satisfied with the work we have achieved today. The car did not have any technical problems in either of the two sessions. We did a lot of work in preparation for Sunday's race and we are developing things in a positive direction. I am a little surprised because I think our performance is better than I expected but we still have a lot of work to do overnight to improve the car further. I am looking forward to qualifying already!"
Jarno Trulli "Today, we spent time developing and improving the balance of the car for this track. We also carried out some important tire testing for the race, but we honestly have to wait and see what happens tomorrow. There is a good chance that the weather will take a turn for the worse and, if it rains, we will be faced with completely different track conditions, which will make Saturday a bit of a gamble for everybody. Nevertheless it is nice to be back in Australia racing after the winter period."
Ricardo Zonta "Use of the third car this weekend is very important to assess the Michelin tires for the grand prix, especially with the introduction of the one-race tire regulation. We did two long runs to see the effects of each of the compounds and I think it was a useful day. We now just have to look into the data to see which tire type is best for our TF105 car here in Melbourne. As always, the Albert Park track was dusty and slippery in the first session and kept on improving as more rubber went down. We saw a lot of cars going off in both sessions and that made it difficult to get a clean lap."
Mike Gascoyne - Technical Director Chassis "It is good to get the first day of running under our belt after the many weeks of pre-season testing. We have spent today simply getting used to the new regulations, especially concerning the tires. Ricardo worked on tire evaluation and long runs to compare both Michelin compounds. It is always difficult at Albert Park because the circuit changes so much throughout the weekend, but the data will tell us more ahead of tomorrow's sessions. Ralf and Jarno concentrated on improving the balance of the car as the track evolved and overall, I think we can be reasonably happy."
Ferrari Friday report - not pushing hard yet Ferrari Friday report - not pushing hard yet
Jean Todt: "The first day of the first Grand Prix of the season was different to usual for various reasons. First and foremost, the championship starting today is the longest in the history of Formula 1. Then there is the introduction of new technical and sporting regulations - one engine for two Grands Prix, one set of tires for qualifying and the race, among the most important changes- which have given a different flavor to what we were used to seeing on a Friday last year. There has been an immediate effect as a result of the engine rule, with all the teams doing less laps. These three days are very important because, for the first time since winter testing, we will get a reasonably clear picture of the pecking order between the teams. Unlike our rivals, we decided to come to Australia with an updated version of last year's car, the F2004 M, preferring to take as much time as possible in the design phase of the F2005, which was launched exactly a week ago in Maranello. Tires will play a decisive role and we know we can count on a great partner in Bridgestone, in whom we have total confidence."
Michael Schumacher: "It is always a nice moment to be back on track for the start of a new season. I am quite happy with this first day. We nearly completed our full program although I had a small electrical problem in the morning, which meant I had to pit earlier than expected. It was fixed very quickly, so we did not lose much time. In my view, we have enough information to make our tire choice. It looks as though our pre-season idea of who would be our main opposition was pretty accurate, although I was surprised at the pace of the Red Bull and Sauber cars."
Rubens Barrichello: "I am happy with the situation although it is very difficult to understand everyone's true pace. Tomorrow, we have a qualifying session on low fuel, so it is possible some people were already trying that configuration today. I had a slight problem with the balance of the car, a bit of traffic and I also went off the track. I expect to be looking better tomorrow."
Ross Brawn: "This was the first day of running, getting used to the new format. It seems that everyone was following quite similar programs, with not much running in the morning and a reasonable program in the afternoon. We did more laps on one type of tire than the other, but I think we have enough information to make a judgment for tomorrow. The cars are handling quite well and there have been no major problems. We are quite pleased with the work we have done and the position we are in."
Renault Friday report - working on race setups Renault Friday report - working on race setupsThe Renault F1 Team had a solid first day of practice in Melbourne today. The day’s program centered principally on tire choice for the race on Sunday, and the team will analyze data tonight in order to take the correct decision.
Fernando Alonso recorded the seventh best time with a lap in 1:26.562 seconds while new team-mate Giancarlo Fisichella was tenth fastest on a 1:26.667.
Fernando Alonso “As always on the first day in Melbourne, conditions were very slippery, and the poor grip makes it hard to achieve a good balance on the car. The tire choice is not clear at the moment, and we will have to analyze our data this evening in order to make our decision.”
Giancarlo Fisichella “Positions were not important today, as it was about testing the two tire compounds. We had a good day overall, and did the laps we needed. There is still work to do on the car balance, but I am still very optimistic for the rest of the weekend.”
Denis Chevrier, Head of Engine Operations Under the 2005 regulations, every lap in practice is precious, and we therefore had to accomplish as much work as possible in parallel today in order to make the necessary evaluations and tests for our technical programs. The second session provided us with plenty of information, and was free of incident; on this basis, we possess as much information as possible in order to make our choices on tires and engine settings for the rest of the weekend.” Renault
Massa once again easily faster than Villeneuve Massa once again easily faster than VilleneuveSauber Petronas drivers Felipe Massa and Jacques Villeneuve finished sixth and 16th respectively after today's first practice sessions for the Australian Grand Prix in Melbourne.
With the current set of rules, both drivers ran a limited program in order to conserve engines. Felipe Massa recorded a best lap of 1:26.357 while Villeneuve lapped in 1:27.513.
Felipe Massa "I'm happy with the way things went today. The car was quick, consistent and stable, and for our first proper run against everyone else it was good. I did a long run and the performance was reasonably consistent, so everything is working right and it's a good start to the new season."
Jacques Villeneuve "The new rules on engine life mean that you don't get much time for set-up work on the car, but the long run I did seemed okay. The first lap on the tire seems to be the problem, for me at least, and we need to do some more work on that. This morning it also felt as if I had a long brake pedal, but really we just need to do a small adjustment to suit me."
Peter Sauber, Team Principal "It is good finally to stop all the talking and to move into action. It has been a long winter! This first Friday of the season has been positive for us as we have adapted to the new rules governing the tires, aerodynamics and preservation of the engines, and developed our new relationships with Michelin and our new driver, Jacques." Sauber
Latest F1 news in brief Latest F1 news in brief
Mark not keen on F1 quali
Stoddart 'naïve' - Mosley
DC not 'trendy' enough?
'Monday' F1 testing
Alonso worried about R25
Speeding in Melbourne More to follow.....
Kasemets readies for a his first full season in Atlantics Kasemets readies for a his first full season in Atlantics Tonis Kasemets heads to Memphis Motorsports Park Friday March 19th to “shake the dust off” of his Swift 014, in final preparation for the Atlantic season. After a very active off-season, Tonis “can’t wait to drive the car !” He adds: “The Atlantic Series is an absolutely great place to race. It’s definitely the best place for me. Combine the Series strengths with the strong TV package and the prize money: No other Series can match it ! The prize money alone makes me want to stay in Atlantics.”
During the off season, Kasemets was afforded many opportunities: A 2-day Champ Car Test, a Grand Am DP test, enjoying more SCCA action and spending time with Team Newman at the Rolex 24. Having climbed through Club racing and most Open Wheel feeder series since making the U.S. his home in 1994, Tonis finally sees his chance to show his tenacity to find his greatness.
Kasemets: “I only ran a partial season last year in Atlantics due to circumstances beyond my control. Those roadblocks are now behind us. This season, we are finding a way to run the entire schedule. I’m taking advantage of the ‘whiners’… those who continue to complain about the lack of solid, concrete plans for their own programs. As it’s said: ‘Where there is a will there is a way.’ Many thanks to my sponsors over the years who’ve helped me get to this point. Somehow, we are staying the course. My dream remains intact; nothing is going to pull me away from this.”
2005 is also another first for Kasemets: Team Tonis enters the Toyota Atlantic Championships as an independent, one-car team. Many who have worked with Tonis throughout his rise in North America remain part of Team Tonis. Our thanks to all who’ve made this journey a success. With 11 records on 10 courses in the Continental United States, this is one Shooting Star to keep your eyes on! For more information: http://www.toniskasemets.com/contact.asp
Liuzzi leads opening practice in Oz Liuzzi leads opening practice in OzThere are four drivers in the picture for the Honda F1 test drive next year as it is not virtually certain that Anthony Davidson will be moving on to race for Super Aguri. Our spies in the team say that the four men in question are Christian Klien, Gary Paffett, Timo Glock and James Rossiter. Klien has the most experience in F1 cars and thus must start as the favorite while Glock is an interesting new name on the list having been left out of BMW's plans which were announced earlier this year. Grandprix.com
Indian's no safety threat Indian's no safety threatMelbourne (GMMF1.NET) Narain Karthikeyan denied he is racing into F1 in 2005 a typical 'pay-driver.'
Jordan's 28-year-old, the first ever Indian on the grid, said - just like Jenson Button - he's won races in British F3. ''And also in the (Nissan) world series,'' NK said in Melbourne, ''so speed-wise I'm not bad.''
Australia's Mark Webber also rejected the suggestion that Karthikeyan, albeit with very little F1 cockpit time, posed a safety threat at Albert Park. ''He's been in Europe for years,'' said Mark. ''He's a good little driver.''
Hyped up for Webber letdown Hyped up for Webber letdownMelbourne (GMMF1.NET) Mark Webber is relieved that, in a day or two, Australians will do little more than wrap their fish and chips in this week's newspapers.
The local F1 racer admitted that media is in turbo-hype mode as he prepares to debut for top team Williams at Albert Park ''It's a little bit unrealistic to say I'm going to go out and beat Michael (Schumacher) and (win) the championship,'' he mock-smiled.
28-year-old Webber said the main problem, with just one Aussie driver in F1, is that local hacks have no-one else to write about. ''That's dangerous for me,'' he admitted, ''but I don't read too much of it, anyway. ''I arrive (in Australia) as late as possible, leave as soon as possible.''
Minardi grounded Minardi groundedMinardi's cars did not exit pitlane on Friday morning, with Jean Todt continuing to refuse to sign a rule dispensation agreement.
Paul Stoddart met with the FIA at Albert Park early Friday morning, but emerged amid speculation that the governing body declined to sanction a formal request for Ferrari's consent.
''I'm being messed about, completely messed about,'' the Australian said prior to morning practice.
50-year-old Stoddart has, at least, prevented the calamity from extending further up pitlane, having assured Red Bull and Jordan that - should Minardi race and be in a points-scoring position - the drivers would move over for either team.
But he said 'half of Australia' now thinks Ferrari 'are a bunch of pricks,' and vowed not to run a 2005-legal aero kit 'because it hasn't been tested' and may be dangerous.
''And we haven't got enough (parts), anyway. But I'm not giving up.''
IRL reaches new level of ineptness IRL reaches new level of ineptnessBruce Martin writes in this week's National Speed Sport News - "At least NASCAR has the right idea on trying to become the big-time, unlike another racing series in the United States which is on the verge of putting an entire form of American racing into extinction.
The IRL reached a new level of ineptness last week. It came up with a good idea to celebrate its 10th season of competition with a two-week "Green Flag Tour" that would make a stop in every IRL market before concluding with next weekend's season opener at Homestead-Miami Speedway.
Great idea -- but, this is the IRL we're talking about.
They decided to make the Southern California stop on the tour on Thursday and Friday. It seems they didn't realize, or didn't care, that all the local motorsports media were at California Speedway covering NASCAR.
"We got a phone call at 10 a.m. telling us that Dario Franchitti and Mario (Michael?) Andretti were available for interviews that day," said one Southern California motorsports writer. "We told them we couldn't do it because we were covering the NASCAR activities."
California Speedway and Phoenix Int'l Raceway officials warned the IRL it wouldn't be a good time for the "Green Flag Tour" to stop in. The local media black-flagged the "Green Flag Tour," and once again, the IRL proved why NASCAR rules racing in the United States.
NASCAR understood a long time ago that to be successful, the sport has to be personality driven with a compelling story. NASCAR has "Good Guys and Bad Guys" and that gives fans something to choose from. The IRL thought it could take the Indianapolis 500 on the road, but unfortunately it's being marketed by people who don't know the difference between Lloyd Ruby and Jack Ruby.
Someday, Hollywood may make a movie about this, but just like its races, the viewers would probably stay at home. There once was a day when the Indianapolis 500 -- not the Daytona 500 -- was the biggest race of the year. There was also a time when dinosaurs walked the earth. "
Johansson Leads First Rolex Series Practice at Grand Prix of Miami Johansson Leads First Rolex Series Practice at Grand Prix of MiamiStefan Johansson clocked a best lap of 1:14.750 (110.769 mph) in the No. 02 New Century Mortgage Chip Ganassi Racing Lexus Riley to lead a 46-car field in the opening day of practice for Saturday’s Grand American Rolex Sports Car Series Grand Prix of Miami at Homestead-Miami Speedway (SPEED Channel, 3 p.m. ET). The top 11 cars in the session turned laps within 0.57 seconds.
While this was Johansson’s first Homestead appearance with the Ganassi team, the Swede did run a Daytona Prototype in the Hoosier Tire Introduction Test last December at the 2.3-mile South Florida road circuit. However, today’s run was in an entirely different car, and was more impressive given the fact that he ran a limited number of laps in the session.
“We only did two runs,” Johansson said. “The first run was to get dialed-in, and the natural progression is that on the second run, you go in a little bit deeper everywhere and run a little bit harder. The car’s pretty good at the moment. I think we’ll be in pretty good shape (in qualifying). I’m sure (co-driver) Cort (Wagner) will do a good job. The car is nice to drive at the moment. If the conditions don’t change dramatically, I think we should be in pretty good shape.”
Second-quickest was Butch Leitzinger in the No. 4 The Boss Snowplow Pontiac Crawford for Howard-Boss Motorsports following a best lap of 1:14.896 (110.553 mph). Johansson’s teammate, defending Rolex Series Daytona Prototype co-champion Scott Pruett ran the third-fastest lap of the session at 1:14.903 (110.543 mph), followed by two-time defending Miami champion Andy Wallace in the No. 2 CITGO Howard-Boss Motorsports Pontiac Crawford at 1:14.906 (110.539 mph). Guy Smith rounded out the top five in the No. 39 Orbit Racing Pontiac Riley at 1:15.033 (110.351 mph).
Valiante still hoping, still waiting Valiante still hoping, still waitingArticle in today’s Vancouver Province Newspaper:
"Burnaby's Valiante still trying to hitch a ride"
The 2005 Champ Car World Series season starts in five weeks and Michael Valiante is in a familiar situation. Despite driving for Walker Racing in last years season ending Mexico City race and an off season dealings that showed promise he'd start the season in Champ Car, nothing has developed. "If anything happens, it will probably happen just before Long Beach at the last minute." Valiante said from Oklahoma, where he's priming for the start of the karting season with his Italian Motors team. Long Beach, Champ Car's opening race is scheduled for April 10. Meanwhile, Valiante plans to enter more Grand-Am races, after his experience last month racing in the Rolex 24-Hours of Daytona. "But if I had a choice, I'd definitely choose Champ Car," the Burnaby native said." Its what I basically was raised doing. I love constantly pushing (an open wheel car) and testing its limits."
Green aims to make St. Petersburg best street race Green aims to make St. Petersburg best street raceUPDATE A reader adds, The IRL is not even successful at pulling people to all of the other IRL races - which are targeted to the 'core' oval track race fan, how possibly can Barry Green be serious about pulling street/road race fans to this farce. Unless they use the 'false hope' numbers of 'sold' tickets (sponsor tickets handed out for free to anyone who will take them), this won't happen. - Tim Bogert, Charlotte, NC 03/03/05 Come the first weekend of April, the streets of downtown St. Petersburg will be ringing with the sounds of screaming Indy cars. The investors responsible for bringing Grand Prix racing back to the city are hoping those dulcet tones will be accompanied by the equally sweet sound of clanging cash registers.
The Honda Grand Prix of St. Petersburg has already lined up far more corporate sponsorship dollars than the city's last Grand Prix race in 2003, its organizers say. And they're hoping to pull in about 60,000 to 70,000 spectators during three days of events, up from an estimated 50,000 over three days in 2003, according to former Championship Auto Racing Teams team owner Barry Green, who is managing director of the race.
"Our goal is to make this the best street race in this country," Green said Monday during a luncheon with reporters. More at St. Petersburg Times
The silence is deafening The silence is deafeningUPDATE #3 And another reader - I agree with Peter Swanson. I'm a long-time CART/Champ Car fan, and even I'm done with this. It's ironic that the other series that we're both excited about (ALMS) is heading the same way as Champ Car: erosion of the sponsor market by a competing series. I'm just hoping the Australian GP this Saturday night isn't a snooze-fest. I'd like a racing series to excite me for a change. Tim Bogert, Charlotte, NC 03/03/05 Yet another writes, OWRS may have some big irons in the fire but the fans are getting cold and moving on. It's like a barbeque where the meal was supposed to start at 6:00PM but the coals are just getting warm at 7:00PM. Time to move on. I love Champ Car, but get tired of waiting each year. I am much more excited about ALMS this year. Peter Swanson 03/03/05 Another writes, The silence is indeed deafening from Champ Car- thank goodness F1 kicks off tonight. But for the last 10 years the IRL has made one announcement after another and it has meant nothing to the series. They have a radio deal, network T.V. and cable and still nobody watches because they have no fans, so it does not matter how many stations-radio or T.V. they are on. I think Champ Car is trying to do things right from a business standpoint- it’s just not at a pace the fans would like to see. At some point Champ Car are going to have to have a marketing team that can turn the casual fan who attends the races into a T.V. viewer. Having said that, the teams that are set could and should be doing a PR tour of sorts. Brian Kellione, Colorado Springs 03/03/05 A reader writes, Dear AutoRacing1.com, After reading the radio deal that the IRL got it started me to question whether Champ Car can do anything right. They have an incomplete driver lineup with the opener coming up in a few weeks, lack of sponsors or any real meaningful announcements of any kind. One has to wonder can Champ Car do anything right? It sure looks like they don't know what the heck is going on. They are acting like a bunch of amateurs. Maybe they know what they are doing but from the fans standpoint it doesn't seem that way. The silence is deafening. Alfred Martin, Columbus, OH Dear Alfred, We have been deluged with similar emails. We are told there is a plan, and there will be 18 cars and a 14 or 15 race season. We will have to see how it all plays out, but OWRS has some big irons in the fire. Mark C.
The Open Wheel war must end The Open Wheel war must endUPDATE A reader writes, I can't seem to find Mr Olson's email address on SPEEDTV.com. If you can find it for me, I'd be more than pleased, and would LOVE the opportunity, to enlighten him about who exactly it to blame. His conclusions about what should be done have some merit, but he should lay the blame where it belongs - at the feet of Mr Tony George. There's a saying about family-owned businesses: The first generation builds the business (Tony Hulman), the second generation maintains the business (Mari Hulman), and the third generation destroys it.
This what Tony George inherited (Indy 500 Pole Day 1991):
This is what he has created (Indy 500 Pole Day 2004):
Here's just one side-affect of Tony George's IRL -- Fontana in 1997 (CART) vs. Fontana in 2004 (IRL):
Fontana 2004
Keep up the great work on your website. www.autoracing1.com is one of only two web sites that I pay money to access. I'll be renewing soon. Alan Saliwanchik
03/03/05 This SPEEDTV.com article lays heavy criticism on the IRL and Champ Car for continuing down the separate roads. Thursday morning, I’ll fly to Miami. I won’t encounter traffic any more unusual than the daily grind on Highway 836. I won’t pay criminal rates for a hotel room near Homestead-Miami Speedway. I won’t have to wait long for dinner at the Capri. I won’t have a hassle finding a seat in the impossibly tiny media center. I probably won’t hear the words “Toyota,” “Indy” and “300” in the same sentence until I arrive at the racetrack.
To a deafening and unnerving silence, the IRL IndyCar Series will open the 2005 season this weekend at Homestead, two weeks after much of the free world went agog over the Daytona 500. The only significant racing sounds you’ll hear from Florida this weekend will be muffled yawns and a breeze blowing through Homestead's empty seats.
The hardcores will be there, of course, that small niche of fans that follows the IRL through thick and thin, and the usual group of Brazilians will be waving their flags for Tony Kanaan, Helio Castroneves and Vitor Meira. But most of South Florida and almost all of America won’t have a clue about this race. The crowd won’t be much more than that of a Texas high school football game, and the viewing audience won’t be near that of a dog show.
It’s time for this to change. Long past time. More..... [Editor's Note: Tony George started the split in 1995 and has refused to merge with Champ Car even though Champ Car has made overtures on a number of occasions. The author of this article doesn't know who to blame for the mess. Imagine that.]
Improved traffic flow in Vegas Improved traffic flow in VegasLas Vegas Motor Speedway’s ever improving vehicle flow for its March 11-13 NASCAR Weekend should be even better for this year’s event, according to LVMS officials. Over the past three years, the completion of the 215 beltway, new interchanges and wider roads have helped make ingress and egress from the speedway’s property a seamless experience for race fans. “The combination of better traffic planning, cooperation from all areas of transportation and law enforcement and the continued education of our race fans has dramatically improved vehicle flow over the past several years,” said LVMS general manager Chris Powell. “While the traffic plan itself is virtually the same as last year, we expect this year to be even better than the past years.” One notable difference for race fans attending the Sam’s Town 300 NASCAR Busch Series event on Saturday, March 12 will be the unimpeded flow following the event. In past years, incoming traffic for races at either the dirt track or Bullring had conflicted with traffic exiting the superspeedway. There are no racing events scheduled for Saturday night this year. LVMS PR
F1's latest farce - Red Bull and Minardi F1's latest farce - Red Bull and MinardiRed Bull have agreed to Minardi’s request that they can race in Australia using last year’s cars. Red Bull boss, Christian Horner, had earlier gone on record that he wouldn’t support Minardi’s request, arguing that “rules are rules” and adding "My position and that of Red Bull is that nothing would be more frustrating for us in a debut race to finish ninth with a Minardi ahead of us and a point taken from us." However, Horner relented after Paul Stoddart and Horner met in Melbourne and Stoddart agreed that if Minardi finished in the top eight and ahead of Red Bull in the race then they would give up their points and position. F1's latest farce to grab headlines.
Big TV rating boost for CA market Big TV rating boost for CA marketWith a preliminary national rating of 7.9, the FOX broadcast of last Sunday's Auto Club 500 from California Speedway is the highest rated non-Daytona 500 NASCAR NEXTEL Cup Series event since the second race of the 2001 season, according to data released by FOX Sports. It was also the top rated sports television event of the weekend. In addition, the Los Angeles market rating rose 33 percent to a 4.0 rating for last Sunday's race, from a 3.0 rating for last year's Auto Club 500, which was contested in May, according to FOX Sports information.
The Auto Club 500 on FOX has seen its rating grow from a 5.3 rating in 2003 to a 6.1 rating in 2004. This year's race was the first time the event was held as the second race of the season, coming off the Daytona 500, which garnered a 10.9 television rating on FOX. Last year's final national rating for the second NASCAR event on FOX was 6.6. "This rating shows the significance of Southern California and is great news for everyone in the industry. As the host of NASCAR racing in Southern California, California Speedway along with NASCAR and FOX have done a tremendous job in promoting the sport, creating new fans and bringing the sport to the people, especially here in our market," speedway President Bill Miller said. "From a sponsorship standpoint, the exposure for our partners is tremendous in helping them reach potential customers and getting their identity to the viewing audience. The 2005 NASCAR season is off to a tremendous start with great momentum coming off of the Daytona 500 and carrying through the Auto Club 500."
World Series by Renault
Will Power joins Carlin Motorsport Will Power joins Carlin MotorsportWill Power has been confirmed this week as an official driver in the British outfit, Carlin Motorsport. Alongside Andy Zuber, both will contest the 2005 World Series by Renault. The Aussie ace Will Power has been finally confirmed in Carlin Motorsport. Power (21) did not failed to impress in Paul Ricard and Barcelona where he set a new lap record of the World Series.
Trevor Carlin, Team Principal, who is in Australia overseeing the Midland owned Jordan F1 team's, said "We selected Will from four potential drivers and his first few laps in testing at Paul Ricard proved that it was a good decision. He and his team mate Andreas Zuber are an ideal signing - they work well together and will push each other to race wins this season."
Power is delighted to start the season soon. "The World Series by Renault was always my objective for this season and I am pleased not only to have secured a drive in the series but really pleased to be driving for Trevor Carlin - our initial tests have been so good and I am very confident of delivering great results for me and for the Carlin team." Carlin Motorsport
IRL confirms XM Radio deal IRL confirms XM Radio dealIRL, XM Satellite Radio announce multi-faceted partnership that includes broadcast rights, marketing and entertainment initiatives: XM Satellite Radio and the Indy Racing League today announced a multi-faceted, multi-year agreement to broadcast IRL IndyCar® Series races live and nationwide on XM, beginning with the Toyota Indy 300 at Homestead-Miami Speedway at 2 p.m. (EST) on March 6. IRL programming will be heard on Extreme XM (XM Channel 152).
As the exclusive satellite radio partner of the IRL, XM will transmit the IMS Radio Network's pre-race, race and ancillary programming on the Extreme XM channel, plus IRL news updates and additional programming heard on a variety of XM talk channels.
In addition, XM Satellite Radio will be an associate sponsor of the IndyCar Series Fan Experience, a one-of-a-kind, interactive mobile entertainment experience at IRL events designed to bring fans closer to the excitement of the IndyCar Series. The Experience's live performance stage will be known as the "XM Satellite Radio Live" stage, offering up live entertainment at each and every race across the country. The Experience is divided into four properties - Pole Position, Tech, XM Satellite Radio Live, and Pit Stop.
XM will host top music acts to perform at the XM Satellite Radio Live stage at various events during the 2005 season, such as Velvet Revolver at the upcoming XM Satellite Radio Indy 200 at Phoenix International Raceway on March 19.
XM is the title sponsor of the XM Satellite Radio Indy 200 and the primary sponsor of the Andretti Green Racing car driven by Bryan Herta in the IndyCar Series. The XM agreement with IRL is the latest joint effort between the nation's leading provider of satellite radio and the league's drivers, teams and tracks.
"The IndyCar Series boasts some of the most exciting competitions in professional sports, and we know that XM Satellite Radio fans and IRL fans alike are going to love hearing every minute of the action on XM," said Steve Cook, executive vice president of sales, marketing and customer operations, XM Satellite Radio.
"Like the IndyCar Series, XM Satellite Radio is an industry leader using cutting-edge technology to thrill and entertain its subscribers," said Ken Ungar, the IRL's senior vice president, business affairs. "We are thrilled that our fans can find the IndyCar Series on XM Satellite Radio wherever they live or travel from coast to coast."
In addition to being the exclusive satellite radio partner of IRL, XM is the official satellite radio network of Major League Baseball, with games for every team all season long; the exclusive satellite radio network for NASCAR, with every race in all three national championship series, and the official satellite radio service of the Atlantic Coast Conference, Big Ten, and Pac-10 college sports conferences, offering college football and basketball games for more than 30 schools.
The latest models of XM radio receivers, such as the portable Delphi XM2go MyFi radio, the Delphi XM SKYFi2 radio, and the Audiovox XR9 radio, have sports tickers that display the current scores for professional and college sports teams on the XM receiver's display screen. IRL
Rice's Letterman Top 10 Rice's Letterman Top 10Here are the Top Ten reasons Buddy Rice likes racing as read by him on The Late Show with David Letterman (his team owner) last night:
10. "It's way more exciting than my previous job, running an unlicensed daycare."
9. "When I win, 12 guys who smell like rubber and methanol run over and hug me."
8. "Winning takes guts, determination and my lucky underpants."
7. "All the motor oil I can drink."
6. "Anything over 200 miles an hour I start making noises like a kitty! Meow, meow, meow, meow, meow."
5. "Just so my neighbors know who they're dealing with, when I mow the lawn I wear my helmet."
4. "Switch the "R" and the "C" in 'Racing' and you get 'Caring'."
3. "All the excitement of driving like a New York City cab driver without the risk of getting shot."
2. "Between the g-forces and the fumes, I get a good buzz."
1. "In racing, Jose Canseco doesn't stick your ass with a needle."
Fittipaldi Becomes Global Spokesperson for Power2Ship Fittipaldi Becomes Global Spokesperson for Power2ShipPower2Ship, Inc, a Web-based Collaborative Marketplace for the freight transportation industry, announced that Emerson Fittipaldi, the world-renowned Formula One and Champ Car racecar driver, has agreed to become the Company's worldwide spokesperson. Fittipaldi has been a successful corporate spokesperson and made numerous personal appearances for many prominent companies such as Michelin, SAP, EMC2, Ericsson, Mercedes-Benz, British Airways, and Hugo Boss. Richard Hersh, Power2Ship's Chairman and CEO commented, "Emerson Fittipaldi's excellent reputation brings a valuable marketing resource to Power2Ship." In addition, Power2Ship has given Fittipaldi the rights to market the P2S MobileMarket (TM) proprietary freight transportation services to Brazil, one of the world's largest freight transportation markets. Fittipaldi commented, "Power2Ship's MobileMarket (TM) provides a winning solution that maximizes opportunities for all parties involved with transporting freight. I am pleased to become their spokesperson and look forward to introducing their proprietary logistics services to my home country of Brazil." [Editor's Note: Might sponsorship from this company help Fittipaldi restart his Champ Car team?]
IRL confirms switch to ethanol IRL confirms switch to ethanolContinuing its technical leadership in the world of automobile racing, the Indy Racing League's IndyCar® Series has partnered with the Ethanol industry to become the fuel supplier beginning with the 2006 season.
Ethanol is an alcohol derived primarily from grain. As a clean-burning and renewable fuel that is non-toxic and 100 percent biodegradable, it reduces harmful air pollution and improves racing's environmental footprint. Its high octane rating delivers strong engine performance by helping engines resist detonation so they can run higher compression ratios.
The announcement was made today at historic Union Station on Capitol Hill in Washington, D.C., where Tony George, the chief executive officer of the Indy Racing League, along with IRL President Brian Barnhart and Senior Vice President of Business Affairs Ken Ungar teamed with several high-ranking ethanol industry leaders and political figures, including Sen. Jim Talent, R-Mo., Sen. Evan Bayh, D-Ind., and Sen. John Thune, R-S.D.
The target for the 2006 season is a maximum blend of 90 percent methanol and 10 percent ethanol for the IndyCar Series. This percentage of ethanol corresponds with ethanol blend commonly available to consumers at gas stations. Blend specifics will be determined in cooperation with the league's 2006 engine manufacturer partners.
Beginning in 2007, the fuel will be 100 percent fuel-grade ethanol in IndyCar Series cars, the same fuel that has the potential to replace at least 10 percent of the nation's gasoline supply.
In his February State of the Union address, President George W. Bush recognized ethanol fuel as a reliable supply of affordable, environmentally responsible energy.
"My budget provides strong funding for leading-edge technology - from hydrogen-fueled cars, to clean coal, to renewable sources such as ethanol," he said, during the Feb. 2 address.
"We are proud to partner with the Ethanol industry to showcase a great American fuel source," Ungar said. "We feel a commitment to the environment and our country's energy security is consistent with our sport's legacy of race-bred innovation and leadership."
The Indy Racing League has been in discussion for several years with a coalition of ethanol industry companies led by the major ethanol facility engineering and construction firms IMC Inc., Fagen Inc., and Broin Companies. Other groups involved in the discussion were the ethanol trade and advocacy groups including the Renewable Fuels Association in Washington, D.C., the American Coalition of Ethanol in Sioux Falls, S.D., the United States Senate Biofuels Caucus and the Governor's Ethanol Coalition.
Race car engines operating on ethanol have demonstrated excellent performance due to the fuel's high octane content. IndyCar Series cars have run on methanol fuel since the late 1960s, and will continue to do so during the 2005 season. Internal dynamometer testing has shown that there are no technical barriers to replacing methanol with ethanol.
"The transition between methanol and ethanol in our cars should be very smooth," said Phil Casey, the Indy Racing League's senior technical director. "Our cars won't sound differently, smell differently or run differently than they have in the past. There will be a seamless transition from methanol to ethanol in our cars."
Ethanol is the only proven commercial scale renewable transportation fuel currently available in the marketplace. The 2006 season will not be the first time ethanol fuel has powered a car in the famed Indianapolis 500. At the 1927 race, a car driven by Leon Duray was fueled by ethyl (grain) alcohols.
"Ethanol has long been common in many Midwest markets, and over the last several years it has succeeded in meeting market demand in California and the Northeast," said Dave Vander Griend, president of ICM, Inc. "Production capacity for ethanol is keeping pace with the increased demand for quality fuel additives, and we are partnering with our petroleum customers as we move into new markets. We are extremely proud of this partnership with the IndyCar Series, and are eager to demonstrate the quality and performance of our product on the world stage."
The IndyCar Series continues to set the standard in technological leadership in automobile racing. Over the past several years, the IRL has been on the forefront of many advances in auto racing, including the introduction of the SAFER Barrier in 2002 at the Indianapolis Motor Speedway; the use of three Delphi IRL Chevrolet Safety Trucks, which travel to all races, and are equipped with video cameras in the front and rear; and the use of a device on IndyCar Series cars that measures and communicates the impact of a crash to rescue and safety workers on the scene. Controlled by Delphi's accident data recorder (which also is required on all cars) a light illuminates when a crash reaches or exceeds a pre-set threshold, informing safety workers that an injury is more likely.
To help build anticipation and awareness for this significant milestone among the IndyCar Series' dedicated fans, the ethanol industry is sponsoring one entry in this year's IndyCar Series lineup. The No. 91 Ethanol Hemelgarn Dallara/Toyota/Firestone entry will be driven by Paul Dana. Team owner Ron Hemelgarn was one of the founding members of the Indy Racing League, and his cars won the 1996 Indianapolis 500 and the 2000 IndyCar Series Championship. IRL
Andy Wallace signs with Creation for LeMans Andy Wallace signs with Creation for LeMansCreation has stolen a march on many of its rivals for this year's 24 Hours of Le Mans by securing the talents of one of sportscar's most experienced drivers, Andy Wallace. Team owner, Michael Jankowski, is delighted with the team's new signing. "Andy has done more Le Mans races than I can remember. He brings fantastic experience to the team as well as knowledge and pace." The Briton won the French endurance classic overall with Jaguar in 1988, and has subsequently had two GTP class wins. He has also won the 24 Hours of Daytona (3 times), the Sebring 12 Hours, Petit Le Mans, Championships and more races in more series than most. For his 17th participation at Le Mans, Andy will be joining Nicolas Minassian and Jamie Campbell-Walter at the wheel of the Michelin-shod DBA 03S-Judd.
Speaking from the US, where he is taking part in this weekend's Homestead-Miami round of the Grand-American Series, Wallace was enthusiastic about his latest Le Mans adventure. "I'm obviously extremely pleased to be joining Creation. They did a fantastic job last year in all their races even if, in some of them, they were not particularly lucky. With the few, but important, changes they've made for 2005, I really think they are on the right track. When you look at what Creation have done in the short time they've been around, I think they will be a force to be reckoned with. It will be nice to join up with Jamie again - we competed together in a Lister in the 2002 Spa 24 Hrs - and I'm looking forward to driving with Nic. He's really fast and a really nice guy! The team seem to be right on top of all the things that matter and I certainly consider that having Michelin tires is a big bonus for Le Mans. They are just so superior there. It's going to be a tough race because of the competition but, as long as we don't have any reliability problems, Creation has a good shot of being at the front - especially at the finish."
Champ Car teams testing at Portland Champ Car teams testing at PortlandAfter the series opening weekend at Long Beach April 8-10, most of the Champ Car teams have already confirmed the short trek north to test in Portland the following week. Seven teams have confirmed testing at Portland International Raceway on Wednesday, April 13th and Thursday, April 14th. Teams include Newman/Hass, Rocketsports, PKV, Mi-Jack Conquest, Forsythe, Walker, and RuSPORT. There is also a possibility that some of the teams from the Trans-Am Series may be there on Tuesday, April 12th.
Dead: Indy 500 1911-1995 Dead: Indy 500 1911-1995Here is yet another article, this one by Ed Hinton of the Orlando Sentinel, lambasting Tony George and the IRL for killing the sport of Indy Car Racing. The ending says it all:
Consider, again, the long hemorrhage of major talent from open-wheel racing into NASCAR. The old CART regime must be blamed for letting Jeff Gordon get away. But Tony Stewart, Ryan Newman, Kasey Kahne and Casey Mears came out of open wheel for the more lucrative work in NASCAR. Kurt Busch got a call from an open-wheel team one day and a NASCAR team the next, and it was no contest, he says.
And there are more former open-wheelers in the NASCAR pipeline, from Boston Reid to potential female standout Erin Crocker to prodigy Chase Austin. For this dubious IRL open-wheel 10-year anniversary, maybe a friend of mine will revive a T-shirt idea he had a few years back, for this May. It would read:
Brian Cunningham Joins Alex Job Racing in 24 Car Brian Cunningham Joins Alex Job Racing in 24 CarBrian Cunningham will join Alex Job Racing as the third driver of the number 24/Alex Job Racing/Bell Micro Products/Porsche 911 GT3 RSR for Sebring and Petit Le Mans. Cunningham joins full-time drivers Randy Pobst and Ian Baas for the endurance portion of the ALMS races rounding out a strong all American entry.
The Danville, Kentucky resident is coming off of a 2004 season where he drove a number of races in a Porsche, BMW and Cobra. Cunningham's racing resume includes multiple wins in both Grand Am and ALMS as well as runner up finishes in both championships. Last season he placed fifth at Sebring with J3 Motorsports in their 911. Also in 2004 he posted victories in the Marcus Motorsports Cobra at Virginia International Raceway and Summit Point.
The 35-year old Cunningham has spent the last 16-months focusing on opening a new Porsche dealership in Lexington, Kentucky. Together with Philadelphia 76ers NBA star Jamal Mashburn, the duo will open Porsche of Lexington in June of this year.
Seeking Jean Todt Seeking Jean TodtPaul Stoddart drove to Melbourne's Crown Casino hotel on Thursday evening, in a desperate bid to resolve the crisis that threatens to sideline his Minardi F1 team. The Australian is seeking Ferrari's signature on a document to allow the Faenza-based team to use last year's Minardi car in the grand prix here.
''No news,'' Paul said after emerging from a failed hunt for Jean Todt.
''He's not in his room, he's not in the hotel. 'I've left messages everywhere, so let's hope my mobile rings a little later. 'I don't want this to spill into tomorrow, but it looks like (it will).''
Stoddart's 'deadline' is 11am on Friday morning; the time of the start of free practice. Another team principal, though, may also be siding with Ferrari -- Red Bull. Christian Horner said 'every team' must abide the rules.
Sherman Gets Back to Road Racing Roots in Mexico Sherman Gets Back to Road Racing Roots in MexicoBrent Sherman spent three years racing on road courses before ever stepping foot in a stock car. In 2001, Sherman competed in six Grand Am road racing events including a series best fourth-place finish at Watkins Glen International. This weekend at the Telcel Motorola 200 in Mexico City, Sherman will revisit his road racing roots. "I'm excited to get back to a road race course. It's been a couple of years since I've raced on one." Sherman said. Sherman is optimistic that the No. 58 Serta Mattress/Hickory Farms Dodge Charger will be setup for what is sure to be a difficult qualifying run with a field of at least 51 competitors. "It'll be just as difficult to get into this race as the last two. There are several talented Mexican drivers as well as Nextel Cup regulars trying to get into this race," Sherman said. "Hopefully my road racing experience will help ensure us a spot in the field." Autodromo Hermanos Rodriguez is a 2.518-mile road course located in Mexico City. Performance Plus
Melbourne, the longest and toughest season is about to start Melbourne, the longest and toughest season is about to startScuderia Ferrari Marlboro will start its defense of the Constructors' and Drivers' titles that have not left Maranello since 1999 and 2000 respectively. These statistics mean that the Italian team must start the 2005 season as favorites. However, in reality it looks like being a tough and much more competitive championship than last year's.
Tough? Certainly, as the calendar features no less than nineteen grands prix, making it the longest season in the history of Formula 1. The races are crammed into a similar time-period to 2004 and that means there are no less than six sets of "back-to-back" events (races just one week apart.) The European summer is going to be particularly intensive: there are five weekends in the month of July and there are grands prix on four of them!
Competitive? Definitely, as the many major car manufacturers involved in the sport are keen to put an end to the Scuderia's winning streak. McLaren-Mercedes underperformed last year and results from winter testing indicate they have made great steps forward. BAR-Honda and Renault can also be expected to improve.
With the new technical and sporting regulations only being ratified quite late in 2004, Scuderia Ferrari Marlboro has decided to start the year using last year's car. This is not quite accurate as the car, now known as the F2004 M (M for modified) has been adapted to comply with the new regulations. The chassis has been fitted with additional side-intrusion panels to meet stricter crash test requirements. As per the rules, the front wing has been raised, the rear wing brought further inboard and the diffuser (the rear part of the floor) has been altered as the FIA intended, with the aim of reducing aerodynamic downforce by around 25%. As expected, much work in the Ferrari wind tunnel has seen this figure reduced.
The incredible reliability of its V10 engine has been a cornerstone of Ferrari's success and this year, the final season of the 3 liter V10 rule, will put an even greater emphasis on reliability. As from 2003, a driver had to use the same engine for one complete race weekend, but this year the engine must remain the same for two grands prix.
Perhaps the biggest rule change of all concerns tires: drivers must now use the same set of tires for both qualifying sessions and the race. In terms of the show, this probably means less pit stops than in the past, even though refueling is still allowed. In practical terms, the rule means Ferrari has spent much of the winter testing in close collaboration with tire partner Bridgestone, to come up with tires that can last over 300 kilometres, rather than around 100, while still giving sufficient grip. A driver who has the skill to look after his tires throughout Sunday afternoon and a chassis that is "kind" to its tires will be very advantageous throughout the season.
As far as the sporting regulations for 2005 are concerned, the biggest change concerns the qualifying format. First qualifying takes place as usual on Saturday afternoon, but now, second qualifying takes place on race morning and grid positions are decided by aggregating a driver's time from both sessions.
Scuderia Ferrari Marlboro plays the consistency card as far as its driver line-up is concerned, with Michael Schumacher and Rubens Barrichello embarking on the sixth year of their partnership, Melbourne sees several drivers having switched teams, with Minardi and Jordan featuring an all-rookie line-up. In the Jordan camp, Narain Karthikeyan has the honor of being the first ever Indian driver to compete in a grand prix.
Although it is a temporary facility, erected and dismantled each year, the 5.303 km Albert Park circuit provides an interesting challenge as the season curtain-raiser. It has a reputation as something of a car breaker, although engine failures are not that common here, even though they spend around 67% of the lap at full throttle. Actually, on a track where grip is poor, the most common reason for retirement is driver error, which might stem from the fact this is the first race of the year and even the stars of the show might be a bit "rusty" when it comes to racecraft after a four month break!
Although all the teams have tested extensively over the winter, Melbourne will be the first time that they have all run on the same track, at the same time and in the same conditions, so the weekend should provide a pointer as to the pecking order among the teams and drivers for the first part of the season.
ENTRY LIST in 2004 Constructors' championship order
Scuderia Ferrari Marlboro - Michael Schumacher, Rubens Barrichello
BAR-Honda - Jenson Button, Takuma Sato
Renault - Fernando Alonso, Giancarlo Fisichella
BMW-Williams - Mark Webber, Nick Heidfeld
McLaren-Mercedes - Kimi Raikkonen, Juan Pablo Montoya
Sauber - Jacques Villeneuve, Felipe Massa
Red Bull Racing - David Coulthard, Christian Klien
Toyota - Jarno Trulli, Ralf Schumacher
Jordan - Narain Karthikeyan, Tiago Monteiro
Minardi - Christijan Albers, Patrick Friesacher Ferrari
It’s back to work for Ferrari It’s back to work for FerrariIt was business as usual for the two Scuderia Ferrari Marlboro drivers here in Melbourne, as both Michael Schumacher and Rubens Barrichello faced the media, the German in the official FIA press conference and the Brazilian at the back of the team garage in the Albert Park paddock. Both men had spent the morning taking part in a very different sport when they tried their hand at beach volleyball, playing with members of the Australian women’s Olympic squad in an event organized by team sponsor, Vodafone.
Schumacher was reminded that as Melbourne celebrates its tenth grand prix this year and that first race also marked Michael’s debut for Ferrari. “I remember it well,” he said. “And things have certainly got better and better since then. I really do like this race, because after a winter testing in the cold in Europe, it is always good to leave that behind and come here.” (From the photo during yesterday's festivities, it appears Michael Schumacher indeed does like Oz)
Onto more technical matters and Schumacher admitted that it might be a disadvantage starting the season with the modified version of last year’s car. “We are not on the same level as we were here last year, when we had the new car, which was a very fast toy. But I am sure that many people would be happy to be racing our old car. But we have had an intensive test program this winter and I am quite happy with what we have achieved.”
So how competitive did he think the Scuderia would be in Melbourne? “Reasonably competitive,” he suggested. “But it is difficult to predict as all our testing has been done in much colder conditions than here, although Melbourne has usually been good for us.”
As for the effect of the new technical regulations, Schumacher feels that the engineers have produced a car that has overcome much of the effects of the loss of downforce created by the new rules. “When I first drove the car in 2005 configuration, I felt it was going to be very exciting to drive, with a lot more sliding. But, by the end of testing, I now feel we are pretty much back where we were. The car’s handling is not so extreme and we have found a lot of performance.”
The fact that Bridgestone now only supply two other teams alongside Ferrari was the subject of another question – had this situation created more work for the Italian-Japanese partnership. “We have definitely had to do a lot more work,” agreed Schumacher. “But perhaps having one big company behind one big team is enough to make up for that disadvantage. It certainly seems to have worked well up until now!”
It seems some of the F1 media are not yet in full work mode as the first question for Barrichello was not about the sport but about the famous Carnival in Rio. “I have not been since 1995, because I am always testing,” answered the surprised Brazilian. “But I have very strong memories of it as a child, when it always involved a long journey with my family at Easter.” And what does F1 have in common with Carnival? “Just the colors,” laughed Rubens.
As for this weekend, Rubens is delighted to be racing again. “I could not wait to get here,” he said. “I came to Australia immediately after the presentation of the new car (in Maranello on 25 February.) I like this race very much, as there is a nice relaxed atmosphere, rather like Canada. And, because it’s the first race, there is a special excitement in the air.” Barrichello does not feel that racing here with the F2004 M will be a disadvantage. “When we came here with the new car last year, we had not done much running in testing, but this time I feel we are well prepared. Then, after the Malaysian race, I will try the new car for the first time, but it is too early to say when we will race it.”
Barrichello is looking forward to tackling the new sporting regulations this weekend. “I like a new challenge,” he commented. “With no tire changes allowed, qualifying will actually be less important than in the past, except at circuits like Monaco and Budapest where overtaking is very difficult. It will be strange adapting to racing on one set of tires,” he continued. “We are used to going flat out for 20 laps before putting on new tires. The first few races will be interesting as there will always be a point in the race where we have to decide whether to push hard or to save the tires. Personally, I have always been the best when you look at the data concerning driver tire wear, so the new rule should be good for me. But it will seem strange coming into the pits to refuel and then see the lap times get slower, as you have a heavy fuel load on old tires.” Ferrari
150,000 fans enjoy Melbourne street parade 150,000 fans enjoy Melbourne street paradeUPDATE Here are a few photos from the parade:
03/02/05 Melbourne embraced the spirit of Formula One today with an estimated crowd of 150,000 fans on hand to see the city’s first-ever F1 Street Parade. Three Formula One cars and two of Australia’s own V8 Supercars did ‘laps’ of a specially prepared temporary track around some of the city’s most famous landmarks.
Local hero Mark Webber toured the ‘circuit’ in an open-topped BMW and waved to the huge crowd, many of whom will be at the real circuit at Albert Park to cheer him on this weekend. “It was fantastic to see everyone out there enjoying Formula One so close up, really smelling it and feeling it,” said the 28-year-old Australian. “The drivers looked like they had a ball. It was great to get close to everyone and really feel the spirit – that’s what it was all about.”
Also doing laps up Swanston Street, along Collins, down Russell, back along Flinders and down to the Arts Centre were Minardi boss Paul Stoddart in one of his own F1 cars and his new driver, Dutchman Christijan Albers.
“I think everyone is going to have fantastic memories of a spectacular event,” said Stoddart. “I was so impressed by the crowd: they were very supportive, and they should be very proud of this city. Melbourne is without a doubt the best Grand Prix in the world.”
Melbourne’s Lord Mayor John So was quick to agree. “The parade took all the excitement of the Grand Prix track right to the people,” said Mayor So. “It was a fantastic start to the tenth anniversary of the Grand Prix in Melbourne.”
In a tribute to his home town, Stoddart’s Minardi was decorated in Melbourne logos, with vision from the parade sent around the world.
While Webber took the slow way round, his teammate, Williams test driver Antonio Pizzonia, drove a BMW Williams F1 car through the Melbourne ‘circuit’. “My job here is to have fun!” said Pizzonia. “It was nice seeing the nature and Melbourne’s buildings while driving – it was quite special.” AGPC
Kimi to have his own team Kimi to have his own teamWest McLaren Mercedes driver, Kimi Raikkonen, is to set up his own Formula 3 team, in conjunction with his manager, Steve Robertson, himself a former F3 racer. Kimi himself never raced in Formula 3, making the unprecedented leap to Formula 1 direct from Formula Renault.
Ranger to test with Mi-Jack Conquest Ranger to test with Mi-Jack ConquestCanadian youngster Andrew Ranger will test two days next week in Fontana for the Mi-Jack Conquest team. To date Ranger has raised about 50% of the money needed for a full season and because most Champ Car teams are incapable of raising the other 50% on their own, Ranger remains without a full-time ride. Walker Racing or Mi-Jack Conquest might run him, but they prefer a driver they can keep in the car the entire season. We suppose Eric Jensen's team is also a possibility given Eric has stated his new Champ Car team will only run a limited season starting with the Toronto race.
Spectators already lining up for Sebring Spectators already lining up for SebringRace fans are already lining-up in anticipation of the 53rd running of the Mobil 1 Twelve Hours of Sebring, March 19th at historic Sebring International Raceway.
Gates open at 7 am on Wednesday, March 16, but spectators and their motorhomes started arriving this week, a Sebring tradition that dates back several decades.
“All reserved trackside parking has sold out, with the exception of the new Ulmann Straight parking/camping area,” stated Sebring President and GM Tres Stephenson. “However, Sebring International Raceway features over 400 acres of unreserved spectator parking and camping. There are plenty of different ticket options still available.”
Sebring’s popular Superticket is available as a four-day or Saturday only ticket, and allows complete access to the Competitor’s Paddock, where all the race teams are located.
“When the gates open Wednesday morning, March 16th, it will look like the Oklahoma land rush,” stated Stephenson. “A large portion of Sebring’s trackside is available on a first-come, first-serve basis, so fans start arriving over two weeks in advance to get their place in line.”
The Mobil 1 Twelve Hours of Sebring features the world’s finest sports car teams battling on the grueling 3.7-mile Sebring circuit that was originally a WWII B-17 training base known as Hendricks Field. Past winners include Mario Andretti, A.J. Foyt, Phil Hill, Dan Gurney, Al Holbert, Juan Manuel Fangio, Bobby Rahal, Bruce McLaren and Stirling Moss. Sebring International Raceway
Legendary Manufacturer Maserati Returns to Sebring Legendary Manufacturer Maserati Returns to SebringForty-eight years ago, the legendary Juan Manuel Fangio co-drove a Maserati 450S to victory at Sebring.
The famous Italian manufacturer returns to Sebring next month to enter the 53rd running of the Mobil 1 Twelve Hours of Sebring. The exotic Maserati MC12, making its North American competition debut, joins a stellar Sebring entry in the American Le Mans Series (ALMS) GT1 class, including the Chevrolet Corvette factory team debuting its C6R, the new Aston Martin DB9, Ferrari 550 Maranello, Saleen S7R and Dodge Viper.
America's premier sports car endurance race runs Saturday, March 19th, at historic Sebring International Raceway.
"This year's GT1 entry represents one of the most competitive lineups in the five decade history of our race," stated Sebring Raceway President and GM Tres Stephenson. "This will bring back memories of the legendary battles between Ferrari, Cobras and Corvette in the GT classes during the 60s."
Gates open at Sebring on Wednesday, March 16, and remain open 24 hours a day through Saturday. The opening round of the ALMS features many of the cars and drivers competing in the prestigious 24 Hours of Le Mans in June.
Maserati's impressive racing pedigree has produced many wins in international competition, and it is the only foreign manufacturer to record wins in both the Indianapolis 500 and the Sebring 12-hour classic.
The production based GT1 cars will be joined by a strong field of Le Mans Prototypes, including the Audi R8, going for its sixth consecutive Sebring victory.
Sebring International Raceway offers a wide variety of camping and viewing options. For detailed ticket information visit sebringraceway.com or call toll-free 800-626-7223. Sebring International Raceway
Schumacher confirms McLaren talks Schumacher confirms McLaren talksMichael Schumacher confirmed Thursday that he has had several approaches from Formula One rivals McLaren to quit world champions Ferrari. "Indeed, yes, there was an approach from Ron (Dennis), obviously it didn't work out because I'm pretty happy where I have been," said Schumacher, "We have had loads of discussions over the years, we've thrown them around and every so often he comes around and checks up and so it was in 2000, and it wasn't only in 2000." Asked if Dennis had talked to him since then about leaving Ferrari, the sport's highest-paid driver said: "Yes... I don't think it's fair to get into that detail, but he did and I think that's enough detail."
Petrobras extends Williams deal Petrobras extends Williams dealThe BMW WilliamsF1 Team today confirmed that long term technical partner, Petrobras, has extended and broadened its commercial partnership with the team into the medium term.
Petrobras, the Brazilian petroleum company, has been providing advanced fuel engineering competence to the team since 1998, and under the terms of this extended relationship, will continue to provide a leading edge technical partnership to the team.
The extended relationship is symbolized by the increased branding on the team race cars, but also less visibly by the introduction of a completely new race fuel for the 2005 season.
In light of the new engine regulations, which require the team’s BMW powerplants to compete for two race weekends, Petrobras have developed a new race fuel which helps to extend the life of critical engine components while retaining a strong performance characteristic.
Petrobras’ world-class competence in this field is derived from extensive investment in analysis, research and development and testing of fuel blends with product s from its facilities in Brazil and other countries in South America.
Sam Michael, Technical Director “Petrobras have been a long-standing technical partner of the team that lend us real competitive advantage, and never more so with the recent rule changes to engines. The new race fuel we will be using in 2005 has helped us retrieve some of the engine performance that would otherwise have been lost to the rule changes."
Rogerio Goncalves, Petrobras the technical coordinator “We are delighted to extend our relationship with our long term partners, not just to promote the Petrobras name internationally, but also to present the most demanding competition criteria – such as the new rules this year, and the prospective introduction of biofuels – to ensure we stay at the forefront of fuel technology." Williams
Minardi launch in Oz Minardi launch in OzMelbourne's Paul Stoddart underlined his easy rapport with his home-town fans as he and his new-look Minardi driver line-up went to the 'F1 Experience' in the heart of the General Admission area to unveil the team's car for the start of the 2005 season.
Stoddart set aside the political wrangling over his cars' legality under the new rules as Austria's Patrick Friesacher, Dutchman Christijan Albers and Chanoch Nissany, the first Israeli to make it to the heights of F1, helped their boss unveil the black racer.
"Today is not about politics," said Stoddart. "We're in a fantastic city - and this is without a doubt the best Grand Prix in the world."
While Melbourne celebrates 10 years, Minardi is also having a birthday - it's 20 years since Gian Carlo Minardi brought the team into Formula One.
Thursday attendance record in Oz Thursday attendance record in OzThe first People's Day at the Australian GP was a stunning success as 77,400 fans took advantage of free entry to the General Admission areas at the Albert Park circuit.
Premier Steve Bracks was on hand to mark the occasion as the Minardi F1 team launched their 2005 car at the centre-piece of the off-track events in the Grand Prix precinct.
"What a great way to celebrate Melbourne's 10th anniversary as a Grand Prix city, by opening up the Grand Prix to as many people as possible," said the Premier.
With autograph-signing sessions led by Australia's own Mark Webber, Ferrari star Rubens Barrichello and British heart-throb Jenson Button of BAR, fans reveled in the festive atmosphere as warm sunshine bathed the Melbourne circuit.
Minister for Tourism and Major Events Mr John Pandazapoulos joined the Premier and Australian Grand Prix Chairman Ron Walker as they cut the ceremonial ribbon round the Minardi car.
The Ethanol myth The Ethanol mythRegarding the IRL's pending announcement on a switch from methanol to ethanol, let me expose this farce for what it really is. Ethanol is a joke. It is a fraud perpetrated on the public by corporate fat daddies and politicians getting rich(-er) off of taxpayer money.
I have yet to talk to a chemical engineer that has told me otherwise. I also have two chemical engineers in the agriculture field in my family, both working for companies that are owned by cooperatives of Midwestern farmers, that tell me they would love for it to be different, but ethanol is nothing more than pork-barrel politics and corporate profits. Their jobs are effected by ethanol to some degree, so they would surely be ones to sing its praises...one would think.
Here is just one excerpt among many that can be found on the web:
"...The capper, though, is the claim that it takes more energy to make a gallon of ethanol than you get by burning it. One of the most vocal proponents of this view is Cornell University ecology professor David Pimentel. In an analysis published in 2001 in the peer-reviewed Encyclopedia of Physical Sciences and Technology, Pimentel argued that when you add up all the energy costs--the fuel for farm tractors, the natural gas used to distill corn sugars into alcohol, and so on--making a gallon of ethanol takes 70 percent more energy than the finished product contains. And because that production energy comes mostly from fossil fuels, gasohol isn't just wasting money but hastening the depletion of nonrenewable resources..."
I am sure that the IRL is adopting Ethanol because the Ethanol corporate interests are paying them to do it. Also, the ethanol lobby has extensive political connections that I am sure the IRL is interested in accessing.
It is fitting though that the IRL, who has supposedly "won" the open wheel racing war, even though their average attendance is less than little league baseball, you can get great seats on the day of the Indy 500 (as you are walking into the speedway) for less than face value, and television viewership registers below many infomercials. The entire series is lacking in credibility and has turned tail on every principle and statement they have made in the history of the series. So it is fitting that they get in bed with an industry that also has created an artificial market for their product that produces no benefit to the public except wasting their tax dollars through billions of dollars in government subsidies, which go directly to the corporation that primarily controls ethanol production and distribution (can you say Monopoly?). Without government subsidies, these companies would be out of business. Since when are tax dollars supposed to line the pockets of corporate executives?
And to top it all off, Ethanol actually pollutes more than the gasoline we already burn. It encourages over farming of corn, which is already heavily subsidized, only to subsidize the conversion of biomass into alcohol fuels. We would be better off making whiskey I say. There are no advantages to ethanol, and it is heavily documented in the scientific community. Scott Morrison, Orlando, FL
TSN extend F1 broadcast deal TSN extend F1 broadcast dealTSN has reached a new five-year deal with Formula One, effective February 2005 through the 2009 season. TSN will televise all races on the F1 circuit annually, including pre-races and qualifying.
Under terms of the new agreement, TSN will continue to be the official F1 broadcaster for English Canada. TSN has been televising Formula One since 1989. The previous broadcast deal was for three years.
RDS, Canada's top-rated French-language sports network, has also extended its commitment to F1 coverage through 2009. RDS will televise all F1 circuit races annually, including pre-race and qualifying coverage.
TSN will televise all 19 races on the F1 schedule this season, including the Canadian Grand Prix from Montreal's Circuit Gilles Villeneuve and a new race from Istanbul, Turkey.
The 2005 season gets underway this weekend with the Australian Grand Prix - qualifying on Friday, March 4 at 12 midnight ET, followed by the pre-race and race on Saturday, March 5 at 9 p.m. ET.
This season, TSN will once again use the World Feed and augment the feed with ITV commentators. On Saturdays, TSN will televise F-1 qualifying, with Vic Rauter in-studio and Gerald Donaldson on site at the races. On Sundays, Rauter will anchor the F1 pre-race, which will include key highlights from the second qualifying earlier in the day. TSN
Melbourne: Thursday Press Conference Melbourne: Thursday Press ConferenceParticipating in Thursday press conference in Melbourne, Australia today were: Jenson Button (BAR), Narain Karthikeyan (Jordan), Juan Pablo Montoya (McLaren), Michael Schumacher (Ferrari) and Mark Webber (Williams). Transcript
Minardi pass scrutineering Minardi pass scrutineeringMinardi's 'illegal' 2004 car today passed official FIA scrutineering at Albert Park. ''The car complies,'' said Paul Stoddart, who now needs to present an application for dispensation bearing the signature of every other F1 principal.
Only Ferrari's Jean Todt hasn't signed, but - despite the earlier, adverse, phone call - Stoddart vowed to visit the Frenchman's Melbourne hotel later tonight.
He hinted that the backlash by Australian fans, should Ferrari block Minardi's ability to race at home, would likely be unprecedented -- including the burning of team memorabilia.
Webber bites Button
Bernie to Minardi rescue
F2005 still in action
Red Bull bring 'new ideas'
Why Flavio dumped Fisico
Parade 'fantastic' - Webber
Webber wins Schu support
'I can win' - Montoya
Praise from an old F1 enemy
Schu's stingy
Friday should be 'open' test
'Frank said I'm fat' - JPM
Ron had word with wild Kimi
Watch Red Bull - Schumacher
'All we can do is finish'
No boycott at Oz GP
Webber glory may be Nicked
Minardi 'launch' F1 car
Plenty of power, say Red Bull
Williams retain Petrobras
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Tomorrow The World
Bunny Brown
"Can't you see we're meant to be like the ghosts in the radio?"
Born and raised in St. Catharines, Canada, Bunny warmed up for life ahead by singing her lungs out on the swing set in the backyard of her family home. As a teenager, Bunny left for Ottawa to play keyboards in a band around the capital city and Montreal area before returning to Niagara, where she met Michael D'Amico and became one half of their duo, Happy As Hell. Among fans were Bootsy Collins, Chrissie Hynde and the late great Sun Ra, who chose HAH as a best unsigned band for Musician Magazine in the USA.
Settling in Toronto, Bunny made her solo debut in 2004 with Tomorrow The World, a collection of songs that illustrate her surrealist-noir style -- combining a richness of melodies and a depth of lyrics with a sumptuous voice -- that has been described as "disconcerting dreampop".
Her follow-up release, Bunny Brown In Flames, is a selection of personal, passionate and playful songs featuring inspired performances by guest musicians including Jason Staczek, Seattle area based composer for Guy Maddin films Keyhole, My Winnipeg, Brand Upon The Brain! and more, as well as players Al Cross, Victor Bateman, Rachel Deck, Ben Bowen, and Michael D'Amico, who also co-produced the album with Bunny, along with Jason Staczek on one of the tracks, A Quiet Demon.
She has collaborated with many other artists along the way, and appears in Alan Zweig's critically acclaimed feature documentary film I, Curmudgeon. Bunny occasionally gives interviews and performances on TV and radio, as well as playing the odd live show around southern Ontario, where she enjoys clobbering a bunch of unsuspecting tunes with a ukulele while simultaneously murdering a mint julep.
© BunnyBrown.com 2004 - 2019
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