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__label__wiki	0.746828	0.746828	Nightlife Official Video 3:23: 7 Songs, 33 Minutes Released: Jul 28, 2014 ℗ 2014 Avitone Recordings; Also Available in iTunes More By Jody Watley See All. Jody W Jody Watley Nightlife Itunes Help ‎Larger Than Life by Jody Watley on Apple Music Jody Watley Digital Update December 6 – 12 \| Official Jody ... Jody Watley – Nightlife Lyrics \| Genius Lyrics Jody Watley - Nightlife Lyric Video 1 #JodyWatley #NuDisco #DanceMusic Jody Watley - Nightlife [Moto Blanco Club Mix] ‎Paradise by Jody Watley on Apple Music Jody Watley, SRL, Shalamar Reloaded, Shalamar, Grammy ... Official Jody Watley Website \| Grammy Winning Trendsetting ... MP3: @JodyWatley » #Nightlife • VannDigital Jody Watley \| Discography \| Discogs Jody Watley - Nightlife (Single Preview Edit) by ... June \| 2013 \| Official Jody Watley Website ‎Jody Watley on Apple Music Jody Watley - Nightlife Official Video Jody Watley: From ‘Soul Train’ to “Nightlife” \| theqhblend I Love The Nightlife. \| Official Jody Watley Website Jody Watley Nightlife Official Video (Dave Doyle Remix) Poptastic Confessions!: Nightlife Remixed by Jody Watley JODY WATLEY vs SHALAMAR - " Nightlife 2 Remember " by ... Also Available in iTunes More By Jody Watley See All. 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Jody Watley 1987 You Wanna Dance With Me? (Remixed) 1989 Greatest Hits 1996 Midnight Lounge 2001 Paradise 2014 50 million songs. Three months on us. Start your free trial * Learn more * New subscribers only. Plan automatically renews after trial. ... Written by Jody Watley (Jody Watley Music, BMI) Julien Aletti, Raphael Aletti (Aletti Brothers Music, BMI) -Original produced by Count De Money for Peace Bisquit and Jody Watley. Nightlife Moto ... ‎Through the late 70's and into the 80's brought us some of the best rhythmic dance music ever recorded. Music that is now termed "Old School" is played on greatest hits stations everywhere. Where are the people responsible for the song? We'll find out, on The Old School Rewind. Top 10 Tracks with Spotify remaining top streaming service for Jody Watley listeners Dec. 6 -12. Youtube link to Nightlife - all music can be found there if you're not a Spotify subscriber - it's also on Apple, iTunes, Amazon and so on - decades of quality music. Nightlife (Soulpersona Classic Soul Mix)… Discovered using Shazam, the music discovery app. To Be With You This song is by Jody Watley and appears on the album Intimacy (1993). Hello, my special one I'm captured by your charm I'm so sincere about you, boy Just let me show you how Let's create a mood of love And bathe by candlelight I've been wanting you for, oh, so long... Nightlife Jody Watley. Nightlife Lyrics. Nightlife Spotlight Don't matter where you're from A worldwide phenomenon I love the nightlife Spotlight Don't matter where you're from A worldwide ... From her groundbreaking marriage of rap and R&B (1987's "Friends", ground-breaking collaboration with hip hop legends Eric B. & Rakim) to her vision forward-marriage of high fashion, street fashion and music in the 80's (long before it became the norm), to her fusion of jazz and underground club culture with keen pop instincts, and the ease with which she crossed and still crosses genre ... 50+ videos Play all Mix - Jody Watley - Nightlife Lyric Video 1 #JodyWatley #NuDisco #DanceMusic YouTube Celine Dion Greatest Hits Full Album - Best Love Songs of Celine Dion [HD] - Duration: 2:00:53. Lyrics to 'Looking For A New Love' by Jody Watley. Hasta la vista, baby / You gave me love, you did me wrong / Didn't know what to do / But baby, I'm strong, gonna get over you Our new desktop experience was built to be your music destination. Listen to official albums & more. Lyrics to 'Everything' by Jody Watley. Lately / I feel so all alone / Can't find the joy / You know that I'd be with you now / If I had the choice / I know I hurt you when I said goodbye Nightlife 4:15: 2 Dancer (feat. Luminodisco) 4:37: 3 ... 6:38: 6 Songs, 30 Minutes Released: May 6, 2016 ℗ 2014 Avitone; Also Available in iTunes More By Jody Watley See All. 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Jody Watley 1987 The Makeover 2006 Larger Than Life 1989 You Wanna Dance With Me? (Remixed) 1989 Greatest Hits 1996 50 million songs. Three ... Find the song lyrics for Jody Watley - Top Tracks. Discover top playlists and videos from your favorite artists on Shazam! If you did not order the LP from KING's website, your copy is bootleg. The official LP has a glossy cover, not the bootleg. The bootleg also has a bad quality print. Jody Watley – Winter Nights EP due mid February. The first in a series of seasonal releases. Short, sexy and sweet with remixed by Alex Di Cio’ and a new song featuring SRL. The first in a series of seasonal releases. She’s an innovative music maker, a style-forging pioneer: since the 80s, Grammy-winning multi-talented Jody Watley has led the way as an entrepreneur working in the independent music world as one of the few already-established female best-selling artists to produce, create and own her recordings. Finding a variety of ways to release my music remains important. When releasing “Paradise” EP in 2013 I discussed in many interviews that with short attention spans, albums not being the same experience with fans being able to pick and choose which songs to add to their own playlists EP’s would probably be the way to go. Lyrics to 'Workin' On A Groove' by Jody Watley. It's been a long while since we shared some special time alone / I think we should get away take a romantic holiday Original content by VannDigital is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike International License. Not seeing a Scroll to Top Button ? Go to our FAQ page for more info. Jody Watley is the eponymous debut studio album by American singer Jody Watley, released on February 23, 1987, by MCA Records. Although the singer already found success as a part of the trio Shalamar, the impact of this album made Watley a cultural style icon in contemporary R&B, pop and dance music. Born January 30, 1959 in Chicago, Illinois, USA. American singer, songwriter, and record producer. Starting her musical career through the U.S. television show Soul Train, Jody went on to be selected as one of the original members of Shalamar (1977 to 1983). A Grammy Award Winning singer-songwriter, producer and president/CEO of Avitone Recordings, she has had 6 top ten pop hits, 15 top 40 R&B ... Get the latest Jody Watley News: jodywatley.net--On the heels of her funky hit single, “Nightlife” becoming a Top 5 Urban and Top 10 Commercial Pop hit in the UK and Top 20 Hot Dance Club Play on Billboard gaining international success, dance music legend and Grammy-winning pop icon, Jody Watley continues to master her career.Jody’s individuality and style in Dance and R&B music is ... Buy it NOW at iTunes and all digital outlets! WRITTEN BY: Jody Watley (Jody Watley Music, BMI), Julien Aletti, Raphael Aletti (Aletti Brothers Music BMI) PRODUCED by COUNT DE MONEY for Peace Bisquit and Jody Watley.Co Produced by Bill Coleman. Mixed by Count De Money and Bill Coleman. Executive Producers Jody Watley and Peace Bisquit. Mastered by Steve Hall for Future Disc Systems. Jody Watley Discography added a new photo to the album: JODY WATLEY Era — with Jody Watley. Discover releases, reviews, credits, songs, and more about Jody Watley - You Wanna Dance With Me? at Discogs. Complete your Jody Watley collection. 10 posts published by Admin during June 2013. UPDATE. Despite keeping a fairly low profile and out of tabloid grabbing headlines (thankfully), I’ve continued to evolve and release quality music, while raising my son and daughter who are now young adults and in college. Hier gibt’s die Offiziellen Deutschen Charts in ihrer ganzen Vielfalt. Denn: Hier zählt die Musik. ‎Grammy Award-winning vocalist, producer, and songwriter Jody Watley made a name for herself with the dance-soul trio Shalamar before she embarked on a solo career that brought her several Top Ten pop hits and a reputation as "The Queen of Cool." Watley was born in Chicago, Illinois, on January 30, 1…. Available with an Apple Music subscription. Jody Watley's eclectic range of guest appearances, collaborations and duets include the historic Band Aid single, modern funk's Dam-Funk, George Michael, Roy Ayers, Stevie Wonder, 4Hero, contemporary folk music's Peter Harper and more. Discover releases, reviews, credits, songs, and more about Jody Watley - Larger Than Life at Discogs. Complete your Jody Watley collection. Arise Entertainment 360 with the Grammy Award Winning Musical Icon Jody Watley - Duration: 11:41. AriseEntertainment 360 14,179 views Artist information Sort name: Watley, Jody Type: Person Gender: Female Born: 1959-01-30 (61 years ago) Born in: Chicago, Illinois, United States Area: United States IPI code: 00086147264 ISNI code: André Cymone (born Andre Simon Anderson; June 27, 1958) is an American bassist, songwriter and record producer.Cymone was a bass guitarist for recording artist Prince's touring band, pre-Revolution. Cymone began a solo career in 1981. His song, "The Dance Electric" (written by Prince), reached number ten on the R&B charts. In her fifth decade as a recording artist, Jody Watley bears no marks of fatigue. The Chicago born (and later) Los Angelino's intrinsic sense of cool and fashion-forward appeal pushed her from unforgettable 'Soul Train’ dancer staple to one-third of one of the most beloved / influential R&B groups of its era, Shalamar. After departing Shalamar in 1983, Watley relocated to the… Jody Watley, Actress: Mystery Men. She's an innovative music maker, a style-forging pioneer: since the mid-90s, Grammy-winning multi-talented Jody Watley has led the way as an entrepreneur working in the independent music world as one of the few already-established female best-selling artists to produce, create and own her recordings. Known for combining beauty and style as integral... We're just getting started with the single. An official video, limited edition vinyl, remixes by Moto Blanco and Jodie Harsh being completed as I type. Initially, I wasn't going to do remixes because I want everything about this to be 'classic'. That said, these will service a broader club community while maintaining the integrity of… A website that collects and analyzes music data from around the world. All of the charts, sales and streams, constantly updated. Written by Jody Watley (Jody Watley Music, BMI) Julien Aletti, Raphael Aletti (Aletti Brothers Music, BMI) Remix by Dave Doyle. Nightlife - the Top 5 Urban and Top 10 Commercial Pop Single, Music ... ‎Although he never became a household name, Rakim is near-universally acknowledged as one of the greatest MCs -- perhaps the greatest -- of all time within the hip-hop community. It isn't necessarily the substance of what he says that's helped him win numerous polls among rap fans in the know; the ma…. Available with an Apple Music subscription. Nightlife Official Video 3:23: 7 Songs, 33 Minutes Released: Jul 28, 2014 ℗ 2014 Avitone Recordings; Also Available in iTunes More By Jody Watley See All. Jody Watley 1987 The Makeover 2006 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Borderline - Single 2006 Midnight Lounge 2001 I Want Your Love - The Remixes ... Jody Watley now has the distinction of being among the few artists who have been to #1 on Billboard’s Hot Dance Music/Club Play chart in all of the past three decades (the 1980s, 1990s, and 2000s). The same year, Watley was invited to participate in the Force of Nature Relief Concert to aid the victims of the 2004 Indian Ocean earthquake. From Fly Girl to backup dancer for Janet …oh wait! I’m getting my DIVAS mixed-up. Let’s try this again … From Soul Train dancer to member of the 70s and 80s disco/R&B group Shalamar, to fashion icon and actress to dance floor D-I-V-A, Jody Watley truly is the shit! After leaving Shalamar in the early 80s, Jody took off for the UK and worked on a variety of projects. Dear Poptastic Readers, Hopefully you have been enjoying one of the best tunes of 2013 ... "Nightlife" by Jody Watley. And now she has released a remixed EP on iTunes with some great mixes of her FABulous song. Jody Vanessa Watley (born January 30, 1959) is an American singer, songwriter, record producer, and artist whose music crosses genres including pop, R&B, jazz, dance, and electronic soul. Stream JODY WATLEY vs SHALAMAR - " Nightlife 2 Remember " by Count de Money from desktop or your mobile device Jody Watley (1987) Looking For A New Love Still A Thrill Some Kind Of Lover For The Girls Love Injection Don't You Want Me Do It To The Beat Most Of All Learn To Say No (with George Michael) Larger Than Life (1989) Real Love Friends (featuring Eric B. & Rakim) Everything What'cha Gonna Do For Me... ‎Grammy Award-winning vocalist, producer, and songwriter Jody Watley made a name for herself with the dance-soul trio Shalamar before she embarked on a solo career that brought her several Top Ten pop hits and a reputation as "The Queen of Cool." Watley was born in Chicago, Illinois, on January 30, 1…. Available with an Apple Music subscription. Ipad home page safari. Buy it NOW at iTunes and all digital outlets! WRITTEN BY: Jody Watley (Jody Watley Music, BMI), Julien Aletti, Raphael Aletti (Aletti Brothers Music BMI) PRODUCED by COUNT DE MONEY for Peace Bisquit and Jody Watley.Co Produced by Bill Coleman. Mixed by Count De Money and Bill Coleman. Executive Producers Jody Watley and Peace Bisquit. Mastered by Steve Hall for Future Disc Systems. Delete itunes from imac. Also Available in iTunes More By Jody Watley See All. 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Jody Watley 1987 You Wanna Dance With Me? (Remixed) 1989 Greatest Hits 1996 Midnight Lounge 2001 Paradise 2014 50 million songs. Three months on us. Start your free trial * Learn more * New subscribers only. Plan automatically renews after trial. . Top 10 Tracks with Spotify remaining top streaming service for Jody Watley listeners Dec. 6 -12. Youtube link to Nightlife - all music can be found there if you're not a Spotify subscriber - it's also on Apple, iTunes, Amazon and so on - decades of quality music. Nightlife (Soulpersona Classic Soul Mix)… Nightlife Official Video 3:23: 7 Songs, 33 Minutes Released: Jul 28, 2014 ℗ 2014 Avitone Recordings; Also Available in iTunes More By Jody Watley See All. Jody Watley 1987 The Makeover 2006 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Borderline - Single 2006 Midnight Lounge 2001 I Want Your Love - The Remixes . Arise Entertainment 360 with the Grammy Award Winning Musical Icon Jody Watley - Duration: 11:41. AriseEntertainment 360 14,179 views Nightlife 4:15: 2 Dancer (feat. Luminodisco) 4:37: 3 . 6:38: 6 Songs, 30 Minutes Released: May 6, 2016 ℗ 2014 Avitone; Also Available in iTunes More By Jody Watley See All. 20th Century Masters - The Millennium Collection: The Best of Jody Watley 2000 Jody Watley 1987 The Makeover 2006 Larger Than Life 1989 You Wanna Dance With Me? (Remixed) 1989 Greatest Hits 1996 50 million songs. Three . We're just getting started with the single. An official video, limited edition vinyl, remixes by Moto Blanco and Jodie Harsh being completed as I type. Initially, I wasn't going to do remixes because I want everything about this to be 'classic'. That said, these will service a broader club community while maintaining the integrity of… Frontier email iphone setup. Jody Watley – Winter Nights EP due mid February. The first in a series of seasonal releases. Short, sexy and sweet with remixed by Alex Di Cio’ and a new song featuring SRL. The first in a series of seasonal releases. Stream JODY WATLEY vs SHALAMAR - " Nightlife 2 Remember " by Count de Money from desktop or your mobile device Nightlife Jody Watley. Nightlife Lyrics. Nightlife Spotlight Don't matter where you're from A worldwide phenomenon I love the nightlife Spotlight Don't matter where you're from A worldwide .	cc/2021-04/en_head_0013.json.gz/line0
__label__cc	0.732631	0.267369	Contact us today! · 800-532-7300 · About AIL Who is American Income Life? How American Income Life Gives Back Bernard Rapoport Bernard Rapoport was born to Russian immigrant parents. Bernard’s father had fled Russia in 1910 by walking 600 miles from Siberia to Belgium. Through the help of Good Samaritans and relatives, David Rapoport made the long journey to San Antonio, Texas, where he met his wife, Reva. Growing up, Bernard struggled through poverty, eviction from his home, anti-Semitism, and the Great Depression. Bernard paid for college by working at a jewelry store and earned a B.A. in Economics from the University of Texas at Austin in 1939. In 1942, Bernard met Audre Newman, his future wife. After working in the jewelry industry for several years, Bernard began selling insurance and realized he had a gift for helping to protect working class Americans. By the end of his first year, Bernard had opened his own insurance agency in Waco, Texas. With $25,000 of borrowed capital, Bernard started American Income Life in 1951. In 1961, American Income Life began focusing on the niche market of labor unions. In 1973, AIL earned the official designation as a Union Label company by the AFL-CIO. In 1994, Bernard Rapoport sold American Income Life to Torchmark Corporation, now Globe Life Inc. (NYSE: GL). He remained on board as Chairman Emeritus and appointed Roger Smith as President and CEO. Bernard was determined to use his success and financial gain to help and support others. Bernard and his wife, Audre, founded the Bernard and Audre Rapoport Foundation to provide grants to help improve social conditions throughout the world. Bernard worked to support his foundation and American Income Life until he passed away in 2012 at the age of 94. “In order to give light to others, you must first set fire to yourself.” AIL Quick Links AILife AIL Careers AIL Academy AIL Laptop On Demand Globe Life Inc. AIL Social Copyright © 2015 - American Income Life. All rights reserved. American Income Life Insurance Company Privacy Policy. \| Terms of Use	cc/2021-04/en_head_0013.json.gz/line7
__label__wiki	0.542154	0.542154	Errata, 2020 Down & Across, 2020 Student Work (Playing The Standards I – V), 2020 The Long Term (A Measure of Intimacy I – V), 2020 It’s Just a Matter of Time, 2020 Long Casting (A Page on Regret), 2019 Margarita’s Music Book (Spes Vitae), 2018 Learning the Language (Present Continuous I), 2018 Learning the Language (Present Continuous II), 2018 To Our Parents, 2018 New York Public Library Picture Collection (Subject Headings), 2018 New York Public Library Picture Collection (Subject Headings – Cross References), 2018 Song, 2018 Revision, 2017 Der Familienroman (The Family Novel), 2017 The Difference Between Thirty Two and Forty Five, 2017 Forty Seven Drawings by Marion Milner, 2017 A Portrait of Sherrie Levine, 2017 Vanitas (From Remorse to Regret), 2017 Interlude, 2017 Words Like Love: Alphaville, First Scenes, 2017 The Inner Shadow, 2016 The Illustrated Adventures of Attention, Memory, and Expectation, 2016 Studies for a Series on Love (Wendy’s Hands), 2015 The Dreams I’ve Left Behind, 2015 Family Album (Aunts and Uncles), 2015 Index (With Feeling), 2015 Allegory, or, The Perils of the Present Tense, 2015 Mirrored Portrait, 2015 Untitled (Blue Frame), 2015 A Portrait of Robert Walser, 2015 Nine Lists, 2015 Words With Ruscha, 2014 Untitled (Remembered), 2014 The Style It Takes (Excerpts), 2014 A Truce Mistaken For Surrender, 2014 A Portrait of the Artist Approaching Forty, 2014 Musings, 2013 A Printed Portrait of Julie Ault, 2013 Shortly After Breakfast She Received The News, 2012 If in Time, 2012 Index (An Orphan), 2012 A Portrait of the Artist as a Young Man, 2012 Where I’m Calling From, 2012 An Abridged History of Regret, 2012 Four Modes of Experiencing Regret, 2012 Methodology, 2011 The Gift and the Retribution, 2011 The Reader, 2011 Fragile Images That Keep Producing Death While Attempting To Preserve Life: Flowers found in crimes scenes_001-004, 2011 Present Memory, 2010 Turning Some Pages, 2010 The Two Stories, 2009 Zeide Isaac, 2009 Everness, 2008 The Ramones (An Autobiography), 2008 Why work?, 2008 Broodthaers, 2008 Us, 2008 Stage Direction/Establishing Shot, 2008 Index (a Reading), 2007-2008 Retrospective (with John Baldessari), 2007 Marguerite Duras’s India Song, 2006 All the things you can’t forget / The shadow of the past, 2006 Footnotes, 2006 Here Comes The Sun, 2004 Untitled (Dante/Calvino), 2004 Love Poems, 2004 Prescribed Texts, 2003 Flowers, 2003 Index (A Novel), 2003 Tim Rollins & K.O.S. Works on Paper 1983–2003, 2003 Dedications, 2003 Fade Out, 2002 When I am Happy Drawings, 2002 Pictures, 2002 Help!, 2002 Scrabble, 2001 Felix Gonzalez-Torres, 2000 The Waltz Series, 2000 Index, 2000 Errata, 2020 close 1/1 2020, archival ink-jet print, 40 × 57 cm Down & Across, 2020 close 1/1 Down & Across 2020, archival ink-jet prints, 47 × 32.5 (119 × 83 cm) inches each. The series of drawings that make up “Down & Across” were made during the first months of Covid-19 lockdown and document, through color and received clues, a period of apparent suspended meaning. Student Work (Playing The Standards I – V), 2020 close 1/1 Student Work (Playing The Standards I – V) 2020, archival ink-jet print, 36 × 27 cm (14 × 10.5 in) I – As If it Were Melvin Edwards II – As If it Were Isa Genzken III – As If it Were Cy Twombly IV – As If it Were Franz West V – As If it Were Adrian Piper This series economically addresses the nature of influence, learning, repetition and difference. The cube is a formal subjectiviation of an ideal, an aspiration as well as a point of departure (a standard, in the Jazz sense of the term). As is characteristic in Cesarco’s practice, the work challenges the contingencies of reading, translation and recontextualization. The Long Term (A Measure of Intimacy I – V), 2020 close 1/2 The Long Term (A Measure of Intimacy I – V) 2020, archival ink-jet print, 147 × 57cm From Marcel Duchamp’s or Stanley Brouwn’s meters, to Andre Cadere’s round bars of wood, to Guy Mees, or the Surface/Support group, these works carry a long line of references. However, they also refer to my own work portraying couples, their relationships, and the limits of language. The work stubbornly insists on questioning the sustainability of desire in the long term. In this case through allegorically measuring or quantifying the comforts of intimacy, its distance. It’s Just a Matter of Time, 2020 close 1/1 It’s Just a Matter of Time 2020, curated section at ARCOMadrid “It’s Just a Matter of Time”, curated with Mason Leaver-Yap, traces Felix Gonzalez-Torres’s influence on contemporary art practices. The exhibition presents a cross-generational group of artists, where influence is understood as the potential to simultaneously enable new productions and re-signify previous ones. Focusing on Gonzalez-Torres’s tendency towards infiltrating the forms and tools of critique, this exhibition grapples with the ways in which various institutional contexts conceive of and transform the body, and what resistances are produced by such interactions. Together, these works examine the ways in which knowledge has been structured, and how these structures exhibit or else conjure emotional residue. Including works by: Tony Conrad, Henrik Olesen, Glenn Ligon, Danh Vo, Pepe Espaliú, Andrea Büttner, Wendy Jacob, Jem Cohen, Hudinilson Jr., Manon de Boer, David Lamelas, Jac Leirner, Kia LaBeija, Jack Pierson, Liam Gillick, Maria Eichhorn, Stanley Brouwn; a text by Julie Ault, and a Felix Gonzalez-Torres billboard throughout Madrid. A series of talks, organized with Manuel Segade, included presentations by: Lynne Cooke, Hamza Walker, Tony Cokes, Laura Guy, Jorge Ribalta, Marta Echaves, Theodore (ted) Kerr. Caption: Felix Gonzalez-Torres, “Untitled” (It’s Just a Matter of Time), 1992, billboard, dimensions vary with installation. © Felix Gonzalez-Torres. Courtesy: The Felix Gonzalez-Torres Foundation. Photo: Fernando Madariaga. One of twelve billboard installations throughout Madrid. Long Casting (A Page on Regret), 2019 close 1/2 Long Casting (A Page on Regret) This is the most recent in an ongoing series of indexes for books I have not yet written and most probably never will. The indexes are an ongoing project that map the development of my interests, readings and preoccupations and thus become a form of self-portraiture that unfolds over time. “Long Casting (A Page on Regret)” is particular within the series in that it does not go from A-Z and that there is a text (“Under The Sign of Regret”) that loosely shadows it. Margarita’s Music Book (Spes Vitae), 2018 close 1/1 Margarita’s Music Book (Spes Vitae) 2018, archival ink-jet print, 95 × 119 cm A photograph of Margarita Fernández’s sheet music for Manuel de Falla’s “Pour le tombeau de Paul Dukas”. Fernández chose to perform this work for “Learning the Language (Present Continous I)”. She had never performed the piece publicly, and due to her deteriorating eye-sight, had to exhume it from memory. She describes the work as if the chords are metal curtains that are falling or closing. The theme of finality and death are obviously central to the music; Fernández’s selection of it models the cross-generational acknowledging that occurs (between her and Cesarco) in the video. Learning the Language (Present Continuous I), 2018 close 1/1 Learning the Language (Present Continuous I) 2018, video, color, sound, continuous loop (18:25 min). “Learning the Language (Present Continuous I)” is part of a series of video portraits in which Cesarco borrows the vocabulary of the person portrayed to address some of his own recurrent concerns (memory, repetition, regrets, etc.). In this case who is portrayed is Margarita Fernández, an Argentinean pianist, performer, and music scholar. The portrait is constructed through a myriad of voices: Cesarco’s, Fernández’s, but also Morton Feldman’s. In addition, it includes piano interpretations of a section of Franz Schubert’s Andantino from the Sonata in A Major, as well as a fragmented rendition of Manuel de Falla’s “Pour le tombeau de Paul Dukas”. Commissioned by Jeu de Paume, Paris, CAPC, Bordeaux, Museo Amparo, Puebla. Learning the Language (Present Continuous II), 2018 close 1/1 Learning the Language (Present Continuous II) 2018, video, color, sound, continuous loop (15:25 min cycle). “Learning the Language (Present Continuous II)” is part of a series of video portraits in which Cesarco borrows the vocabulary of the person portrayed to address some of his own recurrent concerns (memory, repetition, regrets, etc.). In this case, the work recreates a scene from Jean-Luc Godard’s film “La chinoise” (1967) in which a professor, traveling on a train, engages in conversation with one of his students. The same scene was recreated by Claire Denis in her short film “Vers Nancy” (2002). In Cesarco’s work the professor’s role is played by Brazilian psychoanalyst, critic and curator, Suely Rolnik, the student’s role is played by her assistant, Josy Panaõ. The conversation centers around the role and uses of repetition within psychoanalytical practice. Commissioned by the 33rd São Paulo Biennial. To Our Parents, 2018 close 1/1 To Our Parents 2018, Group show organized for the 33rd São Paulo Bienal. The work of resignifying and repeating, through re-presenting, reframing and restating is taken up in diverse ways by the cross-generational artists included in the show. The impulse to displace or recontextualize suggests particular queries into cultural and aesthetic politics. A rose is a rose is a rose, until it is not. Including works by: Andrea Büttner, Alejandro Cesarco, Sara Cwynar, Peter Dreher, John Miller, Matt Mullican, Louise Lawler, Oliver Laric, Henrik Olesen, Jennifer Packer, Cameron Rowland, Sturtevant. New York Public Library Picture Collection (Subject Headings), 2018 close 1/1 New York Public Library Picture Collection (Subject Headings) 2018, 6 framed archival ink-jet prints, 86 × 58 cm each. The NYPL Picture Collection contains well over one million original prints, photographs, posters, postcards, and illustrations from books, magazines, and newspapers, classified into more than 12,000 subject headings. Cesarco’s series of photographs looks into its organizing principles. The Subject Heading Binder is in some way the precursor to Google Image’s algorithm, but it is also a trace or a portrait of the librarians who have worked in the collection. The headings enable the navigation and use of the collection, while simultaneously signaling what is included and excluded from it. New York Public Library Picture Collection (Subject Headings – Cross References), 2018 close 1/1 New York Public Library Picture Collection (Subject Headings – Cross References) 2018, 4 framed archival ink-jet prints, 76 × 55 cm each A sister series to “New York Public Library Picture Collection (Subject Headings)”, these are photographs of the “in-house” explanation of the NYPL Picture Collection subject headings. The way information and knowledge is organized and presented has been an ongoing concern throughout Cesarco’s work. Song, 2018 close 1/1 2018, book This catalogue features an introduction by curator Solveig Øvstebø, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition. Published by The Renaissance Society, Chicago. Designed by Scott Ponik. Hardcover, 26.5 × 19 cm, 112 p. Revision, 2017 close 1/3 2017, 16mm film transferred to digital video, color, sound; 3 minutes. A remake of the first chapter of “Everness” (2008) with the same actor, now almost a decade later. The characters in both videos recite a monologue on the meaning of Tragedy. The principal difference between the two is a linguistic shift from present to past tense. The presentation of these videos together invites close reflection on the passage of time, the demands on productivity, the potentials of re-reading, and the contingencies of meaning. Der Familienroman (The Family Novel), 2017 close 1/5 Der Familienroman (The Family Novel) 2017, Four framed archival ink-jet prints, 102 x 134 cm each. A photographic re-reading of the artist’s father’s Spanish edition of “The Complete Works of Sigmund Freud.” Cesarco simultaneously reads Freud through the lens of autobiography and looks at his father’s underlining and notations of Freud’s texts as a script to his own family history and dynamics. The Difference Between Thirty Two and Forty Five, 2017 close 1/1 The Difference Between Thirty Two and Forty Five 2017, Framed two color silkscreen, 13 x 19 cm. A humorous and literal depiction of the artist’s fears regarding aging as well as a direct wink towards the work of Larry Johnson. Forty Seven Drawings by Marion Milner, 2017 close 1/2 Forty Seven Drawings by Marion Milner 2017, Framed archival ink-jet print, 43 x 61 cm. A descriptive listing of all the drawings included in the English psychoanalyst’s classic text on creativity and its impediments, “On Not Being Able To Paint.” A Portrait of Sherrie Levine, 2017 close 1/2 A Portrait of Sherrie Levine 2017, Two framed archival ink-jet prints, 76 x 56 cm each. A portrait of the artist is created by way of the checklist for Levine’s “Mayhem” retrospective exhibition at the Whitney Museum of Art (NY, 20012). The politics of alignment, placement, historical crushes, admiration and influences are recurrent and central motifs in Cesarco’s work. Vanitas (From Remorse to Regret), 2017 close 1/1 Vanitas (From Remorse to Regret) 2017, Four archival inkjet prints, 74 x 116 cm each. Vanitas is a sub-genre of still life painting popular in the Netherlands in 17Century, they represent a collections of objects symbolic of the inevitability of death and the transience and vanity of earthly possessions (including achievements and pleasures); it exhorts the viewer to consider mortality and to repent. “Vanitas (From Remorse to Regret)” films some of the principle tropes of the genre and proposes a shift from repentance/remorse to regret. The principal distinction between regret and remorse is that remorse involves feelings about how one’s actions have influenced others (so questions of morality and the law/religion take prominence, as does guilt) while regret relates to how one’s actions affect oneself (so there is therefore a narcissistic quality to it, and hence shame). Simply put, regret involves blaming ourselves for a bad outcome, feeling a sense of loss or sorrow at what might have been or wishing we could undo a previous decision. Regret is a self-reproach for having gotten it wrong. A disturbance for not living up to our ambitioned potential. Interlude, 2017 close 1/1 2017, 8mm film transferred to digital video, color, sound, continuous loop (2 minute cycle). A short and tender portrait of the fleeting and involuntary nature of memory. Words Like Love: Alphaville, First Scenes, 2017 close 1/4 Words Like Love: Alphaville, First Scenes 2017, billboard. “Words Like Love: Alphaville, First Scenes” was installed on a 14-by-48-foot billboard over Jackson Avenue at the intersection of Queens Plaza in Long Island City. The work is a textual interpretation of the opening scene of filmmaker Jean-Luc Godard’s Alphaville (1965), an iconic science fiction/noir film that describes a futuristic dystopian society controlled by a supercomputer. Re-translating the film back into a screenplay, the project stresses the descriptive and prescriptive function of scripts: the text in this case is made to both mirror its surroundings and, to some extent, dictate the reality we see before us. Through its prominent placement over a busy intersection in Queens, the billboard points to how texts mediate public space and social life while locating critical and resistant capacities in the acts of reading and interpretation. Commissioned through SculptureCenter‘s art education program Public Process. Photos by: Kyle Knodell The Inner Shadow, 2016 close 1/6 The Inner Shadow 2016, 8mm film transferred to digital, color, sound, 6:00 minutes An intimate conversation between two people who are aware they are being listened to. A conversation that could well be a monologue. The couple take turns using words they like. Their tone is intimate but in the sense of intimation. The camera watches them and can’t help but judge them. The camera is, to a large extent, their consciousness or witness. What we see is more of a landscape than a portrait; the camera charts a field, a scenario, it maps out a dynamic. The hand-held camera documents a theatrical, rehearsed, ceremony depicting a complete and ideal love, or its breakdown. What is seen is the attempts of sustaining desire over a long term. What is negotiated is the difference between who we are and who we were. The work questions how our self image differs from who we really are or have become and how we deal with this difference. The scene follows a couple that looks back on failed expectations and unfulfilled promises. The tone of their conversation is highly personal, but also somewhat artificial. As noted, one of the questions the work poses is whether desire for the other is sustainable in the long term. An other question the work hints at is whether the pursuit of the other’s desire can avoid becoming a crisis of self-identification. The Illustrated Adventures of Attention, Memory, and Expectation, 2016 close 1/1 The Illustrated Adventures of Attention, Memory, and Expectation 2016, drawing on paper, framed, 21 x 29.7 cm, 5 + 2 AP. The anonymous drawing re-traced here originates from a 1950s advertising for an Argentinean publisher. The title refers to how Augustine conceived time as a “three fold present” in which the temporal dimensions of present/past/future are concentrated into the subjective orientations of attention/memory/expectation. These three modes are allegorized by the three characters illustrated: the older man, the book, and the younger fellow that trails behind (although no clear indicator is given as to which trait is assigned to whom). I drawing contrasts the question of temporality in relation to technologies of the book, and reading and looking more generally, to think about what modes of attention/memory/expectation contemporary art produces and requires as conditions of its experience. The work was produced as an edition in support of n.b.k, Berlin. Studies for a Series on Love (Wendy’s Hands), 2015 close 1/4 Studies for a Series on Love (Wendy’s Hands) 2015, two archival inkjet prints, framed 26.5 × 31cm (each) Placed on opposite gallery walls, two slightly larger than life-size portraits of the artist’s partner’s hands appear to hold the exhibition space between their grasp. The two small works are a huge acknowledgement of the artist’s partner’s support as well as a public declaration of love. To give a hand, to take in hand, to keep at hand, the space between our hands, to embrace, to hold, to caress, to support, etc. The Dreams I’ve Left Behind, 2015 close 1/2 The Dreams I’ve Left Behind 2015, silkscreen on wall 65.5 × 88 cm In “The Dreams I’ve Left Behind,” a faint image of the wall behind the artist’s bed is silkscreened directly onto the gallery wall. What appears at first as a dry tautological exercise subtly reveals itself to be a vulnerable and deeply emotional displacement. Cesarco describes his use of color in this work, and in the wall treatment for “Allegory, or The Perils of the Present Tense,” as “muted melodrama.” He also described “The Dreams” “as if the gallery wall were blushing.” It is unclear however, if the wall is blushing because of the nature of the artist’s dreams or because he has left them behind. Family Album (Aunts and Uncles), 2015 close 1/3 Family Album (Aunts and Uncles) 2015, archival inkjet print, 127 × 85 cm, framed By way of the checklist for the “Pictures Generation 1974-1984” exhibition at the Metropolitan Museum of Art (NY, 2009), an adopted genealogy is constructed. The politics of alignment, placement, historical crushes, admiration and influences are recurrent and central motifs in Cesarco’s work. Index (With Feeling), 2015 close 1/3 Index (With Feeling) 2015, framed digital c-prints, A-Z in 9 double page spreads, 30 × 40 inches each. Most recent and largest in an ongoing series of indexes which Cesarco has composed for books he has not yet written and most probably never will. The indexes are an ongoing project that map the development of Cesarco’s interests, readings and preoccupations and thus become a form of self-portraiture that unfolds over time. “Index (With Feeling)” addresses particular states of weak affects: aesthetic categories grounded in ambivalent or even explicitly contradictory feelings. Allegory, or, The Perils of the Present Tense, 2015 close 1/10 Allegory, or, The Perils of the Present Tense 2015, 16mm film transferred to digital, color, silent, 10:30 min., wall treatment “Allegory, or, The Perils of the Present Tense,” is composed of a fragmented text, appearing as inter-titles, interspersed with snapshot-like images of memories (his own and from films — “screen-memories” of sort). Throughout the work conjectures about the past are balanced against promises of the future. By talking about the past the artist is also talking about his wants or desires. In this sense, talking about the past becomes a way of talking about the future; of fashioning a future. Mirrored Portrait, 2015 close 1/3 1/3 Mirrored Portrait 2015, 16mm film transferred to digital, color, silent, 3:50 minutes. In “Mirrored Portrait,” after sixteen years of not seeing each other Cesarco invites his first photography teacher, Panta Astiazarán, to take his portrait as Cesarco, in turn, films a portrait of him. “Mirrored Portrait” is the documentation of this action. The work aligns itself with Cesarco’s previous explorations of autobiography and representations of “father-figures”: principally, “Zeide Isaac” (2009) and “Present Memory” (2010). Untitled (Blue Frame), 2015 close 1/3 Untitled (Blue Frame) 2015, archival ink-jet print, 16.25 x 20.5 inches A Portrait of Robert Walser, 2015 close 1/2 A Portrait of Robert Walser 2015, framed ink-jet print, 40 x 52 cm. A short text, taped to a window and partially obscuring the Manhattan skyline, describes some of the ways Robert Walser’s writing works. Nine Lists, 2015 close 1/1 Nine Lists 2015, ink-jet print, 84 × 119 cm Exhibition Titles. Horses’ Names. A group show curated by Matthew Brannon in 2008. Lies. Troubles. An idea for a play. Gallery Artists (gb agency). Some Georges Simenon titles. Nine Lists. Words With Ruscha, 2014 close 1/1 1/2 Words With Ruscha 2014, two framed ink-jet prints, 50 × 40 inches (127 × 100 cm) each. Two photographs with differing perspective of the same museum-like introductory wall text for a fictitious Ed Ruscha retrospective based chiefly around ideas of banality and boredom. The quality of the wall onto which the text is applied, and the nature of the text itself, gives us some definite clues as to where the exhibition might be taking place and who was tasked to write the introduction. The repetition of the scene, the double-take, in some ways illustrate the Ruscha quote included in the wall-text, “Good art should elicit a response of ‘Huh? Wow!’ as opposed to ‘Wow! Huh?'” Untitled (Remembered), 2014 close 1/1 Untitled (Remembered) 2014, framed ink-jet print, 24 × 31.5 inches (61 × 80 cm). “Untitled (Remembered)” is perhaps the domestic equivalent of “Words With Ruscha,” “Untitled (Remembered)” presents a text on methodologies and typologies of remembering among piles of books and a wide range of ephemera that range from a vintage postcard of a statue of Mercury in repose to a still of Monica Vitti in “L’ avventura.” The Style It Takes (Excerpts), 2014 close 1/4 The Style It Takes (Excerpts) 2014, 6 archival inkjet prints, 33.5 × 22.5 inches each “The Style it Takes (Excerpts)” are printed pages from a yet unwritten book that revolves around the possibilities of art, the social function of art, and the shifting roles of the artist persona. A Truce Mistaken For Surrender, 2014 close 1/1 A Truce Mistaken For Surrender 2014, white gloss paint on wall, dimension variable. A Portrait of the Artist Approaching Forty, 2014 close 1/3 A Portrait of the Artist Approaching Forty 2014, 3 framed archival inkjet prints, 5 x 7 inches each “A Portrait of the Artist Approaching Forty I, Walking the Studio,” or “Of course life is a process of breaking down, but the blows that do the dramatic side of the work–the sudden blows that come, or seem to come, from the outside–the ones you remember and blame things on and, in moments of weakness, tell your friends about, don’t show their effect all at once.” “Portrait of the Artist Approaching Forty II, Pacing the Studio,” or “There is another sort of blow that comes from within – that you don’t feel until it’s too late to do anything about it, until you realize with finality that in some regard you will never be as good a man again.” “Portrait of the Artist Approaching Forty III, Mapping the Studio,” or “The first sort of breakage seems to happen quick – the second kind happens almost without your knowing it but is realized suddenly indeed.” Musings, 2013 close 1/10 2013, 16mm film transferred to video, black and white / sound, 15:30 minutes Co-produced by Contour Mechelen, Belgium and Neuer Berliner Kunstverein, “Musings” retells a series of anecdotes regarding premonitions, fate, dreams, and other types of messages that are the generative source for creative work. Compiled are stories by or relating to, amongst others, Susan Sontag, Ingmar Bergman, Maurice Blanchot, Italo Calvino, Julio Cortázar, and Agnes Varda. The selected stories also have in common that the resulting creative works (art, literature, or film) have very much to do with death and mortality. “Musings” proposes to triangulate the ideas of inspiration, influence and inheritance. A Printed Portrait of Julie Ault, 2013 close 1/3 1/3 A Printed Portrait of Julie Ault 2013, ink-jet print, 46 × 34.5 inches Shortly After Breakfast She Received The News, 2012 close 1/2 Shortly After Breakfast She Received The News 2012, 16mm transferred to video, color / sound, seamless loop If in Time, 2012 close 1/4 1/4 If in Time 2012, HD video and 16mm film transferred to video, color / sound, 9:40 minutes “If In Time” theatricalizes and references Cesarco’s previous video work, “Methodology,” produced for the Uruguayan Pavilion at the 2011 Venice Biennale. The new work takes up the two characters from “Methodology” and projects them 10 or 15 years into the future. The couple speaks to each other only through texts they read. She reads from her own literary production and he reads a text he is writing about her work. In spite of text being an alienating factor between them, it is also through this indirect address that they entertain an illusion of possibility: of understanding, of change, of contentment. Index (An Orphan), 2012 close 1/1 Index (An Orphan) 2012, A-Z in 6 pages, digital c-prints, 30 × 24 each ‘Index (An Orphan)’ is the fourth in an ongoing series of indexes which Cesarco has composed for books he has not yet written and most probably never will. The indexes are an ongoing project that maps the development of Cesarco’s interests, readings and preoccupations; this particular one addresses the experience of mourning, the loss of childhood, and becoming an orphan as an adult. A Portrait of the Artist as a Young Man, 2012 close 1/2 A Portrait of the Artist as a Young Man 2012, ink-jet print, 30 × 24 inches “A Portrait of the Artist as a Young Man” is a condensed and personalized translation of James Joyce’s classic, consisting of all the months of January of Cesarco’s youth. Where I’m Calling From, 2012 close 1/3 1/3 Where I’m Calling From 2012, four framed ink-jet prints, 30 × 40 inches “Where I’m Calling From” is an imagined book, laid out in four prints, that compiles a series of photographs and texts that that reflects on and excavates the artist’s influences and early work. The compiled works and references are an unveiling of methodologies that act as a direct confrontation with the past, perhaps as a way to lay it to rest and to start anew. An Abridged History of Regret, 2012 close 1/3 An Abridged History of Regret 2012, three framed ink-jet prints, 30 × 65 inches The three large panels that comprise “An Abridged History of Regret” are a sort of “line drawing” which Cesarco produced by combing through his library, photographing passages of text that reflect on various paths not taken in relation to one’s professional and emotional life. Four Modes of Experiencing Regret, 2012 close 1/1 Four Modes of Experiencing Regret 2012, framed ink-jet print, 30 × 40 inches “Four Modes of Experiencing Regret” employs a pseudo-scientific method to uncover typologies of regret in relation to different literary genres and narratives. The four photographs that illustrate each genre (Romantic, Comic, Tragic, Ironic) are taken from Jean-Luc Godard’s film, “Une femme mariée.” Methodology, 2011 close 1/3 1/3 2011, HD video, color / sound, 7 minutes, two tripod stands, gator-board screen “Methodology” is a video that takes up secrecy as a narrative structure and a mode of address: what is said and what cannot be said, and the way people act in relation to what is alluded to, taken for granted, or ultimately silenced. This work was commissioned for the Uruguay Pavilion at the 54th Venice Biennale. The Gift and the Retribution, 2011 close 1/1 The Gift and the Retribution 2011, 2 framed contact c-prints, 10 × 8 inches / 20 × 25 cm each “The Gift and the Retribution” consists of photographs of the covers of the first editions of two books with crossed dedications: “The Goodbyes” by Juan Carlos Onetti and “Love Poems” Idea Vilariño. A recurring motif in Cesarco’s work, the dedication is a device for justifying the production of a work to a public. The Reader, 2011 close 1/3 1/4 2011, color slide installation, synchronized sound, 17 minutes “The Reader” links the figures of the detective with that of the reader; and the figure of the writer with that of the criminal. The text-slide projection is interspersed with a voice-over read by Lawrence Weiner. Fragile Images That Keep Producing Death While Attempting To Preserve Life: Flowers found in crimes scenes_001-004, 2011 close 1/5 Fragile Images That Keep Producing Death While Attempting To Preserve Life: Flowers found in crimes scenes_001-004 2011, archival ink-jet prints, 28 × 21 inches This work was initially conceived as part of Cesarco’s installation “The streets were dark with something more than night, or the closer I get to the end the more I rewrite the beginning,” for which he was awarded the 2011 Baloise Prize at Art 42 Basel. Present Memory, 2010 close 1/5 Present Memory 2010, HD video and 16mm film, color no sound, 4 minutes “Present Memory” is an intimate portrait of the artist’s father, shortly after the latter had been diagnosed with lung cancer. The work documents both a constructed and anticipated memory. The literal and metaphorical projection staged in the work is a rehearsal of fears: an attempt at dealing with a future absence, the process of mourning and remembering, mortality and letting go. Projected in the same location on three different levels of the museum, and aligned within the architecture as frames in a film strip, the work inserts a personal narrative into the institutional space, triggering a sense of déjà vu as visitors move through the building. Commissioned by Tate Modern. Turning Some Pages, 2010 close 1/6 Turning Some Pages 2010, video installation, multiple screen/projection, variable time “Turning Some Pages” presents a fragmented narrative that sets the tone for a particular way of looking that is also a way of reading. Commissioned by the Museum of Modern Art, New York. The Two Stories, 2009 close 1/5 The Two Stories 2009, 16mm film transferred to video, 9 minutes In “The Two Stories” a story is being read out loud to an audience in a private family room. What we hear is actually not the story being told but the thoughts of the person reading the story; the instances of distraction, nervousness, etc. The camera follows the reader’s gaze as it goes from the text to the different objects and people in the room. Based on a story by Felisberto Hernández. Commissioned by ArtPace, San Antonio. Zeide Isaac, 2009 close 1/5 Zeide Isaac 2009, single channel installation, 16mm transferred to video, 6 minutes In “Zeide Isaac” the artist’s grandfather, a Holocaust survivor, performs a script written by Cesarco and based on the elder’s personal story. The work explicitly address the possibilities, limitations and responsibilities of testimony. The layering of narrative voices and the passage of time between the event and it’s retelling, from first hand experience to third generation, is allegorically implied in his grandfather’s passage from witness to actor. Everness, 2008 close 1/7 Everness 2008, single channel installation, 16mm transferred to video, 12 minutes “Everness” is made up of 5 chapters: a remake of the very last scene of James Joyce’s “The Dead,” a monologue on the meaning of Tragedy, a breakfast scene, and two songs: one from the Spanish Civil War and another from Brazil’s Tropicalista movement. The work speaks of a first love and a loss of innocence and relates them to notions of classic literary tragedy. The work primarily centers around an emotionally handicapped couple at the moment when their inability to access their own passions is articulated through language. The Ramones (An Autobiography), 2008 close 1/1 The Ramones (An Autobiography) 2008, 2008 digital c-print, 40 × 30 inches “The Ramones (An Autobiography)” is a song list, organized in chronological order, of every Ramones song that begins with the pronoun I. Why work?, 2008 close 1/1 Why work? Broodthaers, 2008 close 1/1 Broodthaers 2008, offset print, 8.5 x 11 inches Replica of stationary fabricated by Marcel Broodthaers for the project Musée d’art moderne, 1969. Us, 2008 close 1/1 2008, digital c-print, 26 × 26 inches “Us” was a component of the installation ‘Once Within a Room’, which was at once the synopsis, the set, the characters, and the props of a story – a spatial configuration dominated by the phantoms of particular pasts. It presented the classic trope of lover, beloved, and the space between them. Stage Direction/Establishing Shot, 2008 close 1/1 Stage Direction/Establishing Shot 2008, black vinyl, to be placed by a window A component of the installation “Once Within a Room,” which is at once the synopsis, the set, the characters, and the props of a story – a spatial configuration dominated by the phantoms of particular pasts. It presents the classic trope of lover, beloved, and the space between them. Index (a Reading), 2007-2008 close 1/3 Index (a Reading) 2007-2008, A-Z in 10 pages, digital c-prints, 30 x 24 each “Index (a Reading)” self-consciously addresses the idea of what constitutes an index, what is its relation to reading, writing, memory, history and forgetting. Retrospective (with John Baldessari), 2007 close 1/3 Retrospective (with John Baldessari) 2007, 12 silk screens on aluminum, 48 × 36 inches (122 × 91 cm) each “Retrospective” (with John Baldessari) is a collaboration that addresses the idea of looking back as a framing device and a narrative mode. Implicit in the project is a concern for the difference created by re-telling and re-presenting the past in the present. The segmentation of history is quite an arbitrary and conventional matter, a story for making the present intelligible. But who narrates, and for whom? What is included and what is left out of this narrative? The dangers of taking pleasure in the past and the benefits of remembering in order to reinvent operate along a very fine line. Marguerite Duras’s India Song, 2006 close 1/5 1/5 Marguerite Duras’s India Song 2006, 2 channel video installation, red walls, 3 slow rotating fans, text Marguerite Duras’s India Song is a video installation with sculptural elements and a commissioned short text by Argentine writer Daniel Link. The project continues Duras’s own transpositions from novel to novel and from novel to play to film, raising questions of intertextuality, mediums and forms. The installation takes an existing text, a pre-text, and re-tells it as a way of transforming discursive practice through repetition. At stake in this return to a previous text is a negotiation of the limit between repetition and reduplication. In the installation the love story of the play is retold by a voice over that recounts the narrative structure or device of how this love story is told, in turn the two video channels show establishing shots that are doubled or mirrored in Duras’s film. The installation dramatizes the possibilities of representation and recollection and uses the colonial aspiration of territorial, gender and cultural appropriation as a metaphor for practices of repetition and translation. Commissioned by Art in General. All the things you can’t forget / The shadow of the past, 2006 close 1/2 All the things you can’t forget / The shadow of the past 2006, white text on black wall, dimmed light, room installation To be installed on opposite walls. The text “All the things you can’t forget” (white font on black background) is to be placed almost as subtitles would appear on a film. “The Shadow of the Past,” is a blank, white wall with dimmed lighting. It is to have the same method of illumination as the rest of the room only significantly reduced, giving a yellowish, nostalgic coloring to the wall and shadow. A wall label indicating title, etc. should be placed on this wall. Footnotes, 2006 close 1/2 2006, ongoing, vinyl on wall, dimensions vary An ongoing series of wall drawings that may or not accompany (inform) other works. Here Comes The Sun, 2004 close 1/1 2004, yellow paint on wall, dimensions vary with installation An optimistic wall drawing. Untitled (Dante/Calvino), 2004 close 1/5 Untitled (Dante/Calvino) 2004, 10 archival ink-jet prints, 16 × 20 inches each “Untitled (Dante/Calvino),” is composed of ten different translations of Dante’s “Divine Comedy,” each titled after a chapter in Italo Calvino’s “If on a Winter’s Night a Traveler.” A reflection on the construction of narrative, the complicity between reading and writing, translation practices and the impossibility of a faithful repetition. Love Poems, 2004 close 1/6 2004, (Austin, TX: Testsite/Fluent~Collaborative) “Love Poems” is the first ever English translation of Uruguayan poet Idea Vilariño’s book “Poemas de amor” (1957), a covert form of appropriation that investigates the potential of literal translation as a visual act. Prescribed Texts, 2003 close 1/1 “Prescribed Texts” is a study of melancholy from a therapeutical point of view. Not an allegorical substitution, sublimation, in face of loss but an attempt at overcoming through understanding. Flowers, 2003 close 1/5 2003, 10 receipts, ink on paper, 8.5 × 5 inches each A bouquet of flowers was sent to a selected group of people. A performance for a public of one. Flowers were sent to: Vija Celmins, Elizabeth Peyton, Roni Horn, Yvonne Rainer, Lynne Tillman, Louise Lawler, Yoko Ono, Rachel Harrison, Andrea Fraser, Sherrie Levine. Index (A Novel), 2003 close 1/3 Index (A Novel) 2003, A-Z in 4 double page spreads, digital c-prints, 40 × 30 inches (100 × 76 cm) each “Index (A Novel)” is a romantic novel of sorts, a repetition of romantic archetypes and melodramatic clichés. Tim Rollins & K.O.S. Works on Paper 1983–2003, 2003 close 1/2 Tim Rollins & K.O.S. Works on Paper 1983–2003 2003, survey exhibition, Art Resources Transfer, NY. Dedications, 2003 close 1/5 2003, publication All the dedications from my library. A compilation of author’s affection for their muses, mentors and motivators. A definition of audience. Fade Out, 2002 close 1/2 2002, single slide projection In “Fade Out” a single slide of a young woman is projected continuously until the image fades out. (A physical effect produced by the light and heat emanating from the projector.) An exercise in forgetting. The duration of the “performance”, as with the persistence of our memories, is undetermined. When I am Happy Drawings, 2002 close 1/2 When I am Happy Drawings 2002, ongoing, colour pencil on paper, 9 × 12 inches (23 × 30 cm) “When I am Happy Drawings:” a stubborn belief that someday things will change and happiness will occur. Pictures, 2002 close 1/3 2002, ongoing, archival ink-jet print, approx. 20 × 16 inches (50 × 40 cm) each “Pictures” are photographed texts appropriated from magazine and journals of art critics’ descriptions of both my own and other people’s work. Help!, 2002 close 1/1 2002, video/sound, 2 minutes “Help!” is a non-metaphorical, though somewhat desperate and dramatized video. A dead-pan recitation of the lyrics to the Beatles’ song: “Help, I need somebody/Help, not just anybody/Help, you know I need someone …” Scrabble, 2001 close 1/4 2001, video, 15 minutes “Scrabble” is video registry of a scripted game. Four friends play Scrabble. A fixed camera shows the board where names of influences are composed according to script. Names accumulate on top of each other in a sculptural manner. Felix Gonzalez-Torres, 2000 close 1/1 2000, Exhibition, curated with Patricia Bentancur, Museo Nacional de Artes Visuales, Montevideo, Uruguay. The Waltz Series, 2000 close 1/1 The Waltz Series 2000, ink-jet prints, 20 × 16 inches each. Bar Mitzvah photographs of the artist dancing with some of his classmates. Index, 2000 close 1/3 2000, A-Z in 12 pages, digital c-prints, 20 × 16 inches each This first “Index” was meant as a book of books, a meta book that would contain all books. A container that would become its own content. “Index” is half way biographical and half way theory text; it is extremely personal, yet full of clichés. Alejandro Cesarco (born Montevideo, Uruguay) lives and works in New York. His most recent solo exhibitions include: “Song,” The Renaissance Society, Chicago (2017); “The Measure of Memory,” Galleria Raffaella Cortese, Milan (2017); Public Process, Sculpture Center, New York (2017); “Play,” Tanya Leighton Gallery, Berlin (2015), “Prescribe The Symptom,” Midway Contemporary Art, MN, (2015), “Loyalties and Betrayals,” Murray Guy, New York (2015), “Secondary Revision,” Frac Île-de-France/Le Plateau, Paris (2013), “A Portrait, A Story, And An Ending,” Kunsthalle Zürich, Switzerland (2013), “Alejandro Cesarco,” MuMOK, Vienna (2012), “Words Applied to Wounds,” Murray Guy (2012), “The Early Years,” Tanya Leighton (2012), “A Common Ground,” Uruguayan Pavilion, 54th Venice Biennial (2011), “One Without The Other,” Museo Rufino Tamayo, Mexico (2011), “Present Memory,” Tate Modern, London (2010). Group exhibitions include: “Under The Same Sun,” The Solomon R. Guggenheim Museum, New York (2014), “The Imminence of Poetics,” 30th Bienal de São Paulo (2012), “Short Stories,” Sculpture Center, New York (2011); and “Nine Screens,” The Museum of Modern Art, New York (2010.) He was the 2011 winner of the Baloize Art Prize, with his installation “The Street Were Dark With Something More Than Night Or The Closer I Get To The End The More I Rewrite The Beginning,” at Art 42 Basel. These exhibitions addressed, through different formats and strategies, his recurrent interests in repetition, narrative, and the practices of reading and translating. He has also curated exhibitions in the U.S., Uruguay, Argentina and a project for the 6th Mercosur Biennial (2007), Porto Alegre, Brazil. He is director of the non-profit arts organization, Art Resources Transfer. For further information please visit: Tanya Leighton Raffaella Cortese	cc/2021-04/en_head_0013.json.gz/line11
__label__cc	0.732141	0.267859	About the Chicks Posted by Jill Boniske aka Arty Chick on December 23, 2013 La Vie d’Adèle—Chapitres 1 et 2 aka Blue is the Warmest Colour was the hit of this year’s Cannes Film Festival winning top honors and scoring its young stars Léa Seydoux and Adèle Exarchopoulos the first ever shared acting Palme d’Or. It also stirred up some controversy for its very graphic depiction of lesbian sex and the intensity of the film shoot for its two young actresses. But beyond the stories about the film, it is a beautiful movie exploring first love and longing, that watches a young woman come into her own. As the film opens, Adèle is a high school student in Lille dealing with boys and sex and all the things high school kids do everywhere. She sleeps with a cute guy only to break up with him because she realizes that she is strangely attracted to a girl with blue hair that she passes in the street. Later she meets the blue haired girl in a gay bar, and the two begin a passionate affair. It is here that the much talked about lesbian sex comes in. There is one very long, very explicit scene, which serves to tell the audience how intense the relationship is for both of the girls. (I’m not sure it had to go on as long as it did, but it is not all that film is about.) Emma of the blue hair is a somewhat older and clearly more worldly art student at École des Beaux-Arts, and she hangs with a very arty set, which confounds Adèle, just as Emma cannot fathom that Adèle would prefer to be a teacher rather than become a writer. Emma plays mentor to Adèle, and Adèle, muse for Emma. The film stays with the two of them for a number of years as they grow together and apart, but it is Adèle’s story and her evolution that drives the story. While both actresses are wonderful, Adèle Exarchopoulos who plays Adèle is really exceptional. The camera is with her most of the film, and her ability to convey an amazing range of emotions, often as the same time, heralds an actress to watch. Not that Lea Seydoux is a slouch. The film is an incredible character study of a girl that it is hard not to care about. But Blue is the Warmest Colour is obviously not for everyone. It clocks in at just under 3 hours long (179 minutes!) and is rated NC-17 for its very explicit sex scenes. And you have to be willing to read subtitles. I know that seems like a lot to some people, but if you are looking for a film with depth and some great performances, go see it! Other Recent Reviews Not to Miss Review: The Marksman Arty Chick’s Seven Flicks: Week 7 Quickie Review: Stars Fell on Alabama Review: Da Five Bloods Review: Small Axe: Mangrove Arty Chick’s Seven Picks: Week 6	cc/2021-04/en_head_0013.json.gz/line12
__label__wiki	0.576167	0.576167	Commission on Science and Technology for Sustainable Development in the South (COMSATS) Chairperson of COMSATS Consultative Committee Statutes and Official Documents Strategy Document Benefits and Obligations of Joining COMSATS Profile of the Executive Director The Consultative Committee Members and Liaison Officers Profile of the Chairperson Network of Centres The Coordinating Council Functions of the Council The Technical Advisory Committee Functions of the TAC List of TAC Members COMSATS' Programmes COMSATS' Ongoing Projects International Thematic Research Groups National/International Events Scientific Activities Sponsorship Expert Exchange Programme Distinguished Professorship Scheme COMSATS’ Panel of Experts on ST&I Policy Centre for Climate and Sustainability COMSATS and Corona Science Vision Series of S&T Publications COMSATS-TWAS ‘Excellence in Science’ COMSATS at a Glance COMSATS Brochure COMSATS Documents Other Information Documents Past Initiatives/Programmes COMSATS’ Science Ambassador Emeritus delivers Talk on Science Diplomacy Home / COMSATS’ Science Ambassador Emeritus delivers Talk on Science Diplomacy The second lecture under COMSATS’ Science Diplomacy Programme was delivered b y Executive Director COMSATS and COMSATS’ Science Ambassador Emeritus in the field of Science Diplomacy, Dr. Imtinan Elahi Qureshi, in a select gathering of scholars and academicians at the Faculty Development Academy of COMSATS Institute of Information Technology (CIIT), Islamabad, on February 29, 2016. The lecture entitled ‘Science Diplomacy: An Overview’ outlined how ‘science’ and ‘diplomacy’ come together in various forms serving related but different purposes, i.e., one supporting the other and vice versa, as well as the two complementing one another for interaction with the outside world. Dr. Qureshi highlighted how the coupling of the two somewhat paradoxical terms leads to a whole that has helped individuals, groups and even nations overcome their intellectual and political differences, leading to stronger and wider collaborations across the globe. The lecture provided a historical context of Science Diplomacy, as well as its re incarnation in the modern world. He highlighted the role of the American Association for the Advancement of Science (AAAS) and Royal Society for the advocacy of science in the past. Defining the scope and dimensions of Science Diplomacy, the related mechanisms in place in developed countries were also discussed. It was noted that Science Diplomacy is being used as soft power by developed countries through disbursement of aid, technology-transfer and sharing of scientific know-how. Dr. Qureshi quoted the successful Science Diplomacy ventures, such as: European Organization for Nuclear Research (CERN), International Thermonuclear Experimental Reactor (ITER), and International Space Station (ISS). How the developing countries could benefit from Science Diplomacy was also discussed, especially in the context of Pakistan. It was noted that Science Diplomacy can help the developing countries on three major fronts: Capacity Building; South-South Cooperation; and preservation of National Resources. Dr. Qureshi also lauded the science diplomacy efforts of specific nature made by Cuba (Medicine), and Brazil (Agriculture), as well as other initiatives and institutional mechanisms applied in Africa (NM-AIST), Asia (ECO), and the Middle East (ESCWA). Apart from COMSATS’ science diplomacy efforts since its creation in 1994, the organization’s recent activities in this regard after the first Round Table Meeting on Science Diplomacy in the South in February 2015 were recounted, which included: designation of Science Ambassadors, entering into collaboration with The World Academy of Sciences (TWAS) and, participation in AAAS – TWAS joint training programmes, initiation of public lectures, and necessary media projection of the Science Diplomacy programme. Dr. Qureshi also indicated COMSATS’ other important interactions in this regard that include active liaison with the diplomatic missions in Pakistan and other Member States, and joint research programme, entitled COMSATS’ International Thematic Research Groups. Dr. Qureshi concluded his lecture with two proposals from COMSATS for urging the Government and other relevant institutions of Pakistan; one urging appointment of a Science and Technology Advisor to the Prime Minister of Pakistan, and the other institutionalizing ‘Grand Challenges Pakistan’ for identifying and addressing major issues of Pakistan and working out their practical solutions through Science and Technology. It was noted that Canada, India, Israel, Thailand, Ethiopia, Brazil, Japan, China, as well as Africa are already benefitting from such initiatives taken by governments or independent organizations. Such programmes should be emulated to have targeted solutions for specific issues of the countries based on indigenous existing or improvised means. The lecture was followed by a questions and answers session that had participation from individuals belonging to various fields of specialization and backgrounds, including, biosciences, mathematics, physics, chemistry, management sciences, environment, and public policy. In addition to making queries regarding the contents of the lecture and making relevant recommendations, the participants appreciated COMSATS’ aforementioned proposals and advocated necessary campaigning in this regard. They also took stock of the fields of science and technology in Pakistan that need to be aided through Science Diplomacy, such as food security and health. It was agreed that politicians and policy makers need to be sensitized on such pressing matters by scientists and relevant organizations and institutions. Moreover, it was urged that science diplomacy should be fully utilized to motivate collaborations in matters of trans-border nature, such as climate change, pandemics, and regional conflicts. At the conclusion of the event, Dr. Qureshi urged the participants to make concerted efforts to realize the objectives of Science Diplomacy, as well as to achieve the goals and targets suggested in their recommendations. Hoping to regularize the lecture series to a lecture every month, he invited them to become active participants of COMSATS’ Science Diplomacy Programme. COMSATS strengthened ties with its Focal Point in Nigeria and Pakistani High Commission in Abuja RSS, Jordan, holds The First Middle East and South Asia Conference on Epigenetics and Genomics of Infectious Diseases Last updated on 24-December-2020 All rights reserved by COMSATS For queries, please email at: webmaster@comsats.org	cc/2021-04/en_head_0013.json.gz/line15
__label__wiki	0.781876	0.781876	Performance Archives - Diversifying the Classics archive,category,category-performance,category-46,ajax_fade,page_not_loaded,,select-theme-ver-2.4,wpb-js-composer js-comp-ver-5.6,vc_responsive WORLD PREMIERE OF THE BLADE OF JEALOUSY BY HENRY ONG The Blade of Jealousy, Henry Ong’s adaptation of Tirso de Molina’s La celosa de sí misma, will be playing at 7pm every Sunday from June 24th to August 26th, at the Whitefire Theatre in Sherman Oaks. Directed by Denise Blasor, Ong’s play dramatizes in modern-day Los Angeles Tirso’s exploration of how social circumstances affect self-identity and the capricious nature of love. Blade, first developed as part of the UCLA Golden Tongues initiative to adapt the comedia to contemporary LA, demonstrates the lasting relevance of the questions that the Spanish playwright explored four centuries ago. Whitefire Theatre, 13500 Ventura Blvd., Sherman Oaks, CA. 91423 For an interview with the playwright, https://better-lemons.com/featured/playwright-henry-ong-sharpens-his-blade-always-aiming-to-pay-it-forward/ For tickets, https://thebladeofjealousy.brownpapertickets.com For theatre information: http://www.whitefiretheatre.com Be sure to use discount code TBOJ. ANNOUNCING LA ESCENA – LOS ANGELES’ FIRST HISPANIC CLASSICAL THEATER FESTIVAL September 21-23, 2018 will bring LA ESCENA, Los Angeles’ first Hispanic classical theater festival, to the Greenway Court Theater (544 N. Fairfax). Cutting-edge Mexican company EFE Tres will present Lope de Vega’s El príncipe inocente (The Innocent Prince), a meditation on political power and culpability reimagined as a dialogue in a prison cell, and El Merolico (The Mountebank), a reworking of Cervantes’ comic interludes as delivered by a traveling performer in small-town Mexico (in Spanish, with English subtitles). Playwrights’ Arena will present the fourth Golden Tongues, brand-new comedia adaptations from LA playwrights in staged readings: Madhuri Shekar’s School for Witches, or Friendship Betrayed, based on María de Zayas’ La traición en la amistad; Janine Salinas Schoenberg’s Like/Share, a riff on Calderón’s Los cabellos de Absalón; and Michael Premsrirat’s La locura de los ángeles/The madness of angels, adapted from Lope de Vega’s Los locos de Valencia. Sylvia Blush and Jean Carlo Yunen Arostegui will direct Women and Servants, Lope de Vega’s exploration of class, loyalty and desire in a very modern Madrid. The play, only recently rediscovered after 400 years, has been translated into English by UCLA Professor and LA Escena director Barbara Fuchs. Schedule and ticketing information to follow. For inquiries, please write to LAEscena2018@gmail.com. LA ESCENA is made possible by the UCLA Center for 17th– & 18th-Century Studies, Center for Medieval and Renaissance Studies, Center for European and Russian Studies, Latin American Institute, and Departments of Spanish and Portuguese and English, as well as by the generous support of UC Riverside’s College of Humanities, Arts, and Social Sciences. For more information and updates, follow us on Facebook (La Escena Festival), Instagram (@la_escena_festival), and Twitter (@LAescenaLA), and keep an eye out for our hashtags #diversifyingtheclassics and #laescenafestival Diversifying the Classics Visits UC Riverside On April 24th, from 1:00-3:00PM, we will be taking our show on the road. Destination: UC Riverside. One of the goals of Diversifying the Classics is to share the scholarly work that we conduct during our translation meetings at UCLA with the larger Los Angeles community, to engage in a meaningful dialogue with students, actors, and theatergoers attracted by the endless possibilities of Hispanic Golden Age plays. Last year we presented our work at two workshops: the first, in November 2016, at the Pacific Ancient and Modern Language Association (in Pasadena), and the second in May 2017 at Cal Poly Pomona. This April we will visit UC Riverside, where Dr. Erith Jaffe-Berg, Chair of the Department of Theater, Film & Digital Production, is organizing an event that will allow us to share our work with the Latino/a Play Project. The LPP is a student-driven group that puts on a play or reading every quarter, performing on campus as well as at the Barbara and Art Culver Center in Downtown Riverside. Dr. Jaffe-Berg is the group’s faculty advisor for the academic year, and has proved invaluable in creating a connection between our initiative and LPP. We look forward to introducing the students to the rich possibilities of Hispanic classical theater by discussing our recent translations. We will also share five or six previously translated monologues and dialogues with LPP members, who will in turn prepare and offer a brief reading of the pieces. The presentations will be followed by a Q&A session open to the entire audience. We invite you to join us in what promises to be an engaging and interactive afternoon. Stay tuned for an update on the specific event location. April 7 CMRS Symposium on Henry VIII and Calderón’s La cisma de Inglaterra The Los Angeles Bilingual Foundation of the Arts is staging a classic of the Spanish Golden Age during April 13–22. In La cisma de Inglaterra, or The English Schism, Calderón de la Barca tells the story of Henry VIII, Anne Boleyn, and the English break with the Catholic church. While this rich drama of severed religious bonds and the dissolution of centuries of connection between England and Spain suggests comparison with Shakespeare’s Henry VIII, the English context also allows Calderón a dramatic space from which to advise King Philip IV of Spain against contemporary abuses of authority. Calderón’s complex political and psychological portrait invites audiences to reconsider England and Spain in the 17th century as well as the quest for power that continues to drive politics in our own time. In preparation for this enticing theatrical event, the UCLA Center for Medieval and Renaissance Studies and the Asociación Internacional de Teatro Español y Novohispano de los Siglos de Oro (AITENSO) will host a symposium organized by Susana Hernández Araico of California State Polytechnic University, Pomona. Speakers will include Marta Albalá Pelegrín and Javier Patiño Loira of the Diversifying the Classics project, as well as other international scholars of Spanish Golden Age drama. The full schedule, registration, and transportation information is available here: http://cmrs.ucla.edu/event/enrique-octavo-henry-viii-calderon-1627-la-comedia-y-la-corona-spanish-play-power/. The Labyrinth of Desire at USC Caridad Svich’s The Labyrinth of Desire, an adaptation of Lope de Vega’s La prueba de los ingenious will be performed at USC’s Scene Dock Theater from March 29-April 1. Directed by Denise Blasor, Labyrinth tells the story of Florela, who is abandoned by her fiancé when he sets off to win the heart of the beautiful Laura. Florela’s relentless and ingenious efforts to win back her beloved drive the plot of this romantic comedy, which subtly explores the broad range of emotions we feel when in love: delight, excitement, and vulnerability, as well as an irrational sense of infatuation, possessiveness, and jealousy. Performance Dates & Times Thursday, March 29, at 7:30 p.m. Friday, March 30, at 7:30 p.m. Saturday, March 31, at 2:30 p.m. Saturday, March 31, at 8 p.m. Sunday, April 1, at 2:30 p.m. Tickets purchased in person at the USC Ticket Office: students, $8; faculty and staff, $8; seniors, $10; general public, $15. Tickets purchased by phone of online are subject to an additional $2 per ticket fee and a $1 order fee over the entire order. Discounted parking is available for $10. Please inform the gate officer you are attending a School of Dramatic Arts performance. For more information, go to: https://dramaticarts.usc.edu/the-labyrinth-of-desire/ 2018 Nuevo Siglo Drama Festival at The Chamizal National Memorial The 2018 Nuevo Siglo Drama Festival will take place April 7-14, 2018 at The Chamizal National Memorial (El Paso, Texas). This year’s festival will feature contemporary plays by Luis Valdez and Xavier Villanova as well as original versions and adaptations of classics by Lope de Vega, Calderon de la Barca, and Cervantes. This is a new direction for the festival, which has traditionally focused on Hispanic classical theater. On Saturday, April 7, Los Actores, a company from El Paso will perform Luis Valdez’s Bernabé, a play about the personal and spiritual journey of a man who is widely believed to be crazy and suffers social marginalization in a small town in Mexico. Bernabés deep connections to his mother, the natural environment, and his Aztec ancestors accompany him on the way to the play’s dramatic conclusion. On Sunday, April 8, the XIPE Colectivo Escénico of Puebla, Mexico will present Aquerón: The River of Tragedy, by Xavier Villanova. Featuring actresses Aline L. Bernal and Cinthia Pérez Navarro, and directed by Martín Balmaceda, Aquerón is an allusive and highly symbolic account of human migration from Mexico to the United States, which calls attention to questions of personal and cultural identity, social injustice, power and vulnerability. Wednesday, April 11 will bring Nuevo Siglo’s first classic, Pedro Calderón de la Barca’s La vida es sueño. Cuba’s Jazz Vilá Project, a company dedicated to encouraging youth interest in theater, will present Calderón’s timeless reflection on free will and predestination, the story of King Basilio, Segismundo—the son he has imprisoned—and the revolt that imperils a reign. Another canonical favorite, Lope de Vega’s Fuenteovejuna will be performed on Thursday, April 12 by Ciudad Juárez’s Telón de Arena theater company. In the words of Telón de Arena’s Perla de la Rosa, Lope’s famous meditation on despotism, justice, and solidarity is as relevant as ever in today’s Mexico, a “betrayed motherland,” where “the voices of the characters in this mythical town echo in the depths of our hearts.” Rosaura, Paula Rodríguez and Sandra Arpa’s adaptation of Calderón’s Life is a Dream told from the point of view of its main female character, will be staged on Friday, April 13. Teatro Inverso, a Madrid company that aims at preserving Hispanic classical theater through modern interpretations, sees Rosaura, not Segismundo, as the driving force for change in the story, as she asserts herself in a patriarchal society. Using modern theatrical techniques, Rodríguez and Arpa actively engage audiences in Rosaura’s fight to right the wrongs she sees around her. The festival will close on Saturday, April 14 with El Merolico: Entremeses Bululuados, performances by Mexican company EFE Tres Teatro of Miguel de Cervantes’ fast-paced entremeses, or comedic interludes. Combining the figures of the “merolico,” a typically Mexican kind of charlatan street merchant, and the “bululú,” a traditional figure in Hispanic theater who performs several roles in a one-man-show, EFE Tres will transport to modern-day Mexico three of Cervantes’ short works for the stage: “El Viejo celoso,” “El retablo de las maravillas,” and “La cueva de Salamanca.” For more information, please visit: https://www.nps.gov/cham/planyourvisit/2018-siglo-festival.htm. Love’s a Bitch at UVA Last weekend I had the pleasure of watching Dave Dalton’s Love’s a Bitch, an agile and very funny adaptation of Tirso de Molina’s Don Gil de las Calzas Verdes, at UVA: http://drama.virginia.edu/news/story/576 Dalton, an assistant professor of drama, has made a name for himself with adaptations of the classics, including a pro-wrestling-inspired version of Wagner’s Ring cycle and lively takes on Gilbert and Sullivan’s H.M.S. Pinafore and Lope de Vega’s Dog in the Manger. In Love’s a Bitch, he combines freshness and humor with a keen eye for the stakes of the text. Dalton pares away much of the bewildering complexity of Tirso’s play, but leaves enough of its whirlwind quality to keep the audience guessing about what will come next. From the very first scene, his adaptation has a kind of x-ray effect, peeling back the layers of the original to reveal its raw ideological and emotional core. Instead of a cross-dressed Juana relating her erotic travails to a servant, Dalton opens with a powerful scene of the runaway discovered by her father. Defying him, she forces him to give her his clothes and continues undaunted to Madrid to right her wrongs. And this is just the beginning! The production’s pared-down scenery helped the audience focus on the language and characters, while the extravagant costumes, by Gweneth West, underscored the key connection between dress and identity in the play. The acting was strong across the board, with the two female leads, Mimi Robinson as Juana and Natalie Pernick as Inés, as real standouts. In Dalton’s hands, the comedia is not only well served but hugely invigorated. Here’s to many more such adaptations and productions! —Barbara Fuchs	cc/2021-04/en_head_0013.json.gz/line23
__label__cc	0.520625	0.479375	Worlds Biggest Companies Baidu CEO Robin Li: The Real Rags To Riches Story Billionaires Rags To Riches May 12, 2012 Mousumi Saha Kumar Robin Li, Photo Credit: forbes Born: November 17, 1968 in Yangquan, Shanxi, China Company: Baidu, working as CEO Wealth Source: Technology, self-made Baidu Co-founder and Internet entrepreneur Robin Li is the richest man in China whose personal net worth, according to Forbes, stands at about $10.2 billion. In 2000, he teamed up with Eric Xu and together they founded the most popular search engine in China, Baidu.Com. In 2004, he became CEO of Baidu and in 2005 the company was enlisted on NASDAQ. As of now, the search engine ranks #5 on Alexa and receives about 220 million pageviews per day. Early Life, the Hardships and Education Robin Li was born in Yangquan of Shanxi Province in northern China to factory worker parents. Back then, Yangquan was an underdeveloped prefectural city that did not offer much to its people and most of them would migrate to other parts of China for better prospects. Like most of the kids in the neighborhood, Li spent his childhood in acute hardships and lack of better education. His mother, however, taught him to stay motivated for a better tomorrow. He grew up remembering his mother’s words, “We don’t have a back door, if you want a better life, a better job in the future you will have to study hard and ensure you get into the best college.” Li never forgot his mother’s words and studied religiously. He cleared the entrance of Peking University and completed Bachelor of Science degree in library information management. On completion of studies in 1991, he took up a temporary job and worked for one and a half years. Li moved to the U.S. on a Fellowship program and attended The State University of New York at Buffalo and earned a doctoral degree in computer science. In 1994, he received his Master of Science degree but didn’t continue with the PhD. The same year in 1994, he served at New Jersey division of Dow Jones and Company, IDD Information Services, as a software developer for the online edition of The Wall Street Journal. In 1996, Li received a U.S. patent for his development of the ‘Rankdex’ which is a site-scoring algorithm for search engine page ranking. In 1997 he left the company to start working on his own search engine. In 2001, he was honored with the title “the Chinese Top Ten Innovative Pioneers”, in 2007 he was in CNN Money’s annual list of “50 people who matter now”, in 2011, he was enlisted as one of the 15 Asian Scientists To Watch by Asian Scientist Magazine and was ranked 95th in the Forbes Global List with an possessions worth of $9.4 billion. He was also chosen as the “Most Influential Business Leader in China” as well as “Best Business Leader” by Fortune and American Business Weekly and several for his accomplishments. Info Source: About.Com wikipedia Sheldon Adelson: The Journey of a Cab Driver’s Son from $200 to $28 Billion Success Story of Vladimir Lisin, the Richest Russian 5 Inspirational Commencement Speeches Success Story of David H. Koch Mousumi Saha Kumar Email Author Mousumi Saha Kumar is Co-founder and Chief Contributor at Brain Prick. She covers the stories that inspire people to strive for the better and meaningful life. By profession, she is a social media marketing and online branding strategist with experience exceeding 5 years in related fields. Vishalini, the World’s Youngest MCP and CCNA Feb 7, 2012 44 Inspirational Story of Jyothi Reddy: from a Daily Wage Laborer … Apr 15, 2012 41 Dashrath Manjhi, the Man who Moved a Mountain Jul 31, 2012 34 10 Life Lessons to Learn from Tom and Jerry Govind Jaiswal: An Impossible Journey of a Rickshaw-Puller’s Son who … Aug 17, 2012 26 BrainPrick Copyright © 2021.	cc/2021-04/en_head_0013.json.gz/line25
__label__wiki	0.504291	0.504291	UNICRI Director, Antonia Marie De Meo Antonia Marie De Meo Biography (as of 1 July 2020) Antonia Marie De Meo is the Director of the United Nations Interregional Crime and Justice Research Institute (UNICRI), based in Turin, Italy. She is a citizen of the United States and Italy. Prior to this position, she served as the Chief of the Human Rights, Transitional Justice and Rule of Law Service at the United Nations Support Mission in Libya (UNSMIL) and Representative of the Office of the High Commissioner for Human Rights (OHCHR) in Libya (2018-2020). She also served as Chief of Staff of the United Nations Relief and Works Agency for Palestine Refugees (UNRWA) from 2014 to 2017. Ms. De Meo has held senior management positions with the United Nations Children’s Fund (UNICEF) in Sri Lanka and Sudan (2011-2014), the United Nations Resident Coordinator’s Office in Sudan (2011-2012), and the United Nations Office for Project Services (UNOPS) in Palestine, Iraq, and Jordan (2009-2011). She was the Anti-Trafficking and Gender Adviser for the Mission to Moldova of the Organization for Security and Co-operation in Europe (OSCE) (2005-2007) and Deputy Registrar of the Human Rights Chamber for Bosnia and Herzegovina (2000-2003). A trial lawyer by training and a former prosecutor, she commenced her overseas development work for the American Bar Association’s Central and East European Law Initiative in Moldova (1999-2000). Ms. De Meo holds a Master’s degree in Public Administration from the John F. Kennedy School of Government of Harvard University, a Juris Doctor degree from Lewis and Clark Law School, and a Bachelor of Art’s degree from Wellesley College. She is admitted to practice law in the States of Oregon and Washington. 16: Peace, justice and strong institutions Peace and justice United Nations agencies UNICRI Board of Trustees Report to the Economic and Social Council - 2019 UNICRI Websites Related articles and news Ms. Antonia Marie De Meo has been appointed by the Secretary-General as the next Director of UNICRI Video: Welcome to UNICRI ECOSOC: resolution on UNICRI's Board of Trustees	cc/2021-04/en_head_0013.json.gz/line33
__label__cc	0.643156	0.356844	Meeting on supporting aviation industry and air transportation Vladimir Putin held a videoconference on supporting the aviation industry and air transportation. Taking part in the videoconference were Chief of Staff of the Presidential Executive Office Anton Vaino Vaino AntonChief of Staff of the Presidential Executive Office , Acting Prime Minister Andrei Belousov Belousov AndreiFirst Deputy Prime Minister , Deputy Prime Minister Yury Borisov Borisov YuryDeputy Prime Minister , Presidential Aides Igor Levitin Levitin IgorAide to the President and Maxim Oreshkin Oreshkin MaximAide to the President , Transport Minister Yevgeny Ditrikh Ditrikh Yevgeny , Industry and Trade Minister Denis Manturov Manturov DenisIndustry and Trade Minister , Economic Development Minister Maxim Reshetnikov Reshetnikov MaximMinister of Economic Development , Finance Minister Anton Siluanov Siluanov AntonFinance Minister , Defence Minister Sergei Shoigu Shoigu SergeiDefence Minister , Special Presidential Representative for Environmental Protection, Ecology and Transport Sergei Ivanov Ivanov SergeiSpecial Presidential Representative for Environmental Protection, Ecology and Transport , Head of the State Council working group on transport and Head of the Republic of Buryatia Alexei Tsydenov Tsydenov AlexeiHead of the Republic of Buryatia , First Deputy Minister of Transport and Head of the Federal Agency for Air Transport Alexander Neradko, Director General of Russian Post Maxim Akimov, Director General of the United Engine Corporation Alexander Artyukhov, Director General of State Corporation for the Promotion of the Development, Manufacture, and Export of High Tech Products Rostec Sergei Chemezov Chemezov SergeiCEO of Rostec State Corporation , Director General of United Aircraft Corporation Yury Slyusar, Chairman of the State Development Corporation VEB.RF Igor Shuvalov Shuvalov IgorChairman of the State Development Corporation VEB.RF , as well as the heads of Russian Helicopters, Red Wings Airlines, Utair Aviation, State Transport Leasing Company, Aeroflot, Azimuth Airline, S7 Group, and the International Airports Association. Let us get down to work. However, before we discuss measures to support our air carriers and the aviation industry, I would like to say the following. We hold regular meetings on the individual industries, but the crucial part is that all of our plans and projects are implemented on time and in full. This is what I have in mind. On May 11, after a serious discussion with the Government and the Executive Office, I proposed a set of measures to support the people and businesses. On the next day, over a million requests had been posted on the Public Services Portal by those who hope to receive the one-time assistance of 10,000 rubles per child aged through 15 years. Then the portal crashed. I know that our colleagues from the Communications Ministry have now repaired it, but I would like you to take notice of this, as well as of other such similar matters. Even during these difficult times – it is also difficult for the budget, because budget revenue has decreased considerably due to the falling prices of our traditional products, that is, oil and energy – we nevertheless found the means to support our people, the economy in general, as well as individual industries and companies. Once we started doing this, we must carry it through, for otherwise we will not achieve the result that we want and that the people expect us to achieve. This also concerns, as I mentioned last time we met, additional payments to our medical personnel. As I said on May 11, regrettably, these payments have been made in far from all of the regions. As of now, only two or three regions have not made these payments. We only had to point at the drawback, and it was immediately remedied. Why cannot we do everything properly from the very start? I am asking you to pay more attention to performance standards. As I have already mentioned, we regularly hold industry meetings to support the economy and jobs, employment and the incomes of citizens. Today, as agreed, we will discuss the airline industry. Together with business representatives, we will consider the current state and development tasks of domestic airlines, airports, as well as aircraft manufacturing enterprises. As I have already noted, due to the coronavirus epidemic, air traffic – both in our country and abroad – is facing forced restrictions. Perhaps the most serious decline among all types of transport occurred in aviation. The numbers of users on domestic flights decreased significantly, by 88 percent. International air traffic has almost stopped: there is a reduction of more than 90 percent. The number of passengers at Russian airports has dropped to a minimum. Companies, airports are losing revenue, which certainly affects their financial situation and, most importantly, their employees and the well-being of people involved in air transportation. Let me remind you that we have already decided to allocate emergency assistance – over 23 billion rubles – to Russian airlines so that they can pay salaries to crews, personnel, airport services, leasing expenses and other purposes and thereby ensure the stability of enterprises. I would like to ask business representatives today to tell us how this work is being organised and whether all the issues have been resolved. Although I do know that not all the issues have been resolved, and in fact, the organisation of this work within the allocated funds requires more serious consideration. Let us talk about this today. Let us talk about how effective and sufficient the incoming support is. I would also like to note that last week, following a meeting on transport, I gave instructions to especially support airports during the epidemic, to allocate federal funds – almost 11 billion rubles – for their urgent needs. I would like to ask the heads of the federal departments to report on how the decisions made are being implemented. Let me emphasise that our common task is to provide for reliable, high quality and safe airline service in Russia. Meanwhile, it is important for the industry to see the prospects of its development and further growth. However, it is also important for the Government to understand these prospects. I think that any of our actions to support this or that sector should proceed from a clear long-term model of its operation. I am asking the Minister of Transport to tell us today which structural changes in the industry are expected in the years to come and what the Government is going to do in this respect. We are talking not only about major aviation. I suggest talking about small, specialised, sanitary aviation operating in remote areas where it, in fact, has no alternative. And, of course, in the current circumstances it is necessary to support the foundation of the industry, namely the aircraft-building enterprises, and give work to those complex and, in many ways, unique production facilities. Russia is, by the way, among the few countries that can produce the entire range of military and civil planes and helicopters. It is a huge competitive edge and an embodiment of our industrial, economic, scientific and educational potential. Russia-made aircraft can compete in many specifications on equal terms with their foreign counterparts and global market leaders and, by the way, speaking of combat aircraft, largely surpass them. In addition, the capacity of the Russian aircraft industry makes it possible to work on new and promising models. Above all, I mean the MS-21 medium-range civil airliner that is being tested. I believe, it has already made over 300 flights, which is a third of the required number. I have already said that it is a matter of principle to provide our aircraft plants with orders and raise the demand for Russia-made aircraft. It will encourage the creation of jobs, the upgrade of production facilities and the development of new aircraft models. I believe that the right thing to do would be to take the following decisions in this regard: First, we need to launch a support programme for the leasing and operation of Russian aircraft. To this end, I propose offering leasing companies state guarantees in 2020–2021, as well as subsidies in order to reduce the per-hour flying cost for Russian aircraft. According to our estimates, this programme will enable Russian plants to manufacture 59 new civilian aircraft in the first two years alone. At the same time, we need to simplify and streamline these leasing subsidies for carriers and aircraft manufacturers, including by directly linking the purchase of a specific aircraft to receiving the subsidy. In other words, the money will follow the aircraft. Second. We are paying a great deal of attention to developing regional air services by subsidising direct region-to-region flights bypassing the Moscow Aviation Hub. We are doing this primarily in the interests of the people, the passengers, since non-stop flights are much more convenient and of course cheaper. Every year, the government earmarks about 8 billion rubles from the federal budget to this effect, and regions chip in as well. However, the demand for subsidies largely exceeds the allocated funds. We need to consider the possibility of expanding this programme. In addition, we need to fine-tune this mechanism in order to prioritise destinations operating Russian aircraft. I would also like to remind you about the decision adopted in December 2019 when I asked you to draft proposals on creating a dedicated airline operating a fleet of Russian-made passenger and cargo aircraft in Russia’s Far East, including hard-to-reach territories. I would like to hear a progress report on this instruction. Third. The state will have to place more orders to support demand. This is a universal and effective approach that we use to support automobile manufacturers, other industrial sectors, as well as infrastructure construction. Of course, for the aviation industry this could be even more relevant than for any other sector. We have planned to purchase aircraft as part of the national projects and state programmes. I propose fast-forwarding these transactions in order to give work to our manufacturers right now, when they are going through a challenging period. I am referring, among other things to the purchase of 66 helicopters as part of the programme to develop air medical services. I strongly believe that expediting these deliveries will be totally worth it. State-owned companies must become involved as well. I know for example that Russian Post will have to modernise its cargo fleet in the near future. I would like to ask the company’s chief executive to report on its long-term plans for buying aircraft. Actually, this applies to other companies that are fully or partially owned by the state. Overall, in this situation we have to be very rational and generous. We need to look at what aircraft our state-owned companies wanted to buy and in what quantities, including oil and gas companies and other businesses, sum up this data to understand the magnitude of these orders, and make the corresponding adjustments. It may be the case that we should also expedite defence procurement orders. Let us get down to work. I would like to give the floor to Deputy Prime Minister Borisov. Please, go ahead. Deputy Prime Minister Yury Borisov: Mr President, Aircraft manufacturing companies have been able to fulfil defence procurement orders, provide for the combat readiness of the Air Force, and carry out civilian aircraft manufacturing programmes, and all this thanks to your unwavering attention to this sector and the timely and expeditious government decisions. At the same time, we need to recognise that the troubled loans that have been pilling up over the past years have a negative effect on this sector in general. United Aircraft Corporation alone has over 400 billion rubles worth of these debts and spends over 30 billion rubles in interest on arrears every year. The government commission that was established under your Executive Order reviewed the long-term financial restructuring programme of United Aircraft Corporation. This programme provides for government support measures, including a capital increase and the restructuring of UAC’s troubled loans for a 15-year term; streamlining the corporate structure and governance within a three-year term and overhauling UAC’s R&D block within a five year term, which is expected to save about 300 billion rubles; and divesting the corporation’s non-core assets for an estimated 17 billion rubles. The commission carried out a detailed review of UAC’s financial restructuring scenarios by comparing the key indicators, and analysed the aircraft line-up and the manufacturing programme for the entire programme period. The financial restructuring programme will enable UAC to complete the investment stage of the ongoing aviation programmes and step up serial manufacturing of new aircraft, as well as create stable conditions for carrying out civilian and defence aviation programmes in the future. The restructuring programme provides for expanding UAC’s capacities for assembling MC-21, Il-114 and other aircraft. In addition, we brought forward the timeframe for import substitution projects, including changing the deadline for completing the Sukhoi SuperJet import substitution project to 2023 instead of 2024. The government commission adopted the financial restructuring programme on May 12, 2020, taking into consideration the adjustments to state support measures that the Industry and Trade Ministry and the Transport Ministry will report on today, as well as having agreed with the Defence Ministry on cancelling fines and penalties under defence procurement orders for the past few years. In order to place the financial restructuring programme on more stable footing, I am asking you, Mr President, to instruct the Industry and Trade Ministry together with the Defence Ministry, the Finance Ministry, the Economic Development Ministry and Rostec state corporation to find ways to minimise the penalties for failure to perform or improper performance under state contracts over the past few years. It goes without saying that the corporation’s executives will be personally liable for fulfilling the programme’s main parameters, as we have agreed. The financial restructuring programme that has been adopted, along with the additional measures to support the aviation sector and ensure air transportation that the participants in this meeting will present, will lay the groundwork for putting the aviation sector on sustainable footing. Vladimir Putin: Thank you, Mr Borisov. Publication date: May 13, 2020, 15:50 http://en.kremlin.ru/catalog/keywords/63/events/63348 Last updated at May 13, 2020, 18:57	cc/2021-04/en_head_0013.json.gz/line36
__label__wiki	0.673279	0.673279	Electronic version Trade and Markets Guest pages Fish breeding in Armenia Successful transition from carps to high-value species This article was featured in EUROFISH Magazine 4 / 2020 Armenia has favorable climatic conditions for the commercial breeding and growing of species of trout (Salmonidae) and sturgeon (Acipenseridae). The country’s rich resources of subterranean water and its suitable climate enable the commercial production of these fi sh all the year round. The potential of the fishing sector has been recognized by private companies who have contributed to developing the industry. Their efforts have meant that Armenia today has a large number of companies with extensive experience in the production of fish and efficient management skills. Fish farming contributes to the wellbeing of remote communities At present, 17-18 tonnes of commercial fish are produced in the country, the bulk of which is the golden trout—Salmo ischchan. The fish is in high demand in the Russian Federation and other countries thanks to its high quality and about 20% of the production is exported. Fish farming contributes to the efficient use of water resources, increases the production of farmed fish, and provides hundreds of families in remote mountain communities with a livelihood. It is therefore important that the regulatory framework supports the development of the sector. Fish farming in the Republic of Armenia has been pursued for decades. In the 1920s the first fish breeding farms were set up in Karchaghbyur and Gavar to produce Sevan trout for consumption and restocking. Later, fish farms were established in Sevan and Lichq village of Sevan region. Each year these farms released 7m trout, more than 100m khramulya (Varicorhinus capoeta sevangi), and more than 20m whitefish (Coregonus lavaretus) larvae and fingerlings into Lake Sevan. The next stage of development in the fish industry started in the 70s when commercial fish farming expanded. Several big fish farms were established that used the water resources and wetlands of the Ararat valley. Apart from herbivorous fishes, golden trout and red-finned-fish (karmrakhayt) were also bred for commercial purposes. In the 1980s the water surface of fish farms in Armash and Sis communities of Ararat province and Yeghegnut community of Armavir province constituted around 6,000 ha and the annual production of commercial fish (common carp, Cyprinus carpio, and other carps) amounted to 5,000 tons. At the same time, fish farms in Taronik village of Ararat valley cultivated almost 100 tonnes of golden trout. Production of salmonids and sturgeons overtakes that of carps The third stage of fish industry development in Armenia started at the end of the 20th century. Investments by companies led to the creation of a number of big and efficient fish farms. Apart from grow out ponds, some of these companies established hatcheries, fish processing facilities, and sales and distribution networks within the country and abroad. Currently, frozen and processed fish and caviar are exported to the United States, Georgia, Russian Federation, Ukraine, and several countries in the Middle East, among others. The last years have seen rapid growth in the production of high-value fish, trout and sturgeon species. Of the roughly 17 thousand tonnes of fish produced in Armenia, 65-70& are species of trout and sturgeon. The main fish species commercially produced in Armenia are, Sevan summer trout (Salmo ischchan aestivalis), Gegarkuni (Salmo ischchan gegarkuni), golden trout, red-finned-fish (karmrakhayt), sturgeons and common carp, silver carp (Hypophthalmichthys molitrix), and white (Ctenopharyngodon idella) and black (Mylopharyngodon piceus) amur. Today, within the industry, there is a higher degree of cooperation than in the past. For example, smaller fish farms work together or have contracts with large companies that supply fry and feed and buy the market-sized fish. Over the last decade the range of species cultivated has become wider, and the structure of production in the country has changed dramatically. In the past, 90% of the farmed fish comprised common carp and other carp species, while golden trout was produced in small quantities. Today, this ratio has changed in favour of valuable salmonid and sturgeon species. Altogether some 40 species and sub-species of fish can be found in natural and artificial water resources, of which 15 are used for commercial purposes. Four fifths of fish farms are in just two provinces Fish species that are not endemic to Armenia such as white and black amur, silver carp, Japanese carp (koi), African catfish, Siberian and Russian sturgeon are successfully bred for commercial purposes. These together with the salmonids (golden trout, Gegarkuni, golden trout, red-finned-fish (karmrakhayt)) constitute almost 70% of the production of commercial fish in Armenia. At present there are 180 fish farms in the country of which 83% are in the Armavir and Ararat provinces. A programme to restore trout reserves in Lake Sevan to enable the sustainable exploitation of the fish was established in 2014. A company associated with the programme, Sevan Trout, processes the fish into a wide range of products including freshly frozen fish, fillets, and cans, which are sold under the brands Nairyan and Sevan Ishkhan. Levon Ter-Isahakyan, Tigran Aleksanyan, Ministry of Economy, Armenia Eurofish Magazine is a product of Eurofish International Organisation.	cc/2021-04/en_head_0013.json.gz/line37
__label__wiki	0.89764	0.89764	Ex Libris Association Trace: • brown_je About Ex Libris Be a Member - Join Ex Libris Biographies of Librarians and Information Professionals in Canada W. Kaye Lamb Award for Service to Seniors 2019 Spring Newsletter -- 2018 Fall Newsletter Occasional Papers, Reports, Articles Shop Ex Libris CANADIAN FACEBOOK GROUPS Follow Ex Libris on Facebook Canadian Federation of Library Associations Facebook news Librarianship.ca Facebook news and resources history:biographies:brown_je Jack Ernest Brown Associations/Committees: Honours: b. Mar. 1, 1914, Edmonton, AB; d. Jan. 17, 1996, Ottawa, ON 1938 BA (University of Alberta) 1939 BLS (McGill University) 1940 MA (University of Chicago) 1940-1942 Librarian, Edmonton Public Library (chief of circulation and reference) 1943-1945 Library Assistant, New York Public Library 1946-1947 Assistant Librarian, Brown University 1947-1957 Librarian, Science and Technology Division, New York Public Library 1957-1974 National Science Librarian, National Research Council, Ottawa 1974-1978 Director, Canada Institute for Scientific and Technical Information, Ottawa Visiting Lecturer at university library schools at Toronto, McGill, and Ottawa Brown, Jack E. (1940). The extension of public and school library services in the province of Alberta. MA thesis, University of Chicago, Graduate Library School. Brown, Jack E. (1942). “Edmonton’s Street Car Library.” Library Journal 67(2): 62–64. Brown, Jack E. (1960). “National documentation services in Canada.” Special Libraries 51(1): 25–29. Brown, Jack E. (1962). “Science literature and the public library.” Ontario Library Review 46(2): 69-72. Brown, Jack E. (1962). “Preliminary survey of science and technology libraries in Canada.” Special Libraries 53(10): 595–596. Brown, Jack E. and P. Wolters. (1963). “Mechanized listing of serials at the National Research Council Library.” Canadian Library 19(3): 420–426. Brown, Jack E. (1964). “Applications of data processing at the Canadian National Research Council Library.” In Proceedings of the 1964 Clinic on Library Applications of Data Processing, pp. 105–11. Urbana, Illinois: Graduate School of Library Science, University of Illinois at Urbana-Champaign. Brown, Jack E. (1965). “The National Science Library: information centre for industry.” Industrial Canada 65(1): 1–7. Brown, Jack E. (1966). “Survey milestones: Canadian libraries.” Library Journal 91(20): 5525–5528. Brown, Jack E. (1969). “CAN-SDI Project: the SDI program of Canada’s National Science Library.” Special Libraries 60(8): 501-509. Brown, Jack E. and Wolters, P.H. (1971). “CAN/SDI System: user reaction to a computerized information retrieval system for Canadian scientists and technologists.” Canadian Library Journal 28(1): 20–23. Brown, Jack E. (1971). “CAN/SDI plus two: Canada's National SDI Service for Science and Technology.” In Proceedings of The Israel Society of Special Libraries and Information Centres International Conference on Information Science, Tel Aviv, 29 August-3 September, 1971, pp. 619-628. Brown, Jack E. (1972). The Canadian National Scientific and Technical Information (STI) System: a progress report. Philadelphia: National Federation of Science Abstracting and Indexing Services. Brown Jack E. (1973). “Science policy and information networks: an introduction.” In Canadian Association for Information Science; Proceedings of The First Open Conference on Information Science in Canada, Montebello Quebec, May 14-15, 1973. pp. 134-137. Brown, Jack E. (1974). “The National Science Library and its program.” In Library Services Cross Borders: Minutes of the Eighty-Fourth Meeting, May 9-10, 1974, pp. 14–19. Washington: Association of Research Libraries. Brown, Jack E. (1975). “Canada Institute for Scientific and Technical Information.” Bulletin of The American Society for Information Science 1(8): 29-30. Brown, Jack E. (1978). “Information users versus information systems.” Canadian Library Journal 35(6): 433-436. Secretary-Treasurer, Alberta Library Association,1941-1942 Councillor, Canadian Library Association, 1961-1964 Director, Association of College and Research Libraries, 1961-1964 Vice-President, International Federation for Documentation, 1965-1967 1965 LL.D, University of Waterloo 1978 LL.D. McMaster University 1979 Canadian Association of Special Libraries and Information Services Award for Special Librarianship in Canada 1980 CLA Outstanding Service to Librarianship Award 1995 Centennial Medallion, International Federation for Documentation 1996 National Research Library renamed “J.E. Brown Building” After graduating with a BLS at McGill, Jack Brown received a Carnegie Fellowship to study at Chicago’s graduate library school. He worked for many years at New York Public Library where he built a reputation for promoting science and technology library services. It was due in large part to his vision that the National Research Council Library achieved international recognition. In 1974, a modern building opened as the Canada Institute for Scientific and Technical Information. It was renamed in his honour in 1996. Brown, who began his career as a public librarian, always stressed public service, collegiality, and teamwork. Robert Shanks, his executive assistant at CISTI, said Brown was a “man of great principle who was admired by all”. Upon retiring in 1978, Brown continued teaching at the McGill School of Library Science until 1983. Canadian Who’s Who, vol. 13, 1973-75. “Dr. Jack E Brown.” (1996) Feliciter 42(2): 54. “Dr. Jack Brown.” (1996). Ottawa Citizen, 20 January, p. C3. Paramount Pictures 1942 video of the Edmonton's Street Car Library on YouTube [accessed 1 Sept. 2017]. history/biographies/brown_je.txt · Last modified: 2017/09/20 00:08 by tbodak	cc/2021-04/en_head_0013.json.gz/line38
__label__wiki	0.535772	0.535772	AEP consideration of retiring Marshall County coal plant continues trend, rouses both sides of debate over coal's future in WV There have been 10 conventional steam coal plants retired in West Virginia since 2005, and there are only nine left in the state, according to U.S. Energy Information Administration data. At least one of the remaining nine could be retired before the decade is done, continuing a trend of dwindling coal plants across West Virginia as the coal industry fights to preserve itself amid a shift toward renewable energy that is taking shape more quickly outside the Mountain State's borders than inside them. Appalachian Power and Wheeling Power said in a recent filing with the Public Service Commission of West Virginia that the Mitchell coal-fired generating facility in Marshall County would cease operation in 2028 if the companies choose to retire the plant rather than make an additional investment to ensure that the plant complies with federal guidelines limiting wastewater to continue operating beyond that year. The companies say they could make modifications to comply with the wastewater rule and a federal rule regulating coal combustion residuals at the Mitchell plant, the John Amos plant in Putnam County and the Mountaineer plant in Mason County that would allow each of those plants to operate until 2040, and the filing argues that it would benefit customers to ensure compliance at the John Amos and Mountaineer plants and keep them operating until the end of their projected useful lives in 2040. But the companies report that performing only the coal combustion residual compliance work at Mitchell and retiring the plant in 2028 has "comparable costs and benefits" to making the additional wastewater compliance investment to allow the plant to operate beyond 2028. Replacing a portion of the retired Mitchell capacity with a portion of Appalachian Power's excess capacity in 2028 would result in savings to West Virginia customers of approximately $27 million annually from 2029 to 2040, the companies said in the Dec. 23 filing. Appalachian Power and Wheeling Power are seeking permission to perform all of the work at all of the plants, which they estimate would cost $317 million, and listed potential project-related residential, commercial and industrial rate increases of 1.59%, 1.52% and 1.72%, respectively. The proposed increased project-related rates and charges would produce $23.5 million annually in additional revenue, according to the companies. The Mitchell plant began operating in 1971 and was West Virginia's sixth-largest plant in generation and fourth-largest in capacity, according to EIA data. Wheeling Power and Kentucky Power Company each own 50% interest in the plant, according to the Dec. 23 filing. Those two companies and Appalachian Power are regional electric utilities of Columbus-based American Electric Power. AEP has retired or sold nearly 13,500 megawatts of coal-fired generating capacity in the past decade, according to Nick Akins, AEP's chairman, president and CEO. "As we look at the future of our power plant fleet, we've balanced the remaining life and economic viability of each of our coal-fueled generating units with other options for delivering power to our customers," Akins said in a November statement in which AEP said it planned to continue operating the Amos, Mountaineer and Mitchell plants while retiring two Texas plants in 2023 and 2028 as it prepared to make environmental upgrades. "We continue to add lower cost, cleaner resources, like renewables and natural gas, as we diversify our generating fleet to benefit our customers and the environment." West Virginia's number of coal plants has steeply declined as the U.S. shifts away from coal toward renewable energy. The EIA last year reported that the nation's annual energy consumption from renewable sources in 2019 exceeded coal consumption for the first time in more than 130 years, largely reflecting the continued decline in coal used for electricity generation over the past decade, as coal consumption in the U.S. decreased nearly 15% from 2018 to 2019 as renewable energy consumption rose 1%. Electricity generation from coal in 2019 fell to its lowest level in 42 years, according to the EIA. But in West Virginia, coal-fired power plants still account for almost all of West Virginia's electricity generation. In 2019, coal comprised the smallest share of state generation in more than 20 years, and it exceeded 90% anyway. Less than 3% of the more than 23,000 operating generators across the U.S. are conventional steam coal facilities, but that clip remains above 20% in West Virginia, according to a Gazette-Mail analysis of EIA's operating generators as of October. Still, West Virginia's percentage of operating generators that use conventional steam coal technology has declined nearly 8% in the last five years as the national clip fell by 2.3%. The Mitchell plant emitted just over 5 million tons of carbon dioxide, just under 1,900 tons of sulfur dioxide and just over 2,000 tons of nitrogen oxides in 2019, per EIA data. All those numbers have pushed environmentalists in West Virginia toward embracing renewable energy as an alternative to coal-fired generation. "The dictates of the market, along with the need to address the health and climate costs of burning coal, mean that much of the nation is taking part in the renewable energy revolution," Vivian Stockman, executive director of the Ohio Valley Environmental Coalition, said. "West Virginia would do well to embrace this change now and make every effort to shift our economy to one that can provide just transitions for former coal workers and sustainable livelihoods for all West Virginians." The state Public Service Commission last month approved a settlement between FirstEnergy subsidiaries Mon Power and Potomac Edison and energy efficiency advocates including Solar United Neighbors that requires the utilities to justify continuing coal plant operations and provide an economic analysis of plants for which they plan major improvements. "Renewable energy generation and energy efficiency measures are increasingly more cost-effective options for utilities and ratepayers than continuing to rely on an aging, expensive fleet of coal-fired power plants," Autumn Long, regional field director for Solar United Neighbors, said Monday. The EIA does predict that coal-fired generation will stabilize after declining through the mid-2020s as more economically viable plants stay operational, and Chris Hamilton, president of the West Virginia Coal Association, said he sees the coal industry "stabilizing about where they are at the present time," noting the prominent role coal still plays in the Mountain State's economy. Hamilton says the Coal Association was surprised to learn of AEP's plan to potentially close the Mitchell plant, adding that the organization plans to get involved in the PSC proceedings to lobby to keep the plant from retirement. "We're not sure that [American Electric Power] is looking at the totality of the economics surrounding that plant," Hamilton said, noting that the Coal Association is considering an independent economic evaluation of the plant. Hamilton estimated that the plant generates "a couple hundred million dollars" of economic support for the Ohio River valley. "Those range from the hundreds of mining jobs that provide the base fuel, all the vendor supply jobs that support the mining industry in that area, and … the plant workers, all the maintenance workers that service that plant," Hamilton said. American Electric Power officially retired the Kanawha River coal plant in Kanawha County in 2017 and the Philip Sporn coal plant in Mason County in 2015, while AEP Generation Resources, Inc. retired the Kammer coal plant in Marshall County in 2015. FirstEnergy pledged in November to transition away from coal-fired power by 2050 in an effort to achieve carbon neutrality in an effort to combat climate change, and Akins noted an "aspirational" goal of zero emissions by 2050 in 2019. Hamilton alluded to those goals with a call to action in an open letter to "Friends of Coal" last week. "We are deeply concerned with what the future holds, and you should be as well," Hamilton wrote. " … [W]e must be prepared to stand up for coal." Enlighten Radio Socialist Economics afl-cio georgia updates via Sherry Breedon, WV AFL-CIO Georgia AFL-CIO President Charlie Flemming: Election Day Is Here "It's finally here. Today is Election Day for Georgia's Senate runoff campaign—where millions of us will decide the fate of the U.S. Senate and the future of our country," said Georgia State AFL-CIO President Charlie Flemming (IAM). "Election Day is always an exciting time, and for me it's a testament to the incredible hard work every single union member, whether here on the ground in Georgia or across the nation, has put into these two runoff Senate races. In such a short period of time, in such unprecedented conditions, we have phone banked hundreds of thousands of voters. And thanks to major efforts from our affiliates and partner organizations, we have safely knocked on millions—yes, millions—of doors. We have hosted dozens of caravans, rallies and literature drop events. And we have welcomed both the Rev. Raphael Warnock and Jon Ossoff into our event spaces on multiple occasions. Early voting ended with a record 3 million votes. And as the rest of the votes come in today (polls close at 7 p.m.), I could not be prouder to serve Georgia's working people." Day of Action for Union Members in Augusta Dozens of union volunteers in Augusta, Georgia, hit the streets over the weekend for a get-out-the-vote (GOTV) day of action. Five teams of volunteers reached some 400 union household doors and made more than 100 phone calls to remind union families to get out to the polls to vote if they haven't already done so. Volunteers included members from the Painters and Allied Trades (IUPAT), the Augusta/East Georgia Central Labor Council, AFGE, Transport Workers Union (TWU) and other groups. A video montage of the day of action can be found here. UFCW Votes Program Offers Resources for Georgia Voters During Georgia's Senate runoff, the United Food and Commercial Workers Union (UFCW) utilized its UFCW Votes program to provide Georgia voters with resources such as state voting information, voting schedules, poll locations, ballot tracker links and more. In addition, UFCW Local 1996 President Steve Lomax (pictured, right) has been hosting phone banks, text banks and postcard distributions for local union members to help get out the vote. National Postcard Writing Campaign Reaches 400,000 Voters Across the country, thousands of union members participated in the AFL-CIO's Georgia Postcard Campaign. Launched Dec. 1, the program targeted both union and nonunion voters who needed an extra push to make sure they vote early, by mail or on Election Day, Jan. 5. We'd like to extend a special thank you to everyone who went above and beyond in this effort. In a matter of three weeks, over the peak holidays, the AFL-CIO state and local central bodies, affiliates, constituency groups, allies and the Committee on Working Women ordered postcards in droves. The numbers speak for themselves: In total, 400,209 postcards were ordered, shipped, distributed, handwritten and then sent back out to voters. The Labor Council for Latin American Advancement sent more than 5,600 postcards, the Coalition of Black Trade Unionists sent 4,500, and all of the labor movement's allies and constituency groups stepped up in a big way. Phone Banking Campaign Connects with Hundreds of Thousands of Voters For months, AFL-CIO members from coast to coast hosted virtual phone banks to reach hundreds of thousands of union and nonunion voters in Georgia. Altogether, thanks to efforts from our affiliated unions, state federations and local labor bodies, the AFL-CIO's virtual phone banks made over 618,456 calls. Virtual events, such as the Texas AFL-CIO's "Solidary Phone Bank for Georgia en Español," Pride At Work's collaborative phone bank with the Asian Pacific American Labor Alliance and countless other events, made a real difference in this election. Mike Roberts: The Brexit deal [feedly] The Brexit deal https://thenextrecession.wordpress.com/2020/12/29/the-brexit-deal/ The UK finally leaves the European Union on 31 December, after 48 years of membership. The initial decision to leave, made in the special referendum back in June 2016, has taken over four tortuous years to implement. So what does the deal mean for British capital and labour? For British manufacturers, the tariff-free regime of the EU's internal market has been maintained. But the British government will have to renegotiate new bilateral treaties with governments across the world, whereas previously they were included within EU deals. People will no longer be able to work freely in both economies by right, all goods will require significant additional paperwork to cross borders and some will be checked extensively to verify they comply with local regulatory standards. Frictionless trade is over; indeed, that's even between Northern Ireland and mainland Britain with a new customs border across the Irish Sea. And that's just goods trade, where the EU is the destination of 57% of British industrial goods. The British government fought tooth and nail to protect the fishing industry (and failed), but it contributes only 0.04% of UK GDP, while the services sector contributes over 70%. Of course, most of this is not exported, but still services exports contribute 30% to UK GDP. And 40% of that services trade is with the EU directly. Indeed, while the UK runs a huge goods trade deficit with the EU, that is in part compensated by running a surplus in services trade with the EU. This surplus is in mainly financial and professional services where the City of London leads. Exports of UK financial services are worth £60 billion annually compared to imports of £15 billion. And 43% of financial services exports go to the EU. The Brexit deal with the EU has done nothing for this sector. Professional services providers will lose their ability automatically to work in the EU after the Brexit deal failed to obtain pan-EU mutual recognition of professional qualifications. This means that professions from doctors and vets to engineers and architects must have their qualifications recognised in each EU member state where they want to work. And the deal does not cover financial services access to EU markets, which is still to be determined by a separate process under which the EU will either unilaterally grant "equivalence" to the UK and its regulated companies or leave firms to seek permissions from individual member states. Over the next year, there may well be bit by bit agreements on trade in these areas. But the UK service sector is bound to end up worse off for its exports than was the case within the EU. And that's serious because the UK is a 'rentier' economy that depends heavily on its financial and business services sector. Financial services contribute 7% of UK GDP, some 40% higher a contribution than in Germany, France or Japan. The UK is a country of bankers, lawyers, accountants and media people, rather than engineers, builders and manufacturers. The UK has a huge top-heavy banking sector, but a small manufacturing sector compared to other G7 economies. What about the impact on working people? On leaving the EU, what little British labour has gained from EU regulations will be in jeopardy within a country which is already the most deregulated in the OECD. The EU rules included a 48-hour week maximum (riddled with exemptions); health and safety regulations; regional and social subsidies; science funding; environmental checks; and of course, above all, free movement of labour. All that is going or being minimised. Around 3.7% of the total EU workforce – 3 million people – now work in a member state other than their own. Since 1987, over 3.3 million students and 470,000 teaching staﬀ have taken part in the EU's Erasmus programme. That programme will exclude Britons from now on. Immigration into the UK from EU countries has been significant; but it also works the other way; with many Brits working and living in continental Europe. With the UK out of the EU, Britons will be subject to work visas and other costs that will be greater than the total money per person saved from contributions to the EU. On balance, EU immigrants (indeed all immigrants) have contributed more to the UK economy in taxes (income and VAT), in filling low-paid jobs (hospitals, hotels, restaurants, farming, transport) than they have taken up (in extra cost of schools, public services etc). That's because most are young (often single) and help pay pension contributions for those Brits who are retired. The Brexit referendum has already brought about a sharp drop in net immigration into the UK from the EU, down 50-100,000 and still falling. That can only add to the loss of national income and tax revenues down the road. Most sober estimates of the impact of leaving the EU suggest that the UK economy will grow more slowly in real terms than it would have done if it had remained a member. Mainstream economic institutes, including the Bank of England, reckon that there would be a cumulative loss in real GDP for the UK over the next ten to 15 years of between 4-10% of GDP from leaving the EU; or about 0.4% points off annual GDP growth. That's a cumulative 3% of GDP loss per person, equivalent to about £1000 per person per year. The UK's Office for Budget Responsibility reckons that one third of this relative loss has already taken place because of the reduction in the pace of business investment since the referendum as domestic businesses stopped investing much, due to uncertainty about the Brexit deal along with a sharp drop in foreign inward investment. And then of course, the COVID pandemic has decimated business activity. In 2020., the UK will suffer the largest fall in GDP among major economies apart from Spain and recover more slowly than others in 2021. British capitalism was already slipping badly before the pandemic hit. Its trade deficit with the rest of the world had widened to around 6% of GDP; and real GDP growth had slid back from over 2% a year to below 1.5%, with industrial production crawling along at 1%. The UK economy already had weak investment and productivity growth compared with the 1990s and with other OECD countries. Investment in technology and R&D has been poor, more than one-third less than the OECD average. And the reason for this is clear. The average profitability of British capital has been falling. Even before the pandemic hit in 2020, average profitability (according to official statistics) was 30% below the level of the late 1990s and, excluding the Great Recession, was at an all-time low. Since the referendum of 2016, UK profitability has fallen by nearly 9%, compared to small rises in the Eurozone and the US. And the Eurozone AMECO forecast for profitability will leave the UK 18% below 2015 levels by 2022! As a result, investment by British capital is set to plunge and is forecast to be down a staggering 60% by 2022 compared to the referendum year of 2016. But maybe the UK can confound these dismal forecasts, as the government claims, because UK industry and the City of London can now expand across the world 'free from the shackles' of EU regulation. And it is increasingly clear how it thinks it can do this – by turning Britain into a tax and regulation-free base for foreign multinationals. The government is planning 'free ports' or zones; areas with little to no tax in order to encourage economic activity. While located geographically within a country, they essentially exist outside its borders for tax purposes. Companies operating within free ports can benefit from deferring the payment of taxes until their products are moved elsewhere or can avoid them altogether if they bring in goods to store or manufacture on site before exporting them again. Unfortunately, for the government, studies show that free ports might simply defer the point when taxes are paid, as imports would still need to reach final customers across the country. And the incentives may also promote the relocation of activity that would have taken place anyway, from one part of the UK to another. Moreover, tax breaks could mean a loss of revenue for the Treasury. And free ports risk facilitating money laundering and tax evasion, as goods are usually not subject to checks that are standard elsewhere. A deregulated Britain will not restore economic growth, let alone good, well-paid jobs for an educated and skilled workforce. It will only boost the profits of multi-nationals, using cheap, unskilled labour. In sum, the Brexit deal is another obstacle to sustained economic growth for Britain. But the COVID pandemic slump and the underlying weakness of British capital are much more damaging to the UK's economic future than Brexit. Brexit is just an extra burden for British capital to face; as it also will be for British households. End of the Year Thoughts on Inequality and Its Remedies [feedly] Lots to discuss here -- Dean's year end reflections would be a great topic for educationals on real political economy in the coming period. Certainly more useful and productive than the phrasemongering, feet planted in mid-air rants, that at times masquerade as political economy on the Left. I do not concur with parts of his analysis, but it has two great virtues: 1) It is concrete in its analysis of the US inequality -- it deals in real, not dogmatic or categorical choices in policy; 2) He affirms that among the several approaches one may take toward inequality, you cannot run away from its class character. You cannot raise the incomes of middle and lower working class people, unless you take it from the rich. If you are having dinner with a billionaire, or a CEO, it is not going to be a win win situation Dean Baker: End of the Year Thoughts on Inequality and Its Remedies http://feedproxy.google.com/~r/beat_the_press/~3/KwG6EY98SRE/ The approach of the end of the year seems a good time to sum up thoughts. My comments here will not be news to regular readers, but may be to others. Also, this exercise is helpful for me to keep my thoughts clear. (I also expect to take next week off, so you won't be hearing from me for a while.) Most of my work for the last several years has been focused on ways to reduce before tax inequality by reducing the amount of before-tax income that goes to those at the top of the income distribution. For better or worse, there don't seem to be a lot of progressives that share this beat. There are a few points that are worth making. First, my focus on reducing income at the top doesn't mean for a second that I don't see efforts at raising income for those at the bottom (and middle) as being important. I have long been involved with or worked alongside people trying to raise minimum wages, protect or increase Social Security benefits, and increase unionization rates. These are very important efforts, but at the end of the day, our ability to raise incomes at the middle and bottom will depend on reducing incomes at the top. This gets to the old pie-cutting story. If we want those at the middle and bottom to have much bigger slices of the pie, the folks at the top will have to get by with smaller slices. To see how skewed the pie eating has gotten, if the federal minimum wage had kept pace with productivity growth since 1968, as it did from its establishment in 1938 until 1968, it would be $24 an hour today. That means a single full-time minimum wage earner would have an income of $48,000 a year. A two-earner couple getting the minimum wage would have an income of $96,000 a year. This is a striking counter-factual, but we can't just go from here to there. In order for the economy to allow for this sort income and consumption by those at the middle and bottom, we have to reduce income and consumption at the top. We can talk about expanding the pie, but I don't think that I, or anyone else, has a magical formula to hugely expand the size of the pie. There are areas where better policy can lead to a more productive economy, but we are more likely talking about one to two percent rather than ten to twenty percent, and even these gains are likely to be a long-term story, not gains we can see in two or three years. It is also worth focusing on what pie-eating among the top means. There are many progressives who have made a sport of highlighting the enormous wealth that Jeff Bezos, Mark Zuckerberg, and other super-rich types have accrued from recent stock market gains. While the wealth of the super-rich is obscene, reducing these fortunes will actually not free up much room for more income lower down the ladder. As a practical matter, Jeff Bezos and Mark Zuckerberg probably don't consume much more in a given year than your average single-digit billionaire. This means that if we took away $100 billion from each of them, it would not free up much consumption for those at the bottom. If we want to create the economic space to substantially expand incomes at the middle and the bottom, we will have to substantially reduce the consumption of not just some tiny segment of super-rich people, but also the rest of the top one percent and even the top five percent. (That gets us a cutoff in household income of around $300,000.) We might even have to knock down the income a bit of the next five percent (cutoff of household income around $200,000). There is the political issue of the enormous influence that the super-rich can buy with their wealth. This is a huge problem, but it is best addressed in the near-term by increasing the opportunities for ordinary people to have a voice. I know many on the left want to use taxes to reduce the income, and therefore consumption, of those at the top. While we can and should make our tax system more progressive, there are real limits on how far we can push progressive taxation. Rich people don't like to pay taxes. They can and do find ways to avoid and evade taxes. Insofar as they are successful in these efforts, we fail to reduce their income in the way intended, we create a huge tax-gaming industry, which is a source of economic waste and itself a generator of inequality, and we undermine faith in the system. It is far better if we change economic structures in ways that don't allow people to get so rich in the first place. As a political matter, it is hard to defend an institutional structure that is both inefficient and a large generator inequality. As a practical matter, it is much easier to design systems that don't give rich people billions of dollars in the first place, than to try to impose taxes that pull most of their billions back after the fact. This is the basis of my thinking in much of my work. I lay out the case most completely in Rigged (it's free), but I am constantly looking for new areas where altering rules can lead to less inequality, without jeopardizing efficiency. Patent and Copyright Monopolies I like to begin with patent and copyright monopolies both because this is the clearest case, and also because the most money is at stake. The basic point is painfully simple: patent and copyright monopolies are not intrinsic to the market, they are government policies designed to promote innovation and creative work. As policies, they can be altered as we choose. They can be shorter or longer, stronger or weaker. We also can use other mechanisms to promote innovation and creative work. These policies transfer an enormous amount of income from the bulk of the population to those in a position to benefit from patent and copyright monopolies. I calculated that these policies may transfer over $1 trillion a year from the rest of us to the beneficiaries of patent and copyright monopolies. This is an amount that is larger than the military budget, it is close to half of all before-tax corporate profits. In other words, it is real money. Prescription drugs are the largest single chunk of this sum. Drugs are important, not only because of the money involved, but also because people's lives and health are at stake. The drugs that sell for tens, or even hundreds, of thousands of dollars would almost invariably be cheap in a world without patent monopolies and related protections. While any price is expensive for the poor, for most people, paying for drugs would not be a big problem if they sold for ten or fifteen dollars per prescription. Doctors could freely prescribe what they view as the best drug for their patients, without regard to price. (We need to make sure that government programs pick up the tab for the poor.) There is also the issue of the perverse incentives created by patent monopolies. Drug companies routinely misrepresent the safety and effectiveness of their drugs to maximize their sales and therefore the benefit of monopoly pricing. The most extreme case (which no one ever talks about) is the opioid crisis, which was worsened as a result of drug companies widely pushing drugs that they knew to be more addictive than claimed. The inequality story is also straightforward. Dishwashers and custodians don't benefit from patent monopolies. A very limited group of workers are in a position to get big gains from these policies. Bill Gates would likely still be working for a living if not for the patent and copyright monopolies on Microsoft software. When economists say that "technology" has increased the returns to education and inequality, they actually mean that patent and copyright monopolies have increased the returns to education and inequality, but it sounds much better to blame inequality on an abstract force than government policy. The Corruption of Corporate Governance There is a simple point here that seems to largely escape people on the left. CEOs are not worth their $20 million paychecks. That is not a moral assessment of the value of their work, that is a dollar and cents calculation about their value to the companies that employ them. At this point there is a considerable body of research that shows the pay of CEOs is not closely related to the returns they provide to shareholders. Bebchek and Fried have a somewhat dated collection of research on the topic. I reference some more recent material in chapter 6 of Rigged. A couple of years ago, Jessica Schieder and I also contributed a piece to this literature. The fact that CEOs are not worth their pay matters because it means that they are effectively ripping off the companies for which they work. There is a widely held view, that in recent decades, companies have been run to maximize returns to shareholders. However, if CEOs have been earning huge paychecks at the expense of the companies they work for, then it is not the case that companies are being run to maximize returns to shareholders. The fact that returns to shareholders have not been high by historical standards over the last two decades supports the view that CEOs are not maximizing returns to shareholders. It is also worth noting that the shift of income from labor to capital only explains about 10 percent of the upward redistribution of the last four decades. The fact that CEOs might be gaining at the expense of shareholders is not just a question of which group of rich people get the money. At the most basic level, there is reason to prefer the marginal dollar goes to shareholders, since even with the enormous skewing stock ownership, a substantial portion of shares are owned by middle class people in their 401(k)s and pension funds. By contrast, every dollar going to a CEO is going to someone in the top 0.001 percent of the income distribution. But more importantly, the bloated pay of CEOs has a huge impact on pays scales throughout the economy. If the CEO is getting $20 million then it is likely the chief financial officer and other top tier executives are getting close to $10 million. And the third tier can be getting $2 or $3 million. By contrast, if we had the pay scales of forty years ago, the CEO would be getting $2 to $3 million. The second tier would be correspondingly lower, and the third tier may not even crack $1 million. The excess pay at the top in the corporate sector also leads to bloated pay for top executives in universities and private charities. And, with all this money going to the top, there is less for everyone else. Anyhow, it should be apparent both that lowering the pay for CEOs will be a huge step in reducing income inequality, and that shareholders should be allies in this battle. Changing the rules of corporate governance (these are set by the government) to give shareholders more control over CEO pay can lead to lower pay at the top and therefore less inequality. Globalization is a Policy, not an Exogenous Event A popular story among elite types is that we can't have good-paying factory jobs that can support a family because of globalization. The deal is that workers earning $30 an hour, plus benefits, can't compete with workers in places like Mexico and China, who can do the same work for less than one-tenth as much. This is true. But the fact that our factory workers were put in direct competition with low paid workers in the developing world was not just something that happened, it was the result of deliberate policy. Our trade deals were designed to make it as easy as possible for U.S. corporations to outsource work to developing countries and bring manufactured goods back into the United States. The massive loss of manufacturing jobs in the years from 2000 to 2007 (pre-Great Recession) was not an accident, that was the point of our trade deals. We could have constructed our trade deals differently. Instead of putting manufacturing workers in competition with their counterparts in the developing world, we could have designed our trade deals to put doctors, dentists and other highly paid professionals in direct competition with their counterparts in the developing world. This would have meant standardizing licensing requirements in ways that ensured safety standards, while making it as easy as possible for foreign professionals to train to meet these standards and then practice freely in the United States. While doctors are not among the super-rich, their average pay is close to $280,000a year, putting them in the top two percent of wage earners. They also earn roughly $100,000 more annually than their counterparts in other wealthy countries. If we got doctors' pay down to the levels in Germany or France, it would save us close to $100 billion a year. That comes to $700 per year per household. When I have raised this issue with other progressives, many first dispute the idea that we could get foreign doctors that meet our standards. When I convince them of the absurdity of this position (there are plenty of very smart people in places like Mexico and India who would be happy to train to our standards for the opportunity to practice medicine here), they often respond with comments like people like their doctors or that they personally like their doctor. I get that, but there is some serious logic missing. I like the person who cuts my hair; she doesn't earn $280,000 a year. Essentially, these progressive types are expressing class solidarity with very highly paid professionals. They are welcome to do so, although it is an odd position for people who consider themselves progressive, but there is a more fundamental and simple point at stake. The fact that autoworkers have to compete with low-paid workers in the developing world, and doctors don't, is a political choice. This was not the result of an exorable process of globalization, it was the result of how policy types chose to structure globalization. No one should be surprised if manufacturing workers, and workers without college degrees more generally, who have been hurt by the loss of good-paying manufacturing jobs, are resentful of this decision. The Financial Sector: Economic Bloat and the Bloated The financial sector is the source of many of the country's great fortunes, it is also a source of enormous waste. Finance is an intermediate good, like trucking. It is very important to the economy; we need an industry that allocates capital and makes payments. But just as we want as few resources as possible involved in shipping our goods from Point A to Point B, we also want as few resources as possible tied up in the financial sector. In fact, the financial sector has exploded in size relative to the rest of the economy over the last five decades. We have seen a massive increase in financial transactions, as new financial assets are being constantly created and the existing ones are being traded more frequently. It is difficult to see much gain to the real economy from this explosion in the size and complexity of the financial sector, even if it has meant big fortunes for many people in the sector. My favorite remedy is a financial transactions tax, which can be thought of as equivalent to the sales tax we impose on most of the goods we buy. A modest tax could easily raise $100 billion a year (0.5 percent of GDP), which would come almost entirely at the expense of the industry. I find that many people have difficulty understanding how the tax would come at the expense of the industry and not investors. They insist that that banks and brokerage houses will just pass on the tax to investors. This is largely true but it misses the point. There is considerable research showing that the volume of trading falls roughly in proportion to the increase in the cost of trading. This means that if the cost of trading rises by 40 percent, then the number of shares bought and sold will fall by roughly 40 percent. This means that, for a typical investor, the increase in the cost per trade due to the tax will be offset by the reduction in the number of trades they or their fund manager make. This means that the total amount that they spend on trading will be little changed, but money they used to pay to the industry for carrying through trades will instead be paid to the government in taxes. Since trades are on net a wash (every trade has a winner and loser, this averages out for all but the most astute investors), investors will not be hurt by a reduction in trading volume. This one often leaves people baffled, since if they aren't gaining from trading now, they could reduce their volume of trading and save money. That view is correct, they could save money with fewer trades, but nonetheless many people choose to bet that they, or a fund manager will be able to beat the market. Anyhow, the point here is that if we just applied similar tax treatment to the financial sector as we apply to most goods and services we buy, we would have a radically downsized sector and many fewer great fortunes being earned there. The other simple quick fix would be to crack down on private equity funds, which are a source of great fortunes for fund partners. My colleague Eileen Appelbaum, along with Rose Batt, has documented many of the abuses the industry has developed to maximize their returns. In addition to cracking down on abuses, which can get complicated, a simpler issue is that private equity is no longer giving above market returns. In the 1980s and 1990s private equity companies were able to find many underpriced companies, turn them around and make large profits reselling them when they took the company public. This no longer seems to be the case as their returns have largely followed the market since 2006. This means that there is no reason for pension funds, the major source of private equity funding, to be tying up their assets with them. Even though pension funds may not be gaining by investing with private equity, many of their managers are convinced that they do. There is an easy remedy here. Just require the terms of all contracts of public pension funds with investment managers, including private equity, be posted on the fund's website, showing in clear terms what the managers get paid and the return on the investment. It is likely that the mediocre returns on private equity funds, coupled with the large payments to the private equity managers, would soon discourage pensions from continuing to turn over large amounts of money to these funds. There are other areas where we can both make the economy more efficient and reduce the opportunities for large fortunes in the financial sector. The most obvious is cleaning up the room for abusive credit practices that the Consumer Financial Protection Bureau was designed to target. There is no economic reason to give clever lawyers and accountants incentives to design ways to rip-off their customers. If these practices are blocked, by regulation or law, it a pure gain for the economy. As a general rule when it comes to the financial sector, we want it small and we want it simple. If we see lots of resources being devoted to the sector, it is clear indication we have a problem. Fixing Facebook and Social Media: Treat Them Like Other Media The battle over Section 230 of the 1996 Communications Decency Act has taken a bizarre turn in recent months because Donald Trump seems to have been convinced that repealing it would mean that Twitter and Facebook couldn't comment on or take down his posts. Actually, the opposite is true. In their current form, without Section 230 protection, Twitter and Facebook would probably be more likely to remove material posted by Donald Trump because it could be libelous and make them subject to legal actions. But ignoring the Trump confusion, the issue with Section 230 protection is why should Internet outlets be protected from damages, when the exact same material in a traditional print or broadcast outlet could lead to a lawsuit costing millions? Just to be clear, the issue is not directly posted material. If Facebook itself were to post libelous material it would face the same legal liability as the New York Times or CNN. The issue is third party content, where social media companies are completely protected. If we applied the same rules to Facebook, Twitter, and other social media companies as we do to traditional news outlets (I describe how this could be done in more detail here), we would likely see a radically downsized Facebook and Twitter. There would still be considerable opportunities to make money in this sector, but likely much less than Mark Zuckerberg has made to date. Even more important than downsizing Mark Zuckerberg's fortune is the issue of democratic control. In both the 2016 and 2020 elections, the public was in the position of begging Mark Zuckerberg to be responsible in the material he was allowing to be spread across his network. We should never be in the position of hoping some billionaire media mogul acts responsibly, with enormous consequences for democracy if they don't. This is a very good argument for breaking up Facebook, so that Mr. Zuckerberg's decisions do not have so much impact on our political process, but repealing Section 230 may get us to the same place through a much simpler mechanism. Wishing You a Happy and More Egalitarian New Year Well, that's the list for now. I have other schemes, as my regular readers know, but these are the big ones. The point is that we should never take market outcomes as simple givens. We can structure the market in an infinite number of different ways. Any political strategy that doesn't acknowledge this basic point is doomed to failure. The post End of the Year Thoughts on Inequality and Its Remedies appeared first on Center for Economic and Policy Research. AEP consideration of retiring Marshall County coal...	cc/2021-04/en_head_0013.json.gz/line40
__label__cc	0.630998	0.369002	Indian Senior Men’s team lose to hosts Chinese Taipei in Over Time thriller Team Ekalavyas (Features Image is a file photo from the recently concluded SABA Qualifying Round) New Delhi/ Bengaluru, 25th July 2016: Threatening to turn the corner, the Indian Senior Men’s National Basketball Team continued to show significant improvement in the 38th William Jones Cup International Basketball Tournament 2016, with a tense 70-76 overtime loss to hosts Republic of China’s A team (Chinese Taipei). The William Jones Cup is being held at the Hsinchuang Gymnasium in the city of New Taipei, Taiwan. If one were to simply go by world rankings, a victory today would have been considered a mini-upset, as Chinese Taipei is ranked 48th in the world, as against India’s 53. These are exciting times for India basketball which is growing from strength to strength with each passing year. It is to be remembered that the Indian men’s team was invited to participate in this prestigious invitational championship on the back of its 8th place finish (best in 12 years) in the 2015 FIBA Asia Championship. Considered as a key warm up event in the run up to the FIBA Asia Challenge to be held later this September, the Indian coaching staff led by Mr CV Sunny & Mr Sebastian PJ, have been doing an excellent job in testing out various combination of players in the three games so far, first against USA on Day 1, yesterday against Japan and today against Chinese Taipei. Chinese Taipei led 22-17 at the end of the opening period before the momentum slightly shifted towards India, as it first matched Taipei 14-14 in the second quarter, before outscoring Taipei 25-20 in the second half to force the game into an extra five minutes of play. In overtime, the hosts went on a 10-4 run to seal the deal. For India, multiple players stepped up throughout the course of the match. Power forward Amjyot Singh dominated on offense grabbing an unbelievable 10 offensive rebounds to go along with his 18 points. Centre Rikin Pethani shone on the defensive end with 13 huge rebounds (17 in total), 3 blocks and 4 steals. Streaky guards Talwinderjit Singh and Prasanna Venkatesh had 16 points each, while the always consistent Vishesh Bhriguvanshi ended with 11 points, 4 assists and 3 steals. However, despite all these statistical highlights, in the end India fell just short. Team India is now 0-3 and faces Korea (WR-30) tomorrow at 12:30 pm. Republic of China Team A bt India (Amjyot Singh 18 pts 12 reb, Prasanna Sivakumar 16 pts 9 reb, Talwinderjit Singh 16 pts, Rikin Pethani 17 reb 3 blk 9 pts 4 stl, Vishesh Bhriguvanshi 11 pts 4 ast 3 stl) 76-70 [22-17, 14-14, 11-14, 19-21, 10-4(OT)] Indian Squad for the 38th William Jones Cup 2016 Family Name(s) /Last Name /Given Name (City and State) (ft & inches) Arshpreet Singh 190 (6’ 3’’) G/F Bhriguvanshi 195 (6’ 4.5’’) Amritpal Singh Ganna Pind Sulthanbathery 184 (6’ .5”) Pethani Rikin Sajiavadar Amreli Annadurai Arumugam Amjyot Singh Punjab/ Haryana Bhardwaj Sivakumar Prasanna Venkatesh Akilan 180 (5’ 10.8’’) Talwinderjit Singh PG – Point Guard / Feeder, G – Guard, F – Forward, G/F – Wing, PF – Power Forward, C – Centre, PF/C – Pivot 13) Coach: Sebastian Padipurakkal Joseph 14) Coach: Sunny Cheruthottil Varghese 15) Physiotherapist: Navaneeth Atholi Thiruvoth 16) Manager: Chengalraya Naidu Talipinani About the 38th William Jones Cup Tournament Specifics The venue for the tournament is the Hsinchuang Gymnasium in the city of New Taipei, Taiwan. 9 teams are set to participate, and this includes 2 local Taipei teams. Matches will be played between 23rd of July to the 31st. The final placement of teams will be based on their performance in a single round robin format. This will mean that every team will face every other team once. The William Jones Cup is one of the, if not the, biggest non-FIBA Asia tournament conducted in the Asian continent as it is regularly used for the top teams in Asia as a warm-up event for the regular FIBA Asia competitions. This marks the first time since 2005 that the Indian Men’s National Team was invited. The invitation comes after India made history in back to back years, in 2014 by beating China for the first time ever and in 2015 by reaching the quarterfinals for the first time in 12 years. The list of participating teams range from National teams to amateur club and University teams, as follows: 1. Egypt National Team (WR-41) 2. Iran National Team (WR-17) 3. India National Team (WR-53) 4. Japan National Team (WR-48) 5. Korea National Team (WR-30) 6. Philippines (Mighty Sports Club team in the Pilipinas Commercial Basketball League or ‘PCBL’) 7. U.S.A (California State University, Sacramento)- NCAA Div I Team 8. Republic of China (ROC) Team A (WR-48) 9. Republic of China Team B India’s Upcoming Schedule [Timings in IST] vs Korea – 26th July, 12:30 PM vs Egypt – 27th July, 10:30 AM vs Phillipines – 28th July, 10:30 AM vs ROC B – 29th July, 10:30 AM vs Iran – 31st July, 10:30 AM Tournament History and India’s Participation The William Jones Cup is a prestigious annual invitational tournament, the inaugural edition of which was held in 1977. The Cup was conceived and named to honour Dr. Renato William Jones, who served as one of the founders of FIBA and served as its first Secretary General for 44 years. Dr. William Jones was also instrumental in the creation of an Asian Zone for FIBA, which he did at the FIBA World Congress in Tokyo in 1964. Iran is the defending champion, while United States is the most successful participant in the competition, with 15 gold medal finishes. The last time the Indian men’s team competed at William Jones was way back in 2005. Subsequently, the women’s team participated in 2011 and 2012. In the 2011 edition, India finished (1-3), and was placed 4th, with the team’s sole win coming against South Korea (63-69). This game was notable Prashanti Singh’s shooting heroics as well as for Anitha Pauldurai top scoring (24 points) and Geethu Anna Jose’s 11 rebounds. In the following 2012 edition, India finished 4th again but fared better, going 2-3, by beating the Malaysian National Team and the Division III Chapman University, US. About Basketball Federation of India The Basketball Federation of India or BFI is the governing and controlling body of basketball in India, and is responsible for the development and promotion of the sport at all levels. BFI has been involved in conducting camps, clinics, events, and training sessions at its academies for the development of basketball. BFI came into being in 1935 and took complete control over Indian basketball in 1950. Prior to that time, the Indian Olympic Association handled the conduct of Indian basketball championships. Since 1950, the BFI has been conducting various such championships, from the grassroots to senior team participation in international tournaments. In addition, the BFI has been responsible for the establishment of strong sub-junior and junior level programs. The BFI has to its credit produced several international players of repute, among them 17 have been bestowed with the honour of Arjuna Awards. Earlier in June 2015, 19-year-old Satnam Singh Bhamara made history by becoming the first Indian national to be drafted by an NBA team, when he was selected by the Dallas Mavericks. More information at www.basketballfederationindia.org. Jul 26, 2016 Team Ekalavyas 4 years ago Announcements, Basketball, Breaking News, Press Releases, Tournaments38th William Jones Cup, Chinese Taipei, Indian Senior Mens Team, Taiwan, William Jones Cup95 Is Shooting Form Really as Vital as They Say?Indian Men's U18 team on the verge of reaching knockouts after 12 years Indian women begin 39th William Jones Cup with a loss to New Zealand The Indian women’s basketball team opened its campaign at the 39th William Jones Cup earlier today with a 52-75 loss to New Zealand. The top performers for the Indian team were captain Anitha Paul Durai with 15 points, and R Rajapriyadharshini with 8 rebounds, while Micaela Cocks led New Zealand with 21 points. Next up, […] Indian women’s basketball team set to depart for the 39th William Jones Cup The Indian women’s basketball team is all set to participate in the 39th William Jones Cup International Basketball Tournament, which will be played from 5th to 9th July 2017 at Chinese Taipei The team is led by veteran cager Anitha Paul Durai, and coached by newly appointed head coach Zoran Visic, and Asst. Coach Shiba […] Indian men’s basketball team cruises into the semis of the 21st Super Kung Sheung Cup The 21st Best Mart 360° Super Kung Sheung Cup International Basketball Invitation Championship is being held in Hong Kong at the Queen Elizabeth stadium between 13th to 18th India has beaten the National Team of Thailand 86-65 and is now through to the semis. Hong Kong, 15th December 2016: Earlier this afternoon, the Indian […] Indian Senior Men post first ever win at the William Jones Cup (Featured Image is from the SABA Qualifiers and is being used purely for the purposes of representation) New Delhi/ Bengaluru, 29th July 2016: Earlier today, the Senior Indian Men’s team posted its first ever win at the William Jones Cup, the 38th edition of which is underway in Taiwan. Prior to the ongoing edition, […] Indian finish in 7th place on a 3- Decade High Continuing to make its rise among the Asian ranks, India beat Taipei 80-68, to end FIBA Asia Challenge 2016 in 7th place. It is to be recalled that India had also upset China and Philippines earlier on in this competition. Considering the higher number of teams this time around, this is India’s best ever performance […] Indian men showcase balanced scoring effort against Korea in day 2 of the 39th William Jones Cup International Basketball Tournament The Indian men’s basketball team lost to South Korea 67-92 on day 2 of the 39th William Jones Cup International Basketball Tournament. The William Jones Cup is an exposure trip for India ahead of the FIBA Men’s Asia Cup to be held in Lebanon from 8th to 20th August 2017. India’s positives included its balanced […]	cc/2021-04/en_head_0013.json.gz/line41
__label__wiki	0.635942	0.635942	Tag Archives: one-man band March 31, 2017 Samia Had a cozy chat with Bloodshot Bill, the revered rockabilly one man band from Montreal and learned some things about his early years as a budding rock’n’roller, his hoarding habits, and his love for ballads. When did you realize you had this talent to be a musician? It’s more like realizing you enjoy it, so I realized I enjoyed it and just wanted to do that. I started playing drums when I was 13 or something, I was playing with friends and stuff. When I realized when I wanted to do it, probably like around when I met you, during those Jailhouse days. I was working all crappy jobs, so many shitty jobs. So, at that point you started playing more? I used to drink more than I played so I didn’t really take some opportunities that I could have, with people offering me to play out of town and stuff like that. As a solo artist, or in bands? Both, I was doing both. I started out playing alone, not the way I do it now with the one man band type of thing, it was just with a guitar. I played with Dom and stuff like that. Were you in bands in high-school? I was playing drums in high school. Being the drummer I didn’t really have so much control, so I had to learn to play guitar to do my own thing. And when did you start singing or realizing you could sing? Well I didn’t realize I could sing, I just figured I should try this if I want to do stuff I like. That happened pretty late when I was like 19 or 20. I know people call you hillbilly or rockabilly, what’s the difference? What do you consider yourself? Just rockabilly, rock’n’roll or just rockin’. I guess hillbilly loses that rock part of it, and I like that style, that’s what I try to go for. You try to go for what you like. Like if you are a writer you want to write something you want to read, right? So, I try to make songs that I obviously want to hear. You’ve met some of your idols? Like Hasil Adkins I never met Hasil but we used to talk on the phone a lot. I got his number a long time ago. So, did you just call him up? I called him up and he talked to me like we knew each other for years. It wasn’t like who are you? It was so cool. And we used to play songs to each other over the phone. And after he passed away his girlfriend wrote me, sent me a letter saying, “Is this Bloodshot Bill, you used to talk to Hasil on the phone” I was like “yeah”. He used to tape record his phone conversations which I didn’t know and she was like “I have a tape of you guys talking, would you like it?”. She sent me this tape and we’re talking, and playing songs over the phone to each other, it’s cool. Great, that’s awesome! Where do you think your passion and energy comes from? Hmm, I don’t have that many interests, I’m not interested or knowledgeable on many things because I have no interest in them, except for a few things I think are cool. Music, different musicians I like, and so I guess that’s it. But you have tons of energy, put out so many records, and your energy on stage? It’s just from liking what I do, I guess. Liking it. If it’s a live thing, then you also get the energy from the crowd. So if they’re going nuts then you get to go more nuts. You seem to be entrenched in 50s music, style and subculture. If you could travel back in time to that time what would be the first thing you would do? Go shopping! Find all the cool stuff I have to dig for nowadays. Even if it’s clothes, gear, or guitars, whatever. Meeting people, going to shows, all that stuff. What fascinates you about retro signs? I don’t know, they’re just cool, they don’t make them like they used to kind of thing. And I know I saw you had some garage sales over the summer? Well because I moved and I’m a super amazing hoarder. I travel a lot to so it makes finding things and finding things easy. That’s one of the fun things about going on the road. What’s in this town, and what’s in that town. Do you ever have problems bringing stuff back? No, as long as it can fit in the car I’ll take it. But I did find pieces of signs that I couldn’t take back and I was kind of bummed about that. But I usually find small things that I can fit in the car. So back to when we were moving, I was just like, how am I going to move all this stuff, I have so much stuff, I can get rid of this stuff, I had so much so I was kind of panicking. I was like okay, I’ll sell some of these guitars and I just got flooded with emails in 15 minutes, while I was packing and I couldn’t answer all these things, so I just answered like the first email. A guy came over and he bought a guitar and I just didn’t bother answering the others, maybe later I’ll do a garage sale or something. So you still have a lot of stuff? Yeah, out of all that stuff I only sold one guitar, really cheap too. But at my last show, I don’t know if that’s what you are talking about. I did a little purge of some clothes and comics. I didn’t bring too much stuff because I had to bring my gear also. That’s an interesting concept. It worked out good! It worked out good! I’ll try and do that more. It’s a great way to get rid of stuff. Way way too much stuff. Do you drive to most of your show, like in the US? I fly and I drive. I have kids now so I don’t do crazy long cross country drives. With your family now it must be harder to go out and tour? I kind of keep it at two weeks tops if I do go out, and that’s rare even. And I try to keep it to weekends, so if’s its somewhere far I’ll fly. Do you have any favorite places you like to play? I know you play a lot of clubs, festivals, parks? In the summer I do like playing outdoors, that’s always fun. Festivals, I like the outdoor ones, there’s this one I do every year in Massachusetts called the New England Shake Up, that’s a lot of fun, my friend puts it on, so I been doing the pre-party. And during the festival if a band cancelled we’ve been filling in, but there’s all sorts of different ones. But it’s weird, I find I’m able to play these sort of rockabilly festivals, and these other different ones, like if you categorize me as a rockabilly band I play festivals that other rockabilly bands wouldn’t… Like a folk festival? I did play a folk festival last year. You know you hear about a folk festival but not all the bands are folk bands. Like a blues festival, not all the bands are blues. The jazz fest in Montreal, perfect example, they’re not all jazz bands. Are there any cities or places that are more into 50’s more than others, or in Europe? I don’t know if it’s so much the cities, it’s just the crowd that puts on the show, or the festival that gears it toward that crowd. Europe definitely has a lot more festivals than North America, more for that kind of stuff. So what’s your typical set up and has it changed over the years? A guitar, an amp and a drum, when I’m playing alone, it’s the drum and the high hat. I read reviews where it’s like, “Bloodshot Bill playing harmonica” and stuff like that, I’m like, what, no, I never played that, they probably think cause I’m a one man band I have a harmonica. I think they kind of think, he had a maraca in his sock, or something, or a harmonica, or whatever. They just figure you’re trying to play so many things. They just have a great imagination. Or they’re just not watching, maybe they hear that, I don’t know, it’s kind of funny. But I keep it pretty basic, I just keep it simple for myself, I don’t try to like…I’ve seen other one man bands who try to play a million things, it’s cool or whatever, but for me if music is about expressing yourself you don’t want to make it hard on yourself to do that. Do you write lots of originals or do you do mostly covers? I do a mix of both. On all my records, I do covers too, and originals. So I know you mentioned having a lot of jobs before. Did you ever imagine yourself on a different path? Sometimes doing what I do now, it’s all me, I don’t have a manager, I book myself and stuff like that so I really have to hustle a lot to make it work, so sometimes I’m like it would be so much easier if I had a fuckin 9 to 5 job but I think I’d just blow my brains out if I did after a while, you know. But with all the stuff I’m hoarding I think I’d like to open up my ideal shop, you know, selling junk! (laughs) That’s cool! Yeah it would be cool. What’s the emotion most felt in 50s music? I don’t know, the music I go for, even if it sounds inept to some people, it’s the enthusiasm maybe. Are there more love songs? I love ballads. On my records I put a lot of ballads but reviews of me, the things I read of me, it’s like “the wild man!” but I don’t think people know that I love ballads. But I think that it was a lot of teenagers playing this kind of music, and they had a lot of energy because they are young and it’s just the enthusiasm I guess. Do you play for your daughter? Yeah, I mean sometimes. She tells me to stop. (laughs) Stop. She’s funny too. Where do you spend time writing and practicing? At home? Yeah usually at home, in the basement or something in the winter. Who are some of your main influences? There’s so many but I always have my holy trinity, Hasil Adkins, Charlie Feathers, and Link Wray. Kary once told me that there was a song you once wrote about her and Johnny (Bergeron/Crap)…How did you come up with that? Yeah, a long time ago, Johnny Crap. I don’t know, I think we all used to hang out at Jailhouse. It was weird, they are still together and that’s great, but I think after a week of them knowing each other Johnny went and had her name tattooed on him and we were like, oh what, dude, hope it works out! I guess it has worked out. I think that’s even a line in the song I think. “Johnny loves Kary, Kary loves John, wasn’t that a new tattoo on his arm, Johnny Crap!” Haha something like that! Wow, that’s so cute! What’s going on with some of your side projects? The Tandoori Knights, The Ding Dongs? Not much, those things just started out as…you know those guys, they don’t live in town anymore… What about The FireJacks? These were all recording projects. I get together with my friends, and it’s like – hey let’s record a song! And then it’s another and another song and then we have enough to put something out. Tandoori Knights, we actually did do a tour. We might put out some more stuff. The Ding Dongs, with Mark, we put out 2 albums and a single. We put out a bunch of stuff, with The Ding Dongs we played a bunch of shows, FireJacks – were these guys from the States, The Two Timin’ Three was the name of their band and we had plans to, they were always touring and I was always touring, so let’s tour together and we’ll put out an album, and then I got banned from the States like shortly after. And one of those guys that was in that band got in a motorcycle accident and died, yeah, so that never happened. We got to play one show. So that whole banning in the States was because of paperwork? And now you have the right papers? Do you have to pay for that? Yeah, it’s a lot, it’s so stupid, for Canadians to play in the states you have to do all the paperwork to play, and wait, and gather all this information, but for Americans to come to Canada I could write them a note five minutes before they hit the border, and be like they’re coming to play, oK, and that’s it. Yeah it’s so stupid. The look of your album covers are really cool looking. Who comes up with that? Some of them I’ve done. The Norton stuff they take care of their stuff. I’ve loved that label forever so I’m like please do it, keep doing what you do, do it to my stuff cause I love you, I trust you. Do you have a weirdest show you ever played? I definitely do. One time I played in this giant fridge, that was in Montreal, some art thing. One time also in Montreal in March they got me to play in the Old Port right by the water, and it was freezing, it was an outdoor 5 a 7, open bar, it was really weird, like bad timing, like why are you doing this in the winter? Lots of weird shows. I just played with Mungo Jerry, I mean it wasn’t weird but it kinda made sense as I was watching his show, cause I only knew “in the summertime, when the weather gets hot…”, his hit song, but it seemed weird when my friend asked me to play it. And what’s the show tonight, you got lined up? Tonight I’m in a store, my friend’s store, Kitsch’n Swell, and they have a new sign and they’re having a party around it. And who are the Hick-ups? The Hick-ups are my latest band, I travel around a lot, but in the winter I’m home a lot, so I usually start a new band in the winter, this one I started a couple of years ago, it’s more like a traditional rockabilly sound, like a trio, 2 guitars and a bass, that’s what that is. So did you listen to music early, like as a little kid? Yeah, that’s when I got into rockabilly, was like my best friend in grade 1 or 2, he had an older brother who was into that so we kind got into it through that…he had a cousin too, an older cousin that even had a band, and I recently got to play with that guy too, which was kind of neat. He lives in Ottawa now. So that was an influence that kind of steered me early on I guess. So I was looking at your site and saw these cool promotions you did for a hamburger joint in a bowling alley… Yeah that was on the south shore, they were introducing some new burger, they always have little restaurant in the bowling alley, and I love bowling and I love hamburgers so it was perfect. They were introducing this new burger called the Dégueu burger which is the disgusting burger as you know. With this brown sauce? Yeah they had a sweet one and a spicy one and they were really good. The spicy one wasn’t spicy enough for me. But they wanted me to be the Colonel Sanders, the face of Wendy’s, the face of this burger, the Disgusting, so it was perfect, and they wanted me to write a song and we did a video. And what about that restaurant, I never even heard of it, the Madrid? Somebody asked me to write.. do you know this place? it’s on the Hwy 20 on the way to Quebec, it’s a truck stop and they had monster trucks and dinosaurs, but they were switching owners or selling it, so some of my friends in Granby were like let’s make a tribute album to Madrid, so I made that song, and made that crappy video just for the hell of it. Oh, it’s so awesome! I like it too! It’s short and funny. Did they ever see it, like the owners, or anything? I forget, I think one of them did, and they were just like – thanks! Bloodshot BillDégueu burgerHasil AdkinsHillbillyJailhouseJohnny CrapKitsch'n SwellMontrealNew England Shake upNorton Recordsone-man bandRock'n'rollRockabillyTandoori KnightsThe Ding DongsThe FireJacksThe Hick-ups	cc/2021-04/en_head_0013.json.gz/line45
__label__wiki	0.519278	0.519278	Bank must compensate woman for sharing info with estranged husband India, Feb. 26 -- A bank has a relationship of fidelity with its customers and it cannot share their personal information or financial statement with anyone else, the Delhi State Consumer Commission said while holding a private bank, HDFC, guilty of deficient service by providing account details of a woman to her estranged husband without her consent. The consumer commission also asked HDFC Bank Ltd to pay a compensation of Rs 50,000 to the complainant, whose financial details were given to her husband with whom she had strained relations owing to a matrimonial dispute. "The relation of the bank and the customer is of fidelity and therefore, bank cannot supply financial statement or any information to another person except that of the court order," the commission said. "Considering the totality of facts and circumstances, the only conclusion drawn is that the statements were provided to the husband with the connivance of the bank officials. The same amounts to deficiency in service on part of the bank...," the commission further stated while dismissing the bank's appeal against a district forum order directing it to pay the compensation. According to the complaint filed by Delhi resident Gurpreet Kaur, her salary account details were released by the bank to her husband without her consent and knowledge. The bank, while denying the allegation, had claimed that it got a formal application for the release of account details but failed to submit it before the commission, saying it was unable to trace the same. Next Article Emami Biotech plans plant in western India to expand footprintMonday, June 09, 2014 Supreme Court bans sale of BS-III vehicles from April 1 Thursday, April 27, 2017 Microbiological limits for milk/milk products applicable at retail level too Thursday, April 27, 2017	cc/2021-04/en_head_0013.json.gz/line48
__label__wiki	0.789012	0.789012	A PANEL DISCUSSION WITH MANAN AHMED ON HIS NEW BOOK, THE LOSS OF HINDUSTAN: THE INVENTION OF INDIA Virtual event - registration required Distinguished Lecture Friday, January 29 \| 10:10am – 12:00pm A panel discussion with Manan Ahmed (History) On his new book, The Loss of Hindustan: The Invention of India Vishakha Desai (Chair, Committee on Global Thought) Purnima Dhavan (History, University of Washington) Ayesha Ramachandran (Comparative Literature, Yale University) Co-sponsored by the Committee on Global Thought, the Heyman Center for the Humanities, and the Institute for Social and Economic Research and Policy Manan Ahmed is Associate Professor in the History Department at Columbia University. He is an historian of South Asia and the littoral western Indian Ocean world from 1000-1800 CE. His areas of specialization include intellectual history in South and Southeast Asia; critical philosophy of history, colonial and anti-colonial thought. He is interested in how modern and pre-modern historical narratives create understandings of places, communities, and intellectual genealogies for their readers. Prof. Ahmed’s second book, The Loss of Hindustan: The Invention of India (Harvard University Press, 2020), tells a history of the historians of the subcontinent from the tenth to the early twentieth century. The core of the book is the history Tarikh-i Firishta which was written by Muhammad Qasim Firishta (b. ca. 1570) in the Deccan in the early seventeenth century. Broadly, the book presents a concept-history of “Hindustan,” a political and historiographic category that was subsumed by the colonial project of creating British India and the subsequent polities of “Republic of India” and “Islamic Republic of Pakistan.” Dr. Vishakha N. Desai is Chair, Committee on Global Thought; Senior Advisor for Global Affairs to the President of Columbia University; and a Senior Research Scholar for the School of International and Public Affairs at Columbia University. She also serves as Senior Advisor for Global Programs to the Solomon R. Guggenheim Foundation. From 2004 through 2012, Dr. Desai served as President and CEO of the Asia Society, a global organization dedicated to strengthening partnerships between Asia and the U.S. In 2012, in recognition of Dr. Desai’s leadership in the museum field, President Barack Obama appointed her to serve on the National Museum and Library Services Board. An internationally renowned scholar of Asian art, she has published and lectured extensively on the intersection of traditional and contemporary arts and policy in diverse countries of Asia. Dr. Desai holds a B.A. in Political Science from Bombay University and an M.A. and Ph.D. in Asian Art History from the University of Michigan, in addition to honorary degrees from Williams College, Centre College, Pace University, The College of Staten Island, and Susquehanna University. Purnima Dhavan is an Associate Professor in the Department of History at the University of Washington. Her Fields of Interest include Comparative Gender; Environmental History; Islamic Studies; Literature; Science and Technology; and South Asia. Her research interests encompass the social and cultural history of early modern South Asia, 1500-1800. The ways in which religious, linguistic, and status identities shaped the political and cultural institutions of the Mughal period are central to her work. Prof. Dhavan’s first book, When Sparrows Became Hawks: the Making of Khalsa Martial Tradition (2011) examined the transformation of North Indian peasants into high-status warriors as they became members of the Sikh warrior order, the Khalsa. Her second book project, The Lords of the Pen: Literary Associations in Early Modern South Asia, examines the literary activities of poets in emerging urban centers of the Mughal Empire to understand how participation in literary associations shaped understandings of caste, gender, and religious identity, to engage with larger questions of how notions of the “public” and “common good” emerged in different parts of the world. Ayesha Ramachandran is an Associate Professor of Comparative Literature at Yale University. Her research interests include Early modern European literature and cultural history; Renaissance poetry; history of science and technology (sixteenth and seventeenth century); cartography and literature; early modern empires and international law; history of philosophy; Europe and the Indo-Islamic world. Her recent work focuses on Europe’s relations with an expanding world. Her first book, The Worldmakers (University of Chicago Press, 2015) charts transnational encounters and the early mechanisms of globalization from the late fifteenth to the early eighteenth centuries. It was awarded the MLA’s Scaglione prize in Comparative Literary Studies (2017), the Milton Society of America’s Shawcross Prize for the best book chapter on Milton (2016), and the Sixteenth Century Studies Association’s Founder’s Prize for the best first book manuscript (2015). In addition to literary and intellectual historical questions, Prof. Ramachandran is interested in early modern maps (particularly world mapping), the history of science and technology, early modern empires, and the rich visual archive of illustrated books in the period). Her current book project, Lyric Thinking: Humanism, Selfhood, Modernity, argues for the central importance of lyric form and language in shaping new intellectual possibilities for the self in the early modern period and beyond. » A PANEL DISCUSSION WITH MANAN AHMED ON HIS NEW BOOK, THE LOSS OF HINDUSTAN: THE INVENTION OF INDIA	cc/2021-04/en_head_0013.json.gz/line50
__label__wiki	0.783383	0.783383	What The Classic means to me – KVD By Kevin VanDam\|2020-01-23T10:55:02-06:0003.19.2019\|Tags: Bassmaster Classic, blog, Kevin VanDam, kvd\|0 Comments He’s reached the big show 28 times, earned four trophies and owns one of only three back-to-back victories. But while the experience level and economic benefits are undeniable, Kevin VanDam says the Bassmaster Classic has never lost that je ne sais quoi of which dreams are made. “There are several championships and high-profile events, but to this day, there’s something about the mystique of the Classic,” he said. “That comes from the very early days that make it what it is today. I’ve seen a lot of changes, but it transcends all other events.” To understand VanDam’s appreciation for Classic tradition, you have to look at his evolution of thought. Like most, it started with youthful fascination. As a 14-year-old from Kalamazoo, Mich., VanDam was awestruck when Paul Elias’ 1982 Classic win put the event on his mental radar. “I remember seeing Paul Elias kneeling and reeling and that was at an age when I was at the beginning of my tournament career just fishing around home,” VanDam said. “Through Bassmaster Magazine, I started following the Classics, up to the point of my first one (Chesapeake Bay, 1991). Prior to the internet, social media and all forms of modern communication – and way before fans could enjoy watching the even unfold in real time – VanDam relied on his own analysis of what to expect. Turns out, the lack of content saturation enveloping 21st century Classics probably helped put him on course to effectively handling the mental game. “You build it up in your mind as this unbelievable circus-type atmosphere, and I had a lot of people tell me that when I got to my first one that I’d be overwhelmed by it,” he recalls. “I kind of built it up so big that it made it manageable for my first one. “It was a great experience, but as an angler I learned a lot. It was my first time where you had a lot of media at an event, and you could just feel the difference with the microscope on that event.” Building the brand Since his Classic debut, VanDam has amassed the third highest number of appearances (behind Rick Clunn’s 32 and Gary Klein’s 30), with the second longest streak of consecutive qualifications at 24 from 1991 to 2014 (behind Clunn’s 28, 1974-2001). Ask him if the diamond still sparkles as brightly, and you’ll get an immediate “yes.” In fact, like a Red Bordeaux or Prosciutto di Parma, time has flavored VanDam’s appreciation for Classic tradition. Tipping his hat to a former insurance salesman with a P.T. Barnum-level dream for the sport he loved, VanDam anchors his Classic affinity in his respect for the event’s history. “I think Ray Scott did a fantastic job from the very beginning of telling the media people he invited just how special the Classic was, that it’s the championship, the Super Bowl — and it stuck from a very early time,” he said. “When you look at how it’s viewed by the industry and the fishing world, the Classic is the biggest single event in the sport. “I think it’s the mystique that Ray Scott built through his showmanship, his vision from the very early stages that built it to that.” VanDam said he’s also grateful for the ESPN era, which introduced live Classic coverage and, thereby accelerated the event’s relevance by propelling it into the mainstream sports scene. Notwithstanding the Classic’s ever-increasing international exposure, VanDam said there’s no overstating the personal pride resting amid his four trophies. “Everybody will say, financially it will make your career, and for some guys, it can — but the Classic is what you make of it,” he said. “In my whole career, it has been the pinnacle event of the sport. I’ve won several AOY titles in B.A.S.S. and FLW, but in the view of the public, the fans and the media, they don’t compare to the Classic. “The Classic has been built to be the pinnacle event. Again, it really goes back to Ray Scott in the beginning and the initial mystique of the Classic. No question, it’s the Super Bowl, it’s the World Series, it’s the Masters — that’s the level that it is.” His course “Early on, winning the Classic was definitely the goal, but not because of my own perception,” VanDam said. “What changed it for me was to see what the Classic meant to many of my peers like Larry Nixon, Rick Clunn, Stacey King, Tommy Martin, Denny Brauer. What just being there meant, and then obviously, what winning it meant for some of them. “That further impressed upon me what the Classic mystique was at a very early age. Yeah, I wanted to win one, but it took me a while to understand what it took to actually do that because of the extra (attention) that’s on you. I had to learn how to manage that.” The turning point might very well have been a statement from the late Bassmaster Senior Writer, Tim Tucker, who threw big props laced with challenging inspiration to an established pro that he believed would someday climb the mountain. “I was eight or 10 years into fishing Classics, and he said ‘Kevin may be one of the best anglers to have never won a Classic,’” VanDam recalls. “He’d bring that up every year at media day. He’d say, ‘Does it bother you (that you haven’t won)?’ “At the time, I had won three Bassmaster Angler of the Year titles and I had been performing at a really high level, but I hadn’t been able to win a Classic. My first one in 2001 was an incredible relief; it took a lot off me.” Farewell moment For KVD fans who’ve enjoyed watching his storied career, the 2019 Classic will probably be the last time they’ll see him in a B.A.S.S. event. Bittersweet on some level, but VanDam shared a couple of poignant thoughts. “Because I’m not fishing the Opens, or the Elites, this may be my last Classic, so I definitely want to win it,” he said. “I, of all people, understand the magnitude of the Classic stage and what it means to win one. “I truly wish everyone could experience what it feels like to win one because it it is a milestone; it’s a mountain — it’s like climbing Mt. Everest. It’s incredibly gratifying. That’s why it would mean so much to me to win because I understand what the Classic is all about.” Acknowledging the reality of a Classic field that includes a large number of anglers now committed to another professional tour, VanDam said he’s keeping the focus on the event he holds dearly — and the people that make it so. “In the end, everybody who qualified for the Classic earned their spot there,” he said. “There’s no doubt there’s a bigger contingency of anglers who are not full time on the Elite series than ever before. A lot of really familiar names are going to be there this year that won’t be in the future. But it’s still going to be the Classic. “B.A.S.S., as an organization, has been phenomenal to me over my career. I have a lot of great friends there and the hardest part for me at this Classic is knowing that I’m not going to see these people on a regular basis like I used to.” In closing, VanDam offers this advice: “Whether it’s their first Classic, or their last like me, every angler should know how special it is to be there and to be a part of it. I’m going to try my best to truly appreciate everything about this Classic.” Check out my Bassmaster Classic documentary series here: Episode 1 – The Waiting Game Episode 2 – The Grinder Episode 3 – The Payoff Episode 4 – One of Those Days ICAST Online Revealed Some Great New Tools for Anglers KVD’s Smallmouth Smorgasbord There Was a Lot of ‘New’ at the Kissimmee Chain The KVD Newsletter Protecting your fishing tackle and equipment The importance of fishing electronics on your boat Archives Select Month July 2020 June 2020 May 2020 April 2020 March 2020 February 2020 January 2020 December 2019 November 2019 October 2019 September 2019 June 2019 May 2019 April 2019 March 2019 February 2019 January 2019 December 2018 October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 February 2017 October 2016 February 2014 March 2013 February 2013 January 2013 May 2011	cc/2021-04/en_head_0013.json.gz/line52
__label__wiki	0.750555	0.750555	Jewish World Review May 10, 2009 16 Iyar 5769 Capitalism Goes Out Of Tune By George Will http://www.JewishWorldReview.com \| From Oct. 18 to Dec. 3, 1961, 116,000 people visited New York's Museum of Modern Art before anyone noticed that Henri Matisse's painting "Le Bateau" had been hung upside down. Modernity is supposed to "transgress" standards of the traditional, which is why Paul Hindemith, while rehearsing one of his dissonant orchestral compositions, said to the musicians, "No, no, gentlemen — even though it sounds wrong, it's still not right." Proponents of today's world-turned-upside-down economic policies say the policies might seem wrong but really are boldly modern in their rejection of markets in favor of pervasive government intervention in economic life. Hence New York, which until eight months ago was the financial capital of the world, is no longer even the financial capital of the United States. Washington is. So says Ian Bremmer in "State Capitalism Comes of Age: The End of the Free Market?" in the current issue of Foreign Affairs. It should be read by Americans who are dismayed by the blurring of the line between public and private sectors. Most Americans assume — and are encouraged to do so by those doing the blurring — that the government is doing this reluctantly and is eager to find an "exit strategy" to "unwind" its interventions. Bremmer, president of the consulting firm Eurasia Group, believes that although the governments of many developing nations have made "a strategic rejection of free-market doctrine," governments of developed countries do not intend to "manage" their economies "indefinitely." About the former, he is correct. About the latter, his wish may be the father of his thought. FREE SUBSCRIPTION TO INFLUENTIAL NEWSLETTER Every weekday NewsAndOpinion.com publishes what many in the media and Washington consider "must-reading". HUNDREDS of columnists and cartoonists regularly appear. Sign up for the daily update. It's free. Just click here. Among the myriad signs that many nations are developing systems "in which the state functions as the leading economic actor," Bremmer notes that the 13 largest oil companies are owned and operated by governments and that governments in the developing world control three-quarters of the world's energy reserves. Privately owned multinational companies produce just 10 percent of the world's oil and own just 3 percent of its proven reserves. In many developing nations, large companies that remain in private hands are only nominally private: They are government appendages in that they depend on government patronage for credit, contracts and subsidies. "Sovereign wealth funds" — state-owned investment portfolios — already account for one-eighth of global investment, double the figure just five years ago. The largest such funds are those of Abu Dhabi, Saudi Arabia and China, with Russia's rising. The only democracy operating one of the 10 largest funds is Norway. The combined assets of all such funds exceed the assets of all the world's hedge funds. Bremmer says, correctly, that state capitalism "has introduced massive inefficiencies into global markets and injected populist politics into economic decision-making," that "deeper state intervention in an economy means that bureaucratic waste, inefficiency and corruption are more likely to hold back growth," and that politicians tend to develop stimulus packages with their constituencies, not economic efficiencies, in mind. Therefore, he says, the state must eventually retreat. He probably is wrong because he underestimates the pleasure politicians derive from using their nation's wealth as a slush fund for purchasing political advantage. In 1937, columnist Walter Lippmann, deploring the rise of "authoritarian collectivism," lamented that in order to be taken seriously, a politician or theorist had to have "proposals to magnify the power of public officials and to extend and multiply their intervention in human affairs." Paul A. Rahe, a historian and political philosopher at Hillsdale College, in his new book "Soft Despotism, Democracy's Drift," notes that, long before 1937, we were warned. In "Democracy in America," Alexis de Tocqueville anticipated people being governed by "an immense, tutelary power" determined to take "sole charge of assuring their enjoyment and of watching over their fate." It would be a power "absolute, attentive to detail, regular, provident and gentle," aiming for our happiness but wanting "to be the only agent and the sole arbiter of that happiness." It would, Tocqueville said, provide people security, anticipate their needs, direct their industries and divide their inheritances. It would envelop society in "a network of petty regulations — complicated, minute and uniform." But softly: "It does not break wills; it softens them, bends them, and directs them" until people resemble "a herd of timid and industrious animals, of which the government is the shepherd." So what today seems as modern as Matisse once seemed was foreseen 17 decades ago. Like Hindemith's music, what is happening seems wrong. And it is. George Will's latest book is "With a Happy Eye but: America and the World, 1997-2002" to purchase a copy, click here. Comment on this column by clicking here. © 2006 WPWG	cc/2021-04/en_head_0013.json.gz/line57
__label__cc	0.579688	0.420312	SUMMARY OF: A Special Report on the Department of Administration’s Professional Services Procurement Process, October 17, 2006. In accordance with Title 24 of the Alaska Statutes and a special request by the Legislative Budget and Audit Committee, we have conducted an audit to review and analyze all formal professional services procurements at the Department of Administration (DOA) over the previous two years. In addition, we identified any improvements that could be made to the procurement code. There were no systematic violations of Alaska’s procurement code by the Department of Administration; however, several avoidable errors did occur during the procurement process. Some changes could be made to the procurement code to improve efficiency and enhance competitiveness. Overall, vendors are generally satisfied with the procurement process. The avoidable errors were a result of (1) misplacing a portion of a vendor’s proposal combined with a subsequent misunderstanding between the State and the vendor on how to move forward with a modified procurement process; (2) poorly-designed timelines in a request for proposals (RFP) for a replacement payroll system; and (3) poorly written RFPs. Changes to improve the procurement code are necessary. Consider removing or modifying the requirement that contractor listings be maintained. The DOA commissioner and chief procurement officer should seek to modify AS 36.30.210(e) and AS 36.30.110(b) to make a business license necessary at the time of contract award. The DOA commissioner and chief procurement officer should reevaluate the Alaskan offeror and Alaskan bidder procurement preferences. The DOA commissioner and chief procurement officer should consider policies to better safeguard vendor proposals. The Division of Administrative Services (DAS) should ensure RFPs contain clear and realistic timeframes for all phases of the proposal evaluation process. The Division of General Services (DGS) should institute review procedures to ensure RFPs are clear and unambiguous before release. DOA Professional Services Procurement Process Category: DOA	cc/2021-04/en_head_0013.json.gz/line66
__label__cc	0.663916	0.336084	Category: Quick Hitter Yesterday, Mitch McConnell promised that the vote to confirm Brett Kavanaugh to the Supreme Court bench, would happen later this week. This, despite a “thorough” FBI investigation which spoke to neither Kavanaugh nor Dr. Ford, and which failed to speak to eight witnesses provided by the Ford camp, another twenty from Debbie Ramirez and a further twenty or so who knew Kavanaugh and his cronies, and had valuable information which they tried unsuccessfully to share with the FBI. Essentially, the FBI investigation did little more than confirm that some of the known witnesses, a number of whom never did have relevant information, said what we thought they said. It smacks of a whitewash, from start to end. So, to many, the investigation is far from finished, but to McConnell, the time to vote is right now. We should all be asking ourselves, “Why the rush?” On the one hand, it might be suggested that McConnell fears that the midterms will flip enough of the Senate seats that the Republicans may not be able to muster enough votes to confirm Kavanaugh. But the reality is that even if the Republicans lost in November, the sitting Senators would not leave office until January. That would leave ample time for a vote. No, McConnell wants that vote right here, right now, for an altogether different reason. This October, on the Supreme Court docket is a case numbered 17-646, Gamble vs. US, and a five to four vote in a conservative led Supreme Court decision, is all that is needed to make Trump’s claim that he could “shoot someone in the middle of 5th Avenue and not lose any voters” more than a distasteful threat. At the heart of Gamble vs. US is the desire to overturn a portion of the double jeopardy law known as “separate sovereigns.” Briefly, the double jeopardy law says that a person can not be tried twice for the same offense. Whether initially acquitted, sentenced or pardoned, that person should be free from further prosecution. Where this often comes into play is when a person is on trial for a crime that is an offense at both a state and a federal level (separate sovereigns). Gamble was tried and found guilty of a felonious gun possession, by both the state of Alabama and the federal government, sentenced by both, and has been arguing that his sentencing twice for the same crime is a violation of his protection under double jeopardy laws. In numerous writings, Kavanaugh has already come out in favor of expanding the power of the executive branch, and the legitimate concern here is that he would cast the deciding vote to overturn this section of the law. So, why should we be concerned? If the separate sovereigns clause is overturned, it would extend to the executive branch, for now the Trump administration, the ability to pardon criminality at a federal level and leave the state unable to prosecute under the double jeopardy statutes. Right now, the state of New York is suing the Trump Foundation for campaign finance law violations, for using a charitable organization to settle legal claims against his businesses, for personal spending through a charity and for using the charitable Foundation’s funds to curry political favor. New York State has also turned over its evidence to the IRS, that at a federal level, they may also seek to prosecute Trump and his family. Abolishing separate sovereigns would give Trump the ability to pardon his children and possibly himself at the federal level, and leave the state unable to prosecute him. How else might this play out? Manafort and Cohen are in the process of working deals with the Mueller investigation, giving their testimony to avoid further prosecution and prison time. A Trump pardon could make both of them free men, and prevent them from further prosecution, thus rendering Mueller’s deal, worthless. At that point, what is their incentive to give testimony against Trump? It has also been reported that Russian oligarch money has wended its way into more than just the Trump presidential campaign. Evidence is strong that Mitch McConnell, Marco Rubio and Lindsey Graham also received large sums of money in their campaign war-chests from Russian donors possibly tied to the Kremlin. The promise of a pardon from Trump would not only keep these three out of prison, but would also incentivize them to vote against impeachment, should Mueller’s investigation come to that. In the end, our biggest worry should be that the members of our federal government are positioning themselves to be, if not above the law, immune to it. When a member of our government, be it at the executive, legislative or judicial branch, commits a crime, the “placeness” of where that crime was committed is what allows our state and local attorneys general to launch investigations and to prosecute. They are our voices against a corrupt government. They are our watch dogs. Removing the separate sovereigns clause has the distinct potential to render those dogs toothless. The Trump administration has insisted that immigrants are the enemy from without and that journalists are the enemy from within, two positions right out of the Nazi playbook. Now, this same administration is positioning itself to pay no penalty for corruption, because that presidential pardon covers all sins. In time, we should be able to change this administration at the ballot box. But as long as the conservative right maintains that 5-4 swing vote advantage on the Supreme Court, the decisions they make now will enable corrupt politicians for decades to come. So, ask yourselves again, “why does McConnell need this vote, right now?” https://www.snopes.com/fact-check/trump-gamble-court-case/ https://www.dallasnews.com/opinion/commentary/2018/05/08/putins-proxies-helped-funnel-millions-gop-campaigns Author John Q. PublicPosted on October 4, 2018 Categories Politics, Quick HitterTags Kavanaugh, McConnell, Separate Sovereigns, Supreme CourtLeave a comment on Why the Rush to Judgeship? Author John Q. PublicPosted on September 9, 2018 Categories Politics, Quick HitterTags NYT, OP-Ed, Pence, TrumpLeave a comment on So, Who Is The Mole in the White House? A Grassroots Movement is Just That As the Trump administration drifts farther into inanity, if not insanity, focus is beginning to shift to the Democrats and their inability to formulate a platform which reaches out to energize what is left of their base. 2018 will be on us in a heartbeat and 2020 shortly thereafter. To date, the DNC has refused to budge from the same neo-liberal agenda which cost them the last election, and has put up a front runner in Kamala Harris, who has given us no reason to see her as anything more than a Clinton clone. Bernie Sanders and Tulsi Gabbard are not even mentioned as possible candidates by the DNC, fresh off their “win” in the Florida fraud case, where the DNC lawyers stated that the DNC had every right to rig the election, and to choose their nominee in a smoke filled back room, with no regard to the expressed desires of their voting base. As many have realized, there is only one figure in the Democratic party who stands above the rest in the big three areas of name recognition, popularity and favorability. Of course, that is Bernie Sanders, who is still fighting tirelessly in the Senate, when he is not fighting tirelessly on the road. He is standing up to Trump and fighting for all of us in the 99%, still working to get us a single payer healthcare system, to reign in the corporate oligarchy that is the United States government, to spread the tax burden equitably between the 1% and the rest of us, and getting people involved in the political process. Our involvement in the political process is the only thing that will change the system, yet many Americans believe that the deck is stacked too heavily against us for change ever to happen. “What good is a grassroots movement,” they reason, “when the corporations own the government?” Not so fast. If you want to make changes to your government, you need to understand the mechanism of that change a little better and to start seeing things in context. The map above reflects the results of the 2016 presidential election on a county by county basis. Red areas went to Trump and Blue areas to Clinton. The darker the shade, the more heavily that area went to the designated candidate. We know by now that Clinton won the popular vote by some 2.2 million votes. That is utterly immaterial. She lost the county by county vote by a huge margin, with Trump winning some 84% of the counties across the country. This is very significant, because it is this county by county voting that shapes the awarding of delegates in the Electoral College, which Trump won in a landslide. Bear that in mind a minute. It has been published elsewhere that if “Did Not Vote” was the name of a candidate, “Did Not Vote” would be our current president. Forty-seven percent of all eligible voters, stayed home. So, Clinton, Trump, Gary Johnson and Jill Stein, split 53% of the electorate. No one had a majority. None had so much as 30%. There is an enormous, untapped resource of voters out there, waiting for a candidate in whom they can believe. For many, that was and is Bernie Sanders, and the polling before and after the election shows unequivocally that Sanders would have defeated Trump by some eighteen percent. Why? The reason Bernie Sanders would have done so well is that his campaign appealed to voters everywhere, across all demographics of American society (except the aforementioned 1%). He might not have won the city centers as convincingly as Clinton, but he would have won on a county by county basis, and that would have flipped the electoral college. This is where the rest of us come in. If we want to make changes in our government, it begins at home. It truly is a grassroots revolution. We can’t worry about what is happening in Washington D.C., or in other states. We have to shape the opinions in our own counties, among our friends and neighbors, and GET OUT THE VOTE. We are talking about defeating another candidate who will have little more than 25% of the electorate behind him or behind her. We could have (easily) as much as 43% of the electorate behind a Progressive candidate. Forty-three percent of all registered voters are Independents, the majority of whom found the neo-liberal Clinton much too far to the right to be acceptable. Add to that 43%, the 13% of the electorate (nearly 50% of the Democratic party) who voted for Sanders in the primaries, and we would have a political juggernaut. Keep the faith. Keep fighting the fight. Arm yourselves with the kind of knowledge that will help you speak convincingly to your friends, to your neighbors, and to help them see just where and when it is that they have been voting against their own interests. If we can turn out the vote, with an eye toward changing the color of the county by county map, we can relegate one of the two major parties to third party status. We can change the government. We can change the world. We can grant ourselves a future. And it all begins at home. For more on the breakdown of votes in the 2016 election: http://brilliantmaps.com/2016-county-election-map/ Author John Q. PublicPosted on August 27, 2017 Categories Politics, Quick HitterLeave a comment on A Grassroots Movement is Just That America is at war. When Bernie Sanders began his presidential campaign as a relatively unknown senator from rural Vermont, he outlined a platform of providing health care as a right, a commitment to higher education for our young people, a refusal to sweep aside issues of civil rights and injustice for an oppressed African-American community, and a determination to get big money out of our political process. From the outset, he took pains to tell us that he could not do this alone. He told us to expect that forces would align against such a cause. Consequently, he stressed that what we needed in this country was a political revolution. Well, it is here and it is not going away. In the aftermath of yet another fraud besmirched primary, this time in New York, the Clinton campaign has issued a series of condescending petitions to the Sanders supporters, couched in vague threats of the possibility of a Trump or Cruz presidency, and have required of those supporters that it is time they get in line behind Secretary Clinton. What they have failed to grasp all along is that their candidate stands as the personification of all that this revolution is set to confront. On the surface, this has every appearance of a class war, pitting the millionaire and billionaire classes against the middle and working classes. It is a revolution setting the haves against the have nots with the presumptive nominee imploring all of us to just have a slice of the corporate cake. But there is a deeper distinction. This revolution is really one of money vs. morality. Now, morality is always an issue in American elections. But this year, morality is not defined as the thou shalt nots of denying abortion rights or denying LGBT rights. Instead, it is the morality of thou shalt provide health care to all Americans, thou shalt pay workers a living wage, thou shalt pay women on an equal footing with men, thou shalt heal the divide between races in this country and treat all of us as equal under the law, and thou shalt provide a level playing field of opportunity for all of us. You can trim the fat with thou shalt not. Thou shalt is going to cost you. Europeans love to refer to Americans as puritanical for our seeming obsession with righteousness and sexual morality. Yet, it is the clarity of our world view, born of that refusal to submit to a perceived injustice, that defines the American psyche. We each have our line in the sand and once crossed, the fight is on. That line has been crossed. This is our Revolution and we mean to have it out. The Sanders campaign is an altogether humanitarian endeavor. It stresses the undeniable morality that it is a human right for all, regardless of economic status, to be provided with the best health care of which we are capable, that it is a civil right that none of us should live in fear of the police or of a government which would treat any group as natural resources for a privatized, corporate prison system, and that equality under the law should also mean an economic equality between men and women. Similarly, it finds a moral imperative in saying that if we are to lift people in this country from poverty, we must provide meaningful opportunities for education and a living wage. And it shouts that there is no moral defense for sending our young people to fight and die in a senseless war for what our opponent deems a “business opportunity.” But Corporate America and Wall Street pull the strings of their store bought functionaries, who proclaim, “The cost! Think about the cost!” Greedy, god-damned soulless bastards. How do you sleep? How do you balance the scales of children dying of lead poisoning in Flint, Michigan with something so ultimately unimportant as money? How do you console the husband or wife of a soldier lost to an IED in Iraq while congratulating yourself on the new business opportunity presented by a war ravaged nation? How do you justify your twenty million dollar salary when your employees require food stamps just to survive on the wages you pay? Our adversaries in this revolution are the Cynics of Oscar Wilde, the people who know the price of everything and the value of nothing. Our opponents try to paint this revolution as a seventeen year cicada, a noisy occurrence in an otherwise tranquil summer. It is not. For this revolution understands that it is as old as our country itself. The same people who stood up to the British Empire in 1776, who risked tearing the very country asunder in the Civil War in order to do what they knew to be right, and who landed on the beaches at Normandy to bring a new breath of freedom to a fallen Europe, are the people who today are grimly set to take back their government, their country and their children’s future. And Money asks, “What if we gave you more money? What if we gave you enough money to make you forget how much you’ve been screwed and just look the other way?” Not this time. The rallying cry of this revolution is not me, us. We know what we must do. If it is within our power to change this country at the ballot box, to cut out the cancer that has destroyed our economy and enslaved the middle and working classes from within, we will do so. If we have to take our country by force, we may find that we are prepared to do that as well. The Clinton campaign and the DNC have gravely underestimated this Revolution. They have convinced themselves that we would never allow a loudmouthed, bigoted fear-mongering, ne’er-do-well game show host to assume the Presidency. Yes, we know who Trump is. We also recognize a corporate shill and a corrupt, venal, political panderer when we see one. Trump, for all his faults, is happy in his own skin. Somehow, to many of us, that is less distasteful than someone who would have us believe that she is what she is not. Americans have a mottled history. We are not always the guys in the white hats. But we have enough examples of times when we got it right, to be able to define that quality and to know that we can do it. The Baby Boomers who today are in their fifties, sixties and seventies received that legacy from their parents, the greatest generation. And so it is that the Baby Boomers should well know just how lucky they were to be born when and where they were. They had the chance to grow up with this emerging industrial giant and to reap the benefits of being an American in an age when America dominated the entire world. The same can not be said for the young people today, facing a bleak future in a Wal-Mart driven economy. Martin Luther King, Jr. once said that, “it is never the wrong time to do the right thing.” In our hearts, we all know what is the right thing. Some of us just don’t want to have to pay for it. Some of us don’t want to have to spend their money to help others in need. Some of us have chosen to put their own interests above those of our country, our children and the generations to come. And so some of us would cast our votes for a candidate whose policies and allegiances have fortified the walls of the Bastille, to keep the rabble separated from the explosive gunpowder within. You know who you are. You are cowards. There is a strange parallel between the political climate today and the climate of 1776. In the first American Revolution, we rose up against the British and George III under the cry of “taxation without representation.” Think about that a minute. The colonies were being exploited for their resources and treasure by a wealthy elite who provided the colonials with no opportunity to represent themselves and their own interests in the legal halls of government. Today, Wall Street and Corporate America write the legislation which their lackeys in government pass into law, affording the wealthiest among us the opportunity to exploit the resources and economy of a middle and working class who are being systematically denied a voice in government through a rigged election process and corrupt campaign financing. And the DNC and Clinton campaigns wonder why we choose not to attend the coronation. To us, she is just another George III. As it did in 1776, so has this new American Revolution risen from the countryside and a mix of tradespeople, laborers, the newly adult and the philosophically mature but idealistic, thinkers all. We have drawn the line in the sand and those who would own us have crossed it. There is no going back. If the DNC and Clinton campaigns persist in their boldfaced rigging of this election, we will dismantle the Democratic party brick by golden brick. It is only fitting that we will convene once again in Philadelphia. Author John Q. PublicPosted on April 23, 2016 Categories Context, Politics, Quick HitterTags Bernie Sanders, DNC, Donald Trump, Hillary Clinton, political revolutionLeave a comment on Vive la Revolution! Thoughts on the Brooklyn Democratic Debate Now that the dust has settled on the ninth Democratic debate, the distinctions between the candidates have become clearer than at any point previously in this election cycle. On the surface, that can only be an aide in helping each of us to make our decisions. But those same distinctions are what in all probability will fracture the party, perhaps irreparably. In the interest of transparency (and to anyone who has not read any of this site’s earlier articles), I am a Bernie Sanders supporter. In good conscience, I can not vote for Hillary Clinton to be our next President. From my vantage point, there is far too much baggage and not enough “there” there. That being said, and while I truly believe that Bernie Sanders is a once in a lifetime candidate, he too is not above criticism and his campaign will only do better if he shores up a few weak areas and learns to strike while the iron is hot. His performance on Thursday evening was strong and on point, but he might be the first to admit that he let Hillary off the hook, and that might yet cost him the state. All campaigns, even those run with the least amount of negativity, share a basic duality. The candidate must present his or her platform in the most positive of lights, while demonstrating the failings of the opponent or the opponent’s platform. The balancing act that this becomes is what allows the voter to see a candidate as positive or negative in their campaign style. In this case, both candidates have taken shots at each other. But, on the whole, it would be my contention that Bernie Sanders has focused to a greater extent on the benefits to the country his programs would bring, and on Hillary’s shortcomings to a lesser extent. Where he has taken his shots, he has chosen his target carefully. By this time, we all realize that it is within Hillary’s own power to set her record straight; yet she chooses not to do so. We are all left to make a decision to wonder why or to dismiss her silence as unimportant. On the other side of the dais, the general lack of enthusiasm evinced by her supporters for her agenda of incremental progress has led Hillary to go more into an attack mode, whether she is focusing on Bernie’s voting record on guns or his health care or college tuition proposals. Clearly, it is her intent to disqualify Bernie in the eyes of the voters, and, to her detriment, she has opted to cling to a line of half truths in the hope that the voters will look no further than the cheering section of the debate for their answers. Her campaign has really become one of asking us to settle for pragmatism, for incrementalism, when what most of us crave is the outcome of progressivism. She has an uphill battle on that front, and as a strategy now attempts to rally voters in dismissing as whimsy her opponent’s idealism. On to the critique. Simply stated, Bernie needs to spell it out. In the debate Thursday as in each of the prior debates, he has missed the opportunity to silence his critics (Hillary and the Republicans) when they assert that his plans are unworkable. At the Brooklyn Navy Yard, there were three areas where he could have done a much better job of drawing distinctions between his proposals and the characterizations of them by Mrs. Clinton. First, to say that universal health care is some manner of pipe dream is ludicrous. The rest of the industrialized world has implemented it, and with demonstrably better outcomes than our own health care system while at a fraction of the cost. To allow Hillary to make that same tired allegation is to continue to allow her to cast shade on Bernie’s entire campaign. This is the distinction he needs to be making: the fundamental difference between the candidates’ approach to health care involves the status of the insurer as a for-profit or not-for-profit entity. When Hillary asserts that she wants to build upon Obamacare and its reliance on private health insurance companies, while reaching toward 100% coverage of American citizens, she is stating unequivocally that she wants us to continue to pay more in rising insurance rates to for-profit corporations, while expecting lesser coverage, greater deductibles and out of pocket expenses, higher co-pays and increased costs for pharmaceutical products. We have already been experiencing that reality for decades and it is not working. Bernie’s program follows more closely the models used in Europe where the health care is either provided directly through the government via taxation or through private insurance companies who provide health insurance on a not-for-profit basis (Germany is an example of this). Those same companies also provide auto and homeowners’ insurance, and make their profit there. By taking the profit margin out of the equation, you are left with the true cost of providing the service, and it is on that number that Americans would be taxed to pay for their health care. Because taking the staggering profit margin out of necessity lowers the actual cost of health care or health insurance, the premiums could substantially decrease. If the money is coming out of income taxes and you have no job, you have no income to tax. The health care would come to you at no cost. Yes, the rest of us are picking up the tab, but we are still saving between one half and two thirds on what we are now paying. One of Bernie’s core positions is that we, as a nation, need to do what we know to be morally right. How can we morally and ethically justify turning a profit off the misfortune and misery of other people who are in dire need of medical attention? Free College Tuition This is a no-brainer (pardon the pun) as well. In a prior article, (http://johnqsviews.com/putting-some-perspective-on-income-inequality) I broke down one way in which a tax on the wealthiest fifteen people in America could provide free tuition to over eight million college students each year. While that was an exercise in basic mathematics, and not intended as a justification for levying a huge tax on just fifteen people, the simple point of it is that there is an unspeakably large amount of money stashed in the pockets of the top 1% to 10% of our nation’s earners, which could be taxed in a line more consistent with tax rates as recent as the 1980’s (50% on the highest income bracket, up from the 28-29% the top earners actually pay today) and which would send all American college students to school, tuition free. Similarly, the argument that smarter, more capable young Americans make for a smarter, more capable workforce, is undeniable. The question remains; whom does it serve to have less intelligent, less capable citizens? I will argue in another article that there is a segment of our society that wants exactly that. Again, I fear that Bernie missed the boat here. Hillary’s actions as Secretary of State to promote fracking on a global scale (with American technology courtesy of Halliburton, no doubt), and her incrementalist approach to coping with the reality of climate change, make her an easy and open target for the Sanders campaign. They only half-heartedly took the shot. Yes, climate change is real (google recent articles on the impact of the shrinking ice sheet in Greenland). Yes, we are still pumping too much carbon onto the atmosphere. And yes, the United States remains one of the leading contributors to those same carbon emissions. These are all compelling reasons for immediate (as in yesterday) change. But in making that argument, you are asking the majority of Americans to make a choice now to benefit their future, somewhere down the line. And Americans, by and large I am sorry to say, do not think like that. We are an immediate gratification culture. So, how is it going to benefit us right now to get off the fossil fuel bus? We can look at that answer in terms of our economy at home and our foreign policy. At home, a switch to clean, renewable energy is not just a boon to the environment and an effort to counter the effects of climate change, the process of developing the technology creates new jobs and also benefits all of our industrial facilities by removing one of the key sources of pollution which factories must minimize (at substantial cost) in order to comply with the Clean Air and Clean Water Acts. In our foreign policy, we continue to deal with an unstable middle east and with the posturing of Vladimir Putin in Russia. The economies of each of those parts of the world are propped up on fossil fuels. If we cut dramatically our use of oil and natural gas, we cut the demand for the product on the global market and its value falls. In a case such as ISIS, take away their income, and you diminish their abilities to pay their own fighters or cause problems for us. Money is the head of the snake. Kill the head and the body dies. How to pay for it? Stop sending our young people to fight senseless wars in the middle east and trim the Pentagon’s budget by 10%. That would be a great start. But there is not enough time in a debate format to explain this! True enough. But this is an opportunity for Bernie to look Hillary in the eye and ask her to put her money where her mouth is. We saw repeatedly in the debate on Thursday that she could not answer simple yes or no questions. She was asked three times whether or not she would release her transcripts and would not answer. She was asked three times whether or not she would remove the cap on Social Security taxation and would not answer that either. If, for example, she wanted to make the claim that Bernie’s health care proposal could not be paid for, he could ask her, “Would you be willing to cede me the time right here, right now, to explain just how it could?” If she said, “yes,” Bernie has a platform to make his pitch and explain it to a nation-wide audience. If she said, “no,” Bernie has the freedom to look puzzled and ask, “What are you afraid of?” Any other response from Hillary would simply demonstrate that she knows her allegations are insupportable. There are a few other areas where Bernie could make his point more forcefully. First, he has often pointed toward Hillary’s vote on the war in Iraq as evidence of her poor judgement. But it isn’t just the case that she voted for the war; she argued for the war. That argument is all a matter of public record and can be found on YouTube, any day of the week. Hillary wants to call into question whether or not Bernie is even a Democrat. Yet, at every opportunity to do so, she has argued for the use of military force and turned the State Department into a global wholesaler of arms and armaments. Folks, she is a war hawk. If it walks like a duck, squawks like a duck and hops in bed with Wall Street, Big-Pharma and now, the NRA, it’s a Republican. In the first or second debate, Bernie famously made the comment that he was sick and tired of hearing about Hillary’s “damn emails.” He has not raised them as an issue again (though they won’t go away, will they?). In a similar vein, he can now say to Hillary, “We don’t need to see those transcripts. We know what is in them.” After all, we do know what is in them. As has been pointed out elsewhere, Hillary received $675,000 from Goldman Sachs for three speeches. If she had said anything to them that they did not want to hear in the first or even the second speech, she never would have been able to give a third. She has been telling them exactly what they want to hear and has more importantly been acting in their best interests for decades. From Goldwater Girl to Goldman Girl, Hillary is not the girl she wants us to believe she is. Her contention is that no one can point to a political position or piece of legislation she has endorsed which exemplify her favoritism toward Wall Street. I would allow for “perhaps,” though Bill Moyer’s interview of Elizabeth Warren demonstrates otherwise. But this is a two-way street. We also can not point to a political position or piece of legislation she has endorsed which run counter to the vested interests of Wall Street, either. It is like fixing a basketball game; you can pay the player to miss the shot or just not take it. The result is the same. Now, as she moves into late April against an opponent she thought would have been gone by February, Hillary is feeling nervous. Her lifetime in politics has been defined by political expediency. If there was anything in those speeches which would solidify her base going into these big primary states, she would release them in a heartbeat. There isn’t. What is in those transcripts would much more likely destroy her remaining support and end her campaign. You know it, I know it, and the rest of the country knows it. However, some of us remain content to cover our ears and yell, “Waaaahhhh!” A related and much more telling point, and again, one on which Bernie failed to capitalize, is the contempt in which she holds all of the voters. In this I refer to her recent speech in Colorado, where a “white noise” machine was employed to prohibit news people from hearing that speech as they stood across the street from the tent under which she gave it. When we look at the mistake that the Goldman Sachs speeches were, just in terms of the bad publicity they have provided her, we focus on her unwillingness to make available to the prospective voters, just what she is promising to Wall Street. It is a cover up worthy of Richard Nixon. But, instead of learning from this mistake, she replicates it, thumbing her nose at all of the little people in the process. Twice now, she has looked us in the eye and asked for our support, but clearly does not trust us to give it if we knew the content and context of what she is promising to her wealthy friends and to Wall Street. Fool me once shame on you. Fool me twice…. Americans have learned to tolerate and even rationalize being lied to. But we hate being held in contempt by someone who positions him or herself as out of our class. This missed opportunity by Bernie could well have been the final dagger in Hillary’s campaign. The Strain is Showing To give Hillary her due, she remains a very capable politician. In my view, she was well prepared, polished in her rehearsed statements, forceful and monopolized the time element of the debate, always running well over her allotted time and into Bernie’s. One knock on her though, has always been that she does not exude any real human warmth. Whether she is actually a rather shy individual or, frankly, cold hearted, it can come off the same way on camera. What is troubling is the way she clings to and reiterates half truths or flat out lies, despite them having previously been disproven. Her claims that Vermont was a chief exporter of guns used in violent crimes in New York are not just laughable, they made her look that much more desperate to find something wrong with her opponent. Her claims that Bernie had cast votes for the removal of Gaddafi when he had actually cast a vote in favor of democracy in Libya reflect a legalistic parsing of words with which many of us are all too familiar from the last Clinton administration. Similarly, her claim that she has always fought for the $15 minimum wage was a lie, plain and simple. In earlier debates, she argued for $12 an hour, which we would reach by 2020. This one isn’t even close. At times, I’d like to hear Bernie turn to her and in that flat, unemotional way that John Wayne always did, say to her, “That’s a lie.” And just leave it at that. Her reaction would speak volumes. What the Debate Tells Us About Us For all the criticism of Hillary, we must acknowledge that she is a highly intelligent person, with a deep understanding of the campaign process. As an establishment candidate, she has the full support of an enormous political machine, and they do not miss much. I have to believe that they have researched the voters in the same way a trial lawyer researches the jury pool. They know how the majority of us think. And the truth is, to the majority of us, facts don’t really matter. The overwhelming majority of Americans will not take the time to fact check what a politician says. The closest they will come is to tune into a main stream media outlet for verification. So, if you can buy the support of the main stream media……. Similarly, truth is less important than posture. We have seen that first hand in the success of the Trump campaign. The most recent fact check on Trump suggests that he only ever tells the truth by accident. It doesn’t matter. He exudes confidence and out-hollers his opponents. This is the by product of a reality TV watching culture. The most outrageous characters are the most entertaining and who doesn’t want to be entertained? Hillary’s clinging to baseless allegations and twistings of reality, couched in carefully scripted anthemic moments (and punctuated with Bill’s infamous thumb capped fist poke) are orchestrated “high points” without any real substance. Supporters cheer because the moment is structured to elicit a cheer, not because there is anything worth cheering about. The Fallout As I wrote at the beginning of this article, the distinctions between the candidates are clearer now than they have ever been. In the end, we have a nuanced politician running against a humanitarian. Hillary would have us believe that the world is a very complex place where a certain equilibrium is only achieved through a willingness to play all sides against the other. Shifting loyalties and priorities are the norm and we have to put on our big-girl pants and own up to that reality. Bernie is trying to show us that there is another way, one in which we take our stand on what is defensible as morally right. It approaches complex problems (like Israel and the Palestinians) from the simpler perspective of recognizing the equality and working to meet the needs of all, even if that means we have to acknowledge our own previous shortcomings. In doing so, we risk that forgiveness will not be granted us. But we also create the possibility of starting with a clean slate and building upon a solid foundation. Now, it is all over but the voting. We will soon see just who supports whom. Bernie’s supporters are well defined in much the same way that his message is clear and unequivocal. They have consistently been represented primarily as people under the age of 45, heavily stacked with younger voters, from the true progressives of the Democratic party and Independents, many of whom are prepared to make their stand on issues of civil rights, the environment, and ending corporate domination of the American political system. Polling of late also suggests that many minority voters who had supported Hillary’s campaign are moving toward Bernie’s, possibly in response to a greater understanding of the evil of Bill Clinton’s Crime Bill and the economic struggles they have faced in the wake of a series of terrible trade agreements for which Secretary Clinton has inevitably advocated. Women too, are moving toward Bernie’s campaign. While the desire for our first female president remains strong, examples like Elizabeth Warren have demonstrated that Hillary is not the best choice. In the end, Hillary is a willing political foot-soldier, not a commander in chief. In Hillary’s camp, I believe that her supporters are often as nuanced as her own brand of politics. On the one hand, if you are willing to consider that taking millions from Wall Street and from large corporations just might cause a candidate to not rock those boats, if you are able to see that she is indefensibly hiding from the voters her transcripts and her white noise protected speeches to the American aristocracy, and if you can accept that her policies bear a stronger resemblance to Richard Nixon than to JFK, you should come to terms with the reality that she is not a trustworthy liberal. She is a war hawking moderate Republican. So, why would you continue to support her? Why would you continue to vote against your best interests? It is my belief that many of her supporters are actually ex-Republicans for whom their own party has drifted too far to the right, and Hillary represents exactly their best interests. They are also a more middle aged group who have reached the pinnacle of their own economic ladder and fear both being toppled from above and being undermined from below. In her incremental pragmatism, they seek a kind of stasis, a respite from a storm which will not blow over. Just give us four more years of the same. Yet to be written is just how history will view this moment, for an historical moment it is. This contentious primary season has been rife with allegations and evidence of election rigging, all of which has pointed to a corrupt DNC with an agenda that does not reflect the espoused will of the voters. As the calendar works its way toward the convention in Philadelphia, the tension between the two camps and their supporters is rising. This is a campaign pitting not Bernie against Hillary, but people against money. Right now, money has the inside track. If it is close, and if money wins, the people will have two choices: surrender the ideals which have simmered in their hearts since the late 1960’s, or walk their talk. As the saying goes, when you’ve got nothing, you’ve got nothing to lose. Money made the mistake of leaving too many of us with nothing and we have nothing to lose by walking. Whatever else may happen, we need to find ourselves on the right side of history. There are ideals which make us American and upon which we have taken our stand time and again. When we know what is right, we have to do what is right. Martin Luther King, Jr. once said, “It is never the wrong time to do the right thing.” It is up to us. We can have the country that embraces the idealism of Lady Liberty in new York Harbor, or we can sell our souls for a key to the executive washroom. In my lifetime, the chance to make a real change in the direction of our country has never been so close at hand. If we blow it now, the institutions of wealth and power will work to ensure that we never get this chance again. So what is it to be? Will we sign a lease on four more years of establishment politics, corporate greed and a widening class war in America? Or will we take the road less traveled and make the difference? One might leave us with a sense of investment in the familiar, but it leads to our moral bankruptcy. Author John Q. PublicPosted on April 16, 2016 Categories Politics, Quick HitterTags Bernie Sanders, Debate Analysis, DNC, Hillary ClintonLeave a comment on Thoughts on the Brooklyn Democratic Debate Universal Health Care and Renewable Energy will Save Our Economy This is a piece about the economy and I am not an economist. It is then, an opinion piece, and I would welcome your comments on it. I have been thinking about this for quite some time. Universal Health Care was a plank in the platform of Teddy Roosevelt in 1912, and the need to invest in clean, renewable energy has been a political football of sorts at least since the Oil Embargo of 1973. These are not new ideas. But, in the wake of the de-regulation of the banking industry, the disastrous trade agreements from NAFTA and CAFTA to the TPP, the mortgage industry meltdown and now, the revelation from the Panama Papers of how easy and de rigeur it has become for the wealthy individuals of this world to cheat their own national taxmen, our crumbling economy necessitates that bold changes be made to save our country from further economic collapse. Economic collapse? But, but the government just said…. Yes, the government is routinely telling us that the economy is improving. It has gotten to the point where the government’s proclamations echo the reports from the Front in Orwell’s 1984. Charts and graphs and numbers backed by plenty of zeroes, yet the wallets and bank accounts of most middle and working class Americans continue to grow thinner. The Economy, it would seem, only applies to the wealth at the top of the mountain. We are standing here, open mouthed and waiting for the trickle down, but it ain’t trickling. (for more on Trickle Down Economics, see our prior article, Time For Some Trickle Up Economics) Perhaps it is that we have been looking at the economy from the wrong end. Economists are well schooled, well paid folks, who often treat the rest of us as though we haven’t been taught the secret handshake. The tendency is to look at the economy in vast numbers, too large for mere mortals to comprehend, and cloak all discussion in a form of econo-babble which explains little, guarantees nothing and leaves plenty of room for shrugs and head scratching later on. For real people, this is no way to understand the Economy. Looking at the Economy from the top down does us no good when we are at the bottom looking up. The Economy is not a matter of GNP set against National Debt as reflected in a Provisional Budget subject to Line Item Veto. The Economy is the sensation that spreads up your spine just before you open your most recent credit card or heating bill. The Economy is deciding between feeding your children and paying your mortgage. The Economy is not national or global, it is intensely personal. And, in that sense, it is readily understandable to all of us. Economists? We don’t need no stinkin’ economists. You see, the Economy, for the vast multitude of us, is as easy as pie. Your Economy is what you earn, plus what you have (assets), divided among what your financial obligations are. In that sense, your wealth is a pie and everything on which you need to spend that wealth are pieces of that pie, wedges if you will, of varying sizes. I thought this article was about how universal health care and renewable energy will save our economy? It is. To see it, we need to embrace three essential ideas about our Economy. At the core of this understanding is the first simple precept; the pie is the pie. What you have is what you have. If your income is not growing, your pie remains the same size. For many of us, if we look at our incomes in adjusted dollars, we are actually earning less than we were thirty years ago. Our pie is not getting bigger. As a result, no matter how many ways we slice it, we never end up with more pie. Unless we are doing fairly well, we seldom end up with leftovers. Within this first aspect of understanding our Economy lie two other simple concepts, necessary vs. discretionary spending. In my view, there are five things that we have no choice but to allocate our financial resources toward: Housing – rent or own, you need a safe place to get out of the elements Food – we can not yet outsource eating – we have to do it ourselves Energy – we need to heat and cool that shelter, plus get ourselves to and from work, for most of us either by car or public transportation – all of this requires energy Health Care – for ourselves and our families, our good health goes a long way to make life worth living Education – education is the key to making ourselves better able to increase the size of our own pie and make all other expenses easier to bear We could argue that this is a simplistic view of our necessary spending, but there is an important unifier to these five items. Unless you own your own home or are purchasing it under a fixed rate mortgage, each of these expenses can, will, and is increasing without your ability to control it. What we have to pay for food, energy, health care, and education has been rising steeply, for most of us, outpacing earnings. In one way of looking at it, if we considered those five items as the entire pie, we would see the wedges for food and energy increasing in size modestly, and health care and education increasing in size substantially. The wedge that we would label housing, would of necessity be getting smaller. We used to call this robbing Peter to pay Paul. When the housing bubble burst and the market crashed, it was revealed that mortgage companies had been engaged in what has come to be known as predatory lending, one aspect of which was that mortgages were being granted to people who lacked the financial resources to pay for them. That is the effect of the shrinking pie wedge. It is also the reason that the home you own will be losing value rather than gaining it, until the majority of people start to see an increase in the size of their pie. Of course, our pie can not be cut just five ways. We have many other expenses as part of our daily lives, many of which we feel we can not do without, but which for the time being we will label as discretionary. Now, if you are reading this in your home, take a look around at all of the things that you have purchased: furniture, clothing, books, televisions, cooking utensils, cds, dvds, even your pets. The list could go on and on. All of these things are discretionary spending. For the purposes of this exercise, let us imagine five elements of discretionary spending: car maintenance, haircuts, restaurant dinners, remodeling and a new toaster. As costs rise on our necessary expenditures, the pie changes shape and the wedges for our discretionary spending grow smaller. Every time you celebrate a birthday, your health insurance costs tick up a notch. Every time the market price for a barrel of oil rises, you pay more at the pump. Every year, the tuition at your college increases. Every time you head out to the grocery store, you wonder why the milk is getting more expensive. You can not change this world and you can also not reject this world out of hand. You inhabit this world and are committed to paying the price of it. So the discretionary wedges get smaller. In our exercise, what does this mean? Perhaps you decide that you’ll live with the dent in your front quarter panel or the long scratch along the passenger side of the car. Maybe you’ll cut back on trips to the hair salon and only go every other month. Much as you’d like to, you’ll opt to eat in more often and save restaurant outings for very special occasions. The deck out back will have to wait until next year. And the old toaster, well it still warms the bread, so you’ll limp along with it. These are decisions each of us make every day. But here is the second essential idea; your discretionary spending is the filling in someone else’s pie. When you skip a haircut, the stylist does not get paid. That is an easy to understand, one for one transaction. When you don’t go out to dinner, the restauranteur, wait staff, chef, line prep people and bus boys take a financial hit. When you hold off on building the deck, the carpenter and his helper don’t get paid, and the lumber yard doesn’t sell wood and screws. When you steer away from the body shop, the mechanics don’t put in their hours and the replacement parts sit in stock. And when you don’t buy the new toaster, the hardware store owner loses a sale and the manufacturer has one less reorder to fill. The direct result of a growing loss of your discretionary spending is for other people in your own community to see their pies growing smaller, while their necessary expenditures continue to rise. As a result, their allotted wedges for discretionary spending shrink as well, and the ripple effect through the community and the nation spreads. In some cases, a factory that makes auto parts or toasters we’ll say, the shrinkage of pie as experienced at a corporate level creates loss, which must be offset by a cutting of costs. One of the easiest costs to cut is labor, and another job is outsourced overseas. Now, that person who was making quarter panels or toasters has a pie that consists only of assets, not earnings, and it shrinks to nothing before their eyes. Within the broader picture of the national Economy, those institutions that comprise our necessary expenditures continue to grow and, as a result, the economic forecast looks good. The health insurance industry, the fossil fuels industry, corporate agribusiness and big-education continue to gain traction. But more of the people in our communities are employed in thousands of smaller fields, which fall within the parameters of discretionary spending. There, the cuts in our discretionary pie wedges are resulting in a loss of well paying jobs or the demise of entire industries. Whether we choose to think of it as a Local Economy with feedback loops or as an outpost in the Global Economy, it is easy to see that our own, personal Economy, is entwined with everyone else’s. For our Economy to grow, others must contribute to our pie filling, as we do to theirs. And, when the wedges shift out of balance, all of our pies are subject to having a bite taken out of them. For this reason, it is my contention that we need to shift part of our economic focus to creating universal health care and an energy system that is based on clean, renewable sources of energy. A reapportionment of pie wedge sizes will revitalize our economy. Of course, we could make other, simpler arguments for these two items. Since we have the capability of providing fine health care to people in all stages of their lives, and since we function as a nation under the supposition that each of us is created equal, it stands to reason that each of us should by right have equal access to that fine health care (and at an equal cost). In the rest of the industrialized world, universal health care is the norm and is paid either through taxes or private health insurance, but in the latter case, the health insurance companies operate on a not-for-profit footing. The costs are substantially less than our own and the health care outcomes tend to be better because people feel more economically able to take advantage of what their systems have to offer. Similarly, we could look at clean, renewable energy as a necessity as we own up to the reality of climate change. Carbon emissions must be cut now. Polluting of our waterways and our air must be curtailed now. Non-renewable energy is by its very definition unsustainable, yet we have already determined that energy is essential. We need a better plan. Appeals to the morality of our energy providers and our health insurance carriers have fallen on deaf ears. They are not inclined to do what is right because it is right, not while a profit remains to be made. So, it is to our government that we must be able to turn, to do what is right because it is truly for the greater good. Consider that by taking two of our necessary expenditures and shrinking their wedge size, all of the other wedges would have a little more breathing room, a little more room for expansion. In fact, if a universal health care system could bring the costs Americans pay for health care into line with that borne by people in other industrialized nations, that wedge of the pie would shrink to one half its current size. Almost ten years ago, scientists in the solar energy field determined that an array of solar panels one hundred miles square (most likely in the western desert), could provide all of the energy needed by the entire country. Other industrialized nations, such as Germany, have already embraced solar technology as the energy of the future, and are putting up panels everywhere they can. Wind, water and geo-thermally produced power might even make us an exporter of clean energy. In many calculations, the United States remains the world’s largest consumer of energy. As such, we could do much to curb the rate of climate change, and provide our people with an energy system whose costs would decline over time, rather than rise. Again, a wedge of the pie would first be stabilized and then it would shrink. The result would be a more balanced pie, with leftovers. The last essential idea is simply this: economic growth depends on leftovers. This is a Demand Side, rather than a Supply Side concept. Starting from the vantage point of the consumer, rather than the provider, the leftovers are the key to growing the Economy. After all, what do you do with leftovers? You consume them. The leftover sections of our pie are unspent wealth and that wealth is what would wind up in the filling of ours and our neighbors’ pies. Either by spending the money directly at the hair salon or body shop, investing it in the parts manufacturer or toaster factory, or contracting with the carpenter, the discretionary spending of those leftovers would pass through the pies of each of us, growing the size of our own pie, making the expenses we have to meet more bearable while allowing for economic stability and growth. In the end, growth means a bigger pie for those of us who have waited too long for the trickle down. Growth, when viewed against a reduction in necessary spending, creates greater and greater degrees of discretionary spending. Greater discretionary spending (Demand) creates jobs. Growth means that the value of your home, the single largest asset that most middle and working class Americans possess, can rise again. Universal health care and clean, renewable, sustainable energy, are essential components of our personal economy. They are a requirement, not just for the rebuilding of the wealth of the middle and working classes, but for the well being of the planet. Teddy Roosevelt saw this in 1912. The rest of us, waiting in line at gas stations in 1983, knew this day had to come. It’s here. Author John Q. PublicPosted on April 7, 2016 Categories Context, Politics, Quick HitterTags demand side economics, economics, renewable energy, universal health careLeave a comment on Universal Health Care and Renewable Energy will Save Our Economy Time For Some Trickle Up Economics Once we enter the general election season and its culmination in November’s selection of our next President, the rhetoric will turn, as it always does, to the economy. At that point, we will be down to just two viable candidates, and it is important that the American public have the opportunity to decide from two different points of view on how best to grow that economy. We can all see this one coming. The establishment politicians, particularly those on the right (and one Wall Street backer on the left), will call for a lessening of taxes on corporate America, because corporate leaders create jobs and Americans need jobs. Nonsense. As they have since the Reagan era and what was then referred to as Supply Side Economics, the corporate establishment have lobbied for an ever lessening tax burden on the assumption that lower taxes on big business would allow said business to produce at greater levels, thus creating the room for a larger workforce and better pay. The wealth then, that would be consolidated in the upper echelon of corporate America, would trickle down to everyone below it. Those of us who have been running back and forth with our buckets to try to gather up this trickle, know otherwise. Trickle down economics has never worked and is built upon a basic economic fallacy. While the establishment wants us to believe that wealth creates jobs, that jobs are created from the Supply side, nothing could be further from the truth. Jobs are created from the Demand side. Imagine for a moment that there is a person who has grown up with a great love of history. Now, when he reaches adulthood, his real estate mogul father gifts him with a few billion spare smackeroos. This enterprising young lad decides then to go into business and, following his love of history, opens a factory producing authentic Roman War Chariots. These are the finest war chariots in the land, made of the finest materials available. His factory starts up and employs one hundred craftsmen. So far, so good for Supply side economics. There is just one problem. There is no Demand for authentic Roman War Chariots, with or without Corinthian leather appointments. He is instantly overstocked with a lifetime supply of a product no one wants, the factory has to be closed, workers laid off, and a bankruptcy filed (whew, at least there is a tax write off). Jobs are not created by Supply, they are created by Demand. Yes, Henry Ford revolutionized American industry with the mass production of the automobile, but it was America’s demand for the automobile that rationalized mass production in the first place. Had the Demand not been there, Henry Ford would be remembered as a fine craftsman of a limited line of a particular luxury item, manufactured in his three bay garage. Instead, that Demand made possible the growth of Detroit into a major economic power and put hundreds of thousands of people to work there, and millions more across the country in related fields. Of course, like any field of endeavor into which the government steps, Supply Side Economics was further crippled by a series of horrifically bad trade agreements, starting with NAFTA and continuing today with the Trans Pacific Partnership. These deals allowed for the wealth at the top of the economic food chain to be trickled down, not to American workers, but to workers in foreign markets, because the same amount of goods could be manufactured there, that much more cheaply. It is long past time to abandon Supply Side Economics and embrace Demand Side Economics. Do Americans need jobs? No. Americans don’t need jobs, they need good paying, meaningful jobs. They need jobs on which they can feed their families. They also need jobs which give them a sense of purpose within their communities, a sense of having an impact on their communities and on the lives of others within those communities. Right now, the stagnation of our economy has become something of a death spiral. When consumers, the Demand side, have less money to spend, they have fewer opportunities to express Demand and influence the growth of Supply. Look at the growing job sectors in America. What are people buying? Fast food, cell phone apps and cheap housewares. When Wal-Mart is the largest employer in America, selling cut-rate junk products from third world manufacturers and paying starvation wages to part-time employees, it is easy to see that there is increasingly limited opportunity for Demand to influence Supply. Demand is struggling to make ends meet, to keep the lights on. Right now, Demand hasn’t the capital to create jobs and Supply knows that its customers can only support a meaningless, low-rent service economy. If, instead of consolidating the wealth at the top of the ladder, we spread it out among the lower rungs, the consumer would do what consumers have always done, spend that money as an expression of Demand. Then, the enterprising young lad with the Chariot backlog, could retool his factory to produce the products or deliver the services that people actually want. And, since people have different tastes and different needs, the more money that is put in the pockets of consumers, the more varied a Demand will be created. This is what led to the rise of American industry in the first place, an insatiable demand from a populace with more money to spend than was required to meet their basic needs. So, how do we turn the tables on the economy and shift to a Demand Side economic model? Abandon the trade agreements which have consigned our workforce to meaningless jobs in a Wal-Mart paradise. Support middle and working class Americans with legislation for better wages and with a lessened tax burden, so they have more money to spend. Close tax loopholes for the large corporate concerns and put that money into creating good paying jobs which can’t be outsourced (like rebuilding our infrastructure). Create incentives for American corporations to stay at home, paying American workers to build quality goods and provide quality services. Educate our young people so they can perform in better paying fields of endeavor. And yes, provide affordable health care to all Americans, so that the out of pocket costs of their health care are minimized. They will gladly allow that extra cash to burn a hole in their pockets, exercising their Demand and creating the need for an increased Supply. This fall, we will have a choice of two candidates to lead this country. We all know the level of economic stagnation in which the middle and working classes have been struggling for close to forty years. We also know that one political party will back a nominee who will work to continue a failed system of Trickle Down Economics. We can not afford to have two nominees embracing that same nonsensical ideal. Put the People first. Put the economy in the hands of those people. Demand will show us the new industrial models. Supply will still make money if it is smart enough to recognize the Demand. Better jobs and healthier communities will follow. And don’t worry, Corporate America, the wealth will trickle up to you. Author John Q. PublicPosted on April 5, 2016 Categories Context, Politics, Quick HitterTags economics, general election, service economy, trade, trickle down1 Comment on Time For Some Trickle Up Economics Want to Change the World? Get Off Your Couch and Vote! There is an old saying that you get what you pay for. In the world of politics, that might better be said as you get the candidate that someone else has paid for. But it need not be that way. Setting aside for a moment the issues of election fraud and voter suppression that have mired this campaign season in the mud, it remains the case that we can have the candidate for whom the majority of us vote. What is very important to understand is just how few of us act to make that decision. Most Americans who pay attention to the political world already know that our electorate has a certain notoriety for not showing up to actually vote. In our best general election tallies, barely 57% of registered voters actually make it to the polls. In the primaries, you can cut that percentage in half. This campaign season, much of the talk in the main stream media has focused on the record turnouts on both sides of the political aisle. Coupled with images from Arizona, Massachusetts and Michigan of long lines queuing up to polling stations, the concerned viewer might think that the political revolution of 2016 is at long last drawing vast numbers of Americans into the political process. Not so. Thus far, and calculated on a state by state basis, the Republican primaries have drawn out 17.3% of all eligible voters and the Democratic primaries 11.7%. Combined then, only 29% of eligible voters from the states which have already held their primary polling have actually made it out to vote. By extension, by the time that we get around to the general election in November, less than one third of our eligible voters will have determined the candidates between whom all of us have to choose. And this is a record year for voting! The Republicans’ 17.3% represents their highest total since 1980 and the Democrats’ 11.7% their highest since 1992. When many of us ask, rhetorically, “Is this the best we can do?,” the answer is certainly “yes,” if we rely on a small portion of the electorate to get out and do the dirty work of voting. When we look at a candidate like Donald Trump, who is seemingly running away with the Republican nomination, he is doing so (presently) with about 34% of the 17.3% who actually come out to vote. In other words, Trump has roughly 6% of the population of eligible voters behind him and he is very likely to become the Republican nominee. Is this an aberration of some sort? No. In 2012, Mitt Romney won 30 states, the District of Columbia and the Republican nomination with a combined total of only 9.8 million votes. That number represented a turnout of just 5.1% of the eligible voters during that cycle’s primaries. Why do so many people let so few determine whom our leaders will be? The short answer must encompass laziness and disinterest on the part of the voter. But equally significant as a cause of poor voter turnout is voter suppression. The small turnouts in our primary seasons are nothing new. So, the question becomes, how do I win with a small amount of voter support? The answer, simply enough, is to do all that you can to maximize your voters while discouraging your opponents’ voters from taking part in the process. In this cycle, it appears that the Clinton campaign, in collusion with the DNC, has done a far better job of getting their own vote out (often through early voting mail-in programs), while making it harder for Senator Sanders and Governor O’Malley to maximize their own voters. The dramatically reduced number of polling stations in Maricopa County, voters who were mysteriously re-registered as Republicans or Independents, a bomb threat to the hotline headquarters for voter issues, letters directing Washington voters to the wrong caucus sites, running out of ballots in Florida by noon time, all of these are examples of ways in which the vote was overtly suppressed. More insidious perhaps is the suppression of the vote by the main stream media. Between endlessly proclaiming the Clinton campaign to be farther ahead in delegates than they actually are and calling the vote in Arizona with only 1% of it in, the media created a reason for people who had been standing in line for five hours to just pack it in and go home. These are textbook examples of a carefully coordinated voter suppression program. Interestingly enough, every instance of voter suppression and election fraud has served to help the same candidate. Coincidence? But here you are, frustrated and longing to do your civic duty. You should be. While we can argue all day that the process of voting should be simple, fair and available to all eligible Americans, it is not going to be, so long as the people calling the shots remain the people calling the shots. It is incumbent upon all of us to work harder to exercise our right to vote, so that those who would suppress our vote have to work that much harder themselves. Right now, we are making it far too easy for monied interests and national committees to rig the election. First, ignore the hype from the media and the national committees. The media is owned by corporations which share a hip pocket with the Super Pacs of the front runners and the committees themselves. They are nothing more than mouthpieces for whomever pays them the most money. They are mercenaries or, less politely, whores. The purpose of the media is to disseminate misinformation in a coordinated effort to maintain the establishment by suppressing grass roots efforts to effect change. Second, ignore the polls. The vast majority of polling in the United States is done by telephone and the costs to do so are kept down through the use of predictive dialers and robo-callers. The problem is that it is illegal under FCC statutes to use a predictive dialer or a robotic calling device to call a cellular phone. That must still be done by hand, in a costly and time-consuming fashion. Therefore, well in excess of 90% of telephone polling is done exclusively to land lines and some 40% of our population no longer has a land line to call. That same 40% is also reflective of a younger demographic, so the polls tend to be skewed toward older voters. Third, research the facts about the candidates. It is easier than you might think. Remember, campaign rhetoric is just that. It is a lot of sturm und drang, vague promises and idle threats. What the candidates promise is infinitely less significant than what they produce. Go to your browser and search for a candidate’s name and legislative record. This will show you just what legislation that candidate has actually authored (sponsored) and what legislation of theirs has been passed into law. The latter is significant as it tends to show the candidate’s ability to work across the aisle, essential to getting anything done in Washington. Fourth, make sure you are properly registered. Try doing a search online for your county and state and voter registration. From there, you should be able to determine just how you are registered in the eyes of your state. There have been far too many instances of voter suppression by reassigning registration to the wrong party or to an Independent status in states which do not allow Independents to vote in primaries. Check that too! If you are an Independent, change your registration to reflect the party of the candidate you prefer, so that you can be sure to be able to vote in your state’s primary. It might look like more work, but if you ignore the hype and ignore the polls, you will find that you have more time to research the candidates and check on your registration. Lastly, get out to vote. Make the time and you can make the difference. Do not let anyone convince you that your vote does not count. When the turnout is so low, each vote carries that much more weight. When John F. Kennedy defeated Richard Nixon for the presidency in 1960, he did so because he won the state of Illinois. And he won the state of Illinois by less than 9000 votes. Your vote matters. Your vote could change the world. Remember, the squeaky wheel gets the grease. Voter suppression tactics are about shutting people up and shutting them out. Exercise your right. Vote. Your voice will be heard, loud and clear. On the 2016 Primary voting: http://www.pewresearch.org/fact-tank/2016/03/08/so-far-turnout-in-this-years-primaries-rivals-2008-record/ On the JFK election: http://stonezone.com/article.php?id=391 Author John Q. PublicPosted on March 31, 2016 April 5, 2016 Categories Context, Politics, Quick HitterTags Clinton campaign, DNC, Donald Trump, primary voting, voter suppressionLeave a comment on Want to Change the World? Get Off Your Couch and Vote! Super Delegate Math or Myth? As the primary season continues to unfold, the DNC and their affiliated main stream media remains insistent on counting Super Delegates pledged to Hillary Clinton among her actual, earned delegates for the convention in Philadelphia this summer. And, while the social media networks are abuzz with chatter about how these Super Delegates will actually vote, what is not addressed accurately is just how they are already influencing the primary process. DNC Chairwoman Debbie Wasserman Schultz is on record, having defined the purpose of the Super Delegates as a means by which the party will not be held accountable to a “grass roots insurgency.” In other words, the voting block that is the Super Delegates is there to turn the tables on the will of the voters, should that will not reflect in lock step the will of the party elders. So it is that by the outset of the primary season, the Super Delegates pledged in support of Hillary Clinton gave her the illusion of having far outdistanced her opponents and of having already started the process of running away with the election. Strategically, this remains a key component of the Clinton campaign. However, nothing could be further from the truth. The function of the Super Delegates is twofold. First, they can serve as a tie breaker in the event that neither candidate arrives at the convention with enough delegates to win the nomination outright, and that after the second ballot and the attendant “horse trading” between the candidates, the balloting is perceived as hopelessly deadlocked. Second, they can serve the function of adding authority to the delegate totals of a winning nominee who managed to win by less than convincing numbers. Such was the case in 1984, when the Super Delegates chose Walter Mondale over Gary Hart for the nomination. Neither of the candidates had arrived with enough delegates to claim the nomination outright, but Mondale had about 500 more than Hart and the addition of the Super Delegates put him over the top and did so in a way that made his victory appear more decisive. 1984 was also the first and last time that the Super Delegates even voted in any meaningful way. In subsequent elections, the candidate either arrived with enough delegates earned in the primary balloting to claim the nomination or, horse trading after the first ballot was cast broke the deadlock and the nominee emerged. In the former instance, the Super Delegates served as a cheering section which put their weight behind the nominee, to show support for the people’s choice. The latter case was exemplified in 2008 when Hillary Clinton suspended her campaign, allowing Barrack Obama to go through as the nominee. Trailing Obama in a close race, the Super Delegates could have been used to swing the election to Clinton. But, had they done so, it would have meant overturning the will of the electorate, and would certainly have had major repercussions in the general election. Instead, back room negotiations secured the Secretary of State post for Hillary and she agreed to bide her time on the presidency. Now, in 2016, the looming presence of the Super Delegates is again suggesting that the will of the electorate may be undone at the convention. As in 2008, this would be disastrous for the Democratic party. Today, in terms of earned delegates to the convention in Philadelphia, Hillary stands at 1243 and Bernie Sanders at 980. Only 263 earned delegates separate the two candidates, with seventeen states yet to vote and a cloud hanging over the election in Arizona which may yet rain on Hillary’s parade. Over two thousand delegates are still available, spread across those seventeen states, and the voting trend recently has significantly favored the Sanders campaign. There is a very strong likelihood that Senator Sanders will arrive in Philadelphia with more earned delegates than Secretary Clinton. Will the Super Delegates overturn the will of the people and hand the nomination to Hillary Clinton? If their concern is genuinely with the general election, they will assuredly not disenfranchise half of their base. This has been a tight race so far and will quite possibly remain so. The two candidates could arrive in Philadelphia with a fairly even split of the delegates and a lot of bitterness between their two camps. But, if the Super Delegates are required to break the deadlock, they would be well advised to side with whomever arrives with the most earned delegates. If not, and if they choose Hillary as most say they will, Bernie Sanders’ supporters will possibly exit the party en masse. To arrive at that conclusion, we have to look at just who his supporters are. They represent the progressive wing of what was once a progressive party, a group of Democratic lifers who already feel that they have been abandoned by the DNC. His supporters are also Independents and their voting block will be key to the election. Independent voters now represent about 40% of the electorate and if they come to the conclusion that their votes were nullified by the DNC, their lack of a lifelong commitment to the party will manifest itself in a mass exodus. They will sit on their hands in November and look for another party entirely come 2020. His voters are also young people, the voting block which will grow and age with the party over time. If the Democrats lose them now, they may never get them back. So why is such a fuss being made over the Super Delegates, who have not even voted yet, may never vote at all, and almost certainly would not vote to overturn the will of the electorate? The truth is that what the Super Delegates do best, is to suppress the vote. Their function is to convince the grass roots voters that their candidate hasn’t a chance, to give up and just stay home. If they are successful in doing that, then the grass roots movement dies on the vine and the establishment candidate goes through without the Super Delegates ever needing to cast a deciding vote. The problem this year is those pesky progressives, independents and young people. They have had enough of establishment politics, enough of DNC posturing, and enough of Hillary Clinton’s promises of incremental change. They are staying the course, staying true to Bernie Sanders, and are becoming more entrenched in their own beliefs with each successive instance of election rigging. To date, every single instance of that rigging has benefitted Secretary Clinton. Most recently, the misadventure that was the primary in Arizona combined election fraud which forced voters to stand on line for five and six hours, with an election result which was called with only one percent of the vote in. When you have created in the mind of the voter the idea that Hillary is already within reach of the nomination due to her backing from the Super Delegates, announce that a given primary has already been decided, and force voters to choose between voting and possibly losing their jobs, it is no wonder that many voters broke from the ranks of the ballot lines and went home. While no one can say definitively that Hillary was behind it, she is the one who benefited from it. That is enough. And, in what is perhaps the most telling aspect of the election fraud, the scope of it is rising as it becomes more obvious that the electorate is not willing to be buffaloed by the promises of the Super Delegates. This has been made abundantly clear by the protests of the voters in Arizona, who refuse to be denied their rights. They have their candidate, they followed the rules and their votes were not counted. The blame lies with the DNC and local officials who have clearly conspired to rig the process. But Sanders’ supporters have remained firm and have taken to the streets. Rather than staying home, Bernie Sanders’ supporters are essentially drawing a line in the sand and daring the DNC and the Super Delegates to step across it. The Super Delegates though, remain firm in their vocal support of Hillary, even in instances where the primary results in their own states favored Sanders by over 70%. Why? It goes back to whether or not the focus is on winning the general election. It is possible (though doubtful) that the Democratic party leadership would prefer to lose the election rather than adjust their mode of operation to support a Bernie Sanders presidency. Remember, campaigns and parties run on the fuel that is money. Lots of it. Many of the Super Delegates are themselves elected officials. They will need to run for re-election, or may have aspirations of moving up the elected office ladder. This too, will require lots of money. Hillary represents the establishment, the status quo, and with that, lobbyists and Super Pacs and lots of soft money to fuel campaigns and buy media outlets. Bernie is committed to removing the influence of big money from electing our representatives to Washington. Without that big money, without the backing of the main stream media, many incumbents will soon be out of jobs. In the end, the actions of the Super Delegates will tell us everything we need to know about the Democratic party for at least the next generation. If Bernie Sanders arrives in Philadelphia with more earned delegates than Hillary Clinton and the Super Delegates rise in support of him, it will validate and welcome the progressives, the independents and the young voters to the fold, solidify the base, and quite likely prove overwhelming to the Republican candidate. If they decide instead to pull the rug out from under Bernie and his supporters, the backlash will cripple the Democratic party, cost them the general election and, in all likelihood, cement the hold the Republicans have on the House of Representatives. Imagine what a president like Trump or Cruz might accomplish. Author John Q. PublicPosted on March 30, 2016 April 5, 2016 Categories Context, Politics, Quick HitterTags Bernie Sanders, DNC, election fraud, Hillary Clinton, super delegatesLeave a comment on Super Delegate Math or Myth? Shall We Live What We Learn? Today, it is time to take a step back, time to take a broader view. The election cycle demands of us that we continually focus our attention on the nitty gritty of campaigns, sorting through the rhetoric, filtering out the lies and half truths. But today, today it is time to look more broadly at what we have learned and ask how we shall choose to live in light of it. We have learned that while there are quite a few bad apples out there, there are a hell of a lot of good and decent people, who want to be involved and want to make a difference. This time, it seems as though the demarcation line between the two sides is somehow clearer; we have been encouraged to define it as establishment against outsider, but in the end, it has nothing to do with our politics. This is about our priorities. One the one hand, we have the institutions that value money and power. On the other, people and the planet. It could not be more clear. This is not about Democrats and Republicans; each side has its good and its bad people. Equally, this is not just about the candidates; this is about the people whom they attract as supporters and the actions taken by those supporters to advance the cause. On one hand, we could express this as the year that pitted hope against hate. It troubles me, as it troubles so many that the level of vitriol expressed against immigrants, muslims and people of different political persuasions, owes nothing to reality and everything to fear. It is sorrowful for the country to acknowledge that some candidates made the conscious decision to garner support by catering to that hate and fear. The good news is that they are losing ground. In the end, it is much harder to hold onto your hate than it is to hold onto your hope. Hate burns you up and burns you out. Hope is sustaining. I believe that in November, the country will choose hope. We have also witnessed a pitting of two dimensional vs. three dimensional characters. A novelist could not create a work of fiction with Donald Trump as the main character and hope to win the Booker Prize. He has no depth. There is no there there. And it is those same characters, the ones drawn expressly for the six second sound bite on the main stream media, that have allowed the rest of us to see just how much the media has become complicit in the problem. Calling elections with 1% of the vote in is just the most recent and egregious example. Not giving equal time to all candidates, creating pundits out of campaign flunkies, and above all else, refusing to report on the real issues facing the country, have shown us the degradation of the Fifth Estate. The news media was supposed to stand up for us, to speak truth to power, to use our freedom of speech to represent us against the wrongdoings of our own government. Instead, they have become self-appointed kingmakers. When the real story is one of voter suppression and election fraud on not just a grand, but growing scale, they choose to present tabloid reports regarding candidates’ wives, purportedly insurmountable delegate leads and Super Delegates who have pledged votes but not actually voted. Similarly, it is somehow not newsworthy that voters arrive to polling stations after standing in line for five and six hours, only to be handed a provisional ballot which will likely not be counted, because their party affiliation has mysteriously changed since they last voted. We also seem to not need to know that the votes have actually come in from two caucus states, because the media chooses not to announce the winner until it is late enough that most folks have gone to bed. But, we have to thank them, because now we see them for what they are. In showing their true colors, they have done all of us a favor. We can now consign them to their rightful place as background chatter, the white noise of society. We have learned that to many, the governance of our country is just a game. Winner take all, to be sure, but just a game. For the Mitch McConnell’s of the world, doing the job they have been elected and sworn in to perform takes a back seat to the gamesmanship of obstructing the process, grinding everything to a halt lest it be perceived that the other side has actually achieved something. And Mr. Mitch is not the only one. The gamesmanship extends to the campaign trail, where Bill Clinton defined the Obama presidency as “the awful legacy of the last eight years,” but only after the African American vote was secured in the primaries of the southern states. We have witnessed the efforts of Debbie Wasserman Schultz to rig the election process, from denying Bernie Sanders access to the voting lists, to scheduling debates for times when no one is watching, and making sure that there are never enough ballots for the voters who show up to exercise their civic duty. But I find something interesting here, too. All of these people are looking mighty old. There is a Picture of Dorian Gray component to this. The corruption, degeneracy and wickedness of these thieves who would steal the country from its own people, has crept upon their faces like lines on Gray’s portrait. And all of the spray tan in China can not varnish it away. Largely, that distinction is now visible because we have learned that there are so many good people, standing up and standing together in opposition to the establishment, the forces of darkness, the forces of same as it ever was. From Elizabeth Warren to Nina Turner, Bill Moyers to Cornel West, Robert Reich to Spike Lee, Asher Edelman to Danny Glover, there is a vitality among the forces of change and hope that grows stronger by the day. The pairing though, that shines most clearly is that of Bernie Sanders and Tulsi Gabbard. Two distinctly different generations, two distinctly different experiences of life. But between them, fire and focus, wisdom and compassion, and most of all, continuity. What we have learned is that there is a movement, a revolution, that has been going on in this country since the early 1960’s. It comes back to that mindset of hope. It hinges on the priority of doing what is right for the planet and for our fellow human beings. It has been suppressed, to be sure, for many years. So much so, that many of us thought we were alone. We are not. When the enthusiasm in one county’s voter turnout from 2012 to 2016 rises by half a million voters, we are not alone. When those people stand in line for five and six hours because they will not be denied their right to participate in the process, we are not alone. When a candidate takes in over five million separate donations averaging less than thirty dollars a piece, from real working men and women, not the $27,000 a plate crowd, we are not alone. The single most exciting piece of news during this cycle has to do with the involvement in the process of so many people, young and old, who thought previously that they did not have a voice. It was not that they had no voice; it’s just that no one was listening. Now, we have learned that those combined voices can change the world. The same as it ever was crowd is frightened, as well they should be. They are circling the wagons and sending out volleys through their super pacs and media cronies, in a last ditch effort to stem the tide of change, to convince us that we need to be pragmatic, that we need not expect too much, that we can not win against that which is inevitable. They are trying to negotiate a truce for fear that hope will sweep them from the field. In the end, we have learned that you will fail to galvanize a nation around hatred, but succeed when you do so around hope. You can send out dinner invites with a $27,000 a plate RSVP or you can throw open the doors to the entire neighborhood. You can deny people their voices in the process with rigged elections, or you can trust the goodness in their hearts to make the right call. You can believe what you hear or you can shine light on the lie. As we used to say, you can be part of the problem, or part of the solution. It is for each of us to choose how we shall live from what we have learned. Increasingly, we are learning that it is the solution that is becoming inevitable. Author John Q. PublicPosted on March 25, 2016 April 5, 2016 Categories Context, Politics, Quick HitterTags Bernie Sanders, DNC, election fraud, Hillary Clinton, primary politics, revolutionLeave a comment on Shall We Live What We Learn?	cc/2021-04/en_head_0013.json.gz/line68
__label__cc	0.727553	0.272447	A Touch of the Masters Hand Here are the Lyrics to a song most relevant to this Article, and we Quote; “Well it was battered and scarred and the auctioneer felt, It was hardly worth his while, To waste much time on the old violin, But he held it up with a smile, He said it sure ain’t much but it’s all we’ve got left, I guess we oughta sell it too, Oh, now who’ll start the bid on this old violin, Just one more and we’ll be through. And then he cried: One, give me one dollar, who’ll make it two, Only two dollars, who’ll make it three, Three dollars twice, now that’s a good price, Who’s gonna bid for me, Raise up your hand now, don’t wait any longer, The auction’s about to end, Who’s got four just one dollar more to bid on this old violin. Well, the air was hot and the people stood around, As the sun was setting low, And from the back of the crowd, a gray haired man, Came forward and picked up the bow, He wiped the dust from the old violin and he tightened up the strings, and then he played a melody pure and sweet, sweeter than Angel’s sing, And then the music stopped and the Auctioneer with a voice that was quiet and low, He said now what am I bid for this old violin and he held it up with the bow. Then he cried out One give me one thousand; who’ll make it two, only two thousand, Who’ll make it three? Three thousand twice you know that’s a good price, Come on who’s gonna bid for me? And the people cried out, What made the change? We don’t understand. Then the auctioneer stopped and said with a smile, It was the touch of the Master’s Hand. You know there’s many a man with his life out of tune, Battered and scarred with sin, And he’s Auctioned cheap to a thankless world much like that old violin, but then the Master comes and the foolish crowd, they never understand, the worth of a soul and the change that it wrought, just by one touch of the Master’s Hand. – Booth Brothers Lyrics. After the Auction, the old Violin was then sent off to a qualified restorer, to repair and to refurbish so that his children could learn how to play it, but as there are only six parts to a violin, this is fiddly but not overly complex. Now as old violins are glued together with “Hide Glue,” this glue does actually break down over time, so many joints were weak or separating, so he carefully split it back into its individual components, and the awkward joints were easily softened with a hot knife and soon there were only parts on his bench. Then upon closer inspection, he noticed that faded paper label, he read it once more, and then read it slowly again, he actually had spread out on his bench, a genuine Antonio Stradivari, Latin rendition is Stradivarius, of Cremona, Italy, spread out before him in pieces. Each piece was then very closely inspected, then the old joints were cleaned, and then the sides were glued back together, the top was glued back on next, and then the chipped corners were carefully cut back along the grain, and a new piece of timber was glued in, to be then carefully shaped to match the other side. The two halves of the back were glued back together and held firmly while the glue dried. A long crack in the top was cleaned and re-glued, and then thin slivers of carefully crafted timber were made and glued across the crack at about 3cm spacing’s, with the patch grain going across the crack. Now the long slow process of scraping off the grime of years, and old varnish, the back was then glued on, and the sad old instrument started to look much better. As the hours passed, the violin was back to bare timber, and then the staining was completed, the varnish was next applied, and it was now looking just like it had when leaving the workshop all those decades ago. When all complete, it was re-strung, and then played, and its tone was classically amazing Stradivarius. A new bow, and a new case, and it was ready for collection, not as something for children to practice upon, but back to the Auctioneer, and a Maestro, to then play it before packed auditoriums. It was sold for an undisclosed figure of many millions of dollars, purchased and redeemed cheaply from a thoughtless crowd. How often we sell ourselves off cheaply, something of infinite value to Heaven, just being viewed as trash, a toy to be played with, knocked about, but when we are actually “Children of the Heavenly King,” or in this concept, a Genuine Stradivarius, Royalty, sitting neglected in a pig pen just like the Prodigal Son. The Maestro is just waiting for us to turn our hearts Heavenward, to cry out in our wretchedness, to be no longer bashed about by sin and rebellion, to be restored back as near as possible to how we were initially made in the image of God, and to once more sing out in purity of classical sound, ringing and echoing through the volume of Heaven. Now back to the song; “You know there’s many a man with his life out of tune, Battered and scarred with sin, And he’s Auctioned cheap to a thankless world much like that old violin, but then the Master comes and the foolish crowd, they never quite understand, the worth of a soul and the change that it wrought, just by one touch of the Master’s Hand.” We can so easily become like the “Prodigal Son” lost in a Pig Pen, yet others are the “Prodigal Brother,” who was just as lost yet living at home with his Father. We can be just as easily “Lost” sitting right in Church as we can be when living in Babylon or Egypt. You are of infinite value to Heaven, even to the length that if you were the only person to have sinned in the Universe, Jesus would still have died just for you. Hosea 6:1 “Come, and let us return unto the LORD: for he hath torn, and he will heal us; he hath smitten, and he will bind us up. After two days will he revive us: in the third day he will raise us up, and we shall live in his sight?” Development and Service	cc/2021-04/en_head_0013.json.gz/line72
__label__cc	0.731706	0.268294	MS Podcast#73 The 73rd MediaSnackers podcast discusses the new book Totally Wired with its author. (WORLD) The MediaSnackers podcast focusses on individuals, organisations or companies who are simply impressing us and which are crying out for more discussion. Anastasia Goodstein is editor of teen/tween focussed Ypulse blog and also author of Totally Wired, an adults guide to what kids are really doing online. http://mediasnackers.com/wp-content/uploads/2020/05/ms73.mp3 0.00—0.38 intros 0.39—1.59 about Totally Wired and its relevance 2.00—4.09 are the moral panics about online activities warranted 4.10—6.11 political reaction to new media 6.12—8.40 the positives of teens online 8.41—10.18 the future discourse Anastasia: My name is Anastasia Goodstein and I am the publisher of Ypulse.com which is a blog that offers news and commentary about generation Y for media and marketing professionals. And I also just wrote a book called Totally Wired: What Teens and Tweens Are Really Doing Online which is geared towards parents and educators and is being published by St. Martin’s Press March 20th. DK: Brilliant. Well, thanks for giving up your time Anastasia, we really appreciate it. Tell us a bit about the motivations behind Totally Wired the book and why the subject is now very important and of relevance in the US? Anastasia: Well, you know blogging five days a week about sort everything that’s going on in youth culture, mainly for marketers and people who are working in media or just trying to reach youth, it became quite clear that technology is really what they’re eating, sleeping and breathing these days. And as the headlines started to pop up around MySpace and other social networking sites and a sort of hysteria began. I really felt like parents were starting to freak out and teachers were starting to freak out and the sort of internet scare that happened and actually back in the late ‘90s around chat rooms were sort of cropping up again. And I felt like there was a real need for there to be a voice of reason for parents to just let them know what’s really going on, to assure them that the internet isn’t the big bad wolf and that teens are doing pretty much what teens have always done – they’re just doing it online. DK: Okay. And how much is the moral panic then do you think from your perspective warranted by not just mainstream media but other organisations like you just cited? Anastasia: Yeah, I do think it’s a moral panic, I think people are panicking. I think that the panic around stranger danger or online predators is very, very overblown. If you look at the crime statistics – I don’t have them in front of me but I have them in a book – there’s much more to fear for children and young adults from people they know, even people in their families, than from strangers. Now that said, there are obviously bad people out there and there are predators that are looking for young people online. And when it does happen, you certainly are going to hear about it all over the news. But I think that many teenagers, especially older teenagers, I think it’s much riskier for tweens and children because I think they’re just less savvy and more vulnerable to people posing as other people and trying to sort of lure them in online. But I think that most teenagers, older teenagers, are very savvy about being online and they don’t want to talk to strangers, they don’t. Even if it’s someone posing as a teen, sometimes even if it’s a teen that they just don’t know at all to reach out to them on their MySpace or in some way almost feels like a violation of their space or their sort of world which is pretty much composed, even online, of mostly people that they know, either that they’ve met in person offline, that they see at school, that they know through a friend or someone they keep in touch with. But apart from teens who have very specific interests and are spending time online on a particular forum, say, they’re vegetarians or Goths or they’re really into computer games and they might talk with other teens or people they don’t know about a specific topic. I think for the general socialisation and teens are really talking to their friends, they’re continuing the conversation. DK: Definitely. And I think there’s a lot more permission based kind of access and walls online now and with the social communities tying in access, only allowing access when they decide that you can have access. A lot of parents aren’t aware of that or educators aren’t aware of that. You touched very briefly on the stranger danger and can I talk to you maybe a bit about DOPA, the Deletion of Online Predators Act and how that reared its ugly head recently and then it was quashed and now it’s come back again? What is the political reaction to this new media adoption by young people in the States? Anastasia: Right. I think whenever people fear something, the easiest thing to do is to try to just legislate it away or even to use technology to try to filter it out. If you talk to librarians or you talk to educators who are sort of living the way that they created regulations that have them putting photos, blocking certain websites. most will tell you that they just block sites and information that are actually useful and important for teens to access. And there is no sort of perfect either parenting or educating through technology, through using all the software. I also think the biggest problem with DOPA and cutting off access to all social media in libraries and schools is that there still is a bit of a digital divide in this country and there are young people who don’t have access at home and where they get online and where they experience the internet is at school or after school at a library or even at an after school program that receives Federal funding. And if this type of legislation passes, we’re basically leaving out a whole group of teens from experiencing all these really dramatic changes that we’ve seen with social media. DK: And we talk a lot about the negative; let’s maybe get around the positives. Tell us a bit from your perspectives, when you’re writing the books I know you spoke to a helluva lot of different people and also young people themselves. Tell us about the positives about young people being wired. Anastasia: I definitely think that there is positive – well there are a couple – I mean there are several, but I think that teens being able to really be creative and to express themselves online and to receive sort of instant feedback in validation is a pretty amazing thing. I mean they are suddenly able to reach an audience that may just be their friends or could go beyond their friends with sites like YouTube where they can upload their videos or creating their own podcasts or even just blogging. So I think while most teens are just doing that sort of publishing and using these sites to socialise and to connect with their friends, I think that there are also teens who are using it to express themselves; to publish their poetry; to publish their photographs; to say something and to be able to do that and to hear from an audience is incredibly validating for young people. I also think from an educational standpoint, I mean, I was talking to somebody in my age and we were talking about writing a research paper and the way that we learned to do it was you had to have books and paper and little index cards where you sort wrote what you were going to cite on these different index cards. And it’s just now everything is online and there’s an upside and downside to that in terms of being able to ascertain which sources are really credible but just the fact that you can go on Google and just find pretty much anything. Just so much information and so much research I think. I was at a conference where they asked teens if they had to unplug, if they had internet taken away from them, what would they miss the most. And everybody thought it was going to be IM’ing and chatting and all of that but it was actually being able to do their homework; being able to do research. They had become so dependant online to be able to do their schoolwork. DK: Definitely. And I think that the power axis is shifting. It’s just simply devolving. Young people have more access to it but now they’re creators, they’re producers, they’re participants. And I think it’s a really empowering phenomenon that’s happening throughout the world now. We’ll wrap this interview up with one question about the future. Where do you see the discussion moving on in terms of youth media and technology adoption? Where do you see it evolving to? Is it all going to be negative or is it going to turn into positive sometime; where? Anastasia: I am hoping that it turns into positive. I think that what’s going to help with the negative is that and the goal of the book is really to get adults and parents and educators up to speed and really internet literate and helping young people to be ethical online and to treat others with respect online and to be information literate and to be what teens need adults to be. They need sort of guides; not in like what’s new and cool because they’ll be telling us that from now on. And they’re going to be creating and defining media from now on. But I still think that there is obviously a huge role for adults to play in teens lives and sort of being a bit of a guide in terms of helping them to set limits and understand right from wrong and what they’re doing online so that it does shift to positive. DK: Definitely. Well I’d like to thank you for giving up your time to speak to MediaSnackers Anastasia. I really appreciate it. Anastasia: Thank you. Posted on March 8, 2007 May 6, 2020 Author DK Previous Previous post: MS Podcast#72 Next Next post: The MediaSnackers Meme #3	cc/2021-04/en_head_0013.json.gz/line73
__label__wiki	0.780656	0.780656	Meet n' Potatoes gaius marius facts When the two consuls tried to persuade the Senate to block the bill, Marius threatened them with imprisonment, and the bill was carried. As the use of violence, riots, and mob tactics were quickly to become the mainstay throughout the perilous era in Roman history, the Gracchi brothers quickly rose and fell from power. It's an interesting definitional question, both for evaluating Sulla and for how you use the word tryant. When Q. Caecilius Metellus Numidicus was sent to Africa in 109 to deal with Jugurtha, he chose Marius as a member of his staff, perhaps to placate equestrian and Italian interests. He would later become assigned to govern the province of Spain thanks to his excellent performance in the role. He had been consul every year since 104, and he was elected again the year 100. During this time, Marius allowed Romans of all classes to join the army, including the poor. When something was a little out of his grasp, he was willing to d… Omissions? In ancient sources, he is repeatedly characterised as having unending ambition and opportunism. Trending Now. – 15 March 44 B.C. With Catulus he celebrated a joint triumph, but already there was bad feeling between them. The Roman populace liked him because he was not an aristocrat. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. As Mariusgradually captured Jugurthine strongholds and routed his armies, he tasked Sulla with negotiating with the vacillating King Bocchus of Mauretania whose allegiance was subject to change. Marius was the first "n… Gaius Marius was married to Julia, who was the daughter of Gaius Julius Caesar II, the sister of Gaius Julius Caesar III and subsequently, the aunty of Julius Caesar. Then, by parlaying … Lucius Cornelius Sulla (c. 138 BC – 78 BC), usually called Sulla, was a Roman general and statesman.He was a praetor (a commander of an army) in 97 BC, and held the office of Consul twice. Marius was a highly successful Roman general and military reformer. He was even elected to the state’s highest post, the consulship, in 107 BC. 10 Major Accomplishments of Ronald Reagan. Get exclusive access to content from our 1768 First Edition with your subscription. His parents were Aurelia and Julius Caesar. Around 157 BCE, Marius was born to a plebeian family in an Italian settlement called Ceraete, near Arpinum. While the move was openly criticised at the time, it would later become standard practice for the Roman army. An interesting fact about Gaius Marius is that this was seen as one of the most important victories of Marius’s life. The Marian reforms were reforms of the ancient Roman army implemented in 107 BC by the statesman Gaius Marius, for whom they were later named.The reforms originated as a reaction to the military and logistical stagnation of the Roman Republic in the late 2nd century BC. The two would be happily married for many years and they had one son together, Gaius Marius the Younger, who himself was elected to the consul in 82BC, though, he committed suicide the same year. As a young officer-cadet, along with Jugurtha (later king of Numidia), on Scipio Aemilianusâ staff in the Numantine War in Spain (134 bce), he, like Jugurtha, made an excellent impression on his commanding officer. 3: Gaius Marius completed his first military service in 134BC, 4: Gaius Marius was elected to the Tribune of the Plebians, 5: Gaius Marius’s victory in the Jugurthan War, 6: He was elected to the consul a record 7 times, 7: He was responsible for a lot of military reforms, 9: Gaius Marius was married to Julius Caesar’s Aunt. Marius was successful in his plan and his forces captured Jugurtha and brought him to Rome, where he would late die in prison. Early career In Africa he kept Jugurtha on the run, and in 105 Jugurtha was captured, betrayed by his ally, King Bocchus of Mauretaniaânot to Marius himself but to Sulla, considered a rather disreputable young aristocrat, who had joined Mariusâ staff as quaestor in 107. Following his father’s death, Marius the Younger took control of Rome with the support of the elder Marius’ allies. None of Marius’ ancestors had ever been elected to a Roman political office, and he even claimed to have been raised in poverty, which meant that he was not seriously expected to become a person of importance.At an early age, he entered Rome’s legions and served with integrity. eval(ez_write_tag([[320,50],'factsking_com-medrectangle-3','ezslot_4',127,'0','0']));eval(ez_write_tag([[320,50],'factsking_com-medrectangle-3','ezslot_5',127,'0','1'])); Gaius Marius was born in 157BC in the Italian town of Aprinum, which is located in Southern Latium. The command in the war against Jugurtha (who was now Numidian king) was given to Quintus Metellus, and Marius was invited to join Metellusâ staff. Cooperating with equestrians in Africa and popular agitators in Rome, he openly criticized Metellus's conduct of the war. He had also contributed in initiating noted Roman reforms like providing employment to landless citizens, structuring and organizing large military groups into cohorts, etc. From the outset Marius intended to use the appointment for his political advancement. His final election, thus fulfilling the supposed prophecy from his teenage years, took place just before his death following his return to Rome in 86BC. In recruiting fresh troops, Marius broke with custom, because of a manpower shortage, by enrolling volunteers from outside the propertied classes, which alone had previously been liable for service. While there is no conclusive proof, it is speculated, given the path that Gaius Marius’s life would later take, that he was born into a family who was well-connected, at least locally. After spending his life engaged in a conflict of one kind or another, Marius’s final years were to be no different. Roman general and politician, consul seven times (107, 104-100, 86 BC), who was the first Roman to illustrate the political support that a successful general could derive from the votes of his old army veterans. Only in 188 BC did the town receive full citizenship. Gaius Marius was born in 157BC in the Italian town of Aprinum, which is located in... 2: The Legend of the Eagle’s Nest There … Marius showed himself no unprincipled candidate for popular favour, for he vetoed a popular grain bill, and the following years offered him little promise of a conspicuous career. Of equestrian but outside roots, Marius would find his early attempts to climb the Roman social and political ladder difficult at best. The story behind this retirement is that he was struggling with health issues but many scholars believe it to have been a political move, with Marius facing a lot of pressure from political opponents during this time period. The two married in 110 BC and it was this marriage that really established Gaius Marius as a significant mover in Roman society. He was first elected to the consul in 107BC and in this period he abolished land ownership qualifications for military service, this was one of his most significant political moves. In particular, Gaius Marius’ military reforms and the many problems that that followed. Gaius Marius’s impact on the Roman Empire was undeniable. Mariusâ family enjoyed the patronage of more than one noble family, in particular the distinguished and inordinately conceited Caecilii Metelli, then at the height of their political power. Updates? The town had been conquered by the Romans in the late 4th century BC and was given Roman citizenship without voting rights. Julia was born on Circa 130 B.C., in Rome, Italy, Roman Republic. Marius was a novus homo 'a new man' -- one without a senator among his ancestors. Her nephew, Julius Caesar gave an impassioned reading at her funeral. Sulla raised and ably led a cavalry contingent during the Numidian campaign, during which he won great popularity within the ranks for sharing the common legionary’s hardships. After returning to Rome with Cinna to help defeat Octavian’s army, Marius was elected to the consul for a seventh, and what would be the final time, an interesting Gaius Marius fact. He would then be elected five times in a row between 104BC and 100BC. eval(ez_write_tag([[300,250],'factsking_com-large-mobile-banner-1','ezslot_7',134,'0','0'])); After being successful in the army and making some good relationships with those in positions of power in Rome, Gaius Marius entered into politics for the first time in 119BC. 10 Major Accomplishments of Abraham Lincoln. Click to read more facts or download the worksheet collection. His family (from Arpinum [See map section aC in Latium], the rustic birthplace shared with Cicero) may have been peasants or they may have been equestrian, but they were clients of the old, rich, and patrician Metellus family.To improve his circumstances, Gaius Marius … If you read Julius Caesar … Cooperating with equestrians in Africa and popular agitators in Rome, he openly criticized Metellus's conduct of the war. Who was the eventual last dictator influenced by the actions of the Gracchi brothers? He was not an aristocrat (patrician); he … With them, Marius defeated the Teutones at Aquae Sextiae (modern Aix-en-Provence, Fr.) Fellow of Exeter College, University of Oxford, 1928â69. Eventually, Bocchus agreed to surrender Jugurtha personally to Sulla, which essentially marked the end of th… Marius was born in 157 BC to a family of supposed rustic origins. Once he had achieved this, he set about making changes to the military structure and returned to Numidia to defeat Jugurtha. For this war, Marius used fresh troops raised by Rutilius Rufus, consul in 105, and excellently trained in commando tactics by gladiatorial instructors. Gaius Marius (c. 157-86 B.C.) Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. He was a Roman politician and military general who played a critical role in the events that led to the demise of the Roman Republic. Gaius married Licinia Marius (born Crassi) on … There has been a lot of speculation as to the cause of death of Gaius Marius but the most commonly held theory is that he had contracted pleurisy and had died as a result of that. Marius returned to Rome following a political hiatus and immediately sought election to the consul. He failed to secure the aedileship (control of markets and police) and was only just elected praetor (judicial magistrate) for the year 115 after bribing heavily, for which he was lucky to escape condemnation in court. Gaius Marius was born with a chip on his shoulder that eventually guided his entire career. He was the only man in history to have attacked and kept both Athens and Rome.. Sulla unconstitutionally marched his armies into Rome and defeated his enemy Gaius Marius in battle. Roy Lichtenstein \| 10 Interesting Facts About The Pop Artist. 10 Major Achievements of Mahatma Gandhi. He was elected as the consul on seven occasions, including five successive consulships. Over Metellus's objections he returned to Rome to run for the consulship for 107. Gaius Marius was a strong and brave soldier and a skillful general, popular with his troops, but he showed little flair for politics and was not a good public speaker. One of the most influential figures in the history of the Roman Empire was Gaius Marius. Just days into his reign, he began to lose focus and was showing signs of illness. He was an important politician and military leader who oversaw several huge changes during his lifetime. Marius was elected on the equestrian and popular vote and, to Metellusâ bitter chagrin, appointed by a popular bill to succeed Metellus at once in the African command. in 102 and in 101 came to the support of the consul of 102, Quintus Lutatius Catulus, who had suffered a serious setback; together they defeated the Cimbri at the Vercellae, near modern Rovigo in the Po River valley, and the danger was over. After the Marian purges and the subsequent sudden death of Gaius Marius, the surviving consul Lucius Cornelius Cinna (father-in-law of Julius Caesar) imposed proscriptions on those surviving Roman senators and equestrians who had supported Lucius Cornelius Sulla in his 88 BC march on Rome and overthrow of the traditional Roman political … Gaius Marius : biography 157 BC – Marius died just seventeen days into his seventh consulship.Plutarch, Life of Marius, 45 & 46. The priesthood of flamen dialis and the many problems that that followed consul 7 times as significant. 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__label__cc	0.711216	0.288784	5G coverage will span two thirds of the global population in 6 years, Ericsson predicts November 25, 2019 \| Chloe Taylor Stands at the China International Fair for Trade in Services in Beijing on May 30, 2019 Visual China Group \| Getty Images Swedish telecoms giant Ericsson predicted that superfast 5G internet will cover up to 65% of the world’s population by the end of 2025. In a report published Monday, the company — which is just one supplier of 5G infrastructure and equipment — said 5G would handle 45% of global mobile data traffic within six years. The number of 5G mobile contracts around the world will top 2.6 billion by the mid-2020s, Ericsson said, with consumers expected to increase their average monthly consumption of mobile data from 7.2 GB to 24 GB. China switched on its 5G networks ahead of schedule earlier this month, with China Telecom, China Unicom and China Mobile all offering 5G mobile plans. The country’s government is already starting development of a 6G network. In its report on Monday, Ericsson estimated that more than 13 million customers in China will have signed up to 5G subscriptions by the end of 2019. Meanwhile, in the U.S., Verizon activated its 5G mobile network in Chicago and Minneapolis in April, and has since rolled the tech out to a number of additional cities. In Britain, telecoms firms Vodafone and EE are trialing 5G technology in several towns and cities, as well as at London’s Gatwick Airport. Ericsson’s report speculated that the most rapid 5G uptake over the coming years would be in North America, where 74% of mobile contracts were forecast to be 5G by the end of 2025. In comparison, 56% of mobile contracts signed in northeast Asia by the end of 2025 would be 5G, while 55% of subscriptions in Europe would be 5G, the company said. “In 2020, 5G-compatible devices will enter the volume market, which will scale up 5G adoption,” Fredrik Jejdling, Ericsson’s executive vice president and head of networks, said in a press release Monday. “The question is no longer if but how quickly we can convert use cases into relevant applications for consumers and enterprises.” Political hurdles Superfast 5G mobile internet is expected to revolutionize the digital economy by enabling new technologies such as self-driving cars and the internet of things — but providers of the technology face significant political obstacles. Chinese telecoms giant Huawei, which provides mobile infrastructure equipment for a number of carriers around the world, has been placed on a blacklist by U.S. authorities which restricts it from trading with American firms without special licenses from the government. Citing national security concerns, the U.S. has been pressuring its allies to bar Huawei from their 5G networks, claiming the company’s inclusion could enable Chinese espionage. Huawei has repeatedly denied those claims, but some countries, including Australia and New Zealand, have prohibited the company from participating in their networks. Under Chinese law, organizations can be forced to hand over data to the state if requested to do so. Despite the pressure, Huawei said in October that it had signed more than 60 commercial 5G contracts with “leading global carriers.” Ericsson itself has secured 76 commercial 5G contracts to date with carriers including Sprint, Verizon, T-Mobile and Vodafone. Meanwhile, Nokia announced last week that it had secured its 50th 5G deal with New Zealand carrier Spark. This entry was posted in Technology. Bookmark the permalink.	cc/2021-04/en_head_0013.json.gz/line78
__label__wiki	0.761581	0.761581	AFA-CWA Michael Horrocks Michael Horrocks was born in 1963 in Glen Mills, Pennsylvania. He attended Hershey High School and West Chester University (where he was quarterback of the college football team), then served as an officer (a pilot, and, later, a flight instructor) in the United States Marine Corps, where he was known by the congenial nickname, “Rocks.” On retiring from the Marine Corps, Michael was hired by United Airlines. On September 11, 2001, Michael Horrocks was the First Officer (co-pilot) of United Airlines Flight 175, a regularly scheduled flight from Boston’s Logan Airport to Los Angeles. According to news reports confirmed by a family member, Horrocks called his wife before the plane took off and joked that the pilot–Victor Saracini–was “some guy with a funny Italian name.” While we will never know exactly how or when Michael Robert Horrocks died, it is an absolute certainty that he was not at the controls when his plane struck Tower 2 of the World Trade Center at 9:03 AM on September 11, 2001. United Airlines Flight 175 was carrying 56 passengers (including the five hijackers) and nine crew members, making a total of 60 actual human beings; all died. Michael Robert Horrocks is survived by his wife Miriam, and his children Michael (Mick) and Christa, as well as an extended family and a network of professional friends and colleagues around the world from his time in the military and in the airline industry. At Michael’s funeral, he was remembered as an avid outdoorsman, a proud family man, a quiet but intense Marine and professional pilot, and a man who could always be trusted to do the right thing. << Back to Remembrance page ← Victor Saracini Marianne MacFarlane → AFA Honor Guard Events by State Copyright © 2021 Never Forget. All Rights Reserved. The Arcade Basic Theme by bavotasan.com.	cc/2021-04/en_head_0013.json.gz/line79
__label__wiki	0.804334	0.804334	Arsenal boss Mikel Arteta hands Mesut Ozil ultimatum over Gunners future Mikel Arteta has told Mesut Ozil that he has two months to prove himself at Arsenal. Posted Friday, October 16, 2020 by Express.co.uk The Arsenal manager left German misfit Ozil out of his Europa League squad last week, and offered no guarantees that the 32-year-old will be named in the Premier League squad next week. Ozil’s Arsenal contract runs out at the end of the season, and Arteta has not named the playmaker once in his team once since March. The Gunners manager, whose side face a tough trip to Manchester City tomorrow, also left defender Sokratis out of the European squad, and he said: “I wanted to tell them face to face before releasing the squad. “I explained the reasons why and the numbers we had. It was really difficult for me to tell them - but this is the restriction and rules. “They have to respect that decision and try to train the best possible way, help the team when they can. Then we will see what happens in December.” Arsenal boss Mikel Arteta has made things very clear to Mesut Ozil Arteta added: "To leave players out at that level, where they know they cannot get involved, is really tough. But the decision had to be made because we have an excess of foreign players. “It is down to us to to find ways to motivate those players. And it is about how you react to disappointments. Try to look at the overall picture, make the right decisions.” Arsenal are still in talks with the Scottish government over fullback Kieran Tierney, who they hope to get released from his COVID quarantine in time to play at the Etihad. Scotland defender Tierney was placed in isolation for 14 days last Tuesday after international teammate Stuart Armstrong tested positive for coronavirus. Tierney himself returned a negative test, and he and Arsenal have insisted there was no close contact. Talks were still ongoing last night between Arsenal and the Lothian Protection Team, the Scottish government and the Scottish FA to try to get Tierney’s release in time for tomorrow’s game. Arteta said: “I will be extremely disappointed if he is not able to play. “It will be frustrating if he cannot, because we have tried to do all the right things to keep the players safe. We know the history with the player and what happened in the last few months with him as well. “We are very reassured that there is not any risk for him to be involved with us. That is the case we are defending really strongly with the authorities.” “This is getting very complicated when we are sending players abroad. Obviously you lose control. Some authorities have different regulations to the ones in the Premier League.” Arsenal return to action against Manchester City on Saturday in the Premier League (5.30pm).	cc/2021-04/en_head_0013.json.gz/line80
__label__cc	0.55573	0.44427	Jul 2016 by PCI College New Course - MSc in Addiction Counselling & Psychotherapy Programme Leader Eoin Stephens talks us through our MSc in Addiction Counselling & Psychotherapy. There is still a huge need for trained professionals in Ireland to help those who are struggling with addiction, and indeed the families who are affected. People work with addiction at many levels – key worker, support worker, social care, social work, nurse, GP, psychiatrist, and of course Counsellor/Psychotherapist (there are of course many discussion about the difference between Counselling & Psychotherapy, if any, but in PCI College we believe in simply emphasising both). From alcohol, heroin, cocaine, and a huge variety of other mood-altering chemicals, to various forms of gambling and sexual stimulation, addictive objects have a long history, and come in an increasing variety of forms. In Ireland in 2013, for instance: • The Drugs Market was valued at €600 million • 679 people died from drugs • It was estimated that there were over 20,000 opiate users, and that 6.8% of the adult population (aged 15–64) had tried cocaine at least once (from http://www.citywide.ie/thedrugscrisis) Alcohol, in particular, has of course always held a problematic role in Irish life and culture. According to a Health Research Board publication in 2016: ...over half the population drink in a harmful manner, making harmful drinking more the norm than the exception. (from http://alcoholireland.ie/download/reports/alcohol_health/Overview-Series-10_Alcohol_in_Ireland_consumption-harm-cost-and-policy....pdf) From a therapeutic, addiction has always been a controversial subject - even trying to define it has given rise to a lot of discussion and argument over the years. The American Society of Addiction Medicine, for instance, has recently updated its definition of addiction, partly to make more room for behavioural addictions such as sex addiction. The following is their current Short Definition: Addiction is a primary, chronic disease of brain reward, motivation, memory and related circuitry. Dysfunction in these circuits leads to characteristic biological, psychological, social and spiritual manifestations. This is reflected in an individual pathologically pursuing reward and/or relief by substance use and other behaviors. Addiction is characterized by inability to consistently abstain, impairment in behavioural control, craving, diminished recognition of significant problems with one’s behaviors and interpersonal relationships, and a dysfunctional emotional response. Like other chronic diseases, addiction often involves cycles of relapse and remission. Without treatment or engagement in recovery activities, addiction is progressive and can result in disability or premature death. (From http://www.asam.org/quality-practice/definition-of-addiction) Other points made by the ASAM include: 1. Addiction is a primary illness. It's not necessarily caused by mental health issues such as mood or personality disorders. This puts to rest the popular notion that addictive behaviors are always a form of "self-medication" to ease other disorders. 2. Addiction reflects the same brain changes whether it arises in response to chemicals or behaviors. 3. The new definition eradicates the old "addiction vs. compulsion" distinction, which was often used to deny the existence of behavioral addictions, including Internet porn addiction. 4. Recovery from addiction is best achieved through a combination of self-management, mutual support, and professional care provided by trained and certified professionals. This last point is obviously a key one in relation to PCI College’s rationale in establishing a MSc in Addiction Counselling & Psychotherapy. There is still a huge need for trained professionals in Ireland to help those who are struggling with addiction, and indeed the families who are affected. People work with addiction at many levels – key worker, support worker, social care, social work, nurse, GP, psychiatrist, and of course Counsellor/Psychotherapist (there are of course many discussion about the difference between Counselling & Psychotherapy, if any, but in PCI College we believe in simply emphasising both). Addiction Counselling/Psychotherapy as a discipline has tended to be seen as somewhat separate from other areas of Counselling/Psychotherapy, in a way that, for instance, Bereavement Counselling/Psychotherapy or Sexual Abuse Counselling/Psychotherapy would not be. Indeed, in Ireland it has its own professional body, the Addiction Counsellors of Ireland (formerly the Irish Association for Alcohol & Addiction Counselling). Many people who work in the field train as Addiction Counsellors from scratch, rather than building on an existing qualification such as generic Counselling/Psychotherapy, psychology, social science etc. PCI College’s Postgraduate Certificate, on the other hand, is designed for professionals (Counsellors/Psychotherapists, doctors, nurses, teachers, social workers, psychologists etc) who are considering working more in the field of addiction, or who are already working there and wish to solidify and enhance their qualifications. Over the years since the founding of Alcoholics Anonymous in 1935, many approaches have been tried in relation to helping those struggling with addiction, and just as the problem of addiction is always growing, so the field of Addiction Counselling/Psychotherapy is an ever-developing one. The Medical model has always been part of the mix, and recent work in neuroscience has led to new biological perspectives on the causes and treatment of addictions. The Twelve Steps of AA have also had a major influence on development of therapeutic approaches to addiction, as has Cognitive Behavioural Therapy and, in more recent years, Motivational Interviewing. All of these perspectives are incorporated into our programme, along with practical skills-training and hands-on client experience under supervision. Eoin Stephens MA, MIACP, MACI Programme Leader A leading Irish Cognitive Behavioural Therapist (CBT) Trainer, Eoin has worked in the area of mental health and psychotherapy for more than 25 years. Eoin has a particular interest in the relationship between addictions and mental health problems such as anxiety and depression, and is a co-founder of Dual Diagnosis Ireland. He is one of Ireland’s leading providers of counselling and psychotherapy courses and is a former Vice-Chairperson of the IACP and the ACI. He is also well known for his therapy, training and media work in the field of behavioural addictions, and is a director of the Centre for Addictive and Problematic Behaviours. Click here to enrol on the MSc in Addiction Counselling & Psychotherapy "PCI college was one of the best experiences I have had in a learning environment and I appreciate it all the more now that I'm in private practice." Mary Curtin “My experience with PCI was the best decision in my life, I would rate PCI 10. I'm not saying it was easy, especially starting a new career at the age of 50, but I got through with a lot of hard work and dedication. Liam McCarthy and Josephine Murphy were an inspiration and all the other Tutors I had during the four years. Since I got my Degree I have been so busy counselling, only last week I was offered another new job, its amazing. Next year I will be 70 and hopefully the work will continue.” Rita Lett BSc (Hons) in Counselling & Psychotherapy Graduate	cc/2021-04/en_head_0013.json.gz/line82
__label__cc	0.61882	0.38118	The concept Colorado River represents the subject, aboutness, idea or notion of resources found in Bates College. The Resource Colorado River 392 Items that share the Concept Colorado River Acquisition of Indian lands for Parker Dam. June 21, 1940. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Amending certain provisions of law relating to land claims by the United States in Riverside County, Calif., based upon the accretion or avulsion, and for other purposes. March 30, 1978. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Amending certain provisions of law relating to land claims by the United States in Riverside County, Calif., based upon the accretion or avulsion, and for other purposes. October 6 (legislative day, September 28), 1978. -- Ordered to be printed., (electronic resource) Amending the Wild and Scenic Rivers Act (82 stat. 906), and for other purposes. September 17, 1974. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Amending the laws authorizing performance of necessary protection work on the Colorado River between the Yuma Project and Boulder Dam by the Bureau of Reclamation. March 26, 1946. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Amending the laws authorizing the performance of necessary protection work between the Yuma Project and Boulder Dam by the Bureau of Reclamation. June 12 (legislative day, March 5), 1946. -- Ordered to be printed., (electronic resource) American-Mexican Treaty projects. July 25, 1950. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) American-Mexican boundary treaty act of 1972. August 3, 1972. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) American-Mexican boundary treaty act of 1972. October 10, 1972. -- Ordered to be printed., (electronic resource) Animas-La Plata project, Colorado and New Mexico. Letter from the Secretary of the Interior transmitting a report on the Animas-La Plata project, Colorado-New Mexico, pursuant to the provisions of 53 Stat. 1187. May 4, 1966. -- Referred to the Committee on Interior and Insular Affairs, and ordered to be printed with illustrations., (electronic resource) Annexation of a portion of the Territory of Arizona to the Territory of Utah. Memorial of the Legislative Assembly of the Territory of Utah, praying for the annexation of a portion of the Territory of Arizona lying north and west of Colorado River, to the Territory of Utah, for governmental purposes. February 24, 1865. -- Referred to the Committee on Territories and ordered to be printed., (electronic resource) Annual report of the Board of Regents of the Smithsonian Institution showing the operations, expenditures and condition of the Institution for the year ending June 30, 1904., (electronic resource) Annual report of the Board of Regents of the Smithsonian Institution showing the operations, expenditures, and condition of the Institution for the year ending June 30, 1935., (electronic resource) Archeological observations north of the Rio Colorado, by Neil M. Judd. [Bureau of American Ethnology Bulletin 82.]., (electronic resource) Arizona and California Railway to bridge Colorado River at Parker, Ariz. January 7, 1908. -- Ordered to be printed., (electronic resource) Arizona and California Railway to bridge Colorado River. January 10, 1908. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Arizona-Nevada boundary compact. May 24, 1961. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Arizona-Nevada compact. April 13, 1961. -- Ordered to be printed., (electronic resource) Arizona-Nevada compact. August 22, 1960. -- Ordered to be printed., (electronic resource) Austin Dam. -- Taylor. [U.S. Geological Survey Water Supply and Irrigation Paper No. 40.]., (electronic resource) Authorizing Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. February 14, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing construction of a publicly owned and operated free highway bridge across the Colorado River, at or near Needles, Calif. February 23 (legislative day, February 13), 1942. -- Ordered to be printed., (electronic resource) Authorizing construction of a publicly owned and operated free highway bridge across the Colorado River, at or near Needles, Calif. January 19, 1942. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Authorizing construction of the Navajo Indian irrigation project and the initial stage of the San Juan-Chama project as participating projects of the Colorado River storage project. July 10, 1961. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing construction of works to reestablish for the Palo Verde Irrigation District, California, a means of diversion of its irrigation water supply from the Colorado River. August 12 (legislative day, August 5), 1954. -- Ordered to be printed., (electronic resource) Authorizing construction of works to reestablish for the Palo Verde Irrigation District, California, a means of diversion of its irrigation water supply from the Colorado River. June 29, 1954. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing conveyance of an existing railroad bridge known as the Red Rock Bridge, near Topock, Ariz., to the States of Arizona and California, jointly or separately, for free-highway bridge purposes. November 30, 1944. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Authorizing conveyance of the Red Rock Railroad Bridge near Topock, Ariz., to the States of Arizona and California, jointly or separately. December 12 (legislative day, November 21), 1944. -- Ordered to be printed., (electronic resource) Authorizing credits to certain public agencies of the United States for costs of construction and operation and maintenance of flood protective levee systems along or adjacent to the lower Colorado River in Arizona, California, and Lower California, Mexico. August 16, 1950. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing credits to certain public agencies of the United States for costs of construction and operation and maintenance of flood protective levee systems along or adjacent to the lower Colorado River in Arizona, California, and Lower California, Mexico. August 3 (legislative day, July 20), 1950. -- Ordered to be printed., (electronic resource) Authorizing modification of the John Martin Reservoir project, Colorado, in order to provide a permanent reservoir pool for recreational and fish and wildlife purposes. September 28, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to construct hydroelectric powerplants and various existing water projects, and for other purposes. September 6, 1978. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to construct, operate, and maintain the Collbran reclamation project, Colorado. June 10, 1952. -- Ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. July 26 (legislative day, July 2), 1954. -- Ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. June 9, 1954. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to engage in feasibility investigations of certain potential water resource developments. September 15, 1975. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to make water available for a permanent pool for fish and wildlife and recreation purposes at Cochiti Reservoir from the San Juan-Chama unit of the Colorado River storage project. March 10, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Interior to make water available for a permanent pool for recreation purposes at Cochiti Reservoir from the San Juan-Chama unit of the Colorado River storage project. June 17, 1963. -- Ordered to be printed., (electronic resource) Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., Area. August 21, 1951. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., area in order to insure the existence of an adequate water supply for naval installations and defense production plants in such area. September 13, 1951. -- Ordered to be printed., (electronic resource) Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., area in order to insure the existence of an adequate water supply for naval installations and defense production plants in such area. September 28 (legislative day, September 19), 1951. -- Ordered to be printed., (electronic resource) Authorizing the construction of protective works on the Colorado River between the Yuma project and Boulder Dam. April 25, 1940. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the construction of protective works on the Colorado River between the Yuma project and Boulder Dam. May 28, 1940. -- Ordered to be printed., (electronic resource) Authorizing the construction, operation, and maintenance by the Secretary of the Interior of the Fryingpan-Arkansas project, Colorado. February 7, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the construction, operation, and maintenance of certain works in the Colorado River Basin to control the salinity of water delivered to users in the United States and Mexico. May 22, 1974. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the printing as a Senate document of the "Sixth annual report on the status of the Colorado River storage project." March 14, 1963. -- Ordered to be printed., (electronic resource) Authorizing the study of a segment of Colorado for possible inclusion in the wild rivers system. September 15 (legislative day, September 12), 1972. -- Ordered to be printed., (electronic resource) Authorizing the transfer of a Bureau of Reclamation bridge across the Colorado River near Needles, Calif. July 27, 1961. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Authorizing the transfer of a Bureau of Reclamation bridge across the Colorado River near Needles, Calif., to San Bernardino County, Calif., and Mohave County, Ariz. July 25, 1961. -- Ordered to be printed., (electronic resource) Barracks at Pensacola harbor, Florida, etc. Letter from the Secretary of War, transmitting draughts of proposed joint resolutions for completing barracks and quarters at Pensacola harbor, Florida, &c. December 23, 1874. -- Referred to the Committee on Naval Affairs and ordered to be printed., (electronic resource) Boulder Canyon project. March 20, 1928. -- Ordered to be printed., (electronic resource) Boulder Canyon reclamation project. April 19 (calendar day, April 24), 1926. -- Ordered to be printed., (electronic resource) Boulder Canyon reclamation project. December 22, 1926. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Boulder canyon project. March 15, 1928. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Boundary between the United States and Mexico as surveyed and marked by the International Boundary Commission, under the Convention of July 29, 1882, revived February 18, 1889., (electronic resource) Bridge Canyon Project. August 3 (legislative day, June 2), 1949. -- Ordered to be printed., (electronic resource) Bridge Canyon project. March 12, 1951. -- Ordered to be printed., (electronic resource) Bridge across Colorado River at Parker, Ariz. February 25, 1929. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bridge across Colorado River at Parker, Ariz. January 28, 1908. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bridge across Colorado River at Parker, Ariz., within Colorado River Indian Reservation. June 6 (calendar day, June 16), 1934. -- Ordered to be printed., (electronic resource) Bridge across Colorado River near Blythe, Calif. March 27, 1926. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River at Parker, Ariz. February 7 (calendar day, February 8), 1935. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Blythe, Calif. February 11, 1926. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bridge across the Colorado River near Blythe, Calif. February 17, 1925. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Blythe, Calif. March 20, 1926. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Blythe, Colo. [i.e., California]. April 22, 1926. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Lee Ferry, Ariz. February 26(calendar day, February 27), 1926. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Lee Ferry, Ariz. February 3 (calendar day, February 14), 1925. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Lee Ferry, Ariz. January 17, 1925. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Bridge across the Colorado River near Yuma, Ariz. December 14, 1922. -- Ordered to be printed., (electronic resource) Bridge across the Colorado River near Yuma, Ariz. December 20, 1922. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bridge across the Colorado River, Cal, and Ariz. August 2, 1916. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bridge across the Colorado River, between the States of California and Arizona. August 12, 1916. -- Ordered to be printed., (electronic resource) Bridge on Yuma Reservation. Letter from the First Assistant Secretary of the Interior, transmitting, as required by act of August 24, 1912, result of investigation of conditions on the Yuma Reservation in California with respect to the necessity of constructing bridge at Yuma, Ariz. December 4, 1912. -- Referred to the Committee on Indian Affairs and ordered to be printed, with illustrations., (electronic resource) Bridges across Merrimac and other rivers. May 4, 1908. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Bullshead (Davis) Dam project. Letter from the Acting Secretary of the Interior transmitting reclamation report on the Bullshead Dam project on the Colorado River where that stream forms the boundary between Arizona and Nevada. April 28, 1941. -- Referred to the Committee on Irrigation and Reclamation and ordered to be printed, with illustrations., (electronic resource) Capt. Samuel Adams. May 20, 1876. -- Committed to a Committee of the Whole House and ordered to be printed., (electronic resource) Captain Samuel Adams. (To accompany Bill H.R. No. 2565.) Communication from Captain Samuel Adams relative to the exploration of the Colorado River and its tributaries. December 19, 1870. -- Ordered to be printed., (electronic resource) Captain Samuel Adams. (To accompany Bill H.R. No. 260.) Communication from Captain Samuel Adams, relative to the exploration of the Colorado River and its tributaries. April 15, 1871. -- Ordered to be printed., (electronic resource) Central Arizona project. July 26, 1967. -- Ordered to be printed., (electronic resource) Central Arizona project. Letter from the Secretary of the Interior transmitting a report and findings on the Central Arizona project. March 22, 1949. -- Referred to the Committee on Public Lands and ordered to be printed, with illustrations., (electronic resource) Central Utah Project completion act and reclamation projects authorization and adjustment act of 1990. September 27, 1990. -- Ordered to be printed., (electronic resource) Change name of Grand River to Colorado River. May 25, 1921. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Change of boundary line. Resolutions of the State of California, in relation to change of boundary line of said state. December 16, 1863. -- Referred to the Committee on the Territories, and ordered to be printed., (electronic resource) Change of name of Grand River to Colorado River. February 23, 1921. -- Referred to the House Calendar and ordered to be printed., (electronic resource) Claim of Gen. Higinio Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. February 2, 1937. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Claim of Gen. Higinio Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. March 24, 1936. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Claim of Gen. Higino Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. April 22, 1937. -- Ordered to be printed., (electronic resource) Collbran Project, Colorado. Letter from Assistant Secretary of the Interior transmitting a report on the Collbran Project, Colorado, pursuant to section 9 (a) of the Reclamation Project Act of 1939 (53 Stat. 1187). July 4, 1951. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed, with illustrations., (electronic resource) Colorado -- Big Thompson Transmountain water diversion project. June 15 (calendar day, June 21), 1937. -- Ordered to be printed., (electronic resource) Colorado River Basin agricultural conservation program. May 24 (legislative day, May 21), 1984. -- Ordered to be printed., (electronic resource) Colorado River Basin agricultural conservation program. November 11 (legislative day, November 10), 1983. -- Ordered to be printed., (electronic resource) Colorado River Basin project. April 24, 1968. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Colorado River Compact. Letter from the Chairman of the Colorado River Commission, transmitting report of the proceedings of the Colorado River Commission and the compact or agreement entered into between the States of Arizona, California, Colorado, Nevada, New Mexico, Utah, and Wyoming... March 2, 1923. -- Referred to the Committee on Irrigation of Arid Lands and ordered to be printed., (electronic resource) Colorado River Indian irrigation project. July 29, 1916. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) Colorado River and its utilization, by E.C. La Rue. [U.S. Geological Survey Water Supply Paper 395.]., (electronic resource) Colorado River and tributaries, Texas covering mouth of Colorado River. Letter from the Secretary of the Army transmitting a letter from the Chief of Engineers, Department of the Army, dated July 23, 1968, submitting a report, together with accompanying papers and illustrations...Presented by Mr. Randolph, July 29, 1968. -- Referred to the Committee on Public Works and ordered to be printed with illustrations., (electronic resource) Colorado River at Yuma depot. Letter from the Secretary of War, in relation to a project for the protection of the banks of the Colorado River at Yuma depot. February 25, 1874. -- Referred to the Committee on Military Affairs and ordered to be printed., (electronic resource) Colorado River basin salinity control act. September 26 (legislative day, September 12), 1994. -- Ordered to be printed., (electronic resource) Context of Colorado River West Divide project, Colorado. Letter from Secretary of the Interior transmitting a report on the West Divide project, Colorado, pursuant to the provisions of 53 Stat. 1187. May 4, 1966. -- Referred to the Committee on Interior and Insular Affairs, and ordered to be printed, with illustrations. Acquisition of Indian lands for Parker Dam. June 21, 1940. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Amending certain provisions of law relating to land claims by the United States in Riverside County, Calif., based upon the accretion or avulsion, and for other purposes. March 30, 1978. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Amending certain provisions of law relating to land claims by the United States in Riverside County, Calif., based upon the accretion or avulsion, and for other purposes. October 6 (legislative day, September 28), 1978. -- Ordered to be printed. Amending the Wild and Scenic Rivers Act (82 stat. 906), and for other purposes. September 17, 1974. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Amending the laws authorizing performance of necessary protection work on the Colorado River between the Yuma Project and Boulder Dam by the Bureau of Reclamation. March 26, 1946. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Amending the laws authorizing the performance of necessary protection work between the Yuma Project and Boulder Dam by the Bureau of Reclamation. June 12 (legislative day, March 5), 1946. -- Ordered to be printed. American-Mexican Treaty projects. July 25, 1950. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. American-Mexican boundary treaty act of 1972. August 3, 1972. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. American-Mexican boundary treaty act of 1972. October 10, 1972. -- Ordered to be printed. Animas-La Plata project, Colorado and New Mexico. Letter from the Secretary of the Interior transmitting a report on the Animas-La Plata project, Colorado-New Mexico, pursuant to the provisions of 53 Stat. 1187. May 4, 1966. -- Referred to the Committee on Interior and Insular Affairs, and ordered to be printed with illustrations. Annexation of a portion of the Territory of Arizona to the Territory of Utah. Memorial of the Legislative Assembly of the Territory of Utah, praying for the annexation of a portion of the Territory of Arizona lying north and west of Colorado River, to the Territory of Utah, for governmental purposes. February 24, 1865. -- Referred to the Committee on Territories and ordered to be printed. Annual report of the Board of Regents of the Smithsonian Institution showing the operations, expenditures and condition of the Institution for the year ending June 30, 1904. Annual report of the Board of Regents of the Smithsonian Institution showing the operations, expenditures, and condition of the Institution for the year ending June 30, 1935. Archeological observations north of the Rio Colorado, by Neil M. Judd. [Bureau of American Ethnology Bulletin 82.]. Arizona and California Railway to bridge Colorado River at Parker, Ariz. January 7, 1908. -- Ordered to be printed. Arizona and California Railway to bridge Colorado River. January 10, 1908. -- Referred to the House Calendar and ordered to be printed. Arizona-Nevada boundary compact. May 24, 1961. -- Referred to the House Calendar and ordered to be printed. Arizona-Nevada compact. April 13, 1961. -- Ordered to be printed. Arizona-Nevada compact. August 22, 1960. -- Ordered to be printed. Austin Dam. -- Taylor. [U.S. Geological Survey Water Supply and Irrigation Paper No. 40.]. Authorizing Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. February 14, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing construction of a publicly owned and operated free highway bridge across the Colorado River, at or near Needles, Calif. February 23 (legislative day, February 13), 1942. -- Ordered to be printed. Authorizing construction of a publicly owned and operated free highway bridge across the Colorado River, at or near Needles, Calif. January 19, 1942. -- Referred to the House Calendar and ordered to be printed. Authorizing construction of the Navajo Indian irrigation project and the initial stage of the San Juan-Chama project as participating projects of the Colorado River storage project. July 10, 1961. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing construction of works to reestablish for the Palo Verde Irrigation District, California, a means of diversion of its irrigation water supply from the Colorado River. August 12 (legislative day, August 5), 1954. -- Ordered to be printed. Authorizing construction of works to reestablish for the Palo Verde Irrigation District, California, a means of diversion of its irrigation water supply from the Colorado River. June 29, 1954. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing conveyance of an existing railroad bridge known as the Red Rock Bridge, near Topock, Ariz., to the States of Arizona and California, jointly or separately, for free-highway bridge purposes. November 30, 1944. -- Referred to the House Calendar and ordered to be printed. Authorizing conveyance of the Red Rock Railroad Bridge near Topock, Ariz., to the States of Arizona and California, jointly or separately. December 12 (legislative day, November 21), 1944. -- Ordered to be printed. Authorizing credits to certain public agencies of the United States for costs of construction and operation and maintenance of flood protective levee systems along or adjacent to the lower Colorado River in Arizona, California, and Lower California, Mexico. August 16, 1950. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing credits to certain public agencies of the United States for costs of construction and operation and maintenance of flood protective levee systems along or adjacent to the lower Colorado River in Arizona, California, and Lower California, Mexico. August 3 (legislative day, July 20), 1950. -- Ordered to be printed. Authorizing modification of the John Martin Reservoir project, Colorado, in order to provide a permanent reservoir pool for recreational and fish and wildlife purposes. September 28, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Interior to construct hydroelectric powerplants and various existing water projects, and for other purposes. September 6, 1978. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Interior to construct, operate, and maintain the Collbran reclamation project, Colorado. June 10, 1952. -- Ordered to be printed. Authorizing the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. July 26 (legislative day, July 2), 1954. -- Ordered to be printed. Authorizing the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects. June 9, 1954. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Interior to engage in feasibility investigations of certain potential water resource developments. September 15, 1975. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Interior to make water available for a permanent pool for fish and wildlife and recreation purposes at Cochiti Reservoir from the San Juan-Chama unit of the Colorado River storage project. March 10, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Interior to make water available for a permanent pool for recreation purposes at Cochiti Reservoir from the San Juan-Chama unit of the Colorado River storage project. June 17, 1963. -- Ordered to be printed. Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., Area. August 21, 1951. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., area in order to insure the existence of an adequate water supply for naval installations and defense production plants in such area. September 13, 1951. -- Ordered to be printed. Authorizing the Secretary of the Navy to enlarge existing water-supply facilities for the San Diego, Calif., area in order to insure the existence of an adequate water supply for naval installations and defense production plants in such area. September 28 (legislative day, September 19), 1951. -- Ordered to be printed. Authorizing the construction of protective works on the Colorado River between the Yuma project and Boulder Dam. April 25, 1940. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the construction of protective works on the Colorado River between the Yuma project and Boulder Dam. May 28, 1940. -- Ordered to be printed. Authorizing the construction, operation, and maintenance by the Secretary of the Interior of the Fryingpan-Arkansas project, Colorado. February 7, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the construction, operation, and maintenance of certain works in the Colorado River Basin to control the salinity of water delivered to users in the United States and Mexico. May 22, 1974. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the printing as a Senate document of the "Sixth annual report on the status of the Colorado River storage project." March 14, 1963. -- Ordered to be printed. Authorizing the study of a segment of Colorado for possible inclusion in the wild rivers system. September 15 (legislative day, September 12), 1972. -- Ordered to be printed. Authorizing the transfer of a Bureau of Reclamation bridge across the Colorado River near Needles, Calif. July 27, 1961. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Authorizing the transfer of a Bureau of Reclamation bridge across the Colorado River near Needles, Calif., to San Bernardino County, Calif., and Mohave County, Ariz. July 25, 1961. -- Ordered to be printed. Barracks at Pensacola harbor, Florida, etc. Letter from the Secretary of War, transmitting draughts of proposed joint resolutions for completing barracks and quarters at Pensacola harbor, Florida, &c. December 23, 1874. -- Referred to the Committee on Naval Affairs and ordered to be printed. Boulder Canyon project. March 20, 1928. -- Ordered to be printed. Boulder Canyon reclamation project. April 19 (calendar day, April 24), 1926. -- Ordered to be printed. Boulder Canyon reclamation project. December 22, 1926. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Boulder canyon project. March 15, 1928. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Boundary between the United States and Mexico as surveyed and marked by the International Boundary Commission, under the Convention of July 29, 1882, revived February 18, 1889. Bridge Canyon Project. August 3 (legislative day, June 2), 1949. -- Ordered to be printed. Bridge Canyon project. March 12, 1951. -- Ordered to be printed. Bridge across Colorado River at Parker, Ariz. February 25, 1929. -- Referred to the House Calendar and ordered to be printed. Bridge across Colorado River at Parker, Ariz. January 28, 1908. -- Referred to the House Calendar and ordered to be printed. Bridge across Colorado River at Parker, Ariz., within Colorado River Indian Reservation. June 6 (calendar day, June 16), 1934. -- Ordered to be printed. Bridge across Colorado River near Blythe, Calif. March 27, 1926. -- Ordered to be printed. Bridge across the Colorado River at Parker, Ariz. February 7 (calendar day, February 8), 1935. -- Ordered to be printed. Bridge across the Colorado River near Blythe, Calif. February 11, 1926. -- Referred to the House Calendar and ordered to be printed. Bridge across the Colorado River near Blythe, Calif. February 17, 1925. -- Ordered to be printed. Bridge across the Colorado River near Blythe, Calif. March 20, 1926. -- Ordered to be printed. Bridge across the Colorado River near Blythe, Colo. [i.e., California]. April 22, 1926. -- Ordered to be printed. Bridge across the Colorado River near Lee Ferry, Ariz. February 26(calendar day, February 27), 1926. -- Ordered to be printed. Bridge across the Colorado River near Lee Ferry, Ariz. February 3 (calendar day, February 14), 1925. -- Ordered to be printed. Bridge across the Colorado River near Lee Ferry, Ariz. January 17, 1925. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Bridge across the Colorado River near Yuma, Ariz. December 14, 1922. -- Ordered to be printed. Bridge across the Colorado River near Yuma, Ariz. December 20, 1922. -- Referred to the House Calendar and ordered to be printed. Bridge across the Colorado River, Cal, and Ariz. August 2, 1916. -- Referred to the House Calendar and ordered to be printed. Bridge across the Colorado River, between the States of California and Arizona. August 12, 1916. -- Ordered to be printed. Bridge on Yuma Reservation. Letter from the First Assistant Secretary of the Interior, transmitting, as required by act of August 24, 1912, result of investigation of conditions on the Yuma Reservation in California with respect to the necessity of constructing bridge at Yuma, Ariz. December 4, 1912. -- Referred to the Committee on Indian Affairs and ordered to be printed, with illustrations. Bridges across Merrimac and other rivers. May 4, 1908. -- Referred to the House Calendar and ordered to be printed. Bullshead (Davis) Dam project. Letter from the Acting Secretary of the Interior transmitting reclamation report on the Bullshead Dam project on the Colorado River where that stream forms the boundary between Arizona and Nevada. April 28, 1941. -- Referred to the Committee on Irrigation and Reclamation and ordered to be printed, with illustrations. Capt. Samuel Adams. May 20, 1876. -- Committed to a Committee of the Whole House and ordered to be printed. Captain Samuel Adams. (To accompany Bill H.R. No. 2565.) Communication from Captain Samuel Adams relative to the exploration of the Colorado River and its tributaries. December 19, 1870. -- Ordered to be printed. Captain Samuel Adams. (To accompany Bill H.R. No. 260.) Communication from Captain Samuel Adams, relative to the exploration of the Colorado River and its tributaries. April 15, 1871. -- Ordered to be printed. Central Arizona project. July 26, 1967. -- Ordered to be printed. Central Arizona project. Letter from the Secretary of the Interior transmitting a report and findings on the Central Arizona project. March 22, 1949. -- Referred to the Committee on Public Lands and ordered to be printed, with illustrations. Central Utah Project completion act and reclamation projects authorization and adjustment act of 1990. September 27, 1990. -- Ordered to be printed. Change name of Grand River to Colorado River. May 25, 1921. -- Referred to the House Calendar and ordered to be printed. Change of boundary line. Resolutions of the State of California, in relation to change of boundary line of said state. December 16, 1863. -- Referred to the Committee on the Territories, and ordered to be printed. Change of name of Grand River to Colorado River. February 23, 1921. -- Referred to the House Calendar and ordered to be printed. Claim of Gen. Higinio Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. February 2, 1937. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Claim of Gen. Higinio Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. March 24, 1936. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Claim of Gen. Higino Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco in the State of Arizona. April 22, 1937. -- Ordered to be printed. Collbran Project, Colorado. Letter from Assistant Secretary of the Interior transmitting a report on the Collbran Project, Colorado, pursuant to section 9 (a) of the Reclamation Project Act of 1939 (53 Stat. 1187). July 4, 1951. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed, with illustrations. Colorado -- Big Thompson Transmountain water diversion project. June 15 (calendar day, June 21), 1937. -- Ordered to be printed. Colorado River Basin agricultural conservation program. May 24 (legislative day, May 21), 1984. -- Ordered to be printed. Colorado River Basin agricultural conservation program. November 11 (legislative day, November 10), 1983. -- Ordered to be printed. Colorado River Basin project. April 24, 1968. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Colorado River Compact. Letter from the Chairman of the Colorado River Commission, transmitting report of the proceedings of the Colorado River Commission and the compact or agreement entered into between the States of Arizona, California, Colorado, Nevada, New Mexico, Utah, and Wyoming... March 2, 1923. -- Referred to the Committee on Irrigation of Arid Lands and ordered to be printed. Colorado River Indian irrigation project. July 29, 1916. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Colorado River and its utilization, by E.C. La Rue. [U.S. Geological Survey Water Supply Paper 395.]. Colorado River and tributaries, Texas covering mouth of Colorado River. Letter from the Secretary of the Army transmitting a letter from the Chief of Engineers, Department of the Army, dated July 23, 1968, submitting a report, together with accompanying papers and illustrations...Presented by Mr. Randolph, July 29, 1968. -- Referred to the Committee on Public Works and ordered to be printed with illustrations. Colorado River at Yuma depot. Letter from the Secretary of War, in relation to a project for the protection of the banks of the Colorado River at Yuma depot. February 25, 1874. -- Referred to the Committee on Military Affairs and ordered to be printed. Colorado River basin salinity control act. September 26 (legislative day, September 12), 1994. -- Ordered to be printed. Colorado River development. Colorado River investigations. Water storage and power development Grand Canyon to the Imperial Valley. Presented by Mr. Oddie. December 10 (calendar day, December 11), 1928. -- Ordered to be printed, with illustrations. Colorado River floodway protection act. August 15 (legislative day, August 11), 1986. -- Ordered to be printed. Colorado River in its relation to the Imperial Valley, California. Report on the utilization of the waters of the Colorado River for irrigation and its relation to the Imperial Valley, California. Presented by Mr. Phelan. June 1, 1917. -- Referred to the Committee on Printing. Colorado River relicted land claims. October 9, 1968. -- Ordered to be printed. Colorado River salinity control feasibility study authorizations. September 12, 1980. -- Ordered to be printed. Filed under the authority of the order of the Senate of September 11 (legislative day, June 12), 1980. Colorado River storage project and participating projects. Letter from the Assistant Secretary of the Interior transmitting the fifth annual report on the status of the Colorado River storage project and participating projects... together with a statement and pertinent comments thereto by Senator Anderson of New Mexico. March 1, 1962. -- Ordered to be printed with an illustration. Colorado River storage project and participating projects. Letter from the Assistant Secretary of the Interior transmitting the fourth annual report on the status of the Colorado River storage project and participating projects... together with a statement and pertinent comments thereto by Senator Anderson of New Mexico. January 30, 1961. -- Ordered to be printed with an illustration. Colorado River storage project and participating projects. Letter from the Assistant Secretary of the Interior transmitting the second annual report on the status of the Colorado River storage project and participating projects pursuant to Public Law 485 of the Eighty-fourth Congress (70 Stat. 105), together with a statement by Senator Anderson. Presented by Mr. Anderson, January 20, 1959. -- Ordered to be printed. Colorado River storage project and participating projects. Letter from the Assistant Secretary of the Interior, transmitting the third annual report on the status of the Colorado River storage project and participating projects... Presented by Mr. Anderson. January 26 (legislative day January 22), 1960. -- Ordered to be printed with illustrations. Colorado River storage project and participating projects. Letter from the Secretary of the Interior transmitting the first annual report on the status of the Colorado River storage project and participating projects together with a statement on hydrologic bases for financial studies, Colorado River storage project, pursuant to Public Law 485 of the Eighty-fourth Congress. Presented by Mr. Senator Anderson, January 16, 1958. -- Ordered to be printed with an illustration. Colorado River storage project and participating projects. The sixth annual report on the status of the Colorado River storage project and participating projects together with a statement of general principles to govern... Glen Canyon Reservoir (Lake Powell) and Lake Mead during the Lake Powell filling period, and related documents. Presented by Senator Anderson. March 14, 1963. -- Ordered to be printed. Colorado River storage project. A memorandum and statement to the Secretary of the Interior transmitting the proposed general principles to govern, and operating criteria for, Glen Canyon and Lake Mead during the Glen Canyon filling period together with Senator Anderson's statement to the Senate. Presented by Mr. Anderson. February 16 (legislative day, February 15), 1960. -- Ordered to be printed. Colorado River storage project. Letter from Assistant Secretary of the Interior, transmitting a report on the Colorado River storage project and participating projects, providing for the development and utilization of the water and related resources of the upper Colorado River Basin, pursuant to the federal reclamation laws. April 6, 1954. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed with illustrations. Colorado River storage project. Letter from the Assistant Secretary of the Interior transmitting the seventh annual report of the Department of the Interior on the status of the Colorado River storage project and participating projects... together with a statement and pertinent comments thereto by Senator Anderson of New Mexico. April 16 (legislative day, March 30), 1964. -- Ordered to be printed. Colorado River storage project. Report of the Committee on Interior and Insular Affairs, House of Representatives, together with minority views to accompany H.R. 3383, a bill to authorize the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project and participating projects, and for other purposes. Colorado River storage project. Report of the Committee on Interior and Insular Affairs, United States Senate, together with separate and minority views to accompany S. 500 a bill to authorize the Secretary of the Interior to construct, operate, and maintain the Colorado River storage project... March 30 (legislative day, March 10), 1955. -- Ordered to be printed. Colorado River storage project. The eighth annual report of the Department of the Interior on the status of the Colorado River storage project and participating projects transmitted pursuant to Public Law 485 of the Eighty-fourth Congress (70 Stat. 105) together with a statement and pertinent comments thereto by Senator Anderson of New Mexico. February 2, 1965. -- Ordered to be printed. Colorado River storage project. The tenth annual report of the Department of the Interior on the status of the Colorado River storage project and participating projects transmitted pursuant to Public Law 485 of the Eighty-fourth Congress (70 Stat. 105) together with a statement and pertinent comments thereto by Senator Anderson of New Mexico. February 9 (legislative day, February 8), 1967. -- Ordered to be printed. Colorado River wild and scenic river addition act of 1990. May 18 (legislative day, April 18), 1990. -- Ordered to be printed. Colorado River, Arizona and California. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, report of examination of Colorado River, Arizona and California. December 18, 1903. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Colorado River, Arizona. Letter from the Assistant Secretary of War, transmitting a copy of the report of the preliminary examination of the Colorado River, Arizona. December 2, 1890. -- Referred to the Committee on Rivers and Harbors. Colorado River, Cal. and Ariz. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, report on preliminary examination of Colorado River, Cal. and Ariz. August 7, 1914. -- Referred to the Committee on Rivers and Harbors and ordered to be printed, with illustration. Colorado River, Nevada. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, report of examination of Colorado River, Nevada. December 18, 1903. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Colorado River, Tex. Letter from the Acting Secretary of War, transmitting a letter from the Chief of Engineers, United States Army, dated May 5, 1938, submitting a report, together with accompanying papers and illustrations, on reexamination of Colorado River, Tex... May 16, 1938. -- Referred to the Committee on Rivers and Harbors and ordered to be printed with illustration. Colorado River, Texas. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, a report of the examination of the Colorado River, Texas. January 5, 1891. -- Referred to the Committee on Rivers and Harbors. Colorado River. "A natural menace becomes a national resource." Interim report on the status of the investigations authorized to be made by the Boulder Canyon Project Act and the Boulder Canyon Project Adjustment Act. United States Department of the Interior, J.A. Krug, secretary. Bureau of Reclamation, Michael W. Straus, commissioner. July 1947. Colorado River. Memorial of the Legislature of Arizona asking of Congress an appropriation of one hundred and fifty thousand dollars for the improvement of the navigation of the Colorado River. January 25, 1865. -- Referred to the Committee on Commerce and ordered to be printed. Colorado River. Mr. Works presented the following statement showing necessity for action at the present session... upon the President's request for an appropriation to control the Colorado River, (...message June 14, 1912, S. Doc. No. 846, 62D Cong., 2D sess.) (To accompany amendment... June 27, 1912, to H.R. 25069.) July 1, 1912. -- Referred to the Committee on Appropriations and ordered to be printed. Colorado River. Resolutions of the Legislature of California, in regard to the exploration of the River Colorado. April 7, 1856. -- Referred to the Committee on Commerce. Colorado desert. (To accompany Bill H.R. No. 417.) April 23, 1862. -- Ordered to be printed. Colorado-Big Thompson project. Synopsis of report on Colorado-Big Thompson project, plan of development and cost estimate prepared by the Bureau of Reclamation, Department of the Interior. Presented by Mr. Adams. June 15, 1937. -- Ordered to be printed. Colorado-Big Thompson transmountain water-diversion project. July 6, 1937. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Compact to provide for definition or relocation of common boundary between Arizona and California and appointment by President of federal representative to compact negotiations. July 18, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Compact to provide for definition or relocation of common-boundary between Arizona and California and appointment by President of Federal Representative to compact negotiations. July 26 (legislative day, July 16), 1956. -- Ordered to be printed. Compacts between Colorado, Wyoming, New Mexico, and Utah respecting division of water. February 11 (calendar day, February 13), 1929. -- Ordered to be printed. Composition of the river and lake waters of the United States, by Frank Wigglesworth Clarke. [U.S. Geological Survey Professional Paper 135.]. Conferring jurisdiction upon the United States District Court for the Central Division of the Southern District of California to hear, determine, and render judgment upon the claims of the City of Needles, Calif., and the California-Pacific Utilities Co. July 18 (legislative day, June 2), 1949. -- Ordered to be printed. Conferring jurisdiction upon the United States District Court for the Central Division of the Southern District of California to hear, determine, and render judgment upon the claims of the City of Needles, Calif., and the California-Pacific Utilities Co. Message from the President of the United States... September 21, 1949. -- Referred to the Committee on the Judiciary and ordered to be printed. Conferring jurisdiction upon the United States District Court for the Northern Division of the Southern District of California, to hear, determine, and render judgment upon the claims of the City of Needles, Calif., and the California-Pacific Utilities Co. May 18, 1949. -- Committed to the Committee of the Whole House and ordered to be printed. Consideration of H.R. 5773, relating to the Colorado River Basin. May 15, 1928. -- Referred to the House Calendar and ordered to be printed. Consolidating the Parker Dam power project and the Davis Dam project. April 23, 1952. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Contributions to the hydrology of the United States 1927. Nathan C. Grover, chief hydraulic engineer. [U.S. Geological Survey Water Supply Paper 596.]. Contributions to the hydrology of the United States, 1931. Nathan C. Grover, chief hydraulic engineer. [U.S. Geological Survey Water Supply Paper 638.]. Curecanti unit, Colorado River storage project. Letter from Acting Secretary of the Interior transmitting a supplemental report and certification of economic justification on the Curecanti storage unit of the Colorado River storage project in Colorado... July 15, 1959. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed with illustrations. Dam across Colorado River near Parker, Ariz. February 23, 1911. -- Referred to the House Calendar and ordered to be printed. Dam across Colorado River near Pyramid Canyon, Ariz. February 8, 1911. -- Ordered to be printed. Dam across Colorado River near Pyramid Canyon, Ariz. January 30, 1911. -- Referred to the House Calendar and ordered to be printed. Dam across Colorado River, Ariz. February 3, 1911. -- Ordered to be printed. Dam across Colorado River, Yuma County, Ariz. February 23, 1911. -- Ordered to be printed. Declaring the policy of the United States with respect to the allocation of costs of construction of the Coachella division of the All-American Canal irrigation project, California. June 10 (legislative day, April 21), 1947. -- Ordered to be printed. Declaring the policy of the United States with respect to the allocation of costs of construction of the Coachella division of the All-American Canal irrigation project, California. May 20, 1947. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Designating segments of the Colorado River in Utah within Westwater and Cataract Canyons as components of the Wild and Scenic Rivers System, and for other purposes. October 10, 1990. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Designation of Eisenhower Dam. June 24, 1969. -- Ordered to be printed. Designation of the reservoir to be formed by the Davis Dam on the Colorado River as Lake Mohave. March 21(legislative day, March 8), 1950. -- Ordered to be printed. Destructive floods in the United States in 1905, with a discussion of flood discharge and frequency and an index to flood literature, by Edward Charles Murphy and others. [U.S. Geological Survey Water Supply and Irrigation Paper No. 162. Series M, General Hydrographic Investigations, 17.]. Determination of the rights of the states of the Lower Colorado River Basin to waters of the main stream of the Colorado River. Opinion of the Supreme Court of the United States in the case of State of Arizona, Plaintiff, v. State of California et al rendered June 3, 1963. Presented by Mr. Hayden, June 4, 1963. -- Ordered to be printed with an illustration. Disposition of waters of Colorado River. June 27, 1921. -- Ordered to be printed. Division and apportionment of the waters of the Colorado River. June 17, 1921. -- Referred to the House Calendar and ordered to be printed. Emergency international flood control works, lower Colorado River. July 1, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Emergency international flood control works, lower Colorado River. July 28, 1964. -- Ordered to be printed. Emergency relief of Palo Verde Valley, Calif. April 25 (calendar day, April 28), 1932. -- Ordered to be printed. Equitable use of the waters of the lower Colorado River and the Rio Grande. Communication from the President of the United States transmitting... a report by the Secretary of State submitting certain information regarding the equitable use of the waters of the lower Colorado River and the Rio Grande. May 28 (calendar day, May 29), 1928. -- Read; ordered to lie on the table and to be printed. Establishing a federally declared floodway for the Colorado River below Davis Dam. September 10, 1985. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Establishing the Glen Canyon National Recreation Area in the States of Arizona and Utah. September 26, 1972. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Establishing the past and present location of a certain portion of the Colorado River for certain purposes. September 12, 1966. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Estimate of appropriation for Colorado River Commission. Communication from the President of the United States, transmitting... a supplemental estimate of appropriation for the Department of Commerce for the fiscal year ending June 30, 1922, for Colorado River Commission, $10,000. June 13, 1922. -- Referred to the Committee on Appropriations and ordered to be printed. Estimates for irrigation of certain lands under Colorado River Compact. January 17, 1927. -- Ordered to be printed. Examination for a canal around the raft in Colorado River, in Matagorda County, Tex. Letter from the Secretary of War, transmitting with a letter from the Chief of Engineers report of examination for a canal around the raft in Colorado River, in Matagorda County, Tex. December 11, 1899. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Exempting from cancelation [sic] certain desert land entries in Riverside County, Calif. June 7 (calendar day, June 15), 1938. -- Ordered to be printed. Expenses of International Water Commission. January 26 (calendar day, February 4), 1931. -- Ordered to be printed. Exploration of Colorado River. Letter from the Secretary of the Interior transmitting an estimate of appropriations to prosecute to completion the geological and topographical exploration of the Colorado River and its tributaries. May 27, 1870. -- Referred to the Committee on Appropriations and ordered to be printed. Exploration of the Colorado River. Letter from the Secretary of War transmitting a report of the Chief of Engineers upon the proposed continuation of the exploration of the Colorado River. May 27, 1870. -- Referred to the Committee on Military Affairs and ordered to be printed. Extending the time for final proof in desert-land entries. February 8, 1907. -- Referred to the House Calendar and ordered to be printed. Extending the time for final proof in desert-land entries. January 10, 1907. -- Referred to the House Calendar and ordered to be printed. Extending time for making settlement, etc. on public lands in certain cases. January 25, 1907. -- Ordered to be printed. Federal Power Commission licenses affecting Colorado River. March 1, 1927. -- Referred to the House Calendar and ordered to be printed. Financial and economic analysis Colorado River storage project and participating projects. A study prepared by the United States Department of the Interior, Bureau of Reclamation. February 1958. May 21, 1958. -- Ordered to be printed. Flood control, Colorado River, Cal. and Ariz. February 27, 1919. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Flood protection, Palo Verde Valley, Calif. Communication from the President of the United States, transmitting supplemental estimate of appropriation for the Department of the Interior for the protection of the Palo Verde Valley, Calif., from overflow and destruction from Colorado River floods, amounting to $70,000. June 15 (calendar day, June 23), 1932. -- Read; referred to the Committee on Appropriations and ordered to be printed. Flood waters of the Colorado River. Message from the President of the United States, ... submitting an appeal of the board of supervisors of Imperial County, Cal., for further appropriations of money and further works for the protection of lands ... in the United States against the flood waters of the Colorado River. June 14, 1912. -- Read; referred to the Committee on Appropriations, and ordered to be printed. For the investigation of the Columbia Basin and other irrigation projects. January 4, 1923. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Foreign relations of the United States. Diplomatic papers, 1940. (In five volumes.) Volume V. The American republics. Foreign relations of the United States. Diplomatic papers, 1942. (In seven volumes) Volume VI. The American republics. Foreign relations of the United States. Diplomatic papers, 1943. Volume VI. The American republics. Foreign relations of the United States. Diplomatic papers, 1944. Volume VII. The American republics. Fourth annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution 1882-'83 by J.W. Powell, director. Freight to Salt Lake City by the Colorado River. Letter from the Secretary of War, relative to the carriage and freight to Salt Lake City by the Colorado River. March 5, 1872. -- Referred to the Committee on Military Affairs and ordered to be printed. Fresh water on Colorado Desert. March 25, 1886. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Fryingpan-Arkansas project Colorado. Letter from Commissioner of the Bureau of Reclamation to Secretary of Interior transmitting report and letter requesting comments of the State of Colorado... and official comments of the State of Colorado... Presented by Mr. Millikin. March 6 (legislative day, February 25), 1952. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed with an illustration. Fryingpan-Arkansas project, Colorado. April 28 (legislative day, April 25), 1955. -- Ordered to be printed. George A. Johnson. August 6, 1894. -- Laid on the table and ordered to be printed. Glen Canyon Bridge, Canyon Dam Project and Arizona Highline Canal. Summary of the arguments made by Senator Fred T. Colter. President of the Arizona Highline Association on S. 3414 a bill providing for the building of the Glen Bridge Dams and Arizona Highline Canal; introduced in the United States Senate March 3, 1926, as a substitute for the Swing-Johnson Boulder-Black Dam and compact bill. Presented by Mr. Cameron. May 17 (calendar day, May 18), 1926. -- Ordered to be printed with illustrations. Glen Canyon Reservoir. Statement of the Arizona Interstate Stream Commission and the Arizona Power Authority in regard to the operation of the Glen Canyon Reservoir together with a letter from the Governor of Arizona. Supplement to Senate document No. 77, 85th Cong., 2d sess. the first annual report of the Colorado River storage project. Presented by Mr. Hayden. May 1, 1958. -- Ordered to be printed. Government buildings at Yuma Depot. Letter from the Secretary of War, in relation to the number and dimensions of government buildings at Yuma Depot liable to damage from freshets in the Colorado River. June 19, 1874. -- Referred to the Committee on Military Affairs and ordered to be printed. Grand Canyon National Monument. July 11 (legislative day, July 10), 1939. -- Ordered to be printed. Grand Canyon protection act of 1990. July 30, 1990. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Grand Canyon. An article giving the credit of first traversing the Grand Canyon of the Colorado to James White, a Colorado gold prospector, who it is claimed made the voyage two years previous to the expedition under the direction of Maj. J.W. Powell in 1869. By Thomas F. Dawson. Presented by Mr. Shafroth. May 25, 1917. -- Referred to the Committee on Printing. Grand and Green Rivers, Utah. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, reports on preliminary examination and survey of Grand River from its mouth to Moab, and Green River from its mouth to the town of Green River, Utah. June 8, 1910. -- Referred to the Committee on Rivers and Harbors, and ordered to be printed. Granting Metropolitan Water District of Southern California certain public and reserved lands of United States in Counties of Los Angeles, Riverside, and San Bernardino, Calif. June 8 (calendar day, June 10), 1932. -- Ordered to be printed. Granting consent of Congress to compacts or agreements between the states of Colorado, New Mexico, Utah, and Wyoming. March 7, 1930. -- Referred to the House Calendar and ordered to be printed. Granting consent of the United States to the Upper Colorado River Basin Compact. March 21, 1949. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Granting the consent of the United States to the Upper Colorado River Basin compact. February 7, 1949. -- Ordered to be printed. Hoover Dam documents, Ray Lyman Wilbur and Northcutt Ely, 1948. Second edition of "The Hoover Dam power and water contracts and related data," 1933. Hydroelectric projects on the Colorado River. July 2, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Imperial Valley or Salton Sink region. Message from the President of the United States, relative to the threatened destruction by the overflow of the Colorado River in the sink or depression known as the Imperial Valley or Salton Sink region. January 12, 1907. -- Read; referred to the Committee on Foreign Relations and ordered to be printed, with accompanying maps. Imperial Valley, Cal., construction works for protecting lands and property along Colorado River. Letter from the Secretary of the Interior, transmitting report of the consulting engineer relative to protecting lands and property in the Imperial Valley and elsewhere along the Colorado River within the United States. January 5, 1916. -- Referred to the Committee on Commerce and ordered to be printed. In the Senate of the United States. February 17, 1875. -- Ordered to be printed. Mr. Washburn submitted the following report. (To accompany Bill S. 534.) The Committee on Claims, to whom was referred the Bill (S. 534) to pay Samuel Adams for services rendered in exploring the Colorado River and its tributaries, having considered the same, submit the following report... In the Senate of the United States. January 31, 1877. -- Ordered to be printed. Mr. Cockrell submitted the following report. (To accompany Bill H.R. 3489.) The Committee on Claims, to whom were referred the Bill (H.R. 3489) for the relief of Capt. Samuel Adams, and the accompanying voluminous documents and papers, have duly considered the same as far and as thoroughly as time would permit, and submit the following report... In the Senate of the United States. June 14, 1860. -- Ordered to be printed. Mr. Harlan made the following report. (To accompany Joint Resolution S. 44.) The Committee on Public Lands, to whom was referred the "joint resolution of the Legislature of California, asking Congress to cede and donate a tract of land known as the 'Colorado Desert' to that state, for certain purposes therein set forth," having had the same under consideration, submit the following report... In the Senate of the United States. June 8, 1878. -- Ordered to be printed. Mr. Spencer, from the Committee on Military Affairs, submitted the following report. (To accompany Bill S. 1141.) The Committee on Military Affairs, to whom was referred the Bill (S. 1141) "Granting the Right of Way Through the Military Reservation at Fort Yuma to the Southern Pacific Railroad Company," have had the same under consideration, and submit the following report... In the Senate of the United States. Letter from the Secretary of the Interior, transmitting a copy of an agreement with the Yuma Indians, with a report from the Commissioner of Indian Affairs and accompanying papers. March 21, 1894. -- Referred to the Committee on Indian Affairs and ordered to be printed. Increasing the amounts authorized for the Colorado River storage project. September 13, 1988. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Increasing the appropriations ceiling for the title I of the Colorado River Basin Salinity Control Act (Act of June 24, 1974; 88 Stat. 266), and for other purposes. May 15, 1979. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Interests of United States on lower Colorado River, etc. January 25, 1907. -- Ordered to be printed. Interior Department, Geological Survey, 1929. Communication from the President of the United States, transmitting supplemental estimate of appropriation for the Department of Interior, United States Geological Survey, for the fiscal year ending June 30, 1929, amounting to $12,000. December 15, 1927. -- Referred to the Committee on Appropriations and ordered to be printed. International Boundary Commission, United States and Mexico, waters of Rio Grande. March 18, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. International Boundary and Water Commission. August 3, 1972. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. International Water Commission. January 26 (calendar day, January 29), 1931. -- Ordered to be printed. International Water Commission. Message from the President of the United States, transmitting report from the Secretary of State relative to the authorization of an appropriation of $287,000 to defray the expenses of the American section of the International Water Commission, United States and Mexico. January 5 (calendar day, January 9), 1931. -- Read; referred to the Committee on Foreign Relations and ordered to be printed. International commission with Mexico. March 10, 1888. -- Referred to the House Calendar and ordered to be printed. Interstate compact defining the boundary between the States of Arizona and California. July 19, 1966. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Interstate compact defining the boundary between the States of Arizona and California. June 9, 1966. -- Ordered to be printed. Investigation of the need for development of irrigation and hydroelectric power projects. Report of the Committee on Irrigation and Reclamation, United States Senate, Seventy-ninth Congress first session pursuant to S. Res. 31 (extending S. Res. 304, 78th Congress), a resolution authorizing an investigation... for irrigation and hydroelectric power. Arizona water resources. July 28 (legislative day, July 9), 1945. -- Ordered to be printed. Investigations and studies of conditions in Palo Verde and Cibola Valleys on the Colorado River. January 6 (calendar day, February 20), 1930. -- Ordered to be printed. Irrigation in Imperial Valley, California: Its problems and possibilities, by C.E. Tait, irrigation engineer. Presented by Mr. Flint. February 11, 1908. -- Ordered to be printed with accompanying illustrations. Letter from the Secretary of War, communicating, in compliance with a resolution of the Senate of March 7, 1872, a preliminary report of Lieutenant George M. Wheeler, Corps of Engineers, of the progress of the engineer exploration of the public domain in Nevada and Arizona. April 20, 1872. -- Referred to the Committee on Appropriations and ordered to be printed. Letter from the Secretary of War, recommending an appropriation of $100,000 be made available immediately for the building of a military post near junction of Gunnison and Grand rivers. April 8, 1880. -- Referred to the Committee on Military Affairs and ordered to be printed. Letter from the Secretary of the Interior, transmitting, in compliance with the requirement of Section 8 of the act of 22d July, 1854 (10 stat., 308), the plats and papers in the following private land claims in the Territory of New Mexico, viz: No. 112, Mesilla and Arroyo Seco: No. 114, Santa Barbara; No. 118, Ojo de Borrega; No. 119, San Miguel del Bado. March 2, 1881. -- Referred to the Committee on Private Land Claims and ordered to be printed. Light on the Mexican water treaty from the ratification proceedings in Mexico. A report to the Colorado River Water Users' Association, February 11, 1946, Salt Lake City, Utah, by Northcutt Ely. Presented by Mr. McCarran. June 26 (legislative day, July 5), 1946. -- Ordered to be printed. Location of Colorado River in Palo Verde irrigation district, California. October 12, 1966. -- Ordered to be printed. Location of Southern Pacific and Texas Pacific Railroads. Letter from the Secretary of War, concerning the location of the Southern Pacific and Texas Pacific Railroads through Fort Yuma reservation and across the Colorado River. January 21, 1878. -- Referred to the Committee on the Pacific Railroad and ordered to be printed. Lower Colorado River Basin Project. August 6, 1964. -- Ordered to be printed. Lower Colorado River and Salton Sea. January 21, 1907. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Lower Colorado River. Message from the President of the United States, requesting an immediate appropriation of a suitable sum to relieve the situation on the lower Colorado River. June 25, 1910. -- Read, referred to the Committee on Appropriations, and ordered to be printed. Lower Colorado water supply act. June 23, 1986. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Lower Colorado water supply act. September 27 (legislative day, September 24), 1986. -- Ordered to be printed. Lower Rio Grande and lower Colorado Rivers. February 9 (calendar day, February 10), 1927. -- Ordered to be printed. Lower Rio Grande and lower Colorado Rivers. Message from the President of the United States transmitting report from the Secretary of State... to extend the authority of the Commission on the Equitable Use of the Waters of the Lower Rio Grande to enable it to deal with the waters of the lower Colorado River... February 2, 1927. -- Referred to the Committee on Foreign Affairs and ordered to be printed. Message from the President of the United States to the Congress at the beginning of the second session of the Sixty-eighth Congress. December 3, 1924. -- Referred to the Committee of the Whole House on the State of the Union and ordered to be printed. Message of the President of the United States communicated to the two Houses of Congress at the beginning of the first session of the Sixty-ninth Congress, 1925. Message of the President of the United States communicated to the two Houses of Congress at the beginning of the second session of the Seventieth Congress, 1928. December 4, 1928. -- Committed to the Committee of the Whole House on the State of the Union, and ordered to be printed. Message of the President of the United States on our foreign relations communicated to the two houses of Congress. December 3, 1912. Union calendar No. 387. December 3, 1912. -- Read, referred to the Committee of the Whole House on the State of the Union, and ordered to be printed. Message of the President of the United States transmitting data of the work of the Interior Department, and other matters, with accompanying papers. February 2, 1912. Committed to the Committee of the Whole House on the State of the Union and ordered to be printed, with illustrations. Message of the President of the United States, communicating information of the existing relations between the United States and Mexico, and recommending the adoption of measures for repelling the invasion committed by the Mexican forces upon the territory of the United States. May 11, 1846. Read, and ordered to be printed; and that 20,000 copies, in addition to the usual number, be printed, together with so much of the President's annual message as relates to Mexican affairs, for the use of the Senate. Ordered, That so much of the message and documents as relates to the relations of the United States with Mexico be referred to the Committee on Foreign Relations; and that so much thereof as relates to repelling an invasion of the United States be referred to the Committee on Military Affairs. Navajo Indian irrigation and San Juan-Chama participating projects, New Mexico. August 5, 1958. -- Ordered to be printed. Navajo irrigation and San Juan-Chama projects, New Mexico. April 8, 1959. -- Ordered to be printed. Navajo irrigation and San Juan-Chama projects, New Mexico. March 22, 1961. -- Ordered to be printed. Navigation of Colorado River. Resolutions of the Legislature of California, asking Congress to aid Captain Truesworthy [i.e., Trueworthy], of San Francisco, to perfect the navigation of the Colorado River, in the Territory of Arizona. June 22, 1868. -- Referred to the Committee on Commerce and ordered to be printed. Negotiations with Mexico. May 9, 1890. -- Referred to the House Calendar and ordered to be printed. Operations at river stations, 1898. -- Part II. [U.S. Geological Survey Water Supply and Irrigation Paper No. 28.]. Operations at river stations, 1901, Part II, (West of Mississippi River). [U.S. Geological Survey Water Supply and Irrigation Paper No. 66.]. Palo Verde Valley, Calif. June 18, 1932. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Palo Verde, Calif. April 15, 1932. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Paonia project, Colorado. Report on the Paonia project, Colorado, by the regional director of the Bureau of Reclamation, region IV, concurred in by the Commissioner of Reclamation and the under Secretary of the Interior. June 12 (legislative day, April 21), 1947. -- Ordered to be printed, with an illustration. Papers relating to the foreign relations of the United States with the annual message of the President transmitted to Congress December 7, 1911. Papers relating to the foreign relations of the United States, 1924. (In two volumes.) Volume I. Papers relating to the foreign relations of the United States, 1928. (In three volumes.) Volume I. Papers relating to the foreign relations of the United States, with the annual message of the President transmitted to Congress December 3, 1912. Papers relating to the foreign relations of the United States. With the address of the President to Congress, December 2, 1913. Parker Dam on Colorado River and Grand Coulee Dam on Columbia River. May 13 (calendar day, May 22), 1935. -- Ordered to be printed. Petition of Samuel Adams, praying compensation for services rendered and expenses incurred in the exploration of the Colorado River of the west, its tributaries, and the country adjacent thereto. January 19, 1870. -- Referred to the Committee on Claims, with Bill (S. 412) and ordered to be printed. Plan for protection of Imperial Valley, California. Letter from the Secretary of the Interior transmitting report of Gen. William L. Marshall, consulting engineer of the Secretary of the Interior, on proposed plan for the protection of lands and property in the Imperial Valley, California. January 13, 1916. -- Referred to the Committee on Appropriations and ordered to be printed, with illustrations. Preliminary examination of Colorado River, Arizona. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, report of examination of Colorado River, Arizona. December 19, 1896. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Preliminary examination of Colorado River, Arizona. Letter from the Secretary of War, transmitting, with a letter of the Chief of Engineers, report of preliminary examination of Colorado River, Arizona. December 27, 1895. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Preliminary examination of Colorado River, Nevada. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, report of examination of Colorado River, Nevada. December 5, 1900. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Preliminary examination of Colorado River, Texas. Letter from the Secretary of War, transmitting, with letter of the Chief of Engineers, a report of a preliminary examination of Colorado River from the mouth to the City of Wharton, Tex. December 22, 1894. -- Referred to the Committee on Rivers and Harbors and ordered to be printed. Preliminary examinations of sundry streams. April 24 (calendar day, May 3), 1924. -- Ordered to be printed. Preliminary examinations of sundry streams. February 24, 1923. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Preliminary report of the Inland Waterways Commission. Message from the President of the United States, transmitting a preliminary report of the Inland Waterways Commission. February 26, 1908. -- Read; referred to the Committee on Commerce, and ordered to be printed with illustrations. Preserving the jurisdiction of the Congress over construction of hydroelectric projects on the Colorado River below Glen Canyon Dam. May 14 (legislative day, March 30), 1964. -- Ordered to be printed. Problems of Imperial Valley and vicinity. Letter from the Secretary of the Interior, transmitting... a report by the Director of the Reclamation Service on problems of Imperial Valley and vicinity with respect to irrigation from the Colorado River... February 23 (calendar day, March 1), 1922. -- Referred to the Committee on Irrigation and Reclamation. March 9 (calendar day, March 13), 1922. -- Maps and illustrations ordered printed. Proceedings of first conference of engineers of the reclamation service with accompanying papers compiled by F.H. Newell Chief Engineer. [U.S. Geological Survey Water Supply and Irrigation Paper No. 93. Series I, Irrigation, 16. J, Water Storage, 10.]. Professor Powell's report on the survey of the Colorado of the west. Letter from the Secretary of the Smithsonian Institution, transmitting a report of Professor Powell on the survey of the Colorado River of the west and its tributaries, &c., &c. May 2, 1874. -- Referred to the Committee on Appropriations and ordered to be printed. Profile surveys in the Colorado River basin in Wyoming, Utah, Colorado, and New Mexico, prepared under the direction of W.H. Herron, acting chief hydrographer. [U.S. Geological Survey Water Supply Paper 396.]. Prohibiting additional appropriations for the study of the Shaws Bend site, Colorado coastal plains project, Texas. April 26, 1988. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Promotion of industry in Colorado River Basin. Communication from the President of the United States, transmitting, together with an accompanying letter from the Director of the Bureau of the Budget, a supplemental estimate of appropriation for the Department of Commerce for the fiscal year ending June 30, 1924... February 28, 1923. -- Read; referred to the Committee on Appropriations and ordered to be printed. Protection of lands and property in the Imperial Valley, Cal. Letter from the Acting Secretary of the Treasury, transmitting copy of a communication of the Secretary of the Interior, submitting copy of a report upon a proposed plan for the protection of lands and property in the Imperial Valley... January 7, 1915. -- Referred to the Committee on Appropriations and ordered to be printed, with illustration. Protection of public lands on the lower Colorado River. February 4, 1907. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Protection of the Palo Verde Valley, Calif. February 20, 1932. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Providing adjustments in order to make uniform the estate acquired for the Vega Dam and Reservoir, Collbran project, Colorado, by authorizing the Secretary of the Interior to reconvey mineral interests in certain lands. August 7, 1964. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Providing for confirmation of the repayment contract of the Dallas Creek participating project to the Upper Colorado River storage project. June 21, 1982. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Providing for electrical charges and application of same from Boulder Dam and the operation of the Boulder Power Plant by the United States. June 6 (legislative day, May 28), 1940. -- Ordered to be printed. Providing for the acquisition of Navaho Indian lands required in connection with the construction, operation, and maintenance of the Glen Canyon unit, Colorado River storage project. July 18, 1956. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Providing for the allocation of portions of the costs of Davis Dam and Reservoir to servicing the Mexican Water Treaty. August 14, 1957. -- Ordered to be printed. Providing for the construction, operation, and maintenance of the Savery-Pot Hook, Bostwick Park, and Fruitland Mesa participating reclamation projects under the Colorado River Storage Project Act. August 19, 1964. -- Ordered to be printed. Providing for the designation of the reservoir to be formed by the Davis Dam on the Colorado River as Lake Mohave. May 15, 1950. -- Referred to the House Calendar and ordered to be printed. Providing for the distribution among the States of Colorado, New Mexico, Utah, and Wyoming of the receipts of the Colorado River development fund. April 22, 1948. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Providing for the distribution among the States of Colorado, New Mexico, Utah, and Wyoming of the receipts of the Colorado River development fund. May 12 (legislative day, May 10), 1948. -- Ordered to be printed. Public works projects for controlling floods, improving navigation, regulating the flow of certain streams, etc. June 3, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Reclamation feasibility studies 1975. November 26, 1975. -- Ordered to be printed. Filed under authority of the order of the Senate of November 20, 1975. Relocate the boundaries and reduce the area of the Gila Federal Reclamation Project. July 14, 1947. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Relocating the boundaries and reducing the area of the Gila federal reclamation project. June 13 (legislative day, April 21), 1947. -- Ordered to be printed. Rendering the assertion of land claims by the United States based upon accretion or avulsion subject to legal and equitable defense to which private persons asserting such claims would be subject. September 4, 1968. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Rendering the assertion of land claims by the United States based upon accretion or avulsion subject to legal and equitable defenses to which private persons asserting such claims would be subject. September 22, 1970. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Repealing act of Congress. Memorial of the Legislative Assembly of the Territory of Arizona, asking that the act of Congress, approved May 5, A.D. 1866, setting off to the State of Nevada all that part of the Territory of Arizona west of the 37th degree of longitude west from Washington, and west of the Colorado River, be repealed. January 21, 1867. -- Ordered to be printed, and referred to the Committee on the Territories. Report from the Secretary of War, in compliance with a resolution of the Senate, in relation to the establishment of a line of military posts from the Missouri to the Oregon or Columbia River. February 26, 1840. Referred to the Select Committee on the Oregon Territory, and ordered to be printed. Report of J.W. Powell. [Exploration of the Colorado River of the West and its tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution.]. Report of progress of stream measurements for the calendar Year 1902, by F.H. Newell. Part IV. Interior Basin, Pacific coast, and Hudson Bay drainage. [U.S. Geological Survey Water Supply and Irrigation Paper No. 85. Series P, Hydrographic Progress Reports, 23.]. Report of progress of stream measurements for the calendar year 1901, by F.H. Newell. [U.S. Geological Survey Water Supply and Irrigation Paper No. 75. Series P, Hydrographic Progress Reports, 19.]. Report of progress of stream measurements for the calendar year 1903. Prepared under the direction of F.H. Newell by John C. Hoyt. Part IV. -- Interior Basin, Pacific, and Hudson Bay drainage. [U.S. Geological Survey Water Supply and Irrigation Paper No. 100. Series P, Hydrographic Progress Reports, 27.]. Report of progress of stream measurements for the calendar year 1904, prepared under the direction of F.H. Newell by M.C. Hinderlider, G.L. Swendsen and A.E. Chandler. Part X. -- Colorado River and the Great Basin drainage. [U.S. Geological Survey Water Supply and Irrigation Paper No. 133. Series P, Hydrographic Progress Reports, 38.]. Report of progress of stream measurements for the calendar year 1904., prepared under the direction of F.H. Newell by W.B. Clapp. Part XI. -- The Great Basin and Pacific Ocean drainage in California. [U.S. Geological Survey Water Supply and Irrigation Paper No. 134. Series P, Hydrographic Progress Reports, 39.]. Report of progress of stream measurements for the calendar year 1905, prepared under the direction of F.H. Newell. Part XI. -- Colorado River drainage above Yuma, by M.C. Hinderlider and G.L. Swendsen. [U.S. Geological Survey Water Supply Paper No. 175. Series P, Hydrographic Progress Reports, 51.]. Report of progress of stream measurements for the calendar year 1905, prepared under the direction of F.H. Newell. Part XIII. -- Great Basin and Pacific Ocean drainages in California, and Colorado River drainage below Gila River, by W.B. Clapp and J.C. Hoyt. [U.S. Geological Survey Water Supply Paper No. 177. Series P, Hydrographic Progress Reports, 53.]. Report of progress of the Division of Hydrography for the calendar years 1893 and 1894, by Frederick Hanes Newell. [U.S. Geological Survey Bulletin No. 131.]. Report of the American section of the International Water Commission United States and Mexico. Message from the President of the United States transmitting report submitted by the American section of the International Water Commission United States and Mexico. April 21, 1930. -- Referred to the Committee on Foreign Affairs and ordered to be printed, with accompanying papers and illustrations. Report of the Colorado River Board on the boulder dam project. Letter from the Secretary of the Interior transmitting report of the board of engineers appointed by the Secretary of the Interior, with the approval of the President, under authority of the joint resolution approved May 29, 1928... December 3, 1928. -- Referred to the Committee on Irrigation and Reclamation and ordered to be printed. Report of the Secretary of War communicating the several Pacific Railroad Explorations. In three volumes. Report of the Secretary of War, communicating, in answer to a resolution of the Senate, the report of Lieutenant Whipple's expedition from San Diego to the Colorado. February 1, 1851. Ordered to be printed. Report of the Secretary of War, communicating, in compliance with a resolution of the Senate, a reconnoissance of the Gulf of California and the Colorado River by Lieutenant Derby. June 19, 1852. Ordered to lie on the table and be printed. Report of the Secretary of War, communicating, in compliance with a resolution of the Senate, the report of an expedition down the Zuni and Colorado Rivers, by Captain Sitgreaves. February 15, 1853. -- Referred to the Committee on Military Affairs. March 3, 1853. -- Ordered to be printed; and that 2,000 extra copies be printed, 200 of which for Captain Sitgreaves. Report of the Secretary of War; being part of the message and documents communicated to the two Houses of Congress at the beginning of the second session of the Forty-fourth Congress. Volume II. Part III. Report of the survey of the Colorado of the West. Letter from the Secretary of the Smithsonian Institution, transmitting a report of the survey of the Colorado of the West, and its tributaries. January 31, 1873. -- Referred to the Committee on Appropriations and ordered to be printed. Report on depletion of surface water supplies of Colorado west of Continental Divide. Bulletin No. 1, Surface Water Series. Colorado Water Conservation Board. Presented by Mr. Anderson. March 25 (legislative day, March 10), 1955. -- Ordered to be printed with illustrations. Report on the United States and Mexican Boundary Survey, made under the direction of the Secretary of the Interior, by William H. Emory, Major First Cavalry and United States Commissioner, Volume I. Report on the United States and Mexican Boundary Survey, made under the direction of the Secretary of the Interior, by William H. Emory. Major First Cavalry and United States Commissioner. Volume II. Report on the United States and Mexican boundary survey, made under the direction of the Secretary of the Interior, by William H. Emory, Major First Cavalry and United States Commissioner. Volume II. Report on the economic geology of the Silverton quadrangle, Colorado. -- Ransome. [U.S. Geological Survey Bulletin No. 182. Series A, Economic Geology, 12.]. Report on the lands of the arid region of the United States, with a more detailed account of the lands of Utah, with maps, by J.W. Powell. April 3, 1878. -- Referred to the Committee on Appropriations and ordered to be printed. Report upon the Colorado River of the West, explored in 1857 and 1858 by Lieutenant Joseph C. Ives, Corps of Topographical Engineers, under the direction of the Office of Explorations and Surveys, A.A. Humphreys, Captain Topographical Engineers, in charge. By order of the Secretary of War. Reports of explorations and surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean. Made under the direction of the Secretary of War, in 1853-4, according to acts of Congress of March 3, 1853, May 31, 1854, and August 5, 1854. Volume III. Resolution disapproving deferral of budget authority, Department of the Interior, Bureau of Reclamation, Upper Colorado River storage project. March 7, 1975. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Resolution of the Legislature of California, requesting and instructing the Senator and Representatives of that state in Congress, to urge the passage of a law to provide for a complete and thorough exploration of the Colorado River, from Fort Yuma to its source. March 31, 1856. -- Ordered to lie on the table and be printed. Restricting Federal Power Commission from issuing or approving permits or licenses affecting the Colorado River. February 19, 1929. -- Referred to the House Calendar and ordered to be printed. Returning a portion of the Grand Canyon National Monument to the public domain. July 21, 1939. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Right of way for trailway across the Grand Canyon of Arizona, etc. February 8, 1905. -- Ordered to be printed. Right of way for trailway across the Grand Canyon of Arizona, etc. March 26, 1904. -- Referred to the House Calendar and ordered to be printed. Right of way over government levee at Yuma, Ariz. February 29, 1924. -- Ordered to be printed. Right of way over government levee at Yuma, Ariz. March 10, 1924. -- Committed to the Committee of the Whole House and ordered to be printed. Right of way through Yuma Indian Reservation, Cal. February 7, 1893. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Ruedi Dam and Reservoir, Colo. Letter from Acting Secretary of the Interior transmitting a report and findings on Ruedi Dam and Reservoir, Colo., pursuant to the federal reclamation laws. March 7, 1960. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed with illustrations. Sallie Barr. February 21, 1940. -- Committed to the Committee of the Whole House and ordered to be printed. San Juan-Chama and Navajo Indian projects. Letter from the Secretary of the Interior transmitting a coordinated report on the San Juan-Chama project, Colorado-New Mexico, and the Navajo Indian irrigation project, New Mexico, pursuant to section 9(a) of the Reclamation Project Act of 1939 (53 stat. 1187). June 20, 1960. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed with illustrations. San Luis Park Transportation Company. Memorial of the promoters of San Luis Park Transportation Company for right of way for a railroad from San Luis Park to Great Colorado River. March 4, 1872. -- Referred to the Committee on the Pacific Railroad and ordered to be printed. San Miguel Project, Colorado. Letter from Secretary of the Interior transmitting a report on the San Miguel Project, Colorado, pursuant to the provisions of 53 stat. 1187. May 4, 1966. -- Referred to the Committee on Interior and Insular Affairs, and ordered to be printed with illustrations. Southern Nevada water supply project. Letter from the Secretary of the Interior transmitting a report on the Southern Nevada water supply project, Nevada, pursuant to section 9(a) of the Reclamation Project Act of 1939 (53 Stat. 1187). May 18, 1965. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed. Southern Pacific Co. January 23 (calendar day, January 27), 1923. -- Ordered to be printed. Southern Pacific Imperial Valley claim. January 18, 1911. -- Committed to the Committee of the Whole House and ordered to be printed. Stream-gaging stations and publications relating to water resources 1885-1913. Compiled by B.D. Wood. [U.S. Geological Survey Water Supply Paper 340.]. Studies of conditions in Palo Verde and Cibola Valleys and vicinity on the Colorado River. February 28, 1930. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Supplemental estimate - Department of the Interior. Communication from the President of the United States transmitting supplemental estimate of appropriation for the Bureau of Reclamation of the Department of the Interior, fiscal year 1947, amounting to $1,086,000. July 10, (legislative day, July 5), 1946. -- Read; referred to the Committee on Appropriations, and ordered to be printed. Supplemental estimate of appropriation -- Department of the Interior, Bureau of Reclamation. Communication from the President of the United States transmitting supplemental estimate of appropriation for the Department of the Interior, Bureau of Reclamation, fiscal year 1949, amounting to $600,000. June 14 (legislative day, June 1), 1948. -- Read; referred to the Committee on Appropriations and ordered to be printed. Supplemental estimate of appropriation for Department of the Interior. Communication from the President of the United States transmitting supplemental estimate of appropriation for the Department of the Interior in the amount of $250,000. August 12, 1940. -- Referred to the Committee on Appropriations and ordered to be printed. Supplemental estimates of appropriation for the Department of the Interior. Communication from the President of the United States transmitting supplemental estimates of appropriation for the fiscal year 1948 in the amount of $2,250,000, for the Department of the Interior, in the form of amendments to the budget for said fiscal year. February 3, 1947. -- Referred to the Committee on Appropriations and ordered to be printed. Surface water supply of California, 1906, with a section on ground water levels in southern California (Great Basin and Pacific Ocean drainages in California and lower Colorado River drainage), [by] W.B. Clapp, district hydrographer. [U.S. Geological Survey Water Supply and Irrigation Paper No. 213. Series P, Hydrographic Progress Reports, 67.]. Surface water supply of Colorado River drainage above Yuma, 1906, [by] R.I. Meeker, H.S. Reed, district hydrographers. [U.S. Geological Survey Water Supply and Irrigation Paper No. 211.]. Surface water supply of the United States 1909. Part IX. Colorado River Basin prepared under the direction of M.O. Leighton by W.B. Freeman and R.H. Bolster. [U.S. Geological Survey Water Supply Paper 269.]. Surface water supply of the United States 1909. Part XI. California prepared under the direction of M.O. Leighton by W.B. Clapp and F.F. Henshaw. [U.S. Geological Survey Water Supply Paper 271.]. Surface water supply of the United States 1913. Part IX. Colorado River basin. [U.S. Geological Survey Water Supply Paper 359.]. Surface water supply of the United States 1914. Part IX. Colorado River Basin Nathan C. Grover, chief hydraulic engineer Robert Follansbee, E.A. Porter, C.C. Jacob, and G.A. Gray, district engineers. [U.S. Geological Survey Water Supply Paper 389.]. Surface water supply of the United States, 1907-8. Part IX. -- Colorado River basin, prepared under the direction of M.O. Leighton, by W.B. Freeman and R.H. Bolster. [U.S. Geological Survey Water Supply Paper 249.]. Surface water supply of the United States, 1907-8. Part XI. -- California, prepared under the direction of M.O. Leighton, by W.B. Clapp and W.F. Martin. [U.S. Geological Survey Water Supply Paper 251.]. Surface water supply of the United States, 1910. Part IX. Colorado River basin, prepared under the direction of M.O. Leigton by W.B. Freeman, E.C. La Rue and H.D. Padgett. [U.S. Geological Survey Water Supply Paper 289.]. Surface water supply of the United States, 1911. Part IX. Colorado River basin, prepared under the direction of M.O. Leighton by Robert Follansbee, W.B. Freeman and G. Clyde Baldwin. [U.S. Geological Survey Water Supply Paper 309.]. Surface water supply of the United States, 1915. Part IX: Colorado River basin. Nathan C. Grover, chief hydraulic engineer, Robert Follansbee, E.A. Porter, and C.C. Jacob, district engineers. [U.S. Geological Survey Water Supply Paper 409.]. Surface water supply of the United States, 1919-1920. Part IX. Colorado River Basin, [by] Nathan C. Grover, chief hydraulic engineer, Robert Follansbee, A.B. Purton, and H.D. McGlashan, district engineers. [U.S. Geological Survey Water Supply Paper 509.]. Surface water supply of the United States, 1922. Part IX. Colorado River Basin, [by] Nathan C. Grover, chief hydraulic engineer, Robert Follansbee, A.B. Purton, and Roger C. Rice, district engineers. [U.S. Geological Survey Water Supply Paper 549.]. Surface water supply of the United States, 1924. Part IX. Colorado River basin. Nathan C. Grover, chief hydraulic engineer. Robert Follansbee, A.B. Purton, and W.E. Dickinson, district engineers. [U.S. Geological Survey Water Supply Paper 589.]. Surface water supply of the United States, 1925. Part IX. Colorado River Basin. Nathan C. Grover, chief hydraulic engineer. Robert Follansbee, A.B. Purton and W.E. Dickinson, district engineers. (U.S. Geological Survey Water Supply Paper 609.). Surface water supply of the United States, 1926. Part IX. Colorado River Basin. Nathan C. Grover, chief hydraulic engineer, Robert Follansbee, A.D. Purton and W.E. Dickinson, district engineers. [U.S. Geological Survey Water Supply Paper 629.]. Surface water supply of the United States, 1926. Part VIII. Western Gulf of Mexico basins. Nathan C. Grover, chief hydraulic engineer. C.E. Ellsworth and Robert Follansbee, district engineers. [U.S. Geological Survey Water Supply Paper 628.]. Surface water supply of the United States, 1927. Part IX. Colorado River Basin. Nathan C. Grover, chief hydraulic engineer, Robert Follansbee, A.B. Purton, and W.E. Dickinson, district engineers. [U.S. Geological Survey Water Supply Paper 649.]. Survey of Green River. Letter from the Secretary of the Interior, submitting estimates of appropriation to complete survey of Green River. January 18, 1871. -- Referred to the Committee on Commerce and ordered to be printed. Survey of the Colorado River of the West. Letter from the Secretary of the Smithsonian Institution, transmitting report preliminary for continuing the survey of the Colorado of the west and its tributaries, by Professor Powell. April 5, 1872. -- Referred to the Committee on Appropriations and ordered to be printed. Tax laws of Nevada and Arizona to apply to Boulder Dam. May 11, 1932. -- Referred to the House Calendar and ordered to be printed. To amend section 4 of Public Act No. 286, Seventy-fourth Congress, approved August 19, 1935, as amended. March 4, 1936. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. To ascertain the cost to Southern Pacific Co. in closing breaks in the Colorado River. April 10 (calendar day, April 18), 1924. -- Ordered to be printed. To ascertain the cost to Southern Pacific Co. in closing breaks in the Colorado River. March 27, 1924. -- Committed to the Committee of the Whole House and ordered to be printed. To render the assertion of land claims by the United States based upon accretion or avulsion subject to legal and equitable defenses to which private persons asserting such claims would be subject. October 8, 1970. -- Ordered to be printed. To settle claim of Gen. Higinio Alvarez, a Mexican citizen, with respect to lands on the Farmers Banco of Arizona. April 24 (calendar day, Apr. 30), 1936. -- Ordered to be printed. Treaty -- United States and Mexico. Message from the President of the United States, transmitting a copy of the treaty between the United States of America and the Republic of Mexico. June 21, 1854. -- Referred to the Committee of Ways and Means, and ordered to be printed. Uncompahgre and White River Ute Indians. June 6, 1882. -- Referred to the House Calendar and ordered to be printed. United States and Mexican Boundary Survey. Report of William H. Emory, Major First Cavalry and U.S. Commissioner. Volume I. Upper Colorado River Basin Compact. Compact entered into by the States of Arizona, Colorado, New Mexico, Utah, and Wyoming on the 11th day of October 1948, to determine the rights and obligations of those states respecting uses and deliveries of the water of the Upper Basin of the Colorado River. Presented by Mr. O'Mahoney. January 31, 1949. -- Referred to the Committee on Interior and Insular Affairs and ordered to be printed. Upper Colorado River and its utilization, by Robert Follansbee. (U.S. Geological Survey Water Supply Paper 617.). Use of the waters of Colorado River for irrigation. April 18, 1904. -- Referred to the House Calendar and ordered to be printed. Use of waters of the lower Colorado River for irrigation. Letter from the Secretary of the Interior, transmitting a copy of a report of the Director of the Geological Survey on the questions involved in the use of the waters of the lower Colorado River for irrigation. January 9, 1905. -- Referred to the Committee on Irrigation of Arid Lands and ordered to be printed. Utilization of surplus waters of San Juan River. April 2, 1936. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed. Wagon road -- Fort Smith to Colorado River. Letter of the Secretary of War, transmitting the report of Mr. Beale relating to the construction of a wagon road from Fort Smith to the Colorado River. March 9, 1860. -- Laid upon the table and ordered to be printed. Wagon road from Fort Defiance to the Colorado River. Letter from the Secretary of War, in answer to a resolution of the House, calling for the report on the wagon road from Fort Defiance to the Colorado River. April 27, 1858. -- Ordered to be printed. Wagon road from Fort Defiance to the Colorado River. Letter from the Secretary of War, transmitting the report of the Superintendent of the Wagon Road from Fort Defiance to the Colorado River. May 12, 1858. -- Ordered to be printed. Water power and flood control of Colorado River below Green River, Utah, by E.C. La Rue, with a foreword by Hubert Work, secretary of the Interior. [U.S. Geological Survey Water Supply Paper 556.]. Water resources of California. Part III. Stream measurements in the Great Basin and Pacific coast river basins, prepared under the direction of John C. Hoyt by H.D. McGlashan and H.J. Dean. [U.S. Geological Survey Water Supply Paper 300.]. Water resources of the State of Colorado, by A.L. Fellows. [U.S. Geological Survey Water Supply and Irrigation Paper No. 74. Series I, Irrigation, 14.]. Water supply below Boulder Dam. Data submitted by Hon. Harry W. Bashore, commissioner of reclamation, in response to inquires from Hon. Pat McCarran, a United States senator from Nevada, relative to water supply below Boulder Dam. Presented by Mr. McCarran. April 11 (legislative day, March 16), 1945. -- Ordered to be printed. Water treaty of the Colorado River and Rio Grande favors Mexico. Translation of an article from the El Universal, Mexico City newspaper August 1, 1945. A report given to the Mexican Senate by engineer Adolfo Orive Alba, executive chairman of the National Irrigation Commission of Mexico. Presented by Mr. Downey. November 8 (legislative day, October 29), 1945. -- Ordered to be printed. Water treaty with Mexico. Letter from Hon. Herbert Hoover, former President of the United States, to Hon. Albert W. Hawkes, a senator from the State of New Jersey, relative to the pending treaty with Mexico allocating the waters of the Colorado River and its relation to the Colorado River Compact. Presented by Mr. Hawkes. March 23 (legislative day, March 16), 1945. -- Ordered to be printed. <div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bates.edu/resource/QzC8s6Spczk/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bates.edu/resource/QzC8s6Spczk/">Colorado River</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bates.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bates.edu/">Bates College</a></span></span></span></span></div> Data Citation of the Concept Colorado River	cc/2021-04/en_head_0013.json.gz/line85
__label__wiki	0.884202	0.884202	Meet Whethan, The 17-year-old Producer Working With Skrillex We chat to the up-and-coming producer about his roots in electronic, working with his idols and his debut single - previewed exclusively for us. Header image by Cody Burkhardt - follow him on INSTAGRAM. Counting Skrillex as one of his biggest fans, 17-year-old Chicago producer Whethan (formerly known as Wheathin) is on the path to success. I know that phrase is thrown around lightly in this day and age, particularly on the topic of music, but when you’re counting some of electronic’s biggest and best as your supporters before you’ve hit the age of 18 and have millions on millions of plays across your Soundcloud account without releasing a single original record – you’re definitely doing something right. Championing a synth-saturated, future-bass sound, something we’ve seen rise exponentially over the past few years with the surge in popularity of artists including Flume, Wave Racer and GANZ, Whethan’s growth as an artist has been inescapable and he’s only just begun. With originals sporting Skrillex and Flux Pavilion as guest features and some monstrous shows set to come in the near-future, the opportunities arising for the future-bass wunderkind have been endless, but it all began from very simple beginnings. “What got me into music production at first was just the simple love of music. Once I loved music I was able to explore and listen to all different types of sub-genres and really find what I liked. It was probably Kanye West with Stronger that was on the radio heaps that actually made me discover electronic artists like Daft Punk (whose track Harder Better Faster Stronger was sampled to create the underlying melodies of the Kanye’s hit single)” he explains on his origins with electronic music. “From there on, I dug deep into all of electronic music and found artists like Skrillex – who had a very different sound from anything I had ever heard before.” From there, he was led straight into the realms of producing music, with only minor experience with violin and guitar behind him. One thing I’ve noticed from talking to many producers over the years is that for 90% of them, their origins in music production and songwriting came from outside of the EDM umbrella. Take Ekali for example, who played as a bassist for Canadian indie-rock band Said The Whale in his early days of music work. Whethan, on the other hand, has been all about electronic music. “I started (working) with dubstep because of my inspiration from Skrillex” he says. “After I was through with dubstep, I moved onto house music and still have some big-room, four-on-the-floor bangers on Soundcloud under my real name Ethan Snoreck hahaha.” Although his past work dabbled between multiple genres, on his Whethan account you’ll only find one – future-bass. Whilst each song in his repertoire have characteristics that make each of his releases slightly unique to each other and to other artists showcasing the same genre, each of Whethan’s productions are ultimately based around the future-bass sub-genre. It's the supporting legs that hold up the grand sculpture that is a Whethan production. The major, linkable feature between each of Whethan’s productions that make it a Whethan production. Whether it be the pulsating central drop of his remix for Elohim, the soaring synth melody of his recent MAX remix or that flat-out saturation of distorted synth in his infamous flip of Mssingno’s XE3, each of his productions centres around future-bass characteristics with nuances and tinges that make Whethan productions unique. In future-bass, these small nuances are incredibly important as they differentiate you from the rest of the crowd. In the past year or so, long-time future-bass pioneers such as Flume and Rustie have been joined by a legion of up-and-comers pushing similar sounds, including acts like Louis The Child, San Holo and Australia’s own Enschway. Differentiating yourself from other artists pushing similar sounds is crucial and for Whethan, it comes at a time when it seems everyone is hoping on board the future-bass train. “When I first started with the Whethan project I was very influenced by acts like Flume and my good friends Louis The Child and still am, but at first it was hard to create a lot of music that sounded like its own thing and not a rip off of either of the two” he answers on the topic of separating himself from the rest of the crowd. “At this point in my musical lifetime I have worked in other genres and got a good grasp for music production, so I take elements from other genres and artists I like and incorporate that into my own music. I basically take the best elements of all the things that influence me, like hip-hop and alternative music for example, to craft my electronic sound.” He also believes that his sound, and everyone else’s, become unique by reasons exterior to music. Speaking about his transition between producing different genres and where it has led him to today, he says “it’s funny to look back and really see what made an artist and the journey it took to get to where they are now. Most friends of mine made other types of music before they were known for their projects now. That is another thing that differentiates artists - the journeys and life experiences that influence the music.” When tackling remixes, however, this becomes tough. There are so many little influences that make each artist unique to each other, and when creating a remix, there seems to be a need to balance your own little nuances with the original’s to create a balanced sound that reflects both parties. For Whethan, this is achieved in vocals. “The most important part to me is the vocal. That’s the part I pay the most attention to. I like to basically build an entirely new song or version all around the vocals.” Using this technique, Whethan ensures that his remixes remain fresh and exciting, and not enveloped and swallowed up by the many other artists producing similar kinds of music. Ultimately, the next step for an artist like Whethan is moving into the realm of originals, with the producer already convincing us that he’s onto something with a multitude of faultless remixes. There’s a collaboration with Flux Pavilion to come, and a collaboration with Skrillex in the pipeline too, as well as a solo-produced single featuring guest vocals from Ashe, and whilst remixes have always been Whethan’s forte, experimenting with producing originals opens up a whole new world for Ethan Snoreck – a world that is proving to be extremely exciting. "It’s the craziest thing to work with people like Flux Pavilion and Skrillex because they were the first artists to inspire me to start creating music in the first place" he gushes. "It’s so cool that they not only love my music but love it enough to want to collaborate.” In terms of new music and touring in 2016, it doesn't start and end with collaborations, as exciting as they are. “The rest of this year is going to be a big year and I’m very excited about it. I get to finish the US summer playing some really cool festivals" he says on what's to come for the rest of the year. “You can also expect some new music from me on August 12th. I have my first original coming out. I couldn’t be more excited”. On the topic of new music, today brings a teaser of what’s to come for Whethan and what to expect from his first originals, with a taste of his forthcoming debut single Can’t Hide, featuring guest vocals from Ashe. “This song came about from me at first having this instrumental idea that took a lot of elements from my remixes, that most of my supporters will notice.” he detailed on the topic of the first single, which we’ve been treated to a preview below. “I live in Chicago and pretty recently got a studio with all the homies in town. The studio is basically Louis The Child, Win & Woo, Light House and myself for the most part, with friends who come here and there. Once I started working in that studio, nothing but collaborations and support for each other’s projects has been the goal. I have a good friend who I’ve been working with a lot who goes by the name Light House, who was school friends with Louis The Child. He’s a great producer and an excellent trumpet player. Something was missing from my track and so I asked him to maybe try and play some trumpet over it. Instantly, we all knew we were onto something really cool. Once the instrumental was finished I asked a friend of mine Ashe, who is really good friends with all the homies, to see if she wanted to sing over it. She loved it and sent me a top-line for it. Now, we finally have the final product of Can’t Hide." From his early days in experimenting with dubstep and big-room house, through to his debut remix under the Wheathin name and then through to now - for Whethan, it's been all about finding his place in electronic music and finding his own, unique sound amongst the chaos that is the building future-bass scene. Can't Hide opens up a new chapter for the producer and really shows to the world what's yet to come for the Chicago local. "I’m super excited to see the reaction of people when they hear the song. It’s a very special song to me and I love every little bit of it. I believe this track is the perfect representation of me as an artist right now and what’s to come.” Whethan’s debut original Can’t Hide feat. Ashe will be out on August 12. In the meantime, listen to a preview of the single below – exclusively to Pilerats. The Rap Re-Birth of Lido Jersey club might be dead, but there’s Life in the talented Norwegian producer yet. Rising to Glorious Heights with MontaigneChatting with one of Australia's most powerful voices as she celebrates a stunning new album. Cut Copy Interview: "If you're getting drops all the way through a set I would get bored." Cut Copy are back and better than ever on new album, Haiku From Zero. Goin' Up Every Other Day With ILoveMakonnen Outsider hip hop borne from a long time inside - the days that came before 'Tuesday'. By Dani Marsland Playing Mind Games with Banks Celebrating the release of her incredible new LP, The Altar. By Liam Apter The story of FILTH, the Perth event bringing dubstep to stadiums On October 17th, Perth event series FILTH will celebrate their fifth birthday with their biggest show. It’s been quite the journey. By Hayden Davies	cc/2021-04/en_head_0013.json.gz/line88
__label__cc	0.525167	0.474833	About the site \| Read our blog SciCombinator Discover the most talked about and latest scientific content & concepts. Widespread Biological Response to Rapid Warming on the Antarctic Peninsula Current biology : CB Published over 3 years ago Recent climate change on the Antarctic Peninsula is well documented [1-5], with warming, alongside increases in precipitation, wind strength, and melt season length [1, 6, 7], driving environmental change [8, 9]. However, meteorological records mostly began in the 1950s, and paleoenvironmental datasets that provide a longer-term context to recent climate change are limited in number and often from single sites [7] and/or discontinuous in time [10, 11]. Here we use moss bank cores from a 600-km transect from Green Island (65.3°S) to Elephant Island (61.1°S) as paleoclimate archives sensitive to regional temperature change, moderated by water availability and surface microclimate [12, 13]. Mosses grow slowly, but cold temperatures minimize decomposition, facilitating multi-proxy analysis of preserved peat [14]. Carbon isotope discrimination (Δ(13)C) in cellulose indicates the favorability of conditions for photosynthesis [15]. Testate amoebae are representative heterotrophs in peatlands [16-18], so their populations are an indicator of microbial productivity [14]. Moss growth and mass accumulation rates represent the balance between growth and decomposition [19]. Analyzing these proxies in five cores at three sites over 150 years reveals increased biological activity over the past ca. 50 years, in response to climate change. We identified significant changepoints in all sites and proxies, suggesting fundamental and widespread changes in the terrestrial biosphere. The regional sensitivity of moss growth to past temperature rises suggests that terrestrial ecosystems will alter rapidly under future warming, leading to major changes in the biology and landscape of this iconic region-an Antarctic greening to parallel well-established observations in the Arctic [20]. Concepts: Plant, Climate, Weather, Temperature, Antarctica, Cold, Peat, Moss Human-started wildfires expand the fire niche across the United States Proceedings of the National Academy of Sciences of the United States of America Published almost 4 years ago The economic and ecological costs of wildfire in the United States have risen substantially in recent decades. Although climate change has likely enabled a portion of the increase in wildfire activity, the direct role of people in increasing wildfire activity has been largely overlooked. We evaluate over 1.5 million government records of wildfires that had to be extinguished or managed by state or federal agencies from 1992 to 2012, and examined geographic and seasonal extents of human-ignited wildfires relative to lightning-ignited wildfires. Humans have vastly expanded the spatial and seasonal “fire niche” in the coterminous United States, accounting for 84% of all wildfires and 44% of total area burned. During the 21-y time period, the human-caused fire season was three times longer than the lightning-caused fire season and added an average of 40,000 wildfires per year across the United States. Human-started wildfires disproportionally occurred where fuel moisture was higher than lightning-started fires, thereby helping expand the geographic and seasonal niche of wildfire. Human-started wildfires were dominant (>80% of ignitions) in over 5.1 million km(2), the vast majority of the United States, whereas lightning-started fires were dominant in only 0.7 million km(2), primarily in sparsely populated areas of the mountainous western United States. Ignitions caused by human activities are a substantial driver of overall fire risk to ecosystems and economies. Actions to raise awareness and increase management in regions prone to human-started wildfires should be a focus of United States policy to reduce fire risk and associated hazards. Concepts: Earth, United States, Climate, Poverty in the United States, U.S. state, Native Americans in the United States, Economy of the United States, Yellowstone National Park Mortality risk attributable to high and low ambient temperature: a multicountry observational study Although studies have provided estimates of premature deaths attributable to either heat or cold in selected countries, none has so far offered a systematic assessment across the whole temperature range in populations exposed to different climates. We aimed to quantify the total mortality burden attributable to non-optimum ambient temperature, and the relative contributions from heat and cold and from moderate and extreme temperatures. Concepts: Demography, Climate, Temperature, Thermodynamics, Heat, Entropy, Cold, Thermal radiation Tsunami waves extensively resurfaced the shorelines of an early Martian ocean It has been proposed that ~3.4 billion years ago an ocean fed by enormous catastrophic floods covered most of the Martian northern lowlands. However, a persistent problem with this hypothesis is the lack of definitive paleoshoreline features. Here, based on geomorphic and thermal image mapping in the circum-Chryse and northwestern Arabia Terra regions of the northern plains, in combination with numerical analyses, we show evidence for two enormous tsunami events possibly triggered by bolide impacts, resulting in craters ~30 km in diameter and occurring perhaps a few million years apart. The tsunamis produced widespread littoral landforms, including run-up water-ice-rich and bouldery lobes, which extended tens to hundreds of kilometers over gently sloping plains and boundary cratered highlands, as well as backwash channels where wave retreat occurred on highland-boundary surfaces. The ice-rich lobes formed in association with the younger tsunami, showing that their emplacement took place following a transition into a colder global climatic regime that occurred after the older tsunami event. We conclude that, on early Mars, tsunamis played a major role in generating and resurfacing coastal terrains. Concepts: Climate, Greek loanwords, Mars, Pacific Ocean, 2004 Indian Ocean earthquake, Tsunami, Flood, Landform Perception of climate change. “Climate dice,” describing the chance of unusually warm or cool seasons, have become more and more “loaded” in the past 30 y, coincident with rapid global warming. The distribution of seasonal mean temperature anomalies has shifted toward higher temperatures and the range of anomalies has increased. An important change is the emergence of a category of summertime extremely hot outliers, more than three standard deviations (3σ) warmer than the climatology of the 1951-1980 base period. This hot extreme, which covered much less than 1% of Earth’s surface during the base period, now typically covers about 10% of the land area. It follows that we can state, with a high degree of confidence, that extreme anomalies such as those in Texas and Oklahoma in 2011 and Moscow in 2010 were a consequence of global warming because their likelihood in the absence of global warming was exceedingly small. We discuss practical implications of this substantial, growing, climate change. Concepts: Earth, Median, Climate, Weather, Climate change, Normal distribution, Standard deviation, Global warming Influence of Anthropogenic Climate Change on Planetary Wave Resonance and Extreme Weather Events Persistent episodes of extreme weather in the Northern Hemisphere summer have been shown to be associated with the presence of high-amplitude quasi-stationary atmospheric Rossby waves within a particular wavelength range (zonal wavenumber 6-8). The underlying mechanistic relationship involves the phenomenon of quasi-resonant amplification (QRA) of synoptic-scale waves with that wavenumber range becoming trapped within an effective mid-latitude atmospheric waveguide. Recent work suggests an increase in recent decades in the occurrence of QRA-favorable conditions and associated extreme weather, possibly linked to amplified Arctic warming and thus a climate change influence. Here, we isolate a specific fingerprint in the zonal mean surface temperature profile that is associated with QRA-favorable conditions. State-of-the-art (“CMIP5”) historical climate model simulations subject to anthropogenic forcing display an increase in the projection of this fingerprint that is mirrored in multiple observational surface temperature datasets. Both the models and observations suggest this signal has only recently emerged from the background noise of natural variability. Concepts: Climate, Weather, Climate change, Wave, Global warming, Waves, Northern Hemisphere, Extreme weather Longer and more frequent marine heatwaves over the past century Heatwaves are important climatic extremes in atmospheric and oceanic systems that can have devastating and long-term impacts on ecosystems, with subsequent socioeconomic consequences. Recent prominent marine heatwaves have attracted considerable scientific and public interest. Despite this, a comprehensive assessment of how these ocean temperature extremes have been changing globally is missing. Using a range of ocean temperature data including global records of daily satellite observations, daily in situ measurements and gridded monthly in situ-based data sets, we identify significant increases in marine heatwaves over the past century. We find that from 1925 to 2016, global average marine heatwave frequency and duration increased by 34% and 17%, respectively, resulting in a 54% increase in annual marine heatwave days globally. Importantly, these trends can largely be explained by increases in mean ocean temperatures, suggesting that we can expect further increases in marine heatwave days under continued global warming. Concepts: Time, Scientific method, Climate, Weather, Climate change, Ocean, Globalization, Global warming Quantifying the influence of global warming on unprecedented extreme climate events Efforts to understand the influence of historical global warming on individual extreme climate events have increased over the past decade. However, despite substantial progress, events that are unprecedented in the local observational record remain a persistent challenge. Leveraging observations and a large climate model ensemble, we quantify uncertainty in the influence of global warming on the severity and probability of the historically hottest month, hottest day, driest year, and wettest 5-d period for different areas of the globe. We find that historical warming has increased the severity and probability of the hottest month and hottest day of the year at >80% of the available observational area. Our framework also suggests that the historical climate forcing has increased the probability of the driest year and wettest 5-d period at 57% and 41% of the observed area, respectively, although we note important caveats. For the most protracted hot and dry events, the strongest and most widespread contributions of anthropogenic climate forcing occur in the tropics, including increases in probability of at least a factor of 4 for the hottest month and at least a factor of 2 for the driest year. We also demonstrate the ability of our framework to systematically evaluate the role of dynamic and thermodynamic factors such as atmospheric circulation patterns and atmospheric water vapor, and find extremely high statistical confidence that anthropogenic forcing increased the probability of record-low Arctic sea ice extent. Concepts: Earth, Precipitation, Climate, Climate change, Arctic Ocean, Global warming, Arctic shrinkage, Sea ice Nighttime temperature and human sleep loss in a changing climate Human sleep is highly regulated by temperature. Might climate change-through increases in nighttime heat-disrupt sleep in the future? We conduct the inaugural investigation of the relationship between climatic anomalies, reports of insufficient sleep, and projected climate change. Using data from 765,000 U.S. survey respondents from 2002 to 2011, coupled with nighttime temperature data, we show that increases in nighttime temperatures amplify self-reported nights of insufficient sleep. We observe the largest effects during the summer and among both lower-income and elderly respondents. We combine our historical estimates with climate model projections and detail the potential sleep impacts of future climatic changes. Our study represents the largest ever investigation of the relationship between sleep and ambient temperature and provides the first evidence that climate change may disrupt human sleep. Concepts: Climate, Weather, Sleep, Climate change, Change, Solar variation, Climate model, Global climate model Assessing the present and future probability of Hurricane Harvey’s rainfall Published about 3 years ago We estimate, for current and future climates, the annual probability of areally averaged hurricane rain of Hurricane Harvey’s magnitude by downscaling large numbers of tropical cyclones from three climate reanalyses and six climate models. For the state of Texas, we estimate that the annual probability of 500 mm of area-integrated rainfall was about 1% in the period 1981-2000 and will increase to 18% over the period 2081-2100 under Intergovernmental Panel on Climate Change (IPCC) AR5 representative concentration pathway 8.5. If the frequency of such event is increasingly linearly between these two periods, then in 2017 the annual probability would be 6%, a sixfold increase since the late 20th century. Concepts: Precipitation, Climate, Weather, Climate change, Tropical cyclone, Cyclone, Rain, Extratropical cyclone	cc/2021-04/en_head_0013.json.gz/line90
__label__wiki	0.722519	0.722519	Spartanburg County Medical Society Alliance Extending the Aims of the Medical Profession Docs Who Rock Alliance in the News Spartanburg Wins National Alliance Recognition Congratulations to the SCMSA for winning the 2019 Health Awareness Promotion (HAP) Award at the AMA Alliance Annual Meeting held in Chicago this past June. Lib Orr accepted the award on behalf of our Alliance for the Docs Who Rock Spartanburg benefit for Childrens Cancer Partners of the Carolinas. Lib then presented the HAP Award to President Peggy Pitts at the August 2019 Board Meeting. Congratulations to Peggy, Lib and the DWR Committee for all their hard work on this great project. Doctors Step Out of the Emergency Room and on to Stage for ‘Docs Who Rock’ Benefit Dr. Octavia Amaechi took center stage Saturday night, showing off her vocal skills at the Docs Who Rock fundraiser held at Wofford College to benefit the Children’s Cancer Partners of the Carolinas. Amaechi was among nine local doctors who participated. Each doctor was paired with a band to perform a variety of songs. Amaechi joined the Rock and Roll Reunion to kick off the night before a crowd of nearly 2,000 people. When she is not singing hits by Tina Turner or The Blues Brothers, Amaechi is a hospitalist with Spartanburg Regional Healthcare System. Growing up in church, Amaechi started singing solos in the choir at age 9. She’s always looking to share her love for singing with others. “As long as I can remember, I have enjoyed using my gifts and talents,” Amaechi said in a brief interview before the show started. “To be part of this event is a real blessing. It’s something to really get excited about. When children hurt, it makes me hurt, because we were all children once and children are something we can get behind.” The event was presented by Spartanburg Regional Healthcare System and hosted by the Spartanburg County Medical Society Alliance with the support of the Spartanburg County Medical Society. Each band performed several hits at the Jerry Richardson Indoor Stadium. For the opening act, all of the doctors joined each other on stage and performed Queen’s hit “We Will Rock You.” That song set the tone for the rest of the evening, building the excitement. Dr. Joseph Boscia performed lead vocals and guitar in his band Missing Monday. He’s a pulmonologist at Spartanburg Medical Center. Throughout the year, Boscia’s band does special performances for families and their children facing health issues. “The kids and families always appreciate it so much when you meet with them,” he said. “I am a rock star who just happens to be a doctor. It’s so thrilling to be up on stage.” Missing Monday wowed the crowd with hits from Billy Joel, Blondie and Tom Petty. The benefit’s goal was to raise $150,000 for Children’s Cancer Partners of the Carolinas. The organization’s board chairman, Ryan Gaylord, said he believed the event would likely reach that goal. “It’s important for us to support these families and their children and work to make their lives better” Gaylord said. “All of the doctors’ staff were here tonight cheering them on.” Children’s Cancer Partners of the Carolinas is on track to serve about 900 families and their children in North and South Carolina. The group assists children and their families by providing financial support for transportation, food and lodging associated with treatment. The nonprofit also offers families assistance with coordinating access to care. Fundraising Success – goupstate.com SCMS and SCMSA raise funds for Fun Rooms at SC School for the Deaf and Blind Dr. Greg Valainis, President of S’burg County Medical Society, and Suzanne Mossburg, President of S’burg County Medical Society Alliance, present a check to Ann Ackerman, CEO of the SCSDB’s fundraising arm, The Walker Foundation. A donation from the Spartanburg County Medical Society and Alliance will fund the renovation of two fun rooms at the SC School for the Deaf and the Blind. Fun rooms provide a comfortable environment in the dorms for students to play games, watch television, and just relax after the school day and after-school activities are completed. The Medical Society’s donation of $6,423.10 will be used to update fun rooms used by residential students attending the Elementary School for the Deaf. “We are honored to work with The Walker Foundation and the SC School for the Deaf and the Blind for our 2017 community project. Our membership strives to help improve the lives of our communities here in Spartanburg, and we are truly excited to have the opportunity to impact the lives of the children served by the SC School for the Deaf and the Blind”, said Dr. Greg Valainis, president of the Medical Society’s Board of Directors. “The fun rooms are an important part of creating a homelike atmosphere in the dorms,” said Ann Akerman, chief executive officer of The Walker Foundation, the school’s fundraising arm. “We are grateful to the Medical Society for making the renovations a reality.” Fundraising Announcement – GoUpstate.com SCMSA Raises nearly $50,000 for iPads and Accessories for McCarthy Teszler School McCarthy Teszler School is a school for special needs students ranging in age from three to twenty-one years in Spartanburg County. Disabled or multi-handicapped students have access to on-site physical therapy, occupational therapy, and speech therapy, as needed. The Spartanburg County Medical Society Alliance has taken the lead in helping McCarthy Teszler School acquire new technology for use with its students for learning and communication. In fall of 2013, the Spartanburg Medical Society and Alliance visited MTS and learned that iPad technology is the only way many children at the school can communicate. They tell teachers what they want, how they are feeling or what they need with the touch of a screen. Unfortunately, the school lacked the resources to acquire these iPads and found that some classrooms only had one iPad to serve all its students. The Society and Alliance determined action was needed immediately to assist MTS in acquiring more iPads and plans for a fundraiser within the Medical Community were started. In February of 2014 the fundraiser Toddies for Tablets raised over $21,000 for the purchase of 40 new iPads for MTS. These funds were presented to MTS faculty and students in March of 2014 and iPads were purchased and distributed throughout the spring and summer. After purchasing these new iPads for MTS, SCMSA realized that many of the school’s most severely physically handicapped students were not able to benefit from the new technology because of their inability to use their hands to control the iPads. In Fall 2015, SCMSA applied to the Mary Black Foundation to help fund a grant to acquire Eye Go hardware and software to allow these students to manipulate the iPad with their eyes. In January of 2015, SCMS and SCMSA joined with the Mary Black Foundation to present a check for nearly $27,000 to MTS. With the donations in 2014, this brings a total of nearly $50,000 in donations to MTS for iPads and accessories to encourage communication among their students, faculty and caregivers. Photo Gallery – MTS School Mary Black Foundation Annual Report MBF Grant Announcement – GoUpstate.com Copyright © 2021 Spartanburg County Medical Society Alliance. Powered by WordPress. Theme: Spacious by ThemeGrill.	cc/2021-04/en_head_0013.json.gz/line91
__label__wiki	0.562776	0.562776	See you in Ukraine! To Ukraine for Study Universities Invite How to Enroll? Why Ukraine Born in Ukraine Civilization Catalysts Culture Luminaries Ukraine Invites Historical Towns Dialing Directions Home Culture and Art 100% Authentic! Ukrainian Ethno-Rock Oleh Skrypka and rock band Vopli Vidopliasova When Ukraine sees economic prosperity the profession of ethnographer will be among the most popular and well paid. You may of course argue with this statement. But jokes aside, the traditional culture is becoming a rarity in the modern globalized world. Ukraine is one of the few European countries where ethnic culture is not just a historical fact but a reality. Therefore much of appreciation deserve the enthusiasts who are not only aspire to preserve the vast ethnic heritage of this land but also update it, make it ‘digestible’ to the younger generations, and ultimately popularize it throughout the world. This is especially what the authentic Ukrainian musical culture is concerned. National revival taking place in the early 90-s reawakened with Ukraine’s independence had brought to life a range of bands playing a mixture of traditional "roots" music, ballads and original material. This is truly remarkable taking into account that all ethno-rock bands perform in Ukrainian language only, which has never been prestigious during the Soviet times, and today Russian products still predominate in rock and pop musical culture. Despite this, the Ukrainian ethno-rock musicians managed to bring new spirit into somewhat obsolete or unjustly forgotten music and lyrics. Experimenting with sounds, permanently oscillating between folk and contemporary music resulted in an original and totally individual music trends that have been created in Ukraine. Ukrainian melodies, infused with elements of jazz, folk, rhythm & blues, and pure rock music are now getting immensely popular among most advanced public in Kyiv, major Ukrainian cities, and abroad. One of the cult idols of Ukrainian ethno-rock is rock band Vopli Vidopliasova, or simply VV. It was the first one to synthesize Ukrainian ethno-music with rock and performed in Ukrainian back in 1988. Fronted by eccentric Oleh Skrypka, the group has worked for the past several years in France. Its original style with bayan (a kind of accordion) sounds widely used has made VV immensely popular with both European and Russian public. Back in Ukraine now with new ideas VV is inexhaustible and enchanting. No wonder, as the musicians have recently confessed, they perceive Ukraine as the most mystic place on Earth! If you still consider accordion a dull musical instrument you will change your mind immediately if one day have a chance to listen to Ukrainian band Haidamaky. They perform in an original Karpaten SKA style, which is a synergy of Ukrainian authentic music with various roots-influences, from Jamaika SKA to Gypsy melodies. Haidamaky is one of the few Ukrainian bands well known in Europe, especially in Germany, and the first one in Ukraine to sign a contract with EMI. Genuine jewel of Ukrainian artistry is Kyiv based band Mandry, which is translated literally as “travels”. The group leader Foma identifies the band’s musical concept as postindustrial eclectic folk. Mesmerizing philosophical ballads in the reggae style are saturated with national mythology. Life is a fairy tale, indeed, - such is the worldview of Mandry. Their high standard modern stylish music has already grabbed the hearts of younger Ukrainians, as well as Eastern European public, and was a great success in the UK during the recent concerts. From personal experience Vishal Ratnakar, theoretical physicist (India-Ukraine) I graduated from Kharkiv State University in 1991. The Kharkiv School of Theoretical Physics was known throughout the world. Now I work as a consulting engineer at an international company. My knowledge of the Ukrainian mentality and the skills of gripping any subject quickly, which I acquired at the university, have proven very helpful in my current job. The only recommendation I have for my countrymen who are going to come to Ukraine to study is that you must learn, first and foremost, that the front passenger seat in a car here is on the right side. The rest is easy to learn. Firsthand Wu Li, Manager (China-Ukraine) This year I have graduated from a higher educational institution in Kyiv and obtained a diploma. Currently, I am an intern at an international travel company operating in Ukraine. In the future, I plan to manage the business of a Chinese company in Ukraine’s market. I have the necessary knowledge for this, and cooperation between our two countries is on the rise. Besides, I have many good friends here. I would like to warn my compatriots who want to come to Ukraine that winters here are the same as in the northern provinces of China. So, do not forget warm clothes. But it is much warmer in the houses. Not from hearsay Olga Nemirovskaya, future lawyer (Russia-Ukraine) Two years ago I decided to enter an educational institution in Kyiv and now I am here, studying. First, it is cheaper than in Moscow. Second, I have relatives and friends here who can support me. And third, I looked for new impressions, new places, and new discoveries. Kyiv proved the right choice for me. It combinesbeauty, antiquity, and the rapid rhythm of life typical of other big cities! I would like to say to my countrymen who are contemplating study in Ukraine that I study here in Russian and communicate in Russian as well. As for Ukrainian, it is a friendly and understandable language. I can already speak it a little. It’s cool! Ukraine in fokus Information and Image Center Mission "Ukraine-Cognita"	cc/2021-04/en_head_0013.json.gz/line92
__label__wiki	0.690204	0.690204	Digital Cinema Initiative Title: Digital Cinema Initiative Subject: 1080p Digital Cinema Initiatives, LLC or DCI is a joint venture of major motion picture studios, formed to establish a standard architecture for digital cinema systems. The organization was formed in March 2002 by the following studios: Metro-Goldwyn-Mayer[1] The primary purpose of DCI is to establish and document specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, reliability and quality.[2] By establishing a common set of content requirements, distributors, studios, exhibitors, d-cinema manufacturers and vendors can be assured of interoperability and compatibility. Because of the relationship of DCI to many of Hollywood's key studios, conformance to DCI's specifications is considered a requirement by software developers or equipment manufacturers targeting the digital cinema market. 1 The DCI Specification 2 Image and audio capability overview 3 Related information The DCI Specification On July 20, 2005, DCI released Version 1.0 of its "Digital Cinema System Specification", commonly referred to as the "DCI Specification". The document describes overall system requirements and specifications for digital cinema. Between March 28, 2006, and March 21, 2007, DCI issued 148 errata to Version 1.0. DCI released Version 1.1 of the DCI Specification on April 12, 2007, incorporating the previous 148 errata into the DCI Specification. On April 15, 2007, at the annual NAB Digital Cinema Summit, DCI announced the new version, as well as some future plans. They released a "Stereoscopic Digital Cinema Addendum", Subsequently, between August 27, 2007, and February 1, 2008, DCI issued 100 errata to Version 1.1. So, DCI released Version 1.2 of the DCI Specification on March 7, 2008, again incorporating the previous 100 errata into the specification document. An additional 96 errata were issued by August 30, 2012, so a revised Version 1.2 incorporating those additional errata was approved on October 10, 2012, and can be downloaded from the DCI web site. The previous versions are also archived on the DCI web site. Based on many SMPTE and ISO standards, such as JPEG 2000-compressed image and "broadcast wave" PCM/WAV sound, it explains the route to create an entire Digital Cinema Package (DCP) from a raw collection of files known as the Digital Cinema Distribution Master (DCDM), as well as the specifics of its content protection, encryption, and forensic marking. The specification also establishes standards for the decoder requirements and the presentation environment itself, such as ambient light levels, pixel aspect and shape, image luminance, white point chromaticity, and those tolerances to be kept. Even though it specifies what kind of information is required, the DCI Specification does not include specific information about how data within a distribution package is to be formatted. Formatting of this information is defined by the Society of Motion Picture and Television Engineers (SMPTE) digital cinema standards.[4] Image and audio capability overview 2D Image: 2048x1080 (2K) at 24 frame/s or 48 frame/s, or 4096x2160 (4K) at 24 frame/s In 2K, for Scope (2.39:1) presentation 2048x858 pixels of the imager is used In 2K, for Flat (1.85:1) presentation 1998x1080 pixels of the imager is used In 4K, for Scope (2.39:1) presentation 4096x1716 pixels of the imager is used 12 bits per color component (36 bits per pixel) via dual HD-SDI (encrypted) 10 bits only permitted for 2K at 48 frame/s CIE XYZ color space TIFF 6.0 container format (one file per frame) JPEG 2000 compression from 0 to 5 or from 1 to 6 wavelet decomposition levels for 2K or 4K resolutions, respectively Compression rate of 4.71 bits/pixel (2K @ 24 frame/s), 2.35 bits/pixel (2K @ 48 frame/s), 1.17 bits/pixel (4K @ 24 frame/s) 250 Mbit/s maximum image bit rate Stereoscopic 3D Image: 2048x1080 (2K) at 48 frame/s - 24 frame/s per eye (4096x2160 4K not supported) Optionally, in the HD-SDI link only: 10 bit color, YCbCr 4:2:2, each eye in separate stream 24 bits per sample, 48 kHz or 96 kHz Up to 16 channels WAV container, uncompressed PCM DCI has additionally published a document outlining recommended practice for High Frame Rate digital cinema.[5] This document discloses the following proposed frame rates: 60, 72, 96, and 120 frames per second for 2D at 2K resolution; 48 and 60 for stereoscopic 3D at 2K resolution; 48 and 60 for 2D at 4K resolution. The maximum compressed bit rate for support of all proposed frame rates should be 500 Mb/sec. The idea for DCI was originally mooted in late 1999 by Tom McGrath, then COO of Paramount Pictures, who applied to the U.S. Department of Justice for anti-trust waivers to allow the joint cooperation of all seven major motion picture studios. Universal Pictures made one of the first feature-length DCPs created to DCI specifications, using their film Serenity.[6] Although it was not distributed theatrically, it had one public screening on November 7, 2005, at the USC Entertainment Technology Center's Digital Cinema Laboratory in the Pacific Theatre, Hollywood. Inside Man was Universal's first DCP commercial release, and, in addition to 35mm film distribution, was delivered via hard drive to 20 theatres in the United States along with two trailers. Digital Cinema Initiatives official web site	cc/2021-04/en_head_0013.json.gz/line96
__label__wiki	0.98373	0.98373	Posted on 8 June 2012 16 June 2012 by margotenenbaum New Animated Shorts Released to Accompany “Moonrise Kingdom” Wes Anderson has released enchanting animated shorts to accompany the film, “Moonrise Kingdom”. In the film, Suzy (Kara Hayward) packs six ficticious storybooks. Wes wrote passages read from each of the storybooks and decided in April to animate these passages. You can watch them on EW.com here, or in the embed below. More details below from EW.com: “I wrote passages for the other books that didn’t have any text [read aloud in the film], and we animated that too,” he says. “So we now have this piece where our narrator, Bob Balaban’s character, takes us through these little sections of each of these books. To pull off the animated shorts in just six scant weeks, Moonrise Kingdom and Fantastic Mr. Fox producer Jeremy Dawson worked to pair each of the cover jacket artists with professional animators. “We got the artist to do key drawings, and then someone else had to take those key drawings and animate them,” he says. “One of these guys I believe was in Sweden, one in Paris, and one in L.A. They were all over the world and we did it all by Internet. For instance, the one with the hydrogoblin, The Girl From Jupiter — that artist does his work in oil painting, so someone had to kind of emulate that oil painting look in the animation.” After the cover jacket artists turned in their key illustrations, the animators, says Dawson, finished their work in only two weeks. “I think we all just pitched in and we pulled a lot of favors because it was not like we spent a ton of money doing it,” he says. “People got excited about it because it was a creative thing rather than if they were making a Snickers ad or something.” The animated shorts and the stories they illustrate are strikingly evocative of an earlier era of children’s and young adult literature. “I think it’s kind of nice that rather than just doing one whole story, [we’re] doing these little snippets,” says Dawson. “They’re about imagination — it’s just more like a spark of this story.” Would the stories hinted at from these books ever be completed? “I think that’s up to Wes,” says Dawson. “I have no doubt he’s capable of doing it.” So, Mr. Anderson, would you? “Well, I’ll tell you one thing,” says the director. “I’m not gonna write them.” CategoriesFilms Tagsanimated shorts, Moonrise Kingdom Previous PostPrevious Friday News Round-Up 6/8/12 Next PostNext Wes Anderson Interviewed by Rotten Tomatoes	cc/2021-04/en_head_0013.json.gz/line102
__label__wiki	0.746533	0.746533	Piano happy birthday for beginners Keyboard for samsung smart tv f8000 Yamaha grand piano brochure pdf xchange,free keyboard lessons online for beginners video,piano tuning course online free - Step 2 Preserving tradition is not the same thing as refusing to change; rather, it is from the ongoing search for perfection that traditions emerge. And when it comes to the tradition of crafting a grand piano, there is a sound, a tone to which only those who strive constantly to outdo themselves can aspire. The end result is a series of instruments that is refined in tone, yet bold in design—the product of a dedication to innovation that allows Yamaha to remain true to its musical heritage. Revolutionary new music wire in the middle and treble registers offers beautiful sustain and harmony. The hammers used in the CX Series utilize the same felt as the CFX, giving these pianos bright tonal colors and a finely nuanced sound. As with the CF Series, Yamaha utilizes unique crown manufacturing techniques on CX Series pianos that allow the soundboard to resonate with the emotions of the performer. CX Series pianos feature a thickened back frame for improved support, providing a rich, resonant tone. One of the most important factors in achieving a rich tone is the support provided within the instrument. A violin is built around a beautiful body with three-dimensional swellings and a delicately curved shape, which is similar to the three dimensional concave design in a piano soundboard called the “crown.” The manufacture of this crown is pivotal to the crafting of any piano, and is thus of paramount importance to piano engineers in addressing the problem of how to transmit the vibrations of the strings from the soundboard into the surrounding air efficiently. The resulting design capitalizes on physical phenomena unique to the craft of piano-making, to create a soundboard assembly with a structure that allows it to vibrate easily, something that would not have been possible without the deep understanding of the traditional art of piano crafting that goes hand-in-hand with Yamaha's experience and engineering know-how. The same techniques developed for gluing the soundboard, ribs, and bridge in the CFX are used for the C3X and above—models which require a great deal of projection—and the process of installing the resulting soundboard assembly into the piano body has been investigated carefully. The frame in a modern piano must be able to withstand a total string tension in excess of twenty tons; not only does the frame work together with the wooden body to support the string tension, but it has a profound effect on the instrument’s sound. Pianos offer pianists only a limited amount of freedom; indeed, apart from the pedals, the pianist’s scope for expression is limited to the 10 mm travel of each of the 88 keys on the keyboard. That is precisely why Yamaha devotes so much time voicing their pianos so that the intentions of the pianist are conveyed to the strings. The CF6 sounds almost like a full length concert grand with its rich open sound, and its action is quick and responsive. Yamaha CF Series grand pianos are instruments of rare perfection, handcrafted from the very finest materials to the highest professional standards in the Yamaha concert grand workshop. Refinements in the specifications of copper-wound strings generate purer, more perfectly pitched and harmonious bass tones. Aesthetic refinements to legs, music desk and lyre, and beautiful plate and inner rim surface finishes, provide a distinctively elegant appearance. Unparalleled in their beauty and musical range, grand pianos are the ultimate expression of the piano maker's art. Yamaha grand pianos have earned a global reputation as instruments of outstanding quality and value. The Yamaha reputation rests on a century-long tradition of uncompromising care and craftsmanship, supported by an unmatched range of integrated expertise, top-of-the-line production facilities, and an exceptionally skilled, knowledgeable and dedicated workforce. An open dialog with professional musicians generates invaluable input that, in conjunction with sophisticated research facilities, has led to continual advances in each new generation of Yamaha pianos. Balancing cutting-edge technology and innovation with the timeless skills of expert artisans, Yamaha pianos have come to represent an unsurpassed standard of affordable excellence. With the power, tonality and expressive range of classic grand pianos, Yamaha baby grands are an admirable choice for smaller rooms and budgets. Polished Ebony, Satin Ebony, Polished Ivory, Polished White, Polished Mahogany, American Walnut, and Polished American Walnut. Enjoy the luxurious look of a grand piano cabinet with a polished ebony finish, as well as grand piano touch and sound. The new CLP Series uses the RGE (Real Grand Expression) Sound Engine, the next-generation piano sound source. The grand piano Voices of a Clavinova were obtained by recording the sounds of a Yamaha concert grand piano that led to the creation of the CFX, the piano selected for a performance by the 2010 winner of the famed International Frederick Chopin Piano Competition. 128-note polyphony lets you play without notes dropping-out, especially in dense passages of music. When you play fast phrases or superimpose chords while pressing the damper pedal, you want to be able to perform without notes dropping out. Clavinovas are provided with distinctive piano voices in addition to the piano voices that offer playing response like that of a concert grand piano. The touch of the Clavinova keyboard has been praised by pianists for a performance feel that makes you forget it's a digital piano. Pianists enjoy a touch that clings firmly to their fingers, just like the ivory keyboards historically used in top-class pianos. The keyboard must respond perfectly to the touch of your fingers so the notes sound just as you intend. Keys have a long distance to the fulcrum offering easy-to-play touch, even to the base of each key. The keys provide a pleasing touch down to the base, because the distance from the tip of the key to the fulcrum is extremely long. The acoustic system produces acoustic piano sound as if the instrument itself is resonating. Because Yamaha places so much importance on the joy of playing, the speakers, amps and other acoustic systems have been optimized so the player hears nothing but stunning sound during a performance. Volume adjustment is convenient for playing at home, where sometimes others may prefer you play softly. A full selection of basic functions unique to a digital piano such as sound volume adjustment and metronome are provided. In addition to being compact and not requiring tuning, Clavinova models provide volume adjustment and two headphone jacks so you can listen to your student practice or enjoy playing duets in private. By using the USB Audio Recorder, you can record your own performances on to USB flash memory as an audio file.* Because it can be played back without a Clavinova, you can store it on a PC to track and compare your progress or put the recordings on a CD so your family and friends can enjoy them. Along with the piano voices, Clavinova also offers a wide selection of musical instrument voices, including electric piano as Yamaha's CP1, harpsichord, guitar and strings, which you will find many opportunities to use. Clavinovas have a USB TO DEVICE port for plugging-in USB memory devices and a USB TO HOST port for connecting to a computer via a single USB cable. The Panel Reveal Key Cover lets you perform with all signs of technology on the control panel discreetly hidden. A deep and brilliant luster, achieved by using the same coating and techniques as for grand pianos. A wide selection of songs, scores and other great musical content is available at the Yamaha Online Services website. The GB1K, Yamaha's most compact and affordable grand, is a popular choice for locations where space is somewhat limited, with full resonant tone comparable to that of many substantially larger models. Polished Ebony, Polished American Walnut, Polished Mahogany, French Provincial Cherry and Georgian Mahogany. Yamaha S Series grand pianos are instruments of rare perfection, handcrafted from the very finest materials to the highest professional standards in the Yamaha concert grand workshop. With a design embodying the latest in technology, Yamaha signals a new direction for the piano. The nuanced touch and response of the grand piano are an essential standard yardstick for piano quality. Together with a variety of piano sounds, this instrument features samples of the actual vibrations from within the soundboard of the instrument. Opening the lid of the instrument reveals 4 speakers in an impressive and attractive layout. In addition to the four-channel multi-speakers, the N3 also features a flat-panel "Soundboard Resonator" where the music rest would be when laid flat, allowing a more subtle reproduction of the buildup of sound felt by pianists when playing a grand piano. Light to the touch at first, subtle firmness partway through its travel, and lightening again as the player pushes further; the pedals of the grand piano have subtly different stages than can be felt when the pedal is depressed. The AvantGrand is the best practice piano for any pianist, something never before achieved with a Digital piano. You can discern exactly where the sound is coming from for the entire range from bass right through to treble, just as you can in a grand piano. To be honest, when I first saw the AvantGrand in Hamamatsu I didn't really have any great expectations for the instrument. With a piano, there are always the concerns of where to put it, its surrounding environment, and the instrument's expressive capabilities as a piano. Initially I thought that the AvantGrand was just going to be another advanced digital keyboard, but when I tried it I was astonished to find that it had a real grand piano action. The AvantGrand is small, but it still allows you to alter sound through touch, just as you would with an acoustic grand piano. With the guaranteed stability of its touch and sound, the AvantGrand is also a wonderful instrument for those who plan to take up the piano in the future. Ikuyo Nakamichi began learning the piano at age four, and came to the attention of the public when she took first place at the 51st Music Competition of Japan while in her first year at the Toho Gakuen School of Music. Legendary jazz pianist Chick Corea recently took Yamaha's newly launched AvantGrand N3 hybrid piano for a test drive. Initially skeptical about the world's first stringless piano to feature the sound, touch and action of a concert grand, the 67-year-old jazz superstar was quickly won over. Considering the staggering volume of his recorded output over the past 40 years, it is no overstatement to call Chick Corea one of the most prolific composers of the second half of the 20th century. Yamaha's extraordinary new AvantGrand 'Hybrid' piano is taking centre stage on the multifaceted Marc Almond's 30th Anniversary European tour that includes 20 UK dates. Almond, who is celebrating a 30 year career during which he has sold 30 million records, is relying on an N3 AvantGrand for accompaniment, played by his long-term pianist and musical arranger Martin Watkins. Many people know Marc Almond because of his band, Soft Cell, whose hits such as Tainted Love or Say Hello, Wave Goodbye conquered the charts in the late 1980s and early 1990s. A trio of internationally respected and acclaimed musicians from contrasting musical fields have embraced the remarkable musical performance capabilities of Yamaha's new AvantGrand hybrid pianos. Artur Pizarro, one of the world's most highly renowned concert pianists is joined by jazz legend, composer and bandleader Julian Joseph and Paul Carrack, one of the UK's most popular musicians, in endorsing the musicality and versatility of the instrument. Paul Carrack, who is currently touring the UK to sell-out audiences promoting his new album I Know That Name selected the AvantGrand N2 for all his live shows, whilst Julian Joseph requested an N3 both for the world launch of his Shadowball Opera in November, and for his recent Samuel Coleridge Taylor recitals at the British Library. Launched earlier this year to huge enthusiasm from media, piano professionals, musicians and the European Piano Teachers Association, the extraordinary new hybrid instrument opened a new chapter in piano development and design and marked a new era in the history of the traditional pianoforte. Paul Carrack, one of the UK's most critically acclaimed popular musicians and vocalists expands on his passion for the instrument, "At last, a touring piano that feels like a real instrument! All three artists are keen to point out that, in their professional opinion, the AvantGrand is the first non-acoustic instrument to create a physical and emotional relationship with the player, offering a true acoustic piano experience. Julian Joseph comments, “The AvantGrand is a new type of piano, designed to provide a high quality instrument that works well in an essentially acoustic environment. In addition to the keyboard action, the AvantGrand offers highly detailed and accurate sound, made possible by Yamaha's proprietary and highly advanced sampling capability. This expressive instrument is designed by Yamaha master craftsmen, prepared by Yamaha engineers and built by Yamaha specialists—using world-renowned manufacturing processes. Unlike most manufacturers, Yamaha takes a total approach to piano-making: it retains complete control over virtually every component at every stage of production—even to the point of building the manufacturing equipment. Another key advantage to Yamaha is the extent of the company's expertise in related technologies. For almost half a century, Yamaha's world-renowned C Series grand pianos have continued through a gradual process of refinement. CX Series pianos represent progress that is commensurate with Yamaha's 125th anniversary year - progress that will transform any room in which you play into a concert hall. When playing powerful fortissimo the force exerted on the instrument causes it to bend slightly, losing energy. Yamaha has taken experience accumulated through many years of crafting pianos and combined it with unsurpassed engineering ability to ensure that the soundboard always provides superb projection. This has resulted in dramatically improved projection and the unprecedented response that performers demand. While affected by its matching with the hammers, soundboard and body of the piano, music wire has a profound effect on the timbre and sustain of the instrument. Yamaha makes its own frames, relying on a method of casting referred to as the “vacuum process,” developed over many years to create some of the best piano frames in the world. Yamaha, unlike most other piano manufacturers, produces most of its own high-quality components, and is constantly looking for new ways to use the abilities developed through doing so to give our piano hammers tonality, resilience, and power. Even so, the combination of the pedals with the speed and velocity applied to the keys produces a range of tonal changes so broad that they cannot be reproduced with current digital technology. In regulation, a craftsman adjusts the movement of the action so that it accurately transmits every nuance of the pianist’s touch. Following in the footsteps of the CF Series concert grand, the CX Series design features simple, elegant lines, focusing on the characteristic legs of the piano in doing away with any excess ornamentation. This piano is characterized by a wide spectrum of tonal colors and being able to create the most expressive phrases. Incorporating a host of recent advances, today's redesigned S series grands are more impressive than ever, offering concert-quality features and performance for the most demanding pianists. The year 2002 representing our grand piano centennial year, Yamaha is proud to present a comprehensive line of incomparable grands, reflecting the very latest in Yamaha acoustic and technological advances. Renowned for their eloquent expressive range, and for their reliable performance over time, they play an important role in the performing arts and music education. Our strength in the full range of relevant technologies allows us to produce virtually every part of every piano ourselves – an approach that has helped us initiate significant advances and set what has long been recognized as the industry standard in quality control. Our global network offers Yamaha customers additional advantages, from cost-efficient regional manufacturing to the ready availability of sales and support throughout most of the world. It is a standard that continues to generate ever-higher acclaim and make Yamaha grand pianos the first choice of many of the world's most discriminating pianists. It improves upon the Pure CF Sound Engine, which earned high praise in the CVP Series, and lets you enjoy the playing response and expressive capability of a concert grand piano. The strength of touch varies not only the volume, but also the sound from bright to dark, creating rich expressiveness. A single piano best suited for recording was selected and then tuned to the finest possible condition by a veteran piano tuner. The Clavinova provides 128-note polyphony so you can enjoy complex works such as those by Liszt or Ravel, which feature numerous pedal presses, with no limitations. These include a piano for ballads that gently resonates the start-up sound, a piano for jazz that adds depth to the sound, and a piano for popular music with bright, rich sound. The secret behind this superior touch is the same hammering system and spring-less mechanism as a grand piano. Synthetic ivory keytops feature a soft, slightly porous surface that gives keys added grip and natural friction for improved ease in playing, especially during long performances or practice sessions. Because the keyboard plays such a critical role, it must allow you to play smoothly and maintain good touch for long periods of time. When playing a piece that uses many black keys, even when you press a white key near its base, the key sinks softly, maintaining the delicate nuances of soft and hard key strokes. These musical instrument-like resonances give the impression that the Clavinova is more acoustic than it is digital. You've probably experienced the fact that when the volume is low, it is difficult to hear treble and bass. You can record with the touch of a button and even do two-track recording, which lets you record the parts for your two hands separately, then play them simultaneously. To play the files on a computer, compatible software (such as QuickTime or Windows Media Player) and sound source are required. Dual, which means playing two voices simultaneously, provides a rich sound by overlapping the piano sound with strings. They provide a way to conveniently store performance data, and transfer other data between your Clavinova and computer or other Clavinovas. These emotion-filled performances are not only perfect for BGM, they can also be used for lessons. The impressive body line projects a look of elegance, adding visual enjoyment to your playing. The coating, which is resistant to scratches as well as to excessive humidity and temperature, is the same as that used to finish grand pianos. Embodying over 100 years of accumulated expertise, these instruments epitomize the quality, performance and value for which Yamaha has long been renowned, as we enter the second century of Yamaha grand pianos. This, our flagship model, is the ultimate expression of "Innovation with soul." A keyboard and pedals indistinguishable from those of a grand piano. It offers the player a specially-developed grand piano action that features the same configuration as the action of a real grand. To permit the sound to travel well to the player's position, as it does with a grand piano, we sampled the sound from four locations in the left, right, center, and rear of a grand piano. This instrument utilizes a four-channel multi-speaker system, designed in a three-way configuration with the bass woofer pointed down and the treble cones facing up, to allow more natural reverberation in the soundboard. An oscillator called a "transducer" transmits vibration to the flat-panel soundboard, giving a realistic sound response that is especially evident in the higher range. The bass range in particular is an essential part of the reverberation that is continually transmitted to a player's body. Skilled players take advantage of these pedal movements by using extremely delicate pedaling that allows them to achieve finely nuanced expression in their play. He first began to play the piano in Cameroon where he spent his childhood, at the age of four, with Marie-Gabrielle Louwerse. I hope that when this piano is released to the world and especially to my home city of Moscow, more people will be lucky enough to take the opportunity to experience the piano. It allows me to express myself, to improve myself, to gain a sense of who I am… That's why I feel empty when I'm not playing. Its sonic palette covers not just the dynamics from fortissimo to pianissimo, but also extends to warm sounds and brilliant tones that allow you a considerable depth of emotion – this is an instrument that constantly challenges you to play it like an acoustic grand. After becoming the recipient of many awards, she made her real debut in Europe and Japan in 1987. From avant-garde to bebop, from children's songs to straight-ahead, from hard-hitting fusion to heady forays into classical, Chick has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is simply uncanny. However, Almond is also a very successful solo performer with ten solo albums to his credit and during the course of his career has collaborated with many renowned artists and bands such as Nick Cave, Bronski Beat, Matt Johnson and Jools Holland, proving his musical versatility time and again. Leaving aside the wonderful deep, rich sound, the AvantGrand has an incredible touch response that actually feels like an acoustic instrument. The newly developed tactile Response System transmits 'string' vibrations through the keyboard action to the player's hands. The keyboard action is even and weighted exactly like an acoustic piano, and it's an instrument one can work with confidently to achieve a smooth transition to the concert grand in any situation. This is matched by the superb four-channel, three-way spatial acoustic speaker system, complimented by two sound board resonators that exactly duplicate the non-directional sound dispersion felt and heard by concert pianists. How would you recreate the touch and tone quality of a concert grand piano in a baby grand sized piano? Now, 105 years after its beginnings, Cable-Nelson resumes its tradition as a great piano at a modest price. These Cable-Nelson pianos are perfectly suited for home piano players who desire Yamaha quality at a more affordable price. The piano includes top quality parts, premium woods, extruded aluminum alloy action rails, V-Pro plates and copper wound bass strings – all features found in Yamaha brand pianos. Rather than assembling pianos from parts produced by outside companies or contracting with third parties to build its pianos, Yamaha designs, tests, evaluates and manufactures all major components by itself. With well-established credentials in fields such as metallurgy, chemistry and electronics—as well as more obvious areas like acoustics and woodworking—Yamaha leverages extensive internal resources to raise the standards of piano-making. The CFX full concert grand piano was built from the knowledge, techniques, and experience gained during this long period. The part of the piano that accepts this force and transforms it into deep reverberation is called the back frame, which could be likened to the skeleton in a human body. The CX Series utilizes music wire that produces a rich sound with a full complexity of overtones in its middle and upper registers. During this time we have built up a storehouse of knowledge on factors such as the manner in which controlling the temperature and composition of casting, and even the coating used on the frame itself, affects the acoustic characteristics of the piano. The CX Series has also benefitted from the results of this research and development, and utilizes the same felt as the CFX, adjusted to match the size of each instrument in the series. This is the true soul of an acoustic instrument, allowing the pianist to obtain an incredible amount of expression from just 10 mm of key travel. In voicing, the hammers, which cause the strings to emit sound, are pricked with a pick to create a balanced tone that will respond beautifully when played. This elegance is set off by a solid pedal box that allows performers to depress the pedals with as much power as they want, one aspect of a philosophy epitomizing "functional design" that allows pianists to become one with their instrument as they play. It is not only the full realization of the sound, the touch and the pedals, but the application of technologies nurtured by crafting acoustic pianos to perfectly integrate these three elements into a single piano. It features a new Smooth Release function which can express sound with great clarity, and clearly enunciate staccato notes with the sound of lingering resonance heard when gently lifting your fingers from the keys. Clavinova produces deep resonances by using piano sounds that have been accurately sampling for their entire length. All the sounds were recorded resulting in a sound that displays not only the beauty of each note, but the harmonized sound of a single piano. As your playing improves over the years, your Clavinova will continue to let you make the most of your abilities. To ensure that the sound conforms closely to the genre, adjustment of each piano voice focuses on the resonance, or the sound produced when you lift your finger, and other delicate nuances. Depending on the weight of the hammer, the force of your touch and the natural key return when you release it, the Clavinova faithfully reproduces the keyboard touch of an acoustic piano from the heavy feel in the lower range to the light feel in the higher range. You will even hear the subtle changes that occur according to whether the player begins to press the pedal before or after striking a key. On a Clavinova, however, the Intelligent Acoustic Control (IAC) function automatically adjusts the sound, so you enjoy proper sound balance even at low volumes. You can listen to them as models, reduce their tempo and play along, or play back only the right hand part so you can practice the left hand part. The design embodies the true essence of a piano, with careful attention paid to every detail. The coating process is also the same, and results in a beautiful luster thanks to repeated grinding and polishing by piano craftsmen. The hammers strike the "strings" from underneath, allowing minute adjustments to the weight distribution of the hammers, and to the movement of the hammers themselves, for a smoother feel when playing. Sampling from deeper inside the instrument, we were able reproduce the attraction of the original sound almost perfectly. Each of the speakers in this layout is equipped with its own dedicated amplifier, a luxury that reduces the interference in each pitch range and offers more natural expression to the delicate nuances in each sound. This is replicated by our newly-developed Tactile Response System (TRS) that focuses on reproducing reverberation. In developing this instrument, we set out to reproduce the sensations of a grand piano's pedals as faithfully as possible. Much later I entered the Paris Conservatoire, and even now, I still sit at the piano every day, and devote myself to hours of concentrated practice. This piano possesses qualities not present in any digital piano thus far, and it would be no exaggeration to say that it has in itself created a new genre of pianos. A graduate of the Paris Conservatoire where he studied piano with Aline van Barentzen, Monique de la Bruchollerie, and chamber music with Rene Leroy and Jean Hubeau, he won the International Young Interpreters Rostrum-Unesco (Bratislava 1977), the First Prize in the International Cziffra Competition (Versailles 1974) and he was the only western-European prize-winner at the 1972 Queen Elisabeth of Belgium International Competition. Immediately following this announcement, Kobrin began his first tour to the United States including recitals at Bass Hall for the Cliburn Series, the Washington Performing Arts Society, and further debuts at La Roque d’Antheron, Ravinia Festival, Beethoven Easter Festival, Hannover Prize Winners Series, Turner Sims and at the renowned Klavier-Festival Ruhr. It's not that I live solely for playing the piano, but more that it provides the most important measure of how I live my life. The mild click when you push a key halfway, the aftertouch… whether you play lightly, or with more force to get a deeper sound, the instrument responds with a range of sound that suit the way you play it. Of course, this applies to more than just classical music - I'm sure that the AvantGrand would feel just as good playing popular music or jazz. Critically acclaimed for her warm tone, lyricism, and sense for music, Nakamichi’s popularity and ability place her at the forefront of pianist representing Japan. Chick was studying piano by age four and enjoyed a childhood home filled with the sounds of Charlie Parker, Dizzy Gillespie, Bud Powell, Lester Young and Horace Silver -- not to mention the likes of Beethoven and Mozart, who inspired Chick's compositional instincts. It's excellent in all respects and absolutely not a compromise option – as would be the case with a standard digital piano. To a serious and accomplished pianist, feeling these vibrations is integral to the playing process. Of course, I still love the acoustic piano, but the AvantGrand, with its hybrid of acoustic and digital technologies, is a new genre of piano; it's an instrument sensitive to the musician. These companies, Lakeside Piano Company and Sweetland Piano Company, then became the Fayette S. They live up to the company's worldwide reputation for outstanding service, exceptional value and reliable customer support. The Cable-Nelson line also offers an extensive 10-year warranty and the support of Yamaha Piano Service. The results of this inter-disciplinary approach are a steady stream of innovations and better musical instruments. Craftsmen poured everything they new into the creation of this instrument, seeking to attain sonic perfection and achieving bold new steps in piano design. On the C3X for example, this back frame is approximately 20% thicker than on other pianos, providing significantly improved support, and reflecting the considerations on which the CX Series has been completely redesigned. Coupled with the support from a solid foundation, this gives CX Series pianos a rich, harmonic sound. This is a major reason that Yamaha is able to ensure reliable quality when crafting our pianos. This ensures that all CX Series pianos possess a clear range of tonal colors and a nuanced, expressive sound. Even today, in an era when technology continues to evolve rapidly, these tasks remain the domain of skilled craftsmen who must ensure the high quality of these instruments, and are the main reason that Yamaha has remained one of the top piano makers in the world. In order to provide the best playability possible, CX Series grand pianos offer white keys made of Ivorite™, which has a feel, color, and absorbency very similar to natural ivory, while natural ebony has been used for the black keys. This piano produces that exact sound you want through the touch of the keys and the feel of the pedals. It succeeds in capturing the essence of a piano performance to create grand piano-like, richly expressive experiences. Proprietary technology creates smooth and dynamic changes according to the strength of the touch. Each time you play, you can immediately enjoy the perfect piano sound without having to make any adjustments. Also important is Yamaha's unique three-sensor system, which accurately senses and interprets the behavior of the keyboard, just like a grand piano. This not only lets you play with a natural touch, it greatly improves the stability and durability of the keys. You can enjoy playing impressionistic pieces, such as those by Debussy or Ravel, where half-pedal expression is important. Additionally, the volume dial automatically makes fine adjustments to overall sound of the speaker system (EQ) at low volume. In addition to a hammer sensor, this instrument employs a non-contact key sensor that has no effect on the movement of the keys, affording excellent recognition of the player's pressure on the keyboard, timing, and the other delicate nuances that affect musical expression. It was the experience of our engineers, and a reiterative cycle of trial and error conducted with piano tuners that made this success possible. Moreover, by using speaker positioning that mimics the positions in the grand piano from which the original samples were taken, it offers a more natural sound to the pianist. This system features two transducers in the soundboard, the area underneath the keyboard, resonating natural reverberation throughout the entire instrument. The resulting pedal allows for music as you believe it should sound, equally responsive for more impressionistic pieces that require a lot of half-pedaling. Piano practice takes an extremely long time, but has absolutely no meaning if you don't practice with the correct technique. I would like to advise all of you studying the piano, please, try to play an excellent instrument, and don't waste your time practicing the wrong way. I think that taking this piano to its limits could expand the player’s horizons significantly. The CX Series extends this work further, providing a clear sound with a clean attack, sparkling tone, and transparent harmonies, all encased in an elegant, flowing form. Additionally, to achieve a performance feel rivaling that of a grand piano, the touch was carefully refined by many pianists who played it and gave their feedback for Yamaha’s research and development. When playing continuously or with a light trill, techniques used in many pieces such as Fur Elise, you can play with a bright, vivid feel. This ability to adjust volume without losing the rich and balanced sound is an exclusive Yamaha benefit, ensuring you always play with the utmost sound quality. The AvantGrand N3 weaves advanced technology into an extraordinary design that gives form to Yamaha's aspirations for the future. This combination provides an impressive sensitivity for the entire range from pianissimo through to fortissimo, and the ability to translate even the swiftest trills of the pianist with transparency. And of course, the samples in this instrument are all taken from a specially-selected example of Yamaha's CFIIIS full concert grand piano. The player's hands on the keyboard transmit the natural sound felt from the feet as they depress the pedals; the epitome of real piano playing. I firmly believe that playing the piano is an artistic act that lifts the spirits of all those who hear you; and an act made possible by the communicative abilities of us as human beings. He has collaborated with conductors such as Leonard Bernstein, Kurt Masur, Myung Whun Chung, Sir Simon Rattle, Mstslav Rostropovich, Charles Dutoit, Nikolaus Harnoncourt, Christoph von Dohnanyi… and Karl Munchinger, who on the festive occasion of his farewell concert in 1986, with the Stuttgart Chamber Orchestra, personally invited Mr. The wood construction of the keyboard mirrors that of the grand piano, and features New Ivory II on the white keys. I think that when I play the piano in front of an audience, more than demonstrating technical perfection, I am communicating with those watching and listening, in a musical, artistic way. It's no exaggeration to say that becoming a pianist was a true gift from god, but I chose to play for much more than just this gift. How do you practise on a concert grand quality instrument without bothering your neighbours? The Everett Piano Company bought Cable-Nelson in the late 1920s, moving its manufacturing operation to South Haven, Michigan. This is a unique material developed by Yamaha, with a texture superbly close to that of natural ivory, allowing you to play swift passages with ease while also offering a sure response for slower pieces. This time I chose to play Gottschalk's "Banjo", one of the most technically demanding pieces in my repertoire, along with other pieces by Chopin and Schumann that require a rich, profound expressive ability. A key aspect of playing the piano is that getting the sound you desire requires a certain amount of practice. Playing the piano well is not like a game; it is not something that offers you quick results. The fact that I was willing to attempt such pieces on this piano should give you an understanding of just how capable an instrument it is. To put it another way, with practice, the piano allows you to create a certain level of expression. Of course the action and the touch of the keyboard are both good, but I was very surprised by the depth of its pedaling. In addition to the standard repertory, such as the complete Concertos by Mozart, recorded live and performed in Salzburg and Vienna with Yoon K. This is just my personal opinion, but generally speaking, acoustic instruments are destined to have individual differences, and, for pianists the first piano they encounter will affect them significantly. That's why I would suggest that this piano, with its fixed, constant standards, might be a better choice when starting out than an acoustic grand piano in anything but perfect condition. In 1992, the Japanese NHK TV produced with Cyprien Katsaris a thirteen-program series on Frederic Chopin which included masterclasses and his own performance. The fact that such an instrument has emerged means that more people will be blessed with the chance to play the piano. Katsaris a standing-ovation in Carnegie Hall for his recital dedicated to Frederic Chopin, performed on the day of his 150th death Anniversary. He has been a member of the jury of the following International Competitions: Chopin (Warsaw 1990), Liszt (Utrecht 1996), Vendome Prize (Paris 2000), Marguerite Long-Jacques Thibaud Ville de Paris (2001) and Beethoven (Bonn 2005). Appointed in 1977 Artistic Director of the International Festival of Echternach in Luxembourg, Cyprien Katsaris is "Knight of Merit of Cameroon" (1977), "Artist of Unesco for Peace" (1997), "Knight of the Order of Arts and Letters" (France 2000). In March 2006 Cyprien Katsaris was the first pianist ever to give masterclasses in Franz Liszt's house in Weimar since Liszt, who taught there for the very last time in 1886, the year of his death. 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__label__cc	0.524463	0.475537	H-SAM: “What were you doing on your third birthday?” BROWNSTONE: a reddish-brown sandstone, used extensively as a building material GLOBAL: a way of thinking that goes beyond one’s local issues FAIR: free from bias, dishonesty, or injustice DIVINE RIGHT: The doctrine that kings and queens have a God-given right to rule LONGSHOT: an attempt or undertaking that offers much but in which there is little chance for success OUTLIER: someone who stands apart from others of his or her group Burglar in the House : story DARN: to mend, as torn clothing, with rows of stitches In the 18th Century a conflict arose over the ability of the British Parliament to be able to govern over the monarch. It highlighted a theory proposed that said that the monarch is established DIVINE RIGHT by God, and therefore has a Divine Right to rule. It wasn’t the first time the concept had been raised* but it was time for there to be some resolution to the issue. As some have pointed out, it is called a theory, using the term that is used in science. However, in science there must be evidence to support the point being made. There are no scientific evidences to support the theory…only tradition. The British demonstrate the theory of Divine Right of Kings in a number of ways: The monarch is invested by the Archbishop of Canterbury, whose investiture is seen as ecclesiastically authoritative. The new monarch is identified using a tradition of generational succession. Thus, if the deceased monarch was selected as the rightful successor in a line of monarchs, then this person chosen as successor is believed to have been a part of God’s choice in previous generations. The monarch cannot be removed (without armed intervention) by Parliament. There is much ceremonial around the monarch, in this case Queen Elizabeth II, which refers to her as being chosen by God to reign. This is evident today on the 90th birthday of Elizabeth II. Her reign has been long (the longest in British history) and she has “ruled” effectively, given the establishment of a government which shares the governance with Parliament. There are specific responsibilities which are delegated to the Queen, and others to Parliament. There is no stated opportunity for either to adopt the others’ designated charges. This posting is stimulated by the royal birthday (an official one follows in the summer) and by the growing curiosity as to whether Elizabeth will withdraw from the throne at some point and designate her son, Charles, to be the King. It is more and more likely that this vibrant, seemingly-healthy woman will not do so in the immediate future. Her mother survived until the age of 101. It seems likely that she has inherited her genes. In any case, Happy Birthday, Ma’am. ← LONGSHOT: an attempt or undertaking that offers much but in which there is little chance for success OUTLIER: someone who stands apart from others of his or her group → UK first in the world to approve Covid vaccine https://www.youtube.com/watch?v=fmuHAogT-Yw Benefits of a Professional Moving Service Latest BBC News LIVE NBC NEWS https://www.youtube.com/watch?v=s2NLa8Hev_s Recent from us	cc/2021-04/en_head_0013.json.gz/line111
__label__wiki	0.571236	0.571236	Baby Jane Dexter **1/2 High Priestess of Cabaret Baby Jane Dexter Gets Personal at the Metropolitan Room for the Holidays. By: Patrick Christiano The indomitable Baby Jane Dexter is teaming up again for the umpteenth time with her long-time musical director Ross Patterson, on piano, with a brand new show, "IT’S PERSONAL!" giving her adoring fans something to cheer about this season. The 2015 MAC Lifetime Achievement Award winner, who is also a multiple Mac and Bistro award winner, has dedicated the new show to her personal friend Julie Wilson, who passed away in October. With passion and soul she weaves a compelling spell of artistry on an eclectic mix of songs from legends like Cy Coleman, Peggy Lee and Rogers and Hart, to other deities like John Lennon and Sir Paul McCartney, along with greats like Felix Cavalierre, and Billy Roy. Baby Jane Dexter The evening is a rousing triumph of Dexter’s interpretive mastery, which embraces her listeners with an empathy that few singers in the world can match. Her raw contralto may be somewhat darker, yet her incredible timber still projects a tender compassion, a unique juxtaposition, that is pure improvisational magic spun for the gut of an authentic soul. With her idiosyncratic style she raises the bar with a powerhouse belief in the truth of each moment that makes her adoring fans, laugh, and cry and see life through a brand new lens. The lady is alive and still kicking, a bold inspiration, not for the masses, but for those who value life, music, pure honesty, elocution, and art. Dexter eased into the evening with a strong and clear "I’m In Love Again," which she sang directly to her audience of admirers, declaring how happy she was to be here doing just what she loves to do most, before delivering a poignant rendition of Abbey Lincoln’s "Painted Lady that came off as a reflection of herself and her life. On her next song, Billy Roy’s "Bargain Day," the lyrics "You want to buy a heart? Mine is torn apart; I’ll sell it cheap," was another mirror into her soul. Then she tossed in a few of her trademark thunderbolts on the next song, an explosive rendition of "Do Right Woman," wrapping the audience around her finger in the process. Next up on Schechtman’s "Razor" she told us, "Have me like I am or good-by." Reminding us that "I think I know where the blues comes from," she then launched into a jazzy "Birth of the Blues," and hammered home the message again by nailing a painfully layered "House of the Rising Sun," a mournful and remorseful take on "a walk on the wild side." Each selection in her mind blowing set shed light on another facet of the peerless depth of her understanding, gleamed from a life fully embraced. There was "Got to Get You into My Life" (Lennon & McCartney), "Orpheus" (Lance Horne’s song from the film The Roman Spring of Mrs. Stone) – "Give me a word and I’ll hear it. Give me look and I’ll see it. Give a kiss and I’ll taste it. Give me a the truth and I’ll take it" – "Experiment" (Cole Porter), "Everyone is Gay" (Ian Axel & Chad Vaccarino), "Blue Moon" (Rogers & Hart), "How Can I Be Sure" (Cavalierre & Brigati), and "Zing Went the Strings of My Heart" (J.F. Hanley) before she gave us the cabaret convention, the encore. Sitting on stage, instead of standing and leaving, because of health limitations, she took in the adulation of her fans clamoring for more before closing out the evening, first with "For All We Know," dedicated to her dear friend Julie Wilson, who she reminded us is missing from one of her shows for the first time in nearly three decades, a not so subtle reminder that "Tomorrow May Never Come for all we know." And then she sang what has become one of her inspirational signature songs, the R.E.M. classic "Everybody Hurts," urging us to "Hang on! Everybody cries! Everybody hurts, sometimes. Hold on!!! Then finally rising from her chair and standing for the final verse, she exited still singing the lyrics with the room on their feet sending out waves of love for Baby Jane Dexter, who had just generously embodied every moment of each song with an improvisational intensity that was never less than authentic. Ross Patterson on piano, who has lovingly supported Baby Jane for going on three decades now, accompanied her mix of artistry, with a rare musical dignity that is unrivaled. Baby Jane performs "IT’S PERSONAL!" only twice more at the Metropolitan room on Saturday November 28 and Friday December 4, both at 7pm. For reservations call 212-206- 0440 or go onlne to www.metropolitanroom.com There is a $25 music charge and a two-drink minimum. Baby Jane Dexter, Patrick Christiano Author Eric MarchPosted on November 24, 2015 January 13, 2017 Categories Reviews, x-Drupal Import Previous Previous post: Of Mice and Men ** Next Next post: BAC “The Grand Tour”	cc/2021-04/en_head_0013.json.gz/line112
__label__wiki	0.823635	0.823635	“Curtains,” the Last Kander & Ebb Musical, is Deadly Fun By Ellis Nassour With the death of Frank Ebb in 2004, Curtains marks probably the last original collaboration by Kander & Ebb, Broadway’s longest-running songwriting team. The duo gave us Cabaret, Zorba, Chicago, The Rink, Steel Pier and Kiss of the Spider Woman, not to mention The Act, Flora, the Red Menace, The Happy Time, 70 Girls 70, and Woman of the Year. And, the song “New York, New York.”Curtains has been developed by Mystery of Edwin Drood Tony winner Rupert Holmes from an original concept by the late Peter Stone, who won Tonys for his librettos for Titanic, Woman of the Year and 1776. Composer Kander has done additional lyrics with Holmes. (Curtains is in previews at the Hirshfeld Theatre, Opening Night is March 22) David Hyde Pierce of Frasier fame, stars as Frank Cioffi, a bungling Boston homicide detective, albeit one who loves musicals, caught in a web of bedlam, deceit, massive theatrical egos, a budding love affair and more murder.Curtains' curtain raiser is the death of the leading lady of Robbin’ Hood!, a Wild West musical retelling of the Sherwood Forest legend, who comes to an untimely end while taking her bows. Pierce feels this last K&E collaboration “is a historical moment for the stage. The premise [a musical set against a murder mystery] is a bit tricky, which makes it all the more fun. John and Fred are at the top of their game and the result is classic Kander and Ebb. And, with Peter gone, Scott’s idea to bring in Rupert, an acknowledged master of the mystery/thriller genre, was genius." Four-time Tony-nominee Debra Monk plays producer Carmen Bernstein. Tony and Drama Desk-winner Karen Ziemba is Georgia Kendricks, the lyricist of the try-out musical. “Not unlike Betty Comden,” she reports. Co-starring are Jason Danieley, Jill Paice, Edward Hibbert [seen frequently on Fraiser], Noah Racey, Darcie Roberts and an 18-member cast. Multiple Tony and Drama Desk nominee Scott Ellis is the director, with choreography by Rob Ashford [1992 Tony, Thoroughly Modern Millie]. Bright and brassy is how Holmes describes Curtains' score, “but it's a bit different for Kander and Ebb. However, there’s no mistaking it’s a Kander and Ebb score. It has their mark, which is the absolute height of theatricality with a wonderful show business sensibility. There’re also a couple of stirring tunes that would cause any thespian’s heartbeat to race.” Because of Fraiser [which won him four Emmys] and his Drama-Desk-nominated performance in Spamalot, Ziemba states the obvious, “Everyone knows David can be funny, but in Curtains he’s amazing. This is Kander and Ebb so you expect the songs to be incredible, but this score just keeps coming at you.” There are lots of six degrees of separation. This is Monk’s sixth show with Ellis. She and Hyde Pierce met in his early Broadway days in a Christopher Durang play reading; and she later appeared with him on Fraiser. Monk and Ziemba met in the cast of Steel Pier, which Ellis conceived and directed. Ziemba met Ashford when they joined the cast of Crazy for You and performed with Racey in Never Gonna Dance. Having originated the role of Shelby Stevens in K&E’s Steel Pier and having been a Mama Morton in Chicago, Monk is no stranger to their scores. She's also been aboard Curtains, since the 2001 workshop. "What attracted me," she explains, "was that it has one of John and Fred's greatest scores. It was also the opportunity at that time to work with Peter Stone. And now Rupert, who’s written one heck of a part for me.” In Curtains, she delights in hearing the vamps K&E are famous for. “Their scores are always so funny and rich, the songs so full of irony. They can do something big and brassy, then turn around and write the most heartfelt ballad. And follow that with a great eleven o’clock number. If anyone loves Kander and Ebb, they won’t be disappointed.” Monk, who’s been a producer [and writer], says, “I was never a producer like Carmen. She's one of a kind, larger than life and loves theater deeply. She’s a shrewd businesswoman, but also has heart.” And no, she states with an exclamation mark, contrary to scuttlebutt, Carmen isn't based on Fran Weissler! “As I understand it,” says Monk, “she’s based on a woman Peter [Stone] knew.” "Because it's a murder mystery, Curtains has an edge,” Ellis explains, “but it’s also a homage to musical theater. Some Kander and Ebb shows have been dark. Even though we have a murder, this isn’t. Because it’s a show within a show setting, we embrace that ‘Let’s put on a show’ feeling that Mickey and Judy had.” She couldn't be happier with her songs. "John knows Debra and me so well that he came up with perfect songs that are just right for our characters. One of John and Fred’s great assets is they can write beautiful songs that come out of the story. What’s really special are their big finishes, the kind that really lift your heart. This score raises the bar even for them!” And Holmes’ book packs punch, says Ziemba, "because the comedy comes from the theatrical egos of the characters." After short-lived Broadway productions of Accomplice and Solitary Confinement, Holmes went into TV with Remember WENN, set in the late 30s and 40s when radio was king. “It was a dream situation,” he states, "one I’ll never encounter again. No laugh track, no commercials. I was able to write a continuing story line, fifty-six half-hour episodes. I thought of it as writing the world’s longest play." He was back on Broadway with Say Goodnight, Gracie, which starred the late Frank Gorshin. Holmes has completed an adaptation of Remember WENN for the Public, where he developed Drood. Then there’s Marty, Charles Strouse and Lee Adams’ adaptation of Paddy Chayevsky's original teleplay and Academy Award-winning film. In development are adaptations of the films Second Hand Lions and First Wives Club. For Curtains, he took the liberty of changing the time line to the 50s, when such shows as West Side Story, Bells Are Ringing, The Music Man, Damn Yankees, The King and I, The Pajama Game and The Most Happy Fella ruled on Broadway. “I wanted to convey the simple wonder I felt as a boy witnessing those great musical comedies,” he explains. “I thought it would give me the opportunity to remind an audience who can remember and inform one that doesn’t." It also allowed him to create larger than life theatrical characters and temperamental directors. "If I wrote about Broadway today," he admits, "I’d have to bring in Lloyd Webber, Mackintosh’s mega musicals and Disney. Given how computer driven today's shows are, I wanted to remind audiences of the noisy scene changes and those vividly-painted drops that actors stood in front of.” Kander & Ebb Musically, he's a sort of jack of all trades. For his 1986 Tony and Drama Desk-winning Best Musical The Mystery of Edwin Drood, Holmes was the first to receive Tonys for Book, Music and Lyrics. Jonathan Larson was the second. Holmes recorded over 15 albums. Two of his best known tune are “Escape (The Pina Colada Song)" and “Him.” He wrote, arranged and conducted extensively for Streisand, with tunes on six albums. Other tunes have been recorded by Judy Collins, Rita Coolidge, the Jets, Patti Lupone, Dionne Warwick and Dolly Parton. Easily, though, his great love is the mystery/thriller genre. “Mysteries and thrillers have that extra something that keeps you guessing," he states. "They invite audiences to get one step ahead of the detective, and even when they’re wrong – which in the case of Curtains they usually are – that’s part of the fun. No matter how certain you are of who done it, chances are you’ll be surprised.” He realizes there’s going to be a problem keeping the show’s ending secret. “It’s not something you can control. However, I’ve come up with a couple of little games.” Author Eric MarchPosted on March 18, 2007 January 13, 2017 Categories Features, x-Drupal Import Previous Previous post: LGBT Center Benefit Next Next post: “Talk Radio” Opening Night	cc/2021-04/en_head_0013.json.gz/line113
__label__wiki	0.93678	0.93678	U.S. Girls Member Kass Richards Readies Debut Solo Album 'The Language Shadow' Listen to the record's lead single "Atlantis" Kass Richards of the extended U.S. Girls family has announced plans for her debut solo record, The Language Shadow. The Boston-based, Toronto-marooned singer-songwriter will release the 10-track album on December 4 through Good Cry Records. Today, she's shared a new single, as well as its Sara Ludy-directed music video. "Atlantis" — inspired by a quote from Temple Grandin — is a "rumination on the ultimate cost of technological distraction." Richards elaborated further in a statement: "What 'Atlantis' is attempting to get at is the sacred humanity of the creative act, the importance of returning again and again to that meditative process, especially in a world of so much creative undoing." The Language Shadow was recorded following sessions on the Polaris shortlisted Heavy Light. Produced in part by Basia Bulat, the album features instrumentation by Arcade Fire's Tim Kingsbury and U.S. Girls' Geordie Gordon. Watch Richards' new video for "Atlantis" below. The Language Shadow: 1. Full Fathom Five 2. Diving 3. Atlantis 4. Hmm 5. Strangers 6. You Go Astray 7. Daughter 8. Luna 10. Dancing to Death Pre-order The Language Shadow. More U.S. Girls More Kass Richards U.S. Girls' Meg Remy Unveils Debut Book 'Begin by Telling' U.S. Girls' Meg Remy is branching out with her debut book. The tome is called Begin by Telling, and it's described as a collection of "illus... Exclaim!'s 50 Best Albums of 2020 This was a year of solitude and introspection, whether we wanted it or not. It was a year that forced everyone to confront their deepest, da... U.S. Girls and Rich Morel Share "Santa Stay Home" Meg Remy's U.S. Girls have teamed up with Rich Morel for a new anti-Christmas song that rallies against consumerism and the holiday's effect... Seth Bogart and U.S. Girls Team Up for New Video Seth Bogart (a.k.a. Hunx of Hunx & His Punx) released his album Men on the Verge of Nothing earlier this fall, soon following it up with a c... Venus Fest Announces 2020 Programming with Lido Pimienta, U.S. Girls, Ansley Simpson Venus Fest, Toronto's annual celebration of women and non-binary people in music and arts leadership, will be going digital for this year's...	cc/2021-04/en_head_0013.json.gz/line116
__label__wiki	0.815192	0.815192	Obscurity of the Day: Rowdy Dow at Killjoy College There was a time when just about any college worth its salt had both a newspaper and a humor magazine. The most famous of the humor mags is probably the Harvard Lampoon, which began in 1876, but the form has continued well into modern times. Some are still around and even thriving, though mostly as digital versions, like The Onion out of the University of Wisconsin. Back in 1920, some smart cookie realized that there might be good money in a newsstand magazine that collected the best material from these magazines together. That entrepreneurial publisher, whose name I cannot seem to find, started Collegiate World, which was soon renamed College Humor. The magazine sold well, especially once they started supplementing the reprints with some more professional level material, including a big dollop of lecherous stuff about college coeds. Around 1929 College Humor partnered with Bell Syndicate to create a weekly newspaper half-page of gags and cartoons culled from the magazine's archives. The feature sold respectably well, despite being a half-page of what I would call pretty weak material, mostly painfully bad gags. In 1931, the feature's editor decided that a comic strip about college life would be just the thing to brighten up the half-page. Thus was born Rowdy Dow at Killjoy College, which debuted on January 4 1931, and was initially drawn by George T. Eggleston. Eggleston would go on to magazine cartooning, and then the editorship of several prominent magazines. Alex Jay, who will profile him tomorrow, says he was also serving in an editorial capacity at College Humor, so it is a good bet that these strips were also being run in the magazine, though I haven't seen them. Eggleston could draw well enough, but his gags for this feature were certainly no classics. After about 15 months he gave up the strip in favor of greener pastures. He was replaced on April 10 1932 by someone who signed himself just "Tom." Tom did a decent job of maintaining the art style, but his gags were even more torturously bad. There was little mourning when he left the feature after just three months, his last episode appearing on July 17. On the 24th a substitute signing himself G. Hayes (probably Geoff) came aboard for a single episode, then the next week someone signing themselves G.D. took a whack at the strip. On August 7 a new permanent creator appeared, a fellow who signed himself "Dan-'l". Dan'l was a pretty poor cartoonist, and his gags were worse than his art. Dan'l kept plugging away, though, and his tenure ended after 15 months only because the half-page College Humor feature seems to have been cancelled. It ended on November 12 1933. Thanks to Cole Johnson, who supplied most of the samples above (top one is Eggleston's last strip, then two by "Tom," and one by "Dan-'l", followed by a sample of the full College Humor feature, this one with a "Tom" strip).	cc/2021-04/en_head_0013.json.gz/line118
__label__wiki	0.962846	0.962846	esposa de mr niebla Como Independiente también destaco en WMC !!! [14] The match against Wagner, Universo and Black Tiger III was part of a longer storyline between Mr. Niebla and Universo 2000. [12] For the next 450 days the trios defended the title against Emilio Charles Jr., Bestia Salvaje and Scorpio Jr.; Satánico, Averno and Black Warrior; Los Boricuas (Gran Markus Jr., Poder Boricua and Violencia) and Los Infernales (Satanico, Averno, Mephisto). [38], Folliwng the Fantasica Mania incident Mr. Niebla would continue to wrestle, working for various independent promotions. [9][10], In early 1998 a wrestler in International Wrestling Revolution Group (IWRG) began working as "Mr. Niebla", adopting the same style mask and trunks as the original Mr. Niebla. [23] In early June 2010, CMLL announced that after recuperating in Europe Mr. Niebla was ready to return to the ring, reuniniting La Peste Negra for the first time in several months. Mr. Niebla, Felino and Casas held the Mexican National Trios Championship from 2014 to 2015, and Mr. Niebla won the CMLL World Heavyweight Championship. When the original Mr. Niebla returned to the ring he immediately attacked the impostor. In the primary match of CMLL's 66th Anniversary show, Atlantis and Villano III defeated the much less experienced team, afterward Mr. Niebla defeated Shocker to unmask him. [5] Mr. Niebla continued to team with Shocker; the team were unable to reclaim the tag team title. The duo defeated Ángel de Oro and El Cuatrero in the first round, but were defeated by Rush and El Terrible in the second round. Over the years at least four different wrestlers have used the ring name "Mr. Niebla": Consejo Mundial de Lucha Libre (1995–2007), Asistencia Asesoría y Administración (2007–2008), CMLL Torneo Nacional de Parejas Increíbles, Salvador Lutteroth Singles Tournament (1998), "Por infección en la sangre, muere Mr. Niebla a los 46 años de edad", "Viva La Raza! LXXVII Aniversario de la Empresa Mexicana de Lucha Libre", "Mr. Niebla y Atlantis, pareja increíble", "Volador y la Sombra a la Final del Torneo de Parejas Increíbles", "Atlantis y Último Guerrero ¿Estaremos frente a un duelo candidato para conmemorar el 80 Aniversario del CMLL? [51] In the same interview he claimed that he was not a "drunken fighter" notwithstanding his alcoholism. [8] In 1997 Mr. Niebla formed a trio with fellow good guys (called Técnicos in Lucha Libre) Lizmark and Atlantis called La Ola Azul (the Blue Wave). "Estoy muy agradecido con mi esposa, que me ha sacado adelante con este problema . Each time Abismo Negro won, AAA head booker Joaquín Roldan announced that the decision and Negro, the winner, did not lead Los Vipers. [3] He would later marry Mariela Rodríguez and together the couple have a son and a daughter. Este contenido se publicó, originalmente, el 20 de marzo de 2019. cuando regresó a la Arena México. [6][7] By the mid-1990s Mr. Niebla worked full-time for the main roster, taking part in the 1996 CMLL Torneo Gran Alternativa. [44][45], When the CMLL World Heavyweight Championship was vacated in mid-2017 Mr. Niebla was given an opportunity to become a two-time champion as he entered a torneo cibernetico elimination match, He was eliminated by eventual winner Marco Corleone. Mr Niebla quiere, de una vez por todas, renacer, por ello reveló cómo está enfrentando esta nueva etapa. Después de ausentarse de algunas funciones en las que estaba programado por el CMLL, el luchador aclaró que la razón fue una lesión mal atendida, que derivó en una infección en las vías sanguíneas que afectaron sus articulaciones y huesos. [48] He would not return to CMLL for six months, making his return on March 12, 2019. The two had clashed in 2002 over Universo 2000's CMLL World Heavyweight Championship but at the time Universo 2000 had kept the title. [20] Felino's wife Princesa Blanca joined the group in early 2009, turning Rudo to work with La Peste, this led to Princesa Blanca winning the Mexican National Women's Championship from Marcela on January 30, 2009. De vuelta en el CMLL logro ganar La Leyenda Azul !!! Mr. Niebla subsequently stated he left AAA, because a major mask vs. mask match he was promised fell through when Abismo Negro was unable to work the Triplemanía match and that he came back to CMLL looking to make his mark unmasking a "big name" such as Místico or Dr. Wagner Jr.[19] He also apologized to AAA if they were unhappy with the method he used, but he believed he handled everything in a professional manner and that he was upfront about his ambitions for a "big name" mask-versus-mask match. Futbol y Teatro. El luchador mexicano, Mr. Niebla, falleció este día a los 46 años de edad. [35] Mr. Niebla did not wrestle on the last two stops of the tour. On January 23, 1998 Mr. Niebla teamed up with Shocker to win the CMLL World Tag Team Championship from Dr. Wagner Jr. and Emilio Charles Jr.[10] Subsequently, Niebla and Shocker would defend the tag team championship against Blue Panther and Black Warrior, Bestia Salvaje and Scorpio Jr. and the Hermanos Dinamita (Cien Caras and Universo 2000). In between, he worked for CMLL's main Mexican rival, AAA, where he was part of the stable Los Vipers. The match came down to La Sombra pinning Olímpico to unmask him. El 4 de Enero se llevaría a cabo una Función. The storyline between the two Mr. Nieblas ended when the two met in a Luchas de apuestas, mask vs. mask match for the rights to the name. La Noche que le gano la Mascara a Shocker !!! Revivimos la entrevista en la que Míster Niebla se sinceró al hablar sobre la ayuda que su esposa le brindó con su problema de alcoholismo. "Niebla" is Spanish for "fog". Loading ... Los Hijos de Mr. Niebla: "La Trayectoria de Mr. Niebla no morirá, puede ser que nosotros la sigamos" - … On September 24, 1999, at the CMLL 66th Anniversary Show, the team of Nr. “ Estoy muy agradecido con mi esposa, que me ha sacado adelante con este problema . [17], After working for CMLL for over a decade, Mr. Niebla left CMLL to work for their main rival Asistencia Asesoría y Administración (AAA) in later 2007. LAS LLAMAS DEL SOL CONTRA LAS DEL INFIERNO !!! [37] He was later rehired by CMLL. [34] In January 2015, Niebla made his New Japan Pro-Wrestling (NJPW) debut, when he worked the Fantastica Mania 2015 tour, co-produced by CMLL and NJPW. [48] Mr. Niebla subsequently stated he was injured and the swift conclusion was to shield those in the ring from further problems. [27] On July 29, 2011, Mr. Niebla defeated 15 other men to win the 2011 Leyenda de Azul. Además,… The storyline was supposed to end in a Luchas de apuestas match between Niebla and Negro at Triplemanía XVI. Efrén Tiburcio Márquez was born on February 22, 1973, the son of Paulino Tiburcio. A few days before the match, it was cancelled, as AAA announced that Abismo Negro had sustained a neck injury. [37] CMLL confirmed Niebla's departure from the promotion in February 2015. Conservo esta Bella Mascara "Luchada" del Rudo. En sus planes estaba regresar el prox.año !!! [30][31], In January 2014, Niebla introduced new Peste Negra members Bárbaro Cavernario and Herodes Jr.[32] On February 14, Niebla and Cavernario defeated Soberano Jr. and Volador Jr. in the finals to win the 2014 Torneo Gran Alternativa. [22] Mr. Niebla did not work any matches for three months, starting in March 2010. In the semi-finals they lost to eventual tournament winners La Sombra and Volador Jr. [46] In early 2018 CMLL revisited the previously aborted storyline between Mr. Niebla and Atlantis as they teamed up for the 2018 Parejas Increíbles tournament. Efrén Tiburcio Márquez made his professional wrestling debut on November 11, 1990 working under the Ring name Chamaco Audaz (the Audacious Kid). !. [33] On February 18, Niebla, El Felino and Negro Casas defeated La Máscara, Rush and Titán to win the Mexican National Trios Championship. When the original Mr. Niebla was injured CMLL brought in the second Mr. Niebla and had him work matches while the original was injured. His in-ring style focused more on comedy, which often included pratfalls (a form of physical comedy based on falling on the buttocks), dancing and mocking his opponents during matches. [47], Mr Niebla was suspended by CMLL after working a match in August he was clearly not in any condition to wrestle in. After Felino joined the group Heavy Metal was quietly phased out, as he was not comfortable working the comedic style. Jesús Vicente Zambada Niebla (born 24 March 1975), also known as "El Vicentillo", is a Mexican convicted drug lord and former high-ranking member of the Sinaloa Cartel, a criminal group based in Sinaloa.He is the son of Ismael "El Mayo" Zambada, one of Mexico's most-wanted drug lords.He was arrested in Mexico City on 19 March 2009 and extradited to the United States in February 2010 to … MR NIEBLA Y SU ESPOSA, 25 AÑOS DE LUCHADOR HECTOR GODFREY TV. [4] Later he would work under various ring names and mask as El Pupilo (the Pupil), El Marquez, Shadow 2000, Chico Veloz (Fast Boy) and even Batman for a brief period. ", "¡ Nuevos Campeones Nacionales de Tríos ! [39] Niebla returned to CMLL on April 5, 2015 after his suspension,[40] teaming with El Felino and Negro Casas in a six-man tag team match, where they defeated Máximo, Titán and Volador Jr.[37] On April 26, La Peste Negra lost the Mexican National Trios Championship to Los Reyes de la Atlantida (Atlantis, Delta and Guerrero Maya Jr.). [56] As part the tribute, Micro-Estrella Zacarias, who often accompanied Mr. Niebla to the ring, worked as a small version of Mr. Niebla instead of his normal mask and outfit. Mr. Niebla estuvo hospitalizado hace algunos meses por una infección en la sangre. [18] On the night of Triplemanía XVI Mr. Niebla quit AAA, opting to return to CMLL instead. In October 1998 Mr. Niebla suffered a severe injury during a match, forcing him to vacate both the Trios and the Tag Team championships. Creador del Concepto de La Peste Negra !!! En una ocasión veníamos de luchar era de madrugada,yo no tenía dónde quedarme,el me brindo su casa,me dió muchos consejos,me platicó de sus vivencias,me mostró sus fotografías fue una gran persona. # Diecisiete: Lucha Weekly", "Mr. Niebla el "apestoso mayor" regresa a los rings", "No andaba muerto ni de parranda: Mr Niebla", "Liger, Atlantis, Mr. Niebla y Ultimo Guerrero entran al Juicio final del CMLL", "Cobertura CMLL: El Juicio Final. The original Mr. Niebla won, forcing the impostor to unmask and change his name to Mr. [29] In late 2012 the long-dormant rivalry between Mr. Niebla and his former tag team partner Shocker was resumed as the two began to work on opposite sides of a number of matches, with increasing intensity and animosity from both wrestlers. El Lunes 23 de Diciembre sera recordado con tristeza por la Muerte del Luchador Profesional;Mr. Niebla. Juarez", CMLL Torneo Nacional de Parejas Increibles, https://en.wikipedia.org/w/index.php?title=Mr._Niebla&oldid=982051923, Creative Commons Attribution-ShareAlike License, Guadalupe Tovar Hernández (1938–2014) — the first wrestler to use the name, José Guadalupe Gutiérrez Álvarez (1949–2017) — wrestled as "Mr. Niebla" from 1978 to 1994, Efrén Tiburcio Márquez (1973–2019) — wrestled as "Mr. Niebla" from 1992 to 2019, Miguel Ángel Guzmán Velázquez (b. El luchador que más tarde sería conocido como Mr. Niebla hizo su debut en la lucha libre profesional el 11 de noviembre de 1990 de trabajo bajo el nombre de Anillo Chamaco Audaz (la Audaz Kid). [49], Efrén Tiburcio Márquez was born on February 22, 1973, the son of Paulino Tiburcio. El Lunes 23 de Diciembre sera recordado con tristeza por la Muerte del Luchador Profesional;Mr. Niebla. Niebla and Shocker faced Atlantis and Villano III in a Relevos suicida match, a match where the losing team would fight each other for their mask. 1970) — wrestled as "Mr. Niebla" from 1998 to 1999, Distrito Federal Welterweight Championship (1 time), Distrito Federal Tag Team Championship (1 time) – unknown partner, WFS Tag Team Championship (1 time) – with Vertigo, This page was last edited on 5 October 2020, at 22:16. Luego de estar luchando desde hace algún tiempo contra una infección en la sangre, Mr. Niebla falleció este 23 de diciembre luego de haber sido internado de nuevo, debido a que su estado de salud se había reportado como delicado. [36] According to the Wrestling Observer Newsletter, Niebla had disappeared on the third night, and was found passed out in his hotel room the following morning, after which he was rushed to a local hospital for the next three days. para toda la banda fanatica de la peste negra les dejo la rola con el nuevo intro del 2012 espero q les guste A 4 AÑOS DE LA PARTIDA DE SCOTT WEILAND !!! During the 2015 Fantastica Mania tour of Japan, Mr. Niebla was taken off the shows and later had to be hospitalized during the tour. [21] La Peste Negra's biggest triumph to date is Negro Casas' title win over Místico, earning the group the CMLL World Welterweight Championship . [48] After the incident CMLL announced that Mr. Niebla had been removed from the CMLL 85th Anniversary Show,[48] followed by the Mexico City wrestling commission announcing that they had indefinitely suspended his wrestling license. He was also part of teams that won the CMLL World Tag Team Championship and the CMLL World Trios Championship. Descanse en Paz...Mr. Niebla,el Rey del Guaguanco !!! [16] Mr. Niebla would successfully turn back the challenges of Universo 2000, Apolo Dantés, Shocker, Rey Bucanero and Tinieblas Jr. over the next 543 days. The two were paired up for the 2013 Torneo Nacional de Parejas Increíbles as a way to continue the storyline between the two. [11], On March 30, 2001, Mr. Niebla teamed up with Olímpico and Safari to defeat Blue Panther, Fuerza Guerrera and El Signo to win the Mexican National Trios Championship. Mr Niebla was suspended by CMLL after working a match in August he was clearly not in any condition to wrestle in. [56] CMLL also announced that they were holding a special show, La Noche de Mr. Niebla, on January 24.[3]. Mr. Niebla worked for CMLL from the early 1990s until 2007, and again from 2008 until his death in 2019. In 2008 he, and Negro Casas created the group known as La Peste Negra (Spanish for "the Black Plague") that also includes El Felino and Bárbaro Cavernario. Early on Mr. Niebla worked mainly for one of the local CMLL-affiliates but did manage to win both the IWRG stated that the original Mr. Niebla did not hold the naming rights and a trainer gave him the name with the promotion obtaining permission from the trainer. He was not involved in the first fall, while a visibly upset Volador Jr. removed Mr. Niebla's mask at the beginning of the second fall to draw a disqualification. Efrén Tiburcio Márquez[1] (February 22, 1973 – December 23, 2019), known under the ring name Mr. Niebla, was a Mexican luchador enmascarado (Spanish for masked professional wrestler) who worked for Consejo Mundial de Lucha Libre (CMLL). [50], Mr. Niebla publicly acknowledged that he was an alcoholic, stating in a 2018 interview that his drinking problem had cost him a lot over the years in regards to his career and prosperity. Mr. Niebla explicó que dicha enfermedad es a causa de los estragos que conlleva el ser luchador profesional con el paso de los años, por lo que informó el motivo de su ausencia en funciones anteriores donde los aficionados esperaban ver a su ídolo, se debe a una vieja lesión en el codo derecho que arrastra desde hace tres meses. 『Fantastica Mania 2015』参加メンバーが決定！史上最多17選手が飛来！一挙に6選手が初参戦！", "『Fantastica Mania』1月19日（月）後楽園大会の一部カード変更! He would not return to CMLL for six months, making his return on March 12, 2019. Their second defense against Los Infernales was unsuccessful and on June 23, 2002, Mr. Niebla, Olímpico and Safair lost the Mexican National Trios Title. La Peste Negra se corona en la México", "アトランティス、ミスティコ、ボラドール! Mexico. [15], On April 18, 2003, Mr. Niebla defeated Universo 2000 to become the CMLL World Heavyweight Champion. It was later revealed that his body had rejected the implant he had been given during his previous time away from the ring and it had to be replaced, putting him out of action for approximately a month before he was able to wrestle again. [26] Mr. Niebla was the sixth man to leave the steel cage, keeping his mask safe. The team worked together without too many problems in the initial rounds as they defeated the team of Marco Corleone and Kraneo and then Máscara Dorada and Mephisto to qualify for the semi-finals. carrera de luchador profesional. 裕二郎とメフィストが合体! ", "CMLL: "Voy 'sobres' contra los luchadores más pesados de la empresa": Mr. Niebla", "Resultados Arena México Domingo 26 de Abril '15", "CMLL: 82 Aniversario — Cobertura en vivo — Atlantis vs. Sombra máscara contra máscara — El adiós de Dark Angel", "Arena México Lucha Libre 29 de Marzo de 2016", "Lucha Libre Arena México 15 de Abril de 2016", "Mephisto y Místico, finalistas en torneo increíble de parejas", "Marco Corleone: Nuevo campeon mundial peso completo", "CMLL: Una mirada semanal al CMLL (De 1 al 7 de febrero de 2018)", "Mr. Niebla fuera de la función del 85 Aniversario", "Mr. Niebla volvió a la México, lo ovacionan pero salió derrotado", "Los Hijos de Mr. Niebla: "La Trayectoria de Mr. Niebla no morirá, puede ser que nosotros la sigamos, "Mr. Niebla reconoce su adicción al alcohol y espera superar su enfermedad", "La suspensión de Mr. Niebla: No solo a él deberían sancionarlo", "Mr. Niebla Muere Infeccion Sangre Leyenda Lucha Libre", "Mr. Niebla ha fallecido — Descanse el Apestoso Mayor", "El Último Vuelo del Rey del Guaguancó, Deportivo Pavón", "Lizmark Jr y Mr. Niebla vs Místico y Volador vs Euforia y Gran Guerrero - Cd. The two defeated Blue Panther and Ephesto in the first round, Bobby Z and Máscara Dorada in the second round, before they to Mephisto and Místico in the semi-finals as Mr. Nebla and Volador Jr. were not able to get along long enough to win the match. [43] In the first half of 2016 Mr. Niebla was programmed with Volador Jr. in a feud, which included he two teaming up for the 2016 Torneo Nacional de Parejas Increíbles tournament. [28], At the 2012 Homenaje a Dos Leyendas, Mr. Niebla and Atlantis defeated Rush and El Terrible to win the Torneo Nacional de Parejas Increíbles tournament, where rivals teamed together. Nacido en la Ciudad de los Palacios,antes D.F. [3] At one point his son was training for a professional wrestling career, but did not complete his training at the time. Nacido en la Ciudad de los Palacios,antes D.F. [20] On September 2, 2008 the last Casas brother, El Felino turned Rudo as well and joined La Peste Negra. Afterward, CMLL fired him. [25] On August 16, 2010 it was announced that the recently returned Mr. Niebla would be one of 14 men putting their mask on the line in a Luchas de Apuestas steel cage match, the main event of the CMLL 77th Anniversary Show. Personal life. El tiempo que Mr.Niebla limito en @luchalibreaaa tuve la oportunidad de convivir con el…. Volador Jr. left the ring before the announcement was made. The trio started wearing large afro wigs, painting their faces black and dancing during their entrances and generally worked a less serious style of match than usual, especially for a serious wrestler like Negro Casas. EN PROMOCIONES TRAGEDIAS,PURAS SORPRESAS ! Siempre se dio a notar,de cualquier forma !!! Mr. Niebla was teamed with Héctor Garza and qualified for the finals but ultimately lost to Emilio Charles Jr. and Rey Bucanero. [41], La Peste Negra participated in the CMLL 82nd Anniversary Show, losing to Dragon Lee, Místico and Valiente on the fourth match of the show. On April 29, 1997 La Ola Azul defeated El Satánico, Emilio Charles Jr. and Rey Bucanero to win the CMLL World Trios Championship, Mr. Niebla's first major title victory. [9] Over the next year the team would successfully defend the title twice against the team of Apolo Dantés, Kevin Quinn and Steel and once against the previous champions. [5], In the early 1990s, Mr. Niebla began working for Mexico's largest professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL). Checa sus declaraciones, en el siguiente vídeo. Quizá a la gente se le hace muy insignificante. [12] One week prior, on June 16, Mr. Niebla had teamed up with Atlantis and Black Warrior to regain the CMLL World Trios Title from Dr. Wagner Jr. Blue Panther and Fuerza Guerrera. [3] As part of the show, Drone won the Copa Mr. Niebla trophy. Following the loss Mr. Niebla and Shocker argued and almost came to blows over who was responsible for losing the match. [13] The team defended the titles into 2003, losing them to Dr. Wagner Jr., Universo 2000 and Black Tiger III on March 31, 2003. ゲレーロスと中邑＆オカダがカルテット結成!! [52] Prior to his CMLL return in 2019, CMLL officials informed him that he would be fired if he worked drunk again. [15][16] Around late 2006 to early 2007, Mr. Niebla left CMLL, he would later explain the decision to leave as a desire for him not to "go backward" down the rankings of the promotion, stating that he felt he would get better opportunities elsewhere. Working as Mr. Niebla he would earn the nickname El Caballero del Estilo Diferente (the Gentleman with a different style). [17], When Mr. Niebla returned to CMLL in July 2008, he quickly formed a group with Negro Casas and Heavy Metal called La Peste Negra (Spanish for "the Black Plague), a Rudo group that had a more comical approach to wrestling. [15] On October 12, 2004, Mr. Niebla lost the CMLL World Heavyweight Championship back to Universo 2000 and was unsuccessful in his attempt to regain it. Un Hombre que se entregaba a sus Seguidores !!! On August 28, 2018, Mr. Niebla worked a Tuesday night show for CMLL where he was visibly impaired as he fell off the ropes during his entrance. Mr Niebla quiere, de una vez por todas, renacer, por ello reveló cómo está enfrentando esta nueva etapa. [5] In March 1992 he finally came up with the name "Mr. Niebla" which he used since then. EN ESTA NAVIDAD,CUIDADO AHÍ ESTÁN...PACHECAS A BEL... EN EL SERPENTINO CAFFE,VELADA DE ROCK !!! [51], Notwithstanding Mr. Niebla's claims, there were incidents over the years where he was wrestling despite being in no condition to perform. Distrito Federal Welterweight Championship and the Distrito Federal Tag Team Championship once. [53], Mr. Niebla died from complications of a blood infection on December 23, 2019. El Príncipe de la Niebla es una novela juvenil de misterio y suspenso, escrita por el español Carlos Ruiz Zafón, y publicada en el año 1993.Esta es la primera novela publicada por el autor. [24], After making only a few in-ring appearances, Mr. Niebla disappeared from the CMLL booking sheets once again, replaced with Rey Bucanero. Over the years, he won the Gran Alternativa, Torneo Nacional de Parejas Increíbles, and Leyenda de Azul tournaments. NJPW, reportedly furious at the event, made CMLL pay for the hospital bill, leading the promotion to fire Niebla after his return to Mexico. After the second match the rest of Los Vipers turned on Abismo Negro and ejected him from the group. Este es un espacio para comentar sobre Lucha Libre, Rock, [54][55] Prior to his death, CMLL had announced that they were holding a benefit show for Mr. Niebla on January 4 to help pay for his latest medical expenses, but with Mr. Niebla's passing it became a tribute show, El Ultimo Vuelo del Rey del Guaguanco ("The last flight of the King of Guaguanco"), with the money collected going to his family. Later on, the match was changed to a multi-man steel cage match including all of Los Vipers (Mr. Niebla, Black Abyss, Psicosis II and Histeria) and Abismo Negro with the last person in the cage being forced to unmask. Quizá a la gente se le hace muy insignificante. [42] Mr. Niebla was paired up with rookie Warrior Steel for the 2016 Gran Alternativa tournament, losing in the first round to Rush and Golden Magic. Niebla made his debut as one of Los Vipers, a long-existing faction of villains (known as Rudos in Lucha Libre), and soon began challenging Los Vipers' leader Abismo Negro for the leadership role. In early 2008 the storyline saw the two physically fight over the leadership in matches where the job was on the line. Descargar Sonido De Scorpion Mortal Kombat, Harina De Semilla De Guayaba, Cultivo De Arroz En Bolivia Pdf, A Que Edad Empezaron Los Mejores Boxeadores, Cual Es El Opuesto De Happy, A Partir De Hoy Maite Perroni Novela, Fifa 20 Plantillas, Ropa Nike Mujer Barata, Answer En Español Ateez, Descargar Sonido De Scorpion Mortal Kombat, Harina De Semilla De Guayaba, Cultivo De Arroz En Bolivia Pdf, A Que Edad Empezaron Los Mejores Boxeadores, Cual Es El Opuesto De Happy, A Partir De Hoy Maite Perroni Novela, Fifa 20 Plantillas, Ropa Nike Mujer Barata, Answer En Español Ateez, ">	cc/2021-04/en_head_0013.json.gz/line119
__label__wiki	0.960299	0.960299	Kurt Cobain’s Paintings are Going on Show in Seattle A version of this article appears in Vice with the headline: Kurt Cobain's Paintings are Going on Show in Seattle. By Hannah Ongley Kurt Cobain is following in the footsteps of his artist daughter Frances Bean, kind of. Earlier this year it was announced that Kurt’s widow Courtney Love had sanctioned an exhibition of the former Nirvana frontman’s unseen artworks. The New York Times has now revealed that the works — there are two of them — will be a part of Seattle Art Fair, running August 3-6. Frances currently has her own art show up at Pasadena’s Gallery 30 South. (It closes tomorrow, but sold out weeks ago.) While this is Kurt’s first exhibition, the grunge god’s art chops have long been verified. One of the two works going on show in August is the original painting that was used for the cover of Nirvana’s 1992 B-side album Incesticide. The Times compares Cobain’s style to the death-obsessed Norwegian expressionist painter Edvard Munch, who is best known for “The Scream.” There are strong Edvardian vibes on the Incesticide cover, which depicts a poppy-picking skeleton being pulled by a broken baby doll. Frances plays with similarly macabre themes in her own art. The documentary Montage of Heck — executive produced by Frances — also made good use of Kurt’s personal art. Courtney teamed up with United Talent Agency to organize the new show. It marks the first time that UTA has participated in an art fair, and they’re not stopping with Seattle. UTA director Jonathan Roth said he’s planning to “create a touring exhibition that really tells the story of who Kurt was through artworks, personal artifacts and memorabilia, sort of like what the Rolling Stones did in London.” It makes sense that the practice run is taking place in the home state of Sub Pop Records. As a longtime resident of Seattle, Kurt became pretty much synonymous with the city.	cc/2021-04/en_head_0013.json.gz/line120
__label__cc	0.542168	0.457832	Why Do We Use Free Trade Agreements 21 diciembre, 2020 21 diciembre, 2020 admin Sin categoría The use of certain trade agreements to reduce customs payments requires compliance with all complex rules. Companies must comply with them or risk fines and penalties. Companies must qualify their products and submit certificates of origin that regularly deal with complex lists of parts or lists of parts against the rules of origin of the trade agreements in question, whether it is a free trade agreement, a few or dozens. The time required can paralyze an exporter before trying to understand the potential profits. Free trade policy has not been as popular with the general public. Key issues include unfair competition from countries where lower labour costs are reducing prices and the loss of well-paying jobs for producers abroad. The trade agreement database provided by THE ITC Market Access Card. Given that hundreds of free trade agreements are currently in force and are being negotiated (approximately 800 according to the rules of the intermediary of origin, including non-reciprocal trade agreements), it is important for businesses and policy makers to keep their status in mind. There are a number of free trade agreement custodians available at national, regional or international level. Among the most important are the database on Latin American free trade agreements, established by the Latin American Integration Association (ALADI) [23], the database managed by the Asian Regional Integration Center (ARIC) with information agreements concluded by Asian countries[24] and the portal on free trade negotiations and agreements of the European Union. [25] Few subjects divide economists and the scope of public opinion as much as free trade. Studies show that economists at U.S. university faculties are seven times more likely to support a free trade policy than the general public. In fact, the American economist Milton Friedman said: «The economic profession was almost unanimous on the question of the desire for free trade.» The creation of free trade zones is seen as an exception to the most privileged principle of the World Trade Organization (WTO), since the preferences of the parties to the exclusive granting of a free trade area go beyond their accession obligations. [9] Although GATT Article XXIV authorizes WTO members to establish free trade zones or to conclude interim agreements necessary for their establishment, there are several conditions relating to free trade zones or interim agreements leading to the creation of free trade zones. A better solution than protectionism is to include rules in trade agreements that protect against inconvenience. This view became popular for the first time in 1817 by the economist David Ricardo in his book On the Principles of Political Economy and Taxation. He argued that free trade broadens diversity and reduces the prices of goods available in a nation, while making a better part of its own resources, knowledge and specialized skills. Both types of trading blocs have internal agreements that the parties enter into to liberalize and facilitate trade between them. The key difference between unions and free trade zones is their approach to third parties [lack of ambiguity needed]. While a customs union requires all parties to apply and maintain identical external tariffs on trade with non-parties, parties to a free trade area are not subject to such a requirement. Instead, they can set and maintain any customs regime for imports from non-parties, as they see as necessary. [3] In a free trade area without harmonized external tariffs, the parties will adopt a system of preferential rules of origin to eliminate the risk of trade diversion [necessary ambiguities]. [4] Free trade agreements resemble preferential trade agreements (EPZs) with one exception: while PTA tariffs fall, free trade agreements often eliminate tariffs altogether. Which Countries Signed The Lima Agreement What To Do If Landlord Breaches Tenancy Agreement What Is The Difference Between A Purchase Agreement And A Lease Agreement What Is Click-Through Agreements	cc/2021-04/en_head_0013.json.gz/line121
__label__wiki	0.624369	0.624369	NFL Football is Just Around the Corner! August 31, 2018 • by Victor Mandalawi • In Sports • 0 Last week I wrote about College Football getting started and this week it will be all about the NFL getting started! The season officially starts next Thursday with the defending champion, Philadelphia Eagles, hosting the Falcons. That is a great game to get the season started and the rest of the weekend is full of other great match ups. I wanted to take a look at a few of them and some other games throughout the season that could end up being very important. I also wanted to look at some of the players that could have great seasons possibly leading to MVP honors. What rookies will make an impact for their teams? What teams have the most talent “on paper”? Finally, what teams should end up on top at the end of the season? As mentioned before the Eagles open the season on Thursday. On Sunday there are some great regional games with the Steelers playing the new look Browns. New England is opeing with a tough game against the Texans. The night game features the storied rivalry of the Bears vs. the Packers and we will finish on Monday with 2 more games. One of the games will feature the Rams vs the Raiders. Opening week should prove to be very entertaining. Thanksgiving day will bring us three divisional games that could decide the fate of some teams. Christmas Eve we will be treated to a Broncos vs. Raiders divisional showdown. When playing any sport, especially football, your health plays an extremely important role in your performance. Aaron Rodgers is coming back healthy this year so he will have a leg up on being the MVP. He is the best QB in the league and QB’s usually win MVP awards. He also was recently paid very handsomely! Check out this article to see what other players will have a say in the MVP race. You will see many of the familiar names like Brady and Brees but there are a few new names on this list like Zeke Elliott and Deshaun Watson. Some great defensive players that you could see on this list would be Aaron Donald and Joey Bosa. Rookies also play an important role on teams. Here are a few that should make their mark: Barkley, Chubb, Smith, and maybe even Sam Darnold! I would like to think that a few guys named Luck, Watt, and Rodgers will come back strong this season after their injury woes from last year, so they will be competing for comeback player of the year honors. One great thing about football is that almost every year a team makes a surprising run and ends up in the playoffs. What teams can do that this year? On paper, many of the usual suspects are predicted to finish the season strong. In the AFC, those teams are the Patriots and Steelers. I think the rest of the playoff spots will be up for grabs. A lot of things will need have to go a team’s way for them to end up on top. I think the NFC is not as wide open. There are some very strong teams like the Vikings, Falcons, Packers, Rams, and Saints. One injury could derail a season and one rookie making an impact could propel a team to greatness. I can’t even guess who will win it all, but Sports Illustrated thinks that the Falcons will. The NFL is always entertaining for many reasons. You can follow the traditionally strong teams and you can also bet that an upstart will join the teams at the top. The league is full of great players that do phenomenal things. The season is full of ups and downs and that can create plenty of excitement. When you add up all of these ingredients you end up with one great season. I can’t wait! College Football is Almost Back! Last season ended on January 8th with the Alabama Crimson Tide as the National Champion. It seems as if that game was just played and we should not be thinking about another season starting so soon. Well, the season starts in less than a week. I have not followed much in the “offseason” and wanted to take a look at the teams favored to win it all and the players that will make a splash this season. I also wanted to take a look at some of the marquee games on opening weekend this year. The season technically starts tomorrow, but there are only a handful of games being played and none by a team in a power conference. The first ranked team to play will be UCF and that is in a primetime slot on Thursday night. However, a Big Ten battle with Purdue and Northwestern will probably be the most watched game of the evening. Friday will be a slow evening, but we will get to see Stanford play their first game. On Saturday, the games will heat up and we will get to see FAU and Lane Kiffin take on Oklahoma. The best game of the day will most likely be Washington vs. Auburn. Both teams are ranked highly and an early win will help propel them to a higher rank. Normally you would not have a Sunday or Monday game, but the NFL does not start until the following week so we get to be entertained with Miami vs. LSU on Sunday night with Va. Tech vs. FSU on Monday. Anyone that has missed the sport will surely be able to get their fix with 5 days in a row of prime time games being played. What players will be competing for the Heisman Trophy this year? Here is a pretty good list of players that have a shot at winning it. Bryce Love from Stanford is first in line since he was the runner up last year. He ran for over 2,000 yards last year but it would be really hard to beat that number this year. Taylor from Wisconsin is another running back that has a shot to hit the 2,000 yard mark since he could be running behind the best line in the country. Some other players will certainly enter this conversation as the season unfolds. It usually helps the player if his team is in the running at the end of the year. Just remember that the Heisman Trophy does not always go to the best player. As you can see in this article, there are a ton of great players that won’t even be mentioned to win the trophy. What two teams do you think are at the top of the Power Rankings? No surprise that it is Clemson and Alabama. The Big Ten may have something to say about those top teams as they have Ohio St, Penn St, and Wisconsin that figure to be very strong. Will the Urban Meyer Saga effect Ohio St? Only time will tell. The SEC will also have strong teams with Georgia and Auburn. Michigan and Michigan State round out the Big Ten, but they can only have so many good teams. Eventually they just beat each other up and their records won’t be good enough to get to the final four. The Pac-12 has nice teams with Stanford, USC, and Washington. At some point a team not listed here will make a run and it will be fun to watch. Before we know it the season is upon us. I cant wait to see what teams will survive the gauntlet of the regular season and conference championship games to earn the right to be in the final four. Last year was the first year for it and it was very entertaining. Are your teams favored to make a run? What players will produce enough during the season to get them in the Heisman conversation? I know I can’t wait for it to all begin! 2018 Pro Football Hall of Fame A couple of weeks ago I wrote about the baseball hall of fame and now it is time to write about the Pro Football Hall of Fame. The enshrinement takes place in Canton, OH and the NFL preseason usually kicks off during that weekend as well with the annual Hall of Fame Game. This year the game featured the Bears and the Ravens, which is fitting considering the players being enshrined. This year the Hall inducted Brian Dawkins, Randy Moss, Terrell Owens, Ray Lewis, Brian Urlacher, Bobby Beathard, Robert Brazile, and Jerry Kramer. All of these people are very deserving and I wanted to take a look at their respective careers. Also, does it surprise you that controversy surrounded T.O.? Ray Lewis is probably the most accomplished member of this class. He played for 17 seasons and was able to make 12 Pro Bowls. We was a member of an all decade team. He was able to win the Super Bowl twice while being the MVP of one of those games. All 17 of his seasons were played for the Ravens and clearly he is at the top of the list of all time great Ravens. Brian Urlacher played 13 seasons for the Chicago Bears and was an athletic marvel. He was very unique because of his combination of speed and size. He played in 8 pro bowls and was also a member of an all decade team. He was a defensive rookie of the year and also a defensive player of the year. Urlacher is joining all time great Chicago Bears like Dick Butkus and Mike Singletary. Did you notice he has hair now? Brian Dawkins played for 16 seasons and made 9 pro bowls. He played the majority of his career in Philly and finished the last three years in Denver. He was a great player that was associated with plenty of winning teams. The next two players are wide receivers and they have been known to be controversial throughout their career. That really did not change during the enshrinement process. Randy Moss was a game changing special talent. He scored over 150 touchdowns and had more than 15,000 receiving yards. Both are awesome accomplishments. He is taking heat for his tie at the enshrinement ceremony. Terrell Owens is another WR that made the Hall this year. Just like Moss, Owens was able to compile massive numbers during his career. He has also been a controversial figure throughout this career with many different antics. He may have saved the most controversial act as his last by bucking the tradition of giving the enshrinement speech in Canton. Owens gave his speech from his College, bypassing Canton altogether. The last three members include two veterans committee choices in Jerry Kramer and Robert Brazile. Both players were very deserving and probably should not have had to wait this long. The other selection was Bobby Beathard. He is considered one of the best talent evaluators of all-time. His teams have won 4 Super Bowls over the years. I am fortunate enough to have watched most of these players make their mark in the league, especially the 5 younger inductees. They are all special players in their own right and certainly deserved to be in the Hall of Fame. Some may not admit it, but it has to be very gratifying to be among this group. Their hard work paid off and they reached the pinnacle of their profession!	cc/2021-04/en_head_0013.json.gz/line122
__label__wiki	0.669603	0.669603	Featured Local economic• uk new year• Russia• Benjamin Netanyahu• Turkish Airlines• N.Ireland reopens schools, teachers’ unions worried Region’s schools have been closed since March due to coronavirus pandemic AVRUPA - officer, said that it was safe for children to return to school. He was backed by Northern Irish Education Minister Peter Weir, who said: “Schools are not unsafe places for children and they are not unsafe places for teachers either. “Very, very few, if any, children will come to harm as a result of attending school, but there is evidence of the long-term harm to children's education, life opportunities, mental health and well-being from not attending school. “There is clear unequivocal evidence that children are less likely to catch COVID-19, where they do most of them will have mild to moderate symptoms and in most cases they will make a very full recovery. “There is a very, very low - indeed an incredibly low incidence - of serious disease within children and they are also less likely to transmit the virus.” Unions disagree, saying they have not been given enough time to fully implement the new guidelines issued by the Northern Irish government earlier this month. The National Association of Schoolmasters Union of Women Teachers, the largest teaching union in Northern Ireland, said the reopening could lead to a second wave of coronavirus infections by Halloween. The Northern Irish government gave schools £42 million ($54.9 million) to fund the restarting of schools, with the money to be used for substitute teachers and personal protective equipment among other related needs. “I fully recognise the stresses felt by teachers, parents and pupils due to the ongoing disruption and uncertainty regarding the future,” Weir said. “My key priority has always been to ensure all of our children and young people return to school on a full-time basis, as soon as it is safe to do so.” Peter WeirN.Ireland Day-Mer Youth: Make Schools Safe New National Restrictions from 5 November Turkish students leave native speakers behind UK, Schools open for more pupils but parents still... Teachers' Unions demand assurances over 1 June...	cc/2021-04/en_head_0013.json.gz/line123
__label__wiki	0.722091	0.722091	Nicole Chia Year CS'16: Nicole Chia (CS’16) picked up her first tennis racquet when she was 10. From then, her interest in sports journalism grew in tandem with her admiration for Spanish tennis star Rafael Nadal. Bringing her love for tennis to the newsroom, Chia did a six-month internship at The New Paper’s sports desk as an undergraduate. In her final year, she continued as a stringer, covering regional sporting events such as the 28th Southeast Asian Games and the 8th ASEAN Para Games. Currently a sports journalist at The Straits Times, Chia reports on local and international sports. As part of her work, she covers everything from breaking news and sporting events to feature profiles on Simona Halep and Andre Agassi. “My favourite thing about the job is that no two days are the same,” said Chia, who was the sports editor for The Nanyang Chronicle in 2016. Chia’s job has brought her to multiple places across the globe, including the 2017 Roland Garros in Paris, the 2017 SEA Games in Kuala Lumpur and the 2018 Asian Games in Jakarta. Chia even missed her own convocation to cover the ASEAN Schools Games in Chiang Mai. Being a journalist over the years has taught Chia how to think on her feet, and to ask a questions in various ways to get the best answers for the story. Chia said: “I’ve learnt how to adapt when things don’t go as planned, that some things are beyond my control and I shouldn’t panic about them.” Urging juniors to enjoy their schooling years while they can, Chia said: “When the time comes, enter the working world with an open mind and a humble attitude.” ‹ PREV CLASS NOTES Daphne Tan NEXT CLASS NOTES › Joy Tan	cc/2021-04/en_head_0013.json.gz/line124
__label__wiki	0.660454	0.660454	Bruce Baldwin's Obsessive Music Creation Blog The Abduction of Jane Doe Ascent's newest recording is The Abduction of Jane Doe. It's likely the creepiest, most guitar-heavy song we've ever recorded together. We've been playing this song live all summer, and we're excited about the positive reaction it's been getting. Christina wrote the words, a dark story inspired by the many "true crime" shows she watches, and maybe the movie "The Lovely Bones." It's all a bit scary! When I first looked at the words, I wanted to write something that would be a cyclical repeating riff, to sound like running away or a heart racing. I came up with the 5/8 guitar riff by banging away at the piano until I found something I liked. I didn't really intend for it be in five, it just came that way. The song stays in 5/8 or 5/4, depending on your perspective, the whole time. My favorite part is the second guitar riff that sounds like it might be in 6/8, but it's actually in 5/8. Again, not intentional, but it works. Underneath that riff, I'm playing a syncopated pattern on the ride cymbal, potentially confusing the ear further. That part was on purpose! But the amazing thing is, it all holds together as a nice groove, and you can dance to it! (No, really. I have documented proof of people dancing to this song at two different shows this year). It was an especially daunting (and welcome) challenge as a songwriter to be given lyrics for the chorus that just say "Oh No!" This is not something that naturally inspires melody! For the longest time, I kept trying to write something that sounded like it should be on an early Black Sabbath record. It wasn't going to work. I eventually returned to endless noodling on the piano to come up with the chords and melody you hear. Christina's "sweet spot" as a singer has inched ever higher, and I formulated the melody to take advantage of that. In the end, the song is a very effective collaboration between Christina and me. I would never have written the music if she hadn't written these words. And the words are intriguing and draw you in. The piano sound I sampled from a toy piano Christina's friend bought at a thrift store, long before the song was written. I sampled each of the keys on the piano and loaded the samples into my HandSonic, thinking the sound would eventually be useful for something. I mixed the sound together slightly with a marimba sound to improve the tone. It felt like the right instrument to set the mood for this ominous song. I've been playing that part on the HandSonic at gigs, and I played it on HandSonic on this recording. The drums were recorded in our living room. Returning to recording live drums after using solely electronics for our last CD has been an adventure in trial and error when it comes to mixing and mic placement, but I'm happy with it. I'm learning to enhance the right frequencies, eliminate the bad ones, and add the right kinds of compression. I don't remember if I mentioned I got a new snare drum earlier this year, a Tama S.L.P. G-Bubinga wood snare. I love it. I've finally given up on the brass snare I played for 30 years! The tone is so much easier to record. As for the guitar, Christina kept pushing me to make it sound heavier, thicker, crunchier. It's an exciting change for us. We're just not that polite coffeeshop act anymore! Well, at least not all the time. We hope you like the recording and would love to hear your comments. Learn how to put a song on itunes at ReverbNation.com Bruce Baldwin is a composer and multi-instrumentalist based in Orange County, California. Bruce's Facebook Fan Page Bruce's Reverb Nation Page	cc/2021-04/en_head_0013.json.gz/line135
__label__wiki	0.720976	0.720976	Four things you didn't know about 'O Holy Night' By Jonathan Elejorde What do Mariah Carey, the cast of Glee and South Park's Eric Cartman have in common? They've all recorded the Christmas classic O Holy Night. This Christian favourite is a powerful hymn that reduces many to tears and conveys both the majestic glory and redemptive aspects of the Christmas story. Well known for its beautifully arranged score and spine tingling high notes, O Holy Night can be heard everywhere from shopping malls to cathedrals during December. Here are four surprising facts about this carol favourite: 1. The author was not a Christian According to the book Stories of Best Loved Christmas Songs the original text of O Holy Night was written in 1847 by a French poet named Placide Cappeau. After being approached by the local priest Cappeau was commissioned to write a poem in celebration of the church's new organ. The Priest's request may have come as a surprise for Cappeau, who was not considered a godly man, but he obliged. Pondering the Gospel of Luke, Cappeau wrote Minuit, Chrétiens (Midnight, Christians) as he imagined what it would have been like to witness Christ's birth. Cappeau then approached his good friend and composer, a Jewish man named Adolphe Charles Adams, to put the words to music. Three weeks later Cantique de Noel (O Holy Night) premiered at a midnight mass and became a firm favourite amongst French congregations. When Church leaders discovered that Cappeau had formally renounced the Church to join a Socialist movement, and that the song's composer was Jewish they took it off the playlist. Despite being banned in churches Cantique de Noel continued to gain popularity in homes around France. 2. The song was a favourite of abolitionists during the American Civil War In 1855 American writer John Sullivan Dwight discovered the song and was inspired by the powerful lyrics about Christ's victory over the oppression of sin and the brotherhood of men under God. Dwight rejigged the lyrics slightly to read, 'Truly he taught us to love one another; his law is love and his gospel is peace. Chains shall he break, for the slave is our brother; and in his name all oppression shall cease'. O Holy Night was published in his magazine, Dwight's Journal of Music and quickly gained popularity with American audiences, especially in the North during the Civil War. 3. It was the first song ever broadcast live Canadian inventor Reginald Fessenden was an early pioneer of radio broadcasting and claimed to have made the first ever transmission of voice and music. Fessenden alleges that on December 21 1906 he broadcast a recording of Handel's Largo, followed by his own voice reading the Gospel of Luke and then a live rendition of O Holy Night on the violin. There is some dispute over whether this was in fact the first transmission of voice and song, with some suggesting Fessenden fabricated the story to place himself at a key moment in history. Others claim the broadcast was a Christmas miracle. 4. It is a modern favourite Okay, so maybe you already knew that this song is pretty popular! Songfacts.com reports that O Holy Night beat Silent Night and Once in Royal David's City to be the most downloaded carol in the UK in 2009. Official Charts Company Managing Director Martin Talbot attributes the song's modern success to the prevalence of recordings from popular divas such Celine Dion, Katherine Jenkins and Mariah Carey. What is it about O Holy Night that makes it such a crowd pleaser? Some will argue the operatic score and extraordinary vocal range needed by the soloist make it a dramatically beautiful Christmas carol. But O Holy Night is more than just lovely music. The meaning behind the words turns our hearts to the reason why we celebrate Jesus' birth. Surely the birth of an ordinary baby is wonderful – but not worth celebration more than 2000 years later? However, Jesus was no ordinary baby. His birth marks the occasion when God became a human, when God became one of us. At Christmas we remember why Jesus came. As the song says, 'long lay the world, in sin and error pining. Till he appeared, and the soul felt its worth.' The world needed a saviour, someone who would provide a way out of the mess of sin and make us right with God. O Holy Night points to Easter where we remember Jesus' death and resurrection; when we celebrate the perfect exchange of a sinless life for our sinful ones. Such a sacrifice requires a response, just as the lyrics suggest, 'fall on your knees, O hear the Angel voices.' I pray that as we listen to O Holy Night this Christmas our attention will be drawn away from shopping, overeating and endless images of Santa. I pray that our attention would be drawn to the one who made that holy night truly divine. Sophia Sinclair has qualifications in English, Theatre and Journalism. She joined the NZCMS staff team as Communications Officer in 2009 after working as a radio journalist. Sophia has been working as a freelance writer and editor while on maternity leave during 2014. She lives in Christchurch with her husband Andrew and their son Guy. Sophia Sinclair's previous articles may be viewed at http://www.pressserviceinternational.org/sophia-sinclair.html	cc/2021-04/en_head_0013.json.gz/line141
__label__wiki	0.915771	0.915771	Home Archive by Category "MAKING OF" How were these songs made. What inspired them to be written the melodies and sounds deconstructed and explained. The Making Of 21 Savage and J. Cole’s “a lot” With DJ Dahi \| Deconstructed 21 Savage’s “a lot” featuring J. Cole peaked at No. 12 on the Billboard Hot 100 with 281 million YouTube views to date. It is produc... The Making Of Internet Money’s “Lemonade” \| Deconstructed Internet Money’s “Lemonade” with Don Toliver, Gunna, and NAV peaked at No. 6 on the Billboard Hot 100 with 76 million YouTube views... Joachim Pastor on creating Right Now – The Track While Versailles is famous for being the home of Louis XIV’s opulent royal palace, it boasts another ex-resident who also enjoys the... The Making Of BTS’ (방탄소년단) “Dynamite” With David Stewart \| Deconstructed BTS (방탄소년단)‘ first English hit, “Dynamite,” peaked at the top of the Billboard Hot 100 with 577 million YouTube views to date. It is... The Making Of Jack Harlow’s “WHAT’S POPPIN” With jetsonmade & Pooh Beatz \| Deconstructed Jack Harlow’s explosive hit “WHAT’S POPPIN” peaked at No. 2 on the Billboard Hot 100 and has spent 35 weeks on the chart to date. It... The Making Of J Balvin & Tainy’s “Agua” \| Deconstructed J Balvin and Tainy’s “Agua” is featured in the 2020 film, The SpongeBob Movie: Sponge On The Run, and samples the show’s popular the... Shadow Child breaks down Mars – The Track Longtime Future Music readers will be no stranger to one Simon Neale aka Shadow Child, Dave Spoon, Polymod and various other dance m... Mike WiLL Made-It Mentors Kelley Janáe On Her Genius Home Studio Beat \| Deconstructed Sessions Genius recently partnered with HP to launch Genius Home Studio, a multi-part program virtually pairing aspiring and established arti... The Making Of Pop Smoke’s “Dior” With 808 Melo \| Deconstructed The late Pop Smoke’s “Dior” became his first solo hit on the Billboard Hot 100 with 102 million YouTube views to date. It is produce... The Making Of DaBaby’s “ROCKSTAR” With SethInTheKitchen \| Deconstructed DaBaby’s “ROCKSTAR” featuring Roddy Ricch peaked at No. 1 on the Billboard Hot 100 with 351 million Spotify streams to date. It is p...	cc/2021-04/en_head_0013.json.gz/line142
__label__wiki	0.620331	0.620331	Accommodation Apartments in Edinburgh Edinburgh Apartments \| Apartments in Edinburgh Arrival Date: Nights: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 Number of People: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 Princes Street Party Palace III Edinburgh Apartment (Private Edinburgh Group Accommodation) 22 BEDS About the Apartment Our Edinburgh group apartment is the perfect place for groups of up to 22 coming to the capital, whether it's to see our many historic tourist attractions, celebrate a birthday, have a hen/stag weekend or just a group getaway, this apartment from Edinburgh Group Accommodation has everything you require. Conveniently located in the West End of Edinburgh, our Edinburgh group apartment is an excellent choice, surrounded by pubs, restaurants, cafes, clubs and shops. The apartment is composed of a living room with TV & stereo, fully kitted kitchen with all pots, pans, crockery and glasses included, plenty of toilets and showers for a large group, and 22 single beds between 5 bedrooms. We also operate 24 hour security and have free WiFi. Our private group party apartment is within walking distance of both Waverley and Haymarket train station, and Edinburgh airport is just a 25 minute bus/tram ride away. Situated at the west end of Princes Street, it is an ideal location for shoppers with many of our guests frequently visiting Primark, Debenhams, and many other popular high street shops in the area. Tourist attractions such as Edinburgh Castle, Arthur's Seat, and Mary Kings Close are all within walking distance, as well as Edinburgh's vibrant nightlife. TO BOOK WE REQUIRE A 15% DEPOSIT UPFRONT WITH THE OUTSTANDING BALANCE DUE 28 DAYS PRIOR TO CHECK IN. Within 200 metres of the front door - Zizzi's Italian restaurant, The Rat Pack piano bar, Ghillie Dhu ceilidh venue, Ask Italian, Pizza Express, Tesco Metro, Sainsbury's Local, Starbucks, Greggs, Subway, Pret A Manger, Ryan's Irish Sports Bar, Angels Share, Tiger Lily, 2 large Wetherspoons pubs, Wagamama, Indigo Yard, The Foundry, Oddbins, Bar Burrito and high street shopping on Princes Street. Please select month and click arrival date Full length mirror Individual Showers Located near Edinburgh Castle Towels for hire Top Edinburgh Apartment Searches Edinburgh City Centre Apartments Edinburgh Royal Mile Apartments Edinburgh Old Town Apartments Edinburgh New Town Apartments Edinburgh Hen Party Apartments Edinburgh Apartments With Free Parking Edinburgh Rugby Group Apartments Edinburgh Stag Party Apartments Edinburgh Castle Apartments Edinburgh Large Group Apartments Edinburgh One Bedroom Apartments Edinburgh 2 Bedroom Apartments Edinburgh Disabled Access Apartments Edinburgh Swimming Pool Apartments Edinburgh Festival Apartments Edinburgh Family Apartments Edinburgh Business Apartments Edinburgh Apartments With WIFI Internet Edinburgh Ideal Festival Location Apartments Edinburgh Hen Party Apartment \| Edinburgh Stag Party Apartment \| Edinburgh Group Apartments \| Edinburgh Group Accommodation	cc/2021-04/en_head_0013.json.gz/line146
__label__cc	0.683915	0.316085	Every day a thread makes a skein in the year. Every day cannot be a feast of lanterns. Every day gives you another chance. Every day has it night. Every day has its evening. Every day hath its night, every weal its woe. Every day in thy life is a leaf in thy history. Every day is not a holiday. - Proverb, (Dutch, Italian) Every day of your life is a page of your history. - Proverb, (Arabic) Every ditch is full of after-wit. Every ditch is full of your after-wits. Every dog has his day. Every dog is a lion at home. Every dog is allowed one bite. Every dog is entitled to one bite. Every dog is valiant in his own kennel. Every door may be shut but death's door. Every elm has its man. Every error has its excuse. - Proverb, (Polish) Every eye has its look. - Proverb, (Palestinian) Every fault is laid at the door of the hyena, but it does not steal a bale of cloth. - Proverb, (Hausa) Every flood has it ebb. Every fly has its shadow. Every foal is not like its sire. Every fool can find faults that a great many wise men can't remedy. Every fool is different. Every fool is pleased with his bauble. Every fool is wise when he holds his tongue. Every fool likes his bauble. Every fool thinks he is clever enough. Every fool wants to give advice. Every fox likes a henroost. Every fox looks after his own skin. Every glowworm is not a fire. Every great thing only consists of many small particles united. Every hair casts its shadow. - Proverb, (Portuguese, Spanish) Every hare may pluck the dead lion's mane. Every herring must hang by its own gill. Every hill has its valley. Every hooked beak is maintained by prey. Every horse thinks his own pack heaviest. Every house has its cross. Every innovation startles us more by its novelty than it benefits us by its utility. Every invalid is a doctor. - Proverb, (Irish) Every Jack has his Jill. Every labourer is worthy of his hire. Every land has its own law. Every land to its own custom, every wheel its own spindle. Every law is broken to become a king. Every life has its joy, every joy its law. Displaying page 133 of 414 for this topic: << Prev Next >> 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 [133] 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414	cc/2021-04/en_head_0013.json.gz/line149
__label__cc	0.564315	0.435685	The Kobold Guide to Board Game Design September 18, 2011 by Paco G. Jaen By Megan Robertson Ever fancied creating your own board game? Or just want to understand some of the underlying concepts? Publisher’s blurb: “Pull up a chair and see how the world’s top game designers roll. “You want your games to be many things: Creative. Innovative. Playable. Fun. If you’re a designer, add ‘published’ to that list. “The Kobold Guide to Board Game Design gives you an insider’s view on how to make a game that people will want to play again and again. Author Mike Selinker (Betrayal at House on the Hill) has invited some of the world’s most talented and experienced game designers to share their secrets on game conception, design, development, and presentation. In these pages, you’ll learn about storyboarding, balancing, prototyping, and playtesting from the best in the business. “Whether you’re a game enthusiast who wants a deeper understanding of the hobby, an aspiring designer looking to break into the industry, or a seasoned pro who knows there’s always more to learn, there’s something for you in the Kobold Guide to Board Game Design.” Megan’s Review In his Foreword, lead author Mike Selinker tells a tale about a rather hot Thai curry, and thus gives an insight into how his mind works. You may or may not like your curry hot, but reading this book will give you an insight into how a whole bunch of successful game designers go about designing games that people will buy and play. If you want to turn inchoate ideas into workable – and saleable – board games, or just want to know a bit more about how your favourite games came to be, and about the underlying concepts that make good games, read on. The book is made up of four sections, and a mastery of ALL of them is necessary to create a successful game. Some fortunate souls may manage that for themselves, others need to develop the ability to find others who can fill in the gaps. First is actually coming up with a concept, which then has to be designed, developed, and finally presented: first to a publisher and then to the paying gamer public. Each section contains several essays by the people who made some of the games that sit on your shelves and which you enjoy playing. Part 1: Concepting is all about what sort of games you might want to make, and who is actually going to play them. First, a board and card game designer called James Ernest (think Kill Doctor Lucky) draws the important distinction between a game and its rules. However vital they may be, a game’s rules are just one part of what makes up the whole; and if the whole package isn’t fun, that game won’t get played. Moreover, although you can break down a game into its component parts, and even take its ruleset apart to see how it works, that probably won’t help you design a different game – you need components for the game you are thinking of, and whilst you may well be inspired by something that works well elsewhere, you cannot guarantee that it will be as good with the concept you are kicking around. Right at the beginning you need a child-like imagination of what sort of game you want to play and why… but that needs to be the real reason. Some games make the players feel smart, some make you laugh, others let you imagine that you are something that you are not, some are familiar and comfortable because you don’t need to worry how to play them. Next, Richard Garfield (Magic: The Gathering) states that the best way to understand games so as to design your own is to play loads and loads of other games, thinking about what works, and why, as you do so. And don’t just play the sort of game you’d like to make, play any sort you can get your hands on, watch game shows and more. Inspiration can come from the strangest and most unlikely places! (My family complain that I seem to reduce everything to ‘How would this work in a game?’…) Then Jeff Tidball muses on how each game tells a story, and gives guidance on how to develop it, drawing on classical influences. One thing that’s been mentioned is how game design has not been as subject to critical analysis and study as has music or literature. To understand and appreciate game design, you need a measure of such an academic approach. This is followed by Matt Forbeck comparing mechanics and metaphor, showing how both are important; and Mike Selinker discussing game ownership. This may sound woefully dull, the sort of class you might doze through, but it’s not. Each essay is well-written and entertaining as well as informative and thought-provoking. Part 2: Design moves on from these underpinning but quite general comments to look at the methods of deciding how a given game is actually going to work (and how to determine if it actually does as intended!). It opens with Andrew Looney (Fluxx) describing his own thought processes, how he goes about that strange activity of designing a game. Oddly, it sounds a bit like what goes on in my head, then it turns out that he’s also a software designer which is one of the things I’ve done in real life… Fascinating stuff, though, even if your mind doesn’t work this way. Next up, Rob Daviau talks about intuitive design, how with many of the best games it’s just plain obvious how to play – even if you spend the rest of your life figuring out how to play it really well! Lisa Steenson next contributes a piece about ‘gateway’ games – the ones that sucker people into the hobby of game playing – and how to make them. Mike Selinker is next with a look at some of the all-out show-stopping game mechanics, a fine tour of what’s outstanding in gaming. It’s noticeable that most contributors (except Lisa Steenson) tend to spread their net wide and talk about other people’s games as much as they do about those they’ve written themselves. This is followed by James Ernest again, talking about strategy, skill and luck within your game mechanics; closely followed by a second piece from the same pen about decision-making in gambling games… which are not all to be found in the casino! In some ways, Part 3: Development, is where it gets tough. Coming up with ideas, working out mechanics and testing them, those are fun activities and because we like them, we are reading this book. But this section looks at the grunt-work that takes something that’s fun and turns it into a robust game that’s ready for the final step to take it to the marketplace, the hard work that turns ‘good’ into ‘great’ and is why most ideas for games stay just that: ideas. Dale Yu kicks off by looking at the development of the game Dominion, for which he was part of the development team, and extrapolating from that to discuss the very essential role of ‘development – the honing of the original design – in the creation of games people will want to buy and play. Fascinating reading, as in the next piece by Paul Peterson about balance – and the creative uses of the lack thereof – in collectable card games. It is these details that make all the difference between something that is fun with your friends and something that can be sold to, and played by, gamers worldwide. Then Dave Howell focusses on the vitally-important point that must not get lost amidst the search for game perfection: it must remain FUN to play! He looks at some of the pitfalls that can spoil the game for at least some of the players. Delving deeper, Mike Selinker writes on the topic of writing precise rules: the sort that make sense at the first reading, and still do after hours of gameplay and a few beers. They don’t only need to be clear, they also have to enable the game to be played with minimal effort – you’re not there to apply rules, you’re there to play a game! Teeuwynn Woodruff finishes this section, with a look at playtesting and how to make sure it’s done to good effect. Finally, we come to Part 4: Presentation. This is all about coverting your fun, playable game into a saleable commodity, and then selling it. It opens with Steve Jackson (of GURPS and Steve Jackson Games fame) on the trials of prototyping. Your prototype is what you tout around publishers in the hope they’ll want to take your game on. Steve goes through some of the awful mistakes he’s seen in a long and profitable career, in the hopes that we’ll avoid them. Next, Dale Yu is back with some of the things that you should do with your prototype. So, with your nice prototype getting potential publishers slavering, read Richard Levy’s piece on pitching and turn the interest into an actual sale. Finally, Michelle Nephew writes on the processes involved in getting your game from proposal to print, all the tough (and expensive) things that it is far better for a game designer to have his publisher do for him. Stick to what you know and are good at, and let others contribute the things that they do well. Even if you never design a game, you will look at every game that you play in a different light. If you really absorb the wisdom herein and apply it to your killer game idea… your game will be welcome on my review pile! The Kobold Guide to Board Game Design is available from: Filed Under: Board Games Tagged With: betrayal, board, creative, design, designer, fun, game, Guide, hill, house, indiser, innovative, kobold, playable, publisher	cc/2021-04/en_head_0013.json.gz/line151
__label__wiki	0.842726	0.842726	Title: Hermann Hesse Subject: German literature, Thomas Mann, 20th century in literature, Steppenwolf (film), Four Last Songs (1877-07-02)2 July 1877 Calw, Württemberg, German Empire 9 August 1962(1962-08-09) (aged 85) Montagnola, Ticino, Switzerland Novelist, short story author, essayist, poet German, Swiss The Glass Bead Game, Demian, Steppenwolf, Siddhartha Notable awards Goethe Prize (1946) Nobel Prize in Literature (1946) Hermann Hesse (German: ; 2 July 1877 – 9 August 1962) was a German born, Swiss poet, novelist, and painter. His best-known works include Steppenwolf, Siddhartha, and The Glass Bead Game, each of which explores an individual's search for authenticity, self-knowledge and spirituality. In 1946, he received the Nobel Prize in Literature. 1.1 Family background 1.2 Childhood 1.4 Becoming a writer 1.5 Between Lake Constance and India 1.6 During the First World War 1.7 Casa Camuzzi 1.8 Later life and death 2 Influence 5 Film adaptations Hermann Karl Hesse[1] was born on 2 July 1877 in the Black Forest town of Calw in Württemberg, German Empire. His parents served in India at a mission under the auspices of the Basel Mission, a Protestant Christian missionary society. Hesse's mother, Marie Gundert, was born at such a mission in India in 1842. In describing her own childhood, she said, "A happy child I was not..." As was usual among missionaries at the time, she was left behind in Europe at the age of four when her parents went to India.[2] Hesse's birthplace, 2007 Hesse's father, Johannes Hesse, the son of a doctor, was born in 1847 in the Estonian town of Paide (Weissenstein). In his own way, Dr Hesse was just as tyrannical as Dr Gundert.[3] Johannes Hesse belonged to the German minority in the part of the Baltic region, which was then a part of the Russian Empire, thus his son Hermann was at birth both a citizen of the German Empire and the Russian Empire.[4] Hesse had five siblings, but two of them died in infancy. In 1873, the Hesse family moved to Calw, where his father worked for the Calwer Verlagsverein, a publishing house specializing in theological texts and schoolbooks. Hesse's grandfather Hermann Gundert managed the publishing house at the time, and Johannes Hesse succeeded him in 1893. Hesse grew up in a Swabian Pietist household, with the Pietist tendency to insulate believers into small, deeply thoughtful groups. Furthermore, Hesse described his father's Baltic German heritage as "an important and potent fact" of his developing identity. His father, Hesse stated, "always seemed like a very polite, very foreign, lonely, little-understood guest."[5] His father's tales from Estonia instilled a contrasting sense of religion in young Hermann. "[It was] an exceedingly cheerful, and, for all its Christianity, a merry world... We wished for nothing so longingly as to be allowed to see this Estonia ... where life was so paradisiacal, so colorful and happy." Hermann Hesse's sense of estrangement from the Swabian petty bourgeoisie further grew through his relationship with his grandmother Julie Gundert, née Dubois, whose French-Swiss heritage kept her from ever quite fitting in among that milieu.[5] From childhood, Hesse appeared headstrong and hard for his family to handle. In a letter to her husband, Hermann's mother Marie wrote: "The little fellow has a life in him, an unbelievable strength, a powerful will, and, for his four years of age, a truly astonishing mind. How can he express all that? It truly gnaws at my life, this internal fighting against his tyrannical temperament, his passionate turbulence [...] God must shape this proud spirit, then it will become something noble and magnificent – but I shudder to think what this young and passionate person might become should his upbringing be false or weak."[6] St. Nicholas-Bridge (Nikolausbrücke), one of Hesse's favorite childhood places. Click to see an enlarged image, in which the statue of Hesse can be seen near the center. Hesse showed signs of serious depression as early as his first year at school.[7] In his juvenilia collection Gerbersau, Hesse vividly describes experiences and anecdotes from his childhood and youth in Calw: the atmosphere and adventures by the river, the bridge, the chapel, the houses leaning closely together, hidden nooks and crannies, as well as the inhabitants with their admirable qualities, their oddities, and their idiosyncrasies. The fictional town of Gerbersau is pseudonymous for Calw, imitating the real name of the nearby town of Hirsau. It is derived from the German words gerber, meaning "tanner," and aue, meaning "meadow."[8] Calw had a centuries-old leather-working industry, and during Hesse's childhood the tanneries' influence on the town was still very much in evidence.[9] Hesse's favorite place in Calw was the St. Nicholas-Bridge (Nikolausbrücke), which is why the Hesse monument was erected there in 2002. Hermann Hesse's grandfather Hermann Gundert, a doctor of philosophy and fluent in multiple languages, encouraged the boy to read widely, giving him access to his library, which was filled with the works of world literature. All this instilled a sense in Hermann Hesse that he was a citizen of the world. His family background became, he noted, "the basis of an isolation and a resistance to any sort of nationalism that so defined my life."[5] Young Hesse shared a love of music with his mother. Both music and poetry were important in his family. His mother wrote poetry, and his father was known for his use of language in both his sermons and the writing of religious tracts. His first role model for becoming an artist was his half-brother, Theo, who rebelled against the family by entering a music conservatory in 1885.[10] Hesse showed a precocious ability to rhyme, and by 1889–90 had decided that he wanted to be a writer.[11] In 1881, when Hesse was four, the family moved to Basel, Switzerland, staying for six years and then returning to Calw. After successful attendance at the Latin School in Göppingen, Hesse entered the Evangelical Theological Seminary of Maulbronn Abbey in 1891. The pupils lived and studied at the abbey, one of Germany's most beautiful and well-preserved, attending 41 hours of classes a week. Although Hesse did well during the first months, writing in a letter that he particularly enjoyed writing essays and translating classic Greek poetry into German, his time in Maulbronn was the beginning of a serious personal crisis.[12] In March 1892, Hesse showed his rebellious character, and, in one instance, he fled from the Seminary and was found in a field a day later. Hesse began a journey through various institutions and schools and experienced intense conflicts with his parents. In May, after an attempt at suicide, he spent time at an institution in Bad Boll under the care of theologian and minister Christoph Friedrich Blumhardt. Later, he was placed in a mental institution in Stetten im Remstal, and then a boys' institution in Basel. At the end of 1892, he attended the Gymnasium in Cannstatt, now part of Stuttgart. In 1893, he passed the One Year Examination, which concluded his schooling. The same year, he began spending time with older companions and took up drinking and smoking.[13] After this, Hesse began a bookshop apprenticeship in Esslingen am Neckar, but quit after three days. Then, in the early summer of 1894, he began a 14-month mechanic apprenticeship at a clock tower factory in Calw. The monotony of soldering and filing work made him turn himself toward more spiritual activities. In October 1895, he was ready to begin wholeheartedly a new apprenticeship with a bookseller in Tübingen. This experience from his youth, especially his time spent at the Seminary in Maulbronn, he returns to later in his novel Beneath the Wheel. Modern Book Printing from the Walk of Ideas in Berlin, Germany On 17 October 1895, Hesse began working in the bookshop in Tübingen, which had a specialized collection in theology, philology, and law.[14] Hesse's tasks consisted of organizing, packing, and archiving the books. After the end of each twelve-hour workday, Hesse pursued his own work, and he spent his long, idle Sundays with books rather than friends. Hesse studied theological writings and later Goethe, Lessing, Schiller, and Greek mythology. He also began reading Nietzsche in 1895,[15] and that philosopher's ideas of "dual...impulses of passion and order" in humankind was a heavy influence on most of his novels.[16] By 1898, Hesse had a respectable income that enabled financial independence from his parents. During this time, he concentrated on the works of the German Romantics, including much of the work from Clemens Brentano, Joseph Freiherr von Eichendorff, Friedrich Hölderlin, and Novalis. In letters to his parents, he expressed a belief that "the morality of artists is replaced by aesthetics". During this time, he was introduced to the home of Fräulein von Reutern, a friend of his family's. There he met with people his own age. His relationships with his contemporaries were "problematic", in that most of them were now at university. This usually left him feeling awkward in social situations.[17] In 1896, his poem "Madonna" appeared in a Viennese periodical and Hesse released his first small volume of poetry, Romantic Songs. In 1897, a published poem of his, "Grand Valse", drew him a fan letter. It was from Helene Voigt, who the next year married Eugen Diederichs, a young publisher. To please his wife, Diederichs agreed to publish Hesse's collection of prose entitled One Hour After Midnight in 1898 (although it is dated 1899).[18] Both works were a business failure. In two years, only 54 of the 600 printed copies of Romantic Songs were sold, and One Hour After Midnight received only one printing and sold sluggishly. Furthermore, Hesse "suffered a great shock" when his mother disapproved of "Romantic Songs" on the grounds that they were too secular and even "vaguely sinful."[19] From late 1899, Hesse worked in a distinguished antique book shop in Basel. Through family contacts, he stayed with the intellectual families of Basel. In this environment with rich stimuli for his pursuits, he further developed spiritually and artistically. At the same time, Basel offered the solitary Hesse many opportunities for withdrawal into a private life of artistic self-exploration, journeys and wanderings. In 1900, Hesse was exempted from compulsory military service due to an eye condition. This, along with nerve disorders and persistent headaches, affected him his entire life. In 1901, Hesse undertook to fulfill a long-held dream and travelled for the first time to Italy. In the same year, Hesse changed jobs and began working at the antiquarium Wattenwyl in Basel. Hesse had more opportunities to release poems and small literary texts to journals. These publications now provided honorariums. His new bookstore agreed to publish his next work, Posthumous Writings and Poems of Hermann Lauscher.[20] In 1902, his mother died after a long and painful illness. He could not bring himself to attend her funeral, afraid that it would worsen his depression.[21] Due to the good notices he received for Lauscher, the publisher Samuel Fischer became interested in Hesse[22] and, with the novel Peter Camenzind, which appeared first as a pre-publication in 1903 and then as a regular printing by Fischer in 1904, came a breakthrough: from now on, Hesse could make a living as a writer. The novel became popular throughout Germany.[23] Sigmund Freud "praised Peter Camenzind as one of his favorite readings."[24] Between Lake Constance and India 1905 Portrait by Ernst Würtenberger (1868–1934) Hesse's writing desk, pictured at the Museum Gaienhofen With the literary fame, Hesse married Maria Bernoulli (of the famous family of mathematicians[25]) in 1904, settled down with her in Gaienhofen on Lake Constance, and began a family, eventually having three sons. In Gaienhofen, he wrote his second novel, Beneath the Wheel, which was published in 1906. In the following time, he composed primarily short stories and poems. His story "The Wolf," written in 1906–07, was "quite possibly" a foreshadowing of Steppenwolf.[26] His next novel, Gertrude, published in 1910, revealed a production crisis. He had to struggle through writing it, and he later would describe it as "a miscarriage". Gaienhofen was the place where Hesse's interest in Buddhism was re-sparked. Following a letter to Kapff in 1895 entitled Nirvana, Hesse had ceased alluding to Buddhist references in his work. In 1904, however, Arthur Schopenhauer and his philosophical ideas started receiving attention again, and Hesse discovered theosophy. Schopenhauer and theosophy renewed Hesse's interest in India. Although it was many years before the publication of Hesse's Siddhartha (1922), this masterpiece was to be derived from these new influences. During this time, there also was increased dissonance between him and Maria, and in 1911 Hesse left for a long trip to Sri Lanka and Indonesia. He also visited Sumatra, Borneo, and Burma, but "the physical experience... was to depress him."[27] Any spiritual or religious inspiration that he was looking for eluded him, but the journey made a strong impression on his literary work. Following Hesse's return, the family moved to Bern (1912), but the change of environment could not solve the marriage problems, as he himself confessed in his novel Rosshalde from 1914. During the First World War At the outbreak of the First World War in 1914, Hesse registered himself as a volunteer with the Imperial army, saying that he could not sit inactively by a warm fireplace while other young authors were dying on the front. He was found unfit for combat duty, but was assigned to service involving the care of prisoners of war.[28] While most poets and authors of the war participating countries quickly became embroiled in a tirade of mutual hate, Hesse, seemingly immune to the general war-enthusiasm of the time,[29] wrote an essay titled "O Friends, Not These Tones" ("O Freunde, nicht diese Töne"),[a] which was published in the Neue Zürcher Zeitung, on November 3.[30] In this essay he appealed to his fellow intellectuals not to fall for nationalistic madness and hatred.[29][30] Calling for subdued voices and a recognition of Europe's common heritage,[31] Hesse wrote: [...] That love is greater than hate, understanding greater than ire, peace nobler than war, this exactly is what this unholy World War should burn into our memories, more so than ever felt before.[32] What followed from this, Hesse later indicated, was a great turning point in his life: For the first time, he found himself in the middle of a serious political conflict, attacked by the German press, the recipient of hate mail, and distanced from old friends. He did receive continued support from his friend Theodor Heuss, and the French writer Romain Rolland, who visited Hesse in August 1915.[33] In 1917, Hesse wrote to Rolland, "The attempt...to apply love to matters political has failed."[34] This public controversy was not yet resolved when a deeper life crisis befell Hesse with the death of his father on 8 March 1916, the serious illness of his son Martin, and his wife's schizophrenia. He was forced to leave his military service and begin receiving psychotherapy. This began for Hesse a long preoccupation with psychoanalysis, through which he came to know Carl Jung personally, and was challenged to new creative heights. During a three-week period in September and October 1917, Hesse penned his novel Demian, which would be published following the armistice in 1919 under the pseudonym Emil Sinclair. Casa Camuzzi By the time Hesse returned to civilian life in 1919, his marriage had shattered. His wife had a severe episode of psychosis, but, even after her recovery, Hesse saw no possible future with her. Their home in Bern was divided, their children were accommodated in pensions and by relatives,[35] and Hesse resettled alone in the middle of April in Ticino. He occupied a small farm house near Minusio (close to Locarno), living from 25 April to 11 May in Sorengo. On 11 May, he moved to the town Montagnola and rented four small rooms in a castle-like building, the Casa Camuzzi. Here, he explored his writing projects further; he began to paint, an activity reflected in his next major story, "Klingsor's Last Summer", published in 1920. This new beginning in different surroundings brought him happiness, and Hesse later called his first year in Ticino the fullest, most prolific, most industrious and most passionate time of my life.[36] In 1922, Hesse's novella Siddhartha appeared, which showed the love for Indian culture and Buddhist philosophy that had already developed earlier in his life. In 1924, Hesse married the singer Ruth Wenger, the daughter of the Swiss writer Lisa Wenger and aunt of Méret Oppenheim. This marriage never attained any stability, however. In 1923, Hesse received Swiss citizenship. His next major works, Kurgast (1925) and The Nuremberg Trip (1927), were autobiographical narratives with ironic undertones and foreshadowed Hesse's following novel, Hesse referred to his novels as "Biographies of the Soul" Steppenwolf, which was published in 1927. In the year of his 50th birthday, the first biography of Hesse appeared, written by his friend Hugo Ball. Shortly after his new successful novel, he turned away from the solitude of Steppenwolf and married art historian Ninon Dolbin, née Ausländer. This change to companionship was reflected in the novel Narcissus and Goldmund, appearing in 1930. In 1931, Hesse left the Casa Camuzzi and moved with Ninon to a large house (Casa Hesse) near Montagnola, which was built according to his wishes. In 1931, Hesse began planning what would become his last major work, The Glass Bead Game (aka Magister Ludi). In 1932, as a preliminary study, he released the novella Journey to the East. The Glass Bead Game was printed in 1943 in Switzerland. He was awarded the Nobel Prize in Literature in 1946. Hesse c. 1946 Hesse observed the rise to power of Nazism in Germany with concern. In 1933, Bertolt Brecht and Thomas Mann made their travels into exile, each aided by Hesse. In this way, Hesse attempted to work against Hitler's suppression of art and literature that protested Nazi ideology. Hesse's third wife was Jewish, and he had publicly expressed his opposition to anti-Semitism long before then.[37] Hesse was criticized for not condemning the Nazi party, but his failure to criticize or support any political idea stemmed from his "politics of detachment [...] At no time did he openly condemn (the Nazis), although his detestation of their politics is beyond question."[38] From the end of the 1930s, German journals stopped publishing Hesse's work, and the Nazis eventually banned it. The Glass Bead Game was Hesse's last novel. During the last twenty years of his life, Hesse wrote many short stories (chiefly recollections of his childhood) and poems (frequently with nature as their theme). Hesse also wrote ironic essays about his alienation from writing (for instance, the mock autobiographies: Life Story Briefly Told and Aus den Briefwechseln eines Dichters) and spent much time pursuing his interest in watercolours. Hesse also occupied himself with the steady stream of letters he received as a result of the Nobel Prize and as a new generation of German readers explored his work. In one essay, Hesse reflected wryly on his lifelong failure to acquire a talent for idleness and speculated that his average daily correspondence exceeded 150 pages. He died on 9 August 1962, aged 85, and was buried in the cemetery at San Abbondio in Montagnola, where Hugo Ball and the great conductor Bruno Walter are also buried. Statue in Calw In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. Hesse's first great novel, Peter Camenzind, was received enthusiastically by young Germans desiring a different and more "natural" way of life at the time of great economic and technological progress in the country (see also Wandervogel movement).[39] Demian had a strong and enduring influence on the generation of home-returners from the First World War.;[40] similarly, The Glass Bead Game, with its disciplined intellectual world of Castalia and the powers of mediation and humanity, captivated Germans' longing for a new order amid the chaos of a broken nation following the loss in Second World War.[41] In the 1950s, Hesse's popularity began to wane, while literature critics and intellectuals turned their attention to other subjects. In 1965, the sales of Hesse's books by his publisher Suhrkamp reached an all-time low. However, after Hesse's death in 1962, posthumously published writings, including letters and previously unknown pieces of prose, contributed to a new level of understanding and appreciation of his works.[42] By the time of Hesse's death in 1962, his works were still relatively unknown in the United States. A memorial published in the New York Times went so far as to claim that Hesse's works were largely "inaccessible" for American readers. The situation changed in the mid-1960s, when Hesse's works suddenly became bestsellers in the United States.[43] The revival in popularity of Hesse's works has been credited to their association with some of the popular themes of the 1960s counterculture (or hippie) movement. In particular, the quest-for-enlightenment theme of Siddhartha, Journey to the East, and Narcissus and Goldmund resonated with those espousing counter-cultural ideals. The "magic theatre" sequences in Steppenwolf were interpreted by some as drug-induced psychedelia, although there is no evidence that Hesse ever took psychedelic drugs or recommended their use.[44] To a large part, the causes of the Hesse-Boom in the United States can be traced back to enthusiastic writings by two influential counter-culture figures: Colin Wilson and Timothy Leary.[45] From the United States, the Hesse renaissance spread to other parts of the world, and even back to Germany: more than 800,000 copies were sold in the German-speaking world in 1972–1973. In a space of just a few years, Hesse became the most widely read and translated European author of the 20th century.[43] Hesse was especially popular among young readers, a tendency which continues today.[46] There is a quote from Demian on the cover of Santana's 1970 album Abraxas, revealing the source of the album's title. Hesse's Siddhartha is one of the most popular Western novels set in India. An authorized translation of Siddhartha was published in the Malayalam language in 1990, the language that surrounded Hesse's grandfather, Hermann Gundert, for most of his life. A Hermann Hesse Society of India has also been formed. It aims to bring out authentic translations of Siddhartha in all Indian languages and has already prepared the Sanskrit translation of Siddhartha. One enduring monument to Hesse's lasting popularity in the United States is the Magic Theatre in San Francisco. Referring to "The Magic Theatre for Madmen Only" in Steppenwolf (a kind of spiritual and somewhat nightmarish cabaret attended by some of the characters, including Harry Haller), the Magic Theatre was founded in 1967 to perform works by new playwrights. Founded by John Lion, the Magic Theatre has fulfilled that mission for many years, including the world premieres of many plays by Sam Shepard. There is also a theater in Chicago named after the novel, Steppenwolf Theater. Throughout Germany, many schools are named after him. In 1964, the Calwer Hermann-Hesse-Preis was founded, which is awarded every two years, alternately to a German-language literary journal or to the translator of Hesse's work to a foreign language.[47] There is also a Hermann Hesse prize associated with the city of Karlsruhe.[48] 1906 – Bauernfeld-Preis 1928 – Mejstrik-Preis of the Schiller Foundation in Vienna 1936 – Gottfried-Keller-Preis 1946 – Goethe Prize 1946 – Nobel Prize in Literature 1947 – Honorary Doctorate from the University of Bern 1950 – Wilhelm-Raabe-Preis (de) 1954 – Pour le Mérite 1955 – Peace Prize of the German Book Trade Demian, 1919 (1899) Eine Stunde hinter Mitternacht. Novella. (1900) Hermann Lauscher (1904) Peter Camenzind (1906) Unterm Rad (Beneath the Wheel; also published as The Prodigy) (1908) Freunde. Novella. (1910) Gertrud (1913) Aus Indien (Out of India) (1914) Roßhalde (1915) Knulp. (Also published as Three Tales from the Life of Knulp) (1916) Schön ist die Jugend. Novella. (1919) Strange News from Another Star. (Originally published as Märchen) Collection of short stories written between 1913 and 1918. (1919) Demian (published under the pen name Emil Sinclair) (1919) Klein und Wagner (1920) Klingsors letzter Sommer (Klingsor's Last Summer) (1922) Siddhartha (1927) Der Steppenwolf (1930) Narziß und Goldmund (Narcissus and Goldmund; also published as Death and the Lover) (1932) Die Morgenlandfahrt (Journey to the East) (1943) Das Glasperlenspiel (The Glass Bead Game; also published as Magister Ludi) (1966) El lobo estepario (based on Steppenwolf) (1971) Zachariah (based on Siddartha) (1974) Steppenwolf (1981) Kinderseele (1996) Ansatsu (based on Demian) (2003) Poem: I Set My Foot Upon the Air and It Carried Me (2012) Die Heimkehr ^ German WorldHeritage, other sources. ^ Gundert, Adele, "Marie Hesse: Ein Lebensbild in Briefen und Tagebuchern," as quoted in Freedman (1978) pp. 18–19. ^ Freedman (1978) p.23 ^ Weltbürger – Hermann Hesses übernationales und multikulturelles Denken und Wirken. An exhibition of the Hermann-Hesse-Museum of the City of Calw from 2. July 2009 to 7. February 2010 ^ a b c Hermann Hesse: Briefe. Frankfurt am Main: Verlag Suhrkamp, 1964. p. 414. ^ Volker Michels (ed.): Über Hermann Hesse. Verlag Suhrkamp, Frankfurt am Main, vol 1: 1904–1962, Repräsentative Textsammlung zu Lebzeiten Hesses. 2nd ed., 1979, ISBN 3-518-06831-8, p. 400. ^ Freedman, p. 30 ^ An English equivalent would be "Tannersmead." ^ Siegfried Greiner Hermann Hesse, Jugend in Calw, Thorbecke (1981), ISBN 3799520090 p. viii ^ Freedman (1978) pp. 30–32 ^ Freedman (1978) p. 39 ^ Zeller, pp.26–30 ^ J. J. Heckenhauer. heckenhauer.de ^ Freedman (1978) p. 111 ^ Freedman(1978) pp. 78–80 ^ Freedman(1978), p. 79 ^ Freedman(1978) p. 97 ^ Freedman(1978), pp. 99–101 ^ Freedman (1978) p. 117. ^ Gustav Emil Müller, Philosophy of Literature, Ayer Publishing, 1976. ^ "Hermann Hesse Schriftsteller" (in German). Deutsches Historisches Museum. Retrieved 15 January 2008. ^ a b Zeller, p. 83 ^ a b Mileck, Joseph (1977). Hermann Hesse: Biography and Bibliography. Vol.1. Berkeley, Los Angeles, London: ^ Zeller, pp. 83–84 ^ Freedman (1978) pp. 170–71. ^ Zeller, p. 93 ^ Galbreath (1974) Robert. "Hermann Hesse and the Politics of Detachment", p. 63, Political Theory, vol. 2, No 1 (Feb 1974). ^ Galbreath (1974) Robert. "Hermann Hesse and the Politics of Detachment", p. 64, Political Theory, vol. 2, No 1 (Feb 1974) ^ Prinz, pp. 139–142 ^ Zeller, p. 186 ^ Zeller, pp. 180–181 ^ a b Zeller, p. 185 ^ Zeller p. 189 ^ Hermann-Hesse-Preis award. Hermann-hesse.de (2012-09-18). Retrieved on 2012-09-23. ^ Hermann-Hesse-Preis 2003. karlsruhe.de Freedman, Ralph, Hermann Hesse: Pilgrim of Crisis: A Biography, Pantheon Books, NY 1978 Prinz, Alois, Und jedem Anfang wohnt ein Zauber inne. Die Lebensgeschichte des Hermann Hesse, Suhrkamp Verlag, Frankfurt am Main, 2006. ISBN 9783518457429. Zeller, Bernhard: Hermann Hesse, Rowohlt Taschenbuch Verlag, Reinbek bei Hamburg, 2005. ISBN 3499506769. Media related to at Wikimedia Commons Works related to Hermann Hesse at Wikisource Quotations related to Hermann Hesse at Wikiquote Publications by and about Hermann Hesse in the catalogue Helveticat of the Swiss National Library Literary estate of Hermann Hesse in the archive database HelveticArchives of the Swiss National Library Complete bibliography at Nobelprize.org Works by Hermann Hesse at Open Library Works by Hermann Hesse at Project Gutenberg Works by or about Hermann Hesse at Internet Archive Works by Hermann Hesse at LibriVox (public domain audiobooks) Hermann Hesse Page – in German and English, maintained by Professor Gunther Gottschalk Hermann Hesse Portal Hesse-Film.de, German Documentary about his life – in German Community of the Journeyer to the East – in German and English Concise Biography – originally published by the Germanic American Institute, by Paul A. Schons Article at Books and Writers The painter Hermann Hesse Galerie Ludorff, Düsseldorf, Germany Lajos Kovács. "Erziehung in Hermann Hesses "Glasperlenspiel" – Diplomarbeit". GRIN. Works by Hermann Hesse One Hour After Midnight Peter Camenzind Beneath the Wheel Rosshalde Knulp Klein and Wagner Klingsor's Last Summer Die Nürnberger Reise Narcissus and Goldmund Journey to the East If the War Goes On ... My Belief: Essays on Life and Art The Complete Fairy Tales of Hermann Hesse Stories of Five Decades Strange News from Another Star Laureates of the Nobel Prize in Literature Sully Prudhomme (1901) Theodor Mommsen (1902) Bjørnstjerne Bjørnson (1903) Frédéric Mistral / José Echegaray (1904) Henryk Sienkiewicz (1905) Giosuè Carducci (1906) Rudyard Kipling (1907) Rudolf Eucken (1908) Selma Lagerlöf (1909) Paul Heyse (1910) Maurice Maeterlinck (1911) Gerhart Hauptmann (1912) Rabindranath Tagore (1913) Romain Rolland (1915) Verner von Heidenstam (1916) Karl Gjellerup / Henrik Pontoppidan (1917) Carl Spitteler (1919) Knut Hamsun (1920) Anatole France (1921) Jacinto Benavente (1922) W. B. Yeats (1923) Władysław Reymont (1924) George Bernard Shaw (1925) Grazia Deledda (1926) Henri Bergson (1927) Sigrid Undset (1928) Thomas Mann (1929) Sinclair Lewis (1930) Erik Axel Karlfeldt (1931) John Galsworthy (1932) Ivan Bunin (1933) Luigi Pirandello (1934) Eugene O'Neill (1936) Roger Martin du Gard (1937) Pearl S. Buck (1938) Frans Eemil Sillanpää (1939) Johannes V. Jensen (1944) Gabriela Mistral (1945) Hermann Hesse (1946) André Gide (1947) T. S. Eliot (1948) William Faulkner (1949) Bertrand Russell (1950) Pär Lagerkvist (1951) François Mauriac (1952) Winston Churchill (1953) Ernest Hemingway (1954) Halldór Laxness (1955) Juan Ramón Jiménez (1956) Albert Camus (1957) Boris Pasternak (1958) Salvatore Quasimodo (1959) Saint-John Perse (1960) Ivo Andrić (1961) John Steinbeck (1962) Giorgos Seferis (1963) Jean-Paul Sartre (declined award) (1964) Mikhail Sholokhov (1965) Shmuel Yosef Agnon / Nelly Sachs (1966) Miguel Ángel Asturias (1967) Yasunari Kawabata (1968) Samuel Beckett (1969) Aleksandr Solzhenitsyn (1970) Pablo Neruda (1971) Heinrich Böll (1972) Patrick White (1973) Eyvind Johnson / Harry Martinson (1974) Eugenio Montale (1975) Saul Bellow (1976) Vicente Aleixandre (1977) Isaac Bashevis Singer (1978) Odysseas Elytis (1979) Czesław Miłosz (1980) Elias Canetti (1981) Gabriel García Márquez (1982) William Golding (1983) Jaroslav Seifert (1984) Claude Simon (1985) Wole Soyinka (1986) Joseph Brodsky (1987) Naguib Mahfouz (1988) Camilo José Cela (1989) Octavio Paz (1990) Nadine Gordimer (1991) Derek Walcott (1992) Toni Morrison (1993) Kenzaburō Ōe (1994) Seamus Heaney (1995) Wisława Szymborska (1996) Dario Fo (1997) José Saramago (1998) Günter Grass (1999) Gao Xingjian (2000) V. S. Naipaul (2001) Imre Kertész (2002) J. M. Coetzee (2003) Elfriede Jelinek (2004) Harold Pinter (2005) Orhan Pamuk (2006) Doris Lessing (2007) J. M. G. Le Clézio (2008) Herta Müller (2009) Mario Vargas Llosa (2010) Tomas Tranströmer (2011) Mo Yan (2012) Alice Munro (2013) Patrick Modiano (2014) HDS: 11946 MusicBrainz: 86fb8e43-641f-410a-83cf-626945ffc80e WorldHeritage articles with VIAF identifiers WorldHeritage articles with LCCN identifiers WorldHeritage articles with ISNI identifiers WorldHeritage articles with GND identifiers WorldHeritage articles with BNF identifiers WorldHeritage articles with ULAN identifiers WorldHeritage articles with MusicBrainz identifiers 19th-century German writers 19th-century novelists 19th-century poets 20th-century German novelists 20th-century German poets 19th-century German painters 20th-century Swiss writers People from Calw People from the Kingdom of Württemberg People of Baltic German descent Writers from Baden-Württemberg German people of Estonian descent Protestants in the German Resistance Swiss-German people Swiss Nobel laureates Swiss novelists Swiss painters Swiss people of German descent Swiss poets Exilliteratur writers Modernist writers Nobel laureates in Literature German Nobel laureates Recipients of the Pour le Mérite (civil class) Nobel Prize in Literature Swedish Academy, Literature, Nobel Peace Prize, Albert Camus, Gabriel García Márquez Ottoman Empire, World War I, British Empire, Peter the Great, Russia Hermann Hesse, Gnosticism, Psychoanalysis, Carl Jung, Self Steppenwolf (novel) Hermann Hesse, Hawkwind, Autobiography, Zürich, Chicago Switzerland, Epistemology, Hermann Hesse, Thomas Mann, Semantic Web Thomas Mann, Literature, Günter Grass, Sturm und Drang, Johann Wolfgang von Goethe Nobel Prize in Literature, Zurich, Johann Wolfgang von Goethe, The Magic Mountain, Death in Venice 20th Century In Literature Aldous Huxley, D. H. Lawrence, Graham Greene, Virginia Woolf, Joseph Conrad Steppenwolf (film) Hermann Hesse, United States, English language, Film, Alchemy London, Richard Strauss, Royal Albert Hall, Hermann Hesse, Kirsten Flagstad	cc/2021-04/en_head_0013.json.gz/line156
__label__cc	0.722581	0.277419	For the past eight years, Trust for America's Health and the Robert Wood Johnson Foundation has released the Ready or Not? report to ascertain how well the nation's public health system is prepared to respond to disease outbreaks, natural disasters, or acts of bioterrorism. We feel it is incredibly important to conduct this report because the public deserves to know how prepared their states and communities are to respond to public health emergencies. To date, federal and state governments have only released limited current specific data about the status of emergency preparedness. We want to shine a light on preparedness because all Americans have the right to expect fundamental health protections during public health emergencies no matter where they live. This report helps identify the areas of strength and weakness that should be addressed in our nation's capabilities. We have good news! The states had the highest scores ever for health emergency preparedness. These scores reflect nearly ten years of progress to improve how the nation prevents, identifies, and contains new disease outbreaks and bioterrorism threats and responds to the aftermath of natural disasters in the wake of the September 11, 2001 and anthrax tragedies. In addition, the real-world experience responding to the H1N1 flu pandemic - supported by emergency supplemental funding - also helped bring preparedness to the next level. We found that more than three-quarters of the states scored a seven or higher on key indicators of public health preparedness, with 14 states of those states scoring a nine or higher. Three states - Arkansas, North Dakota, and Washington State - scored 10 out of 10. Meanwhile, no state scored lower than a five. But, as we find in the report - this year, the Great Recession is taking its toll on emergency health preparedness. And the bad news: nearly a decade of gains are in real jeopardy due to severe budget cuts at the federal, state, and local level. In the report, we found that 33 states and Washington, D.C. cut funding for public health last year. For 18 states, this was the second year in a row of cuts. The Center on Budget and Policy Priorities has found that states have experienced overall budgetary shortfalls of $425 billion since FY 2009. So far, some of the cuts have not yet affected public health as dramatically as in some other sectors due to various one-time funding streams including the supplemental funding provided by the American Recovery and Reinvestment Act and emergency funding for the H1N1 response- but now, the cuts are really hitting home. Quite simply, the combined federal, state, and local cuts constitute an emergency for emergency health preparedness in the United States. This is not a funding wolf cry. While most reports and sectors call for additional funding to spur advancements, we know that increased funding leads to increased preparedness. We are far more ready for a bioterrorist attack or natural disaster than we were a decade ago. However, we're beginning the slide back to the pre-September 11 world. If we continue, our country will have persistent and prevalent gaps in our ability to respond to a major health emergency. Most notably, there are currently gaps in basic infrastructure and funding, biosurveillance, maintaining an adequate and expertly trained workforce, developing and manufacturing vaccines and medicines, surge capacity for providing care in major emergencies, and helping communities cope with and recover from emergencies. I'll address some recommendations for these concerns in future posts. For now, I want the report to serve as a clarion call to continue the progress to date. We don't want to look back in three, five, or ten years and say we were better prepared in 2010 than we are in 2013, 2015 and 2020. The full report and recommendations are available at http://healthyamericans.org/reports/bioterror10/. Source: Huffington Post You are here: Alpha Library And Know How Spirit - Survival Not Crying Wolf: There is an Emergency for Emergency Preparedness	cc/2021-04/en_head_0013.json.gz/line157
__label__cc	0.557302	0.442698	Latest Read: Left Drowning Here are the basics ... Left Drowning by Jessica Park Publisher: Skyscape Category: New Adult - Contemporary Source: Received ARC at BEA & Netgalley (Thanks!) Summary: Weighed down by the loss of her parents, Blythe McGuire struggles to keep her head above water as she trudges through her last year at Matthews College. Then a chance meeting sends Blythe crashing into something she doesn’t expect—an undeniable attraction to Chris Shepherd, whose past may be even more complicated than her own. As their relationship deepens, Chris pulls Blythe out of the stupor she’s been in since the night a fire took half her family. She begins to heal, and even to love this guy who helps her find new paths to pleasure and self-discovery. But soon Blythe realizes Chris is the one still strangled by his family’s traumatic history and she may be the only person who can keep him from drowning. (Adapted goodreads.com) It's been well over a year since I've read Flat-Out Love by Jessica Park and if you mention the book to me, I will still gush about Matty, the relationship between him and Julie and of course, his very complicated family dynamic. So as you can imagine, I was beyond excited for Left Drowning and couldn't help but have high expectations for it. I mean, I was ready to fall in love by chapter one. But, that's not exactly what happened. There are definitely familiar themes explored in Left Drowning. There's a main guy and girl, romance and an emphasis on family but the tone of this book is much, much darker. Blythe McGuire is barely living. Ever since the death of her parents five years ago, she's just been going through the motions - she's in college, goes to classes, attends parties. But she doesn't have friends and at said parties, her only goal is to get trashed. Not to mention, her brother blames her for the accident that killed their parents. It's pretty clear early on she's depressed and she spends a lot of the book battling those emotions. But there's something about her that makes you think she has the will to pull out of it, if only she had the right push. Turns out that push comes in the form of Chris Shepherd, a guy she meets randomly one day and feels an immediate, indescribable connection to. He understands what it's like to lose a parent and he basically takes her in to his crazy family (he's got three siblings), accepting her as one of them. Here's what Park clearly did right: she created a memorable and lively family in the Shepherds and the sexy times between Blythe and Chris were exactly that -- pretty freaking sexy. I loved the idea of this deep, inexplicable connection between two people but also this idea that sometimes you choose the people you consider family. And Blythe definitely fit in with the Shepherds. My main issue, which permeated the book, was the extreme turn everything took. There was too much drama and angst, too many unrealistic coincidences and situations, characters I liked but ultimately didn't love and a story that went on far longer than necessary. Even the sexy times got repetitive after a while. There was also a point when I could predict where things were headed and I thought to myself - please don't go there because this just would not happen. But, of course, it did. Do I recommend?: Here's the thing with Jessica Park's writing -- it's addicting. Even though I was disappointed with the direction of the book, I still finished it in one sitting. So while I probably wouldn't recommend this one (read Flat-Out Love!), if you're already a fan I can understand why you'd want to check it out. book reviews bookish new adult I love stories that feature found families, so I like the idea of Blythe and Chris banding together and bonding over their shared experiences. That said, the melodrama you mentioned certainly made me pause. I hate books that are mired in their own misery and that seem to execute every plot twist and trope imaginable to make it all the more difficult on their protagonists. I had never heard of Jessica Parks' work prior to reading this review. While I'm not quite sure that Left Drowning is the book for me, I'm now very excited to take a look at Flat-Out Love, which sounds really intriguing! :) Alexa S. July 4, 2013 at 10:29 PM I remember talking to you about this book! It's unfortunate that it ended up being one that you didn't love as much as the first one from her :( Ellice July 8, 2013 at 5:23 PM I loved Flat-Out Love SO MUCH. It's been a while since I read it, and I would still put it on my list of top 10 favorite books EVER. It makes me sad that Left Drowning isn't up to the standards of Flat-Out Love for you. Jessica Park did indeed set the bar high for herself with FOL!	cc/2021-04/en_head_0013.json.gz/line158
__label__wiki	0.740854	0.740854	History of Parliament Online Home Research > Members > 1715-1754 > B BACON (formerly SCLATER), see SCLATER BACON, Edward (?1712-86), of Earlham, nr. Norwich. BACON, Sir Edmund, 5th Bt. (1693-1738), of Gillingham, Norf. BACON, Sir Edmund, 6th Bt. (c.1680-1755), of Garboldisham, Norf. BACON, Waller (?1669-1734), of Earlham, nr. Norwich. BACON, Thomas, see SCLATER BAGOT, Sir Walter Wagstaffe, 5th Bt. (1702-68), of Blithfield, Staffs. BAILLIE, George (1664-1738), of Jerviswood, Lanark. BAIRD, John (1685-1745), of Newbyth, Haddington. BAKER, George (d.1723), of Crook Hall, in Lanchester, nr. Durham. BAKER, Hercules (1683-1744), of Deal and East Langdon, Kent. BAKER, John (1660-1716), of East Langdon, nr. Deal, Kent. BAKER, William (1705-70), of Winchester St., London, and Bayfordbury, Herts. BALCH, Robert (1724-79), of Nether Stowey, Som. BALDWYN, Acton (1681-1727), of Stokesay Castle, Salop. BALFOUR RAMSAY, Robert (c.1698-1767), of Whitehill, Edinburghshire. BALLE, Thomas (1671-1749), of Mamhead, nr. Chudleigh, Devon. BALTIMORE, Baron, see CALVERT, Charles BAMPFYLDE, John (1691-1750), of Poltimore, nr. Exeter, Devon. BAMPFYLDE, Sir Coplestone Warwick, 3rd Bt. (?1689-1727), of Poltimore, nr. Exeter, Devon. BAMPFYLDE, Sir Richard Warwick, 4th Bt. (1722-76), of Poltimore, Devon. BANCE, John (d.1755), of Coleman St., London, and Challow, Berks. BANKES, Henry (1700-76), of Broad Chalk, Salisbury, Wilts. BANKES, John (aft.1691-1772), of Kingston Lacy, Dorset. BANKS, Jacob (1704-38), of Milton Abbas, Dorset. BANKS, Joseph (1665-1727), of Revesby Abbey, Lincs. BANKS, William (1719-61), of Revesby Abbey, Lincs. BANKS, see also HODGKINSON BARBOR, Robert (d.1761), of Somerford, Staffs. BARBOUR, see HILL, Samuel BARKER, Sir William, 5th Bt. (?1685-1731), of Grimston Hall, Suff. BARLOW, George (1717-56), of Slebech, Pemb. BARLOW, Hugh (d.1763), of Lawrenny, Pemb. BARLOW, John (d.1718), of Lawrenny, Pemb. BARLOW, Lewis (d.1737), of Lawrenny, Pemb. BARLOW, Sir George, 2nd Bt. (d.1726), of Slebech, nr. Haverfordwest, Pemb. BARNARD, John (c.1685-1764), of Mincing Lane, London, and Clapham, Surr. BARNARD, Visct., see VANE, Henry BARNE, Miles (1718-80), of Sotterley Hall, nr. Beccles, Suff. BARRINGTON, John (1678-1734), of Beckett, Berks. BARRINGTON, Sir John, 7th Bt. (by 1707-76), of Swainstown, I.o.W. BARRINGTON, William Wildman, 2nd Visct. Barrington [I] (1717-93), of Beckett, Berks. BARROW, Charles (c.1707-89), of Highgrove, Glos. BARRY, James, 4th Earl of Barrymore [I] (1667-1748). BARRY, Hon. Richard (c.1720-87), of Marbury, Cheshire. BARRYMORE, Earl of, see BARRY, James. BASSET, John (?1714-58), of Heanton Court, nr. Barnstaple, Devon. BASSET, John (bef. Nov. 1683-1721), of Heanton Court, nr. Barnstaple, Devon. BATEMAN, James (d.1758), of Alford, Lincs. BATEMAN, John, 2nd Visct. Bateman [I] (1721-1802), of Shobdon Court, nr. Leominster, Herefs. BATEMAN, Sir James (c.1660-1718), of Shobdon Court, nr. Leominster, Herefs. and Soho Sq., London. BATEMAN, William (?1695-1744), of Shobdon Court, nr. Leominster, Herefs. BATEMAN, Hon. William (aft.1721-83). BATHURST, Benjamin (?1691-1767), of Lydney, Glos. BATHURST, Charles (?1703-43), of Clints and Scutterskelfe, Yorks. BATHURST, Peter (1687-1748), of Clarendon Park, nr. Salisbury, Wilts. BATHURST, Hon. Benjamin (1711-67), of Siddington, nr. Cirencester, Glos. BATHURST, Hon. Henry (1714-94), of the Inner Temple. BAYLEY, Thomas (c.1679-1734), of Derby. BAYLY, Nicholas (1709-82), of Plas Newydd, Anglesey. BAYNTUN ROLT, Edward (1710-1800), of Spye Park, nr. Chippenham, Wilts. BEAGHAN, Edmund Hungate (1703-55), of Sissinghurst, Kent. BEAKE, Gregory (d.1749), of St. James's, Westminster. BEAUCHAMP PROCTOR, Sir William (1722-73), of Tottenham, Mdx. and Langley, Norf. BEAUCLERK, Charles, Earl of Burford (1696-1751). BEAUCLERK, Lord George (1704-68). BEAUCLERK, Lord Henry (1701-61), of Foliejohn, Berks. BEAUCLERK, Lord Sidney (1703-44). BEAUCLERK, Lord Vere (1699-1781), of Hanworth, Mdx. BEAUCLERK, Lord William (1698-1733). BEAUMONT, Sir George, 4th Bt. (?1664-1737), of Stoughton Grange, nr. Leicester. BECKFORD, William (1709-70), of Fonthill Abbey, nr. Hindon, Wilts. BELCHIER, William (d.1772), of the Durdans, Epsom, Surr. and Lombard St., London. BELFIELD, John (1669-1751), of Primley Hill, Paignton, and Exeter, Devon. BELL, Ralph (d.1733), of Sowerby, Thirsk, Yorks. BELLAMY, William (?1672-1733), of the Inner Temple, London, and Painshill, Walton-on-Thames, Surr. BENNET, Charles, Lord Ossulston (1716-67). BENNET, Philip (d.1761), of Widcombe Manor, Bath, Som. and Witham, Essex. BENNETT, Thomas (?1674-1738), of Welby, Leics. BENSON, Thomas (1708-72), of Nap in Northam, nr. Bideford, and Barnstaple, Devon. BENSON, William (1682-1754), of Wilbury House, Wilts. BENTINCK, Lord George (1715-59), of Hall Place, Heston, Mdx. BERE, Thomas (1652-1725), of Huntsham, nr. Tiverton, Devon. BERKELEY PORTMAN, Henry William, see PORTMAN, Henry William BERKELEY, Maurice (?1645-1717), of Pylle, nr. Wells, Som. BERKELEY, Norborne (?1717-70), of Stoke Gifford, near Bristol, Glos. BERKELEY, Hon. George (?1692-1746), of Marble Hill, Twickenham, Mdx. BERKELEY, Hon. Henry (aft.1682-1736), of Berkeley Castle, Glos. BERKELEY, Hon. John (c.1697-1773), of Bruton, Som. BERTIE, Charles (d.1730), of Uffington, nr. Stamford, Lincs. BERTIE, Lord Robert (1721-82), of Chislehurst, Kent. BERTIE, Lord Vere (c.1712-68), of Branston, Lincs. BERTIE, Norreys (?1718-1766), of Weston-on-the Green, Oxon. BERTIE, Peregrine (?1723-86), of Low Leyton, Essex. BERTIE, Willoughby (1692-1760), of Wytham Abbey, Berks. and Rycote, Oxon. BERTIE, Hon. Albemarle (?1668-1742), of Swinstead, Lincs. BERTIE, Hon. Henry (1675-1735). BERTIE, Hon. James (1673-1735), of Stanwell, Mdx. BEST, Thomas (?1713-95), of Chilston Park, Kent. BETHELL, Hugh (1689-1747), of Swindon, Yorks. BETHELL, Slingsby (1695-1758), of Tower Hill, London. BETTS, William (d.1738), of Epsom, Surr. BEVAN, Arthur (?1687-1742), of Laugharne, Carm. BIGG, John (d.1748), of Grafham, Hunts. BILSON LEGGE see LEGGE, Hon. Henry BILSON, Leonard (?1681-1715), of West Mapledurham, nr. Petersfield, Hants. BINNING, Lord see HAMILTON, Charles BIRCH, John (c.1666-1735), of Garnstone, nr. Weobley, Herefs. BIRD, John, of Kenilworth, Warws. BISHOPP, Sir Cecil, 6th Bt. (d.1778), of Parham, Suss. BISSE, Stephen (c.1672-1746), of Wimbledon, Surr. BLACKETT, Sir William, 2nd Bt. (1690-1728), of Pilgrim St., Newcastle-upon-Tyne, and Wallington Hall, Northumb. BLACKETT, Walter (1707-77), of Calverley, nr. Leeds, Yorks. and Wallington Hall, Northumb. BLACKWOOD, John (c.1698-1777), of Charlton, Kent. BLADEN, Martin (?1680-1746), of Aldborough Hatch, Essex. BLADEN, Thomas (?1698-1780), of St. James's, Westminster. BLAGRAVE, Anthony (1680-1744), of Southcot, nr. Reading, Berks. BLAGRAVE, John (1713-87), of Southcot, nr. Reading, Berks. BLAKE (BLAKE DELAVAL), see DELAVAL, Francis BLAKE DELAVAL, Francis (1727-71), of Ford Castle and Seaton Delaval, Northumb. BLAKISTON, Nathaniel (d.1722), of Black Callerton, Northumb. and Feltham, Mdx. BLAND, John (1691-1743), of Hulme Hall, Lancs. and Kippax Park, Yorks. BLANDFORD, Mq. of, see GODOLPHIN, William BLIGH, Hon. John (1719-1781), of Cobham Hall, nr. Gravesend, Kent. BLUDWORTH, Thomas, of Holt, Hants. BLUNDELL, Sir Montague, 4th Bt. (1689-1756). BOCLAND, Maurice (c.1695-1765), of Lymington, Hants. BODVELL, William (1694-1759), of Madryn, Caern. BOLD, Peter (?1705-62), of Bold Hall, Prescot, Lancs. BOND, Denis (1676-1747), of Creech Grange, Dorset. BOND, John (1678-1744), of Tyneham, Dorset. BOND, John (1717-84), of Tyneham and Creech Grange, Dorset. BOONE, Charles (d.1735), of Rook's Nest, in Tandridge, and Godstone, Surr. BOONE, Daniel (1710-70), of Rook's Nest, in Tandridge, and Godstone, Surr. BOOTH, Robert (?1699-1733), of the Middle Temple, London. BOOTH, Hon. Langham (1684-1724), of Hawthorne, Cheshire. BOOTHBY SKRYMSHER, Thomas (?1698-1751), of Tooley Park, Leics. and Norbury, Staffs. BOOTLE, Thomas (1685-1753), of Lathom Hall, nr. Liverpool, Lancs. BOSCAWEN, Hugh (c.1680-1734). BOSCAWEN, Hon. Edward (1711-61), of Hatchlands Park, Surr. BOSCAWEN, Hon. George (1712-75), of Charlton Forest, Oxford. BOSCAWEN, Hon. Hugh (1707-82). BOSCAWEN, Hon. John (1714-67), of Hanover Sq., London. BOTELER, John (1684-1774), of Watton Woodhall, nr. Hertford. BOUCHER, Thomas (1701-72), of Christian Malford, nr. Chippenham, Wilts. BOUVERIE, Jacob des (1659-1722), of Folkestone, Kent. BOUVERIE, Sir Edward des, 2nd Bt. (c.1690-1736), of Longford Castle, in Britford, Wilts. BOUVERIE, Sir Jacob, 3rd Bt. (?1694-1761), of Longford Castle, Wilts. BOUVERIE, Hon. William (1725-76), of Longford Castle, Wilts. BOWES, George (1701-60), of Streatlam Castle, Co. Dur. BOWLES, Phineas (1690-1749), of Beaulieu, Dublin. BOWLES, William (1686-1748), of Burford, Worcs. BOYLE, Richard, 2nd Visct. Shannon [I] (c.1675-1740), of Ashley Park, Walton-on-Thames, Surr. BOYNE, Visct., see HAMILTON, Gustavus BOYNTON, Sir Francis, 4th Bt. (1677-1739), of Burton Agnes, Yorks. BRACE, John Thurloe (?1685-aft.1735), of Astwood, Bucks. BRACEBRIDGE, Samuel (1673-1735), of Lindley Hall, Leics. BRADSHAIGH, Sir Roger, 3rd Bt. (c.1675-1747), of Haigh Hall, nr. Wigan, Lancs. BRADSHAW, Ellerker (1680-1742), of Risby, nr. Beverley, Yorks. BRADYLL, Dodding (1689-1748), of Conishead Priory, nr. Lancaster. BRAMSTON, Thomas (c.1690-1765), of Skreens, nr. Maldon, Essex. BRAND, Thomas (c.1717-70), of The Hoo, Kimpton, Herts. BRASSEY, Nathaniel (c.1697-1765), of Roxford, Hertingfordbury, Herts. and Lombard St., London. BRAY, Edmund (1686-1725), of Great Barrington, Glos. BRAY, William (1682-1720), of Great Barrington, Glos. BRERETON (afterwards SALUSBURY), Thomas (d.1756), of Shotwick Park, nr. Chester. BRETON, William (d.1773), of Burlington St., London, and Canon Leigh, Devon. BREWER, see BRUERE BRIDGEMAN, Henry (1725-1800), of Weston Park, Staffs. BRIDGEMAN, Orlando (1695-1764), of Blodwell, Salop. BRIDGEMAN, Sir Orlando, 2nd Bt. (?1679-1746), of Bowood Park, nr. Calne, Wilts. BRIGGS, Sir Humphrey, 4th Bt. (?1670-1734), of Haughton, Salop. BRIGSTOCKE, Owen (1679-1746), of Llechdwny, Carm. and the Middle Temple, London. BRISTOW, John (1701-68), of Mark Lane, London, and Quidenham, Norf. BRISTOW, Robert (1688-1737), of Micheldever, Hants. BRISTOW, Robert (1712-76), of Micheldever, Hants. BRITIFFE, Robert (?1663-1749), of Baconsthorpe, Norf. BRODIE, Alexander (1697-1754), of Brodie, Elgin. BRODIE, Alexander (d.1770), of Lethen, Nairnshire. BRODIE, James (1695-1720), of Brodie, Elgin. BRODNAX, see MAY BRODRICK, Alan, Baron Brodrick [I] (?1655-1728), of Midleton, co. Cork, and Peper Harrow Park, Surr. BRODRICK, Thomas (1654-1730), of Wandsworth, Surr. BRODRICK, Hon. St. John (c.1685-1728). BROKE, Philip (1702-62), of Broke Hall, Suff. BROMLEY, Henry (1705-55), of Horseheath Hall, Cambs. BROMLEY, John (1682-1718), of Horseheath Hall, Cambs. BROMLEY, William (?1663-1732), of Baginton, Warws. BROMLEY, William, jun. (?1701-37), of Baginton, Warws. BROOKSBANK, Stamp (1694-1756), of Hackney House, Mdx., Clapton, Essex, and Healaugh Manor, Yorks. BROUGHTON DELVES, Sir Bryan, 4th Bt. (1718-44), of Broughton, Staffs. BROUGHTON, Sir Bryan, 3rd Bt. (1677-1724), of Broughton, Staffs. BROWN, Sir Robert, 1st Bt. (d.1760), of Wiggenhall St. Mary, Norf. BROWNE, Isaac Hawkins (1706-60), of Garston, Herts. BROWNE, John (1696-1750), of Forston, in Charminster, Dorset, and Lincoln's Inn, London. BROWNE, Robert (1695-1757), of Frampton, nr. Dorchester. BROWNE, see also DUNCOMBE, Thomas BROWNLOW, Sir John, 5th Bt. (1690-1754), of Humby, and Belton, nr. Grantham, Lincs. BRUCE, Hon. Robert (1668-1729). BRUCE, see also HOPE, John BRUDENELL, Hon. James (c.1687-1746). BRUERE, George (d.1743), of Covent Gdn., London, and Great Marlow, Bucks. BRYDGES, George (c.1679-1751), of Avington, nr. Winchester, Hants. BRYDGES, Henry, Mq. of Carnarvon (1708-71). BRYDGES, John, Mq. of Carnarvon (1703-27). BUBB (afterwards DODDINGTON), George (?1691-1762), of Eastbury, Dorset. BUCHANAN, Neil (c.1696-1744), of Hillington, Renfrew, and Botolph Lane, Eastcheap, London. BUCK, John (1703-45), of Bideford, Devon. BUCKINGHAM, Owen (1674-1720), of Moulsford, Berks. BUCKWORTH, Sir John, 2nd Bt. (1700-58), of Rathbone Place, London, and West Sheen, Surr. BUDGEN, Thomas (d.1772), of West Newdigate, Surr. and Shrub Hill, Dorking. BULKELEY, James, 6th Visct. Bulkeley [I] (1717-52), of Baron Hill, Anglesey. BULKELEY, Richard, 4th Visct. Bulkeley [I] (1682-1724), of Baron Hill, Anglesey. BULKELEY, Richard, 5th Visct. Bulkeley [I] (1707-39), of Baron Hill, Anglesey. BULKELEY, Sir Dewey (d.1735), of Nether Burgate, in Fordingbridge, Hants. BULKELEY, see also COVENTRY, Hon. John Bulkeley BULLER, James (1717-65), of Morval, nr. Looe, Cornw. BULLER, John (1721-86), of East Looe and Bake, Cornw. BULLER, John Francis (1695-1751), of Shillingham, nr. Saltash, and Morval, nr. Looe, Cornw. BUNBURY, Sir Charles, 4th Bt. (1708-42), of Bunbury and Stanney, nr. Chester. BUNBURY, Sir Henry, 3rd Bt. (c.1678-1733), of Bunbury and Stanney, nr. Chester. BURCHETT, Josiah (c.1666-1746), of Hampstead, Mdx. BURDETT, Sir Robert, 4th Bt. (1716-97), of Bramcote, nr. Nuneaton, Warws. and Foremark, nr. Repton, Derbys. BURFORD, Earl of, see BEAUCLERK, Charles BURGHLEY, Lord, see CECIL, Brownlow BURGOYNE, Sir Roger, 6th Bt. (1710-80), of Sutton, Beds. BURRARD, Harry (c.1707-91), of Walhampton, nr. Lymington, Hants. BURRARD, Paul (1678-1735). BURRELL, Merrick (1699-1787), of West Grinstead Park, Suss. BURRELL, Peter (1692-1756), of Langley Park, Beckenham, Kent, and Mark Lane, Fenchurch St., London. BURRIDGE, John (?1681-1753), of London and Lyme Regis, Dorset. BURROUGHS, William (d. aft. Sept. 1732), of St. James's, Westminster. BURTON, William (?1695-1781), of Ashwell and North Luffenham, Rutland. BURY, Thomas (b. ?1709), of Colliton, Devon. BURY, Visct., see KEPPEL, George BUTLER, Edward (?1686-1745), of Burleigh Park, Leics. BUTLER, James (c.1680-1741), of Warminghurst Park, Suss. BUTLER, John (1707-66), of Warminghurst Park, Suss. BYNG, Sir George (1664-1733), of Southill, Beds. BYNG, Hon. John (c.1704-57), of Wrotham Park, Mdx. BYNG, Hon. Pattee (1699-1747), of Southill, Beds. BYNG, Hon. Robert (1703-40). © Crown copyright and The History of Parliament Trust 1964-2020	cc/2021-04/en_head_0013.json.gz/line160
__label__wiki	0.692105	0.692105	Dedece Blog Dedece is Minotti, Knoll, Paola Lenti, Magis, Davide Groppi, Kreon, Coelux… dedece.com dedeceplus.com At Dedece Special Events & Features Salone Milan Top Tags & Categories Villa Tugendhat – Modernist Architecture Restored Architecture / Design Event / Design News / Interior / Knoll John Engelen Brno experienced a building boom in the late 1920s that reflected the growing confidence of the city in the independent Czechoslovakia, created in 1918. Between 1929-1930 the recently married Grete and Fritz Tugendhat gave Ludwig Mies van der Rohe free rein over the design and construction of their Villa in Brno, 209 kms from Prague. The land occupying an area of 2,000 m² on a southern slope of Černá Pole ( overlooking Brno Castles’ gardens ) was a wedding gift Greta had received from her father, an influential textile manufacturer of Jewish origin, Alfred Löw-Beer. grete and fritz tugendhat Architect Ludwig Mies van der Rohe was part of the European architectural avant-garde, which sought a break from traditional building styles. He especially wanted to simplify design. His famous dictum was “Less is more.” Villa Tugendhat was a revolutionary flat-roofed villa containing an iron framework, that allowed Mies to dispense with supporting walls, and enveloped by glass windows that helped to create a flowing interior swimming in space and light, and featuring a thick onyx interior wall that changes colour in winter months when hit by the sun at certain angles Over eight decades since its completion this iconic work of art has undergone a complicated development as a building both in terms of its structure and the socio-political circumstances surrounding it. Mies van der Rohe’s ultramodern masterpiece has been many things: a family home, Gestapo headquarters, a dance school, a clinic, an inspiration for architects and the subject of a novel. Now, after almost two years of renovation and restoration, Villa Tugendhat is once again ready to welcome visitors through its doors. Villa Tugendhat stands as a salient prototype of historic preservation. After an extensive research period that pieced together original construction plans archived at the MoMA and photographs of the home from the Tugendhat family, Mies’ masterpiece has been faithfully restored. “I truly longed for a modern spacious house with clear, simple shapes,” … Grete Tugendhat 1969 Modernist architecture is often associated with austere office buildings and anonymous apartment blocks, but a walk through the Tugendhat House shows how Modernist ideas could inspire unparalleled domestic luxury Spread out over three levels, which seem to disappear into the slope of a hill overlooking the city, the enormous, 2,600-square-meter house featured pieces of specially designed furniture that are now icons of 20th-century design – ( the Tugendhat chair and the Brno chair, are still in production. ) There were no paintings or decorative items in the villa but the interior was by no means austere due to the use of naturally patterned materials such as the captivating onyx wall and rare tropical woods. Mies’ created a fine example of early functionalism architecture, a groundbreaking new vision in building design at the time – a poetic union of glass, steel, marble and reinforced concrete that touts Mies’ “less is more” design philosophy through and through. mies at villa tugendhat in 1931 “The location of the structure, its location in relation to the sun, the layout of the spaces and the construction materials are the essential factors for creating a dwelling house,” said Mies van der Rohe in 1924 when designing the villa. “A building organism must be created out of these conditions,” said the architect, who fled Germany under pressure from the Nazis as his work did not meet Hitler’s taste for monumental architecture ( purportedly using his brother’s passport to get out of Germany. ) “There have always been two Mies … the European Mies, who did many projects and built little, and … the American Mies, who built one major building a year from 1950 until his death. The European buildings were irregular, assymmetrical, fragmented and touched by expressionism and De Stijl; the American buildings were regular, symmetrical, complete and recalled the work of Schinkel.” The Villa Tugendhat in Brno is one of the former, and occupies a position in the Mies canon that is worthy of discussion. On Tuesday, 29th February 2012, Tugendhat House was ceremonially opened after the two-year monument restoration process. The opening of the house, the unique modern architecture landmark in the Czech Republic listed as the UNESCO world heritage site, was preceded by a press conference attended by the city representation headed by Brno City Mayor, Roman Onderka, Deputy Mayor Robert Kotzian, daughters of the Tugendhat commissioning the house construction, Daniela Hammer-Tugendhat and Ruth Guggenheim-Tugendhat, Ivo Hammer, Wessel de Jonge and Ana Tostoes for the international advisory committee THICOM, managing director of Unistav, Miroslav Friš, and Tugendhat House site manager, Michal Malásek, as well as representatives of the design team and the Museum of the City of Brno. The Tugendhat House opening ceremony commenced at 1 p.m. in presence of distinguished guests mainly from the cultural world. All guests and representatives of media were welcomed by the Mayor of the Statutory City of Brno, Roman Onderka, giving a short speech followed by addresses made by the Tugendhat House director, Iveta Černá, the youngest daughter of the Tugendhats, Daniela Hammer-Tugendhat, managing director of Unistav, Miroslav Friš and Ministry of Culture of the Czech Republic, Alena Hanáková. The exceptional atmosphere of the day with an exceptional date was underscored by a music performance of the legendary Brno jazzman, Jaromír Hnilička History – Villa Tugendhat -“Post construction” Villa Tugendhat’s early history was rocked by the turbulence of the 20th Century Fritz and Grete Tugendhat lived in the villa with their three children for eight years in the 1930s. Grete said she fell in love with it “from the first moment.” The Tugendhats hosted functions and parties, including large scale bridge tournaments, the proceeds from which were used to help Jewish people fleeing persecution in Nazi Germany. It was through these humanitarian activities that the Tugendhats became certain life for Jewish people would become more difficult in central Europe. Thanks to their contacts in Germany they were well informed about the current developments wherein remaining in Brno would have amounted to a certain sentence of death for the entire family. Grete had been involved in activities for the League for Human Rights starting in the year 1933, after Adolf Hitler’s rise to power, which provided financial and practical assistance for political refugees from Germany. In May 1938, Grete and the children left firstly for Sankt Gallen in Switzerland, and then later for Caracas in Venezuala. Fritz remained in Brno with the governess Irene Kalkofen who helped him in preparing their personal things for transport along with certain pieces of furniture. After Germany’s annexation of Austria in 1938, the Tugendhats predicted rightly that Nazi expansion would continue and so decided to abandon the home. Because they left early, they were able to take many of their possessions, including some of the furniture. Fritz never returned to the villa. At the beginning of October 1939 the Villa was taken over by the Gestapo and from January 1942 became the property of Nazi Germany. The Gestapo were insensitive to the original design and made changes, including erecting several extra walls inside and outside and increasing the height of the chimney. The house was used as an apartment and office; its interior was senselessly modified and many pieces disappeared. In the autumn of the year 1940 the German soldier and architecture student, Louis Schoberth, stayed in the Villa. He became friends with Gustav Lössl, the Tugendhat’s chauffeur who had remained in the house up until the beginning of September 1941. According to Schoberth’s account, the half cylinder from Makassar ebony was no longer in the Villa nor the majority of the furnishings as of the autumn of the year 1940. Radical construction changes came about in the early 1940s when Walter Messerschmidt, director of Klöcknerwerke in Brno, had his flat and office here. He had amongst other things the glazed milk glass wall bricked up at the street façade and the entrance way from the upper terrace. He also increased the height of the chimney and had additional inner walls inserted into the interiors. It also housed the design department of the aircraft engine manufacturer Flugmotorenwerke Ostmark. It suffered considerable damage during combat operations at the end of World War II and later, when it shortly served as quarters and stables for the Soviet military. The cavalry regiment of Marshal Malinovský contributed to the devastation of the house upon the occasion of the liberation by the Soviet Army in April 1945. …. “They tore down the garden fence of a length of approximately 6 metres and rode from here around Černá Pole where they plundered flats. Since we lived directly across from the destroyed fence of the Tugendhat garden, we were horrified by their behaviour. We could only see the former conservatory in the Villa from the window of our living room. They created a stable for their horses from the magnificent social rooms! The remains of the furniture served as wood fuel while the linoleum on the floors was destroyed by the hoofs of the horses.” The glazed walls were broken as a consequence of the pressure waves during the bombardment. The state of the Villa at the end of the war was described succinctly in a written protocol. For example on the terrace were “the damaged bench and (…) scattered pieces of furniture (…)”, the flat of the caretaker “had everything in a desolate state, devastated, broken, fragments, rubbish, dirt, rags, various garbage, glass, etc. all over the floor.” The main living area had “the large window panes smashed with glass everywhere along with horse manure as the entire Villa had been used for housing horses. Only the onyx wall remained along with the built-in bookshelf (…).” The utility floor “was missing the motors for the machines for air movement and for letting down the windows, the boiler had been damaged (…).” The removal of the damage was entrusted to the Brno architect Albín Hofírek. The broken window panes were temporarily glazed while the linoleum in the main living area was replaced with red wood wool cement board. The private dancing school of Karla Hladká, a teacher at the Brno conservatory, functioned here as of 1st of August 1945. The courses in dance and rhythm in the Villa were mostly attended by girls, with some boys, of a wide spectrum of ages: from the youngest three-year-old children up to adolescents. The private dance school was disbanded on 30th of June 1950. The structure was placed under the ownership of the Czechoslovak state in October 1950 and a rehabilitation centre for children with spine defects was established here as part of the nearby children’s hospital up to the end of the 1960s. Attempts at renewal and a reasonable use for one of the most famous villa structures in the world received a more concrete form at the beginning of the 1960s. Thanks to restoration efforts championed by Brno-based architect František Kalivoda, the villa was listed as an object of cultural heritage and has been protected since 1963. The first concrete step was in December 1963 with the registration of Villa Tugendhat on the list of architectural cultural monuments. The main force behind these activities was the Brno architect František Kalivoda (1913-1971). He was capable of implementing and realizing numerous excellent projects in various areas of culture, from publications up to organisation of international events dedicated to renowned figures of Brno such as Viktor Kaplan or Adolf Loos even within the political and social atmosphere of Socialist Czechoslovakia of the time. Thanks to his specialised training in the area of architecture along with his remarkable personal contacts with world respected figures in the branch, he succeeded in intense work on the rehabilitation of the Villa. He established a personal correspondence with Grete Tugendhat who lived in Sankt Gallen in Switzerland at the time. She consequently visited Brno at his personal invitation in November 1967. Upon returning to Switzerland she wrote to Kalivoda: “I was in Brno last week for the first time in 29 years and horrified by the state of the house. By this I do not think that the children’s hospital is neglected, on the contrary it is kept very clean and is in fine condition. The construction changes which have been carried out, however, are so awful that one cannot even obtain a picture as to what the house originally looked like, with it no longer looking by any means attractive at present. Nobody would be able to imagine that this consisted of any particularly special work of construction.” An exhibition on the work of Ludwig Mies van der Rohe took place in the Brno House of Arts from the 20th of December 1968 up until the 26th of January 1969 which had been prepared in two identical collections in Chicago and West Berlin. It came to Brno thanks to the initiative of the monument institute as well as the personal involvement of František Kalivoda. A one-day international working conference along with a lecture evening in the House of Arts that same day took place as part of the exhibition on the 17th of January 1969. Grete Tugendhat with her daughter Daniela at the conference organized for the advisory association for the restoration of Villa Tugendhat in Brno 24th April 1970 Grete Tugendhat spoke at the event with a speech rendered in Czech on the circumstances and course of the construction of the Villa, concerning the interiors, the materials and the technical furnishings along with the communication between the commissioners and the architect. Here mention was made once again of Mies’ ‘I will not build’. “When my husband objected to the idea of having all of the doors reach from the floor all the way to the ceiling, because all the so-called specialists had told him that these kinds of doors would warp, Mies answered, then I will not build. This would have affected the main principle of the structure and he would not allow this to be a matter of discussion.” Grete Tugendhat and František Kalivoda (on the left) at the conference of the advisory association for the restoration of Villa Tugendhat in Brno 24th April 1970 The personal participation on the part of Grete Tugendhat along with the architect Dirk Lohan, the grandson of Ludwig Mies van der Rohe, who could not come to Brno at the time, created high hopes for the renewal of the Villa. Mies’ Chicago office was prepared to cooperate on restoration of the Villa. František Kalivoda discussed the renewal of the garden with the co-author of the project Markéta Roderová-Müllerová in April 1969 who was ready to prepare a plan for planting the garden in accordance with Mies’ concept. There were also considerations regarding a plan for connecting the Tugendhat Villa garden with the garden of the Löw-Beer villa, this having originally made up a territorial whole, although not an architectural one. After the occupation of Czechoslovakia in the year 1968 and in particular after the emergence of the political lines in the year 1969 the situation changed dramatically with the liberalized conditions brought to a halt. Despite the fact that Grete Tugendhat was able to visit Brno several more times up until April 1970, attempts at renovation of the Villa were discouraged. A definitive full stop to this stage came about with the deaths of the main protagonists of all the activity (Ludwig Mies van der Rohe passed away in August 1969, Grete Tugendht in December 1970 and František Kalivoda in May 1971). The architect’s daughter Georgia van der Rohe was even forbidden to carry out shooting in the Villa for a film about the life and work of her father in the year 1979. Villa Tugendhat moved from the property of the state to the property of the City of Brno in the year 1980 with a new stage in its history consequently beginning. This consisted of a compromise, but a necessary and beneficial step in the end. The Brno exhibition also presented reconstruction plans for the villa; these were not implemented until 1985, based on designs by Kamil Fuchs and Jarmila Kutějová. By that time the villa was already owned by the City of Brno, whose representatives used the villa as a conference centre and accommodations for important visitors. The villa first opened to the public in 1989 following the Velvet Revolution, and three years later hosted the talks that led to the split of Czechoslovakia. It was inscribed on the National List of Cultural Heritage in 1969 and restored after 1980. In 1992 the political leaders of Czechoslovakia met there to sign the document that formally divided the country into the present separate states of the Czech Republic and Slovakia. Since 1994 the villa has been open to the public as a museum administered by the city of Brno. Villa Tugendhat was designated a World Heritage Site by UNESCO in 2001 (See here for UNESCO Application documents http://whc.unesco.org/uploads/nominations/1052.pdf ) Following many delays, the vital reconstruction of the entire villa was finally launched in the summer of 2010 In 2007 the heirs of Fritz and Greta formally applied for the restitution of the villa, citing a law covering works of art confiscated during the Holocaust. The reason for this application appears to be frustration over the failure of the municipality of Brno to carry out vital restoration work due to the deterioration of the concrete used in construction “The law on the basis of which the return of the villa is requested, is the law pursuant to which pieces of art confiscated during Holocaust are returned. And we strongly believe the villa is absolutely a unique piece of art.” The city of Brno disputes that. At issue is the question of whether, under restitution law, a home can be considered a work of art. Brno City hall. “By our definition of the law, Villa Tugendhat is real estate, not a work of art. A work of art would be a painting, for instance, or something you can move around. It’s not a piece of land or a building on it. And for that reason, we can’t consider returning it. The City of Brno now owns the villa and they arranged ( under the supervision of an international team of experts) a reconstruction and restoration of the villa at a cost of approx $ 8.8 million. This reconstruction started in Feb 2010 and finished in Feb 2012, with the Villa reopening to the public on the 9th Mar 2012. Daniela Hammer-Tugendhat “It has been an incredible fight,” says Daniela Hammer-Tugendhat, daughter of the original owners, adding that she has been trying for decades to return the house to its former splendor. Following the fall of communism in 1989, Ms. Hammer-Tugendhat and her surviving siblings considered their options. After receiving some of the contents back as restitution starting in 2006, the family initiated efforts to get back the house “in order to save it,” she says. A lawsuit was never brought, but she believes that legal rumblings and the family’s objections to the house’s condition helped pave the way for restoration. Born in 1946 in Caracas, Venezuela, where her family had sought refuge during the war, Ms. Hammer-Tugendhat is now an art historian based in Vienna. She and her husband, the architectural conservator Ivo Hammer, actively participated in the restoration process, which was devoted to using original materials and techniques. Architects Structural Design Built of reinforced concrete, Villa Tugendhat soon became an icon of modernism. The 3 storey house became famous as one of the pioneering prototypes of modern architecture – in terms of the structural system, layout, interior furnishing, services and the integration of the building into the natural environment. The innovative and progressive design of the house is immediately apparent upon entry. It’s easy to forget that it was built in the late twenties because it feels like a building from a later decade. You enter at the top and descend into the large open living space. This inversion of traditional design is the least of Mies’ departures from conventional architecture. The architect presented the completed design for the villa by the end of 1928. His design was based on the concept of Germany’s pavilion for the international exhibition in Barcelona, which he adapted to the needs of his customers in Brno. The uniqueness of the design lies in the use of a steel support structure (the first time it had been used for a detached house), which enabled unlimited ways of handling the interiors as well as the generous glazing of the facade. The design produces the free-flowing space in the main residential hall and its merging with the exterior through large sliding windows. His revolutionary approach started with the support. Twenty-nine steel columns hold up the house. This frame eliminates the need for load-bearing walls in the living area, so it is open, light, and spacious. The columns, still in their original stainless steel casings – now polished to a mirror shine, also form part of the interior decor. The construction company of Mořic and Artur Eisler of Brno commenced the work in June 1929 and, under the architect’s supervision, completed the villa in eighteen months. The 3 storey villa is set on a slope and its main living spaces face southwest towards the garden. 1) The first storey, the basement, contains the utility facilities. 2) The second storey, the ground floor consists of the main living and social areas with the conservatory and the terrace as well as the kitchen with facilities along with the servants’ rooms. 3) The third storey, the first floor, has the main entrance from the street with a passage to the terrace, the entrance hall, the rooms for the parents, children and the nanny with appropriate facilities. The chauffeur’s flat with the garages and the terrace are accessible separately. Therefore, the street facade consists only of the third level with a gracefully sunk entrance door and the garage with the chauffeur’s apartment, the volume of which on the entrance terrace frames a view of the city with their shared roof. The entrance hall leads to the bedrooms of the parents, children and governess; these rooms also have access to the upper terrace overlooking the garden. A spiral staircase descends to the second floor with the flowing living space, which, owing to the generous glazing and conservatory, visually merges with the exterior. The villa’s individual functional zones are merely hinted by impressive partitions or curtains. The dining corner is separated from the rest of the free space by a round ebony screen; the study and the sitting space are separated by a wall of Moroccan onyx which colours the room red at sunset. The architect designed the interior furnishings along with his collaborators Lilly Reich, Hermann John and Sergio Ruegenberg; these involve bent tubular furniture (the Brno chair, the Tugendhat and Barcelona armchairs) and built-in wooden furniture from fine hardwoods manufactured by Jan Vaněk’s interior design company Standard. The highlights of the entire residential space involve its technical equipment including the ingenious air conditioning system which cleans the air and freshens it with sea salt and the large windows in metal frames, which can be fully rolled down into the floor. The dining area provides direct access to the terrace with the staircase and the garden designed by Mies and Brno garden designer Markéta Roderová-Müllerová. The service areas of the villa are accessible via a separate entrance from the street and consist of the kitchen and domestic staff rooms on the second floor as well as vast technical facilities on the ground floor. And yet, the professional response to the architectural work was varied. While Philip Johnson, the American architecture theoretician, who held an exhibition of Mies’s works in the Museum of Modern Art in New York in 1947, compared the villa to the Parthenon in Athens, “domestic architects, at that time preoccupied with issues of affordable housing, reproached its pomp and luxury represented by the expensive materials and excessive spaciousness”. Czech theoretician Karel Teige dubbed the villa “the peak of snobbery and held it to be the dead-end of modern architecture“. The house is supported by a huge supporting concrete wall at the site of the street level, thereby creating an expansion between the high edge of the terrain at Černopolní street and the actual structure. The construction of the plastered structure consists of a steel skeleton, reinforced concrete ceilings and brick masonry. The subtle supporting columns of a cross-shaped profile are anchored in concrete bases and partially lead through the masonry and partially through the spaces of all the floors. Shiny chrome classing is employed in the living area. The individual functional zones within the area are divided up by the wall from honey and yellow coloured onyx with white veins from the foothills of the Atlas in Morocco and the half-circular wall originally from Macassar ebony wood mined on the island of Celebes in south-east Asia. An additional separate room could be entered through drawing back curtains made from shantung silk and velvet. “We initially saw the floor plan for one huge room with one circular and one free standing wall. We consequently noticed small crosses at approximately five metres distance from one another. We asked, ‘What are these?’ Mies answered calmly, ‘Those are iron supports which hold up the entire structure.’ At that there had never been a private house built with an iron construction so you can imagine our initial surprise. Despite this fact, we deeply liked the plan.” The most prominent feature of the ‘flowing’ living area was the grand seating arrangement in front of the onyx wall and the dining room demarcated by the half-cylinder from Makassar ebony. The interior could be connected up with the garden through suspension of the two large window panes. The office with the library and the adjoining winter garden was behind the onyx wall. Behind the ebony curved wall was a seating area next to a wall from milk glass which could be lit up. The structure was realized, under the supervision of the author and with the participation of a number of domestic and foreign companies, by the Brno construction company of Artur and Mořic Eisler. It was completed in December 1930 when the Tugendhats finally moved into the house. “From the first moment we truly loved the house. When we were on our own, we would sit in the library while with friends we would prefer to spend evenings in front of the glass wall lit up from the rear with its subtle and gentle light. We enjoyed the house even more during the spring and summer. When the children were small, we were constantly with them on the terrace. They had a tub there for splashing as well as a polygon crate with sand in the shade. They would ride along the entire terrace in their skates and children’s cars.” Mies didn’t stop at the aesthetics of the space. He wanted the home to be comfortable. For all its technical and artistic marvels, the Villa Tugendhat was first a foremost a family house. Fritz and Grete enjoyed afternoon tea in the living room and games of bridge in the library. The children made full use of the large garden, which had ample room for sledding and skiing in winter. In the summer time, the family would get together with Grete’s parents, who lived in the adjacent villa below, to sunbathe and relax. The utility and technical equipment of the house were completely innovative for the time. Among the most spectacular features are the two large (5m x 3.5m) windows which lower at the push of a button. The two large windows could be retracted via electric motors all the way to the floor. The original mechanisms are still in use. The Tugendhats’ comfort was further ensured by an air-conditioning system, again another first for a family home. The ventilation, which is unobtrusively incorporated into the walls, is controlled down in the cellar by a system of switches, allowing the occupants to control the temperature in different parts of the house. An additional degree of comfort was ensured by the air filtration system. The air passed through a steel mesh, which constantly moved through a bath of oil, so to remove dust and pollen. The air then flowed through cedar wood chips to freshen it. The boiler room and storage areas for coke, the cellar, spaces for garden furniture and tools, rooms for fruit and vegetables, wash room, drying room, ironing room as well as the “moth room” for storage of fur coats were in the basement. There was also the dark room for Fritz Tugendhat who was a passionate photographer and amateur film maker There was a distribution system for drinking and utility water as well as an air system, involving a combination of heating, cooling and humidification. This depicts the closing of the retractable window opposite the onyx wall. It was the only original one to be preserved up until the 1980s, see the archive photo documentation from the post-war period. The destruction of the only preserved glazing of the retractable window ranks among the most discussed moments in the renewal and reconstruction of the Villa in the 1980s. It was preserved due to it having been retracted to the floor at the time of the bombardment at the end of World War Two, thus being protected from the pressure wave in the engine room behind the plaster of the enclosure walls. The project contained a requirement for the provision of glazing for this plate along with retouching of the frame construction and consequent placement of the original plate back. “When we came that time on the supervision day, I still remember it as if it were today, the plate was no longer there, there were not even any broken shards of glass”. These are the words of Ing. Josef Janeček describing the situation at the time. This irreplaceable loss, often blamed on the designers, was only definitively solved quite recently. According to an account of one of the employees of the Construction Company of the City of Brno, who worked at Villa Tugendhat in the 1980s, the window was destroyed during the final phase of construction at the order of the investor. The reason behind this being the fact that the ‘old’ window did not ‘fit’ with the new glazing in terms of its colour scheme and the absence of a dividing seam and therefore the new glazing of the garden façade had to be ‘made uniform’. “In order not to deform the large space with heating structures, an air system was created which could be used as air conditioning in the summer months. Despite the fact there was still very little experience with this kind of equipment in private homes at the time, this air system worked perfectly. The entire space would be warm only half an hour after opening it. The safety and signalling equipment were also technically brilliant. The access from the street to the terrace was closed by an electric eye at night allowing us to keep open the doors to the bedroom onto the terrace.” The Interiors Torso of a Walking Woman by Wilhelm Lehmbruck The inner furnishings of the house were designed by Ludwig Mies van der Rohe along with his colleagues Lilly Reich and Sergius Ruegenberg. The furniture was primarily from tubular and strip steel as well as from noble woods (rosewood, zebra wood and Macassar ebony). Three ‘Tugendhat’ armchairs stood in front of the onyx wall upholstered in silver-grey ‘rodion’ material, three ‘Barcelona’ armchairs and a stool in emerald green leather, a glass table and a white bench. A colour accent was provided by a reclining chair with ruby red velvet upholstering. ‘Brno’ chairs made from tubular steel and upholstered in white sheepskin were situated around the round dining table from black polished pear wood. Chairs were placed next to the glazed milk wall and in the library. Two ‘MR 20’ wicker armchairs faced one another next to the writing desk behind the onyx wall. The majority of the metal furniture was produced in Germany (Berliner Metallwerke Josef Müller and Bamberg Metallwerkstätten). The built-in furniture and part of the free-standing items were produced in the Brno firm Standard Flat Company of the architect Jan Vaňek which at the same time realized part of the interiors of the Müller Villa in Prague by Adolf Loos. Vaňek’s firm apparently also installed the curved inner wall from Makassar ebony. “Mies had a round table designed for the circular dining room with one metal leg, in the exact form of the iron columns, which could also be retracted into the floor. The table top was from black pear tree wood. The reverse side had metal rails in order to enlarge the table to twice the size.” The architect and designer Lilly Reich contributed significantly to the conception and design of the interiors. She cooperated with Mies on the exhibition for the German Werkbund ‘Housing’ at the Weissenhof housing estate in Stuttgart as well as on the exhibition of fashion and silk in Berlin in the year 1927. A turning point in their cooperation became the design for the World Exhibition in Barcelona in the year 1929. Reich created the furnishings of the flat for Mies’ house in Weissenhof where the floor surfaces were covered in linoleum in red, blue and white colours while the particular spaces were separated by light curtains which served to regulate the lighting of the interior. The principle of ‘flowing’ space from the exhibitions in Berlin and Barcelona was consequently applied in the Brno Villa. The selection of materials and the colour scheme of the textiles were fully supervised by Lilly Reich. “All of these combinations of colour were tried out a number of times by Mies on site along with Lilly Reich. There were also of course the curtains and carpets: in front of the onyx wall was a handwoven rug from light natural wool while behind the onyx wall was also a hand woven rug from brown natural wool. There were Persian rugs in the library and under the wing which we chose ourselves. The peculiar black colour of the shantung curtain in front of the conservatory was similarly carefully chosen to fit with the black velvet curtain hanging nearby and with the silver-grey shantung silk at the rear wall. A white velvet curtain hung between the entrance and the library, allowing this part of the living area to be completely closed off, thereby creating an intimate seating space. The furniture in the upper rooms was also designed with the same care.” The authorship of the book shelf behind the writing desk in Fritz Tugendhat’s room has also been attributed to Lilly Reich, as a writing desk next to a window with a low bookshelf behind it was a typical interior composition a la Lilly. She was also apparently the author of the white cabinet with dark glazing in the main living area the construction of which reflects the principle of the steel structural system of the house. The creative contribution of Sergius Ruegenberg is less apparent. He produced a number of drawing designs for the house including for the interiors. Mies entrusted him, for example, with developing a suitable armchair for the Barcelona pavilion, the model for which was Mies’ earlier designed stool. A range of Ruegenberg’s sketches have survived, in which one can observe, amongst other things, the shape of the ‘Tugendhat’ armchair. The only art work in the interior was the statue of a female torso by Wilhelm Lehmbruck from the year 1913. After consultation with Mies it was chosen instead of the originally planned statue by Aristid Maillol and soon became very popular with the Tugendhats. Furniture restoration in the Villa Tugendhat, originally designed by Mies van der Rohe, was aimed at restoring some of the remaining interior doors and reproduction of the original wooden built-in and freely positioned furniture, including metal furniture. Regarding restoration and manufacturing of wooden furniture, we have explored all available resources such as period photographs, project documentation in museums (such as MOMA), literature and contacts with the families of the original owner and architect. We also visited numerous buildings designed by Mies van der Rohe in Europe and the USA. From this comprehensive survey, we have prepared a rather extensive documentation which served as a basis for subsequent manufacturing. We had to make replicas of locks, hinges and parts for assembling of cupboards, tables or cabinets. We used only original materials such as wood panels, plywood and veneers. We have never used contemporary standard sheet materials, but rather historical connecting materials, including bolts and screws. We have adjusted details to our latest knowledge until the very last moments. We have used such rare materials as 100% zinc plate, solid steel, chrome, flexible tubular steel, brass, hand-tanned leather, parchment, opaque glass, black glass, crystal glass, rubber and leather straps, green marble, a number of textile covers, many wooden materials as well as European and tropical veneers. As a final finish for maple, rosewood, pear, beech, oak, zebrawood and macassar veneers we used synthetic oil with alkyd resins, determined by research as the contemporary coating material. It was specially made for the renovation according to original recipes. For the upholstery of sofas, beds and other interior parts we used only original materials such as jute, horsehair, African grass and traditional metal springs. All special works were carried out either by qualified renovators or under their supervision. The upholstery was often made from materials that are either unusual or no more used. We also found out that the professions needed for the realization of the interior are no more available. It was necessary to equip the villa with metal replicas of the original furniture that had to be made individually. Returning of the round macassar dining wall to the villa turned out to be crucial. The wall disappeared from the building in 1940 and was considered to be completely lost. Art historian Miroslav Ambroz announced the discovery of the wall in a busy university canteen in Brno in 2010, where it served as a wall cladding for 70 years. The panels were removed in 2011, restored, new sections were added and the wall was returned to the villa. This is one of the most interesting stories of the restoration. Thousands of people have watched the panels for years while nobody realized the context. The returning of the wall to its original place was an emotional experience even for the Tugendhat family. Renovated metal furniture in the original 1930s versions is now placed in the villa. Such furniture is not available on the market anymore. Given the fact that many chairs and tables were created in the year when the villa was built or designed specifically for the villa, many were prototypes modified for various reasons in the years before World War II. The reasons were usually structural and practical (lack of experience with new designs). The furniture had not been tested and it was thus impossible to determine its real-life properties and durability in advance. After World War II, the simplifications and modifications continued. Technological, material, dimensional and assembly modifications meant that many products changed substantially compared to their 1930 versions. KNOLL USA began to produce the furniture in the 1950s and subsequent decades using completely new drawings supplied by the Mies van der Rohe studio and their own designs, using for example new, non-metric cross-sections for steel. New developments and changes are still taking place. Some metal furniture in the villa was not even designed by Mies or he did not design it by himself. For example, the MR chairs were made, with the family and the co-author Lilly Reich´s consent, by TECTA, while the serving trolley was originally made by Thonet (discontinued a long time ago). The influence of the assistant designer Sergio Ruegenberg on the subsequent appearance of the furniture has not yet been significantly determined. Entirely new manufacturing drawings for the existing original chairs were prepared for the villa restoration, with references to Mies’ original documentation, and the procedure was approved by the contracting authority, designers and THICOM. A significant part of the original metal furniture (Barcelona, ottoman, Brno flat chair, Dessau table, chaise lounge, table MR) is owned by the Brno Municipal Museum, the Tugendhat family and the Mies family. The Tugendhat chair (model number MR70) is a modernist cantilever chair designed by Ludwig Mies van der Rohe in 1929-1930 for the Tugendhat House in Brno, Czechoslovakia. In appearance, the Tugendhat chair is somewhat of a hybrid of Mies van der Rohe’s 1929 Barcelona chair and 1929-1930 Brno chair. Like the Barcelona chair, the Tugendhat chair has a large padded leather seat and back, supported by leather straps mounted on a steel frame and legs. However, like one variant of the Brno chair, the frame is flat solid steel, formed under into a C-shape under the seat to create a cantilever. Versions exist with or without leather-padded steel arms. The metal was originally polished stainless steel; modern examples are often chrome-plated. It was first produced by Josef Mueller Berliner Metallgewerbe and was later licensed to Knoll Inc. (USA) who produced a limited number of the chairs with and without arms from 1948. Gerry Griffith in Chicago created examples in the 1960s for use in the United Airlines Executive Office Building designed by Bruce Graham of Skidmore Owings and Merrill. The new museum replicas are clearly distinguishable from contemporary production. Existing pieces were studied in the USA, Germany, Austria and the Czech Republic – these were basically all existing or related pieces of furniture from the villa. The furniture was physically measured, drawn, original general drawings were traced and the furniture was X-rayed thoroughly. These were truly detailed 1:1 drawings, while the detailed research materials and unique comparative drawings compared the current and the original production of metal furniture. As a result, the furniture in the villa is not a poor copy of the contemporary furniture by Mies van der Rohe, but rather furniture in its original appearance, and we could even say, with a slight exaggeration, that these replicas are the only existing original furniture. And like the Barcelona chair, many are museum replicas of chairs owned by the same entity that operates the Villa Tugendhat. The result of the Tugendhat Villa restoration is a condition of the interior which is as close as possible to its 1930 appearance, while the attention to detail is unique among renovations of the 20th century architecture. The visitors can thus travel back in time to 1930 when the villa was completed The Architect – Ludwig Mies van der Rohe Maria Ludwig Michael Mies was born on the 27th of May 1886 in Aachen Germany He was the youngest of five children of the stonemason Michael Mies and his wife Amalie. He attended the general and Catholic cathedral school and industrial school in Aachen from 1892-1902. He trained as a bricklayer and worked as a sketcher. He left for Berlin in the year 1905 where he worked up until the year 1907 for Bruno Paul. Here he prepared his first independent realized project for a house for Alois and Sophie Riehl in the villa colony of Neubabelsberg in Potsdam (1906-07). He worked for Peter Behrens over the years 1908-11 through whom he seemingly developed an interest in Schinkel’s Classicism. He designed a home in Berlin-Zehlendorf for the art collector Hugo Perls (1911-12; 1928 the addition of a gallery for the art historian and collector Eduard Fuchs). He opened his own architectural office in the year 1913 He married Ada Bruhn (1885-1951) with whom he had three daughters: Dorothea (1914, known under the name Georgia van der Rohe), Marianne (1915) and Waltraut (1917; that same year while in Romania where he served as a soldier Mies had a son born out of wedlock). He left his wife Ada in the year 1921 who he never divorced and added his mother’s maiden name to Mies. Over the years 1921-24 he created fantastic projects for glazed skyscrapers with constructions based on the principle of “skin and bones”. He became a member of November Gruppe and co-founder of the association of architects Der Ring. Over the years 1925-27 he realized apartment blocks in Berlin-Wedding, significantly making use of modern principles of function and hygiene. Mies’ working and life partnership with Lilly Reich (1885-1947) became an important turning point in his life, working together on the exhibition of the German Werkbund “The Dwelling” carried out in the form of the housing estate Weissenhof in Stuttgart (1927). Here and once again at the Berlin fashion exhibition (1927), the central theme of which was silk, Mies and Reich presented their concept of “flowing” or “unrestricted” space which was further developed in the Barcelona pavilion (1928-29) and in the Brno Villa (1928-30). They also both cooperated on the projects for the “brick” houses for Erich Wolf in Guben (1925-27) and Hermann Lange and Josef Esters in Krefeld (1927-30). The Tugendhats were impressed by the house in Guben and strongly influenced by Mies’ personality…. “He had a calm, self-confident certainty which immediately served to convince you. From the manner in which he spoke about his projects, we realised that we were dealing with a genuine artist. He said, for example, that the ideal dimensions of space cannot be calculated, space must be felt.” Mies was the final director of the Bauhaus over the years 1930-33. Mies van der Rohe, whose work did not meet Hitler’s taste for monumental architecture, also fled the Nazis, purportedly using his brother’s passport to get out of Germany. He left for the USA in the year 1938 where he took up the directorship of the the Illinois Institute of Technology (IIT) in Chicago where he also established his own office. In the year 1940 he met Lora Marx, his companion during his American years and obtained American citizenship in 1944. Mies worked on the plans for the university grounds for IIT over the years 1939-58. He designed his most radical domestic design for Edith Farnsworth in the form of a glass pavilion (1945-51). He realized the high-rise Lake Shore Drive Apartments in Chicago (1948-51) and the administration skyscraper Seagram Building in New York (1954-58). Mies designed the New National Gallery in Berlin back in his native Germany (1962-68). At the beginning of the year 1969 Mies’ Chicago office promised to assist in the restoration of Tugendhat Villa initiated by the Brno architect František Kalivoda and Grete Tugendhat. Ludwig Mies van der Rohe passed away, however, on the 17th of August 1969 in Chicago. Mies’ statement “less is more” is characterised by his pure forms and work with material. Glass, steel and concrete are the attributes of his distinct “International Style” which has influenced architecture up to the present day. The Commissioners – Grete & Fritz Tugendhat Fritz Tugendhat (1895-1958) and his wife Grete, maiden name Löw-Beer (1903-1970) both came from Jewish German families of industrialists and traders who had lived in Brno for several generations. The Löw-Beers had settled in Moravia starting in the 17th century and contributed significantly to the industrialization of Czechoslovakia during the between-the-wars period. They owned and operated a range of textile factories, sugar refineries and cement works within the territory of the former Austria-Hungary Monarchy. The factories for woollen fabrics in Brno and nearby Svitávka, where the Löw-Beers had two family villas (the so-called, Small Villa was built at the instigation of Grete’s father Alfred Löw-Beer according to a project by Josef Nebehostený in the year 1906) ranked among the most significant of these. Grete Löw-Beer married the industrialist Hans Weiss in the year 1922 after interrupting her studies of economics in Vienna. Grete spent the majority of her less than happy marriage, which fell apart after six years, in Germany. Here she also made an acquaintance with contemporary art and architecture…. “I would often visit the house which Mies van der Rohe built for the art trader Perls, at that time inhabited by the art historian Eduard Fuchs. The house was built in a conventional fashion, however, thanks to the trio of glazed doors the living area was opened up to the garden. It also had a clear division of the various living and dwelling spheres. I had also been greatly impressed by the housing estate in Weissenhof.” The Tugendhats did not have their own companies but were the co-owners of the Brno wool factories Feldhendler et Co. and Max Kohn. They were mainly involved in trade with cloth. Fritz Tugendhat originally wanted to study medicine. He was more interested in the technical side of textile production and the designing of quality fabrics having found himself not particularly successful as a businessman. Soon after her divorce Grete remarried Fritz Tugendhat who she had known practically from childhood. Both of them decided to settle permanently in Brno and prior to their engagement commissioned a project for a family house from Ludwig Mies van der Rohe. Contact with the architect had apparently been provided by Eduard Fuchs or Mies’ colleague Lilly Reich who would frequent the company in Fuchs’ house. Grete was the one primarily interested in addressing the renowned artist and had the support of her husband. “I truly longed for a modern spacious house with clear and simple shapes. My husband was horrified by the idea of having rooms full of objects and cloths as he had known from childhood.” Mies arrived in Brno in September 1928 and was impressed by the exclusive plot of land which provided a marvellous view of the historical panorama of Brno, finally accepting the commission. Surprised by the high level of Brno architecture and construction work he did not hesitate to entrust the realization into the hands of a local construction company. The locality in the Brno residential neighbourhood of Černá Pole was given ahead of time as the property was part of Grete’s parents’, so-called Löw-Beer, Villa. Her father gave the plot to Grete in March 1929 and also financed the construction of the new house. In April 1929 Grete Tugendhat officially requested building permission which was granted in October of that same year. The construction company of Artur and Mořic Eisler began with the construction of the house in the summer of the year 1929 and completed it in fourteen months. After completion of the interior, the family could move into the house in December 1930. The Tugendhats lived in the house with their three children, Hana (Grete’s daughter from her first marriage), Ernst and Herbert up until May 1938. They left for Switzerland in order to escape the threat of the outbreak of the War and in January 1941 consequently to Venezuela where their daughters Ruth and Marie-Daniela were born in Caracas. Grete Tugendhat gave a speech in Brno in the year 1969 regarding the circumstances and course of construction of the villa. This talk is a unique source of information about the house for art historians and architecture theoreticians. It was additionally a moving personal communication for art lovers by the woman who had made possible, perhaps unknowingly, the emergence of a work of art which she completely identified with and which became the embodiment of her views of freedom. Modern Brno began to come about starting in the 1830s when the fortifications were gradually torn down. The city rapidly grew with new construction activity, primarily connected with the building of the local ‘Ringstrasse’, lending Brno the typical features of a city of the 19th century Vienna type. The urban development of the Moravian capital, known as the Austrian Manchester primarily thanks to its textile industry, began to move outside of the centre, creating both working-class suburbs as well as residential quarters. At the turn of the 19th and 20th centuries Brno began to change into a modern city. Extensive redevelopment to the historical core occurred and late Historicism and the Art Nouveau of the Austrian and German provenance became the architectural expression of the new structures. Along with construction of the Brno ‘Ringstrasse’ the urban planning of Černá Pole (Black Field) began. The first villa colony in Brno was established here here on parcels of vineyard land above Lužánky Park in the year 1860. The area between the streets Drobného (originally Hutterova-Huttergasse later Sadová – Parkstrasse) and Černopolní (Schwarzfeldgasse) was part of Lužánky Park up to the second half of the 19th century with the public greenery here freely overlapping the private gardens. The first villa in this locality was designed by the Brno builder Josef Arnold, in all probability according to urban planning by Heinrich Ferstel, one of the main architects of the Vienna Ringstrasse. At the beginning of the 20th century the construction development of this land was supplemented by tenement buildings on Antonína Slavíka and Helfertova streets and the monumental composition of Schodová street. Černá Pole became one of the most sought out Brno residential neighbourhoods during the period prior to World War I and consequently up to the end of the 1930s thanks to the supply of both individual and cooperative family housing. The oldest, the Kaiser Villa, was built in the year 1860 at Černopolní street while the second came about, the builder Josef Arnold’s own villa, in the year 1862 along with at practically the same time, the neighbouring villa for the Brno lawyer Karel Giskra. The final of the three homes ‘hidden’ in the depths of the gardens was, the now demolished, Adamčik Villa. The placement of these structures is clearly apparent on old maps of Brno. Cecílie Hože, the sister of Grete’s father Alfred Löw-Beer became the owner of the Arnold Villa in the year 1909. She was married to Kornelia Hože a well-known Brno lawyer and co-owner of the cement works in nearby Maloměřice. The house with its extensive land which can be seen from the living space of Villa Tugendhat, was renovated in the Art Deco style with elements of the Art Nouveau by Grete’s aunt over the years 1909-1915. In October 1939 the property was confiscated by the Gestapo, only to be nationalized by the state, serving as a kindergarten from the year 1952 (at present the land is the property of the city of Brno). Members of both the Löw-Beer and Tugendhat families began to settle on more property in the immediate surroundings starting from the beginning of the 1920s and contributed to a significant extent to the ‘cultivation’ of this part of the city. Grete’s father, Alfred Löw-Beer, purchased an Art Nouveau villa on a practically neighbouring plot of land on Drobného street 22 in the year 1913 built over the years 1903-1904 by the Brno textile industrialist Moritz Fuhrmann. The author of the building was in all probability the Viennese architect Alexandr von Neumann. The house included extensive land with a vineyard and garden which expanded and led all the way up to Černopolní street. After Grete’s marriage to Fritz Tugendhat, she received the upper part of the plot of land from her father as a gift for the construction of a house for her family. The Löw-Beer Villa, which Grete grew up in, was also confiscated by the Gestapo in October 1939 and later transferred to the property of the state. It served as a boarding facility starting in the 1960s (at present the property belongs to the South Moravian Region). There are plans to once again unite both houses along with the land into one whole with Villa Tugendhat as an installed monument to Modern architecture and the Löw-Beer Villa as a living centre for Modern architecture. Apart from Mies’ personality and his original conception of space, the Tugendhats were also particularly impressed by his feeling for material. “He consequently explained the importance of utilising noble materials in Modernist structures, in particular, which do not contain decorations or ornamentation, this having been a neglected idea up until then by even, for example, Le Corbusier.” They consequently visited three of his realizations from recent years along with Mies. “We especially liked the house for Mr. Wolf in Guben which he had just completed. This was a large-scale house built from hard-burnt brick. Our house was originally supposed to have been built from the same material, but we discovered that there were not attractive hard-burnt bricks in Brno nor bricklayers who would know how to apply it properly.” Not only due to his architectural vision, but also in light of the placement of the building on a slope, Mies finally elected the supporting structure of a steel skeleton with backing masonry. The delicate supporting columns of a cross-section with riveted angles are from German steel. The columns on the terraces have brass cladding with patina coating to a bronze in copper colour, the columns in the main living area have brass chromium plating with a bright lustre. All of the window frames and a number of the doors are made from steel. All of the plastering was carried out in the natural colour tone of sand (they did not have a white coating). The internal plaster had a velvet lustre thanks to the final layer (stucco lustro). The Italian almost white travertine (Tivoli locality) ranks among the original stone elements. This was employed in the interiors on, for example, the floors of the entrance hall and the staircases, and in the exteriors on the parapet and the bases of the upper terrace and the garden terrace with the stairs (this was replaced during the restoration of the Villa over the years 1981-85 with Spiš travertine from Slovakia). The so-called onyx wall is a truly remarkable decorative and at the same time functional stone element in the interior of the Villa. The honey-coloured, yellow rock with white veins was mined from the Atlas Mountains in former French Morocco in North Africa and is actually aragonite sediment (calcium carbonate). “I do not know which stonemason company Mies obtained the stone from. Mr. Lohan told me he found it in Hamburg where it was supposed to be used for the production of two large vases for a luxury steamer. It had been committed to be sold, consequently they did not want to oblige Mies. He was so impressed by it, however, that he refused to give in and finally obtained it in the end (…) Mies personally supervised the exact cutting and placing of the slab so as to allow the lines of the stone to stand out properly.” The special characteristics of the onyx are intensified during the winter sunny days. “When it was sufficiently demonstrated that the stone was transparent and that certain veins on the back side shone red when lit up from the front by the sunset, it was a joyous surprise for even him (Mies).” The exclusive exotic woods came from south-east Asia. The wall cladding in the entrance hall, doors and built-in closets in the parent’s rooms were from veneered palisander. The children’s rooms made use of zebra veneer. The main living area contained the impressive ebony veneer from the region of Makassar on the island of Celebes. The dark brown and yellow veined ebony wood for the half-cylinder in the dining room and for the built-in library (preserved up until the present in its original state) was apparently chosen by Mies in Paris where he found sufficiently long veneer which would reach from the floor all the way to the ceiling. The architect Viktor Průša from the Brno company of the architect Jan Vaňek which installed the majority of the built-in furniture in the Villa, recalls the circumstances as follows, “the adventurous search for ebony logs with uniform veneer in the import warehouses throughout Europe, in particular when cutting in the veneer factory in southern Moravia for the demanding architect of the Brno Villa.” The half-cylinder wall divided the space of the dining room and was destroyed in the year 1940 and over the years 1981-85 and replaced by a new construction of zebra veneer. The working desk and the table in the main living area as well as additional pieces of furniture were also made of Makassar ebony. White DLW linoleum (Deutsche Linoleum-Werke) was laid on the floors in the main living area and in the bedrooms. “Mies van der Rohe wanted the floor to function as a solid surface which is not the case with parquet floors. The white colour was additionally neutral (…). I must admit that it was extremely sensitive to dirt and required a great deal of care.” villa tugendhat 1931 landscape design The plot of land was part of the property adjoining the Art Nouveau villa of Grete’s parents and had the form of an English park from the 19th century. The garden of Villa Tugendhat along with the lower garden of the Löw-Beer Villa had always formed a territorial although not an architectural whole. The existing paths, a circular trail linking up both villas and a number of woody plants, primarily an overgrown weeping willow were incorporated by Mies van der Rohe into the project for the house. The placement and incorporation were designed in connection with the natural framework and in relation to the particular views outward and through to the historical centre of Brno. The façade of the house contained climbing greenery evoking “the optical disappearance” of the mass of the building in plant life, this being further enhanced by the ideal linking of the interior and the exterior. The actual arrangement of the garden with compositional connections with the main living area was most obviously apparent in the continuity of space of the dining area with the elongated half-circular terrace under the weeping window. The dry dwarf wall from variously placed stones planted with perennials created the optical base for the house having been designated for the view of the house from the lower part of the garden. The roses planted in front of the garden façades, evident in family photographs, were not part of the architectural conception. Grete loved them, however, despite the fact that they suffered from excessive sunlight and quickly faded. She would often make mention of the beauty of the blooming roses in the large spaces or strips around the home in later interviews. Plants were placed in pots at the entrance parts from Černopolní street as well as from the garden terrace. The close connection between the house and the vegetation culminated in the interior of the winter garden adjoining the main living area. The winter garden contained a rectangular pond with water plants and greenery in pots. “My husband established a genuine greenhouse in the winter garden with blooming plants. The view through the greenery from the greenhouse of the snow outside was lovely.” The Brno garden architect Markéta Roderová-Müllerová (1898-1981) contributed significantly to the garden concept, having made Mies’ acquaintance apparently as a result of the realization work by the construction company of the Eisler brothers. Mies was undoubtedly impressed by her having graduated from the gardening school in Lednice na Moravě, her distance studies at the prestigious gardening college in Berlin-Dahlem and finally her German heritage. The layout of the garden was designed under his supervision in the spirit of the so-called “emphasised emptiness” where the main motif consisted of the large grassed spaces with isolated vegetation. Perspective sketches of the garden and the upper terrace were carried out by Sergio Ruegenberg (1903-1996) who also related that the hemi-cycle bench on the upper terrace came about after a visit to Charlottenhof Palace by Ludwig Mies van der Rohe and Lilly Reich. Garden façade with the original retractable window opposite the onyx wall, August 1969 Daniela Hammer-Tugendhat has related the following based upon recollections from her mother:…. “The connection between the interior and the exterior, the dialogue between architecture and nature served to define the essential structure of the house […] The garden was left as a meadow to a significant extent providing a small paradise for play for children […] The children could sled and ski in the winter all the way to the home of their grandparents. It could have been the realised vision of freedom for this small wealthy family which was so important for Mies.” Return to the Original State The guiding principle behind the restoration was to return the house to the state when the Tugendhats lived there. To achieve this end, materials were used which were available at the time of construction. For example, the linoleum tiles on the floor and walls in the wet areas were made by the same formulas used by Deutsche Linoleum Werke, the company which produced the original tiles. Painstaking care and attention was given to the plaster work. Again, the same plaster as was used in the house the first time was used in the restoration. The restorers even went so far as recreating the plastering styles of the different plasterers and maintaining the characteristic flaws in the original work. Of course given the building’s history, quite a number of fixtures had to be replaced. The glass of the massive windows is not the original, but it was produced to be of top quality, so to be in line with Mies’ philosophy. The furniture also had to be replaced, though again the pieces retain the original design principles of the former items. The restoration work was carried out under the auspices of the Tugendhat House International Committee (THICOM). The chair of THICOM is Ivo Hammer, husband of Daniela Tugendhat-Hammer, one of surviving daughters of Grete and Fritz. Mrs. Hammer-Tugendat was present at the opening along with her husband. So too was her older sister, Ruth Guggenherim-Tugendhatová. At the opening, Mrs. Guggenherim-Tugendhat said, “It must be clear to everyone, who looks around the villa, why our parents were so proud of the house.” The total cost of the restoration came to 173.6 million CZK. About 80 percent of the villa’s original features have been preserved, making it “the most authentic Mies van der Rohe building on the European continent,” said Iveta Cerna, an architect from Brno’s municipal museum who has looked after the villa since 2002. Good fortune played its part: An original bathtub, missing since the 1940s, was found in a nearby house; and a curved wall of Macassar ebony was discovered at a dining hall inside Brno’s Law School, where it had been taken to spruce up a bar built for Nazi officers. Brno experienced a building boom in the late 1920s that reflected the growing confidence of the city in the independent Czechoslovakia, created in 1918. Grete and Fritz Tugendhats, co-owners of wool factories and part of a large German-speaking Jewish community in the city, were able to commission the home of their dreams from Mies van der Rohe. “I truly longed for a modern spacious house with clear, simple shapes,” Grete Tugendhat said in a 1969 lecture in Brno. Her husband died in 1958 and never saw it again after the family fled Czechoslovakia in 1938, a year before the Nazis took power. Grete Tugendhat returned from her home in Switzerland to visit the house several times, first in 1967. She died in 1970. Efforts by the family to claim their former property back after the collapse of communism in 1989 failed. Ms. Hammer-Tugendhat says she doesn’t know how many times she has now visited the house, but each time, the lower-level living room—a 237-square-meter, light-filled array of flowing space—fills her with awe. The room, one of Mies’s signature creations, fosters a feeling that “I only know from medieval churches,” she says. After its 1980s restoration, the room, composed of a patchwork of areas, contained “very bad imitations” of original furniture, Ms. Hammer-Tugendhat says. Now, it is filled with precise replicas of the house’s famous Brno, Tugendhat and Barcelona chairs. The Tugendhat House’s restoration has benefited from a new approach to preserving Modernist buildings, says Jean-Louis Cohen, a Mies scholar and professor of architectural history at New York University’s Institute of Fine Arts. “A new generation of experts,” he says, now takes an “archaeological” view, yielding superb results. Prof. Cohen remembers visiting the house after work was finished in 1985. Although the building’s trademark flowing floor plan was still evident, he says “the grand atmosphere from the 1930s was not there.” The new interiors are once again marked by opulent elements, like rosewood-veneer doors, an ebony library bench and a round, pearwood-veneer dining table. The glass-walled living room is dominated by a hollow slab of rich gold onyx—the hollowness allows the sun to shine through, lightening up the space. The Tugendhat House, says Prof. Cohen, “has a purity and a grandeur that you can’t find in other buildings.” The restoration required detective work. A macassar ebony room-divider disappeared during the war; it was thought lost for good until sections were discovered a few kilometers away at Masaryk University, in a canteen used by the Gestapo as an officers’ club. The hunt for original building materials led to a Moravian sand supplier, found some 20 kilometers away, and an Italian quarry, the source of marble meal used in the plaster. “We were very strict” about the sourcing of materials, says Brno architect Iveta Černá, secretary of the Tugendhat House International Committee, composed of experts who made recommendations about the restoration. Eighty percent of the funding for the restoration came from the European Union’s Integrated Operational Program; the rest came from the Czech Ministry of Culture and the city of Brno. The house was a design laboratory, and some of its innovations have become standard-issue. The living room contained one of the earliest plate-glass coffee tables. Millions of people now live and work with these tables in their midst, but to see the original design in its intended setting is a revelation, says Barry Bergdoll, chief curator of architecture and design at New York’s Museum of Modern Art, which includes the home’s original coffee table in its permanent collection. The table, he says, “is incredibly resonant with the architecture.” The living room’s glass walls and chrome columns are echoed in the coffee table’s glass top and chrome-plated brace. The interiors have been recreated, but the actual building—which is notoriously difficult to photograph—needs to be visited to be seen. You can only appreciate its genius, says Ms. Hammer-Tugendhat, “by moving through it.” Construction History Research Construction history research on the Brno Villa of Greta and Fritz Tugendhat was prepared in the year 2001. Art history and theoretical analyses by the country’s leading art historians and architecture theoreticians make up separate chapters of the CHR research project. The Villa is also evaluated within the context of world modern architecture as well as from the perspective of monument care with an emphasis on the remarkable authenticity of the building. In light of the exceptional importance of the structure, the CHR research project was prepared on a particularly grand scale. For this purpose, a multi-occupational group of art historians, conservationists, archivists, architecture theoreticians, garden architects and natural scientists was assembled under the leadership of Karel Ksandr. This mainly consisted of the team of specialists which had prepared the CHR research work on the Prague Müller Villa by the architect Adolf Loos. All of the available literature and specialised publications concerning the structure from its initial construction had to be studied when creating the SHP research project on Villa Tugendhat. Apart from the period reception of the Villa in publications by W. Riezler, J. Bier, L. Hilberseimer and the commissioners themselves on the pages of the journals Die Form and Der Baumeister in the year 1931, one of the most important sources was the publication The Modern House by F. R. S. Yorke published in London in the year 1934. The detailed archival research was supplemented, checked repeatedly and consequent corrections were carried out to all of the, up until now, facts presented in the relevant literature. The most important and most novel finding consisted of the discovery of a carbon copy of the construction permission for the Greta and Fritz Tugendhat Villa from the 26th of October 1929 with 36 conditions from the building authority of the Regional Capital City of Brno along with the plans for all the floors of the Villa with the water piping. The drawn furniture items in the archive of the Brno Waterworks and Utilities were also discovered. The materials from the legacy of the Brno architect František Kalivoda stored in the Brno City Museum were also of particular interest. Practically all of the available planning materials in the country, first and foremost the plans stored in the Brno City Museum as well as the informative style plans located in the Mies archive in the Museum of Modern Art in New York, were also assembled. The detailed geodetic alignment of Villa Tugendhat, carried out in the spring of the year 1969 and stored in the archive of the National Monument Institute – Regional Specialised Workplace Brno, was also a valuable archive source. This alignment is of key importance for the renewal work on the Villa as it includes drawings of the original furnishings, radiators, switches, etc. A detailed description and photo documentation of the present state of the structure was carried out as part of the framework of the actual research work on the house as a material source. All of the available photographs of the Villa from the between-the-wars period were accumulated for this purpose in order to be made use of for essential comparisons with identical pictures of the present state. A collection of photographs from the post-war era, in particular from the end of the 1960s, once again from the year 1980 when the Villa was in a serious state of disrepair, and finally from the year 1985 when the renewal work on the Villa was completed, were assembled. The terrain research also included natural science work, concretely stratigraphy of the most essential layers (the plaster, coatings, etc.) which have been documented in blown up photographs of the particular sections as well in photographs with UF radiation for improved evaluation of the particular layers. Suggestions for the monument-restoration renewal of the structure were prepared in connection with the physical research work. A list and evaluation of the interior furnishings including the documentation of the state of the authentic elements preserved within the territory of the Czech Republic as well as abroad was carried out. Research work was performed on the garden with an evaluation of the project for gardening adaptations from the year 1930 which the Brno garden architect Markéta Roderová-Müllerová contributed significantly to alongside of Mies himself. The original composition of the plant inventory (including the winter garden) was also determined along with an inventory of the current plant population with an evaluation of the originality, the age and the appropriateness within the context of the planting performed upon completion of the building. The first-hand accounts of still living individuals who had had contact with the Villa in the past was included into the CHR research project. The most important of these was provided by Ing. arch. Jarmila Kutějová and Ing. Josef Janeček, the authors of the project for renewal of the Villa from the years 1981 – 1985, as well as Zdeňka Strouhalová who visited the Villa over the years 1959 – 1961 as part of her health rehabilitation programme. Members of the Tugendhat family themselves have also provided valuable accounts including family photographs. The Study and Documentation Centre in Villa Tugendhat, established in the year 2005, makes available construction history research supplemented by new resources as well as literature THICOM – Tugendhat House International Committee International Expert Committee to advice the City of Brno regarding the implementation of the restoration of the Tugendhat House in Brno according to the principles of the preservation of a monument. Designated on 17 June 2009 in Brno by Dr. Daniel Rychnovsky, 1 Vice Mayor of the City of Brno. Decision of the Council of the City of Brno to the establishment of the Expert Advisory Council on 1 December 2009 (R5/128). Appointment of Members on 13 January 2009. The THICOM is a committee of specialists to advise the City of Brno for the evaluation of the technical issues regarding the preparation and implementation of the restoration of the Tugendhat House according to the principles of the preservation of a monument. The THICOM comments on basic conceptual, theoretical and methodological issues regarding the restoration of the Tugendhat House – according to the principles of the preservation of a monument – on important processes of preservation and restoration of the building fabric and on refurbishing the interior and the garden. Iveta Černá / Brno, secretary . Thomas Danzl / Dresden . Wessel de Jonge / Rotterdam, deputy chairman . Alex Dill / Karlsruhe . Daniela Hammer-Tugendhat / Vienna, honorary chairperson . Ivo Hammer / Vienna, chairman . Petr Kroupa / Brno . Karel Ksandr / Prague . Helmut Reichwald / Stuttgart . Arthur Rüegg / Zurich . Vladimír Šlapeta / Brno . Miloš Solař / Prague . Josef Štulc / Prague . Ana Tostões / Lisbon . Ruggero Tropeano /Zurich . Martin Zedníček / Brno . assistant of chairman: Petr Dvořák / Brno Comparative Photography Project This comparison of photographs came about through a study of the photography archive of Fritz Tugendhat and the DeSandalo Brno studio and photographs taken by Daniela Vokounová and David Židlický. The comparative photographs were taken at the same place as the period ones and can be consequently made use of during the restoration of the Villa. The photographs were carried out with a large format camera Linhof 9×12 cm with a Rodenstock lens. The collection consists of 12 photographs. We chose the period photographs of Fritz Tugendhat as well as the work of the De Sandalo Brno studio as a starting point in order to capture the condition of Villa Tugendhat 2006–2010 in photography. We are carrying out a number of comparative photographs at selected, carefully chosen, points. The comparison of period photography and photographs of the current state are an excellent source of narrative value for the future. We focus on exact and detailed depiction of photographic reality without the addition of temporal light effects or additional emotional aspects. We carefully observe and explore the issue of the employment of appropriate lenses, both from a construction as well as from a focal distance. We are interested in the inspiration of possible formats of the consequent photography, the cinema film field of the shots by Fritz Tugendhat and the panel film of studio De Sandalo. We explore the effect of light on the space, the appropriate light atmosphere for capturing certain materials, the suitable means of lighting – where they were placed in the past. We work with the available furnishings of the interior with the furniture placed at the exact period positions. We at the same time make use of the most appropriate classic film and digital technology. Previous Restoration of the Villa – 1981 to 1985 The first and, up until now, final overall renovation of the Villa took place over the years 1981-1985. The project was prepared by the State Institute for Reconstruction of Historical Towns and Buildings in Brno. The designing team (Ing. arch. Jarmila Kutějová, Ing. Josef Janeček, Ing. arch. Adéla Jeřábková) was led by Ing. arch. Kamil Fuchs, CSc. (1930–1995), son of the renowned Brno architect Bohuslav Fuchs. The investor, the department of internal affairs of the National Committee of the City of Brno, established clear guidelines: the house should serve for advertising the city and occasional accommodation of guests. The public was clearly not taken into account. There was no construction-historical, restoration or other research carried out. The only sources of information made use of by the architects were the archive plans and photography from the collections of the Brno City Museum. The main ambition of the project was to restore the Villa to a solid construction-technical state and preserve it for future years. The work of the design team and the actual realization need to be clearly differentiated. The investor carried out minor construction work on the Villa, even prior to receiving the design preparation, wherein certain original elements were destroyed. The project was literally strictly vetoed quite often during the actual construction work with demands for alternative designs. The main supplier of the construction project, the Construction Company of the City of Brno, was also problematic in terms of their participation. There were no actual statics defects to the house apart from the terrace with the stairway down to the garden which had not been sufficiently supported during the initial construction of the Villa. The subtle steel construction of the glazed panels in the main living area, as well as the steel frames of windows and doors on the bedroom floor, showed evidence of considerable levels of corrosion caused by large thermal bridges and condensation. They were only thoroughly cleaned, however, repaired and coated with a readily available paint. Supplies of large-surface glass from a foreign investor were rejected and the glazing was consequently carried out with two pieces with a central dividing joint sealed with transparent silicon putty. The only preserved window opposite the onyx inner wall had to be destroyed at the order of the investor in the final phase of the construction work as its colour and absence of a dividing joint was not “in line” with the new glazing. The original linoleum mark DLW was replaced by the domestic PVC. The curved inner wall from Macassar ebony near the dining room was secured with a shorter height dimension with this difference, against the will of the designers, dealt with by an adaptation with a high socle with inappropriate longitudinal veneer work. The preserved sanitary objects in the bathrooms and WC as well as the radiators had been to a great extent disassembled prior to the beginning of the design work by the construction crew of the investor who was unwilling to even discuss leaving them in situ or storing them. The original supporting construction for the retractable windows was preserved in both engine rooms while the disassembled drive units were newly supplemented. The engine room for the air technology was practically in its original state with only elements added which were needed for the functioning of the system. The original boiler room for coke was transformed into a calorifier room connected up to the outdoor caliduct. The upper dwelling terrace was newly paved with replicas of the paving stones created from the same sizes of stone, placed into exact forms and laid in accordance with the original installation drawing. The travertine socles and capitals of the railings of the upper terrace were original as were the constructions of the benches. The partially authentic fencing was supplemented to while the newly introduced roof had bitumen roofing. The damaged sections of outdoor plastering were replaced in the original structure with a white façade coat of a silicate base, while the internal plaster was sensitively repaired and treated with a layer of white paint. A team of specialists under the supervision of Karel Ksander carried out construction historical research on the structure in the year 2001. Professor Ivo Hammer, the husband of the youngest daughter of the commissioners of the Villa, Professor Daniela Hammer-Tugendhat, supervised restoration research here over the years 2003-2005. This research along with careful studying of the documentation from the years 1981-1982 has indicated that the project was on a particularly high professional level for its day. The actual realization consequently occurred in line with the financial, technical, material and technological possibilities of the time period. Can the Tugendhat Villa be Lived in ? This provocative question was voiced by the art historian Justus Bier. This was a reaction to an article on the new structure of the Brno Villa in the magazine ‘Die Form’ which was published in the year 1931 by the publisher himself Walter Riezler. Α few weeks after the editor Walter Riezler had presented the house in the Werkbund review Die Form οn 15 September 1931, a lively debate started, at the outset of which the architecture critic Justus Bier posed his famous question ‘Is the Tugendhat House habitable?’ The heated debate between Walter Riezler, Justus Bier, and the architect Ludwig Hilberseimer . At the same time, Die Form presented a debate led by Riezler and the marxist architecture critic Roger Ginsburger, which also started out from the Tugendhat House and examined the ‘origins and goals of modern architecture. This debate, and it was no coincidence that it was inspired by the Tugendhat House, raised fundamental questions about the architecture of modern residential housing. Bier criticized Mies van der Rohe, who had, in his view, transferred the concept of the Barcelona Pavilion to a private house. The owners themselves entered into the polemic on the theme as to whether “the Tugendhat Villa can be lived in” with their reactions supplemented with a text by the architect Ludwig Hilberseimer. The Tugendhats rejected the view that the monumental, impassioned living space would only allow for a kind of ceremonial or showpiece housing, and in contrast expressed their complete satisfaction with its variable character. The unforced domestic calm also radiates from the family photographs by Fritz Tugendhat who was a photo enthusiast and amateur filmmaker. From the philosophical perspective the Tugendhat Villa particularly reflects the influence of the German Catholic Modern movement. The American art historian Barry Bergdoll as well as the Czech art historian Rostislav Švácha have pointed out in this connection the ideas of the philosopher Romano Guardini, one of the most significant figures of German Christian Personalism. Mies had met with Guardini and his ideas had additionally influenced Grete Tugendhat. “Large spaces provide freedom. Space has a completely special calm in its rhythm which cannot be provided by a closed room.” The photos by Fritz Tugendhat are genuine personal interpretation of space in contrast with the ‘official’ photographs of the architecture. “When I allow these spaces and everything which is inside them to influence me as whole, I clearly feel: what beauty is, what is truth.” The Tugendhats apparently knew Guardini’s views or at least discussed them with Mies. Guardini’s works, which came about at the same time as the design of the Villa, state that a well-built internal space has levels which lead into depths. This is precisely the manner in which one enters downward into the space of Tugendhat Villa the intimate character of which is protected by the stern street section of the house. Art historical theories and interpretations of not only Tugendhat Villa but Mies’ work in general will continue to stimulate generations of art historians and architecture theoreticians. Up until now almost all of them have agreed that the essence of the Brno realization was the arrangement of the main living space and its connection up with the external outdoors. One of the starting points was undoubtedly the ideas of F. L. Wright and his “open plan” which at the turn of the 19th and 20th centuries removed the four walls demarcating the rooms allowing for the emergence of a continual space with a connection to the exterior of the structure. Mies van der Rohe himself did not write anything about the Brno Villa, but he did discuss the conception in detail with his educated clients. Czech’s leading art historians view “the loose” and “the open” space of the house as analogical to the architecture of the Middle Ages and the Baroque. Václav Richter compared Mies’ space conception with Santini’s radical Baroque space in the pilgrimage church on Zelená hora near Žďár nad Sázavou. Richter’s student Zdeněk Kudělka has made reference to the Neo-Gothic aspects of this space which is enhanced by a cross-like connected profile of steel supporting columns and the mirror-like gloss of its chrome cladding. These interpretations coincide with Richter’s remarkable periodization of the history of “the open” architectural space which was in his view only fulfilled in the Gothic, in the radical Baroque and in the skeleton architecture of the 20th century. Mies’ student Philip Johnson and after him the Swiss architecture historian Sigfried Giedion have interpreted the interior of the Brno Villa as “a flowing” space whose “flow” is only gently channelled by the lines of the onyx and the Macassar inner wall in harmony with the regular rhythm of the supporting columns and the carefully placed furniture. The period Czechoslovak specialised journals ostentatiously ignored Mies’ realization in Brno. The only positive evaluation of the building in the domestic press came from the exclusive society magazine Měsíc (Month) which presented the Villa as one of the crowning expressions of contemporary aesthetic and technical maturity. The negative attitude by Czech specialised circles would thus seem to foreshadow the painful future of both the Villa and its inhabitants. Reopening a Mies Modernist Landmark Alice Rawsthorn What would you do if the very grand, rather imperious architect who had designed your house invited himself for a visit? Doubtless, you would want the house to look its best, especially if its design was so radical that it had caused a critical storm. Even so, Fritz and Grete Tugendhat’s response to the news that Ludwig Mies van der Rohe was coming to Villa Tugendhat, the house he had built for them and their three children in the Czech city of Brno during the late 1920s, was rather extreme. They were so worried that he would object to the presence of Grete’s shabby old piano in the room he had furnished for the children’s nanny that they decided to hide it in the basement. Thankfully there was no need, because the visit was canceled. Luckily for Mies, his detractors knew nothing of the piano saga. The gist of their criticism was that his design was undeniably beautiful, but too imposing to live in, at least, not comfortably. “Can one live in Villa Tugendhat?” was the title of a 1931 essay in Die Form magazine. The Tugendhats argued that one could, but they were wonderfully accommodating clients who had told Mies precisely what they needed from their home, then given him carte blanche and a seemingly limitless budget to build it. The result is among Mies’s finest works and was hailed as a new model of 20th-century living, at least for those who were as sophisticated and privileged as the Tugendhats, both of whom came from wealthy Jewish industrial families. They moved into the house in 1930, but abandoned it eight years later to flee Czechoslovakia before the threatened Nazi invasion. Villa Tugendhat has now been restored, and is to open to the public on March 6, when visitors will discover that, innovative though it is in style and structure, the house is deeply traditional in other respects. “Mies took radical decisions about how to design a new kind of living space, and the house is incredibly spacious, incredibly luxurious and incredibly sensual,” said Barry Bergdoll, chief curator of architecture and design at the Museum of Modern Art in New York. “But the Tugendhats had very specific notions about how they wanted to live. If you look at the program, it is almost like a 19th-century description of an English country house with a room for the butler to iron the morning newspaper. The space seems open and flowing, but there are large zones of privacy for the behind-the-scenes world of the servants.” Villa Tugendhat is a product of what Mr. Bergdoll calls “the miracle period” of Mies’s prewar career in late 1920s Germany when it was one of a series of commissions he undertook, together with the Barcelona Pavilion or, as it was officially called, the German Pavilion at the 1929 International Exposition in Barcelona. Grete Tugendhat had visited one of his houses when living in Germany with her first husband. After her divorce, she married Fritz Tugendhat, and they invited Mies, then in his early 40s, to design their home on a site with magnificent views of medieval Brno. The result was a steel-framed structure in which Mies addressed his clients’ desire for privacy by locating their bedrooms on the upper floor, and most of the services, including Fritz’s photographic studio, on the lower floor. Between those floors is the public space, a sumptuous open-plan room looking out over the garden and across the fields to Brno through an immense glass wall. It is divided into different areas by velvet curtains and an onyx-clad screen, whose colors change with the light throughout the day. Working with the interior designer Lilly Reich, Mies specified all of the furniture and furnishings in opulent woods, stones, velvets, silks and leathers. A new chair, the Brno, was designed especially for the house, with white sheepskin upholstery and a flat steel base. Mies insisted that there should only be one work of art in the living space, a 1913 sculpture of a woman’s torso by the German artist Wilhelm Lehmbruck. The contrast of the glass-and-steel structure with its opulent interior and the natural beauty of its surroundings became a template for modern luxury. The Tugendhats loved living there. Grete Tugendhat said that she had “longed for a modern and spacious house with clear, simple shapes,” and insisted that they found Mies’s design “liberating” and the vast glass room to have “a very particular tranquillity.” The family left the house intact when they fled Brno in 1938, a year after Mies’s departure for the United States, where he designed such postwar architectural landmarks as the Seagram Building in New York and the Farnsworth House in Plano, Illinois. Villa Tugendhat was ransacked during World War II, first by the German Army and then by a Soviet cavalry regiment, which stabled its horses there. Mies and Reich’s exquisite rooms were in ruins, and their furniture burned as firewood. After the war, the house was used as a dance school and a rehabilitation center for a nearby children’s hospital, before being renovated, albeit clumsily, in the 1980s. Even so, Villa Tugendhat still had a special status. The declaration for the dissolution of Czechoslovakia and the creation of the Czech Republic was signed there in 1992. The British novelist Simon Mawer was so intrigued by the house that he chose it as the setting for his 2009 novel “The Glass Room.” “It seemed so emblematic of the Czechoslovakia of the interwar period — a place of progressive ideas, of culture, of light and openness — and the dreadful double disaster of Nazism followed by Soviet Communism,” he said. “The appeal for a novelist was obvious. I’m surprised no one else had had the idea before.” When Unesco designated Villa Tugendhat as a World Heritage site in 2001, the plans for the latest restoration began. And Grete Tugendhat’s “modern and spacious house with clear, simple shapes” is now very much as Mies envisaged it. karsten - June 11, 2019 Hello, I have just now (after many years) found this very informative article. I have a question about Villa Tugendhat, maybe someone can help me. Throughout the literature accessible to me, I have not been able to find any concrete information on how expensive the house was to make 1928/30. Is there more detailed information about that? Thanks and greetings Joseph Zly - April 9, 2018 55 years ago I have graduated under the hill (na Porici) so close and in the same time so fare from Vila. 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Founded in 1938 by Hans… The Beauty of Architecture by Alex Roman Alex Roman, or Jorge Seva or The Third & The Seventh ( He goes by… World Architecture Festival, 2011 Barcelona Buildings designed by renowned architects such as Zaha Hadid and Foster + Partners feature among… Australians @ World Architecture Festival 2011 The WAF Awards celebrate architectural excellence the world over and allow architects to showcase their… Workshopped 2010 Workshopped 10 : Designers show their products for the first time on home ground in… Oscar Nieymeyer – video “A Vida é um Sopro” = ” Life is a Breath of Air” Niemeyer, who died in 2012, was one of the most prolific modernists of the twentieth century, an architect intrigued by building techniques, and made famous for sensuous curves of concrete. This documentary was made to coincide with his 100th birthday (in 2007) celebrating his long life dedication to architecture both in Brazil and overseas. It tells the story of Oscar Niemeyer, whose principal feature was ” the curved line “ Louise Bourgeois – passed away on May 31st, 2010 Louise Bourgeois, the French-born American artist who gained fame only late in a long career, when her psychologically charged abstract sculptures, drawings and prints had a galvanizing effect on younger artists, particularly women, died on Monday May 31st, 2009 at the Beth Israel Medical Center in Manhattan. Global Industry @ “The Dock”, London For London Design Festival 2010, Tom Dixon hosts Global Industry at The Dock, a creative… Iconic Wooden Toys by David Weeks What could be more classic than a wooden toy ? – an enduring classic that… Celebrating Harry Bertoia @ Salone Milan 2015 Knoll has once again collaborated with architect Rem Koolhaas and OMA, and “Inside Outside” founder Petra Blaisse, to design its showroom display at the Piazza Bertarelli. This year in Milan. Knoll celebrates the centennial of the birth of Harry Bertoia ( 1915 – 1978 ) with a true in-depth exploration of this eclectic designer—through all his art forms, from sculptures to jewellery and from monoprints to the master’s celebrated Knoll Bertoia furniture collection DEDECE COMPANY About Dedece 263 Liverpool Street Cremorne, Melbourne PERTH SHOWROOM 246 Churchill Avenue Subiaco, Perth WA 6008 Australia Mon. - Fri. 10 AM - 6 PM [Melb.] Sat. 10 AM - 4 PM [Syd. & Perth: Sat. by Appointment] Closed Sun. & Public Holidays © Copyright 2021 \| de de ce \| All rights reserved.	cc/2021-04/en_head_0013.json.gz/line164
__label__wiki	0.525697	0.525697	Agreement Not Sue Similarly, the manner in which the No Sue agreements were developed and presented to patients led national courts, in different legal systems, to terminate or reject these agreements; coercion. For example, in 1996, the Utah Supreme Court rejected a no sue agreement presented to a patient shortly before the operation in which the patient did not have time to read or discuss it with her doctor (see Sosa v. Paulos, M.D., 924 P.2d 357 (Utah 1996)). A non-recourse contract is a legal agreement in which the party seeking damages agrees not to sue the party against which it has grounds. A non-recourse contract may indicate that the potential plaintiff will not take a long-term action or indicate that the applicant may defer a fixed-term lawsuit. A confederation, not to sue, obliges a party who could bring a lawsuit not to do so. Confederation is expressly concluded between two parties and one in three people who wish to assert a right is legally entitled to do so. Alliances that are not pursued are used to resolve specific legal issues outside the judicial system. Contracting parties can enter into such an agreement in order to avoid lengthy and costly legal action. In exchange for Confederation, compensation may be awarded to the party who may claim damages or can be assured that the other party will perform a particular act. However, states have the power to regulate the general fairness and functioning of the arbitration process and may impose specific requirements that may affect the applicability of No Sue conventions from one state to another. For example, California has a $250,000 damages cap, which limits the effect of binding arbitration, and California law requires „legal termination forms“ that explain to patients no Sue Agreements. New Jersey, on the other hand, is not subject to such a duty of termination, which may cause the New Jersey courts to view these agreements differently in terms of enforceable force. Among the many apparently amphibious provisions under a standard agreement and an exemption agreement are both a release and a separate confederation for not to bring an appeal. Why can we ask if you need a promise from the liberating party not to sue you for the claims released, when the publication is clear and unequivocal, even when releasing these claims? Well, it turns out there`s a reason, and a recent decision of the New Hampshire Supreme Court, Pro Done, Inc. v. Basham, No. 2018-0060, 2019 WL 1967686 (N.H. May 3, 2019) shows the benefits of an independent alliance, in addition to not filing a complaint. Vorheriger BeitragAgreement In Number DefinitionNächster BeitragAgreement On Mutual Recognition Kategorien Kategorie auswählen Timeline Monat auswählen Dezember 2020 November 2020 Juni 2020	cc/2021-04/en_head_0013.json.gz/line166
__label__wiki	0.90915	0.90915	Tag: 100 Miles and Running CAN I KICK IT? DOUBLE FEATURE: YSIV AND THA CARTER V When two popular hip-hop artists release projects that are loosely part of a series, as it were, what does an internet critic do? If you write for Can I Kick It?, you go ahead and review both of them. After 7 years, Lil Wayne finally released Tha Carter V, and in the wake of the death of Mac Miller, the proclaimed inspiration for Logic’s Young Sinatra mixtape series, the latter decided to release the final chapter in the saga, YSIV. Tha Carter V is most assuredly a different album than it would have been in 2014. We’ll never know how many Trinidad James verses got shelved, how many plays on words Weezy would have made on “Get Lucky,” or what he would have rhymed with ‘Bastille.’ That album might not have been very good, considering that That Carter IV incessantly trend-chased and Tha Carter V might have been much of the same. It’s fortunate then, that it has arrived after the four most trying years of Lil Wayne’s career because the time and struggle has caused him to be more revealing. After all this time, Lil Tunechi actually sounds like a human being. It seems unnecessary to review the history that got Lil Wayne here. Suffice it to say, he is no longer the lunatic trailblazer rapping over everything from “Fireman” to something sung by Celine Dion. But more than any release since perhaps No Ceilings, Tha Carter V seems to capture the version of Lil Wayne that his fans most want to remember. Indeed, there is a little bit of every Wayne facet on the 23-tracklist. At times he’s open, word-drunk, and thrilled by the possibilities of his own voice and lyrics. He dials back his most obnoxious tics here too, like the overbearing Auto-Tune, the incessant dick jokes, and that hackneyed cackle that abraded exponentially with every crack. Even his lamer quips sometimes pay off unexpectedly. “Blunt big, big as Mama June off the diet plan/Smokin’ science lab/I should have a tattoo that say, ‘I’m not like my dad.’” And on “Mona Lisa,” he raps more ferociously than fans have seen in quite a while. Tha Carter V seems to be the first time that Lil Wayne has allowed himself to fall behind the times, as it were, and it’s a refreshing, even if not the most rewarding Lil Wayne experience. The most electric moments of the album come when he engages in the lanes that he dominated in the past and foregoes venturing into territory he’ll never own. The most uncommon aspect of the album that turns out to be the most rewarding is the personal tone of the album. The final track, “Let It All Work Out,” shines new light on one of the most infamous Lil Wayne stories: the self-inflicted gunshot wound he survived when he was 12, which he always maintained was an accident. Here, he reveals that it wasn’t. “Too much was on my conscience to be smart about it/Too torn apart about it, I aim where my heart was pounding,” he raps. It’s a reveal that wouldn’t have worked nearly as well on an album that found him stuck in a label beef or contract dispute. It closes the record on a breath-stopping note, but a different kind than fans used to love. The most surprising takeaway from Tha Carter V isn’t that Weezy can still make music like this, but that after so many verses, there’s still plenty we don’t know about him. Logic, on the other hand, has never been one that’s shrouded his past in mystery or shied away from appearing vulnerable. Of course, the Young Sinatra mixtapes aren’t the most notable mixtapes that have showcased this, but there are still moments, such as on “YSIV,’ where he talks about the inspiration for the tapes, his relationship to Mac Miller, and what these tapes mean to him. That’s about as soft as the mixtape YSIV gets, however. “The boom bap’s back harder than ever,” he raps on “Wu Tang Forever,” a track that features every living member of the legendary hip-hop group. For the entirety of the project, Logic goes old school, every beat seemingly pulled out of a time capsule buried in his backyard from the late 1990s/early 2000s. Indeed, the snares are never absent for long, piano samples show up often, and “100 Miles and Running” features a breakbeat in which golden age b-boys would revel and rhyme cadences from Logic and guest Wale that will have old-school hip-hop heads nodding their heads for more than 6 minutes. It’s not just the style or even the production that seems throwback here. “Street Dreams II” and “The Adventures of Stoney Bob” are tracks that more fittingly belong in decades past, but work extremely well here (especially the latter). The entire record stays dynamic in this way, weaving between hyper rapping, storytelling, odes to marijuana, and personal tracks like “ICONIC” that flame his haters over dominant beats. Not everything works perfectly here, but considering the amount of work in which Logic has engaged this year alone, it’s quite an accomplishment. It’s the kind of record that reminds those that didn’t like “Everybody” why they started listening to him in the first place. 100 Miles and Running iconic Let It All Work Out lil wayne Logic Mona Lisa Tha Carter V Wu Tang Forever Young Sinatra YSIV	cc/2021-04/en_head_0013.json.gz/line172
__label__cc	0.594549	0.405451	PREGOBLIN is a collaboration between Alex Sebley and Jessica Winter. There have been a few incarnations of the band thus far, but it’s when Alex and Jess met in 2016 that everything fell into place. Before Pregoblin formed, Alex was a member of The Saudis, alonsgside Lias and Nathan Saoudi, and Jessica is a producer and writer and has worked with members of Gorillaz, Fat White Family and Dinosaur Pile Up. Pregoblin’s debut single ‘Combustion’ is an incendiary groove produced by Alex and Jess. It was mixed by Dan Foat and Nathan Boddy (James Blake, Shame) and released on their label, Fnoord Communications. It was followed by ‘Anna (Flowers Won’t Grow)’. soundcloud.com/alexander-sebley-1	cc/2021-04/en_head_0013.json.gz/line173
__label__cc	0.598446	0.401554	Wagner & Me Fair warning/disclaimer: I missed the first minute or three of Wagner & Me as the bus from Fenway kept slipping while I waited for it (it seemed to be 3 minutes away for fifteen minutes). Hate when that happens, but I kept waiting because this was the MFA's last screening. Maybe if I hadn't stayed through all of The Hobbit's many credits, waiting for a preview that never came, I would have caught the previous one. I came to this as a fan of Stephen Fry as opposed to having much particular interest in Richard Wagner. The composer does make for an interesting topic, although I can't say that I'm going to be rushing out to purchase great big Ring Cycle box sets as a result. That isn't exactly the purpose of the film, anyway - as much as Fry SPOILERS! ultimately says that he will continue enjoying Wagner because the music is good, !SRELIOPS it's not a movie about convincing. Though Fry and director Patrick McGrady do a fine job in explaining what Wagner did well, it comes down to "I heard it and liked it". Truth be told, I like that; too many documentaries often seem like preaching to the choir while too few are simply informative. As much as documentaries with a strong point of view and mission behind them (especially if they are anti-authoritarian enough to be considered "brave") seem to get more critical acclaim, I tend to come to documentaries more via curiosity than passion, and therefore tend to favor the ones that put facts before me over those that arrange said facts in a pointed way. On a completely different note, this isn't the only thing I saw in the last few weeks because of Fry's participation; on the first night of my London vacation, I saw him tread the boards in an "original practices" production of Twelfth Night. That was a lot of fun, although I must say that my first night in the city, not having slept that much on the plane (after staying up too long in an attempt to avoid jet lag by sleeping on the plane), did not have me in a particularly alert frame of mind for it. I do remember Fry giving a great performance, though, as did Mark Rylance (I was also pleased to recognize an actor from Black Pond). Just, man, how great would it have been completely rested? * * ¾ (out of four) Seen 16 December 2012 in the Museum of Fine Arts Remis Auditorium (special engagement, digital) Wagner & Me is probably only going to be terribly educational for those like myself whose musical knowledge is relatively shallow - the folks who sing "kill the wab-bit!" to ourselves when a certain bit of Richard Wagner's most famous piece shows up on the soundtrack. Fortunately, it is nicely informative for that audience, and even for those in the audience who know everything he's saying, it's an hour and a half of Stephen Fry expounding on an enthusiasm, and that's always a pleasant time. Mister Fry is, among many other things, a lover of Wagner's music, and he is quite excited to come to Wagner's hometown of Bayreuth and the theater that the composer built there for the express purpose of showing his "musical dramas". The theater now hosts an annual music festival centered around Wagner's Ring Cycle, with a seven-year waiting list for tickets. And yet, Fry tells us, he is ambivalent about supporting it; being Jewish, it is hard for him to overlook just how strongly the music is associated with the Nazis (he was a favorite of Hitler and the Wagner family supported the Nazis well before not doing so was suicide), and the anti-Semitism in the man's own writings. Fry and filmmaker Patrick McGrady investigating Wagner's life and music and trying to reconcile those feelings gives them a reason to crisscross Europe while using Bayreuth as a home base, making stops in Nuremberg, Switzerland, and St. Petersburg to visit the important scenes of Wagner's life and afterlife where music is performed and scholars are interviewed. It is, generally, a good overview; McGrady never seems to be glossing over any portion of his subject's story, and while the examples of Wagner's work are often briefer than they perhaps must be (even when he doesn't have to try and deliver the essence of a four-hour opera in five minutes), he and Fry do a fair job of explaining things that may seem rather opaque to non-musicians. The strength and weakness of that framework is Fry himself. Stephen Fry is a man of varied and voluble enthusiasms, and each visit to a new location brings forth the giddy joy of a teenage girl with a backstage pass for her favorite band. It's sometimes a bit distracting, but much more often it's infectious, especially since he manages the neat trick of combining an appreciation for high art with an utter lack of snobbery. This unabashed love for the music makes it hard to see him actually wrestle with the decision; aside from one interesting scene where he seems to be asking a cellist who survived the Holocaust permission to enjoy Wagner's music, the topic of anti-Semitism occasionally seems to come up in interviews out of obligation more than as a matter of real difficulty. The decision he ultimately makes is seldom in doubt. It would be easy for that aspect of Wagner to overwhelm the entire production, which would miss the point that he is more than just a few ugly magazine articles and a truly repugnant fan. Wagner & Me is a basic primer fit for a BBC or PBS afternoon slot, though far more charming than most. Labels: documentary, music, UK Next Week in Tickets: Films playing Boston 28 Dece... The Central Park Five Kataoka Ichiro, Benshi: Shoes, "A Dog's Life", an... British (and Danish!) movies in British Cinemas: S... Next Week in Tickets: Films playing Boston 7 Decem... British movies in British Cinemas: Gambit (2012)	cc/2021-04/en_head_0013.json.gz/line176
__label__cc	0.627777	0.372223	Sold Turkey by Themba Kriger / 10.01.2012 “We should throw our own party!” is most often a schnapsidee, literally an idea born at the bottom of a bottle of booze, that much like “we should open our own bar” or “let’s start our own magazine”, tends to get forgotten as the initial excitement wears off and the reality of such an endeavour kicks in. “Fuck it, let’s just get another round.” So when a group of friends had that exact idea and not only saw it through, but also created one of the fastest growing party brands in iKapa, it is understandable that you might feel a tinge of jealousy. “Why didn’t I think of that? A party on a Sunday, it’s so simple!” In the space of a year, Cold Turkey has grown from a small gathering to a highly anticipated fixture on the bi-weekly calendar of Cape Town’s party people, featuring a demographic that would make Desmond Tutu proud. Of course the hipsters were there before it became popular, but the crowd has always included bass junkies of all types, from hip hop heads to glitch producers and of course the odd tourist looking for that quintessential Mother City experience. These days, the numbers are up, the fashions ranging from retro-afro chic to outfits from last Friday’s Discotheque and ‘I’m only here for the music’. This growth has meant that the team has had to continually come up with new ideas to improve the party, while also addressing issues before they become problems, while relying only on door earnings to cover all expenses. If that sounds like troubleshooting at the office, it’s because to an extent it is. Throwing parties is a business, entertainment is the product and despite what the communists say, that isn’t such a bad thing. All that means is that someone has invested time, money and effort and in return expects some reward. But when a party like Cold Turkey gets sponsored the cynics invariably cry: Sell Out! But the arrival of a sponsor has allowed the party to resolve issues such as a lack of seating in the outside space and pickpocketing. Extra security was ordered, free lockers made available and the outside area extended. The sponsorship has also allowed the Cold Turkey crew to buy a soundsystem for the party. This decreases their expenses and allows them to pay the DJs more while still keeping the cover charge nice and low. In this equation, the only one selling out is the bar at Amadodas. If you look at what has driven the success of Cold Turkey, the Sunday afternoon braai atmosphere, the night time debauchery with scant regard for Monday, the wide variety of bass heavy music; this has all remained unchanged despite the arrival of the Converse sponsorship. Of course the Converse branding, with its kinda patronising “The Right To…” campaign, can be visually irritating, but as with the logos on your favourite sports team’s shirt, or the banners on the side of this site, they tend to blend into the background as you focus on the good stuff. Rather than changing the crowd completely, the sponsorship has made it easier for the crew to cater to a larger group of like-minded people and enact new ideas, without killing the overall atmosphere. The resources Cold Turkey has tapped into has allowed them to evolve the party and start bringing in international acts. So it’s always surprising that so many people complain about the branding and increased commercialisation, instead of getting excited about what future acts might come through instead? Perhaps people just miss the feeling of being part of the new shit, back when when Cold Turkey was an idea just 200 people strong. With attendance nearing the 2000 mark, the regulars tend to arrive early, for some relaxation in the sun, before the night time madness hits. Truth is, I’m a big fan of what Cold Turkey has created, and while a small core of early adopters may reject the commercial leg up assisting the growth of the party, and search for that next new thing, I’m stoked that the crew has been able to take their party to the next level. How they manage the next growth spurt and mediate their own commercial interests with their ability to improve the party, will invariably make or break the Turkey. *All images © Themba Kriger.	cc/2021-04/en_head_0013.json.gz/line178
__label__wiki	0.856016	0.856016	The Stadium Series: Why The NHL Is Losing Its East Coast Bias \| Anaheim Ducks, Dodger Stadium, LA Kings, NHL, Sports, Stadium Series, Vin Scully, Wayne Gretzky Ben Ebert \| January 27, 2014 \| 9:25 p.m. PST Dodger Stadium took on a cooler look to host the Stadium Series (Facebook / Anaheim Ducks) Who would have ever thought of it? An outdoor ice rink in Los Angeles, at the famous Dodger Stadium, hosting a regular season game between two of the NHL’s elite teams. Now imagine a KISS concert stage in right field, a beach volleyball court in left, and the USC Trojan Marching Band performing during the pregame introductions of broadcast legends Vin Scully and Bob Miller as well as hockey’s “The Great One,” Wayne Gretzky. Yeah, sounds like quite a fantasy. Fantastical as it may seem, this was the setting for the NHL’s Stadium Series game played Saturday night in Los Angeles. It was quite a spectacle as Southern California was able to watch its two beloved hockey teams, the Los Angeles Kings and the Anaheim Ducks, go head to head under the California sky. Since the first outdoor NHL regular season game in 2003, which saw the Edmonton Oilers host the Montreal Canadiens in the Heritage Classic, outdoor games have been played each year in the northern midwest and eastern regions of North America. The LA Stadium Series was a new ambition by the NHL as it worked to expand on the concept of outdoor games by bringing it to the west coast. So how was outdoor hockey possible in sunny Southern California? The technology used for the outdoor rink involves a unique refrigeration mechanism that is able to sustain the ice temperature necessary for a proper playing surface. Couple this process with thermal sheets to cover and protect the ice from sunlight, and you have a rink that is ready for game-time. Fortunately, the temperature at puck drop was 63 degrees, comparable to NHL arenas which range from 60 to 65 degrees. This avoided any drastic differences in maintaining the outdoor ice surface. These specialty games began as events for Canadian teams, as the Heritage Classic, and Midwestern and Eastern teams, as the Winter Classic. The fact that one succeeded in Southern California supports the argument that the Pacific has risen up as one of the most competitive divisions in the NHL. As Vin Scully said, “[This was] the game that will set us on our ears ... a game like no other,” that featured two of the rising teams in the league. We can see the Pacific Division’s success (pre-NHL 2013 / 2014 realignment) just by looking at the past five seasons, starting in 2007 when the Anaheim Ducks became the first west coast team to win the Stanley Cup since 1925. That season, three of the Pacific’s five teams made the playoffs, which became a theme in the following seasons with the exception of ‘08-’09 (two playoff teams) and ‘10-’11 (four playoff teams). The Los Angeles Kings made NHL history in the 2012 Stanley Cup Playoffs, becoming the first 8th-seeded team to win the Cup. It is also worth mentioning that the San Jose Sharks have consistently made the playoffs nine seasons in a row, the second longest active NHL playoff streak behind only the Detroit Red Wings. The Kings versus Ducks Stadium Series game proved that hockey has found its proper place in the United States, alongside baseball, football and basketball, spanning from the East to the West. No longer is it solely a “winter sport” or a “Canadian game.” This event also represented more than just the NHL’s ability to expand outdoor hockey; it proved that the “Original Six” biased mindset is irrelevant. The best hockey is no longer only east of Chicago. While the sun sets on the East and Midwest everyday, the Pacific continues to shine year after year. Contact Ben Ebert here	cc/2021-04/en_head_0013.json.gz/line187
__label__wiki	0.72214	0.72214	SR Editorial Team About Dotdash Since Investopedia was launched in 1999, we’ve made it our mission to simplify complex financial information and decisions for our readers, giving them the confidence to manage every aspect of their financial life. Our millions of users come to us from all over the world and from all walks of life. Some are learning about money and investing for the first time, while others are experienced investors, business owners, professionals, financial advisors, and executives looking to improve their knowledge and skills. No matter who they are, we are here to help. Investopedia is a part of the Dotdash publishing family. 2017 Best Places to Work, Crains 2017 Best Places to Work, Business Intelligence Group 2017 & 2018 Great Place to Work, Great Place to Work Institute 2017 & 2018 Financial Content Marketing Award, Gramercy Institute 2019 FCS Portfolio Awards, Branded Content, Financial Communications Society Our Commitment to Diverse Perspectives and Inclusive Content We aim to reflect the perspectives of all ethnicities, gender identities, generations, sexual orientation, and socioeconomic backgrounds in our content to ensure we are elevating and empowering those with different points of view and serving all of our diverse readers. Specifically, we are committed to improve the degree to which Black, Indigenous, and People of Color (BIPOC) are represented on our editorial staff and contributor teams, as well as ensuring our content is inclusive of BIPOC perspectives. You can read our full diversity and inclusion pledge for more details. Senior Editorial Team Caleb Silver Caleb Silver has been the Editor in Chief of Investopedia since 2016. He is an award-winning media executive with more than 20 years of experience in business news, digital publishing and documentaries. Prior to joining Investopedia, Caleb was the Director of Business News for CNN and worked for the network for ten years in a variety of executive and management roles including the Executive Producer for CNNMoney.com, where he helped launch the CNNMoney Video Network. He was also a Sr. Producer on The Situation Room with Wolf Blitzer. Caleb began his business journalism career at Bloomberg News in 1997, where he worked as a senior television producer for eight years. Over the course of his career, he has earned and contributed to multiple industry awards and nominations, including the EMMYs, EPPYs, SABEW’s Best in Business, and the Peabody. He is on the Board of Governors for SABEW (Society for Advancing Business Editing and Writing). Caleb earned his M.A. at NYU’s Carter Journalism Institute and his B.A. from Colgate University. Anna Attkisson Anna Attkisson is the Editorial Director for Investopedia. She has spent 20 years dedicated to helping readers understand highly complex subjects through both print and digital content. Prior to joining Investopedia, Anna was the Editorial Director of Business.com. Anna began her career as an ASME (American Society of Magazine Editors) intern at American Homestyle & Gardening magazine. Since then, she has gone on to cover a vast range of topics from small business to finance in her roles at Time Inc., Laptop Mag, Tom’s Guide, Tom’s IT Pro and Business.com. Anna holds a Bachelor of Science from the William Allen White School of Journalism and Mass Communications at the University of Kansas. Director, Trading & Investing Education James Chen is the Director, Trading & Investing Education at Investopedia. Over two decades, he has been a trader, investor, investment adviser and global market strategist; he has extensive market expertise in stocks, options, fixed income, commodities and currencies. Prior to joining Investopedia, James was the Head of Research at Gain Capital. James is the author of "Essentials of Technical Analysis for Financial Markets" (John Wiley and Sons, 2010), "Essentials of Foreign Exchange Trading" (John Wiley and Sons, 2009), and author/speaker for the instructional video series, "High Probability Trend Following." He has served as a guest expert for CNBC, Bloomberg TV, Forbes and Reuters, among other key financial news media. A graduate of Tufts University, James is a Chartered Market Technician (CMT). Julia Kagan Sr. Editor, Personal Finance Julia Kagan is the Senior Editor, Personal Finance at Investopedia and has been with the company since 2014. A longtime writer and editor about finance for national consumer and technical audiences, she is the former editor of Consumer Reports and Psychology Today and was also Vice President and Editorial Director of Consumers Union as well as Vice President, Content for Zagat Surveys. She has held senior editorial jobs at a number of other publications, including as executive editor of Working Woman magazine. Her business-book editing experience includes being charts editor of “Ahead of the Curve: A Commonsense Guide to Forecasting Business and Market Cycles” by Joseph H. Ellis (Harvard Business School Press, 2005) and editing “The Trial of a Social Security Disability Case” by The Honorable Marvin Schwartz (The Social Security Disability Foundation, 1983). As an editor, she won a National Magazine Award (2004, Leisure Interests), was a NMA finalist in 2004, 2000 and 1999 (all Personal Service), and twice in 1986 (General Excellence, Personal Service) – and also won the Gerald Loeb Award for Distinguished Business and Financial Journalism (2000). Kagan was the Visiting J. Stewart Riley Professor of Journalism at Indiana University from 1991-1993. Julia is a graduate of Bryn Mawr College and holds an MFA from the Bennington College Writing Seminars. Ben Woolsey Sr. Editor, Credit Cards Ben Woolsey is the Senior Editor, Credit Cards at Investopedia. With over 30 years experience in financial services, he oversees all of Investopedia's credit card and broader credit education content. He has held senior positions at a number of credit card focused publications, managing credit card content development and marketing for consumer-facing marketplace websites including CreditCards.com, where he served as director of marketing and consumer research. Prior to the publishing world, Ben worked for several of the nation's largest credit card issuers, where he developed reward programs for consumer and business card products along with managing airline and publishing co-brand partnerships. He has also been sought out as a subject matter expert by national and local media to offer informed and objective commentary on a broad array of issues related to payment cards including developing industry trends, new technology, security breaches, and reward programs. Ben earned both his MBA and BSBA, Marketing from the University of Arkansas (Sam M. Walton College of Business). Theresa Carey Editor, Brokerage and Investing Theresa Carey is the Senior Writer, Brokerage and Investing Products at Investopedia. She’s been writing about financial services and financial technology for over 28 years and wrote one of the first reviews of online brokers for PC Magazine in 1992. Prior to joining Investopedia, Theresa was a contributing editor at Barron’s for their “The Electronic Investor” which later became “Digital Investor” column. She also authored their annual reviews of online brokers from 1996 through 2018. She is a longtime contributor to numerous technology publications including PC Magazine, PC World, Computer Shopper, Windows Sources, PC Week / eWeek, and others. Theresa earned her M.S. in Applied Economics from the University of Santa Clara and her B.A., Economics from the University of California, Berkeley. Our mission is to simplify complex financial information and decisions so that our readers have the confidence to manage every aspect of their financial life. We aim to ensure that all of the articles on our site are empowering, unbiased, accurate and inclusive. We are committed to following the Codes of Ethics of the Society for Advancing Business Editing and Writing (SABEW). Our content is guided by and upholds the Society for Professional Journalists’ foundations of ethical journalism: being accurate and fair, minimizing harm, acting independently, and being accountable and transparent. We also uphold the Federal Trade Commission (FTC) guidelines on disclosures, where applicable. Our editorial team is continually evaluating the articles across our site to flag any that contain information that is known to be or is likely to be out-of-date. Such articles are reviewed and updated or, if necessary, completely rewritten, rechecked, and re-edited. Our network of experienced experts who uphold our process and policies assists with our updating efforts. Articles that have been updated are date-stamped to reflect this. Our editorial team approves all story ideas independently, and our expert contributors each have deep subject matter expertise in the topics that we assign them. Our team of professional editors, fact checkers and producers reviews content to ensure it upholds our values. All staff are responsible for disclosing any potential conflicts of interest. History of Investopedia Investopedia was founded in 1999 by Cory Wagner and Cory Janssen and was launched as a comprehensive investing and finance dictionary at a time when your next best option was a textbook. The founders aimed to make finance and investing easier to understand and every definition featured both a matter of fact explanation as well as a more friendly layman’s version. From 2000-02, Investopedia expanded its library of content to include articles, in-depth guides and FAQs in order to provide more comprehensive coverage of the finance and investing landscape. In 2003, Investopedia launched its Stock Simulator, as a way for people to practice trading stocks, ETFs and options in a mock portfolio using virtual money. Since 2003, millions of users have used the product to learn everything from the basics of how market and limit orders work, to practicing day-trading strategies. In 2004, Investopedia launched online exam study guides for the Series 7 and CFA exams along with a quiz tool to help aspiring financial professionals study for their exams. In 2005, Investopedia began writing more actionable investing and trading analysis to build on the still growing educational library of content. Rather than promising unrealistic gains or downplaying the risks associated with investing, Investopedia stayed true to its roots and wrote unbiased insight and analysis. Investopedia also launched stock and ETF quote pages to satisfy reader needs for the latest data. 2007 was a notable year for Investopedia as it was the year the founders sold the company to Forbes. Some time after the acquisition the two founders left the company to pursue other projects. In 2008, Investopedia began to write educational content in the personal finance space, tackling saving, budgeting, retirement planning and financial products like mortgages, insurance and credit cards. Investopedia continued to expand its library of content to well over 30,000 pieces and in 2010 was sold from Forbes to ValueClick (now Conversant). During 2010-13 Investopedia underwent a number of organizational changes under ValueClick and continued to invest in creating the best quality financial content and educational tools. In 2013, Investopedia was sold to IAC along with a number of other websites operated by Conversant (formerly ValueClick). After integrating into IAC, Investopedia continued to invest in improving its quote pages and other markets tools as well as content for financial advisors and professional traders. In 2015, IAC hired David Siegel to be Investopedia’s CEO. Prior to Investopedia, David was President of stock market news and opinion site Seeking Alpha. In 2016 Investopedia launched Advisor Insights as a way for its users to get access to the expertise of financial advisors for free. For advisors, it was a way to showcase their expertise to Investopedia’s 20+ million users and build their personal brand. In 2017 Investopedia completely revamped its markets experience, and paired that with increased coverage of the most-followed stocks in the US markets. It also launched Investopedia Academy as a place for users to purchase video courses from leading experts in a variety of finance and investing topics. In 2018 Investopedia joined the Dotdash publishing family. In February 2019 Investopedia launched its first annual Best Online Brokers Awards. Investopedia is part of the Dotdash publishing family and operates under the leadership of CEO Neil Vogel and the rest of the Dotdash senior management team. Dr. Jon Roberts President Dotdash Finance Jon oversees the finance media properties at Dotdash (Investopedia and The Balance). He has been with Dotdash since 2013 and previously held roles as Chief Innovation Officer and Head of Data Science, where he derived insights from more than 20 years of Internet data across thousands of topics. Prior to joining Dotdash, Jon spent 10 years as a theoretical physicist focused on making dark matter predictions for the hadron collider at CERN, and cosmic ray predictions for the AMS detector on the International Space Station. He also worked on the Pierre Auger telescope in Argentina. Jon received his Ph.D at the University of Southampton and his M.A. from the University of Oxford. Caleb Silver has been the Editor in Chief of Investopedia since 2016. You can read his full bio here. Katherine Divney As CRO, Katherine is responsible for global revenue and revenue strategy, overseeing the entire Investopedia revenue organization. Before joining Investopedia, Katherine was the SVP of Sales at Seeking Alpha where she oversaw advertising sales and support. Prior to Seeking Alpha, Katherine held sales leadership roles at WSJ Digital Network and MarketWatch. She started her media career in advertising at Digitas and Yahoo. Katherine holds a B.A. in History & Psychology from Boston College. Dylan Zurawell As GM, Dylan oversees Investopedia's strategy and operations. He has been with Investopedia since 2011 and previously held roles in product, technology, operations, and marketing prior to becoming Investopedia’s GM. Dylan holds a Bachelor of Commerce from the University of Alberta. Jen Brown VP Sales As VP of Sales, Jen is responsible for global direct sales and sales strategy. She oversees a team of seasoned account executives in growing our robust and diverse client base. Prior to joining Investopedia, Jen was the financial sales lead at Flipboard. Previously, she held digital and mobile roles at Seeking Alpha and Yahoo! Inc. She started her media career in advertising at The Weather Channel and USA Network. Jen holds a B.A. in Philosophy and Communication from the University of Delaware. Megan LaCava VP Client Services As VP of Client Services, Megan oversees the Sales Planning and Account Management teams to develop creative solutions for our global client base and execute successful partnerships. Prior to joining Investopedia in 2015, Megan was the Director of Client Services at SET Media, a video technology company focused on utilizing computer vision and facial recognition technology to align brands with safe and relevant video content. She started her career in media planning at Universal McCann, San Francisco working with brands such as Microsoft and Sony. Megan holds a B.A. in Psychology from the University of Michigan. Michael Capecci As VP of Marketing, Michael oversees all aspects of ad sales marketing in the B2B space for Investopedia. Prior to this, Michael was the VP, Product Sales & Strategy at Seeking Alpha, overseeing the custom solutions team. He started his career at Lowe & Partner/SMS as an Account Executive producing digital projects for Smirnoff and Mercedes. Michael made the move to the financial world in 2006 when he joined Bloomberg, where he spent more than seven years directing digital sales, first on the West Coast and then in the Northeast. Michael holds a Bachelor of Arts in Media Studies from Fordham University. Investopedia is part of the Dotdash publishing family. Dotdash brands help people find answers, solve problems, and get inspired. We reach over 100 million people each month, more than 35% of the U.S. online population, according to comScore, and are one of the largest content publishers on the Internet. Dotdash brands collectively have won more than 50 industry awards in the last year alone, and are among the fastest-growing in their categories. Our brands include Verywell, Investopedia, The Spruce, The Balance, Byrdie, MyDomaine, Brides, Lifewire, TripSavvy, Liquor.com, Treehugger and ThoughtCo. Here is an overview of our properties: The Verywell family of brands, including Verywell Health, Verywell Fit, Verywell Family, and Verywell Mind, take a human approach to health and wellness content and are a welcome alternative to hyper-clinical health sites. More than 34 million people use Verywell sites each month to feel better and be healthier. Investing and Financial Education Investopedia helps investors understand financial concepts, improve investing skills, and learn how to manage their money. Investopedia reaches nearly 19 million people each month. Home and Food The Spruce family of brands, including The Spruce, The Spruce Eats, The Spruce Pets, and The Spruce Crafts combine inspiration with how-to advice to help users create homes they love. Collectively, The Spruce sites reach over 44 million people each month. The Balance family of brands, including The Balance, The Balance Careers, and The Balance Small Business, deliver clear, practical, and straightforward personal financial advice to 19 million people each month. Byrdie is dedicated to all things beauty, inside and out. From hair and makeup to health and wellness, Byrdie takes a fresh, no-nonsense approach to feeling and looking your best. Byrdie reaches over six million people each month. MyDomaine makes an aspirational life achievable—and affordable—with curated home-design inspiration, quick and fresh recipes, and healthy relationship advice that awaken a life well lived. MyDomaine reaches over two million people each month. Brides inspires and guides our two million monthly users as they make decisions from pre-engagement through the honeymoon. Brides is committed to bringing you an inclusive look at the world of weddings, with every type of couple, every type of wedding, and every type of celebration. Lifewire provides helpful, actionable tech tips, advice, and answers, without confusing jargon. Lifewire helps nearly nine million people each month get the most out of their technology. TripSavvy delivers curated expert advice for family and vacation travelers. We help over two million people each month have the best travel experiences. Liquor.com is dedicated to good drinking and great living. We inspire, entertain and educate over three million people each month interested in what happens in the glass and out of it. Treehugger is the only modern sustainability site that offers advice, clarity, and inspiration for both the eco-savvy and the green living novice. With more than three million monthly users, Treehugger is one of the world’s largest information sites dedicated to driving sustainability mainstream. Education and Information ThoughtCo is one of the largest and most comprehensive learning, information, and education sites online. ThoughtCo helps nearly eight million people a month become lifelong learners. Source: comScore, April 2020 US Whether you have a comment or suggestion to share, we look forward to hearing from you. Feel free to reach out by visiting our Contact Us page. Our primary offices are in New York, NY and Edmonton, Canada. We are serious about maintaining a company culture in each office that is imaginative and fun. Investopedia's offices are collaborative, highly engaged, and full of positive energy. Edmonton, AB T6E 5Z9 Investopedia is a fast growing company and we are always looking for motivated, multi-talented and organized people to join our team. To learn more, please see our Careers page.	cc/2021-04/en_head_0013.json.gz/line195
__label__wiki	0.705119	0.705119	"Creating natural sleep" From Sleep Review: "A team of researchers at MIT has moved a step closer to being able to produce natural sleep patterns. In a paper published in the Proceedings of the National Academy of Sciences, the researchers describe how they were able to trigger a period of rapid eye movement (REM) sleep in mice, using a technique that shines light directly on mouse neurons." The end of sleep and the "150% life" In a fascinating article for Aeon magazine, Jessa Gamble takes a surprisingly upbeat look at the array of sleep-enhancing, sleep-curtailing and sleep-eliminating technologies that are currently being developed by scientists, the military and commercially-minded "techno-pioneers". The latest tools for mastering somnolence include the "Somneo Sleep Trainer" mask, which screens out ambient noise and carries a heating element around the eyes; "transcranial direct-current stimulation" (tDCS) technology, which combats insomnia but also helps to consolidate sleep; and "transcranial magnetic stimulation" (TMS), which may be able to "launch us into deep sleep at the flick of a switch." Should we welcome this brave new world of sleep-conquering gadgetry? Gamble certainly thinks so. "[A] life lived at 150% may be within our grasp," she concludes. "Are we brave enough to choose it?" What if we didn't need to sleep? An article from the LiveScience website speculates on what life would be like if scientists were to develop a "cure" for sleep. Reassuringly, if unsurprisingly, the piece swiftly concludes that things would be worse both on a personal level (health, relationships and well-being would suffer) and at a social/economic level (sales of pillows and duvets would plummet). Probably the most interesting thread in the article is the distinction it draws between busyness and genuine productivity; in a world without sleep, it seems that we'd have more of the former and less of the latter. All of which might lead us to ask a new question: not "What would it be like to live in a world without sleep?" but "What would it be like to live in a world that didn't need to instrumentalize sleep in the name of productivity?". Sleep is learning "The upshot is that, for any young student who wants to do better — in school, in sports, in music or even in the social whirl (yes, that’s learning too) — knowing the science of sleep will help them respect slumber for what it is: learning consolidation. " We need more sleep. Or do we? A transcript of a fascinating debate between two eminent sleep scientists, Robert Stickgold and Daniel Kripke, on the question of whether we need more sleep. Stickgold spells out the damaging consequences of "getting less than the eight hours of sleep your body is asking for," whilst Kripke, who focuses on the correlations between oversleep and poor health, wonders why eight hours has been established as the "norm" for healthy sleep. Why not seven, or nine? And should the figure be the same for everyone? He also suspects that the sleeping-pill industry has played a significant role in promoting the perception that we need (to buy) more sleep. The brain never sleeps The BBC website reports on remarkable new research on the processing powers of the sleeping brain. A team led by the neuroscientist Sid Kouider of the Ecole Normal Superieure found that the sleeping brain can accurately assign words into simple categories (eg 'animal' or 'object'). Koudier also suggests that we can perform calculations while we fall asleep, and "continue to identify those calculations as right or wrong during a snooze." Suspended animation in fact and fiction "We don't like to call it suspended animation," says Samuel Tisherman, the surgeon who is co-ordinating Department of Defense-funded research at the UPMC Presbyterian Hospital in Pittsburgh on techniques to freeze trauma victims in the hope of keeping them alive. But reports on his research, such as this one in the Independent and this one in The Economist, have inevitably played up the sci-fi associations of "therapeutic hypothermia." The Independent's article is illustrated with an image from The Empire Strikes Back of a cryogenically frozen Han Solo; the Economist, meanwhile, goes with one of Ripley and the crew of the Nostromo emerging from hibernation in the sleep pods at the beginning of Ridley Scott's Alien. For all Tisherman's reservations, it's perhaps not so surprising that science fact occasionally needs to take a detour through science fiction before it can be made intelligible to a non-specialist audience. But we might also pause a moment to speculate on why this state of prolonged artificial somnolence -- call it hypersleep, suspended animation or cryogenic freezing -- looms so large in some of our most well-known space operas. What cultural fantasies might be encoded in the images of hibernating spacemen and -women that float so eerily through the science-fiction imagination? Anyone interested in these questions could do a lot worse than read the following post from Brian Baker's very fine (SF) 365 blog. Sleep in space Research by scientists at Harvard Medical School, reported in today's Telegraph, shows that astronauts "suffer serious levels of sleep deprivation," averaging in the region of six hours per night (the average American adult gets seven). The effects of microgravity, and the fact that astronauts orbiting the earth will see the sun rise sixteen times per "day," are among the chief culprits for this poor sleep quality. And it has to be said that onboard sleeping conditions can hardly be conducive to the kind of sleep that astronauts might enjoy on terra firma. Here is footage of the Canadian astronaut Chris Hadfield (famed for his rendition of Bowie's "Space Oddity" on the International Space Station in May 2013) securing himself in his "sleep pod" -- a sort of man-sized baby-grow suspended in what looks like a padded confessional -- and "floating/in a most peculiar way." The Thatcher gene The Daily Telegraph reports the discovery, by scientists working at the Centre for Applied Genomics in Philadelphia, that people carrying the gene variant "p.Tyr362His" are able to function on fewer than five hours' sleep per night. This variant has already been christened the "Thatcher gene", in honour of the former British PM's reputed ability to get by on just four hours' sleep per night. The article also quotes Charles Moore, Thatcher's authorized biographer, on the mythology that has grown up around her sleeping habits: "she wanted to show she didn't need much sleep. In fact she needed more than she said. It was part of her desire...to beat the men." Stone Age sleep A team of researchers led by Dr Christoph Nissen of the University Medical Centre, Freiburg, have been studying sleeping patterns in a Stone Age-style environment. Five volunteers spent two months in a settlement in southern Germany, living in huts, gathering their own food, and sleeping on brushwood and furs. They had no electricity, phones, running water, torches or candles. According to data collected from their sleep-tracking armbands, the participants slept an average of 1.8 hours more each night than they ordinarily would have done. According to Nissen and his team, whose findings have now been published in the Journal of Clinical Sleep Medicine, these observations provide "evidence for the long-held belief that the absence of modern living conditions is associated with an earlier sleep phase and prolonged sleep duration."	cc/2021-04/en_head_0013.json.gz/line196
__label__cc	0.676537	0.323463	How CBD took hemp mainstream again The hemp plant has been incredibly important to America’s history, although in these modern times, you perhaps wouldn’t believe it. Nowadays, hemp is considered a revelation, with hemp-based cannabidiol (CBD) products used for a wide range of therapeutic purposes. But did you know that American farmers grew hemp right up until the 1930s, and that the federal government drove a huge hemp cultivation campaign during the Second World War? In this post, we’ll take you briefly through the history of hemp on these shores, and go over recent legislation which has brought the plant from the cannabis family back into the limelight. A brief history of hemp Hemp is thought to have been cultivated for more than 10,000 years, and its presence in the United States dates right back to the country’s beginnings, with George Washington a well-known advocate. Several presidents farmed hemp, and the cash crop was very important to states like Kentucky. Hemp fiber could be used to make clothing, while hemp hurds from the inner part of the stalk can be used to make more environmentally friendly paper. Hemp was effectively banned in the US as part of the Marihuana Tax Act of 1937 – while this technically did not prohibit cannabis, the tax served to choke supply and demand. Due to hemp’s similar appearance to cannabis, it got thrown in with the psychoactive substance, despite having only inconsequential traces of intoxicating THC. “Hemp for Victory!” Ironically, just years after the Tax Act was brought in, the federal government needed US farmers to start growing hemp, due to World War Two. The war outbreak disrupted global supply chains – America was importing hemp from the Philippines – but needed the crop for hemp fiber production, to make rope for the Navy. Americans, who had recently had the dangers of cannabis drummed into them, were now having the benefits of hemp waxed lyrical to them by the U.S. Department of Agriculture. The agency released a 14-minute short film called ‘Hemp for Victory’, which documented the history of hemp and its uses. After the war was over, hemp became illegal once more. The video was a lost part of American history – and even denied by the US government – until it re-emerged in the late 1980s. The emergence of CBD Hemp-based CBD products started to arrive on the US market following the passing of the Agricultural Act (Farm Bill) of 2014. However, due to CBD technically being a Schedule I substance as a cannabis derivative, there was some legal uncertainty – at federal level – on these products up until 2018. That’s when a more recent version of the Farm Bill was passed, confirming that it was totally legal to make, buy, sell and use hemp-based CBD products. A 2018 study found that more than half of CBD users are taking products as medicine, despite the lack of official evidence – companies like HempBombs market their products as dietary supplements. Scientific research into CBD and the whole cannabis plant is several decades behind where it should be, due to the inevitable barriers to research brought on by long-term prohibition. However, the medicinal potential of CBD appears obvious, considering that the compound helps to regulate the endocannabinoid system (ECS), which is found in many living organisms. Following on from cannabis’ historical uses, CBD products are popular for pain relief and to treat depression. Studies also show that CBD can ease anxiety, improve sleep, and perhaps even combat addictive tendencies. CBD is therapeutic for the brain, stimulating neurogenesis in key areas, and can even be applied to the skin in the form of topicals, to manage infectious outbreaks and inflammation. We now just need more studies to fill in the gaps in our knowledge. The future of hemp In many ways, we have been here before. The several economical and health benefits of hemp were crystal clear back in the 30s and 40s, but that didn’t stop production from ceasing following the war effort, and hemp all but disappearing from American culture. But hopefully this time, things will be different. Not least because of prescient climactic concerns. It is hoped that hemp could significantly slow and make climate change more manageable by cleaning poisonous toxins from the soil, and reducing society’s dependence on fossil fuels and plastics. Hemp could even be used in building, and also 3D printing, to give you an idea of the plant’s wide-ranging and enormous potential. Whether you’re a farmer looking for a new crop to grow, or somebody who wants a healthy and natural treatment for their illness in CBD wholesale products, hemp and its derivatives could well be the answer. Lessons We Can Apply from Travel in Our Everyday Lives The Perfect Working of the Online Exam Software Go On A Fishing Trip In Order To Blow Off Some Steam How to Make the Keto Diet Work for You Why You Shouldn’t Eliminate Every Male Hemp Flower Plant from Your Garden	cc/2021-04/en_head_0013.json.gz/line197
__label__cc	0.707418	0.292582	Tweeter button Facebook button Youtube button News 10.25.10/6.14.11 News 2.17.10/10.23.10 Posts Tagged ‘truth’ I’ve Just About Had Enough February 16th, 2012 \| Author: defcon Neal Ross Neal’s Website If you are at all familiar with American history you will recall that the people who established the settlement of Jamestown, Virginia were the first to establish a colony upon American soil. They were primarily entrepreneurs who were granted a charter by the King of England. Thirteen years later, the Mayflower set anchor off what is now Provincetown Harbor Massachusetts. Thus began the influx of immigrants who would eventually form the 13 colonies of the United States. Although these colonists were physically living on American soil, they were considered Royal Provinces, therefore under the rule of the English Crown. For the first 150 or so years of our countries existence there WAS NO semblance of a federal government. It wasn’t until 1774 that the colonists sent delegates to attend what is known as the First Continental Congress. These delegates had varied instructions from their respective states, which ranged from seeking a peaceful resolution with England, to seeking separation and independence. Still, these delegates had no authority to enact law; their only purpose was to attempt to come to some sort of a consensus based upon the wishes of the people they represented. By the time the Second Continental Congress met in 1775, tensions between the colonies and England had reached a boiling point with the beginning hostilities of what would become the Revolutionary War. It was this body of men that set in motion events that would lead us to independence, and the formation of our first attempt at forming a body to govern over the United States as a whole. The purpose for this brief history lesson is to show prior to the ratification of the Constitution, for 169 years our country did not have a federal government. Our government, our Constitution, came into existence because men gathered together and created it. It did not just rise up on its own; it was created by, and ratified by the various state legislatures. People seem to be all too familiar with the word Constitution, but do they really know its purpose? To quote from Thomas Paine, “A constitution is a thing antecedent to a government, and a government is only the creature of a constitution. The constitution of a country is not the act of its government, but of the people constituting its government. It is the body of elements, to which you can refer, and quote article by article; and which contains the principles on which the government shall be established, the manner in which it shall be organised, the powers it shall have, the mode of elections, the duration of Parliaments, or by what other name such bodies may be called; the powers which the executive part of the government shall have; and in fine, everything that relates to the complete organisation of a civil government, and the principles on which it shall act, and by which it shall be bound.” Our Constitution would never have been ratified by the requisite number of states had not an agreement been made to include some manner of a Bill of Rights. The purpose for this Bill of Rights was not to bestow these rights to the people by government, they were rights which predated government, and the only purpose for enunciating them was to place them off limits to infringement by any body of men, hence the term unalienable. The Preamble to the Bill of Rights declares, “…that further declaratory and restrictive clauses should be added…” This means that these rights are restricted from infringement by government, be it local, state, or federal. Yet, because people are so ignorant, so complacent, so pathetically dependent upon government to tell them what they can, and cannot do, the Bill of Rights has been trampled upon by local, state, AND the federal government. The First Amendment states, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof…” Congress is the body to which the power of creating law is given, not the Supreme Court. The Court has absolutely no jurisdiction, nor authority to declare that a child be banned from praying in school. The purpose for which this was included in the First Amendment was to ensure that government did not mandate religion upon the people, while at the same time allowing the people to freely worship. Thomas Jefferson once said, “One of the amendments to the Constitution… expressly declares that ‘Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of speech, or of the press,’ thereby guarding in the same sentence and under the same words, the freedom of religion, of speech, and of the press; insomuch that whatever violates either throws down the sanctuary which covers the others.” So, if freedom of religion or the freedom to pray openly is denied, then freedom of speech is ALSO denied. In other words, the First Amendment has been trashed by the Judiciary legislating from the bench. The Second Amendment states, “…the right of the people to keep and bear Arms, shall not be infringed.” The Supreme Court, in D.C. v Heller, ruled that the right to keep and bear arms is in fact an individual right, and not associated with service in the militia. No mention is made in regards to the type, caliber, or number of arms a person may own. Had an amendment been written which says, “A well regulated race track, being necessary for the safety of the fans, the right of the people to keep and drive cars, shall not be infringed” would you find any reason to say that limits you to owning passenger cars only; preventing you from owning SUV’s or pickup trucks? Yes, it sounds ridiculous, but it is the same as saying you cannot own automatic weapons, short barreled shotguns, or even grenade launchers. The ultimate purpose behind the Second Amendment is not for sport shooting, hunting, or even home defense; rather it is for the people to defend themselves against tyranny by their government. James Madison is quoted as saying, “A government that does not trust its law abiding citizens to keep and bear arms is itself unworthy of trust.” Thomas Jefferson also had a pithy comment or two on this subject. Note the Second Amendment not only states that you may keep arms, but that the right to bear them shall not be infringed. That means carry on their person. Therefore any federal, state, or local ordinance or law which requires a permit to carry a firearm relegates that right to a privilege. Therefore, the people’s right to keep and bear arms has been severely restricted as well. To date, the Third Amendment, which covers the quartering of soldiers in private homes, is still intact. The Fourth Amendment states, “The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.” Thanks to this so-called War on Terror, the Fourth Amendment has been completely trashed. The Patriot Act authorizes wire taps and searches of people’s homes, papers, and effects, without their knowing of it, without a warrant being issued, and at the same time violates the First Amendment by making it a crime for anyone to let the suspect know that they are under investigation. Not to mention the warrantless searches of your bodies every time you pass through airport security to board a plane. Once again, to quote James Madison, “The means of defense against foreign danger historically have become the instruments of tyranny at home.” Need I say more in regards to the complete loss of our Fourth Amendment rights? The Fifth Amendment has also come under attack because of the War on Terror. The Fifth Amendment states, “No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a Grand Jury, except in cases arising in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offence to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation.” It does not say a U.S. citizen, it merely says no person shall be…Explain to me then why people are facing indefinite detention in a military style prison located at Guantanamo Bay, having their liberty denied without due process of law. With each successive change in the Executive, new laws are being passed which alter the definition of who may be considered a terrorist threat to this nation. In a recent FBI counterterrorism report, people who referenced the Constitution, or suggested that our government has exceeded its Constitutional limits may be considered as threats to the security of the country. The Sixth Amendment states, “In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature and cause of the accusation; to be confronted with the witnesses against him; to have compulsory process for obtaining witnesses in his favor, and to have the Assistance of Counsel for his defence.” Again, what about all these people being held indefinitely in Cuba for supposed crimes, yet never being given the opportunity to confront the witness against them, or to have a speedy public trial? This amendment has gone by the wayside hand in hand with the Fifth Amendment. The Seventh Amendment remains pretty much intact, but the Eighth Amendment has also been violated, once again mostly due to the War on Terror. The founders realized that our rights were so numerous that they could not all be listed individually. Therefore, the Ninth Amendment was included in the Bill of Rights as a catch all for those not specifically listed. The Ninth Amendment states, “The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.” This is the right which prevents the government from taking away all the other rights that our founders believed were unalienable. For instance, this covers your right to seek sustenance, or employment. Yet do we not now need a permit to hunt, to fish? God placed the fish and the animals on this planet for our sustenance, therefore the right to hunt and fish is an unalienable right. And once again, when a permit is required to exercise a right, it no longer is a right, it is a privilege which can be revoked. So the next time you are required to obtain a permit, or a license to do something, ask yourself why. Why do you need a license to get married? What say has government, in any shape, have in the process of getting married as long as the people doing so are of the age of legal consent and are both willing participants? And last, but not least, the Tenth Amendment. The Tenth Amendment states, “The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, or to the people.” Read that carefully, the powers not delegated to the United States by the Constitution… I don’t care what our government tells you, what the Supreme Court decides, as James Madison said in Federalist 45 “The powers delegated by the proposed Constitution to the federal government are few and defined. Those which are to remain in the State governments are numerous and indefinite.” This means that every power granted our government by the Constitution are clearly listed, not hidden away behind some broad umbrella such as a General Welfare, or Commerce Clause. They are EACH…INDIVIDUALLY…LISTED. And, as Thomas Paine said, “It is the body of elements, to which you can refer, and quote article by article… the powers it shall have…” Therefore, if it isn’t clearly listed in the Constitution as a power granted the Federal Government, then it simply does not exist! In other words, the federal government cannot mandate that you purchase health insurance. The federal government cannot make marijuana illegal, particularly when a state has passed a law making it legal. The federal government cannot get involved in who can, and cannot be married based upon sexual orientation. This amendment, above all the others, has suffered the most due to our government’s complete disregard for the Bill of Rights. So, out of ten amendments, only two remain relatively intact; leaving us with 8 of the rights our founders felt so important they specifically listed them…GONE. You know what it means when you no longer have any rights? It means you are a slave. When you are not free to exercise your rights without permission from someone, you are under that person, or body of people’s rule, and are their slave. Now think about this, and think about it hard, because I am damn tired of repeating myself! We created our government, it’s powers are limited, and as the Declaration of Independence states, the purpose for government is to secure our unalienable rights. Government is not our master, we are its masters. When it abuses its power and authority we have the right to resist these abuses of power, or to completely dismantle it and rebuild it with one which will safeguard our rights. I am sick and tired of people telling me that I had best watch what I say in the articles I write because the government is going to come after me. Pardon my French, but @#$% the government! I owe them no allegiance, nor am I a servant to their every desire. They work for me, not the other way around. Thomas Jefferson once said, “When the people fear their government, there is tyranny; when the government fears the people, there is liberty.” While I do not disagree that the government may, in fact, come after me, it only proves that our government is, in fact, tyrannical. And, to once again quote Jefferson, “All tyranny needs to gain a foothold is for people of good conscience to remain silent.” I understand that our government has probably grown too big, too powerful, to change; at least by peaceful methods. What pisses me off the most is when people are presented with irrefutable facts, and they shrug their shoulders, or say, “That’s interesting.” Would you at least stop pretending that you have any rights left and admit you are a slave? They say acceptance is the first step to recovery. Then accept the facts and maybe, just maybe, there will be some hope for this country. Posted in III Percent, Sovereignty \| Tags: 10th amendment, 14th amendment, Anti American, anti christian, citizens militia, collapse, communism, criminal government, federal corruption, freedom, honor, liberty, Neal Ross, Progressive Democrat, Sovereignty, truth, Un Constitutional \| No Comments » Guns and Mexican Terrorist III July 22nd, 2011 \| Author: defcon Lawsuits against States, the Prosecution of Border Agents and bureaucratic Cover Ups… How much more secure would the border be if the Federal Government spent the money and resources that they are Constitutionally mandated to… on Border Security? Unfortunately it would not make a difference, the Puppet Masters want the border open and open it will continue to be… It is very bad now, but as you will see, it will get much, much worse when final orders are received by the various sleeper cells amassing strength within our now politically correct America due to the Open Border policies of several political administrations and their DeFacto Insurgent Government. Conspiracy’s that are proven over and over are no longer conspiracy… are they. “Interceptors” watch the full length video here PCSO Volunteer Program Ron Paul: Fast & Furious a Criminal False Flag Audio Tapes Reveal More Details in ‘Fast and Furious’ Gunrunner Scandal Below: A Redacted E-memo recently sent out by the ATF, of course you paid for it ( in more ways than one), don’t you always? Sent: Thursday, August 25, 2011 9:36 AM Subject: Rifle Multiple Sale Reporting Program Celebration Please join us on Wednesday, August 31, at 9:30 a.m., in Conference Room B to celebrate the successful completion of the rifle multiple sale reporting program. Collaboration among many directorates made this program possible, and ______ and I want to recognize and thank all the employees who contributed to our success. This celebration will be held in connection with our EPS supervisors meeting to be held in the same room beginning at 10am. Please forward this invitation to all the remaining EPS supervisors in Martinsburg. I initially tried to list all their names, but I know I will leave some of the section supervisors out, and our celebration would not be complete without them. ______ and I look forward to seeing you all in Martinsburg.” Source: Of Arms and the Law Considering what the GOP is installing as Presidential frontrunners, Thought you needed to see what true Presidential integrity looks like, “Government Gunrunners” Not that the national media notices much, but the federal government under President Barack Obama has been supplying guns to Mexican drug gangs for quite a spell. White House received emails about Fast and Furious gun-trafficking operation Three national security officials were given some details about the operation. ATF Manager says he shared Fast and Furious Info with White House At a lengthy hearing on ATF’s controversial gunwalking operation today, a key ATF manager told Congress he discussed the case with a White House National Security staffer as early as September 2010. The communications were between ATF Special Agent in Charge of the Phoenix office.”" “Lethal fiasco” A Justice Dept. ‘Fast & Furious’ coverup? At least two dead American agents later, the scheme looks set to blow up in Attorney General Eric Holder’s face — and now’s there’s evidence that it might reach all the way to the White House. “ATF head removed by DOJ after ‘Fast and Furious’ controversy” The Department of Justice (DOJ) announced on Tuesday that acting director of the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) Kenneth Melson was being replaced. Melson is being transferred to the Office of Legal Policy, where he will be a senior adviser.” Source: daletoons.blogspot.com 8.17.11, A New Promotion, 11 Dead… Latest results of the “Fast And Furious” Mexican Cartel Arming Operation. Obama Administrations Gun Control! This is what you get when you give a government an inch, and currently, apathetic Americans have given theirs a mile, cont. If you read the reports, watch the video, or share this information you can see what was being accomplished by the current INSURGENT UNITED STATES GOVERNMENT, if not for a few Patriots within these bureaucracies, the U.S. GOVERNMENT would still be arming the Mexican Cartels… We all see the corruption on a daily basis, yet it still continues. Ask yourself why would they want to Arm Violent 3rd world Cartels?, wouldn’t be the first time would it? Credit needs to be given, and blame need to be laid directly at the feet of those responsible, that will be done here. Credit for Darrell Issa of California who has been a staunch leader concerning this issue. His Senate Counter part Chuck Grassley of Iowa has been working on this as well, the main difference being, Grassley has Subpoena power, but he is very, uncomfortable talking about it…he has a decision coming, he will have to chose the Republic or his DeFacto friends in the Senate… No Subpoena’s on this or any of the other illegal activities concerning this Government have been produced yet. Credit must also be given to the Mexican Patriots fighting this Tyranny day in and day out on their side of this bloody border, they truly are Warriors! the people running “El Blog del Narco” are Warriors, bringing truth to light! They have chosen to stay and fight! Do you honestly think anything will ever be done about “Fast and Furious”? Will there be justice for BP Agent Terry and his family or the countless innocent Americans that have worked, lived and died along the Southern border? What about the innocent Mexican civilians who have lived, worked and, mostly died along the Mexican border? much blood is on the hands of each and every American Progressive indeed. Progressive Elite have infiltrated the current leadership of both parties with the goal of destroying the Constitutional Republic and her Bill of Rights, enslaving us all, it is almost complete and most Americans don’t even realize it… including a few Patriots. Patriots, past and present have been resisting this insurgency since 1865, it has just become more apparent recently due to the Progressives arrogance. The destruction of Tyranny is the legacy of George Washington and has become our Duty now, GOD will reveal things to us if we are willing to listen… even if you do not believe. Defcon III, Nunquam Mortuus! “Fast and Furious, New Mexican Government Arms Deal“ Most current information here. Fast & Furious: Who Knew What, When at the Top of the Obama Admin? Hezbollah On the Border Related Posts: Guns and Mexican Terrorist, Guns and Mexican Terrorist II Posted in Article IV Sec 4, Colorado, III Percent, Sovereignty \| Tags: 14th amendment, Anti American, ATF, BATF, citizens militia, cloward & piven, communism, criminal government, Darrell Issa, dedication, DHLS, duty, Eric Holder, fast and furious, gun runner, gun walker, homeland security, honor, illeal immigration, illegal alien, islam, mexican communist, Mexican Drug Cartel, Obama, Progressive Democrat, Sovereignty, truth \| No Comments » YouTube Widget by Daiko Article IV Sec 4 III Percent American Patrol Report Arpaio Needs Your Help Illegal Aliens.us Illegal Immigration the "Game" Immigrations Human Cost Texas Minutemen VDARE The Last Crusade Bay Area Patriots Commieblaster Constitution Party Colorado Gov Track Tancredo for Governor American Freedom Radio Come and Take It Radio Liberty Tree Radio Peter Boyles show You Have Tread On Me A Militia Index American Militia AZ Militia Constitutional Voices CSA Nationwide Militia Links New Mexico Constitutional Militia Sipsey Street Irregulars Southern New Mexico Militia State of California Unorganized Militia Texas Constitutional Militia Texas Militia Veteran Owned Bussines Directory Well Regulated American Militias American Truth Band of Patriots Bowers Tactical Chuck Baldwin Live Colorado Division of Emergency Management Defense Mechanism Donate Best Ranger El Blog del Narco Guardians of the Free Republics iQuestion Authority.com Leonidas Fund Liberty Day Map Light Martial Law Survival NFA Gun Trust Blog Novus Libertas Rocky Mounitain Gun Owners The Liberty Zone The Social Contract Press Where did my tax dollars go? Copyright © 2006 Sovereignty Colorado. All Rights Reserved.	cc/2021-04/en_head_0013.json.gz/line198
__label__wiki	0.63938	0.63938	Røsegg Lecture Juletrefest Norsk Kirke Welcome to the "Past events blog" Here you can find descriptions and photos from our past events. The Oddveig Memorial Lecture, 2020 - Friday 14th February by Espen Selvik, Bergen By trollheimen, May 11 2020 10:07PM We were all delighted that such a talented all-round entertainer gave us his time for this annual lecture. Feedback from everyone confirmed that this year’s lecture was quite outstanding. Margaret McKay gave a very informative introduction with a number of great anecdotes that illustrated Oddveig’s many attributes. In hindsight, this lecture ticked all her wishes for her legacy. Espen then presented a hugely entertaining performance - yes ‘performance’ that had everything: an interesting topic on “Gulating” - the origins of Norwegian democracy; lots of music from his French Horn accompanied by his very common “garden hose”: all delivered in such a jovial spirit that I’m sure the security guard on level 1, could have heard the laughter, particularly when describing his meeting with Kong Olav. Even when delivering his Amazing Grace recital, he began with a story on how the words of Amazing Grace were written. His main topic of “Gulating” - the origins of Norwegian Democracy - as he said, the Vikings simply just gave up the “boring job” of slaughtering people, and decided that talking around a fire with a beer was far more productive! Interestingly, “Stortinget” - the Norwegian Parliament - has the same meaning “ting” from “Gulating” in its name! And later, I did note that Espen had a great interest in making “ting” an open research topic in order to find out more on what was contributed from where in the Viking world - Norway, Scotland and the northern islands, Ireland and The Isle of Man. Espen also planned some musical interludes that were all well received. In particular, the real treat of his guest, Linn Elise Solberg Rognes to sing - she was in his choir in Bergen. Her voice was simply beautiful which everyone - without exception - fully appreciated! Hopefully, we will see her again at our meetings during her stay in Glasgow. We ended this entertaining evening with a rousing rendition of ‘ Ja, vi elsker dette landet’ by the audience, accompanied by Espen’s French Horn. If you want to see more pictures and actually listen to him and Line Elise, use this link... https://photos.app.goo.gl/fF3CeWJ2JLj81m4b8 Thanks also goes to our Vice President Tommy Thompson for his excellent vote of thanks. Of course, the catering was excellent (as usual) with some sublime cinnamon biscuits - thank you Katherine! And of course, we can’t forget about the other council members who did their usual good jobs. Garry I. Wednesday 11th March - North of the Arctic Circle in 1972, 1995 & 2015 Campbell Russell made a welcome return visit to give another talk and presentation about his further visits to the far north. The excellent numbers of members and friends appreciated his talk. While there is not enough space for a full description of his adventures, I will give you a taste of these by picking out some of my highlights from the evening - not necessarily in any chronological order. He travelled around the Norwegian coast using the very popular Hurtigruten passenger and freight shipping service in 1972 and 1995 (an NTS summer cruise from Leith). The certificate he received when he crossed the Arctic Circle on 26th June 1972 was on display. On this 1972 trip, he visited Ny Ålesund, on Spitsbergen Island. Spitsbergen was the name originally given to all the islands in the archipelago but this was changed to Svalbard in 1925. At that time in 1972, Ny Ålesund was very much a mining settlement, but in 1995 it was more a centre for scientific research (with 16 research stations) including having a base for the European Space Organisation. A number of other changes were noticeable, including armed guards and a new pier - for the Black Prince. By then the new Svalbard Museum was also open. In 1972 he also visited Longyearbyen, the largest settlement and administrative centre of Svalbard, where the most northerly bank, a branch of Tromsø Sparebanken was located! The temperatures are so severe that waste water pipes are above ground with “frost” protection! One of his highlights on his visit to Bjørnøya (Bear Island) in 1972 was when a lifeboat pulling a floating pier ‘putt putted’ it’s way to his ship, and supplies of Haig Dimple and Tennents lager (and other more healthy commodities) were offloaded and the lifeboat ’putt putted’ its way back to shore! In 1995, on his return to Longyearbyen the Main Street had been modernised, and also by then the settlement was proud to have the most northerly shop and post office! In 2016 he travelled from Oslo to Bodø by rail. He noticed a new sign for polar bears had also been erected - to assure the public that Svalbard was free of polar bears! During his talk, a large number of slides were shown which demonstrated the very harsh but beautiful scenery there, the incredible sunlight (a warm glow, and warm winds at 1 am) in the Lofoten Islands, the many changes to the infrastructure of the area between 1972 and 2016, and of course the northern lights. In conclusion - everyone thoroughly enjoyed Campbell’s excellent talk. Anny gave the vote of thanks and had the pleasure of presenting him with a wee bottle of malt (not from the ‘putt putt’ :) Thanks also to Margaret and Tommy for the catering and refreshments, and of course, to the other Council members who helped. Ken K Pictures can be seen here... https://photos.app.goo.gl/JA2JgBD8bvu6kw6H8 Farewell to the Reverend Torbjørn Holt - 9 December 2019 By trollheimen, Feb 21 2020 12:21PM The Rev. Torbjørn Holt at the Julegudstjeneste in Glasgow 9 December 2019. He was treatd to lunch by members of his congregation to thank him for his work over many years. Torbjørn, originally from Bergen, has been conducting Norwegian church services several times a year in Glasgow and Edinburgh since he arrived in Edinburgh in 1997 as chaplain to Norwegian students abroad. In 2005 he became Rector and Senior Chaplain Sjømannskirken in London. Torbjørn continued his visits to Scotland from London and his services with communion have been very special. He has always had a good and interesting story to tell in his sermons and with a meaningful and thought-provoking message. He also played the piano to accompany the hymns. In conversation over coffee after the services he became our very good friend. We thank him for his support to us for 23 years and for bringing a little bit of Norway to Scotland with the “gudstjeneste”. This has meant a great deal and has been very much appreciated by the Norwegians living here. John Gilmour - Norway & Sweden WWII - Fact, Fiction or Friction? By garrydirvine, Dec 2 2019 09:57PM Norway/Sweden during WWII - Fact, Fiction of Friction by John Gilmour 13th November John is an Honorary Fellow at the University of Edinburgh and is an acknowledged expert in Scandinavian Studies. He was introduced to a good turnout of members by President Ken Kristoffersen and his subject was titled Fact/Fiction/Friction which dealt with the relationship between Norway and Sweden during and after the Second World War. Ken established John’s credentials by giving an impressive list of his published books, research papers and other interests. John began his talk by leading us all up the garden path with a fictional history of the events around the invasion of Norway by Germany in 1940 which resulted in the Swedish army, navy and air force being totally destroyed in six weeks, concentration camps being sited in Northern Sweden and the combined Norwegian, Swedish and Danish Nazi forces under German control invading Finland in 1943! The eventual outcome of this fictional scenario was that Russian forces would have eventually taken over all of the Scandinavian countries and Russia would remain in control for many years in a similar way as the unfortunate conquered Eastern European countries that were annexed during the war. Thankfully the actual history as it happened was not as terrible as the above fiction. Norway and Sweden before 1939 had spent many years trying to find a diplomatic treaty of mutual support but due to political positioning no agreement was reached before it was too late. After the German invasion King Gustav of Sweden offered asylum to the Norwegian Royal Family but anybody wearing uniform would be interned. He also suggested that Princess Marta would not be permitted to travel to America. King Haakon was absolutely furious with what he saw as Swedish/German interference and relations became frosty. The Germans requested that transit through Sweden be allowed for humanitarian reasons such as medical goods, nurses and refugees. This was refused at first but various pressures were brought to bear so that when Norway surrendered on the 11th June 1940, Sweden capitulated to the German demands. The evidence from diaries, letters and communications examined after the war show that many high positioned Swedes such as the Prime Minister were very unhappy with the situation but felt they had been forced into it by the Germans under threat of invasion. The first transit of Swedish Territory was on the 18th June 1940 and continued until the tide of war swung in the Allies favour in 1943. There after the Swedish government opened relations with the Norwegian Government in Exile. The final word was from the British Ambassador in Sweden during the war. After a period of interesting questions from the audience a vote of thanks was given to the speaker by Margaret Thompson to loud applause. Jim Carchrie. Woodhaven - a wee bit of Norway during WWII - 9th October By garrydirvine, Oct 10 2019 01:41PM Last night’s talk/presentation was very interesting. To add to thast David Winch & Evelyn Hardie brought with them some artefacts’ which were on displayed. A short description iof the talk will follow later... Katherine Kelsey gave rthe votes of thanks. Our usual speaker's fee was accepted on behalf of the RNLI. A very generous donation. David’s wife Jan and Evelyn’s partner Ralph also came along and all four were presented with Blue Peter- sorry SNS lapel badges! Our usual "cafe and kaker" was well represented by Anny's except baking!	cc/2021-04/en_head_0013.json.gz/line202
__label__wiki	0.636774	0.636774	You are here: Home / TV News from STUDIO BRIEFING / NBC SCORES AGAIN WITH SUNDAY NIGHT FOOTBALL NBC SCORES AGAIN WITH SUNDAY NIGHT FOOTBALL January 5, 2011 by admin · Leave a Comment Thanks to its coverage of two Sunday Night Football telecasts — one of which was played on Tuesday — NBC shot to the front as the most-watched network among 18-49-year-old viewers last week. The Tuesday game, postponed from the previous Sunday because of blizzard conditions in the Philadelphia area, attracted 23.74 million viewers. The regular Sunday game drew 19.36 million. Games related to football telecasts also scored solidly. NBC’s Pre-Kickoff telecast on Tuesday landed on Nielsen’s top ten list with 14.51 million viewers, while Sunday’s Pre-Kickoff show registered 15.06 million. (Due to a ratings anomaly that resulted from the different sizes of the total TV audience on both days, each show tied for third place.) Fox’s NFL runover game on Sunday gave the postgame show The O.T. 12.28 million viewers, and NBC’s Football Night in America Pt. 3 also found a spot in the Nielsen top ten with 11.54 million viewers. Despite NBC’s huge football ratings on Sunday, two rival network shows also made the top ten. CBS’s 60 Minutes ranked No. 5 with 12.84 million viewers, while ABC’s Desperate Housewives followed in sixth place with 12.19 million. NBC also continued to dominate the nightly news ratings, once again attracting nearly 10 million viewers. All three networks showed significant boosts in ratings for their evening newscasts, which lined up on the Nielsen charts this way: 1. NBC Nightly News with Brian Williams, 9.99 million viewers; 2. ABC World News with Diane Sawyer, 8.8 million; and 3. The CBS Evening News with Katie Couric, 6.35 million. For the week, CBS remained the No. 1 network among total adults with a 5.2 rating and a 9 share. NBC placed second with a 5.0/9. ABC ranked third with a 3.2/6, while Fox once again trailed with a 3.0/5. The top ten shows of the week according to Nielsen Research: 1. Sunday Night Football (Tuesday), NBC, 13.8/23; 2. Sunday Night Football (Sunday), NBC, 11.3/18; 3. (Tie) Tuesday Night Pre-Kickoff, NBC, 8.7/15; 3. (Tie) Sunday Night Pre-Kickoff, NBC, 8.7/14; 5. 60 Minutes, CBS, 8.0/13; 6. Desperate Housewives, ABC, 7.5/12; 7. (Tie) The O.T., Fox, 6.9/11; 7. (Tie) Undercover Boss, CBS, 6.9/11; 9. (Tie) CSI: Miami, CBS, 6.7/10; 9. (Tie) Football Night in America Pt. 3, NBC, 6.7/11. Filed under TV News from STUDIO BRIEFING · Tagged with 60 Minutes, ABC World News, CBS Evening News, Desperate Housewives, Football Night in America, NBC Nightly News, Pre-Kickoff, ratings, Sunday Night Football	cc/2021-04/en_head_0013.json.gz/line204
__label__wiki	0.539384	0.539384	You are here: Home / TV News from STUDIO BRIEFING / SUNDAY NIGHT RATINGS: THEY’RE ALL ABOUT FOOTBALL SUNDAY NIGHT RATINGS: THEY’RE ALL ABOUT FOOTBALL January 20, 2014 by admin · Leave a Comment NBC didn’t have Sunday Night Football on its schedule and slipped back into last place in the ratings as it tried to counterprogram Fox TV, which did have Sunday-night football — in the guise of the NFC Championship game between the San Francisco 49ers and the Seattle Seahawks. Ratings for the game shot through the roof as it averaged 44.68 million viewers, peaking in the first half-hour with 47.02 million, according to overnight Nielsen figures. NBC, apparently, attempted to capture female viewers who were not interested in football by airing the 2011 comedy Bridesmaids, but it averaged just 3.20 million viewers. Among the key 18-49 age group, it drew an 0.7 rating and a 2 share. Nothing on the schedule of any competitor attracted a smaller audience on Sunday. UPDATE: Nielsen now estimates that 55.9 million watched the NFC Championship game on Fox, while earlier in the day 55.3 million watched the AFC Championship between the Denver Broncos and the New England Patriots on CBS. The figures represented the biggest audience for the conference championship games since 1982. Filed under TV News from STUDIO BRIEFING · Tagged with	cc/2021-04/en_head_0013.json.gz/line205
__label__cc	0.742737	0.257263	I watch you every day of my life. Every day I turn on the computer, and put this channel on. And I listen to (Supreme) Master (Ching Hai), I listen to the testimonies. And I love that there are people who feel and think about this different way of living. And well, I love you very much, and here we are in touch. Congratulations. Congratulations on your 5th Anniversary. We've been working with Supreme Master Television for quite a while now. And it's been a very positive experience for us. With your satellite TV channel, it's managed to get the message out to a bigger audience, a wider audience, and ultimately, that helps in the movement. Hallo, enchanting viewers, and welcome to Animal World: Our Co-Inhabitants for a very festive celebration of Supreme Master Television’s 5th Anniversary! Today we present the first in a two- part series featuring memorable highlights of the past year’s shows. And what a year it’s been - filled with profiles of fascinating wild animals from around the world, stories of the heroics of noble, dedicated search-and-rescue dogs, amazing insights from telepathic animal communicators and visits to fantastic animal sanctuaries. We start with the 80 adorable Giant Pandas living happily at the Chengdu Panda Base in China. In their natural habitat, pandas’ staple food is bamboo. Bamboo makes up 99% of their diet, so 99% of their nutrition comes from bamboo. In the wild, they mainly eat bamboo. There are more than 60 types of bamboo that pandas eat; about 27 types are their favorites. They also eat other things like wild fruits and other plants, such as angelica. Sometimes they eat tree bark and grass. When Supreme Master Ching Hai attended the COP16 United Nations Climate Change Conference in Cancún, Mexico, she was greeted by a magnificent zopilote or American Black vulture, who perched regally on her hotel balcony one day just to say “Hallo.” Zopilotes, wow. So big, big. Majestic, and powerful. He feels powerful, but he came so sweetly, like a pigeon. Even in the eyes, he’s so sweet, so sweet, full of love! My God, melts my heart, you know. I could just sit there forever, forever, forever. The two of us sitting there, looking into each other’s eyes. No words spoken, and he was so loving, love, oh, my God. If all humans were so loving like that, ah, we would have peace. Alexander Nevzorov is well known in Russia. He is an inspiring, enlightened trainer who compassionately teaches complex movements to horses without using anything that could potentially hurt or cause pain to an equine including reins, bits, bridles, saddles and even riders! This is Perst, who is also ‘Tashunko Vitko’ – the furious horse, has proven himself capable of love and forgiveness. Now raised on the principles of Haute Ecole without punishments, bits, or any infringements of liberty, he has revealed himself as a wise and noble animal, and working with him never requires any bits or force. Actually, it is hard to find a horse without a heart of gold in the whole world, I believe it is impossible. They all have golden hearts. In India, our hearts were warmed by the work of Maneka Gandhi, a Member of Parliament, champion of animal rights and the honored recipient of the prestigious Shining World Compassion Award. I simply cannot see the difference between a two-legged animal and a four-legged one. And I can’t see them think differently. I can’t see them love differently. I can’t see them talk differently. We have to respect them, as they respect us. In almost every which way, they’re cleverer than us. They can fly. They can navigate. They can make straight lines without rulers. They can do millions of things we can’t do. So to simply destroy a superior species, or to eat somebody who’s related to you, you know genetically, the closest relation to a human is the pig. So to eat your first cousins, seems to me to be gross. We also met many animals who serve us in humble, noble ways, such as the search- and-rescue dogs who willingly risk their lives to ensure the well-being of others. They’re so driven that we actually have to monitor them to make sure that they don’t work themselves too much, especially in the heat. They’ll work themselves until they drop if we don’t, so we’re very cognizant of it, we’re very aware of what our dogs are all about. We know when they’re working and, and what their limits are, and hydration and care and everything else. So the bond between the partner and the dog is very important. This has also been a wondrous year filled with reports on animal heroes, such as Pinky, a friendly little Boxer who allowed herself to be stung 40 times by a swarm of bees to save her caregiver’s life. In recognition of her bravery, loyalty and devotion, Pinky was honored with the Shining World Hero Award. Shining World Hero Award Laureate Every time I get hurt, she always goes directly to me. I think that Pinky herself has a sense of loyalty that I do believe most dogs have; I think that the dog picks you, you don’t pick the dog. And Pinky has been a special part of our family. Her heroism was completely unexpected. It goes to show that they have loyalty. You just have to wait and let it show, let it shine. The past year also saw many touching stories of humans who saved animal lives, such as Ray Cole of Australia, a Shining World Hero Award laureate, who courageously rescued a helpless kangaroo from drowning. They tried to save the kangaroo, but as they went to get it, the current grew taller than the kangaroo, and pulled it further into the river. My boy looked at me and said, “Can you save the kangaroo, Dad?” And so we went out for about 19 meters, that’s how deep the water was according to the markers. And from there it was a struggle trying to stay up in the water to get the kangaroo; I was able then to grab him, right around the neck, and lift him up on the debris. We met people who devote their lives to ensuring that animals are respected and protected, such as veterinarian Dr. Elliot Katz, founder of the US-based non-profit organization In Defense of Animals which was honored with the Shining World Hero Award by Supreme Master Ching Hai. I felt it was important for people to start thinking and acting as a guardian of that animal as opposed to the owner or a master. It’s a whole different relationship. But the next generation of kids growing up thinking themselves as the guardians of the animals will change the paradigm. In addition, we met fellow animal lovers, such as Jennifer Parkhurst, an Australian wildlife photographer and artist who has spent years living among, and documenting the lives of, the delightful, dignified dingoes of Fraser Island. The emotional life of dingoes is what makes them so special. They’re a very family-oriented animal. And just the way that they interact with each other, it’s really clear that they do have emotions and that they do care about each other. Also, dingoes are unique as far as wild animals go in that they have a long history of companionship with people. They like companionship with each other. It doesn’t matter what the weather is, how hot it is or anything like that, they always snuggle up close together when they’re having their daily naps. We featured interviews with many delightful telepathic animal communicators who shared their knowledge of the inner lives of our animal co-inhabitants. Listen to the animals. A lot of people are scared to hear what the animals have to say. Don’t be. If you can hear what your animal companion really has to say, what their wish is, what their dream is, then you can also enhance the animal companion’s life. A lot of them say, “Be true to yourself Do the things that you love and really don’t let people tell you what to do; this is your life.” So a lot of animals say that. We had the privilege of meeting Dr. Tetsuro Matsuzawa, Director of the Primate Research Institute in Japan who explained the deep, tender, loving nature of chimpanzees. One of the most impressive things that sticks in my mind is that the tie between mother and child is very strong. Concerning a chimpanzee’s child-raising, the mother wholeheartedly brings up her child until the child becomes five or six years old, and then starts to give birth to the next child. Therefore, I think that the bonds between parents and their child are very strong. A chimpanzee's mother never scolds her child. She never scolds, nor beats, nor ignores her child, nor treats her child roughly. The child can no longer live if treated like that. On the basis of the security or dependence, the child can gradually part from the mother, and become close with companions of other groups. The safe base from which to explore the outer world -- that is the role of the mother. I think that is how the mother shows her affection toward her child, and how love grows between the mother and her child. I think it’s splendid and beautiful. And Worku Mulleta, a vegan from Ethiopia, introduced us to his beautiful friends, Coocoo and Ilu the chickens and Katy the canine. They’re very pure, and they love you, they're very pure, and because of this, I love them very much. We give them housing, we give them food, we give them the attention they need, we play with them, they love (it), and they also give us (love), too. This past year, we also visited a radiant, royal jewel, Her Highness Princess Maja von Hohenzollern of Germany, a lover of all animals. Animals definitely have souls. Animals are precious. They are very precious. And a day without an animal is definitely a lost day. Everybody who dedicates themselves to animals has my highest respect. For our 5th Anniversary, Princess Maja sent us the following caring message. You are the only channel which really shows and depicts the connections between respectful and dignified living, between faith, between cosmopolitan lifestyles, between the vegan and vegetarian diet, between love for animals, between love and dignity of life and today’s current situation. I send my warmest congratulations for the 5th Anniversary of Supreme Master Television. What’s the best way each of us can protect our innocent animal co-inhabitants? Wayne Pacelle, CEO and President of the Humane Society of the United States, another of our distinguished interviewees, shared his thoughts. Well, I do believe that if we’re going to be active on animal protection issues, we need to take steps in our personal lives to kind of wring the cruelty out of our lives, and the daily behaviors that we engage in, whether it’s food or clothing or buying products tested on animals, and opting for the alternatives. Our animal friends are truly special and without them, our precious planet would simply not be the same. So they all have their code, secret code. I told you, one of my birds, the two green ones, the two of them, they were left wild. Actually, they have never been tamed, but I can tame them if I use the code. You know, for the female, I say, “Smart bird,” yes, and she responds to that, she likes that. And the male … that was the female, I said, right? (Yes.) That’s female, yes. And for the male, I said, “Beautiful bird!” Then he likes that. Imagine? It’s supposed to be the opposite, but that is the way it was. Female, “smart bird,” she likes that; and male, “beautiful bird,” he likes that. I wish that people do understand how to treat the animals; how to make them respond also. It is not that difficult if you have love. They will respond and you can be easily tuned in with them. Esteemed viewers thank you for your company on today’s program. Please join us tomorrow on Animal World: Our Co-Inhabitants, as we present the concluding episode of our 5th Anniversary special, featuring more highlights from past year’s shows. May all animals be forever loved and cherished. For five years you have given people the chance to communicate about the good on Earth. I congratulate you warmly not only as a man, as Jacek Bozek, but also as an environmental activist and defender of animals. Keep doing it. We'll support you as you are supporting us. All the best again.	cc/2021-04/en_head_0013.json.gz/line206
__label__cc	0.730245	0.269755	There are three different types of partnership available in the UK. These are General partnerships Limited Partnerships and Limited Liability Partnerships. Generally a partnership will have at least 2 or more partners; all partners participate in the management of the business and share in the profits of partnership. Each partner is an agent for the other when making contracts on behalf of the business, all partners are liable for the debts of the business except for Limited Liability Partnerships. A partnership would normally have a document drawn up which states the rights and obligations of the partners called the ‘The Partnership Deed’. Although it is not necessary, it may be a good idea, that way each partner knows what is expected of them. As well as giving basic information, such as business name, names of partners it will usually also set out the amount of capital each partner contributes, the way profits will be shared and whether any are to be paid a salary, the working arrangements, and how changes to the partnership are carried out like appointing new partners and what happens should a partner die or want to leave. If no partnership agreement exists then a partnership is dissolved by one partner giving notice to the others of his intention to dissolve the partnership or automatically by the death or bankruptcy of one partner. Tax implications – each of the individual partners should register with HMRC as self-employed and their share of the profits are considered as income and should be filled in on the partners self assessment form each year. The partner then pays tax at the taxable rate they are at for their annual income. If a company was a partner then they would pay corporation tax on their partnership profits. There is also a Partnership Tax Return which shows the partnerships income and expenses and how the profits or loses have been divided amongst the partners. A general partnership is an agreement between 2 or more persons coming together to form a business, it is not a legal entity in its own right. Unless the Partnership Deed states otherwise all partners are equal. If no deed exists then the partnership, is governed by the Partnership Act 1890. There is no need to register the name of a general partnership or file the deed anywhere. The cost of setting up a general partnership will depend on how complicated the partnership agreement is and whether you use a lawyer to draft it for you, or whether you purchase a standard agreement and modify it to suit your needs. Limited Partnerships have two different classes of partner, a general partner and a limited partner. They are governed by the Limited Partnerships Act 1907 and can have a minimum of 2 and a maximum of 20 partners, also there are some exceptions for professional partnerships. General partners handle the day to day running of the partnership and are liable for all the debts and obligations of the business, while limited partners are usually only investors either putting in capital or property and are only liable for the debts and obligations of the business up to the amount they contributed. Also limited partners cannot draw out or receive back any part of their contribution during the lifetime of the partnership or take part in the management of the business or have power to bind the firm, if they do then they also become liable for the debts, in effect they remove their limited liability. This form of partnership is not a legal entity in it’s own right so cannot contract or sue or be sued or hold property. It operates in the same legal framework as a general partnership. There is no legal obligation to have a formal written document between the partners, but it is probably wise to do so. If there is no agreement then again the Partnership Act of 1890 applies. An individual or a company can be a partner either as a general or limited partner; however a person cannot be both at the same time. Limited Partnerships do have to be registered where their principal place of business is, with Companies House, and file a statement (form LP5) which is signed by all partners. There are no annual filing requirements, but if any of the partners, partners’ details or partners contributions are changed then these have to be notified to the Registrar. The general partners are responsible for the delivery of these forms. Because the partnership has to be registered naming is governed by the Business Names Act 1985 and has to have a name that is acceptable to the Registrar and it will not be able to be the same or similar to any other Limited Liability Partnership or company on the register. The tax implications are the same as for general partnerships, with capital losses being offset against capital gains elsewhere. This is a legal entity which came into force in 2001. They are governed by a specific act of parliament the Limited Liability Partnerships Act 2000, and in the Limited Liability Partnerships Regulations 2001. LLP’s are available to business that want to be considered a partnership and is being carried out with a view to a profit. The types of business they were originally designed for included professional partnerships like lawyers, surveyors and accountants, whose restrictions from their professional association’s means they cannot incorporate as limited companies. There are a number of benefits of an LLP over the other types of partnerships: Key advantage is that LLP members are able to limit their personal liability if something goes wrong with the business, in the same way as limited company shareholders do. Each member takes an equal share of the profits, unless the members agreement specifics otherwise. Individual Members of the LLP treat their profits as personal income for tax purposes. The LLP is not taxed. Members Agreement drawn up between members, does not have to be filed at Companies House, can be more flexible in setting out member rights and income percentages etc. The LLP being a separate entity is able to enter into contracts and hold property and can continue in existence independent of changes in membership. Partners have greater protection from rush of creditors demanding money from them personally if the business should collapse. Considerations to take into account when considering forming an LLP should include: Anyone lending money to the LLP may still require personal guarantees from the members, just as they do with limited companies. If converting an existing partnership to an LLP, any overdraft the existing partnership has, will need the Banks consent to transfer it to the new LLP. Similarly landlords consent will be required to transfer a lease. They may want a partner or all partners in the business to offer personal guarantees. The treatment of annuities may cause difficulties preparing accounts on a ‘true and fair’ basis. You will need to publish financial annual accounts with a similar level of detail to a similar sized limited company and have to submit them each year at Companies House to a strict time table. An annual return of members is also required with a fee of £30. The legislation also requires that the profit share of the highest earning member is published if the LLP’s profits exceed £200,000. Another area of consideration is insolvent trading, in the same way that Company Directors can be prosecuted for these offences, so can members of an LLP. Preparing For Business Text linking: Partnerships on Photographers Resource	cc/2021-04/en_head_0013.json.gz/line208
__label__wiki	0.631269	0.631269	Acrocorinth Ancient Corinth Ancient Elis Ancient Messene Ancient Odeon of Patra Ancient Thouria Epicurius Epidaurus Monemvasia Mycenae Mystras Nafplio Olympia Palace of Nestor Peristeria Tiryns Androusa Antirrio Archangelos, Polichni Chlemoutsi Kalamata Koroni Krebeni, Melpeia Kyparissia Larissa Methoni Mila Niokastro, Pylos Paleokastro Rio Wall of Verga Zarnata Agia Marina Agios Giorgios Agios Nikolaos, Karitena Andromonastiro Agia Theodora Church of Transfiguration of the Saviour, Pylos Kalamata Churches Kalavryta Koroni Kyparissia Churches Mani Churches Nafplio Churches Samarina Village Churches Voulkano Monasteries Battle of Navarino Bridge of Mavrozoumena Corinth Canal Catacombs of St Onourphrios Diakopto to Kalavryta Railway Kalamata City Kalavryta Loggerhead Turtles Pineios Lake Rio-Antirrio Bridge The Old Watermill, Kyparissia Tsakona Bridge Agios Andreas Arkoudi, Ilia Finikounta Kalamata & Bouka Kyparissia Bay Mavrovouni, Finikounta Methoni Stoupa Tsapi Kalamaris Koutentou Waterfall & Perivolaki Lakes Neda Polylimnio Diros Kapsia Kastria Kastania Towns & Villages Mountains Sea Others ABOUT ME CONTACT Battle of Navarino Bridge of Mavrozoumena Corinth Canal Catacombs of St Onourphrios Catacombs of St Onourphrios Diakopto to Kalavryta Railway Kalamata City Kalavryta Loggerhead Turtles Pineios Lake Rio-Antirrio Bridge The Old Watermill, Kyparissia Tsakona Bridge BEACHES WATERFALLS KALAMATA CHURCHES PLEASE NOTE THAT ALL THE PHOTOGRAPHS ON THE SITE ARE CLICKABLE LINKS The Church of Ypapanti The Church of Ypapanti in the square with the same name is the Metropolitan Cathedral of Kalamata. It was founded in 1860 and inaugurated in 1873 very close to the location of the old church that was there until 1770 when it was burnt. According to the legend the icon of the church was found in the ruins of the temple that was destroyed in 1770, when the groom of the Turkish Pasha had a stable there for his horses. He had a dream and in it he saw a woman telling him to dig in the stable to find the icon. Which he did. This is why there is a stone cross to the southeast of the Church of Ypapanti at the point where it is considered to be the original altar with the inscription: "this plaque is reminiscent of sacred and sanctum". The church belongs to the cruciform type with a dome and large narthex with two bell towers. It was severely damaged by earthquakes in 1886 and 1986 but was restored twice. Agioi Apostoloi Agioi Apostoloi is a Byzantine church, built in 1317 by the Emperor Andronikos in March 23 Square in the centre of Kalamata. On Wednesday, March 23 1821, Theodoros Kolokotronis, together with the other leaders and Greek warriors liberated Kalamata from the Turks and assembled with the population and the clergy in the square of Agio Apostoloi, where the first Christian mass was said on free Greek territory after 400 years of slavery. In this church the Greeks took an oath of loyalty to the revolution. The church actually consists of two temples built five centuries apart as the two domes show. The first one in the eastern part of the church with free cross style was built in the late 11th to early 12th century and the second one with cross single room dome dates back to the Venetian rule of the late 17th to early 18th century. In the oldest part of Agioi Apostoloi are frescoes dating back to the 16th and 17th century, which have been preserved despite the extensive damage due to the earthquake in 1986. Agioi Apostoloi suffered considerable damage twice in its history: in 1884 when part of the bell tower collapsed because of an earthquake and in 1892 when the Byzantine frescoes were covered with lime. After the earthquake in 1986 the church was restored back to its original form. Agios Nicolaos Flarios Agios Nicolaos Flarios is located in the center of Kalamata. It is believed that it was founded in 1859 and its inauguration was in 1865. According to historians, the church was founded on the ruins of the older church of Agios Nicolaos Xenon. The church has been deemed a building requiring special protection, it is a cross-shaped construction and a wonderful example of neoclassical architecture from the second half of the 19th century. As mentioned in the General State Archives the marble of Agios Nicolaos Flarios was brought from the island of Tinos. The Kalograion Monastery The Catholic Monastery of Kalograion is a vital part of the history of Kalamata and Messenia since for more than 200 years it had been a spiritual refuge for many young girls who chose the monastic life, and a warm and benevolent home to many orphans and abandoned children, especially after the German Occupation of Greece. After the earthquake of 1986 the nuns of the Monastery prepared food in the monastery's yard for over a year for hundreds of the city's inhabitants who had lost their homes. The nuns are still active in the production of silk products, which gave both the nunnery, and Kalamata as a town, a reputation in the past. A walk through the peaceful courtyard and a look into some of the ground floor rooms reveals the looms still used to weave silk. Many items made in silk by the nuns are available in the shop of the monastery. The Monastery maintains a treasury and museum where many Holy Relics of various Saints are kept, along with vessels, vestments, precious Icons and part of the old Templon, while its rich library contains many theological and other books. Church of the Virgin Mary In the 6th century AD a church was built in the castle devoted to the Virgin Mary. An icon of Virgin Mary in the church became famous as 'Kalomata' (meaning 'beautiful eyes'). This later changed to 'Kalamata' which became the name of the church, the castle and the city. There are many more churches in Kalamata but I have yet to get round them all!! The photographs below are more of the Kalograion Monastery. © COPYRIGHT 2019 All Rights Reserved www.picturesque-peloponnese.com	cc/2021-04/en_head_0013.json.gz/line209
__label__wiki	0.597347	0.597347	Peter Davison and Thusitha Jayasundera star in THE VERTICAL HOUR at the Park Theatre With the critically acclaimed musical adaptation of the classic French novel Thérèse Raquin about to begin its run in Park200, having transferred from the Finborough Theatre, today Park Theatre Artistic Director Jez Bond announces a casting update for the first London revival of David Hare’s The Vertical Hour. Peter Davison, probably best known for playing the fifth incarnation of The Doctor in Doctor Who and Tristan Farnon in All Creatures Great and Small, will take the part of Oliver, with Thusitha Jayasundera joining him as Nadia. The play, which received its UK premiere at the Royal Court in 2008, will be directed by Nigel Douglas and opens on 25 September, with previews from 23 September, running until 26 October. Nadia Blye knows exactly what her stance is on Iraq. A former war reporter and Professor of International Relations at Yale, she has advised the President and seen action in Sarajevo and Baghdad. She is sure of her place in the world and her opinion of it. Until, that is, she meets an equally opinionated and lethally charming man – her boyfriend’s father – over a weekend in Shropshire. His intervention has far-reaching consequences for them all. A gripping play that pits personal philosophies against global politics. Peter Davison plays Oliver. His theatre credits include Legally Blonde – The Musical (Savoy Theatre), Spamalot (Palace Theatre), Under the Doctor (Comedy Theatre), Chicago (Adelphi Theatre), Dial M for Murder (UK tour), An Absolute Turkey (Globe Theatre), The Last Yankee (Young Vic and Duke of York’s Theatre), The Decorator (Yvonne Arnaud and UK tour), Arsenic and Old Lace (Chichester Festival Theatre), A Midsummer Night’s Dream, Rosencrantz and Guildenstern Are Dead, Hamlet and Two Gentlemen of Verona (Edinburgh Lyceum). Perhaps best known for his role as The Doctor in Doctor Who and Tristan Farnon in All Creatures Great and Small, his other television credits include Law and Order, At Home with the Braithwaites, Cabbage and Pat, The Queen, Miranda, Distant Shores, The Last Detective,Fear Stress and Anger, The Complete Guide to Parenting and Aint Misbehaving; and for film, Parting Shots, Ghosts of Winterborne, Black Beauty and A Man You Don’t Meet Everyday. Thusitha Jayasundera plays Nadia. Her theatre credits include The Nine O’Clock Slot (Ice and Fire), Tiger Country(Hampstead Theatre), A Day at the Racists (Finborough Theatre), Dreams of Violence (Out of Joint/Soho Theatre and UK tour), Crime and Punishment, Warhorse and The Caucasian Chalk Circle (National Theatre), Twelfth Night and As I Lay Dying (Young Vic) and The Comedy of Errors, Cain, Peer Gint and Pentecost (RSC). Her TV work includes The Bill(series regular), Holby City (series regular), Broadchurch, The C Word and Above Suspicion. David Hare is a playwright and screenwriter. As a playwright his work includes Slag, The Great Exhibition, Brassneck(with Howard Brenton), Knuckle, Fanshen, Teeth ’n ’Smiles, Plenty, A Map Of The World, Pravda (with Howard Brenton),The Bay At Nice, The Secret Rapture, Racing Demon, Murmuring Judges, The Absence Of War, Skylight, Amy’s View, The Blue Room, The Judas Kiss Via Dolorosa, My Zinc Bed, The Breath Of Life, The Permanent Way, Stuff Happens, The Vertical Hour, Gethsemane, Berlin/Wall and The Power Of Yes. His adaptations for theatre include The Rules Of The Game - Pirandello, The Life Of Galileo – Brecht, Mother Courage & Her Children – Brecht, Ivanov -Chekhov, Platonov - Chekhov, The House Of Bernarda Alba - Lorca and Enemies – Gorky. Nigel Douglas directs. This will be his first theatre work in ten years, having spent a decade in television and film. His theatre work includes A Voyage Round My Father (World’s End Theatre), The Swimming Party (The Man in The Moon). His TV credits include Jackanory, Flip, Grange Hill, The Biz, This Life (BAFTA for Best Drama), London’s Burning, The Blind Date, The Knock, North Square, Clocking Off (BAFTA for Best Drama Series), Making Waves and Wild at Heart. Labels: news, park theatre, peter davison, the vertical hour, Thusitha Jayasundera	cc/2021-04/en_head_0013.json.gz/line211
__label__cc	0.599213	0.400787	Paschke Cheryl started playing violin in the fourth grade after attending a school assembly program about joining the school orchestra. She did join the school orchestra, which later led to college and community orchestras, a string quartet, English country-dance band, Swedish fiddle and Finnish dance groups as well as a career in music and arts education. Cheryl started playing nyckelharpa as an adult, having first encountered the instrument in Sweden at a Midsommar celebration where several nyckelharpa players were jamming together. Seeing Cheryl's interest, one of the players offered to let her 'try' the instrument. After a quick scale to check what notes were where, "Johan pa Snippen" came to mind, and her fingers were hooked! Octave Mandolin Joe mowed many lawns when he was 10 years old in order to buy his first guitar. He graduated to bass guitar in his garage band days and eventually he gave up music to raise a family and become an elementary school teacher. One day while cleaning out his basement he came across his bass guitar and amplifier and decided to trade them off at a local music store. A few hours later Joe walked out of the music store with a 1913 Gibson mandolin and has not looked back since. He has played in several folk bands and many folk traditions. Joe and Cheryl met in 1998 after a Väsen concert and she opened the door to Scandinavian music for him. Joe plays guitar and two sizes of mandolin. Val began her church music career at age twelve and has been music director for various area churches, most recently for a Hispanic congregation. She's deeply attracted to folk music, is a shape-note singer, and discovered that Nordic music makes her "Norwegian blood boil' by dancing to it. She's a piano teacher and provides music for area arts camps. Erin is a multi-instrumentalist who chose cello as a young girl because she liked the sound of harmony parts. Soon she was singing melodies and playing cello harmony at the same time, when not busy putting on extravagant dance performances to her parents' classical records. Now she enjoys community orchestra, and plays in: Compass Rose String Band (at Tapestry Folkdance Center), Twin Cities Nyckelharpalag, the ASI Spelmanslag, Fallen From the Turnip Truck (roots music), and is a former performer with the Ethnic Dance Theatre. She is an elementary string music teacher, private string and piano teacher, and clinician. Her country home houses a diverse collection of instruments, including five-string fiddle, banjo, cajon, upright bass, accordion, näverlur, musical saw, alto horn, shawm, and many more. Her secret passion is composing music of all types, and she keeps staff paper in her car just in case of a random idea! Previous Tjärnblom Band Mates Mary Crimi Mary is one of the founding members of Tjärnblom and is featured on their two albums.	cc/2021-04/en_head_0013.json.gz/line213
__label__wiki	0.508123	0.508123	Only under socialism Jerusalem can be the capital of peace Fight imperialism, Zionism and reactionism for peace It is not impossible to make Jerusalem a center where peoples of diverse cultures, faiths and languages can and do live in peace side by side. Yet, it is time to remind ourselves that this objective can be attained only under socialism. It is pointless to look for a strategy on the Palestinian issue behind the US President’s decision to recognize Jerusalem as Israel’s capital. The US imperialism has generated a plethora of “projects” from outright occupation to “moderate Islam”, from the so-called “Arab Spring” to the “fight against terror”, which all fizzled out and caused the major imperialist power to lose ground. On top of such unhindered descension, the ongoing fratricide among the dominant powers of the US has added insult to injury. Trump’s Jerusalem initiative is an attempt to kill two birds with one stone, i.e. to allow the US take initiative in the region on the one hand and to provoke the region in order to save his own skin on the other. This attempt is doomed to failure; it can result in nothing but another fiasco. Jerusalem has a status specified by international agreements and United Nations documents. The “two-state solution” prescribed for the Palestinian issue identifies East Jerusalem as the capital of an independent state of Palestine. The United States and Israel have sabotaged all attempts to proceed in this direction for many years. These interceptions meant planting bombs on the road to a solution. Now, these bombs will explode in the hands of those who have planted them. First of all, declaring Jerusalem as the capital of Israel is not a decision that can gain recognition in the present state of world affairs. It is impossible to assemble a coalition with other imperialist powers, global and regional powers to legitimize such decision. Secondly, the forces of peace are not as weak as they are supposed to be. Imperialism, which miscalculated the resistance against occupation in the Middle East, the secular and patriotic background of the region in recent years, is engaged in an attempt doomed to failure once again. The people of Palestine will resist. The forces of peace in Israel will resist. Peoples of the region who live in countries which are friendly to Israel and adherents and pawns of the US, will stand by the resistance. Trump’s fantasy to kill many birds with one stone will certainly backfire; the illegitimate policies of the state of Israel will meet with the reaction and abomination of all humanity. Communist Party of Turkey strongly condemns the US President’s decision to recognize Jerusalem as Israel’s capital, and highlights that this is an utterly provocative attempt. Provocations can be circumvented only through the joint political action of peoples. Enemies of the people have no place in this fight. The reactionary political powers in the region, firs and foremost the AKP, have no legitimacy whatsoever to take part in it. Tayyip Erdoğan is not embracing the seemingly anti-Israeli demagogy today for the first time. Erdoğan’s defiance is nothing but an empty threat. Just as it was years ago in Davos, during Israel’s blockade of Gaza. The continuation of military cooperation between Turkey and Israel proved that this old demagogy was nothing but empty words. It became obvious as imperialism unleashed Turkey and Israel against Syria right off the bat. It became obvious as the massacres perpetrated by ISIS, which wreaked havoc on the region, gained the support of these countries. The fact that reactionism employs Islamist bigotry in Turkey and Jewish bigotry in Israel does not make any difference. The fake reactions of the AKP and similar regimes in the region complement Trump’s sinister attempt. Provocation is welcomed with more provocation, and battle cries rang all around. Reactionism supposes that it can sustain its power by provoking peoples against each other. In this very day, Communist Party of Turkey feels the necessity to underline the fact that reactionism is neither on the side of the Palestinian people, nor on the side of peace. It is not impossible to make Jerusalem a center where peoples of diverse cultures, faiths and languages can and do live in peace side by side. Yet, it is time to remind ourselves that this objective can be attained only under socialism. The last assault of imperialism and Zionism shall not be an excuse to put other demands in front of the fight for peace and socialism. On the contrary, the fact that the threat of war could not be staved off so far proves that putting off the fight for socialism is a profound fallacy. Communist Party of Turkey proclaims that the provocative decision about Jerusalem cannot gain validity in the face of the peoples’ will, and demands this dismal attempt to be revoked at once. On this occasion, we once again demand to put an end to the occupation, to have an independent and sovereign state of Palestine to be established within 1967 borders with East Jerusalem as its capital, to have the Palestinian state accepted as a full member to the United Nations, to have Israeli military stop its invasion on Syrian and Lebanese territories, to have the blockade of Gaza lifted unconditionally and immediately, to have illegal Jewish settlements on Palestinian territories abolished at once, to have the Jewish settlers leave Palestine, to have the wall of shame surrounding Palestine torn down, to have Palestinian refugees who have been forced to leave their homes to be able to return their lands, and to have all political prisoners in Israeli prisons to be released. We repeat our solidarity with the toiling masses of Palestine, the forces of peace in Israel, and all oppressed, patriotic peoples of our region, and we hail the working classes of Israel and Palestine and the revolutionary, communist and peace loving forces of resistance who represent them.	cc/2021-04/en_head_0013.json.gz/line214
__label__wiki	0.820207	0.820207	Chapter 10: Be a visionary: Keep your vision in front of yo The train halted at one more place for longer than usual. The night was slowly turning around. Beyond the horizon, the sky was getting pale. Some movements could be seen outside the railway station, though the town itself appeared to be still sleeping. The sound of some roosters crowing from some corners of the railway station was trying to wake up people. The old man said, “It seems it is time for the dawn. Brother, can you find out whether anyone is selling tea outside?” Paramanand gestured to Sakthi, and they both got out of the train. Luckily, someone was selling tea, carrying his can, tied tightly to the carrier of his bicycle. They bought tea. The vendor volunteered with the additional information that it might take a while for the train to leave, as there was some problem with railway track ahead, and men were attending to it, for more than an hour. “The previous train that crossed the track had just managed, without getting derailed, thank God,” he added further. “A few more hours of waiting wouldn’t hurt us. We are used to it,” said the old man. “Why don’t you continue your storytelling? It is beginning to motivate me too, to do something.” Paramanand smiled and looked at Sakthi. “Yes, uncle! Go ahead and tell me your next story. Also, tell me, how to achieve our goals." “I would like to tell you particularly about visualization as a very important tool to achieve your goals,” said Paramanand and continued, “Research had adequately proved that we tend to gravitate towards that we consistently see. We must keep something in our front. It may be symbolic, doesn’t matter. It reminds us about what we believe in. The message gets into our subconscious mind. If you wish to own a car, keep a picture of the nice car you like, in front of you in your bedroom, for you to see every morning when you wake up. You want to be a cricketer, keep a picture of a cricketer whom you adore, hitting a ball magnificently, or taking a wicket, or a difficult catch. And see it every day, and imagine that you own that car you like, or you are that sports person you want to be. It is not just enough, we set goals, make a determination, and put in efforts; we must actually believe in our goals happening to us. Imagine every day that you are fulfilling your wishes. Sooner or later, your dreams will become true. The problem is: most of us limit ourselves by our poor imagination. Dr. A. P. J. Abdul Kalam, the former President of India is a strong advocate of visualization. He had exhorted the youth of the country to dream their future. I have read several stories of people who achieved great things because they believed in their goals and visualized them happening in their life. To tell you only a few examples: After seeing an article about Waldorf Astoria Hotel in New York City, Conrad Hilton, as a young man during 1930s, dreamt of owning a big hotel. His dream came true after eighteen years when he acquired the very famous hotel he had seen in pictures. Joel Osteen, the senior pastor of America’s largest Church in Houston, Texas and one of the most influential Christian leaders in the world, stepped into his father’s shoes as the pastor, upon his father’s death. His wish was to write a book. He kept two of his father’s books on his bookshelf in front of him and he ensured that he saw his father’s books thousands of times in his house. Eventually, in 2004, he wrote his first book “Your Best Life Now,” which became a popular #1 bestseller. But the story of Jim Carrey, the famous comedian, Hollywood star who wrote a cheque for himself for ten million dollars for his acting services and kept it in his wallet is one of the most interesting stories. “Today, Jim Carrey is a very successful and highly paid actor, comedian, screenwriter, impressionist and film producer, but his success didn’t come on a platter; it was hard-won. Jim Carrey was born in Newmarket, Ontario, Canada. His parents had a modest background; father a musician and accountant and mother a homemaker. He had three elder siblings. The family was shattered when his father lost his job. During the next eight months, they were forced to live out of a beat-up Volkswagen van, parked in a camping ground. When he was in the high school, he struggled, shunting between a strenuously long night shift, working in a factory and a grueling schooling during the day time. At school, he was a very quiet boy and didn’t have many friends; rather, he was shy of making friends for fear of exposing his poverty. He also suffered from undiagnosed dyslexia. He had to quit school at his age 15 to work as a janitor, to support the family financially. Around the same time, his mother too was suffering due to a severe chronic illness. He used to carry a baseball bat on his janitor cart so that he could severely beat something or other, to vent his feelings whenever he was angry. Soon, he discovered his prowess for humor and started using it to make friends, by making people laugh. He started acting funnily in the school, and the teachers labeled him disruptive. At home, he thoroughly enjoyed, making faces and mimicking before the mirror. His worried mother used to send him away to his room whenever he put up faces, and that gave him more time to practice himself before the mirror. Somehow he learnt to develop a phenomenal memory that he felt compensated his reading difficulties. He had a teacher, Lucy Dervaitis, who relished the challenge of teaching the hard-to-reach students from the poorest families. She was the first ever to sense his potential and never got offended by his funny faces, impersonating the teachers. Rather than disciplining him for his disruptions, she gave him an opportunity to perform for the class at the end of the school day. Carrey could impersonate popular figures like actor John Wayne or Elvis, would jump around, and contort his face. The students loved his acting and were demanding a repeat of his performances. “His greatest bursts of creativity were born out of desperation; so was his willingness to take risks.” Encouraged by the new discovery of his own acting abilities, at his age ten, he had sent his resume to actress-comedienne Carol Burnette, hoping he would get a chance in shows. His first public performance was in Toronto’s Yuk-Yuk Comedy Club. However, his initial impersonation acts bombed. After several failures, his popularity picked up slowly as a stand-up comedian and he soon turned his attention to film and television industry. When he was first auditioned for the 1980-81 season of NBC’s ‘Saturday Night Live’, he was rejected. In 1983, Carrey relocated to Los Angeles. In 1984, he was cast as the lead in the NBC sitcom’s “The Duck Factory.” However, the show was cancelled during its first season. Yet, the show helped Carry land in roles in several films. When he returned to stand-up comedy, he retired his old act of imitating other people. Carrey was managing with small roles in films and television shows. Eventually, he got a spot on the sketch comedy* show in “Living Color” in 1984. Yet, he didn’t find much success – over the next ten years - till 1994 when he played the titular role in the slapstick comedy “Ace Ventura: Pet Detective.” In this movie, he agreed to take up the lead role only on the condition that he be allowed to rewrite the script to suit his over-the-top visions.*** Thereafter, his expressive face, expert mimicry skills and physical brand of comedy gave him several hit movies. He went on to become a huge box office success in comedies. The first successful dramatic turn came from the film “The Truman Show” (1998) for which he won a Golden Globe Award for the Best Actor. Subsequently, he had won his second Golden Globe Award too, for his acting. Though many of his films weren’t greatly appreciated by the film critics, nevertheless they became international hits and made him a box-office star, netting more than $200 m in the box office. Carrey billed $20 million and more for his subsequent movies. In 2013, He also wrote and self-published a children's book “How Roland Rolls” about a scared wave named Roland – a kind of metaphorical children’s story, dealing with a lot of heavy stuff, in a really childish way. In May 2014, Carrey delivered the commencement address in Maharishi University of Management at Fairfield, Iowa and received an honorary doctorate for his achievement as a comedian, artist, author, and philanthropist. Carrey has had ADHD, an attention deficit disorder and had battled depression. Eventually, he took off all medicines or any kind of stimulant. He has been married twice, besides a few short-lived relationships. He has been a follower of the law of attraction. In an interview during 1997, he revealed that when he was struggling as an actor, he had used visualization techniques to get assignments. He had visualized receiving a pay cheque for $10 million for his acting services, actually wrote a cheque and placed it in his pocket, constantly viewing it and seven years later, he, in fact, received a cheque for $10 million for his role in the movie “Dumb and Dumber”. He practices transcendental meditation regularly.” * Stand-up comedy is a comic style in which a comedian performs in front of a live audience, usually speaking directly to them. The performer is commonly known as a comic, stand-up comic, stand-up comedian, or simply a stand-up. Sketch comedy comprises a series of short comedy scenes or vignettes, called "sketches", commonly between one and ten minutes long. Such sketches are performed by a group of comic actors or comedians, either on stage or through an audio and/or visual media such as radio and television. * ‘Over-the-top’ usually refers to: informal, so unconventional, exaggerated, or excessive as to be considered outrageous, unbelievable, ridiculous, etc.	cc/2021-04/en_head_0013.json.gz/line215
__label__wiki	0.690722	0.690722	Tolkien Index:FAQ From Tolkien Index Revision as of 10:40, 15 July 2013 by Morgan (talk \| contribs) Q: Is Tolkien Index a conventional wiki? A: No. Although Tolkien Index utilizes the MediaWiki software, the project is not open for anyone to edit. For questions and comments, please contact us. Q: Why aren't Quenya and Sindarin words included in the index? A: Tolkien Index only provides a page reference index for names, and there are other projects which list and provide glosses for the Elvish words included in, for example, issues of Parma Eldalamaberon and Vinyar Tengwar. Q: Is this intended as a complete index of all articles published in Vinyar Tengwar and Parma Eldalamberon? A: No. Only the texts by J.R.R. Tolkien (and, in general, the editors' notes and comments about these texts) published in these journals are indexed. For detailed information, see the index logs. Q: Why do you have some random index entries for names in volumes of The History of Middle-earth? A: In some cases, where a name is very rare or obsolete, references to The History of Middle-earth are also given. Note, however, that Tolkien Index does not intend to provide a complete index for The History of Middle-earth series (which instead can be found in a separate volume from HarperCollins: The History of Middle-earth Index). Q: Why don't you have any descriptions of the names appearing in Tolkien Index? I have no idea what some concepts are supposed to mean! A: It is assumed that users of Tolkien Index will, in most cases, be searching for a specific name, trying to find more information about the concept. We do have a basic and uncomplicated categorisation system (which does provide hints about the nature of the concept), where the entries are placed in either "Persons, Beasts and Monsters", "Places", "Things" (categories appearing in The Lord of the Rings Index), or "Real-world" (for concepts outside the Legendarium of Middle-earth). In most cases a link is provided to the Tolkien Gateway's entry if extant; you will find a quick link in the left navigation bar. Q: There is a name in one of the publications (said to be indexed here) which I cannot find in your database. Why is that? A: There are two possibilities: (1) it may be that the publication is currently being indexed, and that the name has therefore not yet been added (see Projects); (2) it may also be that an index entry has been overlooked — if this is the case please let us know. Q: I have found an error on Tolkien Index. How do I report it? A: Please contact us using our contact form and it will be fixed as soon as possible. Help:Contents Tolkien Index:About Retrieved from "http://www.tolkienindex.net/w/index.php?title=Tolkien_Index:FAQ&oldid=13184" About Tolkien Index	cc/2021-04/en_head_0013.json.gz/line216
__label__wiki	0.507844	0.507844	Afronline Vita Editore Vita Investor KGroup Vita Giving Vita Store Vita Lavoro WHERE THE CIVIL SOCIETY BELONGS 16 September Sep 2020 1800 16 September 2020 Unbreakable: Women in Glass With the exhibition “Unbreakable: Women in Glass”, curators Nadja Romain and Koen Vanmechelen balance the glass work of 64 contemporary women artists with the masculinity of a legendary Venetian glass furnace. This landmark exhibition of Fondazione Berengo explores the creative idiosyncrasies of glass work produced by female artists who continue to be sidelined in the art world. Featuring visionary artists from Europe, the United States, Latin America, and Asia the show brings together an ambitious line-up of women who have worked with Berengo studio in its furnaces on Murano during its thirty years of history. The exhibition is open until 7th January 2021 19 July Jul 2020 1731 19 July 2020 Coronavirus response: EESC calls for swift approval of EU recovery plan The European Economic and Social Committee (EESC) backs a number of Commission proposals to speed up European recovery, underlining that the involvement of civil society organisations is essential 6 July Jul 2020 0801 06 July 2020 EESC launches "Civil society against COVID-19" web pages The European Economic and Social Committee (EESC) demonstrates its members' commitment on the ground to tackling the coronavirus crisis by officially opening a special section on its website 16 June Jun 2020 1138 16 June 2020 "We must be united for the future of Europe, and now is the time for action", say EESC president Luca Jahier and European Commissioner Elisa Ferreira At its June plenary, the European Economic and Social Committee (EESC) hosted a debate on the recovery of the European economy following the crisis brought about by the coronavirus pandemic, stressing that the focus must now be on implementing the European Commission's plan 20 May May 2020 1631 20 May 2020 Civil society organisations call to have a hand in designing Europe's recovery plan Civil society organisations have been at the forefront of fighting the pandemic in Europe, often stepping in at a moment's notice to plug huge gaps in the public provision of social services and healthcare. Meeting remotely with the EESC on 12 May, they asked to be at the table with EU institutions and governments to help design a recovery plan for a sustainable Europe 50% of world's refugees are children 7 September Sep 2016 1126 07 September 2016 A new Unicef report published on Wednesday found that nearly 50 million children have been uprooted worldwide and 28 million have been forcibly displaced by conflict and violence within and across borders. They are the most likely to be exposed to violence, sexual abuse and human trafficking Across the globe, nearly 50 million children have been uprooted – 28 million of them driven from their homes by conflicts not of their making, and millions more migrating in the hope of finding a better, safer life. Often traumatized by the conflicts and violence they are fleeing, they face further dangers along the way, including the risk of drowning on sea crossings, malnourishment and dehydration, trafficking, kidnapping, rape and even murder. In countries they travel through and at their destinations, they often face xenophobia and discrimination. A new report released today by UNICEF, Uprooted: The growing crisis for refugee and migrant children, presents new data that paint a sobering picture of the lives and situations of millions of children and families affected by violent conflict and other crises that make it seem safer to risk everything on a perilous journey than remain at home. Children represent a disproportionate and growing proportion of those who have sought refuge outside their countries of birth: they make up about a third of the global population but about half of all refugees. In 2015 around 45 per cent of all child refugees under UNHCR’s protection came from Syria and Afghanistan. 28 million children have been driven from their homes by violence and conflict within and across borders, including 10 million child refugees; 1 million asylum-seekers whose refugee status has not yet been determined; and an estimated 17 million children displaced within their own countries – children in dire need of humanitarian assistance and access to critical services. More and more children are crossing borders on their own. In 2015, over 100,000 unaccompanied minors applied for asylum in 78 countries – triple the number in 2014. Unaccompanied children are among those at the highest risk of exploitation and abuse, including by smugglers and traffickers. About 20 million other international child migrants have left their homes for a variety of reasons including extreme poverty or gang violence. Many are at particular risk of abuse and detention because they have no documentation, have uncertain legal status, and there is no systematic tracking and monitoring of their well-being – children falling through the cracks. According to Uprooted, Turkey hosts the largest total number of recent refugees, and very likely the largest number of child refugees in the world. Relative to its population, Lebanon hosts the largest number of refugees by an overwhelming margin: Roughly 1 in 5 people in Lebanon is a refugee. By comparison, there is roughly 1 refugee for every 530 people in the United Kingdom; and 1 for every 1,200 in the United States. When considering refugee-host countries by income level, however, the Democratic Republic of the Congo, Ethiopia, and Pakistan host the highest concentration of refugees. “Indelible images of individual children – Aylan Kurdi’s small body washed up on a beach after drowning at sea or Omran Daqneesh’s stunned and bloody face as he sat in an ambulance after his home was destroyed – have shocked the world,” said UNICEF Executive Director Anthony Lake. “But each picture, each girl or boy, represents many millions of children in danger – and this demands that our compassion for the individual children we see be matched with action for all children.” The report argues that where there are safe and legal routes, migration can offer opportunities for both the children who migrate and the communities they join. An analysis of the impact of migration in high-income countries found that migrants contributed more in taxes and social payments than they received; filled both high- and low-skilled gaps in the labour market; and contributed to economic growth and innovation in hosting countries. But, crucially, children who have left or are forcibly displaced from their homes often lose out on the potential benefits of migration, such as education – a major driving factor for many children and families who choose to migrate. A refugee child is five times more likely to be out of school than a non-refugee child. When they are able to attend school at all, it is the place migrant and refugee children are most likely to encounter discrimination – including unfair treatment and bullying. Outside the classroom, legal barriers prevent refugee and migrant children from receiving services on an equal basis with children who are native to a country. In the worst cases, xenophobia can escalate to direct attacks. In Germany alone, authorities tracked 850 attacks against refugee shelters in 2015. “What price will we all pay if we fail to provide these young people with opportunities for education and a more normal childhood? How will they be able to contribute positively to their societies? If they can’t, not only will their futures be blighted, but their societies will be diminished as well,” Lake said. Photo: Foto: AFP / LOUISA GOULIAMAKI/Getty Images Resourses access 30 August Aug 2016 1219 30 August 2016 Women and girls spend 200 million hours a day collecting water Unicef estimates that in sub-Saharan Africa, for 29 per cent of the population (37 per cent in rural areas and 14 per cent in urban areas), improved drinking water sources are 30 minutes or more away. 3 August Aug 2016 1041 03 August 2016 Refugees inflow surges to 1.3 million in 2015 A record 1.3 million migrants applied for asylum in the 28 member states of the European Union, Norway and Switzerland in 2015 – nearly double the previous high water mark of roughly 700,000 that was set in 1992 after the fall of the Iron Curtain and the collapse of the Soviet Union. Awarness Campaign Migrants, what if they knew the risks before they left ? Monica Straniero Migrants have voiced the horrors of their trip across the Mediterranean in a new media campaign. The goal? Discouraging potential migrants from attempting the perilous journey across the Mediterranean Sea. © 1994-2021 Vita Società Editoriale S.p.A.	cc/2021-04/en_head_0013.json.gz/line222
__label__wiki	0.634607	0.634607	Penwood High welcomes newly furbished ICT centre “It’s a great lab and far better than the first. I believe this is a significant gain to our school and will definitely aid in sharpening our computer literacy skills,” stated fourth form student Tyrese Lindsay. THE STUDENTS of Penwood High School are now boasting the acquisition of a newly constructed state-of-the-art information and communication technology centre. The school held its official opening ceremony of the centre in the auditorium under the theme ‘Creating Vision, Enacting Change, Moving Forward,’ on Friday, October 4. “Alumni, students, and parents, welcome to the official opening of our new computer lab. Students, a great deal of effort and care has been put into the design and construction of your new computer lab. Penwood has endeavored to use only the latest and most... read more St George’s College marks 170th anniversary Members of the St George’s College (StGC) Manning Cup team. On Sunday, September 1, 2019, St George’s College launched the celebration of its 170th year with a Mass of the Holy Spirit, held at The Cathedral of the Most Holy Trinity. Mass was celebrated by the Most Rev Kenneth D. Richards, DD, archbishop of Kingston. He was assisted by visiting Bishop of the Keta-Akatsi Diocese in Ghana, the Most Rev Gabriel Doe Kumodji; the Very Rev Christopher Llanos, SJ, regional superior of the Society of Jesus in Barbados, Guyana and Jamaica; Rev Fr Rohan Tulloch, SJ, acting Jesuit superior and chairman of the board of St George’s College; and other priests and... read more Youthlink CSEC Seminar makes math, English fun THE GLEANER’S Youthlink hosted the 19th staging of its annual CSEC seminars on April 3, 2019. The event was established to highlight challenging topics students may face in the upcoming examination period and prepare students to tackle these topics as best as possible. Habitually, the five-segment seminar would commence in Savanna-la-Mar then on to Montego Bay. This year’s seminar saw over 400 students participating. Students also got the opportunity to compete in fun math and English competitions to win prizes, courtesy of Youthlink, and also showcase their talents as DJs. Andrea Hill,... read more Youthlink CSEC seminar takes over Ocho Rios THE GLEANER’S Youthlink continued the 19th staging of its annual CSEC seminar on April 5. As with all the other seminars, the main goal was to highlight these challenging topics students may face in the upcoming examination period and preparing them to tackle these topics as best as possible. Routinely, the five-segment seminar commenced in Savanna-la-Mar then moved to Montego Bay for the western sections. Ocho Rios initiated the seminar for the central areas of the island. Students got the opportunity to compete, as always, in exciting maths and English competitions to win prizes,... read more St Jago High School is champion of SCQ 50 ON Tuesday, April 2, the institution on Monk Street, Spanish Town, lifted the Schools’ Challenge Quiz Cup for the fifth time in the 50 years that the compe-tition has been in existence. The match started with the Opening Challenge, during which teams answered questions alternately. Kingston College had won the toss but allowed St Jago to go first. St Jago took the lead at the start of the section, but was one point behind Kingston College by the time the four-minute round was complete. Kingston College ended the round on eight points. The second part of the... read more Rita Marley Foundation competition winners visit UWI, UTech Five top performers in the Rita Marley Foundation (JA) Annual Essay and Public Speaking competitions were special guests of the president of University of Technology, Professor Stephen Vasciannie, and the principal of The University of the West Indies (UWI), Professor Dale Webber. Students engaged in discourse on various educational and social issues at a round-table meeting with Professor Vasiciannie. When Westwood High School’s Wendy-Ann Ivey (second-place winner – Public Speaking Competition 2019) posed a poignant question about what advice he has given to students which they did... read more Vere Technical High School wins 2019 Katalyxt Youth Innovators’ Competition KATALYXT IS a division of Mint Management and Finance Services Limited with the responsibility of aiding the growth and development of small and medium-size enterprises in Jamaica. The long-term goal is to develop the Jamaican business community by identifying and training existing and prospective entrepreneurs in order to increase their chances of success. This year marked the eighth staging of the annual Katalyxt Youth Innovators’ Competition. Young innovators from third to sixth form are targeted for participation and the objectives of this competition include: 1.... read more JC robotics team first to access new Digicel roaming plans A group of 11 students from Jamaica College (JC) who were ranked best at building their own robot, travelled to the United States of America (USA) to compete against their peers from across the world. JC won the local leg of the inaugural FIRST Tech Challenge National Robotics Championships in March, emerging ahead of other top high schools. They qualified for the space-themed FIRST Tech Challenge World Championships, dubbed ‘Rover Ruckus’, which was held in Houston, Texas, from April 17-20. The JC boys were part of a larger group vying for the prestigious Inspire Award, which... read more Youthlink CSEC Seminar ends with bang at Mico With the big examinations not too far away, Youthlink has been working fastidiously with teachers and students in exam preparation via the Youthlink CSEC Seminar. Youthlink closed the series of workshops, previously held in Westmoreland, St Ann, Manchester and St James, with a successful seminar at The Mico University College in Kingston on April 10. Students and teachers came in large numbers from Pembroke Hall High School, the Cedar Grove Academy, and Ascot and Ardenne high schools to participate in the day’s learning. The Gleaner Company’s Sherilla Gordon hosted the days’ events,... read more ON Tuesday, April 2, the institution on Monk Street, Spanish Town, lifted the Schools’ Challenge Quiz Cup for the fifth time in the 50 years that the competition has been in existence. The match started with the Opening Challenge, during which teams answered questions alternately. The second part of the match was... read more	cc/2021-04/en_head_0013.json.gz/line228
__label__wiki	0.623078	0.623078	Well I was thinking a little bit over the last couple of days, and there are a pair of items that I think would make this years Stanley Cup playoffs truely memorable. Either would be wonderful. If both occured I could commit suicide and be eternally happy. In the first game of the Stanley Cup final, for Buffalo Sabres ace goalie Ryan Miller to be injured, possibly as a result of something Spacek does. The end result: Buffalo has to play the rest of the series with their backup goaltender between the pipes. His name? Ty Conklin The Game 7 overtime Stanley Cup winning goal should be scored by... Rory Fitzpatrick. The man that fans tried to vote in as an All-Star, whom the NHL not-so-secretly cheated out of the role at the last possible minute, would become the playoff hero of 2007 and cement his place in the record books and also give an ironic comeuppance to the NHL suits who decided to let fans vote for the all-star in a marketing gimmick and then reject the fans' choice when it didn't match up with the names that they wanted the fans to chose. (Besides, it might help him next year when the voting comes up).	cc/2021-04/en_head_0013.json.gz/line234
__label__wiki	0.700263	0.700263	No public access to US Capitol on Inauguration day, as FBI warns of armed protests in all 50 states The grounds at the US Capitol will be closed to the public for Joe Biden's inauguration on Jan. 20. Acting U.S. Capitol Police Chief Yogananda Pittman said the decision is just one part of "comprehensive, coordinated plans" in place to ensure the safety and security of both Congress and Biden's inauguration. The announcement comes after thousands of supporters of President Donald Trump stormed the Capitol last week as legislators were meeting to vote to certify Biden's electoral win. Biden's team and District of Columbia Mayor Muriel Bowser have been asking people not to attend the inauguration in person because of the coronavirus pandemic. Washington D.C. is not the only area bracing for potentially violent protests. An internal FBI bulletin obtained by ABC News stated that armed protests are being planned at all 50 state capitals in addition to the US Capitol. "As of 10 January, armed protests are being planned at all 50 state capitols from 16 January through at least 20 January, and at the US Capitol from 17 January through 20 January," the bulletin said. In addition, the FBI has received information in recent days on an identified group calling for "storming" state, local, and federal government courthouses and administrative buildings in the event Donald Trump is removed as president prior to Inauguration Day. Chaos at the Capitol: Minute-by-minute video shows how riots, violence unfolded "The FBI received information about an identified armed group intending to travel to Washington, DC, on 16 January," it read. "They have warned that if Congress attempts to remove POTUS via the 25th Amendment a huge uprising will occur." The group is also planning to "storm" government offices in every state on Inauguration Day January 20, regardless of whether the states certified electoral votes for Biden or Trump. RELATED \| House Democrats prep Trump impeachment bill The bulletin included a map that showed the extent of law enforcement activity related to potential threats surrounding election certification and the inauguration. Pierre Thomas has more on a warning from the FBI about possible armed protests planned in all 50 states over the next 10 days. Ed Farrell, the former Deputy US Marshal in Chicago, said regular law enforcement will need National Guard backup at some locations. "There's obviously a big effort to stop and deter these actors before they become operational, which is going to be big," Farrell said. "They're going to be gathering intelligence on these individuals, they will be surveilling these individuals. And if they're able to get probable cause to arrest them, I would imagine you're going to see some arrests of bad actors. Additionally, I think you're going to see an elevated security presence at all government facilities, they're going to limit access to the buildings, they're going to put up barricades, they're going to close doors. Things to prevent people from coming in during this elevated risk time." Army Gen. Daniel Hokanson, chief of the National Guard Bureau, told reporters Monday that the Guard is also looking at any issues across the country, "We're keeping a look across the entire country to make sure that we're monitoring, and that our Guards in every state are in close coordination with their local law enforcement agencies to provide any support requested." As of Sunday, approximately 29 individuals and/or social media accounts of individuals who unlawfully entered the US Capitol had been identified. The FBI has received nearly 45,000 digital media tips that are now being reviewed. On top of information being distributed by the FBI, the Department of Homeland Security's intelligence office, a day after the siege at the Capitol, released situation report headlined "Threats Surrounding the 2021 Electoral College Certification." It opened this way: The Office of Intelligence and Analysis "assesses individuals harboring violent extremist ideologies and other violent actors likely will continue to threaten or target elected officials, other public figures, and members of the general public who these actors perceive as opposing their worldview, which is consistent with past attack plotting and historical drivers for violent activity. (The Current and Emerging Threats Center) remains in communication with the Intelligence Community to ensure any threats concerning government operations are identified." As a result, state capitols across the nation stepped up security, deploying National Guard units, SWAT teams and extra police officers as several legislatures convened amid heightened safety concerns. The FBI bulletin also stated unequivocally that Officer Brian Sicknick "died from injuries sustained during the US Capitol breach." The Associated Press and ABC News contributed to this report. riotprotestus capitolstate capitalfbipresident donald trump Sunday night's Philadelphia 76ers-Oklahoma City Thunder game postponed	cc/2021-04/en_head_0013.json.gz/line236
__label__wiki	0.864521	0.864521	‘PM’s lawyer is seeking immunity in SC’ ISLAMABAD (92 News) – Awami Muslim League (AML) chief Sheikh Rasheed said Tuesday that the day Prime Minister Nawaz Sharif spoke truth would be his last day. Talking to media outside the Supreme Court, he said that this is the government of thieves who ask for their search in the parliament but then say in apex court they have immunity. On the occasion, Pakistan Tehreek-e-Insaf (PTI) leader Shah Mahmood Qureshi said that the counsel of prime minister is hiding behind the immunity for the last three days, adding that there is contradiction between the arguments of lawyer and the prime minister house. On the other hand, Fawad Chaudhry said that Nawaz Sharif had said that all the evidence are present, while his lawyer is seeking immunity, adding that seeking immunity means the premier is a culprit. Pakistan Punjab Top Stories	cc/2021-04/en_head_0013.json.gz/line237
__label__wiki	0.942404	0.942404	Person of the Week: Jamie Oliver Sept. 30, 2005 — -- Jamie Oliver is good at a lot of things. He's only 30 years old, and he's already a celebrity chef, an author, a wildly successful businessman and, most recently, a campaigner. Oliver took on nearly 60 schools in London and promised to deliver healthy food to every kid for the same price. He sought to improve 21,000 student meals a day, and all the while, Oliver filmed the process for a television program. "England has the most unhealthy kids in Europe. America has some of the most unhealthy kids in the world with regards to obesity, Type-2 diabetes, and I just think it's a real shame," Oliver said. "What's I've seen and witnessed so far is shocking, scary." Nearly 5 billion school lunches were served in the United States last year. Most of them, Oliver says, are pre-packaged, processed and full of preservatives. "If you look at an ingredient -- a product like a sausage or a burger -- and you look at the ingredients, you should have four or five, but it's got 49 and you're like, 'Wow!' I realized that there were more standards in place for dog food than there were for our own kids, and that just sums it all up," he said. It was not a quick sell, but kids eventually ate and liked the food. The TV program raised public awareness and forced the British government to take action. Britain committed more than $500 million to improve school lunch. Oliver now has his sights set on America's lunchrooms, since 20 percent of school-age children in America are obese. "It's wrong, it's immoral," Oliver said. "Who on earth is policing it? Who in the government has hope for your kids? No one." Born Into the Business Oliver was born into the business. His father owned a pub and restaurant. Oliver was working weekends at the pub when he was 8. He continued with formal chef training, and by the time he was 24, he had his own cooking show. He is also known as the "Naked Chef." "It was about kind of going against the grain of all the original, old cooking shows," Oliver said. "Stripping down the food, stripping down the pretension, no cheffy talk." Oliver says he's a pretty content guy. He savors any free time he can get with his wife, Jooles, and two daughters. "Quite frankly," he said, "I am a father of two beautiful young girls. I'm passionate about kids and children. What's more beautiful than the next generation of people that are going to be the cooks or the writers? We have to make sure that the sky is the limit for our kids." ABC News' Bob Woodruff filed this report for "World News Tonight."	cc/2021-04/en_head_0013.json.gz/line240
__label__wiki	0.810091	0.810091	A 230-Year-Old Riddle Was Revealed By Low Tide, And Experts Have Finally Solved The Mystery By Sarah Jones In the beautiful Brittany region of France, there’s a small town called Plougastel-Daoulas. You’ve almost certainly never heard of it, and we wouldn’t blame you. It’s a tiny, not particularly celebrated part of the country – hardly Paris or Nice. But in 2019 a remarkable mystery finally put Plougastel-Daoulas on the map. Suddenly every puzzle expert worth their salt knew where it was – and, crucially, of the strange riddle that lies in a cove there. Plougastel-Daoulas is a pretty nice place to spend a summer’s day. It’s on the coast, so visitors get to enjoy not one but several stunning beaches nearby. Tourists can relax on the sand, if they like, or partake in water sports if they’re feeling active. But until a few years ago, those vacationers would probably have been completely unaware of the bizarre and baffling rock that had captivated the town for years. If those folks had known about that special slab of stone, the spot where it stood may have become a site of historical interest – just like many others in Plougastel-Daoulas. But in some respects, the whole town is a dream for history lovers already. You can stop by the ancient abbey of Daoulas, which dates back to the Dark Ages, and marvel at how well it’s been preserved. Age-old churches, graveyards and fountains also dot the area. It’s even been said that some of the water here can cure sick children. And whether you believe this legend or not, it should give you an idea of the kind of reverence people once had for the town. Plougastel-Daoulas is also noted for its strawberries, as, long ago, farmers discovered that the slopes in the region were absolutely perfect for growing large quantities of the fruit. So, if you do decide to vacation there, don’t be surprised to see plenty of strawberry-based food and drink on the menus of the cozy neighborhood restaurants. You should know, too, that so far the town has endured through the French Revolution and two World Wars – all conflicts that obviously saw great loss of life. But something else has survived all that historical turmoil. If you go to a particular cove in the area at low tide, you’ll find a boulder that baffled experts for years. In fact, its secret has only recently been uncovered. The mysterious rock in question was discovered at some point during the 1970s, according to French media. At the time, it didn’t pick up much international interest, although the folks who actually lived in the town were understandably intrigued. Then, decades on, French-language news website Ouest-France decided to delve further. Ouest-France reported of the curious phenomenon, “Some time ago, walkers discovered a block of granite at the bottom of a cliff on the peninsula. So far, nothing abnormal. The erosion had done its job, the cliff had receded and the stone had fallen. Except that on this block of stone weighing several hundred kilograms, there were some very strange inscriptions.” Apparently, the folk who first discovered the rock had worked for the mayor’s office in Plougastel-Daoulas. They had come across the stone by sheer accident, it’s said, and not long afterward got to work highlighting the odd lettering on its surface. First, the group removed the lichen that had built up over the rock for years, then they used chalk to make the inscriptions clear enough to see. But even after this process had been completed, no one could work out what was written on the boulder. Making the whole thing even harder to decipher, the inscription contained both letters and symbols. It read, “ROC AR B … DRE AR GRIO SE EVELOH AR VIRIONES BAOAVEL” and “OBBIIE: BRISBVILAR … FROIK … AL.” There was also a drawing of a ship and a sacred heart with a cross as well as two dates – 1786 and 1787. The dates were perhaps the place to start, as a lot had been happening in the area between 1786 and 1787. At that time, several naval defenses were erected along the coast of the Bay of Brest, as Britain and France had not long since been at war. And pne of the most notable of these was the Fort du Corbeau. Did this somehow explain the symbol of a ship on the rock? Perhaps, but what about the rest? Well, at the time of the 2017 Ouest-France article, little else was known about the message. In fact, the website reported, “The town hall’s heritage department is looking in vain for a new Champollion to find the key to this mystery.” Jean-François Champollion was, in case you weren’t familiar, a famous French linguist who helped decipher the Rosetta Stone. In 2019 this quest prompted Plougastel-Daoulas officials to finally announce a competition, open to linguists and puzzle experts from all over the world. And, rather appropriately, the contest was given the name “The Champollion Mystery at Plougastel-Daoulas” after the aforementioned message-cracker. To take part, all aspiring Champollions had to do was register with the Plougastel-Daoulas mayor’s office. Then they’d be sent photographs of the rock and its mysterious inscription. And, yes, there was a reward for whoever cracked it, although it wasn’t a large sum. In total, the winner of the contest stood to receive €2,000, which roughly comes to $2,240. Still, at least they’d have the honor of having gotten to the bottom of the mystery. And there were perhaps a few clues to be had as the contest was announced. The town’s mayor Dominique Cap spoke to AFP about the writing on the rock, saying, “There are people who tell us that [the language is] Basque and others who say it’s Old Breton… But we still have not managed to decipher the text.” As for the competition itself, Cap told the BBC at the time, “We’ve asked historians and archaeologists from around here, but no-one has been able to work out the story behind the rock. So we thought, maybe, out there in the world, there are people who’ve got the kind of expert knowledge that we need. Rather than stay in ignorance, we said, ‘Let’s launch a competition.’” And yet some people were quite convinced that the rock was a hoax or a publicity stunt. One individual even claimed to the French media that the whole thing was a charade only carried out for the purpose of increasing tourism to the area. So, users of codebreaking forums pored over interviews from Plougastel-Daoulas officials, trying to work out if they were being sincere. Folks on the Reddit forum UnresolvedMysteries also had a go at cracking the case. One user suggested, “I found a rock very similar to this on the other side of the Channel in Dartmoor, England, a few years ago. I asked Reddit what it was, and we eventually worked out that it was carved about 230 years ago by the Rev. William Bray, who was very much into druids.” The Redditor went on, “Bray made it his life’s passion to [travel] to Druidic sites. And I note that in the tourist guide to Plougastel, it’s said, ‘Walking through the city, you can enjoy various [sites] – the best known of which is the White Fountain, a Druidic cult object…’ Maybe it was this guy?” Another person suggested, “My theory after looking at this for a while is that this might be just a list of names. Some with first and last, some with surname only. All with questionably accurate spelling.” And, curiously, some of the letters on the stone were also found to be etched upside down – as if the writer barely knew the language. Did the competition yield any results? Well, there was certainly no lack of interest. In December 2019 two of the officials running the contest told Radio France Internationale that they’d received a whopping 1,500 pages worth of code-breaking ideas – some coming from as far afield as Australia and Thailand. The attention the story received on social media had helped spread the word, it seemed. And it appeared that Michel Paugam – the man responsible for looking after Plougastel-Daoulas’ sites of historical interest – had some ideas about who had created the rock inscription. He explained to the French radio company, “They had expertise in sculpting and the material. Writing, we’re less sure. It’s possible [that] someone else was telling the engraver what to do, but they were definitely from the profession.” Paugam went on, “[That individual] knew how to etch into stone. Maybe people working in the [Corbeau] fort had free time to come here in the evening. It takes time to engrave like that – at least several days. Perhaps they set up a campfire over there, a picnic over there, and one of them worked on the inscription.” And crucially for all those potential code-crackers, Breton language expert François-Pol Castel also talked to Radio France Internationale. Apparently, his uncle had come up with his own transcription of the rock’s message back in the 1980s but had never ascertained what language – or languages – had been used. Yet, according to Castel, there did appear to be some Breton in there, including what he claimed were the words for “nest,” “clay” and “forever.” Other parts of the message appeared to be in different tongues, though, and Castel thought there could also be Catalan, Spanish and Russian on the rock. He explained why, saying, “Plougastel is close to Brest, and Brest is a big port. As in all big ports, you can meet sailors from all over the world, speaking all kinds of languages.” Most importantly, though, Castel thought that he may have identified 20 Breton words in all. And while this wasn’t enough to reveal the secret of the stone, one phrase he’d translated was particularly intriguing. At the top of the rock, he believed, was the sentence, “Through these words, you will see the truth.” Still, neither the words nor the truth had been uncovered right then. Stéphane Michel, another town official, told Radio France Internationale, “We’re certain there’s a logic to the sentences, to the alignment of words. It’s not just someone who engraved a letter here and a letter there. They had something to say, but for now we’re not sure of the language. That’s why we’re interested in all the theories about it.” But Michel and his colleagues didn’t have to wait long to get to the bottom of the mystery, as in February 2020 it appeared to be finally solved. There were two potential solutions that were so similar to one other that this joint explanation was most likely the correct one. So, who were the lucky winners of the $2,240 prize money? Well, one of them was Noël René Toudic, an English professor with a degree in Celtic Studies. Then there was the team of Roger Faligot and Alain Robert – a writer and a comic book creator, respectively – who had joined forces to decipher the code. What did these intrepid puzzlers discover? According to Toudic, the message on the rock was all about a soldier lost at sea – explaining the symbol of the ship, perhaps. This tragic figure had been named Serge Le Bris, the professor had worked out, and another soldier called Grégoire Haloteau had created the inscription in memory of him. Faligot and Robert had a very similar theory, although their interpretation put the inscription in a different context. The message wasn’t just a tribute to a dead friend, they suggested, but one that was full of anger. Someone had sent their comrade to his death, and they had wanted their outrage to be known. Regardless of how you look at the message, though, its partial translation seemed to come as welcome news to Cap. Speaking at a press conference on February 24, 2020, the mayor announced the findings and the names of the contest winners, proclaiming, “Today, we have made a great step.” But there was still more to uncover, as parts of the text were still unknowable despite people’s best efforts to solve them. Mind you, the decoded, translated fragments are interesting enough in themselves. Toudic’s interpretation of the text reads, “Serge died when with no skill at rowing. His boat was tipped over by the wind.” The writer, he thought, would have been a man who spoke 18th-century Breton but was only semi-literate. The other translation adds a more personal element to the story, suggesting that the unfortunate Serge was claimed to be “the incarnation of courage and joie de vivre [zest for life].” It continues, however, “Somewhere on the island, he was struck, and he is dead.” And Faligot and Robert believed that the writer blamed someone else for this death. So, while the full story of Serge’s passing still isn’t known, perhaps someday it will be. After all, code-cracking has only become more sophisticated since the days of the Rosetta Stone translation. And while there are many old cryptic messages out there that remain unsolved, slowly the answers are being deciphered. Take the famous codes of Edgar Allen Poe, for example. The celebrated author was a cryptanalyst in his spare time, and in 1840 he posted two mixed-up messages allegedly sent to him by a “Mr. W. B. Tyler.” The codes appeared to be fiendishly difficult, too, as it took until 1992 to solve the first and 2000 to solve the second. Many people think, though, that this “Tyler” was in fact Poe himself playing games with his audience. Then there are the codes of World War II, which continue to fascinate. Alan Turing and his colleagues at England’s Bletchley Park worked to decipher some of these ciphers, and their success in interpreting the Nazi messages may just have tipped the war in favor of the Allies. But not all of these were understood at the time. Yes, there are some WWII-era cryptographs that still haven’t been cracked to this day. Another famous code just so happened to be cracked in 2020. In December of that year, news broke that a cipher left by the notorious Zodiac Killer had been solved. The chilling message begins, “I hope you are having lots of fun in trying to catch me” before going on to make references to capital punishment and “paradice” – a misspelling of the word “paradise”. This was a win of sorts for crime-solvers, even though the murderer himself is yet to be found. It had taken over 50 years to understand the note, after all. That’s nothing compared to the centuries that the Plougastel-Daoulas inscription had stood unsolved, but all in all, 2020 was a pretty good year for breaking codes. And speaking of the Plougastel-Daoulas stone, it still remains, where it originally fell, at the base of a cliff. In time, though, officials in the town are planning to lift it out and put it somewhere more accessible. Perhaps, then, you’ll be able to visit the rock in the future and read for yourself the fragmented tale of Serge Le Bris. Similar inscriptions like this can be found in other unexpected corners of the world, too. In 2006, for instance, mysterious carvings were discovered deep inside a cave in Alabama. And while the individuals who wrote them are long gone, experts have only just begun to unravel their remarkable secrets. Many ancient civilizations – among them the Romans and those once in Greece and Egypt – have left behind inscriptions. And these markings have often proved illuminating, too. On occasion, some etchings have helped us form better understandings of historic events such as the destruction of Pompeii; others, by contrast, have revealed fascinating details about ancient people and their ways of life. This brings us to Manitou Cave in Alabama, where in 2006 a photographer happened upon a set of strange markings. Now, after more than a decade of research, experts have finally deciphered the unique lettering. And the symbols scrawled across the walls of this damp, dark cave give us a rich insight into life 200 years ago as well as the people who left the messages there: the Cherokee. The Cherokee are one of the indigenous groups of the Southeastern United States. And in 1650 it’s believed that there were more than 22,000 Cherokee members living across 40,000 square miles of the Appalachian Mountains. Today, this patch would cover northeastern Georgia, western parts of South and North Carolina and eastern Tennessee. Meanwhile, some of the first records of the Cherokee come from Spanish expeditions dating from the mid-16th century. These explorers reported that the people they encountered used stone tools such as blades and axes; the native Americans also grew crops including maize and beans, fashioned woven baskets and crafted pottery. And before the 1700s, typical Cherokee communities are thought to have consisted of up to 60 homes. There were also meeting houses – places for gatherings and sacred fires. However, life would change dramatically for the Cherokee in the 18th century. Even though the indigenous people had aligned themselves with British colonialists in the 1750s, many of their towns would be destroyed by the invaders. Nevertheless, the Cherokee continued to support the British throughout the American Revolution of 1765 to 1783. During this time, they even fought alongside the colonialists in many battles. Then, at some point in the 1800s, the Cherokee began to adopt some aspects of European culture by dressing differently and using new construction and farming techniques. However, peace would not last for the Cherokee, as in 1828 prospectors found gold on the tribe’s land. Then, two years later, Congress passed an act that would allow for the forcible removal of indigenous people from their homes. This was the start of a horrendous mass displacement that would become known as the Trail of Tears. After being expelled from their land, then, Cherokee communities went in search of new places to live. In fact, some of them walked for thousands of miles. And, tragically, it’s believed that 4,000 people died on this quest as a result of the elements or of lack of food. Those who did survive, however, would come to settle in states such as Oklahoma, Missouri, Georgia and Alabama. Cherokee people first began to settle in northeast Alabama, for example, in the 1780s, with many having already spread across farms in the region by 1800. At this time, so-called civilization policies encouraged indigenous men to take up farming and women to carry out domestic work such as weaving. And Fort Payne, AL – then called Willstown – was one of the locations in which many Native Americans had put down roots after they had been displaced during the Trail of Tears. In fact, the U.S. government considered Willstown to be at one point the most important settlement of the Cherokee. Not far from Fort Payne, moreover, lies Manitou Cave, which seems to have been significant to the Cherokee people of Willstown. More specifically, the grotto – parts of which reach up to 50 feet in height – is nestled in a forest on Lookout Mountain. In addition, Manitou boasts the Great Spirit Mountain formation – a natural structure towering more than 40 feet. But Manitou Cave is noteworthy for more than just its beauty. You see, it now appears likely that the cave was once also an important meeting place for the local Cherokee people. And the complex inscriptions that have been discovered at Manitou may yet bear this out. In a study published in the journal Antiquity in April 2019, experts finally revealed the meanings of these markings – as well as what they tell us about Cherokee culture. Interestingly, this ancient lettering is believed to be related to ceremonial activities, meaning it may hold vital clues about the Cherokee way of life. Yet despite the apparent importance of Manitou Cave to the Cherokee, the hollow hasn’t always been available to the indigenous people. . During the American Civil War, for example, Manitou Cave became a saltpeter mine. And as saltpeter is an essential ingredient in gunpowder, Manitou was therefore used by the Confederate Army as a means of acquiring propellant for its artillery. Then, in 1888 – just over 20 years after the Civil War ended – Manitou Cave opened as a tourist site. And while the attraction stayed accessible to the public into the early 1900s, it ultimately fell into a state of disrepair. Even when the cave reopened in the 1960s, its resurgence was short-lived – meaning the mountainside cavern lay eerily abandoned a few decades later. So, until 2014, the fate of Manitou Cave seemed uncertain. In that year, however, Annette Reynolds visited the site for the first time. Having learned of the cavern through a family member, she was seemingly intrigued to hear that it was up for sale and went to check it out. And in April 2019 Reynolds told AL.com that when visiting the cave, she had been affected by its “peacefulness” and “beauty.” After realizing that there was still a lot of interest in Manitou Cave, then, Reynolds found a bunch of investors. And together, they bought the place from its then-owner in 2015. It was Reynolds’ intention to protect the cave’s biological, cultural and historical value, and she called in an army of volunteers to clean the location up and make it fit for visitors once more. As we now know, then, Manitou Cave has been open intermittently to the public over the years, with the result being that some visitors have left their marks on its walls in the form of graffiti. However, not all of the scrawling inside the grotto is random doodles or mindless vandalism. Some markings, in fact, are believed to have been left by the Cherokee people in around 1828. Photographer Alan Cressler and historian Marion O. Smith first identified the historic lettering in 2006. Since this initial discovery, though, Cherokee inscriptions have been found in several spots within Manitou Cave. And while some of these markings are still extremely difficult to decipher, others have begun to give up their secrets. At first glance, the inscriptions found in Manitou Cave may appear to show similarities to written English. But upon closer inspection, the symbols and characters reveal themselves to be from a Cherokee language – or syllabary – that was only created in the early 19th century. This means that the syllabary was just a few decades old at the time the markings are believed to have been left. We know, too, that it was Cherokee scholar Sequoyah who invented this written language. Sequoyah – who was sometimes known by the English name George Guess – volunteered for the U.S. Army. And while he was fighting against rebelling Creek Indians, he developed a fascination with the way in which his comrades spoke to one another using the alphabet. In developing his syllabary, though, Sequoyah intentionally drew elements from the anglophone alphabet. This way, you see, printing presses could be used to create Cherokee publications. But while the syllabary may have been inspired by English, it was actually often used as a way for the indigenous tribe to communicate in secret when they were under attack from invaders. Then, in 1821, Sequoyah’s work was done, meaning the Cherokee language could be read and written down for the first time. And the syllabary became official four years later, causing literacy rates among the Cherokee people to soar – even trumping those of European-American settlers. Interestingly, though, before Sequoyah’s Cherokee syllabary gained widespread recognition, some of his first students had been his children. And so researchers may have realized the importance of the inscriptions inside Manitou Cave when they saw that two of the markings possessed signatures made by Richard Guess – one of Sequoyah’s sons. However, it’s taken years of research to discover the true significance of the inscriptions inside Manitou Cave. And in April 2019 a team of Native American experts finally shared their findings in anthropology publication Antiquity. That month, Beau Duke Carroll, a co-writer of the article, told The Washington Post, “People had probably been looking at and passing by [the markings] for years, but they just didn’t know what they were looking at.” So, what exactly did the scholars find? Well, fascinatingly, the researchers determined that the inscriptions “reveal evidence for secluded ceremonial activities at a time of crisis for the Cherokee.” You see, at the very moment that indigenous people made these markings, their important cultural and religious customs were under threat. At the time, missionaries and federal officials wanted the Cherokee people to abandon their traditional ceremonies and rituals and assimilate. But the inscriptions within the Manitou Cave reveal that some of the tribesmen weren’t giving up on their way of life easily. In fact, it seems that they were honoring their Cherokee traditions in the same manner as they always had. Commenting on the Cherokee messages inside Manitou Cave, University of Tennessee anthropologist Jan Simek told The Washington Post, “For archaeologists, that’s a remarkable outcome because you’re usually interpreting symbols or words. But here they are telling us, ‘We were practicing in our old ways – look.’” One of the Manitou Cave inscriptions reads, “????? ? ? ? ? 1828 ? ? ? ? ? ? ? ? 30 ? ?.” And according to the experts, this translates as, “The leaders of the stickball game on the 30th day in their month April 1828.” Yes, this suggests that the Cherokee were engaging in a traditional sport even under pressure to change their ways. A typical Native American game that was not dissimilar to lacrosse, stickball used wooden sticks and balls fashioned from animal hair or skin. Apparently, the sport required a lot of physical exertion and could become very violent – perhaps explaining why stickball is known as the “little brother of war.” And before a game of stickball, participants would often retreat into a cave so that they could ready themselves – both physically and mentally. Inside, they would sometimes meet with a spiritual adviser or healer; they would also apparently purify themselves using smoke and water before dancing and praying. Elsewhere in Manitou Cave, a separate inscription appears to reveal just how violent stickball was. The writing reads, “? ? ? ? ? ? ? ? ? ? ? ? ,” which is believed to mean, “We who have blood come out of their nose and mouth.” And experts believe that this message appears to refer to the Cherokee custom of returning to the cave during an interval or when the game had ended. According to Pennsylvania State University Cherokee historian Julie Reed, bloodied stickball players would seek the shelter of a cave because they saw blood as a “powerful liquid.” So, by retreating into a cavern, they could keep the blood that was now “outside the body from disrupting the world,” Reed explained to The Washington Post. But anthropologists discovered yet another inscription inside Manitou Cave that apparently reads, “I am your grandson.” And according to Carroll, this was probably indicative of Cherokee people sending messages to “spiritual beings that lived here before.” Alternatively, the inscription could have been seen as a way of communicating with Cherokee ancestors. Furthermore, inscriptions of this kind could signify that caves were considered “spiritually potent” to the Cherokee, as the study in Antiquity claims. However, they aren’t the only marker of the sacred importance of Manitou. You see, there were also some messages scrawled backwards on the cave’s ceiling – apparently left to try to contact spiritual beings. And according to Reed, the significant of the Manitou Cave inscriptions lies in their directness. “Here we have indigenous people using a written language to tell us what they want to say,” Reed told The Washington Post. “As a Cherokee, I was like, ‘Wow.’” What’s more, David Penney – an associate director at the Smithsonian’s National Museum of the American Indian in Washington, D.C. – has agreed that the Manitou Cave inscriptions are indeed unique in their significance. “They reflect an aspect of Cherokee life before removal that’s otherwise hidden or obscured from the historical record,” he told The Washington Post. And not only are the inscriptions almost 200 years old, but they are also rare in their perspective. Penney explained to The Washington Post that the messages are of particular interest because “history is often written by the victors, and this really is an aspect of Cherokee history that really comes from the Cherokees themselves.” As for Carroll, he revealed that the findings at Manitou Cave allowed him to look deeper into his own Cherokee history. Not only that, but the inscriptions also enabled him to see the Cherokee language in its written form as it had been almost two centuries ago. Carroll told The Washington Post that it had been special “to find [the markings] like [they] had been since 1828.” Summing up the experience, he added, “It was like I had just gotten there right after they left.”	cc/2021-04/en_head_0013.json.gz/line242
__label__wiki	0.87252	0.87252	Dumaresq, Henry (1792–1838) by Nancy Gray This is a shared entry with William John Dumaresq Henry Dumaresq (1792-1838), and William John Dumaresq (1793-1868), were sons of Colonel John Dumaresq of Bushel Hall, Shropshire, England, and his wife Anne, née Jones. Both went to the Royal Military College, Great Marlow, and served during the Peninsular war and in Canada, where William, a captain in the Royal Staff Corps, was engaged in the construction of the Ottawa canal. Henry, who served with the 9th Regiment (lieutenant-colonel, 1818) was severely wounded at Waterloo, his gallantry being recorded by Sir Walter Scott in Paul's Letters to His Kinsfolk (1816). While on service in Mauritius in 1818-25 he became military secretary to General (Sir) Ralph Darling, who married his sister Eliza. When Darling accepted office as governor of New South Wales, Henry was invited to become his private secretary and arrived in the Phillip Dundas in October 1825 to prepare accommodation for the governor's party. Edward Dumaresq accompanied Darling as far as Van Diemen's Land and William came with him to Sydney. Darling at once appointed Henry as clerk to the Executive Council. William received provisional appointment as civil engineer, inspector of roads and bridges, and was later recommended by Darling as deputy surveyor general. For a short time he was acting colonial treasurer, in anticipation of Henry's appointment to this office, but none of his appointments was confirmed by the British government. Accusations of nepotism made by (Sir) Francis Forbes and by the editors of the Australian and the Monitor were followed by Sir George Murray's dispatch warning Darling against the appointment to public office of 'any relative or near connection'. In 1829 William retired from public life and after Darling's recall in 1831 Henry served as private secretary to the acting governor, Patrick Lindesay, until Governor (Sir) Richard Bourke's arrival, when he too retired to the country. The Dumaresq brothers were subjected to constant newspaper attacks during Darling's term of office. William's part in the Sudds-Thomson affair and his work on the north road which led to his brother's estate received much unjust comment. He was accorded less publicity, but more enduring praise, for his services on the Land Board, on the committee of the Female Factory and as the sponsor of John Busby's water supply scheme. A libellous attack in the Australian on 17 March 1827, 'How-e to live by plunder', resulted in a duel between Henry Dumaresq and Robert Wardell. After three shots were fired on each side without effect Wardell's apology was accepted. In June 1827 Henry returned to England, where he married in 1828 Elizabeth Sophia, elder daughter of Augustus Butler-Denvers and his second wife Eliza Bizarre, née Sturt, and half-sister of George, later the fifth earl of Lanesborough. In the same year Mrs Dumaresq's cousin, Charles Sturt, became Darling's military secretary. Returning with his wife in 1829, Henry brought to New South Wales Thomas and Martha Petty as his personal servants. Petty later became the proprietor of the famous hotel in Sydney which was known for a century simply as 'Petty's'. In Sydney on 15 October 1830 William married Christiana Susan, second daughter of the colonial secretary, Alexander McLeay. St Heliers, Henry's estate near Muswellbrook, and William's St Aubins, near Scone, named after the home of their forbears in Jersey, were extended by grant and purchase until each amounted to approximately 13,000 acres (5261 ha). Their large New England stock runs were Saumarez and Tilbuster. 'One of the best-regulated estates in the colony is that of Colonel Dumaresq', wrote John Dunmore Lang 'the law on his estate is the law of kindness, and incitement to industry and good conduct are rewards, not punishments. The convict labourers reside in whitewashed cottages, each having a little garden in front. Prizes are awarded to those who keep their cottages in the best order … The result of such a system is just what might be expected; the men are sober, industrious and contented'. James Backhouse added further praise, pointing out the advantages of Dumaresq's system of 'classifying the single men and placing the married men with their wives and families', while both he and Charlotte Anley also commended the St Aubins establishment. Edward John Eyre, who visited St Heliers in 1833, found it 'the best-ordered, best-managed station on the Hunter', and from its owner 'experienced unvarying and genuine kindness'. 'I owe much', he wrote of Henry, 'to the good sense and sound judgement of the kind friend who so ably counselled me'. Henry was appointed commissioner of the Australian Agricultural Co. in 1833 and next year moved to Port Stephens. He maintained excellent discipline, supported the work of the chaplain, William Cowper, and used his influence to provide suitable settlers and stock for his district. He died at Tahlee House, Port Stephens, on 5 March 1838, as a result of his war injury, and was buried at St Heliers. His widow returned to England with her children a few years later. After 1840 William lived mainly at Tivoli, Rose Bay, but continued his association with the Scone district. He was largely responsible for the erection in Scone of St Luke's Church of England, was a foundation member of church and hospital committees, gave the land on which the first Scone Hospital was built and was a member of the bench of magistrates and of the Scone District Council. He represented the districts of Hunter, Brisbane and Bligh in the Legislative Council in 1843-48, Phillip, Brisbane and Bligh in 1851-56, was again re-elected in 1856, but resigned before taking his seat in favour of his friend Joseph Docker. During the next ten years almost his only public interest was in church activities and, after his wife's death at Tivoli on 2 May 1866, he moved to Queensland. He died on 9 November 1868 at Cleveland, the home of his daughter Susan, wife of the Honourable Louis Hope, a brother of the fifth earl of Hopetoun. His only surviving son, William Alexander Dumaresq of Furracabad, Glen Innes, married in 1870 Helen Gladstone, a sister of Lady Belmore, and a grandson, Rear Admiral John Saumarez Dumaresq, commanded the Australian Squadron in 1919-22, the first Australian-born officer to do so. Sir Francis Forbes's comment, that the Dumaresqs were 'obviously expectants of what may first fall', was thoroughly justified, for each hoped to supplement his military allowance by colonial appointments and by land grants. William's claim to a Hyde Park allotment was based, according to Governor Bourke, solely 'on the gratuitous favour of my Predecessor'. Although they were recognized as Darling's 'unofficial and unauthorized advisers', this did not, despite Sir George Murray's warning, 'infallibly prevent the zealous co-operation of the members of the Council', most of whom were their friends. Henry's quick temper and great ambition made him many enemies, but his warm humanity brought him many friends. His brilliant wit was tempered with good humour and his 'urge for great possessions' with common sense. His powerful influence in the colony was exercised in large measure to the public good. William scarcely emerged as a personality in his own right until after his brother's death. 'A mental Lazarus and a physical Herod' said 'The Hermit' in the Chronicle; 'a most excellent fellow, without anything like humbug about him', was the comment of John Street in a letter to Thomas Henty; his brother Henry's remark, in a letter to their mother, was, simply, 'he sometimes says more than he means'. J. Backhouse, A Narrative of a Visit to the Australian Colonies (Lond, 1843) J. D. Lang, An Historical and Statistical Account of New South Wales, vols 1-2 (Lond, 1852) Duncan's Weekly Register, 23 Dec 1843 E. J. Eyre, Autobiographical Narrative of Residence and Exploration in Australia, 1832-39 (State Library of New South Wales) Henry Dumaresq letters (State Library of New South Wales). Dumaresq, Henry Darling, Eliza (sister) Dumaresq, William John (brother) Dumaresq, Edward (brother) Dumaresq, Christiana Susan (sister-in-law) Darling, Ralph (brother-in-law) Dumaresq, Eliza Henrietta (niece) Hope, Louis (nephew by marriage) Wardell, Robert (friend) Gardner, William (employee) Stephen, John (acquaintance) Richardson, John Matthew (acquaintance) Levey, Barnett (acquaintance) Cowper, William Macquarie (acquaintance) Eyre, Edward John (acquaintance) Lindesay, Patrick (employer) Nancy Gray, 'Dumaresq, Henry (1792–1838)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, https://adb.anu.edu.au/biography/dumaresq-henry-2003/text2447, published first in hardcopy 1966, accessed online 18 January 2021. Penn, Staffordshire, England Port Stephens, New South Wales, Australia duellist grazier (unspecified) Australian Agricultural Company Saumarez (NSW) St Helier's (NSW) St Helier's homestead (NSW)	cc/2021-04/en_head_0013.json.gz/line244
__label__wiki	0.853587	0.853587	Thomson, George Edward (1826–1889) by Dorothy Kiers George Edward Thomson (1826-1889), miners' leader, was born on 3 October 1826 at Coupar Angus, Perthshire, Scotland, son of Charles Pratt Thomson and his wife Jane, née Oliphant, of Gask near Perth. The family normally lived at Croydon, Surrey, England, where his father owned considerable property. Thomson was educated at Sutton Valence near Maidstone and at a grammar school at Rickmansworth, Hertfordshire. At 16 he entered a lawyer's office in London and later began and abandoned medical studies. He took part in the anti-corn-law and Chartist movements and knew many of the leaders and Thomas Carlyle. He became an Owenite socialist and remained faithful throughout his life. An active member of the British Association, he worked with the Mayhews in gathering material about the London poor and was prominent in movements for taxation and patent law reform. In 1848 he presided at a meeting in the City of London which protested against legislation suppressing the right of public discussion. Thomson developed symptoms of familial tuberculosis in 1852 and decided to migrate. Arriving in Melbourne on 19 November in the Blorenge, he made for the Forest Creek (Castlemaine) goldfield where he had some success; in April 1853 he went to Sandhurst (Bendigo). Prominent in the formation of the Anti-Gold-Licence Association on 6 June, at a meeting next month he presented the petition for licence fee reduction, reform of the police, land reform and enfranchisement of the diggers; he went the rounds of the diggings and took the petition to Melbourne. When La Trobe rejected the petition Thomson rallied support at meetings in Melbourne and Geelong. At Bendigo on 13 August a huge meeting adopted his recommendation of passive resistance; it was agreed to tender only 10s. instead of 30s. for the next month's licence, and the red ribbon became the movement's insignia. On 28 August Thomson and others tendered 10s. to Commissioner Panton and Chief Commissioner Wright who rejected the offer and a 'courteous discussion' followed: the licence fee was soon reduced by more than one half. Thomson gave evidence to the select committee of inquiry and to the royal commission on Eureka. In 1888 he analysed the movement in his 'Leaves from the Diary of an old Bendigonian' in Leavitt and Lilburn's Jubilee History of Victoria and Melbourne, and revealed that an attack by troops would have been resisted. Acknowledged as the chief leader of the most efficient and popular of the diggers' movements, he had consistently advocated 'moral force' with 'physical force' only as a last resort. Late in 1853 Thomson, with J. H. Abbott, founded and edited the Diggers Advocate; Ebenezer Syme was a prominent contributor, but it soon failed. He agitated about 1856 for agricultural settlement in the Loddon Valley, and in 1857 represented Bendigo at the Land Convention, where his land nationalization objective had little backing and he was persuaded to support Wilson Gray. He prospected in the Grampians, but soon organized the registration of miners as voters in the Pleasant Creek and Ararat areas. In Maldon about 1859 he was active in the movement for local government and refused to stand for the Legislative Assembly. Moving to Castlemaine he again took up law and formed a partnership with F. E. Paynter; he opened a branch at Daylesford where he was a borough councillor. In 1862 in evidence to the royal commission on the goldfields he advocated a general code of mining by-laws for the colony. Thomson returned to Bendigo in 1875 to partner J. T. Saunders. He was 'Sandhurst's ripest scholar', with a phenomenal memory and learned in literature, history and science, especially geology, electricity, navigation and astronomy. He wrote often for the press, sometimes as 'Nemesis'. His socialist beliefs kept him out of colonial politics. He collapsed in his office after an overdose of chlorodyne, died in his home, Hustlers Terrace, on 17 January 1889, and was buried in Sandhurst cemetery with Anglican rites. He was survived by his wife Rosalind, née Harper, whom he had married at Daylesford on 30 May 1863, and by two sons and three daughters. He left debts amounting to £579. G. Mackay, The History of Bendigo (Melb, 1891) G. Serle, The Golden Age (Melb, 1963) F. Cusack, Bendigo: A History (Melb, 1973) Herald (Melbourne), 9, 18, 22, 29 Aug 1853 Bendigo Evening News, 17 Jan 1889 Argus (Melbourne), 18 Jan 1889 Bendigo Advertiser, 18 Jan 1889, 25 Jan 1890 Bendigo Independent, 18 Jan 1889 Thomson press-cuttings (State Library of Victoria). Abbott, Joseph Henry (business partner) Dorothy Kiers, 'Thomson, George Edward (1826–1889)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, https://adb.anu.edu.au/biography/thomson-george-edward-4716/text7761, published first in hardcopy 1976, accessed online 18 January 2021. Coupar Angus, Perthshire, Scotland Bendigo, Victoria, Australia goldminer historian (general) miners' leader newspaper owner	cc/2021-04/en_head_0013.json.gz/line245
__label__wiki	0.840854	0.840854	Advance the Vision for 30X40. Support our mission! Global Board + Management Global Advisory Council Global Committees Icons + Supporters Global Corporate Sponsors 100WF On-Demand FundWomen FundWomen Week FundWomen Directory 100WFinTech 100WFinTech Directory Peer Engagement Peer Advisory Groups NextGen Groups Corporate / Private Boards Initiative 100 Women in Finance Institute Galas + Fundraisers Beneficiaries + Program Partners Royal Patronage of the UK Initiatives Nonprofit Boards Become a Global Member – Premium Become a Global Angel Become a Global Member – Standard Support 100WF Global Angels WellChild To Be Beneficiary of 100 Women in Finance’s Annual London Gala and Other UK Fundraising Events in 2017 100 Women in Finance (100WF) (formerly 100 Women in Hedge Funds), a leading non-profit organisation for professionals in the alternative investments industry, today announced that in association with Prince Harry’s patronage of 100 Women in Finance’s Philanthropic Initiatives, it will partner with WellChild in 2017. WellChild is the national charity working to ensure the best possible care and support for all seriously ill children, young people and their families across the UK. 100WF has a strong track record of supporting charities and has raised more than US$40 million (gross) for philanthropic causes in the areas of women’s and family health, education and mentoring. The organisation is planning a number of fundraising and awareness raising events to benefit WellChild during 2017, including but not limited to “The Secret Life of Beefeaters: The Ceremony of the Keys and a Private Tour of the Tower of London” on 16 February. This year’s events culminate with 100WF’s annual London Gala, to be held in early October 2017. Additional details will be made available in due course. The Duke of Cambridge became patron of 100WF’s philanthropic initiatives in late 2009; and in late 2012, the Duchess of Cambridge and Prince Harry joined the Duke by becoming patrons. Starting in January 2013, 100WF committed to focusing its UK philanthropic endeavours on charities in the Charities Forum of the Duke and Duchess of Cambridge and Prince Harry, one for each year of the partnership. The chosen charities: Action on Addiction in 2013, WellChild in 2014, The Art Room in 2015 and SkillForce in 2016, reflect 100WF’s three annually rotating philanthropic themes: mentoring, women’s and family health, and education. Colin Dyer, Chief Executive of WellChild said: “We are absolutely thrilled that 100 Women in Finance have chosen to partner with WellChild for a second time. We simply couldn’t continue to provide the care and support that we do to some of the UK’s most seriously ill children and their families without the help of partners like 100 Women in Finance. The numbers of children and young people needing help to get home from long-term hospital care is growing, so we’re looking forward to an exciting calendar of events which will raise essential funds to enable us to reach even more of the children, young people and families that need our help.” Kathryn Graham, Chair of the London Board of 100WF, commented: “100 Women in Finance is proud to support the vital work of WellChild in caring for and supporting seriously ill children and their families. We look forward to working with the WellChild team on a series of fundraising events and activities during 2017.” Firms and individuals interested in learning more about any of 100WF’s upcoming fundraisers or Gala events, please email philon@100women.org. About WellChild – the national charity for seriously ill children (www.wellchild.org.uk) Thousands of children and young people are living across the UK with serious illness or exceptional health needs. Many spend months, even years in hospital simply because there is no support enabling them to leave. Through a range of family support services, including a national network of WellChild Nurses and volunteer-driven home improvement projects, WellChild is the national charity working to give these children and young people the best possible chance to thrive – at home, together with their families. About 100 Women in Finance (www.100women.org) 100 Women in Finance (‘100WF’) is a global network of professionals in the finance and alternative investment industries working together to empower women at every stage of their careers. Through peer engagement, philanthropic, and educational initiatives, our more than 15,000 members are making connections and creating opportunities that help to advance careers and strengthen our field. Finsbury: 100WHF@finsbury.com Gallery + Assets Copyright © 2016. 100 Women in Finance. All rights reserved. Site design by Kiss Me I’m Polish LLC	cc/2021-04/en_head_0013.json.gz/line247
__label__wiki	0.800726	0.800726	Art+Culture March 1, 2013 May 24, 2018 Bill Rauch: Stage Director The man behind the scenes at OSF, Bill Rauch / Photo by Joni Kabana The word that pops up again and again when people talk about Bill Rauch is “passionate.” In the six years since joining the Oregon Shakespeare Festival as artistic director, Rauch, 50, has brought his passion, experience and considerable energy to Ashland. This earned him many awards— including the Zelda Fichandler Award in 2012 for “transforming the regional arts landscape through imaginative, brave work in theater.” Under his direction, OSF has expanded its playbill to include classic musicals, global classics from diverse cultures and contemporary work, including plays commissioned by the festival. His brainchild, the ambitious and popular “American Revolutions: the U.S. History Cycle,” envisions thirty-seven new works capturing moments of change in American history. Now in its fourth year, American Revolutions introduces The Liquid Plain, which has already won the 2012 Horton Foote Prize for a promising new American play. Co-founder of Cornerstone Theater Company in 1986, Rauch spent twenty years on the road and in Los Angeles, collaborating with and directing productions in communities across the country, many of which had limited access to theater. With eleven plays in this year’s season (February 15 to November 3), two under Rauch’s direction (Cymbeline and King Lear), and a slate of administrative duties, one wonders how he juggles it all. “I am one of the lucky ones who gets paid to do what I love most in the world. The Oregon Shakespeare Festival is doing some of the most dynamic, ground-breaking and excellent work in the world right now.” Next: Tony Furtado From Where I Stand: Boring Couples Getaways in Oregon How Portland Became Known as the City of Roses Subscribe to Oregon Adventure Mail Plan Here eat + stay + play More of Timber Joey’s Top 5s	cc/2021-04/en_head_0013.json.gz/line249
__label__wiki	0.895311	0.895311	Mandtrisa Mandritsa (Bulgarian: Мандрица, "small dairy"; Albanian: Mandrica or Mandricë; Greek: Μανδρίτσα) is a village in southernmost Bulgaria, part of Ivaylovgrad municipality, Haskovo Province. It is known as the only Albanian village in Bulgaria. As of 14 December 2006, Mandritsa has a population of 75. It lies at 41°23′N 26°8′E, 93 m above sea level. Mandritsa is located on the right bank of the Byala reka in the easternmost Rhodope Mountains, 15 km south of Ivaylovgrad and 2 km west of the Luda reka, which forms the border with Greece. Ottoman rule The village was founded in 1636[1] by Eastern Orthodox Albanian dairymen who supplied the Ottoman Army. They were allowed to pick a tract of land and were freed from taxes. The bulk of the local Albanian speakers arrived in the 18th century from around Korçë[2] and in the 19th century from the region of Souli in Epirus.The locals preserved their Souliot national dress until the 19th century, when the fustanella was substituted by Thracian breeches.However, the female dress was preserved until the mass emigration to Greece in 1913. In the 19th century, Mandritsa was a small town of Greek-identifying Albanians in the kaza of Didymoteicho.[3] In 1873, it was a village of 250 households with 1,080 Albanian residents. The main occupations were sericulture, tobacco growing, manufacture and trade. The village had three Greek educational institutions: a school for boys, a school for girls and a kindergarten. Bulgaria and emigration Mandritsa was liberated from Ottoman rule on 15 October 1912, during the First Balkan War, by military units of the First Bulgarian Army, but was once again occupied by the Ottomans during the Second Balkan War. According to the Treaty of Constantinople, it was ceded to Bulgaria. A large number of the residents fled back to the Ottoman Empire, where they remained as refugees for six months before heading to Greece in 1914 through Constantinople and Rodosto. Of the 480 families of the time, only 40 remained in Bulgaria, while 100 settled in the village of Hambarköy near Kilkis, which was renamed Mandres in their honour, while the others populated other villages in Greek Macedonia and Western Thrace. The Bulgarian government settled Bulgarian refugees from Thrace and Macedonia (from the region of Edessa). In 1929, another wave of emigration to Greece followed. Today, Mandritsa is a small village of around 70 residents, part of them still speaking a distinct Tosk Albanian dialect. The village has well-preserved Greek-style three-storey adobe and brick houses which represent the Thracian style featuring wood-carved ceilings, wrought iron balconies and columns. Mandritsa has two churches: the small single-naved cemetery church of St Nedelya built in 1708, which is one of the oldest churches in the Eastern Rhodopes, and the three-naved village church of St Demetrius constructed in 1835, which is partially destroyed, but planned to be reconstructed. Саръмов, Росен (2001-03-29). "Албанска приказка умира на 50 км от Любимец" (in Bulgarian). Марица днес. Retrieved 2007-03-08. сп. Тема, Понеделниците на Мандрица, Искра Ценкова. Македония и Одринско. Статистика на населението от 1873 г. Sofia: Macedonian Scientific Institute. 1995. p. 57. "Numbers in Over 5000 Languages". Retrieved 2007-03-08. Соколова, Бойка (1968). Село Мандрица. Езиково, фолклорно-етнографско и историческо проучване (in Bulgarian). София. Μαραβελάκη, Μ.; Α. Βακαλόπουλου (1993). Οι προσφυγικές εγκαταστάσεις στην περιοχή Θεσσαλονίκης (in Greek). Θεσσαλονίκη: Ανατύπωση Εκδόσεις Βάνιας. Μαϊκίδης, Απόστολος (1972). Μανδρίτσα. Η κωμόπολις που έσβησε (in Greek). Θεσσαλονίκη: Σημειώσεις — Αναμνήσεις — Παράδοσις. Μαϊκίδης, Απόστολος (1985–1986). Ηβιοτεχνία στη Μανδρίτσα Αν. Θράκης (in Greek). Θρακική Εστία Θεσσαλονίκης. Ημερολόγιο- Λεύκωμα, 4. Гюзелев, Боян (2004). Албанци в Източните Балкани (Albanians in the Eastern Balkans) (PDF) (in Bulgarian). София: Международен център за изследване на малцинствата и културните взаимодействия. ISBN 954-8872-45-5. Memories from Mandritsa(in Spanish)-Memorias de un inmigrante griego llamado Theodoro Pappatheodorou por Guadalupe García Torres Mandritsa.com - information site from "Association for revival of the village of Mandritsa" Photo gallery from the summer of 2004	cc/2021-04/en_head_0013.json.gz/line254
__label__wiki	0.860845	0.860845	AmeriCorps is the operating name for the Corporation for National and Community Service which was created under sec. 191 of the National and Community Service Act (42 U.S.C. 12651). Agency-wide policies and notices AmeriCorps fraud alert AmeriCorps General COVID-19 Questions AmeriCorps NCCC COVID-19 Questions AmeriCorps Seniors COVID-19 Questions AmeriCorps State and National COVID-19 Questions AmeriCorps VISTA COVID-19 Questions Prospective Member and Volunteer COVID-19 Questions Research and Evaluation (and SIF) COVID-19 Questions FOIA and the Privacy Act Results of grant competitions The Corporation for National and Community Service, now operating as AmeriCorps, is the result of a merger between two previously existing agencies, ACTION and the Commission on National and Community Service. For two decades, ACTION administered the AmeriCorps VISTA and Senior Corps (now AmeriCorps Seniors) programs: Foster Grandparents, RSVP, and Senior Companions. ACTION was authorized by the Domestic Volunteer Service Act of 1973, as amended. 1990: National and Community Service Act of 1990 – A renewed focus on volunteerism in America led to the passage of the National and Community Service Act of 1990, signed into law by President George H.W. Bush. The act created a new independent federal agency called the Commission on National and Community Service. The Commission was charged with supporting four streams of service: Service-learning programs for school-aged youth Higher education service programs National service demonstration models 1992: National Civilian Community Corps (NCCC) – A bipartisan group of senators, working with the George H.W. Bush administration, drafted legislation to create NCCC as a demonstration program to explore the possibility of using post-Cold War military resources to help solve national challenges. NCCC, enacted as part of the 1993 Defense Authorization Act, was created to be a residential service program modeled on the Depression-era Civilian Conservation Corps and the United States military. 1993: The National and Community Service Trust Act of 1993 – Both NCCC and the Commission on National and Community Service were incorporated into the Clinton administration’s National and Community Service Trust Act of 1993. A bipartisan coalition of Congress members introduced the bill, signed into law by President Bill Clinton on September 21, 1993. The Act created the Corporation for National and Community Service, with the responsibility of mobilizing Americans into service. 2002: USA Freedom Corps – In his 2002 State of the Union address, President George W. Bush announced the creation of the USA Freedom Corps. Chaired by the President, the USA Freedom Corps was a coordinating council that worked to strengthen the American culture of service and helped connect citizens to volunteer opportunities. 2009: Serve America Act – On April 21, 2009, President Barack Obama signed the Edward M. Kennedy Serve America Act at an elementary school in Washington, DC. The Serve America Act reauthorized and expanded national service programs administered by the Corporation for National and Community Service. Detailed Summary of the Edward M. Kennedy Serve America Act Highlights of the Edward M. Kennedy Serve America Act Letter from the Office of Management and Budget on National Service Legislation 45 CFR Chapter XII 45 CFR Chapter XXV Service Process of Legal Documents Upon the Corporation for National and Community Service (operating as AmeriCorps) Government Paperwork Elimination Act Government Paperwork Elimination Act (GPEA) requires Federal agencies to allow individuals or entities that deal with the agencies the option to submit information and to maintain records electronically, when feasible. The Act specifically states that electronic records and their related electronic signatures are not to be denied legal effect, validity, or enforceability merely because they are in electronic form, and encourages Federal government use of a range of electronic signature alternatives. This capability should be in place at each agency by October 21, 2003. AmeriCorps currently makes grants and service participant applications available electronically. For more information, please visit eGrants. Implementation of the Government Paperwork Elimination Act	cc/2021-04/en_head_0013.json.gz/line256
__label__wiki	0.783697	0.783697	Go 920! COVID-19 recession slams working women. 'I don't know how I'm going to make it.' Nusaiba Mizan \| Green Bay Press-Gazette MOUNT PLEASANT - Kristiana Smith's day starts early. She cleans the house, prepares breakfast for her family and gets her daughters — ages 7, 8 and 9 — ready for virtual school. When her daughters are settled with their first livestream lesson, she and her 3-year-old son work on educational activities and coloring pages on the iPad. Between virtual school, preparing meals and taking care of her children, Smith is also trying her best to fill out job applications and earn some money. "I'm participating in other small little activities to do to gain money, because I'm drowning right now with bills," Smith said. Smith is one of thousands of Wisconsin women who have temporarily or permanently lost their jobs due to the COVID-19 pandemic. The pandemic is disproportionately affecting women because of the way it is hitting certain industries — like child care and hospitality — especially hard. RELATED: 'Shecession': COVID-19 pandemic presses down on Wisconsin women "I don't know how I'm going to make it. So it's been a real struggle for me here, and I don't have any real resources." A former child care teacher, Smith, 30, says her struggle with unemployment started in March, as the first wave of the pandemic closed businesses like child care and students were sent to complete the school year at home. While Smith tries to keep positive and is focusing on caring for her family, she is not receiving unemployment and said the job search has been hectic. Smith does voter outreach for MomsRising Together — a Seattle-based advocacy organization focused on issues affecting women — and is earning a one-time $300 that will go toward her bills. She also hopes to promote Monat hair care products online to build a platform and earn money to support her family. A new kind of recession Women are bearing the brunt of this economic downturn. "The recession in 2007 was sometimes called a 'mancession,' actually," said Laura Dresser, a University of Wisconsin-Madison COWS economist. "Most recessions are mancessions, in that it's construction and manufacturing that feel the contraction first." This time it's different. The COVID-19 pandemic led to shutdowns and restrictions in spaces where people gather, crippling industries like child care and hospitality. Department of Labor data indicates jobs in these industries are disproportionately held by women. "That's what makes this a 'shecession,' in a way," Dresser said. "It's that it's restaurants and food service and hotels that then have collapsed because people aren't traveling, people aren't eating out, people aren't going out to bars or they're doing so less. And that means it displaces women." RELATED: 'I wish they could see how bad things are getting': As Wisconsin hospitals fill up with COVID patients, front-line workers sound the alarm In Wisconsin, more women are receiving unemployment insurance than men. That's the opposite of the pre-pandemic filings when more men than women received jobless benefits, according to the state Department of Workforce Development. In January, February and March, the number of male claimants exceeded female claimants by nearly 3-to-1. Unemployment skyrocketed in March and April, as the pandemic led to widespread business closures. The state's unemployment rate peaked at 13.4% in April, nearly four times as high as the pre-pandemic rate in March. In April, the number of women filing for unemployment benefits (179,783 claimants) began to exceed men (141,073 claimants). Women continued to apply for benefits in greater numbers than men through August. RELATED: From jobs to housing, the coronavirus pandemic has transformed Wisconsin's economy Women make up a significant majority of employees in industries that were most affected by the pandemic, such as health and child care, and service businesses. For example, according to the U.S. Department of Labor, nationally many food service and hospitality industry jobs are chiefly occupied by women: 80% of hosts and hostesses in restaurants, lounges and coffee shops 61% of non-restaurant food servers 63% of hotel, motel and resort desk clerks 65% of waiters and waitresses are women In Wisconsin, the leisure and hospitality industry, which includes food service, lost more than half of its jobs from March (278,000 jobs) to April (121,900 jobs), according to the Bureau of Labor Statistics. The industry has yet to make up that loss. Unlike other sectors that rebounded more quickly, hospitality lags behind pre-pandemic levels due to permanent closures and reduced staffing because of the need for social distancing. September preliminary numbers show 217,300 hospitality jobs — nearly 60,700 jobs fewer than in March. Coming up with a new plan Green Bay resident Charli Servin is a former food service worker who lost her job in March. Her plan was ironclad: She would graduate from college, have the baby who was due in summer and get a job in her field once her school-aged children returned to school. A former intern for the Sexual Assault Center of Family Services in Green Bay, she thought her ideal job was to work in crisis counseling. She graduated from the University of Wisconsin-Green Bay in December. Then the pandemic hit and the two restaurants she’d been working in closed. She’s now busy helping her school-aged children with their online classes while taking care of her baby. She’s not a teacher by trade, and she’s working with very young children. “It’s really difficult to look for a 9-to-5 job when I feel like I’m sacrificing my child’s education to work,” Servin said. “Because, you know, I can send them to day care but I don’t know — if they were doing online school — I wouldn’t know how much they’re engaged with their online school.” Even if she were to return to working in food service, one of the two restaurants she worked in remains closed. And returning to work in food service — or even an entry-level job in her preferred field — may not make sense cost-wise without affordable child care, Servin said. “Dealing with the two kids in online school and baby, it’s a different reality. I don’t know — it’s a balancing act. Like I’m trying to just keep in mind that I’m a human, too, not to lose myself within all this,” Servin said. Stressors like unaffordable child care and family obligations are converging on women, keeping some out of the labor force even as the economy continues its recovery. From September 2019 to September 2020, 2.46 million fewer women ages 20 and older were in the civilian labor force compared with 1.54 million fewer men, according to the Bureau of Labor Statistics. And the decrease shows little sign of letting up. From August to September alone, 865,000 women ages 20 and older fell out of the national civilian workforce, compared with 216,000 fewer men ages 20 and older. That means about four times more women than men were no longer in the labor force from August to September. Workers in these hard-hit industries are also paid lower wages Salary and wages factor here, too. Overall, Wisconsin women with full-time, salaried jobs earned 80.7% of the median weekly earnings their male counterparts did in 2018 — that's slightly less than the national average at 81.1%, according to a 2018 Bureau of Labor Statistics release on Women's Earnings in Wisconsin. Nationally, Black and Hispanic women carry the brunt of the wage gap. Black women made 60.8% and Hispanic women made 53% of their white male counterparts in 2017, according to Department of Labor data. When it comes to the industries hit hard by the pandemic, a Department of Labor analysis of 2017 U.S. Census Bureau American Community Survey data indicates the occupations with the lowest median earnings among women are some of the same jobs that are disproportionately occupied by women. "They are the workers with the least resources to contend with sustained unemployment," Dresser said. "They have the least resources coming in, and then they are thrown in an economy that contracts because of this disease.” Take, for example, wages for occupations relating to non-restaurant food service, where 61% of workers are women: Food concession and coffee shops ($19,286 for a full-time, year-round employee) Dining room and cafeteria attendants and bartender helpers ($20,399) Combined food preparation and serving workers including fast foods ($20,592) Waiters and waitresses, 65% of whom are women, earn a median annual income of $21,419. Workers in hospitality and health care earn low pay. For example, hotel, motel and resort desk clerks — 63% of whom are women — earn $23,610. Personal care aides —81% of whom are women — earn $23,357. Some of these jobs pay at minimum wage. Wisconsin's minimum wage remains at the federal minimum wage at $7.25 an hour, while the living wage for one adult in Wisconsin is $11.40 an hour, according to the Massachusetts Institute of Technology Living Wage Calculator. Nationally, 95% of child care providers are women. Their median annual pay was $21,465 in 2017. A Wisconsin Early Childhood Association report presenting 2015 survey data from the University of Wisconsin-Madison and COWS indicates the starting median wage of child care teachers in 2015 was $10 an hour and assistant teachers $8.50 an hour. Child care a unique struggle Corrine Hendrickson runs Corrine's Little Explorers Family Child Care in New Glarus and is board president of the Wisconsin Early Childhood Association. Hendrickson said slim profit margins combined with insufficient government support leads to low wages. In Wisconsin, child care networks are trying to balance child care deserts in some areas and fewer children attending in others. "That made a lot of us close. Especially group centers, because there just wasn't enough children," Hendrickson said. Hendrickson had to close her in-home child care center temporarily. She finally opened outdoors in June to take care of fewer children with the help of grant and then federal pandemic relief money through the CARES Act. "I was, again, able to pay my bills, but not pay myself and have nothing extra to try and put towards retirement, to put towards savings if I were to close because I get quarantined," Hendrickson said. "I wasn't able to get ahead. I'm just treading water." RELATED: How Wisconsin women are navigating the 'shecession' Contact Nusaiba Mizan at (920)-431-8310 or nmizan@gannett.com. Follow her on Twitter at @nusaiblah. Our subscribers make this coverage possible. Subscribe to a USA TODAY NETWORK-Wisconsin site today with one of our special offers and support local journalism.	cc/2021-04/en_head_0013.json.gz/line257
__label__wiki	0.779598	0.779598	855-752-6862 contact@archewild.com Current Species Availability Native Species We Grow Landscape Restoration ArcheWild AgroForestry News October 25, 2016 Mark Brownlee Great Thicket National Wildlife Refuge Following an extensive public process, and with overwhelming public support, the U.S. Fish and Wildlife Service has finalized the creation of Great Thicket National Wildlife Refuge, dedicated to conserving and managing shrubland and young forests for wildlife in New England and eastern New York. The approval of the refuge marks a key step, enabling the Service to now work with willing and interested landowners to acquire land. Housatonic region The nation’s newest wildlife refuge joins the largest network of lands in the nation dedicated to wildlife conservation, with 565 other national wildlife refuges – at least one refuge in every state – and other protected areas covering more than 150 million acres. A hundred years in the making, the refuge system is a network of habitats that benefits wildlife, provides unparalleled outdoor experiences for all Americans, and protects a healthy environment. Since 2009, the Obama Administration has established 17 new national wildlife refuges, from the first urban refuge in the Southwest — Valle de Oro National Wildlife Refuge in New Mexico — to refuges that protect working lands and the important habitat of the tallgrass prairie of Kansas’ Flint Hills, the Dakota Grasslands, and the Everglades Headwaters. “National wildlife refuges provide Americans with incredible opportunities to experience nature at its finest,” said Secretary of the Interior Sally Jewell. “Great Thicket National Wildlife Refuge will give New Englanders and New Yorkers the chance to conserve important habitat in the region, ensuring current and future generations can experience the rich variety of animals and plants that call these special places home.” Northeast Overview “The approval of Great Thicket National Wildlife Refuge marks a milestone in an exemplary partnership with six state wildlife agencies and a foundation for working with local governments and others to explore conservation opportunities,” said U.S. Fish and Wildlife Service Northeast Regional Director Wendi Weber. “Interested landowners now have a unique opportunity to leave a legacy of conservation and to contribute to a large-scale effort that will make a difference for American woodcock, New England cottontails, monarch butterflies and other wildlife.” Over the past century, many shrublands and young forests across the Northeast have been cleared for development or have grown into mature forests. As this habitat has disappeared, populations of more than 65 songbirds, mammals, reptiles, pollinators and other wildlife that depend on it have fallen alarmingly. Example from Housatonic region Despite significant efforts by many agencies, organizations and landowners to manage existing lands, conservationists have determined that more permanently protected and managed land is needed to restore wildlife populations and return balance to northeast woodlands. Great Thicket NWR responds to that need to preserve and manage land to benefit shrubland-dependent wildlife, such as the ruffed grouse, golden-winged warbler, box and spotted turtles, whippoorwill, blue-winged warbler and Hessel’s hairstreak. A key step in the formation of the refuge was the completion of the land protection plan and environmental assessment. The Service made the draft plan available for public review in early 2016, resulting in more than 6,000 comments – over 90 percent of which were supportive. Now that the plan has been approved, the agency can begin working with willing and interested landowners in 10 target areas of Connecticut, Maine, Massachusetts, New Hampshire, New York and Rhode Island to acquire up to 15,000 acres through various methods, including conservation easements, donations or fee-title acquisition. Current refuge staff would manage all acquired lands within existing resources. This process is expected to take decades, as the Service will work strictly with willing sellers only and depends on funding availability to make purchases. Lands within an acquisition boundary would not become part of the refuge unless their owners sell or donate them to the Service; the boundary has no impact on how landowners can use their land or to whom they can sell. Wildlife refuges provide habitat for more than 2,100 types of birds, mammals, reptiles, amphibians and fish, including more than 380 threatened or endangered plants or animals. Each year, millions of migrating birds use refuges as stops to rest and refuel on their journeys of thousands of miles between their summer and winter homes. National wildlife refuges do not just provide a boost to wildlife. They are strong economic engines for local communities across the country and provide intrinsic value to all Americans. A 2013 national report, Banking on Nature, found that refuges pump $2.4 billion into the economy and support more than 35,000 jobs. They are also excellent venues to hunt, hike, bike, boat, observe wildlife and more. The plan and all related documents – including all comments received and how they were addressed – are available at: http://www.fws.gov/northeast/refuges/planning/lpp/greatthicketLPP.html. Direct links to more resources: Highlights of the final plan Information about land acquisition Great Thicket National Wildlife Refuge Land Protection Plan and associated environmental assessment Current Northeastern US Wind Speed and Cloud Cover Lookup Tool Chocolate vs. Vegetables: The true environmental costs 2191 Hillcrest Rd contact@archewild.com Copyright 2021, ArcheWild © All rights reserved. Business Point by Promenade Themes	cc/2021-04/en_head_0013.json.gz/line265
__label__cc	0.532539	0.467461	Biens Cao Fleeing the Viet Cong Profilers: Brandon Beard-Reed, Eugenio Ferrigno & Janet Nhan Her Father’s Story Biens Cao talks about her childhood in the 1930s. She didn’t get to meet her father, Cao Văn Luyện (1903 – 1971), until she was 8 because he was imprisoned on Con Son Island for being part of the Vietnam Nationalist Party and rebelling against the French. She talks about how he narrowly escaped being executed along with the other leading members of the Nationalist Party, and a story he used to tell her about how he managed to improve the conditions of Con Son Island not only for himself but also his fellow prisoners. After his release in 1945, he moved the family from the countryside into the city, where Biens witnessed the horrors of the Japanese military and the officials’ suicide when the Americans won World War II. Meeting Ho Chi Minh Biens talks about her two encounters with Ho Chi Minh, and how close she got to him. However, she thought was scary and refused to shake hands with him. In addition, she also talks about his trip to France to ask for Vietnam’s independence, and asking the citizens to donate all their gold and jewels during a “Gold Week” in order to buy weapons in France. Attempted Assassination A few months after she met Ho Chi Minh, he called for the two main parties of Vietnam (one being the Nationalist [I mistranslated this part] in which her father was a part of). The guise was to reunite the country under a new government but once the meeting was over, Ho Chi Minh had everyone in attendance assassinated. Out of the 76 in attendance, only Biens’s father survived. After her father’s attempted assassination, her sister’s murder and the splitting of the country in 1954, the first thing Biens did was pack up and leave for the South with her new husband, who later served as an officer in the South Vietnamese Air Force. She was pregnant at the time, and would continue to have 9 more children. Here, she talks about the struggles of post-1975, the lost of her 3 children and the suffering she went through as she tried to find ways for her children to escape. Finally, in 1993, after her husband was released from re-education camp, she was able to leave Vietnam and the Viet Cong for good. Full Profile Transcription This is my grandma Biens Cao and she’ll be talking about her life in Vietnam from 1930 until she came here in 1993. She’ll mostly be talking about her father who was a member of the Vietnamese Nationalist Party in the 1940’s and they fought against the French and she can get into more detail about that. Would you please tell us about your father? I grew up in the countryside and my whole life I had to work starting at 8. I had to go to school and work at the fields to take care of the family. My mom raised 3 kids without my dad because he was in prison. My father was in prison at Côn Sơn for 8 years so I did not meet him until I was 8 years old. Before he went to prison, he went to Hànội University and he studied with Nguyễn Thái Học, who was the leader of Vietnamese Nationalist Party. They sat at the same table at the same class. They were friends before the Vietnamese Nationalist Party came into existence. Nguyễn Thái Học asked my dad to join him to fight against the French who were collecting heavy taxes and the civilians didn’t have money to pay so they starved to death. In 1930, in one of the battles in Yên Bái, next to Hànội, they were fighting against the French but they lost. The French arrested the leaders of the Nationalist party and were going to execute 60 of the members and officials. My dad was one of them. [But] my dad managed to escape with the help of his dad, who served with the French army in WWI against the Germans, so he filed paperwork to excuse my dad from being executed so instead he was sentenced to 8 years in prison. The French ended up executing 12 of the leaders of the Nationalist Party and my dad’s friend, Nguyễn Thái Học, was one of them. There’s a story of my dad when he was in prison that they would only let him eat mâm, which was rotten fish, for his meal and he couldn’t stand it so he managed to somehow to meet with the official of the whole Indochina area and he said, “I’m in prison because I love my country not because I’m a thief, a murderer, or anything else. You look at me like I’m nothing, but I only love my country like you love yours. Can you get me something better to eat?” He was able to convince the official to give him better food for him and his fellow prisoners, so after that they were given meat, fish, and better food to eat. One year after he was released, he was re-arrested by the French and he wasn’t released until 1945 when the French lost to the Japanese in WWII. He moved the family from the countryside to Hànội, to live in the city, after he was released. There I saw the Japanese military in Hànội, but when the Japanese lost to the Americans in August 18, 1945, I saw them commit suicide by driving a knife down their whole torso and their organs spilled out and I saw all of that in the streets. The Japanese weren’t any better than the French. They forced the civilians to grow a certain kind of tree that was used as a bag to defend against American bombs. Because of that, civilians couldn’t grow rice and 2 million people starved to death under the Japanese. Did you ever meet Ho Chi Minh? On August 19, after the Japanese lost, Hồ Chí Minh told all the civilians to go protest at Ba Đình Square. I went as well and I was 15 at the time. There was another protest on September 2. He called the whole city to go to Ba Đình Square again. They closed all the schools and businesses just for the protest. He called for independence for Vietnam. I saw him at the protest and we were about 20 meters apart, pretty close. I met him again in the Hoàn Kiếm Lake in Hànội. This time, he was from here to the table apart from me [a few feet]. I thought he was scary. He offered to shake hands with all the people in that room but I was too scared to actually shake hands with him, so he moved on to someone else. In October, the month after I met him, he went to France, to the Fountainebleau Palace, to ask for independence but before he left he had a Gold Week, in which he asked all the civilians to give up all their zanaflex money, diamonds, gold, jewels to have money to buy weapons to fight against the French, if needed. There was a lot of gold, a lot of money, a lot jewels. He bought the weapons in France when he went to ask for independence. What was Ho Chi Minh’s connection to your father? In October, Hồ Chí Minh came back to Vietnam and he asked the 2 main political parties of Vietnam, the Nationalist party and another party to go meet up so they can set up a new government for the country of Vietnam and my father was one of the officials who went to that meeting. The meeting was a cover for…there were 76 people who went. The meeting went from 8 in the morning to 9 at night. When Hồ Chí Minh let the members go into the cars he had all of them assassinated after the meeting under the cover of, “We can unite for a new government.” He had them in the cars and he killed every single one of them. My dad was the only one who survived. They had the bodies taken to a morgue in a hospital and the only reason why he was able to live was because the person in charge of the hospital felt that his body was still warm so they changed his clothes, because he was wearing an official’s suit, to peasant clothing just black pajama pants, black shirt. They bandaged his wounds and they called a xìch lô for him to go home. When he went to the door, I opened the door but I didn’t recognize who he was, not until he started speaking that I realize it was my dad. Two bullets got into his eye but I guess they didn’t explode. He also had 2 bullets into his cheek and destroyed his teeth. I didn’t know before that that Hồ Chí Minh was the one that had tried to get him assassinated, so after they learned that, my mom cleaned him up, changed his clothes, cleaned his wounds and sent him to the hospital. He stayed at the hospital for a couple of months before he went into exile in China. But that wasn’t the last time my family was affected by the Communists. I have two older sisters, one who was a few years older and the second who was only one year older than me. By the time my dad was in the hospital, my oldest sister had already gotten married, to another member of the Vietnamese Nationalist Party. I didn’t get to see her often, but they had a son. I remember, while my dad was in the hospital, I went to go visit my sister so I could play with my nephew, who was about 11 months old. But when I got to their home, no one was there. I asked their neighbors, and they were all scared but eventually I found out that my sister, her husband and my nephew had been killed not too long ago by the Communists. The Communists are evil. They tried to killed my dad, and killed my sister and her family in a matter of months. They’re absolutely evil. Why did you move to South Vietnam? In 1954, when the country was split, my family was afraid of the Communists so after what they did to my dad, the first thing we did was pack up and leave. Me and my husband got married in 1954. [shows a picture of both of them when they first came in to South Vietnam and she was pregnant with her first child] He worked as an Air Force Official in Đà Lạt, [and] we had 10 kids. The first one was born in 1955. After 1975, when the Communists came they didn’t give sufficient food, I think it was the same food they gave to the horses. All 10 of my kids contracted malaria. I was the only one who didn’t catch it. However I saw my neighbor’s children die, so I was afraid for my own 10. I managed to take care of them by giving them lemon and water, which is one of the key cures. In 1979, I let 4 of my kids go [on a boat] but before they got too far, there was a storm and the boat sank. I lost 3 of them. The 4th child managed to grab on to a piece of wood and floated to shore. Out of the 4, only one survived. I tried to go look for my other 3 children’s bodies but I could never find them. Living under Communism was very bad. I was very scared of them. My oldest child was forced into labor camps and when he came back he had a fever and he was so sick that he went insane and hasn’t recovered since then. Even though I wanted [my children] to escape, I didn’t let large number go together, so I let them go one by one. I wouldn’t lose so many if something happened again. There was also no future for my kids because they didn’t allow them to go to any universities. After 12th grade, you were done. You had to find your own living, especially if your parents were involved with the South Vietnamese government or with the Americans. My husband was part of the South Vietnamese Air Force so he couldn’t find a job. It was me trying to feed 12 mouths, including myself, before I could let my kids leave Vietnam. When my husband, like I said was part of the South Vietnamese air force, was forced into a re-education camp for 7 years, that’s why I was the only one able to bring money in to feed 10 kids, my mother-in-law, and herself. But after he served 7 years in the reeducation camp, somehow the Americans sponsored any South Vietnamese army officials over to America. We were both able to come to America with 2 of our kids; the rest had escaped by boat before then. Would you thank her for all of us? It was really nice here in America compared to back there. And you’re welcome. This entry was posted in Civilian, Communism, Re-education camp, Viet Nam, Vietnamese and tagged Biens Cao, Ho Chi Minh. Bookmark the permalink. ← Previous Profile Next Profile → Profile Bio Born in 1930, and raised in North Vietnam, Biens Cao was the youngest daughter of a revolutionist from the Vietnam Nationalist Party of the 1930s and 1940s. In 1945, she came face to face with Ho Chi Minh, only to learn months later that he had tried to assassinate her father, but failed, and had her sister and her family murdered. In 1954, when the country was split, she, her husband and her father all fled south to escape the influence of the Viet Cong. Unfortunately, by 1975, she was once again living under the Communists, raising 10 children as her husband was imprisoned in a re-education camp for 7 years because he served in the South Vietnamese Air Force. Trying to give a better life to her children, she allowed four of them to escape by boat in 1979, only to end up losing three of them when the boat sank in a storm. It wasn’t until 1993, when she arrived in America with her husband and children, that she found the freedom and peace that she had been looking for when she first fled from the Viet Cong in 1954. The Profilers Brandon Beard-Reed is a senior majoring in Cinematic Arts and is from Chicago, Illinois. Eugenio Chavez is also a senior, majoring in Industrial and Systems Engineering and graduating this coming December. He is from Monterrey, Mexico and a transfer student from the ITESM in Monterrey. Janet Nhan is a sophomore, a biological sciences major and is from Moreno Valley, California. Profile Date	cc/2021-04/en_head_0013.json.gz/line267
__label__cc	0.623674	0.376326	China's Cultural Revolution in Photos Enlarge Hide captions In May of 1966, amid waning power and influence, Chairman Mao Zedong warned that "counter-revolutionary revisionists" were infiltrating China's Communist Party in a bid to "turn the dictatorship of the proletariat into a dictatorship of the bourgeoisie." In response, he launched the "Great Proletarian Cultural Revolution" to weed out and purge purveyors of capitalism and traditional thinking. It was during this period that Mao's cult of personality reached its zenith, with the entire country reading and reciting his Little Red Book of quotations and prominently displaying his portrait in all arenas of public and private life. Mao inspired squadrons of youth to form "Red Guard" units to smash down anything representing old customs, culture, habits, or ideas, and terrorize those perceived to be capitalist elements. The Cultural Revolution unleashed a decade of political witch-hunts, social upheaval, and violence that pit neighbors — and even family members — against one another. This week marks the 50th anniversary of the beginning of the Cultural Revolution, which lasted until Mao's death in 1976. The above photos depict scenes from the period. The Cultural Revolution Was Devastating \| Zhang Jingjing Director Zhang Yimou: 'The Cultural Revolution is Still Off Limits' in China The Cultural Revolution Broke All Patterns of Restraint \| Robert Oxnam 'Assignment: China' Documentary Looks at Mao's Death and 'the End of an Era' On Weibo: Cultural Revolution Suicides cultural revolution lin biao	cc/2021-04/en_head_0013.json.gz/line276
__label__wiki	0.859647	0.859647	INEC Chairman Hands Over, awaits Senate confirmation Victoria Ogunrinde The chairman of the Independent National Electoral Commission, Prof. Mahmood Yakubu, on Monday, handed over to Air Vice Marshall Ahmed Mu’azu (retd.) to oversee the affairs of the commission. Mu’azu would oversee the INEC pending the confirmation of Yakubu by the Senate. Yakubu said, “You may recall that the current Commission was inaugurated in three batches. The Chairman and five Commissioners were sworn-in on 9th November 2015, followed by another six Commissioners on December 7, 2016, and one more Commissioner on July 21, 2018. “The commission is a constitutional body whose members are appointed for five years which may be renewed for a second and final term. This means that my tenure and that of the first set of five Commissioners ends today. “As you are already aware, the renewal of my tenure as Chairman of the Commission has been announced, subject to confirmation by the Senate. Our work as election managers requires us to enforce the law, regulations, and guidelines. In doing so, we must demonstrate strict respect for, and compliance with, the Constitution of Nigeria and subsidiary laws. “Consequently, it will be inappropriate for me to remain in office beyond today, 9th November 2020, without confirmation by the Senate and swearing to another oath of office as provided by law. “Pending the conclusion of the statutory process, the remaining National Commissioners have resolved that AVM Ahmed Mu’azu (retd.) will oversee the affairs of the Commission. “It is therefore my pleasure to hand over to him in the interim. We have worked as a team for the last four years. Therefore, there is nothing new to anyone of them. “I wish to express my appreciation for the support of the Commission members, the Resident Electoral Commissioners, the Secretary to the Commission, the Director-General of the Electoral Institute, Directors, members of the technical team, heads of the various security agencies deployed to INEC and all staff of the Commission nationwide. I look forward to working with you again.” Previous Corps Members to get compulsory health insurance – Buhari Next FG Evaluates Incorporation of Korean Intelligent Transport System In Nigeria	cc/2021-04/en_head_0013.json.gz/line278
__label__cc	0.672049	0.327951	July 28, 2016 · by MrsB_inthehills · in Family, friends and other good stuff, Out and About. · Today I’m going to write about good things. No tragedies, no sad losses, no whinging, even. Just good stuff, that has made me smile – hopefully it’ll have the same effect on some of you. So, where to begin? How about this, probably the most delightful news of all – the birth of a baby. To my friend Rich and his wife Nia (who I’ve never met! I used to work with Rich and a meeting with Nia is long overdue), a beautiful baby girl. Many, many congratulations guys, I wish you years of joy. You will need strong stomachs, endless patience and – above all – a sense of humour, but you will be rewarded beyond your wildest dreams. It would be nice if I could move seamlessly to the next in the line of delightful social events, a wedding. Alas, I can’t because I don’t know anyone who tied the knot this month so instead I’m going with this: thirty-four years ago this week, on the 25th July 1982, Mr B and I travelled to Birmingham and were married at the Church of St Lazar. This may not sound unusual…except that we were both living in Cardiff, as were Mr B’s family and most of our friends whilst my family lived not far away. So why did we hire a coach and transport our guests over 100 miles up the M5? It was my Dad’s fault. He was Yugoslav – or, as we now say, he was born in the former Yugoslavia. He came to the UK in 1951, having been a World War II refugee. Because of this background, my sisters and I had been brought up as members of the Serbian Orthodox church. Typically for a church like this, set up in a foreign country, the catchment area is very large. So the ex-pat Yugoslav community in the UK, spread across the country with clusters in areas widely separated from each other, had a sort of peripatetic priest. He would come to various cities in the area he was allotted; our priest, Father Zebic, was responsible for Birmingham (the centre of his parish), Halifax, Leicester, Coventry and Cardiff. There may have been other towns, but I’ve no idea where they were. Father Zeb would hold a service in Birmingham and then set off for one of the other places. One week it would be Cardiff, the next Leicester and so on. The services were held in Anglican churches whose vicars had kindly agreed to the loan. After some years the members of the parish decided to raise money to build their own church, which they finally did. It was built in Bournville, a leafy suburb of Birmingham. St Lazar’s became the focal point for all of the cultural, social and religious activities of the community. The summer we got married, some members of the civil service and local government were involved in an industrial dispute and were working to rule. This caused a small problem for us; Father Zeb was an ‘appointed person’ for St Lazar’s but nowhere else, which meant that the only place he could carry out the legal part of a marriage was at that church. If he married us in Cardiff we would have to have a registrar in attendance. Normally this would be easily sorted out – the registrar would come to the church. But, as I mentioned, they were working to rule…you can see where I’m going with this. The solution was obvious. We would go to Birmingham – all of us. And so we booked a coach (it was a small wedding so one was enough, thank goodness). My crowd were collected first and then Mr B’s family and some other friends were picked up in Cardiff. Meanwhile I travelled in the car with my Dad (driving), Uncle Bob (Dad’s best friend and my Godfather – also Yugoslav, who’d settled in Chorley, Lancs) and Aunty Phil (my Mum’s sister, who suffered from travel-sickness on a bus). Not the easiest of journeys. Dad was never a happy driver; Uncle Bob was a bit deaf and spoke poor English with an accent that was a strange mixture of Yugoslav and Lancashire; Aunty Phil was very hard of hearing and had lived all her life in the Goytre valley outside Port-Talbot. It’s probably enough to say that conversation didn’t exactly flow in that car. We arrived an hour early and Dad’s solution was to drive to a pub. As I remember it, there was a dart-board in the corner and sawdust on the floor. I swear there were men in there with ferrets. Luckily I can put your minds at rest here and tell you that I’d decided not to wear a long, traditional wedding dress and so I didn’t look too out of place… Meanwhile the coachload of the bewildered had reached the church to find a barbecue in progress. My Mum almost swallowed her tongue when Father Zeb spotted her and said “Hello! What you doing here?” When he was reminded that he was supposed to be performing a wedding service he grinned and said “Oh yes! I will just finish my sausages.” The good news is that we eventually all got inside the church at the same time and did what we were supposed to do. The Orthodox service is lovely and involves bride and groom wearing crowns, carrying candles and having their wrists tied together. Everything seems to be done three times, including walking around the small altar, putting on the wedding rings and being blessed. Outside the lunacy continued. Dad had brought bottles of sljivovic, a lethal Serbian plum brandy, so that we could have an immediate toast. Mum dished out packets containing sandwiches and slices of cake to everyone, so that they shouldn’t get peckish on the bus journey back to South Wales for the reception. I wish the smart phone had been around then because I’m willing to bet that the impromptu photographs of people’s reactions would have been hilarious. Anyway, thirty-four years later we’re still putting up with each other so I guess we must be doing something right. Other recent happy events include Alex’s graduation, which I’ve already told you about, and my birthday. The best thing about my birthday was that all three girls stayed on after Alex’s day so that we could have a party on the Saturday. This meant a house full of friends, old and new. The weather was kind to us and we were able to sit out in the garden until late evening, before lolling in the living room and playing Articulate after drinking far too much wine. The aftermath of party weekend The weather was even better the following week. So good, in fact, that we drove across to Cardigan Bay to spend the day on the beach on what turned out to be the hottest day of the year. It took us just over two hours, partly because of the geography of the country but also due to the fact that a road can have many faces in Wales. The A40 which takes us past Brecon to Llandovery is reasonably straight, with a good surface. Soon after that, under a different letter and number, it narrows and begins to wind left to right, up and down but is still the main route to the beaches of Ceredigion. And then at one point it became this: After about ten minutes the truck herded the cows into a field and we could carry on, being rewarded with our first sight of the sea. We sizzled for several hours before we admitted that it was probably too hot so we drove to Cardigan for a stroll around the town, which is really pleasant. We had a bit of a hissy fit when we realized that we couldn’t get into the castle for nothing by using our Cadw cards and decided to go home instead. Colourful Cardigan houses As we approached Crickhowell the thermometer in the car told us that the outside temperature was 34 degrees – thank God for air conditioning! But I’m not complaining, not this week. And never about good weather. Heading back into the national park, and home Above the hills, along the blue… R.L.Stevenson Tags: family, home, wales ← The best of times, the worst of times Walking with druids →	cc/2021-04/en_head_0013.json.gz/line280
__label__wiki	0.883974	0.883974	Home » Lifestyle » EDWARD LUCAS: Let's never glamourise traitor George Blake EDWARD LUCAS: Let's never glamourise traitor George Blake Let’s never glamourise this traitor with blood on his hands: As KGB agent George Blake dies, a plea from a man who heard the stories of those he betrayed At the weekend, as I read sentimental tributes paid to the MI6-agent-turned-Soviet-spy George Blake after his death on Boxing Day at the age of 98, my thoughts turned to his victims, people like Mr Koppel One day in 2010, I travelled to Wokingham in Berkshire to visit a retired lathe operator called Alexander Koppel. He lived in a small, neat bungalow and was in every way an unobtrusive man but over the next few hours he told me an astonishing story of betrayal, resistance and patriotism. For while living as a refugee in post-war Britain he had been recruited by MI6 and sent on a mission to Soviet-occupied Estonia. But Operation Jungle, which was aimed at boosting the anti-Communist resistance, was doomed to failure from the start. Koppel and his fellow agents were betrayed before they set off across the Baltic in a blacked-out speedboat. They were captured by the enemy and those that weren’t shot were taken to the Lubyanka, the headquarters of the KGB in Moscow and home to an infamous jail where spies, political dissidents and various enemies of the state were imprisoned, interrogated, and tortured. As Koppel described his ordeal, how he had been saved from execution by being included in the first spy-swap of the Cold War, and his return to Britain, his family listened with rapt attention. This was a story they had never heard. At the weekend, as I read sentimental tributes paid to the MI6-agent-turned-Soviet-spy George Blake after his death on Boxing Day at the age of 98, my thoughts turned to his victims, people like Mr Koppel. Many brave men and women risked, often lost, their lives in the cause of freedom. It was this cause, and their fates, that Blake and other Communist sympathisers betrayed. So when Josh Jackson, a self-professed Corbynite, tweets that the BBC’s obituary of Blake ‘makes him sounds like the coolest dude’, I despair. Koppel was one of the lucky ones. Born to a Dutch-Egyptian family, he arrived in Britain only in 1943 and it was at this point that his mother changed the family surname from Behar to the more British-sounding Blake. He is pictured above with wife Ida in 1961 He lived to see Estonia regain its independence, and was belatedly feted as a hero. Others were less fortunate. In the flickering twilight of the Cold War, I tracked down other casualties of Western espionage’s failures. Klemensas Sirvys, a Lithuanian half-paralysed after his ordeal in the labour camps, was living in a dirt-floored shack in Kybartai. Then there was the saturnine former RAF man I met in Communist Czechoslovakia, who had spent years labouring in the uranium mines after his work for MI6 was discovered. I quizzed these men about who had betrayed them. They did not know then. Neither do we now. Which betrayals were due to Blake? Which to Kim Philby, the cynical charmer who vowed at Cambridge to dedicate his life to the eventual victory of Communism? What damage was done by the other pampered products of the British upper class who made up the rest of the Cambridge Five ring of double agents? Amid so many mysteries, one thing stands out – missed by many on the illiberal Left in the comfortable West, but blindingly clear to our neighbours in eastern Europe. Communism was a failure. The economic system based on bureaucratic state planning did not work. Nor did the political system, based on lies and fear, enforced by the secret police, with decision-making ruthlessly monopolised by the Communist Party. For all the talk of the brotherhood of man, any attempt by captive nations, such as Czechoslovakia and Hungary, to regain their freedom was ruthlessly crushed. But by the time I was a foreign correspondent behind the Iron Curtain in the 1980s, the Soviet empire was collapsing. Blake understood nothing of this, or of loyalty to Britain. He had never betrayed his country, he argued, because he had never really belonged here. Born to a Dutch-Egyptian family, he arrived in Britain only in 1943 and it was at this point that his mother changed the family surname from Behar to the more British-sounding Blake. After a stint working as a clerk for the Dutch government-in-exile, Blake joined the Royal Navy and within a year had been hired by MI6. He was sent to Cambridge to learn Russian before being posted to Seoul in 1948. Ironically, it was when he was captured by Communist forces during the Korean War that he switched sides. He later said it was the discovery that American Flying Fortresses were carpet-bombing local villages that made him throw in his lot with the Soviets. Though he conceded that imperfect people could not build a perfect society, he insisted that he was optimistic that humanity would ‘come to the viewpoint that it would be better to live in a Communist society’ In the pressure-cooker world of the 1950s it is easy to see why Blake, like so many others of his generation, were seduced by the promise of a better, fairer future, and a chance to right the balance between an overbearing, imperialist West and a peace-loving eastern bloc. On his release, his MI6 employers never questioned his loyalty, however, and gave him a prized job at the heart of operations in the espionage hotspot of West Berlin. He passed countless secrets to the KGB, from the existence of a tunnel dug into the Communist-controlled east of the city, which tapped secret communications links with Moscow, to the identities of hundreds of agents. Their fate can only be imagined. A former Soviet military intelligence officer who defected to Britain described how his induction to the service involved viewing a film of a man, strapped to a stretcher, being burned alive in a furnace. The price of treachery, the recruits were told. Some believe that the figure was Piotr Popov, a Western spy said to have been betrayed by Blake. No such barbaric fate awaited Blake himself when he was finally caught. Once he confessed his treachery to the British secret service, he was spared the death penalty – still in force in Britain in 1961 – instead receiving an exceptionally long prison sentence of 42 years. Yet thanks to an Irish petty criminal, Sean Bourke, and two Left-wing activists, Michael Randle and Pat Pottle, Blake escaped from the supposedly secure Wormwood Scrubs barely five years later. The official story, put about by British spymasters, was that Blake’s exfiltration was masterminded by the KGB. The truth was far more embarrassing. His prison escape was an amateurish affair involving a broken window and a home-made rope ladder with rungs fashioned out of knitting needles. After two months hiding out in north London, Blake was smuggled to East Germany in a camper van. He retained his Marxist beliefs to the end – and beyond. Even after the Soviet Union collapsed, he remained a true believer. Though he conceded that imperfect people could not build a perfect society, he insisted that he was optimistic that humanity would ‘come to the viewpoint that it would be better to live in a Communist society’. For all the KGB’s triumphs in the spy wars, Communism failed. The ideology of Marx, Engels and Lenin lives on only in hellholes such as Venezuela and North Korea – and in the fetid corners of western academia and in the irrelevancies of Left-wing politics. Even as we flinch at the murk and misery of that tortured era let us remember one thing. The West won. Hundreds of millions of people live in freedom as a result. In that great contest, George Blake, the cynical idealist, chose to help the wrong side. We should rejoice in his failure, mourn his victims, and – above all – refuse to glamourise him. Egyptian diver spends 6 days under water in the Red Sea to break world record Boots UK: Can you buy Coronavirus test kits at Boots? Passenger jet rocked by fierce gales as it struggles to land during Storm Ciara No One Will Know This Stylish Sherpa Jacket Is Actually by Vans The rise of the kitchen island: Get the right look at the right price Luca's Black Narcissus BBC cast: Who plays Sister Briony in Black Narcissus? HUGH FEARNLEY-WHITTINGSTALL: Eat your way to weight loss The pandemic put our baby dreams on hold AC/DC Share Black-And-White Video For ‘Realize’ How Jill Zarin Created An Empire With This Pandemic Business	cc/2021-04/en_head_0013.json.gz/line284
__label__wiki	0.550697	0.550697	‘Bridgerton’s Rege-Jean Page Reveals The Most Difficult Scenes For Him To Film & They Might Surprise You Inside Dolly Parton And Linda Perry’s Unexpected Friendship Millionaire fans slam ‘unfair’ game as player stumbles on Tiger King question Home » Books » Star Wars Light of the Jedi Review: A thrilling first step into The High Republic Star Wars Light of the Jedi Review: A thrilling first step into The High Republic 01/13/2021 Books Star Wars: The High Republic announcement trailer It is not an easy feat to delve into uncharted territories of Star Wars’ expanded mythos. Books surrounding the multi-billion dollar science fiction franchise have been around for decades, but for what seems like the first time, the series is now exploring prequel territory – even to the prequels. Last year Star Wars owners Disney announced they would be creating a new era of the Star Wars story – The High Republic. The High Republic is the period of time in the Star Wars universe that predates the prequel trilogy of films – The Phantom Menace, Attack of the Clones, and Revenge of the Sith – by about 200 years. For the massive Star Wars fans out there, The High Republic arrives just 800 years after The Old Republic – meaning the Jedi are in full-force at the time of reading. Enter Light of the Jedi – the first novel in the newly-established universe of The High Republic, written by Charles Soule – who is best known for writing the Kylo Ren graphic novel series. In short, Light of the Jedi is the Star Wars story that fans of the mythos have been dying to read. It is the height of the Jedi’s reign, and the mystical warriors are now better perceived as galactic superheroes – swooping in at a moment’s notice to fight off the forces of evil. In Light of the Jedi’s case, a great calamity is about to occur at Hetzal, a planet in the galaxy, potentially killing millions of innocent people, and it is up to a small cohort of fierce and powerful Jedi Knights and Masters to solve the problem. Already, some of the story’s characters are taking on iconic form, akin to that of Mace Windu and Master Yoda, while simultaneously breaking hearts and expectations. Star Wars: Rogue Squadron teased by director Patty Jenkins Enter perhaps one of the most interesting characters in the entire series so far – Jedi Master Loden Greatstorm. A Twi’lek Jedi is not a new thing, but a Jedi this interesting is. Greatstorm is not only supremely-well named, but is full of delicate nuances that make him an incredible force of nature throughout the book, and someone whose presence will be felt throughout the series forever, going forward. Boiled into the 400-page tome is a number of tropes from the Star Wars movies – unbeatable odds, betrayal, a tussle of wills between Master and Padawan – but they aren’t overwritten here. A collection of scenes in Light of the Jedi could have been ripped straight other well-established examples of Star Wars content – extremely good examples – and fans are going to lap it up. The novel isn’t without its weaknesses however – although they are few. Its story, right from the first page, is entirely engaging, and an absolute page-turner – however it does suffer from a bit of a lull shortly thereafter. Some of the necessary bouts of exposition throughout the book were a little thick, and may leave some readers itching to get back into the high-stakes Jedi problem solving when things get turned down. With that said, many fans of the franchise will adore this attention to detail, and may perhaps be yearning for even more in-depth Star Wars lore in the future. Despite this, the story itself was sublime. It felt like a completely new tale that didn’t rely on the already well-established mythos of the Skywalkers or Darth Vader to keep you interested. It also managed to, surprisingly, evoke a lot of purpose and emotion on a number of characters – something I am interested to see continue going forward in the continuing series, especially with new authors along the way. Star Wars Light of the Jedi is a gorgeous first dip into The High Republic. Although it is just a taste of the story, and what is to come, it is an absolutely astounding set-up for the huge series that is on the way. The most impressive piece of the puzzle is the various characterisations that are displayed throughout the novel; a collection of heroes and villains that fans will love to explore going forward. Light of the Jedi is the next step in the Star Wars expanded universe, and it could be its best yet. Star Wars: The High Republic – Light of the Jedi is published by Century, and is out now. books, ctp_video, entertainment HRVY tells fans ‘life’s pretty sad at the moment’ weeks after missing out on Strictly win This Early Version Of Olivia Rodrigo’s "Driver’s License" May Mean It’s Not About Sabrina Carpenter	cc/2021-04/en_head_0013.json.gz/line285
__label__wiki	0.772626	0.772626	Bloom announces candidacy for 3rd District county supervisor Assemblyman Richard Bloom Assemblyman Richard Bloom (D-Santa Monica) announced on Jan. 6 he will run to succeed Los Angeles County Supervisor Sheila Kuehl, 3rd District, who has decided not to seek a third term in 2022. Bloom is a former Santa Monica mayor and longtime resident of the 3rd District. “Supervisor Kuehl has been and will continue to be a champion of progress on the board of supervisors. Her impact has been profound and her legacy as a state legislator and supervisor will bring benefits long into the future,” Bloom said in a statement. “I am running for L.A. County supervisor because I want to build on Supervisor Kuehl’s progressive legacy and tackle the many critical issues that we face. I will fight for humane solutions to our housing and homelessness crisis. Along with investment in affordable housing, that will mean doubling down on improving our public health, mental health and justice systems. It also means committing to equitable economic recovery and growth as we strive not to return to “business as usual” but to create a more just L.A. County with opportunity for all. And, of course, I will continue to be a champion for addressing the causes of the climate crisis, holding polluters accountable, and for preserving and improving our natural open spaces. I believe my background and experience are ideally suited to helping address the many issues that face the residents of Los Angeles County.” Bloom was elected in 2012 to represent the 50th Assembly District, which includes Beverly Hills, West Hollywood and most of the westside of Los Angeles. In the Assembly, he has focused on environmental protection, affordable housing, renter protections and services that address the root causes of homelessness. Before his service in the State Assembly, Bloom served for more than a decade on the Santa Monica City Council and as the city’s mayor. He has also served on the California Coastal Commission, Santa Monica Bay Restoration Commission and the Santa Monica Mountains Conservancy Board. For nearly 30 years, Bloom practiced family law, assisting his clients in resolving challenging personal and financial issues. He subsequently and consecutively served as executive director of the nonprofit Levitt & Quinn Family Law Center and People Assisting the Homeless. VINTAGE: Iconic land deal in O.C. Open casting call for ‘Lego Masters’ second season happening now Program trains employees to guard against virus November 12, 2020 Board of Supervisors considers ways to reallocate funds to ‘Reimagine L.A.’ November 12, 2020 Law will protect larger animals from rodenticides October 8, 2020 Bloom hosts Schiff for town hall October 1, 2020 Ballot measure will allocate more funds to low-income communities July 23, 2020 County plans to fine businesses not complying with health orders July 9, 2020 County explores ways to provide face coverings to the public June 25, 2020 County takes new steps to protect tenants May 21, 2020 Board grants more oversight powers to commissions January 30, 2020	cc/2021-04/en_head_0013.json.gz/line287

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