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development-1
|
Zoe Telford -- played the police officer girlfriend of Simon, Maggie. Dumped by Simon in the final episode of series 1, after he slept with Jenny, and is not seen again. Phoebe Thomas played Cheryl Cassidy, Pauline's friend and also a year 11 pupil in Simon's class. Dumped her boyfriend following Simon's advice after he wouldn't have sex with her but later realised this was due to him catching crabs off her friend Pauline.
|
her
| 274
|
Cheryl Cassidy
| 191
| true
|
Pauline
| 207
| false
|
ᱡᱳᱭ ᱴᱮᱞᱯᱷᱚᱨᱰ - ᱥᱤᱢᱚᱱ ᱨᱮᱱᱟᱜ ᱯᱳᱞᱤᱥ ᱳᱯᱷᱤᱥᱚᱨ ᱠᱩᱲᱤ ᱜᱤᱫᱽᱨᱟ. ᱢᱟᱜᱤ ᱾ ᱥᱤᱨᱤᱡᱽ ᱑ ᱨᱮᱱᱟᱜ ᱯᱟᱹᱪᱷᱤᱢ ᱮᱯᱤᱰᱤᱭᱚ ᱨᱮ ᱥᱤᱢᱚᱱ ᱛᱮᱭ ᱩᱫᱩᱜ ᱞᱮᱱᱟ ᱾ ᱡᱮᱱᱤ ᱥᱟᱶ ᱡᱤᱱᱟᱹᱭ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚᱭ ᱩᱫᱩᱜ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱵᱟᱭ ᱧᱮᱞ ᱞᱮᱱᱟ ᱾ ᱯᱷᱤᱵᱤ ᱴᱚᱢᱟᱥ ᱫᱚ ᱯᱳᱞᱤᱱ ᱨᱮᱱᱟᱜ ᱜᱚᱲᱦᱚᱱ ᱟᱨ ᱥᱤᱢᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱞᱟᱥ ᱨᱮ ᱢᱤᱫ ᱥᱮᱨᱢᱟ ᱑᱑ ᱥᱮᱨᱢᱟ ᱯᱚᱲᱦᱚᱱᱤᱡ ᱪᱮᱨᱤᱞ ᱠᱮᱥᱤᱰᱤ ᱮ ᱩᱫᱩᱜ ᱞᱮᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱟᱡᱤᱡ ᱜᱚᱲᱦᱚᱱ ᱫᱚ ᱥᱤᱢᱚᱱ ᱨᱮᱱᱟᱜ ᱥᱚᱦᱚᱨ ᱛᱟᱭᱚᱢ ᱩᱫᱩᱜ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱥᱟᱶ ᱥᱤᱠᱷᱱᱟᱹᱛ ᱮ ᱵᱟᱭ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱟᱡᱤᱡ ᱜᱚᱲᱦᱚᱱ ᱯᱳᱞᱤᱱ ᱠᱷᱚᱱ ᱠᱟᱹᱴᱤᱡᱽ ᱠᱚᱭ ᱧᱟᱢ ᱞᱮᱫ ᱠᱷᱟᱹᱛᱤᱨ ᱱᱚᱶᱟ ᱫᱚ ᱩᱱᱤ ᱠᱷᱟᱹᱛᱤᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱪᱮᱨᱤᱞ ᱠᱮᱥᱰᱤ
|
ᱯᱳᱞᱤᱱ
| 42
| 32
| 63
|
development-2
|
He grew up in Evanston, Illinois the second oldest of five children including his brothers, Fred and Gordon and sisters, Marge (Peppy) and Marilyn. His high school days were spent at New Trier High School in Winnetka, Illinois. MacKenzie studied with Bernard Leach from 1949 to 1952. His simple, wheel-thrown functional pottery is heavily influenced by the oriental aesthetic of Shoji Hamada and Kanjiro Kawai.
|
His
| 284
|
MacKenzie
| 228
| true
|
Bernard Leach
| 251
| false
|
ᱩᱱᱤ ᱫᱚ ᱤᱣᱮᱱᱥᱴᱚᱱ, ᱤᱞᱤᱱᱤᱭᱳᱥ ᱨᱮ ᱯᱮᱭᱟ ᱜᱤᱫᱽᱨᱟ. ᱢᱩᱬᱩᱛ ᱫᱚ ᱟᱡ ᱵᱟᱵᱟ, ᱯᱷᱨᱮᱰ ᱟᱨ ᱜᱚᱨᱰᱚᱱ ᱟᱨ ᱵᱷᱟᱵᱟ, ᱢᱟᱨᱡ (ᱯᱤᱯᱤ) ᱟᱨ ᱢᱟᱨᱞᱤᱱ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱦᱟᱭᱥᱤᱠᱩᱞ ᱫᱤᱱ ᱫᱚ ᱤᱣᱤᱱᱮᱴᱠᱟ, ᱤᱞᱤᱱᱤᱭᱳᱥ ᱨᱮ ᱱᱤᱣ ᱴᱨᱤ ᱦᱟᱭᱥᱠᱩᱞ ᱨᱮ ᱠᱟ.ᱭᱮᱱᱟ ᱾ ᱑᱙᱔᱙ ᱠᱷᱚᱱ ᱑᱙᱕᱒ ᱥᱟᱞ ᱨᱮ ᱢᱚᱠᱮᱱᱡᱤ ᱫᱚ ᱵᱚᱨᱱᱟᱨᱰ ᱞᱤᱪ ᱥᱟᱶ ᱥᱮᱪᱮᱫ ᱞᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱥᱮᱫᱟᱭ, ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ ᱠᱟᱹᱢᱤ
|
ᱟᱡᱟᱜ
|
ᱢᱚᱠᱮᱱᱡᱤ
|
ᱵᱚᱨᱱᱟᱨᱰ ᱞᱤᱪ
| 144
| 146
| 35
|
development-3
|
He had been reelected to Congress, but resigned in 1990 to accept a post as Ambassador to Brazil. De la Sota again ran for governor of C*rdoba in 1991. Defeated by Governor Angeloz by over 15%, this latter setback was significant because it cost De la Sota much of his support within the Justicialist Party (which was flush with victory in the 1991 mid-terms), leading to President Carlos Menem 's endorsement of a separate party list in C*rdoba for the 1993 mid-term elections, and to De la Sota's failure to regain a seat in Congress.
|
his
| 265
|
Angeloz
| 173
| false
|
De la Sota
| 246
| true
|
ᱰᱮ ᱞᱚ ᱥᱳᱴᱟ ᱫᱚ ᱑᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱢᱟ ᱵᱟᱪᱷᱱᱟᱣ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱰᱮ ᱞᱚ ᱥᱳᱴᱟ ᱫᱚ ᱑᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱢᱟ ᱵᱟᱪᱷᱱᱟᱣ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱛᱟᱞᱢᱟ ᱵᱟᱪᱷᱱᱟᱣ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱑᱙᱙᱙᱓ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱚᱨᱠᱟᱨ ᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱟᱱᱡᱮᱞᱳᱥ
|
ᱰᱮ ᱞᱟ ᱥᱳᱴᱟ
| 28
| 0
| 51
|
development-4
|
The current members of Crime have also performed in San Francisco under the band name ''Remote Viewers``. Strike has published two works of fiction in recent years: Ports of Hell, which is listed in the Rock and Roll Hall of Fame Library, and A Loud Humming Sound Came from Above. Rank has produced numerous films (under his real name, Henry Rosenthal) including the hit The Devil and Daniel Johnston.
|
his
| 321
|
Hell
| 174
| false
|
Henry Rosenthal
| 336
| true
|
ᱨᱤᱢ ᱨᱮᱱᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱠᱚᱞᱮᱡᱽ ᱫᱚ ᱥᱮᱱ ᱯᱷᱨᱟᱱᱥᱤᱥᱠᱳ ᱨᱮ 'ᱨᱮᱢᱳᱴ ᱵᱤᱡᱩᱣᱟᱨᱥ ᱹᱹᱹᱹᱹᱹ' ᱧᱩᱛᱩᱢ ᱛᱮ ᱦᱚᱸ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱥᱴᱨᱟᱭᱠ ᱫᱚ ᱥᱮᱨᱢᱟ ᱠᱚᱨᱮ ᱵᱟᱨᱭᱟ ᱯᱷᱤᱞᱢ ᱯᱟᱨᱥᱟᱞ ᱟᱠᱟᱫᱟ: ᱯᱚᱨᱴᱥ ᱳᱯᱷ ᱦᱮᱞ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱨᱳᱠ ᱟᱨ ᱨᱳᱞ ᱦᱟᱞ ᱨᱮᱱᱟᱜ ᱯᱷᱮᱢ ᱵᱤᱞᱤᱵᱽᱨᱤᱭᱟ ᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱮ ᱞᱚᱰ ᱦᱩᱢᱤᱝ ᱥᱩᱱᱰ ᱠᱮᱢᱮᱰ ᱳᱵᱷᱮᱨ ᱠᱷᱚᱱ ᱾ ᱨᱟᱱᱠ ᱫᱚ ᱟᱭᱢᱟ ᱯᱷᱤᱞᱢ (ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱡᱟᱜ ᱚᱞ ᱧᱩᱛᱩᱢ ᱛᱮ, ᱦᱮᱱᱨᱤ ᱨᱳᱥᱮᱱᱛᱷᱚᱞ) ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱾ ᱚᱱᱟ ᱨᱮᱫᱚ ᱦᱤᱴ ᱫᱮᱵᱮᱞ ᱟᱨ ᱰᱮᱱᱤᱭᱟᱞ ᱡᱚᱱᱥᱴᱚᱱ ᱠᱚᱦᱚᱸ ᱾
|
ᱟᱡᱟᱜ
|
ᱫᱷᱚᱨᱚᱢ
|
ᱦᱮᱱᱨᱤ ᱨᱳᱥᱮᱱᱛᱚᱞ
| 27
| 53
| 58
|
development-5
|
Her Santa Fe Opera debut in 2005 was as Nuria in the revised edition of Golijov's Ainadamar. She sang on the subsequent Deutsche Grammophon recording of the opera. For his opera Doctor Atomic, Adams rewrote the role of Kitty Oppenheimer, originally a mezzo-soprano role, for soprano voice, and Rivera sang the rewritten part of Kitty Oppenheimer at Lyric Opera of Chicago, De Nederlandse Opera, and the Metropolitan Opera., all in 2007. She has since sung several parts and roles in John Adams' works, including the soprano part in El Ni*o, and the role of Kumudha in A Flowering Tree in the Peter Sellars production at the New Crowned Hope Festival in Vienna.
|
She
| 437
|
Kitty Oppenheimer
| 219
| false
|
Rivera
| 294
| true
|
᱒᱐᱐᱕ ᱨᱮ ᱟᱡᱟᱜ ᱥᱮᱱᱟᱴᱟ ᱯᱷᱮ ᱚᱯᱮᱨᱚ ᱮᱰᱵᱷᱤᱭᱩᱴ ᱫᱚ ᱜᱳᱞᱡᱳᱵᱽ ᱟᱭᱱᱟᱰᱟᱢᱟᱨ ᱨᱮᱱᱟᱜ ᱱᱟᱣᱟᱭ ᱟᱰᱤᱥᱚᱱ ᱨᱮ ᱱᱩᱨᱤᱭᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱳᱯᱮᱨᱚ ᱨᱮᱱᱟᱜ ᱛᱟᱭᱚᱢ ᱰᱳᱭᱪ ᱜᱨᱟᱢᱳᱯᱷᱚᱱ ᱨᱮᱠᱳᱨᱰ ᱨᱮ ᱥᱮᱨᱮᱧ ᱞᱮᱫᱼᱟ ᱾ ᱟᱡᱟᱜ ᱚᱯᱮᱨᱚ ᱰᱳᱠᱴᱚᱨ ᱟᱴᱚᱢᱤᱠ ᱞᱟᱹᱜᱤᱫ, ᱮᱰᱢᱥ ᱫᱚ ᱠᱤᱴᱤ ᱳᱯᱮᱱᱦᱟᱭᱢᱟᱨ ᱨᱮᱱᱟᱜ ᱨᱚᱲ ᱮ ᱨᱩᱣᱟᱭ ᱞᱮᱫᱼᱟ, ᱚᱠᱟ ᱫᱚ ᱢᱤᱡᱳ ᱥᱳᱯᱨᱟᱱᱳ ᱨᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱨ ᱨᱤᱵᱮᱨᱟ ᱫᱚ ᱒᱐᱐᱗ ᱨᱮ ᱪᱤᱠᱚ ᱨᱮᱱᱟᱜ ᱞᱤᱠ ᱚᱯᱮᱨᱚ, ᱰᱮ ᱱᱮᱞᱮᱱᱰᱚᱨᱥ ᱚᱯᱮᱨᱚ ᱟᱨ ᱢᱤᱴᱨᱳᱯᱷᱮᱞᱮᱱᱴ ᱚᱯᱮᱨᱚ ᱨᱮ ᱠᱤᱴᱤ ᱳᱯᱮᱱᱦᱟᱭᱢᱟᱨ ᱨᱮᱱᱟᱜ ᱨᱚᱲ ᱮ ᱨᱩᱣᱟᱭ ᱞᱮᱫᱼᱟ ᱾ ᱒᱐᱐᱗ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱡᱚᱱ ᱟᱰᱟᱢᱥ ᱨᱮᱱᱟᱜ ᱠᱟᱹᱢᱤ ᱨᱮ ᱟᱭᱢᱟ ᱴᱷᱟᱶ ᱟᱨ ᱨᱚᱲ ᱮ ᱥᱮᱨᱮᱧ ᱟᱠᱟᱫᱼᱟ ᱾ ᱤᱞᱮᱱᱰ ᱨᱮ ᱤᱞᱮᱱᱰᱚᱨ ᱨᱮ ᱥᱳᱯᱨᱟᱱ ᱴᱷᱟᱶ ᱮᱞ ᱤᱞᱢ ᱨᱮ ᱮᱞ ᱱᱤᱱᱟᱹᱱᱤᱭᱳᱹᱱᱳᱹᱭᱳᱹᱭᱳᱹᱭᱳᱹᱭᱳᱹᱭᱳᱹᱭᱹᱭᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹ
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ᱩᱱᱤ ᱫᱚ
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ᱠᱤᱴᱤ ᱳᱯᱮᱱᱦᱟᱭᱢᱟᱨ
|
ᱨᱤᱵᱚᱨᱟ
| 1
| 63
| 21
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development-6
|
Sandra Collins is an American DJ. She got her start on the West Coast of the U.S. in Phoenix, Arizona and into residencies in Los Angeles, and eventually moved towards trance. She used American producers to give herself a unique sound. Collins performed for an estimated 80,000 people on the first night of Woodstock '99, and was the first female DJ featured in the Tranceport series of influential recordings. She recently has released two CD mixes under Paul Oakenfold's Perfecto label.
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She
| 411
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Collins
| 236
| true
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DJ
| 347
| false
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ᱥᱮᱱᱰᱨᱟ ᱠᱳᱞᱤᱱᱥ ᱫᱚ ᱢᱤᱫ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱤᱱᱤᱡ ᱰᱤ.ᱡᱤ. ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱯᱚᱭᱤᱱᱤᱥ, ᱟᱨᱤᱡᱳᱱᱟ ᱨᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱯᱟᱪᱮ ᱥᱮᱫ ᱨᱮᱭ ᱮᱦᱚᱵ ᱞᱮᱱᱟ ᱟᱨ ᱞᱚᱥ ᱮᱝᱡᱮᱞᱥ ᱨᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱴᱨᱮᱱᱥ ᱨᱤᱱᱤᱡ ᱮᱱᱮᱡ ᱮ ᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱵᱷᱮᱜᱟᱨ ᱥᱩᱞᱤ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱤᱱᱤᱡ ᱯᱨᱚᱰᱩᱥᱚᱨ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱫᱟ ᱾ ᱠᱳᱞᱤᱱᱥ ᱫᱚ ᱑᱙᱙᱙ ᱨᱮ ᱣᱟᱰᱥᱴᱚᱠ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱧᱤᱫᱟᱹ ᱨᱮ ᱘᱐᱐᱐᱐ ᱦᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱮᱱᱮᱡ ᱞᱮᱫᱟ ᱾ ᱟᱨ ᱴᱨᱮᱱᱥᱯᱳᱨᱴ ᱨᱮᱱ ᱯᱨᱚᱯᱷᱩᱞᱴ ᱨᱮᱱᱤᱡ ᱯᱩᱭᱞᱩ ᱠᱩᱲᱤ ᱰᱤ.ᱡᱤ. ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱯᱳᱞ ᱚᱠᱮᱱᱯᱷᱚᱞᱰ ᱨᱮᱱᱟᱜ ᱯᱚᱨᱯᱮᱠᱴᱳ ᱞᱟᱭᱵᱮᱞ ᱨᱮ ᱵᱟᱨᱭᱟ ᱥᱤᱰ ᱢᱤᱠᱥ ᱮᱦᱟᱵ ᱟᱠᱟᱫᱟ ᱾
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ᱩᱱᱤ ᱫᱚ
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ᱠᱳᱞᱤᱱᱥ
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ᱰᱤ. ᱡᱤ.
| 1
| 68
| 7
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development-7
|
Reb Chaim Yaakov's wife is the sister of Rabbi Moishe Sternbuch, as is the wife of Rabbi Meshulam Dovid Soloveitchik, making the two Rabbis his uncles. Reb Asher's brother Rabbi Shlomo Arieli is the author of a critical edition of the novallae of Rabbi Akiva Eiger. Before his marriage, Rabbi Arieli studied in the Ponevezh Yeshiva headed by Rabbi Shmuel Rozovsky, and he later studied under his father-in-law in the Mirrer Yeshiva.
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his
| 273
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Reb Asher
| 152
| false
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Akiva Eiger
| 253
| false
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ᱨᱤᱵᱽ ᱪᱟᱭᱢ ᱡᱟᱠᱳᱵᱽ ᱟᱜ ᱵᱟᱯᱞᱟ ᱫᱚ ᱨᱟᱵᱤ ᱢᱳᱭᱤᱥᱮ ᱥᱴᱟᱨᱱᱵᱷᱩᱠ ᱟᱜ ᱥᱩᱦᱟᱹᱨ ᱠᱟᱱᱟ ᱾ ᱟᱨ ᱨᱟᱵᱤ ᱢᱮᱥᱩᱞᱟᱢ ᱰᱳᱵᱤᱰ ᱥᱳᱞᱳᱵᱷᱤᱴᱪᱤᱠ ᱟᱜ ᱵᱟᱯᱞᱟ ᱦᱚᱸ ᱠᱟᱱᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱵᱟᱨᱭᱟ ᱨᱟᱵᱤ ᱟᱡᱟᱜ ᱢᱟᱦᱟ ᱠᱚ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾ ᱨᱤᱵᱽ ᱟᱥᱮᱨ ᱟᱜ ᱵᱟᱵᱟ ᱨᱟᱵᱤ ᱥᱞᱳᱢᱳ ᱟᱨᱤᱞᱤ ᱫᱚ ᱨᱟᱵᱤ ᱟᱠᱤᱣᱟ ᱭᱮᱡᱮᱨ ᱟᱜ ᱱᱳᱵᱟᱞᱮᱞᱤ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱮᱰᱤᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱚᱞᱤᱭᱟ. ᱟᱡ ᱵᱟᱯᱞᱟ ᱦᱟᱹᱵᱤᱡ ᱨᱟᱵᱤ ᱟᱨᱤᱞᱤ ᱫᱚ ᱨᱟᱵᱤ ᱥᱢᱩᱭᱮᱞ ᱨᱳᱡᱚᱵᱽᱥᱠᱤ ᱟᱜ ᱛᱟᱞᱟ ᱨᱮ ᱯᱳᱱᱮᱵᱷᱤᱡᱽ ᱡᱤᱪᱤᱵᱟ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱪᱟᱯᱟ ᱨᱮ ᱢᱤᱨᱚᱨ ᱡᱤᱪᱤᱵᱟ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱞᱮᱱᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱨᱤᱵᱽ ᱟᱥᱚᱨ
|
ᱟᱠᱤᱣᱟ ᱤᱜᱚᱨ
| 0
| 52
| 22
|
development-8
|
Slant Magazine's Sal Cinquemani viewed the album as formulaic and ``competently, often frustratingly more of the same from an artist who still seems capable of much more.'' Greg Kot of the Chicago Tribune perceived ``formula production and hack songwriting'', but complimented Pink's personality and its ``handful'' of worthy tracks. In his list for The Barnes & Noble Review, Robert Christgau named The Truth About Love the fourth best album of 2012.
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his
| 337
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Greg Kot
| 173
| false
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Robert Christgau
| 377
| true
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ᱥᱞᱮᱸᱴ ᱢᱮᱜᱽᱡᱤᱱ ᱨᱮᱱᱟᱜ ᱥᱚᱞ ᱥᱤᱱᱠᱮᱢᱟᱱᱤ ᱫᱚ ᱱᱚᱶᱟ ᱟᱞᱵᱚᱢ ᱫᱚ ᱥᱟᱛᱟᱢ ᱟᱨ `` ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱞᱮᱠᱟᱛᱮ, ᱟᱭᱢᱟ ᱚᱠᱛᱮ ᱨᱮ ᱢᱤᱫ ᱟᱨᱴᱤᱥᱴ ᱠᱷᱚᱱ ᱦᱚᱸ ᱰᱷᱮᱨ ᱜᱮ ᱧᱮᱞᱚᱜᱼᱟ ᱾' ᱪᱤᱠᱟᱜᱚ ᱴᱨᱤᱵᱷᱩᱱ ᱨᱮᱱᱟᱜ ᱜᱨᱮᱜ ᱠᱳᱴ ᱫᱚ `` ᱯᱷᱚᱨᱩᱢᱚᱞ ᱯᱨᱚᱰᱚᱠᱥᱚᱱ ᱟᱨ ᱦᱟᱠ ᱥᱮᱨᱮᱧ ᱚᱞᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾' ᱢᱮᱱᱠᱷᱟᱱ ᱯᱤᱸᱠ ᱨᱮᱱᱟᱜ ᱦᱚᱲᱢᱚ ᱟᱨ `` ᱹ ᱟᱭᱢᱟ ᱜᱟᱱ ᱱᱟᱯᱟᱭ ᱴᱨᱟᱭᱠ ᱠᱚ ᱨᱮᱱᱟᱜ ᱥᱤᱨᱯᱷᱟᱹᱭ ᱢᱮᱱ ᱠᱮᱫᱼᱟ ᱾ ᱵᱟᱨᱱᱥ ᱮᱱᱰ ᱱᱳᱵᱽᱞ ᱨᱤᱣᱤᱡᱤ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱞᱤᱥᱴᱤ ᱨᱮ, ᱨᱳᱵᱚᱨᱴ ᱠᱨᱤᱥᱴᱟᱜᱳᱣ ᱫᱚ ᱔ ᱟᱱᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ
|
ᱟᱡᱟᱜ
|
ᱜᱨᱮᱜ ᱠᱳᱴ
|
ᱨᱳᱵᱚᱨᱴ ᱠᱨᱤᱥᱴᱟᱜᱳᱣ
| 65
| 0
| 0
|
development-9
|
Her father was an Englishman ``of rank and culture'' and her mother was a free woman of color, described as light-skinned. When Mary was six, her mother sent her to Alexandria (then part of the District of Columbia) to attend school. Living with her aunt Mary Paine, Kelsey studied for about ten years.
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her
| 246
|
Mary Paine
| 255
| false
|
Kelsey
| 267
| true
|
ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ `` ` ]] ᱱᱟᱜᱟᱨ ᱟᱨ ᱟᱹᱨᱤᱪᱟᱹᱞᱤ ]] [[ᱤᱝᱞᱤᱥ]] ᱟᱨ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱢᱤᱫ ᱨᱚᱝ ᱟᱲᱟᱝ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱟᱞᱟ ᱥᱟᱠᱟᱢ ᱞᱮᱠᱟᱛᱮ ᱢᱮᱱ ᱟᱠᱟᱱᱟ ᱾ ᱖ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ, ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱟᱡ ᱫᱚ ᱟᱞᱮᱠᱥᱟᱱᱰᱨᱤᱭᱟ (ᱱᱚᱶᱟ ᱚᱠᱛᱚ ᱠᱚᱞᱚᱢᱵᱷᱤᱭᱟ ᱰᱤᱴᱨᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱷᱟᱶ) ᱨᱮ ᱥᱮᱪᱮᱫ ᱞᱟᱹᱜᱤᱫ ᱠᱚᱭ ᱩᱪᱟᱹᱲ ᱠᱮᱫᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱢᱮᱨᱤ ᱯᱟᱭᱤᱱ ᱥᱟᱶ ᱡᱤᱣᱤ ᱠᱟᱛᱮ, ᱠᱮᱞᱥᱤ ᱑᱐ ᱥᱮᱨᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱪᱮᱫ ᱮᱱᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱢᱟᱨᱤ ᱯᱮᱭᱤᱱ
|
ᱠᱮᱞᱥᱤ
| 10
| 57
| 10
|
development-10
|
Shaftesbury's UK partners in the production of the series, British broadcaster UKTV and the international distributor ITV Studios Global Entertainment, were both interested in additional seasons. Christina Jennings approached Kirstine Stewart, executive vice-president of CBC's English services, about continuing the series, and she felt that ``a home at CBC made absolute sense''.
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she
| 329
|
Christina Jennings
| 196
| true
|
Kirstine Stewart
| 226
| false
|
ᱥᱟᱨᱮᱡᱽ ᱨᱮᱱᱟᱜ ᱯᱨᱚᱰᱚᱠᱥᱚᱱ ᱨᱮ ᱥᱚᱯᱷᱴᱥᱵᱚᱨᱤ ᱨᱮᱱᱟᱜ ᱵᱨᱤᱴᱤᱥ ᱥᱟᱥᱚᱱᱤᱭᱟᱹ, ᱵᱨᱤᱴᱤᱥ ᱴᱨᱟᱵᱷᱤᱡᱚᱱᱴᱤᱵᱷᱤ ᱟᱨ ᱡᱮᱜᱮᱛᱟᱹᱨᱤ ᱰᱤᱥᱴᱨᱤᱵᱩᱴᱚᱨ ITV Studios Global Entertainment, ᱵᱟᱱᱟᱨ ᱜᱮ ᱟᱨᱦᱚᱸ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱮᱴᱟᱜ ᱥᱮᱨᱢᱟ ᱨᱮ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱼᱟ ᱾ ᱠᱨᱤᱥᱴᱤᱱᱟ ᱡᱮᱱᱱᱤᱝᱥ ᱫᱚ ᱥᱟᱨᱮᱡᱽ ᱨᱮᱱᱟᱜ ᱥᱤᱨᱤᱡᱽ ᱥᱤᱨᱤᱡᱽ ᱨᱮᱱᱟᱜ ᱮᱠᱮᱰᱤᱣᱮᱴᱤᱵᱷᱤ ᱵᱤᱯᱥ ᱥᱴᱚᱨᱴᱚᱱ ᱠᱷᱚᱱ ᱥᱟᱨᱮᱡᱽ ᱠᱤᱨᱥᱴᱤᱱ ᱥᱴᱟᱨᱴ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱡᱽ ᱠᱮᱫᱼᱟ ᱟᱨ ᱩᱱᱤ ᱫᱚ ``
|
ᱟᱡᱟᱜ
|
ᱠᱨᱤᱥᱴᱤᱱᱟ ᱡᱮᱱᱤᱝᱥ
|
ᱠᱤᱨᱥᱴᱤᱱ ᱥᱴᱟᱨᱴ
| 23
| 25
| 51
|
development-11
|
William Shatner portraying writer Mark Twain; a special Christmas episode which included appearances by Ed Asner, Brendan Coyle, Kelly Rowan and television news anchor Peter Mansbridge; an episode which featured David Onley, the Lieutenant Governor of Ontario at the time of production, appearing as his own forerunner Oliver Mowat; and two different episodes in which former Dragons' Den investors Arlene Dickinson and David Chilton guest starred.
|
his
| 300
|
Peter Mansbridge
| 168
| false
|
David Onley
| 212
| true
|
ᱣᱤᱞᱤᱭᱚᱢ ᱥᱴᱮᱱᱚᱨ ᱫᱚ ᱚᱞ ᱪᱤᱛᱟᱹᱨᱤᱭᱟᱹ ᱢᱟᱨᱠ ᱴᱣᱟᱤᱱ; ᱢᱤᱫ ᱟᱹᱫᱤᱵᱟᱹᱥᱤ ᱠᱨᱤᱥᱢᱮᱥ ᱮᱯᱤᱰᱤᱭᱚᱥ ᱡᱟᱦᱟᱸ ᱨᱮ ᱮᱰ ᱟᱥᱱᱚᱨ, ᱵᱨᱮᱱᱰᱟᱱ ᱠᱳᱭᱞ, ᱠᱮᱞᱤ ᱨᱳᱣᱟᱱ ᱟᱨ ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ ᱱᱤᱩᱡᱽ ᱟᱱᱠᱚᱨ ᱯᱤᱴᱚᱨ ᱢᱟᱱᱥᱵᱽᱨᱤᱰᱡ ᱠᱚ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱢᱤᱫ ᱮᱯᱤᱰᱤᱭᱚᱥ ᱡᱟᱦᱟᱸ ᱨᱮ ᱰᱮᱵᱤᱰ ᱚᱱᱞᱤ, ᱚᱱᱴᱟᱨᱤᱭᱳ ᱨᱮᱱᱟᱜ ᱞᱟᱭᱮᱱᱴᱮᱴ ᱜᱚᱢᱮᱱᱚᱨ ᱚᱠᱛᱚ ᱨᱮ, ᱟᱡᱟᱜ ᱱᱤᱡᱮᱨ ᱯᱨᱳᱨᱱᱚᱨ ᱚᱞᱤᱵᱚᱨ ᱢᱳᱣᱟᱴ ᱞᱮᱠᱟᱛᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱵᱟᱨᱭᱟ ᱵᱷᱮᱜᱟᱨ ᱮᱯᱤᱰᱤᱭᱚᱥ ᱡᱟᱦᱟᱸ ᱨᱮ ᱰᱮᱜᱽᱨᱟᱱᱥ ᱰᱮᱱ ᱤᱱ ᱤᱱᱵᱷᱮᱰ ᱰᱤᱠᱤᱱᱥᱚᱱ ᱟᱨ ᱰᱮᱵᱤᱰ ᱪᱤᱞᱴᱚᱱ ᱜᱚᱥᱴ ᱮᱱᱮᱴ ᱟᱠᱟᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱯᱤᱴᱚᱨ ᱢᱟᱱᱥᱵᱽᱨᱤᱰ
|
ᱰᱮᱵᱷᱤᱰ ᱚᱱᱞᱤ
| 65
| 40
| 40
|
development-12
|
His maternal great-grandfather was Henry Percy, 4th Earl of Northumberland, whose wife was Maud Herbert, Countess of Northumberland. His maternal grandmother was a daughter of Sir Robert Spencer and Eleanor Beaufort. Eleanor was a daughter of Edmund Beaufort, 2nd Duke of Somerset and Eleanor Beauchamp. She was a granddaughter of Richard de Beauchamp, 13th Earl of Warwick and Elizabeth Berkeley.
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She
| 304
|
Eleanor
| 217
| true
|
Eleanor Beauchamp
| 285
| false
|
ᱟᱡᱟᱜ ᱢᱚᱢᱛᱟ ᱜᱚᱵᱟ ᱫᱚ ᱦᱮᱱᱨᱤ ᱯᱟᱨᱥᱤ, ᱱᱚᱨᱛᱷᱚᱢᱵᱚᱨᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱯᱩᱱᱮᱭᱟ ᱮᱨᱞ, ᱡᱟᱦᱟᱸᱭᱟᱜ ᱠᱩᱲᱤ ᱫᱚ ᱢᱳᱰ ᱦᱟᱨᱵᱚᱨᱴ, ᱱᱚᱨᱛᱷᱚᱢᱵᱚᱨᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱠᱚᱱᱴᱮᱥ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱢᱚᱢᱛᱟ ᱜᱚᱵᱟ ᱫᱚ ᱥᱤᱨ ᱨᱳᱵᱚᱨᱴ ᱥᱯᱮᱱᱥᱚᱨ ᱟᱨ ᱮᱞᱮᱱᱚᱨ ᱵᱳᱯᱷᱚᱨᱴ ᱨᱮᱱᱟᱜ ᱠᱩᱲᱤ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱮᱞᱮᱱᱚᱨ ᱫᱚ ᱮᱰᱢᱚᱱᱰ ᱵᱳᱯᱷᱚᱨᱴ, ᱥᱚᱢᱚᱨᱥᱮᱴ ᱨᱮᱱᱟᱜ 2 ᱟᱱᱰ ᱰᱩᱠ ᱟᱨ ᱮᱞᱮᱱᱚᱨ ᱵᱳᱪᱟᱢᱯ ᱨᱮᱱᱟᱜ ᱠᱩᱲᱤ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱨᱤᱪᱟᱨᱰ ᱰᱤ ᱵᱳᱪᱟᱢᱯ, ᱱᱚᱨᱛᱷᱚᱢᱵᱚᱨᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ 13 ᱟᱱᱰ ᱟᱨ ᱮᱞᱮᱱᱚᱨᱵᱷᱤᱴ ᱵᱚᱨᱠᱮᱞᱤ ᱨᱮᱱᱟᱜ ᱠᱩᱲᱤ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱮᱞᱤᱭᱚᱨᱚᱱ
|
ᱮᱞᱤᱭᱚᱨᱚᱱ ᱵᱷᱳᱪᱟᱢᱯ
| 67
| 67
| 58
|
development-13
|
Killian in 1978--79, an assistant district attorney for Brunswick Judicial Circuit in 1979--80, and a practicing attorney in Glynn County in 1980--90. Williams was elected a Superior Court judge in 1990, taking the bench in 1991. In November 2010 Williams competed against Mary Helen Moses in her most recent bid for re-election.
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her
| 293
|
Williams
| 247
| true
|
Mary Helen Moses
| 273
| false
|
ᱠᱤᱞᱤᱭᱟᱱ ᱑᱙᱗᱘-᱗᱙, ᱑᱙᱗᱙-᱘᱐ ᱨᱮ ᱵᱨᱩᱱᱥᱣᱤᱠ ᱡᱩᱰᱤᱥᱤᱭᱟᱞ ᱥᱠᱨᱤᱴ ᱨᱮᱱᱟᱜ ᱥᱚᱥᱴᱤᱴ ᱡᱤᱞᱟ ᱯᱨᱚᱠᱨᱮᱥ ᱟᱨ ᱑᱙᱘᱐-᱙᱐ ᱨᱮ ᱜᱞᱤᱱ ᱠᱚᱣᱩᱱᱴᱤ ᱨᱮ ᱯᱨᱚᱠᱴᱤᱝ ᱯᱨᱚᱠᱨᱮᱥ ᱠᱟᱱᱟᱭ ᱾ ᱣᱤᱞᱤᱭᱟᱢᱥ ᱫᱚ ᱑᱙᱙᱐ ᱨᱮ ᱥᱤᱨᱤᱭᱚᱨ ᱠᱳᱨᱴ ᱨᱮ ᱡᱩᱰᱤᱥᱤᱭᱟᱞ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟᱭ ᱾ ᱑᱙᱙᱑ ᱨᱮ ᱵᱷᱮᱱᱪ ᱮ ᱟᱢᱮᱴ ᱞᱮᱫᱼᱟ ᱾ ᱑᱙᱑᱐ ᱨᱮ ᱣᱤᱞᱤᱭᱟᱢᱥ ᱫᱚ ᱟᱡᱟᱜ ᱯᱟᱹᱪᱷᱤᱢ ᱵᱟᱪᱷᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱢᱟᱨᱮ ᱦᱮᱞᱮᱱ ᱢᱳᱥᱮᱥ ᱥᱟᱶ ᱥᱯᱚᱨᱮᱥ ᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱣᱤᱞᱤᱭᱟᱢᱥ
|
ᱢᱟᱨᱤ ᱦᱮᱞᱮᱱ ᱢᱳᱥᱮ
| 55
| 50
| 49
|
development-14
|
ARTA driver Vitantonio Liuzzi will be replaced by former Mugen driver Tomoki Nojiri after a disappointing season last year. After years of being with Real Racing, Toshihiro Kaneishi will not drive for this season, being replaced by former Team Kunimitsu driver Hideki Mutoh. Kazuki Nakajima, like Oliver Jarvis, will not return to focus on his LMP1 drive in the 2015 World Endurance Championship.
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his
| 340
|
Kazuki Nakajima
| 275
| true
|
Oliver Jarvis
| 297
| false
|
᱒᱐᱑᱕ ᱨᱮ ᱨᱤᱭᱟᱞ ᱨᱮᱥᱤᱝ ᱥᱟᱶ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱣ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮ ᱛᱳᱥᱤᱦᱤᱨᱳ ᱠᱮᱱᱤᱥᱤ ᱫᱚ ᱱᱤᱭᱟᱹ ᱥᱮᱨᱢᱟ ᱨᱮ ᱵᱟᱭ ᱨᱟᱡᱽᱼᱟ ᱾ ᱟᱡ ᱫᱚ ᱤᱸᱜᱽᱞᱮᱱᱰ ᱨᱮᱱᱤᱡ ᱯᱩᱭᱞᱩ ᱢᱩᱜᱮᱱ ᱨᱟᱡᱽᱰᱟᱨ ᱴᱳᱢᱳᱠᱤ ᱱᱳᱡᱤᱨᱤ ᱥᱟᱶ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾ ᱒᱐᱑᱕ ᱨᱮ ᱡᱮᱜᱮᱛ ᱥᱤᱨᱟᱹ ᱢᱟᱦᱟᱫᱮᱥ ᱨᱮ ᱟᱡᱟᱜ LMP1 ᱨᱟᱡᱽᱰᱟᱨ ᱨᱮᱭ ᱵᱩᱡᱷᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱠᱮᱡᱩᱠᱤ ᱱᱟᱠᱡᱤᱢᱟ ᱦᱚᱸ ᱵᱟᱭ ᱨᱟᱡᱽᱼᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱠᱟᱡᱩᱠᱤ ᱱᱟᱠᱡᱤᱢᱟ
|
ᱚᱞᱤᱵᱚᱨ ᱡᱟᱨᱵᱤᱥ
| 37
| 38
| 45
|
development-15
|
Twenty years ago, Lorenzo Uribe discovered true love with Maria Herrera and began a romance. Lorenzo was rich, married, and had a young son: Lautaro. Maria was poor and unknown to Lorenzo, had a daughter called Renata. Maria's mother, Gracia, wanted her daughter to catch this rich man at all costs and convinced her that pregnancy would assure this.
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her
| 250
|
Maria
| 219
| true
|
Gracia
| 235
| false
|
ᱵᱷᱮᱞᱮᱭᱟᱨ ᱥᱮᱨᱢᱟ ᱦᱟᱵᱤᱡ, ᱞᱚᱨᱮᱱᱥᱳ ᱩᱨᱤᱵᱮ ᱢᱟᱨᱤᱭᱟ ᱦᱮᱨᱨᱟ ᱥᱟᱶ ᱥᱟᱹᱨᱤ ᱥᱟᱹᱜᱟᱹᱭᱭ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱢᱤᱫ ᱨᱳᱢᱟᱱᱥ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱾ ᱞᱚᱨᱮᱱᱥᱳ ᱫᱚ ᱨᱤᱡᱚᱲ ᱦᱚᱲ ᱠᱟᱱᱟᱭ, ᱵᱟᱯᱞᱟ ᱟᱠᱟᱱᱟᱭ ᱟᱨ ᱢᱤᱫ ᱜᱤᱫᱽᱨᱟ. ᱞᱳᱴᱟᱨᱳᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱢᱟᱨᱤᱭᱟ ᱫᱚ ᱠᱚᱲᱟ ᱟᱨ ᱞᱚᱨᱮᱱᱥᱳ ᱵᱟᱰᱟᱭᱤᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱜᱤᱫᱽᱨᱟ. ᱨᱮᱱᱟᱴᱟ ᱧᱩᱛᱩᱢ ᱛᱮ ᱟᱡᱟᱜ ᱜᱤᱫᱽᱨᱟ. ᱢᱟᱨᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱟᱢᱟᱝ ᱜᱨᱟᱥᱤᱤᱭᱟ ᱟᱡᱟᱜ ᱜᱤᱫᱽᱨᱟ. ᱞᱟᱹᱜᱤᱫ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱱᱚᱣᱟ ᱨᱤᱡᱚᱲ ᱦᱚᱲ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱟᱡᱟᱜ ᱜᱟᱵᱟᱱᱤ ᱫᱚ ᱱᱚᱶᱟ ᱞᱟᱹᱠᱛᱤ ᱮᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱢᱟᱨᱤᱭᱟ
|
ᱜᱨᱮᱥᱤᱭᱟ
| 47
| 48
| 53
|
development-16
|
A colleague in the department run by Erwin Frink Smith, she also collaborated with botanist Nellie Adalesa Brown. McCulloch was born in Cincinnati, Ohio. She was the daughter of Robert S. and Alma Taggart (n*e Eveleth) McCulloch. In 1898, while studying biology at Florida Agricultural College, she was appointed head of the library, now part of the George A. Smathers Libraries.
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she
| 295
|
Alma Taggart
| 192
| false
|
McCulloch
| 219
| false
|
ᱮᱨᱣᱤᱱ ᱯᱷᱨᱤᱱᱠ ᱥᱢᱤᱴ ᱟᱜ ᱤᱫᱤ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱰᱤᱯᱟᱨᱴ ᱨᱮᱱ ᱢᱤᱫ ᱠᱚᱞᱮᱜᱟ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱟᱴᱟᱱᱤᱥᱴ ᱱᱮᱞᱞᱤ ᱟᱰᱮᱞᱮᱥᱟ ᱵᱽᱨᱟᱩᱱ ᱥᱟᱶ ᱦᱚᱸ ᱠᱟᱹᱢᱤ ᱠᱮᱫᱼᱟ ᱾ ᱢᱮᱠᱠᱚᱞᱚᱪ ᱫᱚ ᱥᱤᱱᱥᱤᱱᱮᱴᱤ, ᱳᱦᱟᱭᱳ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱨᱳᱵᱚᱨᱴ ᱥᱤ ᱟᱨ ᱟᱞᱢᱟ ᱴᱟᱜᱟᱨᱴ (ᱱᱮ ᱤᱵᱮᱞᱮᱴ) ᱢᱮᱠᱚᱞᱚᱪ ᱟᱜ ᱠᱩᱲᱤ ᱠᱟᱱᱟᱭ ᱾ ᱑᱙᱙᱘ ᱨᱮ, ᱯᱷᱞᱳᱨᱤᱫᱟ ᱮᱠᱞᱚᱨᱪᱚᱞ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱡᱤᱣᱤ ᱵᱤᱚᱞᱚᱡᱤ ᱨᱮᱱᱟᱜ ᱯᱟᱲᱦᱟᱣ ᱚᱠᱛᱚ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱞᱟᱭᱵᱽᱨᱤᱡᱽ ᱨᱮᱱᱟᱜ ᱨᱟᱡᱽᱥᱴᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱱᱟᱣ ᱞᱮᱱᱟᱭ ᱾ ᱱᱤᱛᱚᱜ ᱡᱚᱨᱡ ᱮ. ᱥᱢᱚᱛᱚᱨᱥ ᱞᱟᱭᱵᱽᱨᱤᱡᱽ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱷᱟᱶ ᱠᱟᱱᱟᱭ ᱾
|
ᱟᱡᱟᱜ
|
ᱟᱞᱢᱟ ᱴᱟᱜᱟᱨᱴ
|
ᱢᱚᱠᱠᱠᱚᱞᱳᱪ
| 75
| 41
| 1
|
development-17
|
Maurice custom-tailors clothing for de Var*ze on credit, but the Vicomte's unpaid tailoring bills become intolerable, so Maurice travels to de Savignac's castle to collect the money owed to him. On the way, he has a confrontation with Princesse Jeanette. He immediately professes his love for her, but she haughtily rejects him. When Maurice arrives at the castle, Gilbert introduces him as ``Baron Courtelin'' in order to hide the truth from the Comte .
|
him
| 384
|
Maurice
| 334
| true
|
Gilbert
| 365
| false
|
ᱢᱳᱨᱤᱥ ᱫᱚ ᱵᱟᱨᱡᱮ ᱞᱟᱹᱜᱤᱫ ᱠᱨᱤᱠᱮᱴ ᱨᱮ ᱠᱩᱥᱴᱢᱮᱴ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠᱷᱟᱴᱚ ᱠ
|
ᱱᱤᱡᱮ
|
ᱢᱳᱨᱤᱥ
|
ᱜᱤᱞᱵᱟᱨᱴ
| 0
| 96
| 96
|
development-18
|
In 1988, Race suffered an abdominal injury and during his absence his manager Bobby ``the Brain'' Heenan awarded the crown to Haku in July, rechristening him King Haku, even though Randy Savage had won the tournament by that point and Ted DiBiase would also win the tournament during this storyline. Race eventually returned from his injury and briefly feuded with King Haku, but was unable to regain the crown at the 1989 Royal Rumble.
|
his
| 330
|
Randy Savage
| 181
| false
|
Ted DiBiase
| 235
| false
|
᱑᱙᱘᱘ ᱨᱮ, ᱨᱮᱥ ᱫᱚ ᱢᱤᱫ ᱢᱮᱫ ᱨᱮ ᱜᱚᱡ ᱮᱱᱟ ᱟᱨ ᱟᱡᱟᱜ ᱵᱟᱹᱱᱩᱜ ᱚᱠᱛᱚ ᱨᱮ ᱟᱡᱟᱜ ᱢᱮᱱᱮᱡ ᱵᱳᱵᱤ ``the Brain' Heenan ᱫᱚ ᱦᱟᱠᱩ ᱫᱚ ᱡᱩᱞᱟᱭ ᱨᱮ ᱠᱨᱳᱱᱟᱭᱢᱟ ᱮᱢᱟᱫᱮᱭᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱠᱨᱳᱱᱟᱭᱢᱟ ᱦᱟᱠᱩ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱛᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ, ᱢᱮᱱᱠᱷᱟᱱ ᱨᱮᱸᱰᱤ ᱥᱟᱣᱟᱡᱽ ᱫᱚ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮ ᱴᱩᱨᱱᱮᱢᱮᱴ ᱡᱤᱛᱠᱟᱹᱨ ᱠᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱟᱨ ᱴᱮᱰ ᱰᱤᱵᱤᱭᱟᱥ ᱦᱚᱸ ᱱᱚᱶᱟ ᱠᱟᱛᱷᱟ ᱚᱠᱛᱚ ᱨᱮ ᱴᱩᱨᱱᱮᱢᱮᱴ ᱡᱤᱛᱠᱟᱹᱨ ᱠᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱨᱮᱥ ᱫᱚ ᱟᱡᱟᱜ ᱜᱚᱡ ᱠᱷᱚᱱ ᱛᱤᱱᱟᱹᱜᱤᱛᱮ ᱨᱩᱣᱟᱭᱮᱱᱟ ᱟᱨ ᱠᱨᱳᱱᱟᱭᱚᱢ ᱦᱟᱠᱩ ᱥᱟᱶ ᱠᱟᱱᱯᱤᱴᱤᱝ ᱨᱩᱣᱟᱭᱮᱱᱟᱭᱢᱟ ᱮᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱑᱙᱘᱙ ᱨᱮ ᱨᱳᱭᱮᱞ ᱨᱟᱢᱵᱽᱞ ᱨᱮ ᱠᱨᱳᱱᱟᱭᱢᱟ ᱫᱚ ᱵᱟᱝ ᱧᱟᱢ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾
|
ᱟᱡᱟᱜ
|
ᱨᱟᱱᱰᱤ ᱥᱮᱣᱟᱡ
|
ᱴᱮᱰ ᱰᱤᱵᱤᱭᱟᱥ
| 38
| 38
| 16
|
development-19
|
The rest of the group find out what has happened to Case and decide to band together and take on Justin at the Beatdown to avenge their mentor. With each facing their own trials to reach the final match, it comes down to only one of them versus their own. Mike defeats Zack, while Justin injures Tim in the restroom - thus eliminating him from the tournament.
|
him
| 335
|
Justin
| 281
| false
|
Tim
| 296
| true
|
ᱠᱮᱥ ᱥᱟᱶ ᱡᱚᱯᱚᱲᱟᱣ ᱨᱮ ᱡᱟᱥᱴᱤᱱ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱵᱤᱴᱰᱟᱩᱱ ᱨᱮ ᱟᱡᱟᱜ ᱢᱟᱱᱴᱚᱨ ᱠᱷᱚᱱ ᱵᱷᱮᱡᱟ ᱮᱱᱟ ᱾ ᱡᱚᱛᱚ ᱦᱚᱲ ᱫᱚ ᱟᱡᱟᱜ ᱢᱟᱱᱴᱚᱨ ᱠᱷᱚᱱ ᱵᱷᱮᱡᱟ ᱮᱱᱟ ᱾ ᱢᱟᱭᱠ ᱫᱚ ᱡᱟᱠ ᱥᱟᱶ ᱡᱚᱯᱚᱲᱟᱣ ᱨᱮ ᱡᱟᱥᱴᱤᱱ ᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱾ ᱚᱱᱟᱛᱮ ᱟᱡ ᱫᱚ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱞᱮᱱᱟ ᱾
|
ᱱᱤᱡᱮ
|
ᱭᱟᱥᱴᱤᱱ
|
ᱴᱤᱢ
| 18
| 40
| 41
|
development-20
|
On 30 July 1966, Ramsey's promise was fulfilled as England became the World Champions by beating West Germany in a thrilling final. A lot of Ramsey's tactics and decisions proved their worth in this final. Ramsey came under pressure to restore the fit-again Jimmy Greaves to the side: but he stuck to his guns and kept faith with Greaves's replacement, Geoff Hurst, who vindicated Ramsey's judgement by scoring a hat-trick in a 4--2 win (after extra time) at Wembley. Filling his side with a good balance of experience and youth proved vital when the gruelling final went to extra time.
|
his
| 476
|
Greaves
| 330
| false
|
Ramsey
| 381
| true
|
᱓᱐ ᱡᱩᱞᱟᱭ ᱑᱙᱖᱖ ᱨᱮ, ᱨᱟᱢᱥᱤ ᱨᱮᱱᱟᱜ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱫᱚ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱤᱝᱞᱮᱱᱰ ᱫᱚ ᱯᱟᱪᱮ ᱡᱚᱨᱢᱟᱱᱤ ᱛᱮ ᱢᱤᱫ ᱨᱚᱯᱚᱲ ᱥᱮᱫ ᱨᱮ ᱡᱮᱜᱮᱛ ᱪᱚᱢᱯᱤᱭᱟᱱ ᱮᱱᱟ ᱾ ᱱᱚᱣᱟ ᱯᱷᱤᱱᱮᱞ ᱨᱮ ᱨᱟᱢᱥᱤ ᱨᱮᱱᱟᱜ ᱟᱭᱢᱟ ᱛᱟᱠᱴᱤᱠ ᱟᱨ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱟᱡᱟᱜ ᱢᱟᱹᱱᱢᱤ ᱮ ᱥᱟᱹᱛ ᱞᱮᱫᱼᱟ ᱾ ᱨᱟᱢᱥᱤ ᱫᱚ ᱡᱤᱢᱤ ᱜᱽᱨᱤᱵᱷᱥ ᱨᱮᱱᱟᱜ ᱯᱷᱤᱴ-ᱮᱯ ᱨᱮ ᱵᱷᱮᱴᱟᱥ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱯᱲᱟᱣ ᱮᱱᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱚᱞ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱱ ᱟᱨ ᱜᱽᱨᱤᱵᱷᱥ ᱨᱮᱱᱟᱜ ᱦᱟᱭᱫᱟᱹᱨ ᱡᱮᱯᱷ ᱦᱚᱨᱥᱴ ᱥᱟᱶ ᱥᱟᱹᱜᱟᱹᱭ ᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱨᱟᱢᱥᱤ ᱨᱮᱱᱟᱜ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱫᱚᱦᱚ ᱞᱮᱫᱼᱟ ᱾ ᱣᱟᱢᱵᱞᱤ ᱨᱮ 4--2 ᱡᱤᱛᱠᱟᱹᱨ ᱨᱮ (ᱮᱴᱚᱨ ᱚᱠᱛᱚ ᱛᱟᱭᱚᱢ) ᱦᱮᱴ ᱴᱨᱤᱠ ᱮ ᱥᱟᱹᱛ ᱞᱮᱫᱼᱟ ᱾ ᱟᱡᱟᱜ ᱥᱟᱦᱴᱤ ᱛᱮ ᱥᱩᱯᱩᱨ ᱥᱚᱢᱚᱱ ᱟᱨ ᱡᱟᱵᱽᱞᱤ ᱫᱚ ᱡᱤᱛᱠᱟᱹᱨᱤ ᱨᱮᱱᱟᱜ ᱥᱮᱫ ᱨᱮ ᱡᱤᱛᱠᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱞᱮᱫᱼᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱜᱨᱟᱭᱵᱷ
|
ᱨᱟᱢᱥᱤ
| 59
| 4
| 65
|
development-21
|
Ben Severson is a pioneer in the sport of bodyboarding and Sandy Beach local. Oahu lifeguard and former rival of Mike Stewart for more than 15 years, Ben is a fast, perfectly trained and precise prone rider who excels at tube riding. He quickly gained recognition by winning a world title at the beginning of his career.
|
He
| 234
|
Mike Stewart
| 113
| false
|
Ben
| 150
| true
|
ᱵᱮᱱ ᱥᱮᱵᱚᱨᱥᱚᱱ ᱫᱚ ᱵᱚᱰᱤᱵᱳᱨᱰᱤᱝ ᱟᱨ ᱥᱟᱱᱰᱤ ᱵᱤᱪ ᱨᱮᱱ ᱢᱤᱫ ᱯᱩᱭᱞᱩ ᱠᱷᱮᱞᱚᱸᱰᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ ᱳᱦᱟᱩ ᱨᱤᱱᱤᱡ ᱨᱤᱞᱤᱯ ᱜᱟᱰᱟ ᱟᱨ ᱑᱕ ᱥᱮᱨᱢᱟ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱢᱟᱭᱠ ᱥᱴᱤᱣᱟᱨᱴ ᱨᱮᱱᱟᱜ ᱮᱱᱮᱡ ᱠᱟᱱᱟᱭ ᱾ ᱵᱮᱱ ᱫᱚ ᱢᱤᱫ ᱨᱟᱡᱽᱰᱟᱦᱟᱨ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡᱟᱜ ᱠᱮᱨᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱡᱮᱜᱮᱛ ᱡᱤᱛᱠᱟᱹᱨ ᱡᱤᱛᱠᱟᱹᱨ ᱠᱟᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱹᱰᱤ ᱜᱮ ᱧᱩᱛᱩᱢ ᱮ ᱟᱢᱮᱴ ᱠᱮᱫᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱢᱟᱭᱠ ᱥᱴᱟᱨᱴ
|
ᱵᱮᱱ
| 14
| 0
| 48
|
development-22
|
This device allowed him to continue his racing career in the Barber Pro Series, Grand American Road Racing Championship, and eventually enter the 24 Hours of Daytona in 2009. Kurt has worked with various charities and organizations to raise awareness and donations for childhood cancer. Since overcoming his illness, Kurt has teamed with Paul Newman 's Hole in the Wall Gang Camp and One Lap of America for fundraising events.
|
his
| 304
|
Kurt
| 317
| true
|
Paul Newman
| 338
| false
|
ᱱᱚᱣᱟ ᱰᱤᱥᱮᱢ ᱫᱚ ᱟᱡᱟᱜ ᱨᱟᱥᱤᱝ ᱠᱮᱨᱤᱭᱚᱨ ᱨᱮ Barber Pro Series, Grand American Road Racing Championship ᱨᱮᱭ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱟᱨ ᱒᱔ ᱚᱨᱥ ᱳᱯᱷ ᱫᱮᱭᱴᱳᱱᱟ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱠᱩᱨᱴ ᱫᱚ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱮᱱᱥᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱜᱚᱲᱚ ᱟᱨ ᱜᱚᱲᱚ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱠᱩᱨᱴ ᱥᱟᱶ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟ ᱾ ᱟᱡᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱷᱚᱱ ᱵᱟᱰᱟᱭ ᱦᱮᱡ ᱮᱱ ᱛᱟᱭᱚᱢ, ᱠᱩᱨᱴ ᱫᱚ ᱯᱳᱞ ᱱᱤᱭᱩᱢᱮᱱ ᱨᱮᱱᱟᱜ ᱦᱳᱞ ᱤᱱᱫᱤ ᱵᱷᱳᱞ ᱜᱟᱱᱰ ᱠᱮᱢᱯ ᱟᱨ ᱳᱱ ᱞᱮᱯ ᱳᱯ ᱳᱯ ᱳᱯᱷ ᱟᱢᱮᱨᱤᱠᱟ ᱥᱟᱶ ᱮᱱᱮᱡ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱠᱩᱨᱴ
|
ᱯᱳᱞ ᱱᱤᱭᱩᱢᱮᱱ
| 16
| 0
| 6
|
development-23
|
The meeting went a little differently from what many predicted and laid the groundwork for Magee to sell the Inquirer to VNU Business Publications later that year. Magee remained as the editor of the Inquirer until February 2008 when he left to pursue other publishing ventures. During the 1960s Magee experimented with the occult teachings of the Hermetic Order of the Golden Dawn and Kenneth Grant 's Typhonian Order leading to his work being cited in Grant's books Cults of the Shadow, Nightside of Eden, and Outside the Circles of Time.
|
his
| 430
|
Magee
| 296
| true
|
Kenneth Grant
| 386
| false
|
ᱢᱚᱡᱤ ᱫᱚ ᱒᱐᱐᱘ ᱥᱮᱨᱢᱟ ᱨᱮ ᱤᱝᱠᱤᱣᱟᱨᱰ ᱨᱤᱱᱤᱡ ᱮᱰᱤᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱑᱙᱖᱐ ᱥᱮᱨᱢᱟ ᱨᱮ ᱢᱚᱡᱤ ᱫᱚ ᱡᱷᱟᱨᱱᱟ ᱨᱮᱱᱟᱜ ᱦᱟᱨᱢᱮᱴᱤᱠ ᱚᱰᱚᱨ ᱟᱨ ᱠᱮᱱᱮᱴ ᱜᱨᱟᱱᱴ ᱨᱮᱱᱟᱜ ᱴᱟᱭᱯᱷᱚᱱᱤᱭᱟᱱ ᱚᱰᱚᱨ ᱨᱮᱱᱟᱜ ᱚᱠᱥᱚᱞ ᱯᱩᱛᱷᱤ ᱥᱟᱶ ᱮᱥᱯᱮᱨᱟᱣ ᱞᱮᱫᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱜᱨᱟᱱᱴ ᱨᱮᱱᱟᱜ ᱯᱩᱛᱷᱤ ᱠᱚᱨᱮ ᱠᱚᱴᱷᱮᱴᱥ ᱚᱯᱷ ᱥᱴᱮᱰ, ᱱᱟᱭᱴᱥᱟᱭᱰ ᱤᱰᱮᱱ ᱟᱨ ᱚᱥᱴᱚᱨ ᱤᱝᱠᱨᱮᱞᱥ ᱚᱯᱷ ᱴᱟᱭᱢ ᱨᱮ ᱠᱚᱴᱷᱮᱴ ᱟᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱢᱚᱡᱤ
|
ᱠᱮᱱᱮᱛᱷ ᱜᱨᱟᱱᱴ
| 14
| 50
| 53
|
development-24
|
Louis McNeill begin her publishing career selling short poems to the Saturday Evening Post. In 1931 her first collection, Mountain White, was published. She went on to publish six other collections. In the 1980s McNeill's literary reputation was re-established by the poet Maggie Anderson, who edited McNeill's memoir for the University of Pittsburgh Press, as well as a new and selected poems in 1991. In 1979 then-governor Jay Rockefeller named her West Virginia's poet laureate.
|
her
| 447
|
Maggie Anderson
| 273
| false
|
McNeill
| 301
| true
|
ᱞᱩᱭᱤᱥ ᱢᱮᱠᱱᱤᱞ ᱫᱚ ᱟᱡᱟᱜ ᱯᱟᱨᱥᱟᱞ ᱠᱮᱨᱤᱭᱚᱨ ᱫᱚ ᱥᱛᱤ ᱮᱯᱷᱤᱱᱤᱝ ᱯᱳᱴ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱱ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱭ ᱵᱷᱮᱯᱮᱨ ᱞᱮᱫᱼᱟ ᱾ ᱑᱙᱓᱑ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱮᱞᱮᱫ, ᱢᱚᱸᱴᱮᱱ ᱣᱟᱭᱴ, ᱮ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱖ ᱜᱚᱴᱟᱝ ᱮᱴᱟᱜ ᱥᱮᱞᱮᱫ ᱮ ᱯᱟᱨᱥᱟᱞ ᱠᱮᱫᱼᱟ ᱾ ᱑᱙᱘᱐ ᱥᱟᱞ ᱨᱮ ᱢᱮᱜᱽᱡᱤ ᱮᱰᱚᱨᱥᱚᱱ (Maggy Anderson) ᱯᱟᱨᱥᱟᱞᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱥᱟᱦᱴᱟ ᱮ ᱮᱦᱚᱵ ᱞᱮᱫᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱙᱙᱙᱗᱙ ᱨᱮ ᱡᱮᱭ ᱨᱳᱠᱯᱷᱮᱞᱚᱨ (Jay Rockefeller) ᱯᱟᱪᱮ ᱵᱷᱚᱨᱡᱤᱱᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱥᱟᱞᱤᱭᱟᱹ ᱯᱟᱨᱥᱟᱞᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱯᱟᱨᱥᱟᱞᱤᱭᱟᱹ ᱧᱩᱛᱩᱢ ᱮ ᱧᱟᱢ ᱞᱮᱫᱼᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱢᱮᱜᱤ ᱮᱱᱰᱚᱨᱥᱚᱱ
|
ᱢᱚᱠᱱᱤᱞ
| 43
| 29
| 5
|
development-25
|
Her initial ambition was to become a ``cultured'' private secretary working in the highest cultural circles. A month later, the Michigan League building opened, serving co-eds as the Michigan Union served men. Hartwig began by doing secretarial work there, when Dr. Margaret Bell, the head of women's physical education, spotted her.
|
her
| 329
|
Hartwig
| 210
| true
|
Margaret Bell
| 266
| false
|
ᱟᱡᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱩᱛᱷᱱᱟᱹᱣ ᱫᱚ ``cultured' ᱯᱚᱨᱤᱵᱮᱴ ᱥᱠᱨᱤᱛᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱪᱟᱸᱫᱚ ᱛᱟᱭᱚᱢ, ᱢᱤᱥᱤᱜᱟᱱ ᱞᱤᱜᱟ ᱵᱤᱰᱤᱡᱚᱱ ᱮᱦᱚᱵ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱥᱤᱜᱟᱱ ᱤᱭᱩᱱᱤᱭᱚᱱ ᱨᱮᱱ ᱠᱚᱲᱟ ᱠᱚ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱦᱟᱨᱴᱣᱤᱜ ᱫᱚ ᱩᱱᱤ ᱨᱮᱱ ᱥᱟᱠᱨᱤᱛᱨᱤ ᱠᱟᱹᱢᱤ ᱮᱦᱚᱵ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱰᱨ. ᱢᱟᱨᱜᱟᱨᱮᱴ ᱵᱮᱞ, ᱠᱩᱲᱤ ᱠᱚᱣᱟᱜ ᱯᱷᱤᱡᱤᱠ ᱮᱰᱩᱠᱮᱥᱚᱱ ᱨᱤᱱᱤᱡ ᱥᱤᱨᱟᱹᱥᱤᱭᱟ.
|
ᱟᱡᱟᱜ
|
ᱦᱟᱨᱴᱣᱤᱜ
|
ᱢᱟᱨᱜᱟᱨᱮᱴ ᱵᱮᱞ
| 40
| 43
| 51
|
development-26
|
They were broadly positive, though they stopped short of naming it one of Ayckbourn's best. Michael Billington in The Guardian wrote ``Few dramatists in history have painted a more devastating picture of the emotional damage wrought by bullying men,'' and described Martin's misguided affection for his girlfriends as ``an instant image of a grisly inheritance''.
|
his
| 299
|
Michael Billington
| 92
| false
|
Martin
| 266
| true
|
ᱭᱚᱠᱵᱚᱨᱱ ᱨᱮᱱᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛ
|
ᱟᱡᱟᱜ
|
ᱢᱟᱭᱠᱮᱞ ᱵᱤᱞᱤᱝᱴᱚᱱ
|
ᱢᱟᱨᱴᱤᱱ
| 0
| 85
| 105
|
development-27
|
Connie, in a one-sided conversation, gives praises for her late brother, Gordon. She does not seem to mind she spent childhood in the shadow of her brother, blatantly the family favourite and given all the support she never had. Although Beth quietly agrees with Connie's idea of her idyllic marriage to Gordon, she expresses subtle annoyance with Connie's idea that the whole family will have to look after her this first Christmas alone, and Connie's hints of self-pity don't help either.
|
her
| 280
|
Beth
| 238
| false
|
Connie
| 263
| true
|
ᱠᱚᱱᱱᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱥᱟᱺᱜᱤᱧ ᱨᱮ ᱟᱡᱟᱜ ᱡᱟᱱᱟᱢ ᱵᱚᱭᱦᱟ ᱜᱳᱰᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱨᱦᱟᱣ ᱮᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱟᱡ ᱵᱟᱵᱟ ᱟᱜ ᱪᱟᱸᱫᱚ ᱨᱮ ᱟᱡᱟᱜ ᱜᱤᱫᱽᱨᱟᱛᱟ ᱡᱟᱱᱟᱢ ᱞᱮᱱ ᱠᱷᱟᱱ ᱟᱡ ᱵᱟᱵᱟ ᱟᱜ ᱪᱟᱸᱫᱚ ᱨᱮ ᱟᱡ ᱵᱟᱵᱟ ᱟᱜ ᱡᱟᱱᱟᱢ ᱫᱚ ᱵᱟᱭ ᱵᱟᱹᱱᱩᱜᱼᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱟᱡ ᱵᱟᱵᱟ ᱟᱜ ᱡᱚᱛᱚ ᱜᱚᱲᱚ ᱮ ᱮᱢᱟᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱵᱮᱛᱷ ᱫᱚ ᱠᱚᱱᱱᱤ ᱟᱜ ᱜᱚᱲᱚ ᱥᱟᱶ ᱟᱡᱟᱜ ᱜᱳᱰᱚᱱ ᱥᱟᱶ ᱡᱟᱱᱟᱢ ᱟᱜ ᱜᱚᱲᱚ ᱵᱟᱯᱞᱟ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱜᱚᱲᱚ ᱵᱟᱭᱦᱟ ᱥᱟᱶ ᱥᱮᱫᱟᱭ ᱛᱮ ᱮᱢᱟᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱟᱡ ᱫᱚ ᱠᱚᱱᱱᱤ ᱟᱜ ᱜᱚᱲᱚ ᱵᱟᱭᱦᱟ ᱥᱟᱶ ᱡᱟᱱᱟᱢ ᱜᱚᱲᱚ ᱵᱟᱭᱦᱟ ᱥᱟᱶ ᱡᱟᱱᱟᱢ ᱠᱟᱛᱮ ᱠᱚᱱᱱᱤ ᱟᱜ ᱜᱚᱲᱚ ᱵᱟᱭᱦᱟ ᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱠᱨᱤᱥᱢᱮᱥ ᱨᱮᱜᱮ ᱟᱡᱟᱜ ᱜᱚᱲᱚ ᱵᱟᱭᱦᱟ ᱮᱢᱚᱜᱼᱟ ᱾ ᱟᱨ ᱠᱚᱱᱱᱤ ᱟᱜ ᱥᱮᱫᱟᱭ ᱫᱚ ᱟᱡᱟᱜ ᱥᱮᱫᱟᱭ ᱦᱚᱸ ᱵᱟᱭᱦᱟ ᱦᱚᱸ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱭᱦᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ ᱵᱟᱵᱟ
|
ᱟᱡᱟᱜ
|
ᱵᱮᱛᱷ
|
ᱠᱚᱱᱱᱤ
| 151
| 61
| 15
|
development-28
|
This is a list of episodes from the MTV show Bully Beatdown. First aired: 22 March 2009 The victim for the series premier is named Alan, a man who gets bullied by his bigger younger brother. In his tape, Alan explains that Ryan gets away with bullying him because he is the family favorite.
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his
| 194
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Alan
| 204
| true
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Ryan
| 223
| false
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ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱴᱵᱤ ᱥᱳ ᱵᱩᱞᱞᱤ ᱵᱮᱴᱰᱟᱩᱱ ᱨᱮᱱᱟᱜ ᱮᱯᱤᱰᱤᱭᱟᱞ ᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱞᱤᱥᱴ ᱠᱟᱱᱟ ᱾ ᱯᱩᱭᱞᱩ ᱴᱷᱟᱶ: 22 ᱢᱟᱨᱪ 2009 ᱥᱚᱨᱮᱥ ᱥᱚᱨᱮᱥ ᱞᱤᱥᱴ ᱨᱮᱱᱟᱜ ᱭᱩᱫᱤ ᱟᱞᱟᱱ ᱠᱟᱱᱟ, ᱢᱤᱫ ᱦᱚᱲ ᱫᱚ ᱟᱡᱟᱜ ᱢᱟᱨᱟᱝ ᱡᱟᱹᱥᱛᱤ ᱵᱚᱭᱦᱟ ᱠᱷᱚᱱ ᱵᱩᱞᱞᱤ ᱦᱩᱭᱩᱜᱼᱟ ᱾ ᱟᱡᱟᱜ ᱴᱮᱯ ᱨᱮ, ᱟᱞᱟᱱ ᱫᱚ ᱟᱡᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱱᱟᱜ ᱯᱷᱮᱵᱽᱨᱤᱴ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡᱟᱜ ᱴᱮᱯ ᱨᱮ, ᱨᱤᱭᱟᱱ ᱫᱚ ᱟᱡᱟᱜ ᱵᱩᱞᱤ ᱛᱮ ᱵᱟᱦᱟᱞᱚᱜᱼᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱟᱞᱟᱱ
|
ᱨᱤᱭᱟᱱ
| 38
| 49
| 36
|
development-29
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Meet Mike, the shortest bully to appear on the show. He stands at 5'4 and is a Bronx gym rat who makes life miserable for his victims, Lorenzo and Joey. Mayhem Miller brings in MMA fighter Eddie Alvarez with a record of 22 wins and 2 losses to teach him a lesson.
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him
| 250
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Mayhem Miller
| 153
| false
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Eddie Alvarez
| 189
| false
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ᱢᱟᱭᱠ, ᱥᱳᱵᱷᱮᱞ ᱨᱮ ᱧᱮᱞᱚᱜ ᱠᱟᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱠᱚᱢ ᱵᱩᱞᱤᱜᱷᱤ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱕᱔ ᱢᱤᱴᱚᱨ ᱩᱥᱩᱞ ᱠᱟᱱᱟᱭ ᱟᱨ ᱵᱨᱚᱸᱠᱥ ᱨᱮᱱ ᱢᱤᱫ ᱡᱤᱢ ᱨᱟᱴ ᱠᱟᱱᱟᱭ ᱾ ᱡᱟᱦᱟᱸᱭ ᱟᱡᱟᱜ ᱡᱚᱦᱚᱜ ᱞᱚᱨᱮᱱᱳ ᱟᱨ ᱡᱳᱭ ᱞᱟᱹᱜᱤᱫ ᱡᱤᱭᱚᱱ ᱫᱚ ᱵᱟᱹᱱᱩᱜᱼᱟ ᱾ ᱢᱮᱦᱮᱢ ᱢᱤᱞᱚᱨ ᱫᱚ ᱢᱤᱢᱚᱪᱟ ᱠᱩᱢᱟᱨᱤᱭᱟᱹ ᱮᱰᱤ ᱟᱞᱵᱟᱨᱮᱥ ᱥᱟᱶ ᱒᱒ ᱜᱟᱱ ᱡᱤᱛᱠᱟᱹᱨ ᱟᱨ ᱵᱟᱨᱭᱟ ᱯᱚᱨᱚᱫᱮᱥ ᱥᱟᱶᱛᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱫᱟᱲᱮ ᱮᱢᱚᱜᱼᱟ ᱾
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ᱱᱤᱡᱮ
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ᱢᱟᱭᱦᱮᱢ ᱢᱤᱞᱚᱨ
|
ᱤᱰᱰᱤ ᱟᱞᱵᱚᱨᱮᱥ
| 40
| 46
| 54
|
development-30
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With only six months' experience under his belt, Paul won the Niagara District Bantamweight Amateur Title, the National AAU Tournament in Boston and the Empire State Amateur Championship within a three month span in 1927. On August 1, 1927, Paul knocked out Freddie Griffiths in four rounds in his first professional fight.
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his
| 294
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Paul
| 241
| true
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Freddie Griffiths
| 258
| false
|
ᱯᱳᱞ ᱫᱚ ᱟᱡᱟᱜ ᱖ ᱪᱟᱸᱫᱚ ᱫᱷᱟᱣ ᱨᱮ ᱱᱤᱭᱟᱜᱟᱨᱟ ᱰᱤᱴᱨᱤᱴ ᱵᱟᱸᱴᱚᱢᱵᱮᱴ ᱮᱢᱮᱴᱚᱨ ᱛᱤᱴᱮᱞ, ᱵᱳᱥᱴᱚᱱ ᱨᱮᱱ ᱱᱮᱥᱱᱟᱞ ᱮ. ᱮ. ᱟᱭᱩ ᱴᱩᱨᱱᱮᱢᱮᱸᱴ ᱟᱨ ᱒᱐᱒᱗ ᱨᱮ ᱓ ᱪᱟᱸᱫᱚ ᱫᱷᱟᱣ ᱨᱮ ᱮᱢᱟᱭᱯᱟᱨ ᱥᱴᱮᱴ ᱮᱢᱮᱴᱚᱨ ᱪᱟᱢᱯᱤᱭᱟᱱᱥᱤᱯ ᱨᱮ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ ᱾ ᱑ ᱚᱜᱚᱥᱴ ᱑᱙᱒᱗ ᱨᱮ ᱯᱳᱞ ᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱯᱨᱚᱯᱷᱮᱥᱚᱱ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱨᱮ ᱯᱷᱨᱮᱰᱤ ᱜᱽᱨᱤᱯᱷᱤᱴᱥ ᱮ ᱵᱟᱭ ᱠᱟᱛᱮᱭ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱯᱳᱞ
|
ᱯᱷᱨᱮᱰᱤ ᱜᱨᱤᱯᱷᱤᱴᱥ
| 0
| 33
| 2
|
development-31
|
Nicholas Rogers as Tarabas role also caused problems, as has declared during his audition that he was able to ride horses but as soon as the shooting began, he could not even mount a horse. It was then soon realized he was also not good at acting; Bava said that for the scene where Rogers has to say ``I love you'', they had to make three shots and then combine them later. He also injured himself on the set and had to be taken to hospital while still wearing his costume.
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He
| 375
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Bava
| 248
| false
|
Rogers
| 283
| true
|
ᱱᱤᱠᱚᱞᱚᱥ ᱨᱳᱡᱚᱨᱥ ᱫᱚ ᱛᱟᱨᱟᱵᱟᱥ ᱨᱳᱞ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱸ ᱡᱷᱟᱹᱞᱤ ᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱚᱰᱤᱥᱚᱱ ᱚᱠᱛᱚ ᱨᱮ ᱟᱡ ᱫᱚ ᱢᱮᱱ ᱟᱠᱟᱫᱟᱭ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱟᱥᱲᱟ ᱨᱮ ᱥᱮᱱᱚᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱪᱤᱛᱟ.ᱨᱟᱣ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱟᱥᱲᱟ ᱨᱮ ᱦᱚᱸ ᱥᱮᱱᱚᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱥᱲᱟ ᱨᱮ ᱦᱚᱸ ᱵᱟᱭ ᱥᱮᱱᱚᱜᱼᱟ ᱾ ᱵᱟᱵᱟ ᱫᱚ ᱢᱮᱱ ᱠᱮᱫᱼᱟ ᱡᱮ ᱨᱳᱡᱚᱨᱥ ᱫᱚ `` ᱤᱧ ᱟᱢᱟᱜ ᱞᱟᱹᱜᱤᱫ
|
ᱩᱱᱤ ᱫᱚ
|
ᱵᱟᱵᱟ
|
ᱨᱳᱡᱚᱨᱥ
| 27
| 2
| 54
|
development-32
|
He is confronted by Xellesia, who explains that the dark magic within him does not allow him to fall in love, for as soon as he tries to kiss the one he desires, he will be transformed into a beast to devour them. Fantaghir* and Esmeralda continue on their journey and are reunited with Lightning and Bolt who have a new plan to track down Tarabas. They decide to resurrect the Black Witch, who was destroyed in the previous film, and hold her heart hostage, promising to give her back her heart if she helps them find Tarabas.
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her
| 440
|
Esmeralda
| 229
| false
|
Bolt
| 301
| false
|
ᱩᱱᱤ ᱫᱚ ᱠᱮᱞᱮᱥᱤᱭᱟ ᱥᱟᱶ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡ ᱨᱮᱱ ᱚᱸᱰᱮᱱᱟᱜ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱢᱚ
|
ᱟᱡᱟᱜ
|
ᱤᱥᱢᱟᱨᱮᱞᱰᱟ
|
ᱵᱚᱞᱴ
| 63
| 145
| 104
|
development-33
|
Christine eventually got out of the street when she was promoted at Miami Modes and butted heads with Elsie and Dot, who didn't like the way she used her newfound authority. Christine was transferred, and moved out of Weatherfield for good. Christine sent a telegram to congratulate Elsie and Steve Tanner on their wedding day in 1967. In 1984, Elsie Tanner informed Ken Barlow that Christine had died of liver failure after becoming an alcoholic in the late 1970s. She has never been mentioned again.
|
She
| 466
|
Elsie Tanner
| 345
| false
|
Christine
| 383
| true
|
ᱠᱨᱤᱥᱴᱤᱱ ᱫᱚ ᱢᱤᱭᱟᱢᱤ ᱢᱳᱰᱥ ᱨᱮ ᱯᱨᱳᱢᱳᱥᱚᱱ ᱞᱮᱱ ᱛᱟᱵᱮ ᱜᱟᱰᱟ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱞᱮᱱᱟ ᱟᱨ ᱤᱞᱥᱤ ᱟᱨ ᱰᱳᱴ ᱥᱟᱶ ᱠᱩᱞᱤ ᱠᱮᱫᱮᱭᱟ ᱾ ᱩᱱᱠᱩ ᱟᱡᱟᱜ ᱱᱟᱣᱟ ᱧᱟᱢ ᱟᱠᱴᱚᱨᱤᱴᱤ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱫᱮᱭᱟ ᱾ ᱠᱨᱤᱥᱴᱤᱱ ᱫᱚ ᱦᱟᱛᱟᱣ ᱞᱮᱱᱟ ᱟᱨ ᱱᱤᱛᱚᱜ ᱜᱮ ᱣᱮᱰᱟᱨᱯᱷᱤᱞᱰ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱞᱮᱱᱟ ᱾ ᱠᱨᱤᱥᱴᱤᱱ ᱫᱚ ᱑᱙᱖᱗ ᱨᱮ ᱤᱞᱥᱤ ᱟᱨ ᱥᱴᱤᱵᱽ ᱴᱮᱱᱚᱨᱟᱜ ᱢᱟᱦᱟᱫᱚᱨ ᱨᱮ ᱠᱚ ᱥᱟᱨᱦᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱴᱮᱞᱮᱜᱽᱨᱟᱢ ᱮ ᱩᱪᱟᱹᱲ ᱞᱮᱫᱮᱭᱟ ᱾ ᱑᱙᱘᱔ ᱨᱮ, ᱤᱞᱥᱤ ᱴᱮᱱᱚᱨ ᱠᱮᱱ ᱵᱟᱨᱞᱳᱣ ᱵᱟᱲᱟᱭ ᱞᱮᱫᱮᱭᱟ ᱡᱮ ᱠᱨᱤᱥᱴᱤᱱ ᱫᱚ ᱑᱙᱗᱐ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱟᱞᱠᱳᱞᱤᱠ ᱮᱱ ᱛᱟᱭᱚᱢ ᱦᱤᱯ ᱯᱷᱤᱞᱮᱠᱥ ᱛᱮ ᱵᱟᱦᱨᱮ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱟᱵᱚᱥ ᱞᱮᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱮᱞᱥᱤ ᱴᱮᱱᱚᱨ
|
ᱠᱨᱤᱥᱴᱤᱱ
| 18
| 1
| 84
|
development-34
|
Eventually she overheard the ``off-button'' code of the monster Three-Willied Seth and proceeded to free herself. She literally took the heads of the television mogul and his software billionaire co-conspirator. She also saved her friend Angela Spica, the Engineer, and killed the man who had been abusing Angela. Originally drawn flat-chested, as a plot point in the series she rapidly ``developed'' a more pronounced, archetypal superheroine bust size.
|
she
| 375
|
Angela Spica
| 238
| false
|
Angela
| 306
| false
|
ᱛᱤᱱᱟᱹᱜ ᱜᱟᱱ ᱨᱮ ᱩᱱᱤ ᱫᱚ ]]`off-button' code ᱧᱮᱞ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱨᱩᱭᱟᱹᱲ ᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ]]]]]]]] ᱯᱮᱭᱟ-Willied Seth ᱧᱩᱛᱩᱢᱟᱱ ᱢᱩᱬᱩᱛ ᱮᱱᱮᱡᱤᱭᱟᱹ ᱟᱨ ᱟᱡᱟᱜ ᱥᱟᱯᱷᱴᱣᱮᱭᱟᱨ ᱵᱤᱞᱤᱭᱚᱱᱚᱨ ᱥᱟᱶᱦᱮᱫᱤᱭᱟᱹ ᱨᱤᱱᱤᱡ ᱢᱩᱬᱩᱛ ᱮᱱᱮᱡᱤᱭᱟᱹᱭ ᱫᱚᱦᱚ ᱠᱮᱫᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ Angela Spica, the Engineer, ᱟᱨ ᱟᱡᱟᱜ ᱮᱱᱮᱡᱤᱭᱟᱹᱭ ᱫᱚᱦᱚᱭ ᱠᱮᱫᱼᱟ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱩᱱᱤ ᱫᱚᱭ ᱛᱚᱯᱚᱞ ᱞᱮᱫᱼᱟ ᱾ ᱮᱱᱮᱡᱤᱭᱟᱞ ᱫᱚ ᱚᱞᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱮᱱᱮᱡᱤᱭᱟᱞ ᱫᱚ ᱚᱞᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱮᱱᱮᱡᱤᱭᱟᱞ ᱫᱚ ᱟᱡᱟᱜ ᱢᱩᱬᱩᱛ ᱮᱱᱮᱡᱤᱭᱟᱞ ᱮᱱᱮᱡᱤᱭᱟᱞ ᱠᱟᱱᱟᱭ ᱾
|
ᱟᱡᱟᱜ
|
ᱟᱝᱡᱮᱞᱟ ᱥᱯᱤᱠᱟ
|
ᱟᱱᱡᱮᱞᱟ
| 38
| 41
| 5
|
development-35
|
Kevin John Coyne of Country Universe gave the song a B rating, saying that ``does breakup about as good as anybody'' and that he doesn't believe Keith is ``capable of turning in a weak vocal performance.'' Bobby Peacock of Roughstock gave the song a 3.5/5 rating, saying that the production is ``looser and funkier'' than on Keith's other songs. He goes on to say that it ``contrasts with the more downbeat lyrics of a fairly standard broken-heart song.''
|
He
| 346
|
Bobby Peacock
| 206
| true
|
Keith
| 325
| false
|
ᱠᱮᱱᱴᱨᱤ ᱡᱮᱜᱮᱛ ᱨᱮᱱᱟᱜ ᱠᱮᱵᱤᱱ ᱡᱚᱱ ᱠᱳᱭᱱ ᱫᱚ ᱱᱚᱶᱟ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱵᱤ ᱨᱮᱴᱤᱝ ᱮᱢᱟᱫᱮᱭᱟ, ᱡᱟᱦᱟᱸᱭ ᱢᱮᱱᱮᱫᱟ `` ᱫᱚ ᱡᱚᱛᱚ ᱦᱚᱲ ᱞᱮᱠᱟ ᱜᱮ ᱵᱷᱮᱜᱟᱨ ᱜᱮᱭᱟ' ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱵᱟᱝ ᱢᱮᱱᱮᱫᱟ ᱠᱮᱭᱛᱷ ᱫᱚ `` ᱤᱫᱤ ᱠᱟᱛᱮᱜ ᱵᱟᱹᱲᱛᱤ ᱥᱮᱨᱮᱧ ᱮ ᱮᱢᱟᱫᱮᱭᱟ' ᱾ 'ᱨᱚᱯᱷᱥᱴᱚᱠ ᱨᱮᱱᱟᱜ ᱵᱳᱵᱤ ᱯᱤᱠᱳᱠ ᱫᱚ ᱱᱚᱶᱟ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ `` ᱞᱩᱥ ᱟᱨ ᱯᱷᱚᱱᱠᱨᱮᱭᱟᱨ ᱮ ᱢᱮᱱᱮᱫᱟ ᱾ ᱱᱩᱭ ᱢᱮᱱᱮᱫᱟ ᱱᱚᱶᱟ ᱫᱚ ᱠᱮᱭᱛᱷ ᱨᱮᱱᱟᱜ ᱮᱴᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱷᱚᱱ `` ᱠᱚᱱᱴᱨᱚᱥᱴᱮᱴ ᱠᱟᱱᱟ ᱾'
|
ᱩᱱᱤ ᱫᱚ
|
ᱵᱳᱵᱤ ᱯᱟᱠᱳᱠ
|
ᱠᱤᱪ
| 0
| 46
| 0
|
development-36
|
He was elected following the conviction on fraud and other charges as part of a broad scandal involving their former Chairman, Glenn Marshall associated with the Jack Abramoff Indian lobbying scandal. Cromwell's election and administration have been criticized by other tribe members alleging election and financial improprieties. However, Cromwell has successfully gained financial backing for the tribe's casino development effort from Malaysian billionaire Lim Goh Tong and his Kien Huat Realty arm of the Genting Group, and Cromwell also successfully hired former U.S. representative Bill Delahunt to lobby on behalf of the tribe.
|
his
| 477
|
Cromwell
| 340
| true
|
Lim Goh Tong
| 460
| false
|
ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱒᱐᱑᱘ ᱥᱟᱞ ᱨᱮ ᱤᱸᱰᱤᱭᱟᱱ ᱨᱤᱱᱤᱡ ᱯᱟᱨᱥᱮᱛ ᱟᱨ ᱯᱟᱨᱥᱮᱛ ᱡᱟᱠ ᱟᱵᱽᱨᱟᱢᱚᱯᱷ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱞᱳᱵᱤᱝ ᱥᱠᱮᱱᱰᱮᱞ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱤᱸᱰᱤᱭᱟᱱ ᱨᱤᱱᱤᱡ ᱯᱟᱨᱥᱮᱛ ᱡᱟᱠ ᱟᱵᱽᱨᱟᱢᱚᱯᱷ ᱥᱠᱮᱱᱰᱮᱞ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱤᱸᱰᱤᱭᱟᱱ ᱨᱤᱱᱤᱡ ᱯᱟᱨᱥᱮᱛ ᱟᱨ ᱯᱟᱨᱥᱮᱛ ᱞᱮᱠᱟᱛᱮ ᱠᱨᱚᱢᱣᱮᱞ ᱟᱨ ᱯᱟᱨᱥᱮᱛ ᱞᱮᱠᱟᱛᱮ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚ ᱠᱨᱚᱢᱣᱮᱞ ᱫᱚᱨᱚᱢ ᱫᱚᱨᱚᱢᱵᱟᱨ ᱫᱚᱨ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱᱴᱤ ᱨᱮᱱ ᱢᱤᱞᱤᱭᱚᱨ ᱞᱟᱭᱤᱱ ᱫᱚᱨ ᱠᱷᱚᱱ ᱠᱮᱴᱤ ᱟᱨ ᱠᱨᱥ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰ ᱮᱢᱮᱱᱰᱮᱱᱰ ᱮᱢ ᱮᱢᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰ ᱮᱢ ᱮᱢ ᱮᱢ ᱮᱢᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰ ᱮᱢ ᱮᱢ ᱮᱢ ᱮᱢᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰ ᱮᱢ ᱮᱢ ᱮᱢ ᱮᱢ ᱮᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰᱮᱱᱥ ᱨᱮᱱ ᱮᱰᱮᱱᱰᱮᱱᱰᱮᱱᱰ ᱮᱰᱮᱱᱥ ᱨᱮᱱ ᱮᱰᱮᱱ
|
ᱟᱡᱟᱜ
|
ᱠᱨᱚᱢᱣᱮᱞ
|
ᱞᱤᱢ ᱜᱳᱦ ᱴᱳᱝ
| 66
| 82
| 85
|
development-37
|
In 1650 he started his career as advisor in the ministerium of finances in Den Haag. After he became a minister he went back to Amsterdam, and took place as a sort of chairing mayor of this city. After the death of his brother Cornelis, De Graeff became the strong leader of the republicans. He held this position until the rampjaar.
|
He
| 292
|
Cornelis
| 227
| false
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De Graeff
| 237
| true
|
᱑᱖᱕᱐ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱰᱮᱱ ᱦᱮᱜᱽ ᱨᱮ ᱢᱤᱱᱤᱥᱴᱨᱤᱭᱚᱢ ᱯᱷᱤᱱᱚᱸᱥ ᱨᱮ ᱥᱚᱦᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱠᱮᱨᱤᱭᱚᱨ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱢᱚᱱᱛᱨᱤ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱟᱭᱢᱥᱴᱟᱨᱰᱚᱢ ᱨᱮᱭ ᱨᱩᱣᱟ. ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱱᱚᱶᱟ ᱥᱚᱦᱚᱨ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱪᱮᱭᱨᱮᱱᱰᱚᱨ ᱞᱮᱠᱟᱛᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱠᱳᱨᱱᱮᱞᱤᱥ ᱛᱟᱭᱚᱢ, ᱰᱮ ᱜᱨᱮᱯᱷ ᱫᱚ ᱨᱟᱯᱵᱞᱤᱠᱟᱱ ᱠᱚᱣᱟᱜ ᱢᱩᱬᱩᱛ ᱮᱱᱮᱡ ᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱱᱚᱶᱟ ᱯᱳᱥᱴᱤ ᱫᱚ ᱨᱟᱢᱯᱡᱟᱨ ᱦᱟᱹᱵᱤᱡ ᱞᱮᱫᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱠᱳᱨᱱᱮᱞᱤ
|
ᱰᱮ ᱜᱨᱮᱯᱷ
| 41
| 41
| 55
|
development-38
|
In a story that echoes that of Helen Keller, Betteridge's teacher Roberta Reid fingerspelled words into her pupil's hand, until Betteridge made the connection between the words spelled and the objects she was touching. The breakthrough came when Reid spelled the word ``shoe'' while placing a shoe in Alice's hand. Her education then progressed rapidly, and in a few short months she knew 200 nouns and several verbs, including ``run,'' ``jump,'' and ``laugh,'' and soon began learning to read braille.
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Her
| 315
|
Reid
| 246
| false
|
Alice
| 301
| true
|
ᱢᱤᱫ ᱠᱟᱛᱷᱟ ᱨᱮ, ᱵᱷᱮᱴᱟᱨᱰᱤᱡ ᱟᱥᱲᱟ ᱨᱳᱵᱚᱨᱴᱟ ᱨᱤᱰ ᱫᱚ ᱟᱡᱤᱡ ᱯᱟᱲᱦᱟᱣᱤᱭᱟᱹ ᱟᱜ ᱦᱮᱢᱚᱱ ᱨᱮ ᱟᱹᱲᱟᱹ ᱠᱚ ᱚᱞ ᱞᱮᱫᱼᱟ ᱾ ᱵᱷᱮᱴᱟᱨᱰᱤᱡ ᱟᱜ ᱟᱲᱟᱝ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱚᱞ ᱟᱠᱟᱱ ᱟᱹᱲᱟᱹ ᱠᱚ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱥᱟᱯᱲᱟᱣ ᱠᱮᱫ ᱟᱱᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱡᱚᱯᱚᱲᱟᱣ ᱞᱮᱫᱼᱟ ᱾ ᱨᱤᱰ ᱫᱚ ᱟᱞᱤᱥ ᱨᱮ ᱥᱩᱴᱤ ᱮᱢ ᱠᱟᱛᱮ `` shoe' ᱟᱹᱲᱟᱹ ᱚᱞ ᱞᱮᱫᱼᱟ ᱾ ᱟᱡᱟᱜ ᱥᱮᱪᱮᱫ ᱛᱟᱭᱚᱢ ᱛᱮᱭ ᱦᱟᱛᱟᱣ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱠᱟᱱᱴᱮ ᱪᱟᱸᱫᱚ ᱨᱮ ᱩᱱᱤ ᱫᱚ `` run, ' `` jump,' ' ᱟᱨ `` ` laugh,' ᱥᱟᱶᱛᱮ ᱒᱐ ᱜᱚᱴᱟᱝ ᱧᱩᱛᱩᱢ ᱟᱨ ᱟᱭᱢᱟ ᱠᱟᱹᱢᱤ ᱠᱚ ᱵᱟᱲᱟᱭ ᱞᱮᱫᱼᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱨᱤᱰ
|
ᱟᱞᱤᱥ
| 0
| 48
| 0
|
development-39
|
Recurring injuries kept Andreev from competing for several years. He injured his back while training quads which forced him to leave skating in 2005. He did not compete in the 2005-2006 and 2006-2007 seasons. Andreev returned to competition in the 2007-2008 season and was coached in Detroit by Callaghan. He placed 8th at the 2008 Canadian Championships.
|
He
| 306
|
Andreev
| 209
| true
|
Callaghan
| 295
| false
|
ᱟᱫᱷᱨᱤᱭᱚᱵ ᱫᱚ ᱟᱭᱢᱟ ᱥᱮᱨᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱠᱷᱮᱞᱚᱸᱰ ᱨᱮ ᱥᱮᱱᱚᱜ ᱠᱷᱚᱱ ᱵᱟᱹᱧᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱠᱣᱟᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱠᱚᱭᱮᱰ ᱨᱮ ᱒᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐᱐
|
ᱩᱱᱤ ᱫᱚ
|
ᱟᱱᱫᱨᱤᱭᱚᱵ
|
ᱠᱮᱞᱟᱡᱷᱟᱱ
| 1
| 79
| 15
|
development-40
|
Postmaster of New Orleans from December 19, 1843, to April 18, 1849. He served as delegate to the Democratic National Conventions in 1844, 1852, 1856, and 1860. Penn was elected as a Democrat to the Thirty-first Congress to fill the vacancy caused by the death of John H. Harmanson. He was reelected to the Thirty-second Congress and served from December 30, 1850, to March 3, 1853.
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He
| 283
|
Penn
| 161
| true
|
John H. Harmanson
| 264
| false
|
ᱱᱤᱣ ᱚᱨᱞᱮᱱᱥ ᱨᱮᱱᱟᱜ ᱯᱳᱥᱴ ᱢᱤᱥᱴᱟᱨ ᱑᱙ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱙᱘᱓ ᱠᱷᱚᱱ ᱑᱘ ᱮᱯᱨᱤᱞ ᱑᱘᱔᱙ ᱫᱷᱟᱹᱵᱤᱡ ᱾ ᱩᱱᱤ ᱑᱘᱔᱔, ᱑᱘᱕᱒, ᱑᱘᱕᱖ ᱟᱨ ᱑᱘᱖᱐ ᱨᱮ ᱰᱮᱢᱳᱠᱨᱤᱛᱤᱠ ᱱᱮᱥᱱᱟᱞ ᱠᱚᱱᱵᱷᱮᱱᱥ ᱨᱮ ᱰᱮᱞᱮᱜᱮᱴ ᱞᱮᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱡᱚᱱ ᱦᱟᱨᱢᱟᱱᱥᱚᱱ ᱟᱜ ᱜᱩᱨᱩ ᱠᱷᱟᱹᱛᱤᱨ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱯᱮᱱ ᱫᱚ ᱰᱮᱢᱳᱠᱨᱤᱛ ᱞᱮᱠᱟᱛᱮ ᱓᱑ ᱟᱱᱟᱜ ᱠᱚᱝᱜᱽᱨᱮᱥ ᱨᱮ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱓᱒ ᱟᱱᱟᱜ ᱠᱚᱝᱜᱽᱨᱮᱥ ᱨᱮ ᱯᱮᱨᱮᱡᱮᱴ ᱮᱱᱟ ᱟᱨ ᱓᱐ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱘᱕᱐ ᱠᱷᱚᱱ ᱓ ᱢᱟᱨᱪ ᱑᱘᱕᱓ ᱫᱷᱟᱹᱵᱤᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
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ᱩᱱᱤ ᱫᱚ
|
ᱯᱮᱱ
|
ᱡᱚᱱ ᱦᱮᱢᱟᱱᱥᱚᱱ
| 36
| 41
| 13
|
development-41
|
Karl Philipp F*rst zu Schwarzenberg (or Charles Philip, Prince of Schwarzenberg (April 18, 1771 -- October 15, 1820) was an Austrian field marshal. Karl Philipp was born in Vienna as the son of Johann Nepomuk Anton of Schwarzenberg and Marie Eleonore Countess of *ttingen-Wallerstein. He entered the imperial cavalry in 1788, fought in 1789 under Lacy and Loudon against the Turks, distinguished himself by his bravery, and became major in 1792.
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He
| 285
|
Johann Nepomuk
| 194
| false
|
Schwarzenberg
| 218
| true
|
ᱠᱟᱨᱞ ᱯᱷᱤᱞᱯ ᱯᱷᱚᱨᱥᱴᱩ ᱥᱣᱟᱨᱥᱮᱱᱵᱚᱨᱜ (ᱵᱟᱝ ᱪᱟᱨᱞ ᱯᱷᱤᱞᱯ, ᱯᱨᱤᱱᱥ ᱚᱯᱷ ᱥᱣᱟᱨᱥᱮᱱᱵᱚᱨᱜ (᱑᱘ ᱮᱯᱨᱤᱞ ᱑᱗᱗᱑ - ᱑᱕ ᱚᱠᱴᱚᱵᱚᱨ ᱑᱘᱒᱐) ᱢᱤᱫ ᱚᱥᱴᱨᱤᱭᱟᱱ ᱯᱷᱤᱞᱰ ᱢᱟᱨᱥᱟᱞ ᱠᱟᱱᱟᱭ ᱾ ᱠᱟᱨᱞ ᱯᱷᱤᱞᱯ ᱫᱚ ᱵᱷᱤᱭᱮᱱᱱᱟ ᱨᱮ ᱡᱳᱦᱟᱱ ᱱᱮᱯᱚᱢᱩᱠ ᱮᱱᱴᱚᱱ ᱚᱯᱷ ᱥᱣᱟᱨᱥᱮᱱᱵᱚᱨᱜ ᱟᱨ ᱢᱟᱨᱤ ᱮᱞᱤᱭᱚᱱᱚᱨ ᱠᱚᱱᱴᱮᱥ ᱚᱯᱷ ᱴᱤᱝᱜᱮᱱ-ᱣᱟᱞᱚᱨᱥᱴᱟᱭᱤᱱ ᱨᱮᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱗᱘᱘ ᱨᱮ ᱱᱟᱜᱚᱨᱡᱚᱱᱟᱞ ᱠᱷᱟᱵᱞᱨᱤ ᱨᱮ ᱥᱮᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱑᱗᱘᱙ ᱨᱮ ᱞᱟᱭᱥᱤ ᱟᱨ ᱞᱩᱰᱚᱱ ᱛᱩᱨᱠ ᱠᱚ ᱵᱟᱫᱽᱞᱮ ᱨᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱡᱟᱜ ᱵᱤᱨᱫᱟᱹᱭ ᱛᱮ ᱟᱡᱟᱜ ᱵᱟᱹᱲᱤᱡᱽ ᱛᱮ ᱵᱷᱮᱜᱟᱨ ᱮᱱᱟ ᱾ ᱟᱨ ᱑᱗᱙᱙᱒ ᱨᱮ ᱟᱡ ᱫᱚ ᱢᱟᱨᱥ ᱮᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱡᱳᱦᱟᱱ ᱱᱮᱯᱳᱢᱩᱠ
|
ᱥᱣᱟᱨᱥᱮᱱᱵᱚᱨᱜ
| 17
| 5
| 63
|
development-42
|
In 1872 he was elected to the House of Commons as one of two representatives for Tamworth, a seat he held until 1878, and then sat for Staffordshire North until 1880, when he lost his seat. He unsuccessfully contested Preston in 1882, but won the seat in 1885. During the Liberal stay in power from 1892 to 1895 Hanbury was a vigorous critic of William Ewart Gladstone 's Second Home Rule Bill from a financial perspective. When the Conservatives came to power in 1895 under Lord Salisbury, he was appointed Financial Secretary to the Treasury and sworn of the Privy Council.
|
he
| 491
|
Hanbury
| 312
| true
|
William Ewart Gladstone
| 345
| false
|
᱑᱘᱘᱒ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱛᱟᱢᱣᱚᱨᱴ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱨᱭᱟ ᱥᱩᱵᱤᱫᱷᱟᱭᱤᱡ ᱞᱮᱠᱟᱛᱮ ᱠᱚᱢᱚᱱᱥ ᱦᱟᱵᱟᱥ ᱨᱮ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱘᱘᱘ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱵᱤᱡ ᱴᱟᱢᱣᱚᱨᱴ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱮᱱ ᱥᱩᱵᱤᱫᱷᱟᱭᱤᱡ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱑᱘᱘᱘᱐ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱵᱤᱡ ᱥᱴᱮᱯᱷᱚᱨᱰᱥᱟᱭᱚᱨ ᱱᱳᱛᱷ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱸᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱘᱘᱒ ᱥᱮᱨᱢᱟ ᱨᱮ ᱯᱨᱮᱥᱴᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱘᱘᱒ ᱠᱷᱚᱱ ᱑᱙᱘᱕ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱵᱤᱡ ᱥᱚᱨᱠᱟᱨ ᱨᱮ ᱞᱤᱵᱚᱨᱞ ᱨᱤᱱᱤᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱑᱙᱘᱒ ᱠᱷᱚᱱ ᱑᱙᱘᱕ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱵᱤᱡ ᱦᱟᱱᱵᱨᱤ ᱫᱚ ᱣᱤᱞᱤᱭᱚᱢ ᱤᱣᱟᱨᱴ ᱜᱞᱚᱰᱥᱴᱚᱱ ᱨᱮᱱᱟᱜ ᱫᱚᱥᱟᱨ ᱦᱚᱢᱚᱨ ᱵᱤᱞ ᱨᱮᱱᱟᱜ ᱠᱨᱤᱴᱤᱝ ᱠᱟᱱᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱑᱙᱘᱕ ᱥᱮᱨᱢᱟ ᱨᱮ ᱞᱚᱨᱰ ᱥᱮᱞᱥᱵᱚᱨᱵᱷᱤᱝᱵᱚᱨᱞᱤ ᱚᱨᱛᱟᱨ ᱨᱮ ᱥᱚᱨᱠᱟᱨᱠᱟᱨᱤ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱯᱷᱚᱸᱰᱥᱚᱨᱥᱚᱨᱥᱚᱨ ᱥᱠᱟᱨᱤ ᱟᱨ ᱯᱨᱟᱭᱤ ᱠᱳᱨᱮᱥᱚᱨ ᱮᱱᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱱᱤ
|
ᱦᱟᱱᱵᱚᱨᱤ
|
ᱣᱤᱞᱤᱭᱚᱢ ᱤᱣᱟᱨᱴ ᱜᱞᱚᱰᱥᱴᱚᱱ
| 66
| 58
| 2
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development-43
|
Impressed by her beauty, her warrior skills, and the fact that she was able to locate him, she is promoted to a position similar to that later held by her half-sister, Talia. As a right hand associate, she accompanies him during his adventures. Ra's is so impressed with her abilities, he even allows Nyssa to use his Lazarus Pits. Like her sister Talia, Nyssa eventually becomes disenchanted with Ra's genocidal plans to ``cleanse the Earth'', and disassociates herself from her father sometime in the early 20th century.
|
her
| 337
|
Talia
| 348
| false
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Nyssa
| 355
| true
|
ᱨᱟᱥ ᱫᱚ ᱟᱡᱟᱜ ᱥᱤᱠᱷᱱᱟᱹᱛ ᱛᱮ ᱟᱹᱰᱤ ᱥᱩᱯᱩᱨ ᱟᱠᱟᱱᱟ, ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱨᱟᱡᱽᱜᱟᱲ ᱠᱟᱹᱢᱤ ᱟᱨ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱨᱮ ᱠᱟᱹᱢᱤ
|
ᱟᱡᱟᱜ
|
ᱴᱟᱞᱤᱭᱟ
|
ᱱᱤᱥᱟ
| 185
| 72
| 5
|
development-44
|
Among which: 3 (``Limpido / Limpio'', ``Se non te / Sino a ti'' and ``Dove resto solo io / Donde quedo solo yo'') are completely new and written for this album (all these three tracks were chosen as the singles of the album). The first single of the album, ``Limpido / Limpio'', is included in its solo and duet versions with Kylie Minogue. 2 (``Ramaya'' and ``Paola'') are amateur recordings of Laura Pausini singing the famous song ``Ramaya'' when she was two years old (the former) and her daughter saying the word ``mamma'' (mommy) for the first time (the latter).
|
she
| 450
|
Paola
| 361
| false
|
Laura Pausini
| 396
| true
|
]]`Limpido / Limpio'', ]]`Se non te / Sino a ti' ᱟᱨ ]]`Dove resto solo io / Donde quedo solo yo'') ᱫᱚ ᱱᱟᱣᱟ ᱟᱨ ᱱᱚᱶᱟ ᱚᱞᱵᱚᱢ ᱞᱟᱹᱜᱤᱫ ᱚᱞ ᱟᱠᱟᱱᱟ (ᱫᱚᱭᱟ ᱴᱨᱤᱠ ᱠᱚ ᱱᱚᱶᱟ ᱚᱞᱵᱚᱢ ᱨᱮᱱᱟᱜ ᱥᱤᱝᱞ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱚᱱ ᱟᱠᱟᱱᱟ) ᱾ ᱱᱚᱶᱟ ᱚᱞᱵᱚᱢ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱤᱝᱞ, ]]`Limpido / Limpio'', ᱫᱚ ᱠᱟᱭᱞᱤ ᱢᱤᱱᱳᱜ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱥᱳᱞᱳ ᱟᱨ ᱰᱩᱮᱴ ᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ 2 (]]`Ramaya' ᱟᱨ ]]``Paola'') ᱫᱚ ᱞᱳᱨᱟ ᱯᱟᱣᱥᱤᱱᱤ ᱨᱮᱱᱟᱜ ᱧᱩᱛᱩᱢᱟᱱ ᱥᱮᱨᱮᱧ ]]``Ramaya' ᱚᱠᱛᱚ ᱩᱱᱤ ᱫᱚ ᱵᱟᱨ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ (ᱵᱮᱨᱩᱫᱷᱤ) ᱟᱨ ᱟᱡ ᱠᱩᱲᱤ ᱫᱚ ]]``mamma' (ᱵᱮᱨᱩᱫᱷᱤ) ᱟᱹᱲᱟᱹᱭ ᱛᱮ ᱯᱩᱭᱞᱩ ᱫᱷᱟᱣ (ᱵᱮᱨᱩᱫᱷᱤ) ᱾
|
ᱟᱡᱟᱜ
|
ᱯᱳᱞᱟ
|
ᱞᱟᱨᱟ ᱯᱟᱥᱤᱱᱤ
| 62
| 0
| 0
|
development-45
|
In 2014 Dean played the lead role in The Long Road South alongside Michael Brandon, a new play by Paul Minx. The press said of Deans performance ``Felicity Dean, playing the best drunk ma in her nightdress since Lindsay Duncan in That Face.'' ``Felicity Dean's Carol Ann marks the play's standout performance as she quakes about the stage in sliver heels, brimming with morose longing.''.
|
she
| 312
|
Felicity Dean
| 245
| false
|
Carol Ann
| 261
| true
|
᱒᱐᱑᱔ ᱨᱮ ᱰᱤᱱᱟ ᱫᱚ ᱯᱳᱞ ᱢᱤᱱᱠᱥ ᱟᱜ ᱢᱤᱫ ᱱᱟᱣᱟ ᱮᱱᱮᱢ ᱢᱟᱭᱠᱮᱞ ᱵᱨᱮᱱᱰᱚᱱ ᱥᱟᱶᱛᱮ ᱫᱤ ᱞᱚᱝ ᱜᱟᱰᱟ ᱥᱟᱭᱩᱴ ᱨᱮ ᱞᱤᱰ ᱨᱚᱞ ᱮ ᱮᱱᱮᱢ ᱞᱮᱫᱼᱟ ᱾ ᱯᱨᱮᱥ ᱫᱚ ᱰᱤᱱᱟ ᱨᱮᱱᱟᱜ ᱮᱱᱮᱢ ``Felicity Dean, ᱞᱤᱱᱰᱤᱡᱤ ᱰᱟᱱᱠᱟᱱ ᱠᱷᱚᱱ ᱱᱟᱴᱚᱠ ᱨᱮ ᱟᱡᱟᱜ ᱧᱤᱫᱟᱹ ᱡᱚᱢᱵᱚᱥ ᱨᱮ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱮᱱᱮᱢ ᱮᱱᱮᱢ ᱞᱮᱫᱼᱟ ᱾' ``Felicity Dean's Carol Ann ᱫᱚ ᱮᱱᱮᱢ ᱨᱮᱱᱟᱜ ᱥᱴᱮᱱᱰ ᱮᱱᱮᱢ ᱞᱮᱫᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱤᱞᱵᱷᱚᱨ ᱦᱮᱞ ᱨᱮ ᱛᱷᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩᱞᱩ
|
ᱟᱡᱟᱜ
|
ᱯᱷᱮᱞᱤᱥᱤᱴᱤ ᱰᱤᱱ
|
ᱠᱟᱨᱚᱞ ᱮᱱ
| 29
| 51
| 0
|
development-46
|
The feature-length documentary traced the journey of the song, Hava Nagila, from the Ukraine to YouTube. Released theatrically and screened at 80 Jewish film festivals, Hava Nagila:The Movie was either opening or closing night at more than half of those festivals. Director Dyanna Taylor's film about her grandmother, the photographer Dorothea Lange, Grab a Hunk of Lightning, aired on PBS's ``American Masters'' in 2014 and was produced by Grossman.
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her
| 301
|
Dorothea Lange
| 335
| false
|
Grossman
| 441
| false
|
ᱦᱟᱣᱟ ᱱᱟᱡᱤᱞᱟ (Hawa Nagila) ᱫᱚ ᱭᱩᱠᱨᱮᱱ ᱠᱷᱚᱱ ᱭᱩᱴᱭᱩᱵᱽ ᱦᱟᱹᱵᱤᱡ ᱥᱮᱱᱚᱜ ᱨᱮᱱᱟᱜ ᱜᱟᱰᱟ ᱠᱟᱱᱟ ᱾ ᱘᱐ ᱜᱚᱴᱟᱝ ᱤᱣᱨᱳᱯᱤ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱥᱴᱤᱵᱚᱞ ᱨᱮ ᱤᱣᱨᱳᱯ ᱨᱮ ᱥᱮᱱᱚᱜ ᱠᱟᱱ ᱛᱟᱭᱟ ᱾ ᱦᱟᱣᱟ ᱱᱟᱡᱤᱞᱟ:The Movie ᱫᱚ ᱤᱣᱨᱳᱯᱤ ᱯᱷᱤᱞᱢ ᱯᱷᱮᱥᱴᱤᱵᱚᱞ ᱨᱮ ᱥᱮᱱᱚᱜ ᱠᱟᱱ ᱛᱟᱭᱟ ᱾ ᱒᱐᱑᱔ ᱨᱮ PBS ` ᱤᱭᱩᱱᱤᱭᱚᱱ ᱢᱟᱥᱴᱟᱨᱥ' ᱨᱮ ᱥᱮᱱᱚᱜ ᱠᱟᱱ ᱛᱟᱭᱟ ᱾ ᱜᱨᱳᱥᱢᱮᱱ ᱛᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱰᱳᱨᱳᱛᱷᱤᱭᱟ ᱞᱟᱱᱡ
|
ᱜᱨᱳᱥᱢᱟᱱ
| 2
| 53
| 0
|
development-47
|
The Movie was either opening or closing night at more than half of those festivals. Director Dyanna Taylor's film about her grandmother, the photographer Dorothea Lange, Grab a Hunk of Lightning, aired on PBS's ``American Masters'' in 2014 and was produced by Grossman. She directed Above and Beyond (2015) for producer Nancy Spielberg.
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She
| 270
|
Dorothea Lange
| 154
| false
|
Grossman
| 260
| false
|
ᱯᱷᱤᱞᱢ ᱫᱚ ᱚᱱᱟ ᱯᱷᱮᱥᱴᱤᱵᱚᱞ ᱠᱚᱨᱮᱱᱟᱜ ᱛᱟᱞᱢᱟ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱨᱮ ᱥᱮᱬᱟ ᱥᱮᱬᱟ ᱧᱤᱫᱟᱹ ᱨᱮ ᱥᱮᱞᱮᱫᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱰᱤᱭᱟᱱᱟ ᱴᱮᱞᱚᱨ ᱟᱜ ᱯᱷᱤᱞᱢ ᱟᱡᱟᱜ ᱟᱭᱳ, ᱯᱷᱳᱴᱚᱜᱽᱨᱟᱢᱚᱨ ᱰᱳᱨᱳᱛᱷᱤᱭᱟ ᱞᱟᱱᱡᱮ, ᱯᱷᱤᱞᱢ, ᱜᱽᱨᱟᱯ ᱟ ᱦᱩᱠᱥ ᱚᱯᱷ ᱞᱟᱭᱴᱱᱤᱝ, ᱒᱐᱑᱔ ᱨᱮ PBS `American Masters' ᱨᱮ ᱮᱱᱮᱡ ᱞᱮᱱᱟ ᱾ ᱟᱨ ᱜᱨᱳᱥᱢᱮᱱ ᱛᱮᱭ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱮᱯᱟᱨ ᱟᱨ ᱵᱟᱦᱨᱮ (᱒᱐᱑᱕) ᱞᱟᱹᱜᱤᱫ ᱯᱷᱤᱞᱢ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱱᱮᱸᱥᱤ ᱥᱯᱤᱞᱵᱟᱨᱜᱽ ᱞᱟᱹᱜᱤᱫ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱮᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱰᱳᱨᱳᱛᱷᱤᱭᱟ ᱞᱟᱱᱡ
|
ᱜᱨᱳᱥᱢᱟᱱ
| 25
| 62
| 61
|
development-48
|
Episodes focused on the friendship between Judge Rifkind, a liberal Jew, and Judge Sims, a conservative lesbian African American, as well as the romance between Bobby and Cynthia, Ramon's infidelity to his wife Cassandra, J.J.'s potentially corrupt mob ties, Fatima's drug addiction, Rebecca Rifkind's estrangement from her father, and Spiegelman and Byrnes' political scheming.
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her
| 320
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Fatima
| 259
| false
|
Rebecca Rifkind
| 284
| true
|
ᱮᱯᱤᱥᱳᱰ ᱠᱚ ᱫᱚ ᱡᱩᱫᱤ ᱨᱤᱯᱠᱤᱱᱰ, ᱢᱤᱫ ᱞᱤᱵᱟᱨᱚᱞ ᱡᱩᱫᱤ ᱟᱨ ᱡᱩᱫᱤ ᱥᱤᱢᱥ, ᱢᱤᱫ ᱠᱚᱱᱥᱚᱨᱵᱮᱴᱤᱵᱷᱤᱴᱤᱝ ᱞᱮᱥᱵᱤᱭᱟᱱ ᱟᱯᱷᱨᱤᱠᱟᱱ ᱟᱢᱮᱨᱤᱠᱟᱱᱤᱡᱽ ᱛᱟᱞᱟ ᱨᱮᱱ ᱥᱟᱹᱜᱟᱹᱭ, ᱟᱨᱦᱚᱸ ᱵᱳᱵᱤ ᱟᱨ ᱥᱤᱱᱛᱷᱤᱭᱟ ᱛᱟᱞᱟ ᱨᱮᱱ ᱨᱳᱢᱚᱱ ᱟᱜ ᱟᱯᱟᱛᱷᱤᱞᱤᱴᱤ, ᱟᱡ ᱵᱟᱵᱟ ᱠᱮᱥᱚᱱᱰᱨᱚ, ᱡᱤ. ᱡᱤ. ᱨᱮᱭᱟᱜ ᱫᱷᱟᱹᱨᱛᱤ ᱛᱮ ᱵᱟᱹᱱᱩᱜ ᱠᱟᱱ ᱢᱚᱵᱷᱤᱞᱤᱴᱤ ᱥᱟᱶᱦᱮᱫ, ᱯᱷᱟᱴᱤᱢᱟ ᱨᱮᱱᱟᱜ ᱰᱨᱳᱜᱚᱥ ᱟᱵᱟᱫ, ᱨᱤᱵᱮᱠᱟ ᱨᱤᱯᱠᱤᱱᱰ ᱟᱡ ᱵᱟᱵᱟ ᱠᱷᱚᱱ ᱵᱟᱰᱟᱭᱚᱜ ᱟᱨ ᱥᱯᱤᱜᱮᱞᱢᱮᱱ ᱟᱨ ᱵᱤᱨᱱᱮᱥ ᱨᱮᱱᱟᱜ ᱯᱚᱞᱤᱴᱤᱠ ᱮᱥᱯᱷᱤᱞᱤᱝ ᱨᱮᱱ ᱛᱟᱞᱟ ᱨᱮᱱ ᱥᱟᱯᱟᱥᱚᱱ ᱨᱮ ᱠᱷᱟ.
|
ᱟᱡᱟᱜ
|
ᱯᱷᱟᱴᱤᱢᱟ
|
ᱨᱤᱵᱮᱠᱟ ᱨᱤᱯᱠᱤᱱᱰ
| 40
| 45
| 40
|
development-49
|
Alice (19), Kathleen Mary (12), Gertrude (10) and Mabel (7). In the 1901 census Allen was living at Fox Lane in Leyland with his 2nd wife Margaret (Whittle), daughter of James Whittle, a coachman, & Ann Mills, whom he had married in 1900. She was some 18 years his junior.
|
She
| 239
|
Margaret
| 138
| true
|
Ann Mills
| 199
| false
|
ᱟᱞᱤᱥ (᱑᱙), ᱠᱟᱛᱷᱞᱤᱱ ᱢᱮᱨᱤ (᱑᱒), ᱜᱟᱨᱴᱨᱩᱰ (᱑᱐) ᱟᱨ ᱢᱮᱵᱮᱞ (᱗) ᱾ ᱑᱙᱐᱑ ᱨᱮᱱᱟᱜ ᱦᱚᱲ ᱞᱮᱠᱷᱟ ᱡᱚᱠᱷᱟ ᱚᱠᱛᱚ ᱨᱮ ᱮᱞᱮᱱ ᱫᱚ ᱟᱡᱟᱜ ᱫᱚᱥᱟᱨ ᱵᱟᱯᱞᱟ ᱢᱟᱨᱜᱟᱨᱮᱴ (ᱣᱟᱭᱴᱮᱞ), ᱠᱟᱨᱢᱮᱱ ᱡᱮᱢᱥ ᱣᱤᱴᱮᱞ ᱟᱨ ᱚᱱ ᱢᱤᱞᱥ ᱠᱩᱲᱤ ᱥᱟᱶ ᱞᱮᱞᱮᱱᱰ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱑᱘ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱢᱟᱨᱜᱟᱨᱮᱴ
|
ᱟᱱ ᱢᱤᱞᱥ
| 23
| 43
| 42
|
development-50
|
Flurry Tale is a one-act opera-musical composed by Rusty Magee to a libretto by Billy Aronson and was originated, developed and directed by Grethe Barrett Holby. It is scored for piano, two male voices (tenor and bass) and three female voices (2 sopranos, 1 mezzo-soprano) The comic plot revolves around a young girl, Emma, and her harried father who proclaims his disbelief in Santa Claus and talking snowmen.
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his
| 361
|
Rusty Magee
| 51
| false
|
Billy Aronson
| 80
| false
|
ᱯᱷᱞᱚᱨᱨᱤ ᱴᱮᱞᱤ ᱫᱚ ᱵᱤᱞᱤ ᱟᱨᱚᱱᱥᱚᱱ ᱟᱜ ᱞᱤᱵᱽᱨᱮᱴᱳ ᱛᱮ ᱨᱟᱥᱴᱤ ᱢᱮᱡᱤ ᱤᱫᱤ ᱠᱟᱛᱮ ᱢᱤᱫ ᱟᱠᱴ ᱚᱯᱮᱨᱚ-ᱢᱩᱡᱤᱠᱮᱞ ᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱜᱨᱮᱛ ᱵᱟᱨᱮᱴ ᱦᱳᱞᱵᱤ ᱤᱫᱤ ᱠᱟᱛᱮᱭ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱯᱤᱭᱚᱱᱟ, ᱵᱟᱨᱭᱟ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱨᱚᱲ (ᱴᱮᱱᱚᱨ ᱟᱨ ᱵᱮᱥ) ᱟᱨ ᱯᱮᱭᱟ ᱠᱩᱲᱤ ᱨᱚᱲ (᱒ ᱥᱳᱯᱨᱟᱱᱳ, ᱑ ᱢᱮᱡᱳ-ᱥᱳᱯᱨᱟᱱᱳ) ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱠᱳᱢᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱠᱟᱢᱤᱠᱟ ᱫᱚ ᱢᱤᱫ ᱠᱩᱲᱤ ᱜᱤᱫᱽᱨᱟ, ᱮᱢᱟ ᱟᱨ ᱟᱡᱟᱜ ᱦᱟᱨᱟᱵᱽ ᱟᱵᱟ ᱛᱟᱞᱟ ᱨᱮ ᱡᱟᱱᱟᱢ ᱟᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱨᱟᱥᱴᱤ ᱢᱮᱡᱤ
|
ᱵᱤᱞᱤ ᱟᱨᱚᱱᱥᱚᱱ
| 1
| 6
| 59
|
development-51
|
She auditions to be a dancer at Cheung Lai Yuen for a better income and a chance to find her father, who is the Emperor. Evergreen Mak as Ko Yan (**) / Kiu Bo-lung (***), a Music Bureau official who looks over Cheung Lai Yuen. In a quarrel with Ming-but, Bo-lung loses his memory and gets half of his face burnt.
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his
| 269
|
Ming
| 245
| false
|
Bo-lung
| 255
| true
|
ᱪᱤᱝ ᱞᱟᱭᱭᱩᱮᱱ ᱨᱮ ᱰᱮᱱᱥᱚᱨ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱟᱨ ᱟᱡ ᱵᱟᱵᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱥᱚᱨᱠᱟᱨ ᱠᱟᱱᱟᱭ ᱩᱱᱤ ᱫᱚ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱮᱰᱤᱥᱟᱱ ᱮᱢᱚᱜ ᱞᱟᱹᱜᱤᱫ ᱾ ᱠᱳᱭᱚᱝ ᱞᱟᱭᱭᱩᱮᱱ (**) / ᱠᱩᱭᱳ ᱵᱳ-ᱞᱩᱝ (***) ᱞᱮᱠᱟᱛᱮ ᱡᱮᱵᱽᱨᱤᱱ ᱢᱚᱠ, ᱢᱤᱫ ᱢᱩᱥᱤᱠ ᱵᱤᱣᱨᱳ ᱥᱚᱨᱠᱟᱨ ᱠᱟᱱᱟᱭ ᱾ ᱪᱤᱝ ᱞᱟᱭᱭᱩᱮᱱ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱨᱮ, ᱵᱳ-ᱞᱩᱝ ᱟᱡᱟᱜ ᱫᱷᱮᱭᱟᱱ ᱦᱟᱛᱟᱣ ᱮᱱᱟ ᱟᱨ ᱟᱡᱟᱜ ᱛᱟᱞᱟ ᱪᱮᱛᱟᱱ ᱮᱢᱚᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾
|
ᱟᱡᱟᱜ
|
ᱢᱤᱝ
|
ᱵᱳ-ᱞᱩᱝ
| 43
| 27
| 42
|
development-52
|
On May 19, 1992, during the couple's marriage ceremomy, Isabella went into labor; she quickly gave birth to Brady Victor Black and named him in honor of the Brady family and Isabella's father. The Black family's happiness was short-lived when Dr. Carly Manning informed Isabella that her back pain was the result of advanced pancreatic cancer.
|
her
| 284
|
Carly Manning
| 247
| false
|
Isabella
| 270
| true
|
᱑᱙᱙᱒ ᱨᱮ, ᱵᱟᱯᱞᱟ ᱨᱮᱱᱟᱜ ᱵᱟᱯᱞᱟ ᱛᱷᱚᱠ ᱨᱮ, ᱤᱡᱟᱵᱮᱞᱟ ᱠᱩᱲᱤ ᱜᱤᱫᱽᱨᱟ. ᱩᱱᱤ ᱫᱚ ᱵᱽᱨᱮᱰᱤ ᱵᱷᱤᱠᱴᱚᱨ ᱵᱞᱚᱠ ᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱤᱡᱟᱵᱮᱞᱟ ᱨᱮᱱᱟᱜ ᱵᱟᱵᱟ ᱟᱨ ᱵᱽᱨᱮᱰᱤ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱱᱟᱜ ᱢᱟᱱᱟᱣ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱧᱩᱛᱩᱢ ᱮ ᱧᱩᱢ ᱠᱮᱫᱟ ᱾ ᱤᱡᱟᱵᱮᱞᱟ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱱᱟᱜ ᱜᱚᱲᱚ ᱫᱚ ᱠᱷᱟᱴᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱰᱨ. ᱠᱟᱨᱞᱤ ᱢᱟᱱᱤᱝ ᱤᱡᱟᱵᱮᱞᱟ ᱵᱟᱵᱟ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱯᱚᱸᱠᱨᱮᱥᱤᱭᱟᱴ ᱠᱮᱱᱥᱚᱨ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱥᱮᱴ ᱨᱮᱱᱟᱜ ᱠᱷᱟᱹᱛᱤᱨ ᱟᱡᱟᱜ ᱯᱟᱸᱠᱨᱮᱥᱤᱭᱟᱴ ᱠᱮᱱᱥᱚᱨ ᱨᱮᱱᱟᱜ ᱠᱷᱟᱹᱛᱤᱨ ᱟᱡᱟᱜ ᱯᱟᱸᱠᱨᱮᱥᱤᱭᱟᱴ ᱠᱟᱱᱥᱚᱨ ᱨᱮᱱᱟᱜ ᱠᱷᱟᱹᱛᱤᱨ ᱟᱡᱟᱜ ᱯᱟᱸᱠᱨᱮᱥᱤᱭᱟᱞ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱠᱷᱟᱹᱛᱤᱨᱮ ᱩᱱᱤ ᱫᱚ ᱠᱟᱨᱞᱤ ᱢᱟᱱᱤᱝᱜᱽ ᱠᱟᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱠᱟᱨᱞᱤ ᱢᱟᱱᱤᱝ
|
ᱤᱡᱟᱵᱮᱞᱟ
| 56
| 1
| 63
|
development-53
|
In 1972, Henning broke the world records on the 500*m and the 1,000*m, which made her the favourite on those distances at the 1972 Winter Olympics in Sapporo. During her 500*m race against Sylvia Burka at those Olympics, Henning was obstructed at the crossing by Burka, but she still set the fastest time and a new Olympic record (43.70).
|
her
| 166
|
Sylvia Burka
| 189
| false
|
Henning
| 221
| true
|
᱑᱙᱗᱒ ᱨᱮ, ᱦᱮᱱᱤᱝ ᱫᱚ ᱕᱐᱐ ᱟᱨ ᱑,᱐᱐᱐᱐ ᱢᱤᱴᱚᱨ ᱨᱮ ᱡᱮᱜᱮᱛ ᱨᱤᱠᱚᱨᱰ ᱠᱚ ᱮᱢ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱑᱙᱗᱒ ᱥᱯᱳᱨᱳ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱚᱞᱚᱢᱯᱤᱠ ᱨᱮ ᱚᱱᱟ ᱨᱤᱠᱚᱨᱰ ᱨᱮ ᱟᱡᱟᱜ ᱯᱷᱮᱵᱟᱨᱤᱴ ᱮᱱᱟ ᱾ ᱚᱱᱟ ᱚᱞᱚᱢᱯᱤᱠ ᱨᱮ ᱥᱤᱞᱵᱷᱤᱭᱟ ᱵᱩᱨᱠᱟ ᱥᱟᱶ ᱟᱡᱟᱜ ᱕᱐᱐ ᱢᱤᱴᱚᱨ ᱨᱟᱭᱥ ᱨᱮ, ᱦᱮᱱᱤᱝ ᱫᱚ ᱵᱩᱨᱠᱟ ᱛᱮ ᱨᱟᱺᱪᱤ ᱨᱮ ᱵᱷᱟᱹᱜᱤ ᱞᱮᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱮᱱᱦᱚᱵ ᱞᱮᱱᱟ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡ
|
ᱟᱡᱟᱜ
|
ᱥᱤᱞᱵᱤᱭᱟ ᱵᱩᱨᱠᱟ
|
ᱦᱮᱱᱤᱝ
| 158
| 0
| 135
|
development-54
|
To decorate the palace, in several campaigns Montano employed some of the greatest artists of his time: Giovanni Battista Zelotti (who had already intervened in the interiors of Palladio's Villa Emo at Fanzolo), Anselmo Canera and Andrea Vicentino; the stuccoes were entrusted to Lorenzo Rubini (who contemporaneously executed the external decorations of the Loggia del Capitanio) and, after his death in 1574, to his son Agostino.
|
his
| 392
|
Giovanni Battista Zelotti
| 104
| false
|
Lorenzo Rubini
| 280
| true
|
ᱯᱟᱞᱟᱴᱤ ᱨᱮᱱᱟᱜ ᱥᱟᱨᱦᱟᱣ ᱞᱟᱹᱜᱤᱫ, ᱢᱚᱱᱴᱟᱱᱳ ᱫᱚ ᱟᱭᱢᱟ ᱠᱟᱹᱢᱤ ᱨᱮ ᱟᱡ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱟᱹᱰᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱱ ᱟᱹᱰᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹᱱᱤ ᱢᱟᱹ
|
ᱟᱡᱟᱜ
|
ᱡᱳᱵᱷᱟᱱᱤ ᱵᱟᱴᱤᱥᱴᱟ ᱡᱮᱞᱳᱴᱤ
|
ᱞᱚᱨᱮᱱᱥᱳ ᱨᱩᱵᱤᱱᱤ
| 0
| 86
| 16
|
development-55
|
A major decision was that the Society should engage a professional conductor and in 1946, following the resignation of TH Crowther, William Rees took up the post. A one-time student under Felix Weingartner and former violinist with the Hall*, Rees was an experienced musician who quickly became a firm favourite with orchestra and audience alike. His appointment marked a definite turning-point: from then on, the orchestra's rise to its present eminence as one of the country's leading non-professional orchestras was steady and assured.
|
His
| 347
|
Felix Weingartner
| 188
| false
|
Rees
| 243
| true
|
ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱯᱚᱨᱚᱵᱷᱟ ᱫᱚ ᱦᱩᱭ ᱞᱮᱱᱟ ᱡᱮ ᱥᱳᱥᱟᱭᱴᱤ ᱫᱚ ᱢᱤᱫ ᱯᱨᱚᱯᱷᱮᱥᱚᱱᱞ ᱰᱤᱨᱤᱡᱮᱴᱚᱨ ᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱫᱟ ᱾ ᱟᱨ ᱑᱙᱔᱖ ᱨᱮ, ᱴᱤ. ᱮᱪ. ᱠᱨᱚᱣᱛᱷᱚᱨ ᱟᱜ ᱨᱤᱯᱷᱮᱱᱥᱚᱱ ᱛᱟᱭᱚᱢ, ᱣᱤᱞᱤᱭᱟᱢ ᱨᱤᱥ ᱫᱚ ᱱᱚᱶᱟ ᱯᱳᱥᱴ ᱮ ᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾ ᱯᱷᱮᱞᱤᱠᱥ ᱣᱤᱝᱜᱟᱨᱱᱴᱮᱱ ᱟᱨ ᱦᱟᱞ* ᱨᱮᱱ ᱯᱩᱭᱞᱩ ᱵᱷᱤᱭᱚᱞᱤᱱᱤᱥᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱤᱫ ᱫᱷᱟᱣ ᱥᱮᱪᱮᱫᱤᱭᱟᱹ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱨᱤᱥ ᱢᱤᱫ ᱤᱥᱠᱟᱨᱤ ᱢᱩᱥᱤᱠᱚᱨ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱤᱱᱟᱹᱜ ᱜᱟᱱ ᱟᱨ ᱦᱚᱸ ᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨᱼᱥᱩᱨ ᱨᱮ ᱟᱹᱰᱤ ᱜᱮ ᱯᱷᱮᱵᱽᱨᱤᱰᱮᱴ ᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱤᱱᱤᱥᱴᱟᱭᱯᱷᱮᱱᱥᱚᱱ ᱫᱚ ᱢᱤᱫ ᱛᱷᱚᱨᱛᱟᱬᱟ ᱛᱷᱚᱨᱛᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬᱟᱬ
|
ᱟᱡᱟᱜ
|
ᱯᱷᱮᱞᱤᱠᱥ ᱣᱤᱝᱜᱟᱨᱱᱴᱟᱨ
|
ᱨᱤ
| 21
| 21
| 43
|
development-56
|
Many guests, both European and native, were invited. On approach of the May Frere at port of Bhavnagar, Colonel Barton (the political Agent), Major Woodhouse (the Assistant Political Agent) and Diwan Sahib Samaldas went in a steam launch and brought the Governor and his party ashore.
|
his
| 267
|
Colonel Barton
| 104
| false
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Diwan Sahib Samaldas
| 194
| false
|
ᱵᱷᱚᱵᱽᱱᱚᱜᱚᱨ ᱯᱚᱨᱴ ᱨᱮ ᱢᱮ ᱯᱷᱨᱮᱨᱮ ᱨᱮᱱᱟᱜ ᱥᱮᱴᱮᱨᱚᱜ ᱨᱮ, ᱠᱳᱨᱱᱮᱞ ᱵᱟᱨᱴᱚᱱ (ᱨᱟᱡᱽᱟᱹᱨᱤ ᱮᱡᱮᱱᱴ), ᱢᱮᱡᱚᱨ ᱣᱩᱰᱦᱟᱥ (ᱥᱚᱲᱚ ᱥᱚᱦᱮᱫ ᱨᱟᱡᱽᱟᱹᱨᱤ ᱮᱡᱮᱱᱴ) ᱟᱨ ᱫᱤᱣᱟᱱ ᱥᱟᱦᱤᱵ ᱥᱟᱢᱚᱞᱫᱟᱥ ᱫᱚ ᱢᱤᱫ ᱵᱷᱩᱥᱴᱤᱝ ᱞᱚᱸᱪ ᱨᱮ ᱥᱮᱴᱮᱨ ᱞᱮᱱᱟ ᱟᱨ ᱜᱚᱢᱠᱮ ᱟᱨ ᱩᱱᱤᱟᱜ ᱯᱟᱨᱴᱤ ᱫᱚᱞ ᱨᱮ ᱠᱚ ᱦᱮᱡ ᱞᱮᱫᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱠᱳᱨᱱᱮᱞ ᱵᱟᱨᱴᱚᱱ
|
ᱫᱤᱣᱟᱱ ᱥᱟᱦᱤᱵ ᱥᱟᱢᱚᱞᱫᱟᱥ
| 8
| 36
| 37
|
development-57
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Classicist John H. D'Arms was both the resident director of the American Academy and a professor in its School of Classical Studies from 1977 to 1980. Between 1980 and 1984, director Sophie Consagra strengthened the Academy's ties with the Roman community and the Italian Government. In her tenure as president from 1988 and 2013, Adele Chatfield-Taylor, helped restore the Academy's McKim, Mead & White building at a cost of $8.2 million and oversaw a capital campaign in which the institution's endowment grew to $100 million.
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her
| 287
|
Sophie Consagra
| 183
| false
|
Adele Chatfield-Taylor
| 331
| true
|
᱑᱙᱗᱗ ᱠᱷᱚᱱ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ, ᱰᱤᱨᱮᱠᱴᱚᱨ ᱥᱳᱯᱷᱤ ᱠᱚᱱᱥᱚᱜᱨᱟ ᱫᱚ ᱨᱳᱢᱟᱱ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱟᱨ ᱤᱴᱟᱞᱤᱭᱟᱱ ᱥᱚᱨᱠᱟᱨ ᱥᱟᱶ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱥᱟᱶᱦᱮᱫ ᱠᱚ ᱫᱚᱦᱚ ᱞᱮᱫᱟ ᱾ ᱑᱙᱘᱘ ᱠᱷᱚᱱ ᱑᱙᱘᱔ ᱛᱟᱞᱟᱨᱮ, ᱰᱤᱨᱮᱠᱴᱚᱨ ᱥᱳᱯᱷᱤ ᱠᱚᱱᱥᱚᱜᱨᱟ ᱫᱚ ᱑᱙᱘᱘ ᱠᱷᱚᱱ ᱑᱙᱘᱓ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘᱓ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘᱓ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘᱓ ᱛᱟᱞᱟᱨᱮ ᱑᱙᱘᱘᱐ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱚᱨ ᱨᱮ ᱘.᱒ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱟᱨ ᱫᱷᱟᱹᱵᱤᱡ ᱘.᱒ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱟᱨ ᱮᱢᱠᱤᱢ, ᱢᱤᱰ ᱮᱱᱰ ᱮᱰ ᱵᱷᱟᱭᱤᱰ ᱵᱮᱱᱟᱣ ᱮᱢᱟᱱᱮᱱᱟ ᱾ ᱟᱨ ᱑᱙᱘.᱒ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱟᱨ ᱫᱷᱟᱹᱵᱤᱡ ᱑᱙᱙᱙᱐ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱟᱨᱮᱨ ᱨᱮ ᱑᱙᱘ ᱢᱤᱞᱤᱭᱚᱱ ᱰᱚᱞᱟᱨᱮᱨ ᱦᱟᱠ ᱮᱢ ᱮᱢᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱥᱳᱯᱷᱤ ᱠᱚᱱᱥᱚᱜᱨᱟ
|
ᱟᱰᱮᱞ ᱪᱟᱴᱯᱷᱤᱞᱰ-ᱴᱮᱭᱞᱚᱨ
| 24
| 56
| 56
|
development-58
|
Alleway played 857 minutes in 11 matches including 9 starts. The defence conceded a total of only 5 goals in the regular season and the finals. In March 2016, Alleway and Melbourne City teammate Steph Catley joined the NWSL's newest expansion club the Orlando Pride. Orlando Pride coach Tom Sermanni gave Alleway her first cap for Australia when he was coach of the Matildas in 2010.
|
her
| 313
|
Alleway
| 159
| true
|
Steph Catley
| 195
| false
|
ᱟᱞᱮᱞᱮᱣᱤ ᱫᱚ ᱑᱑ ᱜᱚᱴᱟᱝ ᱠᱷᱮᱞ ᱨᱮ ᱘᱕᱗ ᱢᱤᱴᱚᱨ ᱠᱷᱮᱞ ᱞᱮᱫᱟ᱾ ᱙ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ᱾ ᱱᱤᱭᱟᱹ ᱫᱚᱞ ᱫᱚ ᱥᱚᱨᱮᱥ ᱥᱤᱴᱤ ᱟᱨ ᱯᱷᱤᱱᱮᱞ ᱨᱮ ᱕ ᱜᱚᱴᱟᱝ ᱜᱳᱞ ᱮ ᱟᱢᱮᱴ ᱞᱮᱫᱟ᱾ ᱒᱐᱑᱖ ᱥᱮᱨᱢᱟ ᱨᱮ, ᱟᱞᱮᱞᱮᱣᱤ ᱟᱨ ᱢᱮᱞᱵᱚᱨᱱ ᱥᱤᱴᱤ ᱠᱚᱢᱮᱴ ᱥᱴᱷᱮᱯᱷ ᱠᱮᱴᱞᱤ ᱫᱚ NWSL ᱨᱮᱱᱟᱜ ᱱᱟᱣᱟ ᱩᱯᱨᱩᱢ ᱠᱞᱵᱽ ᱚᱨᱞᱮᱱᱰᱳ ᱯᱨᱟᱭᱰ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ᱾ ᱒᱐᱑᱐ ᱥᱮᱨᱢᱟ ᱨᱮ ᱢᱚᱴᱤᱞᱰᱟᱥ ᱠᱚᱣᱟᱜ ᱴᱨᱮᱱᱮᱱᱮᱱᱮᱱᱚᱨ ᱚᱠᱛᱚ ᱨᱮ ᱚᱨᱞᱮᱞᱮᱣᱤ ᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱠᱮᱯ ᱮ ᱮᱢᱟ᱾
|
ᱟᱡᱟᱜ
|
ᱡᱚᱛᱚ ᱫᱟᱨᱟᱭ ᱛᱮ
|
ᱥᱴᱷᱮᱯ ᱠᱮᱴᱞᱤ
| 1
| 36
| 61
|
development-59
|
Tom offers to repair her car in a few days when he is free from his science classes at school. With no other option, she accepts Frank's offer to stay in his tree house without Tom's knowledge. Frank begins a close friendship with V, hoping to get Tom to become attracted. He tells her Tom has no problem with her ``job,'' meaning the tutoring ruse, but she thinks he means her prostitution.
|
He
| 273
|
Frank
| 194
| true
|
Tom
| 248
| false
|
ᱴᱚᱢ ᱟᱡᱟᱜ ᱠᱟᱨ ᱫᱚ ᱵᱟᱨ ᱫᱤᱱ ᱨᱮ ᱨᱤᱡᱚᱨᱟᱣ ᱮᱢᱚᱜᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱥᱲᱟ ᱨᱮ ᱟᱡᱟᱜ ᱥᱟᱬᱮᱥ ᱠᱞᱟᱥ ᱠᱷᱚᱱ ᱵᱟᱹᱦᱤᱛ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ ᱾ ᱵᱟᱹᱱᱩᱜ ᱠᱟᱱ ᱡᱟᱦᱟᱸᱭ ᱮᱴᱟᱜ ᱵᱟᱵᱚᱫᱽ ᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱴᱚᱢ ᱵᱟᱰᱟᱭ ᱠᱟᱛᱮ ᱯᱷᱨᱟᱱᱠᱟᱜ ᱵᱤᱨ ᱚᱲᱟᱜ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱞᱟᱹᱜᱤᱫ ᱟᱡᱟᱜ ᱵᱚᱝᱜᱟ ᱮᱢᱚᱜᱼᱟ ᱾ ᱯᱷᱨᱟᱱᱠ ᱫᱚ ᱴᱚᱢ ᱥᱟᱶ ᱥᱩᱨᱜᱟᱹᱞ ᱥᱩᱯᱩᱨ ᱮᱦᱚᱵ ᱮᱫᱼᱟ, ᱴᱚᱢ ᱫᱚ ᱟᱡᱟᱜ ᱦᱚᱨᱚᱜᱚᱜᱚᱜᱚᱜ ᱞᱟᱹᱜᱤᱫ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ``job ᱨᱮ ᱴᱚᱢ ᱵᱟᱹᱱᱩᱜᱼᱟ ᱾' ᱢᱮᱱᱠᱷᱟᱱ ᱴᱩᱴᱚᱨᱤᱝ ᱨᱤᱱᱤᱡ ᱨᱟᱡᱽᱜᱟᱲ ᱢᱮᱱᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱫᱟᱲᱮᱭ ᱢᱮᱱᱛᱮᱭ ᱢᱮᱱᱮᱛᱮᱫᱼᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱯᱷᱨᱟᱱᱠ
|
ᱴᱚᱢ
| 61
| 1
| 61
|
development-60
|
According to a Rolling Stone interview (conducted in 1985), Lindsay left The Raiders because ``there was a contractual thing I didn't agree with, and I just stopped.'' Lindsay continued to record solo singles for a few years (for Warner Bros., Elka and Greedy Records) before retiring from performing to serve as head of A&R for United Artists Records. He contributed to the recordings of artists such as Gerry Rafferty (on ``Baker Street''), Kenny Rogers, and others.
|
He
| 353
|
Lindsay
| 168
| true
|
Gerry Rafferty
| 405
| false
|
ᱨᱳᱞᱤᱱᱰᱤᱡᱽ ᱨᱤᱰᱥ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱥᱟᱹᱜᱟᱹᱭ ᱞᱮᱠᱟᱛᱮ (᱑᱙᱘᱕ ᱨᱮ ᱦᱩᱭ ᱞᱮᱱᱟ) ᱞᱤᱱᱰᱥᱤ ᱨᱟᱭᱰᱥ ᱠᱷᱚᱱ ᱮᱥᱮᱫ ᱞᱮᱱᱟ ᱾ ᱪᱮᱫᱟᱜ ᱥᱮ ``ᱱᱮ ᱢᱤᱫᱴᱮᱱ ᱠᱚᱱᱴᱨᱚᱠᱴᱚᱨᱮᱴ ᱡᱟᱦᱟᱸ ᱥᱟᱶᱛᱮ ᱤᱧ ᱵᱟᱭ ᱮᱢ ᱟᱠᱟᱫ ᱛᱟᱦᱮᱸᱫ, ᱟᱨ ᱤᱧ ᱫᱚ ᱚᱱᱟ ᱠᱟᱛᱷᱟ ᱮᱢ ᱠᱮᱫᱼᱟ ᱾ ᱞᱤᱱᱰᱥᱤ ᱫᱚ ᱥᱮᱨᱢᱟ ᱫᱷᱟᱣ (ᱣᱟᱨᱱᱚᱨ ᱵᱨᱳᱥ, ᱮᱞᱠᱟ ᱟᱨ ᱜᱨᱮᱰᱤ ᱨᱤᱰᱥ ᱞᱟᱹᱜᱤᱫ) ᱥᱳᱞᱳ ᱥᱤᱝᱞ ᱠᱚ ᱮᱨᱤᱠᱮᱰ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱭᱩᱱᱤᱰ ᱮᱴᱤᱥᱴ ᱨᱤᱰᱥ ᱞᱟᱹᱜᱤᱫ ᱮᱥᱮᱫ ᱮᱥ ᱟᱨ ᱨᱤᱰᱥ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱞᱮᱫ ᱠᱷᱚᱱ ᱨᱤᱰᱥ ᱠᱷᱚᱱ ᱨᱤᱰᱥ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱩᱱᱤ ᱡᱮᱨᱤ ᱨᱟᱯᱷᱚᱨᱴᱤ (ᱵᱷᱮᱨ ``` ᱵᱮᱠᱚᱨ ᱥᱴᱨᱤᱴ ᱨᱮ) , ᱠᱮᱱᱱᱤ ᱨᱳᱡᱚᱨᱥ ᱟᱨ ᱮᱴᱟᱜ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱮᱨᱤᱠᱮᱰ ᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱞᱤᱱᱰᱥᱟᱭ
|
ᱡᱮᱨᱤ ᱨᱟᱯᱚᱨᱴᱤ
| 0
| 72
| 72
|
development-61
|
The New World Translation places a comma after the word 'today', dividing it into two separate phrases, ``I tell you today'' and ``you will be with me in Paradise''. This differs from standard translations of this verse as ``I tell you today you will be with me in Paradise''. Based on scriptures such as Matthew 12:40, 27:63, Mark 8:31 and 9:31, Witnesses believe Jesus' expectation that he would be bodily resurrected after three days precluded his being in paradise on the same day that he died.
|
he
| 389
|
Matthew 12:40
| 305
| false
|
Jesus
| 365
| true
|
ᱱᱟᱣᱟ ᱡᱮᱜᱮᱛ ᱛᱷᱚᱠ ᱨᱮ 'ᱦᱤᱛ ᱦᱤᱞᱚᱜ' ᱟᱹᱲᱟᱹ ᱛᱟᱭᱚᱢ ᱢᱤᱫ ᱠᱳᱢᱟ ᱛᱷᱟᱯᱚᱱ ᱠᱟᱛᱮ ᱵᱟᱨᱭᱟ ᱵᱷᱮᱜᱟᱨ ᱟᱹᱲᱟᱹ ᱨᱮ ᱵᱷᱮᱜᱟᱨ ᱠᱟᱛᱮ `` ᱤᱧ ᱢᱮᱱᱮᱛᱮᱫᱼᱟ, `` ′ ᱟᱨ `` ′ ᱟᱢ ᱫᱚ ᱚᱱᱫᱚ ᱨᱮ ᱤᱧ ᱥᱟᱶ ᱛᱟᱦᱮᱸᱱ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ ᱤᱧ
|
ᱱᱤ
|
ᱢᱚᱛᱮᱭ ᱑᱔:᱔᱐
|
ᱡᱮᱭᱥᱩ
| 0
| 0
| 190
|
development-62
|
In its biographical page on McCord, Yahoo! states that via the role of Naomi, the actress ``became one of Hollywood's top young stars-to-watch after the series premiered to more than 5 million viewers worldwide.'' In a review of the series premiere, Tom Gliatto of People magazine stated that, ``The standout is AnnaLynne McCord as bad-girl Naomi Clark: She's very striking physically--almost startling, somewhere between Charlize Theron and Courtney Love--and she conveys a mix of high drama, meanness and little-girl self-pity that's a lot of fun.''
|
She
| 354
|
AnnaLynne McCord
| 312
| true
|
Naomi Clark
| 341
| false
|
ᱢᱚᱠᱠᱠᱚᱨᱰ ᱨᱮ ᱟᱡᱟᱜ ᱡᱤᱭᱚᱱ ᱥᱟᱦᱴᱟ ᱨᱮ, ᱡᱟᱦᱳ! ᱢᱮᱱ ᱟᱠᱟᱫᱟ ᱡᱮ ᱱᱟᱭᱚᱢᱤ ᱨᱮᱱᱟᱜ ᱨᱳᱞᱮᱴ ᱛᱮ, ᱟᱠᱴᱨᱮᱥ `` ᱫᱚ ᱦᱤᱞᱳᱣᱰ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱡᱮᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱧᱮᱞᱚᱜᱤᱡᱤᱡᱤᱡ ᱢᱤᱫᱴᱮᱱ ᱡᱮᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱛᱤᱨᱞᱟᱹ ᱠᱷᱚᱱ ᱢᱟᱨᱮ ᱢᱤᱞᱤᱭᱚᱱ ᱦᱚᱲ ᱠᱚ ᱧᱮᱞ ᱛᱟᱭᱚᱢ ᱧᱮᱞᱚᱜᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱤᱡᱽ ᱛᱟᱭᱚᱢ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾' ᱢᱚᱠᱠᱠᱠᱚᱨᱰ ᱨᱮᱱᱟᱜ ᱴᱚᱢ ᱜᱞᱤᱭᱟᱴᱳ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱤᱱᱮᱢᱟ ᱨᱮ, People magazine ᱨᱮᱱᱟᱜ `` ᱯᱷᱟᱭᱞᱮᱴ ᱫᱚ ᱟᱱᱟᱞᱤᱱ ᱢᱮᱠᱠᱠᱚᱨᱰ ᱠᱟᱱᱟᱭ ᱡᱮ ᱵᱟᱰ-ᱜᱽᱨᱚᱞ ᱱᱟᱭᱚᱢᱤ ᱠᱞᱟᱨᱠ ᱞᱮᱠᱟᱛᱮ: ᱩᱱᱤ ᱫᱚ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱡᱟᱱᱟᱢ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱡᱟᱦᱟᱸᱭ ᱡᱚᱡᱚᱱᱟ ᱨᱮ ᱡᱚᱦᱚᱜ ᱠᱟᱱᱟᱭ ᱾ ᱟᱨ ᱪᱟᱨᱞᱤᱡ ᱴᱮᱨᱚᱱ ᱟᱨ ᱠᱳᱴᱱᱤ ᱞᱳᱵᱽ ᱛᱟᱞᱟ ᱨᱮ ᱾ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱰᱨᱟᱢ, ᱢᱩᱞᱤᱴᱤᱴᱤ, ᱢᱩᱴᱤ ᱟᱨ ᱠᱩᱴᱤᱴᱤ-ᱜᱽ-ᱜᱽ-ᱜᱽ-ᱜᱽ-ᱜᱽ-ᱜᱽ-ᱞᱤᱴᱤᱴᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-ᱞᱤ-
|
ᱩᱱᱤ ᱫᱚ
|
ᱟᱱᱱᱟᱞᱤᱱ ᱢᱮᱠᱠᱚᱨᱰ
|
ᱱᱟᱭᱚᱢᱤ ᱠᱞᱟᱨᱠ
| 92
| 88
| 92
|
development-63
|
Many supporters of third-party presidential candidate George C. Wallace, Sr., voted for Gurney and hence provided him a coalition of growing Republicans in Florida allied with a declining number of conservative Democrats. Gurney ran on a record that included votes against civil rights legislation, foreign aid, and that ``expensive boondoggle,'' the war on poverty. Future-President George W. Bush worked as a traveling aide for Gurney while he was running for Senate in Florida.
|
he
| 443
|
George W. Bush
| 384
| false
|
Gurney
| 430
| true
|
ᱯᱮᱭᱟ ᱯᱟᱨᱴᱤ ᱨᱟᱡᱽᱥᱚᱱᱤᱭᱟᱹ ᱵᱟᱪᱷᱚᱱᱤᱭᱟᱹ ᱡᱚᱨᱡ ᱥᱤ.ᱣᱟᱞᱮᱥ, ᱥᱤᱱᱤᱭᱚᱨ ᱨᱮᱱᱟᱜ ᱟᱭᱢᱟ ᱜᱟᱱ ᱥᱚᱦᱮᱫ ᱠᱚ ᱜᱩᱨᱱᱤ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱫᱟ ᱟᱨ ᱚᱱᱟᱛᱮ ᱯᱷᱞᱳᱨᱤᱰᱟ ᱨᱮ ᱨᱟᱯᱩᱞᱤᱠᱟᱱ ᱠᱚᱣᱟᱜ ᱜᱚᱲᱚ ᱮᱢ ᱞᱮᱫᱟ ᱾ ᱜᱩᱨᱱᱤ ᱫᱚ ᱟᱹᱨᱤᱪᱟᱹᱞᱤ ᱰᱮᱢᱳᱠᱨᱚᱴ ᱠᱚᱣᱟᱜ ᱜᱷᱟᱹᱲᱤᱡ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾ ᱜᱩᱨᱱᱤ ᱫᱚ ᱥᱚᱵᱷᱟᱭᱞ ᱨᱟᱭᱤᱴ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱫᱟ ᱾ ᱜᱩᱨᱱᱤ ᱫᱚ ᱯᱷᱞᱳᱨᱤᱰᱟ ᱨᱮ ᱥᱤᱱᱟᱴ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾
|
ᱱᱤ
|
ᱡᱚᱨᱡ ᱣᱤ. ᱵᱩᱥ
|
ᱜᱚᱨᱱᱤ
| 4
| 1
| 52
|
development-64
|
In 2010 Diehl won the bronze medal at the European Individual Championships in Manchester England and in June 2010 claimed the European Tour circuit finals gold medal, beating Susan Egelstaff in the final in three sets. 2010 also saw Diehl beat current world champion Lu Lan of China to reach the semi final of Swiss Open Super Series. In her home country Russia she has won 14 national titles as of 2009.
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her
| 339
|
Susan Egelstaff
| 176
| false
|
Diehl
| 234
| true
|
᱒᱐᱑᱐ ᱨᱮ ᱰᱟᱭᱮᱞ ᱫᱚ ᱢᱟᱱᱪᱮᱥᱴᱚᱨ ᱤᱝᱞᱮᱱᱰ ᱨᱮ ᱤᱣᱨᱳᱯᱤ ᱤᱱᱰᱤᱵᱷᱤᱡᱤᱞ ᱪᱟᱢᱯᱤᱭᱚᱱᱥ ᱨᱮ ᱵᱨᱚᱸᱡᱟ ᱡᱤᱛᱠᱟ. ᱟᱨ ᱑᱙᱑᱐ ᱨᱮ ᱤᱣᱨᱳᱯᱤ ᱴᱩᱨ ᱯᱷᱤᱱᱮᱞ ᱨᱮ ᱥᱚᱱᱟ ᱡᱤᱛᱠᱟ.ᱣᱮ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱥᱩᱥᱟᱱ ᱮᱜᱮᱞᱥᱴᱟᱯᱷ ᱨᱮ ᱯᱮ ᱥᱤᱴ ᱨᱮ ᱯᱷᱤᱱᱮᱞ ᱨᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱱᱟ ᱾ ᱒᱐᱑᱐ ᱨᱮ ᱰᱟᱭᱮᱞ ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱱᱤᱛᱚᱜ ᱡᱮᱜᱮᱛ ᱪᱚᱢᱯᱤᱭᱚᱱ ᱞᱩ ᱞᱟᱱᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱟᱨ ᱥᱩᱭᱡᱟᱨ ᱥᱩᱯᱟᱨ ᱥᱤᱨᱤᱡᱽ ᱨᱮᱱᱟᱜ ᱥᱮᱢᱤ ᱯᱷᱤᱱᱮᱞ ᱨᱮ ᱥᱮᱱ ᱮᱱᱟ ᱾ ᱟᱡᱟᱜ ᱫᱤᱥᱚᱢ ᱨᱟᱥᱤᱭᱟ ᱨᱮ ᱩᱱᱤ ᱒᱐᱐᱙ ᱠᱷᱚᱱ ᱑᱔ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱡᱤᱛᱠᱟ.
|
ᱟᱡᱟᱜ
|
ᱥᱩᱥᱟᱱ ᱮᱜᱮᱞᱥᱴᱟᱯ
|
ᱰᱤᱦᱞ
| 13
| 0
| 63
|
development-65
|
The historical Octavia Minor's first husband was Gaius Claudius Marcellus Minor, and she bore him three children, Marcellus, Claudia Marcella Major and Claudia Marcella Minor; the Octavia in Rome is married to a nobleman named Glabius, with whom she has no children.
|
she
| 246
|
Claudia Marcella Minor
| 152
| false
|
Octavia
| 180
| true
|
ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱚᱠᱴᱚᱵᱤᱭᱟ ᱢᱟᱭᱱᱚᱨ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱵᱟᱯᱞᱟ ᱫᱚ ᱜᱟᱭᱭᱚᱥ ᱠᱞᱟᱰᱤᱭᱟ ᱢᱟᱨᱥᱮᱞᱚᱥ ᱢᱟᱭᱱᱚᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱩᱱᱤ ᱞᱟᱹᱜᱤᱫ ᱯᱮ ᱜᱤᱫᱽᱨᱟ. ᱢᱟᱨᱥᱮᱞᱚᱥ, ᱠᱞᱟᱰᱤᱭᱟ ᱢᱟᱨᱥᱮᱞᱟ ᱢᱟᱭᱱᱚᱨ ᱟᱨ ᱠᱞᱟᱰᱤᱭᱟ ᱢᱟᱨᱥᱮᱞᱟ ᱢᱟᱭᱱᱚᱨ ᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱫᱼᱟ ᱾ ᱨᱳᱢ ᱨᱮ ᱚᱠᱴᱚᱵᱤᱭᱟ ᱫᱚ ᱜᱞᱮᱵᱤᱭᱟ ᱧᱩᱛᱩᱢᱟᱱ ᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱢᱟᱹᱱᱢᱤ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱟᱠᱟᱱᱟ, ᱚᱠᱚᱭ ᱥᱟᱶ ᱟᱡᱟᱜ ᱵᱟᱹᱲᱤᱡ ᱜᱤᱫᱽᱨᱟ.
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ᱟᱡᱟᱜ
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ᱠᱞᱟᱰᱤᱭᱟ ᱢᱟᱨᱥᱮᱞᱟ ᱢᱳᱱᱚᱨ
|
ᱚᱠᱴᱚᱵᱤᱭᱟ
| 10
| 0
| 20
|
development-66
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Flag of Convenience were a rock group formed in 1982 by former Buzzcocks members Steve Diggle and John Maher, along with bassist Dave Farrow and keyboard player D.P. Through their first two line-ups they were managed by the writer and music critic Michael Gray, shortly after his personal management of Gerry Rafferty.
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his
| 276
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Dave Farrow
| 129
| false
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Michael Gray
| 248
| true
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ᱯᱷᱞᱮᱡᱽ ᱚᱯᱷ ᱠᱚᱱᱵᱷᱮᱱᱥ ᱫᱚ ᱑᱙᱘᱒ ᱨᱮ ᱵᱤᱡᱽ ᱠᱳᱠᱥ ᱠᱚᱞᱮᱡᱽ ᱥᱴᱤᱵᱽ ᱰᱤᱜᱽᱞ ᱟᱨ ᱡᱚᱱ ᱢᱮᱦᱚᱨ, ᱵᱮᱥ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱰᱮᱵᱽ ᱯᱷᱟᱨᱳ ᱟᱨ ᱠᱤᱵᱽᱨᱳᱣ ᱰᱤ. ᱯᱤ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱨᱚᱠ ᱜᱨᱩᱯ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱵᱟᱨᱭᱟ ᱞᱟᱭᱤᱱ-ᱟᱯ ᱛᱮ ᱩᱱᱠᱩ ᱫᱚ ᱡᱮᱨᱤ ᱨᱟᱯᱷᱚᱨᱴᱤ ᱨᱮᱱᱟᱜ ᱟᱡᱟᱜ ᱯᱚᱨᱥᱟᱥᱚᱱᱤᱠ ᱢᱟᱱᱮᱡ ᱢᱟᱭᱠᱮᱞ ᱜᱨᱮᱭ ᱛᱮᱭ ᱠᱚᱢᱚᱱᱥᱮᱴ ᱟᱠᱟᱱᱟ ᱾
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ᱟᱡᱟᱜ
|
ᱰᱮᱵᱷ ᱯᱷᱟᱨᱳᱣ
|
ᱢᱟᱭᱠᱮᱞ ᱜᱨᱮᱭ
| 12
| 35
| 40
|
development-67
|
After it is revealed to Misty that Tabitha is still alive, she learns that Tabitha smokes, flirts with boys, and is not as loving, sweet, or innocent a child as she'd previously thought. Grace is the mother of Peter and ``Granmy'' to Tabitha. Misty is often annoyed by her, whether it's the way she wastes Misty's money, or the way she's influencing Tabitha.
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her
| 269
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Grace
| 187
| true
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Tabitha
| 234
| false
|
ᱢᱤᱥᱴᱤ ᱫᱚ ᱡᱤᱣᱤ ᱨᱮᱜᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱛᱟᱭᱚᱢ ᱟᱡ ᱵᱟᱵᱟ ᱵᱟᱰᱟᱭ ᱮᱱᱟ ᱛᱟᱭᱚᱢ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱛᱤᱵᱷᱤ ᱫᱚ ᱥᱤᱢᱟᱨᱮ, ᱠᱩᱲᱤ ᱠᱚ ᱥᱟᱶᱛᱮ ᱯᱷᱞᱚᱨᱴᱮᱴ ᱮᱱᱟ ᱾ ᱟᱨ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱛᱤᱵᱷᱤ ᱞᱮᱠᱟᱛᱮ ᱱᱟᱯᱟᱭ, ᱥᱩᱯᱩᱨ ᱟᱨ ᱵᱟᱝᱢᱟ ᱟᱭᱳ ᱜᱤᱫᱽᱨᱟ. ᱜᱨᱮᱥ ᱫᱚ ᱯᱤᱴᱚᱨ ᱟᱨ `` ᱜᱨᱟᱢᱤ' ᱨᱮᱱᱟᱜ ᱢᱟᱢᱟᱝ ᱠᱟᱱᱟ ᱾ ᱢᱤᱥᱴᱤ ᱫᱚ ᱟᱭᱳ ᱛᱮ ᱟᱭᱳ ᱛᱮ ᱟᱭᱳ ᱜᱮᱭᱳ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱢᱤᱥᱴᱤ ᱨᱮᱱᱟᱜ ᱫᱟᱠᱟᱭ ᱡᱟᱹᱲᱤᱡᱟ, ᱟᱨᱵᱟᱝ ᱟᱡᱟᱜ ᱴᱟᱵᱷᱤ ᱨᱮ ᱟᱭᱳ ᱫᱚ ᱟᱭᱳ ᱜᱮᱭᱳ ᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱜᱨᱮᱥ
|
ᱴᱟᱵᱤᱛᱷᱟ
| 0
| 36
| 50
|
development-68
|
She meets Muthuvel (Prabhu), an innocent youth, and they fall in love with each other. Rathnavel (R. P. Viswam) brings up his son Muthuvel without any affections and treats him like his worker, only his mother Vadivu (Vadivukkarasi) loves him. When Rathnavel arranges Muthuvel's marriage with his niece, Muthuvel and Nirmala reveal their love, Aranmanai accepts finally for their marriage with Soosai's help.
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his
| 293
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Muthuvel
| 304
| false
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Soosai
| 394
| false
|
ᱨᱚᱛᱱᱟᱵᱚᱞ (R. P. Viswam) ᱟᱡ ᱵᱟᱵᱟ ᱢᱩᱪᱩᱵᱚᱞ (Prabhu) ᱥᱟᱶ ᱡᱚᱱᱚᱲᱟ, ᱟᱨ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱹᱝ ᱥᱟᱶᱛᱮ ᱠᱚᱭ ᱡᱟᱯᱟᱜᱼᱟ ᱾ ᱨᱚᱛᱱᱟᱵᱚᱞ (R. P. Viswam) ᱟᱡ ᱵᱟᱵᱟ ᱢᱩᱪᱩᱵᱚᱞ (Rathnavel) ᱫᱚ ᱡᱟᱦᱟᱸᱭ ᱦᱚᱸ ᱥᱟᱹᱜᱟᱹᱭ ᱵᱟᱭ ᱛᱟᱦᱮᱸᱱ ᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟᱛᱮᱭ ᱢᱮᱛᱟᱜᱼᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱵᱚᱫᱤᱵᱩᱵᱩ (Vadivukkarasi) ᱫᱚ ᱩᱱᱤ ᱫᱚᱭ ᱡᱟᱯᱟᱜᱼᱟ ᱾ ᱨᱚᱛᱱᱟᱵᱚᱞ (Rathnavel) ᱟᱡ ᱵᱟᱵᱟ ᱥᱟᱶ ᱢᱩᱪᱩᱵᱚᱞ (Muthuvel) ᱵᱟᱯᱞᱟ ᱡᱚᱝᱜᱟᱶᱟ ᱡᱚᱝᱜᱟᱶᱟ ᱡᱚᱝᱜᱟᱶᱟ ᱡᱚᱝᱜᱟᱶᱟ ᱡᱚᱝᱜᱟᱶᱟ ᱡᱚᱝᱜᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶᱟᱶ
|
ᱟᱡᱟᱜ
|
ᱢᱩᱪᱷᱩᱵᱚᱞ
|
ᱥᱳᱥᱟᱭ
| 6
| 55
| 23
|
development-69
|
In 1966 he was made Professor, History of Doctrine, at Manchester University and from 1968 until 1973 he was Professor of Theology. Following his retirement, Cunliffe-jones was Professor Emeritus. After his wife Maude died on 28 August 1989 Cunliffe-Jones lived with Margaret, his elder daughter, at her home in Essex.
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her
| 300
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Maude
| 212
| false
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Margaret
| 267
| true
|
᱑᱙᱖᱖ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱢᱟᱱᱪᱮᱥᱴᱚᱨ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱨᱮ ᱱᱟᱜᱟᱢ ᱨᱮᱱᱟᱜ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱟᱨ ᱑᱙᱖᱘ ᱠᱷᱚᱱ ᱑᱙᱗᱓ ᱥᱮᱨᱢᱟ ᱫᱷᱚᱨᱚᱢ ᱨᱮᱱᱟᱜ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱞᱮᱠᱟᱛᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱥᱩᱪᱚᱱᱟ ᱛᱟᱭᱚᱢ, ᱠᱩᱱᱞᱤᱯᱷᱤ-ᱡᱚᱱᱥ ᱫᱚ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱮᱢᱮᱨᱤᱛᱩᱥ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱢᱳᱰᱮ ᱒᱘ ᱚᱜᱚᱥᱴ ᱑᱙᱘᱙ ᱨᱮ ᱡᱟᱱᱟᱢ ᱛᱟᱭᱚᱢ ᱠᱩᱱᱞᱤᱯᱷᱤ-ᱡᱚᱱᱥ ᱟᱡᱟᱜ ᱢᱟᱨᱜᱟᱨᱮᱴ, ᱟᱡᱟᱜ ᱢᱟᱨᱟᱝ ᱠᱩᱲᱤ ᱥᱟᱶ ᱮᱥᱮᱥ ᱨᱮ ᱟᱡᱟᱜ ᱚᱲᱟᱜ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱢᱳᱰ
|
ᱢᱟᱨᱜᱟᱨᱮᱴ
| 43
| 43
| 44
|
development-70
|
She co-wrote ten of the thirteen songs on the album's standard edition. Harvey Mason, Jr. served as the creative director for Beautiful and co-wrote and produced a number of songs. Mauboy's exclusive interview with Melissa Doyle in Darwin was broadcast on Sunday Night on 15 September 2013. On 26 September 2013, she co-hosted The Footy Show and performed a medley of ``Inescapable'', ``To the End of the Earth'' and ``Saturday Night''.
|
she
| 313
|
Mauboy
| 181
| true
|
Melissa Doyle
| 215
| false
|
᱑᱐ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱓ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱒᱐᱑᱓ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱨᱮ ᱯᱷᱩᱴᱤ ᱥᱳᱣ ᱨᱮᱱᱟᱜ ᱥᱟᱯᱲᱟᱣ ᱮ ᱮᱢᱟᱫᱮᱭᱟ ᱾ ᱦᱟᱨᱵᱤ ᱢᱮᱥᱚᱱ ᱡᱩᱱᱤᱭᱚᱨ ᱫᱚ ᱵᱷᱤᱜᱽᱞᱤ ᱨᱮᱱᱟᱜ ᱠᱨᱮᱴᱤᱣᱮᱴ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱮᱫᱮᱭᱟ ᱟᱨ ᱑᱐ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱓ ᱨᱮ ᱰᱟᱨᱣᱤᱱ ᱨᱮ ᱢᱮᱞᱤᱥᱟ ᱰᱳᱭᱮᱞ ᱥᱟᱶ ᱢᱟᱣᱵᱟᱭ ᱨᱮᱱᱟᱜ ᱮᱠᱥᱞᱩᱥᱤᱵᱷᱤ ᱥᱤᱴᱤᱣᱩᱥᱚᱱ ᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱒᱖ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱓ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱒᱐᱑᱓ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱓ ᱨᱮ ᱒᱐᱑᱓ ᱯᱷᱩᱴᱤ ᱥᱳᱣ ᱨᱮᱱᱟᱜ ᱥᱟᱯᱲᱟᱣ ᱮᱢᱟᱫᱮᱭᱟ ᱟᱨ ```
|
ᱟᱡᱟᱜ
|
ᱢᱟᱣᱵᱳᱭ
|
ᱢᱮᱞᱤᱥᱟ ᱰᱳᱭᱮᱞ
| 0
| 0
| 0
|
development-71
|
Their poor receptions disillusioned Murnau, and he quit Fox to journey for a while in the South Pacific. Together with documentary film pioneer Robert Flaherty, Murnau travelled to Bora Bora to realize the film Tabu in 1931. Flaherty left after artistic disputes with Murnau who had to finish the movie on his own.
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his
| 306
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Flaherty
| 225
| false
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Murnau
| 268
| true
|
ᱢᱩᱨᱱᱟᱣ ᱫᱚ ᱠᱚᱧᱮ ᱯᱟᱥᱤᱠ ᱨᱮ ᱢᱤᱫ ᱚᱠᱛᱚ ᱞᱟᱹᱜᱤᱫ ᱯᱷᱚᱠᱥ ᱠᱷᱚᱱ ᱵᱟᱦᱨᱮ ᱞᱮᱱᱟ ᱾ ᱰᱳᱠᱚᱢᱤᱱᱮᱴᱚᱨ ᱯᱷᱤᱞᱢ ᱯᱤᱭᱩᱱᱤᱭᱚᱨ ᱨᱳᱵᱚᱨᱴ ᱯᱷᱞᱟᱨᱴᱤ ᱥᱟᱶᱛᱮ, ᱢᱩᱨᱱᱟᱣ ᱫᱚ ᱑᱙᱓᱑ ᱨᱮ ᱵᱳᱨᱟ ᱵᱳᱨᱟ ᱨᱮ ᱴᱟᱵᱩ ᱯᱷᱤᱞᱢ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱫᱮᱵᱩ ᱯᱷᱤᱞᱢ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾ ᱢᱩᱨᱱᱟᱣ ᱥᱟᱶ ᱥᱟᱱᱛᱟᱲᱤ ᱥᱟᱹᱜᱟᱹᱭ ᱛᱟᱭᱚᱢ ᱯᱷᱞᱟᱨᱴᱤ ᱫᱚ ᱪᱟᱞᱟᱣ ᱮᱱᱟ ᱾ ᱢᱩᱨᱱᱟᱣ ᱫᱚ ᱯᱷᱤᱞᱢ ᱫᱚ ᱟᱡᱤᱡ ᱛᱮᱭᱟᱨ ᱞᱮᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱯᱷᱮᱞᱟᱨᱴᱤ
|
ᱢᱩᱨᱱᱟᱣ
| 50
| 32
| 50
|
development-72
|
As a young artist in Berlin, Elisabet Ney had sculpted various luminaries of the city, including Jacob Grimm, Cosima Liszt, and Alexander von Humboldt. Ney had been patronized by the naturalist Humboldt, sculptor Christian Rauch, and diplomat Varnhagen von Ense; when all three died between late 1857 and mid 1859, she decided to travel Germany in search of new notable subjects.
|
she
| 315
|
Elisabet Ney
| 29
| true
|
Cosima Liszt
| 110
| false
|
ᱵᱚᱨᱞᱤᱱ ᱨᱮ ᱢᱤᱫ ᱜᱤᱫᱽᱨᱟ. ᱠᱟᱹᱢᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ, ᱮᱞᱮᱥᱮᱵᱟᱴ ᱱᱮᱭ ᱫᱚ ᱡᱮᱠᱵᱚᱵᱽ ᱜᱽᱨᱤᱢ, ᱠᱳᱥᱤᱢᱟ ᱞᱤᱥᱴ ᱟᱨ ᱚᱞᱮᱥᱮᱱᱰᱚᱨ ᱯᱷᱚᱱ ᱦᱩᱢᱵᱳᱞᱴ ᱮᱢᱟᱱ ᱥᱚᱦᱚᱨ ᱨᱮᱱᱟᱜ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ
|
ᱟᱡᱟᱜ
|
ᱤᱞᱤᱥᱮᱵᱚᱛ ᱱᱤ
|
ᱠᱳᱥᱤᱢᱟ ᱞᱤᱥᱴ
| 0
| 11
| 99
|
development-73
|
Pinter wrote The Room over two or four days in 1957, depending on the account, at the suggestion of his friend Henry Woolf for his production as part of a postgraduate program in directing at the University of Bristol, Bristol, England. In their published interviews, Pinter and Woolf vary in describing how many days Pinter took to write The Room. According to Billington, in his official biography Harold Pinter, Woolf asked Pinter to write the play in a letter that Pinter received in the autumn of 1956, when he ``was newly married'' to actress Vivien Merchant ``and in the middle of a season at Torquay''; ``(Pinter) replied that he couldn't possibly deliver anything in under six months.
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his
| 377
|
Woolf
| 279
| false
|
Pinter
| 318
| true
|
ᱯᱤᱸᱴᱚᱨ ᱫᱚ ᱒᱐᱑᱗ ᱥᱮᱨᱢᱟ ᱨᱮ ᱵᱟᱨ ᱥᱮ ᱯᱩᱱ ᱫᱤᱱ ᱨᱮ ᱚᱱᱚᱞ ᱮ ᱚᱞ ᱞᱮᱫᱼᱟ ᱾ ᱚᱱᱚᱞ ᱞᱮᱠᱟᱛᱮ, ᱟᱡᱤᱡ ᱜᱷᱟᱨᱚᱧᱡᱽ ᱦᱮᱱᱨᱤ ᱣᱟᱞᱯᱟᱜ ᱥᱩᱡᱩᱜᱮᱥᱚᱱ ᱨᱮ ᱵᱽᱨᱤᱴᱚᱞ, ᱵᱽᱨᱤᱴᱚᱞ, ᱤᱝᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱵᱨᱤᱴᱚᱞ ᱨᱮᱱᱟᱜ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱰᱤᱨᱮᱠᱴᱚᱨ ᱨᱮ ᱯᱟᱥᱴᱟᱨ ᱯᱨᱚᱜᱽᱨᱟᱢ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱷᱟᱶ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱯᱨᱚᱫᱮᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱾ ᱟᱡᱟᱜ ᱯᱤᱸᱴᱚᱨ ᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱵᱤᱸᱴᱚᱨ ᱟᱨ ᱣᱟᱞᱯᱟᱜ ᱯᱟᱨᱥᱟᱞ ᱥᱟᱹᱜᱟᱹᱭ ᱨᱮ, ᱯᱤᱸᱴᱚᱨ ᱟᱨ ᱣᱟᱞᱯ ᱫᱚ ᱵᱤᱸᱴᱚᱨ ᱠᱤᱱ ᱚᱞ ᱞᱮᱫᱼᱟ ᱾ ᱵᱤᱞᱤᱝᱴᱚᱱ ᱞᱮᱠᱟᱛᱮ, ᱟᱡᱟᱜ ᱥᱚᱨᱠᱟᱨᱤ ᱡᱤᱭᱚᱡᱚᱱᱟ ᱦᱟᱨᱳᱞᱰ ᱯᱤᱸᱴᱚᱨ ᱨᱮ, ᱒᱐᱑᱖ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱨᱩᱯ ᱨᱮ ᱯᱤᱸᱴᱚᱨ ᱧᱟᱢ ᱞᱮᱫᱼᱟ, ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹᱭᱹ
|
ᱟᱡᱟᱜ
|
ᱳᱞᱯ
|
ᱯᱤᱴᱚᱨ
| 8
| 1
| 5
|
development-74
|
He is currently the wide receivers coach for Bowling Green. Doege was born in San Angelo, Texas, to Randy and Melinda Doege. He has one younger brother. Randy Doege coached at several high schools in West Texas before becoming the head coach at Crane High School in 2003. In his freshman season, 2004, Seth Doege was the starting quarterback for Crane High School and led the Golden Cranes to the area round of the playoffs, a loss to the (Tuscola) Jim Ned Indians, who were led by senior quarterback Colt McCoy.
|
his
| 275
|
Seth Doege
| 302
| true
|
Jim Ned Indians
| 449
| false
|
ᱱᱤᱛᱚᱜ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱵᱳᱞᱤᱝ ᱜᱨᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱵᱷᱚᱭᱰ ᱨᱤᱯᱷᱤᱴᱚᱨ ᱠᱚᱪ ᱠᱟᱱᱟᱭ ᱾ ᱰᱳᱭᱡᱮ ᱫᱚ ᱴᱮᱠᱥᱚᱥ ᱨᱮᱱᱟᱜ ᱥᱟᱱ ᱮᱱᱡᱮᱞᱳ ᱨᱮ ᱨᱟᱱᱰᱤ ᱟᱨ ᱢᱮᱞᱤᱱᱰᱟ ᱰᱳᱭᱡᱮ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱡᱩᱲᱟᱹᱱ ᱵᱚᱭᱦᱟ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱨᱟᱱᱰᱤ ᱰᱳᱭᱡᱮ ᱫᱚ ᱯᱟᱪᱮ ᱴᱮᱠᱥᱚᱥ ᱨᱮ ᱟᱭᱢᱟ ᱦᱟᱭᱠᱩᱞ ᱨᱮ ᱠᱚᱪ ᱟᱠᱟᱫᱟ ᱾ ᱒᱐᱐᱓ ᱨᱮ ᱠᱨᱮᱱ ᱦᱟᱭᱠᱩᱞ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱮᱨᱢᱟ, ᱒᱐᱐᱐᱔ ᱨᱮ, ᱥᱮᱛᱷ ᱰᱳᱭᱡᱮ ᱫᱚ ᱠᱨᱮᱱ ᱦᱟᱭᱠᱩᱞ ᱨᱮ ᱯᱩᱭᱞᱩ ᱠᱳᱨᱴᱮᱠ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱟᱨ ᱯᱞᱟᱭ ᱟᱯᱷ ᱨᱮᱱᱟᱜ ᱴᱚᱴᱷᱟ ᱨᱮ ᱜᱳᱞᱰᱮᱱ ᱠᱨᱮᱱᱥ ᱠᱚ ᱪᱟᱞᱟᱣ ᱞᱮᱫᱟ ᱾ ᱡᱚᱢ ᱠᱨᱮᱱᱰᱤᱝ ᱫᱚ ᱴᱩᱥᱠᱳᱞᱟ (ᱡᱤᱢ) ᱱᱮᱰ ᱤᱱᱰᱤᱭᱟᱱᱥ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱠᱚᱪᱟᱨ ᱟᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱥᱮᱛᱷ ᱰᱳᱭᱡᱤ
|
ᱡᱤᱢ ᱱᱮᱰ ᱤᱱᱰᱤᱭᱟᱱᱥ
| 53
| 81
| 53
|
development-75
|
The next year, though only a lieutenant-colonel, he was selected by Sir Ralph Abercromby to be quartermaster-general of his army in the Mediterranean, at the same time that another young Scotsman, John Hope, who was also to gain fame in Moore's retreat, was nominated adjutant-general. Sir Ralph placed the greatest confidence in Anstruther, and it was mainly on his report, after a visit to the Turkish headquarters, that the Turks would not be ready for a long time, if they could be of any use at all, that Sir Ralph left Marmorice Bay and determined to act alone.
|
his
| 363
|
Ralph
| 290
| false
|
Anstruther
| 330
| true
|
ᱢᱩᱨ ᱨᱮᱱᱟᱜ ᱨᱤᱛᱩ ᱨᱮ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱦᱩᱭᱩᱜ ᱠᱟᱱ ᱢᱤᱫ ᱮᱴᱟᱜ ᱡᱚᱦᱟᱱ ᱥᱠᱳᱴᱥᱢᱮᱱ, ᱡᱚᱱ ᱦᱳᱯ, ᱫᱚ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱡᱚᱦᱟᱱ ᱦᱳᱯ ᱧᱩᱛᱩᱢ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱥᱚᱨ ᱨᱚᱞᱯ ᱟᱱᱥᱴᱨᱩᱴᱷᱚᱨ ᱨᱮ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱥᱟᱨᱦᱟᱣ ᱮᱱᱟ ᱾ ᱟᱨ ᱴᱩᱨᱠ ᱦᱮᱰᱠᱩᱣᱟᱴᱚᱨ ᱨᱮ ᱥᱮᱱ ᱛᱟᱭᱚᱢ ᱟᱡᱟᱜ ᱨᱟᱯᱷᱟᱭ ᱨᱮ ᱛᱩᱨᱠᱤ ᱠᱚ ᱵᱟᱰᱟᱭ ᱞᱮᱫᱟ, ᱡᱮ ᱴᱩᱨᱠᱥ ᱫᱚ ᱟᱹᱰᱤ ᱫᱤᱱ ᱫᱷᱟᱣ ᱵᱟᱵᱚᱫᱽ ᱵᱟᱹᱱᱩᱜᱼᱟ, ᱡᱩᱫᱤ ᱩᱱᱠᱩ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱩᱨ ᱨᱮᱱᱟᱜ ᱨᱤᱛᱩ ᱨᱮ ᱧᱩᱛᱩᱢ ᱧᱟᱢ ᱞᱮᱫᱟ, ᱩᱱᱤ ᱫᱚ ᱮᱴᱟᱜ ᱡᱮᱱᱟᱨ ᱮᱰᱡᱟᱱᱴᱮᱸᱴᱮᱸᱴᱮᱸᱴ ᱮᱱᱟ ᱾ ᱥᱚᱨ ᱨᱚᱞᱯ ᱫᱚ ᱟᱱᱥᱴᱨᱩᱴᱚᱨ ᱨᱮ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱥᱚᱨᱠᱮᱥᱚᱱ ᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱟᱨ ᱴᱩᱨᱠᱤ ᱦᱮᱰᱠᱩᱣᱟᱴᱚᱨ ᱨᱮ ᱟᱡᱟᱜ ᱨᱟᱯᱷᱟᱭ ᱨᱮ ᱛᱩᱨᱠᱤ ᱠᱚ ᱵᱟᱰᱟᱭ ᱞᱮᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱨᱚᱞᱯ
|
ᱟᱱᱥᱴᱨᱩᱴᱚᱨ
| 15
| 52
| 11
|
development-76
|
At least one band member wrote every song on the album. Josh Osborne, Shane McAnally, and Dann Huff served as producers. Allmusic reviewer Stephen Thomas Erlewine rated the album 4 out of 5 stars, comparing its sound favorably to Alabama and Dwight Yoakam. He also stated that ``the three members construct sturdy songs with a shimmering surface to match.''
|
He
| 257
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Stephen Thomas Erlewine
| 139
| true
|
Dwight Yoakam
| 242
| false
|
ᱡᱚᱥ ᱚᱥᱵᱚᱨᱱ, ᱥᱮᱱ ᱢᱮᱠᱟᱱᱞᱤ ᱟᱨ ᱰᱟᱱ ᱦᱟᱯᱷ ᱫᱚ ᱯᱨᱚᱰᱭᱩᱥᱚᱨ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱚᱞᱢᱩᱡᱤᱠ ᱨᱤᱴᱤᱡᱤᱝ ᱥᱴᱮᱯᱷᱮᱱ ᱴᱚᱢᱟᱥ ᱮᱨᱞᱣᱤᱱ ᱫᱚ ᱱᱚᱶᱟ ᱚᱞᱢᱩᱡᱤᱠ ᱯᱩᱱᱭᱟᱹ ᱠᱷᱚᱱ ᱯᱩᱱᱭᱟᱹ ᱥᱴᱟᱨ ᱮ ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱞᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱱᱚᱶᱟ ᱚᱞᱢᱩᱡᱤᱠ ᱨᱮ ᱟᱞᱵᱟᱢᱟ ᱟᱨ ᱰᱣᱟᱭᱴ ᱡᱳᱠᱟᱢ ᱥᱟᱶ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹᱹ
|
ᱩᱱᱤ ᱫᱚ
|
ᱥᱴᱮᱯᱷᱮᱱ ᱴᱳᱢᱚᱥ ᱮᱨᱞᱣᱤᱱ
|
ᱰᱣᱟᱭᱴ ᱡᱳᱠᱟᱢ
| 15
| 41
| 0
|
development-77
|
He helped to engineer the annexation to the city of the heavily African-American and impoverished ``Samtown'' subdivision in south Alexandria. The neighborhood was named for its white developer, Sam Jacobs. In annexing Samtown, Snyder was borrowing a page from Earl Long, who attempted to register black voters in the 1950s in anticipation of most supporting him politically in the future.
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him
| 359
|
Snyder
| 228
| false
|
Earl Long
| 261
| true
|
ᱥᱟᱱᱮᱰᱟᱨ ᱫᱚ ᱥᱟᱢᱴᱟᱣᱟᱱ ᱨᱮᱱ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷᱮ ᱵᱷ
|
ᱱᱤᱡᱮ
|
ᱥᱱᱟᱭᱰᱚᱨ
|
ᱮᱨᱞ ᱞᱚᱝ
| 67
| 81
| 111
|
development-78
|
In a May 2010 Social Weather Stations opinion poll, AKB topped the survey, with 5.64% of the vote, the equivalent of two seats, beating seasoned party-list election contenders Buhay Hayaan Yumabong and Bayan Muna. However, AKB has been accused by the Kontra Daya (Against Cheating) group of being a creation of President Gloria Macapagal-Arroyo to expand her base of allies in the House of Representatives, a charge that AKB denied.
|
her
| 355
|
Kontra Daya
| 251
| false
|
Gloria Macapagal-Arroyo
| 321
| true
|
ᱢᱮ ᱒᱐᱑᱐ ᱨᱮ ᱥᱳᱥᱤᱭᱟᱞ ᱣᱮᱴᱚᱨ ᱥᱴᱮᱥᱚᱱᱥ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱳᱞ ᱨᱮ, ᱮᱠᱤᱵᱤ ᱫᱚ ᱥᱚᱨᱠᱟᱨᱤ ᱵᱷᱳᱴ ᱨᱮᱱᱟᱜ ᱕.᱖᱔% ᱮᱢ ᱠᱟᱛᱮ ᱵᱟᱨᱭᱟ ᱴᱷᱟᱶ ᱮ ᱟᱢᱮᱴ ᱠᱮᱫᱼᱟ, ᱵᱷᱩᱦᱟᱭ ᱦᱟᱭᱟᱱ ᱭᱩᱢᱟᱵᱳᱝ ᱟᱨ ᱵᱟᱭᱟᱱ ᱢᱩᱱᱟ ᱥᱟᱶᱛᱮ ᱵᱷᱳᱴᱚᱨ ᱨᱮᱱᱟᱜ ᱵᱟᱪᱷᱱᱟᱣ ᱨᱮ ᱥᱮᱬᱟ ᱮ ᱟᱢᱮᱴ ᱠᱮᱫᱼᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱮᱠᱤᱵᱤ ᱫᱚ ᱯᱨᱚᱥᱴᱟᱨ ᱜᱞᱳᱨᱤᱭᱟ ᱢᱚᱠᱯᱟᱯᱟᱞ-ᱟᱨᱳᱭᱳ ᱨᱮᱱᱟᱜ ᱵᱮᱱᱟᱣ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱯᱟᱨᱥᱮᱴᱚᱱᱴᱚ ᱫᱟᱭᱟ (ᱵᱷᱟᱹᱛᱤᱨ ᱵᱟᱹᱱᱩᱜ) ᱜᱽᱨᱩᱯ ᱛᱮ ᱟᱠᱤᱵᱤ ᱫᱚ ᱟᱠᱤᱵᱤ ᱫᱚ ᱱᱚᱶᱟ ᱵᱟᱵᱚᱫᱽ ᱛᱮᱭ ᱢᱮᱱ ᱟᱠᱟᱫᱼᱟ ᱾
|
ᱟᱡᱟᱜ
|
Kontra Daya
|
ᱜᱞᱳᱨᱤᱭᱟ ᱢᱚᱠᱯᱟᱜᱚᱞ-ᱟᱨᱨᱳᱭᱳ
| 51
| 50
| 48
|
development-79
|
Following an unsuccessful application for the Chair of Mathematics at Aberystwyth in 1872, he taught at the Training College in Carmarthen. He finally secured the professorship at Aberystwyth in 1879, and held it until 1919. Along the way his title became Professor of Mathematics and Astronomy. Genese introduced into the United Kingdom the ideas of Hermann Grassmann (advancing the use of vector analysis). In his 1941 book The calculus of extensions, Henry Forder published numerous examples in vector analysis taken from Genese's posthumous notes.
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his
| 412
|
Genese
| 296
| false
|
Hermann Grassmann
| 351
| false
|
᱑᱘᱗᱒ ᱨᱮ ᱟᱵᱟᱨᱤᱥᱴᱷᱤᱴ ᱨᱮ ᱢᱟᱬᱮ ᱨᱮᱱᱟᱜ ᱯᱨᱚᱥᱤᱠᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱵᱟᱹᱱᱩᱜ ᱠᱟᱱ ᱥᱟᱯᱟᱲᱟᱣ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱠᱟᱨᱢᱟᱨᱛᱷᱮᱱ ᱨᱮ ᱴᱨᱮᱱᱤᱝ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱢᱟᱪᱮᱫ ᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱘᱗᱙ ᱨᱮ ᱟᱵᱟᱨᱤᱥᱴᱷᱤᱴ ᱨᱮ ᱯᱨᱚᱥᱤᱠᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱯᱩᱭᱥᱟᱹᱭ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱟᱨ ᱑᱙᱑᱙ ᱫᱟᱹᱵᱤᱡ ᱱᱚᱶᱟ ᱨᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱧᱩᱛᱩᱢ ᱢᱟᱦᱟ ᱦᱚᱨᱟ ᱨᱮ ᱢᱟᱬᱮ ᱟᱨ ᱡᱮᱜᱮᱛᱟᱹᱨᱤ ᱨᱮᱱᱟᱜ ᱯᱨᱚᱥᱤᱠᱟᱨ ᱦᱩᱭ ᱮᱱᱟ ᱾ ᱡᱮᱱᱮᱥᱮ ᱫᱚ ᱤᱝᱞᱮᱱᱰᱮᱢ ᱨᱮ ᱦᱟᱨᱢᱟᱱ ᱜᱽᱨᱟᱥᱢᱟᱱ (ᱵᱷᱮᱠᱴᱚᱨ ᱮᱱᱚᱞᱤᱥ ᱨᱮᱱᱟᱜ ᱵᱮᱵᱷᱟᱨ ᱨᱮ ᱯᱨᱚᱥᱤᱠᱟᱨ) ᱨᱮᱱᱟᱜ ᱟᱵᱷᱟᱨ ᱠᱚᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱫᱟ ᱾ ᱟᱡᱟᱜ ᱑᱙᱔᱑ ᱥᱟᱞᱮ ᱨᱮᱭᱟᱜ ᱯᱩᱛᱷᱟᱹᱢ ᱨᱮ The calculus of extensions, ᱦᱮᱱᱨᱤ ᱯᱷᱳᱰᱚᱨ ᱫᱚ ᱡᱮᱱᱮᱥᱮ ᱨᱮᱱᱟᱜ ᱯᱳᱥᱤᱠᱟᱨ ᱮᱱᱚᱞᱤᱥ ᱨᱮᱱᱟᱜ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱮᱱᱮᱞᱡᱤ ᱠᱚ ᱮ ᱯᱟᱨᱥᱴ ᱟᱠᱟᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱡᱮᱱᱮᱥᱮ
|
ᱦᱟᱨᱢᱟᱱ ᱜᱨᱟᱥᱢᱟᱱ
| 59
| 68
| 59
|
development-80
|
In 1984, Petersen married Zina Nibley, a daughter of Hugh Nibley. They have four children and reside in Provo, Utah. Petersen has been a lecturer in the honors program at BYU, and for the English and Humanities Departments at Utah Valley University, where he received a Faculty Excellence Award in 2006. Through his familial relationship to Hugh Nibley, Petersen authored the 2002 biography Hugh Nibley:
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his
| 312
|
Hugh Nibley
| 341
| false
|
Petersen
| 354
| true
|
᱑᱙᱘᱔ ᱨᱮ, ᱯᱤᱴᱚᱨᱥᱮᱱ ᱫᱚ ᱦᱤᱜᱽ ᱱᱤᱵᱞᱤ ᱨᱮᱱᱟᱜ ᱠᱩᱲᱤ ᱡᱤᱱᱟ ᱱᱤᱵᱞᱤ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ ᱾ ᱱᱩᱠᱩ ᱫᱚ ᱯᱩᱱᱭᱟ ᱜᱤᱫᱽᱨᱟ. ᱠᱚ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ ᱟᱨ ᱯᱨᱳᱵᱳ, ᱭᱩᱴᱟ ᱨᱮ ᱠᱚ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ ᱾ ᱯᱤᱴᱚᱨᱥᱮᱱ ᱫᱚ ᱵᱤᱭᱩ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱯᱨᱚᱜᱨᱟᱢ ᱨᱮ ᱟᱨ ᱭᱩᱴᱟ ᱵᱮᱞᱤ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱨᱮ ᱤᱝᱞᱤᱥ ᱟᱨ ᱦᱤᱢᱟᱱᱤᱴᱮᱥ ᱰᱤᱯᱟᱨᱴᱢ ᱨᱮ ᱞᱮᱠᱥᱚᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱒᱐᱐᱖ ᱨᱮ ᱯᱷᱮᱠᱩᱞᱴᱤ ᱮᱠᱥᱮᱞᱮᱱᱥ ᱮᱣᱟᱨᱰ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱦᱤᱜᱽ ᱱᱤᱵᱞᱤ ᱥᱟᱶ ᱟᱡᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱥᱟᱶᱦᱮᱫ ᱛᱮ, ᱯᱤᱴᱚᱨᱥᱮᱱ ᱫᱚ ᱒᱐᱐᱒ ᱥᱟᱞ ᱨᱮ ᱦᱤᱜᱽ ᱱᱤᱵᱞᱤ ᱨᱮᱱᱟᱜ ᱡᱤᱭᱚᱱ ᱚᱞ ᱟᱠᱟᱫᱟ:
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ᱟᱡᱟᱜ
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ᱦᱤᱜᱩ ᱱᱤᱵᱞᱤ
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ᱯᱤᱴᱚᱨᱥᱮᱱ
| 2
| 1
| 69
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development-81
|
In the series finale, Charlotte and Harry adopt a baby girl, Lily, from China. In the movie, Sex and the City, she and Harry have a biological baby girl, whom they name Rose. As seen in episode 8 of season 6, the New York Times wedding announcement of her and Harry's marriage indicates that Charlotte is a writer and editor for Fashions Magazine, but as this fact is not mentioned at any other time in the series or subsequent movies, it is possible it is merely a prop error- the rest of the newspaper has paragraphs taken from Big and Natasha's wedding announcement in Season 3.
|
her
| 252
|
Rose
| 169
| false
|
Natasha
| 538
| false
|
ᱥᱚᱨᱞᱳᱴ ᱟᱨ ᱦᱟᱨᱤ ᱫᱚ ᱪᱤᱱ ᱠᱷᱚᱱ ᱢᱤᱫ ᱜᱤᱫᱽᱨᱟ. ᱞᱤᱞᱤ ᱧᱩᱛᱩᱢ ᱛᱮ ᱠᱚ ᱵᱟᱰᱟᱭᱮᱫᱟ ᱾ ᱥᱠᱥ ᱟᱨ ᱛᱤᱵᱵᱽᱞᱤ ᱨᱮ ᱩᱱᱤ ᱟᱨ ᱦᱟᱨᱤ ᱫᱚ ᱢᱤᱫ ᱡᱤᱣᱤ ᱵᱤᱵᱷᱤ ᱵᱤᱵᱷᱤ ᱵᱟᱵᱟ ᱠᱚᱫᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱨᱳᱥ ᱧᱩᱛᱩᱢ ᱛᱮ ᱠᱚ ᱵᱟᱰᱟᱭᱮᱫᱟ ᱾ ᱥᱚᱨᱞᱳᱴ ᱟᱨ ᱦᱟᱨᱤ ᱫᱚ ᱥᱚᱨᱞᱳᱴ ᱟᱨ ᱦᱟᱨᱤ ᱵᱟᱯᱞᱟ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱵᱟᱯᱞᱟ ᱟᱠᱟᱫᱟ ᱾ ᱥᱚᱨᱞᱳᱴ ᱟᱨ ᱦᱟᱨᱤ ᱫᱚ ᱯᱷᱮᱥᱚᱱᱥ ᱢᱮᱜᱽᱡᱤᱱ ᱨᱮ ᱢᱤᱫ ᱮᱥᱴᱨᱟᱭᱤᱝ ᱟᱨ ᱮᱰᱤᱭᱟᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱱᱚᱣᱟ ᱠᱟᱛᱷᱟ ᱫᱚ ᱥᱚᱨᱞᱳᱴ ᱟᱨ ᱛᱟᱭᱚᱢ ᱯᱷᱤᱞᱢ ᱨᱮ ᱮᱴᱟᱜ ᱚᱠᱛᱚ ᱨᱮ ᱵᱟᱭ ᱵᱟᱰᱟᱭ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱯᱨᱚᱯᱷᱤᱴᱤᱝ ᱜᱟᱞᱚᱪ ᱠᱟᱱᱟ ᱾ ᱯᱟᱲᱦᱟᱣ ᱨᱮᱱᱟᱜ ᱮᱴᱟᱜ ᱡᱚᱠᱷᱟ ᱫᱚ ᱵᱤᱜᱽ ᱟᱨ ᱱᱟᱛᱟᱥᱟᱥᱚ ᱨᱮᱱᱟᱜ ᱵᱟᱯᱞᱟ ᱠᱷᱚᱱ ᱦᱮᱡ ᱟᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱨᱳᱥ
|
ᱱᱟᱛᱟᱥᱚ
| 7
| 98
| 38
|
development-82
|
However, the real power lies with Philip who is declared commander of the League's army. Olympias is put aside by her husband Philip II, following Philip's marriage to a girl named Cleopatra (who is renamed Eurydice). Their son, Alexander, is effectively disowned by Philip's actions. Philip II has Ptolemy, along with other companions of his son, exiled.
|
his
| 339
|
Philip II
| 285
| true
|
Ptolemy
| 299
| false
|
᱑᱘᱔᱘ ᱨᱮ ᱯᱷᱤᱞᱤᱯ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱛ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱴ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱴ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱤᱣᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱟ ᱫᱚ ᱤᱣᱨᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱥᱮᱴ ᱮᱨᱤᱭᱚᱰᱤᱥᱤᱭᱟ ᱠᱟᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱯᱷᱤᱞᱤᱯ II
|
ᱯᱴᱳᱞᱚᱢᱤ
| 6
| 104
| 106
|
development-83
|
The new Prime Minister, Margaret Thatcher, described Kane's allegations as ``unfounded'' to Parliament, and as a consequence Waddell inferred to a journalist that his report had not concluded that Kane's allegations were unfounded. Waddell married his wife, Dorothy, in 1940, she died in 2001.
|
she
| 276
|
Waddell
| 232
| false
|
Dorothy
| 258
| true
|
ᱱᱟᱣᱟ ᱯᱨᱚᱫᱮᱥ ᱢᱟᱨᱜᱟᱨᱮᱴ ᱴᱮᱪᱚᱨ ᱫᱚ ᱠᱮᱭᱮᱱ ᱨᱮᱱᱟᱜ ᱟᱞᱚᱢ ᱠᱚ ᱫᱚ ᱯᱟᱨᱞᱮᱢᱮᱱᱴ ᱞᱟᱹᱜᱤᱫ `` 'ᱵᱟᱹᱱᱩᱜᱼᱟ, ᱟᱨ ᱚᱱᱟᱛᱮ ᱣᱚᱰᱮᱞ ᱫᱚ ᱢᱤᱫ ᱠᱷᱚᱵᱚᱨᱤᱭᱟᱹ ᱞᱟᱹᱜᱤᱫ ᱱᱚᱶᱟ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱚᱢ ᱠᱮᱫᱼᱟ ᱡᱮ ᱩᱱᱤ ᱟᱡᱟᱜ ᱨᱟᱯᱴ ᱨᱮ ᱠᱮᱭᱮᱱ ᱨᱮᱱᱟᱜ ᱟᱞᱚᱢ ᱠᱚ ᱫᱚ ᱵᱟᱹᱱᱩᱜᱼᱟ ᱾ ᱣᱚᱰᱮᱞ ᱫᱚ ᱟᱡ ᱵᱟᱯᱞᱟ, ᱰᱳᱨᱳᱥᱤ, ᱥᱟᱶ ᱑᱙᱔᱐ ᱨᱮ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱒᱐᱑᱑ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱣᱰᱮᱞ
|
ᱰᱳᱨᱳᱥᱤ
| 13
| 41
| 49
|
development-84
|
It gained its first representation immediately after the 1997 election, when Puri Ruing, who had been elected for the People's Resources Awareness Party, joined the party. The party initially supported the government of Bill Skate, but later supported the government of Mekere Morauta, with Ruing made a minister in his government.
|
his
| 316
|
Bill Skate
| 220
| false
|
Mekere Morauta
| 270
| true
|
᱑᱙᱙᱗ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱵᱟᱪᱷᱱᱟᱣ ᱛᱟᱭᱚᱢ, ᱯᱩᱨᱤ ᱨᱩᱤᱝ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ People's Resources Awareness Party ᱠᱷᱚᱱ ᱵᱟᱪᱷᱚᱱ ᱞᱮᱱᱟᱭ, ᱩᱱᱤ ᱫᱚ ᱯᱟᱨᱴᱤ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ ᱾ ᱯᱟᱨᱴᱤ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱵᱤᱞ ᱥᱠᱟᱴ ᱥᱚᱨᱠᱟᱨ ᱫᱚ ᱥᱚᱫᱚᱨ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱛᱟᱭᱚᱢ ᱫᱚ ᱢᱮᱠᱮᱨ ᱢᱳᱨᱳᱣᱟᱴᱟ ᱥᱚᱨᱠᱟᱨ ᱫᱚ ᱥᱚᱫᱚᱨ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱨᱩᱤᱝ ᱫᱚ ᱟᱡᱟᱜ ᱥᱚᱨᱠᱟᱨ ᱨᱮ ᱢᱤᱫ ᱢᱚᱱᱛᱨᱤ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱵᱤᱞ ᱥᱠᱮᱴ
|
ᱢᱤᱠᱚᱨᱤ ᱢᱳᱨᱟᱴᱟ
| 16
| 49
| 50
|
development-85
|
Detective Roe appears, and reveals he is the patriarch of the cannibal family, and the father of Leatherface (who he refers to as ``Gary''). Vanessa never escaped, the hospital room is just one of the family's sheds. Roe pulls a sheet over Vanessa's head, and he and Daisy beat her to death with a wrench.
|
her
| 278
|
Vanessa
| 240
| true
|
Daisy
| 267
| false
|
ᱰᱤᱴᱮᱠᱴᱤᱵ ᱨᱳᱭ ᱫᱚ ᱵᱷᱮᱵᱽᱱᱮᱥᱟ ᱨᱮᱱ ᱢᱤᱫ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱤᱱᱤᱡ ᱯᱟᱴᱨᱤᱭᱟᱠ ᱠᱟᱱᱟᱭ ᱾ ᱟᱨ ᱱᱩᱭ ᱫᱚ ᱞᱤᱴᱚᱨᱯᱷᱮᱥ (ᱡᱟᱦᱟᱸᱭ ᱫᱚ `` ᱜᱟᱨᱤ' ᱢᱮᱱᱛᱮᱭ ᱢᱮᱛᱟᱜ ᱠᱟᱱᱟ) ᱨᱤᱱᱤᱡ ᱵᱟᱵᱟ ᱠᱟᱱᱟᱭ ᱾ ᱵᱮᱱᱮᱥᱟ ᱫᱚ ᱵᱟᱭ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱱᱟ ᱾ ᱟᱡ ᱫᱚ ᱟᱡᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱤᱱᱤᱡ ᱢᱤᱫᱴᱟᱹᱝ ᱥᱴᱮᱴ ᱠᱟᱱᱟ ᱾ ᱨᱳᱭ ᱫᱚ ᱵᱮᱱᱮᱥᱟ ᱨᱤᱱᱤᱡ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱪᱮᱴᱟ ᱦᱟᱛᱟᱣ ᱮᱱᱟ ᱾ ᱟᱨ ᱩᱱᱤ ᱟᱨ ᱰᱮᱡᱤ ᱟᱡᱟᱜ ᱜᱟᱛᱮ ᱛᱮ ᱟᱡᱟᱜ ᱜᱟᱛᱮᱭ ᱛᱮᱠᱚ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱵᱚᱱᱟᱥᱮᱥ
|
ᱰᱮᱡᱤ
| 42
| 64
| 64
|
development-86
|
The musical style is essentially tonal, evoking the work's period setting through galops and marches; instrumental interludes are highly programmatic, and choral ensembles make use of original onomatopoeic devices. The music of Treasure Island is more adventurous; colorful hornpipes are used, but the language is richly chromatic and there is considerable rhythmic intensity. Through his editorial work, Elkus has focused on the music of Charles Ives.
|
his
| 385
|
Elkus
| 405
| true
|
Charles Ives
| 439
| false
|
ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱛᱤᱨᱞᱟᱹ ᱫᱚ ᱢᱩᱬᱩᱛ ᱨᱮ ᱴᱚᱱᱚᱞ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱜᱟᱞᱚᱯ ᱟᱨ ᱪᱟᱪᱞᱟᱣ ᱠᱚ ᱛᱮ ᱚᱠᱛᱚ ᱨᱮᱱᱟᱜ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱫᱚᱦᱚᱭ ᱮᱢᱟᱭᱟ ᱾ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱟᱹᱰᱤ ᱯᱨᱚᱜᱽᱨᱟᱢᱟᱴᱤᱠ ᱠᱟᱱᱟ, ᱟᱨ ᱠᱳᱨᱚᱞ ᱮᱱᱥᱮᱢᱵᱽᱞ ᱫᱚ ᱚᱨᱡᱤᱱᱤᱴᱤᱝ ᱚᱱᱳᱢᱚᱴᱚᱯᱮᱭᱤᱠ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱠᱚ ᱵᱮᱵᱷᱟᱨᱟ ᱾ ᱴᱨᱮᱡᱚᱨ ᱤᱸᱥᱮᱞ ᱨᱮᱱᱟᱜ ᱥᱮᱨᱮᱧ ᱫᱚ ᱟᱨᱦᱚᱸ ᱟᱯᱟᱥᱛᱷᱟᱱᱤ ᱠᱟᱱᱟ ᱾ ᱨᱚᱝᱜᱚᱞᱤ ᱦᱚᱨᱱᱯᱤᱯ ᱠᱚ ᱵᱮᱵᱷᱟᱨᱚᱜᱼᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱯᱟᱹᱨᱥᱤ ᱫᱚ ᱟᱹᱰᱤ ᱪᱚᱨᱚᱠ ᱟᱨ ᱟᱹᱰᱤ ᱜᱟᱱ ᱨᱤᱴᱢᱤᱠ ᱟᱹᱨᱤ ᱠᱟᱱᱟ ᱾ ᱟᱡᱟᱜ ᱮᱰᱤᱴᱚᱨᱱᱮᱴᱤᱵᱷᱤᱴᱤᱵᱷᱤᱴᱤᱵᱷᱤ ᱛᱮ, ᱮᱞᱠᱩᱥ ᱫᱚ ᱪᱟᱨᱞᱥ ᱤᱵᱽᱥ ᱨᱮᱱᱟᱜ ᱥᱮᱨᱮᱧ ᱨᱮ ᱠᱷᱟᱞ ᱟᱠᱟᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱮᱞᱠᱩᱥ
|
ᱪᱟᱨᱞᱥ ᱤᱵᱽᱥ
| 66
| 66
| 66
|
development-87
|
Later in the day, he announced the reappointment of Paul Biyoghe Mba as Prime Minister; he made the announcement personally ``to underline the importance of this moment''. According to Bongo, Biyoghe Mba had the necessary experience and managerial competence ``to lead us through the next stage'', and he said work would start ``immediately''.
|
he
| 302
|
Bongo
| 185
| true
|
Biyoghe Mba
| 192
| false
|
ᱛᱟᱭᱚᱢ ᱫᱤᱱ ᱨᱮ, ᱩᱱᱤ ᱯᱳᱞ ᱵᱤᱣᱡᱚᱦᱮ ᱮᱢᱵᱟ ᱫᱚ ᱯᱨᱚᱫᱮᱥ ᱢᱚᱱᱛᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱯᱟᱨᱥᱟᱞ ᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱱᱤᱡᱮᱨᱟᱜ `` ᱤᱫᱤ ᱛᱮ ᱱᱚᱶᱟ ᱢᱚᱦᱚᱛ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱚᱞ ᱪᱮᱛᱟᱱ ᱨᱮ ᱚᱞ ᱪᱮᱛᱟᱱ ᱞᱟᱹᱜᱤᱫ ᱩᱱᱤ ᱱᱚᱶᱟ ᱵᱟᱵᱚᱫᱽ ᱞᱮᱫᱼᱟ ᱾ ᱵᱤᱣᱡᱚᱦᱮ ᱮᱢᱵᱟ ᱫᱚ ᱞᱟᱹᱠᱛᱤᱭᱟᱱ ]]ᱛᱮᱫ ᱵᱤᱣᱡᱚᱦᱮ ᱮᱢᱵᱟ ᱟᱨ ᱯᱚᱨᱚᱵᱽ ᱠᱟᱹᱢᱤ ᱠᱚ ᱪᱟᱞᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱞᱟᱹᱠᱛᱤᱭᱟᱱ ]]ᱛᱮᱫ ᱵᱤᱣᱡᱚᱦᱮ ᱮᱢᱵᱟ ᱮᱱᱟᱭ ᱾"
|
ᱱᱤ
|
ᱵᱳᱝᱜᱳ
|
ᱵᱤᱣᱡᱷᱮ ᱮᱢᱵᱟ
| 2
| 2
| 2
|
development-88
|
Finally Tony marries Anne which irks Daniel. Soon life starts disturbing Anne as she finds out that Tony was actually cheating her as he is a conman. Tony explain her why he became a conman and his past struggling life. In between Daniel gets killed by Tony as he tries to rape Anne.
|
he
| 261
|
Daniel
| 231
| true
|
Tony
| 253
| false
|
ᱛᱤᱱᱟᱹᱜ ᱜᱟᱛᱮ ᱨᱮ ᱟᱱᱮ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾ ᱡᱤᱭᱚᱱ ᱫᱚ ᱟᱱᱮ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱭᱚᱜ ᱮᱱᱟ ᱾ ᱛᱤᱱᱟᱹᱜ ᱜᱟᱛᱮ ᱨᱮ ᱟᱱᱮ ᱫᱚ ᱵᱟᱰᱟᱭ ᱮᱱᱟᱭ ᱾ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱫᱚ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱱᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ ᱟᱫᱮ
|
ᱱᱤ
|
ᱰᱮᱱᱤᱭᱮᱞ
|
ᱴᱳᱱᱤ
| 192
| 2
| 63
|
development-89
|
J*rusalem (1847, Paris) composed by Giuseppe Verdi; libretto by Alphonse Royer and Gustave Va*z Aroldo (1857, Rimini) composed by Giuseppe Verdi; libretto by Francesco Maria Piave Il talismano (1874, London) composed by Michael Balfe as The Knight of the Leopard and completed after his death by Michael Costa; libretto by Giuseppe Zaffira after Sir Walter Scott's novel, The Talisman Za*re (1887, Lille) composed by Charles Edouard Lefebvre; libretto by Paul Collin, after Voltaire's Za*re Za*re (1890, Paris), composed by Paul V*ronge de la Nux; libretto by *douard Blau and Louis Besson, after Voltaire's Za*re
|
his
| 283
|
Michael Costa
| 296
| false
|
Giuseppe Zaffira
| 323
| false
|
ᱡᱚᱨᱥᱟᱞᱟᱢ (᱑᱘᱔᱗, ᱯᱟᱨᱤᱥ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱨᱰᱤ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ; ᱞᱤᱞᱮᱴᱳ (ᱞᱤᱞᱮ) ᱟᱞᱯᱷᱚᱱᱥ ᱨᱳᱭᱚᱨ ᱟᱨ ᱜᱩᱥᱴᱟᱵᱷ ᱵᱚᱥ ᱟᱨᱳᱞᱰᱤ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ (1857, ᱨᱤᱢᱤᱱᱤ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱨᱰᱤ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ; ᱞᱤᱞᱮᱴᱳ (ᱞᱤᱞᱮᱴᱳ) ᱟᱞᱯᱷᱚᱱᱥᱠᱳ ᱢᱟᱨᱤᱭᱟ ᱯᱤᱭᱟᱵᱷ ᱤᱞᱮᱢᱟᱱᱳ (ᱞᱚᱱᱰᱚᱱ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮᱯᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ ᱵᱚᱞᱯᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ) ᱡᱩᱡᱮ ᱵᱚᱞᱯᱮ (ᱢᱮᱱ) ᱡᱩᱡᱮ (ᱢᱟᱭᱠᱮᱞ ᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱢᱵᱚᱞᱯᱮ) ᱡᱩᱡᱮ (ᱞᱮᱱ) ᱡᱩᱡᱮ (ᱡ) ᱡᱩᱡᱮᱢᱵᱮ (ᱡ) ᱡᱩᱡᱮᱢᱵᱮᱨ (ᱡ) ᱡᱩᱡ) ᱡᱩᱡᱮᱢᱟᱨ ᱡᱩᱡᱮ (ᱡ) ᱡᱩᱡᱮᱢᱮ (ᱡ) ᱡᱩᱡᱮᱢᱮᱢᱮ (ᱡ) ᱡᱩᱡ) ᱡᱩᱡᱮ (ᱡ) ᱡᱩᱡᱮᱢᱮ (ᱡ) ᱡᱩᱡ) ᱡᱩᱡᱮᱢᱮ (ᱡ) ᱡᱩᱡ) ᱡᱩᱡᱮᱢᱮ (ᱡ) ᱡᱩᱡ) ᱡᱩᱡᱮᱢ
|
ᱟᱡᱟᱜ
|
ᱢᱟᱭᱠᱮᱞ ᱠᱳᱥᱴᱟ
|
ᱡᱩᱡᱮᱯᱮ ᱡᱟᱯᱷᱤᱨᱟ
| 36
| 8
| 44
|
development-90
|
When onlookers expressed doubt, claiming that the Proctor family was well regarded in the community, the girl promptly came out of her trance and told them it was all for ``sport''. On March 29, 1692, Abigail Williams and Mercy Lewis again said they were being tormented by Elizabeth's spectre. A few days later, Abigail complained that Elizabeth was pinching her and tearing at her bowels, and said she saw Elizabeth's spectre as well as John's.
|
her
| 360
|
Abigail
| 313
| true
|
Elizabeth
| 337
| false
|
᱒᱙ ᱢᱟᱨᱪ ᱑᱙᱖᱒ ᱨᱮ, ᱮᱵᱷᱤᱡᱮᱞᱤ ᱣᱤᱞᱤᱭᱟᱢᱥ ᱟᱨ ᱢᱮᱨᱥᱤ ᱞᱩᱭᱤᱥ ᱫᱚ ᱟᱠᱚᱣᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱫᱤᱱ ᱛᱟᱭᱚᱢ, ᱮᱵᱷᱤᱡᱮᱞᱤ ᱟᱡᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱟᱭᱢᱟ ᱞᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱟᱵᱤᱜᱮᱞ
|
ᱮᱞᱤᱥᱵᱮᱴ
| 1
| 64
| 12
|
development-91
|
The explanation offered by Muirhead is more prosaic than the fanciful rumours suggested. He examined the clothing left behind in the lighthouse and concluded that James Ducat and Thomas Marshall had gone down to the western landing stage, and that Donald MacArthur (the 'Occasional') had left the lighthouse during heavy rain in his shirt sleeves.
|
his
| 329
|
Thomas Marshall
| 179
| false
|
Donald MacArthur
| 248
| true
|
ᱢᱤᱨᱦᱮᱰ ᱟᱜ ᱮᱱᱮᱢ ᱫᱚ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ ᱟᱫᱚᱢ
|
ᱟᱡᱟᱜ
|
ᱴᱚᱢᱟᱥ ᱢᱟᱨᱥᱟᱞ
|
ᱰᱳᱱᱟᱞᱰ ᱢᱮᱠᱟᱨᱛᱷᱚᱨ
| 70
| 163
| 163
|
development-92
|
After a few years of almost no work -- although he was a guest star on Lou Grant and Charlie's Angels in the late 1970s, he once summed up the 1970s as ``I cried and did a lot of gardening'' -- he was hired in 1979 for his best-known role, self-made millionaire Palmer Cortlandt on ABC's long-running soap opera All My Children. Initially hired for only one year, he remained on contract through 2009. For much of his first decade on the show, Palmer was a ruthless villain, totally possessive of his daughter, Nina and violently threatening his ex-wife Daisy with being attacked by dobermans when she came back from the dead.
|
she
| 598
|
Nina
| 511
| false
|
Daisy
| 554
| true
|
᱗᱐ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱞᱩ ᱜᱨᱟᱱᱴ ᱟᱨ ᱪᱟᱨᱞᱤ ᱟᱝᱜᱮᱞᱥ ᱨᱮ ᱩᱱᱤ ᱢᱤᱫ ᱜᱚᱥᱴ ᱥᱴᱟᱨ ᱛᱟᱦᱮ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱗᱐ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱖᱐ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱗᱐ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ``I cryed and did a lot of gardening' ᱞᱮᱠᱟᱛᱮ ᱡᱩᱫᱟᱹᱣ ᱞᱮᱫᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱙᱗᱙ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱵᱟᱰᱟᱭ ᱧᱩᱛᱩᱢᱟᱱ ᱨᱳᱞ ᱞᱟᱹᱜᱤᱫ, ᱮᱵᱤᱡᱤ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱫᱷᱟᱹᱵᱤᱡ ᱥᱟᱯᱷᱟᱱ ᱚᱯᱚᱨ ᱨᱮ ᱟᱡᱤᱡᱤᱡ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱞᱤᱭᱚᱱᱚᱨ ᱯᱚᱞᱢᱚᱨ ᱠᱳᱨᱴᱞᱮᱱᱰᱴ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾ ᱮᱵᱤᱡᱤ ᱨᱮᱱᱟᱜ ᱥᱟᱯᱷᱟᱱ ᱚᱯᱚᱨ ᱨᱮ ᱮᱱᱮᱡ ᱞᱮᱫᱟ ᱾ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱢᱤᱫ ᱥᱮᱨᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ, ᱩᱱᱤ ᱫᱚ ᱒᱐᱐᱙ ᱥᱟᱞ ᱨᱮᱱᱟᱜ ᱟᱡᱟᱜ ᱯᱩᱭᱞ ᱫᱷᱟᱹᱵᱤᱡ ᱨᱮ, ᱯᱚᱞᱢᱟᱨ ᱫᱚ ᱢᱤᱫ ᱨᱟᱹᱯᱩᱫᱽᱜᱟᱹᱱᱤᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱡᱟᱜ ᱠᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩ, ᱱᱤᱱᱟ, ᱱᱤᱱᱟ ᱟᱨ ᱟᱡᱟᱜ ᱠᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩᱲᱩ
|
ᱟᱡᱟᱜ
|
ᱱᱤᱱᱟ
|
ᱰᱮᱡᱤ
| 103
| 106
| 107
|
development-93
|
O'Neill was elected as part of a four-member team called ``Feminist Leadership NOW'' that took office July 21, 2009. Bonnie Grabenhofer of Illinois is executive vice president, Erin Matson from Minnesota became action vice president, and Allendra Letsome of Maryland became membership vice president. O'Neill resigned from her position as chief of staff to Councilwoman Duchy Trachtenberg of Montgomery County, Maryland in June 2009, to work full-time for NOW.
|
her
| 323
|
Bonnie Grabenhofer
| 117
| false
|
Erin Matson
| 177
| false
|
ᱳ'ᱱᱤᱞ ᱫᱚ ᱒᱑ ᱡᱩᱞᱟᱭ ᱒᱐᱐᱙ ᱨᱮ ᱤᱭᱩᱱᱤᱭᱚᱱᱥ ᱠᱷᱚᱱ ᱵᱚᱱᱱᱤ ᱜᱽᱨᱮᱵᱮᱱᱦᱳᱯᱚᱨ ᱮᱠᱥᱮᱠᱩᱴᱤᱵ ᱵᱤᱯᱤᱡᱮᱴᱚᱨ, ᱢᱤᱱᱤᱥᱳᱴᱟ ᱠᱷᱚᱱ ᱮᱨᱤᱱ ᱢᱟᱴᱥᱚᱱ ᱮᱠᱥᱮᱠᱩᱴᱤᱵ ᱵᱤᱯᱤᱡᱮᱴᱚᱨ ᱟᱨ ᱢᱟᱨᱮᱞᱮᱱᱰ ᱠᱷᱚᱱ ᱮᱞᱮᱱᱰᱨᱟ ᱞᱚᱴᱥᱚᱢᱮ ᱫᱚ ᱢᱮᱨᱮᱞᱮᱱᱰ ᱠᱷᱚᱱ ᱢᱮᱨᱮᱞᱮᱱᱰ ᱠᱷᱚᱱ ᱢᱮᱨᱮᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱢᱮᱨᱮᱞᱮᱱᱰ ᱵᱤᱯᱤᱡᱮᱴᱚᱨ ᱮᱱᱟ ᱾ ᱳ'ᱱᱤᱞ ᱫᱚ ᱡᱩᱱ ᱒᱐᱐᱙ ᱨᱮ ᱢᱚᱸᱴᱜᱚᱨᱢᱤ ᱠᱚᱸᱴᱤ ᱨᱮᱱᱟᱜ ᱠᱳᱣᱥᱞᱮᱢᱚᱱ ᱰᱩᱪᱤ ᱴᱨᱟᱠᱴᱮᱱᱵᱚᱨᱜᱽ ᱨᱮᱱᱟᱜ ᱠᱳᱣᱥᱞᱮᱯᱷᱤ ᱥᱴᱮᱯ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱯᱳᱥᱴ ᱠᱷᱚᱱ ᱨᱟᱹᱥᱠᱟᱹ ᱮᱢ ᱟᱠᱟᱫᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱵᱚᱱᱱᱤ ᱜᱽᱨᱚᱵᱮᱱᱦᱳᱯᱚᱨ
|
ᱮᱨᱤᱱ ᱢᱚᱴᱥᱚᱱ
| 11
| 24
| 34
|
development-94
|
Alice's eldest daughter, Anne Stanley, Countess of Castlehaven was heir presumptive to Queen Elizabeth I. She married secondly in 1600 Thomas Egerton, 1st Viscount Brackley. Alice was born in Althorpe, Northamptonshire, England on 4 May 1559, the youngest daughter of Sir John Spencer, Member of Parliament and High Sheriff of Northamptonshire, and Katherine Kytson. She had three brothers and three older sisters.
|
She
| 367
|
Alice
| 174
| true
|
Katherine Kytson
| 349
| false
|
ᱟᱞᱤᱥ ᱨᱮᱱᱟᱜ ᱢᱟᱨᱟᱝ ᱠᱩᱲᱤ, ᱮᱱ ᱥᱴᱮᱱᱞᱤ, ᱠᱮᱸᱴᱮᱥ ᱳᱯᱷ ᱠᱮᱥᱴᱞᱮᱵᱷᱮᱱ ᱫᱚ ᱠᱩᱲᱤ ᱮᱞᱤᱡᱮᱵᱷᱟᱴ I ᱨᱤᱱᱤᱡ ᱦᱮᱨᱤᱥᱴᱟᱭᱮᱱ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚᱥᱟᱨ ᱑᱖᱐ ᱥᱮᱨᱢᱟ ᱨᱮ ᱴᱚᱢᱟᱥ ᱮᱜᱚᱨᱴᱚᱱ, ᱯᱩᱭᱞᱩ ᱵᱷᱤᱡᱠᱞᱤ ᱵᱤᱥᱠᱚᱸᱴᱚᱱ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟᱭ ᱾ ᱟᱞᱤᱥ ᱔ ᱢᱮ ᱑᱕᱕᱙ ᱨᱮ ᱮᱝᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱚᱞᱛᱷᱚᱨᱯ, ᱱᱚᱨᱛᱷᱮᱢᱯᱷᱮᱸᱴᱥᱟᱭᱚᱨ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱱᱚᱨᱛᱷᱮᱢᱯᱷᱮᱸᱴᱥᱟᱭᱚᱨ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱞᱮᱢᱮᱱᱴ ᱟᱨ ᱦᱚᱭ ᱥᱚᱨᱯᱷᱤᱝ ᱥᱚᱝᱥᱚᱫᱚᱨ ᱟᱨ ᱠᱮᱴᱨᱤᱱ ᱠᱟᱭᱴᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱡᱩᱥᱴᱤᱝ ᱠᱩᱲᱤ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱯᱮᱭᱟ ᱵᱷᱤᱡᱽ ᱟᱨ ᱯᱮᱭᱟ ᱢᱟᱨᱟᱝ ᱥᱩᱨᱤ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
|
ᱩᱱᱤ ᱫᱚ
|
ᱟᱞᱤᱥ
|
ᱠᱟᱴᱷᱮᱱ ᱠᱟᱭᱴᱥᱚᱱ
| 38
| 69
| 16
|
development-95
|
Davidson was hired on January 24, 2007 as the offensive coordinator of the Carolina Panthers. Having worked as a member of the New England Patriots ' staff under Charlie Weis, Davidson forged a close relationship with him. Weis is a good friend of Panthers head coach John Fox, and it is believed that his recommendation was instrumental in Fox's decision to hire Davidson. With his playing and coaching experience at the offensive line and additional coaching with tight ends, most believe this hire meant that Coach Fox wanted to keep his focus on a powerful offense based around a strong running game, as has been his tendency in the past.
|
his
| 379
|
Davidson
| 364
| true
|
Fox
| 518
| false
|
ᱰᱮᱵᱷᱤᱰᱥᱚᱱ ᱫᱚ ᱒᱔ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱒᱐᱐᱗ ᱨᱮ ᱠᱚᱨᱚᱞᱳᱱᱟ ᱯᱚᱸᱛᱷᱚᱨᱥ ᱨᱮᱱᱟᱜ ᱟᱯᱷᱮᱱᱥᱤᱵᱽ ᱠᱳᱨᱰᱮᱱᱮᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱼᱟ ᱾ ᱪᱟᱨᱞᱤ ᱣᱟᱭᱥ ᱛᱟᱞᱟ ᱨᱮ ᱱᱤᱣ ᱤᱝᱞᱮᱱᱰ ᱯᱟᱴᱨᱤᱳᱴᱥ ᱨᱮᱱᱟᱜ ᱥᱴᱮᱯ ᱨᱮᱱ ᱢᱤᱫ ᱦᱚᱲ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱞᱮᱫ ᱛᱟᱭᱚᱢ, ᱰᱮᱵᱷᱤᱰᱥᱚᱱ ᱟᱡ ᱥᱟᱶ ᱥᱩᱨ ᱥᱟᱹᱜᱟᱹᱭ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱼᱟ ᱾ ᱣᱟᱭᱥ ᱫᱚ ᱯᱚᱸᱛᱷᱚᱨᱥ ᱨᱮᱱᱟᱜ ᱥᱤᱨᱟᱹ ᱢᱩᱠᱷᱤᱭᱟᱹ ᱡᱚᱱ ᱯᱷᱚᱠᱥ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱟᱱᱟ, ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱯᱷᱚᱠᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱰᱮᱵᱷᱤᱰᱥᱚᱱ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱟᱹᱰᱤ ᱜᱚᱲᱚᱭ ᱮᱢ ᱟᱠᱟᱫᱼᱟ ᱾ ᱟᱡᱟᱜ ᱮᱯᱷᱮᱱᱥᱤᱵᱽ ᱞᱟᱭᱤᱱ ᱨᱮ ᱠᱷᱮᱞᱚᱸᱰ ᱟᱨ ᱠᱳᱪᱤᱝ ᱥᱮᱬᱟ ᱟᱨ ᱠᱳᱪᱤᱝ ᱥᱟᱸᱜᱮᱡ ᱥᱟᱸᱜᱮᱡ ᱥᱟᱸᱜᱮᱡ ᱥᱟᱶᱛᱮ, ᱵᱟᱹᱲᱛᱤ ᱦᱚᱲ ᱠᱚ ᱢᱮᱱᱮᱭᱟ ᱱᱚᱣᱟ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱫᱚ ᱴᱷᱮᱱᱥ ᱯᱷᱚᱠᱥ ᱯᱷᱚᱥ ᱢᱤᱫ ᱢᱩᱬ ᱠᱷᱮᱞ ᱨᱮ ᱟᱡᱟᱜ ᱯᱚᱨᱥᱚᱸᱰ ᱮᱥᱴᱤᱝ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱱ ᱛᱟᱦᱮᱸᱫ ᱾
|
ᱟᱡᱟᱜ
|
ᱰᱮᱵᱷᱤᱰᱥᱚᱱ
|
ᱨᱟᱵᱟᱝ
| 52
| 84
| 50
|
development-96
|
It is picked up by a bystander, emptied of its cash, and shoved into a wastebasket. Without the wallet, there is no way to immediately identify the body as Bullard. George Caswell, a member of the Tredway board of directors and one of the investment bankers with whom Bullard had just met, sees what he believes is Bullard's body in the street below their offices and decides to profit from the information.
|
he
| 300
|
George Caswell
| 165
| true
|
Bullard
| 268
| false
|
ᱵᱩᱞᱟᱨᱰ ᱫᱚ ᱢᱤᱫ ᱧᱮᱞᱚᱜ ᱦᱚᱲ ᱛᱮᱭ ᱦᱮᱡ ᱟᱠᱟᱱᱟ, ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱚᱡᱚᱱᱟ ᱠᱚ ᱵᱷᱮᱡᱟᱭᱟ ᱟᱨ ᱚᱱᱟ ᱫᱚ ᱢᱤᱫ ᱵᱷᱮᱡᱟᱭᱟᱨ ᱨᱮᱭ ᱵᱷᱮᱡᱟᱭᱟ ᱾ ᱵᱩᱞᱟᱨᱰ ᱵᱟᱭ ᱛᱟᱦᱮᱸᱱ ᱠᱷᱟᱱ, ᱵᱩᱞᱟᱨᱰ ᱫᱚ ᱵᱟᱭ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ ᱾ ᱴᱨᱮᱰᱣᱮᱭᱤ ᱵᱳᱰ ᱰᱮᱨᱮᱠᱴᱚᱨ ᱠᱚᱣᱟᱜ ᱢᱤᱫ ᱥᱚᱦᱮᱫ ᱟᱨ ᱢᱤᱫ ᱤᱱᱥᱴᱤᱢᱮᱸᱴ ᱵᱮᱝᱠᱟᱨ ᱡᱟᱦᱟᱸᱭ ᱥᱟᱶ ᱵᱩᱞᱟᱨᱰ ᱱᱤᱛᱚᱜ ᱜᱮ ᱥᱮᱞᱮᱫ ᱮᱱᱟ, ᱩᱱᱤ ᱫᱚ ᱵᱩᱞᱟᱨᱰ ᱨᱮᱱᱟᱜ ᱡᱚᱡᱚᱱᱟ ᱠᱚ ᱧᱮᱞ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱚᱯᱷᱤᱥ ᱠᱚ ᱞᱟᱛᱟᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱜᱟᱰᱟ ᱨᱮ ᱵᱩᱞᱟᱨᱰ ᱨᱮᱱᱟᱜ ᱡᱚᱡᱚᱱᱟ ᱧᱮᱞ ᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱯᱟᱥᱱᱟᱣ ᱮᱱᱟ ᱟᱨ ᱟᱡᱟᱜ ᱯᱟᱥᱱᱟᱣ ᱠᱷᱚᱱ ᱜᱚᱲᱚ ᱮᱢ ᱞᱮᱫᱟ ᱾
|
ᱱᱤ
|
ᱡᱚᱨᱡ ᱠᱮᱥᱣᱮᱞ
|
ᱵᱩᱞᱟᱨᱰ
| 47
| 46
| 54
|
development-97
|
Caswell begins to doubt that it was Bullard who died, but when he reads in a newspaper that the man had the initials ``A.B.'' on his clothes and cufflinks, he calls the police to tip them off to the identity of the deceased. Bullard had never named his successor. Over the next 28 hours, Tredway's executives vie for the position of president. Once news of his death reaches Tredway, company controller Loren Shaw takes the initiative in arranging Bullard's funeral and coordinating the company's public reaction.
|
his
| 357
|
Loren Shaw
| 403
| false
|
Bullard
| 448
| true
|
ᱠᱮᱥᱣᱮᱞ ᱫᱚ ᱵᱩᱞᱟᱨᱰ ᱡᱚᱦᱚᱜ ᱜᱚᱡ ᱞᱮᱱᱟᱭ ᱢᱮᱱᱛᱮ ᱵᱟᱹᱭᱦᱟᱹᱭ ᱮᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱠᱷᱚᱵᱚᱨ ᱨᱮ ᱚᱞᱚᱜᱼᱟ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱟᱡᱟᱜ ᱠᱷᱟᱴᱚ ᱟᱨ ᱠᱮᱸᱯᱷᱞᱤᱱᱠ ᱨᱮ ``A.B.' ᱧᱩᱛᱩᱢ ᱠᱚ ᱚᱞ ᱟᱠᱟᱫᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱯᱩᱞᱤᱥ ᱴᱷᱮᱱ ᱠᱚ ᱥᱮᱞᱮᱫ ᱠᱟᱜᱼᱟ ᱾ ᱵᱩᱞᱟᱨᱰ ᱫᱚ ᱟᱡᱟᱜ ᱦᱟᱥᱟ ᱵᱟᱭ ᱵᱟᱰᱟᱭ ᱞᱮᱫᱼᱟ ᱾ ᱛᱩᱨᱩᱭ ᱜᱚᱴᱟᱝ ᱚᱠᱛᱚ ᱨᱮ, ᱴᱨᱮᱰᱣᱮ ᱨᱮᱱᱟᱜ ᱯᱟᱨᱥᱮᱠᱴᱚᱨ ᱠᱚ ᱯᱨᱤᱥᱮᱠᱴᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱠᱚ ᱞᱟᱹᱭ ᱾ ᱟᱡᱟᱜ ᱜᱚᱡ ᱨᱮᱱᱟᱜ ᱠᱷᱚᱵᱚᱨ ᱴᱨᱮᱰᱣᱮ ᱦᱮᱡ ᱞᱮᱱ ᱛᱟᱭᱚᱢ, ᱠᱮᱸᱯᱨᱳᱞᱚᱨ ᱞᱳᱨᱮᱱ ᱥᱳᱣ ᱫᱚ ᱵᱩᱞᱟᱨᱰ ᱡᱚᱦᱚᱜ ᱜᱚᱡ ᱨᱮᱱᱟᱜ ᱥᱤᱨᱤᱡᱽ ᱟᱨ ᱠᱮᱸᱯᱨᱳᱰ ᱨᱮᱱᱟᱜ ᱥᱚᱨᱠᱟᱨᱤ ᱨᱟᱹᱥᱠᱟᱹ ᱠᱚ ᱥᱩᱯᱩᱨᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱮᱦᱚᱵ ᱮᱱᱟ ᱾
|
ᱟᱡᱟᱜ
|
ᱞᱚᱨᱮᱱ ᱥᱳᱣ
|
ᱵᱩᱞᱟᱨᱰ
| 67
| 71
| 4
|
development-98
|
Around 1125 W*adys*aw married Agnes of Babenberg, daughter of Margrave Leopold III of Austria; this union gave him a close connection with the Holy Roman Empire and the Kingdom of Germany: Agnes by her mother was a granddaughter of Emperor Henry IV and a half-sister of the Franconian duke Conrad III of Hohenstaufen, the later King of Germany. Thanks to W*adys*aw, Silesia was saved during the wars of 1133--1135 with Bohemia: he stopped the destruction of the major areas of his district after the Bohemian forces crossed the Oder river.
|
he
| 428
|
Henry IV
| 240
| false
|
Conrad III
| 290
| false
|
᱑᱑᱒᱕ ᱥᱟᱞᱮ ᱨᱮ ᱣᱮᱰᱤᱥ ᱟᱣ ᱫᱚ ᱟᱜᱽᱱᱮᱥ ᱳᱯᱷ ᱵᱟᱵᱮᱱᱵᱚᱨᱜᱽ, ᱚᱥᱴᱨᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱟᱨᱠᱨᱚᱵᱽ ᱞᱤᱯᱳᱞᱰ III ᱟᱜ ᱠᱩᱲᱤ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱡᱩᱱᱟᱹᱛ ᱫᱚ ᱩᱱᱤ ᱫᱚ ᱫᱷᱚᱨᱚᱢ ᱨᱳᱢᱟᱱ ᱤᱯᱷᱤᱭᱚᱨ ᱟᱨ ᱡᱚᱨᱢᱟᱱᱤ ᱨᱤᱱᱤᱡ ᱨᱟᱡᱽᱜᱟᱲ ᱥᱟᱶ ᱥᱩᱨ ᱥᱟᱹᱜᱟᱹᱭ ᱮ ᱮᱢᱟᱫᱮᱭᱟ ᱾ ᱟᱡ ᱵᱟᱵᱟ ᱟᱜᱽᱱᱮᱥ ᱫᱚ ᱮᱢᱯᱟᱨ ᱦᱮᱱᱨᱤ IV ᱟᱜ ᱯᱩᱴᱤ ᱟᱨ ᱯᱷᱨᱟᱱᱠᱳᱱᱤᱭᱟᱱ ᱰᱩᱠ ᱠᱚᱱᱨᱚᱰ III ᱟᱜ ᱦᱳᱦᱮᱱᱥᱴᱚᱯᱷᱮᱱ, ᱡᱚᱨᱢᱟᱱᱤ ᱨᱮᱱᱟᱜ ᱛᱟᱭᱚᱢ ᱨᱟᱡ ᱟᱜ ᱛᱩᱨᱩᱭ ᱟᱜᱽᱱᱮᱥᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱛᱩᱨᱩᱭ ᱥᱮᱨᱢᱟ ᱠᱷᱚᱱ ᱑᱑᱑᱓᱓-᱑᱓᱕ ᱥᱟᱞᱮ ᱨᱮᱱᱟᱜ ᱵᱳᱦᱮᱢᱤᱭᱟ ᱥᱟᱶ ᱡᱷᱤᱛᱟᱹᱣ ᱚᱠᱛᱚ ᱨᱮ ᱥᱤᱞᱮᱥᱤᱭᱟ ᱫᱚᱭ ᱫᱚᱦᱚ ᱠᱮᱫᱼᱟ ᱾ ᱵᱳᱦᱮᱢᱤᱭᱟᱱ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱛᱟᱭᱚᱢ ᱟᱡᱟᱜ ᱦᱚᱱᱚᱛ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱴᱚᱴᱷᱟᱶ ᱠᱚ ᱨᱮᱱᱟᱜ ᱵᱷᱟᱹᱞ ᱠᱟᱛᱮ ᱩᱱᱤ ᱫᱚ ᱵᱷᱟᱹᱞ ᱠᱟᱛᱮᱜ ᱮᱱᱟ ᱾
|
ᱱᱤ
|
ᱦᱮᱱᱨᱤ ᱯᱩᱱᱭᱟ
|
ᱠᱚᱱᱨᱚᱰ III
| 34
| 50
| 82
|
development-99
|
In the second act, Victor's apartment is shown from a different angle, and the Krap home is still visible. For much of the act, that part of the stage is empty, except for a moment where Jacques lights the lamp and paws his master's armchair. At one point, Victor arrives, and Jacques allows him to sit in his father's chair.
|
him
| 292
|
Victor
| 257
| true
|
Jacques
| 277
| false
|
ᱫᱚᱥᱟᱨ ᱟᱠᱷᱚᱨ ᱨᱮ, ᱵᱷᱤᱠᱴᱚᱨᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱮᱴᱟᱜ ᱠᱚᱱᱴᱮᱠᱴ ᱠᱷᱚᱱ ᱧᱮᱞᱚᱜᱼᱟ, ᱟᱨ ᱠᱨᱚᱯᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱱᱤᱛᱦᱚᱸ ᱧᱮᱞᱚᱜᱼᱟ ᱾ ᱟᱠᱷᱚᱨ ᱨᱮᱱᱟᱜ ᱟᱭᱢᱟ ᱫᱷᱟᱣ, ᱥᱮᱞᱮᱫ ᱨᱮᱱᱟᱜ ᱱᱚᱶᱟ ᱴᱚᱴᱷᱟ ᱫᱚ ᱵᱟᱹᱱᱩᱜᱼᱟ, ᱡᱮᱠᱥ ᱞᱟᱢᱯ ᱞᱟᱹᱠᱷᱤᱱ ᱟᱨ ᱟᱡᱤᱡ ᱢᱟᱥᱴᱟᱨᱟᱜ ᱯᱟᱴᱷᱮᱞ ᱨᱮ ᱯᱟᱴᱷᱮᱞ ᱞᱟᱹᱠᱷᱤᱱ ᱾ ᱢᱤᱫ ᱚᱠᱛᱚ ᱨᱮ, ᱵᱷᱤᱠᱴᱚᱨ ᱦᱤᱡᱩᱜᱼᱟ, ᱟᱨ ᱡᱮᱠᱥ ᱟᱡ ᱵᱟᱵᱟ ᱨᱮᱱᱟᱜ ᱴᱷᱟᱶ ᱨᱮ ᱡᱟᱠᱥ ᱮᱢᱟᱫᱼᱟ ᱾
|
ᱱᱤᱡᱮ
|
ᱵᱷᱤᱠᱴᱚᱨ
|
ᱡᱟᱠᱥ
| 41
| 28
| 47
|
development-100
|
Vybz Kartel started his career as a teenager in 1993 with his first recording ``Love Fat Woman'', released on Alvin Reid's label ``One Heart'', using the moniker ``Adi Banton'', as homage to Buju Banton. Palmer was later part of the three-member group ``Vybz Cartel'', keeping the name after the group split up, and became a protege of Bounty Killer, for whom he claims to have written nearly 30 songs, including ``Gal Clown''.
|
he
| 360
|
Vybz Cartel
| 254
| false
|
Bounty Killer
| 336
| false
|
ᱵᱤᱵᱽᱡ ᱠᱟᱨᱴᱮᱞ ᱫᱚ ᱟᱡᱟᱜ ᱠᱮᱨᱤᱭᱮᱨ ᱫᱚ ᱒᱐᱑᱓ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱨᱮᱠᱳᱨᱰ ``Love Fat Woman'', Alvin Reid's label ``One Heart'', ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ``Adi Banton'', ᱵᱩᱡᱩ ᱵᱟᱱᱴᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱢᱟᱱᱟᱣ ᱮᱱᱟ ᱾ ᱯᱟᱞᱢᱟᱨ ᱫᱚ ᱛᱟᱭᱚᱢ `` ᱵᱤᱵᱽᱡ ᱠᱟᱨᱴᱮᱞ' ᱯᱮᱭᱟ-ᱡᱟᱹᱛᱤ ᱜᱨᱩᱯ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱷᱟᱶ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱜᱨᱩᱯ ᱛᱟᱭᱚᱢ ᱛᱮ ᱵᱷᱮᱡᱟᱨ ᱛᱟᱭᱚᱢ ᱧᱩᱛᱩᱢ ᱫᱚᱦᱚ ᱠᱟᱛᱮ, ᱟᱨ ᱵᱚᱸᱴᱤ ᱠᱤᱞᱚᱨ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱜᱚᱲᱚᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱚᱠᱚᱭ ᱞᱟᱹᱜᱤᱫ ᱟᱡ ᱫᱚ ``Gal Clown' ᱥᱟᱶᱛᱮ ᱒᱐ ᱜᱚᱴᱟᱝ ᱥᱮᱨᱮᱧ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾
|
ᱱᱤ
|
ᱵᱷᱤᱵᱽᱥ ᱠᱟᱨᱴᱮᱞ
|
ᱵᱚᱭᱩᱱᱴᱤ ᱠᱤᱞᱚᱨ
| 24
| 0
| 0
|
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