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Gear: Ammo
Excellent For Elk
Layne Simpson - January 04, 2011
There's a lot more to hunting elk than simply hearing its bugle ring through the mountains. You have to put a lot of thought into selecting the appropriate cartridge and bullet as well as the rifle and scope. Here are an expert elk hunter's musings.
By Layne Simpson
Layne took his best elk to date with a Browning A-Bolt Mountain Ti in .300 WSM.
Nature holds many wonderful sounds for those who will take the time to listen, and I am one of those lucky people who has, down through the decades, paused long enough to enjoy more than my share of them. Some I continue to hear quite often, others I long to hear just once more.
How can I ever forget the croaks made by those big, fat bullfrogs as I, with flashlight and .22 rifle in youthful hand, enthusiastically stalked along the shores of a small pond out behind our farm house? Then many other dark nights later, the roars of lions made me snuggle even more deeply into my sleeping bag on the Zambezie River. Never will I forget the first time my ears enjoyed the honking made by a gaggle of Canadian geese as they flew over a cold winter morning or the plaintive call of a whippoorwill outside the window of a hunting cabin my father and I had just finished building of rough lumber hauled from a South Carolina sawmill.
Even today I can close my eyes and hear the first loon I heard on a backwoods lake in Maine, and I can also hear two Alaska-Yukon moose shatter the stillness as they, time and again, collide mighty antler against mighty antler. Have you ever heard the rifle-shot crack made by a couple of bighorn rams as they meet head on at full throttle? I have, and it is an unforgettable sound.
The "Bob-White" of a quail, the "cooooo" of a mourning dove, coyotes howling on a fine Texas morning, hippos honking the night away, the gobble of a boss gobbler on a fine Alabama morning, the mating roar of a red stag on the North Island of New Zealand, the song made by chicadas as they awake from their seven-year sleep — you can add those to my preferred music list as well. All are sounds of nature that I dearly love, and while I would have great difficulty picking a favorite, the bugle of the Rocky Mountain elk on a cold, frosty morning painted brilliantly by the turning leaves of quaking aspen would be a strong contender.
But there is a lot more to hunting a bull elk than hearing its wonderful bugle ring through the mountains. There is also the country he lives in. I've been in some parts of the world often enough to last me for a lifetime, but I will never get enough of being in elk country. Nor will I ever get my fill of hunting them, and I have been at it for a very long time.
I took my first elk with a Remington Model 700 in 7mm Remington Magnum not long after the rifle and cartridge were introduced in 1962. Forty-three years later I bumped off the best bull I have taken — possibly the best I will ever take — in New Mexico with a Browning A-Bolt Mountain Ti in .300 WSM. During that same year I took another bull in Colorado with a prototype Sako rifle in .338 Federal several months before that cartridge was introduced. My second-best bull came from Utah, and I took it with a rifle in .270 Winchester. A New Mexico bull I bumped off with a new Remington Model 700 XHR in .30-06 during the 2008 season was my 35th elk, and hopefully it will not be my last.
Layne's longest shot on an elk was made with a Weatherby Mark V in .340 Magnum, and his closest shot was with a Winchester Model 71 in .348 Winchester. Both were one-shot kills.
I have taken about 60 percent of my elk while hunting on my own, and the rest were taken while hunting with various professional outfitters. My longest shot to date is 420 yards with the .340 Weatherby Magnum, and my closest is 15 yards with a Winchester Model 71 lever gun in .348 Winchester. Both were one-shot kills. I have taken more elk with the 7mm Remington Magnum and .30-06 than any other cartridges, but through the years I have made it a point to use as many different rifles and cartridges as possible. Others I have used include .308 Winchester, 7mm STW, 6.5 STW, .280 Remington, .340 Weatherby Magnum, .300 Weatherby Magnum, .300 Winchester Magnum, .300 H&H Magnum, 7mm-08 Remington, .358 Winchester, .358 STA, .350 Remington Magnum, 9.3x62mm Mauser, and .45-70 Government.
Among the elk I have taken, I will never forget the one I put the brakes on with the .338 Winchester Magnum. Another hunter higher up on the mountain spooked the animal toward me, and as it passed through an opening in the timber at about 40 yards, I swung the Model 70 like a quail gun and squeezed its trigger just as the intersection of the crosshairs of my scope caught up with the front of the elk's shoulder. The bull was running full-throttle downhill, and when my 250-grain bullet passed through both of its shoulders, it immediately hit the ground hard and did a complete tail-over-antlers somersault before piling up in a cloud of dust. I do believe that elk was dead before its nose touched the ground.
Knock wood, but I have yet to lose a single elk that I have shot, and only one was not recovered soon after I shot it. There was only about an hour of daylight left in the days when I shot the bull with the .270 Winchester loaded with bullets that were too soft for use on anything bigger than deer. Fortunately, it was an extremely cold night, and when I found the bull early the next morning, its meat had not spoiled.
Magnums Are Great, But They Aren't Necessary
Magnum cartridges most definitely have their advantages, but when all is said and done, the .30-06 is the best elk cartridge for many hunters due to its relatively mild recoil. It also packs enough punch for the job at hand, and you would hear no complaint from me if I could use no other cartridge for any elk hunting I will do in the future.
When loaded with the right bullet, magnum cartridges of .30, .33, and .35 calibers are more effective on elk but only when used by those who can handle their recoil well enough to accurately place a bullet into a vital area. An elk shot in the guts with the .338 Win. Mag. is likely to put miles of tracks between it and the hunter before expiring, whereas one shot through a vital area with the .30-06 will usually go down close to the spot where it was shot.
The Right Bullet Is Critical
A well-placed, heavy-for-caliber bullet designed for the job driven through the shoulders of an elk will drop the animal more quickly than a shot to its lungs, and that's what I have long preferred. The ideal design is one that's soft enough to expand on a shot at long range but tough enough to hold toget
her and blast through heavy bone at any range. I have taken more elk with the Nosler Partition than any other bullet simply because for many years it handled both chores better than anything else we had, but it now has some competition. I continue to use the Partition, but today I am just as likely to head to the woods with the Swift A-Frame. It will do anything the Partition will do, plus it retains more weight during expansion. I have very little experience with the Speer Bear Claw, but my guess is it would perform about the same as the Nosler Partition. The Barnes X-Bullet is also a good one, but due to its extreme toughness, I consider it a better choice for magnum cartridges and their higher velocities than for the standards. Bullets such as the Swift Scirocco, Remington Ultra Core-Lokt, Hornady InterBond, and Nosler AccuBond work great on a lung shot, but I consider them to be a bit soft for a shot to the shoulder.
Layne says a good rifle in .30-06, such as this Sako Model 75, is the ideal elk rifle for many hunters, and it's one of the author's favorites.
A Lightweight Rifle Can Be The Right Choice
Not a single elk hunt I have been on through the years could be considered easy, but some were more difficult than others. Regardless of whether you hunt from horseback, as I have done on a number of occasions, or on foot, as I have done more often, a relatively lightweight rifle is not a bad idea. One of the first rifles I used, a Winchester Model 70 in .300 H&H with a 26-inch barrel, tipped the scale at close to 10 pounds with scope, sling, and a magazine full of cartridges. I was too young and eager to notice the extra baggage, but now that I am older and wiser, I have become fond of elk rifles that hang lighter from the shoulder.
In my battery is a trio of custom rifles in .257 STW, 6.5 STW, and 7mm STW built by Lex Webernick of Rifles Inc. on Remington Model 700 actions. Depending on the scope they might be wearing, each weighs around 6 pounds. I have yet to take an elk with the .257, but the 6.5mm and 7mm rifles have been blooded in the field on more than one occasion.
Another of my favorite elk rifles is a Browning A-Bolt Mountain Ti in .300 WSM; it weighs exactly 7.5 pounds with a lightweight nylon carrying sling, three cartridges, and a Zeiss 3-9X Diavari C in a Talley two-piece aluminum mount. I have never hunted with a Remington Model 700 Alaskan Ti, but my guess is it would weigh about the same when fully equipped.
The ideal weight for an elk rifle also depends on a number of other things, including the cartridge it is chambered for and how well its owner can handle recoil. I have no problem shooting a rifle weighing less than 8 pounds and chambered for a standard cartridge of any caliber, including .338-06, .35 Whelen, and 9.3x62mm Mauser. The same goes for the various magnum cartridges up to .30 caliber. In fact, my favorite rifle in .300 RUM weighs exactly 8 pounds on the button, and never have I noticed its recoil in the field. But anything bigger calls for a few more ounces of recoil-absorbing weight. My rifles in .338 Win. Mag. and .340 Wby. Mag. weigh half a pound more, and that's about right for me.
Too Much Scope Can Spoil The Hunt
Then there is the matter of telescopic sights. The trend among some hunters nowadays is to use a scope so large the rifle appears to be attached to it rather than the other way around. Doing so is fine for some hunting applications; however, it is not only totally unnecessary on an elk rifle, but it's too heavy as well. And just try carrying such a rig in a scabbard when hunting from horseback.
For many years I made it a point to equip any rifle I used for elk hunting with a Leupold Vari-X II in 2-7X, and I still consider it to be one of the very best choices available. In addition to having excellent optical quality, it is lightweight, compact, rugged, and sheds bad weather like a mallard drake. But there are other good scopes, and any good variable from Leupold, Zeiss, Swarovski, Nikon, Burris, Bushnell, Schmidt & Bender, Kahles, and others with a maximum magnification range in the neighborhood of 6X to 9X is not a bad choice.
As for weight, any scope heavier than 18 ounces is a bit much for a mountain rifle, and 12 ounces is none too light. More important than anything else, a scope can take a severe beating on an elk hunt, so it must be durable and weatherproof.
If you already have a few elk hunts under your belt, I am sure you love the sport as much as I do. If you have never been on an elk hunt, you owe it to yourself to go, but watch out because once you do it, you'll be hooked for life.
Accurize It
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Wireless Payment Innovator Commerciant® Partners with Wavecom
Commerciant®'s exciting new wireless, handheld payment-processing solutions to feature Wavecom modules
Houston, TX (U.S.) and Issy-les-Moulineaux (France) -September 30, 2005
Commerciant® payment systems specialists and Wavecom (Nasdaq: WVCM), a leader in pre-packaged wireless communications solutions, today announced that Commerciant's newest line of innovative wireless payment terminals will features state-of-the-art modules supplied by Wavecom.
Ideal for a variety of vertical markets such as restaurants, airlines and mobile workers, MobileScape® is lightweight, rugged and exceptionally easy to use for the instantaneous processing of electronic payments such as credit and debit cards from almost anywhere in the United States. While the units can be customized to run a broad range of applications, they can also be instantly deployed right out of the box. In addition to processing payments, MobileScape® can process tips and capture signatures on the terminal's touch screen, and immediately provide a printed receipt of the transaction. Transactions are transmitted in real-time across Sprint's CDMA cellular network, and reports are immediately available to merchants through the secure MobileScape? Manager website.
"Commerciant®'s raison d'être is to create compelling value for the mobile merchant through the innovative use of technology. " said Manish Desai, Commerciant®'s founder and Chief Technology Officer. "We feel that partnering with Wavecom aligns Commerciant with a like-minded organization, one that has demonstrated a track record of commitment to innovation in the wireless industry."
Pierre Piver, President of Wavecom, Inc. added "The wireless payment industry is poised for significant growth in the U.S. and needs a complete solutions like Commerciant®'s. Merchants everywhere can appreciate the value that Commerciant consistently delivers through its low cost, innovative and easy-to-use platform, and we're delighted that they have chosen to work with Wavecom. The technological open platform and unique features supported by Wavecom, both for CDMA and GSM/GPRS are offering Commerciant the appropriate solution for further developments."
About Commerciant®
Commerciant® is a technology leader in the wireless payments and mobile business process service industry. Commerciant® provides authorization, settlement, wireless access, and its low cost, hand held MobileScape® terminal capable of performing remote credit card processing under a single contract. Powered by POSware®, the MobileScape® terminal delivers highly customizable mobile business process services.
www.commerciant.com
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Sorainen
Compass Group acquires Fazer Food Services
Deals & Cases / 26 June 2019
We advised Compass Group, a UK-based global food service company, in signing an agreement with Fazer Group to acquire Fazer Food Services (including a group company in Estonia), a premier food service provider in the Nordics.
Compass Group is a leading global food service company. The Company operates in around 45 countries, employs 600,000 people and is listed on the London Stock Exchange, including the FTSE 100, being one of the 100 companies with the highest market capitalisation. The Company specialises in providing food and a range of support services across the core sectors of Business & Industry, Healthcare & Seniors, Education, Sports & Leisure and Defence, Offshore & Remote, with an established brand portfolio.
Attractive acquisition
Fazer Food Services is a highly attractive acquisition for Compass Group, which already has a presence in the region. Fazer Food Services’ clear focus on food and culinary innovation will further strengthen Compass Group’s existing offer, and will enable Compass to create more compelling and innovative solutions for its clients and consumers.
Dominic Blakemore, CEO of Compass Group, said: “Fazer Food Services is a highly regarded food service business in the Nordic region, and like Compass, is focused on high-quality food, culinary innovation, sustainability and great customer service. I am excited that, together with our existing colleagues in the region, we will be able to further enhance our customer proposition in the Nordic market.”
Enterprise value of the acquisition is approx EUR 475 million.
Project scope and our team
We assisted the client in conducting legal due diligence of the Estonian group company and drafting transaction documents. After EU Commission competition approval, we will be providing assistance in closing the transaction. Our project team consisted of partner Piret Jesse with senior associate Juulika Aavik and associate Lisette Suik.
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Startup Wise Guys invests in Lithuanian startup GoRamp
Deals & Cases / 21 January 2020
Rocket Software opening development centre in Vilnius
Bolt enters €50 million funding partnership with EU Investment Bank
Belarusian company Data Delivery LLC grants options to employees
© Sorainen All rights reserved
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Slant Magazine
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The pacing is so funereal that it squelches the possibility of heat or conflict arising between the characters.
Chuck Bowen
Photo: Music Box Films
The black-and-white cinematography of François Ozon’s Frantz is gorgeous yet oddly un-evocative, abounding in compositions that are clean, pristine, and unencumbered by the spontaneous emotional textures that draw many of us to cinema. Shadows loom over the nooks and crannies of the images with a carefulness that dispels true tension; certain flourishes are neat rather than poetic. When Anna (Paula Beer) wanders a graveyard to visit her dead fiancé, Frantz (played in flashbacks by Anton von Lucke), we’re aware of the pearly white glistening of the crosses sticking out of the ground of the surrounding graves, and the painterly arrangement of the various elements of the frame, but the scene is flat, both dramatically and visually, and so is the entire film.
The actors competently deliver their lines and hit their marks, but there’s no sense in this narrative of neurosis being tapped and exorcised. Frantz suggests an animate coffee-table book in its fetishizing of orderly taste. And this is a problem for a post-war melodrama concerned with survivor’s guilt and free-floating cultural resentment and sin, as these subjects demand obsessiveness on the part of the filmmakers and cast—a willingness to take emotional and tonal risks, to tunnel deep into the characters’ afflictions.
Frantz is predominantly set in Quedlinburg, Germany in 1919, not long after the end of the First World War, in which Frantz served as a German soldier and lost his life. Anna lives in a perpetual state of mourning with Frantz’s parents, Dr. Hoffmeister (Ernst Stötzner) and his wife, Magda (Marie Gruber), routinely visiting Frantz’s grave, which we learn contains no actual body, as the particulars of his death are impossible to sort out among a battlefield riddled with carnage. Anna sees a Frenchman paying his respects to Frantz’s grave, which is notable given the great bitterness and hostility existing between France and Germany after the war. Anna meets this man, who reveals himself to be Adrien (Pierre Niney), who fought in the war for France and claims to have inexplicably forged a friendship with Frantz.
Ozon isn’t a consistent director, but he’s shown in past films a sexual playfulness and empathy, the latter particularly reserved for women with hungers that they can’t quite digest intellectually. In Frantz, Ozon appears to be aiming for a classically existential tone of erotic mourning, in which the demons of the setting figuratively bubble up in the background of the compositions, uncommented on by characters who’re trapped in stifling patterns of etiquette and tradition. The film’s aesthetic occasionally reminds one of The White Ribbon, another slow, self-conscious black-and-white film about buried atrocity. Michael Haneke’s film had a flat, presentational, ineffably modern texture too, but it served a ghoulishly ironic purpose, establishing that what you see is most certainly not what you get.
Frantz, a remake of Ernst Lubitsch’s Broken Lullaby, is basically just another remarkably unsurprising film about a woman not fucking a forbidden man. Ozon’s pacing is so humorless and funereal that it squelches the possibility of heat or conflict arising between Anna and Adrien, who scan as photogenic mannequins for Ozon’s studiously forgettable tableaus. The Hoffmeisters have a few lovely, poignant moments, but they’re relegated to the sidelines as the protagonists sleepwalk toward a safe, inevitable conclusion.
Cast: Paula Beer, Pierre Niney, Anton von Lucke, Ernst Stötzner, Marie Gruber, Johann von Bülow, Cyrielle Clair, Alice de Lencquesaing Director: François Ozon Screenwriter: François Ozon, Philippe Piazzo Distributor: Music Box Films Running Time: 113 min Rating: PG-13 Year: 2016 Buy: Video
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The film is but one deliberately imperfect piece of a vast slipstream.
Photo: Anthology Film Archives
Jonas Mekas establishes the tone of 1961’s Guns of the Trees with a director’s statement, declaring that the “mad heart of the insane world” has prevented him from finishing the film. What follows, Mekas asserts, is “a sketchbook,” a “madhouse sutra,” “a cry.” And such a description aptly articles the film’s melodramatic, self-pitying sense of yearning, which is driven by Mekas’s career-spanning need to contexualize the divide of artifice that separates artist from audience. To Mekas, sketch-like scenes represent a refutation of staid, insidious craftsmanship that can smooth out rougher and more resonant contours.
In the case of the quasi-fictional Guns of the Trees, Mekas follows a handful of young people in New York City as they hang out and grapple with the state of modern existence, decrying America’s involvement in Cuba, the development of the atom bomb, and various other atrocities that underscore the awfulness of the imperial machine. Occasionally, Allen Ginsberg reads his poetry over the soundtrack, his scalding free-associational verse conjuring an anger that the film’s characters can’t quite articulate, while providing Guns of the Trees with another element of the literary. A little of Ginsberg’s poetry goes a long way. What is the “hunger of the cannibal abstract” and why can’t man endure it for long?
Ginsberg’s bebop phrasing complements Mekas’s fragmentary images, which are alternately ludicrous and lovely. In keeping with the sketchbook concept, the film wears its unevenness and looseness as aesthetic badges of honor. A framing device in which two businessmen in white mime makeup wander a cabbage patch in near hysteria, in all likelihood embodying the ageless corruption of man, is self-consciously oblique and edgy, feeling like an earnest film student’s pastiche of 1920s-era avant-garde tropes. Other scenes, however, poignantly detail live in the early ‘60s, such as when a woman sits her husband down in a chair in their loft and cuts his hair, or when a man tries to talk his drinking buddy down from an intoxicated rant. These scenes have the humor and behavioral specificity of John Cassasvetes’s films, evoking the comforting rhythm of the little moments that come to define us.
Guns of the Trees belongs to an easily mocked beatnik era, when people discussed whether to conform or be free while listening to folk music and reading Ginsberg and smoking grass. At times, even Mekas seems to be on the verge of ribbing his subjects’ sincerity. For all their thrashing about, these people seem prosperous and more interested in speaking of revolution than in truly sparking it. Ben (Ben Carruthers) sells life insurance, prompting the film’s funniest line, when a potential client asks, “Don’t you still believe in death?” A young woman named Barbara (Frances Stillman) is gripped by authentic depression though, and her suicide haunts Ben, Gregory (Adolphus Mekas), and Ben’s wife, Argus (Argus Spear Julliard).
If the beatnik navel-gazing dates Guns of the Trees, but Mekas’s docudramatic eye memorably revels in poetic details throughout. His protagonists wander through fields, which suggest the rice fields of Vietnam, and junkyards that testify both to the beauty and the waste of mainstream society. The play of light off the twisted metal of the trashed cars suggests found sculpture, while indirectly conjuring the wreckage wrought by the wars the characters protest. Such images, which include profoundly intimate close-ups of the characters’ faces, also anticipate the rapture offered by future Mekas “sketchbook” films such as Walden.
Mekas would go on to pare away the preachiness of Guns of the Trees from his subsequent work, as he increasingly honed a personal style that would make ecstasy out of the commonplace, utilizing multimedia and a restless syntax to suggest how memory intricately shapes life. Guns of the Trees is but one deliberately imperfect piece of a vast slipstream.
Cast: Adolfas Mekas, Frances Stillman, Ben Carruthers, Argus Spear Juillard, Frank Kuenstler, Louis Brigante Director: Jonas Mekas Screenwriter: Jonas Mekas Running Time: 86 min Rating: NR Year: 1961
Forky rules.
Ed Gonzalez
Photo: Walt Disney Studios
Completist-prone Oscar prognosticators were dealt a merciful hand last week when the Oscar nominations were announced and Frozen II didn’t show up in this category. But the winning hand belongs to Toy Story 4, which likely lost the Golden Globe to Missing Link as a result of a vote split between the two Disney properties. Sentiment to reward the American-based production studio Laika is brewing, and the fitfully droll Missing Link will, like Kubo and the Two Strings before it, probably find favor at the BAFTAs, but Laika’s latest and most expensive production to date dramatically bombed at the box office. And while no one will be weighing between the film and I Lost My Body, a singularly and actively morose and creepy film that won’t appeal to the academy at large, this category’s short history tells us that the Mouse House is only vulnerable to the biggest money makers. Also, Forky rules.
Will Win: Toy Story 4
Could Win: Missing Link
Should Win: I Lost My Body
Pitt winning here will seem like the stars are lining up given what went down when he was first nominated in 1995.
Photo: Columbia Pictures
We didn’t predict Anthony Hopkins to get nominated here, thinking that the Golden Globes’s enthusiasm for The Two Popes was a fluke. We were wrong, and he ended up becoming the elder statesman in an acting lineup that contains, on average, by far the oldest nominees. The person we predicted to get in instead, Marriage Story’s Alan Alda, is a year older than Hopkins, so we certainly weren’t betting the farm on any male ingénues.
On the other hand, it sure feels like spry 56-year-old Brad Pitt, who opened his acceptance speech at last night’s SAG Awards with a joke about having a Tinder profile, had this award in the bag the moment his Marlboro Man-ish handyman hopped atop his buddy’s roof to fix the antenna in Once Upon a Time… in Hollywood, whipping off his shirt to reveal a tawny, fully-abbed torso that scarcely seems to have aged in the nearly 30 years since he seduced the country in Thelma & Louise. He, as Leonardo DiCaprio’s co-lead, has a lot more to do throughout than just doff tees, but the “I’m still here” virility of that moment embodies the entire film’s love letter to old-guard masculinity in Tinseltown.
Not that anyone’s reading too deeply into it, not when there’s good old-fashioned awards numerology to fall back on. Within minutes of the nominations being announced, Oscar Twitter jumped on the fact that the best supporting actor slate this year is composed of acting winners from 1990 (Joe Pesci), 1991 (Anthony Hopkins), 1992 (Al Pacino), and 1993 and 1994 (Tom Hanks). Fewer pointed out that Pitt was also a nominee in 1995 for 12 Monkeys, losing out to the now-canceled Kevin Spacey. Which makes it seem all the more poetically like the stars are lining up when Pitt wins for a film whose finale proposes a rousing bit of alternate, corrective history in which the “good” guys obliterate the “bad” ones.
Will Win: Brad Pitt, Once Upon a Time… in Hollywood
Could Win: Joe Pesci, The Irishman
Should Win: Tom Hanks, A Beautiful Day in the Neighborhood
Every film nominated in this category grapples with the nature of freedom in a world gripped by war and shaped by technology.
Photo: PBS
Few Oscar categories are bigger snub magnets than this one. And while the failure of Apollo 11 to secure a nomination this year was indeed surprising, it was not as telling as the omission of The Biggest Little Farm, a handsomely, if conspicuously, sculpted “pop” documentary that’s very much in the academy’s wheelhouse. It was almost as if the committee responsible for selecting the nominees here was sending a message by embracing, at a time of increased global instability, five documentaries that looked only outward: not at mankind’s possibilities, but at the ways in which we’ve become our own worst enemy.
When discussing the potential winner in this category, Eric and I were pulled in two different directions. “Doc will go American Factory and, by extension, the Obamas, right?” Eric asked. “Honeyland notched an Oscar record by being the first documentary to also be nominated for international feature. That has to mean something?” I asked. Which is to say that he and I, no strangers to this Oscar-predicting process, were sacrificing ourselves to rigamarole, forgetting that, at the end of the day, academy members vote with their hearts above all else.
Every film nominated in this category grapples with the nature of freedom in a world gripped by war and shaped by technology. American Factory specifically takes the closing of a Chinese-owned factory in Ohio as a jumping-off point for a study of the wiles of global capitalism, and it’s every bit as smart as you might expect from a film produced by the Obamas. A more sobering reminder of how the global order of the world has been cataclysmically disrupted in the last four years is another Netflix documentary, The Edge of Democracy, about Brazil’s own national(ist) sickness. It’s a harrowing lament, but it offers the viewer no sense of escape.
Which isn’t to say that the The Cave and especially For Sama, both filmed in Syria and in the midst of war there, are escapist. The two most viscerally powerful documentaries in the category confront us with the chaos of imperial domination. Both films center the female experience of war, but For Sama does so more shrewdly, positing itself not just as a chronicle of war, but an act of remembrance. In a film that doesn’t lack for gut-wrenching images of the dead, one particularly stands out: of a child, after being pulled from his mother’s womb via C section in the wake of a bombing, being brought back to life. Combined with the scenes depicting the citizens of war-torn Aleppo finding humor in the midst of conflict, the film attests not only to the perseverance of the Syrian people, but to the possibility that the country might still be brought back from the edge of oblivion.
Will Win: For Sama
Could Win: The Cave
Should Win: For Sama
There doesn’t seem to be much standing in the way of the triumph of the red, white, and blue neo-Juggalo.
We couldn’t really say it any better than Odie Henderson, who recently scoffed: “Who wins the Costume Design Oscar for Joker? The Goodwill? Who wins the Makeup Oscar for Joker? A blind Mary Kay consultant?” While we think the Academy will stop short of awarding the motley threads of Todd Phillips’s risible throwback machine in the costume category, the fact that they were nominated at all over, say, the imaginatively garish ‘70s finery that Ruth Carter created for Dolemite Is My Name indicates a level of affection for Joker that no one who doesn’t use the word “snowflake” on a daily basis seems prepared for.
While, to us, Joaquin Phoenix’s Joker looks like nothing so much as Marge after sitting still for a makeup gun, as Homer put it best, “Women will like what I tell them to like.” From his lips to the Academy’s ears (and face). And given this category’s expansion didn’t add more multicolored prosthetic creations along the lines of Maleficent: Mistress of Evil, but instead more invisible character augmentation along the lines of Judy and Bombshell, there doesn’t seem to be much standing in the way of the triumph of the red, white, and blue neo-Juggalo.
Will Win: Joker
Could Win: Judy
Should Win: Maleficent: Mistress of Evil
Parasite is a pervasive presence in the news cycle, and at just the right time.
Photo: Neon
Bong Joon-ho’s Parasite is a pervasive presence in the news cycle, and at just the right time. As I write this latest prediction for Slant’s rolling Oscar coverage, the top article on the front page of Rotten Tomatoes is a ranking, by Tomatometer, of the nine films nominated for best picture this year. Number one? Parasite. Immediately next to that article is a callout to readers to vote for their favorite film of 2019 that uses Song Kang-ho’s face from Parasite’s poster as the featured image. Regarding that poster, in simply placing black bars over the actors’ faces, it succinctly, eerily, perfectly underlines the film’s obsession with social strata. And you don’t need to look far beyond the aggregate site to land on some article praising the perfectly lit and designed architectural purgatory that is the film’s main setting.
Perfect. That’s a funny word. There are no objectively measurable criteria for perfection, but given how many times I’ve heard Bong’s film described as being “perfect” since it premiered at the Cannes Film Festival, where it won the Palme d’Or, you’d think that there were. Still, the impulse to use it to describe this particular film, so balanced and attuned to the ties that both bind and separate us, evident in everything from the dimensions of Bong’s aesthetic, to his actors’ faces, to their words, makes a certain kind of sense. Quick, can you name the other four films nominated in this category? How apt if you can’t, as this is a film profoundly obsessed with the subterfuge that can be weaponized during class warfare. Or awards campaigns.
Will Win: Parasite
Could Win: Pain and Glory
Should Win: Parasite
Oscar 2020 Winner Predictions: Original Score
John Williams is in no danger of winning, but a case could be made for any of the other four.
That one of the five films nominated for original score this year is not a best picture nominee nor had any shot at being one almost makes this category an outlier among this year’s Oscar races, which seem otherwise fixated on frontrunners. John Williams already had the record-setting strength of 51 previous nominations leading into this week’s announcement, so his nod for the third Star Wars installment, or sixth, or ninth, or…does The Mandalorian count? Anyway, suffice it to say that the only thing that could’ve been more knee-jerk than to select nominations solely from among this year’s best picture probables would be to rubber stamp Williams uploading yet more variations on intellectual property.
Williams is in no danger of winning, but a case could be made for any of the other four. Alexandre Desplat already has two wins here, both in the last six years, but Little Women is finally picking up momentum at just the right time. His richly romantic cues, which are practically wall to wall throughout the film, come on like a crushed-velvet dust jacket, binding Greta Gerwig’s shifting timeline together in a way that makes just about everyone who isn’t Sasha Stone want to clutch the entire thing to their bosoms.
Arguably, another film that’s still reaching its crest stage is 1917, and unlike Desplat, composer Thomas Newman is still waiting for his first win, and now holding the category’s longest losing streak. It can’t be said that Newman doesn’t pull out all the stops, piecing together a work that feels inspired by both Hans Zimmer’s pulsating Dunkirk score and Samuel Barber’s “Adagio for Strings,” most memorably used in Oliver Stone’s Platoon. And yet, we’re kind of with Bilge Ebiri, who after the nominations were announced, tweeted, “You didn’t give it to DUNKIRK, you’re not allowed to give it to 1917. Sorry, we’re very strict on this matter.”
Not to say that we expect 1917 to roll snake eyes on its 10 nominations. Only that any nominations for the film related to things that Dunkirk already did better two years ago are a tough sell, despite the draw of Newman’s increasingly amplified Oscar backstory. That’s presuming that the narrative doesn’t wind up over-shadowed by the sidebar-friendly cousin’s duel between Thomas and his cousin, Randy Newman, whose jaunty, Terms of Endearment-esque Marriage Story score appears to have as many detractors as it has fans.
Until the nominations were announced, we admit to assuming that Hildur Guðnadóttir’s Golden Globe win for Todd Phillips’s Joker was going to go down the same way as Justin Hurwitz’s did a year ago: with an Oscar snub. We reasoned that Guðnadóttir, who also perked ears up and won an Emmy last year for her work on HBO’s Chernobyl, was still too fresh a talent for the more cliquey AMPAS musicians’ branch. But now that she’s there, Globe in hand and attached to the film that, by the numbers, the academy loved best this year, she offers even conscience-wracked voters the chance to hand a feature-length 4chan fantasy a guilt-free win by also awarding one of the film’s few female nominees.
Will Win: Hildur Guðnadóttir, Joker
Could Win: Thomas Newman, 1917
Should Win: Alexandre Desplat, Little Women
Tags: Academy Awards, Hildur Guðnadóttir, Joker, Thomas Newman, 1917, Alexandre Desplat, Little Women, Randy Newman, Marriage Story, John Williams, Star Wars: The Rise of Skywalker
Review: Dolittle, Like Its Animals, Is Flashy but Dead Behind the Eyes
Dolittle’s inability to completely develop any of its characters reduces the film to all pomp and no circumstance.
Photo: Universal Pictures
Stephen Gaghan’s Dolittle begins with a just-shy-of-saccharine animated sequence that spins the tale of the eponymous character’s (Robert Downey Jr.) adventures with his wife, who one day dies at sea during a solo voyage. It’s something of a more condensed, less moving version of the prologue to Pixar’s Up, underscoring our protagonist’s upcoming fantastical journey on behalf of Queen Victoria (Jessie Buckley) with a tinge of melancholy.
As soon as the film shifts to live action, we immediately sense the loss felt by Dolittle in the overgrown vines and shrubbery that surround the famed doctor and veterinarian’s estate, as well as in his unkempt appearance. But any hopes that the film might follow through on its promise to explore Dolittle’s emotional turmoil are quickly dashed once he begins interacting with the animal friends who keep him company. Their banter is ceaseless and mostly ranges from corny and tiresome to downright baffling, as evidenced by a pun referencing Chris Tucker in Rush Hour that may leave you wondering who the target is for half of the film’s jokes.
The tenderness of Dolittle’s prologue does resurface sporadically across the film, most memorably in a late scene where the good doctor shares the pain of losing a spouse with a fierce dragon that’s also enduring a similar grief. But just as the film seems primed to say something profound about the nature of loss, Dolittle shoves his hand into the dragon’s backside—with her permission of course—in order to extract a bagpipe and an array of armor, leading the fiery beast to unleash a long, loud fart right into the doctor’s face.
That moment is crass, juvenile, and, above all, cheap in its cynical undercutting of one of Dolittle’s rare moments of vulnerability. But it serves as a ripe metaphor for the filmmakers’ incessant need to respond to a show of earnestness with a dollop of inanity, as if believing that their young audience can’t handle anything remotely sincere without a chaser of flatulence.
But worse than the film’s failure to truly probe Dolittle’s emotional landscape is how it surrounds him with a series of uncompelling character types. While the film seems to mostly unfold through the eyes of young Tommy Stubbins (Harry Collett), who becomes Dolittle’s apprentice after witnessing the doctor communicate with animals, he serves little purpose aside from drawing the man out of his shell. And Dolittle’s arch-enemy, Dr. Blair Müdfly (Michael Sheen, chomping on every bit of scenery within reach), has little motivation to justify his ceaseless quest to stop his rival from attaining an elixir that will save Queen Victoria’s life.
Despite repeatedly paying lip service to notions of grief and opening oneself up to the world, Dolittle ultimately plays like little more than an extended showpiece for its special effects. But even the CGI on display here is patchy at best, with the countless animals that parade through the film’s frames taking on a creepy quality as their photorealistic appearance often awkwardly clashes with their cartoonish behavior. The film’s notoriously troubled production, which went so off the rails that Teenage Mutant Ninja Turtles director Jonathan Liebesman was brought on board for reshoots, is evident in its clumsy staging and lifeless interplay between humans and animals, but it’s the film’s inability to completely develop any of its characters that reduces it to all pomp and no circumstance. Like the CGI animals that inhabit much of the film, Dolittle is flashy and colorful on the outside but dead behind the eyes.
Cast: Robert Downey Jr., Antonio Banderas, Michael Sheen, Jim Broadbent, Jessie Buckley, Harry Collett, Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, Octavia Spencer, Tom Holland Director: Stephen Gaghan Screenwriter: Stephen Gaghan, Dan Gregor, Doug Mand Distributor: Universal Pictures Running Time: 106 min Rating: PG Year: 2020 Buy: Soundtrack
Review: Bad Boys for Life Is a Half-Speed Echo of Michael Bay’s Toxic Formula
In the end, the film’s perpetuation of the franchise’s endorsement of police brutality comes back to bite it.
Jake Cole
From its parodically overused low-angle and circling tracking shots to its raw embodiment of Michael Bay’s unique brand of jingoism and adolescent vulgarity, Bad Boys II arguably remains the purest expression of the director’s auteurism. Bay doesn’t direct the film’s belated sequel, Bad Boys for Life, leaving one to wonder what purpose this franchise serves if not to give expression to his nationalist, racist, and misogynistic instincts.
Intriguingly, Bad Boys for Life is helmed by the Belgian team of Adil El Arbi and Bilall Fallah, whose streetwise, racially focused crime films, from 2014’s Image to 2018’s Gangsta, represent positions that are nearly the polar opposite of those of Bay’s work. Except the filmmakers do nothing to shake the franchise from its repellent roots, merely replicating Bay’s stylistic tics at a more sluggish pace, losing the antic abandon that is his only redeeming quality as an artist. At best, the half-speed iterations of Bay’s signature aesthetic reflect the film’s invocation of too-old-for-this-shit buddy-movie clichés, with Miami cops Mike Lowery (Will Smith) and Marcus Burnett (Martin Lawrence) forced to contend with growing old and obsolete.
The film is quick to establish that Marcus, newly a grandfather, longs to settle down, even as Mike continues to insist that he’s at the top of his game. It’s then that the partners are thrown for a loop when Mike is shot by Armando (Jacob Scipio), whose drug kingpin father Mike killed and whose mother, Isabel (Kate del Castillo), he helped get imprisoned in Mexico. Both men are left traumatized by the event, with a horrified Marcus forswearing a life of violence, while Mike seeks brutal revenge for his wounded sense of masculine security. And for a brief moment, Bad Boys for Life finds fertile ground in the emotional chasm that opens between the two pals, with Mike’s single-minded rage leaving Marcus morally disgusted.
Almost immediately, though, the film turns to gleeful violence, showing how grotesque the consequences of Mike’s vigilantism actions can be, only to then largely justify his actions. When Mike violates orders during a surveillance assignment to abduct a possible lead, that source is left dead in a gruesomely elaborate shootout that’s played for satire-less kicks. Partnered with a new unit of inexperienced, tech-savvy rookies (Vanessa Hudgens, Alexander Ludwig, and Charles Melton), Mike can only express his dismay at the new generation resorting to gadgets and nonlethal, perhaps even—dare one say—legal, measures of law enforcement. Each one gets a single defining characteristic (Hudgens’s Kelley is a trigger-happy fascist in the making and Ludwig’s Dorn possesses a bodybuilder’s physique that belies his pacifism), and they all exist for Smith to target with stale jokes about old-school justice.
Likewise, the surprising soulfulness that Lawrence brings to his character is ultimately just fodder for jokes about how the weary, flabby new grandpa isn’t getting laid. Unsurprisingly, then, Marcus only reclaims his virility as a man by lunging back into a life of chaotic police action. Even his turn toward faith and a vow of peace is mocked, as when he finds himself in possession of a machine gun during a hectic chase and Mike reassures him that God gave that to him in a time of need. “Shit, I do need it!” Marcus exclaims, but the humor of Lawrence’s delivery only momentarily distracts us from the film’s flippant take on his spirituality.
By saddling both heroes and villains alike with quests for revenge, Bad Boys for Life broaches deeper thematic possibility than has ever existed in this franchise. Indeed, the film’s focus on aging, when paired with a last-act reveal that forces the characters to think about the legacies that are passed on to future generations, places it in unexpected parallel to another recent Will Smith vehicle, Gemini Man. But where Ang Lee’s film actually grappled with the implications of violence bred and nurtured in our descendants, this movie merely gets some cheap sentimentality to contrast with its otherwise giddy embrace of carnage.
In the end, the film’s perpetuation of the franchise’s endorsement of police brutality comes back to bite it. The aforementioned scene with Marcus discovering the machine gun is played as a joke, even though the man, half-blind but refusing to wear the glasses that show his age, fires wildly at gunmen on motorcycles weaving around civilian vehicles. Watching this scene, it’s hard not to think of the recent, real-life case of Miami cops firing hundreds of rounds at armed robbers despite being surrounded by commuters, not only killing the suspects but their hostage and a random bystander. This coincidental timing is a reminder that the supposed harmlessness of glib entertainments like Bad Boys for Life plays a part in normalizing the increasing police-state tactics and mentality of our nation’s over-armed law enforcement.
Cast: Will Smith, Martin Lawrence, Vanessa Hudgens, Joe Pantoliano, Alexander Ludwig, Charles Melton, Paola Núñez, Kate del Castillo, Jacob Scipio Director: Adil El Arbi, Bilall Fallah Screenwriter: Chris Bremner, Peter Craig, Joe Carnahan Distributor: Columbia Pictures Running Time: 110 min Rating: R Year: 2020 Buy: Soundtrack
Oscar 2020 Winner Predictions: Actress
Well hi, everybody, it’s nice to see you.
Photo: LD Entertainment
Well hi, everybody, it’s nice to see you. Loyal readers of Slant’s Oscar coverage know that we don’t like to beat around the bush, and this year we have even less reason to do so what with the accelerated awards calendar forcing us to kick-start our rolling predictions earlier than usual. So, as we busy ourselves in the next few days catching up with some remaining blindspots, and being thankful that we don’t actually ever have to see Cats, we will be bringing you our predictions in some of Oscar’s easier-to-call categories.
Which isn’t to say that we’re going to be drama-free. Case in point: the revelation that Eric Henderson, my fellow awards guru, made on Twitter this week that “Scarlett Johansson is genuinely better in Jojo Rabbit than in Marriage Story.” He also asked us to throw the tweet back in this face four or five years from now, but I say right now is as good a time as any.
No, seriously, shocking as that tweet was to this fan of Marriage Story’s entire acting ensemble, that some are already predicting the actress as a possible spoiler in supporting actress in the wake of Jojo Rabbit scoring six nominations, it’s gotten us thinking about the ostensibly evolving tastes of AMPAS’s membership at a time when it’s struggling to diversify itself. And based on how things went down at last year’s Oscars, the only conclusion we can come up with is that the more things change, the more they stay the same.
Immediately after Glenn Close lost the Oscar last year to Olivia Coleman, Eric sent me a text wondering why AMPAS hates the former so much, to which I offered that there’s nothing more unwavering than Hollywood’s support for actors playing real-life individuals. Well, that and its support for actors who actually want to be exalted by the industry. Even in a world where Renée Zellweger isn’t also being helped by a comeback narrative, and has yet to follow Joaquin Phoenix’s savvy lead by getting arrested at Jane Fonda’s weekly climate change protest and erasing our memory of her performance at the Golden Globes, she’s nominated for a generally well liked performance in a film that has actually performed well at the box office.
On Monday, more outcry was provoked by the Oscar nominations, again for women being shut out of the best director race, but also for the snubbing of several actors of color, most notably Jennifer Lopez and Lupita N’yongo. Some will speculate that Cynthia Erivo, the only actor of color to be nominated this year, is a potential spoiler here, but whether she stands to benefit from a core of protest votes is something that can never be known. This fine actress’s performance checks off almost as many boxes as Zellweger’s, if not, at the end of the day, the one that matters most: representing a film about the industry itself, in this case one that will allow a reliably backward-looking Hollywood to atone for sins committed against their own.
Will Win: Renée Zellweger, Judy
Could Win: Scarlett Johansson, Marriage Story
Should Win: Scarlett Johansson, Marriage Story
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Sequel Bits: Fake ‘The Big Lebowski 2,’ Plus ‘The Expendables,’ ‘Think Like a Man,’ ‘Bourne,’ ‘The Hangover Part III,’ and More
Posted on Friday, June 29th, 2012 by Russ Fischer
Something about this pre-holiday week has set sequel news on fire, and there are news bites about sequels of just about every possible variation. In this edition of sequel bits:
Oops, CBS reported a Big Lebowski sequel that does not, and will not exist
The Expendables 2 gets a tie-in video game
Think Like a Man gets a follow-up movie
The Bourne Legacy producer hopes the next installment might bring together Matt Damon and Jeremy Renner
Todd Phillips says the third Hangover is really the last
Peter Berg doesn’t rule out the possibility of Hancock 2 just yet.
Let’s start with the best, dumbest news. Remember when Tara Reid wanted to make a sequel to The Big Lebowski and everyone laughed, including the Coen Brothers? Well, that version looks downright plausible next to the one that swept Facebook and other social media today. Setting things off, a CBS affiliate was suckered by Super Official News, which ran a piece citing ‘The Ass Press’ saying that The Big Lebowski 2: The Dude Goes To Washington would shoot in October for release in the summer of 2015.
Principals such as Jeff Bridges, John Goodman, Julianne Moore, Philip Seymour Hoffman, and John Turturro were all said to be returning for a story that sees Bill Murray as “a corrupt and evil land owner named Bavarian Illuminati,” with Jesse Eisenberg playing the son of the Dude and Maude Lebowski.
There are many, many items in the source that should be tipoffs that the whole thing is bullshit (obviously someone at that affiliate hasn’t been following the Bill Murray/Ghostbusters III follies) but everyone gets duped on the internet sooner or later.
What’s more depressing is that a sequel to Think Like a Man is getting made, with a press release trumpeting that Keith Merryman and David A. Newman are writing the next chapter to follow the hit first movie, which has taken almost $100m so far this year. (That’s against just $12m for the production budget, making the first movie a definite hit.)
The first film was based on Steve Harvey‘s book Act Like A Lady, Think Like A Man, and Harvey will exec produce the sequel.
A press release, via CinemaBlend, also alerts us to the imminent release of an Expendables 2 video game. It will do this stuff, and it will probably suck:
Players can join up to three friends locally and online to experience all-out action in cinematic, close-quarter combat or while controlling an arsenal of vehicles in exotic locations including Somalian deserts, Burmese jungles, and more, and fans looking to compete for bragging rights can play through several challenges for the top spots on leaderboards.
Nope, never played all that before! But the game features characters like Barney Ross (Sylvester Stallone), Gunner Jensen (Dolph Lundgren), Hale Caesar (Terry Crews) and Yin Yang (Jet Li), and if Ubisoft wants me to control a digital Terry Crews, who am I to argue?
Next, Todd Phillips says the third Hangover film is definitely the last. He insists,
We’re going to surprise a lot of people with the final chapter we have planned. It will be a fitting conclusion to our three-part opera of mayhem, despair and bad decisions.
The fact that Phillips says this is the last installment is significant, mostly because this is the sort of series that could theoretically be pushed to Police Academy franchise length. But with the star trio reportedly asking for $15m each to return for the third film, doing more movies with this cast is going to get too expensive pretty fast.
The Hangover Part III is set for release on May 24, 2013, i.e. the same Memorial Day frame that positioned the first sequel to take in more than half a billion (W.T.F.) globally. Bradley Cooper, Zack Galafianakis and Ed Helms are returning, and Phillips is co-writing with Craig Mazin. [THR]
Could a future Bourne film feature both Jeremy Renner and Matt Damon? That would be the obvious goal for Universal, and producer Frank Marshall recently said to Empire,
You see there are several different programmes in the movie with different skill sets. All possibilities are open. My dream is that in the next one we see Matt and Jeremy team up.
That statement led a lot of people to assume this week that his dream is automatically going to come true, but there’s a long way to go before that happens. The Bourne Legacy, the first film to feature Renner, hasn’t even been released yet, and was just pushed back a week (to August 10) in order to get out of the way of The Dark Knight Rises. To provide a framwork for Marshall’s statement, Bourne Legacy writer/director Tony Gilroy also told Empire,
What if there’s a much larger story? What if [Jason Bourne’s program] Treadstone wasn’t the only black-ops programme?
And Renner says,
[My character is] coming from a completely different background to Jason [Bourne]. He knows exactly who he is; he signed up to this…He wants to be part of a team. I can tell you he was in the military then he joined the programme. He’s a person who wants to be part of something… to have a sense of purpose. But then it’s taken away.
Let’s close this out with a bit more of the ridiculous. Peter Berg and Will Smith have both talked (and talked) about a possible sequel to Hancock, the 2008 sorta-superhero film in which Smith played a drunk super-demi-god-guy who cleans up his act thanks to the good influence of Jason Bateman, before running afoul of Charlize Theron. Peter Berg isn’t going to say that a sequel is really happening, but he also doesn’t say it isn’t:
Will Smith is up for any challenge, and he’s definitely up for discussing it. Whether or not that all comes out and equals us actually doing it is never known, but it’s something that we’ve talked about…. We kicked some ideas around. I think we all would like to do it, it’s just a question of getting everybody free at the same time. I think it’s not just Will, but the producers and the studio. We all loved doing ‘Hancock.’ If the stars align in the right direction, I think it’s something that could happen.
[MTV]
‘Spenser Confidential’ Trailer: Mark Wahlberg and Peter Berg Head to Netflix
‘Bad Boys 4’ is Already in the Works
‘Bad Boys For Life’ Review: Even With the Bayhem Gone, the Franchise Ends on a High Note
‘Bad Boys’ Stars Will Smith and Martin Lawrence Get Therapy and Buy Shoes While An Honest Trailer Flashes Back
/Tweeted, Sequels, bourne, Frank-Marshall, Hancock 2, Jeremy-Renner, Peter-Berg, Terry Crews, The Big Lebowski 2, The Big Lebowski 2: The Dude Goes To Washington, The Expendables 2, The Hangover Part III, The-Big-Lebowski, Think Like a Man, Todd-Phillips, Tony-Gilroy, Will-Smith
Watch an Exclusive ‘Pain and Glory’ Clip With Director Pedro Almodóvar
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This Week In History: Flu rages in Dillon; cases are serious
News | March 23, 2019
Compiled by the Breckenridge
Heritage Alliance
This week in history as reported by the Summit County Journal 100 years ago — March 22, 1919
Thirty cases of Spanish influenza were reported from Dillon yesterday afternoon by Dr. Graham, county physician, and many of them were in serious condition.
Dr. Graham reported that he found Elizah Giberson’s family and hired help. With the exception of Mr. Giberson, all are ill with the disease. Mrs. Giberson is in very serious condition. This family lives on a ranch near Frisco.
FORCE AT ROYAL TIGER DOUBLES DURING APRIL
“For the first time, let me tell you that the Royal Tiger is going to be the biggest mining camp in Summit County,” said manager John M. Traylor early this week as he was leaving for the East to be gone a few weeks.
“We are continuing to develop a known body of low-grade ores and every day adds to our ore tonnage,” he said. “Work is progressing steadily with 54 men now on the payroll.
SATURDAY SCHOOL TO BE SUSPENDED AFTER TODAY; WORK Brought UP
Saturday sessions of the school will end on March 22, that being the last Saturday on which school will be held this year.
Since January, the first work has been going on Saturday here, as it has been in many other schools all over the country.
HIGH-SCHOOLERS ENTER TONOPAH CLUB TOURNAMENT tonight
Some of the huskier high school boys are working out nightly at the Tonopah club, expecting to participate in the bouts at the G.A.R. ball on Saturday evening. This work is good for them.
A gymnasium there would enable them to keep it up the year-round. Better boys and better schoolwork would result. Of course, some people do not believe that, but the educator realizes the truth of the matter.
DENVER TOURIST BUREAU HAS ATTRACTIVE DISPLAY FEATURING SKI COURSE AT DILLON
Visitors from the Liberty Loan meetings in Denver this week report that the Denver Tourist Bureau has placed a very attractive and interesting display in a conspicuous place in their show window featuring the latest ski tournament and course at Dillon.
The Breckenridge Heritage Alliance is a nonprofit founded to promote and protect Breckenridge’s unique heritage. They offer year-round tours and hikes. Go to BreckHeritage.com or call 970-453-9767.
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After Wolfgang made breakfast, we departed for a sail to the Île Tintamarre to the northeast and as it was a light wind day we had full sails out and had to work rather hard to tack upwind to get there, going almost to Anguilla on the northerly tack and misjudging the angle so that we had to put in an extra set of tacks before arriving at our destination. I was lucky in that I managed to set up the boat and pick up a mooring ball solo on my first attempt on this new boat, but I think that luck was involved. Tintamarre was busy, but there were still moorings and space available and we had a tasty lunch and took snapshot after swimming around for a bit. The weather didn't look just right for sailing onwards to Île Fourchue so we returned to Grand Case for the night - the winds were fickle this day and we ended up motoring the last mile due to insufficient breeze from behind.
This little islet off Grand Case is a popular snorkeling site.
[18°7'3.9"N 63°3'30.51"W (facing E)]
Grand Case islet
These yellow bouys mark the boundary of the park areas in St. Martin and St. Barths. This one is at Grand Case, St. Martin, and Marigot can be seen in the background.
(2012-01-20 15:32:19 NIKON D7000 with a "18.0-200.0 mm f/3.5-5.6" lens. [f/8.0, 1/250s] ISO 200 Focus ∞)
Park boundary marker
The barren north shore of St. Martin is a stark contrast to the built-up areas elsewhere on the island
(2012-01-20 15:34:23 NIKON D7000 with a "18.0-200.0 mm f/3.5-5.6" lens. [f/13.0, 1/640s] ISO 1000 Focus 10.60m)
St. Martin north shore
I threw a small piece of stale bread into the water at Tintamarre and was surprised at the feeding frenzy it caused, these little fish are very, very fast and almost piranha-like in the speed at which they attacked the bread.
[18°6'56.56"N 62°59'18.84"W ]
Feeding time at Tintamarre
Hungry fish at Tintamarre
Our daytime stop at Ile Tintamarre was a pleasant interlude to sailing. We had lunch, went swimming and enjoyed the sights.
[18°7'1.99"N 62°59'22.24"W (facing SE)]
Moored of Ile Tintamarre
These turtles are elusive cretures, whenever they pop up for air the camera is either turned off or stored elsewhere so this turtle at Tintamarre was a rare opportunity for a shot.
Turtle coming up for air
The sky is still aglow after the sun has set behind the promontory at Grand Case, St. Martin
[18°6'21.9"N 63°3'26.96"W (facing W)]
Post-sunset at Grand Case
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Most spectacular commemoratives, no 8: 1964 Shakespeare Festival 2s 6d
By Jeff Dugdale
Which are the most striking special issues Britain has ever produced? To celebrate our 75th anniversary, we selected the top 75, and our countdown continues here
In an attempt to plug the hole it had punched in its traditional issuing policy, the GPO insisted this was not an issue honouring Shakespeare himself, whose 400th birthday it was, but one commemorating the Shakespeare Festival as an event. Nevertheless, this was a ground-breaking and controversial issue, the first to depict a commoner.
In a multi-coloured set of five showing scenes from plays, the only recess-printed stamp, and the only one to name the play in question, was the monotone top value in deep slate purple illustrating the hapless Hamlet contemplating mortality.
Reminiscent of the line drawings of Shakespearean scenes so beloved of the Victorians, with its scrolled vignettes and decorative pylons containing lyres, torches and starbursts, it is an outstanding piece of engraving.
Design: C & R Ironside.
Printing: recess by Bradbury Wilkinson.
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VIDEO: Cold case breaks
Soundings Staff
One of two ships from the Franklin Expedition, which were assumed to have sunk after being icebound, was recently discovered in Victoria Strait in the Arctic Ocean, near where Inuits had last reported seeing it in 1845.
It’s still unknown whether this ship is the HMS Erebus or HMS Terror, whose 128 crewmembers perished in the frozen wilderness. Rescue parties searched for the crew until 1859, and traces of 70 sailors have been found over the years, including the bodies of three crew found in the 1980s.
The ship was located in 11 meters of water, upright and largely intact.
The original search parties for the lost expedition were instrumental in opening the Canadian Arctic to discovery in the 19th century. Watch this video to find out which recently discovered clues helped them finally locate the wreck.
VIDEO: Crime-breaking waves
VIDEO: Cargo ship breaks in two
VIDEO: Finally found
VIDEO: Fire breaks out aboard megayacht
VIDEO: Cold comfort
VIDEO: Breaking river wave
VIDEO: Doomed ship found
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Briefs | Business
Bankoh to reopen renovated main branch
By Star-Advertiser staff and news services
Bank of Hawaii’s renovation of its main branch downtown will be unveiled Wednesday after five months of construction. Read more
Tiffany targets millenials as Hepburn era fades
Yellen defends bank regulations passed after 2008 crisis
Bank of Hawaii’s renovation of its main branch downtown will be unveiled Wednesday after five months of construction.
The face-lift represents the bank’s fourth Branch of Tomorrow and is part of Bankoh’s $100 million-plus renovation project. The renovated branch includes easy-deposit ATMs, Wi-Fi, tablets and digital screens, pairing greater customer convenience with personal interactions.
Bankoh’s flagship branch renovation at 111 King St. contains themes of the Hawaiian voyaging canoe. Some of the features at the branch are a large digital wall, a Welcome Wall with a map of Honolulu, a handcrafted canoe model, bronze relief artwork and a canoe paddle.
The grand-opening event will be from 10:30 a.m. to 1:30 p.m. with product giveaways that include HawaiianMiles bonus miles, gift cards and a chance to win $100,000 at the iHeart jackpot machine.
30-year mortgage rate dips to 2017 low
WASHINGTON >> The benchmark 30-year mortgage rate is at new low for the year, touching its lowest level since last November.
Mortgage buyer Freddie Mac said Thursday the rate on 30-year, fixed-rate mortgages fell to 3.86 percent from 3.89 percent last week. It was the fourth straight weekly decline for the key rate, bringing it to its lowest level since Nov. 10, 2016.
A year ago the rate stood at 3.43 percent. It averaged 3.65 percent for all of last year.
The rate on 15-year, fixed-rate home loans remained at 3.16 percent this week. Those loans are popular with homeowners refinancing their mortgages.
Kaiser Permanente Hawaii has promoted Andrew Giles to assistant administrator for hospital support services and operations. His responsibilities are in multiple departments, including communications, parking, environmental services, gift shop operations, food and nutrition services, and the lift team. Giles previously was director of environmental services as well as an administrator on call for Kaiser Permanente Moanalua Medical Center and an operational project leader for the Maui Health System transition.
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Dr Lynne Falconer
Post Doctoral Research Fellow
Institute of Aquaculture Pathfoot Building, University of Stirling, Stirling, FK9 4LA
Email lynne.falconer1@stir.ac.uk
Telephonec/o 7874
ORCID 0000-0002-1899-1290
http://www.stir.ac.uk/people/lynnefalconer1
Dr Lynne Falconer is a Postdoctoral Research Fellow with an interest in aquaculture and the environment. She specialises in the development and use of (primarily GIS-based) models for aquaculture site selection and carrying capacity assessment, freshwater and marine spatial planning, and the ecosystem approach to aquaculture.Lynne has worked on research projects in Asia, Europe and Latin America covering freshwater, marine and coastal ecosystems. She is currently part of two large scale collaborative EU H2020 research projects:TAPAS (Tools for Assessment and Planning of Aquaculture Sustainability) and ClimeFish (Co-creating a decision support framework to ensure sustainable fish production in Europe under climate change).
CLIMEFISH: Co-creating a decision support framework to ensure sustainable fish production in Europe
PI: Professor Trevor Telfer
Funded by: European Commission (Horizon 2020)
TAPAS Tools for Assessment and Planning of Aquaculture Sustainability
The importance of calibrating climate change projections to local conditions at aquaculture sites
Falconer L, Hjøllo SS, Telfer TC, McAdam BJ, Hermansen Ø & Ytteborg E (2020) The importance of calibrating climate change projections to local conditions at aquaculture sites. Aquaculture, 514, Art. No.: 734487. https://doi.org/10.1016/j.aquaculture.2019.734487
Use of models for the environmental risk assessment of veterinary medicines in European aquaculture: current situation and future perspectives
Rico A, Vighi M, Van den Brink PJ, ter Horst M, Macken A, Lillicrap A, Falconer L & Telfer TC (2019) Use of models for the environmental risk assessment of veterinary medicines in European aquaculture: current situation and future perspectives. Reviews in Aquaculture, 11 (4), pp. 969-988. https://doi.org/10.1111/raq.12274
What does 'beyond compliance' look like for the Scottish salmon aquaculture industry?
McGhee C, Falconer L & Telfer T (2019) What does 'beyond compliance' look like for the Scottish salmon aquaculture industry?. Marine Policy, 109, Art. No.: 103668. https://doi.org/10.1016/j.marpol.2019.103668
Use of geographic information systems for aquaculture and recommendations for development of spatial tools
Falconer L, Middelboe AL, Kaas H, Ross L & Telfer T (2019) Use of geographic information systems for aquaculture and recommendations for development of spatial tools. Reviews in Aquaculture. https://doi.org/10.1111/raq.12345
GIS Technologies for Sustainable Aquaculture
Falconer L, Telfer T, Pham KL & Ross L (2018) GIS Technologies for Sustainable Aquaculture. In: Huang B (ed.) Comprehensive Geographic Information Systems, Vol. 2. Reference Module in Earth Systems and Environmental Sciences. Oxford: Elsevier, pp. 290-314. http://www.sciencedirect.com/science/article/pii/B9780124095489104592; https://doi.org/10.1016/B978-0-12-409548-9.10459-2
Modelling seasonal nutrient inputs from non-point sources across large catchments of importance to aquaculture
Falconer L, Telfer TC & Ross LG (2018) Modelling seasonal nutrient inputs from non-point sources across large catchments of importance to aquaculture. Aquaculture, 495, pp. 682-692. https://doi.org/10.1016/j.aquaculture.2018.06.054
Cage aquaculture in Lake Volta, Ghana. Guidelines for a sustainable future
Asmah R, Karikari A, Falconer L, Telfer T & Ross L (2016) Cage aquaculture in Lake Volta, Ghana. Guidelines for a sustainable future. The Leverhulme Trust; Royal Society. Stirling: University of Stirling. http://www.aquaculture.stir.ac.uk/public/GISAP/pdfs/Lake_Volta_Booklet_HR.pdf
Investigation of a novel approach for aquaculture site selection
Falconer L, Telfer T & Ross L (2016) Investigation of a novel approach for aquaculture site selection. Journal of Environmental Management, 181, pp. 791-804. https://doi.org/10.1016/j.jenvman.2016.07.018
Analysis of production and environmental effects of Nile tilapia and white shrimp culture in Thailand
Ferreira JG, Falconer L, Kittiwanich J, Ross L, Saurel C, Wellman K, Zhu C & Suvanachai P (2015) Analysis of production and environmental effects of Nile tilapia and white shrimp culture in Thailand. Aquaculture, 447, pp. 23-36. https://doi.org/10.1016/j.aquaculture.2014.08.042
Site selection and carrying capacities for inland and coastal aquaculture: FAO/Institute of Aquaculture, University of Stirling, Expert Workshop, 6–8 December 2010, Stirling, the United Kingdom of Great Britain and Northern Ireland
Ross L, Telfer T, Falconer L, Soto D & Aguilar-Manjarrez J (eds.) (2013) Site selection and carrying capacities for inland and coastal aquaculture: FAO/Institute of Aquaculture, University of Stirling, Expert Workshop, 6–8 December 2010, Stirling, the United Kingdom of Great Britain and Northern Ireland. FAO Fisheries and Aquaculture Proceedings, 21. FAO/Institute of Aquaculture, University of Stirling, Expert Workshop, Stirling, Scotland, 06.12.2010-08.12.2010. Rome, Italy: Food and Agriculture Organization of the United Nations.
Carrying capacities and site selection within the Ecosystem Approach to Aquaculture
Ross L, Telfer T, Falconer L, Soto D, Aguilar-Manjarrez J, Asmah R, Bermudez JL, Beveridge MCM, Byron CJ, Clement A, Costa-Pierce BA, Cross SF, De Wit M & Dong S (2013) Carrying capacities and site selection within the Ecosystem Approach to Aquaculture. In: Ross L, Telfer T, Falconer L, Soto D & Aguilar-Manjarrez J (eds.) Site selection and carrying capacity for inland and coastal aquaculture: FAO/Institute of Aquaculture, University of Stirling Expert Workshop, 6–8 December 2010, Stirling, the United Kingdom of Great Britain and Northern Ireland. FAO Fisheries and Aquaculture Proceedings, 21. Rome, Italy: Food and Agriculture Organization of the United Nations, pp. 19-46. http://www.fao.org/docrep/018/i3322e/i3322e.pdf
Using physical environmental parameters and cage engineering design within GIS-based site suitability models for marine aquaculture
Falconer L, Hunter D, Scott PC, Telfer T & Ross L (2013) Using physical environmental parameters and cage engineering design within GIS-based site suitability models for marine aquaculture. Aquaculture Environment Interactions, 4 (3), pp. 223-237. https://doi.org/10.3354/aei00084
Visual, seascape and landscape analysis to support coastal aquaculture site selection
Falconer L, Hunter D, Telfer T & Ross L (2013) Visual, seascape and landscape analysis to support coastal aquaculture site selection. Land Use Policy, 34, pp. 1-10. http://www.scopus.com/inward/record.url?eid=&partnerID=40&md5=66b67c602de713ea589ba87915fd4ffe; https://doi.org/10.1016/j.landusepol.2013.02.002
Spatial modelling for freshwater cage location in the Presa Adolfo Mateos Lopez (El Infiernillo), Michoacán, México
Ross L, Falconer L, Campos-Mendoza A & Martinez-Palacios CA (2011) Spatial modelling for freshwater cage location in the Presa Adolfo Mateos Lopez (El Infiernillo), Michoacán, México. Aquaculture Research, 42 (6), pp. 797-807. https://doi.org/10.1111/j.1365-2109.2010.02689.x
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Office 365: What Plan Is the Right One?
March 8, 2017 SWAT Systems Business, business premium, enterprise e1, 2017march8office_c, e3, license, Office, office online, Outlook, e5, Office 365, pricing, SharePoint, skype
There’s a lot to like about Office 365. You have access to cloud-based productivity suites, Microsoft email servers, SharePoint, and more. But not all Office 365 license plans offer the same features and services. When looking for an Office 365 plan for your business, make sure to follow these tips.
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Dino Babers on Syracuse o-line: ’Right now, everybody’s job is in jeopardy’
Syracuse football quarterback Tommy DeVito (13) was sacked six times against Pittsburgh before taking a hard hit and spending most of the second half on the sideline. (Dennis Nett | dnett@syracuse.com)
By Stephen Bailey | sbailey@syracuse.com
Syracuse, N.Y. -- Syracuse football’s pass-protection group made history during the team’s 27-20 loss to Pittsburgh on Friday evening -- and not in a good way.
The Orange became just the second team in the last 15 years to allow eight-plus sacks in three straight Power-Five games, according to ESPN.com’s David Hale. SMU is the other program, and the Mustangs went on to finish 1-11 in 2014.
Speaking after the game, SU head coach Dino Babers put his foot down in regard to offensive line play. A group that includes two first-year starters and a graduate transfer in Ryan Alexander who was initially beaten out by redshirt freshman Carlos Vettorello may see some changes over the course of the next week.
“Right now everybody’s job is in jeopardy," Babers said. "We need to go back and watch the tape. It’s not fair to keep playing the same guys if the result doesn’t change.”
Pittsburgh finished with nine sacks, pushing the Orange’s total to 35 allowed on the season -- currently the most in the country, and likely to stay that way unless Miami (28), Old Dominion (27) or Akron (27) take the honor with their weekend performance.
Babers elected to keep battered starting quarterback Tommy DeVito on the sideline after a crushing hit from Panthers safety Paris Ford early in the third quarter. At that point, he had been sacked six times. Backup Clayton Welch went down three times as his comeback effort fell short in the fourth quarter.
Looking at potential changes to the front five, the Orange turned to junior Patrick Davis at right tackle twice earlier this season: when Alexander missed time during the Western Michigan game and to start the fourth quarter versus Holy Cross.
Plugging in Davis at center is another option, which would allow redshirt junior Airon Servais -- likely the team’s most effective tackle -- to mitigate pressure from one of the edges. The deep sets that Vettorello and Alexander have had to take to handle outside-rush attempts have forced DeVito forward in the pocket on even four-man rushes, leaving him with limited escape lanes.
Another candidate to play is freshman tackle Matthew Bergeron, who has earned the staff’s trust after arriving this summer. Bergeron is a member of the field goal/PAT unit and has come on as a sixth lineman in jumbo and Wildcat formations.
Redshirt junior guard/tackle Darius Tisdale, a junior college addition this summer, spent some time during preseason camp working with the first-team offense. He could be considered if the staff elects to make changes at one of the guard positions.
Regardless of who composes the front five next Saturday, Syracuse’s offensive line will face another tough opponent in Florida State. The Seminoles enter this weekend tied for 27th in the country in sacks per game (2.83).
Stephen Bailey covers Syracuse football for The Post-Standard/Syracuse.com. You can follow him on Twitter and Facebook. He can also be reached anytime via email.
More Syracuse football:
You Grade the Orange: Rate Syracuse football’s performance vs. Pittsburgh
Syracuse suffers another disappointing loss, 27-20, against Pittsburgh
Best and worst from Syracuse football loss to Pittsburgh
Syracuse has second-largest crowd of season against Pittsburgh
How a lotto ticket put Lakiem Williams on path to be Syracuse football linebacker
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Involuntary admissions
View Bed Availability
Bed Vacancies
Online GP CPD
St Patrick's University Hospital, as an MHC-approved centre, provides care and treatment for involuntary service users in a way that is;
Respectful of the service user’s dignity, ability to consent, right to freedom and his or her best interests
In full compliance with the legal and procedural requirements as laid out in the Mental Health Act 2001
The purpose of this guidance is to assist GPs to accurately complete relevant MHC forms the first time. By avoiding form completion errors, time can be saved in not having to repeat the process.
GP guidelines for referring involuntary admission
The GP makes contact with the hospital through the CNM2 Assessment unit (01 2493640) between 9am and 5pm Monday to Friday and with the on-call Registrar and Assistant Director of Nursing (01 2493200) outside of these times.
The GP ensures that the relevant Application Form 1- 4, Recommendation Form 5 and Recommendation for Involuntary Admission Referral Form are completed correctly.
The GP needs to fax St Patrick's University Hospital the relevant forms at 01 249 3609 prior to the service user's arrival.
The Application Form (whichever is relevant)
By Spouse, Civil Partner or Relative (Form 1)
By authorised officer (Form 2)
By a member of the Garda Síochána (Form 3)
By a member of the public (Form 4)
GP Recommendation Form (Form 5)
Sample of Common Errors
SPUH recommendation for Involuntary Admission form
These forms must be inspected by authorised staff at St Patrick's University Hospital before the decision is made to accept the care of the service user. Inaccurate completion of forms can lead to the unlawful detention of a service user.
The GP may request that St Patrick's University Hospital arrange for assistance in bringing the service user to the hospital.
The GP must ensure that the original Mental Health Act paperwork (Form 1-5) accompanies the service user to St Patrick's University Hospital with a family member or with the assisted admission team.
Support & Information Line
Mental Health Act FAQ
We provide free support and information for GPs and healthcare professionals regarding services available in St Patrick's.
Sign up to our GP eNewsletter
Sign up to our quarterly GP eNewsletter to receive information about mental health, service updates, events and continuous professional development training at St Patrick’s Mental Health Services. Please be advised, this eNewsletter cannot be delivered to @healthmail email addresses. Please provide an alternative email address.
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Bennett Picker Honored with Philadelphia Bar Association’s PNC Achievement Award
Photo caption: Stradley Ronon’s Bennett Picker speaking at the Philadelphia Bar Association’s Annual Meeting Luncheon.
PHILADELPHIA – Stradley Ronon Senior Counsel Bennett G. Picker was presented with the PNC Achievement Award during the Philadelphia Bar Association’s annual meeting luncheon on Dec. 5. The award honors significant accomplishments in improving the administration of justice. Picker was recognized for being a “pioneer in the field of alternative dispute resolution” who has “changed the ADR landscape regionally, nationally and internationally.” He was also lauded for his leadership in promoting diversity in ADR. Picker donated his honorarium to Pennsylvanians for Modern Courts and Philadelphia VIP.
Picker, a full-time mediator and arbitrator, has spent more than three decades dedicating himself to promoting and improving the field of ADR in across the nation and throughout the world. He has successfully resolved hundreds of domestic and international disputes with a cumulative value of several billion dollars. Picker has held leadership positions in organizations such as the American Arbitration Association, CPR – the International Institute of Conflict Prevention and Resolution, and the American Bar Association and also led a national task force dedicated to promoting diversity in ADR. He authored one of the first books on mediation published by the ABA in the 1990s and has written numerous other books and articles on ADR. Most recently, Picker was designated by the International Mediation Institute to serve as its delegate to the United Nations where he is working with ministers of several nations to explore the potential for mediation to serve as a means of avoiding and resolving public conflicts. In addition to his work in ADR, Picker has served as Chancellor of the Philadelphia Bar Association and is Co-Founder of Pennsylvanians for Modern Courts.
Bennett G. Picker
Quick Take: Responding to an Accusation of Patent Infringement
South Jersey Biz | PDF
Kevin R. Casey Delivers Keynote for the Meeting of the Judge Janet Bond Arterton American Inn of Court
Stradley Ronon’s Karl Myers Moderates Superior Court Candidates Forum
ADR Advisor, October 28,2019
Clients Want Lawyers Who Know How to Settle Disputes Early: Thoughts on Guided Choice Mediation
Client Alert
Karl Myers Appointed Appellate Chair
ADR Advisor, August 26, 2019
International Arbitrations: The Conversion Rate of Judgments Measured in Foreign Currencies
Can and Should You Register Hashtags as Trademarks?
Intellectual Property & Technology Law Journal | PDF
Pa. Justices Could Shift State's Consumer Litigation
Law360 | PDF
Client Alert, Alternative Dispute Resolution and Construction, August 2019
The Pennsylvania Revised Uniform Arbitration Act
Meet The Team Real Estate
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Boats in the Pool of London below Old London Bridge, with St Paul’s Cathedral, St Magnus the Martyr’s Church and the Monument
?1824
Old London Bridge Sketchbook
Support: 98 × 162 mm
Turner Bequest CCV 11 a
monuments(1,374)
column(137)
religious(6,856)
cathedral(739)
church(4,472)
townscapes / man-made features(21,710)
waterfront(1,188)
water: inland(11,122)
river(7,971)
City of London(154)
City of London, St Paul’s Cathedral(80)
Monument(30)
St Magnus King and Martyr’s Church(20)
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River Thames(733)
transport: water(8,020)
boat - non-specific(2,206)
Joseph Mallord William Turner Boats and Ships in the Pool of London near Old London Bridge, with St Paul’s Cathedral Beyond
Joseph Mallord William Turner Wharves and Shipping in the Pool of London below Old London Bridge, with St Paul’s Cathedral Beyond
Joseph Mallord William Turner Fishing Boats off Billingsgate in the Pool of London below Old London Bridge, with St Paul’s Cathedral Beyond
Joseph Mallord William Turner Old London Bridge from the Southwark Side of the Pool of London, with St Magnus the Martyr’s Church and the Monument Beyond; the Tower of Southwark Cathedral
Joseph Mallord William Turner Old London Bridge above the Pool of London, from the Southwark Side with St Magnus the Martyr’s Church and St Paul’s Cathedral Beyond
Joseph Mallord William Turner Old London Bridge from the Southwark Side, with St Magnus the Martyr’s Church and the Monument across the Pool of London
Joseph Mallord William Turner Boats with Figures in the Pool of London near Old London Bridge; the Tower of St Magnus the Martyr’s Church
Joseph Mallord William Turner Shipping in the Pool of London below Old London Bridge, with St Paul’s Cathedral Beyond
Joseph Mallord William Turner Coffer-Dams and Piledrivers on the River Thames above Old London Bridge, with St Magnus the Martyr’s Church and the Monument; Southwark Bridge with St Paul’s Cathedral
Joseph Mallord William Turner St Magnus the Martyr’s Church, with Shipping in the Pool of London near Old London Bridge, ?and Southwark Cathedral
Joseph Mallord William Turner Wharves and Shipping in the Pool of London below Old London Bridge, with St Paul’s Cathedral Beyond; Study of a Sailor’s Costume; the Tower of Southwark Cathedral
Joseph Mallord William Turner Shipping in the Pool of London, with Old London Bridge and St Paul’s Cathedral Beyond
Joseph Mallord William Turner Barges off the Custom House, with the Monument, St Magnus the Martyr and St Paul’s Cathedral in the Distance
Joseph Mallord William Turner Coffer-Dams and Piledrivers on the River Thames above Old London Bridge, with St Magnus the Martyr’s Church and the Monument
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Tate Papers no.14
Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art
Tate Papers ISSN 1753-9854
Charlotte Purkis
Music’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to the aesthetics of decadence and of emergent modernism.
Naum Gabo as a Soviet Émigré in Berlin Christina Lodder
Liubov Popova: From Painting to Textile Design Christina Lodder
Richard Hamilton’s The annunciation Fanny Singer
William Blake’s 1809 Exhibition David Blayney Brown and Martin Myrone
An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture Susan Matthews
Lost in the Crowd: Blake and London in 1809 Philippa Simpson
Reasoned Exhibitions: Blake in 1809 and Reynolds in 1813 Konstantinos Stefanis
Surviving Reality: Lee Bontecou’s Worldscapes Jo Applin
Cinematic Drawing in a Digital Age Ed Krčma
Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium Anna Lovatt
Dust and Doubt: The Deserts and Galaxies of Vija Celmins Stephanie Straine
Merzzeichnung: Typology and Typography Michael White
‘Suffer a Sea-Change’: Turner, Painting, Drowning Sarah Monks
Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art Charlotte Purkis
‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism Mark Rawlinson
Video Games and the Technological Sublime Eugénie Shinkle
Damien Hirst’s Shark: Nature, Capitalism and the Sublime Luke White
This paper explores the nature of the subjective aesthetic experience in which nineteenth-century visual artists were engaged when the sublime and music became twinned in their imaginations. This subjective experience is considered as an aesthetic response to the world and to the experience of being in the world. In nineteenth-century thought it became a way of perceiving that depended upon a certain understanding of music, which placed it apart and above all the other arts.1
Arguably, music can be seen as the ‘keynote’ to the sublime. The keynote of any piece of music is the fundamental tone to which music ‘resolves’. But by the 1890s, within British culture, the term had come to denote, more controversially, newness. This was due specifically to John Lane’s Bodley Head series called ‘Keynotes’, which, together with its companion series of books known as ‘Discords’, stood for literary tendencies that were consciously anti-bourgeois and relished the pejorative designation ‘decadent’. These John Lane books, by George Egerton (Mary Chavelita Dunne) and others, were constructed and received as challenging in their style and content, appearing to revel in displacing moral and literary certainties.
Just as the paradoxes and contradictions set up by such texts and the debates surrounding them identified double-edged ambiguity as a key characteristic of late nineteenth-century thinking, so, too, certain musical works, and the critical controversies they provoked, were crucial to contemporary reception of programmatic narrative arts. An ideological battleground between defenders of absolute music (instrumental compositions with generic titles or numbers, exhibiting purely musical methods and techniques of composition, for example, symphonies) and supporters of programme music (evocatively titled instrumental works with associations with other art forms and extra-musical experiences, emotions and sensations, for example, symphonic poems and opera) was established in the mid and later nineteenth century.
These differing perspectives have since permeated accounts of how musical style developed during the years when Romanticism became seemingly confused and exhausted.2 As tonality was regarded as entering into a state of ‘crisis’, newer music inevitably became classified as degenerate compared to the relative purity of the eighteenth- and nineteenth-century classical canon. The contemporary commentator Max Nordau’s 1895 diatribe against contemporary culture, Degeneration, was typical in this respect, and his book became a classic compendium of the trends of his time. Recently, the renowned pianist and writer on music Charles Rosen has commented that Nordau’s claim that all modern art was ‘produced by moral degenerates’ is part of ‘perhaps [the] oldest continuing tradition’ of classical music. As the ‘displacement of one music by another’ is ‘an eternal part of history’, so complaints and laments about the loss of past perfections are an inevitable consequence.3
There was not necessarily more sublime music in the nineteenth century than later, but notions of the sublime were particularly significant in critical discussions then and informed artistic practice. Nineteenth-century musical enthusiasms are identifiable from concert programmes and the publication of salon music, as well as from reviews and references in novels. How far British taste connected to philosophical aesthetic thinking on the sublime can thus be assessed in the various ways in which contemporary musical compositions were discussed.
Felix Mendelssohn’s Hebrides Overture, also known as Fingal’s Cave, embraced the drive towards the programmatic and the narrative within early to mid nineteenth-century music, using the tonal idiom colouristically and atmospherically. Mendelssohn encountered the island of Staffa in a storm. The resulting music can be ‘read’ as drawing upon his experience of the island and its cave. The music recalls the amazing acoustics of the place with resounding crashing waves, a sense of powerful climax as the waves strike the cave in the storm, the rising and falling of the sea followed by moments of deep calm, and the soaring echoes of seagulls. This type of reading of the self back into nature is still current, and many commentators, particularly in notes about recordings, refer to the philosopher Edmund Burke’s passion for nature – astonishment, suspense of emotion, even horror in the awe with which body and mind are filled, revealing the listener, like the perceiver and like Mendelssohn himself, overwhelmed yet exhilarated. Writing of Mendelssohn’s musical landscapes, the academic writer Thomas Grey has dwelt upon the accepted ‘pronounced visual orientation to Mendelssohn’s cultural background’, that is, the fact that he was also an amateur artist. The influence of this exploration of visual art, Grey notes, has ‘long been perceived as an influence on his musical production’, and notably on the Hebrides Overture, which ‘evokes the heroic sublime tradition of Ossianic painting from the Napoleonic era’.4 For another recent writer Michael Steinberg who has made a study of the role of music in nineteenth-century cultural life, Mendelssohn’s music embodies aspects of the natural world yet constructs these into ‘a metaphoric landscape of inner life’. The Hebrides seems to set a physical scene, but its overriding musical power lies in its sweeping melody and thus its vision is of ‘absolute’ not ‘programmatic’ music. Just as a Romantic landscape is not merely a depiction of the external world but is ‘a way into inner nature’, so this work ‘engages a scene’ and ‘is born as music’.5 To Steinberg, the big melodic string theme liberates the music from mere mimesis; this melody functions dramatically in the work, as a musical not merely representational voice.6
The way that the work seems explicitly evocative of nature recalls discussion of Beethoven’s Sixth Symphony (‘Pastoral’, 1808). As an expression of feeling about being in the countryside, rather than as an illustration of the rural, Beethoven’s symphony seems to go beyond the absolute into the realms of the programmatic: the emotions expressed are responsive to the experience of nature. The music depicts both a storm and the sensation of being in a storm. The genre of the symphony, an example of ‘absolute music’, was strongly associated with the sublime after the critic E.T. Hoffmann’s famous 1810 review of Beethoven’s Fifth. Hoffmann, who opposed programmatic music (and ignored the ‘Pastoral’ Symphony), appreciated the solemn grandeur of the heroic he identified in the Fifth, and referenced the ‘monstrous and the immeasurable’ and the ‘level of fear, horror, revulsion, [and] pain set in motion by Beethoven’s music’.7
The impact of the notion of the sublime within critical perception of music showed particularly in the privileging of the non-associative qualities of music. Hoffmann’s identification of sublime qualities became a key descriptor for expressing the impact of emotion in abstract terms. Although there is much ‘programmatic’ narrative music in the later nineteenth-century, ‘tone painting’ as a compositional technique was openly disparaged by many critics for whom abstract instrumental ‘absolute’ music remained the ideal.
Staffa, Fingal’s Cave exhibited 1832
Yale Center for British Art, Paul Mellon Collection
J.M.W. Turner’s painting Staffa, Fingal’s Cave (fig.1) was exhibited in 1832 and Mendelssohn’s overture was performed in London in the same year, a fact that has led to the two works being seen as linked historically.8 Many of Turner’s images show a tendency to dissolution and project the beginning of an abstract painterly aesthetic, which, according to Edward Lockspeiser and others writing about music and painting in the later twentieth century, can be seen as stemming from the aspiration to a musical state.9 Mendelssohn’s piece has tended to be categorised and valued as ‘music for music’s sake’, as absolute and not programmatic music. Lockspeiser, however, has seen in the work the beginnings of musical ‘impressionism’, referring to contemporary critical responses that spoke of the music’s veiled and blurred quality.10 Interestingly, in more recent times, a newspaper review of a performance of the Scottish composer Thea Musgrave’s 2005 Turbulent Landscapes, the second movement of which, ‘Shipwreck’, is a conscious homage to Turner’s Staffa, questioned the relevance of paintings for an appreciation of music, challenging the need for music to have any kind of associative ‘prop’.11
Towards the latter part of the nineteenth century, many artists and creative writers across Europe sought to depict sound and to capture the essence of music’s perceived mysteries, insights and truths. This tendency to ‘improvise’ with music’s non-imitative qualities and to enter into the ‘condition’ of music is expressed in the nineteenth-century writer and aesthetician Walter Pater’s essay ‘The School of Giorgione’ in Studies in the History of the Renaissance (1873) which set out to explore the interrelations of the arts. Pater did not seek a merger of all art forms within music’s keynote. ‘It is a mistake,’ he wrote, ‘to regard … all the various products of art as but translations into different languages of one and the same fixed quantity of imaginative thought’. And he went on to propose that ‘the sensuous material of each art brings with it a special phase or quality of beauty, untranslatable into the forms of any other. Each art … having its own peculiar and incommunicable sensuous charm, has its own special mode of reaching the imagination’.12 For Pater, music was more than a form; it was an artistic principle, one that sustained an ideal marriage of form and matter in the suspense of a perfect moment in which the subject and its expression ‘inhere in and completely saturate each other’.13 In such moments, he said, ‘life itself is conceived as a sort of listening’.14
In the second half of the nineteenth century music remained a Romantic art in an age dominated by positivism and realism. According to the academic Carl Dahlhaus who, writing in the 1970s, characterised the music of this time as ‘neo-romantic’, it was music’s ‘very dissociation from the prevailing spirit of the age’ that ‘enabled it to fulfil a spiritual, cultural and ideological function of a magnitude which can hardly be exaggerated.’15 For the nineteenth-century philosopher Schopenhauer, music remained above the positivism that connected art to the external through historical or environmental influences. Only music, he felt, was able to reveal absolute reality and ‘could in a sense, still exist even if the world did not, which could not be said of the other arts’, because ‘it is quite independent of the world of appearances’.16
In his 1870 essay on Beethoven the composer Richard Wagner, following the philosopher Schopenhauer, asserted that the category of the sublime was crucial for understanding music, declaring:
Surveying the historical advance which the art of Music made through Beethoven, we may define it as the winning of a faculty withheld from her before: in virtue of that acquisition she mounted far beyond the region of the aesthetically Beautiful, into the sphere of the absolutely Sublime; and here she is freed from all the hampering of traditional or conventional forms, through her filling their every nook and cranny with the life of her ownest spirit. And to the heart of every human being this gain reveals itself at once through the character conferred by Beethoven … on Melody, which has now rewon the utmost natural simplicity … Melody has been emancipated … and raised to an eternal purely-human type. Beethoven’s music will be understood throughout all time.17
Wagner’s essay revealed how for him music excited the highest of ecstasies such that by means of music it was possible to go beyond the self, into a state of boundlessness. The inner world, then, was the realm of the ear, which listened for the sublime; music became a form of revelation – a philosophy of deeply inward experience. For Wagner, music itself thus had a sublime calling.
The reputation of Beethoven remained colossal into the end of the nineteenth century, and it is significant that it was Beethoven’s music which gave rise to Wagner’s expression of characteristics of the sublime. The Ninth Symphony, particularly, was claimed by Wagner as a precursor of his own vision for the arts. Wagner’s work, like the music of Beethoven, was also simultaneously historicised and admired as modern by fin-de-siècle commentators.18 Premiered in 1865, his opera Tristan und Isolde had a massive impact, and, more than any of his other works, was responsible for turning him into a cult figure.19 Wagner was not only a composer but also a philosopher whose writings (translated into English in several volumes that appeared from 1892) set out notions of the ‘art work of the future’, and Gesamtkunst (the total work of art) that dominated new trends across the arts in the second part of the century. In ‘The Art Work of the Future’ (1849) and ‘Music of the Future’ (1860) he declared that the all the arts had a natural alliance, and that this alliance would serve to free both art and the artist to ‘the glad consciousness of his oneness with nature’.20
In Britain the cult of Wagnerism became particularly fervent in the 1890s, and ‘Tristanism’ took a strong hold. Tristan and Isolde set itself apart from Wagner’s other operas because it seemed to demand a private and personal response.21 The long drawn-out chromatic harmony served to slow time down, as if there was some kind of eternal hiatus springing from the love-making of the characters Tristan and Isolde. The music created a sensation of endless bliss surrounding the dying lovers. The opera was notorious for its overwhelming effects, and critical reception in words and other creative responses, such as illustration, fiction and poetry, emphasised the work’s striking modernity. The American critic James Huneker, whose books were published in Britain as well as in North America, declared Tristan and Isolde to contain ‘the seeds of the morbid, the hysterical, and the sublimely erotic – hallmarks of most great modern works of art’.22
Wagnerites 1894
© The Board of the Trustees of the Victoria and Albert Museum
Aubrey Beardsley’s depiction of women in an audience listening to Wagner’s music, Wagnerites 1894, suggests the interior gaze talked about by Schopenhauer and Nietzsche (fig.2). Music is internalised within the listener as exciting a purely private and silent experience, an intense physicalised response, with the music being worshipped as revelatory of ultimate truth. In her recent study of 1890s Wagnerism Emma Sutton asked of Beardsley’s image whether it was a representation or a critique of the erotic tension in a Wagnerian audience, or perhaps both, since Wagner’s work ‘was frequently – controversially – productive of introspective, solipsistic aestheticism’.23 This ‘erotic sublime’ was connected to a pre-Freudian idea of art as de-sublimating, as evidenced in the sexologist Havelock Ellis’s discussion in his 1898 essay, ‘Casanova’. For Ellis, Tristan and Isolde was an example of how modern art had taken over a role from Saturnalian orgies of earlier eras:
We have lost the orgy, but in its place we have art. Our respectable matrons no longer send out their daughters with torches at midnight into the woods and among the hills, where dancing and wine and blood may lash into their flesh the knowledge of the mysteries of life, but they take them to Tristan, and are fortunately unable to see into those carefully brought-up young souls on such occasions.24
Music was particularly important to the visions of the painter George Frederick Watts. In a recent re-assessment of the painter, the art historian Hilary Underwood has contextualised Watts’s musicalised art with the work of other aesthetic and symbolist painters to whom ‘music was the supreme art: non paraphrasable, non realistic, it conveyed profound emotion through its form.’25 From the late 1850s into the 1870s Watts was associated with a group of artists and writers around Rossetti and Whistler characterised by a desire to produce ‘art for art’s sake’. They aimed to communicate visually through what came later to be thought of as the ‘abstract’ means of line, form and colour, even when the human figure remained the basis. Pater’s ‘Conclusion’ to The Renaissance which speaks of the balance between the ‘desire of beauty and the love of death’, can be seen reflected in Watts’s Love and Death 1885–7 (fig.3), a work that became a key symbolist image after its first appearance in Paris.
Love and Death c.1885–7
English symbolist painters were drawn to the writings of the nineteenth-century French poet Baudelaire, also a Wagnerite, in this period. Baudelaire’s poetry and other writings became known in England by various routes, notably the admiration of the English poet Swinburne. Not only had Baudelaire developed a notion of synaesthesia in sympathy with Wagnerian ideals, which he called ‘correspondence’, but also he invoked a sense of the sublime in his reflections on the experience of listening to the music of Wagner:
When I heard it for the first time, with my eyes closed, feeling as though transported from the earth … I felt freed … and recaptured the memory of the rare joy that dwells in high places … Then, involuntarily, I evoked the delectable state of a man possessed by a profound reverie in total solitude, but a solitude with vast horizons and bathed in a diffuse light … Soon I became aware of a heightened brightness, of a light growing in intensity so quickly that the shades of meaning provided by a dictionary would not suffice to express this constant increase of burning whiteness. Then I achieved a full apprehension of a soul floating in light, of an ecstasy compounded of joy and insight, hovering above and far removed from the natural world … No musician excels as Wagner does in depicting space and depth, material and spiritual …He has the art of rendering … all that is excessive, immense, ambitious in both spiritual and natural man. Sometimes the sound of that ardent despotic music seeks to recapture for the listener, against the background of a shadow torn asunder … the vertiginous imaginings of the opium smoker … I had undergone a spiritual … revelation. My rapture had been so strong, so awe-inspiring, that I could not resist the desire to return26
Veronica Veronese 1872
Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935
In seeking alternatives to narrative descriptive painting several British artists from the 1860s onwards used music to suggest new subjects and compositions, and, in particular to explore femininity. Whilst not overtly addressing the sublime, the art historian Suzanne Fagence Cooper has reflected upon the ‘trance-like state often associated with musical images’, considering, for example, the ‘rêverie produced by listening to music’ as a key aspect of sensuality in Rossetti’s Veronica Veronese 1872 (fig.4).27 Here a female musician is seen not as a passive listener but as an artist within a creative process, in a state of absorption: Rossetti himself called this a ‘musical painting’. His observations about listening in pictures and poems reveal his involvement with music as lived experience, in a way which extended the Romantic tradition.28 In her study of Rossetti and song, the writer, Elisabeth Helzinger has recently suggested that Rossetti explored listening visually and poetically because of his intellectual fascination with the effects of the listening, paintings and poems being the means ‘in which aesthetic cognition and creation itself could be studied.’29
Images of women with musical instruments were a feature of Rossetti’s later works. In La Ghirlandata 1873, for instance, female allure is associated with music, specifically a harp. Echoing this connection, in ‘Two Fine Flowers of Celticism: Encores’ (1897), Israfel, the aesthetic writer Gertrude Hudson, used a painter as protagonist in the story to explore musical experience as a form of ecstasy. Losing ‘consciousness with the thought of music’, the fictional painter goes to Tristan and Isolde for inspiration. ‘As he heard the divine first orchestral sighs of “Tristan”, he shivered – they held a spirit. As the music rose, passion of love, passion of death, he saw the face, the mouth of music. His soul dilated’.30 His resulting work was a portrait of music, a ‘languishing Orpheus’ represented as a woman, because ‘music is feminine’ and because ‘music became his only picture.’31 Was Watts’s Hope (fig.5), with its despairing central female figure and one-stringed lyre, being evoked here?32 Or was it Simeon Solomon’s painting and Swinburne’s commentary on his musical works which were being called to mind for turn-of-the-century readers?
George Frederic Watts and assistants
The painter Whistler’s aspirations to musicality were articulated in the musical designations, such as symphony and nocturne, which he experimented with in the titling of his works. In the 1850s Whistler was a member of the painter Gustav Courbet’s circle in Paris, a group that included Baudelaire and Gautier who encouraged him to explore art in musical terms. Baudelaire’s remark that the ‘right way to know if a picture is melodious is to look at it from far enough away to make it impossible to understand it subject or to distinguish its lines’ is indicative of this.33 As a result of hostile criticism of Whistler’s painting (that involving the critic John Ruskin in particular), the association of the term ‘musical’ with ‘painterly’, as opposed to ‘literary’, was consolidated. Whistler’s titles signified that, for him, colour relationships had become abstract rather than mimetic, and that the qualities of tone, line and shape were tools for communication of subjective states.34 What Whistler wanted his viewers to do was not to read narrative into the paintings, but to feel the beauty and harmony of the colours and tones. Art could not deliver emotions or ideologies, according to Whistler. Art should appeal only to the artistic sense, not to emotions like love or patriotism; paintings were to be evocative like music.
Nocturne: Blue and Silver - Cremorne Lights 1872
Nocturne in Blue and Gold: Cremorne Lights 1872 is Whistler’s most empty of the night-time London paintings (fig.6). The composition’s subtle harmonies are intended to convey a state of mind. From 1872 Whistler started to re-title past works in order to emphasise their tonal qualities and de-emphasise the narrative content. At this time audiences for art were becoming attuned to these comparisons, led by their reading of critics who were contributing more than merely aping fashionable musical terminology. The theme of musicalised art became a dialogue between artists and critics.35 Were Whistler’s paintings ‘modern’ in the way they sought to suspend meaning? If aesthetic pleasure, rather than emotion, was Whistler’s understanding of the sublime, do his works defer resolution, like atonal music or even abstract painting? The disguising, even masking, associated with Whistler’s works is enhanced by the element of mystery provided by his musical titles. The critic Arthur Symons writing in Studies in Seven Arts (1906) suggested that Whistler’s works opened up the potential of art to the perceiver in a new way, because the paintings seemed to approach the viewer, rather than the viewer approaching the painting. Symons’s opinion appears inspired by Walter Pater yet embodies almost a postmodern sense of spectatorship: ‘Look around a picture gallery, and you will recognise a Whistler at once, and for this reason first, that it does not come to meet you. Most of the other pictures seem to cry across the floor: “Come and look at us, see how like something we are!” Each out-bids his neighbour, promising you more than your money’s worth. The Whistlers smile secretly in their corner, and say nothing. They are not really indifferent; they watch and wait, and when you come near them they seem to efface themselves, as if they would not have you even see them too closely. That is all part of the subtle malice with which they win you. They choose you, you do not choose them.’36
In The Lute of Apollo (1896) the reciter and writer Clifford Harrison suggested ‘there is a more interesting line of thought in the acknowledged association of colour and music than the development of a possible new art. It lies in the idea that – in some mysterious way … music and colour are in reality one and the same thing; that they are capable of transposition and interchange; and possibly possess, to some unknown but conceivable percipience, a unity – in sound that is seen and colour that is heard.’37 There are many examples of early twentieth-century composers who explored colour, both literally and metaphorically. Just before the outbreak of World War One, Scriabin’s Prometheus: Poem of Fire (1911) was played in successive years in London.38 This massive orchestral work featured an unusual use of choir, a four-part ensemble who vocalised on specific vowels with occasional ‘aspirate’, and attempted to express philosophical and theosophist ideas in music. It was seen as a natural progression of Wagner’s idea of a Gesamtkunst, and musically it developed late Wagnerian chromaticism and experiments with atonality. In Prometheus a ‘mystic chord’ made up of fourths permeates virtually the whole piece, and is treated like a tonal centre, that is, not as a discord seeking resolution, but the fundamental tone of the piece. The Promethean focus here links back to Beethoven’s The Creatures of Prometheus about the creation of mankind, and to the Romantic enthusiasm for the Titans’ rebellion against the gods. Scriabin said: ‘I am inclined to ascribe the enthusiasm for my Prometheus in England not so much to its music as to its mysticism’.39 An interesting example of the impact of Scriabin on British art, Duncan Grant’s Abstract Kinetic Collage Painting with Sound 1914 (fig.7) was inspired by the colour-music dynamics and the media interest in the ideas behind the composer’s work.40
Duncan Grant
Abstract Kinetic Collage Painting with Sound 1914
© The estate of Duncan Grant
In his essay on ‘The Art Work of the Future’ Wagner used the sea as an extended metaphor for music, speaking of a sea of harmony and referring to the attraction of the depths: ‘Man dives into this sea … His heart feels widened wondrously, when he peers down into this depth … whose seeming bottomlessness thus fills him with the sense of marvel and the presage of Infinity’.41 There are resonances of Wagner’s Tristan und Isolde with its sailing voyage and tragic plot, in Delius’s Sea Drift, composed in 1903–4, which confronts sublime tropes of mortality, loss and death through a musical seascape bounded by a profound sense of solitude. Furthermore, there is a connection to British visual artists’ fascination with seascapes and Turner’s immersion in the waters of the nautical sublime. Delius’s work is far from being merely representational of nature; an emotional response to the sea lies at its core. Its pantheistic pessimism reveals the influence of the German philosopher Friedrich Nietzsche. Towards the end of Sea Drift, the bonding of a boy and a sea-bird almost becomes apocalyptic, expressing a moment of sublimity when the gull-cries become the boy’s cries as he sings ‘High and clear I shoot my voice over the waves’. And in Delius’s 1899 ‘Song of the High Hills’, the opening descending strings awakened the despair of the lowland, whereas the higher plane was conveyed by use of a wordless chorus in the section ‘The Wide Far Distance – The Great Solitude’ to suggest transcendent and non-human powers. The musicologist Christopher Palmer has striven to capture what for him lay at the heart of Delius’s aesthetic, describing this as the sensation of being suddenly gripped in a nocturnal setting by distant and unseen voices sounding from across the landscape – poignant and distant sounds expressing undefined longing and Weltschmerz.42 In another ‘religious’ and pantheistic work from the same year, the Mass of Life, the rarity of high places where the ego dissolves and is sublimated in the natural is expressed by Delius in a chromatic harmony derived from Tristan and Isolde and through the Dionsyian celebrations of Nietzsche’s Zarathustra, the dancing superman. There are also parallels between Delius’s vision and the early twentieth-century experiments of Scriabin, with his proposed multi-dimensional total work of art ‘Mystery’.
In the same period in which he observed anaesthetised Wagnerite matrons, Beardsley also illustrated Oscar Wilde’s play Salome. Wilde’s symbolist reading of the biblical story of the femme fatale dancer was transplanted to the field of music with Richard Strauss’s 1905 opera, first performed in London in 1910. Wilde had written his play when Egerton had been writing Keynotes. Her story from that collection, ‘A Cross Line’, concerns the apparent liberation of an unnamed woman with a fetishistic need for attention indulging in a fantasy dance with snakes. Similarly, for the character Salome, a dominant figure across the turn-of-the-century arts – unlike the more anonymous and communal Wagnerite audience – participation in the ecstatic sublime was a public exhibition of out-of-control delirium resulting in murder. There seems here to be a relationship worth exploring between what happens to the feminine as it encounters the sublime and the ways that by the early twentieth-century musical language was characterised. Was atonal, colouristic and highly-textured ‘painterly’ music veering into the abyss of abstraction, chaotic and disorderly like the female; was it merely strange and exotic in its decadence; or was it rather a new ‘modern’ sense of art which was slowly liberating itself from romantic shackles?
The comparative cultural historian Brad Bucknell has recently commented that ‘the move towards music seems part of a tension within modernism itself which seeks both to abolish and preserve its romantic past at one and the same time’.43 And the art historian Karin von Maur has explored examples of twentieth-century painting which employ music as image, technique and metaphor, as a means of challenging existing artistic practices.44 For the writer and arts critic Christopher Butler, what defines a work as modernist ‘is not just the loyalty of its maker to the aesthetic of an evolutionary or disruptive tradition … but its participation in the migration of innovatory techniques and their associated ideas’.45 The sublime in music, the sublime and music, are within that ‘changing framework of ideas’ or ‘conversation’ among artists and critics which formulated subjective concepts to articulate and inspire stylistic change in modernist work in all the arts, work which in turn both conspired with and provoked audiences.46 Understanding the contemporary taste for particular sorts of music, how that taste was defined and notions of what music itself signified, and to whom, are meaningful to any discussion of thinking about the sublime in the later nineteenth century. The topos and techniques of music, explored in and through painting, delineated the sublime itself as a concept in the control of the receiver as much as the creator of art.
Today, the term ‘sublime’ has been and continues to be applied widely and enthusiastically to musical works of diverse character and genre.47 In common usage, it is applied where the experience of a work has any kind of overwhelming impact upon an individual.48 Postmodern theory has defined this impact as dealing with what lies somehow ‘beyond’, using concepts which embody absence – the unknown, the unspeakable, the unthinkable. This terminology is not so far removed from earlier conceptualisations, although it appears more tinged with negativity than the ecstatic language of previous centuries. In the catalogue for the end-of-the-twentieth-century Arts Council touring exhibition Sublime: The Darkness and the Light (1999) Jon Thompson stated that: ‘While traces of “sublime” experience are to be found in the art and literature of almost every period, the aesthetic category of “the sublime” as we know it today, was essentially an invention of the late eighteenth century’.49 There are, he comments, typical sublime subjects, but it is not works themselves which can be named ‘sublime’, rather, that the experience of the sublime can be re-presented in art works and consequently the receiver can gain access to sublime experience. Recently, for example, the contemporary philosopher Aaron Ridley, has expressed his conviction that empathetic response to music remains valuable, saying, ‘A state of soul … can be expressed in music – the state of a persona constructed in the musical experience of a responsive listener’.50
The eighteenth-century emphasis on individual aesthetic response as autonomous experience, thus, connects to the recent postmodern re-articulation of the subjective. The postmodern sublime carries a similar desire for the human to overpower the natural as had been expressed by the eighteenth-century philosopher Kant, and demonstrates a belief that an individual might, through such an experience be able to merge with the universal. This is how Judy Lochead conceives of it in a 2008 debate with James Currie concerned with ‘Theorizing Gender, Culture, and Music’. Lochead points out the consequences of the continuing polarisation of the beautiful and the sublime, because of the association of the beautiful with the feminine and the gendering of the nature of knowledge which continues to privilege the dominance of ‘concepts that are contrary to the philosophical and political goals of feminism’.51 This is a concern in relation to nineteenth-century music history because of the way that the philosophical expression of the notions of the beautiful and the sublime became gendered in the reception of music.52 The various re-inscribings of meaning by successive generations of listeners went largely unchallenged until late twentieth-century re-readings. Lochead and Currie have both showed concern that the concept of the sublime continues to be used in ways which retain what it sought to overcome, and that its use continues to avoid the construction of ‘a critical perspective on subjective aesthetic experience’.53
Recently Tate Liverpool’s website promoting its 2008 Gustav Klimt exhibition referred to the 1902 exhibition of the Secession as ‘a sublime realisation of the Gesamtkunstwerk in which the different arts … were united under a common theme.’54 In the late nineteenth century, although there were connections between the English Arts and Crafts movement and the Viennese secession, Klimt’s Beethoven Frieze, which was made for the 1902 Secession exhibition, would barely have been known about in Britain. Built into the ‘gilded cabbage’ exhibition hall in Vienna, it could not travel. For Tate Liverpool’s major retrospective it was considered sufficiently important a work to be reconstructed. Today in Britain, Klimt’s work, which was inspired by Wagner’s response to Schiller’s ‘Ode to Joy’ from Beethoven’s Ninth Symphony, provides perhaps the supreme example of how musical art linked the nineteenth-century idealisations of the sublime to the avant-gardism of the Austrian Jugendstil magazine Ver Sacrum (Sacred Spring).
Klimt is now one of western art’s best known and most commercially valued artists. His Beethoven Frieze consists of a series of panels that together create an impression of a temple to art. The perceiver is compelled to participate interactively with the work by moving around it, and to view it in conjunction with other related exhibits honouring Beethoven. The staged narrative of the painting depicts the Arts fulfilling a yearning for happiness, symbolised by five women who lead the perceiver or listener into an ideal state. Poetry is a woman playing a lyre; and the final image is erotic – an angel choir and a couple welded and wedded in a kiss. The ‘aspiration’ to musicality spoken of by Walter Pater, so influential in the late nineteenth century, can now be accessed very explicitly by means of the accumulated knowledge and reputation of Klimt’s work. Thus, the state of being in music and the imbuing of the self with the spirit of music found in Klimt’s images enable re-reading of the history of the sublime in and around nineteenth-century music to continue.
1. Michael P. Steinberg, Listening to Reason: Culture, Subjectivity, and Nineteenth-century Music, Princeton and Oxford 2004, pp.7–8.
2. In 1985 Peter Franklin wrote about the way that ‘the first apologists of modernism’ pressed ‘the nineteenth century’s post-Darwinian notion of evolutionary progress’ into service and constructed a narrative of the disintegration of musical language as inevitable. Franklin’s analysis had a provocative effect on the refiguring of perspectives about modern music, on the acknowledgement of the key role for criticism in the construction of history and on the development of critical musicological thinking about the significance of music as idea as much as form, technique, work or style. The Idea of Music; Schoenberg and Others, Basingstoke 1985.
3. Charles Rosen, Critical Entertainments: Music Old and New, Cambridge MA 2001, p.295.
4. Thomas S. Grey, ‘Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn’s Orchestral Music’, 19th-Century Music, vol.21, no.1, Summer 1997, p.41. See also Thomas S. Grey ‘Fingal’s Cave ad Ossian’s Dream: Music, Image, and Phantasmagoric Audition’, in Marsha L. Morton and Peter L. Schmunk (eds.), The Arts Entwined: Music and Painting in the Nineteenth Century, New York and London 2000, and Leon Botstein, ‘The Aesthetics of Assimilation and Affirmation: Reconstructing the Career of Felix Mendelssohn’, in Mendelssohn and His World, ed. by R. Larry Todd, Princeton 1991, pp.26–30.
5. Steinberg, Listening to Reason, p.98.
6. In 1850 Wagner praised the work as a masterpiece of a landscape painter of the first order, but in so doing aligned it with the programmatic and restricted it to mimesis. He also expressed this as evidence of the limitation of Jewish composers.
7. Mark Evans Bond, Music as Thought: Listening to the Symphony in the Age of Beethoven, Princeton and Oxford 2006, p.45.
8. Edward Lockspeiser, Music and Painting, London 1973, p.11.
9. Ibid, p.51.
10. Lockspeiser, p.11.
11. See the London Evening Standard review, 21 July 2005 of the work’s Proms premiere, and other reviews, accessed 26 October 2010.
12. Graham Hough and Eric Warner (eds.), Strangeness and Beauty: An Anthology of Aesthetic Criticism 1840-1910, Volume 2: Pater to Arthur Symons, Cambridge 1983, pp.24–5.
13. Ibid, p.28.
14. Walter Pater, The Renaissance: Studies in Art and Poetry, London 1873, p.151.
15. Carl Dahlhaus, Between Romanticism and Modernism, trans. by Mary Whittall, London and California 1980, p.5.
16. Raymond Furness, Wagner and Literature, Manchester 1982, p.4.
17. Richard Wagner, Beethoven, trans. by William Ashton-Ellis, London 1870, pp.103–4.
18. See Emma Sutton’s reading of Symons’s 1906 essay, for example, in Aubrey Beardsley and British Wagnerism in the 1890s, Oxford 2002.
19. See: David C. Large (ed.), Wagnerism in European Culture and Politics, Ithaca and London 1984.
20. Richard Wagner, Prose Works, vol.1, trans. by William Ashton-Ellis, London 1892, p.71.
21. Elliot Zuckerman, The First Hundred Years of Wagner’s Tristan, New York and London 1964, p.30.
22. James Huneker, Overtones: A Book of Temperaments, London 1904, pp.330–1.
23. Ibid., p.89.
24. Havelock Ellis, Affirmations, London 1898, p.115.
25. Hilary Underwood, ‘Watts and Symbolist Art in the Nineteenth Century’, in Veronica Franklin Gould (ed.), The Vision of G.F. Watts, Salisbury 2004, p.30.
26. Hough and Warner (eds.), Strangeness and Beauty, vol.1 Ruskin to Swinburne, pp.206–7. See also chapter 2 of Simon Shaw-Miller, Visible Deeds and Music, New Haven and London 2002.
27. Suzanne Fagence Cooper, ‘Aspiring to the Condition of Music: Painting in Britain 1860–1900, in Jeremy Dibble and Bennett Zon (eds.), Nineteenth-Century British Music Studies, vol.2, Aldershot 2002, p.259.
28. Elizabeth Helsinger, ‘Listening: Dante Gabriel Rossetti and the Persistence of Song’, Victorian Studies, vol.51, no.3, Spring 2009, p.420.
29. Ibid., p.412.
30. Israfel Mondego, Impossibilities: Fantasias, London 1897, p.166.
31. Ibid., p.161. I discuss this further in C. Purkis, ‘“You might have called it beauty or poetry or passion just as well as music”: Gertrude Hudson’s Fictional Fantasias’, Sophie Fuller and Nicola Loessef (eds.), The Idea of Music in Victorian Fiction, Aldershot 2004, pp.197–223.
32. Nicholas Tromans, G.F. Watts’ Hope: The Life and Times of a Victorian Icon, Watts Gallery, Compton 2011 (forthcoming).
33. J. Mayne (ed.), Art in Paris, 1845–1862: Salons and other Exhibitions, Oxford 1965, p.50.
34. Morton, ‘From the Other Side’, p.12.
35. Suzanne Fagence Cooper, ‘The Liquefaction of Desire: Music, Water and Femininity in Victorian Aestheticism’, Women: A Cultural Review, 2009, vol.20 no.2, p.187.
36. Arthur Symons, Studies in Seven Arts, London 1907, pp.146–7.
37. Clifford Harrison, The Lute of Apollo, London 1896, p.95.
38. Performances in London in 1913 and 1914.
39. Fabion Bowers, Scriabin: A Biography of the Russian Composer 1871–1915, Mineola 1996, p.266.
40. This work is more fully discussed in Richard Shone The Art of Bloomsbury, London 1999, pp.154–5.
41. Section 4 ‘The Art of Tone’ in ‘The Art Work of the Future’, in William Ashton Ellis, Wagner’s Prose Works, vol.I, London 1892, p.36.
42. See Christopher Palmer, Impressionism in Music, London 1973 and Delius: Portrait of a Cosmopolitan, London 1976.
43. Brad Bucknell, Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein, Cambridge 2001.
44. Karin von Maur, The Sound of Painting: Music in Modern Art, Munich, London, New York 1999. See also Peter Vergo The Music of Painting: Music, Modernism and the Visual Arts from the Romantics to John Cage, London and New York 2010.
45. Christopher Butler, Early Modernism: Literature, Music and Painting in Europe, 1900–1916, Oxford 1994, p.16.
46. Ibid., pp.16, 24.
47. See, for example, T. Armstrong, ‘Response: Music, Image and the Sublime’, Textual Practice, vol.22: no.1, 2008, pp.71–83, who discusses qualities in twentieth-century cinema music which give rise to the sublime, relating Enlightenment philosophy to modern day film examples.
48. A. Ridley, The Philosophy of Music: Theme and Variations, Edinburgh 2004, p.162: ‘I listen to Tapiola [Sibelius] and am simply ravished by its “purely” musical beauty (indeed its sublimity).’
49. Sublime: The Darkness and The Light (National Touring Exhibition from the Hayward Gallery London), London 1999, p.21.
50. A. Ridley, Music, Value and The Passions, Ithaca and London 1995, p.186.
51. J. Lochead, ‘The Sublime, the Ineffable, and Other Dangerous Aesthetics’, in: Women and Music, vol.12, 2008, p.63.
52. See, for example, Derek B. Scott’s discussion in From the Erotic to The Demonic: On Critical Musicology, New York and Oxford, p.43: ‘the ideology of the sublime and the beautiful…fenced off the category of greatness in music as a male domain.’
53. J. Lochead, ‘Experience, Borders “How therefore must we live?” A response to James Currie’, Women and Music: A Journal of Gender and Culture, vol.12, 2008, p.94.
54. See Tate Liverpool 2008 exhibition Gustav Klimt.
A version of this paper was first presented at the conference The Sublime in Crisis? New Perspectives on the Sublime in British Visual Culture 1760–1900, September 2009 at Tate Britain, organised by the AHRC funded research project ‘The Sublime Object: Nature, Art and Language’. Other papers relating to the Sublime Object can be found in Tate Papers no.13 and no.14.
Charlotte Purkis is Principal Lecturer in Performing Arts at the University of Winchester
Tate Papers Autumn 2010 © Sarah Monks
Charlotte Purkis, ‘Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art’, in Tate Papers, no.14, Autumn 2010, https://www.tate.org.uk/research/publications/tate-papers/14/listening-for-the-sublime-aural-visual-improvisations-in-nineteenth-century-musical-art, accessed 21 January 2020.
Tate Papers (ISSN 1753-9854) is a peer-reviewed research journal that publishes articles on British and modern international art, and on museum practice today.
Tate Liverpool
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900: past Tate Liverpool exhibition.
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All posts in Dark Model
Home > Topics > Dark Model
“Be A Badass” Tatsuya and Model Electronic will release Dark Model’s new album on Aug 26th (Mon), 2019 (Digital/CD). Following the Independent Music Award winner “Saga,” the third full-album “Flashback”…
Dark Model – Prelude
“Prelude” is the opening track of the album “Saga.” While the first album mainly consisted of somber, literally “dark” tracks including the opening “Dance of Wrath,” as the tagline…
Dark Model “Saga” Wins the 16th Annual Independent Music Award
I’m so glad to announce that Dark Model’s latest release “Saga” has won the 16th Annual Independent Music Award (IMA) for Best Dance/Electronica Album. My big thanks go out to all of IMA judges and everyone who has…
Dark Model – Danse Macabre (Dance of Death)
This is a mysterious and a little ominous, and a very uplifting track featuring choir sound. When I began to sketch this track, it was much slower (around BPM 120) than the album version. Also, I didn’t think of using a choir. As I had felt…
Dark Model – Labyrinth (from “Saga”)
Unlike the other tracks of “Saga,” there are little electronic elements in this track “Labyrinth” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s…
Dark Model Music Placements: Roxy #MakeWavesMoveMountains & Mongoose
Dark Model’s tracks were licensed and featured in these promo videos. Hopefully, you will enjoy the music used in these videos. Roxy featured Dark Model’s “Candle in the Desert (No Piano Mix)” in their #MakeWavesMoveMountains…
Dark Model – Inferno Suite (from “Saga”)
Apocalyptic and uplifting “Inferno Suite,” which is included in the latest album “Saga,” was composed as a self-contained “suite,” a sequence of short musical dramas. I came up with the rough idea of this track long before I undertook…
Dark Model First Album CD Repressed & Restocked
CD copies of Dark Model’s first album were repressed and restocked. If you are interested in handling this title at your store, please contact Alliance Entertainment Corporation or CD Baby. Alliance Entertainment Corporation: http://www.aent.com/…
Dark Model Jukebox on Spotify
Do you use Spotify? Here is my playlist of all the Dark Model tracks (entire catalog) available on Spotify. Dark Model’s future releases will be added to this playlist. Shuffle is highly recommended. Hopefully, you will follow Dark…
Tatsuya Oe Updated: November 8, 2019
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Revved Up
Positive Business
TBE Blog
Akcess bus business comes to the rescue for Swindon patient transport
By Anita Jaynes on 7 March, 2016
Akcess, the Swindon community bus company, has stepped in to provide a vital service, transporting dialysis patients to and from the town’s Great Western Hospital.
Akcess, which provides school transport and transport for children with special needs, wheelchair users and elderly people with mobility problems, came to the aid of the current provider, which had been struggling to provide a quality service for patients needing dialysis six-days-a-week at GWH.
A community interest company, Akcess was already helping out in Oxfordshire with non-emergency patient transport services, known as NEPTS. Now it has taken on transporting more than 16 people to and from their dialysis treatment in Swindon. And it has also taken on NEPTS transport in Gloucestershire, with between one and two crews a day providing patients with transport home to and from, or between, hospitals throughout the entire county.
To cater for this expanding side of its business Akcess has set up a sister company, Akcess Medical. Director Mark Kennedy has invested in a fleet of ten ambulances, intensive first aid training for staff, and had the operation inspected and fully endorsed by the Care Quality Commission.
“We had been helping out with NEPTS in Oxfordshire for some time,” said Mark. “We were then asked by the same provider to help out with renal patients who were having lengthy waits to be taken to and from their dialysis treatment at Great Western Hospital.
“We set up Akcess Medical Ltd, and have been approved by the CQC, so we could extend our service into Gloucestershire. In fact, ours is the only NEPTS transport vehicle in Gloucestershire to carry a defibrillator.”
Mark ensured all staff undertook an intensive ambulance care assistant course, so they are able to administer first aid; on more than one occasion, they have had to help patients who have been taken ill.
Mark said: “Akcess Medical is still a relatively small part of our business, mainly because the school and day centre transport side has grown extensively over the last year and we now have 135 vehicles on the road, but it has great potential to grow. We have taken over the building next to us here in Elgin for Akcess Medical, so we have the room we need to expand.”
For more information, visit www.akcess.co.uk or contact Mark on 01793 855550.
Pictured above: Mark Kennedy with an Akcess ambulance
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Home / Technology / Download popular iOS game Temple Run for Android
Download popular iOS game Temple Run for Android
April 21, 2013 July 3, 2019
After Angry Birds Space, another big game will be released on Android this month – Temple Run. It is a popular running game on Apple iOS devices (iPhone, iPod Touch and iPad), and is coming to Android on March 27.
Imangi Studios, developers of Temple Run, has announced the release date. The game has been eagerly anticipated by Android gaming fans, and will no doubt be well received.
Temple Run .apk file
Temple Run is now available on Android! Get it for free from Google Play Store. Or, hit the link below to download the apk setup file.
Download Temple Run apk installer
If you own an older or low end Android device with an ARM v6 processor, try these unofficial ARM v6 ports modified to work on these older devices: Temple Run apk link 1, link 2, link 3.
These have been reported to be working by many users. Let us know in comments how it works for you!
For those of you complaining that the game is slow and buggy: let me remind you that this is the first release by its developers, who have been releasing games exclusively for iOS for several months. Give them a few weeks, and I am sure they will iron out all the bugs in the Android version.
About Temple Run game
Temple Run is a running game, originally exclusive to Apple iOS devices. It was released as a 99c game, and later made free (supported by in-game purchases). It became hugely popular and topped the iOS App Store free apps list. It is developed by a tiny studio, consisting of husband-wife team Keith Shepherd and Natalia Luckyanova (programmers) and game designer Kiril Tchangov.
The game sees you play explorers who steal a precious idol from an ancient temple. The game revolves around escaping the troubles that befall the explorers when they try to steal the temple treasures. Various obstacles are encountered, and some demonic monkeys chase the player. Game play involves avoiding obstacles by jumping, ducking or turning. While running, players can get various powerups, coins, bonuses and unlocks to enhance their gameplay. Players can also buy these powerups and bonuses in the game store, which is how the game developers make money.
Scoring is based on distance survived and coins collected.
Temple Run was originally announced for a February 2012 release, but got pushed to a March 27 date.
Temple Run tips, tricks and cheats
There are various websites that provide cheats, tips and tricks for the game. Aptly named Temple Run Cheat is one such website.
Temple Run fan sites
Like any popular game with a massive fan following, Temple Run also has dedicated fan sites where obsessed players discuss tips, tactics and various information about the games. Example: Temple Run.org
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Predators 'a little slow' in 4-1 loss to Capitals
Nashville lost in regulation for just the second time in 18 games.
Predators 'a little slow' in 4-1 loss to Capitals Nashville lost in regulation for just the second time in 18 games. Check out this story on Tennessean.com: https://tnne.ws/1pu0qj3
Adam Vingan, USA TODAY NETWORK — Tennessee Published 8:37 p.m. CT March 18, 2016 | Updated 10:46 p.m. CT March 18, 2016
Predators vs. Capitals
Predators forward Colton Sissons has two goals and three points in seven games since being recalled to replace injured center Paul Gaustad. Alex Brandon / AP
Predators coach Peter Laviolette stands in the bench in the third period against the Capitals on Friday in Washington. Alex Brandon / AP
Capitals coach Barry Trotz smiles in the third period against the Predators on Friday in Washington. Alex Brandon / AP
Predators coach Peter Laviolette talks with referee Dan O'Halloran during the third period against the Capitals on Friday in Washington. Alex Brandon / AP
Capitals goalie Braden Holtby hands the puck to linesman Tony Sericolo after a save in the second period against the Predators on Friday in Washington. Alex Brandon / AP
Capitals defenseman Karl Alzner works to get the puck against Predators left wing James Neal (18) and right wing Viktor Arvidsson (38) during the second period Friday in Washington. Alex Brandon / AP
Predators goalie Carter Hutton reaches for the puck in the first period against the Capitals on Friday in Washington. Alex Brandon / AP
Capitals left wing Alex Ovechkin sits on the bench during a break in the first period against the Predators on Friday in Washington. Alex Brandon / AP
Capitals left wing Alex Ovechkin gets away from Predators center Craig Smith during the first period Friday in Washington. Alex Brandon / AP
Capitals defenseman Matt Niskanen and Predators center Craig Smith vie for the puck during the first period Friday in Washington. Alex Brandon / AP
Capitals goalie Braden Holtby takes the ice before the third period against the Predators on Friday in Washington. Alex Brandon / AP
Capitals defenseman Matt Niskanen and Predators center Craig Smith vie for the puck during the first period Friday at Washington.(Photo: Alex Brandon / AP)
WASHINGTON — When the Predators last saw the the NHL-leading Capitals last month, a regulation loss at Bridgestone Arena left them barely holding a playoff spot.
In the 17 games that followed prior to Friday's rematch, the Predators' 11-1-5 record was the NHL's best over the past five weeks, allowing them to claim a seemingly ironclad grasp of the Western Conference's first wild-card spot.
The NHL's hottest team, however, was no match for the league's best Friday in a 4-1 loss, just Nashville's second regulation loss in its past 18 games.
"Just a little slow," Predators captain Shea Weber said. "They were a little better than us tonight, and we couldn't really get anything going offensively."
Predators reminded of back-to-back pressures
One night after demonstrating their recent dominance in a victory against the Islanders, the Predators didn’t have the same energy against the Capitals, the only team in the NHL to have already clinched a playoff berth.
Washington’s historic regular season has been predicated on overpowering offense, which Nashville witnessed in the second and third periods, allowing four unanswered goals after taking a 1-0 lead on a power-play goal from forward Filip Forsberg, who is now within one goal of becoming the Predators' first 30-goal scorer since the 2009-10 season.
That was the only highlight for the Predators, who otherwise struggled to produce many high-quality chances.
"It's not good enough," Forsberg said. "Obviously we didn't play as good as we wanted in the first. In the second period, obviously we got a goal, but after that, they took it over. In the third period, we kind of shot ourselves in the foot by giving up the fourth one right away. After that, we got some chances, but I don't think it's good enough."
Said Predators coach Peter Laviolette: "Our heart was in the right place. Our legs were a little bit behind. ... We kept pushing. We kept trying. We never quit. It wasn't our sharpest game."
5 takeaways from Predators' 4-1 loss to Capitals
The 82-game marathon that is the NHL's regular season is nearing the finish line, with the Predators having only 10 games left before a potential playoff appearance. Friday's loss was a slight hiccup in what has been a torrid stretch, so the Predators can't allow it to drastically alter their current trajectory.
"I think just keep where we're at," said Predators goaltender Carter Hutton, who made 25 saves. "Tonight wasn't our best, but we're happy with (Thursday's win). I think the urgency we've been playing with is great, all lines firing. I think that's our biggest thing, just chip away and find a way to get points in tough situations. This time of year is tight and we've just got to continue to roll here."
Reach Adam Vingan on Twitter @AdamVingan.
KINGS at PREDATORS
When: 7 p.m. Monday
TV/radio: Fox TN/102.5 FM
Predators (Photo: File)
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Estes: The odds finally caught up with Titans after a special run
Vote for The Tennessean's high school girls athlete of the week
Chiefs DE Frank Clark says Derrick Henry isn't hard to tackle
Chiefs 35, Titans 24: Titans fall a win short of Super Bowl
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Australian Open Packages
We hope you'll join us "Down Under" for the first Grand Slam of the year at the Australian Open. Featuring all the world's top players, it's considered a favorite with the players and fans alike. Held in picturesque Melbourne that is just a delight with its eclectic restaurants, trendy shops, and amazing parks, the tournament attracts fans from around the world. Since 1991 we have provided thousands of fans with complete packages to the Australian Open featuring hand picked 3, 4 and 5 star Melbourne hotels, tennis tickets in your choice of seating level on Rod Laver Arena and a host of fantastic tour options. Make it a plan to hit this unbelieable event you will absolutely love it. Championship Tennis Tours is neither affilitated with the Australian Open or Tennis Australia, or an official onseller of the event.
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Quick Links: First WeekMiddle RoundsFinal Week Order of Play
A trip to the Australian Open offers an incredible escape from the northern hemisphere winter, providing great tennis action and so much more! The first week is a celebration of incredible matches throughout the grounds.
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Nights: 3 | Rounds: Opening Rounds
AUTR1 1 2 3 4 5 6 7 8 01/19 - 01/22 3 3 stars 4 stars 5 stars Opening Rounds Mon and Tue Day Sessions (2 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
AUTR2 1 2 3 4 5 6 7 8 01/21 - 01/25 4 3 stars 4 stars 5 stars Opening Rounds Wed and Thu Day Sessions (2 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
AUTR3 1 2 3 4 5 6 7 8 01/19 - 01/24 5 3 stars 4 stars 5 stars Opening Rounds Mon, Tue, Wed, and Thu Day Sessions (4 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
In the middle rounds of the Open, upsets abound and surprising runs are built following an offseason of hard work or laziness..
Nights: 3 | Rounds: Middle Rounds
AUTR4 1 2 3 4 5 6 7 8 01/24 - 01/27 3 3 stars 4 stars 5 stars Middle Rounds Fri Eve, (Sat and Sun Day Sessions) (3 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
AUTR5 1 2 3 4 5 6 7 8 01/23 - 01/28 5 3 stars 4 stars 5 stars Middle Rounds Fri, Sat, Sun, and Mon Day Sessions (4 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
Final Week:
Comprised of survivors from the first week battles, these tennis warriors will fight to the end for the honor to take home the year's first Grand Slam title.
Nights: 3 | Rounds: Quarterfinals
AUTR6 1 2 3 4 5 6 7 8 01/27 - 01/30 3 3 stars 4 stars 5 stars Quarterfinals Tue and Wed Day Sessions (2 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
Nights: 3 | Rounds: M/W Semifinals
AUTR7 1 2 3 4 5 6 7 8 01/29 - 02/01 3 3 stars 4 stars 5 stars M/W Semifinals Thu Day and Fri Sessions (2 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
Nights: 3 | Rounds: M/W Finals
AUTR8 1 2 3 4 5 6 7 8 01/31 - 02/03 3 3 stars 4 stars 5 stars M/W Finals Sat and Sun (2 Sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
Nights: 6 | Rounds: Final Rounds
AUTR9 1 2 3 4 5 6 7 8 01/28 - 02/03 6 3 stars 4 stars 5 stars Final Rounds Th-Sun (5 sessions) CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1 CAT 3 CAT 2 CAT 1
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Ibis on Swanston Hotel
Quality Chain
NEIGHBORHOOD: City Center
ibis Melbourne Swanston Street is steps away from the iconic landmarks and tourist destinations of Melbourne. Our Melbourne Hotel features 235 comfortable rooms and WiFi connection. Enjoy easy access to the Queen Victoria Market, Lygon Street Italian precinct, restaurants at Gertrude Street, Royal Exhibition Building and the shopping district of downtown Melbourne. With the Emporium and Melbourne Central Shopping Centre both 10 minutes' walk from the hotel, everything is at our doorstep.
Full Description and More Photos
Radisson on Flagstaff Gardens
Close to Event
NEIGHBORHOOD: Near Queen Victoria Market
Explore Australia’s cultural capital with ease from Radisson on Flagstaff Gardens Melbourne. Our modern hotel is within walking distance of popular Melbourne attractions, including Melbourne Park, Etihad Stadium and the world-famous Queen Victoria Market. Return to the Radisson at the end of the day for exquisite, expertly prepared meals at HQ's on William Restaurant, and then enjoy breathtaking views of the Melbourne skyline from our rooftop gym and spa.
Swanston Hotel Grand Mercure
Positioned in an unrivalled location in the very heart of Melbourne. The Swanston Hotel, Grand Mercure is a 4.5 star hotel on Swanston Street surrounded by the city's most popular business and shopping precincts, theatres, galleries, bars and restaurants. With vibrant Bourke St Mall right on your doorstep, other attractions like Melbourne Park, Federation Square, Southbank, Her Majesty’s and Regent Theatres, Queen Victoria Markets and Melbourne Central Shopping Complex are just a short stroll away. In addition, a quick tram ride will take you to all major sporting venues including the MCG and Etihad Stadium plus the city’s cosmopolitan shopping and entertainment hotspots such as St Kilda, Chapel St, Bridge Rd and Brunswick St.
Melbourne Parkview Hotel
NEIGHBORHOOD: Albert Park
Set in the heart of Melbourne, this quiet hotel features 206 rooms and offers a spa center, an indoor heated pool and a tennis court. The building was renovated in 2011. Rod Laver Arena, Etihad Stadium and St Kilda Sea Baths along with lakes are set close to the hotel. It is set 1 km from the center of Melbourne renowned for Fawkner Park, Albert Park and Chapel Street. The hotel is surrounded by restaurants and a stadium. All air-conditioned guest rooms including Special Single Room, Deluxe Corner Double Room and Deluxe Triple Room come with modern facilities. The property boasts views of Albert Park from its rooms. An electric kettle, coffee/tea makers and a fridge as well as private bathrooms with a walk-in shower, terry bathrobes and a hairdryer are available in each room. Guests can savor tea and coffee in the terrace bar.. On-site spa options feature a plunge pool, a sauna and a Jacuzzi. There are a gym and fitness center provided at Melbourne Parkview Hotel.
Atlantis Hotel
NEIGHBORHOOD: Southern Cross Station
The Heart of the City - Stay right where you belong. The 4 Star Atlantis Hotel welcomes travellers into a comfortable atmosphere where you’ll feel right at home. Located on Spencer Street and right opposite Southern Cross Station and Etihad Stadium and easy walking distance to all the marvels Melbourne has to offer. Connect with comfort in one of our 232 guest rooms. These contemporary rooms all contain sleek furnishings, flat-panel 32 Inch LCD TVs, a comfortable bed, a generous working desk and some with City or Docklands views. Want to keep fit and active whilst at the hotel? Then why not head down to the heated pool for a few laps, jump into the gym for a workout on our LifeFitness® equipment or just relax in the sauna? However should you prefer to relax whilst at the hotel then why not speak to one of our friendly reception staff for some great tips on where to eat or drink in town. We can also arrange tours and offer advice on what to do and see whilst you are in Melbourne.
Rydges Hotel
NEIGHBORHOOD: Theater District
Service & style radiate from our Melbourne accommodations. Looking for an excellent hotel in Melbourne? look no further! Let the stylish surroundings and convenient location of Rydges Melbourne envelop you when visiting our Australian metropolis. Our Melbourne hotel sits in the heart of the city’s vibrant theatre district with Her Majesty’s Theatre, Comedy Theatre, Princess Theatre, the Athenaeum and the Regent Theatre all moments away. You'll be situated just off the exclusive Collins Street boutiques and world-famous Bourke Street Mall. Whether you’re a cricket, tennis or football fan, our luxury Melbourne sports accommodation provides a prime locale to the Melbourne Cricket Ground (the MCG), Etihad Stadium, Rod Laver Arena and Melbourne Park.
Novotel Melbourne on Collins
The Novotel Melbourne on Collins welcomes you to experience contemporary style and 4.5 star comfort in the heart of Melbourne. Located on fashionable Collins Street and directly above the upscale St Collins Lane, Melbourne's most unique shopping destinations. This desirable location near Rod Laver Arena, the MCG, Federation Square, the Princess and Regent Theatres and more, at the doorstep to all this cosmopolitan capital has to offer. Relax in one of 380 bright, spacious rooms blending urban aesthetic with livable comfort. In addition to amenities like high-speed wireless Internet, LCD flat-screen televisions and sleek bathrooms, rooms overlook bustling Collins Street or the atrium into St. Collins Lane. Begin your day with a workout in the In Balance fitness centre. Relax in the spa or enjoy a swim in the indoor pool. Savour authentic Australian specialties and a sumptuous buffet breakfast at Lane Restaurant or unwind over cocktails or an espresso in the comfortable and inviting Lane Café & Bar. Located beneath the hotel, St. Collins Lane has been transformed into Melbourne's new fashion flagship destination. and will offer stores such as Coach, Tag Heuer, Sandro Paris, Maje, Reiss plus many more.
Mantra Hotel on Little Bourke
Mantra on Little Bourke is the perfect base to discover all the excitement of the city of Melbourne. Centrally located in Melbourne's CBD, we're close to famous eat streets, shopping hubs and cultural experiences such as Melbourne Art Gallery, Melbourne Museum and Federation Square. All the conveniences of modern city living and 4.5 star hotel facilities are at your fingertips at Mantra on Little Bourke. Indulge in new tastes at any time of day at our onsite restaurant Alibi Kitchen & Bar. Stop in for breakfast to fuel up for a busy day shopping, or enjoy a long dinner with family from the a la carte Modern Australian menu. Wander out of the hotel and into Melbourne's thriving shopping precinct, or follow the aroma of coffee and gourmet delights to cafes and restaurants around the city. Hop on a tram and discover more of Melbourne, from its distinctive modern and heritage architecture to its thriving visual arts scene.
City Tempo
NEIGHBORHOOD: Victoria Market
Situated in the heart of Melbourne, City Tempo offers stylish apartments with fully equipped kitchenette and the latest audio/visual appliances. Facilities include a fitness centre and sauna. The free City Circle Tram departs only 400 feet away, and guests have unlimited access to this service. Free WiFi is available in the lobby/reception. City Tempo Apartments Melbourne CBD are less than 5 minutes’ walk from Queen Victoria Market, Flagstaff Gardens and Flagstaff Train Station. It is within an 8-minute walk of RMIT University, Melbourne University and the Etihad Stadium. Each apartment includes heating and air conditioning and a work desk with WiFi access. The kitchenette features an electric cook top, microwave, dishwasher and refrigerator. All bathrooms are fully tiled with a glass-enclosed shower. There is a wall-mounted 32-inch LCD TV, stereo system, DVD/CD player, iPod/iPhone dock and digital radio. Facilities at City Tempo include 24-hour check in. All rooms are serviced daily.
Oaks Southbank
NEIGHBORHOOD: Southbank
OAKS HOTELS SOUTHBANK MELBOURNE Providing a comfortable and modern base for travellers in the popular arts, dining and entertainment hub of Southbank, Oaks Southbank provides effortless stays with a collection of one and two bedroom apartments, well suited for couples and families. Oaks Southbank is the ideal hotel choice for anyone in search of modern hotels Southbank Melbourne city.
NEIGHBORHOOD: Fitzroy Gardens
Luxury Hotel in Melbourne Overlooking St. Patrick’s Cathedral, Fitzroy Gardens and the cosmopolitan mix of Victorian and modern architecture, Park Hyatt Melbourne offers exclusive, luxury accommodation in the heart of the city. Our beautifully appointed 5-star hotel is centrally located in Melbourne’s CBD, offering the city’s largest 240 guestrooms and suites. A warm ambience, exceptional levels of personalised service and luxurious amenities with exquisite surrounds - provides guests with a private haven in Australia’s most livable city. Ideal location: Just moments from the heart of Melbourne’s CBD, yet a world away. Spacious and stylish accommodation: Melbourne’s largest 240 guestrooms and suites with Italian marble bathrooms and walk-in wardrobe. Delectable dining: Award-winning dining at radii restaurant & bar, High Tea or a light lunch served in The Lounge or Garden. Pure Serenity: Park Club Health & Day Spa is a sanctuary of peace and vitality, featuring a 25m indoor pool, spa, sauna, gym, tennis court and private sun deck.
Windsor Hotel
The Hotel Windsor is a luxury hotel in Melbourne. The Windsor is notable for being Australia's only surviving grand 19th century city hotel and only official "grand" Victorian era hotel. The Hotel Windsor has a 5-star rating and is considered one of the grandest hotels in Melbourne. The Windsor is situated on Bourke Hill in the Parliament Precinct on Spring Street, and is a Melbourne landmark of high Victorian architecture. The hotel has a significant role in the history of Australia as the place where the Constitution of Australia was drafted in 1898. For much of its 20th Century life the hotel, dubbed the Duchess of Spring Street, was one of the most favored and luxurious hotels in Melbourne. It has hosted many notable national and international guests.
Sofitel Melbourne
Located in Melbourne CBD, Sofitel On Collins provides luxurious rooms with floor-to-ceiling windows offering panoramic city, bay or park views. It features a fitness centre and massage services. Sofitel Melbourne On Collins is a 5-minute walk from Federation Square and Princess Theatre. Melbourne Museum and Melbourne Arts Centre are each a 15-minute walk away. All air-conditioned rooms feature contemporary furnishings, mood lighting and a luxurious marble bathroom. Each room has flat-screen satellite TV and a BOSE entertainment system. No 35 Restaurant features innovative international cuisine and beautiful city views. Sofi's Lounge hosts changing art exhibitions and offers a sophisticated high tea experience. This is our guests' favorite part of Melbourne, according to independent reviews. This property also has one of the top-rated locations in Melbourne! Guests are happier about it compared to other properties in the area.
NEIGHBORHOOD: Collins Street
Luxury 5 Star Melbourne Accommodation Discover a Melbourne icon. At Grand Hyatt Melbourne a luxurious stay awaits you, in the heart of our dynamic city. Located prestigiously on Collins Street, surrounded by the city’s high fashion and fine dining. Many of Melbourne’s top tourist attractions are all within walking distance, including business, shopping, sporting and theatre districts. Featuring 550 spacious guest rooms and suites, delectable dining and an events floor with 15 innovative spaces. With our ideal location for both business and leisure travellers, coupled with exemplary service, we invite you to create your own Grand experience in the world’s most livable city.
The Como MGallery by Sofitel
NEIGHBORHOOD: South Yarra
Stylishly located in the South Yarra fashion district, the vibrant Como Melbourne MGallery by Sofitel hotel is the epitome of chic style and sumptuous elegance. The Como Melbourne MGallery by Sofitel is a living legend in its own right and many celebrities have passed through its famed doors - this boutique hotel features 111 rooms and is renowned for delivering impeccable and discreet service to all. Our guests are treated to contemporary styled rooms that are luxuriously spacious, letting in invigorating natural light. This iconic hotel is set within one of the most fashionable districts in Melbourne, Chapel Street, and is the place to interact and unwind in stylish surrounds - discover the enticing sun deck and pool area featuring a retractable roof that bathes the room in warm sunlight. Savor spectacular cuisine at the Brasserie restaurant and sip stylish cocktails in SOBar. Host an exemplary event in one of nine versatile venues – our hotel can comfortably accommodate up to 180 guests in total. These spaces are matched only by the attentive service of our expert staff, who will guarantee your event runs smoothly. Be sure to look out for the other iconic celebrity of the hotel - our signature rubber duck who has been delighting guests for years and is yours to take home. Fashionable yet comfortable – reserve a room at our boutique hotel in South Yarra and discover why everyone is talking about The Como Melbourne MGallery by Sofitel.
Langham Melbourne
The Langham Melbourne Sweeping vistas of the Yarra River and Melbourne skyline. Outstanding location amidst the city’s captivating Arts and Leisure district. A sanctuary nestled on the famous Southbank Promenade. ROOMS AND SUITES 388 immaculately furnished rooms and suites designed for the discerning. Each window is framed by a magnificent view of the Yarra River or the city skyline. DINING Unforgettable dining experiences with an element of theatre at Melba. Stylish afternoon tea by day, exhilarating cocktails at night at Aria Bar and Lounge. The Langham, Melbourne features a diverse selection to thrill even refined palates. SPA AND FITNESS Chuan Spa is a holistic wellness sanctuary that offers body treatments, massages, and facials that are inspired by the principles of Traditional Chinese Medicine (TCM). An inviting 15-metre indoor pool awash with natural light to restore and rejuvenate. A fully equipped Fitness Centre and Health Club to help you stay in shape on your travels.
Stamford Plaza
Located in the heart of Melbourne CBD, Stamford Plaza Melbourne is a traditional, 5-star hotel, offering a rooftop heated pool, Jacuzzi, sauna and a well-equipped fitness centre. Guests staying at Stamford Plaza Melbourne can choose to stay in rooms, built in 2016 with modern tiled bathrooms that have walk-in showers or to stay in more traditional style 1 or 2-bedroom guest suites with kitchenettes or fully equipped kitchens and separate marble bathrooms. All accommodation has electronic key card locks and door peepholes. You can dine at Harry's Bar and Restaurant, which offers innovative, seasonal, food and beverage options, or order room service from the extensive 24-hour in-room dining menu. Stamford Plaza Melbourne is 2 minutes' walk from Collins Street's high-end boutique shops and 20 minutes' walk from Melbourne's international sporting precincts, including the MCG, Rod Laver Arena and AAMI Park soccer stadium. China Town and a range of rooftop bars and lane-way's with dining options are all within minutes of the hotel.
[+] Add Option(s) to Your Package
Add an Option to Your Package:
Daily Breakfast at 3 star Hotel
Enjoy daily buffet breakfast with your accommodations.
25 Per Person
Extra Night at 3 Star Hotel
Add extra night(s) of accommodations at the 3-star Melbourne hotel that you've chosen for your Australian Open accommodations.
295 Per Night
Sydney - 3 nights Package
Enjoy an amazing 3 nights stay with breakfast in Sydney in a 5-star hotel. Your 3 night package includes a guided half-day tour of Sydney, round-trip airport transfers, and daily buffet breakfast.
1595 Per Person
1-hour tennis lesson with local pro
We'll arrange a 1-hour tennis lesson for you with a local pro.
Round Trip Airport to Hotel Transfers - Includes meet and greet at the Airport
Enjoy convenient meet and greet transfers from Melbourne airport to and from your accommodations.
295 Up to 3 people
Tennis play at a local club or facility
We'll arrange tennis play for you and your group at a local tennis club / facility.
Sydney - Hop on Hop off Guided City Tour
Join a hop-on hop-off sightseeing tour by double-decker bus to discover the highlights of Sydney and Bondi Beach. Enjoy unobstructed views and recorded onboard commentary as you travel between 34 stops, including top destinations like Sydney Harbour Bridge, Sydney Opera House, Darling Harbour and Bondi Beach. Go in-depth at any given place by simply hopping off the bus to explore. You can experience Sydney and Bondi's most noteworthy attractions at your own pace with your choice of ticket, valid for either 24 or 48 hours. Highlights Hop-on hop-off bus tour of Sydney and Bondi Beach Enjoy great views of Sydney's highlights from the open-top, double-decker bus Visit the Sydney Harbour Bridge and Sydney Opera House among 34 convenient stops Dip your toes in the waters at Bondi Beach Learn about Sydney's sights and history from onboard pre-recorded commentary Sightsee at your own pace with your ticket that is valid for 24 or 48 hours
Queenstown NZ - 3 nights Tour Package
Your package includes 5-star accommodations, r-t airport transfers, a half day guided tour and daily buffet breakfast.
Melbourne - Guided Afternoon City Tour
Get a great introduction to the history and culture of Melbourne on this guided half-day city tour by coach. See highlights of the city�??s bustling Central Business District, and cruise by sporting landmarks like the Melbourne Cricket Ground and Etihad Stadium. Stretch your legs at the beautiful Royal Botanic Gardens and take in the modern energy of the city�??s revitalized Docklands area. Venture as far as St Kilda and Brighton, where you can snap photos of the beachy suburb�??s iconic colorful bathing boxes. Highlights 4-hour afternoon Melbourne sightseeing tour by coach Learn about arts and history at the the Shrine of Remembrance, Royal Botanic Gardens and see the Arts Centre Melbourne Snap photos of the city and port from Bolte Bridge Stroll around the vibrant suburb of St Kilda, perhaps purchasing a treat at one its famous European-style patisseries Drive through the fashionable Elwood and Brighton areas and stop for photo ops at the Brighton bathing boxes Get insider tips on the best of Melbourne from your knowledgeable guide Includes hotel pickup and drop-off What You Can Expect Brighton bathing boxes, Melbourne Get a great dose of Melbourne�??s history, art and culture on this packed afternoon tour. Enjoy hotel pickup in a comfortable, air-conditioned coach. Your local driver and guide will provide interesting background and commentary on sites throughout the tour. To start, take in views of the beloved Melbourne Cricket Ground (MCG) and the National Tennis Center, two of the sport-loving city�??s popular venues. In the Domain Parklands area, see the lovely Royal Botanic Gardens built along the banks of the Yarra River. Visit the Shrine of Remembrance, where Melbournians pay their respects to Australia�??s war veteran. Get a sense of the city�??s performing arts scene as you pass by the cluster of theaters that make up Arts Center Melbourne, and take in the hip scene at the up-and-coming Docklands area. After crossing Bolte Bridge, enjoy fantastic views of the city skyline before continuing on to the beachside suburb of St Kilda. Pop in at a local patisserie for a sweet treat and coffee (own expense), and get your camera ready for the colorfully painted bathing boxes in Brighton. On the return drive to central Melbourne, admire the historic buildings in the suburb of Prahan and get a glimpse of Albert Park, home of the Australian Grand Prix. At the end of your approximately 4-hour tour, you�??ll be dropped off back at the door of your hotel in the early evening.
Hayman Island Resort - 3 nights Tour package
Resort Hayman Island is a private island resort in the heart of the Whitsundays. The nearest Island to the Great Barrier Reef, Hayman Island is ideal for nature-based activities and exceptional guest experiences. Featuring 160 guest rooms, suites, villas and penthouses across three main accommodation wings, Hayman Island presents guests the ultimate in barefoot luxury. Restaurants and bars offer an array of local and international cuisines, while the spa and watersports center complete the island experience. Perfect for families, couples and honeymooners, the resort also provides an idyllic setting for a wide range of celebrations and events. A dedicated entertainment centre with capacity for up to 300 guests and range of outdoor function venues ensure unrivaled opportunities for your next occasion.
Cairns-Great Barrier Reef - 3 nights Tour Package
We'll arrange a 3-night package for you in Cairns at a 5-star resort with daily breakfast and excursions to the Great Barrier Reef.
Auckland/Farmstay - 3 nights Tour Package
We will organize a fantastic 3-night package for you with guided tours, transfers and daily breakfast. You'll enjoy 2 nights in Auckland at a five-star hotel, and a one-night farmstay on an authentic New Zealand Farm,
Room Preference 1 Bed 2 Beds 3 Beds
Single Traveler Charge i
Options subtotal
Travel Insurance i
Weather Insurance i
Simply put, Melbourne is an amazing city. There's something about its progressive, multicultural, gritty-chic, food-obsessed nature that just works. We've pre-picked the best hotels for you, in each category to make your stay in this garden city as enjoyable as possible. All hotels are within walking distance to Melbourne Park, the home of the first Grand Slam of the year, the Australian Open.
3 Star Hotels ●
Melbourne: Three star properties: Overview
With Melbourne's combination of world-class dining, art galleries, homegrown fashion and amazing parks, it's no surprise Victoria's capital is regarded as one of the world’s most livable city. Even on a budget, there are some great hotels in the 3 star category in this city. We've selected properties that consistently offer great service and receive consistently excellent reviews. They are all within the heart of the city, and many are in walking distance to the tennis.
Here are the 3 star properties we feature include (View Hotels on Map):
Ibis on Swanston Hotel, Radisson on Flagstaff Gardens, Swanston Hotel Grand Mercure and Melbourne Parkview Hotel
Melbourne: Four star properties: Overview
With Melbourne's combination of world-class dining, art galleries, homegrown fashion and amazing parks, it's no surprise Victoria's capital is regarded the world’s most livable city. Melbourne has a plethora of great four star hotels in the heart of the city. All provide excellent service, comfort and location. We've picked out some of our favorites.
Here are the four star properties we feature (View Hotels on Map):
Mantra Hotel on Little Bourke, Novotel Melbourne on Collins, Rydges Hotel, Atlantis Hotel, City Tempo and Oaks Southbank
All properties are within 5-10 minutes by foot or car to Melbourne park.
Melbourne - Five star properties: Overview
With Melbourne's combination of world-class dining, art galleries, homegrown fashion and amazing parks, it's no surprise Victoria's capital is regarded the world’s most livable city. Spending a night in a luxurious five-star hotel is a treat that everyone should experience at least once in their lifetime. Thankfully in Melbourne, finding world-class accommodation within walking distance to Melbourne Park isn't difficult. We've hand picked our favorites for you, each provide phenomenal service, amenties and comfort all in the heart of the city.
Here are the five star properties we feature (View Hotels on Map):
Grand Hyatt, The Como MGallery by Sofitel, Langham Melbourne, Stamford Plaza, Sofitel Melbourne, Park Hyatt Melbourne and Windsor Hotel.
Official Australian Open Tickets in your choice of CAT 1, 2, or 3 in Rod Laver Arena for the sessions included in your package.
With your ticket on Rod Laver Arena you can attend matches on all of the outside courts except the Hisense Arena show court which requires a separate ticket.
Official Australian Open Tickets in your choice of the CAT 1, 2, or 3 on Rod Laver Arena for the sessions included in your package.
Your choice of a 3, 4 or 5 star Melbourne accommodations
Your Australian Open package contents are delivered to you by FedEx a few weeks before your departure to Australia. All your contents including your tickets can also be left for you in Melbourne upon your arrival at your chosen hotel.
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Chapter Board
Round Up Newsletter
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Join CMAA
Transfer Chapters
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Cordillera Ranch, Boerne, TX
Texas Lone Star Chapter of CMAA
The Texas Lone Star Chapter's mission is to provide education to persons connected with the management of clubs and other associations of similar character, to promote and encourage efficient and successful club management and to advance friendly relations among its members.
The Texas Lone Star Chapter (TLSC) is comprised of more than 250 members who manage over 150 clubs throughout Texas. Given the large geography of the chapter, the TLSC includes four local regions; each of which hosts local educational meetings. The chapter conducts three annual statewide meetings, which are two-day events that rotate among the major metropolitan cities throughout Texas.
Club Managers Association of America
Professional development is the center of CMAA's mission. CMAA's curriculum is based on ten competency areas, covering every aspect of club management. CMAA's Education Department delivers educational content in a variety of ways, including five-day university based Business Management Institute (BMI) programs, chapter programs, CMAA World Conference and CMAA University (online learning). CMAA's education programs are part of its certification process. The Certified Club Manager (CCM) designation is the center-piece of the program and the hallmark of the club management profession.
Texas Lone Star Chapter of CMAA 1415 South Voss, Ste. 110 #397, Houston, TX 77057 (214) 871-9800 Contact Us
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Team 4035 - Torbotix
Part of the FIRST Mid-Atlantic District
Bridgewater-Raritan
From Orange, New Jersey, USA
aka Picatinny Arsenal&Orange High
http://ohsrobotics4035.webs.com/
Home Championship: Detroit
Team 4035 was 6-21-0 in official play in 2019.
As a member of the FIRST Mid-Atlantic district, Team 4035 ranked 108 having earned 23 points.
FMA District Mount Olive Event
in Flanders, NJ 07836, USA
March 8 to March 10, 2019 Week 2
Team 4035 was Rank 37 with a record of 2-10-0
District Points Earned
Qual Points 4
Alliance Points 0
Playoff Points 0
Award Points 0
1923 6945 1257 7853 4035 4361 42 17
75 1989 2590 7045 5438 4035 27 11
1143 4035 2070 41 7853 1989 38 35
41 6943 1279 4035 75 6016 41 12
25 4035 11 1228 1672 1089 41 30
555 1279 4035 222 1143 25 35 64
5438 3515 5992 222 6945 4035 79 57
4035 41 2600 5992 3142 2590 37 44
303 5732 4035 219 5992 193 46 55
4035 193 1089 555 1989 303 34 62
FMA District Bridgewater-Raritan Event
in Bridgewater, NJ 08807, USA
Team 4035 was Rank 30 with a record of 4-11-0 and won the following awards:
Excellence in Engineering Award sponsored by Delphi
4285 3142 56 3637 4035 4652 58 20
3515 11 4035 224 6945 3314 47 63
56 4035 5438 6897 224 7587 61 18
4281 3515 2495 1676 102 4035 35 77
4035 2554 136 3142 223 1257 42 66
303 6945 5624 3314 1626 4035 54 54
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The Both Die at the End by Adam Silvera
Hey guys! Today I will be reviewing They Both Die at the End by Adam Silvera!
Release date: September 5, 2017
Hardcover page count: 384 pages
They Both Die at the End by Adam Silvera tells the story of two boys, Rufus and Mateo who are both going to die today. They learned this information this morning when the company Deathcast gave them, and hundreds more people, a call to let them know. But, despite these two boys being complete strangers, they still seek to make a friend, so they enlist the help of an app called Last Friend. Now, they will live their last day together, hoping to have an adventure of a life time. Or a day.
Once again, another great Adam Silvera book! So, lets begin on the characters. At first glace, Rufus and Mateo might seem like pretty one sided characters. But once you start getting a few chapters in, you start to discover that that is not at all the case. Each character has multiple layers that you begin to peel back throughout the chapters. You begin to dig deep into what makes each character who they are.
Another amazing factor with this book is how he formats the chapters. Yes, they go back and forth between the two main characters, but they also highlight this lives of various side characters as well. He does this for a combination of nonessential characters, and side characters to create a larger and more inclusive story. Also, things that you hear about in one story are often also touched upon on others, so you should always pay attention.
What was also great about this book was the universe that it is set in. What I find interesting about both More Happy Than Not and They Both Die at the End, is that yes, they are set in our world and yes, they are contemporary; but they also both have sci-fi aspects in them. Both taking the forms of new advanced technology, this whole added sci-fi aspect is one of my favorite aspects of Mr. Silvera's books, and add a newer dimension to the stories.
The only thing that I found a bit forced in this book was the romance between the two characters that happened at the end. They were friends then poof, boyfriends! I mean, it was pretty obvious that they were going to end up together based off of the cover and Mr. Silvera's other works, but I don't think that it would have hurt anyone to have a better build up to the romance.
Overall, I really liked this book. From the characters in it, to the world it is set in, and even the message behind the whole book that is as heart warming as More Happy Than Not's message, I really fell in love. I would of course recommend this book to people who enjoyed Adam Silvera's other works, but I would also recommended this book to LGBT book lovers and contemporary book lovers as well. And of course, if you end up enjoying this book, do yourself a favor and check out Adam Silvera's other works, More Happy Than Not and History is All You Left Me.
I hope that you guys enjoyed this review! If you have any recomendations for other books for me to review, please let me know in the comments below.
Camille
The Diabolic by S.J Kincaid
Hey guys! Today I will be reviewing The Diabolic by S.J Kincaid! I hope that you will enjoy.
The Diabolic tells the story of a girl named Nemesis who is a Diabolic. Diabolics are human-like creatures that and killing machines. At a young age, they are bonded to the person who bought them and feel an undying devotion to them. Nemesis serves Sidonia, the young heir to the galactic Senate. But when the Emperor summons Sidonia to the galactic court to use as a hostage, Nemesis goes in her place.
My two most favorite things about this book were the world building and characters that the author wrote. She has created such a beautiful world, that while is dangerous, incredibly beautiful. Set mostly in space, the author does an incredible job at describing many of the locations, technologies, and events that happens in the book. This makes you feel like you are really there with the characters throughout the story.
The characters in the book were really god because they had lots of different aspects to them that you might not expect. Also, I loved the planning and trickery that many of he characters exhibited. Often times in a book, the author just says 'they are super cunning and mischievous' but they don't show anything from the characters to back it up. But, in this book, the author actually backs up er claims, which really adds to the characters.
The reason why I am giving this book only three stars is a combination of the author's writing style and plot. So starting with her writing style, it's not that I didn't like her style, its just that it was a bit confusing at times. The author made random time jumps at places, and sometimes I couldn't figure out if she was talking about a past event or something that was currently happening which made it a bit confusing at times. Her writing was still very captivating, but I was just a little confused at times.
Now on to the plot. While at first glance, this plot seems very interesting, and don't get me wrong it is, it is also a bit predicable. At several points in time, I could successfully predict what would happen next. But, that didn't mean that it was like that throughout the book, and in fact I was surprised by the way she ended the book, but it certainly did happen a few times.
I recommend this book to people who are looking for a interesting read filled with cool characters and places, but a easy to understand plot and very cheesy ending. Fans of romance, sci-fi, and cunning yet lovable characters will love this book. This book was pretty interessting, just not exactly my forte.
I hope that you guys enjoyed this review! If you would like me to review any books, please let me know down in the comments below.
-Cami
Follow Me Back by A.V Geiger
Hey guys! Today I will be reviewing Follow Me Back by A.V Geiger. This book was originally published in bits on Wattpad but because of its huge following and popularity, it has been turned into an actual print book! Congratulations to the author for that!
Paperback page count: 358
Follow Me Back by A.V Geiger follows the story of two people: Eric Thorn a highly lusted for celebrity musican, and Tessa Hart, a girl who suffers with agoraphobia who happens to own a super popular Eric Thorn fan account. These two seemed like they would never meet, until Eric finally gets tired (and afraid) of his obssesive fans and decides to make a hate account to troll fan's account's, starting with Tessa's. But, after things end up not going as planned, they form an unexpected friendship. But, when there is people as famous as Eric Thorn involved, something always ends up going wrong.
There was two main things that I really enjoyed about this book. The first is that the story itself was super interesting. Several books like these are coming out recently with one perepective as a fan and another perspective the person that is obsessed over (ex. Geekerella) but this book conveyed it in a different way. The whole book had an undertone of metal health issues. From the super crazy obsessed fans to Eric Thorn being completly petrified and nervous for his safety, this book took a slightly different turn to the trope. This made the book alot more enjoyable and very interessting to read. And, combined with the bits of police reports taken from what happens at the end of the book, it really adds an eerie feel to the book.
And the second thing that I really enjoyed about this book was the mystery of it all. From the description, most people would just assume that this is some typlical romance story. But in reality, it is full of twists at every turn and darker intentions underlining the entire book.
The reason that I am giving this book a four out five is because while I really enjoyed some of the aspects of this book, there were some parts that seemed a bit lacking. Not the whole book of course, because it was still seemed pretty good, but while reading the book I couldn't help but feel like something was missing.
I recommed this book for people looking for a mystery with a bit of phycological undertones. This book is also really good for people loooking to read more books that have a fandom inside of them, much like my last review of Eliza and her Monsters. This book is super interessting and I can't wait to find out the ending in the sequal that is coming out sometime in 2018.
I hope that you guys enjoyed this review!If there are any books that you would like me to review, please let me know in the comments!
Eliza and Her Monsters by Francesca Zappia
Hey everyone! Today I will be reviewing Eliza and Her Monsters by Francesca Zappia.
Eliza and Her Monsters is a book about a senior in high school who is secretly the creator of the insanely popular webcomic Monsterous Sea. And while she is super popular online, in real life she is shy, friendless, and shunned. But, when a new boy arrives at her school who is not online a fan of her comic by also one of the most popular fanfiction writers, her life will soon change drastically. Especially when her identity is accidentially reveled the the world.
I actually really enjoyed this book. For one thing, the author formats it in a great way by combining original drawings, texts, internet profiles and the actual story to create an immersive and realistic-feeling book.
Another part of this book that was great was the main character's web comic Monsterous Sea. It sounded so interessting and I think that it is cool that the author created not one but two stories in one, and that they were both so amazing. I feel like I would definitly read Monsterous Sea if it existed in real life. And the whole fandom within the book thing is so cool.
Now on to the actual story. I really enjoyed the characters in this books. For example, Eliza isn't you typical shy nerdy girl. She is strong and out going and not at all the type of super shy and emotional girl that freaks out to easily. But I'm not saying that she is lacking emotion. Eliza still has her freakouts, but not in a way that drowns out the character. I really enjoyed this about both her and the new boy Wallace. They both had things about them that could have been over done, but weren't.
The story line itself was very interessting and addicating with the other types of media supplements in them. I kept having the urge to read more and more. The main storyline though was something that you see often. A quirky girl meets a new boy and fall in love until something about her is revealed and 'everything that she has built will soon fall apart'. When we read this types of books, we always know that they will end up together. But, while this book is following this very obvious plot line and some parts are still super predictable, you still feel the urge to read more. Mrs. Zappia's writing style still pulls you in and make you was to read more and more. You will always feel the need to find out what is next and you will feel connected with these characters.
Overall, I recomend this book for people looking for a quick and fun read that, while is super predictable, is also very well-written and fun. Also, people looking for a fandom-type of book will enjoy this book alot.
I hope that you guys enjoyed this review! This book was very fun to read and I actually found myself liking it more then I thought I would. If there is any book that you would like me to review, please tell me in the comments.
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Most actively traded companies on the TSX
TORONTO — Some of the most active companies traded Monday on the Toronto Stock Exchange:
Toronto Stock Exchange (17,293.42, up 58.93 points.)
Aurora Cannabis Inc. (TSX:ACB). Health care. Up seven cents, or 3.26 per cent, to $2.22 on 18.1 million shares.
Enbridge Inc. (TSX:ENB). Energy. Up 36 cents, or 0.69 per cent, to $52.53 on 9.4 million shares.
The Toronto-Dominion Bank. (TSX:TD). Financials. Up 14 cents, or 0.19 per cent, to $73.14 on 7.9 million shares.
Corridor Resources Inc. (TSX:CDH). Energy. Up 41 cents, or 46.59 per cent, to $1.29 on 7.7 million shares.
Baytex Energy Corp. (TSX:BTE). Energy. Down nine cents, or 4.81 per cent, to $1.78 on 6.8 million shares.
Encana Corp. (TSX:ECA). Energy. Unchanged at $5.68 on 6.7 million shares.
Companies in the news:
Maple Leaf Foods Inc. (TSX:MFI). Down 24 cents to $24.84. Angry comments from the CEO of Maple Leaf Foods Inc. about the circumstances surrounding the downing of a Ukrainian airliner in Iran are unprecedented, experts say. Michael McCain tweeted from the company's Twitter account Sunday night, saying he's "very angry" after a colleague lost his wife and child when Ukraine International Airlines flight PS752 was shot down shortly after takeoff from Tehran airport on Jan. 8, in what Iranian officials have described as an accident. He says the 63 Canadians on board are "collateral damage" from the behaviour of "a narcissist in Washington."
Brookfield Renewable Partners (TSX:BEP.UN). Down $2.37 or 3.8 per cent to $60.34. Brookfield Renewable Partners says it has proposed a deal to fully take over TerraForm Power Inc. in an all-share deal that values the wind and solar company at about US$4 billion. Toronto-based Brookfield, which already owns 62 per cent of TerraForm shares, has proposed to take over the rest of outstanding shares at a value of US$17.31 a share. It says the deal would help simplify the corporate structure and strengthen Brookfield's position in the renewable sector with US$50 billion in total power assets.
Shaw Communications Inc. (TSX:SJR.B). Down 10 cents to $26.40. Shaw Communications Inc. says intense competition in the wireless space is having an impact on subscriber numbers but it continues to see revenue growth in the segment. The Calgary-based telecom company had a net loss of 9,000 prepaid subscribers, and saw postpaid turnover, or churn, rise by 0.22 percentage points in the last quarter even as it had net addition of 67,000 subscribers in the segment. Subscriber numbers were in flux as major telecoms rolled out a series of aggressive promotions starting on Black Friday and continuing through the holiday season, including "desperate" programs to win back customers, said Paul McAleese, president of wireless.
Cott Corp. (TSX:BCB). Down 70 cents or 3.8 per cent to $17.77. Cott Corp. has made one of its biggest moves yet as part of its shift towards the water business with the acquisition of Primo Water Corp. The beverage company says it will rebrand under the Primo Water Corp. name to reflect its move away from its coffee and tea division as part of a plan to focus on water. The Primo deal, expected to close in March, has Cott paying US$14 per share in a combination of cash and Cott shares. Cott says the deal values Primo, a provider of water dispensers, purified bottled water and self-service refillable drinking water in the U.S. and Canada, at about US$775 million.
Jack Knox: Want to change my mind? Don’t punch me in the ...
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Adrian Chamberlain
Stage Left: Cast of Langham Court's Company needs to let loose
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Eight KZN families delight at R10-million land claim success
29 September 2017 - 15:28 By Lwandile Bhengu
KwaZulu-Natal land claim recipient Zwelihle Dlamini on the land handed over to eight families in the Richmond area.
Image: ROGAN WARD
Standing on his 849 hectares and looking out into the distance‚ 35-year-old factory worker Zwelihle Dlamini is elated at the prospects his newly acquired land will bring.
"Today we are very happy‚" he said.
"With this land we are hoping to continue farming and maybe even build a community hall."
Dlamini is a part of eight families‚ all members of the Dlamini clan‚ who have become recipients of a massive land claim in Mchobololo‚ near Richmond in KwaZulu-Natal.
While many of the families dispossessed of the land chose to take financial compensation (to the tune of about R25.3-million for the combined 114 households)‚ the eight Dlamini's took the land - which was worth just shy of R10.6-million.
Court comes to rescue of woman facing eviction from family home
The high court in Pretoria has come to the rescue of a 68-year-old woman who was about to be evicted from her home.
The land was previously used for farming and grazing.
The Office of the Chief Land Claims Commissioner officially handed over the plots on Friday in Richmond.
Funizwe Dlamini said that claiming the land was the only way "our ansestors would be very happy".
"They always knew we would once again own this land‚ that is why they named me Funizwe (which translates to 'seek the land') and my clansman Zwelihle ('beautiful land')‚" he said.
Funizwe said he hoped the land claim victory - which came after six years of waiting - would be an incentive for his nine children to head into agriculture.
Here are the communities who hope to secure the Fish River Sun
One community has been fighting for nearly two decades to lay claim to the land on which the Fish River Sun was built but multiple groups have joined ...
"There are no jobs these days. There is no use studying to be a teacher or a nurse if you aren't going to get work. Now that we have this farming land they can studying something in agriculture and comeback home and work‚" he said.
Although both Dlaminis are grateful to government‚ they said they would now like assistance to sustain the land and maintain its productivity.
"We would like government to help us clear most of this land so we can be able to farm more‚" said Zwelihle.
KZN head of Land Claims Commission‚ Advocate Bheki Mbili‚ said that although they are willing to help successful land claimants it was "everyone's responsibility to make sure the land is sustained".
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No. 20 Lady Vols ground cold-shooting Falcons
From staff and wire reports • Dec 1, 2019 at 9:33 PM
KNOXVILLE — The Tennessee women’s basketball team is 7-0 for the fifth time in the past 10 years.
Rennia Davis and Rae Burrell scored 18 points apiece and the No. 20 Lady Vols cruised past Air Force 81-54 on Sunday at Thompson-Boling Arena in the inaugural meeting between the teams.
Kasiyahna Kushkituah added 13 points for Tennessee (7-0), which had five players in double figures.
Burrell and Kushkituah, both reserves, combined for 15-of-18 shooting. Tennessee shot 55% and scored 56 points in the paint.
Riley Snyder led the Falcons (1-7) with 20 points. Kaelin Immel had 13 and Haley Jones scored 10 with nine rebounds, but Air Force hit just 21 of 71 shots (29.6%) from the field.
Kushkituah had seven points and Burrell four during an 11-0 run late in the first quarter that ended with the Lady Vols on top 24-15. A 12-2 run in the second quarter and a late 6-0 burst helped boost the lead to 43-27 at the break.
Snyder hit 5 of 6 shots and had 14 points for Air Force in the first half, but her teammates went just 5-for-26.
Air Force became the first team to outrebound Tennessee this season, earning a 40-39 edge. The Lady Vols came in at plus-18 on the boards.
Davis, a junior, just missed her fifth
double-double after finishing with nine rebounds.
Tennessee recorded a season-high 15 steals and converted them into a season- high 21 fast-break points.
Tennessee continues its homestand, hosting Texas on Sunday at 2 p.m. The game will be televised by ESPN2.
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Google rejects EU anti-trust allegations as flawed
NewsBusiness
By The Associated Press and Lorne Cook |
BRUSSELS (AP) — Google rejected on Thursday a complaint by Europe”s competition watchdog that the Internet giant is abusing its dominance in Web searches to promote its own products.
The European Commission, the EU”s executive body, alleged in April that Google has improperly favored its shopping comparison service in its own search results, in a high-stakes case that could lead to billions of euros in fines.
Google Senior Vice President Kent Walker said in a blog post that the commission”s conclusions “are wrong as a matter of fact, law, and economics.”
Google said it submitted a rebuttal of the European Commission”s case of around 150 pages with economic, data and legal analysis to back up its position.
The commission aims to ensure fair competition in the 28-nation European Union and it is concerned about Google”s dominant market position. The company processes about 90 percent of the searches in the EU, compared to 66 percent in the U.S.
Critics contend that online consumers are unable to see compelling alternatives from other merchants who either refuse or can”t afford to pay to be catapulted into a high spot in Google”s shopping rankings. Google charges merchants to be in its shopping results, unlike its general index that logs links from all websites.
EU competition spokesman Ricardo Cardoso confirmed that the European Commission had received Google”s reply.
“We will carefully consider Google”s response before taking any decision on how to proceed and do not want to prejudge the final outcome of the investigation,” he said.
Walker said that Europe”s anti-trust regulator offers “a peculiar and problematic” solution to the issue by demanding that Google show advertising sourced and ranked by other companies within its own advertising space.
Such a move “would harm the quality and relevance of our results,” he said.
The firm, based in Mountain View, California, believes that such an obligation can only be legally justified in cases where a company has a duty to provide essential supplies to a rival, such as in the gas or electricity sector.
The European Commission”s allegations, if substantiated, could lead to similar accusations over other services highlighted in Google”s search results, such as travel recommendations and merchant reviews, mounting a challenge to the digital advertising system that generates most of the company”s revenue.
It has already opened an inquiry into whether Google is using the Android operating system to unfairly drive traffic to its services on mobile devices.
If regulators can prove Google has been breaking the law in Europe, it could prove costly even for a company as rich as Google.
The EU can impose fines of 10 percent of annual revenue, or around $6 billion, and force the company to overhaul its system for recommending websites in Europe.
U.S. antitrust regulators looked into similar allegations about Google abusing its search dominance to thwart regulators and closed their investigation in 2013 without requiring any significant changes because they found no evidence that Google”s practices were harming consumers.
Michael Liedtke in San Francisco contributed to this report.
Lorne Cook
Gavin Newsom restarts California’s giant water tunnel project
President Trump slams Apple for refusing to unlock criminals’ iPhones
Facebook says politicians can still tell lies in their online ads
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blogging by Andrew Wickliffe
Director Index
Actor Index
ⓏⒺⓇⓄ
The Best of an Alan Smithee Podcast
Vertigo (1958, Alfred Hitchcock)
Leave a Comment / ★★★★, 1958, Film, Mystery / Alfred Hitchcock, Barbara Bel Geddes, Bernard Herrmann, James Stewart, Kim Novak, Paramount Pictures, Pierre Boileau, Tom Helmore, Vertigo / 14 June 2016 14 June 2016
Vertigo is a nightmare. It starts with James Stewart recovering from a nightmare only to find himself in another one. Kim Novak finds herself trapped in a similar nightmare. There’s a lot of beauty in the nightmare, but it’s still a nightmare. And nightmares get worse before anyone wakes up. In Vertigo, both Stewart and Novak are trying to wake up from nightmares, only things get so entwined, they can’t.
Hitchcock, composer Bernard Herrmann and photographer Robert Burks spend the first three-quarters of the film dragging the viewer through the nightmare. The screenplay, from Alec Coppel and Samuel A. Taylor, is beautifully dense when it comes to dialogue. There’s so much talking at the start between Stewart and unrequited love interest Barbara Bel Geddes, between Stewart and old friend Tom Helmore. The script hammers in certain facts, certain things to remember, certain things to watch out for. Bel Geddes and Helmore have somewhat thankless roles in the script, mostly serving to anchor Stewart in reality, before he tries to find his way into Novak’s nightmare. She’s Helmore’s troubled wife. Unbeknownst to her, Stewart’s her bodyguard.
As Stewart tries to rationalize Novak’s nightmare from afar, Herrmann’s score booms, full of lush emotion. Stewart’s voyeurism percolates, apparently at a safe temperature, until the nightmare becomes Stewart’s and then it boils over. The film has varying styles, whether it’s Herrmann’s score and San Francisco locations or Novak and Stewart’s tragic courtship, Hitchcock brings them back. The same locations, over and over; at the beginning, it’s to bring stability to Stewart through Bel Geddes, later on, it’s for him to flounder in desperation. Different locations, of course. Bel Geddes, who gives a great performance and does get a few decent moments to herself, isn’t part of the nightmare. She might not be the happiest person, but the nightmare is something different.
Technically, the film’s a marvel. Hitchcock has these wonderful setups for visually tying Stewart and Novak together. It’s not just the locations, it’s the sets. It’s not just the set decorations, it’s how Hitchcock positions them in space. He has this wonderful way of having Stewart and Novak share the same space in a scene, sitting by the same lamp, standing in front of the same mirror, but keeping them apart. They can see each other, but they aren’t together. Different nightmares. Even if they think they’re sharing the same one.
At a certain point, Stewart ceases to be the film’s protagonist. Hitchcock pretends for a little while longer, but eventually Stewart and Novak’s story roles reverse. He becomes antagonist to her protagonist. Both actors do phenomenal work throughout, but during that reversal is when their work gets even better. Novak’s stunning. Stewart’s terrifying. Vertigo is unpleasant. It’s beautiful and it’s unpleasant. Just like a nightmare ought to be.
The film ends hastily. The nightmare is over. The viewer is left to reflect with an uneasy sensation–it’s all too horrible to dwell on. Hitchcock, his screenwriters, Novak, Stewart, Burks, Herrmann, editor George Tomasini–they create this perfectly encapsulated thing. The narrative pacing is great, the way Hitchcock applies various intensities throughout. There’s not a comfortable moment in Vertigo. Visual repetition only signifies things getting worse.
Edith Head’s costumes for Novak are also essential. It fits into the whole visual repetition thing. Hitchcock confronts every idea he implies in Vertigo. He never takes the easy route, making it a troubling, ambitious but constrained experience. It’s wonderful.
Produced and directed by Alfred Hitchcock; screenplay by Alec Coppel and Samuel A. Taylor, based on a novel by Pierre Boileau and Thomas Narcejac; director of photography, Robert Burks; edited by George Tomasini; music by Bernard Herrmann; released by Paramount Pictures.
Starring James Stewart (John Ferguson), Kim Novak (Madeleine Elster), Barbara Bel Geddes (Midge Wood), Tom Helmore (Gavin Elster) and Konstantin Shayne (Pop Leibel).
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METHUEN ATHLETES HONORED FOR SUCCESS, DRIVE
By Valley Dispatch |
PUBLISHED: April 7, 2006 at 12:00 am | UPDATED: July 11, 2019 at 12:00 am
METHUEN — One thing is for sure, Methuen High School athletics had an amazing winter season.
They had individuals and teams break school records and win state championships. On March 28, coaches, athletes and parents gathered for MHS Winter Sports Awards to recognize the athletes’ efforts.
Interim Athletic Director Jack Stephenson thanked his secretary Paula George and the parents of the athletes, along with MHS Principal Arthur Nicholson, saying they are second to none in supporting student-athletes.
“The biggest changes these athletes go through in their lives is coming in as freshman and growing into young men and women as seniors,” Stephenson said. “The coaches and parents are teaching these kids how to make decisions. Every one of these student-athletes has had success because of going through the program and competing.”
Karen McLaughlin, the girls’ basketball varsity coach, handed three coach’s awards to seniors Amanda Dupere, Lindsay Comeau and Krystyna Gagne. The Diane Beaulieu Award was given to senior Capt. Stefanie Iannalfo.
Rich Barden, the MVC Division II Boys’ Basketball Coach of the Year, thanked his coaching staff before presenting his awards.
“I would be nothing without the guys who sit on the bench with me,” Barden said.
The varsity basketball started the season 4-6, but rebounded in the second half of the season to post a 9-1 record to capture the MVC Small championship.
Barden gave out two coach’s awards to Juan Inoa and Daniel Spadaro. His Most Improved Player, Tunde Agboola, was also named a MVC All-Star, while Josh Paulino was named the team MVP and MVXC Small School MVP. Jonathan Waldie and Nicholas Ambra were awarded the Bruce Blood Assistant Award and Dan Forest Memorial Award respectively.
When Chris Hudon, the head hockey coach, took to the stage, he discussed how his team learned about life, not just hockey, throughout the season.
“As young men, my team grew tremendously,” Hudon said.
Senior Tom Sanseverino was given the Most Improved Player Award, while the Horace Travato Award was given to sophomore James MacDonald.
The player Hudon described as being the “most selfless young man” — Andrew Dechirico — was given the Coach’s Award, and MVC All-Conference senior Mike Benoit was named the team’s MVP.
Cheerleading coach Jessica Hamilton had a lot to celebrate. Her squad placed first in both the MVC and North Regionals, and second at both the State and New England competitions.
Freshman Rebecca Enos earned the Most Improved Performer Award. The Coach’s Award was given to senior Kristina Sarcione. Senior Nicole Morris earned the Deirde A. Didio Spirit Award, while junior Capt. Lyndsey Doherty was named the Most Valuable Cheerleader.
Gymnastics coach Robin Corsetto said she was proud of her team for brining up the total team average by more than three points from last year.
Kristen Yurewicz, the Most Improved Performer, raised her score on the balance beam almost eight-tenths of a point. Senior Danielle Barlett brought home the Coaches Award, while senior Meghan Kijanka and junior Sarah Doyle were named Most Valuable Performers.
Girls’ indoor track had 98 participants and coach Mike McCormick couldn’t have been prouder of the individual and team efforts. Freshman Anne Bajor was named the Most Improved Performer and senior Elizabeth McLaughlin earned the Coach’s Award. The Whirlaway Award was given to senior Bianca Vazquez, while junior MVC All-Conference runner Lindsay Pappas and senior Tiffany Robicheau were named Most Valuable Performers.
Roger Fuller, the boys’ indoor track coach, thanked all of the senior athletes for giving it all they have throughout the season. The team set individual and school records during the season and compiled an undefeated record of 7-0 to capture the MVC Division II championship and the MVC League Meet.
Ryan Baldera earned the Most Improved Performer Award, while the Coach’s Award went to Dennis Cassidy. The Whirlaway Award was given to George Abourizk, along with earning MVC Division II All-Star honors. Erik Gonzalez shared the Most Valuable Runner Award with MVC All-Around distance runner Chris Forbes. The Most Valuable Fielder was awarded to MVC All-Star Cory Murray, who was also named to the Boston Globe All-Scholastic Team.
His team was not the only ones with reason to celebrate. Fuller was named MVC Coach of the Year.
Bill James, Division I North Wrestling Coach of the Year, spoke about the amazing season his team had, which included earning a share of the MVC dual-meet title, as well as nine MVC all-stars and two MVC All-Conference athletes.
Freshman of the Year Award was given to Kevin Sughrue, who compiled 40 victories on the season. Ricky Silveira earned the Most Improved Performer Award, along with being named MVC All-Conference.
James explained his Coaches Award recipient, Brian Roberge, was an important part of the squad. A late-season injury forced him out of the post-season meets. Calvin Kattar earned the Robert Fitzgerald Sr. Award with 46 wins on the season. Sophomore John Sughrue, a two-time Division I state champion, was named Most Valuable Performer. Sughrue, who was also named MVC All-Conference Team, posted a 99-3 record over his freshman and sophomore seasons.
The newest sport is figure skating, and Assistant Coach Alicia Thibeault said the girls needed to be applauded for all their hard work throughout the season, since some of them couldn’t even skate when they first joined the team this season.
The figure skating team went to their first competition this year and had seven skaters medal in the Skating Club of Boston competition.
Most Improved honors went to Sarah Weisenborn and the Coach’s Award was earned by Diana Tho Le. Sara Montesdeoca was named the Most Valuable Performer Award.
The Winter Sports Award ceremony was a joy for the parents, athletes and administration. When the evening was finished, everyone gave a standing ovation to all of the athletes honored.
Dracut man faces charges in alleged assault
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Building bones — and followers
Valley Dispatch
Dracut Board of Selectmen OKs 8 host community pacts for pot businesses
Man hit by SUV in Dracut suffers life-threatening injuries
Flurry of interest in Dracut Board of Selectmen
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Home Business NACETEM, NIPSS to Collaborate on Research, Capacity Development
NACETEM, NIPSS to Collaborate on Research, Capacity Development
By Fred Ojeh
The National Centre for Technology Management (NACETEM), based at the Obafemi Awolowo University, Ile- Ife, Osun State, an agency under the Ministry of Science and Technology and the National Institute for Policy and Strategic Studies (NIPSS), Kuru, Jos, Plateau State on Monday signed a Memorandum of Understanding (MoU), to fast track policy research, capacity building and consultancy services based on joint collaboration.
The collaboration which is meant for all stakeholders also included advocacy programmes, jointly designed and delivered programmes, seminars, conferences for solving national challenges.
NACETEM’s Spokesperson, Mr. Isaac Oluyi, in a chat with newsmen, while quoting NACETEM’s Chief Executive Officer (CEO), Prof. Okechukwu Ukwuoma, said the synergy is also aimed to facilitate development of human capacity of the parties through exchange programmes.
In a remark, the Director General (DG), NIPSS, Mr. Jonathan Mela Juma, said at the signing that: “The MoU will become effective before the end of 2019 as there is no need entering into an agreement that will not be functionalized.”
Prof. Ukwuoma, who appreciated the management of NIPSS, expressed the readiness of NACETEM to ensure that the MOU leads to sustainable development in the country.
Meanwhile, NACETEM, also recently signed an agreement with the National Bureau of Statistics (NBS) in Abuja to audit the country’s technological activities germane to its overall national development.
The NBS collaboration came to the fore aftermath of its stakeholders’ workshop on Science Technology and Innovation (STI) indicator survey for the country and selected economic sectors which held in Abuja.
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THE BANKS AND THE DEPOSITORS
Total Public Debt Stock Hits N26.2tn
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The American Academy Profile
Online Public Schools
bo1982/E+/Getty Images
by Jamie Littlefield
Jamie Littlefield has an education M.A. and has taught high school and college. Her work has appeared in Huffington Post, Psychology Today, and more.
The American Academy offers over 230 online courses for high school students. Students enrolled in The American Academy can complete individual courses or work towards an accredited diploma. Courses are self-paced and have a generous 6-month completion deadline, giving students the flexibility to set their own schedules.
The American Academy is accredited by Northwest Association of Accredited Schools, a regional accrediting agency.
The American Academy offers online courses and high school diploma programs to students of any age. In addition to traditional diplomas, they provide the Dropout Recovery Program designed to help former students complete a high school diploma from their local school districts. Homeschool students can also take a la carte courses, enroll in a math/science bundle, or work towards a diploma.
The American Academy offers open enrollment to all students. Classes start on Monday every week. Typically, each credit requires approximately 120 hours of work. Students can select courses through a shopping cart system, making it easy to tailor the curriculum to individual needs.
Students enrolled in The American Academy receive 50 minutes of one-on-one tutoring time from licensed professionals. Additional tutoring time may be purchased.
Website: www.theamericanacademy.com
Address: 175 S. Main, Suite 1130
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Russia Banned from 2020 Tokyo Olympics and World Cup Over Doping Scandal
Russia Banned from 2020 Olympics, World Cup ... Over Doping Scandal
12/9/2019 6:06 AM PT
The Russians are OUT at the 2020 Olympics in Tokyo AND the 2022 World Cup -- at least for now -- because they're HORRIBLE cheaters, according to the World Anti-Doping Agency.
WADA has voted unanimously to hit Russia with a 4-year ban from all major international sporting events ... including the Tokyo Olympics and the 2022 World Cup.
Here's why ... WADA officials say Russian authorities TAMPERED with a laboratory database in an effort to cover up HUNDREDS of potential doping cases involving Russian athletes.
The International Olympic Committee (IOC) said last month the investigation revealed "flagrant manipulation" of the lab data.
Now, The Russian Anti-Doping Agency (RUSADA) has 21 days to appeal the ban -- and Russian officials have strongly suggested they will fight the punishment.
WADA President Sir Craig Reedie is digging in his heels -- saying in a statement, "For too long, Russian doping has detracted from clean sport.
"The blatant breach by the Russian authorities of RUSADA's reinstatement conditions, approved by the ExCo in September 2018, demanded a robust response. That is exactly what has been delivered today."
It's not the first time Russia has been accused of cheating and banned from the Olympics -- they were blocked from the 2018 Winter Games after a similar doping scandal.
Alex Morgan Gunning To Play In 2020 Olympics Just Months After Having Baby
Nyjah Huston Says He Was Olympic-Caliber Skater at 11 Years Old
Olympics World Cup TMZ Sports Drugs & Alcohol
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Hackers Take Over NBC Reporter’s Twitter Account to Send Warning to Trump
'COMPROMISED'
Updated Aug. 12, 2018 9:38AM ET / Published Aug. 12, 2018 9:24AM ET
Kacper Pempel/Reuters
Hackers took over the Twitter account of NBC journalist Peter Alexander on Sunday and directed a series of threatening messages at President Trump. “Mr Trump, we will tear down blood vessels of those who are hostiles to TURKIYE,” one message from the “Turkish Cyber Army” read. “No one can take down our country,” the hackers wrote. Apparently in response to Trump’s tariffs against Turkey, the hackers accused the U.S. of trying to “defeat” Turkey with an “economic crisis.” Several other tweets were sent out in Turkish. NBC News confirmed the cyber attack on Alexander’s account and said the account of White House correspondent Kristen Welker had also “been compromised.”
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Seasoned Podcasters Teach You How To Launch Your Own Successful Show
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Published Aug. 13, 2018 5:45AM ET
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Boys basketball: Starns resigns as Union County boys basketball coach
Mark Starns resigned Wednesday mornign after two seasons as Union County's boys basketball coach.
Boys basketball: Starns resigns as Union County boys basketball coach Mark Starns resigned Wednesday mornign after two seasons as Union County's boys basketball coach. Check out this story on thegleaner.com: http://www.thegleaner.com/story/sports/2016/03/30/boys-basketball-starns-resigns-as-union-county-boys-basketball-coach/87208184/
The Gleaner Published 8:49 a.m. CT March 30, 2016
Head coach Mark Starns. HCHS boys basketball team member for the 2007-08 season. Shot 11/15/2007. (Gleaner photo by Darrin Phegley ´ 831-8375 or dphegley@thegleaner.com)(Photo: Darrin Phegley)
Mark Starns resigned Wednesday morning after two seasons as Union County's boys basketball coach.
Starns said it was time for him to pursue other career opportunities.
'I want to thank Union County for the opportunity for allowing me to coach there the last two years,' he said.
Starns' Union County teams had a 20-35 record over two seasons. The Braves finished 7-19 in 2014-15 and improved to 13-16 last year.
'We would like to thank Coach Starns for his service over the last two years and wish him well in his future endeavors,' athletic director Jeremy Tackett said in a statement announcing Starns' resignation.
Starns, who has a career record of 212-163, said he intends to remain at Union County Schools to fulfill his teaching contract.
Before taking the Union County job, Starns won back-to-back 16th Region titles at Fleming County where his teams won 52 games and lost just 17 in two years.
He spent five seasons as the head coach at Henderson County from 2007 to 2012, compiling a 99-45 record and twice finishing as runners-up in the Second Region.
Before coaching at Henderson County, Starns won a 15th Region title at Johnson Central where he coached for two seasons. He was also an assistant coach at Mason County which won the state championship in 2003 and was the state runner-up in 2004.
Starns has also been the head coach at Burgin as well as an assistant coach at Bourbon County, Ballard Memorial and Lexington Catholic. He was also a video coordinator and scout for the NBA's Boston Celtics from 1997 through 2000 and an interim assistant coach under Jim O'Brien in 2000.
Colonels take title in Colonel Classic
Braves win Sheffer Memorial Duals
Wurth leads Lady Cols to win over Storm
Lady Cols give Madisonville its first loss
Maroons pull out 56-48 win over Colonlels
Trojans roll past Evansville Christian
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The Hall Group
Your privacy is very important to us. This Site is hosted by Constellation Web Solutions, Inc. DBA Market Leader or one of its affiliates (collectively, “Constellation”) on behalf of one of its real estate industry customers (the “Company,” “we” or “us”). The Company is the data controller and its full name and contact details are set out on the Site. Constellation and the Company are independent contractors and are not partners or otherwise engaged in any joint venture in delivering the Site. Nothing in this Privacy Policy shall have the effect of making Constellation a sole or joint data controller. This Privacy Policy has been prepared to explain how we collect, use, protect, and share information and data when you use this Web site (the “Site”), including information and data that we share with our service providers such as Constellation. Constellation hosts multiple Web sites (together with this Site, the “Sites”) on behalf of realtors (“Realtors”) including the Realtor associated with this Site (“Your Realtor”).
By visiting or using all or any part of this Site, you consent to this Privacy Policy.
This Site links to this Privacy Policy because Constellation collects, uses, and retains all information, including Personal Information and Usage Data, that users share with or otherwise make available via the Site. For example, when you provide your contact information, this information is collected and stored by Constellation under the terms of Your Realtor’s agreement with Constellation, is used by Constellation to provide services to, at the direction of or for the benefit of Your Realtor under that agreement and is shared with Your Realtor. Similarly, at some point, Realtors may require users to register on the Sites. Such registration information would be collected, stored and used, to provide services to, at the direction of, or for the benefit of Your Realtor by Constellation and shared with the applicable Realtor. This Privacy Policy, however, only covers Constellation’s information privacy practices with respect to the information Constellation collects via the Site. Realtors may have different privacy policies and practices, but are required to have practices no less protective than the terms of this Privacy Policy. Realtors are required to take certain affirmative steps to protect Personal Information collected via the Site and to comply with all applicable privacy laws and regulations. However, Constellation does not control Realtors and is not responsible for their actions, including their compliance with privacy laws.
Managing Your Information Preferences
You can always review, correct, update, or change your Personal Information, or opt out of direct marketing efforts, by updating your Email Settings or you can contact Constellation at info@marketleader.com. If you have questions or concerns regarding this Privacy Policy, please e-mail us at info@marketleader.com.
Personal Information. Constellation collects information that personally identifies, relates to, describes, references, is capable of being associated with, or could reasonably be linked, directly or indirectly, with a particular consumer or device (“Personal Information”). In particular, the Site has collected the following categories of Personal Information from its consumers within the past twelve (12) months:
Category Examples Collected
B. Personal information categories listed in the California Customer Records statute (Cal. Civ. Code § 1798.80(e)). A name, signature, Social Security number, physical characteristics or description, address, telephone number, passport number, driver's license or state identification card number, insurance policy number, education, employment, employment history, bank account number, credit card number, debit card number, or any other financial information, medical information, or health insurance information. (Some personal information included in this category may overlap with other categories.) Yes
G. Geolocation data. Physical location or movements. No
H. Sensory data Audio, electronic, visual, thermal, olfactory, or similar information. No
I. Professional or employment-related information. Current or past job history or performance evaluations. No
K. Inferences drawn from other personal information. Profile reflecting a person's preferences, characteristics, psychological trends, predispositions, behavior, attitudes, intelligence, abilities, and aptitudes. No
For purposes of this Privacy Policy, “Personal Information” does not include:
Information excluded from “Personal Information” like:
Constellation collects Personal Information only if you choose to share it (for example, by inserting our information into forms you complete), and only at the direction of Your Realtor pursuant to Constellation’s Agreement with Your Realtor. The decision to provide this information is optional. However, if you choose not to provide the requested information, you may not be able to use certain features of the Sites.
Anonymous Usage Data. The site automatically collects anonymous usage information that does not identify an individual user (“Usage Data”). For example, each time you use the Site, it automatically collect the type of Web browser you use, your operating system, your Internet Service Provider, your IP address, the pages you view, and the time and duration of your visits. Constellation uses this information to help understand how people use the Sites, and to enhance the services Constellation offers.
Cookies and Web Beacons. The site may use cookies (a small text file placed on your computer to identify your computer and browser) and Web beacons (an electronic file placed on a Web site that monitors usage). These technologies may be used in connection with the Sites. Constellation uses cookies and Web beacons to improve the quality of the Sites. Constellation does not use cookies or Web beacons to collect Personal Information. Most Web browsers are initially set up to accept cookies. You may set most browsers to notify you if you receive a cookie, or you may choose to block cookies, though either of those actions may affect your use of the Site.
How We Use Information and When We May Share and Disclose Information
Generally. Constellation uses Personal Information only at the direction and for the benefit of Your Realtor for internal purposes, such as to provide you with the Sites, to enable Constellation or Your Realtor to notify you of new products or services, and to otherwise communicate with you about your use of the Site or Your Realtor. Constellation will disclose your Personal Information to Your Realtor in accordance with this Privacy Policy. Constellation will not disclose Personal Information to third parties without your consent, including for their direct marketing purposes, except as explained in this Privacy Policy.
Service Providers. From time to time, Constellation or Your Realtor may establish a business relationship with other businesses whom Constellation or Your Realtor believes is trustworthy and who we have asked to confirm that their privacy practices are consistent with ours (“Service Providers”). For example, Constellation may contract with Service Providers to provide certain services, such as hosting and maintenance, data storage and management, or marketing and promotions. Constellation only provide our Service Providers with the information necessary or helpful for them to perform these services on Constellation’s behalf. Each Service Provider must agree to use reasonable security procedures and practices, appropriate to the nature of the information involved, in order to protect your Personal Information from unauthorized access, use, or disclosure. Service Providers are prohibited from using Personal Information other than for the purpose for which such information was provided or as authorized by you.
Advertising. We may work with third-party advertisers, search providers and ad networks (“Advertisers”). These companies may collect and use information about your use of the Sites in order to provide advertisements about goods and services that may be of interest to you. These companies may place or recognize a unique cookie on your computer or use other technologies such as Web beacons. This Privacy Policy does not cover any use of information that an Ad Network may collect from you.
Standard Analytics Information. Constellation may use, and disclose to Realtors and third parties, certain Usage Data regarding the Sites. However, in such cases, your Usage Data is aggregated with the Usage Data of others and does not identify you individually.
Other Transfers. Constellation may share Personal Information and Usage Data with businesses controlling, controlled by, or under common control with it. If Constellation is merged, acquired, or sold, or in the event of a transfer of some or all of Constellation’s assets, we may disclose or transfer Personal Information and Usage Data in connection with such transaction.
Compliance with Laws and Law Enforcement. Constellation cooperates with government and law enforcement officials and private parties to enforce and comply with the law. C onstellation may disclose Personal Information and any other information about you to government or law enforcement officials or private parties if, in its discretion, it believes it is necessary or appropriate for any of the following reasons: (a) to respond to legal requests (including court orders and subpoenas); (b) to protect the safety, property, or rights of Constellation, any Realtor or any third party; (c) to prevent or stop any illegal, unethical, or legally actionable activity; or (d) to comply with the law.
Be Careful When You Share Information with Others. Please be aware that whenever you send messages, make postings, or otherwise post or transmit any information or content on this Site or any other of the Sites or any public forum available on or through the Sites, that information or content may be accessed by others. n addition, when you share information or any other communications with third parties, that information may be passed along or made public by others. This means that anyone with access to such information can potentially use it for any purpose, including sending unsolicited communications.
Constellation is very concerned about safeguarding the confidentiality of your Personal Information. Constellation employs reasonable physical and electronic measures designed to protect your information from unauthorized access. However, no data transmission over the Internet or other network can be guaranteed to be 100% secure. As a result, while Constellation strives to protect information transmitted on or through the Sites, Constellation cannot and does not guarantee the security of any information you upload, store, share, transmit, or provide on or through any Site and you do so at your own risk.
The Sites may contain links to other Web sites, or allow others to send you such links. A link to a third party’s Web site does not mean that Constellation or Your Realtor endorses it or that we are affiliated with it. Constellation dos not exercise control over third-party Web sites. You access such third-party Web sites or content at your own risk. You should always read the privacy policy of a third-party Web site before providing any information to the Web site.
Constellation does not knowingly collect Personal Information from children under the age of 13. If Constellation becomes aware that a user is under the age of 13, Constellation will terminate any account that user may have with it. If Constellation becomes aware that it has inadvertently received Personal Information from a child under the age of 13, Constellation will delete such information from its records.
Processing in the United States
Please be aware that your Personal Information may be transferred to and maintained on servers or databases located outside your state, province, or country. If you are located outside of the United States, please be advised that we process and store all information in the United States. The laws in the United States may not be as protective of your privacy as those in your location. By using the Sites, you agree that the collection, use, transfer, and disclosure of your Personal Information will be governed by the applicable laws in the United States.
From time to time, this Privacy Policy may be changed. If this Privacy Policy is changed, you will be informed by posting of the revised Privacy Policy on the Site. Those changes will go into effect on the Revision Date shown in the revised Privacy Policy. Your continued use of the Sites constitutes your consent to the revised Privacy Policy.
FOR CALIFORNIA CONSUMERS ONLY:
The California Consumer Privacy Act of 2018 (“CCPA”), as amended from time to time, applies solely to visitors, users, and others who reside in the State of California. The CCPA provides California residents with specific rights regarding their personal information. If you are a California resident, this section describes your CCPA rights and explains how to exercise those rights.
Access to Specific Information and Data PortabilityRights. You have the right to request that Constellation disclose certain information to you about its collection and use of your Personal Information over the past 12 months. confirms your verifiable consumer request, it will disclose to you:
The categories of Personal Information it collected about you.
The categories of sources for the Personal Information it collected about you.
Its business or commercial purpose for collecting or selling that Personal Information.
The categories of third parties with whom it shares that Personal Information.
The specific pieces of Personal Information it collected about you (also called a data portability request).
If Constellation sold or disclosed your Personal Information for a business purpose, two separate lists disclosing:
Deletion Request Rights. You have the right to request that Constellation delete any of your Personal Information that it has collected from you and retained, subject to certain exemptions. Once Constellation receives and confirms your verifiable consumer request, Constellation will delete (and direct its service provider(s) to delete) your Personal Information from our records, unless an exemption applies.
Constellation may deny your deletion request if retaining the information is necessary for Constellation or its service provider(s) to:
Complete the transaction for which the Personal Information was collected, provide a good or service that you requested, take actions reasonably anticipated within the context of its ongoing business relationship with you, or otherwise perform our contract with you.
Comply with the California Electronic Communications Privacy Act (Cal. Penal Code § 1546, et seq.).
Enable solely internal uses that are reasonably aligned with consumer expectations based on your relationship with Constellation.
Exercising Access, Data Portability, and Deletion Rights. To exercise the access, data portability, and deletion rights described above, please submit a verifiable consumer request to Constellation by either:
Calling us at (877) 450-0088
Email us at info@marketleader.com
Only you, or someone legally authorized to act on your behalf, may make a verifiable consumer request related to your personal information. You may also make a verifiable consumer request on behalf of your minor child.
Provide sufficient information that allows Constellation to reasonably verify you are the person about whom Constellation collected personal information or an authorized representative.
Describe your request with sufficient detail that allows Constellation to properly understand, evaluate, and respond to it.
Constellation cannot respond to your request or provide you with personal information if it cannot verify your identity or authority to make the request and confirm the personal information relates to you. Making a verifiable consumer request does not require you to create an account with Constellation. Constellation will only use personal information provided in a verifiable consumer request to verify the requestor's identity or authority to make the request.
Response Timing and Format. Constellation endeavors to respond to a verifiable consumer request within forty-five (45) days of its receipt. If more time is required (up to 90 days), you will be informed of the reason and extension period in writing by mail or electronically, at your option.
Any disclosures Constellation provides will only cover the 12-month period preceding the verifiable consumer request's receipt. The response Constellation provide will also explain the reasons it cannot comply with a request, if applicable. For data portability requests, Constellation will select a format to provide your personal information that is readily useable and should allow you to transmit the information from one entity to another entity without hindrance.
Constellation does not charge a fee to process or respond to your verifiable consumer request unless it is excessive, repetitive, or manifestly unfounded. If Constellation determines that the request warrants a fee, it will tell you why that decision was made and provide you with a cost estimate before completing your request.
Other California Privacy Rights. California’s “Shine the Light” law (Civil Code § 1798.83) permits users of the Site that are California residents to request certain information regarding Constellation’s disclosure of personal information to third parties for their direct marketing purposes. To make such a request, please send an email to ccpa@marketleader.com or write us at 3363 136th Place SE, Bellevue, WA 98006.
Coldwell Banker Residential Brokerage 8 E Hinsdale Ave , Hinsdale, IL 60521 O: 630.205.4700
8 E Hinsdale Ave
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Road tripping in Mexico, working with ex-cons - then putting it all on YouTube. Aaah, the J1 experience
From the 1970s to today, former J1-ers share their memories about good times in the USA.
By Peter Bodkin Thursday 25 Sep 2014, 6:06 PM
Sep 25th 2014, 6:06 PM 16,216 Views 7 Comments
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Image: Paul Deering via YouTube
WORKING LONG DAYS in a crew of “illegals” and “ex-cons” to fund their escapades in Mexico – and then putting it all on YouTube.
That’s the modern J1 experience, at least for these students.
Paul Deering, 20, and David Shaw, 21, were among about 7,000 Irish students who this year took the rite of passage to the US during their summer break – a trip which took them from the west coast to across the border and back up the country’s eastern fringe.
The pair began their trip working as furniture removalists in San Francisco, doing 10-hour days, living in “horrible” accommodation and using the Apple store for internet to save cash for their travels.
David Shaw, left, and Paul Deering.
“We were pretty much working with illegals and ex-cons, but just to meet them and hear their stories was part of the experience,” Shaw said.
I thought the Americans were really good; I wouldn’t want to die in America but I would like to live there for a few years.”
And of course it’s all on YouTube
Deering condensed their two-month stay in the US into a five-minute video he shot on his beloved GoPro camera, capturing all their hijinks in California’s vast national parks and south of the US border.
Source: Paul Deering/YouTube
“People thought we were mad going to Mexico because of how dangerous everyone says it is, but we went there anyway,” he said.
An estimated 150,000 Irish people have taken up the working holiday over the years and today Deering and Shaw were among a group of J1 alumni who shared there experiences at an event put on by the US embassy in Dublin.
Will work for tips
Michelle Darmody, from Dublin’s The Cake Cafe, was 21 when she did the first of two J1 trips to the US in 1997.
She worked waiting tables in a 24-hour diner and in a bar - experiences she said helped give her a strong work ethic for her later culinary career.
Source: Video TheJournal.ie/YouTube
“I arrived into Manhattan quite late in the evening and I still remember the taxi ride … I think I fell in love with New York instantly,” she told TheJournal.ie.
“Definitely waiting tables there, working in bars, they made you work hard – you got well paid but it was very hard work.
We got twice the tips of all the American waitresses which used to annoy them. I think having an Irish accent and probably seeming a little lost … it definitely helped.”
John Hegarty, the former head of Trinity College Dublin, spent the summer of 1970 as a 22-year-old working as a courier for a real estate firm in downtown New York.
“It was a completely different time than now … Catholic students were only then allowed into Trinity College, which is where I spent the rest of my career,” he said.
That gives you an idea what Ireland was like at the time – highly homogeneous, quite inward looking, and there were no jobs.
“What we call the great 60s revolution, the cultural change, had happened in the US by that stage, but that 60s revolution didn’t reach Ireland until the 1970s.
“It was an experience that transformed my life and I think most J1-ers would probably see that experience in the US as transforming their lives in one way or another.”
Hegarty said the Americans loved all things Irish, “completely different” to the attitude he experienced when he spent the previous summer in England.
READ: Irish students are still welcome in the US after that whole SF apartment-trashing business
READ: The rites of passage every Irish person must go through
Peter Bodkin / Editor, Fora
@peter_bodkin
peter@fora.ie
See more articles by Peter Bodkin
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Home » Women win first ACC game, men lose heartbreaker in OT
Women win first ACC game, men lose heartbreaker in OT
Dwayne Collins attempts a shot while being guarded by two Virginia Tech defenders. Miami fell to Virginia Tech in overtime 88-83. WELLINGTON GUZMAN // HURRICANE STAFF.
It was a tale of two teams heading in opposite directions over the past four days for Miami basketball.
Head coach Katie Meier and the struggling women’s basketball team picked up their first ACC win of the season against N.C. State, 72-60, while head coach Frank Haith and company lost an overtime heartbreaker last night to Virginia Tech, 88-83.
“We have been talking about greatness,” Meier said. “Every practice and every game, we talk about it. We are searching for greatness.”
The Hurricanes (11-8, 1-4) entered Thursday with a 0-8 all-time record against the Wolfpack, dating back to 1981.
For the fourth time in her last six games, freshman guard Riquna Williams led the Canes in scoring with 18 points and finished 9-of-10 from the charity stripe. Freshman forward Shenise Johnson also continued her stellar play by picking up another double-double with 11 points and 13 rebounds.
“They are special. We have to keep having them play like that,” Meier said. “They bring so much to this team.”
Williams took control down the stretch when the Wolfpack (8-11, 0-4) began to rally.
After N.C. State cut Miami’s 16-point lead to four at 64-60, Williams slashed through the defense to get to the foul line. She sealed the victory with her free throws in the final minute.
“Teams are going to come back, I knew that,” Meier said. “This is the ACC. The ACC has the best teams in the nation, but we were tough as nails. We showed greatness.”
Miami next plays at 7 p.m. Thursday to face a host Georgia Tech (14-5, 2-3) team that defeated third-ranked North Carolina.
With a key ACC win against rival Florida State (16-4, 3-2) on Tuesday, the men’s team ran into Virginia Tech, who recently defeated top-ranked Wake Forest.
The Hurricanes had opportunities to win, but failed to put away the feisty Hokies (14-5, 4-1) in overtime and fell 88-83.
“I’m proud of our guys,” Haith said. “I’m proud of our kids’ effort and intensity. It was a hard fought ACC game and a really good basketball game. Just didn’t go our way at the end.”
UM led by four points in extra time off a layup by junior forward Dwayne Collins, but Virginia Tech tied the game on a four-point possession. Sophomore guard Malcolm Delaney, who finished with a career-high 29 points, scored after two consecutive offensive rebounds off a free throw.
“I thought in overtime the offensive rebound when we were up four was huge,” Haith said. “We gave them life and they scored. We need to come down with those. We needed to stop them.”
Collins scored two of his game-high 23 points to give the lead back to the Hurricanes before Delaney knocked down a corner 3-pointer.
The trio of Delaney, sophomore forward Jeff Allen, and senior forward A.D. Vassallo combined for 74 of Virginia Tech’s 83 points.
Senior forward Brian Asbury contributed a season-high 21 points, including the game-tying shot from behind the arc with 25 seconds remaining in regulation to send the game into overtime.
In overtime, senior captain Jack McClinton scored the first points, but was shut out for the remainder of the period and finished with 20 points.
“We are going to have games that go down to the wire,” said Haith. “We can’t dwell on a loss too long. We’ve got to move forward and grind it out. We are in great shape.”
Miami travels to N.C. State for a 7 p.m. ACC showdown Tuesday.
Lelan LeDoux
Senior Sports Writer
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01983 403964 steve@themontpelier.co.uk Isle of Wight Bed and Breakfast
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SANDOWN BAY TAKES ‘BEST BEACH’
Home » SANDOWN BAY TAKES ‘BEST BEACH’
SANDOWN BAY TAKES ‘BEST BEACH’2019-03-082019-03-08https://www.themontpelier.co.uk/wp-content/uploads/2018/10/the-montpelier.pngThe Montpelierhttps://www.themontpelier.co.uk/wp-content/uploads/2018/10/the-montpelier.png200px200px
The Montpelier in Sandown Bay
The Isle of Wight’s Sandown Bay has been awarded ‘Best British Beach’ and Bembridge has been crowned ‘Best Village’ in the nationwide Countryfile awards.
The online poll – run by the popular magazine in conjunction with the BBC TV’s Countryfile programme – placed the 2 popular Isle of Wight destinations at the top, by a very wide margin.
Bembridge was voted village of the year for ‘wonderful coastal setting with a pier and lifeboat station, plus a busy village community with independent shops, cafés and restaurants’. It was also noted that Bembridge has 2 great beaches and the white cliffs of Culver Down on its doorstep and that the village is a perfect base for exploring.
Sandown Bay was voted the Best British Beach and described as a ‘traditional bucket and spade beach on the east coast of the island with miles of golden sand, pier and eclectic seafront – and just a short walk to peace, fossil-rich cliffs and stunning coastal wildlife’. The award covers from the south of Shanklin Esplanade right around to Yaverland.
Will Myles, Managing Director of Visit Isle of Wight has said:
“This is clearly fantastic news for the Isle of Wight. We’re very grateful to the thousands who voted for Bembridge and Sandown Bay.
“To win not just one, but both of these awards is a testament to what this Island has to offer.
“It’s just two more reasons for visitors to come and discover the Isle of Wight – the best beach in the UK at Sandown Bay and the best village in the UK, Bembridge”.
Ian Boyd of Arc Consulting said:
“This is absolutely wonderful news! It’s a spectacular result for the Island particularly for Bembridge winning as well what a fantastic celebration of everything that is great about the Island.
“For us, it’s acknowledges the incredible quality of the Bay’s environment of this extraordinary beach – it’s a reminder just how lucky we are and how much we have to be thankful for.
“We know we have the best beach to talk about, to bring people back for or to visit for the first time. And for those of us who live and work here, it’s a real shot in the arm – I’ve always believed it, but somehow it is even more believable. This isn’t a full stop, this is the start of something amazing and opens the door to everything that is coming”.
If you are looking for a great place to stay look no further you’ve found The Montpelier.
SANDOWN IS BLOOMING MARVELLOUS
LATE AVAILABILITY AT THE MONTPELIER
ISLE OF WIGHT STEAM RAILWAY – HAVENSTREET
AIR RACING RETURNS TO SANDOWN AIRPORT THIS SUMMER WEEKEND
9 FABULOUS FAMILY ACTIVITIES AT THE LONDON CAPITAL & FINANCE OSBORNE HORSE TRIALSUncategorized
£99,000 GRANT FOR MICRO BREWERY AND MUSEUM IN SANDOWNUncategorized
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TShirtsUnited News and Blog
Taking Shape
Posted by TShirtsUnited
Posted in Manchester United
It's been a summer of frustration for United fans with many expressing their concern over the lack of transfers and the perceived procrastinating of Ed Woodward and the board over players like Harry Maguire and Bruno Fernandes. The signings of Wan-Bissaka and Daniel James have done little to appease the masses, despite being absolutely ideal for what Ole is looking to achieve, and there's a growing movement online to direct anger towards the Glazers (of course), Woodward and United's sponsors, all under the hashtag #GlazersOut.
Meanwhile, Ole Gunnar Solskjær has quietly got on with the most important job - coaching and managing the team and trying to make his vision for how he wants them to play a reality. This has been largely lost amid the moans, groans and gnashing of teeth but if fans actually took the time to analyse what's been happening away from the clickbait and utter bollocks that is the transfer market they'd have some cause for hope.
United have played a high line during preseason so far, adopting a pressing, high energy approach to each game. It's brought dividends too, with win after win. It's quite clear that Ole wants United to adopt the type of football for which the club is famous. Attacking football, giving the opposition no time on the ball and getting to the box much, much quicker.
His preferred formation is a back four with two central midfielders in front of it, three attacking players and one central striker. 4-2-3-1 in other words. It works, though I fear it could be exposed against teams playing with a packed midfield.
But maybe we could cope if the two central midfielders are on their game and whoever is playing wide is willing to drop back and assist when required. That certainly seems to be the intention.
The front three and lone striker have been seen to swap positions during a game too, which will confuse the opponents if it's done smoothly. Rashford, Martial and Greenwood have all played as the main striker or out wide during periods of play with the 'number 10' player also changing too, albeit less often. It's has the potential to work very well.
Fitness has been a major concern for Ole following the end of season collapse in the league. It's something he addressed immediately when training began and, if you believe the rumours, the players didn't like it. At first, at least, but that seems to have died down and the squad does look fitter. It'll have to be if they are to maintain the style of play for a long, hard season on four fronts.
If I'm honest, it's not been perfect - but it's been much more entertaining to watch.
At the same time, Ole has been blending youth with experience. Greenwood, Chong, Gomez and the rest are getting minutes alongside more established players as the manager tries to get back to promoting youth. It remains to be seen if this will carry forward to the league and cup competitions when the real action starts, but it's been good to watch so far.
There are positives among the players too. Martial is training and playing with a smile again after looking like the most miserable bastard in the world for a couple of seasons. Pogba is being Pogba and, whether he moves or not, seems to be enjoying himself right now. McTominay is proving his doubters wrong though he still has a little way to go to cement his place in the starting XI for certain.
It's clear where Ole's United is heading and while we're not there yet, it IS happening. Concerns, however, remain.
Frustration must be bubbling under the surface for Solskær as well as the fans. Central defence is still an area where United are desperate to strengthen and it's ridiculous they don't just meet Leicester City's asking price and get the Maguire move done. Even then, I'd say we need one more. Lukaku is clearly on the move if anyone can meet our asking price, which leaves a hole up front unless Ole really is intent on making Greenwood a regular starter - and I wouldn't be against that but it's a lot to ask of such a young player. It's fortunate we have Martial and Rashford to carry some of that weight. We can only hope they have the right mindset this season.
In midfield the question mark remains over Pogba's head, Matic actually does appear to be well behind the pace - especially now Ole has upped it - and McTominay is still developing. Hence why we've been linked with any number of players in those positions. Newcastle's Longstaff and the aforementioned Bruno Fernandes have been the strongest rumours, but there's no concrete evidence from the club that there's any chance of a move. Pure speculation and best treated as such.
None of the so called deadwood has been moved on either so Ole is having to try to implement his vision on a squad some of which he doesn't want there. Publicly he backs them, as he has to, even if the supporters don't like to hear such sycophantic spiel, but secretly he must wish he could offload players like Sanchez as quickly is possible. Trouble is, who wants underperforming and average players on massive wages? You can't sell players if nobody wants to buy them.
Ole has a plan for the team and he's putting it slowly into place whilst working under a regime that is all about the bottom line. That will be his biggest challenge, not the opposition on the pitch.
Next Article: United Divided
Previous Article: Honouring the Manchester United 1978 Centenary Away Kit
Brutal. An Assessment of the Current Squad
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Shambles: 2018/19 Season Review
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Mourinho to face punishment for sitting still
FA set to throw book at United boss for "being too impassive".
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Tuscarora School District
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Superintendent's Office » Superintendent's Office
Dear Tuscarora School District students, families, and residents;
Thank you for your interest in the Tuscarora School District. It is hard to believe we’re half way through the 2018-19 school year!?! I have experienced a steep learning curve in my role as Acting Superintendent but I certainly have felt and appreciate the support of our community.
In my Back to School message, I wrote about our journey toward increased student opportunity and achievement, enhanced school district culture, and improved professional collaboration on behalf of our students. I appreciate and have tried to promote and celebrate the many wonderful, positive things that happen in our schools each day. I fully believe that “We have great kids” in our community and it is our shared responsibility to prepare them for the NEXT steps of their lives.
To expand upon my last sentence, I am proud to announce the new Mission Statement, developed by a group teachers and administrators and approved by our School Board, which will guide our work together on behalf of our TSD kids:
Empowering all learners for their unlimited NEXT
Our new TSD Mission Statement is intentionally simple and begs for further discussion, inquiry, and analysis. It is our hope that this statement will be a “conversation starter” throughout our schools and our community. Every student is unique and has his/her own individual NEXT step in school, life, or career. For me personally, the words “all” and “unlimited” contain special challenges for our educational community. We must ensure that ALL students, including those who may be considered at-risk, are prepared for their very best UNLIMITED future. A commitment to at-risk students is one of nine building blocks of a world class education system (Tucker, 2016). This will require that we provide additional and more flexible resources for at-risk students. Students from low income or otherwise disadvantaged situations will need the very best resources, enhanced coordination between schools and families, and additional time and effort from our very best teachers and staff. Vital components of an educational successful system include but are not limited to early identification processes, comprehensive intervention and support systems, open communication between and families and schools, and individualized pathways to career and college readiness. Succeeding with and for all students can be challenging. It is also our responsibility and our mission.
Thank you for joining me in creating the very best educational experience for ALL of our students. Thank you, again, for supporting our kids. Best wishes for a safe and productive start to the second half of the school year.
Tuscarora Proud,
Rodney N. Benedick, M. Ed.
Acting Superintendent, Tuscarora School District
Marc Tucker, “9 Building Blocks for a World-Class Education System”, (Washington, DC: National Center on Education and the Economy, 2016).
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100 W. Seminary St., Mercersburg, PA 17236 Phone: 717-328-3127
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'Let's see how it plays out' - Breakers owner vows support for Glen Rice Jnr, in court over pub altercation
Chris Chang, 1 NEWS Reporter
Breakers import Glen Rice Jnr pleaded not guilty at the Auckland District Court this morning, following his arrest last week.
“Let’s see how it plays out,” Matt Walsh told reporters outside the Auckland District Court. Source: 1 NEWS
The American, who recently joined the club despite a reputation for getting in trouble off the court, was allegedly involved in an altercation outside an Auckland pub.
He has been indefinitely suspended from the Breakers, although they are paying his legal costs.
The judge today ordered that he be remanded on bail until Feb 10. Bail conditions include not consuming alcohol, not associating with the alleged victim and a ban from visiting licenced premises except for purposes of dining or supermarkets.
Breakers owner Matt Walsh made a statement to media outside court.
“Obviously this was just the first step in the legal process," he said. "We’re going to let it play out in the New Zealand law system.
The Breakers have suspended Glen Rice Jr indefinitely just 12 days after unveiling him as their new star import. Source: 1 NEWS
“While that happens, we’re going to continue to support Glen. Like anyone who’s going through this process, I would just say keep an open mind.
“Let’s see how it plays out.”
Walsh previously told 1 NEWS it was a gamble taking on the controversial player.
"Yeah, I mean it's a fair judgment. I said it from the beginning we would like to think we have the infrastructure here and the people in place who can help people and we can give guys second chances and we can put things in place.
“I think we did our best with Glen. We put structures in place that we thought we could really help him."
Breakers boss Matt Walsh confirmed to 1 NEWS that the club’s star import was involved an incident in the early hours of Thursday morning. Source: 1 NEWS
It comes during a horror period for the four-time NBL champions, with forward Tom Vodanovich met by police off a flight from Perth, amid reports of poor behaviour.
He put it down to mixing "a few beers" with a sleeping pill.
Coach Dan Shamir rejected suggestions of a culture problem at the Breakers.
"We are in a process of change and build, obviously it's not an excuse, things that happen - and we're open about it - that shouldn't happen, we make it very clear it shouldn't happen,” Shamir said.
"I know we are being doubted right now by a lot of people, and it's normal. I'm used to that. My job wherever I am is to be doubted all the time."
The team is also struggling on the court, losing four straight.
They play Adelaide on Sunday.
Chris Chang
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Superbowl Halftime Show: Live Coverage
Araceli Aviles 4 years ago
It’s Superbowl Sunday everyone! Whether you live and breathe football, or have no idea how the game works, today is the one day everyone is watching. If you’re anything like me, you’re watching for another reason: the Halftime Show!
So let’s get this party started!
Image processed by CodeCarvings Piczard ### FREE Community Edition ### on 2016-02-05 19:08:56Z | | ÿ’
We’re starting off with Coldplay! Lots of colors going on here as the band starts off with “Viva La Vida”, “Paradise”, oooh flowers! I think we were transported back to the 60s, which was the birth of the Superbowl.
Take it away Bruno Mars! Hello Beyonce! Lady B came to win this halftime show with her new song “Formation”, she is owning her performance, as always. Chris Martin, Beyonce, and Bruno have got this crowd on its feet ending with “Uptown Funk”.
In a homage to Superbowl performances of the past, clips are being shown of iconic performances are being shown alongside Coldplay’s “Fix You” melody. I’m getting a little misty-eyed as Whitney and Michael Jackson come onto the screen. Ending with the statement “We’re gonna get it together right now” as a rainbow of colors fills the stadium was absolutely beautiful.
I love Coldplay, I love Beyonce, and I love Bruno Mars. Putting together a halftime show is no easy feat, especially since you’re on a clock. That being said, this show was more of a statement than a performance. Not to say that’s a bad thing, we all need a reminder that we should be unified. What better platform to get that message across than the Superbowl? Altogether, a great show with a simple message of hope and unity.
BELIEVE IN LOVE #PepsiHalftime #SB50 pic.twitter.com/2arVpeSCQJ
— Leonardo (@Jetblackxmuke) February 8, 2016
Araceli Aviles
Editor of TVOvermind. In today's rising industry it is ambitious to be a die-hard television fan. Understanding the choices people working in Entertainment make in order to tell a story is a huge part of why I love what I do. I believe in the power of stories to delight, to dismay, to bring hope, to shed light, and to send a message. We here at TVOvermind love television as much as our readers. It is a privilege to connect with every single one of you.
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EditorialCalifornia Plant Boosts Biogas and Heads Toward Net Zero Energy
California Plant Boosts Biogas and Heads Toward Net Zero Energy
A California treatment plant joins a US Department of Energy program, expands its cogeneration system and makes progress toward net zero energy.
Appeared in print as "Boosting Biogas"
By Doug Day
California Anaergia Anaerobic Digester 2G Energy Inc. Engine-Generators Aqua-Aerobic Systems, Inc. Tertiary Filters
A formerly decommissioned anaerobic digester was retrofitted and equipped with an Omnivore recuperative thickener that triples gas production.
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The Victor Valley Wastewater Reclamation Authority saves about $40,000 per month by using biogas to displace some natural gas for generating electricity.
With a biogas cogeneration system that went online in September, the plant now produces 93 percent of its power. “We’re nearing a goal where we can say we are energy neutral,” says Logan Olds, general manager.
Victor Valley was the first wastewater treatment plant to join the U.S. Department of Energy Better Buildings, Better Plants program in December 2014. Many more plants have since joined the program, which has 160 members representing more than 2,400 industrial facilities.
Those in the program pledge to reduce energy use by 25 percent over 10 years and share their solutions to help others. “We are trained to meet water-quality regulatory requirements,” notes Olds. “We are not trained on electrical production and energy efficiency. Better Buildings, Better Plants helps educate me and the staff about how we monitor, track and project our energy efficiencies and savings. It’s helping us develop the same programmatic approach for energy that we have for water quality.”
The opportunity came when Anaergia, looking to demonstrate technology it has used for years overseas, applied for a grant from the California Energy Commission to install its Omnivore anaerobic digestion system at a wastewater treatment plant in the state. The company had 1,600 Omnivore installations worldwide but none in North America.
The commission provided a $2 million grant for the Omnivore project, and Anaergia contributed $600,000. The company used the money to retrofit a decommissioned VVWRA anaerobic digester for its process, which triples biogas production. The authority had saved three old digesters instead of tearing them out when two larger digesters were built in 2008.
VVWRA entered a 20-year power purchase agreement with Anaergia for the biogas-to-energy project. “Anaergia provided the equipment, retrofitted the tanks and installed the mixing technology,” says Olds.
The Omnivore process thickens and mixes solids to increase biogas production. “I’ve always been told you can’t reliably mix more than 2.5 percent solids in anaerobic digesters,” says Olds. “We are mixing 6 percent day in and day out. They’ve also demonstrated the decoupling of the hydraulic and solids retention time. So the water goes away, but the solids remain in the digester so we can generate additional gas.”
Looking to export
The biogas is stored in a double-membrane gas holder installed by Anaergia and is burned in a pair of 800 kW engine-generators (2G Energy).
One improvement being considered is battery-based energy storage. “One issue with power production is that you have varying loads and the generators can’t always ramp up fast enough, or you get frequency variations in the voltage,” says Olds. “With a battery system and a microgrid controller, we can handle those variable loads. Once we demonstrate that ability, we could export up to 400 kW to the utility grid.” Olds will pursue a grant from the Energy Commission for that project.
The ability to export power would make it possible to co-digest FOG and food processing waste and produce more fuel, export more power and generate revenue. “We still have two digesters offline, so I’d like to find a private partner to find a use for them and provide some benefit to our facility,” Olds says.
Learning from others
VVWRA serves about 300,000 people across 216 square miles in the Mojave Desert. Its activated sludge plant (18 mgd design, 12.3 mgd average) uses biological nutrient removal, AquaDiamond cloth-media tertiary filters (Aqua-Aerobic Systems) and UV disinfection.
“It’s kind of unusual,” says Olds. “We are required to release a little more than 8 mgd for reuse by downstream communities and for habitat maintenance in the Mojave River. The remainder is used in a local power plant’s cooling towers or sent to percolation ponds and eventually goes back to the aquifer.”
As a member of the DOE program, Olds hopes to learn from industries that have been treating water for other uses and with less energy intensity. “If you look at other places where water is scarce, our industrial partners have already done some of this work on the pretreatment side for creating potable water for their product,” he says. “Some of the big ones are bottled water and soda. We need to do the same in cleaning up the water before releasing it to the environment.”
The authority is now building two 1 mgd regional plants that will reclaim some wastewater for irrigating landscapes and golf courses and send the remaining wastewater and the solids to the main plant for further treatment. They are to be operational in mid-2017. Olds is also considering solar energy to help meet those plants’ energy needs.
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Rossburn Historic Sites
The Rossburn area is very rich on Ukrainian settlement history.
Visit a mass grave and monument commemorating the Ukrainian settlement in Canada and where in 1899, 42 persons succumbed to scarlet fever. From Highway 45 drive North on PR 577, a sign will indicate the turnoff to the site.
Designed in the spirit of old world architecture are: Sts. Peter and Paul Ukrainian Catholic Church, Sts. Peter and Paul Ukrainian Orthodox Church, St. Michael's Ukrainian Catholic Church, and Ukrainian Orthodox Church-Assumption of the Virgin Mary, St. John Cantius Roman Catholic Church. Churches open by appointment.
Marconi School, built in 1922, is open spring to fall. Designated Municipal Heritage Site, restored one room school building after WWI. On PR 577 a sign will direct you to the site.
In 1899, the Ukrainian settlers built small tent-shaped pole structures with sheaves of rye straw, known as buddas which were home to the pioneers until their homesteads were assigned. From Highway 45 drive North on PR 577 to Olha and follow the signs.
The Babushka Trail brochure offers self-guided tours to most of these sites including a map. Available at the municipal office, Parkway Coop Food Store and at the tourism booth besides the Parkway C-Store on Main Street in Rossburn. Guided tours are available on request.
Tel. 204-859-2779 (weekdays)/859-2479 (weekends)
E-mail: municipaloffice@rossburn.ca or cdormr@mymts.net
Community_of_Rossburn_-_Historic_Sites.jpg
Rossborn Historic Sites - Black Bear
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5 November 2019 / en
Christoph Garber on Trekhunt
Despite his young age, Christoph already has a fantastic track record as a mountain and ski guide. He traveled all over the world, to discover the world's top ski and mountain-heavy countries. He had experiences from Canada, Pakistan, Georgia, and he even led expeditions to the Himalayas.
Take a look at his highlights:
Catskiing and heliskiing in Georgia (winter 17/18)
Expedition leader in the Himalayas (Dhaulagiri VII 2018)
Heliskiguide in British Columbia, Canada (Winter 18/19)
Expedition leader Broad Peak 8051m (Pakistan 2019)
Since the age of 22, he holds the Austrian state license, which is the highest certification a guide can have in Austria, and Europe. The energetic tour guide recently made his own travel company; called bergskifuehrer.at - which is available in German.
He is one of the most qualified local guide in Tyrol. After he got his certificate, he travelled the world to gather more and more experience. Christoph was born in Zillertal. That's his base, where he returns almost every year.
This year, we are lucky to have Chris back in Tyrol, Austria! His whole tour selection is available this winter on Trekhunt.
Zillertal Mountain Guides
Zillertal mountain guides have a high reputation regarding any mountain related sports. They are key figures from the beginning of alpinism to the present day in Austria, and beyond. The Zillertal area is so diverse that even other Austrian guides speak highly about it.
Tour Selection
He leads ice climbing, freeriding, ski touring, avalanche courses, and snowshoeing. He has a broad palette of every winter sport, that an enthusiast skier can wish. After the winter season, he will be back with the summer tours, like mountaineering, ferrata, hiking or sport climbing.
Broad peak is a mountain in the Himalayas, and the 12th highest peak in the world. It is located on the border of Pakistan and China. The mountain has five summits: Broad Peak (8051 m), Rocky Summit (8028 m), Broad Peak Central (8011 m), Broad Peak North (7490 m), and Kharut Kangri (6942 m).
Broad Peak is a challenging climb for sure. It starts steep and never ends. The upper sections are dangerous and the summit ridge has turned back even the best mountaineers over the years. The views during the trek up the Baltoro Glacier are mind blowing as are those of K2 up close. Christoph successfully lead the expedition to the highest peak, to Broad Peak.
Association of Austrian Mountain and Ski Guides
The training covers the whole range of alpine mountaineering in theory and practice.
The preparation courses for the mountain guide aptitude test are arranged in such a way that they clearly show on the one hand the expected requirements in the course of the aptitude test. Surprises in terms of technical difficulties, conditional requirements, necessary equipment, expected flow of movement and safety throughout the occurrence should be avoided. The courses support the preparation for the aptitude test to identify any weaknesses and to improve them accordingly in order to achieve a positive result in the aptitude test.
The ability test consists of two parts (winter and summer); These must be completed within one calendar year in the order winter/summer.
In the winter of each year (end of January / beginning of February), the aptitude test in the area of skiing with ascent and descent, followed by the tests Steileis and ice quickly (a total of 3 days).
Anyone who has completed the first part can take the qualification test in the rock area (sport climbing, alpine, or clean climbing, and rock easily) in May/June. After a successful discussion of the tour report, you can start with the 56-day, first training part. Source: the association website.
Here, at Trekhunt we are glad to have Christoph on board. Working with him teach us a lot about his passion and profession - what we all love: sport and adventure. We can only recommend him.
See Christoph's tour on Trekhunt.
Dora Kardos
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Ha létezne tökéletes síterep, akkor mindenki odamene. Ezáltal viszont az rögtön elveszítené a tökéletességét.
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Boxer Amir Khan offers to help Pakistan cricket team to improve its fitness
MANCHESTER: Pakistan’s beleaguered cricket team has been offered help by British boxing star Amir Khan, who says he can assist the team in improving its fitness and focus.
Posted: Jun 17, 2019 04:59 PM (IST)
Boxing star Amir Khan. Photo courtesy Twitter handle: @amirkingkhan
gspannu7@gmail.com
Manchester, June 17
Pakistan’s beleaguered cricket team has been offered help by British boxing star Amir Khan, who says he can assist the team in improving its fitness and focus.
The Pakistani-origin boxer’s offer comes in the wake of the 89-run drubbing that the country endured in a World Cup match against arch-rivals India here on Sunday.
“Would love to help Pakistan cricket team with some advise on how to stay fit and strong. How to be disciplined on food, diet and training. The team has talent but need to improve on Strength & conditioning and focus...,” he tweeted.
Would love to help Pakistan cricket team with some advise on how to stay fit and strong. How to be disciplined on food, diet and training. The team has talent but need to improve on Strength & conditioning and focus @TheRealPCB pic.twitter.com/GEUplrqdpP
— Amir Khan (@amirkingkhan) June 17, 2019
Khan, who was born and raised in Manchester and won an Olympic silver medal for Britain, is a former world champion in the professional circuit.
He continues to have close ties in Pakistan and often visits the country to promote boxing.
Pakistan were outplayed by India on Sunday, going down for a seventh successive time to the arch-rivals in the World Cup.
Khan, whose next pro fight is against an Indian in Neeraj Goyat, said that he would look to take revenge by beating him in showdown scheduled next month in Jeddah.
“Pakistan lost to India today #ICCWorldCup2019 come July 12th I will avenge the loss and knock out Neeraj Goyat on our upcoming fight in #SaudiArabia,” he tweeted.
Goyat, a former WBC Asia title holder in the welterweight category, hit back at Khan on the same platform.
“keep dreaming @amirkingkhan You will witness my victory and india’s as well #khangoyat #IndPak,” he said. — PTI
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Vodafone brings 5G to Manchester Airport to end pre-flight downloads scramble
Chris Smith | February 18, 2019 8:37 am GMT
Credit: Harry Knight / Unsplash.com
Vodafone is giving travellers the opportunity to sample its future 5G network with a new trial at Manchester Airport.
The extension of the network’s 5G trials commenced last Friday, with a new pod positioned in the departure sound at the airport. Vodafone says this is the first of several 5G commuter hotspots that’ll be trialed throughout 2019 and the first of its kind for any UK network.
The company hasn’t specified how it is bringing the 5G speeds to the 4G devices owned by travellers, but does say these ‘5G zones’ could be common around the UK in the future, with speeds akin to home Wi-Fi.
So why the airport? Vodafone says its research has shown its subscribers want faster download speeds when they’re at key commuter locations. So, if you’re someone who frantically scrambles to download all of your Netflix shows, Spotify playlists and podcasts right before take-off, while using shoddy airport Wi-Fi, this trial could be right up your alley.
Related: What is 5G? 5G vs 4G explained
The company hasn’t said which other commuter locations it’s planning to roll out the ‘blast’ zones, but we’ll keep you posted if they come to a town near you.
Back in January, Vodafone also announced the first “full 5G” trial in the United Kingdom. The experiment in Salford, Greater Manchester brings 5G speeds to MediaCityUK and the surrounding area, using the 3.4GHz spectrum and MIMO tech.
The telecoms giant is making use of its nationwide converged fibre network, which allows it to put 5G through its paces by using end-to-end wireless routers (via Inquirer). Vodafone says this differs from other networks’ trials, such as the EE test at Canary Wharf, which are still reliant on parts of the 4G infrastructure.
The network plans to introduce similar 5G trials in another six cities around the UK, ahead of the 5G roll out sometime next year. 60 sites in total will go live ahead of the planned nationwide roll out of the next-gen mobile data speeds.
Have you sampled Vodafone’s 5G zone in the Manchester Airport departure lounge this weekend? Let us know @TrustedReviews on Twitter.
Chris Smith is a freelance technology journalist for a host of UK tech publications, including Trusted Reviews. He's based in South Florida, USA. …
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Alan Turing and the birth of machine intelligence
Sohrob Kazerounian
“We may compare a man in the process of computing a real number to a machine which is only capable of a finite number of conditions…” – Alan Turing
It is difficult to tell the history of AI without first describing the formalization of computation and what it means for something to compute. The primary impetus towards formalization came down to a question posed by the mathematician David Hilbert in 1928.
The challenge, known as the Entscheidungsproblem, German for decision problem, asked if it was possible to construct an algorithm that, when given any formal statement in first-order logic, could answer “yes” or “no” in response to whether the statement is valid.
Just shy of a decade later, a 24-year-old mathematician named Alan Turing ended Hilbert’s hope of finding any such algorithm. Turing’s 1937 paper, “On Computable Numbers, With an Application to the Entscheidungsproblem” – published independently of a proof by Alonzo Church the year prior – formalized the notion of computation and constructed a theoretical machine that would later serve as a model for modern digital computers.
To define his automatic machine, known today as a Turing Machine (TM), Turing drew inspiration from the process undertaken by a computer, which in his sense of the word referred to a human who computes. Deconstructing the human procedure to its constituent elements, Turing wrote:
“We suppose that the computation is carried out on a tape; but we avoid introducing the ‘state of mind’ by considering a more physical and definitive counterpart of it. It is always possible for the computer to break off from his work, to go away and forget all about it, and later to come back and go on with it.”
“If he does this he must leave a note of instructions (written in some standard form) explaining how the work is to be continued. This note is the counterpart of the ‘state of mind.’ We will suppose that the computer works in such a desultory manner that he never does more than one step at a sitting.”
Turing’s a-machine was defined by its use of an infinite tape on which symbols could be written, a head that could read symbols from the tape, a register that would keep track of the state of the machine, and a state table that would tell the machine what to do next (e.g., write or change a symbol on the tape, move to a new position on the tape, etc.) given the state that the machine was in.
Using only these components, Turing theorized that anything that could be effectively calculated could also be computed by a TM. More impressively, Turing went on to show that it is possible to construct a Universal Turing Machine (UTM) that could simulate any other TM by essentially feeding the UTM a full specification of the TM as input.
The UTM, a stored-program computer, was in part the inspiration for John von Neumann’s creation of the first modern digital computers, now referred to as the von Neumann architecture.
Armed with a formalism that defined computing machines, Turing honed-in on what it means for a machine to think. In the article “Computing Machinery and Intelligence” published in 1950, he proposed his infamous test of machine intelligence, now known as the Turing test. He begins by pondering whether it would suffice to just use the common meanings for the words machine and intelligence:
“I propose to consider the question, "Can machines think?" This should begin with definitions of the meaning of the terms ‘machine’ and ‘think.’ The definitions might be framed so as to reflect so far as possible the normal use of the words, but this attitude is dangerous.”
“If the meaning of the words ‘machine’ and ‘think’ are to be found by examining how they are commonly used it is difficult to escape the conclusion that the meaning and the answer to the question, ‘Can machines think?’ is to be sought in a statistical survey such as a Gallup poll. But this is absurd.”
Turing proceeded by proposing a test modeled after the imitation game, in which an interrogator attempts to distinguish which of two players is female, and where each player, hidden from sight, attempts to fool the interrogator into thinking they are the female through written answers to the interrogator’s questions.
In Turing’s version of the game, the male is replaced by a machine that attempts to respond to questions in such a way as to fool the interrogator into thinking it, not the female player, is female.
Although the game was presented as requiring the interrogator to determine which of two hidden players is female, the basic form of the Turing test is based on distinguishing the performance of a machine from that of another person by guessing which is the real human, whether in a game of chess or in unstructured conversation.
Turing also restricted the type of machines under consideration to the following:
“The question which we put in [Section 1] will not be quite definite until we have specified what we mean by the word ‘machine.’ We are the more ready to do so in view of the fact that the present interest in ‘thinking machines’ has been aroused by a particular kind of machine, usually called an ‘electronic computer’ or ‘digital computer.’ Following this suggestion, we only permit digital computers to take part in our game.”
Having restricted the types of machine to digital computers, and defining the measure by which they are be judged, Turing provides his own feelings on the original question, before responding to other objections to it:
“It will simplify matters for the reader if I explain first my own beliefs in the matter. The original question ‘Can machines think?’ I believe to be too meaningless to deserve discussion. Nevertheless, I believe that at the end of the century the use of words and general educated opinion will have altered so much that one will be able to speak of machines thinking without expecting to be contradicted.”
“I believe further that no useful purpose is served by concealing these beliefs. The popular view that scientists proceed inexorably from well-established fact to well-established fact, never being influenced by any improved conjecture, is quite mistaken.”
Incredibly, despite the overwhelming amount of commentary and disagreement generated by the Turing test, Turing himself dismissed the question as meaningless.
Although he admitted that using the term thinking might, by the end of the 20th century, become a natural predicate for people to apply to machines, he was relatively indifferent about that prospect.
For Turing, whether we refer to a machine as thinking or intelligent was irrelevant. All that could be determined was how well the machine could imitate the behavior of a human, and that could best be measured by how well the machine could fool an observer into believing that it too was human.
Sohrob Kazerounian is a senior data scientist at Vectra where he specializes in artificial intelligence, deep learning, recurrent neural networks and machine learning. Before Vectra, he was a post-doctoral researcher with Jürgen Schmidhuber at the Swiss AI Lab, IDSIA. Sohrob holds a Ph.D. in cognitive and neural systems from Boston University and bachelor of sciences degrees in cognitive science and computer science from the University of Connecticut.
Sohrob Kazerounian is the senior data scientist at Vectra AI. Sohrob is highly experienced in artificial intelligence, deep learning, recurrent neural networks, and machine learning. Before joining Vectra, he did machine learning and artificial intelligence work for SportsManias. Prior to SportsManias, he was a postdoctoral research fellow at IDSIA. He received a B.S. in cognitive science as well as computer science and engineering from The University of Connecticut and a doctor of philosophy (Ph.D.) in cognitive neural systems from Boston University.
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Tag: Metric
2015 Life Is Beautiful Festival Announces Lineup
FESTIVAL ANNOUNCES LINEUP
Stevie Wonder, Imagine Dragons and Kendrick Lamar Headline The Three-Day Festival
September 25 – September 27
Tickets now on sale at LifeisBeautiful.com
Today, Life is Beautiful Festival announced the official artist lineup for the third edition of the music, food, arts and learning festival. In partnership with Another Planet Entertainment and Insomniac, Life is Beautiful will return to Downtown Las Vegas to provide festival- goers an exciting experience of world-class cuisine, extraordinary art and some of the world’s biggest musicians.
Headlining this year is 25-time GRAMMY® winner and global superstar, Stevie Wonder, Las Vegas hometown rockstars, Imagine Dragons, hip-hop heavyweight, Kendrick Lamar, and music legends, Duran Duran, who are among more than 70 established and emerging artists to hit the four outdoor stages throughout the weekend.
In collaboration with Insomniac, Life is Beautiful will host an entire Insomniac curated music area, taking over one of the four stages on the festival grounds. World leading and fresh faced dance music artists on this year’s lineup include Thievery Corporation, Porter Robinson, Major Lazor, DJ Snake, Tchami, Cashmere Cat and many more.
2015 Life is Beautiful Festival Lineup
Stevie Wonder, Imagine Dragons, Kendrick Lamar, Duran Duran, Hozier, Kid Cudi, Weezer, Major Lazer, Death Cab For Cutie, Brandon Flowers, Kygo, Atmosphere, Twenty One Pilots, Porter Robinson, Thievery Corporation, Edward Sharpe and the Magnetic Zeros, Metric, DJ Snake, Awolnation, Walk The Moon, RL Grime, Run The Jewels, Rebelution, GRiZ, Future Islands, SOJA, Royal Blood, Madeon, Glass Animals, Lindsey Stirling, Clean Bandit, BADBADNOTGOOD & Ghostface Killah, Best Coast, Robin Schulz, The Green, TCHAMI, SZA, Against Me!, Dan Deacon, Meg Myers, Cashmere Cat, New Politics, Tommy Trash, Two Gallants, Ryn Weaver, Shamir, What So Not, Big Data, Elle King, JAUZ, Saint Motel, BØRNS, X Ambassadors, Klingande, Halsey, SALVA, Leikeli47, The London Souls, Kaleo, Giraffage, Andra Day, Mercer, Night Terrors of 1927, Parade of Lights, Peking Duk, Jared & The Mill, Mercy Music, and more to be announced!
In 2014, more than 90,000 fans came together for Life is Beautiful, which expanded to a three-day festival following its amazing success. Now in its third year, the all-ages cultural experience continues to grow with the return of the world’s most influential culinary experts, artists and interactive learning sessions.
Directed by Ryen McPherson of Critical Focus, the 2015 Life is Beautiful Festival lineup video takes over Downtown Las Vegas with music by Atmosphere & Against Me!.
Tickets are now on sale at LifeisBeautiful.com. Advance tickets are available in limited quantities on first- come-first-serve bases.
Three-Day General Admission (GA) Tickets:
Advance 3-day GA: $235 plus taxes/fees
Regular 3-day GA: $255 plus taxes/fees
VIP Tickets:
Regular 3-day VIP: $595 plus taxes/fees
VIP Tickets Include:
One 3-day VIP pass to Life is Beautiful 2015
Access to private viewing areas at the Downtown and Ambassador stages
Access to the “VIP Lounge” located adjacent to the Downtown and Ambassador stages, featuring:
Shaded VIP relaxation area with comfortable furniture and lounge chairs
Exclusive VIP-only food vendors, art vendors, and art installations
‘Culinary Corner Stage’ with daily chef celebrity demonstrations and tastings
Private air-conditioned restrooms with attendants
Charging stations and live-streaming of the festival stages, culinary demonstrations and major sporting events
Access to VIP priority seating for all Learning Pillar speakers
Limited edition custom festival merchandise gift
Exclusive express VIP lanes at the festival gates, with re-entry allowed all weekend
Dedicated VIP concierge in the VIP Lounge at both Downtown and Ambassador Stages
Additionally, returning this year is the festival’s partnership with Wynn Nightlife, the industry leaders in creating one-of-a-kind entertainment experiences. In collaborating with Life is Beautiful, Wynn Nightlife will enhance the festival experience with unparalleled VIP services. Table and cabana packages will be managed by the experts who have set and raised the standards in award-winning venues such as XS, Tryst, Surrender and Encore Beach Club. Reservations are now being accepted. For inquiries: vipexperience@lifeisbeautiful.com.
For continued updates on the festival, artists and more, please visit www.LifeisBeautiful.com.
About Life is Beautiful
Life is Beautiful is an inspirational company dedicated to helping people conquer their fears and chase their dreams. Its signature project, the Life is Beautiful Festival was founded by Rehan Choudhry in 2013 and launched in October of that same year as a highly successful lifestyle event featuring marquee musicians, chefs, artists and speakers. Held in the heart of Downtown Las Vegas, Life is Beautiful attracted more than 60,000 attendees in its first year, grew to more than 90,000 attendees in its second year and expanded to a three-day festival. The company is now branching out with an international online forum focused on social change. For more information on the company’s projects and the latest
festival news, visit www.lifeisbeautiful.com, or connect with Life is Beautiful socially at Facebook, Twitter, Instagram and YouTube.
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JOINT STATEMENT ON THE KIDNAP AMBUSH OF TOURISTS IN QUEEN ELIZABETH NATIONAL
Source of the Nile Bridge lights green as Irish mark St Patrick’s Day in Uganda
UGANDA AIRLINES BOMBARDIER CRJ900 ARRIVAL TO BOOST TOURISM
UGANDA IS SAFE AND ALL NATIONAL PARKS ARE OPEN FOR VISITATION
UGANDA WINS BIG AT JUST CONCLUDED NEW YORK TIMES TRAVEL SHOW
Tulambule Uganda
Security beefed up in Uganda’s national parks
Parks are open; safe for visitation and safaris continue to go on smoothly
Uganda remains a top destination for wildlife, culture and adventure
On the evening of April 2, 2019, Uganda was put in the spotlight following an unfortunate incident involving the kidnap of a Ugandan driver guide, Jean Paul Mirenge and an American tourist, Kimberly Sue Endicott; who were on a game drive along the Edward track, in the Ishasha sector of Queen Elizabeth National Park.
Following the alert of security forces, a task force led by the Uganda Police Force was put in place to kick off a search and rescue operation of Mirenge and Sue. On Sunday, April 7, 2019, the two were successfully rescued and brought to safety by Uganda security agencies.
Ms. Kimberley Sue, was on Monday, 8th, April, 2019, handed over to Her Excellency, the U.S. Ambassador to Uganda, Deborah Ruth Malac at the American Embassy in Kampala by Inspector General of Police, Okoth Ochola.
In a statement by the Uganda Police Force, no ransom was paid. The victims were released as a result of the implicit threat of the use of force after the armed captors knew that they were being pursued by various security agencies.
According to the Uganda Police Force, the operation to arrest the culprits is still ongoing with the close coordination of their police counterparts from the DRC, with whom they have been working with for the last 6 days. It is reported that arrests have been made in that regard.
Security in Uganda and its National Parks
The Uganda Tourism Board would like to assure visitors and the public that the kidnap at Queen Elizabeth National Park was an isolated incident. The Queen Elizabeth National Park is open and safe for visitation and safaris continue to go on smoothly.
Through the Uganda Wildlife Authority and security agencies, new measures as well as strict guidelines to avoid similar incidents have been put in place. Security has been tightened in all national parks for tourists’ safety. Tourists are encouraged to continue visiting the parks and to enjoy Uganda’s wildlife abundance.
We wish both, Ms. Kimberley Sue Endicott and her safari guide, Jean Paul Mirenge, a happy reunion with their families, as security forces continue to appraise the kidnap and rescue operation, to ensure such an occurrence does not happen again.
Known as the “Pearl of Africa,” Uganda is located in East Africa and offers some of the continent’s most diverse wildlife viewing, dramatic landscapes, and immersive cultural experiences and warm people and hospitality. Uganda is home to more than half the world’s population of endangered mountain gorillas, and trekking to observe these gentle giants in Bwindi Impenetrable Forest is one of the world’s top bucket list travel activities. Safari opportunities abound in savanna, forest, and wetland settings throughout 10 national parks, where visitors can come face to face with “The Big Five” – lion, leopard, rhino, elephant, and buffalo – as well as giraffe, zebra, chimpanzee, hippopotamus, crocodile, and more than half of all bird species found in Africa. Among Uganda’s extraordinary natural attractions are the snow-capped Rwenzori Mountains; expansive Lake Victoria, which forms the source of the Nile River; and Murchison Falls National Park.
For more information, please visit; www.visituganda.com
TULAMBULE CHRISTMAS PROMOTION 2019 KICKS OFF 03 Dec 2019
UGANDA POSITIONS AS MEETINGS AND CONFERENCES DESTINATION AT IBTM WORLD 20 Nov 2019
Uganda Tourism Board Launches Travel Campaign Exclusively for the Middle East 17 Oct 2019
UGANDA AIRLINES RECEIVES TWO NEW BOMBARDIER JETS 08 Oct 2019
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location Milan, 16 Jan 2019
Milan, 16 January 2019
Pierpaolo Piccioli may just be the best poster boy for his own philosophy on suit-wearing. Whether he’s in a tuxedo or a suit draped in an overcoat, he wears tailoring with the ease you would sportswear. And rarely with anything but trainers. His new suiting ideas at Valentino on Wednesday evening at the Grand Palais seemed to reflect the tricks Piccioli picked up on his recent excursion to Tokyo where he showed a Pre-Fall collection that infused into men’s tailoring the plissé of his last women’s ready-to-wear collection. Pleated all over, those suits had an almost pyjama-like quality to them, but in the archaic language of dress codes they still read formal, or at least semi-formal. The same ease loosened up this collection, which – more than anything – proposed a new way of wearing tailoring for a younger generation.
“It’s about rethinking the sartorialism and the idea of a suit in the time of streetwear. I wanted to keep the values of house while having a different approach: much more relaxed and much easier,” Piccioli said. On his visual board was pinned a Valentino archive picture from the 1990s of a man in the typically swathing tailoring of that era. Piccioli translated the values of that ‘dad suit’, as we’d now call it, into the languid lines that define his tailoring. Even when it wasn’t skinny it felt it, but as Piccioli demonstrated on a suited model backstage – pulling his jacket forward – there was always plenty of room for freedom. “Before, everything was about strict rules. And men were like this,” he said, simulating constriction. “I think, now, you have to deliver different proposals.”
“It’s about not just wearing a suit to go to the office. I think the suit can be redone in a different way: a suit to wear with sneakers. I’m not trying to deny all these streetwear pieces, but to add to the wardrobe and rethink the wardrobe in a different way. Because how can you wear a sartorial suit or coat today? You have to rethink it for a man, who’s more fluid and free. And so, the wardrobe has to be more fluid and free in order to respond.” Like the Tokyo collection, the result of those musings was often expressed in the codes of loungewear: luxurious and gleaming layering that echoed the lightness of Piccioli’s haute couture gowns. But maybe that’s seeing it with the conventional eyes of dress codes. Maybe loungewear is the new formalwear.
The Valentino collection featured a collaboration with Birkenstock – hitting those same notes of ease – and continued Piccioli’s exchange student program with Jun Takahashi of Undercover. The two debuted a Valentino x Undercover line of accessories during Piccioli’s Pre-Fall outing in Tokyo in November. This time, they had expanded their motifs to include illustrations of Edgar Allan Poe morphed with a UFO and portraits of Beethoven, which linked with Takahashi’s undying fascination with A Clockwork Orange. The prints and embroideries were shown on both runways on Wednesday night – the shows were back to back – but very different ways. Arriving at the Raf Simons show after Undercover, Piccioli said he already knew which of Takahashi’s coats he’ll be wearing this autumn.
By Anders Christian Madsen
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Autumn/Winter 2019 Couture
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By Ellie Pithers
Brie Larson Nails Caped Perfection On The Avengers: Endgame Tour
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Tyler, the Creator’s New Look Is Not to be Slept On
By Christian Allaire
Tyler, the Creator has always had strong fashion game. In addition to designing his very own streetwear line Golf Wang, the rapper has enviably cool personal style. He often mixes skater-inspired pieces with status designer items— think, a pink Chanel bag. Since the release of his new album Igor, however, the musician has been experimenting with radical new wardrobe ideas, including the distinctive blonde wig and colorful suiting he’s been wearing on tour. His latest turn on the red carpet signals yet another fashion mood: the English school boy.
Tyler’s take on school uniform realness was seen just last night, at the 2019 LACMA Art and Film Gala in Los Angeles. He wore pieces from Gucci’s Pre-Fall collection including a mustard wool V-neck sweater, worn over a blue striped dress shirt and green silk tie, khaki shorts (with a khaki bucket hat to match), fisherman sandals, and calf-length tube socks.
This studious vibe is one that Tyler, the Creator also sported in his new music video for “I Think,” which was released last week and features a cameo from friend Kendall Jenner. For a brief second in the clip, the rapper is seen wearing another V-neck sweater, page boy cap, shorts, and the same tube socks once again. On his Instagram, he’s also posted similar sock fits. Which just goes to show that when it comes to fashion, this rapper is in a class of his own.
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Natalia Vodianova’s Elbi makes donating to charity a fun experience
By Akanksha Kamath 16 May 2019
The changemaking digital platform has just launched in India. Here, we tell you why every millennial in the country needs to check it out
How many of us put aside a small percentage of our monthly income to do a small but significant good deed? Either by sponsoring a girl child's education or curbing our carbon footprint. Many of us also save up to buy that new season Louis Vuitton x Supreme tote or Balenciaga Triple S sneakers we've been eyeing. Natalia Vodianova, supermodel and founder of Naked Heart Foundation, had an aha moment in 2018 when she built a bridge between her two passion points—fashion and charity. Enter Elbi, a digital portal that has already found its footing with millennials around the world for its aim to make giving easier. “Think of it as a Netflix for charity or a club for do-gooders,” says Vodianova in an exclusive chat with us ahead of the launch.
Co-founded by Vodianova and tech entrepreneur Timon Afinsky, an Elbi launch in India was always on the cards. “India is a global leader and has the potential to become a front-runner in achieving several goals for people and the planet. It is therefore our first country of choice in the region, and if we can help make an impact here, we will make an impact everywhere,” explains the Vogue India Women Of The Year 2017 Global Philanthropist and Style Icon Award winner. Above all, the initiative targets millennials like you and I who live on smartphones and are into shared experiences and community life. It even has a fellow millennial, Isha Ambani, on board as the Elbi India board member.
So how does it work? You subscribe, and automatically a certain amount goes towards the United Nations India charities aligned with the portal, like Magic Bus, Cry Foundation (and many others that you can pick according to what you truly believe in). As you donate every month, you acquire points or ‘LoveCoins', which you can then use in the website's ‘LoveShop' that sees brands like Louis Vuitton, Off-White, Stella McCartney and Adidas featuring their newest collections. We sat down for a quick chat with Vodianova to know more about her new venture.
What do you want to achieve in India through Elbi.in?
Elbi is coming to India in a very unique manner. Elbi India will be the first platform to reward its users for giving, as it makes ‘giving' as convenient and rewarding as possible. It's a subscription-based model that provides users access to exclusive content. Elbi India is building on the incredible success of our global platform that launched in January 2018, where our main partner Apple featured us in over 70 countries as App of the Day—we were also listed as one of the top 10 most innovative ways to give back in 2018.
We all are aware that India is at the crossroads of transformation and is striving hard to end extreme poverty and inequalities especially in gender and social disparity. But several strides are in place to achieve this, not only from governments but also its people. Elbi India harnesses the power of technology and storytelling to leverage and transform the lives of millions of Indians. Our web-based platform spotlights the work of various charities aligned to United Nations Sustainable Development Goals, and several charities in India such as Magic Bus, Cry India, UNFPA (the United Nations sexual and reproductive health agency) and the WE Movement, are already benefiting from philanthropic contributions. It is super simple to join this community. When you enter the web platform, subscribe to the cause you feel passionate about, choose your subscription level (prices start at a very reasonable Rs 50 a month), and join the club to make India a better place.
What would you suggest to the next generation that wants to do good but isn't sure of how to go about it?
Firstly, join Elbi India. There will be lots of opportunities to get involved and join a community of like-minded others. I also think you should always try and change the world by doing something you love. There are many causes and charities out there that you can volunteer for, whether it is through sports, music or the arts. There is always a way to help. I also think doing small things every day is really important. Thinking about what you buy or how you can help more at work can often give you a rewarding experience, as well as contemplating what you can do, big or small, to make a difference in the world. But it's important for us to try and make it fun for our users. It will mean you give more to the cause, and you might just make some new friends along the way too.
Elbi India is available to on all electronic devices at Elbi.in
Natalia Vodianova Elbi
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31 books projects
Artbook, Books, Children's book, Journalism, Literature, Magazines, Poetry, Radio and Podcast
THE SECRET LETTER OF MARILYN MONROE. Research book with unpublished revelations on the last days of the actress.
A few days before her death, Marilyn Monroe writes a letter to Truman Capote, hides it and nothing is known about it... until now.
Books / Film
Fuerzas y cuerpos
Photobook on the invisibility of the Civil Guard in Catalonia by Paula Artés, where it shows where they control us and we do not have access
Photography / Artbook, Books
Murals of Tibet: a jewel of the Tibetan culture
A sublime revelation. Thousand years of spectacular Tibetan murals published for the first time with the Dalai Lama’ signature.
Community / Books, Photography
From 10.000€
A photographic book by Itxaso Zuñiga Ruiz that reflects on the intimate meaning of travel and photography.
Photography / Art, Books, Travel
Book: "The Streets Will Always Be Ours: Indignados, Podemos, and the Catalan struggle"
Delving deep into Catalan independence and other challenges to the Spanish establishment in the last decade. Help turn interviews into book
Books / Journalism
Project crowdfunded on September 15, 2018 🎉
Music in the Diario de Barcelona from 1792 to 1850
A book that includes a selection of over 5,000 entries in the newspaper related to all kinds of music-related issues
Books / History, Music
L'espurna
L'espurna is a book, collection of quotes and aphorisms to ignite minds and bring social change.
The Journey of Samira
“The journey of Samira” is an illustrated book, without any text because the images speak for themselves. It is a solidarity project that aims to raise awareness: in this case, to awaken our human side to the horror of thousands of children and their families who escape from the war.
Books / Positive impact
"SOPHIA - Mantente viva"
"SOPHIA - Mantente viva" is a solidarity project made up of a documentary and a cd. It aims to raise awareness about human trafficking through one woman’s story who was the victim of trafficking and now works to rescue women and girls trapped in Bangkok’s prostitution networks.
Community / Positive impact, Documentary, Books, Music
Project crowdfunded on May 09, 2016 🎉
how to analyze and evaluate mat-housing
The book "how to analyse and evaluate mat housing" questions the validity of the system of Mat Building in contemporary residential production. Characterized by a large graphic section, the book analyzes different projects highlighting architectural and urbanistic potentials and deficiencies.
Project crowdfunded on April 24, 2016 🎉
Book and documentary photography project that denounces the arms industry, and the arms trade. They will be a book , a video and workshop.
Photography / Books
FARAWAY SO CLOSE
After DEAR NEIGHBOR, here is my second photo book: FARAWAY SO CLOSE. It is the diary of an intimate journey. I venture into the woods because that is where my memories lie, in an attempt to fuse the role of father with the role of son through photography.
Aligats (Photographic Book)
Aligats is a photographic project that aims to capture the emotions, experiences and feelings of the participants in the "Salt de l'Aliga" of La Patum of Berga (Barcelona, Catalonia), traditional celebration declared masterpiece of oral and intangible heritage of humanity by UNESCO in 2005.
Photography / Books, Traditional festivals
Project crowdfunded on June 22, 2015 🎉
Kharmeg
Kharmeg is more than a comic. It’s a condemnation of the killing of the most misunderstood and imposing of sea creatures: the shark! In this tale, a vigilante pirate hunter and an antagonistic activist join forces to fight against shark finning: the illegal hunting of sharks for their coveted fins.
Comic / Nature, Ecology, Books
Many Grains of Sand — Molts granets de sorra
In a world of 7 billion people, with desperate problems and distant leaders, what's the best way to make our voices heard? Studies show non-violent action is the most effective in bringing about change. "Many Grains of Sand" is a sourcebook of ideas, tried and tested by Catalan independentists,
Journalism / Books
Project crowdfunded on February 27, 2015 🎉
Visual guide to the fauna and flora of the Mediterranean
A comprehensive guide in six languages, with information from 400 marine species in the Mediterranean. Fully visual, includes detailed photographs of each species in their environment, as well as descriptive graphs for each group. Water resistant, perfect for consultation at any time.
Books / Science, Nature
Eve of the Thousand Moons
This Poetry Picture book is the profound desire to express, through my body, everything which my illness made me feel: shadows and unfamiliar lights; solidarity with the ill, the helpless, the mistreated. A viewpoint of solidarity turns the experience into a creative one.
Books / Art
Catalonia Is Not Spain: A Historical Perspective
Catalonia Is Not Spain: A Historical Perspective is a brief overview of Catalonia's history and its difficult relationship with Spain. By looking at the history of the Catalan people, Simon Harris lays out clear arguments as to why Catalonia has the right to decide its own political future now.
Books / History
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Meet Taj Weekes
30 Jul 2019 by Debra Fowler
MEET TAJ WEEKES - MUSICIAN, POET, AND HUMANITARIAN.
By Debra Fowler
During Taj Weekes & Adowa’s performance at the Lowell Folk Festival last Saturday, I felt compelled to stop dancing and focus my full attention on the lyrics in “Big Pharma”, “Propaganda War”, “What Do You Believe In”, and more. I didn’t stop dancing (because that is impossible for me) but definitely heard the poetic messages.
After the show, our group lingered (which we are prone to do) which led to the fortuitous opportunity to speak with Taj. When I introduced my wife, Taj was compelled to share the following story with us.
A while back, a reporter refused to interview Taj because she surmised Taj is homophobic. Taj told us he had called his son and shared why this reporter refused to interview him, to which his son asked, "What does homophobic mean?" Taj explained homophobic to his son, and then, Taj said, "My son asked me what I was going to do about it."
Taj told us about the pervasive assumption that reggae artists and reggae music promote homophobia - and that he had a responsibility to do something about it (as his son knew he would). He shared a few lines from a song he wrote "to do something about it" and told us it was one of the songs they would be performing the following day (Sunday). We had family plans and couldn't be there, but on Sunday evening I spent some time in the rabbit holes of research to learn more about Taj Weekes & Adowa. (You can read a few fun facts below - and one is an important historical note!)
On Monday, I reached out to Taj via social media and asked about "the" song (I didn't know the title) and requested permission for History UnErased to share this story - and the music - with all of you. I received a quick response and information about "the" song.
Here it is - and Taj has approved this message!
Taj created "Here I Stand" to help bridge the LGBT+ community and reggae community and to help correct the misguided assumptions about reggae artists. "Here I Stand" anchors Taj Weekes & Adowa's critically acclaimed 5th album, "Love, Herb, and Reggae." (Click the image to watch the video. AND, you may be inspired to dance while listening to the poetic message.)
While researching Taj Weekes & Adowa I learned some intriguing information. The name Adowa "salutes the Battle of Adowa in 1896, which ensured sovereignty for Ethiopia and proved crucial in the advancement of African independence and pride." I also learned that Taj is a UNICEF Champion for Children in St. Lucia for his work with TOCO (They Often Cry Outreach), an organization Taj co-founded to improve the lives of underprivileged, at-risk, and orphaned children in the Caribbean.
“It is our duty as artists to keep the issues before the people. I approach every album in the old African storytelling tradition as the town crier, someone has to wake the town and tell the people.” - Taj Weekes
Taj Weekes & Andowa is an international humanitarian effort, and their pedagogy is reggae and poetry. LEARN MORE
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Kilimanjaro Live presents:
+ Special Guests
📅
£20 adv + cmsn
Entry Requirements: Under 16s accompanied by an adult
Book tickets with Union Chapel
Check here if tickets are sold out above
(e-tickets only)
The original electric string quartet, Bond, have announced a show at Union Chapel London on Saturday 25 January 2020 – this special London date will see Bond play tracks from their first album ‘Born’ along with other favourite tracks from their 19-year career.
Educated to the highest standard at some of the world’s most celebrated music institutions (Royal Academy of Music, Royal College of Music, Guildhall and Trinity College of Music), Bond are the first truly globally successful classical crossover group who certainly caused a lot of controversy with their debut release. Within a week of the album hitting number one on the classical charts, it was banned for ‘not being classical enough’. The album still achieved world-wide success reaching the top 20 in charts across Europe and spending 6 weeks in the UK Top 40.
Bond are the quartet of Tania Davis (violin), Eos Counsell (violin), Elspeth Hanson (viola) and Gay-Yee Westerhoff (cello) – together the group has sold in excess of 4 million records worldwide, achieved a staggering 56 platinum and 15 gold discs making them the best-selling string quartet of all time.
Bond are strong writers and arrangers, having produced a number of their own records, and they have worked with top names in the music industry such as David Arnold, Nitin Sawhney, Michael Giacchino, and Tonči Huljić. The band has also performed with many world-class artists including Luciano Pavarotti, Nigel Kennedy and Nick Mason, Andre Rieu and the Johann Strauss Orchestra.
Career highlights for Bond include touring the world many times over, performing in world class venues, from their debut (and subsequent headline concerts) at the Royal Albert Hall to Shea Stadium, the Worker’s Stadium in Beijing, and Times Square, New York and Sydney Opera House. The girls also had the honour of performing live on the world stage at The Olympics Closing Ceremony at London 2012.
Estimated Times
All times are subject to change on the night
19:00 – Doors, Bar and Margins Cafe serving hot homemade food open
22:30 – Curfew
Union Chapel Bar open after the show.
Margins Cafe
Margins Cafe will be serving delicious, hot, homemade food at this event. All profits support The Margins Project, which works with people who face homelessness and crisis and is based here at the Chapel.
You must also have a ticket for this event to eat at Margins Cafe.
The Cafe opens to all ticket holders when the chapel doors open, scheduled to be 19:00 for this show.
We’re also taking limited early dinner reservations at 18:30 for this event. Be quick it can fill up fast!
How to book early dinner reservations:
You can book for dinner when buying your ticket through our site.
If the option doesn’t appear then it means dinner is fully booked.
If you have already purchased your ticket for this show you can check availability and book for all dates here.
If there are no tables available it will say ‘We are sorry but this event has sold out.’
Information for people with a reservation:
You’ll get an email with full details shortly before the event, however, you just need to come to the black gate to the left of the main entrance, marked Early Dinner Reservations at 18:30 and show your reservation and gig ticket.
-Organic beef stew with leek mash
-Herb, walnut and cranberry stuffed aubergine
Smaller Bites
-Roasted tomato, basil and brie quiche
-Sweet potato, sage and cheddar quiche
-Vegetarian spring roll
-Sausage roll
-Apricot and almond tart
Support this unique venue and get a host of great benefits to boot
Join us for Dinner
Margins Cafe serves delicious homemade food
Come and get involved!
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To stay up-to-date on our work, subscribe to our newsletter.
If you are a member of the press and wish to cover our work, please contact our Director of Communications, Megan Groves, at megan@uplcchicago.org.
IL Supreme Court: Prison Medical Settlements Are Public Records
byWBEZ
Illinois Officials: Don’t Deny Prisoners Surgery Under 'One Good Eye' Policy
For Some Illinois Prisoners, One Good Eye Is Enough
It's easy to underestimate the brutality of boredom, but people in prison will tell you that keeping your mind occupied is essential to survival. Paulette Fiedler, a 69-year-old prisoner at Logan Correctional Center in Illinois, keeps her mind alive by reading — she plows through book after book.
New Illinois Policy Bans Prisoners From Receiving Content Downloaded From The Internet
byIllinois Public Media
The Illinois Department of Corrections has revised its publication review policy to include a centralized appeal process for incarcerated people who feel they’ve been unfairly denied access to certain reading materials.
Why Prisoners Get the Doctors No One Else Wants
byThe Appeal
Even after a major class action suit required Illinois to revamp its prison healthcare system, doctors whose alleged neglect resulted in major injury or death still remain on the prison system payroll.
Illinois prison officials adopt new rule that bars digital material
byInjustice Watch
Illinois corrections officials have issued a sweeping new regulation that appears to prohibit prisoners from being sent materials downloaded from the internet.
Illinois Department of Corrections Revises Ban Policy
Earlier this year, Danville prison removed about 200 books, many of which dealt with race issues. But the new rules don’t go far enough, says one advocate.
Medical Care for Trans Women in Illinois Prisons Is Cruel and Unusual Punishment
byTruthout
When recent news reports revealed that a number of Illinois Department of Corrections (IDOC) staff maintained a private Facebook group they used to dehumanize, taunt and degrade transgender prisoners and people of color, we were not surprised.
Illinois Loosened Ankle-Monitoring Restrictions, But Advocates Say It's Too Soon To Celebrate
A Prisoner Review Board memo released in July requires a minimum of 12 hours of movement with ankle monitors, but some people say they’re still being given far less.
Prison workers under investigation for allegedly mocking transgender inmates in private Facebook groups
byCNN
More than a dozen correctional employees in Illinois are under investigation after they were accused of mocking transgender inmates in private Facebook groups, state officials said.
Prison guards mocked transgender inmates in two private Facebook groups
At least 25 Illinois Department of Corrections employees have taken part in online conversations that mocked, demeaned, or disclosed personal and medical information about transgender inmates — including calling transgender women “it” and “he” — in two private Facebook groups, an Injustice Watch review has found.
Pritzker Vows Support For Prison Death Transparency, Despite Previous Opposition
Illinois Gov. JB Pritzker says his administration is committed to passing legislation that will promote transparency around prison deaths, even though the Illinois Department of Corrections under him opposed legislation in the spring that would have done just that. His office refuses to detail what concerns the administration had with that legislation or what fixes it would like to see included in any proposed bill, saying only that the office had “logistical concerns with the measure as written.”
Prison documentary Stateville Calling: What if rehabilitation was a human right?
byPeople's World
What if prisons moved past archaic notions of “punishment” and shifted instead towards rehabilitation models? Stateville Calling explores the possibility of restoring incarcerated people’s lives, highlighting the personal narratives of elderly prisoners. Directed by Ben Kolak and produced by Yana Kunichoff, the hour-long documentary follows the current battle to pass legislation reinstating parole in Illinois, which the state hasn’t had since 1978.
Stripped of Their Rights
byACLU Illinois
The mass strip search was purportedly carried out as part of a cadet training exercise, meaning that the women were subjected to this humiliating violation without even the pretext of an immediate safety need.
On Trial in a Language You Don’t Speak
byIn These Times
Court interpreters are in high demand in Cook County, home to 743,200 people with limited English proficiency—around 15% of the population. But in recent years, the number of full-time interpreters has decreased. In 2014, the county had 34 full-time interpreters; now, there are 29.
No One in Jail “Gets Better” on Suicide Watch
While I know nothing about Epstein’s death in particular, I know a lot about suicide in jails and prisons. Prisons are toxic to mental health. They are places of violence.
‘It’s the racial stuff’: Illinois prison banned, removed books on black history and empowerment from inmate education program
byChicago Tribune
Officials at an Illinois prison suspended an educational program for inmates, launched two internal investigations and removed 200 books from a prison library because many had “racial” content or addressed issues like diversity and inclusion, according to records obtained by the Tribune.
They Survived Solitary Confinement. Now They’re Fighting to End It.
For nine and a half months, Lydia Thornton was locked into her cell nearly 24 hours a day. All of her meals were slid through a slot in the cell’s steel door. She was allowed outside to shower three times each week. Through cinderblock walls, she could hear women in adjoining cells screaming for hours on end. Sometimes they threatened to kill themselves, a threat often followed by an eerie silence.
House committees hear testimony on alleged book censorship at Danville Correctional Center
byPrairie State Wire
Two House committees listened to testimony Monday from the Illinois Department of Corrections (IDOC) and other groups involving an incident in which books provided to educate prisoners at the Danville Correctional Center were seized from the library by prison staff.
Illinois Transgender Inmate in Legal Battle Over Abuse Freed
byNew York Times
CHICAGO — A transgender woman who was battling the Illinois Department of Corrections over alleged abuse while she was incarcerated has been released from prison, officials said Tuesday.
Transgender inmate free after ‘tooth and nail’ prison battle — vows to fight ‘for everyone that was done like me’
byChicago Sun Times
Transgender inmate Strawberry Hampton is out of prison after waging a two-year battle to be housed with women to escape the horrors she says she suffered at the hands of male guards and prisoners.
Transgender Woman Released From Illinois Prison After Long Battle
A transgender woman who garnered national attention after making abuse allegations against guards and inmates at multiple Illinois men’s prisons is now free following a public campaign for her release.
IDOC Director On Book Removal: Lack Of Policy, Oversight At State Prisons
byIL Public Media
The new director of the Illinois Department of Corrections said during a legislative hearing in Chicago on Monday that the agency plans to revise its policy regarding what books can and cannot enter the prison.
byWashington Post
Ford's 'Re-entry Day' event spotlights criminal justice
byAustin Weekly News
During a forum held July 3 at Malcolm X College, state Rep. La Shawn K. Ford (8th), activists and formerly incarcerated individuals addressed some of the injustices in the criminal justice system.
Four prison reform initiatives to watch on Re-entry Day in Illinois
byChicago Reporter
Lawmakers and advocates are pushing to limit solitary confinement and improve the health care, political representation and voting rights of state prisoners.
Danville Prison Books
byThe 21st Show
We'll hear the story of why 200 books were removed by staff from a prison library in Central Illinois.
Monitor: Low staffing hinders progress for mentally ill inmates
byThe Pantagraph
PEORIA — A shortage of psychiatrists and other trained staff has hindered the state's efforts to comply with a federal injunction mandating improvements to the care provided to about 12,000 mentally ill inmates.
Attorneys improve tenants’ chances of avoiding eviction
byThe Chicago Reader
Overall, 60 percent of the eviction cases filed end with a judgment against a tenant, but when tenants have legal representation their chances of staying housed increase substantially.
Transgender inmate sues for transfer to female Illinois prison
“As a result of the IDOC’s systemic failure to keep trans women in custody safe from sexual violence, Tay Tay has survived attacks, threats and constant harassment.”
IDOC Transfers Another Transgender Inmate to Women’s Prison
byWTTW
Illinois Department of Corrections officials this week approved the transfer of a transgender inmate from an all-male prison to a women’s prison after she repeatedly claimed she’d been the victim of sexual harassment and abuse.
5 Transgender Women Who Have Fought Their Prisons From Behind Bars
bythem.
Incarcerated trans people can fight to create legal precedents that help the whole transgender community. Here are five who fought for important legal victories.
New Bill Would Force Transparency On How People Die In Prison
Illinois lawmakers are considering a bill that would force prisons and jails in Illinois to provide information about how people in their custody die. The Illinois Department of Corrections often doesn’t provide basic information to families or the public and keeps shoddy and incomplete records, according to documents turned over to WBEZ by prison administrators.
Lawsuit seeks transfer of transgender woman from Pontiac prison
Lawyers for a transgender woman held at the Pontiac men's prison have filed a lawsuit asking that she be moved to a women's facility, and an end to alleged sexual assault and harassment she has experienced for a decade.
Transgender inmate sues IDOC, seeks transfer to women’s prison
A transgender woman incarcerated at the Pontiac Correctional Center in central Illinois has filed a federal lawsuit seeking a transfer to a women’s prison. The Uptown People’s Law Center and the MacArthur Justice Center filed a federal suit Tuesday on behalf of 29-year-old Janiah Monroe, according to a statement from the UPLC.
Why Even Illinois’s Department Of Corrections Wants To Fix The Way The State Does Electronic Monitor
byNPR Illinois
Nicole Davis said her uncle was diagnosed with late-stage cancer after his release from prison in 2014. He was confined to his home because of an electronic monitoring device strapped to his ankle. He missed many necessary doctor appointments before he died, Davis said. She said that’s because he couldn’t get permission from his parole officer for the medical visits.
Illinois Prison Phone Rates Are Lowest Following Grassroots Activism
"There were a lot of times my sons tried calling me,” recalled Annette Taylor, who regularly receives calls from her two sons in prison, “but there was no money on the account.” Those were some of the “hardest calls,” she said. “I would worry something was wrong.”
Embracing her identity: Transgender inmate fights for change, education
LINCOLN — When the light catches the specks of glitter on her face, Deon Hampton looks the part of a stage performer, a role she hopes to play after leaving prison. Hampton, who adopted the name "Strawberry" as a child after realizing her male body did not match her female identity, was transferred to the women's facility in Lincoln in December after a federal judge ruled the Department of Corrections failed to protect Hampton when she lived in male prisons.
Family of Chicago man held in custody and denied medical treatment will settle for $1 million. The current state of Illinois’ correctional facility healthcare system is an ongoing issue.
byLegal Reader
The family of Chicago resident Charles Edward Jones who passed away in custody in 2015 is set to receive $1 million in a wrongful death lawsuit. The funds are to be paid by the city’s taxpayers.
Most Inmates With Mental Illness Still Wait For Decent Care
byNPR
Inadequate treatment of mentally ill prisoners is a problem across the U.S. When psychiatric institutions began closing down in the 1950s, they weren't replaced with mental health services in the community. So, many people with mental illness have scrapes with the law, and end up in prisons that are ill-equipped to treat them.
Guest View: Pritzker Needs to Address Human Rights Crisis in Illinois Prisons
byThe State Journal Register
Our executive director Alan Mills makes a request of Illinois' new governor.
Prison transfer suits transgender inmate
Just before Christmas, the 27-year-old transgender inmate was granted a rare transfer to a women’s prison in alignment with her gender identity. The move came amid her yearlong court battle chronicling allegations of abuse and sexual assault by both inmates and corrections staff at four men’s facilities across Illinois.
Prisoners With Mental Illness Still Waiting For Treatment
bySide Effects Public Media
Ashoor Rasho has spent more than half of his life alone in a prison cell—22 to 24 hours a day. The cell was so narrow he could reach his arms out and touch both walls at once.
After more than two decades in solitary confinement, former inmate seeks to end the practice
byOur Quad Cities
"I was in Tamms, Pontiac, Menard, Dixon, Shawnee." Gay said, "Pretty much five prisons transferred back and forth to one solitary cell to the next."
Micheail Ward's 84-Year Sentence Sparks Debate About Elderly Inmates
byCBS Chicago
Victim's advocate Dawn Valenti believes a long sentence is just. Alan Mills of the Uptown People's Law Center calls the sentence inhumane.
Federal Court Will Appoint Monitor to Ensure Illinois Prisoners Have Basic Health Care
byShadow Proof
“We hope this is the beginning of the end of prisoners’ needless suffering and even death. It is a long road, and we are committed to ensuring the necessary changes are made,” declared Alan Mills, executive director of the Uptown People’s Law Center.
Federal Jude to IDOC: Get Your Unconstitutional Shit Together
byPopular Resistance
A federal court has ordered the State of Illinois to address its “failure to . . . meet the constitutional requirements with respect to the mental health needs of” its approximately 12,000 prisoners with mental illness. This case reached a settlement agreement in 2016, but the Illinois Department of Corrections failed to live up to the agreement, and constitutional violations continued.
Accused of preventable inmate deaths, state agrees to sweeping health care reforms, oversight at all prisons
byThe Chicago Tribune
Amid claims of preventable deaths and substandard medical care, state officials have agreed to a sweeping overhaul of the health care system at prisons across Illinois, according to a proposed federal consent decree filed in Chicago on Thursday.
Illinois Agrees To Federal Oversight Of Troubled Prison Health Care System
The Illinois Department of Corrections has agreed to a plan that would allow a federal judge to oversee health care in the state’s prisons. The agreement comes eight years after a lawsuit was filed alleging the treatment in Illinois’ prisons is so poor that it violates the constitution.
How solitary confinement drove a young inmate to the brink of insanity
With his mental state deteriorating as he sat in the crushing isolation of solitary confinement, a desperate inmate named Anthony Gay saw a temporary way out.
Sometimes it came in the form of a contraband razor blade. Occasionally it was a staple from a legal document or a small shard of something he had broken.
Illinois Prison Officials Move Transgender Woman To Women’s Prison Following Lawsuit
The Illinois Department of Corrections moved a transgender woman from a men’s prison into a women’s prison. The move happened over a year after the inmate filed a lawsuit against the agency claiming she was a target for repeated sexual assaults, taunting, and beatings.
Transgender inmate moved to Illinois women’s prison after alleging years of abuse
A transgender woman who described feeling like a “sex slave” while incarcerated in several men’s prisons across Illinois has been transferred to a women’s prison after a yearlong court fight.
Transgender inmate who alleged abuse has been moved to a women's prison
byChicago Sun-Times
After a year-long battle, a transgender woman held at an all-male prison was moved to an all women prison within the past week.
Transgender inmate who alleged abuse is transferred to female prison
byNBC
A transgender woman serving a 10-year sentence for burglary has been moved from an all-male prison to a women's correctional center.
Judge issues order mandating IDOC to remedy mental health deficiencies
PEORIA — A federal judge issued a final order Thursday directing the state Department of Corrections to remedy deficiencies in care to more than 12,000 mentally ill inmates.
Death In Illinois Prisons: He Didn’t Have A Death Sentence, But That’s What He Got
When Sheila Fane got the call that her 26-year-old nephew, who she’d raised as a son, had died while incarcerated at an Illinois prison, she said, “You have to be f-ing kidding me.” It was the second time she’d gotten a call like this.
Mental Health in Prison Report
byThe 21st
"A new report by a court-appointed psychiatrist says that the Illinois Department of Corrections continues to flounder with prisoner mental health. Dr. Pablo Stewart was appointed after a lawsuit settlement in 2016 regarding the lack of adequate mental health care in state prisons. And he says he’s convinced the staff are abusing mentally ill inmates at one correctional center, Pontiac."
How the State, Prisons, and Guards Keep Books from Incarcerated People
byTeen Vogue
In September 2018, the Pennsylvania Department of Corrections announced it would put a halt to book donation programs, mail-order books, and publications for incarcerated people housed in state prisons. Although the restrictive policy has since been reversed, there are still concerns among those who run the programs and people behind bars.
Lawsuit alleges city of Chicago discriminated against tent city homeless
byABC7 Chicago
The homeless residents of the Wilson and Lawrence viaducts are vowing not to quit after a Cook County judge delayed ruling on whether to dismiss their discrimination lawsuit against the city of Chicago.
'No Shower, Wearing Diapers, Laying There For So Long.'
Lawsuits that challenge mental healthcare and medical care for incarcerated people advance in Illinois.
Court Monitor ‘Absolutely Convinced’ Mentally Ill Inmates Abused, Inadequately Treated In Illinois
The Illinois Department of Corrections continues to flounder in its efforts to care for inmates with mental illness, according to a new report authored by Dr. Pablo Stewart, a psychiatrist and court-appointed monitor on a 2016 settlement agreement on a class-action lawsuit.
Risk of Death From ‘Extremely Poor’ Illinois Prison Medical Care Has Worsened
Medical care in Illinois prisons remains “extremely poor” and conditions leading to preventable deaths have worsened since a court-appointed team of experts first assessed the state’s prison health program.
Inmates allege abuse in letters to federal judge
byPantagraph
Few days pass without letters being delivered to U.S. District Court Judge Michael Mihm in Peoria from one or more of the 1,105 inmates held in segregation. Most of the mail deals with Mihm’s 2016 order directing the Illinois Department of Corrections (IDOC) to complete a major overhaul of mental health care for more than 12,000 inmates on the agency’s mental health caseload.
Don’t Lose Your Home. Fight Eviction With These 4 Strategies
byPenny Hoarder
Independent Expert Finds Poor Medical Care Leads to Preventable Deaths In Illinois Prisons
One third of the prisoner deaths in Illinois reviewed by an independent expert were preventable. That’s according to a new report that rips health care in Illinois prisons as extremely poor, with medical professionals committing egregious errors and little accountability or oversight. The findings by the independent expert echo the horror stories inmates have been telling for years.
Judge orders IDOC to thoroughly review trans-prisoner case
byWindy City Times
In a ruling that lawyers called "historic," a federal judge ordered that Illinois Department of Corrections ( IDOC ) review the case of Strawberry Hampton, a 27-year-old transgender woman who is being-held in a male-only detention facility downstate.
Judge Slams Illinois Department of Corrections Over Trans Prison Abuse Case
byInto
Illinois has just two weeks to present a plan to train its prison staff on transgender issues and rethink the placement of a trans inmate at the center of a highly-publicized abuse allegation.
#MeToo comes to prison
byIL Times
Most allegations are never proven, but accusations of sex between inmates and staff keep coming at Logan Correctional Center in Lincoln, the state’s largest women’s prison.
Censorship Isolates LGBTQ Prisoners, Lawsuit Says
On Oct. 18, Uptown People’s Law Center and the MacArthur Justice Center sued the Illinois Department of Corrections director on behalf of Chicago’s Black and Pink chapter for censoring the organization’s mail sent inside state prisons. According to the lawsuit, 11 prisons censored and refused mail from Black and Pink Chicago on over 200 occasions since 2016. The DOC’s censorship of Black and Pink material is part of a wider pattern of discrimination against LGBTQ people, the attorneys said.
State ordered to review transgender inmate’s request to move to female prison
In an order entered Wednesday, U.S. District Court Judge Nancy Rosenstengel said the Illinois Department of Corrections’ Transgender Care Review Committee must consider all evidence for and against transferring 27-year-old Strawberry Hampton to a women’s facility. The department has previously rejected her request to move.
Non-Profit Sues IDOC Over Censorship Of LGBTQ Publications
byWSIU
Knowing there were other transgender inmates in prisons in Illinois and across the country made Leila Lee feel as though she wasn’t alone. She said it also made her want to help people like herself when she was released from prison.
Federal judge issues permanent injunction in IDOC mental health lawsuit
In a permanent injunction issued Tuesday, a federal judge found that Illinois prison inmates face an ongoing, serious risk of harm because of inadequate mental health care.
Judge Rules Illinois Prisons Still Not Properly Caring For Mentally Ill Inmates
In 2016, the Illinois Department of Corrections reached a settlement agreeing to properly care for the needs of mentally ill inmates. The lawsuit was filed a decade ago on behalf of inmates claiming the lack of care in prisons qualified as cruel and unusual punishment. On Wednesday, a federal judge found the corrections department is still failing to meet those needs.
LGBTQ Prisoner Group Accuses Illinois Prisons of Censorship
byCourthouse News Service
Several Illinois prisons banned or censored publications, greeting cards and other written materials published by a group advocating for LGBTQ prisoners, it said in a free speech lawsuit filed in federal court in Chicago Thursday.
LGBTQ Publication Suing Illinois Prison Officials Over Censored Materials
Attorneys with the Uptown People’s Law Center filed the suit on behalf of the Chicago chapter of Black & Pink – a nonprofit that offers prisoners news updates on LGBTQ issues through a monthly newsletter and other publications.
IDOC sued on behalf of Black & Pink for censoring free speech of LGBTQ prisoners
Today, attorneys filed a lawsuit on behalf of the Chicago chapter of Black & Pink, a national nonprofit organization whose mission is to provide LGBTQ people in prison with allies on the outside. For over two years, Illinois Department of Corrections ( IDOC ) has censored communication between this organization and LGBTQ prisoners in Illinois.
Illinois Prisons Sued for Unconstitutional Ban on LGBTQ Literature
The Uptown People’s Law Center and the MacArthur Justice Center is filing a lawsuit today that alleges Illinois prisons are censoring correspondence and publications that have been mailed to prisoners by Black and Pink, a prisoners’ rights organization focused on supporting incarcerated LGBTQ and HIV-positive people.
Alleged prison rape prompt lawsuits
byIllinois Times
Officials at Logan Correctional Center in Lincoln have ignored sexual misconduct involving guards and other employees, according to three lawsuits filed since last November.
Illinois Department of Corrections Sued for Censoring Book on Attica Uprising
byShadowproof
The Illinois Department of Corrections (IDOC) was sued by a Pulitzer Prize-winning author for allegedly censoring her nonfiction book, “Blood In The Water: The Attica Prison Uprising of 1971 and Its Legacy.” Heather Thompson ordered her book from Amazon and had it sent to three inmates. One inmate received the book while the other two inmates received censorship notices without any explanation.
Lawsuit Challenges Censorship of Book on Attica Prison Uprising
Two Illinois prisons have censored Blood in the Water, the Pulitzer Prize-winning book by historian Heather Ann Thompson about the 1971 Attica prison uprising. Today, the Chicago-based Uptown People’s Law Center where I work is filing a lawsuit to challenge this unconstitutional and unethical censorship.
Did Illinois Officials Muzzle a Prisoners’ Debate over Parole Reform?
byThe Crime Report
Thirteen prisoners were sitting in a stuffy classroom at Illinois’ Stateville Correctional Center one morning last April when a group of prison administrators invited themselves in─and closed the doors behind them.
Federal lawsuit filed over prison debate team
byWGN
Uptown People's Law Center filed a federal lawsuit against the Illinois Department of Corrections for shutting down a prison debate team. This spring, WGN Investigates profiled inmates who participated a prison debate team at the Stateville Correctional Center near Joliet.
Illinois prison officials quashed First Amendment rights, lawsuit says
The Illinois Department of Corrections was sued on Tuesday over its controversial decision to abruptly halt a debate program at Stateville Correctional Center, weeks after the class debated the state parole laws before an audience that included 18 legislators and other state officials.
Stateville Debate: Former Coach Suing to Keep Prison Team Alive
More than a dozen inmates inside one of Illinois’ most notorious prisons began meeting on a weekly basis last fall to discuss an unconventional topic: debate. Fourteen prisoners housed at Stateville Correctional Center were chosen last year to begin a new debate team at the maximum-security facility. But after they started researching topics like parole and offered draft legislation to state legislators, they say corrections directors shut their program down.
Suit: Prison Agency Killed Inmate Debate Program
byWBBM
The Uptown People’s Law Center is suing IDOC on behalf of debate coach Katrina Burlet, who says she was allowed to create debate teams within the prison to help inmates develop communications skills and more.
Why the nationwide strike against ‘modern-day slavery’ may not reach Illinois. And why it's already here.
byChicago Reader
On August 21, incarcerated people in at least 17 different states launched a 19-day "strike" in response to an April riot at South Carolina's Lee Correctional Institution that left seven inmates dead. Organized by a South Carolina-based group of incarcerated individuals calling themselves Jailhouse Lawyers Speak, the strike was rolled out with a list of ten demands challenging conditions of "modern day slavery" at state and federal jails and prisons and immigration detention centers.
Lawsuit alleges prison counselor sexually assaulted female inmate
"A 29-year-old former inmate at the Logan Correctional Center alleges she was sexually assaulted repeatedly by a counselor at the prison in a federal lawsuit filed Friday by the Uptown People’s Law Center."
Trans woman Strawberry Hampton reports continued assaults while detained at men's prisons
Strawberry Hampton, a transgender woman currently serving a ten-year sentence for residential burglary at Dixon Correctional Center, the fourth male prison she's been transferred to within the year, filed new claims against the Illinois Department of Corrections (IDOC) on July 17 stating that she's been sexually and physically assaulted by inmates and prison guards, and requesting she be transferred to Logan Correctional Center, a women's prison.
Illinois Settles Lawsuit Over Deaf Prisoners
Under the settlement, the Illinois Department of Corrections will have to provide sign language interpreters for what are called “high stakes interactions” — like disciplinary hearings, medical visits, and counseling sessions.
Illinois Prison Officials Accused of Abusing Transgender Inmate
"She has been repeatedly physically and verbally harassed — physically attacked — by men, both staff and prisoners, at every men’s prison she’s been housed at,” says her lawyer Alan Mills, with the Uptown People's Law Center.
Transgender detainee continues fight for transfer to all-female prison
A transgender woman currently incarcerated at the Dixon Correctional Center is renewing her push for a transfer to an all-female prison, alleging that she suffered physical and sexual abuse from guards and male detainees.
As City of Chicago Removes More Homeless Federal Judge Dismisses Lawsuit Challenging Evictions
"A federal judge dismissed a lawsuit against the city of Chicago’s evictions of homeless people, even as officials continue to remove homeless people and fail to provide affordable housing."
Court monitor wants probe into alleged abuse of mentally ill inmates at Pontiac
"Reports of physical abuse of mentally ill inmates at Pontiac Correctional Center should be investigated by the state, according to a doctor's report on the state's compliance with a federal court settlement on prison mental health care."
The Silencing of Prison Legal News
"A resource that civil rights attorneys say is critical for prisoners across the country who are fighting abuse and neglect behind bars has just become off-limits to Florida inmates."
Report: Guards abusing mentally ill in state prisons
"There is credible evidence of guards physically abusing mentally ill inmates at Pontiac Correctional Center, according to a psychiatrist appointed by a federal court to monitor treatment of mentally ill prisoners by the Illinois Department of Corrections."
Fight for right to camp on city streets will continue despite legal setback, homeless advocates say
"A day after a federal judge dismissed Uptown Tent City Organizers' lawsuit against the City of Chicago, the homeless organization's attorneys are vowing to continue a court battle for the right of those who have been displaced by authorities to camp out in the streets."
Judge dismisses homeless 'tent city' lawsuit against city
"Following a federal district court judge’s dismissal Tuesday of a lawsuit against the city of Chicago for denying permits for an Uptown “tent city,” advocates for the homeless said they would continue their fight to allow homeless people to “protect themselves against the city’s notoriously harsh climate.”
Lawmakers: When will prison mental health costs end?
"Frustrated lawmakers are quizzing state prison officials and advocates for mentally ill inmates on the potential costs of court-ordered improvements to behavioral health care in the Illinois Department of Corrections."
Illinois Department of Corrections cites progress on fixing mental health care
byHerald & Review
"The Illinois Department of Corrections is making progress in its effort to create a mental health treatment system that meets constitutional mandates, prison officials told lawmakers Wednesday."
Groups fight huge expansion of police drone monitoring of protests
"Civil liberties groups are pushing back against proposed legislation in Illinois that would allow police to dramatically expand the use of drones to monitor large gatherings of people and equip those drones with cameras with controversial facial recognition technology." - Chicago Reader
Judge: IDOC must comply with prison mental health plan
"A federal judge on Tuesday soundly rejected a proposal from the Illinois Department of Corrections to address serious flaws in mental health care for 12,000 state inmates."
Fighting the Fees That Force Prisoners to Pay for Their Incarceration
"While the movement to end money bail has gained steam across the nation, the burgeoning fight against the exorbitant "pay-to-stay" fees charged by prisons and jails has yet to enter the public eye in the same way. - TruthOut
A Jailbreak of the Imagination: Seeing Prisons for What They Are and Demanding Transformation
"Imprisoned on charges related to sex work, Tiffany Rusher was eventually placed in solitary confinement for getting into a physical struggle with one of her cellmates. During her time in solitary confinement, Rusher's mental health began to deteriorate, initiating a cycle of self-harm." - TruthOut
Federal Judge: Illinois Prisons Not Complying With Mental Healthcare Settlement
byNPR WVIK
"A federal judge has ruled the Illinois prison system is still providing inadequate mental healthcare to inmates and that the treatment qualifies as cruel and unusual punishment." - NPR WVIK
Judge: IDOC violated rights of mentally ill inmates
"The constitutional rights of mentally ill inmates have been violated by the Department of Corrections, a federal judge told attorneys Wednesday, citing the state's failure to comply with an agreement to improve conditions for thousands of prisoners." - Pantagraph
Anticipating a Crush: In Prison, Tactical Teams Declare Uneven War
"About 7:45 am on Tuesday, January 17, 2017, I muster the energy to get out of bed and walk the step to the sink from the bottom bunk and I hear it. Clunk, clunk, clunk, clunk, clunk. "Shit!" I say to myself as my cellmate and I look at each other wide-eyed. We know that sound anywhere. That's three-foot-long, two-inch diameter solid wood batons hitting the steel bars as "Orange Crush" runs down the gallery clunking every bar along the way as they yell." - TruthOut
#MeToo Behind Bars: When the Sexual Assaulter Holds the Keys to Your Cell
"Across the country, thousands of incarcerated people face sexual harassment, abuse and assault, frequently at the hands of staff. In the face of these attacks -- and the reality of retaliation -- incarcerated people have come forward to file complaints and lawsuits, fighting back against system-wide abuse."
Commentary: Dart's misguided approach to jail reform
The Cook County Board will soon hear a proposed resolution to investigate the impact of bail reform in the county. The proposal is in response to Cook County Sheriff Tom Dart’s recent misguided letter to Cook County Board President Toni Preckwinkle, advising her that he would not comply with court orders freeing people in jail on bond.
Lawsuit: Illinois 'Tortured' Prisoner Into Suicide
A mother is suing Illinois and Sangamon County officials for failing to prevent her daughter's suicide.
Transgender Inmate Seeks Emergency Order Of Protection
"A transgender woman has filed an emergency order in federal court to stop alleged abuse and harassment by Illinois Department Of Corrections guards."
Lawsuit Alleges Illinois Prisons Improperly Censored Criminal Justice Newsletter
byWGLT
"The publisher of a newsletter about the criminal justice system filed a lawsuit this week against the Illinois Department of Corrections alleging that multiple state prisons barred inmates from receiving all or part of several publications."
Are tiny houses a solution to homelessness in Chicago?
Chicago Tiny House Inc., the newest of a half-dozen organizations trying to bring the little homes here, held a fund-raiser on January 26 in Uptown.
Transgender Woman Seeks Transfer After Accusations of Physical and Sexual Abuse in Male Prisons
byNewsweek
A transgender woman who is currently serving a 10-year sentence in Illinois for burglary is now seeking a rarely granted transfer to a female prison after enduring sexual assault, taunting, and beatings in male prisons.
Transgender inmate seeks rare transfer to female prison
byABC News
"A 26-year-old transgender woman serving a 10-year sentence in Illinois for burglary is seeking a rarely granted transfer to a female prison where she says she'll be less vulnerable to the kinds of sexual assault, taunting and beatings she's been subjected to in male prisons." - ABC News
Transgender inmate seeks transfer to female prison after claims of abuse involving guards
"A 26-year-old transgender woman serving a 10-year sentence in Illinois for burglary is seeking a rarely granted transfer to a female prison where she says she'll be less vulnerable to the kinds of sexual assault, taunting and beatings she's been subjected to in male prisons." - Chicago Tribune
Transgender Inmate Seeks Protection Order Against Prison Guard
"Lawyers are seeking a federal court order of protection for a transgender prison inmate who is alleged to have been sexually assaulted for the entertainment of prison guards." -CBS Chicago
Federal lawsuit blasts Chicago's destruction of homeless tent cities
"Rather than just leave the former tent city residents alone after forcing their eviction from the Lake Shore Drive viaducts, police instituted a policy of repeated evictions, not allowing them to erect tents or tarps anywhere on public property in Chicago, leaving them at great risk of harm as the city's cold and wet season hits." - Windy City Times
Masturbation epidemic in Cook County court lockups raises questions about jail conditions, county budget, defendants' rights
"We dehumanize people when we put them into prisons and jails, we artificially isolate them from any legitimate sexual outlet, and it therefore causes people do things they wouldn't otherwise do," says Alan Mills, a civil rights attorney who's represented incarcerated Illinoisans in a variety of lawsuits.
After Promising Better Mental Health Treatment for Prisoners, Advocates say Illinois Dragging Feet
byPeoria Public Radio
"Advocates say Illinois’ treatment of prisoners with mental illness is so bad — the prison system is in a “state of emergency.” They’re asking a federal judge to intervene." - Peoria Public Radio
Attorneys: IDOC Inmate Pyschiatric Care in 'State of Emergency'
"Attorneys representing some 12,000 mentally ill inmates filed a motion Tuesday asking a federal judge to require Illinois Department of Corrections enforce a 2015 settlement agreement reached in the case of Rasho v. Baldwin." - WTTW
BROWN: State’s psychiatric care for inmates called immoral, dangerous
"It makes a lot more sense to treat their mental illness in prison than to wait until they are back living in the community, by which time the effects of incarceration may have only made matters worse." - Chicago Sun Times
Ripper Crew member to join others incarcerated past their parole dates due to housing issues
"Inmates who are released after their parole has expired may pose more of a threat to the public in comparison to those who were able to transition into society on parole with monitoring and other conditions." - Chicago Tribune
After Tent City Eviction, Activists Demand Spot For Homeless To Erect Tents
byDNAinfo Chicago
"UPTOWN — Activists are demanding that an alderman find a place for the homeless to erect their tents after tent city residents were evicted from Uptown's viaducts." -DNAinfo Chicago
Chicagoans Blast 'Criminalization' Of Homeless People In Uptown Outside Alderman's Office
byChicagoist
"Several dozen people gathered outside the office of Ald. James Cappleman (46th) on Monday night to protest what they blasted as unfair treatment of homeless people and the acceleration of gentrification." -Chicagoist
Blago, Right To Yelp law, hazing liability and the monkey selfie
byLegal Face Off
"Uptown Peoples Law Center Executive Director Alan Mills discusses his lawsuit on behalf of homeless people trying to stop their displacement from a Chicago tent city." - Legal Face Off
City removing tents that homeless had set up near Uptown viaducts
"It was that sort of morning Monday for residents of the two dozen or so tents lining Wilson Avenue near North Clarendon, as city workers moved in to dismantle their encampment." - Chicago Sun Times
Why Many Deaf Prisoners Can't Call Home
byThe Marshall Project
"Calling home from prison is cumbersome and expensive. For deaf people behind bars, it’s even tougher, sometimes impossible." -The Marshall Project
City Displaces Homeless Uptown Residents To Move Forward With Construction
"Some of the Chicago’s homeless in Uptown were once again displaced by the city Monday morning, after officials told members of the community they had to pack their tents and belongings and move from a parkway to make way for a construction project." - Chicagoist
City ousts relocated tent city; advocates withdraw bid to stop Uptown viaduct construction
"The city of Chicago cleared out what was left of the former homeless encampments under Lake Shore Drive in Uptown on Monday morning and required residents to leave a nearby parkway, while advocates abandoned their attempts in court to block the city from starting construction on the crumbling structures." - Chicago Tribune
Facility for mentally ill inmates to open in Joliet
"Illinois Department of Corrections officials Thursday showed off what will soon be the state's largest residential facility for mentally ill inmates." - The Chicago Tribune
Judge to rule Friday on whether homeless living in Uptown tent city must move
"A federal judge will rule Friday on whether the dozens of homeless residents living in tents under crumbling viaducts in the Uptown neighborhood will be displaced because of a construction project set to begin Monday." -Chicago Tribune
Homeless advocacy group seeks to stop eviction of Uptown tent city
"The (city) wants people to disappear, to be hidden away in corners," said Alan Mills, an attorney with Uptown People's Law Center who is representing Uptown Tent City Organizers and the residents. "Find housing for these people and we'll go away." - Chicago Tribune
New IDOC units offer expanded mental health care
"Illinois prison inmates with serious mental illnesses will soon receive hospital-level care as the Department of Corrections puts the finishing touches on the 44-bed Elgin Treatment Center, the first facility to offer such intensive care to state prisoners who have previously been treated inside prison walls." - The Pantagraph
How did Terrance Jenkins die? Guards, prisoners disagree on details in inmate's death
"In the moments after a confrontation with prison guards left inmate Terrance Jenkins unresponsive, the paramedics trying to save his life made a troubling discovery: five small, crumpled balls of what looked like notebook paper lodged in his throat, blocking his airway." - Chicago Tribune
Uptown Tent City homeless advocates take dispute with city to court
byCook County Record
"A group seeking to operate a tent city for homeless people on a pedestrian mall in Uptown is embroiled in a legal battle with the city of Chicago over its plans." - Cook County Record
Does Bad Health Care Constitute Cruel and Unusual Punishment?
byThe Atlantic
“If someone has a broken arm and you let them suffer, that’s really no different than putting them on the rack and stretching them,” said Alan Mills, one of the lead attorneys on the suit. “If conditions cause treatable pain and there is a failure to treat the causes of that pain, then that’s punishment for no good penological reason.” - The Atlantic
Court grants class status in case of Illinois inmates claiming substandard health care
"A group of Illinois prison inmates will be allowed to move forward with their class action suit claiming health care provided to inmates in the Illinois Department of Corrections violates constitutional standards." - Cook County Record
Breaking the confined mind
byColumbia Chronicle
"Willis was forced into solitary confinement, a practice about 2,000 inmates are currently subjected to within the Illinois Department of Corrections, according to Alan Mills, executive director of Uptown People’s Law Center." - Columbia Chronicle
Attorney: Woman Who Died After Incident in Jail Should Have Been in Hospital
byNews Channel 20
"A family attorney says the woman who died in a Springfield area hospital after being found unresponsive in the Sangamon County Jail should have been getting mental health treatment." -News Channel 20
Solitary confinement: Prisoners and advocates target an unjust practice
"For the last several years, Fields has been held in solitary confinement at Menard Correctional Center in southern Illinois. The practice, which international standards define as the physically-isolated incarceration of individuals in a cell for 22-24 hours per day, constitutes a form of torture according to a recent report from a committee of the United Nations Human Rights Council." - People's World
Chicago Judge Orders Access To Free Lawyers At Police Stations
byHuffington Post
"In a city where fewer than 1 percent of people in police custody are visited by an attorney, a judge’s order will help the poor access a free lawyer while at the police station." - Huffington Post
Inmate lawsuit on mental health claims will go forward
"A mentally ill inmate at Pontiac Correctional Center will be allowed to move forward with his federal claims against two doctors he accuses of sending him to segregation in retaliation for making complaints against prison staff." - The Pantagraph
State making progress in overhaul of prison mental health
"Despite the lack of a state budget and a slow response to employment ads looking for hundreds of new workers, the Illinois Department of Corrections is making progress in its efforts to improve conditions for 11,000 mentally ill prisoners, according to reports provided Friday in federal court." - The Pantagraph
Ruling: Parolees to receive legal help at hearings
"A settlement in a federal lawsuit challenging Illinois' parole revocation process will mean legal assistance for many parolees at risk to return to prison if they are unable to defend themselves against alleged parole violations." - The Pantagraph
Federal judge approves settlement in parole lawsuit
"Former Illinois inmates accused of violating their paroles and unable to afford an attorney now have a better chance of receiving a fair hearing — and legal counsel — during parole revocation hearings." - Chicago Sun Times
Orange Crush: The Rise of Tactical Teams in Prison
"In Illinois, there is a notorious band of guards called the "Orange Crush" who don orange jumpsuits, body armor and riot helmets to conceal their identity. They carry large clubs and canisters of pepper spray, which they use liberally. A recent lawsuit names a list of horrific abuses that includes strip searches, beatings and mass shakedowns of cells." - TruthOut
Illinois Prison Staff Trained On Mental Illness, But Do They Really Buy In?
"The Illinois Department of Corrections on Wednesday announced most of its workers have completed mental-illness training. It's part of the settlement in a long-running legal dispute over how Illinois prisons treat inmates with mental-heath disorders." - NPR Illinois
Piercing the Veil of Secrecy Around Solitary Confinement
Keramet Reiter has uncovered what should be a national scandal in her new book, 23/7: Pelican Bay Prison and the Rise of Long-Term Solitary Confinement. Over the last two decades, Pelican Bay, California’s notoriously brutal supermax prison, has housed thousands of people who are locked in solitary cells, 23 hours a day, for years.
Settlement to provide lawyers for parolees
"A settlement in a federal lawsuit will mean major changes in the state's parole revocation process, including the appointment of lawyers for many of more than 8,000 former inmates sent back to prison each year for violating their parole." - The Pantagraph
Solitary = Torture
We hold approximately 100,000 people in solitary confinement — locked in their cells involuntarily 22-24 hours a day, with no meaningful social contact. And solitary is torture. Five years ago, I would not have said that — I thought that sentiment denigrated “real” torture, was inflammatory, and would alienate potential allies who thought solitary wasn’t a good idea but would be turned off by charges of torture.
Illinois Will Take Over Part Of Elgin Hospital To Treat Mentally Ill Prisoners
byNorthern Public Radio
"The Department of Corrections announced Friday it will take over a section of a state-run mental health hospital in Elgin as a ward for prisoners with mental illness." - Northern Public Radio
Attica: How the Suppression of an Uprising Fed the Prison Industry
Anyone who wants to understand mass incarceration needs to understand Attica. And anyone who wants to understand Attica must read Heather Thompson’s new book, Blood in the Water, the first scholarly history of the Attica prison uprising. It is a riveting tale, but a difficult one to read. Several reviewers have noted that they had to stop reading at several points, to breathe and to wipe the tears from their eyes. I join that group. As difficult as it is, this is a story that must be told.
Members of the Orange Crush prison guards in formation
byChicago Defender
“Mainstream media seem more interested in covering crime committed by Black people rather than what happens to them afterward,' says attorney Alan Mills of the Uptown People’s Law Center, the lead attorney representing incarcerated plaintiffs in a class action suit against the Illinois Department of Corrections." - Chicago Defender
State makes room for mentally ill inmates at Elgin hospital
"Illinois has reached an inter-agency agreement that will allow some of the state’s most severely mentally ill inmates to be treated in an inpatient facility within the Elgin Mental Health Center." - Chicago Sun Times
Ex-inmate settles suit alleging he was raped, then punished by staff
"A DuPage County man has agreed to a $450,000 settlement with state prison officials to end his claim that staff unjustly punished him five years ago after he reported his cellmate had repeatedly raped him, lawyers announced Friday." - Chicago Tribune
State To Pay $450K To Inmate Raped While In Prison
"The Illinois Department of Correction has agreed to pay $450,000 to James Fontano after he was allegedly "punished and humiliated by prison officials" after reporting his cellmate had sexually and physically assaulted him, his attorneys said in a prepared statement." - DNAinfo Chicago
Stop suing ex-prisoners to recover room-and-board costs
"Illinois prisons are in crisis. They are among the most overcrowded, understaffed and underfunded in the nation- but Gov. Bruce Rauner established himself as a barrier to serious reform." - Chicago Tribune
"People Are Being Tortured in These Units": The Fight Against Solitary Confinement
"When Daletha Hayden arrived at California's Pelican Bay State Prison on Valentine's Day weekend, she expected to visit her son Ian Whitson with a glass window separating them. That was how they had spent each and every one of their visits over the past seven years after Whitson had been labeled a "gang associate" and placed in the Security Housing Unit (SHU) in 2009. There, he was confined to his cell for at least 23 hours each day." - TruthOut
Judge approves agreement in prison mental health lawsuit
"An eight-year federal court battle to overhaul mental health treatment in Illinois prisons was resolved Friday with a judge ruling that the settlement between inmates and the state, while not perfect, is fair and will improve the lives of thousands of inmates." - The Pantagraph
Illinois seeks to limit use of solitary confinement
byThe Southern Illinoisan
"In this April 21, 2016 photo, Brian Nelson, right, prisoners' rights coordinator, and Alan Mills, executive director of the Uptown People's Law Center, look at photos of Nelson's former cell at Illinois' Menard Correctional Center. Nelson served years in prison for armed robbery and murder, many of which were in solitary." - The Southern Illinoisan
byAP News
"SPRINGFIELD, Ill. (AP) — Brian Nelson’s years in solitary confinement left him terrified of other people, and he says he can still taste the concrete dust from his cell, even though he’s been free since 2010." - AP News
Cook County jail guard beats prisoner on ground but keeps job
"Recently obtained footage from a surveillance camera inside Cook County Jail shows a burly guard repeatedly punching and kicking a prisoner in the head, even after the prisoner is knocked to the ground and curls up on the floor." - Chicago Sun Times
Jail birds damage Stateville prison docs in Crest Hill
byThe Herald-News
"Birds have apparently made a mess at the Stateville Correctional Center – and the Illinois Department of Corrections needs somebody to clean up the mess." - The Herald-News
Doubling Up Prisoners In 'Solitary' Creates Deadly Consequences
byNPR News
"On Nov. 19, 2014, the door clanged shut behind David Sesson and Bernard Simmons. Sesson put his hands through the food slot to have his handcuffs removed." - NPR News
Lawmakers Want Illinois To Stop Making Prisoners Pay For Their Incarceration
"New legislation in Springfield would repeal the practice of suing prisoners and parolees for the cost of their incarceration." - Chicagoist
Legislation would end lawsuits against prison inmates
"State lawmakers are seeking to end a little-known but controversial program that tries to recoup the costs of incarceration from current and former inmates, saying the state recovers little money and the program puts up obstacles for prisoners returning to the community." - Chicago Tribune
Lawsuit: ‘Orange Crush’ guard unit terrorized, humiliated Southern Illinois inmates
byBelleville News-Democrat
"They are an elite, mobile Illinois Department of Corrections tactical unit, which civil rights lawyers say regularly humiliated and terrorized more than a thousand Illinois inmates on various occasions using tactics such as forcing them to march naked in single-file, tight formations, causing men’s genitals to press against the buttocks of men in front of them." - Belleville News-Democrat
How Organizing and Social Movements Drove Changes to Federal Policy on Solitary Confinement
byThe Real News
"Bernadette Rabuy is the Policy & Communications Associate at the Prison Policy Initiative. Bernadette's research has focused on prison and jail visitation and making key criminal justice data accessible to the public." - The Real News
President’s Order on Solitary Confinement Reverberates Beyond Youth Incarceration
President Obama did issue an executive order banning solitary confinement for juveniles in the federal prison system, and journalists can’t really be blamed for missing the real story, as Obama wrote an op-ed, which led with the story of 16-year-old Kalief Browder, who committed suicide after being held in solitary at Rikers Island prison in New York City. However, the fact is, according to the US Department of Justice, there are just 45 juveniles housed in federal prisons, only 13 of whom are in solitary. Ironically, the federal government does have jurisdiction over thousands of children, many of whom are held in isolation, but they are held in immigration detention centers, which appear to be excluded from this executive order.
Legal Settlement Demands Better Mental Health Care, Less Solitary Confinement in Illinois Prisons
bySolitary Watch
"People held in Illinois prisons will receive an improved level of mental health care in coming years, thanks to a major class action settlement in late December." - Solitary Watch
Criminal-justice officials respond to Eisha Love case
"Eisha Love's Dec. 18 release after spending three years and nine months in Cook County Jail's all-male Division IX without trial led to a number of unanswered questions regarding the attempted murder in the first degree charges that were initially leveled against her." - Windy City Times
State, inmates reach sweeping deal on mental health care
"Alan Mills, an attorney working for the mental health rights of Illinois prison inmates, recalled being shocked by the condition of such an inmate he visited at Menard Correctional Center." - The Pantagraph
The Death of Good Citizenship: The Real Tragedy of the Overuse of Solitary Confinement
"The number of inmates in solitary confinement in the State of New York hit a three-year high this past September — over 4,000 prisoners. Prisons blame reform for this increase; the number of non-violent prisoners is slowly dwindling because of formal decarceration efforts and the inmates left behind are a group much more likely to be violent. They’re fighting the guards and themselves and getting tossed in the hole." - Huffington Post
Illinois sues inmates to recoup cost of their incarceration
bySt. Louis Post
"The Illinois Department of Corrections is bringing a small but increasing number of lawsuits against inmates to recoup the cost of their imprisonment with an intention to help fund operations." - St. Louis Post
'Pay-to-stay': Jails regularly charge inmates for food, basic services
byRT
"A new report on Illinois policy of suing former inmates to recoup incarceration costs highlights a common practice across the US, as at least 43 states allow 'room and board' or medical fees to be collected from inmates in state or county prisons." - RT
Illinois is ratcheting up lawsuits against inmates to pay for their room and board
byFusion
"The state of Illinois has been pursuing lawsuits against its own inmates to pay for their room and board, the Chicago Tribune reports." - Fusion
State sues prisoners to pay for their room, board
"The $31,690 Johnny Melton received to settle a lawsuit over his mother's death was going to help him start life anew after prison.
But before he was released, after 15 months in prison for a drug conviction, the Illinois Department of Corrections sued Melton and won nearly $20,000 to cover the cost of his incarceration." - Chicago Tribune
Racism and Mass Incarceration in the US Heartland: Historical Roots of the New Jim Crow
"Alan Mills, executive director of Uptown People's Law Center in Chicago, told Truthout that in Illinois the lack of Black leaders in positions of political power made "it politically cost-free to call for 'tough-on-crime' measures - as long as the police concentrate enforcement in poor Black communities." He argues this created a "perfect feedback loop." - TruthOut
Chicago homeless, advocates confront Ald. Cappleman
"Almost 200 individuals experiencing homelessness and their advocates marched on 46th Ward Ald. James Cappleman's Uptown home and, then, his office Nov. 9 to protest what organizers called "an apparent campaign to drive [homeless] people out of Uptown." - Windy City Times
Illinois prisons slammed for lengthy solitary terms, lack of transparency
byAl Jazeera
"When Jerome Jones was placed in solitary confinement in 2013 at the Lawrence Correctional Center, no one told him why. In fact, he says he wasn’t given a reason until six months after the fact — when officials alleged at an administrative hearing that it was because of his gang associations. But Jones, who is currently still being held in solitary, says he is not a gang member." - Al Jazeera
Judge grants class-action status in case brought on behalf of deaf Illinois inmates
"A federal judge has granted class action status for a lawsuit filed in 2011 on behalf of 11 deaf and hard of hearing inmates at the Illinois Department of Corrections alleging systemic failures by the department to provide critical accommodations as required by law." - The Southern Illinoisan
Care of mentally ill focus of prison visits
"Two experts are touring several Illinois prisons this week to review mental health care and the use of segregation as part of a federal lawsuit on the state's treatment of mentally ill prisoners." - The Pantagraph
Judge grants class-action status in deaf prisoners lawsuit
"A federal judge ruled that a lawsuit accusing a former acting director of the Illinois Department of Corrections of failing to provide accommodations to deaf and hard-of-hearing prisoners can go to trial as a class-action suit." - Chicago Tribune
Local Organizations protest use of solitary confinement
byAtlanta Daily World
"Uptown People’s Law Center, Illinois Coalition Against Torture, United Voices for Prisoners and Black & Pink Chicago gathered with community members, former prisoners and their families to host a rally at the Thompson Center July 23 to protest the opening of the Thompson Correctional Center, which has 1,500 solitary cells." - Atlanta Daily World
Living in Isolation
"For 23 hours a day, a roughly five-by-ten-foot concrete box is what Aaron Fillmore calls home. He’s been living in a room like that for the past 15 years." - Illinois Times
Horrific health care
"When Rubin Watts arrived at the Dixon Correctional Center infirmary in 2007, his legs and feet were red and swollen, with stinking open wounds that were oozing pus and a bloody discharge. He had a skin infection called cellulitis and a history of mental illness." - Illinois Times
Thousands kept in solitary confinement in Illinois prisons
"A class action lawsuit filed this week on behalf of former and current inmates is challenging the widespread use of solitary confinement by the Illinois Department of Corrections." - Chicago Reporter
Lawsuit decries use of solitary confinement in Illinois prisons
During years in solitary confinement, Brian Nelson says he spent the days pacing in his 5-by-12-foot cell to the point that each week brought new blood blisters to his feet.
From Solitary to the Street
"By the time he had served five years for armed robbery, Mark had lost 80 pounds. He had developed a new tic — tightly closing his eyes, as if blinking back bad thoughts. But the biggest change, his mother said, was in his face. It had hardened. A deep crease ran along the bridge of his nose." - The Marshall Project
From Solitary To The Streets: Released Inmates Get Little Help
"In prison, Brian Nelson lived in solitary confinement. That meant 23 hours a day in a small cell. No human contact, except with guards — for 12 years straight." - NPR
Report Shows Massive Lack Of Medical Treatment For Illinois Prisoners
"Unqualified staff and inadequate care have contributed to some 60 percent of non-violent deaths in Illinois prisons, according to a new report released Wednesday." - Chicagoist
Illinois prisons under scrutiny after a study says medical care is below par on May 20, 2015. (WGN TV)
"Scathing independent report finds sweeping problems in health care at state's prisons." - Chicago Tribune
Independent experts blast quality of medical care in Illinois prisons
"The 55-year-old inmate with a family history of lung cancer was coughing up blood the day he arrived at the medium security Illinois River prison in November 2012." - Chicago Tribune
'Sentenced: Architecture and Human Rights' Opens Thursday
"A collaborative effort between Architects/Designers/Planners for Social Responsibility (ADPSR) and Uptown People’s Law Center (UPLC), the exhibit aims to show the conditions of solitary confinement, the damage it does on prisoners and to “bring voices of imprisoned people into the dialogue of the struggle to end cruel, inhuman and degrading punishment in the United States.” - Chicagoist
When Your Insulin Pump is Contraband
"On May 1, 2010, the medical technician making the morning rounds at Stateville prison in Illinois allegedly denied Donald Lippert, a type I diabetic, his shot of insulin. Lippert’s blood sugar shot up, and after growing dizzy, he collapsed onto the floor of his cell and urinated on himself. According to a grievance he filed with the prison, Lippert’s glucose level was a staggering 451 when nurses arrived around lunchtime. The average range is between 70 and 180." - The Marshall Project
Dear Mom, you have 30 days to get out
"Miguel Pena is asking a Cook County judge to evict his elderly mother from the Gage Park home they shared for many years." - Chicago Sun Times
Chateau Hotel: Remaining Tenants Have Until Friday to Vacate
byDNAinfo
"The few tenants who remain in the Chateau Hotel have until Friday to leave after a judge's ruling last week." - DNAinfo
Illinois prison health care lawsuit getting boost from ACLU
"A lawsuit over health care in prisons in Illinois is getting a boost from the American Civil Liberties Union. The federal class action lawsuit charges the Department of Corrections and Wexford Health Sources, a private healthcare company, with providing wholly inadequate health care to inmates." - WBEZ
When death row and dog cages are a step up in the world
"This place is one hundred times better than Tamms," a prisoner in the Pontiac Correctional Center told me in a recent letter. "I was able to purchase a regular Bic ink pen and a regular-size toothbrush." - Chicago Reader
Supermaxed Out: Adios to an Isolation Facility
byMother Jones
"Supermax prisons have been a growth industry in the United States since at least 1989, when California opened its notorious lockup at Pelican Bay. Today, at least 44 states and the federal government maintain supermax prisons where upwards of 25,000 inmates are confined to small cells 23/7. Despite the high cost of solitary confinement and a growing movement that denounces this kind of long-term isolation as a form of torture, supermax prisons just keep on opening. They rarely ever close."
Inside the Tamms super-max prison
"For at least 23 hours a day, prisoners sit in solitary confinement in 7-by-12-foot cells. There is no mess hall. Meals are shoved through a chuckhole in cell doors. Contact with the outside world is sharply restricted."
Alan Mills, legal director, Uptown People's Law Center
"In the late 60s, as the coal mines in Appalachia were closing down, there was a huge migration from the coalfields to Chicago. As they got older, they began to have problems from black lung disease. They applied for disability benefits, and were told by the Social Security offices, 'There are no coal miners in Chicago. Go back to Appalachia.' They wanted to get health care, and they were told, 'We don't know anything about black lung. That's a problem in the south." - Chicago Reader
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Caribbean Feast
Happy Hour Sail aboard the Shearwater
Hudson River Gorge Whitewater Rafting
Chelsea Market, Highline, and Meatpacking Food Tour
Bronx's Little Italy Tour
Chinatown and Little Italy Food Fest
Small Batch Technical Tour of Brooklyn Brewery
Latin American Tapas
Wine Tasting Sail
Evening Jazz Cruise
Drunk Shakespeare - Balcony Seats
Drunk Shakespeare - Mezzanine
Champagne Brunch Sail
Around Manhattan Brunch Cruise
Eternal Spring Chi Kung and Tai Chi
Introductory Kendo - 1 Hour
Krav Maga (Union Square)
NYC Kids
All Things To Do In NYC Explore Cultural & Sightseeing Landmark
World Trade Center Walking Tour
Schedule Description Cancellation Policy
september 11memorial
Enjoy a comprehensive guided tour through Ground Zero, the 9/11 Memorial, and the Financial District
Listen to moving stories about the heroes of 9/11
Explore the surrounding area and discuss the effects 9/11 has on NYC's past, present and future
Wed, Jan 22 2:30pm 2 hours $20.00
Thu, Jan 23 2:30pm 2 hours $20.00
Fri, Jan 24 2:30pm 2 hours $20.00
Sat, Jan 25 2:30pm 2 hours $20.00
Sun, Jan 26 2:30pm 2 hours $20.00
Mon, Jan 27 2:30pm 2 hours $20.00
Tue, Jan 28 2:30pm 2 hours $20.00
Sat, Feb 1 2:30pm 2 hours $20.00
Sun, Feb 2 2:30pm 2 hours $20.00
Mon, Feb 3 2:30pm 2 hours $20.00
Tue, Feb 4 2:30pm 2 hours $20.00
Wed, Feb 5 2:30pm 2 hours $20.00
Thu, Feb 6 2:30pm 2 hours $20.00
Fri, Feb 7 2:30pm 2 hours $20.00
Mon, Feb 10 2:30pm 2 hours $20.00
Tue, Feb 11 2:30pm 2 hours $20.00
Wed, Feb 12 2:30pm 2 hours $20.00
Thu, Feb 13 2:30pm 2 hours $20.00
Fri, Feb 14 2:30pm 2 hours $20.00
Sat, Feb 15 2:30pm 2 hours $20.00
Sun, Feb 16 2:30pm 2 hours $20.00
Sun, Mar 1 2:30pm 2 hours $20.00
Mon, Mar 2 2:30pm 2 hours $20.00
Tue, Mar 3 2:30pm 2 hours $20.00
Wed, Mar 4 2:30pm 2 hours $20.00
Thu, Mar 5 2:30pm 2 hours $20.00
Fri, Mar 6 2:30pm 2 hours $20.00
Sat, Mar 7 2:30pm 2 hours $20.00
Tue, Mar 10 2:30pm 2 hours $20.00
Wed, Mar 11 2:30pm 2 hours $20.00
Thu, Mar 12 2:30pm 2 hours $20.00
Fri, Mar 13 2:30pm 2 hours $20.00
Sat, Mar 14 2:30pm 2 hours $20.00
Sun, Mar 15 2:30pm 2 hours $20.00
Mon, Mar 16 2:30pm 2 hours $20.00
2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm 2:30pm Last activity timeFri, Mar 20 at 2:30 pm See more time slots
Thu, Jan 23 2:30 pmFri, Jan 24 2:30 pmSat, Jan 25 2:30 pmSun, Jan 26 2:30 pmMon, Jan 27 2:30 pmTue, Jan 28 2:30 pmWed, Jan 29 2:30 pmThu, Jan 30 2:30 pmFri, Jan 31 2:30 pmSat, Feb 1 2:30 pmSun, Feb 2 2:30 pmMon, Feb 3 2:30 pmTue, Feb 4 2:30 pmWed, Feb 5 2:30 pmThu, Feb 6 2:30 pmFri, Feb 7 2:30 pmSat, Feb 8 2:30 pmSun, Feb 9 2:30 pmMon, Feb 10 2:30 pmTue, Feb 11 2:30 pmWed, Feb 12 2:30 pmThu, Feb 13 2:30 pmFri, Feb 14 2:30 pmSat, Feb 15 2:30 pmSun, Feb 16 2:30 pmMon, Feb 17 2:30 pmTue, Feb 18 2:30 pmWed, Feb 19 2:30 pmThu, Feb 20 2:30 pmFri, Feb 21 2:30 pmSat, Feb 22 2:30 pmSun, Feb 23 2:30 pmMon, Feb 24 2:30 pmTue, Feb 25 2:30 pmWed, Feb 26 2:30 pmThu, Feb 27 2:30 pmFri, Feb 28 2:30 pmSat, Feb 29 2:30 pmSun, Mar 1 2:30 pmMon, Mar 2 2:30 pmTue, Mar 3 2:30 pmWed, Mar 4 2:30 pmThu, Mar 5 2:30 pmFri, Mar 6 2:30 pmSat, Mar 7 2:30 pmSun, Mar 8 2:30 pmMon, Mar 9 2:30 pmTue, Mar 10 2:30 pmWed, Mar 11 2:30 pmThu, Mar 12 2:30 pmFri, Mar 13 2:30 pmSat, Mar 14 2:30 pmSun, Mar 15 2:30 pmMon, Mar 16 2:30 pmTue, Mar 17 2:30 pmWed, Mar 18 2:30 pmThu, Mar 19 2:30 pmFri, Mar 20 2:30 pm
Last activity timeFri, Mar 20 at 2:30 pm See more time slots
Select a time slot first! (212) 858 9559
You'll meet your guide within walking distance of the Ground Zero site, where you'll embark on a 2-hour journey into the bravery, passion, and tragedy of 9/11. Your guide will share key facts, illuminating events and heartbreaking stories of the tragic day while weaving through the various attractions within the World Trade Center area.
You'll explore surrounding New York sites including St Paul's Chapel, the American Express Eleven Tears Memorial, Winter Garden and, of course, the Ground Zero site. Your guide will take you through the various attractions, giving you ample opportunity for reflection and contemplation. You are welcome to bring flowers or tributes to place by the site. Admission to the memorial is timed, and you can spend up to one hour at this special place for remembrance and reflection.
Price $20.00 per guest
Duration / Session 2 hours
# Sessions 1
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Wine Tasting SailManhattan By Sail
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Sunset Sail Aboard the ShearwaterManhattan By Sail
Happy Hour Sail aboard the ShearwaterManhattan By Sail
Hudson River Gorge Whitewater RaftingWildwaters Outdoor Center
Schedule for Start Date:
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Vintage Watch Straps
Straps for vintage fixed wire lug trench or officer's wristwatches.
Early Clocks and Watches
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About Watches
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Case Marks — Start Here for Hallmarks
Case Marks: Start Here for Hallmarks
British Hallmarks: A Quick Guide New!
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Poinçons de Maître — Swiss Case Makers
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GS: Stockwell & Company, Assay Agents
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IWC's First Wristwatches
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A L Dennison
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Stauffer & Co and Eterna
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English Watch Co.
Taking Close Up Photos
IWC - The International Watch Company
Copyright © David Boettcher 2006 - 2020 all rights reserved.
IWC International Watch Co.
Early IWC Wristwatch Calibres
• IWC's First Wristwatches
• Calibres 63 & 64
IWC Serial Numbers
• Patent 31457
IWC Watch Cases
IWC and Stauffer
Bocks and Rams
IWC and Borgel
• Earliest IWC Wristwatch?
IWC Chronographs
IWC Seeland Watches
IWC Watches with British Hallmarks
Stauffer & Co. and IWC
From 1894 the London company, Stauffer & Co. started to buy watches from IWC in addition to watches from other makers, all of which they had stamped with their trademark S&Co. beneath a crown within an oval shield. Because of this connection it is sometimes wrongly assumed that all watches marked S&Co., or even SS&Co., were made by IWC, which is most definitely not true: see IWC and Stauffer for more on this.
The International Watch Company, or IWC, was set up in Schaffhausen in the German-speaking region of north-eastern Switzerland, in 1868 by the American engineer and watchmaker Florentine Ariosto Jones (1841-1916).
Originally from Boston, Massachusetts, Jones was in Switzerland to try to establish a factory using American mass production techniques and Swiss labour, which was cheaper than American labour at the time, to make watches to be imported to America. He received a poor reception in the French speaking traditional heart of the Swiss watchmaking industry, in the west part of Switzerland and was attracted to Schaffhausen, far to the north and east, by Henri Moser, a watch maker and watch merchant who had set up a dam across the Rhine in 1868 which provided plenty of power for Jones' proposed factory.
Jones imported machine tools from USA, or had them made in-house, and brought together Swiss craftsmanship with the standardised precision of machine tools to increase the accuracy of manufacture and thereby make parts that were interchangeable, which greatly simplified assembly and repair work. To set up a new manufactory and make watches in the intended way everything had to be in place before a single watch could be sold, the buildings, machinery and staff, which required a large amount of capital. Jones underestimated how much money would be needed and the enterprise ran into financial difficulty. In December 1875 the money finally ran out and the company was declared insolvent. Jones returned to America and the remaining assets were auctioned off in 1876
Production resumed in the Autumn of 1876 when a new joint stock company was formed and Frederick F. Seeland was appointed as manager. Seeland was a trained watchmaker and had been the Assistant Manager of the American Waltham Watch Co. in Britain. The American market for watches was suffering from an economic recession that had begun in 1873, which together with an oversupply of mass produced watches from the big American watch factories, meant that the American market for watches was severely restricted. Seeland recognised this and, using his experience as the London manger of Waltham's business in Britain, turned his attention to the large market that was Britain and her empire.
Seeland generated apparent profits for IWC by overstating the value of stock on hand. This came to light during the summer of 1879 when a stock take was conducted by the managing director Johann Rauschenbach-Vogel and the factory foreman. Seeland secretly left Schaffenhausen with his family for America just before the stock take was carried out. A second bankruptcy followed and the assets were taken over in 1880 by Rauschenbach, who died shortly after in March 1881 leaving the business to his wife, daughter and son Johann Rauschenbach-Schenk. Rauschenbach junior was not a watchmaker but made the inspired choice of promoting the foreman of the escapement department Johann Vogel to technical manager. The first "Elgin" calibres created by Vogel were well received by the market, and then from 1885 the unexpected success of watches with Josef Pallweber’s digital display system transformed the business and set it on a sound foundation.
The date when IWC watches were first sold in Britain is not known. Between 1876 and 1878/9 Seeland sent watch cases to Antoine Castelberg in London for British hallmarking. The cases were then returned to Schaffhausen for fitting the movements, and the watches were then sent to England for sale. After the second bankruptcy in 1879/80, Castelberg became the wholesale importer of IWC watches and movements to Britain. From circa 1894/5 the London company, Stauffer & Co. became the British agents for IWC, which they retained until the mid-1930s. During this period the watches carried Stauffer names and trademarks and the IWC name was not visible. In June 1936 the firm of Edwin Harrop of 99-119 Rosebery Ave, London became concessionaires for the British Empire for IWC watches. Thereafter IWC watches were sold under the IWC name, as they had been prior to Stauffer taking the agency.
IWC wristwatch from 1914/15 with 18 carat gold Borgel case and calibre 64 movement. Click image to enlarge
One statement can be made about early IWC men's wristwatches with certainty: Until 1915 all wristwatches made by IWC were fitted with calibre 63 Lépine or calibre 64 savonnette movements. These movements were the right size to be used for men's wristwatches; 12 lignes or about 27mm diameter, and the calibre 64 savonnette is the correct layout for a wristwatch with the crown at 3 o'clock and small seconds on the dial above the 6 o'clock. As a consequence, most early IWC wristwatches have calibre 64 movements, although occasionally wristwatches are seen with calibre 63 movements and no seconds indication on the dial. Wristwatches containing Calibre 63 or 64 movements are usually about 33mm diameter, excluding lugs and crown. This is still a reasonable size for a man's watch today and the watches are very wearable.
In 1915 two smaller movements, the 10 ligne 23.35mm diameter calibres 75 Lépine and 76 savonnette were introduced for smaller wristwatches, less than 30mm diameter. A 10 ligne movement would be fitted into a case of about 28mm diameter which would be suitable for a ladies' wrist watch. This size became fashionable for men's watches in the 1930s but is difficult for a man to wear today. A note in Fournitures No. 5 dated 1935 says that the calibre 75 is used for ladies' open face pendant watches while the calibre 75 has various uses; in round wristwatches for ladies', in ‘shaped’ (i.e. not round) wristwatches for men, and in ladies pendant hunter watches.
Another 12 ligne movement, the calibre 82 savonnette, was introduced in 1920. The calibre 82 was the first 12 ligne movement that IWC made that could have taken over the from the cal 64 but for some reason it didn't, it was only made in very small numbers. Some feature such as cost of manufacturing or durability meant that the calibre 64 continued to be favoured. The first three batches of calibre 82, 600 at a time, were made in 1920, then no more were made until, rather strangely, a single final batch was made in 1928, a total production of only 2,400.
The real successor to the calibre 64 was the 12 ligne calibre 83 savonnette movement, breaking with the practice of using odd numbers for Lépine movements. The first batch of 600 calibre 83 movements was made in 1931, followed later in the year by the final batch of 600 calibre 64 movements. A total of 68,400 calibre 83 movements were made by IWC. The calibre 83 was used in an extremely rare pilot's wristwatch produced by IWC between 1936 and 1944, the "Spezialuhr fur Flieger", today colloquially known as the Mark IX. In upgraded form with shock protection, the calibre 83 was used in the 1940s for watches supplied to the British military under their "Watches, Wristlet, Waterproof" or W.W.W. specification. The 12 Swiss manufacturers who supplied these watches adopted the name Mark X for them, which is how the earlier watch became retrospectively know as the Mark IX, a name never used by IWC.
If you see an early wristwatch described as an IWC that doesn't contain one of these calibres, then it isn't an IWC. This often happens with a Stauffer branded watches, and also occasionally with other watches. The vendor might think that the watch is an IWC, or perhaps hopes that you might think that is an IWC watch. But fortunately, now you know better.
The image here shows an IWC wristwatch with calibre 64 movement in an 18 carat gold Borgel case. The case has the sponsor's mark of Charles Nicolet, director of Stauffer & Co. London, and London Assay Office import hallmarks for 1914 to 1915. The movement carries Stauffer & Co.'s trademark of the initials S&Co. beneath a crown in an oval shield.
Calibres 63 and 64 were 12 or 12.5 lignes A "ligne", (pronounced "line"), is 1/12 of an old French inch (pouce), used prior to the adoption of the metric system. A ligne is 2.256mm. It is used in the measurement of watch movements, and is the outer dimension of the movement just beneath the flange that holds the movement in place in the case. The shorthand for ligne is the triple prime ‴, e.g. 12.5‴. movements, which was just the right size for a man's wristwatch at the time. All other IWC movements until 1915 were larger sizes, 17 to 19 lignes (38.5mm to 43mm diameter), suitable for men's pocket watches but too large for men's wristwatches at the time. An earlier IWC movement, calibre 51, was a 13 ligne cylinder movement which would have been the right size, but this was last made in 1889 and was never used in wristwatches.
In 1915 the 10 ligne calibres 75 and 76 were introduced, which were also a suitable size for wristwatches. A 10 ligne movement is about 22.5mm diameter so from 1915 these would have been used in ladies wristwatches, until the fashion for smaller men's wristwatches of around 30mm diameter arose in the late 1920s and through the 1930s.
The earliest IWC wristwatch that is known to me is one in a Borgel case that was made in 1906 - this date has been confirmed by IWC from their records. I have a particular fondness for Borgel watches and this is also the earliest Borgel wristwatch that I know of. You can read about it below. If you know of an earlier IWC wristwatch, or an earlier Borgel wristwatch, please get in touch.
IWC Calibres 63 and 64. Click image to enlarge
Lépine or "open face" pocket watches usually have the pendant and crown at 12 o'clock so that when the watch is hanging from the pendant the 12 is at the top of the dial. Savonnette or hunter pocket watches usually have the crown at 3 o'clock where the button that opens the lid is placed conveniently for operation by the thumb when the watch is resting in the palm of a hand.
In both designs the small seconds sub dial is at 6 o'clock, in a Lépine pocket watch this is at the base of the dial directly opposite to the crown and the 12 o'clock, in a savonnette pocket watch it is at right angles to the crown at 3 o'clock. The picture here of calibres 63 and 64 movements shows where the fourth wheel is located relative to the stem. The fourth wheel turns once a minute and the seconds hand is mounted on the end of its arbor, which is made extra long to project through the dial.
The principal appeal of wristwatches was that they could be read easily and only needed one hand, which meant using an open face design. The obvious layout for the dial of a wristwatch, which was achieved very quickly, was the one still used today, with the 12 o'clock at the top of the dial and the crown at 3 o'clock, which meant using a savonnette movement, which would normally be fitted to a hunter case with a lid protecting the crystal. The lid would have afforded protection to the watch in its vulnerable position on the wrist but made it far less convenient to use, requiring both hands to read the time, which is why hunter cased wristwatches are rare.
So an open face wristwatch with 12 o'clock at the conventional position where it is found today, the crown at 3 o'clock and sub seconds at 6 o'clock was the result of the paradoxical combination of putting a savonnette (hunter) movement into a Lépine (open face) case. If you are interested you can read more about Lépine and savonnette movements on my watch cases page.
For IWC this meant using the calibre 64 movement, which was a savonnette layout and the only movement they made at the time that was the right size for a wristwatch. If the calibre 63 was used for a wristwatch, which it was on occasion, then the sub seconds would have been at 9 o'clock so it was omitted.
1906 IWC wristwatch with Borgel case
The earliest IWC wristwatch known to me is the one shown in the photograph here, it has a Borgel case and was made by IWC in 1906, being supplied to Stauffer in London as a single piece, rather than the more usual batch of 12, in January 1907. This was just before the British law changed so that from 1 June 1907 all imported gold and silver watches were hallmarked with British import hallmarks, so this watch has Swiss which have no date letter. However, IWC provided me with an official "extract from the archives" for this wristwatch showing that the finished watch was sold to Stauffer in London on 9 January 1907
1917: IWC Calibre 63 Lépine and calibre 64 savonnette and montre bracelet. Click image to enlarge
The IWC Catalogue des Fournitures from 1908 continued to describe calibre 63 as a Lépine calibre and calibre 64 as a savonnette, but when the next Catalogue des Fournitures came out in 1917, calibre 64 was described a both savonnette and "montre bracelet" or wristwatch, as can be seen in the image reproduced here. The Swiss Federal cross and number 31457 is a reference to IWC patent No. 31457.
An interesting change in the design of the calibre 63 took place around 1907. Prior to this the calibre 63 had its balance on the left as shown in the pictures above from Fournitures No. 1, but Fournitures No. 3 shows the balance on the right of both the 1907 and 1910 models, which is also the configuration of the calibre 63 in the photograph of the two calibres side by side. Tölke and King says that this movement of the barrel from right to left is more favourable with regard to bearing pressure and reduces wear.
Calibres 63 and 64
Calibre 64, and less often calibre 63, were used in all IWC wristwatches until 1915, because IWC made no other movements of a suitable size for a wristwatch until the calibres 75 and 76 were introduced in 1915. These were a small size that was suitable for ladies' wristwatches, and for shaped or the smaller size of men's wristwatches that became fashionable in the 1930s.
IWC Calibre 63 and 64 Movements
Catalogue des Fournitures No. 1, 1891 - 1892
Details of the calibres 63 and 64 first appeared in the IWC "Catalogue des Fournitures No. 1" (parts catalogue) which is thought to date to 1891-92. The first production details appear in the 1892 IWC production records listed in Tölke and King with three batches of calibre 63 numbered 77001 to 77300, 80901 to 81200 and 86901 to 87500, a total of 1,200 pieces, and one batch of calibre 64 numbered 83601 to 83900, 300 pieces.
IWC calibre 64 movement. Click image to enlarge
Calibre 64 is a savonnette calibre suitable for use in hunter cased pocket or fob watches, and for wristwatches where the dial can be arranged so that the crown is at 3 o'clock and small seconds at 6 o'clock, calibre 63 is a Lépine calibre suitable for open face pocket or fob watches. Calibre 63 is less suitable for wristwatches because with the crown at 3 o'clock the small seconds would be at 9 o'clock, so if a calibre 63 was used for a wristwatch the small seconds were omitted.
The calibre 63 and 64 were first used in small pocket or fob watches. Does that make them pocket watch movements? No. If wristwatches had been in fashion in the 1890s, these calibres would have been used in wristwatches. The calibre 63 and 64 movements are simply small watch movements. There is no fundamental difference between a pocket watch and a wristwatch movement, they only become either a pocket watch or a wristwatch movement once they are put into a case.
The pictures above from the first IWC Catalogue des Fournitures show that the calibre 63 is a Lépine movement which at the time was used "à glace", that is in an "open face" watch, with no metal lid covering the watch crystal. The calibre 64 is a savonnette movement, which was initially used in hunter cases, where a hinged metal lid covers the crystal. The pictures show that the calibres 63 and 64 were available in 12½, 13 and 14 ligne sizes, roughly 28.2, 29.3 and 31.5mm. (The size of a movement is the diameter of the bottom plate where it fits into the middle part of the case, slightly smaller than the dial.) The 13 and 14 ligne sizes were dropped about 1908 and I don't think they were ever used in wristwatches.
The term "ancre" shows that the calibre 63 and 64 both have have anchor escapements, the Swiss term for the lever escapement. These are straight line Swiss lever escapements with cut bimetallic temperature compensating balances, Breguet overcoil balance springs and 15 or 16 jewels, with some jewels set in screwed chatons. They work at 18,000 vibrations per hour (5 ticks and 2.5 complete oscillations (Hz or cycles) per second). Their mainspring barrels have the patented IWC version of "Maltese cross" or Geneva stop work.
Keyless Work: Winding and Hand Setting
The calibre 63 is described in the IWC literature as a "Lépine à poussette", the calibre 64 is described as "Savonnette à targette".
The term "poussette" refers to the push-pin method of hand setting, where a pin on the side of the case is pushed in to change the keyless mechanism from winding to hand setting and the crown then sets the hands.
The term "targette" translates literally as "slide" or "bolt" and refers to a lever set mechanism. The lever set mechanism was often used in hunter cased watches. It is similar to the push-pin set mechanism, but instead of pushing in a pin to engage the hand setting, you pull out a lever. The lever is only accessible when the hunter cover is open, providing a safety mechanism against accidentally altering the time set. This feature was originally introduced in America for Railroad watches to make it difficult to accidentally adjust the time. When calibre 64 movements were used in open faced wristwatch cases, it was a very simple modification to make the mechanism push-pin set rather than lever set.
Some time between the 1908 catalogue and the 1917 catalogue, IWC introduced versions of calibres 63 and 64 that had stem winding and setting, these were called 63T and 64T, the T standing for "tirette" meaning to pull. In this calibre the keyless mechanism is changed from winding to hand setting by pulling the crown away from the case, the accompanying axial movement of the stem moves the setting lever to put the keyless mechanism into the hand setting configuration.
The first production details of the calibre 63T and 64T appear in the records listed in Tölke and King in 1917, but a correspondent has sent me details of a calibre 63T movement that was made in 1911 in a batch of 600 numbered 513,401-514,000.
Calibre 63 and 64 Variations
The calibre 63 and 64 movements underwent various developments over the many years that they were in production. The final batch of 600 calibre 64T was made in 1931. An IWC sales catalogue of 1936 showed a wristwatch with a Borgel case and calibre 64 movement, truly a long life cycle.
Fournitures No. 1 from circa 1891/92 says the calibre 63 and 64 were available in 12½, 13 and 14 lignes.
Fournitures No. 2 dated 1902 says 12½ and 14 lignes, the 13 ligne option is not shown.
Fournitures No. 3 dated 1908 shows two different versions of each of the calibres 63 and 64, one subtitled "Modèle 1907" and the other "Modèle 1910". One of the changes introduced in the 1907 model was the use of three screws to hold the crown and ratchet wheel in place. This feature had been introduced by IWC in 1904 as part of patent 31457. The only size listed for all four variations is 12 lignes.
Fournitures No. 4 dated 1917 still describes the calibre 63 as "Lépine" but now describes the calibre 64 as "Savonnette et montres bracelet" (hunter and wristwatch), recognising the increasing use of this calibre in wristwatches. Two variants of the calibre 63 and 64 first appear in this catalogue, although they had been made for some years by then; the "63 T" and "64 T". The T stands for "tirette" which means to pull, showing that these variations had hand setting by the stem rather than by pin set or lever. The only size given for all four variants is 12 ligne.
Fournitures No. 5 date 1935 shows the calibre 63 and 64 in 12 ligne size. The calibre 63 is described as "lépine à pousette" (pin set), the calibre 64 as "savonnette à targette (pour bracelet à pousette)" (lever set, or pin set for wristwatches). The catalogue also shows the stem set variant of the calibre 64, now described as "calibre 64 à tirette" rather than 64T. The stem set variant of the calibre 63 does not appear in this catalogue.
IWC's Second Wristwatch Calibres: 75 and 76
IWC calibres 75 and 76 - click to enlarge
The picture shows IWC calibres 75 and 76, which were introduced in 1915. They are described in the catalogues as 10 ligne movements, i.e. about 22.5mm diameter, although the size given in the 1935 catalogue is 23.35mm (10¼ lignes) and 3.5mm "high" (thick). The legend "Mise à l'heure par la couronne" means that the time is set, i.e. hands are moved, by the crown, meaning that these are stem wound and set movements. The calibre 75 is a Lépine and the calibre 76 as a "savonnette and montre bracelet".
The calibre 75 and 76 were manufactured from 1915 until 1930, total number of movements produced was around 17,460. They were jewelled to the centre with 16 functional jewels, increased to 18 if cap jewels were provided for the escape wheel. Their oscillating frequency is 18,000 vibrations (halfbeats) per hour or 2.50 Hertz. They have a double roller straight line Swiss lever escapement with a cut bimetallic temperature compensating balance and Breguet overcoil balance spring.
IWC calibre 76 - click to enlarge
Image © Smiths watches
The IWC factory used the terms Lépine and savonnette to describe the case style rather than the movement layout, Lépine for a movement intended for an open faced case, and savonnette for a movement intended for a hunter style case with a lid or metal cover over the crystal.
This is why the "et montre bracelet" (and wristwatch) qualification is added to the calibre 76, because of course wristwatches are usually open faced (Lépine), and an open face wristwatch is made by putting a savonnette movement into a Lépine case.
The photograph here shows the top plate of an IWC calibre 76 savonnette. The picture is oriented so that the stem is at the top, you can see the castle wheel and setting lever screw at the top, these show where the stem enters the movement. Being a savonette layout the balance is on the opposite side of the movement almost directly in line with the axis of the stem; the exact alignment isn't important, the important alignment is the position of the fourth wheel arbor because this carries the seconds hand.
In a savonnette (hunter) cased watch, and an open faced wristwatch, the sub seconds dial needs to be at 6 o'clock and the stem needs to enter the movement at three o'clock, so the fourth wheel arbor needs to be placed on an axis exactly 90° to that of the stem.
There is more about Lépine and savonnette layouts at Savonnette (Hunter) vs. Lépine (Open Face).
IWC Movement Serial Numbers: click to enlarge.
IWC have archive records of every watch they have ever made since 1875. Every IWC movement is stamped with a serial number, which is recorded in these archives. The serial numbers of cases are also recorded, and are different from the movement serial numbers. The records before 1884 are less complete and use a different set of serial numbers to those used from 1884 onwards.
The book about IWC by Tölke and King lists the serial numbers of each batch of movements and the calibre. The chart here gives you a quick idea of movement production dates after 1884.
The effect of the depression can be seen in IWC's production for the years 1932 to 1934. Only 600 movements in total were made in 1931, 1,200 in 1932 and 600 in 1934. None of these were 12 ligne movements. In 1935 production stepped up significantly to 4,800 movements, including two batches of 600 calibre 83. In 1936 10,800 movements were made, and by 1937 production was back to pre-recession levels.
IWC registered lots of patents over the years, but one that crops up regularly as a reference number on IWC movements is CH 31457. Tölke and King refer to this patent as a "barrel-bridge winding wheel construction" but it is in fact a modified form of Geneva stop work. I discuss this patent and a few others in the next section. This is not intended to be a comprehensive list or guide to all of IWC's patents, just some that are regularly referenced on old IWC movements.
IWC Patent 31457
IWC patent CH31457 - click to enlarge
The number 31457 number is quite often seen on vintage on IWC movements, and it appears in the early Fournitures catalogues of parts. The clue to interpreting this number is the sign of the Swiss Federal Cross which usually precedes the number when it is stamped or printed and signifies that it refers to a Swiss patent.
Patent CH 31457 was issued to "Fabrique d'Horlogerie de J Rauschenbach, à Schaffhouse" on 11 May 1904. Its title "Dispositif pour limiter le remontage des mouvements d'horlogerie à barillet" or "device for limiting the winding of a watch movement barrel" shows that it is about a type of "stop work" that limits the winding of the mainspring in its barrel.
The purpose of stop work is to stop the winding of the mainspring before it is fully wound, in order to eliminate the peak of force or torque that occurs if the spring is wound tight in its containing barrel. See the entry about stopwork for more details about this.
In a watch with a "going barrel" the mainspring that powers the watch is contained in a barrel which has teeth on its outside. The teeth engage with the centre wheel pinion and, when the spring is wound, they drive the watch train and ultimately the escapement. The mainspring is hooked at its outer end to the inner wall of the barrel, its inner end is hooked to the "barrel arbor", the shaft on which the barrel turns. To wind the mainspring you turn the barrel arbor, either directly with a key, or by the crown through the keyless mechanism. A ratchet allows the arbor to turn only in one direction and prevents the spring unwinding. It is the operation of this ratchet that you feel as a series of little clicks if you turn the key or crown backwards when you are winding a watch.
The basic idea of stop work is to limit the number of turns of the barrel arbor so that it is stopped before the mainspring is fully wound. Looking at the figures from patent 31457 reproduced here you can see in Fig 3, which is a view looking down on the barrel h, that a small gear wheel i is attached to the barrel arbor h1 and engages with a smaller gear wheel k. The wheel k is free to turn with the wheel i on the barrel arbor as the watch is wound.
Fig 4 shows a view from the underside of the gear wheels shown in Fig 3. The two gear wheels i and k each have a disc, i1 and k1 respectively, attached to their underside. These discs each have a projection which, as the gears are turned during winding, will eventually come into contact, preventing the discs, and hence the gears, from turning any further, thus stopping the winding.
This is very similar in principle to the more usual Maltese cross or Geneva stop work, but is perhaps easier to make and, as the patent explains, it is also easy to vary the number of turns the barrel arbor can make by replacing the wheels i and k by ones with different numbers of teeth.
In their book about IWC (ISBN 3906500152, p97), Tölke and King refer to this patent as a "barrel-bridge winding wheel construction". This is not the principal purpose of the patent as the title and opening paragraph make clear; "L'objet de la présente invention est un dispositif pour limiter le remontage des mouvements d'horlogerie a barillet" (The object of the present invention is a device for limiting the winding of watch movement barrels). So why did Tölke and King refer to it as a barrel bridge construction?
Crown wheels; Non-IWC one part and IWC two part
The answer probably lies in the figures in the patent. Figures 1 and 2 show the barrel bridge and the crown and ratchet wheels, and I imagine that Tölke and King, perhaps being German speakers and the patent being in French, or perhaps seeing only the figures and not the text of the patent, thought that figures 1 and 2 were the main object of the patent; a natural assumption to make. However, it is figures 3 and 4 that show the stopwork device that is stated in the title of the patent to be the principal purpose.
There is another curious anomaly about the stopwork device shown in the patent; it appears that this design of stopwork was never used by IWC. I have serviced a few IWC calibre 64 movements and when the stopwork was present it was the conventional "Maltese cross" design. Owen Gilchrist tell me that he has serviced over 50 IWC pocket watch movements and again the stopwork on those is of the Maltese cross type. It appears that IWC might have designed the geared stopwork shown in the patent simply to secure the patent so that they could stamp the number onto their movements. Alternatively, in practice it might have been found that the power of the mainspring was too much for the necessarily small gear teeth and sheared them off, so any movements that had been made with the design shown in the patent were altered to Maltese cross type stopwork. If you ever see an IWC movement with geared stopwork as shown in patent 31457, please do let me know.
Figures 1 and 2 of the patent show unusual "two part" crown and ratchet wheels. The usual form of crown wheel with face teeth is shown in the photograph here in the top left hand corner. This is a non-IWC part. It is made in one piece with teeth on its lower face that are driven by the winding pinion, and radial teeth on its edge that drive the ratchet wheel, and is secured in place by a screw into the barrel bridge. This type of crown wheel with face teeth that engage with the winding pinion turned by the stem is a better design than the type where the winding pinion engages with the radial teeth on the periphery of the crown wheel.
The IWC two part crown wheel, shown below and to the right, has a wheel with radial teeth that sits on top of the barrel bridge, and a second wheel with "face teeth" that is located below the barrel bridge and which engages with the teeth of the winding pinion on the stem. There is a square boss on the lower part that enters a square hole in the upper wheel, and two parts are fixed together with three screws.
The ratchet wheel in the patent is similarly made in two parts, a wheel that sits on top of the bridge and a smaller bush that is located below the bridge, again the two parts are held together with three screws. The bush has a central hole through which the barrel arbor passes and engages with a square hole in the ratchet wheel. This probably explains the reason for the square boss on the crown part of the crown wheel. The three screws would be adequate to couple the crown and wheel part of the crown wheel and the square coupling is not needed, but without it the two wheels would look different and so it is most likely there for purely aesthetic reasons. An alternative design would have been to make the boss below the ratchet wheel with a square rather than round hole for the barrel arbor, and then both the crown wheel and ratchet wheel could have been made without centre holes, which would have looked neater.
This unusual design of the crown and ratchet wheels is described in the patent and in the "claims", the features that are claimed as part of the patent, as claim 2 and 3. But the purpose of this part of the design is not described. Patents are granted to protect inventions, novel solutions to technical problems, and this simple description of a design without explaining how it solved a problem would not be acceptable in a patent today.
The crown and ratchet wheel are not components that normally cause or suffer problems or a wear, and they do not need to be made like this in order for the stopwork to function, so the purpose of making them in two parts is rather a mystery.
IWC patent CH 55213
The number 55231 when seen on IWC movements with the Swiss Federal cross symbol refers to a patent granted to Uhrenfabrik von J Rauschenbach on 16 July 1912 for a "Zifferblattbefestigungsvorrichtung"; a "dial fixture device" or "dial fastener".
The fastening of enamel dials to movements was always a problem. Enamel dials were made by fusing powdered coloured glass to a thin copper plate. The copper plate was covered with powdered glass which was melted and fused into a thin glassy layer by heat at about 800 degrees centigrade. Any slight bending of the dial plate caused the thin enamel coating to crack.
Enamel dials were made with small copper pegs called "dial feet" projecting from the back surface and which were used to hold the dial to the movement. This was usually done with screws. either screwing radially into the plate and into the side of the dial feet, or with partial skirts that grabbed the dial foot as the screw was turned. The problem with both of these methods was that they could bend the dial feet where they attached to the dial plate, causing a crack to appear on the opposite, visible, surface.
The IWC patent was for a method of fastening the dial using spring clips that engaged with waist on the dial feet to hold the dial plate against the movement. The spring clips applied sufficient force to hold the dial in place, but not enough to bend the dial feet and crack the enamel.
The figures from the patent here show how this worked. On the left the dial plate at the top has a dial foot C with waisted part C1. The spring b holds itself in an undercut recess in the dial plate a1. The end of the spring is bent across the hole a that the dial foot enters, and the figure to the right shows how this engages with the waist on the dial foot and holds the dial in place.
IWC was granted on 25 November 1912 Swiss patent CH 62178 for a "Gehäusefeder für Uhren" i.e. "house" or case spring for watches. This was a spring used in savonnette or hunter watch cases to spring open the front lid when a button was pressed. The patent notes that these springs are very subject to breakage, and that the conventional one piece spring is difficult to replace.
The IWC patent is for a spring with a separate holder. The figure here from the patent shows the idea. The holder "a" is fitted to the case with screw "b" in the same way as the shank of a normal one piece case spring, but it does not need to be made of spring steel and can be made of steel, brass or another metal. The reason for making this part the same shape as the shank of a normal spring might have been so that older cases with a one-piece spring could be upgraded to the new design when they came in for a replacement spring. A spring blade "c" is fixed into this holder by a cross pin "d" and opens the case lid as usual. If the spring blade breaks, it is easy to draw out the pin, remove the broken blade, and fit a new one.
Before 1978 IWC bought all the cases used for their watches from outside suppliers, Swiss watch case makers such as Borgel, Eggly & Cie, Jules Blum and Wyss & Cie. In 1978 the Porsche Design watch with titanium case caused a problem because none of IWC's case suppliers could fabricate titanium cases. So IWC went out and bought machinery and set up a case fabrication in Neuhausen. Titanium needs to be machined carefully because in the form of swarf, metal shavings, titanium is a significant fire hazard. In addition to titanium, IWC also produces its own cases in steel, gold and platinum. Thanks to Michael Friedberg for information about the Neuhausen factory, which is described in detail by Michael at The Art And Science Of Casemaking.
Stauffer, Son & Co., London and Chaux-de-Fonds: 1892
Stauffer, Son & Co. began making watches in La Chaux-de-Fonds in 1830, long before IWC existed. Very soon after the founding of the company a London office was set up to import Stauffer watches into Britain. By the 1890s the London branch was selling so many watches that the Chaux-de-Fonds factory couldn't keep up with the demand, so Stauffer & Co. started to buy in watches from other Swiss manufacturers, including IWC, Eterna and Fontainemelon.
Stauffer started to buy watches from IWC in 1894. Tölke and King say that in 1898 Stauffer & Co. were granted a sales monopoly of IWC watches for Great Britain. Because of this connection people sometimes assume, and even state in advertisements, that watches or movements marked "S&Co., or even "SS& Co." are IWC watches, or contain IWC movements. This is often not the case. This might be because the vendor doesn't know any better, or because IWC today is a prestigious and expensive brand and the seller hopes to get a better price by associating the watch with the IWC name.
S & Co. London
The "Son" in the Swiss parent company's name, Jules Stauffer, set up the London company, which was accordingly called Stauffer & Co. The movements of watches supplied to Stauffer London from other Swiss manufacturers were stamped with the trademark of the London firm "S&Co." (note: just one "S"; there was no "son" in the London business) under a crown inside an oval, together with another Stauffer trademark "Peerless".
CN: Charles Nicolet
A director of Stauffer & Co. in London, Charles Nicolet, registered the "CN" sponsor's mark shown here at the London Assay Office in 1877 so that his company could submit items for assay and hallmarking. In the middle 1870s a practice had begun of sending unfinished watch cases from Switzerland to be hallmarked, to be returned to Switzerland for finishing and to made into completed watches. Nicolet's mark was used on watches sent for hallmarking by Stauffer & Co. until 31 December 1887, when the British hallmarking of imported watch cases was effectively stopped by the 1887 Merchandise Marks Act. British hallmarking of imported watches did not recommence until 1907, when all imported gold and silver watch cases were required to be assayed and hallmarked in a British assay office.
However, this was before the arrangement between Stauffer & Co. and IWC began. IWC watches from this period that have British hallmarks do not carry Nicolet's sponsor's mark. IWC watch cases were sometimes sent to agents in Britain who arranged for them to be hallmarked and then returned to IWC to have the movements put in. This is discussed in a later section about early IWC watches with British hallmarks.
From 1 June 1907, all watches with gold or silver cases imported by Stauffer & Co. were stamped with Charles Nicolet's sponsor's mark before being sent to be hallmarked. These included watches manufactured by Stauffer in their own factory in La Chaux-de-Fonds, watches from IWC, and watches from other suppliers such as Eterna and Fontainemelon.
The S & Co. mark under a crown inside an oval cameo was registered by Stauffer Son & Co. in 1880, and Peerless was a trademark registered by Stauffer, Son & Co. in 1896, so IWC didn't have control of these marks and Stauffer could use them any way they chose. Clearly the presence of these marks alone does not prove that a movement was made by IWC. There are plenty of non-IWC movements marked with the "S & Co. under a crown in an oval" mark and/or "Peerless", see the entry about this on my Stauffer page at Stauffer and other watch manufacturers. Another Stauffer trademark was "Peercee", this was never used on IWC movements.
Stauffer also registered in Britain a trademark of the head and torso of a ram. This is sometimes thought to be the "bock" of Schaffhausen used by IWC, but it is also found on movements bought by IWC from Eterna. This is discussed in a later section.
Stauffer & Co. retained its monopoly over the import of IWC watches to the UK until the mid-1930s. Thereafter IWC watches were sold under the IWC name, as they had been before Stauffer took the agency. In June 1936 the firm of Edwin Harrop of 99-119 Rosebery Ave, London became concessionaires for the British Empire for IWC watches. At the same time, Stauffer, Son & Co. were advertising Peerless and Peertone watches.
So how can you tell if a watch movement stamped with Stauffer marks was made by IWC?
SS&Co under three triangles. Definitely not an IWC movement.
If the mark is S&Co. (note the single "S") under a crown in an oval, and the movement is also marked Peerless, then it could be an IWC, but this is not guaranteed. To be sure of the identification, the movement calibre should be checked by comparison with known IWC calibres. You can of course check whether it is an IWC calibre 63 or 64, or even a calibre 75 or 76, using the information and pictures at First wristwatch calibres: 64 and 63. Otherwise you can check the vintage IWC catalogues on Michael Friedberg's IWC web site, or by asking a question in the vintage watches forum in the forum on the IWC web site. The images here of the S& Co. marks are taken from a Stauffer wristwatch with an IWC calibre 64 movement in a silver Borgel case, an heirloom belonging to Russell Bull.
However, if it is a wristwatch and was made before 1915 then identification is considerably easier than this. Until 1915 all IWC wristwatches, including all Stauffer & Co. wristwatches with IWC movements, used the IWC calibre 63 or calibre 64 movement, because these were the only two movements that IWC made in wristwatch sizes. All other IWC movements until 1915 were larger sizes, 17 to 19 lignes (38.5mm to 43mm diameter) for men's pocket watches. In 1915 IWC introduced their first movement designed specifically for wristwatches, the calibre 75/76, 75 being the Lépine movement, 76 the savonnette. This was a smaller movement than the calibre 63/64, being a 10 ligne size, 23.5mm diameter and 3.5mm high, and was used in ladies' watches and small wristwatches less than 30mm in diameter.
If the mark is "SS&Co." (note the double S in "SS") and accompanied by three little triangular marks, themselves in a triangular formation, like the one shown here, this is a mark registered by Stauffer Son and Co. in 1886, and has nothing to do with IWC.
So the general rules are:
SS & Co. (double "S") with three small triangles, or any other Stauffer, Son & Co. trademarks, i.e. a Stauffer trademark with double "S". Definitely not IWC.
S & Co under a crown within an oval = Stauffer & Co. *Possibly* IWC, but could also be an Eterna, Fontainemelon, etc.
If it is a wristwatch made before 1915 then the only possible IWC movements are calibre 63 or 64, see IWC Calibre 63 and 64.
The Stauffer trademark "Peerless" does not guarantee that the movement is an IWC. See Stauffer and other watch manufacturers.
The Stauffer trademark of a ram under the balance cock or barrel bridge does not guarantee that the movement is an IWC, see for example Stauffer and Eterna.
The Stauffer trademark "Peercee" was never used on IWC movements.
Schaffhausen Bock
According to "COLLECTING IWC WATCHES How to Recognize Vintage from Fakes" by Adrian van der Meijden and Hans Goerter, IWC watches supplied to Stauffer, Son & Co. [sic] should be marked under the dial or the balance cock with the IWC trademark of the Schaffhausen "bock" or ram, and the same thing is said in the books by Meis, and Tölke and King.
1890: IWC trademark
Each canton of Switzerland has an official flag and a coat of arms. The Canton of Schaffhausen uses the heraldic design of a rearing ram or "bock" that is documented as far back as 1218. The bock was originally rampant with only the rear left hoof on the ground, but this was later changed to the salient position with both rear hooves on the ground, and gained a crown in 1512 as shown in the picture here.
Karl Kochmann's "Clock and Watch Trademark of European Origin" shows that IWC registered a trademark incorporating a ram that is clearly based on the Schaffhausen bock, giving the registration date as 11.11.1890. The ram in the IWC trademark is a rather less fierce creature than the Schaffhausen bock, with no crown and a less aggressive attitude, and holding a quill pen. Nevertheless the similarities are apparent and together with the coincidence of the location of IWC in Schaffhausen it must be assumed that the IWC trademark was based on the Schaffhausen bock.
It is known that IWC started to supply watches to Stauffer in London in 1894. Tölke and King (pp44/45) say that Stauffer Son & Co. of London were granted in 1898 a sales monopoly of IWC watches, presumably for the whole British Empire. Movements supplied by IWC to Stauffer & Co. in London often (always?) carry a mark of a ram under the balance cock. So it would seem to be be reasonable to assume that the ram mark seen on IWC movements imported by Stauffer & Co. was the IWC trademark based on the Schaffhausen bock.
However, the ram mark stamped onto movements supplied by IWC to Stauffer & Co. is not the same as the IWC trademark.
Stauffer registered ram mark 27 February 1896
Ram mark on IWC calibre 64
Pictured here is part of a plate from an S&Co. movement that has been positively identified as an IWC calibre 64 from circa 1908. The ram stamp that can be seen in the photograph is normally underneath the foot of the balance cock and is not visible without partially dismantling the movement. There is no question that this is an IWC manufactured calibre 64 movement, but the ram mark on the plate is quite different from the IWC registered trademark.
The calibre 64 plate also has a reference to Swiss patent number CH 31457 for a barrel-bridge winding wheel construction which was granted to Rauschenbach / IWC in 1904. When the movement is assembled the patent number is almost completely obscured by the balance cock.
The ram mark stamped on the IWC movement, together with the word Peerless, was registered in the UK by Stauffer Son & Co. An entry in the 1896 UK Trade Marks Journal shows that it was registered on 27 February 1896.
The pose of the Stauffer ram is similar to that of the IWC ram, but the Stauffer ram has an impressive set of curly horns and a ram's beard that the IWC ram lacks. The Stauffer ram is also only a torso, cut off before the back legs by a twisted band design that is clearly visible on the movement plate and in the picture in the registration document. It is clear that these are two different marks, and that the one on the IWC plate is the mark registered by Stauffer & Co., not the IWC trademark.
Eterna cal. 520 with Stauffer ram. Thanks to Ventura Mijares for the picture.
This gives rise to the obvious question of why would Stauffer register this trademark ram when a very similar mark had already been registered by IWC? And why would they have it stamped underneath the balance cock where it could not be seen?
There is a further twist to this ram's tale. Stauffer & Co. in London also obtained movements or watches from the Swiss company Eterna. The movements of these watches carry the Stauffer trademark on the barrel bridge of the initials S & Co. under a crown inside an oval shield, and the Stauffer trademark name "Peerless", just like the IWC movement supplied to Stauffer & Co.
Stauffer ram on Eterna pocket watch movement
The movements supplied to Stauffer & Co. by Eterna also have the mark of the Stauffer ram underneath their barrel bridge. Again, like on the IWC movement, this would not normally be visible and the watch has to be partially dismantled in order to see it as shown in the photograph here of an Eterna cal. 520. It is clear from the photograph that this is the Stauffer ram with curly horns and a ram's beard, cut off before the back legs by a twisted rope design.
The second image of a ram shown here is from an Eterna pocket watch movement. Again, this was found under the barrel bridge when the movement was dismantled. The top plate carries the Stauffer trademark of S&Co. under a crown within an oval shield and the word Peerless.
For further details of the Eterna movements supplied to Stauffer & Co. see Stauffer and Eterna.
It must be concluded that Stauffer & Co. required some or all of their Swiss suppliers, IWC, Eterna, and possibly others, to stamp their (S&Co.'s) trademarks, including the ram mark, onto movements supplied to them, in the same way that they required their trademarks S&Co. under a crown in an oval shield and Peerless to be stamped in visible places onto movements supplied to them.
The one thing that I really don't have a clue about is why the ram marks were stamped on the plates in a position where they would normally be underneath the balance cock or barrel bridge where they would normally be invisible. If you have any ideas about this, do let me know.
Some of the watches supplied by IWC to Stauffer & Co. in London were supplied in Borgel cases. The cases were clearly made in Switzerland by the Borgel company in Geneva and imported to the UK, as evidenced by the UK Assay Office import hallmarks, but the hallmarks do not show where the movement was put into the case. However, it seems most likely that this was done in Switzerland before export to the UK.
The Earliest IWC Wristwatch?
1906 IWC Wristwatch: Click to enlarge
The earliest Borgel wristwatch, and the earliest IWC wristwatch, known to me is the one shown in the photograph here. It was made by IWC in 1906. It has an IWC calibre 64 manually wound savonnette movement, stem wound and pin-set. It was supplied in January 1907 by IWC to Stauffer & Co. in London.
IWC records show that their order to Borgel in Geneva for the case was made on September 15, 1906. IWC have provided me with an official ‘extract from the archives’ for this wristwatch showing that the finished watch was supplied to Stauffer & Co. on 9 January 1907. The IWC sales ledger shows that the Borgel case was in polished silver ‘avec anses’, that is ‘with handles’, the term used at the time for the wire loop lugs of a wristwatch.
The markings inside the case back are unusual. There is the FB-key trademark and ‘BREVETE + CH 4001’, a reference to the patent which doesn't appear in later cases. It has Swiss hallmarks for what the Swiss authorities thought at the time was sterling silver, a 0.935 fineness mark and three bears. However, because it was imported before the British Act of 1907 which required all imported gold and silver watches to be hallmarked in a UK assay office, there are no UK hallmarks.
IWC records show that this watch was supplied as a single piece, not as one of a batch of 12 watches, which was how watches were normally sent to Stauffer & Co. in London.
The fact that it was sent out from IWC as a single piece make me think that it might have been ordered as a prototype by Stauffer to evaluate the wristwatch concept and design. This is most likely the first IWC wristwatch with a Borgel case, and it could very well be the first ever IWC wristwatch.
Images by kind permission of and © OldeTimers.com
The watch pictured here is an IWC hermetic wristwatch. It has an IWC calibre 76 movement in a 9 carat gold hermetic case manufactured by the Borgel company of Geneva.
Jean Finger Patent CH 89276
The watch case is a hermetic or double case. This was invented by Jean Finger, a watch case maker of Longeau, Berne, Switzerland, who was granted Swiss patent number CH 89276 in January 1921 for a " Montre à remontoire avec boitier protecteur" literally "a watch with a protective box".
The purpose of the design was to overcome the problem of sealing the case where the stem enters. Cases with screw backs and screw bezels that sealed the case joints against water had existed for a long time, but there was no fully satisfactory way of sealing the hole where the stem, which allowed the watch to be wound and set by the crown, entered the case. Jean Finger overcame this problem with a brutally simple solution. The fully cased watch, including its crown, was placed inside a second larger outer case which had no crown, and therefore no hole for the stem. The outer case had a screw on bezel that formed an hermetic seal, totally protecting the watch within.
Although this case achieved the desired waterproof effect, it had the major drawback that the bezel of the outer case had to be unscrewed every day so that the watch could be wound. Once the bezel was unscrewed, the movement flipped out on a hinge to allow the watch mainspring to be wound, and the hands to be set if necessary. Apart from being a nuisance to the owner, the case threads and the milling on the bezel wore quite quickly from this continuous use, so this was a far from ideal solution. However, despite the drawbacks a number of manufacturers including Zenith and Eberhard, as well as IWC, produced watches using this case design. Hans Wilsdorf of Rolex patented exactly the same case design in Britain in 1922, and the Rolex Hermetic was another watch made with this design of case. Wilsdorf doesn't mention Jean Finger in his application, so the exact ownership of the patent is something of a mystery. An identical design had also patented by Frederic Gruen in the USA in 1918, see Double Case "Hermetic" Watches.
The 10 ligne IWC calibre 75 and 76 movements were introduced in 1915. After the calibre 63 and 64 these were the second movements that IWC used for wristwatches. A 10 ligne movement is about 22.5mm diameter so from 1915 these would have been used in ladies wristwatches, until the fashion for smaller men's wristwatches of around 30mm diameter arose in the late 1920s and through the 1930s. The calibre 76 savonnette movement used in this watch is the perfect size for a watch with a hermetic case, because the movement and inner case have to fit within the outer case.
The trademark inside the case of the initials FB over a key of Geneva inside a rectangle is the mark of François Borgel of Geneva. In 1891 Borgel invented a damp and dust proof screw case by which he and the Borgel company are best known. François Borgel died in 1912 and the Borgel company was run by his daughter Louisa until 1924 when she sold it to the Taubert family of Le Locle, who continued the business in Geneva. By 1924 the original screw case designed by François Borgel needed updating and the Tauberts experimented with several existing water resistant designs such as the hermetic before producing their own phenomenally successful waterproof Decagonal screw case and a remarkably effective cork seal for the stem.
GN: George Alfred Nicolet
Image by kind permission of and © OldeTimers.com
The hallmarks are Glasgow import marks for 9 carat gold. The first mark is the 9/⋅375 standard mark for 9 carat gold ( 9 / 24 = 0.375 or 37.5% gold), the next is the prone opposed capital letters F that the Glasgow Assay Office used on imported items, and the date letter "g" shows that this watch was assayed and hallmarked at Glasgow in 1929 or 1930 - the Glasgow hallmarking year ran from 1 July to 30 June the next year.
The GN sponsor's mark was registered by George Alfred Nicolet of Stauffer, Son & Co. after the retirement of his father Charles Nicolet. This shows that the watch was imported by Stauffer & Co. in London, who had the sole British agency for IWC watches at the time. There is more about George Nicolet's mark on my page about sponsor's marks.
The IWC calibre 76 movement does not carry the usual mark of a "S & Co."under a crown inside an oval that most watches imported by Stauffer, whether from IWC or others, have; perhaps this was a sign of Stauffer's waning influence. By the mid 1930s another company was handling IWC imports to Britain.
The watch strap buckle is quite interesting. It is marked with Glasgow hallmarks for a British made item, not imported. The standard or fineness mark is ".625" for 15 carat gold, the town mark is the tree with a bird, a bell and a fish with a ring in its mouth, used by the Glasgow Assay Office on native British made items, and the date letter is "e" for 1927 to 1928. The sponsor's mark is the CN of Charles Nicolet, Alfred Nicolet's father.
Thanks to Crispin at OldeTimers.com for permission to use his pictures. If you are looking for a classic watch like this one, now you know where to head for.
IWC Chronographs?
Sometimes one sees early stop watches and chronographs incorrectly attributed to IWC due to the Stauffer connection.
Early stop watches and chronographs with Stauffer branding were actually made by Stauffer's own factory - if you read my page about Stauffer you will see that in the late nineteenth and early twentieth century Stauffer specialised in quality chronograph watches and split seconds chronographs.
Historically, IWC produced "time only" watches without complications, and did not make chronograph watches at all until the 1980s, then using Valijoux chronograph base movements. The first chronograph movement made in-house by IWC was the calibre 89360 which was launched in 2007.
Watches made by IWC during the period from October 1876 to 1879 when the factory was under the control of of Frederic Frank (or Francis) Seeland are referred to by collectors as "Seeland watches", although the name Seeland does not appear on any of them.
Seeland was appointed to manage the IWC factory in October 1876, after the first company founded by F.A. Jones had gone bankrupt. Dr. R. Grieshaber was president, and Johann Rauschenbach was managing director.
Seeland introduced new calibres that were intended to appeal to English buyers in addition to the American market that Jones had intended to supply. Under Jones sales were effected entirely in North America. Seeland thought that this was expensive and might be OK when times were good but, in times of economic hardship, targeting markets closer to the factory might be better. In America the great railroad boom that followed the end of the civil war had ended in an economic crash in 1873, which is one reason that the business under Jones failed. The "Panic of 1873" triggered an economic depression in North America and Europe that lasted from 1873 until 1877, and even longer in France and Britain.
Initially all seemed to go well under Seeland's management and he was left alone to run the business. Seeland's calibres were cheaper to make than the Jones calibres and sales of watches to England took off. Profits apparently soared, and the workforce increased.
But it seems that Seeland was faking the profits by overstating the value of stock on hand. This came to light during the summer of 1879. A stock take was due and seems to have been started when, at the beginning of August, Seeland with his family suddenly and secretly left Schaffenhausen for America. Rauschenbach and the factory foreman completed the stock take which revealed that the stock on hand was worth a lot less than was stated on the balance sheet. The company had actually been losing money and was faced with a substantial debt, which had been concealed by the inflated valuation placed on the unsold stock. The IWC company went into bankruptcy for a second time, and Seeland was sentenced in his absence to three weeks in prison.
I had an interesting discussion with Adrian van der Meijden, a well known IWC collector and expert, concerning a number of early IWC watches. During the Seeland period(1876 - 1879) many watches made by IWC were sold in the UK, and their cases have UK hallmarks. This has lead to speculation that UK made cases were sent to Switzerland to be used in these watches. But this would not have made financial sense; UK wages were higher than Swiss wages at the time, and UK made cases would have been more expensive than Swiss made cases. As I noted above, Seeland was trying to cut costs and produce watches that were cheaper to make than those of F.A. Jones; it would increased cots to import expensive UK made cases. So how did the Seeland watches get British hallmarks?
From the year 1300 in the reign of King Edward, all gold and silver items made in England have been required to meet legally defined standards of purity, i.e. minimum gold and silver content. Items were tested (assayed) to prove that the purity of the gold or silver met required standards and items, at first only silver but later gold as well, were marked to show that they had passed the test. From the middle of the sixteenth century this was done at the hall of the Goldsmiths Guild in London, hence the term "hallmarked".
At first the law applied only to items made in by members of goldsmiths guilds. There were no requirements for assaying and testing foreign made items, and it was difficult for someone who was not a guild member to get an item hallmarked. The right to the "assay and touch", as it was called, was restricted by the guilds as a privilege only available to their members.
An Act of 1738 extended the law of hallmarking to all gold and silver items that were "exposed to sale", which by implication would include foreign items, but this implied requirement was not enforced, probably because of the small volume of such trade. However, in 1842 a proposal to reduce the duty on imported items lead to protests that cheaper foreign items of lower purity would undermine UK trade, so a statute was passed requiring that imported items be assayed and marked in the same was as UK made items. This made the law explicit that foreign items must have hallmarks that were indistinguishable from those of UK made items! A consequence of this was that dealers, not just makers, were for the first time allowed by law to register with the assay offices to send items for hallmarking.
Swiss watch makers were not slow to see the opportunities that this presented and sent unfinished watch cases to the UK to be hallmarked, then returned to Switzerland to be finished and made into complete watches. These watches were then often sold as English made watches, because at the time English watches were very well regarded and commanded high prices. Naturally the English watchmakers objected to this and so a law was passed in 1867 that all foreign made gold and silver items should be marked with an "F" in addition to the normal UK hallmarks.
The early IWC watches in Adrian's collection, such as the one pictured here, have full British hallmarks for sterling silver, but do not have the "F" mark even though were hallmarked after 1867. IWC factory records for these watches contain both the watch movement serial number and the watch case serial number, showing that the movements were definitely put into the watch cases at the IWC factory in Schaffenhausen.
IWC watch with the sponsor's mark of Antoine Castelberg. Image © Adrian van der Meijden
When I examined the hallmarks in the cases of five of Adrian's IWC watches, this is what I found:
Two of the cases have Chester Assay Office hallmarks with date letter "o" for the hallmarking year 1877/1878 and "r" for the hallmarking year 1880-1881 (hallmarking years do not correspond to calendar years but start when a new Warden of the assay office was elected). The sponsor's mark is "AC" incised within an oval. This mark was registered at the Chester Assay Office on 17 October 1877 and was the mark of Antoine Castelberg of 58 Holborn Viaduct, London, a watch dealer and importer from La Chaux-de-Fonds. Castelberg had several London addresses, his sponsor's mark was first registered with the London Assay Office on 25 August 1875 with the address 90 Newgate Street London. On 2 August 1876 he moved to 58 Holborn Viaduct. You can see the case back of one of these watches in the picture. The incised mark registered to Castelberg is unusual because UK makers usually used cameo (relief) marks like the other assay office marks.
Two of the cases have Chester Assay Office hallmarks, both with the date letter "p" for the hallmarking year 1878/1879. The sponsor's mark is "FP" incised within an oval shield very similar to Antoine Castelberg's mark. This was the mark of Fritz Petitpierre, 58 Holborn Viaduct, London. This mark was registered at the Chester Assay Office on 18 June 1878. Petitpierre was also a watch dealer and importer from Chaux-de-Fonds, and a business partner of Castelberg's, sharing the same London address.
One case has Birmingham Assay Office hallmarks with the date letter "i" for the hallmarking year 1883/1884. The sponsor's mark is FM in a rectangular shield. This is probably the mark of Frank Moss, 48 Frederick Street, Birmingham. Frank Moss was a partner in the firm of J. Blanckensee & Co., watch manufacturers and importers. In 1876 Joel Blanckensee & Co. registered a trademark of a bee and were listed as chronometer and watch manufacturers, importers of Swiss (Geneva) watches ; Regent Street, Birmingham, England. The bee trademark is seen on watches produced by IWC during the period that Louis Tschopp was Technical Director.
So four of the five watches had the sponsor's marks of the watch dealers and importers Castelberg and Petitpierre. These gentlemen were not watchmakers or watch case makers and had no factory, so these cases were not made by them. If the cases had been made by an English watch case maker they would carry his sponsor's mark. Castelberg and Petitpierre would not have arranged for English made cases to be hallmarked because there was no need to, the case maker could do that, and there was always a risk that an item might fail the assay and be broken. The Castelberg and Petitpierre sponsor's marks show that these cases were not made in the UK, and it seems most likely that they were imported from Switzerland and hallmarked before being returned to Switzerland to be assembled into watches in the IWC factory.
The fifth case has the sponsor's mark of Frank Moss, a watch importer. It is known that in the period after the second collapse and the departure of Seeland that there was a considerable stock on hand at the factory of cased and uncased movements and that Rauschenbach sold these off cheaply to bring in much needed cash. The fifth watch appears to be one that was sold uncased and was put into an English made case in Birmingham by Moss.
The question remains as to why the four Swiss cases did not carry the "F" for "Foreign" as required by the 1867 British Act of Parliament. I asked The Goldsmiths' Company about this, and I learned that there was considerable difficulty in enforcing the 1867 act, to the extent that hardly any items of silver are known to bear the "F" mark until the early 1880s. The reason for this is that there was no provision made to ensure that the law was complied with, and UK agents of Swiss manufacturers continued submitting Swiss made cases for assay without declaring that they were made abroad. The assay offices were not able to check this and so the cases were hallmarked as if they were British made, without the foreign "F" mark. This situation continued until 1888 when a new Act required a statutory declaration of the country of origin for all watch cases submitted for assay and that that imported watch cases be marked with new "Foreign" hallmarks.
Funnily enough, these Swiss watch cases are actually unusual in having UK hallmarks at all, even though UK law required that imported gold and silver watch cases should be hallmarked. The Goldsmiths' Company were reluctant to mark cases that were not made by their guild members, and the UK Customs officials misinterpreted the law and thought that watches that were imported complete, that is rather than an empty case, were exempt from hallmarking. This wasn't discovered until 1905, and the law wasn't changed until 1907, so the vast majority of Swiss watches imported into the UK before July 1907 don't have UK hallmarks. You can read more about this on my "Assay and Hallmarking" page.
I understand from Adrian that Seeland designed his new cheaper calibres to look like existing British and American models. It was possible that these English looking watches, in cases carrying British hallmarks, could then be passed off as being British made and thereby command a higher price. At the time, British made watches were regarded as the best available. This was certainly the sort of thing that Seeland would have been capable of doing - perhaps this was why he valued his IWC stock above its market value, he thought the watches could be sold as British made and thereby command a higher price?
Alan Myers told me that between 1876 and 1878/9 Seeland sent full plate Boston cases to Antoine Castelberg for British hallmarking. The cases were then returned to Schaffhausen for fitting the movements. Between around 1882 and 1884, Louis Tschopp sold full plate Boston movements to British importers who cased the movements in various British cases. These include FM (Frank Moss of Birmingham) and CW (probably Charles Wootton of London).
If you have any questions or comments, please don't hesitate to contact me via my Contact Me page. Back to the top of the page.
Copyright © David Boettcher 2006 - 2020 all rights reserved. This page updated January 2020. W3CMVS.
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Oculus Touch Controllers: Arm yourself with the award-winning Oculus Touch controllers. Your slashes, throws and grabs appear in VR with intuitive, realistic precision, transporting your hands and gestures right into the game
Easy set up: The world is your arcade. Set up is easy whether you’re at home or someplace new. Oculus Quest works with your environment, so you can play standing or sitting in spaces big or small.
Incredible VR Games: Stop watching games and step into them. Whether you’re dodging spells or slashing through enemy hordes, you’ve never been this close to the action.
Guardian Helps Keep You Safe: Explore the universe without tripping over the coffee table. The Oculus Guardian system is designed to help you avoid nearby objects while you’re in-game.
And if you purchase an Oculus Quest headset between 11/21/2019 and 01/31/2020 (limited time only), you receive all 3 Episodes of Vader Immortal: A Star Wars VR Series and Lightsaber Dojos. Oculus Quest must be activated within 30 days of purchase to redeem offer.
Withings Move
Integrated GPS, sleep tracking and physical activity control, altimeter, water resistant to 50 meters. In short, yet another smartwatch. This however has a record battery that lasts 18 months. It is the work of a Parisian startup, despite the Anglo-Saxon name.
It offers:
Automatic Synchronisation – Visualize trends and data on your smartphone with the free Health Mate app (iOS and Android).
24/7 Seamless Tracking – Automatic walk, run, swim, bike and 10+ activities recognized. Plus calories burned and distance.
Sleep Tracking – Wake to a Sleep Score based on light and deep sleep cycles, interruptions, depth and regularity. Smart Wake-Up with a silent alarm.
Connected GPS – Launch a workout via the side button and after your session gets a route map in Health Mate app with distance, elevation and pace.
It was the first phone compatible with fifth generation networks (5G). Networks that, in practice, for now offer significantly better performance than 4G, but are certainly not revolutionary as promised. But in the future things should change, as 5G rolls out more fully in the coming years, driving development of complex apps to solve problems and increase growth across various industries.
It comes with a metal frame and glass backing, and a patterned “Hyper Optical” finish with various color options, designed to improve grip and reduce susceptibility to fingerprint smudging. 7.2 inches, OLED , FHD+ 1080 x 2244 pixels, 16.7 million colours. Triple Leica Primary Cameras: 40 MP (Wide Angle Lens, f/1.8 aperture) + 20 MP (Ultra Wide Angle Lens, f/2.2 aperture) + 8 MP (Telephoto, f/2.4 aperture), supports AIS (Huawei AI Image Stabilization) | Front Camera : 24 MP, f/2.0 aperture, supports fixed focal length.
A joypad and a smartphone screen, PC or smart TV, that’s all you need to access the Google virtual console and the cloud gaming service operated by Google. It is not the only streaming service dedicated to video games, but it is the most important attempt of this kind made to date with up to 4K resolution at 60 frames per second with support for high-dynamic-range. The service is integrated with YouTube.
Many the promises made at the presentation, as well as the limits to the proof of facts. Stadia was publicly released on November 19, 2019 in selected countries and received a mixed reception from reviewers. The service competes with Sony’s PlayStation Now service, Nvidia’s GeForce Now, and Microsoft’s Project xCloud. For now it can be purchased only in the Stadia Premiere Edition formula, with joypad, Chromcast Ultra and a three-month subscription.
Facebook Portal +
https://www.virtualgrub.com/wp-content/uploads/2019/12/facebook-portal-plus.mp4
The first 15-inch smart screen equipped with Amazon’s virtual assistant, Alexa, and with a camera that automatically follows the interlocutor. Designed for video calls through WhatsApp and Messenger, it is Facebook’s attempt to enter the world of hardware and the field of smart homes. The attempt is good, but privacy concerns and increasingly alarming issues affecting Facebook may undermine its success.
Tags: AlexaAmazonFacebookGoogleHuaweiLGOculus QuestSamsungStadiaWithingsWyzeXiaomi
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Democratic Party Presidential Candidates for 2020
Thread starter Cristalle
First Prev 49 of 158
Dakota Tebaldi
Gulf Coast, USA
Reactions: Cristalle, Han Held, Aribeth Zelin and 3 others
Reactions: RodeejahUrquan, Brenda Archer, Katheryne Helendale and 6 others
#babyyoda2020
Reactions: Cristalle, Brenda Archer, Katheryne Helendale and 1 other person
Not my country, I know, and I'm also acutely aware as I write this that I'm a Labour Party member who can sometimes be rather impatient with people who refuse to vote for the lesser of the two evils rather than for the minor party that most accurately reflects their views, even though I frequently share their misgivings about my party's policies to which they object, but I think this would be a deal-breaker for me if I were a US citizen:
Reproductive rights groups have criticized the US Democratic presidential candidate Joe Biden for supporting an abortion restriction called the Hydeamendment.
The 40-year-old law bars the US government from paying for abortion services, even when recommended by doctors. The measure has the practical effect of excluding abortion services from Medicaid, a public health insurance program for the poor and disabled, which nearly 17 million women of reproductive age rely on.
“To support the Hyde amendment is to block people – particularly women of color and women with low incomes – from accessing safe, legal abortion,” said Kelley Robinson, executive director of the Planned Parenthood Action Fund, the reproductive health services group’s lobbying arm.
Joe Biden stirs anger by backing 40-year-old 'discriminatory' abortion law
Campaign confirms Biden still supports the Hyde amendment, a law that bars the government from paying for abortion services
Reactions: Brenda Archer, Porsupah Ree, Aribeth Zelin and 1 other person
We have over a year to go before the 2020 elections. Biden is the frontrunner now in 2019, but it's not a given that he will be the front runner in June 2020. Meanwhile, Warren and others are getting out there and building support. We have not need to choose the lesser of two evils to beat Donald Trump.
Reactions: Soen Eber, Cristalle, Brenda Archer and 7 others
I love this. We have over a year to go and more than one Democratic candidate may end up in a stronger position than Trump. If Warren keeps on with her Town Halls, she's going to build a solid base of supporters who are deeply invested in her campaign. She knows how to make it close and personal.
Warren is a fighter, that is for sure. I loved how the Rs thought they got rid of her when she was running the consumer protection thing .... then she came back to beat one of them for a senate seat.
My ideal ticket would be her and Bernie in either order. Then Pete storming in in a couple of cycles as by then people's first reaction to him will not be 'who?'.
Innula Zenovka said:
People like Joe because he has the air of Obama around him, as he has mostly been in hiding. If he was just another senator running right now no way would his numbers be so high. Once he actually has to debate the rest of the pack the polls will have him going down fast. Joe might be likable as politicos go but I would not want him given the other candidates out there.
Reactions: RodeejahUrquan, Cristalle, Brenda Archer and 2 others
Thanks, Beebo. I wasn't suggesting that you would need to hold your nose and vote for him -- I just don't know enough about the electoral politics to comment.
Rather, I noticed the article and thought, "wow.. that really would make it very difficult to vote for him in the primaries, no matter what people say (rightly or not) about his being well-placed to beat Trump". I was going to post just that, and then I thought about something I'd written earlier about Brexit (and expect to be writing again quite soon, depending on how things turn out in the UK in the next few days and weeks) and thought I'd add that.
I think my general point is that while I appreciate the importance of electoral mathematics as well as anyone, mainstream political parties on the left need to beware of courting the other side's voters to the extent that their own loyalists get pushed too far.
I notice that Joe Biden is a Catholic. Nothing wrong with that -- so was I, once -- but I have to contrast his attitude with that of another Catholic, the UK's Ann Widdecombe, who used to be a loony right-wing front-bench Conservative and sometimes junior minister and has now come out of retirement, God help us, to become a MEP for Farage's Brexit Party.
She once said, which I thought was perfectly reasonable and proper, that her religious convictions would prevent her taking almost any ministerial position in our Department of Health because they would conflict with her party's bipartisan position that whether or not to have an abortion is a matter for the woman to decide, not legislators.
That is, her opposition to abortion would prevent her taking particular jobs, not that her party should change its policies to accommodate her religious views. That, to my mind, is how it should be.
So I wouldn't accept his religious views as an excuse for his position -- if his personal views on abortion are incompatible with those of his party, then if he's a man of any principle he would accept that this disqualifies him from seeking any high office that might force him to compromise them to what he considers an unacceptable extent. It shouldn't mean his party have to compromise their views to accommodate him.
Reactions: Brenda Archer, Katheryne Helendale, Porsupah Ree and 1 other person
Over and over again, Biden says things that are perfectly reasonable... if they were uttered 15-20 years ago. He's old in a way that Warren is not, that has more to do with mindset and attitude rather than physical age. Warren is consistent with her values but moving ahead with the times. She recognizes the problems we face and knows they are getting worse year by year. Meanwhile, Old Joe is just strolling along, complacent in his views, views that aren't outrageously awful, just slightly off-kilter for someone who is running for president.
Reactions: Brenda Archer, Katheryne Helendale, Grandma Bates and 3 others
As a person, I adore Biden. His bromance with Obama was legendary and incredibly sweet. However, as a politician, I'm not a huge fan. There are a lot better options that do not have some of the baggage he does, and who have fresh ideas and perspectives that I think are important. We have the luxury of multiple fantastic candidates this time around. Biden is getting the most attention, but I hope that by the time the primaries come around the landscape looks very different.
Reactions: RodeejahUrquan, Brenda Archer, Ryanna Enfield and 4 others
I disagreed with his stance previously; but the fact that he has reversed himself after seeing his rivals get mileage out of criticizing his position is not a good look to me. How can I trust now that any position he takes is because he actually believes in it, as opposed to simply finding it the most politically convenient?
Reactions: Aribeth Zelin, Brenda Archer, Katheryne Helendale and 2 others
Dakota Tebaldi said:
Aaaannnnd this is exactly the kind of blunders I expected from Biden. I think 8 years as Obama's VP -- a position that kept him in the limelight but without an undue risk of self-immolation -- has dimmed people's memories of just how gaffe-prone he has ALWAYS been. So yes, he had an unpopular position within the Democratic Party, but a complete 180 degrees after criticism makes him look weak or self-serving. To be fair, it was a lose-lose position from the start, so god only knows how you get out of that kind of fix without some damage to "your brand."
Lianne Marten
Cheese Baron
Joe Biden needs to go away.
Or alternatively,
Reactions: Aeon Jiminy, Cristalle, danielravennest and 5 others
Lianne Marten said:
Biden is screwing up so badly, any minute now I expect Warren to announce a plan to fix him.
Reactions: Cristalle, Brenda Archer, Porsupah Ree and 1 other person
Still, people evolve. Obama, who I consider close to a saint, didn’t support gay marriage at one time.
It's all about timing. Obama came across as evolving. Biden came across as caving.
His new position falls more in line with my political leanings, but do I trust him? Hell, no. It feels like a shift of political convenience, which means he can cave the other way, too, if the pressure is strong enough.
Reactions: Aeon Jiminy, Cristalle, Ryanna Enfield and 6 others
No good idea is a new idea.
It's all about timing. Obama came across as evolving. Biden came across as caving
Biden is no Obama, but no one is. Obama was up there with Lincoln. But I think Biden is an authentically good, if flawed, man. As an Anyone But Trump voter, I would be overjoyed to have any of the candidates rather than the World’s Leading Asshole.
Reactions: Romana and Brenda Archer
Oh don't worry about that; if Biden ends up being the nominee I will vote for him. It's not even a question.
He's losing me for the primary though so far; but there's a long way to go yet.
Reactions: Cristiano, Brenda Archer, Beebo Brink and 1 other person
Exactly, when people focus on how old a candidate is it misses the point. It is relevant up to a point, at a certain age a second term becomes a real factor. Just look at Bernie though, he is more popular to millennials than younger candidates and seems like his being in the same generation as his peers is just a technicality.
Reactions: Aribeth Zelin, Porsupah Ree, Cristalle and 1 other person
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Events at Visiting Angels Richmond
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Visiting Angels Richmond, VA Blog
This Privacy Policy applies to information collected online from users of this website (“Site”). In this policy, you can learn what kind of information we collect, when and how we might use that information, how we protect the information, and choices you have with respect to your personal information. By using or accessing the Site, you agree to the terms and conditions of use, including without limitation the terms of this Privacy Policy. If you do not agree to the collection, or use and disclosure of your information or personal information as set forth herein, you may not use this Site.
This Privacy Policy IS NOT the same as a Notice of HIPAA Privacy Practices, which discusses how Visiting Angels uses and shares clients’ individually identifiable health information, among other things. Your Visiting Angels’ Notice of HIPAA Privacy Practices is available through another link called “HIPAA Privacy Practices,” which is located on the homepage of your Visiting Angels’ Site. You may also call your Visiting Angels’ offices at the phone number on the Site’s homepage and ask for a copy of the Notice of HIPAA Privacy Practices at any time.
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Technologies such as cookies, beacons, tags and scripts are used by Visiting Angels and our affiliates, our marketing, testing and quality assurance partners, or our analytics, information technology and web monitoring service providers. These technologies are used in analyzing trends, administering the site, tracking users’ movements around the site and to gather demographic information about our user base as a whole. We may receive reports based on the use of these technologies by these companies on an individual as well as aggregated basis.
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We reserve the right to change or revise this Privacy Policy at any time without prior notice. The changes will be effective as of the revised date posted at the top of this policy. The changes we make will apply only to the personal information we collect after we have posted the revised version. Your use of this web site following any such change constitutes your consent to the terms of the revised Privacy Policy. For this reason, it is important to review this Privacy Policy regularly.
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Visiting Angels in Richmond, Virginia
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About Sherwood Forest
About Robin Hood
Seach our site
Nature at Sherwood
Become a Guardian of Sherwood
RSPB and Partners
At the Visitor Centre
RSPB Membership
Walking & Trails
Robin Hood Festival
Beginners Bird Walk
Join us on our free Beginners Bird Walk and learn how to use binoculars!
Since 1889, the RSPB has been growing into the country’s largest nature conservation charity, managing thousands of hectares of woodland and more than 200 reserves.
Sherwood is the perfect setting for the RSPB to continue its work to connect people to nature, while protecting this magical site for many more generations to enjoy. While the RSPB leads as the guardian of Sherwood Forest, it is not working alone, but in partnership and association with other bodies – national and local – who will all be part of Sherwood’s evolving story.
NCC managed Sherwood Forest Country Park since its inception in 1969, achieving so much in that time – securing a Grade I listing for the ancient woodland and heathland as well as seeing it become a Site of Special Scientific Interest, a National Nature Reserve, and a Special Area of Conservation.
www.nottinghamshire.gov.uk
The Sherwood Forest Trust
local charity on a mission to restore, conserve and seek opportunities to create new areas of woodland, heathland and other natural habitats, linking together remnant areas of our heritage into a fluid and exciting landscape. They form a vital local connection and their mission chimes with the RSPB’s Futurescapes project, which will join areas of the forest and heathland.
www.sherwoodforest.org.uk
Thoresby Estate
In the same family since 1633 – incorporates Sherwood Forest and owns the land on which the nature reserve sits. To this day, the family takes an active role in the management of the land and their support and passion for Sherwood is invaluable.
www.whatsonatthoresby.co.uk
The UK’s largest woodland conservation charity, with over half a million members and supporters and more than 1,000 wildlife-rich native woods covering over 26,000 hectares across the UK. Their role as associate partners promises to help ensure a secure future for the forest.
www.woodlandtrust.org.uk
Together we strive in a single vision to protect and nurture Sherwood as a home for nature.
As we’ve already said, looking after Sherwood Forest for the future is a job best done through partnership, offering the support, expertise and commitment needed to ensure this special site continues to thrive.
Equally, successfully building a new visitor centre – a project costing more than £5 million – was not achieved alone.
Funding and support came from a number of sources, including:
D2N2 Local Enterprise Partnership www.d2n2lep.org
Garfield Weston Foundation www.garfieldweston.org
Marshalls www.marshalls.co.uk
Robert Woodheads www.woodhead-construction.co.uk
as well as Nottinghamshire County Council, the RSPB, Thoresby Estate and The Woodland Trust.
We have also had help from the general public, who have donated money to support not just the building of our new centre, but the work needed to take down the old one, and allow the area to return to nature.
Everyone who visits here, also supports us! Each time you pay to park your car, buy a coffee or book on an event, you help us carry on our vital work here.
To each of you, we are extremely grateful for your help and support. A huge thank you to everyone who has played a part in helping plan, create, build and now run our new visitor centre and National Nature Reserve.
Help give nature a home
From just £4 each month you can be part of the RSPB, with free parking and access to Sherwood Forest and over 170 other reserves nationwide, and your support will help keep nature and its habitats thriving.
Join the RSPB
Visit Sherwood
Sherwood Forest NNR
NG21 9RN
Cared for and protected by
The Sherwood Forest Trust Thoresby
© RSPB 2018
(RSPB) is a registered charity: England and Wales no. 207076, Scotland no. SC037654
Opening timesGet directionsThings to doAccessibilityRobin HoodMajor OakRSPBDog policyWhat's on?At the Visitor CentreWalks and TrailsGift shopParking
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Legion of Leia
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Home Movies 13 Midway Character Posters Introduce the Cast
13 Midway Character Posters Introduce the Cast
By Mirko Parlevliet
Lionsgate has released no less than 13 Midway character posters, which give you a great look at all the cast members of the November 8 release. You can view the Midway character posters in the gallery below, and if you missed it, the trailer is still available here.
Midway centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and soldiers who used their instincts, fortitude and bravery to overcome the odds. You can read more about the battle by clicking here.
The film stars Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Etsushi Toyokawa, Tadanobu Asano, Luke Kleintank, Jun Kunimura, Darren Criss, Keean Johnson, Alexander Ludwig, with Mandy Moore, Dennis Quaid, and Woody Harrelson.
The script for Midway was written by Wes Tooke. Produced by Emmerich’s Centropolis Entertainment, the film is produced by Roland Emmerich, Harald Kloser, and Mark Gordon.
Starlight Entertainment Group and Providence Entertainment Limited are financing Midway. U.S. and China theatrical distribution is set with Lionsgate through its Summit Entertainment label stateside and Bona Film Group will release the movie in Greater China.
Are you going to see Midway in theaters? Let us know your thoughts in the comments.
Aaron Eckhart stars as 'Lt. Commander Jimmy Doolittle' in MIDWAY.
Dick Best (Ed Skrein) and Ann Best (Mandy Moore) in MIDWAY.
Patrick Wilson stars as 'Edwin Layton' in MIDWAY.
Woody Harrelson stars as 'Admiral Chester Nimitz' in MIDWAY.
Dennis Quaid stars as 'Admiral William "Bull" Halsey' in MIDWAY.
Luke Evans stars as 'Lt. Commander Wade McClusky' in MIDWAY.
Darren Criss stars as 'Lt. Eugene Lindsey' in MIDWAY.
Nick Jonas stars as 'Bruno Gaido' in MIDWAY.
Tadanobu Asano stars as 'Rear Admiral Tamon Yamaguchi' in MIDWAY.
Etsushi Toyokawa stars as 'Admiral Yamamoto' in MIDWAY.
Keean Johnson stars as 'James Murray' in MIDWAY.
Disclaimer: This post may contain affiliate links through which we earn a commission if you decide to make a purchase, at no cost to you. As an Amazon Associate, we earn from qualifying purchases.
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Mirko Parlevliethttp://VitalThrills.com
Mirko Parlevliet has been reporting on the entertainment industry since 1998 and founded VitalThrills.com to cover movie, TV, video game, music, and theme park news.
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DCPA Announces Hamilton On-Sale Dates, With Scalper Warnings
Andrew Scahill on Queering Horror and Nightmare on Elm Street 2
Reader: Comics illustrator John Severin helped color our world
Patricia Calhoun
Patricia Calhoun | February 17, 2012 | 6:00am
A true legend passed away last weekend: Illustrator John Powers Severin, whose sixty-year career in the comics world stretched from the dawning of MAD magazine to the Silver Age at Marvel to a gay revival of the Rawhide Kid and beyond. "Truly the art world has suffered a great loss with John's passing -- but so has the human race," declared former Marvel president Stan Lee, in a statement released by Severin's family.
Severin had moved to Denver back in 1970, and was living in southeast Denver when he passed away at the age of ninety, leaving behind a large family -- and many, many fans.
Including Cataphract, who writes:
It's hard to imagine what an impact he's had on so many people for so many years, and wow, what a family he had, too. Gone, but most definitely never forgotten.
Read Alan Prendergast's obit of John Severin here, where you can also see some examples of his amazing work. They bring back memories.
Debates and Discussions
Patricia Calhoun co-founded Westword in 1977; she’s been the editor ever since. She’s a regular on the weekly CPT12 roundtable Colorado Inside Out, played a real journalist in John Sayles’s Silver City, once interviewed President Bill Clinton while wearing flip-flops, and has been honored with numerous national awards for her columns and feature-writing.
Twitter: @calhounwestword
Book It: The Six Best Literary Events This Week
A Salute to Marie EvB Gibbons, and Two Surveys
The 21 Best Events in Denver, January 13 Through January 19
R. Alan Brooks Plants Awareness of White Supremacy in...
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What' s on TV
More soaps
TV&Satellite Week
Completing the Strictly line-up are Greg Rutherford, Tameka Empson and Lesley Joseph
Press Association Mon, August 22 8:45pm
Lesley Joseph
The last three celebrities have been confirmed for Strictly Come Dancing 2016
Olympian Greg Rutherford, EastEnders actress Tameka Empson and Birds Of A Feather’s Lesley Joseph have joined the line-up of Strictly Come Dancing.
The trio appeared alongside presenters Alex Jones and Patrick Kielty on The One Show to announce that they had signed up for the BBC programme.
All three were pictured in silhoutte behind a screen and called out one by one.
Greg, who was unveiled first, will arrive on the dancefloor fresh from competing in the Rio Olympic Games, where he won a bronze medal for the long jump.
Greg Rutherford (Martin Rickett/PA)
He admitted he is “absolutely terrified” about showing off his moves, saying: “I have never danced a step in my life.”
Tameka, who plays Walford’s Kim Fox, said it had been “hard to keep the secret”.
The 39-year-old said: “I have been avoiding every group conversation, I have been avoiding telephone calls, it is just mad!”
Tameka Empson (Ian West/PA)
Lesley, 70 – who is best known for playing Dorien Green in the popular sitcom Birds Of A Feather – said: “Strictly is an iconic show and I have always loved the glamour and the dedication and the entertainment and this year it suddenly seemed right to take part.
“I am scared and excited and apprehensive and thrilled to be a part of this wonderful show and I will try my best and enjoy this amazing experience!”
Lesley Joseph (Ian West/PA)
The final three contestants complete a line-up of 15 amateur dancers including former shadow chancellor Ed Balls, Pop Idol winner Will Young and model Daisy Lowe.
Gemma Winter in Coronation Street to get ‘heartbreaking’ news one of her babies is deaf
Downton Abbey LEGEND joins the cast of Coronation Street as MYSTERIOUS newcomer
HOT new romance on the cards for THIS unexpected Home and Away pair
Gymnast Claudia Fragapane, presenter Laura Whitmore, presenter Ore Oduba, DJ and presenter Melvin Odoom, former Eternal singer Louise Redknapp, actor Danny Mac, newsreader Naga Munchetty, reality TV’s Judge Rinder and US singer Anastacia are also contestants for the new series.
Strictly Come Dancing – The Launch Show will be broadcast on BBC One on Saturday September 3, where the 15 celebrity contestants will discover which professional dancer they will be paired with as their journey towards the famous Glitterball Trophy begins.
Suranne Jones to star in new BBC1 thriller Vigil from Bodyguard makers
Death in Paradise – everything we know about the new series including Jack’s date!
Coronation Street fans plead for ‘horrible accident’ to befall this VILE character
The Great British Bake Off: Sandi Toksvig quits ‘wonderful’ show after three years
Matt King on playing a Death in Paradise murder suspect: ‘He’s the Arthur Daley of The Caribbean’
Monty Don’s American Gardens – BBC2
Airs on Friday 24 January 2020 at 8:30pm
The Greek Islands with Julia Bradbury – ITV
Coronation Street spoiler: Will Fiz Stape be charged with murder?
EastEnders spoilers: Sheree Trueman reveals her big secret
Emmerdale spoilers! Graham Foster’s KILLER is REVEALED in the last of the week’s special episodes
More TV Listings
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Drunk flyer’s disgusting act
A passenger was kicked off a plane because of her shocking outburst. Picture: Twitter/@BigOShow
by Nika Shakhnazarova
A drunk woman was kicked off a Las Vegas flight for spitting at passengers and refusing to sit next to a "f***ing three-year-old" on the plane.
Valerie Gonzalez, 32, was aboard JetBlue's flight from Fort Lauderdale, Florida, when she realised she was seated next to a child, and quickly burst into a rage, The Sun reports.
"I'm not sitting next to a f***ing three-year-old, I've been drinking all day," she said.
The passenger lashed out at other flyers and at one point, spat at someone. Picture: Twitter/@BigOShow
Gonzalez then got up out of her seat and sat in another seat that was not assigned to her.
She wasn't satisfied with the passengers in front of her non-assigned seat, and continued spewing loud profanities.
Moments later, her tantrum becomes more offensive after catching a glimpse of other passengers filming her.
She shouted: "Oh, you wanna tape me? Make, this viral, b**ch a**!"
She is seen shortly after spitting on a passenger sitting in the seat in front of her.
She was furious at being kicked off the plane. Picture: Twitter/@BigOShow
The 32-year-old then screamed: "Make this viral! You wanna make this viral, make it viral. What the f**k did I do? I called someone old cause they were?
"Alright, I'll get my bags. I'll take my f***ing sh*t. F**k all ya'll."
Cabin crew were immediately informed of Gonzalez's behaviour, and asked her to get off the plane before calling security to escort her.
She was put in a wheelchair and rolled out of the terminal, reported CBS Miami.
The 32-year-old woman was charged with battery. Picture: Twitter/@BigOShow
According to her arrest report, she then tried to get back on the plane and when a member of airport staff refused entry to her, prompting Gonzalez to hit her.
A fellow passenger on the plane told cabin crew that Gonzalez was seated in the same row with her and that she hit her on the arm when she refused to switch seats.
Gonzalez was arrested at the airport and was charged with battery.
This article originally appeared on The Sun and was reproduced with permission
act arrested drunk editors picks flyer
premium_icon ‘Have a heart’: Star rallies behind doubles partner
premium_icon SAY GOODBYE: Clipper crews farewelled in photos
News Crowds turned out on Saturday to farewell the Clipper crews, at Coral Sea Marina...
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Wilmington mom in custody in death of 2 children
Reports off a police scanners mention a possible drowning and a person in custody. There also was a suggestion of gas needing to be shut.
Wilmington mom in custody in death of 2 children Reports off a police scanners mention a possible drowning and a person in custody. There also was a suggestion of gas needing to be shut. Check out this story on ydr.com: https://www.delawareonline.com/story/news/crime/2017/10/16/wilmington-police-investigation-shuts-roads-near-cool-spring-neighborhood/767357001/
Esteban Parra and Scott Goss, The News Journal Published 9:48 a.m. ET Oct. 16, 2017 | Updated 11:47 a.m. ET Oct. 17, 2017
The Stop the Violence Prayer Chain held a prayer vigil Monday for the children who'd died.(Photo: Esteban Parra/The News Journal)
The mother of two children found dead Monday morning is in custody and is suspected in their death, Wilmington police Chief Robert Tracy said.
Tracy said the boys, who he estimated to be about a few months old and 5 years old, were dead when police arrived shortly after 8:30 a.m. Monday for a welfare check. The boys' mother was one of the people who called police, Tracy said.
The boys could have drowned, Tracy said, although there was a strong smell of gas when police arrived at the home in the 800 block of W. Ninth Street. Because of the smell of gas, officers evacuated the building and opened doors and windows.
“Yes. It’s definitely the person that has the authority over the house at this time is always considered the suspect,” Tracy said. “But, you know, we have to rule everything out before we make that determination.
MORE: Mother charged in drowning death of infant, 5-year-old sons
“We are interviewing all parties and witnesses at this time.”
Several officers stood outside the house on the corner of West Ninth and North Adams streets Monday morning into the early afternoon. Investigators could be seen through a first-floor window, near where a baby chair stood. Later, investigators and state prosecutors walked in and out of a back entrance of the three-story brick building that houses at least two apartments.
The state's forensic investigators arrived on scene about 11:25 a.m.
Neighbor Aunjea Daniels, 25, said she often saw the woman and her children outside their home.
"She seemed like a happy parent," she said. "She was usually uplifting. She seemed happy and her children were well-groomed. I would have never thought she would do something like this, but you just never know what's going on behind closed doors."
Two boys found dead in apartment near Trinity Vicinity
Wilmington police prepare to remove the bodies of two children found dead Monday. Daniel Sato, The News Journal
Forensic investigators arrive at the 800 block of W. Ninth Street in Wilmington. Daniel Sato, The News Journal
Wilmington police investigate the death of two children near the Trinity Vicinity in Wilmington Monday. Daniel Sato, The News Journal
Community members and police gather at the scene of an ongoing investigation at W. Ninth and Adams streets in Wilmington. Daniel Sato/The News Journal
Wilmington Police Chief Robert Tracy speaks with investigators. Daniel Sato/The News Journal
Police are investigating an incident that has roads and lanes closed in the area of West Ninth and Adams streets near Trinity Vicinity. Daniel Sato/The News Journal
Forensic investigators arrive at the scene of a death investigation at at West Ninth Street in Wilmington on Oct. 16, 2017, near Trinity Vicinity. Daniel Sato/The News Journal
Detectives exit a residence in the 800 block of West Ninth Street near Trinity Vicinity. Daniel Sato/The News Journal
Reports off a police scanners mention a possible drowning and a person in custody near Wilmington's Cool Spring neighborhood. JOHN J. JANKOWSKI JR./SPECIAL TO THE NEWS JOURNAL
The bodies of two young boys were found in a home in this first-floor apartment in the 800 block of W. Ninth Street in Wilmington on Oct. 16. Scott Goss/The News Journal
The two boys' bodies were removed from the home just before 2 p.m. Monday and taken away in the state forensic examiner truck. Esteban Parra/The News Journal
A woman who stood across from the house watching the activity said she could smell gas when she went to see why the fire trucks were there.
“It was very strong,” said the woman who would not provide her name. “I thought it was a gas leak.”
The woman said a Delmarva worker who’d entered the house to deal with the leak, told her it was something different.
“He told me about the tragedy,” she said.
More: Teenager wounded in Sunday evening shooting in Wilmington
More: Wilmington police pull West Center City back together 1 family at a time
Dorothy Hartman, a 60-year-old neighbor, said she was shaken by early reports of what had occurred. The incident comes just weeks after a young man was shot outside her bedroom window, she said.
"I've got to get out of Wilmington," she said as she held up her trembling hands. "I know stuff like this happens everywhere, but not in your front yard."
Bernadette Sturgis, who lives a block away, said she never saw the family living at the home.
"I'm flipping," the 50-year-old said. "I just feel so sad for those kids. Who would do something like that?"
As television reporters were preparing to give their live feeds around dusk, Outreach Minister Margaret Guy, who runs the Stop the Violence Prayer Chain, held a prayer vigil outside the structure.
“We are out here today to pray for the families,” Guy said. “We are out here today to pray for healing for our city. It’s too much."
With about two dozen children and adults, the groups prayed for the two children who died. There have been about 30 homicides in Wilmington so far this year.
This is a developing story. Check back with delawareonline.com for more information.
Contact Esteban Parra at (302) 324-2299, eparra@delawareonline.com or Twitter @eparra3.
Read or Share this story: https://www.delawareonline.com/story/news/crime/2017/10/16/wilmington-police-investigation-shuts-roads-near-cool-spring-neighborhood/767357001/
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wall-of-us
Weekly Acts
Keep Your Eye on The (2018) Prize
Action 2 Action 4
Week of July 9, 2017
We have said it before, the best way to advance our progressive values is to elect progressive candidates in 2018. The problem is that Democrats are not showing up in one-third of Congressional races. In fact, in 166 Congressional districts in 2016 the Democratic nominee raised less than $155K. By comparison, the Democratic nominee averaged $1.5 million in the other 269 districts. You cannot win if you don’t play. That’s why we are partnering with It Starts Today, with a mission of funding every Democratic nominee in every district and every state in 2018.
There are 468 House and Senate seats up for election in 2018, it Starts Today is collecting recurring donations in increments of $4.68 per month. It starts today will evenly divide your contribution amongst each one of the 468 Democratic nominees for Congress in 2018. All-of-us must refuse to cede a single district in 2018.
Donate to Democratic candidates through It Starts Today to support its mission of refusing to cede a single district.
Share It Starts Today’s message on Facebook by clicking this link.
Login to record your actions.
Action 2: Start Using The EveryElection App
Action 4: Build the Wall-of-Us
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White Payments to officially launch in Bahrain and UAE
White Payments, the newly launched Bahrain-based online payments solution targeted at entrepreneurs throughout the Middle East, is announcing this week their acceptance of early stage users in the Bahraini and UAE markets.
For several weeks now, the startup has been in private beta mode in both Bahrain and the UAE (although the number of users has not been disclosed); now the payments startup is opening up the floor to the public.
“The ability for someone to start using the system almost immediately, and the API [application programming interface]” are what Jean Amiouny, White Payments’ cofounder, believes are the unique selling points for their system. The founders also believe that the absence of setup fees and security deposits, with only a 5% transaction fee, will appeal to users.
“Without getting too technical, the API allows any device connected to the internet to create a charge simply by sending a chunk of code to our API endpoints. I want to stress that as simple as this may sound, it is indeed secure,” the cofounder says.
The brainchild of Amiouny's partner Yazin Alirhayim, White Payments was borne out of their exposure to constant complaints from friends and entrepreneurs about the hassles of trying to pay for things online, trying to move money around, and trying to set up payment systems for their businesses.
Looking to specifically target entrepreneurs, startups, small businesses, developers, designers, and all creatives, their aim is to take the burden of dealing with banks, payment gateways, merchant accounts, and security deposits away from the entrepreneurs.
Even for those entrepreneurs using common CMSs (like WordPress), the capacity to accept credit cards on their site is as simple as installing a plugin. The founders believe it could have an effect on the entire payments ecosystem: “this could bring in a slew of payment infrastructure startups built on the backbone of White’s API, including fully integrated e-stores like Shopify, invoicing or ERP software [business management], and hardware devices like POS-machines [cash tils],” says the cofounder.
White Payments does have plans to expand further into the region in 2015 though as of yet they cannot specify.
View all posts by Wamda
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Gauley rafting season water releases set in West Virginia
Hospitality_Recreation
By - Associated Press - Thursday, September 5, 2019
CHARLESTON, W.Va. (AP) - The fall rafting season on West Virginia’s Gauley River is getting set to start.
The U.S. Army Corps of Engineers will begin lowering Summersville Lake to its winter level through releases at the Summersville Dam starting Friday. The weekly releases will continue through Oct. 20.
The releases form more than 100 rapids on the Gauley, which drops more than 650 feet along its 24-mile (38.6-kilometer) route in southern West Virginia.
Tucker Carlson predicts 'many thousands' of past Trump voters could support Bernie Sanders in 2020
Chief executive officer Roger Wilson of whitewater outfitter Adventures on the Gorge says Gauley season is “as good as it gets anywhere in the world.”
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Investment app
General Investment Account
ISA transfer
Wealthify CEO, Richard Theo, launches FinTech Wales to champion FinTech services in Wales
Mike Normansell
Reading time: 3 mins
We’re proud to announce that FinTech Wales, a not-for profit independent membership organisation whose mission is to make Wales a global leader in the financial technology sector, has been launched today by our CEO and FinTech Envoy for Wales, Richard Theo.
Operating as a trade association, FinTech Wales aims to create the optimum environment for FinTech entrepreneurs and innovators to establish their business in Wales and give financial services companies already in Wales the support they need to flourish.
FinTech Wales will bring together key industry players to design strategies and support networks to help Welsh FinTech companies thrive. The association has established an Advisory Board of 20 members, including Wealthify and other key financial services companies in the region, such as Confused.com, Admiral, Principality Building Society, EY, Capital Law and Credas.
Commenting on the launch, our CEO and co-founder Richard Theo said: “The inauguration of FinTech Wales is the culmination of the work I have done to meet the challenge set by Parliament when I was appointed as FinTech Envoy for Wales in May 2018.
“Wales has many unique advantages as a location for FinTech, which is why I decided to establish both my businesses here. We aim to build on this and make it the best place to setup or scale-up a FinTech company. We will now develop a programme of activities to support businesses and entrepreneurs who want to setup or operate in Wales.”
A full launch, introducing each panel member and FinTech Wales’ strategy plans, is expected in the summer of 2019 and will be supported by Gavin Powell, who is the Welsh Government’s newly-appointed general secretary for the initiative.
Learn more about FinTech Wales here: www.fintechwales.org
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winterton-on-sea
fish bar
loomes
poppy's
sam larner
horsey windpump
horsey seals
poppylands
singing postman
Sancastles on the beach
Once a busy fishing village it has become a holiday favourite for those in the know.
Backed by the beautiful dunes - a nature reserve and a site of special scientific interest - the beach offers acres of golden sand and even on the hottest summer days there is always plenty of space for children to build their sandcastles. Here you can enjoy the sound of skylarks singing against a background of waves lapping against the shore. Sometimes you'll catch sight of a seal bobbing in the water or lazing on the sand. If you feel peckish there is the Dunes Cafe, which is popular with visitors and locals alike all through the year.
Overlooking the beach are the eye-catching colourful African roundhouses of the Hermanus holiday centre. The thatched buildings, modelled on huts at Hermanus Bay in South Africa are part of a complex with a bar and restaurant that are open to the public.
Turning back from the dunes you will see the tower of Holy Trinity and All Saints church, one of the biggest landmarks in the village. In summer the tower, which at 132ft is the third highest in the county, opens to the public every Saturday. Views from the top are stunning on a clear day.
As well as the lighthouse, which is now a holiday home, the village once had its own lifeboat. The last one, the Edward Birkbeck, saved dozens of lives between 1896 and 1925 when the lifeboat station closed down. The foundations of the building along with remains of the wartime coastal defences, can still be seen in the dunes near the cafe while the boat, rescued decades later from the harbour in Conwy, Wales, is now back in the village and under the care of the Winterton on Sea Lifeboat Restoration Group.
Holy Trinity & All Saints Church
The village is also blessed with a post office stores and a tea room run by Jeanne and Gino Farace. They took over the shop in 2016 and revamped it, adding the tea room three years later. They sell cakes, crafts, cream teas, freshly-brewed Lavazza coffee and specialist teas.
Adding to the charm of the village are the spectacular flower displays, created and tended by the Winterton-on-Sea In Bloom committee, businesses and residents. In 2016 the village won a gold in the Great Yarmouth in Bloom Awards.
Fishing boats still go out from the village, but the days of being able to buy fish from the huts on the dunes are gone. Herring fisherman Sam Larner, who found a national following in his 80s, is remembered in the village with a blue plaque on the cottage where he lived near the church. Famed folk singer Ewan McColl wrote The Shoals of Herring after interviewing Sam for the radio in 1960. One of the pubs where he often sang was the Fisherman's Return. Still a popular watering hole, the 300-year-old freehouse has only changed hands four times in the past century. Current landlord Darrin Winter took over in 2009 from Kate and John Findlay who had it for many years.
Fishermans Return
Jeanne and Gino
Loomes Stores
WINTERTON is a little oasis on the East Norfolk coast. There is none of the brash razzle dazzle of other resorts nearby, but what it does have in buckets and spades is charm, history and the benefit of being next to a fabulous unspoilt beach.
News from the Winterton-on-Sea Parish Council & the village
BEACH ROAD PARKING: Norfolk County Council has yet to sign off on year round parking restrictions on the north side of Beach Road despite repeated prompts.
The push for the double yellow lines to be enforced in winter as well as summer came after scenes of chaos last Christmas when cars blocked the route to the beach rather than use the car park. Some drivers even mounted the kerb on the south side of the road and crossed the pavement to park on the dune.
Parish councillors, county councillor Ron Hanton and people in the village have all attempted to pursue the issue with officials, but the parish council heard the approval process for parking restrictions had been changed.
At the full meeting on 28th November Cllr Emma Punchard asked: “How long do we have to wait because people were expecting them to be in place by now?”
Parish clerk Stacey Kent said the application had reached the final stage and a decision was still awaited, but it had been chased up three times.
NOT SO FAST: Drivers caught by police in recent speed checks in the village were all local, parish councillors were told.
The offenders were given words of advice.
NIGHT EXERCISE: Marines cadets will be braving the cold on 30th November when they stage a night exercise.
But should the weather turn nasty or anything go wrong the troop has been given permission to use the village hall as an emergency base.
Troop commander 2nd Lt Rachel Took told the parish council the youngsters would be sleeping out under basha tents in woods but needed somewhere to be taken if the conditions proved too foul or if one of them suffered an accident.
Cllr Mark Bobby, who was chairman for the meeting, said he had no objections but the hall should be left as it was found. The troop was also asked to bear in mind if the cadets did need to use it they should remember many in the village would be asleep.
ALL CHANGE: The parish council still has three councillor vacancies and no chairman.
John Smithson re-joined the authority when he was co-opted at the full meeting on 28th November. But at the same meeting Linda Cook’s resignation was announced.
Parish clerk Catherine Moore resigned last month and Stacey Kent was appointed to replace her.
Anyone interested in taking on a councillor role can email the parish clerk at clerkwinterton@gmail.com for information.
OH CHRISTMAS TREE: The private donor who paid for the Christmas tree on the green and the neighbour who has allowed the lights to be plugged in to their supply have been thanked by the parish council.
SOCIAL MEDIA: The parish council is to have its own Facebook page. But it has been stressed it will be for information rather than debate.
Cllr Emma Punchard told the meeting on 28th November there had been one for a short time set up by the previous clerk.
She believed the council should have a page that was information driven, without opinion, to inform the village about what the council was doing. She added she was happy to be the admin.
Clerk Stacey Kent said she believed the council had a social media policy and the page would have to be in line with that.
The council agreed to start a page.
SAVE THE DATES: Parish council meetings are set to change to the last Wednesday of the month from the start of 2020.
There is no council in December and the next full council is on 29th January.
VILLAGE SOCIAL LIFE: Concerns about isolation for some villagers has prompted a move to improve social inclusion by increasing the number of activities available.
Cllr John Smithson said there had been talk about a bridge club and a ‘man cave’ where people could do woodwork projects. Walking football and a table tennis club could also be set up.
But he stressed parish councillors could not do things on their own and other volunteers were needed to help out.
An informal session for anyone interested in helping to organise different activities would be held before the start of the next parish council meeting on 29th January.
Everweb
For parish council minutes and much more visit its website.
Tweets by Winterton0nSea
The Hermanus thatched roundhouses
Debbie and Mark
Over the road there is a handy convenience store, Loomes, taken over in 2008 by high school teacher Sathees Vethanayakampillai, it runs with help from his wife Kamaliny, brother-in-law Thajee and assistant Vicky. It has also undergone improvement work and more products are being introduced.
A few doors away is the Fish Bar which is just as popularwith the residents as it is with visitors. A family business run by Debbie and Mark Cox, who have been in the village since 1991, it has a five star hygiene rating and was named one of the five best chippies in Norfolk. It is open seven days a week in the summer and five in the winter.
Inside the 12th Century church Winterton's maritime heritage is evident with fishing nets on the walls, a fisherman's corner under a First World War cross from Flanders and a memorial to a rector who gave his
life saving a choirboy from drowning.
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Cable TV Providers in Delray, WV
Cable and Satellite TV Providers Available in Delray, WV
Considering how many tv providers there are, sleeping the right provider in Delray, WV may seem like a difficult task. For anyone moving to a new home, or just wanting to change their home television service, service providers have made it easier to find a new fiber optic televisions, satellite, or cable service. By entering the zip code, users get to enjoy money-saving deals on cable and satellite plans. Also, this tool will show how TV plans that are combined with internet and telephone service give users even more savings.
How to Choose Your TV Service Provider in Delray, WV
Wirefly can help you decide which plan you'd like for television service because we'll show you a wide range of companies. From basic packages to comprehensive plans, you'll be able to compare different providers for satellite, broadband and cable companies in Delray, WV. When you're using our website, you can also check out various upgrades like Hi-Def television and DVR options along with other add-ons. We offer plenty of information about television issues throughout our web page.
Delray, WV Cable TV Providers
Television programs are transmitted to your TV as encrypted signals that travel through fiber optics and cables. It is a process that involves an actual physical connection with the use of the cables. Satellite differs from cable in that satellite requires frequencies from a satellite to transmit to your satellite dish and then your television.
Cable television in Delray, WV requires you to contact a cable company to set up service. One aspect of the service is that you need a receiver to complete transmission. The receiver ultimately connects to the TV. There are typically new customer promotions available that offset the installation fee. These savings can be significant, so it's worth your while to compare all of the offers.
Since cable is provided through a physical connection, it also provides a more consistent and stable reception without interruption. Satellite, on the other hand, relies on satellite frequencies, and it's often affected by the weather. That means that you may lose TV service for a time, or you may incur damage to your satellite dish in a severe wind storm.
If you decide that cable is the right option for you, be aware of the time commitment required for installation in Delray, WV. Cable installers must connect a system of cables and the cable boxes in your home or business, and it can be a long, involved process. As such, cable companies don't commit to a set installation time in order to cover any snags the installer might run into. They set the date of install but give you a four-hour window to expect them. As stated above, it is a fairly involved process, so plan on another several hours once the tech arrives.
It's also a good idea to clarify with the customer service rep any cables or equipment you have that will assist the tech when he arrives. You don't want to be surprised by an additional installation bill that your thought was part of the initial package. Another consideration prior to investing time and money is verifying that your residence or business is in the company's service area. If you're too far out, you many need to choose satellite.
It's becoming a regular option in Delray, WV, to choose whether you want a cable tech to take care of the install, or you want to do it yourself. If you have the skills, or know someone who does, it could save you quite a bit of time and money to opt for the kit. Conversely, if you really aren't certain how to go about installing your own cable, then you should just go ahead and let the cable company handle it.
Satellite TV Service in Delray, WV
With satellite TV service in Delray, WV, the provider is still sending its signals out from a broadcast station, but there's a key difference. Instead of the signal going out over cables, it gets broadcast up to a satellite belonging to that provider, and then the satellite beams the signal to satellite dishes for the provider's customers. This means that the customer's home doesn't need to be in a location where it can physically connect to a broadcast station. Therefore, satellite TV service is available to many customers who couldn't get cable service.
Costs of installation vary, but they're often higher with satellite service than they are with cable service. Part of the reason for this is that satellite dishes in Delray, WV are anything but cheap. Satellite plans that don't have the dish and the installation included can cost the customer quite a bit. However, satellite providers often decide to offer both for free. Prospective customers can always read the fine print to know for sure. The main potential problem with satellite service that cable doesn't have is the impact of bad weather on the dish itself. If the dish gets blown over or damaged, it won't work properly.
With many satellite plans, the customer also gets a DVR, sometimes even an HD DVR, which lets them order On Demand content, such as the latest show and movie releases, put parental blocks on to restrict what content children can see and record all the shows they want with the push of a button. Of course, this is also a common perk offered by cable companies. In both cases, the company may provide the DVR free of charge, but there is still almost always going to be a monthly charge for it. Monthly charges for DVRs start at around $10, although they can be higher depending on the DVR the customer gets and their provider.
Fiber Optic TV Companies in Delray, WV
Fiber optic is popular when it comes to internet service, because it's the most advanced option available to both residential and commercial customers in Delray, WV. With fiber optic service, the internet gets transmitted through fiber optic cables. Not only is this the fastest option, but it's also the most reliable. While cable and DSL still have plenty of users, fiber optic internet is an entirely different level of performance.
Fiber optic TV service is among the most recent advances in TV technology and service. TV, internet and phone service are all still available through fiber optic providers, and the way the network functions is exactly the same as how it functions with cable service. The different in standard cable service and fiber optic cable service is entirely in their respective performance levels.
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Media for the curious.
The Island Next Door
Sharing America
Colin McEnroe Show
Pardon Me: Another Damn Impeachment Show?
Faith Middleton Food Schmooze
Connecticut Garden Journal
All Radio Programs
Health Equity and Access Project
The Beaker
WNPR
Road To Nowhere: Blumenthal Calls For Big Tech Companies To Update GPS Apps
By Ryan Lindsay • Jan 13, 2020
Ryan Caron King / Connecticut Public Radio
Sen. Richard Blumenthal is joining with lawmakers from New York and Massachusetts in asking big tech companies like Apple and Google to help truckers avoid accidents and collisions with bridges.
He wants GPS apps like Waze, Google Maps and Apple Maps to include height and weight restrictions for limited-access highways like the Merritt and Wilbur Cross parkways.
Connecticut Proposes I-684 Toll, New York May Fight Back
By Frankie Graziano • Dec 17, 2019
JJ Bers / Flickr
A New York lawmaker is fighting Connecticut’s plan to toll a stretch of an Empire State highway that briefly cuts through southwest Connecticut.
Investing In Connecticut's 'Opportunity Zones'
By Lydia Brown & Lucy Nalpathanchil • Oct 29, 2019
The State of Connecticut
The 2017 Tax Cuts and Jobs Act introduced a new initiative, the Opportunity Zones Program, to spur investment in the nation’s most distressed communities. The state of Connecticut is home to 72 Opportunity Zones. What efforts are being made to attract investors to these regions? This hour, we find out, and we also hear from you. Do you live in or near an Opportunity Zone?
East Haven Museum Commemorates 9/11 With Surviving Subway Car From Twin Towers
By Lori Mack • Sep 11, 2019
Lori Mack / CT Public Radio
Wednesday marked the 18th anniversary of the terrorist attacks on 9/11. In East Haven, The Shore Line Trolley Museum commemorates the day with a special permanent display. The museum has one of two subway cars that survived the collapse of the World Trade Center.
Protesters In New York, Connecticut, Concerned Over Border Plant
By Jesse Steinmetz • Sep 2, 2019
Jesse Steinmetz / New England News Collaborative
A new natural gas-fired power plant is slated to open in the Hudson Valley in 2020. The plant is only a few miles from the border with Connecticut, and from several schools. That has some residents in both states concerned.
Over Fishing, Lamont Gets To Know Cuomo
By Mark Pazniokas // CTMirror.org • Aug 20, 2019
Courtesy: Office of Gov. Ned Lamont
Gov. Ned Lamont interrupted a two-week vacation at his summer home in Maine on Tuesday to fly to Lockport, N.Y., for a morning of sport fishing and policy talks on Lake Ontario with Gov. Andrew Cuomo of New York.
The Mysterious Death Of Jeffrey Epstein; Trump's Horribly Wrong Photo; The Future Of Bantam Cinema
By Betsy Kaplan • Aug 12, 2019
Palm Beach County Sheriff's Department / Wikipedia
The FBI, the Justice Department's inspector general and the New York City medical examiner will investigate how billionaire and convicted sex trafficker Jeffrey Epstein was found dead in his jail cell at Metropolitan Correctional Center in Manhattan early Saturday morning.
Jeffrey Epstein Dead By Apparent Suicide At Manhattan Jail
By Gabriela Saldivia • Aug 10, 2019
Jeffrey Epstein, the wealthy financier accused of sex trafficking, was found unresponsive in his jail cell by an apparent suicide at approximately 6:30 a.m. Saturday, the Federal Bureau of Prisons said in a statement.
Epstein was transported by EMS from the Metropolitan Correctional Center in Manhattan to a local hospital for treatment of life-threatening injuries. He was subsequently pronounced dead by hospital staff.
The FBI is investigating.
NYC Goes Dark, Baseball Ratings Sag, But Drama At The CT Lottery Corp. Carries On
By Scott Brede • Jul 15, 2019
Staffing unrest at the Connecticut Lottery Corp. has been a longtanding source of intrigue.
But an employee's whistleblower case before the state Commission on Human Rights and Opportunities sheds new light on the level of infighting that unfolded at the quasi-public agency under its previous leadership.
It's a tale that includes secret recordings and the FBI.
Wealthy Financier Jeffrey Epstein Charged With Sex Trafficking Of Minors
Federal prosecutors have charged multimillionaire Jeffrey Epstein with sex trafficking of minors and paying victims to recruit other underage girls, accusing Epstein of creating a network that allowed him to sexually abuse dozens of young victims.
Prosecutors in the Southern District of New York announced two counts against Epstein on Monday morning: one count of sex trafficking conspiracy and one count of sex trafficking, according to the indictment.
Epstein appeared in court Monday afternoon and pleaded not guilty.
Amid New York Measles Outbreaks, 1 County Orders Exclusions From Public Spaces
By editor • Apr 17, 2019
As the number of confirmed measles cases in New York continues to tick up, one county is determined to stem the spread of the disease by keeping it out of public spaces.
With Measles Outbreaks, A Deadly But Preventable Disease Returns
By Carmen Baskauf & Lucy Nalpathanchil • Apr 12, 2019
Seth Wenig / Associated Press
Painful rashes, diarrhea, even possibly blindness or deadly brain inflammation -- these are all symptoms of measles. Before researchers developed a vaccine, this disease once affected millions in the U.S. and hospitalized tens of thousands every year.
Thanks to the vaccine, measles was eliminated from this country two decades ago. Yet today, communities in New York and Washington state are experiencing devastating outbreaks today. This hour, we ask why is a virulent, deadly, but entirely preventable disease reappearing in the U.S.?
New York Is Set To Be First U.S. City To Impose Congestion Pricing
By Laurel Wamsley • Apr 3, 2019
New York will likely become the first major city in the U.S. to implement a charge for motorists entering its most traffic-clogged streets.
The plan? To reduce gridlock while generating revenue for the city's stressed transit system.
State lawmakers approved the deal on Sunday night, and the new tolls are slated to go into effect in 2021. The tolling is expected to generate $15 billion, dedicated to funding the MTA, New York's transit authority.
With Amazon's Arrival, A New York Community Pushes To Be Included
By Jasmine Garsd • Jan 22, 2019
Amazon's announcement, last year, that it is building a new headquarters in Queens, received mixed reactions.
Some were excited about the tens of thousands of jobs the tech juggernaut is promising to bring to the New York City borough. Others wonder if they will even get access to those jobs, and if the area's already overburdened infrastructure can handle the influx of population.
What's Up With Connecticut's Election System?
By John Dankosky • Nov 14, 2018
Chion Wolf / Connecticut Public Radio
We’re still finding out results from last Tuesday’s elections in Connecticut and that’s not surprising, really. Some of the races were just really close. That’s probably a good thing.
Another good thing: Lots of people showing up to vote. Gigantic numbers showing up to vote in a midterm election in Connecticut and just about everywhere.
The bad thing: We still can’t seem to get this election thing right at least in our cities.
This hour, we look at possible fixes.
Explosive Device Mailed To Liberal Philanthropist George Soros' New York Home
By Emily Sullivan • Oct 23, 2018
An explosive device was found at the Westchester County, New York, home of billionaire philanthropist George Soros on Monday afternoon.
In a statement to NPR, the Bedford Police Department said an employee of the house found a suspicious package in the mailbox. They opened it, revealing what "appeared to be an explosive device." The employee placed the package in a nearby wooded area and alerted authorities.
How The Roots Of New York Comic Con Start In Norwalk
By Carlos Mejia • Oct 18, 2018
Carlos Mejia / Connecticut Public Radio
New York Comic Con is the center of the pop culture universe, but when it comes to picturing where the operation originates from, chances are Norwalk, Connecticut is not on your short list. For over a decade, ReedPop, the company behind the largest entertainment event on the east coast has made the southwest Connecticut city its home.
Connecticut Mets Fans Left On The Bench
By Frankie Graziano • Oct 9, 2018
Frankie Graziano / Connecticut Public Radio
The Boston Red Sox and New York Yankees are in the middle of a playoff series that’s dividing Connecticut residents.
But as the legendary rivalry reaches another dramatic crescendo, one segment of area baseball fans is once again on the outside looking in.
Are You 'October Ready'?
By Jonathan McNicol • Oct 4, 2018
Daniel Hartwig / Flickr
The postseason proper is upon us!
Baseball has already played four winner-take-all games in three days. The Dodgers and the Brewers won their divisions in a pair of extra, tie-breaking game number 163s. And then the Cubs and the A's saw their seasons end in the two Wild Card Games.
And now we're onto a round of real, full-length, five-game series. The two National League Division Series start today, and the American League's DSes start tomorrow.
The Nose On Cynthia Nixon's Bagel, 'Searching,' And Some Other Stuff
By Jonathan McNicol • Sep 14, 2018
Chion Wolf / WNPR
Actress Cynthia Nixon lost the Democratic gubernatorial primary in New York yesterday. Did she lose because of the kind of bagel she eats? Probably not. But from the Nose's point of view, what could really matter more than that?
And Vulture, last week -- "as the discourse rages on about whether or not political correctness is destroying comedy (spoiler alert: it isn't)" -- ran a piece on the jokes comedians regret. But here's the real question: Do we want comedians regretting their jokes, tasteless or not?
NYC Subway Station Reopens 17 Years After It Was Destroyed During Sept. 11 Attacks
By editor • Sep 10, 2018
Seventeen years after it was destroyed in the Sept. 11 terrorist attacks, New York City's Cortlandt Street subway station has at long last reopened.
The Metropolitan Transportation Authority, which runs the city's subway system, unveiled the reconstructed station on Saturday, just three days before the anniversary of the attack.
Not Necessarily The Nose: Pop Culture Is Another Thing Dividing Us; The Major Leagues Of Wiffle Ball
By Jonathan McNicol • Sep 7, 2018
Mike Mozart / flickr creative commons
Here's the money quote from a recent Washington Post story on entertainment in the Trump era: "People look at politics when deciding how they feel about a host or actor. Pop culture has now become one more thing that divides us, just like cable news and social media." The Nose couldn't pass that up, and this not-quite-The-Nose show can't pass it up either.
'They Thought I Was Dead': A Sept. 11 Survivor Recalls His Escape
By Emma Bowman • Sep 7, 2018
On Sept. 11th, 2001, Joe Dittmar was on the 105th floor of the World Trade Center's South Tower for a business meeting when the terrorist attacks started.
Dittmar, then 44, had been visiting New York City from Aurora, Ill., a Chicago suburb, where he worked in the insurance industry.
Before the meeting began, the first plane hit the North Tower, and Dittmar saw the hellish aftermath from a South Tower window.
To Catch A Pigeon
By Christie Taylor • Aug 21, 2018
Christie Taylor / Science Friday
Ever try to shoo a group of pigeons that crossed your path? Tired of dodging close flyovers of those pesky gray birds? The urban pigeon may feel like just another city nuisance, but there’s a lot they can teach us about how wildlife is adapting to co-exist with us. How are pigeons in New York related to pigeons in Boston, or Washington D.C.? Why are pigeons thriving compared to other birds? How is their gene pool changing in response to the daily stresses of city living?
DHS Blocking Research Trips, Other Public Visits to Plum Island
By Davis Dunavin • Aug 9, 2018
The U.S. Department of Homeland Security is blocking research trips and other public visits to Plum Island, according to the environmental advocacy group Save the Sound.
The federal government owns the island off Long Island’s North Fork -- it’s been used for an animal disease research lab for 60 years. In 2008, they decided to move the lab to Kansas and sell Plum Island.
Tronc Slashes 'New York Daily News' Staff By Half
By David Folkenflik • Jul 23, 2018
The newspaper publishing company Tronc has moved to slash the New York Daily News newsroom, announcing cuts of 50 percent to the paper's editorial staff, according to an internal memo obtained by NPR and other news outlets.
The staff learned of the cuts Monday morning from a memo emailed from the paper's "talent engagement" account. It said the moves were necessary to seize the opportunities of digital news and financial challenges ahead. A Tronc spokeswoman confirmed the veracity of the memo.
Stonington Ponders Plastic Bag, Straw Ban
By Frankie Graziano • Jul 10, 2018
The town of Stonington is considering a move to ban all single-use plastic bags and straws. It wouldn’t be the first Connecticut town to contemplate bagging the bag -- Greenwich recently passed a ban and Westport did away with them years ago.
Fall Of A Democratic Leader Caps Strong Primary Night For Progressives
By Jessica Taylor • Jun 26, 2018
National progressives scored a major coup over the Democratic establishment Tuesday night as 28-year-old activist Alexandria Ocasio-Cortez upset House Democratic Caucus chairman and longtime New York Rep. Joe Crowley.
New York's Attorney General Sues The Trump Foundation
By Laurel Wamsley • Jun 14, 2018
New York Attorney General Barbara Underwood is suing the Donald J. Trump Foundation and its board of directors over what she calls "extensive and persistent violations of federal law," her office announced Thursday.
The directors of the foundation named in the suit are President Trump and three of his children: Donald J. Trump Jr., Ivanka Trump and Eric Trump.
Justify Captures Triple Crown With Belmont Stakes Win
By Charles Lane • Jun 9, 2018
Justify won the 150th Belmont Stakes, making him the 13th Triple Crown winner.
The big, chestnut colt stood above the other horses with a commanding lead all the way through the homestretch Saturday in Elmont, N.Y. It was only his sixth race, and some bettors had worried that he packed too many races into the 110 days leading up to the race, but it was no contest.
Justify, jockeyed by Mike Smith, became a sensation because of his impressive size, his calm and dominating presence, and his ability to overcome inexperience.
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Landmark Settlement Reached on Conductivity Pollution from Surface Coal Mines
Alpha Natural Resources Subsidiaries Must Address Extensive Pollution
Charleston, WV – WEBWIRE – Tuesday, December 16, 2014
Citizen and environmental groups have reached a first of its kind settlement agreement with Alpha Natural Resources that requires the company to ensure its pollution discharges from four mountaintop removal coal mines meet key clean water protections. The agreement includes enforceable conditions and timelines that the groups say will eventually require the company to install state of the art technology to treat harmful conductivity pollution.
The mines at issue are operated by Alpha subsidiaries Elk Run Coal Company in Boone County and Alex Energy in Nicholas County, WV. The groups involved, including Ohio Valley Environmental Coalition, West Virginia Highlands Conservancy, and the Sierra Club – who are represented in this case by Appalachian Mountain Advocates and Public Justice, previously secured a decision from the U.S. District Court for the Southern District of West Virginia finding the company liable for violations of the Clean Water Act. Although today’s settlement agreement allows the company to attempt to meet Clean Water Act protections by improving the health of the harmed streams, it also includes firm trigger mechanisms that will require the installation and operation of pollution treatment technology to reduce conductivity pollution down to the level the Environmental Protection Agency has determined is safe for aquatic life: 300 µS/cm.
The settlement also requires Alpha to retire the only remaining dragline in Central Appalachia not already subject to a retirement agreement.
Conductivity is a measure of certain pollutants in water, based on the water’s ability to hold an electrical charge. The Environmental Protection Agency has conducted scientific studies that found “high levels of conductivity, dissolved solids, and sulfates are a primary cause of water quality impairments” downstream from valley fills and other mining operations.
In 2010 the Environmental Protection Agency reviewed state mining permits in Appalachia and found that none of them took steps to prevent pollution that increases conductivity in streams they filled with debris. Currently, experts predict that waterways across Appalachia could be on the brink of collapse due this type of pollution.
“For the company to escape treating its conductivity pollution, it would have to succeed in restoring streams despite the presence of conductivity at levels that multiple peer reviewed studies have demonstrated are devastating to aquatic ecosystems,” said Cindy Rank of West Virginia Highlands Conservancy. “We are confident that this agreement will ultimately force the company to treat its conductivity pollution with the best available technology.”
“This is the first time a mining company will be subject to enforceable deadlines that will lead to the use of treatment technology for conductivity pollution,” said Dianne Bady of Ohio Valley Environmental Coalition. “That’s a great first step, but unfortunately we know that mines across Appalachia are releasing harmful pollution every day, and state regulators continue to authorize similar operations.”
Today’s settlement follows closely on the heels of last week’s announcement by the citizen groups that they are preparing a new lawsuit against Patriot Coal subsidiary Hobet Mining regarding conductivity pollution into the Mud River watershed from that company’s sprawling Hobet 21 mine complex.
“EPA came out with its benchmark for the minimum levels of safe conductivity pollution years ago, and the science behind it has only gotten stronger—so why does it still fall to citizen groups to actually enforce EPA’s guidance?” said Jim Sconyers of the West Virginia Sierra Club. “State and federal regulators are asleep at the wheel while our streams are devastated and our communities suffer.”
The citizen groups who are parties to today’s settlement, along with other local, regional, and national organizations, have long called on the Obama administration to act on the overwhelming scientific evidence and establish an enforceable water quality standard on conductivity pollution from surface coal mines in Appalachia.
The settlement will be lodged with the court for 45 days pending review by the U.S. Department of Justice. The citizen groups were represented in this matter by attorneys with Appalachian Mountain Advocates and Public Justice.
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Home God Ganesh Top 10 Must Visit Ganesha Temples
Top 10 Must Visit Ganesha Temples
Ganesha, also worshipped as Ganapati, Gananatha, Gajanana, Pillaiyar and, Vinayaka is one of the well-known and mostly worshipped deities of Hindu pantheon. In vedas Ganesha is described as the Lord of all the Jeeva Ganas and of the Indriya Ganas.
With reference to Kundalini Yoga, Ganesha resides in the first chakra Muladhara which then holds, guides and support other six chakras in the human body. The form of Ganapati also has immense symbolic significance and conveys messages for the mental and spiritual well-being and upliftment of an individual. Elephant head represents Knowledge and Wisdom, Small focused eyes represents concentration, Microvision, attention to detail for success Big ears and small mouth represents listen more and talk less. Trunk represents High efficiency and adaptability. Single Tusk represents One pointedness. Lower right hand represents blessings for devotees
Axe represents cutting all emotional bonds. Ankusa with a rope represents pulling his devotees to spiritual path to attain ones individual highest goal. Modaka represents sweet result of following spiritual path. Belly represents complete acceptance and digest the experience – be it good or bad. Rats represents desire considered as greedy and active.So under Ganesha one can keep under control of desires.
Here are the most visited temples of Ganesha during Ganeshotsav or Ganesh Chaturthi
1. || Shree Siddhivinayak Mandir ||
The Shree Siddhivinayak Ganapati Mandir is a Hindu temple dedicated to Lord Shri Ganesh. It is located in Prabhadevi, Mumbai, Maharashtra. Siddhivinayak is well known as “Navasacha Ganapati” or “Navasala Pavanara Ganapati” (‘Ganapati bestows whenever humbly genuinely prayed a wish’ in Marathi) among devotees.
The idol of Shree Siddhivinayak was carved out of a single black stone and is 2’6” (750mm) high and 2′ (600mm) wide with the trunk on the right. This is rather unusual appearance of Lord Ganesh. The upper right and left hands hold a lotus and an axe respectively while the lower right and left hands hold a rosary (japmala) and bowl full of “Modak” respectively. As it resembles the sacred thread, a snake appears on the left shoulder to right side belly. On the forehead of deity is an eye, which almost looks like the third eye of Lord Shiva. On both sides of the Lord Ganesh idol, are placed one idol each of Riddhi and Siddhi goddesses who are appearing like peeping out of the Ganesh idol from behind. Because of these two deities along with Lord Ganesh, this temple is known as the Siddhivinayak Ganapati Temple. These goddesses signify sanctity, success, wealth and prosperity.
2. || Ashtavinayaka – Maharashtra ||
Ashtavinayaka literally means “eight Ganeshas” in Sanskrit. Ganesh is the Hinduism/Hindu deity of unity, prosperity & learning and removes obstacles. The term refers to eight Ganeshas. Ashtavinayaka yatra trip refers to a pilgrimage to the eight Hindu temples in Maharashtra state of India that house eight distinct idols of Ganesha, in a pre-ascertained sequence. The Ashtavinayaka yatra or pilgrimage covers the eight ancient holy temples of Ganesha which are situated around Pune. Each of these temples has its own individual legend and history, as distinct from each other as the murtis in each temple. The form of each murti of Ganesha and His trunk are distinct from one another.The various names of Lord Ganesh are Moreshwar, Mahaganpati, Chintamani, Girijatmak, Vighneshwar, Siddhivinayak, Ballaleshwar and Varad Vinayak . These Temples are situated at Morgaon, Ranjangaon, Theur, Lenyadri, Ojhar, Siddhatek, Pali and Mahad.
3. || Kanipakam Vinayaka ||
Kanipakam Vinayaka Temple or Sri Varasidhi Vinayaka Swamy Temple is a Hindu temple of Ganesha. It is located in Kanipakam in Chittoor, Andhra Pradesh, India. The temple was constructed in the early 11th century CE by the Chola king Kulothunga Chola I and was expanded further in 1336 by the Emperors of Vijayanagara dynasty.
According to the legend of the temple there were three brothers and each one had a handicap. Viz., Dumb, Deaf and Blind. They were earning out their livelihood by cultivating a small piece of land. they found that the water in the well got dried up and they could no longer continue their job. One of them got into the well and started digging it up. He was taken aback to see the iron implement hitting a stone like formation. Later, he was shocked to see blood oozing out from it. Within a few seconds the entire water in the well, turned blood red in colour. Thus, startled by this divine sight, all the three became normal getting rid of their deformities. As soon as the villagers came to know about this miracle, they thronged to the well and tried to deepen the well further. But their attempt proved futile because the ‘swayambhu’ idol (the self-manifested) of Lord Vinayaka emerged from the swirling waters. Ultimately they offered many number of coconuts with all prayers- modestly kneeling before the new idol, offered “MANGALARATHI” etc. They declared the idol as “SWAYAMBHUHU” and tendered a number of coconuts. The coconuts water flowed into a channel to a distance of more than one and a quarter acres. The indication of this led to the modification in the usage of the word “KANIPARAKAM” and later pronounced as KANIPAKAM. Even today the idol is in the original well and the springs of the well are perennial and eternal. The holy water from the well is offered to the devotees as theertham.
4. || Sasivekalu Ganesha Temple ||
The giant monolithic Ganesha statue is locally called Sasivekalu (mustard seed) Ganesha. This is located on the southern foothill of the Hemakuta Hill.
In Hindu mythology Lord Ganesha (also known as Ganapathi or Vinayaka) is notorious for his food habit. One day he ate so much of food that his tummy almost busted. He just caught a snake and tied it around his tummy as a belt to save his tummy from bursting.
On this statue you can see the snake carved around his tummy. Also he holds the goad, pasha (noose), and his broken tusk.
The hand which holds modak (a kind of sweet ball) is broken and not reconstructed. This monolithic statue carved out of a huge boulder measures about 2.4 meters (8 feet). An open pavilion is build around the statue. According to inscriptions found nearby this pavilion was built by a trader from Chandragiri (in present day Andhra Pradesh)in 1506 AD, in memory of one of the Vijayanagara king – Narasimha II (1491-1505 AD).
5. || Gokarna Maha Ganapati Temple, Gokarna ||
Located near the Mahabaleshwar Temple, Gokarna is a Hindu temple located in Gokarna, a Hindu religious pilgrimage centre in Uttara Kannada district in the Indian state of Karnataka.
According to the legend Sri Maha Ganapathi Temple was built in honour of the boy Ganapathi, who deceived the demon Ravana and saved the Atmalinga that is now installed in the Mahabaleshwar Temple. The temple has a granite image of Ganesha deified in it which is 5 feet (1.5 m) tall and two-handed; at the top of its head there is hole that is stated to be a mark of a violent blow conjectured to have been inflicted by Ravana. The temple has its own identity and is also known as Sidda Ganapati.
6. || Ranthambore Ganesh ji (Rajasthan) ||
When we say “Pratham Ganesha” in Hindu religion, it is believed to be the Trinetra Ganesha of Ranthambore. Located in Ranthambore fort of Rajasthan state of India, The Trinetra Ganesha Temple is the famous and oldest temple of Lord Ganesha in Rajasthan that comprises of his whole family all together at one place. The temple is about 12 kms from Sawai Madhopur and is well established in Ranthambore fort.
History Behind Temple:
According to the history behind this temple, it is said that in 1299 AD, a war took place between King Hammeer and Alauddin Khilji at the Ranthambore fortification. During the war time, they filled there godowns with foods and other necessary things in Ranthambore Fort, where the King dwells. As the war lasted for many years, the stored things in godowns were getting over. King Hammer was a great devotee to God Ganesh. One night when he was sleeping, Lord Ganesh came in his dream and said that all the lacking and problems would be over by tomorrow morning. Next day morning, an idol of Lord Ganesh with three eyes (Trinetra) stamped from one of the walls of the fort. Also, a miracle took place and the war got over while the godowns got filled again. In 1300 AD, King Hammer built a temple of Lord Ganesh. He placed the idol of Lord Ganesh, Riddhi Siddhi (his wife) and two.
7. || Karpaka Vinayakar Temple, Pillaiyarpatti (Tamil Nadu) ||
Pillaiyarpatti is located near Thiruppathur, Sivagangai District of Tamil Nadu. It is situated between Kundrakkudi and Tiruppatthur. Pilliyarpatti is 12 Kilometers away from Thiruppatthur and 3 kilometers from Kundrakkudi. Pillaiyarpatti Karpaga Vinayagar is carved out in a cave of Pillaiyarpatti Hillocks. Lord Vinayagar is carved out from the rock of the cave. Lord Thiruveesar is also carved in the rock of this cave. The temple was built under patronisation of Pandyas. The age of the cave temple is 2500 years or more. There are 14 stone Sculptures in the cave ( dated from 500 BC to 1284 AD ). These stone Sculptures state the ancient names of Pillaiyarpatti such as Ekkattoor, Thiruveenkaikkudi, Maruthangudi, and Rajanarayanapuram.
Pillaiyarpatti temple is a rock-cut temple located in Thiruppatthur, Sivagangai District. It was built after viewing a hillock by the early Great Pandiya kings. The image of Pillaiyarpatti Pillaiyar and that of a Siva Lingam were carved out of a stone by a sculptor named Ekkattur Koon Peruparanan who put his signature on a stone inscription, in Tamil Language used between the 2nd and 5th century AD, found even today in the sanctum. It can be concluded that the icon of Pillaiyarpatti Pillaiyar must have been carved around the 4th century AD.
Pillaiyar (Vinayagar), the God of Victory is the main deity here in the name, Pillaiyarpatti Pillaiyar. This temple is the only one in Tamil Nadu which contains a 6 feet rock-cut Pillaiyar deity. Vinayagar’s trunk is curved at the right side (Valampuri Vinayagar) which is also a unique feature. Lord Karpaga Vinayagar is seated facing northern side.
8. || Ucchi Pillayar Temple ||
Rockfort Ucchi Pillayar Temple, Tiruchirappalli (Tamil Nadu)
Ucchi Pillayar koil, is a 7th-century Hindu temple, one dedicated to Lord Ganesh located a top of Rockfort, Trichy, Tamil Nadu, India. Mythologically this rock is the place where Lord Ganesh ran from King Vibishana, after establishing the Ranganathaswamy deity in Srirangam.
The Rock Fort temple stands 83m tall perched atop the rock. The smooth rock was first cut by the Pallavas but it was the Nayaks of Madurai who completed both the temples under the Vijayanagara empire
Vibhishana, though he supported Rama, was basically an Asura, hence the Devas wanted to stop this idea of an Asura taking Lord’s supreme form to his Kingdom. They request the help of the Remover of obstacles and God of learning, Lord Vinayaka and the Lord accepts the plan. Vibhishana, while on his back to his Kingdom, goes through Trichi, and wanted to take his bath in the river Kaveri and do his daily rituals. However, he is perplexed as the deity, once kept in land, can never be removed and has to be in that place forever.
As a solution, Vibishana tries to find someone to hold the deity while he was taking bath. He finds the Lord Vinayaka under disguise of a cowherd boy. As per the plan, when Vibishana is fully into water, Vinayaka takes the deity and keeps it firmly in sand, in the banks of kaveri. On seeing this, the angry Vibhishana chases the boy, to punish him, and boy keeps running and climbs over the rock near the Kaveri bank. Vibhishana finally reaches the boy and hits him on the fore-head. One can see a pit in the forehead of the idol even today. The little boy then reveals himself to be Vinayaka . Vibishana immediately apologizes and the Lord gives him his blessings, reveals that the idol is destined to remain in Srirangam and sends him off to Lanka.
The place in which the Ranganathan deity was kept was later covered in deep forests, due to disuse and after a very long time, it was discovered when a Chola king chasing a parrot found the deity accidentally. He then established the Ranganathaswamy Temple, Srirangam as one of the largest temple complexes in the world. Meanwhile, the Pallavas built the Vinayaka temple and the Thayumanaswamy temple, in the rock which Vinayaka used to escape Vibishana.
9. || Madhur Maha Ganapathi Temple ||
Madhur Maha Ganapathi Temple, Kasaragod (Kerala)
This is one of the most famous Ganapathi temples of six ganpathi temples of ancients Tulunadu.
Madhur temple was originally Madhanentheswara (Shiva) Temple and as the lore goes, an old so called “low caste” lady “Madaru” discovered an “Udbhava Murthy” (a statue that was not made by a human) of shiva linga. The Ganapathy statue was drawn by a priest’s son, a small Brahmin boy, on the walls of the Garbhagriha(sanctum sanctorum) while playing. Day by day it became big and fat; so that the boy called Ganapathi as “boddajja” or “bodda ganesha”. The legend of Kumble seme says Tipu Sultan wanted to demolish the temple like Adooru Mahalingeswara temple during his invasion of Coorg, Tulunadu, and Malabar. But after drinking water from the well of the temple, he changed his mind on attacking and demolishing the Garbhagudi and marched towards Malabar. But to satisfy his soldiers and Islamic scholars he made a cut with his sword symobolising the attack. The mark is still visible on the building that is built around the temple well.
10. || Dodda Ganapathi Temple, Bangalore ||
The famous Dodda Ganesha Temple is located on the Bull Temple Road in Basavanagudi, Bangalore. This ancient temple is found just next to Bull temple and close to Bugle Rock Park. Dodda Ganesha Temple is one of the popular landmarks in Bangalore.
Dodda Ganesha Temple at Basavanagudi was constructed by Kempegowda I, the founder of Bangalore. Once upon a time while he was strolling, he found a number of rocks and one of the boulders had a shape of Ganesha engraved on them. Kempegowda, therefore ordered his sculptors to convert the shape into a massive as well as fantastic single stone idol of Lord Ganesha.
The huge Ganesha of this popular temple is 18 ft tall in height and 16 ft wide. The lord is also generally known as Shakthi Ganapathi or Satya Ganapthi. It is usually believed that the idol of Dodda Ganesha Temple at Basavanagudi is growing on its right side.
The Dodda Ganesha Temple at Basavanagudi attracts devotees from different localities of Bangalore. Devotees come here to get blessings of Lord Ganapathi. What make this Ganapathi idol more eye-catching to the people is, the different sorts of decorations which are done during the week. One of the most famous decorations is the butter coating (Benne Alankara) to the idol. Over 100 KGs of butter (Benne) is needed for to apply to the idol of Dodda Ganesha Temple.
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Ganesh Stuti : गणेश स्तुति
Lord Krishna Leelas: The Birth of Krishna
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Selection includes high selectivity and low detection limit sensors
WPI's biosensors are unique, because they offer a high selectivity and low detection limit (down to nM concentration) with a broad dynamic range, covering physiological concentrations of species with different sizes from nanometer to millimeter. The majority of our sensors are the only commercially available sensors in the world. Scientists across a variety of disciplines have relied on our sensors for over 25 years. These scientists use WPI's sensors for research performed in universities, hospitals, biomedical research labs, pharmaceutical companies, food/nutrition research labs, environmental monitoring centers and military labs. Our popular biosensors are listed in thousands of publications.
Carbon monoxide (CO) is a versatile mediator of physiological processes. Carbon monoxide (CO) formed by internal mechanisms (endogenous) is measured in a variety of ways, but standard measurement methods are of limited utility in most biological systems. WPI's ingenious ISO-COP-2 CO sensor measures CO in vivo or in vitro in real time! Our carbon monoxide sensors work with the TBR4100 and TBR1025 free radical analyzers.
Measuring glucose in vivo over the long term is challenging and difficult. Previous measurement systems were limited to acute studies or a few days at best. WPI introduces a new kind of implantable glucose sensor based on a patented technology. This sensor provides a tool for researchers to directly detect glucose in chronic studies in vitro or in vivo. The sensor is fully compatible with WPI’s Apollo system. Our glucose sensors work with the TBR4100 and TBR1025 free radical analyzers.
Hydrogen Peroxide is produced in biological systems by controlled pathways at low concentrations that impact on cell signaling. At higher concentrations inflammatory cells produce local intense amounts of this oxidant to kill pathogens. In the progress of human disease, uncontrolled formation of hydrogen peroxide from the mitochondrial respiratory chain and enzymes, such as xanthine oxidase, can occur (Prof. Victor Darley-Usmar, Univ. of Alabama, personal communication). Despite the recognized importance of this oxidant in biology real-time measurements at low concentration have been difficult. The hydrogen peroxide sensors developed by WPI are designed to compliment existing high sensitivity fluorescent approaches with direct quantitative measurement in biological samples in the low nM range. Four hydrogen peroxide sensors are currently available. The ISO-HPO-2 is a 2.0 mm stainless steel sensor, with replaceable membrane sleeves (#600012) and an internal refillable electrolyte (#100042). The sensor is designed for use in cell cultures and similar applications. The ISO-HPO-100 is a 100 micron tip diameter hydrogen peroxide micro sensor designed for use in tissues and similar applications. The sensor design is based on a flexible “activated” carbon fiber sensing electrode coated with a proprietary membrane that enhances hydrogen peroxide detection. Our hydrogen peroxide (H2O2) sensors work with the TBR4100 and TBR1025 free radical analyzers.
Although hydrogen sulfide (H2S) is generally thought of in terms of a poisonous gas, it is endogenously produced in many mammalian tissues. It has been detected in micromolar amounts in blood and brain tissue. Hydrogen sulfide is reported as having a broad range of biological functions and although its potential to participate in cell signaling is clear, this biological role is not well understood. H2S is strongly anagolous to nitric oxide (NO), because they share several physical and metabolic properties. Like NO, H2S is a potent vascular signal that can mediate vasoconstriction or vasorelaxation depending on the O2 level and tissue. In the rat aorta, H2S concentrations that mediate rapid constriction at one O2 level will cause rapid relaxation at lower O2 levels. The ISO-H2S-2 sensor is a low detection limit sensor that works with WPI'sTBR4100 and TBR1025 free radical analyzers to record H2S in vitro. It is the only sensor available that measures H2S.
WPI offers the most extensive range of nitric oxide (NO) sensors available. Developed over a decade of extensive research in the field of nitric oxide, the result is a superior range of NO sensors that enable routine detection of nitric oxide at ultra low concentrations. Selectivity of WPI’s Nitric Oxide Sensors The ideal nitric oxide sensor should be insensitive to other reactive species likely to be present within the measurement environment. The conventional Nafion coated carbon fiber nitric oxide sensor exhibits a large response to such species. WPI’s unique nitric oxide sensor technology utilizes a novel surface membrane which amplifies the response to NO while eliminating responses to a vast range of reactive species, including nitrite, absorbic acid, hydrogen peroxide, catecolamines, and much more. Nitric Oxide Sensor Guide Applications In Vivo Cell Cultures, NO2 NO3 Tissue Bath Microvessels Microvessels Single Cell Sensor ISO-NOPF ISO-NOP ISO-NOP30L ISO-NOP30 ISO-NOP007 ISO-NOPNM Sensor Diameter 100, 200 or 500µm 2mm 30µm 30µm 7µm 100nm Response Time < 5 sec < 5 sec < 3 sec < 3 sec < 3 sec < 3 sec Lowest Detection Limit 0.2 nM 1 nM 1 nM 1 nM 0.5 nM 0.5 nM Temperature Sensitivity some yes yes yes yes some Drift none none none none none none Sensitivity 10 pA/nM 2 pA/nM 1.4 pA/nM 1.4 pA/nM 1 pA/nM 0.5 pA/nM Physiological Interferent none none none none none none Our nitric oxide (NO) sensors work with the TBR4100 and TBR1025 free radical analyzers.
Comparing Sensors
Choosing the right sensor for your application is critical for successful research. The best way to determine compatibility is to test a sensor in your application, however, cost can make that impossible.Therefore, you must rely on the specifications and information provided by the manufacturer. Five performance factors help you make an informed choice for your given application:
detection limit
Electrochemical electrodes produce changes in current in response to changes in concentration. "Response" is most often specified in terms of the amount of current per concentration unit: nA/micromole or pA/nM, etc. The larger the current per unit the higher the sensitivity of the sensor.
The response of a given free radical sensor is meaningless without also specifying the detection limit. Detection limit is the minimum change in concentration that can be reliably seen. This specification is directly related to the noise of the sensor. A sensor with a 100nA/μM response but a 3μM detection limit is not as good as a 10nA/μM response sensor with a 1μM detection limit.
The best sensors have low detection limits and high sensitivity. In the graph above, the response to the addition of 50nM of nitric oxide is shown for the WPI flexible NO sensor and the comparable Brand Z electrodes. The measurements were made with the same meter simultaneously. As can be seen from the graphs response is similar but the noise level on the WPI electrode allows for a more precise estimate of the current.
A sensor can have a low detection limit and a good response, however, to be useful in long term studies it must be stable when temperature and concentration are constant. A drifting baseline, if monotonic, can be corrected, but wandering baselines limit the utility of sensors to short experiments.
It is a rare instance that the ion species of interest is the only ion in the medium to be measured. In a perfect world your sensor would respond ONLY to the ion of interest. In reality there is always some contribution from competing species. The lower the contribution the better. Graphs detailing the impact of competing species on electrode output are shown on the performance page of this brochure.
The first graph below shows the response of WPI's ISO-NOP007 nitric oxide microsensor following additions of: 50μM ascorbic acid (AA), 50μM nitrite, 100μM L-Arginine (L-Arg), 20 μM Dopamine (DA), 100 nM and 200nM NO. The graph indicates no interference to common reactive species, plus an enhanced response to NO. [Zhang, et al., 2000.]
The second graph below shows the response of typical Nafion-coated nitric oxide carbon microelectrode following additions of: 50μM ascorbic acid (AA), 50μM nitrite, 100μML-Arginine (L-Arg), 2μM Dopamine (DA), 100 nM and 200nM NO. [Zhang,et al., 2000.]
For an electrode to be useful and easy to calibrate the response must be "Linear" with changes in concentration over the range of interest. Non-linear behavior requires special curve fit software to calibrate the sensors. This approach is more time consuming and can be unreliable. "Good" linearity is expressed by a R² of 0.900 or higher. (1.00 is perfect.) All of the electrochemical sensors made by WPI are have a 0.9 or better.
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{Retired} The Kathleen Dunn Show
Milwaukee Art Museum Brings Heaven And Earth To Wisconsin
Francesco Guardi, View of San Giorgio Maggiore, ca. 1760. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (184). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Francesco Guardi, Courtesy American Federation of Arts.
Andrea Casali, Triumph of Galatea, ca. 1740–65. Bequeathed by Archibald McLellan, 1856 (195). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Antonio Balestra, Justice and Peace ,Embracing, ca. 1700. Bequeathed by Archibald McLellan, 1856 (266). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Carlo Dolci, Salome, ca. 1681–85. Purchased by Glasgow Museums through JC Robinson, 1883 (656). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Domenichino, Landscape with St. Jerome, ca. 1610. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (139). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Francesco Guardi. Courtesy American Federation of Arts.
Cavaliere d’Arpino (Giuseppe Cesari), Archangel Michael and the Rebel Angels, ca. 1592–93. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (153). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Bartolomeo Veneto, St. Catherine Crowned, ca. 1520. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (210). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Titian (Tiziano Vecellio), Christ and the Adulteress, ca. 1508–10. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (181). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Sandro Botticelli (and Possibly Assistant), The Annunciation, ca. 1490–95. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (174). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Giovanni Bellini, Virgin and Child, ca. 1490–95. Glasgow Museums; Bequeathed by Archibald McLellan, 1856 (174). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Vincenzo Camuccini, Death of Julius Caesar, ca. 1825–29. Glasgow Museums; Bequeathed by Mrs. Cecilia Douglas of Orbiston, 1862 (318). © CSG CIC Glasgow Museums Collection. Courtesy American Federation of Arts.
Milwaukee Art Museum Brings Italian Works Of Art To Wisconsin
'Of Heaven And Earth' Exhibition Features 500 Years Of Paintings
By Scottie Lee Meyers
Wednesday, December 10, 2014, 2:00pm
The Milwaukee Art Museum’s current “Of Heaven and Earth” exhibition features 500 years of Italian painting from Glasgow Museums, a rare treat for art lovers in the U.S.
“Some art historians have to wait a lifetime to see some of these pieces,” said Tanya Paul, the museum's curator of European art. ”Most of the paintings have not left the city of Glasgow since they came into the collections. And a lot of the paintings actually for a long time were not on view in Glasgow.”
Of Heaven and Earth features five chronological sections from the principal artistic centers of Italy -- Rome, Milan, Bologna, Florence, Siena Naples and Venice, from the 14th century to the 19th century and includes work of Bellini, Botticelli, Rosa and many others.
The show features religious paintings from the late Middle Ages and the Renaissance such as Botticelli’s "Ascension" and Bellini’s "Virgin and Child," as well as secular works like Camuccini’s "Death of Julius Caesar" and Veneto’s "St. Catherine Crowned."
Paul said spending time with the paintings has changed her opinion of the quality of the work throughout the centuries.
“The amazing thing is that as you walk through the exhibition you see that that level of creative ability with Italian painters just does not diminish. It shifts and changes as styles change of course, but you really see that there’s this consistent creative approach that these artists have across this massive span,” Paul said.
Kathleen Dunn
Tanya Paul
KP Whaley
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Milwaukee Public Museum Sensory Room Creates Space For All Visitors
Milwaukee Artist Practices Tintype Photography
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Bruce Prichard Talks About Monday Night War, Thoughts of WWE Closing, Bischoff
Posted By: Caylon Knox on Feb 04, 2018
Former WWE personality and backstage official Bruce Prichard was recently a guest on The Sam Roberts Wrestling Podcast and talked about the legendary Monday Night War between WWE and WCW.
Competition from WCW:
“Without a doubt, when there is somebody, you fight a lot harder when you’re getting your ass kicked. When Eric was coming after us with vengeance all of a sudden, we weren’t the only game in time, we weren’t the ones who were just fighting for that existence and to be part of everything. They’re doing great numbers which helped us do great numbers and I think that’s what is missing today, some good healthy competition.”
Thoughts of WWE Possibly Closing Down:
“There were times when we thought, ‘oh man, this could be it,’ but at the same time having been in similar positions we knew we just had to keep working and there would be light at the end of the tunnel, but there were definitely times when we thought this could all be over.”
Feelings Toward Eric Bischoff:
“I was actually one of the guys who wanted to bring him in. Again, you have to understand when I say I hated his guts, but I am just a guy who hates losing. You judge them based on the outside perception and once I met him I fell in love with him and he is one of my best friends today, if we had met in ’98 it might have been a different story.”
Source: The Sam Roberts Wrestling Podcast
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Nestlé’s Full-Fat Ice-Cream Sale Comes Later
Swiss food company has sold U.S. ice-cream brands including Häagen-Dazs for $4 billion to an existing joint venture with a private equity company
Carol Ryan
BiographyCarol Ryan
carol.ryan@wsj.com
Nestlé’s latest deal should help it milk the softening ice-cream business for private-equity style returns, perhaps ahead of a potential initial public offering in a few years’ time.
The world’s largest food company said late Wednesday that it is selling U.S. brands including Häagen-Dazs and Drumstick to Froneri, a joint venture it created in 2016 with private equity company PAI Partners to manage its European ice cream assets.
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The Crisis and Core & Periphery in the Eurozone - Peripheral Vision
Date: Thu, 2011-05-19 15:33
At the same time that we are witnessing a wave of popular protest in North Africa and the Middle East against aged and corrupt neo-colonial dictatorships, in the heart of Europe we are witnessing something unprecedented and absolutely extraordinary.
History appears to moving in the ‘wrong direction’ in the so-called peripheral countries of the Eurozone.
In the last 12 months first Greece, then Ireland and now Portugal have been forced into the arms of so-called ‘bailouts’ by the European Central Bank with the aid of the IMF. In the cases of both Ireland and Portugal this meant the imposition of 3-4 year comprehensive economic programmes of austerity that gave the lie to the subsequent elections that followed or will follow shortly after. Despite the best efforts of the political and media commentators to pretend that it’s ‘business as usual’, this has effectively meant the ending of any democratic influence on economic policy by the electorates in these three countries, now subject to economic direct rule from Frankfurt.
This movement from capitalist liberal democracy back to a new form of colonial mandate is the reverse of the direction that the liberal worldview has told us is ‘normal’ for the last half a century. From the decolonisation struggles of Asian and African countries in the 60s and 70s, through the gradual emergence of Latin America from under the heel of US-sponsored military dictatorships, the conventional story has been of an inevitable historical progression from colonialism, through neo-colonial dictatorships to the eventual end goal of liberal democracy. In that light, what has now happened to Greece, Ireland and Portugal is so far off the script that the corporate media have yet to grasp its full meaning.
Let’s be clear about this - we are not trying to externalise all blame for the current situations in our different countries onto the banks and financial interests of the core countries. Certainly here in Ireland we have scores to settle with local capitalists who continue to hang on to their ill-gotten gains, having dumped their losses on the ordinary taxpayers. But neither is it the case that the situation that we ‘peripherals’ find ourselves in is purely the doing of the local business class, in isolation from the bigger picture of capital flows within the Eurozone.
In Ireland’s case, the outline of how the large movements of UK, German and other European bank money into Ireland in search of a quick buck fed the property bubble, and the fundamental robbery of making the Irish population liable for the losses of these European banks, is beginning to be heard amongst a number of voices in the media. Following on from that the call for a default on the debts the state has taken on from the banks has been raised. While we support the need to build an opposition with the strength to force a default onto the agenda, the question of default is not the fundamental issue here. The fundamental issue is one of power and democracy in the current composition of Europe. The fundamental issue is the reversal of history that is transforming the Eurozone into a new imperial space where the peripheral regions are to be ruled as provinces of the core homelands.
Our project is not a struggle for bourgeois justice. We know that real justice is not possible under capitalism. To fight against the injustice of the current distribution of austerity is to promote the reformist and pro-capitalist agenda that if only the austerity was equally shared, then justice would be restored. But so long as capitalism persists, the basic injustice of the exploitation of the majority for the expansion of capital and the enrichment of its minority representatives will continue. We reject the perspective of liberal critics of Frankfurt’s dictatorship, that it is based on a violation of capitalist principles of fairness and casts the struggle in a narrowly nationalist ‘beggar thy neighbour’ frame. We understand that the Eurozone’s reversal of history and evisceration of liberal democracy is not a violation of the logic of capitalism, but its very product. Our project is not for a fairer distribution of misery and oppression of workers. Instead, our project is one of resistance, transformation and liberation.
Peripheral Vision then should not be understood as being simply an attempt to defend the interests of the workers of the peripheral countries against the agenda of the Core, but a transformation of our societies that is in the interests of all workers, whether Core or Periphery, inside or outside the Eurozone. In the same way that feminism is not only about transforming the conditions of women but also men’s, in the way that the struggle against racism is more than defending the rights of minorities but creating a fair and equal society for all, so Peripheral Vision is not the mirror image of the Core Vision - the advancement of the interests of ‘insiders’ at the expense of ‘outsiders’ - but its opposite - an end to all inequality of power, of all exclusions, and a transformative vision of real equality.
Fine words, but how to put them into action? Just as you cannot have a feminist vision without the voice of women being central and you cannot fight racism without listening to the voices of people of colour, so we cannot create an alternative vision to the model of Core domination without a process of collective articulation of perspectives from the peripheral regions. This cannot be done by the capitalists and politicians of our different states because they represent the interests of those who are dependant on the free flow of financial capital in the Eurozone, not the workers. Nor can we do it by demanding as a preliminary an allegiance to some pre-existing rigidly-defined political ideology or analysis. This would simply be the mirroring of a core-periphery dynamic on an ideological level. We must accept that the principal of harmony between means and ends requires that we come together as equals, horizontally, and without preconditions. That is preconditions other than the general principles of horizontality, means-ends coherence, anti-capitalism and working class self-reliance already mentioned - we have to start somewhere, after all!
We hope with the meeting on the theme of Peripheral Vision at the Dublin Anarchist Bookfair, to begin a process of dialogue and comparing our experiences of the austerity offensive in our different countries, and our resistance to it. We hope that this is the beginning of a many-threaded series of communications between, not only friends from the peripheral countries within the Eurozone, but also our neighbours in the ‘external peripheral’ countries of Eastern Europe and the other shores of the Mediterranean, as well as with comrades in struggle in the Core countries. We each have different pieces of the jigsaw we need to bring together to create a new vision for a more just and egalitarian recomposition of Europe open to and in solidarity with the wider world.
This article is from Issue 3 of the Irish Anarchist Review - published May 2011
Subject: Eurozone, EU periphery, Capitalist crisis
Topics: Economy
Geography: International
Source: Magazine
Type: Analysis
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DiRT 3: Complete Edition
DiRT 3: Complete Edition Customer Reviews
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dirt3 complete
DiRT 3: Complete Edition is a fantastic game at a fantastic price.
08/10/13 by tommyo
This is a great game. My son had it for the PC, but having got an xbox recently, he wanted it for that. The graphics are great and he just can't stop playing with it. Given the chance, I think he woud play on it all day!
10/06/13 by kath05
DiRT 3: Complete Edition is even better than its predecessors, this game offers everything to motorsport fans. If you are in search of a complete (yet really decently priced) racing game, you've found your goal. Rally, raids, baja and Gymkhana, with impressive tracks, graphics and tremendous amount of cars, Dirt 3 can ride alongside Forza 4 or Gran Turismo with no shame. Various events and a really long career will keep you addicted to your screen for hours and hours in single and multiplayer. Not to mention that this version comes with every DLC ever released for the game, adding even more hours of gameplay and fun. If you liked Dirt, Dirt 2 go for it. If you didn't play Dirt before but liked Need for Speed or Grid then it's an absolute must buy. From a gamer's point of view you can totally take this game blindfolded and have no regrets, in terms of rally it's the best. From a more casual point of view, don't hesitate, the game adaptive mechanisms are suitable for everyone! An absolute must buy both for 360 and PS3.
20/05/13 by Deadmarye
DiRT 3 is an awesome game for an awesome price. Thank you zavvi.
20/05/13 by huck
DiRT 3: Complete Edition is a great game.
06/05/13 by pypen
Excellent game
Not much to say really, it's the best rally game and one of the best racing games I've ever played. Can hardly put it down!
02/05/13 by oooz1991
DiRT 3: Complete Edition is a great driving game with all the DLC!
17/04/13 by inveluca
Very enjoyable game with a lot less of the gung-ho, US-centric X-games inspired rallying that was Dirt2. Still has a long way to go to be truly authentic to rallying but more of the classic cars has at least delved in to the history of rallying since the '50's. New locations and weather have added a great feel to the game with places like Finland, Norway and Kenya keeping the "spirit" of rallying fully evident - as well as added snow and night rallies. The super special stages are exciting to play in split screen multiplayer - another aspect of the game which outdoes the previous iteration.
14/04/13 by Prof
DiRT 3: Complete Edition is one of the most entertaining racing games I have ever played!
11/04/13 by Eku
My Grandson is only 7 and he loves DiRT 3: Complete Edition.
03/04/13 by shaz
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When a mouse is like a turtle
Slow and steady wins the race. It's the same pace for progress in mouse technology
By Richard Shim | July 10, 2000 -- 10:04 GMT (03:04 PDT) | Topic: Tech Industry
Consider the computer mouse, and you will be one of the few. After all, it's just a mouse. Now consider that a mouse ships with every single PC. Dataquest estimates that 120 to 150 million mice shipped last year, a market worth roughly $1.5bn (£0.99bn).
Most of the units -- up to $800m worth -- were shipped with PCs. But the real money comes from after-market sales, where manufacturers can get about $30 per unit.
"Companies like Microsoft and Logitech have been the leaders in this category and they have done a good job in making mice more reliable and useful," said Dataquest vice president Martin Reynolds. "But enormous innovation is not typical of this market."
If anything, baby steps dictate this market. But even minor steps can have major effects on users.
Simple innovations -- such as a scroll button for browsing -- can make a user's life easier and more productive.
Last year, Microsoft introduced the optical mouse, which has proved popular among consumers. Optical technology captures digital images as the mouse or trackball is moved, allowing for more precise and faster location information to the PC.
Although the company refused to provide sales figures, Christine Kerr, product manager for Microsoft's mouse line said: "Optics are the future, and we know this because units have been flying off the shelves."
Apple Computer has also been rumoured to be working on a new mouse -- also based on optical tracking technology -- to replace its unpopular puck-like mouse. The new mouse will allow users to register clicks by rocking the mouse.
What do you think? Tell the Mailroom. And read what others have said.
CXO Government Security
More from Richard Shim
Iomega aiming for 800GB DVDs
Is Linux Palm's savior?
Wireless networking gear revenues continue rise
Can games grow beyond the hard-core set?
The decline of social media: Facebook and Twitter leave us wanting
Social networks stopped being happy places some time ago. Some say that’s a reflection of our society, others an illusion brought about by algorithmic manipulation. But both sides ...
Money laundering: This startup thinks its tech can prevent another banking scandal
An Estonian startup says it can stop a repeat of the multi-billion Scandinavian bank money-laundering scandal.
The annual changes were finally revealed after being pushed back because of the criminal trials faced by its de facto leader.
Why this city wants tech startups and developer jobs to heal its civil war wounds
Vukovar, a small city between Croatia and Serbia, is being transformed by the growth of the Balkan IT industry.
Microsoft's ambitious plan to remove its entire carbon footprint
Microsoft agrees with climate experts, that the world must take urgent action to bring down emissions.
Cybersecurity firm McAfee names new CEO
Chris Young is stepping down as CEO of the cybersecurity company.
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/ Crafts
Ideas is all about MAKING your world more beautiful. Packed with creative inspiration, fresh ideas, easy projects and step-by-step instructions, this magazine is the go-to guide for crafters, stitchcrafters, makers, cooks and DIY home decorators.
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Contact me at • terena@ideasfactory.co.za • instagram.com/terenaleroux 2020. As a visual person, I gaze at the pleasing balance of this date-it just looks right. And if it looks right, it also feels right to me. Perhaps it is still the aftereffects of the World Cup euphoria, but I feel ready for 2020. A balanced number for a year of balance. So where does one begin-With lists, naturally. You see, I’ve always loved a list. Or perhaps more the ticking off of the items on my lists. Since our article about bullet journals, almost three years ago, I have never been without one. My life has never before been so beautifully organised and from this comes my belief in lists to keep things going according to plan. For example, on pages 34 to 36: a list…
CREATIVECALENDARIDEAS@GMAIL.COM WESTERN CAPE Until 19 January The Festival of Light Art takes place at Spier. Enjoy the multisensory artworks of light and sound across the farm. Entry is free. For more information, go to www.spier.co.za. 2 January At the Cape Town Minstrel Carnival you can celebrate the new year with thousands of musicians, singers and dancers in colourful costumes. The parade starts in District 6 at around noon and makes its way to the city centre. 4, 11, 18, 25 January The Porterville Farmer’s Market takes place every Saturday. On sale are locally-sourced bakes, preserves, proteas, fresh produce, arts and crafts. Go to www.portervillemarket.co.za. 6-25 January The UCT Summer School offers a huge selection of short courses on everything from languages and philosophy to practical art and writing. For more information, go to www.summerschool.uct.ac.za. 16 January - 8 March The Maynardville…
books to read in january/february
Fiction The Giver of Stars by Jojo Moyes (Michael Joseph, R270) This love letter to the power of books and literature, and female friendship, is inspired by a true story. Alice Wright has travelled halfway across the world to escape her stifling existence in England. But she soon realises newlywed life in the wild mountains of Kentucky isn’t the answer to her prayers. But maybe meeting Margery O’Hara is. She enlists Alice, along with three other women, to join her in riding hundreds of miles a week to deliver books to isolated families. They battle the elements and unforgiving terrain-as well as danger and social disapproval. Transforming the lives of so many is all the impetus they need to take such risks. Then a body is found in the mountains, and…
The Doll Factory by Elizabeth Macneal (Picador, R306) It is London, 1850, and while aspiring artist Iris is admiring the construction of the site for The Great Exhibition in Hyde Park, she meets taxidermist Silas. For her it is a quick encounter which she almost immediately forgets, but for him, a collector of the strange and beautiful, it is a life-changing moment. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he teaches her to paint. Her world begins to expand and becomes a place of freedom and art. But for Silas she becomes an obsession that is even bigger than his dream of being a part of the exhibition. It is a gripping story of dreams, passion and determination, set in…
gorgeous on instagram
@MISSMILLYSA Skukuza, Kruger National Park, Mpumalanga Theresa McGill of Miss Milly expresses her love for vintage floral living with her stationery range in soft pastel colours. Follow her on Instagram, where she shares her latest designs. @FEBE_AND_MISHKA_IN_WONDERLAND Hermanus, Western Cape The mother and daughter team of Fébé Harris Marais and Mishka tackle their creative projects together-from craft to needlework - and enjoy dressing up in vintage clothes and showing their outfits on Instagram. @TMUIS Cape Town You won’t be able to get enough of the gifted local illustrator Tyla Mason’s colourful, tongue-in-cheek illustrations. Take a look at her website, tylamason.com, to buy some of her products.…
EDITOR Terena le Roux Email terena@ideasfactory.co.za STUDIO AND STITCHCRAFT Dala Watts MARKETING AND FINANCES Marweya Smal INQUIRIES info@ideasfactory.co.za COPY EDITING Diana Procter and Marié Smidt STYLING Hannes Koegelenberg, Dala Watts, Carin Smith and Justine Hewitt PHOTOS Ed O’Riley, Anelle Britz and Lauren Rautenbach CONTRIBUTORS FOOD Louisa Holst and Tani Kirsten CRAFT & DIY Carin Smith, Dala Watts, Hannes Koegelenberg and John Letherbarrow BEAUTY Elsa Krüger STITCHCRAFT Elizabeth Fester, Gina Ross, Wendy Erasmus-Koutlis and Jeanne Visser CREATIVE CALENDAR Lara Foreman RETOUCHING Willie Koen SOCIAL MEDIA Carien Eloff PUBLISHER & SALES Terena le Roux…
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HomeEnvironmentAnimals
Bumblebees detect flowers’ electric field with their tiny hairs
Research showed flowers, and plants in general, generate an electric field and bumblebees can sense it with their tiny hairs.
inAnimals, Biology, News
Research showed flowers, and plants in general, generate an electric field. This field attracts pollinators like bees, in addition to other “advertising” methods employed by plants, like fragrances and ultraviolet emissions. Now, researchers have found out how bees are able to tune in to these fields and recognize the flowers. Apparently, their tiny hairs bend in the presence of the field, and this feeling is used to distinguish between individual flowers.
Closeup of a bee flying by a green plant. Credit: Jon Sullivan, Public Domain licence
Scientists used to believe that animals could sense natural electric fields only in the water. Examples include sharks, eels. A few years ago, Gregory Sutton and colleagues at the University of Bristol, UK, showed that this isn’t necessarily the case.
His team devised an experiment in which some artificial flowers were connected to an electric potential of 30 Volts and sprinkled with sugar water. Another group of artificial flowers were sprinkled with a bitter liquid, but had no voltage supplied. Attracted by the sugary treat, the bees learned to visit the charged flowers. When the voltage was canceled, the bees foraged randomly as they could not differentiate between the flowers anymore.
Most recently, Sutton and colleagues revisited this problem to try to understand how the bumblebees could sense the field. Using very sensitive lasers that could measure even the slightest movements of the insects’ antennae, the researchers repeated the experiment.
Bumblebee hairs. Credit: University of Bristol
The results suggest that when bumblebees are up to 55 centimeters away, the tiny hairs covering their bodies start to move. This motion is extremely subtle, but it can be sensed by the bees, the team reported in Proceedings of the National Academy of Sciences.
“We were excited to discover that bees’ tiny hairs dance in response to electric fields, like when humans hold a balloon to their hair. A lot of insects have similar body hairs, which leads to the possibility that many members the insect world may be equally sensitive to small electric fields,” Sutton said in a statement.
The researchers aren’t sure yet if bees really use this “in the field”, considering colour and smell are very powerful pollinating signals already. This means that the bees, and other insects most likely, could use electric fields for other purposes like navigation or communication.
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Measure once, devein twice
Ophira lived in a wee house in University Square, Tampa. It had one floor, three bedrooms, two baths, a handful of family members, a couple pets, some plants, and an occasional staring contest.
Mauricio lived in Lowry Park North, but Ophira wasn't allowed to go there because Mauricio was afraid that someone would tell his girlfriend. Ophira didn't like Mauricio's girlfriend and Mauricio's girlfriend did not like Ophira.
Mauricio did not bring his girlfriend along when he and Ophira went to St. Pete Beach. They frolicked in the ocean water, and attempted to have sex. Mauricio and Ophira were big fans of science, so Somewhat quickly they concluded that it is impossible to have sex underwater, and absconded to Ophira's car to have sex therein.
“I hate Mauricio's girlfriend,” Ophira told Amit on the telephone. “She's not even pretty.”
“Hey, listen,” said Amit. “I'm going to a wedding on Captiva.”
“Oh, my family used to go to Captiva every year. There's bioluminescent algae and little crabs and stuff.”
“Yeah? Do you want to come along? You could pick me up at the airport.”
“Why would I want to go to a wedding?”
“Well, it's on the beach and they're going to have a bouncy castle.”
“A bouncy castle‽ Are you serious?”
“Well, okay.”
Amit prepared to go to the wedding and Ophira became terse then unresponsive. After he landed at RSW, he called Ophira, but instead of answering the phone she startled and fell out of her chair. Amit arranged for other transportation toward the Sanibel Causeway. Ophira bit her nails for a few hours, then went to her car and drove to Cape Coral.
Ophira cruised around Cape Coral for a while, until she spotted a teenager cleaning a minivan. She parked her car and approached him.
“Whatcha doing?” asked Ophira, pretending to chew on imaginary gum.
The youth slid the minivan door open. “I'm cleaning,” he said hesitantly.
“Didn't your parents teach you not to talk to strangers? I could do all kinds of horrible things to you.”
They conversed for a bit. She recounted a story of her personal hero, a twelve-year-old girl who seduced and manipulated older men into ruin. She rehashed the mysteries of Mauricio's girlfriend. She waxed poetic on her love of bouncy castles. The youth listened, hypnotized.
“What's your name, kid?” Ophira yawned.
“Arjun,” he replied.
Arjun thought about it. “15,” he said.
“Hmm,” Ophira stroked her chin. “Can you sneak me into your room so that your parents never find out about it?”
Arjun's eyes went wide.
MEANWHILE, on Captiva Island, Amit had learned that even though the Tenderly had multiple indoor jacuzzis, General Fitzpatrick and Mrs. Fitzpatrick had decided it prudent to have sex in the hot tub on the deck; that the execution of this plan had somehow necessitated a lengthy cleaning process before the hot tub could be used again; that that's why workmen were cleaning the hot tub; and that the Fitzpatrick children had gotten General Fitzpatrick and Mrs. Fitzpatrick to agree to not do that again, with an added suggestion that they not be seen doing anything else naked in public.
A girl walked up to Amit. “Hey, I heard you lost your plus-one. Are you here alone? What a loser!” she giggled nervously, then stared.
“Leave me alone, Darlene,” sighed Amit.
Darlene's face reddened as she spun on her heels and stormed over to Lisette. “Oh my god, did you see that? I practically threw myself at him and he was abusive toward me. He probably has all the classic signs of being an abuser. Did you hear about that girl he dated in Ohio? I bet I know why that ended.”
“Oh really?” said Lisette distractedly, looking Amit up and down. “So he's single now?”
Darlene glared at Lisette as Amit wandered back outside to stare at the hot tub.
“Hey kid,” said Ophira, “bring me some snacks.”
“I don't bring food into my room,” said Arjun. “It attracts pests.”
“Is that what your parents told you?” scoffed Ophira. “Don't be such a wuss.”
Three minutes later, Ophira was finishing a bag of paprika puffs. “These are great, Arjun! Where do you get these?”
“My cousin sends them from Europe,” he explained.
“Now get me a diet soda.”
Amit strolled along the beach, then yelped. “What's biting my legs?” he cried out.
“Those are sand fleas,” said Nessarose.
“What are sand fleas?” asked Amit incredulously.
Nessarose rolled her eyes. “Stop being a baby and have a drink.”
After the sun went down, Amit began to notice the crabs, and this made him drink more.
When everyone was soused, General Fitzpatrick announced that they were going for a swim in the Gulf, in direct contravention of safety guidelines. Most of the guests were wise enough to refuse, but an eightsome swam out, occasionally stopping to slap the algae, but continuing until they reached the sandbar that General Fitzpatrick correctly claimed was there.
Then screams echoed through the night as all the jellyfish attacked everyone invading their sandbar.
The crestfallen swimming party eventually made it back to shore.
“Pee on the jellyfish sting,” commanded Nessarose. “It's the best cure.”
“No!” shouted General Fitzpatrick's daughter. “Urine makes it worse.”
Things quickly escalated from Nessarose and General Fitzpatrick's daughter screaming at each other to the beach dividing into three factions: those siding with Nessarose, those siding with General Fitzpatrick's daughter, and those who had no idea what was going on. General Fitzpatrick had no interest in any of this, and went straight to bed.
“It's getting late, kid,” said Ophira. “I'm taking your bed.”
“What?” squeaked Arjun.
“Look,” said Ophira, “your bed is small and there isn't room for both of us. You may sleep on the floor if you're quiet and don't bother me.”
“Are you deaf, kid?” Ophira grunted and then went to bed.
Arjun blinked in confusion, then tried to fall asleep on the floor, without much success.
Ophira got up in the morning and said, “Before I go, I want to teach you a valuable lesson.”
“What?” groaned Arjun, getting to his feet.
“You should be careful talking to strangers. Now, I told you that I could do horrible things to you, so this is not my fault; it's yours,” she announced, then sucker-punched him in the gut.
Ophira climbed out the window as Arjun doubled over.
As the ceremony began, only a small minority of the wedding party was visibly suffering from jellyfish stings, which may or may not have helped with ignoring the sand fleas.
The ceremony ended shortly thereafter, and now that marriage had been accomplished, everyone turned their attention to food and drink and swimming less irresponsibly than the night before. Guests that needed to return home sooner departed in waves and Amit started to appreciate the more peaceful environment.
He heard the deck door slide open behind him and turned his attention away from the hot tub.
“Hey, mofo,” Ophira shouted as strode stylishly out onto the deck. “Where's this bouncy castle?”
Amit blinked in surprise. “That was yesterday. You missed it.”
“Oh,” she frowned. “So I met this South Slav guy with a really sexy forehead, and I need some advice. I don't know if I should call him or wait.”
Amit pointed to the hot tub and told her the story of General Fitzpatrick and Mrs. Fitzpatrick and the hot tub.
“What?” said Ophira. “How could they have sex underwater?”
“What do you mean?” asked Amit.
“Well, it's impossible,” she replied.
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York County GOP stands by sheriff amid security backlash
There hasn't been any talk of concern among Republican committee members about the situation, the party chairman said.
York County GOP stands by sheriff amid security backlash There hasn't been any talk of concern among Republican committee members about the situation, the party chairman said. Check out this story on yorkdispatch.com: https://www.yorkdispatch.com/story/news/2019/08/10/york-county-gop-stands-sheriff-amid-security-backlash/1973333001/
Lindsey O'Laughlin, York Dispatch Published 10:40 a.m. ET Aug. 10, 2019 | Updated 3:57 p.m. ET Aug. 12, 2019
The York County Republican Committee is standing by incumbent Sheriff Richard Keuerleber amid public backlash against his selective security enforcement at the courthouse.
"The sheriff made a statement. I think that covered it," said Jeff Piccola, chairman of the York County GOP.
Keuerleber, the Republican nominee for sheriff and the committee's endorsed candidate, is facing criticism for allowing United Fiber & Data CEO Bill Hynes to park in the secure basement lot at the York County Judicial Center for his protection from abuse order hearing on July 15.
In a statement released July 24, the sheriff's department stated that Hynes was escorted by department personnel at all times when he wasn't in a publicly accessible area and that he didn't pose a threat to anyone.
But the York County Board of Commissioners and Common Pleas Judge Craig T. Trebilcock both released public statements condemning the sheriff's action. Two members of the county board — Susan Byrnes and Chris Reilly — are Republicans.
There hasn't been any talk of concern among the Republican committee members about the situation, Piccola said.
More: York County sheriff 'derelict' in duty over parking issue, board says
More: Sheriff: K-9 sponsor wasn't tipped off about his PFA
Shane Becker, (R) candidate for York County Sheriff, takes part in the York Stands Up bipartisan countywide candidates forum in the Weinstock Lecture Hall inside the Willman Business Center at York College, Monday, May 6, 2019. John A. Pavoncello photo (Photo: The York Dispatch)
Shane Becker, who narrowly lost the Republican nomination for sheriff in May, is running in the general election as the Democratic nominee after a successful primary write-in campaign.
As a rule, the Democratic Party of York County doesn't endorse candidates who are registered Republicans, said Chad Baker, party chairman.
But Baker said the Democratic party is not actively opposing Becker's candidacy, either.
"Given the incumbents recent issues regarding lack of common sense security at the Courthouse, Mr. Becker clearly seems to be the better choice of the two," Baker said in an email Friday. "He certainly demonstrated strong support on both sides of the aisle during the primary."
York County seems ready for a change in the sheriff's office, Baker said.
Election Day is Tuesday, Nov. 5.
More: Security is a regular failing at judicial center, says Keuerleber's challenger
More: York County judge issues emergency order slamming sheriff's handling of PFA defendant
More: EDITORIAL: Lax actions imperil more than security
Read or Share this story: https://www.yorkdispatch.com/story/news/2019/08/10/york-county-gop-stands-sheriff-amid-security-backlash/1973333001/
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Divert service users enjoy learning to care for horses
A group of young people receiving support from West Mercia charity YSS (Your Support Service) have been busy this summer learning how to care for horses and ponies, as part of ‘Divert’, a YSS service that provides one to one support to 13 to 16 year olds who are involved, or at risk of becoming involved in, the criminal justice system.
Divert is a diversionary service aimed at young people who are displaying anti-social behaviour, have started to disengage with education and training and have little or no focus. The young people who choose to join Divert often have a myriad of different issues, and many can feel that what is on offer in the community is not for ‘people like them’. YSS changes that perception by introducing them to a wide variety of activities, including sports clubs, employment training programmes, educational courses and community activities like art or music groups.
Over the six week summer holidays YSS keyworkers organised activities for service users, giving them the opportunity to meet new people, learn new skills and increase self-confidence, including horse experiences every Wednesday morning.
The sessions, organised in association with Perry Riding for the Disabled in Yeaton, Shrewsbury, have given Divert service users the opportunity to learn about every aspect of caring for horses and ponies. Activities included ‘poo picking’, measuring food, grooming and washing tails, cleaning hooves, training ponies by getting them used to being around people, as well as riding on both live and mechanical horses.
Pictured above is Tom, a young person referred to Divert, taking part in a vaulting lesson. Vaulting, like gymnastics on horseback, uses a pad on the horses back in place of saddle, and is done at the walk and trot. Chris Cosgrove, YSS keyworker who has been supporting Tom, said: “Tom had never even sat on a horse until these sessions began three weeks ago! It has been fantastic to witness these young people grow in confidence and self-belief, overcome their fears and do things that they believed were not for ‘people like them’. To see the smiles on their faces as they share time with the horses is amazing and has hopefully given them something that they will remember for a long time to come.”
Jane Barker, owner of the riding centre, said: “We were really pleased to be able to work with YSS and support service users referred to Divert. RDA are keen to work with any young people who are socially isolated or need support to prevent them becoming marginalised by disadvantage.”
The ‘horse experience’ mornings will continue until 29 August - the end of the summer holidays - and form part of a programme of activities, including fishing, golf, archery, climbing and laser maze, which have been attended and enjoyed by young people throughout the summer.
To find out more about Divert please click here.
Published: 23rd August, 2018
Author: Becca Harris
Read the latest...
Residential trip for Worcestershire Young Carers
A group of Worcestershire Young Carers has returned from a busy residential weekend, organised by The Children's Society.
New YSS Chrysalis+ Service for Herefordshire
YSS has received £10,000 funding from the Tampon Tax fund, to support young women and girls in Herefordshire who are at risk of criminal exploitation and those who are leaving care.
Self referral route for safer roads service
Our safer roads service, #MORSE is now accepting self referrals. The service, which launched in September 2019, aims to reduce the number of road traffic offences being committed on the roads throughout West Mercia.
Ann Winter - Virgin London Marathon
Virgin London Marathon 2020
Could you become a Family Support Volunteer?
Shropshire Targeted Early Help, our fantastic service that provides early help support for children, young people and their families, is seeking Family Support Volunteers.
Christmas in full swing for Worcestershire Young Carers
YSS Worcestershire Young Carers have been enjoying the Christmas festivities with a Christmas party and ice skating topping off a busy couple of weeks.
Read all about it! YSS newsletter lands
We're delighted that the YSS Christmas newsletter has now been released, giving an update on our work and events for the period June to December 2019.
Criminal Justice Fair leads to new recruits
On 26th November 2019, Volunteer Co-ordinator, Laura Evans and Appropriate Adult Administrator, Lia Palios-Hayden, attended the Criminal Justice Volunteer Fair organised by the University of Worcester.
Cayden meets High Sheriff
We recently welcomed the High Sheriff of Herefordshire, James Hervey-Bathurst CBE DL, to showcase YSS and the No Wrong Door project in Hereford, where YSS staff are based.
WYC chosen to receive Co-op funding
Worcestershire Young Carers is delighted to have been chosen as one of the Co-op's charities to receive Local Community funding.
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Volunteer to support vulnerable people
Following the resounding success of ARC and the demand for a similar service for a younger age group, YSS was awarded further funding from the West Mercia Police and Crime Commissioner to work with young people aged 13-16 years old. This service, called Divert, started in August 2017.
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A Multi-part Interview With Matthew Bates on His New Book, Part One
Book Review, Books 31 Aug 2017
Q– The tone of your book seems to imply that many have ‘gotten it wrong’ (i.e., salvation) up till now. Was that intentional, or is it merely a byproduct of your emphasis? Or, to put it more bluntly, the way it was put to Luther: do you think you are the only one to understand what salvation ‘is’ and everyone who came before erred?
A– The publication of Salvation by Allegiance Alone should be hailed as the second most important event in history, second by a narrow margin to Jesus’s death. I am fairly certain that nobody was actually saved until my book appeared to straighten this whole mess out. I allow that Jesus is still the Messiah, but I should at least get a prime-time talk show.
Joking aside, I think it may be unfair to suggest in such a sweeping fashion that my book implies that many have ‘gotten it wrong’ till now, for that flattens the kinds of ways the church can ‘get things wrong’. Do I think the true church (in its full Catholic, Orthodox, and Protestant expression) has always possessed the gospel in a saving fashion? Absolutely. So the church has never gotten it wrong in the ultimate sense.
Even when individual theologians, communities, and denominations have slightly (or even quite badly) misarticulated the gospel and/or salvation theory, I think the Holy Spirit was still operative in orchestrating salvation, so individuals could respond with saving allegiance through a tacit understanding of and response to the real gospel. It has been preserved and voiced every time the Scripture has been read down through the ages, and it has also been announced through liturgy and art. But this does not mean that there hasn’t been gospel confusion. A sufficient articulation is not the same as an exact articulation.
Yet, I can see why you might feel I am (overly?) bold, for I do make forceful claims about deformations within past and present soteriology. Salvation by Allegiance Alone develops four theses, the first two of which are relevant (and here I quote exactly from p. 9):
1. The true climax of the gospel—Jesus’s enthronement—has generally been deemphasized or omitted from the gospel.
2. Consequently, pistis has been misaimed and inappropriately nuanced with respect to the gospel. It is regarded as “trust” in Jesus’s righteousness alone or “faith” that Jesus’s death covers my sins rather than “allegiance” to Jesus as king.
Then I go on to assert:
“This inadequate identification of the climax of the gospel and faulty aiming of ‘faith’ is not a new problem. Nor is it a problem specific to certain Christian denominations or subgroups. It has been a norm across the full spectrum of the church for many hundreds of years. In fact, both Protestants and Catholics alike generally were invested in this slightly skewed scheme in the sixteenth century—indeed these problems extend at least in part all the way back to Saint Augustine in the fifth.” (Salvation by Allegiance Alone, p. 9).
So I do claim that my proposal might help correct historic and present missteps with regard to faith, works, and the gospel. I also assert that Saint Augustine injected a number of theological errors into the stream of Western soteriology, and that my book is making strides in the right direction. (On Augustine, see, e.g., Hart, “Traditio Deformis” [https://www.firstthings.com/article/2015/05/traditio-deformis]).
Yet, do I think my own thesis is a perfect articulation of salvation theory? Not a chance.
As I am able to build on many scholars and theologians who have labored to articulate salvation theory, I do hope it is nearer the truth than other expressions have been. I also think it is imperative that we re-cover and re-deploy the gospel in every era of church history, so serious attempts are necessary.
Q– The theological topic of ‘salvation’ seems to be making a bit of a comeback among theologians and layfolk. How do you see your book contributing to that discussion.
A- I think interest has been stirred by N. T. Wright’s popularization of elements of the New Perspective on Paul, his novel theory concerning “the righteousness of God,” and the debate this has caused, especially in Reformed circles. One thinks, for instance, of John Piper’s book, The Future of Justification, which has generate buzz among layfolk, and which deliberately responds to Wright’s proposals.
As I felt I had something to say to scholars, pastors, students, and general church-folk, I wrote for as broad an audience as possible. The numerous works of Wright (e.g. Jesus and the Victory of God; Paul and the Faithfulness of God; How God Became King), as well as books by Piper, Schreiner (Faith Alone), Barclay (Paul and the Gift), McKnight (The King Jesus Gospel), Teresa Morgan (Roman Faith and Christian Faith); Michael Gorman (Becoming the Gospel), Joshua Jipp (Christ is King); Michael Bird (The Saving Righteousness of God), and many others helped me refine my own proposal. In articulating my vision of justification, I found myself applauding and criticizing both Wright and Piper at times.
My book seeks to offer something new by reassessing the gospel and ‘faith’ simultaneously. If Jesus’s enthronement and kingly rule is not extrinsic to the gospel, but intrinsic to it, then this colors what it means to respond to the gospel in “faith”. It suggests that allegiance, including embodied obedience to Jesus the king, is essential to salvation.
Note: The other portions of the interview will be posted at the links below. Those links will go ‘live’ when the interview segment is posted.
← Martin Luther – Biographie und Theologie
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Is Brian Jean the right choice for Wildrose leader?
With the Alberta election underway, newly minted Wildrose leader Brian Jean has already began to come under heavy scrutiny. I think we're about to see how much "pretty and female former TV personality" blunted Wildrose criticism over the past few years.
I heard the first rumblings about it last week, literally within 72 hours of the March 28th election where he took the reigns. In a phone conversation, my mother was telling me about a problem both she and her brother had been sharing when they "attended" the Red Deer leadership forum ["attended" meant in this sense that forum was attended by one and watched streaming by the other, and I'm not allowed to tell you which did which. -ed]. I hadn't paid it much attention, I knew that both of them had decided to vote for Drew Barnes and just dismissed it as a bit of the trash talking people always do of the guy they have consciously and intentionally voted against. They didn't like how he presented himself in his address, his answers to a couple of questions, his demeanor towards the other candidates, etc. It's really boilerplate stuff, I had some of the same things to say about Danielle Smith on October 17 2009, and I wouldn't necessarily put too much faith in them. [Then again, when you saw them in Smith it was a prelude of times to come, wasn't it? -ed]
Additionally, Kurn is gung-ho to vote Wildrose and keep sodomy out of his children's schools, but he was tempered by the news that Brian Jean donated to Jim Prentice's leadership campaign and also a few comments where Jean didn't go very far in criticizing the Premier he once closely worked with in a federal cabinet.
Further comments and more specific issues with Jean was given on Twitter Tuesday by Spruce Grove's Trevor (Trevor? I seem to remember his name being Travis) Norris:
@LeighPatrick @FACLC He used his son's illness and death to promote himself during WRPldr. Need I say more?
— TNorrisSG (@TNorrisYEG) April 8, 2015
The election pronouncement is part of a rough week for the new Wildrose leader. On Monday controversy developed when Fort McMurray-Athabasca MP David Yurdiga distanced himself from Jean after it was implied that a combination federal PC/Wildrose sign-making party was an endorsement of the new leader. While there have been no explicit statements to date, in 2012 the Prime Minister permitted his MPs to campaign for any party (read: PC or Wildrose) in the Alberta election they wished to but that explicitly the federal Conservative party would not permit any MPs to claim the federal party preferred either of its provincial counterparts. One can assume in 2015 a similar situation will arise. In other words, there's little to believe that Yurdiga is in danger of facing any Conservative Party of Canada sanctions for his sign making event, even if he did publicly state he supported Jean. That makes the "no this wasn't an endorsement" move all the more interesting, since it seems to reflect that Yurdiga was concerned about the external politics of being seen supporting Jean -- that is to say that he feared supporting Brian Jean would risk his own reelection possibly later this year. Say what you will about politicians, but when they make this sort of a decision it's worth considering they know something about the candidate and/or the pulse of the electorate. [Then again, Danielle Smith... -ed]
Jean has also promised a leadership where he brings up the issue that cost Ed Stelmach the Premiership (to Wildrose's benefit): "reforming the oil patch" by bringing in more and vaster and longer-term government controls. It's definitely not clear where he thinks the votes are going to come in from such a scheme.† Alienating the natural Wildrose constituency (people of all socioeconomic strata who make money from Alberta producing and selling oil-related products) by promising short- to medium-term uncertainty doesn't seem to be a wise political move. Are that many potential Wildrose voters in Didsbury concerned with what seems to be purely local issues stemming from the oilsands and how Fort McMurray is staffed and populated? Enough to get over the obvious degree of "ick" they're going to experience being asked to support massive government intrusion in the private sector? Even if they buy Jean's spin that we already interfere in the economy, so why not interfere in the economy even more as long as we think we're doing so "smarter"? John Galt? Murray Rothbard? Who??
† You might find yourself thinking "well, maybe his plan is a good idea". Pace Kim Campbell, elections aren't the time for candidates to have ideas, that's where political bloggers come in. More critically, Jean is talking openly about Wildrose forming government, which means if he wants to flout this scheme it means he intends for it to bring in more votes than it loses.
The controversy continues with the announcement during the election kick-off where Brian Jean would require Wildrose MLAs sign a contract vowing not to defect to another party. Critics pretty quickly lept on how silly and untenable such a deal was, how it was at odds with a Westminster Parliamentary System, and how it reflects an unfortunate top-down managerial style.
Jean said if the Wildrose forms the government it would introduce legislation to prohibit any member of the legislature from crossing the floor to join another party.
He said he has taken steps to make sure that only one person can sign the papers of Wildrose candidates.
If there's any Wildrose consolation, it's that Drew Barnes was facing astroturf objections to his robocalling fiasco.
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